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Neo-Lutheranism was a 19th-century revival
movement within Lutheranism which began with
the Pietist driven Erweckung, or Awakening,
and developed in reaction against theological
rationalism and pietism. This movement followed
the Old Lutheran movement and focused on a
reassertion of the identity of Lutherans as
a distinct group within the broader community
of Christians, with a renewed focus on the
Lutheran Confessions as a key source of Lutheran
doctrine. Associated with these changes was
a renewed focus on traditional doctrine and
liturgy, which paralleled the growth of Anglo-Catholicism
in England. It was sometimes even called "German
Puseyism". In the Roman Catholic Church in
Germany, neo-Lutheranism was paralleled by
Johann Adam Möhler. The chief literary organ
of the neo-Lutheranism was Evangelische Kirchenzeitung,
edited by Ernst Wilhelm Hengstenberg.
== Repristination versus Erlangen school ==
Neo-Lutheranism developed as a reaction against
the Prussian Union in a similar manner to
the development of Tractarianism against the
British Government's decision to reduce the
number of Irish bishoprics. A distinction
developed in neo-Lutheranism whereby one side
held to repristination theology which tried
to restore historical Lutheranism, while the
other held to the theology of the Erlangen
School. The repristination theology group
was represented by Ernst Wilhelm Hengstenberg,
Carl Paul Caspari, Gustav Adolf Theodor Felix
Hönecke, Friedrich Adolf Philippi, and C.F.W.
Walther. Repristination theology is the mother
of later Confessional Lutheranism. Confessionalism
to the Erlangen School was not to be static,
but dynamic. The Erlangen School tried to
combine Reformation theology with the new
learning. The Erlangen School included Franz
Hermann Reinhold von Frank, Theodosius Harnack,
Franz Delitzsch, Johann Christian Konrad von
Hofmann, Karl Friedrich August Kahnis, Christoph
Ernst Luthardt and Gottfried Thomasius.
== High Church Lutheranism ==
However, neo-Lutheranism is sometimes called
only theology and activity represented by
Theodor Friedrich Dethlof Kliefoth, August
Friedrich Christian Vilmar, Johann Konrad
Wilhelm Löhe, August Friedrich Otto Münchmeyer
and Friedrich Julius Stahl who had particularly
high ecclesiology. They were polemic against
idea of invisible church, strongly claiming
church as an outward, visible institution
of salvation and therefore laid emphasis on
ordained ministry instituted by Christ and
significance of sacraments above word as Means
of Grace. However, unlike the Erlangen School,
this neo-Lutheranism did not make lasting
influence on Lutheran theology. Properly speaking,
High Church Lutheranism began in Germany much
later, 1917 the Hochkirchliche Vereinigung
Augsburgischen Bekenntnisses was created,
inspired by 95 theses Stimuli et Clavi, exactly
100 years after Claus Harms' 95 theses.
Neo-Lutheranism should not be confused with
term Neo-Protestantism, represented e.g. by
Adolf von Harnack and his followers, which
means exclusively liberal theology.
== See also ==
Gottlieb Christoph Adolf von Harless
Andreas Gottlob Rudelbach
Charles Porterfield Krauth
Ludwig Adolf Petri
Fredrik Gabriel Hedberg
Evangelical Catholic
Old Lutherans
Gisle Johnson
C. F. W. Walther
Carl Paul Caspari
U. V. Koren
Herman Amberg Preus
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(uplifting music)
- Your baby's growing by leaps and bounds
and is already an inch-and-a-half long
and a quarter ounce in weight.
That's about the size of a prune,
but happily your sweet
sugar plum is much cuter
than the average prune,
and not nearly as wrinkled.
Baby's head takes up about half his length
and your cutie's facial features
are quite recognizable now.
His eyes are hidden behind
sealed lids and they won't
function until later in
the second trimester.
But a kissable button nose is
visible and the external parts
of those adorable ears have
started to grow low down
on the fetal head.
Twenty tiny baby teeth buds
are in place beneath his gums,
though you won't see any precious pearlies
until your sweetie is
about six months old.
Baby's stomach and kidneys
are operational now,
churning out digestive juices and urine.
That beating heart is
now a fully functional
four-chambered one. Two
ventricles pump blood
to the lungs and body while
the two atria receive blood
from baby's circulation.
Your baby is also getting
stronger, busy building
bones and cartilage and already sporting
a pair of elbows that actually bend.
Also under construction:
knees, wrists and ankles,
so he can poke and prod his
mama in the months to come.
If your baby's a girl her tiny
ovaries are beginning to form
even tinier eggs.
Got a boy in your belly?
Believe it or not, his
newly developing testes
are already starting to make testosterone.
What a guy!
(gentle music)
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En el referéndum sobre el Brexit los
gibraltareños eligieron permanecer en
la Unión Europea. En Reino Unido el
Brexit ganó por poco y algunas regiones
eligieron también quedarse en la Unión.
Pero lo de gibraltar fue de escándalo.
Casi todos los gibraltareños, un 96%,
decidieron quedarse en la Unión Europea.
Esto plantea un serio problema para
Gibraltar.
Si al final el Reino Unido sale de la
Unión, Gibraltar también tendrá que
abandonar su estatus
Tras el Brexit Gibraltar corre el riesgo cierto de
perder su relación especial con la
Unión Europea.
Esto significaría controles en la
frontera, un aislamiento del peñón y
perjuicios para toda la región del
Campo de Gibraltar.
¿Qué hacer entonces? En este vídeo vamos
a hablar de los problemas actuales de
Gibraltar y de su relación con España.
Y os aseguro que son cuestiones muy,
muy interesantes
En varios
momentos de la historia Gibraltar ha
querido ser independiente pero no ha
podido porque Naciones Unidas ha
declarado que tienen que respetarse los
derechos de España.
Gibraltar está en la lista de descolonización de Naciones Unidas pero su origen no fue la
expansión colonial. La ciudad el puerto
y el peñón de Gibraltar fueron una
cesión territorial de un estado europeo,
España, a otro, Gran Bretaña, hecha con
condiciones en el Tratado de Utrecht de
1713.
Una de esas condiciones es que en caso
de que Gran Bretaña quiera cambiar de
cualquier manera el estatus de Gibraltar
España recupera los derechos anteriores
a la cesión. Por esto
Reino Unido no puede transmitir el
territorio de gibraltar a ningún otro
estado y Gibraltar tampoco se puede
convertir en independiente. En cualquiera
de esos dos casos
españa tiene derecho a recuperar
Gibraltar. Poned atención,
esto es textualmente lo que dice él
tratado.
¿Un paraíso fiscal?
Frente a esta situación Londres dio
una Constitución otorgada a Gibraltar
en 2006 que respeta su autonomía pero
reserva las relaciones exteriores y la
seguridad para el Reino Unido. Un
gobernador de la reina comparte el poder
con el gobierno de Gibraltar
actualmente presidido por Fabián Picardo
del Partido Laborista. El Parlamento de
Gibraltar quienes solamente 17 escaños
y en la actualidad diez de estos
componen el gobierno presidido por
Picardo, con ministros como los señores
García, Cortés o la señora Sacramento.
Nombre muy mediterráneos.
Además, el gobierno de Picardo se
encuentra bajo la tutela del gobernador
militar británico que en la actualidad es Edward Davis.
El gobernador que no está sometido a
los tribunales puede, por ejemplo,
rechazar las normas aprobadas por el
Parlamento de Gibraltar si la reina no
las acepta o si el gobernador entiende
que son contrarias al buen gobierno del
territorio.
Al mismo tiempo Gibraltar tiene un
régimen especial en la Unión Europea.
Gibraltar no es territorio de la Unión
porque no es territorio del Reino Unido,
pero allí se aplica el derecho
comunitario y las libertades
comunitarias, salvo la unión aduanera.
Esto quiere decir que las importaciones desde fuera
de la Unión pagan impuestos en
cualquier territorio de la Unión,
pero las importaciones a Gibraltar no
deben pagar ese impuesto común.
Por este motivo las cosas importadas son
más baratas en Gibraltar, como por
ejemplo el tabaco o los productos del petróleo.
Gibraltar se ha aprovechado de
esta situación de varias maneras:
una de las primeras importaciones de
Gibraltar es el tabaco en grandes
cantidades. Pero los gibraltareños no pueden fumar
todo lo que importa. Por ejemplo, se calcula que en 2014 entre
un 30 y un 40% de el tabaco que llegaba
de contrabando a España
provenía de Gibraltar.
Y la Unión Europea y España dejaron de
recaudar alrededor de 1.000 millones de
euros por este concepto.
Desde entonces se ha regulado la venta
de tabaco y su entrada en España pero
todavía queda mucho por hacer.
Igualmente Gibraltar realiza pactos de
exención fiscal con empresas que se
instalan en su territorio, y muchas de
ellas con oficinas ficticias para poder
operar en países de la Unión Europea
sin pagar impuestos.
Fijaos bien con un territorio de unos
seis kilómetros cuadrados en Gibraltar
hay inscritas más de 20.000 empresas.
Esto ha sido duramente criticado por la
Comisión Europea que acusa a gibraltar
de competencia desleal.
Pero el caso más espectacular que
demuestra que Gibraltar ha querido ser
un paraíso fiscal es el de las empresas
de apuestas online.
Este caso es muy reciente ha sido
resuelto por el Tribunal de Justicia de
la Unión Europea en junio de 2017.
Lo más sorprendente de este caso es que
fue una demanda del Reino Unido contra
Gibraltar. La asociación de empresas del juego
había convencido al gobierno de
Gibraltar para no poner ningún impuesto
a los que ganaban apuestas online para
favorecer la instalación de estas
empresas mientras que en Reino Unido
los ganadores de apuestas online debían
pagar un 15 por ciento.
Pues bien, al final el Tribunal de la
Unión Europea dio la razón al Reino
Unido y Gibraltar ha tenido que aplicar
ese impuesto. Al final Gibraltar ha
perdido numerosos casos judiciales
porque quiere actuar como paraíso
fiscal, e incluso según algunos informes
aprovecharse de tráficos ilícitos.
Evidentemente esto afecta a la hacienda
y a la seguridad no sólo de España
sino de la Unión Europea.
En el referéndum sobre el Brexit se demostró
que los ciudadanos de Gibraltar tienen
intereses muy distintos a los del Reino Unido.
Para intentar una solución
temporal a la controversia sobre
Gibraltar, tras el Brexit España
presentó una propuesta de soberanía
compartida al Reino Unido en octubre de
2016 ante Naciones Unidas.
La idea principal es una soberanía
compartida de España y Reino Unido
sobre Gibraltar que mantendría su
autonomía sobre asuntos locales.
En esta propuesta se permite a los
gibraltareños guardar la nacionalidad
británica y adquirir además la
española, una gestión conjunta de la
seguridad y las relaciones exteriores y
la pertenencia de Gibraltar a la Unión Europea.
No se vosotros qué pensaréis, amigos de
VisualPolitik, o qué pensarán los
gibraltareños pero a mí me parece que
esta propuesta tiene tres grandes
ventajas:
Primero una normalización de las
relaciones de Gibraltar con su entorno y
la apertura de la frontera.
Segundo el relanzamiento económico del
Campo de Gibraltar y de toda la región
con el uso conjunto del aeropuerto.
Y tercero los gibraltareños ya no
tendrían que elegir entre o ser
británicos o ser españoles porque
pueden ser los dos y lo que es más
importante ser ciudadanos de la Unión
Europea.
En cambio el escenario opuesto, una
ruptura de relaciones con la Unión
Europea supondría mayores controles
fronterizos y un posible aislamiento del
peñón. Y esto afectaría por supuesto a
los más de ocho mil trabajadores que
desde España se desplazan cada día
para trabajar en el peñón.
En definitiva, sería malo para todos.
"Lo preocupante, bueno lo preocupante es que
haya fluidez en la frontera que es un
tema más Schengen que Brexit, pero ese ha
sido el pan nuestro de cada día de 35
años que llevamos con la frontera abierta".
La propuesta española de cosoberanía
subraya que se respetarían las
tradiciones y la cultura de Gibraltar.
Además, indica también que el régimen
nuevo de Gibraltar podría insertarse en
la Constitución española de 1978.
Hoy estamos delante del parlamento
español y bajo la estatua de Cervantes
y hemos venido aquí para encontrarnos
con Ainhoa López, licenciada en derecho
público y presidenta de la Asociación
Cultural Alonso Martinez:
Hola, Ainhoa ¿qué tal estás?
Quería preguntarte en primer lugar
las nacionalidades históricas y las
regiones, según menciona nuestra
Constitución, ¿cómo hicieron sus
estatutos de autonomía?
Pues, muy fácil a través del artículo 143 de la
Constitución se elaboró el marco para
que estas regiones y nacionalidades
elaborarán su propio estatuto y así se
conformarán cumpliendo los requisitos como
comunidades autónomas.
Y además de estos estatutos de las nacionalidades y
regiones, ¿existen otras posibilidades en
nuestra Constitución?
Sí, en el artículo
144 de la Constitución existe ese
apartado como para ciudades como Ceuta y Melilla.
Y en este sistema, ¿sería posible
integrar el caso de Gibraltar?
Sí claro, de hecho la Constitución lo
prevé así en el artículo 144, esa
amplitud está hecha precisamente para
poder implantar a Gibraltar dentro de
la Constitución.
Muchísimas gracias, Ainhoa, gracias
por estar con nosotros en VisualPolitik.
El artículo 144 de la Constitución
establece que las Cortes Generales
mediante ley orgánica pueden por
motivos de interés nacional autorizar o
acordar un estatuto de autonomía para
territorios que no estén integrados en
la organización provincial.
El Brexit, amigos inteligentes, plantea un reto muy
grave para Gibraltar. Sus ciudadanos y
sus empresas puedan quedar fuera de la
Unión y al margen de las libertades
comunitarias.
Los gibraltareños deben resolver la
contradicción en la que se encuentran
por un lado dicen que quieren ser
europeos y por otro han dicho que no
quieren que Reino Unido negocie la
cosoberanía con España.
Cuando en realidad tras el Brexit la única manera que los gibraltareños tienen de
regularizar su situación en la Unión
Europea es yendo de la mano de España.
Esta solución aportaría beneficios para todos.
Supondría el relanzamiento económico
de toda la región. Sobre todo hay que
evitar aislamientos y bloqueos, hay
soluciones ganadoras para todos. Para que
se entienda en la lengua de Shakespeare: "It´s a win win situation".
Gibraltar podría
aprovechar la propuesta española de
cosoberanía y buscar soluciones
imaginativas para resolver esta
controversia histórica entre España y
Reino Unido. En fin, Cervantes y
Shakespeare deberían entenderse como
buenos amigos.
Hasta la próxima, inteligentes.
mi mente
m
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Ça a été un hiver long et froid
Sans toi
J'ai pleuré à l'intérieur
sur toi
Tu m'as juste glissé entre les doigts
alors que la vie se détournait
Tu m'as juste glissé entre les doigts
depuis ce jour
et il est si difficile de trouver la force maintenant mais j'essaye
Et je ne veux pas parler maintenant de ce qui s'est passé
Parce que peu importe ce que je dis
Je ne peux pas changer ce qui est arrivé
Peu importe ce que je fais
Je ne peux pas changer ce qui est arrivé
Parce que peu importe ce que je dis
Je ne peux pas changer ce qui est arrivé
Non, je ne peux pas
Tu m'as juste glissé entre les doigts
et j'ai tellement honte
Tu m'as juste glissé entre les doigts
et j'ai payé
Parce que peu importe ce que je dis
Je ne peux pas changer ce qui est arrivé
Peu importe ce que je fais
Je ne peux pas changer ce qui est arrivé
Peu importe ce que je dis
Je ne peux pas changer ce qui est arrivé
Non, non, je ne peux pas changer
Tu m'as juste glissé entre les doigts
Et je sens que j'ai tellement payé
Tu m'as juste glissé entre les doigts
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Mega Evolution,huh?
Charizard I choose you!
FLAMETHROWER!
FLAMETHROWER!
DRAGON CLAW
CHARIZARD ARE YOU ALLRIGHT?
STEEL WING!
LET'S GO CHARIZARD,DRAGON PULSE!
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- Models, we all love them.
Ohh, son of a...
(beep)
I find models fascinating.
When I hold onto one,
it just unlocks some
curious part of my brain
that just makes me dream.
I remember as a kid being
fascinated with models.
I would bring 'em to school every year
to teach my class about the moon landings.
Pretty much nobody really cared
about anything I had to say,
but one thing that did grab
their attention was the fact
that I'd let them handle
my models at the end
of my very elaborate presentation.
And today, I still have
that boyish enthusiasm
for bringing these skyward
monsters onto my shelf.
With the growth and popularity of spaceX
in the last few years,
the demand for spaceX
models has skyrocketed,
but there were a few problems.
For one, they were very hard to come by,
and two, they were insanely expensive.
Luckily for us, one man
saw a hole in that market
and took his 3D modeling
skills to create handmade,
3D printed spaceX models
that are insanely accurate.
His name is Oli Braun
and I had the pleasure
of interviewing him across the world
to talk about his past, his motivations,
and his inspirations in a new
interview series I'm doing
called Space Creators.
I'm just gonna open this with thanking you
for taking the time to do this.
I have the first model you sent me.
- Yep.
- The Falcon 9 Block 4.
- With the dragon capsule, yeah.
- It really is slick.
It's definitely my
favorite model here so far,
up until my most recent package.
- Okay, so you haven't un-boxed it yet?
- It's right here.
- Let's hope it's not damaged.
- Well, what's funny is it arrived
and it had a nice hole
in the side of the box.
- Okay, oh, okay.
- Have you seen anybody ever open a box
of your product before?
- No, not yet apart from myself.
- I thought it would be something fun
to start the interview with.
And also to clarify,
this Block Five dragon model I have
is the first one you mailed, correct?
- Yep, the first one,
with the crew dragon.
- Dude it looks, it looks like it's fine.
- It looks like in one piece?
- Holy (beeping),
this is beautiful.
- Yeah, it seems to be in
one piece, glad you like it.
- Before we get more into details,
about the particular model making process,
I'm curious about your motivations.
I know your background is
in film and television,
did you do any 3D motion graphics?
- What I did earlier, when
I went to film school,
I did 3D animation, and visual effects.
This is my core, and the
reason why I got into
real-life filming was because,
I always had problems
with live background play
for my animations.
I thought to myself, well
why not do it myself?
- So you developed your
skills in your main career
as a Director of Photography
and Motions graphic artist,
so I can now see where
the skill set came from
for 3D modeling because
that is a skill set
that is applicable across video games,
3D printing clearly,
graphics for television,
what made you want to make a
3D model of a spaceX rocket?
- I mean, I'm a spaceX follower
and space fan in general
for all my childhood and
I've been following spaceX
since the first launches
of Falcon One, when I watched
these fuzzy live streams
that they had back then,
with laggy Internet.
One day I was thinking about, I mean,
I want to have models like
these, standing around.
I mean models were always inspiring to me.
I always had models on my desk.
Since 3D printing has come
up to a pretty usable level,
in the past years,
I thought to myself, why not
just try to remodel things
and print them and see how it works.
Five or 10 years ago, it
wasn't really an option
that was on the table.
It works so well, it was so accurate,
that you could construct things,
consisting of multiple parts,
that fit together so well.
- Did you see a business
in this at the time?
Or is this strictly just for personal use?
- At first it was like, spaceX engineers,
these people, they work
on this hardware for
10 years maybe.
It has a all different meaning for them
to have a Falcon Nine sitting
on their desk, for example,
than it is for me.
I was very honored to have
these people approach me.
The business side of things
is not the key element for me.
At first glance, they are kinda expensive,
if you compare to an off
the shelf toy you can buy
at Walmart, which is mass
produced in China probably.
I mean, making stuff at
home, in the small company,
with limited resources like we do,
every model is unique to itself,
because it's handmade.
I just do it because I
love making these things
and as soon as it pays
for itself, I'm all good.
It has it's downsides too
because when things are
kinda cheap, like these small models were,
I get flooded in orders, which
made many people tell me,
hey man, your stuff is much too cheap.
If you look at other custom model makers,
they charge more than double of the price
what you charge for your stuff still.
- When you talk about the price,
I think it's very reasonable
and I do want viewers to know
that I did pay for these models.
Clearly, you're at a price point that
people are comfortable
with because you are
flooded with orders and I feel bad
because I remember when
I ordered my first model,
I think it took about six or
seven months for it to deliver.
Your stuff is in so high demand,
and you're one person,
hand-making these models,
we gotta cut you some slack,
cause I remember writing
you emails being like,
did my order get forgotten?
You're like no, there's like,
5,000 other things going on,
I promise I'm gonna get to it
and I trusted you and you did,
you delivered and you
delivered a beautiful product.
So I'm absolutely thrilled.
Has Elon seen any of your
models that you're aware of?
- Some of the first models I made in 2017
were also made for Elon
and also Gwen and Hans
and yeah, he was pretty happy with them.
He posted them on his Instagram,
which doesn't exist anymore because
he deleted his Instagram account.
You know, it may sound
kinda cheesy but spaceX has
given me so much inspiration in my life.
- I remember being a kid,
building space shuttles,
Saturn Five's, Mercury Atlas, Redstones
and I had them on display and
I'd hang them from my ceiling,
and it made me dream, you know?
You're doing that same
exact thing for kids today.
As they age, they're gonna be able to say
that you know, I had one of Oli's models
and I had it hanging on my shelf,
and I think you're having a bigger impact
on people than you think.
So you should feel really good about that.
- I'm pretty happy to
see kids or young people
to be inspired by these things.
So very happy about it.
Or if my models help making that happen,
then yes, yeah, of course.
- I learned a lot from that interview
and if you want to watch
the entire, hour long,
uncut interview, you can find a link
in the description below.
I really want to thank
Oli for taking the time
and effort to help me
set up this interview
for my new Space Creators series.
I do want to remind
everybody that Oli has a big
backlog of orders he's
still powering through
so please be patient with him.
He's so busy, in fact,
that he's taking a pause
on his regular business,
to fulfill all these orders
for the rest of the year.
If you enjoyed this video,
I'd appreciate it if you did subscribe.
I hope you learned something.
I had a lot of fun, I hope you did too
and that's really it.
All right, bye.
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- [Schwarzenegger] We always
thought about what can we do
for the state of California
or for the country,
for the United States.
- [Woman] We come here to
figure out how to solve
some of the world's toughest issues.
- [Woman] The mission of the Institute
is to advance post partisanship,
where leaders put people
over political parties
and political ideology.
- Here in California our drought
has become the type of
crisis that sucks up
all the oxygen in the room.
We might be short on water,
but we are being flooded
with headlines and analysis
about that water drought.
This is why I called us
all together here today,
in the hope of breaking
through this noise.
This forum has two
equally important goals.
One is to help us here,
and the people of California
understand the problem.
Number two is to identify and
analyze possible solutions.
Our current problem, in my opinion,
is not the crisis of water.
It is a crisis of vision
and commitment to long term planning.
Too often, politicians cannot or do not
look beyond the current crisis.
Over the past hundred years,
Southern California has averaged
14 inches of rain a year.
As this drought has intensified,
over the last five years, same thing.
14 inches average.
If history is any guidance,
we would enact some short term policies
to get thought this drought.
When the rain falls we will all move on,
so the cycle can repeat
itself over and over again.
But this time it must be different.
We must remember that the real problem
is our shortsightedness.
We shouldn't just marvel
at innovative solutions.
We must make a commitment to the future.
We must work together to
build a lasting vision,
a lasting future for California.
The question is not
what are the needs of the
Republicans or the Democrats?
The real question is
what are the needs of our people?
And if you just stick to
one party's proposals,
you miss half of the good ideas.
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Hi, everyone, it's Emmy, and I am back to eat today
something that has been much requested and something that I actually....um...
really quite like. It's called natto!
So, for those of you that don't know what natto is, natto is a
I guess you call it pretty traditional...
Japanese... I don't know if you call it a dish?
Or um,
Just food!
Traditional Japanese food. It's fermented soybeans,
and there are thousands -- well okay perhaps not thousands --
dozens, maybe even hundreds of
permutations or styles of natto.
So natto is soy beans that have been fermented.
They've been inoculated with this stuff and
it creates this really sticky, slimy film around them,
and that they are quite, um --
how do you put it politely -- pungent in odor?
People call them also stinky or foul-smelling.
A lot of people actually don't like... don't like natto.
I am in the camp of those that love natto,
so I don't mind the smell. I don't mind the flavor.
I think it's delicious.
Okay, I had to go rescue my child!
Um, so, natto it's typically eaten for breakfast.
Um, you find them in the grocery store kind of in the deli case -- really reasonably priced.
Anywhere from a dollar?
Equivalent of like a $1 to $3 in U.S. dollars for a three pack.
One of the things I've noticed in Japanese food, when I was living in Japan,
is there's a great appreciation for, um,
slimy textures.
So, natto and there's a yamaimo--
which is a type of mountain potato that has a very slimy, viscous...
consistency or texture -- which is loved!
And soups are slurped, so there's this very much
unique, I think, mouth feel to Japanese cuisine?
That's different than than western cuisine.
I think a lot of westerners have a hard time dealing with that consistency?
I love it, I love it! I love the squelchy, squishy, slimy.
I'm into it. So,
for those of you that try natto be warned, fair warned,
besides the smell, there is also a consistency, so...
and it does smell very strong.
The best way I can describe it is
it's similar to some stinky cheeses.
So, I'm going to share with you natto.
So today I have a bowl of rice.
This is a rice bowl that I made when I was in Japan.
I took a, um, ceramics class with this lovely lady in my neighborhood.
But anyways, here's one of my bowls, and some hot rice.
And this is the one I'm going to eat today.
This is one of my favorites!
It comes in this little cute plastic container called... umeki?
So what you do is you open,
and you remove the little plastic film --
and it is very pungent --
and inside you'll often find two little packets
of some... kind of flavoring
This says shiso nori --
which is like a shiso flavored -- shiso is like...
Heck! Similar to basil.
And nori is seaweed.
And, um, the sealed yellow packet which you often see is karashi,
which is mustard -- Japanese hot mustard.
So there's different ones. Some have just like tsuyu--
which is some sort of sauce--
and karashi, some have wasabi.
So like I said, there are many, many, many different kinds.
And then inside you have this:
those are the beans, and then there's a little plastic film.
So you remove the film, and
you can immediately see the strands of the culture.
The culture is what they use to create that flavor
and hence the smell.
What you do is you take your hashi, your chopsticks --
you want to develop that slime.
So look at that!
Add your... in this case I'm gonna add my nori...
and my karashi, which is my mustard.
And then, again, give it a good mix.
Then, after do that, you just...
top it onto your rice --
adding some green...
some sliced green onion on top.
Itadakimasu!
Mmm!
Delicious!
So that's a trick: like if you use your chopsticks,
and you give it a twirl,
it'll break those strands.
Otherwise you get the kind of strands of slime kind of hanging on your mouth,
which isn't
um, necessarily attractive or pleasant feeling.
So, has a bit of that soy sauce sweet and salty flavor,
and it tastes kind of cheesy!
And then the green onions give it a really nice kind of freshness.
Very, very humble humble food, you know, just beans and rice.
And it's supposed to be very nutritious -- really good for you!
Lots of like, lots of cultured and fermented foods -- like Kimchi, or
natto, or
kombucha --
those kinds of things are all supposed to be really great for you, so...
yeah, it's good for you; it's affordable,
and um, it's just plain delicious.
So, I highly recommend trying natto.
If you've never had it before, give it a go.
Maybe you'll find you like it.
Maybe you'll find you detest it.
Anyways, I hope you try it!
If you do, if you've had it,
or let me know what your experiences are with natto,
I'd love to hear about them.
Yeah, don't forget to subscribe, like below, and leave a comment and let me know--
let me know what your experiences are with natto.
Alright! Take care, and I'll see you in my next video. Bye!
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Arnold Schwarzenegger rose to fame as the
world's top bodybuilder, launching a career
that would make him a giant Hollywood star
via films like Conan the Barbarian, The Terminator
and Total Recall.
After years of blockbuster movie roles, Schwarzenegger
went into politics, becoming governor of California
in 2003.
He returned to the big screen after leaving
office in 2011, finding success with The Expendables
franchise and a return to the Terminator series.
Arnold Schwarzenegger was born on July 30,
1947, near Graz, Austria.
Schwarzenegger's childhood was far from ideal.
His father, Gustav, was an alcoholic police
chief and one-time member of the Nazi Party,
who clearly favored Arnold's brother over
his gangly, seemingly less athletic younger
son.
Arnold Schwarzenegger said the violence from
the father created the Arnold of today: “A
lot of kids around me were whipped when parents
didn't want to create a person but just a
obedient guy, I was like a rebel who refused
to follow a set path and that was why I was
beaten.
Every time I was hit or listened to someone
to make me cynical, I always told myself:
'This won't last long because I'm going to
leave.
I will become rich and I will become an influential
person.
So uptight and uncomfortable, in fact, that
Schwarzenegger would later refuse to attend
the funeral of his father, who died in 1972,
or his brother, who was killed in a car crash
in 1971.
The unhappy childhood is one of the important
reason that lead Arnold to become a empower
man who know exactly what he need and what
he should have done.
He becomes a Mr universe in 1980.
From the age of 14, the young man started
working out after trying out football.
Arnold was so passionate about fitness that
he was ready to break into the gym on the
weekends to practice stealthily: “Missing
a day of practice can make me sick.
I know I won't be able to look at myself in
the mirror in the morning if I didn't practice
the day before.
”As a result, at the age of 17, Arnold Schwarzengger
possessed a sculpted body and began to participate
in competitions.
Schwarzenegger was known as the Styrian Oak,
or Austrian Oak, in the bodybuilding world,
where he dwarfed his competition.
He won his first amateur Mr. Universe title
in 1967.
After moving to California in 1968 to train
and compete in bigger events in the United
States, he won four more Mr. Universe titles
and then the professional Mr. Olympia title
six years in a row (1970–75) before retiring.
He surprised the bodybuilding world by returning
to competition one more time to claim the
Mr. Universe title in 1980.
Bodybuilding was the subject of several of
his books, including the autobiographical
Arnold: The Education of a Bodybuilder (1977)
and The New Encyclopedia of Modern Bodybuilding
(1998).
After becoming the most famous bodybuilder
in the world, Arnold continues to conquer
new role.
His next goal is film, with action, masculine
roles.
And His first film is in Hercules role , later,
Schwarzenegger’s native charm and wit finally
came through in the acclaimed documentary
Pumping Iron (1977), which led to his starring
role in Conan the Barbarian (1982).
His other films include Predator (1987), Kindergarten
Cop (1990), Total Recall (1990), True Lies
(1994), and The 6th Day (2000).
Although he officially entered Hollywood in
the early 1970s with the film Hercules in
New York, he was still regarded as a mediocre
actor by "the strange body and voice and the
name is too long.
It was not until the role of the brave Conan
in Conan the Barbarian (1982) that Arnold
truly resonated.
His giant appearance is perfectly suited to
play this ancient hero.
Arnold's fate is very similar to Conan himself.
In the film, this character is famous for
being a gladiator and immersed in the colors
before rediscovering himself on the battlefield,
being made king.
In real life, Arnold became a celebrity as
a bodybuilder, after a period of substance
abuse and chasing girls.
No longtime later, he comeback again in the
field of film, married the late Kennedy's
grandson Maria Shriver and became Governor
of California.
After gaining attention with Conan the Barbarian,
Schwarzenegger actually rose to a movie star
as the "Terminator" T-800 in the science fiction
film The Terminator (1984).
In the film, he plays the killer robot sent
to the past to destroy Sarah Connor (Linda
Hamilton) - who later became the mother of
a hero.
Although initially not expected much, The
Terminator unexpectedly achieved great success
in terms of revenue.
Many critics rated it as one of the best films
in 1984, with a focus on the cold-blooded
T-800 and the classic "I'll be back" line.
The Terminator turned directors James Cameron
and Arnold Schwarzenegger into stars.
These two close friends later collaborated
on two other successful films, the action-comedy
True Lies (1994) and especially Terminator
2: Judgment Day (1991).
In the second part, Arnold plays the T-800
robot back to the past to protect Sarah's
son John Connor from the T-1000 assassin.
The film won four Oscars, becoming the best-selling
film in 1991 and ranked as one of the best
action films in history.
The hero with Arnold's cold face wearing dark
glasses in Terminator 2 is the most famous
figure of his career.
When people say "Terminator" is referring
to Arnold and vice versa.
Even when Arnold Schwarzenegger decided to
retire from politics to become political and
become Governor of California between 2003
and 2011, people still called him "The Governator"
as nick name(based on the combination of Governor
and Terminator.
).
When the Terminator 3 got no impression from
audiences as well as movie critics, he started
another roles with a politician, after get
married with his wife Maria Shriver.
Marriage to Maria Shriver:
Off-screen Schwarzenegger continued his remarkable
story, marrying into the Kennedy family in
1986 by tying the knot with Maria Owings Shriver,
grandson of President Kennedy , daughter of
Eunice Kennedy Shriver and her husband R.
Sargent Shriver.
Schwarzenegger and Shriver have four children:
Katherine, Christina, Patrick and Christopher.
Patrick followed his dad into the acting business,
appearing in several films as a child before
taking a leading role in the 2018 teen tear-jerker
Midnight Sun.
However, The couple announced their decision
to separate in May 2011, after Schwarzenegger's
acknowledgment that he'd fathered a baby with
a member of the family's household staff.
During the 1990s he became increasingly active
in the Republican Party at both the state
and national levels, and in 2003 he was elected
governor of California in a recall election.
In his initial years in office, Schwarzenegger
pushed for a number of restrictive measures
that proved unpopular, especially with organized
labour.
Nevertheless, he was reelected in 2006.
He earned key legislative victories on issues
relating to the environment, including a landmark
act to reduce greenhouse-gas emissions in
California, and successfully advocated for
ballot propositions to reform the state’s
redistricting process and political-primary
format.
At the same time, his governorship was encumbered
by the state’s enormous budget deficit,
which ballooned to $26 billion in 2009.
Despite a battery of service reductions and
salary cuts enacted to stem the fiscal crisis,
the state’s economy continued to struggle,
and Schwarzenegger suffered from consistently
low approval ratings.
Because of term limits, he did not run for
reelection in 2010.
Return to Hollywood: 'The Expendables' and
'Terminator' Sequels
In 2010, Schwarzenegger appeared alongside
Sylvester Stallone, Jason Statham, Jet Li
and Bruce Willis in the ensemble action film
The Expendables.
In August 2012, he reunited with the cast
for The Expendables 2.
Just one week after the film's premiere, it
had climbed to the No. 1 spot at the box office,
bringing in nearly $28.6 million.
Schwarzenegger made headlines again later
in 2012, when he admitted for the first time
to having an affair with his Red Sonja co-star,
actress Brigitte Nielsen, in the mid-1980s,
while he was dating and living with Maria
Shriver.
Nielsen had written about the adulterous relationship
in her 2011 memoir, You Only Get One Life,
but Schwarzenegger didn't publicly confirm
Nielsen's account until the fall of 2012,
when his memoir, Total Recall, was published.
Continuing with his acting career, Schwarzenegger
rejoined Stallone for The Expendables 3 in
2014.
The following year he returned to the film
franchise that made him a star with Terminator
Genisys.
After the release of Terminator Genisys, many
people rated Arnold's presence as one of the
movie's highlights.
Recently he also made a nice gesture to the
fans.
After a man said his ill father smiled back
when he saw Terminator Genisys, Arnold personally
wrote in response: “Your story is very touching.
I want to say that this is the reason why
I am acting but you should know that you made
your father laugh.
I want to tell your father that I feel honored
when my silly smile in the Terminator made
him laugh.
”
It is the intimate actions that show such
interest in the fans and the action roles
that make Arnold Schwarzengger - even at the
age of U70 - still one of the most popular
stars in the world.
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In New Zealand, avocados have joined the ranks
of all the illicit, illegal, and stolen goods
available on the black market. And it’s
not even the first time this has happened.
There is a crime wave in New Zealand, and
its target is avocados. About 40 large-scale
thefts have been reported by farmers, with
up to 350 avocados stolen each time, according
to Radio New Zealand. The illegitimate fruit
is being sold locally, at roadside stalls
and through grocery stores and restaurants,
at slightly less than the market price – which
has doubled over the past few months. In neighboring
Australia, there were reports of the fruit
selling for $7 apiece earlier this year (that’s
about $5 American). To prevent break-ins,
Brisbane grocers began posting signs: “Please
note: No cash or avocados are kept on premises
overnight.” How did we get here? As a society,
what drives this kind of black market activity?
As with any economic issue, it’s supply
versus demand. In this case, weather conditions
led to a poor crop right after a boom in demand.
In 2015, an additional 96 thousand New Zealand
households began buying the fruit, according
to growers’ organization New Zealand Avocado.
Desperate times lead to opportunistic measures.
And all of this is small potatoes compared
to what happened in California in the late
1980s. After three winters of freezes cut
crops short, petty thievery gave way to professional-level
heists. Organized crime rings stole ten million
dollars’ worth of fruit in a single year
– about five to ten percent of the California
industry at the time. The state hired full-time
avocado cops, who in their first year of operations
uncovered 283 thousand pounds of illicit fruit
being sold on the black market. The takeaway
here is that it’s up to us as consumers
to be wary: If a deal seems too good to be
true, it probably is. And a bit of good news:
So far, the thefts in New Zealand have amounted
to only a couple thousand avocados out of
the 25 million that may be sold this season,
and new crops should stabilize the market
over the next few weeks.
What’s your moral stance about black market
goods? Reach out and let us know. And to keep
up with what’s going on in the world right
now, head to now.howstuffworks.com every day.
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one, two, three, four
If the heart is always searching
Can you ever find a home
I've been looking for that someone
I'll never make it on my own
Dreams can't take the
place of loving you
There's gotta be a million reasons why it's true
When you look me in the eyes
When you look me in the eyes
And tell me that you love me
And tell me that you love me
Every thing's alright
Every thing's alright
When you're right here by my side
When you're right here by my side
When you look me in the eyes
When you look me in the eyes
I catch a glimpse of heaven
I find my paradise
I find my paradise
When you look me in the eyes
When you look me in the eyes
How long will I be waiting
How long will I be waiting
To be with you again
Gonna tell you that I love you
In the best way that I can
I can't take a day without you here
I can't take a day without you here
I can't take a day without you here
I can't take a day without you here
You're the light that makes my darkness disappear
You're the light that makes my darkness disappear
When you look me in the eyes
When you look me in the eyes
And tell me that you love me
And tell me that you love me
Every thing's alright
When you're right here by my side
When you're right here by my side
When you look me in the eyes
I catch a
glimpse of heaven
I find
my paradise
When you look me in the
When you look me in the
eyes
When you look me in the eyes
You tell me that you love me
Every thing's alright
When you're right here by my side
'Cause when you look me in the eyes
'Cause when you look me in the eyes
'Cause when you look me in the eyes
'Cause when you look me in the eyes
I catch a glimpse of heaven
I catch a glimpse of heaven
I catch a glimpse of heaven
I find my paradise
I find my paradise
I find my paradise
I find my paradise
When you look me in the eyes
When you look me in the eyes
When you look me in the eyes
When you look me in the eyes
When you look me in the eyes
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- People say that if you want caffeine,
you need coffee or energy drinks.
- Woo!
(energetic music)
- Well those people are wrong.
(upbeat music)
I'm making the best God damn tea.
I'm starting a tea company,
I'm trying to do the
whole thing for under $500
and I'm showing you guys the whole process
so you can learn what it
takes to start a business.
Oh my God.
I'm not selling products yet.
Do you have something to sell?
I need to figure out what
these flavors are, huh?
Today I'm sampling from
over 50 different teas
in a quest to make original flavors.
Something that combines the punch
of my favorite caffeinated teas
with the health benefits and
anti-inflammatory properties
of my favorite herbal teas.
And oh yeah, it's gonna
be really, really yummy.
And while I do that,
I've asked my friends to sample
from some of the world's most
popular caffeinated beverages
to see what they like
and if there's anything I
should incorporate into my tea.
- Mm.
Yeah.
Woo.
- Where does tea come from?
- True tea comes from camellia
sinensis can you say that?
- Camellia sinensis.
She was dating Shaun Mendez, right?
(laughing)
So you sent me like well
over 50 different samples.
I have all of these teas to try.
What am I looking for
as I'm drinking these?
- Just think, what would
I want to drink every day?
- We are launching with
two original blends.
One for waking up,
and one at the end of
that day for chilling out.
I just wanna make something that you sip
and it makes you happy.
Did I just create a new blend?
My mission today is to
better understand flavor.
- According to Ayurveda
you have the tongue, right?
So you have sweet, you have salty,
you have pungent, and then
the far back of the tongue
and along the sides of
the cheek is astringency.
High quality food has that puckery effect
that drawing astringent effect.
As you start to define that pallet
you can really tend to
appreciate it so much more.
- I need to get in touch
with my lil' taste buds.
My little flavor buddies.
My lil' flav homies.
What's going on in my mouth place?
- I don't know what Zach's doing,
he's off having a spirit quest somewhere.
But the boys today
are gonna be sipping the caff.
Hello, and welcome to the
ultimate caffeine taste test.
We're gonna get (beep) up.
- Zach did text me and say,
"Eugene, don't drink the entire bottles
"of everything we've given you."
He's not here,
there's no oversight.
I'm gonna do whatever I want.
- We did consult with
medical professionals.
(laughing)
We googled some stuff about like
is this okay, can caffeine kill you?
And it turns out you have
to have like a lot a lot
of caffeine to even be close to dying.
Disclaimer, whatever.
We don't have legal.
Well we do have legal,
but like not that type of legal.
- You have a way that you
taste tea specifically.
- Yes, again, this isn't
something that you do on a date.
This is something if you're
like really honing in
and you're evaluating a tea.
Ideally, it's best to taste
tea early in the morning.
- Good morning, campers.
It is 6:45 AM.
- Because your senses are more awake.
You're more alive, you're more charged.
- I certainly don't feel alive.
- You should have as clear
of a palate as possible.
You just wanna make sure your tongue,
that instrument is fully
ready to really understand
the single ingredient components.
Make sure you have a clear bladder.
- So you're telling me,
that to taste up here
I gotta empty out down there?
- Yes.
(trickling)
- First up, coffee.
I certainly have coffee everyday,
something I'm very used to.
- Yeah, that's good.
Tastes like waking up.
Tastes like getting me going.
- What is caffeine?
- There's about five
botanicals that we know of
that naturally have caffeine.
Coffee, tea, cacao.
Lot of people associate
side effects of caffeine
because of coffee.
- Is my hair making myself glow?
Is that what it is?
How dark and black my hair is,
is making me turn into Edward Cullen?
- Typically, you'll get
a much more balanced
caffeine experience when it comes to tea
than you will with coffee.
- Next up we have some black tea.
- Steaming up my glasses,
I'm steaming up my glasses.
(slurping)
- Sorry, that was gross that I slurped.
- Honestly, I just want more,
I'm just so sleepy,
the coffee's I think all
that's gonna help me.
- I think a lot of people,
there's this assumption
that tea isn't enough.
- Tea has its time and place.
Coffee has its time and place.
- Yeah, coffee's great.
- That if I'm sleepy, if I
need that kick of energy.
(upbeat music)
- Yeah, the tea's just
super underwhelming.
- That tea can't do what
the other things can do.
- What can I say?
Let's chug this.
- So I would say they're 100% right.
If they're used to buying
the scraps that are left over
and put into most supermarket teas,
you're not gonna get all
the other polyphenols,
flavor notes, the natural oils,
amino acids that could
be left in a whole tea.
- Now white teas are quick.
You only need to brew them for
about one to three minutes.
So let's put time on the clock.
And then I'm not gonna make
you wait three minutes.
Let's cut to them being done.
So I've got my teas here
next to what I'm sampling,
next to this puzzle that I gave up on.
Let's do it.
- So what I'm gonna do
is I'm gonna draw the liquid
in the front of my mouth.
Just take a normal sip and swallow.
This helps me get baseline
in terms of temperature,
I don't wanna burn my mouth.
I then swirl it around in the front,
swish it back so it covers
all of my taste buds.
(slurping)
Swallow, and with my lips closed,
I take a slow breathe out through my nose.
- Now here we go.
(slurping)
(choking)
(slurping)
(choking)
- Almost everybody coughs
like the first couple times
that they try this.
- I think I need to try that again.
- [Steve] Okay, let's do it.
- First up, I'm gonna do silver nettle.
(slurping)
Oh yeah.
It's like if you could take all the dew
off the grass on a spring
morning and sip it.
White acai.
Cheers.
Lot of sweetness up front.
Feels very summertime to me.
But it's not what I want
when I first wake up in the morning.
In the mornings I want something
that feels like a warm hug,
but then slaps you across the face.
White tea and organic green tea together.
That's really nice.
That's really good.
With having my autoimmune disease,
I don't sleep great a lot of the time.
So I really need something in the morning
that just kick starts my day.
White goji blossom.
Mm.
This is already so hard.
It's like, okay, that was good tea.
Hey, this is a good tea too.
I don't (beep) know.
So I just decided to ask Twitter
what their favorite tea flavor was,
and I have over 830 responses already.
- And by the way, tea
people are very vocal.
They're gonna be like, this sucks,
or this is the best
experience I have ever had,
and I need to have it again.
I need to have it again,
and I need to have it again.
- This is both very exciting.
It shows that people are tapped in,
they really care about this.
But it also makes me nervous
because I know that invariably
I'm going to disappoint some people.
This is tough.
- [Ned] The ultimate caffeine taste test.
Matcha.
(clinking)
Is it Ned who doesn't like matcha?
- I have never tasted a
matcha that I have liked.
- Absolute blasphemy.
- Smells like I'm just
tasting grass clipping here.
- Really straight up smells
like some grass up in here.
And not the Friday night kind,
you know what I mean?
All right, we're having fun.
(slurping)
- Oh I hate it.
- I feel like I wanna
drink this, I'm a cow.
- Like a sexy cow.
- Makes me feel like I'm on a farm.
And somebody just blasted a shotgun
full of grass in my face.
- I love this so matcha.
Dumb, dumb, it's dumb when
it comes out of my mouth.
Something that Keith would probably say,
it sounds like a Ned joke.
- I'm gonna probably
start steeping multiple.
- Yes, you can get super scientific
and it's gonna be one
minute, or three minutes,
and this particular temperature.
But if it's a great tea,
then it should allow you the wiggle room
in terms of how it comes out.
Try it at three minutes,
try it at four minutes,
try it at five minutes, and
try it at, like eight minutes.
- If you do it too hot, or
if you leave it over steeping
it needs to still just taste great.
Now we are into the black teas.
English breakfast.
If you've ever even heard of a tea flavor,
you probably know English breakfast.
Oh yeah.
You know what, I'm just
gonna say it right now.
I think I want the wake
up tea to be a black tea.
There's something about the
way that this makes me feel
that just tells me like,
hey, it's the morning.
It's time to wake the (beep) up.
- The one thing that's
gonna drive the most amount
of caffeine is how long you steep it.
That's why white tea and
green tea, by nature,
have more caffeine, but
black tea you steep longer.
- I really like black tea.
And I'm trying to find one though
that is more interesting.
All right, let's move on to monk's blend.
(jazzy music)
(eerie music)
Yes I am so stoked about this.
This is like what you expect
black tea and want it to be.
- Usually from Assam, India,
the flavor profile's almost
like fresh baked bread.
It has that multi-ness that
you might be attracted to.
- The ultimate caffeine taste test.
Espresso.
Espresso, no, no, no, it's
an espresso not expresso.
E-spre-sso.
Espresso yourself.
Oh my God I can't stand
what I'm saying right now.
I'm just talking.
- Salut.
(electronic music)
- Woo.
- Delicious.
- This is plum olong.
Oh wow.
This is what I've been looking for.
Plum, dates, cherry, stone fruit.
These kind of deeper flavors
I think really go well
with the black tea.
Oh my God, I am so excited.
- Can you say ultimate
caffeine taste test?
(babbling)
Woohoo!
(rock music)
Oh yeah, we're getting this party started.
Did I shake this up?
Oh, oh.
- I'm not the biggest
fan of this no sugar,
no calories, aspartame flavor.
- I have aspirations,
but not aspartations.
What's that mean?
- Okay, next round of teas.
We're moving into the herbal blends.
We've talked a lot about
caffeine in this video,
but one of my favorite things about tea
is its healing properties.
Tea can calm you and soothe you,
and there's a lot of
really cool stuff in it
that has great effects on your body.
I want the herbal tea to just be something
that gives you permission to say oh,
let's relax.
First up, we've got bright eyed.
Oh this kicks ass.
(rock music)
- Woo!
Let's go.
(belching)
(intense rock music)
(slurping)
- Hell yeah.
That's good.
Oh it makes you smile.
- My heart's beating faster actually.
(slurping)
- Okay next up I have the ginger ginseng.
Balanced really nicely.
The ginger brings it
to a place that I like.
We got rooibos.
Oh I love this.
Very multi-nutty and then cinnamony.
It's just such a fun herbal flavor.
Rooibos chai,
it's got that delicious flavor
but then the chai is giving me this tingle
and it's this spice, and it's aromatic.
- You remember yerba merty.
- [Ned] Smells like flat coca-cola.
- Yerba mate y'all.
(growling)
- Hey, hey.
Children, children.
Father is filming.
(sighing)
(rock music)
(gagging)
- Talk to the people, Bean.
Hello, my name is Bean and I'm a dog.
How's your quarantine going?
Oh pretty good, I like barking
at all the people walking by.
- Feeling a little,
little crazy now.
- Feeling pretty lit.
I'm feeling litty city.
(upbeat music)
- Mm.
- Woo.
- Okay, okay, okay,
okay, okay, okay, okay.
(tongue clicking)
- It's now 8:30 AM
I'm two hours into this.
I've sampled from 12
different types of tea
and I'm feeling really nice.
- Wow it is starting to hit me.
My brains is going da-da-ling-ding-ding.
(humming)
- My mind feels clear.
- I'm right, you're wrong, shut up.
No, not right.
Zach zach, zach zach, zachitty zach.
Zach's tea.
- I'm awake but I'm not
feeling crazy like this.
- Cute.
Cute.
Cute.
- I feel like I've had a nice
steady ramp up in the morning
and I just feel good.
- Feeling crazy.
I do need to do work today.
Or do I need to play skee-ball?
Skee-ball.
Skee-ball.
Skee-ball.
(techno music)
Gimme the ball, gimme
the ball, gimme the ball.
- Time to have a dance party.
(techno dance music)
- Oh the bees are out again.
(techno music)
- The bees.
- It gives you wings.
- I am starting to crash.
- I'm just tired.
(metal clinking)
Oh no, somebody dropped a fork.
- If you're drinking coffee
at this really high spike
and you come down below
your natural state,
and it takes a long time
to come back to normal.
- They're all like a little party.
They're all like getting
to know each other.
They're all like, "Hey, how've you been?"
- Bad for the body, it's
bad for the adrenal glands.
It keeps people up at night.
- Oh I've been in quarantine.
Oh my too, I blah blah.
I haven't seen you in so long.
I haven't seen anyone in so long.
Get a sip of coffee.
- Now there's nothing in
the bean itself to combat
the negative side effects of caffeine.
Now the type of caffeine that's in tea
is chemically similar.
- They're the same thing.
They're the same thing.
- But they effect the body
a little bit differently.
There's polyphenols and
flavanoids and catenins
that naturally combat the
negative side effects of caffeine.
- I wonder do I seem a lot
more animated and happy
than when I started this video?
I feel wonderful right now.
I just feel alive.
(electric whirring)
- Thank you.
- Yo.
- Hey man.
Where's the rest of the guys?
- Oh well, Ned threw is back out.
And Eugene was up until
five in the morning,
so you just got me today.
- Oh my God.
- Yeah.
(chuckling)
- I guess, what'd you guys learn?
- (beep) nothing, man.
Maybe don't drink that much caffeine.
- Uh thanks, I guess.
- Yeah you're welcome, man, it was fun.
- I have some flavor ideas.
- That's great.
We probably had the same day.
- Okay, well bye.
- Okay, bye.
- So after my flavor adventure
I have settled on blend ideas
that I am stokes about.
For the wake up tea,
we're gonna do Monk's Blend
mixed with stone fruit.
For the calm down tea we're doing rooibos,
just a really beautiful,
flavorful red tea.
Then we're gonna try mixing it
with chai, ginger, turmeric.
Wake you up, tastes great,
make you feel great.
In about a week I'm gonna
get the samples back
and be able to try
different versions of my tea
for the first time.
And then in about a month and a half
it'll be in your hands.
It's happening.
The next episode is all about design.
What do you think my logo should be?
I want you to illustrate, Photoshop,
send me your best, wackiest, funniest,
craziest designs using
the hashtag #korndiddytea.
I'll have instructions up
on my Twitter and Instagram.
And I will review them
in the next episode.
And very exciting, I finally have a name
to reveal for my company.
Next time, bye.
(upbeat music)
- Zach's tea, I love Zach's tea.
I love to drink Zach's tea.
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English:
♪♪♪ [humming]
♪ Remember when you said it
there's no second chance ♪
♪ Oh, baby,
I heard you been hoping
you could change the past ♪
♪ You miss the long goodnights ♪
♪ You miss the long goodbyes ♪
♪ You miss the long goodnights ♪
♪ Yup, yup, yup, yup, yup ♪
♪ Well did you ever think
that it was hard for me ♪
♪ To walk it off like nothing
happened nonchalantly ♪
♪ I got you feeling like ♪
♪ I got you feeling right ♪
♪ I got you feeling like ♪
♪ Yup, yup, yup, yup, yup ♪
♪ That's my shape
I made the shadow ♪
♪ That's my name,
don't wear it out though ♪
♪ Feelin' myself ♪
♪ Can't be illegal ♪
♪ Illegal ♪
♪ So sue me ♪
♪ For looking too pretty
tonight ♪
♪ Wearing your favorite color
under the lights ♪
♪ For moving on,
doing everything right ♪
Japanese:
覚えているわ
もうやり直せない ってあなたは言った
ねえベイビー 過去を変えられたらって
ずっと願っていたんでしょ
あの長いおやすみの言葉が恋しくて
あの長いお別れが恋しくて
あの長いおやすみが恋しくて
(そうなんでしょ)
ねえ 考えたことある?
私がどんなに辛い思いをして
何事もなかったように平然と立ち去ったか
あなたにそう感じさせたか
それでいいと思わせたか
あなたにそう感じさせたか
私の影よ
そこに映っているのは
あれは私の名
ボロボロにしないで
でも晴れやかな気分になったって
別に違法じゃないわ
違法じゃない
訴えたければどうぞ
今夜はキレイ過ぎてごめんね
あなたの好きな色をまとってライトに照らされて
前に進んで 全部完璧で
Japanese:
悪かったわね
あなたの仲間と仲良くして
出会った場所であなたと鉢合わせて
私を忘れられなくさせちゃって
悪かったわね
外出先で私と会うのはすごく辛いでしょうね
でも無神経にならないようにするわ
なぜってあなたは鈍感だから
確かにしんどいと思う
会いたくもない人に会うのは
そのキツさはわかる
(そう わかる)
私の影よ
そこに映っているのは
あれは私の名
ボロボロにしないで
でも晴れやかな気分になったって
別に違法じゃないわ
違法じゃない
訴えたければどうぞ
今夜はキレイ過ぎてごめんね
あなたの好きな色をまとってライトに照らされて
前に進んで 全部完璧で
悪かったわね
English:
♪ So sue me ♪
♪ For being good friends
with your friends ♪
♪ And running into you
the place that we met ♪
♪ For being something
you can't forget ♪
♪ So sue me ♪
♪ Go ♪
♪ It's hard to see me on
when you been off as hell ♪
♪ But I'm not gonna dull myself
because you dull yourself ♪
♪ I know it's hard to see
what you don't want to see ♪
♪ I know it's hard to see ♪
♪ Yup, yup, yup, yup, yup ♪
♪ That's my shape,
I made the shadow ♪
♪ That's my name,
don't wear it out though ♪
♪ Feelin' myself ♪
♪ Can't be illegal ♪
♪ Illegal ♪
♪ So sue me ♪
♪ For looking too pretty
tonight ♪
♪ Wearing your favorite color
under the lights ♪
♪ Yeah, yeah, yeah ♪
♪ For moving on ♪
♪ Doing everything right ♪
♪ So sue me ♪
♪ For being good friends
with your friends ♪
English:
♪ And running into you
the place that we met ♪
♪ For being something
you can't forget ♪
♪ So sue me ♪
♪ I ♪
♪ I, I ♪
♪ I guess I'm hard to ignore ♪
♪ Pick up that
jaw off the floor ♪
♪ So sue me ♪
♪♪♪ [vocalizing]
♪ For looking too pretty
tonight ♪
♪ Wearing your favorite color
under the lights ♪
♪ For moving on,
doing everything right ♪
♪ Everything right ♪
♪ So sue me ♪
♪ For being good friends
with your friends ♪
♪ With your friends,
yeah, yeah, yeah ♪
♪ And running into you ♪
♪ The place that we met ♪
♪ The place that we met ♪
♪ For being something
you can't forget ♪
♪ You can't forget no ♪
♪ So sue me ♪
♪ Sue me, baby ♪
♪♪♪ [vocalizing]
Japanese:
あなたの仲間と仲良くして
出会った場所であなたと鉢合わせて
私を忘れられなくさせちゃって
悪かったわね
私から眼をそらすのは大変そうね
ほら ポカンと開いた口を閉じなきゃ
訴えたければどうぞ
今夜はキレイ過ぎてごめんね
あなたの好きな色をまとってライトに照らされて
前に進んで 全部完璧で
(完璧で)
悪かったわね
あなたの仲間と仲良くして
出会った場所であなたと鉢合わせて
(出会った場所で)
私を忘れられなくさせちゃって
(忘れられなくさせちゃって)
悪かったわね
悪かったわね ベイビー
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My name is Ben Nemzer, and I am a magician.
One of my specialties is close-up magic with
ordinary objects, decks of cards, ropes, rubber
bands, and I do that all over New York City.
I'm going to teach you some of the basics
of magic that you guys can start performing
right away.
I'm going to show you how to take a bread
roll and bounce it really high.
Now, look.
Now, here's the secret behind the bouncing
bread roll.
For starters, there are actually two bread
rolls, and you don't let anybody know that
you have two.
And you want to try to find two that look
pretty similar, although nobody will notice
if they're slightly different like these.
And you leave one on the bread plate, and
when no one's looking, you take another one
and sneak it into your lap and I keep it right
here on my left knee.
Now, what I do is as I reach for the bread
roll with my right hand, my left hand takes
this one off my knee.
Now, it looks like this bread roll is bouncing,
but what happens is as soon as I hear the
impact of it hitting the floor, I take the
other hand and I toss it up, just like that.
And that's how you bounce a bread roll really
high.
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XWelcome to Part 5 of our series on the common
fallacies committed by both the religious
and the pro-government.
This week, we look at the Argument from Incredulity,
also known as the Argument from Ignorance.
This is where someone asserts his claim has
been proven because there is no evidence to
the contrary.
Here are some common examples:
"I saw something in the sky, and I don't know
what it was.
So it MUST have been an alien spaceship!"
"My cancer went away, and my doctors don't
know how.
It must have been because I prayed!"
"You can't prove that vaccines DON'T cause
autism, and until you can, we need to be on
the safe side and NOT vaccinate!"
Here's an example from a rather shameful period
in American history:
"You must be a communist, because you can't
prove that you're not!
If this sounds like a Shifting Burden fallacy,
like what we talked about back in Part 1,
well, you're right, but there's another element
of it, too.
And that's been summed up by the common phrase
given by many a woo:
"Absence of evidence is NOT evidence of absence!"
Well, it certainly isn't evidence FOR your
claim!
At best, it means we should withhold judgement.
But not only that, sometimes absence of evidence
IS evidence of absence if we look where the
evidence should be and it isn't there.
It also tries to avoid the unlikelihood of
their premise, or at least, the superior likelihood
of alternatives.
Let's say it's 1947 and you're in the town
of Roswell, New Mexico.
You see something fall from the sky.
You run to check it out.
But before you get there, lots of military
guys pull up in jeeps and grab you and take
you away somewhere.
So now you're at the table with the light
over it, and they're asking you questions
about what you saw and how much you know.
Once they're satisfied you've told them everything,
they let you go, but warn you that if you
talk to anyone about it you'll be arrested
or even killed.
That night on the news, you see a story saying
that what fell from the sky was a weather
balloon.
But, you think, why would the military be
that concerned about a weather balloon?
So when someone suggests that it was really
an alien spaceship, and the military was covering
it up, do you believe them?
"Well, yeah!
Why else would the military have reacted that
way?"
Well, if it were an alien spaceship, yes,
you'd expect the military to react that way.
But is that the ONLY reason?
What you need to think of is the likelihood
of an alien visitation absent your experience.
This is called "prior probability."
And if the prior probability is low, you need
a LOT of evidence to overcome it.
Or, as Carl Sagan said, extraordinary claims
require extraordinary evidence.
"But you don't know what it was!"
So what?
That doesn't mean that your set of evidence
is enough to overcome prior probability.
And how do you feel after Congress passes
the Freedom of Information Act and we find
out it was a spy balloon, trying to see if
the Russians were doing high-altitude tests
of nuclear weapons?
"Sounds like another cover story to me!"
Ah, but how did you know the weather balloon
story was a cover?
Because the evidence didn't fit it.
But if it WERE a spy balloon, what would you
expect?
You'd expect the military to question you
to find out what you knew, and release you
after threatening you if you talked.
EXACTLY the same evidence that led you to
conclude it was aliens!
But the spy balloon hypothesis has a MUCH
higher likelihood than aliens--especially
for 1947!
And think about this: Before, when that explanation
wasn't available to you, you thought "aliens"
because you couldn't think of anything else
it could be.
But now, looking back, you can see that you
should have considered one other alternative:
that you didn't have enough information to
get the REAL answer.
Any time you're faced with something like
this, where you can't think of an alternative,
remember that: it just might be that if you
were in possession of all the facts, an alternative
hypothesis would be obvious.
Probably the biggest example in religion is
known as the God of the Gaps argument.
Remember THIS guy?
"Tide goes in, tide goes out--you can't explain
it!"
Yes, I can: tides are caused by the moon's
gravity.
"Okay, but how did the moon get there?
PINHEAD!"
See?
You fill one gap, they just jump to the next.
And it doesn't even matter that we've got
a pretty solid model explaining how the moon
formed.
They can just jump to something else--ANY
hole in our knowledge would do.
Creationists do this all the time.
"You don't have a missing link between apes
and humans!"
Well, humans ARE apes, so I'll interpret this
to mean, between humans and our last common
ancestor with chimpanzees: Sahelanthropus.
And we do: there's Australopithecus africanus.
"Well, now you have TWO gaps: one between
Sahelanthropus and Australopithecus africanus,
and one between Australopithecus africanus
and Homo sapiens!
You have TWO missing links!"
No, they've been filled!
In fact, between Sahelanthropus and H. sapiens,
we have Ardipithecus, Australopithecus anamensis,
A. afarensis, A. africanis, Homo habilis,
H. erectus, H.heidelbergensis, and H. rhodesiensis.
"But that's...] 8 missing links you have to
fill!"
See how it works?
Each gap you fill in just creates two more.
This happens all the time with origins.
"You don't know how life started!
So it MUST have been done by God!"
Remember what we said earlier?
What's the alternative you should ALWAYS consider?
"Uh...I don't have enough information to get
the real answer?"
See?
You're learning!
Lots of scientists have theories of abiogenesis
that are being tested and refined.
Any one of these has a greater prior probability
than God, and even before we had any idea
about any other possibility, there's STILL
the possibility that NO ONE has the information
to get the right answer...yet.
Just like with the Roswell aliens.
Maybe God did it, or maybe you just don't
have enough information to reach the right
conclusion.
I think we both know which one has the higher
prior probability.
So, how do statists engage in the Argument
from Incredulity?
Do I have to do it again?
"But who will build the roads?"
As we've discussed previously, the fact that
you can't THINK of who will build the roads
does NOT mean they won't be built, and it
CERTAINLY doesn't mean that government will
build them better.
And this is far from the only question:
"Who will feed the poor?"
"Who will put out fires?"
"How will you stop crime?"
"What will stop people from dumping toxic
waste into our rivers?"
And just like with the theists, it's "You
can't explain it!"
Even if I can't, so what?
That doesn't mean you win by default!
As discussed in part one, that does NOT absolve
you of your burden of proof.
All it does is speak to your lack of imagination.
It's Government of the Gaps.
In fact, it's hard to think of any statist
arguments that DON'T comprise an Argument
from Incredulity in some way.
They really can't imagine how this can be
achieved through peaceful, voluntary cooperation.
But this itself raises an important question:
Do you really trust someone who knows so little
about a subject to control it through the
use of force?
Not only that, it shows a complete inability
to think about things in any way other than
imposing one solution on others.
They're essentially asking:
"So what one solution will YOU force on others?"
As pointed out in Part 4, we DON'T have our
own way that we want to impose on others.
We don't have direct answers for these questions,
not because we can't think of any answers,
but we can think of LOTS of possible answers
and we want people to have the freedom to
explore which solution works for them.
Maybe some private roads will be toll roads.
Maybe some residential roads will be built
by a homeowners association--as many are today,
in fact.
Maybe roads in a business park will be paid
for by the businesses who want customers to
have easy access to their stores.
Sit and brainstorm: I'll bet you can think
of a dozen different possibilities.
Which way is best?
The libertarian doesn't claim to know.
We just aren't that arrogant.
And that's really what this fallacy is all
about: arrogance.
Whether you're talking about God or government,
the essence of the Argument from Incredulity
is this:
"If I can't think of an alternative, there
must not be one!"
But whether you're a statist or a theist,
you have to stop and think that maybe you're
just not clever enough, or don't have the
right experience, or don't have as much information
as you need to see alternative solutions.
And once you learn to have the humility to
see that this option just might have a higher
prior probability than the statist solution
you're advocating, you put yourself in a MUCH
better position to discuss libertarian and
market-based approaches to all of these problems.
Stay tuned.
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♫ EPIC NEW FUS RO DAH INTRO MUSIC ♫
AARON: Okay, so, why am I going here?
EMRE: WELL! You're going here because you need--
AARON: Staff of Magnus.
EMRE: Yeah.
AARON: Hey! It's convenient that I just found you here like this, Gavros Plinius.
GAVROS PLINIUS [with a dying breath]: Find...Paratus...
...In...Oculory...
AARON: Okay.
EMRE: OH!
AARON: Alright, I'll work on that honey.
HEEeey, spider buddy!
You're *DEAD*, bitch!
[EMRE making raspy explosions with his mouth]
AARON: Not a fuckin' CHANCE against mah firebawl!
This plaaaace is CRAAAAYzeeeee!
EMRE: What is THAT?!
AARON [with narration like that of Honey Badger Randall]: A chaurus reaper--look at 'em run baaackwaaards!
OOOH! Did the chaurus reaper eat this Synod Reeesearcheeer??
That's so DIISGUsstiiinnng...
OOOhhh! The chaurus reaper doesn't give a shit!
AARON [as his normal bored self]: Faaaalmerrr...
Suuuuck iiitt...
[EMRE providing more mouth noise. This time a delightful oral fart] PFFffffffffffffttttthhhhhhhhHHhhHHHHhhhh....
AARON [as deceased Falmer]: 'OOOooh, I didn't expect a FOURTH fireball that would kill mehehehhh'!
Focusing Crystal??
EMRE: YEEEEEEEYAAAHH!
AARON: I think I'm gonna need *that*.
EMRE: You notice that all the Falmers kinda look like President George W. Bush?
AARON: They do.
PARATUS DECIMIUS: WHAT?!...What are *you* doing here??
What have you done with Gavros?!
AARON: Yer PAL Gavros is DEAD.
PARATUS: It was the Falmer, wasn't it?!
AARON: And so is Davros who invented the Daleks, actually.
EHHHHH--I'm lookin' for the Staff of Magnus! LETSGITDOWNTOBUSINESS.
PARATUS: EH...I'm afraid I can't help you with that...
AARON: Okay.
PARATUS: I need *THE CRYSTAL* to do anything useful!
And, I don't have it...
AARON: Mmmmnn, well...I've got it.
PARATUS: You found it??
AARON: Yeh.
PARATUS: How in the WORLD??
AARON: I just killed this dude and he had it.
AARON: [suddenly a pompous trust fund baby]: *I'M* with the *COLLEGE OF WINTERHOLD*.
PARATUS: You ARE, are you?
AARON: MNNYES! We have vereh nice ASSES at the College of Winterhold.
[INSERT EMRE GIGGLES]
We are *ALSO* vereh interested in SPEAKING and DISCUSSING...and TALKING and FOLLOWING.
If you want me to do somethin' like *THAT*, I can definitely--YES, I will *FOLLOW* you.
I'm VEREH good at this.
EMRE [also very privileged]: IN FACT, he has a *MAJOR* in FOLLOWING.
AARON: I do! I have a Major in Following and a minor in...Attempting to Kill Myself.
...Because I'm so bored, all the time.
EMRE: It's more of an extracurricular activity.
AARON: BUT, YOU KNOW...
It's hard to get a *DEGREE* in Killing Yourself out of Boredom.
AARON: I wish one of these quests would just be like, 'Have sex with one of your college roomates'.
COME ON! I mean, COME ON!
Like, *MAGICAL* sex!
AARON: Where you use magic to make your dick like SEVENTEEN inches long.
EMRE: Why stop at seventeen?
Why not go into the--
AARON: Awwhh, once you start gettin' any longer than that, it's gonna get awkward. You know?
EMRE & AARON: OHHHHGGGHHH--!
AARON: Shit. Lookie what we got here.
EMRE: It's your first multiple choice test of college.
AARON: It is. It's like a Pop Quiz.
[BANJOS STRUM OVER MANY, MANY HOURS OF PAINFUL REGRET AND RECONSIDERATION TO THE CLASSIC TUNE OF COLLEGE DEBT]
[MORE AND MORE DEBT, MORE AND MORE REGRET]
[AN AUDIENCE OF CHILDREN GASP WITH EXCITEMENT AS THE BOYS FINALLY PASS A CLASS THAT DOESN'T MATTER]
EMRE: Oh. My. GOD. That took forever.
AARON: Ah, it didn't take that long...
I-It's only been like half an hour, Emre.
I don't know what your problem is.
EMRE: I can't help but think we might have got that done quicker if we weren't *drunk*.
AARON: Hey, dickweed. How's it goin'?
PISSY PARATUS: What is IT?! What have you DONE?!
AARON: You better *FUCK OFF*.
SOOOOooo, the Staff of Magnus is somewhere else that I have to go...
...fuckin' look for...
PARATUS: WELL....YES!
AARON:...Yer kiddin' me...
PARATUS: But, that doesn't matter now!
Because I know you're *HORDING* something even *MORE* important at your college!
AARON: I am. I have over--I have a collection of over THIRTY skulls!
I'd like to add your skull to my collection!
PARATUS: You got what you came f--
[EXPLOSIVE BETRAYAL]
EMRE: OHOOOOO!!
PARATUS: I YIELD! I YIELD!!
AARON: Nah, you don't yield.
You *DIE*.
...Fuckin' dick.
I keel'd 'em! I KEEL'D 'EEEM!
DOO DA DOO DA DOOOoooo!!
He was a douchebag. I'm so glad he's dead--WHAT THE FUCK?
Hello?
EMRE: *These guys* again...
MYSTERIOUS ELF: You've done well thus far--
AARON: WUT?
MYSTERIOUS ELF: But TRYING TIMES are ahead!
AARON: OH! Hi!
Is it *snowing* where you live?
Cuz is looks like it is here...
MYSTERIOUS ELF: You are on the RIGHT PAWHTH, and you will PREVAIL.
AARON: PATH or PAWHTH?
I dunno what a PAWHTH is...
Is that like a posse?
Byyyyeee~~!
Oh, Mzulft. I'm gonna miss you.
EMRE: *Are* you?
AARON: No.
AARON:..Did you just let one?
EMRE: IIIIIiii...let one...
AARON: Wonderful.
EMRE: You know wherever I see that statue of the mage farting, I just feel...
Like I *need to*.
AARON: Hey, what's happenin'?
UHHHH. Sorry I'm late.
I've been drinkin'.
SAVOS [barely audible over a goddamn wind tunnel]: I don't know what he's doing, but he won't get away--
AARON: I'm kinda wasted right now, so I can't really hear you.
Savos? I love you.
AARON [even more drunk]: I LUV ALL YEW GUYS AT THE MAGE'S COLLEGEEEE.
YEW GUYS ARE SO AWESUMMM....
I'm so GLAAAD I came hereee...
Hey! What are you doin', man??
EMRE: Ah! You're supposed to blast it!
BLAST IT!
AARON: Blast WUT???
EMRE: WHATEVER, man! Just do it!
AARON: I did it.
Hey! What are you doin', dude?
Maybe you should stop.
EMRE [loves a good man butt]: That's the guy with the nice butt! Check it out!
YEEEEAAAAAAAaaahhhh!!
AARON: Hey, you better--you better stahp it!
Stahp it, man.
EMRE: They're comin' for ya!
AARON: Stahp it.
Git 'em!
EMRE: AAAHHh, shit.
AARON: UHHH...
What's goin' on?
MIRABELLE: Are you alright?
AARON: N-No?
MIRABELLE: Can you WALK?
AARON: Yeah?
MIRABELLE: I need you on your feet! We're in trouble here.
AARON: I'm kinda tired...
Think I might take a nap.
EMRE: Oh, man! That's not good!
AARON [speaking with his mouth full]: OHSHHNOOO--SHHAVOS!
I'm eatin' banana, sorry.
SHAAAVOS iz deaaad--OhhGAWHD!
EMRE: BUT HE WAS THE *DEAN*!
Now who's going to stop your...
Crazy college antics?
AARON: NO ONE.
[LET THE UNIFIED CACKLING COMMENCE
AARON: HEY, FARALDY! Wanna go protect the village and shit?! Should be fun!
Come on, Faralda!
I like you! You're mah favorite here!
You're no Astrid, but...if I gotta bang somebody.
Hey, Faralda!
Have you ever been a part of a gangbang?
It's pretty fun. Wanna try it?
Me and Arniel.
How 'bout it?
Just the three of us.
Threesome??
Come ooooonn...
If you've never tried it, it's pretty fun!
EMRE: That's the look of consideration.
AARON: Yeah, she is. She'll think about it. She'll let me know.
'Defeat the creatures infesting Winderhoooold'...?
Alright. If you insist.
EMRE: Man!
These things sure have a lot of health!
AARON: YEAH! Punch 'em! PUNCH 'EM!!
Whoops! Set my buddy on fire there.
EMRE: WOOO!!
AARON: WE DID IT!
Good job, everybody!
Heeeey, how do ya wanna *celebrate*, Faralda??
How 'bout a lil party?
I'm having a party back in my dorm room right now. Wanna come?
[FARALDA is fed up with this world]
AARON: To celebrate killing all these--HEY!
HEYYY!
[ADAM CACKLES OVER AARON'S LIFE OF REJECTION]
AARON [laughing at his own pain]: Shiiit!...I guess I shouldn't have asked her...
Now what?
Hello??
Can I come in?
I just wanna talk to you for a second, man.
Gaw, why are you such a dick?
Heyyy, uhhh, I took care of those dudes out in the, uhhh...town?
What are--Get over here!
MIRABELLE: WELL! Is everything out there alright??
AARON: Yeah, it's fine.
MIRABELLE: Wish I could say the same for us...
AARON: Yeah, me too.
MIRABELLE: Tolfdir and I can *try* and keep this contained.
AARON: Can you?
MIRABELLE: *YOU* need to get your hands on the Staff of Magnus. *NOW*!
AARON [weighed down by so much bullshit]: OKAY, WELL, I guess *I'LL* go off to Labyrinthian.
MIRABELLE: WAT?!
Are you...
Are you sure??
AARON: NO! I'm not sure! I don't wanna go there!
I want to go back to my dorm room and have a nap and a...booze.
TOLFDIR: WAT ARE YOU *DOING HERE*?!
YEW NEED TO GET THAT STAFF OR ELSE WE DON'T STAND A CHANCE!!
AARON: UHH....okay?
But, where are you shouting at me from...?
EMRE: Oh, there he is!
AARON: JEEeesus, he just--Were you in this *POOL*??
TOLFDIR THE DEMENTED: WAT ARE YEW DOING HERE--
EMRE: What are *YOU* doing here?! I'm just a student! Shouldn't *YOU* be out doing something--
AARON: Why don't YOU go get the GODDAMN staff?!
I'm just fuckin--I CAME HERE TO LEARN HOW TO DO *MAGIC*!
Not to *SAVE THE COLLEGE*!
EMRE: He's like, 'Don't worry! I'll keep your chair nice and warm while you go save the world!'
TOLFDIR: WAT ARE YOU DOING HEEEERE?!
YOU NEED TO GET THAT STAFF OR ELSE--
AARON: YEAH!
AARON [as demented Tolfdir]: 'YEAH, GET OUT OF YOUR ROOOOOM! *I'M* USING IT AND GO FIND THAT STAFF!!'
You fuckin' loser.
Give me one good reason I shouldn't *destroy* you.
TOLFDIR: GIT AWAY FROM ME!
AARON and EMRE: PFFTTTTBWAAAHAHA!
AARON: GAHHD! I'm SORRY, Tolfdir!
EMRE: Baahaa--WOW!
AARON: This is *my* room! Get outta here!
AARON [as a nappy skull]: Waaauttt aaREee yew doin' HEeerree??!
WEH Guuttah gIT outtah--GOGITDATSTAAaaaffh!
WOOT aaREh yEWww doOIIng HEEeere?!!?!
YEW goTTahgoOut n GIT daht STAAHFFff!
EMRE: What's upstairs?
AARON: I dunno? I've never been up here.
Hey! Who's this?
WHAT AM I DOING HERE?! I'M SUPPOSED TO BE GETTING THE STAFF AND SAVING THE COLLEGE!
ENTHIR: This is going to be *TERRIBLE* for business.
AARON: THIS IS GOING TO BE *TERRIBLE* FOR BUSINESS!!
WHAT AM I DOING HERE?!
I'M SUPPOSED TO GET THAT *STAFF*!!
ENTHIR: This is going to be *TERRIBLE* for business.
AARON: THIS IS *TERRRRIBLE* FOR BUSINESS!
WHAT AM I DOING HEREEE?! I HAVE TO GO GET THAT STAFF AND SAVE THE COLLEGE!!
MIRABELLE: If we can't stop this, *WHAT* happens to the rest of Skyrim??
AARON: THAT WOULD BE BAD FOR BUSINESS!
[EMRE finally breaks over AARON's prolonged manic state]
AARON: Ohh, my God. I'm going to kill myself if I stay here any longer.
I'm gonna go get that fucking *STAFF* and save the college.
EMRE: Whaat the Hell?
AARON: This is the College of Winterhold's...
EMRE: MASCOT.
AARON: Mascot.
Bored Face.
EMRE: I guess we just gotta do this...
AARON: Yeah, let's go to Labyrinthian. That'll be really fun, right?
EMRE: MHM...
It's not like it's going to be LONG and BORING and hard to navigate.
AARON: NOOOooo! No, no, noOOooooooo...
UGGGH! If only Astrid was sending me out to kill people!
It just doesn't get any more exciting than that!
EMRE: No, it doesn't. We really, um...blew out load, right away.
AARON: We did. We bllleeeew it all oveer....
...Astrid's face.
HELLO??
Savos??
Wow! His ghost travels quick!
EMRE: Huh.
AARON: Hey. What's goin' on, man?
Nothing?
Okay! WELL! Fuck you!
Alright! This is kinda LI-byrinthine in here!
EMRE: LI-byrinthine?
AARON: Libyrinthine.
EMRE: LA-Byrinthine.
AARON: Librarian.
EMRE DAWG: Librizzle. Mah nizzle.
AARON: HEY, WHAT'S HAPPENING?!
OHMAHGAWHD, THERE'S A FUCKIN' SKELE-D-DRAGON! OHMAHGAWD, THIS IS WAY MORE EXCITING THAN IT SHOULD BE!
This is impossible!
EMRE: IMPOSSIBLY exciting!
OH, GOD!
AARON: Oh, shit! I got trouble.
EMRE: JEEEEEZE!!
Nice!
AARON: YEeeeaaah! You piece of SHIT!
You like dat?!
EMRE [cautiously optimistic]: Well, that was pretty cool!
AARON: I was *not* expecting anything exciting, at all.
♫
AARON: HEY, TOLFDIR!
UH!
Okay, yeah! Let's get inside, quick!
[TOLFDIR lets out one last 'FAAAAASCIINNAAATING' as he is FUS RO DAH'd into Oblivion]
AARON [feigning shock as ADAM and EMRE laugh at elder abuse]: Oh, shit! Oh! Uh! Bye, Tolfdir!
Did you SEE that?? He just fell off the bridge!
SERGIUS TURRIANUS: I'll be AMAZED if any of us survive this!
AARON: Yeah, me too. Especially Tolfdir.
[GTA Random Citizen: Yeeeeaaah! BOI, BOI! HaHa! DOPE!]
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When geology shows up in the news it is often a result of something that happened at a convergent plate boundary.
For example, earthquakes and volcanic eruptions are common at these locations.
Our objectives for this lesson are to make some observations of features found at convergent boundaries
and then use those observations to make interpretations of the geological processes that occur at these locations.
Then we will explain why the processes we described produce similarities and differences among the three common types of convergent boundaries.
We'll begin by explaining the physical features associated with a convergent boundary
formed when a plate composed of oceanic lithosphere is consumed below a continental plate.
First we often have a descending plate that is pushed down into the mantle.
In this example we have a plate composed of oceanic lithosphere that turns downward along the trench which represents the boundary between two plates.
We also have an over-riding plate that remains at Earth's surface.
In this case the over-riding plate is composed on continental lithosphere
and has a line of volcanoes some distance from the trench
Both plates rest on the asthenosphere in the upper most part of the mantle.
Plates move toward each other along convergent boundaries.
This map illustrates divergent boundaries in red,
transform boundaries in green
and convergent boundaries in blue.
We can find examples of where oceanic lithosphere is consumed below continental lithosphere here
Where the Pacific Plate is destroyed below the North American plate in Alaska
and where the Nazca plate collides with the western margin of South America
And where the Indian-Australian plate is consumed below the Eurasian plate.
This map shows the locations of more than 1600 earthquakes of magnitude 5 or greater that occurred in a single year.
Note that there are continuous zones of earthquake activity associated with our three examples of oceanic-continental convergent boundaries.
Zooming in on two convergent boundaries on either side of the Caribbean plate, we can take a closer look at where exactly these earthquakes are occurring.
In this image we have trenches here and here, associated with convergent boundaries between the Cocos, Caribbean and North American plate.
Our map suggests that there are lots of earthquakes clustering between the trench and the western margin of Central America.
But if we look more carefully, what we realize is that most of these earthquakes occur at some depth.
We want you to be able to explain the processes that cause the earthquakes to occur
and to account for their distribution in sloping zones reaching from the trench down to several hundred kilometers below the surface.
Next we are going to zoom in to these two trenches to take a closer look.
We'll start in Central America
Notice the red triangles on the maps and the yellow triangles on the section.
All of these triangles indicate the presence of volcanoes located approximately 200 kilometers behind the trench.
The volcanoes form a line known as a volcanic arc that trends parallel to the trench.
We see a similar pattern to the west of the Puerto Rico trench
but this time because the volcanoes form islands they are known as an island arc.
Our explanation of geologic processes at convergent boundaries will have to be able to explain why volcanoes are present
and why the arc is consistently located several hundred kilometers from the trench.
We call it subduction when one plate descends into the mantle below another plate.
The feature that results is known as a subduction zone.
The oceanic lithosphere sinks below the continent as the rocks of the oceanic plate are more dense than those of the continents.
Water-rich sediment rests on top of the ocean floor and the minerals of the oceanic crust often contain water in their crystal structure.
Earthquakes occur as rocks in the descending plate fracture and high pressures cause minerals to undergo changes in composition and crystal structure.
As the plate descends into the mantle, it is compressed and the water is squeezed out of the sediment and minerals.
At a depth of approximately 100 kilometers, the water enters the much hotter mantle rocks immediately above the subduction zone.
The addition of the water causes these mantle rocks to melt.
Melting generates magma that rises to the surface to form volcanoes.
Finally the force of the collision produces mountains along the leading edge of the over-riding plate.
Similar processes occur where two plates of oceanic lithosphere collide.
One significant difference is that we no longer have a contrast in the composition of the converging plates.
So what determines which plate undergoes subduction?
While each plate is composed of similar rocks,
the rocks are often of different ages.
Relatively young oceanic lithosphere is warmer and less dense than older lithosphere
Consequently when two oceanic plates converge the plate with older lithosphere undergoes subduction.
We see this in the western Pacific ocean where the older Pacific plate in subducting below the Philippine plate
that is composed of rocks more than a 100 million years younger.
Just like in the ocean/continent convergence, earthquakes occur in the descending plate and the rocks of the plate are compressed
to squeeze out water which enters the much hotter mantle rocks
overlying the subduction zone and causes them to melt.
The principal difference is that magma rising to the surface now forms an island arc,
rather than a volcanic arc, and there are no associated mountains.
Otherwise, the processes are similar.
The third type of boundary is represented by continent-continent collision.
Before the two continents can collide we have a typical ocean-continent boundary but eventually
the ocean basin is destroyed and the two continents converge. This is the process that occurred
before the Indian subcontinent could collide with the rest of Eurasia about 10 million years ago.
Continental crust is too buoyant to descend into a subduction zone so there is no source
for magma generation and subsequent volcanism.
Instead, the leading edge of each continent stacks up to produce unusually thick continental crust and
results in higher elevations.
similar to those observed in the Himalaya mountains today.
Finally we will leave you with some simple analogs for the characteristics of convergent plate boundaries.
We can use some basic geo-gestures with the addition of some very geological oven mitts
to model the processes of the three boundary types.
We also summarize the basic characteristics of each boundary below the figures.
How well do you think you can respond to the learning objectives of the lesson?
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>>
>> Host:
>> Host: LET'S
>> Host: LET'S SEE,
>> Host: LET'S SEE, ROSE
>> Host: LET'S SEE, ROSE
SAID
>> Host: LET'S SEE, ROSE
SAID --
>> Host: LET'S SEE, ROSE
SAID -- HSN,
>> Host: LET'S SEE, ROSE
SAID -- HSN, ONE
>> Host: LET'S SEE, ROSE
SAID -- HSN, ONE BIG
SAID -- HSN, ONE BIG
SAID -- HSN, ONE BIG
FAMILY.
FAMILY.
FAMILY.
OH,
FAMILY.
OH, WAIT,
FAMILY.
OH, WAIT, I
FAMILY.
OH, WAIT, I HAVE
FAMILY.
OH, WAIT, I HAVE A
OH, WAIT, I HAVE A
OH, WAIT, I HAVE A
PERIDOT
OH, WAIT, I HAVE A
PERIDOT COLLECTION,
OH, WAIT, I HAVE A
PERIDOT COLLECTION, A
PERIDOT COLLECTION, A
PERIDOT COLLECTION, A
GARNETT
PERIDOT COLLECTION, A
GARNETT COLLECTION
PERIDOT COLLECTION, A
GARNETT COLLECTION FROM
GARNETT COLLECTION FROM
GARNETT COLLECTION FROM
YOU,
GARNETT COLLECTION FROM
YOU, AND
GARNETT COLLECTION FROM
YOU, AND I
GARNETT COLLECTION FROM
YOU, AND I LOVE
GARNETT COLLECTION FROM
YOU, AND I LOVE THAT!
YOU, AND I LOVE THAT!
YOU, AND I LOVE THAT!
STICK
YOU, AND I LOVE THAT!
STICK AROUND,
YOU, AND I LOVE THAT!
STICK AROUND, PAUL'S
STICK AROUND, PAUL'S
STICK AROUND, PAUL'S
GOING
STICK AROUND, PAUL'S
GOING TO
STICK AROUND, PAUL'S
GOING TO HANG
STICK AROUND, PAUL'S
GOING TO HANG OUT
STICK AROUND, PAUL'S
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STICK AROUND, PAUL'S
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MORE MINUTES,
GOING TO HANG OUT A FEW
MORE MINUTES, BECAUSE
GOING TO HANG OUT A FEW
MORE MINUTES, BECAUSE WE
MORE MINUTES, BECAUSE WE
MORE MINUTES, BECAUSE WE
WILL
MORE MINUTES, BECAUSE WE
WILL TAKE
MORE MINUTES, BECAUSE WE
WILL TAKE A
MORE MINUTES, BECAUSE WE
WILL TAKE A SECOND
MORE MINUTES, BECAUSE WE
WILL TAKE A SECOND LOOK
WILL TAKE A SECOND LOOK
WILL TAKE A SECOND LOOK
AT
WILL TAKE A SECOND LOOK
AT A
WILL TAKE A SECOND LOOK
AT A POPULAR
WILL TAKE A SECOND LOOK
AT A POPULAR TODAY'S
AT A POPULAR TODAY'S
AT A POPULAR TODAY'S
SPECIAL.
SPECIAL.
SPECIAL.
IT
SPECIAL.
IT IS
SPECIAL.
IT IS A
SPECIAL.
IT IS A GORGEOUS
SPECIAL.
IT IS A GORGEOUS RING
IT IS A GORGEOUS RING
IT IS A GORGEOUS RING
COMING
IT IS A GORGEOUS RING
COMING UP.
>>
>> TURQUOISE
>> TURQUOISE IS
>> TURQUOISE IS THE
>> TURQUOISE IS THE ONLY
>> TURQUOISE IS THE ONLY
GEMSTONE
>> TURQUOISE IS THE ONLY
GEMSTONE THAT
>> TURQUOISE IS THE ONLY
GEMSTONE THAT CONSIST
>> TURQUOISE IS THE ONLY
GEMSTONE THAT CONSIST AT
GEMSTONE THAT CONSIST AT
GEMSTONE THAT CONSIST AT
THE
GEMSTONE THAT CONSIST AT
THE POINTLY
GEMSTONE THAT CONSIST AT
THE POINTLY YOU
GEMSTONE THAT CONSIST AT
THE POINTLY YOU CAN
GEMSTONE THAT CONSIST AT
THE POINTLY YOU CAN SAY
THE POINTLY YOU CAN SAY
THE POINTLY YOU CAN SAY
LOOKS
THE POINTLY YOU CAN SAY
LOOKS GREAT
THE POINTLY YOU CAN SAY
LOOKS GREAT ON
THE POINTLY YOU CAN SAY
LOOKS GREAT ON EVERY
LOOKS GREAT ON EVERY
LOOKS GREAT ON EVERY
SKIN
LOOKS GREAT ON EVERY
SKIN TONE.
SKIN TONE.
SKIN TONE.
SHE'S
SKIN TONE.
SHE'S GOING
SKIN TONE.
SHE'S GOING TO
SKIN TONE.
SHE'S GOING TO LOVE
SHE'S GOING TO LOVE
SHE'S GOING TO LOVE
THAT.
THAT.
THAT.
IF
THAT.
IF SHE'S
THAT.
IF SHE'S EXOTIC,
THAT.
IF SHE'S EXOTIC, AND
THAT.
IF SHE'S EXOTIC, AND SHE
IF SHE'S EXOTIC, AND SHE
IF SHE'S EXOTIC, AND SHE
LOVES
IF SHE'S EXOTIC, AND SHE
LOVES THAT
IF SHE'S EXOTIC, AND SHE
LOVES THAT PLAY
IF SHE'S EXOTIC, AND SHE
LOVES THAT PLAY OF
IF SHE'S EXOTIC, AND SHE
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LOVES THAT PLAY OF COLOR
LOVES THAT PLAY OF COLOR
STORY.
STORY.
STORY.
SHE
STORY.
SHE WILL
STORY.
SHE WILL LOVE
STORY.
SHE WILL LOVE THE
SHE WILL LOVE THE
SHE WILL LOVE THE
ETHIOPIAN
SHE WILL LOVE THE
ETHIOPIAN OPAL.
ETHIOPIAN OPAL.
ETHIOPIAN OPAL.
SHE'S
ETHIOPIAN OPAL.
SHE'S GOING
ETHIOPIAN OPAL.
SHE'S GOING TO
ETHIOPIAN OPAL.
SHE'S GOING TO LOVE
ETHIOPIAN OPAL.
SHE'S GOING TO LOVE IT
SHE'S GOING TO LOVE IT
SHE'S GOING TO LOVE IT
BECAUSE
SHE'S GOING TO LOVE IT
BECAUSE OF
SHE'S GOING TO LOVE IT
BECAUSE OF THE
BECAUSE OF THE
BECAUSE OF THE
COMBINATION
BECAUSE OF THE
COMBINATION OF
BECAUSE OF THE
COMBINATION OF COLORS
BECAUSE OF THE
COMBINATION OF COLORS WE
COMBINATION OF COLORS WE
COMBINATION OF COLORS WE
PUT
COMBINATION OF COLORS WE
PUT TOGETHER.
PUT TOGETHER.
PUT TOGETHER.
>>
PUT TOGETHER.
>> Host:
PUT TOGETHER.
>> Host: PAUL
PUT TOGETHER.
>> Host: PAUL IS
PUT TOGETHER.
>> Host: PAUL IS BACK.
>> Host: PAUL IS BACK.
>> Host: PAUL IS BACK.
I'M
>> Host: PAUL IS BACK.
I'M SUZANNE
>> Host: PAUL IS BACK.
I'M SUZANNE RUNYAN,
>> Host: PAUL IS BACK.
I'M SUZANNE RUNYAN, BUT
I'M SUZANNE RUNYAN, BUT
I'M SUZANNE RUNYAN, BUT
WHO
I'M SUZANNE RUNYAN, BUT
WHO CARES
I'M SUZANNE RUNYAN, BUT
WHO CARES IF
I'M SUZANNE RUNYAN, BUT
WHO CARES IF PAUL'S
WHO CARES IF PAUL'S
WHO CARES IF PAUL'S
HERE.
HERE.
HERE.
WE'VE
HERE.
WE'VE KNOWN
HERE.
WE'VE KNOWN EACH
HERE.
WE'VE KNOWN EACH OTHER
WE'VE KNOWN EACH OTHER
WE'VE KNOWN EACH OTHER
SINCE
WE'VE KNOWN EACH OTHER
SINCE 1997?
SINCE 1997?
SINCE 1997?
MANY
SINCE 1997?
MANY YEARS,
SINCE 1997?
MANY YEARS, JUDY'S
SINCE 1997?
MANY YEARS, JUDY'S DEAR
MANY YEARS, JUDY'S DEAR
MANY YEARS, JUDY'S DEAR
FRIEND,
MANY YEARS, JUDY'S DEAR
FRIEND, SHE
MANY YEARS, JUDY'S DEAR
FRIEND, SHE WAS
MANY YEARS, JUDY'S DEAR
FRIEND, SHE WAS MY
FRIEND, SHE WAS MY
FRIEND, SHE WAS MY
MENTOR
FRIEND, SHE WAS MY
MENTOR WHEN
FRIEND, SHE WAS MY
MENTOR WHEN I
FRIEND, SHE WAS MY
MENTOR WHEN I STARTED
FRIEND, SHE WAS MY
MENTOR WHEN I STARTED IN
MENTOR WHEN I STARTED IN
MENTOR WHEN I STARTED IN
THIS
MENTOR WHEN I STARTED IN
THIS BIZ.
THIS BIZ.
THIS BIZ.
SO
THIS BIZ.
SO WELCOME.
SO WELCOME.
SO WELCOME.
>>
SO WELCOME.
>> Guest:
SO WELCOME.
>> Guest: FULL
SO WELCOME.
>> Guest: FULL CIRCLE.
>> Guest: FULL CIRCLE.
>> Guest: FULL CIRCLE.
>>
>> Guest: FULL CIRCLE.
>> Host:
>> Guest: FULL CIRCLE.
>> Host: YOU'VE
>> Guest: FULL CIRCLE.
>> Host: YOU'VE COME
>> Host: YOU'VE COME
>> Host: YOU'VE COME
BACK
>> Host: YOU'VE COME
BACK AROUND
>> Host: YOU'VE COME
BACK AROUND THE
>> Host: YOU'VE COME
BACK AROUND THE THIRD
BACK AROUND THE THIRD
BACK AROUND THE THIRD
TIME,
BACK AROUND THE THIRD
TIME, WHAT'S
BACK AROUND THE THIRD
TIME, WHAT'S SPECTACULAR
TIME, WHAT'S SPECTACULAR
TIME, WHAT'S SPECTACULAR
IS
TIME, WHAT'S SPECTACULAR
IS PAUL
TIME, WHAT'S SPECTACULAR
IS PAUL DECIDED,
TIME, WHAT'S SPECTACULAR
IS PAUL DECIDED, AND
TIME, WHAT'S SPECTACULAR
IS PAUL DECIDED, AND I
IS PAUL DECIDED, AND I
IS PAUL DECIDED, AND I
THOUGHT
IS PAUL DECIDED, AND I
THOUGHT IT
IS PAUL DECIDED, AND I
THOUGHT IT WAS
THOUGHT IT WAS
THOUGHT IT WAS
BRILLIANT,
THOUGHT IT WAS
BRILLIANT, HE
THOUGHT IT WAS
BRILLIANT, HE SAID
THOUGHT IT WAS
BRILLIANT, HE SAID I'M
BRILLIANT, HE SAID I'M
BRILLIANT, HE SAID I'M
GOING
BRILLIANT, HE SAID I'M
GOING COME
BRILLIANT, HE SAID I'M
GOING COME BACK
BRILLIANT, HE SAID I'M
GOING COME BACK WITH
GOING COME BACK WITH
GOING COME BACK WITH
FIREWORKS
GOING COME BACK WITH
FIREWORKS AND
FIREWORKS AND
FIREWORKS AND
EXPLOSIONS,
FIREWORKS AND
EXPLOSIONS, AND
FIREWORKS AND
EXPLOSIONS, AND YOU
EXPLOSIONS, AND YOU
EXPLOSIONS, AND YOU
CLEARLY
EXPLOSIONS, AND YOU
CLEARLY DID
EXPLOSIONS, AND YOU
CLEARLY DID THAT
EXPLOSIONS, AND YOU
CLEARLY DID THAT WITH
CLEARLY DID THAT WITH
CLEARLY DID THAT WITH
OUR
CLEARLY DID THAT WITH
OUR TODAY
CLEARLY DID THAT WITH
OUR TODAY SPECIAL.
OUR TODAY SPECIAL.
OUR TODAY SPECIAL.
I
OUR TODAY SPECIAL.
I WILL
OUR TODAY SPECIAL.
I WILL SHOW
OUR TODAY SPECIAL.
I WILL SHOW YOU
OUR TODAY SPECIAL.
I WILL SHOW YOU THE
OUR TODAY SPECIAL.
I WILL SHOW YOU THE TWO
I WILL SHOW YOU THE TWO
I WILL SHOW YOU THE TWO
DIFFERENT
I WILL SHOW YOU THE TWO
DIFFERENT OPTIONS,
I WILL SHOW YOU THE TWO
DIFFERENT OPTIONS, I'VE
DIFFERENT OPTIONS, I'VE
DIFFERENT OPTIONS, I'VE
BEEN
DIFFERENT OPTIONS, I'VE
BEEN FORTUNATE
DIFFERENT OPTIONS, I'VE
BEEN FORTUNATE TO
DIFFERENT OPTIONS, I'VE
BEEN FORTUNATE TO TALK
BEEN FORTUNATE TO TALK
BEEN FORTUNATE TO TALK
ABOUT
BEEN FORTUNATE TO TALK
ABOUT JEWELRY
BEEN FORTUNATE TO TALK
ABOUT JEWELRY FOR
BEEN FORTUNATE TO TALK
ABOUT JEWELRY FOR MORE
ABOUT JEWELRY FOR MORE
ABOUT JEWELRY FOR MORE
THAN
ABOUT JEWELRY FOR MORE
THAN TWO
ABOUT JEWELRY FOR MORE
THAN TWO DECADE,
ABOUT JEWELRY FOR MORE
THAN TWO DECADE, I'VE
THAN TWO DECADE, I'VE
THAN TWO DECADE, I'VE
NEVER
THAN TWO DECADE, I'VE
NEVER SEEN
THAN TWO DECADE, I'VE
NEVER SEEN AN
THAN TWO DECADE, I'VE
NEVER SEEN AN OPAL
THAN TWO DECADE, I'VE
NEVER SEEN AN OPAL THAT
NEVER SEEN AN OPAL THAT
NEVER SEEN AN OPAL THAT
IS
NEVER SEEN AN OPAL THAT
IS MORE
NEVER SEEN AN OPAL THAT
IS MORE BEAUTIFUL.
IS MORE BEAUTIFUL.
IS MORE BEAUTIFUL.
NOT
IS MORE BEAUTIFUL.
NOT ONLY
IS MORE BEAUTIFUL.
NOT ONLY IS
IS MORE BEAUTIFUL.
NOT ONLY IS IT
IS MORE BEAUTIFUL.
NOT ONLY IS IT LARGE,
NOT ONLY IS IT LARGE,
NOT ONLY IS IT LARGE,
BUT
NOT ONLY IS IT LARGE,
BUT JUST
NOT ONLY IS IT LARGE,
BUT JUST ABSOLUTELY
BUT JUST ABSOLUTELY
BUT JUST ABSOLUTELY
INCREDIBLE
BUT JUST ABSOLUTELY
INCREDIBLE IN
BUT JUST ABSOLUTELY
INCREDIBLE IN TERMS
BUT JUST ABSOLUTELY
INCREDIBLE IN TERMS OF
INCREDIBLE IN TERMS OF
INCREDIBLE IN TERMS OF
THE
INCREDIBLE IN TERMS OF
THE COLOR,
INCREDIBLE IN TERMS OF
THE COLOR, AND
INCREDIBLE IN TERMS OF
THE COLOR, AND HOW
THE COLOR, AND HOW
THE COLOR, AND HOW
BRILLIANT
THE COLOR, AND HOW
BRILLIANT IT
THE COLOR, AND HOW
BRILLIANT IT IS,
THE COLOR, AND HOW
BRILLIANT IT IS, THE
BRILLIANT IT IS, THE
BRILLIANT IT IS, THE
PLAY
BRILLIANT IT IS, THE
PLAY OF
BRILLIANT IT IS, THE
PLAY OF LIGHT,
BRILLIANT IT IS, THE
PLAY OF LIGHT, IT
BRILLIANT IT IS, THE
PLAY OF LIGHT, IT IS
PLAY OF LIGHT, IT IS
PLAY OF LIGHT, IT IS
JUST
PLAY OF LIGHT, IT IS
JUST MAGNIFICENT.
JUST MAGNIFICENT.
JUST MAGNIFICENT.
SURROUNDING
JUST MAGNIFICENT.
SURROUNDING IT
JUST MAGNIFICENT.
SURROUNDING IT OR
JUST MAGNIFICENT.
SURROUNDING IT OR TWO
SURROUNDING IT OR TWO
SURROUNDING IT OR TWO
STUNNING
SURROUNDING IT OR TWO
STUNNING TANZANITES,
SURROUNDING IT OR TWO
STUNNING TANZANITES, AND
STUNNING TANZANITES, AND
STUNNING TANZANITES, AND
SURROUNDING
STUNNING TANZANITES, AND
SURROUNDING THAT
STUNNING TANZANITES, AND
SURROUNDING THAT ON
STUNNING TANZANITES, AND
SURROUNDING THAT ON THE
SURROUNDING THAT ON THE
SURROUNDING THAT ON THE
SHOULDERS
SURROUNDING THAT ON THE
SHOULDERS AND
SURROUNDING THAT ON THE
SHOULDERS AND CRADLING
SHOULDERS AND CRADLING
SHOULDERS AND CRADLING
DOWN
SHOULDERS AND CRADLING
DOWN A
SHOULDERS AND CRADLING
DOWN A HAIR
SHOULDERS AND CRADLING
DOWN A HAIR IS
SHOULDERS AND CRADLING
DOWN A HAIR IS GOING
SHOULDERS AND CRADLING
DOWN A HAIR IS GOING TO
DOWN A HAIR IS GOING TO
DOWN A HAIR IS GOING TO
BE
DOWN A HAIR IS GOING TO
BE YOUR
DOWN A HAIR IS GOING TO
BE YOUR ZIRCON.
BE YOUR ZIRCON.
BE YOUR ZIRCON.
YOUR
BE YOUR ZIRCON.
YOUR OTHER
BE YOUR ZIRCON.
YOUR OTHER OPTION
BE YOUR ZIRCON.
YOUR OTHER OPTION IS
YOUR OTHER OPTION IS
YOUR OTHER OPTION IS
THIS.
THIS.
THIS.
IF
THIS.
IF YOU
THIS.
IF YOU ARE
THIS.
IF YOU ARE A
THIS.
IF YOU ARE A TURQUOISE
IF YOU ARE A TURQUOISE
IF YOU ARE A TURQUOISE
PERSON,
IF YOU ARE A TURQUOISE
PERSON, ALL
IF YOU ARE A TURQUOISE
PERSON, ALL TURQUOIS
PERSON, ALL TURQUOIS
PERSON, ALL TURQUOIS
WOULD
PERSON, ALL TURQUOIS
WOULD LIKE
PERSON, ALL TURQUOIS
WOULD LIKE TO
PERSON, ALL TURQUOIS
WOULD LIKE TO GROW
PERSON, ALL TURQUOIS
WOULD LIKE TO GROW UP
PERSON, ALL TURQUOIS
WOULD LIKE TO GROW UP TO
WOULD LIKE TO GROW UP TO
WOULD LIKE TO GROW UP TO
BE
WOULD LIKE TO GROW UP TO
BE THIS
WOULD LIKE TO GROW UP TO
BE THIS COLOR
WOULD LIKE TO GROW UP TO
BE THIS COLOR AND
WOULD LIKE TO GROW UP TO
BE THIS COLOR AND LOOK.
BE THIS COLOR AND LOOK.
BE THIS COLOR AND LOOK.
>>
BE THIS COLOR AND LOOK.
>> Guest:
BE THIS COLOR AND LOOK.
>> Guest: NO
BE THIS COLOR AND LOOK.
>> Guest: NO DOUBT.
>> Guest: NO DOUBT.
>> Guest: NO DOUBT.
>>
>> Guest: NO DOUBT.
>> Host:
>> Guest: NO DOUBT.
>> Host: YOU
>> Guest: NO DOUBT.
>> Host: YOU WANT
>> Guest: NO DOUBT.
>> Host: YOU WANT TO
>> Host: YOU WANT TO
>> Host: YOU WANT TO
LOOK
>> Host: YOU WANT TO
LOOK LIKE
>> Host: YOU WANT TO
LOOK LIKE THIS.
LOOK LIKE THIS.
LOOK LIKE THIS.
WHAT
LOOK LIKE THIS.
WHAT DOES
LOOK LIKE THIS.
WHAT DOES THAT
LOOK LIKE THIS.
WHAT DOES THAT MEAN?
WHAT DOES THAT MEAN?
WHAT DOES THAT MEAN?
SOME
WHAT DOES THAT MEAN?
SOME OF
WHAT DOES THAT MEAN?
SOME OF THE
WHAT DOES THAT MEAN?
SOME OF THE FINEST
WHAT DOES THAT MEAN?
SOME OF THE FINEST IN
SOME OF THE FINEST IN
SOME OF THE FINEST IN
THE
SOME OF THE FINEST IN
THE WORLD.
THE WORLD.
THE WORLD.
PAUL
THE WORLD.
PAUL HAS
THE WORLD.
PAUL HAS BEEN
THE WORLD.
PAUL HAS BEEN ABLE
THE WORLD.
PAUL HAS BEEN ABLE TO
PAUL HAS BEEN ABLE TO
PAUL HAS BEEN ABLE TO
SECURE
PAUL HAS BEEN ABLE TO
SECURE IT
PAUL HAS BEEN ABLE TO
SECURE IT IN
PAUL HAS BEEN ABLE TO
SECURE IT IN THIS
SECURE IT IN THIS
SECURE IT IN THIS
SPECIAL.
SPECIAL.
SPECIAL.
IN
SPECIAL.
IN THE
SPECIAL.
IN THE OPEN
SPECIAL.
IN THE OPEN PEL,
SPECIAL.
IN THE OPEN PEL, I
SPECIAL.
IN THE OPEN PEL, I WILL
IN THE OPEN PEL, I WILL
IN THE OPEN PEL, I WILL
SHOW
IN THE OPEN PEL, I WILL
SHOW YOU
IN THE OPEN PEL, I WILL
SHOW YOU --
IN THE OPEN PEL, I WILL
SHOW YOU -- OPAL,
IN THE OPEN PEL, I WILL
SHOW YOU -- OPAL, I
IN THE OPEN PEL, I WILL
SHOW YOU -- OPAL, I WILL
SHOW YOU -- OPAL, I WILL
SHOW YOU -- OPAL, I WILL
SHOW
SHOW YOU -- OPAL, I WILL
SHOW YOU
SHOW YOU -- OPAL, I WILL
SHOW YOU THE
SHOW YOU -- OPAL, I WILL
SHOW YOU THE LAST
SHOW YOU -- OPAL, I WILL
SHOW YOU THE LAST OF
SHOW YOU -- OPAL, I WILL
SHOW YOU THE LAST OF THE
SHOW YOU THE LAST OF THE
SHOW YOU THE LAST OF THE
MATCHING
SHOW YOU THE LAST OF THE
MATCHING PIECES.
MATCHING PIECES.
MATCHING PIECES.
THAT
MATCHING PIECES.
THAT IS
MATCHING PIECES.
THAT IS THE
MATCHING PIECES.
THAT IS THE PENDANT.
THAT IS THE PENDANT.
THAT IS THE PENDANT.
I'VE
THAT IS THE PENDANT.
I'VE SWITCHED
THAT IS THE PENDANT.
I'VE SWITCHED TO
THAT IS THE PENDANT.
I'VE SWITCHED TO THE
I'VE SWITCHED TO THE
I'VE SWITCHED TO THE
TURQUOISE
I'VE SWITCHED TO THE
TURQUOISE ONE
I'VE SWITCHED TO THE
TURQUOISE ONE BECAUSE
TURQUOISE ONE BECAUSE
TURQUOISE ONE BECAUSE
THIS
TURQUOISE ONE BECAUSE
THIS IS
TURQUOISE ONE BECAUSE
THIS IS GOING
TURQUOISE ONE BECAUSE
THIS IS GOING TO
TURQUOISE ONE BECAUSE
THIS IS GOING TO SELL
THIS IS GOING TO SELL
THIS IS GOING TO SELL
OUT.
OUT.
OUT.
I
OUT.
I HAVE
OUT.
I HAVE LESS
OUT.
I HAVE LESS THAN
OUT.
I HAVE LESS THAN 50
OUT.
I HAVE LESS THAN 50 LEFT
I HAVE LESS THAN 50 LEFT
I HAVE LESS THAN 50 LEFT
IN
I HAVE LESS THAN 50 LEFT
IN THE
I HAVE LESS THAN 50 LEFT
IN THE MATCHING
I HAVE LESS THAN 50 LEFT
IN THE MATCHING PEN
I HAVE LESS THAN 50 LEFT
IN THE MATCHING PEN DAN,
IN THE MATCHING PEN DAN,
IN THE MATCHING PEN DAN,
AND
IN THE MATCHING PEN DAN,
AND THAT
IN THE MATCHING PEN DAN,
AND THAT LOOKS
IN THE MATCHING PEN DAN,
AND THAT LOOKS LIKE
IN THE MATCHING PEN DAN,
AND THAT LOOKS LIKE IT
AND THAT LOOKS LIKE IT
AND THAT LOOKS LIKE IT
IS
AND THAT LOOKS LIKE IT
IS $500,
AND THAT LOOKS LIKE IT
IS $500, NOT
AND THAT LOOKS LIKE IT
IS $500, NOT $159.
IS $500, NOT $159.
IS $500, NOT $159.
SO
IS $500, NOT $159.
SO I
IS $500, NOT $159.
SO I HAVE
IS $500, NOT $159.
SO I HAVE 40
IS $500, NOT $159.
SO I HAVE 40 LEFT,
IS $500, NOT $159.
SO I HAVE 40 LEFT, LAST
SO I HAVE 40 LEFT, LAST
SO I HAVE 40 LEFT, LAST
CHANCE
SO I HAVE 40 LEFT, LAST
CHANCE FOR
SO I HAVE 40 LEFT, LAST
CHANCE FOR THE
SO I HAVE 40 LEFT, LAST
CHANCE FOR THE PENDANT
CHANCE FOR THE PENDANT
CHANCE FOR THE PENDANT
WITH
CHANCE FOR THE PENDANT
WITH THE
CHANCE FOR THE PENDANT
WITH THE CHAIN.
WITH THE CHAIN.
WITH THE CHAIN.
I
WITH THE CHAIN.
I WANTED
WITH THE CHAIN.
I WANTED YOU
WITH THE CHAIN.
I WANTED YOU TO
WITH THE CHAIN.
I WANTED YOU TO SEE
WITH THE CHAIN.
I WANTED YOU TO SEE THE
I WANTED YOU TO SEE THE
I WANTED YOU TO SEE THE
AMOUNT
I WANTED YOU TO SEE THE
AMOUNT OF
I WANTED YOU TO SEE THE
AMOUNT OF METAL
I WANTED YOU TO SEE THE
AMOUNT OF METAL WE
I WANTED YOU TO SEE THE
AMOUNT OF METAL WE PUT
AMOUNT OF METAL WE PUT
AMOUNT OF METAL WE PUT
BEHIND
AMOUNT OF METAL WE PUT
BEHIND THAT.
BEHIND THAT.
BEHIND THAT.
THAT
BEHIND THAT.
THAT WAS
BEHIND THAT.
THAT WAS CALCULATED
BEHIND THAT.
THAT WAS CALCULATED AS
THAT WAS CALCULATED AS
THAT WAS CALCULATED AS
WELL,
THAT WAS CALCULATED AS
WELL, BECAUSE
THAT WAS CALCULATED AS
WELL, BECAUSE ESPECIALLY
WELL, BECAUSE ESPECIALLY
WELL, BECAUSE ESPECIALLY
WITH
WELL, BECAUSE ESPECIALLY
WITH AN
WELL, BECAUSE ESPECIALLY
WITH AN OPAL,
WELL, BECAUSE ESPECIALLY
WITH AN OPAL, THE
WELL, BECAUSE ESPECIALLY
WITH AN OPAL, THE MORE
WITH AN OPAL, THE MORE
WITH AN OPAL, THE MORE
YOU
WITH AN OPAL, THE MORE
YOU CLOSE
WITH AN OPAL, THE MORE
YOU CLOSE THE
WITH AN OPAL, THE MORE
YOU CLOSE THE BACK
WITH AN OPAL, THE MORE
YOU CLOSE THE BACK OF
YOU CLOSE THE BACK OF
YOU CLOSE THE BACK OF
SOMETHING,
YOU CLOSE THE BACK OF
SOMETHING, IT
YOU CLOSE THE BACK OF
SOMETHING, IT REALLY
SOMETHING, IT REALLY
SOMETHING, IT REALLY
HELPS
SOMETHING, IT REALLY
HELPS ELEVATE
SOMETHING, IT REALLY
HELPS ELEVATE THAT
SOMETHING, IT REALLY
HELPS ELEVATE THAT PLAY
HELPS ELEVATE THAT PLAY
HELPS ELEVATE THAT PLAY
OF
HELPS ELEVATE THAT PLAY
OF COLOR.
OF COLOR.
OF COLOR.
SO
OF COLOR.
SO A
OF COLOR.
SO A LOT
OF COLOR.
SO A LOT OF
OF COLOR.
SO A LOT OF THOUGHT
OF COLOR.
SO A LOT OF THOUGHT GOES
SO A LOT OF THOUGHT GOES
SO A LOT OF THOUGHT GOES
INTO
SO A LOT OF THOUGHT GOES
INTO THE
SO A LOT OF THOUGHT GOES
INTO THE DESIGN.
INTO THE DESIGN.
INTO THE DESIGN.
>>
INTO THE DESIGN.
>> Host:
INTO THE DESIGN.
>> Host: YOU
INTO THE DESIGN.
>> Host: YOU CAN
INTO THE DESIGN.
>> Host: YOU CAN TELL
>> Host: YOU CAN TELL
>> Host: YOU CAN TELL
IT'S
>> Host: YOU CAN TELL
IT'S BRILLIANTLY
IT'S BRILLIANTLY
IT'S BRILLIANTLY
FASHIONED.
FASHIONED.
FASHIONED.
AND
FASHIONED.
AND BACK
FASHIONED.
AND BACK TO
FASHIONED.
AND BACK TO THE
FASHIONED.
AND BACK TO THE RING.
AND BACK TO THE RING.
AND BACK TO THE RING.
5-10,
AND BACK TO THE RING.
5-10, AND
AND BACK TO THE RING.
5-10, AND AS
AND BACK TO THE RING.
5-10, AND AS I
AND BACK TO THE RING.
5-10, AND AS I WAS
5-10, AND AS I WAS
5-10, AND AS I WAS
SAYING,
5-10, AND AS I WAS
SAYING, THE
5-10, AND AS I WAS
SAYING, THE VAST
SAYING, THE VAST
SAYING, THE VAST
MAJORIY
SAYING, THE VAST
MAJORIY OF
SAYING, THE VAST
MAJORIY OF YOU
SAYING, THE VAST
MAJORIY OF YOU HAVE
MAJORIY OF YOU HAVE
MAJORIY OF YOU HAVE
DECIDED
MAJORIY OF YOU HAVE
DECIDED THE
MAJORIY OF YOU HAVE
DECIDED THE OPAL
MAJORIY OF YOU HAVE
DECIDED THE OPAL WAS
DECIDED THE OPAL WAS
DECIDED THE OPAL WAS
YOUR
DECIDED THE OPAL WAS
YOUR CHOICE.
YOUR CHOICE.
YOUR CHOICE.
IT'S
YOUR CHOICE.
IT'S THE
YOUR CHOICE.
IT'S THE FIRST
YOUR CHOICE.
IT'S THE FIRST OPAL
YOUR CHOICE.
IT'S THE FIRST OPAL I
IT'S THE FIRST OPAL I
IT'S THE FIRST OPAL I
WOULD
IT'S THE FIRST OPAL I
WOULD CONSIDER
IT'S THE FIRST OPAL I
WOULD CONSIDER HAVING.
WOULD CONSIDER HAVING.
WOULD CONSIDER HAVING.
MOST
WOULD CONSIDER HAVING.
MOST OF
WOULD CONSIDER HAVING.
MOST OF THEM
WOULD CONSIDER HAVING.
MOST OF THEM I
WOULD CONSIDER HAVING.
MOST OF THEM I SEE
WOULD CONSIDER HAVING.
MOST OF THEM I SEE ARE
MOST OF THEM I SEE ARE
MOST OF THEM I SEE ARE
PLANE,
MOST OF THEM I SEE ARE
PLANE, THEY'RE
MOST OF THEM I SEE ARE
PLANE, THEY'RE DULL,
MOST OF THEM I SEE ARE
PLANE, THEY'RE DULL, A
PLANE, THEY'RE DULL, A
PLANE, THEY'RE DULL, A
CLOUDY
PLANE, THEY'RE DULL, A
CLOUDY WHITE,
PLANE, THEY'RE DULL, A
CLOUDY WHITE, HOT
PLANE, THEY'RE DULL, A
CLOUDY WHITE, HOT MESS.
CLOUDY WHITE, HOT MESS.
CLOUDY WHITE, HOT MESS.
>>
CLOUDY WHITE, HOT MESS.
>> Guest:
CLOUDY WHITE, HOT MESS.
>> Guest: AND
CLOUDY WHITE, HOT MESS.
>> Guest: AND IF
CLOUDY WHITE, HOT MESS.
>> Guest: AND IF YOU'RE
>> Guest: AND IF YOU'RE
>> Guest: AND IF YOU'RE
GETTING
>> Guest: AND IF YOU'RE
GETTING THAT
>> Guest: AND IF YOU'RE
GETTING THAT KIND
>> Guest: AND IF YOU'RE
GETTING THAT KIND OF
GETTING THAT KIND OF
GETTING THAT KIND OF
PLAY
GETTING THAT KIND OF
PLAY OF
GETTING THAT KIND OF
PLAY OF COLOR,
GETTING THAT KIND OF
PLAY OF COLOR, YOU
GETTING THAT KIND OF
PLAY OF COLOR, YOU PAY
GETTING THAT KIND OF
PLAY OF COLOR, YOU PAY A
PLAY OF COLOR, YOU PAY A
PLAY OF COLOR, YOU PAY A
LOT
PLAY OF COLOR, YOU PAY A
LOT FOR
PLAY OF COLOR, YOU PAY A
LOT FOR IT.
LOT FOR IT.
LOT FOR IT.
>>
LOT FOR IT.
>> Host:
LOT FOR IT.
>> Host: PREMIUM.
>> Host: PREMIUM.
>> Host: PREMIUM.
>>
>> Host: PREMIUM.
>> Guest:
>> Host: PREMIUM.
>> Guest: SO
>> Host: PREMIUM.
>> Guest: SO WHY
>> Host: PREMIUM.
>> Guest: SO WHY IT
>> Host: PREMIUM.
>> Guest: SO WHY IT I
>> Guest: SO WHY IT I
>> Guest: SO WHY IT I
PICK
>> Guest: SO WHY IT I
PICK THESE
>> Guest: SO WHY IT I
PICK THESE TWO
>> Guest: SO WHY IT I
PICK THESE TWO FOR
>> Guest: SO WHY IT I
PICK THESE TWO FOR MY
PICK THESE TWO FOR MY
PICK THESE TWO FOR MY
FIRST
PICK THESE TWO FOR MY
FIRST TODAY'S
PICK THESE TWO FOR MY
FIRST TODAY'S SPECIAL
PICK THESE TWO FOR MY
FIRST TODAY'S SPECIAL AT
FIRST TODAY'S SPECIAL AT
FIRST TODAY'S SPECIAL AT
THIS
FIRST TODAY'S SPECIAL AT
THIS NETWORK?
THIS NETWORK?
THIS NETWORK?
IF
THIS NETWORK?
IF I
THIS NETWORK?
IF I CAN
THIS NETWORK?
IF I CAN SELL
THIS NETWORK?
IF I CAN SELL ONE
IF I CAN SELL ONE
IF I CAN SELL ONE
GEMSTONE,
IF I CAN SELL ONE
GEMSTONE, IT
IF I CAN SELL ONE
GEMSTONE, IT WOULD
IF I CAN SELL ONE
GEMSTONE, IT WOULD BE
GEMSTONE, IT WOULD BE
GEMSTONE, IT WOULD BE
TURQUOISE,
GEMSTONE, IT WOULD BE
TURQUOISE, AND
GEMSTONE, IT WOULD BE
TURQUOISE, AND I
GEMSTONE, IT WOULD BE
TURQUOISE, AND I TALKED
TURQUOISE, AND I TALKED
TURQUOISE, AND I TALKED
ABOUT
TURQUOISE, AND I TALKED
ABOUT IN
TURQUOISE, AND I TALKED
ABOUT IN THE
TURQUOISE, AND I TALKED
ABOUT IN THE PAST,
TURQUOISE, AND I TALKED
ABOUT IN THE PAST, I
TURQUOISE, AND I TALKED
ABOUT IN THE PAST, I DID
ABOUT IN THE PAST, I DID
ABOUT IN THE PAST, I DID
A
ABOUT IN THE PAST, I DID
A LOT
ABOUT IN THE PAST, I DID
A LOT OF
ABOUT IN THE PAST, I DID
A LOT OF SLEEPING
A LOT OF SLEEPING
A LOT OF SLEEPING
BEAUTY.
BEAUTY.
BEAUTY.
JUNE
BEAUTY.
JUNE 30
BEAUTY.
JUNE 30 OF
BEAUTY.
JUNE 30 OF 2012,
BEAUTY.
JUNE 30 OF 2012, THE
JUNE 30 OF 2012, THE
JUNE 30 OF 2012, THE
SLEEPING
JUNE 30 OF 2012, THE
SLEEPING BEAUTY
JUNE 30 OF 2012, THE
SLEEPING BEAUTY CLOSED
SLEEPING BEAUTY CLOSED
SLEEPING BEAUTY CLOSED
FOREVER.
FOREVER.
FOREVER.
UNFORTUNATELY,
FOREVER.
UNFORTUNATELY, A
FOREVER.
UNFORTUNATELY, A LOT
FOREVER.
UNFORTUNATELY, A LOT OF
UNFORTUNATELY, A LOT OF
UNFORTUNATELY, A LOT OF
PEOPLE
UNFORTUNATELY, A LOT OF
PEOPLE THESE
UNFORTUNATELY, A LOT OF
PEOPLE THESE DAYS
UNFORTUNATELY, A LOT OF
PEOPLE THESE DAYS ARE
PEOPLE THESE DAYS ARE
PEOPLE THESE DAYS ARE
STILL
PEOPLE THESE DAYS ARE
STILL SELLING
PEOPLE THESE DAYS ARE
STILL SELLING IT,
PEOPLE THESE DAYS ARE
STILL SELLING IT, AND
PEOPLE THESE DAYS ARE
STILL SELLING IT, AND I
STILL SELLING IT, AND I
STILL SELLING IT, AND I
KNOW
STILL SELLING IT, AND I
KNOW THERE'S
STILL SELLING IT, AND I
KNOW THERE'S NOT
STILL SELLING IT, AND I
KNOW THERE'S NOT THAT
KNOW THERE'S NOT THAT
KNOW THERE'S NOT THAT
MUCH
KNOW THERE'S NOT THAT
MUCH OUT
KNOW THERE'S NOT THAT
MUCH OUT THERE.
MUCH OUT THERE.
MUCH OUT THERE.
>>
MUCH OUT THERE.
>> Host:
MUCH OUT THERE.
>> Host: RIGHT.
>> Host: RIGHT.
>> Host: RIGHT.
>>
>> Host: RIGHT.
>> Guest:
>> Host: RIGHT.
>> Guest: THIS
>> Host: RIGHT.
>> Guest: THIS IS
>> Host: RIGHT.
>> Guest: THIS IS FROM
>> Guest: THIS IS FROM
>> Guest: THIS IS FROM
KING
>> Guest: THIS IS FROM
KING MAN,
>> Guest: THIS IS FROM
KING MAN, THIS
>> Guest: THIS IS FROM
KING MAN, THIS IS
>> Guest: THIS IS FROM
KING MAN, THIS IS THE
KING MAN, THIS IS THE
KING MAN, THIS IS THE
BEST
KING MAN, THIS IS THE
BEST KINGMANITOU
KING MAN, THIS IS THE
BEST KINGMANITOU I
BEST KINGMANITOU I
BEST KINGMANITOU I
DIDN'T
BEST KINGMANITOU I
DIDN'T SAY
BEST KINGMANITOU I
DIDN'T SAY I'VE
BEST KINGMANITOU I
DIDN'T SAY I'VE EVER
DIDN'T SAY I'VE EVER
DIDN'T SAY I'VE EVER
OFFERED.
OFFERED.
OFFERED.
--
OFFERED.
-- KINGTURQUOISE
OFFERED.
-- KINGTURQUOISE I'VE
-- KINGTURQUOISE I'VE
-- KINGTURQUOISE I'VE
OFFERED.
OFFERED.
OFFERED.
THE
OFFERED.
THE ZACHARY
OFFERED.
THE ZACHARY METHOD
OFFERED.
THE ZACHARY METHOD USES
THE ZACHARY METHOD USES
THE ZACHARY METHOD USES
NO
NO
NO
RESINS.
RESINS.
RESINS.
I
RESINS.
I LIKE
RESINS.
I LIKE TO
RESINS.
I LIKE TO EDUCATE
I LIKE TO EDUCATE
I LIKE TO EDUCATE
PEOPLE.
PEOPLE.
PEOPLE.
TURQUOISE
PEOPLE.
TURQUOISE IS
PEOPLE.
TURQUOISE IS A
PEOPLE.
TURQUOISE IS A POROUS
TURQUOISE IS A POROUS
TURQUOISE IS A POROUS
MINERAL.
MINERAL.
MINERAL.
IF
MINERAL.
IF YOU
MINERAL.
IF YOU DON'T
MINERAL.
IF YOU DON'T FILL
MINERAL.
IF YOU DON'T FILL IT
IF YOU DON'T FILL IT
IF YOU DON'T FILL IT
WITH
IF YOU DON'T FILL IT
WITH SOMETHING
IF YOU DON'T FILL IT
WITH SOMETHING OVER
IF YOU DON'T FILL IT
WITH SOMETHING OVER TIME
WITH SOMETHING OVER TIME
WITH SOMETHING OVER TIME
IT,
WITH SOMETHING OVER TIME
IT, WILL
WITH SOMETHING OVER TIME
IT, WILL GET
WITH SOMETHING OVER TIME
IT, WILL GET FILLED
WITH SOMETHING OVER TIME
IT, WILL GET FILLED OR
IT, WILL GET FILLED OR
IT, WILL GET FILLED OR
IT
IT, WILL GET FILLED OR
IT WILL
IT, WILL GET FILLED OR
IT WILL CRACK.
IT WILL CRACK.
IT WILL CRACK.
WHAT
IT WILL CRACK.
WHAT THEY
IT WILL CRACK.
WHAT THEY DO,
IT WILL CRACK.
WHAT THEY DO, AND
IT WILL CRACK.
WHAT THEY DO, AND THE
WHAT THEY DO, AND THE
WHAT THEY DO, AND THE
GENERAL
WHAT THEY DO, AND THE
GENERAL SENSE,
WHAT THEY DO, AND THE
GENERAL SENSE, IT
WHAT THEY DO, AND THE
GENERAL SENSE, IT COSTS
GENERAL SENSE, IT COSTS
GENERAL SENSE, IT COSTS
MONEY
GENERAL SENSE, IT COSTS
MONEY TO
GENERAL SENSE, IT COSTS
MONEY TO STABILIZE
GENERAL SENSE, IT COSTS
MONEY TO STABILIZE AN
MONEY TO STABILIZE AN
MONEY TO STABILIZE AN
ITEM,
MONEY TO STABILIZE AN
ITEM, BUT
MONEY TO STABILIZE AN
ITEM, BUT IN
MONEY TO STABILIZE AN
ITEM, BUT IN A
MONEY TO STABILIZE AN
ITEM, BUT IN A GENERAL
ITEM, BUT IN A GENERAL
ITEM, BUT IN A GENERAL
SENSE,
ITEM, BUT IN A GENERAL
SENSE, MOST
ITEM, BUT IN A GENERAL
SENSE, MOST ARE
ITEM, BUT IN A GENERAL
SENSE, MOST ARE USING
ITEM, BUT IN A GENERAL
SENSE, MOST ARE USING A
SENSE, MOST ARE USING A
SENSE, MOST ARE USING A
RESIN,
SENSE, MOST ARE USING A
RESIN, THAT
SENSE, MOST ARE USING A
RESIN, THAT THEY
SENSE, MOST ARE USING A
RESIN, THAT THEY FORCE
RESIN, THAT THEY FORCE
RESIN, THAT THEY FORCE
INTO
RESIN, THAT THEY FORCE
INTO THE
RESIN, THAT THEY FORCE
INTO THE PORES.
INTO THE PORES.
INTO THE PORES.
IT
INTO THE PORES.
IT TAKES
INTO THE PORES.
IT TAKES BETWEEN
INTO THE PORES.
IT TAKES BETWEEN 30-60
IT TAKES BETWEEN 30-60
IT TAKES BETWEEN 30-60
DAYS,
IT TAKES BETWEEN 30-60
DAYS, AND
IT TAKES BETWEEN 30-60
DAYS, AND COSTS
IT TAKES BETWEEN 30-60
DAYS, AND COSTS MONEY
IT TAKES BETWEEN 30-60
DAYS, AND COSTS MONEY TO
DAYS, AND COSTS MONEY TO
DAYS, AND COSTS MONEY TO
DO
DAYS, AND COSTS MONEY TO
DO THAT.
DO THAT.
DO THAT.
THE
DO THAT.
THE ZACHARY
DO THAT.
THE ZACHARY METHOD,
THE ZACHARY METHOD,
THE ZACHARY METHOD,
HOWEVER,
THE ZACHARY METHOD,
HOWEVER, WAS
THE ZACHARY METHOD,
HOWEVER, WAS DEVELOPED
HOWEVER, WAS DEVELOPED
HOWEVER, WAS DEVELOPED
BY
HOWEVER, WAS DEVELOPED
BY A
HOWEVER, WAS DEVELOPED
BY A GUY,
HOWEVER, WAS DEVELOPED
BY A GUY, ZACHARY
HOWEVER, WAS DEVELOPED
BY A GUY, ZACHARY WAS
BY A GUY, ZACHARY WAS
BY A GUY, ZACHARY WAS
HIS
BY A GUY, ZACHARY WAS
HIS NAME,
BY A GUY, ZACHARY WAS
HIS NAME, AND
BY A GUY, ZACHARY WAS
HIS NAME, AND HE
BY A GUY, ZACHARY WAS
HIS NAME, AND HE FIGURED
HIS NAME, AND HE FIGURED
HIS NAME, AND HE FIGURED
OUT
HIS NAME, AND HE FIGURED
OUT A
HIS NAME, AND HE FIGURED
OUT A WAY,
HIS NAME, AND HE FIGURED
OUT A WAY, PROPRIETARY
OUT A WAY, PROPRIETARY
OUT A WAY, PROPRIETARY
METHOD
OUT A WAY, PROPRIETARY
METHOD TO
OUT A WAY, PROPRIETARY
METHOD TO STABILIZE
METHOD TO STABILIZE
METHOD TO STABILIZE
SLEEPING
METHOD TO STABILIZE
SLEEPING BEAUTY
SLEEPING BEAUTY
SLEEPING BEAUTY
TURQUOISE
SLEEPING BEAUTY
TURQUOISE WITHOUT
SLEEPING BEAUTY
TURQUOISE WITHOUT USING
TURQUOISE WITHOUT USING
TURQUOISE WITHOUT USING
ANY
TURQUOISE WITHOUT USING
ANY RESIN,
TURQUOISE WITHOUT USING
ANY RESIN, AND
TURQUOISE WITHOUT USING
ANY RESIN, AND STILL
ANY RESIN, AND STILL
ANY RESIN, AND STILL
MAKING
ANY RESIN, AND STILL
MAKING IT
ANY RESIN, AND STILL
MAKING IT STRONGER
ANY RESIN, AND STILL
MAKING IT STRONGER AND
MAKING IT STRONGER AND
MAKING IT STRONGER AND
HARDER.
HARDER.
HARDER.
THAT
HARDER.
THAT FOR
HARDER.
THAT FOR THE
HARDER.
THAT FOR THE FIRST
HARDER.
THAT FOR THE FIRST TIME
THAT FOR THE FIRST TIME
THAT FOR THE FIRST TIME
IN
THAT FOR THE FIRST TIME
IN MY
THAT FOR THE FIRST TIME
IN MY CAREER
THAT FOR THE FIRST TIME
IN MY CAREER WAS
THAT FOR THE FIRST TIME
IN MY CAREER WAS DONE
IN MY CAREER WAS DONE
IN MY CAREER WAS DONE
WITH
IN MY CAREER WAS DONE
WITH THE
IN MY CAREER WAS DONE
WITH THE KINGMAN
WITH THE KINGMAN
WITH THE KINGMAN
TURQUOISE,
WITH THE KINGMAN
TURQUOISE, BUT
WITH THE KINGMAN
TURQUOISE, BUT THE
WITH THE KINGMAN
TURQUOISE, BUT THE FOWT
TURQUOISE, BUT THE FOWT
TURQUOISE, BUT THE FOWT
BROTHERS.
BROTHERS.
BROTHERS.
I
BROTHERS.
I WOULD
BROTHERS.
I WOULD CALL
BROTHERS.
I WOULD CALL THIS
BROTHERS.
I WOULD CALL THIS ONE
BROTHERS.
I WOULD CALL THIS ONE OF
I WOULD CALL THIS ONE OF
I WOULD CALL THIS ONE OF
THE
I WOULD CALL THIS ONE OF
THE BEST
I WOULD CALL THIS ONE OF
THE BEST VALUES
I WOULD CALL THIS ONE OF
THE BEST VALUES I'VE
THE BEST VALUES I'VE
THE BEST VALUES I'VE
EVER
THE BEST VALUES I'VE
EVER DONE
THE BEST VALUES I'VE
EVER DONE IN
THE BEST VALUES I'VE
EVER DONE IN MY
THE BEST VALUES I'VE
EVER DONE IN MY CAREER
EVER DONE IN MY CAREER
EVER DONE IN MY CAREER
IN
EVER DONE IN MY CAREER
IN TURQUOISE.
IN TURQUOISE.
IN TURQUOISE.
>>
IN TURQUOISE.
>> Host:
IN TURQUOISE.
>> Host: CLEARLY.
>> Host: CLEARLY.
>> Host: CLEARLY.
>>
>> Host: CLEARLY.
>> Guest:
>> Host: CLEARLY.
>> Guest: AND
>> Host: CLEARLY.
>> Guest: AND MINED
>> Host: CLEARLY.
>> Guest: AND MINED IN
>> Guest: AND MINED IN
>> Guest: AND MINED IN
AMERICA
>> Guest: AND MINED IN
AMERICA AS
>> Guest: AND MINED IN
AMERICA AS YOU
>> Guest: AND MINED IN
AMERICA AS YOU WILL
>> Guest: AND MINED IN
AMERICA AS YOU WILL SEE
AMERICA AS YOU WILL SEE
AMERICA AS YOU WILL SEE
IS
AMERICA AS YOU WILL SEE
IS A
AMERICA AS YOU WILL SEE
IS A THEME
AMERICA AS YOU WILL SEE
IS A THEME FOR
AMERICA AS YOU WILL SEE
IS A THEME FOR ME
AMERICA AS YOU WILL SEE
IS A THEME FOR ME IT'S
IS A THEME FOR ME IT'S
IS A THEME FOR ME IT'S
VERY
IS A THEME FOR ME IT'S
VERY IMPORTANT.
VERY IMPORTANT.
VERY IMPORTANT.
AND
VERY IMPORTANT.
AND I'M
VERY IMPORTANT.
AND I'M TRYING
VERY IMPORTANT.
AND I'M TRYING TO
VERY IMPORTANT.
AND I'M TRYING TO DO
AND I'M TRYING TO DO
AND I'M TRYING TO DO
MORE
AND I'M TRYING TO DO
MORE AND
AND I'M TRYING TO DO
MORE AND MORE
AND I'M TRYING TO DO
MORE AND MORE OF
AND I'M TRYING TO DO
MORE AND MORE OF IT
AND I'M TRYING TO DO
MORE AND MORE OF IT EACH
MORE AND MORE OF IT EACH
MORE AND MORE OF IT EACH
YEAR,
MORE AND MORE OF IT EACH
YEAR, AND
MORE AND MORE OF IT EACH
YEAR, AND EVENTUALLY
MORE AND MORE OF IT EACH
YEAR, AND EVENTUALLY I
YEAR, AND EVENTUALLY I
YEAR, AND EVENTUALLY I
WILL
YEAR, AND EVENTUALLY I
WILL START
YEAR, AND EVENTUALLY I
WILL START BRINGING
WILL START BRINGING
WILL START BRINGING
MANUFACTURING
WILL START BRINGING
MANUFACTURING BACK
WILL START BRINGING
MANUFACTURING BACK HERE.
MANUFACTURING BACK HERE.
MANUFACTURING BACK HERE.
>>
MANUFACTURING BACK HERE.
>> NO
MANUFACTURING BACK HERE.
>> NO KIDDING?
>> NO KIDDING?
>> NO KIDDING?
THAT'S
>> NO KIDDING?
THAT'S WONDERFUL.
THAT'S WONDERFUL.
THAT'S WONDERFUL.
>>
THAT'S WONDERFUL.
>> Host:
THAT'S WONDERFUL.
>> Host: THAT'S
THAT'S WONDERFUL.
>> Host: THAT'S GREAT.
>> Host: THAT'S GREAT.
>> Host: THAT'S GREAT.
I
>> Host: THAT'S GREAT.
I TOTALLY
>> Host: THAT'S GREAT.
I TOTALLY APPRECIATE
>> Host: THAT'S GREAT.
I TOTALLY APPRECIATE IT.
I TOTALLY APPRECIATE IT.
I TOTALLY APPRECIATE IT.
I
I TOTALLY APPRECIATE IT.
I THINK
I TOTALLY APPRECIATE IT.
I THINK WHAT'S
I TOTALLY APPRECIATE IT.
I THINK WHAT'S SO
I THINK WHAT'S SO
I THINK WHAT'S SO
SPECTACULAR,
I THINK WHAT'S SO
SPECTACULAR, IT'S
SPECTACULAR, IT'S
SPECTACULAR, IT'S
TURQUOISE,
SPECTACULAR, IT'S
TURQUOISE, I
SPECTACULAR, IT'S
TURQUOISE, I THINK
SPECTACULAR, IT'S
TURQUOISE, I THINK A
SPECTACULAR, IT'S
TURQUOISE, I THINK A LOT
TURQUOISE, I THINK A LOT
TURQUOISE, I THINK A LOT
OF
TURQUOISE, I THINK A LOT
OF TIMES
TURQUOISE, I THINK A LOT
OF TIMES WHEN
TURQUOISE, I THINK A LOT
OF TIMES WHEN YOU
TURQUOISE, I THINK A LOT
OF TIMES WHEN YOU THINK
OF TIMES WHEN YOU THINK
OF TIMES WHEN YOU THINK
TURQUOISE,
OF TIMES WHEN YOU THINK
TURQUOISE, WE
OF TIMES WHEN YOU THINK
TURQUOISE, WE THINK
OF TIMES WHEN YOU THINK
TURQUOISE, WE THINK IT'S
TURQUOISE, WE THINK IT'S
TURQUOISE, WE THINK IT'S
BEAUTIFUL,
TURQUOISE, WE THINK IT'S
BEAUTIFUL, BUT
TURQUOISE, WE THINK IT'S
BEAUTIFUL, BUT NOT
BEAUTIFUL, BUT NOT
BEAUTIFUL, BUT NOT
ELEVATED
BEAUTIFUL, BUT NOT
ELEVATED TO
BEAUTIFUL, BUT NOT
ELEVATED TO THIS
BEAUTIFUL, BUT NOT
ELEVATED TO THIS LEVEL.
ELEVATED TO THIS LEVEL.
ELEVATED TO THIS LEVEL.
IF
ELEVATED TO THIS LEVEL.
IF YOU
ELEVATED TO THIS LEVEL.
IF YOU GO
ELEVATED TO THIS LEVEL.
IF YOU GO TO
ELEVATED TO THIS LEVEL.
IF YOU GO TO SOME
ELEVATED TO THIS LEVEL.
IF YOU GO TO SOME OF
ELEVATED TO THIS LEVEL.
IF YOU GO TO SOME OF THE
IF YOU GO TO SOME OF THE
IF YOU GO TO SOME OF THE
FINEST
IF YOU GO TO SOME OF THE
FINEST JEWELRY
IF YOU GO TO SOME OF THE
FINEST JEWELRY STORES
IF YOU GO TO SOME OF THE
FINEST JEWELRY STORES IN
FINEST JEWELRY STORES IN
FINEST JEWELRY STORES IN
THE
FINEST JEWELRY STORES IN
THE WORLD,
FINEST JEWELRY STORES IN
THE WORLD, ON
FINEST JEWELRY STORES IN
THE WORLD, ON DESIGNERS,
THE WORLD, ON DESIGNERS,
THE WORLD, ON DESIGNERS,
THEY
THE WORLD, ON DESIGNERS,
THEY ARE
THE WORLD, ON DESIGNERS,
THEY ARE ELEVATING
THEY ARE ELEVATING
THEY ARE ELEVATING
TURQUOISE,
THEY ARE ELEVATING
TURQUOISE, AND
THEY ARE ELEVATING
TURQUOISE, AND SET
THEY ARE ELEVATING
TURQUOISE, AND SET IT
THEY ARE ELEVATING
TURQUOISE, AND SET IT IN
TURQUOISE, AND SET IT IN
TURQUOISE, AND SET IT IN
GOLD.
GOLD.
GOLD.
BUT
GOLD.
BUT I
GOLD.
BUT I LOVE
GOLD.
BUT I LOVE YOU
GOLD.
BUT I LOVE YOU DID
GOLD.
BUT I LOVE YOU DID THAT.
BUT I LOVE YOU DID THAT.
BUT I LOVE YOU DID THAT.
THIS
BUT I LOVE YOU DID THAT.
THIS IS
BUT I LOVE YOU DID THAT.
THIS IS THE
BUT I LOVE YOU DID THAT.
THIS IS THE FEMININE
THIS IS THE FEMININE
THIS IS THE FEMININE
SIDE,
THIS IS THE FEMININE
SIDE, THE
THIS IS THE FEMININE
SIDE, THE RICH
THIS IS THE FEMININE
SIDE, THE RICH HIGH
SIDE, THE RICH HIGH
SIDE, THE RICH HIGH
PRESSURE
SIDE, THE RICH HIGH
PRESSURE LOOKING
SIDE, THE RICH HIGH
PRESSURE LOOKING SIDE.
PRESSURE LOOKING SIDE.
PRESSURE LOOKING SIDE.
THIS
PRESSURE LOOKING SIDE.
THIS IS
PRESSURE LOOKING SIDE.
THIS IS --
PRESSURE LOOKING SIDE.
THIS IS -- RICH-SIDE,
THIS IS -- RICH-SIDE,
THIS IS -- RICH-SIDE,
FOR
THIS IS -- RICH-SIDE,
FOR ME,
THIS IS -- RICH-SIDE,
FOR ME, IT'S
THIS IS -- RICH-SIDE,
FOR ME, IT'S CASUAL,
THIS IS -- RICH-SIDE,
FOR ME, IT'S CASUAL, AND
FOR ME, IT'S CASUAL, AND
FOR ME, IT'S CASUAL, AND
I
FOR ME, IT'S CASUAL, AND
I LOVE
FOR ME, IT'S CASUAL, AND
I LOVE IT,
FOR ME, IT'S CASUAL, AND
I LOVE IT, BUT
FOR ME, IT'S CASUAL, AND
I LOVE IT, BUT IT'S
I LOVE IT, BUT IT'S
I LOVE IT, BUT IT'S
PRETTY
I LOVE IT, BUT IT'S
PRETTY CASUAL.
PRETTY CASUAL.
PRETTY CASUAL.
>>
PRETTY CASUAL.
>> Guest:
PRETTY CASUAL.
>> Guest: WE
PRETTY CASUAL.
>> Guest: WE HAVE
>> Guest: WE HAVE
>> Guest: WE HAVE
TANZANITE,
>> Guest: WE HAVE
TANZANITE, WHITE
>> Guest: WE HAVE
TANZANITE, WHITE ZIRCON,
TANZANITE, WHITE ZIRCON,
TANZANITE, WHITE ZIRCON,
IT
TANZANITE, WHITE ZIRCON,
IT IS
TANZANITE, WHITE ZIRCON,
IT IS ELEVATED.
IT IS ELEVATED.
IT IS ELEVATED.
AND
IT IS ELEVATED.
AND I
IT IS ELEVATED.
AND I WILL
IT IS ELEVATED.
AND I WILL TELL
IT IS ELEVATED.
AND I WILL TELL YOU
AND I WILL TELL YOU
AND I WILL TELL YOU
THAT,
AND I WILL TELL YOU
THAT, AGAIN,
AND I WILL TELL YOU
THAT, AGAIN, MY
AND I WILL TELL YOU
THAT, AGAIN, MY NUMBER
THAT, AGAIN, MY NUMBER
THAT, AGAIN, MY NUMBER
ONE
THAT, AGAIN, MY NUMBER
ONE SELLER
THAT, AGAIN, MY NUMBER
ONE SELLER FOR
THAT, AGAIN, MY NUMBER
ONE SELLER FOR THE
THAT, AGAIN, MY NUMBER
ONE SELLER FOR THE LAST
ONE SELLER FOR THE LAST
ONE SELLER FOR THE LAST
NINE
ONE SELLER FOR THE LAST
NINE YEARS
ONE SELLER FOR THE LAST
NINE YEARS IS
ONE SELLER FOR THE LAST
NINE YEARS IS TURQUOISE.
NINE YEARS IS TURQUOISE.
NINE YEARS IS TURQUOISE.
AND
NINE YEARS IS TURQUOISE.
AND WHETHER,
NINE YEARS IS TURQUOISE.
AND WHETHER, NO
NINE YEARS IS TURQUOISE.
AND WHETHER, NO MATTER
AND WHETHER, NO MATTER
AND WHETHER, NO MATTER
WHERE
AND WHETHER, NO MATTER
WHERE IT
AND WHETHER, NO MATTER
WHERE IT WAS
AND WHETHER, NO MATTER
WHERE IT WAS FROM,
WHERE IT WAS FROM,
WHERE IT WAS FROM,
CHINESE,
WHERE IT WAS FROM,
CHINESE, MEXICAN,
WHERE IT WAS FROM,
CHINESE, MEXICAN, USA
CHINESE, MEXICAN, USA
CHINESE, MEXICAN, USA
SLEEPING
CHINESE, MEXICAN, USA
SLEEPING BEAUTY,
CHINESE, MEXICAN, USA
SLEEPING BEAUTY, DIDN'T
SLEEPING BEAUTY, DIDN'T
SLEEPING BEAUTY, DIDN'T
MATTER.
MATTER.
MATTER.
BUT
MATTER.
BUT EVERYBODY
MATTER.
BUT EVERYBODY LIKES
MATTER.
BUT EVERYBODY LIKES THE
BUT EVERYBODY LIKES THE
BUT EVERYBODY LIKES THE
TURQUOISE
BUT EVERYBODY LIKES THE
TURQUOISE MORE
BUT EVERYBODY LIKES THE
TURQUOISE MORE WHEN
BUT EVERYBODY LIKES THE
TURQUOISE MORE WHEN YOU
TURQUOISE MORE WHEN YOU
TURQUOISE MORE WHEN YOU
PUT
TURQUOISE MORE WHEN YOU
PUT A
TURQUOISE MORE WHEN YOU
PUT A FAST
TURQUOISE MORE WHEN YOU
PUT A FAST SETTLED
TURQUOISE MORE WHEN YOU
PUT A FAST SETTLED BLUE
PUT A FAST SETTLED BLUE
PUT A FAST SETTLED BLUE
STONE
PUT A FAST SETTLED BLUE
STONE --
PUT A FAST SETTLED BLUE
STONE -- FACETTED
PUT A FAST SETTLED BLUE
STONE -- FACETTED BLUE
STONE -- FACETTED BLUE
STONE -- FACETTED BLUE
STONE
STONE -- FACETTED BLUE
STONE WITH
STONE -- FACETTED BLUE
STONE WITH T
STONE -- FACETTED BLUE
STONE WITH T THERE'S
STONE -- FACETTED BLUE
STONE WITH T THERE'S NO
STONE WITH T THERE'S NO
STONE WITH T THERE'S NO
ELEVATED
STONE WITH T THERE'S NO
ELEVATED STONE
STONE WITH T THERE'S NO
ELEVATED STONE TO
STONE WITH T THERE'S NO
ELEVATED STONE TO DO
ELEVATED STONE TO DO
ELEVATED STONE TO DO
WITH
ELEVATED STONE TO DO
WITH YOUR
ELEVATED STONE TO DO
WITH YOUR TURQUOISE
ELEVATED STONE TO DO
WITH YOUR TURQUOISE THAN
WITH YOUR TURQUOISE THAN
WITH YOUR TURQUOISE THAN
TANZANITE.
TANZANITE.
TANZANITE.
>>
TANZANITE.
>> Host:
TANZANITE.
>> Host: YES.
>> Host: YES.
>> Host: YES.
>>
>> Host: YES.
>> Guest:
>> Host: YES.
>> Guest: IT'S
>> Host: YES.
>> Guest: IT'S VERY
>> Guest: IT'S VERY
>> Guest: IT'S VERY
PRETTY.
PRETTY.
PRETTY.
>>
PRETTY.
>> Host:
PRETTY.
>> Host: I
PRETTY.
>> Host: I LOVE
PRETTY.
>> Host: I LOVE THE
>> Host: I LOVE THE
>> Host: I LOVE THE
POSITION
>> Host: I LOVE THE
POSITION OF
>> Host: I LOVE THE
POSITION OF THE
>> Host: I LOVE THE
POSITION OF THE SEMI
POSITION OF THE SEMI
POSITION OF THE SEMI
PRECIOUS
POSITION OF THE SEMI
PRECIOUS WITH
POSITION OF THE SEMI
PRECIOUS WITH THE
PRECIOUS WITH THE
PRECIOUS WITH THE
OPAQUE.
OPAQUE.
OPAQUE.
,
OPAQUE.
, OR
OPAQUE.
, OR WITH
OPAQUE.
, OR WITH THE
OPAQUE.
, OR WITH THE CLEAR,
, OR WITH THE CLEAR,
, OR WITH THE CLEAR,
TRANSPARENT
, OR WITH THE CLEAR,
TRANSPARENT WITH
, OR WITH THE CLEAR,
TRANSPARENT WITH THE
TRANSPARENT WITH THE
TRANSPARENT WITH THE
OPAQUE.
OPAQUE.
OPAQUE.
BECAUSE
OPAQUE.
BECAUSE IT'S
OPAQUE.
BECAUSE IT'S BEAUTIFUL.
BECAUSE IT'S BEAUTIFUL.
BECAUSE IT'S BEAUTIFUL.
THERE'S
BECAUSE IT'S BEAUTIFUL.
THERE'S A
BECAUSE IT'S BEAUTIFUL.
THERE'S A SPARKLE
BECAUSE IT'S BEAUTIFUL.
THERE'S A SPARKLE ABOUT
THERE'S A SPARKLE ABOUT
THERE'S A SPARKLE ABOUT
THE
THERE'S A SPARKLE ABOUT
THE TANZANITE,
THERE'S A SPARKLE ABOUT
THE TANZANITE, AND
THE TANZANITE, AND
THE TANZANITE, AND
ZIRCON
THE TANZANITE, AND
ZIRCON FOR
THE TANZANITE, AND
ZIRCON FOR THAT
THE TANZANITE, AND
ZIRCON FOR THAT MATTER.
ZIRCON FOR THAT MATTER.
ZIRCON FOR THAT MATTER.
AND
ZIRCON FOR THAT MATTER.
AND YOU
ZIRCON FOR THAT MATTER.
AND YOU HAVE
ZIRCON FOR THAT MATTER.
AND YOU HAVE THE
ZIRCON FOR THAT MATTER.
AND YOU HAVE THE SOLID
AND YOU HAVE THE SOLID
AND YOU HAVE THE SOLID
BLUE,
AND YOU HAVE THE SOLID
BLUE, JUST
AND YOU HAVE THE SOLID
BLUE, JUST A
AND YOU HAVE THE SOLID
BLUE, JUST A GOOD
BLUE, JUST A GOOD
BLUE, JUST A GOOD
CONTRAST
BLUE, JUST A GOOD
CONTRAST BETWEEN
BLUE, JUST A GOOD
CONTRAST BETWEEN THE
CONTRAST BETWEEN THE
CONTRAST BETWEEN THE
TWO.
TWO.
TWO.
>>
TWO.
>> Guest:
TWO.
>> Guest: AND
TWO.
>> Guest: AND AGAIN,
TWO.
>> Guest: AND AGAIN, I
>> Guest: AND AGAIN, I
>> Guest: AND AGAIN, I
DON'T
>> Guest: AND AGAIN, I
DON'T SAY
>> Guest: AND AGAIN, I
DON'T SAY THIS
>> Guest: AND AGAIN, I
DON'T SAY THIS ABOUT
DON'T SAY THIS ABOUT
DON'T SAY THIS ABOUT
EVERY
DON'T SAY THIS ABOUT
EVERY STONE.
EVERY STONE.
EVERY STONE.
YOU
EVERY STONE.
YOU GET
EVERY STONE.
YOU GET THE
EVERY STONE.
YOU GET THE ROBIN'S
EVERY STONE.
YOU GET THE ROBIN'S EGG
YOU GET THE ROBIN'S EGG
YOU GET THE ROBIN'S EGG
BLUE
YOU GET THE ROBIN'S EGG
BLUE COLOR,
YOU GET THE ROBIN'S EGG
BLUE COLOR, IT
YOU GET THE ROBIN'S EGG
BLUE COLOR, IT LIGHT
BLUE COLOR, IT LIGHT
BLUE COLOR, IT LIGHT
SPECTACULAR
BLUE COLOR, IT LIGHT
SPECTACULAR ON
BLUE COLOR, IT LIGHT
SPECTACULAR ON EVERY
SPECTACULAR ON EVERY
SPECTACULAR ON EVERY
SKIN
SPECTACULAR ON EVERY
SKIN TONE.
SKIN TONE.
SKIN TONE.
AND
SKIN TONE.
AND ALMOST
SKIN TONE.
AND ALMOST EVERY
SKIN TONE.
AND ALMOST EVERY COLOR
AND ALMOST EVERY COLOR
AND ALMOST EVERY COLOR
YOU
AND ALMOST EVERY COLOR
YOU WEAR.
YOU WEAR.
YOU WEAR.
NOTHING
YOU WEAR.
NOTHING THAT
YOU WEAR.
NOTHING THAT LOOKS
YOU WEAR.
NOTHING THAT LOOKS BAD
NOTHING THAT LOOKS BAD
NOTHING THAT LOOKS BAD
WITH
NOTHING THAT LOOKS BAD
WITH THIS.
WITH THIS.
WITH THIS.
MANY
WITH THIS.
MANY PEOPLE
WITH THIS.
MANY PEOPLE ARE
MANY PEOPLE ARE
MANY PEOPLE ARE
SURPRISED
MANY PEOPLE ARE
SURPRISED WHEN
MANY PEOPLE ARE
SURPRISED WHEN HE
MANY PEOPLE ARE
SURPRISED WHEN HE I
MANY PEOPLE ARE
SURPRISED WHEN HE I HAD
SURPRISED WHEN HE I HAD
SURPRISED WHEN HE I HAD
INDICATE
SURPRISED WHEN HE I HAD
INDICATE THEM,
INDICATE THEM,
INDICATE THEM,
EVERYTHING
INDICATE THEM,
EVERYTHING --
INDICATE THEM,
EVERYTHING -- EDUCATE
EVERYTHING -- EDUCATE
EVERYTHING -- EDUCATE
THEM,
EVERYTHING -- EDUCATE
THEM, PEOPLE
EVERYTHING -- EDUCATE
THEM, PEOPLE SAID
THEM, PEOPLE SAID
THEM, PEOPLE SAID
SLEEPING
THEM, PEOPLE SAID
SLEEPING BEAUTY
THEM, PEOPLE SAID
SLEEPING BEAUTY WAS
THEM, PEOPLE SAID
SLEEPING BEAUTY WAS THE
SLEEPING BEAUTY WAS THE
SLEEPING BEAUTY WAS THE
MOST
SLEEPING BEAUTY WAS THE
MOST EXPENSIVE
SLEEPING BEAUTY WAS THE
MOST EXPENSIVE EVER.
MOST EXPENSIVE EVER.
MOST EXPENSIVE EVER.
IT
MOST EXPENSIVE EVER.
IT WASN'T,
MOST EXPENSIVE EVER.
IT WASN'T, IT
MOST EXPENSIVE EVER.
IT WASN'T, IT WENT
MOST EXPENSIVE EVER.
IT WASN'T, IT WENT UP
IT WASN'T, IT WENT UP
IT WASN'T, IT WENT UP
WHEN
IT WASN'T, IT WENT UP
WHEN THE
IT WASN'T, IT WENT UP
WHEN THE MINE
IT WASN'T, IT WENT UP
WHEN THE MINE CLOSED.
WHEN THE MINE CLOSED.
WHEN THE MINE CLOSED.
THE
WHEN THE MINE CLOSED.
THE PRICE
WHEN THE MINE CLOSED.
THE PRICE DOUBLES
WHEN THE MINE CLOSED.
THE PRICE DOUBLES WITHIN
THE PRICE DOUBLES WITHIN
THE PRICE DOUBLES WITHIN
THREE
THE PRICE DOUBLES WITHIN
THREE WEEKS.
THREE WEEKS.
THREE WEEKS.
IT
THREE WEEKS.
IT TRIPLED
THREE WEEKS.
IT TRIPLED WITHIN
THREE WEEKS.
IT TRIPLED WITHIN SIX
IT TRIPLED WITHIN SIX
IT TRIPLED WITHIN SIX
WEEKS.
WEEKS.
WEEKS.
IT
WEEKS.
IT HAD
WEEKS.
IT HAD JUST
WEEKS.
IT HAD JUST GONE
WEEKS.
IT HAD JUST GONE CRAZY.
IT HAD JUST GONE CRAZY.
IT HAD JUST GONE CRAZY.
BUT,
IT HAD JUST GONE CRAZY.
BUT, LIKE
IT HAD JUST GONE CRAZY.
BUT, LIKE A
IT HAD JUST GONE CRAZY.
BUT, LIKE A BLACK
IT HAD JUST GONE CRAZY.
BUT, LIKE A BLACK SPIDER
BUT, LIKE A BLACK SPIDER
BUT, LIKE A BLACK SPIDER
WEB
BUT, LIKE A BLACK SPIDER
WEB MATRIX
BUT, LIKE A BLACK SPIDER
WEB MATRIX IN
BUT, LIKE A BLACK SPIDER
WEB MATRIX IN A
BUT, LIKE A BLACK SPIDER
WEB MATRIX IN A --
BUT, LIKE A BLACK SPIDER
WEB MATRIX IN A -- WOULD
WEB MATRIX IN A -- WOULD
WEB MATRIX IN A -- WOULD
DWARF
WEB MATRIX IN A -- WOULD
DWARF THE
WEB MATRIX IN A -- WOULD
DWARF THE COST
WEB MATRIX IN A -- WOULD
DWARF THE COST OF
WEB MATRIX IN A -- WOULD
DWARF THE COST OF A
DWARF THE COST OF A
DWARF THE COST OF A
SLEEPING
DWARF THE COST OF A
SLEEPING BEAUTY.
SLEEPING BEAUTY.
SLEEPING BEAUTY.
BUT
SLEEPING BEAUTY.
BUT IT'S
SLEEPING BEAUTY.
BUT IT'S COMFORTING
SLEEPING BEAUTY.
BUT IT'S COMFORTING TO
BUT IT'S COMFORTING TO
BUT IT'S COMFORTING TO
KNOW
BUT IT'S COMFORTING TO
KNOW I
BUT IT'S COMFORTING TO
KNOW I CAN
BUT IT'S COMFORTING TO
KNOW I CAN GIVE
BUT IT'S COMFORTING TO
KNOW I CAN GIVE YOU
BUT IT'S COMFORTING TO
KNOW I CAN GIVE YOU A
KNOW I CAN GIVE YOU A
KNOW I CAN GIVE YOU A
GENUINE
KNOW I CAN GIVE YOU A
GENUINE TURQUOISE,
KNOW I CAN GIVE YOU A
GENUINE TURQUOISE, NOT
KNOW I CAN GIVE YOU A
GENUINE TURQUOISE, NOT A
GENUINE TURQUOISE, NOT A
GENUINE TURQUOISE, NOT A
FAKE,
GENUINE TURQUOISE, NOT A
FAKE, NOT
GENUINE TURQUOISE, NOT A
FAKE, NOT A
GENUINE TURQUOISE, NOT A
FAKE, NOT A DYED,
GENUINE TURQUOISE, NOT A
FAKE, NOT A DYED, NOT
FAKE, NOT A DYED, NOT
FAKE, NOT A DYED, NOT
COMPRESSED
FAKE, NOT A DYED, NOT
COMPRESSED THAT
FAKE, NOT A DYED, NOT
COMPRESSED THAT CAME
COMPRESSED THAT CAME
COMPRESSED THAT CAME
FROM
COMPRESSED THAT CAME
FROM A
COMPRESSED THAT CAME
FROM A SINGLE
COMPRESSED THAT CAME
FROM A SINGLE PIECE
COMPRESSED THAT CAME
FROM A SINGLE PIECE OF
FROM A SINGLE PIECE OF
FROM A SINGLE PIECE OF
KINGMAN,
FROM A SINGLE PIECE OF
KINGMAN, THAT
FROM A SINGLE PIECE OF
KINGMAN, THAT USING
FROM A SINGLE PIECE OF
KINGMAN, THAT USING THE
KINGMAN, THAT USING THE
KINGMAN, THAT USING THE
ZACHARY
KINGMAN, THAT USING THE
ZACHARY METHOD,
KINGMAN, THAT USING THE
ZACHARY METHOD, THAT
ZACHARY METHOD, THAT
ZACHARY METHOD, THAT
GIVING
ZACHARY METHOD, THAT
GIVING YOU
ZACHARY METHOD, THAT
GIVING YOU THE
ZACHARY METHOD, THAT
GIVING YOU THE ROBIN'S
GIVING YOU THE ROBIN'S
GIVING YOU THE ROBIN'S
EGG
GIVING YOU THE ROBIN'S
EGG BLUE.
EGG BLUE.
EGG BLUE.
YOU
EGG BLUE.
YOU WILL
EGG BLUE.
YOU WILL ENJOY
EGG BLUE.
YOU WILL ENJOY IT.
YOU WILL ENJOY IT.
YOU WILL ENJOY IT.
>>
YOU WILL ENJOY IT.
>> Host:
YOU WILL ENJOY IT.
>> Host: IT'S
YOU WILL ENJOY IT.
>> Host: IT'S BEAUTIFUL.
>> Host: IT'S BEAUTIFUL.
>> Host: IT'S BEAUTIFUL.
AND
>> Host: IT'S BEAUTIFUL.
AND A
>> Host: IT'S BEAUTIFUL.
AND A STUNNING
>> Host: IT'S BEAUTIFUL.
AND A STUNNING VERSION
AND A STUNNING VERSION
AND A STUNNING VERSION
OF
AND A STUNNING VERSION
OF TURQUOISE.
OF TURQUOISE.
OF TURQUOISE.
SIZE
OF TURQUOISE.
SIZE WISE,
OF TURQUOISE.
SIZE WISE, 5-10.
SIZE WISE, 5-10.
SIZE WISE, 5-10.
IF
SIZE WISE, 5-10.
IF YOU
SIZE WISE, 5-10.
IF YOU THINK
SIZE WISE, 5-10.
IF YOU THINK ABOUT
IF YOU THINK ABOUT
IF YOU THINK ABOUT
GETTING
IF YOU THINK ABOUT
GETTING THE
IF YOU THINK ABOUT
GETTING THE OPAL,
IF YOU THINK ABOUT
GETTING THE OPAL, THAT
GETTING THE OPAL, THAT
GETTING THE OPAL, THAT
IS
GETTING THE OPAL, THAT
IS CLEARLY
GETTING THE OPAL, THAT
IS CLEARLY THE
GETTING THE OPAL, THAT
IS CLEARLY THE MOST
IS CLEARLY THE MOST
IS CLEARLY THE MOST
LIMITED.
LIMITED.
LIMITED.
NOW,
LIMITED.
NOW, SIZE
LIMITED.
NOW, SIZE 9
LIMITED.
NOW, SIZE 9 AND
LIMITED.
NOW, SIZE 9 AND SIZE
LIMITED.
NOW, SIZE 9 AND SIZE 10
NOW, SIZE 9 AND SIZE 10
NOW, SIZE 9 AND SIZE 10
ARE
NOW, SIZE 9 AND SIZE 10
ARE GETTING
NOW, SIZE 9 AND SIZE 10
ARE GETTING LIMITED.
ARE GETTING LIMITED.
ARE GETTING LIMITED.
SO
ARE GETTING LIMITED.
SO JUST
ARE GETTING LIMITED.
SO JUST A
ARE GETTING LIMITED.
SO JUST A LITTLE
ARE GETTING LIMITED.
SO JUST A LITTLE HEAD'S
SO JUST A LITTLE HEAD'S
SO JUST A LITTLE HEAD'S
UP.
UP.
UP.
YOUR
UP.
YOUR AWATCHING
UP.
YOUR AWATCHING NOW,
UP.
YOUR AWATCHING NOW, IF
YOUR AWATCHING NOW, IF
YOUR AWATCHING NOW, IF
YOU
YOUR AWATCHING NOW, IF
YOU THINK
YOUR AWATCHING NOW, IF
YOU THINK IT
YOUR AWATCHING NOW, IF
YOU THINK IT LOOKS
YOUR AWATCHING NOW, IF
YOU THINK IT LOOKS GOOD
YOU THINK IT LOOKS GOOD
YOU THINK IT LOOKS GOOD
ON
YOU THINK IT LOOKS GOOD
ON THE
YOU THINK IT LOOKS GOOD
ON THE TELEVISION
YOU THINK IT LOOKS GOOD
ON THE TELEVISION SET,
ON THE TELEVISION SET,
ON THE TELEVISION SET,
WHEN
ON THE TELEVISION SET,
WHEN YOU
ON THE TELEVISION SET,
WHEN YOU OPEN
ON THE TELEVISION SET,
WHEN YOU OPEN THE
ON THE TELEVISION SET,
WHEN YOU OPEN THE BOX,
WHEN YOU OPEN THE BOX,
WHEN YOU OPEN THE BOX,
IT
WHEN YOU OPEN THE BOX,
IT IS,
WHEN YOU OPEN THE BOX,
IT IS, IT'S
WHEN YOU OPEN THE BOX,
IT IS, IT'S LIKE
WHEN YOU OPEN THE BOX,
IT IS, IT'S LIKE YOUR
IT IS, IT'S LIKE YOUR
IT IS, IT'S LIKE YOUR
MOUTH
IT IS, IT'S LIKE YOUR
MOUTH DROPS
IT IS, IT'S LIKE YOUR
MOUTH DROPS OPEN.
MOUTH DROPS OPEN.
MOUTH DROPS OPEN.
IT
MOUTH DROPS OPEN.
IT WILL
MOUTH DROPS OPEN.
IT WILL BLOW
MOUTH DROPS OPEN.
IT WILL BLOW YOUR
MOUTH DROPS OPEN.
IT WILL BLOW YOUR MIND.
IT WILL BLOW YOUR MIND.
IT WILL BLOW YOUR MIND.
>>
IT WILL BLOW YOUR MIND.
>> Host:
IT WILL BLOW YOUR MIND.
>> Host: I
IT WILL BLOW YOUR MIND.
>> Host: I MOSTLY
IT WILL BLOW YOUR MIND.
>> Host: I MOSTLY ALWAYS
>> Host: I MOSTLY ALWAYS
>> Host: I MOSTLY ALWAYS
DISAPPOINTED
>> Host: I MOSTLY ALWAYS
DISAPPOINTED IN
>> Host: I MOSTLY ALWAYS
DISAPPOINTED IN OPALS
>> Host: I MOSTLY ALWAYS
DISAPPOINTED IN OPALS SO
DISAPPOINTED IN OPALS SO
DISAPPOINTED IN OPALS SO
I
DISAPPOINTED IN OPALS SO
I WASN'TS
DISAPPOINTED IN OPALS SO
I WASN'TS THAT
DISAPPOINTED IN OPALS SO
I WASN'TS THAT EXCITED
I WASN'TS THAT EXCITED
I WASN'TS THAT EXCITED
--
I WASN'TS THAT EXCITED
-- WASN'T
I WASN'TS THAT EXCITED
-- WASN'T THAT
I WASN'TS THAT EXCITED
-- WASN'T THAT EXCITED
-- WASN'T THAT EXCITED
-- WASN'T THAT EXCITED
WITH
-- WASN'T THAT EXCITED
WITH THE
-- WASN'T THAT EXCITED
WITH THE PICTURE.
WITH THE PICTURE.
WITH THE PICTURE.
SO
WITH THE PICTURE.
SO WHEN
WITH THE PICTURE.
SO WHEN I
WITH THE PICTURE.
SO WHEN I WALKED
WITH THE PICTURE.
SO WHEN I WALKED IN,
WITH THE PICTURE.
SO WHEN I WALKED IN, IT
SO WHEN I WALKED IN, IT
SO WHEN I WALKED IN, IT
WAS
SO WHEN I WALKED IN, IT
WAS DARK
SO WHEN I WALKED IN, IT
WAS DARK IN
SO WHEN I WALKED IN, IT
WAS DARK IN THE
SO WHEN I WALKED IN, IT
WAS DARK IN THE STUDIO,
WAS DARK IN THE STUDIO,
WAS DARK IN THE STUDIO,
AND
WAS DARK IN THE STUDIO,
AND GROWING
WAS DARK IN THE STUDIO,
AND GROWING ACROSS
WAS DARK IN THE STUDIO,
AND GROWING ACROSS THE
AND GROWING ACROSS THE
AND GROWING ACROSS THE
STUDIO.
STUDIO.
STUDIO.
>>
STUDIO.
>> Guest:
STUDIO.
>> Guest: YOU
STUDIO.
>> Guest: YOU NEED
STUDIO.
>> Guest: YOU NEED THAT
>> Guest: YOU NEED THAT
>> Guest: YOU NEED THAT
ON
>> Guest: YOU NEED THAT
ON YOUR
>> Guest: YOU NEED THAT
ON YOUR FINGER.
ON YOUR FINGER.
ON YOUR FINGER.
>>
ON YOUR FINGER.
>> Host:
ON YOUR FINGER.
>> Host: I
ON YOUR FINGER.
>> Host: I KNOW.
>> Host: I KNOW.
>> Host: I KNOW.
IT'S
>> Host: I KNOW.
IT'S THE
>> Host: I KNOW.
IT'S THE FIRST
>> Host: I KNOW.
IT'S THE FIRST OPAL
>> Host: I KNOW.
IT'S THE FIRST OPAL I'M
IT'S THE FIRST OPAL I'M
IT'S THE FIRST OPAL I'M
JONESSING
IT'S THE FIRST OPAL I'M
JONESSING FOR.
JONESSING FOR.
JONESSING FOR.
>>
JONESSING FOR.
>> Guest:
JONESSING FOR.
>> Guest: AND
JONESSING FOR.
>> Guest: AND CAN
JONESSING FOR.
>> Guest: AND CAN I
>> Guest: AND CAN I
>> Guest: AND CAN I
COMPLIMENT
>> Guest: AND CAN I
COMPLIMENT THE
>> Guest: AND CAN I
COMPLIMENT THE AUDIENCE?
COMPLIMENT THE AUDIENCE?
COMPLIMENT THE AUDIENCE?
I
COMPLIMENT THE AUDIENCE?
I TAKE
COMPLIMENT THE AUDIENCE?
I TAKE A
COMPLIMENT THE AUDIENCE?
I TAKE A LITTLE
COMPLIMENT THE AUDIENCE?
I TAKE A LITTLE CREDIT
I TAKE A LITTLE CREDIT
I TAKE A LITTLE CREDIT
FOR
I TAKE A LITTLE CREDIT
FOR THIS
I TAKE A LITTLE CREDIT
FOR THIS BECUSE
I TAKE A LITTLE CREDIT
FOR THIS BECUSE I'VE
FOR THIS BECUSE I'VE
FOR THIS BECUSE I'VE
BEEN
FOR THIS BECUSE I'VE
BEEN EDUCATING
FOR THIS BECUSE I'VE
BEEN EDUCATING THE
BEEN EDUCATING THE
BEEN EDUCATING THE
AUDIENCE
BEEN EDUCATING THE
AUDIENCE FOR
BEEN EDUCATING THE
AUDIENCE FOR A
BEEN EDUCATING THE
AUDIENCE FOR A LONG
AUDIENCE FOR A LONG
AUDIENCE FOR A LONG
TIME.
TIME.
TIME.
I
TIME.
I KNEW
TIME.
I KNEW THE
TIME.
I KNEW THE OPAL
TIME.
I KNEW THE OPAL WOULD
I KNEW THE OPAL WOULD
I KNEW THE OPAL WOULD
SELL
I KNEW THE OPAL WOULD
SELL OUT
I KNEW THE OPAL WOULD
SELL OUT FIRST.
SELL OUT FIRST.
SELL OUT FIRST.
AND
SELL OUT FIRST.
AND I
SELL OUT FIRST.
AND I MEAN,
SELL OUT FIRST.
AND I MEAN, IT'S
SELL OUT FIRST.
AND I MEAN, IT'S LIKE
AND I MEAN, IT'S LIKE
AND I MEAN, IT'S LIKE
TWO
AND I MEAN, IT'S LIKE
TWO OR
AND I MEAN, IT'S LIKE
TWO OR THREE
AND I MEAN, IT'S LIKE
TWO OR THREE TO
AND I MEAN, IT'S LIKE
TWO OR THREE TO ONE.
TWO OR THREE TO ONE.
TWO OR THREE TO ONE.
AND
TWO OR THREE TO ONE.
AND THE
TWO OR THREE TO ONE.
AND THE REASON
TWO OR THREE TO ONE.
AND THE REASON I
TWO OR THREE TO ONE.
AND THE REASON I KNEW
AND THE REASON I KNEW
AND THE REASON I KNEW
THAT,
AND THE REASON I KNEW
THAT, ANY
AND THE REASON I KNEW
THAT, ANY TIME
AND THE REASON I KNEW
THAT, ANY TIME I'VE
THAT, ANY TIME I'VE
THAT, ANY TIME I'VE
GIVEN
THAT, ANY TIME I'VE
GIVEN THE
THAT, ANY TIME I'VE
GIVEN THE AUDIENCE
THAT, ANY TIME I'VE
GIVEN THE AUDIENCE A
GIVEN THE AUDIENCE A
GIVEN THE AUDIENCE A
CHOICE,
GIVEN THE AUDIENCE A
CHOICE, THEY
GIVEN THE AUDIENCE A
CHOICE, THEY KNOW
GIVEN THE AUDIENCE A
CHOICE, THEY KNOW WHICH
CHOICE, THEY KNOW WHICH
CHOICE, THEY KNOW WHICH
IS
CHOICE, THEY KNOW WHICH
IS THE
CHOICE, THEY KNOW WHICH
IS THE MORE
CHOICE, THEY KNOW WHICH
IS THE MORE EXPENSIVE
IS THE MORE EXPENSIVE
IS THE MORE EXPENSIVE
STONE.
STONE.
STONE.
AND
STONE.
AND THE
STONE.
AND THE TRUTH
STONE.
AND THE TRUTH IS,
STONE.
AND THE TRUTH IS, THAT
AND THE TRUTH IS, THAT
AND THE TRUTH IS, THAT
KINGMAN
AND THE TRUTH IS, THAT
KINGMAN IS
AND THE TRUTH IS, THAT
KINGMAN IS NOT
AND THE TRUTH IS, THAT
KINGMAN IS NOT CHEAP.
KINGMAN IS NOT CHEAP.
KINGMAN IS NOT CHEAP.
THAT'S
KINGMAN IS NOT CHEAP.
THAT'S AN
KINGMAN IS NOT CHEAP.
THAT'S AN EXPENSIVE
THAT'S AN EXPENSIVE
THAT'S AN EXPENSIVE
TURQUOISE.
TURQUOISE.
TURQUOISE.
IF
TURQUOISE.
IF YOU'RE
TURQUOISE.
IF YOU'RE AT
TURQUOISE.
IF YOU'RE AT HOME,
IF YOU'RE AT HOME,
IF YOU'RE AT HOME,
WHAT'S
IF YOU'RE AT HOME,
WHAT'S A
IF YOU'RE AT HOME,
WHAT'S A 11
IF YOU'RE AT HOME,
WHAT'S A 11 BY
IF YOU'RE AT HOME,
WHAT'S A 11 BY 9?
IF YOU'RE AT HOME,
WHAT'S A 11 BY 9? IT'S
WHAT'S A 11 BY 9? IT'S
WHAT'S A 11 BY 9? IT'S
rTHE
WHAT'S A 11 BY 9? IT'S
rTHE MILLIMETER
WHAT'S A 11 BY 9? IT'S
rTHE MILLIMETER SIZE.
rTHE MILLIMETER SIZE.
rTHE MILLIMETER SIZE.
THE
rTHE MILLIMETER SIZE.
THE NEXT
rTHE MILLIMETER SIZE.
THE NEXT THING
rTHE MILLIMETER SIZE.
THE NEXT THING YOU
rTHE MILLIMETER SIZE.
THE NEXT THING YOU SAY,
THE NEXT THING YOU SAY,
THE NEXT THING YOU SAY,
THIS
THE NEXT THING YOU SAY,
THIS IS
THE NEXT THING YOU SAY,
THIS IS AMERICA.
THIS IS AMERICA.
THIS IS AMERICA.
>>
THIS IS AMERICA.
>> Host:
THIS IS AMERICA.
>> Host: GIVE
THIS IS AMERICA.
>> Host: GIVE ME
THIS IS AMERICA.
>> Host: GIVE ME IN
>> Host: GIVE ME IN
>> Host: GIVE ME IN
INCHES.
INCHES.
INCHES.
>>
INCHES.
>> Guest:
INCHES.
>> Guest: I
INCHES.
>> Guest: I WANT
INCHES.
>> Guest: I WANT YOU
INCHES.
>> Guest: I WANT YOU TO
>> Guest: I WANT YOU TO
>> Guest: I WANT YOU TO
KNOW
>> Guest: I WANT YOU TO
KNOW THAT
>> Guest: I WANT YOU TO
KNOW THAT MY
>> Guest: I WANT YOU TO
KNOW THAT MY CLASS
>> Guest: I WANT YOU TO
KNOW THAT MY CLASS WHEN
KNOW THAT MY CLASS WHEN
KNOW THAT MY CLASS WHEN
I
KNOW THAT MY CLASS WHEN
I WAS
KNOW THAT MY CLASS WHEN
I WAS IN
KNOW THAT MY CLASS WHEN
I WAS IN LIKE
KNOW THAT MY CLASS WHEN
I WAS IN LIKE JUNIOR
I WAS IN LIKE JUNIOR
I WAS IN LIKE JUNIOR
HIGH,
I WAS IN LIKE JUNIOR
HIGH, OR
I WAS IN LIKE JUNIOR
HIGH, OR WHATEVER
I WAS IN LIKE JUNIOR
HIGH, OR WHATEVER IT
HIGH, OR WHATEVER IT
HIGH, OR WHATEVER IT
WAS,
HIGH, OR WHATEVER IT
WAS, THAT'S
HIGH, OR WHATEVER IT
WAS, THAT'S WHEN
HIGH, OR WHATEVER IT
WAS, THAT'S WHEN THEY
WAS, THAT'S WHEN THEY
WAS, THAT'S WHEN THEY
TRIED
WAS, THAT'S WHEN THEY
TRIED TO
WAS, THAT'S WHEN THEY
TRIED TO FORCE
WAS, THAT'S WHEN THEY
TRIED TO FORCE THE
TRIED TO FORCE THE
TRIED TO FORCE THE
METRIC
TRIED TO FORCE THE
METRIC SYSTEM
TRIED TO FORCE THE
METRIC SYSTEM ON
TRIED TO FORCE THE
METRIC SYSTEM ON US.
METRIC SYSTEM ON US.
METRIC SYSTEM ON US.
AND
METRIC SYSTEM ON US.
AND WE
METRIC SYSTEM ON US.
AND WE REJECTED
METRIC SYSTEM ON US.
AND WE REJECTED IT
METRIC SYSTEM ON US.
AND WE REJECTED IT SO
AND WE REJECTED IT SO
AND WE REJECTED IT SO
FIRST
AND WE REJECTED IT SO
FIRST OF
AND WE REJECTED IT SO
FIRST OF ALL,
AND WE REJECTED IT SO
FIRST OF ALL, YOU'RE
FIRST OF ALL, YOU'RE
FIRST OF ALL, YOU'RE
WELCOME.
WELCOME.
WELCOME.
>>
WELCOME.
>> Host:
WELCOME.
>> Host: WHERE
WELCOME.
>> Host: WHERE ARE
WELCOME.
>> Host: WHERE ARE YOU
>> Host: WHERE ARE YOU
>> Host: WHERE ARE YOU
GOING
>> Host: WHERE ARE YOU
GOING WITH
>> Host: WHERE ARE YOU
GOING WITH THIS?
GOING WITH THIS?
GOING WITH THIS?
>>
GOING WITH THIS?
>> Guest:
GOING WITH THIS?
>> Guest: YOU'RE
>> Guest: YOU'RE
>> Guest: YOU'RE
WELCOME.
WELCOME.
WELCOME.
>>
WELCOME.
>> Host:
WELCOME.
>> Host: THANK
WELCOME.
>> Host: THANK YOU,
>> Host: THANK YOU,
>> Host: THANK YOU,
PAUL.
PAUL.
PAUL.
THANK
PAUL.
THANK YOU
PAUL.
THANK YOU FOR
PAUL.
THANK YOU FOR STOPPING
THANK YOU FOR STOPPING
THANK YOU FOR STOPPING
THE
THANK YOU FOR STOPPING
THE METRIC
THANK YOU FOR STOPPING
THE METRIC SYSTEM.
THE METRIC SYSTEM.
THE METRIC SYSTEM.
IT'S
THE METRIC SYSTEM.
IT'S BECAUSE
THE METRIC SYSTEM.
IT'S BECAUSE OF
THE METRIC SYSTEM.
IT'S BECAUSE OF YOU.
IT'S BECAUSE OF YOU.
IT'S BECAUSE OF YOU.
>>
IT'S BECAUSE OF YOU.
>> Guest:
IT'S BECAUSE OF YOU.
>> Guest: FORGET
IT'S BECAUSE OF YOU.
>> Guest: FORGET THE
>> Guest: FORGET THE
>> Guest: FORGET THE
FACT
>> Guest: FORGET THE
FACT IT'S
>> Guest: FORGET THE
FACT IT'S EASIER.
FACT IT'S EASIER.
FACT IT'S EASIER.
THE
FACT IT'S EASIER.
THE GEM
FACT IT'S EASIER.
THE GEM BUSINESS
FACT IT'S EASIER.
THE GEM BUSINESS IS
FACT IT'S EASIER.
THE GEM BUSINESS IS A
THE GEM BUSINESS IS A
THE GEM BUSINESS IS A
WORLDWIDE
THE GEM BUSINESS IS A
WORLDWIDE BUSINESS,
THE GEM BUSINESS IS A
WORLDWIDE BUSINESS, WE
WORLDWIDE BUSINESS, WE
WORLDWIDE BUSINESS, WE
BUY
WORLDWIDE BUSINESS, WE
BUY AND
WORLDWIDE BUSINESS, WE
BUY AND SELL
WORLDWIDE BUSINESS, WE
BUY AND SELL IN
BUY AND SELL IN
BUY AND SELL IN
MILLIMETER
BUY AND SELL IN
MILLIMETER SIZES
BUY AND SELL IN
MILLIMETER SIZES IF
MILLIMETER SIZES IF
MILLIMETER SIZES IF
WE'RE
MILLIMETER SIZES IF
WE'RE BUYING
MILLIMETER SIZES IF
WE'RE BUYING GEMS
MILLIMETER SIZES IF
WE'RE BUYING GEMS IN
WE'RE BUYING GEMS IN
WE'RE BUYING GEMS IN
BULK
WE'RE BUYING GEMS IN
BULK IN
WE'RE BUYING GEMS IN
BULK IN THE
WE'RE BUYING GEMS IN
BULK IN THE ROUGH,
WE'RE BUYING GEMS IN
BULK IN THE ROUGH, WE
BULK IN THE ROUGH, WE
BULK IN THE ROUGH, WE
BUY
BULK IN THE ROUGH, WE
BUY IT
BULK IN THE ROUGH, WE
BUY IT IN
BULK IN THE ROUGH, WE
BUY IT IN KILOS.
BUY IT IN KILOS.
BUY IT IN KILOS.
THE
BUY IT IN KILOS.
THE EXCEPTION
BUY IT IN KILOS.
THE EXCEPTION IS
THE EXCEPTION IS
THE EXCEPTION IS
TURQUOISE.
TURQUOISE.
TURQUOISE.
WORLDWIDE
TURQUOISE.
WORLDWIDE THEY
TURQUOISE.
WORLDWIDE THEY DEAL
TURQUOISE.
WORLDWIDE THEY DEAL IN
WORLDWIDE THEY DEAL IN
WORLDWIDE THEY DEAL IN
POUNDS.
POUNDS.
POUNDS.
AMERICAN
POUNDS.
AMERICAN TURQUOISE
POUNDS.
AMERICAN TURQUOISE IS
AMERICAN TURQUOISE IS
AMERICAN TURQUOISE IS
SUCH
AMERICAN TURQUOISE IS
SUCH AN
AMERICAN TURQUOISE IS
SUCH AN IMPORTANT
AMERICAN TURQUOISE IS
SUCH AN IMPORTANT PART
AMERICAN TURQUOISE IS
SUCH AN IMPORTANT PART .
SUCH AN IMPORTANT PART .
SUCH AN IMPORTANT PART .
>>
SUCH AN IMPORTANT PART .
>> Host:
SUCH AN IMPORTANT PART .
>> Host: IT
SUCH AN IMPORTANT PART .
>> Host: IT HAS
SUCH AN IMPORTANT PART .
>> Host: IT HAS THE
SUCH AN IMPORTANT PART .
>> Host: IT HAS THE MOST
>> Host: IT HAS THE MOST
>> Host: IT HAS THE MOST
AMAZING
>> Host: IT HAS THE MOST
AMAZING PLAY
>> Host: IT HAS THE MOST
AMAZING PLAY OF
>> Host: IT HAS THE MOST
AMAZING PLAY OF THE
AMAZING PLAY OF THE
AMAZING PLAY OF THE
COLORS.
COLORS.
COLORS.
THIS
COLORS.
THIS IS
COLORS.
THIS IS WHAT
COLORS.
THIS IS WHAT YOU
COLORS.
THIS IS WHAT YOU WANT
COLORS.
THIS IS WHAT YOU WANT AN
THIS IS WHAT YOU WANT AN
THIS IS WHAT YOU WANT AN
OPAL
THIS IS WHAT YOU WANT AN
OPAL TO
THIS IS WHAT YOU WANT AN
OPAL TO BE.
OPAL TO BE.
OPAL TO BE.
AND
OPAL TO BE.
AND WHAT
OPAL TO BE.
AND WHAT I
OPAL TO BE.
AND WHAT I LOVE
OPAL TO BE.
AND WHAT I LOVE ABOUT
AND WHAT I LOVE ABOUT
AND WHAT I LOVE ABOUT
TONIGHT,
AND WHAT I LOVE ABOUT
TONIGHT, WE
AND WHAT I LOVE ABOUT
TONIGHT, WE HAVE
AND WHAT I LOVE ABOUT
TONIGHT, WE HAVE FlexPAY
TONIGHT, WE HAVE FlexPAY
TONIGHT, WE HAVE FlexPAY
ON
TONIGHT, WE HAVE FlexPAY
ON THIS,
TONIGHT, WE HAVE FlexPAY
ON THIS, WE'VE
TONIGHT, WE HAVE FlexPAY
ON THIS, WE'VE GOT
TONIGHT, WE HAVE FlexPAY
ON THIS, WE'VE GOT AN
ON THIS, WE'VE GOT AN
ON THIS, WE'VE GOT AN
AWESOME
ON THIS, WE'VE GOT AN
AWESOME ONE
ON THIS, WE'VE GOT AN
AWESOME ONE DAY
ON THIS, WE'VE GOT AN
AWESOME ONE DAY VALUE.
AWESOME ONE DAY VALUE.
AWESOME ONE DAY VALUE.
HALF
AWESOME ONE DAY VALUE.
HALF 9
AWESOME ONE DAY VALUE.
HALF 9 QUANTITY
AWESOME ONE DAY VALUE.
HALF 9 QUANTITY OF
AWESOME ONE DAY VALUE.
HALF 9 QUANTITY OF THE
HALF 9 QUANTITY OF THE
HALF 9 QUANTITY OF THE
OPAL
HALF 9 QUANTITY OF THE
OPAL IS
HALF 9 QUANTITY OF THE
OPAL IS GONE
HALF 9 QUANTITY OF THE
OPAL IS GONE NOW,
HALF 9 QUANTITY OF THE
OPAL IS GONE NOW, AND
HALF 9 QUANTITY OF THE
OPAL IS GONE NOW, AND WE
OPAL IS GONE NOW, AND WE
OPAL IS GONE NOW, AND WE
ARE
OPAL IS GONE NOW, AND WE
ARE IN
OPAL IS GONE NOW, AND WE
ARE IN THE
OPAL IS GONE NOW, AND WE
ARE IN THE SECOND
OPAL IS GONE NOW, AND WE
ARE IN THE SECOND AIRING
ARE IN THE SECOND AIRING
ARE IN THE SECOND AIRING
OF
ARE IN THE SECOND AIRING
OF IT
ARE IN THE SECOND AIRING
OF IT AT
ARE IN THE SECOND AIRING
OF IT AT THIS
ARE IN THE SECOND AIRING
OF IT AT THIS POINT.
OF IT AT THIS POINT.
OF IT AT THIS POINT.
SO
OF IT AT THIS POINT.
SO IF
OF IT AT THIS POINT.
SO IF YOU
OF IT AT THIS POINT.
SO IF YOU WANT
OF IT AT THIS POINT.
SO IF YOU WANT THE
SO IF YOU WANT THE
SO IF YOU WANT THE
PENDANT,
SO IF YOU WANT THE
PENDANT, THERE'S
SO IF YOU WANT THE
PENDANT, THERE'S 10
PENDANT, THERE'S 10
PENDANT, THERE'S 10
LEFT.
LEFT.
LEFT.
WE
LEFT.
WE SOLD
LEFT.
WE SOLD OUT
LEFT.
WE SOLD OUT OF
LEFT.
WE SOLD OUT OF THE
WE SOLD OUT OF THE
WE SOLD OUT OF THE
EARRINGS,
WE SOLD OUT OF THE
EARRINGS, THAT'S
WE SOLD OUT OF THE
EARRINGS, THAT'S GONE
WE SOLD OUT OF THE
EARRINGS, THAT'S GONE SO
EARRINGS, THAT'S GONE SO
EARRINGS, THAT'S GONE SO
IF
EARRINGS, THAT'S GONE SO
IF YOU
EARRINGS, THAT'S GONE SO
IF YOU THINK
EARRINGS, THAT'S GONE SO
IF YOU THINK ABOUT
EARRINGS, THAT'S GONE SO
IF YOU THINK ABOUT THE
IF YOU THINK ABOUT THE
IF YOU THINK ABOUT THE
PENDANT,
IF YOU THINK ABOUT THE
PENDANT, YOU
IF YOU THINK ABOUT THE
PENDANT, YOU HAVE
IF YOU THINK ABOUT THE
PENDANT, YOU HAVE TO
IF YOU THINK ABOUT THE
PENDANT, YOU HAVE TO GO
PENDANT, YOU HAVE TO GO
PENDANT, YOU HAVE TO GO
NOW.
NOW.
NOW.
IF
NOW.
IF YOU
NOW.
IF YOU WANT
NOW.
IF YOU WANT THE
NOW.
IF YOU WANT THE RING,
IF YOU WANT THE RING,
IF YOU WANT THE RING,
HALF
IF YOU WANT THE RING,
HALF THE
IF YOU WANT THE RING,
HALF THE QUANTITY
IF YOU WANT THE RING,
HALF THE QUANTITY SOLD
HALF THE QUANTITY SOLD
HALF THE QUANTITY SOLD
WERE
HALF THE QUANTITY SOLD
WERE IN
HALF THE QUANTITY SOLD
WERE IN THE
HALF THE QUANTITY SOLD
WERE IN THE SECOND
HALF THE QUANTITY SOLD
WERE IN THE SECOND HOUR
WERE IN THE SECOND HOUR
WERE IN THE SECOND HOUR
OF
WERE IN THE SECOND HOUR
OF THE
WERE IN THE SECOND HOUR
OF THE NEW
WERE IN THE SECOND HOUR
OF THE NEW DAY.
OF THE NEW DAY.
OF THE NEW DAY.
>>
OF THE NEW DAY.
>> Guest:
OF THE NEW DAY.
>> Guest: THIS
OF THE NEW DAY.
>> Guest: THIS IS
OF THE NEW DAY.
>> Guest: THIS IS GOING
>> Guest: THIS IS GOING
>> Guest: THIS IS GOING
TO
>> Guest: THIS IS GOING
TO BE
>> Guest: THIS IS GOING
TO BE LIKE
>> Guest: THIS IS GOING
TO BE LIKE A
>> Guest: THIS IS GOING
TO BE LIKE A TELETHON,
TO BE LIKE A TELETHON,
TO BE LIKE A TELETHON,
SEND
TO BE LIKE A TELETHON,
SEND PAUL
TO BE LIKE A TELETHON,
SEND PAUL EARLY.
SEND PAUL EARLY.
SEND PAUL EARLY.
>>
SEND PAUL EARLY.
>> Host:
SEND PAUL EARLY.
>> Host: SO
SEND PAUL EARLY.
>> Host: SO WE
SEND PAUL EARLY.
>> Host: SO WE CAN
>> Host: SO WE CAN
>> Host: SO WE CAN
REJECT
>> Host: SO WE CAN
REJECT ANOTHER
REJECT ANOTHER
REJECT ANOTHER
MATHEMATICAL
REJECT ANOTHER
MATHEMATICAL SYSTEM?
MATHEMATICAL SYSTEM?
MATHEMATICAL SYSTEM?
HE'S
MATHEMATICAL SYSTEM?
HE'S AMAZING.
HE'S AMAZING.
HE'S AMAZING.
>>
HE'S AMAZING.
>> Guest:
HE'S AMAZING.
>> Guest: I
HE'S AMAZING.
>> Guest: I MIGHT
HE'S AMAZING.
>> Guest: I MIGHT SAY
HE'S AMAZING.
>> Guest: I MIGHT SAY --
>> Guest: I MIGHT SAY --
>> Guest: I MIGHT SAY --
>>
>> Guest: I MIGHT SAY --
>> Host:
>> Guest: I MIGHT SAY --
>> Host: YOU
>> Guest: I MIGHT SAY --
>> Host: YOU WANT
>> Guest: I MIGHT SAY --
>> Host: YOU WANT TO
>> Guest: I MIGHT SAY --
>> Host: YOU WANT TO END
>> Host: YOU WANT TO END
>> Host: YOU WANT TO END
NOW?
NOW?
NOW?
FREE
NOW?
FREE SPEECH?
FREE SPEECH?
FREE SPEECH?
>>
FREE SPEECH?
>> Guest:
FREE SPEECH?
>> Guest: NO,
FREE SPEECH?
>> Guest: NO, THAT'S
>> Guest: NO, THAT'S
>> Guest: NO, THAT'S
ALREADY
>> Guest: NO, THAT'S
ALREADY BEEN
>> Guest: NO, THAT'S
ALREADY BEEN DONE.
ALREADY BEEN DONE.
ALREADY BEEN DONE.
I'LL
ALREADY BEEN DONE.
I'LL THINK
ALREADY BEEN DONE.
I'LL THINK OF
ALREADY BEEN DONE.
I'LL THINK OF SOMETHING.
I'LL THINK OF SOMETHING.
I'LL THINK OF SOMETHING.
>>
I'LL THINK OF SOMETHING.
>> Host:
I'LL THINK OF SOMETHING.
>> Host: WE'RE
I'LL THINK OF SOMETHING.
>> Host: WE'RE STILL
>> Host: WE'RE STILL
>> Host: WE'RE STILL
DOING
>> Host: WE'RE STILL
DOING LITRES
>> Host: WE'RE STILL
DOING LITRES --
DOING LITRES --
DOING LITRES --
>>
DOING LITRES --
>> Guest:
DOING LITRES --
>> Guest: LISTEN,
DOING LITRES --
>> Guest: LISTEN, I'M
>> Guest: LISTEN, I'M
>> Guest: LISTEN, I'M
NOT
>> Guest: LISTEN, I'M
NOT HAPPY
>> Guest: LISTEN, I'M
NOT HAPPY WITH
>> Guest: LISTEN, I'M
NOT HAPPY WITH THE
NOT HAPPY WITH THE
NOT HAPPY WITH THE
BALLISTIC
NOT HAPPY WITH THE
BALLISTIC BOTTLES
NOT HAPPY WITH THE
BALLISTIC BOTTLES BEING
BALLISTIC BOTTLES BEING
BALLISTIC BOTTLES BEING
A
BALLISTIC BOTTLES BEING
A --
BALLISTIC BOTTLES BEING
A -- PLASTIC
BALLISTIC BOTTLES BEING
A -- PLASTIC BOTTLES
A -- PLASTIC BOTTLES
A -- PLASTIC BOTTLES
BEING
A -- PLASTIC BOTTLES
BEING A
A -- PLASTIC BOTTLES
BEING A HALF
A -- PLASTIC BOTTLES
BEING A HALF LITRE:
BEING A HALF LITRE:
BEING A HALF LITRE:
>>
BEING A HALF LITRE:
>> Host:
BEING A HALF LITRE:
>> Host: WHAT
BEING A HALF LITRE:
>> Host: WHAT ARE
BEING A HALF LITRE:
>> Host: WHAT ARE WE
>> Host: WHAT ARE WE
>> Host: WHAT ARE WE
DOING?
DOING?
DOING?
LITTLE
DOING?
LITTLE HISTORY,
DOING?
LITTLE HISTORY, HOW
DOING?
LITTLE HISTORY, HOW DID
LITTLE HISTORY, HOW DID
LITTLE HISTORY, HOW DID
YOU
LITTLE HISTORY, HOW DID
YOU FIND
LITTLE HISTORY, HOW DID
YOU FIND THIS
LITTLE HISTORY, HOW DID
YOU FIND THIS OPAL
YOU FIND THIS OPAL
YOU FIND THIS OPAL
SPECIFICALLY?
SPECIFICALLY?
SPECIFICALLY?
>>
SPECIFICALLY?
>> Guest:
SPECIFICALLY?
>> Guest: LISTEN,
SPECIFICALLY?
>> Guest: LISTEN, I
>> Guest: LISTEN, I
>> Guest: LISTEN, I
WANTED
>> Guest: LISTEN, I
WANTED TO
>> Guest: LISTEN, I
WANTED TO DO
>> Guest: LISTEN, I
WANTED TO DO THE
>> Guest: LISTEN, I
WANTED TO DO THE LARGEST
WANTED TO DO THE LARGEST
WANTED TO DO THE LARGEST
ONE
WANTED TO DO THE LARGEST
ONE I'D
WANTED TO DO THE LARGEST
ONE I'D DONE
WANTED TO DO THE LARGEST
ONE I'D DONE AS
WANTED TO DO THE LARGEST
ONE I'D DONE AS A
ONE I'D DONE AS A
ONE I'D DONE AS A
SPECIAL
ONE I'D DONE AS A
SPECIAL ANYWHERE.
SPECIAL ANYWHERE.
SPECIAL ANYWHERE.
SO
SPECIAL ANYWHERE.
SO --
SPECIAL ANYWHERE.
SO -- DO
SPECIAL ANYWHERE.
SO -- DO WE
SPECIAL ANYWHERE.
SO -- DO WE HAVE
SPECIAL ANYWHERE.
SO -- DO WE HAVE THAT
SO -- DO WE HAVE THAT
SO -- DO WE HAVE THAT
VIDEO
SO -- DO WE HAVE THAT
VIDEO OF
SO -- DO WE HAVE THAT
VIDEO OF REJECTING
SO -- DO WE HAVE THAT
VIDEO OF REJECTING THEM.
VIDEO OF REJECTING THEM.
VIDEO OF REJECTING THEM.
>>
VIDEO OF REJECTING THEM.
>> Host:
VIDEO OF REJECTING THEM.
>> Host: REJECTION
VIDEO OF REJECTING THEM.
>> Host: REJECTION IS
>> Host: REJECTION IS
>> Host: REJECTION IS
FUNNY.
FUNNY.
FUNNY.
HERE
FUNNY.
HERE WE
FUNNY.
HERE WE GO.
HERE WE GO.
HERE WE GO.
>>
HERE WE GO.
>> Guest:
HERE WE GO.
>> Guest: THIS
HERE WE GO.
>> Guest: THIS IS
>> Guest: THIS IS
>> Guest: THIS IS
ACTUALLY,
>> Guest: THIS IS
ACTUALLY, THIS
>> Guest: THIS IS
ACTUALLY, THIS --
ACTUALLY, THIS --
ACTUALLY, THIS --
>>
ACTUALLY, THIS --
>> Host:
ACTUALLY, THIS --
>> Host: I
ACTUALLY, THIS --
>> Host: I THINK
ACTUALLY, THIS --
>> Host: I THINK IT'S
>> Host: I THINK IT'S
>> Host: I THINK IT'S
COMING
>> Host: I THINK IT'S
COMING UP.
COMING UP.
COMING UP.
>>
COMING UP.
>> Guest:
COMING UP.
>> Guest: IN
COMING UP.
>> Guest: IN THE
>> Guest: IN THE
>> Guest: IN THE
MONTAGE,
>> Guest: IN THE
MONTAGE, OKAY.
MONTAGE, OKAY.
MONTAGE, OKAY.
WHAT
MONTAGE, OKAY.
WHAT YOU'RE
MONTAGE, OKAY.
WHAT YOU'RE GOING
MONTAGE, OKAY.
WHAT YOU'RE GOING TO
MONTAGE, OKAY.
WHAT YOU'RE GOING TO SEE
WHAT YOU'RE GOING TO SEE
WHAT YOU'RE GOING TO SEE
IS
WHAT YOU'RE GOING TO SEE
IS WHATARE
WHAT YOU'RE GOING TO SEE
IS WHATARE FANTASTIC
IS WHATARE FANTASTIC
IS WHATARE FANTASTIC
LOOKING
IS WHATARE FANTASTIC
LOOKING OPALS.
LOOKING OPALS.
LOOKING OPALS.
>>
LOOKING OPALS.
>> Host:
LOOKING OPALS.
>> Host: THERE
LOOKING OPALS.
>> Host: THERE IT
LOOKING OPALS.
>> Host: THERE IT IS.
>> Host: THERE IT IS.
>> Host: THERE IT IS.
>>
>> Host: THERE IT IS.
>> Guest:
>> Host: THERE IT IS.
>> Guest: SELECTION
>> Host: THERE IT IS.
>> Guest: SELECTION HAS
>> Guest: SELECTION HAS
>> Guest: SELECTION HAS
10,
>> Guest: SELECTION HAS
10, REJECTION
>> Guest: SELECTION HAS
10, REJECTION HAS.
10, REJECTION HAS.
10, REJECTION HAS.
THEY
10, REJECTION HAS.
THEY LOOKED
10, REJECTION HAS.
THEY LOOKED GOOD.
THEY LOOKED GOOD.
THEY LOOKED GOOD.
AND
THEY LOOKED GOOD.
AND EVEN
THEY LOOKED GOOD.
AND EVEN ON
THEY LOOKED GOOD.
AND EVEN ON THE
THEY LOOKED GOOD.
AND EVEN ON THE SHOT
AND EVEN ON THE SHOT
AND EVEN ON THE SHOT
WHERE
AND EVEN ON THE SHOT
WHERE THELIGHTING
AND EVEN ON THE SHOT
WHERE THELIGHTING WAS
WHERE THELIGHTING WAS
WHERE THELIGHTING WAS
WHAT
WHERE THELIGHTING WAS
WHAT WE
WHERE THELIGHTING WAS
WHAT WE TRAINED
WHERE THELIGHTING WAS
WHAT WE TRAINED THEM
WHERE THELIGHTING WAS
WHAT WE TRAINED THEM TO
WHAT WE TRAINED THEM TO
WHAT WE TRAINED THEM TO
DO
WHAT WE TRAINED THEM TO
DO IN
WHAT WE TRAINED THEM TO
DO IN THE
WHAT WE TRAINED THEM TO
DO IN THE FACTORY,
WHAT WE TRAINED THEM TO
DO IN THE FACTORY, IS
DO IN THE FACTORY, IS
DO IN THE FACTORY, IS
THEY
DO IN THE FACTORY, IS
THEY LOOKED
DO IN THE FACTORY, IS
THEY LOOKED AT
DO IN THE FACTORY, IS
THEY LOOKED AT IT
DO IN THE FACTORY, IS
THEY LOOKED AT IT FROM
THEY LOOKED AT IT FROM
THEY LOOKED AT IT FROM
EVERY
THEY LOOKED AT IT FROM
EVERY DIFFERENT
THEY LOOKED AT IT FROM
EVERY DIFFERENT ANGLE,
EVERY DIFFERENT ANGLE,
EVERY DIFFERENT ANGLE,
SO
EVERY DIFFERENT ANGLE,
SO ONE
EVERY DIFFERENT ANGLE,
SO ONE ANGLE
EVERY DIFFERENT ANGLE,
SO ONE ANGLE IT
EVERY DIFFERENT ANGLE,
SO ONE ANGLE IT MIGHT
SO ONE ANGLE IT MIGHT
SO ONE ANGLE IT MIGHT
LOOK
SO ONE ANGLE IT MIGHT
LOOK GOOD,
SO ONE ANGLE IT MIGHT
LOOK GOOD, BUT
SO ONE ANGLE IT MIGHT
LOOK GOOD, BUT IF
SO ONE ANGLE IT MIGHT
LOOK GOOD, BUT IF IT
LOOK GOOD, BUT IF IT
LOOK GOOD, BUT IF IT
DIDN'T
LOOK GOOD, BUT IF IT
DIDN'T LOOK
LOOK GOOD, BUT IF IT
DIDN'T LOOK GOOD
LOOK GOOD, BUT IF IT
DIDN'T LOOK GOOD AT
LOOK GOOD, BUT IF IT
DIDN'T LOOK GOOD AT THE
DIDN'T LOOK GOOD AT THE
DIDN'T LOOK GOOD AT THE
OTHER,
DIDN'T LOOK GOOD AT THE
OTHER, IT
DIDN'T LOOK GOOD AT THE
OTHER, IT HIT
DIDN'T LOOK GOOD AT THE
OTHER, IT HIT THE
DIDN'T LOOK GOOD AT THE
OTHER, IT HIT THE REJECT
OTHER, IT HIT THE REJECT
OTHER, IT HIT THE REJECT
PILE.
PILE.
PILE.
>>
PILE.
>> Host:
PILE.
>> Host: IN
PILE.
>> Host: IN THE
>> Host: IN THE
>> Host: IN THE
TURQUOISE,
>> Host: IN THE
TURQUOISE, THIS
>> Host: IN THE
TURQUOISE, THIS IS
TURQUOISE, THIS IS
TURQUOISE, THIS IS
GENUINE
TURQUOISE, THIS IS
GENUINE KINGMAN
GENUINE KINGMAN
GENUINE KINGMAN
TURQUOISE.
TURQUOISE.
TURQUOISE.
WE
TURQUOISE.
WE HAVE
TURQUOISE.
WE HAVE THE
TURQUOISE.
WE HAVE THE PENDANT,
TURQUOISE.
WE HAVE THE PENDANT, 18
WE HAVE THE PENDANT, 18
WE HAVE THE PENDANT, 18
INCHES
WE HAVE THE PENDANT, 18
INCHES AND
WE HAVE THE PENDANT, 18
INCHES AND A
WE HAVE THE PENDANT, 18
INCHES AND A BRILLIANT
WE HAVE THE PENDANT, 18
INCHES AND A BRILLIANT 3-
INCHES AND A BRILLIANT 3-
INCHES AND A BRILLIANT 3-
INCH
INCHES AND A BRILLIANT 3-
INCH EXTENDER,
INCHES AND A BRILLIANT 3-
INCH EXTENDER, WE
INCHES AND A BRILLIANT 3-
INCH EXTENDER, WE HAVE
INCH EXTENDER, WE HAVE
INCH EXTENDER, WE HAVE
THE
INCH EXTENDER, WE HAVE
THE DROP
INCH EXTENDER, WE HAVE
THE DROP EARRING.
THE DROP EARRING.
THE DROP EARRING.
THE
THE DROP EARRING.
THE TURQUOISE
THE DROP EARRING.
THE TURQUOISE COLLECTION
THE TURQUOISE COLLECTION
THE TURQUOISE COLLECTION
IS
THE TURQUOISE COLLECTION
IS HERE.
IS HERE.
IS HERE.
NOW
IS HERE.
NOW THAT
IS HERE.
NOW THAT THE
IS HERE.
NOW THAT THE OPAL'S
NOW THAT THE OPAL'S
NOW THAT THE OPAL'S
ALMOST
NOW THAT THE OPAL'S
ALMOST GONE
NOW THAT THE OPAL'S
ALMOST GONE IN
NOW THAT THE OPAL'S
ALMOST GONE IN THE
ALMOST GONE IN THE
ALMOST GONE IN THE
ADDITIONAL
ALMOST GONE IN THE
ADDITIONAL PIECES
ALMOST GONE IN THE
ADDITIONAL PIECES THIS
ADDITIONAL PIECES THIS
ADDITIONAL PIECES THIS
IS
ADDITIONAL PIECES THIS
IS WHAT
ADDITIONAL PIECES THIS
IS WHAT WILL
ADDITIONAL PIECES THIS
IS WHAT WILL REMAIN.
IS WHAT WILL REMAIN.
IS WHAT WILL REMAIN.
I
IS WHAT WILL REMAIN.
I WILL
IS WHAT WILL REMAIN.
I WILL HAVE
IS WHAT WILL REMAIN.
I WILL HAVE THE
IS WHAT WILL REMAIN.
I WILL HAVE THE MAIN
I WILL HAVE THE MAIN
I WILL HAVE THE MAIN
STAY
I WILL HAVE THE MAIN
STAY SPECIAL.
STAY SPECIAL.
STAY SPECIAL.
A
STAY SPECIAL.
A LOT
STAY SPECIAL.
A LOT LESS
STAY SPECIAL.
A LOT LESS OF
STAY SPECIAL.
A LOT LESS OF THE
A LOT LESS OF THE
A LOT LESS OF THE
MATCHING
A LOT LESS OF THE
MATCHING PIECES
A LOT LESS OF THE
MATCHING PIECES THAN
A LOT LESS OF THE
MATCHING PIECES THAN WE
MATCHING PIECES THAN WE
MATCHING PIECES THAN WE
DO
MATCHING PIECES THAN WE
DO OF
MATCHING PIECES THAN WE
DO OF THE
MATCHING PIECES THAN WE
DO OF THE MAIN
MATCHING PIECES THAN WE
DO OF THE MAIN CELEBRITY
DO OF THE MAIN CELEBRITY
DO OF THE MAIN CELEBRITY
OF
DO OF THE MAIN CELEBRITY
OF THE
DO OF THE MAIN CELEBRITY
OF THE SHOW.
OF THE SHOW.
OF THE SHOW.
>>
OF THE SHOW.
>> Guest:
OF THE SHOW.
>> Guest: IT'S
OF THE SHOW.
>> Guest: IT'S THE
OF THE SHOW.
>> Guest: IT'S THE MOST
>> Guest: IT'S THE MOST
>> Guest: IT'S THE MOST
SOUGHT
>> Guest: IT'S THE MOST
SOUGHT AFTER
>> Guest: IT'S THE MOST
SOUGHT AFTER COLOR
>> Guest: IT'S THE MOST
SOUGHT AFTER COLOR IN
SOUGHT AFTER COLOR IN
SOUGHT AFTER COLOR IN
TURQUOISE.
TURQUOISE.
TURQUOISE.
>>
TURQUOISE.
>> Host:
TURQUOISE.
>> Host: YES.
>> Host: YES.
>> Host: YES.
>>
>> Host: YES.
>> Guest:
>> Host: YES.
>> Guest: THE
>> Host: YES.
>> Guest: THE MOST
>> Guest: THE MOST
>> Guest: THE MOST
EXPENSIVE?
EXPENSIVE?
EXPENSIVE?
NO.
NO.
NO.
THE
NO.
THE RARE,
NO.
THE RARE, IMPOSSIBLE
NO.
THE RARE, IMPOSSIBLE TO
THE RARE, IMPOSSIBLE TO
THE RARE, IMPOSSIBLE TO
FINE,
THE RARE, IMPOSSIBLE TO
FINE, PEOPLE
THE RARE, IMPOSSIBLE TO
FINE, PEOPLE BUY
THE RARE, IMPOSSIBLE TO
FINE, PEOPLE BUY IT,
FINE, PEOPLE BUY IT,
FINE, PEOPLE BUY IT,
SOMETIMES
FINE, PEOPLE BUY IT,
SOMETIMES SPENDING
FINE, PEOPLE BUY IT,
SOMETIMES SPENDING A
SOMETIMES SPENDING A
SOMETIMES SPENDING A
THOUSAND
SOMETIMES SPENDING A
THOUSAND DOLLARS
SOMETIMES SPENDING A
THOUSAND DOLLARS ACARAT.
THOUSAND DOLLARS ACARAT.
THOUSAND DOLLARS ACARAT.
EVERYBODY
THOUSAND DOLLARS ACARAT.
EVERYBODY THAT
THOUSAND DOLLARS ACARAT.
EVERYBODY THAT HAS
THOUSAND DOLLARS ACARAT.
EVERYBODY THAT HAS BEEN
EVERYBODY THAT HAS BEEN
EVERYBODY THAT HAS BEEN
CRAVING
EVERYBODY THAT HAS BEEN
CRAVING SLEEPING
EVERYBODY THAT HAS BEEN
CRAVING SLEEPING BEAUTY
CRAVING SLEEPING BEAUTY
CRAVING SLEEPING BEAUTY
WILL
CRAVING SLEEPING BEAUTY
WILL NEVER
CRAVING SLEEPING BEAUTY
WILL NEVER BE
CRAVING SLEEPING BEAUTY
WILL NEVER BE ABLE
CRAVING SLEEPING BEAUTY
WILL NEVER BE ABLE TO
WILL NEVER BE ABLE TO
WILL NEVER BE ABLE TO
SLL
WILL NEVER BE ABLE TO
SLL IT
WILL NEVER BE ABLE TO
SLL IT AGAIN.
SLL IT AGAIN.
SLL IT AGAIN.
I
SLL IT AGAIN.
I PROBABLY
SLL IT AGAIN.
I PROBABLY DID
SLL IT AGAIN.
I PROBABLY DID MORE
SLL IT AGAIN.
I PROBABLY DID MORE THAN
I PROBABLY DID MORE THAN
I PROBABLY DID MORE THAN
ANYONE.
ANYONE.
ANYONE.
THIS
ANYONE.
THIS IS
ANYONE.
THIS IS THE
ANYONE.
THIS IS THE BEST
THIS IS THE BEST
THIS IS THE BEST
ALTERNATIVE,
THIS IS THE BEST
ALTERNATIVE, FROM
ALTERNATIVE, FROM
ALTERNATIVE, FROM
KINGMAN,
ALTERNATIVE, FROM
KINGMAN, AND
ALTERNATIVE, FROM
KINGMAN, AND WE
ALTERNATIVE, FROM
KINGMAN, AND WE HAD
ALTERNATIVE, FROM
KINGMAN, AND WE HAD TO
KINGMAN, AND WE HAD TO
KINGMAN, AND WE HAD TO
FIND
KINGMAN, AND WE HAD TO
FIND TURQUOISE
KINGMAN, AND WE HAD TO
FIND TURQUOISE ROUGH
FIND TURQUOISE ROUGH
FIND TURQUOISE ROUGH
THAT
FIND TURQUOISE ROUGH
THAT HAD
FIND TURQUOISE ROUGH
THAT HAD NO
FIND TURQUOISE ROUGH
THAT HAD NO MATRIX
FIND TURQUOISE ROUGH
THAT HAD NO MATRIX IN
THAT HAD NO MATRIX IN
THAT HAD NO MATRIX IN
THERE,
THAT HAD NO MATRIX IN
THERE, OR
THAT HAD NO MATRIX IN
THERE, OR CUT
THAT HAD NO MATRIX IN
THERE, OR CUT AWAY,
THAT HAD NO MATRIX IN
THERE, OR CUT AWAY, AND
THERE, OR CUT AWAY, AND
THERE, OR CUT AWAY, AND
SO
THERE, OR CUT AWAY, AND
SO THAT
THERE, OR CUT AWAY, AND
SO THAT MEANS
THERE, OR CUT AWAY, AND
SO THAT MEANS WE
THERE, OR CUT AWAY, AND
SO THAT MEANS WE HAD
THERE, OR CUT AWAY, AND
SO THAT MEANS WE HAD TO
SO THAT MEANS WE HAD TO
SO THAT MEANS WE HAD TO
FIND
SO THAT MEANS WE HAD TO
FIND BIGGER
SO THAT MEANS WE HAD TO
FIND BIGGER PIECES
SO THAT MEANS WE HAD TO
FIND BIGGER PIECES TO
SO THAT MEANS WE HAD TO
FIND BIGGER PIECES TO DO
FIND BIGGER PIECES TO DO
FIND BIGGER PIECES TO DO
A
FIND BIGGER PIECES TO DO
A 11
FIND BIGGER PIECES TO DO
A 11 BY
FIND BIGGER PIECES TO DO
A 11 BY 9.
A 11 BY 9.
A 11 BY 9.
>>
A 11 BY 9.
>> Host:
A 11 BY 9.
>> Host: CAN
A 11 BY 9.
>> Host: CAN YOU
A 11 BY 9.
>> Host: CAN YOU IMAGINE
>> Host: CAN YOU IMAGINE
>> Host: CAN YOU IMAGINE
THE
>> Host: CAN YOU IMAGINE
THE WASTE
>> Host: CAN YOU IMAGINE
THE WASTE YOU
>> Host: CAN YOU IMAGINE
THE WASTE YOU WENT
THE WASTE YOU WENT
THE WASTE YOU WENT
THROUGH
THE WASTE YOU WENT
THROUGH TO
THE WASTE YOU WENT
THROUGH TO GET
THE WASTE YOU WENT
THROUGH TO GET IT
THROUGH TO GET IT
THROUGH TO GET IT
COMPLETELY
THROUGH TO GET IT
COMPLETELY CLEAN?
COMPLETELY CLEAN?
COMPLETELY CLEAN?
>>
COMPLETELY CLEAN?
>> Guest:
COMPLETELY CLEAN?
>> Guest: I'VE
COMPLETELY CLEAN?
>> Guest: I'VE BEEN
COMPLETELY CLEAN?
>> Guest: I'VE BEEN TO
>> Guest: I'VE BEEN TO
>> Guest: I'VE BEEN TO
THE
>> Guest: I'VE BEEN TO
THE MINE,
>> Guest: I'VE BEEN TO
THE MINE, AND
>> Guest: I'VE BEEN TO
THE MINE, AND I
>> Guest: I'VE BEEN TO
THE MINE, AND I HAVE
>> Guest: I'VE BEEN TO
THE MINE, AND I HAVE TO
THE MINE, AND I HAVE TO
THE MINE, AND I HAVE TO
GO
THE MINE, AND I HAVE TO
GO BACK
THE MINE, AND I HAVE TO
GO BACK AND
THE MINE, AND I HAVE TO
GO BACK AND FILM
THE MINE, AND I HAVE TO
GO BACK AND FILM IT
GO BACK AND FILM IT
GO BACK AND FILM IT
AGAIN
GO BACK AND FILM IT
AGAIN SO
GO BACK AND FILM IT
AGAIN SO YOU
GO BACK AND FILM IT
AGAIN SO YOU CAN
GO BACK AND FILM IT
AGAIN SO YOU CAN SEE
GO BACK AND FILM IT
AGAIN SO YOU CAN SEE IT.
AGAIN SO YOU CAN SEE IT.
AGAIN SO YOU CAN SEE IT.
YOU
AGAIN SO YOU CAN SEE IT.
YOU WILL
AGAIN SO YOU CAN SEE IT.
YOU WILL SEE
AGAIN SO YOU CAN SEE IT.
YOU WILL SEE WHEN
AGAIN SO YOU CAN SEE IT.
YOU WILL SEE WHEN THEY
YOU WILL SEE WHEN THEY
YOU WILL SEE WHEN THEY
HAD
YOU WILL SEE WHEN THEY
HAD THE
YOU WILL SEE WHEN THEY
HAD THE BIG
YOU WILL SEE WHEN THEY
HAD THE BIG EARTH
YOU WILL SEE WHEN THEY
HAD THE BIG EARTH MOVING
HAD THE BIG EARTH MOVING
HAD THE BIG EARTH MOVING
EQUIPMENT,
HAD THE BIG EARTH MOVING
EQUIPMENT, WHEN
HAD THE BIG EARTH MOVING
EQUIPMENT, WHEN YOU
HAD THE BIG EARTH MOVING
EQUIPMENT, WHEN YOU FIND
EQUIPMENT, WHEN YOU FIND
EQUIPMENT, WHEN YOU FIND
LIKE
EQUIPMENT, WHEN YOU FIND
LIKE A
EQUIPMENT, WHEN YOU FIND
LIKE A VEIN,
EQUIPMENT, WHEN YOU FIND
LIKE A VEIN, IT'S
EQUIPMENT, WHEN YOU FIND
LIKE A VEIN, IT'S DONE
LIKE A VEIN, IT'S DONE
LIKE A VEIN, IT'S DONE
BY
LIKE A VEIN, IT'S DONE
BY HAND.
BY HAND.
BY HAND.
GET
BY HAND.
GET SOMETHING
BY HAND.
GET SOMETHING THE
BY HAND.
GET SOMETHING THE SIZE
GET SOMETHING THE SIZE
GET SOMETHING THE SIZE
OF
GET SOMETHING THE SIZE
OF YOUR
GET SOMETHING THE SIZE
OF YOUR FIST,
GET SOMETHING THE SIZE
OF YOUR FIST, DROP
GET SOMETHING THE SIZE
OF YOUR FIST, DROP IN
GET SOMETHING THE SIZE
OF YOUR FIST, DROP IN A
OF YOUR FIST, DROP IN A
OF YOUR FIST, DROP IN A
BUCKET,
OF YOUR FIST, DROP IN A
BUCKET, THAT'S
OF YOUR FIST, DROP IN A
BUCKET, THAT'S ALL
BUCKET, THAT'S ALL
BUCKET, THAT'S ALL
YOU'RE
BUCKET, THAT'S ALL
YOU'RE MINING.
YOU'RE MINING.
YOU'RE MINING.
AND
YOU'RE MINING.
AND THEN
YOU'RE MINING.
AND THEN THEY
YOU'RE MINING.
AND THEN THEY TAKE
YOU'RE MINING.
AND THEN THEY TAKE THE
AND THEN THEY TAKE THE
AND THEN THEY TAKE THE
REST
AND THEN THEY TAKE THE
REST OF
AND THEN THEY TAKE THE
REST OF THE
AND THEN THEY TAKE THE
REST OF THE STUFF,
AND THEN THEY TAKE THE
REST OF THE STUFF, 75%
REST OF THE STUFF, 75%
REST OF THE STUFF, 75%
OF
REST OF THE STUFF, 75%
OF THE
REST OF THE STUFF, 75%
OF THE TURQUOISE.
OF THE TURQUOISE.
OF THE TURQUOISE.
THEY
OF THE TURQUOISE.
THEY PUT
OF THE TURQUOISE.
THEY PUT IT
OF THE TURQUOISE.
THEY PUT IT IN
OF THE TURQUOISE.
THEY PUT IT IN A
OF THE TURQUOISE.
THEY PUT IT IN A HOPPER,
THEY PUT IT IN A HOPPER,
THEY PUT IT IN A HOPPER,
AND
THEY PUT IT IN A HOPPER,
AND GOES
THEY PUT IT IN A HOPPER,
AND GOES ON
THEY PUT IT IN A HOPPER,
AND GOES ON A
THEY PUT IT IN A HOPPER,
AND GOES ON A CONVEYOR
AND GOES ON A CONVEYOR
AND GOES ON A CONVEYOR
BELT.
BELT.
BELT.
THOSE
BELT.
THOSE WILL
BELT.
THOSE WILL NEVER
BELT.
THOSE WILL NEVER BE
THOSE WILL NEVER BE
THOSE WILL NEVER BE
PIECES
THOSE WILL NEVER BE
PIECES LIKE
THOSE WILL NEVER BE
PIECES LIKE THIS.
PIECES LIKE THIS.
PIECES LIKE THIS.
THAT'S
PIECES LIKE THIS.
THAT'S ABOUT
PIECES LIKE THIS.
THAT'S ABOUT THE
PIECES LIKE THIS.
THAT'S ABOUT THE 75%
THAT'S ABOUT THE 75%
THAT'S ABOUT THE 75%
PERCENT
THAT'S ABOUT THE 75%
PERCENT OF
THAT'S ABOUT THE 75%
PERCENT OF THE
THAT'S ABOUT THE 75%
PERCENT OF THE KINGMAN.
PERCENT OF THE KINGMAN.
PERCENT OF THE KINGMAN.
SO
PERCENT OF THE KINGMAN.
SO THIS
PERCENT OF THE KINGMAN.
SO THIS IS
PERCENT OF THE KINGMAN.
SO THIS IS A
PERCENT OF THE KINGMAN.
SO THIS IS A PHENOMENAL,
SO THIS IS A PHENOMENAL,
SO THIS IS A PHENOMENAL,
I
SO THIS IS A PHENOMENAL,
I WOULD
SO THIS IS A PHENOMENAL,
I WOULD CALL
SO THIS IS A PHENOMENAL,
I WOULD CALL THIS
SO THIS IS A PHENOMENAL,
I WOULD CALL THIS MY
I WOULD CALL THIS MY
I WOULD CALL THIS MY
BEST
I WOULD CALL THIS MY
BEST KINGMAN
I WOULD CALL THIS MY
BEST KINGMAN PIECE
I WOULD CALL THIS MY
BEST KINGMAN PIECE EVER.
BEST KINGMAN PIECE EVER.
BEST KINGMAN PIECE EVER.
>>
BEST KINGMAN PIECE EVER.
>> Host:
BEST KINGMAN PIECE EVER.
>> Host: CLEARLY,
BEST KINGMAN PIECE EVER.
>> Host: CLEARLY, WHEN
>> Host: CLEARLY, WHEN
>> Host: CLEARLY, WHEN
IT
>> Host: CLEARLY, WHEN
IT COMES
>> Host: CLEARLY, WHEN
IT COMES DO,
>> Host: CLEARLY, WHEN
IT COMES DO, IF
>> Host: CLEARLY, WHEN
IT COMES DO, IF YOU'RE
>> Host: CLEARLY, WHEN
IT COMES DO, IF YOU'RE A
IT COMES DO, IF YOU'RE A
IT COMES DO, IF YOU'RE A
PIECE
IT COMES DO, IF YOU'RE A
PIECE OF
IT COMES DO, IF YOU'RE A
PIECE OF TURQUOISE
PIECE OF TURQUOISE
PIECE OF TURQUOISE
AROUND
PIECE OF TURQUOISE
AROUND THE
PIECE OF TURQUOISE
AROUND THE WORLD,
PIECE OF TURQUOISE
AROUND THE WORLD, THIS
AROUND THE WORLD, THIS
AROUND THE WORLD, THIS
IS
AROUND THE WORLD, THIS
IS WHAT
AROUND THE WORLD, THIS
IS WHAT YOU
AROUND THE WORLD, THIS
IS WHAT YOU WANT
AROUND THE WORLD, THIS
IS WHAT YOU WANT TO
AROUND THE WORLD, THIS
IS WHAT YOU WANT TO GROW
IS WHAT YOU WANT TO GROW
IS WHAT YOU WANT TO GROW
UP
IS WHAT YOU WANT TO GROW
UP TO
IS WHAT YOU WANT TO GROW
UP TO BE.
UP TO BE.
UP TO BE.
>>
UP TO BE.
>> Guest:
UP TO BE.
>> Guest: DON'T
UP TO BE.
>> Guest: DON'T HURT
UP TO BE.
>> Guest: DON'T HURT THE
>> Guest: DON'T HURT THE
>> Guest: DON'T HURT THE
TURQUOISE
>> Guest: DON'T HURT THE
TURQUOISE FEELINGS.
TURQUOISE FEELINGS.
TURQUOISE FEELINGS.
>>
TURQUOISE FEELINGS.
>> Host:
TURQUOISE FEELINGS.
>> Host: THEY'RE
TURQUOISE FEELINGS.
>> Host: THEY'RE THE
>> Host: THEY'RE THE
>> Host: THEY'RE THE
REAL
>> Host: THEY'RE THE
REAL THING.
REAL THING.
REAL THING.
I
REAL THING.
I WANT
REAL THING.
I WANT TO
REAL THING.
I WANT TO BE
REAL THING.
I WANT TO BE CLEAN
REAL THING.
I WANT TO BE CLEAN AND
I WANT TO BE CLEAN AND
I WANT TO BE CLEAN AND
BLUE.
BLUE.
BLUE.
BUT
BLUE.
BUT IT'S
BLUE.
BUT IT'S A
BLUE.
BUT IT'S A REAL
BLUE.
BUT IT'S A REAL TREAT,
BUT IT'S A REAL TREAT,
BUT IT'S A REAL TREAT,
THIS
BUT IT'S A REAL TREAT,
THIS IS
BUT IT'S A REAL TREAT,
THIS IS SO
BUT IT'S A REAL TREAT,
THIS IS SO HIGH
BUT IT'S A REAL TREAT,
THIS IS SO HIGH END,
THIS IS SO HIGH END,
THIS IS SO HIGH END,
BEAUTIFULLY
THIS IS SO HIGH END,
BEAUTIFULLY DONE.
BEAUTIFULLY DONE.
BEAUTIFULLY DONE.
THERE'S
BEAUTIFULLY DONE.
THERE'S TANZANITE
BEAUTIFULLY DONE.
THERE'S TANZANITE ON
THERE'S TANZANITE ON
THERE'S TANZANITE ON
HERE,
THERE'S TANZANITE ON
HERE, TOO.
HERE, TOO.
HERE, TOO.
>>
HERE, TOO.
>> Guest:
HERE, TOO.
>> Guest: AND
HERE, TOO.
>> Guest: AND ABOUT,
>> Guest: AND ABOUT,
>> Guest: AND ABOUT,
OVER
>> Guest: AND ABOUT,
OVER 3/4
>> Guest: AND ABOUT,
OVER 3/4 OF
>> Guest: AND ABOUT,
OVER 3/4 OF A
>> Guest: AND ABOUT,
OVER 3/4 OF A CARAT.
OVER 3/4 OF A CARAT.
OVER 3/4 OF A CARAT.
THAT'S
OVER 3/4 OF A CARAT.
THAT'S ON
OVER 3/4 OF A CARAT.
THAT'S ON A,
OVER 3/4 OF A CARAT.
THAT'S ON A, LIKE
OVER 3/4 OF A CARAT.
THAT'S ON A, LIKE A
OVER 3/4 OF A CARAT.
THAT'S ON A, LIKE A Y-
THAT'S ON A, LIKE A Y-
THAT'S ON A, LIKE A Y-
DESIGN,
THAT'S ON A, LIKE A Y-
DESIGN, AND
THAT'S ON A, LIKE A Y-
DESIGN, AND EXTENDING
DESIGN, AND EXTENDING
DESIGN, AND EXTENDING
DOWN,
DESIGN, AND EXTENDING
DOWN, ALMOST
DESIGN, AND EXTENDING
DOWN, ALMOST LIKE
DESIGN, AND EXTENDING
DOWN, ALMOST LIKE A
DOWN, ALMOST LIKE A
DOWN, ALMOST LIKE A
WISHBONE.
WISHBONE.
WISHBONE.
SO
WISHBONE.
SO YOU
WISHBONE.
SO YOU HAVE
WISHBONE.
SO YOU HAVE THAT
WISHBONE.
SO YOU HAVE THAT ON
WISHBONE.
SO YOU HAVE THAT ON BOTH
SO YOU HAVE THAT ON BOTH
SO YOU HAVE THAT ON BOTH
SIDE
SO YOU HAVE THAT ON BOTH
SIDE OF
SO YOU HAVE THAT ON BOTH
SIDE OF THE
SO YOU HAVE THAT ON BOTH
SIDE OF THE RING
SO YOU HAVE THAT ON BOTH
SIDE OF THE RING IN
SO YOU HAVE THAT ON BOTH
SIDE OF THE RING IN BOTH
SIDE OF THE RING IN BOTH
SIDE OF THE RING IN BOTH
DESIGNS.
DESIGNS.
DESIGNS.
SO
DESIGNS.
SO JUST
DESIGNS.
SO JUST --
DESIGNS.
SO JUST -- HERE'S
DESIGNS.
SO JUST -- HERE'S THE
SO JUST -- HERE'S THE
SO JUST -- HERE'S THE
BEST
SO JUST -- HERE'S THE
BEST ADVICE.
BEST ADVICE.
BEST ADVICE.
EVERYTHING
BEST ADVICE.
EVERYTHING IN
BEST ADVICE.
EVERYTHING IN THE
BEST ADVICE.
EVERYTHING IN THE OPAL
EVERYTHING IN THE OPAL
EVERYTHING IN THE OPAL
IS
EVERYTHING IN THE OPAL
IS SOLD
EVERYTHING IN THE OPAL
IS SOLD OUT
EVERYTHING IN THE OPAL
IS SOLD OUT EXCEPT
EVERYTHING IN THE OPAL
IS SOLD OUT EXCEPT FOR
IS SOLD OUT EXCEPT FOR
IS SOLD OUT EXCEPT FOR
THE
IS SOLD OUT EXCEPT FOR
THE DAY'S
IS SOLD OUT EXCEPT FOR
THE DAY'S SPECIAL.
THE DAY'S SPECIAL.
THE DAY'S SPECIAL.
IF
THE DAY'S SPECIAL.
IF YOU
THE DAY'S SPECIAL.
IF YOU LIKE
THE DAY'S SPECIAL.
IF YOU LIKE THE
IF YOU LIKE THE
IF YOU LIKE THE
TURQUOISE,
IF YOU LIKE THE
TURQUOISE, I
IF YOU LIKE THE
TURQUOISE, I HAVE
IF YOU LIKE THE
TURQUOISE, I HAVE ALL
TURQUOISE, I HAVE ALL
TURQUOISE, I HAVE ALL
THE
TURQUOISE, I HAVE ALL
THE MATCHING
TURQUOISE, I HAVE ALL
THE MATCHING SPICES,
THE MATCHING SPICES,
THE MATCHING SPICES,
UNFORTUNATELY,
THE MATCHING SPICES,
UNFORTUNATELY, THEY
THE MATCHING SPICES,
UNFORTUNATELY, THEY ARE
UNFORTUNATELY, THEY ARE
UNFORTUNATELY, THEY ARE
LIMITED
UNFORTUNATELY, THEY ARE
LIMITED AS
UNFORTUNATELY, THEY ARE
LIMITED AS WELL.
LIMITED AS WELL.
LIMITED AS WELL.
WE
LIMITED AS WELL.
WE JUST
LIMITED AS WELL.
WE JUST DON'T
LIMITED AS WELL.
WE JUST DON'T HAVE
LIMITED AS WELL.
WE JUST DON'T HAVE A
LIMITED AS WELL.
WE JUST DON'T HAVE A LOT
WE JUST DON'T HAVE A LOT
WE JUST DON'T HAVE A LOT
OF
WE JUST DON'T HAVE A LOT
OF THESE
WE JUST DON'T HAVE A LOT
OF THESE AT
WE JUST DON'T HAVE A LOT
OF THESE AT ALL.
OF THESE AT ALL.
OF THESE AT ALL.
HOW
OF THESE AT ALL.
HOW MANY
OF THESE AT ALL.
HOW MANY BRACELET
OF THESE AT ALL.
HOW MANY BRACELET DO
OF THESE AT ALL.
HOW MANY BRACELET DO I
HOW MANY BRACELET DO I
HOW MANY BRACELET DO I
HAVE
HOW MANY BRACELET DO I
HAVE LEFT,
HOW MANY BRACELET DO I
HAVE LEFT, RICK?
HAVE LEFT, RICK?
HAVE LEFT, RICK?
I
HAVE LEFT, RICK?
I HAVE
HAVE LEFT, RICK?
I HAVE 250
HAVE LEFT, RICK?
I HAVE 250 BRACELET
HAVE LEFT, RICK?
I HAVE 250 BRACELET IN
I HAVE 250 BRACELET IN
I HAVE 250 BRACELET IN
THE
I HAVE 250 BRACELET IN
THE TURQUOISE,
I HAVE 250 BRACELET IN
THE TURQUOISE, IN
I HAVE 250 BRACELET IN
THE TURQUOISE, IN THREE
THE TURQUOISE, IN THREE
THE TURQUOISE, IN THREE
LENGTHS,
THE TURQUOISE, IN THREE
LENGTHS, AND
THE TURQUOISE, IN THREE
LENGTHS, AND PENDANT
LENGTHS, AND PENDANT
LENGTHS, AND PENDANT
WITH
LENGTHS, AND PENDANT
WITH THE
LENGTHS, AND PENDANT
WITH THE CHAIN,
LENGTHS, AND PENDANT
WITH THE CHAIN, AND
WITH THE CHAIN, AND
WITH THE CHAIN, AND
MATCHING
WITH THE CHAIN, AND
MATCHING DANGLE
MATCHING DANGLE
MATCHING DANGLE
EARRINGS.
EARRINGS.
EARRINGS.
HERE'S
EARRINGS.
HERE'S YOUR
EARRINGS.
HERE'S YOUR BRACELET
HERE'S YOUR BRACELET
HERE'S YOUR BRACELET
INFO.
INFO.
INFO.
APPRAISED
INFO.
APPRAISED AT
INFO.
APPRAISED AT ALMOST
APPRAISED AT ALMOST
APPRAISED AT ALMOST
$800.
$800.
$800.
>>
$800.
>> TURQUOISE
$800.
>> TURQUOISE EARRINGS
>> TURQUOISE EARRINGS
>> TURQUOISE EARRINGS
ARE
>> TURQUOISE EARRINGS
ARE ALMOST
>> TURQUOISE EARRINGS
ARE ALMOST GONE.
ARE ALMOST GONE.
ARE ALMOST GONE.
>>
ARE ALMOST GONE.
>> Guest:
ARE ALMOST GONE.
>> Guest: EARRINGS
ARE ALMOST GONE.
>> Guest: EARRINGS ARE
>> Guest: EARRINGS ARE
>> Guest: EARRINGS ARE
SUCH
>> Guest: EARRINGS ARE
SUCH AN
>> Guest: EARRINGS ARE
SUCH AN ESSENTIAL
>> Guest: EARRINGS ARE
SUCH AN ESSENTIAL PART
SUCH AN ESSENTIAL PART
SUCH AN ESSENTIAL PART
OF
SUCH AN ESSENTIAL PART
OF THE
SUCH AN ESSENTIAL PART
OF THE WARDROBE.
OF THE WARDROBE.
OF THE WARDROBE.
>>
OF THE WARDROBE.
>> Host:
OF THE WARDROBE.
>> Host: RICK,
OF THE WARDROBE.
>> Host: RICK, WHAT
OF THE WARDROBE.
>> Host: RICK, WHAT DID
>> Host: RICK, WHAT DID
>> Host: RICK, WHAT DID
YOU
>> Host: RICK, WHAT DID
YOU SAY?
YOU SAY?
YOU SAY?
THE
YOU SAY?
THE PENDANT,
YOU SAY?
THE PENDANT, A
YOU SAY?
THE PENDANT, A COUPLE
THE PENDANT, A COUPLE
THE PENDANT, A COUPLE
HUNDRED
THE PENDANT, A COUPLE
HUNDRED AVAILABLE.
HUNDRED AVAILABLE.
HUNDRED AVAILABLE.
SO
HUNDRED AVAILABLE.
SO THERE
HUNDRED AVAILABLE.
SO THERE YOU
HUNDRED AVAILABLE.
SO THERE YOU GO.
SO THERE YOU GO.
SO THERE YOU GO.
OKAY,
SO THERE YOU GO.
OKAY, SO
SO THERE YOU GO.
OKAY, SO UPDATE
SO THERE YOU GO.
OKAY, SO UPDATE ON
SO THERE YOU GO.
OKAY, SO UPDATE ON THE
OKAY, SO UPDATE ON THE
OKAY, SO UPDATE ON THE
TODAY'S
OKAY, SO UPDATE ON THE
TODAY'S SPECIAL,
OKAY, SO UPDATE ON THE
TODAY'S SPECIAL, OVER
OKAY, SO UPDATE ON THE
TODAY'S SPECIAL, OVER A
TODAY'S SPECIAL, OVER A
TODAY'S SPECIAL, OVER A
THOUSAND
TODAY'S SPECIAL, OVER A
THOUSAND NOW
TODAY'S SPECIAL, OVER A
THOUSAND NOW GONE.
THOUSAND NOW GONE.
THOUSAND NOW GONE.
I
THOUSAND NOW GONE.
I WILL
THOUSAND NOW GONE.
I WILL TELL
THOUSAND NOW GONE.
I WILL TELL YOU
THOUSAND NOW GONE.
I WILL TELL YOU THE
THOUSAND NOW GONE.
I WILL TELL YOU THE VAST
I WILL TELL YOU THE VAST
I WILL TELL YOU THE VAST
MAJORITY
I WILL TELL YOU THE VAST
MAJORITY IS
I WILL TELL YOU THE VAST
MAJORITY IS GOING
I WILL TELL YOU THE VAST
MAJORITY IS GOING TO
I WILL TELL YOU THE VAST
MAJORITY IS GOING TO BE
MAJORITY IS GOING TO BE
MAJORITY IS GOING TO BE
IN
MAJORITY IS GOING TO BE
IN THE
MAJORITY IS GOING TO BE
IN THE GREAT
MAJORITY IS GOING TO BE
IN THE GREAT OP
MAJORITY IS GOING TO BE
IN THE GREAT OP PAL,
MAJORITY IS GOING TO BE
IN THE GREAT OP PAL, AND
IN THE GREAT OP PAL, AND
IN THE GREAT OP PAL, AND
--
IN THE GREAT OP PAL, AND
-- AT
IN THE GREAT OP PAL, AND
-- AT THAT
IN THE GREAT OP PAL, AND
-- AT THAT RATE
IN THE GREAT OP PAL, AND
-- AT THAT RATE IT,
IN THE GREAT OP PAL, AND
-- AT THAT RATE IT, WILL
-- AT THAT RATE IT, WILL
-- AT THAT RATE IT, WILL
SELL
-- AT THAT RATE IT, WILL
SELL OUT
-- AT THAT RATE IT, WILL
SELL OUT BEFORE
-- AT THAT RATE IT, WILL
SELL OUT BEFORE THE
SELL OUT BEFORE THE
SELL OUT BEFORE THE
TURQUOISE.
TURQUOISE.
TURQUOISE.
WHEN
TURQUOISE.
WHEN IT'S
TURQUOISE.
WHEN IT'S GONE,
WHEN IT'S GONE,
WHEN IT'S GONE,
EVERYBODY
WHEN IT'S GONE,
EVERYBODY GOES
WHEN IT'S GONE,
EVERYBODY GOES FOR
WHEN IT'S GONE,
EVERYBODY GOES FOR THE
EVERYBODY GOES FOR THE
EVERYBODY GOES FOR THE
TURQUOISE.
TURQUOISE.
TURQUOISE.
YOUR
TURQUOISE.
YOUR OPAL
TURQUOISE.
YOUR OPAL IS
TURQUOISE.
YOUR OPAL IS OVER
TURQUOISE.
YOUR OPAL IS OVER SHAD
YOUR OPAL IS OVER SHAD
YOUR OPAL IS OVER SHAD
DOING
YOUR OPAL IS OVER SHAD
DOING A
YOUR OPAL IS OVER SHAD
DOING A BIT.
DOING A BIT.
DOING A BIT.
WHEN
DOING A BIT.
WHEN THIS
DOING A BIT.
WHEN THIS IS
DOING A BIT.
WHEN THIS IS GONE,
DOING A BIT.
WHEN THIS IS GONE, THIS
WHEN THIS IS GONE, THIS
WHEN THIS IS GONE, THIS
WILL
WHEN THIS IS GONE, THIS
WILL BE
WHEN THIS IS GONE, THIS
WILL BE OUT
WHEN THIS IS GONE, THIS
WILL BE OUT OF
WHEN THIS IS GONE, THIS
WILL BE OUT OF HERE.
WILL BE OUT OF HERE.
WILL BE OUT OF HERE.
>>
WILL BE OUT OF HERE.
>> Guest:
WILL BE OUT OF HERE.
>> Guest: ARE
WILL BE OUT OF HERE.
>> Guest: ARE YOU
>> Guest: ARE YOU
>> Guest: ARE YOU
KICKING
>> Guest: ARE YOU
KICKING ME
>> Guest: ARE YOU
KICKING ME OUT.
KICKING ME OUT.
KICKING ME OUT.
>>
KICKING ME OUT.
>> Host:
KICKING ME OUT.
>> Host: I
KICKING ME OUT.
>> Host: I AM
KICKING ME OUT.
>> Host: I AM THROWING
>> Host: I AM THROWING
>> Host: I AM THROWING
YOU
>> Host: I AM THROWING
YOU OUT
>> Host: I AM THROWING
YOU OUT NOW.
YOU OUT NOW.
YOU OUT NOW.
>>
YOU OUT NOW.
>> Guest:
YOU OUT NOW.
>> Guest: WHEN
YOU OUT NOW.
>> Guest: WHEN YOU
YOU OUT NOW.
>> Guest: WHEN YOU SAID
>> Guest: WHEN YOU SAID
>> Guest: WHEN YOU SAID
IT
>> Guest: WHEN YOU SAID
IT IN
>> Guest: WHEN YOU SAID
IT IN A
>> Guest: WHEN YOU SAID
IT IN A NICE
>> Guest: WHEN YOU SAID
IT IN A NICE VOICE,
>> Guest: WHEN YOU SAID
IT IN A NICE VOICE, I
IT IN A NICE VOICE, I
IT IN A NICE VOICE, I
KNEW
IT IN A NICE VOICE, I
KNEW YOU
IT IN A NICE VOICE, I
KNEW YOU WERE.
KNEW YOU WERE.
KNEW YOU WERE.
>>
KNEW YOU WERE.
>> Host:
KNEW YOU WERE.
>> Host: AND
KNEW YOU WERE.
>> Host: AND NEXT,
KNEW YOU WERE.
>> Host: AND NEXT, WE'RE
>> Host: AND NEXT, WE'RE
>> Host: AND NEXT, WE'RE
MOVING
>> Host: AND NEXT, WE'RE
MOVING TO
>> Host: AND NEXT, WE'RE
MOVING TO DIAMONDS
>> Host: AND NEXT, WE'RE
MOVING TO DIAMONDS AND
MOVING TO DIAMONDS AND
MOVING TO DIAMONDS AND
ON
MOVING TO DIAMONDS AND
ON SALE
MOVING TO DIAMONDS AND
ON SALE DIAMONDS
MOVING TO DIAMONDS AND
ON SALE DIAMONDS WHICH
ON SALE DIAMONDS WHICH
ON SALE DIAMONDS WHICH
IS
ON SALE DIAMONDS WHICH
IS AWESOME.
IS AWESOME.
IS AWESOME.
THANKS,
IS AWESOME.
THANKS, PAUL.
THANKS, PAUL.
THANKS, PAUL.
GOOD
THANKS, PAUL.
GOOD SEEING
THANKS, PAUL.
GOOD SEEING YOU,
THANKS, PAUL.
GOOD SEEING YOU, BABY.
.
.
>>
.
>> GOAT
.
>> GOAT MILK
.
>> GOAT MILK ADDRESSES
>> GOAT MILK ADDRESSES
>> GOAT MILK ADDRESSES
MOISTURE
>> GOAT MILK ADDRESSES
MOISTURE TO
>> GOAT MILK ADDRESSES
MOISTURE TO YOUR
>> GOAT MILK ADDRESSES
MOISTURE TO YOUR --
>> GOAT MILK ADDRESSES
MOISTURE TO YOUR -- ADDS
MOISTURE TO YOUR -- ADDS
MOISTURE TO YOUR -- ADDS
MOISTURE
MOISTURE TO YOUR -- ADDS
MOISTURE TO
MOISTURE TO YOUR -- ADDS
MOISTURE TO YOUR
MOISTURE TO YOUR -- ADDS
MOISTURE TO YOUR SKIN.
MOISTURE TO YOUR SKIN.
MOISTURE TO YOUR SKIN.
PEOPLE
MOISTURE TO YOUR SKIN.
PEOPLE REALLY
MOISTURE TO YOUR SKIN.
PEOPLE REALLY DO
MOISTURE TO YOUR SKIN.
PEOPLE REALLY DO NOTICE
PEOPLE REALLY DO NOTICE
PEOPLE REALLY DO NOTICE
THE
PEOPLE REALLY DO NOTICE
THE HYDRATION
PEOPLE REALLY DO NOTICE
THE HYDRATION OF
PEOPLE REALLY DO NOTICE
THE HYDRATION OF THEIR
THE HYDRATION OF THEIR
THE HYDRATION OF THEIR
SKIN.
SKIN.
SKIN.
>>
SKIN.
>> Host:
SKIN.
>> Host: NOW
SKIN.
>> Host: NOW WE'RE
SKIN.
>> Host: NOW WE'RE GOING
>> Host: NOW WE'RE GOING
>> Host: NOW WE'RE GOING
TO
>> Host: NOW WE'RE GOING
TO TALK
>> Host: NOW WE'RE GOING
TO TALK ABOUT
>> Host: NOW WE'RE GOING
TO TALK ABOUT DIAMONDS.
TO TALK ABOUT DIAMONDS.
TO TALK ABOUT DIAMONDS.
AN
TO TALK ABOUT DIAMONDS.
AN AWESOME
TO TALK ABOUT DIAMONDS.
AN AWESOME NIGHT
TO TALK ABOUT DIAMONDS.
AN AWESOME NIGHT FROM
AN AWESOME NIGHT FROM
AN AWESOME NIGHT FROM
OPALS
AN AWESOME NIGHT FROM
OPALS TO
AN AWESOME NIGHT FROM
OPALS TO TURQUOISE
AN AWESOME NIGHT FROM
OPALS TO TURQUOISE TO
OPALS TO TURQUOISE TO
OPALS TO TURQUOISE TO
DIAMONDS.
DIAMONDS.
DIAMONDS.
I
DIAMONDS.
I THINK
DIAMONDS.
I THINK YOU
DIAMONDS.
I THINK YOU WILL
DIAMONDS.
I THINK YOU WILL LOVE
I THINK YOU WILL LOVE
I THINK YOU WILL LOVE
THIS
I THINK YOU WILL LOVE
THIS NEXT
I THINK YOU WILL LOVE
THIS NEXT COUPLE
I THINK YOU WILL LOVE
THIS NEXT COUPLE OF
THIS NEXT COUPLE OF
THIS NEXT COUPLE OF
MINUTES
THIS NEXT COUPLE OF
MINUTES WITH
THIS NEXT COUPLE OF
MINUTES WITH US.
MINUTES WITH US.
MINUTES WITH US.
AND
MINUTES WITH US.
AND TO
MINUTES WITH US.
AND TO DO
MINUTES WITH US.
AND TO DO THAT,
MINUTES WITH US.
AND TO DO THAT, WE
MINUTES WITH US.
AND TO DO THAT, WE GO
MINUTES WITH US.
AND TO DO THAT, WE GO TO
AND TO DO THAT, WE GO TO
AND TO DO THAT, WE GO TO
OUR
AND TO DO THAT, WE GO TO
OUR DIAMOND
AND TO DO THAT, WE GO TO
OUR DIAMOND EXPERT.
OUR DIAMOND EXPERT.
OUR DIAMOND EXPERT.
HOW
OUR DIAMOND EXPERT.
HOW ARE
OUR DIAMOND EXPERT.
HOW ARE YOU?
HOW ARE YOU?
HOW ARE YOU?
>>
HOW ARE YOU?
>> Guest:
HOW ARE YOU?
>> Guest: I'M
HOW ARE YOU?
>> Guest: I'M EXCITED
>> Guest: I'M EXCITED
>> Guest: I'M EXCITED
ABOUT
>> Guest: I'M EXCITED
ABOUT TONIGHT.
ABOUT TONIGHT.
ABOUT TONIGHT.
>>
ABOUT TONIGHT.
>> Host:
ABOUT TONIGHT.
>> Host: I'LL
ABOUT TONIGHT.
>> Host: I'LL TELL
ABOUT TONIGHT.
>> Host: I'LL TELL YOU
ABOUT TONIGHT.
>> Host: I'LL TELL YOU A
>> Host: I'LL TELL YOU A
>> Host: I'LL TELL YOU A
STORY
>> Host: I'LL TELL YOU A
STORY BEHIND
>> Host: I'LL TELL YOU A
STORY BEHIND HER.
STORY BEHIND HER.
STORY BEHIND HER.
10
STORY BEHIND HER.
10 YEARS
STORY BEHIND HER.
10 YEARS --
STORY BEHIND HER.
10 YEARS -- AND
STORY BEHIND HER.
10 YEARS -- AND DID
STORY BEHIND HER.
10 YEARS -- AND DID YOU
10 YEARS -- AND DID YOU
10 YEARS -- AND DID YOU
SEE
10 YEARS -- AND DID YOU
SEE THE
10 YEARS -- AND DID YOU
SEE THE PRICING?
SEE THE PRICING?
SEE THE PRICING?
WE
SEE THE PRICING?
WE HAVE
SEE THE PRICING?
WE HAVE SOME
SEE THE PRICING?
WE HAVE SOME REAL
WE HAVE SOME REAL
WE HAVE SOME REAL
TREATS.
TREATS.
TREATS.
WE
TREATS.
WE HAVE
TREATS.
WE HAVE A
TREATS.
WE HAVE A DIAMOND
TREATS.
WE HAVE A DIAMOND CROSS
WE HAVE A DIAMOND CROSS
WE HAVE A DIAMOND CROSS
ON
WE HAVE A DIAMOND CROSS
ON SALE
WE HAVE A DIAMOND CROSS
ON SALE COMING
WE HAVE A DIAMOND CROSS
ON SALE COMING UP,
ON SALE COMING UP,
ON SALE COMING UP,
EVERYTHING
ON SALE COMING UP,
EVERYTHING IS
ON SALE COMING UP,
EVERYTHING IS ON
ON SALE COMING UP,
EVERYTHING IS ON SALE.
EVERYTHING IS ON SALE.
EVERYTHING IS ON SALE.
I
EVERYTHING IS ON SALE.
I LOVE
EVERYTHING IS ON SALE.
I LOVE THAT
EVERYTHING IS ON SALE.
I LOVE THAT CROSS.
I LOVE THAT CROSS.
I LOVE THAT CROSS.
AND
I LOVE THAT CROSS.
AND MY
I LOVE THAT CROSS.
AND MY DIAMOND
I LOVE THAT CROSS.
AND MY DIAMOND STORY
AND MY DIAMOND STORY
AND MY DIAMOND STORY
LAST
AND MY DIAMOND STORY
LAST TIME.
LAST TIME.
LAST TIME.
--
LAST TIME.
-- ARE
LAST TIME.
-- ARE YOU
LAST TIME.
-- ARE YOU READY
LAST TIME.
-- ARE YOU READY TO
LAST TIME.
-- ARE YOU READY TO TO
-- ARE YOU READY TO TO
-- ARE YOU READY TO TO
GO?
GO?
GO?
>>
GO?
>> Guest:
GO?
>> Guest: FANCY
GO?
>> Guest: FANCY COLORED
>> Guest: FANCY COLORED
>> Guest: FANCY COLORED
DIAMONDS,
>> Guest: FANCY COLORED
DIAMONDS, LET'S
>> Guest: FANCY COLORED
DIAMONDS, LET'S GO.
DIAMONDS, LET'S GO.
DIAMONDS, LET'S GO.
>>
DIAMONDS, LET'S GO.
>> Host:
DIAMONDS, LET'S GO.
>> Host: THESE
DIAMONDS, LET'S GO.
>> Host: THESE ARE
DIAMONDS, LET'S GO.
>> Host: THESE ARE GREAT
>> Host: THESE ARE GREAT
>> Host: THESE ARE GREAT
DIAMOND
>> Host: THESE ARE GREAT
DIAMOND RING.
DIAMOND RING.
DIAMOND RING.
AND
DIAMOND RING.
AND THESE
DIAMOND RING.
AND THESE ARE
DIAMOND RING.
AND THESE ARE A
DIAMOND RING.
AND THESE ARE A FALL
AND THESE ARE A FALL
AND THESE ARE A FALL
PRICE.
PRICE.
PRICE.
THIS
PRICE.
THIS IS
PRICE.
THIS IS GOING
PRICE.
THIS IS GOING TO
PRICE.
THIS IS GOING TO BLOW
THIS IS GOING TO BLOW
THIS IS GOING TO BLOW
YOUR
THIS IS GOING TO BLOW
YOUR MIND,
THIS IS GOING TO BLOW
YOUR MIND, RIGHT?
YOUR MIND, RIGHT?
YOUR MIND, RIGHT?
THIS
YOUR MIND, RIGHT?
THIS IS
YOUR MIND, RIGHT?
THIS IS OUR
YOUR MIND, RIGHT?
THIS IS OUR 10
YOUR MIND, RIGHT?
THIS IS OUR 10 POINT
THIS IS OUR 10 POINT
THIS IS OUR 10 POINT
COLORED
THIS IS OUR 10 POINT
COLORED DIAMOND
THIS IS OUR 10 POINT
COLORED DIAMOND CLUSTER
COLORED DIAMOND CLUSTER
COLORED DIAMOND CLUSTER
STACKABLE
COLORED DIAMOND CLUSTER
STACKABLE RING.
STACKABLE RING.
STACKABLE RING.
$39.90.
$39.90.
$39.90.
REAL
$39.90.
REAL DIAMONDS.
REAL DIAMONDS.
REAL DIAMONDS.
CHAMPAGNE,
REAL DIAMONDS.
CHAMPAGNE, GREEN,
REAL DIAMONDS.
CHAMPAGNE, GREEN, BLACK,
CHAMPAGNE, GREEN, BLACK,
CHAMPAGNE, GREEN, BLACK,
YELLOW,
CHAMPAGNE, GREEN, BLACK,
YELLOW, 5-10
CHAMPAGNE, GREEN, BLACK,
YELLOW, 5-10 IN
CHAMPAGNE, GREEN, BLACK,
YELLOW, 5-10 IN TERMS
CHAMPAGNE, GREEN, BLACK,
YELLOW, 5-10 IN TERMS OF
YELLOW, 5-10 IN TERMS OF
YELLOW, 5-10 IN TERMS OF
SIZES.
SIZES.
SIZES.
WHERE
SIZES.
WHERE COULD
SIZES.
WHERE COULD YOU
SIZES.
WHERE COULD YOU GO
SIZES.
WHERE COULD YOU GO IN
WHERE COULD YOU GO IN
WHERE COULD YOU GO IN
THE
WHERE COULD YOU GO IN
THE WORLD
WHERE COULD YOU GO IN
THE WORLD AND
WHERE COULD YOU GO IN
THE WORLD AND GET
WHERE COULD YOU GO IN
THE WORLD AND GET A
THE WORLD AND GET A
THE WORLD AND GET A
GENUINE
THE WORLD AND GET A
GENUINE DIAMOND
THE WORLD AND GET A
GENUINE DIAMOND RING
THE WORLD AND GET A
GENUINE DIAMOND RING ALL
GENUINE DIAMOND RING ALL
GENUINE DIAMOND RING ALL
PAVE
GENUINE DIAMOND RING ALL
PAVE SET
GENUINE DIAMOND RING ALL
PAVE SET FOR
GENUINE DIAMOND RING ALL
PAVE SET FOR THE
GENUINE DIAMOND RING ALL
PAVE SET FOR THE PRICE
PAVE SET FOR THE PRICE
PAVE SET FOR THE PRICE
OF
PAVE SET FOR THE PRICE
OF A
PAVE SET FOR THE PRICE
OF A BALANCE
PAVE SET FOR THE PRICE
OF A BALANCE FASHION
OF A BALANCE FASHION
OF A BALANCE FASHION
JEWELRY
OF A BALANCE FASHION
JEWELRY PIECE.
JEWELRY PIECE.
JEWELRY PIECE.
ON
JEWELRY PIECE.
ON FLEX,
JEWELRY PIECE.
ON FLEX, IT'S
JEWELRY PIECE.
ON FLEX, IT'S $7.98.
ON FLEX, IT'S $7.98.
ON FLEX, IT'S $7.98.
AND
ON FLEX, IT'S $7.98.
AND THEY'RE
ON FLEX, IT'S $7.98.
AND THEY'RE GENUINE
AND THEY'RE GENUINE
AND THEY'RE GENUINE
DIAMONDS.
DIAMONDS.
DIAMONDS.
>>
DIAMONDS.
>> Guest:
DIAMONDS.
>> Guest: WE
DIAMONDS.
>> Guest: WE ALL
DIAMONDS.
>> Guest: WE ALL LOVE
>> Guest: WE ALL LOVE
>> Guest: WE ALL LOVE
STACKABLES.
STACKABLES.
STACKABLES.
BUT
STACKABLES.
BUT WHEN
STACKABLES.
BUT WHEN YOU
STACKABLES.
BUT WHEN YOU TALK
STACKABLES.
BUT WHEN YOU TALK FINE
BUT WHEN YOU TALK FINE
BUT WHEN YOU TALK FINE
JEWELRY,
BUT WHEN YOU TALK FINE
JEWELRY, IF
BUT WHEN YOU TALK FINE
JEWELRY, IF YOU'RE
BUT WHEN YOU TALK FINE
JEWELRY, IF YOU'RE LIKE
JEWELRY, IF YOU'RE LIKE
JEWELRY, IF YOU'RE LIKE
ME,
JEWELRY, IF YOU'RE LIKE
ME, WE
JEWELRY, IF YOU'RE LIKE
ME, WE GET
JEWELRY, IF YOU'RE LIKE
ME, WE GET ONE
JEWELRY, IF YOU'RE LIKE
ME, WE GET ONE FOR
JEWELRY, IF YOU'RE LIKE
ME, WE GET ONE FOR OUR
ME, WE GET ONE FOR OUR
ME, WE GET ONE FOR OUR
BIRTHDAY,
ME, WE GET ONE FOR OUR
BIRTHDAY, ONE
ME, WE GET ONE FOR OUR
BIRTHDAY, ONE FOR
ME, WE GET ONE FOR OUR
BIRTHDAY, ONE FOR THE
BIRTHDAY, ONE FOR THE
BIRTHDAY, ONE FOR THE
HOLIDAY
BIRTHDAY, ONE FOR THE
HOLIDAY AND
BIRTHDAY, ONE FOR THE
HOLIDAY AND YOU
BIRTHDAY, ONE FOR THE
HOLIDAY AND YOU START
HOLIDAY AND YOU START
HOLIDAY AND YOU START
COLLECTING.
COLLECTING.
COLLECTING.
YOU
COLLECTING.
YOU CAN
COLLECTING.
YOU CAN GET
COLLECTING.
YOU CAN GET THEM
COLLECTING.
YOU CAN GET THEM ALL
YOU CAN GET THEM ALL
YOU CAN GET THEM ALL
TONIGHT.
TONIGHT.
TONIGHT.
I
TONIGHT.
I RARELY
TONIGHT.
I RARELY STACK
TONIGHT.
I RARELY STACK FOUR,
TONIGHT.
I RARELY STACK FOUR, BUT
I RARELY STACK FOUR, BUT
I RARELY STACK FOUR, BUT
I
I RARELY STACK FOUR, BUT
I PUT
I RARELY STACK FOUR, BUT
I PUT FOUR
I RARELY STACK FOUR, BUT
I PUT FOUR ON
I RARELY STACK FOUR, BUT
I PUT FOUR ON BECAUSE
I PUT FOUR ON BECAUSE
I PUT FOUR ON BECAUSE
YOU
I PUT FOUR ON BECAUSE
YOU CAN.
YOU CAN.
YOU CAN.
SO
YOU CAN.
SO WHETHER
YOU CAN.
SO WHETHER YOU'RE
YOU CAN.
SO WHETHER YOU'RE A
YOU CAN.
SO WHETHER YOU'RE A TWO
SO WHETHER YOU'RE A TWO
SO WHETHER YOU'RE A TWO
STACKABLE
SO WHETHER YOU'RE A TWO
STACKABLE WOMAN,
SO WHETHER YOU'RE A TWO
STACKABLE WOMAN, ON
STACKABLE WOMAN, ON
STACKABLE WOMAN, ON
THREE
STACKABLE WOMAN, ON
THREE STACKABLE,
STACKABLE WOMAN, ON
THREE STACKABLE, OR
THREE STACKABLE, OR
THREE STACKABLE, OR
FOUR,
THREE STACKABLE, OR
FOUR, THIS
THREE STACKABLE, OR
FOUR, THIS IS
THREE STACKABLE, OR
FOUR, THIS IS POSSIBLE.
FOUR, THIS IS POSSIBLE.
FOUR, THIS IS POSSIBLE.
OF
FOUR, THIS IS POSSIBLE.
OF GENUINE
FOUR, THIS IS POSSIBLE.
OF GENUINE DIAMONDS.
OF GENUINE DIAMONDS.
OF GENUINE DIAMONDS.
UNHEARD
OF GENUINE DIAMONDS.
UNHEARD OF
OF GENUINE DIAMONDS.
UNHEARD OF TO
OF GENUINE DIAMONDS.
UNHEARD OF TO BE
OF GENUINE DIAMONDS.
UNHEARD OF TO BE ABLE
OF GENUINE DIAMONDS.
UNHEARD OF TO BE ABLE --
UNHEARD OF TO BE ABLE --
UNHEARD OF TO BE ABLE --
JUST,
UNHEARD OF TO BE ABLE --
JUST, I
UNHEARD OF TO BE ABLE --
JUST, I MEAN
UNHEARD OF TO BE ABLE --
JUST, I MEAN --
JUST, I MEAN --
JUST, I MEAN --
>>
JUST, I MEAN --
>> Host:
JUST, I MEAN --
>> Host: AND
JUST, I MEAN --
>> Host: AND YOU
JUST, I MEAN --
>> Host: AND YOU CAN
JUST, I MEAN --
>> Host: AND YOU CAN SEE
>> Host: AND YOU CAN SEE
>> Host: AND YOU CAN SEE
THE
>> Host: AND YOU CAN SEE
THE COLORS.
THE COLORS.
THE COLORS.
YOU
THE COLORS.
YOU WOULD
THE COLORS.
YOU WOULD THINK
THE COLORS.
YOU WOULD THINK FOR
YOU WOULD THINK FOR
YOU WOULD THINK FOR
$39.90,
YOU WOULD THINK FOR
$39.90, IT
YOU WOULD THINK FOR
$39.90, IT WOULD
YOU WOULD THINK FOR
$39.90, IT WOULD BE
YOU WOULD THINK FOR
$39.90, IT WOULD BE THE
$39.90, IT WOULD BE THE
$39.90, IT WOULD BE THE
BLURRY
$39.90, IT WOULD BE THE
BLURRY HOT
$39.90, IT WOULD BE THE
BLURRY HOT MESS.
BLURRY HOT MESS.
BLURRY HOT MESS.
LOOK
BLURRY HOT MESS.
LOOK AT
BLURRY HOT MESS.
LOOK AT THE
BLURRY HOT MESS.
LOOK AT THE SPARKLE,
LOOK AT THE SPARKLE,
LOOK AT THE SPARKLE,
FACETTED.
FACETTED.
FACETTED.
THOSE
FACETTED.
THOSE ARE
FACETTED.
THOSE ARE ALL
FACETTED.
THOSE ARE ALL PAVE
FACETTED.
THOSE ARE ALL PAVE SET.
THOSE ARE ALL PAVE SET.
THOSE ARE ALL PAVE SET.
IT'S
THOSE ARE ALL PAVE SET.
IT'S THAT
THOSE ARE ALL PAVE SET.
IT'S THAT TIME
THOSE ARE ALL PAVE SET.
IT'S THAT TIME OF
THOSE ARE ALL PAVE SET.
IT'S THAT TIME OF YEAR,
IT'S THAT TIME OF YEAR,
IT'S THAT TIME OF YEAR,
NOT
IT'S THAT TIME OF YEAR,
NOT YET,
IT'S THAT TIME OF YEAR,
NOT YET, BUT
IT'S THAT TIME OF YEAR,
NOT YET, BUT EVENTUALLY
NOT YET, BUT EVENTUALLY
NOT YET, BUT EVENTUALLY
YOU
NOT YET, BUT EVENTUALLY
YOU WEAR
NOT YET, BUT EVENTUALLY
YOU WEAR GLOVES,
NOT YET, BUT EVENTUALLY
YOU WEAR GLOVES, WORK
NOT YET, BUT EVENTUALLY
YOU WEAR GLOVES, WORK AT
YOU WEAR GLOVES, WORK AT
YOU WEAR GLOVES, WORK AT
NURSING
YOU WEAR GLOVES, WORK AT
NURSING OR
YOU WEAR GLOVES, WORK AT
NURSING OR SOMETHING
NURSING OR SOMETHING
NURSING OR SOMETHING
LIKE
NURSING OR SOMETHING
LIKE THAT,
NURSING OR SOMETHING
LIKE THAT, YOU
NURSING OR SOMETHING
LIKE THAT, YOU CAN
LIKE THAT, YOU CAN
LIKE THAT, YOU CAN
EASILY
LIKE THAT, YOU CAN
EASILY WEAR
LIKE THAT, YOU CAN
EASILY WEAR THIS
LIKE THAT, YOU CAN
EASILY WEAR THIS RING
LIKE THAT, YOU CAN
EASILY WEAR THIS RING IF
EASILY WEAR THIS RING IF
EASILY WEAR THIS RING IF
YOU
EASILY WEAR THIS RING IF
YOU WORK
EASILY WEAR THIS RING IF
YOU WORK WITH
EASILY WEAR THIS RING IF
YOU WORK WITH KIDS.
YOU WORK WITH KIDS.
YOU WORK WITH KIDS.
YOU
YOU WORK WITH KIDS.
YOU DON'T
YOU WORK WITH KIDS.
YOU DON'T HAVE
YOU WORK WITH KIDS.
YOU DON'T HAVE TO
YOU WORK WITH KIDS.
YOU DON'T HAVE TO WORRY
YOU DON'T HAVE TO WORRY
YOU DON'T HAVE TO WORRY
ABOUT
YOU DON'T HAVE TO WORRY
ABOUT A
YOU DON'T HAVE TO WORRY
ABOUT A HIGH
YOU DON'T HAVE TO WORRY
ABOUT A HIGH PRONG
ABOUT A HIGH PRONG
ABOUT A HIGH PRONG
DIAMOND
ABOUT A HIGH PRONG
DIAMOND PIECE,
ABOUT A HIGH PRONG
DIAMOND PIECE, BUT
ABOUT A HIGH PRONG
DIAMOND PIECE, BUT IT
DIAMOND PIECE, BUT IT
DIAMOND PIECE, BUT IT
HAS
DIAMOND PIECE, BUT IT
HAS A
DIAMOND PIECE, BUT IT
HAS A LOT
DIAMOND PIECE, BUT IT
HAS A LOT OF
DIAMOND PIECE, BUT IT
HAS A LOT OF POW.
HAS A LOT OF POW.
HAS A LOT OF POW.
>>
HAS A LOT OF POW.
>> Guest:
HAS A LOT OF POW.
>> Guest: WE
HAS A LOT OF POW.
>> Guest: WE CALL
HAS A LOT OF POW.
>> Guest: WE CALL THAT
>> Guest: WE CALL THAT
>> Guest: WE CALL THAT
--
>> Guest: WE CALL THAT
-- LOOK
>> Guest: WE CALL THAT
-- LOOK AT
>> Guest: WE CALL THAT
-- LOOK AT THAT
>> Guest: WE CALL THAT
-- LOOK AT THAT YELLOW.
-- LOOK AT THAT YELLOW.
-- LOOK AT THAT YELLOW.
I
-- LOOK AT THAT YELLOW.
I RARELY
-- LOOK AT THAT YELLOW.
I RARELY HAVE
-- LOOK AT THAT YELLOW.
I RARELY HAVE YELLOW
I RARELY HAVE YELLOW
I RARELY HAVE YELLOW
DIAMONDS.
DIAMONDS.
DIAMONDS.
THAT'S
DIAMONDS.
THAT'S YOUR,
DIAMONDS.
THAT'S YOUR, MOST
THAT'S YOUR, MOST
THAT'S YOUR, MOST
POPULAR,
THAT'S YOUR, MOST
POPULAR, THE
THAT'S YOUR, MOST
POPULAR, THE ALL
THAT'S YOUR, MOST
POPULAR, THE ALL THE
POPULAR, THE ALL THE
POPULAR, THE ALL THE
TRUE
POPULAR, THE ALL THE
TRUE WOMEN
POPULAR, THE ALL THE
TRUE WOMEN WHO
POPULAR, THE ALL THE
TRUE WOMEN WHO WANT
POPULAR, THE ALL THE
TRUE WOMEN WHO WANT TO
TRUE WOMEN WHO WANT TO
TRUE WOMEN WHO WANT TO
GET
TRUE WOMEN WHO WANT TO
GET IN
TRUE WOMEN WHO WANT TO
GET IN TOUCH
TRUE WOMEN WHO WANT TO
GET IN TOUCH WITH
GET IN TOUCH WITH
GET IN TOUCH WITH
ROYALTY,
GET IN TOUCH WITH
ROYALTY, THERE'S
GET IN TOUCH WITH
ROYALTY, THERE'S THE
ROYALTY, THERE'S THE
ROYALTY, THERE'S THE
BLUE.
BLUE.
BLUE.
AND
BLUE.
AND THE
BLUE.
AND THE YELLOW
BLUE.
AND THE YELLOW AND
AND THE YELLOW AND
AND THE YELLOW AND
CHAMPAGNE,
AND THE YELLOW AND
CHAMPAGNE, AND
AND THE YELLOW AND
CHAMPAGNE, AND CLASSIC
CHAMPAGNE, AND CLASSIC
CHAMPAGNE, AND CLASSIC
BLACK.
BLACK.
BLACK.
>>
BLACK.
>> Host:
BLACK.
>> Host: AND
BLACK.
>> Host: AND YOU'RE
>> Host: AND YOU'RE
>> Host: AND YOU'RE
RIGHT,
>> Host: AND YOU'RE
RIGHT, WE
>> Host: AND YOU'RE
RIGHT, WE DON'T
>> Host: AND YOU'RE
RIGHT, WE DON'T OFFER
RIGHT, WE DON'T OFFER
RIGHT, WE DON'T OFFER
THE
RIGHT, WE DON'T OFFER
THE YELLOW
RIGHT, WE DON'T OFFER
THE YELLOW VERY
RIGHT, WE DON'T OFFER
THE YELLOW VERY OFTEN.
THE YELLOW VERY OFTEN.
THE YELLOW VERY OFTEN.
THAT'S
THE YELLOW VERY OFTEN.
THAT'S EXQUISITE.
THAT'S EXQUISITE.
THAT'S EXQUISITE.
THAT
THAT'S EXQUISITE.
THAT COOL,
THAT'S EXQUISITE.
THAT COOL, COOL
THAT COOL, COOL
THAT COOL, COOL
BRACELET'S
THAT COOL, COOL
BRACELET'S COMING
THAT COOL, COOL
BRACELET'S COMING UP,
BRACELET'S COMING UP,
BRACELET'S COMING UP,
WHICH
BRACELET'S COMING UP,
WHICH I
BRACELET'S COMING UP,
WHICH I THINK
BRACELET'S COMING UP,
WHICH I THINK IS
BRACELET'S COMING UP,
WHICH I THINK IS SO
WHICH I THINK IS SO
WHICH I THINK IS SO
UPDATED
WHICH I THINK IS SO
UPDATED FOR
WHICH I THINK IS SO
UPDATED FOR DIAMONDS.
UPDATED FOR DIAMONDS.
UPDATED FOR DIAMONDS.
AND
UPDATED FOR DIAMONDS.
AND STAY
UPDATED FOR DIAMONDS.
AND STAY WITH
UPDATED FOR DIAMONDS.
AND STAY WITH US.
AND STAY WITH US.
AND STAY WITH US.
YOU
AND STAY WITH US.
YOU WILL
AND STAY WITH US.
YOU WILL BE
AND STAY WITH US.
YOU WILL BE SHOCKED
AND STAY WITH US.
YOU WILL BE SHOCKED AT
YOU WILL BE SHOCKED AT
YOU WILL BE SHOCKED AT
THE
YOU WILL BE SHOCKED AT
THE PRICES
YOU WILL BE SHOCKED AT
THE PRICES TONIGHT.
THE PRICES TONIGHT.
THE PRICES TONIGHT.
WHEN
THE PRICES TONIGHT.
WHEN I
THE PRICES TONIGHT.
WHEN I WAS
THE PRICES TONIGHT.
WHEN I WAS GOING
THE PRICES TONIGHT.
WHEN I WAS GOING THROUGH
WHEN I WAS GOING THROUGH
WHEN I WAS GOING THROUGH
THE
WHEN I WAS GOING THROUGH
THE SHOW,
WHEN I WAS GOING THROUGH
THE SHOW, IT
WHEN I WAS GOING THROUGH
THE SHOW, IT WAS
WHEN I WAS GOING THROUGH
THE SHOW, IT WAS LIKE
WHEN I WAS GOING THROUGH
THE SHOW, IT WAS LIKE MY
THE SHOW, IT WAS LIKE MY
THE SHOW, IT WAS LIKE MY
GOODNESS,
THE SHOW, IT WAS LIKE MY
GOODNESS, IT
THE SHOW, IT WAS LIKE MY
GOODNESS, IT IS
THE SHOW, IT WAS LIKE MY
GOODNESS, IT IS GOOD,
GOODNESS, IT IS GOOD,
GOODNESS, IT IS GOOD,
AND
GOODNESS, IT IS GOOD,
AND GREAT
GOODNESS, IT IS GOOD,
AND GREAT DIAMONDS.
AND GREAT DIAMONDS.
AND GREAT DIAMONDS.
SO
AND GREAT DIAMONDS.
SO YOU
AND GREAT DIAMONDS.
SO YOU HAVE
AND GREAT DIAMONDS.
SO YOU HAVE SIZES
AND GREAT DIAMONDS.
SO YOU HAVE SIZES IN
SO YOU HAVE SIZES IN
SO YOU HAVE SIZES IN
TERMS
SO YOU HAVE SIZES IN
TERMS OF
SO YOU HAVE SIZES IN
TERMS OF THIS
SO YOU HAVE SIZES IN
TERMS OF THIS ONE,
SO YOU HAVE SIZES IN
TERMS OF THIS ONE, 5-10,
TERMS OF THIS ONE, 5-10,
TERMS OF THIS ONE, 5-10,
WE
TERMS OF THIS ONE, 5-10,
WE HAVE
TERMS OF THIS ONE, 5-10,
WE HAVE TWO
TERMS OF THIS ONE, 5-10,
WE HAVE TWO FlexPAYS
TERMS OF THIS ONE, 5-10,
WE HAVE TWO FlexPAYS ON
WE HAVE TWO FlexPAYS ON
WE HAVE TWO FlexPAYS ON
IT,
WE HAVE TWO FlexPAYS ON
IT, WHICH
WE HAVE TWO FlexPAYS ON
IT, WHICH IS,
WE HAVE TWO FlexPAYS ON
IT, WHICH IS, NO,
WE HAVE TWO FlexPAYS ON
IT, WHICH IS, NO, FIVE.
IT, WHICH IS, NO, FIVE.
IT, WHICH IS, NO, FIVE.
THAT'S
IT, WHICH IS, NO, FIVE.
THAT'S SO
IT, WHICH IS, NO, FIVE.
THAT'S SO MUCH
IT, WHICH IS, NO, FIVE.
THAT'S SO MUCH FUN.
THAT'S SO MUCH FUN.
THAT'S SO MUCH FUN.
MY
THAT'S SO MUCH FUN.
MY CART
THAT'S SO MUCH FUN.
MY CART ONLY
THAT'S SO MUCH FUN.
MY CART ONLY HAD
THAT'S SO MUCH FUN.
MY CART ONLY HAD TWO.
MY CART ONLY HAD TWO.
MY CART ONLY HAD TWO.
FIVE
MY CART ONLY HAD TWO.
FIVE FlexPAYS.
FIVE FlexPAYS.
FIVE FlexPAYS.
THE
FIVE FlexPAYS.
THE FlexPAY
FIVE FlexPAYS.
THE FlexPAY FAIRIES
FIVE FlexPAYS.
THE FlexPAY FAIRIES HAVE
THE FlexPAY FAIRIES HAVE
THE FlexPAY FAIRIES HAVE
BEEN
THE FlexPAY FAIRIES HAVE
BEEN BUSY.
BEEN BUSY.
BEEN BUSY.
BUT
BEEN BUSY.
BUT LOOK
BEEN BUSY.
BUT LOOK HOW
BEEN BUSY.
BUT LOOK HOW PRETTY
BEEN BUSY.
BUT LOOK HOW PRETTY THAT
BUT LOOK HOW PRETTY THAT
BUT LOOK HOW PRETTY THAT
IS.
IS.
IS.
AND
IS.
AND IT'S
IS.
AND IT'S SHOCKING,
AND IT'S SHOCKING,
AND IT'S SHOCKING,
CUSTOMER
AND IT'S SHOCKING,
CUSTOMER PICK,
AND IT'S SHOCKING,
CUSTOMER PICK, 4.9
CUSTOMER PICK, 4.9
CUSTOMER PICK, 4.9
STARS,
CUSTOMER PICK, 4.9
STARS, AND
CUSTOMER PICK, 4.9
STARS, AND A
CUSTOMER PICK, 4.9
STARS, AND A REALLY
CUSTOMER PICK, 4.9
STARS, AND A REALLY VERY
STARS, AND A REALLY VERY
STARS, AND A REALLY VERY
BIG
STARS, AND A REALLY VERY
BIG DIAMOND
STARS, AND A REALLY VERY
BIG DIAMOND LOOK.
BIG DIAMOND LOOK.
BIG DIAMOND LOOK.
>>
BIG DIAMOND LOOK.
>> Guest:
BIG DIAMOND LOOK.
>> Guest: AND
BIG DIAMOND LOOK.
>> Guest: AND IT'S
BIG DIAMOND LOOK.
>> Guest: AND IT'S BEGIN
>> Guest: AND IT'S BEGIN
>> Guest: AND IT'S BEGIN
WITHIN,
>> Guest: AND IT'S BEGIN
WITHIN, IT'S
>> Guest: AND IT'S BEGIN
WITHIN, IT'S REAL.
WITHIN, IT'S REAL.
WITHIN, IT'S REAL.
WE'RE
WITHIN, IT'S REAL.
WE'RE TALKING
WITHIN, IT'S REAL.
WE'RE TALKING ABOUT
WE'RE TALKING ABOUT
WE'RE TALKING ABOUT
SOMETHING
WE'RE TALKING ABOUT
SOMETHING FORMED
WE'RE TALKING ABOUT
SOMETHING FORMED OVER
SOMETHING FORMED OVER
SOMETHING FORMED OVER
BILLION
SOMETHING FORMED OVER
BILLION OF
SOMETHING FORMED OVER
BILLION OF YEARS.
BILLION OF YEARS.
BILLION OF YEARS.
THINK
BILLION OF YEARS.
THINK ABOUT
BILLION OF YEARS.
THINK ABOUT THAT.
THINK ABOUT THAT.
THINK ABOUT THAT.
YOU
THINK ABOUT THAT.
YOU LOOK
THINK ABOUT THAT.
YOU LOOK AT
THINK ABOUT THAT.
YOU LOOK AT THE
THINK ABOUT THAT.
YOU LOOK AT THE PRICE,
YOU LOOK AT THE PRICE,
YOU LOOK AT THE PRICE,
YOU
YOU LOOK AT THE PRICE,
YOU THINK,
YOU LOOK AT THE PRICE,
YOU THINK, NO,
YOU LOOK AT THE PRICE,
YOU THINK, NO, NO,
YOU THINK, NO, NO,
YOU THINK, NO, NO,
THEY'RE
YOU THINK, NO, NO,
THEY'RE REAL.
THEY'RE REAL.
THEY'RE REAL.
>>
THEY'RE REAL.
>> Host:
THEY'RE REAL.
>> Host: WHAT
THEY'RE REAL.
>> Host: WHAT A
THEY'RE REAL.
>> Host: WHAT A GOOD
>> Host: WHAT A GOOD
>> Host: WHAT A GOOD
WEIGH
>> Host: WHAT A GOOD
WEIGH TO
>> Host: WHAT A GOOD
WEIGH TO START
>> Host: WHAT A GOOD
WEIGH TO START --
>> Host: WHAT A GOOD
WEIGH TO START -- WAY
>> Host: WHAT A GOOD
WEIGH TO START -- WAY TO
WEIGH TO START -- WAY TO
WEIGH TO START -- WAY TO
START
WEIGH TO START -- WAY TO
START OFF
WEIGH TO START -- WAY TO
START OFF THE
WEIGH TO START -- WAY TO
START OFF THE COLORS
WEIGH TO START -- WAY TO
START OFF THE COLORS OF
START OFF THE COLORS OF
START OFF THE COLORS OF
DIAMONDS
START OFF THE COLORS OF
DIAMONDS SHOW.
DIAMONDS SHOW.
DIAMONDS SHOW.
YOU
DIAMONDS SHOW.
YOU CAN
DIAMONDS SHOW.
YOU CAN ORDER
DIAMONDS SHOW.
YOU CAN ORDER QUICKER
DIAMONDS SHOW.
YOU CAN ORDER QUICKER IF
YOU CAN ORDER QUICKER IF
YOU CAN ORDER QUICKER IF
YOU
YOU CAN ORDER QUICKER IF
YOU GO
YOU CAN ORDER QUICKER IF
YOU GO ONLINE.
YOU GO ONLINE.
YOU GO ONLINE.
BUT
YOU GO ONLINE.
BUT IMAGINE
YOU GO ONLINE.
BUT IMAGINE GETTING
YOU GO ONLINE.
BUT IMAGINE GETTING ONE
BUT IMAGINE GETTING ONE
BUT IMAGINE GETTING ONE
FOR
BUT IMAGINE GETTING ONE
FOR SOMEBODY
BUT IMAGINE GETTING ONE
FOR SOMEBODY FOR
BUT IMAGINE GETTING ONE
FOR SOMEBODY FOR THEIR
FOR SOMEBODY FOR THEIR
FOR SOMEBODY FOR THEIR
BIRTHDAY.
BIRTHDAY.
BIRTHDAY.
A
BIRTHDAY.
A YOUNG
BIRTHDAY.
A YOUNG GAL
BIRTHDAY.
A YOUNG GAL OPENS
BIRTHDAY.
A YOUNG GAL OPENS THE
A YOUNG GAL OPENS THE
A YOUNG GAL OPENS THE
BOX,
A YOUNG GAL OPENS THE
BOX, AND
A YOUNG GAL OPENS THE
BOX, AND SHE
A YOUNG GAL OPENS THE
BOX, AND SHE GOES
A YOUNG GAL OPENS THE
BOX, AND SHE GOES YOU
BOX, AND SHE GOES YOU
BOX, AND SHE GOES YOU
GOT
BOX, AND SHE GOES YOU
GOT MY
BOX, AND SHE GOES YOU
GOT MY A
BOX, AND SHE GOES YOU
GOT MY A DIAMOND
BOX, AND SHE GOES YOU
GOT MY A DIAMOND RING?
GOT MY A DIAMOND RING?
GOT MY A DIAMOND RING?
THE
GOT MY A DIAMOND RING?
THE NEXT
GOT MY A DIAMOND RING?
THE NEXT THING,
GOT MY A DIAMOND RING?
THE NEXT THING, WE'RE
THE NEXT THING, WE'RE
THE NEXT THING, WE'RE
MOVING
THE NEXT THING, WE'RE
MOVING RIGHT
THE NEXT THING, WE'RE
MOVING RIGHT OW.
MOVING RIGHT OW.
MOVING RIGHT OW.
COMING
MOVING RIGHT OW.
COMING UP,
MOVING RIGHT OW.
COMING UP, THIS
MOVING RIGHT OW.
COMING UP, THIS IS
COMING UP, THIS IS
COMING UP, THIS IS
REALLY
COMING UP, THIS IS
REALLY COOL.
REALLY COOL.
REALLY COOL.
HARKENS
REALLY COOL.
HARKENS BACK
REALLY COOL.
HARKENS BACK TO
REALLY COOL.
HARKENS BACK TO A
HARKENS BACK TO A
HARKENS BACK TO A
POPULAR
HARKENS BACK TO A
POPULAR EARRING,
HARKENS BACK TO A
POPULAR EARRING, WHICH
POPULAR EARRING, WHICH
POPULAR EARRING, WHICH
IS
POPULAR EARRING, WHICH
IS THE
POPULAR EARRING, WHICH
IS THE DEKOW.
IS THE DEKOW.
IS THE DEKOW.
EVERY
IS THE DEKOW.
EVERY REVIEW
IS THE DEKOW.
EVERY REVIEW IS
IS THE DEKOW.
EVERY REVIEW IS FIVE
EVERY REVIEW IS FIVE
EVERY REVIEW IS FIVE
STAR.
STAR.
STAR.
AND
STAR.
AND GUESS
STAR.
AND GUESS WHAT,
STAR.
AND GUESS WHAT, THAT
STAR.
AND GUESS WHAT, THAT WAS
AND GUESS WHAT, THAT WAS
AND GUESS WHAT, THAT WAS
$150.
$150.
$150.
WE'RE
$150.
WE'RE AT
$150.
WE'RE AT $94.90.
WE'RE AT $94.90.
WE'RE AT $94.90.
AND
WE'RE AT $94.90.
AND EVERYTHING
WE'RE AT $94.90.
AND EVERYTHING HAS
WE'RE AT $94.90.
AND EVERYTHING HAS FIVE
AND EVERYTHING HAS FIVE
AND EVERYTHING HAS FIVE
FLEX,
AND EVERYTHING HAS FIVE
FLEX, WHICH
AND EVERYTHING HAS FIVE
FLEX, WHICH IS
AND EVERYTHING HAS FIVE
FLEX, WHICH IS EXCITING
FLEX, WHICH IS EXCITING
FLEX, WHICH IS EXCITING
BECAUSE
FLEX, WHICH IS EXCITING
BECAUSE I
FLEX, WHICH IS EXCITING
BECAUSE I DIDN'T
FLEX, WHICH IS EXCITING
BECAUSE I DIDN'T KNOW
BECAUSE I DIDN'T KNOW
BECAUSE I DIDN'T KNOW
THAT
BECAUSE I DIDN'T KNOW
THAT UNTIL
BECAUSE I DIDN'T KNOW
THAT UNTIL THIS
BECAUSE I DIDN'T KNOW
THAT UNTIL THIS SECOND.
THAT UNTIL THIS SECOND.
THAT UNTIL THIS SECOND.
ONE
THAT UNTIL THIS SECOND.
ONE MORE
THAT UNTIL THIS SECOND.
ONE MORE THING,
THAT UNTIL THIS SECOND.
ONE MORE THING, RIGHT
ONE MORE THING, RIGHT
ONE MORE THING, RIGHT
HERE,
ONE MORE THING, RIGHT
HERE, THIS
ONE MORE THING, RIGHT
HERE, THIS IS
ONE MORE THING, RIGHT
HERE, THIS IS SO
HERE, THIS IS SO
HERE, THIS IS SO
ELEGANT,
HERE, THIS IS SO
ELEGANT, IT'S
HERE, THIS IS SO
ELEGANT, IT'S A
HERE, THIS IS SO
ELEGANT, IT'S A GREAT
ELEGANT, IT'S A GREAT
ELEGANT, IT'S A GREAT
ALTERNATIVE
ELEGANT, IT'S A GREAT
ALTERNATIVE FOR
ELEGANT, IT'S A GREAT
ALTERNATIVE FOR A
ALTERNATIVE FOR A
ALTERNATIVE FOR A
WEDDING
ALTERNATIVE FOR A
WEDDING BAND.
WEDDING BAND.
WEDDING BAND.
>>
WEDDING BAND.
>> Guest:
WEDDING BAND.
>> Guest: WE
WEDDING BAND.
>> Guest: WE LOVE
WEDDING BAND.
>> Guest: WE LOVE BANDS
>> Guest: WE LOVE BANDS
>> Guest: WE LOVE BANDS
FOR
>> Guest: WE LOVE BANDS
FOR EVERY
>> Guest: WE LOVE BANDS
FOR EVERY DAY.
FOR EVERY DAY.
FOR EVERY DAY.
IT'S
FOR EVERY DAY.
IT'S THE
FOR EVERY DAY.
IT'S THE GO-TO
FOR EVERY DAY.
IT'S THE GO-TO CHOICE.
IT'S THE GO-TO CHOICE.
IT'S THE GO-TO CHOICE.
>>
IT'S THE GO-TO CHOICE.
>> Host:
IT'S THE GO-TO CHOICE.
>> Host: 119,
IT'S THE GO-TO CHOICE.
>> Host: 119, IT'S
>> Host: 119, IT'S
>> Host: 119, IT'S
$59.90.
$59.90.
$59.90.
$59.90,
$59.90.
$59.90, ALL
$59.90.
$59.90, ALL DIAMONDS,
$59.90, ALL DIAMONDS,
$59.90, ALL DIAMONDS,
BEAUTIFUL,
$59.90, ALL DIAMONDS,
BEAUTIFUL, FIVE
$59.90, ALL DIAMONDS,
BEAUTIFUL, FIVE FlexPAYS
BEAUTIFUL, FIVE FlexPAYS
BEAUTIFUL, FIVE FlexPAYS
TONIGHT
BEAUTIFUL, FIVE FlexPAYS
TONIGHT ONLY,
BEAUTIFUL, FIVE FlexPAYS
TONIGHT ONLY, THAT
BEAUTIFUL, FIVE FlexPAYS
TONIGHT ONLY, THAT IS
TONIGHT ONLY, THAT IS
TONIGHT ONLY, THAT IS
SPECTACULAR.
SPECTACULAR.
SPECTACULAR.
NOBODY
SPECTACULAR.
NOBODY WOULD
SPECTACULAR.
NOBODY WOULD IMAGINE,
NOBODY WOULD IMAGINE,
NOBODY WOULD IMAGINE,
THIS
NOBODY WOULD IMAGINE,
THIS IS
NOBODY WOULD IMAGINE,
THIS IS A
NOBODY WOULD IMAGINE,
THIS IS A $60
NOBODY WOULD IMAGINE,
THIS IS A $60 RING.
THIS IS A $60 RING.
THIS IS A $60 RING.
AND
THIS IS A $60 RING.
AND THERE'S
THIS IS A $60 RING.
AND THERE'S NO
THIS IS A $60 RING.
AND THERE'S NO WAY.
AND THERE'S NO WAY.
AND THERE'S NO WAY.
>>
AND THERE'S NO WAY.
>> Guest:
AND THERE'S NO WAY.
>> Guest: IT'S
AND THERE'S NO WAY.
>> Guest: IT'S REALLY
>> Guest: IT'S REALLY
>> Guest: IT'S REALLY
NOT
>> Guest: IT'S REALLY
NOT A
>> Guest: IT'S REALLY
NOT A $60
>> Guest: IT'S REALLY
NOT A $60 RING.
NOT A $60 RING.
NOT A $60 RING.
>>
NOT A $60 RING.
>> Host:
NOT A $60 RING.
>> Host: $209
NOT A $60 RING.
>> Host: $209 REALLY.
>> Host: $209 REALLY.
>> Host: $209 REALLY.
LOOK
>> Host: $209 REALLY.
LOOK THOUSAND
>> Host: $209 REALLY.
LOOK THOUSAND PRETTY
LOOK THOUSAND PRETTY
LOOK THOUSAND PRETTY
THAT
LOOK THOUSAND PRETTY
THAT IS.
THAT IS.
THAT IS.
AND
THAT IS.
AND THAT'S
THAT IS.
AND THAT'S JUST
THAT IS.
AND THAT'S JUST THE
AND THAT'S JUST THE
AND THAT'S JUST THE
BEGINNING
AND THAT'S JUST THE
BEGINNING OF
AND THAT'S JUST THE
BEGINNING OF OUR,
AND THAT'S JUST THE
BEGINNING OF OUR, ABOUT
BEGINNING OF OUR, ABOUT
BEGINNING OF OUR, ABOUT
32
BEGINNING OF OUR, ABOUT
32 MINUTES
BEGINNING OF OUR, ABOUT
32 MINUTES WITH
BEGINNING OF OUR, ABOUT
32 MINUTES WITH DIANE,
32 MINUTES WITH DIANE,
32 MINUTES WITH DIANE,
THAT'S
32 MINUTES WITH DIANE,
THAT'S INCREDIBLE.
THAT'S INCREDIBLE.
THAT'S INCREDIBLE.
YOU
THAT'S INCREDIBLE.
YOU WANT
THAT'S INCREDIBLE.
YOU WANT TO
THAT'S INCREDIBLE.
YOU WANT TO MOVE
THAT'S INCREDIBLE.
YOU WANT TO MOVE ON?
YOU WANT TO MOVE ON?
YOU WANT TO MOVE ON?
WE
YOU WANT TO MOVE ON?
WE HAVE
YOU WANT TO MOVE ON?
WE HAVE A
YOU WANT TO MOVE ON?
WE HAVE A LOT
YOU WANT TO MOVE ON?
WE HAVE A LOT TO
YOU WANT TO MOVE ON?
WE HAVE A LOT TO GET
YOU WANT TO MOVE ON?
WE HAVE A LOT TO GET TO.
WE HAVE A LOT TO GET TO.
WE HAVE A LOT TO GET TO.
OUR
WE HAVE A LOT TO GET TO.
OUR NEXT
WE HAVE A LOT TO GET TO.
OUR NEXT ONE
WE HAVE A LOT TO GET TO.
OUR NEXT ONE UP
WE HAVE A LOT TO GET TO.
OUR NEXT ONE UP GOES
OUR NEXT ONE UP GOES
OUR NEXT ONE UP GOES
BACK
OUR NEXT ONE UP GOES
BACK TO
OUR NEXT ONE UP GOES
BACK TO THE
OUR NEXT ONE UP GOES
BACK TO THE FIRST
OUR NEXT ONE UP GOES
BACK TO THE FIRST ACCENT
BACK TO THE FIRST ACCENT
BACK TO THE FIRST ACCENT
WE
BACK TO THE FIRST ACCENT
WE TALKED
BACK TO THE FIRST ACCENT
WE TALKED ABOUT.
WE TALKED ABOUT.
WE TALKED ABOUT.
THIS
WE TALKED ABOUT.
THIS IS
WE TALKED ABOUT.
THIS IS 14
WE TALKED ABOUT.
THIS IS 14 POINTS
WE TALKED ABOUT.
THIS IS 14 POINTS OF
WE TALKED ABOUT.
THIS IS 14 POINTS OF THE
THIS IS 14 POINTS OF THE
THIS IS 14 POINTS OF THE
COLOR
THIS IS 14 POINTS OF THE
COLOR DIAMOND
THIS IS 14 POINTS OF THE
COLOR DIAMOND CLUSTER
COLOR DIAMOND CLUSTER
COLOR DIAMOND CLUSTER
STERLING
COLOR DIAMOND CLUSTER
STERLING SILVER
COLOR DIAMOND CLUSTER
STERLING SILVER STUD
STERLING SILVER STUD
STERLING SILVER STUD
EARRINGS.
EARRINGS.
EARRINGS.
THREE
EARRINGS.
THREE CHOICES,
EARRINGS.
THREE CHOICES, WE
EARRINGS.
THREE CHOICES, WE HAVE
THREE CHOICES, WE HAVE
THREE CHOICES, WE HAVE
THE
THREE CHOICES, WE HAVE
THE CHAMPAGNE,
THREE CHOICES, WE HAVE
THE CHAMPAGNE, WE
THREE CHOICES, WE HAVE
THE CHAMPAGNE, WE HAVE
THE CHAMPAGNE, WE HAVE
THE CHAMPAGNE, WE HAVE
THE
THE CHAMPAGNE, WE HAVE
THE BLACK,
THE CHAMPAGNE, WE HAVE
THE BLACK, AND
THE CHAMPAGNE, WE HAVE
THE BLACK, AND WE
THE CHAMPAGNE, WE HAVE
THE BLACK, AND WE HAVE
THE BLACK, AND WE HAVE
THE BLACK, AND WE HAVE
THE
THE BLACK, AND WE HAVE
THE YELLOW
THE BLACK, AND WE HAVE
THE YELLOW DIAMONDS
THE YELLOW DIAMONDS
THE YELLOW DIAMONDS
RIGHT
THE YELLOW DIAMONDS
RIGHT HERE.
RIGHT HERE.
RIGHT HERE.
ONCE
RIGHT HERE.
ONCE AGAIN,
RIGHT HERE.
ONCE AGAIN, THIS
RIGHT HERE.
ONCE AGAIN, THIS IS
ONCE AGAIN, THIS IS
ONCE AGAIN, THIS IS
DIAMOND
ONCE AGAIN, THIS IS
DIAMOND HEAVEN.
DIAMOND HEAVEN.
DIAMOND HEAVEN.
>>
DIAMOND HEAVEN.
>> Guest:
DIAMOND HEAVEN.
>> Guest: PEOPLE
DIAMOND HEAVEN.
>> Guest: PEOPLE ARE
>> Guest: PEOPLE ARE
>> Guest: PEOPLE ARE
HAPPY
>> Guest: PEOPLE ARE
HAPPY THEY
>> Guest: PEOPLE ARE
HAPPY THEY STAYED
>> Guest: PEOPLE ARE
HAPPY THEY STAYED UP.
HAPPY THEY STAYED UP.
HAPPY THEY STAYED UP.
>>
HAPPY THEY STAYED UP.
>> Host:
HAPPY THEY STAYED UP.
>> Host: THEY
HAPPY THEY STAYED UP.
>> Host: THEY ARE
HAPPY THEY STAYED UP.
>> Host: THEY ARE LIKE
>> Host: THEY ARE LIKE
>> Host: THEY ARE LIKE
WHAT?
WHAT?
WHAT?
THANK
WHAT?
THANK GOSH
WHAT?
THANK GOSH I
WHAT?
THANK GOSH I WAS
WHAT?
THANK GOSH I WAS ABOUT
THANK GOSH I WAS ABOUT
THANK GOSH I WAS ABOUT
TO
THANK GOSH I WAS ABOUT
TO GO
THANK GOSH I WAS ABOUT
TO GO TO
THANK GOSH I WAS ABOUT
TO GO TO BED.
TO GO TO BED.
TO GO TO BED.
$49.90.
$49.90.
$49.90.
CAN
$49.90.
CAN I
$49.90.
CAN I ASK
$49.90.
CAN I ASK YOU
$49.90.
CAN I ASK YOU A
CAN I ASK YOU A
CAN I ASK YOU A
QUESTION?
QUESTION?
QUESTION?
DON'T
QUESTION?
DON'T YOU
QUESTION?
DON'T YOU THINK
QUESTION?
DON'T YOU THINK FOR
QUESTION?
DON'T YOU THINK FOR A
DON'T YOU THINK FOR A
DON'T YOU THINK FOR A
YOUNGER
DON'T YOU THINK FOR A
YOUNGER GAL,
DON'T YOU THINK FOR A
YOUNGER GAL, THIS
DON'T YOU THINK FOR A
YOUNGER GAL, THIS WOULD
YOUNGER GAL, THIS WOULD
YOUNGER GAL, THIS WOULD
BE
YOUNGER GAL, THIS WOULD
BE THE
YOUNGER GAL, THIS WOULD
BE THE MOST
YOUNGER GAL, THIS WOULD
BE THE MOST AMAZING
BE THE MOST AMAZING
BE THE MOST AMAZING
BIRTHDAY
BE THE MOST AMAZING
BIRTHDAY GIFT.
BIRTHDAY GIFT.
BIRTHDAY GIFT.
>>
BIRTHDAY GIFT.
>> Guest:
BIRTHDAY GIFT.
>> Guest: THE
BIRTHDAY GIFT.
>> Guest: THE MOST
>> Guest: THE MOST
>> Guest: THE MOST
AMAZING
>> Guest: THE MOST
AMAZING GIFT
>> Guest: THE MOST
AMAZING GIFT FOR
AMAZING GIFT FOR
AMAZING GIFT FOR
WHATEVER
AMAZING GIFT FOR
WHATEVER HOLIDAY
AMAZING GIFT FOR
WHATEVER HOLIDAY YOU'RE
WHATEVER HOLIDAY YOU'RE
WHATEVER HOLIDAY YOU'RE
THINKING
WHATEVER HOLIDAY YOU'RE
THINKING OF,
WHATEVER HOLIDAY YOU'RE
THINKING OF, BECAUSE
WHATEVER HOLIDAY YOU'RE
THINKING OF, BECAUSE OF
THINKING OF, BECAUSE OF
THINKING OF, BECAUSE OF
THE
THINKING OF, BECAUSE OF
THE OPPORTUNITY,
THINKING OF, BECAUSE OF
THE OPPORTUNITY, AND
THE OPPORTUNITY, AND
THE OPPORTUNITY, AND
YES,
THE OPPORTUNITY, AND
YES, I'VE
THE OPPORTUNITY, AND
YES, I'VE SAID
THE OPPORTUNITY, AND
YES, I'VE SAID THIS,
THE OPPORTUNITY, AND
YES, I'VE SAID THIS, I
YES, I'VE SAID THIS, I
YES, I'VE SAID THIS, I
THINK
YES, I'VE SAID THIS, I
THINK EVERY
YES, I'VE SAID THIS, I
THINK EVERY TIME
YES, I'VE SAID THIS, I
THINK EVERY TIME ON
YES, I'VE SAID THIS, I
THINK EVERY TIME ON AIR,
THINK EVERY TIME ON AIR,
THINK EVERY TIME ON AIR,
A
THINK EVERY TIME ON AIR,
A YOUNG
THINK EVERY TIME ON AIR,
A YOUNG WOMAN
THINK EVERY TIME ON AIR,
A YOUNG WOMAN SHOULDN'T
A YOUNG WOMAN SHOULDN'T
A YOUNG WOMAN SHOULDN'T
BE
A YOUNG WOMAN SHOULDN'T
BE WAITING
A YOUNG WOMAN SHOULDN'T
BE WAITING FOR
A YOUNG WOMAN SHOULDN'T
BE WAITING FOR A
A YOUNG WOMAN SHOULDN'T
BE WAITING FOR A DIAMOND
BE WAITING FOR A DIAMOND
BE WAITING FOR A DIAMOND
TO
BE WAITING FOR A DIAMOND
TO COME
BE WAITING FOR A DIAMOND
TO COME FOR
BE WAITING FOR A DIAMOND
TO COME FOR A
BE WAITING FOR A DIAMOND
TO COME FOR A MAN
TO COME FOR A MAN
TO COME FOR A MAN
ANYMORE.
ANYMORE.
ANYMORE.
SHE
ANYMORE.
SHE SHOULD
ANYMORE.
SHE SHOULD GET
ANYMORE.
SHE SHOULD GET IF
ANYMORE.
SHE SHOULD GET IF FROM
SHE SHOULD GET IF FROM
SHE SHOULD GET IF FROM
HER
SHE SHOULD GET IF FROM
HER MOM,
SHE SHOULD GET IF FROM
HER MOM, FAMILY,
SHE SHOULD GET IF FROM
HER MOM, FAMILY, SHE
HER MOM, FAMILY, SHE
HER MOM, FAMILY, SHE
WILL
HER MOM, FAMILY, SHE
WILL HAVE
HER MOM, FAMILY, SHE
WILL HAVE THESE
HER MOM, FAMILY, SHE
WILL HAVE THESE FOREVER.
WILL HAVE THESE FOREVER.
WILL HAVE THESE FOREVER.
WHAT
WILL HAVE THESE FOREVER.
WHAT CAN
WILL HAVE THESE FOREVER.
WHAT CAN YOU
WILL HAVE THESE FOREVER.
WHAT CAN YOU GET
WILL HAVE THESE FOREVER.
WHAT CAN YOU GET AS
WILL HAVE THESE FOREVER.
WHAT CAN YOU GET AS A
WHAT CAN YOU GET AS A
WHAT CAN YOU GET AS A
YOUNG
WHAT CAN YOU GET AS A
YOUNG GIRL
WHAT CAN YOU GET AS A
YOUNG GIRL YOU'LL
WHAT CAN YOU GET AS A
YOUNG GIRL YOU'LL LIKE
YOUNG GIRL YOU'LL LIKE
YOUNG GIRL YOU'LL LIKE
IN
YOUNG GIRL YOU'LL LIKE
IN YOUR
YOUNG GIRL YOU'LL LIKE
IN YOUR 20s,
YOUNG GIRL YOU'LL LIKE
IN YOUR 20s, 30s,
YOUNG GIRL YOU'LL LIKE
IN YOUR 20s, 30s, 40s
IN YOUR 20s, 30s, 40s
IN YOUR 20s, 30s, 40s
AND
IN YOUR 20s, 30s, 40s
AND BEYOND.
AND BEYOND.
AND BEYOND.
DIAMONDS.
DIAMONDS.
DIAMONDS.
>>
DIAMONDS.
>> Host:
DIAMONDS.
>> Host: YOU
DIAMONDS.
>> Host: YOU BUY
DIAMONDS.
>> Host: YOU BUY THEM,
>> Host: YOU BUY THEM,
>> Host: YOU BUY THEM,
SHE
>> Host: YOU BUY THEM,
SHE WILL
>> Host: YOU BUY THEM,
SHE WILL BE
>> Host: YOU BUY THEM,
SHE WILL BE 14,
>> Host: YOU BUY THEM,
SHE WILL BE 14, AND
>> Host: YOU BUY THEM,
SHE WILL BE 14, AND WHEN
SHE WILL BE 14, AND WHEN
SHE WILL BE 14, AND WHEN
SHE'S
SHE WILL BE 14, AND WHEN
SHE'S 94,
SHE WILL BE 14, AND WHEN
SHE'S 94, SHE
SHE WILL BE 14, AND WHEN
SHE'S 94, SHE WILL
SHE WILL BE 14, AND WHEN
SHE'S 94, SHE WILL STILL
SHE'S 94, SHE WILL STILL
SHE'S 94, SHE WILL STILL
BE
SHE'S 94, SHE WILL STILL
BE WEARING
SHE'S 94, SHE WILL STILL
BE WEARING THEM.
BE WEARING THEM.
BE WEARING THEM.
THESE
BE WEARING THEM.
THESE ARE
BE WEARING THEM.
THESE ARE PETITE,
BE WEARING THEM.
THESE ARE PETITE, NOT
THESE ARE PETITE, NOT
THESE ARE PETITE, NOT
BIG
THESE ARE PETITE, NOT
BIG HONKING
THESE ARE PETITE, NOT
BIG HONKING HUGE
BIG HONKING HUGE
BIG HONKING HUGE
EARRINGS,
BIG HONKING HUGE
EARRINGS, BUT
BIG HONKING HUGE
EARRINGS, BUT LOVELY.
EARRINGS, BUT LOVELY.
EARRINGS, BUT LOVELY.
THEY'RE
EARRINGS, BUT LOVELY.
THEY'RE NOTICEABLE,
EARRINGS, BUT LOVELY.
THEY'RE NOTICEABLE, VERY
THEY'RE NOTICEABLE, VERY
THEY'RE NOTICEABLE, VERY
EAST
THEY'RE NOTICEABLE, VERY
EAST CITY
THEY'RE NOTICEABLE, VERY
EAST CITY TO
THEY'RE NOTICEABLE, VERY
EAST CITY TO WEAR
THEY'RE NOTICEABLE, VERY
EAST CITY TO WEAR DURING
EAST CITY TO WEAR DURING
EAST CITY TO WEAR DURING
THE
EAST CITY TO WEAR DURING
THE DAY.
THE DAY.
THE DAY.
>>
THE DAY.
>> Guest:
THE DAY.
>> Guest: I
THE DAY.
>> Guest: I DON'T
THE DAY.
>> Guest: I DON'T GO
THE DAY.
>> Guest: I DON'T GO TO
>> Guest: I DON'T GO TO
>> Guest: I DON'T GO TO
THE
>> Guest: I DON'T GO TO
THE KITCHEN
>> Guest: I DON'T GO TO
THE KITCHEN WITHOUT
THE KITCHEN WITHOUT
THE KITCHEN WITHOUT
JEWELRY!
JEWELRY!
JEWELRY!
>>
JEWELRY!
>> Host:
JEWELRY!
>> Host: BUT
JEWELRY!
>> Host: BUT DURING
JEWELRY!
>> Host: BUT DURING THE
>> Host: BUT DURING THE
>> Host: BUT DURING THE
DAY,
>> Host: BUT DURING THE
DAY, I'M
>> Host: BUT DURING THE
DAY, I'M GOING
>> Host: BUT DURING THE
DAY, I'M GOING CRAZY
DAY, I'M GOING CRAZY
DAY, I'M GOING CRAZY
STUFF,
DAY, I'M GOING CRAZY
STUFF, I'M
DAY, I'M GOING CRAZY
STUFF, I'M PLAYING
STUFF, I'M PLAYING
STUFF, I'M PLAYING
TENNIS
STUFF, I'M PLAYING
TENNIS OR
STUFF, I'M PLAYING
TENNIS OR CLEANING
STUFF, I'M PLAYING
TENNIS OR CLEANING OR
TENNIS OR CLEANING OR
TENNIS OR CLEANING OR
SOMETHING.
SOMETHING.
SOMETHING.
BUT
SOMETHING.
BUT I
SOMETHING.
BUT I LIKE
SOMETHING.
BUT I LIKE SOME
SOMETHING.
BUT I LIKE SOME SPARKLE
BUT I LIKE SOME SPARKLE
BUT I LIKE SOME SPARKLE
AT
BUT I LIKE SOME SPARKLE
AT THE
BUT I LIKE SOME SPARKLE
AT THE YEAR.
AT THE YEAR.
AT THE YEAR.
>>
AT THE YEAR.
>> Guest:
AT THE YEAR.
>> Guest: DIAMONDS
>> Guest: DIAMONDS
>> Guest: DIAMONDS
BECOME
>> Guest: DIAMONDS
BECOME PART
>> Guest: DIAMONDS
BECOME PART OF
>> Guest: DIAMONDS
BECOME PART OF IS.
BECOME PART OF IS.
BECOME PART OF IS.
I
BECOME PART OF IS.
I BELIEVE
BECOME PART OF IS.
I BELIEVE WE
BECOME PART OF IS.
I BELIEVE WE FEEL
BECOME PART OF IS.
I BELIEVE WE FEEL THE
I BELIEVE WE FEEL THE
I BELIEVE WE FEEL THE
ENERGY.
ENERGY.
ENERGY.
WOMEN
ENERGY.
WOMEN HAVE
ENERGY.
WOMEN HAVE TOLD
ENERGY.
WOMEN HAVE TOLD ME,
ENERGY.
WOMEN HAVE TOLD ME, THEY
WOMEN HAVE TOLD ME, THEY
WOMEN HAVE TOLD ME, THEY
FEEL
WOMEN HAVE TOLD ME, THEY
FEEL THE
WOMEN HAVE TOLD ME, THEY
FEEL THE ENERGY
WOMEN HAVE TOLD ME, THEY
FEEL THE ENERGY OF
FEEL THE ENERGY OF
FEEL THE ENERGY OF
NATURAL
FEEL THE ENERGY OF
NATURAL AND
FEEL THE ENERGY OF
NATURAL AND REAL.
NATURAL AND REAL.
NATURAL AND REAL.
THESE
NATURAL AND REAL.
THESE ARE
NATURAL AND REAL.
THESE ARE DIAMONDS,
NATURAL AND REAL.
THESE ARE DIAMONDS, BUT.
THESE ARE DIAMONDS, BUT.
THESE ARE DIAMONDS, BUT.
AND
THESE ARE DIAMONDS, BUT.
AND STUDS
THESE ARE DIAMONDS, BUT.
AND STUDS ARE
THESE ARE DIAMONDS, BUT.
AND STUDS ARE THE
AND STUDS ARE THE
AND STUDS ARE THE
CLASSIC.
CLASSIC.
CLASSIC.
SO
CLASSIC.
SO A
CLASSIC.
SO A FINE
CLASSIC.
SO A FINE JEWELRY
SO A FINE JEWELRY
SO A FINE JEWELRY
WARDROBE,
SO A FINE JEWELRY
WARDROBE, YOU
SO A FINE JEWELRY
WARDROBE, YOU CAN
SO A FINE JEWELRY
WARDROBE, YOU CAN GIVE
WARDROBE, YOU CAN GIVE
WARDROBE, YOU CAN GIVE
THE
WARDROBE, YOU CAN GIVE
THE GIFT,
WARDROBE, YOU CAN GIVE
THE GIFT, AND
WARDROBE, YOU CAN GIVE
THE GIFT, AND IF
WARDROBE, YOU CAN GIVE
THE GIFT, AND IF YOU
THE GIFT, AND IF YOU
THE GIFT, AND IF YOU
NEVER
THE GIFT, AND IF YOU
NEVER HAD
THE GIFT, AND IF YOU
NEVER HAD FANS
THE GIFT, AND IF YOU
NEVER HAD FANS I
THE GIFT, AND IF YOU
NEVER HAD FANS I COLORED
NEVER HAD FANS I COLORED
NEVER HAD FANS I COLORED
DIAMONDS
NEVER HAD FANS I COLORED
DIAMONDS HERE
NEVER HAD FANS I COLORED
DIAMONDS HERE IS
NEVER HAD FANS I COLORED
DIAMONDS HERE IS YOUR
DIAMONDS HERE IS YOUR
DIAMONDS HERE IS YOUR
OPPORTUNITY.
OPPORTUNITY.
OPPORTUNITY.
>>
OPPORTUNITY.
>> Host:
OPPORTUNITY.
>> Host: WHEN
OPPORTUNITY.
>> Host: WHEN WE
OPPORTUNITY.
>> Host: WHEN WE WORKED
>> Host: WHEN WE WORKED
>> Host: WHEN WE WORKED
TO
>> Host: WHEN WE WORKED
TO GO
>> Host: WHEN WE WORKED
TO GO THE
>> Host: WHEN WE WORKED
TO GO THE LAST
>> Host: WHEN WE WORKED
TO GO THE LAST TIME,
TO GO THE LAST TIME,
TO GO THE LAST TIME,
LIKE
TO GO THE LAST TIME,
LIKE A
TO GO THE LAST TIME,
LIKE A MONTH
TO GO THE LAST TIME,
LIKE A MONTH OR
TO GO THE LAST TIME,
LIKE A MONTH OR TWO
LIKE A MONTH OR TWO
LIKE A MONTH OR TWO
MONTHS
LIKE A MONTH OR TWO
MONTHS AGO,
LIKE A MONTH OR TWO
MONTHS AGO, WE
LIKE A MONTH OR TWO
MONTHS AGO, WE HAD
LIKE A MONTH OR TWO
MONTHS AGO, WE HAD A
MONTHS AGO, WE HAD A
MONTHS AGO, WE HAD A
GREAT
MONTHS AGO, WE HAD A
GREAT LITTLE
MONTHS AGO, WE HAD A
GREAT LITTLE DIAMOND
GREAT LITTLE DIAMOND
GREAT LITTLE DIAMOND
NECKLACE,
GREAT LITTLE DIAMOND
NECKLACE, AND
GREAT LITTLE DIAMOND
NECKLACE, AND I
GREAT LITTLE DIAMOND
NECKLACE, AND I BOUGHT
NECKLACE, AND I BOUGHT
NECKLACE, AND I BOUGHT
IT.
IT.
IT.
I
IT.
I BOUGHT
IT.
I BOUGHT IT
IT.
I BOUGHT IT RIGHT
IT.
I BOUGHT IT RIGHT AFTER
I BOUGHT IT RIGHT AFTER
I BOUGHT IT RIGHT AFTER
--
I BOUGHT IT RIGHT AFTER
-- IT
I BOUGHT IT RIGHT AFTER
-- IT WAS
I BOUGHT IT RIGHT AFTER
-- IT WAS A
I BOUGHT IT RIGHT AFTER
-- IT WAS A BLACK
-- IT WAS A BLACK
-- IT WAS A BLACK
DIAMOND.
DIAMOND.
DIAMOND.
I
DIAMOND.
I THOUGHT
DIAMOND.
I THOUGHT IT
DIAMOND.
I THOUGHT IT WAS
DIAMOND.
I THOUGHT IT WAS CHIC
DIAMOND.
I THOUGHT IT WAS CHIC TO
I THOUGHT IT WAS CHIC TO
I THOUGHT IT WAS CHIC TO
WEAR
I THOUGHT IT WAS CHIC TO
WEAR THEM.
WEAR THEM.
WEAR THEM.
IT
WEAR THEM.
IT WAS
WEAR THEM.
IT WAS AMAZING,
WEAR THEM.
IT WAS AMAZING, BECAUSE
IT WAS AMAZING, BECAUSE
IT WAS AMAZING, BECAUSE
WHO
IT WAS AMAZING, BECAUSE
WHO DOESN'T
IT WAS AMAZING, BECAUSE
WHO DOESN'T LOVE
WHO DOESN'T LOVE
WHO DOESN'T LOVE
DIAMONDS,
WHO DOESN'T LOVE
DIAMONDS, RIGHT?
DIAMONDS, RIGHT?
DIAMONDS, RIGHT?
THEY'RE
DIAMONDS, RIGHT?
THEY'RE BOND
DIAMONDS, RIGHT?
THEY'RE BOND A
DIAMONDS, RIGHT?
THEY'RE BOND A GIRL'S
THEY'RE BOND A GIRL'S
THEY'RE BOND A GIRL'S
BEST
THEY'RE BOND A GIRL'S
BEST FRIEND.
BEST FRIEND.
BEST FRIEND.
BUT
BEST FRIEND.
BUT I
BEST FRIEND.
BUT I THOUGHT
BEST FRIEND.
BUT I THOUGHT IT
BEST FRIEND.
BUT I THOUGHT IT WAS
BEST FRIEND.
BUT I THOUGHT IT WAS A
BUT I THOUGHT IT WAS A
BUT I THOUGHT IT WAS A
FUN
BUT I THOUGHT IT WAS A
FUN ALTERNATIVE
BUT I THOUGHT IT WAS A
FUN ALTERNATIVE TO
BUT I THOUGHT IT WAS A
FUN ALTERNATIVE TO WEAR
FUN ALTERNATIVE TO WEAR
FUN ALTERNATIVE TO WEAR
COLORED
FUN ALTERNATIVE TO WEAR
COLORED DIAMONDS
FUN ALTERNATIVE TO WEAR
COLORED DIAMONDS BECAUSE
COLORED DIAMONDS BECAUSE
COLORED DIAMONDS BECAUSE
THERE'S
COLORED DIAMONDS BECAUSE
THERE'S JUST
COLORED DIAMONDS BECAUSE
THERE'S JUST A
COLORED DIAMONDS BECAUSE
THERE'S JUST A LOT
COLORED DIAMONDS BECAUSE
THERE'S JUST A LOT OF
THERE'S JUST A LOT OF
THERE'S JUST A LOT OF
WHITE
THERE'S JUST A LOT OF
WHITE DIAMONDS
THERE'S JUST A LOT OF
WHITE DIAMONDS OUT
THERE'S JUST A LOT OF
WHITE DIAMONDS OUT THERE
WHITE DIAMONDS OUT THERE
WHITE DIAMONDS OUT THERE
AND
WHITE DIAMONDS OUT THERE
AND IT'S
WHITE DIAMONDS OUT THERE
AND IT'S COMMON,
WHITE DIAMONDS OUT THERE
AND IT'S COMMON, BUT
AND IT'S COMMON, BUT
AND IT'S COMMON, BUT
WHEN
AND IT'S COMMON, BUT
WHEN I
AND IT'S COMMON, BUT
WHEN I HAVE
AND IT'S COMMON, BUT
WHEN I HAVE THE
AND IT'S COMMON, BUT
WHEN I HAVE THE LITTLE
WHEN I HAVE THE LITTLE
WHEN I HAVE THE LITTLE
BLACK
WHEN I HAVE THE LITTLE
BLACK DIAMOND
WHEN I HAVE THE LITTLE
BLACK DIAMOND ON,
WHEN I HAVE THE LITTLE
BLACK DIAMOND ON, PEOPLE
BLACK DIAMOND ON, PEOPLE
BLACK DIAMOND ON, PEOPLE
GO
BLACK DIAMOND ON, PEOPLE
GO LIKE
BLACK DIAMOND ON, PEOPLE
GO LIKE YOUR
BLACK DIAMOND ON, PEOPLE
GO LIKE YOUR NECKLACE,
GO LIKE YOUR NECKLACE,
GO LIKE YOUR NECKLACE,
WHAT'S
GO LIKE YOUR NECKLACE,
WHAT'S THAT?
WHAT'S THAT?
WHAT'S THAT?
THE
WHAT'S THAT?
THE BLUE
WHAT'S THAT?
THE BLUE DIAMOND.
THE BLUE DIAMOND.
THE BLUE DIAMOND.
>>
THE BLUE DIAMOND.
>> Guest:
THE BLUE DIAMOND.
>> Guest: IF
THE BLUE DIAMOND.
>> Guest: IF IT'S
THE BLUE DIAMOND.
>> Guest: IF IT'S A
THE BLUE DIAMOND.
>> Guest: IF IT'S A BLUE
>> Guest: IF IT'S A BLUE
>> Guest: IF IT'S A BLUE
THYME,
>> Guest: IF IT'S A BLUE
THYME, THEY
>> Guest: IF IT'S A BLUE
THYME, THEY KNOW
>> Guest: IF IT'S A BLUE
THYME, THEY KNOW IT'S
THYME, THEY KNOW IT'S
THYME, THEY KNOW IT'S
NOT
THYME, THEY KNOW IT'S
NOT A
THYME, THEY KNOW IT'S
NOT A SAPPHIRE,
THYME, THEY KNOW IT'S
NOT A SAPPHIRE, BUT
NOT A SAPPHIRE, BUT
NOT A SAPPHIRE, BUT
COLORED
NOT A SAPPHIRE, BUT
COLORED GEM
NOT A SAPPHIRE, BUT
COLORED GEM STONES
NOT A SAPPHIRE, BUT
COLORED GEM STONES DON'T
COLORED GEM STONES DON'T
COLORED GEM STONES DON'T
SPARKLE
COLORED GEM STONES DON'T
SPARKLE SO.
SPARKLE SO.
SPARKLE SO.
WHEN
SPARKLE SO.
WHEN PEOPLE
SPARKLE SO.
WHEN PEOPLE SEE
SPARKLE SO.
WHEN PEOPLE SEE YOUR
WHEN PEOPLE SEE YOUR
WHEN PEOPLE SEE YOUR
FANCY
WHEN PEOPLE SEE YOUR
FANCY COLORED
WHEN PEOPLE SEE YOUR
FANCY COLORED DIAMOND
FANCY COLORED DIAMOND
FANCY COLORED DIAMOND
EARRING,
FANCY COLORED DIAMOND
EARRING, OR
FANCY COLORED DIAMOND
EARRING, OR NECKLACE
FANCY COLORED DIAMOND
EARRING, OR NECKLACE OR
EARRING, OR NECKLACE OR
EARRING, OR NECKLACE OR
RING,
EARRING, OR NECKLACE OR
RING, THEY
EARRING, OR NECKLACE OR
RING, THEY GO
EARRING, OR NECKLACE OR
RING, THEY GO --
EARRING, OR NECKLACE OR
RING, THEY GO -- IS
EARRING, OR NECKLACE OR
RING, THEY GO -- IS IT
RING, THEY GO -- IS IT
RING, THEY GO -- IS IT
THAT?
THAT?
THAT?
YES,
THAT?
YES, IT'S
THAT?
YES, IT'S A
THAT?
YES, IT'S A FANCY
YES, IT'S A FANCY
YES, IT'S A FANCY
COLORED
YES, IT'S A FANCY
COLORED DIAMOND.
COLORED DIAMOND.
COLORED DIAMOND.
>>
COLORED DIAMOND.
>> I'VE
COLORED DIAMOND.
>> I'VE GOT
COLORED DIAMOND.
>> I'VE GOT ANOTHER
COLORED DIAMOND.
>> I'VE GOT ANOTHER SET
>> I'VE GOT ANOTHER SET
>> I'VE GOT ANOTHER SET
COMING
>> I'VE GOT ANOTHER SET
COMING UP.
COMING UP.
COMING UP.
IF
COMING UP.
IF YOU
COMING UP.
IF YOU NEED
COMING UP.
IF YOU NEED BIGGER,
COMING UP.
IF YOU NEED BIGGER, WE
IF YOU NEED BIGGER, WE
IF YOU NEED BIGGER, WE
HAVE
IF YOU NEED BIGGER, WE
HAVE IT.
HAVE IT.
HAVE IT.
STICK
HAVE IT.
STICK AROUND
HAVE IT.
STICK AROUND FOR
HAVE IT.
STICK AROUND FOR THAT.
STICK AROUND FOR THAT.
STICK AROUND FOR THAT.
JUST
STICK AROUND FOR THAT.
JUST WANT
STICK AROUND FOR THAT.
JUST WANT TO
STICK AROUND FOR THAT.
JUST WANT TO SHOW
STICK AROUND FOR THAT.
JUST WANT TO SHOW YOU
JUST WANT TO SHOW YOU
JUST WANT TO SHOW YOU
THIS.
THIS.
THIS.
THIS
THIS.
THIS IS,
THIS.
THIS IS, AGAIN,
THIS.
THIS IS, AGAIN, JUST
THIS IS, AGAIN, JUST
THIS IS, AGAIN, JUST
THINK
THIS IS, AGAIN, JUST
THINK GREAT
THIS IS, AGAIN, JUST
THINK GREAT IDEA,
THIS IS, AGAIN, JUST
THINK GREAT IDEA, GREAT
THINK GREAT IDEA, GREAT
THINK GREAT IDEA, GREAT
GIFT.
GIFT.
GIFT.
LOOK
GIFT.
LOOK HOW
GIFT.
LOOK HOW BRIGHT
GIFT.
LOOK HOW BRIGHT AND
LOOK HOW BRIGHT AND
LOOK HOW BRIGHT AND
SPARK-Y
LOOK HOW BRIGHT AND
SPARK-Y THESE
LOOK HOW BRIGHT AND
SPARK-Y THESE R
LOOK HOW BRIGHT AND
SPARK-Y THESE R I
LOOK HOW BRIGHT AND
SPARK-Y THESE R I HAVE
SPARK-Y THESE R I HAVE
SPARK-Y THESE R I HAVE
70
SPARK-Y THESE R I HAVE
70 AVAILABLE.
70 AVAILABLE.
70 AVAILABLE.
THAT
70 AVAILABLE.
THAT IS
70 AVAILABLE.
THAT IS JUST
70 AVAILABLE.
THAT IS JUST GORGEOUS.
THAT IS JUST GORGEOUS.
THAT IS JUST GORGEOUS.
IT
THAT IS JUST GORGEOUS.
IT DOES
THAT IS JUST GORGEOUS.
IT DOES INCLUDE
THAT IS JUST GORGEOUS.
IT DOES INCLUDE THE
IT DOES INCLUDE THE
IT DOES INCLUDE THE
CHAIN.
CHAIN.
CHAIN.
THE
CHAIN.
THE APPRAISED
CHAIN.
THE APPRAISED VALUE
CHAIN.
THE APPRAISED VALUE IS
THE APPRAISED VALUE IS
THE APPRAISED VALUE IS
$889.
$889.
$889.
WELL
$889.
WELL WORTH
$889.
WELL WORTH IT.
WELL WORTH IT.
WELL WORTH IT.
>>
WELL WORTH IT.
>> Guest:
WELL WORTH IT.
>> Guest: SOLID
WELL WORTH IT.
>> Guest: SOLID COLD.
>> Guest: SOLID COLD.
>> Guest: SOLID COLD.
WE'RE
>> Guest: SOLID COLD.
WE'RE NOT
>> Guest: SOLID COLD.
WE'RE NOT TALKING
WE'RE NOT TALKING
WE'RE NOT TALKING
VERMAY,
WE'RE NOT TALKING
VERMAY, THIS
WE'RE NOT TALKING
VERMAY, THIS IS
WE'RE NOT TALKING
VERMAY, THIS IS SOLD
VERMAY, THIS IS SOLD
VERMAY, THIS IS SOLD
10kt
VERMAY, THIS IS SOLD
10kt GOLD.
10kt GOLD.
10kt GOLD.
YOU
10kt GOLD.
YOU KNOW
10kt GOLD.
YOU KNOW I
10kt GOLD.
YOU KNOW I HAVE
10kt GOLD.
YOU KNOW I HAVE A
10kt GOLD.
YOU KNOW I HAVE A CROSS
YOU KNOW I HAVE A CROSS
YOU KNOW I HAVE A CROSS
IN
YOU KNOW I HAVE A CROSS
IN EVERYONE
YOU KNOW I HAVE A CROSS
IN EVERYONE OF
YOU KNOW I HAVE A CROSS
IN EVERYONE OF MY
YOU KNOW I HAVE A CROSS
IN EVERYONE OF MY SHOWS
IN EVERYONE OF MY SHOWS
IN EVERYONE OF MY SHOWS
AND
IN EVERYONE OF MY SHOWS
AND COLLECTIONS
IN EVERYONE OF MY SHOWS
AND COLLECTIONS AND
IN EVERYONE OF MY SHOWS
AND COLLECTIONS AND THIS
AND COLLECTIONS AND THIS
AND COLLECTIONS AND THIS
IS
AND COLLECTIONS AND THIS
IS PRECIOUS.
IS PRECIOUS.
IS PRECIOUS.
FOR
IS PRECIOUS.
FOR ALL
IS PRECIOUS.
FOR ALL OF
IS PRECIOUS.
FOR ALL OF YOU
IS PRECIOUS.
FOR ALL OF YOU THAT
IS PRECIOUS.
FOR ALL OF YOU THAT --
FOR ALL OF YOU THAT --
FOR ALL OF YOU THAT --
THIS
FOR ALL OF YOU THAT --
THIS IS
FOR ALL OF YOU THAT --
THIS IS A
FOR ALL OF YOU THAT --
THIS IS A BEAUTY,
FOR ALL OF YOU THAT --
THIS IS A BEAUTY, AND
THIS IS A BEAUTY, AND
THIS IS A BEAUTY, AND
SOLID
THIS IS A BEAUTY, AND
SOLID GOLD,
THIS IS A BEAUTY, AND
SOLID GOLD, AND
THIS IS A BEAUTY, AND
SOLID GOLD, AND BLUE
THIS IS A BEAUTY, AND
SOLID GOLD, AND BLUE AND
SOLID GOLD, AND BLUE AND
SOLID GOLD, AND BLUE AND
WHITE
SOLID GOLD, AND BLUE AND
WHITE DIAMONDS.
WHITE DIAMONDS.
WHITE DIAMONDS.
>>
WHITE DIAMONDS.
>> AND
WHITE DIAMONDS.
>> AND WE
WHITE DIAMONDS.
>> AND WE ARE
WHITE DIAMONDS.
>> AND WE ARE $50
WHITE DIAMONDS.
>> AND WE ARE $50 OFF,
>> AND WE ARE $50 OFF,
>> AND WE ARE $50 OFF,
AND
>> AND WE ARE $50 OFF,
AND FIVE
>> AND WE ARE $50 OFF,
AND FIVE FlexPAYS,
>> AND WE ARE $50 OFF,
AND FIVE FlexPAYS, AND
AND FIVE FlexPAYS, AND
AND FIVE FlexPAYS, AND
ONLY
AND FIVE FlexPAYS, AND
ONLY 70
AND FIVE FlexPAYS, AND
ONLY 70 LEFT.
ONLY 70 LEFT.
ONLY 70 LEFT.
>>
ONLY 70 LEFT.
>> THERE'S
ONLY 70 LEFT.
>> THERE'S A
ONLY 70 LEFT.
>> THERE'S A PEEK
ONLY 70 LEFT.
>> THERE'S A PEEK AT
>> THERE'S A PEEK AT
>> THERE'S A PEEK AT
THAT.
THAT.
THAT.
NOW,
THAT.
NOW, WHAT
THAT.
NOW, WHAT ARE
THAT.
NOW, WHAT ARE WE
THAT.
NOW, WHAT ARE WE MOVING
NOW, WHAT ARE WE MOVING
NOW, WHAT ARE WE MOVING
TO?
TO?
TO?
THIS
TO?
THIS IS
TO?
THIS IS COOL.
THIS IS COOL.
THIS IS COOL.
REALLY
THIS IS COOL.
REALLY NEAT.
REALLY NEAT.
REALLY NEAT.
I
REALLY NEAT.
I LOVE
REALLY NEAT.
I LOVE THIS
REALLY NEAT.
I LOVE THIS CONCEPT.
I LOVE THIS CONCEPT.
I LOVE THIS CONCEPT.
IT'S
I LOVE THIS CONCEPT.
IT'S SO
I LOVE THIS CONCEPT.
IT'S SO NEAT.
IT'S SO NEAT.
IT'S SO NEAT.
TALK
IT'S SO NEAT.
TALK ABOUT
IT'S SO NEAT.
TALK ABOUT DOING
IT'S SO NEAT.
TALK ABOUT DOING A
IT'S SO NEAT.
TALK ABOUT DOING A STACK
TALK ABOUT DOING A STACK
TALK ABOUT DOING A STACK
IN
TALK ABOUT DOING A STACK
IN A
TALK ABOUT DOING A STACK
IN A FRESH
TALK ABOUT DOING A STACK
IN A FRESH DIFFERENT
IN A FRESH DIFFERENT
IN A FRESH DIFFERENT
WAY.
WAY.
WAY.
>>
WAY.
>> Guest:
WAY.
>> Guest: IT'S
WAY.
>> Guest: IT'S A
WAY.
>> Guest: IT'S A STACK,
>> Guest: IT'S A STACK,
>> Guest: IT'S A STACK,
BUT
>> Guest: IT'S A STACK,
BUT LOOK,
>> Guest: IT'S A STACK,
BUT LOOK, LOOK,
>> Guest: IT'S A STACK,
BUT LOOK, LOOK, LOOK.
BUT LOOK, LOOK, LOOK.
BUT LOOK, LOOK, LOOK.
>>
BUT LOOK, LOOK, LOOK.
>> Host:
BUT LOOK, LOOK, LOOK.
>> Host: SO
BUT LOOK, LOOK, LOOK.
>> Host: SO YOU
BUT LOOK, LOOK, LOOK.
>> Host: SO YOU PUT
BUT LOOK, LOOK, LOOK.
>> Host: SO YOU PUT IT
>> Host: SO YOU PUT IT
>> Host: SO YOU PUT IT
ON
>> Host: SO YOU PUT IT
ON --
ON --
ON --
>>
ON --
>> Guest:
ON --
>> Guest: YOU
ON --
>> Guest: YOU MAY
ON --
>> Guest: YOU MAY THINK
>> Guest: YOU MAY THINK
>> Guest: YOU MAY THINK
OF
>> Guest: YOU MAY THINK
OF THIS,
>> Guest: YOU MAY THINK
OF THIS, KNOW
>> Guest: YOU MAY THINK
OF THIS, KNOW THAT
OF THIS, KNOW THAT
OF THIS, KNOW THAT
DESIGNER
OF THIS, KNOW THAT
DESIGNER SOME
OF THIS, KNOW THAT
DESIGNER SOME PEOPLE
DESIGNER SOME PEOPLE
DESIGNER SOME PEOPLE
REFER
DESIGNER SOME PEOPLE
REFER TO
DESIGNER SOME PEOPLE
REFER TO THEM
DESIGNER SOME PEOPLE
REFER TO THEM MAYBE
DESIGNER SOME PEOPLE
REFER TO THEM MAYBE AS
DESIGNER SOME PEOPLE
REFER TO THEM MAYBE AS A
REFER TO THEM MAYBE AS A
REFER TO THEM MAYBE AS A
PUZZLE
REFER TO THEM MAYBE AS A
PUZZLE RING,
REFER TO THEM MAYBE AS A
PUZZLE RING, YOU
REFER TO THEM MAYBE AS A
PUZZLE RING, YOU HAVE
PUZZLE RING, YOU HAVE
PUZZLE RING, YOU HAVE
ALL
PUZZLE RING, YOU HAVE
ALL KIND
PUZZLE RING, YOU HAVE
ALL KIND OF
PUZZLE RING, YOU HAVE
ALL KIND OF WAYS
PUZZLE RING, YOU HAVE
ALL KIND OF WAYS OF
ALL KIND OF WAYS OF
ALL KIND OF WAYS OF
TWISTING
ALL KIND OF WAYS OF
TWISTING THIS
ALL KIND OF WAYS OF
TWISTING THIS WHEN
ALL KIND OF WAYS OF
TWISTING THIS WHEN --
TWISTING THIS WHEN --
TWISTING THIS WHEN --
IT'S
TWISTING THIS WHEN --
IT'S JUST
TWISTING THIS WHEN --
IT'S JUST LIKE
TWISTING THIS WHEN --
IT'S JUST LIKE FOUR
IT'S JUST LIKE FOUR
IT'S JUST LIKE FOUR
SINGULAR
IT'S JUST LIKE FOUR
SINGULAR ALL
IT'S JUST LIKE FOUR
SINGULAR ALL LINKED
SINGULAR ALL LINKED
SINGULAR ALL LINKED
TOGETHER,
SINGULAR ALL LINKED
TOGETHER, AND
SINGULAR ALL LINKED
TOGETHER, AND EASIER
TOGETHER, AND EASIER
TOGETHER, AND EASIER
THAN
TOGETHER, AND EASIER
THAN A
TOGETHER, AND EASIER
THAN A RUBIKS
TOGETHER, AND EASIER
THAN A RUBIKS CUBE,
TOGETHER, AND EASIER
THAN A RUBIKS CUBE, AND
THAN A RUBIKS CUBE, AND
THAN A RUBIKS CUBE, AND
I
THAN A RUBIKS CUBE, AND
I JUST
THAN A RUBIKS CUBE, AND
I JUST PUT
THAN A RUBIKS CUBE, AND
I JUST PUT THEM
THAN A RUBIKS CUBE, AND
I JUST PUT THEM --
THAN A RUBIKS CUBE, AND
I JUST PUT THEM -- IT'S
I JUST PUT THEM -- IT'S
I JUST PUT THEM -- IT'S
ALMOT
I JUST PUT THEM -- IT'S
ALMOT LIKE
I JUST PUT THEM -- IT'S
ALMOT LIKE EVERY
I JUST PUT THEM -- IT'S
ALMOT LIKE EVERY TIME
ALMOT LIKE EVERY TIME
ALMOT LIKE EVERY TIME
CAN
ALMOT LIKE EVERY TIME
CAN BE
ALMOT LIKE EVERY TIME
CAN BE DIFFERENT.
CAN BE DIFFERENT.
CAN BE DIFFERENT.
>>
CAN BE DIFFERENT.
>> Guest:
CAN BE DIFFERENT.
>> Guest: IT
CAN BE DIFFERENT.
>> Guest: IT IS
CAN BE DIFFERENT.
>> Guest: IT IS FOR
CAN BE DIFFERENT.
>> Guest: IT IS FOR ME.
>> Guest: IT IS FOR ME.
>> Guest: IT IS FOR ME.
WHERE
>> Guest: IT IS FOR ME.
WHERE IS
>> Guest: IT IS FOR ME.
WHERE IS THE
>> Guest: IT IS FOR ME.
WHERE IS THE BREW
WHERE IS THE BREW
WHERE IS THE BREW
DIAMOND
WHERE IS THE BREW
DIAMOND GOING
WHERE IS THE BREW
DIAMOND GOING TO
WHERE IS THE BREW
DIAMOND GOING TO BE.
DIAMOND GOING TO BE.
DIAMOND GOING TO BE.
>>
DIAMOND GOING TO BE.
>> Host:
DIAMOND GOING TO BE.
>> Host: AND
DIAMOND GOING TO BE.
>> Host: AND THEN
DIAMOND GOING TO BE.
>> Host: AND THEN THEY
>> Host: AND THEN THEY
>> Host: AND THEN THEY
--
--
--
>>
--
>> Guest:
--
>> Guest: IT'S
--
>> Guest: IT'S PLAYFUL.
>> Guest: IT'S PLAYFUL.
>> Guest: IT'S PLAYFUL.
AFTERNOON
>> Guest: IT'S PLAYFUL.
AFTERNOON IT'S
>> Guest: IT'S PLAYFUL.
AFTERNOON IT'S DIAMONDS
AFTERNOON IT'S DIAMONDS
AFTERNOON IT'S DIAMONDS
IN
AFTERNOON IT'S DIAMONDS
IN A
AFTERNOON IT'S DIAMONDS
IN A BAND.
IN A BAND.
IN A BAND.
WOMEN
IN A BAND.
WOMEN LOVE
IN A BAND.
WOMEN LOVE BANDS,
IN A BAND.
WOMEN LOVE BANDS, IT'S
WOMEN LOVE BANDS, IT'S
WOMEN LOVE BANDS, IT'S
AN
WOMEN LOVE BANDS, IT'S
AN EVERY
WOMEN LOVE BANDS, IT'S
AN EVERY DAY
WOMEN LOVE BANDS, IT'S
AN EVERY DAY RING.
AN EVERY DAY RING.
AN EVERY DAY RING.
AND
AN EVERY DAY RING.
AND THIS
AN EVERY DAY RING.
AND THIS IS
AN EVERY DAY RING.
AND THIS IS FUN.
AND THIS IS FUN.
AND THIS IS FUN.
LOOK
AND THIS IS FUN.
LOOK AT
AND THIS IS FUN.
LOOK AT THAT.
LOOK AT THAT.
LOOK AT THAT.
SO
LOOK AT THAT.
SO YOU
LOOK AT THAT.
SO YOU HAVE
LOOK AT THAT.
SO YOU HAVE TWO
LOOK AT THAT.
SO YOU HAVE TWO SOLID
SO YOU HAVE TWO SOLID
SO YOU HAVE TWO SOLID
STERLING
SO YOU HAVE TWO SOLID
STERLING SILVER
SO YOU HAVE TWO SOLID
STERLING SILVER RINGS,
STERLING SILVER RINGS,
STERLING SILVER RINGS,
AND
STERLING SILVER RINGS,
AND IF
STERLING SILVER RINGS,
AND IF YOU
STERLING SILVER RINGS,
AND IF YOU HAD
STERLING SILVER RINGS,
AND IF YOU HAD ONE,
STERLING SILVER RINGS,
AND IF YOU HAD ONE, BUT
AND IF YOU HAD ONE, BUT
AND IF YOU HAD ONE, BUT
IF
AND IF YOU HAD ONE, BUT
IF YOU
AND IF YOU HAD ONE, BUT
IF YOU WENT
AND IF YOU HAD ONE, BUT
IF YOU WENT TO
AND IF YOU HAD ONE, BUT
IF YOU WENT TO A
AND IF YOU HAD ONE, BUT
IF YOU WENT TO A STORE,
IF YOU WENT TO A STORE,
IF YOU WENT TO A STORE,
AND
IF YOU WENT TO A STORE,
AND SAID
IF YOU WENT TO A STORE,
AND SAID HEY,
IF YOU WENT TO A STORE,
AND SAID HEY, PAVE
IF YOU WENT TO A STORE,
AND SAID HEY, PAVE SET,
AND SAID HEY, PAVE SET,
AND SAID HEY, PAVE SET,
FULLY
AND SAID HEY, PAVE SET,
FULLY FACETTED,
AND SAID HEY, PAVE SET,
FULLY FACETTED, AND
AND SAID HEY, PAVE SET,
FULLY FACETTED, AND YOU
FULLY FACETTED, AND YOU
FULLY FACETTED, AND YOU
WOULD
FULLY FACETTED, AND YOU
WOULD GO
FULLY FACETTED, AND YOU
WOULD GO $189?
WOULD GO $189?
WOULD GO $189?
SURE.
SURE.
SURE.
WAIT
SURE.
WAIT A
SURE.
WAIT A MINUTE,
SURE.
WAIT A MINUTE, AND
SURE.
WAIT A MINUTE, AND THEY
WAIT A MINUTE, AND THEY
WAIT A MINUTE, AND THEY
GO
WAIT A MINUTE, AND THEY
GO HOW
WAIT A MINUTE, AND THEY
GO HOW ABOUT
WAIT A MINUTE, AND THEY
GO HOW ABOUT IF
WAIT A MINUTE, AND THEY
GO HOW ABOUT IF WE
WAIT A MINUTE, AND THEY
GO HOW ABOUT IF WE ADD
GO HOW ABOUT IF WE ADD
GO HOW ABOUT IF WE ADD
IN,
GO HOW ABOUT IF WE ADD
IN, I
GO HOW ABOUT IF WE ADD
IN, I DON'T
GO HOW ABOUT IF WE ADD
IN, I DON'T KNOW,
GO HOW ABOUT IF WE ADD
IN, I DON'T KNOW, A
GO HOW ABOUT IF WE ADD
IN, I DON'T KNOW, A BAND
IN, I DON'T KNOW, A BAND
IN, I DON'T KNOW, A BAND
OF
IN, I DON'T KNOW, A BAND
OF CHOCOLATE
IN, I DON'T KNOW, A BAND
OF CHOCOLATE DIAMONDS,
OF CHOCOLATE DIAMONDS,
OF CHOCOLATE DIAMONDS,
THAT'S
OF CHOCOLATE DIAMONDS,
THAT'S BETTER.
THAT'S BETTER.
THAT'S BETTER.
AND
THAT'S BETTER.
AND TWO
THAT'S BETTER.
AND TWO MORE
THAT'S BETTER.
AND TWO MORE STERLING
AND TWO MORE STERLING
AND TWO MORE STERLING
SILVER
AND TWO MORE STERLING
SILVER RINGS.
SILVER RINGS.
SILVER RINGS.
THE
SILVER RINGS.
THE PRICE
SILVER RINGS.
THE PRICE ON
SILVER RINGS.
THE PRICE ON THIS
SILVER RINGS.
THE PRICE ON THIS IS
THE PRICE ON THIS IS
THE PRICE ON THIS IS
$559.
$559.
$559.
SO
$559.
SO WE
$559.
SO WE ARE
$559.
SO WE ARE JUST
$559.
SO WE ARE JUST HAVE
SO WE ARE JUST HAVE
SO WE ARE JUST HAVE
GREAT,
SO WE ARE JUST HAVE
GREAT, GREAT
SO WE ARE JUST HAVE
GREAT, GREAT VALUES.
GREAT, GREAT VALUES.
GREAT, GREAT VALUES.
AND
GREAT, GREAT VALUES.
AND YOU
GREAT, GREAT VALUES.
AND YOU CAN
GREAT, GREAT VALUES.
AND YOU CAN JUST
GREAT, GREAT VALUES.
AND YOU CAN JUST PUT
GREAT, GREAT VALUES.
AND YOU CAN JUST PUT IT
AND YOU CAN JUST PUT IT
AND YOU CAN JUST PUT IT
ON
AND YOU CAN JUST PUT IT
ON ANY
AND YOU CAN JUST PUT IT
ON ANY WAY
AND YOU CAN JUST PUT IT
ON ANY WAY YOU
AND YOU CAN JUST PUT IT
ON ANY WAY YOU WANT.
ON ANY WAY YOU WANT.
ON ANY WAY YOU WANT.
>>
ON ANY WAY YOU WANT.
>> Guest:
ON ANY WAY YOU WANT.
>> Guest: OR
ON ANY WAY YOU WANT.
>> Guest: OR BE
ON ANY WAY YOU WANT.
>> Guest: OR BE MORE
>> Guest: OR BE MORE
>> Guest: OR BE MORE
PREMEDITATED
>> Guest: OR BE MORE
PREMEDITATED BECAUSE
>> Guest: OR BE MORE
PREMEDITATED BECAUSE IT
PREMEDITATED BECAUSE IT
PREMEDITATED BECAUSE IT
IS
PREMEDITATED BECAUSE IT
IS FUN,
PREMEDITATED BECAUSE IT
IS FUN, PLAYFUL,
PREMEDITATED BECAUSE IT
IS FUN, PLAYFUL, BUT
IS FUN, PLAYFUL, BUT
IS FUN, PLAYFUL, BUT
CLASSIC.
CLASSIC.
CLASSIC.
AT
CLASSIC.
AT THE
CLASSIC.
AT THE STACKABLE
AT THE STACKABLE
AT THE STACKABLE
INTERLOCKING
AT THE STACKABLE
INTERLOCKING RING
AT THE STACKABLE
INTERLOCKING RING THAT'S
INTERLOCKING RING THAT'S
INTERLOCKING RING THAT'S
LIKE
INTERLOCKING RING THAT'S
LIKE A
INTERLOCKING RING THAT'S
LIKE A PUZZLE
INTERLOCKING RING THAT'S
LIKE A PUZZLE RING.
LIKE A PUZZLE RING.
LIKE A PUZZLE RING.
>>
LIKE A PUZZLE RING.
>> Guest:
LIKE A PUZZLE RING.
>> Guest: YOU
LIKE A PUZZLE RING.
>> Guest: YOU LUCKY
>> Guest: YOU LUCKY
>> Guest: YOU LUCKY
WOMEN
>> Guest: YOU LUCKY
WOMEN TO
>> Guest: YOU LUCKY
WOMEN TO BE
>> Guest: YOU LUCKY
WOMEN TO BE TUNING
>> Guest: YOU LUCKY
WOMEN TO BE TUNING IN.
WOMEN TO BE TUNING IN.
WOMEN TO BE TUNING IN.
>>
WOMEN TO BE TUNING IN.
>> Host:
WOMEN TO BE TUNING IN.
>> Host: THEY
WOMEN TO BE TUNING IN.
>> Host: THEY ARE.
>> Host: THEY ARE.
>> Host: THEY ARE.
AND
>> Host: THEY ARE.
AND LOOK,
>> Host: THEY ARE.
AND LOOK, I'M
>> Host: THEY ARE.
AND LOOK, I'M GOING
>> Host: THEY ARE.
AND LOOK, I'M GOING TO
AND LOOK, I'M GOING TO
AND LOOK, I'M GOING TO
SLIDE
AND LOOK, I'M GOING TO
SLIDE THIS
AND LOOK, I'M GOING TO
SLIDE THIS ON,
AND LOOK, I'M GOING TO
SLIDE THIS ON, THAT
AND LOOK, I'M GOING TO
SLIDE THIS ON, THAT IS
SLIDE THIS ON, THAT IS
SLIDE THIS ON, THAT IS
THAT
SLIDE THIS ON, THAT IS
THAT REALLY
SLIDE THIS ON, THAT IS
THAT REALLY PHENOMENAL
THAT REALLY PHENOMENAL
THAT REALLY PHENOMENAL
PRICE.
PRICE.
PRICE.
THAT
PRICE.
THAT IS
PRICE.
THAT IS THAT
PRICE.
THAT IS THAT BLUE
THAT IS THAT BLUE
THAT IS THAT BLUE
DIAMOND
THAT IS THAT BLUE
DIAMOND RING
THAT IS THAT BLUE
DIAMOND RING WE
THAT IS THAT BLUE
DIAMOND RING WE SHOWED
DIAMOND RING WE SHOWED
DIAMOND RING WE SHOWED
YOU
DIAMOND RING WE SHOWED
YOU EARLIER
DIAMOND RING WE SHOWED
YOU EARLIER ON
DIAMOND RING WE SHOWED
YOU EARLIER ON SALE.
YOU EARLIER ON SALE.
YOU EARLIER ON SALE.
JUST
YOU EARLIER ON SALE.
JUST BRING
YOU EARLIER ON SALE.
JUST BRING IT.
JUST BRING IT.
JUST BRING IT.
WHY
JUST BRING IT.
WHY NOT?
WHY NOT?
WHY NOT?
>>
WHY NOT?
>> Guest:
WHY NOT?
>> Guest: I
WHY NOT?
>> Guest: I LOVE
WHY NOT?
>> Guest: I LOVE THAT
>> Guest: I LOVE THAT
>> Guest: I LOVE THAT
RING.
RING.
RING.
>>
RING.
>> Host:
RING.
>> Host: BUT
RING.
>> Host: BUT ALL
RING.
>> Host: BUT ALL TO
RING.
>> Host: BUT ALL TO GO,
>> Host: BUT ALL TO GO,
>> Host: BUT ALL TO GO,
JUST
>> Host: BUT ALL TO GO,
JUST PLAYING
>> Host: BUT ALL TO GO,
JUST PLAYING AND
>> Host: BUT ALL TO GO,
JUST PLAYING AND HAVING
JUST PLAYING AND HAVING
JUST PLAYING AND HAVING
FUN
JUST PLAYING AND HAVING
FUN WITH
JUST PLAYING AND HAVING
FUN WITH THE
JUST PLAYING AND HAVING
FUN WITH THE STACK.
FUN WITH THE STACK.
FUN WITH THE STACK.
THAT'S
FUN WITH THE STACK.
THAT'S A
FUN WITH THE STACK.
THAT'S A CUTE,
FUN WITH THE STACK.
THAT'S A CUTE, CUTE
THAT'S A CUTE, CUTE
THAT'S A CUTE, CUTE
LOOK.
LOOK.
LOOK.
IF
LOOK.
IF YOU
LOOK.
IF YOU LIKE
LOOK.
IF YOU LIKE LOTS
LOOK.
IF YOU LIKE LOTS OF
IF YOU LIKE LOTS OF
IF YOU LIKE LOTS OF
RINGS
IF YOU LIKE LOTS OF
RINGS OR
IF YOU LIKE LOTS OF
RINGS OR A
IF YOU LIKE LOTS OF
RINGS OR A LITTLE,
IF YOU LIKE LOTS OF
RINGS OR A LITTLE, WE
RINGS OR A LITTLE, WE
RINGS OR A LITTLE, WE
HAVE
RINGS OR A LITTLE, WE
HAVE IT
RINGS OR A LITTLE, WE
HAVE IT FOR
RINGS OR A LITTLE, WE
HAVE IT FOR YOU
RINGS OR A LITTLE, WE
HAVE IT FOR YOU ON
RINGS OR A LITTLE, WE
HAVE IT FOR YOU ON THIS
HAVE IT FOR YOU ON THIS
HAVE IT FOR YOU ON THIS
ONE.
ONE.
ONE.
ALL
ONE.
ALL FOUR,
ONE.
ALL FOUR, SIZES,
ONE.
ALL FOUR, SIZES, LET
ONE.
ALL FOUR, SIZES, LET ME
ALL FOUR, SIZES, LET ME
ALL FOUR, SIZES, LET ME
SEE
ALL FOUR, SIZES, LET ME
SEE GOSH,
ALL FOUR, SIZES, LET ME
SEE GOSH, YOU
ALL FOUR, SIZES, LET ME
SEE GOSH, YOU KNOW
ALL FOUR, SIZES, LET ME
SEE GOSH, YOU KNOW WHAT?
SEE GOSH, YOU KNOW WHAT?
SEE GOSH, YOU KNOW WHAT?
I
SEE GOSH, YOU KNOW WHAT?
I DON'T
SEE GOSH, YOU KNOW WHAT?
I DON'T HAVE
SEE GOSH, YOU KNOW WHAT?
I DON'T HAVE SIZES
SEE GOSH, YOU KNOW WHAT?
I DON'T HAVE SIZES ON
SEE GOSH, YOU KNOW WHAT?
I DON'T HAVE SIZES ON MY
I DON'T HAVE SIZES ON MY
I DON'T HAVE SIZES ON MY
CARD,
I DON'T HAVE SIZES ON MY
CARD, BUT
I DON'T HAVE SIZES ON MY
CARD, BUT 5-10.
CARD, BUT 5-10.
CARD, BUT 5-10.
AND
CARD, BUT 5-10.
AND IT'S
CARD, BUT 5-10.
AND IT'S GENUINELY
CARD, BUT 5-10.
AND IT'S GENUINELY TRUE
AND IT'S GENUINELY TRUE
AND IT'S GENUINELY TRUE
TO
AND IT'S GENUINELY TRUE
TO SIZE.
TO SIZE.
TO SIZE.
>>
TO SIZE.
>> Guest:
TO SIZE.
>> Guest: YES,
TO SIZE.
>> Guest: YES, IT
TO SIZE.
>> Guest: YES, IT IS.
>> Guest: YES, IT IS.
>> Guest: YES, IT IS.
>>
>> Guest: YES, IT IS.
>> Host:
>> Guest: YES, IT IS.
>> Host: WRAP
>> Guest: YES, IT IS.
>> Host: WRAP UP
>> Guest: YES, IT IS.
>> Host: WRAP UP ON
>> Guest: YES, IT IS.
>> Host: WRAP UP ON THAT
>> Host: WRAP UP ON THAT
>> Host: WRAP UP ON THAT
ONE.
ONE.
ONE.
WE
ONE.
WE HAVE
ONE.
WE HAVE 100
ONE.
WE HAVE 100 LEFT,
ONE.
WE HAVE 100 LEFT, THAT'S
WE HAVE 100 LEFT, THAT'S
WE HAVE 100 LEFT, THAT'S
IT.
IT.
IT.
AND
IT.
AND THAT'S
IT.
AND THAT'S COMPLETELY
AND THAT'S COMPLETELY
AND THAT'S COMPLETELY
SOLD
AND THAT'S COMPLETELY
SOLD OUT.
SOLD OUT.
SOLD OUT.
SO
SOLD OUT.
SO A
SOLD OUT.
SO A COUPLE
SOLD OUT.
SO A COUPLE THINGS.
SO A COUPLE THINGS.
SO A COUPLE THINGS.
DIANA
SO A COUPLE THINGS.
DIANA AND
SO A COUPLE THINGS.
DIANA AND I
SO A COUPLE THINGS.
DIANA AND I WERE
SO A COUPLE THINGS.
DIANA AND I WERE TALKING
DIANA AND I WERE TALKING
DIANA AND I WERE TALKING
ABOUT
DIANA AND I WERE TALKING
ABOUT THIS
DIANA AND I WERE TALKING
ABOUT THIS ONE.
ABOUT THIS ONE.
ABOUT THIS ONE.
THIS
ABOUT THIS ONE.
THIS IS
ABOUT THIS ONE.
THIS IS FANTASTIC.
THIS IS FANTASTIC.
THIS IS FANTASTIC.
I
THIS IS FANTASTIC.
I BOUGHT
THIS IS FANTASTIC.
I BOUGHT A
THIS IS FANTASTIC.
I BOUGHT A BLACK
THIS IS FANTASTIC.
I BOUGHT A BLACK DIAMOND
I BOUGHT A BLACK DIAMOND
I BOUGHT A BLACK DIAMOND
WHEN
I BOUGHT A BLACK DIAMOND
WHEN WE
I BOUGHT A BLACK DIAMOND
WHEN WE WERE
I BOUGHT A BLACK DIAMOND
WHEN WE WERE ON
WHEN WE WERE ON
WHEN WE WERE ON
TOGETHER.
TOGETHER.
TOGETHER.
THIS
TOGETHER.
THIS IS
TOGETHER.
THIS IS INSANE.
THIS IS INSANE.
THIS IS INSANE.
THIS
THIS IS INSANE.
THIS IS
THIS IS INSANE.
THIS IS ANOTHER
THIS IS INSANE.
THIS IS ANOTHER ONE,
THIS IS INSANE.
THIS IS ANOTHER ONE, HOW
THIS IS ANOTHER ONE, HOW
THIS IS ANOTHER ONE, HOW
MANY
THIS IS ANOTHER ONE, HOW
MANY OF
THIS IS ANOTHER ONE, HOW
MANY OF THESE
THIS IS ANOTHER ONE, HOW
MANY OF THESE DO
THIS IS ANOTHER ONE, HOW
MANY OF THESE DO I
THIS IS ANOTHER ONE, HOW
MANY OF THESE DO I HAVE?
MANY OF THESE DO I HAVE?
MANY OF THESE DO I HAVE?
I
MANY OF THESE DO I HAVE?
I CAN'T
MANY OF THESE DO I HAVE?
I CAN'T HAVE
MANY OF THESE DO I HAVE?
I CAN'T HAVE MANY.
I CAN'T HAVE MANY.
I CAN'T HAVE MANY.
WE
I CAN'T HAVE MANY.
WE HAVE
I CAN'T HAVE MANY.
WE HAVE 5-10,
I CAN'T HAVE MANY.
WE HAVE 5-10, AND
I CAN'T HAVE MANY.
WE HAVE 5-10, AND I'M
WE HAVE 5-10, AND I'M
WE HAVE 5-10, AND I'M
GOOD
WE HAVE 5-10, AND I'M
GOOD ON
WE HAVE 5-10, AND I'M
GOOD ON ALL
WE HAVE 5-10, AND I'M
GOOD ON ALL SIZES.
GOOD ON ALL SIZES.
GOOD ON ALL SIZES.
THIS
GOOD ON ALL SIZES.
THIS ORIGINALLY
GOOD ON ALL SIZES.
THIS ORIGINALLY WAS
THIS ORIGINALLY WAS
THIS ORIGINALLY WAS
$139.90.
$139.90.
$139.90.
IT'S
$139.90.
IT'S $59.90.
IT'S $59.90.
IT'S $59.90.
CAN
IT'S $59.90.
CAN YOU
IT'S $59.90.
CAN YOU GUYS
IT'S $59.90.
CAN YOU GUYS GO
IT'S $59.90.
CAN YOU GUYS GO IN
IT'S $59.90.
CAN YOU GUYS GO IN A
IT'S $59.90.
CAN YOU GUYS GO IN A BIT
CAN YOU GUYS GO IN A BIT
CAN YOU GUYS GO IN A BIT
TIGHTER.
TIGHTER.
TIGHTER.
YOU
TIGHTER.
YOU GOT
TIGHTER.
YOU GOT TO
TIGHTER.
YOU GOT TO SEE
TIGHTER.
YOU GOT TO SEE THIS
TIGHTER.
YOU GOT TO SEE THIS ONE.
YOU GOT TO SEE THIS ONE.
YOU GOT TO SEE THIS ONE.
BLACK
YOU GOT TO SEE THIS ONE.
BLACK AND
YOU GOT TO SEE THIS ONE.
BLACK AND WHITE
YOU GOT TO SEE THIS ONE.
BLACK AND WHITE DIAMONDS
BLACK AND WHITE DIAMONDS
BLACK AND WHITE DIAMONDS
PAVE
BLACK AND WHITE DIAMONDS
PAVE SET
BLACK AND WHITE DIAMONDS
PAVE SET ON
BLACK AND WHITE DIAMONDS
PAVE SET ON THE
PAVE SET ON THE
PAVE SET ON THE
SHOULDERS,
PAVE SET ON THE
SHOULDERS, YOU
PAVE SET ON THE
SHOULDERS, YOU HAVE
PAVE SET ON THE
SHOULDERS, YOU HAVE THE
SHOULDERS, YOU HAVE THE
SHOULDERS, YOU HAVE THE
WHITE
SHOULDERS, YOU HAVE THE
WHITE GOING
SHOULDERS, YOU HAVE THE
WHITE GOING AROUND.
WHITE GOING AROUND.
WHITE GOING AROUND.
THANK
WHITE GOING AROUND.
THANK YOU.
THANK YOU.
THANK YOU.
THAT
THANK YOU.
THAT IS
THANK YOU.
THAT IS THE
THANK YOU.
THAT IS THE STEAL
THANK YOU.
THAT IS THE STEAL OF
THANK YOU.
THAT IS THE STEAL OF THE
THAT IS THE STEAL OF THE
THAT IS THE STEAL OF THE
DEAL.
DEAL.
DEAL.
>>
DEAL.
>> Guest:
DEAL.
>> Guest: THEY
DEAL.
>> Guest: THEY WERE
DEAL.
>> Guest: THEY WERE SELL
>> Guest: THEY WERE SELL
>> Guest: THEY WERE SELL
LIKE
>> Guest: THEY WERE SELL
LIKE GRAPES
>> Guest: THEY WERE SELL
LIKE GRAPES AROUND
>> Guest: THEY WERE SELL
LIKE GRAPES AROUND THE
LIKE GRAPES AROUND THE
LIKE GRAPES AROUND THE
HOLIDAYS.
HOLIDAYS.
HOLIDAYS.
THIS
HOLIDAYS.
THIS IS
HOLIDAYS.
THIS IS --
HOLIDAYS.
THIS IS -- BUT
HOLIDAYS.
THIS IS -- BUT BLACK
HOLIDAYS.
THIS IS -- BUT BLACK AND
THIS IS -- BUT BLACK AND
THIS IS -- BUT BLACK AND
WHITE.
WHITE.
WHITE.
WHO
WHITE.
WHO HAS
WHITE.
WHO HAS THAT?
WHO HAS THAT?
WHO HAS THAT?
IT'S
WHO HAS THAT?
IT'S NOT
WHO HAS THAT?
IT'S NOT THE
WHO HAS THAT?
IT'S NOT THE PRICE,
WHO HAS THAT?
IT'S NOT THE PRICE, IT'S
IT'S NOT THE PRICE, IT'S
IT'S NOT THE PRICE, IT'S
THE
IT'S NOT THE PRICE, IT'S
THE ACCESSIBILITY.
THE ACCESSIBILITY.
THE ACCESSIBILITY.
GO
THE ACCESSIBILITY.
GO INTO
THE ACCESSIBILITY.
GO INTO A
THE ACCESSIBILITY.
GO INTO A JEWELRY
THE ACCESSIBILITY.
GO INTO A JEWELRY STORE
GO INTO A JEWELRY STORE
GO INTO A JEWELRY STORE
AND
GO INTO A JEWELRY STORE
AND ASK
GO INTO A JEWELRY STORE
AND ASK TO
GO INTO A JEWELRY STORE
AND ASK TO SEE
GO INTO A JEWELRY STORE
AND ASK TO SEE A
GO INTO A JEWELRY STORE
AND ASK TO SEE A BLACK
AND ASK TO SEE A BLACK
AND ASK TO SEE A BLACK
AND
AND ASK TO SEE A BLACK
AND WHITE
AND ASK TO SEE A BLACK
AND WHITE DIAMOND.
AND WHITE DIAMOND.
AND WHITE DIAMOND.
>>
AND WHITE DIAMOND.
>> Host:
AND WHITE DIAMOND.
>> Host: AND
AND WHITE DIAMOND.
>> Host: AND THEN
AND WHITE DIAMOND.
>> Host: AND THEN IS
AND WHITE DIAMOND.
>> Host: AND THEN IS IT
>> Host: AND THEN IS IT
>> Host: AND THEN IS IT
GOING
>> Host: AND THEN IS IT
GOING TO
>> Host: AND THEN IS IT
GOING TO BE
>> Host: AND THEN IS IT
GOING TO BE $59.90?
GOING TO BE $59.90?
GOING TO BE $59.90?
AND
GOING TO BE $59.90?
AND BY
GOING TO BE $59.90?
AND BY THE
GOING TO BE $59.90?
AND BY THE WAY,
GOING TO BE $59.90?
AND BY THE WAY, CAN
GOING TO BE $59.90?
AND BY THE WAY, CAN I
AND BY THE WAY, CAN I
AND BY THE WAY, CAN I
HAVE
AND BY THE WAY, CAN I
HAVE FIVE
AND BY THE WAY, CAN I
HAVE FIVE FLEX?
HAVE FIVE FLEX?
HAVE FIVE FLEX?
MA'AM.
MA'AM.
MA'AM.
YOU
MA'AM.
YOU HAVE
MA'AM.
YOU HAVE TO
MA'AM.
YOU HAVE TO GO.
YOU HAVE TO GO.
YOU HAVE TO GO.
GIRLS,
YOU HAVE TO GO.
GIRLS, IF
YOU HAVE TO GO.
GIRLS, IF YOU
YOU HAVE TO GO.
GIRLS, IF YOU WANT
YOU HAVE TO GO.
GIRLS, IF YOU WANT A
GIRLS, IF YOU WANT A
GIRLS, IF YOU WANT A
STUNNING
GIRLS, IF YOU WANT A
STUNNING PIECE,
GIRLS, IF YOU WANT A
STUNNING PIECE, I
GIRLS, IF YOU WANT A
STUNNING PIECE, I WOULD
STUNNING PIECE, I WOULD
STUNNING PIECE, I WOULD
GO
STUNNING PIECE, I WOULD
GO FOR
STUNNING PIECE, I WOULD
GO FOR THIS
STUNNING PIECE, I WOULD
GO FOR THIS ONE.
GO FOR THIS ONE.
GO FOR THIS ONE.
THAT'S
GO FOR THIS ONE.
THAT'S AN
GO FOR THIS ONE.
THAT'S AN UNBELIEVABLE
THAT'S AN UNBELIEVABLE
THAT'S AN UNBELIEVABLE
PRICE.
PRICE.
PRICE.
HERE
PRICE.
HERE WE
PRICE.
HERE WE GO.
HERE WE GO.
HERE WE GO.
WE'LL
HERE WE GO.
WE'LL SHOW
HERE WE GO.
WE'LL SHOW YOU
HERE WE GO.
WE'LL SHOW YOU THESE.
WE'LL SHOW YOU THESE.
WE'LL SHOW YOU THESE.
THESE
WE'LL SHOW YOU THESE.
THESE ARE
WE'LL SHOW YOU THESE.
THESE ARE FUN.
THESE ARE FUN.
THESE ARE FUN.
CHECK
THESE ARE FUN.
CHECK THIS
THESE ARE FUN.
CHECK THIS OUT.
CHECK THIS OUT.
CHECK THIS OUT.
HERE
CHECK THIS OUT.
HERE WE
CHECK THIS OUT.
HERE WE GO.
HERE WE GO.
HERE WE GO.
LOOK
HERE WE GO.
LOOK AT
HERE WE GO.
LOOK AT THESE,
HERE WE GO.
LOOK AT THESE, DARN
HERE WE GO.
LOOK AT THESE, DARN IT.
LOOK AT THESE, DARN IT.
LOOK AT THESE, DARN IT.
I
LOOK AT THESE, DARN IT.
I SHOULD
LOOK AT THESE, DARN IT.
I SHOULD HAVE
LOOK AT THESE, DARN IT.
I SHOULD HAVE DONE
LOOK AT THESE, DARN IT.
I SHOULD HAVE DONE SOME
I SHOULD HAVE DONE SOME
I SHOULD HAVE DONE SOME
SHOPPING
I SHOULD HAVE DONE SOME
SHOPPING EARLIER.
SHOPPING EARLIER.
SHOPPING EARLIER.
YOU
SHOPPING EARLIER.
YOU GET
SHOPPING EARLIER.
YOU GET ALL
SHOPPING EARLIER.
YOU GET ALL FOUR
SHOPPING EARLIER.
YOU GET ALL FOUR OF
SHOPPING EARLIER.
YOU GET ALL FOUR OF THE
YOU GET ALL FOUR OF THE
YOU GET ALL FOUR OF THE
BAND
YOU GET ALL FOUR OF THE
BAND RINGS,
YOU GET ALL FOUR OF THE
BAND RINGS, IT'S
YOU GET ALL FOUR OF THE
BAND RINGS, IT'S NOT
YOU GET ALL FOUR OF THE
BAND RINGS, IT'S NOT A
BAND RINGS, IT'S NOT A
BAND RINGS, IT'S NOT A
CHOICE
BAND RINGS, IT'S NOT A
CHOICE OF,
BAND RINGS, IT'S NOT A
CHOICE OF, AND
BAND RINGS, IT'S NOT A
CHOICE OF, AND TONIGHT,
CHOICE OF, AND TONIGHT,
CHOICE OF, AND TONIGHT,
IT'S
CHOICE OF, AND TONIGHT,
IT'S $150
CHOICE OF, AND TONIGHT,
IT'S $150 OFF.
IT'S $150 OFF.
IT'S $150 OFF.
LOOK
IT'S $150 OFF.
LOOK AT
IT'S $150 OFF.
LOOK AT THAT
IT'S $150 OFF.
LOOK AT THAT AS
IT'S $150 OFF.
LOOK AT THAT AS A
IT'S $150 OFF.
LOOK AT THAT AS A STAND
LOOK AT THAT AS A STAND
LOOK AT THAT AS A STAND
ALONE.
ALONE.
ALONE.
HOW
ALONE.
HOW BEAUTIFUL
ALONE.
HOW BEAUTIFUL IS
ALONE.
HOW BEAUTIFUL IS THE
HOW BEAUTIFUL IS THE
HOW BEAUTIFUL IS THE
SINGLE
HOW BEAUTIFUL IS THE
SINGLE RING
HOW BEAUTIFUL IS THE
SINGLE RING IN
HOW BEAUTIFUL IS THE
SINGLE RING IN THE
HOW BEAUTIFUL IS THE
SINGLE RING IN THE WHITE
SINGLE RING IN THE WHITE
SINGLE RING IN THE WHITE
DIAMOND.
DIAMOND.
DIAMOND.
YOU
DIAMOND.
YOU GET
DIAMOND.
YOU GET THE
DIAMOND.
YOU GET THE BLACK,
DIAMOND.
YOU GET THE BLACK, YOU
YOU GET THE BLACK, YOU
YOU GET THE BLACK, YOU
GET
YOU GET THE BLACK, YOU
GET THE
YOU GET THE BLACK, YOU
GET THE WHITE,
YOU GET THE BLACK, YOU
GET THE WHITE, AND
YOU GET THE BLACK, YOU
GET THE WHITE, AND THE
GET THE WHITE, AND THE
GET THE WHITE, AND THE
BLUE
GET THE WHITE, AND THE
BLUE AND
GET THE WHITE, AND THE
BLUE AND CHAMPAGNE.
BLUE AND CHAMPAGNE.
BLUE AND CHAMPAGNE.
ALL
BLUE AND CHAMPAGNE.
ALL OF
BLUE AND CHAMPAGNE.
ALL OF THEM
BLUE AND CHAMPAGNE.
ALL OF THEM FOR
BLUE AND CHAMPAGNE.
ALL OF THEM FOR $209.90.
ALL OF THEM FOR $209.90.
ALL OF THEM FOR $209.90.
LOOK
ALL OF THEM FOR $209.90.
LOOK HOW
ALL OF THEM FOR $209.90.
LOOK HOW COOL
ALL OF THEM FOR $209.90.
LOOK HOW COOL THAT
ALL OF THEM FOR $209.90.
LOOK HOW COOL THAT IS.
LOOK HOW COOL THAT IS.
LOOK HOW COOL THAT IS.
YOU
LOOK HOW COOL THAT IS.
YOU CAN
LOOK HOW COOL THAT IS.
YOU CAN STACK
LOOK HOW COOL THAT IS.
YOU CAN STACK THEM,
LOOK HOW COOL THAT IS.
YOU CAN STACK THEM, USE
YOU CAN STACK THEM, USE
YOU CAN STACK THEM, USE
THEM
YOU CAN STACK THEM, USE
THEM ASTOUNDS.
THEM ASTOUNDS.
THEM ASTOUNDS.
IF
THEM ASTOUNDS.
IF YOU'RE
THEM ASTOUNDS.
IF YOU'RE ON
THEM ASTOUNDS.
IF YOU'RE ON A
THEM ASTOUNDS.
IF YOU'RE ON A BUDGET
IF YOU'RE ON A BUDGET
IF YOU'RE ON A BUDGET
FOR
IF YOU'RE ON A BUDGET
FOR A
IF YOU'RE ON A BUDGET
FOR A WEDDING.
FOR A WEDDING.
FOR A WEDDING.
BE
FOR A WEDDING.
BE THAT
FOR A WEDDING.
BE THAT REALLY
FOR A WEDDING.
BE THAT REALLY EDGY
FOR A WEDDING.
BE THAT REALLY EDGY GIRL
BE THAT REALLY EDGY GIRL
BE THAT REALLY EDGY GIRL
AND
BE THAT REALLY EDGY GIRL
AND DO
BE THAT REALLY EDGY GIRL
AND DO BLACK
BE THAT REALLY EDGY GIRL
AND DO BLACK DIAMONDS.
AND DO BLACK DIAMONDS.
AND DO BLACK DIAMONDS.
THERE'S
AND DO BLACK DIAMONDS.
THERE'S THE
AND DO BLACK DIAMONDS.
THERE'S THE BAND,
AND DO BLACK DIAMONDS.
THERE'S THE BAND, AND
THERE'S THE BAND, AND
THERE'S THE BAND, AND
MAIN
THERE'S THE BAND, AND
MAIN ENGAGEMENT
THERE'S THE BAND, AND
MAIN ENGAGEMENT RING.
MAIN ENGAGEMENT RING.
MAIN ENGAGEMENT RING.
>>
MAIN ENGAGEMENT RING.
>> Host:
MAIN ENGAGEMENT RING.
>> Host: IN
MAIN ENGAGEMENT RING.
>> Host: IN THE
MAIN ENGAGEMENT RING.
>> Host: IN THE BACK,
>> Host: IN THE BACK,
>> Host: IN THE BACK,
YOU
>> Host: IN THE BACK,
YOU HAVE
>> Host: IN THE BACK,
YOU HAVE A
>> Host: IN THE BACK,
YOU HAVE A LOBSTER
>> Host: IN THE BACK,
YOU HAVE A LOBSTER CLAW
YOU HAVE A LOBSTER CLAW
YOU HAVE A LOBSTER CLAW
CLASP.
CLASP.
CLASP.
IT'S
CLASP.
IT'S THE
CLASP.
IT'S THE CHIC
CLASP.
IT'S THE CHIC DIAMOND
IT'S THE CHIC DIAMOND
IT'S THE CHIC DIAMOND
STYLE.
STYLE.
STYLE.
LIKE
STYLE.
LIKE I
STYLE.
LIKE I JUST
STYLE.
LIKE I JUST TOSSED
STYLE.
LIKE I JUST TOSSED SOME
LIKE I JUST TOSSED SOME
LIKE I JUST TOSSED SOME
DIAMONDS
LIKE I JUST TOSSED SOME
DIAMONDS ON,
LIKE I JUST TOSSED SOME
DIAMONDS ON, I'M
DIAMONDS ON, I'M
DIAMONDS ON, I'M
FABULOUS.
FABULOUS.
FABULOUS.
WITHOUT
FABULOUS.
WITHOUT BEING
FABULOUS.
WITHOUT BEING OVER
FABULOUS.
WITHOUT BEING OVER DONE,
WITHOUT BEING OVER DONE,
WITHOUT BEING OVER DONE,
AND
WITHOUT BEING OVER DONE,
AND I
WITHOUT BEING OVER DONE,
AND I LOVE,
WITHOUT BEING OVER DONE,
AND I LOVE, THIS
WITHOUT BEING OVER DONE,
AND I LOVE, THIS IS
WITHOUT BEING OVER DONE,
AND I LOVE, THIS IS SO
AND I LOVE, THIS IS SO
AND I LOVE, THIS IS SO
FRESH
AND I LOVE, THIS IS SO
FRESH AND
AND I LOVE, THIS IS SO
FRESH AND DIFFERENT
AND I LOVE, THIS IS SO
FRESH AND DIFFERENT TO
FRESH AND DIFFERENT TO
FRESH AND DIFFERENT TO
SET
FRESH AND DIFFERENT TO
SET THOSE
FRESH AND DIFFERENT TO
SET THOSE STONES
FRESH AND DIFFERENT TO
SET THOSE STONES IN
FRESH AND DIFFERENT TO
SET THOSE STONES IN THE
SET THOSE STONES IN THE
SET THOSE STONES IN THE
ELONGATED
SET THOSE STONES IN THE
ELONGATED MANNER.
ELONGATED MANNER.
ELONGATED MANNER.
>>
ELONGATED MANNER.
>> Guest:
ELONGATED MANNER.
>> Guest: IT'S
ELONGATED MANNER.
>> Guest: IT'S THAT
ELONGATED MANNER.
>> Guest: IT'S THAT NEW
>> Guest: IT'S THAT NEW
>> Guest: IT'S THAT NEW
YORK
>> Guest: IT'S THAT NEW
YORK COST
>> Guest: IT'S THAT NEW
YORK COST --
>> Guest: IT'S THAT NEW
YORK COST -- HOW
>> Guest: IT'S THAT NEW
YORK COST -- HOW GREAT,
YORK COST -- HOW GREAT,
YORK COST -- HOW GREAT,
WE
YORK COST -- HOW GREAT,
WE HAVE
YORK COST -- HOW GREAT,
WE HAVE BLUE,
YORK COST -- HOW GREAT,
WE HAVE BLUE, WE
YORK COST -- HOW GREAT,
WE HAVE BLUE, WE HAVE
WE HAVE BLUE, WE HAVE
WE HAVE BLUE, WE HAVE
BLACK,
WE HAVE BLUE, WE HAVE
BLACK, AND
WE HAVE BLUE, WE HAVE
BLACK, AND THEN
WE HAVE BLUE, WE HAVE
BLACK, AND THEN WE
WE HAVE BLUE, WE HAVE
BLACK, AND THEN WE HAVE
BLACK, AND THEN WE HAVE
BLACK, AND THEN WE HAVE
THE
BLACK, AND THEN WE HAVE
THE CHAMPAGNE
BLACK, AND THEN WE HAVE
THE CHAMPAGNE COLOR.
THE CHAMPAGNE COLOR.
THE CHAMPAGNE COLOR.
SO
THE CHAMPAGNE COLOR.
SO LET'S
THE CHAMPAGNE COLOR.
SO LET'S WORK
THE CHAMPAGNE COLOR.
SO LET'S WORK WITH
THE CHAMPAGNE COLOR.
SO LET'S WORK WITH THE
SO LET'S WORK WITH THE
SO LET'S WORK WITH THE
BLUE.
BLUE.
BLUE.
I
BLUE.
I HAVE
BLUE.
I HAVE THE
BLUE.
I HAVE THE BLUE
BLUE.
I HAVE THE BLUE ON,
BLUE.
I HAVE THE BLUE ON, A
I HAVE THE BLUE ON, A
I HAVE THE BLUE ON, A
BUNCH
I HAVE THE BLUE ON, A
BUNCH OF,
I HAVE THE BLUE ON, A
BUNCH OF, MAYBE
I HAVE THE BLUE ON, A
BUNCH OF, MAYBE YOU
I HAVE THE BLUE ON, A
BUNCH OF, MAYBE YOU HAVE
BUNCH OF, MAYBE YOU HAVE
BUNCH OF, MAYBE YOU HAVE
STERLING
BUNCH OF, MAYBE YOU HAVE
STERLING SILVER
BUNCH OF, MAYBE YOU HAVE
STERLING SILVER CUFFS,
STERLING SILVER CUFFS,
STERLING SILVER CUFFS,
BANGLE
STERLING SILVER CUFFS,
BANGLE BRACELET,
STERLING SILVER CUFFS,
BANGLE BRACELET, AND
STERLING SILVER CUFFS,
BANGLE BRACELET, AND POP
BANGLE BRACELET, AND POP
BANGLE BRACELET, AND POP
THIS
BANGLE BRACELET, AND POP
THIS IN
BANGLE BRACELET, AND POP
THIS IN WITH
BANGLE BRACELET, AND POP
THIS IN WITH THE
BANGLE BRACELET, AND POP
THIS IN WITH THE OTHER
THIS IN WITH THE OTHER
THIS IN WITH THE OTHER
BRACELETS
THIS IN WITH THE OTHER
BRACELETS ON
THIS IN WITH THE OTHER
BRACELETS ON YOUR
THIS IN WITH THE OTHER
BRACELETS ON YOUR WRIST.
BRACELETS ON YOUR WRIST.
BRACELETS ON YOUR WRIST.
I
BRACELETS ON YOUR WRIST.
I WISH
BRACELETS ON YOUR WRIST.
I WISH I
BRACELETS ON YOUR WRIST.
I WISH I HAD
BRACELETS ON YOUR WRIST.
I WISH I HAD A
BRACELETS ON YOUR WRIST.
I WISH I HAD A BUNCH
BRACELETS ON YOUR WRIST.
I WISH I HAD A BUNCH TO
I WISH I HAD A BUNCH TO
I WISH I HAD A BUNCH TO
SHOW
I WISH I HAD A BUNCH TO
SHOW YOU.
SHOW YOU.
SHOW YOU.
THAT'S
SHOW YOU.
THAT'S THAT
SHOW YOU.
THAT'S THAT EFFORT-LESS,
THAT'S THAT EFFORT-LESS,
THAT'S THAT EFFORT-LESS,
I
THAT'S THAT EFFORT-LESS,
I JUST
THAT'S THAT EFFORT-LESS,
I JUST THROW
THAT'S THAT EFFORT-LESS,
I JUST THROW IT
THAT'S THAT EFFORT-LESS,
I JUST THROW IT ON
THAT'S THAT EFFORT-LESS,
I JUST THROW IT ON WITH
I JUST THROW IT ON WITH
I JUST THROW IT ON WITH
MY
I JUST THROW IT ON WITH
MY OVER
I JUST THROW IT ON WITH
MY OVER BRACELET.
MY OVER BRACELET.
MY OVER BRACELET.
--
MY OVER BRACELET.
-- OTHER
MY OVER BRACELET.
-- OTHER BRACELETS.
-- OTHER BRACELETS.
-- OTHER BRACELETS.
>>
-- OTHER BRACELETS.
>> Guest:
-- OTHER BRACELETS.
>> Guest: WE
-- OTHER BRACELETS.
>> Guest: WE HAVE
-- OTHER BRACELETS.
>> Guest: WE HAVE A
>> Guest: WE HAVE A
>> Guest: WE HAVE A
WARDROBE
>> Guest: WE HAVE A
WARDROBE GOING.
WARDROBE GOING.
WARDROBE GOING.
>>
WARDROBE GOING.
>> Host:
WARDROBE GOING.
>> Host: I'VE,
WARDROBE GOING.
>> Host: I'VE, SINCE
WARDROBE GOING.
>> Host: I'VE, SINCE I
>> Host: I'VE, SINCE I
>> Host: I'VE, SINCE I
BOUGHT
>> Host: I'VE, SINCE I
BOUGHT THAT
>> Host: I'VE, SINCE I
BOUGHT THAT BLACK
BOUGHT THAT BLACK
BOUGHT THAT BLACK
SOLITAIRE
BOUGHT THAT BLACK
SOLITAIRE --
SOLITAIRE --
SOLITAIRE --
>>
SOLITAIRE --
>> Guest:
SOLITAIRE --
>> Guest: I
SOLITAIRE --
>> Guest: I KNEW
SOLITAIRE --
>> Guest: I KNEW YOU
>> Guest: I KNEW YOU
>> Guest: I KNEW YOU
WERE
>> Guest: I KNEW YOU
WERE GOING
>> Guest: I KNEW YOU
WERE GOING TO
>> Guest: I KNEW YOU
WERE GOING TO BE
WERE GOING TO BE
WERE GOING TO BE
ADDICTED.
ADDICTED.
ADDICTED.
>>
ADDICTED.
>> Host:
ADDICTED.
>> Host: ONCE
ADDICTED.
>> Host: ONCE YOU
ADDICTED.
>> Host: ONCE YOU GO,
>> Host: ONCE YOU GO,
>> Host: ONCE YOU GO,
AND
>> Host: ONCE YOU GO,
AND YOU
>> Host: ONCE YOU GO,
AND YOU TRY
>> Host: ONCE YOU GO,
AND YOU TRY A
>> Host: ONCE YOU GO,
AND YOU TRY A BLACK
AND YOU TRY A BLACK
AND YOU TRY A BLACK
DIAMOND,
AND YOU TRY A BLACK
DIAMOND, IT'S
AND YOU TRY A BLACK
DIAMOND, IT'S SO
DIAMOND, IT'S SO
DIAMOND, IT'S SO
REFRESHINGLY
DIAMOND, IT'S SO
REFRESHINGLY DIFFERENT
REFRESHINGLY DIFFERENT
REFRESHINGLY DIFFERENT
THAN
REFRESHINGLY DIFFERENT
THAN WHAT
REFRESHINGLY DIFFERENT
THAN WHAT YOUR
REFRESHINGLY DIFFERENT
THAN WHAT YOUR FRIENDS
THAN WHAT YOUR FRIENDS
THAN WHAT YOUR FRIENDS
ARE
THAN WHAT YOUR FRIENDS
ARE WEARING
THAN WHAT YOUR FRIENDS
ARE WEARING AND
THAN WHAT YOUR FRIENDS
ARE WEARING AND IT'S
ARE WEARING AND IT'S
ARE WEARING AND IT'S
STRIKING.
STRIKING.
STRIKING.
LIKE
STRIKING.
LIKE PEOPLE,
STRIKING.
LIKE PEOPLE, HAVE
STRIKING.
LIKE PEOPLE, HAVE YOU
LIKE PEOPLE, HAVE YOU
LIKE PEOPLE, HAVE YOU
FOUND
LIKE PEOPLE, HAVE YOU
FOUND THAT
LIKE PEOPLE, HAVE YOU
FOUND THAT PEOPLE
LIKE PEOPLE, HAVE YOU
FOUND THAT PEOPLE WHEN
FOUND THAT PEOPLE WHEN
FOUND THAT PEOPLE WHEN
YOU
FOUND THAT PEOPLE WHEN
YOU WEAR
FOUND THAT PEOPLE WHEN
YOU WEAR A
FOUND THAT PEOPLE WHEN
YOU WEAR A COLORED
YOU WEAR A COLORED
YOU WEAR A COLORED
DIAMOND,
YOU WEAR A COLORED
DIAMOND, IT'S
YOU WEAR A COLORED
DIAMOND, IT'S REALLY
DIAMOND, IT'S REALLY
DIAMOND, IT'S REALLY
KIND
DIAMOND, IT'S REALLY
KIND OF
DIAMOND, IT'S REALLY
KIND OF A
DIAMOND, IT'S REALLY
KIND OF A STOPPER.
KIND OF A STOPPER.
KIND OF A STOPPER.
>>
KIND OF A STOPPER.
>> Guest:
KIND OF A STOPPER.
>> Guest: IT'S
KIND OF A STOPPER.
>> Guest: IT'S A
>> Guest: IT'S A
>> Guest: IT'S A
STOPPER,
>> Guest: IT'S A
STOPPER, BECAUSE
>> Guest: IT'S A
STOPPER, BECAUSE IT'S
STOPPER, BECAUSE IT'S
STOPPER, BECAUSE IT'S
LIKE
STOPPER, BECAUSE IT'S
LIKE A
STOPPER, BECAUSE IT'S
LIKE A BLUE,
STOPPER, BECAUSE IT'S
LIKE A BLUE, CHAMPAGNE
LIKE A BLUE, CHAMPAGNE
LIKE A BLUE, CHAMPAGNE
DIAMONDS
LIKE A BLUE, CHAMPAGNE
DIAMONDS PEOPLE
DIAMONDS PEOPLE
DIAMONDS PEOPLE
RECOGNIZE,
DIAMONDS PEOPLE
RECOGNIZE, BLUE
DIAMONDS PEOPLE
RECOGNIZE, BLUE DIAMONDS
RECOGNIZE, BLUE DIAMONDS
RECOGNIZE, BLUE DIAMONDS
ARE
RECOGNIZE, BLUE DIAMONDS
ARE SHOCKED.
ARE SHOCKED.
ARE SHOCKED.
IT'S
ARE SHOCKED.
IT'S NOT
ARE SHOCKED.
IT'S NOT LIKE
ARE SHOCKED.
IT'S NOT LIKE THE
IT'S NOT LIKE THE
IT'S NOT LIKE THE
SPINELE.
SPINELE.
SPINELE.
THAT
SPINELE.
THAT BRILLIANCE
SPINELE.
THAT BRILLIANCE IS
THAT BRILLIANCE IS
THAT BRILLIANCE IS
DIFFERENT.
DIFFERENT.
DIFFERENT.
>>
DIFFERENT.
>> Host:
DIFFERENT.
>> Host: AND
DIFFERENT.
>> Host: AND YOU
DIFFERENT.
>> Host: AND YOU CAN
>> Host: AND YOU CAN
>> Host: AND YOU CAN
TELL
>> Host: AND YOU CAN
TELL THE
>> Host: AND YOU CAN
TELL THE DIFFERENCE
>> Host: AND YOU CAN
TELL THE DIFFERENCE WHEN
TELL THE DIFFERENCE WHEN
TELL THE DIFFERENCE WHEN
YOU
TELL THE DIFFERENCE WHEN
YOU SEE
TELL THE DIFFERENCE WHEN
YOU SEE IT.
YOU SEE IT.
YOU SEE IT.
DID
YOU SEE IT.
DID YOU
YOU SEE IT.
DID YOU NOTICE,
YOU SEE IT.
DID YOU NOTICE, THAT'S
YOU SEE IT.
DID YOU NOTICE, THAT'S A
DID YOU NOTICE, THAT'S A
DID YOU NOTICE, THAT'S A
TRIPLE
DID YOU NOTICE, THAT'S A
TRIPLE ROW.
TRIPLE ROW.
TRIPLE ROW.
LOOK
TRIPLE ROW.
LOOK HOW
TRIPLE ROW.
LOOK HOW MANY
TRIPLE ROW.
LOOK HOW MANY DIAMONDS,
LOOK HOW MANY DIAMONDS,
LOOK HOW MANY DIAMONDS,
THOSE
LOOK HOW MANY DIAMONDS,
THOSE ARE
LOOK HOW MANY DIAMONDS,
THOSE ARE FULLY
THOSE ARE FULLY
THOSE ARE FULLY
FACETTED.
FACETTED.
FACETTED.
IT'S
FACETTED.
IT'S 32
FACETTED.
IT'S 32 POINTS
FACETTED.
IT'S 32 POINTS SO
FACETTED.
IT'S 32 POINTS SO 32
IT'S 32 POINTS SO 32
IT'S 32 POINTS SO 32
POINTS,
IT'S 32 POINTS SO 32
POINTS, THAT
IT'S 32 POINTS SO 32
POINTS, THAT ARE
POINTS, THAT ARE
POINTS, THAT ARE
BEAUTIFULLY
POINTS, THAT ARE
BEAUTIFULLY USED
POINTS, THAT ARE
BEAUTIFULLY USED ON
BEAUTIFULLY USED ON
BEAUTIFULLY USED ON
THAT.
THAT.
THAT.
>>
THAT.
>> Guest:
THAT.
>> Guest: THAT
THAT.
>> Guest: THAT IS
THAT.
>> Guest: THAT IS A
>> Guest: THAT IS A
>> Guest: THAT IS A
THIRD
>> Guest: THAT IS A
THIRD OF
>> Guest: THAT IS A
THIRD OF A
>> Guest: THAT IS A
THIRD OF A CARAT.
THIRD OF A CARAT.
THIRD OF A CARAT.
I
THIRD OF A CARAT.
I HOPE
THIRD OF A CARAT.
I HOPE YOU
THIRD OF A CARAT.
I HOPE YOU TRY
THIRD OF A CARAT.
I HOPE YOU TRY IT
I HOPE YOU TRY IT
I HOPE YOU TRY IT
TONIGHT,
I HOPE YOU TRY IT
TONIGHT, AND
I HOPE YOU TRY IT
TONIGHT, AND FALL
I HOPE YOU TRY IT
TONIGHT, AND FALL PRICE,
TONIGHT, AND FALL PRICE,
TONIGHT, AND FALL PRICE,
FIVE
TONIGHT, AND FALL PRICE,
FIVE PLEX.
FIVE PLEX.
FIVE PLEX.
I'M
FIVE PLEX.
I'M GOING
FIVE PLEX.
I'M GOING TO
FIVE PLEX.
I'M GOING TO LEAVE
FIVE PLEX.
I'M GOING TO LEAVE THESE
I'M GOING TO LEAVE THESE
I'M GOING TO LEAVE THESE
BRACELET
I'M GOING TO LEAVE THESE
BRACELET OUT
I'M GOING TO LEAVE THESE
BRACELET OUT HERE.
BRACELET OUT HERE.
BRACELET OUT HERE.
THE
BRACELET OUT HERE.
THE BLUE
BRACELET OUT HERE.
THE BLUE ONE?
THE BLUE ONE?
THE BLUE ONE?
GOOD.
GOOD.
GOOD.
>>
GOOD.
>> Guest:
GOOD.
>> Guest: SORRY,
GOOD.
>> Guest: SORRY, YOU
>> Guest: SORRY, YOU
>> Guest: SORRY, YOU
GUYS
>> Guest: SORRY, YOU
GUYS WERE
>> Guest: SORRY, YOU
GUYS WERE ALREADY
>> Guest: SORRY, YOU
GUYS WERE ALREADY ON
GUYS WERE ALREADY ON
GUYS WERE ALREADY ON
LINE
GUYS WERE ALREADY ON
LINE FOR
GUYS WERE ALREADY ON
LINE FOR THEM.
LINE FOR THEM.
LINE FOR THEM.
LET'S
LINE FOR THEM.
LET'S JUST
LINE FOR THEM.
LET'S JUST DO
LINE FOR THEM.
LET'S JUST DO THIS
LINE FOR THEM.
LET'S JUST DO THIS ONE.
LET'S JUST DO THIS ONE.
LET'S JUST DO THIS ONE.
LOOK
LET'S JUST DO THIS ONE.
LOOK AT
LET'S JUST DO THIS ONE.
LOOK AT THAT
LET'S JUST DO THIS ONE.
LOOK AT THAT TOGETHER,
LOOK AT THAT TOGETHER,
LOOK AT THAT TOGETHER,
TOO.
TOO.
TOO.
THIS
TOO.
THIS IS
TOO.
THIS IS YOUR
TOO.
THIS IS YOUR --
TOO.
THIS IS YOUR -- I'M
TOO.
THIS IS YOUR -- I'M SO
THIS IS YOUR -- I'M SO
THIS IS YOUR -- I'M SO
HAPPY
THIS IS YOUR -- I'M SO
HAPPY YOU'RE
THIS IS YOUR -- I'M SO
HAPPY YOU'RE SO
THIS IS YOUR -- I'M SO
HAPPY YOU'RE SO HAPPY.
HAPPY YOU'RE SO HAPPY.
HAPPY YOU'RE SO HAPPY.
SO
HAPPY YOU'RE SO HAPPY.
SO I'M
HAPPY YOU'RE SO HAPPY.
SO I'M GOING
HAPPY YOU'RE SO HAPPY.
SO I'M GOING TO
HAPPY YOU'RE SO HAPPY.
SO I'M GOING TO HOLD
SO I'M GOING TO HOLD
SO I'M GOING TO HOLD
THIS
SO I'M GOING TO HOLD
THIS STILL,
SO I'M GOING TO HOLD
THIS STILL, DUSTIN,
SO I'M GOING TO HOLD
THIS STILL, DUSTIN, SO
THIS STILL, DUSTIN, SO
THIS STILL, DUSTIN, SO
WE
THIS STILL, DUSTIN, SO
WE CAN
THIS STILL, DUSTIN, SO
WE CAN GO
THIS STILL, DUSTIN, SO
WE CAN GO IN
THIS STILL, DUSTIN, SO
WE CAN GO IN TIGHT.
WE CAN GO IN TIGHT.
WE CAN GO IN TIGHT.
THIS
WE CAN GO IN TIGHT.
THIS IS
WE CAN GO IN TIGHT.
THIS IS A
WE CAN GO IN TIGHT.
THIS IS A HECK
WE CAN GO IN TIGHT.
THIS IS A HECK OF
WE CAN GO IN TIGHT.
THIS IS A HECK OF A
WE CAN GO IN TIGHT.
THIS IS A HECK OF A RING
THIS IS A HECK OF A RING
THIS IS A HECK OF A RING
R
THIS IS A HECK OF A RING
R APPRAISED
THIS IS A HECK OF A RING
R APPRAISED VALUE
THIS IS A HECK OF A RING
R APPRAISED VALUE $209,
R APPRAISED VALUE $209,
R APPRAISED VALUE $209,
NORTHERLY
R APPRAISED VALUE $209,
NORTHERLY THEIR
R APPRAISED VALUE $209,
NORTHERLY THEIR 119
R APPRAISED VALUE $209,
NORTHERLY THEIR 119 --
NORTHERLY THEIR 119 --
NORTHERLY THEIR 119 --
NORMALLY
NORTHERLY THEIR 119 --
NORMALLY $119.
NORMALLY $119.
NORMALLY $119.
IT'S
NORMALLY $119.
IT'S $59.90
NORMALLY $119.
IT'S $59.90 RIGHT
NORMALLY $119.
IT'S $59.90 RIGHT NOW.
IT'S $59.90 RIGHT NOW.
IT'S $59.90 RIGHT NOW.
SIZES
IT'S $59.90 RIGHT NOW.
SIZES RICK?
SIZES RICK?
SIZES RICK?
WE
SIZES RICK?
WE HAVE
SIZES RICK?
WE HAVE 5-11.
WE HAVE 5-11.
WE HAVE 5-11.
NICE,
WE HAVE 5-11.
NICE, THAT'S
WE HAVE 5-11.
NICE, THAT'S GREAT.
NICE, THAT'S GREAT.
NICE, THAT'S GREAT.
>>
NICE, THAT'S GREAT.
>> Guest:
NICE, THAT'S GREAT.
>> Guest: THAT
NICE, THAT'S GREAT.
>> Guest: THAT WAS
NICE, THAT'S GREAT.
>> Guest: THAT WAS A
>> Guest: THAT WAS A
>> Guest: THAT WAS A
VERY
>> Guest: THAT WAS A
VERY POPULAR
>> Guest: THAT WAS A
VERY POPULAR CUSTOMER
VERY POPULAR CUSTOMER
VERY POPULAR CUSTOMER
PICK.
PICK.
PICK.
CERTAINLY
PICK.
CERTAINLY NOT
PICK.
CERTAINLY NOT AT
PICK.
CERTAINLY NOT AT THIS
CERTAINLY NOT AT THIS
CERTAINLY NOT AT THIS
PRICE,
CERTAINLY NOT AT THIS
PRICE, BUT
CERTAINLY NOT AT THIS
PRICE, BUT MY
CERTAINLY NOT AT THIS
PRICE, BUT MY GOSH
PRICE, BUT MY GOSH
PRICE, BUT MY GOSH
CUSTOMER
PRICE, BUT MY GOSH
CUSTOMER PICK
PRICE, BUT MY GOSH
CUSTOMER PICK WAS
PRICE, BUT MY GOSH
CUSTOMER PICK WAS AT
CUSTOMER PICK WAS AT
CUSTOMER PICK WAS AT
$119,
CUSTOMER PICK WAS AT
$119, RIGHT.
$119, RIGHT.
$119, RIGHT.
AND
$119, RIGHT.
AND I'M
$119, RIGHT.
AND I'M GOING
$119, RIGHT.
AND I'M GOING TO
$119, RIGHT.
AND I'M GOING TO PUT
$119, RIGHT.
AND I'M GOING TO PUT --
AND I'M GOING TO PUT --
AND I'M GOING TO PUT --
>>
AND I'M GOING TO PUT --
>> Guest:
AND I'M GOING TO PUT --
>> Guest: THEN
AND I'M GOING TO PUT --
>> Guest: THEN IT
AND I'M GOING TO PUT --
>> Guest: THEN IT WAS
AND I'M GOING TO PUT --
>> Guest: THEN IT WAS A
>> Guest: THEN IT WAS A
>> Guest: THEN IT WAS A
VALUE.
VALUE.
VALUE.
I
VALUE.
I LOVE
VALUE.
I LOVE THAT.
I LOVE THAT.
I LOVE THAT.
TALK
I LOVE THAT.
TALK ABOUT
I LOVE THAT.
TALK ABOUT THE
TALK ABOUT THE
TALK ABOUT THE
FEMININITY
TALK ABOUT THE
FEMININITY OF
TALK ABOUT THE
FEMININITY OF THE
FEMININITY OF THE
FEMININITY OF THE
SCALLOPING,.
SCALLOPING,.
SCALLOPING,.
>>
SCALLOPING,.
>> Guest:
SCALLOPING,.
>> Guest: YOU
SCALLOPING,.
>> Guest: YOU TAKE
SCALLOPING,.
>> Guest: YOU TAKE A
>> Guest: YOU TAKE A
>> Guest: YOU TAKE A
BAND
>> Guest: YOU TAKE A
BAND RING,
>> Guest: YOU TAKE A
BAND RING, WHICH
>> Guest: YOU TAKE A
BAND RING, WHICH FROM
BAND RING, WHICH FROM
BAND RING, WHICH FROM
THE
BAND RING, WHICH FROM
THE RED
BAND RING, WHICH FROM
THE RED CARPET
BAND RING, WHICH FROM
THE RED CARPET TO
THE RED CARPET TO
THE RED CARPET TO
HOLLYWOOD,
THE RED CARPET TO
HOLLYWOOD, TO
THE RED CARPET TO
HOLLYWOOD, TO A
THE RED CARPET TO
HOLLYWOOD, TO A WEDDING,
HOLLYWOOD, TO A WEDDING,
HOLLYWOOD, TO A WEDDING,
WE
HOLLYWOOD, TO A WEDDING,
WE LOVE
HOLLYWOOD, TO A WEDDING,
WE LOVE BANDS.
WE LOVE BANDS.
WE LOVE BANDS.
IT'S
WE LOVE BANDS.
IT'S OUR
WE LOVE BANDS.
IT'S OUR GO-TO
WE LOVE BANDS.
IT'S OUR GO-TO RING.
IT'S OUR GO-TO RING.
IT'S OUR GO-TO RING.
BUT
IT'S OUR GO-TO RING.
BUT WE
IT'S OUR GO-TO RING.
BUT WE CALL
IT'S OUR GO-TO RING.
BUT WE CALL THAT
IT'S OUR GO-TO RING.
BUT WE CALL THAT A
BUT WE CALL THAT A
BUT WE CALL THAT A
DESIGN
BUT WE CALL THAT A
DESIGN THOSE
BUT WE CALL THAT A
DESIGN THOSE THOSE
BUT WE CALL THAT A
DESIGN THOSE THOSE --
BUT WE CALL THAT A
DESIGN THOSE THOSE -- OR
DESIGN THOSE THOSE -- OR
DESIGN THOSE THOSE -- OR
THE
DESIGN THOSE THOSE -- OR
THE STAGE,
DESIGN THOSE THOSE -- OR
THE STAGE, IF
DESIGN THOSE THOSE -- OR
THE STAGE, IF YOU
DESIGN THOSE THOSE -- OR
THE STAGE, IF YOU WILL,
THE STAGE, IF YOU WILL,
THE STAGE, IF YOU WILL,
OF
THE STAGE, IF YOU WILL,
OF THE
THE STAGE, IF YOU WILL,
OF THE CENTERS
THE STAGE, IF YOU WILL,
OF THE CENTERS STAGE
THE STAGE, IF YOU WILL,
OF THE CENTERS STAGE OF
OF THE CENTERS STAGE OF
OF THE CENTERS STAGE OF
THE
OF THE CENTERS STAGE OF
THE BLUE
OF THE CENTERS STAGE OF
THE BLUE DIAMONDS,
OF THE CENTERS STAGE OF
THE BLUE DIAMONDS, THE
THE BLUE DIAMONDS, THE
THE BLUE DIAMONDS, THE
ROYAL
THE BLUE DIAMONDS, THE
ROYAL BLUE,
THE BLUE DIAMONDS, THE
ROYAL BLUE, THE
THE BLUE DIAMONDS, THE
ROYAL BLUE, THE TRUE
ROYAL BLUE, THE TRUE
ROYAL BLUE, THE TRUE
BLUE,
ROYAL BLUE, THE TRUE
BLUE, REAL
ROYAL BLUE, THE TRUE
BLUE, REAL AND
ROYAL BLUE, THE TRUE
BLUE, REAL AND GENUINE.
BLUE, REAL AND GENUINE.
BLUE, REAL AND GENUINE.
THE
BLUE, REAL AND GENUINE.
THE SCALLOPED,
BLUE, REAL AND GENUINE.
THE SCALLOPED, JUST
BLUE, REAL AND GENUINE.
THE SCALLOPED, JUST ADDS
THE SCALLOPED, JUST ADDS
THE SCALLOPED, JUST ADDS
MORE
THE SCALLOPED, JUST ADDS
MORE FEMININITY.
MORE FEMININITY.
MORE FEMININITY.
DOESN'T
MORE FEMININITY.
DOESN'T IT.
DOESN'T IT.
DOESN'T IT.
>>
DOESN'T IT.
>> Host:
DOESN'T IT.
>> Host: THAT'S
DOESN'T IT.
>> Host: THAT'S PRETTY.
>> Host: THAT'S PRETTY.
>> Host: THAT'S PRETTY.
AND
>> Host: THAT'S PRETTY.
AND A
>> Host: THAT'S PRETTY.
AND A NICE
>> Host: THAT'S PRETTY.
AND A NICE FEMININE
>> Host: THAT'S PRETTY.
AND A NICE FEMININE TAKE
AND A NICE FEMININE TAKE
AND A NICE FEMININE TAKE
ON
AND A NICE FEMININE TAKE
ON A
AND A NICE FEMININE TAKE
ON A BAND
AND A NICE FEMININE TAKE
ON A BAND RING.
ON A BAND RING.
ON A BAND RING.
>>
ON A BAND RING.
>> Guest:
ON A BAND RING.
>> Guest: JUST
ON A BAND RING.
>> Guest: JUST SOLVED.
>> Guest: JUST SOLVED.
>> Guest: JUST SOLVED.
>>
>> Guest: JUST SOLVED.
>> Host:
>> Guest: JUST SOLVED.
>> Host: AND
>> Guest: JUST SOLVED.
>> Host: AND YOU
>> Guest: JUST SOLVED.
>> Host: AND YOU SAW
>> Guest: JUST SOLVED.
>> Host: AND YOU SAW THE
>> Host: AND YOU SAW THE
>> Host: AND YOU SAW THE
STACK
>> Host: AND YOU SAW THE
STACK OF
>> Host: AND YOU SAW THE
STACK OF FOUR
>> Host: AND YOU SAW THE
STACK OF FOUR BAND
STACK OF FOUR BAND
STACK OF FOUR BAND
RINGS.
RINGS.
RINGS.
THIS
RINGS.
THIS IS
RINGS.
THIS IS MORE
RINGS.
THIS IS MORE FEMININE,
THIS IS MORE FEMININE,
THIS IS MORE FEMININE,
SOFTER,
THIS IS MORE FEMININE,
SOFTER, I
THIS IS MORE FEMININE,
SOFTER, I LOVE
THIS IS MORE FEMININE,
SOFTER, I LOVE THE
SOFTER, I LOVE THE
SOFTER, I LOVE THE
SCALLOPED
SOFTER, I LOVE THE
SCALLOPED EDGES.
SCALLOPED EDGES.
SCALLOPED EDGES.
COME
SCALLOPED EDGES.
COME ON,
SCALLOPED EDGES.
COME ON, LET'S
SCALLOPED EDGES.
COME ON, LET'S REALLY
COME ON, LET'S REALLY
COME ON, LET'S REALLY
GET
COME ON, LET'S REALLY
GET DOWN
COME ON, LET'S REALLY
GET DOWN TO
COME ON, LET'S REALLY
GET DOWN TO IT
COME ON, LET'S REALLY
GET DOWN TO IT TONIGHT.
GET DOWN TO IT TONIGHT.
GET DOWN TO IT TONIGHT.
IT'S
GET DOWN TO IT TONIGHT.
IT'S JUST
GET DOWN TO IT TONIGHT.
IT'S JUST ALL
GET DOWN TO IT TONIGHT.
IT'S JUST ALL OF
GET DOWN TO IT TONIGHT.
IT'S JUST ALL OF US
IT'S JUST ALL OF US
IT'S JUST ALL OF US
GIRLS
IT'S JUST ALL OF US
GIRLS HERE.
GIRLS HERE.
GIRLS HERE.
IT'S
GIRLS HERE.
IT'S BLUE
GIRLS HERE.
IT'S BLUE AND
GIRLS HERE.
IT'S BLUE AND WHITE
IT'S BLUE AND WHITE
IT'S BLUE AND WHITE
DIAMONDS
IT'S BLUE AND WHITE
DIAMONDS FOR
IT'S BLUE AND WHITE
DIAMONDS FOR LESS
IT'S BLUE AND WHITE
DIAMONDS FOR LESS THAN
DIAMONDS FOR LESS THAN
DIAMONDS FOR LESS THAN
THE
DIAMONDS FOR LESS THAN
THE PRICE
DIAMONDS FOR LESS THAN
THE PRICE OF
DIAMONDS FOR LESS THAN
THE PRICE OF REALLY
DIAMONDS FOR LESS THAN
THE PRICE OF REALLY THE
THE PRICE OF REALLY THE
THE PRICE OF REALLY THE
YUCCHY
THE PRICE OF REALLY THE
YUCCHY FASHION
THE PRICE OF REALLY THE
YUCCHY FASHION RING
THE PRICE OF REALLY THE
YUCCHY FASHION RING YOU
YUCCHY FASHION RING YOU
YUCCHY FASHION RING YOU
WOULD
YUCCHY FASHION RING YOU
WOULD FIND
YUCCHY FASHION RING YOU
WOULD FIND IN
YUCCHY FASHION RING YOU
WOULD FIND IN AN
WOULD FIND IN AN
WOULD FIND IN AN
EMERGENCY,
WOULD FIND IN AN
EMERGENCY, LIKE
WOULD FIND IN AN
EMERGENCY, LIKE IF
WOULD FIND IN AN
EMERGENCY, LIKE IF YOU
EMERGENCY, LIKE IF YOU
EMERGENCY, LIKE IF YOU
WERE
EMERGENCY, LIKE IF YOU
WERE IN
EMERGENCY, LIKE IF YOU
WERE IN A
EMERGENCY, LIKE IF YOU
WERE IN A STORE
EMERGENCY, LIKE IF YOU
WERE IN A STORE IN
EMERGENCY, LIKE IF YOU
WERE IN A STORE IN THE
WERE IN A STORE IN THE
WERE IN A STORE IN THE
MALL,
WERE IN A STORE IN THE
MALL, AND
WERE IN A STORE IN THE
MALL, AND HAD
WERE IN A STORE IN THE
MALL, AND HAD TO
WERE IN A STORE IN THE
MALL, AND HAD TO GET
MALL, AND HAD TO GET
MALL, AND HAD TO GET
SOMETHING
MALL, AND HAD TO GET
SOMETHING TO
MALL, AND HAD TO GET
SOMETHING TO MATCH
MALL, AND HAD TO GET
SOMETHING TO MATCH YOUR
SOMETHING TO MATCH YOUR
SOMETHING TO MATCH YOUR
OUT
SOMETHING TO MATCH YOUR
OUT GET.
OUT GET.
OUT GET.
WHEN
OUT GET.
WHEN YOU
OUT GET.
WHEN YOU BUY
OUT GET.
WHEN YOU BUY THOSE
OUT GET.
WHEN YOU BUY THOSE KIND
WHEN YOU BUY THOSE KIND
WHEN YOU BUY THOSE KIND
OF
WHEN YOU BUY THOSE KIND
OF RINGS,
WHEN YOU BUY THOSE KIND
OF RINGS, THEY
WHEN YOU BUY THOSE KIND
OF RINGS, THEY FALL
OF RINGS, THEY FALL
OF RINGS, THEY FALL
APART
OF RINGS, THEY FALL
APART IN
OF RINGS, THEY FALL
APART IN A
OF RINGS, THEY FALL
APART IN A WEEK.
APART IN A WEEK.
APART IN A WEEK.
BUT
APART IN A WEEK.
BUT THEY
APART IN A WEEK.
BUT THEY MATCH
APART IN A WEEK.
BUT THEY MATCH YOUR
BUT THEY MATCH YOUR
BUT THEY MATCH YOUR
OUTFIT.
OUTFIT.
OUTFIT.
THAT
OUTFIT.
THAT PRICE
OUTFIT.
THAT PRICE IS
OUTFIT.
THAT PRICE IS LIKE
OUTFIT.
THAT PRICE IS LIKE SILLY
THAT PRICE IS LIKE SILLY
THAT PRICE IS LIKE SILLY
WHEN
THAT PRICE IS LIKE SILLY
WHEN WE
THAT PRICE IS LIKE SILLY
WHEN WE LOOK
THAT PRICE IS LIKE SILLY
WHEN WE LOOK AT
THAT PRICE IS LIKE SILLY
WHEN WE LOOK AT SUCH
WHEN WE LOOK AT SUCH
WHEN WE LOOK AT SUCH
BEAUTIFUL
WHEN WE LOOK AT SUCH
BEAUTIFUL GENUINE
BEAUTIFUL GENUINE
BEAUTIFUL GENUINE
DIAMOND
BEAUTIFUL GENUINE
DIAMOND JEWELRY.
DIAMOND JEWELRY.
DIAMOND JEWELRY.
FINE
DIAMOND JEWELRY.
FINE JEWELRY.
FINE JEWELRY.
FINE JEWELRY.
I
FINE JEWELRY.
I HAVE
FINE JEWELRY.
I HAVE TO
FINE JEWELRY.
I HAVE TO KEEP
FINE JEWELRY.
I HAVE TO KEEP SAYING
FINE JEWELRY.
I HAVE TO KEEP SAYING T
I HAVE TO KEEP SAYING T
I HAVE TO KEEP SAYING T
I
I HAVE TO KEEP SAYING T
I KNOW
I HAVE TO KEEP SAYING T
I KNOW THEY'RE
I HAVE TO KEEP SAYING T
I KNOW THEY'RE SEEING
I HAVE TO KEEP SAYING T
I KNOW THEY'RE SEEING IN
I KNOW THEY'RE SEEING IN
I KNOW THEY'RE SEEING IN
THE
I KNOW THEY'RE SEEING IN
THE SCREEN,
I KNOW THEY'RE SEEING IN
THE SCREEN, THINKING
I KNOW THEY'RE SEEING IN
THE SCREEN, THINKING NO.
THE SCREEN, THINKING NO.
THE SCREEN, THINKING NO.
>>
THE SCREEN, THINKING NO.
>> Host:
THE SCREEN, THINKING NO.
>> Host: IF
THE SCREEN, THINKING NO.
>> Host: IF YOU'RE
THE SCREEN, THINKING NO.
>> Host: IF YOU'RE NOT
>> Host: IF YOU'RE NOT
>> Host: IF YOU'RE NOT
PAYING
>> Host: IF YOU'RE NOT
PAYING ATTENTION,
>> Host: IF YOU'RE NOT
PAYING ATTENTION, YEAH,
PAYING ATTENTION, YEAH,
PAYING ATTENTION, YEAH,
ALL
PAYING ATTENTION, YEAH,
ALL IF
PAYING ATTENTION, YEAH,
ALL IF A
PAYING ATTENTION, YEAH,
ALL IF A SETTLED
PAYING ATTENTION, YEAH,
ALL IF A SETTLED FULLY
ALL IF A SETTLED FULLY
ALL IF A SETTLED FULLY
FACETTED
ALL IF A SETTLED FULLY
FACETTED HANDSET
FACETTED HANDSET
FACETTED HANDSET
GORGEOUS
FACETTED HANDSET
GORGEOUS DIAMONDS,
FACETTED HANDSET
GORGEOUS DIAMONDS, NOT
GORGEOUS DIAMONDS, NOT
GORGEOUS DIAMONDS, NOT
FAKE
GORGEOUS DIAMONDS, NOT
FAKE DIAMONDS,
GORGEOUS DIAMONDS, NOT
FAKE DIAMONDS, NOT
GORGEOUS DIAMONDS, NOT
FAKE DIAMONDS, NOT FAUX
FAKE DIAMONDS, NOT FAUX
FAKE DIAMONDS, NOT FAUX
DIAMOND,
FAKE DIAMONDS, NOT FAUX
DIAMOND, NOT
FAKE DIAMONDS, NOT FAUX
DIAMOND, NOT IT
FAKE DIAMONDS, NOT FAUX
DIAMOND, NOT IT SORT
FAKE DIAMONDS, NOT FAUX
DIAMOND, NOT IT SORT OF
DIAMOND, NOT IT SORT OF
DIAMOND, NOT IT SORT OF
LOOKS
DIAMOND, NOT IT SORT OF
LOOKS LIKE
DIAMOND, NOT IT SORT OF
LOOKS LIKE A
DIAMOND, NOT IT SORT OF
LOOKS LIKE A DIAMOND.
LOOKS LIKE A DIAMOND.
LOOKS LIKE A DIAMOND.
THESE
LOOKS LIKE A DIAMOND.
THESE ARE
LOOKS LIKE A DIAMOND.
THESE ARE THE
LOOKS LIKE A DIAMOND.
THESE ARE THE REAL
THESE ARE THE REAL
THESE ARE THE REAL
THING.
THING.
THING.
AND
THING.
AND WITH
THING.
AND WITH FlexPAY,
THING.
AND WITH FlexPAY, IT'S
AND WITH FlexPAY, IT'S
AND WITH FlexPAY, IT'S
$11.98.
$11.98.
$11.98.
>>
$11.98.
>> Guest:
$11.98.
>> Guest: YOU
$11.98.
>> Guest: YOU CAN
$11.98.
>> Guest: YOU CAN OPEN
>> Guest: YOU CAN OPEN
>> Guest: YOU CAN OPEN
DIAMONDS,
>> Guest: YOU CAN OPEN
DIAMONDS, ENJOY
DIAMONDS, ENJOY
DIAMONDS, ENJOY
DIAMONDS,
DIAMONDS, ENJOY
DIAMONDS, FEEL
DIAMONDS, ENJOY
DIAMONDS, FEEL DIAMONDS,
DIAMONDS, FEEL DIAMONDS,
DIAMONDS, FEEL DIAMONDS,
AND
DIAMONDS, FEEL DIAMONDS,
AND THE
DIAMONDS, FEEL DIAMONDS,
AND THE BEAUTY
DIAMONDS, FEEL DIAMONDS,
AND THE BEAUTY OF
DIAMONDS, FEEL DIAMONDS,
AND THE BEAUTY OF FANCY
AND THE BEAUTY OF FANCY
AND THE BEAUTY OF FANCY
COLORS.
COLORS.
COLORS.
>>
COLORS.
>> Host:
COLORS.
>> Host: THERE'S
>> Host: THERE'S
>> Host: THERE'S
SOMETHING
>> Host: THERE'S
SOMETHING FUN
>> Host: THERE'S
SOMETHING FUN ABOUT
SOMETHING FUN ABOUT
SOMETHING FUN ABOUT
HAVING
SOMETHING FUN ABOUT
HAVING COLORED
SOMETHING FUN ABOUT
HAVING COLORED DIAMONDS.
HAVING COLORED DIAMONDS.
HAVING COLORED DIAMONDS.
IT'S
HAVING COLORED DIAMONDS.
IT'S REALLY
HAVING COLORED DIAMONDS.
IT'S REALLY A
HAVING COLORED DIAMONDS.
IT'S REALLY A VERY
IT'S REALLY A VERY
IT'S REALLY A VERY
UNIQUE
IT'S REALLY A VERY
UNIQUE EXPERIENCE.
UNIQUE EXPERIENCE.
UNIQUE EXPERIENCE.
AND
UNIQUE EXPERIENCE.
AND VERY,
UNIQUE EXPERIENCE.
AND VERY, VERY
UNIQUE EXPERIENCE.
AND VERY, VERY DIFFERENT
AND VERY, VERY DIFFERENT
AND VERY, VERY DIFFERENT
THAN
AND VERY, VERY DIFFERENT
THAN TRADITIONAL
THAN TRADITIONAL
THAN TRADITIONAL
DIAMONDS.
DIAMONDS.
DIAMONDS.
WE
DIAMONDS.
WE WILL
DIAMONDS.
WE WILL WRAP
DIAMONDS.
WE WILL WRAP UP
DIAMONDS.
WE WILL WRAP UP ON
DIAMONDS.
WE WILL WRAP UP ON THAT.
WE WILL WRAP UP ON THAT.
WE WILL WRAP UP ON THAT.
GO
WE WILL WRAP UP ON THAT.
GO TO
WE WILL WRAP UP ON THAT.
GO TO HSN.COM
WE WILL WRAP UP ON THAT.
GO TO HSN.COM AND
WE WILL WRAP UP ON THAT.
GO TO HSN.COM AND YOU
GO TO HSN.COM AND YOU
GO TO HSN.COM AND YOU
CAN
GO TO HSN.COM AND YOU
CAN GET
GO TO HSN.COM AND YOU
CAN GET THAT
GO TO HSN.COM AND YOU
CAN GET THAT 10
GO TO HSN.COM AND YOU
CAN GET THAT 10 AND
GO TO HSN.COM AND YOU
CAN GET THAT 10 AND 11
CAN GET THAT 10 AND 11
CAN GET THAT 10 AND 11
BEFORE
CAN GET THAT 10 AND 11
BEFORE IT'S
CAN GET THAT 10 AND 11
BEFORE IT'S GONE.
BEFORE IT'S GONE.
BEFORE IT'S GONE.
SO
BEFORE IT'S GONE.
SO DIE'S
BEFORE IT'S GONE.
SO DIE'S IS
BEFORE IT'S GONE.
SO DIE'S IS WEARING
SO DIE'S IS WEARING
SO DIE'S IS WEARING
THESE
SO DIE'S IS WEARING
THESE --
SO DIE'S IS WEARING
THESE -- DIANE'S
SO DIE'S IS WEARING
THESE -- DIANE'S WEARING
THESE -- DIANE'S WEARING
THESE -- DIANE'S WEARING
THESE.
THESE.
THESE.
THESE
THESE.
THESE ARE
THESE.
THESE ARE APPRAISED
THESE.
THESE ARE APPRAISED AT
THESE ARE APPRAISED AT
THESE ARE APPRAISED AT
$229,
THESE ARE APPRAISED AT
$229, AND
THESE ARE APPRAISED AT
$229, AND BEAUTIFUL
$229, AND BEAUTIFUL
$229, AND BEAUTIFUL
COLORS,
$229, AND BEAUTIFUL
COLORS, SURROUNDED
$229, AND BEAUTIFUL
COLORS, SURROUNDED BY
COLORS, SURROUNDED BY
COLORS, SURROUNDED BY
WHITE
COLORS, SURROUNDED BY
WHITE DIAMONDS.
WHITE DIAMONDS.
WHITE DIAMONDS.
THESE
WHITE DIAMONDS.
THESE ARE
WHITE DIAMONDS.
THESE ARE FIVE
WHITE DIAMONDS.
THESE ARE FIVE FlexPAYS
THESE ARE FIVE FlexPAYS
THESE ARE FIVE FlexPAYS
OF
THESE ARE FIVE FlexPAYS
OF $25.98.
OF $25.98.
OF $25.98.
>>
OF $25.98.
>> Guest:
OF $25.98.
>> Guest: THIS
OF $25.98.
>> Guest: THIS IS
OF $25.98.
>> Guest: THIS IS THE
>> Guest: THIS IS THE
>> Guest: THIS IS THE
MOST
>> Guest: THIS IS THE
MOST ELEGANT
>> Guest: THIS IS THE
MOST ELEGANT SHAPE
>> Guest: THIS IS THE
MOST ELEGANT SHAPE IN
MOST ELEGANT SHAPE IN
MOST ELEGANT SHAPE IN
DIAMOND
MOST ELEGANT SHAPE IN
DIAMOND JEWELRY.
DIAMOND JEWELRY.
DIAMOND JEWELRY.
CAN
DIAMOND JEWELRY.
CAN YOU
DIAMOND JEWELRY.
CAN YOU WEAR
DIAMOND JEWELRY.
CAN YOU WEAR IT
DIAMOND JEWELRY.
CAN YOU WEAR IT --
DIAMOND JEWELRY.
CAN YOU WEAR IT -- YOU
CAN YOU WEAR IT -- YOU
CAN YOU WEAR IT -- YOU
CAN
CAN YOU WEAR IT -- YOU
CAN WEAR
CAN YOU WEAR IT -- YOU
CAN WEAR IT
CAN YOU WEAR IT -- YOU
CAN WEAR IT STRAIGHT,
CAN WEAR IT STRAIGHT,
CAN WEAR IT STRAIGHT,
THE
CAN WEAR IT STRAIGHT,
THE CUSHION
CAN WEAR IT STRAIGHT,
THE CUSHION CUT,
CAN WEAR IT STRAIGHT,
THE CUSHION CUT, ON
CAN WEAR IT STRAIGHT,
THE CUSHION CUT, ON THE
THE CUSHION CUT, ON THE
THE CUSHION CUT, ON THE
DIAGONAL,
THE CUSHION CUT, ON THE
DIAGONAL, WHICH
THE CUSHION CUT, ON THE
DIAGONAL, WHICH I
DIAGONAL, WHICH I
DIAGONAL, WHICH I
BELIEVE
DIAGONAL, WHICH I
BELIEVE EYE
DIAGONAL, WHICH I
BELIEVE EYE LONG
DIAGONAL, WHICH I
BELIEVE EYE LONG GATE
DIAGONAL, WHICH I
BELIEVE EYE LONG GATE MY
BELIEVE EYE LONG GATE MY
BELIEVE EYE LONG GATE MY
FACE.
FACE.
FACE.
I
FACE.
I START
FACE.
I START OUT
FACE.
I START OUT IN
FACE.
I START OUT IN THE
I START OUT IN THE
I START OUT IN THE
MORNING
I START OUT IN THE
MORNING WITH
I START OUT IN THE
MORNING WITH THEM
I START OUT IN THE
MORNING WITH THEM IN
I START OUT IN THE
MORNING WITH THEM IN THE
MORNING WITH THEM IN THE
MORNING WITH THEM IN THE
LITTLE
MORNING WITH THEM IN THE
LITTLE PILLOW,
MORNING WITH THEM IN THE
LITTLE PILLOW, AND
MORNING WITH THEM IN THE
LITTLE PILLOW, AND JUST
LITTLE PILLOW, AND JUST
LITTLE PILLOW, AND JUST
SWISS
LITTLE PILLOW, AND JUST
SWISS THEM
LITTLE PILLOW, AND JUST
SWISS THEM A
LITTLE PILLOW, AND JUST
SWISS THEM A BIT
LITTLE PILLOW, AND JUST
SWISS THEM A BIT --
SWISS THEM A BIT --
SWISS THEM A BIT --
TWIST
SWISS THEM A BIT --
TWIST THEM
SWISS THEM A BIT --
TWIST THEM A
SWISS THEM A BIT --
TWIST THEM A BIT.
TWIST THEM A BIT.
TWIST THEM A BIT.
IT
TWIST THEM A BIT.
IT BECOMES
TWIST THEM A BIT.
IT BECOMES MORE
IT BECOMES MORE
IT BECOMES MORE
ELONGATING
IT BECOMES MORE
ELONGATING AND
ELONGATING AND
ELONGATING AND
FLATTERING.
FLATTERING.
FLATTERING.
AND
FLATTERING.
AND YOU
FLATTERING.
AND YOU FEEL
AND YOU FEEL
AND YOU FEEL
DIFFERENTLY.
DIFFERENTLY.
DIFFERENTLY.
SO,
DIFFERENTLY.
SO, YEAH,
DIFFERENTLY.
SO, YEAH, YOU
DIFFERENTLY.
SO, YEAH, YOU GET
DIFFERENTLY.
SO, YEAH, YOU GET TWO
SO, YEAH, YOU GET TWO
SO, YEAH, YOU GET TWO
STYLES
SO, YEAH, YOU GET TWO
STYLES WITH
SO, YEAH, YOU GET TWO
STYLES WITH A
SO, YEAH, YOU GET TWO
STYLES WITH A CUSHION
STYLES WITH A CUSHION
STYLES WITH A CUSHION
CUT.
CUT.
CUT.
>>
CUT.
>> AND
CUT.
>> AND THAT
CUT.
>> AND THAT IS
CUT.
>> AND THAT IS STILL
CUT.
>> AND THAT IS STILL TO
>> AND THAT IS STILL TO
>> AND THAT IS STILL TO
COME.
COME.
COME.
WE
COME.
WE WILL
COME.
WE WILL DO
COME.
WE WILL DO IT
COME.
WE WILL DO IT ALL.
WE WILL DO IT ALL.
WE WILL DO IT ALL.
WE'RE
WE WILL DO IT ALL.
WE'RE JUST
WE WILL DO IT ALL.
WE'RE JUST SHOWING
WE WILL DO IT ALL.
WE'RE JUST SHOWING YOU
WE'RE JUST SHOWING YOU
WE'RE JUST SHOWING YOU
EVERYTHING.
EVERYTHING.
EVERYTHING.
>>
EVERYTHING.
>> Host:
EVERYTHING.
>> Host: RICK.
>> Host: RICK.
>> Host: RICK.
DID
>> Host: RICK.
DID WE
>> Host: RICK.
DID WE SHOW
>> Host: RICK.
DID WE SHOW THE
>> Host: RICK.
DID WE SHOW THE ONE
>> Host: RICK.
DID WE SHOW THE ONE WE
DID WE SHOW THE ONE WE
DID WE SHOW THE ONE WE
TALKED
DID WE SHOW THE ONE WE
TALKED ABOUT
DID WE SHOW THE ONE WE
TALKED ABOUT EARLIER
TALKED ABOUT EARLIER
TALKED ABOUT EARLIER
WITH
TALKED ABOUT EARLIER
WITH DIANE?
WITH DIANE?
WITH DIANE?
>>
WITH DIANE?
>> Guest:
WITH DIANE?
>> Guest: I
WITH DIANE?
>> Guest: I DON'T
WITH DIANE?
>> Guest: I DON'T SEE
>> Guest: I DON'T SEE
>> Guest: I DON'T SEE
THAT
>> Guest: I DON'T SEE
THAT ONE
>> Guest: I DON'T SEE
THAT ONE HERE.
THAT ONE HERE.
THAT ONE HERE.
LET
THAT ONE HERE.
LET ME
THAT ONE HERE.
LET ME SEE.
LET ME SEE.
LET ME SEE.
>>
LET ME SEE.
>> Host:
LET ME SEE.
>> Host: DO
LET ME SEE.
>> Host: DO YOU
>> Host: DO YOU
>> Host: DO YOU
REMEMBER,
>> Host: DO YOU
REMEMBER, RICK?
REMEMBER, RICK?
REMEMBER, RICK?
WHICH
REMEMBER, RICK?
WHICH ONE
REMEMBER, RICK?
WHICH ONE WAS
REMEMBER, RICK?
WHICH ONE WAS IT?
WHICH ONE WAS IT?
WHICH ONE WAS IT?
>>
WHICH ONE WAS IT?
>> Guest:
WHICH ONE WAS IT?
>> Guest: THE
WHICH ONE WAS IT?
>> Guest: THE BLUE
WHICH ONE WAS IT?
>> Guest: THE BLUE ONE
>> Guest: THE BLUE ONE
>> Guest: THE BLUE ONE
ON
>> Guest: THE BLUE ONE
ON YOUR
>> Guest: THE BLUE ONE
ON YOUR FINGER.
ON YOUR FINGER.
ON YOUR FINGER.
LOT
ON YOUR FINGER.
LOT OF
ON YOUR FINGER.
LOT OF YOU
ON YOUR FINGER.
LOT OF YOU ARE
ON YOUR FINGER.
LOT OF YOU ARE STILL
ON YOUR FINGER.
LOT OF YOU ARE STILL ON
LOT OF YOU ARE STILL ON
LOT OF YOU ARE STILL ON
THE
LOT OF YOU ARE STILL ON
THE LINE
LOT OF YOU ARE STILL ON
THE LINE FOR
LOT OF YOU ARE STILL ON
THE LINE FOR THAT
THE LINE FOR THAT
THE LINE FOR THAT
SCALLOP
THE LINE FOR THAT
SCALLOP DESIGN.
SCALLOP DESIGN.
SCALLOP DESIGN.
ART
SCALLOP DESIGN.
ART DECO,
SCALLOP DESIGN.
ART DECO, HERE
SCALLOP DESIGN.
ART DECO, HERE WE
SCALLOP DESIGN.
ART DECO, HERE WE COME.
ART DECO, HERE WE COME.
ART DECO, HERE WE COME.
>>
ART DECO, HERE WE COME.
>> Host:
ART DECO, HERE WE COME.
>> Host: AND
ART DECO, HERE WE COME.
>> Host: AND TWO
>> Host: AND TWO
>> Host: AND TWO
DIFFERENT
>> Host: AND TWO
DIFFERENT CHOICES.
DIFFERENT CHOICES.
DIFFERENT CHOICES.
I
DIFFERENT CHOICES.
I HAVE
DIFFERENT CHOICES.
I HAVE 70
DIFFERENT CHOICES.
I HAVE 70 OF
DIFFERENT CHOICES.
I HAVE 70 OF EACH,
I HAVE 70 OF EACH,
I HAVE 70 OF EACH,
THAT'S
I HAVE 70 OF EACH,
THAT'S IT.
THAT'S IT.
THAT'S IT.
60
THAT'S IT.
60 OF
THAT'S IT.
60 OF EACH,
THAT'S IT.
60 OF EACH, AND
THAT'S IT.
60 OF EACH, AND WE
THAT'S IT.
60 OF EACH, AND WE HAVE
60 OF EACH, AND WE HAVE
60 OF EACH, AND WE HAVE
THREE
60 OF EACH, AND WE HAVE
THREE CHOICES,
THREE CHOICES,
THREE CHOICES,
CHAMPAGNE,
THREE CHOICES,
CHAMPAGNE, RED,
THREE CHOICES,
CHAMPAGNE, RED, AND
CHAMPAGNE, RED, AND
CHAMPAGNE, RED, AND
BLUE.
BLUE.
BLUE.
GOT
BLUE.
GOT IT,
BLUE.
GOT IT, HERE
BLUE.
GOT IT, HERE WE
BLUE.
GOT IT, HERE WE GO.
GOT IT, HERE WE GO.
GOT IT, HERE WE GO.
SO
GOT IT, HERE WE GO.
SO WHAT
GOT IT, HERE WE GO.
SO WHAT DO
GOT IT, HERE WE GO.
SO WHAT DO WE
GOT IT, HERE WE GO.
SO WHAT DO WE LOVE
GOT IT, HERE WE GO.
SO WHAT DO WE LOVE ABOUT
SO WHAT DO WE LOVE ABOUT
SO WHAT DO WE LOVE ABOUT
DIAMONDS
SO WHAT DO WE LOVE ABOUT
DIAMONDS IN
SO WHAT DO WE LOVE ABOUT
DIAMONDS IN ART
SO WHAT DO WE LOVE ABOUT
DIAMONDS IN ART DECO
DIAMONDS IN ART DECO
DIAMONDS IN ART DECO
PERIOD?
PERIOD?
PERIOD?
>>
PERIOD?
>> IT'S
PERIOD?
>> IT'S SO
PERIOD?
>> IT'S SO ELEGANT,
PERIOD?
>> IT'S SO ELEGANT, IT'S
>> IT'S SO ELEGANT, IT'S
>> IT'S SO ELEGANT, IT'S
SO
>> IT'S SO ELEGANT, IT'S
SO STRIKING,
>> IT'S SO ELEGANT, IT'S
SO STRIKING, MANY
>> IT'S SO ELEGANT, IT'S
SO STRIKING, MANY OF
>> IT'S SO ELEGANT, IT'S
SO STRIKING, MANY OF YOU
SO STRIKING, MANY OF YOU
SO STRIKING, MANY OF YOU
ARE
SO STRIKING, MANY OF YOU
ARE IN
SO STRIKING, MANY OF YOU
ARE IN LOVE
SO STRIKING, MANY OF YOU
ARE IN LOVE WITH
SO STRIKING, MANY OF YOU
ARE IN LOVE WITH ART
ARE IN LOVE WITH ART
ARE IN LOVE WITH ART
DECO,
ARE IN LOVE WITH ART
DECO, FROM
ARE IN LOVE WITH ART
DECO, FROM FURNITURE
ARE IN LOVE WITH ART
DECO, FROM FURNITURE TO
DECO, FROM FURNITURE TO
DECO, FROM FURNITURE TO
ARCHITECTURE,
DECO, FROM FURNITURE TO
ARCHITECTURE, BUT
DECO, FROM FURNITURE TO
ARCHITECTURE, BUT IN
ARCHITECTURE, BUT IN
ARCHITECTURE, BUT IN
JEWELRY,
ARCHITECTURE, BUT IN
JEWELRY, IT'S
ARCHITECTURE, BUT IN
JEWELRY, IT'S AN
ARCHITECTURE, BUT IN
JEWELRY, IT'S AN EYE
JEWELRY, IT'S AN EYE
JEWELRY, IT'S AN EYE
CATCHER,
JEWELRY, IT'S AN EYE
CATCHER, IT'S
JEWELRY, IT'S AN EYE
CATCHER, IT'S BEAUTIFUL.
CATCHER, IT'S BEAUTIFUL.
CATCHER, IT'S BEAUTIFUL.
LOOK
CATCHER, IT'S BEAUTIFUL.
LOOK AT
CATCHER, IT'S BEAUTIFUL.
LOOK AT THE
CATCHER, IT'S BEAUTIFUL.
LOOK AT THE SYMMETRY.
LOOK AT THE SYMMETRY.
LOOK AT THE SYMMETRY.
BUT
LOOK AT THE SYMMETRY.
BUT AGAIN,
LOOK AT THE SYMMETRY.
BUT AGAIN, THESE
LOOK AT THE SYMMETRY.
BUT AGAIN, THESE ARE
BUT AGAIN, THESE ARE
BUT AGAIN, THESE ARE
DIAMONDS,
BUT AGAIN, THESE ARE
DIAMONDS, BLUE
BUT AGAIN, THESE ARE
DIAMONDS, BLUE DIAMONDS,
DIAMONDS, BLUE DIAMONDS,
DIAMONDS, BLUE DIAMONDS,
LOOK
DIAMONDS, BLUE DIAMONDS,
LOOK AT
DIAMONDS, BLUE DIAMONDS,
LOOK AT THE
DIAMONDS, BLUE DIAMONDS,
LOOK AT THE NEGATIVE
LOOK AT THE NEGATIVE
LOOK AT THE NEGATIVE
SPACE
LOOK AT THE NEGATIVE
SPACE EVERY
LOOK AT THE NEGATIVE
SPACE EVERY SO
SPACE EVERY SO
SPACE EVERY SO
SYMMETRICAL,
SPACE EVERY SO
SYMMETRICAL, SO
SPACE EVERY SO
SYMMETRICAL, SO IT
SPACE EVERY SO
SYMMETRICAL, SO IT LOOKS
SYMMETRICAL, SO IT LOOKS
SYMMETRICAL, SO IT LOOKS
BIGGER.
BIGGER.
BIGGER.
>>
BIGGER.
>> Host:
BIGGER.
>> Host: AND
BIGGER.
>> Host: AND THAT
BIGGER.
>> Host: AND THAT OPEN
>> Host: AND THAT OPEN
>> Host: AND THAT OPEN
SPACE.
SPACE.
SPACE.
>>
SPACE.
>> Guest:
SPACE.
>> Guest: YOU
SPACE.
>> Guest: YOU HAVE
SPACE.
>> Guest: YOU HAVE THE
>> Guest: YOU HAVE THE
>> Guest: YOU HAVE THE
WHITE
>> Guest: YOU HAVE THE
WHITE DIAMONDS
>> Guest: YOU HAVE THE
WHITE DIAMONDS AND
>> Guest: YOU HAVE THE
WHITE DIAMONDS AND I'M
>> Guest: YOU HAVE THE
WHITE DIAMONDS AND I'M A
WHITE DIAMONDS AND I'M A
WHITE DIAMONDS AND I'M A
PURE
WHITE DIAMONDS AND I'M A
PURE RISK.
PURE RISK.
PURE RISK.
I
PURE RISK.
I WORKED
PURE RISK.
I WORKED FOR
PURE RISK.
I WORKED FOR DEE
PURE RISK.
I WORKED FOR DEE BEERS
I WORKED FOR DEE BEERS
I WORKED FOR DEE BEERS
FOR
I WORKED FOR DEE BEERS
FOR MANY
I WORKED FOR DEE BEERS
FOR MANY YEARS,
I WORKED FOR DEE BEERS
FOR MANY YEARS, AND
I WORKED FOR DEE BEERS
FOR MANY YEARS, AND I
FOR MANY YEARS, AND I
FOR MANY YEARS, AND I
WAS
FOR MANY YEARS, AND I
WAS COLOR
FOR MANY YEARS, AND I
WAS COLOR DEPRIVED,
FOR MANY YEARS, AND I
WAS COLOR DEPRIVED, I
WAS COLOR DEPRIVED, I
WAS COLOR DEPRIVED, I
THINK,
WAS COLOR DEPRIVED, I
THINK, ONCE
WAS COLOR DEPRIVED, I
THINK, ONCE I
WAS COLOR DEPRIVED, I
THINK, ONCE I STARTED
THINK, ONCE I STARTED
THINK, ONCE I STARTED
WORKING
THINK, ONCE I STARTED
WORKING FOR
THINK, ONCE I STARTED
WORKING FOR THE
THINK, ONCE I STARTED
WORKING FOR THE NATURAL
WORKING FOR THE NATURAL
WORKING FOR THE NATURAL
COLOR
WORKING FOR THE NATURAL
COLOR DIAMOND,
WORKING FOR THE NATURAL
COLOR DIAMOND, AND
COLOR DIAMOND, AND
COLOR DIAMOND, AND
PERSONALITY.
PERSONALITY.
PERSONALITY.
>>
PERSONALITY.
>> Host:
PERSONALITY.
>> Host: I
PERSONALITY.
>> Host: I WANT
PERSONALITY.
>> Host: I WANT TO
PERSONALITY.
>> Host: I WANT TO SHOW
>> Host: I WANT TO SHOW
>> Host: I WANT TO SHOW
YOU,
>> Host: I WANT TO SHOW
YOU, WE
>> Host: I WANT TO SHOW
YOU, WE HAVE
>> Host: I WANT TO SHOW
YOU, WE HAVE THE
>> Host: I WANT TO SHOW
YOU, WE HAVE THE STUD
YOU, WE HAVE THE STUD
YOU, WE HAVE THE STUD
EARRINGS
YOU, WE HAVE THE STUD
EARRINGS THAT
YOU, WE HAVE THE STUD
EARRINGS THAT DIANE
YOU, WE HAVE THE STUD
EARRINGS THAT DIANE IS
EARRINGS THAT DIANE IS
EARRINGS THAT DIANE IS
WEARING
EARRINGS THAT DIANE IS
WEARING IN
EARRINGS THAT DIANE IS
WEARING IN THE
EARRINGS THAT DIANE IS
WEARING IN THE SAME
WEARING IN THE SAME
WEARING IN THE SAME
COLORS.
COLORS.
COLORS.
IF
COLORS.
IF YOU
COLORS.
IF YOU WANT
COLORS.
IF YOU WANT TO
COLORS.
IF YOU WANT TO GO
COLORS.
IF YOU WANT TO GO FOR
IF YOU WANT TO GO FOR
IF YOU WANT TO GO FOR
IT,
IF YOU WANT TO GO FOR
IT, YOU'RE
IF YOU WANT TO GO FOR
IT, YOU'RE THINKING,
IT, YOU'RE THINKING,
IT, YOU'RE THINKING,
OKAY,
IT, YOU'RE THINKING,
OKAY, I'VE
IT, YOU'RE THINKING,
OKAY, I'VE NEVER
IT, YOU'RE THINKING,
OKAY, I'VE NEVER HAD
IT, YOU'RE THINKING,
OKAY, I'VE NEVER HAD AN
OKAY, I'VE NEVER HAD AN
OKAY, I'VE NEVER HAD AN
OPPORTUNITY
OKAY, I'VE NEVER HAD AN
OPPORTUNITY TO
OKAY, I'VE NEVER HAD AN
OPPORTUNITY TO GET
OKAY, I'VE NEVER HAD AN
OPPORTUNITY TO GET LOTS
OPPORTUNITY TO GET LOTS
OPPORTUNITY TO GET LOTS
OF
OPPORTUNITY TO GET LOTS
OF DIAMONDS.
OF DIAMONDS.
OF DIAMONDS.
I
OF DIAMONDS.
I THINK
OF DIAMONDS.
I THINK THAT
OF DIAMONDS.
I THINK THAT WORKS
I THINK THAT WORKS
I THINK THAT WORKS
REALLY
I THINK THAT WORKS
REALLY WELL
I THINK THAT WORKS
REALLY WELL TOGETHER,
REALLY WELL TOGETHER,
REALLY WELL TOGETHER,
AND
REALLY WELL TOGETHER,
AND CONSISTENCY
REALLY WELL TOGETHER,
AND CONSISTENCY ACROSS
AND CONSISTENCY ACROSS
AND CONSISTENCY ACROSS
THE
AND CONSISTENCY ACROSS
THE DIAMOND
AND CONSISTENCY ACROSS
THE DIAMOND COLORS.
THE DIAMOND COLORS.
THE DIAMOND COLORS.
THROUGHOUT
THE DIAMOND COLORS.
THROUGHOUT DIANE'S
THROUGHOUT DIANE'S
THROUGHOUT DIANE'S
ENTIRE
THROUGHOUT DIANE'S
ENTIRE LINE.
ENTIRE LINE.
ENTIRE LINE.
IF
ENTIRE LINE.
IF YOU
ENTIRE LINE.
IF YOU GET
ENTIRE LINE.
IF YOU GET A
ENTIRE LINE.
IF YOU GET A BLUE
ENTIRE LINE.
IF YOU GET A BLUE TODAY,
IF YOU GET A BLUE TODAY,
IF YOU GET A BLUE TODAY,
CHANCES
IF YOU GET A BLUE TODAY,
CHANCES ARE
IF YOU GET A BLUE TODAY,
CHANCES ARE IT
IF YOU GET A BLUE TODAY,
CHANCES ARE IT WILL
IF YOU GET A BLUE TODAY,
CHANCES ARE IT WILL WORK
CHANCES ARE IT WILL WORK
CHANCES ARE IT WILL WORK
WITH
CHANCES ARE IT WILL WORK
WITH PIECES
CHANCES ARE IT WILL WORK
WITH PIECES YOU
CHANCES ARE IT WILL WORK
WITH PIECES YOU PICK
CHANCES ARE IT WILL WORK
WITH PIECES YOU PICK UP.
WITH PIECES YOU PICK UP.
WITH PIECES YOU PICK UP.
>>
WITH PIECES YOU PICK UP.
>> Guest:
WITH PIECES YOU PICK UP.
>> Guest: WHEN
WITH PIECES YOU PICK UP.
>> Guest: WHEN YOU
WITH PIECES YOU PICK UP.
>> Guest: WHEN YOU TALK
>> Guest: WHEN YOU TALK
>> Guest: WHEN YOU TALK
ABOUT
>> Guest: WHEN YOU TALK
ABOUT THE
>> Guest: WHEN YOU TALK
ABOUT THE DESIGN
>> Guest: WHEN YOU TALK
ABOUT THE DESIGN NOTES,
ABOUT THE DESIGN NOTES,
ABOUT THE DESIGN NOTES,
ALL
ABOUT THE DESIGN NOTES,
ALL THE
ABOUT THE DESIGN NOTES,
ALL THE STYLES
ABOUT THE DESIGN NOTES,
ALL THE STYLES HAVE
ABOUT THE DESIGN NOTES,
ALL THE STYLES HAVE TO
ALL THE STYLES HAVE TO
ALL THE STYLES HAVE TO
BE
ALL THE STYLES HAVE TO
BE WORTHY.
BE WORTHY.
BE WORTHY.
YOU
BE WORTHY.
YOU MIX
BE WORTHY.
YOU MIX AND
BE WORTHY.
YOU MIX AND MATCH
YOU MIX AND MATCH
YOU MIX AND MATCH
BECAUSE
YOU MIX AND MATCH
BECAUSE THEY
YOU MIX AND MATCH
BECAUSE THEY ALL
YOU MIX AND MATCH
BECAUSE THEY ALL GO
BECAUSE THEY ALL GO
BECAUSE THEY ALL GO
TOGETHER,
BECAUSE THEY ALL GO
TOGETHER, BECAUSE
BECAUSE THEY ALL GO
TOGETHER, BECAUSE THE
TOGETHER, BECAUSE THE
TOGETHER, BECAUSE THE
BRILLIANCE
TOGETHER, BECAUSE THE
BRILLIANCE IS
TOGETHER, BECAUSE THE
BRILLIANCE IS THERE.
BRILLIANCE IS THERE.
BRILLIANCE IS THERE.
SO
BRILLIANCE IS THERE.
SO LOOK
BRILLIANCE IS THERE.
SO LOOK AT
BRILLIANCE IS THERE.
SO LOOK AT THE
BRILLIANCE IS THERE.
SO LOOK AT THE BLUE
SO LOOK AT THE BLUE
SO LOOK AT THE BLUE
DIAMOND,
SO LOOK AT THE BLUE
DIAMOND, THAT
SO LOOK AT THE BLUE
DIAMOND, THAT HE
SO LOOK AT THE BLUE
DIAMOND, THAT HE WILL
SO LOOK AT THE BLUE
DIAMOND, THAT HE WILL GO
DIAMOND, THAT HE WILL GO
DIAMOND, THAT HE WILL GO
BEAUTIFUL
DIAMOND, THAT HE WILL GO
BEAUTIFUL WITH
DIAMOND, THAT HE WILL GO
BEAUTIFUL WITH THE
DIAMOND, THAT HE WILL GO
BEAUTIFUL WITH THE BLUE
BEAUTIFUL WITH THE BLUE
BEAUTIFUL WITH THE BLUE
CUSHION
BEAUTIFUL WITH THE BLUE
CUSHION CUT,
BEAUTIFUL WITH THE BLUE
CUSHION CUT, DIAMONDS
CUSHION CUT, DIAMONDS
CUSHION CUT, DIAMONDS
THAT
CUSHION CUT, DIAMONDS
THAT WERE,
CUSHION CUT, DIAMONDS
THAT WERE, JUST
CUSHION CUT, DIAMONDS
THAT WERE, JUST --
THAT WERE, JUST --
THAT WERE, JUST --
THERE'S
THAT WERE, JUST --
THERE'S SO
THAT WERE, JUST --
THERE'S SO MANY
THERE'S SO MANY
THERE'S SO MANY
OPPORTUNITIES.
OPPORTUNITIES.
OPPORTUNITIES.
>>
OPPORTUNITIES.
>> Host:
OPPORTUNITIES.
>> Host: AND
OPPORTUNITIES.
>> Host: AND I
OPPORTUNITIES.
>> Host: AND I THINK
>> Host: AND I THINK
>> Host: AND I THINK
THIS
>> Host: AND I THINK
THIS IS
>> Host: AND I THINK
THIS IS ANOTHER
>> Host: AND I THINK
THIS IS ANOTHER CUSTOMER
THIS IS ANOTHER CUSTOMER
THIS IS ANOTHER CUSTOMER
PICK,
THIS IS ANOTHER CUSTOMER
PICK, A
THIS IS ANOTHER CUSTOMER
PICK, A LOVELY
THIS IS ANOTHER CUSTOMER
PICK, A LOVELY EXAMPLE
PICK, A LOVELY EXAMPLE
PICK, A LOVELY EXAMPLE
OF
PICK, A LOVELY EXAMPLE
OF KIND
PICK, A LOVELY EXAMPLE
OF KIND OF
PICK, A LOVELY EXAMPLE
OF KIND OF AN
PICK, A LOVELY EXAMPLE
OF KIND OF AN UPDATED
OF KIND OF AN UPDATED
OF KIND OF AN UPDATED
LOOK
OF KIND OF AN UPDATED
LOOK IN
OF KIND OF AN UPDATED
LOOK IN ART
OF KIND OF AN UPDATED
LOOK IN ART DECO
OF KIND OF AN UPDATED
LOOK IN ART DECO T
LOOK IN ART DECO T
LOOK IN ART DECO T
TYPICALLY
LOOK IN ART DECO T
TYPICALLY HAS
LOOK IN ART DECO T
TYPICALLY HAS MORE
LOOK IN ART DECO T
TYPICALLY HAS MORE HARSH
TYPICALLY HAS MORE HARSH
TYPICALLY HAS MORE HARSH
LINES.
LINES.
LINES.
>>
LINES.
>> Guest:
LINES.
>> Guest: IT
LINES.
>> Guest: IT HAS
LINES.
>> Guest: IT HAS A
>> Guest: IT HAS A
>> Guest: IT HAS A
SINGLE
>> Guest: IT HAS A
SINGLE --
>> Guest: IT HAS A
SINGLE -- SYMMETRY.
SINGLE -- SYMMETRY.
SINGLE -- SYMMETRY.
>>
SINGLE -- SYMMETRY.
>> Host:
SINGLE -- SYMMETRY.
>> Host: THE
SINGLE -- SYMMETRY.
>> Host: THE COLOR
>> Host: THE COLOR
>> Host: THE COLOR
DIAMOND
>> Host: THE COLOR
DIAMOND IS
>> Host: THE COLOR
DIAMOND IS IN
>> Host: THE COLOR
DIAMOND IS IN THE
DIAMOND IS IN THE
DIAMOND IS IN THE
CENTER,
DIAMOND IS IN THE
CENTER, AND
DIAMOND IS IN THE
CENTER, AND I
DIAMOND IS IN THE
CENTER, AND I LOVE
DIAMOND IS IN THE
CENTER, AND I LOVE HOW
CENTER, AND I LOVE HOW
CENTER, AND I LOVE HOW
THEY
CENTER, AND I LOVE HOW
THEY BROKE
CENTER, AND I LOVE HOW
THEY BROKE UP
CENTER, AND I LOVE HOW
THEY BROKE UP THE
CENTER, AND I LOVE HOW
THEY BROKE UP THE COLOR
THEY BROKE UP THE COLOR
THEY BROKE UP THE COLOR
ON
THEY BROKE UP THE COLOR
ON THE
THEY BROKE UP THE COLOR
ON THE SHOULDERS.
ON THE SHOULDERS.
ON THE SHOULDERS.
I
ON THE SHOULDERS.
I LOVE
ON THE SHOULDERS.
I LOVE THEY
ON THE SHOULDERS.
I LOVE THEY FILLED,
I LOVE THEY FILLED,
I LOVE THEY FILLED,
INSTEAD
I LOVE THEY FILLED,
INSTEAD OF
I LOVE THEY FILLED,
INSTEAD OF LEAVING
I LOVE THEY FILLED,
INSTEAD OF LEAVING THAT
INSTEAD OF LEAVING THAT
INSTEAD OF LEAVING THAT
EMPTY,
INSTEAD OF LEAVING THAT
EMPTY, WHICH
INSTEAD OF LEAVING THAT
EMPTY, WHICH WOULD
INSTEAD OF LEAVING THAT
EMPTY, WHICH WOULD HAVE
EMPTY, WHICH WOULD HAVE
EMPTY, WHICH WOULD HAVE
BEEN
EMPTY, WHICH WOULD HAVE
BEEN LESS
EMPTY, WHICH WOULD HAVE
BEEN LESS EXPENSIVE,
BEEN LESS EXPENSIVE,
BEEN LESS EXPENSIVE,
THEY'VE
BEEN LESS EXPENSIVE,
THEY'VE GOT
BEEN LESS EXPENSIVE,
THEY'VE GOT WHITE
THEY'VE GOT WHITE
THEY'VE GOT WHITE
DIAMONDS
THEY'VE GOT WHITE
DIAMONDS ON
THEY'VE GOT WHITE
DIAMONDS ON THE
DIAMONDS ON THE
DIAMONDS ON THE
EXTERIOR,
DIAMONDS ON THE
EXTERIOR, BUT
DIAMONDS ON THE
EXTERIOR, BUT FILL
DIAMONDS ON THE
EXTERIOR, BUT FILL WHAT
EXTERIOR, BUT FILL WHAT
EXTERIOR, BUT FILL WHAT
WOULD
EXTERIOR, BUT FILL WHAT
WOULD BE
EXTERIOR, BUT FILL WHAT
WOULD BE AN
EXTERIOR, BUT FILL WHAT
WOULD BE AN OPEN
EXTERIOR, BUT FILL WHAT
WOULD BE AN OPEN WINDOW.
WOULD BE AN OPEN WINDOW.
WOULD BE AN OPEN WINDOW.
THEY
WOULD BE AN OPEN WINDOW.
THEY FILLED
WOULD BE AN OPEN WINDOW.
THEY FILLED IT
WOULD BE AN OPEN WINDOW.
THEY FILLED IT WITH
WOULD BE AN OPEN WINDOW.
THEY FILLED IT WITH A
THEY FILLED IT WITH A
THEY FILLED IT WITH A
PAVE
THEY FILLED IT WITH A
PAVE SET
THEY FILLED IT WITH A
PAVE SET DIAMONDS.
PAVE SET DIAMONDS.
PAVE SET DIAMONDS.
>>
PAVE SET DIAMONDS.
>> Guest:
PAVE SET DIAMONDS.
>> Guest: I
PAVE SET DIAMONDS.
>> Guest: I BELIEVE,
>> Guest: I BELIEVE,
>> Guest: I BELIEVE,
IT'S
>> Guest: I BELIEVE,
IT'S TRUE,
>> Guest: I BELIEVE,
IT'S TRUE, BECAUSE
>> Guest: I BELIEVE,
IT'S TRUE, BECAUSE I'VE
IT'S TRUE, BECAUSE I'VE
IT'S TRUE, BECAUSE I'VE
BEEN
IT'S TRUE, BECAUSE I'VE
BEEN ALL
IT'S TRUE, BECAUSE I'VE
BEEN ALL OVER,
IT'S TRUE, BECAUSE I'VE
BEEN ALL OVER, WHEN
BEEN ALL OVER, WHEN
BEEN ALL OVER, WHEN
DESIGNERS
BEEN ALL OVER, WHEN
DESIGNERS WORK
BEEN ALL OVER, WHEN
DESIGNERS WORK WITH
DESIGNERS WORK WITH
DESIGNERS WORK WITH
DIAMONDS,
DESIGNERS WORK WITH
DIAMONDS, THEY
DESIGNERS WORK WITH
DIAMONDS, THEY JUST
DESIGNERS WORK WITH
DIAMONDS, THEY JUST PICK
DIAMONDS, THEY JUST PICK
DIAMONDS, THEY JUST PICK
IT
DIAMONDS, THEY JUST PICK
IT UP
DIAMONDS, THEY JUST PICK
IT UP A
DIAMONDS, THEY JUST PICK
IT UP A NOTCH.
IT UP A NOTCH.
IT UP A NOTCH.
BECAUSE
IT UP A NOTCH.
BECAUSE IT'S
IT UP A NOTCH.
BECAUSE IT'S THE
BECAUSE IT'S THE
BECAUSE IT'S THE
ULTIMATE
BECAUSE IT'S THE
ULTIMATE GEMSTONE.
ULTIMATE GEMSTONE.
ULTIMATE GEMSTONE.
SO
ULTIMATE GEMSTONE.
SO THEY
ULTIMATE GEMSTONE.
SO THEY ALWAYS
ULTIMATE GEMSTONE.
SO THEY ALWAYS GO
ULTIMATE GEMSTONE.
SO THEY ALWAYS GO A
SO THEY ALWAYS GO A
SO THEY ALWAYS GO A
LITTLE
SO THEY ALWAYS GO A
LITTLE STEP
SO THEY ALWAYS GO A
LITTLE STEP FURTHER
LITTLE STEP FURTHER
LITTLE STEP FURTHER
BECAUSE
LITTLE STEP FURTHER
BECAUSE THEY
LITTLE STEP FURTHER
BECAUSE THEY CAN.
BECAUSE THEY CAN.
BECAUSE THEY CAN.
THEY
BECAUSE THEY CAN.
THEY STOP
BECAUSE THEY CAN.
THEY STOP SOMETIMES,
BECAUSE THEY CAN.
THEY STOP SOMETIMES, IS
THEY STOP SOMETIMES, IS
THEY STOP SOMETIMES, IS
THAT
THEY STOP SOMETIMES, IS
THAT --
THAT --
THAT --
>>
THAT --
>> Host:
THAT --
>> Host: AND
THAT --
>> Host: AND YOU
THAT --
>> Host: AND YOU KNOW
>> Host: AND YOU KNOW
>> Host: AND YOU KNOW
WHAT?
WHAT?
WHAT?
IT
WHAT?
IT MAKES
WHAT?
IT MAKES THE
WHAT?
IT MAKES THE COLOR
WHAT?
IT MAKES THE COLOR POP
IT MAKES THE COLOR POP
IT MAKES THE COLOR POP
WHEN
IT MAKES THE COLOR POP
WHEN YOU
IT MAKES THE COLOR POP
WHEN YOU SURROUND
IT MAKES THE COLOR POP
WHEN YOU SURROUND IT
WHEN YOU SURROUND IT
WHEN YOU SURROUND IT
WITH
WHEN YOU SURROUND IT
WITH COLOR.
WITH COLOR.
WITH COLOR.
THIS
WITH COLOR.
THIS COMES
WITH COLOR.
THIS COMES IN,
WITH COLOR.
THIS COMES IN, JUST
WITH COLOR.
THIS COMES IN, JUST VERY
THIS COMES IN, JUST VERY
THIS COMES IN, JUST VERY
QUICKLY
THIS COMES IN, JUST VERY
QUICKLY AT
THIS COMES IN, JUST VERY
QUICKLY AT 32
THIS COMES IN, JUST VERY
QUICKLY AT 32 POINT,
THIS COMES IN, JUST VERY
QUICKLY AT 32 POINT, SO
QUICKLY AT 32 POINT, SO
QUICKLY AT 32 POINT, SO
YOU
QUICKLY AT 32 POINT, SO
YOU HAVE
QUICKLY AT 32 POINT, SO
YOU HAVE OVER
QUICKLY AT 32 POINT, SO
YOU HAVE OVER A
QUICKLY AT 32 POINT, SO
YOU HAVE OVER A QUARTER
YOU HAVE OVER A QUARTER
YOU HAVE OVER A QUARTER
OF
YOU HAVE OVER A QUARTER
OF A
YOU HAVE OVER A QUARTER
OF A CARAT.
OF A CARAT.
OF A CARAT.
>>
OF A CARAT.
>> Guest:
OF A CARAT.
>> Guest: IT
OF A CARAT.
>> Guest: IT HAS
OF A CARAT.
>> Guest: IT HAS A
OF A CARAT.
>> Guest: IT HAS A HALF
>> Guest: IT HAS A HALF
>> Guest: IT HAS A HALF
CARAT
>> Guest: IT HAS A HALF
CARAT LOOK.
CARAT LOOK.
CARAT LOOK.
I'M
CARAT LOOK.
I'M SAYING
CARAT LOOK.
I'M SAYING THIS
CARAT LOOK.
I'M SAYING THIS IS
CARAT LOOK.
I'M SAYING THIS IS YOUR
I'M SAYING THIS IS YOUR
I'M SAYING THIS IS YOUR
TIME
I'M SAYING THIS IS YOUR
TIME TO
I'M SAYING THIS IS YOUR
TIME TO FALL
I'M SAYING THIS IS YOUR
TIME TO FALL FOR
I'M SAYING THIS IS YOUR
TIME TO FALL FOR FANCY
TIME TO FALL FOR FANCY
TIME TO FALL FOR FANCY
COLOR
TIME TO FALL FOR FANCY
COLOR DIAMONDS.
COLOR DIAMONDS.
COLOR DIAMONDS.
>>
COLOR DIAMONDS.
>> Host:
COLOR DIAMONDS.
>> Host: AND
COLOR DIAMONDS.
>> Host: AND WITH
COLOR DIAMONDS.
>> Host: AND WITH THE
>> Host: AND WITH THE
>> Host: AND WITH THE
FlexPAY
>> Host: AND WITH THE
FlexPAY TONIGHT,
>> Host: AND WITH THE
FlexPAY TONIGHT, I
>> Host: AND WITH THE
FlexPAY TONIGHT, I LIKE
FlexPAY TONIGHT, I LIKE
FlexPAY TONIGHT, I LIKE
THE
FlexPAY TONIGHT, I LIKE
THE FlexPAY
FlexPAY TONIGHT, I LIKE
THE FlexPAY FAIRIES.
THE FlexPAY FAIRIES.
THE FlexPAY FAIRIES.
THEY
THE FlexPAY FAIRIES.
THEY WERE
THE FlexPAY FAIRIES.
THEY WERE OUT
THE FlexPAY FAIRIES.
THEY WERE OUT EARLY.
THEY WERE OUT EARLY.
THEY WERE OUT EARLY.
OKAY.
OKAY.
OKAY.
WHAT
OKAY.
WHAT AM
OKAY.
WHAT AM I
OKAY.
WHAT AM I DOING?
WHAT AM I DOING?
WHAT AM I DOING?
UPDATE?
UPDATE?
UPDATE?
OKAY.
OKAY.
OKAY.
I'M
OKAY.
I'M GOING
OKAY.
I'M GOING TO
OKAY.
I'M GOING TO SHOW
OKAY.
I'M GOING TO SHOW YOU
I'M GOING TO SHOW YOU
I'M GOING TO SHOW YOU
THIS
I'M GOING TO SHOW YOU
THIS AGAIN.
THIS AGAIN.
THIS AGAIN.
I
THIS AGAIN.
I KNOW
THIS AGAIN.
I KNOW YOU
THIS AGAIN.
I KNOW YOU OWN
THIS AGAIN.
I KNOW YOU OWN THAT
I KNOW YOU OWN THAT
I KNOW YOU OWN THAT
BLACK
I KNOW YOU OWN THAT
BLACK PENDANT.
BLACK PENDANT.
BLACK PENDANT.
>>
BLACK PENDANT.
>> Guest:
BLACK PENDANT.
>> Guest: STOP
BLACK PENDANT.
>> Guest: STOP T
BLACK PENDANT.
>> Guest: STOP T I'M
BLACK PENDANT.
>> Guest: STOP T I'M ALL
>> Guest: STOP T I'M ALL
>> Guest: STOP T I'M ALL
OVER
>> Guest: STOP T I'M ALL
OVER THIS.
OVER THIS.
OVER THIS.
>>
OVER THIS.
>> Host:
OVER THIS.
>> Host: I'M
OVER THIS.
>> Host: I'M GOING
OVER THIS.
>> Host: I'M GOING TO
>> Host: I'M GOING TO
>> Host: I'M GOING TO
GET
>> Host: I'M GOING TO
GET OFF
>> Host: I'M GOING TO
GET OFF THE
>> Host: I'M GOING TO
GET OFF THE AIR,
>> Host: I'M GOING TO
GET OFF THE AIR, AND
>> Host: I'M GOING TO
GET OFF THE AIR, AND DO
GET OFF THE AIR, AND DO
GET OFF THE AIR, AND DO
SOME
GET OFF THE AIR, AND DO
SOME SHOPPING.
SOME SHOPPING.
SOME SHOPPING.
I
SOME SHOPPING.
I EVEN
SOME SHOPPING.
I EVEN CAN'T
SOME SHOPPING.
I EVEN CAN'T RESIST
I EVEN CAN'T RESIST
I EVEN CAN'T RESIST
THIS.
THIS.
THIS.
DIANE
THIS.
DIANE WERE
THIS.
DIANE WERE ON
THIS.
DIANE WERE ON ABOUT
THIS.
DIANE WERE ON ABOUT A
DIANE WERE ON ABOUT A
DIANE WERE ON ABOUT A
MONTH
DIANE WERE ON ABOUT A
MONTH AGO,
DIANE WERE ON ABOUT A
MONTH AGO, AND
DIANE WERE ON ABOUT A
MONTH AGO, AND SOLD
DIANE WERE ON ABOUT A
MONTH AGO, AND SOLD THIS
MONTH AGO, AND SOLD THIS
MONTH AGO, AND SOLD THIS
SOLITAIRE
MONTH AGO, AND SOLD THIS
SOLITAIRE BLACK
MONTH AGO, AND SOLD THIS
SOLITAIRE BLACK DIAMOND
SOLITAIRE BLACK DIAMOND
SOLITAIRE BLACK DIAMOND
NECKLACE,
SOLITAIRE BLACK DIAMOND
NECKLACE, AND
SOLITAIRE BLACK DIAMOND
NECKLACE, AND IT
SOLITAIRE BLACK DIAMOND
NECKLACE, AND IT WAS
NECKLACE, AND IT WAS
NECKLACE, AND IT WAS
SILLY.
SILLY.
SILLY.
I
SILLY.
I LITERALLY
SILLY.
I LITERALLY HAD
SILLY.
I LITERALLY HAD TO
SILLY.
I LITERALLY HAD TO HAVE
I LITERALLY HAD TO HAVE
I LITERALLY HAD TO HAVE
IT.
IT.
IT.
IT
IT.
IT WASN'T
IT.
IT WASN'T EVEN
IT.
IT WASN'T EVEN A
IT.
IT WASN'T EVEN A DEBATE.
IT WASN'T EVEN A DEBATE.
IT WASN'T EVEN A DEBATE.
>>
IT WASN'T EVEN A DEBATE.
>> Guest:
IT WASN'T EVEN A DEBATE.
>> Guest: BUT
IT WASN'T EVEN A DEBATE.
>> Guest: BUT LOOK
IT WASN'T EVEN A DEBATE.
>> Guest: BUT LOOK AT
>> Guest: BUT LOOK AT
>> Guest: BUT LOOK AT
THE
>> Guest: BUT LOOK AT
THE RING,
>> Guest: BUT LOOK AT
THE RING, THE
>> Guest: BUT LOOK AT
THE RING, THE WHITE
THE RING, THE WHITE
THE RING, THE WHITE
DIAMOND
THE RING, THE WHITE
DIAMOND HALO,
THE RING, THE WHITE
DIAMOND HALO, THE
DIAMOND HALO, THE
DIAMOND HALO, THE
DIAMOND
DIAMOND HALO, THE
DIAMOND ENCRUSTED
DIAMOND ENCRUSTED
DIAMOND ENCRUSTED
SHOULDERS,
DIAMOND ENCRUSTED
SHOULDERS, BLACK
SHOULDERS, BLACK
SHOULDERS, BLACK
DIAMONDS
SHOULDERS, BLACK
DIAMONDS WITH
SHOULDERS, BLACK
DIAMONDS WITH THE
DIAMONDS WITH THE
DIAMONDS WITH THE
METALLIC
DIAMONDS WITH THE
METALLIC BRILLIANCE.
METALLIC BRILLIANCE.
METALLIC BRILLIANCE.
>>
METALLIC BRILLIANCE.
>> Host:
METALLIC BRILLIANCE.
>> Host: DOWN
METALLIC BRILLIANCE.
>> Host: DOWN TO
METALLIC BRILLIANCE.
>> Host: DOWN TO THE
>> Host: DOWN TO THE
>> Host: DOWN TO THE
FINAL
>> Host: DOWN TO THE
FINAL 60
>> Host: DOWN TO THE
FINAL 60 OF
>> Host: DOWN TO THE
FINAL 60 OF THE
>> Host: DOWN TO THE
FINAL 60 OF THE CROSS.
FINAL 60 OF THE CROSS.
FINAL 60 OF THE CROSS.
YOU'VE
FINAL 60 OF THE CROSS.
YOU'VE BEEN
FINAL 60 OF THE CROSS.
YOU'VE BEEN WEARING
FINAL 60 OF THE CROSS.
YOU'VE BEEN WEARING IT.
YOU'VE BEEN WEARING IT.
YOU'VE BEEN WEARING IT.
>>
YOU'VE BEEN WEARING IT.
>> Guest:
YOU'VE BEEN WEARING IT.
>> Guest: SOLID,
YOU'VE BEEN WEARING IT.
>> Guest: SOLID, IT'S
>> Guest: SOLID, IT'S
>> Guest: SOLID, IT'S
NOT
>> Guest: SOLID, IT'S
NOT PLATED,
>> Guest: SOLID, IT'S
NOT PLATED, SOLD
>> Guest: SOLID, IT'S
NOT PLATED, SOLD GOLD
NOT PLATED, SOLD GOLD
NOT PLATED, SOLD GOLD
FOR
NOT PLATED, SOLD GOLD
FOR THE
NOT PLATED, SOLD GOLD
FOR THE PURIST
NOT PLATED, SOLD GOLD
FOR THE PURIST THAT
NOT PLATED, SOLD GOLD
FOR THE PURIST THAT LOVE
FOR THE PURIST THAT LOVE
FOR THE PURIST THAT LOVE
DIAMONDS
FOR THE PURIST THAT LOVE
DIAMONDS WITH
FOR THE PURIST THAT LOVE
DIAMONDS WITH GOLD,
DIAMONDS WITH GOLD,
DIAMONDS WITH GOLD,
WHITE
DIAMONDS WITH GOLD,
WHITE DIAMONDS
DIAMONDS WITH GOLD,
WHITE DIAMONDS AND
DIAMONDS WITH GOLD,
WHITE DIAMONDS AND BLUE
WHITE DIAMONDS AND BLUE
WHITE DIAMONDS AND BLUE
DIAMONDS
WHITE DIAMONDS AND BLUE
DIAMONDS IN
WHITE DIAMONDS AND BLUE
DIAMONDS IN A
WHITE DIAMONDS AND BLUE
DIAMONDS IN A CROSS.
DIAMONDS IN A CROSS.
DIAMONDS IN A CROSS.
AND
DIAMONDS IN A CROSS.
AND THIS
DIAMONDS IN A CROSS.
AND THIS IS
DIAMONDS IN A CROSS.
AND THIS IS A
DIAMONDS IN A CROSS.
AND THIS IS A SPECIAL
AND THIS IS A SPECIAL
AND THIS IS A SPECIAL
CROSS.
CROSS.
CROSS.
>>
CROSS.
>> Host:
CROSS.
>> Host: AND
CROSS.
>> Host: AND DOTS
CROSS.
>> Host: AND DOTS IN
>> Host: AND DOTS IN
>> Host: AND DOTS IN
10kt
>> Host: AND DOTS IN
10kt WHITE
>> Host: AND DOTS IN
10kt WHITE GOLD.
10kt WHITE GOLD.
10kt WHITE GOLD.
AND
10kt WHITE GOLD.
AND WE
10kt WHITE GOLD.
AND WE HAVE
10kt WHITE GOLD.
AND WE HAVE SIX
10kt WHITE GOLD.
AND WE HAVE SIX ROUND
AND WE HAVE SIX ROUND
AND WE HAVE SIX ROUND
BLUE
AND WE HAVE SIX ROUND
BLUE DIAMONDS,
AND WE HAVE SIX ROUND
BLUE DIAMONDS, FIVE
BLUE DIAMONDS, FIVE
BLUE DIAMONDS, FIVE
ROUND
BLUE DIAMONDS, FIVE
ROUND WHITE
BLUE DIAMONDS, FIVE
ROUND WHITE DIAMONDS
ROUND WHITE DIAMONDS
ROUND WHITE DIAMONDS
CONNECTED
ROUND WHITE DIAMONDS
CONNECTED IN
ROUND WHITE DIAMONDS
CONNECTED IN THE
ROUND WHITE DIAMONDS
CONNECTED IN THE CRUSHED
CONNECTED IN THE CRUSHED
CONNECTED IN THE CRUSHED
SHAPE.
SHAPE.
SHAPE.
YOUR
SHAPE.
YOUR CARAT
SHAPE.
YOUR CARAT WEIGHT
SHAPE.
YOUR CARAT WEIGHT IS,
YOUR CARAT WEIGHT IS,
YOUR CARAT WEIGHT IS,
ALMOST
YOUR CARAT WEIGHT IS,
ALMOST A
YOUR CARAT WEIGHT IS,
ALMOST A HALF
YOUR CARAT WEIGHT IS,
ALMOST A HALF CARAT.
ALMOST A HALF CARAT.
ALMOST A HALF CARAT.
>>
ALMOST A HALF CARAT.
>> Guest:
ALMOST A HALF CARAT.
>> Guest: AND
ALMOST A HALF CARAT.
>> Guest: AND LOOK,
>> Guest: AND LOOK,
>> Guest: AND LOOK,
TALKING
>> Guest: AND LOOK,
TALKING FULL
>> Guest: AND LOOK,
TALKING FULL CUT
TALKING FULL CUT
TALKING FULL CUT
DIAMONDS,
TALKING FULL CUT
DIAMONDS, THESE
TALKING FULL CUT
DIAMONDS, THESE ARE
TALKING FULL CUT
DIAMONDS, THESE ARE NOT
DIAMONDS, THESE ARE NOT
DIAMONDS, THESE ARE NOT
LITTLE
DIAMONDS, THESE ARE NOT
LITTLE PIECES,
DIAMONDS, THESE ARE NOT
LITTLE PIECES, LIKE
LITTLE PIECES, LIKE
LITTLE PIECES, LIKE
SLICES.
SLICES.
SLICES.
>>
SLICES.
>> Host:
SLICES.
>> Host: FULLY
SLICES.
>> Host: FULLY FACETTED.
>> Host: FULLY FACETTED.
>> Host: FULLY FACETTED.
WE'RE
>> Host: FULLY FACETTED.
WE'RE GOING
>> Host: FULLY FACETTED.
WE'RE GOING TO
>> Host: FULLY FACETTED.
WE'RE GOING TO WRAP
>> Host: FULLY FACETTED.
WE'RE GOING TO WRAP UP
WE'RE GOING TO WRAP UP
WE'RE GOING TO WRAP UP
ON
WE'RE GOING TO WRAP UP
ON THAT,
WE'RE GOING TO WRAP UP
ON THAT, I
WE'RE GOING TO WRAP UP
ON THAT, I HAVE
WE'RE GOING TO WRAP UP
ON THAT, I HAVE ABOUT
WE'RE GOING TO WRAP UP
ON THAT, I HAVE ABOUT 50
ON THAT, I HAVE ABOUT 50
ON THAT, I HAVE ABOUT 50
LEFT.
LEFT.
LEFT.
AND
LEFT.
AND YOU
LEFT.
AND YOU GET
LEFT.
AND YOU GET THE
AND YOU GET THE
AND YOU GET THE
NECKLACE,
AND YOU GET THE
NECKLACE, WHICH
AND YOU GET THE
NECKLACE, WHICH IS
AND YOU GET THE
NECKLACE, WHICH IS 16
NECKLACE, WHICH IS 16
NECKLACE, WHICH IS 16
ITCHES
NECKLACE, WHICH IS 16
ITCHES LONG
NECKLACE, WHICH IS 16
ITCHES LONG WITH
NECKLACE, WHICH IS 16
ITCHES LONG WITH A
NECKLACE, WHICH IS 16
ITCHES LONG WITH A --
ITCHES LONG WITH A --
ITCHES LONG WITH A --
INCHES
ITCHES LONG WITH A --
INCHES LONG,
ITCHES LONG WITH A --
INCHES LONG, WITH
ITCHES LONG WITH A --
INCHES LONG, WITH AN
INCHES LONG, WITH AN
INCHES LONG, WITH AN
EXTENDER,
INCHES LONG, WITH AN
EXTENDER, AND
INCHES LONG, WITH AN
EXTENDER, AND ABOUT
INCHES LONG, WITH AN
EXTENDER, AND ABOUT 16
EXTENDER, AND ABOUT 16
EXTENDER, AND ABOUT 16
NOW
EXTENDER, AND ABOUT 16
NOW LEFT.
NOW LEFT.
NOW LEFT.
NEXT
NOW LEFT.
NEXT UP?
NEXT UP?
NEXT UP?
WE'RE
NEXT UP?
WE'RE GOING
NEXT UP?
WE'RE GOING TO
NEXT UP?
WE'RE GOING TO TALK
WE'RE GOING TO TALK
WE'RE GOING TO TALK
ABOUT
WE'RE GOING TO TALK
ABOUT THE,
WE'RE GOING TO TALK
ABOUT THE, WHAT
WE'RE GOING TO TALK
ABOUT THE, WHAT ARE
WE'RE GOING TO TALK
ABOUT THE, WHAT ARE WE
ABOUT THE, WHAT ARE WE
ABOUT THE, WHAT ARE WE
DOING?
DOING?
DOING?
THE
DOING?
THE PRETTY
DOING?
THE PRETTY EARRINGS.
THE PRETTY EARRINGS.
THE PRETTY EARRINGS.
HERE
THE PRETTY EARRINGS.
HERE WE
THE PRETTY EARRINGS.
HERE WE GO.
HERE WE GO.
HERE WE GO.
THESE
HERE WE GO.
THESE ARE
HERE WE GO.
THESE ARE SO
HERE WE GO.
THESE ARE SO PRETTY.
THESE ARE SO PRETTY.
THESE ARE SO PRETTY.
>>
THESE ARE SO PRETTY.
>> Guest:
THESE ARE SO PRETTY.
>> Guest: THE
THESE ARE SO PRETTY.
>> Guest: THE ONES
THESE ARE SO PRETTY.
>> Guest: THE ONES I'M
>> Guest: THE ONES I'M
>> Guest: THE ONES I'M
WEARING
>> Guest: THE ONES I'M
WEARING OF
>> Guest: THE ONES I'M
WEARING OF COURSE,
WEARING OF COURSE,
WEARING OF COURSE,
CUSHION,
WEARING OF COURSE,
CUSHION, CUSHION,
CUSHION, CUSHION,
CUSHION, CUSHION,
CUSHION.
CUSHION.
CUSHION.
THIS
CUSHION.
THIS IS
CUSHION.
THIS IS OUR
CUSHION.
THIS IS OUR COLOR
THIS IS OUR COLOR
THIS IS OUR COLOR
DIAMOND
THIS IS OUR COLOR
DIAMOND CUSHION
THIS IS OUR COLOR
DIAMOND CUSHION STUD
DIAMOND CUSHION STUD
DIAMOND CUSHION STUD
EARRINGS,
DIAMOND CUSHION STUD
EARRINGS, PRAISED
DIAMOND CUSHION STUD
EARRINGS, PRAISED AT
EARRINGS, PRAISED AT
EARRINGS, PRAISED AT
$229,
EARRINGS, PRAISED AT
$229, WE
EARRINGS, PRAISED AT
$229, WE HAVE
EARRINGS, PRAISED AT
$229, WE HAVE FOUR
$229, WE HAVE FOUR
$229, WE HAVE FOUR
DIFFERENT
$229, WE HAVE FOUR
DIFFERENT COLOR
$229, WE HAVE FOUR
DIFFERENT COLOR CHOICES
DIFFERENT COLOR CHOICES
DIFFERENT COLOR CHOICES
IT
DIFFERENT COLOR CHOICES
IT WORKS,
DIFFERENT COLOR CHOICES
IT WORKS, IT
DIFFERENT COLOR CHOICES
IT WORKS, IT GOAT
DIFFERENT COLOR CHOICES
IT WORKS, IT GOAT MUCH
IT WORKS, IT GOAT MUCH
IT WORKS, IT GOAT MUCH
GOES
IT WORKS, IT GOAT MUCH
GOES BACK
IT WORKS, IT GOAT MUCH
GOES BACK TO
IT WORKS, IT GOAT MUCH
GOES BACK TO THE
GOES BACK TO THE
GOES BACK TO THE
BRACELETS,
GOES BACK TO THE
BRACELETS, THE
GOES BACK TO THE
BRACELETS, THE RINGS,
BRACELETS, THE RINGS,
BRACELETS, THE RINGS,
BUT
BRACELETS, THE RINGS,
BUT WE
BRACELETS, THE RINGS,
BUT WE WILL
BRACELETS, THE RINGS,
BUT WE WILL START
BRACELETS, THE RINGS,
BUT WE WILL START ON
BUT WE WILL START ON
BUT WE WILL START ON
THIS
BUT WE WILL START ON
THIS END,
BUT WE WILL START ON
THIS END, THE
BUT WE WILL START ON
THIS END, THE BLUE
THIS END, THE BLUE
THIS END, THE BLUE
DIAMOND,
THIS END, THE BLUE
DIAMOND, AND
THIS END, THE BLUE
DIAMOND, AND THEN
THIS END, THE BLUE
DIAMOND, AND THEN WE
DIAMOND, AND THEN WE
DIAMOND, AND THEN WE
HAVE
DIAMOND, AND THEN WE
HAVE BESIDE
DIAMOND, AND THEN WE
HAVE BESIDE THAT
DIAMOND, AND THEN WE
HAVE BESIDE THAT IS
HAVE BESIDE THAT IS
HAVE BESIDE THAT IS
GOING
HAVE BESIDE THAT IS
GOING TO
HAVE BESIDE THAT IS
GOING TO BE
HAVE BESIDE THAT IS
GOING TO BE YOUR
HAVE BESIDE THAT IS
GOING TO BE YOUR --
GOING TO BE YOUR --
GOING TO BE YOUR --
>>
GOING TO BE YOUR --
>> Guest:
GOING TO BE YOUR --
>> Guest: GREEN.
>> Guest: GREEN.
>> Guest: GREEN.
>>
>> Guest: GREEN.
>> Host:
>> Guest: GREEN.
>> Host: WE
>> Guest: GREEN.
>> Host: WE DON'T
>> Guest: GREEN.
>> Host: WE DON'T SEE
>> Host: WE DON'T SEE
>> Host: WE DON'T SEE
GREEN
>> Host: WE DON'T SEE
GREEN VERY
>> Host: WE DON'T SEE
GREEN VERY OFTEN.
GREEN VERY OFTEN.
GREEN VERY OFTEN.
>>
GREEN VERY OFTEN.
>> Guest:
GREEN VERY OFTEN.
>> Guest: ALL
GREEN VERY OFTEN.
>> Guest: ALL THE
GREEN VERY OFTEN.
>> Guest: ALL THE WOMEN
>> Guest: ALL THE WOMEN
>> Guest: ALL THE WOMEN
THAT
>> Guest: ALL THE WOMEN
THAT LOVE
>> Guest: ALL THE WOMEN
THAT LOVE ORGANIC,
>> Guest: ALL THE WOMEN
THAT LOVE ORGANIC, MAKE
THAT LOVE ORGANIC, MAKE
THAT LOVE ORGANIC, MAKE
SURE,
THAT LOVE ORGANIC, MAKE
SURE, OR
THAT LOVE ORGANIC, MAKE
SURE, OR ZEN,
THAT LOVE ORGANIC, MAKE
SURE, OR ZEN, THIS
THAT LOVE ORGANIC, MAKE
SURE, OR ZEN, THIS IS
SURE, OR ZEN, THIS IS
SURE, OR ZEN, THIS IS
FOR
SURE, OR ZEN, THIS IS
FOR YOU.
FOR YOU.
FOR YOU.
>>
FOR YOU.
>> Host:
FOR YOU.
>> Host: AWESOME.
>> Host: AWESOME.
>> Host: AWESOME.
THIS
>> Host: AWESOME.
THIS IS
>> Host: AWESOME.
THIS IS CHAMPAGNE,
>> Host: AWESOME.
THIS IS CHAMPAGNE, AND
THIS IS CHAMPAGNE, AND
THIS IS CHAMPAGNE, AND
YOUR
THIS IS CHAMPAGNE, AND
YOUR LAST
THIS IS CHAMPAGNE, AND
YOUR LAST CHOICE
THIS IS CHAMPAGNE, AND
YOUR LAST CHOICE RIGHT
YOUR LAST CHOICE RIGHT
YOUR LAST CHOICE RIGHT
HERE
YOUR LAST CHOICE RIGHT
HERE IS
YOUR LAST CHOICE RIGHT
HERE IS GOING
YOUR LAST CHOICE RIGHT
HERE IS GOING TO
YOUR LAST CHOICE RIGHT
HERE IS GOING TO BE,
HERE IS GOING TO BE,
HERE IS GOING TO BE,
IT'S
HERE IS GOING TO BE,
IT'S BLACK.
IT'S BLACK.
IT'S BLACK.
ARE
IT'S BLACK.
ARE THESE
IT'S BLACK.
ARE THESE RED.
ARE THESE RED.
ARE THESE RED.
SO
ARE THESE RED.
SO CHAMPAGNE
ARE THESE RED.
SO CHAMPAGNE MUST
ARE THESE RED.
SO CHAMPAGNE MUST BE
SO CHAMPAGNE MUST BE
SO CHAMPAGNE MUST BE
GONE.
GONE.
GONE.
CHAMPAGNE
GONE.
CHAMPAGNE SOLD
GONE.
CHAMPAGNE SOLD OUT.
CHAMPAGNE SOLD OUT.
CHAMPAGNE SOLD OUT.
>>
CHAMPAGNE SOLD OUT.
>> Guest:
CHAMPAGNE SOLD OUT.
>> Guest: I
CHAMPAGNE SOLD OUT.
>> Guest: I THINK
CHAMPAGNE SOLD OUT.
>> Guest: I THINK SO.
>> Guest: I THINK SO.
>> Guest: I THINK SO.
>>
>> Guest: I THINK SO.
>> Host:
>> Guest: I THINK SO.
>> Host: THAT'S
>> Guest: I THINK SO.
>> Host: THAT'S RED.
>> Host: THAT'S RED.
>> Host: THAT'S RED.
SORRY
>> Host: THAT'S RED.
SORRY ABOUT
>> Host: THAT'S RED.
SORRY ABOUT THAT.
SORRY ABOUT THAT.
SORRY ABOUT THAT.
AND
SORRY ABOUT THAT.
AND THEN
SORRY ABOUT THAT.
AND THEN WE
SORRY ABOUT THAT.
AND THEN WE HAVE
SORRY ABOUT THAT.
AND THEN WE HAVE BLACK
AND THEN WE HAVE BLACK
AND THEN WE HAVE BLACK
ON
AND THEN WE HAVE BLACK
ON THE
AND THEN WE HAVE BLACK
ON THE END.
ON THE END.
ON THE END.
>>
ON THE END.
>> Guest:
ON THE END.
>> Guest: I'M
ON THE END.
>> Guest: I'M WEARING
>> Guest: I'M WEARING
>> Guest: I'M WEARING
THE
>> Guest: I'M WEARING
THE BLACK.
THE BLACK.
THE BLACK.
THE
THE BLACK.
THE WHOLE
THE BLACK.
THE WHOLE SPECTATE
THE BLACK.
THE WHOLE SPECTATE WHO
THE WHOLE SPECTATE WHO
THE WHOLE SPECTATE WHO
ARE
THE WHOLE SPECTATE WHO
ARE LOOK
THE WHOLE SPECTATE WHO
ARE LOOK --
THE WHOLE SPECTATE WHO
ARE LOOK -- SPECTATOR
ARE LOOK -- SPECTATOR
ARE LOOK -- SPECTATOR
LOOK.
LOOK.
LOOK.
REMEMBER,
LOOK.
REMEMBER, THE
LOOK.
REMEMBER, THE CUSHION
REMEMBER, THE CUSHION
REMEMBER, THE CUSHION
CUT
REMEMBER, THE CUSHION
CUT IS
REMEMBER, THE CUSHION
CUT IS THE
REMEMBER, THE CUSHION
CUT IS THE POSE
REMEMBER, THE CUSHION
CUT IS THE POSE ELEGANT,
CUT IS THE POSE ELEGANT,
CUT IS THE POSE ELEGANT,
THE
CUT IS THE POSE ELEGANT,
THE MOST
CUT IS THE POSE ELEGANT,
THE MOST FEMININE.
THE MOST FEMININE.
THE MOST FEMININE.
KNOWN
THE MOST FEMININE.
KNOWN THROUGHOUT
THE MOST FEMININE.
KNOWN THROUGHOUT THE
KNOWN THROUGHOUT THE
KNOWN THROUGHOUT THE
WORLD.
WORLD.
WORLD.
AND
WORLD.
AND AGAIN,
WORLD.
AND AGAIN, YOU
WORLD.
AND AGAIN, YOU HAVE
WORLD.
AND AGAIN, YOU HAVE THE
AND AGAIN, YOU HAVE THE
AND AGAIN, YOU HAVE THE
VERSATILITY,
AND AGAIN, YOU HAVE THE
VERSATILITY, SO
AND AGAIN, YOU HAVE THE
VERSATILITY, SO THAT
VERSATILITY, SO THAT
VERSATILITY, SO THAT
SOFT
VERSATILITY, SO THAT
SOFT SQUARE
VERSATILITY, SO THAT
SOFT SQUARE CUSHION
VERSATILITY, SO THAT
SOFT SQUARE CUSHION IF
SOFT SQUARE CUSHION IF
SOFT SQUARE CUSHION IF
YOU
SOFT SQUARE CUSHION IF
YOU WEAR
SOFT SQUARE CUSHION IF
YOU WEAR IT
SOFT SQUARE CUSHION IF
YOU WEAR IT SQUARE
SOFT SQUARE CUSHION IF
YOU WEAR IT SQUARE ON
YOU WEAR IT SQUARE ON
YOU WEAR IT SQUARE ON
YOUR
YOU WEAR IT SQUARE ON
YOUR EAR,
YOU WEAR IT SQUARE ON
YOUR EAR, OR
YOU WEAR IT SQUARE ON
YOUR EAR, OR DIAGONAL.
YOUR EAR, OR DIAGONAL.
YOUR EAR, OR DIAGONAL.
>>
YOUR EAR, OR DIAGONAL.
>> LOVE,
YOUR EAR, OR DIAGONAL.
>> LOVE, GOOD
YOUR EAR, OR DIAGONAL.
>> LOVE, GOOD TO
YOUR EAR, OR DIAGONAL.
>> LOVE, GOOD TO SEE
>> LOVE, GOOD TO SEE
>> LOVE, GOOD TO SEE
YOU.
YOU.
YOU.
YOU'RE
YOU.
YOU'RE BACK
YOU.
YOU'RE BACK LATER?
YOU'RE BACK LATER?
YOU'RE BACK LATER?
>>
YOU'RE BACK LATER?
>> 8:00
YOU'RE BACK LATER?
>> 8:00 A.M.
>> 8:00 A.M.
>> 8:00 A.M.
>>
>> 8:00 A.M.
>> EARLIER
>> 8:00 A.M.
>> EARLIER TODAY!
>> EARLIER TODAY!
>> EARLIER TODAY!
>>
>> EARLIER TODAY!
>> Host:
>> EARLIER TODAY!
>> Host: WE
>> EARLIER TODAY!
>> Host: WE HAVE
>> EARLIER TODAY!
>> Host: WE HAVE NOW
>> Host: WE HAVE NOW
>> Host: WE HAVE NOW
SOLD
>> Host: WE HAVE NOW
SOLD WELL
>> Host: WE HAVE NOW
SOLD WELL OVER
>> Host: WE HAVE NOW
SOLD WELL OVER A
SOLD WELL OVER A
SOLD WELL OVER A
THOUSAND
SOLD WELL OVER A
THOUSAND IN
SOLD WELL OVER A
THOUSAND IN JUST
SOLD WELL OVER A
THOUSAND IN JUST THE
THOUSAND IN JUST THE
THOUSAND IN JUST THE
FIRST
THOUSAND IN JUST THE
FIRST SOMEHOW
THOUSAND IN JUST THE
FIRST SOMEHOW WITH
THOUSAND IN JUST THE
FIRST SOMEHOW WITH PAUL
FIRST SOMEHOW WITH PAUL
FIRST SOMEHOW WITH PAUL
DEASY.
DEASY.
DEASY.
OF
DEASY.
OF THE
DEASY.
OF THE THOUSAND
DEASY.
OF THE THOUSAND SOLD,
OF THE THOUSAND SOLD,
OF THE THOUSAND SOLD,
900
OF THE THOUSAND SOLD,
900 ARE
OF THE THOUSAND SOLD,
900 ARE IN
OF THE THOUSAND SOLD,
900 ARE IN THE
OF THE THOUSAND SOLD,
900 ARE IN THE OPAL,
OF THE THOUSAND SOLD,
900 ARE IN THE OPAL, AND
900 ARE IN THE OPAL, AND
900 ARE IN THE OPAL, AND
THAT'S
900 ARE IN THE OPAL, AND
THAT'S HALF
900 ARE IN THE OPAL, AND
THAT'S HALF OF
900 ARE IN THE OPAL, AND
THAT'S HALF OF THE
THAT'S HALF OF THE
THAT'S HALF OF THE
QUANTITY
THAT'S HALF OF THE
QUANTITY FOR
THAT'S HALF OF THE
QUANTITY FOR THE
THAT'S HALF OF THE
QUANTITY FOR THE ENTIRE
QUANTITY FOR THE ENTIRE
QUANTITY FOR THE ENTIRE
DAY.
DAY.
DAY.
HELLO,
DAY.
HELLO, EVERYTHING
DAY.
HELLO, EVERYTHING ELSE
HELLO, EVERYTHING ELSE
HELLO, EVERYTHING ELSE
IN
HELLO, EVERYTHING ELSE
IN THE
HELLO, EVERYTHING ELSE
IN THE OPAL
HELLO, EVERYTHING ELSE
IN THE OPAL IS
HELLO, EVERYTHING ELSE
IN THE OPAL IS GONE,
IN THE OPAL IS GONE,
IN THE OPAL IS GONE,
EXCEPT
IN THE OPAL IS GONE,
EXCEPT THE
IN THE OPAL IS GONE,
EXCEPT THE RING
IN THE OPAL IS GONE,
EXCEPT THE RING ITSELF.
EXCEPT THE RING ITSELF.
EXCEPT THE RING ITSELF.
AND
EXCEPT THE RING ITSELF.
AND YOU
EXCEPT THE RING ITSELF.
AND YOU CAN
EXCEPT THE RING ITSELF.
AND YOU CAN STILL
EXCEPT THE RING ITSELF.
AND YOU CAN STILL PICK
AND YOU CAN STILL PICK
AND YOU CAN STILL PICK
IT
AND YOU CAN STILL PICK
IT UP
AND YOU CAN STILL PICK
IT UP AND
AND YOU CAN STILL PICK
IT UP AND LEARN
AND YOU CAN STILL PICK
IT UP AND LEARN MORE.
IT UP AND LEARN MORE.
IT UP AND LEARN MORE.
HAVE
IT UP AND LEARN MORE.
HAVE A
IT UP AND LEARN MORE.
HAVE A GREAT
IT UP AND LEARN MORE.
HAVE A GREAT EVENING,
HAVE A GREAT EVENING,
HAVE A GREAT EVENING,
MORE
HAVE A GREAT EVENING,
MORE JEWELRY
HAVE A GREAT EVENING,
MORE JEWELRY NEXT.
| {
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} |
English:
Hey guys what's up! Or as Farina likes to say heyguyswhatsup~
Since Farina is currently learning Korean
I thought I might help her out with a secret super special study sessions.
First of all a huge thanks to today's sponsor
Skillshare!
This is actually the platform I'm currently learning Korean with.
And I'll tell you more about it later.
Many people keep asking me how I learned to
speak Korean so well
and I really wonder where they got that from because I've never spoken Korean in any of our videos yet.
I think it's because you started
learning quite a while ago
when you first started the channel you did a 'How I learn Korean' video.
Yea I gave some tips about my favorite apps and stuff.
That's why they think "Oh she used to learn Korean like two years ago, she must be fluent by now."
I started learning two or three years ago but I was pretty inconsistent
so I'd say I'm progressing pretty slowly bit by bit.
Filipino:
Oy mga pare kamusta! O tulad ng gusto ni Farina na sabihin heyguyswhatsup ~
Dahil ang Farina ay kasalukuyang natututo ng Korean
Akala ko maaari ko siyang tulungan sa isang lihim na sobrang espesyal na mga sesyon sa pag-aaral.
Una sa lahat isang malaking salamat sa sponsor ngayon
Skillshare!
Ito talaga ang platform na kasalukuyang natututunan ko sa Korean.
At sasabihin ko sa iyo ang higit pa tungkol dito.
Maraming tao ang patuloy na nagtatanong sa akin kung paano ko natutunan
magsalita ng Korean nang maayos
at talagang nagtataka ako kung saan nila nakuha iyon dahil hindi pa ako nagsasalita ng Koreano sa alinman sa aming mga video.
Sa tingin ko ito ay dahil sa nagsimula ka
pag-aaral ng medyo matagal na
noong una mong sinimulan ang channel ay gumawa ka ng isang video na 'Paano ko matututo ang Korean'.
Oo nagbigay ako ng ilang mga tip tungkol sa aking mga paboritong apps at mga gamit.
Iyon ang dahilan kung bakit sa palagay nila "Oh dati niyang natutunan ang Korean tulad ng dalawang taon na ang nakalilipas, dapat siyang maging matatas ngayon.
Nagsimula akong matuto ng dalawa o tatlong taon na ang nakalilipas ngunit medyo hindi ako pantay-pantay
kaya sasabihin kong sumusulong ako ng medyo dahan-dahan.
Malay (macrolanguage):
Hai kawan apa! Atau seperti yang Farina suka katakan heyguyswhatsup ~
Oleh kerana Farina kini belajar bahasa Korea
Saya fikir saya mungkin membantunya dengan sesi pembelajaran rahsia super istimewa.
Terlebih dahulu terima kasih banyak kepada penaja hari ini
Perkongsian Kemahiran!
Ini sebenarnya platform yang sedang saya pelajari bahasa Korea.
Dan saya akan memberitahu anda lebih banyak mengenainya nanti.
Ramai orang terus bertanya kepada saya bagaimana saya belajar
boleh berbahasa Korea dengan baik
dan saya benar-benar tertanya-tanya dari mana mereka mendapatkannya kerana saya belum pernah bercakap bahasa Korea dalam mana-mana video kami.
Saya fikir ia kerana anda bermula
belajar agak lama dahulu
semasa mula-mula memulakan saluran, anda membuat video 'Bagaimana saya belajar bahasa Korea'.
Ya saya memberikan beberapa petua mengenai aplikasi dan barang kegemaran saya.
Itulah sebabnya mereka berfikir "Oh dia dulu belajar bahasa Korea seperti dua tahun yang lalu, dia mesti fasih sekarang."
Saya mula belajar dua atau tiga tahun yang lalu tetapi saya agak tidak konsisten
jadi saya katakan saya maju dengan perlahan sedikit demi sedikit.
French:
Hé, les gars! Quoi de neuf! Ou comme Farina aime dire heyguyswhatsup ~
Puisque Farina apprend actuellement le coréen
J'ai pensé que je pourrais l'aider avec des sessions d'étude super spéciales secrètes.
Tout d'abord un immense merci au sponsor d'aujourd'hui
Partage de compétences!
C'est en fait la plate-forme avec laquelle j'apprends actuellement le coréen.
Et je vous en parlerai plus tard.
Beaucoup de gens me demandent comment j'ai appris à
parle si bien le coréen
et je me demande vraiment d'où ils viennent ça parce que je n'ai encore jamais parlé coréen dans aucune de nos vidéos.
Je pense que c'est parce que tu as commencé
apprendre il y a un bon moment
lorsque vous avez commencé la chaîne, vous avez fait une vidéo "Comment j'apprends le coréen".
Oui, j'ai donné quelques conseils sur mes applications et mes trucs préférés.
C'est pourquoi ils pensent "Oh, elle avait l'habitude d'apprendre le coréen comme il y a deux ans, elle doit parler couramment maintenant."
J'ai commencé à apprendre il y a deux ou trois ans mais j'étais assez incohérent
donc je dirais que je progresse assez lentement petit à petit.
Italian:
Ciao ragazzi come va! O come dice Farina heyguyswhatsup ~
Dal momento che Farina sta attualmente imparando il coreano
Ho pensato di poterla aiutare con sessioni di studio segrete super speciali.
Innanzitutto un enorme grazie allo sponsor di oggi
Skillshare!
Questa è in realtà la piattaforma con cui sto attualmente imparando il coreano.
E ti dirò di più al riguardo più tardi.
Molte persone continuano a chiedermi come ho imparato a farlo
parlare coreano così bene
e mi chiedo davvero da dove l'hanno preso perché non ho mai parlato coreano in nessuno dei nostri video.
Penso che sia perché hai iniziato
imparando un po 'di tempo fa
quando hai iniziato il canale per la prima volta, hai realizzato un video "Come imparo il coreano".
Sì, ho dato alcuni consigli sulle mie app e cose preferite.
Ecco perché pensano "Oh, aveva imparato il coreano come due anni fa, ormai deve essere fluente".
Ho iniziato a studiare due o tre anni fa ma ero piuttosto incoerente
quindi direi che sto procedendo abbastanza lentamente, a poco a poco.
Indonesian:
Hai teman-teman apa kabar! Atau seperti yang Farina suka katakan heyguyswhatsup ~
Karena Farina saat ini sedang belajar bahasa Korea
Saya pikir saya bisa membantunya dengan sesi belajar rahasia super spesial.
Pertama-tama, terima kasih banyak untuk sponsor hari ini
Skillshare!
Ini sebenarnya platform yang saat ini saya pelajari bahasa Korea.
Dan saya akan bercerita lebih banyak tentangnya nanti.
Banyak orang terus bertanya kepada saya bagaimana saya belajar
berbicara bahasa Korea dengan sangat baik
dan saya benar-benar bertanya-tanya dari mana mereka mendapatkannya karena saya belum pernah berbicara bahasa Korea di salah satu video kami.
Saya pikir itu karena Anda mulai
belajar beberapa waktu yang lalu
saat pertama kali memulai saluran, Anda membuat video 'Bagaimana saya belajar bahasa Korea'.
Ya saya memberikan beberapa tips tentang aplikasi dan barang favorit saya.
Itu sebabnya mereka berpikir, "Oh, dia dulu belajar bahasa Korea seperti dua tahun yang lalu, dia pasti fasih sekarang."
Saya mulai belajar dua atau tiga tahun yang lalu tetapi saya cukup tidak konsisten
jadi saya katakan saya maju sedikit demi sedikit perlahan.
Spanish:
¡Hola chicos, que hay! O como a Farina le gusta decir heyguyswhatsup ~
Como Farina actualmente está aprendiendo coreano
Pensé que podría ayudarla con unas sesiones secretas de estudio súper especiales.
En primer lugar, muchas gracias al patrocinador de hoy.
Skillshare!
Esta es en realidad la plataforma con la que actualmente estoy aprendiendo coreano.
Y te contaré más sobre eso más tarde.
Mucha gente sigue preguntándome cómo aprendí a
habla coreano muy bien
y realmente me pregunto de dónde sacaron eso porque nunca he hablado coreano en ninguno de nuestros videos todavía.
Creo que es porque empezaste
aprendiendo hace bastante tiempo
cuando comenzaste el canal hiciste un video de 'Cómo aprendo coreano'.
Sí, di algunos consejos sobre mis aplicaciones y cosas favoritas.
Es por eso que piensan "Oh, ella solía aprender coreano como hace dos años, ya debe tener fluidez".
Empecé a aprender hace dos o tres años, pero era bastante inconsistente.
entonces diría que estoy progresando muy lentamente poco a poco.
Portuguese:
Ei pessoal, o que se passa! Ou como Farina gosta de dizer heyguyswhatsup ~
Como Farina está atualmente aprendendo coreano
Eu pensei que poderia ajudá-la com sessões secretas de estudo super especiais.
Antes de tudo, um enorme agradecimento ao patrocinador de hoje
Skillshare!
Esta é realmente a plataforma com a qual estou aprendendo coreano atualmente.
E eu vou lhe contar mais sobre isso mais tarde.
Muitas pessoas continuam me perguntando como eu aprendi a
fala coreano tão bem
e eu realmente me pergunto de onde eles tiraram isso, porque eu nunca falei coreano em nenhum dos nossos vídeos ainda.
Eu acho que é porque você começou
aprendendo há um tempo atrás
quando você iniciou o canal, fez um vídeo "Como eu aprendo coreano".
Sim, eu dei algumas dicas sobre meus aplicativos e coisas favoritas.
É por isso que eles pensam "Oh, ela costumava aprender coreano como dois anos atrás, ela deve ser fluente agora".
Comecei a aprender há dois ou três anos, mas eu era bastante inconsistente
então eu diria que estou progredindo bem devagar, pouco a pouco.
Turkish:
Naber beyler nasıl gidiyor! Veya Farina heyguyswhatsup demeyi sevdiği gibi ~
Farina şu anda Korece öğreniyor
Ona gizli bir süper özel çalışma seansında yardım edebileceğimi düşündüm.
Her şeyden önce bugünün sponsoruna çok teşekkürler
Skillshare!
Bu aslında şu anda Korece öğrendiğim platform.
Size daha sonra anlatacağım.
Birçok insan bana nasıl öğrendiğimi soruyor
Korece çok iyi konuş
ve bunu nereden aldıklarını merak ediyorum çünkü henüz hiçbir videomda Korece konuşmadım.
Bence bunun nedeni başladı
bir süre önce öğrenmek
kanala ilk başladığınızda 'Korece nasıl öğrenirim' videosu yaptınız.
Evet, en sevdiğim uygulamalar ve şeyler hakkında bazı ipuçları verdim.
Bu yüzden "Oh, Koreli'yi iki yıl önce öğreniyordu, şimdiye kadar akıcı olmalı" diye düşünüyorlar.
İki ya da üç yıl önce öğrenmeye başladım ama oldukça tutarsızdım
bu yüzden yavaş yavaş yavaş ilerlediğimi söyleyebilirim.
Arabic:
مرحبًا ، ما الأمر! أو كما تحب Farina أن تقول heyguyswhatsup ~
منذ Farina يتعلم حاليا الكورية
اعتقدت أنني قد أساعدها في جلسات دراسية خاصة فائقة السرية.
بادئ ذي بدء شكر كبير لرعاة اليوم
Skillshare!
هذه هي المنصة التي أتعلم اللغة الكورية بها حاليًا.
وسأخبركم المزيد عنها لاحقًا.
يسألني الكثير من الناس كيف تعلمت
يتكلم الكورية بشكل جيد
وأتساءل حقًا من أين حصلوا على ذلك لأنني لم أتحدث الكورية أبدًا في أي من مقاطع الفيديو الخاصة بنا حتى الآن.
أعتقد أنه لأنك بدأت
تعلم منذ فترة طويلة
عندما أنشأت القناة لأول مرة ، أجريت مقطع فيديو بعنوان "كيف أتعلم اللغة الكورية".
نعم ، لقد قدمت بعض النصائح حول تطبيقاتي وأشياءي المفضلة.
لهذا السبب يعتقدون "أوه كانت تتعلم اللغة الكورية منذ عامين ، يجب أن تكون بطلاقة الآن."
لقد بدأت التعلم قبل عامين أو ثلاثة أعوام لكني كنت متناقضًا جدًا
لذلك أقول أنني أتقدم ببطء شديد شيئًا فشيئًا.
French:
La cohérence est la clé. -Ouais c'est vrai. Je
dis que je sais lire, que je peux écrire mais que je ne comprends pas beaucoup.
Et je connais le
les bases. Je ne dirais pas encore que je suis capable de parler correctement.
Mais nous y arriverons. -Pour aujourd'hui
leçon spéciale ... en tant que pro de l'éducation moi-même
Je pensais que la meilleure façon d'apprendre
quelque chose doit faire face à certaines difficultés
et c'est pourquoi aujourd'hui nous faisons quelque chose que même les locuteurs natifs pourraient ne pas être bons.
Virelangues! -Tangue twister ~
-Oui ~
ou comme les Allemands aiment
«Zungenbrecher»
-Sons effrayants ...
Je suis vraiment horrible à ces ... -Ouais-tu?
-Ouais, je me tord la langue en parlant normalement
Je n'ai pas un bon contrôle sur ma bouche.
-Je pense que je vais bien avec des virelangues.
(Twister de langue allemande)
Malay (macrolanguage):
Ketekalan adalah kunci. -Ya itu benar. ID
Saya boleh membaca Saya boleh menulis tetapi saya tidak faham banyak.
Dan saya biasa dengan
asas. Saya tidak akan mengatakan bahawa saya dapat bercakap dengan betul.
Tetapi kita akan sampai di sana. -Untuk hari ini
pelajaran khas ... sebagai pro pendidikan saya sendiri
Saya fikir cara terbaik untuk belajar
sesuatu adalah menghadapi kesukaran tertentu
dan itulah sebabnya hari ini kita melakukan sesuatu yang mungkin tidak dapat dituturkan oleh penutur asli.
Puting lidah! -Tongue twister ~
-Ya ~
atau seperti orang Jerman
'Zungenbrecher'
-Bunyi menakutkan ...
Saya benar-benar mengerikan pada mereka ... -Ya anda?
-Ya, saya menjelirkan lidah ketika bercakap dengan normal
Saya tidak mempunyai kawalan yang baik terhadap mulut saya.
-Saya fikir saya baik-baik saja dengan lidah puting.
(Twister lidah Jerman)
English:
Consistency is key. -Yeah that's true. I'd
say I can read I can write but I cannot understand a lot.
And I'm familiar with the
basics. I wouldn't say I'm able to talk properly yet.
But we'll get there. -For today's
special lesson... as an educational pro myself
I thought the best way to learn
something is to face certain difficulties
and that is why today we're doing something that even native speakers might not be good at.
Tongue twisters! -Tongue twister~
-Yes~
or as Germans like
'Zungenbrecher'
-Sounds scary...
I'm actually horrible at those... -Yeah you are?
-Yeah, I twist my tongue when speaking normally
I don't have good control over my mouth.
-I think I'm alright with tongue twisters.
(German tongue twister)
Spanish:
La consistencia es la clave. -Si eso es verdad. Carné de identidad
digo que puedo leer, puedo escribir pero no puedo entender mucho.
Y estoy familiarizado con el
lo esencial. No diría que todavía puedo hablar correctamente.
Pero llegaremos allí. -Para hoy
Lección especial ... como profesional educativo
Pensé que la mejor manera de aprender
algo es enfrentar ciertas dificultades
y es por eso que hoy estamos haciendo algo en lo que incluso los hablantes nativos podrían no ser buenos.
¡Trabalenguas! - trabalenguas ~
-Sí ~
o como a los alemanes les gusta
'Zungenbrecher'
-Suena aterrador ...
En realidad soy horrible con esos ... -Si lo eres?
-Si, tuerzo la lengua cuando hablo normalmente
No tengo buen control sobre mi boca.
-Creo que estoy bien con trabalenguas.
(Trabalenguas alemán)
Arabic:
الاتساق هو المفتاح. -نعم هذا صحيح. هوية شخصية
أقول أستطيع أن أقرأ يمكنني الكتابة ولكن لا أستطيع أن أفهم الكثير.
وأنا على دراية بال
الأساسيات. لن أقول إنني قادر على التحدث بشكل صحيح حتى الآن.
لكن سنصل هناك. -اليوم
درس خاص ... كمحترف تعليمي
اعتقدت أن أفضل طريقة للتعلم
شيء ما هو مواجهة بعض الصعوبات
ولهذا السبب نقوم اليوم بشيء قد لا يجيده حتى المتحدثون الأصليون.
كلمات معقدةالنطق! - إعصار اللسان ~
-نعم ~
أو كما يحب الألمان
"Zungenbrecher"
-يبدو مخيفا...
أنا في الواقع فظيع على هؤلاء ... - نعم أنت؟
- نعم ، ألوي لساني عندما أتحدث بشكل طبيعي
ليس لدي سيطرة جيدة على فمي.
-أعتقد أنني بخير مع أعاصير اللسان.
(إعصار اللسان الألماني)
Filipino:
Ang pagkakapare-pareho ay susi. -Yeah totoo yan. Gusto ko
sasabihin kong maaari kong basahin ang maaari kong isulat ngunit hindi ako masyadong nakakaintindi.
At pamilyar ako sa
mga pangunahing kaalaman. Hindi ko sasabihin na makapagsalita pa ako ng maayos.
Ngunit makarating kami doon. -Para ngayon
espesyal na aralin ... bilang isang pang-edukasyon pro sa aking sarili
Naisip ko ang pinakamahusay na paraan upang malaman
ang isang bagay ay upang harapin ang ilang mga paghihirap
at iyon ang dahilan kung bakit ngayon ginagawa namin ang isang bagay na kahit na ang mga katutubong nagsasalita ay maaaring hindi mahusay.
Mga twisters ng dila! -Tongue twister ~
-Oo ~
o tulad ng gusto ng mga Aleman
'Zungenbrecher'
-Sounds nakakatakot ...
Talagang nakakatakot ako sa mga ... -Ye ikaw?
-Oo, pinilipit ko ang aking dila kapag nagsasalita nang normal
Wala akong mahusay na kontrol sa aking bibig.
-Alam kong tama ako sa mga dila ng dila.
(German twister wika)
Indonesian:
Konsistensi adalah kuncinya. -Ya itu benar. Indo
katakan saya bisa membaca saya bisa menulis tetapi saya tidak bisa mengerti banyak.
Dan saya kenal dengan
dasar-dasar. Saya tidak akan mengatakan saya bisa berbicara dengan benar.
Tapi kita akan sampai di sana. -Untuk hari ini
pelajaran khusus ... sebagai pro pendidikan sendiri
Saya pikir cara terbaik untuk belajar
sesuatu untuk menghadapi kesulitan tertentu
dan itulah sebabnya hari ini kita melakukan sesuatu yang bahkan tidak bisa digunakan oleh penutur asli.
Twister lidah! Twister -Tongue ~
-Ya ~
atau seperti orang Jerman suka
'Zungenbrecher'
-Kedengarannya menakutkan ...
Aku benar-benar mengerikan pada mereka ... -Ya kamu?
-Ya, saya memutar lidah ketika berbicara dengan normal
Saya tidak memiliki kendali yang baik atas mulut saya.
-Saya pikir saya baik-baik saja dengan twister lidah.
(Twister lidah Jerman)
Turkish:
Tutarlılık anahtardır. -Evet doğru. İD
diyebilirim ki okuyabiliyorum ama çok anlayamıyorum.
Ve ben
temelleri. Henüz düzgün konuşabildiğimi söyleyemem.
Ama oraya gideceğiz. -Günümüz için
özel bir ders ... kendimi bir eğitim uzmanı olarak
Öğrenmenin en iyi yolunu düşündüm
bir şey belirli zorluklarla yüzleşmek
ve bu yüzden bugün anadili İngilizce olanların bile iyi olamayacağı bir şey yapıyoruz.
Tekerlemeler! -Dil twister ~
-Evet ~
veya Almanlar gibi
'Zungenbrecher'
- Korkunç geliyor ...
Aslýnda bunlara korkunçum ... -Evet misin?
-Evet, normal konuşurken dilini büküyorum
Ağzım üzerinde iyi bir kontrolüm yok.
-Bence dil bükücüleri ile iyiyim.
(Almanca tekerleme)
Portuguese:
Consistência é a chave. -Sim, é verdade. Eu iria
dizer que sei ler, sei escrever, mas não consigo entender muito.
E eu estou familiarizado com o
Fundamentos. Eu não diria que sou capaz de falar direito ainda.
Mas nós vamos chegar lá. -Para hoje
lição especial ... como profissional educacional
Eu pensei que a melhor maneira de aprender
algo é enfrentar certas dificuldades
e é por isso que hoje estamos fazendo algo em que até os falantes nativos podem não ser bons.
Trava-línguas! -Torretor de língua ~
-Sim ~
ou como alemães gostam
«Zungenbrecher»
-Parece assustador ...
Eu sou realmente horrível com aqueles ... -Sim você é?
-Sim, eu torço a língua quando falo normalmente
Eu não tenho um bom controle sobre minha boca.
-Acho que estou bem com trava-línguas.
(Trava-língua alemão)
Italian:
La coerenza è la chiave. -Sì è vero. mi piacerebbe
dire che posso leggere posso scrivere ma non capisco molto.
E ho familiarità con il
nozioni di base. Non direi che sono ancora in grado di parlare correttamente.
Ma ci arriveremo. -Per oggi
lezione speciale ... come professionista educativo me stesso
Ho pensato al modo migliore per imparare
qualcosa deve affrontare alcune difficoltà
ed è per questo che oggi stiamo facendo qualcosa in cui anche i madrelingua potrebbero non essere bravi.
Scioglilingua! -Pistola della lingua ~
-Si ~
o come piace ai tedeschi
'Zungenbrecher'
-Suoni spaventosi ...
Sono davvero orribile in quei ... -Sì, lo sei?
-Sì, giro la lingua quando parlo normalmente
Non ho un buon controllo sulla mia bocca.
-Penso di stare bene con gli scioglilingua.
(Scioglilingua tedesco)
Malay (macrolanguage):
Adakah anda ingat semasa saya mengajar yang ini kepada Eric Nam?
-Ya ~ Betul.
Ada kelainan. -Pusing?
Saya telah berfikir ... apakah kaedah terbaik untuk belajar sesuatu?
Anda memerlukan motivasi bukan?
Dan apakah motivasi yang lebih baik daripada ketakutan dan penderitaan?
-Takut? !!
Jadi saya fikir kita boleh menjadikan ini sebagai cabaran ... dengan budak jahat ini.
Kami akan melakukan twister lidah. setiap kali anda melakukan a
Setiap kali anda membuat ayat, kami akan menjadikannya lebih sukar.
-Anda juga menyediakan semangkuk kentang goreng ...
Ya itu satu-satunya perkara yang dapat saya fikirkan bahawa anda makan dengan sos. -Ini hebat ...
Ini adalah sos mi api pedas berganda.
Saya tidak boleh makan mi api ini ... -Anda sudah! Tidak mengapa.
-Tetapi sangat teruk.
Ia kelihatan mematikan ...
-Lihat warna ini!
Bahasa Inggeris ... -Bahasa Inggeris?
Ya bahasa Inggeris untuk memanaskan badan.
Mari mulakan dengan yang pertama.
Peter Piper memilih sebiji lada acar
Portuguese:
Você se lembra quando eu ensinei este para Eric Nam?
-Sim ~ Certo.
Há uma torção. -Uma reviravolta?
Eu estive pensando ... qual é a melhor maneira de aprender alguma coisa?
Você precisa de motivação, certo?
E qual é a melhor motivação do que medo e agonia?
-Medo?!!
Então pensei que poderíamos fazer disso um desafio ... com esse garoto mau.
Faremos trava-línguas. cada vez que você faz um
Cada vez que você faz uma frase, fica mais difícil.
-Bem, você também preparou uma tigela de batatas fritas ...
Sim, é a única coisa que consigo pensar que você come com molho. -Isso é ótimo...
Este é o molho de macarrão picante de fogo duplo.
Eu não posso comer esses macarrão de fogo ... -Você já comeu! Está bem.
-Mas é muito ruim.
Parece mortal ...
-Olha essa cor!
Ingleses ... -Inglês?
Sim, os ingleses apenas para aquecer.
Vamos começar com o primeiro.
Peter Piper pegou um pouco de pimentão em conserva
Indonesian:
Apakah Anda ingat ketika saya mengajarkan yang ini kepada Eric Nam?
-Yeah ~ Benar.
Ada twist. -Pelintir?
Saya sudah berpikir ... apa cara terbaik untuk belajar sesuatu?
Anda butuh motivasi bukan?
Dan apa motivasi yang lebih baik daripada rasa takut dan penderitaan?
-Takut?!!
Jadi saya pikir kita bisa membuat ini sebuah tantangan ... dengan bocah nakal ini.
Kami akan melakukan twister lidah. setiap kali Anda melakukan
Setiap kali Anda melakukan kalimat, kami akan membuatnya lebih sulit.
-Yah, Anda juga menyiapkan semangkuk kentang goreng ...
Ya itu satu-satunya hal yang bisa saya pikirkan bahwa Anda makan dengan saus. -Itu hebat...
Yang ini adalah saus mie api pedas ganda.
Saya tidak bisa makan mie api ini ... -Anda sudah melakukannya! Tidak apa-apa.
-Tapi itu sangat buruk.
Itu terlihat mematikan ...
-Lihat warna ini!
Bahasa Inggris ... -Inggris?
Ya bahasa Inggris untuk pemanasan saja.
Mari kita mulai dengan yang pertama.
Peter Piper mengambil kecupan paprika acar
English:
Do you remember when I taught this one to Eric Nam?
-Yeah~ Right.
There is a twist. -A twist?
I've been thinking... what's the best way to learn something?
You need motivation right?
And what's a better motivation than fear and agony?
-Fear?!!
So I have thought we could make this a challenge...with this bad boy.
We will be doing tongue twisters. each time you do a
Each time you do a sentence we'll make it harder.
-Well you also prepared a bowl of fries...
Yea that's the only thing I could think of that you eat with sauce. -That's great...
This one is the double spicy fire noodles sauce.
I can't eat these fire noodles... -You did already! It's fine.
-But it's really bad.
It looks deadly...
-Look at this color!
English ones... -English?
Yea English ones to just warm up.
Let's start with the first.
Peter Piper picked a peck of pickled peppers
Turkish:
Bunu Eric Nam'a öğrettiğimi hatırlıyor musun?
-Evet ~ Doğru.
Bir bükülme var. - Bir bükülme mi?
Düşünüyordum ... bir şey öğrenmenin en iyi yolu nedir?
Motivasyona ihtiyacınız var değil mi?
Ve korku ve acıdan daha iyi bir motivasyon nedir?
-Korku?!!
Bu yüzden, bu kötü çocukla bir meydan okuma yapabileceğimizi düşündüm.
Dil bükümleri yapacağız. her yaptığınızda
Her cümle yaptığınızda bunu daha da zorlaştıracağız.
-Ayrıca bir kase patates de hazırladın ...
Evet, sosla yediğinizi düşünebileceğim tek şey bu. -Bu harika...
Bu bir çift baharatlı ateş erişte sosu.
Bu ateşli erişteleri yiyemem ... -Ben zaten yaptın! Bu iyi.
-Ama gerçekten kötü.
Ölümcül görünüyor ...
-Bu renge bak!
İngilizce olanlar ... -İngilizce?
Evet İngilizce olanlar sadece ısınmak için.
İlk ile başlayalım.
Peter Piper bir biber turşusu aldı
Italian:
Ricordi quando ho insegnato questo a Eric Nam?
-Sì ~ Giusto.
C'è una svolta. -Un colpo di scena?
Ho pensato ... qual è il modo migliore per imparare qualcosa?
Hai bisogno di motivazione, giusto?
E qual è la motivazione migliore della paura e dell'agonia?
-Paura?!!
Quindi ho pensato che potremmo renderlo una sfida ... con questo cattivo ragazzo.
Faremo scioglilingua. ogni volta che lo fai a
Ogni volta che fai una frase, la renderemo più difficile.
-Beh hai anche preparato una ciotola di patatine fritte ...
Sì, questa è l'unica cosa che mi viene in mente che mangi con la salsa. -È fantastico...
Questa è la doppia salsa piccante tagliatelle al fuoco.
Non riesco a mangiare questi spaghetti di fuoco ... -Hai già fatto! Va bene.
-Ma è davvero brutto.
Sembra mortale ...
-Guarda questo colore!
Quelli inglesi ... -Inglese?
Sì, quelli inglesi per scaldarsi.
Cominciamo con il primo.
Peter Piper raccolse un boccone di peperoni sott'aceto
Filipino:
Naaalala mo ba noong itinuro ko ito kay Eric Nam?
-Yeah ~ Tama.
May twist. -Ang twist?
Napaisip ako ... ano ang pinakamahusay na paraan upang malaman ang isang bagay?
Kailangan mo ng pagganyak?
At ano ang isang mas mahusay na pagganyak kaysa sa takot at paghihirap?
-Pakita? !!
Kaya naisip ko na maaari nating gawin itong hamon ... kasama ng masamang batang ito.
Magsasagawa kami ng twisters ng dila. sa tuwing gagawin mo a
Sa bawat oras na gumawa ka ng isang pangungusap ay gagawin naming mas mahirap.
-Naghanda ka rin ng isang mangkok ng fries ...
Oo iyon ang tanging naiisip ko na kumain ka ng sarsa. -Ang mahusay ...
Ang isang ito ay ang dobleng maanghang na sarsa ng pansit.
Hindi ko makakain ang mga pansit na ito ... -Nagawa mo na! Ayos lang.
-Pero masama talaga.
Mukhang nakamamatay ...
-Tingnan ang kulay na ito!
English na ... -English?
Oo Ingles ang magpainit.
Magsimula tayo sa una.
Si Peter Piper ay pumili ng isang peck ng mga adobo na sili
Spanish:
¿Recuerdas cuando le enseñé esto a Eric Nam?
-Sí ~ Correcto.
Hay un giro -¿Un giro?
He estado pensando ... ¿cuál es la mejor manera de aprender algo?
Necesitas motivación ¿verdad?
¿Y qué es una mejor motivación que el miedo y la agonía?
-¡¡¿Miedo?!!
Así que pensé que podríamos hacer de esto un desafío ... con este chico malo.
Haremos trabalenguas. cada vez que haces un
Cada vez que hagas una oración, lo haremos más difícil.
-Bueno, también preparaste un plato de papas fritas ...
Sí, eso es lo único que se me ocurre que comes con salsa. -Eso es genial...
Esta es la doble salsa picante de fideos de fuego.
No puedo comer estos fideos de fuego ... -¡Ya lo hiciste! Está bien.
-Pero es realmente malo.
Se ve mortal ...
-¡Mira este color!
Los ingleses ... -Inglés?
Sí, los ingleses para calentarse.
Comencemos con el primero.
Peter Piper recogió un picotazo de pimientos en vinagre
Arabic:
هل تتذكر عندما علمت هذا إريك نام؟
-نعم ~ صحيح.
هناك تطور. -تويست؟
كنت أفكر ... ما هي أفضل طريقة لتعلم شيء ما؟
تحتاج إلى الدافع الصحيح؟
وما هو الدافع الأفضل من الخوف والعذاب؟
-خاف؟ !!
لذلك اعتقدت أننا يمكن أن نجعل هذا التحدي ... مع هذا الولد الشرير.
سنفعل أعاصير اللسان. في كل مرة تفعل
في كل مرة تقوم فيها بجملة ، سنجعل الأمر أكثر صعوبة.
-حسنا أيضا قمت بإعداد وعاء من البطاطس المقلية ...
نعم هذا هو الشيء الوحيد الذي يمكن أن أفكر فيه أنك تأكل مع الصلصة. -ذلك رائع...
هذا هو صلصة المعكرونة المزدوجة الحارة.
لا أستطيع أكل هذه المعكرونة الناري ... - لقد فعلت بالفعل! لا بأس.
-لكن الأمر سيء حقًا.
تبدو مميتة ...
-انظروا إلى هذا اللون!
منها الإنجليزية ...
نعم الإنجليزية منها فقط للتدفئة.
لنبدأ بالأول.
اختار بيتر بايبر قطعة من الفلفل المخلل
French:
Vous souvenez-vous quand j'ai enseigné celui-ci à Eric Nam?
-Oui ~ D'accord.
Il y a une torsion. -Une torsion?
J'ai pensé ... quelle est la meilleure façon d'apprendre quelque chose?
Vous avez besoin de motivation non?
Et quelle est une meilleure motivation que la peur et l'agonie?
-Peur?!!
J'ai donc pensé que nous pourrions en faire un défi ... avec ce mauvais garçon.
Nous allons faire des virelangues. chaque fois que vous faites un
Chaque fois que vous faites une phrase, nous la rendrons plus difficile.
-Eh bien tu as aussi préparé un bol de frites ...
Oui, c'est la seule chose à laquelle je pouvais penser que tu manges avec de la sauce. -C'est génial...
Celle-ci est la double sauce aux nouilles épicées.
Je ne peux pas manger ces nouilles de feu ... -Tu l'as déjà fait! C'est bon.
-Mais c'est vraiment mauvais.
Ça a l'air mortel ...
-Regardez cette couleur!
Les anglais ... -Anglais?
Oui, les anglais pour se réchauffer.
Commençons par le premier.
Peter Piper a choisi un pic de poivrons marinés
Malay (macrolanguage):
sebiji lada acar Peter
Piper memilih jika Peter Piper memilih
keping lada acar di mana pak
dari lada acar yang dipetik Peter Piper
Soalan yang baik.
-Ya giliran anda.
Betty Better membeli beberapa-
Percubaan pertama! Betty botter membeli sebilangan
mentega tetapi dia mengatakan butter pahit
tetapi jika saya memasukkan adunan saya, ia akan berjaya
adunan saya pahit tetapi sedikit lebih baik
mentega akan menjadikan adunan saya lebih baik. Betty
botter membeli sedikit mentega yang lebih baik.
Saya benci ini.
Bagi saya, selalu sukar
beralih dari satu bahasa ke bahasa lain.
Walaupun sekarang. -Terutama dari Bahasa Inggeris ke Bahasa Korea.
-Kami tidak bercakap dalam bahasa Inggeris dalam kehidupan seharian kami
jadi semasa kita membuat rakaman dan kita mesti beralih dari bahasa Jerman yang merupakan bahasa yang sangat sukar ke bahasa Inggeris.
Sekarang mari kita mulakan dengan bahasa lidah Korea. -Saya gementar.
Indonesian:
kecupan dari paprika acar Peter
Piper memilih jika Peter Piper memilih
kecupan dari acar paprika di mana kecupan itu
dari paprika acar Peter Piper mengambil
Pertanyaan bagus.
-Yeah giliranmu.
Betty Lebih baik membeli
Percobaan pertama! Betty botter membeli beberapa
mentega tapi dia bilang mentega pahit
tetapi jika saya memasukkan adonan saya itu akan membuat
adonan saya pahit tapi sedikit lebih baik
mentega akan membuat adonan saya lebih baik. Betty
botter membeli sedikit mentega yang lebih baik.
Aku benci ini.
Bagi saya itu selalu sulit
beralih dari satu bahasa ke bahasa lain.
Sekarangpun. -Terutama dari bahasa Inggris ke bahasa Korea.
-Kita tidak berbicara dalam bahasa Inggris dalam kehidupan sehari-hari
jadi ketika kita merekam dan kita selalu harus beralih dari Jerman yang merupakan bahasa yang sangat sulit ke bahasa Inggris.
Sekarang mari kita mulai dengan twister lidah Korea. -Aku gugup.
Italian:
un bacio di peperoni sott'aceto Peter
Piper ha scelto se Peter Piper ha scelto a
beccata di peperoni sott'aceto dov'è il becco
di peperoni sott'aceto raccolti da Peter Piper
Buona domanda.
-Sì è il tuo turno.
Betty Better ha acquistato alcuni-
Primo tentativo! Betty Botter ne acquistò un po '
burro ma ha detto i burri amari
ma se metto la pastella, lo farà
la mia pastella è amara ma un po 'meglio
il burro renderà la mia pastella migliore. Betty
Botter comprò un po 'di burro migliore.
Lo odio.
Per me è sempre così difficile
passare da una lingua all'altra.
Anche adesso. -In particolare dall'inglese al coreano.
-Non parliamo in inglese nella nostra vita quotidiana
quindi quando registriamo e dobbiamo sempre passare dal tedesco, che è una lingua davvero difficile all'inglese.
Ora cominciamo con i scioglilingua coreani. -Sono nervoso.
French:
un pic de poivrons marinés Peter
Piper choisi si Peter Piper a choisi un
pic de poivrons marinés où est le pic
de poivrons marinés cueillis par Peter Piper
Bonne question.
-Oui c'est ton tour.
Betty Better en a acheté
Premier essai! Betty botter en a acheté
beurre mais elle a dit les beurres amers
mais si je mets ma pâte ça fera
ma pâte amère mais un peu meilleure
le beurre rendra ma pâte meilleure. Betty
botter a acheté un peu de meilleur beurre.
Je déteste ça.
Pour moi, c'est toujours si difficile de
passer d'une langue à l'autre.
Même maintenant. -En particulier de l'anglais vers le coréen.
-Nous ne parlons pas en anglais dans notre vie quotidienne
donc quand nous enregistrons et nous devons toujours passer de l'allemand qui est une langue très difficile à l'anglais.
Commençons maintenant par les virelangues coréennes. -Je suis stressé.
Arabic:
قطعة من الفلفل المخلل بيتر
اختار بايبر إذا اختار بيتر بايبر أ
قطعة من الفلفل المخلل حيث أنقر
من الفلفل المخلل اختار بيتر بايبر
سؤال جيد.
نعم حان دورك.
اشترت بيتي بيتر بعض-
أول محاولة! اشترت بيتي بوتر بعض
زبدة لكنها قالت الزبد مرير
ولكن إذا وضعت في الخليط فسوف تصنع
بلدي الخليط المريرة ولكن أفضل قليلا
الزبدة ستجعل الخليط أفضل. بيتي
اشترى botter القليل من الزبدة الأفضل.
اكره هذا.
بالنسبة لي من الصعب دائما
التبديل من لغة إلى أخرى.
حتى الان. -خاصة من الإنجليزية إلى الكورية.
- نحن لا نتحدث باللغة الإنجليزية في حياتنا اليومية
لذلك عندما نقوم بالتسجيل وعلينا دائمًا أن ننتقل من الألمانية التي هي لغة صعبة جدًا إلى الإنجليزية.
الآن لنبدأ مع أعاصير اللسان الكورية. -انا عصبي.
Turkish:
turşu biber bir yığın Peter
Peter Piper,
biber turşusu gaga nerede
turşu biber Peter Piper aldı
İyi soru.
-Evet sıra sende.
Betty Better biraz satın aldı.
İlk deneme! Betty botter biraz satın aldı
tereyağı ama tereyağı acı dedi
ama hamuruma koyarsam,
meyilliğim acı ama biraz daha iyi
tereyağı hamurumu daha iyi yapacaktır. Betty
botter biraz daha iyi tereyağı aldı.
Bundan nefret ediyorum.
Benim için her zaman çok zor
bir dilden diğerine geçin.
Şimdi bile. -Özellikle İngilizce'den Korece.
-Günlük hayatımızda İngilizce konuşmuyoruz
yani kayıt yaparken ve her zaman çok zor bir dil olan Almanca'dan İngilizceye geçmek zorundayız.
Şimdi Kore dili burguları ile başlayalım. -Sinirliyim.
English:
a peck of pickled peppers Peter
Piper picked if Peter Piper picked a
peck of pickled peppers where's the peck
of pickled peppers Peter Piper picked
Good question.
-Yeah it's your turn.
Betty Better bought some-
First try! Betty botter bought some
butter but she said the butters bitter
but if I put in my batter it will make
my batter bitter but a bit of better
butter will make my batter better. Betty
botter bought a bit of better butter.
I hate this.
For me it's always so hard to
switch from one language to another.
Even now. -Especially from English to Korean.
-We don't talk in English in our daily life
so when we're recording and we always have to switch from German which is a really hard language to English.
Now let's start with the with the Korean tongue twisters. -I'm nervous.
Spanish:
un besito de pimientos en vinagre Peter
Piper eligió si Peter Piper eligió un
picotazo de pimientos en vinagre donde está el picoteo
de pimientos en vinagre recogido por Peter Piper
Buena pregunta.
-Si es tu turno.
Betty Better compró algo
¡Primer intento! Betty Botter compró algunos
mantequilla pero ella dijo que las mantequillas amargas
pero si pongo mi masa hará que
mi masa amarga pero un poco mejor
la mantequilla mejorará mi masa. Betty
Botter compró un poco de mejor mantequilla.
Odio esto.
Para mí siempre es tan difícil
cambiar de un idioma a otro.
Incluso ahora. -Especialmente del inglés al coreano.
-No hablamos inglés en nuestra vida diaria.
así que cuando estamos grabando y siempre tenemos que cambiar del alemán, que es un idioma realmente difícil al inglés.
Ahora comencemos con el trabalenguas coreano. -Estoy nervioso.
Portuguese:
um bocado de pimentos em conserva Peter
Piper escolheu se Peter Piper escolheu um
beijinho de pimentão em conserva onde está o beijinho
de pimentas em conserva Peter Piper escolheu
Boa pergunta.
Sim, é a sua vez.
Betty Better comprou algo
Primeira tentativa! Betty botter comprou alguns
manteiga, mas ela disse que as manteigas amargas
mas se eu colocar na minha massa vai fazer
minha massa amarga, mas um pouco melhor
manteiga vai melhorar minha massa. Betty
botter comprou um pouco de manteiga melhor.
Eu odeio isso.
Para mim, é sempre tão difícil
mudar de um idioma para outro.
Mesmo agora. -Especialmente do inglês para o coreano.
-Nós não falamos em inglês em nossa vida diária
então, quando estamos gravando e sempre temos que mudar do alemão, que é realmente um idioma difícil para o inglês.
Agora vamos começar com o trava-línguas coreano. -Eu estou nervoso.
Filipino:
isang peck ng adobo na sili na si Peter
Pinili ni Piper kung si Peter Piper ang pumili ng isang
peck ng adobo na sili kung nasaan ang peck
ng adobo na paminta na pinili ni Peter Piper
Magandang tanong.
-Yeah ikaw na naman.
Bumili si Betty Better ng ilang-
Unang subukan! Bumili ng ilan si Betty botter
mantikilya ngunit sinabi niya ang mga butter na mapait
ngunit kung inilalagay ko ang aking batter ay gagawin ito
ang aking batter mapait ngunit medyo mas mahusay
bubuti ng mantikilya ang aking batter. Si Betty
bumili si botter ng kaunting mas mahusay na mantikilya.
Ayaw ko nito.
Para sa akin ito ay palaging mahirap
lumipat mula sa isang wika sa isa pa.
Kahit ngayon. -Espesyal mula sa Ingles hanggang Korean.
-Hindi kami makipag-usap sa Ingles sa aming pang-araw-araw na buhay
kaya kapag nagre-record kami at lagi kaming dapat lumipat mula sa Aleman na isang mahirap na wika sa Ingles.
Ngayon magsimula tayo sa mga may tw twing sa wika ng Korea. -Kinakabahan ako.
Turkish:
İlkini yapacağım. Bu sadece ısınmak ve aslında bunu biliyorum, bu yüzden sadece denemek ve içine almak.
Çok güzeldi!
Evet aslında bunu çocukluğumdan biliyorum.
Bu aslında ...
Soya sosu fabrikasının fabrika müdürü
fabrika müdürü Jang.
Ve fasulye ezmesi fabrikasının fabrika müdürü
fabrika müdürü Kang.
Evet, iyiydi. -İydi mi?
-Evet şimdi zamanımı geçmelisin!
Tamam beş saniye 35.
-Bunu üç iki tane yapamam
3 ... 2 ... 1 ... git!
Indonesian:
Saya akan melakukan yang pertama. Ini hanya pemanasan dan saya benar-benar tahu yang ini jadi saya hanya akan mencoba dan masuk ke dalamnya.
Itu sangat bagus!
Ya saya sebenarnya tahu yang ini sejak kecil.
Yang ini sebenarnya berarti ...
Manajer pabrik dari pabrik kecap adalah
manajer pabrik Jang.
Dan manajer pabrik dari pabrik pasta kacang
adalah manajer pabrik Kang.
Ya itu baik-baik saja. -Apakah itu baik-baik saja?
-Yeah sekarang kamu harus mengalahkan waktuku!
Oke lima detik 35.
-Aku tidak bisa melakukan ini, tiga, satu, pergi
3 ... 2 ... 1 ... pergi!
Portuguese:
Eu vou fazer o primeiro. Isso aquece e eu realmente conheço este, então vou tentar entrar nele.
Isso foi muito legal!
Sim, eu realmente conheço este desde a minha infância.
Este realmente significa ...
O gerente da fábrica de molho de soja é
gerente de fábrica Jang.
E o gerente da fábrica de pasta de feijão
é gerente de fábrica Kang.
Sim, estava tudo bem. -Tudo bem?
-Sim, agora você tem que vencer o meu tempo!
Ok cinco segundos 35.
-Eu não posso fazer isso três dois um ir
3 ... 2 ... 1 ... vai!
French:
Je ferai le premier. Cela vient de s'échauffer et je connais celui-ci donc je vais juste essayer de me lancer.
C'était plutôt sympa!
Oui, je connais celui-ci depuis mon enfance.
Celui-ci signifie en fait ...
Le directeur de l'usine de la sauce de soja est
directeur d'usine Jang.
Et le directeur de l'usine de pâte de haricots
est le directeur d'usine Kang.
Oui, ça allait. -Est-ce que ça allait?
-Ouais maintenant tu dois battre mon temps!
D'accord cinq secondes 35.
-Je ne peux pas faire ça trois deux en un
3 ... 2 ... 1 ... allez-y!
Italian:
Farò il primo. Mi sto solo scaldando e in realtà lo conosco, quindi cercherò di entrare.
È stato molto carino!
Sì, lo so davvero dalla mia infanzia.
Questo in realtà significa ...
Il direttore della fabbrica della salsa di soia è
direttore di fabbrica Jang.
E il direttore della fabbrica della pasta di fagioli
è il direttore di fabbrica Kang.
Sì, andava bene. -Va tutto bene?
-Sì ora devi battere il mio tempo!
Va bene cinque secondi 35.
-Non posso fare questi tre due uno
3 ... 2 ... 1 ... via!
Filipino:
Gagawin ko muna. Nagpapainit lang ito at talagang kilala ko ang isang ito kaya susubukan ko lang at mapasok ito.
Iyon ay maganda!
Oo alam ko talaga ito mula pa noong bata pa ako.
Ang ibig sabihin ng isang ito ...
Ang tagapamahala ng pabrika ng toyo ay
tagapamahala ng pabrika na si Jang.
At ang tagapamahala ng pabrika ng pabrika ng bean paste
ay ang tagapamahala ng pabrika Kang.
Oo okay lang. -Ako ba?
-Yeah ngayon kailangan mong talunin ang oras ko!
Okay limang segundo 35.
-Hindi ko magagawa ang tatlo na ito
3 ... 2 ... 1 ... go!
English:
I'll do the first one. This just warm up and I actually know this one so I will just try and get into it.
That was pretty nice!
Yea I actually know this one from my childhood.
This one actually means...
The factory manager of the soy sauce factory is
factory manager Jang.
And the factory manager of the bean paste factory
is factory manager Kang.
Yea it was okay. -Was it okay?
-Yeah now you have to beat my time!
Okay five seconds 35.
-I can't do this three two one go
3...2...1...go!
Arabic:
سأفعل الأول. هذا مجرد الاحماء وأنا أعرف هذا بالفعل لذلك سأحاول فقط الدخول فيه.
كان ذلك لطيفا جدا!
نعم أنا أعرف هذا بالفعل من طفولتي.
هذا يعني في الواقع ...
مدير المصنع لمصنع صلصة الصويا
مدير المصنع جانغ.
ومدير مصنع معجون الفول
هو مدير المصنع كانغ.
نعم كان بخير. -هل كان بخير؟
-نعم الآن عليك أن تغلب على وقتي!
حسنًا خمس ثوانٍ 35.
-لا أستطيع أن أفعل هذا ثلاثة اثنين واحد يذهب
3 ... 2 ... 1 ... انطلق!
Spanish:
Yo haré el primero. Esto solo se calienta y en realidad lo sé, así que intentaré entrar en él.
Eso estuvo muy bien!
Sí, en realidad lo conozco desde mi infancia.
Este en realidad significa ...
El gerente de la fábrica de salsa de soja es
Gerente de fábrica Jang.
Y el gerente de la fábrica de pasta de frijoles
es el gerente de la fábrica Kang.
Sí, estuvo bien. -¿Está bien?
-¡Si ahora tienes que ganarme el tiempo!
De acuerdo, cinco segundos 35.
-No puedo hacer esto tres dos uno ir
3 ... 2 ... 1 ... ¡vamos!
Malay (macrolanguage):
Saya akan buat yang pertama. Ini baru menghangatkan dan saya sebenarnya tahu yang ini jadi saya hanya akan mencuba dan memahaminya.
Cukup bagus!
Ya, saya sebenarnya tahu yang ini sejak kecil saya.
Yang ini sebenarnya bermaksud ...
Pengurus kilang kilang kicap adalah
pengurus kilang Jang.
Dan pengurus kilang kilang pes kacang
adalah pengurus kilang Kang.
Ya, tidak mengapa. -Adakah tidak mengapa?
-Ya sekarang anda harus mengalahkan masa saya!
Okey lima saat 35.
-Aku tidak boleh melakukan tiga dua ini
3 ... 2 ... 1 ... pergi!
Italian:
Quindi ora sta diventando reale. Inseriremo la salsa.
È spaventoso...
-Ora si sta divertendo!
Va bene prima di iniziare ...
Voglio presentarti rapidamente a Skillshare. Molti di voi ragazzi mi chiedono come apprendo il coreano
E direi che lo sono principalmente
imparare il coreano online poco a poco.
Volevo mostrarti le lezioni che
mi ha aiutato molto in questi giorni.
C'è questa classe coreana per principianti di Keewan Kim.
-Principianti assoluti! -Si Giusto.
Che ho fatto breccia abbastanza rapidamente perché io
conosco già le basi.
E ha anche un costruttore di vocabolario coreano e un viaggio
Classe coreana che sto verificando in questo momento.
E penso che questi due mi aiuteranno molto personalmente per il mio prossimo viaggio in Corea.
Skillshare offre anche migliaia di altre incredibili lezioni stimolanti.
Ho scoperto di recente questa nuova classe e questo hobby per me stesso
che è "Style your Space". -Oh suona bene!
Portuguese:
Então agora está ficando real. Vamos colocar o molho.
É assustador...
-Agora está ficando divertido!
Ok, antes de começarmos ...
Quero rapidamente apresentar-lhe o Skillshare. Muitos de vocês perguntam sobre meus métodos como eu aprendo coreano
E eu diria que sou principalmente
aprendendo coreano online pouco a pouco.
Eu queria te mostrar as aulas que
me ajudou muito esses dias.
Há uma aula de coreano para iniciantes de Keewan Kim.
-Iniciantes absolutos! Sim, certo.
Que eu passei rapidamente, porque eu
já conhece o básico.
E ele também tem um construtor de vocabulário coreano e uma viagem
Aula de coreano que estou verificando agora.
E acho que esses dois me ajudarão muito pessoalmente na minha próxima viagem à Coréia.
O Skillshare também oferece milhares de outras aulas inspiradoras incríveis.
Eu descobri recentemente essa nova classe e hobby para mim
que é 'Estilize seu espaço'. -Ah, isso parece legal!
Indonesian:
Jadi sekarang semakin nyata. Kami akan memasukkan saus.
Menakutkan...
-Sekarang Ini semakin menyenangkan!
Oke sebelum kita mulai ...
Saya dengan cepat ingin memperkenalkan Anda ke Skillshare. Saya ditanyakan oleh banyak orang tentang metode saya bagaimana saya belajar bahasa Korea
Dan saya katakan saya terutama
belajar bahasa Korea online sedikit demi sedikit.
Saya ingin menunjukkan kepada Anda kelas-kelas itu
banyak membantu saya hari ini.
Ada kelas bahasa Korea untuk pemula oleh Keewan Kim.
-Memutuskan pemula! -Ya benar.
Yang saya lalui cukup cepat karena saya
sudah tahu dasar-dasarnya.
Dan dia juga memiliki pembangun kosakata Korea dan perjalanan
Kelas bahasa Korea yang saya periksa sekarang.
Dan saya pikir keduanya akan banyak membantu saya secara pribadi untuk perjalanan saya berikutnya ke Korea.
Skillshare juga menawarkan ribuan kelas inspiratif menakjubkan lainnya.
Baru-baru ini saya menemukan kelas dan hobi baru ini untuk diri saya sendiri
yang merupakan 'Gaya Ruang Anda'. -Oh itu kedengarannya bagus!
Malay (macrolanguage):
Jadi sekarang ia menjadi nyata. Kami akan mendapatkan sos.
Ianya menakutkan...
-Sekarang ini semakin menyeronokkan!
Baiklah sebelum kita memulakan ...
Saya dengan cepat ingin memperkenalkan anda kepada Skillshare. Saya diminta oleh ramai daripada anda mengenai kaedah saya bagaimana saya belajar bahasa Korea
Dan saya katakan saya terutamanya
belajar bahasa Korea dalam talian sedikit demi sedikit.
Saya mahu menunjukkan kepada anda kelas-kelas itu
banyak membantu saya hari ini.
Terdapat kelas Korea ini untuk pemula oleh Keewan Kim.
- Pemula yang mutlak! -Ya betul.
Yang saya lalui dengan cepat kerana saya
sudah mengetahui asasnya.
Dan dia juga mempunyai pembangun perbendaharaan kata Korea dan perjalanan
Kelas Korea yang sedang saya periksa sekarang.
Dan saya fikir kedua-duanya akan banyak membantu saya secara peribadi untuk perjalanan seterusnya ke Korea.
Skillshare juga menawarkan beribu-ribu kelas inspirasi lain yang menakjubkan.
Saya baru-baru ini menemui kelas dan hobi baru ini
iaitu 'Gaya Ruang Anda'. -Oh itu terdengar bagus!
Turkish:
Şimdi gerçek oluyor. Sosu alacağız.
Korkutucu...
-Şimdi eğlenceli oluyor!
Başlamadan önce ...
Sizi hızlıca Skillshare ile tanıştırmak istiyorum. Birçoğunuzdan Korece'yi nasıl öğrendiğime dair yöntemlerim soruluyor
Ve esasen benim olduğumu söyleyebilirim
Korece çevrimiçi öğrenme.
Sana sınıfları göstermek istedim
bu günlerde bana çok yardımcı oldu.
Keewan Kim'in yeni başlayanlar için bu Korece sınıfı var.
-Yeniden başlayanlar! -Evet doğru.
Oldukça hızlı bir şekilde ürediğim için
temel bilgileri zaten biliyor.
Ayrıca Korece bir kelime oluşturucu ve bir seyahat var.
Şu anda kontrol ettiğim Korece sınıfı.
Ve sanırım bu ikisi bir sonraki Kore seyahatim için kişisel olarak bana çok yardımcı olacak.
Skillshare ayrıca binlerce şaşırtıcı ilham verici sınıf sunmaktadır.
Kısa süre önce bu yeni sınıfı ve hobiyi kendim keşfettim
ki bu da sizin mekanınıza tarz katın. -Oh kulağa hoş geliyor!
Spanish:
Entonces ahora se está volviendo real. Pondremos la salsa.
Da miedo...
-Ahora se está divirtiendo!
Está bien antes de comenzar ...
Rápidamente quiero presentarte a Skillshare. Muchos de ustedes me preguntaron sobre mis métodos cómo aprendo coreano
Y yo diría que soy principalmente
aprendiendo coreano en línea poco a poco.
Quería mostrarte las clases que
Me ayudó mucho en estos días.
Hay una clase de coreano para principiantes de Keewan Kim.
-¡Principiantes absolutos! -Si bien.
Lo cual atravesé rápidamente porque yo
Ya sé lo básico.
Y también tiene un constructor de vocabulario coreano y un viaje
Clase de coreano que estoy viendo ahora.
Y creo que estos dos me ayudarán mucho personalmente para mi próximo viaje a Corea.
Skillshare también ofrece miles de otras increíbles clases inspiradoras.
Recientemente he descubierto esta nueva clase y pasatiempo para mí.
que es 'Style your Space'. -Oh, eso suena bien!
Arabic:
حتى الآن أصبحت حقيقة. سوف نحضر الصلصة.
انه مخيف...
- الآن أصبح الأمر ممتعًا!
حسنًا قبل أن نبدأ ...
أريد أن أقدمك بسرعة إلى Skillshare. يسألني الكثير منكم عن طرق عملي كيف أتعلم اللغة الكورية
وأنا أقول بشكل رئيسي
تعلم اللغة الكورية عبر الإنترنت شيئًا فشيئًا.
أردت أن أريكم الدروس
ساعدني كثيرا هذه الأيام.
هناك هذه الفئة الكورية للمبتدئين من قبل Keewan Kim.
-المبتدئين! -نعم صحيح.
الذي نسخته بسرعة كبيرة لأنني
تعرف بالفعل الأساسيات.
ولديه أيضًا باني مفردات كوري وسفر
الفصل الكوري الذي أتحقق منه الآن.
وأعتقد أن هذين سيساعدانني شخصيًا كثيرًا في رحلتي القادمة إلى كوريا.
تقدم Skillshare أيضًا الآلاف من الفصول الملهمة المذهلة الأخرى.
لقد اكتشفت مؤخرًا هذه الفئة الجديدة وهواية لنفسي
وهو "أسلوب الفضاء الخاص بك". -أوه يبدو لطيفًا!
English:
So now it's getting real. We'll get the sauce in.
It's scary...
-Now it's getting fun!
Okay before we start...
I quickly want to introduce you to Skillshare. I get asked by many of you guys on my methods how I learn Korean
And I'd say I'm mainly
learning Korean online bit by bit.
I wanted to show you the classes that
helped me a lot these days.
There's this Korean class for beginners by Keewan Kim.
-Absolute beginners! -Yea right.
Which I breezed through pretty quickly because I
already know the basics.
And he also has a Korean vocabulary builder and a travel
Korean class that I'm checking out right now.
And I think these two will help me personally a lot for my next trip to Korea.
Skillshare also offers thousands of other amazing inspiring classes.
I have recently discovered this new class and hobby for myself
which is 'Style your Space'. -Oh that sounds nice!
Filipino:
Kaya ngayon ito ay nagiging tunay. Kukuha kami ng sarsa.
Nakakatakot...
-Nagiging masaya ka na!
Okay bago tayo magsimula ...
Mabilis kong nais na ipakilala sa iyo sa Skillshare. Tinanong ako ng marami sa inyo ang aking mga pamamaraan kung paano ko natututo ang Korean
At sasabihin ko pangunahin ko
pag-aaral ng Korean online nang kaunti.
Nais kong ipakita sa iyo ang mga klase na
nakatulong sa akin ng maraming mga araw na ito.
Nariyan ang klase ng Koreano para sa mga nagsisimula ni Keewan Kim.
-Baguhan! -O talaga.
Na pinangangasiwaan ko ng napakabilis dahil ako
alam na ang mga pangunahing kaalaman.
At mayroon din siyang tagabuo ng bokabularyo ng Korea at paglalakbay
Korean class na nagchecheck ako ngayon.
At sa palagay ko ang dalawang ito ay makakatulong sa akin nang personal para sa aking susunod na paglalakbay sa Korea.
Nag-aalok din ang Skillshare ng libu-libong iba pang kamangha-manghang mga nakasisiglang klase.
Natagpuan ko kamakailan ang bagong klase at libangan na ito para sa aking sarili
na kung saan ay 'Estilo ng iyong Space'. -O na maganda ang tunog!
French:
Alors maintenant, ça devient réel. Nous allons mettre la sauce.
C'est effrayant...
-Maintenant ça devient amusant!
D'accord avant de commencer ...
Je veux rapidement vous présenter Skillshare. Beaucoup d'entre vous me demandent comment j'apprends le coréen
Et je dirais que je suis principalement
apprendre le coréen en ligne petit à petit.
Je voulais vous montrer les cours
m'a beaucoup aidé ces jours-ci.
Il y a ce cours de coréen pour débutants par Keewan Kim.
-Novices! -Ouai, bien sur.
Que j'ai traversé assez rapidement parce que je
connaissent déjà les bases.
Et il a aussi un constructeur de vocabulaire coréen et un voyage
Cours de coréen que je vérifie en ce moment.
Et je pense que ces deux-là m'aideront beaucoup personnellement pour mon prochain voyage en Corée.
Skillshare propose également des milliers d'autres classes inspirantes incroyables.
J'ai récemment découvert cette nouvelle classe et ce passe-temps pour moi
qui est «Style votre espace». -Oh ça sonne bien!
Portuguese:
Essa é de Emily Henderson. Como você sabe, estamos atualmente tentando reformar uma casa um pouco
então essa aula realmente me ajudou a ter ideias factíveis para planejar nossa casa
e você pode até fazer um teste para encontrar seu
estilo pessoal, então definitivamente confira.
Também o Skillshare é
incrivelmente acessível
especialmente em comparação com classes caras e pessoais
oficinas.
Uma assinatura anual é inferior a US $ 10 por mês.
Na verdade, os primeiros mil de vocês que clicam no link aqui na caixa de descrição
receberá dois meses gratuitos de assinatura premium!
Então você pode explorar sua criatividade e aprender
algumas coisas novas!
Vou começar.
Vou apenas tentar. Eu pego essa batata e fico um pouco ... minúscula ... oops.
Omg, é tão vermelho!
Está bem! -Está bem? Agora comece com o primeiro. 3 ... 2 ... 1
Filipino:
Ang isang ito ni Emily Henderson. Tulad ng alam mo na kasalukuyang sinusubukan naming baguhin ang isang bahay nang kaunti
kaya tinulungan ako ng klase na ito sa pagkuha ng mga magagandang ideya upang magplano ng aming tahanan
at maaari ka ring gumawa ng isang pagsusulit upang mahanap ang iyong
personal na istilo kaya siguradong suriin ito.
Gayundin ang Skillshare
hindi kapani-paniwalang abot-kayang
lalo na kumpara sa mga mahal na klase ng klase at
mga workshop.
Ang isang taunang subscription ay mas mababa sa $ 10 sa isang buwan.
Tunay na ang unang libong mga lalake na nag-click sa link dito sa kahon ng paglalarawan
makakakuha ng dalawang libreng buwan ng premium membership!
Kaya maaari mong tuklasin ang iyong pagkamalikhain at matuto
ilang mga bagong bagay!
Magsisimula na ako.
Susubukan ko lang ito ng kaunti. Kinukuha ko ang pritong ito at kumuha lang ng kaunti ... maliit ... oops.
Omg ito ay pula!
Ayos lang! -Ako okay? Ngayon magsimula sa una. 3 ... 2 ... 1
English:
This one's by Emily Henderson. As you know we are currently trying to renovate a home a bit
so this class really helped me with getting doable ideas to plan our home
and you can even do a quiz to find your
personal style so definitely check it out.
Also Skillshare is
incredibly affordable
especially compared to pricey in-person classes and
workshops.
An annual subscription is less than $10 a month.
Actually the first thousand of you guys who click the link here in the description box
will get two free months of premium membership!
So you can explore your creativity and learn
some new stuff!
I will start.
I'll just give it a little try. I take this fry and get just a little... tiny... oops.
Omg it's soo red!
It's okay! -It's okay? Now start with the first one. 3...2...1
Malay (macrolanguage):
Yang ini oleh Emily Henderson. Seperti yang anda ketahui, kami sedang berusaha untuk mengubahsuai rumah sedikit
jadi kelas ini sangat membantu saya mendapatkan idea yang boleh dilakukan untuk merancang rumah kami
dan anda juga boleh membuat kuiz untuk mencari
gaya peribadi jadi pasti memeriksanya.
Skillshare juga
sangat berpatutan
terutamanya berbanding dengan kelas orang yang mahal dan
bengkel.
Langganan tahunan kurang dari $ 10 sebulan.
Sebenarnya seribu orang pertama yang mengklik pautan di sini di kotak penerangan
akan mendapat dua bulan percuma keahlian premium!
Oleh itu, anda boleh meneroka kreativiti anda dan belajar
beberapa barang baru!
Saya akan mula.
Saya hanya akan mencuba sedikit. Saya mengambil goreng ini dan mendapat sedikit ... kecil ... aduh.
Omg sangat merah!
Tidak mengapa! - Tidak apa-apa? Sekarang mulakan dengan yang pertama. 3 ... 2 ... 1
Italian:
Questo è di Emily Henderson. Come sapete, stiamo attualmente cercando di rinnovare un po 'la casa
quindi questa lezione mi ha davvero aiutato a ottenere idee fattibili per pianificare la nostra casa
e puoi anche fare un quiz per trovare il tuo
stile personale, quindi dai un'occhiata.
Anche Skillshare è
incredibilmente conveniente
soprattutto rispetto alle costose lezioni di persona e
workshop.
Un abbonamento annuale è inferiore a $ 10 al mese.
In realtà i primi mille di voi ragazzi che cliccano sul link qui nella casella della descrizione
riceverà due mesi gratuiti di abbonamento premium!
Quindi puoi esplorare la tua creatività e imparare
alcune cose nuove!
Inizierò.
Ci proverò solo un po '. Prendo questa patatina e ottengo solo un po '... minuscolo ... oops.
Omg è così rosso!
Va bene! -Va bene? Ora inizia con il primo. 3 ... 2 ... 1
French:
Celui-ci est d'Emily Henderson. Comme vous le savez, nous essayons actuellement de rénover un peu
donc ce cours m'a vraiment aidé à trouver des idées réalisables pour planifier notre maison
et vous pouvez même faire un quiz pour trouver votre
style personnel donc n'hésitez pas à le vérifier.
Le partage des compétences est également
incroyablement abordable
en particulier par rapport aux cours en personne coûteux et
ateliers.
Un abonnement annuel est inférieur à 10 $ par mois.
En fait, le premier millier d'entre vous qui cliquez sur le lien ici dans la zone de description
bénéficiera de deux mois d'abonnement premium gratuits!
Vous pouvez ainsi explorer votre créativité et apprendre
de nouvelles choses!
Je vais commencer.
Je vais juste l'essayer. Je prends cette frite et j'obtiens juste un tout petit ... petit ... oups.
Omg c'est tellement rouge!
Ça va! -Ça va? Commencez maintenant par le premier. 3 ... 2 ... 1
Indonesian:
Yang ini oleh Emily Henderson. Seperti yang Anda ketahui, kami sedang sedikit merenovasi rumah
jadi kelas ini benar-benar membantu saya mendapatkan ide yang bisa dilakukan untuk merencanakan rumah kami
dan Anda bahkan dapat melakukan kuis untuk menemukan
gaya pribadi jadi pasti memeriksanya.
Skillshare juga
sangat terjangkau
terutama dibandingkan dengan kelas pribadi yang mahal dan
lokakarya.
Langganan tahunan kurang dari $ 10 sebulan.
Sebenarnya ribuan pertama dari kalian yang mengklik tautan di sini di kotak deskripsi
akan mendapatkan dua bulan gratis keanggotaan premium!
Jadi Anda bisa mengeksplorasi kreativitas Anda dan belajar
beberapa barang baru!
Aku akan mulai.
Saya akan coba sedikit saja. Saya mengambil goreng ini dan hanya mendapatkan sedikit ... kecil ... oops.
Omg soo red!
Tidak masalah! -Tidak masalah? Sekarang mulailah dengan yang pertama. 3 ... 2 ... 1
Turkish:
Bu Emily Henderson. Bildiğiniz gibi şu anda bir evi biraz yenilemeye çalışıyoruz
bu yüzden bu sınıf gerçekten evimizi planlamak için uygulanabilir fikirler edinmeme yardımcı oldu
ve hatta bulmak için bir sınav yapabilirsiniz
kişisel tarzı kesinlikle kontrol edin.
Ayrıca Skillshare
inanılmaz derecede uygun
özellikle pahalı yüz yüze derslere kıyasla ve
atölyeler.
Yıllık abonelik ayda 10 dolardan azdır.
Aslında açıklama kutusundaki bağlantıyı tıklayan ilk bin kişiniz
iki aylık ücretsiz premium üyelik kazanacaksınız!
Böylece yaratıcılığınızı keşfedebilir ve öğrenebilirsiniz.
bazı yeni şeyler!
Başlayacağım.
Sadece biraz deneyeceğim. Bu kızartmayı alıp biraz ... minik ... ayy.
Aman tanrım çok kırmızı!
Sorun değil! -Sorun değil? Şimdi ilki ile başlayın. 3 ... 2 ... 1
Spanish:
Este es de Emily Henderson. Como saben, actualmente estamos tratando de renovar un poco la casa.
así que esta clase realmente me ayudó a obtener ideas factibles para planificar nuestro hogar
e incluso puedes hacer un cuestionario para encontrar tu
estilo personal, así que definitivamente échale un vistazo.
También Skillshare es
increíblemente asequible
especialmente en comparación con las clases en persona caras y
Talleres de trabajo.
Una suscripción anual es menos de $ 10 al mes.
En realidad, los primeros mil de ustedes que hacen clic en el enlace aquí en el cuadro de descripción
¡obtendrá dos meses gratis de membresía premium!
Para que pueda explorar su creatividad y aprender
algunas cosas nuevas!
Comenzaré.
Solo lo intentaré un poco. Tomo esta papa frita y me pongo un poco ... pequeño ... ¡Uy!
Omg es tan rojo!
¡Está bien! -¿Está bien? Ahora comience con el primero. 3 ... 2 ... 1
Arabic:
هذا واحد من إميلي هندرسون. كما تعلمون نحن نحاول حاليًا تجديد المنزل قليلاً
لذلك ساعدني هذا الفصل حقًا في الحصول على أفكار قابلة للتنفيذ لتخطيط منزلنا
ويمكنك حتى إجراء اختبار للعثور على
النمط الشخصي لذلك تحقق من ذلك بالتأكيد.
أيضا Skillshare هو
بأسعار معقولة بشكل لا يصدق
خصوصا بالمقارنة مع الطبقات الشخصية و
ورش عمل.
الاشتراك السنوي أقل من 10 دولارات في الشهر.
في الواقع الألف منكم الذين ينقرون على الرابط هنا في مربع الوصف
ستحصل على شهرين مجانيين من العضوية المميزة!
حتى تتمكن من استكشاف إبداعك والتعلم
بعض الاشياء الجديدة!
سأبدأ.
سأحاول فقط. آخذ هذه اليرقة وأحصل على القليل ... صغير ... عفوا.
OMG انها حمراء جدا!
حسنا! -حسنا؟ ابدأ الآن بالأول. 3 ... 2 ... 1
Portuguese:
É realmente picante! -É sim?
-Pegue este aqui.
Eu vou levar este ...
Você consegue?
-Dói ... tudo bem, eu posso fazer isso ...
Pare meu tempo! -3 ... 2 ... 1 ... vai!
Treze! Treze segundos! -Sim, legal!
Leite de segurança. Então este aqui significa
As janelas de barra de ferro da sede da polícia são barras de ferro de camada única e o escritório do promotor
janelas de barra de ferro são barras de ferro de dupla camada.
-Faz sentido. Ok, próximo.
Turkish:
Gerçekten baharatlı! -Evet mi?
-Bunu al.
Bunu alacağım...
Bunu yapabilirsin?
-Ağrıyor ... tamam yapabilirim ...
Durma zamanımı! -3 ... 2 ... 1 ... git!
Onüç! On üç saniye! -Evet güzel!
Güvenli süt. Yani bu demek oluyor ki
Polis merkezinin demir çubuk pencereleri tek katmanlı demir çubuklar ve savcılıktır
demir çubuk pencereler çift katmanlı demir çubuklardır.
-Mantıklı. Bir sonraki.
Malay (macrolanguage):
Ia sungguh pedas! -Ya betul?
- Ambil yang ini.
Saya akan ambil yang ini ...
Awak boleh lakukannya?
-Sakit ... baiklah saya boleh melakukannya ...
Hentikan masa saya! -3 ... 2 ... 1 ... pergi!
Tiga belas! Tiga belas saat! -Ya bagus!
Susu keselamatan. Jadi ini bermaksud
Tingkap besi besi ibu pejabat polis adalah batang besi lapisan tunggal dan pejabat pendakwa
tingkap palang besi adalah batang besi lapisan dua.
-Masuk akal. Baiklah yang seterusnya.
Filipino:
Spicy talaga! -Ano ito?
-Kuha ng isang ito.
Kukunin ko ang isang ito ...
Kaya mo yan?
-Masakit ... okay na magawa ko ...
Itigil ang oras ko! -3 ... 2 ... 1 ... go!
Labintatlo! Labintatlong segundo! -Yeah!
Kaligtasan ng gatas. Kaya ang ibig sabihin ng isang ito
Ang mga bintana ng bar ng iron headquarter ng pulisya ay mga solong layer na bakal na bar at ang tagapangasiwa ng tanggapan
ang mga iron bar windows ay double layer iron bar.
-Maramdam. Okay sa susunod.
Italian:
È davvero piccante! -Sì?
-Prendi questo.
Prenderò questo ...
Puoi farlo?
-Fa male ... okay posso farcela ...
Stop al mio tempo! -3 ... 2 ... 1 ... via!
Tredici! Tredici secondi! -Sì bello!
Latte di sicurezza. Quindi questo significa
Le finestre della sbarra di ferro del quartier generale della polizia sono sbarre di ferro a strato singolo e l'ufficio del procuratore
le finestre delle sbarre di ferro sono barre di ferro a doppio strato.
-Ha senso. Va bene il prossimo.
Indonesian:
Ini sangat pedas! -Ya itu?
-Ambil yang ini.
Saya akan mengambil yang ini ...
Kamu bisa melakukannya?
-Ini menyakitkan ... oke saya bisa melakukannya ...
Hentikan waktuku! -3 ... 2 ... 1 ... pergi!
Tigabelas! Tiga belas detik! -Ya bagus!
Susu pengaman. Jadi ini artinya
Jendela besi di markas besar kepolisian adalah batang besi berlapis tunggal dan kantor kejaksaan
jendela besi adalah lapisan ganda.
-Masuk akal. Oke selanjutnya.
French:
C'est vraiment épicé! -Oui c'est ça?
-Prends celui-ci.
Je vais prendre celui-ci ...
Tu peux le faire?
-Cela fait mal ... ok je peux le faire ...
Arrêtez mon temps! -3 ... 2 ... 1 ... allez-y!
Treize! Treize secondes! -Ouais sympa!
Lait de sécurité. Donc, celui-ci signifie
Les fenêtres à barres de fer du siège de la police sont des barres de fer à une seule couche et le bureau du procureur
les fenêtres à barres de fer sont des barres de fer à double couche.
-Logique. D'accord, le suivant.
Spanish:
¡Es muy picante! -Si lo es?
-Toma este.
Tomaré esta...
¿Puedes hacerlo?
-Me duele ... está bien, puedo hacerlo ...
¡Para mi tiempo! -3 ... 2 ... 1 ... ¡vamos!
¡Trece! ¡Trece segundos! -¡Sí! Genial!
Leche de seguridad. Entonces este significa
Las ventanas de la barra de hierro de la sede de la policía son barras de hierro de una sola capa y la oficina del fiscal
Las ventanas de barra de hierro son barras de hierro de doble capa.
-Tiene sentido. Ok, el siguiente.
Arabic:
إنه حار حقًا! -هل هو؟
خذ هذا.
سآخذ هذا واحد...
يمكنك أن تفعل ذلك؟
- إنه يؤلم ... حسنا يمكنني فعل ذلك ...
توقف عن وقتي! -3 ... 2 ... 1 ... انطلق!
ثلاثة عشر! ثلاثة عشر ثانية! -نعم لطيف!
حليب الامان. هذا يعني
إن نوافذ القضبان الحديدية بمقر الشرطة عبارة عن قضبان حديدية أحادية الطبقة ومكتب المدعي العام
نوافذ قضبان الحديد هي قضبان حديدية مزدوجة الطبقة.
-من المنطقي. حسنا التالي.
English:
It's really spicy! -Yea is it?
-Take this one.
I'll take this one...
You can do it?
-It hurts... okay I can do it...
Stop my time! -3...2...1...go!
Thirteen! Thirteen second! -Yeah nice!
Safety milk. So this one means
The police headquarter's iron bar windows are single layer iron bars and the prosecutor's office
iron bar windows are double layer iron bars.
-Makes sense. Okay next one.
Spanish:
Comenzaré con el siguiente. -Esta vez comes dos de estos. -Estos dos...
Te ves tan asustado ... estás temblando.
Tengo miedo de que realmente duela. ¡Yo puedo hacerlo! ¿Cúal?
Ok, eso significa ...
El dibujo de la jirafa que dibujaste es un dibujo mal dibujado de una jirafa y el dibujo de una
la jirafa que dibujé está bien
Dibujado dibujo de una jirafa.
Tal vez lo lea lentamente primero.
¡Quince!
French:
Je vais commencer par le suivant. -Cette fois, tu en manges deux. -Ces deux...
Tu as l'air si effrayé ... tu trembles.
J'ai peur que ça fasse vraiment mal. Je peux le faire! Laquelle?
D'accord, cela signifie ...
Le dessin de la girafe que vous avez dessiné est un dessin mal dessiné d'une girafe et le dessin d'un
la girafe que j'ai dessinée est bien
dessin dessiné d'une girafe.
Peut-être que je vais le lire lentement d'abord.
Quinze!
Arabic:
سأبدأ مع المرحلة التالية. - هذه المرة تأكل اثنين من هذه. -هذين...
تبدين خائفة جدا ... أنت ترتجفين.
أخشى أن ذلك يؤلمني حقًا. استطيع ان افعلها! أي واحد؟
حسنًا ، هذا يعني ...
رسم الزرافة الذي رسمته هو رسم ضعيف للزرافة ورسم
الزرافة التي رسمتها بشكل جيد
رسم زرافة.
ربما سأقرأها ببطء أولاً.
خمسة عشر!
Portuguese:
Vou começar com o próximo. Desta vez você come dois deles. -Estes dois...
Você parece tão assustado ... você está tremendo.
Estou com medo que dói mesmo. Eu posso fazer isso! Qual?
Ok, isso significa ...
O desenho da girafa que você desenhou é um desenho mal desenhado de uma girafa e o desenho de uma
girafa que eu desenhei está bem
desenho desenhado de uma girafa.
Talvez eu deva ler devagar primeiro.
Quinze!
Turkish:
Bir sonraki ile başlayacağım. -Bu kez bunlardan iki tanesini yersin. -Bu ikisi...
Çok korkmuş görünüyorsun ... titriyorsun.
Gerçekten acıtmasından korkuyorum. Bunu yapabilirim! Hangisi?
Tamam bu demek oluyor ki ...
Çizdiğiniz zürafanın çizimi, bir zürafanın zayıf çizilmiş çizimi ve
çizdiğim zürafa iyi
çizim bir zürafa çekilmiş.
Belki önce yavaşça okuyacağım.
Onbeş!
Malay (macrolanguage):
Saya akan mulakan dengan yang seterusnya. -Kali ini anda makan dua. -Dua ini ...
Anda kelihatan sangat takut ... anda gemetar.
Saya takut ia sangat menyakitkan. Saya boleh lakukannya! Yang mana satu?
Baiklah maksudnya ...
Lukisan zirafah yang anda lukis adalah lukisan jerapah yang tidak dilukis dengan baik dan lukisan a
zirafah yang saya lukis dengan baik
lukisan jerapah yang dilukis.
Mungkin saya akan membacanya dengan perlahan terlebih dahulu.
Lima belas!
Italian:
Inizierò con il prossimo. -Questa volta ne mangi due. -Questi due...
Sembri così spaventato ... stai tremando.
Ho paura che fa davvero male. Riesco a farlo! Quale?
Va bene significa ...
Il disegno della giraffa che hai disegnato è un disegno mal disegnato di una giraffa e il disegno di una
la giraffa che ho disegnato sta bene
disegno disegnato di una giraffa.
Forse prima lo leggerò lentamente.
Quindici!
Filipino:
Magsisimula ako sa susunod. -Ang oras na kumain ka ng dalawa rito. -Ang dalawa ...
Mukha kang natatakot ... nanginginig ka.
Natatakot ako na masakit talaga. Kaya ko ito! Alin?
Okay ang ibig sabihin nito ...
Ang pagguhit ng giraffe na iyong iginuhit ay hindi maganda ang iginuhit na pagguhit ng isang dyirap at ang pagguhit ng isang
dyirap na iginuhit ko ay maayos
iginuhit na pagguhit ng isang dyirap.
Siguro babasahin ko muna ito ng dahan-dahan.
Labinlimang!
Indonesian:
Saya akan mulai dengan yang berikutnya. -Kali ini kamu makan dua ini. -Dua ini...
Kamu terlihat sangat ketakutan ... kamu gemetaran.
Aku takut itu sangat menyakitkan. Aku bisa melakukan itu! Yang mana?
Oke itu berarti ...
Gambar jerapah yang Anda gambar adalah gambar jerapah yang tidak menarik dan gambar a
jerapah yang saya gambar baik-baik saja
menggambar jerapah.
Mungkin saya akan membacanya perlahan dulu.
Limabelas!
English:
I will start with the next one. -This time you eat two of these. -These two...
You look so scared... you're trembling.
I'm scared it really hurts. I can do it! Which one?
Okay it means...
The drawing of the giraffe that you drew is a poorly drawn drawing of a giraffe and the drawing of a
giraffe that I drew is well
drawn drawing of a giraffe.
Maybe I'll read it slowly first.
Fifteen!
Malay (macrolanguage):
Saya hanya akan ... gerimis yang ini ...
Supaya ia seperti pertandingan. Ia taklah teruk sangat. -Adakah anda pasti? Ok giliran anda. Masa saya adalah 15 saat.
9 saat!
Anda mahukan susu? -Tidak.
Saya akan buat keju cheddar. -Bunyi menyeronokkan!
Ia sangat pedas!
Jadi ini bermaksud.
Choi Dauen yang telah memakan sebahagian besar keju cheddar
adalah pemenang pertandingan makan keju cheddar
Italian:
Farò solo un po '... pioviggina questo ...
Quindi è una specie di competizione. Non è così male. -Sei sicuro? Ok è il tuo turno. Il mio tempo era di 15 secondi.
9 secondi!
Vuoi del latte? -No.
Farò quello al formaggio cheddar. -Sembra divertente!
È così piccante!
Quindi questo significa.
Choi Dauen che ha mangiato la maggior parte del formaggio cheddar
è il vincitore del concorso gastronomico di formaggio cheddar
Turkish:
Sadece ... bunu çađýrýrým ...
Yani bu bir tür rekabet. O kadar da kötü değil. -Emin misiniz? Tamam, sıra sizde. Zamanım 15 saniyeydi.
9 saniye!
Biraz süt ister misin? -Hayır.
Çedar peyniri olanı yapacağım. - Kulağa eğlenceli geliyor!
Çok baharatlı!
Yani bu demek oluyor.
Cheddar peynirinin çoğunu yiyen Choi Dauen
çedar peyniri yeme yarışmasının galibi
English:
I'll just kinda... drizzle this one...
So that it's kind of a competition. It's not that bad. -Are you sure? Ok it's your turn. My time was 15 seconds.
9 seconds!
You want some milk? -No.
I'll do the cheddar cheese one. -Sounds fun!
It's soo spicy!
So this one means.
Choi Dauen who has eaten most of the cheddar cheese
is the winner of the cheddar cheese eating competition
Arabic:
سأقوم فقط برش هذا ...
حتى أنها نوع من المنافسة. انها ليست بهذا السوء. -هل أنت واثق؟ حسنا حان دورك. كان وقتي 15 ثانية.
9 ثواني!
تريد بعض الحليب؟ -لا.
سأقوم بعمل جبن الشيدر. -يبدو ممتع!
إنه حار جدا!
هذا يعني.
تشوي داوين الذي تناول معظم جبن الشيدر
هو الفائز في مسابقة أكل جبن الشيدر
French:
Je vais juste ... arroser celui-ci ...
C'est donc une sorte de compétition. C'est pas si mal. -Êtes-vous sûr? Ok c'est ton tour. Mon temps était de 15 secondes.
9 secondes!
Tu veux du lait? -Non.
Je vais faire celui au cheddar. -Sons amusant!
C'est tellement épicé!
Donc, celui-ci signifie.
Choi Dauen qui a mangé la plupart du fromage cheddar
est le gagnant du concours de consommation de fromage cheddar
Filipino:
Mabait lang ako ... drizzle this one ...
Kaya't ito ay uri ng isang kumpetisyon. Hindi naman masama yun. -Sigurado ka ba? Ok ito ang iyong tira. Ang aking oras ay 15 segundo.
9 segundo!
Gusto mo ng gatas? -Hindi.
Gagawin ko ang keso ng cheddar. -Sounds masaya!
Ito ay maanghang!
Kaya ang ibig sabihin ng isang ito.
Choi Dauen na nakakain ng karamihan sa keso ng cheddar
ay ang nagwagi sa kumpetisyon sa pagkain ng keso sa cheddar
Portuguese:
Eu só vou ... regar este ...
Para que seja uma espécie de competição. Não é tão ruim. -Você tem certeza? Ok, é a sua vez. Meu tempo foi de 15 segundos.
9 segundos!
Quer um pouco de leite? -Não.
Eu vou fazer o queijo cheddar. -Parece divertido!
É muito picante!
Então este significa.
Choi Dauen, que comeu a maior parte do queijo cheddar
é o vencedor da competição de comer queijo cheddar
Spanish:
Solo un poco ... llovizna este ...
Para que sea una especie de competencia. No está tan mal. -¿Estás seguro? Ok, es tu turno. Mi tiempo fue de 15 segundos.
9 segundos!
¿Quieres un poco de leche? -No.
Haré el queso cheddar. -¡Suena divertido!
Es muy picante!
Entonces este significa.
Choi Dauen que ha comido la mayor parte del queso cheddar
es el ganador del concurso de comer queso cheddar
Indonesian:
Saya hanya akan agak ... gerimis yang satu ini ...
Jadi itu semacam kompetisi. Tidak seburuk itu. -Apakah kamu yakin? Baiklah, giliran Anda. Waktu saya adalah 15 detik.
9 detik!
Anda ingin susu? -Tidak.
Saya akan membuat keju cheddar. -Terdengar menyenangkan!
Sangat pedas!
Jadi ini artinya.
Choi Dauen yang telah memakan sebagian besar keju cheddar
adalah pemenang kompetisi makan keju cheddar
Arabic:
أوه لا ~
-لا أستطيع أن أشعر لساني!
حسب القاعدة يجب أن آكل واحدة أخرى.
9 ثواني. أنت دائمًا بحاجة إلى تسعة
ثواني لكل جملة. هل تؤلم؟
هل يجب أن أنضم إلى النادي؟ هيا
دعونا نعاني معا. -إنه لاشيء.
هل هذا جيد؟ -لا بأس. لا تأكل الزريعة كلها.
جبنة الشيدر! ابدأ ... الوقت!
Malay (macrolanguage):
Oh tidak ~
-Saya tidak dapat merasakan lidah saya!
Menurut peraturan, saya mesti makan yang lain.
9 saat. Anda selalu memerlukan sembilan
saat untuk setiap ayat. Adakah sakit?
Sekiranya saya menyertai kelab? Ayuh
mari kita menderita bersama. -Tiada apa-apa.
adakah ini baik-baik saja? -Tidak mengapa. Jangan makan keseluruhan goreng.
Keju Cheddar! Mulakan ... masa!
French:
Oh non ~
-Je ne peux pas sentir ma langue!
Selon la règle, je dois en manger un autre.
9 secondes. Tu as toujours besoin de neuf
secondes pour chaque phrase. Est-ce que ça fait mal?
Dois-je rejoindre le club? Allons
souffrons ensemble. -Ce n'est rien.
est-ce bien? -C'est d'accord. Ne mangez pas les alevins entiers.
Fromage cheddar! Commencez ... le temps!
Spanish:
Oh no ~
-No puedo sentir mi lengua!
Según la regla, tengo que comer otro.
9 segundos Siempre necesitas nueve
segundos por cada oración. ¿Duele?
¿Debería unirme al club? Venga
suframos juntos -No es nada.
esta bien? -Esta bien. No te comas toda la papa.
¡Queso cheddar! Comience ... el tiempo!
Italian:
Oh no ~
-Non riesco a sentire la mia lingua!
Di regola devo mangiarne un altro.
9 secondi Hai sempre bisogno di nove
secondi per ogni frase. Fa male?
Dovrei unirmi al club? Dai
soffriamo insieme. -Non è niente.
va bene? -Va tutto bene. Non mangiare tutta la patata.
Formaggio cheddar! Inizia ... il tempo!
Turkish:
Ah hayır ~
-Dilini hissedemiyorum!
Kural gereği bir tane daha yemeliyim.
9 saniye. Her zaman dokuza ihtiyacınız var
her cümle için saniye. Acıtır mı?
Kulübe katılmalı mıyım? Haydi
birlikte acı çekelim. -Önemli değil.
bu iyi mi -Tamam. Bütün yavruları yemeyin.
Çedar peyniri! Başlayın ... zaman!
Filipino:
Oh hindi ~
-Hindi ko maramdaman ang aking dila!
Tulad ng bawat panuntunan kailangan kong kumain ng isa pa.
9 segundo. Lagi kang nangangailangan ng siyam
segundo para sa bawat pangungusap. Masakit ba?
Dapat ba akong sumali sa club? Halika na
magdusa tayo. -Hindi wala.
tama ba ito? -Ayos lang. Huwag kumain ng buong magprito.
Cheddar cheese! Magsimula ... ang oras!
Indonesian:
Oh tidak ~
-Aku tidak bisa merasakan lidahku!
Sesuai aturan saya harus makan yang lain.
9 detik. Kamu selalu butuh sembilan
detik untuk setiap kalimat. Apakah itu menyakitkan?
Haruskah saya bergabung dengan klub? Ayolah
mari kita menderita bersama. -Tidak apa.
apakah ini baik baik saja -Tidak apa-apa. Jangan makan seluruh goreng.
Keju cheddar! Mulai ... waktunya!
Portuguese:
Oh não ~
-Não consigo sentir minha língua!
Como regra, eu tenho que comer outro.
9 segundos. Você sempre precisa de nove
segundos para cada frase. Isso doi?
Devo entrar no clube? Vamos
vamos sofrer juntos. -Não é nada.
está tudo bem? -Está tudo bem. Não coma a batata frita inteira.
Queijo cheddar! Comece ... a hora!
English:
Oh no~
-I can't feel my tongue!
As per rule I have to eat another one.
9 seconds. You always need nine
seconds for every sentence. Does it hurt?
Should I join the club? Come on
let's suffer together. -It's nothing.
is this alright? -It's alright. Don't eat the whole fry.
Cheddar cheese! Start...the time!
Filipino:
Dalawampu ... isang bagay?
-22? Gawin natin ito sa susunod.
Medyo mahaba. Okay magsisimula na ako. -Seryoso ka? Babasahin ko ang Ingles.
Tekstong Ingles.
Isang hindi moist moist-chip-cookie
Medyo dila ko lang.
isang hindi basa-basa na tsokolate cookie na nakatira sa Non-moist-chocolate-chip-cookie Land sinabi sa isang basa-basa
tsokolate cookie cookie mula sa basa-basa
lupang tsokolateng cookie cookie.
"Nais kong maging isang basa-basa na tsokolate cookie" kaya napunta ito sa moist moist chocolate chip cookie land
ngunit ang tagabantay ng gate ng aking basa-basa na tsokolate
sinabi ng cookie land ...
"Ikaw ay isang hindi basa-basa na cookie tsokolateng chip kaya hindi ka mabubuhay sa basa-basa na tsokolate cookie cookie!"
Kaya't ang hindi basa-basa na tsokolate cookie ay sumuko
English:
Twenty...something?
-22? Let's do this one next.
It's pretty long. Okay I'll start. -You serious? I'm gonna read the English.
English text.
A non-moist chocolate-chip-cookie
I just bit my tongue.
a non-moist chocolate chip cookie that lived in Non-moist-chocolate-chip-cookie Land said to a moist
chocolate chip cookie from moist
chocolate chip cookie land.
"I want to become a moist chocolate chip cookie" so it went to moist chocolate chip cookie land
but the gate keeper of my moist chocolate chip
cookie land said...
"You are a non-moist chocolate chip cookie so you can't live in moist chocolate chip cookie land!"
So the non-moist chocolate chip cookie gave up
Italian:
Venti ... qualcosa?
-22? Facciamo questo dopo.
È piuttosto lungo. Va bene comincio. -Sei serio? Leggerò l'inglese.
Testo inglese.
Un biscotto al cioccolato non umido
Mi sono appena morso la lingua.
un biscotto di pepita di cioccolato non umido che viveva in terra di pepita di cioccolato non umido detto a un umido
biscotto con gocce di cioccolato dall'umidità
terra di biscotti al cioccolato.
"Voglio diventare un biscotto di pepita di cioccolato umido", quindi è andato alla terra dei biscotti di pepita di cioccolato umido
ma il guardiano del cancello del mio umido scaglie di cioccolato
cookie land ha detto ...
"Sei un biscotto con gocce di cioccolato non umido, quindi non puoi vivere nella terra dei biscotti con gocce di cioccolato umido!"
Quindi il biscotto al cioccolato non umido ha rinunciato
Arabic:
عشرون ... شيء؟
-22؟ لنفعل هذا بعد ذلك.
انها طويلة جدا. حسنًا ، سأبدأ. -انت جاد؟ سأقرأ اللغة الإنجليزية.
الانجليزية النص.
كعكة الشوكولاتة غير الرطبة
لقد عضت لساني.
قال كوكي غير مبلل برقائق الشوكولاتة كان يعيش في كوكي غير مبلل برقائق الشوكولاتة
كعكة الشوكولاتة رقاقة من رطبة
كوكي الشوكولاته رقاقة الأرض.
"أريد أن أصبح كوكي رقائق الشوكولاتة رطبة" لذلك ذهبت إلى كوكي رقائق الشوكولاتة الرطبة
لكن حارس بوابة رقاقة الشوكولاته الرطبة
قالت أرض الكعكة ...
"أنت ملف تعريف ارتباط رقاقة شوكولاتة غير رطبة لذا لا يمكنك العيش في أرض كوكيز رقائق الشوكولاتة الرطبة!"
لذا استسلم كوكي رقائق الشوكولاتة غير الرطبة
Spanish:
¿Veinti algo?
-22? Hagamos esto a continuación.
Es bastante largo Está bien, comenzaré. -¿Hablas en serio? Voy a leer el ingles.
Texto en inglés.
Una galleta con chispas de chocolate no húmeda
Solo me mordí la lengua.
una galleta con chispas de chocolate no húmeda que vivía en una galleta con chispas de chocolate no húmeda
galleta con chispas de chocolate de húmedo
galleta con chispas de chocolate.
"Quiero convertirme en una galleta húmeda con chispas de chocolate", así que fue a tierra húmeda de galletas con chispas de chocolate
pero el guardián de mi chispita de chocolate húmedo
tierra de galletas dijo ...
"¡Eres una galleta con chispas de chocolate no húmeda, así que no puedes vivir en tierra húmeda con galletas de chispas de chocolate!"
Entonces la galleta con chispas de chocolate no húmeda se rindió
Indonesian:
Duapuluhan?
-22? Mari kita lakukan ini selanjutnya.
Cukup panjang. Oke saya akan mulai. -Kamu serius? Saya akan membaca bahasa Inggris.
Teks bahasa inggris.
Kue coklat chip yang tidak lembab
Aku hanya menggigit lidahku.
biskuit cokelat non-lembab yang hidup di Tanah biskuit-non-lembab coklat dikatakan lembab
kue cokelat dari lembab
lahan kue chip coklat.
"Aku ingin menjadi biskuit cokelat chip yang lembab" jadi ia pergi ke tanah biskuit cokelat yang lembab
tapi penjaga gerbang chip coklat saya yang lembab
cookie land berkata ...
"Kamu adalah kue keripik cokelat yang tidak lembab sehingga kamu tidak bisa hidup di tanah kue keripik coklat yang lembab!"
Jadi kue coklat chip yang tidak lembab menyerah
Turkish:
Yirmi küsür?
-22? Bunu bir sonraki yapalım.
Oldukça uzun. Tamam başlayacağım. -Ciddi misin? İngilizceyi okuyacağım.
İngilizce metin.
Nemli olmayan çikolata parçalı kurabiye
Sadece dilimi ısırdım.
yaşadığı nemli olmayan çikolata parçalı kurabiye Nemli olmayan çikolata parçalı kurabiye Land ıslak bir dedi
nemli çikolatalı kurabiye
çikolatalı kurabiye arazi.
"Ben nemli çikolatalı kurabiye olmak istiyorum" bu yüzden nemli çikolatalı kurabiye arazi gitti
ama nemli çikolata parçamın kapıcısı
çerez arazi dedi ...
"Sen nemli olmayan bir çikolatalı kurabiye vardır, bu yüzden nemli çikolatalı kurabiye ülkesinde yaşayamazsın!"
Bu yüzden nemli olmayan çikolatalı kurabiye pes etti
Portuguese:
Vinte ... alguma coisa?
-22? Vamos fazer isso a seguir.
É bem longo. Ok, eu vou começar. -Está falando sério? Eu vou ler o inglês.
Texto em inglês.
Um biscoito de chocolate não úmido
Eu apenas mordi minha língua.
um biscoito de chocolate não úmido que vivia em um biscoito de chocolate não úmido
biscoito de chocolate úmido
terra de biscoito de chocolate.
"Eu quero me tornar um biscoito de chocolate úmido", então ele foi para a terra dos biscoitos de chocolate úmidos
mas o guardião do meu pedaço de chocolate úmido
terra dos biscoitos disse ...
"Você é um biscoito de chocolate não úmido, portanto não pode viver em terras úmidas!"
Então o biscoito de chocolate não úmido desistiu
French:
Vingt ... quelque chose?
-22? Faisons celui-ci ensuite.
C'est assez long. D'accord, je vais commencer. -Es tu sérieux? Je vais lire l'anglais.
Texte en anglais.
Un biscuit aux pépites de chocolat non humide
J'ai juste mordu ma langue.
un biscuit aux pépites de chocolat non humide qui vivait dans un biscuit aux pépites de chocolat non humide Land dit à un humide
biscuit aux pépites de chocolat de humide
terre de cookie aux pépites de chocolat.
"Je veux devenir un biscuit aux pépites de chocolat moelleux" alors c'est allé au pays des biscuits aux pépites de chocolat
mais le gardien de ma pépite de chocolat humide
biscuit terre dit ...
"Vous êtes un biscuit aux pépites de chocolat non humide, vous ne pouvez donc pas vivre au pays des biscuits aux pépites de chocolat humides!"
Donc, le cookie aux pépites de chocolat non humide a abandonné
Malay (macrolanguage):
Dua puluh ... sesuatu?
-22? Mari buat ini seterusnya.
Ia cukup panjang. Baiklah saya akan mulakan. -Awak serius? Saya akan membaca Bahasa Inggeris.
Teks Inggeris.
Kuki cip coklat yang tidak lembap
Saya hanya menjelirkan lidah.
kuki coklat cair yang tidak lembap yang tinggal di kuki coklat tidak lembap, kata Land kepada yang lembap
kuki coklat chip dari lembap
tanah kuki coklat chip.
"Saya mahu menjadi cookie chip coklat lembap" jadi ia menuju ke cookie chip coklat lembap
tapi penjaga pintu cip coklat lembap saya
tanah kuki berkata ...
"Anda adalah kuki coklat cair yang tidak lembab sehingga anda tidak dapat tinggal di tanah kuki coklat lembap!"
Jadi kuki coklat tidak lembap menyerah
Filipino:
sa pagiging isang basa-basa na tsokolate cookie at bumalik sa hindi aking lupon ng tsokolate cookie.
Wow! 3 ... 2 ... 1
Kapag nagsasalita ako ay nakakakuha ito sa aking mga mata!
Hindi ito nagtatapos!
55 segundo!
Italian:
diventando un biscotto con gocce di cioccolato umido e sono tornato alla terra dei miei biscotti con gocce di cioccolato
Wow! 3 ... 2 ... 1
Quando parlo mi viene in mente!
Non finisce!
55 secondi!
English:
on becoming a moist chocolate chip cookie and went back to non my chocolate chip cookie land.
Wow! 3...2...1
When I'm talking it gets into my eyes!
It doesn't end!
55 seconds!
French:
en devenant un cookie aux pépites de chocolat moelleux et je suis retourné au pays des cookies aux pépites de chocolat.
Hou la la! 3 ... 2 ... 1
Quand je parle, ça me passe dans les yeux!
Ça ne s'arrête pas!
55 secondes!
Portuguese:
em se tornar um biscoito de chocolate úmido e voltou para a minha terra de biscoitos de chocolate.
Uau! 3 ... 2 ... 1
Quando estou falando, entra nos meus olhos!
Não acaba!
55 segundos!
Malay (macrolanguage):
untuk menjadi kuki cip coklat lembap dan kembali ke tanah kuki coklat saya.
Wah! 3 ... 2 ... 1
Semasa saya bercakap, ia masuk ke dalam mata saya!
Ia tidak berakhir!
55 saat!
Turkish:
nemli bir çikolatalı kurabiye haline geldi ve benim olmayan çikolatalı kurabiye ülkesine geri döndü.
Vaov! 3 ... 2 ... 1
Ben konuşurken gözlerime giriyor!
Bitmiyor!
55 saniye!
Spanish:
en convertirme en una galleta húmeda con chispas de chocolate y volví a la tierra de mis galletas con chispas de chocolate.
¡Guauu! 3 ... 2 ... 1
¡Cuando hablo se me mete en los ojos!
¡No termina!
55 segundos!
Arabic:
على أن أصبح كوكي رقائق شوكولاتة رطبة وعاد إلى أرضي غير كوكي رقائق الشوكولاتة.
نجاح باهر! 3 ... 2 ... 1
عندما أتحدث يدخل عيني!
لا تنتهي!
55 ثانية!
Indonesian:
untuk menjadi kue cokelat chip yang lembab dan kembali ke tanah kue cokelat saya.
Wow! 3 ... 2 ... 1
Ketika saya berbicara itu masuk ke mata saya!
Itu tidak berakhir!
55 detik!
Filipino:
Sa palagay ko handa na ako. Ganap na handa. Itigil ang oras ko.
Italian:
Penso di essere pronto. Assolutamente pronto. Fermare il mio tempo
Turkish:
Sanırım hazırım. Kesinlikle hazır. Durma zamanımı.
Portuguese:
Eu acho que estou pronta. Absolutamente pronto. Pare o meu tempo.
Spanish:
Creo que estoy listo Absolutamente listo Para mi tiempo
Arabic:
أعتقد أنني مستعد. جاهز تماما. توقف عن وقتي.
French:
Je pense que je suis prêt. Absolument prêt. Arrêtez mon temps.
Malay (macrolanguage):
Saya rasa saya sudah bersedia. Sudah betul-betul bersedia. Hentikan masa saya.
English:
I think I'm ready. Absolutely ready. Stop my time.
Indonesian:
Saya pikir saya sudah siap. Benar-benar siap. Hentikan waktuku.
English:
1:18! -You try this at home.
First try and beat our time.
(German tongue twister)
I'm done here...
You're done?
Okay guys I think that's it for today's
video.
I hope you liked our little tongue twister challenge
if you liked the video leave a like as always and we see you guys in the next video bye bye!
Indonesian:
1:18! -Anda coba ini di rumah.
Pertama, coba dan kalahkan waktu kita.
(Twister lidah Jerman)
Saya selesai di sini ...
Kamu sudah selesai?
Oke kawan, kurasa itu untuk hari ini
video.
Saya harap Anda menyukai tantangan twister lidah kecil kami
jika Anda suka video tinggalkan seperti biasa dan kami melihat kalian di video selanjutnya bye bye!
French:
1:18! -Tu essaies ça à la maison.
Essayez d'abord de battre notre temps.
(Twister de langue allemande)
J'en ai terminé ici...
Vous avez terminé?
D'accord les gars, je pense que c'est tout pour aujourd'hui
vidéo.
J'espère que vous avez aimé notre petit défi de virelangue
si vous avez aimé la vidéo laissez un comme toujours et on se voit dans la prochaine vidéo bye bye!
Turkish:
01:18! -Bunu evde denersin.
Önce deneyin ve zamanımızı yendi.
(Almanca tekerleme)
Burada bittim...
Sen bittin?
Tamam çocuklar bence bugünün
video.
Umarım küçük dilli twister mücadelemizi beğenmişsinizdir
Eğer videoyu beğendiyseniz, her zamanki gibi bir beğeni bırakın ve sizi bir sonraki video görüşürüz görüşürüz!
Malay (macrolanguage):
1:18! -Anda mencuba ini di rumah.
Mula-mula cuba dan mengalahkan masa kita.
(Twister lidah Jerman)
Saya selesai di sini ...
Anda sudah selesai?
Baiklah, saya rasa itu sahaja untuk hari ini
video.
Saya harap anda menyukai cabaran twister lidah kecil kami
jika anda suka video tinggalkan suka seperti biasa dan kami melihat kalian di video seterusnya bye bye!
Filipino:
1:18! -Subukan mo ito sa bahay.
Una subukan at talunin ang aming oras.
(German twister wika)
Tapos na ako dito ...
Tapos ka na?
Okay guys sa tingin ko na ito para sa ngayon
video.
Umaasa ako na nagustuhan mo ang aming maliit na dila twister challenge
kung nagustuhan mo ang video mag-iwan ng tulad ng dati at nakikita namin kayong mga lalaki sa susunod na video bye bye!
Italian:
01:18! -Si prova a casa.
Prima prova a battere il nostro tempo.
(Scioglilingua tedesco)
Ho finito qui...
Hai finito?
Ok ragazzi penso che sia tutto per oggi
video.
Spero che ti sia piaciuta la nostra piccola sfida di scioglilingua
se ti è piaciuto il video lascia un like come sempre e ci vediamo nel prossimo video ciao ciao!
Spanish:
1:18! -Intentas esto en casa.
Primero intenta ganar nuestro tiempo.
(Trabalenguas alemán)
Ya terminé aquí...
¿Ya terminaste?
Ok chicos creo que eso es todo por hoy
vídeo.
Espero que les haya gustado nuestro pequeño reto de trabalenguas
si les gustó el video, dejen un me gusta como siempre y nos vemos en el próximo video, ¡chao!
Arabic:
1:18! -تجرب هذا في المنزل.
حاول أولًا وتغلب على وقتنا.
(إعصار اللسان الألماني)
أنا انتهيت من هذه المهمة...
انت انتهيت؟
حسنًا يا رفاق أعتقد أن هذا هو اليوم
فيديو.
آمل أن أعجبك تحدي إعصار اللسان الصغير
إذا كنت تحب الفيديو اترك مثله كما هو الحال دائمًا ونرى يا رفاق في الفيديو التالي إلى اللقاء!
Portuguese:
1:18! -Você tenta isso em casa.
Primeiro tente vencer o nosso tempo.
(Trava-língua alemão)
Eu acabei por aqui...
Você Terminou?
Ok pessoal, eu acho que é isso para hoje
vídeo.
Espero que você tenha gostado do nosso desafio trava-língua
se vocês gostaram do vídeo deixe um like como sempre e nos vemos no próximo vídeo tchau tchau!
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In this lecture, we are first going to show
that if A is a normal matrix; that means,
A star A is equal to A A star, then 2 norm
of the matrix is modulus of the biggest Eigen
value. Then we will look at some of the localization
results; that means, we will look at some
region in the complex plane which are going
to contain Eigen values of given matrix, after
that we are going to look at power method,
which is a method for finding approximation
to the dominant Eigen value and then we will
look at some of the extensions of this power
method. So, let me first show that 2 norm
of A is maximum of the biggest or it is the
modulus of the biggest Eigen value provided
A is normal.
So, we have got A to be normal matrix A star
A is equal to A A star, by spectral theorem
we have got A u j is equal to lambda j u j,
where norm u j, its 2 norm is equal to 1 and
inner product of u i with u j is 0, if i not
equal to j. Our definition of 2 norm is maximum
of norm A z its 2 norm divided by norm z 2
provided, z is not equal to 0 vector. A z
in c n can be written as summation j goes
from 1 to n, inner product of z with u j u
j. So, this is using orthonormality of u j
s. So, let us calculate norm z, norm A z,
A z is going to be summation j goes from 1
to n, inner product of z with u j and then
A u j. So, that will be lambda j u j.
So, we have got z is equal to summation j
goes from 1 to n inner product of z with u
j u j. So, norm z its 2 norm square, it is
going to be inner product of z with itself.
So, this will be summation j goes from 1 to
n, inner product of z with u j u j and summation,
say, i goes from 1 to n, inner product of
z with u i u i. Now, use the linearity in
the first variable conjugate linearity in
the second variable to obtain summation j
goes from 1 to n, summation i goes from 1
to n, inner product of z with u j this is
coming out as it is, complex conjugate of
z u I, because it is coming out from the second
variable, u j comma u i, now this is 0 if
i not equal to j. So, you will get this to
be equal to summation j goes from 1 to n modulus
of z comma u j square. So, this is norm z
its 2 norm square.
In a similar manner, we are going to have
A z to be equal to summation j goes from 1
to n, inner product of z with u j lambda j
u j. So, norm of A z, its 2 norms square will
be summation j goes from 1 to n modulus of
z comma u j square mod lambda j square. Suppose
the Eigen values are ordered in this manner,
mod lambda 1 are bigger than or equal to mod
lambda 2, bigger than or equal to mod lambda
n, then norm A z its 2 norms square will be
less than or equal to each mod lambda j will
be less than or equal to mod lambda 1, take
out of the summation sign. So, we will have
mod lambda 1 square, summation j goes from
1 to n modulus of z comma u j square. Now
this is nothing but 2 norm of z whole square.
So, we have got mod lambda 1 square and then
norm z 2 square and thus we will get norm
A z 2 norm to be less than or equal to mod
lambda 1 times norm z 2 norm.
And then for z not equal to 0 vector, norm
a z divided by norm z will be less than or
equal to mod lambda 1, which will imply that
maximum of norm a z by norm z, z not equal
to 0 vector is less than or equal to mod lambda
1. This is our norm a 2. We have got a u 1
is equal to lambda 1 u 1. So, norm a u 1 is
going to be mod lambda 1 times norm u 1 2
norm. So, this is equal to 1 and thus mod
lambda 1 will be less than or equal to norm
a 2 norm u 1 2 which is 1. So, here you have
got norm a 2 to be less than or equal to mod
lambda 1, here you have got mod lambda 1 to
be less than or equal to norm a 2, so combining
you get norm a 2 to be equal to mod lambda
1.
There is the result that, if A is normal,
lambda 1 lambda 2 lambda n are Eigen values
of A, which are arranged in such a manner
that mod lambda 1 bigger than or equal to
mod lambda 2, bigger than or equal to mod
lambda n, then 2 norm of A is nothing but
modulus of lambda 1. Now, here we have just
obtain a formula, but norm A 2, it is still
we cannot compute, because we cannot compute
the Eigen values for all matrices. For special
matrices, if it is a upper triangular matrix,
I know how to calculate its Eigen values.
So, for norm A 2, we did not have a formula,
in terms of the elements of the matrix as
in case of 1 norm or infinity norm, and now
we have got norm a 2 is equal to mod lambda
1, where both left hand side and right hand
side are not computable, but still we have
got a relation. So, now we are going to consider
localization of Eigen values.
So, we have the simplest one which we get
is, if A is a, this is going to be always
the case. A will be either real or a complex
matrix, if lambda is a eigen value, then you
have A u is equal to lambda u, where u is
a not non-0 vector. If you consider induced
matrix norm, then we have got norm a to be
maximum of norm a z by norm z. So, taking
norm here, you get norm A u is equal to norm
lambda u. So, that gives you mod lambda to
be equal to norm A u by norm u, I can divide
by norm u, because u is a non-0 vector and
this will be less than or equal to norm a.
So, if you consider a disc with center 0 and
radius norm A, then the Eigen values they
are going to lie in this close disc, set of
all z belonging to c such that mod z is less
than or equal to norm A. This norm can be
any induced matrix norm. It can be 1 norm,
it can be infinity norm, it can be 2 norm
or whichever norm you take. You fix a vector
norm consider the induced matrix norm, then
your mod lambda is going to be less than or
equal to norm of a. This result tells us that
if i take any z outside this disc, then my
a minus z i is going to be invertible. If
your matrix is a special matrix like, if it
is a self-adjoint matrix, then what we know
is the Eigen values they are going to be real.
So, we can say that for self-adjoint matrix,
the Eigen values they will lie in the interval,
closed interval, minus norm a to plus norm
A. We have to take intersection of the close
disc with the real line.
If you are considering or if your matrix is
skew self-adjoint, then you have to take intersection
of this close disc with the imaginary axis.
Now, we are going to consider what is known
as Gerschgorin theorem. So, that again gives
us regions in the complex plane, which are
going to contain all our Eigen values and
as a consequence of Gerschgorin theorem, we
will show that if the matrix is diagonally
dominant, then such a matrix is invertible.
So, here is the Gerschgorin theorem A is n
by n complex matrix, you look at D i to be
the disc with center a i i and radius to be
sum of half diagonal entries in that particular
row. So, you are going to have n such discs,
then the eigen values of a, they are going
to be contained in the union of this disc.
So, the matrix a is given to us. We look at
the disc with center a i i. So, look at the
ith row. So, take the center to be a i i and
radius to be the entries in the same row except
the diagonal entry, take their modulus and
then sum. So, that is going to be the radius.
So, you have such n disc, so all our eigen
values they will lie in the union of this
n disc and the proof is not difficult. So,
let us prove this.
So, we have got A to be a n by n matrix whose
i jth entry is given by a i j. Then suppose
you have got a u is equal to lambda u, where
u is a non-0 vector. Let me write u as u 1
up to u n, a column vector. Now, here a u
is equal to lambda u, this is equality of
2 vectors. So, this means you have got ith
component of a u is equal to lambda times
u i, i goes from 1 to up to n. Now this is
nothing but, summation a i j u j, j going
from 1 to n lambda times u i . So, what I
will do is, the term which contains u i, i
will take on the other side and the remaining
terms, i will keep here. So, we have got summation
j goes from 1 to n a i j u j, j not equal
to i is equal to lambda minus a i i u i.
So, we have got a u is equal to lambda u and
from here we deduced that lambda minus a i
i u i is equal to summation j goes from 1
to n, j not equal to i a i j u j, i going
from 1 to up to n. Let modulus of u k be norm
u infinity norm; that means, maximum of modulus
of u j 1 less than or equal to j, less than
or equal to n. This is true for i is equal
to 1 to up to n. So, in particular it will
be true for i is equal to k. So, i will have
lambda minus a k k is equal to summation j
goes from 1 to n, j not equal to k, a k j
u j divided by u k. u is a non-0 vector. So,
u k will not be equal to 0. Take modulus and
use triangle in equality. So, we will have
modulus of lambda minus a k k to be less than
or equal to summation j goes from 1 to n,
modulus of a k j j not equal to k and then
mod u j by u k, and this is going to be less
than or equal to 1. So, we have got this.
So, we started with a eigen value lambda.
Then we looked at corresponding eigen vector.
For this eigen vector, we looked at component
u k, where mod u k is equal to norm u infinity.
There can be more than 1 such k, if your vector
is a constant vector then k will be any component.
Any way it does not matter. So, mod u k is
equal to norm u infinity and then we showed
that modulus of lambda minus a k k is less
than or equal to summation j goes from 1 to
n, j not equal to k and then modulus of a
k j. So, here the catch is, we do not know
lambda, we do not know eigen vector u. Then
if I do not know eigen vector u, I cannot
know what is the k, where mod u k is equal
to norm u infinity. So, this whatever estimate
I have got it is not of much use. It says
that your eigen value lambda is going to lie
in the disc with center a k k and radius to
be some of the moduli of half diagonal entries
in that kth row, but we do not know what is
the that row. So, that is why what we do is
I do not the row. So, I will do it for each
such row and then take their union. So, then
I will know that my lambda has to be in the
1 of the disc.
Is your a u is equal to lambda u, u is vector
non-0 vector, then we have got we looked at
a u i is equal to lambda times u I, i is equal
to 1 to up to n, wrote down what it means
mod u k was norm u infinity. And then we got
modulus of lambda minus a k k to be less than
or equal to summation j goes from 1 to n j
not equal to k modulus of a k j. Since we
do not know k, we are going to look at all
such discs. So, d i is set of all z belonging
to c such that modulus of z minus a i i to
be less than or equal to this and then the
eigen values of the A they are going to be
contained in union of d i i goes from 1 to
up to n.
So, let us look at a example and try to find
that the region in which your eigen values
are going to lie by using our first estimate,
that modulus of lambda is less than or equal
to norm A. So, that norm we can take either
1 norm or infinity norm and another result
which we have got is this Gerschgorin theorem.
So, here is a 3 by 3 matrix, the matrix is
a symmetric matrix, you can see that 1 norm
is equal to infinity norm is equal to 11,
because for infinity norm, we are going to
look at the rows. So, it will be 4 plus 1
plus 2. So, that is going to be 8, then second
row it will be 9 and third row it is 11. So,
norm a 1 is equal to norm a infinity is equal
to 11. As the matrix is a real matrix, eigen
values they are going to be real. So, eigen
values they will lie between minus 11 to plus
11.
Now, let us look at Gerschgorin disks. So,
D 1 will be modulus of z minus 4 less than
or equal to 1 plus 2 that is 3. D 2 is going
to be set of all z belonging to c, such that
modulus of z minus 5 is less than or equal
to sum of half diagonal entries. So, 1 plus
3 is equal to 4. Then d 3 will be set of all
z belonging to c, such that mod z minus 6
less than or equal to 5. As I know that the
eigen values are real, it is suffices to look
at the intervals. So, D 1 will be interval
1 to 7, d 2 will be interval 1 to 9 and d
3 will be interval 1 to 11. When you take
the union of these 3 intervals, it is going
to be 1 to 11. So, here Gerschgorin theorem
tells us that eigen values, they will be in
the interval 1 to 11 whereas the norm thing,
it gave us interval to be minus 11 to plus
11. Also look at the interval. It does not
contain 0, so that means, 0 cannot be an eigen
value of a, because all eigen values they
have to be in the interval 1 to 11. So, 0
not an eigen value; that means, A is going
to be invertible matrix. So, now is the result
which I said that if the matrix is strictly
row dominant; that means, the diagonal entry
modulus of a i i is bigger than sum of the
moduli of remaining entries. Then such a matrix
is going to be invertible.
So, you have summation j goes from 1 to n
modulus of a i j, j not equal to i to be strictly
less than modulus of a i i, then A is invertible.
Our D i is set of all z belonging to c, such
that modulus of z minus a i i is less than
or equal to this number. Now, 0 cannot be
in D I, because if 0 belongs to D I, it will
mean that modulus of a i i is less than or
equal to this. So, it will contradict this.
So, 0 does not belong to any of the discs
and all eigen values they are in the union
of these discs. So, a strictly row dominant
matrix is going to be invertible.
Now, what about strictly column dominant?
That means, in a column, suppose the diagonal
entry modulus of a i i is going to be bigger
than sum of the half diagonal entries in the
column. Earlier we have looked at rows, now
we are looking at columns. Will such a matrix
be invertible? So, the answer is yes, because
what we can do is, if you have such a matrix
look at its transpose. So, if a matrix is
diagonally column dominant, then a transpose
will be diagonally row dominant and diagonally
row dominant means invertible we have seen
just now. So, if A is diagonally column dominant,
then a transpose will be invertible, but if
a transpose is invertible, then a also is
invertible, because a transpose inverse is
same as a inverse transpose.
So, when we started eigen values, I said that
till now we were restricting ourselves to
real numbers. Now we have to go to complex
numbers. If your matrix is real symmetric
matrix, then you can restrict yourselves to
real numbers. So, the matrix is real symmetric;
that means, it is going to be self-adjoint
a star is equal to a. So, the eigen values
they are going to be all real. Now the question
is what about eigen vector? If i can show
that it has a real eigen vector, then i need
not go to complex numbers. Now that is so,
let me show you, so, we have got a to be real
symmetric matrix. So, we have got a transpose
is equal to a and a star which is a bar transpose,
it will be equal to a transpose, it will be
equal to a. So, our eigen values, they are
going to be real.
Now, look at A z to be equal to lambda z,
where z belongs to c n and z is not equal
to 0; that means, z is eigen vector. So, this
z, I can write as x plus i y where x and y,
these are in r n. Now let me substitute, so
i will get a of x plus i y is equal to lambda
times x plus i y. Elements of a are real lambda
is real. So, this gives you a x is equal to
lambda x a y is equal to lambda y. Since z
is not a 0 vector, we have got either x is
not 0 or y is not 0 or both are not 0. So,
we have got, we started with z to be a eigen
vector, then we looked at its real and imaginary
parts. So, you have got vector x, vector y,
both x and y are going to be satisfying a
x is equal to lambda x a y is equal to lambda
y. So, they will be eigen vectors provided
they are non-0
Since z is not equal to 0 vector, either x
is not 0 or y is not 0 or both are not 0 and
x and y, these are real vectors. So, thus
for a real symmetric matrix, eigen values
are real, the entries of the matrix are real
and you can choose your eigen vector to be
a real vector. So, there we can restrict ourselves
to the real numbers. Now when we look at eigen
value problem, it is that simultaneously we
have to find a complex number lambda and a
complex vector u, such that a u is equal to
lambda u. So, this is what it makes it difficult,
that you have to simultaneously calculate
or find lambda and u. Suppose lambda is given
to you and you want to find u, such that a
u is equal to lambda u, then it is easy. You
have got lambda is known, you want a u is
equal to lambda u, so u is going to be solution
of a minus lambda I, u is equal to 0 vector,
lambda is eigen value. So, a minus lambda
i will be a singular matrix. So, you get a
homogeneous system with coefficient matrix
to be singular. So, it will have always have
a non-trivial solution and we know how to
calculate the solution of system of linear
equations. So, if lambda is known, you can
calculate eigen vector. On the other hand
if eigen vector is known then lambda is nothing
but constant of proportionality. So, u is
given to you, matrix a is known. So, calculate
a u, calculate u and then they are going to
be multiple of each other. So, whatever is
that multiple, that is lambda. Or you can
look at lambda to be equal to u star a u divided
by u star u. So, thus if eigen value is known
you can calculate eigen vector, if eigen vector
is known you can calculate eigen value.
So, now here is the method, which is known
as power method for calculating approximation
to a dominant eigen value. So, these are our
assumptions, that the eigen values of a are
such that mod lambda 1 is strictly bigger
than mod lambda 2, bigger than or equal to
mod lambda 3, bigger than or equal to mod
lambda n. So, such a matrix, this is known
as dominant eigen value. So, here you have
to notice this strictly bigger than, this
is essential. The second assumption is a has
n linearly independent eigen vectors. So,
you have a u j is equal to lambda j u j, j
is equal to 1 to up to n, lambda j's can be
repeated except for the first 1. This biggest
eigen value, this should be simple, it should
not be repeated. So, now these are our assumptions
and the second assumption will be satisfied
for class of normal matrices or if a has n
distinct eigen values, then also the second
assumption is satisfied and if the matrix
a is a normal matrix then. In fact, a has
n orthonormal eigen vectors.
So, what is the method? The method is you
choose z to be a non-0 vector. This z you
can write as a linear combination of u 1 u
2 u n. So, z is equal to alpha 1 u 1 plus
alpha 2 u 2 plus alpha n u n. Apply a to this.
So, a z will be alpha 1 a u 1 plus alpha 2
a u 2 plus alpha n a u n. a u 1 is equal to
lambda 1 u 1, so this will be lambda 1 alpha
1 u 1. a u 2 is lambda 2 u 2 so it is lambda
2 alpha 2 u 2 plus lambda n alpha n u n. a
raise to k z will be lambda 1 raise to k alpha
1 u 1 plus lambda 2 raise to k alpha 2 u 2
plus lambda n raise to k alpha n u n.
So, see what is happening? You start with
a non-0 vector, any vector z. This z will
have component in the direction of u 1. So,
you write z as alpha 1 u 1 plus alpha 2 u
2 plus alpha n u n, then you keep applying
a. So, the component in the direction of u
1, which was that alpha 1, that is getting
multiplied by lambda 1 raise to k. The component
in the direction of u 2, that is getting multiplied
by lambda 2 raise to k. We are assuming mod
lambda 1 to be bigger than mod lambda 2. So,
this component in the direction of u 1 will
become more significant. So, that is the idea
of the power method that if you consider a
raise to k z divided by lambda 1 raise to
k. So, we have got a raise to k z to be alpha
1 lambda 1 raise to k u 1 plus alpha 2 lambda
2 raise to k u 2 and so on.
So, take lambda 1 raise to k common and when
you look at a raise to k z by lambda 1 raise
to k, this is going to converge to alpha 1
u 1 as k tends to infinity. Now, we do not
know lambda 1, we do not know lambda 1, we
do not know u 1. So, this a raise to k z by
lambda 1 raise to k, even if it is converging
to a multiple of eigen vector u 1, this is
not something which you can calculate.
But this is just a normalization. So, you
look at a raise to k z divided by norm of
a raise to k z. So, here you have lambda 1
raise to k, alpha 1 u 1 plus lambda 2 by lambda
1 raise to k alpha 2 u 2 and so on, when k
tends to 0, this is going to tend to 0, this
is going to tend to 0, then if lambda 1 is
bigger than 0, then lambda 1 will be equal
to mod lambda 1, this will get cancelled and
a raise to k z divided by norm of a raise
to k z will tend to alpha 1 u 1 divided by
norm of alpha 1 u 1.
If lambda 1 is less than 0, then even subsequence
will tend to alpha 1 u 1 divided by norm of
alpha 1 u 1. So, now we have got this convergence.
It is a raise to k z divided by norm of a
raise to k z. The matrix a is given to us
its very simple to implement. If your matrix
a, it is a spars matrix; that means, there
are lot of 0. Then calculating a raise to
k z will not involve much computations and
then it is going to give us approximation
to the eigen vector to an eigen vector corresponding
to dominant eigen value. For the sake of stability,
this a raise to k z by norm of a raise to
k z, we will write it in a different form.
So, we have, suppose you consider so, z is
our starting vector, u divide by its norm
and then call it z 0. Then you apply a to
this, so, you will be a z 0 and immediately
divide by its norm.
So, here is the sequence, z 0 is equal to
z upon norm z and z k is a z k minus 1 divided
by norm of a z k minus 1. Now, it is equivalent
formulation. This was our z k is equal to
a raise to k z divided by norm of a raise
to k z. So, here what we are doing is, we
are applying a raise to k to z and then dividing
by its norm. Here at each stage, you are applying
a and immediately dividing by its norm. And
this proof is by induction, if k is equal
to 0, then it will be a raise to 0; that means,
identity. So, z upon norm z. So, that is our
z 0, assume the result to be true for k is
equal to n consider z n plus 1. This is our
definition. z n plus 1 will be a, z n divided
by norm of a raise a z n by induction hypothesis,
z n will be a raise to n z divided by norm
of a raise to n z. You are applying a. So,
the numerator will be a raise to n plus 1
z divided by norm of a raise to n z and denominator
will be norm of this. So, it will be norm
of a raise n plus 1 z by norm of a raise to
n z. So, this will get cancelled and we get
1 for n plus 1. So, you assume for k is equal
to n and then u obtained for n plus 1. So,
this is power method.
Now, there is only one slight catch, what
we said was z is arbitrary vector. You write
z as alpha 1 u 1 plus alpha 2 u 2 plus alpha
n u n, then you define our power iterates
and it is going to converge to alpha 1 u 1
divided by norm of alpha 1 u 1, z is a arbitrary
vector. What if alpha 1 is equal to 0? We
are saying take any vector z which is non-0.
So, it can very well happen, that alpha 1
is equal to 0 and still z is a non-0 vector,
because z will be alpha 1 u 1 plus alpha 2
u 2 plus alpha n u n, alpha 1 is 0. In that
case, what we will get is, our vector that
a raise to k z divided by norm of a raise
to k z, that will tend to a 0 vector. We are
trying to find an eigen vector. So, this is
of no use, but what we are doing is z is chosen
randomly c n is n dimensional space. So, it
is unlikely that the vector which is chosen
arbitrarily lies in n minus 1 dimensional
subspace, like look at r 2, in r 2 1 dimensional
subspace will be a straight line. So, it is
really highly unlikely that the vector which
you are choosing arbitrarily is going to lie
along that particular line.
We have been always talking about round off
errors, the problems it creates. Now here
is an example, where it is rather useful,
that suppose by stroke of luck, the vector
which we are choosing, it is in the span of
u 2 u 3 u n; that means, alpha 1 is equal
to 0, but round of error is there. So, alpha
1 will never be equal to 0, it will be a small
number, and now when you go on applying a,
because our lambda 1 is the dominant eigen
value that component will go on increasing.
So, even though the starting point alpha 1
was a small number, when you perform the iterates,
it is going to become big.
So, this power method, it is going to give
us approximation, 2 eigen vector corresponding
to the dominant eigen value. So, this is rather
restrictive, that only the largest eigen value
in modulus we can approximate. But then there
are some extensions, suppose your matrix a
is invertible matrix and lambda 1 lambda 2
lambda n, these are eigen values of a, then
1 upon lambda 1, 1 upon lambda 2, 1 upon lambda
n, they will be eigen values of a inverse.
So, apply power method to a inverse and then
you can approximate 1 by lambda n.
So, we have a invertible mod lambda 1 bigger
than or equal to mod lambda 2, bigger than
or equal to mod lambda n minus 1 and here
now, we have got strict in equality. We have
a u j is equal to lambda j u j, j is equal
to 1 to up to n. So, a inverse a u j will
be equal to lambda j a inverse u j, this is
identity. So, it will be u j, so a inverse
u j will be 1 upon lambda j u j, j is equal
to 1 to up to n and 1 upon mod lambda n will
be strictly bigger than 1 upon mod lambda
n minus 1 bigger than or equal to 1 upon lambda
1. So, thus 1 upon lambda n is dominant eigen
value of a inverse. So, you apply power method
to a inverse.
So, you consider. So, 1 upon lambda n is dominant
eigen value of a inverse, apply power method
to a inverse and obtain approximation to u
n. So, I know how to calculate the eigen value
of biggest modulus, how to calculate or how
to rather calculate approximations to eigen
value of least modulus. Now what about the
eigen value in between? So, if you have some
initial approximation to an intermediate eigen
value, then we have got a inverse power method
and using that inverse power method, we can
find eigen vector corresponding to the intermediate
eigen value.
So, that is going to be that we are going
to do in the next lecture. So, in the next
lecture, we will consider inverse power method
and then we will start our discussion towards
q r method, which is the most popular method
for calculating eigen values of matrix a at
present. So, thank you.
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We’re going to dive into the Calvin Cycle.
So we’re looking at photosynthesis and all
the parts and pieces that allow a plant to
take in sunlight and breathe in CO2 and water
and make glucose, or sugar, of that.
So if you haven’t seen the previous videos:
Photosynthesis overview and ADP / ATP you
may want to check those out.
But the Calvin Cycle gets a little more involved.
Mainly because I am going to take it one step
further in the chemistry with this whole thing.
Now, the Photosynthesis Overview, umm, I’ve
got this on other videos, you may want to
check that out.
Again, we’re just going to focus in on that
area of the Calvin Cycle and what happens
to finally produce this glucose at the end
of the process.
The Calvin Cycle is not an organelle inside
of there so I am just representing it as a
cycle because you are going to see that it
cycles.
So here’s how we’re going to look at this
to begin with:
Inside the chloroplast you have this five
carbon chain, now it’s not just carbon,
there’s a whole bunch of other stuff with
it, alright, but we are just representing
it with those carbon nuclei to keep things
as simple as possible.
So, you’ve got this five carbon chain, and
it’s a molecule and its got a really big
name, you can look it up, if you want it but
I am not going to share all that technical
stuff here, it’s just a little bit overwhelming
when you are learning the process.
This is where a cell needs to breathe in CO2.
When it breathes in that CO2, it undergoes
another chemical reactions it breaks that
carbon off and that oxygen goes away and gets
used in other stuff.
We’re not going to follow that oxygen right
now, we’re going to follow that carbon.
As part of the Calvin Cycle, when that gets
broken off of there it gets attached to those
five other carbons.
Now we’ve got a six carbon chain, that’s
important.
We’re going to see a six carbon chain later
on but this is a different one, this is not
really one that our body can use to make sugar,
a few things have to happen first.
So, we go back to the photo part of photosynthesis
where we made ATP.
That ATP, as part of the calvin cycle, it
releases that energy.
So that phosphate group breaks off of there.
When that phosphate group breaks off it pours
out its energy and that energy slams into
our six carbon chain but its not quite enough.
There’s a slight configuration change, it’s
not enough to get the full reaction to happen
that we need to have happen, which is why
the plant also needs NADPH.
OK.
Again, trying to stay away from getting too
technical but this NADPH has got those two
electrons.
When those electrons break off it releases
energy into this cycle and we’re left with
NADP+.
Now remember the NADP+ is like the wagon we’re
carrying along but it doesn’t have anything
in the wagon, it’s just something that can
store that energy.
You might have to go back all the way to the
photosynthesis overview video if you don’t
understand what that is all about.
So now this six carbon chain has been hammered
- bam, bam, bam.
Hit by two different sources of energy.
When that happens it breaks it apart; it breaks
it into two, three carbon chains.
There is other stuff attached to all of this
carbon, I’m just not showing that.
Three of those leave the cycle, there just
going to wait.
Now this is happening very fast but those
are just going to wait.
The other three stay in the cycle, they’re
going to be recycled and they are going to
be used again to make the next step.
So this three carbon chain that is still in
the calvin cycle, it’s going to get hit
with the energy from ATP one more time.
ATP comes in - BAM! - it releases that phosphate.
That energy slams into this three carbon chain.
And then there’s another two other carbons,
another two carbon chain floating around.
You just have to trust me in the fact that
these are in there, they have complex names
but those in there.
That energy, so, to attach those onto the
other three carbons requires energy - ATP
provides that energy.
And all the sudden BAM, once that energy is
released it allows those to attach on there.
Now we have a five carbon chain again.
Well, that’s what we started with.
So, all we’ve done here is taken that three
carbon change that has changed into a five
carbon chain and that’s what we started
with when [breathes in] that plant breathed
in the CO2, so this happens again.
More CO2 comes in, it gets broken apart.
The carbon gets broken off, it gets hooked
onto that five carbon chain making a six carbon
chain.
And then ATP comes in and slams into that
and releases it’s energy.
NADPH comes in, the electrons break off, it
releases it’s energy and this thing breaks
apart again.
And all the sudden, down here at the end of
the calvin cycle, we’ve gone through the
Calvin Cycle one time, two times.
We’ve got two three-carbon chains.
So, two three-carbon chains get attached together
and they make another six carbon chain.
What is that six carbon molecule?
Well, that’s what we’ve been working with
the whole time, or trying to get to the whole
time.
This is the product of all of the steps of
photosynthesis - we’ve just made sugar:
C6H12O6
That C6 means six carbons.
And remember there’s some Hydrogens hanging
off there, there’s some oxygens hanging
off of there, um that’s how we get that
whole configuration.
But this is the sugar that plants make.
I’ve got the complete reaction down there
at the bottom.
It requires 3 CO2 molecules, requires 6 NADPH’s
that break off those electrons, we need 5
waters although for some reason that H got
really small, that should be 5 H2O, with a
big H, little 2, O.
We need 9 ATP, that’s our source of energy
and when all that comes together - BOOM - we
end up with sugar.
We end up with some other stuff as well with
is why I have the little star by the sugar,
but what we’re really trying to focus on
here are the steps of photosynthesis, going
from sunlight, water and CO2 and finally ending
up with sugar at the end.
Now, if you go back to the overview of photosynthesis,
you know that a plan actually takes that sugar
and converts it into a number of other things.
Um, here’s the overview, we got to that
last step down there at the bottom, making
Glucose and again there are videos explaining
the other steps of you need them.
I’ve also got a handout for this one, a
worksheet that I use in my class to explain
what happens at each of the steps; a good
overview and a good sort of assessment to
see how well you understand what’s happening
in all of these things.
And, I do have that attached down at the bottom,
you can go to the link.
Also there will be a link here at the end
that pops up.
Um, again we created our sugar at the end
through all these processes.
And you’re going to see, if you missed all
those other videos they’re going to show
up all around here, somewhere on this page
and then we’ll move into the next step which
is Cellular Respiration.
Cellular Respiration is what happens when
you, or an animal, goes and eats that plant
and gets the glucose out of there.
The glucose goes into your body and it makes
energy.
So, that’s the next step.
Good luck.
Keep on Learning.
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كيف تصنع
الكفير اللذيذ محلي
الصنع باستخدام
حبوب الكفير من مزارع طيبة
لذلك الكفير هو مشروب مخمر كثيف
مذاقه مثل الزبادي
اليوناني العادي
إنه نوع من الحامض
لديه القليل من العضة
إليها لكنها دسم للغاية و
من الجيد جدًا إضافته
إلى أي نظام غذائي
مليئة بالكالسيوم
البروتين وفيتامين ب
وله القناة الهضمية
البروبيوتيك
لذلك فهو بالتأكيد شيء أنت
تريد دمجها في نظامك الغذائي
لذا هناك حقيقة صغيرة ممتعة
وهي أنك لا تستطيع ذلك
في الواقع تنمو حبوب
الكفير الخاصة بك
عليك أن تكتسبهم وهو ما فعلته
من خلال مزارع طيبة
ولكن مرة واحدة
فعل
لديك يمكنك استخدام
تلك الحبوب أكثر
وأكثر لمواصلة تحقيق المزيد و
دفعات أكثر من الكفير بذلك
الحبوب ليست حبوبًا حقيقية
إنها نوعًا ما خلوية مطاطية
بناء
لذلك هناك ما يسمى بالحبوب
ولكن إذا كان لديك
عدم تحمل الغلوتين
أنت بخير تمامًا
لاستخدام تلك التي ليس لديهم
العقل الفعلي في نفوسهم وكيف نشأ
جاء في كيفية الكفير
البداية هي قصة ممتعة للبحث عنها
إذا أجريت بحثًا على
الإنترنت ، فهناك ملف
الكثير من
الأساطير والتقاليد
والقصص حول كيفية
جاءت الصفوف الأولى
وبعد ذلك تم تجاوزهم
من جيل إلى جيل وحتى
متنازع عليه
ولذا فهي قصة ممتعة للبحث عنها
لذا فإن الحبوب هي المحرك الذي
تغذي هذه العملية برمتها
تحتوي على الخميرة والبكتيريا
التي تتفاعل مع الحليب
وتخمرها وتحويلها إلى
الكفير اللذيذ
لذلك فإن العنصر الآخر
الوحيد الذي أنت
أحتاج إلى حليبك الذي
أحب استخدامه كاملاً
حليب
ولكن يمكنك أن تنخفض
تدريجياً إلى أ
محتوى أقل من الدهون مثل 2٪ أو
واحد بالمئة
يمكنك استخدام بدائل الحليب مثل
الجاموس أو الماعز لكنها قد تتغير
الاتساق يجعلها إما أكثر سمكا
أو أخف
بالنسبة لحليب الجوز ،
يمكنك الحصول على واحد فقط
ربما دورتين مع حبوب الكفير
بعد ذلك تريد إعادتهم
في حليب حيوان
[موسيقى]
لذلك يومك هو واحد
من التجميع والصنع
الكفير الخاص بك
خطوتك الأولى هي التأكد فقط
كل شيء نظيف تريد غسله
تريد غسل يديك
جميع المواد مع أ
صابون غير مضاد
للميكروبات خفيف فقط
صابون الأطباق رائع أيضًا
إذا كنت تريد استخدامه
الزجاج والبلاستيك
الكفير الخضر لا يحبون المعدن
تأكد من عدم استخدام أي معدن
المنتجات ثم سنبدأ بها
ملعقة كبيرة من مزارع طيبة الكفير
بقوليات
وسنضعها في منطقتنا
جرة ربع
ثم نضيف أربعة أكواب من
حليب
وهذا نحن فقط نغطي
ما تريد استخدامه
قطعة قماش أو يمكنك
استخدام طبقتين
من المناشف الورقية
أو بعض فلاتر القهوة
وتأمينها بامتداد
رابط مطاطي
وبعد ذلك سيستوعب هذا 18 إلى
24 ساعة تريد الحصول عليها
بقعة دافئة مظلمة وعادة
ما تكون حوالي 18
إلى 29 درجة مئوية
وسوف تخمر و
تبدأ في التكاثف ثم نأتي
العودة غدا ونرى هذه العملية
نحن في اليوم الثاني من عمليتنا
الكفير من مزارع طيبة الحبوب
لقد مرت 24 ساعة وستعرف
إذا تم الكفير
عندما يتكاثف ويتحول إلى زبادي
التناسق وبالتأكيد
رائحة مخمرة
لذلك سنقوم بخلع ذلك وأنت
استطيع ان اري
هذا الزبادي
ولها رائحة مخمرة حتى ذلك الحين
عمليتنا كتذكير بكل شيء
يحتاج لغسل يديك وكل شيء
كل شيء
هذا سوف يتلامس مع منظف معتدل
ثم تريد استخدام شبكة دقيقة
مصفاة النايلون لأنك لا تريد
استخدم المعدن
كل ما يحتاجه الكفير
أن تكون من البلاستيك أو الزجاج
أو النايلون بدون
معدن ولذا نصبها فقط
في وعاءنا
[موسيقى]
سأقوم بتجفيفه قليلاً
ودفع مشروب الكفير
نحافظ على الحبوب
تريد حفظ العديد من الحبوب مثلك
يستطيع
ثم نقوم بشطف هذه الجرة
وستعود الحبوب إلى هناك
ثم تضيف حليبك وتستمر
العملية
كله من جديد
[موسيقى]
وبعد ذلك يمكنك شرب
هذا المشروب الكفير
عليه
لديها مرارة حامضة قليلا
إنه رائع أيضًا للطبخ معك
يمكنك وضعها في عصائر
يمكنك استخدامها
يمكنك استبدال اللبن الرائب
استخدامه للآيس كريم
يمكنك استخدامه للطبخ مع الخبز
البضائع مع ذلك
هذا سوف يخزن في الثلاجة ل
لمدة تصل إلى أسبوعين
ويمكنك الاحتفاظ بها فقط
مثله
للمرحلة التالية على
الرغم من أنني سأذهب
توضح لك كيفية تحويلها إلى ثانية
مشروب مخمر يمكنك تحليته
ونكهة عدة طرق مختلفة
[موسيقى]
ثم سوف نكهة
مع نصف ملعقة صغيرة قرفة
ملعقة صغيرة فانيليا
ومن ثم سنستخدم بعض المواد الخام
عسل
يمكنك نكهة هذا كيفما تريد
يستطيع
عمل بعض الفاكهة مثل مزج بعض
الفراولة أو المانجو
أو ربما المانجو والفراولة
معا يمكنك استخدام
مسحوق الكاكاو لك
يمكن استخدام التواريخ
يمكنك استخدام عناصر
مثل ما أنا عليه
استخدام الاحتمالات لا حصر لها ل
جميع أنواع مشروبات
الكفير المنكهة
واسمحوا لي فقط أن أضع الغطاء
امنحه مزيجًا جيدًا حركه وهذا
سوف تخمر مرة ثانية
سنتركه يتخمر لمدة 12
ساعات مرة أخرى فقط في
بقعة دافئة مظلمة وسيكون هذا
مشروب أحلى وأكثر
استساغة لذلك سنقوم
عد بعد 12 ساعة
[موسيقى]
ونحن في يومنا الأخير مع
مشروب الكفير
كما ترون إذا اقتربتم منا
يملك
تم تخمير الفقاعات في
الجزء العلوي من أجلها
12 ساعة إضافية
وهو الآن جاهز للشرب لذا أنا فقط
سأعطيها
مزيج صغير هز الفقاعات
وخلاصة التخمير الثاني
هي التي تتذوقها
ويمكن أن تجعل الكثير
من المرح مختلفًا
مجموعات
ثم الثانية الأولى
التخمير
هو واحد حيث يمكنك شربه أو
يمكنك استخدامه للطهي
وتكملة الحليب العادي ومن ثم عليك
الحصول على جميع الفوائد
الصحية الخاصة بك
مشروب الكفير
الآن لديك لذيذ صحي
مشروب زبادي رائع
لذا استمر في استخدام
حبوب الكفير الخاصة بك من
مزارع الطيّبة واجعلوا
هذا المشروب أكثر
ومرة أخرى واستمتع بالصحة
فوائد
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马来西亚的银行主要区别是什么?
您该投资哪一家?
让我们找出答案
大家好,我是Stanley
今天想要跟大家分享马来西亚的银行主要区别
和您该如何选择投资哪一家
我们今天会谈到5个马来西亚银行
Maybank,Public Bank, CIMB,
Hong Leong Bank和 RHB Bank
我们会去观察每一个银行收入来源
了解他们在哪里赚钱
为什么一些银行管理得更好
然后我们也来看看他们的估值
和比较哪家目前是最便宜的
我会与你分享哪家是的我觉得
是其中最公道的
首先,我们来了解为什么我们甚至需要投资在银行
对我来说,我明白了银行作为经济的代理
因为他们给所有贷款部门的经济
所以当经济表现良好,银行也做得很好
所以如果你对马来西亚经济投资非常乐观的投资者
马来西亚银行肯定会给你投资组合曝光
好的,我们现在跟详细的去了解每家银行
我们先从马来亚银行,或Maybank
Maybank是马来西亚最大的银行
通过锻炼和收入
它在2019赚取利润82亿令吉
它也拥有最多的一个多样化的所有收入来源
只有其营业收入的62%来自马来西亚
新加坡和印度尼西亚作为主要主要海外市场
它有一个非常体面的10.9%回报
显示银行是管理得相当良好
如果你想了解更多关于股本回报
在这里可以看看我们以前的视频
接下来是公共银行
公共银行是一个马来西亚投资者最爱的股票
该股票自2006年以来的已返回超过150%
这是在计数之前是股息
和公共银行业绩卓越的关键是在于它的管理
是马来西亚最有效率的银行,在于13.6%
跟其他银行的股本回报比起是最高
公共银行是通过非常谨慎的风险管理达到这成绩
公共银行的不良贷款有非常低比率,仅为0.5%
是工业平均水平的三倍
通过更好的风险管理,
公共银行有能够产生更好的利润
对股东来说是一件好事
但是公共银行缺乏的是多元化
今天大部分的收入仍然还是在马来西亚
它有一个非常大的独特的信托业务
贡献约8%的收入
我们正在移动鉴于全球趋势
这部分业务可能面临未来的一些逆风
公共银行也不是没有风险
下一步是CIMB集团
CIMB银行是马来西亚第三大银行
它在2019获取了四百六十亿令吉的资产
但它的收入不是来自零售市场如Maybank和公共银行
CIMB是一个商业银行
地理上目前是相当多样化
只有69%的收入来自马来西亚
包括印度尼西亚泰国和新加坡作为其主要市场
不幸的是,CIMB是马来西亚管理最不良好的银行
股本回报率为9。3%
他银行的股本回报都超过10%
接下来我们谈Hong Leong银行
这银行比较棘手因为
它有三个家在马来西亚釜山上市的贷款公司
他们是Hong Leong财务集团
Hong Leong资本集团
和Hong Leong银行集团
你需要知道的是Hong Leong资本集团
主要是投资银行处理股票
债券期货及单位信托和房屋贷款
和Hong Leong银行集团是银行业务核心
给我们的负载和接受存款
然后Hong Leong金融集团是一个控股公司
它拥有约64%的住房贷款银行
和81%Hong Leong资本集团
它也还拥有业务的保险
但大部分收入是是来自Hong Leong银行
所以我们关注银行本身
Hong Leong银行在个2019年赚了大约六十亿令吉
大部分收入仍然是来自马来西亚
在中国成都银行有一个很大的投资
通过这个投资
联营公司获利是现在约22%的净利润
这家银行也相当管理良好
股本回报率为10。8%
不良贷款比率仅为0.8%
工业平均水平的一半
最后让我们来看RHB银行
RHB银行有一个简单的业务
89%的收入来自马来西亚
也有一个显着投资银行业务
分割其收入来源接近50%其投资收入
和传统的银行收入
所以这是马来西亚之间的主要区别
现在我们看看评估
对于银行,我喜欢使用价格与书的比率
和看着其股息收益率
账面价值是净该公司目前拥有的资产
和该值基本上是他们传递回投资者时的收入
当我们通他们的价格到书扫描比
我们可以看到CIMB银行是其中最便宜的
这可能是因为他的素质较低
在所有的银行拥有最低的股本回报率
然而所有的银行交易显着低于他们
目前的长期平均估值
例如公共银行在过去十年的大部分时间
一直在交易接近这个账面价值的两倍
目前因为疫情慢停下来
而且由于银行是代理经济时
当经济不好,银行的生意也会很糟糕
现在让我们来看看他们的股息收益率
基于去年的股息
我们看到全部都有一个非常高股息
Maybank最高在8.6%
然而如前所述,今年股息由于目前的疫情将被削减
所以当你所收到的听听就算了
现在让我们来看看哪一个银行我觉得是最公道的
先说明,我不拥有任何这些银行
但如果必须选择,我还是选择Maybank银行
它是仍然是马来西亚最大的银行
它和其他银行相比拥有非常多样化的收入来源
它的业务主要仍在服务
比起零售市场更具弹性
现在不是最便宜的,但以我观点它价钱仍然是非常合理
在投资时,我们不应该用最便宜的价钱衡量股票
我们必须平衡业务的质量
和估值
对我来说,Maybank目前有最好的平衡
你同意吗?哪一个是你最想投资的银行?
现在分享您的想法
除了银行,我们有五个认为更好的投资股息股票
只需点击链接下面下载我们的免费副本股息股权
如果你想了解更多关于投资
如了解价格与书面比率和还有什么是ROE
您可以在这里查看我们的投资成本
你可以免费获得开始
今天说到这里,我的名字是Stanley
下次见,小心投资
感谢您观看视频
如果你喜欢它,请给我们一个喜欢
如果你觉得它有用,我希望你分享
以及记得订阅我们的频道
点击钟按钮获取通知我们的下一个视频
我们在接下来的视频再见
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As Head of School I just wanted to send
this message
of celebration to you, our final year
students.
This has been a really difficult few
months with the Covid crisis and
lockdown.
I know that many of you have had to
continue studying through very
challenging circumstances,
and it was a painful moment for us when
we had to finally close our labs.
In EECS we're all very proud of you and
are fascinated to see what you do next,
you all have so much potential. Queen
Mary is a unique university,
excellent for research and education, and
the most diverse of the Russell Group.
In ECCS we've just been rated ninth in the
UK for Computer Science
research by guide to research.com.
I've also just seen the latest figures
on graduate destinations
and from two years ago nearly ninety
percent of our EECS graduates went on to
graduate level employment or study.
That's really great but I want you all
to do even better,
let's make it 100 percent.
The tech sector is booming and you have
so much to contribute to it
and to benefit from in the form of great
careers,
whether you go straight into industry or
do an MSC or PHD first.
And if you're thinking of staying in
EECS check out our latest news on funded
scholarships for MSC and PHD.
As ECCS graduands you are part of our
history and part of our future.
We trust you to make the world a better
place and carve out great lives for
yourselves in the process.
Bye for now and please take care.
Hi everyone,
as the Undergraduate Project Coordinator
I would like to personally congratulate
you on your achievements during your
time at Queen Mary University of London.
Having been a student at Queen Mary many,
many years ago,
I understand the feeling of achieving
something special at this great
institution.
And I'm sure that you've had a
fascinating journey where you have
worked
very hard over the last three to four years.
In addition to this
you have lived through a very unique
experience
over the last semester with the Covid-19
outbreak.
And I must say I've been quite impressed
and really proud,
the way you have been resilient towards
achieving your goals
within your academic studies.
You are a
very special cohort
and I'm very proud of achievements and
you will remain
an important part of our history and our
future.
All the best.
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Yeah
Everybody knows that I'm breaking down. Everybody knows how to fake your nether. Everybody knows my heart shaking now. Yes, she hates me now
I'm in mistakes. Banana. I don't ever wanna be alone. I don't really ever feel at home. Am I going in this zone?
That's the only way I know
Feeling out about to blow back up if I know that the doubt creep in you got a pup a couple more best friend
I don't think I'll never let you been easier to break it off best friends. I don't really understand myself
Understand need help. I don't wanna be left on the Shelf couldn't even hear me if I come
It's so calm
I
Don't want to break down I always feel like I could break now, but I never let it
I won't ever let my thoughts get away. Now I got things to do picking fate now
I'm just gonna be the best coming great now. I don't know if I'm okay. Go insane
Yeah, I remember better days on the playground open the come away go in and face it down
I fight even when I don't know what is right
I'ma pick a side and I'ma take guy I will decide my fate guy will never let them tell me who I am
If you try to shake me I'll be jams headed underground square bust and never give up. That was always the plan. It's so cool
It's so car
You
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VISUAL: Sia Wai Suan.
Bachelor of Computer Science.
RMIT University logo.
VISUAL: Sia Wai Suan, side on to the camera,
leaning on the railing in the portico of the
Swanston Academic Building and looking out
on to the street.
Sia Wai Suan: Coming to Melbourne has literally
changed my life.
VISUAL: Video looking down on Swanston Street.
RMIT buildings with RMIT University logo signs
are to the left and the Swanston Academic
Building is to the right.
Sia Wai Suan: It’s broadened my horizons
and I’ve grown as a person.
VISUAL: Sia Wai Suan standing leaning against
a brick post on the footpath outside the Melbourne
City Baths, smiling at the camera and pointing
towards the Swanston Academic Building in
the distant background.
Sia Wai Suan: Studying at RMIT gives me a
feeling like no other ...
VISUAL: Sia Wai Suan standing on the footpath
on Swanston Street, General Pants Co shop
is in the background.
People are walking past him.
Sia Wai Suan: ... a sense of responsibility,
it’s as if I have a duty ...
VISUAL: Sia Wai Suan standing against the
wall of The Hub.
The discs on the façade of The Hub are behind
him.
He is slowly looking around him.
Sia Wai Suan: ... to make the most of this
privilege that has been given to me.
VISUAL: Video of Sia Wai Suan in the distance
walking on the grounds of RMIT.
Building 1, Francis Ormond Building, an old
sandstone building, is in the background.
Sia Wai Suan: I really enjoy campus life ...
VISUAL: Sia Wai Suan walking on a path towards
the State Library of Victoria with his back
to the camera.
Sia Wai Suan: ... there’s always something
going on ...
VISUAL: Sia Wai Suan walking down a path in
a city park.
Sia Wai Suan: ... hidden corners to discover
and new places to explore.
VISUAL: Sia Wai Suan sitting on a bench in
a nicely landscaped park looking at his smart
phone.
Sia Wai Suan: I was pretty lost in the beginning
...
VISUAL: Sia Wai Suan walking past Building
11.
Sia Wai Suan: ... but finding my way around
has become as second nature to me ...
VISUAL: Sia Wai Suan walking down a hallway
in an RMIT building.
On the right of screen is a large promotional
poster for RMIT and on the left side of the
hallway are a row of lockers.
Sia Wai Suan: ... learning where facilities
were located.
VISUAL: Sia Wai Suan sitting at a desk in
a study area working on a computer with his
back to the camera.
Sia Wai Suan: On campus, my life involves
...
VISUAL: Sia Wai Suan sitting on the edge of
the desk in the computer lab facing the camera
and smiling.
Sia Wai Suan: ... lots of time in the computer
labs.
VISUAL: Sia Wai Suan sitting typing at his
computer in the computer lab, camera is side-on
and then pans in for a close up of the screen.
Sia Wai Suan: I do most of my course assignments
in the labs as I feel it’s a much more comfortable
environment to work in.
Also, it’s open 24/7 which is very convenient
...
VISUAL: Sia Wai Suan leaning against the computer
desk in the lab with his arms crossed and
speaking to the camera.
Sia Wai Suan: ... for me as I live only 15
minutes away.
VISUAL: Sia Wai Suan sitting at his computer
in the computer lab, camera is side-on to
him.
Sia Wai Suan: It’s the programming aspect
of studying Computer Science that I find ...
VISUAL: Close up of Sia Wai Suan typing on
his computer in the computer lab, the camera
is behind him.
Sia Wai Suan: ... most enjoyable.
I have a great interest in ...
VISUAL: Sia Wai Suan typing on his computer
in the computer lab, camera is side-on to
him.
Sia Wai Suan: ... learning new programming
languages ...
VISUAL: Close up of the computer screen which
has a computer program on it.
Sia Wai Suan: ... as the technicality and
architecture ...
VISUAL: Close up of Sia Wai Suan sitting in
front of his computer, speaking side on to
camera and gesturing with his hands as he
explains something.
Sia Wai Suan: ... has always intrigued me.
But studying Computer Science ...
VISUAL: Close up of Sia Wai Suan’s hands
typing on his laptop.
Sia Wai Suan: ... at RMIT is not all heavy
programming ...
VISUAL: Sia Wai Suan sitting in a classroom
at a large table typing on his laptop and
discussing what’s on his screen with the
camera.
Sia Wai Suan: ... there’s much more to it
than that.
The main focus of the program is to learn
to think critically as a computer scientist
...
VISUAL: Sia Wai Suan typing on his computer
in the computer lab.
Sia Wai Suan: ... to go beyond what’s on
the computer screen ...
VISUAL: Sia Wai Suan sitting on the edge of
the desk in the computer lab and facing the
camera.
He is speaking and gesturing with his hands
as he speaks.
Sia Wai Suan: ... and really put some thought
as to how machines really work, internally,
at their software core.
VISUAL: Sia Wai Suan sitting in a classroom
listening to a male teacher who is standing
by a white board and is discussing what’s
written on it.
Sia Wai Suan: The teaching here, at RMIT,
has been great.
VISUAL: Close-up of the male teacher speaking
in the classroom and looking at the whiteboard,
off screen, and back at the students, off
screen.
Sia Wai Suan: I’m amazed by how the teaching
staff go out of their way to help you ...
VISUAL: Sia Wai Suan smiling and speaking
to the male teacher who is off screen.
A female student is sitting behind him in
the classroom.
Sia Wai Suan: ... even when they don’t have
to like old style lectures and via online
discussion forums.
VISUAL: Video from side on of Sia Wai Suan
and the male teacher speaking with each other
and the female student in the background listening.
Sia Wai Suan: I don’t hesitate to seek help
from a teacher because I know ...
VISUAL: Video from another angle at the back
of the room of the male teacher pointing at
what’s written on the white board, Sia Wai
Suan and the female student is listening.
Sia Wai Suan: ... that they can be depended
upon; making study so much easier here at
RMIT.
VISUAL: Video of Sia Wai Suan speaking in
the classroom with his laptop in front of
him.
VISUAL: Video of Sia Wai Suan walking down
Swanston Street’s footpath, General Pants
Co shop is on the left of screen and the Melbourne
blue bikes for hire rack are on the right.
Sia Wai Suan: I really enjoy Melbourne and
I’ve adapted ...
VISUAL: Video of Sia Wai Suan standing out
the front of RMIT’s Building 13 (Emily McPherson
Building).
Sia Wai Suan: ... pretty swiftly due to the
simple fact that it was ...
VISUAL: Video of Sia Wai Suan standing on
the footpath between Building 13 (Emily McPherson
Building) and Building 11 (Old Melbourne Gaol).
Sia Wai Suan: ... easy to adapt to; a great
place to live ...
VISUAL: Same image as previous but from a
different camera angle, side-on, a tree is
now in the background and Sai Wai Suan is
smiling and looking at something to his left,
off screen.
Sia Wai Suan: ... and study.
VISUAL: Video of Sia Wai Suan shooting a goal
in basketball with another male student watching.
Sia Wai Suan: I mainly play sports like basketball
and badminton ...
VISUAL: The student standing and watching
walks over and gives Sia Wai Suan a high-five
for getting the ball through the hoop.
Sia Wai Suan: ... during my spare time.
VISUAL: Video of Sia Wai Suan and a few other
male students playing basketball.
Sia Wai Suan catches, bounces and shoots the
ball through the hoop.
VISUAL: Sia Wai Suan typing on his laptop
in a student study area at the Swanston Academic
Building.
Sia Wai Suan: I’ve no regrets about coming
to RMIT ...
VISUL: Same image as previous, but difference
camera angle, now side-on to Sian Wai Suan
as he types.
Sia Wai Suan: ... that’s for sure.
VISUAL: Sia Wai Suan smiling and standing
in a hallway of an RMIT building which has
windows right along the length of the hallway
to the outside in the background.
Sia Wai Suan: I wouldn’t trade it for anything.
My time at RMIT ...
VISUAL: Sia Wai Suan standing in a hallway
of The Hub, the discs of the façade can be
seen to the left of screen.
He is stretching his arms out between the
steel frame of the façade and an inside wall
of the hallway.
The camera pans out.
Sia Wai Suan: ... can be summed up in one
word: invaluable.
VISUAL: Sia Wai Suan sitting on a bench seat
talking to another male student in The Hub.
The discs of The Hub’s façade are in the
background.
Sia Wai Suan: I’ve learnt so much more than
I expected and I’m truly grateful for that
and to ...
VISUAL: Sia Wai Suan at night time standing
against a railing of an RMIT Building (probably
the portico of Swanston’s Academic Building),
the street lights and city buildings are in
the background.
Sia Wai Suan: ... anyone that’s helped me
reach this point in my life.
VISUAL: Same location as previous but camera
is side-on to Sia Wai Suan and close-up on
his face.
Sia Wai Suan: The experience that I have gained
here, at RMIT ...
VISUAL: Same location as previous, camera
pans back to show the street below in the
background.
Sia Wai Suan smiles at the camera.
Sia Wai Suan: ...is pretty much irreplaceable.
VISUAL: Same location as previous, camera
is close up on Sia Wai Suan’s smiling face.
The background of the city is blurry.
VISUAL: RMIT University Logo.
End of video
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- [Narrator] Discharge
conveyors do a lot of work,
but can quickly become frustrating
when the belt begins to track poorly.
Operators should be routinely
monitoring belt tracking
and inspecting belt edges,
and splicing for any
signs of excessive wear.
If a misalignment is discovered,
there are a series of steps
that should be taken to
reduce the likelihood
an overcorrection is not made.
The first question that should be asked,
is the machine frame sitting square?
Depending on the terrain,
if the axles are on a slope
and the front outriggers
are adjusted level,
it could create a slight
twist in the frame,
leading to poor tracking.
Slightly adjusting the front outriggers
or moving the machine to level ground
can sometimes provide enough movement
for the belt to begin tracking properly.
The other potential issue to eliminate
before turning to wrenches, would be
to inspect for debris
or flashing misalignment
that could be causing the poor tracking.
If those two things don't seem to fix it,
the next step is to attempt to steer
the belt using the return rollers.
By loosening the return roller brackets
and offsetting the alignment
with the forward edge
being the direction the
belt needs to track.
Try it with one roller at a
time before adjusting multiple.
Pro tip, begin grinding to load the belt
with material when checking tracking.
The operational weight
on the belt can be enough
to move it back into alignment.
If steering the belt doesn't work,
then resort to adjusting tension via
the head pulley at the discharge point.
Adjusting tension on the
belt to address tracking
can be frustrating, as
it can quickly lead to
overcorrection and poor
tracking the opposite direction.
Make small adjustments and check tracking
to reduce this effect.
For more information about belt tracking,
reference the machine's maintenance manual
or contact your local Vermeer dealer.
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WELCOME TO "THE LATE SHOW."
I'M YOUR HOST STEPHEN COLBERT.
( CHEERS AND APPLAUSE )
THANK YOU FOR THAT.
I NEED IT TONIGHT.
SOME DAYS THE NEWS IS
FRUSTRATING.
AND BY SOME DAYS, I MEAN EVERY
DAY FOR THE LAST THREE YEARS.
BUT TODAY IS ESPECIALLY IRKSOME.
I AM FULLY IRKED.
TRUMP IS REALLY IRKING ME OFF.
SEE, IT'S BEEN A COUPLE DAYS
SINCE THE IRAN ALMOST-WAR, AND
THE WORLD'S SPHINCTER IS FINALLY
UNCLENCHING.
NOW, WITH THE PERSPECTIVE OF
TIME, WE CAN ASK, WAS ANY OF
THIS LEGAL?
THE ADMINISTRATION SAYS YES.
THE DRONE STRIKE WAS COMPLETELY
JUSTIFIED, BECAUSE THEY WERE
HEADING OFF AN IMMINENT ATTACK.
MIGHT BE TRUE.
BUT, SO FAR, TRUMP HASN'T
PROVIDED ANY EVIDENCE OF THAT,
OR TOLD ANYONE WHAT THE ATTACK
WOULD HAVE BEEN.
YESTERDAY, TRUMP ADMINISTRATION
OFFICIALS DELIVERED A CLASSIFIED
BRIEFING TO MEMBERS OF CONGRESS.
AND NOT EVERYBODY GAVE IT A
RAVE.
SOME GAVE IT A RANT, LIKE UTAH
REPUBLICAN SENATOR AND MAN
DEFINITELY NOT SNAPPING ON THE
BEAT, MIKE LEE.
LEE DESCRIBED THE MEETING WHERE
THE ADMINISTRATION WAS SUPPOSED
TO EXPLAIN THE JUSTIFICATION FOR
THE ATTACK THIS WAY:
>> PROBABLY THE WORST BRIEFING
I'VE SEEN, AT LEAST ON A
MILITARY ISSUE, IN THE NINE
YEARS I'VE SERVED ON THE UNITED
STATES SENATE.
THEY KEPT TELLING US THAT THERE
WOULD HAVE BEEN AN IMMINENT
ATTACK HAD THEY NOT TAKEN THIS
STRIKE ON FRIDAY.
BUT THEN WHEN WE WOULD ASK THEM,
"WHAT WAS THE NATURE OF THAT
ATTACK?
WHEN AND WHERE WOULD THAT HAVE
BEEN OCCURRED?
BY WHOM WOULD IT HAVE
BEEN CARRIED IT OUT?," THEY
REFUSED TO ANSWER THE QUESTION.
>> STEPHEN: AND THAT'S THE ONLY
REASON FOR THE MEETING.
THAT'S LIKE A DOCTOR SAYING, "WE
HAVE THE RESULTS OF YOUR M.R.I.,
BUT I REFUSE TO SHOW THEM TO
YOU.
SO WHAT DO YOU WANT TO TALK
ABOUT?
HEY, HAVE YOU FINISHED BINGING
"THE WITCHER" ON NETFLIX YET?
I'D GET TO THAT IN THE NEXT
COUPLE OF WEEKS, IF I WERE YOU."
( LAUGHTER )
( PIANO RIFF )
NOT ONLY ARE THEY NOT PROVIDING
ANY INFORMATION TO CONGRESS,
BRIEFERS WERE EVEN SHUSHING
LAWMAKERS WHO ASKED TOUGH
QUESTIONS.
OKAY, THAT ONE'S FINE.
REMEMBER WHAT JAMES MADISON SAID
TO JOHN ADAMS AT THE
CONSTITUTIONAL CONVENTION ABOUT
THE SEPARATION OF POWERS:
"SHUT YOUR DIRTY LITTLE MOUTH!"
( LAUGHTER )
SENATOR LEE, WHO AGAIN, IS A
REPUBLICAN, SAYS THE CENSORSHIP
WENT EVEN FURTHER THAN THAT:
>> WHAT I FOUND SO DISTRESSING
ABOUT THAT BRIEFING WAS THAT ONE
OF THE MESSAGES WE RECEIVED FROM
THE BRIEFERS WAS "DO NOT DEBATE,
DO NOT DISCUSS THE ISSUE OF
FURTHER MILITARY INTERVENTION
AGAINST IRAN, AND THAT IF YOU
DO, YOU'LL BE EMBOLDENING IRAN."
>> STEPHEN: OF COURSE, IRAN
WANTS NOTHING MORE THAN FORCING
THE GREAT SATAN TO HAVE A
FUNCTIONING DEMOCRACY.
DON'T FORGET THEIR RALLYING CRY,
"REASONED DEBATE TO AMERICA!"
LEE SAYS THAT NOT ONLY WAS THE
BRIEFING HORRIBLE, THE PORTIONS
WERE SO SMALL:
>> THEY HAD TO LEAVE AFTER 75
MINUTES.
>> STEPHEN: 75 MINUTES IS
SHORTER THAN THE OPENING CREDITS
OF "THE IRISHMAN!"
LEE WRAPPED UP HIS CRITICISM OF
THE BRIEFING BY TELLING US HOW
HE REALLY FELT.
>> I FIND THIS INSULTING.
AND DEMEANING.
NOT PERSONALLY, BUT TO THE
OFFICE THAT EACH OF THE 100
SENATORS IN THIS BUILDING
HAPPENS TO HOLD.
I FIND IT INSULTING, AND I FIND
IT DEMEANING TO THE CONSTITUTION
OF THE UNITED STATES.
>> STEPHEN: DAMN RIGHT, MIKE!
( CHEERS AND APPLAUSE )
YES!
YOU MAY BE REPUBLICAN, BUT YES!
OH, HELL, YES!
SENATOR,
I'M GOING TO RUIN YOUR POLITICAL
CAREER BY AGREEING WITH YOU.
( LAUGHTER )
HE'S ABSOLUTELY RIGHT!
HE'S ABSOLUTELY RIGHT!
THIS IS INSULTING.
( PIANO RIFF )
THIS IS INSULTING.
NOT JUST TO CONGRESS-- TO THE
AMERICAN PEOPLE.
HAS EVERYONE ALREADY FORGOTTEN
WHAT HAPPENS WHEN WE DON'T ASK
FOR CONCRETE EVIDENCE JUSTIFYING
A MILITARY ATTACK AGAINST A
MIDDLE EASTERN COUNTRY WHOSE
NAME BEGINS WITH "IRA"?
( LAUGHTER )
OBVIOUSLY, WE KNOW WHAT THAT WAS
LAST TIME:
>> OBVIOUSLY, THE WAR IN IRAQ
WAS A BIG, FAT MISTAKE.
( LAUGHTER )
>> STEPHEN: THANK YOU, MORE
RECENT MISTAKE.
( LAUGHTER )
( CHEERS AND APPLAUSE )
( PIANO RIFF )
HERE'S THE DIFFERENCE -- HERE IT
IS!
>> Jon: COME ON, NOW!
>> Stephen: LISTEN UP!
HERE'S THE DIFFERENCE BETWEEN
2003 AND NOW-- I WEIGH 30 POUNDS
MORE.
( LAUGHTER )
HERE'S ANOTHER ONE -- HERE'S
ANOTHER ONE --
BACK THEN, GEORGE W. BUSH
RESPECTED US ENOUGH TO PUT SOME
EFFORT INTO HIS LIES.
REMEMBER?
(AS BUSH)
"SADDAM HUSSEIN HAS MOBILE
WEAPONS LABS THAT RIDE THE RAILS
MADE OF ALUMINUM TUBES THAT CAN
DELIVER 50,000 BARRELS OF HONEY
MUSTARD GAS HIDDEN ON A TURKEY
FARM.
SADDAM WILL ATTACK US WITH
HUMAN-ANIMAL HYBRIDS."
( LAUGHTER )
THEY EVEN SENT COLIN POWELL TO
THE U.N. TO SHAKE HIS COCAINE
VIAL FULL OF SWEET 'N' LOW, AND
CLAIM IF HE OPENED IT, IT WOULD
KILL EVERYONE FROM HERE TO
WESTCHESTER.
( LAUGHTER )
AND HE'D LOVE TO SHOW US THE
EVIDENCE, BUT THAT WOULD RUIN
EVERYTHING.
WE JUST HAD TO TRUST THEM AND
THEIR BUDDY CURVEBALL.
WELL, 17 YEARS LATER, HERE WE
ARE AGAIN.
WORST THROWBACK THURSDAY EVER.
( LAUGHTER )
( CHEERS AND APPLAUSE )
AND HERE'S ANOTHER DIFFERENCE.
HERE'S ANOTHER DIFFERENCE.
TRUMP DOESN'T EVEN HAVE A COLIN
POWELL.
THEY DON'T HAVE SOMEONE WITH A
REPUTATION WORTH FLUSHING DOWN
THE TOILET.
THE BEST THEY CAN SCRAPE
TOGETHER IS THE MIKE PENCE
EXPERIENCE:
>> WE HAVE TO PROTECT SOURCES
AND METHODS, AND SO THERE'S ONLY
A CERTAIN AMOUNT THAT WE CAN
SHARE WITH EVERY MEMBER OF
CONGRESS, BUT THOSE OF US WHO
HAVE SEEN ALL THE EVIDENCE KNOW
THAT THERE IS A COMPELLING CASE
OF AN IMMINENT THREAT.
>> STEPHEN: GET THAT?
PENCE HAS SEEN ALL THE EVIDENCE.
BUT YOU WON'T EVER SEE IT,
BECAUSE IT GOES TO ANOTHER
SCHOOL, IN CANADA.
AND IT IS SUPER HOT.
( LAUGHTER )
AND HE TOTALLY GOT TO THIRD BASE
WITH IT, WHICH FOR MIKE PENCE,
IS "SHARE FROYO."
( LAUGHTER )
I SAY, BEFORE WE GIVE THE
PRESIDENT THE AUTHORITY TO
ATTACK ANOTHER MIDDLE EASTERN
COUNTRY, WE MUST DEMAND BETTER
LIES.
WE DESERVE THEM!
THIS IS AMERICA, HOME OF THE
WHOPPER.
( CHEERS AND APPLAUSE )
OUR TAXES, YOUR TAXES, MY TAXES,
OUR TAXES PAY FOR ALL THESE
LIES!
PUT SOME EFFORT INTO IT!
DAZZLE AND DECEIVE US!
SELL IT WITH SOME SIZZLE!
SCARE THE ( BLEEP ) OUT OF US!
( CHEERS AND APPLAUSE )
BUT JUST TRY!
BUT ONE SENATOR WAS DEEPLY
GRATEFUL FOR ALL THE NOTHING
THEY GOT-- SOUTH CAROLINA
SENATOR AND FROG WHO GOT KISSED
AND TURNED INTO LINDSAY GRAHAM
--
( LAUGHTER )
-- LINDSEY GRAHAM.
HE WAS ASKED ABOUT WHETHER
CONGRESS SHOULD EVER GET TO
LEARN ANYTHING ABOUT THE
JUSTIFICATION FOR THIS ATTACK
FROM THE PRESIDENT:
>> DOES THE ADMINISTRATION NOT
HAVE A DUTY TO DISCLOSE SOME OF
WHAT THEY KNOW SPECIFICALLY WHEN
THEY COME TO CONGRESS?
>> THE WAY WE FOUND THIS OUT,
WE'LL NEVER TELL ANYBODY, IT WAS
MAGICAL, AND WE WON'T COMPROMISE
IT.
>> STEPHEN: YES, IT WAS MAGICAL.
(MAGIC MUSIC)
WOULD YOUREICH A JUSTIFICATION?
ALL RIGHT, ALL RIGHT,
PICK A JUSTIFICATION, ANY
JUSTIFICATION.
ALL RIGHT, DON'T LOOK AT IT.
NOW, PUT IT BACK INTO THE DECK.
BRIEFING OVER!"
( LAUGHTER )
| {
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Portuguese:
Como uma obscura melodia folk romena,
uma canção italiana do século 16,
e um poeta romântico bêbado
combinam-se para criar o Hatikva,
O hino nacional de inspiração de Israel?
Sim, uma musica sinonima
com esperança e duradoura dificuldade
não só tem uma origem insana,
mas também está cercado
em um pouco de controvérsia
porque, como o próprio Estado de Israel,
O Hatikva tem o complexo papel de ser
tanto um símbolo da esperança e identidade judaica
bem como o hino para um multicultural
e estado multiétnico
dedicado à igualdade.
Eu sou Jacob e hoje vamos explorar
as origens da música,
o que isso significava para o povo judeu
antes mesmo de haver o Estado de Israel,
e como veio a ser
o hino emblemático da nação.
(intro music)
Como muitos hinos nacionais antes,
Hatikva encontra suas raízes líricas em um poema.
Tikvatenu, ou nossa esperança,
foi escrito em 1877.
O poema evocou imagens bíblicas
e enfatizou o anseio
para os judeus retornarem à sua pátria.
English:
How did an obscure Romanian folk melody,
a 16th-century Italian song,
and a drunk romantic poet
combine to create Hatikva,
Israel's inspirational national anthem?
Yeah, a song synonymous
with hope and enduring hardship
not only has an insane origin,
but also is surrounded
in a little bit of controversy
because, like the State of Israel itself,
Hatikva has the complex role of being
both a symbol of Jewish hope and identity
as well as the anthem for a multicultural
and multiethnic state
dedicated to equality.
I'm Jacob and today we're going to explore
the origins of the song,
what it meant to the Jewish people
before there even was the State of Israel,
and how it came to be
the emblematic anthem of the nation.
(intro music)
Like many national anthems before it,
Hatikva finds its lyrical roots in a poem.
Tikvatenu, or Our Hope,
was written in 1877.
The poem evoked biblical imagery
and emphasized the yearning
for the Jews to return their homeland.
Russian:
Каким образом малоизвестная
румынская народная мелодия,
и итальянская песня XVI века
при участии
страдающего алкоголизмом
поэта-романтика
превратились в Хатикву —
вдохновляющий национальный
гимн Израиля?
Да, песня о надежде
и противостоянии трудностям
не только имеет странное
происхождение,
но и окружена
некоторыми противоречиями,
поскольку,
так же, как и самому Израилю,
Хатикве одновременно
отведена сложная роль
как символа еврейской надежды
и самосознания,
так и гимна многокультурного и
многонационального государства,
прославляющего равенство.
Меня зовут Джейкоб,
и сегодня мы поговорим
о происхождении этой песни,
ее значении
для еврейского народа
еще до появления
государства Израиль
и о том, как она стала
символическим гимном нации.
ИСТОРИЯ ИЗРАИЛЯ
ПРОСТЫМ ЯЗЫКОМ
Подобно многим
национальным гимнам
в основу Хатиквы
была положена поэма
"Тикватейну" или "Наша надежда",
увидевшая свет в 1877 году.
Поэма оживляла
библейские образы
и подчеркивала
стремление евреев
вернуться на свою родину.
Spanish:
¿Cómo una oscura
melodía rumana,
una canción italiana del siglo XVI
y un poeta romántico borracho
se combinan para crear El Hatikva,
el himno nacional de Israel?
Sí, una canción sinónimo
de esperanza y penuria eterna
no solo tiene
un origen descabellado,
sino que también está rodeada
de un poco de controversia,
porque,
al igual que el Estado de Israel,
El Hatikva tiene el difícil papel
de ser un símbolo de esperanza
e identidad judía
así como el himno
de un estado multicultural
y multiétnico
dedicado a la igualdad.
Soy Jacob y hoy exploraremos
el origen de la canción,
su significado para el pueblo
antes de ser el Estado de Israel
y cómo se convirtió en el himno
emblemático de la nación.
LA HISTORIA DE ISRAEL
EXPLICADA
Como muchos himnos nacionales,
El Hatikva tiene sus raíces líricas
en un poema.
"Tikvatenu", o "Nuestra esperanza",
se escribió en 1877.
El poema evocaba
la imaginería bíblica
y destacaba el anhelo de los judíos
de regresar a su patria.
iw:
איך הצליחה מנגינת שיר עם
רומני מעורפלת,
שיר איטלקי מהמאה ה-16
ומשורר רומנטיקן ושתוי
להשתלב כדי ליצור את "התקווה",
ההמנון הלאומי רב ההשראה של ישראל?
כן, שיר המזוהה עם תקווה
ועמידה בקשיים
שלא רק שיש לו מקורות הזויים
גם יש מסביבו קצת מחלוקות,
כי כמו מדינת ישראל עצמה,
יש ל"התקווה" תפקיד מורכב,
גם להיות סמל לתקווה וזהות יהודיים,
וגם להיות ההמנון
של מדינה מרובת תרבויות ומגוון אתני
המחויבת לשוויון.
שמי ג'ייקוב, והיום נחקור את
מקורות השיר,
מה הייתה משמעותו עבור היהודים
לפני שהייתה אפילו מדינת ישראל
ואיך הוא הפך להיות
ההמנון הסמלי של האומה.
ההיסטוריה של ישראל
מוסברת
כמו המנונים רבים לפניו, "התקווה"
מוצא את שורשיו הפיוטיים בשיר.
"תקוותנו" נכתב ב-1877.
השיר הזכיר תמונות תנ"כיות
והדגיש את כמיהת היהודים
לשוב למולדתם.
iw:
מחבר השיר, נפתלי הרץ אימבר
היה יהודי אוקראיני
שהיה גם מרושש, שיכור ומאוד
לא מאושר,
משהו שקל להבין
אם אתה יהודי מאוקראינה.
היו אנשים בתקופתו שאפילו כינו אותו
"נווד" או "נבל" ו"נוכל".
אז ישר מלידתה,
"התקווה" הייתה שנויה במחלוקת.
"תקוותנו" הולחן ב-1888
ע"י היהודי הרומני שמואל כהן.
עכשיו, מה המנגינה שהותאמה לו?
על זה יש קצת ויכוח.
יש שאומרים שזו "לה מנטובנה"
שיר איטלקי פופולרי מהמאה ה-16
בזמן שאחרים אומרים שזה "די מולדאו"
של המלכין הצ'כי בדריך סמטנה
והויכוח הזה הובילה לריב פולמוסי
שמזכיר את הויכוח
אם נקניקייה בלחמנייה זה סנדוויץ' או לא.
בהחלט סנדוויץ'.
ודרך כמה שינויים בשיר
כמו קיצורו מ-9 בתים ל-2,
אנחנו מגיעים פחות או יותר
ל"התקוה" שאנחנו מכירים ואוהבים,
או- שמכירים ושיש שאלות קשות לגביו.
השיר צבר פופולריות בקרב החלוצים
הראשונים
שהגיעו להתיישב בפלשתינה לפני קום
המדינה ועבדו בשדות.
ואז בכינוס הראשון
של הקונגרס הציוני של 1897
"התקווה" נבחרה להיות המנון הארגון.
Portuguese:
Seu autor, Naphtali Herz Imber,
era um judeu ucraniano
que também aconteceu de ser
quebrou, bêbado e profundamente infeliz,
o que foi compreensível
se você é um judeu da Ucrânia.
Alguns de seus contemporâneos até o chamavam
um vagabundo, ou um canalha e uma fraude.
Então, desde o início,
Hatikva estava mergulhado em controvérsias.
Tikvatenu foi colocado na melodia em 1888
pelo judeu romeno Samuel Cohen.
Agora, qual melodia foi posta
Está pronto para algum debate.
Alguns dizem que foi La Mantovana,
uma canção italiana popular do século 16,
enquanto outros dizem que foi Die Moldau
pelo compositor checo Bedřich Smetana,
e esse desacordo levou
para uma visão contenciosa por parte de
se ou não um cachorro-quente é um sanduíche.
Definitivamente um sanduíche.
E através de algumas alterações líricas,
como cortá-lo
de nove estrofes para duas,
nós mais ou menos chegamos ao Hatikva
nós conhecemos e amamos, ou sabemos
mas tem sérias dúvidas sobre.
A música ganhou popularidade
com os primeiros pioneiros judeus
para pré-estado da Palestina que trabalhou a terra.
Então, na primeira reunião
do Congresso Sionista de 1897,
Russian:
Сочинил ее
украинский еврей
Нафтали Герц Имбер -
глубоко несчастный
алкоголик без гроша денег,
что можно понять, если Вы —
еврей, живущий в Украине.
Некоторые его современники
даже называли его бродягой,
прохвостом и мошенником.
Так что Хатиква была пронизана
противоречиями с самого начала.
"Тикватейну" была положена
на музыку
в 1888 г. румынским евреем
Шмуэлем Коэном.
Однако какую именно
мелодию он взял –
остается открытым вопросом.
По словам одних,
это была популярная
итальянская песня XVI века
"Ла Мантована".
По словам других,
это была "Влтава"
чешского композитора
Бедржиха Сметаны.
И это разногласие привело
к ожесточенным спорам,
наподобие споров о том,
является ли хот-дог сэндвичем.
Конечно, является.
Но вот, после пары
лирических изменений
как, например, сокращение строк
с 11-ти до 2-х,
появилась примерно та Хатиква,
которую мы знаем
и любим сейчас,
или знаем, но которая
вызывает серьезные вопросы.
Песня завоевала популярность
среди ранних еврейских пионеров
догосударственной Палестины,
которые работали на земле.
Затем, на первом съезде
Сионистского конгресса в 1897 году
Хатиква была принята
в качестве гимна организации.
Spanish:
Su autor, Naphtali Herz Imber,
era un judío ucraniano
que además era pobre,
borracho y sumamente infeliz,
lo cual es comprensible
si eres un judío de Ucrania.
Sus contemporáneos
incluso lo llamaban vagabundo,
canalla y fraude.
Ya desde su comienzo, El Hatikva
estaba imbuida de polémica.
A "Tikvatenu" le puso melodía
en 1888
el judío rumano Samuel Cohen.
La melodía que le puso
ha provocado el debate.
Unos dicen que era
"La Mantovana",
una canción italiana popular
del sigo XVI,
mientras otros dicen que era
"Die Moldau",
del compositor checo
Bedrich Smetana.
Este desacuerdo ha llevado
a una polémica enemistad
comparable a si un perrito caliente
es un sándwich o no.
Es un sándwich.
Y tras algunos cambios líricos,
como reducirla
de nueve estrofas a dos,
llegamos a El Hatikva
que conocemos y adoramos,
o conocemos
pero de la que dudamos.
La canción se hizo popular
entre los pioneros judíos
del pre-estado palestino
que trabajaban la tierra.
Luego, en la primera reunión
del Congreso Sionista en 1897,
adoptaron El Hatikva
como himno de la organización.
English:
Its author, Naphtali Herz Imber,
was a Ukrainian Jew,
who also happened to be
broke, drunk, and deeply unhappy,
which was understandable
if you're a Jew from the Ukraine.
Some of his contemporaries even called him
a vagabond, or a scoundrel, and a fraud.
So, right from its inception,
Hatikva was steeped in controversy.
Tikvatenu was put to melody in 1888
by Romanian Jew Samuel Cohen.
Now, which melody it was put to
is up for some debate.
Some say it was La Mantovana,
a popular 16th-century Italian song,
while others say it was Die Moldau
by Czech composer Bedřich Smetana,
and that disagreement has led
to a contentious view on part of
whether or not a hotdog is a sandwich.
Definitely a sandwich.
And through a few lyrical alterations,
such as cutting it down
from nine stanzas to two,
we more or less arrive at the Hatikva
we know and love, or know
but have serious questions about.
The song gained popularity
with early Jewish pioneers
to pre-state Palestine who worked the land.
Then, at the first meeting
of the Zionist Congress of 1897,
iw:
כשהוא מוטרד מהשם הרע שהיה לאימבר,
תאודור הרצל,
אבי התנועה הציונית המודרנית,
ערך מספר תחרויות בינלאומיות
בתקווה למצוא שיר חלופי.
אבל בדיוק כמו היהודים,
ההמנון החדש שלהם היה עקשן
ובלתי ניתן לעקירה.
ואז, בקונגרס הציוני השישי ב-1903,
רעיון הקמת מדינה יהודית באוגנדה עלה
ולמעשה עבר ברוב של 295 נגד 178.
כמחאה, מתנגדי ההצעה
קמו ושרו "התקווה"
במפגן מרגש המעודד אותם
לא לוותר על מולדתם העתיקה.
זה היה כאילו השיר היה כבר ההמנון
למדינה שאפילו לא הייתה קיימת עדיין.
ב-1933, שלושים שנים מאוחר יותר,
הקונגרס הציוני ה-18
אימץ באופן רשמי את התקווה כהמנון.
בשלב זה השיר הפך כבר
למין סמל זהות לאומית עבור היהודים
שחזרו הביתה לראשונה מזה 2,000 שנה.
אבל כשיהודי אירופה מצאו עצמם
מתמודדים עם אכזריות השואה,
"התקווה" קיבלה תפקיד חדש
כשיר מחאה.
המון סיפורים מתעדים
קורבנות במחנות הריכוז והמוות
Portuguese:
Hatikva foi adotado como
o hino da organização.
Incomodado por Imber
reputação, Theodor Herzl,
fundador do movimento sionista moderno,
realizou várias competições internacionais
na esperança de encontrar uma alternativa.
Mas, assim como os judeus, seu novo hino
era teimoso e não seria desenraizado.
Então, na Sexta
Congresso sionista em 1903,
a ideia de um estado judeu em Uganda
foi proposto e, na verdade,
passou de 295 para 178.
Em protesto, os adversários
para a proposta levantou-se
e cantou Hatikva em uma demonstração em movimento
encorajando-os a não desistir
em sua antiga terra natal.
Foi como se a musica
já era o hino
para um estado que nem existia ainda.
Em 1933, 30 anos depois,
o 18º Congresso Sionista
adotou oficialmente o Hatikva como seu hino.
Até agora a música se tornou
uma espécie de identidade cultural para os judeus,
que estavam voltando para casa pela primeira vez
em 2.000 anos.
Mas quando os judeus europeus se encontraram
enfrentando a brutalidade do Holocausto,
O Hatikva assumiu um novo
a vida como uma música de resistência.
Dezenas de histórias são
documentado sobre vítimas
nos campos de concentração e morte
English:
Hatikva was adopted as
the organization's anthem.
Troubled by Imber's
reputation, Theodor Herzl,
founder of the Modern Zionist movement,
held multiple international competitions
in hopes of finding an alternative.
But, just like the Jews, their new anthem
was stubborn and would not be uprooted.
Then, at the Sixth
Zionist Congress in 1903,
the idea of a Jewish state in Uganda
was proposed and actually
passed 295 to 178.
In protest, opponents
to the proposal stood up
and sang Hatikva in a moving demonstration
emboldening them not to give up
on their ancient homeland.
It was as if the song
was already the anthem
to a state that didn't even exist yet.
By 1933, 30 years later,
the 18th Zionist Congress
officially adopted Hatikva as its anthem.
By now the song had become
a sort of cultural identity for the Jews,
who were coming home for the first time
in 2,000 years.
But when European Jews found themselves
facing the brutality of the Holocaust,
Hatikva took on a new
life as a resistance song.
Scores of stories are
documented about victims
in the concentration and death camps
Russian:
Обеспокоенный
репутацией Имбера,
Теодор Герцль, основатель
сионистского движения,
провел ряд
международных конкурсов
в надежде найти альтернативу.
Однако, так же как сами евреи,
их новый гимн был упрямым
и не собирался уступать позиции.
Далее, на VI съезде
Сионистского конгресса в 1903 году
была предложена идея создания
еврейского государства в Уганде,
поддержанная большинством (295
к 178).
В знак протеста,
противники предложения
поднялись и начали петь Хатикву
в трогательной демонстрации,
призывающей не отказываться
от их древней родины.
Казалось, песня
уже тогда стала гимном
государства,
которое еще не существовало.
Но в 1933 году, 30-ю годами позже,
на XVIII Сионистском конгрессе
Хатиква была утверждена
официальным гимном
организации.
К тому времени песня отражала
своего рода культурную
самобытность евреев,
которые возвращались домой
впервые за 2000 лет.
Однако, когда европейские
евреи столкнулись
с жестокостями Холокоста,
Хатиква приобрела новую форму
и стала песней сопротивления.
Сотни задокументированных
историй
рассказывают о жертвах
концлагерей и лагерей смерти,
Spanish:
Preocupados por la reputación
de Imber,
Theodore Herzl, fundador
del movimiento moderno sionista,
organizó numerosas
competiciones internacionales
con la esperanza
de hallar una alternativa.
Pero, como los judíos,
el nuevo lema era tenaz
y no desaparecía fácilmente.
En el sexto Congreso Sionista
de 1903,
se propuso la idea
de un estado judío en Uganda
y se aprobó con 295 votos de 178.
Como protesta, los opositores
a la propuesta
cantaron El Hatikva
en una demostración emotiva,
animándolos a que no renunciaran
a su antigua patria.
Parecía que la canción
ya era el himno
de un estado
que ni siquiera existía.
En 1933, 30 años después,
el decimoctavo Congreso Sionista
adoptó oficialmente El Hatikva
como himno.
La canción se había convertido
en identidad cultural para los judíos
que volvían a casa
por primera vez en 2000 años.
Pero cuando los judíos europeos
se enfrentaron
a la brutalidad del Holocausto,
El Hatikva adoptó una nueva vida
como canción de resistencia.
Hay historias documentadas
de víctimas
en los campos de concentración
iw:
שרים אותו בנסיבות מצערות מאוד.
עובד כפייה אחד באושוויץ
זוכר שראה יהודים צ'כיים
הצועדים לתאי הגזים
ומודעים לגמרי לגורלם
פוצחים בשירה ספונטנית של "התקווה".
טייס יהודי פולני
שנכלא במחנה עבודה,
זוכר ששמע לעתים קרובות את שירת
"התקווה" המגיעה מהאסירים האחרים.
רדיו הבי.בי.סי שידר תיעוד
של מאות ניצולים
ששרים את "התקווה"
בהובלת רב צבאי יהודי בצבא הבריטי
לאחר שחרור מחנה הריכוז ברגן בלזן.
"התקווה" פרצה כהרבה יותר
מסתם שיר על זהות,
אלא כמשהו שנותן כושר עמידות
וסמל לתקווה שהשיר המקורי נועד להיות.
אבל בדיוק כמו שישראל תמיד
הייתה צריכה להילחם על זכותה להתקיים,
"התקווה" סבלה רבות מצנזורה
באירועים רבים בעולם.
רק לאחרונה, באוקטובר 2018,
"התקווה" נוגנה לראשונה
באיחוד האמירויות הערביות
כשישראל זכתה בזהב
בתחרות ג'ודו בינלאומית.
בשנים קודמות המתמודדים נאלצו לעמוד
תחת דגל איגוד הג'ודו העולמי
במקום דגלם שלהם,
English:
singing it in harrowing circumstances.
One Jewish slave laborer in Auschwitz
recounted seeing Czech Jews
march to the gas chambers
fully aware of their fate,
break in the spontaneous
rendition of Hatikva.
A Polish Jewish pilot
imprisoned in a labor camp
reported frequently hearing voices
singing Hatikva coming
from other prisoners.
BBC Radio broadcast an account
of hundreds of survivors singing Hatikva
led by a British Jewish army chaplain
after the liberation
of the Bergen-Belsen concentration camp.
Hatikva emerged as something far more
than just a song about identity
but a source of resilience
and the symbol for hope
the original poem was destined to become.
But just as Israel has always had
to fight for its right to exist,
Hatikva has often suffered censorship
at many world events.
As recently as October 2018,
Hatikva was played for the first time
in the United Arab Emirates
when Israel took home the gold
at an international judo tournament.
In previous years, the
competitors had to appear
under the International
Judo Federation's flag
Spanish:
cantándola
en circunstancias horrorosas.
Un trabajador judío de Auschwitz
relató cómo vio a los judíos checos
caminando a las cámaras de gas,
conscientes de su destino,
y empezar a interpretar
de forma espontánea El Hatikva.
Un piloto judío polaco
encerrado en un campo de trabajo
dijo que oía con frecuencia
voces cantando El Hatikva
procedentes de otros prisioneros.
La BBC Radio emitió un informe
de cientos de supervivientes
cantando El Hatikva
dirigidos por un capellán
del Ejército Británico
tras la liberación del campo
de concentración
de Bergen-Belsen.
El Hatikva surgió como algo más
que una simple canción
sobre la identidad,
sino como una fuente
de resistencia
y el símbolo de esperanza
al que estaba destinado
el poema original.
Pero igual que Israel
siempre tuvo que luchar
por su derecho a existir,
El Hatikva ha sufrido la censura
en muchos eventos mundiales.
Hace poco, en octubre de 2018,
sonó El Hatikva
por primera vez en los EUA
cuando Israel consiguió el oro
en un torneo internacional de judo.
En años anteriores,
los competidores aparecían
bajo la bandera de la Federación
Internacional de Judo
en lugar de la suya.
Portuguese:
cantando em circunstâncias angustiantes.
Um trabalhador escravo judeu em Auschwitz
recontado vendo judeus checos
marcha para as câmaras de gás
totalmente consciente de seu destino,
quebrar no espontâneo
entrega de Hatikva.
Um piloto judeu polonês
preso em um campo de trabalho
relatado freqüentemente ouvindo vozes
cantando Hatikva vindo
de outros prisioneiros.
BBC Radio transmite uma conta
de centenas de sobreviventes cantando Hatikva
liderado por um capelão do exército judeu britânico
depois da libertação
do campo de concentração de Bergen-Belsen.
Hatikva surgiu como algo muito mais
do que apenas uma música sobre identidade
mas uma fonte de resiliência
e o símbolo da esperança
o poema original estava destinado a se tornar.
Mas assim como Israel sempre teve
lutar pelo seu direito de existir,
Hatikva sofreu muitas vezes censura
em muitos eventos mundiais.
Recentemente, em outubro de 2018,
Hatikva foi jogado pela primeira vez
nos Emirados Árabes Unidos
quando Israel levou para casa o ouro
em um torneio internacional de judô.
Nos anos anteriores, o
concorrentes tiveram que aparecer
sob o International
Bandeira da Federação de Judô
Russian:
которые пели Хатикву
при ужасающих обстоятельствах.
Один невольный рабочий
в Освенциме
рассказывал о том,
как чешские евреи,
которые направлялись
в газовую камеру,
полностью осознавая
свою судьбу,
неожиданно начали
петь Хатикву.
Польский пилот еврей,
находящийся в трудовом лагере,
сообщал о том, что неоднократно
слышал других заключенных,
исполнявших Хатикву.
Радио BBC передавали
сообщение,
как сотни выживших
пели Хатикву
под предводительством
капеллана
британской еврейской армии
после освобождения концлагеря
Берген-Бельзен.
Хатиква стала не просто песней
о национальном самосознании,
но источником сопротивления
и символом надежды,
чем и должна была стать
оригинальная поэма.
Но так же, как Израилю
всегда приходилось бороться
за свое право на существование,
Хатиква часто страдала
от цензуры на многих
мировых событиях.
Не далее, как в октябре 2018 года,
Хатиква впервые звучала
в Объединенных
Арабских Эмиратах,
когда Израиль взял золото
на международных соревнованиях
по дзюдо.
В предыдущие годы,
спортсмены могли выступать
только под флагом
Международной
федерации дзюдо,
вместо своего собственного.
iw:
אבל הפעם, שרת הספורט מירי רגב,
בכתה ליד דוכן המנצחים כששמעה
את המנון מדינתה מושמע באולם.
הרגע היה כל-כך היסטורי שרשתות
השידור בישראל הפסיקו את השידור
כדי להעביר את הטקס בשידור חי.
עכשיו, יש עוד מאפיין ייחודי של "התקווה"
שמבדיל אותה מהמנונים אחרים.
אם תקשיבו למילים תגלו שאין
אזכור לאש הטילים או פצצות מתפוצצות,
אין קריאות לאזרחים לאחוז בנשק
או סצנות אלימות
כמו "תנו לדם מזוהם להשקות את
שדותינו"...
"התקווה" מדבר ב-100 אחוזים
על תקווה, שלום ושיבה הביתה.
כמו שתיאר את זה הסופר
בנג'מין קרשטיין,
"שלא כמו המנונים אחרים
"אין ב"התקווה" דימויים צבאיים,
לא מתוארים נצחונות,
שום סוג של אלימות.
"אלא פשוט רגשות של תקווה
ואופטימיות".
אז איך יכול שיר שנראה
כל-כך עשיר בתקווה
להיות כזה מקור של מחלוקת?
טוב, בואו נשים לב
מה בעצם אומר השיר.
"כל עוד בלבב פנימה
נפש יהודי הומייה,
"ובפאתי מזרח קדימה
עין לציון צופיה,
Portuguese:
em vez de seus próprios.
Mas desta vez, o ministro dos esportes, Miri Regev
chorou no pódio quando ouviu
o hino da sua nação tocou no local.
O momento foi tão histórico
Redes israelenses interromperam a programação
para transmitir a cerimônia ao vivo.
Agora, há mais uma qualidade única
de Hatikva que o diferencia
de outros hinos nacionais.
Se você ouvir as letras,
você notará que não há menções
de "brilho vermelho dos foguetes"
ou "Bombas explodindo no ar"
não "pegue suas armas, cidadãos"
ou imagens violentas, como
"Pode impurar a água do sangue em nossos campos."
Hatikva é 100% sobre esperança,
paz e voltando para casa.
Como escreveu o autor Benjamin Kerstein,
"Ao contrário de outros hinos nacionais,
"Hatikva não contém militarismo,
"sem triunfalismo, sem violência de qualquer tipo
"mas simplesmente sentimentos
de esperança e otimismo ".
Então, como poderia uma música aparentemente tão rica
sobre a esperança ser tal
fonte de controvérsia?
Bem, vamos quebrar
o que a música realmente diz.
Enquanto o espírito judaico
está ansiando profundamente no coração,
com os olhos voltados para o leste
olhando para Zion, então nossa esperança,
English:
instead of their own.
But this time, sports minister Miri Regev
cried at the podium as she heard
her nation's anthem played in the venue.
The moment was so historic,
Israeli networks interrupted programming
to broadcast the ceremony live.
Now, there's one more unique quality
of Hatikva that sets it apart
from other national anthems.
If you listen to the lyrics,
you'll notice there are no mentions
of "Rockets' red glare,"
or "Bombs bursting in air,"
no "Grab your weapons, citizens,"
or violent imagery such as
"May impure blood water our fields."
Hatikva is 100% about hope,
peace and returning home.
As author Benjamin Kerstein put it,
"Unlike other national anthems,
"Hatikva contains no militarism,
"no triumphalism, no violence of any kind
"but simply feelings
of hope and optimism."
So how could such a seemingly rich song
about hope be such a
source of controversy?
Well, let's break down
what the song actually says.
As long as the Jewish spirit
is yearning deep in the heart,
with eyes turned towards the East
looking toward Zion, then our hope,
Spanish:
Pero esta vez,
la ministra de Deporte Miri Regev
lloró en el podio
cuando oyó su himno nacional
en el recinto.
El momento fue tan histórico,
que los canales israelíes
interrumpieron la programación
para emitir la ceremonia en vivo.
El Hatikva posee
otra cualidad única
que la diferencia
de otros himnos nacionales.
Si escucháis la letra,
veréis que no se mencionan
"resplandor de cohetes"
ni "bombas estallando".
Ni "coged vuestras armas,
ciudadanos"
ni imágenes violentas
como "¡que la sangre impura
riegue nuestros campos!"
El Hatikva habla solo de
esperanza, paz y el regreso a casa.
Como dijo el autor
Benjamin Kerstein:
"A diferencia
de otros himnos nacionales,
El Hatikva no contiene
militarismo, triunfalismo,
ni violencia alguna,
sino solo sentimientos
de esperanza y optimismo".
¿Cómo una canción
que parece llena de esperanza
es origen de tanta polémica?
Analicemos lo que dice la canción.
"Mientras el espíritu judío
anhele en su corazón,
con los ojos entornados al este
mirando hacia Sion,
Russian:
На этот же раз
министр спорта Мирьям Регев
плакала на подиуме,
когда услышала на этом событии
свой национальный гимн.
Момент был настолько
историческим,
что израильские сети
прервали другие программы,
чтобы показать прямую
трансляцию.
Однако Хатиква имеет еще одну
уникальную характеристику,
которая отличает ее
от других национальных гимнов.
Если вы прислушаетесь к тексту,
вы заметите, что в нем нет слов
"красный отблеск ракет" или
"бомбы,
взрывающиеся в воздухе".
Никаких "хватайте свое оружие,
граждане"
или жестоких оборотов, таких
как "и пусть нечистая кровь
оросит наши поля!"
Хатиква на 100% о надежде,
мире и возвращении домой.
Как сказал писатель
Бенджамин Керстайн
"В отличие от других
национальных гимнов
Хатиква не содержит
милитаризма, триумфализма
или какого бы то ни
было насилия,
а только чувства
надежды и оптимизма".
Как же такая на вид
богатая песня о надежде
могла породить столько
противоречий?
Что ж, давайте посмотрим, о чем
в ней действительно поется.
"Пока еврейский дух
трепещет в сердце,
и глаза смотрят на восток,
где возвышается Сион,
Portuguese:
a esperança de 2000 anos de idade, não será perdida.
Para ser um povo livre em nossa terra,
a terra de Sião e Jerusalém.
Bastante inspirador, mas é relevante?
Bem, sim, se você é judeu.
Veja que Israel é conhecido por tentar
para realizar o impossível.
Sobrevivendo guerras em todas as frentes,
transformando desertos em terras férteis
e magicamente dizendo a você
qual rota será mais rápida.
Obrigado Waze.
Mas talvez o desafio mais assustador
Israel comprometeu-se a ser
tanto uma pátria para o povo judeu
bem como uma nação dedicada à igualdade
independentemente de raça, religião ou cultura.
Israel contém muitas etnias diferentes
e pessoas de muitas religiões diferentes,
como cristãos, muçulmanos, drusos,
Baha'i e samaritanos.
Cidadãos israelenses, não importa qual fé,
pode votar, ocupar posições no governo,
e muitos até servem nas forças armadas.
E enquanto é ótimo que eles possam viver
e adorar como quiserem
sem a opressão que eles possam encontrar
nos países vizinhos,
é uma espécie de arrasto quando eles querem
para expressar seu orgulho nacional,
o hino anuncia trompete de outra cultura
Anseio e aspirações.
A população árabe israelense,
iw:
"עוד לא אבדה תקוותנו,
התקווה בת שנות אלפיים,
"להיות עם חופשי בארצנו,
ארץ ציון וירושלים."
מאוד מעודד השראה,
אבל... האם זה רלוונטי?
ובכן, כן- אם אתם יהודים.
תראו, ישראל ידועה בזה
שהיא מנסה להשיג את הבלתי אפשרי,
לשרוד מלחמות בכל החזיתות,
להפוך מדבריות לאדמות פוריות,
ולהגיד לכם באורח פלא
איזו דרך תהיה מהירה יותר.
תודה, "ווייז".
אבל אולי האתגר המורכב
ביותר שהיה לישראל
הוא להיות מולדת גם לעם היהודי,
וגם מדינה הדוגלת בשוויון,
בלי הבדל גזע, דת או תרבות.
בישראל יש קבוצות אתניות רבות
ואנשים בעלי אמונות רבות ושונות,
כמו נוצרים, מוסלמים, דרוזים,
בהאיים ושומרונים.
אזרחי ישראל מכל אמונה שהיא
יכולים להצביע, להיות שרים בממשלה
ורבים מהם אפילו משרתים בצבא.
ובעוד זה נפלא שהם יכולים
לחיות ולהאמין איך שהם רוצים,
בלי הדיכוי שהם עלולים למצוא
במדינות השכנות,
זה קצת מעיק עליהם
שכשהם רוצים להביע גאווה לאומית,
ההמנון מריע לכמיהות ושאיפות
של עם אחר.
Russian:
не иссякнет наша надежда –
2000-летняя надежда:
быть свободными людьми
на нашей земле,
земле Сиона и Иерусалима".
Довольно вдохновляюще,
но уместно ли?
В общем-то, да,
если вы — еврей.
Видите ли, Израиль известен
попытками совершить
невозможное,
переживая войны
на всех фронтах,
превращая пустыни в
плодородные земли,
и чудесным образом подсказывая,
какой маршрут будет быстрее,
Спасибо, Waze.
Но, вероятно, самый сложный
вызов, принятый Израилем, —
быть одновременно домом
для евреев
и нацией, которая
придерживается идей равенства,
независимо от расы,
религии и культуры.
В Израиле проживает
множество различных наций
и людей
различных конфессий,
таких как христиане, мусульмане,
друзы и самаритяне.
Израильские граждане,
независимо от религии,
могут голосовать, занимать
государственные должности,
а многие даже служат
в военных войсках.
И хоть это и прекрасно,
что они могут
жить как хотят,
и почитать любого бога
без давления, которое на них
оказывали бы в других странах,
это некоторого рода бремя,
что когда они хотят выразить
свою национальную гордость,
гимн страны воспевает
стремления
и надежды другого народа.
Арабское население Израиля,
Spanish:
entonces nuestra esperanza,
la de hace 2000 años,
no estará perdida:
ser un pueblo libre
en nuestra tierra,
la tierra de Sion y Jerusalén".
Muy inspirador,
pero ¿es relevante?
Si eres judío, lo es.
Israel es famosa por intentar
lograr lo imposible,
sobrevivir guerras
en todos los frentes,
transformar desiertos
en tierras fértiles
e indicarte la ruta más corta.
Gracias, Waze.
Pero quizá el reto más abrumador
que ha llevado a cabo
es ser a la vez la patria
del pueblo judío
y una nación dedicada
a la igualdad,
sin importar raza, religión
o cultura.
Israel contiene muchas etnias
y personas de distinta fe,
como cristianos, musulmanes,
drusos, bahá'í y samaritanos.
Los ciudadanos israelíes,
da igual su fe,
pueden votar,
ocupar cargos gubernamentales
y muchos incluso
sirven en el Ejército.
Y mientras pueden vivir
y rendir culto como les plazca
sin la opresión que encontrarían
en otros países, es un fastidio
que cuando quieren expresar
su orgullo nacional,
el himno proclama el anhelo
y las aspiraciones de otra cultura.
English:
the 2000-year-old hope, will not be lost.
To be a free people in our land,
the land of Zion and Jerusalem.
Pretty inspiring but is it relevant?
Well, yeah if you're Jewish.
See Israel is known for trying
to accomplish the impossible.
Surviving wars on all fronts,
transforming deserts into fertile lands
and magically telling you
which route will be faster.
Thank you Waze.
But perhaps the most daunting challenge
Israel has undertaken is to be
both a homeland for the Jewish people
as well as a nation dedicated to equality
regardless of race, religion, or culture.
Israel contains many different ethnicities
and people from many different faiths,
like Christians, Muslims, Druze,
Baha'i and Samaritans.
Israeli citizens, no matter what faith,
can vote, hold government positions,
and many even serve in the military.
And while it's great that they can live
and worship as they please
without the oppression they might find
in neighboring countries,
it's kind of a drag that when they want
to express their national pride,
the anthem trumpets another culture's
yearning and aspirations.
The Arab Israeli population,
Russian:
которое составляет 20%
жителей страны,
не осталось сидеть на месте,
игнорируя проблему.
Или скорее, это именно то,
что они сделали.
Рифат Турк — первый
арабо-израильский футболист,
игравший за сборную Израиля,
молча сидел
во время звучания Хатиквы
на Олимпийских играх 1976 года,
прокомментировав: "У меня
не еврейский дух, а арабский.
Если бы слова гимна
были о любви и уважении
к людям, как я,
я бы с радостью спел его".
В 2012 году арабо-израильский
судья
Верховного суда Салим Джубран
стоял во время исполнения гимна,
но не пел его,
вызвав споры, противоречия
и даже обвинения в расизме.
В том же году опрос
"Глобальный индекс миролюбия",
проводимый Университетом
Тель-Авива,
показал, что 90%
арабо-израильтян
считают гимн неподходящим,
что, в общем-то, логично.
Если 20% населения не находят
представления
в национальном гимне,
что с этим делать,
тем более, если нужно
сохранить
душу еврейской родины?
Но есть также и те,
кто полагает,
что гимн не в полной мере
отражает еврейские идеи.
Раввин Авраам Ицхак Кук —
духовный лидер
English:
which comprises almost 20% of the country
hasn't taken this slight sitting down,
or rather that's exactly what they did.
Rifaat Turk, the first Israeli Arab
to play for the Israeli national team,
remained seated and silent
as Hatikva played at
the 1976 Olympic Games
commenting, "I'm not a Jewish soul.
"I am an Arab soul.
"If the anthem's lyrics were about love
"and consideration of people like me,
"I'd happily sing it."
In 2012, Arab Israeli
Supreme Court Justice
Salim Joubran stood for the anthem
but didn't sing, sparking
discussion controversy
and even accusations of racism.
Also, that year a Peace Index poll
from Tel Aviv University
found that 90% of Israeli Arabs
consider the anthem unsuitable
which kind of makes sense.
If 20% of your population
lacks representation
in your country's song,
what do you do about that?
Especially when you're trying to maintain
the soul of the Jewish homeland.
But then there're some
who are of the opinion
that the anthem doesn't go far enough
to embody Jewish ideas.
Rabbi Abraham Isaac Kook,
the spiritual leader of Religious Zionism
Portuguese:
que compreende quase 20% do país
não tomou este ligeiro sentado,
ou melhor, é exatamente o que eles fizeram.
Rifaat Turk, o primeiro árabe israelense
para jogar pela seleção de Israel,
permaneceu sentado e em silêncio
como Hatikva tocou no
os Jogos Olímpicos de 1976
comentando: "Eu não sou uma alma judia.
"Eu sou uma alma árabe.
"Se as letras do hino fossem sobre amor
"e consideração de pessoas como eu,
"Eu ficaria feliz em cantar isso."
Em 2012, o árabe israelense
supema Corte da Justiça
Salim Joubran defendeu o hino
mas não cantou, faiscando
controvérsia discussão
e até mesmo acusações de racismo.
Além disso, naquele ano, uma pesquisa do Índice de Paz
da Universidade de Tel Aviv
descobriu que 90% dos árabes israelenses
considere o hino inadequado
Que tipo de sentido faz sentido.
Se 20% da sua população
carece de representação
na música do seu país,
o que você faz sobre isso?
Especialmente quando você está tentando manter
a alma da pátria judaica.
Mas então tem alguns
quem é da opinião
que o hino não vai longe o suficiente
para incorporar idéias judaicas.
Rabino Abraham Isaac Kook,
o líder espiritual do sionismo religioso
iw:
האוכלוסייה הערבית ישראלית
המהווה כמעט 20 אחוזים מהמדינה,
לא רצו לספוג את העלבון בישיבה,
או שבעצם זה בדיוק מה שהם עשו.
ריפעת טורק, הערבי הישראלי הראשון
ששיחק בנבחרת הלאומית,
נותר לשבת ושתק בזמן נגינת התקווה
באולימפיאדה של 1976.
והעיר, "אני לא נפש יהודית,
אני נפש ערבית.
"אם מילות ההמנון היו
על אהבה והתחשבות באנשים כמוני,
"הייתי שר אותו בשמחה".
ב-2012, השופט הערבי הישראלי
בבית המשפט העליון, סלים ג'ובראן,
עמד בנגינת ההמנון, אבל לא שר.
הדבר עורר ויכוחים סוערים
ואפילו האשמות בגזענות.
כמו כן, בשנה זו סקר מדד השלום
של אוניברסיטת תל-אביב
מצא ש-90 אחוז מערביי ישראל
החשיבו את ההמנון לבלתי-מתאים.
וזה די הגיוני.
אם אין ל-20 מהאוכלוסייה שלכם
אין ייצוג בשיר המייצג את המדינה,
מה אפשר לעשות?
במיוחד כשאתם מנסים לשמר
את נפש המדינה היהודית?
אבל מצד שני יש כאלה שלדעתם
ההמנון לא מכיל מספיק רעיונות יהודיים.
הרב אברהם יצחק קוק,
Spanish:
La población árabe-israelí,
que conforma casi el 20 % del país,
no se sentó
con los brazos cruzados.
O eso es exactamente
lo que hicieron.
Rifaat Turk, el primer jugador
árabe-israelí del equipo nacional,
se quedó sentado y en silencio
cuando sonó El Hatikva
en los Juegos Olímpicos de 1976
y comentó: "No soy un alma judía.
Soy un alma árabe.
Si la letra hablara
de amor y consideración
de gente como yo,
la cantaría con alegría".
En 2012, el juez árabe-israelí
de la Corte Suprema Salim Joubran
se levantó durante el himno
pero no cantó,
despertando el debate, la polémica,
e incluso acusaciones de racismo.
Ese año, una encuesta del índice
de paz de la Universidad de Tel Aviv
descubrió que el 90 %
de árabe-israelíes
no consideraban adecuado
el himno,
lo cual tiene sentido.
Si el 20 % de tu población
no tiene representación
en la canción de tu país,
¿qué haces al respecto,
sobre todo si intentas conservar
el alma de la patria judía?
Pero luego hay otros que opinan
que el himno tampoco personifica
del todo las ideas judías.
El rabino Abraham Isaac Kook,
líder espiritual
English:
in the 20th century,
felt that the song
should be more religious
and even wrote a counter-anthem to Hatikva
entitled Shir Ha'emunah, or Song of Faith.
Rejecting secularism, the song speaks
of a steadfast faith in
the return to our land.
But eventually the Religious Zionists
fully accepted Hatikva and may be
among the anthem's biggest supporters.
But the misrepresentation
doesn't stop there.
Looking back at the first stanza,
"As long as the Jewish spirit
"is yearning deep in the heart."
Okay, that's good if you're on board
with the whole Jewish thing.
Then, "With eyes turned towards the East,
"looking toward Zion."
That would be known as Eurocentrism,
or a world view catering to Europe
and the Western world.
It's the reason our world map is this way
instead of this way,
why for decades Asian people
were referred to as "Orientals,"
and why we have yet to see
a South Indian actor play Batman.
Looking East towards Jerusalem works great
if your place in a 2,000-year diaspora
was in Europe or America.
But what if your ancestry
iw:
המנהיג הרוחני הגדול ביותר של
הציונות הדתית במאה ה-20,
חש שעל השיר להיות דתי יותר,
ואפילו כתב המנון חלופי ל"התקווה"
שנקרא "שיר האמונה".
השיר הדוחה את החילוניות
מדבר על אמונה איתנה בשיבה למולדת.
אך בסופו של דבר הציונות הדתית
קיבלה לגמרי את "התקווה",
והם כנראה בין תומכי
ההמנון הנלהבים ביותר.
אבל הייצוג הלקוי לא נגמר בזה.
אם נביט שוב על הבית הראשון,
"כל עוד בלבב פנימה
נפש יהודי הומיה"...
אוקיי, זה בסדר,
אם מתאים לך כל העניין היהודי.
ואז, "ובפאתי מזרח קדימה,
עין לציון צופיה"...
לזה אפשר לקרוא "אירוצנטריות",
או השקפת עולם
המתאימה לאירופה ולעולם המערבי.
זו הסיבה שמפת העולם
נראית ככה
ולא ככה.
למה במשך עשורים
קראו לתושבי אסיה "אוריינטלים",
ולמה עדיין לא ראינו
שחקן מדרום אסיה בתפקיד בטמן.
להסתכל מזרחה לכיוון ירושלים
עובד נהדר
אם אתם נמצאים בתפוצות
בנות 2,000 שנים
שנמצאות באירופה או אמריקה.
Spanish:
del sionismo religioso
del siglo XX,
creía que la canción
debía ser más religiosa
e incluso compuso un contra himno
titulado "Shir ha-Emunah",
o "Canción de fe".
Rechazando el secularismo,
la canción habla de una fe firme
en el retorno a nuestra tierra.
Pero al final el religioso sionista
aceptó El Hatikva
y está entre los mayores partidarios
del himno.
Pero la falta de representación
no acaba aquí.
Veamos la primera estrofa:
"Mientras el espíritu judío
anhele en su corazón".
Vale, está bien si abrazas
todo el rollo judío.
Luego, "con los ojos entornados
al este mirando hacia Sion".
Eso se conocería
como eurocentrismo
o una visión mundial que complace
a Europa y Occidente.
Por eso nuestro mapamundi
es así y no así,
porque durante décadas se referían
a los asiáticos como orientales
y porque todavía nos falta ver
a un actor indio
haciendo de Batman.
Mirar al este a Jerusalén
funciona bien si tu casa
en la diáspora de hace 2000 años
estaba en Europa o EE. UU.
Portuguese:
no século 20,
senti que a música
deve ser mais religioso
e até escreveu um contra-hino ao Hatikva
intitulado Shir Ha'emunah, ou Canção da Fé.
Rejeitando o secularismo, a música fala
de uma fé inabalável em
o retorno à nossa terra.
Mas eventualmente os sionistas religiosos
Hatikva totalmente aceite e pode ser
entre os maiores defensores do hino.
Mas a deturpação
não pára por aí.
Olhando para trás na primeira estrofe,
"Enquanto o espírito judaico
"é anseio profundo no coração."
Ok, isso é bom se você está a bordo
com toda a coisa judaica.
Então, "com os olhos voltados para o leste,
"olhando para Zion".
Isso seria conhecido como eurocentrismo,
ou uma visão do mundo para a Europa
e o mundo ocidental.
É a razão pela qual o nosso mapa mundial é assim
em vez disso,
porque por décadas povos asiáticos
foram referidos como "orientais"
e porque ainda temos que ver
um ator do sul da Índia interpreta Batman.
Olhando para o leste em direção a Jerusalém funciona muito bem
se o seu lugar em uma diáspora de 2.000 anos
estava na Europa ou na América.
Mas e se sua ascendência
Russian:
религиозного сионизма
в 20 веке,
чувствовал, что песня
должна быть более религиозной
и даже написал
противоположный Хатикве гимн,
назвав его Sefer ha-Emunah
или "Песня веры".
Отрицая секуляризм,
в песне поется
о непоколебимой вере,
которая возвращается
на нашу землю.
Правда, в итоге
религиозный сионист
полностью принял Хатикву
и был, возможно, самым
большим ее сторонником.
Но ложная интерпретация
на этом не закончилась.
Давайте снова взглянем
не первую строку:
"Пока еврейский дух
трепещет в сердце,
Окей, ничего плохого здесь,
если ты в курсе
еврейского вопроса.
Но затем: "И глаза устремлены
на восток, где находится Сион".
Это можно отнести к понятию
евроцентризма,
или мировоззрению,
благоволящему
Европе и Западному миру.
Это причина, по которой карта
мира выглядит так, а не так,
почему десятки лет азиатские
люди называются восточными,
и почему мы пока не видели
южного индийца в роли Бэтмена.
Взгляд на Восток в сторону
Иерусалима
прекрасно работает
для представителей
2000-летней диаспоры,
которые живут в Европе
или Америке.
iw:
אבל מה אם המוצא שלכם
הוא מעירק, סוריה או אירן?
יהודים מזרחיים הם חלק גדול מאוד
מאוכלוסיית ישראל,
המונה בסביבות 3.2 מיליון איש
החיים במדינה.
אז עוד חלק מהאוכלוסייה
שאין להם ייצוג בהמנון.
אי אפשר להתעלם מזה ש"התקווה"
לא מייצגת אנשים רבים במדינה.
אז נשאלת השאלה,
מה חשוב יותר בהמנון הלאומי,
שיכלול את אזרחיו במובן
הרחב של המילה,
או שישקף את הרוח
שהמדינה מבוססת עליה ושואפת לשמר?
האם זה הגיוני לדרוש מאלה
שלא מיוצגים בו
לנסות להזדהות איתו
במישור עמוק ורגשי יותר?
ומה בקשר לרוב הגדול
של היהודים החיים בישראל
שכן מזדהים עם השיר?
הם מגלמים מסורת של כמיהה
לחזור למולדת לאחר אלפי שנים,
תקווה שסירבה להיעלם
עד שלבסוף מומשה.
אלה לא שאלות שקל לענות עליהן
והאמת היא שבהינתן האופי המורכב
של ישראל,
כנראה שלעולם לא יימצא פתרון
שמספק את כולם.
אבל התקווה היא שבסופו של דבר,
השאלות האלה יגרמו לאזרחי ישראל
להבין זה את זה טוב יותר,
Portuguese:
era do Iraque, Síria ou Irã.
Os judeus mizrahi são uma parte importante
da população israelense
com cerca de 3,2 milhões de pessoas
vivendo no país.
Então, outro pedaço do povo
não se sentindo representado no hino.
Não há como escapar disso
Hatikva não representa
muitas pessoas no país.
Então, aqui está a questão.
O que é mais importante
a um hino nacional?
Que inclua seus cidadãos
no sentido mais amplo,
ou que ela personifique o espírito
o país foi fundado
e que se esforça para manter.
É razoável perguntar
aqueles não representados
para tentar se conectar com ele
nesse nível emocional mais profundo?
E sobre a grande maioria
de judeus que vivem em Israel
quem se conecta com a música?
Eles incorporam uma tradição
de saudade de voltar
para uma terra natal depois de milhares de anos,
uma esperança que se recusou a morrer
até que finalmente foi realizado.
Estas não são perguntas fáceis de responder
e a verdade é que, dado
Natureza complexa de Israel
você provavelmente nunca
vai encontrar uma solução
isso satisfaz a todos.
Mas, esperançosamente, no final,
estas perguntas
liderar o povo de Israel
entender melhor um ao outro
ao contrário de afastá-los.
Spanish:
Pero ¿y si tus ancestros
procedían de Irak, Siria o Irán?
Los judíos mizrajíes son gran parte
de la población israelí
con cerca de 3,2 millones
de personas viviendo en el país,
así que otra porción del pueblo
que no se siente representada.
El Hatikva no se salva
de no representar
a mucha gente del país.
Esta es la pregunta:
¿qué importa más
en un himno nacional,
que incluya a sus ciudadanos
en el sentido más amplio
o que personifique el espíritu
del país que lo fundó
y que lucha por mantenerlo?
¿Es razonable
pedirles a los no representados
que intenten conectar con él
a un nivel más emocional?
¿Y qué hay de la gran mayoría
de judíos que vive en Israel
y no conectan con la canción?
Representan una tradición
del deseo de regresar a la patria
después de miles de años,
una esperanza que se negó a morir
hasta que se realizó.
No son preguntas fáciles
de contestar
y lo cierto es que, dada
la naturaleza compleja de Israel,
nunca encontraremos una solución
que satisfaga a todos.
Pero con suerte, al final,
estas preguntas harán
que el pueblo
se entienda mejor
en lugar de distanciarlos,
Russian:
Но что если твои родственники
из Ирака, Ирана или Сирии?
Мизрахи составляют большую
часть израильского населения,
насчитывая 3,2 млн человек,
проживающих в стране -
т.е. еще одна группа людей,
обделенных вниманием в гимне.
Нельзя отрицать, что Хатиква
обходит стороной
многих жителей страны.
Поэтому вопрос здесь
в следующем:
что важнее для
национального гимна:
включать всех своих граждан
в широком смысле
или воплощать дух страны,
на основе которой он появился,
и которую стремится сохранить?
Имеет ли смысл просить тех,
кого гимн не представляет,
пытаться связывать себя с ним
на глубоком
эмоциональном уровне?
И что по поводу огромного
большинства евреев,
живущих в Израиле,
которые связывают себя
с песней?
Они олицетворяют традицию
стремления вернуться на родину
спустя тысячи лет,
надежду,
которая отказывалась умирать,
пока, наконец,
не была реализована.
На эти вопросы сложно
ответить,
и правда в том, что с учетом
сложной израильской натуры
вы, вероятно, никогда
не найдете решения,
которое бы удовлетворило всех.
Но хочется надеяться, что
в конце концов эти вопросы
помогут людям Израиля
лучше понимать друг друга,
вместо того чтобы
противостоять друг другу,
English:
was from Iraq, Syria, or Iran.
Mizrahi Jews are a major part
of the Israeli population
with around 3.2 million people
living in the country.
So, another chunk of the people
not feeling represented in the anthem.
There's no escaping that
Hatikva doesn't represent
a lot of people in the country.
So, here's the question.
What's more important
to a national anthem?
That it include its citizens
in the broader sense,
or that it embody the spirit
the country was founded upon
and that it strives to maintain.
Is it reasonable to ask
those not represented
to try to connect with it
on that deeper emotional level?
And what about the vast majority
of Jews living in Israel
who do connect with the song?
They embody a tradition
of longing to return
to a homeland after thousands of years,
a hope that refused to die
until it was finally realized.
These are not easy questions to answer
and the truth is, that given
Israel's complex nature
you're probably never
going to find a solution
that satisfies everyone.
But, hopefully, in the end,
these questions will
lead the people of Israel
to understand each other better
as opposed to driving them apart.
English:
Because if the latter happens,
then they'll have completely lost
the spirit of Hatikva and
all that it stands for.
Hope, peace and endurance
through the cauldron
of the most agonizing of hardships.
So, what do you think?
Drop a comment below
and don't forget to subscribe.
Oh, and if there're any topics
you want us to tackle, comment or tweet.
See you guys next time!
Russian:
потому что в последнем случае,
они полностью потеряют
дух Хатиквы
и все, что в ней воспевается:
надежда, мир и стойкость
в котле самых мучительных
трудностей.
Итак, что думаете вы?
Оставляйте ваши комментарии
и не забывайте подписываться.
Да, и если есть темы, на которые
вы бы хотели увидеть видео,
пишите в комментариях
или твиттере.
До встречи в следующий раз.
iw:
במקום ליצור פילוג,
כי אם יווצר פילוג,
אז זה אומר שהם איבדו לגמרי
את רוח הדברים ב"התקווה"
וכל מה שהשיר מייצג-
תקווה, שלום וכוח סבל
בכל התקופות הקשות ביותר.
אז מה אתם חושבים?
כתבו הערה כאן למטה
ואל תשכחו להירשם לערוץ.
אה, ואם יש נושא כלשהו
שאתם רוצים שנדבר עליו,
העירו או צייצו.
להתראות בפעם הבאה.
Spanish:
ya que, si ocurre esto último,
habrán perdido el espíritu
de El Hatikva
y todo lo que representa:
esperanza, paz y resistencia
en el hervidero de la penuria
más agonizante.
¿Qué opináis?
Dejad un comentario
y suscribíos.
Y si hay algún tema
que queráis que abordemos,
comentadlo o tuiteadlo.
Hasta la próxima.
Portuguese:
Porque se o último acontecer,
então eles terão perdido completamente
o espírito de Hatikva e
tudo o que ele representa.
Esperança, paz e resistência
através do caldeirão
das mais agonizantes de dificuldades.
Então, o que você acha?
Deixe um comentário abaixo
e não esqueça de se inscrever.
Ah, e se houver algum tópico
você quer que nós abordemos, comentemos ou twitemos.
Vejo vocês na próxima vez!
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Malay (macrolanguage):
Baru-baru ini seorang kawan saya berada di London dan tidak tahu tiket Tube untuk membeli apa sahaja
yang anda gunakan untuk mengembara di bas dan tiub di London
sekarang jika anda dari uk anda hanya boleh menggunakan kad kredit tanpa sentuh anda
kira-kira yang lebih lewat, tetapi jika anda dari luar negara, anda baru saja tiba
Dan anda tidak tahu di mana anda tinggal, apa nama anda,
atau di mana anda pergi; anda mungkin tidak mahu membayar semua yuran bank asing ke atas urus niaga anda
Jadi, mungkin lebih mudah untuk mendapatkan kad Oyster
sekarang jangan menjadi orang yang bertahan selama berabad-abad dan masuk ke dalam semua orang
Perkara pertama yang anda mahu lakukan adalah datang ke sini dan tekan mendapatkan kad baru
Anda boleh membuat keputusan di sini berapa banyak kad yang anda mahukan, tetapi hanya ada satu daripada saya
Jadi saya mahukan satu kad Oyster baru
tekan mengesahkan
Anda perlu menentukan berapa banyak wang yang anda ingin letakkan pada kad Oyster anda
Ia membayar semasa anda pergi
jadi ia bergantung kepada berapa banyak perjalanan yang anda lakukan setiap hari dan
Kemudian ia akan cap sebagai kad perjalanan harian
Sekarang ramai orang panik apabila mereka pertama tiba di London di Heathrow misalnya
Chinese:
最近我的一个朋友在伦敦,不知道要购买哪种地铁、公交票
用来在伦敦乘搭巴士和地铁
现在如果你来自英国,你可以使用非接触式信用卡
但如果你来自国外,你刚到伦敦
你不知道你住在哪里,你叫什么,
也不确定去哪里,你可能也不想要付国外银行的交易费
因此,买一张伦敦的Oyster公交卡可能方便
来吧,不要不知所措然后处处挡道
初来乍到,你要做的第一件事就是买张Oyster公交卡
你在这里选定想要买几张,我只有一个人
所以我选一张Oyster公交卡
然后点击确认
然后你看要预付多少钱在你的卡里
然后它是用多少扣多少
所以,取决于你每天乘坐几趟公交
每天都总消费它会有一个封顶
很多人刚到达伦敦希思罗机场都会感到不知所措
English:
Recently a friend of mine was in London and didn't know which Tube ticket to buy or whatever it is
that you use to travel on the buses and tubes in London
now if you're from the uk you can just use your contactless credit card
about which more later, but if you're from abroad, you just arrived
And you don't know where you live, what your name is,
or where you're going; you probably don't want to pay all those foreign bank fees on your transactions
So it's probably easier to get an oyster card
now don't be that person who hangs around for ages and gets in everybody's way
First thing you want to do is come over here and hit get new card
You can decide here how many cards you want, but there's only one of me
So I want one new oyster card
hit confirm
You then have to decide how much money you want to put onto your oyster card
It's pay as you go
so it depends on how many journeys you do per day and
Then it'll cap it as a day travelcard
Now a lot of people panic when they first arrive in London at Heathrow for example
Malay (macrolanguage):
dan katakanlah, saya beli tiket mingguan, atau saya membeli tambah nila Pay-as-you-go (Bayar apabila anda hendak pergi)
sekarang, jadi saya fikir perkara terbaik untuk dilakukan ialah apabila anda tiba hanya melekat kredit sebanyak £15 ke kad Oyster dan kemudian
yang membelinya sedikit masa untuk menentukan jenis perjalanan yang akan anda lakukan selepas itu,
Jadi mulakan dengan 15 paun. bahagian Oyster adalah duduk depo lima paun, yang anda bayar
dan bayar ketika anda pergi Cedit adalah 15 pound jadi sama sekali 20 pound
sekarang jangan risau, anda akan mendapat balik deposit anda apabila anda memulangkan kad anda
ditambah dengan kredit yang tidak digunakan selagi ia berada di bawah 10 pon
dan VOILA!
mengapa kad Oyster segar bagus sedia untuk digunakan
Sekarang sebelah kiri eskalator adalah untuk orang yang lebih sibuk daripada anda
Jadi sejauh londoners bimbang
jika anda berdiri di sisi yang salah anda pada dasarnya tidak mempunyai hak asasi manusia
Dan kamu akan dibajak oleh orang seperti saya
Maafkan saya keluar daripada cara berdarah!
Your're di sebelah yang salah eskalator.
Adakah anda jujur tidak perasan bahawa semua orang ...
baiklah!
Cukup jelas bukan?
Saya tidak melihat tanda-tanda
English:
and say look, do I buy a weekly pass, or do I buy a pay-as-You-go top up
now, so I think the best thing to do is when you arrive just stick 15 pounds credit on to an oyster card and then
that buys you some time to decide what kind of the journeys you're going to be making after that,
So start with 15 pounds. the oyster part is a five-pound depo sit, which you pay
and the pay as you go Cedit is 15 pounds so altogether it's 20 pounds
now don't worry, you'll get your deposit back when you return your card
plus any unused credit as long as it's under 10 pounds
and VOILA!
why nice fresh oyster card ready for use
Now the left side of the escalator is for people who are much busier than you
So as far as londoners are concerned
if you're standing on the wrong side you basically have no human rights
And you will be ploughed out the way by people like me
Excuse me get out of the bloody way please!
Your're on the wrong side of the escalator.
Did you honestly not notice that everyone was...
alright!
Pretty obvious isn't it?
I didn't see the signs
Chinese:
犹豫到底要买周票?还是预付储值卡,用多少扣多少
我个人建议最好就是先买一张15英镑的卡
先用用看,再决定都怎么买
所先买15英镑,然后它还有一个5英镑的押金
加上15英镑的储值,总共是20英镑
押金退卡的时候会还给你的
还有没用完的储值也会一起退回,但必须是10英镑以下
大功告成!
好了,刚买好的卡可以使用了
记住地铁站里自动扶梯的左侧是为比你着急的人而设
因此,就伦敦人而言
如果你站错边,你基本上没有人权而言
你会被像我这样的人挤开
不好意思,别挡道!
哥们儿,你站错边了
你真的没有注意到大家都很嫌弃地看着你?
好吧!
你看,很明显吧?
我没有看到牌子
Malay (macrolanguage):
Tidak kira anda mesti bercakap dengan sesiapa sahaja
pastikan anda menyimpan telefon ...
Anda tidak dibenarkan bercakap dengan saya
Kami berada di London
Oh, awak bukan London
Saya terus berjumpa dengan penduduk utara, apa yang sedang berlaku
Mereka sebenarnya bercakap dengan anda di atas tiub.
anda benar-benar amat amatur, anda tidak pernah mendapat fon kepala anda
amatur
Maafkan saya. Saya akan merenung telefon saya sekarang
Jadi jika anda tergesa-gesa, anda hanya boleh menggesek kad kredit anda atau kad debit anda selama ia mendapat ini
Simbol yang tidak dapat dilihat di atasnya
sekarang yang akan bekerja dengan cara yang sama seperti kredit pay-as-you-go pada kad Oyster
tetapi anda tidak perlu mengatasinya di mesin atau apa sahaja.
anda hanya mengambilnya dan anda hanya mengimbasnya terus ke mesin
dan jangan menjadi salah satu daripada orang-orang yang mendapat jalan dan berdiri di hadapan pintu tiket. Maaf
English:
On no account must you speak to anybody
make sure that you keep your head phones in...
You're not allowed to speak to me
We're in London
Oh, you're not a Londoner
I keep meeting northerners, what's going on
They actually speak to you on the tube.
you really are amateur, you haven't even got your headphones in
amateur
Excuse me. I'm going to stare at my phone now
So if you're in a real hurry, you can just swipe your credit card or your debit card as long as it's got this
Contactless symbol on it
now that will work in exactly the same way as a pay-as-You-go credits on an oyster card
but you don't have to top this up at the machine or anything .
you just take it and you just scan it straight onto the machine
and don't be one of those people who gets in the way and stands in front of the ticket Gate. Sorry
Chinese:
记住任何时候都不要跟别人搭讪
记得插上耳机
你不能跟我说话
我们在伦敦
哦,你不是伦敦人
我一直遇到北方人,我做错了什么?
他们会在地铁里跟你搭讪
你看你,一点都不专业,你怎么连耳机都没戴上?
不专业
不好意思,我现在要玩手机
如果你赶时间,你可以直接刷信用卡或借记卡,只要看到这个
非接触式支付的符号
这和Oyster公交卡上用多少扣多少是一样的
刷信用卡或者储值卡不用充值那么麻烦
直接把信用卡在机器上扫一下
千万注意,在闸机口别挡道
Chinese:
记住公交车是不收现金的,所以你必须使用卡
Oyster公交卡你可以反复使用
如果你在一天内刷了50次
消费到达封顶金额就不会再扣钱了
好像是6、7英镑
我特别喜欢15路公交车,有时候你会偶遇一辆这种经典款巴士,这个很赞
它有固定的行程路线,从特拉法加广场经过皇家法院
纪念碑
电影魔街理发师里的那家理发店
终点站是伦敦塔桥。这车人不多很宽敞
反正我感觉很舒服,你还可以打开窗
你看
我很不喜欢那种新款的巴士
你看角落的那个座位......我朋友管它叫变态狂魔座位
通常变态狂魔喜欢坐这个位子。但我其实挺喜欢这个位子的
你可以坐这里,从车厢后面观察每个上车下车的人
谢谢。。。 再见!
你甚至可以在公交渡轮上刷它,但貌似挺贵的
Malay (macrolanguage):
Ingat, anda tidak boleh menggunakan wang tunai di dalam bas supaya anda perlu menggunakan kad anda
Perkara tentang kad Oyster itu boleh digunakan lagi dan lagi dan lagi
dan jika anda menggunakan 50 kali dalam satu hari
ia tidak akan melebihi jumlah tertentu supaya anda boleh terus menggunakannya sepanjang hari. Mereka memanggilnya sebagai "penutup"
Saya fikir ia adalah jenis enam atau tujuh atau sesuatu
Saya Terutama seperti nombor 15 bus kerana anda boleh mendapatkan salah satu daripada routemasters lama ini, dan mereka benar-benar baik
Mereka mengikuti laluan sepanjang jalan dari trafalgar persegi melewati mahkamah diraja keadilan
Tugu itu
Sweeney Todd's [Barbershop]
dan ia selesai oleh menara [London]. Terdapat ruang yang lebih banyak pada ini juga
Saya hanya berasa lebih selesa dan anda juga boleh membuka tetingkap di sini
lihatlah itu
Saya benci mereka yang baru dahsyat
kerusi ini di sini di sudut .... kawan saya pernah memanggilnya kerusi pencolanya
Weirdos dan pervs digunakan untuk duduk di satu ini. Saya suka
Anda boleh duduk di belakang bas [dan] semata-mata melihat semua orang mendapat dari sini
terima kasih.
Anda juga boleh menggunakannya di atas kapal, tetapi kosnya sedikit
English:
Remember you can't use cash on the bus so you've got to use your card
The thing about the oyster card it that you can use it again and again and again
and if you use its a 50 times in one day
it won't go above a certain amount so you can just continue using it all day long. They call it a "capping"
I think it's mout sort of six or seven quid or something
I Particularly like the number 15 bus because you can get one of these old routemasters, and they're really good
They follow a route all the way from trafalgar square past the royal courts of justice
The monument
Sweeney Todd's [Barbershop]
and it finishes up by the tower of [London]. There's so much more space on these as well
I just feels so much more comfortable and you can even open the window here
look at that
I hate those horrible new ones
this seat over here in the corner ....my friend used to call it the molesters seat
weirdos and pervs used to sit in this one. I rather like it
You can sit at the back of the bus [and] just sort of observe everybody gets on from over here
thank you.
You can even use it on the boat, but it does cost a little bit more
English:
But you really have to remember to swipe out
It's very important otherwise you get charged extra
Sometimes the gates are already open
and a lot of people think I know I won't get charged if I just walk straight through
But that's not the case you'll get charged eight pounds!
some stations Don't even have ticket gates
so make absolutely sure that you touch in and out properly otherwise you can get absolutely skinned on the fare
be careful
You can even use it on the emirates airlines
Excellent
it cost's £3.40 for an adult and £1.70 for a child if you have an oyster cost
In many ways there's no need to pay for one of those expensive guided tour buses
with so many joolz guides online
You can just access them on your phone
and with an oyster card you can get around London for a reasonable price
Malay (macrolanguage):
Tetapi anda benar-benar perlu ingat untuk meleret
Ia sangat penting jika tidak anda akan dikenakan bayaran tambahan
Kadang-kadang pintu sudah terbuka
dan ramai yang fikir saya tahu saya tidak akan dikenakan caj jika saya hanya berjalan terus
Tetapi itu bukan kes anda akan dikenakan lapan pound!
sesetengah stesen juga tidak mempunyai pintu tiket
jadi pastikan bahawa anda menyentuh masuk dan keluar dengan betul jika tidak, anda boleh mendapatkan kulit yang sama pada tambang
berhati-hati
Anda juga boleh menggunakannya di syarikat penerbangan emirat
Cemerlang
ia berharga £ 3.40 untuk orang dewasa dan £ 1.70 untuk anak jika anda mempunyai kos Oyster
Dalam banyak cara, tidak perlu membayar untuk salah satu bas pelancongan berpandu yang mahal
dengan banyak panduan joolz dalam talian
Anda hanya dapat mengaksesnya di telefon anda
dan dengan kad oyster anda boleh mendapatkan sekitar London untuk harga yang berpatutan
Chinese:
但你真的必须记得刷一下
很重要,否则你会收取额外的费用
有的时候车站的闸门是开着的
很多人会以为正好逃票,直接走过去
但事实并非如此,你会被收取8英镑的费用!
有些车站甚至没有检票口
所以进站和出站都要记得刷一下否则会罚款
小心
您甚至可以用它来买伦敦阿联酋航空空中缆车
很赞吧
刷Oyster公交卡,大人费用是3.40英镑,儿童1.70英镑
很多时候,其实没必要参加昂贵的带导游的旅游巴士团
网上有很多Joolz导游指南
用手机就可以查询
配合Oyster公交卡,你可以很实惠地玩转伦敦
Malay (macrolanguage):
Sekiranya anda menikmati filem saya sila melanggan saluran tersebut
Pelayaran bon !!
Chinese:
如果您喜欢我的视频,请粉一下我们的专区
一路顺风!!
English:
If you enjoy my films do please subscribe to the channel
Bon voyage!!
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Russian:
Реактивные двигатели уже почти 100 лет успешно применяются на самолетах
В этом видео мы шаг за шагом расскажем о технологиях, стоящими за ними
Реактивный двигатель заставляет самолет двигаться вперед, используя простой принцип -
тот же, что заставляет подниматься воздушный шарик:
Третий закон Ньютона
Так же как реактивная струя воздуха заставляет подниматься шарик,
так и сила реактивной струи на конце двигателя заставляет самолет двигаться вперед
Таким образом работа реактивного двигателя заключается в создание высокоскоростной реактивной струи Vjet
Чем больше скорость струи, тем больше сила тяги
Сила тяги заставляет самолет двигаться вперед
(сила сопротивления воздуха / сила тяги)
Высокая скорость истечения достигается благодаря комбинации разных технологий
Korean:
제트 엔진은 지금까지 거의 한 세기 동안 성공적인 항공기 운항에 도움을 주었습니다.
이 비디오에서, 우리는 제트 엔진에 숨겨진 기술들을 논리적이고 단계적인 방법으로 설명할 것입니다.
제트 엔진은 아주 간단한 원리를 통해 항공기를 움직이게 합니다.
이 원리는 공기로 가득 찬 풍선을 움직이게 하는 원리와 같습니다.
이것이 바로 뉴턴의 운동 제 3 법칙입니다.
공기가 풍선을 움직일 떄 발생되는 반작용처럼,
제트엔진의 후미에서 나오는 고속의 기류로 인한 반작용이 항공기를 움직이게 하는 것입니다.
그래서, 엔진의 후미에서 발생되는 고속의 기류가 제트 엔진 작동 원리의 전부라고 할 수 있습니다.
발생된 기류의 속도가 빠를수록, 추진력이 더 커집니다.
그 추진력이 항공기를 움직이게 합니다.
이와 같은 고속의 기류는 기술의 융합으로 만들어집니다.
Turkish:
Jet motorları,neredeyse bir asırdır uçaklarda başarılı şekilde kullanılmaktadır.
Bu videoda,bir jet motorunun altında yatan teknolojinin mantığını adım adım açıklayacağız.
Bir jet motoru,
çok basit bir yasaya bağlı olarak uçakların ileri yönlü hareket etmesini sağlar.
Bu olay hava dolu bir balonun yukarı doğru uçmasıyla aynı mantıktadır.
Evet,
Newton'un 3.kanunu
(Etki-tepki prensibi)
Tıpkı balonu iten havanın tepki kuvvetinde olduğu gibi,
yüksek hızlı jetin kuyruğuna etki eden tepki kuvveti ileri doğru hareketi sağlar.
-jet motorunun uyguladığı kuvvete eş değer tepki kuvveti oluşur-
Yani,jet motorlarının çalışması tamamen;akışkanın çıkış noktasında yüksek bir akış hızı elde etme mantığına dayanır.
Jet hızı ne kadar yüksek olursa oluşan itme kuvvetide o kadar büyük olacaktır.
İtme kuvveti,hava araçlarının ileri doğru hareketini sağlayan kuvvettir.
Bu kuvvet,yüksek hıza sahip gazların bazı tekniklerin çeşitli kombinasyonlarıyla kullanımı sonucu elde edilebilir.
Chinese:
为近百年来,喷气式发动机已经成为飞机上成功的驱动器
翻译/校对/时间轴/压制
本期视频我们会逐步的为大家解释喷气式发动机背后的技术
喷气式发动机使飞机保持前进 应用了一个简单的原理
和使气球运动的原理一样
没错,它就是牛逼闪闪的牛顿第三运动定律
就像是由空气产生的能使气球运动的反作用力
喷气引擎尾部的高速气流产生的反作用力,推动了飞机向前运动
所以,喷气式发动机的工作是关于在出口处产生高速喷气
喷射的速度越高,产生的推力就越大
正是推力使飞机向前运动
这种高速排气应用了一系列技术
English:
jet engines have been the successful drivers of aircrafts for nearly a century now in
This video we will explain the technology behind the jet engine in a logical step-By-step Manner
a jet engine keeps an aircraft moving forward using a very simple principle
The same that makes an air-filled balloon move
Yes, Newton's third law of [motion] just
[like] the reaction Force produced by the Air moves the balloon
The reaction Force produced by the high speed jet at the tail of the jet engine makes it move forward
so the working of jet engine is all about producing a
High-speed jet [at] the exit the higher the speed of the jet the greater the thrust force
The thrust force makes an aircraft move forward
Such high-speed exhaust is achieved by a combination of techniques
Portuguese:
os motores a jato têm sido um sucesso à condução de aeronaves por aproximadamente um século até agora
neste vídeo nós iremos explicar a tecnologia por trás dos motores a jatos de uma maneira lógica passo a passo
um motor a jato movimenta a aeronave para frente usando um princípio simples
o mesmo que faz um balão cheio de ar se mover
sim, a terceira lei de Newton (ação e reação)
do mesmo jeito que a força de reação produzida pelo ar move o balão
a reação produzida pelo jato de alta velocidade na cauda do motor fazem o mover-se para frente
então o funcionamento do motor consiste em produzir um jato de alta velocidade na saída
quanto maior a velocidade do jato, maior será o empuxo
o empuxo faz com que a aeronave se mova para frente
a alta velocidade do jato é conseguido por diversas técnicas combinadas
Vietnamese:
Động cơ phản lực không khí luôn là môt phần quan trọng và góp phần lớn vào thành công trong sự phát triển ngành công nghiệp máy bay trong gần 1 thế kỷ nay
Trong video này chúng tôi sẽ giải thích một cách đơn giản các công nghệ cốt lõi ẩn sau 1 động cơ phản lực
Động cơ phản lực (ĐCPL) giúp máy bay bay bởi một nguyên lý khá đơn giản
Giống như cách một quả bóng bay bằng cách đẩy khí ra ngoài để di chuyển theo hướng ngược lại
Đó cũng chính là định luật 3 Newton
Phản lực tạo ra bởi không khí lên quả bóng bay giúp nó chuyển động.
Ở ĐCPL cũng vậy, lực tạo ra bởi dòng khí có vận tốc lớn ở phần đuôi động cơ tạo ra phản lực
làm nó chuyển động về phía trước
Vì vậy để ĐCPL hoạt động, chỉ cần tìm cách tạo ra vận tốc lớn ở phần đuôi của động cơ
và vận tốc này càng lớn thì lực đẩy càng mạnh.
Lực đẩy này cũng chính là nhân tố giúp máy bay chuyển động về phía trước
Một vận tốc phụt lớn như vậy
có thể được tạo bằng cách sau đây:
Romanian:
Motoarele cu reacție au fost liderii de
succes ai avioanelor de acum aproape un secol
În acest videoclip vom explica tehnologia
din spatele motorului cu reacție
într-o manieră logică pas cu pas.
Un motor cu reacție menține o aeronavă în
mișcare înainte folosind un principiu foarte simplu.
Același care face ca balonul
plin cu aer să se deplaseze.
Da, a treia lege a mișcării a lui Newton!
La fel ca forța de reacție produsă
de aerul care deplasează balonul,
Forța de reacție produsă
de jetul de mare viteză
de la coada motorului cu reacție
îl face să se deplaseze înainte,
astfel încât funcționarea motorului
cu reacție are drept scop
producerea unui jet de
mare viteză la ieșire.
Cu cât este mai mare viteza jetului, cu
atât este mai mare forța de împingere!
Forța de împingere face ca
o aeronava să avanseze.
O astfel de evacuare de mare viteză se
realizează printr-o combinație de tehnici.
Portuguese:
se você puder aquecer o ar frio que entra, ao sair ele se expandirá e criará o jato de alta velocidade
para esse propósito uma câmara de combustão é utilizada
o combustível na forma atomizada é queimado na câmara de combustão
uma efetiva combustão requer ar para estar com alta pressão e temperatura
para trazer o ar nessas condições uma série de compressores são utilizados
as lâminas giratórias do compressor agregam energia ao fluído de forma a elevar sua pressão e temperatura deixando-o suscetível à combustão
o compressor recebe a energia para a rotação por meio de uma turbina colocada logo depois da câmara de combustão
Korean:
만약 유입되는 공기를 가열시킬 수 있다면,
그것은 엄청나게 팽창할 것이고, 고속의 제트 기류를 만들 것입니다.
공기를 가열시키기 위해, 연소실이 사용됩니다.
원자 상태의 연료는 연소실에서 연소 과정을 거칩니다.
연소는 적당하게 높은 온도와 압력 상태의 공기를 필요로 합니다.
공기를 고온, 고압의 상태로 전환하기 위해, 여러 번의 압축 단계를 거치게 됩니다.
압축기의 회전하는 날은 기류에 에너지를 더하고,
온도와 압력은 연소를 유지하는 데에 적당한 정도로 증가합니다.
Turkish:
Eğer giren bu soğuk havayı ısıtırsak,
muazzam ölçüde genleşecek ve oldukça yüksek bir hızda akış oluşturacaktır.
Bu amaçla "yanma odası" adı verilen bir eleman kullanılır.
Yakıt püskürtülen hava,bu oda da yakılır.
Etkili bir yanma,düzgün sıcak hava ve yüksek basınç etkisiyle gerçekleşir.
Havayı bu duruma getirmek için,kademeli kompresör kullanılır.
Koprasörde bulunan döner kanatçıklar,akışkanı iterek enerji verirken akışkanın sıcaklığı ve basıncı yanmanın devam edebileceği bir seviyeye çıkartılır.
Yanma odasının hemen sonunda bulunan bir türbinin dönüşüyle elde edilen enerji kompresöre iletilir.
Chinese:
如果你可以把流入的空气加热到很高的温度
它会极大地膨胀并且将产生高速射流
为了达到这个目的,要用到一个燃烧室
雾化形式的煤油在燃烧室被燃烧
有效的燃烧需要空气达到适当的高温和压力
为了使空气达到上述的条件
要用到一组多级压气机
压气机旋转的叶片(转子)会给气流加入能量
使它的温度和压力都升高到适合持续燃烧的程度
压气机从放置在燃烧室后面的涡轮处
Russian:
Если сильно нагреть входящий поток воздуха,
то он расширится значительно и создаст высокоскоросную реактивную струю
(холодный воздух / горячий воздух)
Для этой цели используется камера сгорания
(впрыскные отверстия топлива / воздухозаборные отверстия)
Распыленное топливо сжигается в камере сгорания
Для процесса сжигания необходим воздух высокой температуры и давления
Его получают, используя несколько ступеней компрессора
(лопатки ротора / лопатки статора)
Вращающиеся лопасти компрессора передают энергию потоку,
температура и давление потока вырастает до уровня поддержания процесса горения
Компрессор вращается благодаря энергии, получаемой им от турбины,
которую устанавливают сразу за камерой сгорания
Romanian:
Dacă puteți încălzi aerul de intrare
la o temperatură ridicată,
acesta se va extinde foarte mult
și va crea un jet de mare viteză.
În acest scop se utilizează o cameră de combustie.
O formă atomizată a combustibilului
este arsă în camera de combustie.
Combustia eficientă necesită ca aerul să fie
la temperaturi și presiuni moderat ridicate.
Pentru a aduce aerul în această condiție se
utilizează un set de etape de compresor.
Lamele rotative ale compresorului
adaugă energie fluidului,
iar temperatura și presiunea acestuia cresc până
la un nivel adecvat pentru susținerea arderii.
Compresorul primește energia
pentru rotire de la o turbină,
Vietnamese:
Nếu dòng khí vào, qua động cơ được đốt nóng lên đến 1 nhiệt độ rất cao
nó sẽ giãn ra dữ dội và tạo ra luồng khí vận tốc lớn
Chính vì thế một buồng cháy được dùng trong động cơ
để đốt cháy nhiên liệu đưa vào, tạo ra luồng khí nhiệt độ cao
Để đốt cháy hiệu quả
khí trước khi đốt cần đạt điều kiện nhiệt độ và áp suất tương đối cao hơn bình thường
Đó là lý do cần đến máy nén nhiều tầng trong động cơ
Áp suất và nhiệt độ khí, qua các tầng nén rotor và stator
được đẩy lên cao để phục vụ đốt cháy nhiên liệu.
Bản thân máy nén được quay bởi tuabin
English:
If you can heat the incoming air to a high temperature it will expand tremendously and will create the high velocity [jet]
For this purpose a combustion chamber is used
An atomized form of the fuel is burnt in the combustion chamber
effective combustion requires air to be at moderately high temperature and pressure
To bring the air to this condition a set of compressor stages are used
The rotating blades of the compressor add energy to the fluid and its temperature and pressure rise to a level suitable to sustain combustion
The compressor receives the energy for the rotation from a turbine which is placed right after the combustion chamber?
Korean:
압축기는 연소실 바로 뒤에 위치한 터빈에게서 회전에 필요한 에너지를 얻습니다.
압축기와 터빈은 동일한 축에 붙어있습니다.
연소실에서 배출된 높은 에너지의 기류는 터빈의 날이 돌아가게 만듭니다.
당신은 터빈의 날이 양력을 발생시켜서 날이 회전하게 만들어주는 특별한 날개 모양을 하고 있다는 것을 볼 수 있을 것입니다.
터빈이 기류로부터 에너지를 흡수함에 따라, 기류의 압력이 떨어집니다.
이러한 절차를 통해, 우리는 매우 뜨겁고 속도가 빠른 공기를 엔진에서 배출시켜야 한다는 우리의 목적을 달성하게 되었습니다.
엔진의 폭은 배출구 쪽으로 갈수록 점점 좁아지는데, 이것은 훨씬 빠른 속도의 기류를 발생시킵니다.
요약해서 말하자면, 압축기, 연소실, 그리고 터빈의 동시 통합적인 작동이 항공기를 움직이게 합니다.
Romanian:
care este amplasată imediat
după camera de combustie.
Compresorul și turbina sunt
atașate la același arbore.
Fluidul de înaltă energie care părăsește camera
face ca lamelele turbinei să se rotească.
Puteți vedea că lamelele turbinei au o
formă specială de suprafață portantă
care creează forța de ridicare
și le face să se rotească.
Pe măsură ce turbina absoarbe energia
din fluid, presiunea sa scade.
Prin aceste pași am realizat obiectivul nostru:
un aer foarte fierbinte și de mare
viteză emis de ieșirea motorului.
Carcasa motorului devine mai îngustă spre ieșire,
ceea ce duce la o viteză și mai mare a jetului.
Pe scurt, funcționarea sincronizată a
compresorului, a camerei de ardere și a turbinei
face aeronava să avanseze.
Turkish:
Komprasör ve türbin aynı şafta bağlıdır.
Yanma odasını terk eden ve ısınıp basıncı artan bu yüksek enerjili akışkan, türbinden geçerken türbini,bağlı olan kanatçıkları vasıtasıyla döndürür.
Görüldüğü üzere,türbinin üzerindeki kanatçık profil geometrisi,akışkanın kanatçıklara kaldırma kuvveti uygulanmasını sağlar.
Akışkanın bu kuvvet yardımıyla enerjisinin bir kısmını türbine aktarmasından sonra basıncı düşer.(Hızı artar)
Bu adımların ardından beklenen sonuç olan sıcak ve yüksek akış hızındaki havanın motordan çıkışı gerçekleşir.
Motorun çıkış kısmındaki egzoz lülesinin daha dar olması bu bölgeden çok daha yüksek hızda hava çıkışı elde etmeyi sağlar.
Kısaca;kompresör,yanma odası ve türbinin eş zamanlı olarak yaptığı bu işlem hava araçlarının ileri yönlü hareket gerçekleştirmesini sağlar.
Chinese:
获得能量从而旋转
压气机和涡轮连接在一根轴上
从(燃烧)室喷出的高能气流推动了涡轮叶片的旋转
你可以看到,涡轮叶片有一个特殊的翼型
可以产生升力使叶片旋转
因为涡轮吸收了一部分气流的能量
气流的压力就降低了
通过这些步骤,我们就达到了我们的目的
高温高速的空气从引擎的出口处射出
引擎罩在位于出口处变窄,这又进一步增加了喷射速度
简单说,压气机、燃烧室和涡轮的同步运作
使得飞机向前飞行
Russian:
Компроссор и турбина вращаются на одном валу
Высокоскоростная струя, покидающая камеру сгорания, поворачивает лопатки турбины
Лопатки турбины имеют специальный аэродинамический профиль,
который создает подъемную силу, заставляющую лопатки вращаться
Когда турбина поглощает энергию потока воздуха, давление последнего падает
Мы достигли своей цели:
горячий быстрый поток воздуха истекает из двигателя
Корпус двигателя сужается к концу, что еще более убыстряет поток
Совместная работа компрессора, камеры сгорания и турбины заставляет самолет лететь вперед
English:
The compressor and turbine are attached to the same shaft
The High-energy fluid that leaves the chamber makes the turbine blades turn
You can see that the turbine blades have a special airfoil shape which creates lift force and make them turn
As the turbine absorbs energy from the fluid [its] pressure drops
Through these steps we have achieved our objective a really hot and high-speed air emitted from the exit of the engine
the engine case becomes narrower towards the outlet which results in even greater jet velocity
In short the synchronized operation of the compressor combustion chamber and turbine makes the aircraft move forward
Vietnamese:
được đặt ngay đằng sau buồng cháy
Máy nén và tuabin
được nối với nhau trên cùng một trục
Năng lượng dòng khí nóng phát ra bởi buồng cháy
sẽ làm quay cánh quạt tuabin
Những cánh quạt này được thiết kế
để có một hình dạng khí động đặc biệt
giúp chúng quay.
Dòng khí nóng trong lúc dãn nở làm các tầng tuabin quay
và giảm dần áp suất
Qua các bước này
ta đã thiết lập nên một cơ chế tạo dòng khí nóng
và vận tốc lớn thoát ra khỏi động cơ
Cấu trúc vỏ động cơ sẽ nhỏ dần về phía đuôi
làm tăng vận tốc dòng khí ở đầu ra của động cơ
Tóm lại, sự phối hợp hoạt động giữa máy nén, buồng cháy và tuabin
làm cho máy bay chuyển động về phía trước
Các máy bay hiện đại
Portuguese:
o compressor e a turbina são unidos pelo mesmo eixo
o fluído que deixa a câmara está na condição de fazer girar as lâminas da turbina
você pode perceber que as lâminas da turbina possuem um formato aerodinâmico que cria força de elevação e as faz girar
à medida que a turbina absorve energia do fluido a pressão tende a cair
por meio de tais passos nós alcançamos o nosso objetivo; ar extremamente quente e em alta velocidade é emitido na saída do motor
o revestimento do motor torna-se mais estreito próximo a saída, o que resulta em maior velocidade de jato
em suma, a operação sincronizada do compressor, câmara de combustão e turbina fazem a aeronave mover-se para frente
Turkish:
Modern hava araçları bundan biraz daha gelişmiş bir komprasör-türbin düzeneği barından 2 milli motor barındırır.
Burada bağımsız iki kompresör kademesi kullanılır.
Dıştaki komprasör ve türbine bağlı şaft, içteki komprasör türbin çiftinden de eşmerkezli olarak geçer.
Dışarıdaki türbin;akışkanın içteki türbinden geçen halinden daha az enerjiye sahip ve daha yavaş hızdaki haline maruz kalır.
Düşük basınca ve düşük hıza maruz kalan dıştaki türbinin kanatçık boyu daha uzundur.
Bu durum,türbinin merkezinde oluşacak merkezcil gerilmeleri azaltarak kanatçıkların ömrünü arttırır.
Bazı modern uçaklarda 3 milli motor dahi kullanmaktadır.
Şimdiye kadar bahsettiğimiz motor "Turbojet motoru" olarak adlandırılmaktadır.
Turbojet motorları yüksek seviyede gürültülü olmaya yatkındır.
Chinese:
现代的飞机使用了一个略有改进的压气机-涡轮组合,叫做双轴型
这里使用了两组独立的涡轮-多级压气机组合
外侧(低压)压气机-涡轮组合的轴同心地穿过了内侧(高压)压气机-涡轮组合的轴
外侧的涡轮受到低能量气流的(吹动),并将以比内侧涡轮慢一点的速度转动
低压区的涡轮叶片要更长
这种低速(气流)会有助于减少在根部所引发的离心应力
因此,提高了叶片寿命
一些现代飞机还使用了三轴引擎
到目前为止我们讨论的引擎 更具体地称为涡轮喷气发动机
涡喷发动机常常产生很大的噪音
一项革命性的改进被应用到飞机发动机中
Vietnamese:
cải tiến máy nén và tuabin bởi một hệ thống 2 trục
Ở đây 2 tầng máy tuabin / máy nén độc lập được sử dụng
1 trục nối 1 hệ thống tuabin / máy nén
sẽ nằm trong 1 trục khác kết nối hệ thống tuabin / máy nén thứ 2
Tuabin ở sau (tính từ buồng cháy) sẽ nhận dòng khí năng lượng thấp hơn
Và quay chậm hơn tuabin ở phía trước (ở ngay sau buồng cháy)
Cánh quạt tầng thấp áp sẽ dài hơn
Và vận tốc thấp hơn giúp giảm ứng suất ở phần ngọn của cánh quạt ly tâm
Do đó tăng tuổi thọ cho cánh quạt
Một số máy bay hiện đại thậm chí còn sử dụng hệ thống 3 trục
Động cơ mà chúng ta xem từ đầu tới giờ
được gọi là Động cơ tuabin phản lực luồng
và động cơ tuabin phản lực luồng có xu hướng thường tạo ra tiếng ồn lớn
Để cải tiến, 1 cánh quạt lớn được đặt ở đầu vào của động cơ
English:
Modern aircrafts use a slightly [improved] compressor turbine arrangement called a [two] spool
Here two independent turbine compressor stages are used
the shaft of the outer compressor turbine passes concentric [LI] through the inner one
The outer turbine is subjected to a low energy fluid and will run at a lower speed than the inner turbine
Low pressure blades are longer this [low-speed] helps to reduce centrifugal stress induced at the root Thus improving the blades life
Some modern aircrafts even use a three spool engine
The engine we have discussed so far is more specifically called as turbo jet engine
Turbo jet engines tend to Produce high levels of noise [A]
Revolutionary Improvement was made to this engine by fitting a large fan with the low pressure spool
Korean:
현대의 항공기에는 기존에 것에서 미세하게 개선된 '2 스풀'이라는 터빈 압축기 배열이 사용됩니다.
여기에서는 두 가지의 독립적인 터빈 압축기 단계가 진행됩니다.
바깥에 위치한 압축 터빈의 축은 안쪽 터빈 축과 함께 회전합니다.
바깥쪽에 위치한 터빈에는 낮은 에너지의 기류가 지나가고, 이로 인해 중앙에 있는 터빈보다 더 느린 속도로 회전합니다.
저압의 날은 길이가 더 깁니다.
이러한 느린 속도는 터빈의 축에서 발생되는 마모를 감소시켜서 날의 수명을 늘려줍니다.
현대 항공기 중 몇몇은 '3스풀 엔진'까지도 사용합니다.
지금까지 우리가 다룬 엔진은 특별하게 터보 제트 엔진 이라고 불립니다.
터보제트 엔진은 심한 소음이 발생되는 경향이 있습니다.
Portuguese:
aeronaves modernas usam arranjo de compressor e turbina com algumas melhoras chamado: 2-eixos
aqui dois estágios independentes de turbina e compressor são usados
o eixo do compressor externo passa concentricamente através do interior do outro arranjo
a turbina externa (arranjo) é submetida a um fluído de baixa energia e ira se movimentar em uma velocidade menor que a turbina interna
as lâminas para baixa pressão são mais longas e a baixa velocidade ajuda na redução da tensão causada pela centrífuga e que é induzida na base, melhorando assim a vida útil das lâminas
algumas aeronaves modernas usam um motor com três eixos
o motor pela qual falamos até o momento é conhecido especificamente como motor jato-turbo. Motores jato-turbo tendem a produzir ruído extremamente alto
Romanian:
Avioanele moderne folosesc un aranjament
ușor îmbunătățit al turbinelor compresoare
numit ”două unități de componente rotative”.
Aici sunt utilizate două etape
independente ale compresorului turbinei.
Arborele turbinei compresorului exterior
trece concentric prin cel interior.
Turbina exterioară este supusă
unui fluid de energie redusă
și va funcționa la o viteză mai
mică decât turbina interioară.
Lamele cu presiune scăzută sunt mai lungi.
Această viteză redusă ajută la reducerea
stresului centrifugal indus la bază,
îmbunătățind astfel durata
de viață a lamelor.
Unele aeronave moderne utilizează chiar și
motoare cu trei unități de componente rotative.
Motorul pe care l-am discutat până acum
este mai specific numit motor cu reacție turbo.
Motoarele cu reacție turbo tind să
producă niveluri ridicate de zgomot.
A fost făcută o îmbunătățire
revoluționară acestui motor
Russian:
В современных самолетах реактивный двигатель улучшен благодаря применения двухвальной схемы
( Двухвальный двигатель / внешний компрессор / внешняя турбина)
Здесь показаны две независимые системы компрессор-турбина
Вал внешней системы компрессор-турбина проходит через вал внутренней
Вал низкого давления / вал высокого давления
Внешняя турбина вращается потоком низкой энергии и на более низкой скорости, чем внутренняя
Лопасти низкого давления длинее
Более низкая скорость снижает центробежные нагрузки и увеличивает срок службы
Некоторые современные самолеты оснащены трехвальными двигателями
Описанный двигатель называется турбореактивным: ТРД
Турбореактивный двигатель создает высокий уровень шума
Революционным улучшением этого двигателя стало добавление на вал низкого давления большого вентилятора
Turkish:
Bu tip motorların başına gelen devrimsel gelişme,geniş çaplı bir fanın düşük basınçlı giriş kademesine yerleştirilmesi olmuştur.
Bu tip motorlar "Turbofan motor" olarak adlandırılır ve nerdeyse her ticari uçak bu tip motorlarla çalışmaktadır.
Bir turbofan motorundan devasa oranda hava geçişi olur
Havanın aktığı bu kanalı daraltmak geçen havaya iyi derecede bir hız kazandırır.
Bir turbofan motorunda,itme kuvvetinin büyüklüğü,fanın tepki kuvvetinden gelir
Ayrıca,
fan sistemdeki hava akışını dışardan daha çok hava emerek arttırmaktadır.
Böylece itmenin artmasını da sağlar.
Bu,
normalden azıcık fazla yakıt kullanılarak itmenin büyük oranda arttırılmasını sağlar.
Turbofan motorlarının oldukça ekonomik yakıt tüketiminin nedeni budur.
Bir jet motorunun ürettiği gürültü,büyük ölçüde akışkanın çıkış hızına bağlıdır.
Turbofan motorlarda ise dıştaki kanaldan geçen soğuk hava içteki sıcak havayla karıştırılarak
akışkanın çıkış hızını belli bir seviyede tutmak mümkündür.
Chinese:
就是把一个大型的风扇安装在低压区的轴上
这类发动机叫做涡轮风扇(涡扇)发动机
并且几乎每架商用飞机上都使用这种引擎
涡扇发动机的(外涵道中)会流过大量空气
每个狭窄的外涵道管 都使得流过的空气获得了很高的喷射速度
在涡扇发动机中大部分的推力都来自于风扇的反作用力
此外,风扇通过吸进更多的空气大大提升了系统中的空气流量
因此,它帮助提高了推力
这意味着 只需增加一点昂贵的燃油,就可以实现高推力
这就是为什么涡扇发动机有很高的燃油经济性
喷气式发动机发出的噪音在于 出口处空气的喷射速度
由于在涡扇发动机中,流过外涵道的冷空气和(内涵道的)热空气混合
可以把(空气的)出口速度保持在一定限度内
Korean:
저압의 거대한 터빈을 설치함으로써 터보 제트 엔진의 효과적인 개선이 이루어졌습니다.
이러한 엔진들은 터보 팬 엔진이라고 불리며,
거의 모든 상업용 항공기가 터보 팬 엔진을 사용합니다.
터보 팬 엔진은 방대한 양의 공기를 흘려보냅니다.
점점 좁혀지는 형태의 관은 지나가는 기류의 적절한 분사 속도를 제공합니다다.
터보 팬 엔진에서, 추진력의 대부분은 팬의 반작용에서 오게 됩니다.
게다가, 팬은 더 많은 공기를 빨아들임으로써 시스템 내에서의 기류를 대단히 완화시킵니다.
더욱이, 그것은 추진력을 개선하는 데에도 도움을 줍니다.
이것은 약간 더 많은 연료의 지출 내역에 따른 강한 추진력의 발생을 의미합니다.
이것이 바로 터보 팬 엔진이 고효율의 경제적 수단인지에 대한 이유입니다.
터보 팬 내에서 흐르는 찬 공기가 뜨거운 공기와 섞이는 것은 제한 없이 분사 속도를 유지시키는 것을 가능하게 하기 때문에
제트엔진에서 발생하는 소음 역시 이에 크게 의존합니다.
Vietnamese:
cánh quạt này được gắn cùng với trục quay của hệ thống thấp áp
Động cơ như vậy được gọi là Động cơ tuabin phản lực cánh quạt (Turbofan)
Hầu hết máy bay thương mại hiện nay trên thế giới đều dùng loại này
Động cơ tuabin phản lực cánh quạt sẽ tạo ra một luồng lớn khí
bởi dòng khí qua cánh quạt nhưng bên ngoài vỏ động cơ của máy nén
Phần khí tách ra này cũng nằm trong một khoang ống động cơ hẹp dần
giúp tạo ra vận tốc lớn
Trong động cơ tuabin phản lực cánh quạt
phần lớn lực được tạo ra bởi phản lực của luồng khí này
Hơn nữa, cánh quạt lớn này cũng giúp hút được 1 lượng nhiều khí hơn
Vì thế nó giúp tạo ra nhiều lực đẩy hơn
Giúp tiết kiệm nhiên liệu một cách tương đối so với động cơ tuabin phản lực luồng
Đó cũng là lý do vì sao động cơ tuabin phản lực cánh quạt rất được ưa chuộng
Độ ồn tạo ra bởi ĐCPL phụ thuộc chủ yếu vào vận tốc khí phụt ra
Vì đối với ĐC tuabin phản lực cánh quạt,
luồng khí nóng (qua các tầng nén / cháy / tuabin) và luống khí lạnh (luồng ngoài)
trộn lẫn với nhau nên vận tốc chung phụt ra được giảm đi đáng kể
Russian:
Такой двигатель называют турбовентиляторным (или турбореактивным двухконтурным: ТРДД)
Фактически все коммерческие авиалайнеры оснащены именно ими
Турбовентиляторный двигатель прогоняет огромный поток воздуха по внешнему контуру
Ссужающийся канал внешнего контура обеспечивает хорошую скорость потока
В турбовентиляторном двигателе бо́льшая часть тяги поступает от вентилятора
К тому же вентилятор значительно улучшает приток воздуха, засасывая бо́льший объем
Это также улучшает тягу
В других выражениях, мы получаем бо́льшую тягу при меньшем расходе топлива
Вот почему турбовентиляторные двигатели являются высокоэкономичными
Шум, производимый турбореактивными двигателями, сильно зависит от скорости исходящего потока
А так как турбовентиляторный двигатель смешивает на выходе медленный холодный поток с быстрым горячим,
шум двигателя уменьшается.
English:
such engines are called Turbofan engines and almost every commercial aircraft run on them a
Turbofan engine bypass is a huge amount of air
The ever narrowing bypass duct provides a good jet velocity to the bypassed air
in a turbofan engine the majority of the thrust force comes from the fans reaction force
further the fan greatly improves Airflow in the system by sucking in more air
Thus it helps to improve the thrust
This means high thrust creation with an expense of slightly more fuel
This is [the] reason why Turbofan engines are highly fuel economical
The noise produced by a jet engine is highly dependent on the exit jet velocity
Since in a turbofan the bypassed cold air gets mixed with the hot air it is possible to keep the outlet velocity within a limit
Romanian:
prin montarea unui ventilator mare cu unitatea
de componente rotative de presiune joasă.
Asemenea motoare se numesc
motoare turbo-exhaustoare
și aproape toate aeronavele
comerciale rulează cu ele.
Un motor turbo-exhaustor este ocolit
de o cantitate imensă de aer.
Conducta care se îngustează din ce în ce mai mult
asigură o viteză bună a jetului pentru aerul ocolit.
Într-un motor turbo-exhaustor
majoritatea forței de de împingere provine
de la forța de reacție a ventilatoarelor.
În plus, ventilatoarele îmbunătățesc foarte mult fluxul
de aer din sistem prin aspirarea de mai mult aer,
astfel, acestea ajută la îmbunătățirea tracțiunii.
Aceasta înseamnă crearea de forță mare,
cu consumul a puțin mai mult combustibil.
Acesta este motivul pentru care motoarele
turbo-exhaustoare sunt extrem de economice.
Zgomotul produs de un motor cu reacție este în
mare măsură dependent de viteza jetului de ieșire.
Dat fiind că, într-un turbo-exhaustor, aerul
rece răcit ocolit se amestecă cu aerul fierbinte,
este posibilă menținerea
vitezei de ieșire într-o limită.
Portuguese:
um aprimoramento revolucionário foi feito nesse motor ao adaptar um leque largo no eixo de baixa pressão
tais arranjos são chamados de motores turbofan e quase todas as aeronaves comerciais o utilizam
um motor turbofan rejeita uma enorme quantidade de ar
o duto que tende a se estreitar dá uma boa velocidade ao ar rejeitado
em um motor turbofan boa parte da força de impulso vem da força de reação dos leques
além disso o leque aprimora de maneira significativa o fluxo de ar no sistema por sugar mais ar
portanto ajuda a aprimorar o impulso
isso significa que será necessário consumir apenas um pouco de combustível para ter um impulso aprimorado
e essa é a razão dos motores turbofan serem altamente econômicos
o barulho produzido por um motor a jato depende significantemente da velocidade de saída do ar
uma vez que no turbofan o ar frio rejeitado acaba se misturando com o ar quente é possível manter a velocidade de saída dentro de um limite
Chinese:
因此它克服了噪音问题
(由于)有着更安静的排气和更好的燃油经济性
涡扇发动机将继续主导飞机的推进系统
我们希望本期视频为喷气式发动机的工作提供了一个良好的介绍
感谢观看
Vietnamese:
Độ ồn vì thế cũng được cải thiện theo.
Vì thế, hiện nay ĐC tuabin phản lực cánh quạt thống lĩnh thị trường máy bay thương mại
Hy vọng video này bổ ích đối với các bạn
English:
Thus it overcomes the noise problem
With quieter exhaust and better fuel economy the turbofan engines continued to dominate aircraft propulsion systems
We hope this provided a nice introduction to the working of jet engines. Thank you for watching this video
Turkish:
Böylece gürültü sorununun üstesinden gelinmiş olur.
Daha sessiz hava çıkışı ve daha iyi yakıt ekonomisi özellikleri sayesinde turbofan motorları uçak endüstrisindeki taşıma sistemleri arasında egemen olmaya devam edecektir.
Umarız ki,bu video jet motorlarına iyi bir giriş yapmanızı sağlamıştır.
İzlediğiniz için teşekkürler.
-Çeviren:Mert Kırımgeri-
Romanian:
Astfel depășește problema zgomotului.
Cu o evacuare mai silențioasă și o
mai bună economie de combustibil,
motoarele turbo-exhaustoare au continuat să
domine sistemele de propulsie ale aeronavelor.
Sperăm că aceasta v-a oferit o introducere
frumoasă în funcționarea motoarelor cu reacție.
Vă mulțumim pentru vizionarea acestui videoclip!
Russian:
Это частично решает проблему шума
Менее шумные и более экономичные турбовентиляторные двигатели доминирует в авиастроении
Надеемся, вы узнали много нового о работе реактивных двигателей
Спасибо за просмотр
Portuguese:
superando assim o problema com o barulho
com um escapamento menos barulhento e um consumo menor de combustível, os motores turbofan continuam dominando o sistema de propulsão das aeronaves
esperamos ter fornecido uma boa introdução para o funcionamento de motores a jato. Obrigado por assistir esse vídeo.
Korean:
더욱이, 그것은 소음문제를 극복할 수 있습니다.
소음의 감소와 더 좋은 연비가 충족된다면 항공기 추진 시스템에 대한 터보 팬 엔진의 지배는 지속될 것입니다.
우리는 이것이 제트엔진의 작동원리에 대한 좋은 소개를 제공했기를 바랍니다.
영상을 봐주셔서 감사합니다.
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I'm
just going give you a little background on
who I am and where I'm coming from, and why
I've made some of the decisions I been making.
So I did my PhD in Boston, which is where
I am now.
I do like it there.
I was in a speech and hearing biosciences
technology program, and that was a program
originally designed for teaching engineers
to be speech and hearing scientists.
It worked pretty well.
I decide to stay, and I worked at the MGH
voice center.
Four out of my five years as a doctoral student,
I was funded on a T32, and I had no idea what
writing a grant meant.
I wrote a dissertation proposal, which I'm
sure you all agree is nothing like a real
grant.
And no one ever told me I should write an
F31.
Because we had four years of funding, and
I was in a funded lab, and they only had to
fund me for one year.
Why would I waste my time writing a grant?
Honestly, I know that sounds ridiculous to
the people in this room.
But it seriously never occurred to me.
I thought about it, a little bit, before I
finished because I was looking for a postdoc,
and some people asked me if I had grant writing
experience.
And I'm like, "Yeah, I read some grants.
They were great."
And lucky for me, I found a position at the
University of Washington.
I was actually on a T32, again, in their rehabilitation
medicine department, and I was working with
an adviser on a neuro-robotics laboratory
which was in computer science.
And lucky for me, I was on a T32, and she
was also very well funded from NSF and NIH,
and she's like, don't waste your time writing
a grant.
So, as I started applying for jobs, I began
to realize exactly how much trouble I was
in.
Because I would do phone interviews and I
would go to jobs, and they'd be like, "Yeah,
your publications look great.
So, you've been applying for grants, right?
You just haven't been funded yet."
I'm like, "Hmm.
Okay."
I was lucky enough to get a job at BU because
they didn't know any better, I suppose.
So the whole summer before I was going to
start, I had finally gotten the memo that
I was in big trouble, and I started writing
grants like it was my job.
Which as it turns out, it is my job to write
grants.
So, I started my first year on the tenure-track,
and in the fall I taught my first course.
And I'm mentioning that because also, because
I was on T32s, I never had to teach.
So I taught my first course the fall of my
first year.
And for those of you who are yet to negotiate
your first year on the tenure-track, many
times they will let you negotiate a semester
off.
Some brilliant person had given me the advice
that I should ask for that semester off to
be the spring of my first year.
Do that.
That is an excellent idea.
So I taught right away, even though I was
terrible and didn't know anything about teaching,
it gave me time for everything to arrive in
my lab and to train the undergrads.
That's the big thing here.
I was training new undergrads.
That was really easy for me because because
even though I wasn't writing grants, I was
doing something during my postdoc, and that
was mentoring about seven undergrads.
My adviser left to go work for Google while
I was a postdoc, and left me in charge of
her lab.
Which was interesting because it was a robotics
lab, and I was trying to learn robotics, not
mentor her several doctoral students.
And all of the undergrads that she and I could
hire, which was very useful, it gave me the
experience that when I started my new lab
I didn't have any doctoral student, I didn't
have any support, but I had a bunch of free
undergrads and I knew how to tell them how
to do something.
I got my ASHFoundation new investigators grant
that year, which was awesome.
It's the reason I was allowed to come to Lessons
for Success my first year.
And I also submitted my R03, which was based
on work I had done as a doc student and also
as a postdoc.
And I think that that helped it make it look
a little more legitimate.
Someone mentioned, "Will they believe I can
do that?"
And I think, and in my case at least, I think
a reason they thought I could was but because
all the publications weren't with my doctoral
mentors.
There were some that came after.
So I was be only continuing factor in there.
So I think it looked a little more believable.
I came to Lessons for Success.
Which was amazing.
Everyone says that, so believe it.
My R03 was not funded.
It had what I thought was an embarrassingly
terrible score.
It was a 44.
And I know now, what Bob Hillman told me at
the time was, "Forty- four.
That means don't stop trying."
Great.
A 44 is what, a D if you take the whole scale.
It was humiliating.
One of the things that I realized having failed
in my R03, and having it reviewed here.
Which I think you guys are reviewing my grant
again, which is more room for embarrassment.
I sat there and I listened to people really
rip my R03, even worse than the real reviewers
had.
Which is when I realized that nobody outside
of my collaborators read this.
It wasn't that I didn't try.
I tried, I sent it to people.
It's not their job to read your grant, right?
You have to beg, borrow, and steal to get
someone to put their eyes on these things.
They're long.
The margins are half an inch.
No one wants to read this.
So I came back from Lessons for Success and
I was really depressed.
I'm bad at this.
I don't know what I'm doing.
I don't have a mentor now -- not a supervisor.
I wasted all those years of training, not
having supervisors read my work because I
didn't know I was supposed to be writing grants.
And now I'm in trouble.
So I went to my dean at the time, and I told
her, "You have to hire someone to read my
grants."
I actually had this conversation.
And she's like, "Who?"
She's an interesting woman, and she's at least
entertaining this.
And I had identified someone.
He was a research professor at BU.
He had something like $30 million in grants
over his career.
He's been writing to fund himself his whole
life, and they were at a low point and he
needed some effort covered, so she hired him
to mentor all the junior faculty in our college.
And he reads our grants.
It's awesome.
So that was really helpful.
I picked up my first PhD student, which was
fantastic.
I put in so many small grant submissions.
I was writing grants pretty much 70 percent
of the time.
And I got some of them, and I failed at many
of them.
And I hired a lab manager.
Which, if you have the funds to do so, is
a really marvelous idea.
If you do experimental work -- I was the one
managing Google calendar and scheduling subjects,
while I write all those grants.
It was horrible, and I didn't even realize
how inexpensive it can be to get someone to
help you with those things.
So, interlude.
Year 1, I looked this up, I submitted 13 grants
in my first year.
I didn't get very many of those.
And 13 was hard ,and so I got some advice
from Frank Guenther who is in my department.
Because I'm a pessimistic person, he's like,
"You have to celebrate every step of grants.
You should celebrate when you turn one in.
Because that's a good job.
You should celebrate when it gets reviewed,
even if it doesn't get reviewed.
And you should celebrate when you think you
might get it, because by the time you get
it, it really not interesting anymore."
And the side note to this is that given where
the funding rates are, every time you don't
get a grant, you're just ten percent closer
to a success.
And I do realize that statistics don't work
that way.
But if you think about it, it works that way.
Definitely.
So every time you fail, you have to go have
a drink.
So then in Year 2, I had a lot of failures.
In that fall I submitted three grants all
on the same project.
It was an aging project.
Aging and physiology of neck motor control.
Scintillating.
I sent it to the American Federation for Aging
Research, and they don't give you reviews
so it's hard to tell how much they hated it.
They just didn't fund it.
In the meantime, I had been talking so this
kind of related to swallowing theoretically,
and Lana said it wasn't appropriate for NIDCD.
So I found someone at Aging to talk to who
thought it would be interesting.
I told her about my idea, I was going to submit
an R21, and she's like, "Yeah.
Have you thought about our K01?"
Which I hadn't because I'm not eligible for
any of the Ks at NIDCD, and I had them sort
of out of my brain.
And she said, "You should really think about
it."
And we talked about it, and I'm like, "So
I should submit a K this fall instead of an
R21."
And she's like, "No, no.
You can submit both.
You can submit the same aims, it's okay."
I checked it out, I knew someone who had done
this before, they year before.
So I did.
I wrote two grants for the same deadline.
They were pretty similar, so it shouldn't
count as two -- one and a half.
And that was the worst fail of all because
actually the R21 was not even funded.
Definitely not funded.
It was not even scored.
And right after they didn't score it, they
sent me a note yelling at me about how it
was illegal to send in both of them, even
though the program director had told me to.
So don't do that.
Apparently it used to be okay -- actually
it might be okay again, because you can have
multiple submissions now.
Anyway, at the time that was definitely a
bad fall.
Then in the spring, I failed at an NSF.
I tried a different R21 on a different project,
that also failed.
But my R03 got funded.
Yay!
That R03 got funded partially because of the
amazing eyes that I had on it at Lessons for
Success.
I guess, since they didn't read any of those
other failures, it's not their fault.
I got a small local grant for some of my other
work.
Failed at ASHFoundation.
And then I failed at an NSF career grant.
And added my first postdoc.
The reason I want to tell you about all the
different times that I failed, is because
I'm used to it, but you might not be.
I think there are a lot of Type A personalities
in communication disorders.
A lot of people who have gotten a lot of As,
and I've gotten a lot of not-As.
So, I'm really used to failing.
So, I would encourage you to not take failure
as a personality trait, but as something that
has to happen.
Many times.
So then in the fall, I had a nice talk with
Roger Miller at NIDCD, and he said, "Stop
writing grants.
I don't want to see any more R21s from you,
ever."
I know, people don't believe he said it, but
he did.
So now my focus is enjoying my R03 and my
Foundation money.
I'm going to keep trying with NSF because
I got some really positive feedback, just
not funded feedback.
And to start prepping an R01 to submit in
the next year and a half, I hope.
I've added two new PhD students, which brings
me to three, which is a large but optimal
number in my opinion.
And this spring, I have resubmitted one of
my NSFs and am prepping my career award resubmit.
I added postdoc number two, and I'm still
prepping that R01.
And right now I'm here talking to you.
So as I mentioned, I don't have any answers.
But I'm just letting you know where I'm coming
from and the things I'm trying in case you
want to try them too.
And now I have some tips, because they gave
me a soapbox:
Listen to yourself, but listen to others.
Everyone kept telling me not to do this neck
motor control thing.
And I didn't listen to any of them.
And by everybody, I mean, at least six or
seven people that I respect a lot.
When that many people tell you it's a dumb
idea, you should just stop.
You're not always right.
I was wrong, and I wasted a lot of time and
effort on that.
Go deep, but stay broad.
People tell me I lacked focus.
And to some degree they are correct.
But on the other hand, I think having multiple
lines of projects is smart.
Because there are different agencies because
just because you think it's a good idea you
could be wrong.
Or even if you're right, someone else may
not believe you.
I think it helps to have multiple things going
on, as long as they are complementary.
And you should tell everyone what you're doing.
Because you never know what skills or contacts
that they might have that could help you.
Early and often.
Share.
One way that I found that doesn't really work
with senior faculty, but with other junior
faculty, volunteer to read their stuff and
then later when you ask them, they'll know
they owe you.
Sit on a panel as soon as possible.
I've been moderately successful at this.
For NIH, no success.
If you haven't already, send your CV immediately
to be an early career reviewer for NIH.
I know they do ask some people.
Not me.
What I have been successful with is getting
on NSF panels, which has been amazing.
I wish so much I could of done that before
I bothered to send the first grant because
it's like making sausage.
It's amazing just to see what they're really
looking for and getting the practice in reading
the grants.
So I've done that a couple of times and feel
a lot more comfortable.
And NSF is really open to having new people
go.
I volunteered there and a year went by and
nothing happened.
Then another somewhat junior, maybe sixth
year junior assistant professor who I'm friends
with mentioned, "Oh, they ask me all the time,
it's so annoying.
I can't go again."
And I'm like, "Why don't you send them my
name?"
And she did, and they called me in a week
later.
So, if you know anybody who reviews for NSF,
have them send your name in and that might
work better.
Don't take it personally when people don't
want to talk to you.
Like program directors.
They don't always want to talk to you, and
it is not personal, and if you keep trying,
eventually of you'll find the right person
and find someone who can give you the good
information.
Make your work accessible.
I heard this a few different times.
I think it's still relevant for NIH.
But for NSF, having an up to date website
matters.
Having your papers accessible on your website
matters.
I heard this from people who are NSF funded,
but then when I was on panels, literally,
as people review they will be a discussion
about whether something is really true, or
whether whatever, and they go on the website
and they look.
They take a lot of time while they are reviewing
these things and they will look up and see
what you have on your website.
So make sure it matches what you wrote on
the grant.
This is really random, but it really works
for me.
I waste an entire wall of my office with this
whiteboard.
This is a random shot of my urgent-yes/urgent-no,
important-yes/important-no.
And its helps me figure out what I'm allowed
to do that day.
And helps me not to do the urgent not important
at all things, or at least to put them off
for a little longer.
And outsourcing.
Obviously, I mentioned I'm actively trying
to get grad students, postdocs.
So it's clear that I think that's an important
step.
Not just because the education is important,
but because teaching them once really does
save you in the long run.
If you get good students.
Getting what you need: Ask for it.
I asked for someone to be hired 20 percent,
and she actually did it, and then six months
later, I asked for endoscopy equipment that
wasn't included in my startup, and I said
"the college needs it for this reason and
this reason."
And she bought it.
If you have a good reason, and you're strategic
-- I mean, I didn't wait a week in between
the two big things I asked for -- and explain
why, and have a solution.
So don't just go and complain.
I didn't just go and say, "Ugh.
No one will read my grants, it's so annoying."
I said, "No one will read my grants, hire
this guy to read my grants."
And if you give them a to-do, and they have
the ability to do it, they want you to succeed,
and it might work.
Which is actually the topic I was asked to
speak about.
Catch up on sleep later.
When I was here, you know you have to be down
in the lobby at 7:30.
And they are going to keep you busy all day.
There will not be three minutes break.
And then you're going to have dinner.
And you're going to want to network and do
all these things.
And in the back of your mind, you're like
I have to grade this, and I need to go back,
and you've got like fifty new emails.
Just do that later tonight.
Like way later.
Don't think about it.
Don't try to multitask, or you won't get enough
out of the experience.
Or don't answer e-mails, and go back to work
on your aims more.
Because after you talk to your mentor, you're
going to want to do as much as you can here
with them.
One last thing, inspired by Will, who was
a doctoral student at BU who asked me six
months ago why he should have to do a postdoc.
Here's why I think you should do a postdoc.
Because you get more mentors and more sponsors
that you can send your aims to later, who
might feel some reason to read them for you.
You can obtain a brand-new network, especially
if you move out of the same institution or
city.
You get to practice starting from scratch,
with a lot less pressure than a tenure-track
job.
When you start a new job, it's not just starting
that new job.
It's starting everything new about it.
Where's the copier?
How do I do the most mundane things that were
easy in my last job?
Practicing that, it's a skill, and you'll
be better at it when you start your tenure
track job.
Practice with research mentoring.
So in my case having all those undergrads
to mentor was really helpful.
Getting pilot data and grant writing experience.
I sort of failed on that one, but you don't
have to.
Building your CV so you can get a better tenure-track
job.
So that you have all those publications and
you can compete with other people who didn't
do a postdoc.
And to distinguish yourself from your PhD
supervisor.
And for me, I think that's the big one.
If you go right out then you're just, no offense,
a more junior version of your PhD mentor.
And do you want to be writing grants that
get reviewed in teh same cycle as them?
You need some other skills to add to that
to make you the next best thing.
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Estou curioso: quantos de vocês se consideram muçulmanos devotos?
Deixem-me ver suas mãos,não quero destacar ninguém...mas não são muitas...
Vocês estão todos cientes,claro,de que o Corão existe e alega ser a palavra perfeita do criador do Universo...
estão cientes de que,uma vez tendo ouvido esta possibilidadee a rejeitado,vocês todos irão para o inferno,pela eternidade?
É desnecessário dizer,Dr. Craig e eu iremos ambos para O inferno caso essa visão seja verdadeira.
O problema é que tudo o que o Dr.Craig disse hoje à noite,com poucas modificações,
poderia ser dito em defesa do Islã,e de fato foi dito em defesa do Islã.
A lógica é exatamente a mesma:
“Nós temos um livro que alega ser a palavra do criador do universo.
Ele nos fala acerca da natureza da realidade moral e de como viver de acordo com ela.”
Mas e se os muçulmanos estiverem certos?E se o Islã for verdadeiro?
Como deveríamos ver Deus em termos morais?
Como nós veríamos Deus em termos morais,ou eu deveria dizer,Alá?
Nós nascemos no lugar errado,com os pais errados,nos foi dada a cultura errada,e a teologia errada.
Desnecessário dizer,Dr.Craig está condenado.Ele foi completamente confundido pelo cristianismo.
Só imaginem a péssima posição em que ele está para apreciar a verdadeira palavra de Deus...
Eu fui completamente enganado pela ciência...
Onde está a compaixão de Alá?
Ainda assim,ele é onipotente;ele poderia mudar isso em um instante.
Ele poderia nos dar um sinal que convenceria todos que estão neste recinto.
E ainda assim ele não fará isso.E o inferno espera.
E o inferno espera nossos filhos,porque não podemos evitar enganar nossos filhos.
Agora,segure essa visão na sua mente,e então avalie o quão pouco sono você perdeu pensando nisso.
Apenas sinta neste momento o quão despreocupado você está,e continuará a estar,em face desta possibilidade.
Quais são as chances de todos nós irmos para o inferno,pela eternidade,
por não termos reconhecido o Corão como a perfeita palavra do criador do universo?
Por favor, saiba que é exatamente assim como O cristianismo é percebido...
por alguém que não foi doutrinado por ele.
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THE
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THE WEB SITE. THIS IS WHY I'M
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THIRTY DOLLARS IN PENNSYLVANIA
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THIRDS OF PEOPLE SURVEYED THEY
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WORK FROM
PREFER THEIR HOME OFFICE AND
NEARLY THE SAME AMOUNT WANT TO
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PREFER THEIR HOME OFFICE AND
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PREFER THEIR HOME OFFICE AND
NEARLY THE SAME AMOUNT WANT TO
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PREFER THEIR HOME OFFICE AND
NEARLY THE SAME AMOUNT WANT TO
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NEARLY THE SAME AMOUNT WANT TO
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NEARLY THE SAME AMOUNT WANT TO
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OF
NEARLY THE SAME AMOUNT WANT TO
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NEARLY THE SAME AMOUNT WANT TO
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NEARLY THE SAME AMOUNT WANT TO
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WORK FROM HOME FOR THE REST
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WORDS FOR THEM. EXPENSE
| {
"pile_set_name": "YoutubeSubtitles"
} |
Hey hey, you guys. Here's one for you
Let's say none of us were married, alright?
If you could have any woman in the world, who would it be?
Mariel Hemingway
Oh come on. That's not a very good choice
She's so jagged
No no, I think she's very attractive in a classical kind of way
Yeah, but you could cut a roast on here face
I would go with Margaret Thatcher
Eww. Why the hell Margaret Thatcher?
Oh, so nobody here thinks power is sexy?
Not one of you finds power sexy?
| {
"pile_set_name": "YoutubeSubtitles"
} |
Hungarian:
Hé, Vsauce, én Jake vagyok és akár tetszik a Call of Duty, akár nem, tény, hogy elképesztően népszerű.
A legújabb játék a sorozatban a Black Ops 2, amivel eddig több mint 916 millió órát játszottak,
ami egy kicsit több, mint 104 ezer év.
Percenként 83 ezer ember hal meg a játékban, ami azt jelentené a valóságra vetítve,
hogy 6 nap után senki nem maradna életben a világon.
Összesen több mint 106 milliárd haláleset történt a Black Ops 2-ben, amely egyenértékű
a valaha világra jött emberek 98%-ával.
De mi lenne akkor, ha a 916 millió óra játékból csak 1 valódi lett volna?
Valódi emberekkel, valódi fegyverekkel, és valós költségekkel.
Mivel a játék a jövőben játszódik, napjainkban nem létező felszereléssel,
olyan elemekkel fogunk számolni, amiket ma használnak a harcban.
Ilyen például a legtöbbet használt gépkarabély az amerikai fegyveres erőknél, az M4-es,
aminek darabja 673,47 dollárba kerül, a hozzá tartozó 5.56mm-es lövedék (M855) ára pedig 0,26 dollár.
Italian:
Ehi, Vsauce, io sono Jake e se ti piace
Call of Duty o no, il fatto è che è incredibilmente
popolare. L'ultimo gioco della serie, Nero
Ops 2, ha oltre 916 milioni ore giocate,
che è un po 'più di 104 mila anni.
83.000 persone muoiono ogni minuto del gioco
il che significherebbe che, in 6 giorni, non ci sarebbe
rimasto nessuno nel mondo.
In totale, ci sono oltre 106 miliardi di morti
in Black Ops 2, che equivale al 98%
di esseri umani che sia mai esistito.
Ma, di 916 milioni di ore di gioco
giocare, cosa succede se solo uno era reale? Come nel reale
persone, armi vere, e costi reali.
Dal momento che parti del gioco si svolgono in
futuro con attrezzature che non esistono,
ci atterremo agli elementi che vengono utilizzati oggi
in combattimento.
Come il fucile d'assalto più utilizzati
le forze armate degli Stati Uniti, la carabina M4, che
costa 673,47 dollari un pezzo, e il 5,56 millimetri rotonda
utilizza (M855) a 0,26 dollari una cartuccia
English:
Hey, Vsauce, I'm Jake and whether you like
Call of Duty or not, the fact is, it's incredibly
popular. The latest game in the series, Black
Ops 2, has over 916 million hours played,
which is a little more than 104,000 years.
83,000 people die every minute in the game
which would mean that, in 6 days, there would
be no one left in the world.
In total, there are over 106 billion deaths
in Black Ops 2, which is equivalent to 98%
of humans who have ever existed.
But, out of the 916 million hours of game
play, what if just one was real? As in real
people, real weapons, and real costs.
Since parts of the game take place in the
future with equipment that doesn't exist,
we will stick to items that are used today
in combat.
Like the most heavily used assault rifle in
the US Armed forces, the M4 Carbine, which
costs $673.47 a piece, and the 5.56mm round
it uses (M855) at $.26 a cartridge
Spanish:
Hey, Vsauce, soy Jake y si te gusta Call of Duty o no, el hecho es que es increíblemente
popular. El último juego de la serie, Black Ops 2, cuenta con más de 916 millones de horas de juego
que es un poco más de 104.000 años
83.000 personas mueren cada minuto en el juego lo que significaría que, en 6 días, no
quedaría nadie vivo en el mundo.
En total, hay más de 106 mil millones de muertes en Black Ops 2, lo que equivale a un 98%
de los seres humanos que han existido nunca.
Pero, de las 916 millones de horas de juego, ¿que pasaría si sólo una fuera real? Como la realidad
personas, armas reales y costos reales.
Ya que algunas partes del juego se llevan a cabo en el futuro con equipo que no existe
nos atendremos a los elementos que se utilizan hoy en combate
como el rifle de asalto más utilizado en las fuerzas armadas de Estados Unidos, la carabina M4, que
cuesta $ 673.47 cada una, y la ronda 5.56mm utiliza (M855) a $ 0,26 cada cartucho
English:
Then, the cost of basic training for a soldier
which is around $50,000.
Now, let's start small with the ammunition.
The US Army used 1.5 billion rounds of small
arms ammo for all of 2006. In Call of Duty,
an average 88,000,000 shots are fired an hour,
so you'd hit 1.5 billion before the end of
the day.
But, in terms of cost, those 88 million rounds
would be $22,800,000. Their weight alone is
about the same as the Eiffel Tower...on top
of another Eiffel Tower.
Then, let's say you get a killstreak and call
in some cruise missiles. The Tomahawk Missile
is one of the most commonly used, and the
tactical version costs $1.45 million per shot-
not to mention that you need something to
launch it, like a $2 billion submarine, or
a $4.5 billion destroyer.
But, lets make it simple and use the 20,209
people playing Black Ops 2 on Steam right
now as our Army sample size.
How much would it cost to get them battle
ready and equipped for a one-hour long fight?
Well at $50,000 per soldier for training,
plus around $17,400 to equip a soldier with
Spanish:
Luego, el costo de la formación básica de un soldado
que cuesta alrededor de $ 50.000.
Ahora, vamos a empezar poco a poco con la munición.
El Ejército de Estados Unidos utilizó 1,5 mil millones de rondas pequeñas
para armas para todo el 2006. En Call of Duty,
un promedio de 88.000.000 tiros se dispararon en una hora,
por lo que le golpearían a 1.5 mil millones de personas antes de que el día acabase.
Pero, en términos de costo, esos 88 millones de rondas
serían $ 22.800.000. Su peso único sería
casi lo mismo que la Torre Eiffel ... encima de otra torre Eiffel.
Entonces, digamos que usted consigue una racha de muertes y llama
a algunos misiles de crucero. El Misil Tomahawk
es uno de los más utilizados, y la
versión táctica cuesta $ 1.450.000 por disparo
por no hablar de que se necesita algo para
lanzarlo, como un submarino de $ 2 mil millones, o
un destructor de $ 4.5 mil millones.
Pero, vamos a hacer que sea sencillo y utilizar a las 20209
personas jugando Black Ops 2 en Steam
ahora como nuestro tamaño de la muestra del Ejército.
¿Cuánto le costaría conseguir estar listos en la batalla y equipado para una larga lucha de una hora?
Bueno en $ 50.000 por soldado para el entrenamiento, más alrededor de $ 17.400 para equipar a un soldado con
Italian:
Quindi, il costo della formazione di base per un soldato
che è di circa $ 50.000.
Ora, cominciamo piccola con le munizioni.
L'esercito americano utilizzato 1,5 miliardi di cicli di piccola
armi munizioni per tutti 2006 In Call of Duty,
una media di 88.000.000 colpi vengono sparati un'ora,
in modo che ci ha colpito 1,5 miliardi entro la fine del
il giorno.
Ma, in termini di costo, quei 88 milioni di giri
sarebbe stato 22,8 milioni dollari. Il loro peso solo è
più o meno come la Torre Eiffel ... in cima
di un'altra Torre Eiffel.
Quindi, diciamo che si ottiene un killstreak e chiamare
in alcuni missili da crociera. Il Missile Tomahawk
è uno dei più comunemente usato, e la
versione tattica costa 1450 mila dollari per colpo-
per non parlare che avete bisogno di qualcosa di
lanciarlo, come 2 miliardi di dollari sottomarino, o
un 4,5 miliardi dollari distruttore.
Ma, lascia rendono semplice e utilizzare il 20.209
persone che giocano Black Ops 2 sulla destra Steam
ora come il nostro campione dell'esercito.
Quanto costerebbe per farli battaglia
pronto e attrezzato per una lunga battaglia di un'ora?
Beh a $ 50.000 per soldato per la formazione,
più intorno 17,400 dollari per equipaggiare un soldato con
Hungarian:
Egy katona alapképzésének költsége pedig mintegy 50 ezer dollárba kerül.
Most nézzük meg közelebbről a lőszereket! Az amerikai hadsereg 1,5 milliárd kézifegyver töltényt használt el 2006-ban.
A Call of Dutyban átlagosan 88 millió lövés dördül el egyetlen óra alatt,
tehát a nap vége előtt elérheted az 1,5 milliárdot.
De, ami a költségeket illeti, csak ez a 88 millió töltény 22.800.000 dollárba kerülne.
Csak a golyók súlya körülbelül ugyanannyi, mint az Eiffel-toronyé ... fölötte egy másik Eiffel-toronnyal.
Aztán, mondjuk kapsz egy killstreaket és hozzájutsz néhány cirkáló rakétához.
A Tomahawk rakéta az egyik leggyakrabban használt, és a taktikai változata 1,45 millió dollárba kerül lövésenként -
arról nem is beszélve, hogy kell valami, amire kilövöd, például egy 2 milliárd dolláros tengeralattjáró, vagy
egy 4,5 milliárd dolláros romboló.
De egyszerűsítsük le a dolgot és vegyük azt a 20.209 embert, aki épp Steamen játszik a Black Ops 2-vel,
mint egy kisebb méretű hadsereg.
Mennyibe kerülne őket csatasorba állítani, felkészíteni és felszerelni egy egyórás küzdelemre?
Nos, 50 ezer dollár a képzés díja katonánként, valamint mintegy 17.400 dollár felszerelni egyet
Hungarian:
fegyverrel, golyóálló mellénnyel és a szükséges felszereléssel - már e két tényezővel önmagában
legalább 1.362.086.600 dollárba kerülne egy egyórás háború, amely, ami összevetve azzal a 300 millió dollárral,
amit az Egyesült Államok költ naponta az iraki és afgán háborúban, eléggé hihetetlen.
Eddig több mint 1,9 billió lövés dördült el a Black Ops 2-ben, és amennyiben
ezek mind a normál súlyú 5.56mm-es lőszerrel történtek, akkor kb. 362 milliárd kg lőszerről beszélhetünk,
vagyis a Föld súlyának 0,000000006%-áról.
Hogyan is tudnánk finanszírozni egy órányi hadviselést, ha az $ 1.362.000.000 dollárba kerül?
Ha azt vesszük, a játék 22,9 millió példányban kelt el világszerte és egy példány
kiskereskedelmi ára 60 dollár, vagyis összesen 1.374.000.000 dollár folyt be belőle, ami elegendő lenne arra,
hogy egy órát Call of Dutyzzunk a valóságban, és még 14.000.000 dollár megmarad,
amiből csaknem 10 taktikai Tomahawk rakétákat vásárolhatunk.
Italian:
arma, armatura e necessaria del cambio con
solo questi due fattori, ci stanno guardando
almeno 1362,0866 milioni dollari per un'ora di guerra,
che, rispetto ai 300 milioni di dollari negli Stati
Uniti spendono una giornata sulla guerra in Iraq e
Afghanistan, è abbastanza incredibile.
Attualmente, in Black Ops 2 ci sono stati
oltre 1,9 trilioni colpi sparati e, se
erano tutti al peso standard di uno 5,56 millimetri
tondo, che peserebbe circa 362 miliardi kg,
o 6% del peso della Terra.
Ora, come potremmo effettivamente finanziare un'ora di
guerra che costa 1.362 milioni dollari di dollari?
Se si prende i 22,9 milioni di copie del
gioco ha venduto in tutto il mondo, con ogni unità al
prezzo al dettaglio di $ 60, esso sarebbe pari 1.374 milioni dollari
che sarebbe sufficiente a pagare per un'ora
della vera chiamata vita of Duty, e vi darà $ 14
milioni di avanzi di comprare quasi 10 Tactical
Missili Tomahawk.
Spanish:
un arma, armadura y el equipamiento necesario, con
esos dos factores por sí solos, estaríamos hablando de
al menos $ 1,362,086,600 para una hora de guerra,
que, en comparación con los $ 300 millones que los Estados
Unidos gasta en un día en la guerra en Irak y
Afganistán, es bastante increíble.
Actualmente, en Black Ops 2 ha habido
más de 1,9 billones de disparos y, si
estaban todos en el peso estándar de un solo 5.56mm
por ronda , pesaría unos 362 mil millones kg,
o 6% el peso de la Tierra.
Ahora, ¿cómo podríamos realmente financiar una hora de
la guerra que cuesta $ 1,362,000,000 de dólares?
Si tomas los 22,9 millones de copias del
juego vendidas en todo el mundo, con cada unidad en el
precio de venta de $ 60, que sería igual a $ 1374 millones
lo que sería suficiente para pagar por una hora
de la vida real de Call of Duty, y sobrarian $ 14
millones para comprar casi 10 tactical
Misiles Tomahawk.
English:
a weapon, body armor and necessary gear- with
those two factors alone, we are looking at
at least $1,362,086,600 for one hour of war,
which, compared to the $300 million the United
States spends a day on the war in Iraq and
Afghanistan, is pretty incredible.
Currently, in Black Ops 2 there have been
over 1.9 trillion shots fired and, if they
were all at the standard weight of one 5.56mm
round, it would weigh about 362 billion kg,
or 6% the weight of Earth.
Now, how would we actually fund an hour of
warfare that costs $1,362,000,000 dollars?
If you take the 22.9 million copies of the
game sold worldwide, with each unit at the
retail price of $60, it would equal $1,374,000,000
which would be enough to pay for one hour
of real life Call of Duty, and give you $14
million leftover to buy almost 10 Tactical
Tomahawk missiles.
Italian:
Ma, al momento dell'acquisto di giochi come Call of Duty,
stiamo davvero dando i soldi ai produttori di armi?
Il mio amico Mike Rugnetta sull'idea canale PBS
fatto un grande video discutendo proprio questo. Essere
sicuri di check it out, e, come sempre, grazie
per guardare.
Spanish:
Pero, en la compra de juegos como Call of Duty,
¿estamos realmente dando dinero a los fabricantes de armas?
Mi amigo Mike Rugnetta en el Canal Idea PBS
hizo un gran vídeo discutiendo precisamente eso.
Asegúrese de mirarlo , y como siempre, gracias por vernos.
Hungarian:
De ha olyan játékokat vásárolunk, mint a Call of Duty,támogatjuk a fegyvergyártókat?
A barátom Mike Rugnetta a PBS Idea csatornán készített egy nagyszerű videót, amiben ezt a kérdést feszegeti.
Ezt feltétlenül nézd meg, és, mint mindig, köszönet a megtekintésért!
English:
But, when buying games like Call of Duty,
are we actually giving money to gun manufacturers?
My friend Mike Rugnetta on the PBS Idea Channel
made a great video discussing just that. Be
sure to check it out, and, as always, thanks
for watching.
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German:
Herzlich willkommen zu einem neuen
Video unserer Anwenderserie.
In diesem Praxisbeispiel möchten wir Ihnen ein Projekt
vorstellen, welches von Angela Martin durchgeführt wurde.
Zur Planung eines neuen Parkettbodens im Kronsaal des Schloss Albrechtsbergs
musste eine exakte Bestandsaufnahme der Ist-Situation erstellt werden.
Frau Martin wurde beauftragt den Grundriss,
die Auslasse der Heizung sowie
den Höhenverlauf des Bodens aufzumessen.
Das heißt, wir können in unserer Flexijet Software,
nachdem wir den
Grundriss eingemessen haben,
ein Raster auf den Boden legen, dessen Größe wir innerhalb der Software definieren und
das Flexijet misst automatisch definierte
Messpunkte Punkt für Punkt, so dass
eine dreidimensionale Datei entsteht, die mir sogar farbig den Höhenverlauf des
English:
Scanning floor levels
Welcome to a new video of our series “Flexijet 3D in practice”.
In this example, our colleague Angela Martin was involved in a project
to replace the parquet floor in the coronation room of Schloss Albrechtsberg,
where the current ‘as built’ state of the floor needed to be documented..
Mrs. Martin was charged to measure
all heater niches and the variation in floor levels.
After having measuring the floor plan perimeter,
the Flexijet software enables us,
to create a grid overlay onto the floor plan.
Flexijet then automatically measures floor levels at each grid point and
creates 3D coloured data map of the differences
German:
Bodens anzeigt. Ich habe automatisch den höchsten und tiefsten Punkt und kann das komplett
dreidimensional exportieren,
in fast jedes Format, dass Sie sich vorstellen können.
Nach weniger als drei
Stunden hatte Angela Martin eine
komplett fertige Aufmaßzeichnung auf dem Computer,
die alle Informationen, Bezugspunkte und
natürlich auch die Maßpunkte enthält.
Diese Datei konnte die Hirschberger
Parkett GmbH
als Grundlage für Planung, Kalkulation
und später natürlich auch Produktionen der Parketthölzer nutzen.
Sollten auch Sie Interesse haben so effizient und schnell wie Frau Martin zu arbeiten
dann werfen Sie doch einen Blick auf unsere Webseite
www.flexijet.info/3d
English:
in floor levels with defined high and the low points.
This 3D data could then be exported into almost any format.
After less than three hours Angela Martin
had a completed drawing on her laptop including
all information, reference points and obviously all measurements.
The company Hirschberger Parkett could then use this data
as the basis for planning and calculating all requirements for production of the new parquet floor.
If you are interested in working as efficiently and quickly as Mrs. Martin,
have a look in our website:
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What’s up guys, this is Kevan here and today, i’m playing fortnite.
Oh! You know what fortnite is, everyone knows fortnite right?
I haven't even play it for a while and i havent upload a video as well because
I have something else to do and i was sick at that time.
This video has no commentary during my gameplay but there’s captions of my reactions.
And I'm playing this on solo mode and i will try my best. Ok let’s do this
| {
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♪♪
♪♪
♪♪
| {
"pile_set_name": "YoutubeSubtitles"
} |
English:
Everything we've talked about
so far with this startup
company selling socks and all
of that, has been raising
money from an equity.
We raised private money-- when
the company was private it
went to VCs and it went to angel
investors, and maybe you
could go to your friends and
family to raise money.
And then the company could go
public and raise money from
the public markets.
But there's actually
two ways that a
company can raise capital.
So this is why this playlist is
called capital markets, or
it's part of it, the name
of raise capital.
Capital is just essentially--
I mean the easy way to think
about it is you're raising cash
that you want to invest
in some way to grow your
business or to sustain your
business or start
your business.
So everything we talked about so
far was equity, and that's
essentially selling shares in
your company to raise money.
And so that's all of
those VC examples.
The equity investor-- so when
you sell equity, you're
essentially selling-- you're
kind of making that person
Chinese:
我们已经谈论过这个卖袜子的小公司,
都是关于融资。
我们融入了私人资金 - 当公司是私人的时候,它
去找了风险投资公司,它去找了天使投资者,也许你
可以去你的朋友和家人来筹集资金。
然后公司上市,从公开市场筹集资金
但实际上,有两种方式,一个
公司可以筹集资金。
所以这就是为什么这个播放列表被称为资本市场,或
筹集资金是它的一部分。
资本基本上是 - 我的意思是容易的方式去考虑它
如果你想扩大,维持或启动你的生意
所以我们迄今为止谈到的都是股权,
基本上就是靠卖股票来融资。
这些都是VC的例子。
股权投资者 - 当你出售股权,你
基本上是在销售 - 你是让购买人买进
- 你知道,股权和股票是一样的
- 你其实是让购买的人
成为了公司的合作伙伴。
因此,如果公司 - 比方说,有两种情况 - 如果
公司破产 - 和我将更多的讨论关于
破产 - 但如果该公司
破产,所有的股东啥都没了。
他们全部清零。
但如果公司有很多长处,股票就
上涨。
因为他们是合作伙伴。
如果这是那个小公司我们之前说到的,
如果它变成Amazon.com,并成为一个数十亿美元的
公司,每个人都做的非常好。
每个人都会分享在这一涨势。
但还有另一种方式来筹集资金,其实这
可能是一般家庭更熟悉的东西。
我的意思是在家庭层面上,你永远不会去融资。
你从来不说,你知道什么 - 你可以,但你不
会说,嘿,我需要买房子,为什么不是我去找
我的有钱朋友,把我房子10%的股权出售
给他,他会成为我家的合作伙伴。
这可能发生,但在大多数情况下它不会。
通常,在个人层面上,你通过
债务融资。
这是有趣的。
因此,债务的好处是 - 让我们从放贷人的角度想想
债务只是借钱。
我想大家都知道借钱是什么。
我去找我的有钱朋友,我说嘿,我可以借1美元么?
一年后我会还给你1.25美元
他说,OK,借给你没问题。
基本上我是答应了将来的某一天把钱还给他。
如果我出售股权,我没有做任何承诺。
我会说,嘿,我有一个伟大的企业,你为什么不给我
1美元,那么你得到了我的生意的20%。
如果我的业务做大了,你会得到20%的
业务利润。
如果我的生意崩了,你的风险是,你什么也得不到
我也什么都得不到
债务说,不管我的生意如何,如果它
很牛,你也只能得到利息。
这是一种好处(upside很难翻)。
因此,好处有限的,对不对?
如果我以9%的利息借钱,你只能
得到9%。
即使我的公司成为下一个谷歌或微软
放贷人也只能得到本金的9%
但是此人有可能得到一百倍汇报
,因为他们做了一个赌注。
另一方面,这个坏处低得多。
因此,有限的坏处。
因为他们的钱会按一定的还款日程退还给他们
而且他们会在股东之前拿回钱
- 假如,
公司陷入困境的情况下 - 我们会做
整个播放列表来讲破产-房贷人先于股东收回钱。
那么这一切是怎么体现在资产负债表里的呢?
所以让我们说我们有一个上市公司。
如果你想知道在一家公司的财务总监是干啥的,
这是他们做的最主要的决定
我们筹集资金么 - 好了,我们如何做筹集资金,如果我们需要
它,是从股市融资
还是从债市融资?
因此,让我们再用一个公司做例子
比方说,这是其流动资产。
不是流动 - 我不想说流动资产,它的
,它目前拥有的资产。
流动资产是指另一个的东西,我们以后讨论
它。
但是,假设,这是其资产。
你知道它可能有一些现金在这里。
我们将更详细讨论它。
实际上,我们将看看真实的公司资产负债表
来解读资产负债表上的所有条款。
但是,目前这是资产。
比方说,现在它所有的钱,
都被股权化了。
比方说,它是上市公司。
它没必要一定是。
比方说,其股权,
有1千万股。
另一个有趣的事情,当一个公司的是
上市了 - 请记住,每次当一个公司是私人的时候,
增加了一个股权投资者,他们
他们都要坐下来估值。
这些资产价值多少?
但是很酷的是,当你有一个公开上市
公司,这些股票在交易所上市交易,对么?
假如说,这些股票
纽约证券交易所。
因此,每天你可以去雅虎
财务或其它地方,你可以看一下图表。
让我画一个图表。
你可以绘制图表。
我们都看过股票图表,我觉得。
因此,假设,这是这可能是其首次公开招股日期
或者它可能仅仅是开始,
比方说,股票首次公开发行以后长了,然后整个市场
了跌了
但股价 - 也许它在那里,对么?
但在任何一秒钟
股票都有一个价格
可能不是最好的价格,但它总有一个价格。
我们将讨论为什么发生这种情况,因为你可能
有1000万股,在那一天如果只有100股
被交易了
在当天的交易,那是指示性价格么?
因为这不是一个巨大的百分比,
对于所有的股份来说
但无论如何,我们将讨论交易量等等。
但是,假设在这一秒,
交易价格为每股15美元。
对,15元,在这一秒
这就好比现在。
交易价格为每股15美元,你可以看看您的
彭博终端或任何其他地方
所以基本上市场为我们提供
这家公司的价值信息。
市场是说哇,市场愿意
以15美元的价格交易,。
有一个在完全自愿买方和自愿卖方
愿意以每股15美元交易。
因此,这意味着,在那一刻的市场估价这一
公司的1000万股为每股倍15元。
所以$ 15乘以10亿股 - 不
一定是美元。
所以市场给了一个
1.5亿美元的市值。
该公司的市值。
你可以在雅虎财经网页上看到这个。
你会看到一个公司的市值。
它只是股数乘以
股份价格。
这实质上是市场给股权的定价。
市场是说,这公司
价值1.5亿美元。
由于这块股权等于资产,我们
在右侧没有别的,市场的
本质上说的资产现在值
1.5亿美元。
这并不是总是相等的。
后面的几个视频里你可能会看到
你必须做额外的计算弄清楚的债务
资产的价值或 - ,我会在这里抛出了一个新名词,
企业公司的价值。
企业价值的本质的资产价值
减去多余的现金。
公司不需要用来维持日常经营的现金。
我们将更详细的讨论这个。
但我们现在把它看作资产。
所以,如果我是这家公司的CFO,比方说,我们需要
融资1500万美元。
我有两个选择。
我可以说OK,公司股票是每股15美元,我
需要筹集1500万美元的,所以我可以发行
另外一百万股。
它会不会是我的首次公开募股
因为我已经是上市公司。
这将是一个后续发行,或有时
叫做的二次发行。
虽然这个‘二’有两个含义。
但它是我可能会做的一次后续发行
我会去找董事会,然后发行另外100万股
然后卖给市场,并
希望人们将在每股15美元购买,或着
低一点的价格,因为我们是在往市场
里大量发行股份。
也许他们买每股14美元,这样我们
将筹集1400万美元。
这将是一个后续发行。
所以,我们总是可以使用作为公开市场
筹集更多的钱。
我们不一定要这么做 - 我的意思是,
我们没有必要做这个福所的估价,
谈判,聘请银行等工作。
虽然银行仍然会收取费用。
实际上,我们将聘请银行要做到这事儿。
所以这是一个选项。
或其他的选项是我们是建立好的公司,我们
产生现金,如果我们愿意我们可以付利率
我们可以去找银行。
实际上有很多不同的方法来做到这事儿。
但我们基本上可以借钱。
假设我们这样做。
不这样做 - 假设,我们两者都做。
因此,比方说,我们做了100万股的后续发行,
筹集了1400万美元。
然后我们说我们要筹集另外的200万美元,但这个时候
我们不发行股票 -
现在我们有多少股票?
我们卖出了100万,我们有1000万,我们
有1100万股。
比方说,你知道的,比方说,作为CFO,我觉得
我们的股票要大涨。
因此,我们不想他们被贱卖。
比方说,利率非常低。
相反,我们将借钱。
本质上是举债。
因此,加入说,我们借了3万美元,因为我们需要它。
所以,实际上这将是债务,300万元的债务,并
我们将得到3万美元的现金。
所以,现在我们的资产
在左侧。
我们的负债呢?
现在,我们之前并没有负债
我们有的都是股权。
但是,现在我们有债务。
现在我们欠别人300万美元。
我将讨论有关的借钱的不同方式。
但本质上,它可能就只是银行贷款。
他们可能只是去美国银行说,哎,
我们是一家大公司和我们价值不菲,为什么
你不借给我们300万美元的呢。
也许这将是在低利率的300万美元
率,也许每年6%。
和美国银行的感觉很好,因为你有一个高 -
我们将谈论更多的信用评级等 - 但
他们说,哦,你有本质上是一个好公司
信用评分也不错
因此我们用低利率借给你,。
所以将来,这些资产将
产生一些现金。
之前,这些家伙看到它 - 让我在 -
在这些股权持有人之前 - 这是股权持有人
现在 - 在股权持有人看到任何东西之前,这些
家伙得到利息。我会
损益表上一行行的给你看。
到目前为止,我们所做的一切一直是资产负债表。
但一些有趣的事情发生了。
现在突然你的“资产”,这是那一边 - 我
知道我是图上写 - 你的资产
现在比你的股权多了。
现在我觉得,这是复习
资产负债表的视频,你看,资产等于
你的股权,在这里,你的股权,加上
你的负债。
您的负债现在是300万美元。
加负债。
所以,如果你想知道你的资产价值,因为
你的资产等于你的权益。
你的股权的市场价值是多少?
我们已经知道了。
现在我们有1100万股。
比方说,不论什么原因,股市狂泻至每股10美元,
那么市值是多少呢?每股10美元,1100万股,我们
有1.1亿美元的市值。
我们正在做的市场估值。
我们将讨论市值
账面价值的差别。
但是,这是你的股权的市场价值。
那么你的负债?
我们欠300万美元,所以加上300万。
因此,我们可以说,基本上我们资产的市值
,市场认为这整个左手
一边是值得我们的股权价值,
公司的市值,加上债务的金额,这
等于1.13亿美元。
因此,这些资产的价值是1.13亿美元,
这就是公司价值
什么是公司的资产价值?
我们将讨论 - 我们将来会做一个小调整
企业的价值上。
但是,这基本上你怎么给公司估值。
很多人当他们这样做的市值
计算是他们说,哦,那是什么
该公司的价值。
不对,这就是股权价值。
市值是股权的价值。
如果你想知道什么公司的价值,你必须
计算市值,然后加上债务。
另一种方式 - 好,我不会整的太复杂,因为我
才意识到我已经没时间了。
下次见。
Thai:
ทุกอย่างที่เราพูดถึงเกี่ยวกับบริษัท
สตาร์ทอัพถึงตอนนี้
การขายหุ้น อะไรพวกนี้ ได้ระดม
เงินจากหุ้นหรือส่วนได้เสีย (equity)
เราระดมเงินนอกตลาด --
ตอนที่บริษัทยังไม่เข้าตลาด
เขาไปหา VC ไปหานักลงทุนเทวดา
และคุณอาจ
ไปหาเพื่อนและครอบครัวเพื่อระดมเงิน
แล้วบริษัทก็เข้าตลาด แล้วระดมเงินจาก
ตลาดทั่วไป
แต่จริงๆ แล้วมีวิธีที่บริษัทสามารถ
ระดมเงินทุนได้สองวิธี
นี่คือสาเหตุที่รายการวิดีโอนี้เรียกว่า
ตลาดเงินทุน หรือ
อีกชื่อหนึ่งคือ การระดมทุน
เงินทุน (Capital) ก็คือ -- วิธีคิดง่ายๆ
ก็คือคุณอยากระดมเงินสด
ที่คุณอยากลงทุน
เพื่อทำให้ธุรกิจเติบโต หรือทำให้
ธุรกิจอยู่ได้ หรือเพื่อเริ่มธุรกิจ
ทุกอย่างที่เราพูดถึงในตอนนี้คือ
ส่วนได้เสีย (equity) และนั่น
ก็คือการขายหุ้นในบริษัทของคุณ
เพื่อระดมเงิน
นั่นคือตัวอย่างพวก VC ทั้งหลาย
นักลงทุนหุ้น -- เมื่อคุณขายหุ้น คุณ
จะขาย -- คุณทำให้คนคนนั้น
Dutch:
Alles waar we het tot nog toe over hebben gehad met betrekking tot deze startende
onderneming die aandelen verkocht en dies meer, betrof het ophalen van
kapitaal.
We haalden privé-kapitaal op - als de onderneming privé-eigendom was, dan
ging ze naar VC's (durfkapitaalverstrekkers) en ging ze naar angel investeerders, en misschien
kan je naar je vrienden en familie gaan om geld op te halen.
En dan kan je onderneming "publiek gaan" en geld ophalen van
de openbare markten.
Maar er zijn eigenlijk twee manieren waarop een
onderneming kapitaal kan ophalen.
Dat is waarom deze afspeellijst kapitaalmarkten noemt, of
een deel ervan: kapitaal ophalen.
Kapitaal is in wezen - ik bedoel dat een eenvoudige manier om
erover na te denken, is dat je geld aan het ophalen bent dat je wil investeren
op een bepaalde manier om je handel te laten groeien of om je handel te onderhouden
of op te starten.
Alles waar we dus tot nog toe over hebben gepraat was kapitaal en dat komt
neer op aandelen in je onderneming verkopen om geld op te halen.
En dat zijn all die voorbeelden van durfkapitalisten.
The kapitaalverstrekker - dus als je eigen vermogen verkoopt, dan
verkoop je eigenlijk - maak je van de persoon
Polish:
Wszystko co powiedzieliśmy dotychczas na temat startup'u firmy sprzedającej skarpetki,
dotyczyło zbierania pieniędzy z kapitału.
Zbieraliśmy prywatne pieniądze - gdy firma była prywatna zwracała się do inwestorów VC i do aniołów biznesu
i być może nawet moglibyśmy się zwrócić do przyjaciół i rodziny by zebrać pieniądze.
Następnie firma mogła upublicznić się i zbierać fundusze z publicznych rynków.
Ale w zasadzie są dwie metody jakimi firma może zebrać kapitał.
Dlatego ta playlista nazywa się rynki kapitałowe, lub jest ich częścią, zbieraniem kapitału.
Kapitał to właściwie - najprostsza definicja to zbieranie pieniędzy,
które chcemy zainwestować w pewien sposób by rozwijać swoją działalność
lub ją utrzymywać albo też rozpoczynać nowy biznes.
Wszystko co omówiliśmy wcześniej to był kapitał,
a to w zasadzie sprzedawanie akcji firmy by zebrać pieniądze.
To te wszystkie przykłady z inwestorami VC.
Inwestor kapitałowy - gdy sprzedajemy udziały, zasadniczo sprzedajemy
Portuguese:
Tudo o que falamos sobre essa startup
que comprava meias,
foi ao arrecadar dinheiro de capital
próprio. Dinheiro de iniciativa privada--
quando a empresa era privada, fomos até
empresas de Venture Capital (VC),
investidores anjo,
ou pegamos dinheiro emprestado
de amigos ou familiares.
E então a empresa se tornou pública
e levantou dinheiro de mercados públicos
Mas há dois modos de uma empresa
levantar capital.
É por isso que essa playlist se chama
mercado de capitais,
ela fala sobre obtenção de capital.
Capital é-- O modo fácil de pensar sobre
isso é: você está tentando
arrecadar capital para investir em
sua empresa,
para mantê-la, ou até mesmo para
iniciá-la.
Então tudo o que falamos até agora
foi sobre capital próprio, e isso é,
essencialmente, vender ações no mercado e
arrecadar dinheiro.
E esses foram os exemplos de
Venture capital.
O investidor privado-- quando você
vende capital,
está vendendo-- você é meio que a pessoa
que está
Japanese:
私がここでお話ししたことは、会社を始めるとき、
お金は、均衡状態よりも上がっていきますよ
ということです。
Czech:
Všechno o čem jsme doteď mluvili týkající se téhle začínající
firmy prodávající ponožky bylo, že získávala
peníze z vlastního jmění.
Získali jsme soukromé peníze... když byla firma soukromá,
obrátila se na investora rizikového kapitálu a na andělského investora a
třeba byste šli za kamarádem nebo rodinou, abyste získali peníze.
A potom se firma mohla stát veřejnou a získat peníze
na veřejných trzích.
Ale vlastně jsou tu dva způsoby,
jak může firma získat kapitál.
Takže to je proč se tohle video jmenuje kapitálové trhy nebo
část z toho, název jak získat kapitál.
Kapitál je v podstatě.. domnívám se, že je jednoduché
přemýšlet o tom tak, že získáváte hotovost, kterou chcete
uričitým způsobem investovat do růstu vašeho podnikání nebo
podpořit nebo začít vaše podnikání.
Takže všechno o čem jsme až doteď mluvili, bylo vlastní jmění a
to je v podstatě prodávání akcií ve vaší firmě pro získání peněz.
A stejně tak všechny příklady rizikového kapitálu.
Investor do vlastního kapitálu... takže když prodáváte vlastní kapitál,
vlastně prodáváte...svým způsobem se osoba,
Dutch:
die aandelen koopt - weet je, eigen vermogen is hetzelfde
als aandelen - maak je van de persoon die een aandeel kopen
een soort vennoot in de onderneming.
Dus als de onderneming - laten we zeggen dat er twee situaties zijn - als
de onderneming failliet gaat - en ik zal nog veel nader bespreken
wat failliet betekent - maar als de onderneming failliet
gaat, dan krijgen de aandeelhouders niets.
Ze krijgen op het eind niets.
Maar als de onderneming veel meerwaarde heeft, krijgt het aandeel
een hoop meerwaarde.
Omdat ze vennoten in de onderneming zijn.
Als dit een onderneming was, die starter waar we het over hadden,
als het Amazon.com wordt en een miljarden-
onderneming wordt, zal iedereen het echt goed hebben.
Iedereen zal delen in die meerwaarde.
Maar er is een andere manier om geld op te halen, en dat is
waarschijnlijk iets dat dichter aanleunt bij
een huishouden.
I bedoel dat je in een huishouden nooit kapitaal ophaalt.
Je zegt nooit, weet je wat - wel je zou het kunnen, maar je zegt
het niet - hey, ik moet een huis komen, waarom ga ik niet naar
mijn rijke vriend en doe hem het aanbod om 10% aandeel in mijn
huis te kopen en hij zal bij wijze van spreken een vennoot zijn in mijn huis.
Thai:
คนที่ซื้อหุ้น -- ส่วนได้เสียก็เหมือนกับ
หุ้น -- คุณทำให้คนที่ซื้อ
หุ้นเป็นเหมือนหุ้นส่วนของบริษัท
ถ้าบริษัท --
สมมุติว่ามีสถานการณ์สองแบบ -- ถ้า
บริษัทล้มละลาย --
และผมจะพูดถึงความหมาย
ของการล้มละลายอีกมาก -- แต่ถ้าบริษัท
ล้มละลาย ผู้ถือหุ้นจะไม่ได้อะไรเลย
พวกเขาจะได้ศูนย์
แต่ถ้าบริษัทได้กำไรมาก หุ้นจะ
ขึ้นไปมาก
มีคนเป็นหุ้นส่วนอยู่
ถ้านี่คือบริษัท สตาร์ทอัพที่เราพูดถึงไป
ถ้ามันกลายไปเป็น Amazon.com
และกลายเป็นบริษัท
พันล้าน ทุกคนก็จะไปได้ดี
ทุกคนจะได้ส่วนแบ่งของกำไรนั้น
แต่มันมีวิธีระดมเงินอีกวิธี และนี่
น่าจะเป็นสิ่งที่คนคุ้นเคยมากกว่า
ในระดับครัวเรือน
ผมหมายความว่า ในระดับครัวเรือน
คุณไม่เคยระดมหุ้น
คุณไม่เคยบอกว่า รู้ไหม --
คุณทำได้ แต่คุณจะ
ไม่ไปบอกว่า เฮ้ ฉันต้องซื้อบ้าน
ทำไมฉันถึงไม่
ไปหาเพื่อนรวยๆ แล้วเสนอขาย 10% ของ
บ้านให้เขา แล้วเขาจะเป็น
หุ้นส่วนของบ้านฉัน
Portuguese:
comprando a ação-- você sabe, capital
é o mesmo que ação--
você é a pessoa que
está comprando a ação,
meio que um parceiro da empresa.
Se a empresa-- digamos que haja
duas situações--
caso a empresa vá à falência- e
falarei muito sobre o significado
de se declarar falência-- mas se a
empresa declarar falência,
todos os acionistas perdem tudo.
Eles ficam sem nada.
Mas se a empresa for bem,
o valor das ações da empresa sobe
Porque há parceiros.
Se aquela startup sobre a qual falamos
se tornar uma
Amazon e valer um bilhão de dólares,
todos vão se dar bem.
Todos se beneficiarão daquele
ponto positivo.
Mas há outro modo de arrecadar dinheiro,
esse é mais comum no nível doméstico.
No nível doméstico não
levantamos capital.
Você não diz-- na verdade você pode,
mas não
vai até seu amigo rico e oferece a ele
uma porcentagem de 10% de sua casa
caso se ele aceite ser seu
parceiro na compra.
English:
who's buying the stock-- you
know, an equity is the same
thing as stock-- you're making
the person who's buying a
stock kind of a partner
in the company.
So if the company-- let's say
there's two situations-- if
the company goes bankrupt-- and
I'll talk a lot more about
what bankruptcy even means--
but if the company goes
bankrupt, all the shareholders
end up with nothing.
They end up with nil.
But if the company has a lot
of upside, the stock gets a
lot of upside.
Because they're partners
in it.
If this was a company, that
start-up that we talked about,
if it turns into Amazon.com and
becomes a billion-dollar
company, everyone is going
to do really well.
Everyone's going to share
in that upside.
But there's another way to raise
money, and actually this
is probably something that's
more familiar at
the household level.
I mean at the household level
you never raise equity.
You never say, you know what--
well you can, but you're not
going to say hey, I need to buy
a house, why don't I go to
my rich friend and offer to sell
10% of the stake in my
house to him and he'll be kind
of a partner in my house.
Polish:
- w pewnym sensie sprawiamy, że osoba, która kupuje akcje
- wiecie, udział to to samo co akcja -
sprawiamy, że osoba, która kupuje akcje staje się partnerem firmy.
Jeżeli firma - powiedzmy, że są dwie sytuacje - jeśli firma bankrutuje
- a opowiem znacznie więcej czym jest bankrutcwo -
jeżeli natomiast firma bankrutuje, wszyscy udziałowcy zostają z niczym. Zostaje im zero.
Jeżeli natomiast firma ma duży potencjał wzrostu, akcje zwyżkują.
Ponieważ są w niej partnerami.
Gdyby to była firma, startup o którym mówiliśmy,
która zamienia się w Amazon.com i staje się dochodową na miliardy dolarów firmą, wszystkim będzie się dobrze wiodło.
Wszyscy będą mieli udział w tych pozytywach.
Lecz jest inny sposób zdobywania pieniędzy
i w zasadzie jest to prawdopodobnie coś bardziej znanego na poziomie gospodarstwa domowego.
Na poziomie gospodarstwa domowego nigdy nie zbiera się udziałów.
Nigdy nie mówi się, wiecie co - możnaby, ale nie powiemy tak,
że skoro musimy kupić dom, to czemu nie mielibyśmy pójść do naszego bogatego przyjaciela
i zaoferować mu kupno 10% udziałów w naszym domu tak byśmy zostali wspólnikami.
Czech:
která kupuje akcie... víte, vlastní jmění je stejná věc
jako akcie... osoba, která kupuje
akcie, se stává partnerem ve firmě.
Takže když firma... řekněme, že jsou dvě situace...
pokud jde firma do konkursu... a budu mluvit víc
o tom, co bankrot vůbec znamená... ale když firma
zbankrotuje, všichni akcionáři skončí s ničím.
Skončí na nule.
Ale pokud má firma mnoho výhod, akcie
mají mnoho výhod.
Protože jsou v tom partneři.
Pokud byla tohle začínající firma, o které jsme mluvili,
pokud se stane Amazon.com a stane se firmou s miliardou dolarů,
každému se bude dařit dobře.
Každý se bude podílet na té výhodě.
Ale existuje i jiný způsob, jak získat peníze a v podstatě
tohle je pravděpodobně známější na úrovni
domácnosti.
Myslím, že na úrovni domácnosti nenavyšujete vlastní jmění.
Nikdy neřeknete, víte co... můžete, ale
nebudete říkat hele, potřebuji koupit dům. Proč nepůjdu
za bohatým kamarádem a nenabídnu mu prodat 10% podíl v mém
domě, aby se stal v mém domě partnerem.
Polish:
Tak mogłoby się stać lecz najczęściej się tak nie dzieje.
Przeważnie gdy robimy coś prywatnie, zbieramy pieniądze zaciągając dług.
To ciekawe.
Co dobrego w długu to to, że - przeanalizujmy to od strony osoby pożyczającej nam pieniądze.
Dług to zwyczajnie, pożyczanie pieniędzy.
Sądzę, że każdy z nas wie co to pożyczanie pieniędzy.
Idę do swojego bogatego przyjaciela i mówię mu, pożyczyłbyś mi 1$, jeśli oddam ci 1,25$ za rok?
On mówi, zgoda.
Ale obiecuję, że oddam pieniądze w określonym terminie w przyszłości.
Gdy sprzedaję udziały niczego nie obiecuję.
Mówię, mam świetny biznes, daj mi 1$ a dostaniesz 20% udziałów w firmie.
Jeśli moja działalność się rozwinie dostaniesz 20% wszystkich zysków firmy.
Jeśli moja działalność będzie szła źle, zaryzykowałeś, nic nie dostajesz i ja też nic nie dostaję.
English:
That could happen but for the
most part it doesn't.
Usually when you do something on
a personal level you raise
money through debt.
And that's interesting.
So what's good about debt is
it's-- so let's think about it
from the point of view of
the person who's lending
the money to you.
Debt is just borrowing money.
I think all of us know what
borrowing money is.
I go to my rich friend and I say
hey, could I borrow $1 and
I'll give you $1.25 in a year?
And he says, OK, you're
good for it.
But I'm essentially promising
I'm going to give the money
back at some future date.
If I sell equity, I'm not
promising anything.
I'm like hey, I got a great
business, why don't you give
$1 and then you get a 20%
cut of my business.
If my business does awesome,
you get 20% of all of the
profits of my business.
If my business does horrible,
well you took a risk, you get
nothing and I get nothing.
Debt says regardless of how my
business does, if it does
Portuguese:
Isso poderia acontecer, mas não é usual.
Normalmente, quando fazemos as
coisas no nível pessoal,
levantamos dinheiro por meio de dívidas.
E isso é interessante.
O lado bom do endividamento é--
vamos tentar ver isso pelo
ponto de vista da pessoa que
está te emprestando dinheiro.
Endividamento é apenas pegar
dinheiro emprestado.
Acho que todos sabem o que
isso significa.
Vou até meu amigo rico e digo:
"Você pode me emprestar $1 e te devolverei
"$1.25 no ano que vem?"
Ele diz: "Tudo bem, você é
bom para isso".
Estou prometendo devolver o dinheiro
em uma data futura.
Se eu vendo capital próprio, não
prometo nada.
Na verdade diria: "Tenho um bom negócio,
me dê $1, e então
você receberá um lucro de 20%.
Se meu negócio for muito bem, você
recebe
20% de todos os lucros.
Se for mal, bem você correu um risco,
nenhum de nós ganha nada".
No caso de endividamento,
independentemente dos resultados,
Thai:
มันเกิดขึ้นได้ แต่มันมักไม่เกิดขึ้น
เวลาคุณทำอะไรส่วนตัว คุณมักจะ
ระดมเงินผ่านหนี้
และมันน่าสนใจ
สิ่งที่ดีเกี่ยวกับหนี้คือว่า -- ลองคิดถึงมัน
จากมุมมองของคนที่ให้คุณ
ยืมเงิน
หนี้ก็คือการยืมเงิน
ผมคิดว่าพวกคุณทุกคนรู้ว่า
การยืมเงินคืออะไร
ผมไปหาเพื่อนรวยๆ แล้วผมบอกว่า เฮ้
ฉันขอยืม $1 แล้ว
ฉันจะจ่ายคืน $1.25 ในหนึ่งปีได้ไหม?
และเขาก็บอกว่า โอเค ได้เลย
แต่ผมกำลังสัญญาว่า ผมจะจ่ายเงิน
คืนในอนาคต
ถ้าผมขายหุ้น ผมไม่ได้สัญญาอะไรเลย
ผมบอกว่า เฮ้ ฉันมีธุรกิจเจ๋งๆ
ทำไมเธอไม่ให้
เงินฉัน $1 แล้วฉันจะให้ 20% ของบริษัท
ถ้าธุรกิจของฉันออกมาดี
เธอจะได้ 20% ของ
กำไรจากธุรกิจของฉัน
ถ้าบริษัทฉันออกมาแย่
เธอก็รับความเสี่ยงไป
เธอไม่ได้อะไร ฉันก็ไม่ได้อะไร
หนี้บอกว่า
ไม่ว่าธุรกิจของผมจะเป็นอย่างไร
Czech:
Může se to stát, ale většinou se to nestává.
Obvykle, pokud děláte něco na osobní úrovni, získáváte
peníze pomocí dluhu.
A to je zajímavé.
Takže co je dobré na dluhu... zamyslíme se nad tím
z pohledu osoby, která vám půjčuje
peníze.
Dluh je jen půjčování peněz.
Myslím, že všichni z nás víme, co je půjčování peněz.
Půjdu za bohatým kamarádem a řeknu hele, můžu si půjčit 1 dolar
a za rok ti vrátím 1,25 dolaru.
A on řekne hele, máš to mít.
Ale já vlastně slibuji vrátit peníze
někdy v budoucnu.
Pokud prodávám vlastní jmění, neslibuji nic.
Řeknu hele, mám skvělé podnikání, proč mi nedáš
1 dolar a potom dostaneš 20% kus mého podnikání.
Pokud se mému podnikání bude skvěle dařit, dostaneš 20%
ze všech zisků mého podnikání.
Pokud se mému podnikání povede špatně, berete na sebe riziko,
že nedostanete nic a já nedostanu nic.
Dluh říká bez ohledu na to, jak si moje podnikání vede,
Dutch:
Dat zou kunnen voorkomen, maar meestal komt het niet voor.
Normaal, als je iets persoonlijk doet, haal je geld
op door schulden aan te gaan.
En dat is interessant.
Wat er goed is aan schuld is - laten we dat overdenken
vanuit het perspectief van de persoon die geld
ontleent aan jou.
Schuld is niet meer dan geld lenen.
I denk dat we allen weten wat geld lenen is.
I ga naar mijn rijke vriend en ik zeg: "hey, kan ik een dollar lenen en
ik zal je er in een jaar 1,25 teruggeven?"
En hij zegt: "OK, je kan dat terugbetalen."
Maar eigenlijk beloof ik dat ik het geld zal teruggeven
op een bepaalde dag in de toekomst.
Als ik eigen vermogen verkoop, beloof ik niets.
Ik zeg dan iets als: "Hey, ik heb een geweldige handel, waarom geef je me geen
dollar en dan krijg je een 20%-deel in mijn handel.
Als mijn handel het geweldig doet, krijg je 20% van al
de winst van mijn handel.
Als mijn handel het barslecht doet, wel, je nam een risico, je krijgt
niets en ik krijg niets."
Schuld zegt: "Ongeacht hoe mijn handel het doet, als het
Polish:
Dług zostanie niezależnie jak pójdzie interes, jeśli pójdzie wspaniale dostaniesz jedynie odsetki.
To jest zaleta. Zalety są ograniczone, prawda?
Jeśli pożyczę pieniądze przy 9% stopie, ta osoba dostanie jedynie 9%.
Nawet jeżeli moja firma stanie się następcą Google czy Microsoftu lub
czymkolwiek innym, osoba ta dostanie tylko 9% za swoje pieniądze.
Podczas gdy ta osoba mogłaby dostać sto razy więcej niż dała, gdyż założyła się.
Z drugiej jednak strony ta wada jest znacznie mniejsza.
Więc ograniczona wada.
Ponieważ otrzymają swoje pieniądze w pewnym - wiecie, jest pewien harmonogram spłaty.
Odzyskają też swoje pieniądze przed udziałowcami
- przyjmijmy, że w sytuacji gdy firma napotyka trudności
- zrobimy całą playlistę o bankructwie - ludzie, którzy pożyczają pieniądze firmie,
zobaczą swoje pieniądze zanim udziałowcy cokolwiek zobaczą.
Jak to wszystko wynika z bilansu?
Przyjmijmy, że mamy publiczną firmę.
Portuguese:
tudo o que você recebe são os juros.
Esse é o lado bom.
Mas o lado bom tem limites, certo?
Se eu emprestar dinheiro a uma taxa de 9%,
tudo o que essa pessoa recebe é 9%.
Mesmo que a empresa fique grande como o
Google ou a Microsoft,
tudo que essa pessoa recebe
são os 9%.
Enquanto essa pessoa pode ter recebido
cem vezes o valor inicial,
pois ela fez uma aposta.
Por outro lado, o lado ruim é muito menor.
Desvantagem muito pequena.
Pois eles vão receber seu dinheiro
em um certo-- há uma agenda de pagamentos.
E eles receberão seu dinheiro
antes dos acionistas--
em uma situação onde a empresa
passa por dificuldades--
e faremos uma playlist sobre falência--
as pessoas que emprestaram
dinheiro para a empresa
verão seu dinheiro antes que os acionistas
vejam qualquer coisa.
Como isso aparece em um balanço?
Digamos que nossa empresa seja pública.
Se você se pergunta o que um CFO faz,
English:
awesome all you're going
to get is the interest.
That's kind of the upside.
So the upside's limited,
right?
If I borrow money at 9%
interest, all that person's
going to get is 9%.
Even if my company becomes the
next Google or Microsoft or
whatever else, that person's
just going to
get 9% on their money.
While this person might have
gotten a hundred times their
money because they made a bet.
On the other hand, this downside
is much lower.
So limited downside.
Because they're going to get
their money back at a
certain-- you know, there's a
certain payment schedule.
And they're going to get their
money back before the
stockholders-- so let's say
in a situation where the
company's going into
difficulty-- and we'll do a
whole playlist on bankruptcy--
the people who lend money to
the company will see their money
before the stockholders
see anything.
So how does all of this come
out from the balance sheet?
So let's say we have
a public company.
Dutch:
geweldig gaat, is alles wat je zal krijgen de rente.
Dat is zowat het voordeel.
Dus het voordeel is beperkt, juist?
Als ik geld ontleen tegen 9% rente, is alles wat die persoon
zal krijgen 9%.
Zelfs als mijn onderneming de volgende Google of Microsoft wordt of
eender wat, die persoon krijgt enkel
9% op het (ontleende) geld.
Terwijl die persoon mogelijk honderd keer zijn
geld had kunnen krijgen, omdat ze een gok waagden.
Anderzijds dit nadeel is veel minder erg.
Dus: beperkt nadeel.
Omdat ze hun geld terug zullen krijgen op een
bepaald (ogenblik) - weet je (nog), er is een afbetalingsschema bepaald.
En ze zullen hun geld terugkrijgen voor de
aandeelhouders - laten we dus zeggen in een situatie waar
de onderneming in moeilijkheden geraakt - en we zullen
een hele afspeellijst wijden aan failliet - de mensen die geld ontleend hebben
aan de onderneming zullen hun geld terugzien voor de aandeelhouders
iets te beurt valt.
En hoe zien we al dit tevoorschijn komen in de balans?
Laten we zeggen dat we een publieke onderneming hebben.
Thai:
ถ้ามันออกมาดีมาก สิ่งที่คุณจะได้
ก็มีแต่ดอกเบี้ย
นั่นคือกรณีที่ออกมาดี
ผลตอบแทนมันจำกัด จริงไหม?
ถ้าผมยืมเงินที่อัตราดอกเบี้ย 9% คนคนนั้น
จะได้แค่ 9%
ถึงแม้ว่าบริษัทของผมจะกลายเป็นกูเกิ้ล
หรือไมโครซอฟต์หรือ
อะไรใหญ่ๆ ต่อไป คนคนนั้นจะ
ได้แค่ 9% ของเงินที่ให้ยืม
ในขณะที่คนคนนี้อาจได้เงินเป็นร้อยเท่า
เพราะเขากล้าพนัน
อย่างไรก็ตาม ความเสียหายจะน้อยกว่า
ความเสียหายก็จำกัด
เพราะเขาจะได้เงินคืน
-- คุณก็รู้ มันมีตารางจ่ายคืนอยู่
และเขาจะได้เงินคืนก่อน
ผู้ถือหุ้น -- สมมุติว่าในกรณีที่
บริษัทมีปัญหา -- และเราจะทำ
รายการวิดีโอเรื่องการล้มละลาย
-- คนที่ให้บริษัท
ยืมเงินจะเห็นเงินคืนก่อนผู้ถือหุ้น
จะเห็นอะไรก็ตาม
แล้วทั้งหมดนี้ปรากฏในงบดุลอย่างไร?
สมมุติว่าเรามีบริษัทมหาชน
Czech:
pokud si vede skvěle všechno, co dostanete je úrok.
To je výhoda.
Takže výhoda je omezená, ne?
Pokud si půjčím peníze za 9% úrok, všechno, co ten člověk
dostane, je 9%.
I když se moje firma stane příštím Googlem nebo Microsoftem nebo
čímkoli jiným, tahle osoba dostane
9% ze svých peněz.
Zatímco tahle osoba by mohla dostat stokrát své
peníze, protože vsadili.
Na druhou stranu tahle nevýhoda je mnohem nižší.
Takže omezená nevýhoda.
Protože dostanou své peníze zpět
za určitou... víte existuje určitý platební plán.
A dostanou své peníze zpět dříve než
akcionáři... takže řekněme, že v situaci, kdy se
firma dostane do potíží... a uděláme celou sérii
o bankrotu... lidé, kteří půjčili peníze
firmě, uvidí své peníze dříve, než cokoli
uvidí akcionáři.
Takže jak tohle všechno vychází z rozvahy?
Řekněme, že máme veřejnou firmu.
Thai:
ถ้าคุณสงสัยว่า CFO ของบริษัททำอะไร
นี่ก็คือ
การตัดสินใจหลักที่เขาต้องทำ
เราจะระดมเงินไหม --
เราจะระดมอย่างไรถ้าเราต้องการเงิน
เราจะระดมเงินจากตลาดหุ้นหรือจาก
ตลาดหนี้?
ลองตั้งบริษัทขึ้นมาอีกครั้งกัน
สมมุติว่านั่นคือ current assets
ไม่ใช่ current -- ผมไม่อยากใช้คำนั้น
มันเป็นคำเฉพาะ
สินทรัพย์ที่มีตอนนี้
Current assets มีความหมายอื่น
และเราจะพูดถึงมัน
ในอนาคต
แต่สมมุติว่า นั่นคือสินทรัพย์ของบริษัท
คุณรู้ว่ามันอาจเป็นเงินสดตรงนี้
เราจะลงรายละเอียดต่อไป
เราจะดูงบดุลบริษัทจริงๆ และ
เข้าใจความหมายของคำทั้งหมดในงบดุล
แต่นั่นคือสินทรัพย์ของเราในตอนนี้
และสมมุติว่าตอนนี้
เงินทั้งหมดที่ระดมมาถึงตอนนี้
เป็นส่วนได้เสีย
และสมมุติว่ามันเป็นบริษัท
ที่อยู่ในตลาดหลักทรัพย์
มันไม่จำเป็นต้องอยู่
สมมุติว่านั่นคือส่วนได้เสียทั้งหมด
และสมมุติว่ามันมี
English:
If you wonder what a CFO at a
company does, this is really
the main decision that they're
always making.
Do we raise money-- well, how
do we raise money if we need
it, and do we raise money from
the equity markets or from the
debt markets?
So let's come up with
a company again.
Let's say that that's
its current assets.
Not current-- I don't want to
say current assets, it's the
assets that it currently has.
Current assets means something
different, and we'll talk
about that in the future.
But let's say, so that's
its assets.
You know it might have
some cash here.
We'll go into more detail.
We'll actually look at real
company balance sheets and
decipher what all of the terms
on the balance sheet mean.
But that's its assets for now.
And let's say right now all of
its money it's raised so far
has been equity.
And let's say it's a publicly
listed company.
It doesn't have to be.
Let's say that's all of its
equity, and let's say it has,
Czech:
Pokud by vás zajímalo, co ve firmě dělá CFO (finanční ředitel), tohle je skutečně
hlavní rozhodnutí, které vždycky dělají.
Získáme peníze... jak získáme peníze, pokud je potřebujeme
a získáme peníze z akciových trhů nebo
trhů s dluhy?
Takže znovu máme firmu.
Tohle jsou její současná aktiva.
Ne současná... nechci říct současná aktiva, jsou
to aktiva, která má v současnosti.
Současná aktiva znamená něco jiného a v budoucnu o tom
budeme mluvit.
Ale řekněme, že tohle jsou aktiva.
Může mít nějakou hotovost.
Budeme se tím zabývat detailně.
Podíváme se na rozvahu skutečné firmy a
rozluštíme, co znamenají všchny pojmy v rozvaze.
Ale pro teď jsou to její aktiva.
A řekněme, že všechny peníze, které doteď získali,
bylo vlastní jmění.
A řekněme, že je veřejně obchodovaná na burze.
Nemusí být.
Řekněme, že všechno její vlastní jmění a má,
Dutch:
Als je je afvraagt wat de CFO van een onderneming doet, dan is dit echt
de belangrijkste beslissing die zij elke dag maken.
Halen we geld op - of beter, hoe halen we geld op als we er
nodig hebben en halen we geld op van de kapitaalmarkten of van de
schuldmarkten?
Laten we er opnieuw een onderneming bij halen.
Laten we zeggen dat dit de liquide activa zijn.
Niet "liquide" - ik bedoel niet de liquide activa, het zijn de
activa die ze op vandaag heeft.
Liquide middelen betekent iets anders en we zullen
het daarover later hebben.
Maar laten we zeggen, dat dit de middelen zijn.
Je weet dat de onderneming wat cash kan hebben: hier.
We gaan hier dieper op in.
We zullen zelfs naar de balans van een echte onderneming kijken en
ontcijferen wat de termen op de balans betekenen.
Maar dit zijn - voor nu - de activa.
Laten we dus nu aannemen dat al het geld dat tot nog toe is opgehaald
eigen vermogen was.
En laten we aannemen dat het een publiek genoteerde onderneming is.
Dat hoeft niet.
Dit - zeggen we - is al het eigen vermogen, en laten we zeggen dat er
Portuguese:
essa é uma decisão importante,
e eles sempre as tomam.
Levantamos dinheiro?-- Como levantamos
dinheiro quando precisarmos,
e, recorreremos ao mercado de capitais ou
ao mercado de dívidas?
Vamos fazer uma empresa de novo.
Estes são os ativos dela.
São os ativos que ela tem
neste momento.
Depois falarei sobre ativo circulante.
Então a empresa tem esses ativos.
Talvez ela tenha algum dinheiro aqui.
Vou detalhar isso depois.
Vamos olhar para balanços de
empresas de verdade
e decifrar o significado de alguns termos.
Mas estes são os ativos da empresa agora.
E digamos que todo o dinheiro arrecadado
seja capital próprio.
E digamos que seja uma empresa listada
em bolsa, mas não precisa ser.
Tudo isso é capital e ela tem
Polish:
Jeśli zastanawiacie się czym zajmuje się dyrektor finansowy w firmie, to to jest główna decyzja jaką zawsze podejmują.
Czy będziemy zbierać pieniądze - jak zbierzemy pieniądze gdy będziemy ich potrzebować,
czy będziemy zbierać pieniądze z rynków kapitałowych czy z rynków dłużnych?
Wymyślmy znów jakąś firmę.
Powiedzmy, że to są jej aktywa obrotowe.
Nie obrotowe - nie chciałem powiedzieć aktywa obrotowe, są to aktywa, które obecnie posiada.
Aktywa obrotowe oznaczają coś innego i porozmawiamy o tym w przyszłości.
Przyjmijmy, że to są jej aktywa.
Wiemy, że może mieć nieco gotówki tu.
Wejdźmy w szczegóły.
Spojrzymy na prawdziwy bilans firmy i rozszyfrujemy co wszystkie zwroty bilansu oznaczają.
Lecz narazie to są jej aktywa.
Przyjmijmy teraz, że wszystkie pieniądze jakie zebrała dotychczas to kapitał.
Załóżmy, że to publicznie notowana firma.
Nie musi taka być.
Thai:
ไม่รู้สิ 10 ล้านหุ้นแล้วกัน
สิ่งที่น่าสนใจอีกอย่างเมื่อบริษัท
เข้าตลาด -- นึกดู ทุกครั้งเวลาบริษัท
ยังไม่เข้าตลาด และ
นักลงทุน นักลงทุนหุ้น เขา
ต้องมานั่งและต่อรองว่าหุ้นนี้
มีค่าเท่าไหร่?
สินทรัพย์เหล่านี้มีค่าเท่าใด?
แต่สิ่งที่เจ๋งคือว่า เมื่อคุณมีบริษัทที่ซื้อขาย
ในตลาด หุ้นเหล่าน้ี้ซื้อขายในตลาด
จริงไหม?
หุ้นเหล่านี้อยู่ใน สมมุติว่ามันอยู่ใน
New York Stock Exchange
ทุกวัน คุณไปที่ Yahoo!
Finance หรือเว็บไซต์อะไรก็ตาม
คุณดูแผนภูมิได้
ขอผมวาดแผนภูมินะ
คุณวาดแผนภูมิได้
และเราจะเห็นตารางหุ้นทั้งหมด ผมว่านะ
สมมุติว่านี่คือ อันนี้คือวันที่ IPO
หรืออาจเป็นจุดเริ่มต้นที่เราดู แล้ว
สมมุติว่าหุ้น IPO เพิ่มขึ้น แล้วทั้งตลาด
ก็ลงมาหน่อย
แต่หุ้น -- มันอาจอยู่ตรงนั้น จริงไหม?
แต่ ณ ขณะใดๆ แทบจะทุกวินาที
Dutch:
- weet ik veel - 10 miljoen aandelen zijn uitgegeven.
Het andere interessante van een publieke
onderneming - herinner je je dat elke keer een onderneming privé-eigendom was en
er was een investeerder nodig, er was een kapitaalinvesteerder nodig, dan
moest er samengezeten en onderhandeld worden over wat
de waarde was?
Wat zijn deze activa waard?
Maar wat cool is, is wanneer je een publiek verhandelde
onderneming hebt, dan worden deze aandelen verhandeld op een beurs, juist?
Die aandelen zijn (genoteerd) op, laten we zeggen, op
de New York Stock Exchange.
Dan kan je elke dag surfen naar Yahoo!
Finance of eender waar en kan je kijken naar de koersgrafiek.
Laat ik een koersgrafiek tekenen.
Je kan een koersgrafiek tekenen.
En we hebben allen al koersgrafieken gezien, denk ik.
Laten we dus zeggen dat dit de datum van de eerste publieke notering was
of het kan ook gewoon de start zijn waar we naar aan het kijken zijn, en
laten we zeggen dat de aandelenprijs omhoog ging, en dat dan de hele markt
een klein beetje naar beneden ging.
Maar de aandelenprijs - staat misschien daar, goed?
Maar op eender welk, werkelijk bijna op eender welke seconde,
English:
I don't know, 10
million shares.
And the other interesting thing
about when a company's
public-- remember, every time
when a company was private and
it took an investor, when it
took equity investors, they
had to sit and have a
negotiation saying what is
this worth?
What are these assets worth?
But what's cool is, is when
you have a publicly traded
company, these shares are traded
on an exchange, right?
These shares are on, let's
say it's on the
New York Stock Exchange.
So every day you could
go to Yahoo!
Finance or wherever and you
can look at a chart.
Let me draw a chart.
You can draw a chart.
And we've all seen stock
charts, I think.
So let's say that this is this
could have been its IPO date
or it could just be the start
that we're looking at, and
let's say the stock IPO went up,
and then the whole market
went down a little bit.
But the stock-- maybe
it's there, right?
But on any given, really almost
any given second,
Czech:
nevím, 10 milionů akcií.
A další zajímavá věc, když je
firma veřejná... pamatujte si, pokaždé, když byla firma soukromá a
spojila se s investorem, s kapitálovým investorem,
museli si sednout a vyjednávat o tom, jakou to
má hodnotu.
Jakou mají tahle aktiva hodnotu?
Ale co je úžasné, když máte veřejně obchodovanou
firmu, tyhle akcie jsou obchodované na burze, ne?
Tyhle akcie jsou
na Newyorské burze.
Každý den můžete jít na Yahoo!
Finance nebo něco takového a podívat se do tabulky.
Nakeslím graf.
Můžete nakreslit graf.
A všichni jsme viděli akciový graf, myslím.
Řekněme, že tohle by mohlo být datum první veřejné nabídky akcií
nebo to může být začátek, na který se díváme a
řekněme, že akcie při první veřejné nabídce vzrostly a
potom celý trh trochu klesl.
Ale akcie... možná je to tady, ne?
Ale v každou opravdu skoro každou sekundu
Polish:
Przyjmijmy, że to jest cały jej kapitał i ustalmy, że ma, no nie wiem, 10 milionów akcji.
Kolejna ciekawa związana z tym, że firma jest publiczna,
- pamiętacie jak za każdym razem gdy firma była prywatna i brała inwestora, inwestorów kapitałowych,
to musieli przeprowadzić negocjacje na temat ich wartości?
Ile warte są te aktywa?
Lecz to co jest fajne w posiadaniu spółki publicznej, to to, że akcje są obracane na giełdzie, prawda?
Te akcje są na, załóżmy, że są na Nowojorskiej Giełdzie Papierów Wartościowych.
Każdego dnia moglibyście wejść na stronę Yahoo! Finance lub gdziekolwiek i spojrzeć na wykres.
Rozrysuję wykres.
Możemy narysować wykres.
Myślę, że wszyscy kiedyś widzieliśmy wykresy giełdowe.
Załóżmy, że to mogłaby być data IPO lub zwyczajnie początek, który oglądamy
oraz załóżmy, że notowania akcji IPO wzrosły, a potem cały rynek nieco spadł.
Ale akcje - może są tu, prawda?
Portuguese:
dez milhões de ações.
Outra coisa interessante quando a empresa
se torna pública--
quando a empresa era privada e
usou um investidor,
quando este investidor privado
quis investir,
eles sentaram e conversaram para
saber se o investimento valia a pena
E se os ativos valeriam a pena.
Quando se tem uma empresa
publicamente listada,
as ações são negociadas em bolsa, certo?
Digamos que elas estejam na
bolsa de Nova York.
Então você pode ir todo dia até
um site de economia e olhar um gráfico.
Vou desenhar um.
Você pode desenhar um gráfico também.
E todos nós já vimos gráficos antes.
Isso poderia ser o dia do IPO
(Oferta pública inicial),
ou o primeiro dia que
olhamos para ele,
digamos que a ação subiu e todo o mercado
ficou um pouco em baixa.
Mas a ação-- está lá, certo?
Mas em algum momento,
Polish:
Lecz w każdej dowolnej sekundzie, jest cena, po której ktoś obracał akcjami
i może to nie być najlepsza cena, lecz jest to cena.
Omówimy czemu tak się dzieje, ponieważ można mieć 10 milionów akcji,
jeśli tylko, no nie wiem, 100 akcji będzie obracanych w dowolnej chwili,
lub powiedzmy tylko 100 akcji zostanie przehandlowanych tego dnia, czy jest to cena wskaźnikowa?
Nie jest to bowiem wielki procent wszystkich akcji.
W każdym bądź razie porozmawiamy więcej o znaczeniu wolumenu względem całkowitego obrotu itd.
Założmy jednak, że w tej chwili akcje firmy obracane były za 15$ za sztukę.
To 15$, prawda, w tej chwili.. Dokładnie teraz.
Obracane przy cenie 15$ za akcję, a wy moglibyście to wyszukać na swoim terminalu Bloomberga lub czymkolwiek innym.
Rynek dostarcza nam wartości tej firmy.
Rynek jest gotów obracać akcjami po cenie 15$.
Był chętny kupiec i chętny spzedawca przy cenie 15$ za akcję.
To oznacza, że w tym momencie rynek ocenia tę firmę na 15$ za akcję razy 10 milionów akcji.
English:
there's a price that somebody
traded that stock at and it
might not be the best price,
but it is a price.
And we'll talk about why that
happens, because you might
have 10 million shares, and if
only, I don't know, 100 shares
get traded at any second, or
let's say only 100 shares get
traded in the day, is that
an indicative price?
Because that's not
a huge percentage
of all of the shares.
But anyway, we'll talk more
about what volume means
relative to the total float
and all of that.
But let's say at this split
second the company shares
traded at $15 a share.
This is $15, right, at
this second in time.
This is like right now.
Traded at $15 a share, and you
could look it up on your
Bloomberg terminal
or whatever else.
So essentially the market
is providing us a
value for this company.
The market is saying wow, the
market is willing to trade the
share at $15.
There was a willing buyer and
a willing seller at exactly
$15 a share.
So that means that the market at
that moment is valuing this
company at $15 per share times
10 million shares.
Portuguese:
há um preço pelo qual alguém negociou,
talvez não seja o melhor preço,
mas é um preço.
E falarei sobre o motivo disso acontecer,
pois você tem 10 milhões de ações,
e se cem ações forem negociadas no dia,
isso é um preço indicativo?
Essa não é uma grande porcentagem
do total de ações.
Mas falaremos sobre o significado
de volume
em relação às margens totais e tudo isso.
Mas, vamos dizer que neste momento as
ações da empresa
sejam negociadas por $15 cada.
São $15 neste segundo.
Agora mesmo.
Negociadas a $15 por ação,
e você pode olhar um
terminal Bloomberg ou algo do tipo.
Então o mercado está nos fornecendo um
valor para a empresa.
O mercado está dizendo que está
disposto a pagar $15 por ação.
Havia um comprador e um vendedor
disponíveis por exatamente $15 por ação.
Isso significa que o mercado neste momento
avalia a empresa em:
$15 por ação vezes dez milhões de ações.
Thai:
มันมีราคาที่คนซื้อขายหุ้นนั้น และมัน
อาจไม่ใช่ราคาที่ดีที่สุด
แต่มันเป็นราคาค่าหนึ่ง
และเราจะคุยกันว่าทำไมมันถึงเกิดขึ้น
เพราะคุณอาจ
มี 10 ล้านหุ้น แล้วถ้า 100 หุ้น
ถูกซื้อขายทุกวินาที
หรือสมมุติว่ามีหุ้นแค่ 100 หุ้น
ถูกซื้อขายในวันนั้น
มันเป็นราคาที่มีความหมายหรือเปล่า?
เพราะมันไม่ใช่เปอร์เซ็นต์มากมาย
ของหุ้นทั้งหมด
แต่ช่างเถอะ เราจะพูดถึงว่าปริมาณ (volume)
หมายถึงอะไร
เทียบกับ total float อะไรพวกนั้น
แต่สมมุติว่า ณ วินาทีนั้น หุ้นบริษัท
ซื้อขายที่ $15 ต่อหุ้น
นี่คือ $15 ใช่ ณ วินาทีนี้
มันเป็นอย่างนี้ตอนนี้
ซื้อขายที่ $15 ต่อหุ้น และคุณดูใน
Bloomberg terminal หรืออื่นๆ ได้
ที่สุดแล้วตลาดจะให้
มูลค่าแก่บริษัทนี้
ตลาดกำลังบอกว่า ตลาดยินดีซื้อขาย
หุ้นที่ราคา $15
มีคนยินดีซื้อและคนขายที่ราคา
$15 ต่อหุ้นพอดี
นั่นหมายความว่าตลาด ณ ขณะนั้น
ประเมินค่าบริษัทนี้
ที่ $15 ต่อหุ้นคูณ 10 ล้านหุ้น
Dutch:
is er een prijs waartegen iemand dat aandeel heeft verhandeld en het
is mogelijk niet de beste prijs, maar het is een prijs.
En we zullen bespreken waarom dat gebeurt, omdat je mogelijk
10 miljoen aandelen hebt, en als slechts - weet ik veel - 100 aandelen
worden verhandeld elke seconde, of laten we zeggen dat enkel 100 aandelen
verhandeld worden per dag, is dat dan een indicatieve prijs?
Omdat dat niet een groot percentage is
van al de aandelen.
Sowieso, we zullen het nog uitgebreider hebben over wat volume betekent
ten opzichte van de totale uitstaande aandelen (float) en al dat.
Maar laten we op dit ogenblik aannemen dat de aandelen van de onderneming
verhandeld worden aan 15 dollar per aandeel.
Dat is 15 dollar op dit eigenste ogenblik.
Dit is bij wijze van spreken: nu.
Verhandeld aan 15 dollar per aandeel, en je kan het opzoeken op je
Bloomberg scherm of zo.
Eigenlijk voorziet de markt ons hier van
een waardering voor deze onderneming.
De markt zegt: "Wow." De markt is bereid
het aandeel te verhandelen aan 15 dollar.
Er was een bereidwillige koper en een bereidwillige verkoper tegen exact
15 dollar per aandeel.
Dat betekent dus dat de markt op dat ogenblik deze onderneming waardeert
tegen 15 dollar per aandeel, maal 10 miljoen aandelen.
Czech:
existuje cena, za kterou někdo obchoduje tu akcii
a nemusí to být nejlepší cena, ale je to cena.
A budeme mluvit o tom, proč se to děje, protože můžete
mít 10 milionů akcií, a pokud se obchoduje jenom, nevím, 100 akcií
v danou sekundu nebo řekněme jen 100 akcií
se obchoduje v daný den, je to orientační cena.
Protože to není velké procento
ze všech akcií.
V každém případě budeme více mluvit o tom, co znamená objem
vzhledem k celkovému oběhu atd.
Ale řekněme, že v tuhle sekundu jsou akcie firmy
obchodovány za 15 dolarů za akcii.
Tohle je 15 dolarů v tenhle okamžik.
To je jako právě teď.
Obchodované za 15 dolarů za akcii a a můžete si to vyhledat na svém
Bloomberg terminálu nebo kdekoli jinde.
Takže trh nám vlastně poskytuje
hodnotu za tuhle firmu.
Trh říká wow, trh je ochoten obchodovat
akcii za 15 dolarů.
Byl zde ochotný kupující a ochotný prodávající přesně
pro 15 dolarů za akcii.
Takže to znamená, že trh v tom okamžiku hodnotí tuhle
firmu na 15 dolarů za akcii krát 10 milion akcií.
Thai:
$15 ต่อหุ้นคูณ 10 ล้านหุ้น -- ไม่ต้อง
ใส่ดอลล่าร์ก็ได้
ตลาดจึงกำหนดค่า 15 คูณ 10 ได้ 150
$150 ล้าน market cap
คือมูลค่าหลักทรัพย์ตามตลาดของบริษัท
แล้วคุณก็ดู ผมว่า มันอยู่ใน
แท็บข้อมูลสถิติหลักของ Yahoo!
Finance คุณจะเห็นมูลค่าหลักทรัพย์
ตามตลาดของบริษัท
มันก็แค่จำนวนหุ้นคูณ
ราคาหุ้น
นี่คือสิ่งที่ตลาดคิดว่า
หุ้นมีค่าเท่าใด
ตลาดกำลังบอกว่าส่วนนี้ตรงนี้
มีค่า $150 ล้าน
และเนื่องจากส่วนนี้มีขนาดเท่ากับสินทรัพย์
เราไม่มีอย่างอื่นทางขวา ตลาด
จึงบอกว่าสินทรัพย์ตอนนี้มีค่า
$150 ล้าน
และสองตัวนี้ไม่จำเป็นต้องเท่ากันเสมอไป
เราจะเห็นในวิดีโอต่อๆ ไป เมื่อคุณเริ่มระดม
Czech:
Takže 15 dolarů za akcii krát 10 milionů akcií...
ne nutně symbol dolaru.
Takže trh přiřazuje, 15 krát 10 je 100.
150 milionů dolarů tržní kapitalizace.
Tržní kapitalizace firmy.
A můžete se na to podívat...myslím, že je to klíčový
statistický tabulátor na Yahoo!
Finance a uvidíte tržní kapitalizaci firmy.
A je to jen počet akcií krát
cena akcií.
Tohle je vlastně na kolik trh
hodnotí vlastní jmění.
Trh říká, že tahle část tady
má hodnotu 150 milionů dolarů.
A protože tahle část má stejnou velikost jako aktiva,
nemáme nic jiného na pravé straně, trh
vlastně říká, že tady ta aktiva mají hodnotu
150 milionů dolarů.
A tyhle si nebudou vždy rovny.
Uvidíme pravděpodbně v pár videích, že když začnete zvyšovat
Portuguese:
São $15 por ação vezes
10 milhões de ações--
não necessariamente em dólares.
São quinze vezes cento e...
cento e cinquenta, um valor de mercado de
$150 milhões de dólares.
Capitalização de mercado para a empresa.
Você pode ver isso na aba de estatísticas
principais no Yahoo! finanças
Lá você pode ver a capitalização de
mercado para uma empresa.
E isso é apenas o número de ações vezes
o preço das ações.
Isso é, essencialmente, o valor de mercado
do capital.
O mercado está dizendo que essa parte
bem aqui vale $150 milhões.
Já que esse pedaço tem o mesmo tamanho
dos ativos, não temos nada no lado direito
o mercado está dizendo que os ativos
neste momento valem $150 milhões;
E esse dois não serão
sempre iguais.
Veremos em outros vídeos que
quando se começa o endividamento,
Polish:
15$ za akcję razy 10 milionów akcji - niekoniecznie ze znakiem dolara.
Rynek wyznacza - 15 razy 10 to 100 - 150 milionową kapitalizację rynkową.
Kapitalizacja rynkowa firmy.
Moglibyście spojrzeć na jak sądzę kluczową zakładkę ze statystykami na stronie Yahoo! Finance,
a zobaczycie kapitalizację rynkową dla firmy.
To jedynie liczba akcji razy cena za akcję.
To zasadniczo wartość rynkowa kapitału.
Rynek mówi, że ta część tu warta jest 150 milionów $.
A skoro ta część jest tej samej wielkości co aktywa, nie mamy nic więcej po prawej stronie,
rynek mówi, że teraz aktywa są warte 150 milionów $.
To nie zawsze będzie równe.
English:
So $15 per share times 10
million shares-- not
necessarily a dollar sign.
So the market is assigning
a, 15 times 10 is 100.
$150 million market cap.
Market capitalization
for the company.
And you could look on the kind
of, I think it's the key
statistics tab on Yahoo!
Finance, and you'll see market
capitalization for a company.
And it's just the number
of shares times the
price of the shares.
This is essentially what
the market's value
of the equity is.
The market is saying that
this piece right here
is worth $150 million.
And since this piece is the same
size as the assets, we
have nothing else on the
right-hand side, the market's
essentially saying that the
assets right now are worth
$150 million.
And these aren't always
going to be equal.
We'll see probably in a few
videos when you start raising
Dutch:
Dus 15 dollar per aandeel maal 10 miljoen aandelen - een
dollar teken is niet noodzakelijk.
De markt kent dus - 15 keer 10 is 150 -
een marktcapitalisatie toe van 150 miljoen dollar.
Marktcapitalisatie van de onderneming.
En je zou kunnen kijken naar zowat - ik denk dat het het belangrijkste
statistische tabblad is op Yahoo!
Finance, en je zal er de marktcapitalizatie van een onderneming zien.
Het is niet meer dan het aantal aandelen vermenigvuldigd met
de prijs van de aandelen.
Dat is in wezen wat de marktwaarde
van het eigen vermogen is.
De markt vertelt ons dat dit deel hier
100 miljoen waard is.
Een aangezien dat deel exact dezelfde grootte heeft als de activa - we
hebben niets anders aan de rechterkant - zegt de markt
ons eigenlijk dat de activa op dit ogenblik
150 miljoen dollar waard zijn.
En deze zullen niet altijd hetzelfde zijn.
We zullen waarschijnlijk in een aantal video's zien dat wanneer je begint met
Polish:
Parę filmów dalej, zobaczymy prawdopodobnie, że gdy zaczynamy zbierać długi,
trzeba wykonać dodatkowe obliczenia by wykombinować wartość aktywów
lub - dorzucę tu nowe określenie - wartość przedsiębiorstwa.
Wartość przedsiębiorstwa to zasadniczo wartość aktywów minus nadwyżka gotówki.
Gotówka w firmie nie musi być w obiegu.
Omówimy szczegóły tego.
Jednak narazie spojrzymy na to jako na aktywa.
Jeśli będę dyrektorem finansowym firmy i załóżmy, że musimy zebrać kolejne, no nie wiem, 15 milionów $.
Mam dwie możliwości.
Mógłbym powiedzieć, dobrze, firma obraca akcjami po cenie 15$ za akcję,
muszę zebrać 15 milionów $, tak bym mógł wyemitować kolejny milion akcji.
Nie byłaby to pierwsza oferta publiczna, ponieważ jestem już upubliczniony.
Byłaby to kolejna oferta publiczna, czasem nazywana wtórną ofertą.
Chociaż słowo wtórna ma dwie konotacje.
Lecz byłaby to kolejna oferta publiczna, w której wyemitowałbym akcje,
zwróciłbym się do zarządu, stworzylibyśmy kolejny milion akcji,
a nastepnie sprzedalibyśmy je na rynku,
Czech:
dluh, musíte udělat výpočet navíc, abyste zjistili jakou
hodnotu mají aktiva nebo... a hodím sem nový pojem
jaká je hodnota firmy.
Hodnota podniku je vlastně hodnota aktiv
mínus přebytečná hotovost.
Hotovost, kterou firma nepotřebuje k provozu.
A půjdeme do detailů.
Ale budeme se na to nyní dívat jako na aktiva.
Takže pokud jsem finanční ředitel téhle firmy a řekněme, že potřebujeme
získat dalších, nevím, 15 milionů dolarů.
Mám dvě možnosti.
Mohl bych říct OK, firma se obchoduje za 15 dolarů za akcii,
potřebuji získat 15 milionů dolarů, takže bych mohl emitovat
další milion akcií.
Nebude to první veřejná nabídka akcií, protože
jsem již veřejná firma.
Bude to následná nabídka akcií nebo někdy se
to nazývá sekundární nabídka akcií.
Ačkoli slovo sekundární má dva významy.
Ale byla by to následná nabídka akcií, kde bych emitoval
milion akcií představenstvu. Vlastně bychom vytvořili další
milion akcií a potom je prodali na trhu a
doufejme, že je lidé budou kupovat za 15 dolarů za akcii nebo pravděpodobně
English:
debt you have to do an extra
calculation to figure out what
the asset value or-- and I'll
throw out a new term here, the
enterprise value
of the firm is.
The enterprise value's
essentially the asset value
minus excess cash.
The cash the company really
doesn't need to operate.
And we'll go into more
detail of that.
But we'll just view it as
the assets for now.
So if I'm the CFO of this
company, and let's say we need
to raise another, I don't
know, $15 million.
I have two options.
I could say OK, the company is
trading at $15 per share, I
need to raise $15 million,
so I could issue
another million shares.
It wouldn't be the initial
public offering because I'm
already public.
It would be a follow-on
offering, or sometimes it's
called a secondary offering.
Although the word secondary has
kind of two connotations.
But it would be a follow-on
offering where I would issue,
I'd go to the board, we would
essentially create another
million shares, and then sell
them into the market, and
hopefully people will buy it at
$15 a share or probably a
Portuguese:
é necessário um cálculo extra
para se saber o valor--
e vou introduzir um novo termo:
Valor da empresa.
Esse valor é calculado subtraindo-se
o excesso de caixa do valor dos ativos.
O dinheiro que a empresa não precisa
para poder operar.
Vou detalhar isso.
Mas por enquanto apenas veremos
isso como ativos.
Sou o CFO desta empresa, e preciso
arrecadar $15 milhões.
Eu tenho duas opções;
Poderia dizer: "Certo, a empresa está
sendo negociada a $15 por ação,
e preciso de arrecadar mais $15 milhões,
logo posso emitir
mais um milhão de ações".
Não seria um IPO pois a empresa
já é pública.
Seria um follow on, também conhecido como
oferta secundária.
Mesmo que "secundária" tenha
duas conotações.
Mas seria um follow on, então eu
iria até os diretores, e nós criaríamos
mais um milhão de ações, e as
venderíamos no mercado,
Thai:
หนี้ คุณต้องคำนวณเพิ่มว่า
มูลค่าสินทรัพย์หรือ -- ผมจะใส่คำใหม่ตรงนี้
มูลค่าสุทธิของกิจการ (enterprise value)
เป็นเท่าใด
มูลค่าสุทธิของกิจการก็คือมูลค่าสินทรัพย์
ลบเงินสดส่วนเกิน
เงินสดที่บริษัทไม่ได้ดำเนินงานอะไร
และเราจะพูดถึงรายละเอียดอีกทีหลัง
แต่เราจะมองมันเป็นสินทรัพย์ไปก่อน
ถ้าผมเป็น CFO ของบริษัทนี้
และสมมุติว่เราอยาก
ระดมเงินอีก ไม่รู้สิ $15 ล้าน
ผมมีตัวเลือก 2 อย่าง
ผมบอกได้ว่า โอเค
บริษัทซื้อขายอยู่ที่ $15 ต่อหุ้น
ผมต้องระดมเงิน $15 ล้าน ผมก็ออก
อีกล้านหุ้นได้
มันจะไม่ใช่การเสนอขายหุ้น
ในตลาดครั้งแรก เพราะผม
อยู่ในตลาดแล้ว
มันจะเป็นการเสนอขายต่อ
(follow-on offering) หรือบางครั้ง
เรียกว่าการเสนอขายทุติยภูมิ
(secondary offering)
ถึงแม้คำว่าทุติยภูมิจะมีความหมายสองแง่
มันอาจเป็นการเสนอขายต่อ โดยผมออก
ผมไปที่บอร์ดบริหาร แล้วเราตกลงสร้างหุ้น
อีกล้านหุ้น แล้วขายหุ้นในตลาด และ
หวังว่าจะมีคนซื้อที่ $15 ต่อหุ้น
หรือน้อยกว่า
Dutch:
het aangaan van schulden je een bijkomende berekening moet maken om uit te maken wat
de waarde van de activa of - en ik zal hier een nieuwe term opwerpen -
de bedrijfswaarde van de onderneming is.
De bedrijfswaarde is de waarde van de activa
verminderd met de overtollige cash.
De cash die de onderneming echt niet nodig heeft om te kunnen werken.
We zullen daar in meer detail op ingaan.
Maar nu zullen we het enkel als activa beschouwen.
Dus als ik de CFO van deze onderneming ben, en we moeten pakweg
nog - weet ik veel - 15 miljoen dollar ophalen.
Ik heb twee opties.
Ik zou kunnen zeggen: "OK, de onderneming verhandeld tegen 15 dollar per aandeel,
ik moet 15 miljoen dollar ophalen, dus zou ik
nog een miljoen aandelen kunnen uitgeven.
Het zou geen eerste publieke aanbieding zijn omdat ik
al publiek ben.
Het zou een opvolg-aanbieding zijn, of soms wordt het
ook een secundaire aanbieding genoemd.
Het woord secundair heeft zo'n twee connotaties.
Het zou een opvolg-aanbieding zijn waarin ik
- ik zou naar de raad van bestuur gaan - we zouden een extra
miljoen aandelen uitgeven, en ze dan verkopen op de beurs, en
hopelijk kopen mensen dat dan aan 15 dollar per aandeel or waarschijnlijk
Portuguese:
então as pessoas pagariam um
pouco menos que os $15 já que estamos
enchendo o mercado com um monte de ações.
Talvez eles paguem $14 por ação,
e nós arrecadaríamos $14 milhões.
E isso seria um follow on.
Como vimos, podemos sempre usar
mercados públicos como uma
maneira de arrecadar dinheiro.
Na maior parte das vezes não tivemos que
fazer uma avaliação, negociações,
contratar bancos, nem coisas do tipo.
Mesmo que os bancos ainda coletem taxas.
Na verdade teríamos que contratar bancos.
Essa é uma opção.
Outra opção seria, no caso de sermos
uma empresa consolidada, que gera lucro;
poderíamos fazer pagamentos de juros.
Poderíamos ir até um banco.
Mas há vários modos de fazer isso.
Iríamos pegar dinheiro emprestado.
Digamos que vamos fazer isso.
Ao invés de fazer isso--
vamos fazer os dois.
Fizemos um follow on de $1 milhão
que gerou $14 milhões para a empresa.
Mas queremos mais $2 milhões, mas
ao invés de vender ações--
temos quantas ações agora?
Vendemos 1 milhão,
tínhamos 10 milhões,
temos 11 milhões de ações.
Czech:
za trochu méně, protože trochu zahlcujeme trh
tunami akcií.
Možná je koupí za 14 dolarů za akcii a
my získáme 14 milionů dolarů.
A to by byla následná nabídka akcií.
Takže můžeme vždy použít veřejné trhy jako zůsob
já získat více peněz.
Nemuseli jsme dělat všechno tohle... myslím,
z větší části jsme nemuseli dělat tohle velké oceňovací cvičení a
vyjednávání a dělat všechno tohle, najímat banky atd.
Ačkoli banky budou stále vybírat poplatky.
Ve skutečnosti bychom měli najmout na tohle banky.
Takže to je jedna možnost.
Nebo další možnost je, že jsme zavedená firma,
generujeme hotovost, můžeme uskuečnit úrokové
platby, pokud chceme.
Můžeme jít do banky.
A ve skutečnosti je řada jiných způsobů, jak tohle udělat.
Ale v podstatě si můžeme půjčit peníze.
A řekněme, že to uděláme.
Místo, abychom dělali tohle... řekněme, že uděláme obojí.
Takže řekněme, že jsme udělali následnou veřejnou nabídku akcií v hodnotě 1 milion dolarů,
což nám dalo 14 milionů dolarů.
A řekněme, že chceme další 2 miliony dolarů, ale tentokrát
místo prodávání akcií... takže nyní kolik
máme akcií?
Prodali jsme 1 milion, měli jsme 10 milionů,
máme 11 milionů akcií.
Polish:
mając nadzieję, że ludzie kupią je po 15$ za akcję lub prawdopodobnie nieco mniej,
ponieważ zalewamy rynek tonami akcji.
Być może kupią je za 14$ za akcję, a my zbierzemy 14 milionów $.
Byłaby to kolejna oferta publiczna.
Zawsze możemy użyć rynków publicznych jako sposobu na zbieranie pieniędzy.
Nie musieliśmy przez to wszystko przechodzić - chodzi mi o to,
że nie musieliśmy wykonać tego wielkiego wysiłku wyceny i negocjacji, zatrudniać banki itd.
Chociaż banki nadal będą pobierać opłaty.
W zasadzie musielibyśmy zatrudnić banki do tego.
To jedna z możliwości.
Druga możliwość to taka, że jesteśmy uznaną firmą generującą zysk,
moglibyśmy mieć wypłatę odsetek gdybyśmy chcieli.
Moglibyśmy pójść do banku.
W zasadzie jest wiele sposobów w jaki to można zrobić.
Moglibyśmy pożyczyć pieniądze. Załóżmy, że tak właśnie zrobiliśmy.
Zamiast tego - załóżmy, że zrobimy obie rzeczy.
Załóżmy, że przygotowaliśmy milionową kolejną ofertę publiczną, to nam dało 14 milionów $.
Załóżmy, że chcemy kolejne 2 miliony $, lecz tym razem zamiast sprzedawać akcje
- ile mamy teraz akcji?
Sprzedaliśmy milion, mieliśmy 10 milionów,
English:
little bit less because we're
kind of flooding the market
with a ton of shares.
Maybe they buy it at $14
per share, and we
would raise $14 million.
And that would be a follow-on
offering.
So we can always use the public
markets as a way to
raise more money.
We didn't have to go to all
this-- I mean, for the most
part we didn't have to do this
huge valuation exercise and
negotiations and do all of this,
hire banks and all that.
Although the banks will
still collect fees.
We actually would have to
hire banks to do this.
So that's one option.
Or the other option is we're an
established company, we're
generating cash, we could
make interest
payments if we want to.
We could go to a bank.
And actually there's a lot of
different ways to do this.
But we could essentially
borrow money.
And let's just say we do that.
Instead of doing this--
let's say we do both.
So let's say we did a $1 million
follow-on offering,
that gave us $14 million.
And let's say we want another
$2 million, but this time
instead of selling shares--
so right now how many
shares do we have?
We sold 1 million, we
had 10 million, we
have 11 million shares.
Thai:
นิดหน่อยเพราะเราทำให้มีหุ้น
ในตลาดเป็นจำนวนมาก
บางทีเขาอาจซื้อที่ราคา $15 ต่อหุ้น แล้วเรา
จะระดมเงินได้ $14 ล้าน
นั่นคือการเสนอขายต่อแบบหนึ่ง
เราจึงใช้ตลาดทั่วไปเพื่อ
ระดมเงินเพิ่มได้
เราไม่ต้องไปทำเรื่องทั้งหมดนี้
-- ส่วนใหญ่แล้ว
เราไม่ต้องไปทำการประเมินค่าและ
ต่อรอง อะไรพวกนั้น
จ้างธนาคารอะไรพวกนั้นอีก
ถึงแม้ว่าธนาคารจะยังคิดค่าธรรมเนียมอยู่
เรายังต้องจ้างธนาคารทำงานนี้
นั่นคือตัวเลือกหนึ่ง
หรืออีกวิธีคือเราเป็นธุรกิจที่มั่นคงแล้ว เรา
สร้างเงินสดได้ เราจ่ายดอกเบี้ยได้
ถ้าต้องการ
เราก็ไปยังธนาคารได้
และมันมีวิธีทำหลายวิธี
แต่ที่สุดแล้ว เราจะไปยืมเงิน
และสมมุติว่าเราทำอย่างนั้น
แทนที่จะทำอย่างนี้ --
สมมุติว่าเราทำทั้งสองอย่าง
สมมุติว่าเราทำการเสนอขายต่อ
อีก 1 ล้านหุ้น
ทำให้เราได้เงิน $14 ล้าน
และสมมุติว่าเราอยากได้อีก $2 ล้าน
แต่คราวนี้
แทนที่จะขายหุ้น -- ตอนนี้เรา
มีหุ้นกี่หุ้นนะ?
เราขายไป 1 ล้าน เรามี 10 ล้าน ตอนนี้เรา
มี 11 ล้านหุ้น
Dutch:
een klein beetje minder omdat we de markt zowat overspoelen
met heel veel aandelen.
Misschien kopen ze het aan 14 dollar per aandeel en we
zouden 14 miljoen dollar ophalen.
En dat zou een opvolg-aanbieding zijn.
Dus we kunnen altijd een beroep doen op de openbare markten om
meer geld op te halen.
We moesten niet door dit alles gaan - ik bedoel, voor het overgrote
deel moesten we deze enorme waarderingsoefening niet te doen noch
de onderhandelingen en al dit doen, banken inhuren en zo.
Hoewel de banken nog altijd vergoedingen ontvangen.
We zouden eigenlijk banken moeten inhuren om dit te doen.
Dus dat is een optie.
Of de andere optie is dat we een gestelde onderneming zijn, we
genereren cash, we zouden rente kunnen
terugbetalen als we zouden willen.
We zouden naar een bank kunnen gaan.
En er zijn in feite heel veel verschillende manieren om dat te doen.
Maar we zouden geld kunnen lenen.
En laten we aannemen dat we dat doen.
In plaats van dit te doen -- laten we zeggen dat we beide doen.
Dus laten we aannemen dat we een opvolg-aanbieding afwerkten van 1 miljoen dollar
die ons 14 miljoen dollar opleverde.
En laten we aannemen dat we nog eens 2 miljoen dollar willen, maar deze keer
- in plaats van aandelen te verkopen - op dit ogenblik hoeveel
aandelen hebben we?
We verkochten er 1 miljoen, we hadden er 10 miljoen, we
hebben 11 miljoen aandelen.
English:
Let's say, you know what, let's
say as a CFO I feel like
our shares are going to
move up a lot more.
So we don't like selling
them at this low price.
And let's say interest
rates are really low.
Instead we're going
to borrow money.
That's essentially
raising debt.
So let's say we borrow another
$3 million because we need it.
So actually this would be debt,
$3 million of debt, and
we would get $3 million
of cash.
So now our assets are
all of this stuff on
the left-hand side.
And what are our liabilities
now?
Now, we didn't have liabilities
before because
everything we had
were equities.
But now we do.
Now we owe somebody $3
million right here.
And I'll talk more about all the
different ways to kind of
borrow money.
But it's essentially, it could
just literally be a bank loan.
They might have just gone to
Bank of America and said hey,
Thai:
สมมุติว่า รู้ไหม สมมุติว่า CFO ผมรู้สึกว่า
จำนวนหุ้นเราเพิ่มขึ้นมากเกิน
เราไม่อยากขายหุ้นที่ราคาต่ำเกินไป
และสมมุติว่าอัตราดอกเบี้ยต่ำมาก
เราจึงจะยืมเงินแทน
นั่นก็คือการระดมหนี้
สมมุติว่าเรายืมเงินอีก $3 ล้าน
เพราะเราต้องการมัน
นี่จะเป็นหนี้ หนี้ $3 ล้านและ
เราจะได้เงินสดมา $3 ล้าน
ตอนนี้สินทรัพย์ของเราคือทั้งหมดนี้
ทางซ้ายมือ
แล้วหนี้สินของเราตอนนี้เป็นเท่าใด?
ทีนี้ เราไม่มีหนี้สินมาก่อนเพราะ
ทุกอย่างที่เรามีเป็นส่วนได้เสีย
แต่ตอนนี้เรามีแล้ว
ตอนนี้เราติดเงินคนอื่น $3 ล้าน
และเราจะพูดถึงวิธีการยืมเงินแบบต่างๆ
ต่อไป
แต่มันก็คือ มันก็คือการกู้ธนาคาร
บริษัทอาจไปหา Bank of America
แล้วบอกว่า เฮ้
Dutch:
Laten we zeggen... weet je wat, laten we zeggen dat ik als CFO denk
dat onze aandelen heel veel meer waard zullen worden.
Dus willen we ze niet verkopen tegen een lage prijs.
En laten we aannemen dat de intrestvoeten heel laag zijn.
In de plaats daarvan zullen we geld lenen.
Dat is de essentie van schulden aangaan.
Dus laten we aannemen dat we nog eens 3 miljoen dollar lenen, omdat we het nodig hebben.
Dat zou dus echt schuld zijn, 3 miljoen schulden, en
we zouden 3 miljoen schulden hebben.
Dus nu zijn onze activa al dit hier
aan de linkerkant.
En wat is ons vreemd vermogen nu?
Nu, we hadden geen vreemd vermogen voordien omdat
alles wat we hadden eigen vermogen was.
Maar nu hebben we er dus wel.
Nu moeten we iemand 3 miljoen dollar, hierzo.
En ik zal verder uitweiden over de verschillende manier om
geld te lenen.
Maar het komt erop neer dat het gewoon letterlijk een banklening kan zijn.
Ze kunnen gewoon naar de Bank of America gegaan zijn en gezegd hebben:
Polish:
mamy 11 milionów akcji.
Przyjmijmy, że jako dyrektor finansowy czuję, że nasze akcje znacznie podskoczą.
Nie chcemy ich sprzedawać po tak niskiej cenie.
Ustalmy, że stopy procentowe są bardzo niskie. Zamiast tego pożyczymy pieniądze.
To zasadniczo zaciąganie długu.
Załóżmy, że pożyczamy kolejne 3 miliony $, ponieważ je potrzebujemy.
To byłby dług, 3 miliony $ długu, dostalibyśmy 3 miliony $ w gotówce.
Nasze aktywa teraz to wszystko to po lewej stronie.
Jakie są nasze pasywa teraz?
Nie mieliśmy wcześniej pasywów, ponieważ wszystko co mieliśmy to był kapitał.
Teraz natomiast mamy.
Jesteśmy teraz komuś winni 3 miliony $.
Powiem nieco więcej o różnych metodach pożyczania pieniędzy.
Może to być dosłownie pożyczka w banku.
Mogli po prostu pójść do banku Bank of America i powiedzieć,
Portuguese:
Digamos que como CFO eu sinta que nossas
ações vão subir mais.
Então não quero vendê-las por
pouco dinheiro.
E digamos que as taxas de juros
sejam pequenas.
Então vamos pegar dinheiro emprestado.
Isso irá aumentar a dívida.
Digamos que pegamos $3 milhões
emprestados por necessidade.
Então isso seria uma dívida, uma dívida
de $3 milhões, e, teríamos
$3 milhões em dinheiro.
Agora nossos ativos são essas coisas
aqui no lado esquerdo.
Qual é nosso passivo agora?
Não tínhamos passivo antes já que
tudo o que tínhamos era capital.
Mas agora temos passivo.
Agora devemos $3 milhões para alguém.
Falarei sobre os diferentes modos de se
pegar dinheiro emprestado.
Mas isso poderia ser um
empréstimo bancário.
Eles podem ter ido ao Bank of America
e dito:
Czech:
Víte co, řekněme, že jako finanční ředitel cítím, že
naše akcie hodně porostou.
Takže nejsme rádi, že se prodávají za takhle nízkou cenu.
A řekněme, že úrokové sazby jsou skutečně nízké.
Místo toho si půjčíme peníze.
To je vlastně získávání dluhu.
Takže řekněme, že si půjčíme další 3 miliony dolarů, protože je potřebujeme.
Takže ve skutečnosti je tohle dluh, dluh 3 miliony dolarů a
dostaneme 3 miliony v hotovosti.
Takže teď jsou naše aktiva všechny tyhle věci
na levé straně.
A co jsou nyní naše závazky?
Nyní, neměli jsme předtím žádné závazky, protože
všechno, co jsme měli, bylo vlastní jmění.
Ale nyní máme.
Nyní někomu dlužíme 3 miliony dolarů.
A budu více mluvit o různých způsobech
půjčování peněz.
Ale to je v podstatě, může to být doslova bankovní půjčka.
Mohli jen tak jít do Bank of America a říct, hele
English:
we're a big company and we're
good for the money, why don't
you lend us $3 million.
And maybe it would be $3 million
at a low interest
rate, at maybe 6% per year.
And Bank of America feels good
because you have a high--
we'll talk more about credit
ratings and all of that-- but
they say oh, you have
essentially a good company
credit score.
So we'll give it to you at
a low interest rate.
So what happens in the future
is, these assets are going to
generate, hopefully,
some cash.
And before these guys see it--
let me do to it in the--
before these equity holders--
this is the equity holders
right now-- before the equity
holders see anything, these
guys have to get paid their
interest. And I'll show you
all of that on a line-by-line
basis in an income statement.
Everything we've done so far
has been a balance sheet.
But something interesting
is happening now.
Now all of a sudden your assets,
which is that side-- I
know I just keep writing over
the same drawing-- your assets
are now larger than
your equity.
I think now, and this is just
kind of a review of the
Polish:
jesteśmy dużą firmą i jesteśmy warci tych pieniędzy, czemu nie pożyczycie nam 3 milionów $.
Być może byłyby to 3 milion $ przy niskiej stopie procentowej, może 6% rocznie.
Bank of America dobrze się czuje, ponieważ mamy wysoką -
porozmawiamy nieco więcej o zdolności kredytowej i całej reszcie - lecz mówią macie dobry wynik kredytowy (credit score).
Udzielimy wam nisko oprocentowanego kredytu.
W przyszłości, mamy nadzieje, że aktywa wygenerują trochę gotówki.
Zanim ci ludzie to zauważą - zrobię to w -
zanim ci udziałowcy - to są teraz udziałowcy
- zanim udziałowcy coś zobaczą, ci ludzie muszą mieć opłacone odsetki.
Pokażę wam to linijka za linijką w zaświadczeniu o dochodach.
Wszystko co dotychczas robiliśmy było bilansem.
Coś ciekawego się teraz dzieje.
Nagle wszystkie nasze aktywa, czyli ta strona -
wiem, że ciągle piszę po tym samym rysunku - nasze aktywa są teraz większe niz nasz kapitał.
Sądzę teraz, a to tylko przypomnienie filmu o bilansach,
Portuguese:
"Somos uma grande empresa que lida bem
com dinheiro,
"por que você não nos empresta
$3 milhões?".
E isso seria um empréstimo de $3 milhões
com uma taxa de juros baixa,
por volta de 6% ao ano.
E o Bank of America se sente confortável
já que você tem--
falaremos sobre qualificação creditícia
e tudo isso-- mas eles dizem:
"Sua empresa tem uma boa
pontuação de crédito".
"Faremos o empréstimo a uma
taxa de juros baixa".
O que acontece no futuro é que esses
ativos vão gerar algum dinheiro.
E antes que eles notem--
vou fazer no--
antes que estes acionistas-- estes são os
acionistas no momento---
antes que os acionistas
vejam qualquer coisa, esses caras
precisam receber seus juros. Mostrarei
a vocês detalhadamente
uma declaração de renda.
Tudo o que fizemos até agora
foi um balanço.
Mas há algo interessante acontecendo.
De repente seus ativos,
que estão deste lado--
eu sei que estou escrevendo sobre o
mesmo desenho-- seus ativos são maiores
que seu passivo.
Isso é apenas uma revisão do vídeo sobre
Dutch:
"We zijn een groot bedrijf en we kunnen onze schulden terugbetalen, waarom
ontleen je ons geen 3 miljoen dollar?"
En misschien zou het 3 miljoen zijn tegen een lage intrestvoet
misschien tegen 6% per jaar.
En Bank of America vindt dit goed omdat je een hoge --
we zullen het later uitgebreider hebben over credit ratings en die dingen -- maar
ze zeggen: "Oh, je hebt in wezen een goede onderneming
credit score.
Dus we zullen het aan je geven tegen een lage interestvoet."
Wat er dan te gebeuren staat, is dat deze activa
- hopelijk - wat cash gaan opbrengen.
En nog voor deze gasten het zien -- laat ik het voorstellen in de --
voor deze aandeelhouders -- dit zijn de aandeelhouders
op dit ogenblik -- voor de aandeelhouders iets zien,
moeten deze gasten hun rente betaald krijgen. En ik zal je al dat
lijn-per-lijn laten zien op een inkomstenstaat.
Alles wat we tot nog toe gedaan hebben, is een balans.
Maar nu gebeurt iets interessant.
Plots zijn je activa, dat is deze kant - ik
weet dat ik maar over dezelfde tekening blijf schrijven - je activa
zijn nu groter dan je eigen vermogen.
Ik bedenk nu dat dit gewoon een soort evaluatie is van de
Czech:
jsme velká firma a za dané peníze máme dobrou hodnotu, proč nám
nepůjčíte 3 miliony dolarů?
A třeba to budou 3 miliony dolarů za nízkou úrokovou
sazbu, třeba 6% ročně.
A Bank of America se cítí dobře, protože máte vysokou...
budeme mluvit o úvěrovém hodnocení atd....
ale řeknou, máte v podstatě dobré firemí
kreditní skóre.
Takže vám to dáme za nízkou úrokovou sazbu.
Takže, co se v budoucnu stane je, že tahle aktiva budou
generovat, doufejme, nějakou hotovost.
A předtím než to tihle lidé uvidí...udělám to
předtím než tihle akcionáři... tohle jsou akcionáři...
předtím než akcionáři něco uvidí,
těmhle lidem se musí zaplatit úrok. A všechno tohle vám
ukáži řádek po řádku ve výsledovce.
Vše, co jsme doteď dělali, byla rozvaha.
Ale teď se děje něco zajímavého.
Nyní najednou vaše aktiva, což je tahle strana...
já vím, píši přes ten samý obrázek... vaše aktiva
jsou nyní větší než vaše vlastní jmění.
Teď přemýšlím a tohle je svým způsobem opakování
Thai:
เราเป็นบริษัทใหญ่ และเรามีเงินอยู่
ทำไมคุณไม่
ให้เรายืมเงินสัก $3 ล้านล่ะ
บางทีอาจเป็น $3 ล้านอัตราดอกเบี้ยต่ำ
อาจเป็น 6% ต่อปี
และ Bank of America ก็ยินดีเพราะคุณมี --
เราจะพูดถึงอันดับเครดิต อะไรพวกนั้น -- แต่
เขาบอกว่า โอ้ คุณมีคะแนน
เครดิตบริษัทดี
เราจะให้คุณยืมด้วยอัตราดอกเบี้ยต่ำ
สิ่งที่เกิดขึ้นในอนาคตคือว่า
สินทรัพย์เหล่านี้
หวังว่าจะสร้างเงินสดขึ้นมา
และก่อนหน้าที่คนเหล่านี้จะเห็นมัน --
ขอผมเขียน --
ก่อนผู้ถือหุ้นเหล่านี้ -- นี่คือผู้ถือหุ้น
ตอนนี้ -- ก่อนที่ผู้ถือหุ้นจะเห็นอะไร
คนเหล่านี้ต้องได้ดอกเบี้ยก่อน ผมจะแสดง
ให้เห็นบรรทัดต่อบรรทัดในงบกำไรขาดทุน
ทุกอย่างที่เราทำถึงตอนนี้เป็นแค่งบดุล
แต่สิ่งที่น่าสนใจกำลังเกิดขึ้นแล้ว
ทันใดนั้น สินทรัพย์ของคุณ
ซึ่งก็คือด้านนี้ --
ผมรู้ว่าผมเขียนทับรูปเดิมอยู่นั่นแหละ
-- สินทรัพย์ของคุณ
ตอนนี้ใหญ่กว่าส่วนได้เสีย
ผมคิดว่าตอนนี้ นี่เป็นเพียงการทบทวน
Portuguese:
balanços, você pode perceber que
seus ativos são iguais ao seu
capital, que é isso bem aqui,
seu capital mais seu passivo.
Seu passivo é de $3 milhões.
Mais passivo.
Se você quisesse saber o valor
de seus ativos, já que
seu ativo é o mesmo que seu capital.
Qual o valor de mercado de seu capital?
Já esclarecemos isso.
Temos onze milhões de ações agora.
Digamos que seu o valor das ações
vá a $10
por algum motivo estranho ou não.
Qual o valor de mercado? $10 por ação,
11 milhões de ações,
temos um valor de mercado de $110 milhões.
Este é o valor de mercado.
Falarei sobre a diferença entre
valor de mercado e valor contábil.
Este é o valor de mercado
de seu capital.
E qual o valor de seu passivo?
Devemos $3 milhões, então são mais
$3 milhões.
Podemos dizer que, para o mercado,
Czech:
videa o rozvaze. Vidíte, že aktiva se rovnají
vašemu vlastnímu jmění, které je právě tady, vaše vlastní jmění plus
vaše závazky.
Vaše závazky jsou nyní 3 miliony dolarů.
Plus závazky.
Takže pokud jste chtěli vědět, jakou hodnotu mají vaše aktiva, protože
vaše aktiva se rovnají vašemu vlastnímu jmění.
Takže jaká je tržní hodnota vašeho vlastního jmění?
To už jsme zjistili.
Máme nyní 11 milionů akcií.
A řekněme, že akcie klesne na 10 dolarů za akcii
z nějakého divného důvodu nebo nedivného důvodu.
Takže jaká je tržní kapitalizace? 10 dolarů za akcii, 11 milionů akcií,
máme tržní kapitalizaci 110 milionů dolarů.
Děláme tržní hodnotu.
A budeme více mluvit o rozdílu mezi tržní a
účetní hodnotou.
Ale tohle je tržní hodnota vašeho vlastního jmění.
A potom kolik jsou vaše závazky?
Dlužíme 3 miliony dolarů, takže plus 3 miliony dolarů.
Takže bychom mohli říct, z větší části tržní hodnota
English:
balance sheet video, you see
that the assets are equal to
your equity, which is this right
here, your equity plus
your liabilities.
Your liabilities now
are $3 million.
Plus liabilities.
So if you wanted to know what
your assets are worth, because
your assets are equal
to your equity.
So what's your market value
of your equity?
Well, we figured that
out already.
We have 11 million shares now.
And let's say the stock plummets
to $10 a share for
some strange reason or for
a not-strange reason.
So what's the market cap? $10 a
share, 11 million shares, we
have a $110 million
market cap.
We're doing a market value.
And we'll talk more about the
difference between market and
book value.
But this is the market
value of your equity.
And then what is your
liabilities?
Well we owe $3 million,
so plus 3 million.
So we could say that for the
most part the market value of
Polish:
widzicie, że aktywa są równe kapitałowi, który jest tym tutaj, kapitał plus pasywa.
Nasze pasywa wynoszą teraz 3 miliony $.
Plus pasywa.
Jeśli chcieliście wiedzieć ile nasze aktywa są warte, ponieważ nasze aktywa są równe kapitałowi.
Jaka jest wartość rynkowa naszego kapitału?
Już do tego doszliśmy.
Mamy teraz 11 milionów udziałów.
Przyjmijmy, że ceny akcji runęły do wartości 10$ za sztukę z pewnego dziwnego powodu lub bez żadnego dziwnego powodu.
Jaka jest kapitalizacja rynkowa? 10$ za akcję, 11 milionów akcji, mamy 110 milionową kapitalizację rynkową.
Robimy wycenę rynkową.
Powiemy nieco więcej o różnicy między wartościa rynkową a wartością księgową.
Ale to rynkowa wartość kapitału.
Jakie są nasze pasywa?
Jesteśmy winni 3 milionów $, więc plus 3 miliony.
Moglibyśmy powiedzieć, że w większej części wartość rynkowa naszych aktywów
Thai:
วิดีโอเรื่องงบดุล
คุณเห็นว่าสินทรัพย์เท่ากับ
ส่วนได้เสีย ซึ่งก็คือตรงนี้ ส่วนได้เสียบวก
หนี้สินของคุณ
หนี้สินคุณตอนนี้อยู่ที่ $3 ล้าน
บวกหนี้สิน
ถ้าคุณอยากรู้ว่าสินทรัพย์มีค่าเท่าใด
เนื่องจาก
สินทรัพย์เท่ากับส่วนได้เสีย
มูลค่าตลาดของส่วนได้เสียคุณเป็นเท่าใด?
เราหาไปแล้ว
เรามี 11 ล้านหุ้นตอนนี้
สมมุติว่าหุ้นตกลงมาเหลือ $10 ต่อหุ้น
ด้วยเหตุผลประหลาด
หรือไม่ประหลาดก็ตาม
market cap จะเป็นเท่าใด? $10 ต่อหุ้น
11 ล้านหุ้น เรา
มีมูลค่าหลักทรัพย์ตามตลาด $110 ล้าน
เราคิดมูลค่าตามตลาด
และเราจะพูดถึงความแตกต่างระหว่าง
มูลค่าตามตลาดกับตามบัญชี
ต่อไป
แต่นี่คือมูลค่าตลาดของส่วนได้เสีย
แล้วหนี้สินของคุณเป็นเท่าใด?
เรายืมเงินมา $3 ล้าน บวก 3 ล้าน
เราก็บอกได้ว่า รวมแล้วมูลค่าตามตลาดของ
Dutch:
video over balansen, je ziet dat de activa gelijk zijn
aan je eigen vermogen, dat hier staat, je eigen vermogen plus
je vreemd vermogen.
Je vreemd vermogen is nu 3 miljoen.
Plus vreemd vermogen.
Dus als je wou weten wat je activa waard waren, omdat
je activa gelijk zijn aan je eigen vermogen.
Dus wat is je marktwaarde ten aanzien van je eigen vermogen?
Wel, dat hebben we al door.
We hebben nu 11 miljoen aandelen.
En laten we zeggen dat het aandeel ineenzakt tot 10 dollar per aandeel voor
een of andere vreemde reden of zelfs voor een niet-zo-vreemde reden.
Dus wat is nu de marktcapitalisatie? 10 dollar per aandeel, 11 miljoen aandelen, we
hebben een marktcapitalisatie van 110 miljoen dollar.
We bekijken nu even de marktwaarde.
En we zullen het verder hebben over het verschil tussen markt- en
boekwaarde.
Maar dit is de marktwaarde van je eigen vermogen.
En wat is dan je vreemd vermogen?
Wel, we hebben 3 miljoen dollar tegoed, dus plus 3 miljoen.
We kunnen dus zeggen dat voor het overgrote deel de marktwaarde van
Dutch:
onze activa, de markt denkt dat het geheel van deze linkerkant
een waarde zal hebben van ons eigen vermogen,
de marktcapitalisatie van onze onderneming, vermeerderd met de som van onze schulden, die
gelijk is aan 113 miljoen dollar.
De waarde van deze activa is dus 113 miljoen dollar, en dat
is voor het grootste deel de
bedrijfswaarde van de onderneming.
Wat zijn de activa van de onderneming waard?
En we zullen het daarover hebben - er is een kleine aanpassing die we zullen
toepassen - later - op de bedrijfswaarde.
Maar dat is in essentie hoe je zo ongeveer kan inschatten wat
de onderneming waard is.
Een heel aantal mensen, als ze een marktcapitalisatie
berekenen, zeggen "Oh, dat is wat
de onderneming waard is."
Wel, neen, dat is wat het eigen vermogen waard is.
Marktcapitalisatie is wat het eigen vermogen waard is.
Als je wil weten wat de onderneming waard is, moet je
de marktcapitalisatie nemen en dan de schulden toevoegen.
Een andere manier -- wacht, ik zal het niet te ingewikkeld maken omdat ik
net bedenk dat mijn tijd alweer op is.
Tot ziens in een volgende video.
English:
our assets, the market thinks
that this entire left-hand
side is going to be worth the
value of our equity, the
market cap of the company, plus
the amount of debt, which
is equal to $113 million.
So the value of these assets are
$113 million, and that for
the most part is the enterprise
value of the company.
What is the company's
assets worth?
And we'll talk-- there's a
little bit of a tweak we'll do
in the future on enterprise
value.
But that's essentially how you
kind of can value what the
company's worth.
A lot of people when they do
a market capitalization
calculation they say
oh, that's what
the company's worth.
Well no, that's what the
equity is worth.
Market cap is what the
equity's worth.
If you want to know what the
company's worth, you have to
take the market cap and
then add the debt.
Another way-- well, I won't get
too complicated because I
just realized I've run
out of time again.
See you in the next video.
Thai:
สินทรัพย์ ตลาดคิดว่าทางซ้ายมือทั้งหมด
จะมีค่าเท่ากับมูลค่าของหุ้น
market cap ของบริษัท บวกปริมาณหนี้
ซึ่งเท่ากับ $113 ล้าน
มูลค่าของสินทรัพย์เหล่านี้
จึงเท่ากับ $113 ล้าน
และมันก็เกือบเป็นมูลค่าสุทธิ
ของกิจการบริษัทแล้ว
สินทรัพย์ของบริษัทมีค่าเท่าใด?
เราจะพูดถึง -- มูลค่าสุทธิของกิจการ
จริงๆ แตกต่างนิดหน่อย
เราจะพูดถึงในอนาคต
แต่มันก็คือวิธีที่คุณมองมูลค่า
ของบริษัท
หลายคนเวลาคิด
มูลค่าหลักทรัพย์ตามตลาด
เขาบอกว่า โอ้ นั่นคือ
มูลค่าของบริษัท
แต่ไม่ใช่ นั่นคือมูลค่าของส่วนได้เสีย
มูลค่าหลักทรัพย์ตามหลักทรัพย์
คือมูลค่าของส่วนได้เสีย
ถ้าคุณอยากรู้ว่าทั้งบริษัทมีมูลค่าเท่าใด
คุณต้อง
นำ market cap มาแล้วบวกหนี้สิน
อีกวิธี -- ผมไม่อยากทำให้ซับซ้อนเกิน
เพราะผมเพิ่งรู้ตัวว่าผมหมดเวลาอีกแล้ว
แล้วพบกันใหม่ในวิดีโอหน้าครับ
Czech:
našich aktiv, trh si myslí, že tahle celá levá
strana bude mít hodnotu našeho vlastního jmění,
tržní kapitalizace firmy plus částka dluhu,
se rovná 113 milionů dolarů.
Takže hodnota těchto aktiv je 113 milionů dolarů a
to je z větší části hodnota
podniku naší firmy.
Jaká je hodnota firemních aktiv?
A budeme mluvit... a je tu malá úprava hodnoty podniku, kterou
uděláme v budoucnu.
Ale to je v podstatě, jak můžete určit
hodnotu firmy.
A řada lidí, když dělají výpočet tržní kapitalizace
říkají, to je jakou
má firma hodnotu.
To je jakou hodnotu má vlastní jmění.
Tržní kapitalizace je hodnota vlastního jmění.
Pokud chcete vědět jakou hodnotu má firma, musíte
vzít tržní kapitalizaci a přidat dluh.
Jiný způsob... nebudu to příliš komplikovat, protože
jsem si uvědomil, že už zase nemám čas.
Uvidíme se v příštím videu.
Portuguese:
o valor de nossos ativos,
aqui no lado esquerdo,
é o mesmo valor de nosso capital,
o valor de mercado da empresa
mais os débitos,
que é igual a $113 milhões.
O valor desses ativos é $113 milhões
e isso vale para a maior parte
do valor da empresa.
Quanto valem os ativos da empresa?
No futuro falaremos sobre
o valor da empresa.
Mas isso é, essencialmente, o modo
de se calcular
quanto vale uma empresa.
Muitas pessoas, ao fazer uma
capitalização de mercado
acreditam que esse seja o
valor da empresa.
Na verdade isso é quanto vale o capital.
O valor de mercado é quanto
vale o capital.
Se quiser saber o quanto vale a empresa,
precisa pegar o valor de mercado
e adicioná-lo ao débito.
Não vou complicar as coisas, pois estou
sem tempo de novo.
Até a próxima.
[Legendado por: Karoline]
Polish:
- rynek sądzi, że cała lewa strona będzie równa wartości naszego kapitału,
kapitalizacja rynkowa firmy, plus wielkość długu, co jest równe 113 milionom $.
Wartość tych aktywów to 113 milionów, a to
w przeważającej części wartość przedsiębiorstwa.
Ile warte są aktywa firmy?
Porozmawiamy - jest mała zmiana, którą w przyszłości wprowadzimy do wartości przedsiębiorstwa.
Zasadniczo jednak można w ten sposób jakby wycenić wartość firmy.
Wiele osób gdy robi kalkulację kapitalizacji rynkowej, mówi, że to wartość firmy.
Otóż nie, to wartość kapitału. Kapitalizacja rynkowa to wartość kapitału.
Jeśli chcemy wiedzieć ile warta jest firma, musimy do kapitalizacji rynkowej dodać dług.
Inny sposób - nie będę komplikował, ponieważ właśnie zauważyłem, że znów skończył mi się czas.
Do zobaczenia w następnym filmie.
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(guitar music)
- This is called the Respect Life 5K
and it's a fundraiser
for the Knights of Columbus
ultrasound initiative.
We raise funds to purchase ultrasounds
for pregnancy crisis
centers here in Colorado.
- What we're here for is first
of all saying life is good.
Life's a race like Saint Paul says,
we run and we run the race of faith
and we want every child conceived
to be able to run that race.
- The Knights have really truly helped us
because we use their
ultrasounds on a daily basis.
There's many women when they
see the image of their baby,
not only they but their families
come to support that life.
- When they actually go in
and have an ultrasound done,
I think they make a much
more informed decision.
- The Knights, this council
started this nine years ago.
It's grown to, I think it was today,
they had a record 261 runners.
We got Knights planning this
event for the past year.
- We want to bring our Catholic principles
into the community.
You know we're integrated into society,
but also we're leading society.
- We give the opportunity
for the community
to come together as a whole
and hopefully make a statement
about respecting life.
- The Knights are definitely
a pro-life organization.
I try to beg, borrow, and steal
so that every dime we save
goes right to the ultrasounds initiative.
- You know it's really hard to
stand up for life some days,
but on a day like today,
it's just easy to remember
that God's here and that
we've already won the victory.
| {
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- Hi, so check it out, it's Trevor James.
I just got in to Medan,
Indonesia and I'm so pumped
because today, we're
going to go for a full on
street food tour.
I can't wait.
(upbeat music)
This is Medan, a food
hotspot in northern Sumatra
that you're going to fall in love with
right when you arrive.
You'll be surprised by the
sheer variety of street food
right there for you to
try around every corner.
There's tons of classic dishes to be tried
and a large amount of Chinese
influenced dishes as well.
We found nine different
amazing street foods
that you're going to love, so stick around
until the end to enjoy them all.
We're deep in the morning market here.
(speaks foreign language) in Medan.
Let's see what we can find.
After a quick walk through
the morning market,
we found a hawker stall selling a ton
of different specialties.
But one thing that captures
your eye right away
as you walk up is the famous Nasi Lemak.
This dish is famous all
throughout Indonesia
and Malaysia with slight
variations wherever you go,
but one thing that is
certain is the rice is cooked
in a rich coconut milk and you can choose
some super spicy and
flavorful side dishes.
Oh wow, look at this, guys.
We're going to get a Nasi
Lemak in a banana leaf.
Rice on the banana leaf.
Oh yeah, some crisps.
Oh, fried shallots.
- Rendang, rendang.
- Rendang.
(upbeat music)
- [Trevor] Oh, rendang.
Oh, look at that.
That just looks amazing.
So we just got the Nasi
(speaks foreign language),
Nasi Lemak.
Doesn't that look amazing?
I got a ton of beef rendang sauce
over rice, all of these fried.
I think this is fried galangal.
Here's cucumber.
Oh yeah, there's, oh yeah,
lots of different spicy sambos in there.
There's crisps, oh yeah.
And I'm just going to get a nice big bite
full of that rendang
sauce with a big piece
of that beef rendang.
Mm!
Wow, that beef flavor.
That rendang spice, it's so thick.
It's ultra, ultra rich.
That rendang is so thick and rich.
It's quite spicy, earthy.
Oh, and that rice mixed
with all the little bits
of sambal, fried galangal.
Oh, that is just a
powerful start to the day.
Next up, we made our way down the street
to another morning market in
search of more street food
and found an iconic dish in Medan,
the Kuay Teow.
As soon as we walked up
and found this Kuay Teow
noodle stall, we knew
that it had to be eaten.
This must be the famous Kuay Teow.
Oh, duck and Kuay Teow!
Just walking through a morning market here
and there's so much goodies to find.
So fried Kuay Teow, which are
like fat, wide rice noodles
and she's going to put duck
egg in there and shrimp
and rice cake and sweet
sausage, Chinese sausage.
(Trevor and woman speak foreign language)
Oh, this is just going
to be a marvelous dish.
(speaks foreign language)
Kuay Teow for life.
Oh, there's the duck egg.
(cook speaks foreign language)
(Trevor and woman converse
in foreign language)
Wow, look at this guys.
Oh, she's just putting
a little lagau in there,
oh, just a little touch.
Oh, you can really smell
the flavor of the wok
going into those noodles.
(Trevor and woman speak foreign language)
Oh yeah, right on the banana leaf.
Wow, right on the banana leaf there.
That just looks so flavorful.
(Trevor and woman speak foreign language)
This is famous in Medan.
Oh, it's hot and fresh.
Look at that, guys, all
those Kuay Teow noodles
packed with fish ball, shrimp,
oh, there's duck egg in
there and the Kuay Teow,
you can really smell the
banana leaf fragrance
because it's warm.
The banana leaf is just
emitting an amazing fragrance.
Wow.
(Trevor and woman speak foreign language)
(Trevor and woman laugh)
Wow, that flavor is incredibly fragrant.
(man speaks foreign language)
That is ultra flavor.
The Kuay Teow mixed with the shrimp,
mixed with the fish ball
and that slightly sweet
Chinese sausage.
The wok definitely gives
it a bunch of flavor.
Slightly smoky, slightly peppery.
Mm, mm,
oh yeah, a touch of spice.
Next up, we went to go
try one of the most famous
street noodles in Medan, the Duck Bihun.
Here, you get nice huge
chunks of duck meat,
Bihun noodles, garlic, and greens
all combined with the richest duck broth
that's been simmering for hours.
This is one of the best
broths you'll ever taste.
- Good morning.
- Morning.
Oh, good.
How are you.
Oh, the Bihun Bebek.
- Yes.
(man speaks foreign language)
The best in the world.
- The best in the world?
Really?
Okay.
- Big one.
- Yeah, big one please.
Okay, big one (speaks foreign language).
- This looks so good.
That duck broth is just like, in the air.
You can smell it, it's strong.
(Trevor and woman foreign language)
This just looks amazing.
Look at this, guys.
Starting the day of right here in Medan.
We have the Bihun Bebek.
Look at all of these nice, tender looking
slices of duck with rice
noodle, tons of garlic,
greens, oh yeah, green onions.
And then the real magic, the duck broth
and some chili paste.
First thing I'm going to do
is just add a couple spoons
of that garlic.
Oh yeah, get a little more.
Wow!
And then add their specialty duck broth.
That is thick!
Look at that, guys.
Oh, wow.
That is going to be a
beautiful start to the day.
And then just a touch.
Don't want to overpower.
Just a touch of chili to start it off.
Oh yeah.
oh, that's ultra flavor.
(speaks foreign language)
- All around the world.
- Around the world.
- Peking, Shanghai.
- Really?
- You cannot.
- Cannot get that flavor?
- You can't.
- Wow.
That duck broth is just so flavorful
with ll the garlic in there,
that is so powerfully smooth
and the duck meat, it is so tender.
Next up, we went to one
of the oldest restaurants
in Medan, trying a famous
coconut milk and tumeric
beef soup famous for
its distinct, rich gravy
that's spiced with
caraway, ginger, coriander,
and garlic.
This is a broth that keeps the
locals coming back for more.
(Trevor and woman speak foreign language)
- Beef, beef.
- Beef.
- [Trevor] We just got
the full on morning soto
soup here.
This is made with beef
and galangal, ginger,
lots of coconut milk.
Oh yeah, look at those nice beef slices.
It also comes with a shrimp
cake, fried shrimp cake.
I believe these are fried potato patties.
I think there's some egg in there as well.
And rice, and this is a
sambo with fried shallot.
I'm going to do that,
I'm going to do that.
Oh, beautiful.
Make a soto rice concoction.
Mm.
Oh, it's so creamy from the coconut milk.
The creaminess from the coconut milk
with a hint of galangal and
ginger, that tender beef.
Oh, slight curry flavor
all over that rice.
Beautiful.
Next up for lunch, we made
our way to Tri-Medan's
most famous curry at the Bona restaurant.
Right when you walk up
and smell these huge pots
of bubbling curry, you
know it's gonna be good.
(Trevor and man speak foreign language)
It's beautiful.
This curry broth is so
potent and it's powerful.
You walk by, you can just smell it.
It is so strong.
It hits the nostrils and it
is going to be so delicious.
Oh!
Oh yeah, we're going to get one of these.
Oh yeah, blood cubes, potato.
Rich broth, oh, that looks amazing.
We're going to order one up.
Add the curry broth, oh!
(Trevor and woman speak foreign language)
Thank you.
Oh, look at this, guys.
We have their specialty curry here.
Oh, nice big blood cubes, black pudding.
Oh yeah, slices of chicken.
Bihun, see the Bihun
noodles here on the bottom.
Oh, beautiful.
Oh, and potato.
Get a nice blood cube for that
first bite, the blood cube,
chicken slice.
Mm, oh!
Oh, it's so creamy from the
coconut milk they put in there.
You can really taste that coconut milk.
Oh, that blood.
That blood gives it a
nice little pop of joy.
It's so milky and creamy.
It almost tastes like a
laksa with the blood cubes,
the chicken, the potato.
Oh, it's a slight spice,
it's just a slight spice.
(men speak foreign language)
- 80 years.
- 80 years.
(Trevor and man speak foreign language)
- Bye bye.
- [Trevor] Next up for
a mid-afternoon snack,
we went to go try some
street side mixed chicken
and organ skewers covered
in a rich and peppery gravy.
It has been a wonderful day
here in Medan and we're going
to keep going.
We're going to get some sate.
Oh yeah, we're going to get it all.
Chicken, beef, organs all covered in that.
Look at this sate sauce right here.
(Trevor speaks foreign language)
Oh yeah, they're putting latang,
rice cake, covering it with a sate sauce.
Oh, look how creamy and thick that is!
Mix it up.
Look at that sauce with
the fried shallots.
(speaks foreign language)
Wow, look at this, guys.
Look at that chicken sate
covered in fried shallots
and their specialty sate sauce.
Look at that, right over the banana leaf.
That looks so beautiful.
Okay, we're just going
to go right in for that.
Mm, oh.
That gravy they put over top.
That is a very savory gravy.
Slightly peppery, slightly peppery
with those fried shallots.
A little smoky
and a little spicy as well.
Oh, beautiful.
Mm, oh yeah.
Next up, just down the street,
we found a famous popiah
joint selling these beautiful
little rice flower rolls stuffed
with a sweet fruit sauce,
boiled green beans and
carrots, a scoop of crab meat,
fried shallots, Chinese barbecue pork,
and boiled radish.
You can order a deep fried version as well
and you're going to
fall in love with both.
Oh, popiah.
- Popiah.
(Trevor and man speak foreign language)
So take a look at this.
There is two types of popiah.
Over here is the fried
popiah and that's what
he is making right here, which has radish,
green bean, cha show, see
that cha show barbecue pork.
The white is crab.
There's radish and it's
wrapped up in a rice flour wrap
and he's just covering it in,
I think that's a bit of batter to seal it.
Oh, he's going to fry that up.
And over here, this
one has tons of radish,
shallot, green bean, carrot,
and a sweet chili sauce,
almost like a sweet,
fruity chili sauce.
We just got the beautiful
rice flour popiah
and then we're just
going to add a little bit
of a fruity sauce,
a fruity sweet sauce over it there, oh.
Mm, good.
Sweet and spicy and refreshing.
And this popiah, that is really good.
That barbecue pork, that carrot and radish
and green bean, it's all very soft.
It almost melts in your mouth
with that smooth rice flour wrapper.
There's also a bit of
cha show barbecue pork
in there and then you just cover it.
And then you just cover it
in that sweet chili sauce.
It's almost like a
fruity, sweet chili sauce.
For our final meal before
going to an insane durian
mountain, we went to have
a beautiful Medan style
seafood feast.
I Medan, you can try a ton
of seafood, but we came
specifically to try the
amazing mud crab cooked
in padang sauce, even
richer than the chili crab
you can find in many
places in Southeast Asia.
The flavor comes from a
spice mix using garlic,
shallot, bird's eye
chili, ginger, tumeric,
candlenut, and more red chili pepper.
The sauce gets so thick
when it's mixed with eggs
and it's super hot, savory, and spicy.
We also ordered a plain cooked stone crab
to dip into their signature sweet and sour
pineapple sauce.
(loud thuds)
Oh, he's just cracking that claw.
It's just spraying juice everywhere.
This is amazing!
Wow, look at that flesh.
(Trevor and woman speak foreign language)
What a feast!
Oh (laughs)!
Lots of seafood here today.
Look at this amazing selection of seafood.
We have two coconut stone crabs, one here,
look at this in the padang sauce,
which is like a chili sauce, chili crab.
Wow, and those are huge, fat claws.
Look at that claw, oh!
Look at that claw.
There's egg in there
and it's just dripping
with that padang chili sauce.
That is going to be plump.
And then the other coconut
stone crab over here
is just clear and boiled.
Apparently the flesh is
supposed to be slightly sweet.
We have some boiled clams and these,
you dip into their
pineapple sweet and sour
and spicy sauce.
You got to mix that up well.
We have some fried rice
with shrimp chili sauce.
It looks like there are some
shallots in that chili sauce.
There's egg in that fried rice.
It's crazy!
This is fried shrimp with
the Thai stink beans,
those are going to be potent.
There's tofu puffs,
there's fresh red chilis,
and that chili sauce, I just
saw them put some curry paste
there in the wok.
You know what we're going
to go right in for first
though, right?
Oh!
These monster, oh, look at that!
These monster claws,
these coconut stone crab.
Oh, look at that.
I'm just going to go right in for that.
Wow!
(Trevor speaks foreign language)
Just dripping with that chili egg sauce.
Wow, look at that crab flesh, oh.
That is definitely slightly
sweet and spicy, wow.
That is monster-sized crab flesh.
This is an insane, an
insane crab spectacle.
Look at that, look at that.
This is so flavorful, so sweet and spicy
and aromatic, and the fried eggs.
Oh, that is just breathtaking.
That is a super, super
flavorful, slightly sweet,
spicy sauce
and that crab meat is so, so springy.
Whoa.
We got just crab claw
after crab claw here.
It's like a crab claw Popsicle.
Look at that, it's like a Popsicle.
You can just suck it right off the flesh
and then you dip it into this pineapple
sweet, spicy, and sour
homemade secret sauce.
Whoa!
It's definitely a crab claw Popsicle.
It just pops into your mouth
lik a big, juicy crab ball.
That chili sauce, it's
chili pineapple sauce.
You can really taste the
pineapple, that sweet,
slightly spicy pineapple, slightly sour.
Oh, amazing, amazing.
After this seafood feast of a lifetime,
we went to finish the night
with the most controversial
fruit in the world, durian.
As soon as we walked up
to this 24/7 durian joint
serving up some of the
best local farmer's durians
from the surrounding areas,
we found what looked like
thousands of durians all
waiting to be ordered
with staff sorting the best fleshy durians
into takeaway boxes for customers
and the tables full of people chatting
and eating he stinky, sweet, potent
custardy and creamy fruit from heaven.
We just found the durian heaven.
Oh!
Wow.
Look at this, thousands of durian.
Oh,
it's like a mountain of durian.
You could swim in there.
It's like a mountain of durian.
So Medan is supposed to
be famous for durian,
and this looks like it's going to be good.
We're going to get a big fat one.
Oh yeah, and try it out.
Durian is one of the stenchiest
and most potent fruits
in the world.
You can smell it as you walk up.
It's really strong and
there's a truck backing up
with durian right here.
This is crazy.
And this is just like the
icing on the cake for us
and come with a durian
feast at the end of the day.
Wow,
look at that.
(Trevor laughs)
Oh, you can smell it.
It's strong, it's stenchy.
It smells like, ooh!
That smells like ooh,
that smells like rotten cheese almost,
but good rotten cheese.
Oh, we found the jackpot here.
Apparently Medan has
both sweet and bitter.
I'm a fiend for the sweet,
so we're going to go
get some sweet ones.
Oh, huge crates of durian.
It's like a durian, there's a
couple durian mountains here.
Hi.
- Hello.
- You have lots of durian.
Oh, it smells good.
(men speak foreign language)
Awesome, we're going to get
some nice, fat durians here.
(Trevor and man speak foreign language)
Big.
- Oh fat, okay.
(Trevor and man speak foreign language)
- Oh yeah, it's like a big durian bar.
(Trevor speaks foreign language)
You sit down, you get your durian fix
and you're good to go.
So we've got two different
types of durian here.
This is the bitter.
Oh, that is very potent.
It's stenchy, it almost
smells like garbage.
And then over here, this is the sweet one.
This one just looks very soft.
Some people love their
durian soft, some of it
more firm.
But my opinion, when
it's creamy and it melts
in your mouth and that flesh is just, oh,
it's so creamy and milky,
there's nothing better.
Let's try it out.
That is so, so sweet and creamy and milky.
I was honestly, when I saw this,
when I saw this durian,
I wasn't expecting it
to be super delicious.
I thought it was going to be average,
but that is actually fantastic durian.
It's so sweet and
butterscotch-y and milky.
Mm.
And now we're going to go for the bitter.
Oh, look at that.
It's so soft, that flesh.
That is really the joy of durian,
is sucking the flesh off there
until it melts in your mouth.
Wow.
The seeds are big, but there's
also a lot of flesh on there.
The sweet was fantastic.
Mm!
It almost has a jungle-y,
earthy, plant-y flavor to it.
That one is actually a little stenchy.
Oh, it tastes like, it
tastes like foul onions.
It takes like sweet foul onions,
but delicious.
The best thing about durian is the variety
and how you can have
different flavors like sweet,
bitter, alcoholic.
There's like, so any different textures.
Some are soft, some are a little more firm
and you can really just
get into it like a wine
or a cheese.
It really is a world of its own.
For you.
- No, for you.
- For me, oh (laughs).
- Yes.
- Mm, oh.
(woman speaks foreign language)
Wow, it's okay.
It has been an amazing time here in Medan.
Delicious food and friendly people
and this whole month in
Indonesia has been mind blowing.
I'll remind you to click
that subscribe button
and little bell button
behind it because we have
a ton of awesome street food
tours coming up for you guys.
So much amazing food and the people here
have just been so friendly.
It's completely blowing my
mind and we are definitely
coming back here.
I would love to hear from
you in the comments below
about what you thought
about this Medan video
and our whole Indonesia
street food series.
You can check out the whole
series in the playlist.
I would love to hear from you
and click that like button
as well.
Thank you so much for watching, guys.
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soccer positions, soccer players, soccer tutorial,
soccer defense techniques, defensive soccer
drills, soccer defense drills, soccer defense,
how to defend in soccer, soccer defender,
soccer skills, soccer drills, how to coach
soccer, soccer coaches, how to play soccer,
how to soccer, football soccer, soccer player,
soccer football, soccer world, soccer video,
soccer training, soccer videos
What’s going on?
Little dap.
It’s Jared Montz former pro and founder
of OnlineSoccerAcademy.com.
Today we are learning how to defend in a 1
vs 1 situation.
Defending is not about being big, fast and
strong.
Yes, those things help but the best defenders
are the smartest and don't just relay on their
athleticism to win tackles; they use their
minds.
In this OSA video I will show you basic key
points and advanced key points.
This OSA video is sponsored by our parent
company Believe in it®.
Believe in it® is apparel that inspires you
to reach your goal.
It's for motivated athletes; all sports, all
ages.
BelieveinitApparel.com is launching in early
2014; enter your email to be alerted when
you can buy a Believe in it® shirt!
1.
Close down space and be 1-2 steps away from
the attacker.
If you are to far away that gives them time
to get their head up and look around.
Get close to force their head down.
2.
Jockey, be patient and don't dive in.
The best attackers want you to dive in on
them because they will just touch it around
you and go.
So we want to jockey them.
I'm not sure where the term jockey came from
but basically it means to be patient and move
your body backwards as the attacker is dribbling
the ball.
3.
Force the attacker onto their weak foot.
Let's say you are the attacker, which way
am I forcing you right now?
I'm not forcing you any direction.
Based off my body position you can go right
or left.
This is why I want to stand sideways at an
angle to force you one direction.
Typically you force an attacker towards their
weak foot.
How do you know which foot is their weak foot?
Good question.
You certainly don't ask them when you are
about to tackle them…
"excuse me buddy, what is your weak foot?".
You know the answer by being observant in
the game and knowing what foot they use to
pass the ball.
4.
Be on your toes!
Don't be back on your heels.
5.
Keep your feet moving, don't stand like a
statue.
6.
Keep your eye on the ball!
Do not look at the attackers feet, hips or
shoulders.
Focus on the ball.
If the ball isn't going to the right, the
attacker is not going to the right.
7.
Win the ball with confidence when the time
is right.
When that attacker takes their touch to far
ahead of them like so what are they?
Off balance, that is a good time to step in
and win it.
When the attacker has one leg up in the air
doing a scissors what are they?
Off balance, that is a good time to step in
and win it.
When you do step in get your body behind you.
Don't just reach and lunge for the ball with
your foot.
Equipment Needed:
You will need a few balls, one will work if
that's all you got, 10 cones and a partner.
If you don't have a partner then hang tight
and I'll show you an exercise how to practice
1v1 defending on your own.
Exercise Player Can Do:
Set up two cone goals and a small field around
the goals.
This is your 1v1 field.
Don't make it to tiny because you want enough
room to work on your defending technique.
If you don't have enough cones to make a sideline
then don't have sidelines and you be the judge
when it goes out.
One goal will be the defending goal, the other
the attacking goal.
Behind the defender goal is all the balls.
The defender will pass the ball to the attacker,
then sprint and close the space down, set
your feet and start defending.
The attacker tries to beat the defender and
score through the cone goals.
If the defender wins it they try to score
or kick the ball out.
After the defender goes 5 times then switch
with your partner.
Repeat this process until you are mastering
it or get tired.
Starting out I'd advise just doing a few jockeying
reps.
So the attacker doesn't try to beat you and
you don't try to win it.
You just practice jockeying and being patient.
Advanced Key Points:
Now for some advance key points.
1.
DO NOT take giant steps!
Keep your feet underneath your body by taking
smaller steps and moving your feet fast.
Versus taking big giant steps and getting
off balance and not being able to react as
fast.
2.
Get your arm out, use your body and be physical.
I am NOT saying foul or hurt anyone, not at
all.
But when that attacker goes to take a touch
by you because you have your body angled correctly
when you turn to take your step you will be
a step ahead of them.
At that moment get your arm out and put it
into their chest/abs as you are in your running
stride.
This will push them back a bit and push you
forward.
This should like part of your running stride.
Do not just run side by side with each other
and not make contact.
Be careful not to foul.
If it looks like this, you will probably be
called for a foul.
If it looks like this you will be a great
1v1 defender.
3.
Use the sideline as a 2nd defender when you
can.
If you are near the sideline force your attacker
to the sideline so they only have a limited
amount of room to try and dribble around you.
This way if they try to beat you down the
sideline and dribble out of bounds, little
dap to you, you did a great job!
4.
Let the attacker make the mistake, then win
it.
Lots of attackers try to do to much, this
is when they take that touch to far in front
of them or have a bad touch, that is when
you win it.
Be patient, let them make the mistake.
What Player Could Be Doing Wrong:
Some things that could be going wrong.
If the attacker is just running by you and
you are frozen in place for a second or two
you are diving in.
Don't dive in.
Be patient.
They need to get past you to be successful,
if they are standing there with the ball not
getting behind you and not doing anything
dangerous you are doing your job; don't dive
in and give them a chance.
If you feel like the attacker passes the ball
back but you didn't do a good job because
you didn't win it from them, don't think you
have to win every ball.
If your attacker passes backwards or sideways
you are doing your job.
Exercise to Practice on your Own
To practice on your own set up a start cone
and an attacker cone 15 yards ahead of you.
Set a ball next to the attacker cone.
Sprint from the start cone, close down the
imaginary attacker, then jockey back to the
start cone.
Do this 5 times, then rest and repeat.
Just pretend there is an attacker making moves
on you.
Bonus Tip!
Be confident.
Mentally believe you will win the ball every
time, don't hope to win it.
You won't win the ball every time, but have
the mindset that you will.
If the attacker gets behind you, that's okay,
it's going to happen.
Just hustle back on defense and react positive.
I'll applaud you every time if you react positive;
none of us are perfect.
Hope you enjoyed this Online Soccer Academy
training video.
Like, favorite and share this video if you
did and don’t forget to Subscribe on YouTube
or become a member and create your profile
for free at OnlineSoccerAcademy.com.
Players all over the world use it and you
can do game reviews and track your progress!
Post a comment; let me know what you think
and how it worked for you?
My name is Jared Montz and Remember if you
Believe in it® and back that up with hard
work, anything in life is possible!
Believe in it®!
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Hello friends
Welcome to All About Here Channel
In today's video
we will give you information about NASA Mars Mission
So watch this video till the end and subscribe
to our channel and press the bell icon and share
to our channel with friends and relatives.
The three major components of the Mars 2020
spacecraft are the cruise stage for travel
between Earth and Mars
the Entry, Descent
and Landing System that includes the aeroshell
parachute, descent vehicle, and sky crane;
and the rover.
The rover is based on the design of Curiosity
While there are differences in scientific instruments
and the engineering required to support them
the entire landing system and rover chassis can
essentially be recreated without any additional
engineering or research.
This reduces overall technical risk for the mission
while saving funds and time on development.
One of the upgrades is a guidance and control
technique called "Terrain Relative Navigation"
to fine-tune steering in the final moments of landing
In October 2016, NASA reported using the
Xombie rocket to test the Lander Vision System
as part of the Autonomous Descent and Ascent
Powered-flight Testbed experimental technologies
for the Mars 2020 mission landing, meant to increase
the landing accuracy and avoid obstacle hazards.
A Multi-Mission Radioisotope Thermoelectric Generator
left over as a backup part for Curiosity during
its construction, will power the rover.
The generator has a mass of 45 kilograms and
uses 4.8 kilograms of plutonium dioxide as
the source of steady supply of heat that is
converted to electricity.
The electrical power generated is approximately
110 watts at launch with little decrease over
the mission time.Two lithium-ion rechargeable batteries
are included to meet peak demands of rover
activities when the demand temporarily exceeds
the MMRTG's steady electrical output levels.
The MMRTG offers a 14-year operational lifetime
and it was provided to NASA by the
US Department of Energy.
Unlike solar panels, the MMRTG provides engineers
with significant flexibility in operating the rover's
instruments even at night and during dust storms
and through the winter season.
Engineers redesigned the Mars 2020 rover wheels
to be more robust than Curiosity's wheels
which have sustained some damage.
The rover will have thicker
more durable aluminum wheels, with reduced width
and a greater diameter than Curiosity's 50 cm wheels.
The aluminum wheels are covered with cleats for
traction and curved titanium
spokes for springy support.
The combination of the larger instrument suite
new Sampling and Caching System, and modified
wheels makes Mars 2020 heavier than its predecessor,
Curiosity, by 17% .
The rover will include a five-jointed robotic
arm measuring 7 feet long.
The arm will be used in combination with a turret to
analyze geologic samples from the Martian surface.
The rover mission and launch are estimated to
cost about US$2.1 billion.
The mission's predecessor the Mars Science Laboratory
cost US$2.5 billion in total.
The availability of spare parts make the new rover
somewhat more affordable.
Curiosity's engineering team are
also involved in the rover's design.
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Bonk!
That is how goats love each other! Give him a bonk.
He has been bonked enough where he knows.
Baby Goats!
Urban Farmer since day one!
Today, we are going to show you how to go off-grid with your aquaponics, to make an
IBC tote aquaponics system, powered by the sun for under $400.
This is scalable. This one will at least be 200 gallons when
we are done with it.
We are here with Alex, who is going to help us demonstrate just how easy this is.
First, you will need to obtain a food-grade, 275-gallon, IBC tote. Get
this off Craig's list, anywhere between $25-100,
food-grade being very important. You will need to find out what was in it. Next, you will need to remove that
top bracket on the top of your IBC tote.
So, what are we doing next? Alright, we are going to flip this over and we are going to pull out the plastic so we can measure and cut out
how deep we
want our grow bed
and then the outer rack to support that grow bed.
Now that we have the plastic
and the metal cage separated, we can cut the metal without cutting the plastic and we will have
a better product in the end.
Alright, we are going to
take this bottom bracket
and we are going to cut right above this bottom rung. So, that will be the top
and we will flip the cage over and that will be the frame for the bottom to sit on.
Okay, so, after you make your cuts, take your rack off
and 180 degrees
you take your bottom
and now that is your top for your grow bed.
So, what are we doing here?
Alright, since
our grow bed doesn't need to be that deep, we only need
eight inches or so.
We are using our frame
as a jig
and we are just going to make our cut line all the way across. So, we are just going to cut the top off
right now and then flip it over for the grow bed.
Like a glove.
That is it right there:
stackable
aquaponics.
Alright, we are going to be using a flood and drain system on this IBC tote, where
the pump is going to be pumping in more water
than this drain can drain.
So, it is going to be draining slower than it fills
on the low side.
So, the water will fill up over the top of this drain
and then
then there is going to be another stand pipe next to it
that goes up to this level. But, once it hits this level,
it starts draining
draining faster then. So, we have to install these two pipes
into our grow bed. We're going to cut through the metal and then use a hole saw to cut through the plastic.
Can I get up here for a minute? Why?
So I can
see
your plants. Can I screw these
together now? Can I screw these all the way together?
First thing we are going to do, is drill two holes with this hole saw,
which is just a little bit bigger than this drain pipe.
uh, yeah,
just a little bit bigger..
We drilled two holes here
with the hole saw.
We just did that
here and here.
Then, there is a litle
rubber gasket here. These are
five-dollar fittings,
ten dollars for the set. You get them at a local hydroponic shop
or online somewhere. So, you just slide this in here
and go down underneath, tighten that up, tight as you can get it with your hands. And, you
notice, you have two drains. One drains at the floor, the other one
drains up high. And you can make these even taller:
you can unscrew this, add a link, and then screw these in up top here.
This is perfect aquaponic music. Right? You like it? Yeah. Hey, buddy!
You going swimming? Yes! No! Yes!
You are.
Alright, our solar-powered aquaponics system
is being powered by this solar panel unit right here.
We have it turned away from the sun for demonstration purposes.
I am going to show you just how simple this is.
The solar unit is this. This
plugs into a charge controller,
this controls your charge. This is hooked to the battery right here. Now,
this
is hooked to your inverter.
Here is the inverter.
I have the timer for the aquaponics to fill and drain and
the inverter.
Now, you are plugged in just like regular electricity.
This turns the D/C to A/C
and powers the whole thing.
And these are your solar panels right here.
We were able to power this all day and all night. We have more than double the
amount of
solar capacity
in comparison to the wattage
of our pump.
We have a small pump in here.
What are you doing, Titus?
I am trying to get a fish.
Good job! Can I put it up there?
Okay, you get it. Thank you. My new one, ha!
You got one! Good job! He is getting better at this. Look at that--first try!
Tell me about your invention.
You hold the apple with a zip tie and a rubber band
and if you want a bite, what do you do--
Swing it up to your face?
Just like that?
Let us walk around with it.
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In this video, I will be using neural networks
to predict whether a tumor in a woman’s
breasts is malignant or benign. By the way,
a benign tumor is a tumor that cannot invade
neighboring tissue, which in most cases renders
it harmless. A malignant tumor is the exact
opposite; it can spread to the rest of the
body and is extremely dangerous. The importance
of differentiating between the two is obvious.
I’ll actually be making multiple models
-- some with logistic regression, some with
softmax regression, some simple, some complex,
and more. I will be implementing all of these
models in keras.
This is a prime example of a classification
problem. As the name implies, classification
simply involves identifying to which of a
set of categories or classes a new observation
belongs. In this instance, I will be identifying
if a tumor belongs to one of two classes:
malignant or benign. Before we start building
the model, let’s take a brief look at the
dataset.
There are a total of 32 attributes, of which
30 are input features, 1 is the classification,
and 1 is the id number. The inputs are just
a bunch of features and measurements of the
tumor. Some of these parameters include measurements
of the nuclei of cells in the tumor. Examples
of these measurements include radius, texture,
perimeter, and area. For more information
on the input features, and even the dataset
as a whole, you can visit the UCI machine
learning repository, which is where I got
the dataset from. There will be a link to
the website in the video description. The
output parameter, which is the classification,
comes as m for malignant or b for benign.
In the dataset that I use in this video, I
exchange the b for 0 and m for 1. As usual,
it will also be divided into inputs and outputs
and you will be able to access it on my GitHub,
for which there will be a link to in the video
description. And finally the id number. As
I’m sure you can imagine, it has absolutely
no correlation to the diagnosis, so it is
in our best interest to simply remove it.
If we did include it, then the model would
very likely establish some completely arbitrary
relationship between the id number and diagnosis,
that doesn’t generalize. The datasets in
my GitHub already have this feature removed.
Next, as I did in the last video, I upload
the input and output data by making a new
folder, clicking upload, selecting my files,
clicking open, and finally clicking the blue
upload button. Next, to make a new notebook
I click new then python 3.
From here I begin writing the code. First,
I import all the packages that I’ll be using
later in the script. Next, I assign the input
and output data to df1 and df2, respectively.
After that, I scale the input data. I do this
because some features are orders of magnitude
larger than others, and it is unlikely that
these features are significantly more correlated
than others to the output. In general, scaling
the data is a good practice. I don’t scale
the output though, because this is a classification
problem, and it wouldn’t make sense to scale
categorical data, even if different classes
are represented by some arbitrary numbers,
like, in our case, 0 and 1. In the same way
as in the last video, I do this with the .scale
function from sklearn.preprocessing.
I then split the inputs and outputs into training
and testing data, with training data being
80% of the total data and testing data being
20% of the total data. Note, that the data
is randomly sampled.
From this point, I’ll begin developing a
relatively simple or “shallow”, logistic
regression model. Logistic simply refers to
a sigmoid activation function. You may be
wondering why it is still “regression”
when it is being used in classification. Sigmoid
still assigns any possible input to an output,
which, by the way, is between zero and one.
In order for sigmoid to be used for classification,
we must set a threshold. For example, on this
sigmoid graph, we could set a threshold here,
or, in other words, any y value, or output,
that is less than 0.5 will be 0, and anything
more will be 1. Note, that with logistic regression,
or sigmoid, you can only be predicting between
2 classes. For problems with more classes
than this you will have to use softmax regression,
which I will also be implementing in this
video. With our dataset having two classes,
either approach works equally well, as we
will see. Anyhow, for the logistic regression
model I first define the model in the line
model=sequential(). Then I add an input layer
with 30 neurons. This corresponds to the 30
input features from the dataset. This connects
to a single hidden layer with 13 neurons,
which I chose for a completely arbitrary reason:
it corresponds to my age. Each of the hidden
layer neurons has the relu activation function
applied to them. Why relu, you may ask. Is
it not inherent in logistic regression that
we use sigmoid? Yes it is, but not necessarily
in the hidden layers. Frankly, relu performs
better than sigmoid, and logistic regression
with a threshold can still be used as long
as the output value has the sigmoid activation
function applied to it. These connect to a
single output layer neuron, which WILL have
the sigmoid activation function applied to
it. In this line, the model is compiled. The
loss or cost function that is used is binary
cross-entropy. The only thing that you really
need to know about binary cross-entropy is
that it is used in tandem with the sigmoid
activation function for 2-class classification
problems. I use the adam optimizer, which
as you know from the last video, simply states
how the weights are updated, and in general,
performs better than most other optimizers.
I also state the learning rate which will
be 0.001, and that I want the model to keep
track of the ‘accuracy’ metric. I then
define the earlystopping function, pass several
parameters, assign it to earlystopper, and
add this as a callback in the .fit() function,
which is all assigned to history. In the .fit
function I pass several other parameters including
X_train, y_train, the number of epochs, which
is 2000, the validation split, which is 15%,
and verbose which I set to 0, or false. In
the next line, I assign history.history to
history_dict. I’ll just be using this to
plot the performance of the model. For more
information on the .fit function, earlystopping,
and much more, watch the previous video in
this series, where I predict the number of
views on a youtube video with neural networks,
implemented in Keras. If you aren’t really
familiar with this keras syntax and you are
confused, certainly go back and watch the
previous video. Once I cover a particular
topic, I don’t repeat myself in the same
detail, or else this video series would be
extremely repetitive.
From this point, I plot the training loss
and the validation split loss over the epochs.
As you can see, the early stopping function
did its job--it made the model complete training
much faster, and didn’t allow the model
to overfit. Next, I plot the accuracy of the
model over the epochs. Accuracy is the inverse
of the cost in the sense that you want it
to be as large as possible, whereas you want
the cost to be as low as possible. Once again,
the graph indicates that the model is performing
well. Once I’ve done this, I want to calculate
the loss, and also the accuracy as a fraction
of the number of correct diagnoses out of
the total diagnoses, for the testing data.
I do exactly this in these lines. When I print
out the loss and the accuracy, you can see
that they are pretty good. Next, I use two
other metrics to further reveal the performance
of the model. They go hand in hand, and are
pretty cool. First, I must explain why there
is a need for a metric besides the accuracy,
which is calculated as a fraction of correct
out of incorrect responses. And before I do
that, you must understand the differences
between true positives, true negatives, false
positives and false negatives. I’ll do that
with this chart. True positives are where
you correctly predict something to be true.
This could be correctly predicting that a
tumor is malignant. True negatives are where
you correctly predict that something is false.
This could be correctly predicting that a
tumor is not malignant, or in other words
benign. There are also false positives where
you incorrectly predict that something is
true. This could be predicting that a tumor
is malignant, when in reality is not. False
negatives are where you incorrectly predict
that something is false. This could be predicting
that a tumor is not malignant when in reality
it is. Depending on your intentions, you will
want to maximize certain parameters and minimize
others. To illustrate this concept, I will
use the diagnosis of breast cancer as an example.
A patient, for whom this diagnosis is crucial,
may want to make sure that if she does have
cancer, then it will be identified, even if
it the diagnosis may call for further testing.
This patient would want to maximize true positives
and minimize false negatives, even at the
expense of an increase in false positives
and a decrease in true negatives. On the other
hand, a hospital with plenty of patients may
find it more profitable to raise the diagnosis
threshold, so that there are fewer patients
without cancer that attend costly further
testing. This hospital would want to maximize
true negatives and minimize false positives,
even at the expense of an increase in false
negatives and a decrease in true positives.
Perhaps the hospital seems evil and and even
abhorrent to you. Regardless, it would be
interesting to see how the model would perform
in both of the situations, and many more,
in a single graph. That is exactly what a
ROC curve does. AUC is the area under the
curve, and it is a numerical value that tells
us how well the model would perform in different
situations, like with the patient and the
hospital. The ROC curve essentially plots
the possible thresholds of a trained model.
It is created by plotting the true positive
rate (on the y-axis) against the false positive
rate (on the x-axis). The “rate” for true
positives is the number of correctly predicted
positives out of all the actual positives.
The “rate” for false positives is the
number of incorrectly predicted positives
out of all the actual negatives. Let’s see
how an roc curve would be created. For the
first point, say that the threshold was at
0.3. Any probability below 0.3, and the model
would predict the patient has a benign tumor.
Any probability above 0.3, and the model would
predict the patient has a malignant tumor.
This threshold is, relatively speaking, pretty
sensitive, meaning that if the model’s diagnosis
is benign (and not malignant), then it is
most likely that the correct diagnosis is
also benign. This threshold would best suit
the heartfelt patient, in the scenario from
before. Perhaps with this threshold, 210 out
of the possible 212 actual positives were
correctly diagnosed, as malignant tumors.
So, the true positive rate is 210/212 or about
0.99. Unfortunately, with this threshold,
the model may incorrectly diagnose 55 out
of the 357 actually benign tumors, as malignant.
So, the false positive rate is 55/357 or about
0.15. This coordinate pair would then be plotted
on the roc curve. Next, I will use a threshold
of 0.7, and calculate the corresponding true
and false positive rates. In contrast to 0.3,
0.7 is a specific threshold, meaning that
if the diagnosis by the model is positive,
it is most likely that the correct diagnosis
is also positive. This threshold would best
suit the lucrative and amoral hospital, in
the scenario from before. Perhaps with this
threshold only 190 out of the possible 212
actual malignant tumors are correctly diagnosed.
The true positive rate would then be 190/212,
or about 0.9. In addition, with this threshold,
the model may incorrectly diagnose only 4
of the 357 actually benign tumors, as malignant.
So, the false positive rate is 4/357, or about
0.01. This coordinate pair would then be plotted
on the graph. The process would continue in
a similar fashion, only starting from a threshold
of 0 and working upward in much smaller increments.
As far as AUC, you just need to know that
a perfect model would have a value of 1.
An ideal model would look something like this.
A model with whatever threshold was used to
generate this point wouldn’t have to make
any compromises in order to please both the
patient and the hospital.
By the way the conflict between the patient
and the hospital is known as sensitivity vs.
specificity. In my opinion this is not only
interesting from a technical perspective,
as a programmer or a data scientist, but also
as a moral consideration; seeing it from the
lens of a philosopher.
Anyhow, back to programming. In these lines,
I calculate the AUC and plot the ROC curve.
In order to do this, I first import these
two packages from sklearn.metrics. Then, I
calculate the models predicted outputs for
X_test, as probabilities, and then assign
these values to y_test_pred. It is important
that the predictions are probabilities and
and not just zeros and ones. Remember, in
order to get the AUC and the ROC curve, you
change the threshold. If your predicted outputs
were categories, represented by zeros and
ones, then the threshold was already set,
likely at 0.5. Attaining the AUC and the ROC
curve with different thresholds from that
point would be impossible. However, I actually
didn’t need to include the _proba, as model.predict
defaults to probabilities. I did this simply
to emphasize the fact that probabilities are
needed for the predictions. So, model.predict_classes
would not have worked. In the next line, I
calculate the false positive rates and the
true positive rates at different thresholds.
Note that the thresholds are actually assigned
to a variable. In the next two lines, I calculate
and print the AUC. In these lines I graph
the ROC curve. As you can see, the model is
pretty darn good.
I then repeat this process for the training
data. Once again it performs well.
I can now conclude that I have a functioning
model. Remember that in this implementation
I used sigmoid as the activation function,
and binary cross entropy for the loss. This
model would be considered a logistic regression
model, and is just one approach to a binary
classification problem. As promised earlier
in the video, I will now implement a different
approach to the same problem. This approach
involves the softmax activation function,
and categorical cross entropy as the loss.
By the way, this approach, which would be
known as softmax regression, can also be used
in multiclass classification problems, while
the simple logistic regression can’t. So,
without further ado, let’s implement it.
From the start, things actually start to get
different from the last implementation, and
the last video for that matter. I use the
function to_categorical from Keras.utils,
pass y_train, and assign it all to y_train_cat.
What to_categorical does is it converts a
class vector to a binary class matrix. Ok,
what does that mean? Well, a vector is simply
a one-dimensional array. This is is the original
y_train, a vector. Note that besides the zeros
and ones there is also an index. A binary
class matrix, or what to_categorical makes
y_train, is simply a bunch of rows and columns
made up of binary numbers, where each row
represents a class. Let’s take a look at
what y_train looks like after it was passed
into to_categorical. Here, the first row corresponds
to the first value of the original y_train.
How is 0,1 equal to 1 and 1,0 to 0? Well,
1,0 represents the first class, which is zero,
and 01, represents the second class, which
is 1. The same applies for any two corresponding
data points in the original and current y_train.
To further solidify this concept, let’s
see how this would play out with three possible
classes. Let’s say that the classes were
originally expressed as zeros, ones, and twos,
and that the first 4 data points are 0,2,1,1.
Assuming that zero is the first category,
one is the second, and two is the third, after
passing 0 into to_categorical we would get
100, after passing 2 we would get 001, after
passing 1 we get 010, and again, after passing
1 we get 010.
The reason why I did this is that the activation
function, softmax, and the loss function,
categorical cross entropy, that I use, requires
data in this format. I’ll talk about the
activation function and loss function a bit
more in just a second after we define the
structure of the model.
In these lines I do exactly this. First I
define the model in the line model=sequential().
Then I add an input layer with 30 neurons.
This corresponds to the 30 input features
from the dataset. This connects to a single
hidden layer with 13 neurons, which again
I chose simply because it corresponds to my
age. Each of these neurons then has the softmax
activation function applied to them. These
neurons then connect to two output neurons,
instead of one in the logistic regression
model. With the softmax activation function,
this is simply the necessary formatting. The
format, as you may have noticed, corresponds
to the training data after to_categorical
was applied to it. To_categorical was used
to match the training data to the format that
the models outputs would be in. This allows
us to train the model with the training data,
which is obviously a crucial step in machine
learning. In my code, I don’t apply to_categorical
to y_test and assign it to y_test_cat just
yet, but you very well could. Eventually,
you will need to do this in order to calculate
the loss and cost of the testing data. Before
I train the model, I first define the loss
which is categorical crossentropy, the optimizer,
Adam, and the learning rate, 0.0001. Adam
was already explained in the previous video,
but categorical crossentropy is new. All that
you need to know about it is that it is used
in tandem with softmax for multiclass classification
problems. Next we train the model with the
earlystopping callback, assign it to history,
and assign history.history to history_dict.
After that, I plot the training loss and the
validation split loss over the epochs on one
graph, and the accuracy over the epochs on
another. As I did last time, I also calculate
the loss and accuracy of the model with the
testing data. Note, that this time, I have
to apply to_categorical to y_test, because
we are using softmax regression. Already,
you can see that the model is pretty good,
just as it was with logistic regression. Still,
I continue measuring the performance of the
model with the AUC and ROC curve. I first
find them for the testing data. I do that
in these lines, and once again they are pretty
darn good. When I do so, note that I use the
original y_test, and not y_test_cat, because
this is the required format. I do the same
for the training data. So, I use the original
y_train. Again, the model performed well.
We can now safely say that in this instance,
and with this particular problem, it really
doesn’t matter if we use logistic regression
or softmax regression.
In the script, I proceed to modify the number
of hidden layers, to see if it will improve
the performance of the model, a little bit.
So, I define a model with 30 inputs, 4 hidden
layers each with 13 neurons, and an output
layer with 2 neurons. Each layer neuron has
the softmax activation function applied to
it. I train the model over 3000 epochs with
the early stopping callback, and plot its
loss and accuracy over the epochs. I then
calculate and print the loss and accuracy
as numerical values. I also find the AUC and
the ROC curve. In conclusion, it doesn’t
change the performance of the model.
Before concluding the video, I want address
an issue that someone in the process of developing
a model would face. The problem is the following:
how can you tell if your model would benefit
from having more data? My prefered approach
would involve a visualization, and is known
as learning curves. It involves restricting
the amount of data used a lot to train the
model, then calculating the performance, increasing
the amount data used slightly, then calculating
the performance, increasing the data used,
then calculating the performance, and so on.
This data can than be graphed, with the number
of data points used on the x-axis, and both
the training and testing accuracy on the y-axis.
As the amount of data used increases, the
training accuracy shouldn’t be impacted
much, and the testing accuracy, at least initially,
should increase. If the testing accuracy follows
an upward trajectory in the latter half of
the graph than it would most likely benefit
from more data. If it remains constant or
decreases, then you can assume that model
will not benefit from having more data. I
implement such learning curves in these lines.
BTW, linspace creates a defined number of
equally spaced values in a defined range.
I use it here to determine the different fractions
of the training data that I will use. As you
can see from the resulting graph, increasing
the amount of data used in training would
most likely not have any effect on the model’s
performance.
I mentioned this in the last video, but there
are many ways in which programmers improve
the performance of neural networks. Among
these are batch normalization, dropout, and
weight regularization. For this model and
for this dataset, after implementing these,
there is no noticeable improvement. If interested,
the supplementary code on my github contains
the implementations of each of these.
So there you have it--functioning logistic
and softmax regression neural network classification
models implemented in keras.
In case you didn’t already know, this video
is part of a series in which I find really
cool datasets like this one, and for each
of them I show you how to implement a Neural
Network. In doing this, I hope to both entertain
and educate you. Subscribe and click on the
notification bell to be notified when I release
the next video in this series, and also hit
the like button and leave a comment if you
want this video to reach more people.
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Arabic:
تقدم squarespace لكم Crash Course Philosophy
Squarespace مشارك شغفك مع العالم من خلال
كم تفكرعادة عن الأشياء التي تقولها؟
مالذي تقوله حرفيًا؟
بالمناسبة ، هذه كلمة تستخدم بكثرة "حرفيّا"
غالباّ، يستخدمها الناس للتوكيد بطرق أعتبرها جدا خاطئة.
مثلا، يقول الناس" أنا حرفيَا أموت من الجوع!" لأنه مضى على وجبة الغداء بضع ساعات.
لكن من الواضح أنهم لم يموتوا حرفيَا من الجوع.
بل هم جاعون فقط.
ماعدا إذا كنت صديقنا القديم لودويق ويتجنستين، الذي يعتقد أنه ليس للغة معنى حقيقي.
يشير المعنى الحرفي عادة إلى معنى مقبول محدد للكلمة
هو الشيء المقصود الذي ينبغي أن تعنيه الكلمة
لذلك، إلا إذا كنت من المراحل المتقدمة لسوء التغذية وعلى باب الموت.ماعدا ذلك لا ، لست تموت حرفيَّا من الجوع.
لكن نحن نقول مثل هذه الأشياء طوال الوقت.
أعني، هل فكرت مسبقا عن كمية الأشياء التي تقوله أنها عبارات استعارة ، أشياء ليست صحيحة حرفيَا
Spanish:
Crash Course Filosofía es traído a ti por Squarespace.
Squarespace: Comparte tu pasión con el mundo.
¿Qué tan a menudo piensas en las cosas que dices?
Y me refiero a lo que dices literalmente.
Por cierto, usamos 'literalmente' demasiado.
Literalmente.
Muchas veces se usa para hacer énfasis en maneras que yo considero bastante incorrectas.
Por ejemplo alguien puede decir:
"Literalmente me estoy muriendo de hambre",
porque han pasado unas cuantas horas desde la comida,
pero obviamente no está muriendo literalmente de hambre,
sólo están... hambrientos.
A menos que seas nuestro viejo amigo Ludwig Wittgenstein,
quien creía que el lenguaje no tiene un significado intrínseco.
El significado literal se refiere usualmente al significado específico y aceptado de una palabra,
es aquello intencional que se supone que una palabra representa.
Así que a menos que estés en una etapa avanzada de desnutrición y estés a las puertas de la muerte,
entonces no, no estás literalmente muriendo de hambre.
Pero todos decimos cosas como esas todo el tiempo, digo,
¿alguna vez te has puesto a pensar en cuánto de lo que dices son figuras literarias... cosas que no son literalmente ciertas?
German:
Crash Course Philosophie wird dir präsentiert von Squarespace.
Squarespace: Teile deine Leidenschaft mit der Welt.
Wie oft denkst du eigentlich über die Dinge nach, die du sagst?
Also, was du buchstäblich sagst?
Nur so am Rande: "buchstäblich" ist ein echt inflationäres Wort!
Meistens benutzt man dieses Wort, um Dinge auf eine Art und Weise zu betonen, die ich für schlichtweg falsch halte.
Etwa wenn sie sagen: "Ich sterbe buchstäblich vor Hunger!" weil das Mittag schon ein paar Stunden her ist.
Aber ganz offensichtlich sind sie nicht buchstäblich am Verhungern.
Sie haben einfach nur großen Hunger.
Wenn du nicht gerade unser alter Kumpel Ludwig Wittgenstein bist, der geglaubt hat, dass Sprache keine intrinsische Bedeutung hat,
dann bezieht sich die buchstäbliche Bedeutung normalerweise auf die spezifische, anerkannte Bedeutung eines Wortes.
Also steht es auch tatsächlich für das, wofür das Wort steht.
Wenn du also nicht in einem fortgeschrittenen Stadium der Mangelernährung verweilst und dem Tod ins Auge blickst, dann stirbst du einfach nicht buchstäblich vor Hunger.
Aber wir alle sagen ständig solche Sachen.
Ich meine, hast du dir je Gedanken darüber gemacht, wie viele Dinge, die du sagst, Redemittel, die nicht buchstäblich wahr sind?
Turkish:
Squarespace, Crash Course Felsefe'yi sunar.
Squarespace: tutkunuzu dünyayla paylaşın.
Ne kadar sıklıkla söylediğiniz şeyler hakkında gerçekten düşünüyorsunuz?
Yani, tam anlamıyla (literally) dediğinizi?
Bu da gerçekten çok kullanılan bir kelime, bu arada — "tam anlamıyla." (literally)
Çoğu zaman, insanlar bunu benim çok yanlış bulduğum şekilde vurgu yapmak için kullanıyorlar.
Örneğin, bazı insanların öğle yemeğinden bir iki saat sonra "tam anlamıyla açlıktan ölüyorum!" demesi gibi.
Ama tabii ki "tam anlamıyla" açlıktan ölmüyorlar.
Sadece açlar.
Eğer dilin esas anlamı olmadığını düşünen eski dostumuz Ludwig Wittgenstein değilseniz,
"gerçek anlam" bir sözcüğün çoğunlukla spesifik, genel geçer anlamını ifade eder.
Bu, bir kelimenin kastedilen anlamı demektir.
Yani, gıdasızlığın son evresi ve ölümün kapısında değilseniz; hayır, "tam anlamıyla" açlıktan ölmüyorsunuz.
Ama hepimiz buna benzer şeyleri hep söyleriz!
Demek istediğim, dediğiniz şeylerin ne kadarının mecaz anlamlı, tam anlamıyla doğru olmayan şeyler olduğunu hiç düşündünüz mü?
Dutch:
Crash Course Filosofie wordt u aangeboden door Squarespace.
Squarespace: deel je passie met de wereld.
Hoe vaak denk je eigenlijk na over de dingen die je zegt?
Wat je letterlijk aan het zeggen bent?
Dat is trouwens een bijzonder overgebruikt woord - 'letterlijk.'
Veel mensen gebruiken het om iets te benadrukken op manieren die ik incorrect acht.
Mensen zeggen dingen als "Ik ga letterlijk om van de honger!" omdat ze enkele uren niet gegeten hebben.
Maar uiteraard komen ze niet echt om van de honger.
Ze... hebben gewoon honger.
Behalve als je onze vriend Ludwig Wittgenstein bent, die geloofde dat taal geen intrinsieke betekenis heeft,
verwijst letterlijke betekenis meestal naar een specifieke, aanvaarde betekenis van een woord.
Het is het bedoelde iets waar een woord voor zou moeten staan.
Dus nee, als je niet in een gevorderd stadium van ondervoeding bent en op het punt staat te bezwijken, ben je niet letterlijk aan het omkomen van de honger.
Maar we zeggen allemaal constant zulke dingen!
Ik bedoel, heb je ooit stilgestaan bij het feit dat veel dingen die je zegt beeldspraak zijn, dingen die niet letterlijk kloppen?
English:
Crash Course Philosophy is brought to you
by Squarespace.
Squarespace: share your passion with the world.
How often do you actually think about the
things you say?
Like, what you’re literally saying?
That’s a seriously overused word, by the
way -- “literally.”
A lot of the time, people use it for emphasis
in ways that I consider pretty incorrect.
Like, people will say “I’m literally dying of hunger!” because it’s been a few hours since lunch.
But obviously they are not literally dying
of hunger.
They’re just like hungry.
Unless you’re our old friend Ludwig Wittgenstein, who believed that language had no intrinsic meaning,
literal meaning usually refers to the specific,
accepted meaning of a word.
It’s the intended thing that a word is supposed
to stand for.
So, unless you’re in the advanced stages of malnutrition and are at Death’s Freaking Door, then, no, you’re not literally dying of hunger.
But we all say stuff that like that all the
time!
I mean, have you ever thought about how many of the things you say that are figures of speech, things that aren’t literally true?
Estonian:
Crash Course Filosoofia toob teieni Squarespace.
Squarespace: jaga oma kirge maailmaga.
Kui tihti sa tõesti mõtled asjade peale, mida sa ütled?
Nagu, mida sa sõna otseses mõttes ütled?
See on tõsiselt ülekasutatud väljend, muuseas, 'sõna otseses mõttes'
Tihti kasutavad seda inimesed rõhu andmiseks kohtades, kus mina loeks kasutuse ebakorrektseks.
Näiteks inimesed ütlevad: "Ma olen sõna otseses mõttes nälga suremas!" lihtsalt seetõttu, et lõunast on paar tundi möödunud.
Aga ilmselgelt ei ole nad sõna otseses mõttes nälga suremas.
Nad on lihtsalt näljased.
Kui sa just ei ole meie vana sõber Ludwig Wittgenstein, kes uskus, et keelel ei ole mingit seesmist tähendust,
siis sõna otsene mõte viitab enamasti sõna kindlale, laialdaselt aksepteeritud tähendusele.
See on sõna ettenähtud asi mida see sõna peaks esindama.
Seega kui sa just ei ole alatoitumise arenenud faasis ja surma lävepakul, siis ei, sa ei ole sõna otseses mõttes nälga suremas.
Aga me ütleme seda sorti asju kogu aeg!
Kas sa oled kunagi mõelnud sellele kui paljud asjad, mida sa ütled, on keelendid millel täht-tähene tõesus puudub.
Turkish:
Bu mecaz anlamlı şeyler başka anlamlara sahiptirler, gerçek ifadelere koymak istemediğimiz şeylere karşılık gelirler.
Mesela, birinin "çok iyi biri" olduğundan bahsederken ne demediğimizi hepimiz biliriz.
Veya bir kadın "makyajını tazelemeye" gittiğini söylediğinde.
Ve tabii ki bir de "Netflix and chill"in
gerçekten Netflix izlemekle pek de alakası olmayışı gibi.
Anlam fikrinin zamana, bölgeye veya dilsel komüniteye bağlı olması nedeniyle ne kadar hassas olabildiği hakkında zaten konuşmuştuk.
Ve bu fikir henüz insanların söyledikleri şeyi gerçekten ifade etmemeleri gerçeğini içermiyordu, çünkü aynı zamanda deyimler, kısa cümleler, argo ve metaforlar kullanarak da konuşuruz.
Bunlar beni şu soruya getiriyor: birbirimizi anlamayı nasıl başarıyoruz?
[Jenerik müziği]
"Kötü" olarak tanımladığımız bir şeyin nasıl aslında "iyi" olduğu veya Netflix'e yapılan bir referansın aslında seksle ilgili olduğu konusunda
20. yüzyılda yaşamış İngiliz filozof Paul Grice'a teşekkür edebiliriz.
Dutch:
Die 'manieren van spreken' hebben andere betekenissen, en meestal betekenen ze dingen die we liefst niet in letterlijke termen uitdrukken.
Zo weten we allemaal wat we niet zeggen als we zeggen dat iemand 'een leuke personaliteit heeft.'
Of als een dame aankondigt dat ze 'haar neus gaat poederen.'
En natuurlijk is er de 'Netflix and chill,'
die bijzonder weinig te maken blijkt te hebben met daadwerkelijk Netflix kijken.
We hebben het reeds gehad over hoe ongrijpbaar het idee van betekenis kan zijn, omdat het verandert afhankelijk van de tijd, regio, of linguïstische gemeenschap waar je je in bevindt.
Maar dan beschouwen we nog niet eens het feit dat mensen meestal niet bedoelen wat ze zeggen, want we spreken ook in idiomen, fragmenten, jargon en metaforen.
Wat me leidt tot de vraag: hoe zijn we überhaupt in staat elkaar te begrijpen?
[Muziek]
Als het erop aankomt te weten dat iets beschreven als 'goed' eigenlijk slecht is of dat een verwijzing naar Netflix eigenlijk over seks gaat,
zijn we de 20ste-eeuwse Britse filosoof Paul Grice een bedankje verschuldigd.
Spanish:
Esas figuras literarias tienen otros significados y la mayoría del tiempo significan cosas que preferiríamos no poner en términos literales.
Por ejemplo, todos sabemos lo que no estamos diciendo al decir que alguien tiene una "gran personalidad".
O si una dama dice que irá a "polvearse la nariz".
Y por supuesto está "Vamos a ver películas a mi casa",
que resulta tener muy poca relación con ver películas realmente.
Ya hemos hablado de lo resbaladiza que puede ser la idea del significado,
ya que cambia dependiendo del tiempo, la región o la comunidad lingüística.
Y esto es sin considerar el factor de que las personas a veces no quieren decir lo que dicen porque también usamos
modismos, fragmentos, jerga, metáforas.
Lo que me lleva a la pregunta:
¿Cómo es que siquiera logramos entendernos entre nosotros?
Cuando se trata de cómo sabemos que algo descrito como "malo" es en realidad bueno,
o cómo sabemos que una referencia a películas es en realidad acerca de tener sexo,
podemos agradecer al filósofo británico del s. XX Paul Grice.
English:
Those figures of speech have other meanings, and most of the time, they mean stuff that we’d rather not put in literal terms.
Like, we all know what we’re not saying
when we say that someone “has a nice personality.”
Or if a lady announces she’s going to “powder
her nose.”
And of course there’s “Netflix and chill,”
which it turns out has very little to do with,
like, actually watching Netflix.
We’ve already talked about how slippery the idea of meaning can be, as it changes depending on the time, or region, or linguistic community you’re in.
But that’s not even considering the fact that people don’t usually mean what they say, because we also speak in idioms, fragments, slang, and metaphors.
Which leads me to the question: how do we
manage to understand each other at all?
[Theme Music]
When it comes to how we know that something described as “bad” is actually good, or how we know that a reference to Netflix is really about sex,
we can thank 20th century British philosopher
Paul Grice.
German:
Diese Redemittel haben andere Bedeutungen, und meistens bezeichnen sie jene Dinge, die wir lieber nicht wortwörtlich ausdrücken.
Zum Beispiel wissen wir alle genau, was wir auslassen, wenn wir über jemanden sagen "er hat einen tollen Charakter".
Oder wenn eine Dame ankündigt, dass sie sich mal eben "die Nase pudern" geht.
Und dann gibt es da natürlich noch "Netflix und Chillen",
was, wie sich herausstellt, erstaunlich wenig mit Netflix Schauen zu tun hat.
Wir haben bereits darüber gesprochen, wie schwammig der Bedeutungsbegriff sein kann, da er sich abhängig von Zeit, Gegend oder Sprachgemeinschaft verändert.
Aber das schließt noch die Tatsache aus, dass Menschen oft nicht das meinen, was sie sagen, weil wir auch mit Sprichwörtern, Bruchstücken, Slang oder Metaphern sprechen.
Was mich zu der Frage führt: Wie verstehen wir einander dann überhaupt?
[Titelmusik]
Wenn es darum geht, woher wir wissen, dass etwas, das als "schlecht" beschrieben wird, eigentlich gut ist, und dass sich hinter einer Bezugnahme auf Netflix Sex verbirgt,
können wir uns bei Paul Grice, einem Britischen Philosophen des 20ten Jahrhunderts bedanken.
Arabic:
تعنى هذه الاتسعارات معاني أخرى، وفي غالب الوقت، تعني أشياء من الأفضل أن لانضعها في مصطلحات حرفية.
نحن جميعا نعلم مالذي نستبعده عندما نقول أن شخص "شخصيته جميلة".
أو إذا قالت سيدة أنها سـتضع بودرة على أنفها.
وبالتأكيد هناك كلمة "Netflix & Chill" أيضا
والذي اتضح أنها تعني القليل ، كمشاهدة Netflix فعليًا.
تكلمنا مسبقا عن مدى غموض فكرة المعنى، كما أنها تتغير نسبة للوقت أوالمنطقة أو المجتمع اللغوي
لكن ذلك لايشمل حقيقة أن الناس لاتعني عادة ماتقوله، لأننا نستخدم أيضًأ المصطلحات والأجزاء والعامية والاستعارات.
والذي يدفعنا للتساؤل، كيف تمكنا من فهمنا لبعضنا على الإطلاق؟
عندما يتعلق الأمر بكيفية معرفتنا للأشياء السيئة أنها في الواقع جيدة أو كيف نعرف أن معنى نتفليكس يتعلق بالجنس
يعود الفضل للفيلسوف البريطاني في القرن 20، بول جرايس ،
Estonian:
Nendel keelenditel on ka teisi tähendusi ja enamasti kasutame me neid tähistamaks asju, mida me parema meelega otse välja ei ütleks.
Näiteks me kõik teame, mida me jätame ütlemata, kui me ütleme, et kellelgi "on hea iseloom."
Või kui mõni daam läheb oma "nina puuderdama."
Ja muidugi ka "Netflix ja chill,"
millel tuleb välja, on väga vähe pistmist päriselt Netflixi vaatamisega.
Me oleme juba rääkinud kui libe võib olla idee tähendusest, kuivõrd see muutub aja, regiooni või keelelise kogukonnaga mille osa sa oled.
Eriti võttes arvesse seda, et inimesed ei pea enamasti silmas seda, mida nad ütlevad, kuna me räägime kasutades idioome, fragmente, sängi ja metafoore.
Mis toob mind järgmise küsimuse juurde: Kuidas me teineteisest ikkagi aru saame?
[Tunnusmuusika]
Kui me tahame teada kuidas me teame et miski, mida nimetatakse halvaks on tegelikult hea, või kuidas viidates Netflixi kõneletakse tegelikult seksist,
siis selle eest saame me tänada 20. sajandi briti filosoofi Paul Grice'i.
German:
Er wollte erklären wie genau wir wissen, was gemeint ist, und nicht nur, was gesagt wird.
Und unsere Fähigkeit, das zu tun, beschreibt er in einer Theorie, die er konversationelle Implikatur nennt.
Grice sagte, um wirklich zu verstehen was passiert wenn wir Bedeutung verarbeiten, müssen wir den Unterschied zwischen dem Gesagten und dem Implizierten finden.
Das Gesagte ist der tatsächliche sprachliche Inhalt, die Wörter, die aus dem Mund des Sprechers kommen.
Das Implizierte beinhaltet viel viel mehr als nur das gesprochene Wort.
Implikatur verknüpft die buchstäblichen Wörter, die wir äußern, mit dem Kontext, in dem wir sie äußern.
Und dieser Kontext kann alles einschließen von gemeinsamen Erfahrungen bis hin zu sozialen Gepflogenheiten, Dingen wie Gesichtsausdrücken, Stimmfall oder Gestik.
Also, damit man eine erfolgreiche Konversation führen konnte, stellte Grice ein paar Bedingungen heraus, die erfüllt sein müssen.
Zuerst musst du willens sein, mit jemandem zu kommunizieren und eine erfolgreiche Konversation zu führen.
Ist das der Fall, dann hältst du dich an das, was man Kooperationsprinzip nennt.
Das bedeutet dass, wann immer ein Sprecher etwas Zweideutiges sagt, der Zuhörer sich nach der wahrscheinlichsten Bedeutung des Gesagten richten soll, je nach dem, was der Kontext hergibt.
Dutch:
Hij wilde uitleggen hoe we precies kunnen weten wat er bedoeld wordt, in plaats van wat er gezegd wordt.
Hij beschreef ons vermogen om dit te doen met een theorie die hij conversationele implicatuur noemde.
Grice zei dat om werkelijk te begrijpen wat er gebeurt wanneer we betekenis verwerken, we het verschil tussen wat gezegd wordt en wat geïmpliceerd is.
Wat gezegd wordt is de eigenlijke liguïstische inhoud, de woorden die uit de mond van de spreker komen.
Wat geïmpliceerd wordt bevat een hele boel meer dan enkel de woorden die uitgesproken worden.
Implicatuur combineert de eigenlijke woorden die we uitbrengen met de context waarin we ze zeggen.
Die context kan zaken omvatten als vroegere gedeelde ervaringen, sociale conventies, gezichtsuitdrukkingen, toon van de stem en gebaren.
Grice observeerde dat enkele condities moesten gelden opdat een succesvolle conversatie kan plaatsvinden.
Ten eerste moet je daadwerkelijk proberen om met iemand te communiceren, en een succesvolle conversatie te houden.
Als dat het geval is, dan zei Grice dat je het coöperatieve principe naleeft.
Dit betekent dat, telkens wanneer er dubbelzinnigheid is in wat een spreker zegt, het publiek naar de meest waarschijnlijke betekenis van wat gezegd wordt op zoek moet gaan, gegeven de context.
English:
He wanted to explain exactly how we can know
what is meant, rather than what is said.
And he described our ability to do this, through
a theory he called conversational implicature.
Grice said, to really understand what goes on when we process meaning, we need to sort out the difference between what is said, and what is implied.
What is said is the actual linguistic content,
the words that come out of the speaker’s mouth.
What is implied contains a whole lot more
than just the words that are spoken.
Implicature combines the actual words we utter,
with the context in which we say them.
And that context can include anything from past shared experiences, to social conventions, to things like facial expressions, tone of voice, and gestures.
Now, in order for anyone to have a successful conversation, Grice observed that a few conditions had to be in place.
First, you have to be actually trying to communicate
with someone, and have a successful conversation.
If that’s the case, then Grice said that you’re adhering to what’s known as the cooperative principle.
This means that, whenever there’s ambiguity in what a speaker is saying, the audience should look for the most likely intended meaning of what’s being said, given the context.
Estonian:
Ta tahtis seletada seda, kuidas me saame aru sellest mida peetakse silmas mitte sellest mida öeldakse.
Ta kirjeldas meie võimet seda teha teooriaga, mida ta kutsus vestluslikuks implikatuuriks.
Grice ütled, et selelks, et tõesti mõista seda mis toimub kui me üritame tähendusest aru saada, siis me peame eristama seda, mis on mõeldud, ja mis on öeldud.
Mis on öeldud on tegelik keeleline sisu, sõnad, mis tulevad välja rääkija suust.
Mis on mõeldud sisaldab palju rohkemat kui lihtsalt sõnu, mida on räägitud.
implikatuur kombineerib sõnad, mida me ütleme kontekstiga, milles me neid ütleme.
Ja see kontekst võib hõlmata mida iganes alates minevikust ja sotsiaalsetest kommetest kuni näoilmete, hääletoonide ning žestideni.
Niisiis, selleks et vestlus oleks üldse võimalik pani Grice tähele paari tingimust, mis peavad paigas olema.
Esiteks, sa pead päriselt proovima suhelda ja proovima edukat suhtlust läbi viia.
Kui sa teed seda, siis Grice ütleb, et sa andud heatahtlikkuse printsiibile.
See tähendab, et kui on ebakõla rääkija öeldus, siis publik peaks otsima seda, mida rääkija kõige tõenäolisemalt silmas pidas, konteksti silmas pidades.
Turkish:
Grice, söylenen yerine ifade edileni nasıl anladığımızı açıklamak istemişti.
Ve bunu yapma kabiliyetimizi "konuşma sezdirimi" denilen bir teoriyle ifade etti.
Grice dedi ki, "anlamı işlerken ne olup bittiğini anlamak için söylenen ve ima edilen arasındaki farkı çözümlememiz gerekir."
Söylenen, gerçek dilsel içeriktir; yani konuşanın ağzından çıkan kelimeler.
İma edilen, konuşulan sözcüklerden çok daha fazla şey içerir.
Sezdirim gerçekten kullandığımız sözcükleri ve içinde bulunduğumuz bağlamı birleştirir.
Bu bağlam ortak deneyimlerden görgü kurallarına, mimiklere, ses tonuna, ve jestlere kadar her şeyi içerebilir.
Grice, başarılı bir sohbet için birkaç şartın sağlanmış olması gerektiğini gözlemledi.
Başarılı bir sohbet için öncelikle, biriyle gerçekten sohbet etmeye çalışıyor olmanız gerekir.
Eğer durum buysa, Grice "işbirliği prensibi" olarak bilinen şeye uyduğunuzu söyler.
Bu şu anlama gelir: eğer konuşan kişinin söylediğinde bir belirsizlik varsa, dinleyici, bağlam içerisinde büyük ihtimalle kastediliyor olan anlama bakmalıdır.
Spanish:
Él quería explicar cómo saber lo que se quiere decir en lugar de lo que en realidad se dice.
Y describió nuestra habilidad de hacerlo a través de una teoría llamada implicatura conversacional.
Grice dijo que para entender realmente lo que ocurre cuando procesamos el significado de algo,
necesitamos explicar la diferencia entre lo que se dice y lo que está implícito.
Lo que se dice es el contenido lingüístico real, las palabras que salen de la boca del hablante.
Lo que está implícito contiene mucho más que sólo las palabras que se dijeron.
La implicatura combina las palabras que pronunciamos con el contexto en el que las decimos.
Y ese contexto puede incluir cualquier cosa, desde experiencias compartidas,
convenciones sociales, a cosas como expresión facial, tono de voz y gestos.
Ahora, a fin de que cualquiera tenga una conversación exitosa,
Grice observó que debe haber ciertas condiciones.
Primero tienes que estar intentando comunicarte con alguien en serio y tener una conversación exitosa.
Si es así, Grice dice que estás adherido a lo que se conoce como principio cooperativo.
Esto significa que siempre que haya ambigüedad en lo que el hablante está diciendo,
la audiencia debe buscar el significado más probable de lo que se dijo, dado el contexto.
Arabic:
أراد أن يشرح بالضبط كيف يمكننا معرفة بالمقصود بدلًا من معرفتنا مالذي قيل.
ووصف مقدرتنا على ذلك بنظرية
سماها مضمون الكلام، لمعرفة مايدور بالفعل عندما نستقبل المعنى، نحتاج لمعرفة الفرق بين ماتم قوله وماتم قصده
ماتم قصده هو المعنى اللغوي الفعلي،الكلمات التي تخرج من فم المتحدث
أما يحتوي ماتم تضمينه على أكثر من الكلمات التي قيلت فقط
يربط المضمون بين الكلمات الفعلية التي نقولها وسياق الكلمات التي قلناها
ومن الممكن أن يحتوي هذا السياق على أي شيء من التجارب الماضية المشتركة أو التقاليد الإجتماعية أو تعابير الوجه، نبرة الصوت أو الوضعيات.
في سبيل جعل المحادثة ناجحة، لاحظ جريس أنه هناك بعض الشروط التي ينبغي تواجدها
أولا ينبغي عليك أن تحاول أن تتواصل مع شخص ما وأن تحظى بمحادثة ناجحة
قال جريس وإن نجحت في ذلك، فإنك ملتزم بما يعرف بمبادىء التعاون
مما يعني، عندما يكون كلام المتحدث غامض، ينبغي على المتلقي أن ينظر للمعنى المُرجح تضمنه في ماتم قوله نظراً للسياق.
German:
Also selbst wenn die buchstäblichen Wörter nicht in die Unterhaltung passen, solltest du versuchen, dein Gegenüber so zu interpretieren, wie es Sinn macht.
Wenn du zum Beispiel im Zimmer deiner Schwester bist, ihr euch streitet und sie sagt: "Da ist die Tür" dann kannst du dir sicher sein, dass sie nicht wahllos auf die Einrichtung zeigt.
Sie rät dir, durch die Tür und aus ihrem Zimmer zu gehen.
Aber die Bürde des Verstehens liegt nicht immer auf dem Zuhörer.
Grice hat auch bestimmte Maximen formuliert, oder kommunikative Faustregeln, die dem Sprecher helfen, sich an das Kooperationsprinzip zu halten.
Von diesen Maximen gibt es 4:
Quantität, Qualität, Relevanz sowie Art und Weise.
Für Quantität gibt es zwei Regeln.
Als erstes solltest du ausreichend informativ sein.
Wenn dich deine Eltern im Internat anrufen und fragen, wie's dir geht, dann solltest du wahrscheinlich so was sagen wie "gut."
Nun ja, das mag technisch ausreichend sein, aber du gibst ihnen nicht die Menge an Informationen, auf die sie aus sind.
Sie wollen eigentlich wissen, ob du den Mathe-Test schaffst, und ob du auch immer deine Bettwäsche wechselst.
Zeug eben...
Zweitens solltest du nicht informativer als notwendig sein.
Wir alle kennen diese Menschen.
Wenn du deinem Lehrer erklärst, dass du Mathe verpasst hast, weil du krank warst,
musst du nicht voll ins Detail gehen und den Verlauf deines Durchfalls schildern.
Dutch:
Dus, zelfs als de letterlijke woorden niet passen in de conversatie, zou je moeten proberen te interpreteren wat je gesprekspartner aan het zeggen is, zodat het zinvol wordt.
Bijvoorbeeld, als je een ruzie hebt in de kamer van je zus, en ze zegt, 'Daar is de deur,' mag je aannemen dat ze niet lukraak onderdelen van een huis aan het opsommen is.
Ze is je aan het adviseren om door die deur te stappen, uit haar kamer.
De last van het begrijpen moet echter niet altijd door de toehoorders gedragen worden.
Grice formuleerde ook enkele maximes, of communicatieve vuistregels, die de sprekers helpen om zich aan het coöperatieve principe te houden.
Deze maximes vallen onder vier hoofdcategorieën: kwantiteit, kwaliteit, relevantie en stijl.
Er zijn twee regels in verband met kwantiteit:
Ten eerste zou je voldoende informatief moeten zijn.
Als je ouders je bellen terwijl je op school zit en vragen hoe het gaat, zeg je waarschijnlijk iets als 'Goed.'
Dit is misschien technisch gezien wel correct, maar je geeft hen niet de hoeveelheid informatie die ze verwachten.
Wat ze echt willen weten is of je zal slagen voor wiskunde en je beddengoed verschoont.
Zo'n dingen.
Ten tweede zou je niet meer informatief moeten zijn dan vereist.
We hebben allemaal wel zo iemand ontmoet.
Wanneer je uitlegt aan je leerkracht dat je de les hebt gemist omdat je ziek was,
hoef je niet volledig in detail te treden over je diarree.
English:
So, even if the literal words don’t fit into the conversation you’re having, you should try to interpret whatever your interlocutor is saying, so that it makes sense.
Like, if you’re in your sister’s room having an argument, and she says, “there’s the door,” you can assume she’s not just randomly naming house parts.
She’s recommending that you walk through
that door and out of her space.
But the burden of understanding doesn’t
all fall on the audience.
Grice also laid out certain maxims, or communicative rules of thumb, which help speakers keep to the cooperative principle.
These maxims fall under four main types – quantity,
quality, relation, and manner.
There are two rules relating to quantity.
First, you should be adequately informative.
When your parents call you up at school, and they ask you how you’ve been, you probably say something along the lines of: “fine.”
Now, this might be technically accurate, but you’re not giving them the quantity of information they’re looking for.
What they really want to know is, are you going to pass math, and are you remembering to wash your sheets?
Stuff like that.
Second, we shouldn’t be more informative
than is required.
We’ve all met these people.
When you’re explaining to your teacher that
you missed class because you were sick,
you do not need to provide all of the gruesome
details about the nature of your diarrhea.
Estonian:
Seega isegi kui täpsed sõnad ei sobi peetavasse vestlusesse, siis sa peaks ikkagi mõtlema kuidas saaks vastaspoole öeldut mõista nii, et see kõlaks loogiliselt.
Näieks kui sa oled oma õe toas temaga vaidlemas ja ta osutab uksele ja ütleb "uks on sealpool," siis sa võid eeldada, et ta teeb enamat kui nimetab maja osi.
Ta soovitab, et sa kasutaks seda ust tema toast lahkumiseks.
Aga mõistmise koorem ei lasku ainuüksi publikul.
Grice märkis ära ka maksiimid või suhtluse näpunäited, mis aitavad rääkijatel koostöö printsiibist kinni pidada.
Need maksiimid langevad kvantiteedi, kvaliteedi, relatsiooni ja kombekuse alusel nelja eri alatüübi alla.
On kaks reeglit, mis on seotud kvantiteediga.
Esiteks, sa peaks olema adekvaatselt informeeriv.
Kui su vanemad helistavad sulle kooli ajal ja küsivad kuidas sul läheb, siis sa silmselt vastad "hästi."
See võib olla küll tehniliselt tõene, aga sa ei anna neile sellist info hulka, mida nad otsivad.
Mida nad tahavad tegelikult teada on, kas sa saad matemaatikast läbi ja kas sul on meeles linu pesta?
Seda sorti värgid.
Teiseks, me ei tohiks olla ülemäära informatiivsed.
Me oleme kõik selliste inimestega kohtunud.
Kui sa seletad oma õpetajale, et sa puudusid, kuna sa olid haige,
siis sa ei pea minema oma kõhulahtisuse peensusteni välja.
Turkish:
Yani, sözcüklerin gerçek anlamı sohbetinize uymuyor olsa bile, muhattabınızın söylediği şeyleri yorumlamalısınız ki mantıklı olsun.
Örneğin, eğer kız kardeşinizin odasında tartışıyorsanız ve o "kapı orada" diyorsa, öylesine evin kısımlarını belirtmediğini anlamanız gerekir.
Kardeşiniz o kapıdan geçmenizi ve alanını terk etmeniz gerektiğini söylüyordur.
Fakat anlamanın yükü sadece dinleyiciye düşmez.
Grice aynı zamanda belirli ilkeler, veya iletişimsel kurallar, ortaya koymuştur; bu kurallar konuşanın işbirliği prensibine uymasını sağlar.
Bu ilkeler dört tiptir – nicelik, nitelik, bağıntı, ve açıklık.
Niceliğe bağlı iki kural vardır.
İlki, yeterince bilgi verici olmalısınız.
Ebeveynleriniz sizi okulda aradığında ve nasıl olduğunuzu sorduğunda, muhtemelen şöyle bir şey diyorsunuz: "iyi."
Bu teknik olarak doğru olabilir, ama onlara aradıkları nicelikte bilgi vermiyorsunuz.
Gerçekten bilmek istedikleri, matematiği geçebilecek misiniz, çarşaflarınızı yıkamayı hatırlıyor musunuzdur.
Bunun gibi şeyler.
İkincisi, gereğinden fazla bilgi vermememiz gerekir.
Hepimiz böyle insanlar tanırız.
Öğretmeninize dersi hasta olduğunuz için kaçırdığınızı açıklarken
ishalinizle ilgili korkunç bilgileri sunmanıza gerek yoktur.
Arabic:
لذلك، حتى لو لم تتناسب الكلمات الحرفية مع المحادثة، ينبغي أن تحاول تفسير ماقاله محاورك حتى يكون منطقيًا.
مثلا، إذا كنت تتشاجر في غرفة أختك وقالت هذا هو الباب يمكنك أن تفترض أنها لا تسمي أجزاء المنزل بشكل عشوائي
بل أنها تشير عليك بالخروج من ذاك الباب ومن مساحتها الخاصة
لكن لايكون عبء الفهم مقتصر على المتلقي فقط.
بل وضع جريس مبادىء وقواعد التواصل العامة ليساعد المتحدث بالالتزام بمبادىء التعاون
تندرج هذه المبادىء تحت أربع أنواع رئيسية: الكمية، والنوع والعلاقة والسلوك.
هناك قاعدتين تتعلق بالكمية.
أولا ينبغي أن تُزود بمعلومات كافية
عندما يناديك والديك في المدرسة ويسألوك كيف كان حالك، ربما تجيب بشيء يشابه " بحال جيدة"
قد يبدو هذا تقنيًا دقيق لكنك لاتعطيهم كمية المعلومات التي يتطلعون لها.
مالذي يريدون معرفته بالفعل هو هل ستجتاز الرياضيات وأنك الآن تتذكر أن تغسل مفارشك.
أشياء مثل هذه.
ثانيا لاينبغي أن نُزود بمعلومات أكثر من المطلوب
نجن جميعا قابلنا هؤلاء الأشخاص من هذا النمط.
عندما تشرح لمدرسك أنك تغيبت عن الحصة لأنك كنت مريضا
لا تحتاج أن تقول جميع التفاصيل البشعة عن طبيعة الإسهال
Spanish:
Entonces, aún cuando las palabras literales no encajen dentro de la conversación,
Debes tratar de interpretar lo que el interlocutor está diciendo, de manera que tenga sentido.
Por ejemplo, si estás en la habitación de tu hermana discutiendo con ella y de pronto dice
"Ahí está la puerta", puedes asumir que no está diciendo partes de la casa al azar,
está recomendando que camines por esa puerta, fuera de su espacio.
Pero la carga del entendimiento no recae únicamente en la audiencia.
Grice también dispuso ciertas máximas, o reglas comunicativas de oro,
que ayudan al hablante a mantener el principio cooperativo.
Estas máximas caen dentro de cuatro grandes grupos:
Cantidad, calidad, relación y modo.
Hay dos reglas relacionadas a la cantidad. Primero, debes ser adecuadamente informativo.
Cuando tus padres te llaman en la escuela y preguntan cómo has estado, probablemente sólo dirás algo como "bien".
Esto puede ser técnicamente correcto, pero no les estás dando la cantidad de información que están buscando.
Lo que en realidad quieren saber es si pasarás matemáticas o si recordaste lavar tus sábanas, cosas como esas.
Segundo, no debemos dar más información de la requerida.
Todos hemos conocido gente como esta.
Cuando le estás explicando a tu maestro que faltaste a clases porque estabas enfermo, no es necesario decir todos los detalles repugnantes de tu diarrea.
Arabic:
أعني هناك بالفعل مايسمى بالكثير من المعلومات يارفاق
هناك أيضا قاعدتين للنوع للتواصل
أولا لاينبغي أن نقول أشياء نعتقدها خاطئة
هذا يشمل الأشخاص الذين يسعون لمناصب مرشحة
لا ينبغي لأحد أن يكذب
تحذرنا القاعدة الثانية للنوع من أن نمتعض عن وضع الافتراضيات لما لدينا من أدلة غير كافية
لذا إذا شاهدت أحد يتحدث لآخر في الممرات
لا تخبر الجميع أن هناك حثالة تغش بدون أن تتأكد من حقائقك
هذا لا يعني أن الأشخاص لايخترقون هذه القواعد طوال الوقت، يكذب البعض أكثر من قوله للحقيقة
لكن نظرية جريس كانت أن انتهاك هذه القواعد تضعف التواصل
والمبدأ الذي يليه هو العلاقة والذي ينص على قول الأشياء ذو العلاقة
وهذا مايمنعنا من البكاء في منتصف لعبة البولينغ في مايتعلق بالعالمية لأعضائنا المفضلين
أنا أنظر إليك كلورفيل
وأخيرا هناك أربع قواعد في مايتعلق بسلوكنا عندما نتحدث
أولا ينبغي أن نتجنب المعاني الغامضة للعبارات
في النهاية قد يجعلك ذلك متغطرس ومتحذلق.
وقد يجعل محاضرك عنيد
Spanish:
Realmente eso es demasiada información.
Hay también dos reglas de calidad en comunicación. Primero, no debemos decir cosas que creemos que son falsas.
Esto incluye a las personas que se postulan para cargos de elección popular.
¡Nadie debería mentir!
La segunda cualidad es abstenerse de hacer afirmaciones de las que no tenemos evidencia suficiente.
Así que si ves a tu pareja hablando con alguien más en los pasillos no vayas alrededor diciéndole a todos que es un maldito infiel sin antes comprobar los hechos.
Ahora, esto no significa que las personas no rompan estas reglas todo el tiempo. Algunas personas mienten más de lo que dicen la verdad.
Pero el punto de Grice era que romper estás reglas impide la comunicación exitosa.
La siguiente máxima es la regla de la relación, que nos indica que debemos decir cosas relevantes.
Es lo que nos impide interrumpir un partido para hablar del mundo de origen de nuestros miembros favoritos de la legión de héroes sustitutos.
Te estoy viendo a ti Chico Clorofila.
Y finalmente hay cuatro reglas sobre el modo en el que hablamos.
Primero, debemos evitar frases pretensiosas.
Después de todo puede resultar bastante tonto y pedante, y podría causar que el interlocutor se ponga de malhumor.
German:
Damit will ich sagen: "zu viel Information" gibt es sehr wohl, Leute.
Weiterhin gibt es zwei Qualitätsregeln der Kommunikation.
Erstens: Sag nichts, was du für falsch hältst.
Das schließt auch Präsidentschaftskandidaten ein!
Niemand sollte jemals lügen!
Die zweite Qualitätsregel hält uns an, von Aussagen abzusehen, für die wir nur unzureichende Beweise haben.
Wenn du also deine bessere Hälfte mit jemand anderem im Flur reden siehst,
dann erzähl nicht überall rum, dass er ein fremdgehender Mistkerl ist, ohne vorher die Fakten abzuchecken.
Damit will ich nicht sagen, dass die Leute diese Regeln nicht durchweg brechen; einige lügen mehr als sie die Wahrheit sagen.
Aber Grice wollte klar machen, dass der Verstoß gegen diese Regeln eine erfolgreiche Kommunikation behindert.
Die nächste Maxime dreht sich um Relevanz.
Sie hält uns davon ab, mitten in einem Fußballspiel eine lange Diskussion über Pokémon vom Zaun zu brechen.
Ich spreche mit dir, Ash Ketchum!
Und zuletzt, gibt es 4 Regeln der Art und Weise, mit der wir sprechen.
Als erstes sollten wir obskure Formulierungen vermeiden.
Denn das könnte uns am Ende extrem hochnäsig und pedantisch aussehen lassen,
und könnte deinen Gesprächspartner ungesprächig machen.
English:
I mean, there really is such a thing as too
much information, people.
There are also two quality rules of communication.
First, we shouldn’t say things that we think
are false.
This includes people who are running for elected
office!
No one should just tell lies!
The second quality rule cautions us to refrain from making claims for which we we have insufficient evidence.
So if you see your significant other talking
to someone else in the hallway,
don’t go around telling everyone that they’re a cheating scumbag without first checking your facts.
Now, this isn’t to say people don’t break these rules all the time; some people lie more than they tell the truth.
But Grice’s point was, violating these rules
hinders successful communication.
Now, the next maxim is the rule of relation,
which tells us to say relevant things.
It’s what keeps us from going on a tear in the middle of the Super Bowl about the home worlds of our favorite members of the Legion of Substitute Heroes.
I’m look at you, Chlorophyll Kid.
And finally, there are four rules about the
manner in which we speak.
First, we should avoid obscure turns of phrase.
After all, this could come off as supercilious
and pedantic,
and might cause your interlocutor to be fractious.
Estonian:
Ma pean silmas, et on tõesti olemas selline asi nagu liiga palju informatsiooni, inimesed.
Ka kvaliteedi kohta käib suhtluses kaks reeglit.
Esiteks, me ei tohiks öelda asju, mida me arvame, et on valed.
See hõlmab ka poliitikuid.
Keegi ei tohiks lihtsalt valetada!
Teine reegel hoiatab, et ma peaks hoiduma väidetest, mille jaoks meil piisav tõestus puudub.
Kui sa näed oma kaasat kõnelemas koridoris kellegi teisega,
siis ära mine kõigile väitma, et ta on petlik tõbras enne, kui sa oled oma fakte kontrollinud.
Asi ei ole nii, nagu inimesed ei rikuks neid reegleid kogu aeg; mõned räägivad rohkem valet kui tõtt.
Aga Grice'i mõte oli, et nende reeglite rikkumine takistab edukat suhtlust.
Järgmine, relatsiooni, maksiim ütleb, et me peaks jääma relevantse juurde.
See on see, mis takistab meil Super Bowli ajal vallandamast oma mõtteid lemmikute Asenduskangelaste kodumaailmade kohta.
Ma vaatan sinu otsa Klorofülli-laps.
Ja viimaks on neli reeglit nende kommete kohta, mille alusel me kõneleme.
Esiteks, väldi kasutamast segaseid fraase ja pöördeid.
Sest see võib ometi jätta kõrgi ja pedantliku mulje,
ja sa võid põhjusatada oma kaasvestlejas segadust.
Turkish:
Yani, çok fazla bilgi diye bir şey gerçekten vardır.
Nitelik hakkında da iki iletişimsel kural vardır.
Öncelikle, yanlış olduğunu düşündüğümüz şeyleri söylememeliyiz.
Bu, seçime giren insanları da kapsar!
Kimse yalan söylememeli!
İkinci kural, hakkında yeterince kanıt sahibi olmadığımız iddialarda bulunmamamız gerektiğini ifade eder.
Mesela sevgilinizi koridorda başka biriyle konuşurken gördüğünüzde
bilgilerinizin doğruluğunu kanıtlamadan önce gidip herkese onun ne kadar sahtekar biri olduğunu anlatmamanız gerekir.
Bu, insanların bu kuralları asla ihlal etmediği anlamına gelmez; bazı insanlar doğrudan çok yalan söyler.
Grice'ın demek istediği, bu kuralların ihlalinin sağlıklı iletişimi zorlaştıracağıdır.
Diğer ilke ise bağıntı kuralıdır, bu ilke bize konuyla ilişkisi olan şeyler söylememizi anlatır.
Bu, futbol maçı izlerken Legion of Substitute Heroes'taki favori karakterimizin evinden bahsetmemizi engeller.
Sana diyorum, Klorofil Çocuk.
Son olarak, açıklık ilkesiyle ilgili dört kural vardır.
Öncelikle, gizli üsluplardan kaçınmalıyız.
Çünkü bu, ukala ve tepeden bakan biri olarak görünmemize sebep olup,
dinleyicinin sinirlenmesine neden olabilir.
Dutch:
Er is zoiets als te veel informatie, mensen.
Er zijn eveneens twee kwaliteitsregels in verband met communicatie.
Ten eerste zouden we geen dingen mogen zeggen waarvan we denken dat ze fout zijn.
Dit geldt dus ook voor presidentskandidaten!
Niemand zou zomaar mogen liegen!
De tweede kwaliteitsregel waarschuwt ons ervoor geen beweringen te maken die we niet kunnen staven met voldoende bewijs.
Dus als je je partner ziet praten met iemand in de gang,
ga dan niet overal rondbazuinen dat die een overspelige klootzak is zonder eerst de feiten na te gaan.
Nu, dat betekent niet dat mensen deze regels niet constant overtreden; sommige mensen liegen meer dan dat ze de waarheid vertellen.
Maar Grices punt was dat deze regels overtreden succesvolle communicatie belemmert.
De volgende maxime is die van relevantie.
Het is wat ons ervan weerhoudt om midden in de Champions League-finale over Pokémon te beginnen.
Ik kijk naar jou, Ash Ketchum!
Ten slotte zijn er vier regels omtrent de stijl van spreken.
Ten eerste zouden we obscure zinswendingen moeten vermijden.
Dit kan immers als verwaand en schoolmeesterachtig overkomen,
en je zou je gesprekspartner lastig kunnen maken.
English:
The whole point of a conversation is successful communication, not showing off how big your vocabulary is.
Second, ambiguity should be avoided.
Keep your audience in mind when you use figures
of speech and slang.
The reason you don’t talk to your grandmother about your bae is because she’s not going to have any idea what you’re talking about.
Third, be brief.
Don’t give a ten minute explanation when
a one minute one will do.
And finally, be orderly.
Remember that time your mom recounted the
recipe for her famous meatloaf from memory?
And then when you tried to make it, you ended
up with whole onions and raw meat?
Mom assumed you were going to know that you needed to chop the onions and bake the loaf, but she didn't say that.
So, the rule of orderliness reminds us not
to miss steps when we’re communicating information.
Now, this might sound like a lot of rules,
but Grice believed that we already follow
these maxims when we engage in conversation.
Because, generally, when we communicate, we
want to be understood.
And – here’s the cool part – since everyone understands these unspoken rules, we can violate them from time to time, knowing that other people will get that we’re breaking the rules on purpose.
Why would we do that?
Arabic:
المغزى من التواصل هو التواصل الناجح وليس استعراض كمية الكلمات التي تملكها
ثانيا يجب تجنب الغموض
ضع جمهورك في عين الاعتبار عندما تستخدم الاستعارات واللهجات
السبب خلف أنك لاتتحدث مع جدتك عن الحكومة لأنها لن تكون لديها أدني فكرة عن ماتقوله
ثالثا كن مختصرا،
لاتشرح لمدة 10 دقائق عندما تستطيع فعل ذلك في دقيقة واحدة
وأخيرا اجعل الكلام منظما
تذكر الوقت الذي حكت فيه أمك عن طريقة رغيف اللحم المشهور لديها
ثم حاولت صنعه وانتهى بك الحال ببصلة كاملة ولحم نيء
افترضت أمك أنك ستعرف أنك ستحتاج لتقطيع البصل وطبخ الرغيف، لكنها لم تقل ذلك
لذلك تُذكّرنا قاعدة تنظيم الكلام، بأن لاننسى الخطوات عندما ننقل المعلومات
قد يبدون هذا الآن وكأنها قواعد كثيرة
لكن يعتقد جريس أننا في الأساس نتبع هذه القواعد في المحادثات
لأن عموما عندما نتواصل نريد أن يفهمنا الغير
وهذا الجزء الأفضل، بما أن الجميع يفهم هذه القواعد الصامته، يمكننا انتهاك هذه القواعد من وقت لوقت آخر لأننا نعرف أن الطرف الآخر سيفهم أننا نكسر هذه القواعد عمدا
لماذا نفعل ذلك؟
German:
Am Ende liegt der Sinn einer Konversation in erfolgreicher Kommunikation, und nicht darin, mit deinem Wortschatz anzugeben.
Zweitens: Zweideutigkeit sollte vermieden werden.
Behalte deine Zuhörer im Hinterkopf, wenn du Redemittel und Slang benutzt.
Der Grund, warum du nicht mit deiner Oma über Chabos sprichst, ist, weil sie keine Ahnung haben würde, was du meinst.
Als drittes: Fass dich kurz.
Halte keine 10-minütige Rede ab, wenn es auch in einer Minute geht.
Und dann noch: Halte die Ordnung ein.
Erinnerst du dich, als deine Mutter das Rezept für ihren berühmten Hackbraten aus dem Gedächtnis hergebetet hat?
Und als du beim Versuch, ihn zu kochen, am Ende ganze Zwiebeln und rohes Fleisch hattest?
Mama dachte sich wohl, dass du weißt, dass man die Zwiebeln schneiden und den Braten schmoren muss, aber das hat sie dir nicht gesagt.
Die Regel der Ordnung erinnert uns also daran, keine Schritte auszulassen, wenn wir Informationen mitteilen.
Das klingt jetzt wie ein Riesenhaufen Regeln,
aber Grice glaubte, dass wir diese Regeln schon kennen, wenn wir kommunizieren.
Denn, ganz allgemein, wollen wir verstanden werden, wenn wir kommunizieren.
Und hier kommt der coole Teil: da jeder diese unausgesprochenen Regeln versteht, können wir sie von Zeit zu Zeit brechen und wissen dabei, dass die anderen dahinterkommen, dass wir das mit Absicht gemacht haben.
Warum sollten wir das tun?
Spanish:
El punto de la conversación es la comunicación exitosa, no presumir lo grande que es tu vocabulario.
Segundo, debe evitarse la ambigüedad.
Mantén en mente a tu audiencia cuando uses figuras literarias y jerga.
La razón de que no le hables a tu abuela sobre tu bae es porque no tendría idea de lo que estás diciendo.
Tercero, sé breve. No des una explicación de diez minutos cuando puedes hacerlo en uno.
Y finalmente, sé ordenado.
¿Recuerdas aquella vez en que tu madre te dio de memoria la receta de su famoso pastel de carne, luego intentaste hacerlo y terminaste con cebollas enteras y carne cruda?
Tu madre asumió que sabrías que necesitabas cortar las cebollas y hornear la carne, pero no lo dijo.
Por lo tanto la regla del orden nos recuerda no saltarnos pasos cuando estamos comunicando información.
Esto puede sonar como demasiadas reglas, pero Grice creía que ya seguíamos estas máximas
al participar en una conversación, porque generalmente cuando nos comunicamos queremos ser entendidos.
Y aquí está la parte genial, ya que todos entendemos estás reglas no dichas,
podemos romperlas de vez en cuando, sabiendo que otras personas entenderán que estamos rompiendo las reglas a propósito.
Turkish:
Bir sohbetin bütün amacı başarılı iletişimdir, kelime hazinenizin ne kadar güçlü olduğunu göstermek değil.
İkincisi, belirsizlikten kaçınmalıyız.
Deyim ve argo kullanırken dinleyicinizi aklınızda bulundurmalısınız.
Büyükannenize "manita"nızdan bahsetmezsiniz çünkü o, ne hakkında konuştuğunuzu bilmeyecektir.
Üçüncüsü, kısa ve öz olun.
Bir dakikalık bir açıklama işe yarayacakken on dakika konuşmayın.
Son olarak, intizamlı olun.
Annenizin ezberden köfte tarifi verdiği zamanı hatırlıyor musunuz?
Ve onu yapmaya çalıştığınızda, bütün soğanlar ve çiğ etle kaldığınızı?
Anneniz sizin soğanları doğrayacağınızı ve eti pişireceğinizi bildiğinizi farz etti, fakat bunu söylemedi.
İntizam kuralı bize iletişim kurarken adım kaçırmamamızı söyler.
Çok fazla kural varmış gibi gelebilir,
ama Grice bu ilkeleri konuşmamız içerisinde zaten takip ettiğimizi söylemiştir.
Çünkü, genellikle, iletişim kurduğumuzda, anlaşılmak isteriz.
Ve, burası çok havalı, herkes bu söz edilmeyen kuralları anladığı için, karşımızdaki anladığından bunları zaman zaman ihlal edebiliriz.
Neden bunu yaparız?
Dutch:
Het hele punt van een conversatie is succesvolle communicatie, niet pronken met je rijke woordenschat.
Ten tweede moet dubbelzinnigheid vermeden worden.
Houd je publiek in gedachten wanneer je een stijlfiguur of jargon gebruikt.
De reden waarom je niet met je grootmoeder praat over je 'bae' is omdat ze geen idee zou hebben waarover je het hebt.
Ten derde, wees beknopt.
Geef geen uitleg van tien minuten als eentje van één minuut voldoet.
En ten laatste, wees ordelijk.
Herinner je je het moment toen je moeder je uit het hoofd het recept voor haar fameuze vleesbrood gaf?
En wanneer je het probeerde te maken, je met hele uien en rauw vlees eindigde?
Mama veronderstelde dat je zou weten dat je de uien moet snijden en het vlees moet bakken, maar dat zei ze niet.
Dus, de regel van ordelijkheid herinnert ons eraan geen stappen over te slaan wanneer we informatie communiceren.
Nu, dit klinkt misschien als een heleboel regels,
maar Grice geloofde dat we deze maximes reeds gebruiken wanneer we een gesprek aangaan.
Wanneer we communiceren willen we over het algemeen immers begrepen worden.
En hier is het leuke gedeelte: aangezien iedereen deze onuitgesproken regels begrijpt, kunnen we ze zo nu en dan breken, wetende dat andere mensen zullen begrijpen dat we de regels expres overtreden.
Waarom zouden we dat doen?
Estonian:
Kogu vestluse mõte on edukas suhtlus, mitte oma sõnavaraga uhkeldamine.
Teiseks, kahetimõistetavusi tuleks vältida.
Pea silmas oma publikut, kui sa kasutad keelendeid või slängi.
Põhjus, miks sa ei räägi oma vanaemale musust on, kuna ta ei mõistaks, mida sa talle öelda tahad.
Kolmandaks, räägi lühidalt.
Ära seleta kümne minutiga seda, mida saab seletada ühega.
Ja viimaks, ole korrastatud.
Mäletad seda, kui su ema ütles peast oma kuulsa pikkpoisi retsepti?
Ja kui sa proovisid seda järgi teha, siis lõpetasid sa tervete sibulate ja toore lihaga?
Ema eeldas, et sa taipad, et sa pead sibulad tükkideks lõikama ja pikkpoissi küpsetama, aga ta ei öelnud seda.
Seega korrastatuse reegel ütleb, et me ei tohiks seletuses ära jätta vahepealseid samme.
Võib tunduda, et neid reegleid on palju,
Aga Grice uskus, et me juba järgime neid maksiime oma igapäevastes vestlustes.
Sest enamasti, kui me suhtleme, siis me tahame, et meid mõistetaks.
Ja, see on nüüd äge osa, kuna me kõik juba järgime neid kirjutamata reegleid, siis me saame neid vahel rikkuda,
teades, et teised mõistavad, et me rikume neid meelega.
Ja miks me peaks seda tegema?
Arabic:
لأن انتهاك القواعد عمدا هي طريقة جيدة لصنع نقطة تواصل
ويمسى هذا بـ تجاهل القوانين
نتجاهل قاعدة النوع على سبيل المثال، عندما نستخدم السخرية
أنا متأكد أنك لم تجرب السخرية من قبل
ونتجاهل قاعدة السلوك عندما نستخدم كلمات 10 دولارات عمدا ، لتشويش وإحراج محاضرنا
الآن بما أننا نعرف كيف نقول مانعني بدون التصريح بمانعني،حان الوقت لفعل الأشياء بالكلمات
دعونا نذهب thought bubble للتعرف flash philosophy
عام 1950، كتب الفيلسوف البريطاني جيل أوستين كتاب صغير بعنوان كيف تفعل الأشياء باستخدام الكلمات
ولاحظ أوستين أن الكلمات لديها القدرة في تغيير العالم بعض الأحيان
لا أعني بذلك مثل طريقة كلمات الملك مارتين لوثر في تغيير العالم،
لكن قدرة الخطاب الفوري والفعال بتغيير حقيقة معينة عن العالم
عندما يقول قسيس الزواج أصرح الآن بكونك زوج وزوجة أو زوج وزوج أو زوجة وزوجة
يملك هذا الكلام القدرة في تبديل حالة الشخص من أعزب إلى متزوج
بنفس قدرة الأباء في تحديد اسم طفلهم بكل بساطة بإعلانه
Spanish:
¿Por qué haríamos eso?
Porque romper una máxima deliberadamente es una buena forma de comunicar un punto.
Esto se conoce como desobedecer una máxima.
Por ejemplo, desobedecemos la máxima de calidad al usar el sarcasmo.
Estoy seguro de que nunca antes has escuchado el sarcasmo.
E incumplimos la máxima del modo cuando usamos palabras pomposas deliberadamente para confundir o avergonzar a nuestro interlocutor.
Ahora que sabemos cómo decir lo que queremos decir sin decir lo que queremos decir,
es hora de hacer cosas. Vayamos a la Burbuja del pensamiento por un poco de Filosofía flash.
En los 1950's el filósofo británico J. L. Austin escribió un pequeño y encantador libro llamado "Cómo hacer cosas con palabras".
En él Austin observó que "a veces, las palabras tienen la habilidad de cambiar al mundo".
No me refiero a la manera en que las palabras de Martin Luther King cambiaron al mundo,
sino en el sentido de que, en un instante, un acto de expresión puede cambiar un hecho en particular del mundo.
Cuando el oficiante de boda dice "Y ahora los declaro marido y mujer" o "marido y marido" o "mujer y mujer",
ese acto de expresión tiene el poder de en realidad transformar a dos personas solteras en una pareja casada.
De ese mismo modo los padres tienen el poder de determinar el nombre de su hijo simplemente con anunciarlo.
German:
Nun, weil das absichtliche Verstoßen gegen eine Maxime ein toller Weg ist, etwas zu unterstreichen.
Man nennt das Flouting/Verhöhnung einer Maxime.
Wir verhöhnen beispielsweise die Qualitätsmaxime, wenn wir sarkastisch sind.
Aber du hast ja sicher noch nie was mit Sarkasmus zu tun gehabt.
Wir verhöhnen die Maxime der Art und Weise, wenn wir ellenlange Wortungetüme benutzen, um unseren Gesprächspartner zu verwirren oder bloßzustellen.
Also gut: Jetzt wo wir wissen, wie man sagt, was man meint, ohne zu sagen, was man meint, wird es Zeit, die Dinge anzupacken!
Gehen wir rüber in die Gedankenblase für etwas Blitzphilosophie.
In den 1950ern schrieb der Britische Philosoph J.L. Austin ein nettes Buch namens: "How to Do Things With Words"
Darin beschrieb Austin, dass manche Wörter tatsächlich die Fähigkeit haben, die Welt zu verändern.
Damit meine ich nicht die Weise, wie Martin Luther Kings Worte die Welt verändert haben,
aber eher so, dass ein Sprechakt im Nu einen bestimmten Fakt über die Welt verändern kann.
Wenn der Standesbeamte sagt: "Hiermit erkläre ich euch zu Mann und Frau"" oder "Ehegatten" oder "Ehepartnern",
dann hat dieser Sprechakt die Macht, zwei einzelne Individuen in ein verheiratetes Paar zu verwandeln.
Auf dieselbe Weise haben Eltern die Macht über die Wahl des Namens ihres Kindes, indem sie ihn schlichtweg verkünden.
Dutch:
Wel, omdat opzettelijk een maxime overtreden een goede manier is om een communicatief punt te maken.
Dit noemt men het schenden van een maxime.
We schenden bijvoorbeeld de maxime van kwaliteit wanneer we sarcasme gebruiken.
Zoals 'Ik ben er ZEKER van dat je nog nooit met sarcasme in aanraking bent gekomen.'
En we schenden de maxime van stijl wanneer we opzettelijk moeilijke woorden gebruiken om onze gesprekspartner te verwarren of voor schut te zetten.
Dus, nu we weten hoe te zeggen wat we bedoelen zonder te zeggen wat we bedoelen, is het tijd om dingen te doen!
Laten we naar de Thought Bubble gaan voor wat Flash Filosofie.
In de jaren '50 schreef de Britse filosoof J. L. Austin een charmant boekje getiteld 'How to Do Things with Words.'
Daarin observeerde Austin dat woorden soms de wereld kunnen veranderen.
Ik bedoel niet op de manier dat bijvoorbeeld Martin Luther King's woorden de wereld veranderden,
maar in de zin dat, in een ogenblik, een taalhandeling een bepaald feit uit de wereld kan veranderen.
Wanneer een trouwambtenaar zegt, 'Ik verklaar jullie nu tot man en vrouw,' of 'man en man,' of 'vrouw en vrouw,'
hebben die woorden de kracht om twee individuen te transformeren in een getrouwd koppel.
Op dezelfde manier hebben ouders de macht om de naam van hun kind te bepalen, eenvoudigweg door hem uit te spreken.
Estonian:
Sest maksiimist meelega üle astumine on hea viis mõtte teisele selgeks tegemiseks.
Seda nimetatakse maksiimi eiramiseks.
Me eirame kvaliteedi maksiimi näiteks sarkasmi kasutades.
Nagu ma olen kindel, et sa pole kunagi oma elus sarkasmiga kokku puutunud!
Ja me eirame kombekuse maksiimi, kasutades meelega $10 sõnavara, et oma vestluspartnerit segadusse ajada.
Nüüd mil me teame kuidas öelda, mida me mõtleme, ilma ütlemata, mis meil mõttes, on aeg asuda tegudele!
Lähme Mõttemulli natukese välkfilosoofia jaoks.
1950ndatel kirjutas briti filosoof J. L. Austin armsa väikse raamatu, nimega "Kuidas Teha Asju Sõnadega."
Selles avastab Austin, et vahetevahel on sõnadel võim maailma muuta.
Ma ei pea silmas seda, kuidas näiteks Martin Luther Kingi sõnad maailma muutsid,
vaid seda, kuidas hetkega võib kõneakt muuta mingit kindlat fakti maailma kohta.
Kui laulatuse läbiviija ütleb "Ma kuulutan teid meheks ja naiseks," või "meheks ja meheks," või"naiseks ja naiseks,"
siis sel kõneaktil on võim teha kahest indiviidist abielupaar.
Niisamuti on vanematel võim määrata oma lapse nimi seda lihtsalt välja kuulutades.
English:
Well, because deliberately violating a maxim
is a good way to make a communicative point.
This is called flouting a maxim.
We flout the maxim of quality, for example,
when we use sarcasm.
Like, I’m sure that you’ve never experienced
sarcasm before!
And we flout the maxim of manner when we deliberately use $10 words to confuse or embarrass our interlocutor.
So, now that we know how to say what we mean without saying what we mean, it’s time to do things!
Let’s go to the Thought Bubble for some
Flash Philosophy.
In the 1950s, British philosopher J. L. Austin wrote a charming little book called How to Do Things with Words.
And in it, Austin observed that sometimes, words actually have the ability to change the world.
I don’t mean in the way that, like, Martin
Luther King’s words changed the world,
but in the sense that, in an instant, an act of speech can change a particular fact about the world.
When a wedding officiant says, “I now pronounce you husband and wife,” or “husband and husband,” or “wife and wife,”
that speech-act has the power to actually transform two single individuals into a married couple.
In that same way, parents have the power to determine their child’s name, simply by announcing it.
Turkish:
Çünkü isteyerek bir ilke ihlali yapmak iletişimsel bir vurgu yapmanın iyi bir yoludur.
Buna ilkeye uymamak denir.
Örneğin, sarkazm yaparken nitelik kuralına uymayız.
Tabii, hiç sarkazma denk gelmediğinize eminim!
Dinleyici kafa karışıklığına uğratmak veya utandırmak istediğimizde isteyerek sık kullanılmayan kelimeler kullanırız.
Şimdi, demek istediğimiz şeyleri söylemeden nasıl ifade edeceğimizi bildiğimize göre, bir şeyler yapma vakti!
Biraz Flaş Felsefe için Düşünce Baloncuğu'na gidelim.
1950'lerde, İngiliz filozof J. L. Austin, "Söylemek ve Yapmak" adlı küçük ve etkileyici bir kitap yazmıştır.
Bu kitapta, Austin kelimelerin dünyayı değiştirme kapasitesine sahip olduğunu görmüştür.
Martin Luther King'in dünyayı değiştirmesi gibi bir şeyden bahsetmiyorum,
daha çok, bir anda bir konuşma edimi dünya hakkında spesifik bir gerçeği değiştirebilir.
Bir nikah memuru "sizi karı koca ilan ediyorum" veya "koca-koca" veya "karı-karı" dediğinde
bu konuşma edimi aslında iki bekar bireyi evli bir çifte dönüştürme gücündedir.
Aynı şekilde ebeveynler, çocuklarının ismini basitçe bunu duyurarak belirlerler.
Arabic:
يشن رئيس الدولة حالة حرب بالإعلان عنها فقط
وبقوله "أعدكم بخلق إلتزام أخلاقي"
نحن حيوانات لفظية، وسمحنا لمجتمعنا بإتخاذ شكله بشكل عميق بإستخدام الكلمات والقيمة التي نمنحها
هذا شيء لا نفكر فيه بكثرة لكن عندما تتوقف بالتفكير فيه، فإنه من المدهش أنه من الممكن خلق تعهد أو إلغاه بكلمات
أو بالتسبب في جعل الدولة في حالة حرب
لكن تتطلب بعض هذه الأمثلة توفر شروط محددة لكي يعمل مفعول الكلام أو كما يقول أوستين يكون ناجحا
مثلا إذا كان أحد الأزواج الذي سيتزوج تحت سن الزواج أو متزوج أصلا أو كان كلبا، فإن إعلان الزواج لن يكون حقيقيا
ستحتاج أيضا إلى قسيس شرعي لإعلان الزواج، كما هو الحال أيضا في إعلان حالة الحرب أو منح شهادة أكاديمية
لكن في الحالات الأخرى، مثل التعهد أو الانضمام لمجتمع أو تسمية مولود
يمكن لأي أحد تغيير العالم في هذه الحالة بكل بساطه بكلماتهم
تعتبر التعبيرات الإنجازية مثيرة للإهتمام، لأننا نعتقد بطبيعة الحال أن الجمل بكل بساطة ناقلة للمعلومات
شكرا لـ thought bubble
German:
Ein Präsident oder Staatsoberhaupt kann einen Kriegszustand auslösen, nur indem er ihn erklärt.
Und wenn wir sagen "ich verspreche," dann schaffen wir moralische Verpflichtungen.
Wir sind Tiere des Wortes, und wir haben es zugelassen, dass unsere Realität grundlegend von Wörtern geformt werden können, und den Werten, die sie tragen.
Darüber denken wir nicht oft nach, aber wenn man es recht bedenkt, dann ist es schon unglaublich, dass Worte tatsächlich eine Bindung schaffen oder auflösen können,
oder ein Sprechakt dafür sorgen kann, dass Nationen sich bekriegen.
Aber für einige von diesen Beispielen müssen bestimmte Bedinungen erfüllt sein, damit die Äußerung formuliert, oder wie Austin sie genannt hat: Gelingensbedingungen.
Wenn zum Beispiel eine Partei der Eheschließung minderjährig, bereits verheiratet oder gar ein Hund ist, wird der Ehespruch die Ehe nicht gültig machen.
Außerdem braucht man einen rechtlich anerkannten Standesbeamten, der den Sprechakt ausführt, was auch für Kriegserklärungen und Verleihung akademischer Titel gilt.
Aber in anderen Fällen, etwa ein Versprechen geben, einer Vereinigung beitreten, oder ein Kind benennen,
kann jeder die Welt lediglich durch seine Worte verändern.
Performative Äußerungen sind interessant, weil wir Sätze üblicherweise als Trägermedium für Information ansehen.
Danke, Gedankenblase!
Turkish:
Bir devlet veya eyalet başkanı savaş açabilir, bunu sadece ilan ederek.
Ve "söz veriyorum" diyerek, etik sorumluluklar oluşturmuş oluruz.
Konuşan hayvanlarız ve gerçekliğimizin derinden kelimeler ile değişmesine izin verdik.
Bu üzerinde çok düşündüğümüz bir şey değil, fakat durup sorguladığımızda, kelimelerin bir bağ oluşturması veya bu bağı kırması,
veya bir konuşma ediminin savaşa yol açması gerçekten inanılmazdır.
Fakat bu örneklerden bazılarının gerçekleşmesi için uygun şartlar gerekmektedir; veya Austin'in dediği gibi, isabetli olması için.
Mesela evlenecek kişilerden birinin yaşının yetmemesi, halihazırda evli veya bir köpek olması, evlilik ilan edilse de bu onu doğru yapmaz.
Ayrıca yasal olarak yetkili bir memurun ilan etmesi gerekir, bu aynı zamanda savaş ilanlarında ve akademik derecelerde de geçerlidir.
Fakat diğer olaylarda, mesela söz vermek, bir topluluğa katılmak, veya bir çocuğa isim koymak gibi,
bu yoldan herkes dünyayı değiştirebilir, sadece sözcükleriyle.
Edimsel söyleyişler ilginçtir, çünkü genellikle cümlelerin sadece bilgi taşıyıcı olduklarını düşünürüz.
Teşekkürler, Düşünce Baloncuğu!
Spanish:
Un presidente o jefe de estado puede crear un estado de guerra simplemente con declararlo.
Y diciendo "Lo prometo", creamos obligación moral.
Somos animales verbales y permitimos que la palabras y el valor que les otorgamos den forma a nuestra realidad de una manera muy profunda.
Esto no es algo que pensemos mucho pero cuando nos detenemos a reflexionar sobre ello es bastante increíble que las palabras puedan crear un lazo, o disolverlo,
o que un acto de expresión pueda causar que una nación vaya a la guerra.
Pero algunos de estos ejemplos requieren que se reúnan ciertas condiciones para que la declaración funcione, o en palabras de Austin, "ser felices".
Si alguno de esos cónyuges es menor de edad, o ya está casado, o es un perro, entonces declarar el matrimonio no lo hará válido.
También necesitas un oficiador legalmente reconocido para hacer la declaración, lo cual también aplica para declaraciones de guerra o conferir grados académicos.
Pero en otros casos, como hacer una promesa o unirse a una sociedad o nombrar a un niño,
cualquiera puede cambiar el mundo de esta manera, simplemente con sus palabras.
Los enunciados performativos son interesantes porque normalmente pensamos en las frases como en simples transportadores de información.
Gracias Burbuja de Pensamiento.
Estonian:
President või muu riigipea saab luua sõjaseisukorra seda lihtsalt kuulutades.
Ja öeldes "Ma luban," loome me moraalseid kohustusi.
Me oleme verbaalsed loomad ja me oleme lubanud oma reaalsust mõjutada sõnade ja neile antud jõu poolt.
Aga see ei ole miski, millele me palju mõtleks, aga kui sa peatud ja mõtiskled selle üle,
siis on hämmastav, et sõnad saavad sidemeid luua või neid hävitada,
või et kõneakt võib põhjustada riikide vahelist sõda.
Aga osad neist näidetest vajavad paljude tingimuste täitumist, et öeldu toimiks või nagu Austin ütleb, oleks õnnelik
Näiteks kui üks kihlatutest on alaealine, juba abielus või koer, siis nende abiellunuks kuulutamine ei tööta.
On vaja ka seaduslikku läbiviijat, kes kuulutaks, mis on tõsi ka sõja kuulutamisel ja kraade andes.
Aga teistel juhtudel, näiteks andes lubadusi, liitudes seltsidega või pannes lapsele nime,
võib ükskõik kes maailma muuta vaid sõnadega.
Esinemisena öeldu on huvitav, kuna tavaliselt tahame me lausetega lihtsalt infot edastada.
Aitäh, mõttemull!
English:
A president or head of state can create a
state of war, just by declaring it.
And by saying, “I promise,” we create
moral obligations.
We’re verbal animals, and we’ve allowed our reality to be shaped, in a very deep way, by words, and the value that we give them.
This isn’t something we think about a lot, but when you stop to reflect on it, it’s kind of incredible that words can actually create a bond, or dissolve it,
or that a speech-act can cause nations to
go to war.
But some of these examples require certain conditions to be met, in order for the utterance to work, or, in Austin’s words, to be felicitous.
Like, if one of the spouses-to-be at a wedding is underage, or already married, or is a dog, then pronouncing them married won’t make it true.
You also need a legally recognized officiant to do the pronouncing, which is also true of declarations of war and in conferring academic degrees.
But in other cases, like making a promise,
or joining a society, or naming a child,
anyone can change the world in this way, simply
with their words.
Performative utterances are interesting, because we normally think of sentences as simply conveyors of information.
Thanks, Thought Bubble!
Dutch:
Een president of staatshoofd kan een staat van oorlog creëren, gewoon door hem te verklaren.
En door 'Ik beloof het' te zeggen creëren we morele verplichtingen.
We zijn verbale dieren, en we hebben onze realiteit op een zeer verregaande manier door woorden en de waarde die we hen toekennen laten vormen.
Dit is niet iets waar we veel bij stilstaan, maar als je er over nadenkt, is het best ongelooflijk hoe woorden een band kunnen creëren of verbreken,
of dat een taalhandeling oorlog tussen naties kan veroorzaken.
Maar sommige van deze voorbeelden vereisen dat bepaalde condities vervuld zijn om de uiting te doen slagen.
Als bijvoorbeeld een van de partners voor het huwelijk minderjarig is, of reeds getrouwd, of een hond, dan betekent hen getrouwd verklaren nog niet dat het huwelijk geldig is.
Er is ook een wettelijk erkende ambtenaar nodig die het verklaren doet, wat ook geldt voor oorlogsverklaringen en het uitreiken van academische diploma's.
Maar in andere gevallen, zoals een belofte doen, of lid worden van een vereniging, of een kind een naam geven,
kan iedereen de wereld veranderen gewoonweg door de kracht van hun woorden.
Performatieve uitdrukkingen zijn interessant, omdat we zinnen normaal enkel als dragers van betekenis zien.
Bedankt, Thought Bubble!
Turkish:
Sonuç olarak, bazen, bu tür cümleler gerçekten bir şeyler yaparlar.
Bugün konuşma sezdirimi, işbirliği prensibi,
ve Paul Grice tarafından oluşturulan başarılı iletişimin dört ilkesi hakkında konuştuk.
Aynı zamanda edimsel söyleyişleri öğrendik.
Ayrıca hatırlatmak isterim ki muzlar, "chom chom"lardır.
Gelecek sefere dil felsefesi ve etiğin buluştuğu bir alana bakacağız,
ve sözcüklerin gücünün hangi yollarla zarar verebileceğine.
Squarespace bu bölümü sundu.
Squarespace websitesi, blog veya online mağaza kurmaya yardımcı olur.
Websiteleri profesyonel dizayn edilmiş gibi gözükür, yetenek düzeyiniz fark etmeden, kodlama gerektirmez.
Squarespace'i squarespace.com/crashcourse adresinden deneyin.
Squarespace: tutkunuzu dünyayla paylaşın.
Crash Course Felsefe PBS Digital Studios ile üretilmiştir.
Onların kanalına giderek şöyle programlardan oluşmuş çalma listelerine bakabilirsiniz:
Shanks FX, PBS Space Time, and BBQ with Franklin.
Crash Course'un bu bölümü Doctor Cheryl C. Kinney Crash Course Studio'da
English:
It turns out, sometimes, these types of sentences
actually do things.
Today we talked about conversational implicature,
the cooperative principle,
and the four main maxims of successful communication, as laid out by Paul Grice.
We also learned about performative utterances.
And I would like to remind you that bananas
are chom choms.
Next time we’ll look at an area where the
philosophy of language and ethics meet,
by talking about the ways in which the power
of words can cause harm.
This episode is brought to you by Squarespace.
Squarespace helps to create websites, blogs
or online stores for you and your ideas.
Websites look professionally designed regardless
of skill level, no coding required.
Try Squarespace at squarespace.com/crashcourse
for a special offer.
Squarespace: share your passion with the world.
Crash Course Philosophy is produced in association
with PBS Digital Studios.
You can head over to their channel and check out a playlist of the latest episodes from shows like
Shanks FX, PBS Space Time, and BBQ with Franklin.
This episode of Crash Course was filmed in
the Doctor Cheryl C. Kinney Crash Course Studio
German:
Wie sich herausstellt, bewirken diese Arten von Sätzen manchmal wirklich etwas.
Heute haben wir über konversationelle Implikatur gesprochen, über das Kooperationsprinzip
und die vier Hauptmaximen der erfolgreichen Kommunikation nach Paul Grice.
Wir haben auch etwas über performative Äußerungen gelernt.
Und dann möchte ich dich gern daran erinnern, dass Bananen Chom-choms heißen.
Nächstes Mal sehen wir uns ein Gebiet an, auf dem sich Sprachphilosophie und Ethik begegnen,
wenn wir darüber sprechen, wie die Macht der Worte Schaden anrichten kann.
Diese Folge von Crash Course wurde dir präsentiert von Squarespace.
Squarespace hilft bei der Erstellung von Websites, Blogs oder Online-Shops für dich und deine Ideen.
Websites sehen professionell designt aus, unabhängig von Fähigkeiten und Kodierung ist nicht notwendig.
Probiere Squarespace aus unter squarespace.com/crashcourse, um ein Sonderangebot zu erhalten.
Squarespace: Teile deine Leidenschaft mit der Welt.
Crash Course Philosophy wird produziert in Verbindung mit PBS Digital Studios.
Du kannst rüber auf deren Channel gehen und eine Playlist mit den neuesten Folgen aus Formaten wie
Shanks FX, PBS Space Time und BBQ with Franklin auschecken.
Diese Folge von Crash Course wurde gefilmt im Doctor Cheryl C. Kinney Crash Course Studio
Spanish:
Resulta que algunas veces este tipo de frases realmente hacen cosas.
Hoy hablamos de implicatura conversacional, el principio cooperativo y las cuatro máximas principales de la comunicación como fueron expuestas por Paul Gride.
También aprendimos sobre las declaraciones performativas y quiero recordarles que los plátanos con Chom choms.
La próxima vez veremos un área donde se encuentran la filosofía del lenguaje y la ética, al hablar de maneras en que el poder de las palabras pueden causar daño.
Este episodio es traído a ti por Squarespace.
Squarespace ayuda a crear sitios web, blogs o tiendas en líneas para ti y tus ideas.
Los sitios web se ven diseñados profesionalmente sin importar el nivel de habilidad, no se requiere de código.
Prueba Squarespace en squarespace.com/crashcourse para una oferta especial.
Squarespace: Comparte tu pasión con el mundo.
Crash Course Filosofía es producido en asociación con PBS Digital Studios.
Puedes dirigirte a su canal y ver una lista de reproducción de sus últimos episodios
de shows como Shanks FX, PBS Space Time y BBQ With Franklin.
Este episodio de Crash Course fue gradabo en el Dr. Cheryl C. Kinney Crash Course Studio con la ayuda de todas estas geniales personas
y su igualmente fantástico equipo gráfico es Thought Café.
Arabic:
بدى في بعض الأحيان أن هذه الأنواع من الجمل تؤدي الكثير
تحدثنا اليوم عن مضمون الكلام ومبادىء التعاون
والأنواع الأربعة الأساسية لقوانين التواصل التي كتبها بول جريس
وتعلمنا أيضا عن الكلام الإنجازي
وأريد أن أذكركم أيضا بأن ........
.لاحقا سنتناول عن التقاء فلسفة اللغة مع الأخلاقيات
بالحديث عن كيف أن الكلمات تسبب الأذى
تقدم squarespace هذه الحلقة
تساعد squarespace في صنع حلقات ومدونات ومتاجرعلى شبكة الإنترنت لك ولأفكارك
تصمم الشبكات بشكل احترافي بغض النظر عن مستوى المهارة وبدون رموز
زر موقع squarespace.com/crash course للحصول على عروض خاصة
شارك شغفك مع العالم من خلال squarespace
عُرضت فلسفة كراش كورس بالتعاون PBS Digital Studios
يمكنك زيارة قناتهم لمشاهدة قائمة التشغيل لآخر الحلقات لبرامج مثل shanks effects
PBS , space time and BBQ with Franklin
تم تصوير هذه الحلقة في استديو the doctor Cherly C Kinney crash course studio
Dutch:
Blijkbaar doen dit soort zinnen soms werkelijk iets.
We hebben het vandaag gehad over conversationele implicatuur, het coöperative principe
en de vier hoofdzakelijke maximes van succesvolle communicatie, als vastgelegd door Paul Grice.
We hebben ook geleerd over perfomatieve werkwoorden.
En ik zou je eraan willen herinneren dat bananen chom-choms zijn.
Volgende keer bekijken we een gebied waar de filosofie van taal en ethiek elkaar ontmoeten,
door de manieren waarop de kracht van woorden schade kan berokkenen te bespreken.
Deze aflevering werd u aangeboden door Squarespace.
Squarespace helpt bij het creëren van websites, blogs of webwinkels voor jou en je ideeën.
Websites zien er professioneel ontworpen uit ongeacht je vaardigheden, geen eigen code vereist.
Probeer Squarespace via squarespace.com/crashcourse voor een speciale aanbieding.
Squarespace: deel je passie met de wereld.
Crash Course Filosofie wordt geproduceerd in samenwerking met PBS Digital Studios.
Je kan een kijkje nemen op hun kanaal voor de laatste afleveringen van shows als
Shanks FX, PBS Space Time, en BBQ with Franklin.
Deze aflevering van Crash Course werd gefilmd in de Doctor Cheryl C. Kinney Crash Course Studio
Estonian:
Tuleb välja, et vahel teevad seda sorti laused asju.
Täna rääkisime me vestluslikust implikatuurist, koostöö printsiibist,
ja neljast eduka suhtluse põhilisest maksiimist, nagu neid esitas Paul Grice.
Me õppisime ka esinduslike ütlemiste kohta.
Ja ma tahaks sulle meelde tuletada, et banaanid on chom chomid
Järgmisel korral vaatame me ala, kus keelefilosoofia ja eetika kohtuvad,
rääkides viisidest, kuidas sõnade jõud võib halba teha.
Selle episoodi tõi teieni Squarespace.
Squarespace aitab luua veebilehti, blogisid ja veebipoode sinu ja sinu mõtete jaoks.
Veebilehed näevad välja profesionaalselt disainitud, vaatamata oskuste tasemele, ilma programmeerimist vajamata.
Proovi Squarespace'i aadressil squarespace.com/crashcourse et saada eripakkumise osaliseks.
Squarespace: jaga oma kirge maailmaga.
Crash Course filosoofia loodi PBS Digital Studios abiga.
Suundu nende kanalile, et vaadata esitlusloendit värskete episoodidega saadetest nagu
Shanks FX, PBS Space Time, ja BBQ with Franklin.
See episood Crash Course'i filmiti Doctor Cheryl C. Kinney Crash Course Studios
German:
mit der Hilfe dieser wunderbaren Menschen und unser gleichermaßen fantastisches Grafikteam ist Thought Cafe.
Turkish:
bu harika insanların yardımıyla çekildi, ve aynı harikalıkta olan grafik ekibimiz: Thought Cafe.
English:
with the help of these awesome people and our equally fantastic graphics team is Thought Cafe.
Estonian:
Abiga neilt vingetelt inimestelt ja meie võrdväärselt vinge videotöötluse meeskond on Thought Cafe.
Dutch:
met de hulp van deze geweldige mensen en ons evenzeer fantastisch grafisch team is Thought Cafe.
Arabic:
بمساعدة فريق الرسومات المبدعين وهو thought cafe
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English:
It's surprisingly easy to make your own
butter,
and it is a brilliant way to get
children to think about the science
of how one substance
can be changed into another.
Tonight, Brownies, we've got lots and lots of scones, but we don't
anything to put on them, but I have lots
of cream
and I have heard that we can change
cream
into butter and whipped cream for our
yummy scones for later.
We make the butter by putting in to the
jar and shaking it really really hard.
And we make the whipped cream by putting it into the bowl
and whisking it really hard, and
while do we do this
I want you to think about changes that
happen to the cream
Azerbaijani:
ExpeRimental - Elmi Evə Gətiririk
Kərə yağının hazırlanması
Kərə yağını evdə düzəltmək olduqca asan olmaqdan əlavə,
uşaqları bir maddənin digərinə necə çevrilməsinin
elmi tərəfi ilə
tanış etməyin maraqlı bir yoludur.
Ləvazimatlar
Uşaqlar, bu gün çoxlu çoxlu qoğalımız var,
amma üstünə sürtməyə heç nəyimiz yoxdur. Təkcə qaymağımız var
və deyirlər qaymağı kərə yağına və krem şantiyə çevirib
qoğalımızın üstünə sürtə bilərik.
Kərə yağını düzəltmək üçün qaymağı bankaya doldurub, möhkəm-möhkəm silkələyirik.
Krem şantini isə, qaymağı bir qaba qoyub,
yaxşıca çalaraq hazırlayırıq. Bunları edə-edə,
qaymağı kərə yağına və krem şantiyə çevirən zaman
Azerbaijani:
ona nə baş verdiyi haqda düşünməyinizi istəyirəm.
Oyna. Bax. Soruş.
Qaymağı tökə bilərsən bankaya?
Siz isə qabda çala bilərsiz? Yaxşıca qarışdırın.
Davay, davay, davay, yorulmadın ki?
Bir az.
Suzannaya ötürmək istəyirsən?
Suzanna, indi bir az sən qarışdır.
Qaymağı çalmaq ona hava qataraq
içindəki yağ topacıqlarını parçalayır. Yağ molekulları hava qabarcıqlarının ətrafında
qoruyucu təbəqə əmələ gətirərək, qaymağı maye halından
krem şanti dediyimiz köpüklü hala keçirir.
Bankanı belə tut və bacardığın qədər möhkəm silkələ!
Davam elə və fikir ver gör bankanın içindəkilər dəyişir ya yox?
Hələ də maye kimidir?
Hə, hələ də maye kimidir.
English:
when we make it into butter and make it
into whipped cream.
Do you want to pour your cream into your
jar?
And are you going to start whipping? Whip it really hard.
Whip whip whip, is your arm getting sore?
Do you want to pass it on to Suzanna?
You have a go now, whisk really really hard.
Whisking the cream ads air to it,
and breaks apart the fact globules
in it. The fat forms protective
bubbles around
tiny pockets of air and changes the
cream from a liquid
into foam which is what we call whipped
cream.
Hold the jar like that, and shake it really hard, as hard as you can shake it!
Keep shaking, and I want you to think, can you feel anything changing inside yet?
Or does it still feel like a liquid?
English:
Milk and cream are composed mainly of
water and fat.
The fat is in the form of microscopic
globules,
which are like tiny balloons filled with
fat molecules.
Cream has more of these fat globules than milk, which is why it's thicker.
When we shake the cream in a jar the
globules bash against each other.
This makes their skins brick so the fat
molecules spill out.
As we keep shaking the freed
fat globules join together making one
big lump of fat,
which separates out from the water. Lucy
can you feel anything happen to it when you shake it?
A bit? Does it still sound like liquid?
Ooh! That looks really cool!
We just pour that off.
There's so much. And what are we left with? We're left with... butter!
There we go, scones for everyone. I think what we did was we were whipping
Azerbaijani:
Süd və qaymaq əsasən sudan və yağdan təşkil olunub.
Yağ, içi yağ molekulları ilə dolu
mikroskopik topacıqlar şəklində olur.
Qaymaqda bu topacıqlar süddəkindən daha çoxdur, ona görə də, qaymaq daha qatıdır.
Bankadakı qaymağı silkələyəndə, bu topacıqlar bir-birilə toqquşur.
Nəticədə, topacıqların qabığı partlayır və yağ molekulları dağılır.
Silkələməyə davam etdikcə, partlamış yağ topacıqları
böyük bir yağ topası əmələ gətirir
və sudan ayrılır. -Lucy, silkələdikcə nəyinsə dəyişdiyini hiss eləyirsən?
Bir az...
Bir az? Maye səsi gəlir?
Ooo! Yeri var!
Suyunu boşaldaq.
Uydaa, nə qədər çıxıb. Burda qalan nədir? -Kərə yağı!
Oyna
Buyurun, bu da qoğallarınız. Deyəsən bunu o qədər möhkəm qarışdırmışıq ki,
Azerbaijani:
burdakı qaymağımız da kərə yağına çevrilib.
Deməli, iki cür kərə yağımız var: çalaraq
və silkələyərək əldə etdiyimiz.
Bu gün elədiklərimizin elmi tərəfi ilə tanış olmaq üçün məlumat vərəqini yükləyin.
Fəaliyyəti edərkən çəkdiyiniz şəkilləri bizimlə paylaşmağı
və digər maraqlı təcrübələr üçün kanalımza abunə olmağı unutmayın!
English:
really really really hard and we may
have to turned our cream into
butter as well.
So we types of butter, butter we made by whipping,
and butter we made by shaking.
Download the infosheet to learn more about the science of what we were doing tonight.
We'd love to see your photographs and
videos of you doing the activity, and subscribe
To the channel for more exciting experiments.
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We'll kick your monster butt!
Ninja Spin!
Ninja Spin!
[Gold Ranger] Let's race!
Ha! Yeah!
C'mon brother. Haha!
(Calvin gasps)
A monster?
(monsters grunting)
Calvin!
Help us.
(monsters grunting)
[Calvin] What happened to you guys?
You weren't here,
so that monster joined
Brody and Levi's relay team.
When we lost to him, we
all turned into trophies.
I think he put Brody
and Levi under a spell
that made them crazy competitive.
They're about to race that monster.
Calvin, you have to stop them,
before they're turned to trophies too!
Please hurry.
[Red Ranger] Okay, I'm the leader.
[Gold Ranger] Wrong, you're a loser!
[Red Ranger] You're the loser!
[Gold Ranger] No, you are!
[Monster] Ha! They'll never
beat me if they act like that.
Maybe not on their own!
[Gold Ranger] Hey!
[Red Ranger] What?
(monsters gasp)
But with me on their
team, they've got a shot.
[Gold Ranger] Calvin? Huh.
Whao! Another Ranger! Fantastic!
Then I can beat you all at once!
Yeah!
You do know that if I win,
I get your ninja power stars, right?
And if we win, we get
our friends back, right?
Ha! Deal! But you'll never win!
Yeah? We'll see about that.
Ninja Spin! Hah!
Hahaha! Prepare to lose
your power stars, Rangers.
(Basher Bot grunts)
[Monster] Oh yeah! I'm ready!
(gun fires)
Ah! Eat my dust, Ranger bros!
(Rangers grunt)
Get up! We gotta beat Shoespike!
We only fell because you
slowpokes were holding me back!
See, this is more likeah!
(Rangers grunt)
(Shoespike laughs)
You guys look like fools!
[Gold Ranger] Yeah, well
it takes one to know, oh!
Guys! Look!
He's cheating!
Those aren't Basher Bots!
They turned into dummies!
See you at the finish line!
C'mon! We gotta catch that creep!
(Rangers yell)
I know what to do. Let me lead!
I'll see you later, alligators.
We have to work as a team.
Step in time.
Ready? Okay!
Right, and left, and right,
and left, and right, and left!
[Gold Ranger] We're doing it!
[Red Ranger] Yeah!
See guys? Working
together is always better.
We're coming for you, Shoespike!
And you better watch out,
because we're a team!
(Rangers grunt)
Teamwork is epic!
Woohoo! Let's see how
they like my booby traps!
We're gonna get you, shoelace-face!
(Rangers grunting)
It's a trap!
(Rangers screaming)
Nice try, but you can't stop us!
[Gold Ranger] We're hot on your heels!
[Shoespike] You'll never catch me!
[Yellow Ranger] We can do
this guys! We can do this!
Close, but no cigar!
(Rangers grunt)
[Gold Ranger] We're right
behind you, Shoestink!
Ah! No! I can't lose!
(Rangers grunting)
[Yellow Ranger] Almost there!
(Rangers grunting)
Run, Shoespike! Run
like the wind! (laughs)
(crowd cheers)
Yes! I'm gonna win!
[Red Ranger] Think again!
(everyone grunting)
[Shoespike] Ah, ah.
No!
(Rangers yelling)
[Gold Ranger] Can
you believe it? We won!
[Yellow Ranger] Yeah!
[Red Ranger] We won!
Yes!
Impossible! They beat me!
And broke my spell over them!
Oh man, I feel weird.
It's okay! You guys are back to normal!
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-A lot of pundits,
some people
who are already running
are warning about this idea
that if the Democratic Party
goes too far left,
that will enable a Trump victory
because people in the center
will flee to him
out of fear of the left.
-No, I strongly disagree
with that.
I think one of the reasons
that people like Trump
get elected is so many
working people
and lower income people
have given up
on the political process
and they don't vote.
And compared to other countries
around the world,
our voter turnout is not
particularly high.
And I think what we need
are candidates
who speak to ordinary people
who today are in a lot of pain.
All right?
We don't talk about it enough.
You got mothers all over
this country
who cannot find quality
childcare for their little ones.
We have kids who are graduating
college
$40,000, $50,000, $100,000 debt.
Others can't even afford
to go to college.
We got people who work in
two or three jobs
while we have the
three wealthiest people
in this country owning
more wealth
than the bottom half
of the American people.
We got to raise that
as a moral issue.
When we have so many people
in poverty,
so many people uninsured,
is it acceptable that so few
have so much money
and so much power?
And I think when you start
talking about those issues
and you say, "Yeah,
I understand you can't make it
on 10 bucks an hour.
I understand that you're worried
about the future generation,
worried about whether your kids
are gonna have
a lower standard of living
than you have.
You're worried about
climate change."
When we speak to the needs
of working people and we say,
"Yes. We are prepared to take on
Wall Street
and the fossil fuel industry
and all of the big money
interests
to create an economy
that works for all of us."
I think people say,
"You know what? It's about time,
and I'm gonna go out and vote,
and I'm gonna support
those candidates."
That's my view.
-You had a --
[ Applause ]
Obviously,
there were so many things
about your last campaign
that were successful,
but ultimately you didn't win
the nomination.
One thing that people reflecting
back would say
is that you did not have
a diverse enough coalition
of people behind you.
How have you addressed that
moving into this?
-That's a very fair question.
We ended up --
You know, one of the problems
with the last campaign
is when we began, you know,
I come from a very small state.
I was not known
by a whole lot of people.
But as the campaign progressed,
we did much better with
the African-American community,
with the Latino community,
and we did better in general.
And by the time
the campaign ended,
what I'm really excited about --
we want to build on --
is that we ended up getting
more votes
from young people,
black, and white, and Latino,
Asian American, Native American,
than Clinton or Trump combined.
That's pretty good. Okay?
So, what we --
but your point is right.
You know, we started off
with a few people from Vermont,
and the campaign
moved so quickly.
We did not put together
the kind of diverse campaign
that we should have,
and this time we will,
in fact, do just that.
-I'm glad to hear that.
I heard you say, you know,
one thing you might do
is obviously you're running,
as you've established,
a pathological liar,
as we try to establish
every night.
[ Laughter ]
I've heard the joke you're gonna
bring a lie detector onstage,
at a debate.
But in reality,
how do you run against
someone who --
Obviously, you're very left.
You must be aware that Donald
Trump would paint you
as even farther left than that.
-You know, Seth, here's the --
I never use the word left.
-Yup.
-I don't -- I am.
I'm a Democratic socialist.
So, that's the way it is.
But the issues
that we talk about,
is it left to say that
in this country
we should have minimum wage
that is a living wage?
Is it left to say that everybody
should have healthcare
as a right, that we should
expand Social Security?
Because so many of our people
can't make it --
elderly people can't make it
on $12,000, $13,000 a year.
Is it left to say
that we have to rebuild
our crumbling infrastructure
and create millions
and millions of jobs?
Is it left to say we have
to address
the crisis of climate change
or that we have to deal
with criminal justice reform
or immigration reform?
We have to deal with sexism,
racism, and homophobia.
I don't think
those are left issues.
You know, I think sometimes
the media
makes a bigger deal about it.
I think, in fact,
on all of those issues and more,
sensible gun safety legislation.
I think you have
the strong majority
of the American people saying,
"Yeah, I agree with that."
And let's have people in
Washington who stand with me
rather than just wealthy
campaign contributors.
That's kind of what
this campaign is about.
[ Cheers and applause ]
-You obviously
have a very good job.
You're trying to get
another very good job,
but you also had
some other jobs.
We found a clip.
You were in a movie in 1988.
[ Laughter ]
A real movie. A real movie.
-Oh, no.
I got to get going here.
-No, no, no.
[ Laughter ]
-It's called
"Sweet Hearts Dance."
A real cast, Jeff Daniels,
Susan Sarandon.
-Susan, yeah.
-How do you end up in this film?
I should notice --
your character's name
is Bernie.
-Yes.
-Are you playing yourself?
[ Laughter ]
-It wasn't that we did a lot
of auditioning for the film.
[ Laughter ]
it happened to be that the film
was shot in Vermont.
That helped. And they went --
I was Mayor of the city
of Burlington.
We helped them out getting some
extras and so forth and so on.
So I said, "Hey,
I'm a good extra. I'll do that."
[ Laughter ]
That was about it.
-Well, we actually have --
we have a clip,
and I really think you're great.
Let's take a look at Senator
Sanders here
in "Sweet Hearts Dance."
-My acting career.
-Hi.
-Trick or treat.
-How you doing?
-Trick or treat, Bernie.
-Trick or treat.
-Trick or treat.
-Okay.
-Come on, Bernie.
Fill them up there.
-Okay, here you go.
-And let me just say --
[ Laughter ]
-Wait a minute. Wait a minute.
[ Cheers and applause ]
I think -- I think
that's an Oscar award.
[ Laughter ]
-That was fantastic.
[ Applause ]
-I think it was great.
-And I think that --
I really like that the clip
is you distributing out candy
fairly.
-Free candy.
[ Laughter ]
Free. Right, absolutely.
-No one should have to
pay for their candy.
[ Applause ]
Give it up for Senator
Bernie Sanders, everyone.
| {
"pile_set_name": "YoutubeSubtitles"
} |
*
>> Andrew: GOOD EVENING, I'M
ANDREW CHANG.
ADRIENNE IS AWAY.
>>> TONIGHT, DAY ONE OF SCHOOL
IN ALBERTA AND COVID-19 HAS AN
IMPACT ALREADY.
>> IT'S A LITTLE UNCOMFORTABLE.
I COULD BARELY EVEN BREATHE IN
IT.
SADLY.
>> Andrew: AS OTHER CANADIAN
PARENTS WAIT, WHAT'S ON THE
MINDS OF TEACHERS?
>> President Donald Trump: THEY
JUST DON'T WANT US TO COME IN,
AND THEN DESTRUCTION IS DONE.
>> Andrew: DONALD TRUMP COMES TO
KENOSHA, WISCONSIN WITH A
MESSAGE OF SUPPORT FOR POLICE.
>>> IT'S BEEN AN ALL HANDS ON
DECK SO FAR.
>> Andrew: A NEW PROPOSAL TO
CLEAR BACKLOG OF SURGERY CASES.
NOW IS THERE MONEY FOR IT?
>>> AND A BALLPARK RETIREMENT
FOR THE AGES.
>> I CAME DOWN HERE WITH THE
KIDS ABOUT THAT HEIGHT, AND I
HAVEN'T LEFT SINCE.
>> Andrew: A LOCAL LEGEND WITH A
STORY EVERY COMMUNITY CAN RELATE
TO.
THIS IS "THE NATIONAL."
*
*
>>> CANADA IS GOING BACK TO
SCHOOL IN A PANDEMIC.
ALL THE CONCERNS ABOUT
PREPARATIONS, ABOUT TRADE-OFFS
BETWEEN HEALTH, SAFETY AND THE
EDUCATIONAL NEEDS OF A
GENERATION OF STUDENTS, THEY ALL
COME TO A HEAD RIGHT NOW.
IN QUEBEC AND ACROSS CANADA'S
NORTH, CLASSES HAVE ALREADY
BEGUN.
STUDENTS ARE BACK IN ALBERTA,
NOVA SCOTIA AND NEWFOUNDLAND
THIS WEEK, AND THE REST ARE
STILL PREPARING FOR AN UNUSUAL
YEAR.
NOW THE COVID-19 SITUATION COULD
BE BETTER.
NATIONALLY, AVERAGE DAILY NEW
CASES ARE TRENDING UP, NOW
NEARLY 500 A DAY, AND UNLIKE
EARLIER IN THE SUMMER, MORE THAN
HALF OF THOSE CASES NOW COME
FROM WESTERN CANADA.
ALBERTA ALONE IS SEEING THE
HIGHEST RATE OF NEW INFECTIONS
ALL SUMMER, MATCHING RATES IN
EARLY MAY WHEN THE PROVINCIAL
LOCKDOWN WAS IN FULL SWING.
BUT LIKE THE REST OF CANADA,
ALBERTA IS JUMPING IN WITH BOTH
FEET.
FOR MANY STUDENTS, SCHOOL
STARTED TODAY, AND AS CAROLYN
DUNN EXPLAINS, THAT'S DESPITE
SIGNS OF TROUBLE.
>> ARE YOU GOING TO PACK UP YOUR
STUFF?
>> SURE.
>> Reporter: NEW LUNCH KITS,
SNEAKERS AND BACKPACKS FOR A NEW
SCHOOL YEAR.
AUTUMN AND LINCOLN MCCOLLUM ARE
EXCITED TO FINALLY GO BACK,
RIDER TO START KINDERGARTEN.
THE LAST SIX MONTHS HAVE BEEN
LONELY.
>> I THINK OUR BIGGEST CONCERN
IS OUR KIDS' MENTAL HEALTH.
I THINK BEING IN THIS PLACE FOR
SO LONG WHERE THEY HAVEN'T BEEN
ABLE TO HAVE THAT REGULAR SOCIAL
INTERACTION TO BUILD WITH OTHER
CHILDREN.
>> Reporter: SO WITH THEIR
FAVOURITE MASKS, THE McCOLLUM'S
WILL JOIN WELL OVER 80% OF OTHER
ALBERTAN SCHOOL CHILDREN HEADED
BACK TO CLASS.
NOT THAT IT'S BUSINESS AS USUAL,
FROM HAND SANITIZER TO LIMITS ON
THE NUMBER OF KIDS ALLOWED IN
THE BATHROOM AT ONCE, SCHOOLS
HAVE A VERY DIFFERENT LOOK AND
FEEL.
IN CALGARY, EVERY CHILD IS
REQUIRED TO WEAR A MASK,
REGARDLESS OF GRADE.
>> IT'S A LITTLE UNCOMFORTABLE.
I COULD BARELY EVEN BREATHE IN
IT, SADLY.
>> WELL, IT'S BETTER FOR THE
SAFETY OF ELDERLY PEOPLE, AND I
THINK THAT'S REALLY RESPONSIBLE,
FOR PEOPLE WHO ARE WEARING MASKS
ALL AROUND.
>> MY OLDER ONE IS VERY EXCITED.
MY YOUNGER IS MORE NERVOUS TO GO
BACK.
>> Reporter: A LITTLE
APPREHENSION IS FAIR ENOUGH.
POSITIVE CASES AND EXPOSURES
HAVE ALREADY THROWN A WRENCH
INTO REOPENING PLANS AT TWO
SCHOOLS IN SOUTHERN ALBERTA.
>> SO IT'S ALWAYS BEEN CLEAR
THAT THERE WOULD BE SOME
OUTBREAKS, AND FROM TIME TO TIME
THERE WILL BE CLASSES OR EVEN
SCHOOLS THAT HAD TO SUSPEND
OPERATION FOR A WHILE.
THE INEVITABILITY OF THAT SHOULD
NOT BE A REASON FOR US
INDEFINITELY TO KEEP THE SCHOOLS
CLOSED.
>> Reporter: AND SO THEY OPEN,
WITH EXTRAORDINARY MEASURES FOR
EXTRAORDINARY TIMES, HOPING
GROWING OUTBREAKS DON'T CLOSE
SCHOOLS AGAIN.
CAROLYN DUNN, CBC NEWS, CALGARY.
>> Andrew: IN ONTARIO, CLASSES
ARE STILL SEVERAL DAYS AWAY, AND
TEACHERS ARE TAKING A CRASH
COURSE ON OPENING SCHOOL WITH
THE VIRUS LOOMING.
THOUGH AS DEANA SUMANAC-JOHNSON
SHOWS US, EVEN A CRASH COURSE
HITS THEM BIG BUMPS.
>> Reporter: AFTER A FEW HOURS
OF TRYING WHILE THE SERVER WAS
DOWN, TEACHER MATTHEW MOORE HAS
FINALLY MANAGED TO LOG ON TO HIS
ONLINE TRAINING.
HE FOUND SOME FAIRLY OBVIOUS
INSTRUCTIONS.
>> MAINTAIN A SOCIAL DISTANCE,
WEAR A MASK.
>> Reporter: INCLUDING SOME HE
ISN'T SURE HE'LL BE ABLE TO
ENFORCE.
>> IT'S VIRTUALLY IMPOSSIBLE TO
MAINTAIN A TWO-METRE SOCIAL
DISTANCING IN A CLASSROOM THAT I
WOULD SAY IS MAYBE 30 BY 50 FEET
OFF THE TOP OF MY HEAD WITH 27
KIDS PLUS ME.
>> Reporter: THE TRAINING
OBJECTIVES HAVE BEEN SET UP BY
THE ONTARIO MINISTRY OF
EDUCATION.
>> WE HAVE 14 LAYERS OF SAFETY.
SO IT'S WALKING THEM THROUGH
THOSE LAYERS AND HOW THEY WOULD
APPLY.
>> Reporter: BUT INDIVIDUAL
SCHOOL BOARDS HAVE ADAPTED THEM
TO THEIR NEEDS.
>> WE HAVE BEEN LIVING THIS
LIFESTYLE NOW FOR SEVERAL MONTHS
AS A SOCIETY, SO IT'S TAKING
SOME OF THOSE SKILLS AND
TRANSFERRING THEM INTO A SCHOOL
SETTING.
>> Reporter: SKILLS THAT INCLUDE
PROPER USE AND DISPOSAL OF
P.P.E. AND SOME MORE SPECIFIC
INSTRUCTIONS.
>> IF YOU ACTUALLY GIVE THE
STUDENTS, LIKE, A PIECE OF PAPER
FOR SOME SORT OF SEAT WORK, YOU
CAN COLLECT IT, BUT THEN YOU
CAN'T TOUCH IT FOR A DAY, AND
THEN YOU MARK IT, AND THEN YOU
HAVE TO WAIT A DAY BEFORE YOU
HAND IT BACK.
>> Reporter: THIS TRAINING
BEGINS AS A HEATED DEBATE RAGES
ON ABOUT HOW AND IF SCHOOL
SHOULD BE RETURNING.
>> COME ON IN.
>> Reporter: ONTARIO'S PREMIER
AND MINISTER OF EDUCATION HAD A
SAFE SCHOOL PHOTO OP.
>> I SEE YOU HAVE YOUR MASK.
I'M GOING TO INVITE YOU TO CLEAN
YOUR HANDS.
>> Reporter: BUT JUST YESTERDAY,
FOUR MAJOR TEACHER UNION BOARDS
FILED A LABOUR BOARD COMPLAINT
ABOUT THE SAFETY OF THE
PROVINCE'S PLAN.
>> I'D LIKE TO SEE THE TRAINING
BE ACTUALLY INTERACTIVE AT LEAST
FOR A PORTION OF IT WITH THE
ABILITY TO GET FURTHER
ELABORATIONS WHERE THERE'S SOME
LACK OF CLARITY.
>> Reporter: FOR NOW IT LOOKS
LIKE A LOT OF THAT CLARIFICATION
WILL HAVE TO HAPPEN AFTER
ONTARIO'S SCHOOLS REOPEN OVER
THE NEXT TWO WEEKS.
TEACHERS' TRAINING CONTINUES
TOMORROW IN SCHOOL AND WITH A
FOCUS ON NOT ONLY COVID BUT
ANTI-RACISM TRAINING AND THE NEW
MATH CURRICULUM.
DEANA SUMANAC-JOHNSON, CBC NEWS,
TORONTO.
>> Andrew: TORONTO HEALTH
OFFICIALS ARE INVESTIGATING FOUR
RECENT CASES OF COVID-19 AT TWO
MALLS.
TWO INFECTIONS WERE REPORTED AT
SHERWAY GARDENS, ANOTHER TWO AT
YORKDALE MALL, AT POPULAR
RESTAURANTS AND ATHLETIC STORES.
THE COMPANIES SAY THEY'VE PUT
SAFETY PROTOCOLS IN PLACE,
INCLUDING DEEP CLEANING.
>>> A KARAOKE BAR IN QUEBEC CITY
IS BEING BLAMED FOR A RECENT
SPIKE IN COVID-19 CASES.
MORE THAN 30 INFECTIONS NOW
LINKED TO THE BAR, WHICH WILL
STAY CLOSED UNTIL SEPTEMBER 10.
HEALTH OFFICIALS SAY PATRONS AND
STAFF COULD BE FINED FOR NOT
FOLLOWING PUBLIC HEALTH
GUIDELINES.
>>> TODAY I'M PLEASED TO REPORT
THAT WE HAVE NO NEW CASES OF
COVID-19 IN P.E.I. AND ALL 44
CASES OF COVID-19 ARE NOW
RECOVERED.
>> Andrew: SO THAT MEANS THERE
ARE CURRENTLY NO ACTIVE CASES IN
P.E.I.
OFFICIALS ALSO ANNOUNCED THE
PLAN TO FURTHER EASE
RESTRICTIONS.
STARTING NEXT MONTH, LARGER
ORGANIZED GATHERINGS WILL BE
ALLOWED IN THE PROVINCE.
>>> NOW ALONG WITH EVERYTHING
ELSE COVID-19 DISRUPTED, IT
BROUGHT ROUTINE SURGERIES TO A
FULL STOP.
EVEN THOUGH DOCTORS ARE
OPERATING AGAIN, THERE ARE BIG
BACKLOGS ACROSS THE COUNTRY.
SO TODAY A NEW STUDY POINTED A
POSSIBLE WAY FORWARD FOR
ONTARIO.
CHRISTINE BIRAK EXPLAINS.
>> MY TUMOUR IS RIGHT HERE.
>> Reporter: 23-YEAR-OLD MELODIE
CYR WAS TOLD HER TUMOUR MIGHT BE
CANCEROUS.
SHE NEEDS A BIOPSY TO FIND OUT,
BUT THE SURGERY'S BEEN CANCELLED
TWICE.
>> THE BIOPSY NEVER HAPPENED,
AND I CRIED A LOT.
AND I ALMOST YELLED AT THE
SURGEON.
>> Reporter: IN ONTARIO ALONE,
CLOSE TO 150,000 PEOPLE ARE
WAITING FOR SURGERIES PUT ON
HOLD BY THIS PANDEMIC.
NOW SOME DOCTORS SAY THEY'VE GOT
A PLAN TO GET THOSE PATIENTS
INTO OPERATING ROOMS.
>> IT'S BEEN ALL HANDS ON DECK
SO FAR, AND WHAT WE'RE SEEING IS
WE CAN'T LOSE FOCUS HERE.
>> Reporter: COMPUTER MODELLING
SHOWS IT WILL TAKE MORE THAN A
YEAR AND A HALF TO CLEAR
ONTARIO'S BACKLOG IN SURGERIES.
TO DO THAT, STAFF AND SURGEONS
MUST TREAT OVER 700 PATIENTS A
WEEK, AND THEY'LL NEED 265 OPEN
BEDS.
>> I THINK A LOT OF SUPPORT IS
GOING TO BE REQUIRED.
>> HOLD ON THERE FOR A SEC.
>> Reporter: SURGEON JORY
SIMPSON SAYS HE'S WILLING TO
WORK OVERTIME.
THE MODEL RECOMMENDS OPERATING
ROOMS BE SET UP AHEAD OF TIME,
ALLOWING DOCTORS TO MOVE QUICKLY
FROM ONE PATIENT TO THE NEXT.
>> THIS COULD ALLOW FOR AN
ADDITIONAL THREE TO FIVE
PATIENTS TO BE OPERATED ON THAT
DAY BY THAT SURGEON.
>> BUT IN REALITY WE HAVEN'T
RECEIVED MORE RESOURCES IN ORDER
TO ADDRESS THIS BACKLOG IN
SURGERY.
>> Reporter: ANY PLAN WOULD
REQUIRE ADDED HEALTH CARE
FUNDING, AND HOSPITALS COULD
STILL SEE A SURGE IN COVID-19
PATIENTS.
>> AND IT'S QUITE LIKELY WE
WILL.
THEN WE'RE GOING TO HAVE
BACKLOGS THAT BUILD ON BACKLOGS
IN THE WORLD OF SURGERY.
>> Reporter: B.C. HAD ABOUT
30,000 PATIENTS STEP ASIDE
DURING THIS PANDEMIC.
HALF HAVE NOW HAD THEIR
SURGERIES.
THE REST WERE ADDED TO A
PRE-EXISTING WAIT LIST OF 93,000
PEOPLE.
MANITOBA RECENTLY SPENT $2.5
MILLION.
ITS PLAN IS TO SEND WAITING
PATIENTS TO PUBLIC AND PRIVATE
CLINICS FOR CARE.
>> IT CAN GO FROM A STAGE ONE TO
A STAGE FOUR.
>> Reporter: CYR JUST WANTS TO
KNOW IF SHE HAS CANCER OR NOT.
WHILE THERE ARE STILL HOSPITAL
BEDS AVAILABLE.
CHRISTINE BIRAK, CBC NEWS,
TORONTO.
>> Andrew: WELL, TO THE U.S. NOW
WHERE TODAY DONALD TRUMP VISITED
KENOSHA, WISCONSIN.
THAT'S WHERE THE POLICE SHOOTING
OF JACOB BLAKE HAS LED TO
PROTESTS, DESTRUCTION, EVEN
DEATH IN THE STREETS.
AS SUSAN ORMISTON SHOWS US, IT
WAS A POLITICAL OPPORTUNITY FOR
TRUMP TO HAMMER HOME HIS MAIN
RE-ELECTION MESSAGE.
[CROWD NOISE]
>> Reporter: THE PRESIDENT'S
VISIT BROUGHT WHAT YOU'D EXPECT,
DEEP-SEATED DIVISION IN A CITY
ALREADY CLEAVED BY RACIAL
TENSION.
KENOSHA SHUT DOWN ITS STREETS,
SECURED THE ROUTE.
IT DIDN'T ASK FOR THIS VISIT,
ADVISED AGAINST IT, BUT TRUMP
CAME ANYWAY.
[CROWD NOISE]
TO TRUMPET HIS LAW-AND-ORDER
CAMPAIGN MESSAGE AND GET A PHOTO
OP WITH A BUSINESS THAT BURNED,
BLAMING THE MAYOR AND THE
GOVERNOR.
>> President Donald Trump: THEY
DIDN'T WANT TO HAVE US COME IN.
THEY JUST DON'T WANT US TO COME
IN AND THEN DISRUPTION IS DONE.
>> Reporter: OVER MULTIPLE
NIGHTS VANDALISM AND ARSON LEFT
THIS CITY SCARRED.
THE DOWNTOWN, A FOCUS OF ANGRY
RIOTS AND OUTSIDE ARMED
AGITATORS WHO CAME TO KENOSHA,
SAY POLICE, TO WREAK HAVOC.
TRUMP CLAIMS CREDIT FOR SENDING
IN THE NATIONAL GUARD, BUT THE
STATE GOVERNOR DID THAT.
STILL, TRUMP'S GOT PLENTY OF
SUPPORT HERE.
>> I THINK IT WAS GOOD TO SHOW
THE PEOPLE THAT WE'RE GOING TO
HAVE TO TAKE UP MILITIA ANYWAYS
THAT HE'S GOT OUR BACK.
WE'RE NOT JUST GOING TO STAND
AND LET SOMEBODY BURN DOWN OUR
CITY.
>> Reporter: THE PRESIDENTIAL
MOTORCADE PASSED BY MUCH OF THE
DAMAGE, LIKE THIS MOBILE PHONE
SHOP, CLEANED OUT IN THE RIOTS.
>> THEY BROKE THE WINDOWS AS YOU
SEE THERE, THE GLASS ON THE
FLOOR, THEY USED A BRICK.
THEY WANT JUSTICE, AND I THINK
THEY SHOULD HAVE JUSTICE.
>> Reporter: BUT PEOPLE LIKE
JAMAL HAVE LOST THEIR
LIVELIHOODS.
>> NO WORK, AND I HAVE A WIFE
AND FOUR KIDS.
I'M JOBLESS RIGHT NOW.
>> Reporter: LOTS OF SUPPORT,
TOO, FOR JACOB BLAKE, THE BLACK
MAN NOW PARALYZED AFTER POLICE
SHOT HIM SEVEN TIMES IN THE
BACK.
NO CHARGES YET, AND TRUMP DID
NOT MENTION HIS NAME.
BLAKE FAMILY SUPPORTERS STAGED A
NEIGHBOURHOOD PARTY RATHER THAN
BE NEAR TRUMP TODAY.
>> IF HE LOVES CHAOS, WE ARE NOT
GOING TO CREATE THE BACKDROP FOR
THE VIOLENT CHAOS HE WANTS TO
SEE.
>> Reporter: NEIGHBOURS UNHAPPY
THAT THE PRESIDENT BROUGHT HIS
SPECTACLE TO TOWN.
>> I DON'T THINK IT'S HELPFUL.
NO, WE KIND OF HIT THE CALM, WE
HIT THE CALM, WE GONNA BOUNCE
BACK, BUT LET US BOUNCE BACK ON
OUR OWN.
>> Reporter: NOT IN THE
SPOTLIGHT OF A HARD-HEARTED
CAMPAIGN FOR PRESIDENT.
>> Andrew: SO, SUSAN, WHAT DID
DONALD TRUMP ACCOMPLISH IN THIS
CONTROVERSIAL VISIT?
>> Reporter: WELL, ANDREW, THIS
PLACE WHERE HE ACTUALLY TOURED
TODAY WAS HIS STAGE FOR AN
UNVARNISHED SUPPORT OF LAW
ENFORCEMENT.
REPUBLICANS HAVE PUT PUBLIC
SAFETY ON THE BALLOT THIS
NOVEMBER, SAYING THEY'LL PROTECT
COMMUNITIES INSTEAD OF THE CHAOS
AND FEAR THAT DEMOCRATS ARE
STOKING.
AND KENOSHA PLAYS INTO THAT.
WHAT'S REMARKABLE IS NOT THAT HE
CAME TO APPLAUD POLICE AND OTHER
STATE GUARD, WHO WELCOME HIS
SUPPORT.
IT'S THAT HE DIDN'T EVEN MENTION
THE SHOOTING, THE ACTUAL EVENT,
NOR JACOB BLAKE'S NAME, WHICH
GAVE RISE TO ALL OF THE FURY AND
MUCH OF THE PAIN AND MUCH OF
WHAT HAPPENED IN PLACES LIKE
THIS, ANDREW.
>> Andrew: OKAY, THANKS, SUSAN.
SUSAN ORMISTON IN KENOSHA,
WISCONSIN TONIGHT.
>>> WELL, TONIGHT WE HAVE
DETAILS ABOUT THE OFFICIAL
INVESTIGATION INTO THE OFFICE OF
GOVERNOR GENERAL OF JULIE
PAYETTE.
AN INVESTIGATION INTO ISSUES
UNCOVERED BY OUR REPORTING.
BACK IN JULY, ASHLEY BURKE BROKE
THE STORY ABOUT AN ALLEGEDLY
TOXIC WORKPLACE AT RIDEAU HALL.
NOW SHE HAS THIS LATEST CHAPTER.
>> I, DOMINIC LEBLANC.
>> Reporter: THE SON OF A FORMER
GOVERNOR GENERAL HIMSELF, JUST
WEEKS AGO HE WAS SWORN INTO HIS
NEW MINISTERIAL ROLE BY THE
CURRENT OCCUPANT OF RIDEAU HALL.
NOW DOMINIC LEBLANC, WHO'S ALSO
PRESIDENT OF THE PRIVY COUNCIL,
IS OVERSEEING A REVIEW INTO
WHETHER JULIE PAYETTE VERBALLY
ABUSED AND MISTREATED HER STAFF.
>> SHE REPRESENTS THE CANADIAN
PEOPLE AND HAS TO MEET THE
HIGHEST STANDARDS, AND THESE
ALLEGATIONS ARE DEEPLY
CONCERNING.
>> Reporter: THE PRIVY COUNCIL
OFFICE HAS HIRED QUINTET
CONSULTING TO CONDUCT THE
QUARTER FINAL REVIEW, THIS AFTER
A -- CONFIDENTIAL REVIEW, THIS
AFTER A CBC NEWS STORY IN JULY.
IT SUFFERED A DOZEN SOURCES
SAYING JULIE PAYETTE BELITTLED,
BERATED AND PUBLICLY HUMILIATED
EMPLOYEES AND THAT HER
SECOND-IN-COMMAND, A LONG-TIME
FRIEND, ASSUNTA DI LORENZO
BULLIED STAFF TOO.
CBC CHANGED SOURCES' VOICES TO
PROTECT THEIR IDENTITY.
>> THIS HAS GONE FROM BEING ONE
OF THE MOST COLLEGIAL AND
ENJOYABLE WORK ENVIRONMENTS FOR
MANY OF THE STAFF TO A HOUSE OF
HORRORS.
>> I THINK I LEFT DEVASTATED
ALMOST EVERY DAY.
>> Reporter: THIS FORMER
EMPLOYEE LEFT BECAUSE OF THE
TREATMENT.
>> AND I WOULD SAY IN ALMOST
EVERY MEETING SOMEONE WAS
BERATED.
>> Reporter: QUINTET'S JOB IS TO
SPEAK TO ALL CURRENT AND FORMER
STAFF WHO WORKED UNDER JULIE
PAYETTE AND WANT TO PARTICIPATE,
AND TO HEAR PAYETTE AND DI
LORENZO'S SIDE OF THE STORY.
>> IT'S POSSIBLE THAT OUT OF
THIS WILL COME A CHANGE AND THAT
IT IS -- BECAUSE THE CASE IS
HIGH PROFILE, THE CHANGES THAT
MAY COME OUT OF THIS MAY CASCADE
THROUGH GOVERNMENT
ORGANIZATIONS.
>> Reporter: EVEN SO, IT'S NOT
KNOWN IF THE FINDINGS WILL BE
MADE PUBLIC.
THE N.D.P. SAYS THEY SHOULD BE.
>> I WANT TO KNOW THAT MINISTER
LEBLANC IS GOING TO REPRESENT
THE INTERESTS OF THE CANADIAN
PEOPLE FIRST AND FOREMOST AND
NOT TO TRY AND SLIP THIS UNDER
THE CARPET.
>> Reporter: THE CONSULTANTS'
REPORT WILL DETAIL THE NATURE OF
THE ALLEGATIONS AND ANY
CONCLUSIONS ON WHETHER THERE WAS
HARASSMENT OR TOXIC WORK
ENVIRONMENT.
THE PRIVY COUNCIL OFFICE EXPECTS
THE RESULTS LATER THIS FALL.
ASHLEY BURKE, CBC NEWS, OTTAWA.
>> Andrew: WELL, THE GOVERNMENT
ANNOUNCED TODAY THAT A SHAMEFUL
CHAPTER IN THIS COUNTRY'S STORY
IS NOW DEEMED A HISTORIC EVENT
OF NATIONAL SIGNIFICANCE.
FOR MORE THAN A CENTURY THE
RESIDENTIAL SCHOOL SYSTEM SOUGHT
TO ASSIMILATE INDIGENOUS
CHILDREN AND WAS OFTEN HOME TO
ABUSE AND DEPRAVATION.
OLIVIA STEFANOVICH SHOWS US HOW
THAT HISTORY IS BEING PRESERVED.
>> Reporter: INSIDE THE FORMER
PORTAGE LA PRAIRIE RESIDENTIAL
SCHOOL, SURVIVORS WATCH AS THE
BUILDING IS DESIGNATED A
NATIONAL HISTORIC SITE.
>> MIXED FEELINGS, ONE BEING
THAT WE HAVE A DARK HISTORY.
>> Reporter: ERNIE DANIELS FIRST
WENT TO THE INSTITUTION WHEN HE
WAS SIX, A MEMORY HE'S NEVER
BEEN ABLE TO SHAKE.
>> TODAY WHEN I WALK IN THROUGH
THAT BUILDING, I STILL SMELL
THAT CHLORINE.
CHLORINE WAS USED TO WASH US
DOWN AS DIRTY LITTLE INDIANS.
>> Reporter: DESPITE THE
BRUTALITY OF HIS EXPERIENCE
HERE, DANIELS WANTS THE SITE
PRESERVED.
>> IT'S IMPORTANT THAT CANADA
KNOWS AND ITS PEOPLE BECAUSE OF
THE CURRENT SITUATION TO DO WITH
RACISM, DISCRIMINATION.
>> Reporter: THE BUILDING, OWNED
BY LONG PLAIN FIRST NATION, WILL
BECOME A MUSEUM.
>> IT COULD ALSO BRING, I THINK,
FOR THE FUTURE GENERATIONS SOME
CLOSURE.
>> Reporter: IN NOVA SCOTIA,
NOTHING REMAINS OF THE FORMER
SHUBENACADIE RESIDENTIAL SCHOOL,
REPLACED NOW BY A PLASTICS
FACTORY.
>> I THINK IT'S REALLY IMPORTANT
THAT THE SITE IS MARKED.
>> Reporter: DORENE BERNARD
CAMPAIGNED MORE THAN 20 YEARS
FOR THIS MOMENT AND WELCOMES THE
PLAQUE THAT WILL MARK THE SITE.
>> TO HAVE IT ACKNOWLEDGED AS A
HISTORIC SITE I THINK TO ME IT
MEANS THE STORY, THIS HISTORY
WILL NEVER BE FORGOTTEN.
>> Reporter: SURVIVORS LIKE
BERNARD HOPE CANADIANS WILL
BETTER UNDERSTAND THE
RESIDENTIAL SCHOOL ERA WITH A
DESIGNATION OF THESE NATIONAL
HISTORIC SITES.
OTHER SCHOOLS CAN STILL BE ADDED
TO THE LIST, BUT IT'S UP TO
INDIVIDUAL COMMUNITIES TO CHOOSE
WHAT TO REMEMBER.
>> THERE WILL BE NOTHING
ERECTED, NOTHING PUT UP IN THE
COMMUNITY WITHOUT THAT
COMMUNITY'S CONSENT AND WITHOUT
THAT COMMUNITY'S FULL
INVOLVEMENT.
>> Reporter: THAT'S IN STARK
CONTRAST TO THE RESIDENTIAL
SCHOOL ERA, WHEN CONSENT WAS NOT
REQUESTED.
OLIVIA STEFANOVICH, CBC NEWS,
OTTAWA.
>> Andrew: THE CANADIAN FORCES
SNOWBIRDS JETS ARE LEAVING
KAMLOOPS, B.C.
THEY'LL BE FLOWN BACK TO HOME
BASE IN MOOSE JAW, SASKATCHEWAN.
TWO JETS WILL TAKE OFF TOMORROW,
THE REST NEXT WEEK.
THEY HAVE BEEN GROUNDED FOR
THREE MONTHS AFTER A FATAL CRASH
IN MAY, WHICH TOOK THE LIFE OF
CAPTAIN JEN CASEY, AND SERIOUSLY
INJURED HER PILOT.
INVESTIGATORS BELIEVE A BIRD
STRIKE WAS A PROBABLE CAUSE.
[CROWD NOISE]
>>> IN BELARUS, THOUSANDS OF
STUDENTS BOYCOTTED THE START OF
THE SCHOOL YEAR TO PROTEST
AGAINST PRESIDENT ALEXANDER
LUKASHENKO, WHO HAS BEEN IN
POWER FOR 26 YEARS.
DEMONSTRATORS ACCUSED HIM OF
CHEATING IN LAST MONTH'S
ELECTION, A RESULT WHICH LED TO
WIDESPREAD INTERNATIONAL
CRITICISM AND THE THREAT OF
WESTERN SANCTIONS.
>>> WELL, WHEN A DEVASTATING
BLAST KILLED NEARLY 200 PEOPLE
IN BEIRUT, FRANCE'S PRESIDENT
PAID TRIBUTE IN PERSON.
TODAY, EMMANUEL MACRON WAS BACK,
THIS TIME WITH A MUCH HARDER
MESSAGE FOR LEBANON, CLEAN UP
CORRUPTION OR FACE SANCTIONS.
MARGARET EVANS IS THERE.
>> Reporter: NEARLY A MONTH ON
FROM BEIRUT'S DEADLY EXPLOSION,
THE RETURN OF THE FRENCH
PRESIDENT, BLOWN IN, OPTIMISTS
WOULD HAVE YOU BELIEVE, ON WINDS
OF CHANGE FOR LEBANON.
HIS VISIT COINCIDES WITH THE
COUNTRY'S CENTENARY AND THE
NOMINATION OF A LITTLE-KNOWN NEW
PRIME MINISTER, NOW TASKED WITH
FORMING A GOVERNMENT PEOPLE WILL
TRUST.
IT'S UNLIKELY.
PROTESTERS DEMANDING THE FALL OF
LEBANON'S POLITICAL ELITES FOR
MONTHS NOW WERE BACK ON THE
STREETS TODAY.
>> MAINTAIN ANY GOVERNMENT WHO
IS NOT TECHNOCRAT.
>> EITHER YOU SHUT DOWN THE
SECTARIAN SYSTEM OR THE STATE OR
IT'S LIKE THIS.
>> Reporter: EMMANUEL MACRON'S
FIRST ACT ON ARRIVING LAST NIGHT
WAS TO VISIT THE ICONIC LEBANESE
SINGER FAIRUZ.
SHE'S ONE OF THE FEW UNIFYING
SYMBOLS IN A COUNTRY DEFINED BY
ITS SECTARIAN FISSURES, THE SAME
ONES BLAMED FOR THE CORRUPTION
AND MISMANAGEMENT MANY SAID LED
TO THE BEIRUT EXPLOSION.
TODAY MACRON FLOATED THE
POSSIBILITY OF SANCTIONS AGAINST
LEBANON'S RULING CLASSES IF
CORRUPTION ISN'T ADDRESSED BY
ALL PARTIES.
BUT EXCEPTIONALISM IS ALREADY
CREEPING IN.
THIS IS A RALLY BY THE LEBANESE
PRESIDENT MICHEL AOUN'S FREE
PATRIOTIC MOVEMENT YESTERDAY.
GOD, LEBANON AND AOUN ONLY,
THEY'RE CHANTING.
>> WE LEARN THROUGH THE YEARS
AND THROUGH ALL THE EXPERIENCES
WE PASSED THROUGH TO TRUST HIM.
>> Reporter: DISTRUST IS A FAR
MORE PROFOUND EMOTION IN BEIRUT
NEIGHBOURHOODS DEVASTATED BY THE
AUGUST BLAST.
ORDINARY PEOPLE AND VOLUNTEERS
TAKING CARE OF EACH OTHER, THEY
SAY, IN THE ABSENCE OF THE
STATE.
>> WE ARE TAKING THE PLACE OF
THE GOVERNMENT WHO ARE THE
BUILDINGS, THE HOUSES, WHO ARE
GIVING FOOD BOXES.
WE'RE DOING EVERYTHING.
>> Reporter: AS WELL INTENTIONED
AS THE STREET, AS THEY CALL IT,
MAY BE, THE CRITICISM IS THAT
IT'S STILL A LONG WAY OFF FROM
FORMING A CREDIBLE, UNITED AND
ELECTABLE OPPOSITION CAPABLE OF
BREAKING THROUGH THE OLD
SECTARIAN LINES.
MARGARET EVANS, CBC NEWS,
BEIRUT.
>> Andrew: WELL, TENSIONS OVER
CANADA'S RETURN TO THE CLASSROOM
HAVE MADE NEW TARGETS OF SOME OF
CANADA'S TOP DOCTORS.
>> I THINK I'VE LOST A BIT OF MY
TRUST BECAUSE I FEEL LIKE AT THE
MOMENT THEY ARE JEOPARDIZING THE
KIDS' HEALTH FOR THE ECONOMY.
>> Reporter: UP NEXT, PROVINCIAL
MEDICAL HEALTH OFFICERS HAVE
GUIDED CANADIANS THROUGH THIS
PANDEMIC.
NOW CRITICS WORRY THAT POLITICS
HAS CREPT IN.
>>> PLUS, THEY'VE SMASHED
RECORDS, SOLD MILLIONS OF
ALBUMS, AND NOW A NEW LEVEL OF
SUPERSTARDOM FOR B.T.S.
*
DEBUTING AT THE TOP OF THE
BILLBOARD CHART, THAT'S NEXT.
>>> AND AFTER UMPIRING BASEBALL
GAMES FOR 53 YEARS, THE
NEWFOUNDLAND LEGEND HANGS UP HIS
CLEATS.
>> THIS, THIS IS MY HOME.
>> Andrew: WE'RE BACK IN TWO.
>> Andrew: AFTER MONTHS OF BEING
THE TRUSTED VOICES IN THIS
PANDEMIC, SOME OF CANADA'S TOP
PUBLIC HEALTH OFFICIALS ARE
FACING SOME PUBLIC CRITICISM.
AS SUSANA DA SILVA EXPLAINS,
IT'S ROOTED IN CONTENTIOUS
PROVINCIAL BACK-TO-SCHOOL PLANS.
>> TO BE KIND AND TO BE CALM AND
TO BE SAFE.
>> Reporter: FOR MONTHS,
DR. BONNIE HENRY HAS HAD NEAR
HERO STATUS IN THIS PANDEMIC,
GUIDING B.C. THROUGH THE FIRST
WAVE IN HER SIGNATURE CALM
STYLE, BUT WITH COVID CASES
CLIMBING AND BACK TO SCHOOL JUST
AROUND THE CORNER, SHE'S NOW
BEING CRITICIZED IN PART FOR
THIS.
>> WE'RE GOING TO WASH OUR HANDS
A LOT.
>> Reporter: IT'S A GOVERNMENT
AD PROMOTING B.C.'S PLAN IN A
CLASSROOM WITH LOTS OF SPACE AND
VERY FEW CHILDREN.
>> I THINK THEY'VE LOST A BIT OF
MY TRUST BECAUSE I FEEL AT THE
MOMENT THEY'RE JEOPARDIZING THE
KIDS' HEALTH FOR THE ECONOMY.
>> Reporter: DR. HENRY AND THE
PROVINCIAL GOVERNMENT SAY IT WAS
NEVER MEANT TO SHOW WHAT ACTUAL
CLASSROOMS WILL LOOK LIKE.
>> PUBLIC HEALTH IS SUPPOSED TO
BE OUTSIDE OF THIS KIND OF
POLITICKING.
>> Reporter: THIS EXPERT IN
PUBLIC TRUST SAYS HENRY MAY HAVE
STEPPED TOO FAR.
>> HELPING SELL A POLITICAL
IMAGE OF BACK TO SCHOOL, AND
THAT'S WHERE THE POLITICS AND
THE SCIENCE SEEM TO GET TOO
CLOSE TOGETHER.
>> Reporter: ALBERTA'S
DR. DEANNA HINSHAW IS BEING
CRITICIZED FOR A WEEKEND HEALTH
ORDER SAYING PHYSICAL DISTANCING
IS NOT REQUIRED IN THE
CLASSROOM.
THE TEACHERS ASSOCIATION CALLED
IT A STUNNING REVERSAL.
HINSHAW SAYS THE MESSAGE HASN'T
CHANGED AND THE TIMING WASN'T
MEANT TO HIDE IT.
>> Premier Jason Kenney: I THINK
IT'S UNFORTUNATE THAT SOME
POLITICAL ACTORS ARE TRYING
CONSTANTLY TO SCORE POLITICAL
POINTS AGAINST OUR HIGHLY
QUALIFIED PUBLIC SERVANTS.
>> PART OF THE PROBLEM IS WE PUT
HEALTH AUTHORITIES LIKE BONNIE
HENRY UP ON A PEDESTAL, AND IF
YOU'RE GOING TO PUT THEM UP ON A
PEDESTAL, YOU'RE INEVITABLY
GOING TO BE DISAPPOINTED.
>> Reporter: ANOTHER FACTOR,
FATIGUE OVER MESSAGES HEARD FOR
MONTHS, BUT MANY SAY IT IS
CRUCIAL NOT TO LOSE PUBLIC TRUST
NOW.
>> IT'S GOING TO BE HARD TO EARN
THAT BACK LATER ON WHEN SHE
NEEDS A LOT OF PUBLIC BUY-IN,
FOR EXAMPLE, THE FUTURE COVID
VACCINE.
>> Reporter: ESPECIALLY MOVING
INTO THE FALL WHEN HEALTH
OFFICIALS HAVE SAID ALL ALONG
THINGS COULD GET MORE
CHALLENGING.
SUSANA DA SILVA, CBC NEWS,
VANCOUVER.
>> Andrew: WHEN WE COME BACK, WE
HEAR FROM ONTARIO TEACHERS
GETTING READY FOR A SCHOOL YEAR
LIKE NO OTHER, AND THEY'RE
NERVOUS ABOUT IT.
>> THEY HAD OVER FOUR MONTHS TO
PLAN FOR SCHOOL OPENING.
>> REALLY TO ME IS A NON-PLAN.
>> I WISH THAT THERE WOULD HAVE
BEEN EARLIER ACTION.
>> Andrew: A FEW DAYS TO GO AND
SOME TEACHERS IN THE TORONTO
AREA TELL US THEY STILL FEEL
LIKE THEY'RE IN THE DARK ABOUT A
SAFE RETURN TO SCHOOL.
THEIR CONCERNS FOR THE STUDENTS
AND THEMSELVES, NEXT.
>>> PLUS, THE DOCTOR BLAMED FOR
A COVID OUTBREAK IN NEW
BRUNSWICK SPEAKS OUT.
SUSPENDED, SHAMED AND SUBJECT TO
RACIST ATTACKS, HIS STORY COMING
UP.
>> Andrew: ACROSS THE COUNTRY,
THE RETURN TO SCHOOL IS UNDER
WAY.
KIDS ARE HEADING BACK TO CLASS,
AND MANY OF THEM CAN'T WAIT.
>> I AM VERY EXCITED!
>> I'M REALLY EXCITED FOR A LOT
OF PEOPLE I KNOW, IT'S LIKE ALL
YOU CAN THINK ABOUT.
>> I'M HAPPY!
>> Reporter: WHY?
>> BECAUSE I LOVE GOING TO
KINDERGARTEN.
>> Andrew: WAITING FOR THEM
INSIDE, NEW RULES, NEW
PROTOCOLS, AND OF COURSE THEIR
TEACHERS.
NOW THOSE TEACHERS WILL ALSO
HAVE NEW RULES TO GET USED TO.
SOME OF THEM STILL BEING WORKED
OUT, WHICH ALL MAKES HEADING
BACK TO SCHOOL REALLY ANXIOUS
TIME.
WE SPOKE TO FOUR TEACHERS FROM
THE TORONTO AREA.
>> HI, I'M MICHELLE APTEKAR, A
PREP COVERAGE TEACHER.
I LOVE BEING A TEACHER.
I LOVE BEING WITH ALL THE KIDS
AT SCHOOL, SEEING PARENTS.
WHEN THEY ARE GRATEFUL AND
YOU'VE ACHIEVED SOMETHING WITH
THEIR CHILD, THERE'S NO BETTER
FEELING.
>> HI, MY NAME IS DIANA
WANG-MARTIN AND I'M A CHEMISTRY
TEACHER.
WHAT I LIKE MOST ABOUT BEING A
TEACHER IS WORKING WITH THE
STUDENTS, TEACHING THEM NOT JUST
CHEMISTRY BUT TEACHING THEM
SKILLS THAT WILL BENEFIT THEM IN
THEIR FUTURE.
>> HI, MY NAME IS RACHEL LUKE,
AND I TEACH ENGLISH AND DRAMATIC
ARTS IN ESL.
I LOVE CREATING LESSON PLANS AND
INTERESTING AND ENGAGING THINGS,
AND I LOVE TO SEE STUDENTS
ACHIEVE SUCCESS.
I THINK THAT'S THE BEST THING
ABOUT TEACHING.
>> I'M AARON CAPPEL.
I'M A VOCAL MUSIC TEACHER AT AN
ELEMENTARY SCHOOL.
*
* BUT I WON'T BACK DOWN
I LOVE MAKING MUSIC WITH OTHER
PEOPLE.
IT IS, LIKE -- IT'S AMAZING FOR
THE SPIRIT AND FOR THE SOUL, AND
I GET TO DO THAT FOR MY JOB.
I'M SO LUCKY.
I MISS IT.
I'D LIKE TO GET BACK TO IT.
>> I'M WORRIED ABOUT GOING BACK
TO WORK FOR MANY REASONS.
FIRST BEING MY HEALTH AND THE
HEALTH OF MY FAMILY.
I'M AN ASTHMATIC.
I'M SCARED TO BE EXPOSED TO SO
MANY CHILDREN.
SUPPOSED TO BE TEACHING NINE
CLASSES WITH ABOUT 200 CHILDREN.
I HAD PNEUMONIA A FEW TIMES IN
THE LAST FIVE YEARS, SO IT'S
VERY SCARY.
IT'S NERVE-WRACKING.
>> IN MY SITUATION, I'M VERY
WORRIED ABOUT MY FAMILY HEADING
BACK TO SCHOOL.
MY HUSBAND AND I ARE BOTH
TEACHERS, AND WE HAVE A SON IN
ELEMENTARY SCHOOL.
SO THE THREE OF US ARE ALL
HEADING BACK TO SCHOOL.
WE'RE WORRIED ABOUT THE
VENTILATION SYSTEM.
SOME PARTS OF THE SCHOOL IN THE
PAST, BEFORE PANDEMIC EVEN, WAS
REALLY COLD AND SOME PARTS WERE
REALLY HOT.
I'M WORRIED ABOUT MY CLASSROOM.
MY SCHOOL RIGHT NOW IS
UNDERGOING RENOVATIONS, AND SO I
AM VERY CONCERNED THAT THE
SCHOOL, WHICH IS ALREADY SMALL,
WILL HAVE OVER A THOUSAND
STUDENTS WALKING IN THE SPACE,
85 TEACHERS, AND NOW THAT WE
HAVE RENOVATIONS, IT'S ABOUT
HALF THE SIZE, AND WE'RE ALL
GOING TO BE MOVING AROUND IN
THAT SPACE.
>> I'M WORRIED ABOUT BRINGING
THE VIRUS BACK HOME TO MY
FAMILY.
I'M ALSO WORRIED ABOUT SPREADING
THE VIRUS AMONGST THE COMMUNITY.
MY NUMBER ONE JOB AS A TEACHER
SO TO MAKE SURE THAT THEY'RE --
STUDENTS ARE SAFE, AND I TAKE
THAT RESPONSIBILITY VERY
SERIOUSLY, AND IT'S VERY
ANXIETY-PROVOKING TO BE THIS
CLOSE TO THE START OF THE SCHOOL
YEAR AND NOT BE CONFIDENT THAT
WE CAN DO THAT.
>> I WISH THE GOVERNMENT WOULD
MANDATE SMALLER CLASS SIZES.
SOCIAL DISTANCING AS IT IS
OUTSIDE OF SCHOOL, SO NOT ONE
METRE.
THE KIDS SHOULD BE TWO METRES
APART.
ALL CHILDREN SHOULD BE IN MASKS,
BUT THEY ARE WEARING MASKS
OUTSIDE OF THE SCHOOL, SO LET'S
TRY TO BRING THAT INTO SCHOOL.
IT PROTECTS ME.
>> THEY HAD OVER FOUR MONTHS TO
PLAN FOR SCHOOL OPENING, AND
WE'RE THREE WEEKS AWAY WITH VERY
LITTLE PLANNING.
I WISH IT WERE PROPERLY FUNDED
SO THAT EACH CLASS HAS NO MORE
THAN 15 STUDENTS.
I DON'T UNDERSTAND WHY CHILDREN
AS YOUNG AS TWO, THREE YEARS OLD
HAVE TO WEAR MASKS IN INDOOR
PUBLIC SPACES BUT DON'T HAVE TO
WEAR MASKS WHEN THEY ARE IN
SCHOOL ALL DAY LONG.
>> WE NEED TIME TO BE IN THE
SCHOOL AND TO TAKE A LOOK AT
EVERYTHING AND MAKE SOME
DECISIONS ABOUT OUR CLASSROOMS,
ABOUT THE SPACE, ABOUT HOW THIS
IS GOING TO WORK.
I FEEL LIKE A DECISION WAS JUST
MADE.
IT REALLY TO ME IS A NON-PLAN.
>> I WISH THAT THERE WOULD HAVE
BEEN EARLIER ACTION SO THAT
BOARDS WOULD HAVE HAD MORE TIME
TO PLAN, AND THEN THE
INFORMATION COULD COME FILTER
DOWN TO THE STAFF EARLIER
BECAUSE WE STILL DON'T HAVE ANY
INFORMATION ABOUT HOW THE SCHOOL
YEAR IS GOING TO LOOK.
>> EMOTIONALLY, THIS HAS BEEN
REALLY DRAINING.
IT'S BEEN VERY CONSUMING.
IT FEELS LIKE I DON'T KNOW MY
LEFT FROM MY RIGHT.
I DON'T KNOW WHERE I'M GOING,
WHAT I'M DOING.
I DON'T KNOW WHAT MY SEPTEMBER
LOOKS LIKE.
>> IT'S BEEN VERY STRESSFUL
THINKING ABOUT SCHOOL OPENINGS.
I HAVE NOT BEEN ABLE TO SLEEP.
I'VE BEEN WAKING UP MULTIPLE
TIMES A NIGHT JUST VERY ANXIOUS,
VERY STRESSED OUT.
>> IT'S UNBELIEVABLE.
I'M VERY, VERY STRESSED.
I FEEL VERY ANXIOUS.
ANY TIME I SPEAK TO MY
COLLEAGUES, I FEEL MYSELF
GETTING HEART PALPITATIONS.
>> IT'S BASICALLY ALL-CONSUMING.
WHAT I'M REALLY TRYING TO DO IS
NOT THINK ABOUT IT,
UNFORTUNATELY, SO I'M NOT
PLANNING FOR SCHOOL BECAUSE WHEN
I SIT DOWN TO START THINKING
ABOUT WHAT TO DO FOR MY SCHOOL
YEAR, IT MAKES ME SICK TO MY
STOMACH.
>> I'M VERY TORN ABOUT GOING
BACK TO SCHOOL.
I REALLY WANT MY NORMAL BACK.
I WANT TO BE WITH THE KIDS THAT
I TEACH.
I WANT TO BE WITH MY COLLEAGUES.
I WANT TO BE PART OF THAT
COMMUNITY AGAIN.
BUT ON THE OTHER HAND, MY HEALTH
PLAYS A HUGE ROLE IN IT.
>> WE DON'T REALLY HAVE A
CHOICE.
WE HAVE TO GO BACK.
NOT HAVING THE CHOICE MAKES US
VERY ANXIOUS, BUT THERE'S NOT
MUCH WE CAN DO.
>> SO MY PARENTS LIVE WITH ME
AND I'M THE PRIMARY CAREGIVER,
SO MY WORST FEAR IS TO GET MY
PARENTS SICK.
IF I'M A CARRIER AND I BRING IT
HOME TO THEM, THAT WOULD BE MY
WORST FEAR.
I HAVE FRIENDS IN THE UNITED
STATES THAT BROUGHT IT HOME TO
THEIR PARENTS AND UNFORTUNATELY
THAT RESULTED IN DEATH.
SO I HAVE A LOT OF FEAR ABOUT
WHAT COULD HAPPEN, AND I DON'T
WANT TO HAVE TO CARRY GUILT WITH
ME IF THAT IS THE CASE.
>> I SEE 18 DIFFERENT CLASSES
EVERY WEEK.
IF THE NUMBERS STAY WHAT THEY
ARE, THE GOVERNMENT HAS SAID THE
CLASS SIZES ARE GOING TO REMAIN
THE SAME, THAT'S ABOUT 450 TO
500 DIFFERENT STUDENT CONTACTS
EVERY WEEK.
*
* I GOT JUST ONE LIFE
*
THAT'S REALLY HARD FOR ME TO
WRAP MY HEAD AROUND RETURNING TO
AFTER RESTRICTING MY SOCIAL
INTERACTION IN NINE PEOPLE FOR
THE PAST FEW MONTHS.
*
* AND I WON'T BACK DOWN
>> Andrew: WELL, NEXT ON "THE
NATIONAL," A DOCTOR'S STORY.
>> IT'S NOT BASED IN FACTS.
IT'S ALSO NOT BASED IN FAIRNESS.
>> Andrew: WHAT HAPPENED AFTER A
DOCTOR WAS BLAMED FOR A COVID-19
OUTBREAK IN NEW BRUNSWICK.
HE SPEAKS TO "THE FIFTH ESTATE"
RIGHT AFTER THIS.
>> Andrew: IN APRIL, NEW
BRUNSWICK BECAME THE FIRST
PROVINCE TO EMERGE FROM THE
STRICT LOCKDOWNS OF COVID-19.
BY LATE MAY, IT HADN'T HAD A
CASE FOR TWO WEEKS, BUT ALL THAT
CHANGED WHEN A DOCTOR IN A SMALL
TOWN TESTED POSITIVE.
THAT UNLEASHED AN AVALANCHE OF
ANGER HIS WAY, SOME OF IT
RACIST.
NOW THE CBC'S "FIFTH ESTATE" HAS
HIS STORY.
IN HIS FIRST TELEVISION
INTERVIEW, DR. NGOLA TELLS JUDY
TRINH WHAT HAPPENED.
>> Reporter: IN THIS BORDER
TOWN, THE RESTIGOUCHE RIVER
SEPARATES NEW BRUNSWICK FROM
QUEBEC.
THIS IS CAMPBELLTON.
SEVEN YEARS AGO IT EMBRACED THIS
IMMIGRANT DOCTOR FROM THE
DEMOCRATIC REPUBLIC OF CONGO.
>> YOU CAN GO TO CAMPBELLTON TO
ASK WHAT KIND OF PHYSICIAN IS
DR. NGOLA.
I LOVE THIS POPULATIONS, BUT IN
ONE DAY EVERYTHING WAS
DESTROYED.
>> THEY PUT THIS PHOTO ALREADY
ON THE INTERNET.
>> Reporter: EVERYTHING CHANGED
ON MAY 27, THE DAY HIS COVID
TEST CAME BACK POSITIVE.
WITHIN AN HOUR, NGOLA'S NAME WAS
LEAKED ONLINE, BLAMED FOR
SPREADING THE VIRUS, AND THEN
SUBJECTED TO RACIST ATTACKS ON
SOCIAL MEDIA FOR WEEKS, LIKE
THIS ONE, CALLING FOR HIS
LYNCHING.
>> THAT ATTACK, YOUR PICTURES,
EVERYWHERE, ON PEOPLE BECOME
THIS GUY, HE'S A SOMALI REFUGEE,
HE COME HERE, HE BRING THE
DISEASE TO SPREAD EVERYWHERE.
>> Reporter: THREE HOURS LATER,
THE PREMIER POINTED TO THE
DOCTOR AS A SOURCE OF A NEW
OUTBREAK IN CAMPBELLTON.
>> A MEDICAL PROFESSIONAL WHO
TRAVELLED TO QUEBEC FOR PERSONAL
REASONS WAS NOT FORTHCOMING
ABOUT THEIR REASONS FOR TRAVEL
UPON RETURNING TO NEW BRUNSWICK,
AND THEY DID NOT SELF-ISOLATE AS
A RESULT.
>> Reporter: THE PREMIER DID NOT
NAME NGOLA DIRECTLY IN HIS NEWS
CONFERENCE, BUT TWO HOURS AFTER
HIS REMARKS THE DOCTOR WAS
SUSPENDED WITHOUT PAY FROM HIS
JOB AT THE CAMPBELLTON HOSPITAL.
THEN AROUND SUPPERTIME HE WAS
NOTIFIED THAT HIS 4-YEAR-OLD
DAUGHTER ALSO TESTED POSITIVE
FOR COVID-19.
HIS LIFE WAS IN TATTERS WITHIN
SIX HOURS.
>> MEDICINE FOR ME IS MY LIFE.
I LOVE MEDICINE.
I LOVE MEDICINE.
BUT TO BE SEPARATED WITH MY
PATIENTS, IT WAS ALSO A SHOCK
FOR ME.
>> Reporter: SOON NGOLA WAS
UNDER A POLICE INVESTIGATION,
ALL BECAUSE HE TRAVELLED TO
MONTREAL TO PICK UP HIS DAUGHTER
AFTER HER MOTHER FLEW TO AFRICA
TO ATTEND A FUNERAL.
BEFORE LEAVING CAMPBELLTON,
NGOLA CALLED THE PROVINCIAL
COVID HOTLINE.
HE SAYS HE WAS TOLD HE DIDN'T
HAVE TO SELF-ISOLATE WHEN HE
RETURNED BECAUSE HE WAS AN
ESSENTIAL WORKER.
>> THEY TOLD ME THAT YOU ARE A
PHYSICIANS.
THERE IS NO PROBLEM.
>> Reporter: JOEL ETIENNE IS
NGOLA'S LAWYER.
HE SAYS THE DOCTOR WAS
SCAPEGOATED FOR THE OUTBREAK AND
WILL SUE.
>> CALLING ON THE
CRIMINALIZATION OF SOMETHING
THAT IS NOT CRIMINAL, MAKING
ACCUSATIONS, SINGLING OUT
WITHOUT ANY EVIDENCE.
THE PROVINCE DECIDED TO ACT IN A
FASHION THAT WAS COMPLETELY
CONTRARY TO HOW IT SHOULD HAVE
BEEN ACTING WITH RESPECT TO
EVERY OTHER CITIZEN.
>> Reporter: THE CAMPBELLTON
OUTBREAK GREW TO MORE THAN 40
CASES AND SPREAD TO A LONG-TERM
CARE HOME WHERE TWO RESIDENTS
DIED.
NGOLA'S LEGAL TEAM HIRED A
FORMER RCMP OFFICER TO DO THEIR
OWN CONTACT TRACING.
THE PROCESS TOOK 30 DAYS.
>> IT'S VERY, VERY UNLIKELY THAT
HE'S PATIENT ZERO.
THERE'S SO MANY OTHER
POSSIBILITIES FOR THAT, AND IT
DOESN'T APPEAR TO ME THAT ANY OF
THESE POSSIBILITIES HAVE BEEN
EXAMINED UNTIL DR. NGOLA
RETAINED HIS COUNSEL.
>> Reporter: THE INVESTIGATOR
RE-TRACED NGOLA'S ROAD TRIP ON
MAY 12 FROM CAMPBELLTON TO
MONTREAL.
HE SPENT THE NIGHT AT HIS
BROTHER'S HOUSE THEN LEFT THE
NEXT MORNING WITH HIS DAUGHTER.
HE BROTHER WOULD LATER TEST
NEGATIVE FOR THE VIRUS.
SHORTLY BEFORE NOON, NGOLA STOPS
IN TROIS-RIVIÈRES AND MEETS WITH
TWO LOCAL DOCTORS TO TALK ABOUT
JOINING THEIR PRACTICE.
THEY SPEAK FOR ABOUT 20 MINUTES.
>> THE MEETING IN
TROIS-RIVIÈRES, YOU'RE
PHYSICALLY DISTANCED.
>> PHYSICALLY DISTANCED AND MASK
AND GLOVES.
>> AFTER THAT THEY STOP TO BUY
GAS AND FOOD.
BY 6 P.M. THEY'RE AT THE BORDER
IN EDMUNDSTON AND HOME BY NINE.
AND HOME BY NINE.
EPIDEMIOLOGISTS SAY IT'S
UNLIKELY NGOLA WAS INFECTED.
>> OVERALL, I MEAN, IT'S A SHORT
TIME.
HE WASN'T IN CONTACT WITH A VERY
SMALL NUMBER OF PEOPLE.
IT WOULD SEEM THAT THE RISK
WOULD BE REASONABLY LOW OF
HAVING ACTUALLY BEEN IN CONTACT
WITH COVID-19 AND CONTRACTED IT
DURING THAT TIME, BUT NOT
IMPOSSIBLE.
>> WE DO NOT KNOW IF HE'S
PATIENT ONE, ZERO, FOUR OR FIVE.
WE DON'T -- WE'RE NOT PRIVY TO
THAT INFORMATION.
>> Reporter: GERMAN TANG WAS
NGOLA'S BOSS, THE CEO OF THE
VITALITÉ HEALTH NETWORK
SUSPENDED THE DOCTOR FROM
WORKING IN THE CAMPBELLTON
HOSPITAL.
HE SAYS IT WAS BECAUSE NGOLA
BROKE THE COVID PROTOCOL, NOT
BECAUSE OF POLITICAL PRESSURE.
>> I WOULD SAY THAT THINGS
HAPPENED VERY QUICKLY AND THAT,
YOU KNOW, FROM OUR ANGLE, THE
SITUATION WAS THAT DR. NGOLA WAS
SUPPOSED TO INFORM US IF HE WAS
LEAVING THE PROVINCE.
>> Reporter: NGOLA BELIEVES HE
GOT THE VIRUS FROM WORKING IN
THE EMERGENCY ROOM.
90 CAMPBELLTON HOSPITAL WORKERS
OR 10% OF STAFF LIVE IN QUEBEC
AND CROSS OVER DAILY.
THE HOSPITAL DEPENDS ON THE HELP
OF MORE THAN 20 DOCTORS FROM
OUTSIDE THE PROVINCE TO PROVIDE
SERVICES.
THESE DOCTORS DON'T ISOLATE, AND
20% OF THE HOSPITAL'S PATIENTS
ARE FROM QUEBEC.
>> NOT BASED IN FACTS.
IT'S ALSO NOT BASED IN FAIRNESS.
THIS IS BEYOND THE CONTROL OF
HUMAN MEASURE.
>> Reporter: PLANNING FOR
RE-ELECTION, THE PREMIER IS
UNAPOLOGETIC.
>> I HAD NO KNOWLEDGE OF THE
INDIVIDUAL UNTIL IT APPEARED IN
SOCIAL MEDIA.
SO THE CONCERN THAT I'VE HAD
THROUGHOUT THIS PANDEMIC IS THAT
WE HAVE TO BE CAUTIOUS.
>> Reporter: IN THE MEANTIME,
NGOLA IS FOCUSED ON BUILDING A
PRACTICE IN A DIFFERENT SMALL
TOWN, THIS TIME IN LOUISEVILLE,
QUEBEC WHERE AS A DOCTOR HE
DOESN'T HAVE TO CROSS BORDERS TO
SEE HIS DOCTOR.
-- SEE HIS DAUGHTER.
JUDY TRINH, CBC NEWS, GATINEAU.
>> Andrew: A NEW BRUNSWICK RCMP
SAY IT HAS CLOSED ITS
INVESTIGATION INTO DR. NGOLA.
HE WON'T BE CHARGED BUT COULD
STILL FACE A HEFTY FINE FOR
VIOLATING THE PROVINCIAL
EMERGENCY SERVICES ACT.
THAT COULD BE AS MUCH AS
$10,000.
>>> WELL, NEXT ON "THE
NATIONAL," A NEW B.T.S.
BREAKTHROUGH, DEBUTING THEIR
NEW SINGLE AT THE TOP OF THE
BILLBOARD CHART.
>> AN ENGLISH SONG SUNG BY
PEOPLE WHO SPEAK KOREAN AS A
FIRST LANGUAGE, AND TO HAVE THAT
HIT THE TOP OF THE CHARTS,
THAT'S THE BEAUTY OF IT.
*
>> Andrew: "DYNAMITE" BLOWS UP
RIGHT AFTER THIS.
*
>> I'M JOSH BLOCH.
TOMORROW ON CBC'S DAILY NEWS
PODCAST, "FRONT BURNER,"
THOUSANDS OF STUDENTS IN QUEBEC
HAVE RETURNED TO SCHOOL.
WE'LL TALK ABOUT WHAT THAT MIGHT
TEACH US ABOUT CHALLENGES AHEAD
FOR THE REST OF THE COUNTRY.
SUBSCRIBE WHEREVER YOU GET YOUR
PODCASTS.
*
*
>> Andrew: WELL, YOU HEARD IT.
IT'S CALLED "DYNAMITE" BY B.T.S.
THE K-POP GROUP'S NEWEST SINGLE,
ALL IN ENGLISH, JUST RELEASED
AND ALREADY A HISTORY MAKER.
IT'S THE FIRST SONG BY AN ALL
SOUTH KOREAN GROUP TO TOP THE
BILLBOARD'S HOT 100 CHARTS IN
THE U.S.
AS ELI GLASNER EXPLAINS, THAT
INSTANT SUCCESS IS THE PRODUCT
OF YEARS OF HARD WORK.
*
*
>> Reporter: CALL IT A BOP OR A
JAM, WHAT "DYNAMITE" IS IS A
RECORD-BREAKER, SMASHING THE
RECORD FOR THE MOST YouTube
VIEWS IN 24 HOURS BEFORE MAKING
A DEBUT AT THE TOP OF THE
BILLBOARD HOT 100 CHART, A FIRST
FOR A SOUTH KOREAN BAND.
>> I PERSONALLY REALLY ENJOYED
IT.
I'M STILL WAITING TO COVER IT
MYSELF.
>> Reporter: THIS FAN MAKES HER
OWN K-POP PARITY VIDEOS.
SHE SAYS "DYNAMITE" IS ALREADY
CREATING CONVERTS.
>> I PLAYED IT FOR MY NON-K POP
FRIENDS, AND THEY ARE LIKE, OH,
WOW, WHAT SONG IS THIS?
IT'S SO CATCHY, AND I'M GONNA GO
SEARCH IT UP, AND ONE OF MY
FRIENDS COULDN'T STOP WATCHING
THE MUSIC VIDEO, AND SHE'S A
NON-FAN.
>> Reporter: THIS MUSIC WRITER
SAYS IT'S ALL PART OF THE B.T.S.
BLUEPRINT FOR SUCCESS.
>> BEFORE THE TRACK WAS EVEN
RELEASED THEY PUT OUT A
TEN-SECOND TEASER AND THERE WAS
ALREADY, LIKE, A DANCE CHALLENGE
ON TIKTOK ABOUT
"DYNAMITE," AND PEOPLE
SPECULATING THE CHOREOGRAPHY.
>> Reporter: "DYNAMITE" IS JUST
THE LATEST SMASH FOR THE KOREAN
SUPERGROUP WHO SOLD OVER 20
MILLION PHYSICAL ALBUMS IN SEVEN
YEARS.
LAINEY LUI IS A B.T.S. BELIEVER.
SHE CREDITS THE FAN BASE, BUT
ALSO SAVVY PLANNING.
>> VERY FEW ARTISTS RELEASE THIS
MUCH NEW MUSIC IN ONE YEAR, BUT
THEY TOOK ADVANTAGE OF
"DYNAMITE," THE FACT THAT THEY
HAD NEVER RELEASED AN
ALL-ENGLISH SONG.
THEY FELT LIKE THE WORLD NEEDED
A POSITIVE SONG RIGHT NOW.
*
>> Reporter: SHE ADMITS HAVING A
LITTLE TREPIDATION ABOUT THEM
SINGING IN ENGLISH, BUT NOT
AFTER SHE HEARD IT.
>> THEY'RE SINGING IN ACCENTS.
THEY ARE SINGING IN NOT
WHATEVER, WHATEVER PERFECT
SOUNDING ENGLISH IS SUPPOSED TO
LOOK LIKE, THAT IS NOT THE
QUEEN'S ENGLISH.
*
FOR ME PERSONALLY, I'M NOT
KOREAN, I'M CHINESE.
MY PARENTS SPEAK WITH ACCENTS,
SO IT'S SO RELATABLE ON THAT
LEVEL, BUT IT'S SO MEANINGFUL
AND POWERFUL ON THAT LEVEL.
>> Reporter: POWER TO CHANGE THE
VERY SOUND OF POP MUSIC ITSELF.
ELI GLASNER, CBC NEWS, TORONTO.
*
>> Andrew: IT IS KIND OF CATCHY.
>>> NEXT ON "THE NATIONAL,"
HANGING UP HIS CLEATS AFTER
DECADES ON THE DIAMOND.
>> ST. PAT'S BALLPARK HERE IS
BASICALLY MY SUMMER HOME SINCE
1958.
>> Andrew: A NEWFOUNDLAND SPORTS
LEGEND UMPIRES HIS LAST BASEBALL
GAME RIGHT AFTER THIS, BUT
FIRST . . .
>> GOOD EVENING, SEÑORES.
[Speaking Foreign Language]
>> Andrew: COVID-19 MAY BE
-- MAY HAVE DISRUPTED MANY
THINGS, BUT NOTHING CAN STOP THE
DANCE OF LOVE.
PP
THIS IS THE 2020 WORLD TANGO
CUP.
NORMALLY HELD IN A BUENOS AIRES
STADIUM, THIS YEAR HELD
VIRTUALLY FROM SUBMISSIONS SENT
FROM STUDIOS, BALLROOMS AND
LIVING ROOMS AROUND THE WORLD.
>> Andrew: BUT THE HOPE IS THIS
WAS THE LAST VIRTUAL
COMPETITION.
AFTER ALL, THERE'S ONLY SO MUCH
DANCE PASSION A TINY APARTMENT
FLOOR CAN TAKE.
>> Andrew: WE WANT TO SHOW YOU
ST. PAT'S BALLPARK IN
ST. JOHN'S.
NOW TO YOU IT MIGHT SEEM LIKE A
REGULAR OLD BASEBALL DIAMOND,
BUT FOR THIS LOCAL SPORTS
LEGEND, IT'S ANYTHING BUT
REGULAR.
IT IS A TRUE FIELD OF DREAMS.
TONIGHT CARL LAKE RETIRES FROM
HIS LIFELONG CAREER AS A LOCAL
UMPIRE.
HIS FAREWELL TO THE JOB HE LOVES
IS OUR "MOMENT."
*
>> THIS IS MY HOME.
>> Andrew: CARL LAKE IS A LEGEND
IN NEWFOUNDLAND.
HE'S BEEN CALLING GAMES AT
ST. PAT'S FIELD FOR 53 YEARS.
>> IT'S THE ST. PAT'S BALLPARK
HERE, IT'S BASICALLY MY SUMMER
HOME SINCE 1958.
I CAME DOWN HERE WITH THE KIDS
ABOUT THAT HEIGHT, CAME DOWN TO
WATCH A BASEBALL GAME, AND I
HAVEN'T LEFT SINCE.
>> Andrew: HIS HEART CAPTURED,
HE STARTED OFF HAWKING HOTDOGS
IN THE STANDS.
DECADES LATER, THE MAGIC STILL
THERE.
>> IT'S THE MYSTIQUE OF BEING
HERE, THE PEOPLE YOU'VE MET, THE
PEOPLE YOU'VE KNOWN OVER THE
YEARS.
YOU CAN HEAR THE GHOSTS OF
PEOPLE DOWN HERE WHEN THEY PLAY.
>> Andrew: OFF THE DIAMOND, CARL
HAS DEDICATED HIS LIFE TO LOCAL
SPORTS, COVERING JUST ABOUT
EVERY SPORT FOR JUST ABOUT EVERY
OUTLET.
HE NOW RUNS A WEBSITE THAT
COVERS LOCAL GAMES AT ALL
LEVELS.
>> THAT IS LOVE OF SPORTS,
TRYING TO PROMOTE THE LOCAL
TEAM.
YOU CAN GET NATIONAL ANYWHERE,
BUT LOCAL HAS ALL OF A SUDDEN
BEEN SUBSIDIZED.
>> Andrew: TONIGHT HIS LIFE-LONG
LABOUR OF LOVE AT ST. PAT'S PARK
COMES TO AN END.
CARL MADE HIS LAST CALL.
HIS DOCTORS TOLD HIM IT WASN'T
SAFE TO KEEP UMPIRING, BUT HE
WANTED TO DO ONE LAST GAME.
>> IT MEANS A LOT TO ME, MEANS A
LOT TO MY FAMILY, AND TO MY
UMPIRE FRIENDS.
IT'S HOME, IT'S ALMOST LIKE
HAVING -- I WAS INTENDED TO BE
HERE.
I DON'T KNOW WHY, BUT I'M
INTENDED TO BE AT ST. PAT'S.
>> Andrew: YEAH, AND FOR THAT
REASON, I DON'T BUY IT.
I DON'T THINK IT'S HIS LAST --
PEOPLE LIKE HIM, THEY JUST KEEP
GOING AND I TRUST THAT HE WILL
FIND A WAY.
MAYBE HE'LL THROW A FIRST PITCH
OUT NEXT YEAR'S SEASON.
THAT'S "THE NATIONAL" FOR THIS
TUESDAY, SEPTEMBER 1.
GOOD NIGHT.
*
*
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"pile_set_name": "YoutubeSubtitles"
} |
[cheering]
MAN: We begin this
half an hour
with one of the hottest
scenes in music,
thousands of people
coming out for the
Coachella Music Festival.
As far as the lineup goes,
it will include artists
like Beyoncé,
The Weekend,
and Post Malone.
Coachella has
the tradition of having
classic performers.
Madonna's been there,
Paul McCartney played
Coachella.
WOMAN: Some of
the biggest names in music,
of course, uh, Radiohead,
the Black Keys.
Many, many, many others.
ALL: [chanting]
Billie, Billie, Billie...
BILLIE EILISH:
I was very nervous about it.
which I've never felt, ever,
from a show.
And I was trying to
think about why I was,
and I was, like,
because it's a big deal,
Billie, that's why.
Everybody knows
what Coachella is.
Even if you don't care
about music, you know.
The Coachella Valley
Music and Arts Festival
wrapped up yesterday.
It's a huge concert,
goes over two weekends.
A right of passage
for any Millennial
is attending Coachella.
This is not a rock concert.
This is not Coachella.
RK for the chaos,
Coachella!
[cheering]
♪♪
We'd like to make
an announcement
that we just booked
another show.
We will be doing Sunday Service
at Coachella.
[cheering]
♪♪
ICE CUBE: The biggest artists
in the world do Coachella,
so, you know,
the pressure's there
to bring it.
WOMAN: You cannot escape it,
and it became Beychella.
Beyoncé took it over
this weekend.
♪♪
More people talkin' about
your performance.
You know, you open up
the paper the next day,
see 'em talkin' about
what you did,
not what three acts
before you did.
This morning, the most
talked about concert on
the planet
was a weekend performance
from someone who's been dead
for 15 years.
Make some noise for Tupac!
[cheering]
You're gonna be judged, man,
when you hit Coachella's stage.
And it's gonna be talked about
for the rest of the year.
So you better get
your shit right.
♪♪
MAN: Make some noise
for Post Malone!
[cheering]
KASKADE:
Coming from my world,
they've always been
extremely welcoming.
I think the programming's
always been
extremely progressive.
They put everything on
from Rock or Hip Hop
to electronic music.
Coachella has been able to
facilitate a space for
all of these styles of music
to exist.
You know where you are?
You in the jungle,
Coachella!
♪♪
MOBY: I played '99.
1999, which I think was
the first Coachella.
I remember Paul Tollett,
who was one of the guys
who started Coachella,
told me he had this idea
of starting a festival
in the middle of the desert.
And it seemed like
a remarkable idea,
but I didn't expect it
to actually work.
♪♪
Coachella, y'all ready?
[cheering]
HUELL HOWSER:
Tell everybody
where we are.
ROBERT DEL MAS: We are at
the Empire Polo Club
in Indio, California.
HUELL HOWSER:
Okay, now, this polo club
is where it all happens,
right here.
That's where the main stage
would be, right there.
This whole area
was just teeming
-with people.
-Yes.
HUELL HOWSER:
It's hard to believe it.
PASQUALE ROTELLA:
Some people see Coachella now
and they think,
oh, that's a no-brainer.
Coachella's beautiful, right?
It's a beautiful venue.
It's easy.
It was difficult.
I took the concert promoter,
Goldenvoice,
several years
to make it happen.
And if it wasn't for
Goldenvoice's roots,
I don't think that Coachella
would be what it is today.
♪♪
[static]
MAN:
Ladies and gentlemen...
"I Fought the Law and I Won."
♪♪
♪ Drinkin' beer
in the hot sun ♪
♪ I fought the law
and I won ♪
♪ I fought the law
and I won ♪
STEVE APPLEFORD:
Everything that Coachella is
is rooted in the early days
of Goldenvoice.
and the punk rock shows
that Gary Tovar did.
WOMAN: Hey, Gary!
This is Gary Tovar,
a great promoter of
the punk scene.
Do you have something to say?
Oh, well, I hope this venue
survives tonight.
GARY TOVAR:
When I started doing concerts,
the punk rock that I did,
it was too wild
for a lot of people.
They-- They couldn't handle it.
[static]
MALE REPORTER:
Punk's roots began in
England in the 1970's,
appealing to a group of
lower income teens
who were out of work
and out of hope.
Now, a new wave of punk
is coming to the affluent
middle class,
and that trend is
beginning here in Hollywood.
♪♪
It was the time
when it was dangerous
to book events like that.
They would break up the place,
there'd be fights.
GARY TOVAR:
I didn't like violence,
but there was a lot of
violence in the '80s,
and a lot of slam dancing,
and a lot of stage diving.
You had to have
a certain commitment to
the music and the scene
to be involved,
and Gary Tovar, you know,
he had resources and interest,
and a passion for it,
and became a folk hero
of the punk scene.
GARY TOVAR: I think
the music speaks for itself,
and, um,
I don't take anything
to the point of where
I'm going to be judgmental.
And I don't think
anybody else should, either.
♪♪
PAUL TOLLETT:
My brother Perry and I
were promoting SKA shows
in Pomona
at small halls, pizza places,
things like that,
and we'd heard that
Goldenvoice was gonna
start doing shows in Pomona.
So we drove down to Long Beach
to tell them, you know,
stay out of here, you know,
give 'em a piece of our mind.
So they came over thinking,
oh, this guy's a big promoter,
he's coming to take over Pomona,
or somewhat, right?
PAUL TOLLETT:
But we met Gary, and
he was just the coolest.
We hit if off instantly.
We talked all night,
and he gave me
a box of fliers that night
to pass out.
and that was the first day
I worked at Goldenvoice.
♪♪
You know, the punk scene
really changed by '87 or '88.
It kind of had waned off.
Then there was acts like
Jane's Addiction, Fishbone,
Chili Peppers,
really helped Goldenvoice
still remain relevant.
♪♪
[cheering]
PERRY FARRELL:
Back in those days,
Los Angeles was the epicenter
for young, up and coming music.
People would go out to see
groups that weren't even signed.
♪ Jane says ♪
♪ I'm done with Sergio ♪
♪ He treats me
like a rag doll ♪
♪ She hides... ♪
PAUL FARRELL:
Jane's Addiction,
when we were coming up,
we started in the underbelly
of Los Angeles.
And I would go to Goldenvoice
and I'd say,
"Look, fellas, I want to work
with you guys as promoters."
They were, first and foremost,
fans themselves.
DANI LINDSTROM:
Our offices were upstairs
at the Hollywood Palladium.
It was literally
just five people...
booking shows,
a-- all my favorite bands,
getting to watch
the sound check
for any bands playing
at the Palladium.
It was, like,
the dream job.
MIKE ROCCHIO:
Goldenvoice was in
a prime position to
seize that
alternative rock scene
where the big promoter in town
was clueless of it.
You know,
they were still booking
Janet Jacksons or something.
And that really helped fuel
the growth of Goldenvoice
from a small punk promoter
into a real player.
[cheering]
[indistinct chatter]
PAUL TOLLETT:
In the early '90s,
we were doing all these bands,
you know, Nirvana
and Chili Peppers,
and it looked like
we were doing great,
but we were really
struggling financially.
These shows weren't
making money,
but, uh, Gary had
a business on the side
selling weed.
GARY TOVAR:
I involved myself with
a group of people,
we were all marijuana smokers
and surfers at the beach.
We didn't want to just go get
marijuana from the border,
which was terrible.
We wanted to bring
the highest quality,
and it came from
the other side of the world,
so that's what I did.
It was the "Just Say No"
period.
Last year alone,
over 10,000 drug criminals
were convicted,
and nearly $250 million
of their assets were seized
by the DEA.
GARY TOVAR:
The federal government
investigated me for
four years.
And then things
started happening
and I knew I was gonna get
an indictment.
PAUL TOLLETT:
In March of '91,
he got arrested,
and from then on,
he was out of the business.
We bought the company
from Gary,
and didn't use the Goldenvoice
name for a while.
Thought maybe
the cops would call us,
but they never did.
GARY TOVAR:
After I went away,
all I hoped was
they could keep it going.
And they did.
Next week, Congress
is going to hold hearings
on ticket pricing.
The hearings
come at a time when
the nation's top rock band
is accusing the biggest
ticket distributor in
the business
of unfair practices
and price gouging.
MALE REPORTER: Ticketmaster
refused to reduce its fees
low enough to suit Peal Jam.
The band cancelled its tour.
Our main concern is
are we entitled to use
a different company
other than Ticketmaster,
and right now,
so far we haven't been
able to, you know,
find an alternative
that's viable.
MIKE ROCCHIO:
Ticketmaster had a lock
on all the largest venues
in southern California
to be able to perform at.
And I think Pearl Jam
approached Paul
and said something like,
you guys can land the gig
if you can put us in a place
that isn't
a Ticketmaster venue.
PAUL TOLLETT:
So Pearl Jam was gonna
skip Los Angeles,
and we talked them into
maybe Palm Springs.
And so we drove up to
Palm Springs,
couldn't find anyplace,
but someone told us
there's a polo field
out in Indio.
It was even further.
MIKE ROCCHIO:
We were just, like,
first off, where--
Indio, California, and
what are you talkin' about?
And we've gotta drive east
and not west to a show?
PAUL TOLLETT:
We drove out to Indio.
It really felt far.
You know,
farther than it does now.
So how was the drive?
[cheering]
PAUL TOLLETT:
We put it on sale,
and sold, I think,
25,000 tickets.
It was super low budget,
just a stage in
the middle of the field,
but it was still special.
♪♪
MIKE ROCCHIO: Of course,
the lure of that whole show
was that there was
this phenomenon of shoes
coming on stage.
I mean, 100 pairs of shoes
at least,
and one of them hit
Eddie Vedder in the head.
So the band went behind
the thing and played
behind their equipment,
and came back out.
Me and Jeff are gonna go to
the front gate...
and when you guys exit,
we're gonna
beat the shit out of every
barefoot person here.
[cheering, applause]
PAUL TOLLETT:
In the 90s, the bands
we were close to,
Pearl Jam, Nirvana
and Chili Peppers,
the started to explode.
But they grew too fast.
We couldn't afford, really,
to do the--
the arenas where
they could sell out.
So I started paying attention
to the rave scene
as it was starting
to bubble up.
WOMAN:
Rave is a British import
that caught on here within
the last two years.
A typical rave party
usually takes place in
an abandoned warehouse.
♪♪
MAN: This very
rapidly changing subculture
even has its own voice
in the form of a monthly
magazine publication
known as URB.
Raymond Roker,
editor of URB magazine,
explains his views
on the strengths
and progressions
of rave culture.
Well, I mean,
I-- I started just
going to clubs
like, you know,
everybody else did,
uh, the clubs that
just started to break off
the mainstream,
you know, path.
♪♪
RAYMOND ROKER:
Early '90s was a really
interesting time.
You had underground music,
you had, uh,
underground club culture,
and also this electronic sound.
PAUL TOLLETT:
I'd been hanging out a lot
with Raymond Roker,
and I just loved
his magazine so much.
Every issue was just
jammed pack full of things
I'd never heard of.
It was just mind blowing.
♪♪
Like punk rock,
the rave scene had
its own world.
And it was just
so different than everything
that we were doing.
♪♪
RAYMOND ROKER: You know,
I don't know how many events
he got involved with,
but he invested in some.
He invested in Organic,
which was like, you know,
this incredible outdoor
electronic music concert.
♪♪
Here we are in the lovely
Snow Valley ski resort,
and we're not going to ski.
We're here for
the biggest rave event
that's ever taken place in
the northern hemisphere.
This is truly the first,
you know, all night
festival or rave
that is similar to
what happens in the U.K.,
and they haven't really
had that here in Los Angeles.
PAUL TOLLETT:
Organic was different than
any of the other raves.
This was almost like bands--
Chemical Brothers,
Orb, Orbital.
I remember hearing
Rez from Underworld
about 6:00 a.m.
in the morning.
It was just a feeling
I never had.
♪♪
PAUL TOLLETT:
All these things are
seeds for the future.
It's like everything
along the way
you pick up these
little tips, you know,
from the early
Goldenvoice days,
and then you see
electronic raves going on,
then you're at Organic
and you thought,
I want to do something
that has a combination of
the rock bands that
we're close to,
and also all these new artists
that are popping up.
so set out to, uh,
put on an event
that married all of this
together.
MIKE ROCCHIO:
The Paul at some point
in the summertime
went to all the U.K. festivals
and European festivals,
then came back and I remember
sitting in his office one time
and he was, like, hey,
I'm thinking about starting
a music festival
out at that venue
we did Pearl Jam at,
and I'm thinking about
calling it Coachella,
and I remember thinking,
Coachella?
That's an awful name.
♪♪
DAVE RAT:
I remember Paul
coming up to me,
and he said,
"I got this idea.
"We want to do a big festival
in the desert,
and we want to have
all these bands play."
We talked about
all kinds of stuff,
even the name.
He said, "Well,
I'm gonna call it Coachella,"
and I remember
arguing against the name.
I said, "Ah,
don't call it Coachella.
That's a terrible idea."
Yeah, mo-- most people said,
you know,
just don't call it Coachella.
Especially Coachella Valley
Music and Arts Festival.
It's a little clunky.
MOBY:
As far as I knew,
the idea of, like,
a European style festival
in the United States
was sort of unprecedented.
So when Paul first started
Coachella,
I thought it was-- it was
really a little baffling.
DAVE RAT:
In the U.S.,
the concept or the thinking
is that it just doesn't work.
The American public
is not compatible
with gathering in
a large group without
beating the shit out of
each other.
FEMALE REPORTER:
Woodstock '99,
a weekend of rock and roll
in upstate New York
ended with fire and vandalism
late last night.
KURT LODER: This is
a very dangerous situation.
Everyone is trying to
get out of here.
I think we're going to go.
[police radio chatter]
FEMALE REPORTER:
As the three-day concert
ended Sunday night,
bonfires blazed out of control,
and looters battled police.
We announced Coachella
the Monday after Woodstock
cause it was all pre-prepped,
and it was just
a total disaster.
People laughed, like,
why would you do this right now?
Woodstock is on the news
on CNN,
how terrible everything was,
all the riots.
Trying to sell tickets
when everyone is saying
how bad festivals are,
it was pretty much impossible.
♪♪
The city wanted to cancel it,
and they just thought,
"How can you bring
a version of Woodstock '99
to our desert?"
And we weren't even thinking
it was related.
We had never thought about
Woodstock at the time,
we were just caught up in our
southern California scene.
And in our mind,
we wanted to be in
the tradition of
the California festivals.
♪ All the leaves are brown ♪
♪ All the leaves
are brown ♪
PAUL TOLLETT:
We wanted to have
the feeling of Monterey Pop,
Cal Jam, Us Festival,
the whole California
laid back vibe.
The reputation for festivals
at that point was not--
was not very good.
It was a dirty experience,
it was a muddy experience,
you had to wear Wellies
up to your knees.
I think Paul was
trying to create
a southern California version.
♪ If I was in L.A. ♪
♪ California dreamin' ♪
MOBY:
Some European festivals
have this amazing energy,
but a lot of times
they're really cold,
they're really muddy,
and pouring down with rain.
Whereas, you go to Coachella,
and like, it's a polo field.
RAYMOND ROKER:
So Goldenvoice
invited some friends
to come see the space.
and the instant I saw it,
I just said,
"This cracks the code.
"This is something special.
This is going to be
something special."
♪♪
♪♪
♪ Sleep on and ♪
♪ Dream of love ♪
♪ Because it's
the closest you will get ♪
♪ To love ♪
♪ Poor ♪
♪ Twisted child ♪
♪ Oh, hug me ♪
♪ Please hug me ♪
♪ One November ♪
Z-TRIP: Coachella was
just starting that year,
and the thing that
I loved about it
is it was culturally and
sonically and musically a hub
where all of these people
came together.
♪♪
There really weren't festivals
at the time
that were bringing in rock,
electronic,
hip hop,
and mixing them all together.
You know, there's this
cross polinization that happens,
you can't help but walk by
a tent and hear something
and it draws you in and
you just get exposed to
new music.
♪♪
♪ So sleep and ♪
♪ Dream of love ♪
RAYMOND ROKER:
I think the first Coachella
had roughly
35, 40,000 people that
came over the two days.
The event looked terrific.
Everybody was excited by it.
MIKE ROCCHIO: We liked
the vastness of the field
and the different stages,
and the fact that you could
walk around the field barefoot
at the time
was something that you just
didn't experience very often
at a concert.
The heat was
a little unbearable that year,
but the vibe of everyone
who was there, I think,
everyone was pretty happy
with the whole situation.
We all saw the potential.
Thank you.
[cheering]
RAYMOND ROKER:
From the outside,
it looked like
an amazing success.
But the math didn't work.
It lost a lot of money.
And Goldenvoice was
an independent company
at the time,
so there wasn't anybody to,
like, bail it out.
Well, it was dicey because
we had no money to begin with,
and then we lost $850,000
or a million, we don't know.
You know?
We didn't have accounting,
but it was-- it was nasty.
So bad that I got
kicked out of the bank.
Personally.
Like, not even just
the company,
I was on the something
called Check Guard.
I wasn't allowed to
cash a check anymore.
RAYMOND ROKER:
But, like, Goldenvoice
could have died a few times.
But definitely could have died
when Gary went to prison.
GARY TOVAR:
I could have filed for
bankruptcy when I left.
I didn't do that.
We paid our bills instead.
You know, my lawyer was--
was thinking what--
what's wrong with you.
You know, you--
keep your money
and let--
let everybody hanging,
but no, I didn't
want to do that,
and I think it was
a wise choice
'cause when they needed help,
after the first Coachella,
the people stepped forward
and said that
we were always good to them.
PAUL TOLLETT:
The only reason we even
were able to keep going
is we had a good reputation.
Rage Against the Machine
and Beck, you know,
they gave us money off.
Don Muller and Marc Geiger,
the producers of Lollapalooza,
really helped us financially.
Everyone one of 'em,
it was, like,
"Oh, pay us later,
you're good for it."
And it's weird,
at the time I thought, like,
uh, it's-- you know,
we're not really a good loan.
I'm not so sure
you should do this.
At the same time,
AEG built Staples Center,
and they were looking to
get in the concert business.
We cut a deal with them.
They came to us and said,
"Why don't you find shows
for us at the Staples Center,
and become a concert promoter
for us?"
We're, like, sure,
no problem.
They said,
"And you should do
Coachella again."
We're, like, "Really?
It lost a lot of money.
Are you sure?"
♪♪
Yes, we lost the first time.
Now we're coming back,
we've got a partner,
and we start
looking for bands,
kind of the last minute
because we cut our deal
pretty late.
♪♪
Struggling for headliners,
there's no one out there.
I mean, having no headliner
means you have no show.
We're like, what about
Jane's Addiction?
♪♪
PERRY FARRELL:
After Lollapalooza,
I was done.
I just ripped
all my clothes off,
signifying I was gonna be like
a newborn baby when I got home.
RAYMOND ROKER:
Rick Van Santen,
who was Paul's partner,
came to Paul and said,
"I think I can reach out
to everybody,
and we might be able to
get them back together to
perform.
So Rick was, I guess,
put in charge to kind of
try to get me to do it,
and, uh, I would do
almost anything
Rick wanted me to.
♪♪
♪ You know,
oh, oh, oh, oh, oh ♪
MIKE ROCCHIO:
And so they were able to do
another show,
but I don't think 2001,
the next year, the second year
of Coachella,
necessarily made
a ton of money.
PAUL TOLLETT:
We did that show,
that was great,
but it was just one day,
we couldn't find anyone else.
So it was just a one-day show.
And it was fun but
we made dumb mistakes.
We forgot trashcans.
Just really rookie stuff,
you know?
♪♪
2002...
I feel that the year
we didn't make a mistake.
Didn't really make any money
financially,
but didn't lose that much.
All the artists were on time,
no one's equipment melted down,
it was just really--
really a good thing.
♪ A blueprint ♪
♪ Of the pleasure ♪
STACY VEE:
I started in 2002.
I remember watching Bjork
just so beautifully pregnant.
Up there in the wind
and she just, like,
looked so glamorous
and exquisite.
♪ A secret code carved ♪
♪ In me ♪
PAUL TOLLETT:
That's when music
changed a little bit.
There was a little bit more of
an indie rock scene.
You know, the New York scene
started coming through.
♪♪
♪ Get so scared of ♪
♪ Get so scared of ♪
♪ Shake, shake, shake,
shake, shake, shake,
shake, shake ♪
♪ Shake, shake, shake, shake,
shake, shake, shake, shake ♪
STACY VEE:
Coachella was just, like,
really heating up.
All these, like,
indie New York darling bands
came around,
and it was so exciting
for everybody.
♪ Out of the righteous
and onto the... ♪
PAUL TOLLETT:
Like, you love that world.
An the U.K. bands,
and the NME bands,
LCD and-- and, uh,
Strokes and White Stripes
and these things for
the next few years
was just ruling everything.
It was awesome.
♪ Thirty notes
in the mailbox ♪
♪ Will tell you that
I'm comin' home ♪
♪ And I think I'm gonna
stick around ♪
♪ For a while
so you're not alone ♪
♪ For a while so
you're not alone ♪
♪♪
STACY VEE:
Goldenvoice was still
a really small company,
so it was just like
hands-on everything,
everybody does everything.
♪♪
PAUL TOLLETT:
2004, that was the first year
we turned a profit.
It was Radiohead,
Pixies, Kraftwerk.
It was just this combo that
was just too good.
And everyone
wanted to buy a ticket.
♪♪
DANI LINDSTROM:
We didn't do one in 2000
to kind of recover,
and then '01, '02, '03,
it's just getting bigger,
bigger, bigger,
and then '04 just seemed like
we can't get any bigger
than this, this is crazy.
♪♪
PHILIP BLAINE:
It was not until 2004
with Radiohead,
finally, it was like
fully attended
and fully realized
as this is what it looks like
with a lot of people here.
♪♪
PAUL TOLLETT:
So now we felt like
there's gonna be a future
for the show.
It was always on the chopping
block up until then.
It was always,
every time we did one,
we thought it was gonna be
the last.
[indistinct chatter]
All rightey.
-Can we go on now?
-Yeah.
MAN: Are we goin' on now?
[cheering]
PAUL TOLLETT:
Jane's Addiction
was the beginning,
Pixies was like,
okay, this is a thing
that people like.
Getting a band that hasn't
played in a long time
back together.
♪♪
RAYMOND ROKER:
The Pixies, I think,
were as surprised as anybody
that there was
this level of interest.
So to be brought out of that,
to be put on the stage,
and then have people
receive it so warmly,
and to do such a good show.
♪ You're into your
Japanese fast food ♪
♪ And I drop you off with
your Japanese lover ♪
♪ You're going to
the beach all day ♪
♪ You're so pretty when
you're unfaithful to me ♪
RAYMOND ROKER:
It was now the new
kind of benchmark.
♪ You're lookin' like
you've got some sun ♪
It was such a big moment for
the band and for us
just to be part of them
getting back together,
and pulling off
this big moment.
♪ Uh-oh, uh-oh,
uh-oh, uh-oh ♪
♪ Your bones got
a little machine ♪
PERRY FARRELL:
Paul seeks 'em out.
I mean, like,
he runs around in his head,
"Who can I
bring back together?"
And I don't know if it
started by accidentally
asking us if we would do it
because he was our friend,
but whatever for
whatever reason, man,
he's got a good thing going.
♪♪
DANIEL ASH: Bauhaus is
so long ago to me now.
I remember
the first time around,
we were just beginning to get
really big,
and, uh, we quit.
Boom. And it stayed--
we don't--
we just-- we quit,
and it's--
You know, it's a very
English thing to do.
DAVID J:
I remember very clearly
the phone call from
Paul Tollett
to do Coachella.
I played it cool and simple.
That's very interesting, Paul.
I'll have a word with
the others and, uh,
I'll get back to you.
Put the phone down,
I was like-- Yes!
The opening features Peter
hanging upside-down,
which was Peter's
brilliant idea.
I knew that I had to
physically practice
because there's a time limit
of something like 15 minutes,
I think,
before you pass out,
and it's a long song.
DAVID J:
The original idea was
to release bats,
hundreds of bats,
into the audience at dusk,
but they looked into and
you cannot have a bird release
after 5 p.m. for some reason,
and bats, apparently,
are considered to be birds
under these circumstances,
um, and, uh, it was also the--
the twin peril of, uh--
of rabies and bat shit.
♪ White on white
translucent black capes ♪
♪ Back on the rack ♪
♪ Bela Lugosi's dead ♪
♪ The bats have left
the bell tower ♪
♪ The victims
have been bled ♪
♪ Red velvet lines
the black box ♪
♪ Bela Lugosi's dead ♪
♪♪
NIC ADLER:
I had a lot of friends
working on the show.
Goldenvoice, at that time,
they were building Coachella,
would come to the Roxy
and drop off--
Here's a pack of 20 tickets.
Please come out to this place
called Indio.
We were like,
"Yeah, we might go to that."
And then I remember, like,
year six or seven, we're like,
"That's weird.
Goldenvoice didn't come by
and drop any tickets off."
And there was that switch
in the festival where
you literally saw it turn into
something that you had to do,
you had to be at.
[cheering]
PAUL TOLLETT:
Madonna, I was friends
with her manager...
♪ Time goes by ♪
♪ So slowly ♪
I was like, what about
Madonna for Coachella?
I'm like, wow,
that's crazy,
I mean, my headliners
are booked.
Well, what about
the dance tent?
I'm like,
that's incredible.
It's so different
for Coachella,
so when we put
the poster out,
I made sure it said
"in the tent"
to really set the pace for
what that show was gonna be.
[cheering]
♪♪
♪ Every little thing
that you say or do ♪
♪ I'm hung up ♪
♪ I'm hung up on you ♪
♪ Waiting for your call,
baby, night and day ♪
♪ I'm fed up ♪
♪ I'm tired of
waitin' on you ♪
♪ Time goes by so slowly ♪
STACY VEE:
It was packed.
There are so many people
who love Madonna,
but might not buy a ticket
to go to a Madonna concert,
but since she's like
right over there,
everybody went.
♪ Time goes by ♪
♪ So slowly ♪
RAYMOND ROKER:
It was a sign that
the show was growing up,
that there was, like--
there were stars here.
♪ Time goes by ♪
I would argue that
she was the first star
to play the show.
♪ Every little thing,
every little thing ♪
♪ I'm fed up ♪
[cheering]
BECK: If I'm in town,
I usually go as a fan.
because it's, you know,
the state of music.
It's the, pretty much,
everything that's happening
in music at the-- at the moment.
AMY WINEHOUSE:
I'm really excited to be here.
Oh. I'm so excited
to be here, like, um--
like, I'm not a very
organized person,
but this is one thing that
everybody has said to me,
wait until you
get to Coachella.
[cheering]
I-- I'm so excited to be here.
♪ Well, sometimes
I go out by myself ♪
♪ And I look across
the water ♪
♪ And I think of
all the things ♪
♪ Of what you're doing ♪
♪ In my head
I paint a picture ♪
STACY VEE:
I just remember
that being, like.
a super energetic time where
the appetite for people,
they just wanted
in everything,
new music, new music,
new music.
then, like, the most popular
things on the poster
were the things
they didn't know.
♪ Won't you come on over ♪
♪ Stop making
a fool out of me ♪
♪ Oh, why don't you
come on over, Valerie ♪
♪ Valerie ♪
STACY VEE:
Everybody was just
so into music discovery.
SHEPARD FAIREY: Coachella,
when you look at it,
there's no-- there's no one
cohesive genre,
it's just more cohesive in
the idea that good is good.
You know? That you don't
define it by category.
♪ All the good people
wanna rescue ♪
♪ All the smart people
wanna talk to you ♪
♪ All the clever people
wanna tell you ♪
♪ All the little people
wanna dance, it's true ♪
♪ Cloud, block out the sun ♪
ROSANNA ARQUETTE:
For the first years
of Coachella,
I would always go as a fan
and see the great bands,
and I asked Paul
if I could, you know,
interview people,
and I-- I think I could get
really good interviews,
and they said,
yeah, let's do that,
and we-- we did.
Hey, everybody,
it's Rosanna Arquette.
I'm here backstage
with Calvin Harris.
Here with Norman Cook
live from Coachella.
And we are with Justice.
Roger Waters.
Sir Paul McCartney.
The Specials.
It was my most favorite job
I ever had in my life.
The guys from Portishead,
Geoff and Adrian.
Nobody said no.
And it would be like a joke,
like, well, you're never
gonna get Lauryn Hill.
It's just not gonna happen.
Thank you so much.
Who inspires you?
I'm inspired by beauty.
I'm inspired by love,
I'm inspired by things
that I see come together.
♪ Us ♪
♪ V. them ♪
♪ Over and over again ♪♪
[cheering]
RZA:
The one thing you guys did
that was more special than
anything to me,
you guys brought
Rage Against the Machine back.
And when that happened,
y'all,
that's when it-- you know,
I always said to myself
Wu-Tang will play Coachella
one day.
Good evening, we are
Rage Against the Machine
from Los Angeles, California.
[cheering]
RZA: Now it's exactly
a year ago when I saw him,
he didn't seem very keen on
the industry
or what it stood for.
So for a guy like that
to come out,
okay, it's something serious,
I-- it's-- it's a more--
he didn't come out for
no money.
You can't get him
out his house for money.
-Right. Right, right, right.
-You know what I mean?
♪ Uh! ♪
♪ The movie ran through me ♪
♪ The glamour subdue me ♪
CHUCK D:
Rage Against the Machine
is self explanatory, man.
The songs--
especially when they
speak to some truth
and freedom, man--
you really can't
fuck with that.
PERRY FARRELL:
They're one of the great groups
to ever come out of
Los Angeles,
so everybody
waits until the day
that they're ready
to play again.
♪ And it's right outside
the door ♪
♪ Now testify! ♪
♪ Now testify! ♪
♪ It's right outside
the door ♪
♪ Testify! ♪
PERRY FARRELL:
And the next time they
do, we're gonna be
back on our hands and knees
beggin' 'em,
because they
turn the crowd on that much.
♪ Mass graves for the pump
when the price is set ♪
♪ When the price is set ♪
♪ Mass graves for the pump
when the price is set ♪
♪ When the price is set ♪
PERRY FARRELL:
There's not that many groups
in the world, man,
that can do that,
and less and less and less.
♪♪
♪ Who controls the past now ♪
♪ Controls the future ♪
♪ Who controls
the present now ♪
♪ Controls the past ♪
♪ Who controls the past now ♪
♪ Controls the future ♪
♪ Who controls
the present now ♪
♪ Now testify! ♪
♪♪
♪ Now testify! ♪
♪ It's right outside
the door ♪
♪ Testify! ♪
♪♪
♪ Now testify! ♪
♪ The war is right outside
your door ♪♪
[cheering]
♪♪
♪ All along
the western front ♪
♪ People line up
to receive ♪
A-TRAK:
During the mid 2000s,
Coachella really
established itself as,
like, the ultimate
indie festival.
♪ Ooh, ooh ♪
♪ Shock me like
an electric eel ♪
♪ Baby girl ♪
♪ Turn me on with
your electric feel ♪
A-TRAK:
In popular understanding,
Coachella became kind of
this sacred indie temple.
♪ Baby girl ♪
♪ Turn me on with
your electric feel ♪
A-TRAK:
And then through the years,
the DJ presence at Coachella
became more and more
of a thing.
And then the Sahara tent
became almost like a party
unto itself.
I think it's important
to remind people that
in 1999,
festivals didn't have
the huge LED panels
that we know now,
and the-- the huge
stage production.
♪♪
MOBY:
You know, I felt like
for most of the '90s,
electronic music existed in
a place where,
if you weren't
an electronic music fan,
you generally didn't pay
that much attention to it.
One of the things that
I thought was kind of amazing
but odd about
the first Coachella
was that it was very
electronic music oriented
at a time, you know,
when electronic music
really was very,
very underground.
♪♪
SEN. JOSEPH BIDEN:
If I were governor of my state
or mayor of my town,
I would be passing
new ordinances
relating to stiff
criminal penalties
for anyone who held a rave;
The promoter, the guy
who owned the building.
I would put the son of a gun
in jail.
PASQUALE ROTELLA:
So 2001, 2002 was a really
tough time for dance music.
The DEA created
the Crack House Law
and went after not only venues
but event producers.
MAN: All right, you're gonna
have to clear this area.
PASQUALE ROTELLA:
The venues didn't want to rent
their facilities to you
and some of the producers
weren't even willing to
produce anymore.
[indistinct chatter]
The culture was almost
destroyed completely.
And you could have
not had dance music at
a festival at one point.
PAUL TOLLETT:
So the whole rave scene,
at that point, was on trial.
And law enforcement wanted us
to drop that type of music.
♪♪
PASQUALE ROTELLA:
In the early 2000s,
the scene was struggling,
but Coachella,
they kept... doing it.
And it was so great
for dance music.
♪♪
PASQUALE ROTELLA:
I am so happy Coachella
didn't jump on the bandwagon,
because when the events
are healthy,
that pushes the music forward.
♪♪
PAUL TOLLETT:
We had Sahara tent,
and we Dew Lab.
When Dew Lab started out,
it was just an art piece.
We barely were even
paying attention to 'em.
They were DJ-ing in there.
They've been an institution
for us ever since.
So we felt like
we were doing good
with electronic music.
ALL [chanting]:
Daft Punk, Daft Punk,
Daft Punk, Daft Punk...
PASQUALE ROTELLA:
Then Coachella 2006,
Daft Punk plays.
And people's minds get blown.
It, like,
changed people's lives,
including mine.
Forever.
[cheering]
JASON BENTLEY:
We didn't know what to expect.
And the first thing
that you hear is
the "Close Encounters"
melody.
♪ Do, do, do, do, doo ♪
And it was, like--
Ohhh.
[cheering]
And then you hear it again.
♪ Do, do, do, do, doo ♪
It's, like--
Ohhhh.
And then the curtain
slowly parts to reveal
this fucking pyramid
with these robots on top.
And you're like,
they are aliens.
They are not from planet Earth.
♪ Television ♪
♪ Rules the nation ♪
♪ Television ♪
♪ Rules the nation ♪
♪ Around the world ♪
♪♪
[cheering]
♪♪
JASON BENTLEY:
It was just such a
mind-blowing performance.
It was kind of the birth of
EDM right there.
♪♪
From that point on,
dance music needed to have
a giant spectacle on stage.
And so you could love it
or you could hate it.
I mean-- [chuckles]
But the fact is that
nothing was the same
after that performance.
♪ Rules the nation ♪
♪♪
STEVE AOKI:
And from that--
that moment, it was like--
I mean, it's all what DJs
would be playing all across
the country.
Wherever I was playing,
it was like,
Daft Punk, Daft Punk,
Daft Punk.
Then we would
always be doing, like,
the pyramid that they did
at Coachella.
♪♪
[cheering]
CARL COX:
As headliners here today,
it was just absolutely amazing.
And how they got embraced
by what they are
as-- as a group,
as an art-- as artists.
By the end of the day,
they brought, brought
the funk kind of sound
and the house music
to the table,
and-- and the new
electronic sound.
They're the ones
that were there first
before anyone else,
so for me to hear them today
was amazing.
♪♪
[cheering]
I think it's good.
We're gonna have
some good shows now.
♪♪
12TH PLANET:
Technologically speaking,
it's always new ideas
and new concepts
coming from the Sahara tent.
♪♪
DAVE RAT:
The new technology shows up,
and the artists with
the creativity
will utilize that technology
to push the limits
♪♪
Just on an audio/visual level,
regardless of who's
performing in there,
it's incredible.
PAUL VAN DYK:
I'm not scared of technology.
For me,
this is always something
that I use like a tool
to bring across what I have
in my head.
DAVE RAT:
It's the same thing as
having a muscle car.
Getting a V8 engine,
450 horse power,
it's big power.
When we get
those big subs in there
and light those things up,
it could blur your vision.
You could stand in front
and everything turns fuzzy.
One day, someone's gonna
bring in too many subs
and someone's just gonna,
like--
their stomach
is gonna explode.
Ugh!
♪♪
[cheering]
♪♪
TIESTO:
Social media made
a big difference.
Like, as soon as Facebook
and Instagram blew up,
EDM blew up,
because for years
it was held down
by people who control
the radio and television,
who control the media.
A-TRAK:
It was big, it was,
you know, felt like
you could tell that the bands
were starting to break,
that this festival culture,
this electronic music
youth festival culture
was... you know, like,
pushing other genres
out of the way,
like, we are here.
♪♪
Tiesto on the main stage
changed the game.
And Paul Tollett,
hats off for that booking
because I think that was--
that was a controversial choice.
TIESTO:
People were pretty, uh, shocked
that I played Coachella,
main stage.
And they were, like--
they didn't know what to expect.
KASKADE:
'Cause a lot of bands and,
like, traditional musicians
are, like,
you're not us, man.
Like, what, 'cause I don't
sit behind the drum and play
the drum?
Like it or not,
Tiesto's here and he's gonna
play on the main stage.
♪♪
A-TRAK:
And that proved a point that
large scale DJ culture
was becoming a real thing.
♪♪
[cheering]
PASQUALE ROTELLA:
No one had done that
at that time
at a multi-genre
music festival.
Taking a dance act
and having him play to
that large of an audience
was unbelievable
and something that...
pushed things forward
for the industry that
I love so much,
and the culture that
I love so much.
♪♪
STEVE ANGELLO:
At first, we felt that
the main stage was
a little big for us,
but we were like,
eh, you know what?
Let's try it and let's do
our best and pushed for it.
♪♪
KASKADE:
But it definitely
changed the sound
going from night clubs
to these big stages
that made everything bigger,
louder, more grand,
and now we've graduated to where
there's a pop element to it.
♪♪
DAVE IRELAND:
I think that happens
with any genre,
from hip hop to, you know,
to indie rock to whatever.
There's always just layers.
There's an underground,
more independent sound
that's more cultured,
and, I guess, takes a little
more digging to get to,
and there's the stuff
that's on the radio
that's more accessible.
[cheering]
PASQUALE ROTELLA:
People need not be afraid
of big dance acts
that have success,
because you can always
go find your house music
or your techno.
♪♪
JASON BENTLEY:
Yuma is a really
interesting innovation
because it's just
about the music.
It's more of the intimate
club experience
but on a larger scale
and at a festival.
♪♪
♪♪
The Yuma stage is very much,
you know, sort of like
the quintessential heads,
you know,
they know what they want.
That's my favorite type
of vibe.
There's no screens,
it's just music.
NINA: It's around
connecting to people.
JASON BENTLEY:
As we track the growth of
electronic music,
there doesn't seem
any end in sight.
People just seem to have
the drive to have
the time of your life.
♪ One, two ♪
♪ Everybody jump ♪
[cheering]
♪♪
DIPLO: I remember, like,
the second Major Lazer show,
and it was, like,
the most epic--
Sunset is sort of
the best time to play
at Coachella.
Nobody can tell you
differently.
Whether they say it's
headlining, whatever,
as long as it's sunset.
♪♪
A-TRAK:
EDM became a thing,
and through that, I think,
more and more people
in North America
finally got accustomed to
the sonics of electronic music,
'cause it used to be foreign.
It used to be
exotic and crazy.
♪♪
KASKADE:
I knew it was gonna be
a big moment in my career;
first time on the main stage
at Coachella.
This is the festival
the whole world looks at.
♪ Look into my eyes ♪
♪ Eyes ♪
♪ Are the windows
to the soul ♪
KASKADE:
I walked off stage
that first week,
and the guys who'd flown
the drone, they walk up,
and they're like,
"Dude, oh, my gosh,"
and they're freakin' out.
And they whip out an iPad
and it has the drone
footage on it.
And I'm just like--
Ahh!
We're all, like, screaming
looking at this thing,
like rewinding it,
like-- What?!
How far back does
the crowd go?
♪ Look into my eyes ♪
♪♪
And there's a big red blast
on the screen,
and you can see it just
lights the whole crowd up red.
♪ Look into my eyes ♪
♪♪
Whether the radio
wants to admit it
or whatever,
the TV,
I don't know what's goin' on,
but there's a movement,
and it's solidified,
and guess what?
It's been 20 years
in the making.
♪ Eyes ♪
♪♪
♪♪
[record scratching]
A-TRAK:
At the end of the day,
and I've said this
all throughout
the commotion of EDM,
I've always said this,
hip hop is, like,
the generational music
of North American youth.
♪♪
RAYMOND ROKER:
Early Coachella
definitely had hip hop.
You had hip hop DJs,
you had, like,
the Invisibl Skratch Piklz,
which A-Trak was part of
at the time.
[record scratching]
And that was like
the height of turntablism
in terms of, like, what
Echelon and those guys
were playing at.
♪♪
[cheering, applause]
But I think it was what
you would have expected
at the time,
it was the
festival friendly versions
of what was going on
in hip hop.
♪ Well, I'd like to know ♪
♪ If you got the notion ♪
♪ 'Cause we're number one ♪
♪ I'm not tryin' to say my
style is better than yours ♪
♪ I'm just on
some other shit ♪
♪ I'm all about
the beats and the lyrics ♪
♪ So when you hear it
you can feel it ♪
♪ The vibe is energized... ♪
RAYMOND ROKER:
And there was all this
alternative or underground
or backpack hip hop
or, you know,
really like college hip hop.
♪ 'Cause we take it back
like Robbin Loxly ♪
♪ Rockin' from
country sides to spots ♪
♪ Where hard rocks be ♪
RAYMOND ROKER:
If you really were
to get into, like,
culture and groups,
the fans of that hip hop
were--
I don't know if there was
majority white,
but it was largely white.
Um, and way more
over represented than...
southern hip hop
or like, you know,
Wu Tang inspired, like,
east coast hip hop,
uh, and gangster rap
and everything.
That hip hop had
a large black fan base.
♪ Motherfucker comin'
straight outta Compton ♪
♪ Crazy motherfucker
named Ice Cube ♪
♪ From the gang called
Niggaz With Attitudes ♪
♪ When I'm called off ♪
It wasn't that Goldenvoice
didn't have history
doing hip hop.
You know, Goldenvoice
had done early NWA concerts.
ICE CUBE:
It was a situation where
you know, rap music was
getting a black eye,
you know,
everywhere you looked.
Like, nobody wanted to have
anything to do with rap.
PAUL TOLLETT:
Yeah, I mean, hip hop
in Southern California in
the '80s was hard to place.
Uh, there was some violence
associated with it,
and many venues
didn't want to book it,
so that is code for
call Goldenvoice.
RAYMOND ROKER:
So the festival promoters
had a history
with doing hip hop,
but the festival setting itself
and festival culture was--
you know, was not as
multicultural as it is today.
♪♪
I mean, what's the template
for music festivals?
Woodstock.
There were not many
people of color at that show.
There were a handful,
but if you see the movie,
it's white girls
with flower crowns
and white guys with long hair.
So when you think festival,
that's what you think,
and, you know,
you could lose sight about
how important that
iconography is to people
in determining what they do
and how they celebrate music.
♪♪
So it took a while
for culture to merge.
And over time, it took,
like, early acts to kind of
break through,
so if you look at
the evolution of
hip hop early days,
it was everybody that
fit into that indie realm.
And then mid 2000s
you had the flirtations with
some of those bigger acts,
and ones that offered
a bit of crossover,
uh, the biggest one,
of course, being Kanye.
♪♪
A-TRAK:
I was at Coachella that year,
'cause I played with Kanye.
The Kanye performance
was kind of hilarious
because he showed up
at least 20 minutes late--
20 to 30 minutes late.
So we were onstage--
myself, the string section.
And it's show time,
and we knew Kanye
was on his way.
I don't think he knew
about the traffic
between L.A. and Indio,
specifically during
a day of Coachella.
♪♪
♪ Please believe... ♪
[crowd cheering]
A-TRAK: And long story short,
he showed up halfway
into the set.
And at a festival
like Coachella,
there's no wiggle room.
It can't be like,
"Okay, well, you can go
over a half hour."
'Cause someone else has
a set right after.
So he played a shortened set.
♪ Throw your diamonds
in the sky if you feel
the vibe ♪
♪ Forever ♪
♪ The Roc is still alive
every time I rhyme ♪
♪ Forever ever, forever ever,
ever ever ♪
I mean, Kanye
was always Kanye, right,
but when he first came out,
he was considered
in that more backpack realm.
♪ After debris settles
and the dust gets swept off ♪
♪ Big K pick up
where young Hov left off ♪
♪ Right when magazines
wrote Kanye West off ♪
♪ I dropped my new shit,
it sound like the best of ♪
♪ A&R lookin' like,
"Pssh, we messed up ♪
♪ Grammy night, damn right,
we get dressed up ♪
♪ Bottle after bottle
till we get next, uh ♪
♪ Yeah, he next up ♪
ROKER:
It took artists like that
that were kind of, like,
the testing grounds for hip-hop
at the festival.
You couldn't have just jumped
forward and put--
I mean, Lil Wayne was big
in the mid-2000s.
Jay-Z was big in the mid-2000s.
It was too early for that.
♪♪ [rapping continues]
♪ Power to make a diamond
with his bare hands ♪
♪ ...if you feel the vibe ♪
♪ Come on, come on ♪
♪ Roc is still alive
every time I rhyme ♪
♪ Forever ever ♪
♪ Ever ever ♪
♪ Ever ever, ever ever,
ever ever ♪
♪ Ever ever, ever ever ♪
♪ Ever ever,
ever ever ♪
♪ Ever ever, ever ever,
ever ever ♪
[crowd roars]
I look at every demographic,
like, man, hopefully I get
the college kids,
I wanna get the girls,
the little kids,
the older people,
the niggas from the streets,
backpackers.
-All that.
-You know?
[crowd cheering]
CROWD [chanting]:
Kanye! Kanye! Kanye!
-We gotta go?
-Yeah.
-We gotta go?
-Yeah, man.
-We can't sing one more?
-[crowd chanting]
A-TRAK! A-TRAK!
He can't do it, man.
I'm sorry, brother.
Well, it was the time when,
you know,
we had these artists
that were just blowing up
pretty quick.
♪♪
TOLLETT:
M.I.A., she was great,
because she worked up
the stages.
And every stage was crazy
every time.
♪♪
First time I ever played
a festival was Coachella.
That's my first festival ever.
♪♪
From my recollection,
the next big thing
was probably Jay-Z.
TOLLETT:
Well, what happened is,
we were promoting a festival
back in New York,
and Beastie Boys
were headlining it.
And we'd already had Beasties
at Coachella before.
And it was just so good.
♪ Well, now, don't you
tell me to smile ♪
♪ You stick around
I'll make it worth your while ♪
♪ My number's beyond
what you can dial ♪
♪♪ [continues]
TOLLETT: Some could say that's
the first hip-hop headliner.
But others, they were rock,
they were punk rock,
they were all these
different genres.
♪ I run the marathon
to the very last mile ♪
They certainly paved the way
for future hip-hop headliners.
♪ You've got gall,
you've got guile ♪
♪ Step to me,
I'm a rap-o-phile ♪
So we had Beastie Boys
on this festival in New York,
but they had to cancel.
So we got Jay-Z to fill in.
And when he came out,
he went straight into
"No Sleep Till Brooklyn."
♪ No sleep till ♪
♪♪
♪ Foot on the pedal,
never ever false metal ♪
♪ Engine running hotter
than a boiling kettle ♪
♪ My job ain't a job,
it's a pretty good time ♪
♪ City to city,
I'm running out of rhymes ♪
♪ On location,
tour around the nation ♪
♪ Beastie Boys
never on vacation ♪
TOLLETT:
And it was awesome.
♪ Do what I do 'cause
I'm willing and able ♪
I'm like, wow, Jay-z is that--
is that good live?
♪ Allow me
to reintroduce myself ♪
♪ My name is Hov ♪
♪ H to the O-V ♪
♪ I used to move snowflakes
by the O-Z ♪
TOLLETT: So we grabbed him
for Coachella.
♪ CEO of the R-O-C ♪
♪ Fresh out the fryin' pan,
into the fire ♪
♪ I be the music biz
number one supplier ♪
♪ Flyer than a piece
of paper bearing my name ♪
♪ Got the hottest chick
in the game wearing my chain,
that's right ♪
2010, Jay-z, that was like
a big breakout.
Fans were totally ready for it.
They were ready for it
musically.
They were ready
for his presence.
♪♪ [rap continues]
They were ready for
the show to take
on hip-hop at that scale.
♪ Let me tell you dudes
what I do to protect this ♪
♪ I shoot at you actors
like movie directors ♪
I think it was only
a matter of time
because everybody just
thinks that rap is cool.
Rap is cool.
There's nothing cooler than rap.
Rap is the coolest music ever.
Any kid that you catch
walking down the street
or driving down the street,
whatever,
they know Lil Wayne records,
they know Jay-Z records,
they know Kanye records.
BLAINE: Kanye came back in 2011
with an incredible
theater of a performance.
Broke yet new ground.
RZA:
First time I went to Coachella,
Kanye had invited me
the first time to Coachella.
And I went,
and I had a great night.
It was--
When I seen his show, actually--
At that time,
that was the best hip-hop show
I ever seen in my life.
[crowd cheering]
♪♪ ["Power" plays]
♪ I'm living in
that 21st century ♪
♪ Doing something mean to it ♪
♪ Do it better than anybody
you ever seen do it ♪
♪ Scream from the haters,
got a nice ring to it ♪
♪ I guess every superhero
need his theme music ♪
♪ No one man should
have all that power ♪
♪ The clocks ticking,
I just count the hours ♪
ROKER:
Just the way he took that stage
and took over that stage,
it was hip-hop as art.
♪ And they say ♪
♪ And they say ♪
♪ And they say ♪
♪ And we say ♪
♪ And they say ♪
♪ And they say ♪
♪ And they say ♪
♪ 21st Century schizoid man ♪
[crowd roars]
To do it
in that festival setting
was just one more step
in that march
towards just
the unstoppable beast
that would become,
like, the headliners.
♪♪
BLAINE:
That year we had Arcade Fire
which did the incredible
ball drop.
Awesome concept,
beautifully executed.
But there are few bands
that can even, like, bring that.
The rock headliners
of those years had
a harder time keeping up.
TOLLETT: That was the first year
where we started livestreaming
on YouTube.
That was the thing
that got us across the world.
It really was shocking.
You know, now all these
different countries are coming.
There was so much demand
that year.
More than 100,000 people
were shut out.
Thought about all these people
who didn't get to go
to Coachella.
VEE:
You know, he has a lot of ideas.
And I remember when
he said to me,
"What's the only thing
better than Coachella?
Two Coachellas."
ROKER: It was just such
an unprecedented move.
No one had a two-weekend event
like that.
And people thought that that was
just a selfish money grab...
which I can understand.
But it also made tons of sense,
'cause a lot of people
that wanted to go to the show
that couldn't go to the show.
TOLLETT: I always thought
about doing two weekends.
But we thought, "I'm gonna
run out of headliners.
if it's two different sets
of music."
So it hit me, like, "Every
single artist needs to repeat."
"Wait a second.
The same artists come back
and play a second time
a week later?
That's just weird."
I didn't even know how they
were gonna pull that off.
-♪ California love ♪
-Come on!
♪ Put your motherfuckin' dubs
in the air ♪
Sing this shit!
♪ California ♪
-♪ Knows how to party ♪
-What you say?
ROKER: It was hard to explain
the two-weekend concept to Dre,
'cause he didn't really know
a lot about Coachella
to begin with.
♪♪
But he knew about Burning
Man, because
him and Tupac bumped into it
when they were filming
that video.
It was the funniest thing.
♪ The city of Compton ♪
SNOOP: Hey, yo, Dre,
I think you should
welcome everybody.
♪ Now, let me welcome everybody
to the wild, wild west ♪
♪ A state that's untouchable
like Eliot Ness
♪ The track hits your eardrum
like a slug to your chest ♪
♪ Pack a vest for your Jimmy
in the city of sex ♪
TOLLETT: We lay out
what we wanna do with him
headlining Coachella.
He said, "I'd like to do it,
but I got this idea
about like a 3-D thing
or a hologram,
or-- I got this art thing."
I hope this ain't people's
first show seeing a concert.
After this one, you probably
don't want to see it.
It's kind of unfair
what Dre is doing
to the whole Coachella lineup
on Sunday.
It's all I gotta say.
What's the surprises?
Any surprises?
Everybody gonna come out,
that's all I gotta say.
-People are gonna cry?
-Yeah, people are gonna
fuckin' boo-hoo.
GREGG GILLIS:
A hologram came up,
and it was, like,
"Are we supposed
to celebrate this?
"Or be sad?
"Or is this disrespectful?
Or is this cool?
Or, like--"
It was complex.
It was a really complicated
thing that they did.
I felt like it didn't get
enough credit
for being, like, so crazy.
♪♪
♪ Yeah ♪
♪ Do you know who
the fuck this is? ♪
-What up, Dre?
-I'm chillin'. What's up, Pac?
-What up, Snoop?
-What's up, my nigga?
What the fuck is up, Coachella?
Throw up a motherfucking finger!
ICE CUBE: Only Dre would
take it to this level.
Makaveli in this.
Every artist looks
for one of those moments
that people are never
gonna forget,
and he was able
to pull it off.
I was happy for him,
and also happy for Tupac.
Being able to get on--
be onstage with those people.
♪ Come with me ♪
♪ Hail Mary ♪
♪ Come quick see ♪
♪ What do we have here now ♪
♪ Do you want to ride or die ♪
♪ La dada lala ♪
We're stepping out
into territory
that hasn't really been
stepped into.
So we just wanted
to do it right.
Obviously,
respectful of the family.
Respectful of the fans, too.
There was a version of Tupac
that would look even less
like Tupac than that.
You can see kind of, like,
progressively become
more and more Tupac over time.
♪ Now pay attention, mister ♪
We made this, like, key chart
of all these different
Tupac looks,
where we, like, call this one
"eyebrow raise."
And you can see
the way his eyebrows raise.
And it doesn't--
It doesn't seem like, you know,
this matters that much.
But when you make a model,
it's totally inert.
So then you have to find
these signature moments
that represent who he was
in his essence.
♪♪ [rap]
♪ But Mama told me never stop
until I bust a nut ♪
ROKER:
I didn't go first weekend.
And it was the first year
of two weekends.
Thank you, Coachella.
So I came the second weekend.
I knew exactly
what was going to occur.
And yet there were more people
there the second weekend.
And then you had all
the special guests come back
again and do it again.
♪ Come with me ♪
♪ Hail Mary, run quick see ♪
♪ What do we have here now ♪
♪ Do we wanna ride or die ♪
♪ La dada lada la la la ♪
SNOOP: Gangsta shit.
[crowd cheering]
This morning, the most talked
about concert on the planet
was a weekend performance
from someone who's been dead
for 15 years.
I don't know
what the big deal is.
My hologram has been hosting
this show since December.
The audience there at Coachella
suddenly see someone
who is dead.
It's the technology that has
some of us unable to believe
our eyes.
It kind of bums me out that
he's been dead for 16 years,
he's still in much
better shape than I am.
WOMAN: Tupac Shakur has set
Twitter ablaze.
This was done strictly
for Coachella 2012, baby.
Just for you.
ROKER: There were big points
before that.
Daft Punk, Pixies,
things like that,
that were really monumental.
But they were monumental
for fans...
insular fans.
For mainstream people
that started to know Coachella
as synonymous with festival,
it was definitely Tupac.
-What is that?
-Tupac.
No matter what we think,
it's not just a passing trend.
We need to realize
that the new generation
of entertainment is here.
It was the single most
popular thing
that ever happened
at Coachella.
ROKER: That was the moment where
people understood the power
of that performance,
that stage,
watching it online.
Like, all those things
that culminated.
The genie was never going
back to the bottle.
It just established
the show as, like,
part of popular culture.
-ALEX TREBEK: Kerry.
-Who is Tupac?
-Correct.
-Coachella for 400.
[audio fades]
ROKER: So this was...
It must have been,
like, 2011 or something...
long before Tyler came
to play the show.
He shows up
with Odd Future crew.
But they got Super Soakers
with them.
They just kind of roll
on the field.
Start walking around.
I happen to be in the area.
I had my camera.
You know,
I knew who they were.
I didn't really know them.
I started snapping
some pictures.
And, you know,
this girl jumps up on Tyler,
and he starts making out
with her.
WOMAN:
No, Gina! Oh, my God!
ROKER:
It was just some random girl
that just, like, kind of,
jumps into his arms
and kisses him.
Oh, shit!
Shut the fuck up!
ROKER: And then he takes
his Super Soaker out
and sprays her
and everybody else.
And later on, I heard that Tyler
got kicked out of the show.
[laughs] Because I think
they took the Super Soaker
a little too far.
Soaked a security officer,
and found themselves ejected
from the show.
By that evening, though,
they were back in.
You saw the kids that were
going to be the headliners
through them.
♪ Turn that light ♪
♪ Oh, turn that light ♪
♪ Oh, turn
that light ♪
♪ Oh, turn that light ♪
ROKER: Young and confident
and could say entitled,
but colorful and fun
and talented,
irreverent at the same time.
♪ How much wood could
a woodchuck chuck ♪
♪ If a woodchuck could
ever give a fuck? ♪
To see those artists now,
it's the third, kind of,
evolution.
♪ I get those goose bumps
every time ♪
♪♪
♪ I get those goose bumps
every time ♪
♪ When you're not ♪
ROKER: I mean, I remember
it just stood out to me
when I was
watching Travis Scott.
Outdoor Theater.
It was watching the fans
and how into it they were.
I remember talking
to the stage manager
and he said this is the biggest
crowd he's seen at that stage,
and he's been at that stage
since Coachella One.
[vocalizing, indistinct]
That's probably been
the bitterest pill to swallow
for some of the old fans,
because the artists
are so young
and they're coming
with fashion,
wealth, and with bravado,
and this carefree aggression.
I want to see
the fuckin' rage, Coachella.
[crowd roars]
If you're not trying to mosh,
if you're not trying
to crowd surf,
if you're not trying to lay it
on the ground tonight,
get the fuck out!
-[crowd cheering]
-I started to get that
understanding,
that chatter, and feel it
from both people
that worked the show
and just, kind of, the--
the, kind of, perception
in the air.
It was like, "Damn, this is
like the GV shows of the
early '80s."
♪ My left stroke
just went viral ♪
♪ Right stroke put
the baby in the spiral ♪
♪ Soprano C, we like
to keep it on the high note ♪
♪ There's levels to it,
you and I know ♪
♪ Bitch, be humble ♪
♪ Hold up, bitch, sit down ♪
ROKER: The misconception,
the dismissal, the derision.
-Coachella!
-♪ Bitch, sit down ♪
♪ Little bitch, be humble ♪
ROKER: All those things that
are put at these performers
is very similar to punk.
-♪ Be humble ♪
-♪ Bitch ♪
Hip-hop has similar roots,
but because it's black-rooted,
you got a little bit more of
that shit that goes with it,
you know,
when it's really angry.
♪ Holla, holla, holla ♪
♪ I'm so fucking sick
and tired of the Photoshop ♪
♪ Show me something natural
like afro on Richard Pryor ♪
♪ Show me something natural like
ass with some stretch marks ♪
In a way,
when it comes to punk rock,
there's, like,
the form of punk rock
and the function of punk rock.
♪♪
Let's go!
♪ One summer night I was
drinking with my dad ♪
♪ He tried to give me love
that he never had ♪
MOBY: And, of course,
the form is easy to identify.
It's, like, shaved heads,
loud guitars,
white guys yelling really loud.
♪ Here it is, here I am ♪
♪ Turn it up fucking loud ♪
♪ Radio, radio, radio, radio,
radio, radio ♪
♪ When I got the music,
I got a place to go ♪
And the function of punk rock
is more...
an independent questioning.
[crowd cheering]
MOBY: Clearly, Paul Tollett
and the people at Goldenvoice
come from punk rock...
...because the way they've
always approached
scheduling acts at Coachella
it's very eclectic,
very open-minded,
but there's also
this third part of punk rock
which is a little provocation.
♪ Seasons change ♪
♪♪ [continues]
MOBY: And it's one of the things
I love about the choice of bands
and artists at Coachella.
Sometimes you feel
challenged by it.
♪ The seasons change ♪
♪ But I've spent time
trying to change ♪
It's just fascinating
to see how things change.
♪♪
Things move so fast nowadays.
What happened five years ago,
ten years ago,
maybe isn't today anymore.
So what do you do?
Do you stay with your
original '99
type of music you were doing,
or do you say it's 2018,
let's go 2018...
with a nod to the past?
And so you kind of just go
with both of it.
♪ And I've been
waiting on you ♪
[crowd cheering]
[whistle blowing]
♪♪ [drum line plays]
TOLLETT: You had all these
combinations in year one.
There was hip-hop,
there was indie,
there was DJs.
But in the beginning,
we wouldn't have ever
thought of booking a pop act.
♪♪
But as the years go by,
all the dance music
getting so big,
and then hip-hop,
and then pop not being
a bad word among
the indie rock people anymore.
It just started feeling
like this is something
that Coachella really needs.
♪♪
ROKER:
She's a woman on a mission.
She came there with a script.
♪♪
Her performance was the state
of the union for her,
and she was gonna deliver it.
♪♪
Beyoncé could have played
Madison Square Garden
or Staples Center
or any massive celebrated venue.
That performance would not
have been as important
as Coachella.
Thank you for allowing me
to be the first black woman
to headline Coachella.
ROKER:
You know, that was the beacon.
♪♪
VEE: I don't think anybody could
have expected what we saw,
but the moment she stepped out,
you're just like, "Oh, my God."
♪ Crazy right now ♪
♪ I look and stare
so deep in your eyes ♪
♪ I touch on you more
and more every time ♪
♪ When you leave,
I'm begging you not to go ♪
♪ Call your name
two or three times in a row ♪
♪ Such a funny thing
for me to try to explain ♪
♪ How I'm feeling and my pride
is the one to blame ♪
♪ I still don't understand ♪
♪ Just how your love can do
what no one else can ♪
TOLLETT: She had some big ideas,
and she pulled them all off.
Just people were--
Their minds were blown
on so many levels.
I feel fortunate that
we were able to deliver
everything she needed
that story and that show told.
♪ Drop it ♪
♪♪
ROKER:
She was expressing artistry
within the black community.
But the timing of that
was really phenomenal.
She got pregnant.
She couldn't play at 2017.
Conversation shifted
over that year.
The election of Donald Trump.
Me Too.
[crowd chanting]
It got even heavier.
♪ When I talk to my friends
so quietly ♪
♪ Who he think he is? ♪
♪ Look at what you did to me ♪
♪ Tennis shoes, don't even need
to buy a new dress ♪
♪ If you ain't there,
ain't nobody else to impress ♪
TOLLETT: It's a rare artist
that can bring that
to the widest swath of people
on the biggest stage
with the biggest production.
She's just
one of those talents.
♪ Just how your love can
do what no one else can ♪
WOMAN: The Internet buzzing
about the one and only Beyoncé.
Even this morning,
Beychella is still top trending.
The first time that
an African-American woman
headlined Coachella.
She did more for recruitment
of HBCUs
in that performance,
that's historically
black colleges,
than anybody could have done.
That shit last night?
Spectacular.
WENDY WILLIAMS: She performed
for nearly two hours and did
five costume changes.
And, yeah, and Jay-Z made
an appearance.
And Solange was there,
and so was Destiny's Child.
Beyoncé is the greatest
performer of all time,
living or dead.
People are now saying
that Beyoncé
is a greater performer
than Michael Jackson.
[gasps]
♪♪
ROKER:
That opened the door so wide.
I mean, she is now
the biggest performance
Coachella's ever had.
A black woman.
[crowd cheering]
That script could not have
been conceived 15 years ago.
♪♪
♪ Blackpink ♪
♪ Oh, yeah, oh, yeah ♪
♪ Blackpink ♪
♪ Oh, yeah, oh, yeah ♪
NADESKA ALEXIS: Beyoncé's
headlining performance
really opened up the doors
for a lot of people
who maybe didn't think they
would have a shot previously.
You know what I mean?
Now it feels like there's
space for everyone.
♪♪ [vocalizing]
We didn't expect anybody
to even, you know,
know our music or anything,
but we came in,
and everybody started screaming,
"Blackpink in the area."
-That's just blowing our mind.
-Yeah.
♪♪
I love what you guys are doing.
I love it so much.
Nice to meet you.
You're the best.
Thank you so much.
Congrats on being, like,
the biggest female k-pop debut.
Oh, my God.
This is, like, the beginning.
♪♪
I'm excited, yeah.
Well, I can't wait to hear the--
-[vocalizing]
-Ah!
♪ Get you with that ♪
[vocalizing]
♪ Oh yeah, oh yeah ♪
ROKER: What's really exciting
is different people
are feeling they're
represented at Coachella
in a big way now.
♪ I like it like that ♪
♪♪ [vocalizing]
♪♪
ALEXIS: More and more,
we're gonna continue
to see diversity.
I want to practice
my English with you, okay?
ALEXIA: Really, it just is
an incredible thing,
and I can't even imagine
five years from now,
what the lineup
and the crowds are gonna
look like at Coachella.
♪♪
DIPLO: It's always
been a festival
for discovery anyway.
So we're just reaching,
sort of, a global cusp.
I mean, every year, it's like--
It's a metamorphosis.
Coachella make some noise!
ROKER:
The artists are evolving.
The show and
the community is evolving.
The fact that it
represents a more fuller
picture of culture,
like, that's the bottom line.
That's what I'm most happy about
when I see the lineup this year
and recent years.
[crowd cheering]
ROKER: I think the sense of
discovery on the music side
is really where we are
as a culture
and how we ingest music.
♪ And you're quiet when ♪
♪ The party's over ♪
♪ Quiet when I'm coming home ♪
♪ And I'm on my own ♪
ROKER: Beyond that, I think
there's still a romance
with, like,
gathering at some field
and having this, sort of,
cultural connection.
♪ I could lie,
say I like it like that ♪
♪ I like it like that ♪
Hope for something amazing
to happen.
Could be romantic.
It could be just hanging
with your friends.
and just having, kind of,
like, that time,
that great time.
Festivals hold the promise
of that.
And so Coachella,
for many people, I think,
it's just like that beacon.
It's part of their year
where they know
that all that is possible.
♪ Let me let you go ♪
I'm grateful for Coachella
and everything
that it's done for
the festival culture in America.
I'm sure eventually something
would have took off,
but not as rapidly as it did.
and not the way it did,
not without Coachella.
♪ I could lie
and say I like it like that ♪
♪ Like it like that ♪
[crowd cheers]
Happy Coachella!
Happy Coachella.
Happy Coachella.
LINDSTROM: I remember it seemed
to get so big so fast.
Every year that it's grown,
I can't believe that
we've had room to grow.
I feel so, so lucky
that I got to be involved
in the project since it started
and to still be involved.
It's just striking
when you compare '99 to 2019.
♪♪
LINDSTROM: I don't have kids,
but I imagine that's
what its like
for a parent watching their kid
grow and grow and grow,
and getting so big,
and you can't believe
how big they've grown.
Coachella, the festival,
is like a person.
It's like family,
and it's off to college now.
♪♪
RIVERS CUOMO:
When Weezer started,
there was nothing like this.
You always looked forward
to going abroad
to play the big festivals.
That's where
the legendary shows were.
And now the biggest one
is right here
in Southern California.
♪♪
MAN: I come because
I genuinely love music.
I've done Coachella since 2007.
So it's, like, 13 years.
I've only skipped
Weekend Two two times.
Like, I can't not do Two
at this point.
I've seen more music
in a few weekends here
than I've seen in my entire
life in other places.
♪♪
Yeah, I see acts here
that I will never see
at the other festivals all over.
♪♪
So Kanye had been confirmed
for three or four months prior,
and on January 1, we were having
a production called Jason and I
about Kanye's stage plans
for the show.
And he let us know that the
stage we had didn't match up
with what was in his head.
We went back and forth
a little bit.
We realized we're not gonna
be able to pull this off.
♪♪
And then about a month
before the show,
I get a call from Paul,
and he says,
"Kanye's back on."
♪ 'Cause you're the only power ♪
♪ Power ♪
♪ That can save this world ♪
♪ Power ♪
Paul was out at his house
in Indio,
and he went out
to a hill in camping
and took a video
to show Kanye's team
a possible performance area.
♪ You're the only power ♪
♪ Power ♪
TOLLETT: We get the first
rendering from their team,
and that's the game plan,
it's moving along quite nicely.
And then probably
two weeks prior
to the actual show,
we get a second drawing
sent over to us,
and there's
a second mountain on it.
Their vision had changed.
They wanted us collectively
to build another mountain.
♪♪
The mountain
that we're building
is out in the middle of where
all the campers are
for Weekend One,
so we have to wait
for the show to be done
and the campers
to leave on Monday.
And then come Tuesday,
in comes 500 trucks of dirt.
♪♪
And then Friday,
three semi-trucks of grass.
♪♪
Compact it, water it...
and get ready to go.
♪ I never knew ♪
♪ I could be so happy ♪
♪ I never knew ♪
When the choir
and everyone started singing,
the whole crowd just...
was in shock of, like,
what they were experiencing.
And then it continued
with the dancers sprinkled
throughout.
♪♪
There were so many
different elements of,
"Look over here,
look over there.
"Oh, my gosh, who's that?
Who's that? Who's that?"
♪♪
Kanye was not front
and center.
His team was
very particular about
wanting to make sure
that it was not about him.
♪♪
WHITMORE:
It was about the choir.
It was about the music.
It was about the songs
and the experience
of what Sunday service was.
♪♪
Which is literally
my childhood every Sunday.
MAN: Come on, Coachella,
put your hands together!
WHITMORE: Going to church
and singing spiritual hymns.
-♪ I never knew ♪
-♪ I never knew ♪
♪ Oh, I could be so happy ♪
I don't think anyone understood
the full magnitude
of what was going to take place.
But to have it on that scale,
it was just a very,
very magical
and powerful experience.
♪ Brighter day, brighter day ♪
♪ Brighter day ♪
[cheering]
TOLLETT:
Last year, I was in Indio,
and I get a call
from a friend that says
you have to go watch
Black Panther right now.
So I told him,
"I'll catch it someday."
He says,
"No, you have to go right now."
So I go to a local theater
and I watch it,
thinking all the way through
the movie, "Why did he tell me
to see it?"
Then right at the end of the
movie, they mention Coachella.
When you said you would
take me to California
for the first time,
I thought
you meant Coachella
or Disneyland.
They mentioned Coachella
in the same sentence
as Disneyland.
And I'm like,
"Wow, that's heavy."
Now we just don't wanna make
a mistake for the people
that like the show.
And that changes.
Who likes the show changes.
In the beginning,
I thought people
would go forever.
I didn't realize there would be
a whole new set of people
who went and loved the show.
I didn't realize there'd be
new styles of music,
new sounds.
So the show has to keep up.
♪♪
TOVAR:
When I started doing concerts,
it was a gathering of people
enjoying music
and having a good time.
And then that's what
they carried on.
That's what Coachella's about.
♪♪
TOLLETT: Rene started going
to the Glass House
when he was 14, and started
promoting shows here.
and I just have always liked
the music that he likes.
So when I thought
I needed a new tent
with a new outlook,
he was the obvious choice.
CONTRERAS:
I was in econ class in school,
and, uh, I get a text.
And Paul was like,
"Can you come to the office?"
I was like,
"I'm in class, dude.
I can't go to the office
right now."
And, uh, he waited for me.
I-- I got there,
and he-- he pitched the idea
of starting a new stage
at Coachella.
To have a space
for not just, like,
the bigger
established musician,
but also for, like,
the up and coming artist.
Sonora represents who I am
and how I grew up,
but in a way also how--
how Gary and--
and Paul-- Paul T--
how they were brought up,
and how the company sprouted.
I feel like that's
the beauty of it,
like, back to the roots.
[laughter]
-Two minutes.
-All right.
Yeah. Later.
♪♪
[buzzing]
[buzzing]
Much like a kazoo.
It's Coachella, baby.
♪♪
[crowd cheering]
Coachella!
[crowd cheers]
I am here!
Prince was always on the list,
but seemed impossible.
He never played
any of these things.
Brett met with him,
talked everything out,
he had me come
back to the house,
bring my artist,
uh, to make the poster.
We talked money,
talked everything.
I said to him, "Look, are we
done? Are we confirmed?"
And he said, "No.
I'm not playing Coachella.
Why would I play Coachella?"
When they asked me
to come work this place,
I said I can't
come work no place.
[crowd cheers]
TOLLETT: I was sad.
I thought I had it.
And, uh, three weeks
before the show,
he calls out of the blue.
He says,
"Do I have to split the money
if I put the Coachella logo
and the Prince symbol together?"
I said,
"Are you playing Coachella?"
And he says,
"Yeah, Saturday night."
Like, we'd been on sale--
Like, we were three weeks
before the show.
And I'm like,
"Okay."
I will come to party.
Is that all right with y'all?
[crowd cheering]
In the spirit of that,
you're in the coolest place
on earth right now.
♪ If you
don't like ♪
♪ The world
you're living in ♪
♪ Take a look
around ♪
♪ At least
you got friends ♪
♪ Called my
old lady ♪
♪ For a friendly
word ♪
♪ Picked up the
phone dropped it
on the floor ♪
♪ Ah, ah,
was all I heard ♪
♪ Are we gonna
let the elevator
bring us down? ♪
♪ Oh, no,
let's go ♪
♪ Let's go
crazy ♪
♪ Let's get
nuts ♪
♪ Look for
the purple banana ♪
♪ Till they put us
in the truck ♪
♪ Let's go ♪
Coachella!
Y'all wanna
be crazy
one more time?
Somebody!
♪♪
♪ Let's go
crazy ♪
♪ Are we gonna
let the elevator
bring us down? ♪
♪ Oh, no,
let's go ♪
Somebody say
"Go crazy!"
CROWD:
Go crazy!
PRINCE:
Say go, go, go!
Go, go, go!
♪ Are we gonna
let the elevator
bring us down? ♪
♪ Oh, no,
let's go ♪
Thank you,
Coachella!
♪♪ [ends]
[crowd roars]
| {
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English:
Capitalism, socialism and communism are all
political and economic models.
In capitalist societies, products and services
are provided by the individual.
These individuals employ workers and are allowed
to keep the profit from the excess production
the workers create.
This system incentivises individuals to come
up with ways of generating wealth for themselves.
Competition between rival businesses occurs
naturally, this leads to more productivity
which in turn generates wealth and advancement
for the rest of society.
Karl Marx - a German Philosopher - identified
that the capitalist model created a sharp
divide between the wealthiest citizens and
the poorest.
He felt the system exploited the worker and
he promoted the socialist model which he hoped
would later develop into communism.
Spanish:
El capitalismo, el socialismo y el comunismo son todos modelos políticos y económicos.
En las sociedades capitalistas, los productos y servicios son proporcionados por el individuo.
Estas personas emplean trabajadores y se les permite conservar las ganancias del exceso de producción.
Los trabajadores crean.
Este sistema incentiva a los individuos a encontrar formas de generar riqueza para ellos mismos.
La competencia entre negocios rivales ocurre naturalmente, esto lleva a una mayor productividad
que a su vez genera riqueza y avance para el resto de la sociedad.
Karl Marx, un filósofo alemán, identificó que el modelo capitalista creó un fuerte
dividir entre los ciudadanos más ricos y los más pobres.
Sintió que el sistema explotaba al trabajador y promovió el modelo socialista que esperaba
luego se convertiría en comunismo.
Modern Greek (1453-):
Ο καπιταλισμός, ο σοσιαλισμός και κομμουνισμός είναι και τα τρία πολιτικά και οικονομικά μοντέλα.
Στις καπιταλιστικές κοινωνίες, τα προϊόντα και οι υπηρεσίες παρέχονται από το κάθε άτομο μεμονωμένα.
Αυτά τα άτομα απασχολούν εργαζόμενους και μετά κρατούν το κέρδος από την επιπλέον παραγωγή
που οι εργαζόμενοι δημιουργούν.
Αυτό το σύστημα ενθαρρύνει τα άτομα να βρουν τρόπους να δημιουργήσουν πλούτο για τον εαυτό τους.
Έτσι, ο ανταγωνισμός μεταξύ επιχειρήσεων αποτελεί ένα "φυσικό" γεγονός που τελικά οδηγεί σε μεγαλύτερη παραγωγικότητα
η οποία με τη σειρά της δημιουργεί πλούτο και πρόοδο για την υπόλοιπη κοινωνία.
Ο Karl Marx - ένας Γερμανός φιλόσοφος - αναγνώρισε ότι το καπιταλιστικό σύστημα δημιούργησε μια τεράστια
διαφορά ανάμεσα στους πλουσιότερους και τους φτωχότερους πολίτες.
Ένιωθε ότι το σύστημα εκμεταλλευόταν τον εργαζόμενο και προώθησε το σοσιαλιστικό μοντέλο που ήλπιζε
ότι αργότερα θα οδηγούσε στον κομμουνισμό.
English:
In socialist societies it is the government
who own and operate the means for production,
i.e land, natural resources, factories etc.
The citizens earn a wage but only receive
what they need.
The aim of the game is equality between all
people and the elimination of social classes.
Marx envisioned that a successful socialist
model would morph into communism.
In communism it is the working class who own everything and what the collective produces as a whole
is shared out according to need.
When socialist models are applied in countries
some fundamental issues with the system come to light.
As socialism does not reward the individual
to produce more than anyone else there is
no incentive to think outside the box and
find ways of creating more production and
therefore more wealth.
Modern Greek (1453-):
Στις σοσιαλιστικές κοινωνίες είναι η κυβέρνηση που κατέχει και λειτουργεί τα μέσα παραγωγής,
πχ. γη, φυσικούς πόρους, εργοστάσια κλπ. Οι πολίτες κερδίζουν μισθό αλλά λαμβάνουν μόνο
ό,τι χρειάζονται.
Στόχος του συγκεκριμένου "συστήματος" είναι η ισότητα μεταξύ όλων των ανθρώπων και η εξάλειψη των κοινωνικών τάξεων.
Ο Μαρξ οραματίστηκε ότι ένα επιτυχημένο σοσιαλιστικό μοντέλο θα μεταμορφωνόταν αργότερα σε κομμουνισμό.
Στον κομμουνισμό είναι η εργατική τάξη που κατέχει τα πάντα και αυτά που παράγουν συνολικά οι πολίτες
μοιράζεται ανάλογα με τις ανάγκες.
Όταν εφαρμόστηκαν τα σοσιαλιστικά μοντέλα σε κάποιες χώρες,
εμφανίστηκαν διάφορα ζητήματα .
Καθώς ο σοσιαλισμός δεν ανταμείβει το άτομο να παράγει περισσότερο από οποιονδήποτε άλλο (ανταγωνισμός) , δεν υπάρχει
κανένα κίνητρο για να χρησιμοποιεί κανείς το μυαλό του προκειμένου να βρει τρόπους να δημιουργήσει περισσότερη παραγωγή και
άρα περισσότερο πλούτο.
Spanish:
En las sociedades socialistas es el gobierno quien posee y opera los medios de producción,
es decir, tierra, recursos naturales, fábricas, etc. Los ciudadanos ganan un salario pero solo reciben
lo que necesitan.
El objetivo del juego es la igualdad entre todas las personas y la eliminación de las clases sociales.
Marx imaginó que un modelo socialista exitoso se transformaría en comunismo.
En el comunismo, es la clase trabajadora la que posee todo y lo que el colectivo produce en su conjunto.
se reparte según necesidad.
Cuando los modelos socialistas se aplican en los países.
Algunos problemas fundamentales con el sistema salen a la luz.
Como el socialismo no recompensa al individuo para que produzca más que nadie
no hay incentivo para pensar fuera de la caja y encontrar formas de crear más producción y
Por lo tanto, más riqueza.
Modern Greek (1453-):
Αυτό στη συνέχεια οδηγεί σε χαμηλή παραγωγή που στη συνέχεια δημιουργεί μαζική φτώχεια.
Καμία χώρα δεν έχει αναπτυχθεί ποτέ σαν κομμουνιστική χώρα (υπό την αυστηρή έννοια του τι σημαίνει ο κομμουνισμός).
Οι χώρες που έχουν υιοθετήσει τον σοσιαλισμό παρατήρησαν υψηλά ποσοστά διαφθοράς σε ανθρώπους που βρίσκονταν στην εξουσία
εκμεταλλευόμενοι τις θέσεις τους. Αντί να εργάζονται προς μια κοινωνία όπου να μην χρειάζεται η εξουσία,
αντιθέτως εργάζονταν για να την εδραιώσουν.
Ωστόσο, υπάρχουν χώρες που έχουν γνωρίσει την επιτυχία συνδυάζοντας τόσο τα καπιταλιστικά όσο και τα σοσιαλιστικά ιδανικά.
Για παράδειγμα, οι χώρες της Βόρειας Ευρώπης ανταμείβουν το άτομο για την υπερβολική παραγωγή, αλλά ένα
αυστηρό σύστημα φορολογίας βοηθά στην αναδιανομή του πλούτου μεταξύ των πολιτών έτσι ακόμα κι αν
δεν είναι όλοι ίσοι, να υπάρχει ένα ορισμένο βιοτικό επίπεδο με βάση το οποίο όλοι οι πολίτες θα
περνούν καλά και οι κοινωνικές ανισότητες δεν θα είναι τόσο μεγάλες.
Και αυτό με λίγα λόγια είναι ο καπιταλισμός, ο σοσιαλισμός και ο κομμουνισμός.
Όπως πάντα, το περιεχόμενο σε αυτό το βίντεο αποτελεί μια απλοποιημένη εξήγηση, σχεδιασμένη έτσι ώστε να αποτελέσει εφαλτήριο για περαιτέρω μελέτη.
English:
This then leads to low production which then
creates mass poverty.
No country has ever developed into a communist
country in the strict sense of what communism means.
Countries which have adopted socialism has
seen rampant corruption with people in power
abusing their positions. Instead of working
toward a society where they can give up their
power they instead work to consolidate it.
However there are countries who have seen
success combining both capitalist and socialist ideals.
For example Northern European countries reward
the individual for excess production but a
heavy system of taxation helps redistribute
wealth amongst the collective so even though
everyone may not be equal there is a certain
standard of living that all citizens will
enjoy and social and class differences are
not so extreme.
And that in a nutshell is capitalism, socialism
and communism explained.
As always this is a simplified explanation,
designed to be a springboard for further study.
Spanish:
Esto lleva a una baja producción que luego crea pobreza masiva.
Ningún país se ha convertido en un país comunista en el sentido estricto de lo que significa el comunismo.
Los países que han adoptado el socialismo han visto una corrupción rampante con las personas en el poder.
abusando de sus posiciones. En lugar de trabajar hacia una sociedad donde puedan renunciar a su
en su lugar trabajan para consolidarlo.
Sin embargo, hay países que han tenido éxito combinando ideales capitalistas y socialistas.
Por ejemplo, los países del norte de Europa recompensan al individuo por el exceso de producción, pero
El pesado sistema de impuestos ayuda a redistribuir la riqueza entre el colectivo, aunque
puede que no todos sean iguales, existe un cierto nivel de vida que todos los ciudadanos tendrán
disfrutar y las diferencias sociales y de clase no son tan extremas.
Y en pocas palabras se explica el capitalismo, el socialismo y el comunismo.
Como siempre, esta es una explicación simplificada, diseñada para ser un trampolín para futuros estudios.
Modern Greek (1453-):
English:
I hope enjoyed this video and remember to
subscribe to LondonCityGirl for more interesting
and educational videos from me.
Spanish:
Espero que hayan disfrutado este video y recuerden suscribirme a LondonCityGirl para más interesantes
y videos educativos de mi parte.
| {
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English:
One of the things that separates confident from diffident people is their approach to history.
Broadly-speaking, the unconfident believe that history is over;
the confident trust that it's still in the process of being made – one day possibly by themselves.
The way we enter the world carries with it an inherent bias towards an impression that change has finished,
and history has been settled.
Everything around us conspires to give off a sense that the status quo is is entrenched.
We're surrounded by big people who follow traditions that have been in place for decades, perhaps centuries.
The house we live in appears as immutable as an ancient temple;
the school we go to looks as though it has been performing the same rituals since the earth began.
We're constantly told why things are the way they are
and encouraged to accept that reality is not made according to our wishes.
Turkish:
Çeviri: Cansu Sarı
Kendine güvenenleri diğer insanlardan ayıran şeylerden biri, onların tarihe olan yaklaşımlarıdır.
Genellikle, kendine güveni olmayan tarihin geride kaldığına inanırken
kendinden emin olan tarihin halen yazılmakta olduğunu, bir gün muhtemelen kendisi tarafından yazılacağına inanır.
Dünyaya gelme şeklimiz, değişimin bittiğine dair bir izlenime yönelik doğal bir ön yargıyı beraberinde getirir,
ve tarih sona erdirilir.
Çevremizdeki her şey, statükonun yerleşmiş olduğu yönünde bir izahat vermek için çalışır.
Onlarca hatta yüzyıllarca yıldır süregelen gelenekleri takip eden büyük insanlarla çevrelendik.
Yaşadığımız ev, antik bir tapınak kadar sabit;
gittiğimiz okul dünyanın başlangıcından beri aynı ritüelleri uyguluyormuş gibi görünüyor.
Bizlere sürekli neden her şey olması gerektiği gibi olduğu anlatılıyor
ve gerçekliğin, isteklerimize göre şekillenemeyeceğini kabul etmemiz teşvik ediliyor.
Chinese:
可以用人看待歷史的方式區別有自信和心虛的人
廣義來說,沒自信的人認為歷史已結束
有自信者相信歷史還在進行,而有一天是由自己創造
我們進入世界的方式暗示的改變的過程似乎結束
歷史發展也已停止
周圍的每件事都使我們認為現在的狀態已定
周遭的大老們已經遵守著幾十、幾百年的傳統
我們居住的地方感覺像是古老廟宇一樣悠遠
學校感覺在地球開始之初就已經一貫運作
我們不斷被教導為什麼事情是這個樣子
並被鼓勵相信現實不是我們想怎樣就怎樣
Arabic:
أحد أهم الفروق بين الأشخاص الواثقين بأنفسهم وغير الواثقين
يكمن في تعاطيهم مع التاريخ.
بشكلٍ عام، يعتقد الأشخاص غير الواثقين بأن التاريخ انتهى،
بينما يكون الواثقون على يقين بأن التاريخ لا يزال طور الصنع
ربما، على أيديهم يومًا ما.
تحمل الطريقة التي ندخل بها إلى هذا العالم
ميلاً فطرياً للاعتقاد بعدم إمكانية التغيير
وأن التاريخ قد اكتمل.
يتآمر كل ما حولنا ليوحي لنا بأن الوضع الراهن عصيٌ على التغيير،
فنحن محاطون بأشخاصٍ كبار يتّبِعون تقاليداً
تعود إلى عقودٍ من الزمن أو بالآحرى قروناً.
يبدو لنا المنزل الذي نعيش فيه راسخاً كمعبدٍ عتيق،
وتبدو المدرسة التي نرتادها وكأنها تقيم نفس الطقوس منذ بدأ الوجود.
وبشكلٍ مستمر، نتعلم لماذا تكون الأشياء كما تبدو لنا،
ونُدعى لتقبل أن ما يحدث بالواقع قد يتعارض مع رغباتنا،
Japanese:
自信のある人とそうでない人、その違いの一つは、歴史に対しての考えだ。
おおまかに言うと、自信の無い人は、歴史はもう終わっていると思っている
自信のある人は、現在も歴史は作られ続けていると考え、
もしかするとそれは自分自身によってかもしれないとも考える。
多くの人は物心がつく頃には、この世界の変化というのはもう終わった事であるという印象を持ち、歴史というのはもう確立したものと考える。
身の回りのもの全てが、現状はもう固定したものだと訴える
何十年、何世紀もの伝統を守り続ける偉大な人々に囲まれ、
私たちの住む家は太古の寺院のように変化に乏しい。
学校で教わる内容はまるで地球が始まった時から同じ儀式を繰り返しているかのようだ
私たちは、物事の成り様を繰り返し教えられ、現実は私たちの思う通りに作られないという事実を受け入れるように強いられる。
Finnish:
Eräs itsevarmat epävarmoista ihmisistä erottava tekijä on heidän suhtautumisensa historiaan.
Yleisesti ottaen, epävarmat uskovat historian päättyneen.
Itsevarmat luottavat, että sen teko on yhä kesken ja että kenties kerran heistä on sen tekijöiksi.
Maailmaantulotapamme sisältää sisäänrakennetun vaikutelman, että muutos olisi jo päättynyt
ja historia olisi jo tullut valmiiksi.
On kuin kaikki ympärillämme oleva puoltaisi vallitsevan olosuhteen lopullisuutta.
Olemme vuosikymmenien ja jopa vuosisatojen perinteitä noudattavien aikuisten ympäröiminä.
Asuintalomme vaikuttaa yhtä muuttumattomalta kuin muinainen temppeli.
Käymämme koulu näyttää kuin siellä olisi suoritettu samoja rituaaleja aikojen alusta asti.
Meille kerrotaan jatkuvasti miksi asiat ovat kuin ovat
ja meitä kannustetaan hyväksymään, ettei todellisuus noudata toiveitamme.
Spanish:
Una de las cosas que separa a las personas seguras de las inseguras es cómo enfocan la historia.
En términos generales, quienes no se tienen confianza tienden a creer que la historia ya se acabó.
Los que confían en sí mismos confían que la historia todavía se está escribiendo,
y un día, posiblemente, la escriban ellos.
La forma en que entramos al mundo conlleva una visión parcial inherente:
que el cambio ha terminado y la historia ya se ha reposado.
Todo a nuestro alrededor conspira para que tengamos esta sensación de que el status quo está estancado.
Estamos rodeados por personas grandes
que siguen tradiciones que llevan décadas, y tal vez siglos, establecidas.
La casa en que vivimos se ve inmutable como un antiguo templo.
La escuela a la que asistimos parece seguir haciendo los mismos rituales desde que el mundo es mundo.
Se nos dice constantemente porqué las cosas son como son
y se nos alienta a aceptar que la realidad no está hecha según nuestros deseos.
French:
Une chose séparant les personnes confiantes des personnes timides est leur approche à l'hisoire.
Généralement, les personnes manquant de confiance pensent que l'histoire est terminée.
Les confiants pensent qu'elle est toujours en cours de réalisation, ce qui un jour en tiendra possiblement à eux-mêmes.
La manière dont on vient au monde déterminera ce parti pris que le changement est terminé
et l'histoire établie.
Tout ce qui nous entoure cherche à nous persuader que le statu quo est entranché.
On est entouré de personnes qui suivent de vieilles voir d'anciennes traditions.
La maison dans laquelle on vit semble aussi immuable qu'un temple sacré;
l'école qu'on fréquente semble avoir procédé au même rituels depuis la nuit des temps.
On nous explique constamment pourquoi les choses sont de la sorte
et encouragés à accepter que la réalité n'est pas en accord avec nos désirs.
Vietnamese:
Một trong những điều mà tách biệt sự tự tin của những con người khác nhau là cách tiếp cận của họ đối với lịch sử.
Nói theo nghĩa rộng, những người không tự tin tin rằng lịch sử đã kết thúc,
Niềm tin tự tin mà vẫn đang trong quá trình thực hiện - một ngày tự có thể hiện hữu.
Cái cách mà chúng ta bước vào thế giới mang theo cùng với một sự thiên vị vốn có hướng tới một ấn tượng rằng sự thay đổi đã kết thúc,
và lịch sử đã được ổn định.
Mọi thứ xung quanh chúng ta âm mưu để cho ra một cảm giác rằng hiện trạng đã được bảo vệ.
Chúng ta bị bao quanh bởi những người to lớn, những người mà theo tuyền thống được áp dụng từ nhiều thập kỷ qua, có lẽ là hàng thế kỷ.
Căn nhà chúng ta sống xuất hiện đủ bất biến như một ngôi đền cổ;
trường học chúng ta đến trông như thể nó đã được thực hiện các nghi lẽ tương tự kể từu khi trái đất bắt đầu.
Chúng ta liên tục nói với mọi người về những điều họ đang có
và khuyến khích chấp nhận rằng thực tế không phải là thực hiện theo mong muốn của chúng ta.
Malay (macrolanguage):
Salah satu perkara yang memisahkan orang yakin dan orang yang tidak ambil peduli ialah pendekatan mereka akan sejarah.
Secara umumnya, orang yang tidak peduli menganggap bahawa sejarah telah berakhir. Orang yang yakin percaya bahawa sejarah masih sedang dicipta.
Mungkin pada suatu hari, oleh diri mereka sendiri.
Kaedah kita sampai ke dunia ini, membawa bias tersirat dengan anggapan bahawa perubahan telah tamat.
Dan Sejarah telah menjadi malar.
Semua perkara di sekeliling kita 'bekerjasama' memberi tanggapan bahawa semuanya telah termeterai.
Kita dikelilingi orang-orang tua yang mengikuti tradisi yang telah diwarisi untuk berdekad, mungkin berkurun lamanya.
Rumah yang kita diami, nampak tidak terubahkan seperti sebuah kuil purba.
Sekolah yang kita hadiri, seperti mengamalkan ritual yang sama semenjak Bumi bermula!
Kita sentiasa diberitahu kenapa sesuatu terjadi seperti itu dan diajar untuk menerima bahawa realiti tidak dicipta menurut kehendak kita.
Portuguese:
Uma das coisas que separa as pessoas inseguras das confiantes é a sua abordagem para a história.
De maneira geral, o inseguro acredita que a história acabou
o confiante acredita que ela está em processo de construção - possivelmente, por si mesmo.
A forma como somos inseridos no mundo traz um viés inerente de que a mudança tenha terminado,
e história já tenha sido construída
Tudo à nossa volta conspira para nos dar a sensação de que o status quo já é algo enraizado
Estamos cercados por pessoas que seguem tradições que estão em vigor há décadas, talvez séculos.
A casa em que vivemos parece tão imutável como um antigo templo;
a escola que vamos parece que vem realizando os mesmos rituais desde que a terra começou.
Escutamos com frequência porque as coisas são do jeito que são
e encorajados a aceitar que a realidade não é feita de acordo com nossos desejos.
Spanish:
Una de las cosas que separa a las personas seguras de las inseguras, es su manera de abordar la historia.
De manera general, las personas inseguras
creen que la historia ha terminado.
Las personas seguras creen que aún está en proceso de ser creada, algún día, incluso, por ellos mismos.
La manera en la que entramos en el mundo conlleva un prejuicio inherente: la impresión de que el cambio ha terminado.
y la historia se ha asentado.
Todo lo que nos rodea conspira para darnos la sensación de que el status quo está firmemente establecido.
Estamos rodeados por grandes personas, que siguen tradiciones que han estado allí por décadas,
incluso siglos.
La casa en la que vivimos nos parece
tan inmutable como un templo antiguo;
la escuela a la que asistimos se ve como si hubiese estado representando los mismos rituales desde el principio de la Tierra.
Constantemente nos dicen por qué
las cosas son como son
y nos animan a aceptar que la realidad
no está hecha de acuerdo a nuestros deseos.
Indonesian:
Salah satu hal yang membedakan orang yang percaya diri dan tidak adalah tanggapan mereka terhadap sejarah
pada umumnya bagi mereka yang tidak percaya diri menganggap sejarah telah selesai
bagi yang percaya diri mengerti bahwa prosesnya sedang dibuat - suatu saat mungkin oleh mereka sendiri
Saat kita hadir di dunia membawa bias atas impresi bahwa perubahan telah selesai
dan sejarah telah berlalu
segala hal di sekeliling kita berpadu untuk memberi kesan bahwa kita telah memasuki status quo
kita dikelilingi oleh tokoh besar yang mengikuti tradisi yang telah dilakukan selama beberapa dekade, mungkin abad
Rumah yang kita tinggali terlihat kokoh bagai sebuah kuil kuno;
Sekolah yang kita hadiri juga tentu terlihat melakukan kegiatan yang sama sejak bumi dibentuk
kita memang sudah dijelaskan tentang kenapa semua harus begini semestinya
dan diajarkan untuk menerima bahwa kenyataan tidak akan mengikuti keinginan kita
Spanish:
Llegamos a confiar que los seres humanos ciertamente han colmado el abanico de lo posible.
Si algo no ha pasado es porque no puede pasar o porque no debería pasar.
El resultado puede ser un profundo cansancio al imaginar si se puede cambiar el mundo.
No tiene sentido empezar un nuevo negocio, el mercado ya debe estar saturado.
O ser pionero de una nueva forma de comprender el arte, todo ya se ha dicho según un patrón establecido.
O comprometerse con una idea nueva, ya existe o es desquiciada.
Cuando estudiamos la historia en una cierta forma, sin embargo, el panorama cambia radicalmente.
Una vez que se acelera el tiempo y subimos una montaña de minutos y revisamos siglos,
el cambio se hace constante de forma evidente.
Se descubren nuevos continentes,
se usan por primera vez métodos alternativos para gobernar naciones,
se transforman las ideas sobre qué vestir y a quién adorar.
Una vez las personas usaban extraños abrigos y trabajaban la tierra con instrumentos torpes.
Hace mucho tiempo le cortaron la cabeza a un rey.
Hace mucho tiempo atrás la gente se movilizaba en barcos frágiles,
comían los ojos de las ovejas,
usaban bacinicas
y no sabían cómo arreglar dientes.
Chinese:
我們相信人類已經把可能的事情都做過
沒發生的事情不是因為它不可能,就是因為不應該發生
這都導致想像改變世界看來如此困難
幹嘛創業呢
市場一定早就飽和了
在人文領域創立新模式?
每件事都已經成形啦
或是實踐一個新想法
肯定有人想過或點子太瘋狂
但當我們研讀歷史,一切都會改觀
時間加速之後,仔細衡量每個世紀,改變變成常態
新大陸被發現,新統治制度被實施
如何打扮和該崇拜誰都在轉變
以前人們穿著奇怪的斗篷並用看似奇怪的工具耕種
很久以前,他們把國王的頭砍斷
以前,人們乘著破船出海
靠羊眼睛維生、使用便壺還不知道怎麼補牙
Vietnamese:
Chúng ta tin tưởng rằng con người đã vẽ nên bản đồ đầy đủ phạm nhất vi có thể.
Nếu điều gì đó không xảy ra, đó là vì chúng không thể xảy ra hay không nên xảy ra.
Kết quả có thể là một sự cảnh giác sâu sắc xung quanh sự tưởng tượng thay đổi thế giới.
Không có điểm bắt đầu một doanh nghiệp mới
(thị trường đã phải đầy rồi)
tiên phong một cách tiếp cận mới đối với nghệ thuật
(mọi thứ đã được sắp đặt trong một hình mẫu cố định)
hay mang sự trung thành với một ý tưởng mới
(nó cũng đã tồn tại hoặc là dở hơi).
Khi chúng ta học lịch sử theo một cách nhất định, hình ảnh thay đổi rõ ràng.
Một khi thời gian được tăng tốc và chúng ta leo lên một ngọn núi vài phút, và khảo sát hàng thế kỷ, sự thay đổi xuất hiện không đổi.
Những nội dung mới được khám phá, thau thế những cách quản lý quốc gia đã được tiên phong,
những ý kiến về cách ăn mặc như thế nào và người được tôn thờ bị biến đổi.
Một khi người ta mặc những cái áo choàng lạ và cấy đất bằng những dụng cụ vụng về.
Một thời gian dài trước đây, họ chém đầu của nhà vua.
Quay trở lại, người dân xung quanh trên những con tàu mỏng manh,
ăn mắt cừu, dùng những cái chậu lớn và không biết làm thế nào để sửa răng.
French:
On en vient à croire que les hommes ont cartographié l'ensemble du possible.
Si quelquechose ne s'est jamais encore produit, c'est soit parce que ça ne peut pas, soit que ça ne doit pas se produire.
Il en résulte une profonde méfiance de tout changement du monde.
Quel intérêt de commencer une nouvelle entreprise
(le marché est déjà saturé),
être pionnier d'une nouvelle approche aux arts
(tout est déjà fixé dans un certain modèle)
ou donner sa chance à une nouvelle idée
(si elle n'est pas déjà en pratique c'est qu'elle est folle).
Or, en étudiant l'histoire d'une autre manière, le tableau change considérablement.
En prenant de la distance du temps à l'échelle humaine pour adopter une perspective des siècles, le changement semble constant.
On découvre de nouveaux continents, des nouvelles manières de gouverner,
de s'habiller, à qui prier se transforment.
Il était un temps où les gens portaient d'étranges capes et labouraient la terre avec des instruments incommodes.
Il y a très longtemps, ils coupèrent la tête du roi.
D'antan, on voyageait dans de fragiles bateaux,
mangeait des yeux de moutons, utilisait des pots de chambres et on ne savait pas comment arranger les dents.
Japanese:
人類はあらゆる可能性を図り切ったと信じ、
まだ起こっていない現象があれば、そんな可能性など無いか、あるいは起こるべきで無いからと考える。
その結果、世界を変えようと思いを馳せるなど非常に疲れるだけになってしまった。
経済市場はすでに一杯なのだから起業など考える意味が無い。
すでに決まったルールがあるのに、新しい芸術への挑戦などしない。
新しい発想に真摯に向き合ったって、どうせすでにどこかに存在するか、ただの狂気かだ。
ところが、歴史の勉強の仕方を少し変えると、そういった味方がコロっと変わる。
ひとたび時間のスピードを速め、分秒の山を登って何世紀をも見渡すと、変化は常に存在していた。
新しい大陸が発見され、国家の統治方法は開拓されていき
服の着方や崇拝するものも形を変えていく
その昔人々はおかしな服を着て 、使い勝手の悪い器具で大地を耕していた。
そのまた昔には、彼らは王様の首をちょん切ったりもした。もっと昔には、頼りない船でおそるおそる旅をし、
羊の目玉を食べたり、寝室用便器などを設け、虫歯の治し方など知りもしなかった。
English:
We come to trust that human beings have fully mapped the range of the possible.
If something hasn’t happened, it’s either because it can’t happen – or it shouldn’t.
The result can be a deep wariness around imagining changing the world.
There's no point starting a new business
(the market must be full already)
pioneering a new approach to the arts
(everything is already set in a fixed pattern)
or giving loyalty to a new idea
(it either exists or is mad).
When we study history in a certain way, however, the picture changes sharply.
Once time is speeded up and we climb up a mountain of minutes, and survey the centuries, change appears constant.
New continents are discovered, alternative ways of governing nations are pioneered,
ideas of how to dress and whom to worship are transformed.
Once people wore strange cloaks and tilled the land with clumsy instruments.
A long time ago, they chopped the king’s head off.
Way back, people got around in fragile ships,
ate the eyeballs of sheep, used chamber pots and didn’t know how to fix teeth.
Turkish:
İnsanoğlunun olasılık aralığında tamamen eşlenmiş olduğuna bel bağladık.
Eğer bir şey gerçekleşmezse, bu ya mümkün olmadığından ya da olmaması gerektiğinden kaynaklanır.
Sonuç, dünyayı değiştirmenin hayal edilmesi etrafında derin bir uyanıklık olabilir.
Yeni bir işe başlamanın hiç bir anlamı yok
(piyasa çoktan dolmuştur)
sanata yeni bir yaklaşıma öncülük etmenin
(her şey zaten sabit bir biçimde desenlenmiştir)
ya da yeni bir fikre bağlılık duymanın
(ya çoktan vardır ya da delicedir).
Ancak, tarihi belirli bir şekilde incelediğimizde, resim keskin bir şekilde değişir.
Bir defaya mahsus zaman hızlansa ve biz birkaç dakikada bir dağa çıkıp yüzyılları incelersek, değişim sürekli olarak görünürdü.
Yeni kıtalar keşfedilir, yönetim uluslarına alternatif yollar öncülük eder,
nasıl giyinilmesi ve kime tapınılması düşüncesi dönüşüm geçirirdi.
Önceden insanlar garip pelerinler giyer ve toprağı biçimsiz aletlerle işlerlerdi.
Uzun zaman önce, kralın kellesini uçururlardı.
Eskiden, insanlar sağlam olmayan gemilerle dolaşıp,
kuzuların göz bebeklerini mideye indirip, lazımlık kullanıp, dişlerin nasıl düzeltileceğini bilmiyorlardı.
Spanish:
Llegamos a creer que los humanos han cubierto
todo el espectro de las posibilidades.
Si algo no ha sucedido aún, debe ser porque
no puede suceder, o porque no debería.
El resultado puede ser un profundo cansancio ante la posibilidad de imaginar cómo de cambiar el mundo.
No tiene sentido empezar un nuevo negocio.
(el mercado ya debe estar saturado).
Emprender un nuevo enfoque de las artes
(todo ya se ha asentado en un patrón definido)
o darle nuestra lealtad a una nueva idea
(o existe ya, o es una locura).
Aún así, cuando estudiamos la historia de cierta manera, el panorama cambia de inmediato.
Una vez que el tiempo se acelera; y subimos sobre una montaña de minutos; y estudiamos detalladamente los siglos: el cambio se nos devela constante
Nuevos continentes son descubiertos, maneras alternativas de gobernar naciones son exploradas
ideas sobre cómo vestirnos y a quién rendimos
culto son transformadas.
Alguna vez las personas utilizaron extrañas capas
y araron la tierra con instrumentos torpes.
Hace mucho tiempo, cortaron la cabeza de un rey.
Más atrás, las personas se movían en barcos frágiles
comían ojos de ovejas, usaban orinales
y no sabían como arreglar los dientes.
Arabic:
فنميل للتصديق بأن البشر قد رسموا خريطةً مكتملةً
لتحديد المستحيل واللامستحيل.
إن لم يحدث أمرٌ ما، فإما لأنه غير ممكن، أو لأنه لا يجب حدوثه.
سيقودنا هذا الاعتقاد إلى ضجرٍ مفرط عندما نتخيل إمكانية تغيير العالم فنقول:
لا فائدة من البدء بمشروع تجاري.
(فلا بدّ أن السوق ممتلئ بالفعل بالمتنافسين)
يمكنني ابتكار منهاج جديد للفن.
(ولكن كل شيء محدد في نمطٍ ثابت)
يمكنني تبني فكرةٍ جديدة.
(لكنها ستبدو موجودة من قبل أو مجنونة)
عندما ندرس التاريخ بشكل معين، تتغير الصورة بحدة لوهلة،
ومن ثم تسرع أكثر فكأننا متسلقين جبلاً من الدقائق لنستكشف القرون،
فيظهر لنا التغيير كأمرٍ مستمر.
اُكتشِفت قارات جديدة،
وابتكار طرقٍ بديلة لحكم الأمم،
وحدثت تحولات لطرق اللِبس، ومستحقي العبادة.
في زمنٍ ما، كان الناس يلبسون ثياباً غريبة
ويحرثون الأرض بآلاتٍ بدائية.
وفي زمنٍ أبعد، قطع الناس رقبة الملك.
وفي الماضي أيضاً، تجول الناس بسفنٍ ضعيفة،
وأكلوا أعين الغنم، واستخدموا القصرية
ولم يعرفوا تطبيب الأسنان.
Finnish:
Alamme uskoa, että ihmiset ovat läpikäyneet jo kaiken mahdollisen.
Jos jotain ei ole tapahtunut, niin se johtuu siitä, ettei se ole mahdollista - tai sen ei pitäisi tapahtua.
Seurauksena voi olla niin syvä ennakkopelko, että se estää jopa ajattelemasta maailman muuttamista.
Ei ole mitään mieltä perustaa uutta yritystä
( markkinoillahan ei ole enää tilaa )
taiteen alalla ei ole mitään mahdollisuuksia
( kaikkihan menee vanhan mallin mukaan )
uusiin ideoihin ei ole luottamista
( niitä ei ole tai ne ovat pähkähulluja ).
Muuttamalla suhtautumistamme historiaan, näkemyksemme avartuu ratkaisevasti.
Aikaa nopeuttamalla me kiipeämme minuuttien vuorille ja vuosisatoja tarkastellessamme muutos on jatkuvaa.
Uusia mantereita löydetään, vaihtoehtoisia vallankäyttötapoja kokeillaan,
pukeutumistapoja kehitellään ja uskonnolliset toimintatavat muuttuvat.
Aikoinaan ihmiset käyttivät outoja kaapuja ja muokkasivat maata kömpelöin työvälinein.
Kauan sitten he hakkasivat kuninkaalta pään irti.
Tuolloin ihmiset liikkuivat huterilla laivoilla,
söivät lampaiden silmiä, käyttivät pottia, eivätkä tienneet miten korjaisivat hampaansa.
Portuguese:
Chegamos a acreditar que os seres humanos já mapearam todas as possibilidades
Se alguma coisa não aconteceu, é porque não pode acontecer - ou não deveria.
O resultado pode ser um excesso de cautela somente imaginando mudar o mundo.
Não faz sentido iniciar um novo negócio
(O mercado já deve estar cheio)
explorar uma nova abordagem para as artes
(Tudo já está definido por um padrão)
ou ser leal a uma nova ideia
(Isto já existe ou é insano).
Quando estudamos a história, no entanto, o quadro muda drasticamente.
Uma vez que o tempo é acelerado e subimos uma montanha de minutos, e avaliamos os séculos, a mudança parece constante.
Novos continentes são descobertos, formas alternativas de governo são pioneiras,
ideias de como se vestir e quem venerar são transformadas.
No passado as pessoas usavam capas estranhas e cultivavam a terra com instrumentos bizarros
Há muito tempo atrás, eles cortavam a cabeça do rei.
As pessoas viajavam em a bordo de navios frágeis,
comiam olhos de ovelhas, usavam penicos e não sabiam como consertar dentes.
Malay (macrolanguage):
Kita pun mula menerima bahawa manusia telah memetakan sepenuhnya semua perkara yang mungkin.
Jikalau sesuatu belum terjadi, sama ada ia tidak boleh terjadi, atau ia tidak patut terjadi.
Hasilnya, boleh wujud dalam diri kita, penentangan impian untuk merubah dunia.
Tiada gunanya memulakan perniagaan baru, pasaran mestilah sudah penuh.
Mengorak langkah mencipta pendekatan baru kepada seni.
Semuanya telah ditetapkan dalam corak yang malar.
Atau, memberi kesetiaan kepada idea yang baru.
Ia sama ada wujud, atau adalah gila!
Namun, apabila kita mendalami sejarah dengan kaedah tertentu,
Gambarannya berubah mendadak.
Apabila masa telah dilajukan, dan kita mendaki gunung-gunung minit dan melihat kurun-kurun, perubahan rupanya sentiasa berlaku!
Benua baru ditemui, keadah lain untuk menadbir negara dimulakan, idea berkenaan apa untuk dipakai dan siapa yang harus disembah berubah,
Zaman dahulu, orang mengenakan jubah ganjil dan bertani menggunakan alatan cemerkap.
Suatu masa dahulu, mereka memenggal kepala seorang raja!
Dahulu juga, orang berlayar menggunakan kapal rapuh, memakan mata kambing biri-biri, membuang air besar dalam mangkuk bilik, dan tidak mahir membaiki gigi!
Indonesian:
Kita datang dengan keyakinan bahwa manusia sudah sampai batas kemampuannya
Jika ada sesuatu yang tidak terjadi, itu hanya karena itu tidak bisa - atau tidak mungkin
hasilnya adalah rasa gelisah mengenai usaha untuk merubah dunia
tidak ada gunanya memulai sebuah bisnis
(pasar sudah pasti penuh)
menemukan pendekatan baru dalam seni
(segalanya sudah diatur dalam pola khusus)
atau setia pada pandangan ide baru
(itu memang ada atau hanya hal gila)
Saat kita mempelajari sejarah dengan cara yang tepat, rupanya, gambaran itu berubah drastis.
Saat waktu dipercepat dan kita melangkah menit demi menit, dan memeriksa sejarah, perubahan nampak konstan
benua baru ditemukan, cara baru untuk memerintah negara ditemukan
ide bagaimana berpakaian dan siapa yang disembah berubah
Adanya orang yang mengenakan jubah aneh dan membajak ladang dengan alat yang janggal
Dahulu kala, mereka memenggal kepala sang Raja
semakin kebelakang, orang berkeliling dengan kapal yang rapuh
memakan bola mata domba menggunakan kuali, dan tidak mengetahui cara merapikan gigi
Portuguese:
Hoje estamos longe de tudo isso, sabendo - pelo menos em teoria - que as coisas mudam,
mas na prática - quase sem perceber - tendemos a nos distanciar
e distanciar a sociedade da crença de que estamos todos juntos nesta história turbulenta que está em curso.
e são, atualmente, os principais personagens
História - nós sentimos - é o que costumava acontecer;
ela não pode ser o que está acontecendo ao nosso redor - aqui e agora.
As coisas têm - pelo menos em nossa vizinhança - que estar estabelecidas
Para que sejamos mais ousados sobre a ideia de mudar as coisas como estão hoje
podemos recorrer a algumas linhas marcantes do poema, os Quatro Quartetos de TS Eliot:
Assim, enquanto a luz declina
Numa tarde de inverno, numa capela reclusa
A História é agora e Inglaterra.
Tardes de inverno, cerca de 16h, costumam estar resolvidas e estabelecidas
French:
De tout ça on peut retenir qu'en théorie les choses changent,
mais en pratique, et presque sans s'en apercevoir, on tend à se distancier (la société et soi-meme)
de la croyance pragmatique qu'on appartient à une narrative turbulente et continue
dont on est présentement les acteurs centraux.
On prétend que l'Histoire est ce qui se passait auparavant;
ça ne peut pas vraiment être ce qui se passe ici et maintenant.
Les choses se sont établies, du moins dans notre voisinage.
Pour se rendre plus brave face à l'idée que les choses continuent de changer,
on peut se recueillir dans les lignes du poème saisissant de T.S.Eliot "Les Quatres Quatuors"
Les après-midi d'hiver, vers 4h, se font habituellement sentir comme particulièrement résolues et établies,
Indonesian:
Kita telah melalui hal itu, mengetahui lewat teori, hal itu membuat perubahan
tapi dalam prakteknya - hampir tanpa sadar - kita cenderung menjauhinya
dan lingkungan kita sekarang dari hari ke hari percaya bahwa kita melalui gejolak narasi yang sama
dan dengan begitu, sekarang, merekalah pemeran utamanya
Sejarah, kita anggap, adalah yang memang telah terjadi
itu tak mungkin terjadi di sekitar kita sekarang
semua hal - di sekitar kita - setidaknya telah ditentukan
Untuk memberanikan kita tentang ide dalam mengubah sesuatu sekarang,
kita bisa mengutip sedikit bait dari puisi T.S.Elliot, sang Empat kuartet :
Jadi, sementara cahaya sore di musim dingin meredup, di kapel terpencil, sejarah adalah sekarang dan di Inggris
Sore di musim dingin, antara jam 16.00, biasanya memiliki nuansa yang tenang dan tegas
Finnish:
Käytyämme läpi kaiken tämän, tiedämme ainakin teoriassa, että maailma muuttuu,
mutta käytännössä etäännytämme itsemme
ja yhteiskuntamme tietoisuudesta, että mekin kuulumme tuon jatkokertomuksen pyörteisiin
ja että juuri nyt me olemme sen päähenkilöitä.
Historia on mielestämme menneisyyttä,
eikä sitä voi tapahtua meidän ympärillä tässä ja nyt.
Kehitys on, ainakin meidän alueellamme, jo päättynyt.
Saadaksemme rohkeutta muutoksen kohtaamiseen,
voimme lukea niin osuvasti asian ilmaisevia T.S. Elliotin säkeitä hänen runokokoelmastaan Neljä kvartettoa:
"Hämärän hiipiessä iltaan talven, kaukaisen kappelin. Historia on nyt ja Englanti."
Talvi-iltaisin, noin neljän aikoihin, meillä on taipumuksena tuntea olomme erityisen seesteiseksi,
Spanish:
Salimos de todo esto sabiendo, al menos en teoría, que las cosas sí cambian.
Pero en la práctica, casi sin darnos cuenta,
tendemos a distanciarnos, en nuestras propias sociedades,
de la creencia cotidiana acerca de nuestra pertenencia continua a la misma narrativa turbulenta,
y ahora en el presente somos sus actores centrales.
Sentimos que la historia es lo que solía pasar,
no puede ser lo que nos esté pasando en el aquí y en el ahora.
Las cosas, por lo menos alrededor nuestro, se han calmado.
Para tener más valentía sobre la idea de cambiar las cosas hoy en día,
podríamos referirnos a unas impresionantes líneas
que se encuentran en el ciclo de poemas de T. S Eliot "Cuatro Cuartetos":
Entonces, mientras la luz se desvanece
en una tarde de invierno, en una capilla recóndita
la historia es ahora e Inglaterra
Las tardes de invierno alrededor de las 4 de la tarde tienen el hábito
de hacerse sentir particularmente resueltas y establecidas,
especialmente en calladas capillas inglesas,
Japanese:
そんな時代からここまで来た。少なくとも理論上は物事は変化すると知っていた。
しかし実際には、ほとんど気づかないうちに私たちは、そして社会は、距離を置いていた。
終わる事無く荒々しい物語の中に自分達が存在しているという事を日常的に信じる事から、
そして私たち自身がいま現在、その中心に居る主人公だという事から。
歴史とは昔に起きた出来事だ。今ここで起きる私たちの身の回りの出来事が歴史になどなれない。
少なくとも私たちの周囲の世界はもう固定している。
「今日、物事を変える」という事に対しての私たちの考えをもっと勇気付ける為に、
イギリスの詩人T.S.エリオット の「詩の周期 : 四重奏」 の印象的な文に目を向けてみよう。
「冬の午後に光が落ちていく時、人里離れた礼拝堂の中で、歴史は今、そしてイギリスだ。」
冬の午後、それも夕方4時頃というのは、どうも決心の強い確立したような雰囲気を持つクセがある。
特にイギリスの静かな田舎の礼拝堂では。
Vietnamese:
Chúng ta đã xa khỏi tất cả những điều này, ít nhất là trong lý thuyết, rằng mọi thứ sẽ thay đổi,
nhưng trên thực tế - hầu như không nhận thấy - chúng ta thường có khoảng cách
và xã hội của chúng ta từ một niềm tin qua ngày rằng chúng ta thuộc về cùng một câu chuyện hỗn loạn đang diễn ra
và hiện tại, là các nhân vật trung tâm.
Chúng ta cảm nhận lịch sử là những gì đã từng thường xảy ra,
nó không thưicj sự là những gì xảy ra xung quanh chúng ta ở đây và hiện tại.
Những điều đó - ít nhất tring vùng lân cận của chúng ta - đã ổn định.
Để khiến chúng ta dũng cảm hơn về các ý tưởng thau đổi thế giới ngày nay,
chúng ta sẽ chuyển đến một số dòng nổi bật trong chu trình bài thơ của T.S.Eliot, Bốn Khúc Tứ Tấu:
Vậy, trong khi những ánh đèn phai mờ
Vào một buổi chiều mùa đông, trong một giáo đường hẻo lánh
Lịch sử là hiện tại và nước Anh.
Những buổi chiều mùa đông, khoảng 4 giờ, thói quen của cảm giác cụ thể được giải quyết và thiết lập,
Chinese:
從那裏看來,我們知道一切真的會改變
但實務上,我們不自覺的疏遠自我於現實
說服自己活在一程不變的混亂世界舞台上
而我們是演員
我們覺得歷史是發生過的事
不是現在正在發生的事
貼近我們的事情似乎塵埃落定
為了使我們對於改變更勇敢
可以參見 T.S. Eliot的詩集四個四重奏:
所以,當光線在冬天下午的夜晚灑在僻靜的教堂上,歷史是現在和英國
下午四點做佑的冬天,會使人感到特別有完成感和滿足
Turkish:
Bütün bunlardan uzaklaştık, en azından teoride biliyoruz ki, bunlar değişir
ama pratikte, neredeyse farkına varmadan, kendimizi uzaklaştırmaya eğiliyimliyizdir
ve bizim kendi toplumumuz günden güne,
aynı süregelen başıboş hikayeye ait olduğumuza inanır
ve tam şu anda, baş oyuncuları olduğumuza.
Tarih, bizim hissettiğimiz, gerçekleşmiş olandır;
gerçekten tam burada ve şu anda etrafımızda gerçekleşenler olamaz.
En azından çevremizdeki şeyler yerleşti.
Bugün bizi değişim fikri konusunda daha cesur yapan
T. S. Eliot'un şiir döngüsünde, Dört Dörtlüler'de göze çarpan bazı satırlara dönersek:
Böylece, ışık zayıflarken
Bir kışın öğleden sonrasında, tecrit
edilmiş bir şapelde
Tarih şimdidir ve İngiltere.
Kışın öğleden sonraları, dört gibi, özellikle kararlı ve yerleşik hissetmek gibi bir alışkanlığa sahip olmak,
Arabic:
نستخلص من هذا كله على الأقل نظرياً
بأن الأشياء تتغير،
،لكن عملياً ـ تقريباً بدون ملاحظتنا- نحن نميل لإبعاد أنفسنا ومجتمعنا،
عن الاعتقاد اليومي بأننا ننتمي لنفس السرد التاريخي المضطرب والمستمر،
ونعتقد بأننا في الوقت الحاضر نقوم بدور الممثلين الرئيسيين.
نشعر بأن التاريخ هو ما حدث بالماضي فقط،
ولا يمكن أن يكون التاريخ مايحدث حولنا الآن هنا وهناك،
فتبدو لنا الأمور - بجوارنا على الأقل- مستقرة ومنتهية.
لنكون اليوم أكثر شجاعةً للإيمان بفكرة التغيير،
ينبغي لنا ربما تذكر بعض الأبيات الآسرة من "سلسلة قصائد ت.س.إليوت"
،تحديداً “الرباعيات الأربع”:
"إذاً، بينما يخبو الضوء في وقت أصيل الشتاء
في كنيسةٍ صغيرةٍ منعزلة
التاريخ هو الآن، التاريخ هو انجلترا."
في أصيل الشتاء، أي في الرابعة مساءاً تقريباً
نشعرعادةً في هذا الوقت بالسكون والاستقرار،
Spanish:
Venimos de todo eso, sabiendo que al menos en teoría, las cosas sí que cambian.
Pero en la práctica -casi sin notarlo- tendemos a distanciarnos a nosotros mismos
y a nuestras sociedades de la creencia de que pertenecemos a la misma narrativa turbulenta.
y somos, en el presente, sus actores centrales.
Sentimos que la historia
es lo que solía suceder
y realmente no puede ser lo que pasa
a nuestro alrededor aquí y ahora.
Las cosas, al menos a nuestro alrededor,
se han asentado.
Para hacernos más valientes sobre la idea
de cambiar las cosas hoy
podríamos recurrir a algunas frases de la antología de poemas de T.S. Elliot: "Los Cuatro Cuartetos".
Así, mientras se desvanece la luz
Sobre un anochecer invernal, en una aislada capilla,
La historia es ahora e Inglaterra.
Las tardes de invierno, sobre las 4:00 p.m. se sienten particularmente resueltas y establecidas
Malay (macrolanguage):
Kita berlalu dari semua ini, mengetahui sekurangnya secara teori, bahawa semua perkara berubah.
Tapi dalam hidup, hampir tanpa sedar, kita cenderung memisahkan diri dan masyarakat kita dengan
kepercayaan sehari-hari bahawa kita tergolong dalam situasi bergolak dan berterusan yang sama.
dan buat masa ini, penggerak-penggerak utamanya.
Sejarah, kita merasai, ialah apa yang pernah terjadi, ia tidak boleh menjadi apa berlaku kepada kita di sini dan sekarang!
Perkara-perkara, sekurangnya yang hampir dengan kita, telah pun malar.
Untuk memberanikan diri kita akan idea untuk mengubah perkara pada hari ini,
Kita boleh menoleh ke arah bait-bait yang menarik perhatian dalam kitaran puisi The Four Quartets, oleh T.S Elliot.
"Maka, apabila fajar berakhir/ pada petang musim sejuk/ dalam sebuah gereja terpencil/ Sejarah ialah Sekarang dan England"
Petang musim sejuk sekitar 4 petang cenderung mempunyai sifat termeterai dan termaktub,
terutamanya dalam gereja luar bandar yang terpencil di England.
English:
We come away from all this, knowing at least in theory, that things do change,
but in practice – almost without noticing – we tend to distance ourselves
and our own societies from a day-to-day belief that we belong to the same ongoing turbulent narrative
and are, at present, its central actors.
History, we feel, is what used to happen;
it can’t really be what is happening around us in the here and now.
Things have – in our vicinity at least – settled down.
To make us braver about the idea of changing things today,
we might turn to some striking lines in T. S. Eliot’s cycle of poems, the Four Quartets:
Winter afternoons, around 4pm, have a habit of feeling particularly resolved and established,
Malay (macrolanguage):
kebanyakannya wujud semenjak Zaman Pertengahan.
Udara dalam gereja tersebut adalah malar dan lembap, batuan berat yang menjadi lantai gereja lambat laun
semakin haus oleh geselan kaki pelawatnya.
Sini bukanlah tempat dan masa untuk berfikir tentang mengubah dunia.
Semuanya menandakan kita akan menjadi lebih bijak untuk menerima perkara seadanya.
Berjalan merentas ladang-ladang, menyalakan unggun api, dan bersiap untuk petang yang senyap.
Justeru, baris ketiga Elliot adalah amat mengejutkan. Penegasannya, "Sejarah ialah Sekarang dan England".
Dalam erti kata lain, apa yang kita anggap sebagai sejarah, cuban takbur oleh orang yang agung,
perubahan mendadak dalam nilai hidup, penanyaan berani akan kepercayaan yang lama dipegang,
penggulingan aturcara hidup yang lama, semua ini masih berlaku, walaupun pada masa kini,
di tempat-tempat yang nampaknya aman, seperti tidak berubah, contohnya perkampungan Shamley Green di Surrey,
tempat di mana Elliot Green menulis puisinya.
Kita tidak menyedarinya, hanya kerana kita berdiri terlalu hampir.
Dunia sedang dibuat dan dibuat semula dalam setiap detik.
Spanish:
especialmente en las capillas rurales inglesas, muchas de las cuales pertenecen a la edad media.
El aire en esas capillas está detenido y enmohecido.
Los pesados pisos de piedra se han ido gastando lentamente con las pisadas de los creyentes.
Estos no son lugares ni tiempos
para pensar en cambiar el mundo
todo parece indicar que sería mejor aceptar
la manera en la que son las cosas
caminar de vuelta a casa a través de los campos, encender un fuego y acomodarnos para
una tarde tranquila.
De allí la sorpresa de la tercera línea
de Eliot, su resonante:
"La historia es ahora e Inglaterra".
En otras palabras, todo lo que asociamos con historia
la impetuosa valentía de grandes personas,
la dramática alteración de los valores.
el revolucionario cuestionamiento de antiguas creencias, la revolución del viejo orden...
Y todo esto sigue pasando.
Incluso en este mismo momento,
en tranquilos lugares sin cambio aparente
como el área rural cerca de Shamley Green
en Surrey, donde Eliot escribió su poema.
No lo vemos porque estamos demasiado cerca.
El mundo se está creando y recreando en cada instante.
Chinese:
特別是在英國國家級教堂,許多都是從中世紀開始
裡面的空氣靜謐充滿霉味
厚實的石板地悄悄地因虔誠者的踩踏剝蝕
這不是思索改變世界的地方
似乎隱含著應該接受事情本身的樣子
沿著田地走回家、生火,享受寧靜的傍晚
所以艾略特的第三行看起來才令人驚訝:
歷史是現在和英國
換句話說,所有與歷史相關的東西
偉人的膽量、價值觀的劇變
對於長期信仰的質疑,對舊有秩序的顛覆
這些都持續發生著
即使是現在這一刻,看似祥和沒有改變的地方
像是近Shamley Green的鄉村,也是艾略特寫這首詩的地方
我們看不見改變因為我們身在其中
每個片刻世界都在重新塑造
Turkish:
özellikle sessiz İngiliz şapellerinde, çoğu orta çağlara uzanan.
Böyle şapellerdeki hava durgun ve küf kokulu.
Ağır taş tabanları, yavaş yavaş vefalı olanların ayaklarıyla yıpranmıştı.
Bunlar dünyayı değiştirmeyi düşünmenin ne yeri ne de zamanı,
her şey, her şeyi olduğu gibi kabul etmemizin bizi daha akıllı yapacağını ima ediyor,
çayırlardan eve geri yürüyünce, bir ateş yak ve sessiz bir akşam için sakinleş.
Dolayısıyla, Eliot'un üçüncü dizesinin sürprizi, rezonansı:
‘Tarih şimdidir ve İngiltere.’
Diğer bir deyişle, tarihle ilişkilendirdiğimiz herşey
büyük insanların fevri cüretkarlılığı, değerlerindeki belirgin değişim,
uzun süredir devam eden inançların devrimsel sorgulanması, eski düzenin yeniden düzenlenmesi
bütün bunlar hala meydana geliyor,
şu anda bile, dışarıdan barışçıl, görünüşte değişmeyen yerlerde
Eliot'un şiirini yazdığı Surrey'deki Shamley Green yakınlarındaki kırsal alanda olduğu gibi.
Biz sadece çok yakında durduğumuz için onu görmüyoruz.
Dünya her an yapılanıyor ve yeniden oluşuyor.
Arabic:
خاصةً في كنائسٍ صغيرة في قرية إنجليزية هادئة
معظمها يعود إلى القرون الوسطى.
الهواء في مثل هذه الكنائس ساكنٌ ونَتـن،
تبلى الأرضية الحجرية الثقيلة
ببطء من وقع أقدام الزوار المخلصين،
هذه ليست أماكن أو أوقات للتفكير بتغيير العالم.
يلمح كل شيء حولنا إلى مقدار ما سنكون عليه من حكمة
إن تقبلنا الأمور كما هي عليه.
عُد ماشياً للمنزل عبر الحقول،
أشعل الضوء وأجلس ساكناً لليلة هادئة،
وهنا نتذكر مفاجأة السطر الثالث الرنان لإليوت:
“التاريخ هو الآن، التاريخ هو انجلترا”
وبصيغة أخرى، كل الأمور التي نربطها بالتاريخ،
كجرأة الأشخاص العظماء المتهورة
وتبدل القيم بطريقة درامية،
التساؤلات الثورية حول المعتقدات القديمة،
وانقلاب النظم القديمة،
كل هذا ما زال مستمراً.
حتى في هذه اللحظة،
في الأماكن التي تبدو هادئة من الخارج
وغير المتغيرة ظاهرياً،
مثل الريف بقرب “شاملي قرين” في “سوري” حيث كتب إليوت قصيدته،
نحن لا نرى الأمر لأننا نقف على مقربة كبيرة منه.
يُصنع العالم ويعاد صنعه في كل لحظة،
Japanese:
中世の時代では、そういった礼拝堂の中の空気はしんとしていてカビ臭く、
重い石で出来た床は信仰心のもたらす足によってゆっくりとすり減っていく。
それはとても世界を変えるなどと考える時と場所ではなかった。
そのままの物事を受け入れる事が賢い事だと全てが訴えるかのようだ。
それならば野原を歩いて家路に着き、暖炉に火を着け静かな夜に落ち着いていく
それゆえにエリオットの3行目の衝撃、彼の「歴史は今とイギリスだ」が深く共鳴してゆく。
つまり、私たちが歴史と関連付ける全ての事柄
衝動的で大胆な偉大な人々、劇的な価値観の変化、
長い間信じられてきたものへの革命的な問い、
塗り替えられた古い秩序、これら全ては、今この瞬間にもいまだに起き続けている。
エリオットが詩を書いたシャムリーグリーンやスリーのような一見平和で変化の無い田舎でも。
私たちは近すぎて見えていないだけだ。
世界はすべての瞬間に作られ、また作り直され、
Spanish:
muchas de las cuales datan de la Edad Media.
El aire en tales capillas está quieto y húmedo.
Los pasos de los fieles lentamente han gastado los pesados suelos de piedra.
Estos no son momentos ni lugares
para pensar en cambiar el mundo.
Todo nos sugiere que lo más sabio es aceptar las cosas como son.
Caminar de vuelta a casa a través de los prados,
encender la chimenea y prepararse para una velada tranquila.
He aquí la sorpresa de la tercera línea de Eliot, su resonante:
la historia es ahora e Inglaterra.
En otras palabras, todo lo que asociamos con la historia,
el ímpetu atrevido de los grandes hombres,
la alteración dramática en los valores,
el cuestionamiento revolucionario de antiguas creencias,
el establecimiento de un nuevo orden.
Todos esto sigue sucediendo, incluso en este momento,
en lugares que se ven pacíficos, que aparentemente no cambian,
como la pradera cerca de Shamley Green en Surrey, donde Eliot escribió su poema.
No lo vemos solamente porque estamos demasiado cerca.
El mundo se arma y se desarma en cada instante,
English:
especially in quiet English country chapels, many of which date back to the middle ages.
The air in such chapels is still and musty.
The heavy stone floors have been slowly worn away by the feet of the faithful.
These are not places and times to think about changing the world,
everything hints that we would be wiser to accept the way things are,
walk back home across the fields, light a fire and settle down for quiet evening.
Hence the surprise of Eliot’s third line, his resonant:
‘History is now and England.’
In other words, everything that we associate with history –
the impetuous daring of great people, the dramatic alterations in values,
the revolutionary questioning of long-held beliefs, the upturning of the old order –
all this is still going on,
even at this very moment, in outwardly peaceful, apparently unchanging places
like the countryside near Shamley Green, in Surrey, where Eliot wrote his poem.
We don’t see it only because we are standing far too close.
The world is being made and remade at every instant.
Portuguese:
especialmente em tranquilas capelas inglesas, muitass das quais remontam à Idade Média.
O ar em tais capelas é calmo e mofado
Os pisos pesados de pedra foram lentamente desgastados pelos pés dos fiéis.
Estes não são os lugares e momentos para pensar em mudar o mundo,
tudo sugere que seria mais sensato aceitar a forma como as coisas são,
caminhar de volta para casa pelos campos, acender uma fogueira e se estabelecer para a noite tranquila.
Daí a surpresa da terceira linha de Eliot, seu ressonante:
"A história é agora e Inglaterra.
Em outras palavras, tudo o que nós associamos com a história -
a ousadia impetuoso de gente grande, as alterações drásticas nos valores,
o questionamento revolucionária de crenças de longa data, o mudança na antiga ordem
tudo isso ainda está em curso,
mesmo neste momento, em locais aparentemente pacíficos, aparentemente imutáveis
como o campo perto de Shamley Green, em Surrey, onde Eliot escreveu seu poema.
Nós não o vemos só porque estamos aqui parados bem próximos
O mundo está sendo feito e refeito a cada instante.
Finnish:
aivan erityisesti rauhallisissa englantilaisissa maalaiskappeleissa, joista monet ovat jo keskiajalta.
On kuin ilma ja aika olisivat pysähtyneet.
Raskaat kivilattiat ovat kuluneet hiljalleen uskovien askeleista.
Nämä eivät ole paikkoja, joissa maailman muutos tulisi helpolla mieleen,
koko ympäristö huokuu että asiat olisi viisaampi hyväksyä sellaisinaan,
palata kotiin läpi talvisten peltojen, sytyttää takkaan tuli ja asettua rauhallisen koti-illan viettoon.
Näin ollen onkin yllättävää, miten sointuisasti tuo Elliotin värssy päättyy:
"Historia on nyt ja Englanti."
Toisin sanoen, kaikki minkä me miellämme historiaksi -
suurmiesten ja -naisten pelottomuus, arvojen dramaattiset muutokset,
iänaikaisten uskomusten kyseenalaistaminen ja vanhan järjestyksen uudeksi vaihtuminen -
tuo kaikki on edelleen meneillään,
jopa juuri tällä hetkellä, ulkoisesti rauhallisissa, selvästikin muuttumattomissa paikkoissa,
kuten maaseudulla Shamley Greenin lähellä, Surreyssa, missä Elliot kirjoitti runonsa.
Me emme näe sitä, sillä olemme liian lähellä sitä.
Maailmaa luodaan ja sitä uusitaan joka ikinen hetki.
French:
surtout dans les chapelles de la calme campagne anglaise, qui datent souvent du Moyen-Age.
L'air dans ces chapelles est dormant et renfermé.
Les lourdes dalles du sol ont été doucement érodées par les pas des fidèles.
Ce ne sont ni des moments ni des endroits où songer à changer le monde,
tout ici suggère qu'il serait plus sage d'accepter l'ordre des choses,
de rentrer à travers les champs, allumer un feu et s'installer pour une tranquille soirée.
Ceci explique la surprise résonnante d'Eliot, à la 3ème ligne:
"L'Histoire est maintenant et l'Angleterre".
C'est à dire que tout ce qu'on associe à l'histoire
le courage impétueux de héros, le changement spectaculaire des valeurs,
le questionnement de croyances de longues dates, le renversement d'ordres établis -
tout ça continue,
même aux fins fonds de la campagne paisible
comme à Shamley Green, dans le Surrey, où Eliot écrit son poème.
On ne s'en rend pas compte car on le regarde de bien trop près.
Le monde est entrain d'être fait et refait à chaque instant.
Indonesian:
terutama di kapel pedesaan Inggris, digambarkan saat abad pertengahan
Suasana di dalamnya terasa kedap dan lembap
Lantai dari batu besar sudah terlihat terkikis oleh kaki para hamba
Ini bukanlah tempat yang tepat untuk memikirkan cara merubah dunia
semuanya membuat kita nampak terlihat lebih bijak jika kita menerima segalanya memang semestinya terjadi
berjalan pulang melewati lapangan, menyalakan lentera dan menikmati malam yang tenang
Namun demikian, mengejutkan dengan bait ketiga Elliot, yang berkata :
Sejarah adalah sekarang dan di Inggris
dengan kata lain, segala yang kita yankini mengenai sejarah
Tokoh pemberani yang dikuasai nafsu, perubahan moral yang dramatis
pertanyaan revolusioner terhadap agama yang telah lama dipercaya, pembelotan terhadap perintah leluhur
semuanya masih berlangsung
bahkan saat sekarangpun, yang terlihat damai, dengan semu tanpa terlihat
seperti di pinggiran desa Shamley Green, Surrey, dimana Elliot menulis puisinya.
Kita tidak melihatnya karena kita memandangnya terlalu dekat
Dunia sedang berubah dan berlangsung sangat cepat
Vietnamese:
đặc biệt trong những nơi cầu nguyện yên tĩnh của người Anh trên đất nước, rất nhiều trong số chúng có từ thời Trung Cổ.
Không khí trong những nhà cầu nguyện vẫn như vậy và ẩm mốc.
Các sàn đá nặng nề đã dần dần bị mòn bởi bàn chân của các tín hữu.
Chúng không phải là nơi thích hợp và dành thời gian để nghĩ về việc thay đổi thế giới,
mọi thứ gợi ý rằng chúng ta sẽ khôn ngoan hơn để chấp nhận mọi thứ đang diễn ra,
đi bộ trở về nhà qua các cánh đồng, đốt lửa và dọn dẹp yên tĩnh cho buổi tối.
Do đó sự ngạc nhiên của dòng thứ ba của Eliot, tiếng vọng lại của ông:
''Lịch sủe là hiện tại và nước Anh.''
Theo cách khác, mọi thứ mà chúng ta liên kết với lịch sử
sự dũng cảm bốc đồng của những người vĩ đại, những thay đổi mạnh mẽ trong các giá trị,
cuộc cách mạng đặt câu hỏi về niềm tin lâu năm, sự đảo ngược của trật tự cũ -
tất cả vẫn còn đang tiếp diễn,
thậm chsi ở thời điểm hiện tại, ở những nơi yên tĩnh bên ngoài, dường như không thay đổi
giống như vùng quê gần Shamley Green, tại Surrey, nơi mà Eliot đã viết vài thơ của ông.
Chúng ta không thấy nó chỉ bởi vì chúng ta đang đứng quá xa để gần lại.
Thế giới được làm nên và làm lại tại mỗi thời điểm.
Arabic:
ولهذا لدى كل واحدٍ منا الفرصة المجردة ليكون عميلاً مشاركاً في التاريخ،
سواءً على مستوىً كبير أو ضئيل،
يسمح لنا زماننا ببناء مدينة جديدة
كل ما فيها جميل كجمال فينيسيا،
وتغيير الأفكار بطريقة جذرية كطريقة عصر النهضة،
وبدء حركاتٍ ثقافية مجلجلة كالحركات البوذية.
لوقتنا الحاضر كل مصادفات واحتمالات الماضي،
لكنه أكثر طواعيةً بكل جزء فيه،
لا يجب أن يخيفنا.
كيف نحب، ونسافر، ونتذوق الفنون، ونحكم، ونعلّم أنفسنا، وندير تجارةً، نعمّر ونموت.
كل هذه الأمور قابلة للتطور بالمستقبل.
ربما تظهر وجهات النظر الحالية وكأنها مُحكمة
لكن هذا فقط لأننا نبالغ في إحكامها وثباتها.
معظم الأمور الموجودة حولنا ماهي إلا اعتباطية ،ليست حتمية أو صحيحة،
ببساطة هي نتيجة فوضى وأحداث عَرَضية.
يجب علينا، حتى بفترة غروب الشمس بعد أصيل الشتاء، أن نتحلى بالثقة في قدرتنا على الانضمام إلى مجرى التاريخ،
وتغيير مجراه ودورته ولو بشكلٍ بسيط.
ترجمة: فريق أترجم @autrjim
Spanish:
y por tanto, cualquiera de nosotros tiene, teóricamente, la oportunidad de ser un agente en la historia,
ya sea a una escala pequeña o grande.
Está disponible en nuestra época el construir una nueva ciudad tan hermosa como Venecia,
de cambiar de ideas tan radicalmente como en el Renacimiento,
comenzar un movimiento intelectual con tanta repercusión como el budismo.
El presente tiene toda la contingencia del pasado,
y es igual de maleable.
No debería intimidarnos.
Cómo amamos,
viajamos,
vemos las artes,
gobernamos,
nos educamos,
hacemos negocios,
envejecemos y morimos,
todo eso puede desarrollarse más.
Las visiones contemporáneas se pueden ver firmes,
pero eso es porque exageramos su inmovilidad.
La mayoría de lo que existe es arbitrario, no es inevitable ni tampoco correcto,
es simplemente el resultado de la confusión y la coincidencia.
Debemos tener confianza, incluso en los atardeceres de invierno,
en nuestro poder para unirnos a la corriente de la historia,
y, aunque sea de forma modesta, cambiar su rumbo.
French:
De ce fait, chacun d'entre nous à en théorie le potentiel d'être un acteur de l'histoire
sur la grande et petite échelle.
Il en tient à notre présent de construire de nouvelles villes aussi somptueuses que Venise,
de changer les idées aussi radicalement qu'à la Renaissance,
de lancer un courant intellectuel qui retentisse autant que le Bouddhisme.
Le présent contient le même potentiel d'éventualité que passé - et est tout aussi malléable.
Ca ne devrait pas nous initimider.
Notre façon d'aimer, de voyager, d'apprécier l'art, de gouverner, de s'éduquer, de gérer une entreprise, de vieillir et de mourrir
seront tous amenés à changer.
Les visions actuelles semblent stables mais seulement parce qu'on exaggère leur fixité.
La majorité de ce qui existe est arbitraire, ni inévitable ni juste, mais le simple résultat d'un hasard désordonné.
Même au crépuscule d'après-midi d'hiver, nous devrions avoir confiance en notre pouvoir de participer au courant de l'hisoire
et à le changer, même modérément.
Japanese:
つまり私たち誰もが大なり小なり歴史を作る理論的なチャンスを持っている。
隅から隅までベニスの様に美しい新しい街を作る事も、ルネッサンスの様に発想を急進的に変える事も、
仏教の様に知的活動を鳴り広める事も、私たちの時代にもその扉は開いている。
現在も、過去の持っていた全ての偶然性を秘めている。どんな事でも可能性がある。
その事実は恐れられるべき事では無い。
どの様に愛し、旅をし、美術に向き合い、政治を行い、学び、経営を行い、
年を重ね、死にゆくかは、全てさらなる進化への意欲だ。
今現在の視界は固定している様に見えるかもしれないが、ただ私たちが大げさにその不変性をとらえるからだ。
存在するものほとんどが必然的でも正しいわけでもなく、勝手に作られている。
単純に支離滅裂な混乱と偶然だ。
私たちは自信を持つべきだ。たとえ冬の夕暮れ時でも
歴史の流れに参加する私たちの力に、
どんなにつつましくとも、歴史の流れを変えて行ける事に。
English:
And therefore any one of us has a theoretical chance of being an agent in history,
on a big or small scale.
It is open to our own times to build a new city every bit as beautiful as Venice,
to change ideas as radically as the Renaissance,
to start an intellectual movement as resounding as Buddhism.
The present has all the contingency of the past – and is every bit as malleable.
It shouldn't intimidate us.
How we love, travel, approach the arts, govern, educate ourselves, run businesses, age and die
are all up for further development.
Current views may appear firm, but only because we exaggerate their fixity.
The majority of what exists is arbitrary, neither inevitable nor right, simply the result of muddle and happenstance.
We should be confident, even at sunset on winter afternoons, of our power to join the stream of history
– and, however modestly, change its course.
Vietnamese:
Và vì vậy bất cứ ai trong số chúng ta có một cơ hội lý thuyết thay đổi để trở thành một tác nhân trong lịch sử,
trên những thước đo to hoặc nhỏ.
Đó là mở cửa cho thời đại của chúng ta để xây dựng một thành phố mới mỗi chút đẹp như Venice,
để thay đổi những ý tưởng triệt để như thời kỳ Phục Hưng,
để bắt đầu một phong trào trí thức vang dội như Phật giáo.
Hiện tại có tất cả các sự kiện của quá khứ - và là mỗi một chút rất dẻo dai.
Không nên đe dọa chúng ta.
Làm thế nào chúng ta yêu thích, du lịch, tiếp cận nghệ thuật, cai trị, giáo dục bản thân, kinh doanh, tuổi tác và chết,
tất cả dựng lên cho một sự phát triển xa hơn nữa.
Những quan điểm hiện tại có vẻ công khai, nhưng chỉ vì chúng ta phóng đại sự cố định của chúng.
Phần lớn những gì tồn tại là tùy tiện, không thể tránh khỏi hay đúng đắn, chỉ đơn giản là kết quả của sự lộn xộn và tình cờ xảy ra.
Chúng ta nên tự tin, ngay cả khi hoàng hôn vào buổi chiều mùa đông, về quyền lực của chúng để tham gia dòng lịch sử
và, tuy nhiên bằng cách khiêm tốn, thay đổi khóa học của mình.
Spanish:
Y en ese sentido cada uno de nosotros tiene la posibilidad de ser un agente de cambio en la historia
en mayor o menor escala.
Está abierto a nuestros propios tiempos construir
una ciudad tan bella como Venecia
cambiar ideas, tan radicalmente como el Renacimiento.
empezar un momiviento intelectual
tan resonante como el budismo.
El presente tiene todas las contingencias del pasado,
y es igual de maleable.
No debería intimidarnos.
Como amamos, viajamos, nos acercamos al arte, gobernamos, nos educamos, llevamos negocios, envejecemos y morimos.
Siguen en posición de ser desarrollados.
Las visiones actuales pueden parecer firmes, pero sólo porque exageran su firmeza.
La mayor parte de lo que existe es arbitrario, pero no es inevitable, ni correcto. Simplemente el resultado de la confusión y la casualidad.
Deberíamos sentirnos confiados, incluso al final de las tardes de invierno, de nuestro propio poder de unirnos a la corriente de la historia.
y, tan modestamente como podamos,
cambiar su curso.
Malay (macrolanguage):
Maka, setiap daripada kita mempunyai peluang untuk menjadi pemangkin sejarah, sama ada dalam skala kecil atau besar.
Ia terbuka dalam waktu kita, untuk membina sebuah bandar baru yang secantik Venice,
untuk mengubah idea kepada yang sama radikalnya dengan Renaissance,
untuk memulakan perubahan intelektual yang sama berpengaruh dengan ajaran Buddha.
Zaman sekarang mempunyai prasyarat yang sama dengan zaman dahulu, dan boleh diubah sepertinya.
Ia tidak patut menakutkan kita, cara kita mencintai, meneroka, menghampiri seni,
menadbir, mendidik diri, menguruskan perniagaan, meniti usia, dan meninggal, semuanya boleh diperkembang.
Pandangan sekarang mungkin kelihatan tetap, tetapi hanya kerana kita terlebih menjangka ketetapan ia.
Kebanyakan yang wujud adalah tidak tetap.
Bukanlah tidak boleh dielak atau benar, semata-mata kerana keadaan berbaur dan kebetulan.
Kita sepatutnya yakin, walaupun ketika matahari sedang terbenam pada petang musim sejuk,
akan kuasa kita untuk menyertai aliran sejarah, dan walau sekecil mana pun, mengubah haluannya.
Finnish:
Siksipä jokaisella meistä on teoreettinen mahdollisuus tehdä historiaa,
suuressa tai pienessä mittakaavassa.
Omalla ajallamme on täydet mahdollisuudet rakentaa kauneudeltaan Venetsian kaltaisia kaupunkeja,
muuttaa ajatustapojamme yhtä perusteellisesti kuin renessanssin aikana,
laittaa alulle jopa buddhalaisuuden veroisia älyllisiä liikkeitä.
Nykyajalla on samat mahdollisuudet kuin ennenkin - se on läpeensä muokattavissa.
Sen ei pitäisi estää meitä.
Miten me rakastamme, matkustamme, suhtaudumme taiteisiin, hallitsemme ja sivistämme itseämme, yritämme, vanhenemme ja kuolemme
ovat kaikki avoimia edelleen kehitettäviksi.
Nykynäkemykset saattavat vaikuttaa vankoilta, mutta vain siksi että liioittelemme niiden pysyvyyttä.
Valtaosa olemassaolevasta on keinotekoista, ei välttämätöntä tai oikein, vaan sekasotkun ja sattuman tulosta.
Meidän kannattaa luottaa, jopa auringonlaskun aikaan ja talvi-iltaisin, omiin mahdollisuuksiimme heittäytyä historian virtaan
ja vaikka kuinka vaatimattomasti, muuttaa sen kulkua.
Indonesian:
dan karena itu setiap orang dari kita punya kesempatan teoritis dalam menjadi pelaku sebuah sejarah,
dalam skala yang besar maupun kecil
itu terserah pada kita untuk membangun kota baru secantik Venesia
untuk mengubah pandangan seradikal masa Renaisans
untuk memulai gerakan intelektual sebaik Buddhisme
Masa sekarang punya hubungan dengan kemungkinan di masa lampau - yang setiap detilnya, dapat dilakukan
itu seharusnya tidak menjatuhkan kita
bagaimana kita menyayangi, berkelana, menghargai seni, memimpin, belajar mengenai diri sendiri, menjalankan bisnis, berumur dan meninggal
semuanya untuk pengembangan di masa depan
kelihatannya sekarang semua telah ditetapkan, tapi itu hanya karena kita melebih-lebihkan keadaan
segalanya yang ada itu sementara, bisa diterima atau tidak, tinggal dari hasil kegagalan dan kebetulan
kita harus percaya, bahkan pada matahari yang terbenam di sore musim dingin, kemampuan kita untuk menyelami arus sejarah
dan, bagaimanapun, dengan rendah hati, menentukan jalan kita.
Portuguese:
E, portanto, qualquer um de nós tem uma chance teórica de ser um agente na história,
em uma escala grande ou pequena.
Está aberto para nós, no tempo atual para construir uma nova cidade tão bonita quanto Veneza,
para mudar ideias tão radicalmente quanto a Renascença,
para iniciar um movimento intelectual como o budismo.
O presente tem toda a contingência do passado - e é tão maleável.
Ele não deve intimidar-nos.
A forma que amamos, viajamos, nos aproximamos das artes, governamos, educamos, gerenciamos empresas, envelhecemos e morremos
estão todos lá para serem desenvolvidos.
visões atuais podem parecer fixas, mas só porque nós exageramos em sua solidez.
A maior parte do que existe é arbitrária, nem inevitável nem certa, simplesmente o resultado de confusão e casualidade.
Devemos estar confiantes, mesmo ao pôr do sol nas tardes de inverno, do nosso poder de juntar-nos à história
- e, no entanto modestamente, mudar o seu curso.
Chinese:
因此每個人都是改變世界的一員
不管程度大或小
現在我們可以建造像維也納一樣美的城市
或是像文藝復興大幅改變想法
像佛教興起一樣散播思潮
現在和過去一切的情況相當可鑄造
它不應當使我們感到畏懼
我們如何去愛、旅行、看待藝術、管理、教育自己、做生意、成長與死亡
都很有未來發展性
目前的價值觀看似穩固,但這個穩固性被我們誇飾了
現存的東西大部分屬於隨機,並非不可避免也不一定正確,一切只是碰巧發生的結果
我們應保持自信參與歷史改變的洪流,即使是在冬季下午的黃昏
而,不管多麼微弱地,改變它的方向
Turkish:
Ve bu yüzden, herhangi birimiz, tarihte büyük ya da küçük ölçekte
bir ajan olma ihtimaline sahiptir.
Venedik kadar güzel, her seferinde yeni bir şehir inşa etmek kendi zamanlarımızda olasıdır,
Rönesans gibi fikirleri radikal olarak değiştirmek,
Budizm gibi çınlayan entelektüel bir hareket başlatmak.
Günümüz, geçmişin bütün olasılıklarına sahiptir ve onun kadar her türlü şekle girebilir.
Bu gözümüzü korkutmamalı.
Nasıl sevdiğimiz, nasıl seyahat ettiğimiz, sanata nasıl yaklaştığımız, kendimizi nasıl kontrol ettiğimiz, eğittiğimiz, işlerimizi yürüttüğümüz, yaşlandığımız ve öldüğümüz
hepsi gelişmektedir.
Mevcut görüşler, ancak sabitliklerini abarttığımız için sağlam görünebilir.
Var olanların çoğu rastlantısal, ne kaçınılmaz ne de doğrudur, basitçe karmaşanın ve tesadüfün sonucudur.
Bir kış öğleden sonrası gün batımında bile, tarihin akışına katılma gücümüzden emin olmalıyız.
ve ancak tevazuyla, onun rotasını değiştirin.
Japanese:
"オンラインショップで私たちの本、文具、ギフトなど幅広い商品をご覧になれます"
”100万を超えた私たちのフォロワーに参加しチャンネル登録しませんか”
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this example says that the liquid shown in
figure in the two arms, of this u tube are
mercury and water.
we are also given the specific gravity of
mercury. and it is saying the difference in
heights of mercury column is two centimeter.
we are required to find the height of the
water column.
let us consider the height of water column
is h . and in solution we can simply find.
first, pressure.
at point ay, if we find out the pressure at
ay this can be directly calculated as p-atmospheric
plus h. ro of water into g as density of water,
will take because of , gawge pressure due
to the weight of, water column of height h.
similarly in the other side of tube we can
find.
pressure at point b, this can be given as
p-b. which is equal to p-atmospheric plus,
as the, length of mercury column above the
point b is two centimeter we can directly
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where this 2 centimeter i am taking as h-1.
and we know well that, ay and b both are , at
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the values this p-atmospheric gets cancelled
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substitute it two into 13 point 6 that will
be 27 point 2 centimeter, that is the answer
of this problem, this is the height of the
water column above point ay in the left arm
of u tube.
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(calm intro)
- I'm on Highway 26,
which is also known
as Main Street.
This is Jefferson.
(sprightly music)
- Look at that,
look at that. Oh!
(applause)
- So, John said meet me on the
west side of the Rock River,
right by the dam in
view of the island,
there's the island,
there's the dam,
and here's John Gurda.
Hi John!
- Hey John!
- How are you?
- Pretty good.
- So lets talk about how
did this happen, Jefferson?
- It's another river story.
When the first Yankees
arrived here back in 1836
they saw the confluence
of the Crawfish
and the Rock Rivers and
they said, water power.
So, pretty soon they
built a low rise dam
that powered first a
sawmill, then a flour mill,
then a woolen mill
building still here.
And that helped Jefferson become
kind of a small scale industrial
center over the years.
They made everything from
shoes to chairs, and also
kind of a trading center
for the rural farming area.
- [John M.] It's a story
that sounds familiar,
we've heard it before!
- We've heard it
before lots of times,
including on the Rock River.
Just for our show, we
have been to Mayville,
Horicon, Watertown, Fort
Atkinson, and Beloit.
All on the Rock River
and all brought to life
because the river
offered both water power
and transportation.
- [John M.] What's different
about the Jefferson history?
- A couple of
things, one was that
there was a motorcycle
factory here back
in the early 1900's
run by an engineer
who used to work
for Harley Davidson,
and they manufactured a cycle
here called The Jefferson,
and it was one of the
fastest on the road,
and the company folded in 1919,
so the company's long
gone, now it's kind of
a vintage collector's item.
But bigger difference is ethnic,
Germans began to arrive in
Jefferson back in the 1840's,
and before long they were the
majority of the population,
that meant beer,
among other things.
By 1880, when there were
not even 2000 people there
they had three breweries.
- Says it all!
- Including one
that had a big hall
for what they called
theatrical entertainments.
So, the Germans were elsewhere
up and down the river,
the difference in Jefferson
was the depth and durability
of German pride.
In 1971, they began to
hold Gemuetlichkeit Days
for the first time, and it's
still the town's main event
held every September.
- Say that again?
- Gemuetlichkeit,
Gemuetlichkeit!
- Gemuetlichkeit! What is that?
- It's a German word
that means something like
coziness or contentment.
When I think of
Gemuetlichkeit, I think of
the feeling you get
after a full meal
surrounded by family and friends
when dessert's still coming
and there's still cold
beer in the fridge.
- That's a good feeling
- It is.
- [John M.] So, John,
what do they do at
Gemuetlichkeit Days?
- [John G.] At Gemuetlichkeit
Days they have a parade,
they have a dance, they
have lots of lederhosen,
lots of dirndl dresses,
and lots of contests.
Everything from best
beard to best costume,
to best homemade bratwurst,
to the fastest sauerkraut eater,
they used to have a beer
drinking contest, that's gone,
but now they have
a beer stein carrying
contest for kids.
- [John] Really?
- They do.
- [John M.] They call
it G Day, don't they?
- [John G.] I think
they do, they do.
- [John M.] What
else happens here?
- [John G.] Still a lot
of industry in the area,
they lost the Tyson
pepperoni plant
right here across the
river back in 2016,
which meant the loss
of around 400 jobs,
but others have stepped up and
Jefferson has this
great location just off
the freeway, about halfway
between Milwaukee and Madison
so people do commute
in both directions
and think they have kinda
the best of both worlds,
they have city jobs
and rural homes.
- [John M.] Population?
- [John G.] About 8000,
and still just a
slight majority German,
but also 12% Latino,
so more diversity.
- [John M.] And location?
- [John G.] It's about
six square miles,
halfway between
Milwaukee and Madison
at the confluence of the
Rock and Crawfish rivers
as it was in the beginning.
- It may have been
a familiar story,
but it's got its own real
specifics doesn't it?
- It does, and it still a
very gemuetlich feeling.
- That's good! Thanks, John!
- See you John!
- I am in front of Generac,
which is one of the biggest
employers here in Jefferson.
They are in the power business,
they make portable
generators, which are used
in every disaster relief
effort around North America.
Generac, right
here in Jefferson.
This place is called
Basin Precision Machining,
what does a precision
machining shop do?
- [Man] We make parts that're
difficult to make,
so we'll start with
a piece of bar
stock or a casting,
and we will take the
metal off in a way that
provides the customer
with the most precise
professional product
they can have.
- [John M.] How much
does that weigh?
- [Man] 922 pounds!
- [John M.] What's it
weigh when it comes out?
- [Man] 328.
- [John M.] Is that right?
- [Man] Yes.
- So, for Harley we
make transmission parts.
For Frank Henry Equipment we
make oil field safety products,
so big precise parts.
- [John M.] We're standing in
a new part of your business,
why did you need this?
- [Erik] Hydraulic
business is booming,
we're growing rapidly, we've
more than doubled in size
since 2015 when
we were acquired,
we intend to be a hundred
million dollar company by 2020.
The cool thing here is
that we bought this system
it's got a 120
fixtures in the line,
it's got 2088 individual
cutting tools,
each machine holds 348,
a normal machining center
holds about 40 tools,
just to give you an idea.
So, what we're able to do
is put tools in for
all the jobs we run,
put the fixtures in for
all the jobs we run,
and never do a set-up again,
because setting these up
jobs up can take two days.
The place that was making
this for us while we
were acquiring the
machines does the part in
six operations and it
takes them 55 days to get
from blank to delivered product.
We'll start one today,
we'll have a finished part
at the end of the shift.
The upside to the automated jobs
is we're still at the
jobs, they just pay better.
So, it's better for everybody.
- [John M.] How many
people work here?
- [Erik] About 200.
It's not a physical job,
it's a very mental job,
we have an 18 pound
lifting limit.
- And there's job openings?
- There are.
- There are?
- There are job
openings, absolutely.
Please, put that
on the final copy!
There are job openings!
- He needs it on TV that
there're job openings!
- [John M.] So in eight seasons,
we've never been to
this kinda place.
- [Sara] It's quite an
honor, since this is
the first humane society
you've ever visited.
- [John M.] And it's beautiful,
it's a beautiful humane society.
Is it brand new?
- We've been here
since March of 2015,
we live in an extremely
generous community,
they really stepped up and
donated money, time, things,
- Speaks to supportive
mission, doesn't it?
- Absolutely,
we've got well over a hundred
volunteers, it's awesome.
- [John M.] In a
community of 8000 people?
- [Sara] Yep.
This is our outside dog area,
the dogs have
things to climb on,
they have shade, they
do get a lot of exercise
throughout the day from
Volunteers, staff. These
are our community cat rooms,
right now we have a lot of cats,
this is what we
call kitten season.
- Oh, I think she's
having another one.
- Yep, she having babies.
We have a small animal room,
and that can change day to day,
currently we have
rabbits, guinea pigs,
and domesticated rats.
These are our
shelter ambassadors.
We've had hedgehogs,
we've had chinchillas,
we've had snakes,
other reptiles.
Kids come to the shelter
just to visit Dory and Coral.
It's crazy.
- [John M.] Do you have
a number of how many
on a yearly basis?
- [Sara] I think we
typically take in
about a thousand a year.
- [John M.] A thousand a year.
- [Sara] I think
everybody's mission is to
find good homes for the
animals who don't have them.
We see a lot of
neglected animals,
of course a lot of strays,
we work really hard to
find the right home,
not just any home.
You know, I think the cats know,
and of course the dogs too,
but I think they know
that they're safe here
and that they're gonna
be well taken care of,
and that we're
looking out for them.
(whispering) There,
it just came out!
- Wanna hear a secret?
About this island?
It's not a real island!
It's a manmade island,
because they dredged the
river, created that island,
they used to mow the island,
but no more, you know why?
Goats.
And the fence is there
because one fell in.
You will find that on YouTube,
goat saved by Chicken,
because there's a guy in town
whose name is Chicken!
Perfect!
(goat bleats)
(laughs)
- [John M. Voiceover]
This is Simone McKinney,
she is the ESL teacher.
- [Simone] ESL, ELL, yes.
- So, I have one question.
- Okay.
- (speaks foreign language)
- (replies in foreign language)
- Both?
- Yes. (laughs)
- How long have you
been doing this?
- Its been eight years at
the Jefferson High School.
- [John M.] So you have 600
kids in this high school.
- [Simone] Yes, about 600 kids.
- [John M.] And ESL students,
how many do you have?
- Right now, about 60.
So I've had Albanian
in the past and Indian,
but right now my case
load's just Spanish.
- It's just Spanish,
and your responsibility
on a daily basis is what?
- Well, there are so many.
I teach them vocab
comprehension,
help them with
their core classes,
help with the math and
English and social studies,
all that stuff.
- Clock? Reloj?
- [John M. Voiceover] So you
give the class an English.
- [Simone Voiceover] Yes,
and some modification
if necessary, because
they're learning language,
the English language, plus
having all the core classes
in English, their
second language.
So, they're doing
double the work.
- [John M.] Right, is
there anything you think
is really important to
know about this program,
or about this community?
- We have a Latino club in here,
which I'm the advisor and
we have about 40 students,
not all Latinos but 80%
Latinos, and they do so much
for the school and so
much for the community.
They help out there
with volunteer programs
like Christmas
Neighbors and bake sale
and translating
for the families.
Because we're trying to bring
school and community together.
- [John M.] So,
what's the difference
between a Latino and a Hispanic?
- So, Latino comes
from Latin background,
you know, Spanish speakers,
Portuguese speakers,
Italian speakers.
Hispanic are only those
who speak Spanish.
- [John M.] Oh, okay
- So it has a different,
I'm Latina, but I'm
not Hispanic because,
- [John M.] You
don't speak Spanish?
- It's not my first language.
- [John M.] Right.
- That's the difference.
- [John M.] Oh, okay
So all Hispanics are
Spanish speakers.
- Correct.
- And Latinos speak
Italian, Portugeuse,
- Yes.
- [John M.] I am old and I
just learned something today.
- [Simone] Hey, we learn
things every day, right?
- [John M.] Don't we
learn something every day?
- We're in Jefferson.
It's the, that kinda city.
Ge-meut-lich-keit city.
The Gemuetlichkeit City!
So glad we're here!
Can't wait to hear
what a Gemuetlichkeit
is, just so y'know!
People of Jefferson,
they know what this is,
for the rest of you
this is a Mecki.
This thing is hidden every year,
and on Gemuetlichkeit
Days, this is found
by one person, so there's
only two people this year
who're gonna touch it; the
person who finds it and me.
And guess what,
I'm gonna hide it.
Right now.
Look where it's going.
So, this is rare
that we're talking to
five people today, and
they're all dressed so well,
and they're queens,
just so you know.
They're queens of G-Day,
which is Gemuetlichkeit Days,
and Gemuetlichkeit means what?
- [Woman] It's a word
of many meanings,
it's good fellowship and
fun, and time to relax.
(singing in German)
- [John M. Voiceover]
And the actual festival
is in September?
- [Woman Voiceover] September.
- [John M. Voiceover]
That's called G Days?
Is that a good time?
- [Woman Voiceover] It's a lot
of fun, it's a lot of work.
- [John M. Voiceover] And
food and drink is out there?
(chanting in German)
- [Woman Voiceover]
The three days
of the festival is food, music.
- I don't know - I'm Irish!
And May Ball is
when you're crowned?
- [Woman Voiceover] Yes.
- [John M. Voiceover]
And then you stay Queen
until the festival, is that it?
- [Woman Voiceover]
The whole year.
- [John M. Voiceover]
The whole year.
Are there any
responsibilities around that?
- You're in parades.
- Parades.
- Almost every week.
- You are?
- During the whole Summer.
- And how that comes about is
there's a nomination committee,
and you're nominated,
but you don't know it, you and
your husband are nominated,
and then the past three
kings and queens pick
who they think would
be the best suited,
and it's all secret.
- [John M.] So you know
before the actual event?
- We know before May Ball,
but no one else knows
except the past...
- And you can't tell anybody?
- No.
- (laughs) Did you see her look?
(laughter)
- Not even your best friend
when you work with
your best friend!
- Not even your best friend!
(laughter)
- And it's a
responsibility, isn't it?
- It is.
- It really is.
- It's a time commitment,
it's something you do
for your community, and
you're very proud of it,
we all were very proud of it.
- Talk about a community
gathering place,
this is Rotary Park,
downtown Jefferson.
It's of course on
the Rock River.
Mecki was so much smaller
when I put him in my pocket.
- This is the old
Carnegie Library,
that's the old Episcopal Church,
this has gotta be
my favorite corner,
and there's buildings
like these all over town!
- This is a real good example
of Queen Anne architecture,
with that big bay
window coming out,
[John M] You're involved with
the redevelopment authority.
Has that always been
a drug store, Bill?
- Yes.
- Can we talk about that?
- Sure.
We work on trying to
redevelop every area of town.
The credit union
restored the building,
it's got gorgeous architecture,
beautiful brickwork,
but one of our
particular interests is
the downtown historic
district here.
There'd been a fire, all of
Jefferson's downtown was wood,
and there'd been a fire
and so Stoppenbach started
rebuilding using brick.
I think the oldest
building is what's called
the Tea Tree now,
which was built by
Charles Stoppenbach.
Three story building,
one of our skyscrapers,
It was built in 1869.
- [John M.] And I love
that they gave us the year.
- [Bill] I do too, it's an
easy way to remember it.
This was early in the 1900's.
[John M] We're standing
in front of Huntington,
which used to be
farmers and merchants.
- Very historical, very nice,
And then on this corner, from
where this white block is,
that was the opera house,
Stoppenbach Opera House.
And then the bank
wanted to expand,
and so instead of preserving
that wonderful old opera house,
they tore it down.
We've really worked hard never
to let that happen again.
- [John M.] Right.
- [Bill] What we're trying
to do is get people to
fix their buildings
up, to make them look,
the outside of the building
look more historical,
back in character of what
it was when it was built.
- [John M.] Sure.
- [Bill] We make available
two types of help,
one is a facade grant,
the Tea Tree was done
using the grants,
and then we also make available
very low interest
loans, lot of people
taking advantage of
that, which is great.
- [John M.] It speaks
to the commitment
and to the importance of
bringing it back to what it was.
Look at this historical
part of Jefferson,
it's really incredible.
What exactly is this
domed brick thing
that we're looking at?
- [Bill] Well, this
is an old beer tunnel,
to ease delivery of
beer and have more space
to keep beer.
- So, they had their own road
really, is what they had.
- Yes, private highway.
(laughter)
- Yeah, that was great, I'm
glad we got to see this.
If I were standing
here on June 19th 2008,
I would be in almost
chest-deep water.
Why?
Because that's the day,
because of huge storms
that the Rock River flooded.
In fact, there were people
canoeing down Main Street.
We saw clouds today
and I got nervous.
- This is a milestone,
because this is
the first time in
the United States
that people with
disabilities were allowed to
receive the sacrament
through St. Coletta's.
- [John M.] Your order
began this school,
or began this institution
is what it was called,
and to this day the mission
of this place continues.
It actually started
with a parent coming
and asking if we could
teach their child
and the sister said yes.
So, it is to help people
with special needs
to develop into the best
person that they can be.
- [John M.] When we talk
about special needs,
what are those needs,
and who do you serve
population-wise?
- It's kind of a mix,
and sometimes that
can be Down Syndrome,
it can be cerebral palsy,
we see a lot right now
on the autism spectrum, so
we see a lot of Aspergers
and other types of disorders.
And we also serve
folks that are either
traumatic brain injury.
In our Golden Options
program we do a lot
with dementia and
Alzheimer's as well.
- [Grace] When I first came we
took children from
six years old on up.
- [John M.] And the school
was where they lived
and were taught before?
- Correct.
- And now they're educated
by public education.
- Yeah, kids with disabilities
go to high school now
until they're 21,
and then after that
there's kind of a transitioning
point, and it's really
where are they
gonna go from there?
And that's where
we come into play.
Some people live in their
homes with their families
and they only use
our day programs,
and sometimes they live in
our residential facilities
and they attend our
day programs as well.
- [John M.] Where are
we standing right now?
- [Robin] We are standing
on the lawn of what was once
home to Rosemary Kennedy.
- This was her home?
- This was, and
she passed in 2005,
and then after that
this home was renovated
to be a four bedroom
group home for women,
and we call it St. Claire now.
- St. Claire?
- [Robin] They have
probably the best view,
and the best place to be,
because it's right in the
heart and home of St. Coletta.
- We have some thirty
homes within the cities
of Jefferson and Fort, nine
homes in Northern Illinois,
and six homes in Waukesha.
- And all of that
makes up St. Coletta's?
- [Grace] St. Coletta's around
three hundred clients, yes.
- Michael, we're in Jefferson,
and they're the Eagles!
- Home of the Eagles!
- What's going on?
- We're talking
cross country, John,
boys and girls cross country.
But they are here as
a team, really helping
the torch run to
help the residents
from St. Coletta.
- [John M.] This is a
Special Olympic game?
- [Mike] It is
called the Torch Run,
part of the Special Olympics
run throughout the state,
and they have it in
different communities
and today it's in Jefferson.
And this cross country team
in big numbers came
out to help us.
- [John M.] So what you're
talking really about
is the spirit of the
Eagles of Jefferson.
- Exactly. But the
team is really good.
When Megan took over,
and she's the head coach
for the boys and the girls,
they had taken last place
in the Rock Valley Conference
for 10 years in a row.
And they're competing,
they've either won or
taken first, second, or third
in their conference since 2012.
When she took over 10 kids
total, in the boys and girls
cross country team, total.
They're now up to 50.
2017's the best
year they ever had,
both the boys and the
girls qualified for state,
which never happens.
- [John M.] And forty out
of the fifty are out today.
- [Mike] They are.
- [John M.] You know
what you say to them?
- [Mike] What?
- [John M.] Go Eagles.
- [Mike] Go Eagles!
- [John M.] Thanks Mike!
- [Mike] Thanks John!
- When the outdoor
movie theater industry
was at its peak here in
the state of Wisconsin
there were close to 60 of them.
Now there's 10, and one of
them's right here in Jefferson.
It's called Highway 18 Outdoor
Theater, built in 1953.
I wish it was dark.
Let's first talk about
the Arts Alliance of
Greater Jefferson,
what is it, what do they do?
- It is an organization
of local individuals
who want to help promote the
arts within the community.
We focus on the visual arts.
- [John M.] You do,
and you're the ones who
put on the plein air?
- [Ellen] That's right.
- [John M.] Let's
define what that is.
- [Ellen] It's a French
term that means in open air.
- [John M.] In open air?
- [Ellen] Yes, so the artists
come out of their studios
and come into the natural light
and paint outside and
capture the beauty
in the area.
- Do you enjoy the whole
plein air experience?
- Oh, I love it.
- You do?
- Yeah, a lot of times art,
if you're in your studio,
can be kind of
working in a vacuum,
but I think being an artist,
it calls to you. (laughs)
- [John M.] How
many painters come?
- [Ellen] This year we have 31.
- [John M.] 31, so it's
about painting now.
- [Ellen] Yes.
- [John M.] Outside,
with exactly
what you got in front of you.
- [Ellen] Yep.
- [John M.] And wherever
they're painting,
and wherever they're set
up, the community is invited
to come and take a look?
- [Ellen] Yes, yes,
and then hopefully
people will drive by,
stop and chat with them.
- [John M.] It's really
a picturesque community.
and they paint how
many paintings?
- [Ellen] Well, they
can submit three,
because they are judged as well,
so they are trying
to earn some money.
- [John M.] It's nice.
- [Ellen] We actually set up
a gallery on Saturday morning,
we have three judges come
in and award several prizes,
and then the paintings
go up for sale.
And then you're gonna
have on your wall
a picture that becomes history.
- [John M.] It's
really great, isn't it?
- [Ellen] Our tagline
for our event is
see Jefferson through
the eyes of an artist.
- [John M.] There you go.
- [Ellen] And that, I
think, is the exciting part.
- [John M.] Did
you make that up?
We're at Bon Ton Bakery,
you've been here a while?
- At the age of six
I was bringing paper
out of the basement..
chocolate pershings...
stocking the shelves
up in the front
and that kinda stuff.
Before I went to kindergarten.
When you were six years old,
your dad owned this place?
- My grandparents owned it.
- Your grandparents owned it.
And are those recipes
grandpa's recipes?
- [John R.] The recipes go
all the way back to 1917.
What keeps us busy today,
basically the buns, the bread,
we do an awful lot of catering.
- Pies? What's this?
- That's strawberry rhubarb.
- Strawberry rhubarb!
- Yep.
- [John M.] Apple?
And I love the
individual cherry.
What're you making?
- [Woman] I'm making
banana cream pies.
- And are you ever
surprised that
all of that that was
successful back then
is still successful today?
- I think that's why
it's successful today,
people remember it and a
lot of our repeat customers
are, of course, family
customers that've grown up
coming here, and it's repeat.
Jefferson's version of kringles.
It's not round like
you see in Racine.
And are they crazy
over the holidays?
- Yes.
- Hi, Verla!
- Hi.
- So, it's still
a family business.
- [John R.] Yes it is.
- Is it your turn to decorate?
- Uh, okay.
Look at this, it's
really good! There.
- [Woman] And now
lay it on the cake.
Perfect! (Laughter)
- And so he came in when when
he was six to start working?
- Yes.
- How old were you?
- [Man] She was in a box.
She was in a cake box,
- They put me in a cake box.
- [Man] came to work with us.
- What do you still
enjoy coming in to get?
- I do enjoy coming
in to get anything.
- To get anything?
- I love everything we make.
- [John M.] It's
nice, and it's nice
that you're the
generation after him
that's gonna continue.
- [Woman] Yeah,
fifth generation.
- Fifth generation?
- Fifth generation.
- That's amazing.
- [John M.] Bon Ton,
where did it come from?
- My great grandfather,
it's French, Cajun,
means good times.
- [John M.] Good times?
- Yes.
- [John M.] Oh, I had no idea.
- This is what
people come here for,
this is called the
chocolate pershing,
it's been here for as
long as this business
has been going, over 100 years.
I thought I would give a taste.
Ummm! I'll have dozen, please!
- I'm on the Rock River,
which separates the east
side from the west side,
and on either side
great places to eat.
Heron's Landing
on the west side,
Rock Bottom express
on the east side.
Eating in downtown Jefferson,
either side of the river!
- [John M.] Did it used
to be called Peterson's?
- [Rick] Decker's Hamburgers.
- [John M.] Decker's.
- You want any onions?
- And then it was Armstrong's,
then Bill Peterson
had it for six years
and now we've had
it for eleven years.
- [John M.] Eleven years.
Can you talk about
how they're made?
- [Woman] What we do is,
we start with our
fresh ground meat.
- [Rick] We grind all
our seasons in there.
- [John M.] Every morning?
- [Woman] Every
single morning, fresh.
- This was passed
down to us, so,
this is basically
the same recipe
they've used for
a hundred years.
- [Woman] Then we put
them into little balls,
- [John M.] Okay.
- [Woman] Put 'em on the
nice seasoned griddle
with some lard, and smash 'em.
nice and thin.
- [John M.] Yeah, it's
a single, a double,
and a triple you sell?
- [Woman] Correct.
- [John M.] So how many
people fit in this booth?
- [Woman] Usually three to four.
- [Rosie] You gotta
synchronize your moves.
- I bet you it's like a
dance in there, isn't it?
And in there is where all
the burgers come from,
where all the fries come from,
and it's really burgers
and fries is what you sell.
- [Rosie] Yeah.
- [Man] It's amazing
the amount of meat
we go through a day,
during the week we average
between 70 and 80 pounds a day,
and then on the weekends
it's nothing to have 100,
120, sometimes 140 pounds
a day we go through.
- What do you sell outta here?
- Outta here we sell the
burgers and the french fries.
- [John M.] On the inside
you can get other stuff,
you can get onion rings?
- [Woman] Onion
rings, ice cream.
- [John M. Voiceover]
Chocolate malt,
this is childhood
right here, isn't it?
It's seasonal, right?
- Correct, we open
mid-March until
about the end of October.
- [John M.] What do
you love about this?
- The family, and the tradition.
The tradition that
is in this town,
people identify
Jefferson with this.
Double Cheeseburger
and fried onions.
- I always think about, like
if an alien came down
and wanted to know
what all-American life was like?
- Here you are.
- You'd come to Jefferson.
- [Rick Voiceover] It's crazy
where the people come from.
- [Shandell Voiceover]
Yes, all over,
Chicago, Iowa, all over.
- [Rick Voiceover] Just
for burgers, it's crazy.
We have 'em lined up past here,
it's nothin' to wait an hour.
It's been this
way for 102 years.
- Now I get it!
The Gemuetlichkeit City,
and I felt it all week,
here in Jefferson!
We're here with the
mayor of Jefferson,
you know the drill.
- I do!
- Good, you have thirty
seconds to tell us
why Jefferson, Wisconsin is
the best place in the world
to live, work, and play.
And Mayor Dale,
you can start now.
- Jefferson is great
because we're located
right between Madison
and Milwaukee,
you enjoy all the comforts
of small-town living,
easy access to big
city amenities.
You got this
beautiful Rock River
that runs through the community,
we have lots of
boating, fishing,
and paddle sports opportunities.
We have big, great bike
trails in Jefferson,
we have one of the last
outdoor drive-in theaters
in Wisconsin, how cool is that?
We've got the original
Gemuetlichkeit Days
German heritage
festival in Jefferson,
and we're going
outside, come visit us!
- [John M.] Thanks, mayor!
Gemuetlichkeit, Gemeatlichkeit,
Gah-mute-lick-kite.
The (stumbles over
words, laughs)
Gahmit, what're you saying?
Gah-mute-lick-kite city.
- Gemuetlichkeit.
- Okay, well you tell me.
(calm music)
- [Narrator] The Greater
Milwaukee Foundatain's
Ernest C. And Florence
M. Schocke Fund,
and by the David A.
And Nancy E. Putz Fund,
the Greater
Milwaukee Foundation:
inspiring philanthropy,
serving donors,
and strengthening
communities now
and for the future.
And by,
- [Narrator]
Michels Corporation,
serving the energy,
transportation,
telecommunications,
and utility industries.
Michels, constructing
North America's
infrastructure for our future.
- [Narrator] We
Energies Foundation
and Wisconsin Public
Service Foundation
are proud to support
public television.
Together we create
a brighter future
for the communities we serve.
- ATC moves electricity
from where it's generated
to communities
where it's needed.
American Transmission Company.
Helping to keep the lights
on, businesses running,
and communities strong.
| {
"pile_set_name": "YoutubeSubtitles"
} |
A hit Korean reality TV program is headed
to America.
Korean entertainment giant CJ E&M says "Grandpas
over Flowers," which features older celebrities
backpacking in foreign lands,... has been
sold to U.S. broadcast company NBC.
"Better Late than Never," as it will be called
in the U.S., will follow the exact format
of its Korean predecessor, albeit... with
American celebrities doing the traveling.
It′s expected to debut early next year.
Wednesday′s news comes on the heels of another
announcement last week, that the hit Korean
drama "Good Doctor" will be remade in the
U.S. on the CBS television network.
| {
"pile_set_name": "YoutubeSubtitles"
} |
JF MUSIAL: McLaren is a brand
synonymous with motor racing.
Formula One is the most
obvious connection.
But McLaren was also involved
with Can-Am
racing as well as IndyCar.
Founded in 1963 by Bruce
McLaren, a former racer
himself, it's one of the few
brands in the world that
invests itself so heavily
into racing.
JOHN ALLERT: It wouldn't
surprise you to know when you
come to a building like this
that everything we do is about
attention to detail.
But it's not just attention to
detail for detail's sake.
It's always with an
objective in mind.
And 9 times out of 10, that
objective is winning.
We have other businesses where
winning isn't necessarily
being first across the line--
it's about being the best.
But at the end of the day,
everything we do is about
being better than our peers,
better than our competitors.
JF MUSIAL: I have
to ask though.
You look at Bruce McLaren's
vision and
actually what Ron Dennis--
how has McLaren transpired at
after all these years to be
what it is, from those
initial idea?
JOHN ALLERT: I think it's
because it's the shared value
systems that Bruce had
and that Bruce
imparted on his team.
And then when Ron took over,
he had very much those same
values, but then just took them
to a whole new level, was
able to bring in greater
finance.
And that gave us the muscle to
then develop that vision and
take it into other areas.
JF MUSIAL: What I love, though,
is that you stay close
to your racing history.
This is incredible.
JOHN ALLERT: Well, how
can we not stay close
to our racing history?
I mean, our racing history
is phenomenal.
And we've won 1 in 4 of every
Formula One race we've ever
competed in.
JF MUSIAL: Unheard of.
JOHN ALLERT: We've been on the
podium for 50% of every race
we've ever competed in.
So it's a pedigree and a
heritage that we are obviously
very proud of.
We're not an extrovert business,
but we feel very,
very proud inwardly
of that success.
And it's that success that
inspires the current
generation of people at McLaren
to try and take it to
another level.
How do people feel about
all of this heritage?
JF MUSIAL: Yeah.
JOHN ALLERT: They feel
enriched by it.
You can't help but feel
inspired by it.
And it's one of the key
reasons that we
have it all on display.
Your reaction when you walked
in here is no different than
anybody's reaction.
Which is, wow, there's a Senna
car, or there's a Prost car,
or whatever it is.
Everybody has their particular
era that
they get excited about.
And for me just as one person,
to actually see some of the
cars here every day that I've
actually stood on the other
side of the wire from
when I was 12 or 13
years old, I get tingles.
I get goosebumps just
thinking about it.
We've had people break down in
tears seeing some of the cars
that you've walked past today.
JF MUSIAL: Walking into the MTC,
it's as if you're walking
into a science fiction movie--
long corridors with highly
metallic surfaces.
You walk through hallways
thinking Trent Reznor should
score a soundtrack for all the
guests to listen to as they
enter the place for
the first time.
Everything is spotless.
Everything is clean.
You can tell everything is
designed obsessively.
And I'm not saying that
in a cold way.
In fact, the architecture allows
for so much natural
light into the work spaces it
makes you feel awake, alive.
JOHN ALLERT: This building was a
vision conceived in the kind
of mid to late '90s.
JF MUSIAL: OK.
JOHN ALLERT: Ron Dennis always
wanted to bring the kind of
the federation of companies
together under one roof.
We'd grown exponentially over
a period of 20, 25 years.
And we really were wanting the
benefits of being back as one
kind of collective.
JF MUSIAL: Mm-hmm.
JOHN ALLERT: We then wanted a
showpiece both for commercial
reasons, so that we could
explain to people the vision
of what we're all about and
hopefully elicit their
investment in us either as
sponsors, or partners, or in
some cases, investors, but
also to make sure that we
could recruit the best people,
and get the best people to
come and share in what it was
that we were trying to build.
And this facility really
does inspire the
people who work here.
And I think that Ron really was
ahead of time in creating
something that people would just
want to be in, want to be
part of, as well as well
as the success of
the business itself.
To actually come to a
place like this is--
it's an awe-inspiring
environment in which to work.
And it's a little like
going on stage.
You really feel like you have
to up your game when you
arrive here every morning.
JF MUSIAL: It is an inviting
experience, which makes sense.
The MTC opened in 2003.
And Ron Dennis was very
influential in its design.
Inside, you not only have
McLaren Racing but also
McLaren Automotive and the
not so well known McLaren
Electronics.
Walking in here, you look at
this, this is not what I was
expecting at all.
JOHN ALLERT: No, this looks--
JF MUSIAL: This looks like
a scientific laboratory.
JOHN ALLERT: I was just going
to say it looks like a
laboratory.
But it's not.
This is part of McLaren
Electronics.
JF MUSIAL: Got it.
JOHN ALLERT: So this is where
ECUs are actually being
physically created.
I mean, we're printing circuit
boards in there.
That's high-end stuff.
It's not the sexy end
of the business.
But it's very high-end.
JF MUSIAL: Ron Dennis wanted
the building to attract the
best engineers and designers.
But more importantly, he wanted
to keep them there.
Walking the hallways, you can
tell everyone who works there
has a sense of pride to be
working within those walls.
JOHN ALLERT: It's actually--
it's a very selfless culture.
I think we attract like-minded
people here who ultimately
want to win and what to do the
best they can possibly do in
whatever role they have.
But they're selfless people
who want to come
together as a team.
And understand that actually
the old cliche of 1 plus 1
equals 3, that if they can all
come together and be the best
in their particular discipline,
chances are that
we're more likely to
succeed or to win.
And we have a lot
to live up to.
We have 49 years of success.
In the time that we've been in
Formula One, for example,
there have been over
100 Formula
One teams have failed--
have come and gone,
left Formula One.
So this is no place for
the weak or the meek.
And we're reminded of those
sorts of statistics every year
when people either leave the
automotive sector or they
leave Formula One.
And that's part of that pressure
to make sure that
we're being the best.
Because it's a slippery pole.
Either in supercars
or in Formula One,
it's a slippery pole.
And those that aren't near the
top have a real struggle.
[INAUDIBLE]
JF MUSIAL: Now, past the wind
tunnel and the Formula One
work bays, we walk down a long
hallway, all underground, very
James Bond-like.
You then hit a set of stairs.
You go up.
And then you walk into
what is called the
McLaren Production Center.
This is McLaren Automotive.
This is the future of McLaren.
LEE BOYCE: So right now, this
is the north end of the MPC.
This is a VIP area.
This is a hosting suite.
So this is basically where
potential customers, or
dignitaries, or any type of
VIP can come to this area.
And from this area, we lead
directly out onto the
production facility, just
around this corner here.
JF MUSIAL: OK.
LEE BOYCE: And I think
you need to see that.
JF MUSIAL: Let's go
check it out.
So how old is this place?
LEE BOYCE: So we've been
operating in here now for--
JF MUSIAL: Whoa!
Look at this!
LEE BOYCE: --eight months.
JF MUSIAL: And you're in full
production at this point.
That is incredible.
LEE BOYCE: We are flat-out
production.
And we have been now since
the turn of the year.
We have been at full capacity
in terms of our planning
requirements for this year.
And for sure, everything, from
a production point of view is
going absolutely beautifully
at this moment.
JF MUSIAL: This is surreal.
LEE BOYCE: Yes.
JF MUSIAL: It's almost
a [INAUDIBLE] room.
And it mimics the MTC but
on a different level.
Prior to the MP4-12C, McLaren
built my favorite hypercar,
the F1, then after that, the
SLR, which was built right
alongside the F1 cars.
But now, for the new MP4-12C,
it's an entirely new building.
The first thing I noticed there
was that there was a lot
of unused space.
McLaren has been around
for about 50 years.
But McLaren Automotive
is essentially an
entirely new company.
They built the McLaren
Production Center knowing they
would be building other models
besides the MP4-12C.
LEE BOYCE: Actually, what you're
looking at now is the
best part of 20,000 square
meters of floor space on which
we want to produce
the vehicle.
We worked really hard to make
sure that we could integrate
all of the processes that were
absolutely critical to
ensuring that the assembly of
this vehicle was felt on
absolute personal level from an
operator's point of view,
but also gave the customer a
really good feeling that
actually, his ownership
experience didn't start when
he took the car.
It actually started at the
placement of order.
And therefore, if he wanted to
visit this facility, he could
actually come and see his
vehicle being birthed.
All of the technicians feel as
though they're involved in
making that person's car.
So it's not just a vehicle.
They accept that there behind
that is a customer, and a
valued customer.
And we wanted to make sure that
his ownership experience
started right here from the
moment we first loaded any
components into the facility.
If we keep taking a
look down here--
JF MUSIAL: So this is
Phase 1 right here.
LEE BOYCE: So this
is absolutely the
start of the process.
JF MUSIAL: OK.
So this is the MP4-12C
monococque right here.
LEE BOYCE: We didn't want any
feel of industrialization in
the facility.
We wanted it to be a theater.
JF MUSIAL: [CHUCKLES]
LEE BOYCE: It was really
important to us that we create
an environment where everything
felt special and
everything felt personal.
And I think we've
achieved that.
So what you don't see is you
don't see any significant
levels of automation.
You don't see clunking--
JF MUSIAL: You almost
see none.
LEE BOYCE: --chains.
You don't see any conveyors.
You won't see air lines
or anything like this.
It's all very quiet.
It's all very composed.
And it's all very simple
in its execution.
If we take a look at some of the
racking and what have you,
there are a number of components
such as fastenings
and such as brackets and that
where we can clearly hold
quite a decent level of stock
holding lineside.
And as you can see with things
like these front long
[INAUDIBLE], we've designed
some bespoke stillaging to
allow us to--
JF MUSIAL: Just for
these parts?
LEE BOYCE: Just for these
particular parts.
And we have bespoke stillaging
all around the facility.
But I think what's a really
good, tactile thing about what
you're looking at right now is
if you look at the diameter
and the radius of the bespoke
stillaging, it's absolutely
the same as the radius and the
diameter of the racking.
As you could see, this is where
the vehicle's being more
and more progressed through
its build assembly phase.
So the windscreen surround
is going on there.
And the B-pillar carting
is going on here.
So even though we have 100%
confidence in the facilities,
and the equipment,
and the whole
process with these guys--
and we are 100% confident--
that doesn't stop us taking
every single body, and it is
every single body, and
processing them into the
Geometric and Surface
Validation station.
So this is Geometric and
Surface Validation.
So basically, every
single body--
even though we're 100% confident
it's in a good
place, we still want to measure
it just to ensure that
we don't get any quality drift
in the overall body's vehicle
assembly status.
JF MUSIAL: So this whole rig
here is just for measurement.
LEE BOYCE: So everything that
you're seeing here is
absolutely for measurement.
So if we take a lot
of surface points.
We take hundreds of
surface points.
We take hundreds of geometric
points on the vehicle to
ensure that we know that the car
is in a really good place
dimensionally.
The body would exit these
double doors here.
JF MUSIAL: Got it.
LEE BOYCE: Which are closed
at the moment.
Then it will go into-- this
is the paint facility now.
In essence, the vehicle through
this paint facility is
processed across two skids.
The body goes on one particular
skid and all of the
other supplementary panels
go onto another.
This is the single biggest piece
of investment in terms
of equipment in the
whole of MPC.
And so we've pushed all of
the potential suppliers--
with regard to paint
facilities--
hard in terms of making sure
that in their thinking,
they've got absolutely what we
were all about in terms of an
installation.
So whilst all of them could
have satisfied us
technically--
that's not a problem--
we wanted to make sure that
this was right as well.
This was really important for
us to make sure that they
understood our philosophies,
our methodologies, and they
clearly understand that from a
brand augmentation point of
view, whatever they install
absolutely complemented them.
Because what it creates is it
creates a completely different
mindset of thinking for
the technician.
What it demonstrates to the
technician is that we've
thought about their working
environment as much as we have
the product and the customer.
Because if we create a perfect
work environment for them,
they can only ever give their
best of themselves.
And I actually think you get
that natural transfer into the
vehicle there.
And you get an uplift
of in-built
vehicle processing quality.
I'm absolutely convinced
of that.
So what you're seeing here
now is worth seeing.
This is what we call Skid 2.
And it's just had its
base coat applied.
That won't go forward until
they put the clear coat on
those particular booths here.
The whole facility-- even
though we designed the
facility such that if
we wanted to put
robots in here, we could.
And whilst robots have
got great dexterity--
and they have-- and you can put
all sorts of convoluted
and complicated programs into
them, there's nothing more
dexterous than the human.
And what a robot doesn't have
as well, he doesn't have the
eye as well.
It's an application process.
There's nothing emotional
about it.
It's very clinical.
It's just application.
Here, these guys can take a
view on when they think
they've done something
absolutely the
right way or not.
And they've got an opportunity
to do a level of reparation in
the booth should a mistake have
been made or should they
see something on the vehicle,
then they think, oh, that
doesn't look quite right,
there's an opportunity here to
do that reparation.
So [INAUDIBLE]
this is an audit line.
And so basically, when the
vehicle has had its clear coat
put on, it goes into
the oven through
those glass doors there.
There's exits here.
And this is the first point
we do some inspection.
Every single vehicle gets
a full surface quality
inspection.
The great thing about this
facility is we have enough
flexibility in here to always
do a fix the same day such
that it doesn't disrupt
our output
requirements for the process.
So it comes all the way down
this particular facility here,
shuffles across again, and then
goes into the polishing
and final finishing site.
Every single car gets a full
flat and polish so that we
raise the optical aspect
of the vehicle.
So we create a far greater
level of depth
on the color itself.
So you can actually look
into the color.
And you're not just looking
at surface.
You're actually looking
into the color.
FRANK STEPHENSON: Everything you
see on the car, we like to
say it is done for a reason.
Which means that everything that
you see has an effect on
the overall performance
of the car.
And more so also, when they do
say form follows function,
that sounds nice
and everything.
But with this car, pretty much,
it's form equals function.
What looks right works.
What we've done is, of course,
you have the two main intakes
on the front which are for
your inner coolers.
They specifically have to get
a lot of very air in there
very efficiently and do
the job of cooling.
But also, we have what
we call a splitter
right here in the front.
And that creates a lot of
downforce, creates the right
feel for the road
with the car.
This area is very critical
underneath.
If you rub your hand underneath,
you'll feel some,
what we call diblets.
They're little--
JF MUSIAL: Oh, yeah.
FRANK STEPHENSON: --pumps that
actually straighten out the
airflow underneath, things that
you don't even see, but
they're on the car.
I mean, every detail is really
taken to the max on this car.
This is what we called
biomimicry.
There's a lot of influence
from what really works.
Some organisms in the world
use this type of design
feature for purpose basically.
We have had a little bit of
freedom with the headlights.
This is where you can really
start to give the car a little
bit of a unique look.
It's almost as if it's the
eyes of the person.
Eyes do give people a
lot of character.
So we're not really influencing
too much
technology here.
We are using high-tech
Xenon lamps.
But you can see that the actual
form of your daytime
running lamps sort of creates
the feel of the McLaren logo.
JF MUSIAL: Uh-huh.
FRANK STEPHENSON: We let the
light bleed through these
three little slots here
which are almost
like fins or gills--
JF MUSIAL: Gills-- that's
exactly what I was going to--
FRANK STEPHENSON:
--of a shark.
JF MUSIAL: --going to
describe as gills.
FRANK STEPHENSON: And that sort
of-- when you're in the
front, you look back and you see
that, it really gives the
car its own unique look to it.
Another thing that we've really
concentrated on is
keeping the cowl, the back of
the hood, as low as we can for
full optimal forward
visibility.
So we pushed it quite
far down.
That gives us a great
viewing angle from
the driver's position.
And one of the funny things
that you would not really
notice unless you're actually
sitting in the car-- it's very
interesting-- is that the center
point of the wheel is
directly under the highest
point of the fender.
Which means when you're actually
sitting down, you
know where your wheels are
placed to hit the apex.
JF MUSIAL: Because you see it.
FRANK STEPHENSON: Because you
know that the farthest point
you're looking-- or the highest
point-- is actually
the center of the wheel.
So you can really place it--
JF MUSIAL: Interesting.
FRANK STEPHENSON: --precisely
that way.
Really important is actually
this blade that we have here
on the side.
And although it looks kind of
like an element that we sat
down and designed and had fun
with, it really came out of
the computer, out of
what we call CFD,
Computational Fluid Dynamics.
And in our intent to make the
car as small as possible and
center all the weight towards
the center of the car, we've
actually turned the radiators
parallel to the direction of
the car to get the weight, the
mass, all towards the middle.
This blade here has been done
on the computer such that it
generates or actually keeps
the air attached to it.
And it throws it in on
an accelerated curve.
So you get plenty of
coin that way.
So this blade is
[INTERPOSING VOICES]
very necessary.
Of course, it adds flavor
to the car and
makes it more unique.
But it's there for a
reason, as I said.
Another element that I really
like on the car is what we
call the air brake on
the back of the car.
And we don't consider
it a spoiler.
It's not even used
as a spoiler.
It's basically a way
of adjusting the
braking on the car.
So anytime you break
in anger--
JF MUSIAL: In anger--
I like that.
[LAUGHTER]
FRANK STEPHENSON: Well, with
intent to break, I guess, to
slow down--
it goes 90 degrees.
And what happens then is that
the center of gravity actually
moves back towards the back of
the car and puts more weight
on the back wheels so that you
can actually use the breaks in
the rear a little bit more.
A lot of the action is actually
done by the wind
itself, not by pushing it
up but releasing it.
And then lift-- go
up on its own.
One of the design words that we
use a lot on the car is to
actually-- for the language--
is actually to almost, like,
shrink-wrap the surface.
Whereas a lot of cars add
volume, what we're trying here
to do is take away volume.
So you're almost, like,
shrink-wrapping the metal over
the hard points, which are
suspension mounts, or vision
angles, or head clearance
angles, whatever.
So we're trying to minimize,
take weight out of the car, by
reducing the amount of surface
area we have running.
JF MUSIAL: Got it.
LEE BOYCE: So this is basically
the start of the
trim and final part
of the process.
This is where we start
layering the car and
installing it ready for us to
take it to a point of--
JF MUSIAL: No wiring harness?
Wiring harness?
LEE BOYCE: Wiring harness--it's
as simple as that.
JF MUSIAL: Yeah.
LEE BOYCE: So we have the
opportunity of being able to
produce the same amount of cars
in this facility as any
of our competitors with their
levels of industrialization.
You don't actually need that.
And we wanted to create a
different blueprint for how to
build cars.
And if we take a look at these
vehicle ramps here, these are
a standard vehicle ramp.
But we wanted to make sure
that we put some nice
architectural cladding
around it.
And we made sure that we set all
of the services underneath
the tiles as well.
So you do not see any lines.
And that's why everything
is really clean.
And it was really important to
us that we didn't trailing air
lines, and we didn't see
trailing cables.
This is a really interesting
feature in the facility.
Again, same diameter, same
radius, but what's really
interesting here is that all
of the services are in a
trench here.
JF MUSIAL: Got it.
LEE BOYCE: So we have this
trench that runs the full
length of the building.
We have those in three or four
places across the building.
All of the services actually go
feed up through the back of
these tool cabinets there,
so that all of the IT
functionality is fed up
through here as well.
So you don't see any
cables here.
And if you need to use
compressed air or you need to
use single phase electrics,
it's all
embedded within the facility.
And you just don't
see any cabling.
Every single operator is
accountable for his work.
They work with what we call--
we have this little access
swipe system.
So when the car comes into the
facility, every single
operator has to swipe
his card.
If we take a look here--
I won't do it because it means
I'll have to start assembling
parts of the car.
But he would swipe his card
across the reader there.
And then that locks him
personally into that
particular vehicle to undertake
a certain amount of
work on that particular car.
JF MUSIAL: He's responsible.
LEE BOYCE: He's absolutely
100% responsible.
Now, we're getting into
the final stages of--
JF MUSIAL: I'm seeing a bunch
of grease pen on here.
So 248, 248-- so that's how
you identify [INAUDIBLE]
LEE BOYCE: That's how
we identify--
JF MUSIAL: [INAUDIBLE]
LEE BOYCE: Absolutely.
So this particular panel
was painted with
this particular body.
So that we absolutely make
sure we don't get any
inconsistencies with
color matching or
anything like this.
JF MUSIAL: Got it.
LEE BOYCE: And not only that--
we want to make sure that this
particular component is going
to be reset with this particular
door, so we get a
really good fit and finish from
a gap and profile point
of view as well.
LEE BOYCE: JF MUSIAL: Got it.
So what we're doing here now on
this particular station--
this is the geometry
setup lift.
This is basically where we do
toe, camber, ride heights, and
all of that sort of thing in
readiness for when we go into
the dynamic rig.
JF MUSIAL: Cool.
LEE BOYCE: [INAUDIBLE]
This is where we put the
car through its first
real dynamic load.
So we do an engine
fire-up further
upstream in the process.
And this is where we put
the car through some
dynamic load here now.
So basically, we bring the car
up to temperature, check most
of the electrical systems are
working, and all of the brains
in the vehicle are communicating
with each other.
We do some brake activity.
We do some acceleration,
deceleration.
But just generally, put the
car through some immediate
dynamic loads.
JF MUSIAL: Yeah.
LEE BOYCE: So in essence,
vehicle goes through a dynamic
rig into the Monsoon where
we give it a full
saturation of water.
I don't know--
16,000 liters in about 6
or 7 minutes-- it's a
huge amount of water.
Car exits there.
It then gets prepared, ready for
external drive appraisal.
They all leave through
that door there.
JF MUSIAL: OK.
LEE BOYCE: Goes out on its
external drive appraisal where
we put it through some more
aggressive loads.
One of things-- when we were
landscaping the whole
exterior, the outside of the
facility, what was really
important to us was to try
and optimize the land
around us as well.
So we've got cobbled sections
of roadway out there which
allow us to shake and rattle the
car a little bit just to
loosen anything.
Go before we actually take it
on the highways and byways.
JF MUSIAL: Ah.
LEE BOYCE: Obviously, during
the wetter seasons in the
year, the car could come back
with some muck and what have
you on them.
And that's why we just have this
wash down rig here now.
So we just give the underside
a quick wash down and just
make sure that the vehicle
is fully cleaned
before it exits here.
It would sit normally on here
for 45 minutes, just to have a
final drip-dry.
We take a look at the vehicle
after its been out on an
external drive.
And what we do is we're
basically checking to make
sure that nothing has worked
loose, there are no weeps, or
leaks, or anything like that
from any of the joints.
JF MUSIAL: Yeah.
LEE BOYCE: There's been no
displacement of any harness
clips or anything like this.
And everything [INAUDIBLE] is
absolutely how we want it to
be-- a very, very critical
station.
We're getting ourselves ready
to hand the car over to the
auditors with what we perceive
to be a car that is acceptable
for the customer.
The auditors then give it a
really thorough investigation,
an interrogation.
And again, they go to the nth
degree of checking service
quality, checking fit and
finish, checking functionality
of all of the systems.
JF MUSIAL: So that's it.
These cars go to the
customers, right?
LEE BOYCE: These cars are ready
to go to the customer.
JF MUSIAL: So where's--
LEE BOYCE: [INAUDIBLE]
JF MUSIAL: Where's the
car I'm driving?
LEE BOYCE: Unfortunately,
it's not one of these.
But just for you, we have
one back at the base.
JF MUSIAL: Cool.
LEE BOYCE: OK.
JF MUSIAL: Thank you.
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It's hard to believe, but
this wind swept patch of desert was once
the site of
not only Utah's but perhaps the
world's largest volcanic eruption.
About six thousand cubic kilometers
magma erupted in a catastrophic event
30 million years ago. Then it turns out
it's one of the largest
super eruptions that we are aware of in the world.
any age, anywhere. Right now
We're sitting in the middle of this caldera that's right here on the
Nevada-Utah border. From north to south, that's about
30 miles. The largest eruptions on earth
have been called super volcanoes
and in order to be a supervolcano,
it has to be over a thousand cubic
kilometers in mass. Take, for comparison,
the eruption of Mount Saint Helens that
occurred in 1980,
omitted one cubic kilometer of volcanic
material.
The eruption we're looking at here
errupted six thousand times
that amount of material.
Most people, when they think of a
volcano, they think of a
conical edifice with a single vent.
Super volcanoes, they don't stand as high
combed. Instead,
they for large holes in the ground. At
the heart of the supervolcano
is a large collapse. As a super volcano
forms, a
massive pool of magma builds up and domes
the surface. Eventually, the roof breaks,
starting a huge eruption and emptying
the magma chamber
to form a bowl-shaped impression a few
miles deep. The hot magma rips violently
as clouds of ash and ground-hugging
pyroclastic flows rapidly spread
hundreds of miles across the landscape
and fill the newly formed caldera.
The ash would have cut out the sun and it would've been total darkness.
This would have been a catastrophic
event.
It took many many years for us to fully
realize
that we have a super volcano here in
western Utah and it took so long
because remnants of this caldera were found in
five mountain ranges. For years, we've
been looking for the source of this
very widespread pyroclastic deposit.
It's so old that it's been completely eroded, completely obliterated
so the only way that we know that it's
here is by looking at the rocks.
In these 250
drawers, there are thousands of rock
samples
that were collected over about a 30
year period
with the help of hundreds of students. The basis of all our work, of course,
is in the field. A lot of the time is
actually spent in the lab.
Many hours are spent at a microscope
trying to
find out the details of the minerals.
Many other hours are spent with
analytical instruments to find out
the composition of the grains of the rocks. As we accumulated the data
and verified the arial extent of the Wal
Wal Springs, we found that indeed
it was a super eruption from a supervolcano.
In the news, you may have heard of other
super volcanoes. Some of them
are still active and still churning away.
The Yellowstone Caldera
is a super volcano and it's still an active
system.
If this is one of Earth's largest super
volcanoes, do the people in western Utah
need to worry about an eruption here as
well?
The answer is no. The tectonic setting
is different. The
caldera has been ripped apart. This
volcano erupted
30 million years ago and there's no
threat of that style, the large super
eruption here in western Utah,
today. One of the things that geologists are always trying to piece together
is the history of the Earth. The history
of the Earth has been punctuated by
catastrophic events, and identifying one of those
that occurred here in western Utah will
help us piece together
the long chain of events that are part of Earth's history.
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Greetings to everyone.
Welcome to the 'Youth Week' of
'Crime Patrol Dial 100.'
Every third person in India
comes under the
category of youth.
Youth has the strength to change
thinking, sovereignty
society, country
and the power to
change anything.
But if the upbringing
is not right
a child can
lose track of right and wrong.
And children who
gets used to bad habits
and the habit
of being stubborn
don't
appreciate advices.
And someone who
doesn't want to listen..
People stop making
attempts to make them understand
after a while.
But if our own child
is on the wrong path..
If they don't listen to
even their parents
owing to their stubbornness..
Is it right to leave
them to their own devices?
Guys, cheers!
- Cheers! - Cheers!
I didn't even realise
that my life became
empty like this last peg.
My hearts wishes that this
peg lasts forever
and so does this celebration.
But the truth
stares back at you saying that
your life is no
more than the last sip
and so is this celebration.
Singh, keep everyone
at a distance. Yadav?
Yes? - Go and check
for evidence over there.
Go back!
Sir, I didn't
find any identity, mobile
purse or anything.
Fine.
Check around.
Take everyone's name and number.
Sure.
- All right?
Sir
she was shot in the head
and killed.
The state in which
the corpse is
suggests that she
was forced upon.
But we didn't find
anything near the corpse
through which she
could be identified.
The person who
killed her is smart
hence he didn't leave any
trace to identify her.
The wound doesn't seem fresh.
I think she was killed
around 12 hours ago.
It means,
she was killed somewhere else
and the corpse was dumped here.
Send her photo to all the
police stations around.
Check if someone lodged
a missing complaint.
Sir, sure.
Take this file and go
there in the evening
Ask them to keep me
updated and also call me.
Sir, the corpse of
the girl that we found..
We have circulated her photos to
all the police stations in Agra.
But there is no missing
complaint for her until now.
Tripathi, there are chances that
she might not be from Agra.
Send her photo to all the
police stations in the state
and publish her corpse's
photo in the newspaper.
Someone might identify her.
Sir.
Hello.
The corpse has been found
but I think,
she hasn't been identified yet.
The girl was gang raped
before she was murdered.
As per post-mortem report
the girl died on 22nd
June at around midnight.
She was shot point-blank
with a .315 bore country
made pistol.
And later
the bullet wound was
gaped by a knife.
So maybe she was raped
at gunpoint.
And the knife was pierced
in the bullet wound
in order
to remove the bullet
so that no connection
can be made
between the murder
and the murder weapon.
Sir, but her blood had
high volume of alcohol.
She might've been
raped at gunpoint
but so much alcohol..
She wasn't forced to drink it.
Apart from that, food traces
were found in her stomach.
It is a possibility
that she was with people
she knew
before she died.
So you are saying that she
drank with her murderers.
But who all were with her?
We will know that only
after she's been identified.
I think she is a strange
even for her own people.
She died a week ago
and no one has reported
a missing complaint yet.
And the morgue is asking
permission for her cremation.
Preserve her DNA sample and
cremate her body.
And enquire at all the
hotels and liquor kiosks
near the highway.
May be she was seen
with someone there
on the night of the murder.
Post her photos on social media.
We might get information
about her identity.
'If someone asks me who I am'
'I will smile and say that'
'this weepy painful
journey is my identity.'
And the destiny of this
journey is His house.
And to reach at His house daily
and return with
disappointment is my habit.
But I fear that
my life might just
end in this journey.
And my identity might vanish.
No one is an orphan amongst us.
Everyone has someone.
But what went so
wrong with that girl
that no one came
to identify her.
And her last rites were done,
considering her an orphan.
In the farewell to her soul,
her name was not read out
So were her parents not alive?
Did her friends,
enemies, relatives
and close ones took her life?
Hence no one came to
identify her till now.
Cops were trying out all
possibilities to identify her.
But they couldn't find any lead.
Listen.
The cops have
become very active.
You all just go away
from here immediately.
Got it?
Sir, her name is Hema Taneja.
Where does she live?
Sir, I wouldn't know that
as we were friends on internet.
You claim to be her friend
and you say that you don't
know anything about her.
Sir, this is what happens
on social media sites.
She seemed beautiful, hence I
sent the friendship request.
She even accepted my friend
request after two days.
Sometimes we used
to greet each other online.
Apart from that,
I don't know her personally.
Tripathi, take the permission
to access Hema's profile.
Get her address as soon as
you get her phone number. - Sir!
Sir, I got Hema's phone number
from her social media
which is registered
at Indrapuram in Ghaziabad.
Does Hema Taneja stays here?
She used to stay as a tenant
in the first floor.
But it's been 3-4 months she
has moved. - Where? Any idea?
No, sir. I don't know.
Who else used to stay
here with her?
Her mother used
to stay with her.
Initially, her father
used to stay with her
but a couple of years back
her father passed away.
What's the matter, sir?
We've found
Hema Taneja's dead body.
She has been murdered.
- What! - Yes.
Do you've the phone
number of Hema's mother?
No, sir. I don't have
but Hema used to work
in a bar in Vijaynagar.
In a bar? - Yes.
What is the name of the bar?
- I'm not aware of it
but it's a 'hookah' bar.
Sir, the photos which
Hema had posted on social media
it seems the name
of that bar is High N End.
But she has posted
a lot of romantic poems
on the social media wall.
'I don't know who I am.
I am no one.'
'No one at all.'
'You the world to me.'
'Everything is with you.'
'I am made for you.
You are mine.'
'Your existence
is my identity.'
Seeing her posts,
it seems
she was in deeply
in love with someone.
But it's not clear with whom
was she in love with.
Sir, if she had loved
someone so much
and also she has a mother..
Why didn't anybody file
a missing complaint of her?
Cheers, guys!
'I didn't know
how life drained slowly'
'like an empty glass of liquor.'
'I yearn for an unending party
and your company for life.'
'But the truth shows,
my life is on the brink'
'and this party's going to end.'
Tripathi, look.
These are her last photos
which she had posted
on 22nd June, 10:30 pm.
On the same night,
she was ravaged and murdered
around 12 midnight
and 1 am.
Seeing her photos, it seems
she is in some restaurant.
Maybe when she posted
these photos
she must've been
with assailants.
Sir, it is possible
that the boy she loved..
Maybe she was with
him that night.
There is a possibility.
But if she had loved
someone so much
and if he was really
with Hema
then why was her
honour ravaged?
That too, many people
ravaged her.
Love inspires us
to sore the skies
but some uncouth people
tries to label their
disgusting acts as love.
Hema Taneja's
mass violation and murder case
was going to be linked up
with her lover
who was also been
considered the murderer.
But was Hema's lover
a bad guy?
Or was his relationship
with Hema was wrong?
Or was someone else
was wrong?
Come here.
Does Hema Taneja works here?
Yes, sir.
- What's the matter, sir?
Why is the police here?
Who are you?
Sir, I'm Riddhi..
The manager of this bar.
What's the matter, sir?
Does Hema Taneja works
in this bar? - Yes, sir.
Hema works here
but it's been days
she didn't turn up.
Sir, may I ask,
what's the matter?
Sir, I'm not able
to imagine
that such a heinous
incident happened with Ms. Hema.
Sir, she was a naive girl.
We build up a good rapport.
She was liked by
every customer.
Where did Hema used to stay?
She used to stay
near Sahidabad.
Ms. Riddhi must be
knowing her address.
Are you all right?
Yes, sir.
Who do you think
could do such a thing with Hema?
Hema was a jovial girl.
Who can be her enemy?
Who was Hema's friend?
I mean, with whom
did she have an affair?
Sir, she didn't tell me
but there was a boy
whom she loved very much.
She liked poems.
Every now and then,
she used to pen poems.
I fell in love with you.
But I've no remorse.
Because I'm also
in love with this remorse.
My name is always
linked with you.
Excuse me.
You always write poems.
This is a bill book
and not your diary.
Come on.
Get back to work.
Sir, Hema was quite
a good girl
but she had a habit of drinking.
She used to go with anyone
to drink.
Bye.
- Bye.
Listen.
Come tomorrow on time.
All right?
- Sure.
Okay, bye.
Who was with her
on the night of 22nd June?
Sir, she left for home early
on 22nd June.
But four boys used
to come here regularly
for the last few months.
They used to come
here for Hema.
They used to spend
lots of money.
What are their names?
- Sir, I don't know their names.
Since you don't
know their names..
Do one thing.
The CCTVs installed in this hall
must have captured
their footage.
Show me the footage.
I was talking
about these four boys.
Did they use to pay bill
through card or in cash?
Sometimes, they used
to pay in cash.
Sometimes, they used
to pay through card.
Give me their bills, debit card
and credit card slips.
Okay, sir.
Sir, Ms. Hema's behaviour
was good with everyone.
But she..
What?
Why have you stopped?
Tell me everything.
Actually, Ms. Hema's post was
lower than Ms. Riddhi's post.
But she was very popular
in this bar.
Okay. Hi.
What a pleasant surprise!
Please come.
Let me order something for you.
Hi.
- I will be back.
Hi
- Hi. - How are you?
You have come here
after a long time.
Hi..
What would you like to drink?
I think Ms. Riddhi was
jealous of Ms. Hema
since the later was more
popular than her.
Why do you think so?
Tell me everything.
Sir, I am not suspecting
Ms. Riddhi.
But I am telling you
what I felt.
Please don't inform
Ms. Riddhi about this.
My job..
Tripathi, as per the employees
of this bar
Hema had an outgoing
personality.
I think she died because
of her outgoing nature.
Perhaps, Hema's lover took
her long with him.
He made her drink alcohol
and tried to get intimate
with her.
When Hema opposed him
he raped her with his friends
in the heat of the moment
and murdered her later.
But no one knows
who Hema's boyfriend was.
Sir
I have got this information
from a waiter.
Rohit, Shamim, Karan and Ashish
were close to Hema.
And they come here
to enjoy their drinks.
I have checked
the CCTV footage too.
They have been spotted
with Hema.
But they visited here
just a couple of times
after Hema's murder.
It's possible they have
connections
with Hema's rape and murder.
Get their details.
Tripathi, let's go
and meet Hema's mother.
Maybe, she will be able
to tell us about Hema's lover.
Yes.
Are you Hema Taneja's mother?
- Yes, but she is not at home.
She has gone to Delhi
for official purpose.
What's the matter?
Is everything all right?
They could have just raped her.
Why did they kill her?
What's my daughter's fault?
Who was with her
on the fateful night?
I don't know, sir.
She is not in condition
to speak.
We should give her some time.
- Sir.
We have got the addresses
of those four boys
who use to visit
that bar regularly.
Okay, Jadhav.
Sir, Rohit and Ashish
are absconding.
Shamim and Karan
have been detained.
Jadhav is bring them
to the police station.
Where were you
on the night of 22nd June
between 10 p.m. to 1 a.m.?
Speak up!
Sir..
Sir, I don't remember.
You don't remember, right?
- Yes, sir.
Ali.
- Yes, sir.
Beat him up
until he regains his memory.
Sir..
Perhaps, I was at home.
I am speaking the truth.
You were on Delhi-Agra highway.
You raped and murdered
Hema Taneja, right?
No, sir.
What are you saying?
I am innocent.
- Don't lie to us.
I am speaking the truth.
And your friends were with you.
Speak up.
Who all were with you?
I wasn't there.
Please believe me.
I am innocent.
You committed a heinous crime.
First, you drank alcohol
with Hema.
Later, you raped and killed her
along with your friends.
Am I right?
Sir, I didn't even
know her properly.
You and your friends
used to party with her.
Are you enjoying?
Yes!
I agree we used
to party with her.
But only few times.
- Tell me the truth.
You used to love Hema.
But your friends were dirty
and so was your friendship.
No, sir. Nothing like that.
She was just a casual
friend of mine.
If you were
the casual friend
then who among you
was the special one?
I don't know who that is,
but it's not me.
Sir, I thought of her to
be my sister, sir. Honestly..
Scoundrel.
Now she is your sister.
- Sir..
Did she tie rakhi on your
wrist while getting drunk?
Thrash him,
until he tells the truth.
Sir..
'It's difficult to
think of myself of this world'
'in your love.'
'When the world fails
to shackle me in bonds'
'they say that
I'm the bad one.'
'How do I explain
these idiots'
'that I don't belong
to this world anymore.'
Sir, Karan and Shameen
aren't saying anything.
And the other two,
Ashish and Rohit.
We have sent a look out
notice for them at all stations.
Sir, what if the guy Hema loved
was one of Ashish and Rohit?
There are a lot of guy friends
in Hema's social media account.
But when I checked
her chat history
turns out she doesn't
talk to a lot of boys.
She used to live
in an ordinary house.
But her lifestyle
was not ordinary.
We'll have to understand
her character
better to take
this case forward.
'There is longing even in
relations which we don't want'
'the longing to
not want the relation.'
Sir, tea.
No, sir.
I don't recognise any of them.
Ms. Neeta, we think that
the guy whom Hema loved
may have something
to do with her death.
Do you have any idea
whom she used to love?
No, sir. I don't know
if she even loved anyone.
Didn't Hema ever
tell you anything?
No, sir.
Hema used to post romantic
verses on her social media.
These posters
and cards in her room.
Did you never think
that she might be in
love with someone?
Hema was missing
since so many days
and her phone
was also switched off.
Then you didn't even worry
about your daughter enough
to file a missing
person's complaint.
Sir, she used to stay out
of the house days at a time.
And even when
she used to be at home
we didn't used
to talk a lot.
In spite of being
mother and daughter
we had become
strangers for one another.
Hema didn't like
it when I nagged her.
So I started to
overlook her mistakes.
But I shouldn't
have given up.
If she didn't
listen when I was nice
then I should have
been stricter with her.
Had I done that
then my relationship with
her wouldn't have been so bad.
Sir, it's so strange.
Hema used to express
the smallest details of her life
on social media.
But she barely even talked
to her own mother at home.
Tripathi, these days a
lot of youngsters like Hema
maintain a social relationship
with the outer world
but fall out of contact
with their own family.
Social media
is a great way
to bring people closer
who live far away.
But the side
effect of this is also
that we are getting far away
from our near and dear ones.
We may spend hours at a time
to like pictures of other people
but we don't get the
time to appreciate
the food that
our mom makes.
We post verses and
quotes full of knowledge
but fail to say a few
words of appreciation
to our soul mates.
Sir, according
to Hema's call records
on the 22nd of June.
she didn't talk to Rohit,
Ashish
Karan or Shameem
from her phone.
But she did talk
to these two numbers.
The last call to her phone
was from one Kashif Khan.
And she also talked to
one Amaan Khan in the evening.
She used to talk to
these numbers occasionally.
Kashif and Amaan.
Interrogate them as well.
- Yes, sir.
Yes. - Amaan Khan?
- Yes. That's me. Tell me.
Do you know Hema Taneja?
Yes. I do know her.
A few days back
I read about her
in the newspaper.
A call was made from your
phone to Hema on 22nd June.
I called her from his number.
- Why?
I had to make a reservation
in the hookah bar.
But she said that she
was going out somewhere.
That's why we
cancelled our program.
Are you her friend? - No.
I'm not that close to her.
But sometimes we used
to meet at the hookah bar.
Get the call records of the
marked numbers. - Okay, sir.
Sir, Amaan Khan is married.
Amaan and his wife used
to visit the hookah parlour.
And Amaan's wife had called Hema
on 22nd June regarding that.
Yes, Yadav.
- Sir, Kashif's house is locked.
On interrogating
the neighbours
we got to know that the house
is locked from a long time.
Even Kashif's number
is switched off.
Even Kashif is missing along
with Ashish and Rohit.
And these three
are related to Hema.
Tripathi,
get me Kashif's call records.
And find out
did Kashif have a connection
with Rohit and Ashish.
And find them out at any cost.
Okay, sir.
Even Kashif emerged as a prime
suspect after Rohit and Ashish.
The police were looking
for all three of them
and very soon they got a lead
on Ashish and Rohit
and they finally got arrested.
Sir, I was in Ghaziabad
on 22nd of June.
Neither did I go to Agra that
night nor did I meet Hema.
We have your laptop with us.
Tell us the truth.
Didn't Hema love you?
No, sir. I don't fall prey
to these things.
I keep myself far away
from all these.
Was she in love
with your friend Rohit then?
No, sir.
We were just good friends.
A lot of other people
were her friends as well.
I know that.
Even Kashif Khan
is a name in that list.
Where is he hiding?
Who's this Kashif, sir?
The one with whom
you gang-raped Hema
and then killed her.
Sir, I don't know Kashif.
I haven't done anything, sir.
Then why did you run away
if you weren't guilty?
Sir, I didn't run away..
I went to visit my aunt.
We checked your phone. All the
data has been deleted from it.
What was there in it?
Sir..
Nothing wrong was there in it.
There was a virus in the phone..
That's why I had
to delete everything.
First you killed Hema
and went to your aunt's place.
Then there came virus
in your phone.
Let me help you get rid
of few of your problems.
Get rid of the virus in him.
- Sir..
Even Ashish isn't saying
anything like Karan and Shameem.
And even Rohit
isn't saying anything.
But I think, Rohit is the
one whom Hema used to love.
But Rohit was always involved
in fun activities.
And when he realised Hema
is madly in love with him.
Then he teamed up with
his friends and did this act.
Sir, even Kashif is missing and
he's the one to speak to Hema
for the last time.
What if Kashif is involved
with these people?
Tripathi,
Hema was shot dead.
Find out again about
all these boys.
See if they have a connection
with an illegal arms dealer
from where
that pistol was bought.
Okay, sir. - Sir,
we found no clue of Kashif
having a connection
with those four
But a few days ago,
we got to know that Rohit
used to book rooms
in low budget hotels.
And he often used
to visit them with Hema.
Sir, these are the hotel bills.
You all share a very strong
bond of friendship, right?
But Rohit has admitted
that he ganged up with you three
raped Hema and
later you all murdered her.
We haven't done anything, sir.
He's trying to frame us.
Yes, sir. Rohit himself was
the one closest to Hema.
And these two were
in a relationship as well.
What about Kashif?
- Sir, we don't know any Kashif.
Rubet Lodge, Temptation
Blue Moon Lodge
and Ekaant Niwas.
There are a lot of such places
where you had spent
a lot of quality time
with Hema.
Listen to me, Rohit.
There's no use staying quiet.
Your friends
have revealed your secret.
They told us about
your relationship with Hema.
Sir, I do accept
we were in a relationship.
But I haven't done
anything wrong to her, sir.
Again a lie.
- Sir..
Sir, I'm not lying. I was
scared then so I lied to you.
Hema used to love you.
And you killed her.
Sir, I haven't killed Hema.
Sir, we were in a relationship
but we were only physically
connected to each other.
We never came emotionally
close to each other.
Really?
Sir, I still
don't understand Hema.
And whenever
we used to be together..
It seemed like she was living
her life for someone else.
Hema.
Sir, Hema used
to stay a lot depressed.
But whenever I enquired
about her problems
she used to reply in poems.
Sir, after sunset
she used to consume alcohol
attend parties and recite poems
in order to get rid
of her depression.
Riddhi told me about this, sir.
- Riddhi?
The manager of her bar?
Yes, sir.
Sir, Riddhi was the one
to introduce me to Hema.
And she even told me
a number of times that
Hema would destroy my life.
And today, I'm getting assaulted
by you because of her.
It means you're still the same.
No.. Sir. You may assault me
as much as you want to.
But I have told you
the truth, sir.
Sir, I think,
she has fallen prey
to somebody else's enmity.
But I have not done anything,
sir.
Sir, I agree
Rohit was my good friend.
But Hema was friendly
with many other boys
apart from Rohit.
I don't know whom
she used to spend time with.
That is why, you warned Rohit
to stay away from Hema.
Your silence proves
that you were very well aware
that Rohit
and Hema had an affair
and you were not happy
about this.
This is not true, sir.
Tell us right now
if you are hiding anything.
Otherwise, you may have
to repent later.
Sir, I have not
committed any crime.
So, please stop
talking to me like this.
I hope you are right.
Otherwise, we'll meet you
next time in the lockup.
Update me as soon as you
receive Riddhi's call records.
Check her activities
on the night of Hema's murder.
She might be involved
in Hema's murder and rape.
Sir.
Sir,
I just received an information
from Indirapuram
Police Station.
Hema was married.
As per Indirapuram
Police Station
Hema's real name is
Hema Taneja Khan.
Sir, Hema had filed
a complaint against
her husband,
Amaan Khan, seven months ago
because Amaan
had married again
without
giving her a divorce.
But Hema withdrew
the case after that.
Tripathi, arrest Amaan Khan.
In the meantime,
I'll find out from Hema's mom
whether she knew
about Hema's marriage or not.
Call Amaan.
Amaan is not at home.
Where has he gone?
He has gone out
for some work.
Yes, sir.
Hema had a love marriage
with Amaan
around two years ago.
You didn't inform us
that she was married.
Sir, you never asked me
about the marriage.
You asked me whom
Hema was in love with.
I don't think
she loved Amaan.
She had left him
one year ago.
Why did she leave Amaan?
I don't know, sir.
She got married
as per her wish.
And she returned home
as per her wish too.
She never shared
her pain with me.
But I am sure
that her habits
would have been the reason
for her separation
with Amaan.
Yes, Tripathi?
Sir, Amaan is not at home.
Get him anyhow.
Okay, sir.
Sir, one second.
Singh, make them sit
in the cabin.
Sir, Amaan himself
has come to the station.
Amaan.
- Yes, sir.
Why didn't you
inform us earlier
that you were married
to Hema?
Sir, actually..
Sir, he wanted
to tell you the truth.
But I was scared after
seeing Hema's dead body's photo
in the newspaper.
That is why, we hid
the fact about the marriage.
The story behind
a phone call was also a lie.
So, Amaan had called Hema
the night she was murdered.
Yes, sir.
Hema's certificates
were at my place
after our separation.
She had called up many times
and asked for it.
But I was not finding
those certificates.
I found it finally
and informed her to collect it.
Sir, these..
These are the certificates.
Why didn't she come
to collect the certificates?
I don't know, sir.
She told me
that she'll collect it.
But..
I heard that Hema and you
had a love marriage.
Why did you separate then?
Sir, it was a love marriage.
But falling in love with her
was the biggest mistake
of my life.
I was attracted
to her beauty.
And I mistook
the attraction for love.
I fought with my parents
and married her.
Few days after marrying her
I realised that drinking and
partying were not her habits.
Instead,
she was addicted to drinking.
I wanted her
to stop drinking.
But she left me.
But Hema had filed a case
against you for cheating
around seven months ago
for marrying again
without divorcing her.
Sir, the truth is
I couldn't see my future
with Hema.
So, I decided to marry Shahida
in agreement with my parents
after I separated
from Hema.
But she couldn't digest
this fact.
She even filed a case
against me.
But me and my parents
made her understand
and she understood
the situation.
And she withdrew her case.
Do you know Kashif Khan?
Yes, sir.
He is my cousin brother.
But what about him?
Kashif Khan's phone
is switched off
from the day
Hema was murdered.
Where has he disappeared?
Sir, I have no idea.
I don't talk to him regularly.
But Hema was in touch
with Kashif.
Why was she in touch
with your cousin brother
after separating from you?
She might have had
an affair with him.
That is why,
I used to avoid talking to him.
Are you trying to say
that Hema and Kashif
had an affair?
Yes, sir.
There is a possibility.
She used to drink with him.
Sir, Kashif is not
a decent boy either.
He is a spoilt brat.
I think,
she left me because of him.
Can you tell me
where can we find Kashif?
I have no idea, sir.
But it is unfortunate
that Hema had to suffer
such a drastic end
due to the habits
which she could not change.
According to an article
around 30 per cent
of the love marriages
end up in divorce.
Perhaps the reason is,
lovers don't reveal
their true nature
to their partners.
And their true self is revealed
after the marriage.
This was the reason behind
Hema and Amaan's separation.
But Amaan was Hema's past
and Amaan's statement
made it clear
that Kashif was her present
who had ruined Hema's life.
But Hema's gang-rape
and murder's news
were accusing
her lifestyle too.
Hema's lifestyle became
the poison in her life.
It is believed
that drinking and partying
were the reason behind
her murder and gang-rape.
The police investigation
is going on.
But there is no clue
about her murderer yet.
The police was
in search of Kashif
but they didn't get
any lead about him.
Apart from Kashif
the police were trying
to find Kashif's connection
with the rest of the suspects.
We asked everyone who was
related to Rohit or Siddhi
but nothing came out of it.
And they don't seem
to be related to Kashif either.
Sir, on the night
of Hema's murder
Kashif's phone was active
on the Delhi-Agra highway.
And sir, there is a number
in Kashif's phone
which is switched off
from the night of Hema's death.
This number belongs
to Vikas Singh
who used
to live with Kashif.
Sir, on the night
of Hema's murder
Hema, Kashif,
and Vikas' phones
were active
at the same location.
But, sir, there were no phone
calls between Hema and Vikas.
Sir, according
to the call records
it seems that Kashif
was Hema's lover.
He got together with Vikas,
raped her, and then killed her.
It's not necessary that
there were only two rapists.
Maybe there were
more men with them.
Send a look out notice
for Kashif and Vikas
all over the country.
And ask your informers
if Vikas has any
connection to the pistol.
Sir.
Okay.
We have information that Kashif
and Vikas were seen in Mumbai.
Share the information
with Mumbai Police
and prepare
to leave for Mumbai.
Sir.
Sir, Vikas and
Kashif have escaped
from where they were
hiding in Mumbai.
It's possible that they are
hiding somewhere else in Mumbai.
Find them both
any way you can.
Yes, sir.
Sir, while I was checking
Vikas' call records
I found that Hema's
husband, Amaan
also used to be
in contact with Vikas.
Yes.
- Where is Amaan?
He isn't home.
He is out with some job.
Check every corner of the house.
- Where are you going?
Yes, sir.
- You go upstairs. Check inside.
Where are you going, sir?
I just told you no one is home.
Where is he then?
- He's gone to Kanpur.
'The number you're
trying to reach'
'is currently switched off.'
Why is his number
switched off?
Yes, Yadav.
- Sir, Amaan is missing too.
His wife said that he went
to Kanpur two days back.
But his number
is also switched off.
Sir, three days
before Hema's murder
Amaan had called
a man named Billa.
Informers told me
that Billa lives in Meerut.
He deals in illegal arms.
Sir. Sir, Amaan was
spotted near a bus stop
near the mosque in Noida.
Contact Noida police.
And raid the area
he was seen at. - Okay, sir.
Speak.. Tell me.
You killed her, right?
No..
I haven't done anything.
Yadav!
- I didn't do anything.
Sir, I..
It's not my fault, sir.
She never let me live
peacefully when she was alive
and now that she is dead
she still won't let me live.
Sir, please understand.
I didn't want to run, sir.
I was afraid that
you might put me in prison
along with
Vikas and Kashif.
You are not leaving
here anytime soon.
Tell me the truth.
Where are Vikas and Kashif?
I don't know where they
are, sir, I'm telling the truth.
I was in touch with them
but I have nothing to do
with Hema's murder, sir.
I'm telling you the truth.
- The pistol from Billa.
You bought it. Kashif
and Vikas were just your pawns.
You are the mastermind
behind this entire case.
Sir, I haven't
done anything please..
Listen, we have
all the information about you.
Most of the calls after
you got separated from Hema
were from Hema's side.
She wanted you back
after you left her
and so she was doing drugs.
And,
you were tired of her.
On the day of
murder you called her
and she was ready
to meet you.
You picked her up
from the highway.
Vikas and Kashif's
phone travelled towards Palvel.
So, according
to the plan you picked up
Kashif and
Vikas from Palvel.
And then 25 kilometres
before Agra
you sat to drink with Hema
Kashif and Vikas
at a restaurant.
For an hour you talked about
your problems and complaints
while consuming alcohol.
'What are you doing,
Kashif?'
'Kashif?'
'Amaan!'
'Kashif!'
'Let me go.'
'Amaan!'
'Amaan..'
'Let go of me. Amaan.'
'Amaan!'
'Amaan.'
And then your
friends crossed all limits
of heinous acts
in your presence.
And you did nothing.
According to your plan..
'You are such a leech,
Amaan.'
'I loved you so much.'
'Today I don't even
feel like looking at you.'
'Hey! Shut up!'
'Don't act all innocent.'
'Did you forget
who you are?'
'You would lay with
a guy for alcohol.'
'That is all
because of you.'
'You are responsible
for this.'
'The person who I thought
to be the saviour of my life'
'is the biggest
danger to my life.'
'Hey, get away.
I want to get away from you.'
Then you stashed Hema's
body in the trunk of your car
along with your friends.
And then dumped
her body a few kilometres
away from the crime scene
to confuse the police.
Isn't that what
happened that night?
Say it! Speak up.
I didn't do anything,
sir. I didn't do anything.
Thrash him until
he speaks the truth.
Sir, it's not my fault.
Sir, please.
Amaan still hadn't
confessed to the theory
of Hema Taneja's
murder and rape.
However, circumstantial
evidence is against Amaan.
But the police is
still looking for Kashif
and Amaan to
close the case.
But it was pretty
clear that Hema was
so desperate in a search,
in which she lost herself
in that time that she spent with
Amaan when they were in love.
But even after being
cheated on by Amaan
why did she still
commit the mistake
of think of
him as her life?
Maybe this question was
that one thing in her life
which had made her
life dependent on something
worse than that
of a poison.
Accepting the truth
with a positive approach
in life is the biggest
test of our lives.
The people who cannot
accept the truth
spend their entire lives
chasing after mirages.
I, Anup Soni,
take your leave.
We'll meet again in the
next episode with another
shocking case.
Until then take care
of yourself and your family
and keep watching
'Crime Patrol Dial 100.'
A punishment to one,
a lesson to all.
'Jai Hind!'
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Hey Mr Stark
sorry to bother you again
but my web shooter that you gave me the other day, it is not working again.
Can you please help me fix it?
Got it, kid, now go do your homework.
Okay, thanks Mr Stark!
Hey Banner! I’ve got something for you.
Wait what? Spidey’s web shooter?
It’s broken, fix it for me, will you?
I’m kinda busy here.
Oh, alright. Seems like an easy job.
I’ll get it fixed.
Okay, stay calm.
This is harder than I thought.
I just have to focus, and I can get it done.
Arghhh!!! What is it!!! WHY CAN’T I FIX IT!!!
Man! I’m inspired, tonight I’m touching myself too!
Wakanda dance is this?
Perfect!
BRUCE BANNER!! Am I not good enough for you!!
Hey kid!
Thanks, Mr Stark!
| {
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When you are moving through life, and you have a plan
or dream ,and it shatters, you know,
someone dies, or relationship breaks apart
or you have a terrible upset in your career
you become ill in ..some unexpected way
then everything around you falls apart
and you plunge into a chaotic underworld ( the belly of the whale)
that's exactly right, exactly that. And then
maybe you stay there, because
it is not necessarily the case that people get out
people die, people are in despair permanently
but, frequently, something tragic
and terrible befalls you, and you fall apart
and you learn something profound
that 's the consequences and you put yourself back together
and when you come back out
you are more than you were when you went in, and that' s happening
at a small scale, everything you learn something
if you have already learned something, it's usually painful
it usually means that you have to recognise that you are wrong
in some important way, you have to let that part of you what is wrong die
then you have to let a new part of you
Ok, so the self, imagine that
you undergo a series of transformations in your life, then they are collapsed into a chaotic underworld
and than mini resurrection that happens continually
and that's what molds your character the self is
this thing that manages the transformations
across all those, it manages all those transformations
so you could say.. heres another way of thinking about it
| {
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Hola amigos seguimos con nuestra serie
sobre áreas de figuras planas
hoy nos toca hablar del área del triángulo que es una figura que tiene...
...exactamente tres ángulos y tres lados
queremos deducir una fórmula que dependa
de dos longitudes por una parte la
longitud de uno de sus lados al que
llamaremos base
y por otra parte la distancia entre este
lado y el vértice opuesto a la que
llamaremos altura
para deducir esta fórmula vamos a utilizar una nueva herramienta:
¡pegamento! ¿como utilizaremos esta
herramienta?
Consideremos un triángulo igual que el que ya tenemos lo giramos y lo encajamos sobre el nuestro
si lo pegamos con nuestro pegamento
obtendremos una figura plana cuyo área
es el doble del área del triángulo pero
la figura que nos ha quedado la
conocemos es el paralelo gramos y el
área del paralelogramo como vimos en el
vídeo anterior es justamente base por
altura así que el área del triángulo que
es la mitad será base por altura partido
por 2. Así de sencilla es la fórmula para
el ÁREA del TRIÁNGULO
¡Hasta luego! 👋🏻👋🏻👋🏻
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English:
Music by Colby Griffin and Ethan Pawlak
Hello and welcome to The Screen
Chronicles! I'm Colby and with me as always
is Steve
and if you're listening to us you will
know our special guest today as Lord
Aethelred of
Mercia from The Last Kingdom. you may
also recognize him as King Francis II
from Reign
and his Young Albus Dumbledore from
Harry Potter and the Deathly Hallows
Part One
and Fantastic Beasts Crimes of
Grindlewald.
Toby Regbo, welcome to The Screen
Chronicles! [Toby] hello thank you for having me.
how are you doing today? [Toby] yeah
I'm pretty good.
I'm pretty good. I got some good news
this morning but I can't...
I'm already saying something I
can't talk about but
I've got some good good news for
future acting projects.
Arabic:
موسيقى كولبي جريفين وإيثان بافلاك
أهلا ومرحبا بكم في The Screen
Chronicles! أنا كولبي ومعي كالعادة
هو ستيف
وإذا كنت تستمع إلينا فستفعل
تعرف على ضيفنا الخاص اليوم باسم اللورد
أثيلريد
ميرسيا من المملكة الأخيرة. قد
تتعرف عليه أيضًا على أنه الملك فرانسيس الثاني
من عهد
وصغيره ألبوس دمبلدور من
هاري بوتر والأقداس المهلكة
الجزء الأول
وجرائم الوحوش الرائعة
لجريندلوالد.
توبي ريجبو ، مرحبًا بك في The Screen
Chronicles! [توبي] مرحبًا ، شكرًا لاستضافتي.
كيف حالك اليوم؟ [توبي] أجل
، أنا جيد جدًا.
أنا جيد جدا. تلقيت بعض الأخبار السارة
هذا الصباح لكن لا يمكنني ...
أنا بالفعل أقول شيئًا
لا يمكنني التحدث عنه ولكن
لدي بعض الأخبار الجيدة
لمشروعات التمثيل المستقبلية.
Russian:
Музыка Колби Гриффина и Итана Павляка
Привет и добро пожаловать в The Screen
Chronicles! Я Колби и как всегда со мной
это Стив,
и если вы слушаете нас, вы будете
знает нашего особого гостя сегодня как лорда
Этельреда из
Мерсия из "Последнего царства". вы
также можете узнать его как короля Франциска II
из Reign
и его Молодой Альбус Дамблдор из
Гарри Поттер и Дары смерти,
часть первая
и Преступления Фантастических Зверей
Гриндельвальда.
Тоби Регбо, добро пожаловать в «
Хроники экрана »! [Тоби] привет, спасибо, что пригласили меня.
как у тебя сегодня дела? [Тоби] Да,
я довольно хорош.
Я весьма хорош. Сегодня
утром у меня хорошие новости, но я не могу ...
Я уже говорю то, о чем
не могу говорить, но
У меня есть хорошие новости для
будущих актерских проектов.
Spanish:
Música de Colby Griffin y Ethan Pawlak
¡Hola y bienvenido a The Screen
Chronicles! Me llamo Colby y conmigo como siempre
es Steve
y si nos escuchas lo harás
conoce a nuestro invitado especial hoy como Lord
Aethelred de
Mercia de El último reino. también puede
reconocerlo como el rey Francisco II
de Reign
y su joven Albus Dumbledore de
Harry Potter y las reliquias de la muerte, primera
parte
y Animales fantásticos Crímenes de
Grindlewald.
Toby Regbo, ¡bienvenido a The Screen
Chronicles! [Toby] hola gracias por invitarme.
¿Cómo estás hoy? [Toby] sí
, soy bastante bueno.
Soy bastante bueno. Recibí buenas noticias
esta mañana, pero no puedo ...
Ya estoy diciendo algo de lo
que no puedo hablar pero
Tengo buenas noticias para
futuros proyectos de actuación.
Chinese:
Colby Griffin和Ethan Pawlak创作的音乐
您好,欢迎使用“屏幕
纪事”!我是Colby,一如既往
是史蒂夫
,如果您在听我们的话,
知道我们的特邀嘉宾今天主
的Aethelred
来自最后王国的梅西亚。您可能
也认识他为弗朗西斯二世国王
来自Reign
和他的Young Albus Dumbledore来自
哈利·波特与死亡圣器
第一部分
和
格林德尔瓦尔德的神奇动物犯罪。
Toby Regbo,欢迎来到《屏幕
纪事》![托比]你好,谢谢你有我。
今天过得好吗?[Toby]是的,
我很好。
我很好。我
今天早上有个好消息,但我不能...
我已经说了我
无法谈论的事情,但是
对于
未来的表演项目,我有一些好消息。
French:
Musique de Colby Griffin et Ethan Pawlak
Bonjour et bienvenue dans The Screen
Chronicles! Je suis Colby et avec moi comme toujours
est Steve
et si vous nous écoutez, vous le ferez
connaissez notre invité spécial aujourd'hui en tant que Lord
Aethelred de
Mercia du dernier royaume. vous pouvez
également le reconnaître comme le roi François II
de Reign
and his Young Albus Dumbledore de
Harry Potter et les reliques de la mort,
première partie
et Fantastic Beasts Crimes of
Grindlewald.
Toby Regbo, bienvenue dans The Screen
Chronicles! [Toby] bonjour merci de m'avoir invité.
Comment ça va aujourd'hui? [Toby] ouais
je suis plutôt bon.
Je suis assez bon. J'ai de bonnes nouvelles
ce matin mais je ne peux pas ...
Je dis déjà quelque chose dont je
ne peux pas parler mais
J'ai de bonnes nouvelles pour les
futurs projets d'acteur.
Hungarian:
Colby Griffin és Ethan Pawlak zenéje
Üdvözlünk és üdvözlünk a The Screen
Chronicles-ban! Colby vagyok, és velem van, mint mindig
Steve,
és ha ránk hallgat, akkor meg is fogja
ismerje meg a mai különleges vendégünket Lord
Aethelred néven
Mercia az Utolsó Királyságból. akkor
is ismeri őt, mint Ferenc király II
Reign-től
és fiatal Albus Dumbledore-tól
Harry Potter és a halál ereklyéi
első rész
és
Grindlewald fantasztikus vadállati bűncselekményei .
Toby Regbo, üdvözöljük a The Screen
Chronicles-ben! [Toby] szia köszönöm, hogy megvoltál.
hogy vagy ma? [Toby] igen
nagyon jó vagyok.
Elég jó vagyok. Jó híreket kaptam
ma reggel, de nem tudom ...
Már mondok valamit, amiről
nem tudok beszélni, de
Van egy jó jó hírem a
jövőbeli színészi projektekhez.
German:
Musik von Colby Griffin und Ethan Pawlak
Hallo und willkommen bei The Screen
Chronicles! Ich bin Colby und wie immer bei mir
ist Steve
und wenn du uns zuhörst, wirst du es tun
kennen unseren besonderen Gast heute als Lord
Aethelred von
Mercia aus dem letzten Königreich. Sie können
ihn auch als König Franz II. erkennen
von Reign
und seinem jungen Albus Dumbledore von
Harry Potter und die Heiligtümer des Todes
Teil Eins
und Fantastic Beasts Verbrechen von
Grindlewald.
Toby Regbo, willkommen bei The Screen
Chronicles! [Toby] Hallo, danke, dass du mich hast.
wie geht es dir heute? [Toby] Ja,
ich bin ziemlich gut.
Ich bin ziemlich gut. Ich habe
heute Morgen gute Nachrichten bekommen, aber ich kann nicht ...
Ich sage schon etwas, über das ich
aber nicht sprechen kann
Ich habe gute Nachrichten für
zukünftige Schauspielprojekte.
Portuguese:
Música de Colby Griffin e Ethan Pawlak
Olá e bem-vindo ao The Screen
Chronicles! Eu sou colby e comigo como sempre
é Steve
e se você está nos ouvindo,
conheça nosso convidado especial hoje como Lord
Aethelred de
Mércia do Último Reino. você
também pode reconhecê-lo como o rei Francisco II
de Reign
e seu Jovem Albus Dumbledore de
Harry Potter e as Relíquias da Morte -
Parte Um
e Crimes de Animais Fantásticos de
Grindlewald.
Toby Regbo, bem-vindo ao The Screen
Chronicles! [Toby] Olá, obrigado por me receber.
como vai você hoje? [Toby] sim
, estou muito bem.
Eu estou muito bem. Recebi boas notícias
esta manhã, mas não posso ...
Já estou dizendo algo que
não posso falar, mas
Tenho boas notícias para
futuros projetos de atuação.
Arabic:
كان هذا لطيفا. [ستيف] نعم ، يجب أن يكون هذا لطيفًا
بعد الحجر الصحي بشكل خاص
وعدم القدرة على التورط في
أي شيء وكل حالة عدم اليقين.
نعم ، شعرت بالتأكيد أنه ربما
لن تكون هناك صناعة أفلام مرة أخرى. أنا
أعتقد
أنهم مضطرون للتكيف والعثور
جديدة
طرق جديدة ل
الالتفاف حول الفيروس وإجراء الاختبارات
و
تحاول التباعد الاجتماعي
ولكنك تعلم أن الأشياء تتكيف وهو أمر رائع
لذلك سوف نعيش بشكل مطلق. حتى
كيف كانت الأمور
أين أنت الآن بقدر
الفيروس وكل شيء؟ كيف هي الان؟
أعني بالنسبة لي شخصيًا لأنني
كنت كذلك
في شقتي معظم
الوقت
شعرت بأنها بعيدة نوعا ما. قرأت الكثير
من الاخبار
لكن تجربتي في ذلك كانت فقط في
الواقع
الوقت ليكون
مجبرا على أن تكون وحيدا في الأساس و
للإبطاء
خاصة مع ذلك. يشعر التمثيل في كثير من الأحيان
Spanish:
eso estuvo bien. [Steve] sí, eso debe ser bueno
después de la cuarentena
y simplemente no poder involucrarme
con nada y toda la incertidumbre.
sí, definitivamente sentí que tal vez
no volverá a haber industria cinematográfica. yo
piensan
que tienen que adaptarse y encontrar
nuevas
formas nuevas de
trabajar alrededor del virus y tener pruebas
y
tratando de distanciarse socialmente
pero sabes que las cosas se adaptan lo cual es genial
así que sobreviviremos absolutamente. entonces
como han ido las cosas
¿Dónde estás ahora en cuanto al
virus y todo? ¿cómo está ahora?
Me refiero a mí personalmente porque
estaba
en mi piso la mayor parte del
tiempo
se sentía un poco remoto. Leí muchas
noticias
pero mi experiencia fue simplemente
que encontré
el momento de verse
obligado a estar solo básicamente y
para reducir la velocidad
especialmente con eso. actuar a menudo se siente
English:
that was nice. [Steve] yeah that's got to be nice
after especially the quarantine
and just not being able to get involved
with anything and all the uncertainty.
yeah I definitely felt like like maybe
there will be no film industry again. I
think
like they're having to adapt and find
new
new ways to
work around the virus and have testing
and
trying to social distance
but you know things adapt which is great
so we will survive absolutely. so
how have things been
where you are right now as far as the
virus and everything? how is it now?
I mean for me personally because
I was
in my flat for most of the
time
it felt kind of remote. I read a lot
of news
but my experience of it was just
I actually found
the time to be
forced to be alone basically and
to slow down
especially with that. acting often feels
Chinese:
很好 [史蒂夫]是的,
特别是隔离后,情况一定会很好
只是无法参与
任何事情和所有不确定性。
是的,我绝对感觉好像
不再有电影业了。一世
认为
他们必须适应并找到
新的
新方法
解决病毒并进行测试
并
尝试与人保持距离,
但是你知道事情会适应,这很棒
因此我们将绝对生存。所以情况
如何
就
病毒和一切而言,您现在在哪里?现在怎么样
我个人的意思是因为
我曾经
大部分
时间都在我的公寓里
感觉有点遥远。我读了很多
新闻
但我的经历只是
我实际上发现了
基本被迫独处的时间,
减缓
与特别。经常感到
Portuguese:
Aquilo foi legal. [Steve] sim, isso deve ser bom,
especialmente depois da quarentena
e simplesmente não poder se envolver
com nada e todas as incertezas.
sim, eu definitivamente senti que talvez
não houvesse indústria cinematográfica novamente. Eu
pense
que eles estão tendo que se adaptar e encontrar
novas
maneiras de
contornar o vírus e ter testes
e
tentando distância social,
mas você sabe que as coisas se adaptam, o que é ótimo
então vamos sobreviver absolutamente. então
como vão as coisas
onde você está agora no que diz respeito ao
vírus e tudo mais? Como está agora?
Quero dizer para mim pessoalmente porque
eu era
no meu apartamento a maior parte do
tempo
parecia meio remoto. Eu leio muitas
notícias
mas minha experiência foi apenas que
eu realmente descobri
o tempo de ser
forçado a ficar sozinho basicamente e
desacelerar
especialmente com isso. agir frequentemente parece
French:
c'était bien. [Steve] ouais ça doit être sympa
après surtout la quarantaine
et simplement ne pas pouvoir s'impliquer
dans quoi que ce soit et toute l'incertitude.
ouais, j'avais vraiment l'impression
qu'il n'y aurait peut -être plus d'industrie cinématographique. je
penser
comme s'ils doivent s'adapter et trouver
de nouvelles
façons de
contourner le virus et faire des tests
et
essayer de prendre une distance sociale
mais vous savez que les choses s'adaptent, ce qui est génial
donc nous survivrons absolument. alors
comment ça s'est passé
où en êtes-vous actuellement en ce qui concerne le
virus et tout? comment est-ce maintenant?
Je veux dire pour moi personnellement parce que
j'étais
dans mon appartement la plupart du
temps
c'était un peu éloigné. J'ai lu beaucoup
de nouvelles
mais mon expérience était juste que
j'ai trouvé
le temps d'être
obligé d'être seul fondamentalement et
ralentir
surtout avec ça. agir se sent souvent
Hungarian:
ez szép volt. [Steve] igen, szépnek kell lennie,
különösen a karantén után
és csak azért, mert nem tud
semmibe és minden bizonytalanságba keveredni.
igen határozottan úgy éreztem, hogy talán
már nem lesz filmipar. én
gondolkodj,
mintha alkalmazkodniuk kellene és megtalálniuk
új,
új módszerek
keresse meg a vírust, tesztelje
és
megpróbál társadalmi távolságra jutni,
de tudja, hogy a dolgok alkalmazkodnak, ami nagyszerű
tehát abszolút túl fogjuk élni. hát
hogy álltak a dolgok
hol vagy éppen a
vírusig és mindenig? hogy van most?
Mármint nekem személy szerint, mert
voltam
a lakásomban az
idő nagy részében
amolyan távoli érzés volt. Sok
hírt olvastam
de az a tapasztalatom, hogy
valóban megtaláltam
az az idő, amikor
alapvetően egyedül kell kényszerülni és
különösen azzal lassítani . a színjátszás gyakran érzi
German:
das war toll. [Steve] Ja, das muss
besonders nach der Quarantäne schön sein
und einfach nicht in der Lage zu sein, sich
auf irgendetwas und all die Unsicherheit einzulassen.
Ja, ich hatte definitiv das Gefühl, dass es vielleicht
wieder keine Filmindustrie geben wird. ich
Denken
Sie, als müssten sie sich anpassen und finden
neue
neue Wege zu
Umgehen Sie den Virus und lassen Sie ihn testen
und
versuchen, soziale Distanz zu schaffen,
aber Sie wissen, dass sich die Dinge anpassen, was großartig ist
also werden wir absolut überleben. so
wie die Dinge gewesen
Wo bist du gerade so weit wie der
Virus und alles? wie ist es jetzt?
Ich meine für mich persönlich, weil
ich war
die meiste
Zeit in meiner Wohnung
es fühlte sich irgendwie abgelegen an. Ich habe viele
Neuigkeiten gelesen
aber meine Erfahrung damit war nur, dass
ich tatsächlich gefunden habe
die Zeit
gezwungen zu sein, im Grunde genommen allein zu sein und
vor allem damit zu verlangsamen
. Schauspielerei fühlt sich oft an
Russian:
это было хорошо. [Стив] Да, это должно быть хорошо
после карантина.
и просто не иметь возможности связываться
ни с чем и со всей неопределенностью.
да, я определенно чувствовал, что, может
быть, киноиндустрии больше не будет. я
думаю,
что им нужно адаптироваться и найти
новые
новые способы
обойти вирус и пройти тестирование
и
пытается дистанцироваться от общества,
но вы знаете, что вещи адаптируются, и это здорово
так что мы выживем абсолютно. так
как дела
где ты щас до
вируса и все такое ? как сейчас?
Я имею в виду лично для меня, потому что
я был
в моей квартире большую часть
времени
это казалось далеким. Я читаю много
новостей
но мой опыт был просто
я действительно нашел
время быть
вынужденным побыть одному в основном и
тормозить
особенно с этим. игра часто чувствует
Spanish:
así, ya sabes, una
carrera de ratas que puede causar muchos
ansiedad de ser como
si supieras que necesito trabajar, tengo que trabajar
y de hecho tener este tipo de
gobierno sancionado tiempo a solas
es como si no pudieras trabajar fue en
realidad para mí personalmente
Excelente. Sé que fue
obviamente también al mismo tiempo
algo realmente horrible,
pero solo para poder
reenfocarme y
ver que está bien, no tengo que hacerlo
no sé forzarme
dentro de esto.
en este trabajo perpetuo
máquina
que en realidad era buena para
yo. Básicamente hice mucho arte.
se metió en el dibujo. si no puedes verlo
pero toda mi cocina ha sido
superado por los materiales de arte.
[Colby] eso es increíble, eso es increíble ¿eras tú?
en él antes o es algo que
acaba de recoger durante la cuarentena?
no realmente quiero decir que hice arte en la escuela
pero no lo había hecho en
años
y me dediqué
Chinese:
像这样,你知道
老鼠赛跑会导致很多
就像
你知道我需要工作的焦虑,我必须工作
并且实际上有这种
政府独处的时间
就像你不能工作
实际上是我个人的
大。我知道那是
同时
确实是非常可怕的事情,
但仅仅是为了能够
重新聚焦,
然后看到没问题,我不必
是我不知道强迫自己
到这个。
从事这项永恒的工作
机器
真的很适合
我。我基本上做了很多艺术。
进入图纸。是的,你看不到它
但是我整个厨房都
被美术用品所取代。
[Colby]太棒了,那你很棒
是之前进入的还是
隔离期间刚捡到的东西?
不是真的,我是说我在学校做过美术,
但是我没有
年
,我有点奉献
Arabic:
مثل هذا تعرف
أن سباق الفئران يمكن أن يسبب الكثير
القلق من أن أكون مثلك
تعرف أنني بحاجة إلى العمل ، يجب أن أعمل
وفعلا
معاقبة هذا النوع من الحكومة بمفرده
يبدو الأمر وكأنك لا تستطيع العمل كان في
الواقع بالنسبة لي شخصيًا
عظيم. أعلم أنه من
الواضح أنه كان كذلك في نفس الوقت
إنه أمر مروع حقًا
ولكن لمجرد التمكن من القيام بذلك
أعد التركيز وشاهد
ذلك جيدًا ، لست مضطرًا لذلك
لا أعرف إجبار نفسي
في هذا.
في هذا العمل الدائم
الآلة
التي كانت في الواقع جيدة نوعًا ما
أنا. لقد فعلت الكثير من الفن في الأساس.
دخلت في الرسم. نعم لا يمكنك رؤيته
لكن مطبخي كله كان كذلك
تجاوزتها اللوازم الفنية.
[كولبي] هذا رائع ، هذا رائع كنت أنت
في ذلك من قبل أم أنه شيء
التقطته للتو أثناء الحجر الصحي؟
لا أعني حقًا أنني قمت بالفن في المدرسة
لكنني لم أفعل ذلك
سنوات
وأنا مكرسة نوعًا ما
Portuguese:
assim, você conhece uma
corrida desenfreada que pode causar muitos
ansiedade de ser apenas como
você sabe que preciso trabalhar, tenho que trabalhar
e ter esse tipo de
governo sancionado sozinho
é como se você não pudesse trabalhar, era
realmente para mim pessoalmente
ótimo. Eu sei que era,
obviamente, também ao mesmo tempo
uma coisa realmente horrível,
mas apenas ser capaz de
reorientar e
ver assim, ok, não preciso
ser eu não sei me forçando
nisso.
neste trabalho perpétuo
máquina
que na verdade era boa para
mim. Eu fiz muita arte basicamente.
começou a desenhar. sim, você não pode ver isso
mas toda a minha cozinha tem sido
ultrapassado por materiais de arte.
[Colby] isso é incrível, isso é incrível, você
antes ou é algo que você
acabou de pegar durante a quarentena?
não, quero dizer, eu fazia arte na escola,
mas não tinha feito na
anos
e eu meio que me dediquei
Russian:
как это вы знаете,
крысиные бега, которые могут вызвать много
беспокойство быть таким, как
ты знаешь, мне нужно работать, мне нужно работать
и на самом деле, когда такое
правительство санкционировано в одиночку
как будто ты не можешь работать было
лично для меня
здорово. Я знаю, что это было
очевидно в то же время
действительно ужасная вещь,
но просто чтобы иметь возможность
перефокусируйся и
увидишь, что ладно, мне не нужно
быть, я не знаю, заставляю себя
в это.
в эту вечную работу
машина,
которая на самом деле была хороша для
меня. В основном я много занимался искусством.
попал в рисование. да, ты этого не видишь
но вся моя кухня была
настигает художественные принадлежности.
[Колби] Это было здорово, было здорово, если бы ты
в него раньше или это вы
только что подобрали во время карантина?
не совсем я имею в виду, что я занимался рисованием в школе,
но я не делал этого в
лет,
и я вроде как посвятил
French:
comme ça, vous connaissez la
race de rats qui peut causer beaucoup de
anxiété d'être comme
tu sais que j'ai besoin de travailler, je dois travailler
et en fait avoir ce genre de
gouvernement sanctionné seul le temps
c'est comme si tu ne pouvais pas travailler était en
fait pour moi personnellement
génial. Je sais que c'était
évidemment aussi en même temps
une chose vraiment vraiment horrible
mais juste pour pouvoir en quelque sorte
recentrer et
voir ça comme ça je n'ai pas à le faire
être je ne sais pas me forcer
dans cela.
dans cette œuvre perpétuelle
la machine
qui était en fait était bonne pour
moi. J'ai fait beaucoup d'art en gros.
s'est mis au dessin. ouais tu ne peux pas le voir
mais toute ma cuisine a été
dépassé par les fournitures artistiques.
[Colby] c'est génial, c'est génial si vous étiez
dedans avant ou est-ce quelque chose que vous
venez de ramasser pendant la quarantaine?
pas vraiment je veux dire que j'ai fait de l'art à l'école
mais je ne l'avais pas fait
ans
et je suis en quelque sorte dédié
English:
like this this you know
rat race that can cause a lot of
anxiety of just being like
you know I need to work, I've got to work
and actually having this kind of
government sanctioned alone time
it's like you cannot work was
actually for me personally
great. I know it was it's
obviously also at the same time
a really really horrible thing
but just to be able to sort of
refocus and
and see that like okay I don't have to
be I don't know forcing myself
into this.
into this perpetual work
machine
which was actually kind of was good for
me. I did a lot of art basically.
got into drawing. yeah you can't see it
but my whole kitchen has been
overtaken by art supplies.
[Colby] that's awesome, that's awesome were you
into it before or is that something you
just picked up during the quarantine?
not really I mean I did art at school
but I hadn't done it in
years
and I kind of dedicated
Hungarian:
így tudod a
patkányversenyt, amely sok mindent okozhat
szorongás, hogy csak olyan vagyok, mint amilyennek
tudod, hogy dolgozni kell, dolgoznom kell
és valójában egy ilyen
kormány egyedül szankcionálta az időt
mintha nem dolgozhatna,
valójában nekem szólt
nagy. Tudom, hogy
nyilvánvalóan egyszerre volt
igazán szörnyű dolog,
de csak azért, hogy képes legyen rendezni
fókuszáljon újra,
és látja, hogy oké, nem kell
legyek nem tudom kényszeríteni magam
ebbe.
ebbe az örök munkába
gép,
aminek valójában jó volt
nekem. Alapvetően sokat műveltem.
belefogott a rajzba. igen, nem látod
de az egész konyhám az volt
művészeti kellékek utolérték.
[Colby] ez fantasztikus, te fantasztikus voltál
azelőtt, vagy valami, amit
most vettél fel a karantén alatt?
valójában nem azt értem, hogy művészetet csináltam az iskolában,
de még nem csináltam
év,
és én valahogy odaadó vagyok
German:
so kennst du
Rattenrennen, die viel verursachen können
Angst, so zu sein, wie
du weißt, dass ich arbeiten muss, ich muss arbeiten
und tatsächlich diese Art von
Regierung allein Zeit sanktionieren zu lassen
Es ist, als ob du nicht arbeiten kannst, war
eigentlich für mich persönlich
großartig. Ich weiß, es war
offensichtlich auch zur gleichen Zeit
eine wirklich sehr, sehr schreckliche Sache,
aber nur um irgendwie in der Lage zu sein
neu fokussieren und
sehen, dass okay, ich muss nicht
Ich weiß nicht, ob ich mich zwingen soll
das mögen.
in diese ewige Arbeit
Maschine,
die eigentlich irgendwie war, war gut für
mich. Ich habe im Grunde viel Kunst gemacht.
fing an zu zeichnen. Ja, du kannst es nicht sehen
aber meine ganze Küche war
von Kunstbedarf überholt.
[Colby] das ist großartig, das ist großartig, wo du warst
vorher oder ist das etwas, das Sie
gerade während der Quarantäne aufgenommen haben?
Nicht wirklich, ich meine, ich habe Kunst in der Schule gemacht,
aber ich hatte es nicht gemacht
Jahre
und ich irgendwie engagiert
Hungarian:
magamat hozzá ilyen
harcias módon, mintha ez nem lenne túl művészi
Gondolom, de van egy
dolog, amit Újnak hívnak
Masters Akadémia, amely egy weboldal
, amelyen megtalálhatók ezek a tanárok. éppen
video oktatóanyagok,
de néhány igazán nagyon jó
olyan művészek, mint Steve Houston és
más életrajzolók,
anatómia ismeri az oktatóanyagokat,
és én is feliratkoztam erre az oroszra
akadémia rajz
tanfolyam, olyan mintha tudnád, hogy ez az
az orosz balett megfelelője, de a
művészet számára, úgy, mintha rajzolna
tudod, rajzold meg a koponyát minden
egyes szögből, húzd meg százszor, húzd meg
amíg álmában nem láthatja
az álmaiban, ilyesmit tud
és nagyon lassan haladsz
keresztül a testen keresztül
az anatómia, igen
nagyszerű.
te magadnak tartod ... Úgy értem, hogy néhány
ember természetes fiók, úgy tűnik
ők csak felvehetnek egy ceruzát, és
bármit jól kinézhetnek
Valaki vagyok, aki nem, tudom, hogy Steve
nagyon jó
mit tartasz magadnak? te voltál? [Toby] Nem
tudom, szerintem van
határozottan különbség
a dolog között , hogy valamiféle birkózás volt
French:
moi-même de cette
manière militante comme si ce n'était pas très artistique
Je suppose mais il y a une
chose qui s'appelle le Nouveau
Masters Academy qui est un site Web
qui a tous ces professeurs. juste
tutoriels vidéo
mais certains vraiment vraiment très bons
des artistes comme Steve Houston et d'
autres Life Drawers,
anatomie vous connaissez des tutoriels et
et je l'ai fait je me suis inscrit à ce russe
cours de dessin de l'académie , c'est comme si vous saviez que c'est le
équivalent du ballet russe mais pour l'
art donc c'est comme si vous dessinez
tu sais dessiner le crâne sous tous
les angles, le dessiner 100 fois, le dessiner
jusqu'à ce que vous puissiez le voir dans votre sommeil dessiner
dans vos rêves, vous savez un genre de chose
et vous vous déplacez très très lentement à
travers le corps à travers
l'anatomie, ouais c'est
génial.
vous considérez-vous ... je veux dire que certaines
personnes sont des tiroirs naturels, il semble
ils peuvent simplement prendre un crayon et
faire en sorte que tout soit beau
Je suis quelqu'un qui n'est pas, je sais que Steve est
plutôt bon
que vous considérez-vous? étiez-vous? [Toby] Je
ne sais pas je pense qu'il y a
vraiment une différence entre
ce que je luttais en quelque sorte
Portuguese:
eu a isso dessa
forma militante como se não fosse muito artística
Eu suponho, mas há uma
coisa chamada de Novo
Masters Academy que é um site
que tem todos esses professores. somente
tutoriais em vídeo,
mas alguns realmente muito bons
artistas como Steve Houston e
outros desenhistas,
anatomia você conhece tutoriais e
eu conheci me inscrevi para este russo
curso de desenho da academia , então é como se você soubesse que é o
equivalente ao balé russo, mas para a
arte, é como desenhar
você sabe desenhar o crânio de todos
os ângulos, desenhe 100 vezes, desenhe
até que você possa ver em seu sono desenhe
em seus sonhos você sabe tipo de coisa
e você se move muito lentamente
através do corpo através
a anatomia, sim, é
ótimo.
você se considera ... quero dizer, algumas
pessoas são gavetas naturais, parece que
eles podem simplesmente pegar um lápis e
fazer qualquer coisa parecer boa
Eu sou alguém que não é, eu sei que Steve é
muito bom
o que você se considera? você estava? [Toby]
Não sei, acho que há
definitivamente uma diferença entre
o que eu estava lutando
Spanish:
Yo mismo a él de esta
manera militante como si no fuera muy artístico
Supongo que hay
algo llamado Nuevo
Masters Academy, que es un sitio web
que tiene todos estos profesores. sólo
tutoriales en video
pero algunos realmente realmente buenos
artistas como Steve Houston y
otros dibujantes de la vida,
anatomía, sabes tutoriales y
yo lo hice, me inscribí en este ruso
curso de dibujo de la academia , así que es como si supieras que es el
equivalente al ballet ruso, pero para el
arte, es como dibujar
ya sabes dibujar el cráneo desde todos los
ángulos, dibujarlo 100 veces, dibujarlo
hasta que puedas verlo mientras duermes dibujar
en tus sueños sabes algo
y te mueves muy, muy lentamente
por el cuerpo a través de
la anatomía, sí, es
genial.
te consideras a ti mismo ... quiero decir que algunas
personas son cajones naturales, parece que
ellos pueden simplemente tomar un lápiz y
hacer que cualquier cosa se vea bien
Soy alguien que no lo es, sé que Steve es
bastante bueno
que te consideras a ti mismo eras tu [Toby] No
sé, creo que hay
definitivamente una diferencia entre
lo que estaba luchando
German:
ich dazu auf diese
militante Weise, als wäre es nicht sehr künstlerisch
Ich nehme an, aber es
gibt ein Ding namens Neu
Masters Academy, eine Website
mit all diesen Lehrern. gerade
Video-Tutorials,
aber einige wirklich sehr, sehr gut
Künstler wie Steve Houston und
andere Lebensschubladen,
Anatomie Sie kennen Tutorials und
und ich habe mich für diesen Russen angemeldet
Akademie-Zeichenkurs,
also ist es so, als ob Sie wissen, dass es der ist
Entspricht dem russischen Ballett, aber für die
Kunst ist es so, als würde man zeichnen
Sie wissen, zeichnen Sie den Schädel aus jedem
Winkel, zeichnen Sie ihn 100 Mal, zeichnen Sie ihn
Bis du es im Schlaf sehen kannst, zieh
deine Träume an, du weißt so etwas
und du bewegst dich sehr sehr langsam
durch den Körper durch
Die Anatomie, ja, es ist
großartig.
Betrachten Sie sich selbst ... Ich meine, einige
Leute sind natürliche Schubladen, wie es scheint
Sie können einfach einen Bleistift nehmen und
alles gut aussehen lassen
Ich bin jemand, der nicht weiß, dass Steve
ziemlich gut ist
Was betrachtest du selbst? warst du? [Toby] Ich
weiß nicht, ob ich das glaube
definitiv ein Unterschied zwischen
der Sache, die ich Wrestling war
Chinese:
我自己以这种
好战的方式喜欢它,不是很艺术
我想,但是有一个
叫做“新”的东西
大师学院是一个
拥有所有这些老师的网站。只是
视频教程,
但有些真的真的非常好
史蒂夫·休斯顿(Steve Houston)和
其他生活抽屉等艺术家,
解剖学,您知道教程,
而我确实注册了此俄语
学院制图
课程,所以就像您知道这是
相当于俄罗斯芭蕾舞,但对于
艺术来说就像画
你知道从每个
角度绘制头骨,绘制100次,绘制
直到你可以
在梦中看到它,然后在梦中画出你知道的东西
你会非常非常缓慢地
穿过身体
解剖学,是的,这
很棒。
你认为自己...我的意思是有些
人似乎是天然的抽屉
他们可以拿起铅笔,
使任何东西看起来都不错
我是人谁不是我知道史蒂夫的
不错
您认为自己如何?是吗 [托比]我
不知道我认为
绝对是
我摔跤之间的区别
Arabic:
لنفسي بهذه
الطريقة المتشددة وكأنها ليست فنية للغاية
أفترض ولكن هناك
شيء يسمى الجديد
أكاديمية الماجستير وهو موقع إلكتروني
به كل هؤلاء المعلمين. مجرد
مقاطع فيديو تعليمية
ولكن بعضها جيد حقًا
فنانين مثل ستيف هيوستن
وأدراج الحياة الأخرى ،
علم التشريح تعلمون الدروس
وقد قمت بالتسجيل في هذا الروسي
دورة الرسم بالأكاديمية كما لو كنت تعرف أنها
ما يعادل الباليه الروسي ولكن بالنسبة
للفن فهو يشبه الرسم
تعلم رسم الجمجمة من كل
زاوية ، ارسمها 100 مرة ، ارسمها
حتى تتمكن من رؤيته في نومك ، ارسم
في أحلامك نوعًا من الأشياء
وأنت تتحرك ببطء شديد
عبر الجسم
علم التشريح ، نعم إنه
رائع.
هل تعتبر نفسك ... أعني أن بعض
الناس أدراج طبيعية على ما يبدو
يمكنهم فقط التقاط قلم رصاص
وجعل أي شيء يبدو جيدًا
أنا شخص لا أعرف أن ستيف
جيد جدًا
ماذا تعتبر نفسك هل أنت؟ [توبي]
لا أعرف أعتقد أن هناك
بالتأكيد فرق بين
الشيء الذي كنت أصارعه نوعًا ما
English:
myself to it in this
militant way like it's not very artistic
I suppose but there's a
there's this thing called the New
Masters Academy which is a website
that has all these teachers. just
video tutorials
but some really really really good
artists like Steve Houston and
other life drawers,
anatomy you know tutorials and
and I did I signed up for this Russian
academy drawing
course so it's like you know it's the
equivalent of the Russian ballet but for
art so it's like you draw
you know draw the skull from every
single angle, draw it 100 times, draw it
until you can see it in your sleep draw
in your dreams you know kind of thing
and you you move very very slowly
through the body through
the anatomy, yeah it's
great.
do you consider yourself... I mean some
people are natural drawers it seems like
they they can just pick up a pencil and
make anything look good
I'm somebody who's not I know Steve's
pretty good
what do you consider yourself? were you? [Toby] I
don't know I think there's
definitely a difference between
the thing that I was kind of wrestling
Russian:
я так
воинственно, как будто это не очень артистично
Я полагаю, но есть
вещь под названием Новый
Masters Academy, веб-сайт, на
котором есть все эти учителя. просто
видеоуроки,
но некоторые действительно действительно действительно хорошие
таких художников, как Стив Хьюстон и
других деятелей жизни,
анатомия вы знаете уроки
и я подписался на этот русский
академический
курс рисования, чтобы вы знали, что это
эквивалент русского балета, но для
искусства так это как ты рисуешь
вы знаете, нарисуйте череп под каждым
углом, нарисуйте его 100 раз, нарисуйте
пока вы не увидите это во сне, рисуйте
во сне, вы кое-что знаете
а вы очень-очень медленно двигаетесь
по телу через
анатомия, да, это
здорово.
ты считаешь себя ... я имею в виду некоторые
люди естественные ящики кажется
они могут просто взять карандаш и
заставить все выглядеть хорошо
Я тот, кто не такой, я знаю, что Стив
довольно хорош
что ты считаешь собой? ты был? [Тоби]
Не знаю, думаю, есть
определенно разница между
тем, что я боролся
French:
avec était comme
je pense que je peux copier tout à fait
eh bien j'ai comme un œil analytique donc
moi mais il y a une différence entre
entre copier et communiquer
quelque chose comme le genre de ... je ne
sachez que vous pouvez apprendre une phrase
phonétiquement mais cela ne veut pas dire que
vous communiquez une idée à travers elle
si vous ne comprenez pas vraiment ce
cela semble vouloir dire d'accord alors essayer d'
essayer de développer un style
où vous
communiquez réellement quelque chose plutôt que juste
en copiant ce que vous voyez,
je pense que c'est la différence.
Je pense que ça vient juste avec le temps
parce que je pratique
donc
on sait
votre autre côté artistique. comment êtes-vous
devenu acteur?
Je suppose que je suis tombé un peu dedans
quand j'étais
Je pense que quand j'avais 12 ou 13 ans, j'ai commencé
à
Chinese:
就像
我想我可以复制
好吧,我有分析的眼光,所以
我但是
在复制和传达
类似的东西之间...我不
知道您可以通过
语音学习句子,但这并不意味着
如果您真的不了解什么,则是通过它传达想法
这听起来不错,所以尝试
尝试发展一种风格
您实际上在
交流的东西,而不仅仅是
复制您看到的内容,
我认为那是不同的。
我认为那是随着时间的流逝,
因为我在练习
所以
我们知道
另一个艺术方面。您是如何
参与演戏的?
我想我
大概在那时候掉进去了
我想,当我是12或13,我开始
去
Spanish:
con fue como
creo que puedo copiar bastante
bueno, tengo un ojo analítico
, pero hay una diferencia entre
entre copiar y comunicar
algo como el tipo de ... no
saber que puedes aprender una oración
fonéticamente, pero eso no significa que
estás comunicando una idea a través de él
si realmente no entiendes qué
esto suena bien, así que
tratando de desarrollar un estilo
donde en realidad estás
comunicando algo en lugar de solo
copiando lo que ves
creo que esa es la diferencia.
Creo que llega con el tiempo
porque estoy en práctica
para
que sepamos
tu otro lado artístico. ¿Cómo te
involucraste en la actuación?
Supongo que me enamoré un poco
cuando estaba a punto de
Creo que cuando tenía 12 o 13 años comencé a
ir a
Russian:
было похоже,
что я могу скопировать вполне
у меня как аналитический глаз, так что
я, но есть разница между
между копированием и сообщением
чего-то вроде ... я не
знаете, как будто вы можете выучить предложение
фонетически, но это не значит, что
через него вы передаете идею,
если не понимаете, что
это звучит означало хорошо, поэтому
пытаюсь разработать стиль
где вы на самом деле
что-то говорите, а не просто
копирование того, что вы видите,
я думаю, в этом разница.
Я думаю, это приходит со временем,
потому что я практикуюсь
так что
мы знаем
ваша другая художественная сторона. как вы
стали играть?
Думаю, я немного попал в это,
когда был
Я думаю, что когда мне было 12 или 13 лет, я начал
ходить
Arabic:
مع كان كما
أعتقد يمكنني نسخه تمامًا
حسنًا ، لدي مثل العين التحليلية لذا
فأنا لكن هناك فرق بينهما
بين نسخ وإيصال
شيء مثل هذا النوع من ... لا أفعل
تعرف أنه يمكنك تعلم جملة
صوتيًا ولكن هذا لا يعني ذلك
أنت تنقل فكرة من خلاله
إذا كنت لا تفهم حقًا ما
هذا يبدو يعني حسنًا ، لذا تحاول
محاولة تطوير أسلوب
حيث تقوم بالفعل
بتوصيل شيء ما بدلاً من مجرد التواصل
نسخ ما تراه
أعتقد أن هذا هو الفرق.
أعتقد أن هذا يأتي مع الوقت
لأنني في الممارسة العملية
لذلك
نحن نعلم
الجانب الفني الآخر الخاص بك. كيف
دخلت في التمثيل؟
أعتقد أنني وقعت في ذلك قليلاً
عندما كنت على وشك
أعتقد أنني عندما كان عمري 12 أو 13 عامًا بدأت
بالذهاب
Hungarian:
volt olyan, mint
azt hiszem, eléggé le tudom másolni
Nos, olyan vagyok, mint egy elemző szem, így van
, de van különbség
olyasmi másolása és közlése között , amilyen ... én nem
Tudd, hogy
fonetikusan megtanulhatsz egy mondatot, de ez nem azt jelenti
azon keresztül kommunikálsz egy ötletet,
ha nem igazán érted, hogy mit
ez úgy hangzik, hogy rendben van, ezért megpróbálunk
kialakítani egy stílust
ahol valójában
valamit közöl, nem csak
a látottak másolása
szerintem ez a különbség.
Azt hiszem, ez csak idővel jön,
mert gyakorlatban vagyok
tehát
tudjuk
másik művészi oldalad. hogyan kapcsolódott
be a színjátszásba?
Azt hiszem, egy kicsit beleestem,
amikor kb
Azt hiszem, amikor én voltam a 12. vagy 13. Elkezdtem
fog
English:
with was like
I think I can copy quite
well I've got like an analytical eye so
I but there's a difference between
between copying and communicating
something like the kind of... I don't
know like you can learn a sentence
phonetically but it doesn't mean that
you're communicating an idea through it
if you don't really understand what
this sounds mean okay so trying to
trying to develop a style
where you're actually
communicating something rather than just
copying what you see
I think that's the difference.
I think that just comes with time
because I'm in practice
so
we know
your other artistic side. how did you
become involved in acting?
I guess I fell into it a little bit
when I was about
I think when I was 12 or 13 I started
going to
Portuguese:
com era como se
eu acho que posso copiar bastante
bem, eu tenho um olho analítico,
mas há uma diferença entre
entre copiar e comunicar
algo como o tipo de ... eu não
sabe como se você pudesse aprender uma frase
foneticamente, mas isso não significa que
você está comunicando uma ideia por meio dele,
se não entender realmente o que
isso soa bem, então tentar
desenvolver um estilo
onde você está realmente
comunicando algo em vez de apenas
copiando o que você vê
eu acho que é a diferença.
Acho que isso vem com o tempo
porque estou praticando
então
nós sabemos
seu outro lado artístico. como você
se envolveu em atuar?
Acho que caí um pouco nisso
quando estava prestes
Acho que quando tinha 12 ou 13 anos comecei
a
German:
mit war wie
ich denke ich kann ganz kopieren
Nun, ich habe wie ein analytisches Auge, also
gibt es einen Unterschied zwischen
zwischen dem Kopieren und Kommunizieren so
etwas wie ... ich nicht
Ich weiß, dass man einen Satz
phonetisch lernen kann, aber das bedeutet das nicht
Sie kommunizieren eine Idee dadurch,
wenn Sie nicht wirklich verstehen, was
Das klingt in Ordnung, also versuchen Sie
, einen Stil zu entwickeln
wo Sie tatsächlich
etwas kommunizieren und nicht nur
Kopieren, was Sie sehen
Ich denke, das ist der Unterschied.
Ich denke, das kommt mit der Zeit,
weil ich in der Praxis bin
so
wissen wir es
Ihre andere künstlerische Seite. Wie bist du
zur Schauspielerei gekommen?
Ich glaube, ich bin ein bisschen reingefallen,
als ich unterwegs war
Ich glaube, als ich 12 oder 13 war, habe ich angefangen zu
gehen
French:
un groupe dramatique appelé la Young Blood
Theatre Company à Londres.
beaucoup de mes amis y sont allés. c'était
mes samedis matins, j'y suis allé
chaque semaine un samedi était
étaient terrifiants. ils étaient à
la base de
des cours où l'on
vous donnait un mot dans un groupe
et vous auriez dix minutes pour trouver
quelque chose. tu devrais juste venir
avec quelque chose et inventer un morceau
comme ça et ensuite le jouer alors ouais
donc mes années d'adolescence d'environ 13 ans
à 16 ou 17 chaque samedi étaient juste
remplis
avec effroi mais c'était je le veux dire tu sais
juste avoir à trouver
quelque chose
mais c'était génial et c'était vraiment un
vraiment super
d'apprendre jeune. pensez à votre
pieds
créatifs et Andrew Bradford qui
a dirigé ce
groupe de théâtre avait une agence ou a un
l'agence a appelé l'agence BWH
et toute personne qu'il voulait
German:
eine
Theatergruppe namens Young Blood Theatre Company in London.
Viele meiner Freunde gingen. es war
Meine Samstagmorgen waren im Grunde genommen
jede Woche an einem Samstag
waren erschreckend. Sie waren mit
der Basis von
In den Klassen wurde
Ihnen ein Wort in einer Gruppe gegeben
und Sie hätten zehn Minuten Zeit, um sich
etwas auszudenken. du müsstest einfach kommen
Mach dir etwas vor und entwerfe ein solches Stück
und führe es dann so aus, ja
so meine Teenagerjahre ab ca. 13
bis 16 oder 17 jeden Samstag waren nur
gefüllt
mit Furcht, aber ich meine, Sie wissen
, dass Sie sich nur etwas einfallen lassen müssen
etwas,
aber es war großartig und es war wirklich
wirklich toll
, jung zu lernen. Denken Sie an Ihre
Füße
kreativ und Andrew Bradford wer
lief diese
Dramagruppe hatte eine Agentur oder hat eine
Agentur rief die BWH Agentur
und jeden, den er wollte
Chinese:
一个叫做
伦敦年轻血液剧院公司的戏剧团体。
我的很多朋友去了。它是
我的星期六早上基本上
每周我去一个星期六
太恐怖了 他们
的基础是
班级中的
一个单词
而且您将有十分钟的时间提出
一些建议。你只需要来
用某种东西来设计这样的作品
,然后执行它,是的
所以我十几岁的时候
16或17的每个周六刚刚
填补
带着恐惧,但这是我的意思是,你知道
只需要拿出
的东西,
但这是伟大的,这是一个真正的
学习年轻人真的很棒。考虑你的
有
创造力的脚和安德鲁·布拉德福德(Andrew Bradford)
那个
话剧团有一家经纪公司或一家
机构称为BWH机构,
以及任何他想要的人
Arabic:
مجموعة درامية تسمى شركة Young Blood
Theatre في لندن.
ذهب الكثير من أصدقائي. كانت
كانت صباحاتي يوم السبت أساسًا ذهبت
كل أسبوع يوم السبت
كانت مرعبة. كانوا مع
أساس
من الفصول الدراسية كان
سيتم إعطاؤك كلمة في مجموعة
ولديك عشر دقائق لتفكر في
شيء ما. عليك أن تأتي للتو
ابتكر شيئًا ما وابتكار قطعة من
هذا القبيل ثم أديها جيدًا
لذا فإن سنوات مراهقتي من حوالي 13 عامًا
إلى 16 أو 17 كل يوم سبت كانت مجرد
شغل
مع الرهبة ولكن هذا كان يعني أنك تعرف
فقط أنه يتعين عليك الخروج
شيء ما
ولكنه كان رائعًا وكان حقًا
حقا
شيء عظيم لتعلم الشباب. فكر في
قدم بشكل
خلاق وأندرو برادفورد الذي
كان يدير تلك
المجموعة الدرامية وكالة أو لديه
اتصلت الوكالة بوكالة BWH
وأي شخص يريد ذلك
Spanish:
un grupo de teatro llamado Young Blood
Theatre Company en Londres.
muchos de mis amigos fueron. era
mis sábados por la mañana básicamente fui
todas las semanas los sábados eran
eran aterradoras. estaban con
la base de
de las clases fue
que te darían una palabra en un grupo
y tendrías diez minutos para pensar en
algo. tendrías que venir
con algo e idear una pieza
como esa y luego ejecutarla, así que sí
así que mi adolescencia a partir de los 13
a 16 o 17 todos los sábados se acaban de
llenar
con pavor, pero lo digo en serio, sabes que
solo tienes que pensar
algo,
pero fue genial y fue realmente una
algo realmente genial
para aprender joven. piensa en tu
pies
creativamente y Andrew Bradford que
Dirigió que el
grupo de teatro tenía una agencia o tiene una
agencia llamó a la agencia BWH
y cualquiera que quisiera
Hungarian:
drámacsoport
a londoni Young Blood Theatre Company néven.
sok barátom ment. ez volt
szombat reggelenként alapvetően
minden héten jártam egy szombaton
félelmetesek voltak. voltak az
alapján
az osztályok közül
kapna egy szót egy csoportban
és tíz perced lenne arra, hogy kitalálj
valamit. csak el kellene jönnie
dolgozzon fel valamivel, és dolgozzon ki egy ilyen darabot
, majd hajtsa végre
tehát tizenéves korom kb. 13-tól
minden szombaton 16-ig vagy 17-ig
töltötték
rettegéssel, de én arra gondoltam, hogy tudod, hogy
csak elő kell állnod
valami,
de nagyon jó volt, és tényleg
nagyon nagyszerű
dolog fiatalon megtanulni. gondolj a
láb
kreatívan és Andrew Bradford aki
vezetett, hogy a
drámacsoportnak volt ügynöksége vagy van
felhívta a BWH ügynökséget
és bárkit, akit csak akart
Russian:
драматическая группа под названием «
Театральная труппа молодой крови » в Лондоне.
пошло много моих друзей. это было
в субботу утром я ходил
каждую неделю по субботам,
были ужасающими. они были
на основе
классов,
вам дали слово в группе
и у вас будет десять минут, чтобы что-нибудь придумать
. тебе нужно просто прийти
Придумай что-нибудь и придумай такую пьесу
, а потом исполни ее, так что да
так что мои подростковые годы примерно с 13
до 16 или 17 каждую субботу просто
заполнялись
со страхом, но это я имел в виду, вы знаете,
просто нужно было придумать
что-то,
но это было здорово, и это было действительно
действительно здорово
учиться молодым. подумай о своем
ноги
творчески и Эндрю Брэдфорд, который
у этой
драматической группы было агентство или
агентство позвонило в агентство BWH
и всем, кому он хотел
English:
a drama group called the Young Blood
Theatre Company in London.
a lot of my friends went. it was
my Saturday mornings basically I went
every week on a Saturday were
were terrifying. they were with the
the basis of
of the classes was
you'd be given a word in a group
and you'd have ten minutes to come up
with something. you'd have to just come
up with something and devise a piece
like that and then perform it so yeah
so my teenage years from about 13
to 16 or 17 every Saturday were just
filled
with dread but it was I mean it you know
just having having to come up with
something
but it was great and it was a really
really great
thing to learn young. think on your
feet
creatively and Andrew Bradford who
ran that
drama group had an agency or has an
agency called the BWH agency
and anyone that he wanted to
Portuguese:
um grupo de teatro chamado Young Blood
Theatre Company em Londres.
muitos dos meus amigos foram. isso foi
minhas manhãs de sábado, basicamente, eu ia
todas as semanas no sábado eram
foram assustadores. eles estavam com
a base de
das aulas era que
você receberia uma palavra em um grupo
e você teria dez minutos para pensar em
algo. você teria que vir
invente algo e invente uma peça
como essa e a execute então sim
então minha adolescência de cerca de 13
para 16 ou 17 todos os sábados eram apenas
preenchidos
com pavor, mas foi, quero dizer, você sabe,
apenas tendo que inventar
algo,
mas foi ótimo e foi realmente
coisa realmente ótima para aprender jovem. pense no seu
pés
criativamente e Andrew Bradford que
dirigiu aquele
grupo de teatro tinha uma agência ou tem um
agência chamou a agência BWH
e qualquer pessoa que ele quisesse
Chinese:
从小组中代表他将
提供代表,所以在那里
进入专业表演是一个不错的举动,因此
我
想通过安德鲁找到第一份工作
14或15。
这很有趣,是Sharpe的
挑战也是
Bernard Cornwell 撰写的。是的,这样
是我的,
因为我的意思是很多人问我
那你就知道我
该如何参与其中,我该如何参与演戏
我怎样才能找到代理,而我真的
不知道
它是这样的
,我不知道我founda很
非常特别的大道 [科尔比]
你特别年轻
与其他人相比。
你什么时候知道自己想加入
演戏吗 还是在你之前就知道
开始了吗?
[托比]不,我
在我开始之前不知道
那不是
就像
我很小的时候的童年梦。
我认为是在舞台上还是
我们在戏剧中的舞台版本
German:
vertreten aus der Gruppe würde
er so dort vertreten anbieten
war ein
schöner Einstieg in die professionelle Schauspielerei
Ich habe meinen ersten Job
durch Andrew bekommen, denke ich, als ich ungefähr war
14 oder 15.
was lustigerweise Sharpes war
Herausforderung, die auch von
Bernard Cornwell geschrieben wurde . ja so das
war mein,
weil ich meine, viele Leute fragen mich
das und du weißt wie ich dazu komme
, wie ich zur Schauspielerei komme
Wie kann ich einen Agenten bekommen und ich
weiß es wirklich nicht
Es ist so ein
ich weiß nicht , Founda ich sehr
ganz besondere Allee. [Colby]
Du hast besonders jung angefangen
im Vergleich zu einigen anderen Menschen. Wann wussten
Sie, dass Sie sich darauf einlassen wollten?
Schauspielkunst? oder wusstest du schon vor dir
gestartet?
[Toby] nein ja ich
Ich wusste es nicht, bevor ich anfing
, war es nicht
wie ein Kindheitstraum aus
meiner Kindheit .
Ich denke, auf der Bühne zu stehen oder
unsere Version einer Bühne im Drama
Spanish:
representar del grupo que
ofrecería representación para que no
fue un
buen paso hacia la actuación profesional, así que
Conseguí mi primer trabajo a
través de Andrew, creo que cuando estaba a punto
14 o 15,
que curiosamente fue el de Sharpe
Challenge que también fue escrito por
Bernard Cornwell. si para que
fue mi
porque me refiero a mucha gente me pregunta
eso y sabes cómo me meto
, cómo me meto en la actuación
¿Cómo puedo conseguir un agente y realmente
no sé como
es tal
que no se que encontré muy
avenida muy particular. [Colby]
empezaste bastante joven especialmente
en comparación con otras personas. ¿Cuándo
supiste que querías entrar?
¿interino? o sabias incluso antes que tu
¿empezado?
[Toby] no si yo
no sabía antes de empezar
que no era
como un sueño de la infancia de
cuando era muy joven.
Creo que estar en el escenario o
nuestra versión de un escenario en el drama
English:
represent from the group he would
offer representation so there
was a
nice move into professional acting so
I got my first job
through Andrew I think when I was about
14 or 15.
which funnily enough was Sharpe's
Challenge which was written by
Bernard Cornwell as well. yeah so that
was my
because I mean lots of people ask me
that and you know like how do I get into
it, how do I get into acting
how can I get an agent and I genuinely
don't know like
it's such a
I don't know I founda very
very particular avenue. [Colby]
you started pretty young especially
compared to some other people. when did
you know you wanted to be get into
acting? or did you know even before you
started?
[Toby] no yeah I
didn't know before I started
it wasn't
like a childhood dream from
when I was very very young.
I think being on being on stage or the
our version of a stage in the drama
Hungarian:
képviselje a csoportból,
képviseletet kínálna ott
volt
szép beköltözik hivatásos színészi így
Első munkámat
Andrew-n keresztül kaptam, azt hiszem, amikor kb
14 vagy 15.
ami elég jópofa volt Sharpe-é
Kihívás, amelyet
Bernard Cornwell is írt . igen úgy
azért volt, mert úgy értem, sokan kérdezik tőlem
és tudod, hogyan jutok bele
, hogyan kezdjek bele a színjátszásba
hogyan szerezhetek ügynököt, és valóban
nem tudom, hogy tetszik
ez egy olyan
nem tudom, hogy nagyon megtaláltam
nagyon sajátos sugárút. [Colby]
különösen fiatalon kezdtél
néhány emberhez képest. mikor tudtad
, hogy be akarsz kerülni
ható? vagy még előtted tudtad
elkezdődött?
[Toby] nem, igen
nem tudta, mielőtt elkezdtem
, nem az volt
mint egy gyermekkori álom,
amikor nagyon fiatal voltam.
Szerintem a színpadon vagy
a dráma színpadának változata
Arabic:
يمثل من المجموعة أنه سيقدم
التمثيل هناك
كانت
خطوة لطيفة في التمثيل المحترف
حصلت على وظيفتي الأولى من
خلال أندرو أعتقد عندما كنت على وشك
14 أو 15.
ما يكفي من المرح كان شارب
التحدي الذي كتبه
برنارد كورنويل أيضًا. نعم ذلك
كان لي
لأنني أعني الكثير من الناس يسألونني
هذا وأنت تعرف كيف يمكنني الدخول
فيه ، كيف أدخل في التمثيل
كيف يمكنني الحصول على وكيل وأنا حقا
لا أعرف مثل
انها مثل هذا
وأنا لا أعرف founda جدا
طريق خاص جدا. [كولبي]
لقد بدأت في سن صغيرة خاصة
مقارنة ببعض الأشخاص الآخرين. متى
عرفت أنك تريد الدخول
التمثيل؟ أو هل كنت تعلم من قبل
بدأت؟
[توبي] لا نعم أنا
لم أكن أعرف قبل أن أبدأ
لم يكن كذلك
مثل حلم طفولتي
عندما كنت صغيرًا جدًا.
أعتقد أن أكون على خشبة المسرح أو
نسختنا من المسرح في الدراما
Portuguese:
representar do grupo, ele
ofereceria representação então lá
foi uma
boa mudança para atuação profissional, então
Consegui meu primeiro emprego
através de Andrew, acho que quando estava prestes
14 ou 15.
que curiosamente foi o de Sharpe
Desafio que foi escrito por
Bernard Cornwell também. sim então isso
era meu
porque quero dizer muitas pessoas me perguntam
isso e você sabe como eu entro
nisso, como eu começo a atuar
como posso conseguir um agente e realmente
não sei como
é um tal
eu não sei eu achei muito
avenida muito particular. [Colby]
você começou muito jovem, especialmente
em comparação com algumas outras pessoas. quando
você soube que queria entrar
atuando? ou você sabia antes mesmo de você
começado?
[Toby] não sim eu
não sabia antes de começar
, não era
como um sonho de infância de
quando era muito jovem.
Acho que estar no palco ou a
nossa versão de um palco no drama
Russian:
представлять из группы, которую он
предлагал, так что там
было
хорошим шагом к профессиональному актерскому мастерству, так что
Я получил свою первую работу
через Эндрю, я думаю, когда я был
14 или 15 лет,
что, как ни странно, принадлежало Шарпу.
Challenge, который также написал
Бернард Корнуэлл. да так что
был моим,
потому что многие люди спрашивают меня
это и вы знаете, как я вхожу в
это, как я вхожу в игру
как я могу найти агента, а я действительно
не знаю, как
это такое
я не знаю я нашел очень
очень особенный проспект. [Колби]
Вы начали довольно молодыми, особенно
по сравнению с некоторыми другими людьми. когда
ты знал, что хочешь попасть в
действующий? или ты знал еще до тебя
началось?
[Тоби] нет да я
не знал, прежде чем я начал,
это не было
как детская мечта,
когда я был очень маленьким.
Я думаю, что быть на сцене или
наша версия сцены в драме
French:
représenter du groupe il offrirait
une représentation donc là
était un
bon passage dans le théâtre professionnel alors
J'ai obtenu mon premier emploi
grâce à Andrew, je pense que quand j'étais
14 ou 15,
ce qui était curieusement celui de Sharpe
Challenge qui a également été écrit par
Bernard Cornwell. ouais pour que
était mon
parce que je veux dire que beaucoup de gens me demandent
ça et tu sais comment puis-je entrer
, comment puis-je devenir acteur
comment puis-je trouver un agent et je
ne sais vraiment pas comme
c'est un tel
je ne sais pas j'ai trouvé un très
avenue très particulière. [Colby]
vous avez commencé assez jeune surtout
par rapport à d'autres personnes. quand
saviez - vous que vous vouliez entrer
agissant? ou saviez-vous même avant vous
commencé?
[Toby] non ouais je
je ne savais pas avant de commencer
ce n'était pas
comme un rêve d'enfance
quand j'étais très très jeune.
Je pense être sur scène ou
notre version d'une scène dans le drame
English:
group when I was 13 or 14 sort of there was a
interest there. like in you know that
this I really really
enjoyed the thrill of creating
and responding and especially being
with an audience even though
the audience was just like
a bunch of teenagers who were my mates
you know I think that's where I
was like oh yeah I think I want to do
this.
I think it's tougher even to more like
express yourself in front of people you
know
at least for me. then you have to
show maybe a different side that you've
been showing them all this time. [Toby] yeah I
know what you mean.
yeah for sure yeah it's kind of
easier to be anonymous but
when the people that you want
to like
the people that you want to like
you in real life
having to be
vulnerable.
totally so then from there how did you
get into The Last Kingdom then?
German:
Gruppe, als ich 13 oder 14 Jahre alt war, gab es eine
Interesse dort. wie in dir weißt das
das ich wirklich wirklich
genoss den Nervenkitzel des Schaffens
und Reagierens und besonders des Seins
mit einem Publikum, obwohl
das Publikum genau wie war
Ein Haufen Teenager, die meine Freunde waren
, weißt du, ich glaube, dort bin ich
war wie oh yeah ich denke ich will das machen
.
Ich denke, es ist noch schwieriger,
sich vor Leuten auszudrücken, die man ist
weiß
zumindest für mich. Dann musst du
Zeigen Sie vielleicht eine andere Seite, die Sie
ihnen die ganze Zeit gezeigt haben. [Toby] Ja, ich
weiß was du meinst.
Ja sicher, ja, es ist irgendwie
einfacher anonym zu sein aber
wenn die Leute, die Sie
mögen wollen
die Menschen, die
Sie im wirklichen Leben mögen wollen
Atomen sein
verwundbar.
Wie bist du dann von dort
in das letzte Königreich gekommen?
Chinese:
当我13岁或14岁时,
有兴趣。就像你知道
我真的
享受创造
和回应的快感,尤其是
与观众在一起,即使
观众就像
一群十几岁的人是我的伴侣,
你知道我认为那是我的所在
就像是,是的,我想我想这样做
。
我认为更喜欢
在自己面前表达自己的想法更困难
至少对我知道。那你必须
展现另一面,你一直都
在向他们展示。[托比]是的,我
知道你的意思。
是的,肯定是的
更容易匿名,但
当人们要
喜欢
你想
在现实生活中喜欢你的人
必须
脆弱。
完全如此,那么您是如何从那里
进入《最后的王国》的呢?
Portuguese:
grupo quando eu tinha 13 ou 14 anos, havia uma espécie de
interesse lá. como em você sabe que
isso eu realmente realmente
gostei da emoção de criar
e responder e especialmente de ser
com um público, embora
o público fosse apenas como
um bando de adolescentes que eram meus amigos,
você sabe, eu acho que é onde eu
foi tipo oh sim, acho que quero fazer
isso.
Acho que é mais difícil ainda se
expressar na frente das pessoas
sabe
pelo menos para mim. então você tem que
mostre talvez um lado diferente que você tem
mostrado a eles todo esse tempo. [Toby] sim eu
sabe o que você quer dizer.
sim com certeza sim é meio
mais fácil ser anônimo, mas
quando as pessoas que você quer
gostar
as pessoas que você quer que gostem de
você na vida real
ter que ser
vulnerável.
totalmente então a partir daí como você
entrou no Último Reino então?
French:
groupe quand j'avais 13 ou 14 ans il y avait une sorte de
intérêt là-bas. comme dans tu sais que
c'est vraiment vraiment
apprécié le plaisir de créer
et de répondre et surtout d'être
avec un public même si
le public était comme
un groupe d'adolescents qui étaient mes potes
tu sais je pense que c'est là que je
était comme oh ouais je pense que je veux faire
ça.
Je pense que c'est encore plus difficile de
t'exprimer devant les gens
sais
au moins pour moi. alors tu dois
montrez peut-être un côté différent que vous leur avez
montré tout ce temps. [Toby] ouais je
sais ce que tu veux dire.
ouais c'est sûr ouais c'est un peu
plus facile d'être anonyme mais
quand les gens que tu veux
aimer
les gens que tu veux aimer
dans la vraie vie
devoir être
vulnérable.
tout à fait alors à partir de là, comment êtes-
vous entré dans The Last Kingdom alors?
Arabic:
المجموعة عندما كان عمري 13 أو 14 عامًا كان هناك نوع من
هناك مصلحة. كما في تعلمون أن
هذا حقا أنا حقا
استمتعت بإثارة الإبداع
والاستجابة وخاصة الوجود
مع الجمهور على الرغم من
أن الجمهور يشبه تمامًا
حفنة من المراهقين الذين كانوا رفاقي
كما تعلمون أعتقد أن هذا هو المكان الذي أنا فيه
كان مثل أوه نعم أعتقد أنني أريد أن أفعل
هذا.
أعتقد أنه من الأصعب حتى
التعبير عن نفسك أمام الناس
تعرف
على الأقل بالنسبة لي. ثم عليك أن
أظهر ربما جانبًا مختلفًا كنت تعرضه
لهم طوال هذا الوقت. [توبي] أجل
اعرف ما تقصد.
نعم بالتأكيد نعم هذا نوع من
أسهل أن تكون مجهول الهوية ولكن
عندما الناس التي تريد
أن تحب
الأشخاص الذين تريدهم
في الحياة الواقعية
يجب أن تكون
عرضة للخطر.
إذاً تمامًا إذن من هناك كيف
دخلت The Last Kingdom بعد ذلك؟
Hungarian:
csoport 13 vagy 14 éves koromban volt egy
érdeklődés ott. mint benned, tudod, hogy
ezt tényleg nagyon
élvezte az alkotás
és a válaszadás, különösen a lét izgalmát
közönséggel, pedig
a közönség éppen olyan volt
egy csomó tinédzser, akik a párom voltak
, tudod, azt hiszem, ott vagyok én
olyan volt, hogy igen, azt hiszem, ezt akarom csinálni
.
Szerintem még ennél is keményebb, ha inkább
kifejezed magad az emberek előtt
tudja
legalább nekem. akkor muszáj
mutasd meg talán egy másik oldalát, amit
egész idő alatt nekik mutattál. [Toby] igen
tudja, mire gondol.
igen biztosan igen igen
könnyebb névtelen lenni, de
amikor az emberek
szeretni akarják
az emberek, akiket szeretnél megkedvelni
a való életben
sebezhetőnek kell lennie .
teljesen onnan, akkor onnan hogyan kerültél akkor
az Utolsó Királyságba?
Spanish:
grupo cuando tenía 13 o 14 años había una especie de
interés allí. como si supieras que
esto realmente realmente
disfruté de la emoción de crear
y responder y especialmente de ser
con una audiencia a pesar de que
la audiencia era como
un grupo de adolescentes que eran mis compañeros
, sabes, creo que ahí es donde
fue como oh sí, creo que quiero hacer
esto.
Creo que es más difícil incluso
expresarse frente a personas que
saber
al menos para mí. entonces tienes que
muestre quizás un lado diferente que les ha
estado mostrando todo este tiempo. [Toby] si yo
se a lo que te refieres.
sí, seguro, sí, es una especie de
más fácil ser anónimo pero
cuando la gente que te quiere
gustar
las personas que quieres agradarles
en la vida real
tener que ser
vulnerable.
Totalmente entonces desde allí, ¿cómo entraste
en The Last Kingdom entonces?
Russian:
группа, когда мне было 13 или 14 лет, там была
интерес там. как будто ты знаешь, что
это я действительно правда
наслаждался острыми ощущениями от творчества
и ответов и особенно от того,
с аудиторией, хотя
публика была такой же
группа подростков, которые были моими друзьями,
вы знаете, я думаю, что именно здесь я
было похоже на о да, я думаю, что хочу это сделать
.
Я думаю, что еще труднее
выразить себя перед людьми, которых ты
знаю
по крайней мере для меня. тогда ты должен
покажите, может быть, другую сторону, которую вы
показывали им все это время. [Тоби] да, я
знаете, что вы имеете в виду.
да, конечно да это вроде
проще быть анонимным, но
когда люди, которых ты хочешь
любить
люди, которым вы хотите нравиться
в реальной жизни
быть
уязвимым.
Совершенно так, как тогда вы
попали в The Last Kingdom?
Spanish:
solo audiciones regulares,
sí, hice una audición en Londres
¿Eras fan del programa? porque
llegaste en la segunda temporada. ¿Conocías la primera
temporada antes?
Lo sabía pero no lo había visto,
así que una vez que conseguí el trabajo volví y
vio el programa. vio la primera
temporada y esa es la primera vez, el
la única vez que me
uní a algo así
eso es preexistente y fue genial
porque fue realmente realmente
genial ver un programa que realmente te
gusta
con el pensamiento en el fondo de tu
mente como si pudiera estar en esto pronto.
sí
, tuve una primera vez realmente extraña
o tal vez me refiero a uno de mis
primeros días
me sentí como si estuviera en el más
increíblemente realista
experiencia de realidad virtual de ver un
programa de televisión porque
Había visto el programa anteriormente
y luego, de repente, estaba en el set.
y que
David Dawson le hiciera una pregunta interpretando al Rey Alfred y
solo el pensamiento de mi mente estaba como
wow este programa es realista oh mierda no
Portuguese:
apenas testes regulares
sim, eu fiz o teste em Londres
você era fã do show? Porque
você veio na segunda temporada. você conhecia a primeira
temporada antes?
Eu sabia, mas não tinha visto,
então, quando consegui o emprego, voltei e
assisti ao show. assisti a primeira
temporada e essa é a primeira vez, o
única vez que
entrei em algo assim
isso é pré-existente e foi ótimo
porque era realmente muito
legal assistir um programa que você realmente
gosta
com o pensamento no fundo de sua
mente como se eu chegasse a isso em breve.
sim,
eu tive um primeiro muito estranho
ou talvez eu queira dizer um dos meus
primeiros dias
parecia que eu era o mais
incrivelmente realista
experiência de realidade virtual de assistir a um
programa de televisão porque
Eu tinha visto o show antes
e de repente estava no set
e sendo perguntado
por David Dawson interpretando Rei Alfred e
apenas o pensamento da minha mente eu estava tipo
uau, esse show é realista oh merda não
Hungarian:
csak rendszeres meghallgatás,
igen, Londonban meghallgattam
rajongtál a műsorért? mivel
a második évadban jöttél be. ismerte
korábban az első évadot?
Tudtam róla, de még nem láttam, és
így miután megkaptam a munkát, visszamentem és
nézte a műsort. nézte az első
évadot, és ez az első alkalom, a
csak egyszer
csatlakoztam ilyesmihez
ez már létezett, és nagyon jó volt,
mert csak nagyon volt igazán
klassz nézni egy olyan műsort, ami nagyon
tetszik
azzal a gondolattal a
fejedben, mintha hamarosan rátérnék erre.
igen,
először nagyon furcsa volt
vagy talán az egyik
első napomra gondolok
olyan érzés volt, mintha csak a
leghihetetlenebbül élnék
televíziós műsor nézésének virtuális valóság élménye, mert
Korábban láttam a műsort
, majd hirtelen a forgatáson voltam
és
David Dawson feltette neki egy kérdést , aki Alfred királyt és
csak az agyam gondolata voltam olyan, hogy
wow ez a műsor reális oh szar nem
Chinese:
只是定期试镜,
是的,我在伦敦试镜
您是该节目的粉丝吗?因为
您是第二季来的。你知道第一
季吗?
我知道这件事,但我没看过,
所以一旦找到工作,我就回去了。
看了节目。看了第一个
赛季,那是第一次,
只有当我
加入这样的事情
那是预先存在的,这很棒,
因为那真的是真的
很酷的观看您真正
喜欢的节目
有了我的想法,
就像我很快就会加入。
是的,
我第一次真的很奇怪
也许我是说我
第一天的其中一个
感觉就像我只是最
现实的现实
观看
电视节目的虚拟现实体验,因为
我以前看过这个节目
,然后突然间我进入了这集
并问一个问题
由大卫·道森打国王阿尔弗雷德和
只是我的想法,我就像
哇,这个节目很现实,哦,不
French:
juste des auditions régulières
ouais j'ai auditionné à Londres
étiez-vous fan de l'émission? car
vous êtes venu dans la saison deux. connaissiez-vous la première
saison?
J'étais au
courant mais je ne l'avais pas vu et donc une fois que j'ai eu le poste, je suis retourné et
regardé le spectacle. regardé la première
saison et c'est la première fois, le
la seule fois où j'ai
rejoint quelque chose comme ça
c'est préexistant et c'était génial
parce que c'était vraiment vraiment
cool de regarder une émission que tu
aimes vraiment
avec la pensée dans le fond de votre
esprit comme je vais bientôt être là-dessus.
Ouais
j'ai eu une première vraiment vraiment étrange
ou peut-être que je veux dire l'un de mes
premiers jours
c'était comme si j'étais juste dans le plus
incroyablement réaliste
expérience de réalité virtuelle de regarder une
émission de télévision parce que
J'avais déjà vu la série
et puis soudainement j'étais sur le plateau
et se faisant poser une question
par David Dawson jouant le roi Alfred et
juste la pensée de mon esprit j'étais comme
wow ce spectacle est réaliste oh merde non
Arabic:
مجرد تجربة أداء منتظمة ،
نعم قمت بتجربة الأداء في لندن
هل كنت من محبي العرض؟ لان
جئت في الموسم الثاني. هل تعلم
الموسم الاول من قبل؟
علمت بالأمر لكنني لم أره
ولذا بمجرد حصولي على الوظيفة عدت و
شاهد العرض. شاهد
الموسم الأول وهذه هي المرة الأولى ،
فقط الوقت الذي
انضممت فيه إلى شيء من هذا القبيل
كان هذا موجودًا مسبقًا وكان رائعًا
لأنه كان حقًا حقًا
رائع لمشاهدة عرض
يعجبك حقًا
مع التفكير في الجزء الخلفي من
عقلك كما لو كنت سأفكر في هذا قريبًا.
نعم
كان لدي أمر غريب حقًا أولاً
أو ربما أعني أحد
الأيام الأولى لي
شعرت وكأنني كنت في أكثر
واقعية بشكل لا يصدق
تجربة الواقع الافتراضي لمشاهدة برنامج
تلفزيوني لأن
لقد رأيت العرض من قبل
ثم فجأة كنت في موقع التصوير
وسأله
ديفيد داوسون وهو يلعب دور الملك ألفريد و
مجرد التفكير في ذهني كنت مثل
نجاح باهر هذا العرض واقعي يا إلهي لا
English:
just regular auditioning
yeah I auditioned in London
were you a fan of the show? because
you came in in season two. did you know
season one before?
I knew of it but I hadn't seen it and
so once I got the job I went back and
watched the show. watched the first
season and that's the first time, the
only time that I've
joined something like that
that's pre-existing and it was great
because it was just really really
cool to watch a show that you really
like
with the thought in the back of your
mind like I get to be on this soon.
yeah
I had a really really strange first
or maybe I mean one of my one of my
first days
it felt like I was just in the most
incredibly realistic
virtual reality experience of watching a
television show because
I'd seen the show previously
and then suddenly I was on the set of it
and being asked a question
by David Dawson playing King Alfred and
just the thought of my mind I was like
wow this show is realistic oh shit no
German:
Nur regelmäßiges Vorsprechen
Ja, ich habe in London vorgesprochen
Warst du ein Fan der Show? weil
Du bist in der zweiten Staffel reingekommen. Wussten Sie schon die erste
Staffel?
Ich wusste davon, aber ich hatte es nicht gesehen und
als ich den Job bekam, ging ich zurück und
sah die Show. habe die erste
Staffel gesehen und das ist das erste Mal, die
Nur das eine Mal, dass ich mich so
etwas angeschlossen habe
Das ist schon vorhanden und es war großartig,
weil es einfach wirklich wirklich war
cool, eine Show zu sehen, die du wirklich
magst
mit dem Gedanken im Hinterkopf
, als würde ich bald darauf eingehen.
Ja,
ich hatte zuerst eine wirklich sehr, sehr seltsame
oder vielleicht meine ich einen meiner
ersten Tage
Es fühlte sich so an, als wäre ich einfach
unglaublich realistisch
Virtual-Reality-Erfahrung beim Anschauen einer
Fernsehsendung, weil
Ich hatte die Show schon einmal gesehen
und war dann plötzlich am Set
und eine Frage
von David Dawson gestellt zu bekommen, der König Alfred und spielt
Nur der Gedanke an meinen Verstand, ich war wie
wow, diese Show ist realistisch, oh Scheiße, nein
Russian:
просто регулярное прослушивание
да я прослушивался в лондоне
Вы были фанатом шоу? так как
ты появился во втором сезоне. ты знал
первый сезон раньше?
Я знал об этом, но не видел этого,
поэтому, получив работу, я вернулся и
смотрел шоу. смотрели первый
сезон и это впервые,
только раз, когда я
присоединился к чему-то вроде этого
это уже существовало, и это было здорово,
потому что это было действительно действительно
круто смотреть шоу, которое тебе действительно
нравится
с мыслью в глубине
души, как будто я скоро буду об этом.
да,
сначала у меня было действительно очень странное
или, может быть, я имею в виду один из моих
первых дней
мне казалось, что я был просто
невероятно реалистичен
опыт виртуальной реальности просмотра
телешоу, потому что
Я видел это шоу раньше,
а потом внезапно оказался на съемочной площадке.
и когда
Дэвид Доусон задал вопрос , играя короля Альфреда и
просто мысль в моем уме, я был как
вау, это шоу реалистично, черт возьми, нет
Chinese:
等等我在里面。
我是在说
这就像一个非常现实的
选择自己的冒险。
哦,这太酷了,您现在是
那种时期作品的粉丝吗?因为
你去过统治时期,这是另
一段时期
是那种吗?[Toby]是的,我的意思是
基本上我要做的就是
在那一刻,我只是
全盘做舞台剧,实际上
节目越来越早了,
是的,我就像我
是的,我无法谈论
我将要做的事情
好吧,不要告诉我们。[托比]另一个时期
它的东西
做的,我认为它的东西与我
头发。
我很好,你确实很老
头发,绑起来。[Colby]我要说的
是当你成为Aethelred时
甚至像
我见过的其他东西一样
与我所看到的相比,它们似乎对您的头发没有任何作用
屏幕外。[Toby]是的,
我觉得我基本上是一样的
文艺复兴时期的头发,
以便有所帮助。不是
German:
warte ich bin drin
Ich soll ja reden
Es war wie eine wirklich sehr realistische
Wahl Ihres eigenen Abenteuers.
Oh, das ist jetzt so cool. Bist du ein Fan
dieser Art von historischen Stücken? weil
Sie waren in Reign, einem weiteren
historischen Stück
ist das so? [Toby] Ja, ich meine, es ist im
Grunde alles, was ich tue
Im Moment mache ich nur Periodendramen
auf der ganzen Linie und eigentlich meine
Shows wurden immer früher
ja ich war wie ich bin
Ja, ich kann nicht über das reden, was
ich tun werde
Okay, sag es uns nicht. [Toby] eine andere Periode
Es ist etwas zu
tun. Ich denke, es hat etwas mit meinem zu tun
Haar.
Ich habe nur gut, Sie haben altmodisch
Haare, es ist zusammengebunden. [Colby] Ich wollte sagen, dass
es nicht so aussieht, als ob du Aethelred bist
oder sogar wie die anderen Sachen, in denen
ich dich gesehen habe
Es scheint nicht so, als würden sie irgendetwas
mit deinen Haaren machen, verglichen mit dem, was ich sehe
außerhalb des Bildschirms. [Toby] Ja, es ist im Grunde das gleiche, von dem
ich glaube, dass ich es habe
Renaissance-Haare,
damit das hilft. es ist nicht
French:
attends, je suis dedans.
Je suis censé parler ouais
C'était comme un
choix vraiment réaliste de votre propre aventure.
oh c'est tellement cool maintenant êtes-vous fan de
ce genre de pièces d'époque? car
vous avez été dans Reign qui est une autre
pièce d'époque
est ce genre de? [Toby] ouais je veux dire, c'est
fondamentalement tout ce que je fais
à la minute où je fais juste des
drames d' époque à tous les niveaux et en fait mon
les émissions devenaient de plus en plus tôt
ouais j'étais comme si j'étais
Ouais je ne peux pas parler de ce
que je suis sur le point de faire
ok ne nous dis pas. [Toby] une autre période
c'est quelque chose à
faire je pense que c'est quelque chose à voir avec mon
cheveux.
J'ai juste bien que tu as du vieux temps
les cheveux, ils sont attachés. [Colby] J'allais dire que
ça n'a pas l'air d'être quand tu es Aethelred
Ou même dans les autres trucs dans lesquels
je t'ai vu
il ne semble pas qu'ils fassent quoi que ce soit
à tes cheveux comparé à ce que je vois
hors écran. [Toby] ouais c'est fondamentalement la même chose
je pense que j'ai
cheveux renaissance
pour que cela aide. ce n'est pas
Hungarian:
várj, amíg benne vagyok.
Úgy értem, hogy igenis beszélek
Olyan volt, mint egy igazán reális
választani a saját kalandját.
ó, ez így klassz most rajongsz az
efféle korabeli darabokért? mivel
a Reign-ben voltál, ami egy másik
korabeli darab
ilyen? [Toby] igen, úgy értem,
alapvetően csak ezt csinálom
abban a pillanatban, hogy korszakos
drámákat csinálok az egész fórumon, és valójában az én
a műsorok egyre előrébb voltak, és
igen, olyan voltam, mint én
igen, nem beszélhetek arról a dologról,
amelyet tenni fogok
oké, ne mondd el nekünk. [Toby] egy másik időszak
ez valami
tennivaló szerintem valami köze az énemhez
haj.
Csak jól tudom, hogy van időid
haj, meg van kötve. [Colby] Azt akartam mondani,
hogy nem úgy tűnik, amikor Aethelred vagy
vagy akár a többi dolog,
amiben láttalak
úgy tűnik, nem tesznek semmit
a hajaddal, mint ahhoz képest, amit látok
képernyőn kívül. [Toby] igen, alapvetően ugyanaz,
azt hiszem, megvan
reneszánsz haj
, hogy ez segítsen. ez nem
Portuguese:
espere, estou nisso.
Eu deveria estar falando sim
Foi realmente muito realista
escolher sua própria aventura.
oh isso é tão legal agora você é um fã
desse tipo de peças de época? Porque
você esteve em Reign, que é outra
peça de época
é esse tipo de coisa? [Toby] sim, quero dizer, é
basicamente tudo que faço
no minuto eu apenas faço
dramas de período em todo o quadro e, na verdade, meu
os shows estavam ficando cada vez mais cedo,
sim, eu estava como se estivesse
sim, eu não posso falar sobre o
que estou prestes a fazer
ok, não nos diga. [Toby] outro período
tem algo a
ver, acho que tem a ver com meu
cabelo.
Eu apenas tenho o bem, você tem os velhos tempos
cabelo, está amarrado. [Colby] Eu ia dizer que
não parece quando você está Aethelred
ou mesmo em outras coisas
que eu vi você
não parece que eles fazem nada
com o seu cabelo em comparação com o que eu vejo
fora da tela. [Toby] sim, é basicamente o mesmo
, acho que tenho
cabelo renascentista
para que isso ajude. não é
Arabic:
انتظر انا فيه.
أنا من المفترض أن أتحدث ، نعم
كان الأمر وكأنه واقعي حقًا
اختر مغامرتك الخاصة.
أوه ، هذا رائع جدًا الآن ، هل أنت من محبي
هذا النوع من قطع الفترة؟ لان
لقد كنت في عهد وهي
قطعة فترة أخرى
هل هذا نوعا ما؟ [توبي] أجل ، أعني أنه
كل ما أفعله
في اللحظة التي أقوم فيها فقط بأعمال
درامية في جميع المجالات وفي الواقع
كانت العروض تتقدم في وقت أبكر وقبل ذلك ،
نعم كنت مثلي
نعم ، لا يمكنني الحديث عن الشيء
الذي سأفعله
حسنا لا تخبرنا. [توبي] فترة أخرى
إنه شيء
أفعله وأعتقد أنه شيء يتعلق بي
شعر.
أنا فقط حسنًا ، لديك وقت قديم
الشعر مقيد. [كولبي] كنت سأقول أن
الأمر لا يبدو كما لو كنت Aethelred
أو حتى في الأشياء الأخرى
التي رأيتك فيها
لا يبدو أنهم يفعلون أي شيء
لشعرك مقارنة بما أراه
خارج الشاشة. [توبي] نعم إنه نفس الشيء
كما أعتقد
نهضة الشعر
بحيث يساعد. ليست كذلك
Russian:
подождите, я в этом.
Я должен говорить да
Это было похоже на действительно действительно реалистичный
выбор собственного приключения.
о, это так круто, ты фанат
таких старинных произведений? так как
Вы были в Reign, что является еще одним
историческим произведением
это что-то вроде? [Тоби] Да, я имею в виду, это в
основном все, что я делаю
в данный момент я просто снимаюсь в исторических
драмах по всем направлениям, и на самом деле мои
шоу были раньше и раньше,
да, я был как я
да, я не могу говорить о том,
что собираюсь сделать
хорошо, не говори нам. [Тоби] еще один период
это что-то,
чем я думаю, это как-то связано с моими
волосы.
Я просто хорошо, что у тебя старый
волосы, это связано. [Колби] Я собирался сказать, что
это не похоже на то, что ты Этельред
Или даже в том, что
я видел тебя в
не похоже, что они что-то делают
с твоими волосами по сравнению с тем, что я вижу
вне экрана. [Тоби] Да, в основном то же самое, что
я думаю
волосы эпохи Возрождения,
так что это помогает. это не
English:
wait I'm in it.
I'm meant to be talking yeah
It was like a really really realistic
choose your own adventure.
oh that's so cool now are you a fan of
those sort of period pieces? because
you've been in Reign which is another
period piece
is that sort of? [Toby] yeah I mean it's
basically all I do
at the minute I just do period
dramas across the board and actually my
shows were getting earlier and earlier
yeah I was like I'm
yeah I'm I can't talk about the thing
that I'm about to do
okay don't tell us. [Toby] another period
it's something to
do I think it's something to do with my
hair.
I just have well you do have old-timey
hair, it's tied up. [Colby] I was gonna say it
it doesn't seem like when you're Aethelred
or even in like uh the other stuff
I've seen you in
it doesn't seem like they do anything
to your hair like compared to what I see
off screen. [Toby] yeah it's basically the same
I think I've got
renaissance hair
so that that helps. it's not
Spanish:
espera estoy en eso.
Se supone que estoy hablando, si
Fue como
elegir tu propia aventura realmente muy realista .
oh, eso es genial ahora, ¿eres fanático de
ese tipo de piezas de época? porque
has estado en Reign, que es otra
pieza de época
es ese tipo de? [Toby] sí quiero decir que es
básicamente todo lo que hago
en el momento en que hago
dramas de época en todos los ámbitos y en realidad mi
Los espectáculos se estaban haciendo cada vez más temprano,
sí, era como si fuera
sí, no puedo hablar de lo
que estoy a punto de hacer
Está bien, no nos lo digas. [Toby] otro período
es algo que
hacer, creo que es algo que ver con mi
cabello.
Solo tengo bien, tienes viejos tiempos
cabello, está atado. [Colby] Iba a decir que
no parece que cuando estés Aethelred
o incluso en las otras cosas en las que
te he visto
no parece que le hagan nada
a tu cabello comparado con lo que veo
fuera de la pantalla. [Toby] sí, es básicamente lo mismo
, creo que tengo
cabello renacentista
para que eso ayude. no es
English:
through anything
that I'm choosing
on purpose okay but I do really
enjoy it like
there's a bunch of things that
come with
doing period dramas that are really fun
like
battles and yeah and horse riding
and really really really good costumes
and usually a kind of like heightened
emotion and
heightened drama where things are really
you know life or death
that you don't get in the kitchen
sink drama
as much cool so yeah all the things, all
the things that surround
being on a period drama are really
really great. there's usually just like
fire and smoke or people on fire.
somebody running for a field on fire
there's always something cool to look at
when you get to work.
[Steve] jumping off of that then uh
this season was your first
I guess big battle you were in. you were
Arabic:
من خلال أي شيء
أختاره
عن قصد ، حسنًا ولكني
أستمتع به حقًا
هناك مجموعة من الأشياء التي
تأتي معها
القيام بأعمال درامية ممتعة حقًا
مثل
المعارك ونعم وركوب الخيل
والأزياء حقا جيدة حقا
وعادة ما يكون نوعًا من التشابه
العاطفة
والدراما المتزايدة حيث الأشياء موجودة حقًا
أنت تعرف الحياة أو الموت
الذي لا تدخله في المطبخ
إغراق الدراما
بقدر ما هو رائع حتى نعم كل الأشياء ، كل شيء
الأشياء التي تحيط
بفترة دراما هي حقًا
رائع حقا. هناك عادة مثل
النار والدخان أو الناس على النار.
شخص ما يركض من أجل حقل يحترق ،
هناك دائمًا شيء رائع للنظر إليه
عندما تذهب إلى العمل.
[ستيف] القفز من ذلك ثم أه
كان هذا الموسم أول
معركة كبيرة تخوضها على ما أعتقد
Russian:
через все,
что я выбираю
нарочно хорошо, но мне это действительно
нравится, как
есть много вещей, которые
идут с
делать исторические драмы, которые действительно забавны,
как
сражения и да, и верховая езда,
и действительно действительно хорошие костюмы
и обычно вроде как усиленный
эмоции и
обостренная драма там, где на самом деле
вы знаете жизнь или смерть
, которых вы не получите на кухне
тонуть драма
так же круто, так что да, все, все
то, что окружает
историческую драму, на самом деле
действительно здорово. обычно бывает просто
огонь и дым или люди в огне.
кто-то бежит в горящее поле
, всегда есть на что посмотреть
когда вы приступите к работе.
[Стив] спрыгнул с этого, тогда э-э
этот сезон был вашим первым
большим сражением, в котором вы участвовали.
Hungarian:
bármi által
, amit választok
szándékosan oké, de nagyon
élvezem, mint
van egy csomó dolog, hogy
jön
Ennek időszak drámák, amelyek valóban szórakoztató
, mint a
csaták, igen és lovaglás,
és tényleg nagyon jó jelmezek
és általában egyfajta felfokozott
érzelem és
fokozott dráma ott, ahol a dolgok valóban vannak
ismered az életet vagy a halált
, amit nem kapsz meg a konyhában
elsüllyed dráma
annyira menő, hogy igen, minden dolog, minden
azok a dolgok, amelyek
egy korabeli drámában vannak, valóban
Nagyon jó. ott általában olyanok, mint a
tűz és a füst vagy az emberek.
valakinek, aki lángoló mezőre fut,
mindig van valami jó dolog
amikor munkába áll.
[Steve] leugrott erről, akkor uh
ebben a szezonban volt az első
gondolom, hogy nagy csatát folytattál
Chinese:
通过
我选择的任何东西
故意吧,但我真的
很喜欢
有事情一大堆的
配
做古装剧是很有趣的
像
战斗,是的,骑马的
,真的非常非常好的服装
通常是一种像
真正的情感和戏剧性
你知道
你不会在厨房里生死
沉沉的戏剧
是如此的酷,是的,所有的事情,所有的
一段时期戏剧周围的东西真的
非常好。通常就像
火和烟或人着火一样。
有人在田野上奔跑,
总有一些好看的东西
上班的时候
[史蒂夫]从那跳下来然后
这个赛季是你的第一个,
我想你参加了一场大战。
Spanish:
a través de cualquier cosa
que elija
a propósito, está bien, pero realmente lo
disfruto como
hay un montón de cosas que
vienen con
haciendo dramas de época que son realmente divertidos
como
batallas y sí y montar a caballo
y disfraces realmente realmente buenos
y por lo general una especie de aumento
emoción y
drama intensificado donde las cosas están realmente
sabes la vida o la muerte
que no consigues en la cocina
hundir el drama
tanto como genial, así que sí, todas las cosas, todas
las cosas que rodean
estar en un drama de época son realmente
realmente grandioso. generalmente hay
fuego y humo o gente en llamas.
alguien corriendo por un campo en llamas
siempre hay algo genial para mirar
cuando llegues al trabajo.
[Steve] saltando de eso entonces uh
esta temporada fue la primera
, supongo, gran batalla en la que estuviste.
German:
durch alles
, was ich wähle
absichtlich okay, aber ich
genieße es wirklich gerne
Es gibt eine Menge Dinge, die damit
einhergehen
tun Zeitraum Dramen , die wirklich Spaß sind
wie
Schlachten und ja und Reiten
und wirklich sehr, sehr gute Kostüme
und normalerweise eine Art wie erhöht
Emotionen und
gesteigertes Drama, wo die Dinge wirklich sind
Sie kennen Leben oder Tod
, die Sie nicht in der Küche bekommen
Sink Drama
so viel cool, also ja all die Dinge, alle
Die Dinge, die es umgeben
, in einem historischen Drama zu sein, sind wirklich
echt super. Es gibt normalerweise nur
Feuer und Rauch oder Menschen in Flammen.
Jemand, der auf ein brennendes Feld rennt
, hat immer etwas Cooles zu sehen
wenn du zur Arbeit kommst.
[Steve] springt dann davon ab
Diese Saison war deine erste,
ich denke große Schlacht, in der du warst. Du warst es
Portuguese:
através de qualquer coisa
que eu esteja escolhendo
de propósito ok, mas eu realmente
gosto disso
há um monte de coisas que
vêm com
fazendo dramas de época que são realmente divertidos
como
batalhas e sim e passeios a cavalo
e fantasias realmente muito boas
e geralmente uma espécie de como intensificado
emoção e
drama intensificado onde as coisas são realmente
você conhece a vida ou a morte
que você não consegue na cozinha
afundar drama
muito legal então sim todas as coisas, todas
as coisas que envolvem
estar em um drama de época são realmente
muito bom. geralmente há apenas
fogo e fumaça ou pessoas pegando fogo.
alguém correndo para um campo em chamas
há sempre algo legal para se olhar
quando você começar a trabalhar.
[Steve] pulando disso então uh
esta temporada foi sua primeira,
eu acho que grande batalha em que você esteve.
French:
à travers tout ce
que je choisis
exprès d'accord, mais j'aime vraiment
ça
il y a un tas de choses qui
viennent avec
faire des drames d'époque qui sont vraiment amusants
comme
batailles et ouais et équitation
et vraiment vraiment très bons costumes
et généralement une sorte de
l'émotion et le
drame intensifié où les choses sont vraiment
tu connais la vie ou la mort
que tu n'as pas dans la cuisine
couler le drame
aussi cool alors oui toutes les choses, toutes
les choses qui entourent
un drame d'époque sont vraiment
vraiment super. il y a généralement du
feu et de la fumée ou des gens en feu.
quelqu'un qui court pour un champ en feu,
il y a toujours quelque chose de cool à regarder
quand vous arrivez au travail.
[Steve] saute de ça alors euh
cette saison a été votre première
grande bataille, je suppose, dans laquelle vous étiez.
Portuguese:
no final da segunda temporada,
mas desta eu me lembro
quando vimos o trailer
da temporada pela primeira vez , começamos a ver você andando
a cavalo com você. [Toby]
isso foi tão legal. [Colby] isso nos deixa muito animados.
Eu pensei que Aethelred
parece que ele pode ser legal nesta temporada
Eu sei, estou feliz que
eles me deram
essas
cenas ou deixe-me fazer parte do
batalha porque na segunda temporada
parecia estar estabelecido que eu estava
ruim em lutar.
Eu tive como um
momento na batalha e sou quase
imediatamente empurrado para o
terra. [Colby]
você estava indo contra Sigefrid. [Steve] sim, você estava
vou pegar Bjorn embora.
[Colby] sim Sigefrid então sim, é uma partida difícil.
sim, quem ele não iria derrubar, quero dizer.
nesta temporada quando eu estava fazendo
meus ensaios de dublês
Ainda tenho vídeos seus no meu telefone
basicamente
fazendo isso e como
caras enormes de 2,10 apenas deixando você matá-los que
é bastante satisfatório
eles apenas correrem até você, você faz um pouco
mova-se e você está como morto, morto, você está
morto.
aquela cena a
cavalo
Spanish:
al final de la segunda temporada,
pero esta la recuerdo
cuando vimos por primera vez el tráiler
de la temporada, te vemos montar
a caballo contigo. [Toby]
eso fue genial. [Colby] nos emociona tanto.
Era como si Aethelred
pareciera que podría ser genial esta temporada
Lo sé, sí, me alegro de que
me hayan dado
esas
escenas o déjame ser parte del
batalla porque quiero decir en la segunda temporada
parecía estar establecido que yo estaba
malo peleando.
Tuve como uno
momento en la batalla y casi
inmediatamente me golpean en el
suelo. [Colby]
ibas contra Sigefrid. [Steve] sí, estabas
aunque vaya a buscar a Bjorn.
[Colby] sí, Sigefrid, así que sí, es un partido difícil.
Sí, ¿a quién no derribaría?
en esta temporada cuando estaba haciendo
mis ensayos de acrobacias
Todavía tengo los videos en mi teléfono de
ti básicamente
haciendo esto y como
tipos masivos de siete pies simplemente dejándote matarlos, lo que
es bastante satisfactorio
, solo corren hacia ti, haces un poco
muévete y estás como muerto, muerto, estás
muerto.
esa escena a
caballo
Arabic:
في نهاية الموسم الثاني
لكنني أتذكر هذا
عندما رأينا المقطع الدعائي
للموسم لأول مرة نراكم تركب
على ظهور الخيل معك. [توبي]
كان ذلك رائعًا. [كولبي] يدفعنا إلى ذلك.
كنت مثل Aethelred
يبدو أنه قد يكون رائعًا هذا الموسم
أعلم نعم أنا سعيد
لأنهم أعطوني
تلك
المشاهد أو اسمحوا لي أن أكون جزءًا من
المعركة لأنني أعني في الموسم الثاني
أنه من المؤكد أنني كذلك
سيء في القتال.
كان لدي مثل واحد
لحظة في المعركة وسرعان ما
طرقت على الفور
أرض. [كولبي]
كنت تسير ضد Sigefrid. [ستيف] نعم كنت
سوف تحصل على بيورن رغم ذلك.
[كولبي] نعم Sigefrid لذا نعم هذه مباراة صعبة.
نعم من لا يطرق أقصد.
في هذا الموسم عندما كنت أقوم
بتدريبات حيلة
ما زلت أحصل على مقاطع الفيديو على هاتفي
لك بشكل أساسي
القيام بذلك ومثل
الرجال الهائل من سبعة أقدام فقط مما يسمح لك بقتلهم
يرضي تمامًا
أنهم يركضون عليك قليلاً
تحرك وأنت ميت ، ميت ، أنت
ميت.
هذا المشهد على
ظهور الخيل
Chinese:
在第二季结束时,
但我记得这个
当我们第一次看到这个
季节的预告片时,我们会看到你骑
和你一起骑马。[托比]
那太酷了。[Colby]让我们如此兴奋。
我就像艾赛德(Aethelred)
似乎本赛季可能很酷
我知道是的,我很高兴
他们给了我
这些
场景,或者让我成为其中的一部分
之所以参加战斗,是因为我在第二季中
似乎已经确定我是
不善于战斗。
我有一个
在战斗的那一刻,我几乎
立即就被击倒了
地面。[Colby]
你要反对Sigefrid。[史蒂夫]是的,你是
要去比约恩。
[Colby]是的Sigefrid,是的,这是一场艰难的比赛。
是的,他不会打倒我的意思。
在这个季节,我正在做
特技彩排
基本上,我的手机上仍然有视频
这样做,就像巨大的七英尺
花花公子,只是让你杀死他们
令
他们满意的是他们只是冲着你
移动,你就像死了,死了,你
死了。
骑马的那一幕
English:
at the end of season two
but this one I remember
when we first saw the trailer
for the season we get to see you riding
in on horseback with you. [Toby]
that was so cool. [Colby] it gets us so pumped.
I was like Aethelred
seems like he might be cool this season
I know yeah I'm glad that
they gave me
those
scenes or let me be a part of the
battle because I mean in season two
it seemed to be established that I was
bad at fighting.
I had like one
moment in the battle and I'm almost
immediately immediately knocked to the
ground. [Colby]
you were going against Sigefrid. [Steve] yeah you were
going to get Bjorn though.
[Colby] yeah Sigefrid so yeah that's a tough match.
yeah who wouldn't he knock down I mean.
in this season when I was doing
my stunt rehearsals
I still got the videos on my phone of
you just basically
doing this and like massive seven foot
dudes just letting you kill them which
is quite satisfying
they just run at you you do a little
move and you're like dead, dead, you're
dead.
that scene on the
horseback
Russian:
в конце второго сезона,
но этот я помню
когда мы впервые увидели трейлер
сезона, мы увидим, как вы едете
с тобой верхом. [Тоби]
это было так круто. [Колби] это нас так взволновало.
Мне показалось, что Этельред
может быть крутым в этом сезоне
Я знаю, да, я рада, что
мне дали
эти
сцены или позвольте мне быть частью
битва, потому что во втором сезоне,
казалось, было установлено, что я
плохо борется.
У меня был такой
момент в битве, и я почти
сразу попал в
земля. [Колби]
Вы шли против Сигефрид. [Стив] да, ты был
Я собираюсь получить Бьорна.
[Колби] да, Сигефрид, так что да, это тяжелый матч.
да, кого бы он не сбил, я имею в виду.
в этом сезоне, когда я
репетировал свои трюки
У меня все еще есть видео на моем телефоне
, просто в основном
делая это и как массивные семифутовые
чуваки, просто позволяя вам убить их, которые
довольно приятно
они просто бегают на тебя ты немного
двигайся, и ты как мертв, мертв, ты
мертв.
та сцена на
коне
Hungarian:
a második évad végén,
de erre emlékszem
amikor először láttuk a
szezon utánfutóját , találkozunk veled
lóháton veled. [Toby]
ez nagyon klassz volt. [Colby] annyira felpumpál minket.
Úgy voltam vele, hogy Aethelred
úgy tűnik, hogy jó lehet ebben a szezonban
Tudom, hogy örülök,
hogy adtak nekem
azokat a
jeleneteket, vagy hagyjak, hogy részese lehessek a
csata, mert úgy értem, a második évadban
úgy tűnt, bebizonyosodott, hogy én vagyok
rossz a harcban.
Nekem volt ilyen
pillanatban a csatában, és szinte
azonnal bekapcsolódom a
talaj. [Colby]
Sigefrid ellen mentél. [Steve] igen
mégis megkapja Bjornt.
[Colby] igen, Sigefrid, igen, ez kemény meccs.
igen, kit ne ütne le, mármint.
ebben az évadban, amikor
mutatványos próbáimat végeztem
Még mindig kaptam a videókat a telefonomról, amelyek
rólad szóltak
ezt csinálva, és mint a hatalmas, hét lábú
haverok, csak hagyja, hogy megölje őket
elég kielégítő
, csak neked futnak, te egy kicsit
mozogj és olyan vagy, mint halott, halott,
halott vagy .
az a jelenet a
lóháton
French:
à la fin de la saison deux
mais celle-ci je me souviens
quand nous avons vu la bande-annonce
de la saison pour la première fois, nous vous voyons rouler
à cheval avec toi. [Toby]
c'était tellement cool. [Colby] ça nous excite tellement.
J'étais comme Aethelred
semble qu'il pourrait être cool cette saison
Je sais ouais je suis content
qu'ils m'ont donné
ces
scènes ou laissez-moi faire partie de la
bataille parce que je veux dire dans la saison deux,
il semblait être établi que j'étais
mauvais au combat.
J'avais comme un
moment de la bataille et je suis presque
immédiatement frappé au
sol. [Colby]
vous alliez contre Sigefrid. [Steve] ouais tu l'étais
va avoir Bjorn cependant.
[Colby] ouais Sigefrid alors oui c'est un match difficile.
ouais qui ne ferait-il pas tomber je veux dire.
en cette saison quand je faisais
mes répétitions de cascades
J'ai toujours les vidéos de vous sur mon téléphone en
gros
faire cela et comme d'énormes
mecs de sept pieds vous laissant simplement les tuer
est assez satisfaisant,
ils courent juste vers toi tu fais un peu
bougez et vous êtes comme mort, mort, vous êtes
mort.
cette scène à
cheval
German:
am Ende der zweiten Staffel,
aber an diese erinnere ich mich
Als wir den Trailer
für die Saison zum ersten Mal sahen, sahen wir dich reiten
mit dir zu Pferd. [Toby]
das war so cool. [Colby] es bringt uns so auf Trab.
Ich war wie Aethelred
scheint in dieser Saison cool zu sein
Ich weiß ja, ich bin froh, dass
sie mir gegeben haben
diese
Szenen oder lassen Sie mich ein Teil der sein
Kampf, weil ich meine, in der zweiten Staffel
schien es etabliert zu sein, dass ich war
schlecht im Kämpfen.
Ich hatte wie einer
Moment in der Schlacht und ich bin fast
sofort sofort an die geklopft
Boden. [Colby]
Du warst gegen Sigefrid. [Steve] Ja, das warst du
Ich werde Björn bekommen.
[Colby] Ja, Sigefrid, ja, das ist ein hartes Spiel.
Ja, wen würde er nicht niederschlagen?
in dieser Saison, als ich
meine Stuntproben machte
Ich habe immer noch die Videos von
dir auf meinem Handy
Tun Sie dies und wie massive sieben Fuß
Jungs, die Sie nur töten lassen, welche
ist ziemlich befriedigend, dass
sie nur auf dich losrennen, du machst ein wenig
bewege dich und du bist wie tot, tot, du bist
tot.
diese Szene auf dem
Pferderücken
Russian:
Возможно, мне не следует раскрывать тайну
этого, но то, как мы снимали это
был я и Джейми Блэкли, который играет
Эардвульфа
Я думаю, это просто из-за
логистики и
Не потому, что у нас плохая езда, да, но
они тебя надели
механические лошади. да они положили тебя они положили
ваши механические лошади, которые прикреплены
к
трейлер и прикреплен к камере, так
что я думаю, это просто для того, чтобы они могли
сохраняйте дистанцию между вами
и камерой, которую вы знаете, на одинаковом расстоянии
одинаковое расстояние
по всему кадру, чтобы
то, что смотрели в камеру, было абсолютно
круто.
Я чувствовал себя крутым, как ты знаешь,
бросился в бой
То, как мы снимали, было
довольно езда ,
довольно медленно проезжая по венгерскому
полю с криками
на вершинах лошадей с помощью
механических
Вы знаете, в основном, как Meccano
внизу
просто пытаюсь казаться глупым и вести себя так, как будто
я крутой
Arabic:
ربما لا ينبغي علي الكشف عن الغموض الذي يكتنفه
ولكن الطريقة التي صورنا بها ذلك
كنت أنا وجيمي بلاكلي الذي يلعب دور
Eardwulf
أعتقد أنه فقط بسبب
الشيء اللوجستي و
ليس لدينا ركوب سيء نعم ولكن
وضعوا لك على
خيول ميكانيكية. نعم وضعوك على وضع
الخيول الميكانيكية المرفقة
بها
مقطع دعائي ومرفق بالكاميرا لذا
أعتقد أنه فقط حتى يتمكنوا من ذلك
حافظ على المسافة بينك
وبين الكاميرا التي تعرفها في نفس الوقت
نفس المسافة
خلال اللقطة بأكملها ، هكذا
التي بدت على الكاميرا كانت
سيئة للغاية .
شعرت وكأنني بدس وكأنك تعلم
تدخل المعركة
الطريقة التي أطلقنا بها النار كانت الركوب
تمامًا ،
القيادة ببطء شديد عبر
حقل مجري وهو يصرخ
فقط على قمم الخيول مع
ميكانيكي فقط
أنت تعرف أساسًا مثل Meccano
تحتها
فقط أحاول أن أشعر بالسخافة وأن أكون مثل
أنا بدس
Spanish:
tal vez no debería revelar la mística de
esto, pero la forma en que filmamos eso
Fuimos Jamie Blackley y yo que interpretamos a
Eardwulf
Creo que es solo por
la logística y
no porque nuestra conducción sea mala, sí, pero
te ponen
caballos mecánicos. si te ponen
tus caballos mecánicos que están unidos
a
un tráiler y conectado a la cámara, así
que creo que es solo para que puedan
mantenga la distancia entre usted
y la cámara que conoce al mismo tiempo
la misma distancia
durante todo el plano, de modo que
que miró a la cámara fue absolutamente
rudo.
Me sentí como un rudo como si supieras
cargando en la batalla
la forma en que filmamos fue
bastante,
conduciendo muy despacio por un
campo húngaro gritando carga
solo en la parte superior de los caballos con
solo mecánica
sabes básicamente como Meccano
debajo
Solo trato de sentirme tonto y ser como
si fuera un rudo
English:
maybe I shouldn't reveal the mystique of
it but the way that we shot that
was me and Jamie Blackley who plays
Eardwulf
I think it's just because of
the logistics thing and
not because our riding is bad yeah but
they put you on
mechanical horses. yeah they put you on they put
your mechanical horses that are attached
to
a trailer and attached to the camera so
it's I think it's just so that they can
keep the distance between you
and the camera you know at the same at
the same distance
through the whole shot so the way that
that looked on camera was absolutely
badass.
I felt like a badass like you know
charging into battle
the way the way we shot it was riding
quite,
driving quite slowly across a Hungarian
field shouting charge
on just the tops of horses with
just mechanical
you know basically like Meccano
underneath
just trying to feel silly and being like
I am a badass
German:
Vielleicht sollte ich nicht die Mystik
davon enthüllen , sondern die Art und Weise, wie wir das gedreht haben
war ich und Jamie Blackley, der
Eardwulf spielt
Ich denke es liegt nur an
der logistischen Sache und
Nicht weil unser Reiten schlecht ist, aber
sie haben dich angezogen
mechanische Pferde. Ja, sie haben dich angezogen
Ihre mechanischen Pferde, die an befestigt
sind
ein Trailer und an der Kamera befestigt, so
denke ich, es ist nur so, dass sie können
Halten Sie den Abstand zwischen Ihnen
und der Kamera, die Sie kennen, gleich
die gleiche Entfernung
durch den ganzen Schuss so, dass
das sah vor der kamera absolut
badass aus.
Ich fühlte mich wie ein Arsch, wie Sie wissen
, in die Schlacht zu stürmen
Die Art und Weise, wie wir es gedreht haben, war
ziemlich reitend .
ziemlich langsam über ein ungarisches
Feld fahren und Anklage erheben
nur auf den Spitzen von Pferden mit
nur mechanischen
Sie wissen im Grunde wie Meccano
darunter
Ich versuche nur, mich albern zu fühlen und zu sein, als wäre ich ein Arsch
Portuguese:
talvez eu não deva revelar a mística
disso, mas a maneira como filmamos
fui eu e Jamie Blackley que interpreta
Eardwulf
Acho que é apenas por causa da questão
da logística e
não porque nossa pilotagem é ruim, sim, mas
eles colocam você
cavalos mecânicos. sim, eles colocaram você, eles colocaram
seus cavalos mecânicos que estão ligados
a
um trailer e anexado à câmera, então
acho que é só para que eles possam
mantenha a distância entre você
e a câmera que você conhece ao mesmo tempo
a mesma distância
em toda a cena, de modo que
que olhou na câmera foi absolutamente
foda.
Eu me senti um fodão como você sabe,
indo para a batalha
a forma como a filmamos foi
bastante,
dirigindo bem devagar em um
campo húngaro gritando carga
apenas no topo dos cavalos com
apenas mecânica
você sabe basicamente como Meccano
embaixo
apenas tentando me sentir bobo e parecer
um fodão
French:
Peut-être que je ne devrais pas en révéler la mystique
mais la façon dont nous avons tourné ça
c'était moi et Jamie Blackley qui joue
Eardwulf
Je pense que c'est juste à cause de
la logistique et
pas parce que notre circonscription est mauvaise ouais mais
ils vous mettent
chevaux mécaniques. ouais ils t'ont mis
vos chevaux mécaniques qui sont attachés
à
une remorque et attaché à la caméra, donc
je pense que c'est juste pour qu'ils puissent
gardez la distance entre vous
et la caméra que vous connaissez en même temps
la même distance
sur tout le plan, de sorte que
qui regardait la caméra était absolument
dur à cuire.
Je me sentais comme un dur à cuire comme tu sais
charger dans la bataille
la façon dont nous avons tourné roulait
assez,
conduisant assez lentement à travers un
champ hongrois en criant une charge
sur juste le dessus des chevaux avec
juste mécanique
vous savez fondamentalement comme Meccano en
dessous
J'essaie juste de me sentir idiot et d'être comme si
j'étais un dur à cuire
Hungarian:
talán nem a misztikáját kellene feltárnom,
hanem azt, ahogyan ezt lelőttük
én és Jamie Blackley voltam, aki
Eardwulfot játszik
Azt hiszem, csak
a logisztikai dolog miatt, és
nem azért, mert a mi lovas rossz igen, de
ők beveszünk
mechanikus lovak. igen felraktak téged
A mechanikus lovak kapcsolódnak
a
egy pótkocsit és a kamerához csatolva,
úgy gondolom, hogy csak azért, hogy tudják
tartsa
ugyanabban a távolságban a közte és az Ön által ismert kamerát
ugyanolyan távolságon
keresztül az egész lövés úgy, hogy
hogy a kamerára nézett, abszolút
rossz volt.
Olyan rossz embernek éreztem magam, mint amilyennek ismered
a csatát
ahogyan lőttük,
eléggé lovagolt ,
elég lassan halad át egy magyar
mezőn, kiabálva a töltetet
csak a lovak tetején,
csak mechanikusan
tudod alapvetően, mint Meccano
alatta
csak megpróbál butaságnak érezni magam, és olyan
vagyok, mintha rossz ember lennék
Chinese:
也许我不应该透露
它的奥秘,而是我们拍摄的方式
是我和扮演
Eardwulf的Jamie Blackley
我认为这仅仅是因为
物流问题
不是因为我们的骑行不好,而是
他们让您穿上
机械马。是的,他们把你放在他们的身上
你的机器马挂接
到
拖车并连接到相机,所以
我认为这是为了让他们可以
保持您
和您知道的相机之间的距离相同
整个镜头的距离相同
在相机上看那绝对是
坏蛋。
我感觉就像一个坏蛋,就像你知道要
加入战斗
我们的射击方式
相当顺畅
缓慢驶过匈牙利
战场
仅仅在
机械上的马匹上
你知道基本上像
下面的麦卡诺
只是觉得自己很傻,就像
我是个坏蛋
Spanish:
esto se verá rudo pero no desde este
ángulo.
Creo que sí demostraron que, desde
detrás de escena, eran
solo para no lastimar a los caballos que
eran como tirar como un gran muñeco
caballos en los pozos y esas cosas
y era como
estos grandes caballos ficticios que acaban de entrar al
pozo
pero como cuando miras como hombre
como no mataron como
100 caballos ahí mismo? [Toby] sí, ningún caballo
resultó herido, lo juro
así que imagino que probablemente
por eso lo hicieron
ahí también. [Colby] pero solo ver los
detrás de escena también de la producción
de esa batalla.
estuviste en el programa desde la temporada
dos, ¿cómo ha
cambiado eso como el valor de producción desde entonces?
de tus ojos? [Toby] sí, quiero decir
que es
constantemente tienes que mejorar tu juego
básicamente, ¿verdad? tú quieres
siempre tiene que verse
más y más grande y mejor yo
creo que tiene lo
que quiero decir
Chinese:
只是从这个
角度来看,这看起来很糟糕。
我认为他们确实从
幕后证明了他们
只是这样他们才不会伤害马匹
,就像扔大假人一样
马进坑和东西
,就像
这些大的假马刚进
坑
但是就像当你像男人一样观看
时他们怎么不会像
那里有100匹马?[托比]是的,没有马
受伤,我发誓
所以我想这可能
就是他们这样做的原因
还有。[Colby]但也只是看到
幕后花絮
那场战斗。
你从赛季开始就参加演出
从那以后,两个像产值如何变化
从你的眼睛?[Toby]是的,我是
说
您必须不断提高游戏水平,
对吗?你想要
它总是必须看起来
越来越大,我更好
认为它
是我的意思
Russian:
это будет выглядеть круто, только не с этой точки
зрения.
Я думаю, они показали это из-
за кулис, что они
чтобы они не травмировали лошадей, их
как бросали, как большую манекен
лошадей в ямы и
прочее, и это было как
эти большие манекены просто уходят в
яму
Но когда ты смотришь, как человек,
как они не убивали, как
100 лошадей прямо там? [Тоби] Да, лошади
не пострадали, клянусь
так что я полагаю, вероятно,
поэтому они это сделали
там тоже. [Колби], но я просто смотрю на то, что происходит
за кулисами производства.
этой битвы.
ты был на шоу с сезона
два, как
изменилась стоимость производства с тех пор
из твоих глаз? [Тоби] Да, я имею в виду,
что это
вам постоянно нужно улучшать свою игру,
верно? ты хочешь
он всегда должен выглядеть все
больше, больше и лучше.
думаю,
что это я имею в виду
Portuguese:
isso vai parecer foda, mas não desse
ângulo.
Eu acho que eles mostraram isso
nos bastidores que eles eram
só para não machucar cavalos, eles
eram como jogar fora como um grande boneco
cavalos para dentro dos fossos e coisas
e era como
esses grandes cavalos falsos entrando no
fosso
mas como quando você está assistindo como homem
como eles não mataram como
100 cavalos aí? [Toby] sim, nenhum cavalo
se machucou, eu juro
então eu imagino que provavelmente é
por isso que eles fizeram isso
lá também. [Colby], mas também vendo os
bastidores da produção
dessa batalha.
você estava no programa desde a temporada
dois como o
valor da produção mudou desde então
de seus olhos? [Toby] sim, quero dizer
, é
você constantemente tem que melhorar seu jogo,
basicamente certo? você quer
sempre tem que parecer
cada vez maior e melhor eu
acho que tem o
que quero dizer
Arabic:
سيبدو هذا بدس ليس من هذه
الزاوية.
أعتقد أنهم أظهروا ذلك من
وراء الكواليس
فقط حتى لا يصيبوا الخيول
كانوا مثل رميها مثل الدمية الكبيرة
الخيول في الحفر والأشياء
وكان الأمر كذلك
هذه الخيول الوهمية الكبيرة تدخل
الحفرة
لكن عندما تشاهد مثل الرجل
كيف لم يقتلوا مثل
100 حصان هناك حق؟ [توبي] نعم لم
يصب أي خيل ، أقسم
لذلك أتخيل أن هذا هو
السبب على الأرجح في قيامهم بذلك
هناك ايضا. [كولبي] ولكن مجرد رؤية من
وراء الكواليس من الإنتاج
لتلك المعركة.
كنت في العرض منذ الموسم
الثاني كيف تغير ذلك مثل
قيمة الإنتاج منذ ذلك الحين
من عينيك [توبي] أجل ، أعني
ذلك
عليك باستمرار رفع مستوى لعبتك
بشكل أساسي ، أليس كذلك؟ اتريد
يجب أن تبدو دائمًا
أكبر وأكبر وأفضل
أعتقد أنه يحتوي
على ما أعنيه
English:
this will look badass just not from this
angle.
I think they did show that from
behind the scenes that they were
just so they didn't injure horses they
were like throwing out like big dummy
horses into the pits and things
and it was just like
these big dummy horses just going into
the pit
but like when you're watching like man
how did they not kill like
100 horses right there? [Toby] yeah no horses
were hurt, I swear
so I imagine that's probably
why they did it
there as well. [Colby] but just seeing those
behind the scenes too of the production
of that battle.
you were on the show since season
two how has that like the production
value changed since then
from your eyes? [Toby] yeah I mean
it's
you constantly have to up your game
basically right? you want to
it always has to look
bigger and bigger and better I
think it has
which is I mean
French:
cela semblera dur à cuire mais pas sous cet
angle.
Je pense qu'ils ont montré que
dans les coulisses qu'ils étaient
juste pour ne pas blesser les chevaux, ils
étaient comme jeter comme un gros mannequin
chevaux dans les fosses et les choses
et c'était juste comme
Ces gros chevaux factices vont juste dans
la fosse
Mais comme quand tu regardes comme un homme,
comment n'ont-ils pas tué comme
100 chevaux là-bas? [Toby] ouais aucun cheval n'a
été blessé, je le jure
alors j'imagine que c'est probablement
pourquoi ils l'ont fait
là aussi. [Colby] mais juste voir
les coulisses de la production
de cette bataille.
tu étais dans l'émission depuis la saison
deux comment la
valeur de la production a-t-elle changé depuis
de vos yeux? [Toby] ouais je veux dire que
c'est
vous devez constamment améliorer votre jeu,
n'est-ce pas? tu veux
il doit toujours paraître
plus grand et plus grand et meilleur je
pense que c'est
ce que je veux dire
Hungarian:
ez rosszul fog kinézni, csak nem ebből a szempontból
.
Azt hiszem,
a kulisszák mögül megmutatták , hogy voltak
csak azért, hogy ne sértsék meg azokat a lovakat,
mintha kidobták volna őket , mint egy nagy bábut
lovakat a gödrökbe és a dolgokba,
és olyan volt, mint
ezek a nagy dummy lovak csak mennek
a gödörbe
de mint amikor emberként nézed,
hogyan nem öltek meg hasonlóan
100 ló ott? [Toby] igen, egyetlen lovat
sem bántottak, esküszöm
úgyhogy képzelem, valószínűleg
ezért tették
ott is. [Colby], de csak
a produkció kulisszatitkait látva
annak a csatának.
évad óta voltál műsoron
kettő hogyan
változott azóta az ilyen termelési érték
a szemedből? [Toby] igen én értem
ez
állandóan fel kell emelned a játékodat,
igaz? akarsz
mindig
nagyobbnak és nagyobbnak és jobbnak kell lennie
gondolom, hogy van
, amire gondolok
German:
Das wird schlecht aussehen, nur nicht aus diesem
Blickwinkel.
Ich denke, sie haben das
hinter den Kulissen gezeigt, dass sie es waren
Nur damit sie keine Pferde verletzten,
warfen sie wie eine große Puppe raus
Pferde in die Box und Sachen
und es war einfach so
Diese großen Dummy-Pferde gehen gerade in
die Grube
aber wie wenn du wie ein Mann zuschaust,
wie haben sie nicht so getötet?
100 Pferde genau dort? [Toby] Ja
, ich schwöre, es wurden keine Pferde verletzt
Ich stelle mir also vor,
dass sie es wahrscheinlich deshalb getan haben
dort genauso. [Colby] aber nur die
hinter den Kulissen der Produktion zu sehen
dieser Schlacht.
Sie waren seit der Saison in der Show
Zweitens, wie hat sich der Produktionswert
seitdem verändert?
aus deinen Augen? [Toby] Ja, ich meine
es ist
Sie müssen Ihr Spiel im
Grunde ständig verbessern, oder? du möchtest
es muss immer
größer und größer und besser aussehen ich
denke es hat
was ich meine
Hungarian:
nem azért, mert a költségvetés
megduplázódott. Szerintem csak
gyakorlással, finomhangolással
és tartással, és tudod, hogy mi
alapvetően minden évszakban ugyanazokkal az emberekkel dolgozom, és én
gondolkodnak
kaszkadőrök és mutatványkoordinátorok
és a rendezők is
akar
valami újat hozni és trükköt találni
hüvelyük, vagy hasonló húzás és húzás
, amit tudnak
egy új lépés, vagy
tudod, hogy több tüzet, több testégést használsz
vagy ilyesmire
mindig van esély
szeretem, ha tudod, hogy igazán
nagyon klassz
érdekes lövés, de azt hiszem,
még mindig Jamie Donahue-ra gondolok
lövés, hogy ő ... Jamie Donahue rendezett
pár részt a második évadban
Nem emlékszem, hogy epizód volt-e
hat vagy hét, ahol az
epizód végén
a dánok bejárnak egy táborba, és olyan, mint
egy lövés
és az egész első személy igen
és
Spanish:
no es porque el presupuesto se haya
duplicado. Creo que es solo
a través de la práctica y el ajuste fino
y sosteniéndolo y sabes que
trabajo con la misma
gente básicamente cada temporada y yo
Piense en
especialistas y coordinadores de especialistas
y directores también todos
quiero traer
algo nuevo y tener un truco
su manga o como tirar y tirar un
movimiento que ellos saben
un nuevo movimiento o
sabes usar más fuego, más quemaduras en el cuerpo
o cosas así
siempre hay una posibilidad
como si supieras que tienes una experiencia
realmente genial
tiro interesante, pero quiero decir, creo que
todavía pienso en Jamie Donahue
disparó que él ... Jamie Donahue dirigió
un par de episodios en la temporada dos
No recuerdo si fue un episodio
seis o siete donde al final del
episodio
los daneses entran en un campamento y es como
un solo disparo
y todo es en primera persona, sí
y
Portuguese:
não é porque o orçamento
dobrou. Eu acho que é só
através da prática e do ajuste fino
e segurando e você sabe que
trabalho com as mesmas
pessoas basicamente a cada temporada e eu
pense em
dublês e coordenadores de dublês
e diretores também todos eles
quero trazer
algo novo e ter um truque
a manga ou como puxar e puxar um
movimento que você conhece
um novo movimento ou
você sabe usar mais fogo, mais queimaduras
ou coisas assim
, sempre há uma chance
para gostar de saber, ter um muito, muito,
muito legal
foto interessante, mas acho que
ainda penso na foto de Jamie Donahue
tiro que ele ... Jamie Donahue dirigiu
alguns episódios na segunda temporada
Não lembro se foi episódio
seis ou sete onde no final do
episódio
os dinamarqueses entram em um acampamento e é como
um único tiro
e a coisa toda é primeira pessoa sim
e
Chinese:
这不是因为预算
增加了一倍。我认为只是
通过练习,微调
和持有,您知道我们
基本上每个季节都和同一个人一起工作
认为
特技演员和特技协调员
还有导演们
想要带来
新的东西并且有技巧
他们的袖子,或者像是拉着拉
,你知道
一个新举动,或者
您知道使用更多的火,更多的身体烧伤
或类似的事情
总是有机会
就像你知道的那样,
真的很酷
有趣的镜头,但我想我
仍然想起杰米·多纳休(Jamie Donahue)的
拍摄他...杰米·多纳休(Jamie Donahue)
在第二季导演了几集
我不记得是不是情节
剧集结尾处的六个或七个
丹麦人骑进营地,就像
一枪
整个事情是第一人耶
和
Russian:
это не потому, что бюджет
увеличился вдвое. Я думаю это просто
через практику, настройку
и удержание, и вы знаете, что мы
практически каждый сезон работаю с одними и теми же людьми, и я
думаю
каскадеры и координаторы трюков
и директора все они
хочу привнести
что-то новое и развлечься
их рукав или как тянуть и тянуть
движение, которое они знают
новый ход или
вы знаете, что использовать больше огня, больше ожогов тела
или тому подобное
всегда есть шанс
быть действительно
действительно крутым
интересный кадр, но я думаю, что
все еще думаю о Джейми Донахью
выстрелил, что он ... Джейми Донахью снял
пару серий во втором сезоне
Я не могу вспомнить, была ли это серия
шесть или семь, где в конце
эпизода
Датчане въезжают в лагерь и это как
единственный выстрел
и все это от первого лица да
и
Arabic:
ليس لأن الميزانية
تضاعفت. أعتقد أنه مجرد
من خلال الممارسة والضبط
والإمساك بها وأنت تعلم أننا
أعمل مع نفس
الأشخاص في كل موسم وأنا
اعتقد
حيلة ومنسقي حيلة
والمخرجين كذلك جميعهم
تريد إحضار
شيء جديد والحصول على خدعة
كمهم أو ما شابه ذلك من سحب وسحب
حركة تعرفها
حركة جديدة أو
استخدام المزيد من النار ، المزيد من حروق الجسم
أو أشياء من هذا القبيل ،
هناك دائمًا فرصة
لتعلم أنها
رائعة حقًا حقًا
لقطة مثيرة للاهتمام لكنني أعتقد أنني
ما زلت أفكر في لقطة جيمي دوناهو
أطلق النار على أنه ... أخرج جيمي دوناهو
بضع حلقات في الموسم الثاني
لا أتذكر ما إذا كانت حلقة
ستة أو سبعة حيث في نهاية
الحلقة
يركب الدنماركيون في معسكر
ويشبهون طلقة واحدة
وكل شيء هو أول شخص نعم
و
French:
ce n'est pas parce que le budget a
doublé. Je pense que c'est juste
grâce à la pratique, au réglage fin
et au maintien et vous savez que nous
travailler avec les mêmes
personnes pratiquement chaque saison et je
pense
cascadeurs et coordinateurs de cascades
et les directeurs aussi ils tous
veux apporter
quelque chose de nouveau et avoir un tour
leur manche ou comme tirez et tirez un
mouvement qu'ils connaissent
un nouveau mouvement ou
vous savez utiliser plus de feu, plus de brûlures corporelles
ou des choses comme ça,
il y a toujours une chance
pour aimer tu sais avoir un vraiment vraiment
vraiment cool
photo intéressante mais je veux dire je pense que je
pense encore à Jamie Donahue
tourné qu'il ... Jamie Donahue a réalisé
quelques épisodes de la saison deux
Je ne me souviens pas si c'était un épisode
six ou sept où à la fin de l'
épisode
les Danois montent dans un camp et c'est comme
un seul coup
et le tout est à la première personne ouais
et
German:
Das liegt nicht daran, dass sich das Budget
verdoppelt hat. Ich denke es ist einfach
durch üben und feinabstimmen
und halten und du kennst uns
arbeite
grundsätzlich jede Jahreszeit mit den gleichen Leuten und ich
Denken Sie an
Stuntmen und Stuntkoordinatoren
und auch die Direktoren
Ich möchte
etwas Neues bringen und einen Trick haben
ihren Ärmel oder wie ziehen und ziehen Sie eine
Bewegung, die sie kennen
ein neuer Zug oder
Sie wissen, mit mehr Feuer, mehr Körperverbrennungen
oder solche Dinge
gibt es immer eine Chance
zu wissen, dass Sie wissen, haben eine wirklich sehr,
sehr cool
interessanter Schuss, aber ich meine, ich denke
immer noch an Jamie Donahues
erschossen, dass er ... Jamie Donahue hat
in Staffel zwei ein paar Folgen gedreht
Ich kann mich nicht erinnern, ob es eine Episode war
sechs oder sieben wo am Ende der
Episode
Die Dänen reiten in ein Lager und es ist wie
ein einziger Schuss
und das ganze ist erste person ja
und
English:
it's not because the budget has
doubled. I think it's just
through practice and fine-tuning
and holding it and you know we
work with the same
people basically every season and I
think
stuntmen and stunt coordinators
and directors as well they all
want to bring
something new and have a trick up
their sleeve or like pull and pull a
move that they you know
a new move or
you know using more fire, more body burns
or things like that
there's always a chance
to like you know have a really really
really cool
interesting shot but I mean I think I
still think about Jamie Donahue's
shot that he... Jamie Donahue directed
a couple of episodes in season two
I can't remember if it was episode
six or seven where at the end of the
episode
the Danes ride into a camp and it's like
a single shot
and the whole thing is first person yeah
and
French:
des choses comme ça je veux dire. [Colby] nous avions Chas Bain
et nous en avons parlé
largement ouais c'était. quel tir. [Toby]
J'étais tellement impressionnant, j'étais tellement impressionné
par cela la première fois que je l'ai vu
et ce genre de chose où un
le réalisateur
aimera utiliser l'ingéniosité pure pour créer
quel est
le mot
pour le faire paraître gros budget vous savez?
ouais oh totalement ouais à l'écran,
oh mon dieu ouais scène incroyable. Donc alors
dans la bataille alors aussi vous en avez
vraiment bien
bat aussi. [Colby] ça avait l'air super. [Steve]
comment était-ce
cette
masse géante de gens et de combats et tout ça?
Comment était-ce pour vous? [Toby]
était vraiment chaud. [Colby] c'est la raison
tout le monde dit quand nous le demandons. [Toby] ouais
ouais je veux dire que c'est vraiment vraiment
inévitable,
comme inévitablement chaud comme moi
Je ne savais pas vraiment ça de la Hongrie avant mon départ et juste
Arabic:
أشياء من هذا القبيل أعني. [كولبي] كان لدينا تشاس باين
وتحدثنا عنه
على نطاق واسع نعم كان. ما رصاصة واحدة. [توبي]
كنت مبهرًا جدًا ، لقد تأثرت كثيرًا
بذلك في المرة الأولى التي رأيته فيها
وهذا النوع من الأشياء حيث أ
سيحب المخرج
استخدام البراعة الخالصة في الإبداع
ما هي
الكلمة
لجعلها تبدو كبيرة الميزانية كما تعلم؟
نعم ، نعم تمامًا على الشاشة ،
يا إلهي ، نعم مشهد رائع. وماذا بعد
في المعركة أيضًا لديك بالفعل
بعض الأشياء الجيدة حقًا
يدق كذلك. [كولبي] بدت رائعة. [ستيف]
كيف كان الأمر في ذلك
تلك
الكتلة الهائلة من الناس والقتال وكل ذلك؟
كيف كان ذلك بالنسبة لك؟ [توبي]
كان الجو حارًا حقًا. [كولبي] هذا هو السبب
الجميع يقول عندما نسأل عنها. [توبي] نعم
، أعني أنه حقًا
لا مفر منه ،
مثل حار لا مفر منه مثلي
لم أكن أعرف حقًا ذلك عن المجر
قبل أن أذهب وفقط
Spanish:
cosas así me refiero. [Colby] teníamos a Chas Bain
y hablamos de eso
extensamente, sí lo fue. Qué disparo. [Toby]
Estaba tan impresionante, estaba tan impresionado
por eso la primera vez que lo vi
y ese tipo de cosas donde un
Al director
le gustará usar el ingenio puro para crear
cual es
la palabra
para que parezca de gran presupuesto, ¿sabes?
sí, oh, totalmente sí en la pantalla,
oh Dios mío, sí, escena increíble. por lo que entonces
en la batalla, entonces también tienes
algo realmente bueno
late también. [Colby] se veía genial. [Steve]
¿Cómo te fue en eso?
esa
masa gigante de gente y peleando y todo eso?
¿Cómo fue eso para ti? [Toby]
estaba realmente caliente. [Colby] esa es la razón
todo el mundo dice cuando preguntamos al respecto. [Toby] sí
sí quiero decir que es realmente realmente
inevitable,
como inevitablemente caliente como yo
realmente no sabía eso de Hungría
antes de irme y
Russian:
я имею в виду такие вещи. [Колби] у нас был Час Бейн,
и мы говорили об этом
в значительной степени да, это было. какой выстрел. [Тоби]
Я был так впечатлен, так впечатлен
к тому времени я впервые это увидел
и тому подобное, где
режиссеру
понравится использовать чистую изобретательность для создания
что
за слово
чтобы это выглядело большим бюджетом, понимаете?
да, о, да, на экране,
о боже, да, невероятная сцена. так тогда
в битве у вас тоже есть
действительно хорошие
бьет тоже. [Колби] это выглядело великолепно. [Стив]
каково было в этом
эта гигантская
масса людей, борьба и все такое?
как это было для тебя? [Тоби]
было действительно жарко. [Колби] вот в чем причина
все говорят, когда мы спрашиваем об этом. [Тоби] да,
я имею в виду, что это действительно правда
неизбежно,
как неизбежно жарко, как я
не знал этого о Венгрии
до того, как уехал, и просто
English:
things like that I mean. [Colby] we had Chas Bain
on and we talked about it
extensively yeah it was. what a shot. [Toby]
I was so impressive, I was so impressed
by that the first time I saw it
and that kind of thing where a
director
will like use pure ingenuity to create
what's
the word
to make it look big budget you know?
yeah oh totally yeah on screen,
oh my god yeah incredible scene. so then
in the battle then too you actually have
some really good
beats as well. [Colby] it looked great. [Steve]
how was it being in that
that giant
mass of people and fighting and all that?
how was that for you? [Toby]
hot it was really. [Colby] that's the reason
everybody says when we ask about it. [Toby] yeah
yeah I mean it's really really
unavoidable,
like unavoidably hot like I
didn't really know that about Hungary
before I went and just
German:
solche Dinge meine ich. [Colby] Wir hatten Chas Bain
an und haben darüber gesprochen
ausgiebig ja war es. was für ein Schuss. [Toby]
Ich war so beeindruckend, ich war so beeindruckt
das das erste mal, als ich es sah
und so etwas wo a
Regisseur
wird gerne reinen Einfallsreichtum verwenden, um zu schaffen
Was ist
das Wort?
damit es wie ein großes Budget aussieht, weißt du?
yeah oh total yeah auf dem Bildschirm,
oh mein Gott ja unglaubliche Szene. also dann
Auch in der Schlacht hast du tatsächlich
einige wirklich gute
schlägt auch. [Colby] es sah toll aus. [Steve]
wie war es dabei?
diese riesige
Masse von Menschen und Kämpfen und all das?
Wie war das für dich? [Toby]
heiß war es wirklich. [Colby] das ist der Grund
Jeder sagt, wenn wir danach fragen. [Toby] Ja,
ja, ich meine, es ist wirklich wirklich
unvermeidlich,
wie unvermeidlich heiß wie ich
Ich wusste das nicht wirklich über Ungarn, bevor ich ging und einfach
Portuguese:
coisas assim, quero dizer. [Colby] tínhamos Chas Bain
e conversamos sobre isso
extensivamente sim, foi. que tiro. [Toby]
Eu fui tão impressionante, fiquei tão impressionado
por isso a primeira vez que vi
e aquele tipo de coisa onde um
o diretor
vai gostar de usar pura engenhosidade para criar
qual é
a palavra
para parecer um grande orçamento, sabe?
sim, totalmente, sim na tela,
meu Deus, sim, cena incrível. Então
na batalha, você também tem
algumas boas
batidas também. [Colby] parecia ótimo. [Steve]
como foi estar naquele
aquela
massa gigante de gente e luta e tudo mais?
como foi isso para você? [Toby]
foi realmente quente. [Colby] esse é o motivo
todo mundo diz quando perguntamos sobre isso. [Toby] sim,
quero dizer, é realmente muito
inevitável,
como inevitavelmente quente como eu
realmente não sabia sobre a Hungria
antes de ir e apenas
Chinese:
我的意思是 [Colby]我们加入了Chas Bain
,我们谈到了
是的,是的。真是一枪。[托比]
我印象深刻,印象深刻
到我第一次看到它
的时候
导演
会喜欢用纯粹的创造力
什么
意思
使它看起来很大的预算,您知道吗?
是的,在屏幕上完全是这样,
哦,天哪,是令人难以置信的一幕。所以那
在战斗中,你实际上也有
一些非常好的
节拍也是如此。[Colby]看起来很棒。[史蒂夫]
那是怎么回事
如此庞大
的人员和战斗以及所有这些?
那你呢 [托比]
很热。[Colby]这就是原因
当我们问这个问题时,每个人都会说。[Toby]是的,
我的意思是真的
不可避免,
像我一样不可避免
在我去之前真的不了解匈牙利
Hungarian:
ilyen dolgokra gondolok. [Colby] volt nálunk Chas Bain
, és beszéltünk róla
igen igen. micsoda lövés. [Toby]
Annyira lenyűgöző voltam, annyira lenyűgözött
ekkor láttam először,
és ilyesmi, ahol a
A rendező
szeretni fogja a tiszta ötletességet az alkotáshoz
mi
a szó
hogy nagy költségvetésűnek tűnjön, tudja?
igen, ó, igen, igen a képernyőn,
ó, istenem, igen hihetetlen jelenet. így aztán
a csatában akkor is van
igazán jó
veri is. [Colby] remekül nézett ki. [Steve]
hogy volt ebben
az az óriási
tömeg és harcok, meg minden?
hogy volt ez neked? [Toby]
meleg volt igazán. [Colby] ez az oka
mindenki mondja, amikor rákérdezünk. [Toby] igen,
igen, úgy értem, tényleg nagyon
elkerülhetetlen,
mint elkerülhetetlenül forró, mint én
nem igazán tudtam ezt Magyarországról,
mielőtt elmentem és csak
German:
Ich dachte, oh, es ist in Europa, es
wird nicht so sein
Sie wissen, 40 Grad, aber es ist 40 Grad.
Ich weiß nicht, was das in Fahrenheit ist
wie 180 Grad Fahrenheit.
[TSC] Ja, genau das ist es. das ist es.
es wird wirklich sehr, sehr, sehr heiß,
aber sobald du darüber hinweg bist und einfach
die Art von
allgemeinem Unbehagen, sich zu fühlen
Du trägst einen Neoprenanzug
oder einen Trainingsanzug
Ja, es ist eine wirklich ganz
besondere Art von
mentaler Raum. Ich
denke nicht, denn wenn du einmal denkst, denke ich, ist es das
Gleiches gilt für alle Sportarten und die
meisten körperlichen Aktivitäten
Wenn du einmal darüber nachdenkst, ist
es ruiniert, weißt du, oder du wirst es nicht sein
in der Lage, die Bewegung
so zu tun und es gibt den gleichen Drang
denken wollen, weil du so bist wie ich
will, wenn ich darüber nachdenke, wenn ich es wirklich tue
denke
dann wird es wirklich sein
genau und wirklich toll und
ja wirklich präzise, aber eigentlich
darüber nachzudenken hilft nicht.
was eigentlich irgendwie
Russian:
Я подумал, что в Европе это
не будет похоже
вы знаете 40 градусов, но это 40 градусов,
я не знаю, что это по Фаренгейту
как 180 градусов по Фаренгейту.
[TSC] Да, именно так. Это оно.
становится очень-очень-очень-очень жарко,
но как только вы это преодолеете и просто
своего рода
общий дискомфорт от ощущения
вы в гидрокостюме
или спортивном костюме, это
да, это действительно
особенный вид
ментальное пространство. Я не думаю,
потому что, как только вы думаете, я думаю, что это
то же самое со всеми видами спорта и
большинством физических нагрузок, которые
Как только вы думаете об этом,
он испорчен, вы знаете, или вы не будете
в состоянии сделать ход
так и есть желание
хочу думать, потому что ты такой же, как я,
если я думаю об этом, если я действительно
думаю,
тогда это будет действительно
точный и действительно отличный и
да действительно точный, но на самом деле
думать об этом не помогает.
что на самом деле вроде
English:
I was like oh it's in Europe it
won't be like
you know 40 degrees but it is 40 degrees
I don't know what that is in Fahrenheit
like 180 degrees Fahrenheit.
[TSC] yeah that's exactly it. that's it.
it gets really really really really hot
but once you get over that and just
the kind of
general discomfort of feeling like
you're in a wetsuit
or a sweatsuit it's a
yeah it's a really really
particular kind of
mental space. I'm not thinking
because once you think I think it's the
same thing with all sports and
most physical activities that
like once you think about it
it's ruined you know or you won't be
able to do the move
so and there's the like the urge
to want to think because you're like I
want to if I think about this if I really
think
then it'll be really
accurate and really great and
yeah really precise but actually
thinking about it doesn't help.
which actually kind of
French:
J'étais comme oh c'est en Europe ce
ne sera pas comme
tu sais 40 degrés mais il fait 40 degrés
je ne sais pas ce que c'est en Fahrenheit
comme 180 degrés Fahrenheit.
[TSC] ouais c'est exactement ça. c'est tout.
il fait vraiment vraiment vraiment très chaud
mais une fois que vous avez surmonté cela et juste
le genre d'
inconfort général de se sentir comme
vous êtes en combinaison
ou en survêtement c'est un
ouais c'est un
genre vraiment vraiment particulier de
espace mental. Je ne pense pas
parce qu'une fois que tu penses, je pense que c'est le
même chose pour tous les sports et la
plupart des activités physiques
comme une fois que vous y pensez c'est
ruiné vous savez ou vous ne serez pas
capable de faire le mouvement
ainsi et il y a comme l'envie
avoir envie de penser parce que tu es comme je
veux si j'y pense si je
pense
alors que ce sera vraiment
précis et vraiment génial et
ouais vraiment précis mais en fait
y penser n'aide pas.
qui en fait un peu
Hungarian:
Úgy voltam vele, hogy ó Európában van
, nem olyan lesz
tudsz 40 fokot, de ez 40 fok
, nem tudom, mi van Fahrenheitben
mint 180 Fahrenheit fok.
[TSC] igen, pontosan ez az. ez az.
nagyon igazán nagyon meleg lesz,
de ha már túljutsz ezen és csak
amilyen
általános kényelmetlenség érzése
nedvesruhában
vagy pulóverben vagy, ez a
igen, ez egy igazán igazán
különleges fajta
mentális tér. Nem gondolkodom,
mert ha egyszer úgy gondolja, hogy szerintem ez az
minden sporttal és a
legtöbb fizikai tevékenységgel ugyanaz
mint ha egyszer belegondolsz
, tönkrement, tudod, vagy nem leszel
képes megtenni a lépést
, és hasonló a késztetés
gondolkodni, mert olyan vagy, mint én
, ha erre gondolok, ha igazán
gondolkodj
akkor tényleg az lesz
pontos és nagyon nagyszerű, és
igen pontosan, de valójában
ezen gondolkodás nem segít.
amelyek valójában olyanok
Arabic:
كنت مثل أوه إنه في أوروبا
لن يكون الأمر كذلك
أنت تعرف 40 درجة لكنها 40 درجة
ولا أعرف ما هو ذلك بالفهرنهايت
مثل 180 درجة فهرنهايت.
[TSC] نعم هذا هو بالضبط. هذا هو.
يصبح الجو حارًا حقًا حقًا
ولكن بمجرد تجاوز ذلك وفقط
هذا النوع من
الانزعاج العام من الشعور
كنت ترتدي بذلة غطس
أو بدلة رياضية إنها أ
نعم ، إنه
نوع خاص حقًا
الفضاء العقلي. أنا لا أفكر
لأنه بمجرد أن تعتقد أنني أعتقد أنها
نفس الشيء مع جميع الألعاب الرياضية
ومعظم الأنشطة البدنية
مثل بمجرد أن تفكر في الأمر ،
فقد تدمر كما تعلم أو لن تكون كذلك
قادرة على القيام بهذه الخطوة
وهناك مثل الرغبة
أريد أن أفكر لأنك مثلي
أريد أن أفكر في هذا إذا كنت حقًا
أعتقد
أنه سيكون حقًا
دقيق
ورائع حقًا ونعم دقيق حقًا ولكن في الواقع
التفكير في الأمر لا يساعد.
وهو نوع من
Chinese:
我就像是在欧洲,
不会像
你知道40度,但是40度
我不知道华氏温度是多少
像是华氏180度
[TSC]是的,就是这样。而已。
真的真的真的真的很热,
但是一旦克服了,
那种
一般的不适感
你穿着潜水服
或运动服,
是的,这是一种非常
特别的
心理空间。我没有考虑,
因为一旦您认为我认为这是
所有运动和
大多数体育活动都具有相同的特征
就像一旦您想到它就
毁了,您就会知道,否则您将不会
能够做到这
一点,并且有这样的冲动
想想,因为
如果我真的想过,你就像我想的那样
认为
那会是真的
准确且非常好,
是的,但确实准确
考虑它没有帮助。
实际上是
Spanish:
Yo estaba como, oh, está en Europa
, no será como
sabes 40 grados pero son 40 grados
no sé qué es eso en Fahrenheit
como 180 grados Fahrenheit.
[TSC] sí, eso es exactamente. Eso es.
se pone realmente muy muy muy caliente,
pero una vez que superas eso y simplemente
el tipo de
malestar general de sentirse como
estás en un traje de neopreno
o un chándal es un
sí, es un
tipo de
espacio mental. No estoy pensando
porque una vez que piensas, creo que es el
lo mismo con todos los deportes y la
mayoría de las actividades físicas que
como si una vez que lo piensas
está arruinado, sabes o no lo estarás
capaz de hacer el movimiento
así y existe la necesidad de
querer pensar porque eres como yo
quiero si pienso en esto si realmente
piensa que
entonces será realmente
exacto y realmente genial y
sí realmente preciso pero en realidad
pensar en ello no ayuda.
que en realidad una especie de
Portuguese:
Eu estava tipo, oh, é na Europa,
não será como
você sabe 40 graus, mas está 40 graus,
eu não sei o que é isso em Fahrenheit
como 180 graus Fahrenheit.
[TSC] sim, é exatamente isso. é isso aí.
fica muito, muito, muito quente,
mas quando você supera isso e apenas
o tipo de
desconforto geral de sentir como
você está em uma roupa de neoprene
ou moletom, é um
sim, é um
tipo muito particular de
espaço mental. Não estou pensando
porque uma vez que você pensa, eu acho que é o
a mesma coisa com todos os esportes e
atividades físicas que
tipo, uma vez que você pensa sobre isso
, está arruinado, você sabe ou não será
capaz de fazer o movimento
e há o tipo de desejo
querer pensar porque você é como eu
quero, se eu pensar sobre isso, se eu realmente
pense
então será realmente
preciso e muito bom e,
sim, muito preciso, mas na verdade
pensar sobre isso não ajuda.
que na verdade meio que
German:
übersetzt sich in
in Handeln und allgemeines Denken
nicht ist nicht wo du sein willst. [Colby]
Ja, nicht wenn du es tust. [Toby] richtig wie
Ja, du willst es einfach im
Grunde tun
Also ja, in dem Moment, in dem du darüber nachdenkst, ist
es irgendwie weg.
Das war also meine
erste echte
Streifzug in eine
koordinierte Reihenfolge. Ich habe eine gemacht
ein bisschen, aber das war meine erste Art
von Kampf. [Colby] Also, was war das?
Vorbereitung darauf? [Toby]
du hast nur eine
einige Tage. ein paar
Stunt-Probentage
Aber tatsächlich passiert es, sobald
Sie und so ist es immer
Sobald Sie fertig sind,
gibt es etwas, das es nicht gegeben hat
Wenn Sie berücksichtigen, wissen Sie, dass Sie
es in einer großen Sporthalle proben und wann
du kommst dorthin du bist wie oh eigentlich
weil
Sie wissen, dass der Boden hier so hoch ist oder
die Kamera hier sein muss, wir müssen
Ändern Sie den Zug,
sodass normalerweise eine Änderung in letzter Minute erfolgt
du probst gerne drei
Tage lang etwas und dann sind sie eigentlich in Ordnung
Kannst du es einfach und
rückwärts machen? Sie wissen, schneiden Sie das bisschen
English:
translates over into into
into acting as well thinking generally
doesn't is not where you want to be. [Colby]
yeah not when you're doing it. [Toby] right like
yeah you want to just be doing it
basically
so yeah the moment you think about it
it's kind of gone.
so that was my
first real
foray into a
coordinated sequence. I've done a
little bit but that was my first kind of
bit of battling. [Colby] so what was the
preparation like for it? [Toby]
you just you have a
couple of days. a couple of
stunt rehearsal days
but actually what happens is as soon as
you and this is always the way it's like
once you get set
there's some thing that hasn't been
factored into you know you rehearse
it in a big sports hall and then when
you get there you're like oh actually
because
you know the ground here is this high or
the camera has to be here we need to
change the move
so usually there's a last minute change
you like rehearse something for three
days and then they're like okay actually
can you just do it and
do it backwards? you know cut that bit
Spanish:
se traduce
en actuar y pensar en general
no es donde quieres estar. [Colby]
sí, no cuando lo estás haciendo. [Toby] justo como
Sí,
básicamente quieres hacerlo.
así que sí, en el momento en que lo piensas,
desaparece.
entonces ese fue mi
primer real
Incursión en una
secuencia coordinada. He hecho un
un poco, pero ese fue mi primer tipo
de batalla. [Colby] entonces, ¿cuál fue el
preparación como para eso? [Toby]
solo tienes un
par de días. un par de
días de ensayo de acrobacias
pero en realidad lo que pasa es tan pronto como
tú y siempre es así
una vez que te preparas
hay algo que no ha sido
factor en que sabes que lo ensayas
en un gran pabellón de deportes y luego cuando
llegas ahí estás como oh en realidad
porque
sabes que el suelo aquí es tan alto o
la cámara tiene que estar aquí, necesitamos
cambiar el movimiento
por lo que normalmente hay un cambio de último minuto
te gusta ensayar algo durante tres
días y luego están bien en realidad
¿Puedes hacerlo y
hacerlo al revés? sabes cortar ese pedacito
French:
se traduit par en
agissant ainsi en pensant généralement
n'est pas là où vous voulez être. [Colby]
ouais pas quand tu le fais. [Toby] juste comme
Ouais tu veux juste le faire
fondamentalement
alors oui, au moment où vous y pensez,
c'est un peu parti.
donc c'était mon
premier vrai
incursion dans une
séquence coordonnée. J'ai fait un
un peu mais c'était ma première sorte
de combat. [Colby] alors quel était le
préparation comme pour ça? [Toby]
vous avez juste un
quelques jours. quelques
jours de répétition de cascades
mais en fait, ce qui se passe est dès que
vous et c'est toujours comme ça
une fois que vous êtes prêt,
il y a quelque chose qui n'a pas été
pris en compte, vous savez que vous le répétez
dans une grande salle de sport et ensuite quand
vous y arrivez, vous êtes comme oh en fait
parce que
vous savez que le sol est si haut ou
la caméra doit être là, nous devons
changer le mouvement
donc généralement il y a un changement de dernière minute
tu aimes répéter quelque chose pendant trois
jours et ensuite ils sont comme bien en fait
pouvez-vous simplement le faire et le
faire à l'envers? tu sais couper ce morceau
Russian:
переводится в
действие, а также мышление в целом
не там, где вы хотите быть. [Колби]
Да, когда ты это делаешь. [Тоби] прямо как
да, ты хочешь просто делать это в
основном
так что да, в тот момент, когда вы думаете об этом,
это как бы ушло.
так что это был мой
первый настоящий
набег в
согласованной последовательности. Я сделал
немного, но это была моя первая
битва. [Колби] так что это был за
подготовка как к этому? [Тоби] у
тебя просто есть
пару дней. пара
дней репетиций трюков
но на самом деле то, что происходит, происходит, как только
вы, и так всегда бывает
как только вы настроитесь,
есть кое-что, чего не было
Вы знаете, что репетируете
это в большом спортивном зале, а затем, когда
ты попадаешь туда, ты как на самом деле,
потому что
вы знаете, что земля здесь такая высокая или
камера должна быть здесь, нам нужно
изменить ход,
так что обычно происходит изменение в последнюю минуту
ты любишь репетировать что-то три
дня, а потом все в порядке
вы можете просто сделать это и
сделать это наоборот? ты знаешь, отрезай это
Arabic:
يترجم
إلى التمثيل وكذلك التفكير بشكل عام
ليس حيث تريد أن تكون. [كولبي]
نعم عندما تفعل ذلك. [توبي] حق مثل
نعم ، تريد أن تفعل ذلك
بشكل أساسي
لذا ، في اللحظة التي تفكر فيها في
الأمر ، انتهى الأمر نوعًا ما.
لذلك كان هذا
أول حقيقي لي
غزوة في
تسلسل منسق. لقد فعلت
قليلًا ولكن هذا كان نوعي الأول
من القتال. [كولبي] فماذا كان
التحضير مثل ذلك؟ [توبي]
أنت فقط لديك
يومان. بضعة
أيام بروفة حيلة
ولكن في الواقع ما يحدث هو بمجرد أن يحدث
ذلك دائمًا وهذا هو الحال دائمًا
بمجرد أن تصبح جاهزًا ،
هناك شيء ما لم يكن
في الاعتبار أنك تعلم أنك تتدرب
في قاعة رياضية كبيرة ومتى
وصلت إلى هناك كما لو كنت في الواقع
لأنك
أنت تعلم أن الأرض هنا بهذا الارتفاع أو
يجب أن تكون الكاميرا هنا نحتاج إليها
تغيير الحركة
لذلك عادة ما يكون هناك تغيير في اللحظة الأخيرة
كنت ترغب في التمرين على شيء ما لمدة ثلاثة
أيام وبعد ذلك سيكونون على ما يرام في الواقع
هل يمكنك أن
تفعلها وتفعلها بشكل عكسي؟ تعلمون قطع تلك القطعة
Hungarian:
átfordul
színjátszássá, valamint általában gondolkodássá
nem ott van, ahol szeretnél lenni. [Colby]
ja nem, ha csinálod. [Toby] igaza van
igen, csak azt akarod, hogy
alapvetően csináld
szóval igen, abban a pillanatban, amikor belegondolsz, ez
valahogy elmúlt.
szóval ez volt az
első igazi
koordinált sorrendbe keveredni . Megcsináltam a
kicsit, de ez volt az első fajta
csata. [Colby] hát mi volt az
felkészülés, mint ez? [Toby]
csak neked van egy
Pár nap. pár
mutatványos próba nap
de valójában az történik, amint
te vagy, és ez mindig így van
ha beállít,
van valami, ami még nem volt
beleszámítva tudod,
hogy egy nagy sportcsarnokban gyakorolsz , majd mikor
odaérsz, olyan vagy, mint ó, valójában
azért
tudod, hogy ilyen magas a talaj, vagy
a kamerának itt kell lennie
változtassa meg a lépést,
így általában van egy utolsó pillanatban változás
szeretsz három
napig próbálni valamit, aztán igazából rendben vannak
csak megteheti és
visszafelé? tudod, vágd ezt a kicsit
Portuguese:
se traduz
em agir e pensar em geral
não está onde você quer estar. [Colby]
sim, não quando você está fazendo isso. [Toby] certo como
sim, você quer apenas estar fazendo
basicamente
então, sim, no momento em que você pensa sobre isso
, já se foi.
então esse foi meu
primeiro real
incursão em uma
sequência coordenada. Eu fiz um
um pouco, mas esse foi meu primeiro tipo
de batalha. [Colby] então qual foi o
preparação gosta para isso? [Toby]
você só tem um
alguns dias. alguns
dias de ensaio de dublês
mas na verdade o que acontece é assim que
você e é sempre assim que é
uma vez que você está pronto,
há algo que não foi
fatorado em você sabe que você ensaia
em um grande salão de esportes e então quando
você chega lá, você fica tipo, na verdade,
porque
você sabe que o terreno aqui é tão alto ou
a câmera tem que estar aqui, precisamos
mude o movimento,
então geralmente há uma mudança de última hora
você gosta de ensaiar algo por três
dias e então eles estão bem, na verdade
você pode simplesmente fazer isso e
voltar? você sabe cortar esse pedaço
Chinese:
转化
为一般的思考方式
不是不是您想要的地方。[Colby]
是的,当您这样做时。[托比]像
是的,您
基本上只想做
所以是的,当您想到这一刻,
它就消失了。
所以那是我的
第一个真实
进入
协调的顺序。我已经做了
一点点,但这是我的第一种
战斗方式。[Colby]那是什么
准备怎么样?[托比]
你只是你有一个
几天
几天的特技表演
但是实际上发生的事情是你一经发生
,这总是这样
一旦设置好
,有些事情就不会发生了
考虑到您知道您
在一个大型体育馆排练,然后
你到达那里就像是
因为
你知道这里的地面这么高,或者
相机必须在这里,我们需要
改变动作,
所以通常会有最后一刻的改变
你喜欢排练
三天,然后他们真的还可以
你能做到并向后
做吗?你知道切那一点
Portuguese:
para fora ou, na verdade, eles virão
desta forma, e não da esquerda
então você só tem que pensar em
seus pés
ou sem pensar em seus pés. [Colby]
é interessante e você mencionou sobre
como você não quer pensar sobre isso. Eu
acho que
cenografia o figurino faz um
bom trabalho
pelo menos pelo que ouvimos de
outros atores também, de colocar vocês
lá
no mundo e você mencionou antes
sobre como você é meio ... [Toby]
sim, é isso. sim, meu treinador de atuação diz
que muito parecido com você não tem que
agir. você não precisa.
tudo isso é feito para você,
então você não precisa, eu não sei
às vezes,
se você quiser entrar no personagem
ou como se você tivesse
parte disso é que você tem que explicar
tudo que você sabe?
Eu sou dos anos 900, então devo ser como
Eu sou dos anos 900, mas não
vai se parecer com os anos 900, você sabe tudo
você tem que fazer é ficar lá
e vai parecer certo para que um
muito do trabalho já
está feito para você e se você tentar
e faça essas coisas, então você acabará
sendo um ator amador.
Hungarian:
vagy valójában
inkább erről az útról érkeznek , mintsem balról
szóval csak valahogy gondolkodnia kell
a talpán
vagy gondolatlan a lábadon. [Colby]
érdekes, és már említetted
hogy nem akarsz gondolkodni rajta. Azt
gondolom, hogy a
díszlet a jelmeztervezés olyan
jó munkát végez
legalábbis abból, amit
más színészektől is hallottunk , hogy önöket helyezik el
ott
a világon, és korábban említetted
arról, hogy milyen vagy ... [Toby]
igen. igen a színészedzőm mondja
hogy sok, mint te, nem kell
cselekedned. nem kell.
ezek a dolgok érted készültek,
így nem kell, nem tudom
néha,
ha kedved támad karakterbe kerülni
vagy mint neked van
egy része az, hogy meg kell magyaráznod
mindent, amit tudsz?
A 900-as évekből származom, úgy kell lennem, mint
A 900-as évekből származom, de az, hogy nem,
úgy fog kinézni, mint a 900-asok, akiket mind tud
meg kell tennie, hogy ott áll,
és jól fog kinézni, hogy a
sok munka
már megtörtént , már megtörtént az Ön számára, és ha megpróbálja
és tedd ezeket a dolgokat, akkor végül
hammy színész leszel.
English:
out or actually they're going to be coming
from this way rather than the left
so you just have to kind of think on
your feet
or unthink on your feet. [Colby]
it's interesting and you mentioned about
how you don't want to think about it. I
think the
set design the costume design do such a
good job
at least from what we've heard from
other actors as well, of putting you guys
there
in the world and you mentioned earlier
about how you're kind of... [Toby]
yeah is it. yeah my my acting coach says
that a lot like you don't have to
act it. you don't have to.
all this stuff is done for you
so you don't have to I don't know
sometimes
if you feel like getting into character
or like you have
part of it is that you have to explain
everything you know?
I'm from the 900's so I must be like
I'm from the 900's but is that no
it will look like the 900's you know all
you have to do is stand there
and it will look right so that a
lot of the job is already,
is already done for you and if you try
and do those things then you'll end up
being a hammy actor.
Russian:
или на самом деле они будут идти
с этой дороги, а не с левой
так что вам просто нужно думать на
ногах
или бездумно на ногах. [Колби]
это интересно, и вы упомянули о
как ты не хочешь об этом думать. Я
думаю
декорации дизайн костюма проделал такую
хорошую работу
по крайней мере, из того, что мы слышали и от
других актеров, о том, что вы, ребята,
там
в мире, и вы упомянули ранее
о том, как ты ... [Тоби]
Да, это так. да, мой тренер по актерскому мастерству говорит
это очень похоже на то, что вам не нужно
действовать. вам не обязательно.
все это сделано для вас,
так что вам не нужно я не знаю
иногда,
если вы хотите стать персонажем
или, как будто у вас есть
часть этого, вы должны объяснить
все, что ты знаешь?
Я из 900-х, поэтому я должен быть похож
Я из 900, но это не
будет похоже на 900, вы все знаете
вы должны стоять там,
и он будет выглядеть правильно, чтобы
большая часть работы
уже сделана за вас, и если вы попытаетесь
и сделаешь это, тогда ты станешь
хрупким актером.
Spanish:
o en realidad van a venir
de esta manera en lugar de la izquierda
así que solo tienes que pensar en
tus pies
o pensar en tus pies. [Colby]
es interesante y mencionaste sobre
cómo no quieres pensar en eso. Creo
que el
escenografía el diseño de vestuario hace un
buen trabajo
al menos por lo que hemos escuchado de
otros actores, de ponerlos a ustedes
hay
en el mundo y mencionaste antes
sobre cómo eres una especie de ... [Toby]
sí. sí, mi entrenador de actuación dice
que mucho como si no tuvieras que
actuar. no tienes que hacerlo.
todo esto está hecho para ti
para que no tengas que hacerlo, no lo sé
a veces
si te apetece meterte en el personaje
o como si tuvieras
parte es que tienes que explicar
todo lo que sabes
Soy de los 900, así que debo ser como
Yo soy de los 900 pero es que no
se parecerá a los 900 ya lo sabes todo
lo que tienes que hacer es pararte ahí
y se verá bien para que un
gran parte del trabajo ya está,
ya está hecho para ti y si lo intentas
y haz esas cosas, terminarás
siendo un actor tonto.
Chinese:
或实际上他们将以
这种方式而不是左侧
所以你只需要思考
一下
或想不到你的脚。[Colby]
有趣,您提到
您不想怎么想。我
认为
布景设计服装设计做得这么
好
至少从我们从
其他演员那里得到的信息来看,
有
在世界上和你前面提到的
关于你的感觉... [托比]
是的。是的,我的代理教练说
就像您不必
采取行动一样。您不必。
所有这些东西都是为您完成的,
所以您不必不知道
有时候,
如果您想融入角色
或就像你有
一部分要解释
你知道的一切吗?
我来自900年代,所以我一定喜欢
我来自900年代,但不是
吗,看起来就像900年代
您要做的就是站在那儿
,它看起来会正确,这样
许多工作
已经完成,已经为您完成,如果您尝试
然后做那些事,那么你最终会
成为一个笨拙的演员。
German:
raus oder tatsächlich werden sie
eher von diesem Weg als von links kommen
Man muss also nur auf
den Beinen denken
oder nicht an deine Füße denken. [Colby]
es ist interessant und du hast darüber gesprochen
wie du nicht darüber nachdenken willst. Ich
denke das
Bühnenbild Das Kostümdesign macht so einen
guten Job
Zumindest von dem, was wir auch von
anderen Schauspielern gehört haben, von euch
dort
auf der Welt und Sie haben bereits erwähnt
darüber, wie du irgendwie bist ... [Toby]
Ja, das ist es. Ja, mein mein Schauspieltrainer sagt
so sehr wie du es nicht tun musst
. du musst nicht.
Das ganze Zeug ist für dich erledigt,
also musst du es nicht. Ich weiß es nicht
manchmal,
wenn Sie Lust haben, in den Charakter einzusteigen
oder wie Sie einen
Teil davon haben, ist, dass Sie erklären müssen
alles was du weißt
Ich bin aus den 900ern, also muss ich so sein
Ich bin aus den 900ern, aber nein,
es wird so aussehen wie die 900er, die Sie alle kennen
Sie müssen dort stehen
und es wird richtig aussehen, so dass a
Ein Großteil der Arbeit ist bereits
erledigt , ist bereits für Sie erledigt und wenn Sie es versuchen
und mach diese Dinge, dann wirst du
ein Hammy-Schauspieler.
Arabic:
أو أنهم في الواقع سيأتون
من هذا الطريق وليس من اليسار
لذلك عليك أن النوع من التفكير على
قدميك
أو لا تفكر في قدميك. [كولبي]
إنه ممتع وقد ذكرت عنه
كيف لا تريد أن تفكر فيه. أنا
أعتقد أن
مجموعة تصميم تصميم الأزياء القيام بعمل
جيد
على الأقل مما سمعناه من
الممثلين الآخرين أيضًا ، عن وضعكم
هناك
في العالم وقد ذكرتها سابقًا
حول كيف أنت نوع من ... [توبي]
نعم هو كذلك. نعم ، يقول مدربي بالوكالة
أنه ليس عليك
فعل ذلك كثيرًا. ليس عليك ذلك.
كل هذه الأشياء يتم إجراؤها من أجلك
حتى لا تضطر إلى ما لا أعرفه
في بعض الأحيان
إذا كنت ترغب في الدخول في الشخصية
أو كما لو كان لديك
جزء منه هو أنه عليك أن تشرح
كل ما تعرفه
أنا من القرن التاسع عشر لذا يجب أن أكون مثل
أنا من القرن التاسع عشر ولكن هذا لا يعني
أنها ستبدو مثل 900 كما تعلمون جميعًا
ما عليك القيام به هو الوقوف هناك
وسيبدو صحيحًا بحيث أ
الكثير من العمل قد تم بالفعل ،
تم بالفعل من أجلك وإذا حاولت
وتفعل هذه الأشياء ثم ينتهي بك الأمر إلى
أن تكون ممثلًا هامًا.
French:
ou en fait ils viendront
de cette façon plutôt que de la gauche
Alors tu dois juste penser à
tes pieds
ou impensable sur vos pieds. [Colby]
c'est intéressant et vous avez mentionné
comment vous ne voulez pas y penser. Je
pense que le
la conception des décors la conception des costumes fait un si
bon travail
au moins d'après ce que nous avons entendu d'
autres acteurs aussi, de vous mettre
là-bas
dans le monde et tu l'as mentionné plus tôt
sur la façon dont vous êtes en quelque sorte ... [Toby]
ouais est-ce. ouais mon entraîneur dit
cela ressemble beaucoup à ce que vous n'avez pas à
agir. vous n'êtes pas obligé.
tout ce truc est fait pour toi
donc tu n'as pas à le faire je ne sais pas
parfois
si vous avez envie d'entrer dans le personnage
ou comme vous en avez une
partie, c'est que vous devez expliquer
tout ce que tu sais?
Je viens des années 900 alors je dois être comme
Je suis du 900 mais est-ce que non
ça ressemblera au 900 tu sais tout
vous devez faire est de rester là
et cela aura l'air bien pour qu'un
une grande partie du travail est déjà,
est déjà fait pour vous et si vous essayez
et faites ces choses alors vous finirez par
être un acteur martelé.
Spanish:
entonces te empujan hacia abajo
esta zanja. [Toby]
sí, me abandonaron, sí. [Colby] obtienes
abandonado
y bromeamos, creo que bromeamos en uno
de nuestros podcasts, alguien debería haber
Aethelred en la parte posterior de la cabeza hace mucho
tiempo.
[Toby] sí, tardó mucho en llegar. No
, fue una especie de accidente, quiero decir, fue
simplemente sucede. [Colby]
sí, estaba yendo duro en la batalla y
simplemente fue empujado a la zanja
y no había nada allí, así que se cayó
atrás,
pero sí, háblenos un poco sobre
Ese tipo de escena de shock
que hiciste desde la caída y luego
volver a levantarse,
¿cómo fue eso para disparar? lo recuerdo
siendo bastante técnico en términos de
latidos y cuánto tiempo debían durar,
así que eso fue casi, eso estaba en mi mente
cuando lo estábamos filmando,
solo creo que traté de hacer
es como
sacar la actuación de la ecuación por
realmente me enrollo
básicamente
lo sabes porque te caes
al suelo al revés
Portuguese:
então você meio que é empurrado para baixo
esta vala. [Toby]
sim, fui dispensado, sim. [Colby] você consegue
abandonado
e nós brincamos acho que brincamos em um
de nossos podcasts que alguém deveria ter acessado
Aethelred na parte de trás da cabeça há muito
tempo.
[Toby] sim, demorou muito. não
, foi um tipo de acidente, quero dizer, foi
simplesmente acontece. [Colby]
sim, ele estava indo muito na batalha e isso
meio que foi empurrado para dentro da vala
e não havia nada lá, então ele caiu
de volta,
mas sim fale um pouco conosco sobre
aquele tipo de cena de choque
que você fez desde o outono e então
voltando
como foi filmar? eu lembro
sendo bastante técnico em termos de
batidas e quanto tempo elas precisavam para durar
então era quase isso, estava na minha mente
quando estávamos filmando,
acho que tentei fazer
-lo como
para tomar agindo fora da equação por
apenas genuinamente me enrolando
basicamente
você sabe porque você realmente cai
no chão para trás
German:
dann wirst du irgendwie hineingedrückt
dieser Graben. [Toby]
Ja, ich wurde fallen gelassen, ja. [Colby] du bekommst
fallen gelassen
und wir scherzten Ich denke, wir scherzten in einem
unserer Podcasts, den jemand hätte treffen sollen
Aethelred im Hinterkopf vor langer
Zeit.
[Toby] Ja, es hat lange gedauert. Nein,
es war eine Art Unfall, ich meine es war
einfach passiert es. [Colby]
Ja, er hat hart gekämpft und es
wurde irgendwie in den Graben geschoben
und es war nichts da, also fiel er
zurück,
aber ja, rede ein bisschen mit uns darüber
diese Art von Muschelschockszene
, die du vom Herbst und dann gemacht hast
wieder aufstehen
wie war das zu schießen? Ich erinnere mich daran
ziemlich technisch in Bezug auf die
Beats und wie lange sie dauern mussten
, das war fast, das war in meinen Gedanken
Als wir es gedreht haben,
habe ich nur versucht, es zu machen
es
, um das Handeln aus der Gleichung herauszunehmen durch
Ich wickle mich im
Grunde genommen wirklich auf
Sie wissen, weil Sie tatsächlich
rückwärts zu Boden fallen
Russian:
так что тогда вас как бы толкают в
эта канава. [Тоби]
Да, меня бросили, да. [Колби] вы понимаете
бросил
и мы пошутили, я думаю, мы пошутили в одном
из наших подкастов, кто-то должен был ударить
Этельред в затылке давным-
давно.
[Тоби] Да, это было давно. нет,
это была авария, я имею в виду, что это было
просто так бывает. [Колби]
Да, он тяжело сражался, и это
просто как бы столкнули в канаву
и там ничего не было так что он упал
назад,
но да, поговорите с нами немного о
та сцена,
которую вы сделали после падения, а затем
вставая,
как это было стрелять? я запомню это
довольно технический с точки зрения
ударов и как долго они должны длиться,
так что это было почти, это было у меня на уме
когда мы снимали это,
я просто думаю, что просто пытался сделать
это как
исключить действие из уравнения
просто искренне наматываюсь в
основном
вы знаете, потому что вы упали
на землю задом наперед
Hungarian:
így aztán valahogy lenyomják
ez az árok. [Toby]
igen, elárasztottak igen. [Colby] kapsz
elárasztották
és viccelődtünk, azt hiszem, az egyik podcastunkban viccelődtünk, akinek
valakinek el kellett volna érnie
Aethelred már régen a tarkójába került
.
[Toby] igen sokáig jött. nem,
ez egyfajta baleset volt, úgy értem
csak ez történik. [Colby]
igen nehéz volt a csatában, és ez
valahogy az árokba tolták,
és nem volt ott semmi, ezért elesett
vissza,
de igen, beszéljen velünk egy kicsit
az a fajta uh shell sokkjelenet
, amit ősszel és akkor csináltál
visszaállni,
hogy kellett ezt lőni? emlékszem rá
mivel meglehetősen technikai a
ütemeket és mennyi ideig kellett
tartaniuk, ez majdnem ez volt a fejemben
amikor forgattuk,
azt hiszem, csak megpróbáltam elkészíteni
úgy,
hogy a színészetet kiveszi az egyenletből
csak őszintén tekercselem magam
alapvetően
tudod, mert egy tényleges zuhanást
a földre veszel visszafelé
Arabic:
ثم يتم دفعك إلى أسفل نوعًا ما
هذا الخندق. [توبي] أجل ،
لقد هجرت ، أجل. [كولبي] تحصل عليه
تخلى
ومازحنا ، أعتقد أننا كنا نمزح في أحد
ملفات البودكاست التي كان يجب أن يضربها شخص ما
ايثيلريد في مؤخرة الرأس منذ
زمن طويل .
[توبي] نعم لقد مر وقت طويل. لا ،
لقد كان نوعًا من الحوادث أعني أنه كان كذلك
فقط ما يحدث. [كولبي]
نعم ، كان يخوض المعركة بقوة
تم دفعه نوعًا ما إلى الحفرة
ولم يكن هناك شيء هناك فسقط
رجوع
ولكن نعم تحدث إلينا قليلاً عن
هذا النوع من مشهد اهتزاز الصدفة
الذي فعلته من الخريف وبعد ذلك
العودة إلى الوراء
كيف كان ذلك للتصوير؟ أتذكرها
كونها تقنية تمامًا من حيث
يدق وكم من الوقت يحتاجون إلى الاستمرار
حتى كان ذلك تقريبًا ، كان ذلك في ذهني
عندما كنا نطلق النار ،
أعتقد أنني فقط حاولت صنعه
من
أجل إخراج التمثيل من المعادلة بواسطة
فقط بصدق لف نفسي
بشكل أساسي
أنت تعلم لأنك تأخذ السقوط الفعلي
على الأرض إلى الوراء
Chinese:
所以你会被压低
这个沟。[托比]
是的,我被抛弃了。[Colby]你懂了
沟渠
我们开玩笑了,我想我们在某人
的播客中开玩笑了
很久以前,Aethelred在脑后
。
[托比]是的,这已经很长时间了。不,
这是一种意外,我的意思是
只是发生了。[Colby]
是的,他在战斗中努力奋斗,
有点被推入沟里
,那里什么也没有,所以他跌倒了
返回,
但是是的,请和我们谈谈
你从秋天开始的那种呃壳震动场景
重新起来
拍摄该如何拍摄?我记得
在技术方面
拍子和它们需要持续多长时间,
所以几乎就在我心中
当我们拍摄时,
我只是想
它作为
承购作用方程出来
基本上只是真正地缠绕自己
你知道,因为你实际上倒倒
在地上
French:
alors vous êtes en quelque sorte poussé vers le bas
ce fossé. [Toby]
ouais, j'ai été abandonné ouais. [Colby] vous obtenez
abandonné
et nous avons plaisanté je pense que nous avons plaisanté dans l'un
de nos podcasts que quelqu'un aurait dû frapper
Aethelred à l'arrière de la tête il
y a longtemps.
[Toby] ouais, c'était long à venir. non
c'était une sorte d'accident je veux dire que c'était
juste ça arrive. [Colby]
ouais il allait dur au combat et ça
il a juste été poussé dans le fossé
et il n'y avait rien alors il est tombé
de retour
mais ouais parle-nous un peu de
ce genre de scène de choc d'obus
que tu as faite depuis la chute et ensuite
se relever
comment était-ce pour tirer? je m'en souviens
étant assez technique en termes de
battements et combien de temps ils devaient durer
pour que c'était presque, c'était dans mon esprit
quand on le tournait,
je pense juste que j'ai juste essayé de faire
comme
de retirer l’action de l’équation en
juste vraiment m'enroulant
fondamentalement
vous savez parce que vous prenez une véritable chute
au sol à l'envers
English:
so then you kind of get pushed down into
this ditch. [Toby]
yeah I got ditched yeah. [Colby] you get
ditched
and we joked I think we joked in one
of our podcasts somebody should have hit
Aethelred in the back of the head a long
time ago.
[Toby] yeah it was a long time coming. no
it was a kind of accident I mean it was
just it happens. [Colby]
yeah he was going hard in battle and it
just kind of got pushed into the ditch
and there was nothing there so he fell
back
but yeah talk to us a little bit about
that kind of uh shell shock scene
that you did from the fall and then
getting back up
how was that to shoot? I remember it
being quite technical in terms of the
beats and how long they needed to last
so that was almost, that was on my mind
when we were shooting it
I just I think I just tried to make
it as
to take acting out of the equation by
just genuinely winding myself
basically
you know because you take an actual fall
to the ground backwards
Portuguese:
não batendo na minha cabeça, mas apenas
genuinamente
bater no chão que meio que
cuida do
fisicalidade disso
exatamente
Eu não sei o que
mais eu lembro, eu meio que
Eu gosto de ficar na sujeira
um pouco você sabe, ok, como
ficando realmente muito físico
e então acho que machuquei minha perna por
um pouco ou
algo enquanto estávamos filmando
essa sequência, nada
importante, mas realmente como obter
sujeira sob suas unhas e
subindo aquela colina há
algo realmente muito satisfatório sobre
isso
quando você não tem que fingir quando
está realmente acontecendo e
também
há especialmente com batalhas de tiro
e coisas como nunca há tempo suficiente
para fazer alguma coisa e então
ok estou fazendo um monte de tomadas, você sabe,
consecutivas
e meio que se colocando
um pouco no limite, não em qualquer tipo de
maneira, mas apenas
estressando colocando estresse no
corpo por como
eu não sei 40 minutos ou algo assim
bastante intensamente
é bastante satisfatório,
Chinese:
没有打我的头,只是
真的
触及地面的那种
照顾
它的肉体
准确
我不知道
我还记得什么
我喜欢
有点像泥土,你知道像
真的变得非常非常的身体
,所以我觉得我的腿受伤了
拍摄时一点点或某些东西
那个顺序,没什么
大不了,但实际上有点像
指甲下的泥土和
那座小山上的乱石
事情真的很满足大约
是
当你不必假装它
真的发生时
也
有与战斗射击是特别
好像没有足够的时间
做任何事情
好吧,我要花很多时间
背对背知道
并让自己通过
振铃器一点也不严重
方式,但只是
强调把压力放在
像
我不知道40分钟之类的身体
相当强烈
那感觉相当满意,
Hungarian:
nem a fejemet üti, hanem csak
őszintén
földet érve az a fajta
gondoskodik a
fizikussága
pontosan
Nem tudom, mire
emlékszem még
Szeretek
egy kicsit a piszokba kerülni, és úgy tudja, hogy rendben van
tényleg nagyon fizikai,
és ezért azt hiszem, megsérült a lábam a
egy kicsit, vagy
valami ilyesmi, miközben forgattunk
ez a szekvencia, semmi
nagy, de valójában olyan, mint a megszerzés
piszok a
körmöd alatt, és felkapargatod azt a dombot ott
valami igazán kielégítő
ebben
amikor nem kell színlelned, amikor ez
valóban megtörténik, és
ott is van főleg lövöldöző csatákkal
és ilyesmi soha nincs elég idő
bármire és így
oké, rengeteget csinálok,
és visszavisz
és valamennyire átengeded magad a
csengőnek, nem akármilyen komolyan
módon, de csak
hangsúlyozva, hogy a stressz a
olyan, mintha
nem tudnék 40 percet, vagy ilyesmi
elég intenzíven
elégedettnek érzi magát,
French:
ne pas me frapper la tête mais
vraiment
frapper le sol qui
prend soin de la
physicalité de celui-ci
exactement
Je ne sais pas de quoi
je me souviens d'autre
J'aime être un peu comme dans la boue,
tu sais bien comme
devenir vraiment vraiment vraiment physique
et donc je pense que je me suis blessé à la jambe un
un peu ou
quelque chose pendant que nous tournions
cette séquence, rien de
majeur mais en fait un peu comme obtenir
de la saleté sous vos ongles et
grimpant sur cette colline il y a
quelque chose de vraiment très satisfaisant à
ce sujet
quand vous n'avez pas à faire semblant quand cela
se produit vraiment et
il y a aussi surtout avec les batailles de tir
Et des trucs il n'y a jamais assez de temps
pour faire quoi que ce soit et ainsi
ok je fais beaucoup de prises tu sais
dos à dos
et en quelque sorte vous mettre à travers la
sonnerie un peu pas sérieusement
moyen, mais juste en
insistant sur le stress
corps pendant comme
je ne sais pas 40 minutes ou quelque chose comme ça
assez intensément,
c'est assez satisfaisant,
English:
not hitting my head but just
genuinely
hitting the ground that kind of
takes care of the
physicality of it
exactly
I don't know what
else I remember I kind of
I like getting like in the dirt
a bit you know like okay like
getting really really really physical
and so I think I hurt my leg a
little bit or
some something while we were shooting
that sequence, nothing
major but actually kind of like getting
dirt under your fingernails and
scrabbling up that hill there's
something really really satisfying about
that
when you don't have to pretend when it
is really really happening and
also
there's especially with shooting battles
and stuff there's like never enough time
to do anything and so
okay I'm doing a lot of takes you know
back to back
and kind of putting yourself through the
ringer a bit not in any kind of serious
way but just
just stressing putting stress on the
body for like
I don't know 40 minutes or something
quite intensely
it feels quite satisfying,
German:
nicht meinen Kopf treffen, sondern nur
aufrichtig
Auf den Boden zu schlagen,
kümmert sich um die
Körperlichkeit davon
genau
Ich weiß nicht, woran
ich mich sonst noch erinnere
Ich mag es,
ein bisschen wie im Dreck zu werden , wie du weißt
Ich werde wirklich sehr, sehr körperlich und denke, ich habe mir das Bein verletzt
ein bisschen oder
so, während wir drehten
Diese Sequenz ist nichts
Besonderes, aber eigentlich so etwas wie zu bekommen
Dreck unter deinen Fingernägeln und
krabbelt den Hügel hinauf, den es gibt
etwas wirklich sehr befriedigendes
daran
wenn Sie nicht so tun müssen, als ob es
wirklich wirklich passiert und
Auch
gibt es vor allem bei Schießschlachten
und so, es gibt nie genug Zeit
, um irgendetwas zu tun und so
Okay, ich mache eine Menge Takes, die du
Rücken an Rücken kennst
und sich
ein bisschen durch den Wecker zu stellen, ohne ernsthaft zu sein
Weg, aber nur
Stress zu betonen
Körper für wie
ich weiß nicht 40 Minuten oder so
ziemlich intensiv
fühlt es sich ziemlich befriedigend an,
Arabic:
لا تضرب رأسي ولكن فقط
بصدق
يضرب هذا النوع من الأرض
يعتني بـ
الجسدية منه
بالضبط
لا أعرف ما
الذي أتذكره أيضًا
أنا أحب الحصول على الأوساخ
قليلاً كما تعلم مثل حسنًا
أصبح جسديًا حقًا حقًا
ولذا أعتقد أنني آذيت ساقي أ
قليلاً أو
شيء ما أثناء التصوير
هذا التسلسل ، لا شيء
مهم ولكن في الواقع مثل الحصول عليه
الأوساخ تحت أظافرك
والخربش فوق ذلك التل هناك
شيء مرضي حقًا حيال
ذلك
عندما لا تضطر إلى التظاهر عندما
يحدث ذلك حقًا و
هناك أيضًا خاصة في معارك الرماية
والأشياء لا يوجد وقت كافٍ
لفعل أي شيء وهكذا
حسنًا ، أنا أفعل الكثير من الأمور التي تأخذك
إلى الوراء
ونوع من وضع نفسك من خلال
المسابقة قليلاً وليس في أي نوع من الجدية
الطريقة ولكن مجرد
التأكيد على وضع الضغط على
الجسد لمثل
لا أعرف 40 دقيقة أو شيء من هذا القبيل
بشكل مكثف جدًا ،
إنه يشعر بالرضا تمامًا ،
Russian:
не ударился головой, а просто
искренне
ударяясь о землю, это
заботится о
физичность этого
точно
Я не знаю, что
еще я помню, я вроде как
Мне нравится
немного влезать в грязь, ты знаешь, как хорошо, как
становится действительно очень физически,
и поэтому я думаю, что повредил ногу
немного или
что-то еще, пока мы снимали
эта последовательность, ничего особенного,
но на самом деле вроде как получение
грязь под ногтями и
взбираясь на холм,
что-то действительно действительно приятное в
этом
когда не нужно притворяться, когда это
действительно происходит и
также
есть особенности стрельбы по боям
и прочее, времени
на что-то никогда не хватает и так
хорошо, я делаю много дублей, ты знаешь,
спина к спине
и как бы
немного заговорить о себе, не в чем-то серьезном
способ, но просто
подчеркивая,
тело, как будто
я не знаю 40 минут или около того
довольно сильно
это чувствуется вполне удовлетворительно,
Spanish:
no golpearme la cabeza, pero de
verdad
golpear el suelo que
se encarga de la
fisicalidad de eso
exactamente
No sé qué
más recuerdo, algo así como
Me gusta meterme
un poco en la tierra , sabes como está bien como
ponerme realmente realmente muy físico y por eso creo que me lastimé la pierna un
poco o
algo mientras estábamos filmando
esa secuencia, nada
importante, pero en realidad es como obtener
suciedad debajo de las uñas y
subiendo esa colina hay
algo realmente muy satisfactorio sobre
eso
cuando no tienes que fingir cuando
realmente está sucediendo y
también
hay especialmente en las batallas de tiro
y cosas como que nunca hay tiempo suficiente
para hacer nada y así
Está bien, estoy haciendo muchas tomas, sabes,
espalda con espalda
y como ponerte en el
timbre un poco, no en ningún tipo de seriedad
pero solo
enfatizando poner estrés en el
cuerpo por como
no sé 40 minutos o algo así
muy intensamente
se siente bastante satisfactorio,
Spanish:
especialmente porque siempre he pasado
mucho tiempo sentado en un trono
y decir
hola, sí. [Colby] definitivamente fue genial
para verte en acción y como
dijimos antes tú también te ves bien
sabes
como creo que lo hacen un poquito
de cámara lenta pero como tirar la espada
hacia arriba y hacia abajo
se ve genial, sí, sí, eso resultó
bien
y luego volvimos a la increíble
actuación
y no creo que haya visto
antes a ningún personaje con tal
un cambio como en los últimos momentos de
su arco
tanto como Aethelred había entrado en el
episodio cinco, tal vez solo en general
hablar sobre
su enfoque en comparación con después
te golpearon en la cabeza en
comparación con antes. [Toby] sí lo estaba
Realmente
agradecido a los escritores por
dame esas escenas.
fue un giro tan agradable
y creo que me refiero a que fue
cuando estaba trabajando en el
Hungarian:
különösen azért, mert mindig
annyi időt töltöttem, mintha trónon ültem volna
és
köszönni, igen. [Colby] határozottan klassz volt
hogy lássalak az akcióban, és mint
korábban mondtuk, te is jól nézel ki
tudod,
mint azt hiszem, csinálnak egy kicsit
lassított felvétel, de akár a kardot
is feldobja
remekül néz ki igen igen
jó lett
aztán visszatértünk a fantasztikus
színészi játékra
és nem hiszem, hogy láttam
volna még ilyen karaktert
változást, mint az utolsó pillanatokban
az ív
amennyit Aethelred az
ötödik epizódba ment, talán csak általánosságban
beszéljen
a megközelítéséről a későbbiekhez képest
a korábbihoz
képest fejbe ütött . [Toby] igen
igazán
hálás az íróknak
add nekem azokat a jeleneteket.
olyan szép fordulat volt
és azt hiszem, ez valahogy azt jelenti, hogy
akkor voltam, amikor a
English:
especially because I've always spent so
much time sort of sitting on a throne
and saying
hello yeah. [Colby] it was definitely cool
to see you in the action and like
like we said earlier you look good too
you know
like I think they do a little bit
of slow motion but like throw the sword
up slash down
it look great yeah yeah that turned
out good
and then we switched back to the awesome
acting
and I don't think I've seen any
characters before have such
a change in like the last moments of
their arc
as much as Aethelred had going into
episode five maybe just generally
talk about
your approach compared to after
you got hit in the head
compared to before. [Toby] yeah I was
really really
grateful for the writers to
give me those scenes.
it was such a nice turn
and I think it kind of I mean that was
when I was working on the
Russian:
особенно потому, что я всегда проводил так
много времени, сидя на троне
и
поздороваться, да. [Колби] это было определенно круто
видеть вас в действии и,
как мы уже говорили ранее, вы тоже хорошо выглядите
ты знаешь,
как я думаю, они немного
медленного движения, но как бросить меч
вверх, разрезать вниз
Выглядит отлично, да, получилось
хорошо
а затем мы вернулись к потрясающей
игре
и я не думаю, что видел
раньше у персонажей такие
изменение в последних моментах
их дуги
столько, сколько Этельред входил в
пятый эпизод, может быть, просто
расскажите о
своем подходе по сравнению с тем, что было после
тебя ударили по голове
по сравнению с тем, что было раньше. [Тоби] да, я был
действительно очень
благодарен писателям
дай мне эти сцены.
это был такой хороший поворот
и я думаю, я имею в виду, что это было,
когда я работал над
French:
surtout parce que j'ai toujours passé tellement
de temps à m'asseoir sur un trône
et dire
bonjour ouais. [Colby] c'était vraiment cool
pour vous voir dans l'action et
comme nous l'avons dit plus tôt, vous avez l'air bien aussi
tu sais
comme je pense qu'ils font un peu
de ralenti mais comme jeter l'épée en
haut slash down
ça a l'air super ouais ouais ça s'est
avéré bien
Et puis nous sommes retournés au jeu d'
acteur génial
et je ne pense pas avoir vu de
personnages avant
un changement comme les derniers instants de
leur arc
autant qu'Aethelred était entré dans l'
épisode cinq peut-être juste généralement
parlez de
votre approche par rapport à après
vous avez été frappé à la tête
par rapport à avant. [Toby] ouais j'étais
vraiment très
reconnaissant aux écrivains de
donne-moi ces scènes.
c'était un si beau tour
et je pense que c'est un peu je veux dire que c'était
quand je travaillais sur le
Chinese:
特别是因为我一直花
很多时间坐在宝座上
并打个
招呼 [Colby]绝对很棒
看到你的动作,
就像我们前面说的,你看起来也很好
你知道
我想他们会做一点
慢动作,但喜欢把剑
高高砍倒
看起来很棒,是的,结果
很好
然后我们切换回了不起的
表演
而且我认为我以前没有看过任何
角色
在这样的最后时刻改变
其弧形
与Aethelred进入
第五集一样多
说说
你的方法比事后
与以前相比,您的头部受到打击。[托比]是的,我当时
真的非常
感谢作家们
给我这些场面。
真是个好转
我认为这是
我当时在从事
Arabic:
خاصة لأنني كنت دائمًا أقضي
الكثير من الوقت في الجلوس على العرش
وقول
مرحبا نعم. [كولبي] كان رائعًا بالتأكيد
لرؤيتك في الحدث ومثلما
قلنا سابقًا ، تبدو جيدًا أيضًا
أنت تعرف
كما أعتقد أنهم يفعلون ذلك قليلاً
من الحركة البطيئة ولكن مثل رمي السيف
مائل
يبدو رائعًا ، نعم ، اتضح أنه
جيد
ثم عدنا إلى
التمثيل الرائع
ولا أعتقد أنني رأيت أي
شخصيات من قبل لديها مثل هذا
تغيير في مثل اللحظات الأخيرة من
قوسهم
بقدر ما دخلت Aethelred في
الحلقة الخامسة ربما بشكل عام
التحدث عن
نهجك مقارنة بما بعد
أصبت في رأسك
مقارنة بالسابق. [توبي] نعم كنت
حقًا
ممتن حقًا للكتاب
أعطني تلك المشاهد.
لقد كان مثل هذا المنعطف الجميل
وأعتقد أن هذا كان نوعًا ما
عندما كنت أعمل على
German:
vor allem, weil ich immer so
viel Zeit damit verbracht habe , auf einem Thron zu sitzen
und
hallo sagen ja. [Colby] es war definitiv cool
Um dich in der Action zu sehen und
wie wir bereits sagten, siehst du auch gut aus
Sie wissen,
wie ich denke, dass sie ein bisschen tun
von Zeitlupe, aber wie das Schwert nach
oben werfen Schrägstrich nach unten
es sieht toll aus yeah yeah das hat sich
als gut herausgestellt
und dann wechselten wir zurück zum großartigen
Schauspiel
und ich glaube nicht, dass ich jemals zuvor
Charaktere gesehen habe
eine Veränderung wie in den letzten Augenblicken
ihres Bogens
so viel wie Aethelred in die
fünfte Episode gegangen war, vielleicht nur allgemein
Sprechen Sie über
Ihren Ansatz im Vergleich zu danach
Du wurdest im
Vergleich zu früher am Kopf getroffen . [Toby] Ja, das war ich
wirklich sehr
dankbar für die Autoren
Gib mir diese Szenen.
Es war so eine schöne Wendung
und ich denke, ich meine, das war,
als ich an der gearbeitet habe
Portuguese:
especialmente porque eu sempre passei
muito tempo meio que sentado em um trono
e dizendo
olá, sim. [Colby] foi definitivamente legal
para ver você em ação e, como
dissemos antes, você também está bonito
você sabe
como eu acho que eles fazem um pouco
de câmera lenta, mas como jogar a espada para
cima corte para baixo
parece ótimo, sim, ficou
bom
e então voltamos para a
atuação incrível
e acho que nunca vi nenhum
personagem antes
uma mudança como os últimos momentos de
seu arco
tanto quanto Aethelred tinha entrando no
episódio cinco, talvez apenas geralmente
fale sobre
sua abordagem em comparação com depois
você foi atingido na cabeça em
comparação com antes. [Toby] sim, eu estava
muito, muito
grato aos escritores por
dê-me essas cenas.
foi uma virada tão legal
e acho que quero dizer que foi
quando eu estava trabalhando no
Chinese:
角色
试图弄清楚是什么促使了这一点
男人,我想到
最后你会看到什么
是
我尝试在内部解决的那种内部问题
开始,他
基本上是一个害怕的男孩,害怕
里面的孩子
真的真的很害怕死亡,
所以是的,开始探索
这并不是证明他的行为合理
但这说明
了一个男人是怎么这样的
运作
,是的,这真的
真的...很高兴结束
真的很安静,
尤其是因为
你要去表演,
那是一种你知道的死亡或
这是
它绝对是终点,它的结束
真实的东西,
你已经工作了很长时间的东西
French:
personnage
essayant de comprendre ce qui motive cela
mec je pense que
le tour à la fin ce que tu as voir
est le genre de
chose interne que j'ai essayé de travailler au
début qui est qu'il est
fondamentalement un garçon terrifié, terrifié
enfant à l'intérieur qui a
vraiment vraiment peur de mourir et
Alors oui, je commence à explorer que
ce n'est pas comme si cela justifiait son comportement
mais ça explique
un peu comment un mec aime ça
fonctionne
et oui c'était vraiment
vraiment ... c'était vraiment sympa de finir sur un
note vraiment calme surtout car quand
vous quittez un spectacle
c'est une sorte de mort que vous connaissez ou
c'est
à la fin c'est définitivement, c'est la fin
de quelque chose de réel, quelque chose sur lequel
vous avez travaillé pendant assez longtemps
Portuguese:
personagem
tentando descobrir o que motiva isso
cara, eu acho que
vira no final o que você consegue ver
é o tipo de
coisa interna que tentei trabalhar no
começando que é
basicamente um menino apavorado, apavorado
criança por dentro que está
realmente com muito medo de morrer e
então sim começar a explorar que
não é como se isso justificasse seu comportamento
mas explica
um pouco como um cara assim
opera
e sim foi realmente
realmente ... foi muito bom terminar em um
nota realmente tranquila , especialmente porque quando
você está deixando um show
, é uma espécie de morte que você conhece ou
é
o fim é definitivamente, é o fim
de algo real, algo em que
você trabalhou por muito tempo
Hungarian:
karakter
próbálja kitalálni, mi motiválja ezt
ember szerintem
a végén forduljon meg, amit meglát
az a fajta belső
dolog, amelyet megpróbáltam kidolgozni a
kezdetben, hogy
alapvetően rémült fiú, retteg
gyermek, aki
tényleg nagyon fél, hogy meghal és
szóval igen, egyre jobban felfedezem,
hogy nem ez igazolja a viselkedését
de
egy kicsit megmagyarázza, hogy egy srác hogyan
működik,
és valóban volt
nagyon ... nagyon jó volt a
igazán csendes
hang, különösen azért, mert mikor
otthagysz egy műsort,
ez egyfajta halál, amit ismersz vagy
ez
a végén ez biztosan, ez a vége
valamiből valójában, valamiből,
amin már régóta dolgoztál
Russian:
персонаж
пытается понять, что движет этим
чувак, я думаю,
в конце концов, что ты увидишь
это та внутренняя
вещь, которую я пытался проработать на
начало, которое состоит в том, что он в
основном напуганный мальчик, напуганный
ребенок внутри, который
действительно очень боится умереть и
так что да, я узнаю, что
это не оправдывает его поведение
но это
немного объясняет, как такой парень
работает
и да, это было действительно
правда ... было действительно приятно закончить
действительно тихая
нота, особенно потому что когда
вы покидаете шоу,
это своего рода смерть, которую вы знаете или
это
в конце, это определенно, это конец
чего-то реального, над чем
вы работали довольно долгое время
English:
character
trying to figure out what motivates this
man I think
the turn at the end what you get to see
is the kind of internal
thing that I tried to work out at the
beginning which is that he's
basically a terrified boy, terrified
child inside who is
really really really scared to die and
so yeah getting getting to explore that
it's not like it justifies his behavior
but it explains
a little bit of how how a guy like that
operates
and yeah it was really
really... it was really nice to end on a
really quiet
note especially because when
you're leaving a show
it is a kind of a death you know or
it's
at the end it's definitely, it's the end
of something for real, something that
you've worked on for quite a long time
German:
Charakter
versucht herauszufinden, was dies motiviert
Mann ich denke
die Wende am Ende was man zu sehen bekommt
ist die Art von innerer
Sache, die ich versucht habe, an der zu arbeiten
Anfang ist, dass er im
Grunde ein verängstigter Junge ist, verängstigt
Kind im Inneren, das
wirklich wirklich wirklich Angst hat zu sterben und
Also ja, um herauszufinden, dass
es nicht so ist, als würde es sein Verhalten rechtfertigen
aber es erklärt
ein bisschen, wie so ein Typ so ist
arbeitet
und ja es war wirklich
wirklich ... es war wirklich schön, mit einem zu enden
wirklich leise
Notiz vor allem, weil wenn
Du verlässt eine Show,
es ist eine Art Tod, den du kennst oder
Es ist
am Ende, es ist definitiv das Ende
von etwas wirklichem, etwas, an dem
Sie schon ziemlich lange gearbeitet haben
Arabic:
شخصية
تحاول معرفة ما الذي يحفز هذا
يا رجل أعتقد
أن الدور في النهاية ما ستراه
هو نوع
الشيء الداخلي الذي حاولت العمل به في
البداية وهي أنه في
الأساس صبي مرعوب ومذعور
داخل الطفل الذي هو
حقا خائف حقا من الموت و
حسنًا ، الحصول على استكشاف أن
الأمر لا يبرر سلوكه
لكنه يشرح
قليلاً كيف رجل مثل هذا
يعمل
ونعم كان حقًا
حقًا ... كان من الجيد حقًا أن ينتهي بـ
ملاحظة هادئة حقًا خاصةً لأن متى
عندما تغادر عرضًا ،
فهذا نوع من الموت الذي تعرفه أو
إنها
في النهاية إنها بالتأكيد ، إنها النهاية
من شيء حقيقي ، شيء
عملت عليه لفترة طويلة
Spanish:
personaje
tratando de averiguar qué motiva este
hombre, creo que
el giro al final es lo que puedes ver
es el tipo de
cosa interna que traté de resolver en el
principio, que es
básicamente un niño aterrorizado, aterrorizado
niño por dentro que
realmente tiene mucho miedo de morir y
así que sí, poder explorar que
no es como si justificara su comportamiento
pero explica
un poco cómo un tipo así
opera
y sí fue realmente
realmente ... fue realmente agradable terminar en un
nota muy tranquila , especialmente porque cuando
estás dejando un programa
es una especie de muerte que conoces o
es
al final es definitivamente, es el final
de algo real, algo en lo que
has trabajado durante bastante tiempo
German:
und etwas, von dem du weißt, dass
ich jeden liebe
Das funktioniert in dieser Show, Besetzung und Crew. Wir
haben eine tolle Zeit damit
sich auf diese
Weise irgendwie verabschieden zu können
Ich war wirklich dankbar dafür, dass ich
nicht nur wusste, dass wenn
wenn ich nur in diesem Graben gestorben wäre und
Ich muss mich nicht von allen verabschieden. [Colby] Ja auf
jeden Fall
und es war definitiv auch wirklich
gut gemacht, es fühlte sich organisch an
Es fühlte sich nicht so an, als wäre er
jetzt nett, weil
Es gibt immer noch das Hin und Her
zwischen ihm und seiner Frau Aethelflaed und
Ja, es war wirklich gut. was
war ...
Ja, ich glaube nicht, dass er nett war. Ich glaube,
er hatte Angst, du weißt, dass er es war
vor allem, wenn
in dieser Zeit leben
Angst vor
Feuer und Schwefel nur auf der anderen Seite
Seite des Todes
kennen Sie das wartende Urteil oder ich meine
Ich bin mir eigentlich nicht sicher,
was das christliche Verständnis der Hölle ist
war, aber ich bin
mir sicher, dass es nicht großartig war. [Colby] Ich denke sie
Spanish:
y algo tu sabes
que amo a todos
que trabaja en ese programa, elenco y equipo, lo pasamos de
maravilla trabajando en él
para poder decir adiós de esa
manera
Estaba muy agradecido por eso
, no solo sabías que si
si solo muriera en esa zanja y
No tengo que decir adiós a todos. [Colby] sí
definitivamente
y definitivamente fue muy
bien hecho también se sintió orgánico
no se sentía como oh, él es bueno
ahora porque
todavía hay ese ida y vuelta
entre él y su esposa Aethelflaed y
sí, fue realmente bueno. que
fue ...
sí, no creo que fuera agradable, creo
que estaba aterrorizado, sabes que lo estaba
especialmente si
vive en ese período de tiempo el
miedo al
fuego y al azufre solo en el otro
El lado de la muerte
sabes el juicio que aguarda o me refiero
En realidad, no estoy seguro de qué es
lo que el entendimiento cristiano del infierno
fue, pero estoy seguro de
que no fue genial. [Colby] Creo que
Portuguese:
e algo que você sabe
que amo a todos
que funciona naquele programa, elenco e equipe, nos
divertimos muito trabalhando nisso, então
para conseguir dizer adeus dessa
maneira
Eu estava muito grato por isso, eu
não só você sabia que se
se eu apenas morresse naquela vala e
não tenho que dizer tchau a todos. [Colby] sim,
definitivamente
e foi definitivamente muito
bem feito também parecia orgânico
não parecia que oh ele é bom
agora porque
ainda há aquele vai e vem
entre ele e sua esposa Aethelflaed e
sim, foi muito bom. o que
foi ...
sim, eu não acho que ele foi legal, eu acho que
ele estava apavorado, você sabe que ele era
especialmente se
viver nesse período de tempo,
medo de
fogo e enxofre apenas do outro
lado da morte
você conhece o julgamento à espera ou quero dizer
Não tenho certeza de
qual é a compreensão cristã do inferno
era, mas
tenho certeza de que não foi ótimo. [Colby] Eu acho que eles
French:
et quelque chose que tu sais
j'aime tout le monde
qui fonctionne sur cette émission, le casting et l'équipe, nous
avons un temps incroyable à y travailler alors
pour pouvoir dire au revoir de cette
façon
J'étais vraiment reconnaissant pour ça, je
ne savais pas que si
si je viens de mourir dans ce fossé et
pas eu à dire au revoir à tout le monde. [Colby] ouais
définitivement
et c'était vraiment très
bien fait aussi, c'était organique
je n'ai pas l'impression qu'il est gentil
maintenant parce que
il y a toujours des allers-retours
entre lui et sa femme Aethelflaed et
ouais c'était vraiment bien.
c'était quoi ...
ouais je ne pense pas qu'il était gentil, je pense
qu'il était terrifié tu sais qu'il l'était
surtout si vous
vivez pendant cette période
peur du
feu et du soufre juste de l'autre
côté de la mort
tu connais le jugement en attente ou je veux dire
Je ne sais pas vraiment ce
que la compréhension chrétienne de l'enfer
était mais je suis sûr que
je suis sûr que ce n'était pas génial. [Colby] Je pense qu'ils
Arabic:
وشيء تعرفه
أحبه الجميع
الذي يعمل على هذا العرض ، طاقم التمثيل وطاقم العمل لدينا
وقت رائع في العمل عليه
ليقول وداعا بهذه
الطريقة نوعا ما
كنت ممتنًا حقًا لأنني
لم أكن تعرف ذلك فقط
إذا ماتت للتو في تلك الحفرة و
لا يجب أن أقول وداعا الجميع. [كولبي] أجل
بالتأكيد
وكان من المؤكد أنه تم
بشكل جيد للغاية وشعرت أنه عضوي
لم أشعر أنه لطيف
الآن لأنه
لا يزال هناك ذهابًا وإيابًا
بينه وبين زوجته أثلفليد و
نعم كانت جيدة حقًا. ماذا
كان ...
نعم ، لا أعتقد أنه كان لطيفًا ، أعتقد
أنه كان مرعوبًا لأنك تعلم أنه كان كذلك
خاصة إذا كنت
تعيش في تلك الفترة الزمنية
الخوف من
النار والكبريت فقط من جهة أخرى
جانب الموت
تعرف بانتظار الحكم أم يعني
لست متأكدًا في الواقع
مما يفهمه المسيحيون عن الجحيم
لكنني متأكد
من أنه لم يكن رائعًا. [كولبي] أعتقد أنهم
Russian:
и кое-что ты знаешь,
я люблю всех
который работает в этом шоу, актеры и команда, мы
прекрасно проводим время, работая над этим
как бы попрощаться таким
образом
Я был очень благодарен за это, я
не просто знал, что если
если бы я просто умер в этой канаве и
не надо всем прощаться. [Колби] да,
конечно
и это было определенно, это было просто действительно
хорошо сделано, это тоже казалось органичным
мне не казалось, что
теперь он хороший, потому что
есть еще , что назад и вперед
между ним и его женой Этельфледом Мерсийской и
да, это было действительно хорошо. что
было ...
да, я не думаю, что он был хорош, я думаю,
он был напуган, ты знаешь, что он был
особенно если
жить в тот период
страх
огня и серы только с другой
сторона смерти
вы знаете ожидающий приговор или я имею в виду
Я не совсем уверен, что
такое христианское понимание ада.
было, но я уверен, что было,
я уверен, что это было не здорово. [Колби] Думаю, они
English:
and something you know
I love everyone
that works on that show, cast and crew we
have an amazing time working on it so
to kind of get to say goodbye in that
way
I was really grateful for that I
didn't just you know that if
if I just died in that ditch and
not got to say bye everybody. [Colby] yeah
definitely
and it was definitely it was just really
well done too it felt organic
it didn't feel like oh he's nice
now because
there's still that back and forth
between him and his wife Aethelflaed and
yeah it was really good. what
was...
yeah I don't think he was nice I think
he was terrified you know he was
especially if
living in that time period the
fear of
fire and brimstone just on the other
side of death
you know the awaiting judgment or I mean
I'm not sure actually to the what the
what the Christian understanding of hell
was but I'm sure there was
I'm sure it wasn't great. [Colby] I think they
Hungarian:
és valami, amit tudsz
, mindenkit szeretem
ami működik ezen a show-n, a stábon és a stábon,
elképesztően sokat dolgozunk rajta
hogy milyen get elbúcsúzni, hogy
utat
Nagyon hálás voltam
ezért, nem csak te tudtad, ha
ha csak abban az árokban haltam volna meg és
nem kell mindenkitől elbúcsúznom. [Colby] Igen
határozottan
és határozottan csak nagyon
jól sikerült, és organikusnak is tűnt
nem érezte, hogy ó, most kedves,
mert
még mindig van ez oda-vissza
közte és felesége, Aethelflaed és
igen nagyon jó volt. mi
volt ...
igen, nem hiszem, hogy kedves volt, szerintem
megrémült, tudod, hogy ő volt
különösen, ha
abban az időszakban él a
a
tûz és a kénfélelem félelme
a halál oldalán
tudod a várakozó ítéletet vagy úgy értem
Nem vagyok biztos benne, hogy valójában mi a
mi a keresztény megértés a pokolban
volt, de biztos vagyok benne, biztos
vagyok benne, hogy nem volt jó. Azt hiszem, ők
Chinese:
而且你知道
我爱每个人
在那个节目,演员和
工作人员上工作,我们有一个很棒的时间来工作,所以
用那种
方式说再见
我真的很感激我
不只是你知道
如果我刚在那个沟里死了
不必再说了。[科尔比]耶
绝对
而且绝对是做得
很好,感觉很自然
感觉好像不对,他
现在很好,因为
还是有那来回
他和他的妻子埃塞尔弗莱德之间
是的,这真的很好。什么
...
是的,我不认为他很好,我认为
他很害怕,你知道他是
特别是如果
住在那个时期
惧怕
火和硫磺
你知道死亡的一面,或者我的意思是
我不确定
到底基督徒对地狱的理解是什么
是,但是我敢肯定
那是不对的。[科尔比]我认为他们
Chinese:
像
牧师一样在节目中提到地狱
是的,所以是恐怖,我绝对是对象
恐怖
显然还有
大脑的肿胀,我敢肯定
一些重要的方面受到压力。
谈到杰米·
布莱克利(Jamie Blackley),Eardwulf进来了,他
实际上因为杀死你而站起来,然后杀死
了你的女儿和Aethelflaed
你老婆
是的,他怎么杀了
你在那里?他喜欢扭曲你的... [托比]到底是什么
他死的原因。[史蒂夫]是
的
在那杀人?就像他喜欢把
你逼死?
就像止血带的效果,我就像哦,
他像止血带一样扭曲
在他的头上。[托比]是的,我的意思是那张
桌子上的所有物品
他选择了流氓选择,你
知道吗?我确定有
我的意思是我想
他想让它看起来像是
意外,虽然这可能是一场
意外,但他不只是想喜欢
Hungarian:
pokolra utalott egy csomót a show-ban, mint
a papok
igen, így igen a terror, abszolút objektum a
terror
és nyilván
az agy duzzanata is , biztos vagyok benne, hogy sok volt
nyomás nehezedik
néhány fontos bitre.
erről szólva Jamie
Blackley, bejön Eardwulf és ő
valójában megöl,
amiért felálltál a lányod és Aethelflaed mellett
a feleséged
igen, hogyan ölte meg
te ott? tetszett neki csavarni a ... [Toby] pontosan mi volt az
halálának oka. [Steve] igen, mi volt a
mechanizmusa
ott gyilkolni? és tetszett neki
, hogy halálra csavarja?
mint egy tornaeffektus, olyan voltam, mintha ó
lenne, mint a tekercs, mint a torna
a fején. [Toby] igen
, az asztal összes eleméből értem
elment a szélhámos választással, amit
tud? Biztos vagyok benne
Azt hiszem,
azt akarta, hogy úgy nézzen ki, mintha egy
baleset, bár olyan
baleset lehetett, amelyet nem csak szeretett volna
Arabic:
أشار إلى الجحيم حفنة في العرض مثل
الكهنة
نعم ، نعم الرعب أنا أعترض على
الرعب المطلق
ومن الواضح أيضًا تورم
الدماغ ، أنا متأكد من وجود الكثير منه
يتم الضغط على
بعض الأجزاء المهمة.
يتحدث عن ذلك أيضًا جيمي
بلاكلي ، يأتي إاردولف وهو
في الواقع يقتلك لوقوفه ثم
لابنتك وثيلفلد
نعم زوجتك كيف قتل
أنت هناك؟ هل يحب أن يحرف ... [توبي] ما كان بالضبط
سبب وفاته. [ستيف] نعم ما كانت
آلية
القتل هناك؟ حسنًا ، هل أحب أن
يلفك حتى الموت؟
مثل تأثير العاصبة كنت مثل يا
إنه مثل التواء مثل العاصبة
على رأسه. [توبي] نعم أعني من بين كل
العناصر الموجودة على تلك الطاولة
ذهب مع الخيار المحتال الذي
تعرفه؟ أنا متأكد من وجود
أعني أعتقد
أنه أراد أن يبدو وكأنه كان
على الرغم من أنه كان من الممكن أن يكون
حادثًا لا يريده فقط
German:
verwies auf die Hölle ein Haufen in der Show wie
die Priester
ja so yeah Terror ich absolute Objekt
Terror
und natürlich auch die Schwellung
des Gehirns Ich bin mir sicher, dass es viel gab
Druck auf
einige der wichtigen Teile.
Apropos auch Jamie Blackley, Eardwulf kommt herein und er
tötet dich tatsächlich dafür, dass du für
deine Tochter und für Aethelflaed aufgestanden bist
deine Frau
ja, wie hat er getötet?
Du da drüben? Hat er es gemocht, deine ... [Toby] zu verdrehen, was genau das war?
Ursache seines Todes. [Steve] Ja, was war der
Mechanismus von
dort töten? Na wie hat er
dich gerne zu Tode verdreht?
Wie ein Tourniquet-Effekt war ich wie oh,
er ist wie ein Tourniquet
auf seinem Kopf. [Toby] Ja, ich meine von allen
Gegenständen auf diesem Tisch
Er hat sich für die Wahl eines Schurken entschieden,
weißt du ? Ich bin mir sicher, dass es das gab
Ich meine, ich denke,
er wollte, dass es so aussieht, als wäre es ein
Unfall, obwohl es ein
Unfall gewesen sein könnte, den er nicht nur mögen wollte
Spanish:
hizo referencia al infierno un grupo en el programa como
los sacerdotes
sí, sí, terror, objeto absoluto,
terror
y obviamente también la hinchazón
del cerebro, estoy seguro de que hubo una gran cantidad de
se ejerce presión sobre
algunas de las partes importantes.
hablando de eso también Jamie
Blackley, Eardwulf entra y él
en realidad te mata por defender a
tu hija y a Aethelflaed
tu esposa
si que como mato
¿tú allí? ¿Le gustó torcer tu ... [Toby] cuál era exactamente el
causa de su muerte. [Steve] sí, ¿cuál fue el
mecanismo de
matando allí? bueno, ¿le gustaba
retorcerte hasta la muerte?
como un efecto de torniquete yo estaba como oh
él es como retorcerse como el torniquete
en su cabeza. [Toby] sí, me refiero a todos los
elementos de esa mesa
se fue con la elección pícara, ¿
sabes? Estoy seguro que hubo
Quiero decir, supongo
que quería que pareciera que era un
accidente, aunque podría haber sido un
accidente, no solo quería que le gustara
Russian:
упомянул ад кучу в шоу, как
священники
да, так что да, ужас, я категорически возражаю против
террора
и, очевидно, также опухоль
мозга, я уверен, что было много
давление оказывается на
некоторые важные части.
Кстати, об этом Джейми
Блэкли, входит Эардвульф и он
на самом деле убивает тебя за то,
что ты встаешь тогда за свою дочь и за Этельфлед
твоя жена
да что как он убил
ты там? он любил крутить твои ... [Тоби], что именно было
причина его смерти. [Стив] да, каков был
механизм
убивая там? ну как он любил
тебя до смерти закручивать?
как эффект жгута, я был похож на то, что
он скручивает, как жгут
на его голове. [Тоби] Да, я имею в виду из всех
предметов на столе
он пошел с мошенническим выбором,
понимаете? Я уверен был
Я имею в виду, я думаю,
он хотел, чтобы это выглядело так, как будто это был
несчастный случай, хотя это мог быть
несчастный случай, он не просто хотел понравиться
English:
referenced hell a bunch in the show like
the priests
yeah so yeah terror I absolute object
terror
and obviously also the swelling
of the brain I'm sure there was a lot of
pressure being put on
some of the important bits.
speaking of that too Jamie
Blackley, Eardwulf comes in and he
actually kills you for standing up then
for your daughter and for Aethelflaed
your wife
yeah what how did he kill
you there? did he like twist your... [Toby] what exactly was the
cause of his death. [Steve] yeah what was the
mechanism of
killing there? well like did he like
twist you to death?
like a tourniquet effect I was like oh
he's like twisting like the tourniquet
on his head. [Toby] yeah I mean out of all the
items on that table
he went with the rogue choice you
know? I'm sure there was
I mean I guess
he wanted it to look like it was an
accident although it could have been an
accident he didn't just want to like
Portuguese:
referiu um monte de inferno no show como
os padres
sim, sim, terror, eu, objeto absoluto,
terror
e obviamente também o inchaço
do cérebro, tenho certeza que houve muitos
pressão sendo colocada em
algumas das partes importantes.
falando nisso também Jamie
Blackley, Eardwulf chega e ele
na verdade mata você por defender
sua filha e Aethelflaed
sua esposa
sim o que como ele matou
você aí? ele gostou de torcer seu ... [Toby] o que exatamente era o
causa de sua morte. [Steve] sim, qual era o
mecanismo de
matando lá? bem como se ele gostasse de
torcer você até a morte?
tipo um efeito de torniquete, eu pensava: oh,
ele está se torcendo como o torniquete
na cabeça dele. [Toby] sim, quero dizer, de todos os
itens da mesa
ele foi com a escolha desonesta,
sabe? Tenho certeza que havia
Quer dizer, eu acho que
ele queria que parecesse um
acidente, embora pudesse ter sido um
acidente que ele não queria apenas gostar
French:
référencé l'enfer un groupe dans la série comme
les prêtres
Ouais alors ouais la terreur, la
terreur d' objet absolue
et évidemment aussi le gonflement
du cerveau, je suis sûr qu'il y avait beaucoup de
pression étant exercée sur
certains des éléments importants.
en parlant de ça aussi Jamie
Blackley, Eardwulf entre et il
vous tue en fait pour
avoir défendu votre fille et Aethelflaed
ta femme
ouais comment a-t-il tué
Toi là? A-t-il aimé tordre votre ... [Toby] quel était exactement le
cause de sa mort. [Steve] ouais quel était le
mécanisme de
tuer là-bas? Eh bien, aimait-il vous
tordre à mort?
comme un effet de garrot j'étais comme oh
il se tord comme le garrot
sur sa tête. [Toby] ouais je veux dire parmi tous les
objets sur cette table
il est allé avec le choix escroc tu
sais? Je suis sûr qu'il y avait
Je veux dire, je suppose
qu'il voulait que ça ressemble à un
accident alors que cela aurait pu être un
accident qu'il ne voulait pas seulement aimer
Russian:
ударить меня ножом в лицо, что, вероятно, является
вариантом
Но да, я думаю, это было
выдавливание мозга, ты тоже знаешь
плотно.
слишком напряженный мозг, недостаточно места в
его череп
да я на самом деле не видел
что
я не знаю о ... я видел
это в ...
Я видел это, когда делал ADR для него
Я издал много шума, я издал много
ужасных звуков
да, я не видел его с полным
миксом звука, поэтому не знаю
Я уверен, что если вы вникнете в подробности, вы
можно услышать, что именно,
взрывается ли арбуз или
ну разве не взорвался арбуз, который мы
получили раньше
от другого персонажа. [Тоби] да, да,
о да, конечно. [Колби] но не могли бы вы поговорить
немного о
съемках той сцены? потому что это
Portuguese:
me apunhale na cara, o que provavelmente é uma
opção
mas sim, acho que foi um
aperto no cérebro, você também sabe
justa.
um cérebro muito apertado, sem espaço suficiente
o crânio dele
sim, eu realmente não vi
aquele pedaço
eu não sei sobre o ... eu vi
isso no ...
eu vi quando estava fazendo o ADR para ele
Eu fiz muitos ruídos, fiz muitos
sons horríveis
sim, eu não vi com a
mixagem de som completa , então não sei
Tenho certeza que se você entrar em detalhes,
pode ouvir exatamente se
é uma melancia explodindo ou
bem, a melancia não explodiu, nós vimos
antes
de outro personagem. [Toby] sim sim,
sim, claro. [Colby] mas você poderia falar
um pouco sobre
filmar essa cena? porque isso
French:
poignardez-moi au visage, ce qui est probablement une
option
mais ouais je pense que c'était une
compression du cerveau tu sais aussi
serré.
un cerveau trop serré, pas assez d'espace
son crâne
ouais je n'ai pas vraiment vu
ce peu
je ne sais pas pour le ... j'ai vu
ça dans le ...
je l'ai vu quand je faisais l'ADR pour ça
J'ai fait beaucoup de bruits, j'ai fait beaucoup de
sons horribles
ouais je ne l'ai pas vu avec le
mixage complet donc je ne sais pas
Je suis sûr que si vous y allez en détail, vous
peut entendre ce que c'est exactement si c'est
une pastèque qui explose ou
Eh bien, la pastèque n'a-t-elle pas explosé, nous l'avons
eu plus tôt
d'un autre personnage. [Toby] ouais ouais
oh ouais bien sur. [Colby] mais pouvez-vous parler
un peu sur le
tournage de cette scène? parce qu'il
English:
stab me in the face which is probably an
option
but yeah I think it was a
squeezing of the brain you know too
tight.
too tight a brain, not enough space in
his skull
yeah I haven't actually seen
that bit
I don't know about the... I saw
it in the...
I saw it when I was doing the ADR for it
I made a lot of noises, I made a lot of
horrible sounds
yeah I haven't seen it with the full
sound mix so I don't know
I'm sure if you go into it in detail you
can hear what exactly is whether it's a
it's a watermelon exploding or
well wasn't the watermelon exploding we
got that earlier
from another character. [Toby] yeah yeah
oh yeah of course. [Colby] but could you talk
a little bit about
filming that scene though? because it
Chinese:
刺我一脸,这可能是一个
选择
但是,是的,我也认为这是
对大脑的挤压
紧。
大脑太紧,空间不足
他的头骨
是的,我实际上还没看过
那一点
我不知道...我看到了
它在...
当我在为其进行ADR时看到了它
我发出很多声音,发出很多
可怕的声音
是的,我还没有看到完整的
混音,所以我不知道
我确定您是否会详细介绍
可以听到到底是
西瓜爆炸还是西瓜爆炸
那不是我们
早先得到的西瓜爆炸了吗
从另一个角色。[托比]是的,
哦,是的,当然。[Colby]但是你能说吗
关于
拍摄那个场景有一点点吗?因为它
Hungarian:
szúrjon arcomba, ami valószínűleg egy
lehetőség
de igen, azt hiszem, ez
az agy szorítása volt, amit te is tudsz
szoros.
túl szoros az agy, nincs elég hely a helyben
a koponyáját
igen, még nem láttam
azt a kicsit
nem tudom a ... láttam
a ... -ban
láttam, amikor az ADR-t csináltam érte
Sok zajt adtam ki, nagyon
iszonyatos hangokat adtam ki
igen, nem láttam a teljes
hangkeverékkel, így nem tudom
Biztos vagyok benne, hogy ha részletesen belemegy, akkor
hallja, mi is pontosan, hogy ez
egy görögdinnye felrobban, vagy
Nos, a görögdinnye nem robbant fel, amit
korábban kaptunk
egy másik szereplőtől. [Toby] igen, igen,
igen, természetesen. [Colby] de tudnál beszélni
egy kicsit a
jelenet forgatásáról? azért, mert
Arabic:
طعني في وجهي وهو على الأرجح
خيار
لكن نعم أعتقد أنه كان
ضغطًا على الدماغ كما تعلمون أيضًا
ضيق.
دماغ ضيق للغاية ، لا توجد مساحة كافية فيه
جمجمته
نعم لم أرها بالفعل
هذا الشيء
لا أعرفه عن ... رأيته
إنه في ...
رأيته عندما كنت أقوم بإجراء ADR له
لقد أحدثت الكثير من الأصوات ، وأصدرت الكثير من
الأصوات الرهيبة
نعم لم أره مع
مزيج الصوت الكامل لذلك لا أعرف
أنا متأكد من أنك ستدخلها بالتفصيل
يمكن سماع ما هو بالضبط ما إذا كان
انفجار بطيخ أم
حسنًا ، لم يكن البطيخ ينفجر الذي
حصلنا عليه سابقًا
من شخصية أخرى. [توبي] نعم نعم
نعم بالطبع. [كولبي] ولكن هل يمكنك التحدث
قليلا عن
تصوير هذا المشهد رغم ذلك؟ لأنه
German:
steche mir ins Gesicht, was wahrscheinlich eine
Option ist
aber ja, ich denke es war ein
Quetschen des Gehirns, das du auch kennst
fest.
Ein zu enges Gehirn, nicht genug Platz
seinen Schädel
ja habe ich eigentlich nicht gesehen
das bisschen
weiß ich nicht über die ... die ich gesehen habe
es in der ...
Ich sah es , als ich für den ADR tun
Ich habe viele Geräusche gemacht, ich habe viele
schreckliche Geräusche gemacht
Ja, ich habe es nicht mit dem vollen
Soundmix gesehen, also weiß ich es nicht
Ich bin sicher, wenn Sie detailliert darauf eingehen
kann hören, was genau ist, ob es
eine explodierende Wassermelone ist oder
gut war nicht die Wassermelone explodiert wir ,
dass früher bekam
von einem anderen Charakter. [Toby] yeah yeah
oh yeah natürlich. [Colby] aber könntest du reden?
ein bisschen über das
Filmen dieser Szene? weil es
Spanish:
apuñalarme en la cara que probablemente sea una
opción
pero sí, creo que fue un
apretón del cerebro, tú también lo sabes
apretado.
un cerebro demasiado apretado, no hay suficiente espacio en
su cráneo,
sí, en realidad no he visto
ese poco
que no sé sobre el ... vi
lo
vi en el ... lo vi cuando estaba haciendo el ADR para él
Hice muchos ruidos, hice muchos
sonidos horribles
sí, no lo he visto con la
mezcla de sonido completa, así que no lo sé
Estoy seguro de que si lo entras en detalle
puede oír qué es exactamente si
es una sandía explotando o
Bueno, ¿no explotó la sandía? Lo
conseguimos antes
de otro personaje. [Toby] sí sí
oh sí por supuesto. [Colby] pero podrías hablar
aunque un poco sobre filmar esa escena? porque
Chinese:
看着我非常激动,
让我们震惊
是的,我不知道
那天我妈妈是否在那,但是我妈妈实际上
我拍摄的最后两天在布达佩斯
实际上你
知道这有点奇怪
带上你来带你妈妈去工作,
死去的日子有点奇怪。
你想来看你儿子
惨遭杀害吗?[托比]是的
我有点想尝试也许
不应该这么粗暴,因为
你知道我不认为我妈妈不想
看着我的头爆炸。[科尔比]我妈妈还是
即使她知道事情正在发生,也可能会担心。[托比]是的,我
想我是说
我真的死了
我所做的一切
和妈妈都觉得很不高兴
即使我是坏人,我
也想像妈妈一样解释
你知道我绝对应该得到的东西
角色应得的,它已经
存在了很长时间。她就像你真好
很好,这次不是你不是
混蛋
是的,我是说有
一些
实际上,很难将其
拍摄到哪里,
Russian:
было очень интересно смотреть и
шокировать нас
да, я не знаю, была ли моя мама там
в тот день, но на самом деле моя мама
был в Будапеште последние два дня
съемок
что было немного странно на самом деле вы
знаете как
принести к вам привести вашу маму на работу и
умереть день немного странно.
Вы хотите прийти посмотреть, как вашего сына
жестоко убивают? [Тоби] да, именно так
Я как бы пытался понравиться, может,
это не должно быть так грубо, потому что
ты знаешь, я не думаю, что моя мама хочет
смотреть, как моя голова взрывается. [Колби] моя мама все равно
волноваться, наверное,
даже если бы она знала, что это действует. [Тоби] да, я
думаю, я имею в виду
хорошо, я действительно умираю в значительной степени
все, что я делаю,
и моя мама очень расстраивает
даже когда я был плохим парнем, и я
пытаюсь объяснить, как мама, это
то, что
ты знаешь, я определенно заслуживаю, мой
персонаж заслуживает этого, он идет
уже давно. Она такая же, как ты, такая милая
хорошо, не в этот раз ты на самом деле не
ублюдок
да, я имею в виду, что были
некоторые
на самом деле было сложно
снимать то, что было с этим,
Spanish:
fue extremadamente intenso de ver e
impactante para nosotros
sí, no sé si mi mamá estuvo allí
ese día, pero mi mamá en realidad
Estuve en Budapest durante los dos últimos días de
mi rodaje.
que fue un poco extraño en realidad
sabes como
trae para ti trae a tu mamá al trabajo y el
día es un poco extraño.
¿Quieres venir a ver cómo
asesinan brutalmente a tu hijo ? [Toby] sí exactamente
Era como intentar que me gustara, tal vez
no debería ser tan asqueroso porque me gusta
sabes que no creo que mi mamá quiera
ver mi cabeza explotar. [Colby] mi mamá todavía
probablemente preocuparse
incluso si sabía que estaba actuando. [Toby] si yo
creo que quiero decir,
bueno, en realidad muero en casi
todo lo que hago
y mi mamá lo encuentra bastante molesto
incluso cuando yo era el malo y
trato de explicar como mamá esto es
algo que
sabes que definitivamente merezco, mi
El personaje se merece esto, ha estado viniendo
durante mucho tiempo. Ella es como si fueras tan agradable
agradable no esta vez no eres en realidad un
bastardo
si, quiero decir que hubo
algunos
En realidad, fue un poco difícil
filmar que donde estaba con esto,
German:
war extrem intensiv zu beobachten und
schockierend für uns
Ja, ich weiß nicht, ob meine Mutter
an diesem Tag dort war , aber meine Mutter tatsächlich
war die letzten zwei Tage
meiner Dreharbeiten in Budapest
Das war irgendwie komisch
, wie du weißt
Bring zu dir Bring deine Mutter zur Arbeit und
der Tag ist ein bisschen seltsam.
Sie wollen kommen und sehen, wie Ihr Sohn
brutal ermordet wird? [Toby] Ja genau
Ich war ein bisschen wie der Versuch zu mögen, vielleicht
sollte es nicht so eklig sein, weil wie
Du weißt, ich glaube nicht, dass meine Mutter
meinen Kopf explodieren sehen will . [Colby] meine Mutter würde immer noch
Sorgen Sie sich wahrscheinlich,
auch wenn sie wusste, dass es sich um eine Schauspielerei handelte. [Toby] Ja, ich
Ich denke, ich meine,
ich sterbe tatsächlich ziemlich genau
Alles, was ich tue
und meine Mutter findet es ziemlich ärgerlich
Selbst als ich der Böse war und ich
versuche zu erklären, wie Mama das ist
etwas, von dem
du weißt, dass ich es definitiv verdiene, mein Gott
Charakter verdient dies, es kommt schon
lange. Sie ist einfach so, als wärst du so nett
Schön, dass du diesmal nicht wirklich ein
Bastard bist
ja , ich meine , es gab
einige
es war tatsächlich ziemlich schwierig, das zu
drehen, wo es damit war,
Arabic:
كانت شديدة للغاية لمشاهدتها
وصادمة لنا
نعم ، أنا لا أعرف ما إذا كانت أمي موجودة
في ذلك اليوم ولكن أمي في الواقع
كنت في بودابست في اليومين الأخيرين من
التصوير
الذي كان نوعًا غريبًا في الواقع الذي
تعرفه
إحضار والدتك للعمل
وموت يوم غريب بعض الشيء.
تريد أن تأتي لترى ابنك
يقتل بوحشية؟ [توبي] نعم بالضبط
كنت أشبه بمحاولة الإعجاب ربما
لا ينبغي أن يكون هذا مقززًا بسبب الإعجاب
أنت تعلم أنني لا أعتقد أن أمي تريد أن
تشاهد رأسي ينفجر. [كولبي] أمي لا تزال
ربما تقلق
حتى لو كانت تعلم أنه كان يتصرف. [توبي] أجل
أعتقد أنني أعني
جيدًا أنني أموت كثيرًا
كل ما أفعله
وأمي تجده مزعجًا للغاية
حتى عندما كنت الرجل السيئ وأحاول
أن أشرح مثل أمي
شيء
تعرفه أنا بالتأكيد أستحقه يا
شخصية تستحق هذا أنها قادمة
لفترة طويلة. إنها تمامًا كما لو كنت لطيفة جدًا
جميل ليس هذه المرة أنت لست في الواقع
لقيط
نعم أعني أنه كان هناك
بعض
كان من الصعب نوعًا ما
تصوير ذلك حيث يوجد مع هذا ،
Portuguese:
foi extremamente intenso de assistir e
chocante para nós
sim meu eu não sei se minha mãe estava lá
naquele dia, mas minha mãe na verdade
esteve em Budapeste nos últimos dois dias de
minhas filmagens
o que foi meio estranho, na verdade, você
sabe como
traga para você traga sua mãe para o trabalho e o
dia da morte é um pouco estranho.
você quer vir ver seu filho ser
assassinado brutalmente? [Toby] sim exatamente
Eu estava tentando gostar, talvez
não devesse ser tão nojento, porque
você sabe, eu não acho que minha mãe queira
ver minha cabeça explodir. [Colby] minha mãe ainda iria
preocupar-se provavelmente
mesmo se ela soubesse que estava agindo. [Toby] sim eu
acho que quero dizer
bem, na verdade eu morro em praticamente
tudo que eu faço
e minha mãe acha bastante perturbador
mesmo quando eu era o cara mau e estou
tentando explicar como se fosse uma mãe
algo que
você sabe que eu definitivamente mereço, meu
personagem merece isso, já vem
há muito tempo. Ela é como se você fosse tão legal
legal não desta vez você não é realmente um
bastardo
sim, quero dizer, havia
algum
na verdade, foi meio difícil
filmar onde havia isso,
French:
était extrêmement intense à regarder et
choquant pour nous
ouais mon je ne sais pas si ma mère était là
ce jour-là mais ma mère en fait
était à Budapest pendant les deux derniers jours de
mon tournage
ce qui était un peu bizarre en fait tu
sais
amener votre mère au travail et le
jour de la mort est un peu étrange.
tu veux venir voir ton fils se faire
assassiner brutalement? [Toby] ouais exactement
J'étais un peu comme essayer d'aimer peut-être que
ça ne devrait pas être si dégoûtant parce que comme
tu sais, je ne pense pas que ma mère veuille
regarder ma tête exploser. [Colby] ma mère serait toujours
s'inquiéter probablement
même si elle savait qu'il agissait. [Toby] ouais je
Je pense que je veux dire
bien je meurs en fait à peu près
tout ce que je fais
et ma mère trouve ça bouleversant
même quand j'étais le méchant et
j'essaye d'expliquer comme maman c'est
quelque chose que
tu sais que je mérite vraiment, mon
le personnage mérite cela, il arrive
depuis longtemps. Elle est juste comme tu es si gentille
gentil pas cette fois tu n'es pas vraiment un
salaud
ouais je veux dire il y avait un
certain
c'était en fait assez difficile de
tourner là où il y en avait avec ça,
Hungarian:
rendkívül intenzív volt nézni és
megdöbbentő volt számunkra
igen, nem tudom, hogy anyám ott volt-e
azon a napon, de anyukám valójában
forgatásom utolsó két napján Budapesten volt
ami olyan furcsa volt, amit valójában
ismersz
hozd magaddal hozd anyukádat dolgozni és
halj meg egy kicsit furcsa.
el akarsz jönni, hogy megnézhesd a fiadat, hogy
brutálisan meggyilkolják? [Toby] igen
Olyan voltam, mintha megpróbáltam volna tetszeni, talán
nem kellett volna ilyen durvanak lennie, mert tetszik
tudod, nem hiszem, hogy anyám azt akarja
nézni , ahogy felrobban a fejem. [Colby] anyám még mindig
aggódj valószínűleg
akkor is, ha tudta, hogy színészkedik. [Toby] igen
azt hiszem,
jól értem, valójában nagyjából belehalok
mindent, amit csinálok,
és anyám eléggé felkavarónak találja
akkor is, amikor rosszfiú voltam, és
megpróbálom elmagyarázni, mint anya
valamit,
amit tudsz, hogy mindenképpen megérdemlem, az enyém
karakter ezt megérdemli, már régóta jön
. Pont olyan, mintha te ilyen kedves lennél
szép, nem, ezúttal nem vagy
gazember
igen, úgy értem, voltak
ilyenek
valójában nehéz volt
lelőni, hogy ahol ez volt,
English:
was extremely intense to watch and
shocking for us
yeah my I don't know if my mom was there
on that day but my mom actually
was in Budapest for the last two days of
my filming
which was kind of weird actually you
know like
bring to you bring your mom to work and
die day is a bit odd.
you want to come see your son get
murdered brutally? [Toby] yeah exactly
I was kind of like trying to like maybe
it shouldn't be this gross because like
you know I don't think my mom wants to
watch my head explode. [Colby] my mom would still
worry probably
even if she knew it was acting. [Toby] yeah I
think I mean
well I actually die in pretty much
everything that I do
and my mom finds it quite upsetting
even when I was the bad guy and I'm
trying to explain like mom this is
something that
you know I definitely deserve, my
character deserves this it's been coming
for a long time. She's just like you're so nice
nice not this time you're not actually a
bastard
yeah I mean there was
some
it was actually kind of difficult to
shoot that where there was with this,
English:
they had to have a stretchy
bandage
so that my my hair didn't actually
and just getting
those
technical things right took a while.
loads of blood yeah I think I had some
what did I have I had some kind of
pumping system that went
through my costume and up into the
that someone just quite
literally
with like a TNT style I want that job
yeah the blood guy yeah
yeah it was what can I say about
that
day
it was gross, it was really really gross
it's quite it's an odd part of
your job like dying over and over again
yeah over the course of the day
making strange sounds and gurgling
noises and you know it's kind of I
think it's a
Arabic:
كان يجب أن يكون لديهم
ضمادة قابلة للتمدد
بحيث لم يكن شعري في الواقع
وحصل فقط
استغرقت هذه الأشياء الفنية الصحيحة بعض الوقت.
الكثير من الدماء ، نعم ، أعتقد أن لدي بعضًا
مما لدي
نظام الضخ الذي كان
يمر عبر زيتي ويصل إلى
أن مجرد شخص تماما
حرفيا
بأسلوب TNT ، أريد هذه الوظيفة ،
نعم ، الرجل الدموي
نعم ، كان ما يمكنني قوله عن
ذلك
كان يوم كان مقرفًا ، كان حقًا مقرفًا
إنه جزء غريب تمامًا من
وظيفتك مثل الموت مرارًا وتكرارًا
نعم على مدار اليوم
يصدر أصواتًا غريبة وغرغرة
الضوضاء وأنت تعلم أنها نوعًا ما
أعتقد أنها أ
German:
Sie mussten einen dehnbaren
Verband haben
so dass meine meine Haare nicht wirklich
und nur bekommen
Diese
technischen Dinge haben eine Weile gedauert.
jede Menge Blut ja, ich glaube ich hatte etwas
was ich hatte hatte ich irgendwie
Pumpsystem, das
durch mein Kostüm ging und in die
dass jemand nur ganz
wörtlich
mit wie einem TNT-Stil will ich diesen Job
ja der Blutsverwandte ja
ja es war , was soll ich sagen ,
dass
Tag war
es eklig, es war wirklich sehr, sehr eklig
Es ist ziemlich seltsam, dass man
immer wieder stirbt
Ja, im Laufe des Tages
seltsame Geräusche machen und gurgeln
Geräusche und du weißt, es ist irgendwie, ich
denke es ist ein
French:
ils devaient avoir un
bandage extensible
de sorte que mes cheveux n'ont pas réellement
et juste
ces
choses techniques ont pris un certain temps.
beaucoup de sang ouais je pense que j'en avais
ce que j'avais, j'avais une sorte de
système de pompage qui a
traversé mon costume et dans le
que quelqu'un juste
littéralement
avec comme un style TNT je veux ce travail
ouais le gars de sang ouais
ouais c'était que puis-je dire à
ce sujet
jour
c'était dégoûtant, c'était vraiment vraiment dégoûtant
c'est assez étrange dans
ton travail comme mourir encore et encore
ouais au cours de la journée
faisant des sons étranges et gargouillis
bruits et vous savez que c'est un peu je
pense que c'est un
Chinese:
他们必须用
绷带包扎
所以我的头发实际上
并没有
那些
技术问题花了一段时间。
大量的血液,是的,我想我有一些
我拥有的东西
抽水系统
穿过我的服装并进入
那个人只是
字面上的
像TNT风格,我想要那份工作,
是的,血腥的家伙,是的
是啊这是我能说的
是
那天
很惨,真的很惨
这是
你工作中一个很奇怪的部分,就像一次又一次地死去
是的,在一天的过程中
发出奇怪的声音并发出咯咯声
声音,你知道这有点
像
Portuguese:
eles tinham que ter uma
bandagem elástica
de modo que meu cabelo não realmente
e apenas conseguindo
aquelas
coisas técnicas certas demoraram um pouco.
muito sangue, sim, acho que tive algum,
o que eu tinha, tive algum tipo de
sistema de bombeamento que passou
pela minha fantasia e subiu para o
que alguém
literalmente
com um estilo TNT, eu quero aquele trabalho,
sim, o cara de sangue, sim
sim, é o que posso dizer sobre
isso
dia
foi nojento, foi realmente nojento
é uma parte estranha do
seu trabalho, como morrer uma e outra vez
sim ao longo do dia
fazendo sons estranhos e gorgolejantes
ruídos e você sabe que é meio que eu
acho que é um
Hungarian:
nyújtózkodó
kötést kellett használniuk
úgy, hogy a hajam valójában nem,
és csak egyre
azok a
technikai dolgok eltartottak egy ideig.
rengeteg vér igen, azt hiszem, volt valamim,
mi volt, volt valamiféle
pumpáló rendszer, amely átment
a jelmezemen és fel a
hogy valaki csak
szó szerint
mint egy TNT stílus, azt a munkát akarom,
igen, a vérbeli srác igen
igen ez volt az, amit mondhatnék
, hogy
nap
durva volt, tényleg nagyon durva
eléggé furcsa része
a munkájának, mint hogy újra és újra meghaljon
igen a nap folyamán
furcsa hangokat adva és gügyögve
zajokat, és tudod, hogy ez valahogy
szerintem a
Russian:
у них должна была быть эластичная
повязка
так что мои волосы не на самом деле
и просто
эти
технические вещи потребовали времени.
много крови да, я думаю, у меня было кое-
что, что у меня было, у меня было какое-то
насосная система, которая прошла
через мой костюм и поднялась в
что кто-то
буквально буквально
Как в стиле TNT, я хочу эту работу,
да, кровавый парень, да
да, это было что я могу сказать об
этом
день
это было мерзко, это было действительно очень мерзко
это довольно странная часть
твоей работы, как умирать снова и снова
да в течение дня
издает странные звуки и булькает
шум, и вы знаете, что это вроде как я
думаю, что это
Spanish:
tenían que tener un
vendaje elástico
para que mi cabello no lo hiciera en realidad
y solo se
esas
cosas técnicas bien tomaron un tiempo.
un montón de sangre, sí, creo que tuve un poco de
lo que tuve tuve algún tipo de
sistema de bombeo que atravesó
mi disfraz y subió al
que alguien
literalmente
con un estilo TNT, quiero ese trabajo,
sí, el tipo de sangre, sí
Sí, fue lo que puedo decir acerca
de que
día
fue asqueroso, fue realmente asqueroso
es bastante, es una parte extraña de
tu trabajo como morir una y otra vez
sí, en el transcurso del día
haciendo sonidos extraños y gorgoteando
ruidos y sabes que es un poco,
creo que es un
Russian:
это тонкая грань, что момент
смерти на камеру
вы знаете, иногда вы видите это в фильмах,
где люди идут
как Кеовульф в первой сцене
ты здесь,
когда он просто умирает за обеденным столом
это потрясающая сцена, я ничего не забираю
у этого парня
это период времени, когда люди просто
падают, как падают замертво.
вы хотите облегчить, вы хотите
очень-очень мягко уйти из жизни.
выстрел, который они использовали сразу после
того, как ты стал
Покойный Этельред, как когда это на твоем
лице, как
да, это был
действительно особенный объектив камеры, я никогда
видел это раньше,
я не знаю, чего не знаю
насчет камер, я уверен, Джеймс Норткот
мог бы рассказать вам, что это было, но это было
действительно
очень длинные и тонкие, как большинство линз
такие,
и это было своего рода
телескоп, но
так долго, и я не знаю
было ли это для того
, чтобы получить действительно
English:
it's a fine line that the the moment
of death on camera
you know sometimes you see it in films
where people go
like Ceowulf in the first scene
you're in
when he just dies at the dinner table
it's an awesome scene I'm not taking
anything away from that guy
it's the time period people just like
dropping just like drop dead.
you want to ease, you want to ease out of
life very very gently.
the shot that they used like right after
you become
late Aethelred like when it's on your
face like
yeah that was this really
really specific camera lens I've never
seen it before
I don't know what I don't know enough
about cameras I'm sure James Northcote
could tell you what it was but it was
really
really long and thin like most lenses
are like this
and this was like a kind of
telescope but
but this long and I don't know
whether that was to get
I guess it's to get a really
German:
Es ist eine feine Linie, dass der Moment
des Todes vor der Kamera
Sie wissen, dass Sie es manchmal in Filmen sehen,
in die Leute gehen
wie Ceowulf in der ersten Szene
Du bist dabei,
wenn er gerade am Esstisch stirbt
Es ist eine großartige Szene, die ich
diesem Kerl nichts wegnehme
Es ist die Zeitspanne, in der Menschen gerne
fallen wie tot umfallen.
du willst dich entspannen, du willst dich
sehr, sehr sanft aus dem Leben lösen.
der Schuss, den sie direkt nach
dir verwendet haben
spät Aethelred wie wenn es auf deinem
Gesicht ist wie
Ja, das war dieses wirklich
sehr spezifische Kameraobjektiv, das ich noch nie gesehen habe
Ich habe es gesehen, bevor ich nicht weiß, was ich nicht genug weiß
Über Kameras Ich bin sicher, James Northcote
könnte Ihnen sagen, was es war, aber es war
wirklich
sehr lang und dünn wie die meisten Objektive
sind so
und das war wie eine Art
Teleskop aber
doch so lange und ich weiß es nicht
ob das zu bekommen war,
denke ich, es ist wirklich zu bekommen
Hungarian:
ez egy szép sor, hogy a
halál pillanatát a kamera
tudod, hogy néha olyan filmekben látod,
ahová az emberek járnak
mint Ceowulf az első jelenetben
akkor van bent,
amikor éppen meghal az ebédlőasztalnál
fantasztikus jelenet, nem veszek
el semmit ettől a fickótól
ez az az időszak, amikor az emberek
ugyanúgy szeretnek esni, mint elpusztulni.
könnyíteni akarsz,
nagyon nagyon finoman akarsz könnyíteni az életen.
az a lövés, amelyet nekik tetszett, rögtön azután
, hogy te lettél
késő Aethelred, mint amikor az
arcodon van
igen, ez volt az igazán
igazán speciális fényképezőgép lencséje, amit még soha
láttam, mielőtt
nem tudom, mit nem tudok eléggé
a kamerákról biztos vagyok benne, hogy James Northcote meg
tudná mondani, mi volt, de volt
nagyon
hosszú és vékony, mint a legtöbb objektív
ilyenek,
és ez olyan volt, mint egyfajta
távcső, de
ilyen hosszú, és nem tudom
hogy ez vajon megszerezhető-e,
azt hiszem, egy igazán
French:
c'est une ligne fine que le moment
de la mort devant la caméra
tu sais que parfois tu le vois dans les films
où les gens vont
comme Ceowulf dans la première scène
tu es là
quand il meurt à table
c'est une scène géniale je n'enlève
rien à ce mec
c'est la période pendant laquelle les gens aiment
simplement tomber comme des morts.
vous voulez vous détendre, vous voulez vous sortir de la
vie très très doucement.
le coup qu'ils ont utilisé juste après que
tu sois devenu
fin Aethelred comme quand c'est sur ton
visage
Ouais c'était cet
objectif de caméra vraiment très spécifique que je n'ai jamais
vu avant
je ne sais pas ce que je ne sais pas assez
à propos des caméras, je suis sûr que James Northcote
pourrait vous dire ce que c'était, mais c'était
vraiment
très long et fin comme la plupart des lentilles
sont comme ça
et c'était comme une sorte de
télescope mais
mais si longtemps et je ne sais pas
si c'était pour obtenir,
je suppose que c'est pour obtenir un vraiment
Spanish:
es una línea muy fina que el momento
de la muerte en la cámara
sabes que a veces lo ves en las películas
donde va la gente
como Ceowulf en la primera escena
estás dentro
cuando acaba de morir en la mesa de la cena
es una escena increíble, no le
quito nada a ese tipo
es el período de tiempo que a la gente le gusta
caer como si estuviera muerta.
quieres relajarte, quieres salir de la
vida muy, muy suavemente.
la inyección que usaron justo después de que
te conviertas en
Aethelred tardío como cuando está en tu
cara como
sí, esa fue esta
lente de cámara realmente muy específica que nunca
lo
he visto antes , no sé lo que no sé lo suficiente
sobre las cámaras, estoy seguro de que James Northcote
podría decirte qué era, pero
realmente
muy largo y delgado como la mayoría de los lentes
son así
y esto fue como una especie de
telescopio, pero
este tiempo y no sé
si eso fue para conseguir
, supongo que es para conseguir una
Portuguese:
é uma linha tênue que o momento
da morte na câmera
você sabe que às vezes você vê isso em filmes
aonde as pessoas vão
como Ceowulf na primeira cena
você está dentro
quando ele acaba de morrer na mesa de jantar
é uma cena incrível, não estou tirando
nada daquele cara
é o período de tempo em que as pessoas simplesmente
caem, quase mortas.
você quer relaxar, você quer sair da
vida com muita suavidade.
a foto que eles usaram logo depois que
você se tornou
tarde Aethelred como quando está em seu
rosto como
sim, era
uma lente de câmera realmente muito específica, eu nunca
já vi antes
não sei o que não sei o suficiente
sobre câmeras, tenho certeza de que James Northcote
poderia dizer o que era, mas era
realmente
muito longo e fino como a maioria das lentes
são assim
e isso era como uma espécie de
telescópio, mas
tão longo e eu não sei
se isso foi para obter,
eu acho que é para realmente
Chinese:
这是一条很好的路线,那
就是相机上的死亡时刻
你知道有时候你会在
人们去的电影中看到它
像第一个场景中的Ceowulf
你在
他刚死在饭桌的时候
这是一个很棒的场景,我
什么都没拿走
这是人们就像
掉落一样死掉的时间段。
您想要轻松自在地放松
生活。
他们
成为您之后就使用的镜头
后期的Aethelred就像当它在你的
脸上
是的,这是
我从未真正使用过的非常特别的相机镜头
在
我不了解我所不知道的东西之前就看过
关于相机,我敢肯定James Northcote
会告诉你那是什么,但是那是
真的
像大多数镜片一样长而细
就像这样
,这就像一种
望远镜,
但是这么长,我不知道
不管是得到
还是得到
Arabic:
انها خط رفيع لحظة
الموت على الكاميرا
أنت تعرف أحيانًا أنك تراه في الأفلام
حيث يذهب الناس
مثل Ceowulf في المشهد الأول
كنت في
عندما مات للتو على مائدة العشاء
إنه مشهد رائع أنا لا آخذ
أي شيء بعيدًا عن هذا الرجل
إنها الفترة الزمنية التي يحبها الناس
تمامًا مثل السقوط.
تريد أن تهدأ ، تريد أن تخفف من
الحياة بلطف شديد.
اللقطة التي استخدموها مباشرة بعد
أن تصبح
متأخر Aethelred مثل عندما يكون على
وجهك مثل
نعم كانت هذه
عدسة الكاميرا المحددة حقًا التي لم أقم بها أبدًا
رأيته من قبل
لا أعرف ما لا أعرفه بما فيه الكفاية
حول الكاميرات ، أنا متأكد من أن جيمس نورثكوت
يمكنه إخبارك بما كان عليه ولكنه كان كذلك
حقا
حقا طويلة ورقيقة مثل معظم العدسات
مثل هذا
وكان هذا نوعًا ما
لكن هذا التلسكوب طويل ولا أعرف
سواء كان ذلك للحصول على
ما أعتقد أنه الحصول على حقًا
German:
wirklich
lange Schärfentiefe denke ich so dass du
kann so etwas
wie eine Mikro-Nahaufnahme haben
Schuss von meinem Auge in der Kamera und dann
auch den Rest behalten
Die Leute sind dort eigentlich immer noch im Fokus
.
Ich nehme an, er war im Fokus. [Colby] Ja, er war ja
definitiv.
Ja, ich habe dieses
Kameraobjektiv noch nie gesehen , sie haben es auch benutzt
in den Schüssen hinter meinem Kopf
Wenn ich mit dem König spreche,
ja, sehr, sehr cool.
Wann hast du realisiert, dass du
in dieser Saison sterben wirst ? [Toby] Ich denke ich
war es eigentlich immer Teil meines
Vertrages eigentlich. ich wusste
das würde ich tun
drei Jahreszeiten und ich wusste, dass ich
gehen würde
stirb wegen der Bücher,
aber ja, es ist wie ein bittersüßer
Ich liebe
es wirklich , zur Arbeit zu gehen, ich habe es geliebt, daran zu arbeiten
Arabic:
حقا
عمق مجال طويل أعتقد ذلك لك
يمكن أن يكون لها شيء
مثل هذا الصغير المقربة
لقطة لعيني في الكاميرا ثم
احتفظ بالباقي أيضًا
الناس في الواقع لا يزالون في بؤرة التركيز
هناك.
أفترض أنه كان في بؤرة التركيز. [كولبي] نعم كان نعم
بالتأكيد.
نعم لم أر قط
عدسة الكاميرا هذه من قبل ، لقد استخدموها أيضًا
في الطلقات من خلف رأسي
عندما أتحدث إلى الملك ،
نعم رائع جدًا.
متى أدركت أنك
ستموت في هذا الموسم؟ [توبي] أعتقد أنني
كان دائمًا جزءًا من
عقدي في الواقع. كنت أعرف
الذي كنت سأفعله
ثلاثة مواسم وكنت أعلم أنني
سأذهب
يموت بسبب الكتب
ولكن نعم مثل حلو ومر
أنا حقًا أحب
الذهاب إلى العمل ، لقد أحببت الذهاب للعمل
Portuguese:
profundidade de campo realmente longa, acho que você
pode ter algo
como um micro close-up
foto do meu olho na câmera e depois
também manter o resto
as pessoas ainda estão em foco
lá.
Presumo que ele estava em foco. [Colby] sim, ele estava sim,
definitivamente era.
sim, nunca vi aquela
lente de câmera antes, eles também usaram
nas fotos por trás da minha cabeça
quando estou falando com o rei
sim, muito legal.
quando você percebeu que
iria morrer nesta temporada? [Toby] Eu acho que
foi sempre parte do meu
contrato, na verdade. eu sabia
que eu ia fazer
três temporadas e eu sabia que
iria
morrer por causa dos livros,
mas sim, é como um agridoce
Eu realmente amo
ir para o trabalho, adorei ir trabalhar
Spanish:
una profundidad de campo realmente larga, creo que
puede tener algo
como un micro primer plano
disparo de mi ojo en la cámara y luego
también mantener el resto
la gente todavía está enfocada allá atrás
.
Supongo que estaba enfocado. [Colby] sí, sí,
definitivamente lo fue.
sí, nunca había visto esa
lente de cámara antes, también la usaron
en los tiros de detrás de mi cabeza
cuando hablo con el rey,
sí, muy, muy bien.
¿Cuándo te diste cuenta de que
ibas a morir en esta temporada? [Toby] creo que
fue siempre parte de mi
contrato en realidad. yo sabía
que iba a hacer
tres temporadas y supe que
iba a
morir por los libros
pero sí es como un agridulce
Realmente me encanta
ir a trabajar, me encantaba trabajar en
Chinese:
我认为景深真的很长,
可以有一个
像微型特写镜头这样的东西
用相机拍摄我的眼睛,然后
保持其余部分
人们实际上仍然集中在
那里。
我想他是重点。[Colby]是的,他
绝对是。
是的,我以前从未见过这种
相机镜头,他们也使用过
从我的头后面拍摄
当我与国王交谈时,
是的,非常非常酷。
您什么时候意识到自己
将在这个季节里死去?[托比]我想我
实际上这一直是我
合同的一部分。我知道
我本来要做的
三个季节,我知道我
要去
因为书而死,
是的,就像苦乐参半
我真的很喜欢
上班,也喜欢上班
Russian:
действительно
большая глубина резкости я так думаю, что ты
может быть что-то
вроде микро-крупного плана
снимок моего глаза в камеру, а затем
оставьте остальное
люди на самом деле все еще в фокусе
.
Полагаю, он был в центре внимания. [Колби] Да, он был, да,
определенно был.
да, я никогда раньше не видел этот
объектив камеры, они его тоже использовали
в кадрах из-за моей головы
когда я разговариваю с королем,
да, очень, очень круто.
когда ты понял, что
умрешь в этом сезоне? [Тоби] Думаю, я
на
самом деле это всегда было частью моего контракта. я знал
что я собирался сделать
три сезона, и я знал, что
собираюсь
умереть из-за книг,
но да, это как горько-сладкий
Мне очень нравится
работать, мне нравилось работать над
Hungarian:
nagyon
nagy mélységélesség, azt hiszem, hogy te
lehet valami ilyesmi,
mint egy mikro-közelkép
lövés a szememről kamerába, majd
a többit is tartsa meg
az emberek még mindig
ott fókuszálnak .
Feltételezem, hogy fókuszban volt. [Colby] igen, igen,
határozottan az volt.
igen, még soha nem láttam azt a
kamera lencsét, ők is használták
a fejem mögül készült lövésekben
amikor a királlyal beszélek,
igen nagyon klassz.
mikor jött rá, hogy
ebben a szezonban meg fog halni? [Toby] Azt hiszem
mindig a
szerződésem része volt . tudtam
hogy meg fogom csinálni
három évadot, és tudtam, hogy
megyek
halj meg a könyvek miatt,
de igen, olyan, mint egy keserédes
Nagyon szeretek
dolgozni menni, szerettem dolgozni
English:
really
long depth of field I think so that you
can have something
this like a micro close-up
shot of my eye in camera and then
also keep the rest
people actually still in focus back
there.
I presume he was in focus. [Colby] yeah he was yeah
definitely was.
yes I've never seen that
camera lens before, they used it as well
in the shots from behind my head
when I'm talking to the king
yeah very very cool.
when did you realize that you were
going to die in this season? [Toby] I think I
was it was always part of my
contract actually. I knew
that I was going to do
three seasons and I knew that I was
going to
die because of the books
but yeah it's like a bittersweet
I really really love
going to work, I loved going to work on
French:
très
longue profondeur de champ je pense pour que vous
peut avoir quelque chose
comme un micro gros plan
photo de mon œil à huis clos, puis
garde le reste
les gens sont toujours concentrés
là-bas.
Je présume qu'il était concentré. [Colby] ouais, oui, oui
.
oui je n'ai jamais vu cet
objectif de caméra auparavant, ils l'ont aussi utilisé
dans les coups de derrière ma tête
quand je parle au roi
ouais très très cool.
quand avez-vous réalisé que vous
alliez mourir cette saison? [Toby] Je pense que je
est-ce que cela faisait toujours partie de mon
contrat. je savais
que j'allais faire
trois saisons et je savais que
j'allais
mourir à cause des livres
mais ouais c'est comme un doux-amer
J'adore vraiment
aller travailler, j'ai adoré travailler sur
Chinese:
那份工作。
这是一个非常非常有趣的团体
人,
您知道根本就不喜欢工作吗?你懂
镜头外和镜头上真的
像一个
只是一项有趣的工作。[史蒂夫]是的
,你真的和
扮演生活的米莉·布雷迪
是的,这样做确实比
您像那些威慑力那样做时容易
场景和
你们两个之间讨厌的场景
像那样?她是你的朋友还是?我知道
我们很奇怪
真的很好,你们
知道我是说我们彼此不认识
完全,我们在演出中见面,所以前
几个...真的真的真的
太可怕了,
你知道我的意思是在
在餐桌上,
我们还没那么接近我
认为如果我们现在必须做那些场景,
那将真的超现实
它
仍然是一样的,但在那里
只是这增加
了它的怪异
Russian:
эта работа.
это действительно действительно очень веселая группа
люди, и это совсем не похоже на работу
, понимаете? знаешь
вне камеры и на камеру это действительно было
похоже на
просто веселая работа. [Стив] да,
и вы действительно хорошие друзья с
Милли Брэди, которая
играет жизнь Этельфлед со сцены
да, это легче, чем когда
вы делаете это запугивание
сцены и сцены
ненависти между вами двумя
как это? она твой друг или? Я знаю,
это так странно, мы похожи
действительно действительно хорошие друзья, вы
знаете, я имею в виду, что мы не знали друг друга
вообще, мы встретились на шоу, так что первые
несколько ...
ужасно
, понимаешь, я имею в виду ударить ее по
за обеденным столом и тому подобное,
мы еще не были так близки, я
думаю, если бы нам пришлось
снимать эти сцены сейчас, это было бы действительно сюрреалистично
и все было
бы так же, но было бы
Просто будь к этому добавленной
странности
Spanish:
ese trabajo.
es un grupo muy divertido de
personas y no se siente como un trabajo
en absoluto, ¿sabes? ya sabes
fuera de cámara y en cámara era realmente
como un
solo un trabajo divertido. [Steve] sí,
y eres muy buen amigo de
Millie Brady, quien
interpreta a la vida Aethelflaed de la escena
Sí, ¿eso lo hace más fácil que cuando
estás haciendo como esas intimidaciones?
escenas y esas escenas de
odio similar entre ustedes dos
¿como eso? ella es tu amiga o? Sé
que es tan extraño que estamos como
realmente buenos amigos,
sabes, quiero decir, no nos conocíamos
en absoluto, nos conocimos en el programa, así que los primeros
... los realmente realmente
horrible
sabes que me refiero a golpearla en el
en la mesa de la cena y cosas así
, aún no estábamos tan cerca
creo que si tuviéramos que hacer esas escenas ahora
sería realmente surrealista
y seguiría
siendo el mismo pero habría
solo sé esta
rareza añadida
German:
Dieser Job.
Es ist eine wirklich sehr, sehr lustige Gruppe von
Menschen und es fühlt sich überhaupt nicht nach Arbeit
an, weißt du? Wissen Sie
Aus der Kamera und vor der Kamera war es wirklich
wie ein
einfach ein lustiger Job. [Steve] Ja,
und du bist wirklich gut befreundet
Millie Brady,
die das Leben Aethelflaed von der Szene spielt
Ja, macht es das einfacher, als wenn
Sie diese Einschüchterung mögen?
Szenen und solche Szenen des
gleichen Hasses zwischen euch beiden
so wie das? Sie ist deine Freundin oder? Ich weiß,
es ist so komisch, wie wir sind
Wirklich, wirklich gute Freunde, du
weißt, ich meine, wir kannten uns nicht
überhaupt haben wir uns in der show getroffen also die ersten
paar ... die wirklich wirklich wirklich
schrecklich
du weißt ich meine sie an der zu schlagen
Am Esstisch und solchen Dingen
waren wir mir noch nicht so nahe
Ich denke, wenn wir diese Szenen jetzt
machen müssten, wäre es wirklich surreal
und es wäre
immer noch dasselbe, aber es würde
Sei einfach diese zusätzliche
Verrücktheit
French:
ce travail.
c'est un groupe vraiment vraiment très amusant de
les gens et ça ne ressemble pas du tout au travail
tu sais tu sais
hors caméra et devant la caméra, c'était vraiment
comme un
juste un travail amusant. [Steve] ouais
et tu es vraiment de bons amis avec
Millie Brady qui
joue la vie Aethelflaed de la scène
ouais ça rend les choses plus faciles que quand
tu fais comme ces intimidations
scènes et ces scènes de
haine entre vous deux
comme ça? elle est votre amie ou? Je sais que
c'est tellement bizarre que nous sommes comme
vraiment très bons potes tu
sais je veux dire qu'on ne se connaissait pas
du tout, nous nous sommes rencontrés sur le spectacle donc les premiers
... le vraiment vraiment vraiment
horrible
tu sais que je veux dire la frapper au
à la table du dîner et des choses comme ça,
nous n'étions pas encore si proches que je
Je pense que si nous devions faire ces scènes maintenant,
ce serait vraiment surréaliste
et ce serait
toujours la même chose mais il y aurait
être juste cette
bizarrerie supplémentaire
Arabic:
أن وظيفة.
إنها مجموعة ممتعة حقًا من
الناس ولا تشعر وكأنه عمل
على الإطلاق تعرفه؟ أنت تعلم
بعيدًا عن الكاميرا وعلى الكاميرا كان الأمر حقًا
مثل a
مجرد عمل ممتع. [ستيف] نعم وأنتما
صديقان حميمان حقًا
ميلي برادي الذي
يلعب دور Aethelflaed من المشهد
نعم ، هذا يجعل الأمر أسهل مما لو
كنت تفعل مثل هذا التخويف
المشاهد وتلك المشاهد
الكراهية بينكما
مثل هذا؟ هي صديقتك أم؟ أعلم
أنه أمر غريب للغاية
أصدقاء جيدين حقًا كما
تعلمون ، أعني أننا لم نعرف بعضنا البعض
على الإطلاق ، التقينا في العرض لذا أول
عدد قليل ... حقًا حقًا
فظيع
تعلم أنني أعني ضربها على
على مائدة العشاء وأشياء من هذا القبيل
لم نكن قريبين منها بعد
أعتقد أنه إذا كان علينا القيام بهذه المشاهد الآن
فسيكون الأمر سرياليًا حقًا
وسيكون
لا يزال هو نفسه ولكن هناك من شأنه
فقط كن هذا
الغرابة المضافة إليها
Portuguese:
Aquele trabalho.
é um grupo realmente muito divertido de
pessoas e não parece trabalho
, sabe? você sabe
fora da câmera e na câmera realmente era
como um
apenas um trabalho divertido. [Steve] sim
e você é muito amigo de
Millie Brady que
interpreta a vida Aethelflaed da cena
sim isso torna mais fácil do que quando
você está fazendo como aquelas intimidação
cenas e aquelas cenas de
ódio entre vocês dois
Curtiu isso? ela é sua amiga ou? Eu sei
que é tão estranho que somos como
amigos realmente bons, você
sabe, quero dizer, não nos conhecíamos
afinal, nos conhecemos no programa, então os primeiros
... realmente, realmente,
horrível,
você sabe, quero dizer bater nela no
na mesa de jantar e coisas assim
, não estávamos tão perto ainda eu
acho que se tivéssemos que fazer essas cenas agora
seria realmente surreal
e
ainda seria o mesmo, mas haveria
apenas ser essa
estranheza adicionada a isso
Hungarian:
azt a munkát.
ez egy igazán igazán szórakoztató csoport
emberek, és egyáltalán nem érzi magát munkának
? tudod
kamerán kívül és kamerán tényleg olyan volt,
mint a
csak egy szórakoztató munka. [Steve] igen,
és nagyon jó barátok vagytok
Millie Brady, aki
Aethelflaed életét játssza a helyszínről
igen, megkönnyíti-e ezt, mint amikor
úgy cselekszel, mint a megfélemlítés
jelenetek és azok a
hasonló gyűlöletű jelenetek kettőtök között
mint az? ő a barátod vagy? Tudom,
hogy ez olyan furcsa, mint amilyenek vagyunk
nagyon jó párok tudod
, úgy értem, hogy nem ismertük egymást
egyáltalán, találkoztunk a műsorban, így az első
néhány ... az igazán igazán
szörnyű
, tudod, hogy azt értem, hogy megütöm
az ebédlőasztalnál és az ilyesmi
még nem voltunk olyan közel, én
ha most ezeket a jeleneteket
kellene elkészítenünk, az valóban szürreális lenne
és
még mindig ugyanaz lenne, de lenne
csak legyen ez a
különös furcsaság
English:
that job.
it's a really really really fun group of
people and it doesn't feel like work
at all you know? you know
off camera and on camera it really was
like a
just a fun job. [Steve] yeah
and you are really good friends with
Millie Brady who
plays life Aethelflaed from the scene
yeah does that make it easier than when
you're doing like those intimidation
scenes and those scenes of
like hate between the two of you
like that? she is your friend or? I know
it's so weird we're like
really really good mates you
know I mean we didn't know each other
at all, we met on the show so the first
few... the really really really
horrible
you know I mean hitting her at the
at the dinner table and things like that
we weren't that close yet I
think if we had to do those scenes now
it would be really surreal
and it would
still be the same but there would
just be this added
weirdness to it
Chinese:
因为我们是如此亲密,但是
是的,我爱米莉·布雷迪。[Colby]是的,这很好
很高兴看到你们有,
再一次您不是很好,但是您
最后肯定
和她有一个救赎的时刻,你告诉她
像我希望你能
找到安慰
并在生活中不受
酷刑折磨
是的,直线喜欢那条线,
完美地传递
是的那一刻怎么样?[托比]我认为
是的,这对我们俩人都很好
因为
我认为我们还没有真正合作过
有一阵子我们的故事情节
分裂了,所以
预订节目真的很棒,然后又回来了
圈出并
拍摄完成
总是
没有足够的时间,但安迪
导演确保
这些场景得到了真正的处理
小心一点,
我只是经常
有一个氛围,就像
每个人都必须得到他们的狗屎
Spanish:
porque estamos muy unidos, pero
sí, amo a Millie Brady. [Colby] sí, así que es amable
Es bueno ver que lo han hecho, de
nuevo no estaban siendo amables, pero
Ciertamente tuve un momento de redención
con ella al final y le dices
algo como espero que puedas
encontrar consuelo
y vivir sin ser amado
como torturador
sí, la línea recta ama esa línea,
entregada perfectamente
sí, ¿cómo fue ese momento? [Toby] Creo que
sí, fue genial para los dos
porque
creo que realmente no habíamos trabajado juntos
por un tiempo nuestras historias se
separaron y así fue
realmente agradable para
cerrar el espectáculo y volver completo
circular y
terminar con el rodaje es
siempre
nunca hay suficiente tiempo pero Andy
el director se aseguró de
que esas escenas fueran realmente manejadas
con cuidado y solo
me refiero a menudo
Hay una vibra en el set donde es como si
todos tuvieran que conseguir su mierda
Arabic:
لأننا قريبون جدًا ولكن
نعم أحب ميلي برادي. نعم ، إنه لطيف
من اللطيف أن أراكم يا رفاق ،
مرة أخرى لم تكن لطيفًا ، لكنك
بالتأكيد كانت هناك لحظة فداء
معها في النهاية وأخبرها بذلك
شيء مثل آمل أن
تجد الراحة
والعيش دون أن يُحب
المرء كعذاب
نعم خط مستقيم أحب هذا الخط ،
تسليمه بشكل مثالي
نعم كيف كانت تلك اللحظة؟ [توبي] أعتقد
أنه كان رائعًا لكلينا
لأنني
أعتقد أننا لم نعمل معًا حقًا
لفترة من الوقت
انقسمت قصصنا وهكذا كانت كذلك
من الجميل حقًا
حجز العرض والعودة بالكامل
ضع دائرة
وإنهائها بالتصوير
دائما ليس
هناك ما يكفي من الوقت ولكن آندي
حرص المخرج
على التعامل مع تلك المشاهد حقًا
بعناية وهناك فقط
أعني كثيرًا
هناك إحساس في المكان حيث يبدو أنه يجب على
الجميع الحصول على القرف
Portuguese:
porque somos tão próximos, mas
sim, eu amo Millie Brady. [Colby] sim, é gentil
bom ver que vocês fizeram,
novamente vocês não estavam sendo legais, mas vocês
certamente teve um momento de redenção
com ela no final e você diz a ela
algo como eu espero que você possa
encontrar conforto
e viver sem ser amado
como um torturador
sim, linha reta amo essa linha,
entregue perfeitamente
sim, como foi esse momento? [Toby] Acho que
sim, foi ótimo para nós dois
porque
acho que não tínhamos trabalhado juntos
por um tempo nossas histórias se
separaram e assim foi
muito bom
agendar o show e voltar cheio
círculo e
terminar com a filmagem é
sempre
nunca há tempo suficiente, mas Andy
o diretor certificou-se de
que essas cenas fossem realmente tratadas
com cuidado e
quero dizer frequentemente
há uma vibração no set em que é como se
todos tivessem que ver suas merdas
Russian:
потому что мы так близки, но
да, я люблю Милли Брэди. [Колби] да, это так мило
Приятно видеть вас, ребята,
опять же, вы не вели себя хорошо, но вы
определенно был момент искупления
с ней в конце, и вы говорите ей
что-то вроде я надеюсь, что вы
найдете утешение
и жить без любви
как мучитель
да, прямая линия люблю эту линию,
доставлена отлично
да, как прошел тот момент? [Тоби] Думаю,
это было здорово для нас обоих
потому что
я думаю, что мы действительно не работали вместе
на какое-то время наши сюжетные линии
разделились, и это было
действительно приятно
закончить шоу и вернуться полным
круг и
закончить его съемкой
всегда
не хватает времени, но Энди
Режиссер позаботился
о том, чтобы эти сцены были действительно обработаны
с осторожностью, и
я имею в виду часто
на съемочной площадке царит атмосфера, будто
каждый должен получить свое дерьмо
French:
parce que nous sommes si proches mais
oui j'aime Millie Brady. [Colby] ouais donc c'est gentil
agréable de vous voir les gars,
encore une fois vous n'étiez pas gentils, mais vous
a certainement eu un moment de rédemption
avec elle à la fin et vous lui dites
quelque chose comme j'espère que tu peux
trouver du réconfort
et vivre sans être aimé
comme un tortionnaire
Ouais la ligne droite aime cette ligne,
livrée parfaitement
ouais comment était ce moment? [Toby] Je pense que
oui, c'était génial pour nous deux
parce que
je pense que nous n'avions pas vraiment travaillé ensemble
pendant un moment, nos intrigues se sont
séparées et c'était donc
vraiment sympa de
réserver le spectacle et de revenir complet
cercle et
et terminer avec le tournage est
toujours
il n'y a jamais assez de temps mais Andy
le réalisateur s'est assuré
que ces scènes étaient vraiment gérées
avec soin et il y a juste
je veux dire souvent
Il y a une ambiance sur le plateau où c'est comme si
tout le monde devait avoir sa merde
German:
weil wir uns so nahe stehen, aber
ja, ich liebe Millie Brady. [Colby] Ja, also ist es nett
Es ist schön euch zu sehen,
wieder seid ihr nicht nett, aber ihr
sicherlich hatte ein Erlösungsmoment
mit ihr am Ende und du sagst es ihr
so etwas wie ich hoffe, dass Sie
Trost finden können
und zu leben, ohne
als Folterer geliebt zu werden
Ja, gerade Linie, liebe diese Linie,
perfekt geliefert
Ja, wie war dieser Moment? [Toby] Ich denke
ja, es war großartig für uns beide
weil
ich denke, wir hatten nicht wirklich zusammengearbeitet
für eine Weile
spalteten sich unsere Handlungsstränge ab und so war es auch
wirklich schön,
die Show zu buchen und voll zurück zu kommen
Kreis und
und beenden Sie es mit Filmen
Immer
bleibt nie genug Zeit außer Andy
Der Regisseur hat dafür gesorgt,
dass diese Szenen wirklich gehandhabt wurden
mit Sorgfalt und es gibt nur
ich meine oft
Es gibt eine Stimmung am Set, in der
jeder seine Scheiße bekommen muss
Hungarian:
mert olyan közel vagyunk, de
igen, szeretem Millie Bradyt. [Colby] igen, kedves
örülök, hogy látom, srácok,
megint nem voltatok kedvesek, de önök
a végén biztosan volt vele egy megváltási pillanat , és te mondd meg neki
olyasmi, mint remélem, hogy
megtalálja a kényelmet
és úgy élni, hogy
kínzóként nem szeretik
igen, az egyenes vonal szereti ezt a vonalat,
tökéletesen kézbesítve
igen milyen volt ez a pillanat? [Toby] Azt hiszem
, nagyon jó volt mindkettőnk számára
mert
szerintem nem igazán dolgoztunk együtt
egy ideig
szétváltak a történeteink , és így volt
nagyon jó, hogy
elkönyveltem a műsort, és tele lettem
kört és
fejezd be a forgatással is
mindig
nincs elég idő, csak Andy
a rendező gondoskodott arról,
hogy ezeket a jeleneteket valóban kezeljék
körültekintéssel, és csak
arra gondolok, hogy gyakran
olyan hangulat van beállítva, ahol
mindenki megkapta a szart
English:
because we're so close but
yeah I love Millie Brady. [Colby] yeah so it's kind
of nice to see you guys have,
again you weren't being nice, but you
certainly had a redemption moment
with her at the end and you tell her
something like I hope that you can
find comfort
and to live without being loved
as a torturer
yeah straight line love that line,
delivered perfectly
yeah how was that moment like? [Toby] I think
yeah it was great for both of us
because
I think we hadn't really worked together
for a while our storylines
split off and so it was
really nice to
bookend the show and come back full
circle and
and finish it with filming is
always
there's never enough time but Andy
the director made sure
that those scenes were really handled
with care and there's just
I mean often
there's a vibe on set where it's like
everyone has got to get their shit
German:
wie in allen Abteilungen gemacht und so wird
viel herumgestürmt
einige, aber manchmal, wenn Sie
Glück haben
Es kann eine Atmosphäre geschaffen werden, an der
jeder teilnimmt
wenn es sehr sehr leise ist und
das zwischen den Bändern keine Art von gibt
wie Kakophonie
Lärm und wir hatten das für
diese Dinge
und es macht irgendwie davon
verändert die Atmosphäre im Raum und
Sie können
diese Atmosphäre irgendwie erschließen, ein bisschen klingt a
bisschen woo-woo, aber da ist
das ... da ist nur ein Gefühl von
als ob etwas Sensibles passiert wäre
, das wirklich ist
Es ist wirklich großartig, dass die Szenen im
Grunde immer leiser werden
Ich möchte nur die Szenen lang und
sehr leise machen und kaum sprechen
für alles murmeln. [Colby] Ja, interessant,
also haben wir uns jetzt ein bisschen angesprochen
In Last Kingdom gibt es einige Szenen,
die irgendwie grausam sind, wie wir sehen
Menschen werden in die
Luft gesprengt. Wir sehen, wie Menschen erstochen werden
durch ihren Hals
ja die Schienbeine sind besonders schlimm
Hungarian:
úgy, mint minden osztályon, és így
nagy a rohanás
néhány, de néha, ha ez
szerencsés
olyan légkör hozható létre, amelyben
mindenki részt vesz
amikor nagyon nagyon csendes, és
hogy a szalagok között nincs ilyen
mint a kakofónia
zaj és erre megvolt
ezeket a dolgokat,
és ez valahogy így van
megváltoztatja a szoba légkörét és
valamilyen módon
megérintheti ezt a légkört
kicsit woo-woo, de van
ilyen ... csak egy érzés
mintha valami érzékeny dolog történt volna
, ami valóban
nagyon jó, hogy a jelenetek csak
halkabbá és alapvetően csendesebbé válnak
Csak azt szeretném, hogy a jelenetek hosszúak legyenek és
valóban csendesek, alig beszéljenek
motyogni mindenért. [Colby] igen érdekes,
ezért most csak egy kicsit érintettünk
a Last Kingdom-ban vannak olyan jelenetek,
amelyek olyan borzalmasak, amilyet látunk
az emberek
felrobbantják a fejüket, látjuk, hogy az embereket elszúrják
a nyakukon keresztül
igen a sípcsont különösen rossz
Spanish:
hecho como en todos los departamentos, por lo que
hay muchas prisas
algunos pero a veces si tienes
suerte
se puede crear una atmósfera en la que
todos participen
cuando está muy, muy tranquilo y
que entre cintas no hay una especie de
como
ruido de cacofonía y lo teníamos para
esas cosas
y lo hace
cambia la atmósfera en la habitación y
puede
aprovechar esa atmósfera un poco suena un
un poco woo-woo pero hay
eso ... solo hay una sensación de
como si sucediera algo sensible
que es realmente
es realmente genial las escenas simplemente se vuelven
más y más silenciosas básicamente
Solo quiero que las escenas sean largas y
realmente silenciosas sin apenas hablar.
murmurar por todo. [Colby] sí interesante,
así que acabamos de tocar un poco ahora
en Last Kingdom hay algunas escenas que
son un poco horribles que vemos
a la gente le explotan la
cabeza, vemos que apuñalan
a través de su cuello,
sí, las espinillas son particularmente malas
Russian:
сделано как во всех отделах и так
много спешки
некоторые, но иногда, если вам
повезет,
может быть создана атмосфера, в которой
каждый участвует
когда очень тихо и
между кассетами нет
как
шум какофонии, и у нас это было для
те вещи,
и это вроде как
меняет атмосферу в комнате и
вы можете немного
погрузиться в эту атмосферу, это звучит как
немного у-у-у, но есть
это ... есть просто ощущение
как будто произошло
что- то чувствительное, это действительно
это действительно здорово, сцены становятся
тише и тише в основном
Я просто хочу, чтобы сцены были длинными и
тихими, почти не разговаривая
бормотать за все. [Колби] Да, интересно,
поэтому мы только немного коснулись этого
в Last Kingdom есть некоторые
ужасные сцены, которые мы видим
у людей
взрывается голова, мы видим, как люди получают ножевые ранения
через их шею
да голени особенно плохи
English:
done like in all departments and so
there's a lot of rushing around
some but sometimes if you're
lucky that
an atmosphere can be created that
everyone partakes in
when it's very very quiet and
that between tapes there isn't a kind of
like cacophony
noise and we had that for
those things
and it does kind of it
changes the atmosphere in the room and
you can kind of
tap into that atmosphere a bit sounds a
bit woo-woo but there's
that... there's just a feeling of
like something sensitive being happened
that's really
it's really great the scenes just get
quieter and quieter basically
I just want to make the scenes long and
really quiet barely talking
mumble for everything. [Colby] yeah interesting
so we just touched on a little bit now
in Last Kingdom there's some scenes that
are kind of they're gruesome we see
people get
head blown up we see people get stabbed
through their neck
yeah the shins are particularly bad
Arabic:
يتم إجراؤه كما هو الحال في جميع الأقسام ، وبالتالي
هناك الكثير من التسرع في العمل
البعض ولكن في بعض الأحيان إذا كنت
محظوظًا
يمكن خلق جو
يشارك فيه الجميع
عندما يكون الجو هادئًا جدًا ولا
يوجد نوع من ذلك بين الأشرطة
مثل
ضجيج نشاز وكان لدينا ذلك
تلك الأشياء
وهو يفعل نوعًا ما
يغير الجو في الغرفة و
يمكنك نوعًا من
النقر على هذا الجو يبدو قليلاً
قليلا woo-woo ولكن هناك
... هناك فقط شعور
كأن شيئًا حساسًا حدث
بالفعل
إنه لأمر رائع حقًا أن تصبح المشاهد
أكثر هدوءًا وهدوءًا بشكل أساسي
أريد فقط أن أجعل المشاهد طويلة
وهادئة بالكاد تتحدث
تتمتم على كل شيء. [كولبي] نعم مثير للاهتمام
لذا تطرقنا قليلاً الآن
في Last Kingdom ، هناك بعض المشاهد
المخيفة التي نراها
الناس يتم
تفجير رؤوسهم ونرى الناس يتعرضون للطعن
من خلال
أعناقهم ، نعم ، السيقان سيئة للغاية
Chinese:
像所有部门一样,所以
有很多工作要做
一些,但有时候如果你很
幸运
可以营造一个
大家都参与的氛围
当它非常安静并且
在磁带之间没有
像
刺耳的噪音,
这些东西
,它确实有点
改变房间的气氛,
您可以在那种
气氛中一点点听起来
有点呜呜呜,但是
...有一种感觉
就像发生
了一件敏感的事情
真的很棒,场景
基本上变得越来越安静
我只是想让场景很长,而且
真的很安静,几乎没有说话
抱怨一切。[Colby]是的,很有趣,
所以我们现在谈了一点
在《上一个王国》中,
我们看到了一些令人毛骨悚然的场景
人们被
炸死,我们被刺伤
通过他们的脖子
,小腿特别糟糕
French:
fait comme dans tous les départements et il
y a donc beaucoup de précipitation
certains mais parfois si vous avez de la
chance
une atmosphère peut être créée à laquelle
tout le monde participe
quand c'est très très calme et
qu'entre les bandes il n'y a pas une sorte de
comme le
bruit de la cacophonie et nous l'avons eu pour
ces choses
et ça le fait en quelque sorte
change l'atmosphère dans la pièce et
vous pouvez en quelque sorte
puiser dans cette atmosphère un peu
peu woo-woo mais il y a
ça ... il y a juste un sentiment de
comme quelque chose de sensible est arrivé,
c'est vraiment
c'est vraiment génial, les scènes deviennent
plus calmes et plus silencieuses en gros
Je veux juste faire des scènes longues et
vraiment silencieuses à peine parlant
marmonner pour tout. [Colby] ouais intéressant
alors nous avons juste abordé un peu maintenant
dans Last Kingdom, il y a des scènes qui
sont un peu horribles, nous voyons
les gens se font
sauter la tête
à travers leur cou
ouais les tibias sont particulièrement mauvais
Portuguese:
feito como em todos os departamentos e então
há muita correria
alguns, mas às vezes se você tiver
sorte
pode ser criada uma atmosfera em que
todos participem
quando está muito quieto e
entre as fitas não há uma espécie de
como
ruído de cacofonia e tínhamos isso para
essas coisas
e meio que
muda a atmosfera na sala e
você pode
tocar nessa atmosfera um pouco soa um
um pouco woo-woo, mas há
isso ... há apenas uma sensação de
como algo sensível acontecendo
que é realmente
é realmente ótimo as cenas ficam cada vez
mais silenciosas, basicamente
Eu só quero fazer as cenas longas e
bem quietas mal falando
resmungue por tudo. [Colby] é interessante,
então apenas tocamos um pouco agora
em Last Kingdom há algumas cenas que
são meio horríveis, vemos
pessoas explodem a
cabeça e vemos pessoas sendo esfaqueadas
através do pescoço,
sim, as canelas são particularmente ruins
French:
ils sont mauvais,
je ne pouvais pas supporter la merde
saison un.
oh ouais ouais le double achille
tranches de tendon. [Colby]
ouais nous voyons un tas de ces trucs ouais
certaines des scènes les plus inconfortables à
regarder
sont en quelque sorte les scènes abusives d'Aethelred
avec vous et Aethelflaed. pouvez-vous
parlez-nous un peu de ce que c'est
que de faire une scène comme celle-là ...
Ouais je veux dire que c'était
assez nerveux à ce sujet
parce que je veux dire que
je n'ai jamais joué au méchant avant
Et je viens juste de sortir d'
un spectacle, je suis sorti de Reign où j'étais
l'éternel bon gars et
très très aimant et attentionné
fondamentalement
tout le temps donc j'étais un peu comme je
J'étais nerveux à ce sujet personnellement, j'étais comme si cela allait
affecte-moi tu sais que c'était
mais en fait jouer le
méchant et
Russian:
они плохие,
я не мог вынести дерьмо в голени
первый сезон.
о да да двойной ахилл
срезы сухожилий. [Колби]
да, мы видим кучу всего этого, да
некоторые из самых неудобных сцен для
просмотра
это что-то вроде оскорбительных сцен
с Этельредом с вами и Этельфлед. не могли бы вы
поговорите с нами немного о том, каково это
делать такую сцену, которая ...
да, я имею в виду, это было
довольно нервно по этому поводу
потому что я имею в виду, что я в основном никогда
не играл плохого парня раньше
И я на самом деле только что закончил
шоу, я вернулся из Reign, где я был
вечно хороший парень и
очень очень любящий и заботливый
в основном
все время, так что я был вроде как я
я нервничал из-за этого
лично я думал, что это будет
повлиять на меня, ты знаешь, что это было
но на самом деле играя плохого
парня и
German:
Sie sind schlecht.
Ich konnte die Scheiße nicht ertragen, in der die Schienbeine steckten
Staffel eins.
oh yeah yeah die doppelten Achilles
Sehnenscheiben. [Colby]
Ja, wir sehen ein paar davon
einige der unangenehmsten Szenen zu
sehen
sind eine Art der missbräuchlichen Aethelred-Szenen
mit dir und Aethelflaed. Könntest du
Sprechen Sie mit uns ein wenig darüber, wie es ist
, eine solche Szene zu machen, die ...
Ja, ich meine, es war
ziemlich nervös
weil ich meine, ich habe im Grunde
noch nie einen Bösen gespielt
und ich würde eigentlich gerade von
einer Show kommen, ich bin von Reign gekommen, wo ich war
der ewige gute Kerl und
sehr sehr liebevoll und fürsorglich
im Grunde die
ganze Zeit, also war ich irgendwie ich
Ich war persönlich nervös, als ob das so wäre
Beeinflussen Sie mich, Sie wissen, dass es war
aber eigentlich den Bösen spielen
und
Arabic:
إنهم سيئون
لأنني لم أستطع تحمل الهراء
الموسم الاول.
أوه نعم نعم العرق المزدوج
شرائح الوتر. [كولبي]
نعم ، نرى مجموعة من تلك الأشياء ، نعم
بعض أكثر المشاهد غير المريحة
للمشاهدة
هي نوع من مشاهد Aethelred المسيئة
معك و Aethelflaed. يمكنك
تحدث إلينا قليلاً عما
يشبه القيام بمشهد كهذا ...
نعم أعني أنه كان
متوترًا جدًا حيال ذلك
لأنني أعني أنني في الأساس لم
ألعب دور الرجل السيئ من قبل
وكنت في الواقع قد خرجت للتو من
العرض ، لقد خرجت من Reign حيث كنت
الرجل الطيب الأبدي
جدا جدا المحبة والرعاية
في الأساس
طوال الوقت لذلك كنت نوعًا ما
كنت متوترة بشأنه
شخصيًا كنت مثل هل هذا سيحدث
يؤثر علي ، تعلم أنه كان
ولكن في الواقع تلعب دور
الرجل السيئ و
English:
they're bad
I couldn't stand the shit the shins in
season one.
oh yeah yeah the double achilles
tendon slices. [Colby]
yeah we see a bunch of that stuff yeah
some of the most uncomfortable scenes to
watch
are kind of the abusive Aethelred scenes
with you and Aethelflaed. could you
talk to us a little bit about what it's
like to do a scene like that that's...
yeah I mean it's was
pretty nervous about it
because I mean I've basically never
I've never played bad guy before
and I'd actually just come off
a show, I've come off Reign where I was
the eternal good guy and
very very loving and caring
basically
all the time so I was kind of I
was nervous about it
personally I was like is this going to
affect me you know it was
but actually playing the bad
guy and
Hungarian:
rosszak
, nem bírtam a szart, amibe belemegyek
első évad.
ja, igen, a kettős achilles
ínszeletek. [Colby]
igen, látunk egy csomó ilyen dolgot igen
a legkellemetlenebb
nézhető jelenetek közül
amolyan bántalmazó Aethelred jelenetek
veled és Aethelflaeddel. tudnál
beszélj velünk egy kicsit arról, milyen
egy ilyen jelenetet csinálni, ami ...
igen, úgy értem,
elég ideges volt emiatt
mert úgy értem, hogy soha
nem játszottam még soha rosszfiút
és valójában csak
egy műsorból jöttem volna, a Reign-ből jöttem le, ahol voltam
az örök jó srác és
nagyon nagyon szeretetteljes és gondoskodó
alapvetően állandóan,
így kedves voltam
személyesen ideges voltam ezért voltam, mint ez
hat rám, tudod, hogy volt
de valójában a rosszfiút játssza
és
Portuguese:
eles são ruins,
eu não pude suportar a merda nas canelas
primeira temporada.
oh sim sim o duplo Aquiles
fatias de tendão. [Colby]
sim, vemos um monte dessas coisas sim
algumas das cenas mais desconfortáveis de
assistir
são as cenas abusivas de Aethelred
com você e Aethelflaed. você poderia
fale conosco um pouco sobre como é
fazer uma cena dessas que é ...
sim, quero dizer, estava
muito nervoso com isso
porque quero dizer, eu basicamente
nunca interpretei o vilão antes
e na verdade acabei de sair de
um show, saí de Reign de onde estava
o eterno bom rapaz e
muito amoroso e atencioso
basicamente
o tempo todo, então eu era meio que eu
estava nervoso com isso
pessoalmente, eu pensei se isso iria
me afeta você sabe que foi
mas na verdade bancando o
bandido e
Spanish:
son malos,
no podía soportar la mierda en las espinillas
Temporada uno.
oh si si el doble aquiles
cortes de tendón. [Colby]
sí, vemos un montón de esas cosas, sí
algunas de las escenas más incómodas de
ver
son una especie de escenas abusivas de Aethelred
contigo y Aethelflaed. Podrías
Háblanos un poco sobre cómo es
hacer una escena como esa que es ...
sí, quiero decir que estaba
bastante nervioso por eso
porque quiero decir, básicamente nunca
, nunca antes había jugado al malo
y en realidad acababa de salir de
un programa, salí de Reign donde estaba
el eterno buen chico y
muy muy cariñoso y cariñoso
básicamente
todo el tiempo, así que era una especie de yo
estaba nervioso por eso
personalmente, estaba como si esto fuera a
me afecta tu sabes que fue
pero en realidad jugando al
chico malo y
Chinese:
他们很糟糕,
我受不了小便
第一季。
哦,是的,双重致命弱点
肌腱片。[Colby]
是的,我们看到了一堆东西
观看一些最不舒服的场景
是
您和Aethelflaed 的虐待性Aethelred场景。您可以...吗
跟我们谈谈
做这样一个场景的感觉是什么...
是的,我是说对此
非常紧张
因为我的意思是我基本上
从没玩过坏人
我实际上只是参加
一场表演,我离开了Reign
永恒的好人,
非常非常爱和关怀
基本上
所有的时间,所以我有点我
我个人对此很紧张我想这会是
影响我,你知道那是
但其实玩坏
家伙,
Hungarian:
az a személy, aki olyan
ember, akit szeretsz utálni
Úgy értem, hogy kissé megváltozott, mert azok a
korai jelenetek
olyanok, mint valóban szorongatóak.
Aethelred idővel úgy érzem, hogy lettem
inkább nem komikus karakter, de
volt egy
fellángol egyfajta gonosz érzéket,
ami elég élvezetes volt
eredetileg olyan volt, mintha
valóban felidegesített volna
és az ilyen
jeleneteket csinálni az
mint soha semmilyen módon és
akkor sem kellemes
a rendező Jamie Donahue olyan volt, mintha
tudnád, hogy ez valami
mindig óvatosan kell bánni azzal
, hogy ne dicsőítsen semmit
csak azért, mert kamerák teszik dolgok
jó, mint
csak az a mód, ahogy a dolgokat lövik,
gyönyörű
és ezért
nem tudom néha, hogy belegondoljak
Meryl Streep
ugyanúgy játssza Margaret Thatchert , mint Margaret Thatchert
Meryl Streep csak úgy teszi, hogy
Margaret Thatcher jól néz ki
German:
die Person zu sein, die die Art von
Person ist, die du gerne hasst
Ich meine, es hat sich ein bisschen geändert, weil diese
frühen Szenen
sind wie wirklich quälend.
Mit der Zeit fühlte ich mich wie geworden
eher ein nicht komödiantischer Charakter, aber er
hatte einen
Fackel eine Art böses Flair für ihn
, das sehr angenehm war
ursprünglich war es
wirklich ärgerlich
und diejenigen zu tun, die solche
Szenen machen, ist
wie nie in irgendeiner Weise angenehm und
dann
Der Regisseur Jamie Donahue war, als
wüssten Sie, dass das etwas ist
muss immer mit Sorgfalt behandelt werden
, damit Sie nichts verherrlichen
Nur weil Kameras Dinge
gut aussehen lassen
Nur die Art und Weise, wie Dinge gedreht werden, ist
wunderschön
und so
weiß ich manchmal nicht, woran ich denke
Meryl Streep spielt Margaret Thatcher
genauso wie Margaret Thatcher
Nur wenn Meryl Streep das tut, lässt du
Margaret Thatcher gut aussehen
Russian:
быть человеком, которого
вы любите ненавидеть
Я имею в виду, что это немного изменилось, потому что те
ранние сцены
действительно огорчены.
Этельред со временем, я чувствую, стал
больше не комедийный персонаж, но у
него был
проявить к нему какое-то злое чутье,
что было весьма приятно
изначально это было похоже на
искреннее огорчение
и делать те, кто снимает такие
сцены, - это
как никогда не приятно, а
потом
режиссер Джейми Донахью был такой, будто
ты знаешь, что это что-то
всегда нужно обращаться с осторожностью, чтобы
вы ничего не прославляли
просто потому, что камеры делают все
хорошо, как
просто то, как все снимают,
красиво
и поэтому
я не знаю, иногда я думаю о
Мерил Стрип играет Маргарет Тэтчер так
же, как в роли Маргарет Тэтчер
только благодаря тому, что Мерил Стрип делает это, вы заставляете
Маргарет Тэтчер хорошо выглядеть
English:
being the person who is the sort of
the person you love to hate
I mean it changed a bit because those
early scenes
are like genuinely distressing.
Aethelred over time I feel like became
more of a not comedic character but he
had a
flare a kind of an evil flair to him
that was quite enjoyable
originally it was like
genuinely upsetting
and doing those doing those kinds of
scenes is
like never pleasant in any way and
then
the director Jamie Donahue was like
you know that's something that
always needs to be handled with care so
that you're not glorifying anything
just because cameras make things look
good like
just the way that things are shot is
beautiful
and so
I don't know sometimes I think about
Meryl Streep playing Margaret Thatcher
just like by playing Margaret Thatcher
just by Meryl Streep doing that you make
Margaret Thatcher look good like
Arabic:
كونك الشخص الذي
تحب أن تكرهه
أعني أنها تغيرت قليلاً بسبب تلك
المشاهد المبكرة
هي مثل محزن حقا.
Aethelred بمرور الوقت أشعر أنني أصبحت
أكثر من غير شخصية كوميدية ولكن كان
لديه
له نوع من الذوق الشرير
كان ممتعًا جدًا
في الأصل كان الأمر
مزعجًا حقًا
والقيام بتلك الأنواع من
المشاهد هو
لم يكن ممتعًا بأي شكل من الأشكال وبعد
ذلك
كان المخرج جيمي دوناهو وكأنك
تعلم أن هذا شيء
تحتاج دائمًا إلى التعامل معها بعناية حتى
لا تمجد أي شيء
فقط لأن الكاميرات تجعل الأشياء تبدو
جيدة
الطريقة التي يتم بها تصوير الأشياء
جميلة
ولذا
فأنا لا أعرف أحيانًا ما أفكر فيه
ميريل ستريب تلعب دور مارغريت تاتشر
تمامًا كما تلعب دور مارجريت تاتشر
فقط بفعل ميريل ستريب جعل
مارجريت تاتشر تبدو جيدة مثل
French:
être la personne qui est le genre de
personne que vous aimez détester
Je veux dire que ça a changé un peu parce que ces
premières scènes
sont comme vraiment angoissants.
Aethelred au fil du temps, je me sens comme devenu
plus un personnage pas comique mais il
avait un
flare une sorte de flair maléfique pour lui
qui était assez agréable
à l'origine c'était
vraiment bouleversant
et faire ceux qui font ce genre de
scènes est
comme jamais agréable en aucune façon et
puis
le réalisateur Jamie Donahue était comme
vous savez que c'est quelque chose qui
doit toujours être manipulé avec soin pour
ne rien glorifier
juste parce que les caméras donnent une
belle apparence
la façon dont les choses sont prises est
magnifique
et donc
je ne sais pas parfois je pense
Meryl Streep jouant Margaret Thatcher
comme en jouant Margaret Thatcher
rien qu'en faisant Meryl Streep, vous donnez à
Margaret Thatcher une belle apparence
Portuguese:
ser a pessoa que é o tipo de
pessoa que você ama odiar
Quero dizer, mudou um pouco porque aquelas
primeiras cenas
são verdadeiramente angustiantes.
Aethelred com o tempo, sinto que se tornou
mais de um personagem não cômico, mas ele
tinha um
acendeu uma espécie de talento do mal para ele
que era bastante agradável
originalmente era como
realmente perturbador
e fazer esse tipo de
cena é
como nunca agradável de qualquer maneira e
então
o diretor Jamie Donahue era como se
você soubesse que é algo que
sempre precisa ser tratado com cuidado para
que você não glorifique nada
só porque as câmeras fazem as coisas parecerem
boas, como
apenas a maneira como as coisas são filmadas é
linda
e então
eu não sei às vezes eu penso sobre
Meryl Streep interpretando Margaret Thatcher,
assim como interpretando Margaret Thatcher
apenas por Meryl Streep fazendo isso você faz
Margaret Thatcher parecer bem
Chinese:
是那种
你喜欢恨的人
我的意思是说它有所改变,因为那些
早期的场景
就像是真正令人痛苦的。
随着时间的流逝,我觉得自己变得
更多的不是喜剧演员,但他
有一个
耀眼对他
来说是一种邪恶的天赋
最初就像是
真正的沮丧
做那些那样的
场景是
从来都不喜欢,
然后
导演杰米·多纳休(Jamie Donahue)就像
你知道的那样
始终需要谨慎处理,以免
造成任何荣耀
只是因为相机使事物看起来
像
拍摄事物的方式
很美
所以
我不知道有时候我在想
梅丽尔·斯特里普(Meryl Streep)扮演玛格丽特·撒切尔
(Margaret Thatcher)
就像梅丽尔·斯特里普(Meryl Streep)所做的那样,就是让
玛格丽特·撒切尔(Margaret Thatcher)看起来像
Spanish:
ser la persona que es el tipo de
persona que amas odiar
Quiero decir que cambió un poco porque esas
primeras escenas
son como realmente angustiantes.
Aethelred con el tiempo siento que me convertí
más un personaje no cómico, pero
tenía un
para él una especie de estilo malvado
que fue bastante agradable
originalmente era como
realmente molesto
y hacer esos que hacen ese tipo de
escenas es
como nunca agradable de ninguna manera y
luego
el director Jamie Donahue era como
si supieras que eso es algo que
siempre debe manejarse con cuidado para
que no glorifique nada
solo porque las cámaras hacen que las cosas se vean
bien como
la forma en que se filman las cosas es
hermosa
y entonces
no sé, a veces pienso en
Meryl Streep interpretando a Margaret Thatcher
al igual que interpretando a Margaret Thatcher
solo con Meryl Streep haciendo eso, haces que
Margaret Thatcher se vea bien como
French:
parce qu'elle tu es
comme oh Meryl Streep est Margaret
Thatcher
Margaret, c'est Meryl Streep, tu sais?
donc juste en mettant quelque chose sur la caméra,
c'est presque que vous faites un
le choix de
vous le savez donc il faut le gérer
délicatement pour ne
rien glorifier qui
Je pense que nous avons
fait
Et ouais ces scènes
ces scènes se sont déroulées comme des citations sans citation
bien.
mais comme le
caractère développé, je sens que son ... il a eu ça
genre d'élément comique où c'était
plus comme s'il était le
comme le ... pas le bouffon mais comme celui d'
Aethelred
un peu stupide ou du moins
il est motivé, il le rend
il est motivé ...
eh bien il fait des choix terribles
constamment
et donc c'est amusant comme ça
Portuguese:
porque ela você é
como, oh Meryl Streep é Margaret
Thatcher
Margaret aquela é Meryl Streep, você conhece?
então, apenas por colocar algo na câmera
é quase que você está fazendo um
escolha de
você sabe então tem que ser tratada
delicadamente para que você não
glorifique nada que
Acho que
fizemos
e sim essas cenas
essas cenas saíram como citação, citação
bem.
mas como o
personagem desenvolvido, sinto que seu ... ele entendeu isso
tipo de elemento cômico onde era
mais como se ele fosse o
como o ... não o bobo da corte, mas como o de
Aethelred
meio burro ou pelo menos
ele está motivado, ele o faz
ele está motivado ...
bem, ele faz escolhas terríveis
constantemente
e por isso é divertido assim
German:
weil sie
wie du bist, oh Meryl Streep ist Margaret
Thatcher
Margaret, das ist Meryl Streep, weißt du?
Wenn Sie also etwas vor die Kamera stellen
, sind Sie fast fertig
Wahl von
Ihnen wissen, so muss es gehandhabt werden
zart, damit du nichts
verherrlichst, was
Ich denke wir haben es
getan
und ja diese szenen
diese szenen kamen wie quote unquote raus
Gut.
aber als die
Charakter entwickelt Ich fühle, dass sein ... er hat das
Art komödiantisches Element, wo es
eher so war , als wäre er der
wie der ... nicht der Narr, sondern wie er
Aethelreds
irgendwie dumm oder zumindest ist
er motiviert, dass er ihn macht
Er ist motiviert ... nun,
er trifft schreckliche Entscheidungen
ständig
und so macht es Spaß
Spanish:
porque ella eres
como oh Meryl Streep es Margaret
Thatcher
Margaret, esa es Meryl Streep, ¿sabes?
así que con solo poner algo en la cámara
es casi que estás haciendo una
elección de
usted sabe, por lo que tiene que ser manejado
delicadamente para que no
glorifiques nada que
Creo que lo
hicimos
y sí esas escenas
esas escenas salieron como entre comillas
bien.
pero como el
personaje desarrollado siento que su ... él consiguió esto
tipo de elemento cómico donde era
más como si fuera el
como el ... no el bufón sino como el de
Aethelred
un poco tonto o al menos
está motivado, lo hace
está motivado ...
bueno, toma decisiones terribles
constantemente
y así es divertido
English:
because she you're
like oh Meryl Streep is Margaret
Thatcher
Margaret that is Meryl Streep you know?
so just by putting something on camera
is almost you're you're you're making a
choice of
you know so it has to be handled
delicately so that you're not
glorifying anything which
I think we
did
and yeah those scenes
those scenes came off like quote unquote
well.
but as the
character developed I feel that his... he got this
kind of comedic element where it was
more like he was the
like the... not the jester but like he
Aethelred's
kind of dumb or at least
he's motivated he makes he
he's motivated...
well he makes terrible choices
constantly
and so it's fun as that
Hungarian:
mert olyan vagy,
mint Meryl Streep, Margaret
Thatcher
Margaret, az a Meryl Streep, akit ismersz?
szóval csak azzal, hogy valamit fényképezőgépre tesz,
már majdnem olyan, mint a
választja
, ezért tudja kezelni
finoman, hogy ne
dicsőítsen semmit
Azt hiszem,
megtettük
és igen, azok a jelenetek,
ezek a jelenetek idézet nélküli idézetekként jelentek meg
jól.
hanem mint a
alakult ki úgy érzem, hogy az övé ... ezt megkapta
amolyan komikus elem, ahol
inkább olyan volt , mint ő
mint a ... nem a bolond, hanem mint
Aethelredé
amolyan buta, vagy legalábbis
motiválja, hogy csinálja
motivált ...
hát szörnyen dönt
állandóan,
és így szórakoztató
Chinese:
因为她你
就像哦梅丽尔·斯特里普(Meryl Streep)是玛格丽特(Margaret)
撒切尔
玛格丽特就是梅丽尔·斯特里普,你知道吗?
因此,只要在相机上放一些东西就
可以了
你知道的选择,所以必须处理
精致地使您不
荣耀任何东西
我认为我们
做到了
是的,那些场景
像引用报价一样消失了
好。
但是作为
性格发展了,我觉得他...他明白了
一种喜剧元素,
更像是他
就像...不是小丑,而是像他的
埃塞尔瑞德
有点愚蠢,或者至少是
他有动力,使他
他有动力...
好吧,他做出了可怕的选择
不断
,所以很有趣
Russian:
потому что она такая,
как Мерил Стрип, Маргарет
Тэтчер
Маргарет, это Мерил Стрип, вы знаете?
так что просто снимая что-то на камеру,
вы почти делаете
выбор
вы знаете, так что это нужно обработать
деликатно, чтобы не
прославлять то, что
Я думаю мы
сделали
И да, эти сцены, эти сцены
были сняты, как цитата, не цитата
хорошо.
но как
характер развился я чувствую, что его ... он получил это
своего рода комедийный элемент, в котором он
больше походил на
как ... не шут, а как он
Этельред
тупой или, по крайней мере,
он мотивирован, он заставляет
он мотивирован ...
ну, он делает ужасный выбор
постоянно
и так это весело
Arabic:
لأنك
مثل يا ميريل ستريب هي مارجريت
تاتشر
مارجريت هذه ميريل ستريب كما تعلم؟
لذلك بمجرد وضع شيء ما على الكاميرا ،
فإنك تقريبًا تقوم بإنشاء ملف
اختيارك
تعرف لذا يجب التعامل معه
بدقة حتى لا
تمجد أي شيء
أعتقد أننا
فعلنا
ونعم تلك
المشاهد خرجت تلك المشاهد مثل اقتباس غير مقتبس
حسنا.
ولكن مثل
تطورت الشخصية أشعر أنه ... حصل على هذا
نوع من العنصر الكوميدي حيث كان
أشبه بكونه
مثل ... ليس المهرج ولكن مثل
Aethelred
نوع من الغباء أو على الأقل
لديه الدافع الذي يجعله
إنه متحمس ...
حسنًا يتخذ خيارات رهيبة
باستمرار
ولذا فهو ممتع على هذا النحو
Portuguese:
personagem para ser
a pessoa que o público vai
como não, por favor
, não faça isso, você sabe? não faça isso
más escolhas, enquanto todos ao seu redor que
você conhece estão apenas tentando manter as coisas
flutuando então houve uma mudança que eu
gostei, acho que ele se
desenvolveu ainda mais na quarta temporada
onde as cenas ficaram
mais engraçadas e melhores. eu realmente
Eu estava ... essa foi a única coisa que eu
perdi ou que
foi uma pena morrer por isso. Eu não consegui
prosseguir com isso e
ficou ainda pior
Eu não sei o quanto pior eu poderia ter
tenho, mas sim. [Steve] houve uma cena em que
Aethelflaed quando ela voltou com
Uhtred e eles na terceira temporada e
ela diz, oh, você não parece surpreso
que alguém tentou me matar ou
algo parecido e você fica tipo
e agora? [Colby] falsa
surpresa que foi incrível
sim Deus, ele é um bastardo. [Steve],
mas foi um daqueles engraçados
cenas eu vou morrer e rir depois de
assistir isso sim
Arabic:
الشخصية لتكون
الشخص الذي يذهب إليه الجمهور
مثل لا من فضلك
لا لا تفعل هذا كما تعلم؟ لا تجعل هؤلاء
اختيارات سيئة ، بينما
يحاول كل من حوله الاحتفاظ بالأشياء
واقفا على قدميه لذا كان هناك دور أني
لقد استمتعت أعتقد أنه
تطور نوعًا ما أكثر في الموسم الرابع
حيث أصبحت المشاهد
أكثر تسلية وأفضل. أنا في الحقيقه
كنت ... كان هذا هو الشيء الوحيد الذي
فاتني أو أنه هو
كان من العار أن أموت من أجل ذلك. لم
أسعى إلى أبعد من ذلك وإلى
أصبحت أسوأ
، لا أعرف إلى أي مدى يمكن أن يكون أسوأ
حصلت ولكن نعم. [ستيف] كان هناك مشهد حيث
Aethelflaed عندما عادت معه
Uhtred وهم في الموسم الثالث
وهي تقول أوه لا يبدو أنك متفاجئ
أن شخصًا ما حاول قتلي أو
شيء من هذا القبيل وأنت فقط مثل
ماذا عن الان؟ [كولبي]
مفاجأة مزيفة كانت مذهلة
نعم يا إلهي ، إنه لقيط. [ستيف]
ولكن هذا كان مثل واحد من هؤلاء مضحك
مشاهد سأموت وأضحك بعد
مشاهدة ذلك نعم
Hungarian:
karakter az
a személy, akire a közönség jár
mint nem, kérem, ne
, ne tegye, amit tud? ne csináld ezeket
rossz döntések, miközben körülötte mindenki,
akit ismer, csak megpróbálja megtartani a dolgokat
felszínen, így volt egy fordulat, hogy én
élvezte azt hiszem,
valahogy még jobban fejlődött a negyedik évadba
ahol a jelenetek
viccesebbek és jobbak lettek. valóban
Én ... ez volt az egyetlen dolog, amit
hiányoltam, vagy az
kár volt meghalni ezért. Nem
folytattam ezt tovább és tovább
még rosszabbá válik
, nem tudom, mennyivel rosszabb is lehet
kaptam, de igen. [Steve] volt egy jelenet, ahol
Aethelflaed, amikor visszatér
Uhtred és ők a harmadik évadban, és
azt mondja, ó, úgy tűnik, nem csodálkozol
hogy valaki megpróbált megölni, vagy
valami hasonló, és te csak olyan vagy
és most? [Colby] ál
meglepetés, csodálatos volt
igen isten, olyan gazember. [Steve],
de ez olyan volt, mint egy ilyen vicces
jelenetek csak meghalok és nevetek, miután
megnéztem azt
English:
character to be
the person that the audience is going
like no please no
don't do that you know? don't make these
bad choices, while everyone around him
you know is just trying to keep things
afloat so there was a there was a turn that I
enjoyed I think he kind of
developed even more into season four
where the scenes got
funnier and better. I really
I was... that was the one thing I
missed or that it
was a shame to die for that. I didn't get
pursue that further and to
become even worse
I don't know how much worse I could have
got but yeah. [Steve] there was a scene where
Aethelflaed when she comes back with
Uhtred and them in season three and
she says oh you don't seem surprised
that someone tried to kill me or
something like that and you're just like
what about now? [Colby] fake
surprise that was amazing
yeah god he's such a bastard. [Steve]
but that was like one of those funny
scenes I'll just die and laughing after
watching that yeah
Russian:
персонаж должен быть
человеком, которого собирается публика
как нет, пожалуйста, не
делай этого, ты знаешь? не делай это
плохой выбор, в то время как все вокруг него, которого
вы знаете, просто пытаются сохранить вещи
на плаву, так что был поворот, что я
мне понравилось, я думаю, что он
развился еще больше в четвертом сезоне
где сцены становились
веселее и лучше. я действительно
Я был ... это было единственное, чего я
скучал или это
было стыдно умереть за это. Я не стал
заниматься этим дальше и
стало еще хуже,
я не знаю, насколько я мог бы быть хуже
получил но да. [Стив] была сцена, где
Этельфлаэд возвращается с
Утред и они в третьем сезоне, и
она говорит, что ты не выглядишь удивленным
что кто-то пытался убить меня или
что-то в этом роде, а ты такой же
что насчет сейчас? [Колби] фальшивый
сюрприз, это было потрясающе
да боже, он такой ублюдок. [Стив],
но это было похоже на одну из тех забавных
сцены я просто умру и смеюсь после
просмотра этого да
French:
personnage pour être
la personne que le public va
comme non s'il vous plaît non
ne faites pas que vous savez? ne fais pas ça
mauvais choix, alors que tout le monde autour de lui,
vous le savez, essaie juste de garder les choses
à flot donc il y avait un il y avait un virage que je
apprécié, je pense qu'il s'est en quelque sorte
développé encore plus dans la saison quatre
où les scènes sont
devenues plus drôles et meilleures. J'ai vraiment
J'étais ... c'était la seule chose que j'avais
manquée ou que c'était
c'était dommage de mourir pour ça. Je n'ai pas
poursuivi cela plus loin et
devenir encore pire,
je ne sais pas à quel point j'aurais pu être pire
obtenu mais ouais. [Steve] il y avait une scène où
Aethelflaed quand elle revient avec
Uhtred et eux dans la saison trois et
elle dit oh tu ne sembles pas surpris
que quelqu'un a essayé de me tuer ou
quelque chose comme ça et tu es juste comme
et maintenant? [Colby] fausse
surprise qui était incroyable
ouais mon dieu, c'est un salaud. [Steve]
mais c'était comme un de ces drôles
scènes je mourrai juste en riant après avoir
regardé ça ouais
German:
Charakter, um
die Person zu sein, die das Publikum geht
wie nein bitte nein
tu das nicht weißt du? mach diese nicht
schlechte Entscheidungen, während jeder um ihn herum, den
Sie kennen, nur versucht, die Dinge zu behalten
flott, also gab es eine Wende, die ich
genossen Ich denke, er hat
sich noch mehr zur vierten Staffel entwickelt
wo die Szenen
lustiger und besser wurden. Ich [...] wirklich
Ich war ... das war das Einzige, was ich
vermisst habe oder das es war
Es war eine Schande, dafür zu sterben. Ich habe das nicht
weiter und weiter verfolgt
noch schlimmer werden
Ich weiß nicht, wie viel schlimmer ich haben könnte
bekam aber ja. [Steve] Es gab eine Szene, in der
Aethelflaed, als sie zurückkommt
Uhtred und sie in Staffel drei und
sie sagt, oh, du scheinst nicht überrascht zu sein
dass jemand versucht hat mich zu töten oder
so und du bist einfach so
Was ist mit jetzt? [Colby] falsche
Überraschung, das war unglaublich
Ja Gott, er ist so ein Bastard. [Steve]
aber das war wie einer dieser lustigen
Szenen Ich werde einfach sterben und lachen, nachdem
ich das gesehen habe, ja
Chinese:
成为
观众要去的人的角色
不
,不,不,你不知道吗?不要做这些
糟糕的选择,而他周围的每个人都
知道他只是在努力保留事情
漂浮,所以有一个转弯,我
我觉得他很喜欢
第四赛季的成长
场景变得越来越
有趣。我真的
我当时...那是我
想念的一件事
为此而感到遗憾。我没有
继续追求那个
变得更糟,
我不知道我会有多严重
但是,是的。[Steve]有个场景,
Aethelflare回来时
Uhtred和他们在第三季,
她说哦,您似乎并不感到惊讶
有人试图杀死我或
类似的东西,而你就像
现在呢?[Colby]
令人惊讶的假惊喜
是的,他真是个混蛋。[史蒂夫]
但这就像那些有趣的人之一
看完这些场面我会死去笑
Spanish:
personaje para ser
la persona a la que va la audiencia
como no, por favor, no
, no hagas eso, ¿sabes? no hagas estos
malas decisiones, mientras que todos a su alrededor que
usted conoce están tratando de mantener
a flote, así que hubo un giro en el que
disfruté, creo que se
desarrolló aún más en la cuarta temporada
donde las escenas se volvieron
más divertidas y mejores. Yo realmente
Yo era ... eso era lo único que
extrañaba o eso
Fue una pena morir por eso. No logré
perseguir eso más y para
empeorar
, no sé cuánto peor podría haber
tengo pero sí. [Steve] hubo una escena en la que
Aethelflaed cuando regresa con
Uhtred y ellos en la tercera temporada y
ella dice oh, no pareces sorprendido
que alguien trató de matarme o
algo así y estás como
¿Qué te parece ahora? [Colby]
sorpresa falsa que fue increíble
sí, Dios, es un bastardo. [Steve]
pero fue como uno de esos divertidos
Escenas me moriré y reiré después de
ver eso
Arabic:
إنه لي ... أشعر أن دوري فيه
كان
لأن مواضيع العرض تدور حول
هذا الشرف والولاء و
الأخوة والقدر والقدر
والعدل ليكون الشخص
من يكره كل ذلك.
يجدها كما لو كنت تعرف
هذا رائع ، نعم كان
هناك بعض الشيء
لا أعتقد أنهم استخدموا أيًا من هذه
الأشياء
أين
في الثانية عندما Uhtred
العودة إلى خطنا في
المعركة
المعركة النهائية
ويصرخ أحدهم إنها Uhtred وأنا أحصل على كل شيء
هذه الأشياء من مجرد كونها مثل
"Uhtred؟" يجرى
مثل "من
هو Uhtred اللعين؟" [كولبي] كان يجب أن يفعل ذلك
الخط هناك
كان رائعًا ، نعم
أن تكون مثل يا إلهي ، نعم صحيح ، نعم إنه
Uhtred
نعم بالطبع انها سخيف نعم حسنا أنا
أحصل عليه
Portuguese:
é meu ... sinto que meu papel nisso
foi
porque os temas do programa são sobre
esta honra e lealdade e
irmandade e destino e destino e
apenas ser a pessoa
que simplesmente odeia tudo isso.
encontra como se você conhecesse
isso é legal sim,
havia um pouco onde
Eu não acho que eles usaram nenhum desses
takes
onde
no segundo quando Uhtred está
cavalgando de volta para nossa linha na
batalha em
a batalha final e alguém
grita é Uhtred e eu pego todos
essas tomadas de apenas ser como
"Uhtred?" ser
tipo "quem
diabos é Uhtred?" [Colby] ele deveria ter feito isso
linha bem ali
que foi incrível, sim
sendo tipo, oh Deus, claro, é
Uhtred
sim, claro que é porra, sim, ok,
entendi
French:
c'est mon ... j'ai l'impression que mon rôle
est
parce que les thèmes de l'émission portent sur
cet honneur et cette fidélité et
fraternité et destin et destin et
juste être la personne
qui déteste tout ça.
trouve que tu es comme tu sais
c'est cool ouais il y avait un
il y a un peu où
Je ne pense pas qu'ils aient utilisé l'une de ces
prises
où
dans la seconde quand Uhtred
revenir à notre ligne dans la
bataille de
la bataille finale et quelqu'un
crie c'est Uhtred et je viens de tout
ces prises d'être comme
"Uhtred?" étant
comme "qui
est ce bordel Uhtred?" [Colby] il aurait dû faire ça
ligne juste là
qui avait été incroyable ouais
être comme oh mon dieu ouais bien ouais c'est
Uhtred
ouais bien sûr c'est putain ouais ok je
comprends
English:
it's my... I feel like my role in it
was
because the show's themes are about
this honor and loyalty and
brotherhood and destiny and fate and
just to be the person
who just hates all that.
finds it like you're like you know
that's cool yeah there was a
there's a bit where
I don't think they used any of these
takes
where
in the second when Uhtred's
riding back to our line in the
battle in
the final battle and someone
shouts it's Uhtred and I just get all
these takes of just being like
"Uhtred?" being
like "who the
fuck is Uhtred?" [Colby] he should have done that
line right there
that'd been amazing yeah
being like oh god yeah right yeah it's
Uhtred
yeah of course it's fucking yeah okay I
get it
Chinese:
是我的...我觉得我的角色
是
因为表演的主题是关于
这种荣誉和忠诚的,
兄弟情谊,命运与命运,
只是成为一个人
只是讨厌所有这些。
发现它就像你知道
很好,是的,
那里有一个地方
我认为他们没有使用任何这些
方法
其中,
在当第二Uhtred的
在
战斗中回到我们的行列
最后一战,有人
大叫它Uhtred,我就全部拿走了
这些需要就像
“ Uhtred?” 存在
就像“谁
是该死的人?” [Colby]他应该做到的
就在那边
,那真是太棒了
就像哦,上帝,是的,是的,它是
Uhtred
是的,当然是他妈的,是的,我
知道了
Russian:
это моя ... я чувствую, что моя роль в этом
была
потому что темы шоу посвящены
этой чести, верности и
братство и судьба и судьба и
просто быть человеком
кто просто ненавидит все это.
находит это так, как будто ты знаешь
это круто, да, было
немного, где
Я не думаю, что они использовали какие-либо из этих
дублей
где
во втором, когда Утред
возвращаясь к нашей линии в
битве в
финальная битва, и кто-то
кричит, что это Утред, и я просто получаю все
эти попытки просто быть похожими на
Утреда? будучи
типа "кто,
черт возьми, Утред?" [Колби] он должен был сделать это
линия прямо там
, это было потрясающе да
быть как о боже, да, да, это
Утред
да конечно это чертовски да ладно я
понял
Spanish:
es mi ... siento que mi papel
fue
porque los temas del programa son sobre
este honor y lealtad y
hermandad y destino y suerte y
solo ser la persona
que odia todo eso.
lo encuentra como si fueras como si supieras
eso es genial, sí, hay
un poco donde
No creo que hayan usado ninguna de estas
tomas.
donde
en el segundo cuando Uhtred's
cabalgando de regreso a nuestra línea en la
batalla en
la batalla final y alguien
grita que es Uhtred y acabo de recibir todo
estas tomas de simplemente ser como
"Uhtred?" siendo
como "¿quién
diablos es Uhtred?" [Colby] debería haber hecho eso
línea justo ahí
que había sido increíble, sí
siendo como oh Dios, sí, sí, es
Uhtred
sí, por supuesto que está jodidamente, sí, está bien, lo
entiendo
Hungarian:
ez az én ... Úgy érzem, hogy a szerepem az
volt
mert a műsor témái erről
a megtiszteltetésről és hűségről szólnak és
testvériség, sors és sors, és
csak azért, hogy személy legyek
aki csak gyűlöli mindezt.
úgy találja, mintha olyan lenne, mint te
ez nagyon jó, volt
egy kicsit, ahol
Nem hiszem, hogy ezek
egyikét is használták volna
hol
a másodikban, amikor Uhtred
visszavonulni a sorunkhoz a
csatában
az utolsó csatát, és valaki
azt kiáltja, hogy Uhtred, és én mindent megszerzek
ezek csak annyit
igényelnek, hogy csak "Uhtred?" lény
mint "ki a
fasz Uhtred?" [Colby] ezt kellett volna tennie
vonal ott volt
, ami elképesztő volt, igen
olyan, mint ó, istenem, igen, igen, ez
Uhtred
igen, persze kibaszott igen oké
értem
German:
Es ist meine ... Ich fühle mich wie meine Rolle darin
war
denn die Themen der Show sind über
diese Ehre und Loyalität und
Brüderlichkeit und Schicksal und Schicksal und
nur um die Person zu sein
wer hasst das alles nur.
findet es so, als ob du es wüsstest
das ist cool ja da war ein
da ist ein bisschen wo
Ich glaube nicht, dass sie eine dieser
Einstellungen verwendet haben
wo
in der zweiten als Uhtred
Reiten zurück zu unserer Linie in der
Schlacht in
Die letzte Schlacht und jemand
schreit, es ist Uhtred und ich bekomme einfach alles
Diese Einstellungen sind wie
"Uhtred?" Sein
wie "Wer zum
Teufel ist Uhtred?" [Colby] das hätte er tun sollen
Linie genau dort
, das war erstaunlich gewesen, ja
wie oh Gott sein ja richtig ja es ist
Uhtred
Ja, natürlich ist es verdammt. Okay, ich
verstehe
German:
das ist lustig das ist lustig jetzt spielst du
gerne ein
Gegner? [Toby] Ja,
ja, ich mag es wirklich
eigentlich ja.
was soll ich dazu sagen?
Das?
ziehst du es vor, ein gutes zu spielen?
Kerl oder?
Was würden Sie lieber tun? [Toby] Ich irgendwie
Ja,
jetzt wo ich eine habe
Probieren Sie es
, solange es ist
eine Art von Spiel Verspieltheit
es
wie , wo man sich gerade als Schauspieler sind
wie
Mein Job ist es, einfach mit
allen zu ficken und
und ruinieren ihre Pläne, so
etwas macht Spaß, du weißt, es ist wie die Art
Es spielt sich
so, als würde man den Joker spielen, den man kennt
Heath Ledgers Joker
stört und ruiniert einfach alles
also ja kann ich nicht sprechen
darüber noch
also kann ich nicht darüber reden nein nein ja aber
es gibt
Hungarian:
ez vicces, most vicces, hogy
szívesen játszol
antagonista? [Toby] igen
igen nagyon tetszik
tulajdonképpen igen.
mit mondjak
hogy?
jobban szereted, mint a jó játékát
srác vagy?
mit tennél inkább? [Toby] Valahogy
igen
most, hogy van egy
kóstolja meg
, amíg van
egyfajta játékbeli játékosság
hozzá
mint ahol most vagytok, csak mint színész
, mint a
az a dolgom, hogy szeretek csak baszni
mindenkivel és
és tönkreteszik a terveiket, ez a fajta
dolog szórakoztató
A dolog játszik
olyan, mint játszani a Joker tudja
Heath Ledger Jokerje csak
megzavar és mindent elront
szóval igen, még nem beszélhetek
róla
szóval nem beszélhetek róla nem, igen, de
van
Spanish:
eso es gracioso eso es gracioso ahora ¿
disfrutas jugando
¿antagonista? [Toby] sí
sí me gusta mucho
en realidad sí.
que decir sobre
¿ese?
lo prefieres a jugar un buen
chico o?
¿qué preferirías hacer? [Toby] Yo como
sí,
ahora que tengo un
probarlo
mientras tenga
una especie de juego lúdico a
lo
como donde estás como un actor
como
mi trabajo es simplemente joder con
todos y
y arruinar sus planes ese tipo de
cosas es divertido, sabes que es como el tipo
de cosas jugando
como jugar al Joker, sabes
El Joker de Heath Ledger solo está
interrumpiendo y arruinando todo
así que sí, no puedo hablar
de eso todavía
así que no puedo hablar de eso, no, sí, pero
hay
Russian:
это забавно, это забавно, тебе
нравится играть в
антагонист? [Тоби] да
да мне это очень нравится
на самом деле да.
что сказать о
который?
ты предпочитаешь это хорошей игре
парень или?
что бы ты предпочел сделать? [Тоби] Я вроде
да
теперь, когда у меня есть
вкус к нему,
пока он есть
своего рода игра игривости к
ней
как , где вы находитесь только в качестве актера ,
как
моя работа - просто трахаться со
всеми и
и разрушают их планы,
это весело, вы знаете, это похоже на
Что-
то вроде игры в Джокера, которого вы знаете
Джокер Хита Леджера просто
разрушает и разрушает все
так что да я пока не могу
об этом говорить
поэтому я не могу об этом говорить, нет, да, но
есть
French:
c'est marrant c'est marrant maintenant
aimez- vous jouer un
antagoniste? [Toby] ouais
ouais j'aime vraiment ça
en fait ouais.
que dire de
cette?
est-ce que tu préfères ça à jouer un bon
mec ou?
que préfèrerais-tu faire? [Toby] Je suis en quelque sorte
ouais
maintenant que j'ai un
goûtez-y
tant qu'il a
une sorte de jeu espièglerie à
ce
comme où tu en es comme un acteur
comme
mon travail est d'aimer juste baiser avec
tout le monde et
Et ruiner leurs plans ce genre de
chose est amusant tu sais que c'est comme le genre
de
quelque chose qui joue un peu comme jouer au Joker tu sais
Le Joker de Heath Ledger
perturbe et ruine tout
alors oui , je ne peux pas parler
à ce sujet encore
donc je ne peux pas en parler non pas ouais mais
il y a
Chinese:
那很有趣那很有趣现在您
喜欢玩
对手?[Toby]是的,
我真的很喜欢
其实是的
该说些什么
那?
你喜欢玩一个好东西吗?
家伙还是?
您想做什么?[托比]我有点
是的,
现在我有一个
只要有它的味道
一种游戏趣味性的,以
它
就像你在演员那里
一样
我的工作是喜欢和
所有人在一起
破坏他们的计划,那种
事情很有趣,你知道那就像那种
玩的东西
有点像玩你知道小丑
希思·莱杰的小丑只是在
破坏一切
所以我还不能谈论
它
所以我不能谈论它,不是,但是
有
English:
that's funny that's funny now do you
enjoy playing an
antagonist? [Toby] yeah
yeah I really like it
actually yeah.
what to say about
that?
do you prefer it over playing a good
guy or?
what would you rather do? [Toby] I kind of
yeah
now that I've got a
taste for it
as long as it's got
a kind of play playfulness to
it
like where you're at just as an actor
like
my job is to like just fuck with
everyone and
and ruin their plans that kind of
thing is fun you know it's like the kind
of thing playing
kind of like playing the Joker you know
Heath Ledger's Joker is just
disrupting and ruin everything
so yeah I can't talk
about it yet
so I can't talk about it no not yeah but
there's
Portuguese:
engraçado, engraçado agora, você
gosta de jogar um
antagonista? [Toby] sim
sim, eu realmente gosto disso
na verdade, sim.
o que dizer sobre
aquele?
você prefere isso a jogar um bom
cara ou?
O que você prefere fazer? [Toby] Eu meio que
sim,
agora que tenho um
experimente
enquanto tiver
uma espécie de brincadeira para
isso
como onde você está, apenas como um ator
como
meu trabalho é apenas foder com
todos e
e arruinar seus planos, esse tipo de
coisa é divertido, você sabe, é o tipo
de coisas
como jogar o Coringa, você conhece
O Joker de Heath Ledger está apenas
atrapalhando e estragando tudo
então sim, eu não posso falar
sobre isso ainda
então eu não posso falar sobre isso não, sim, mas
há
Arabic:
هذا مضحك وهذا مضحك الآن هل
تستمتع بلعب
خصم؟ [توبي] أجل ،
أنا معجب به حقًا
نعم فعلا.
ماذا اقول عن
هذا؟
هل تفضله على لعب الخير
شاب أم؟
ماذا كنت تفعل بدلا؟ [توبي] أنا نوع من
نعم
الآن بعد أن حصلت على ملف
تذوقها
طالما أنها موجودة
نوع من اللعب هرج ل
ذلك
مثل المكان الذي تتواجد فيه تمامًا كممثل
مثل
وظيفتي هي أن يمارس الجنس مع
الجميع
وإفساد خططهم ، هذا النوع من
الأشياء ممتع تعلمون أنه مثل هذا النوع
من الأشياء التي تلعب
نوعًا ما مثل لعب Joker الذي تعرفه
جوكر هيث ليدجر هو فقط
يعطل ويدمر كل شيء
لذا ، لا يمكنني الحديث
عنها بعد
لذلك لا يمكنني التحدث عن ذلك ، ليس نعم ولكن
هناك
Portuguese:
você conhece meu próximo projeto
eu estarei jogando um tipo interessante
mistura dos dois que
você conhece bem e mal colocada em cima de
um ao outro de uma forma interessante, é
divertido jogar os dois.
ambos têm seus próprios desafios
e
Eu imagino que seja meio
catártico também ser capaz de obter muitos
aquela coisa negativa
em um ambiente onde é suposto
estar. [Toby] sim, também é
você sabe que eu gosto de esfaquear
mensageiro que é muito engraçado. [Colby]
sim, nós amamos isso e amamos quando
Aldhelm vai,
você não pode simplesmente matar todo mundo, é você
sei que é 900 DC cara
você não pode simplesmente matar, matar pessoas, este é
o século 9
oh sim, século IX.
raiva e outras coisas é tudo petulante você
sabe que é como
German:
Du kennst mein nächstes Projekt,
ich werde eine Art interessant spielen
Mischung aus den beiden, von denen
du weißt, dass sie gut und schlecht sind
auf interessante Weise macht es
Spaß, beide zu spielen.
beide haben ihre eigenen herausforderungen
und
Ich würde mir vorstellen, dass es auch irgendwie
kathartisch ist, viel davon zu bekommen
dass das negative Zeug
in einer Umgebung rauskommt, in der es sein soll
Sein. [Toby] Ja,
du weißt auch , dass ich es mag, die zu erstechen
Messenger, das ist ziemlich lustig. [Colby]
Ja, wir lieben das und wir lieben wann
Aldhelm sagt,
du kannst nicht einfach jeden töten, den du bist
Ich weiß, es ist 900 n. Chr., Alter
Sie können nicht einfach Menschen töten, dies ist
das 9. Jahrhundert
Oh ja, 9. Jahrhundert.
Wut und so ist alles gereizt
, wie du weißt
Chinese:
你知道我的下一个项目,
我将扮演一种有趣的角色
您知道的好与坏两者的混合物放在
彼此以有趣的方式
玩耍很有趣。
他们都有自己的挑战
,
我想这
也可以带来很多好处
那些负面的东西
应该在应该
是。[Toby]是的,
你也知道我喜欢刺伤你
使者,这很有趣。[Colby]
是的,我们喜欢那个,我们喜欢那个时候
奥尔德海姆(Aldhelm)
你不能杀死所有的人就是你
知道是公元900年
你不能杀人就是
这九世纪
哦,是9世纪。
愤怒和
诸如此类的东西都是令人讨厌的
Spanish:
sabes que mi próximo proyecto
jugaré una especie de interesante
mezcla de los dos
que conoces bien y mal colocados encima de
entre sí de una manera interesante, es
divertido jugar a ambos.
Ambos tienen sus propios desafíos
y
Me imagino que también es un poco
catártico poder obtener muchos
que esas cosas negativas
en un entorno donde se supone que debe
ser. [Toby] sí, también
sabes que me gusta apuñalar al
mensajero que es bastante divertido. [Colby]
sí, nos encanta y nos encanta cuando
Aldhelm dice
que no puedes simplemente matar a todos, eres tú
sé que es el 900 d.C.
no puedes simplemente matar a la gente este es
el siglo noveno
oh sí siglo noveno.
ira y esas cosas es todo petulante
sabes que es como
Russian:
вы знаете, в моем следующем проекте
я буду играть какой-то интересный
смесь двух,
вы знаете, хорошего и плохого, положенная поверх
друг с другом интересно
играть обоими.
у них обоих есть свои проблемы
и
Я полагаю, это тоже своего рода
катарсис, когда можно получить много
что этот негатив
в обстановке, где он должен
быть. [Тоби] Да,
ты тоже знаешь, что мне нравится колоть
мессенджер, это довольно забавно. [Колби]
Да, мы любим это и любим, когда
Альдхельм идет,
ты не можешь просто убить всех, это ты
знаю, что это 900 г. н.э., чувак
нельзя просто убивать людей убивать это
9 век
ах да 9 век.
гнев и прочее, это все раздражительно, ты
знаешь, это как
French:
tu connais mon prochain projet
je jouerai une sorte d'intéressant
mélange des deux que
vous connaissez bien et mal posé sur
de manière intéressante, c'est
amusant de jouer les deux.
ils ont tous deux leurs propres défis
et
J'imagine que c'est aussi un peu
cathartique de pouvoir obtenir beaucoup de
que ce truc négatif
dans un cadre où il est censé
être. [Toby] ouais c'est aussi
tu sais que j'aime poignarder le
messager c'est assez drôle. [Colby]
oui on aime ça et on aime quand
Aldhelm va
vous ne pouvez pas tuer tout le monde c'est vous
sache que c'est 900 AD mec
vous ne pouvez pas simplement tuer tuer des gens c'est
le 9ème siècle
oh ouais 9ème siècle.
de la colère et des trucs tout est pétulant tu
sais que c'est comme
English:
you know my next project
I will be playing a kind of interesting
mixture of the two
you know good and bad laid on top of
each other in an interesting way it's
fun to play both.
they both have their own challenges
and
I'd imagine it's kind of
cathartic too to be able to get a lot of
that that negative stuff out
in a setting where it's supposed to
be. [Toby] yeah it's also
you know you I like stabbing the
messenger that's quite funny. [Colby]
yes we love that and we love when
Aldhelm goes
you can't just kill everyone it's you
know it's 900 AD dude
you can't just kill kill people this is
the 9th century
oh yeah 9th century.
anger and stuff it's all petulant you
know it's like
Hungarian:
tudod, hogy a következő projektem
egyfajta érdekeset fogok játszani
a kettő keveréke,
amire jól és rosszul tudsz ráfektetni
érdekes módon
szórakoztató mindkettőt játszani.
mindkettőnek megvannak a maga kihívásai
és
Elképzelném, hogy ez is egyfajta
katartikus, hogy sok mindent el tudjak szerezni
hogy ez a negatív dolog
olyan körülmények között, ahol kellene
lenni. [Toby] igen, te is
tudod, hogy szeretek leszúrni
messenger, ez nagyon vicces. [Colby]
igen, ezt szeretjük, és akkor is, amikor
Aldhelm
szerint nem lehet mindenkit megölni, csak azt, aki te vagy
tudom, hogy 900-as haver
nem csak ölni embereket lehet, ez
a 9. század
ja igen a 9. század.
düh és ilyesmi, mindez petyhüdt,
tudod, hogy olyan
Arabic:
أنت تعرف مشروعي التالي الذي
سأقوم به بشكل مثير للاهتمام
خليط من الاثنين
تعرف جيدًا وسيئًا تم وضعه في الأعلى
بعضنا البعض بطريقة
ممتعة من الممتع أن تلعب كلاهما.
كلاهما لديه تحدياته الخاصة
و
كنت أتخيل أنه نوع من
التنفيس أيضًا لتكون قادرًا على الحصول على الكثير
أن تلك الأشياء السلبية
في مكان حيث من المفترض
يكون. [توبي] نعم ،
أنت تعلم أيضًا أنني أحب طعن
رسول هذا مضحك جدا. [كولبي]
نعم نحن نحب ذلك ونحب متى
يقول ألدهيلم
أنه لا يمكنك قتل كل شخص هو أنت
أعلم أنه 900 ميلادي يا صاح
لا يمكنك فقط قتل الناس هذا هو
القرن التاسع
نعم القرن التاسع.
الغضب والأشياء كلها نفاذة كما
تعلم
Chinese:
人们为什么不给我更多的关注,
为什么人们不喜欢我
东西,但你发泄
知道吗?[Colby]是的,现在完全是你
总是像猎鹰
一样在你的左侧
那家伙的意义?[托比]
只是克里斯。[科尔比]他叫什么名字
克里斯,我喜欢
他害怕的想法
而且他总是喜欢尝试...
他想看起来很酷,但他不能
像实际上喂它一样,因为它吓跑了他
我认为是的,完全是
完全
最适合自己的角色,就是
他只想一直有一只鸟
在他身后的猎物。我认为那是他
对自己的看法
也许只是想着
袖口就很好了,但就像它是一种很好
比喻他
,他认为自己是猛禽
但实际上他戴着一顶特别的帽子
,使他认为这是晚上
就像
你知道那些鸟像
Arabic:
لماذا لا يعيرني الناس المزيد من الاهتمام
لماذا لا يحبني الناس
نوع من الاشياء ولكن عليك التنفيس
هل تعلم؟ [كولبي] نعم تمامًا الآن أنت
دائما مثل الصقر
مثل على الجانب الأيسر الخاص بك ما هو
أهمية ذلك الرجل؟ [توبي]
إنه فقط كريس ، أجل. [كولبي] ما اسمه
كريس تعجبني فكرة
أنه مرعوب منها
وأنه يحاول دائمًا أن يحب ...
أنه يريد أن يبدو رائعًا لكنه لا يستطيع ذلك
مثل إطعامه لأنه يخيفه منه
أعتقد نعم هذا
تمامًا
مثالي لشخصيته
أنه يريد فقط أن يكون لديه طائر دائمًا
من وراءه فريسة. أعتقد أن هذه هي الطريقة التي
يفكر بها في نفسه أعني
ربما يكون من الجيد مجرد التفكير في
الأمر ولكن كأنه نوع من الخير
استعارة له يعتبر
نفسه طائرًا جارحًا
لكنه في الواقع يرتدي قبعة خاصة
تجعله يعتقد أن الوقت قد حان ليلا
كما
تعلمون ، تُعطى تلك الطيور مثل أ
Portuguese:
por que as pessoas não prestam mais atenção em mim
por que não gostam de mim
tipo de coisa, mas você consegue desabafar,
sabe? [Colby] sim totalmente totalmente agora você
sempre tem como um falcão
como do seu lado esquerdo qual é o
significado daquele cara? [Toby]
é apenas Chris, sim. [Colby] qual é o nome dele
Chris, gosto da ideia de que
ele tem pavor
e que ele está sempre tentando gostar ...
que ele quer parecer legal, mas não pode
como realmente alimentá-lo porque o assusta pra caralho
Eu acho que sim, é totalmente
totalmente
perfeito para seu personagem que
ele só quer sempre ter um pássaro
de presa atrás dele. Eu acho que é assim que ele
pensa de si mesmo, quero dizer
talvez seja bom apenas pensar de
improviso, mas como se fosse uma espécie de bom
metáfora para ele,
ele se considera uma ave de rapina
mas na verdade ele tem um chapéu especial
que o faz pensar que é noite
como
você sabe, esses pássaros são dados como um
Russian:
почему люди не обращают на меня больше внимания,
почему я не нравлюсь людям
такие вещи, но вы можете выговориться
, понимаете? [Колби] Да, полностью, теперь ты
всегда имей, как сокол,
слева от тебя, что за
значение этого парня? [Тоби]
Да, это просто Крис. [Колби] как его зовут
Крис, мне нравится мысль, что
он этого боится
и что он всегда пытается любить ...
что он хочет выглядеть круто, но не может
вроде на самом деле кормить его, потому что это до чертиков пугает его
Я думаю, да, это
полностью
идеально подходит для его персонажа, что
он просто хочет, чтобы всегда была птица
добычи позади него. Я думаю, он так
думает о себе, я имею в виду
Может быть, это хорошо просто подумать об
этом, но как будто это своего рода хорошо
метафора для него
он считает себя хищной птицей
но на самом деле у него особая шляпа,
которая заставляет его думать, что сейчас ночь
как
вы знаете, эти птицы даны как
French:
pourquoi les gens ne me prêtent-ils pas plus d'attention
pourquoi les gens ne m'aiment pas
genre de trucs mais tu arrives à évacuer
tu sais? [Colby] ouais totalement totalement maintenant toi
ayez toujours comme un faucon
comme sur votre gauche quel est le
signification de ce gars? [Toby]
c'est juste Chris ouais. [Colby] quel est son nom
Chris j'aime l'idée
qu'il en est terrifié
et qu'il essaie toujours d'aimer ...
qu'il veut avoir l'air cool mais il ne peut pas
comme en fait le nourrir parce que ça lui fait peur
Je pense que oui c'est totalement
totalement
parfait pour son personnage qu'il
veut juste avoir toujours un oiseau
de proie derrière lui. Je pense que c'est comme ça qu'il
pense de lui-même je veux dire
peut-être que c'est bien de penser à
l'improviste mais comme si c'était une sorte de bien
métaphore pour lui,
il se considère comme un oiseau de proie
mais en fait il a un chapeau spécial
qui lui fait penser que c'est la nuit
comme
tu sais que ces oiseaux sont donnés comme un
Hungarian:
miért nem figyelnek rám jobban az
emberek, miért nem szeretnek engem az emberek?
ilyesmi, de szellőzni
tudsz? [Colby] igen, teljesen most te vagy
mindig olyan, mint egy sólyom,
mint a bal oldalán, mi a helyzet
annak a fickónak a jelentősége? [Toby]
ez csak Chris igen. [Colby] mi a neve
Chris Tetszik az ötlet,
hogy retteg tőle
és hogy olyan, mintha mindig megpróbálná kedvelni ...
hogy hűvösnek akar kinézni, de nem tudja
mint valójában megetetni, mert megijeszti a szart
Szerintem igen, teljesen
teljesen
tökéletes a karakteréhez, hogy
ő csak azt akarja, hogy mindig legyen madara
ragadozó a háta mögött. Azt hiszem, hogy így
gondolja magát, mármint
talán jó, ha csak
a mandzsettáról gondolok, de mintha egyfajta jó lenne
metafora számára
ragadozó madárnak tartja magát
de valójában van rajta egy speciális kalap,
amely arra készteti, hogy éjszaka legyen
mintha
tudnád, hogy ezek a madarak olyanok, mint a
German:
Warum schenken mir die Leute nicht mehr Aufmerksamkeit
? Warum mögen mich die Leute nicht?
Art von Sachen, aber Sie können entlüften
, wissen Sie? [Colby] ja total total jetzt du
Habe immer wie ein Falke
wie auf deiner linken Seite was ist das
Bedeutung dieses Kerls? [Toby]
es ist nur Chris, ja. [Colby] Wie heißt er?
Chris Ich mag die Idee, dass
er Angst davor hat
und dass er immer versucht zu mögen ...
dass er cool aussehen will, aber er kann nicht
wie es tatsächlich füttern, weil es die Scheiße aus ihm heraus erschreckt
Ich denke ja, es ist total
total
Perfekt für seinen Charakter, dass
er nur immer einen Vogel haben will
der Beute hinter ihm. Ich denke, so
denkt er über sich selbst, meine ich
Vielleicht ist es gut, nur an
die Manschette zu denken, aber als wäre es eine Art gut
Metapher für ihn
sieht er sich als Raubvogel
aber eigentlich hat er einen besonderen Hut auf
, der ihn denken lässt, es sei Nacht
Wie
Sie wissen, werden diese Vögel wie ein gegeben
Spanish:
¿Por qué la gente no me presta más atención?
¿Por qué no le agrado a la gente?
tipo de cosas, pero puedes desahogarte,
¿sabes? [Colby] sí, totalmente ahora tú
siempre tienes como un halcón
como en tu lado izquierdo ¿cuál es el
significado de ese tipo? [Toby]
es solo Chris, sí. [Colby] como se llama
Chris, me gusta la idea de que
le aterrorice
y que siempre está tratando de gustarle ...
que quiere verse bien pero no puede
como en realidad darle de comer porque le da un susto de mierda
Creo que sí, es totalmente
total
perfecto para su personaje que el que
solo quiere tener siempre un pajarito
de presa detrás de él. Creo que eso es lo que
piensa de sí mismo, quiero decir
tal vez sea bueno pensar en
improvisar, pero como si fuera algo bueno
metáfora para él,
se considera un ave de rapiña
pero en realidad tiene un sombrero especial
que le hace pensar que es de noche
como
si supieras que esos pájaros se dan como un
English:
why won't people pay me more attention
why don't people like me
kind of stuff but you get to vent
you know? [Colby] yeah totally totally now you
always have like a falcon
like on your left side what's the
significance of that guy? [Toby]
it's just Chris yeah. [Colby] what's his name
Chris I like the idea that
he's terrified of it
and that he's like always trying to like...
that he wants to look cool but he can't
like actually feed it because it scares the shit out of him
I think yeah it's totally
totally
perfect for his character that he that
he just wants to always have a bird
of prey behind him. I think that's how he
thinks of himself I mean
maybe it's good just thinking of off
the cuff but like it's a kind of good
metaphor for him
he thinks of himself as a bird of prey
but actually he's got a special hat on
that makes him think it's night time
like
you know those birds are given like a
Russian:
специальная маска, да,
которая закрывает им глаза, чтобы они
не знаю, что это
что-то вокруг, и я чувствую, что
что так , что Этельред просто
вид лечения
он как я сокол вроде ладно надень
шляпу
Сейчас ночь, да, сейчас ночь, у
Альдхельма это
да, у тебя тоже
было много сцен в начале, когда
вы начали во втором и третьем сезоне
с Альдхельмом,
Джеймс Норткот, а потом еще раз,
как вы сказали даже Милли Брэди, что вы
не видел много
в прошлом сезоне, четвертом сезоне, так как
я думаю, уйти от него, а
потом
больше с Джейми Блэкли? [Тоби] Я
только что вспомнил, что это
сцена, в которой мы оба, в которых
находятся Джеймс и Милли
где
он говорит, что я выгляжу как датчанин, а они
смеяться над нами,
пока у них есть, а затем у нас есть
отличная реплика он говорит, что эта еда
невыносима, меня тошнит
да,
я не знаю, это только что пришло мне в голову
English:
special mask yeah
that covers their eyes so that they
don't know that it's
that anything's around and I feel like
that's the way that Aethelred's just
kind of treated
he's like I'm a falcon like okay put
your hat on
it's night time now yes it's night time
Aldhelm's got this
yeah you also
you had a lot of scenes early on when
you started out in season two and three
with Aldhelm,
James Northcote and then again even like
how you said even Millie Brady you
didn't see a lot of
in the last season, season four so how
was it I guess getting away from him and
then
being more with Jamie Blackley? [Toby] I
just remembered that that's
the scene that we're both that
James and Millie are in
where
he says I look like a Dane and they
laugh about us
while they're having and then we have a
great line he says this meal is
intolerable I have to vomit
yeah
I don't know that just came into my
Spanish:
mascara especial si
que cubre sus ojos para que ellos
no sé que es
que hay algo alrededor y siento que
esa es la forma en que Aethelred solo
tipo de tratado
él es como si yo fuera un halcón como ok ponte
tu sombrero
es de noche ahora sí es de noche
Aldhelm tiene esto
sí, también
tuviste muchas escenas al principio cuando
empezaste en la temporada dos y tres
con Aldhelm,
James Northcote y luego de nuevo incluso me gusta
cómo dijiste que incluso Millie Brady
no vi mucho
en la última temporada, la cuarta temporada, entonces, ¿cómo
Supongo que fue alejarme de él y
luego
estar más con Jamie Blackley? [Toby]
Acabo de recordar que eso es
la escena en la que estamos los dos, en la que están
James y Millie
donde
dice que parezco un danés y ellos
se ríen de nosotros
mientras están tomando y luego tenemos un
gran línea dice que esta comida es
intolerable tengo que vomitar
sí
, no sé que acaba de entrar en mi
Portuguese:
máscara especial sim,
que cobre seus olhos para que eles
não sei se é
que algo está por aí e eu sinto que
é assim que Aethelred é
tratado
ele é como se eu fosse um falcão, ok, coloque
seu chapéu
é noite agora sim é noite
Aldhelm tem isso
sim, você também
teve muitas cenas no início quando
você começou na segunda e terceira temporada
com Aldhelm,
James Northcote e, novamente, mesmo
como você disse até Millie Brady você
não vi muito
na última temporada, temporada quatro, então como
foi eu acho que ficar longe dele e
então
estar mais com Jamie Blackley? [Toby]
Acabei de lembrar que é
a cena em que somos ambos, que
James e Millie estão
onde
ele diz que eu pareço um dinamarquês e eles
rir de nós
enquanto eles estão tendo e então temos um
ótima fala ele diz que esta refeição é
intolerável, tenho que vomitar
sim,
eu não sei isso acabou de entrar no meu
German:
spezielle Maske ja
, die ihre Augen bedeckt, damit sie
Ich weiß nicht, dass irgendetwas in der Nähe ist und ich fühle mich wie
Auf diese Weise wird Aethelred einfach
behandelt
Er ist, als wäre ich ein Falke. Okay, setzen Sie
Ihren Hut auf
Es ist Nachtzeit, ja, es ist Nachtzeit.
Aldhelm hat das hier
Ja, du hattest auch
schon früh viele Szenen
Du hast in der
zweiten und dritten Staffel mit Aldhelm angefangen.
James Northcote und dann noch mehr
wie du gesagt hast sogar Millie Brady dich
Ich habe
in der letzten Staffel nicht viel gesehen , Staffel vier also wie
war es, denke ich, von ihm wegzukommen und
dann
mehr mit Jamie Blackley zusammen sein? [Toby] Ich habe mich
nur daran erinnert, dass das so ist
die Szene, in der wir beide sind, in der
James und Millie sind
wo
er sagt, ich sehe aus wie ein Däne und sie
lache über uns,
während sie haben und dann haben wir eine
tolle Linie er sagt, diese Mahlzeit ist
unerträglich Ich muss mich übergeben
Ja,
ich weiß nicht, dass das gerade in meine gekommen ist
Arabic:
نعم قناع خاص
يغطي عيونهم حتى يكونوا
لا أعرف أن هناك
أي شيء موجود وأشعر بذلك
هذه هي الطريقة التي تعامل بها Aethelred
نوعًا ما
إنه مثل أنا صقر مثل حسناً ضع
قبعتك
حان وقت الليل الآن ، نعم حان وقت الليل
لدى ألدهيلم هذا
نعم ، لقد كان لديك أيضًا
الكثير من المشاهد في وقت مبكر
بدأت في الموسم الثاني
والثالث مع ألدهيلم ،
جيمس نورثكوت ثم مرة أخرى أعجبك
كيف قلت حتى ميلي برادي لك
لم أشاهد الكثير
في الموسم الماضي ، الموسم الرابع ، فكيف
أظن أن الابتعاد عنه
بعد ذلك
أن تكون أكثر مع جيمي بلاكلي؟ [توبي]
فقط تذكرت ذلك
المشهد الذي يوجد فيه كل من
جيمس وميلي
حيث
يقول إنني أبدو مثل الدانماركي وهم
يضحكون علينا
أثناء وجودهم ومن ثم لدينا
خط رائع يقول أن هذه الوجبة لا
تطاق يجب أن أتقيأ
نعم
، لا أعلم أن هذا جاء للتو
Hungarian:
speciális maszk igen,
amely eltakarja a szemüket úgy, hogy
nem tudom,
hogy bármi is van a közelben, és úgy érzem
ez az a mód, amellyel Aethelredet csak
afféle bánásmódban részesítették
olyan, mintha sólyom lennék, mint rendben, tegye
a kalapját
éjszaka van, most igen, éjjel
van Aldhelmnél
igen neked is
sok jeleneted volt már korán mikor
a második és a harmadik évadban kezdtél
Aldhelmmel,
James Northcote, majd megint még az is tetszik
, ahogy mondtad Millie Brady-t
nem sokat láttam
az elmúlt szezonban, a negyedik évadban, akkor hogyan
ez volt azt hiszem, hogy eltávolodtam tőle és
akkor
inkább Jamie Blackley-vel lenni? [Toby]
Csak arra emlékeztem, hogy ez az
az a jelenet, amelyben mindketten vagyunk, ahol
James és Millie van
ahol
azt mondja, hogy úgy nézek ki, mint egy dán és ők
nevess rajtunk,
amíg vannak, és akkor nekünk van egy
nagyszerű vonal szerint ez az étkezés
elviselhetetlen, hánynom kell
igen
, nem tudom, hogy ez csak most jött be
Chinese:
是的
,特别的面具遮盖了他们的眼睛,使他们
不知道
周围有什么,我觉得
这就是Aethelred
受到对待的方式
他就像我是猎鹰一样,好吧,戴上
你的帽子
现在是晚上,是的,现在是晚上
Aldhelm有了这个
是的,你也
很早就有很多场景
您在第二季和第三季开始
与Aldhelm合作,
詹姆斯·诺斯科特(James Northcote),然后甚至再次像
你所说的,甚至米莉·布雷迪(Millie Brady)
在上个赛季,第四季,没有看到太多
是我想离开他
然后
和杰米·布莱克利在一起吗?[托比]我
只记得那是
我们都是
詹姆斯和米莉都在的场景
在那里
,他说我长得像一个丹麦人,他们
当他们在一起的时候嘲笑我们,然后我们有一个
他说这句话很棒,
我必须呕吐
是的,
我不知道那只是进入我的
French:
masque spécial ouais
qui couvre leurs yeux pour qu'ils
Je ne sais pas qu'il y a
quelque chose dans les parages et j'ai envie
C'est la façon dont Aethelred est juste en
quelque sorte traitée
Il est comme si j'étais un faucon, d'accord, mets
ton chapeau
c'est la nuit maintenant oui c'est la nuit
Aldhelm a ça
ouais toi aussi
tu as eu beaucoup de scènes au début quand
vous avez débuté dans la saison deux et trois
avec Aldhelm,
James Northcote et encore une fois comme
vous l'avez dit même Millie Brady
je n'ai pas beaucoup vu
la saison dernière, la saison quatre, alors comment
était-ce que je suppose que je m'éloignais de lui et
ensuite
être plus avec Jamie Blackley? [Toby] Je
viens de me rappeler que c'est
la scène dans laquelle nous sommes tous les deux dans laquelle
James et Millie sont
où
il dit que je ressemble à un danois et ils
rire de nous
pendant qu'ils ont et puis nous avons un
bonne réplique il dit que ce repas est
intolérable je dois vomir
ouais
je ne sais pas que c'est juste entré dans mon
Arabic:
رئيس. [كولبي] نعم هذا صحيح بعد أن أخبرته
أن يقترب منها أيضًا
أوه نعم أعني ما الذي كنت أفكر فيه؟ نعم
تحرك غريب نعم وجدت نوعًا ما
أحاول إيجاد بديل دقيق لـ
الدهيلم. آخر مثل ما
أعتقد أنه خادم تحت سيطرتي
وهو في الواقع
ينسق زوالتي لدي
نوع من العلاقة
الغريبة مع Eardwulf حيث أكون دائمًا
أخبره أنني أحاول النوم
مع أخته
دائمًا ما يكون ممتعًا بالنسبة له
ولا أعتقد أن هذا مثل
أنه قد لا يريد أن يسمع أنني سأمارس
الجنس مع أختك
نعم في الأساس السطر الأول من الموسم
الرابع
أن أكون سعيدًا جدًا بنفسي ،
نعم ، كان من الرائع العمل مع جيمي. أنا
صورت معه فيلم عندما كان عمري 19 سنة. "uwantme2killhim؟" الذي
حول
صيد الأسماك عبر الإنترنت
Hungarian:
fej. [Colby] igen, rögtön azután mondod
neki, hogy kerüljön közel hozzá
ja igen, úgy értem, mire gondoltam? igen
furcsa lépés igen valahogy találok
Megpróbálom megtalálni a pontos helyettesítőt
Aldhelm. egy másik, amiről azt
gondolom, hogy ez egy lakáj, aki az irányításom alatt áll
és valójában
a megszűnésemet vezeti
egyfajta furcsa kapcsolat
Eardwulf- tal , ahol állandóan vagyok
mondván neki, hogy megpróbálok lefeküdni
a nővérével
mindig szórakoztató számára,
nem is gondolom, hogy ilyen
hogy esetleg nem akarja hallani,
hogy szexelni fogok a nővéreddel
igen, alapvetően a
negyedik évad első sora
hogy nagyon elégedett vagyok magammal igen
igen nagyon jó volt Jamie-vel dolgozni. én
filmet forgattam vele 19 éves koromban.
"uwantme2killhim?" ami
az
internetes macskázásról
German:
Kopf. [Colby] Ja, das ist gleich nachdem du
ihm gesagt hast, er soll auch in ihre Nähe kommen
Oh ja, ich meine, was habe ich gedacht? Ja,
seltsame Bewegung, ja, ich finde sie irgendwie
Ich versuche einen genauen Ersatz für zu finden
Aldhelm. Ein anderer, wie ich
denke, ist ein Lakai, der unter meiner Kontrolle steht
und
orchestriert tatsächlich meinen Tod, den ich habe
eine seltsame Beziehung
zu Eardwulf, wo ich ständig bin
Ich sage ihm, dass ich versuche,
mit seiner Schwester zu schlafen
Immer lustig für ihn Ich
denke nicht einmal, dass das so ist
dass er vielleicht nicht hören will, dass ich
Sex mit deiner Schwester haben werde
Ja, im Grunde die erste Zeile der
vierten Staffel
so zufrieden mit mir zu sein yeah
yeah es war großartig mit Jamie zu arbeiten. ich
drehte mit ihm einen Film, als ich 19 war.
"uwantme2killhim?" welches ist
über
Internet Catfishing
Chinese:
头。[Colby]是的,那是在您告诉
他也要靠近她之后
哦,是的,我是说我在想什么?是的,
奇怪的举动,是的,我找到了
我尝试找到一个确切的替代品
Aldhelm。另一个像我
认为是受我控制的小家伙
实际上是在
安排我的消亡,我有一个
与我一直在与伊德沃夫的关系有点奇怪
告诉他我要
和他妹妹睡觉
总是对他很有趣,我
什至不认为那就像
他可能不想听到我
要和你妹妹发生性关系
耶基本赛季的第一线
4
对自己感到很高兴,
是的,与Jamie一起工作真是太好了。一世
我19
岁时和他一起拍了电影。“ uwantme2killhim?” 这是
关于
互联网cat鱼
French:
tête. [Colby] ouais c'est juste après que tu lui as dit
de se rapprocher d'elle aussi
oh ouais je veux dire à quoi pensais-je? Ouais
mouvement étrange ouais je trouve un peu
J'essaye de trouver un remplaçant exact pour
Aldhelm. un autre comme ce que je
pense est un laquais qui est sous mon contrôle
et est en train d'
orchestrer ma disparition, j'ai un
genre de relation étrange
avec Eardwulf où je suis constamment
lui disant que j'essaye de coucher
avec sa soeur
toujours amusant pour lui, je
ne pense même pas que c'est comme
qu'il pourrait ne pas vouloir entendre que je vais
coucher avec ta sœur
ouais en gros la première ligne de la saison
quatre
être si content de moi ouais
ouais c'était super de travailler avec Jamie. je
a tourné un film avec lui quand j'avais 19 ans.
"uwantme2killhim?" lequel est
à propos de la
pêche au chat sur Internet
Spanish:
cabeza. [Colby] sí, eso es justo después de que
le digas que se acerque a ella también
oh sí, quiero decir, ¿qué estaba pensando? sí,
movimiento extraño, sí, me parece
Intento encontrar un reemplazo exacto para
Aldhelm. otro como lo que
creo que es un lacayo que está bajo mi control
y en realidad está
orquestando mi desaparición. Tengo una
una especie de relación un poco extraña
con Eardwulf donde estoy constantemente
diciéndole que estoy tratando de acostarme
con su hermana
Siempre es divertido para él
, ni siquiera creo que eso sea como
que tal vez no quiera escuchar que voy
a tener sexo con tu hermana
sí, básicamente la primera línea de la
cuarta temporada
estar tan satisfecho conmigo mismo, sí,
sí, fue genial trabajar con Jamie. yo
Grabé una película con él cuando tenía 19 años. "Uwantme2killhim?" cual es
sobre
la pesca del gato en Internet
Russian:
глава. [Колби] Да, это сразу после того, как ты сказал
ему, чтобы он тоже приблизился к ней
о да, я имею в виду, о чем я думал? да
странный ход да я вроде нахожу
Я пытаюсь найти точную замену
Альдхельм. Другой вроде того, что я
думаю, это лакей, который находится под моим контролем
и на самом деле
организовал мою кончину.
своего рода странные отношения
с Эардвульфом, где я постоянно нахожусь
говоря ему, что я пытаюсь переспать
с его сестрой
всегда весело для него я
даже не думаю, что это как
что он, возможно, не захочет слышать, что я
собираюсь заняться сексом с твоей сестрой
да, в основном первая строчка
четвертого сезона
Я так доволен собой, да,
это было здорово работать с Джейми. я
снял с ним фильм, когда мне было 19 лет.
"uwantme2killhim?" который
об
интернет-ловле кошек
English:
head. [Colby] yeah that's right after you tell
him to get close to her too
oh yeah I mean what was I thinking? yeah
odd move yeah I kind of find
I try and find an exact replacement for
Aldhelm. another like what I
think is a lackey who's under my control
and is actually
orchestrating my demise I've got a
kind of odd bit of a relationship with
with Eardwulf where I constantly am
telling him that I'm trying to sleep
with his sister
always fun for him I
don't even think that that's like
that he might not want to hear that I'm
going to have sex with your sister
yeah basically the first line of season
four
being so pleased with myself yeah
yeah it was great working with Jamie. I
shot a movie with him when I was 19.
"uwantme2killhim?" which is
about
internet catfishing
Portuguese:
cabeça. [Colby] sim, isso é logo depois de você dizer a
ele para chegar perto dela também
oh sim, quero dizer o que eu estava pensando? sim
movimento estranho sim eu meio que acho
Eu tento encontrar um substituto exato para
Aldhelm. outro como o que eu
acho que é um lacaio que está sob meu controle
e está
orquestrando minha morte, tenho um
um relacionamento meio estranho
com Eardwulf, onde estou constantemente
dizendo a ele que estou tentando dormir
com sua irmã
sempre divertido para ele eu
nem acho que é tipo
que ele pode não querer ouvir que
vou fazer sexo com sua irmã
sim, basicamente a primeira linha da
quarta temporada
estando tão satisfeito comigo mesmo,
sim, foi ótimo trabalhar com Jamie. Eu
fiz um filme com ele quando eu tinha 19 anos.
"uwantme2killhim?" qual é
sobre
pesca de gato na internet
Hungarian:
és ebben is megszúrt.
igen hosszú vagyok
Jamie története megpróbált megölni. [Colby] a
következő dolog, amit vele tartasz
tudom, hogy ez lesz az utolsó évadod,
vagy bármi, amiben megjelenik. [Toby] igen
legyen, mint
aki a munka szar, hogyan fogom ezt csinálni
idő?
igen, nem tette
tényleg végezze el a munkát
mintha ha azokat a filmeket néznéd, fiú
nézné ezeket a jeleneteket hátulról
Úgy értem, ez abból fakad, hogy egy
sikátorban megszúrtam
iskolásként visszamenni az időben, hogy
befejezze a munkát, és
egészen újszerű módszer
a fejem összenyomására a befogóval
Igen
ez fantasztikus, és még azt hiszem
, ez is megy
a
harmadik évad végén elszúrtad James Northcote-ot .
igen, egy nagyon kicsi
késsel szúrtam meg, nem egy halálos késsel
Nem gondoltam volna, hogy utána visszatér
, és igen
túlélte. [Toby] igen, úgy értem, ha sejtem,
hogy történelmileg teljesen pontos volt-e
akkor
minden seb olyan, mint egy halálos ítélet
tudod, mintha kibaszottul megrándítanád a
hüvelykujjad, akkor biztosan meghalsz.
Russian:
и он тоже ударил меня ножом.
да, у меня длинный
история Джейми пытается меня убить. [Колби] в
следующий раз ты с ним встретишься
знаю, что это будет твой последний сезон,
или что бы он ни появлялся. [Тоби] да, я
будь как
он на работе, дерьмо, как я пойду на это
время?
да он не сделал
вполне сделать работу в этом на
самом деле
Например, если вы посмотрите эти фильмы, мальчик,
посмотрите эти сцены подряд
Я имею в виду, что это происходит от удара ножом в
переулке
как школьники, чтобы вернуться в прошлое, чтобы
закончить работу и
это довольно новый способ
разбить мне голову жгутом
да
это круто, и даже я думаю,
что и от этого уйду
вы зарезали Джеймса Норткоута в конце
третьего сезона.
да, я ударил его очень маленьким
ножом, да, не смертельным ножом
Я не думал, что он вернется после
этого и да
он пережил это. [Тоби] Да, я имею в виду, если я предполагаю, было ли
это исторически достоверным
тогда
любая рана похожа на смертный приговор
Знаешь, если ты, блядь, вывихнешь
большой палец, ты точно умрешь.
English:
and he stabbed me in that as well.
yeah I've got a long
history of Jamie trying to kill me. [Colby]
next thing you're in with him you
know that's going to be your last season
or whatever he shows up in. [Toby] yeah I'll
be like
he's on the job shit how will I go this
time?
yeah he didn't he didn't
quite get the job done in that
one actually
like if you watch those films back boy
watch those scenes back to back
I mean it goes from stabbing me in an
alleyway
as school kids to going back in time to
finish the job and
it's quite a novel way of
crushing my head with the tourniquet
yes
that is awesome and even I guess
going off of that too
you stabbed James Northcote at the end
of season three.
yeah I stabbed him with a very small
knife yeah not a deadly knife
I didn't think he was coming back after
that and yeah
he survived it. [Toby] yeah I mean if I guess if
it was totally historically accurate
then
any wound is like a death sentence
you know like if you fucking sprain your
thumb you're like definitely gonna die.
Spanish:
y me apuñaló en eso también.
si tengo un largo
historia de Jamie tratando de matarme. [Colby] lo
siguiente que estás con él es tu
sé que esa será tu última temporada
o lo que sea en lo que aparezca. [Toby] sí,
Sea como si estuviera
en el trabajo, mierda, ¿cómo voy a hacer esto?
¿hora?
sí, no lo hizo, no lo hizo
bastante hacer el trabajo en ese en
realidad
como si miras esas películas, chico,
mira esas escenas una detrás de la otra
Quiero decir que pasa de apuñalarme en un
callejón
como escolares a retroceder en el tiempo para
terminar el trabajo y
es una forma bastante novedosa de
aplastarme la cabeza con el torniquete
si
eso es asombroso e incluso supongo que me salgo
de eso también
apuñalaste a James Northcote al final
de la tercera temporada.
sí, lo apuñalé con un
cuchillo muy pequeño, sí, no un cuchillo mortal
No pensé que volvería después de
eso y sí
lo sobrevivió. [Toby] sí, quiero decir, si supongo que si
fuera históricamente exacto
entonces
cualquier herida es como una sentencia de muerte
sabes que si te esguinces el
pulgar definitivamente vas a morir.
French:
et il m'a poignardé aussi.
ouais j'ai un long
histoire de Jamie essayant de me tuer. [Colby] la
prochaine chose que vous êtes avec lui vous
Je sais que ça va être ta dernière saison ou tout ce dans quoi il se présente. [Toby] ouais je
être comme
s'il était au boulot merde comment vais-je faire ça
temps?
ouais il n'a pas il n'a pas
faire le travail dans celui-
là en fait
comme si tu regardes ces films dos à dos,
regarde ces scènes dos à dos
Je veux dire que ça va de me poignarder dans une
ruelle
en tant qu'écoliers à remonter le temps pour
terminer le travail et
c'est une façon assez originale de
m'écraser la tête avec le garrot
Oui
c'est génial et même je suppose
que cela aussi
vous avez poignardé James Northcote à la fin
de la troisième saison.
Ouais je l'ai poignardé avec un tout petit
couteau ouais pas un couteau mortel
Je ne pensais pas qu'il reviendrait après
ça et ouais
il y a survécu. [Toby] ouais je veux dire si je suppose que si
c'était totalement historiquement exact
alors
toute blessure est comme une condamnation à mort
tu sais que si tu t'entorses le
pouce, tu vas vraiment mourir.
Arabic:
وطعنني في ذلك أيضًا.
نعم لدي فترة طويلة
تاريخ محاولة جيمي لقتلي. [كولبي]
الشيء التالي الذي أنت معه
أعلم أن هذا سيكون موسمك الأخير
أو أيًا كان ما سيظهر فيه. [توبي] نعم سأفعل
كن كما لو
كان في العمل القرف كيف سأذهب هذا
زمن؟
نعم لم يفعل
تماما انجاز هذه المهمة في ذلك
واحد في الواقع
كما لو كنت تشاهد تلك الأفلام مرة أخرى فتى
شاهد تلك المشاهد من الخلف إلى الوراء
أعني أنه من طعني في
زقاق
كأطفال مدرسة للعودة في الوقت المناسب
لإنهاء العمل و
إنها طريقة جديدة تمامًا
لسحق رأسي باستخدام العاصبة
نعم
هذا رائع وحتى أظن
الخروج من ذلك أيضًا
لقد طعنت جيمس نورثكوت في نهاية
الموسم الثالث.
نعم لقد طعنته
بسكين صغير جدًا ، نعم ليس بسكين مميت
لم أكن أعتقد أنه سيعود بعد
ذلك ونعم
نجا منها. [توبي] نعم أعني إذا كنت أعتقد
أنه كان دقيقًا تمامًا من الناحية التاريخية
ثم
أي جرح مثل حكم الإعدام
أنت تعرف أنه إذا قمت بتواء
إبهامك ، فستموت بالتأكيد.
Portuguese:
e ele também me apunhalou nisso.
sim eu tenho um longo
história de Jamie tentando me matar. [Colby]
próxima coisa que você faz com ele você
sei que vai ser sua última temporada
ou o que quer que ele apareça. [Toby] sim, eu vou
ser como se
ele estivesse trabalhando merda, como irei fazer isso
Tempo?
sim ele não fez ele não fez
bastante fazer o trabalho em que
uma verdade
como se você assistisse aqueles filmes de volta, garoto,
assista aquelas cenas de costas
Quer dizer, vai desde me apunhalar em um
beco
como crianças da escola voltando no tempo para
terminar o trabalho e
é uma maneira bastante nova de
esmagar minha cabeça com o torniquete
sim
isso é incrível e até eu acho
que sair disso também
você esfaqueou James Northcote no final
da terceira temporada.
sim, eu o esfaqueei com uma
faca muito pequena sim, não uma faca mortal
Eu não pensei que ele voltaria depois
disso e sim
ele sobreviveu. [Toby] sim, quero dizer, se eu acho
que foi totalmente historicamente preciso
então
qualquer ferimento é como uma sentença de morte
você sabe que se torcer o
polegar, você definitivamente vai morrer.
German:
und er hat mich auch darin erstochen.
Ja, ich habe eine lange
Geschichte von Jamie, der versucht mich zu töten. [Colby] Als
nächstes bist du bei ihm
Ich weiß, dass das deine letzte Staffel sein wird oder in was auch immer er auftaucht. [Toby] Ja, das werde ich
Sei so, als wäre
er bei der Arbeit, Scheiße, wie soll ich das machen?
Zeit?
Ja, hat er nicht, er hat nicht
Erledige die Arbeit in diesem Fall
tatsächlich
Zum Beispiel, wenn Sie diese Filme zurückschauen, Junge, schauen Sie sich diese Szenen hintereinander an
Ich meine, es geht darum, mich in eine
Gasse zu stechen
als Schulkinder in die Vergangenheit zurückkehren,
um den Job zu beenden und
Es ist eine ziemlich neue Art
, meinen Kopf mit dem Tourniquet zu zerquetschen
Ja
das ist großartig und selbst ich denke, das
geht auch so
Sie haben James Northcote am Ende
der dritten Staffel erstochen .
Ja, ich habe ihn mit einem sehr kleinen
Messer erstochen. Ja, kein tödliches Messer
Ich dachte nicht, dass er danach zurückkommen würde
und ja
er hat es überlebt. [Toby] Ja, ich meine, wenn ich denke, ob
es historisch absolut korrekt war
dann ist
jede Wunde wie ein Todesurteil
Du weißt, wenn du dir den
Daumen verstauchst, wirst du definitiv sterben.
Chinese:
他也用刀刺了我
是的,我已经很长了
杰米试图杀死我的历史。[Colby]
下一件你和他在一起的事
知道那将是你的最后一个赛季,
或者他将要出现的任何内容。[托比]是的,我会
就像
他在工作,该怎么办
时间?
是的,他没有,他没有
确实完成了那
一项工作
就像你看那些电影一样,回头
看那些场景
我的意思是,这是从在
小巷中刺伤我
作为学校的孩子,他们会回到过去以
完成工作,
用止血带压伤我的头是一种很新颖的方法
是
太棒了,甚至我猜
也是这样
您在第三
季结束时刺伤了James Northcote 。
是的,我用
一把小刀刺了他,不是致命的刀
我不认为他之后会回来
,是的
他幸免于难。[Toby]是的,我的意思是如果我猜
它是否完全历史准确
那么
任何伤口就像死刑
你知道如果你他妈的会扭伤你的
拇指,那肯定会死。
German:
Die einzige Medizin, die sie hatten, waren nur
Blutegel
Das Beste, was sie dir anbieten konnten,
waren nur Blutegel, die du kennst. [Colby] stellt sich nur vor
Kommen Sie mit wie Ihr Daumen
ein wenig verletzt und wie ja Sie
weiß nichts wir können
nichts tun sorry. [Toby] Ja, das wird sich ausbreiten und
Schließlich wird es einen Abszess in Ihrem
Gehirn machen
Mach Frieden mit deinem Gott.
Wie war es, diese Szene zu machen?
weil diese Szene bringt man eine gewisse
Intensität
Mit James Northcote hat sich eine Art Kluft
zwischen euch aufgebaut. du hast
bemerkte, dass er anfängt, die
Treue zu ändern
Ja, der
Regisseur der Episode
Jan, er ist dieser Belgier und er ist einfach nur
brillant wie er
wirklich ins Spiel wie
Verspieltheit
am Set, als würde er
jeden Tag mit einem Witz wie einer Pantomime beginnen
dass es dir gut geht, aber er gibt tatsächlich den Ton an
wo er dir einfach gerne eine
Zigarette reicht, die nicht da ist
Portuguese:
o único remédio que eles tinham era apenas
sanguessugas, o único
a melhor coisa que eles podiam oferecer a você
eram sanguessugas, você conhece. [Colby] apenas imaginando
entrando com seu polegar
um pouco machucado e tipo sim você
não sei nada, não podemos fazer
nada, desculpe. [Toby] sim, isso vai se espalhar e
eventualmente, fará um abcesso em seu
cérebro
vá fazer as pazes com o seu deus
como foi fazer aquela cena?
porque aquela cena você traz uma certa
intensidade
com James Northcote, uma espécie de rixa foi
se formando entre vocês. você tem
percebeu que ele está começando a mudar de
lealdade
sim, dirija
o diretor naquele episódio
Jan, ele é um cara belga e é simplesmente
brilhante como se ele fosse
realmente em jogo como
brincadeira
no set como se ele começasse
todos os dias como uma piada como um mímico
que você está bem, mas ele realmente dá o tom
onde ele vai apenas te passar um
cigarro que não está lá
Russian:
единственное лекарство, которое у них было, были
пиявки, единственные
Лучшее, что они могли вам предложить, это
просто пиявки. [Колби] просто представляю
входя, как твой большой палец,
немного ушиблен и как ты
ничего не знаю, мы ничего не можем сделать,
извините. [Тоби] Да, это распространится и
в конечном итоге это вызовет абсцесс в вашем
мозгу
иди помирись со своим богом,
каково было сниматься в этой сцене?
потому что эта сцена вы привносите определенную
интенсивность
с Джеймсом Норткотом
между вами, ребята , возник своего рода раскол . ты
заметил, что он начинает менять
верность
да,
режиссер в этом эпизоде
Ян, он этот бельгийский парень, и он просто
чертовски хорош, как будто он
действительно в игре, как
игривость
на съемочной площадке, как будто он начинает
каждый день с шутки, как мим
что ты вроде все в порядке, но на самом деле он как бы задает тон
где он просто хотел передать вам
сигарету, которой нет
French:
le seul médicament qu'ils avaient était juste des
sangsues le seul
la meilleure chose qu'ils pouvaient vous offrir
était juste des sangsues que vous connaissez. [Colby] imaginant juste
venir avec comme ton pouce
un peu meurtri et comme ouais toi
rien savoir, nous ne pouvons
rien faire désolé. [Toby] ouais ça va se répandre et
finalement ça fera un abcès dans ton
cerveau
va faire la paix avec ton dieu
comment c'était de faire cette scène?
parce que cette scène vous apporte une certaine
intensité
avec James Northcote, une sorte de rupture s'est établie
entre vous les gars. vous avez
remarqué qu'il commençait à changer d'
allégeance
ouais le direct
du réalisateur sur cet épisode
Jan, c'est ce gars belge et il est juste
génial comme s'il était
vraiment en jeu comme
espièglerie
sur le plateau comme il commence
chaque jour avec comme une blague comme un mime
Que tu es d'accord quoi qu'il en soit mais il donne en fait le ton
où il aimera juste te passer une
cigarette qui n'est pas là
Spanish:
la única medicina que tenían eran solo
sanguijuelas, la única
lo mejor que podían ofrecerte
eran sanguijuelas que conoces. [Colby] solo imaginando
entrando como tu pulgar
un poco magullado y como si tu
no sabemos nada podemos hacer
nada lo siento. [Toby] sí, eso se extenderá y
eventualmente hará un absceso en tu
cerebro
Ve a hacer las paces con tu dios,
¿cómo fue hacer esa escena?
porque esa escena le traes cierta
intensidad
con James Northcote, se ha
estado creando una especie de ruptura entre ustedes. tienes
notó que está comenzando a cambiar de
lealtad
sí, el
director en ese episodio
Jan, es un tipo belga y es
jodidamente brillante como si fuera
realmente en juego como la
alegría
en el set como si comenzara
todos los días con una broma como un mimo
que estás bien como sea, pero él en realidad marca el tono
donde simplemente te pasará un
cigarrillo que no está
Arabic:
كان الدواء الوحيد الذي كان لديهم هو
العلق الوحيد
أفضل ما يمكن أن يقدموه لك
هو العلق الذي تعرفه. [كولبي] مجرد تصوير
يأتي مع مثل إبهامك
قليلا كدمات ومثلك
لا نعرف شيئًا لا يمكننا فعل
أي شيء آسف. [توبي] نعم هذا سوف ينتشر و
في النهاية سوف يحدث خراج في
دماغك
اذهب وصالح مع ربك
كيف كان ذلك المشهد؟
لأن هذا المشهد يجلب لك
حدة معينة
مع جيمس نورثكوت ، كان هناك نوع من الخلاف
بينكم يا رفاق. كنت أنت
لاحظ أنه بدأ في تغيير
ولائه
نعم
المدير المباشر في تلك الحلقة
جان ، إنه هذا الرجل البلجيكي وهو
رائع مثله
حقًا في اللعب مثل
المرح
في وضع مثل أنه يبدأ
كل يوم مثل نكتة مثل التمثيل الصامت
بأنك على ما يرام مهما كان ، لكنه في الواقع يحدد النغمة
حيث يعجبك فقط
سيجارة غير موجودة
Chinese:
他们唯一的药只是水
ches
他们可以为您提供的最好的东西就是水
know。[Colby]只是想像
像你的拇指进来
有点瘀伤,像是的你
一无所知,我们
无能为力。[托比]是的,会传播
最终它会在你的
大脑中脓肿
去和你的上帝和睦相处
那场面怎么样?
因为那个场景给你带来一定的
强度
与詹姆斯·诺斯科特(James Northcote)
之间,你们之间已经建立起一种裂痕。你已经
注意到他开始改变
效忠
是的
,那集的导演直接
Jan,他是这个比利时人,他
像他
真正进入喜欢打
嬉闹
就像他
每天都像笑话一样开玩笑
不管你怎么样,但他实际上定了基调
他会喜欢把
不存在的香烟递给你
English:
the only medicine that they had was just
leeches the only
the best thing that they could offer you
was just leeches you know. [Colby] just picturing
coming in with like your thumb
a little bit bruised and like yeah you
know nothing we can do
nothing sorry. [Toby] yeah that'll spread and
eventually it'll do an abscess in your
brain
go make peace with your god
what was it like doing that scene?
because that scene you bring a certain
intensity
with James Northcote, a kind of rift has
been building between you guys. you've
noticed that he's starting to change
allegiance
yeah the direct
the director on that episode
Jan, he's this Belgian guy and he's just
fucking brilliant like he's
really into play like
playfulness
on set like he starts
every day with like a joke like a mime
that you're like okay whatever but he actually kind of sets the tone
where he'll just like pass you a
cigarette that isn't there
Hungarian:
az egyetlen gyógyszer, amely csak a
pióca volt, az egyetlen
A legjobb dolog, amit felajánlhattak neked
, csak a piócák voltak, amelyeket ismersz. [Colby] csak képeket ábrázol
úgy jön be, mint a hüvelykujja
, kissé megsérülve, és igen
nem tudunk semmit, nem tehetünk
semmit, sajnálom. [Toby] igen, ez el fog terjedni és
végül tályogot fog okozni az
agyadban
menj békülni az isteneddel,
milyen volt az a jelenet?
mert az a jelenet bizonyos
intenzitást hoz
James Northcote-tal egyfajta szakadás alakult
ki közöttetek. te vagy
észrevette, hogy kezd
hűséget váltani
igen, az
adott epizód közvetlen rendezője
Jan, ő ez a belga srác, és
baromi zseniális, mint ő
valóban játékba, mint a
játékosság
a forgatáson, mintha
minden nap úgy kezdene, mint egy poén, mint egy mimika
hogy minden rendben vagy, de valójában ő adja meg a hangot
ahol csak tetszik átadni neked egy
cigarettát, ami nincs
Spanish:
y todos los que están como tener una calada en
esta cosa que sabes en esta falsificación
cigarrillo o le gustará como
si fuera a correr hacia mí y
Entonces te gusta correr hacia él y luego a él le
gusta Will
no tirarte sino tirarte al aire
y que y luego
Sea como wow, le gustaron 20 backflips
como si supiera que crea esto
realmente infantil como atmósfera. él es
realmente en la meditación trascendental. él
lo hace todos los días y así lo tiene, está
realmente relajado
y realmente hacerlo haciendo esas
escenas incluso cuando son un poco
intensa y estoy apuñalando a
las personas que deben ser mis
amigos hay una especie de alegría
en la forma en que trabaja
es difícil decirles a los actores que
son buenos y
que son malos como no malos
pero si
si le das un cumplido a alguien,
entonces ellos querrán hacer lo mismo
que acaban de
hacer lo que lo empeorará y si
diles que ...
dales una crítica, entonces podrían
se
vuelve muy cohibido, por lo que hace algo diferente donde es
Russian:
И все, кто любит
эту штуку, ты знаешь на этой подделке
сигарету или ему понравится, как
будто он побежит ко мне и
тогда тебе нравится бегать на него, а потом ему
нравится будет
не бросить тебя, а бросить в воздух
и что, а потом
будь как вау, тебе понравилось 20 сальто назад,
как будто ты знаешь, что это как бы создает это
действительно детская атмосфера. он
действительно занимается трансцендентной медитацией. он
делает это каждый день, так что он как
будто действительно расслабился
и действительно так делаю эти
сцены, даже когда они
интенсивно, и я бью
людей, которые должны быть моими
друзья есть какая-то радость
в том, как он работает там, где нравится
трудно сказать актерам, что
они хороши и
что они плохие вроде не плохие,
но если
вы, если вы сделаете кому-то комплимент,
они захотят сделать то же самое
что они только что сделали,
что будет только хуже, и если вы
скажите им, что ...
критикуйте их, тогда они могут
становится действительно застенчивым,
поэтому он делает другое,
Arabic:
وكل من يعجبك لديه عائق في
هذا الشيء الذي تعرفه في هذا المزيف
سيجارة أو أنه سوف يحب
أن يكون مثل الجري نحوي و
ثم تحب الجري عليه ثم
يحب الإرادة
لا يرميك بل يرميك في الهواء
وماذا وبعد ذلك
كن رائعًا لأنك أعجبت بـ 20 قلبًا خلفيًا
كما تعلم أنه نوع من إنشاء هذا
طفل حقا مثل الجو. إنه
حقًا يحب التأمل التجاوزي. هو
يفعل ذلك كل يوم ولذا فهو يشعر
بالهدوء حقًا
وفعل ذلك فعلاً فعل تلك
المشاهد حتى عندما تكون نوعًا ما
شديد وأقوم بطعن
الأشخاص الذين من المفترض أن يكونوا لي
الأصدقاء هناك نوع من البهجة
للطريقة التي يعمل بها حيث يحب
من الصعب إخبار الممثلين
بأنهم جيدون و
أنها سيئة مثل ليست سيئة
ولكن إذا
إذا جاملت شخصًا ما ، فسيرغب
في فعل الشيء نفسه
أنهم فعلوا ذلك للتو
مما سيزيد الأمر سوءًا
أخبرهم أن ...
انتقدهم ثم ربما يفعلون
يصبح واعيا بذاته حقا
حتى يفعل شيئا مختلفا حيث هو
Portuguese:
e todo mundo que gosta, dê uma tragada
nessa coisa que você conhece nesse falso
cigarro ou ele vai
gostar de correr em minha direção e
então você gosta de correr para ele e ele
gosta de vontade
não te joguei, mas te joguei no ar
e o que e então
ser tipo uau, você gostou de 20 backflips
como se você conhecesse, meio que cria isso
realmente criança gosta de atmosfera. ele
realmente gosta de meditação transcendental. ele
faz isso todos os dias e então ele está
realmente relaxado
e realmente fazendo essas
cenas mesmo quando são
intenso e estou apunhalando
as pessoas que deveriam ser minhas
amigos, há uma espécie de alegria
na maneira como ele trabalha, onde
é difícil dizer aos atores que
eles são bons e
que eles são ruins como não são ruins,
mas se
você se você elogiar alguém,
então eles vão querer fazer a mesma coisa
que eles acabaram de fazer, o
que tornará tudo pior e se você
diga-lhes que ...
dê-lhes uma crítica, então eles podem
fica realmente autoconsciente,
então ele faz uma coisa diferente onde é
English:
and everyone who's like have a drag on
this thing you know on this fake
cigarette or he'll like
like he'll be like run towards me and
then you like run at him and then he
like will
not throw you but throw you into the air
and what and then
be like wow you did like 20 backflips
like you know it kind of creates this
really child like atmosphere. he's
really into transcendental meditation. he
does it every day and so he's got, he's
like really chilled out
and really so doing doing those
scenes even when they're kind of
intense and I'm stabbing
the people who are meant to be my
friends there's a kind of joy
to the way that he works where like
it's difficult to tell actors that
they're good and
that they're bad like not bad
but if
you if you give someone a compliment
then they'll want to do the same thing
that they just did
which will be make it worse and if you
tell them that...
give them a criticism then they might
get really self-conscious
so he does a different thing where it's
Hungarian:
és mindenki, aki kedveli, elhúzza
ezt a dolgot, amit tud ezen a hamison
cigaretta, vagy
tetszeni fog neki, mintha futna felém és
akkor szeretsz neki futni, aztán neki
tetszik az akarat
ne dobj, hanem dobj a levegőbe,
és mi és akkor
legyen olyan, mint wow, mint 20 visszaütés,
mintha tudnád, ez valahogy ezt hozza létre
igazán gyermeki hangulat. ő
tényleg transzcendentális meditáció. ő
mindennap csinálja, és így van, olyan,
mintha tényleg kihűlt volna
és valóban így csinálva ezeket a
jeleneteket, még akkor is, ha ilyenek
heves vagyok, és szúrom azokat
az embereket, akik az enyémnek szántak
barátaimnak egyfajta öröme
, hogy ott dolgozik, ahol tetszik
nehéz elmondani a színészeknek,
hogy jók és
hogy rosszak, mint nem rosszak,
de ha
ha valaki bókot ad valakinek,
akkor ugyanezt akarja tenni
hogy csak tettek,
ami még rosszabbá teszi, és ha te
mondd el nekik, hogy ...
kritikát adjon nekik, akkor esetleg
váljon igazán öntudatosá,
így mást csinál, ahol van
Chinese:
每个喜欢的人
都会对这个假货有所了解
香烟,或者他会喜欢
他会像奔向我,
然后你喜欢冲他,然后他
喜欢
不扔你,而是把你扔到空中
,然后什么
就像哇,您确实喜欢20个后空翻,
就像您知道它可以创造出
真的很喜欢孩子的气氛。他
真的很喜欢先验冥想。他
每天都做,所以他得到了,他
就像真的很放松
确实做到了
即使在某些情况下也要这样做
激烈,我刺中
本该做我的人
朋友
,他的工作方式有种快乐
很难告诉演员
他们很好,而且
他们很坏就像还不错,
但是如果
你,如果你给某人一个夸奖,
那么他们会想做同样的事情
他们只是这样做
会使情况变得更糟,如果您
告诉他们...
给他们批评,然后他们可能
变得真正的自我意识,
所以他在那做另一件事
German:
und jeder, der Lust hat, hat eine Anziehungskraft auf
dieses Ding, das Sie auf dieser Fälschung kennen
Zigarette oder er wird es mögen,
als würde er auf mich zu rennen und
dann rennst du gerne auf ihn zu und dann
mag er den Willen
Wirf dich nicht, sondern wirf dich in die Luft
und was und dann
Sei wie Wow, du hast 20 Backflips gemocht, als wüsstest
du, dass es das irgendwie schafft
wirklich kindliche Atmosphäre. Er steht
wirklich auf transzendentale Meditation. er
tut es jeden Tag und so hat er, er ist
wie wirklich entspannt
und das wirklich,
wenn man diese Szenen macht, auch wenn sie irgendwie sind
intensiv und ich steche
die Leute, die meine sein sollen
Freunde, es ist eine Art Freude
, wie er arbeitet, wo es gefällt
Es ist schwierig, den Schauspielern zu sagen, dass
sie gut sind und
dass sie schlecht sind wie nicht schlecht,
aber wenn
Wenn Sie jemandem ein Kompliment
machen, wird er das Gleiche tun wollen
dass sie gerade getan haben,
was es noch schlimmer machen wird und wenn Sie
Sag ihnen, dass ...
gib ihnen eine Kritik, dann könnten sie
werde wirklich selbstbewusst,
damit er etwas anderes macht, wo es ist
French:
et tous ceux qui aiment ont un frein sur
cette chose que vous connaissez sur ce faux
cigarette ou il aimera comme
s'il courrait vers moi et
alors tu aimes courir sur lui et ensuite il
aime la volonté
pas te jeter mais te jeter en l'air
et quoi et puis
soyez comme wow vous avez fait 20 backflips
comme si vous le saviez
vraiment enfant comme atmosphère. il aime
vraiment la méditation transcendantale. il
le fait tous les jours et donc il a, il est
vraiment relaxé
et vraiment faire ces
scènes même quand elles sont en quelque sorte
intense et je poignarde
les gens qui sont censés être mon
amis, il y a une sorte de joie
dans la façon dont il travaille où comme
il est difficile de dire aux acteurs
qu'ils sont bons et
qu'ils sont mauvais comme pas mal
mais si
vous si vous faites un compliment à quelqu'un,
il voudra faire la même chose
ce qu'ils viennent de
faire, ce qui aggravera les choses et si vous
dites-leur que ...
donnez-leur une critique alors ils pourraient
devient vraiment conscient de lui-même
alors il fait une chose différente là où c'est
Hungarian:
mintha az
örömről és a felfedezésről és a lényről szólna
őszintén izgatott emiatt. szóval nem
mintha ó, remekül teljesítettél volna. igazságosabb
mint wow mi lenne, ha megpróbálnánk ezt
, tudod, és ez egy igazán
igazán
szórakoztató munkamódszer.
amolyan vicces jelenet volt, mert
elszúrtad
mintha ezt meggyógyítanád, ezt
fogod mondani.
és én olyan vagyok, mint
aki halott
kész. [Toby] attól függött, hogy
zsebkés. a 900-as volt
egyenértékű svájci késsel,
tudod , hogy nem halott
nem halálos, és biztos vagyok benne, nagyon tiszta te
tudod
igen az emberek akkor kemények voltak. [Colby] igen
most van valami, amit szeretsz
Aethelred karakteredben? [Toby] nem.
nem oké
legtöbbször, amikor felteszem ezt a
kérdést, olyan, mint amit szeretsz?
French:
comme si c'était une question de
joie et d'aimer explorer et être
vraiment excité à ce sujet. donc ce n'est pas
comme si tu t'es bien débrouillé. c'est plus juste
comme wow et si on essayait ça
tu sais et c'est vraiment un
façon vraiment
amusante de travailler.
c'était une scène drôle parce que
tu l'as poignardé
comme si vous vous en remettez comme ceci,
c'est ce que vous allez dire.
et je suis juste comme
s'il était mort
il a fini. [Toby] dépendait que c'était un
couteau de poche. c'était les 900
l'équivalent d'un couteau suisse tu
sais ouais pas mort
pas mortel et je suis sûr que très propre tu
sais
ouais les gens étaient durs à l'époque. [Colby] ouais absolument
maintenant, y a-t-il quelque chose que vous aimez
dans votre personnage Aethelred? [Toby] non.
pas d'accord
la plupart du temps, quand je pose cette
question, c'est comme si tu aimes?
Spanish:
como si se tratara de
alegría y como explorar y ser
realmente emocionado por ello. así que no es
como si lo hicieras genial. es más justo
como wow, ¿y si intentáramos esto?
¿Sabes?
una forma muy
divertida de trabajar.
Esa fue una escena un poco divertida porque
lo apuñalas
como si te recuperas de esto así
es lo que vas a decir.
y yo soy como si estuviera
muerto como
él ha terminado. [Toby] dependía de que fuera una
navaja de bolsillo. eran los 900
equivalente a una navaja suiza,
sabes que no está muerto
no es mortal y estoy seguro que muy limpio,
sabes
sí, la gente era dura en ese entonces. [Colby] sí absolutamente
Ahora, ¿hay algo que te guste
de tu personaje Aethelred? [Toby] no.
no esta bien
la mayoría de las veces cuando hago esa
pregunta es como ¿qué amas?
Portuguese:
como se fosse tudo sobre
alegria e como explorar e ser
genuinamente animado com isso. então não é
como se você tivesse se saído bem. é mais justo
tipo uau, e se tentássemos isso,
você sabe e é realmente
maneira muito divertida de trabalhar.
foi uma cena meio engraçada porque
você o esfaqueou
se você se recuperar disso
é o que você vai dizer.
e eu sou como se
ele estivesse morto como
ele está feito. [Toby] era dependente, era um
canivete. foi nos anos 900
equivalente a um canivete suíço, você
sabe, sim, não está morto
não mortal e com certeza muito limpo, você
sabe
sim, as pessoas eram difíceis naquela época. [Colby] sim, absolutamente
agora há algo que você ama
sobre seu personagem Aethelred? [Toby] não.
não ok
na maioria das vezes, quando faço essa
pergunta, é como o que você ama?
Arabic:
كأن الأمر كله يتعلق
بالفرح وبالاستكشاف والوجود
حقا متحمس حيال ذلك. لذلك ليس الأمر
كما لو أنك أبليت بلاءً حسنًا. إنه أكثر عدلاً
أعجبني ، ماذا لو جربنا هذا ،
فأنت تعلم وهو حقًا
حقا
طريقة ممتعة للعمل.
كان هذا مشهدًا مضحكًا لأنك
طعنته
كما لو تعافيت من هذا مثل هذا
ما ستقوله.
وأنا فقط وكأنه
ميت مثل
فعله. [توبي] كان يعتمد على
سكين جيب. كان القرن 900
ما يعادل سكين الجيش السويسري كما
تعلمون لم يمت
ليس مميتًا وأنا متأكد من أنه نظيف جدًا كما
تعلم
نعم ، كان الناس قساة في ذلك الوقت. [كولبي] نعم بالتأكيد
الآن هل هناك أي شيء تحبه في
شخصيتك Aethelred؟ [توبي] لا.
لا بأس
في معظم الأوقات عندما أطرح هذا
السؤال يكون الأمر مثل ماذا تحب؟
Russian:
как будто это все о
радости и о том, как исследовать и быть
искренне взволнован по этому поводу. так что это не
похоже на то, что ты отлично справился. это более справедливо
как вау, а если бы мы попробовали это
, знаете, и это действительно
действительно
интересный способ работать.
это была забавная сцена, потому что
ты ударил его ножом
как если ты оправишься от этого, вот
что ты собираешься сказать.
и я такой же, как
он мертв, как
он закончил. [Тоби] Это был
перочинный нож. это были 900-е
эквивалент швейцарского армейского ножа, вы
знаете, да, не мертв
не смертельно и я уверен, что очень чисто, ты
знаешь
да, тогда люди были крутыми. [Колби] Да, конечно
Есть ли что-нибудь, что вам нравится в
вашем персонаже Этельреде? [Тоби] нет.
нет хорошо
большую часть времени, когда я задаю этот
вопрос, это похоже на то, что ты любишь?
English:
like it's all about
joy and about like exploring and being
genuinely excited about it. so it's not
like oh you did great. it's more just
like wow what if we tried this
you know and it's a really
really
fun way to work.
that was kind of a funny scene because
you stab him
like if you recover from this like this
is what you're going to say.
and I'm just like
he's dead like
he's done. [Toby] it was dependent it was a
pocket knife. it was the 900's
equivalent of a swiss army knife you
know yeah not dead
not deadly and I'm sure very clean you
know
yeah people were tough back then. [Colby] yeah absolutely
now is there anything that you love
about your character Aethelred? [Toby] no.
no okay
most of the time when I ask that
question it's like what do you love?
Chinese:
就像是所有关于
欢乐,以及喜欢探索和存在
对此感到非常兴奋。所以这
不像哦,你做得很好。更公正
像哇,如果我们尝试这个,
您会知道,这真的
真正
有趣的工作方式。
那是一个有趣的场面,因为
你刺了他
如果您从中恢复过来,这
就是您要说的。
我就像
他死了一样
他完成了。[托比]这是取决于它是一把
小刀。那是900年代
相当于瑞士军刀,你
知道吗,没死
不是致命的,我敢肯定很干净,你
知道
是的,那时人们很艰难。[Colby]绝对是
现在有您喜欢
的角色Aethelred吗?[托比]不。
不好
在大多数时候,当我问这个
问题时,就像你爱什么?
German:
als ob es um
Freude geht und um das Erkunden und Sein
wirklich aufgeregt darüber. Es ist also nicht
so, als hättest du es großartig gemacht. es ist gerechter
Wie wow, wenn wir das versuchen würden
, wissen Sie, und es ist wirklich eine
wirklich
lustige Art zu arbeiten.
Das war eine lustige Szene, weil
du ihn erstochen hast
Wenn Sie sich davon erholen, werden
Sie sagen.
und ich bin wie
er tot ist
Er ist fertig. [Toby] es war abhängig, dass es ein
Taschenmesser war. Es waren die 900er
Äquivalent zu einem Schweizer Taschenmesser, von dem Sie
wissen, dass es nicht tot ist
nicht tödlich und ich bin sicher sehr sauber,
weißt du ?
Ja, die Leute waren damals hart. [Colby] Ja, absolut
Gibt es etwas, das du
an deinem Charakter Aethelred liebst ? [Toby] nein.
nein okay
Die meiste Zeit, wenn ich diese
Frage stelle, ist es wie was liebst du?
Russian:
Мне понравилось, когда я начал это шоу
мой тренер по актерскому мастерству и друг Орландо
Сил дал мне хороший совет
о
таких неудобных вещах, как
неудобный трон, неудобная корона
, платье
я буквально ношу
неудобное платье или длинную тунику
и не делать вид, что им
комфортно
и не делать вид, что
вам комфортно, и на самом деле это
довольно весело играть короля
или принца или стать лордом
король,
который не умеет сидеть
свой трон,
и он не знает как.
Всегда пытаюсь любить поправку и
быть чертовски
наплечники глупые вы знаете как
и на самом деле
Вы знаете, что не пытаетесь найти крутой
способ сидеть, но на самом деле это много
гораздо забавнее видеть это, видеть
короля, который просто не знает, как
сделать это.
так что мне это понравилось, потому что когда я получил это
Hungarian:
Élveztem, amikor elkezdtem a műsort
színészedzőm és barátom, Orlando
Seale adott néhány jó tanácsot
arról, hogy
olyan dolgok kényelmetlenek, mint a
a trón kényelmetlen, a korona
kényelmetlen, a ruha
mint szó szerint
kényelmetlen ruhát vagy hosszú zubbonyt viselek
és nem úgy tesz, mintha
kényelmesek lennének
és nem úgy tenni, mintha
jól éreznéd magad, és valójában az
nagyon szórakoztató királyt
vagy herceget játszani, vagy lordot ismerni
király,
aki nem tudja, hogyan kell beülni
saját trónját,
és nem tudja, hogyan.
mindig próbálta szeretni az újrabeillesztést és
a kibaszottságot
vállpárnák hülye tudod, mint
és valójában
tudod, hogy nem próbálsz jó
módot találni az ülésre, de valójában ez sok
sokkal viccesebb látni, olyan
királyt látni, akinek egyszerűen fogalma sincs, hogyan
megtenni.
így élveztem, mert amikor megkaptam
German:
Ich habe es genossen, als ich mit dieser Show angefangen habe
Mein Schauspielcoaching und Freund Orlando
Seale gab mir einige gute Ratschläge
über Dinge, die unangenehm sind
wie die
Thron ist unbequem, die Krone
ist unbequem, das Kleid
Ich trage buchstäblich ein
unbequemes Kleid oder eine lange Tunika
und nicht so zu tun, als ob sie sich
wohl fühlen
und nicht so zu tun, als ob
du dich wohl fühlst und es tatsächlich ist
Es macht ziemlich viel Spaß, einen König
oder einen Prinzen zu spielen oder einen Lord zu kennen
König
, der nicht weiß, wie man sitzt
seinen eigenen Thron
und er weiß nicht wie.
Ich versuche immer, mich
neu einzustellen und wie Ficken zu sein
Schulterpolster dumm du weißt wie
und eigentlich
Sie wissen, dass Sie nicht versuchen, eine coole
Art zu sitzen zu finden , aber eigentlich ist es viel
Es ist viel lustiger, es zu sehen, einen
König zu sehen, der absolut keine Ahnung hat, wie
es zu tun.
Also habe ich das genossen, denn als ich es bekam
French:
J'ai apprécié quand j'ai commencé ce spectacle
mon coach d'acteur et ami Orlando
Seale m'a donné de bons conseils
à propos de choses inconfortables
comme le
le trône étant inconfortable, la couronne
étant inconfortable, la robe
comme littéralement je porte une robe
inconfortable ou une longue tunique
et ne pas prétendre qu'ils sont à l'
aise
et ne pas prétendre que
vous êtes à l'aise et en fait c'est
assez amusant de jouer un roi
ou un prince ou devenir vous connaissez un seigneur
roi
qui ne sait pas comment s'asseoir
son propre trône
et il ne sait pas comment.
essayant toujours d'aimer se réajuster et d'
être comme de la baise
épaulettes stupides tu sais aimer
et en fait
tu sais ne pas essayer de trouver une
façon cool de s'asseoir mais en fait c'est beaucoup
c'est beaucoup plus drôle de le voir, de voir un
roi qui n'a absolument aucune idée de comment
pour le faire.
alors j'ai apprécié ça parce que quand je l'ai eu
Portuguese:
Eu gostei quando comecei aquele show é
meu treinador de atuação e amigo Orlando
Seale me deu alguns bons conselhos
sobre coisas serem desconfortáveis
como
trono sendo desconfortável, a coroa
sendo desconfortável, o vestido
como literalmente eu uso um vestido
desconfortável ou uma túnica longa
e não fingir que estão
confortáveis
e não fingir que
está confortável e realmente é
muito divertido interpretar um rei
ou um príncipe ou tornar-se você conhece um senhor
rei
que não sabe como se sentar
seu próprio trono
e ele não sabe como.
sempre tentando se reajustar e
sendo como foder
ombreiras idiotas você sabe como
e na verdade
você não sabe, não tentando encontrar uma
maneira legal de sentar, mas na verdade isso é muito
é muito mais engraçado ver isso, ver um
rei que simplesmente não tem ideia de como
para fazer isso.
então eu gostei disso porque quando eu peguei
Chinese:
当我开始那个节目的时候我很喜欢
我的代理教练兼朋友奥兰多·
锡尔给了我一些很好的建议
事不舒服
,如
宝座不舒服,冠
不舒服,衣服
就像从字面上看,我穿的衣服不
舒服或长袍
而不假装他们很
舒服
而不是假装
自己很舒服,实际上
扮演国王
或王子或成为你认识的主人很有趣
不知道该怎么坐的国王
他自己的宝座
,他不知道怎么做。
总是想喜欢重新调整和
喜欢他妈的
肩膀垫愚蠢,你知道喜欢
,实际上
你知道不是不是想找到一种很酷的
坐姿,但实际上这是很多
看到它真有趣,看到一个
完全不知道怎么做的国王
去做吧。
所以我很喜欢,因为当我得到它
Spanish:
Disfruté cuando comencé ese programa es
mi entrenador de actuación y amigo Orlando
Seale me dio buenos consejos
sobre cosas incómodas
como el
trono incómodo, la corona
incómoda, el vestido
como literalmente uso un vestido
incómodo o una túnica larga
y no fingir que están
cómodos
y no fingir que
estás cómodo y en realidad es
bastante divertido interpretar a un rey
o un príncipe o convertirte en un señor
rey
que no sabe sentarse
su propio trono
y no sabe cómo.
Siempre intentando que me guste reajustar y
ser como follar
hombreras estúpidas que sabes como
y en realidad
sabes que no estoy tratando de encontrar una
manera genial de sentarte, pero en realidad esto es mucho
es mucho más divertido verlo, ver a un
rey que simplemente no tiene ni idea de cómo
para hacerlo.
así que lo disfruté porque cuando lo conseguí
Arabic:
لقد استمتعت عندما بدأت هذا العرض
أعطاني مدرب التمثيل الخاص بي وصديقي أورلاندو سيل بعض النصائح الجيدة
عن الأشياء غير المريحة
مثل
العرش غير مريح ، والتاج
غير مريح ، واللباس
مثل حرفيا أرتدي فستانا
غير مريح أو سترة طويلة
وعدم التظاهر بأنهم
مرتاحون
وعدم التظاهر
بأنك مرتاح في الواقع
من الممتع جدًا أن تلعب دور ملك
أو أمير أو أن تعرف سيدًا
الملك
الذي لا يعرف كيف يجلس
عرشه
ولا يعرف كيف.
تحاول دائمًا إعادة ضبط نفسها وأن
تكون مثل اللعين
وسادات كتف غبية تحبها
وفي الواقع
أنت لا تعرف أنك لا تحاول إيجاد
طريقة رائعة للجلوس ولكن هذا كثير في الواقع
من الممتع رؤيتها ، أن ترى
ملكًا ليس لديه أي فكرة عن كيفية القيام بذلك
للقيام بذلك.
لذلك استمتعت بذلك لأنه عندما حصلت عليه
English:
I enjoyed when i started that show is
my acting coaching and friend Orlando
Seale gave me some good advice
about things being uncomfortable
like the
throne being uncomfortable, the crown
being uncomfortable, the dress
like literally I wear a dress being
uncomfortable or a long tunic
and not pretending that they're
comfortable
and not pretending that
you're comfortable and actually it's
quite fun to play a king
or a prince or becoming you know a lord
king
who doesn't know how to sit in
his own throne
and he doesn't know how.
always trying to like readjust and
being like fucking
shoulder pads stupid you know like
and actually
you know not not trying to find a cool
way to sit but actually this it's much
it's much funnier to see it, to see a
king who just has absolutely no idea how
to do it.
so I enjoyed that because when I got it
French:
J'étais comme oh je vais devoir jouer,
je dois jouer ça tu sais mec fort
mais en fait
juste céder à tout cela comme dieu
Où suis-je?
que suis-je en train de faire? Je m'ennuie tu sais gentil
de chose.
apporte-moi des baies ou quelque chose de toi
savoir?
c'est en fait une façon plus intéressante de
joue-le. [Colby]
ouais faisant correspondre le langage corporel à Aethelred
vous savez
un peu que c'est plutôt cool. [Toby] ouais mon
mon entraîneur dit comme qu'est-ce que vous obtenez
gratuitement? tu sais?
que
ressentez -vous réellement, comment vous sentez - vous réellement? c'est comme bien j'ai chaud
et cette
couronne est inconfortable c'est comme parfait
mais super, je n'ai pas besoin de jouer. [Colby]
une autre scène que j'aime que tu as
il faut revenir
et dire à Alfred que sa fille est juste
été pris
et vous essayez de le vendre au mieux, vous pouvez,
essayez de le vendre.
ouais pourrais-tu parler un peu
de faire cette scène? parce que tu te fais
gronder comme
tout le monde dans la salle. [Toby] ouais
David Dawson qui joue le roi Alfred ou
Russian:
Я подумал, что мне нужно сыграть,
я должен сыграть этого, ты знаешь, сильный парень
но на самом деле
просто уступая всем этим как бог
Где я?
что я делаю? Мне скучно ты знаешь добрый
вещи.
принеси мне ягод или что-нибудь, что ты
знать?
на самом деле это более интересный способ
Сыграй. [Колби]
Да, язык тела соответствовал Этельреду
Вы знаете,
что это довольно круто. [Тоби] да, мой
мой тренер говорит, что ты получаешь
бесплатно? знаешь?
что ты на самом деле, как
ты на самом деле чувствуешь? это как хорошо, я горячий
и эта
корона неудобная, она как идеальная
но отлично, не нужно играть. [Колби]
еще одна сцена, которая мне нравится, что у тебя есть
когда тебе нужно вернуться
и сказать Альфреду, что его дочь только что
был взят,
и вы пытаетесь продать его как можно лучше,
попробуй продать это.
да, не могли бы вы немного поговорить
насчет той сцены? потому что тебя
ругают лайки
все в комнате. [Тоби] Да,
Дэвид Доусон, который играет короля Альфреда или
Arabic:
كنت مثل أوه سأضطر للعب ،
يجب أن ألعب هذا الرجل القوي الذي تعرفه
ولكن في الواقع
مجرد الاستسلام لكل هؤلاء مثل الله
أين أنا؟
ماذا افعل؟ أشعر بالملل لأنك تعرف النوع
من شيء.
أحضر لي بعض التوت أو أي شيء لك
أعرف؟
إنها في الواقع طريقة أكثر إثارة للاهتمام
العبها. [كولبي]
نعم مطابقة لغة الجسد مع Aethelred
أنت تعرف
شيئًا رائعًا جدًا. [توبي] أجل
مدربي يقول مثل ماذا تحصل
بالمجان؟ أنت تعلم؟
ما هو
شعورك في الواقع ، كيف تشعر بالفعل؟ يبدو الأمر كما لو أنني ساخنة
وهذا
التاج غير مريح إنه مثل الكمال
لكن رائع ، ليس عليك القيام بأي تمثيل. [كولبي]
مشهد آخر أحبه لديك
عليك القيام به عندما يتعين عليك العودة
وإخبار ألفريد أن ابنته عادلة
تم أخذها
وتحاول بيعها بأفضل طريقة ممكنة ،
حاول بيعه.
نعم هل يمكنك التحدث قليلا
حول القيام بهذا المشهد؟ لأنه يتم
توبيخك بالمثل
كل من في الغرفة. [توبي] نعم
ديفيد داوسون الذي يلعب دور الملك ألفريد أو
Spanish:
Yo estaba como oh, voy a tener que jugar,
tengo que jugar esto, sabes, chico fuerte
pero en realidad
solo cediendo a todos estos como Dios
¿Dónde estoy?
¿Qué estoy haciendo? Estoy aburrido, sabes tipo
de cosa.
tráeme algunas bayas o algo que tu
¿saber?
en realidad, es una forma más interesante de
juegalo. [Colby]
sí, haciendo coincidir el lenguaje corporal con Aethelred
sabes
bastante que es muy bueno. [Toby] si mi
mi entrenador dice como ¿qué obtienes
gratis? ¿ya sabes?
¿Qué es lo que realmente, cómo
se siente realmente? es como si estuviera caliente
y esta
corona es incómoda es como perfecta
pero genial, no tienes que actuar. [Colby]
otra escena que me encanta que tienes
que hacer es cuando tienes que volver
y decirle a Alfred que su hija
ha sido tomado
y tratas de venderlo lo mejor que puedes,
intenta venderlo.
sí, podrías hablar un poco
sobre hacer esa escena? porque te
regañan como
todos en la habitación. [Toby] sí,
David Dawson, que interpreta al rey Alfred o
Chinese:
我就像哦,我将不得不玩,
我必须玩这个,你知道强壮的家伙
但实际上
只是屈服于所有这些像上帝
我在哪里?
我在做什么?我很无聊,你知道那种
的东西。
带些浆果给我
知道?
这实际上是一种更有趣的方式
播放。[Colby]
是的,将肢体语言与Aethelred匹配
你知道
那很酷。[托比]是的,我的
我的教练说你
免费得到什么?你懂?
您实际上是什么,
您实际感觉如何?就像我很热
这个
皇冠不舒服,就像完美
但是很好,不必做任何表演。[Colby]
我爱你的另一个场景
要做的是当你必须回去
告诉阿尔弗雷德他女儿的
被采取
,您尝试最好地出售它,
尝试出售它。
是的,你能谈一点吗
关于那个场景?因为你
被喜欢骂
房间里的每个人。[Toby]是
扮演Alfred国王的David Dawson还是
German:
Ich dachte, oh, ich muss spielen,
ich muss das spielen, du kennst einen starken Kerl
aber eigentlich
nur all diesen wie Gott nachgeben
wo bin ich?
Was tue ich? Mir ist langweilig, du weißt schon
der Sache.
Bring mir ein paar Beeren oder was du
kennt?
Es ist eigentlich ein interessanter Weg
Spiel es. [Colby]
Ja, die Körpersprache passt zu Aethelred
Sie wissen
ziemlich viel, das ist ziemlich cool. [Toby] Ja mein Gott
Mein Trainer sagt, was bekommst du
kostenlos? Wissen Sie?
Was
fühlst du eigentlich, wie fühlst du dich eigentlich? Es ist gut, ich bin heiß
und diese
Krone ist unbequem, es ist wie perfekt
aber toll, muss nicht schauspielern. [Colby] eine
andere Szene, die ich liebe, die du hast
zu tun ist, wenn Sie zurückkommen
und Alfred sagen müssen, dass seine Tochter gerecht ist
wurde genommen
und du versuchst es so gut du kannst zu verkaufen, du,
versuche es zu verkaufen.
Ja, könntest du ein bisschen reden?
über diese Szene? weil du
von wie gescholten wirst
alle im Raum. [Toby] ja
David Dawson, der König Alfred spielt oder
English:
I was like oh I'm going to have to play,
I have to play this you know strong guy
but actually
just giving in to all of these like god
where am I?
what am I doing? I'm bored you know kind
of thing.
bring me some berries or something you
know?
it's actually a more interesting way to
play it. [Colby]
yeah matching the body language to Aethelred
you know
quite a bit that's pretty cool. [Toby] yeah my
my coach says like what do you get for
free? you know?
what do you actually, how do
you actually feel? it's like well I'm hot
and this
crown is uncomfortable it's like perfect
but great, don't have to do any acting. [Colby]
another scene that I love that you have
to do is when you have to come back
and tell Alfred that his daughter's just
been taken
and you try to sell it best you can you,
try to sell it.
yeah could you talk a little bit
about doing that scene? because you get
scolded by like
everybody in the room. [Toby] yeah
David Dawson who plays King Alfred or
Hungarian:
Úgy voltam vele, hogy ó, muszáj lesz játszanom,
ezt kell eljátszanod, tudod, erős srác
de valójában
csak engedni mindezeknek, mint isten
Hol vagyok?
Mit csinálok? Unom, hogy kedves vagy
a dologból.
hozz nekem egy kis bogyót vagy valamit
tud?
valójában egy érdekesebb módja annak
játszd. [Colby]
igen, a testbeszédet Aethelredhez igazítva
elég sokat tudsz , ez nagyon klassz. [Toby] igen
az edzőm azt mondja, hogy mit kapsz
ingyen? tudod?
valójában mit érzel, valójában mit
érzel? mintha jól lennék
és ez a
korona kényelmetlen, olyan, mint a tökéletes
de nagyszerű, nem kell színészetet csinálni. [Colby]
egy másik jelenet, amit szeretek, ami van
meg kell tennie, amikor vissza kell térnie
és elmondania Alfrednek, hogy a lánya igazságos
vették
, és megpróbálja eladni a legjobban tudsz te,
próbáld eladni.
igen, tudnál beszélni egy kicsit
arról a jelenetről? mert
szidják a hasonlók
mindenki a teremben. [Toby] igen,
David Dawson, aki Alfred királyt játszik
Portuguese:
Eu estava tipo oh, eu vou ter que jogar,
eu tenho que tocar isso, você conhece cara forte
mas na verdade
apenas cedendo a tudo isso como deus
Onde estou?
O que eu estou fazendo? Estou entediado sabe do tipo
de coisa.
traga-me algumas bagas ou algo que você
conhecer?
na verdade é uma maneira mais interessante de
Jogue. [Colby]
sim, combinando a linguagem corporal com Aethelred
você sabe
um pouco que é muito legal. [Toby] sim meu
meu treinador diz como o que você ganha de
graça? você sabe?
o que
você realmente sente , como você realmente se sente? é como se eu fosse quente
e esta
coroa é desconfortável é perfeita
mas ótimo, não precisa fazer nenhuma atuação. [Colby]
outra cena que eu amo que você tem
a fazer é quando você tem que voltar
e dizer a Alfred que sua filha está apenas
foi levado
e você tenta vendê-lo o melhor que você pode,
tente vendê-lo.
sim, você poderia falar um pouco
sobre fazer aquela cena? porque você é
repreendido por como
todos na sala. [Toby] sim
David Dawson que interpreta o Rei Alfred ou
Russian:
Сыгранный король Альфред
- невероятно ориентированный на лазерный актер
больше, чем, наверное, кто-либо еще, с кем я когда-
либо работал.
как будто его взгляд
действительно сбивает с толку
когда он в персонаже, потому что иногда
бывает, это похоже на
даже несмотря на то, что у вас есть характер,
вы как бы знаете, что
вы знаете, что вы играете эту сцену
и так
есть ... однажды
разрезанный, называется это
ты еще не боишься
кого-то, но когда
когда Дэвид действительно сосредотачивается на тебе, это
искренне
сбивает с толку, и он также как будто
приносит свою игру за каждый дубль
с точки зрения доставки и
он такой размеренный и такой
отчасти я не знаю, как описать это
как раздетый. нет никаких
это именно то, что
должно быть
это заставляет вас как бы
отвечать.
Portuguese:
interpretado King Alfred
é um ator incrivelmente focado em laser
mais do que provavelmente qualquer outra pessoa com quem
já trabalhei.
como se o olhar dele
fosse genuinamente desconcertante
quando ele está no personagem, porque às vezes
há tipo, é como
mesmo que você esteja no personagem,
você está ciente de que
você sabe que é uma cena
que você está interpretando e então
há ... uma vez que é
cortado é chamado de
você ainda não tem medo de
alguém, mas quando
quando David realmente se concentra em você, é
genuinamente
desconcertante e ele também
traz seu jogo para cada tomada
em termos de entrega e
é tão medido e tão
tipo de eu não sei como descrever
como despojado. não há
é exatamente o que
precisa ser
isso o força a
responder.
Chinese:
扮演的国王阿尔弗雷德(Alfred King)
是一位非常注重激光的演员
比我
曾经合作过的任何人都多。
就像他的目光或眩光
确实令人不快
当他的性格,因为有时
有喜欢,它像
即使你很有个性,
你还是会意识到
你知道那是
你在玩的场景,所以
那里...一旦被
削减称为
你还不怕
别人
当大卫真的对你置若it闻时,这是
真的
感到不安,他也很喜欢
为每一次比赛带来一场比赛
在交付方面,
它是如此衡量等等
我不知道该如何形容
像脱衣舞一样。没有
正是它所
需要的
它迫使您
做出回应。
Arabic:
لعبت دور King Alfred
هو ممثل يركز بشكل لا يصدق على الليزر
ربما أكثر من أي شخص آخر
عملت معه.
مثل التحديق أو الوهج
أمر مقلق حقًا
عندما يكون في شخصية لأنه في بعض الأحيان يكون
هناك مثل
على الرغم من أنك شخصية ،
فأنت تدرك ذلك نوعًا ما
أنت تعلم أنه مشهد
تلعبه وهكذا
هناك ... بمجرد
قطعها مرة واحدة تسمى انها
أنت لا تزال تخاف من
شخص ما ولكن متى
عندما يتجاهلك ديفيد حقًا ، فهو
حقًا
مقلق وهو أيضًا مثل
جلب لعبته مثل كل لقطة
من حيث التسليم ويتم
قياسه وهكذا
نوعا ما لا أعرف كيف
أصفها وكأنها مجردة. لا يوجد
إنه بالضبط ما
يجب أن يكون عليه الأمر
يجبرك على نوع من
الرد.
Spanish:
interpretado como King Alfred
es un actor increíblemente enfocado en el láser
más que probablemente cualquier otra persona con la que
haya trabajado.
como si su mirada o deslumbramiento fuera
realmente desconcertante
cuando está en el personaje porque a veces
hay como, es como
aunque estás en el personaje
, eres consciente de que
sabes que eres que es una escena
que estás jugando y así
hay ... una vez que se
corta una vez se llama
todavía no estás aterrorizado por
alguien, pero cuando
cuando David realmente se enfoca en ti, es
genuinamente
desconcertante y también es como
trae su juego para cada toma
en términos de entrega y
es tan medido y tan
tipo de no sé cómo describirlo
como despojado. no hay
es exactamente lo que
necesita para ser
te obliga a
responder.
English:
played King Alfred
is an incredibly laser-focused actor
more than probably anyone else I've
ever worked with.
like his stare or glare
is genuinely disconcerting
when he's in character because sometimes
there's like, it's like
even though you're in character
you're kind of aware that
you know that you're that it's a scene
that you're playing and so
there's... once it's once
cut is called it's
you're not still terrified of
somebody but when
when David really zeroes in on you it is
genuinely
disconcerting and he also is like
brings his a game for like every take
in terms of delivery and
it's so measured and so
kind of I don't know how to describe it
like stripped back. there's no
it's just exactly what it
needs to be that
it forces you to sort of
respond.
German:
gespielt König Alfred
ist ein unglaublich laserfokussierter Schauspieler
mehr als wahrscheinlich jeder andere, mit dem ich
jemals gearbeitet habe.
als ob sein Blick oder seine Blendung
wirklich beunruhigend ist
Wenn er im Charakter ist, weil es manchmal
so ist, ist es so
Obwohl du im Charakter
bist, bist du dir dessen irgendwie bewusst
Sie wissen, dass Sie sind, dass es eine Szene ist
, die Sie spielen und so
es gibt ... wenn es einmal
geschnitten ist, heißt es
Du hast immer noch keine Angst vor
jemandem, aber wann
Wenn David sich wirklich auf dich einlässt, ist es
wirklich so
beunruhigend und er ist auch wie
bringt ihm ein Spiel für wie jede Einstellung
in Bezug auf die Lieferung und
es ist so gemessen und so
Ich weiß nicht, wie ich es
als zurückgezogen bezeichnen soll. da ist kein
es ist genau das, was es sein
muss
es zwingt dich, irgendwie zu
antworten.
Hungarian:
Alfred királyt
hihetetlenül lézerközpontú színész játszotta
jobban, mint valószínűleg bárki más, akivel
valaha dolgoztam.
mint bámulása vagy tükröződése
valóban zavaró
amikor karakteres, mert néha
van ilyen, olyan
annak ellenére, hogy karakteres
vagy, tudatában vagy ennek
tudod, hogy ez egy olyan jelenet
, amelyet játszol, és így
van ... ha egyszer
kivágták, annak hívják
még mindig nem rettegsz
valakitől, de mikor
amikor David valóban lenulláz benned, az
valóban
zavarba ejtő és olyan is, mint
a minden játékhoz hasonló játék
szállítás szempontjából, és
annyira kimért és így
amolyan nem tudom, hogyan
írjam le, mint visszavetve. nincs
pont annak
kell lennie
mintegy
válaszra kényszeríti .
French:
joué King Alfred
est un acteur incroyablement focalisé sur le laser
plus que quiconque avec qui j'ai
travaillé.
comme son regard ou son regard
est vraiment déconcertant
quand il est dans le personnage parce que parfois
il y a comme, c'est comme
même si vous êtes dans le personnage,
vous êtes en quelque sorte conscient que
tu sais que tu es que c'est une scène
que tu joues et donc
il y a ... une fois que c'est une fois
coupé s'appelle c'est
tu n'es toujours pas terrifié par
quelqu'un mais quand
quand David se concentre vraiment sur toi, c'est
vraiment
déconcertant et il est aussi comme
apporte son jeu pour chaque prise
en termes de livraison et
c'est tellement mesuré et donc
genre de je ne sais pas comment le décrire
comme dépouillé. il n'y a pas
c'est exactement ce dont il a
besoin pour être ça
cela vous oblige à
répondre en quelque sorte .
English:
yeah so anytime that David is scared
me I probably am genuinely scared.
we were joking the other day we have a
presidential election coming up and we
were just like can we just have Alfred
come over here and
David. [Toby] would you prefer him? yeah yeah yeah but
yeah you kind of got you kind of got an
Aethelred versus a
I don't know yeah
yeah now your costume you always look
pretty regal
did you put any input into your
own costume or did you kind of let
like Molly Rowe, who we had on before, yeah
has a lot of great input into people's
costumes obviously
yeah yeah she mentioned how she dipped
your crown in gold I think
and... [Toby] yeah I mean I am
every time we have a costume fitting it's like a conversation
and she brings you know wealth of
ideas and then
Spanish:
Sí, así que cada vez que David
me asusta , probablemente estoy realmente asustado.
estábamos bromeando el otro día, tenemos unas
elecciones presidenciales próximas y
eran como si Alfred
venga aquí y
David. [Toby] lo preferirías? si si si pero
sí, tienes una especie de
Aethelred versus una
No lo se si
sí, ahora tu disfraz siempre te ves
bastante regio
¿Pusiste alguna entrada en tu
propio disfraz o dejaste
como Molly Rowe, a quien teníamos antes, sí,
tiene un gran aporte en la gente
disfraces, obviamente,
sí, sí, ella mencionó cómo se sumergió
tu corona en oro creo
y ... [Toby] si quiero decir lo soy
cada vez que tenemos un disfraz es como una conversación
y ella te trae una gran cantidad de
ideas y luego
Arabic:
نعم ، في أي وقت
يخيفني فيه ديفيد ، ربما أكون خائفًا حقًا.
كنا نمزح قبل أيام ، لدينا
انتخابات رئاسية قادمة ونحن
فقط مثل هل يمكن أن
يأتي ألفريد هنا و
ديفيد. [توبي] هل تفضله؟ نعم نعم نعم ولكن
نعم ، لقد حصلت نوعًا ما على
Aethelred مقابل a
لا اعرف
نعم الآن تبدو
زيّك ملكيًا دائمًا
هل أدخلت أي مدخلات في
زيك الخاص أو هل سمحت بذلك
مثل مولي رو ، التي كانت لدينا من قبل ، نعم
لديها الكثير من المدخلات العظيمة في الناس
الأزياء من الواضح
نعم نعم ، ذكرت كيف غطست
تاجك من الذهب على ما أعتقد
و ... [توبي] نعم أعني أنا
في كل مرة يكون لدينا فيها زي مناسب يكون الأمر أشبه بالمحادثة
وهي تجلب لك ثروة من
الأفكار وبعد ذلك
Hungarian:
igen, bármikor, amikor David megijed
, valószínűleg őszintén félek.
viccelődtünk a minap, amikor
elnökválasztás van, és mi
olyanok voltak, mint tudjuk csak meg Alfred
jöjjön ide, és
David. [Toby] jobban kedveled őt? igen igen igen de
igen, valahogy megszereztél egy
Aethelred kontra a
Nem tudom, igen
igen, most a jelmezed mindig
elég királyinak látszol
betett valamit a
saját jelmezébe, vagy valahogy engedett
mint Molly Rowe, akivel korábban volt részünk, igen
, nagyon nagy mértékben hozzájárul az emberekhez
jelmezek nyilván
igen, igen megemlítette, hogyan merült
a koronád arany szerintem,
és ... [Toby] igen, úgy értem, hogy az vagyok
minden alkalommal, amikor van egy jelmezünk, ez olyan, mint egy beszélgetés
és akkor rengeteg
ötletet tudhat magával
French:
ouais donc chaque fois que David a peur de
moi, j'ai probablement vraiment peur.
nous plaisantions l'autre jour, nous avons une
élection présidentielle à venir et nous
étaient juste comme pouvons-nous simplement faire
venir Alfred ici et
David. [Toby] le préféreriez-vous? ouais ouais ouais mais
Ouais, vous avez en quelque sorte, vous avez un
Aethelred contre un
Je ne sais pas ouais
Ouais maintenant ton costume tu as toujours l'air
assez royal
avez-vous apporté une contribution à votre
propre costume ou avez-vous laissé
comme Molly Rowe, que nous avons eue auparavant, oui,
a beaucoup de bonnes contributions aux gens
costumes évidemment
ouais ouais elle a mentionné comment elle a plongé
ta couronne en or je pense
et ... [Toby] ouais je veux dire je suis
chaque fois que nous avons un costume, c'est comme une conversation
et elle vous apporte une richesse d'
idées et puis
German:
Ja, jedes Mal, wenn David
mir Angst macht, habe ich wahrscheinlich echte Angst.
Wir haben neulich Spaß gemacht, wir haben eine
Präsidentschaftswahl vor uns und wir
waren genau wie können wir nur Alfred
hierher kommen lassen und
David. [Toby] würdest du ihn bevorzugen? yeah yeah yeah aber
Ja, du hast irgendwie einen
Aethelred gegen einen
Ich weiß es nicht, ja
Ja, jetzt, in deinem Kostüm, siehst du immer
ziemlich königlich aus
Hast du irgendwelche Eingaben in dein
eigenes Kostüm gemacht oder hast du es irgendwie gelassen?
Wie Molly Rowe, die wir vorher hatten, hat ja
eine Menge großartigen Einfluss auf die Menschen
Kostüme offensichtlich
yeah yeah sie erwähnte, wie sie eintauchte
Deine Krone in Gold, denke ich
und ... [Toby] Ja, ich meine, ich bin es
Jedes Mal, wenn wir ein passendes Kostüm haben, ist es wie ein Gespräch
und sie bringt Sie wissen, Fülle von
Ideen und dann
Chinese:
是的,所以每当戴维害怕
我时,我可能真的很害怕。
前几天我们在开玩笑,
即将举行总统选举,我们
就像我们可以让阿尔弗雷德
来这里,
大卫。[托比]你喜欢他吗?是的,但是
是的,你有点
喜欢Aethelred对
我不知道
是的,现在你的服装看起来总是
富丽堂皇
你有没有把任何投入摆到你
自己的服装中?还是让
就像我们以前曾担任过的莫莉·罗(Molly Rowe)一样,对
人们的
戏服显然
是的,是的,她提到她是如何浸洗的
我认为你的黄金皇冠
... [Toby]是的,我的意思是
每次我们有合适的服装时,就像谈话
她带给你很多
想法,然后
Portuguese:
sim, então sempre que David está
me assustando , provavelmente estou genuinamente assustado.
estávamos brincando outro dia, temos uma
eleição presidencial chegando e nós
é como se Alfred
viesse aqui e
David. [Toby] você prefere ele? sim sim sim mas
sim, você meio que tem um
Aethelred contra um
Não sei sim
sim, agora sua fantasia você sempre parece
muito real
você colocou alguma informação em seu
próprio traje ou você meio que deixou
como Molly Rowe, que tínhamos antes, sim,
tem uma grande contribuição para as pessoas
fantasias, obviamente,
sim, ela mencionou como ela mergulhou
sua coroa em ouro eu acho
e ... [Toby] sim, quero dizer, eu sou
cada vez que temos uma prova de fantasia é como uma conversa
e ela traz para você uma grande variedade de
ideias e então
Russian:
да, так что всякий раз, когда Дэвид пугает
меня, я, наверное, искренне боюсь.
на днях мы шутили, что
скоро выборы президента, и мы
мы могли бы просто пригласить
сюда Альфреда и
Дэвид. [Тоби] вы бы предпочли его? да да да но
да, у вас вроде получился
Aethelred по сравнению с
Я не знаю да
да, теперь в твоем костюме ты всегда выглядишь
довольно царственно
Вы внесли какие-то вклад в свой
собственный костюм или позволили
как Молли Роу, с которой мы работали раньше, да, она
внесла большой вклад в
костюмы, очевидно,
да, она упомянула, как она окунулась
твоя корона в золоте, я думаю
и ... [Тоби] да, я имею в виду, что я
каждый раз, когда мы примеряем костюм, это как разговор
и она приносит вам массу
идей, а затем
Russian:
вы их обсуждаете. То есть я не ... у меня
никогда не было
были проблемы с или ....
Я любил то, что носил. Я
думал это было здорово
что угодно, но вы знаете меховую отделку
и
Моя бесполезная броня
, это все для галочки
ты знаешь, выглядит великолепно, совершенно бессмысленно,
ты знаешь, разве ты не знаешь
просто как маленькие
кусочки кольчуги здесь
это я думал, что это было
отличным штрихом для его характера
что это вроде все
для показа, ты знаешь, да, и у меня было
у меня было огромное кольцо, я
не знаю, когда ты
увидеть, насколько ясно вы это видите,
но это было похоже на супер чашу
вы знаете одного из тех, кого вы знаете, как
огромный кусок золота.
это тот, который украл Эардвульф? [Тоби] Может быть, да, это будет
German:
du redest sie über. Ich meine, ich habe nicht ... ich hatte
nie welche
hatte irgendwelche Probleme mit oder ....
Ich habe geliebt, was ich trug. Ich
fand es großartig
alles mit außer du kennst pelzbesatz
und
Meine Art von nutzloser Rüstung
, die nur zur Schau gestellt wird
Sie wissen, sieht großartig aus, völlig sinnlos.
Sie wissen, dass Sie es nicht wissen können
nur ein bisschen wie kleine
Kettenhemden hier
Das fand ich eine
großartige Sache für seinen Charakter
dass es irgendwie alles
für die Show ist, weißt du ja und ich hatte
Ein riesiger Ring, den ich wie eine Art hatte,
ich weiß nicht ob wann
sehen Sie es, wie deutlich Sie es sehen
können, aber es war wie eine Superschüssel
Sie kennen einen von denen, die Sie kennen, wie ein
riesiges Stück Gold.
ist das derjenige, den Eardwulf stiehlt? [Toby] vielleicht ja ja ja wäre es
Portuguese:
você fala sobre eles. Quer dizer, eu não ... eu
nunca tive nenhum
teve algum problema com ou ....
Eu amei o que vesti. Eu
achei ótimo
qualquer coisa com mas você sabe corte de pele
e
meu tipo de armadura inútil
que é tudo para mostrar
você sabe que parece ótimo, totalmente sem sentido,
você sabe, não poderia saber
como pequenos
pedaços de cota de malha aqui
isso eu achei que foi um
ótimo toque para o personagem dele
que é meio que é tudo
para mostrar, você sabe, sim e eu tive
um anel enorme que eu tinha tipo
não sei se quando você
veja com que clareza você consegue ver
, mas era como um super bowl
você conhece um daqueles que conhece como uma
enorme peça de ouro.
é aquele que Eardwulf rouba? [Toby] talvez sim sim, seria
English:
you talk them over. I mean I didn't... I
never had any
had any problems with or....
I loved what I wore. I
thought it was great
anything with but you know fur trim
and
my kind of like useless armor
that's all for show
you know looks great totally pointless
you know couldn't you know
just kind of like little
bits of chain mail here
this I thought that was a
great touch for his character
that it's kind of it's all
for show you know yeah and I had
a huge ring I had like a kind of
I don't know if when you
get to see it how clearly you get to see
it but it was like a super bowl
you know one of those you know like
huge piece of gold.
is that the one Eardwulf steals? [Toby] maybe yeah yeah it would be
French:
vous en parlez. Je veux dire que je n'ai pas ... je
n'en ai jamais eu
eu des problèmes avec ou ...
J'ai adoré ce que je portais. J'ai
pensé que c'était génial
quoi que ce soit avec mais vous savez la garniture de fourrure
et
mon genre d'armure inutile
qui est tout pour le spectacle
tu sais que ça a l'air super totalement inutile
tu sais tu ne peux pas savoir
un peu comme de petits
bouts de cotte de mailles ici
je pensais que c'était une
grande touche pour son personnage
que c'est en quelque sorte tout
pour montrer tu sais ouais et j'ai eu
une énorme bague que j'avais comme une sorte de
je ne sais pas si quand tu
arriver à le voir avec quelle clarté vous pouvez le voir
mais c'était comme un super bowl
vous connaissez l'un de ceux que vous connaissez comme une
énorme pièce d'or.
est-ce celui que vole Eardwulf? [Toby] peut-être ouais ouais ce serait
Hungarian:
átbeszéled őket. Vagyis nem ...
soha nem volt
bármilyen problémája volt vagy
Imádtam, amit viseltem. Azt
hittem, hogy a nagy
bármi mással, de tudod, hogy a szőrmék
és
az a fajta haszontalan páncélom
, ami csak megmutatásra való
tudod, hogy teljesen értelmetlenül néz ki,
nem tudhatod
olyan, mintha itt apró
darabok lennének
ezt úgy gondoltam, hogy ez
remekül megérinti a karakterét
hogy ez a fajta az egész,
hogy megmutasd, tudod, hogy igen és nekem is volt
egy hatalmas gyűrű volt, mint egyfajta,
nem tudom, hogy mikor
lássa, milyen tisztán látja
, de olyan volt, mint egy szuper tál
ismer egyet azok közül, akiket
hatalmas aranydarabként ismer .
ezt lopja el Eardwulf? [Toby] talán igen, igen
Spanish:
les hablas. Quiero decir que no ...
nunca tuve ninguno
tuvo algún problema con o ...
Me encantaba lo que vestía. Me
pareció que era genial
nada con pero usted sabe borde de piel
y
mi tipo de armadura inútil
que es todo para mostrar
sabes que se ve muy bien, totalmente inútil
, sabes, ¿no podrías saber?
como pequeños
trozos de cota de malla aquí
esto pensé que era un
gran toque para su personaje
que es como que todo es
para demostrar que sabes que sí, y yo tenía
un anillo enorme que tenía como una especie de
no sé si cuando tu
puedes verlo con qué claridad puedes verlo
, pero era como un super bowl
conoces a uno de los que conoces como una
enorme pieza de oro.
¿Es ese el que roba Eardwulf? [Toby] tal vez sí, sí, lo sería
Chinese:
你把他们聊完。我的意思是我没有...我
从未有过
或有任何问题。
我爱我穿的衣服。我
以为很棒
任何东西,但你知道皮草修剪
和
我那种毫无用处的盔甲
,无处不在
你知道看起来很棒,完全没有意义,
你知道吗
有点像
锁链的一点点
我认为这
对他的性格很有帮助
只是
为了表明你知道是的,我有
我喜欢的那种巨大的戒指,
我不知道你什么时候
看到它就很清楚了
,但是就像一个超级碗
您知道其中一个像
一块巨大的金子。
是那个Eardwulf偷的吗?[托比]也许是的
Arabic:
تحدثت معهم. أعني أنني لم أفعل ... لم يكن لدي
أي شيء
لديه أي مشاكل مع أو ....
أحببت ما ارتديته. أنا
أعتقد أنه كان عظيما
مع أي شيء ولكنك تعرف تقليم الفراء
و
نوعي مثل درع عديم الفائدة
هذا كل شيء للعرض
أنت تعلم أن تبدو رائعة تمامًا بلا فائدة
وأنت تعرف ألا تعرف
مجرد نوع من
أجزاء صغيرة من البريد المتسلسل هنا
أعتقد أن هذا كان
لمسة رائعة لشخصيته
هذا نوع من كل شيء
لإظهار أنك تعرف نعم وأنا
خاتم ضخم كان لدي مثل نوع من
لا أعرف متى
يمكنك رؤيته بوضوح كيف يمكنك رؤيته
ولكنه كان مثل وعاء كبير
أنت تعرف أحد أولئك الذين تعرفهم مثل
قطعة ضخمة من الذهب.
هل هذا هو الذي يسرقه إاردولف؟ [توبي] ربما نعم نعم
English:
steals my rings. those costume pitchings
are just great basically
yeah it's always uh just exciting to
see what she comes up with.
now Steve and I are also pretty big
Harry Potter fans
and so we got to ask you while you're on
about what was it like to kind of take
on the young version
of Albus Dumbledore because that's
pretty sweet. [Toby]
yeah it's basically like the best cameo
ever.
yeah because I mean me and Jamie
Bauer
who um who played the young Grindelwald
are the only two people who are in both
film franchises even
though we're
only in it for like a tiny amount of
time but it is like a
nice little bragging rights I
guess.
yeah I mean when I worked on the
Harry Potter, on the
first deathly hallows film but only for
like you know an afternoon
just so that they could get this moment
and then being asked to
French:
vole mes bagues. ces présentations de costumes
sont tout simplement géniales en gros
ouais c'est toujours juste excitant de
voir ce qu'elle propose.
maintenant Steve et moi sommes aussi de très grands
fans de Harry Potter
et nous devons donc vous demander pendant que vous êtes sur
ce que c'était que de prendre
sur la jeune version
d'Albus Dumbledore parce que c'est
plutôt doux. [Toby]
ouais, c'est fondamentalement le meilleur camée
déjà.
ouais parce que je veux dire moi et Jamie
Bauer
qui a joué le jeune Grindelwald
sont les deux seules personnes qui sont dans les deux
franchises de films, même
bien que nous
n'y soyons que pour une infime quantité de
temps mais c'est comme un
joli petit droit de se vanter
devine.
ouais je veux dire quand j'ai travaillé sur le
Harry Potter, sur le
premier film des reliques de la mort mais uniquement pour
comme si tu connaissais un après
- midi juste pour qu'ils puissent avoir ce moment
puis on lui demande de
Hungarian:
ellopja a gyűrűimet. ezek a jelmezkiosztások
alapvetően nagyszerűek
igen mindig izgalmas csak
látni, mire készül.
most Steve és én is elég nagy
Harry Potter rajongók vagyunk
és ezért kérdeznünk kellett önöket, hogy közben
milyen állapotban van
Albus Dumbledore fiatal változatán , mert az
nagyon édes. [Toby]
igen, alapvetően olyan, mint a legjobb cameo
valaha.
igen, mert én és Jamie értem
Bauer,
aki a fiatal Grindelwaldot alakította
az egyetlen két ember, aki mindkét
film franchise-ban részt vesz
bár
csak egy apróságért vagyunk benne
ideje, de olyan, mint egy
szép kis kérkedési jog
Találd ki.
igen, úgy értem, amikor a
Harry Potter, az
első halál ereklyefilmjén, de csak azért
mint egy délutánt,
csak azért, hogy elkapják ezt a pillanatot
majd arra kérik
German:
stiehlt meine Ringe. Diese Kostüm-Pitchings
sind einfach großartig
Ja, es ist immer nur aufregend zu
sehen, was sie sich einfallen lässt.
Jetzt sind Steve und ich auch ziemlich große
Harry-Potter-Fans
und so müssen wir dich fragen, während du dran bist
, wie es war, etwas zu nehmen
auf der jungen Version
von Albus Dumbledore, weil das so ist
ziemlich süß. [Toby]
Ja, es ist im Grunde wie das beste Cameo
je.
Ja, weil ich mich und Jamie meine
Bauer
wer ähm wer spielte den jungen Grindelwald
sind die einzigen zwei Personen, die sogar in beiden
Film-Franchises sind
obwohl wir
nur für eine winzige Menge drin sind
Zeit, aber es ist wie ein
nettes kleines Prahlerrecht ich
vermuten.
Ja, ich meine, als ich an der gearbeitet habe
Harry Potter, über den
ersten Heiligtumsfilm, aber nur für
wie du einen Nachmittag kennst,
nur damit sie diesen Moment bekommen können
und dann gebeten zu werden
Spanish:
roba mis anillos. esos disfraces
son geniales básicamente
Sí, siempre es emocionante
ver lo que se le ocurre.
ahora Steve y yo también somos grandes
fanáticos de Harry Potter
así que tenemos que preguntarte mientras estás
hablando sobre cómo fue tomar
en la versión joven
de Albus Dumbledore porque eso es
muy dulce. [Toby]
sí, es básicamente como el mejor cameo
nunca.
sí, porque me refiero a Jamie y a mí
Bauer,
quien interpretó al joven Grindelwald
son las únicas dos personas que están en ambas
franquicias cinematográficas, incluso
aunque
solo estamos en esto por una pequeña cantidad de
tiempo, pero es como un
pequeño derecho de fanfarronear
adivinar.
sí, me refiero a cuando trabajé en el
Harry Potter, en la
primera película sobre las reliquias de la muerte, pero solo para
como si supieras una tarde
solo para que pudieran tener este momento
y luego se le pide que
Portuguese:
rouba meus anéis. aqueles arremessos de fantasia
são ótimos
sim, é sempre uh apenas emocionante
ver o que ela vem com.
agora Steve e eu também somos grandes
fãs de Harry Potter
e então temos que perguntar a você enquanto você está
falando sobre como foi pegar
na versão jovem
de Alvo Dumbledore porque é
muito doce. [Toby]
sim, é basicamente a melhor participação especial
sempre.
sim porque quero dizer eu e Jamie
Bauer
quem interpretou o jovem Grindelwald
são as únicas duas pessoas que estão em ambas as
franquias de filmes
embora estejamos
nisso apenas por uma pequena quantidade de
tempo, mas é como um
pequeno direito de se gabar
acho.
sim, quero dizer, quando trabalhei no
Harry Potter, no
primeiro filme das Relíquias da Morte, mas apenas por
como você conhece uma tarde
só para que eles pudessem ter este momento
e então sendo pedido para
Arabic:
يسرق حلقاتي. عروض الأزياء
هذه رائعة بشكل أساسي
نعم ، من المثير دائمًا
رؤية ما ستأتي به.
الآن أنا وستيف معجبان
بهاري بوتر
ولذا علينا أن نسألك أثناء تواجدك
حول ما كان عليه الأمر
على النسخة الشابة
من ألبوس دمبلدور لأن ذلك
حلو جدا. [توبي]
نعم إنه في الأساس مثل أفضل نقش
أبدا.
نعم لأنني أعني أنا وجيمي
باور
الذي لعب دور الشاب جريندلفالد
هما الشخصان الوحيدان اللذان يوجدان في كلا
امتياز الفيلم
على الرغم من أننا نشارك فيه
فقط مقابل مقدار ضئيل من
الوقت لكنه مثل
حقوق المفاخرة قليلا لطيف
خمن.
نعم أعني عندما عملت على
هاري بوتر ، في
أول فيلم للأقداس المهلكة ولكن فقط من أجل
وكأنك تعرف فترة
ما بعد الظهيرة فقط حتى يتمكنوا من الاستمتاع بهذه اللحظة
ثم طلب منهم ذلك
Russian:
крадет мои кольца. Те костюмы
просто великолепны в основном
да, всегда просто интересно
смотреть, что она придумывает.
Теперь мы со Стивом тоже большие
поклонники Гарри Поттера
и поэтому мы должны спросить вас, пока вы говорите,
каково это было
о молодой версии
Альбуса Дамблдора, потому что это
довольно мило. [Тоби]
Да, это похоже на лучшее камео
Когда-либо.
да, потому что я имею в виду меня и Джейми
Бауэр
, который играл молодого Гриндевальда
- единственные два человека, которые снимаются в обеих
франшизах даже
хотя мы находимся
в нем только для небольшого количества
время, но это похоже на
маленькое милое хвастовство.
угадать.
да, я имею в виду, когда я работал над
Гарри Поттер в
первом фильме о дарах смерти, но только для
как вы знаете день,
чтобы они могли получить этот момент
а затем попросили
Chinese:
偷了我的戒指。那些服装的音调
基本上很棒
是的,
看到她的想法总是很令人兴奋。
现在,史蒂夫和我也是
哈利·波特的忠实粉丝
所以我们要问你,当时你在
想些什么
在年轻版本
的阿不思·邓布利多上,因为那是
很甜 [Toby]
是的,基本上就像最好的客串
曾经。
是的,因为我是说我和杰米
鲍尔(Bauer
)那个扮演年轻的格林德瓦(Grindelwald)的人
是两个
电影专营权中唯一的两个人
虽然我们
只在其中
时间,但那就像是
我吹牛的权利
猜测。
是的,我是说当我在
哈利·波特(Harry Potter),在
首部死亡圣殿电影中
就像你知道一个下午
,以便他们能度过这一刻
然后被要求
Russian:
вернуться, чтобы сыграть роль
фантастических зверей, это было просто
здорово.
такой набор опыта
это похоже на то, о чем я говорил
в "Последнем королевстве", но как раз
тысяча.
как и все, я имею в виду
каждая вещь здесь
красиво сделана вручную, вы знаете, что
просто ...
я имею в виду, я не говорю, я сказал это
как "Последнее королевство" не делает этого, нет,
я просто имею в виду, о, но это
просто масштаб
такого набора и
все усилия, которые вкладываются во все
, действительно потрясающие. Я не такой большой как
Мне не очень
нравится CGI, но
такой CGI, фантастический
CGI, который они
Не знаю, не могу, не знаю, как
называется их компания
кто также снимал фильмы о медведе Паддингтона,
но эта компьютерная графика особенно хороша
Arabic:
أعود للقيام بالدور
بالنسبة للوحوش الرائعة ، كان الأمر كذلك
عظيم.
هذا النوع من الخبرة المحددة
هو مثل ما كنت أتحدث عنه
في The Last Kingdom ولكن مثل الأوقات
ألف.
مثل كل ما أعنيه
كل شيء هناك
مصنوع يدويًا بشكل جميل وأنت تعرف ذلك
فقط ...
أعني أنني لا أقول ، لقد جعلت الأمر يبدو
مثل The Last Kingdom لا تفعل ذلك ، لا ،
أعني فقط مثل أوه ولكن هذا
فقط أن حجم
مجموعة من هذا القبيل و
كل الجهد المبذول في كل شيء
مذهل حقًا. أنا لست مثل كبير
أنا لا
أحب CGI كثيرًا ولكن
هذا النوع من CGI ،
CGI الخيالية التي هم
لا أعرف ، لا أستطيع ، لا أعرف ما
اسم شركتهم
الذي قام أيضًا بعمل أفلام Paddington Bear
لكن CGI جيدة بشكل خاص
Spanish:
volver para hacer el papel
de bestias fantásticas era solo que
Excelente.
ese tipo de experiencia en el set
es como lo que estaba hablando de
estar en The Last Kingdom pero como los tiempos
mil.
como todos los que quiero decir
todo lo que hay está
hecho a mano maravillosamente, sabes que
solo el ...
quiero decir, no estoy diciendo, lo hice sonar
como The Last Kingdom no hace eso, no,
solo quiero decir como oh pero esto
solo que la escala de
un conjunto como ese y
todo el esfuerzo que se hace en todo
es realmente asombroso. No soy un gran como
Realmente no me
gusta mucho el CGI, pero
ese tipo de CGI, el fantástico
CGI que ellos
No lo se, no puedo, no se como se
llama su empresa
que también hizo las películas de Paddington Bear
pero que CGI es particularmente bueno
English:
come back to do the role
for fantastic beasts was just it was
great.
that kind of set experience
is it's like what I was talking about
being on The Last Kingdom but like times
a thousand.
like every I mean
every single thing there is
handcrafted beautifully you know that
just the...
I mean I'm not saying, I made it sound
like The Last Kingdom doesn't do that, no,
I just mean like oh but this
just that the scale of
a set like that and
all the effort that goes into everything
is really amazing. I'm not a big like
I don't really
like CGI that much but
that kind of CGI, the fantastical
CGI that they
I don't know, I can't, I don't know what
the name of their company is
who also did the Paddington Bear films
but that CGI is particularly good
Hungarian:
gyere vissza, hogy elvégezze a
fantasztikus vadállatok szerepét , csak az volt
nagy.
az a fajta élmény
olyan, mint amiről beszéltem,
hogy az Utolsó Királyságban vagyok, de mint az idők
Ezer.
mint mindenre gondolok
minden egyes dolog
gyönyörűen kézművesen készült, ezt tudja
csak a ...
vagyis nem azt mondom, hogy hangot adtam neki
mint az Utolsó Királyság nem ezt teszi, nem,
csak úgy értem, hogy ó, de ez
csak hogy
egy ilyen halmaz skálája és
minden erőfeszítés, ami mindenre kiterjed
, valóban csodálatos. Nem vagyok olyan nagy, mint
A
CGI-t nem nagyon szeretem annyira, de
az a fajta CGI, a fantasztikus
CGI, amit ők
Nem tudom, nem tudom, nem tudom, mi
a cégük neve
aki a Paddington Bear filmeket is készítette,
de ez a CGI különösen jó
Chinese:
回来扮演
梦幻般的野兽的角色
大。
那种固定的经验
就像我在谈论
《最后的王国》时一样
一千。
就像我的意思
每一件事情都是
手工精心制作的,您知道
只是...
我的意思是我不是说,我说的很对
就像《最后的王国》那样,不,
我只是说像哦,但这
只是规模
一组这样的,
所有事情所付出的努力
真是太神奇了。我不大喜欢
我不太
喜欢CGI,但
那种
CGI,他们幻想的CGI
我不知道,我不知道,我不知道
他们公司的名字是
他也拍过帕丁顿熊电影,
但CGI特别出色
French:
revenir pour jouer le rôle
de bêtes fantastiques, c'était juste
génial.
ce genre d'expérience d'ensemble
c'est comme ce dont je parlais
dans The Last Kingdom mais comme des fois
un millier.
comme tout ce que je veux dire
chaque chose est
fabriquée à la main magnifiquement, vous savez que
juste le ...
je veux dire, je ne dis pas, je l'ai fait sonner
comme The Last Kingdom ne fait pas ça, non,
je veux juste dire oh mais ça
juste que l'échelle d'
un ensemble comme ça et
tout l'effort qui va dans tout
est vraiment incroyable. Je ne suis pas un grand comme
Je n'aime pas vraiment
CGI mais
ce genre de CGI, le
CGI fantastique qu'ils
Je ne sais pas, je ne peux pas, je ne sais pas quel est
le nom de leur entreprise
qui a aussi fait les films Paddington Bear
mais que CGI est particulièrement bon
Portuguese:
voltar para fazer o papel
de bestas fantásticas era só isso
ótimo.
aquele tipo de experiência definida
é como eu estava falando sobre
estar no Último Reino, mas como em tempos
mil.
como todos quero dizer
cada coisa lá é feita à
mão lindamente, você sabe disso
apenas o ...
quer dizer, não estou dizendo, fiz soar
como o Último Reino não faz isso, não,
só quero dizer, oh, mas isso
apenas que a escala de
um conjunto como esse e
todo o esforço que vai para tudo
é realmente incrível. Eu não sou grande como
Não
gosto muito de CGI, mas
aquele tipo de CGI, o
CGI fantástico que eles
Não sei não posso, não sei qual é
o nome da empresa deles
que também fez os filmes do Urso de Paddington,
mas que CGI é particularmente bom
German:
Komm zurück, um die Rolle
für fantastische Bestien zu spielen, war es einfach
großartig.
diese Art von Set-Erfahrung
ist es wie das, worüber ich gesprochen habe
, auf The Last Kingdom zu sein, aber wie mal
eintausend.
wie jeder meine ich
Jedes einzelne Ding dort ist
wunderschön handgefertigt, das weißt du
nur das ...
ich meine ich sage nicht, ich habe es klingen lassen
wie The Last Kingdom macht das nicht, nein,
ich meine nur wie oh, aber das
nur dass die Skala eines
solchen Sets und
Die ganze Anstrengung, die in alles fließt,
ist wirklich erstaunlich. Ich bin kein großer Fan
Ich
mag CGI nicht so sehr, aber
diese Art von CGI, das fantastische
CGI, das sie
Ich weiß nicht, ich kann nicht, ich weiß nicht, wie
der Name ihrer Firma lautet
Wer hat auch die Paddington Bear Filme gemacht,
aber das CGI ist besonders gut
Hungarian:
és azért fényképezik
őket
digitalizáljon mindent, minden
jelmezdarabot, mindent
kellék a forgatáson, minden, amit
maguk készítenek , én
szóval csak állok egy, amit te hívsz? mint
kamerák veszik körül, és
360 fokban lőnek, majd létrehozzák a
számítógépes modell az Ön számára éppen ilyen
részlet
hogy ráközelíthetnek az efféle
stréber dolgokra.
ez a készlet, hogy alapvetően kiboruljon
csodálatos, igen, haladj előre,
sajnálom.
csak azt mondják, hogy megvan a lények osztálya
de alapvetően amikor odaértem, hogy
valaki egy golfkocsiban olyan volt, mint te
csak körbevezetni egy golfkocsival
és megnézni a szar szarokat?
olyan, mint egyáltalán. figyelembe akkor
végig a szervek.
Vártalak titeket. ez elképesztő.
oh ember, hát
kezdetben Harry Potter rajongó vagy ? [Toby] igen, úgy értem, hogy olvastam
Portuguese:
e sendo fotografados
para eles
digitalizar tudo, cada peça de
roupa, cada
suporte no set, tudo o que
se define , eu
então eu apenas fico em um como você chama isso? gostar
cercado por câmeras e eles filmam você em
360 graus e, em seguida, criam um
modelo de computador para você exatamente esse tipo de
detalhe
que eles podem dar zoom nesse tipo de
coisa geek.
este é o set para nerd basicamente
é incrível, vá em frente,
desculpe.
está apenas dizendo que eles têm o departamento de criaturas
mas basicamente quando eu cheguei lá,
alguém em um carrinho de golfe disse:
quer apenas dirigir por aí em um carrinho de golfe
e ver coisas legais?
é absolutamente sim. levando você
por todos os departamentos.
Eu estive esperando por vocês. Fantástico.
oh cara então você é um fã de Harry Potter para
começar? [Toby] sim, quero dizer, eu li
French:
et d'être photographiés
pour qu'ils
tout numériser, chaque pièce de
costume, chaque
accessoire sur le plateau, tout les décors
eux-mêmes, moi
donc je me tiens juste dans un comment appelez-vous ça? comme
entouré de caméras et ils vous filment à
360 degrés, puis créent un
modèle d'ordinateur pour vous juste ce genre de
détail
qu'ils peuvent zoomer sur ce genre de
trucs geek.
c'est l'ensemble sur lequel nerd fondamentalement
c'est incroyable, allez-y, allez-y
désolé.
c'est juste dire qu'ils ont le département des créatures
mais en gros, quand je suis arrivé,
quelqu'un dans une voiturette de golf était comme toi
Vous voulez juste conduire dans une voiturette de golf
et regarder de la merde cool?
c'est comme absolument ouais. vous emmène à
travers tous les départements.
Je vous attendais les gars. c'est génial.
oh mec alors es-tu un fan de Harry Potter pour
commencer? [Toby] ouais je veux dire j'ai lu
Russian:
и их фотографируют,
чтобы они
оцифровать все, каждую деталь
костюма, каждую
подпорка на съемочной площадке, все
сами наборы , я
так что я просто стою в том, как вы это называете? лайк
окружены камерами, и они снимают вас на
360 градусов, а затем создают
компьютерная модель для вас как раз такая
деталь
что они могут увеличивать масштабирование таких
гиков.
это набор для ботаников в основном
это потрясающе, да, давай,
извини.
это просто говорит, что у них есть отдел существ
но в основном, когда я добрался туда,
кто-то в гольфмаре был похож на тебя
хотите просто покататься на гольфмобиле
и посмотреть на крутое дерьмо?
это как абсолютно да. проводя вас
через все отделы.
Я ждал вас, ребята. это потрясающе.
О, чувак, ты с самого
начала фанат Гарри Поттера ? [Тоби] Да, я имею в виду, что читаю
Arabic:
ويتم تصويرهم
لذلك
رقمنة كل شيء ، كل قطعة
زي ، كل
دعم على المجموعة ، كل شيء يضع
نفسه ، أنا
لذلك أنا فقط أقف في ماذا تسميها؟ مثل
محاطًا بالكاميرات ويطلقون عليك
360 درجة ثم يصنعون
نموذج كمبيوتر لك فقط هذا النوع من
التفاصيل
يمكنهم تكبير هذا النوع من
الأشياء العبقري غريب الأطوار.
هذه هي المجموعة التي يجب أن يتعلمها الطالب بشكل أساسي
إنه لأمر مدهش ، نعم تفضل ، تفضل
آسف.
إنه مجرد قول أن لديهم قسم المخلوقات
ولكن عندما وصلت إلى هناك ، كان
أحدهم في عربة الغولف مثلك
تريد أن تتجول في عربة جولف
وتنظر إلى الأشياء الرائعة؟
انها مثل نعم تماما. يأخذك
عبر جميع الأقسام.
كنت في انتظاركم يا رفاق. هذا رائع.
يا رجل هل أنت من محبي هاري بوتر
لتبدأ؟ [توبي] نعم أعني قرأت
German:
und dafür fotografiert
zu werden
digitalisiere alles, jedes
Kostümstück, jedes
Requisite am Set, alles was am Set
selbst ist, ich
also stehe ich einfach in einem wie nennst du es? mögen
umgeben von Kameras und sie schießen Sie
360 Grad und erstellen dann eine
Computermodell für Sie genau diese Art von
Detail
dass sie diese Art von
geekigem Zeug vergrößern können .
Dies ist das Set, auf das man sich im Grunde einlassen kann
Es ist erstaunlich, ja, mach weiter,
sorry.
es heißt nur, dass sie die Kreaturenabteilung haben
Aber als ich dort ankam, war
jemand in einem Golfwagen so wie du
Willst
du einfach in einem Golfwagen herumfahren und dir coole Scheiße ansehen?
es ist wie absolut ja. Sie
durch alle Abteilungen führen.
Ich habe auf euch gewartet. Das ist großartig.
Oh Mann, bist du von
Anfang an ein Harry-Potter-Fan ? [Toby] Ja, ich meine, ich habe gelesen
English:
and being photographed
for so they
digitize everything, every piece of
costume, every
prop on the set, everything the sets
themselves, me
so I just stand in a what do you call it? like
surrounded by cameras and they shoot you
360 degrees and then create a
computer model for you just that kind of
detail
that they can zoom in on that kind of
geeky stuff.
this is the set to nerd out on basically
it's amazing, yeah go ahead go ahead
sorry.
it's just saying that they have the creatures department
but basically when I got there so
someone in a golf cart was like do you
want to just drive around in a golf cart
and look at cool shit?
it's like absolutely yeah. taking you
through all the departments.
I've been waiting for you guys. that's awesome.
oh man so are you a Harry Potter fan to
begin with? [Toby] yeah I mean I read
Chinese:
并被拍照
,所以他们
数字化一切,每件
服装,每件
道具上的道具,所有道具
本身,我
所以我只是站在一个你怎么称呼它?喜欢
被相机包围,它们会向您拍摄
360度,然后创建一个
计算机模型对你刚才那样的
细节
他们可以放大那种
怪异的东西。
这基本上是书呆子
太神奇了,是的,
对不起。
只是说他们有生物部门
但基本上当我到达那里时
,高尔夫球车上的某人就像你
是否只想在高尔夫球车中开车兜风
,看看很烂的狗屎?
绝对是的。带您
遍及所有部门。
我一直在等你们。棒极了。
哦,老兄,您是哈利波特迷
吗?[Toby]是的,我的意思是我读了
Spanish:
y ser fotografiado
para que
digitalizar todo, cada pieza de
vestuario, cada
utilería en el set, todo el set en
sí mismo, yo
así que me quedo en un ¿cómo lo llamas? me gusta
rodeado de cámaras y te disparan
360 grados y luego crean una
modelo de computadora para ti solo ese tipo de
detalle
que pueden acercarse a ese tipo de
cosas geek.
este es el set para empollones básicamente
es increíble, sí, adelante, adelante, lo
siento.
solo dice que tienen el departamento de criaturas
pero básicamente cuando llegué allí,
alguien en un carrito de golf me dijo
¿Quieres simplemente conducir en un carrito de golf
y mirar cosas interesantes?
es absolutamente sí. llevándolo a
través de todos los departamentos.
Los he estado esperando chicos. Eso es genial.
oh hombre, ¿eres un fan de Harry Potter para
empezar? [Toby] sí quiero decir que leo
Hungarian:
az összes könyv
azon a napon, amikor megjelentek, kedves voltam
azonos korú,
Vagy Daniel Radcliffe idősebb
mint én? talán.
szóval igen, de úgy értem, hogy valahogy a
Harry Potter
vele egyidőben öregszik , amikor a
könyvek jelentek meg, igen,
nagyok voltak
azt hiszem, gyermekkorom része . Ők az egyetlen könyvek
hogy így olvastam. mint olvasni
azon a napon, amelyet családként ismer. [Colby] te
annyira izgatott
lehetett, hogy Dumbledore-t játszhatta. [Toby] igen
Tudom, hogy ez egy ilyen,
mert ez egy ilyen
kis része, de azt
is el kell mondanom, hogy én vagyok Dumbledore
azzal.
Azt mondom, olyan, mint a legnagyobb cameo. [Colby] és
Azt hiszem, hallottam pletykákat egy másik
Fantasztikus Szörnyeteg filmről
esetleg készül, és tudom,
hogy jó lenne, ha tudnád
továbbra is vegyenek részt ebben, mert
tudom
Dumbledore-nak van egy nagyon érdekes fia
, akit ismer, fiatal története van Grindelwalddal
és a húga
igen jó lenne látni a képernyőn. én
gondol. [Toby] igen, akarom mondani
Spanish:
todos los libros
el día que salieron fui amable
de la misma edad,
o Daniel Radcliffe es mayor
¿que yo? tal vez.
así que sí, pero quiero decir que era una especie de
Harry Potter envejece
al mismo tiempo que él cuando el
estaban saliendo libros, así que sí, eran
un gran
parte de mi
infancia, supongo. Son los únicos libros
que leo así. como leerlo
el día que conozcas como familia. [Colby] tú
debe haber estado muy emocionado
de poder interpretar a Dumbledore. [Toby] si
Sé que es así, es
porque es tan
pequeña parte, pero
también puedo decir que soy Dumbledore
con ese.
Digo que es como el mejor cameo. [Colby] y
Creo que escuché rumores de otra
película de Fantastic Beast
posiblemente se esté haciendo y sé
que sería genial si pudieras
sigo involucrado en eso porque sé
Dumbledore tiene una
historia bastante interesante de la que conoces joven con Grindelwald
y su hermana,
sí, sería genial verla en la pantalla. yo
pensar. [Toby] sí, quiero decir que lo haría
Chinese:
他们出来的那天所有的书我都很好
年龄相同,
或者Daniel Radcliffe年龄大一点
比我(如何,如何?也许。
所以是的,但我的意思是我有点像
哈利·波特
与他同时年龄的时候
书问世了,是的,它们
很大
我猜是我童年的一部分。他们是唯一的书
我这样读。喜欢
在您一家人在一起的那天读它。[Colby]你
能够玩邓布利多一定很兴奋。[托比]是的
我知道是
因为这样
一小部分,但我
也要说,这就是我是邓布利多
接着就,随即。
我说这就像最伟大的客串。[Colby]和
我想我听说过另一部《
神奇动物》电影的传闻
可能会被制造出来,我知道
如果可以的话会很酷
继续参与其中,因为
我知道
邓布利多有一种很有趣的类型
,您知道格林德沃的年轻故事
和他的妹妹
是的,很高兴在屏幕上看到。一世
认为。[Toby]是的,我是说我会
Russian:
все книги
в тот день, когда они вышли, я был добр
того же возраста,
Или Дэниел Рэдклифф старше
чем я? может быть.
так что да, но я имею в виду, что я был своего рода
Гарри Поттер
в то же время, что и он, когда
книги выходили так что да они были
большие
часть моего
детства, наверное. Это единственные книги
что я читал вот так. как читать
его в день, который вы знаете как семья. [Колби] ты
должно быть, был так взволнован
возможностью сыграть Дамблдора. [Тоби] да
Я знаю, что это так,
потому что это так
небольшая часть, но я
также могу сказать, что я Дамблдор
с этим.
Я говорю, что это похоже на величайшую камео. [Колби] и
Я думаю, что слышал слухи о другом
фильме о фантастическом чудовище
возможно, производятся, и я знаю,
что было бы круто, если бы вы могли
продолжать участвовать в этом, потому что
я знаю
У Дамблдора есть довольно интересная
история с Гриндельвальдом.
и его сестру
было бы здорово увидеть на экране. я
считать. [Тоби] Да, я бы хотел
English:
all the books
on the day they came out I was kind
of the same age,
Or is Daniel Radcliffe older
than me? maybe.
so yeah but I mean I was kind of a
Harry Potter age
at the same time as him when the
books were coming out so yeah they were
a big
part of my
childhood I guess. They're the only books
that I read like that. like read
it on the day you know as a family. [Colby] you
must have been so excited
to be able to play Dumbledore. [Toby] yeah
I know it's such a it's
because it's such a
small part but I
also get to say that it's that I am Dumbledore
with that.
I say it's like the greatest cameo. [Colby] and
I think I've heard rumors of another
Fantastic Beast movie
possibly being made and I know
that it'd be cool if you could
continue to be involved in that because
I know
Dumbledore has a pretty interesting kind
of you know young story with Grindelwald
and his sister
yeah would be cool to see on screen. I
think. [Toby] yeah I mean I would
French:
tous les livres
le jour de leur sortie, j'étais gentil
du même âge,
Ou Daniel Radcliffe est-il plus âgé
que moi? peut être.
alors oui mais je veux dire que j'étais un peu
Harry Potter âge
en même temps que lui lorsque le
des livres sortaient alors oui ils étaient
un gros
une partie de mon
enfance je suppose. Ce sont les seuls livres
que je lis comme ça. comme le lire
le jour où vous connaissez en famille. [Colby] vous
devait être tellement excité
de pouvoir jouer Dumbledore. [Toby] ouais
Je sais que c'est tellement
parce que c'est tellement
petite partie mais j'arrive
aussi à dire que c'est que je suis Dumbledore
avec ça.
Je dis que c'est comme le plus grand camée. [Colby] et
Je pense avoir entendu des rumeurs sur un autre
film de Fantastic Beast
peut-être en cours de réalisation et je sais
que ce serait cool si vous pouviez
continuer à être impliqué parce que
je sais
Dumbledore a un genre assez intéressant
de vous savez jeune histoire avec Grindelwald
et sa sœur
ouais serait cool de voir à l'écran. je
pense. [Toby] ouais je veux dire que je le ferais
Portuguese:
todos os livros
no dia em que foram lançados eu fui gentil
da mesma idade,
ou Daniel Radcliffe é mais velho
do que eu? talvez.
então sim, mas quero dizer, eu era uma espécie de
Harry Potter era
ao mesmo tempo que ele quando o
livros estavam saindo, então sim, eles eram
um grande
parte da minha
infância, eu acho. Eles são os únicos livros
que eu li assim. como ler
no dia em que você conhece como uma família. [Colby] você
deve ter ficado muito animado
para interpretar Dumbledore. [Toby] sim
Eu sei que é
porque é tão
pequena parte, mas
também posso dizer que sou Dumbledore
com isso.
Eu digo que é como o maior cameo. [Colby] e
Acho que ouvi rumores de outro
filme do Fantastic Beast
possivelmente sendo feito e eu sei
que seria legal se você pudesse
continuar a estar envolvido nisso porque
eu sei
Dumbledore tem um tipo bem interessante
de você sabe uma jovem história com Grindelwald
e sua irmã,
sim, seria legal de ver na tela. Eu
pensar. [Toby] sim, quero dizer, eu iria
German:
Alle Bücher
an dem Tag, als sie herauskamen, war ich nett
im gleichen Alter,
oder ist Daniel Radcliffe älter
als ich? vielleicht.
Also ja, aber ich meine, ich war eine Art
Harry Potter altert
zur gleichen Zeit wie er, als der
Bücher kamen heraus, also waren sie
groß
Ein Teil meiner
Kindheit, denke ich. Sie sind die einzigen Bücher
dass ich so lese. Lesen Sie
es gerne an dem Tag, den Sie als Familie kennen. [Colby] du
muss so aufgeregt gewesen
sein, Dumbledore spielen zu können. [Toby] Ja
Ich weiß, dass es so ist,
weil es so ist
kleiner Teil, aber ich kann
auch sagen, dass ich Dumbledore bin
damit.
Ich sage, es ist wie das größte Cameo. [Colby] und
Ich glaube, ich habe Gerüchte über einen anderen
Film von Fantastic Beast gehört
möglicherweise gemacht und ich weiß,
dass es cool wäre, wenn du könntest
weiterhin daran beteiligt sein, weil
ich weiß
Dumbledore hat eine ziemlich interessante Art
von junger Geschichte mit Grindelwald
und seine Schwester
wäre ja cool auf dem Bildschirm zu sehen. ich
denken. [Toby] Ja, ich meine, ich würde
Arabic:
كل الكتب
في يوم صدورها كنت لطيفًا
من نفس العمر ،
أو دانيال رادكليف أكبر سنًا
مقارنة بى؟ يمكن.
لذا نعم ولكن أعني أنني كنت نوعا ما
عمر هاري بوتر
في نفس الوقت الذي كان فيه
كانت الكتب تخرج لذا نعم كانت
كبيرة
جزء من
طفولتي على ما أعتقد. هم الكتب الوحيدة
التي قرأتها من هذا القبيل. مثل قراءته
في اليوم الذي تعرفه كعائلة. [كولبي] أنت
يجب أن يكون متحمسًا جدًا لأتمكن
من لعب Dumbledore. [توبي] أجل
أعلم أنه مثل هذا
لأنه مثل
جزء صغير ولكن يمكنني
أيضًا أن أقول إنني دمبلدور
مع ذلك.
أقول إنه مثل أعظم نقش. [كولبي] و
أعتقد أنني سمعت شائعات عن
فيلم Fantastic Beast آخر
ربما يتم صنعه وأنا أعلم
أنه سيكون رائعًا إذا أمكنك ذلك
الاستمرار في المشاركة في ذلك لأنني
أعرف
دمبلدور لديه نوع مثير للاهتمام
من أنك تعرف قصة شابة مع Grindelwald
وأخته
نعم سيكون من الرائع رؤيته على الشاشة. أنا
يفكر. [توبي] نعم أعني سأفعل
Russian:
люблю делать это, есть больше сцен.
Я знаю, что у Дж. К. Роулинг вроде как
раскрыл
некоторые вещи о
Дамблдор за годы, которые не были
в
фильмы так что да,
очевидно, я бы
Я бы убил, чтобы
получить еще кое-что. [Стив] да, я знаю, что они
изначально я думаю, что это было четыре
или пять
из фильмов, я думаю, анонсированы. [Тоби]
Думаю, да
пять фильмов. знаете ли вы за кадром,
если вы гарантированно окажетесь в каком-либо
из тех или чего-нибудь прямо сейчас? [Тоби] Нет, но это звучало так, как будто я, нет
нет нет.
хорошо да интересно но да
это так здорово быть во
франшизе о Гарри Поттере, это должно быть так
прохладный.
[Тоби] Да, это круто, это так круто, но
да,
было бы круто увидеть хоть
немного больше молодого Дамблдора я
думаю
да, я хочу увидеть, что эта арка
с ним и Ариана ее сестра да
да, мы вернемся в Последнее Королевство
немного, у тебя были какие-нибудь
Chinese:
喜欢这样做,有更多场景。
我知道JK罗琳有点像
透露了
一些有关
邓布利多过所没有的几年
中
电影,是的,
我的意思是显然我会
我会杀了
以获得更多的东西。[史蒂夫]是的,我知道他们
我原本以为是四
五个
我猜想宣布的电影。[托比]我
想是的
五部电影。
如果您想保证不在任何地方,您是否知道机外
这些或任何东西中的什么?[托比]不,但这听起来像我一样,不
不,不。
好吧,有趣,但是
加盟哈利· 波特专营权真是太棒了
凉。
[Toby]是的,这很酷,但是很酷
是的,所以
看到一个
我
认为年轻的邓布利多多一点
是的,我想看到
和他在一起的弧线,而Ariana是她的姐姐。
是的,我们会回到最后的王国
,你有没有
English:
love to do that, have more scenes.
I know JK Rowling has sort of like
revealed
some things about
Dumbledore over the years that weren't
in the
films so yeah
I mean obviously I would have
I'd kill to
to get some more stuff. [Steve] yeah i know they
had originally I think what was it four
or five
of the movies I guess announced. [Toby] I
think it's yeah
five films. do you know off-camera
if you are like guaranteed to be in any
of those or anything right now? [Toby] No but that made it sound like I do, no
no no.
okay yeah interesting but yeah
that's just so awesome to be in a Harry
Potter franchise that's got to be so
cool.
[Toby] yeah it's pretty cool that's so cool but
yeah so
it would be cool to see though a
little bit more of young Dumbledore I
think
yeah I want to see that that arc
with him and Ariana is her sister yeah
yeah we'll go back to Last Kingdom
just a little bit did you have any
Spanish:
Me encanta hacer eso, tener más escenas.
Sé que JK Rowling tiene algo así como
reveló
algunas cosas sobre
Dumbledore a lo largo de los años que no estaban
en el
películas, así que sí,
quiero decir, obviamente, habría
Mataría
por conseguir más cosas. [Steve] sí, sé que ellos
originalmente, creo que eran cuatro
o cinco
de las películas, supongo, anunció. [Toby]
Creo que sí
cinco películas. ¿Sabes fuera de cámara
si tienes la garantía de estar en cualquier
de esos o algo en este momento? [Toby] No, pero eso hizo que pareciera que yo sí, no
no no.
bien si interesante pero si
es tan increíble estar en una
franquicia de Harry Potter que tiene que ser tan
frio.
[Toby] sí, es genial, es genial, pero
sí, así
que sería genial ver a través de un
un poco más del joven Dumbledore,
creo
sí, quiero ver que ese arco
con él y Ariana es su hermana, sí
sí, volveremos a Last Kingdom
solo un poco, ¿tenías algo?
Portuguese:
adoro fazer isso, ter mais cenas.
Eu sei que JK Rowling tem uma espécie de
revelou
algumas coisas sobre
Dumbledore ao longo dos anos que não estavam
no
filmes então sim
quero dizer, obviamente, eu teria
Eu mataria para
conseguir mais algumas coisas. [Steve] sim, eu sei que eles
tinha originalmente eu acho que eram quatro
ou cinco
dos filmes, eu acho, anunciados. [Toby] Eu
acho que sim
cinco filmes. você sabe fora da câmera
se você tem a garantia de estar em qualquer
desses ou qualquer coisa agora? [Toby] Não, mas isso fez parecer que sim, não
não não.
ok sim interessante mas sim
que é tão incrível estar em uma
franquia de Harry Potter que tem que ser tão
legal.
[Toby] sim, é muito legal, é tão legal, mas
sim
, seria legal ver embora um
um pouco mais do jovem Dumbledore, eu
acho
sim, eu quero ver aquele arco
com ele e Ariana é a irmã dela sim
sim, vamos voltar ao Último Reino
só um pouquinho, você tinha algum
Arabic:
أحب أن أفعل ذلك ، لديك المزيد من المشاهد.
أعلم أن جي كي رولينغ لديها نوع من الإعجاب
كشف
بعض الأشياء عنه
دمبلدور على مر السنين التي لم تكن
في
أفلام لذا نعم
أعني من الواضح أنني سأحصل عليها
كنت سأقتل
للحصول على المزيد من الأشياء. [ستيف] نعم أعرفهم
كان في الأصل أعتقد ما كان أربعة
أو خمسة
من الأفلام التي أظن أنها أعلنت. [توبي]
أعتقد أنه نعم
خمسة أفلام. هل تعرف ما هو خارج الكاميرا
إذا كنت مضمونًا أن تكون في أي منها
من هؤلاء أو أي شيء الآن؟ [توبي] لا ، لكن هذا جعل الأمر يبدو كما أفعل ، لا
لا لا.
حسنًا ، نعم مثير للاهتمام ولكن نعم
إنه أمر رائع أن تكون في
امتياز هاري بوتر الذي يجب أن يكون كذلك
بارد.
[توبي] نعم إنه رائع جدًا ولكن هذا رائع جدًا
نعم
، سيكون من الرائع أن نرى على الرغم من وجود ملف
أعتقد أن دمبلدور شاب أكثر قليلاً
نعم أريد أن أرى أن هذا القوس
معه وأريانا هي أختها نعم
نعم ، سنعود إلى Last Kingdom
قليلًا هل كان لديك أي منها
Hungarian:
szeretem ezt csinálni, legyen több jelenet.
Tudom, hogy JK Rowlingnak van valami hasonlója
elárult
néhány dolgot
Dumbledore az évek során, amelyek nem voltak
benne
filmek, igen,
úgy értem, nyilvánvalóan megtenném
Megölném,
hogy szerezzek még valami cuccot. [Steve] igen, tudom, hogy vannak
eredetileg azt gondoltam, mi volt négy
vagy öt
a filmek közül azt hiszem bejelentettem. [Toby] Azt
hiszem, igen
öt film. ismered-e kamerán kívül,
ha garantáltan bármelyikben szerepelsz?
ezekből vagy bármiből? [Toby] Nem, de ettől úgy hangzott, mint én, nem
nem nem.
oké igen érdekes de igen
ez olyan fantasztikus, ha egy Harry
Potter-franchise-ban szerepelsz, aminek így kell lennie
menő.
[Toby] igen klassz, nagyon klassz, de
igen, így
jó lenne látni a
kicsit több fiatal Dumbledore
szerintem
igen szeretném látni, hogy ez az ív
vele és Ariana a nővére igen
igen, visszatérünk az Utolsó Királyságba,
csak volt egy kicsit
German:
liebe es das zu tun, habe mehr szenen.
Ich weiß, dass JK Rowling so etwas hat
enthüllte
einige Dinge über
Dumbledore im Laufe der Jahre, die nicht
in der
Filme also ja
ich meine natürlich hätte ich
Ich würde töten,
um noch mehr Zeug zu bekommen. [Steve] Ja, ich kenne sie
Ich hatte ursprünglich gedacht, was war es vier
oder fünf
von den Filmen habe ich wohl angekündigt. [Toby] Ich
denke es ist ja
fünf Filme. Kennst du außerhalb der Kamera,
ob du garantiert in irgendeiner bist?
von denen oder irgendetwas im Moment? [Toby] Nein, aber das klang so wie ich, nein
nein nein
okay ja interessant aber ja
Das ist einfach so großartig, in einem Harry-
Potter-Franchise zu sein, das muss es auch sein
cool.
[Toby] Ja, es ist ziemlich cool, das ist aber so cool
Ja,
es wäre cool zu sehen, ob a
ein bisschen mehr von dem jungen Dumbledore,
denke ich
Ja, ich möchte sehen, dass dieser Bogen
mit ihm und Ariana ihre Schwester ist
Ja, wir kehren zurück zu Last Kingdom,
nur ein bisschen hattest du welche?
French:
adore faire ça, avoir plus de scènes.
Je sais que JK Rowling a une sorte de
a révélé
des choses sur
Dumbledore au fil des années qui n'étaient pas
dans le
films alors oui
je veux dire évidemment j'aurais
Je tuerais pour
avoir plus de trucs. [Steve] ouais je sais qu'ils
avait à l'origine je pense que c'était quatre
ou cinq
des films annoncés, je suppose. [Toby] Je
pense que c'est ouais
cinq films. savez-vous hors caméra
si vous êtes comme assuré d'être dans un
de ceux-ci ou quoi que ce soit en ce moment? [Toby] Non mais ça a fait sonner comme moi, non
non non.
ok ouais intéressant mais ouais
c'est tellement génial d'être dans une
franchise Harry Potter qui doit l'être
cool.
[Toby] ouais c'est plutôt cool c'est trop cool mais
ouais donc
ce serait cool de voir si un
un peu plus du jeune Dumbledore je
pense
Ouais je veux voir que cet arc
avec lui et Ariana est sa soeur ouais
Ouais, nous reviendrons
un peu au dernier royaume si vous en aviez
French:
vos moments préférés depuis le début
ou des scènes préférées que vous avez faites?
tournage de la scène avec Jamie Blackley
où il vient me dire que
Mercia a été
cette scène en particulier
celle où je dis que je vais
lui faire tuer
cette scène était particulièrement amusant à filmer.
Je veux dire que la plus grande partie était, la
plupart était assez amusant tu sais
surtout les derniers trucs
quand je
se sentir comme les écrivains ont donné
je ne sais pas si c'était une sorte de
comme une conversation entre
ils ont écrit quelque chose je l'ai fait
d'une certaine manière et ensuite ils ont poussé cette
chose
un peu plus loin et alors j'y suis arrivé
, puis à la quatrième saison, il était
sorte de
caractère plus dynamique.
mais ouais la plupart était super
et je sais que c'est comme ça que chaque
Portuguese:
momentos favoritos desde o início
ou alguma cena favorita que você fez?
filmar a cena com Jamie Blackley
onde ele vem me dizer que
Mércia tem sido
aquela cena em particular
aquela em que eu digo que vou
tê-lo matado
naquela cena foi particularmente divertido de filmar.
Quer dizer, a maior parte foi, a
maior parte foi muito divertido, você sabe
especialmente as coisas mais recentes
quando eu
sinto como os escritores deram
, não sei se foi uma espécie de
como uma conversa entre
eles escreveram algo eu fiz isso
de uma certa maneira e então eles empurraram aquela
coisa
um pouco mais longe e então eu cheguei lá
e então na quarta temporada ele estava
tipo de
personagem mais dinâmico.
mas sim, a maior parte foi ótima
e eu sei que é assim que todos
Arabic:
لحظات مفضلة من البداية
أو أي مشاهد مفضلة قمت بها؟
تصوير المشهد مع جيمي بلاكلي
حيث يأتي ليخبرني بذلك
لقد كانت ميرسيا
هذا المشهد خاصة
ذلك المنعطف حيث أقول إنني سأذهب
هل قتل
هذا المشهد كان ممتعًا بشكل خاص للتصوير.
أعني أن معظمها كان ،
معظمها كان ممتعًا كما تعلم
خاصةً أحدث الأشياء
عندما
أشعر أن الكتاب قدموا
لا أعرف ما إذا كان نوعًا ما
مثل محادثة بين
كتبوا شيئًا فعلته
بطريقة معينة ثم دفعوا هذا
الشيء
بعد ذلك بقليل ، ثم وصلت إلى الأمر
وبعد ذلك بحلول الموسم الرابع كان
نوع من
الطابع الديناميكي.
لكن معظمها كانت رائعة
وأنا أعلم أن هذا ما يشبه كل شيء
Russian:
любимые моменты с самого начала
или любые любимые сцены, которые вы сняли?
снимая сцену с Джейми Блэкли,
где он приходит сказать мне, что
Мерсия была
эта сцена, особенно
тот поворот, где я говорю, что собираюсь
Если бы он убил
эту сцену, снимать было особенно интересно.
Я имею в виду, что большая часть этого была,
большая часть была довольно забавной, понимаете
особенно последние вещи,
когда я
чувствую, как писатели дали
не знаю, было ли это чем-то вроде
как в разговоре
они написали что-то я сделал
определенным образом, а затем они толкнули эту
вещь
немного дальше, и тогда я дошел до этого,
а затем к четвертому сезону он был
своего рода
более динамичный персонаж.
но да, по большей части это было здорово,
и я знаю, что это то, что нравится каждому
German:
Lieblingsmomente von Anfang an
oder irgendwelche Lieblingsszenen, die du gemacht hast?
Dreh die Szene mit Jamie Blackley,
wo er kommt, um mir das zu sagen
Mercia war
diese Szene, besonders
die Wendung, in der ich sage, dass ich gehen werde
Ihn
diese Szene töten zu lassen war besonders lustig zu filmen.
Ich meine, das meiste davon war, das
meiste war ziemlich lustig, weißt du?
vor allem die neuesten Sachen,
wenn ich
Ich habe nicht das Gefühl, dass es eine Art war
Wie ein Gespräch zwischen
ihnen haben sie etwas geschrieben, was ich getan habe
auf eine bestimmte Weise und dann schoben sie das
Ding
ein bisschen weiter und dann kam ich dazu
und dann war er es in der vierten Staffel
eine Art
dynamischerer Charakter.
Aber ja, das meiste davon war großartig
und ich weiß, das ist wie jeder andere
English:
favorite moments from onset
or any favorite scenes that you did?
shooting the scene with Jamie Blackley
where he comes to tell me that
Mercia has been
that scene particularly
that turn where I say that I'm going to
have him killed
that scene was particularly fun to film.
I mean most most of it was,
most of it was pretty fun you know
especially the latest stuff
when I
feel like the writers gave
I don't know whether it was a kind of
like a conversation between
they wrote something I did it
a certain way and then they pushed that
thing
a bit further and then so I got to it
and then so by the fourth season he was
kind of
a more dynamic character.
but yeah most of it was great
and I know this is what like every
Hungarian:
kedvenc pillanatok a kezdetektől,
vagy bármilyen kedvenc jelenet, amit csináltál?
forgatja a jelenetet Jamie Blackley-vel,
ahol eljön, hogy ezt elmondja nekem
Mercia volt
azt a jelenetet, különösen
azt a fordulatot, ahol azt mondom, hogy megyek
hogy
ezt a jelenetet különösen szórakoztató volt filmezni.
Mármint a legtöbb volt, a
legtöbb elég szórakoztató volt
különösen a legújabb dolgokat,
amikor én
úgy érzem, mintha az írók adták
volna, nem tudom, hogy ez egyfajta volt-e
mint egy beszélgetés
írtak valamit, én csináltam
egy bizonyos módon, aztán lökték azt a
dolgot
egy kicsit tovább, aztán eljutottam hozzá
, majd a negyedik évadra már ő is
egyfajta
dinamikusabb karakter.
de igen nagy része nagyszerű volt,
és tudom, hogy ez mindenhez hasonló
Spanish:
momentos favoritos desde el inicio
o alguna escena favorita que hiciste?
rodando la escena con Jamie Blackley
donde viene a decirme que
Mercia ha sido
esa escena en particular
ese giro donde digo que voy a
hacer que matara
esa escena fue particularmente divertido de filmar.
Quiero decir, la mayor parte fue, la
mayor parte fue bastante divertido, ¿sabes?
especialmente las últimas cosas
cuando
siento que los escritores dieron
no sé si fue una especie de
como una conversación entre
ellos escribieron algo yo lo hice
de cierta manera y luego empujaron esa
cosa
un poco más lejos y luego llegué a eso
y luego en la cuarta temporada él estaba
una especie de
personaje más dinámico.
pero sí, la mayor parte fue genial
y sé que esto es lo que todos
Chinese:
发病时喜欢的时刻
或您所做的任何喜欢的场面?
与杰米·布莱克利(Jamie Blackley)拍摄现场
,他来告诉我
梅西娅(Mercia)
那个场景,特别是
那个转弯,我说我要去
让他杀死
那个场景对拍摄特别有趣。
我的意思是大部分都很好,
大部分都很好玩
特别是
当我最新的东西
感觉像作家给的
我不知道这是否是一种
就像他们之间的对话
写的是我做的
以某种方式,然后他们推那
东西
再往前走一点,所以我就到了
,然后到第四季,他
一种
更加动态特性。
但是,是的,大部分都很棒
,我知道这就像每个人一样
German:
Schauspieler sagt über jeden Job
jedes Mal, wenn sie ein Interview machen
aber es hat wirklich sehr viel Spaß gemacht, es zu filmen
und jeder darauf ist großartig.
Ich weiß, es ist wie bei jedem, auch wenn die
Leute die schlimmste Zeit haben, die sie noch haben
Ich muss sagen,
jeder war großartig, aber
es ist ehrlich wie das
lustigste Gruppe von Menschen, mit denen man arbeiten kann. [Colby]
das ist großartig und jetzt früher du
Erwähnt, als du zum ersten Mal mit der Schauspielerei
angefangen hast
Improvisationssache, wo sie
dir ein Wort geben und
Vielleicht hat es dir geholfen, ein bisschen
Improvisation oder Kreativität zu entwickeln
Gab es irgendwelche Momente in Last
Kingdom, in denen so etwas war?
kam das
zu Aethelred? [Toby] Ich meine
Eigentlich ist das das Einzige an
historischen Dramen, dass es nicht viel gibt
Improvisation.
Nur weil es so eine Geschichte ist
gefahren
und es ist so eine besondere Art von
zu reden,
dass es nicht so viel Wackeln gibt
Raum
zum Improvisieren. Ich habe es ein paar Mal versucht
Ich habe es ein paar
Mal bei Riegn versucht
Spanish:
el actor dice sobre cada trabajo
cada vez que hacen una entrevista
pero fue muy divertido filmarlo
y todos son geniales.
Sé que es como todo el mundo, incluso cuando la
gente pasa el peor momento
tengo que decir que
todos fueron geniales pero
honestamente es como el
grupo de personas más divertido para trabajar. [Colby]
eso es genial y ahora antes tú
mencionado cuando empezaste a actuar
haciendo ese tipo de
cosa de improvisación donde te dan
una palabra y
tal vez te ayudó a desarrollar un poco
de improvisación o creatividad
¿Hubo algún momento en Last
Kingdom donde ese tipo de cosas
entró en
Aethelred eso? [Toby] quiero decir
en realidad, eso es lo único de los
dramas de época, si no hay
improvisación.
solo porque es tan historia
impulsado
y es una forma tan particular de
hablando de
que no hay mucho movimiento
espacio
para improvisar. Lo he probado un par
muchas veces, lo probé en Riegn un par de
veces
Hungarian:
színész azt mondja minden munkáról,
minden egyes alkalommal, amikor interjút készítenek
de nagyon szórakoztató volt filmezni,
és mindenki nagyon jó.
Tudom, hogy ez olyan, mint mindenkinek, akkor is, amikor az
embereknek még mindig a legrosszabb az idő
azt kell mondanom, hogy
mindenki nagyszerű volt, de
őszintén hasonlít a
legviccesebb embercsoport, akivel együtt lehet dolgozni. [Colby]
ez fantasztikus, és most már korábban te
említette, amikor először belefogott a színészi
tevékenységbe
improvizációs dolog, ahol
szót adnak neked és
talán segített egy kis
improvizáció vagy kreativitás fejlesztésében
voltak-e olyan pillanatok az Utolsó
Királyságban, ahol ilyenek voltak
bejött
Aethelredbe? Úgy értem
valójában ez az egyetlen dolog a
korabeli drámákban, hogy nincs sok
improvizáció.
csak mert annyira történet
hajtott,
és ez olyan sajátos módja
beszélni,
hogy nincs annyi kuncogás
improvizációs helyiség . Kipróbáltam párat
alkalommal, megpróbáltam azt Riegn pár
alkalommal
French:
l'acteur parle de chaque travail à
chaque fois qu'il fait une interview
mais c'était vraiment très amusant de le filmer
et tout le monde est génial.
Je sais que c'est comme tout le monde même quand les
gens ont le pire moment
je dois dire que
tout le monde était super mais
c'est honnêtement comme le
groupe de personnes le plus amusant avec qui travailler. [Colby]
c'est génial et maintenant plus tôt vous
mentionné quand tu as commencé à jouer
ce genre de
quelque chose d'improvisation où ils vous donnent un mot et
peut-être que cela vous a aidé à développer un peu
d'improvisation ou de créativité
y a-t-il eu des moments dans Last
Kingdom où comme ce genre de chose
est venu
à Aethelred cela? [Toby] Je veux dire
en fait c'est la seule chose à propos des
drames d'époque, c'est qu'il n'y a pas grand-chose
improvisation.
juste parce que c'est tellement une histoire
conduit
et c'est une façon si particulière de
en parlant
qu'il n'y a pas tant de remue-ménage
place
pour improviser. Je l'ai essayé plusieurs
des fois, je l'ai essayé sur Riegn plusieurs
fois
Russian:
актер говорит о каждой работе
каждый раз, когда дает интервью
но снимать это было действительно весело,
и все на нем великолепны.
Я знаю, что это похоже на всех, даже когда у
людей худшие времена, они все еще
должен сказать, что
все были великолепны, но
это честно как
самая забавная группа людей для работы. [Колби]
Это круто, а теперь раньше ты
упомянул, когда вы впервые начали играть,
делая такие
импровизационная вещь, где они дают
вам слово и
возможно, это помогло тебе развить немного
импровизации или творчества
были ли моменты в Последнем
Королевстве, когда подобное
пришел
к Этельреду что? [Тоби] Я имею в виду
на самом деле это единственная особенность
исторических драм - их не так много
импровизация.
просто потому что это такая история
управляемый,
и это такой особенный способ
Говоря,
что не так уж много покачивания
место
для импровизации. Я пробовал пару
раз, я пробовал это на Riegn пару
раз
Portuguese:
ator diz sobre cada trabalho
toda vez que dá uma entrevista
mas foi muito divertido de filmar
e todos nele são ótimos.
Eu sei que é como todo mundo, mesmo quando as
pessoas passam o pior momento, ainda
tenho que dizer que
todos foram ótimos, mas
é honestamente como o
o grupo de pessoas mais engraçado para se trabalhar. [Colby]
isso é incrível e agora mais cedo você
mencionado quando você começou a atuar
fazendo esse tipo de
coisa improvisada onde eles
te dão uma palavra e
talvez tenha ajudado a desenvolver um pouco
de improvisação ou criatividade
houve algum momento no Último
Reino em que esse tipo de coisa
veio
para Aethelred isso? [Toby] Quero dizer
na verdade, essa é a única coisa sobre
dramas de época é que não há muito
improvisação.
só porque é tão história
dirigido
e é uma forma particular de
falando
que não há muito movimento
espaço
para improvisar. Eu tentei um par
às vezes, eu tentei em Riegn algumas
vezes
Arabic:
الممثل يقول عن كل وظيفة في
كل مرة يجرون فيها مقابلة
ولكن كان من الممتع حقًا تصويره
وكان الجميع رائعين.
أعلم أن الأمر يشبه الجميع حتى عندما يمر
الناس بأسوأ الأوقات
يجب أن أقول أن
الجميع كان رائعًا ولكن
إنه بصراحة مثل
أطرف مجموعة من الأشخاص للعمل معهم. [كولبي]
هذا رائع والآن أنت في وقت سابق
ذكرها عندما بدأت التمثيل لأول مرة
تفعل هذا النوع من
شيء ارتجالي حيث يعطونك
كلمة و
ربما ساعدك في تطوير القليل
من الارتجال أو الإبداع
كانت هناك أي لحظات في
المملكة الأخيرة حيث مثل هذا النوع من الأشياء
جاء في
Aethelred ذلك؟ [توبي] أعني
في الواقع ، هذا هو الشيء الوحيد الذي يتعلق
بالدراما التاريخية ، حيث لا يوجد الكثير
ارتجال.
فقط لأنها قصة
مدفوعة
وهي طريقة خاصة
الحديث
أنه ليس هناك تذبذب كبير
مجال
للارتجال. لقد جربته زوجين
في بعض الأحيان ، جربته على Riegn عدة
مرات
Chinese:
演员每次面试时
都会谈到每项工作
但是拍下来真的很有趣,
而且每个人都很棒。
我知道就像所有人一样,即使
人们在最艰难的时刻
必须说
每个人都很棒,但是
老实说就像
最有趣的一群人一起工作。[Colby]
太棒了,现在更早了
提到当你第一次坐进作用
做这些类型的
即兴的东西,他们给
你一个单词,
也许它可以帮助您发展一些
即兴创作或创造力
在上个
王国有什么时刻
来到
阿瑟尔瑞德那吗?[托比]我的意思是
其实那是关于
时期戏剧的一件事
即兴创作。
只是因为它是如此的故事
驱动
,这是一种特殊的方式
谈论
没有那么多的摇摆
房间
凑合。我已经尝试了几次
有时,我在Riegn上尝试了
几次
English:
actor says about every job
every single time they do an interview
but it was really really fun to film it
and everyone on it is great.
I know it's like everyone even when
people have the worst time they still
have to say
everyone was great but
it is honestly like the
funniest group of people to work with. [Colby]
that's awesome and now earlier you
mentioned when you first got into acting
doing those kind of
improvisational thing where they give
you a word and
maybe it helped you develop a little bit
of improvisation or creativity
were there any moments in Last
Kingdom where like that kind of thing
came in
to Aethelred that? [Toby] I mean
actually that's the one thing about
period dramas is there is not much
improvisation.
just because it's so story
driven
and it's such a particular way of
talking
that there isn't that much wiggle
room
to improvise. I've tried it a couple
of times, i tried it on Riegn a couple of
times
Chinese:
从来没有晋级。
是的,我认为那是
在
现在的是,你可以
与Aethelred 略微偏离了剧本,但没有那么多。
有趣的是,现在我们知道您
提到了一些令人兴奋的事情
快来了,我们不会问你
,因为你不允许说话
关于这些事,但还有什么
你已经在附近现身
我们可以期待的未来?[托比]
不只是这一件事。[Colby]好的,然后做
作为演员
前进,您有什么目标吗?[托比]是的,我的意思是
是的,我真的很想
写点东西。
我认为几乎每个演员
都这么说
他们正在写一些东西,
我认为关键是
梦想成为现实是不告诉任何人
这件事
因为就像我
多年来要说的话
然后就成为
我的对话
说我要写它,你
知道我的意思吗?它从像
Hungarian:
és soha nem hajtotta végre a vágást.
igen, azt hiszem, ez
az egyetlen előnye a munkának
a jelen az, hogy tudsz
térjen le egy kicsit a forgatókönyvről,
de Aethelreddel nem annyira.
érdekes most már tudjuk, hogy
megemlítette, hogy van valami izgalmas
felérünk, nem fogunk kérdezni tőled
, mert nem szabad beszélned
erről még, de van még valami
, amit a közelben kijöttél
jövőben, amelyet várhatunk? [Toby]
nem csak ez az egy dolog. [Colby] oké és csináld
bármilyen célja van, mint színész, aki halad
előre? [Toby] igen, ezt értem
igen, nagyon szeretnék
írni valamit.
Azt hiszem, szinte minden színész ezt mondja
és mondja
írnak valamit, ami
szerintem a kulcsa ennek
álom a valóság az, hogy senkinek nem mondok
el róla
mert hasonlóan
azokhoz a dolgokhoz, amiket az évek során mondtam és írok
van, akkor csak lesz egy beszélgetés
velem
mondván, hogy megírom,
tudod, mire gondolok? abból származik, mint
French:
et n'a jamais fait la coupe.
ouais je pense que c'est
le seul avantage de travailler
le présent est que tu peux
dévier un peu du script
mais pas tellement avec Aethelred.
intéressant maintenant nous savons que vous avez
mentionné que vous avez quelque chose d'excitant
à venir, nous n'allons pas vous interroger
parce que vous n'êtes pas autorisé à parler
à ce sujet encore, mais y a-t-il autre chose
que vous avez sorti dans
futur que nous pouvons espérer? [Toby]
non seulement cette seule chose. [Colby] d'accord et fais
vous avez des objectifs en tant qu'acteur pour aller de l'
avant? [Toby] ouais je veux dire ça
ouais j'aimerais vraiment
écrire quelque chose.
Je pense que presque tous les acteurs le disent
et le disent
ils écrivent quelque chose que
je pense que la clé pour en faire
rêve une réalité est de ne pas dire à personne
à ce sujet
parce que comme les choses que j'ai dites au
fil des ans que je vais écrire
sont alors juste devenus une conversation de
moi
en disant que je vais l'écrire, savez-vous
ce que je veux dire? ça passe d'être comme
Spanish:
y nunca hice el corte.
sí, creo que ese es
el único beneficio de trabajar en
el presente es que tu puedes
Salga del guión un poco,
pero no tanto con Aethelred.
interesante ahora sabemos que
mencionaste que tienes algo emocionante
próximamente no te vamos a preguntar
porque no tienes permitido hablar
al respecto todavía, pero ¿hay algo más de lo
que tenga que salir cerca?
futuro que podemos esperar? [Toby]
no solo esto. [Colby] está bien y haz
¿Tiene algún objetivo como actor en el
futuro? [Toby] sí, me refiero a esto
sí, realmente me gustaría
escribir algo.
Creo que casi todos los actores dicen
eso y dicen que
están escribiendo algo
que creo que es la clave para hacerlo
sueño en realidad es no decirle a nadie
sobre él
porque como las cosas que he dicho a lo
largo de los años que voy a escribir
entonces se ha convertido en una conversación
mía
diciendo que lo voy a escribir ¿
sabes a qué me refiero? pasa de ser como
Portuguese:
e nunca fez o corte.
sim, acho que esse é
o único benefício de trabalhar em
o presente é que você pode
Desvie-se um pouco do script,
mas não tanto com Aethelred.
interessante, agora sabemos que você
mencionou que tem algo interessante
chegando, não vamos perguntar
sobre porque você não tem permissão para falar
sobre isso ainda, mas há mais alguma coisa
que você tem vindo para fora
futuro que podemos esperar? [Toby]
não, apenas uma coisa. [Colby] ok e faça
você tem algum objetivo como ator no
futuro? [Toby] sim, quero dizer isso
sim, eu realmente gostaria de
escrever algo.
Acho que quase todo ator diz
isso e está dizendo isso
eles estão escrevendo algo
que acho que é a chave para fazer isso
sonhar uma realidade é não contar a ninguém
sobre isso
porque, como as coisas que eu disse ao
longo dos anos que vou escrever
então acabou de se tornar uma conversa
minha
dizendo que vou escrever
sabe o que quero dizer? vai de ser como
Russian:
и никогда не попадал в разрез.
да, я думаю, что это
единственное преимущество работы в
настоящее то, что вы можете
немного отклониться от сценария,
но не так сильно с Этельредом.
интересно теперь мы знаем, что вы
упомянули у вас есть что-то захватывающее
мы не собираемся вас спрашивать,
потому что вам не разрешено говорить
об этом еще, но есть ли еще
что- нибудь, что вы хотите сказать в ближайшее время?
будущее, которое мы можем с нетерпением ждать? [Тоби]
нет, только это одно. [Колби] ладно, делай
у вас как у актера есть какие-то цели на
будущее? [Тоби] да, я имею в виду это
да, я бы очень хотел
что-нибудь написать.
Я думаю, что почти каждый актер так говорит
и говорит, что
они пишут что-то, что
я считаю ключом к этому
мечта реальность - это никому
об этом не рассказывать
потому что, как то, что я сказал
за эти годы, что я собираюсь написать
тогда просто стали разговором обо
мне
говоря, что я собираюсь это написать, вы
понимаете, о чем я? это происходит от того, чтобы быть похожим
Arabic:
ولم يقطع قط.
نعم أعتقد أن هذه هي
الفائدة الوحيدة للعمل فيها
الحاضر هو ما تستطيع
انحرف عن البرنامج النصي قليلاً
ولكن ليس كثيرًا مع Aethelred.
مثير للاهتمام الآن نعلم أنك
ذكرت أن لديك شيئًا مثيرًا
في المستقبل ، لن نسألك
عن الأمر لأنه غير مسموح لك بالتحدث
حول هذا الموضوع حتى الآن ولكن هل هناك أي شيء آخر
خرجت به في القريب
المستقبل الذي يمكن أن نتطلع إليه؟ [توبي]
ليس فقط هذا الشيء الوحيد. [كولبي] حسنا وافعل
لديك أي أهداف كممثل
للمضي قدما؟ [توبي] نعم أعني هذا
أجل ، أود حقًا
كتابة شيء ما.
أعتقد أن كل ممثل تقريبًا يقول
ذلك ويقول ذلك
إنهم يكتبون شيئًا
أعتقد أنه المفتاح لتحقيق ذلك
الحلم حقيقة هو عدم إخبار أي شخص
عنها
لأنه مثل الأشياء التي قلتها
على مر السنين والتي سأكتبها
ثم أصبحت حديثًا
معي
أقول إنني سأكتبها هل
تعرف ما أعنيه؟ من أن تكون مثل
German:
und nie den Schnitt gemacht.
Ja, ich denke, das ist
der einzige Vorteil der Arbeit
Die Gegenwart ist, dass Sie können
weiche ein bisschen vom Drehbuch ab,
aber nicht so sehr mit Aethelred.
Interessant, jetzt wissen wir, dass Sie
erwähnt haben , dass Sie etwas Aufregendes haben
Wir werden dich nicht fragen,
weil du nicht reden darfst
darüber noch, aber gibt es noch etwas,
das Sie in der Nähe herauskommen
Zukunft, auf die wir uns freuen können? [Toby]
nein, nur diese eine Sache. [Colby] Okay und mach
Sie haben irgendwelche Ziele als Schauspieler in der
Zukunft? [Toby] Ja, das meine ich
Ja, ich würde wirklich gerne
etwas schreiben.
Ich denke, fast jeder Schauspieler sagt
das und sagt das
Sie schreiben etwas, von dem
ich denke, dass es der Schlüssel dazu ist
Träume eine Realität ist es, niemandem
davon zu erzählen
denn wie die Dinge, die ich
über die Jahre gesagt habe, die ich schreiben werde
bin dann einfach ein gespräch von
mir geworden
Sagst du
, was ich meine? es geht davon aus wie zu sein
English:
and never made the cut.
yeah I think that that's
the one benefit of working in
the present is that you can
veer off script a little bit
but not so much with Aethelred.
interesting now we know that you you
mentioned you have something exciting
coming up we're not going to ask you
about because you're not allowed to talk
about it yet but is there anything else
that you have coming out in the near
future that we can look forward to? [Toby]
no just this one thing. [Colby] okay and do
you have any goals as an actor moving
forward? [Toby] yeah I mean this
yeah I would really like to
write something.
I think almost every actor says
that and is saying that
they're writing something
I think the key to making that
dream a reality is to not tell anyone
about it
because like the things that I've said
over the years that I'm going to write
have then just become a conversation of
me
saying that I'm going to write it do you
know what I mean? it goes from being like
German:
Sie schreiben tatsächlich an etwas
und dann, wenn Sie jemandem sagen, dass Sie es sind
wie oh ich schreibe dieses Ding sie sind
wie oh das ist großartig und dann bist du
wie oh danke
jetzt muss ich es nicht schreiben weil du
gib ihm Lob.
so wie du es gerne behalten musst a
secret
[Colby] oder ich würde mir vorstellen, dass wir das erwähnt haben
Bevor wir fortfuhren, haben
wir viele Anfragen bekommen
verschiedene Leute, aber Sie haben besonders
bekommen
eine erstaunliche Menge an Anfragen und
von Fans an uns, um Sie auf zu haben
den Podcast
und nochmals vielen Dank, dass Sie sich uns angeschlossen haben
Wir freuen uns sehr, Sie zu haben, aber ich würde es
mir auch vorstellen
Sie wären so, als hättest du das
Ding schon geschrieben? hast du es schon geschrieben
Ja, ja, ja, ich habe es tatsächlich
versprochen, sobald ich erwähnen konnte, dass ich es war
Ich werde etwas schreiben, aber ich dachte, ich wäre wie oh, wenn ich
Ich muss es tun,
aber jetzt, wo ich es versucht habe
Jetzt, wo ich es ausprobiert habe, bin ich
von allem so beeindruckt
das ist allgemein geschrieben, weißt du? es ist
Ich meine, ich weiß nicht, dass
jeder Prozess anders ist und
Einige Leute können
schreiben, dass Sie jemanden wie Bernard kennen
Portuguese:
você realmente escreve para algo
e então quando diz a alguém que está
tipo oh, estou escrevendo isso, eles são
tipo oh, isso é ótimo e então você
tipo oh, obrigado
agora eu não tenho que escrever porque você
elogie-o.
então como você tem que gostar de mantê-lo um
segredo
[Colby] ou imagino que mencionamos isso
antes de prosseguirmos,
recebemos muitos pedidos de
pessoas diferentes, mas você particularmente
conseguiu
uma quantidade incrível de pedidos e
de fãs para nós para tê-lo no
o podcast
e obrigado novamente por se juntar a nós
estamos muito contentes de ter você, mas
também imagino
eles seriam como você já escreveu isso
? você já escreveu?
sim sim sim, na verdade,
prometi uma vez que poderia mencionar que estava
vou escrever algo,
mas pensei: "Oh, se eu
vou ter que fazer,
mas agora que tentei
agora que tentei, estou tão impressionado
com qualquer coisa
isso é escrito em geral, sabe? Está
Quer dizer, não sei se
o processo de cada um é diferente e
algumas pessoas podem
escrever, você conhece alguém como Bernard
English:
you actually writing to something
and then when you tell someone you're
like oh I'm writing this thing they're
like oh that's great and then you're
like oh thanks
now I don't have to write it because you
give him praise.
so like you have to like keep it a
secret
[Colby] or I would imagine we mentioned this
before we went on that
we've gotten a lot of requests for
different people but you particularly
have gotten
an amazing amount of requests and
from fans to us to have you on
the podcast
and thank you again for joining us
we're very glad to have you but I would
imagine too
they would be like did you write that
thing yet? did you write it yet?
yeah yeah yeah I have actually, I
promised once I could mention that I was
going to write something
but I thought I was like oh if I
put it out there I'll have to do it
but now that I've tried it
now that I've tried it i'm so impressed
by anything
that's written in general you know? it's
such I mean, I don't know
everyone's process is different and
some people can
write you know someone like Bernard
Arabic:
أنت في الواقع تكتب إلى شيء ما
ثم عندما تخبر شخصًا ما أنك
كأنني أكتب هذا الشيء ، إنهم
مثل أوه هذا رائع ثم أنت
مثل أوه شكرا
الآن ليس علي أن أكتبه لأنك
امدحه.
لذا ، عليك أن تحب الاحتفاظ بها
سر
[كولبي] أو أتخيل أننا ذكرنا هذا
قبل المضي قدمًا في أن
تلقينا الكثير من الطلبات
أشخاص مختلفين ولكنك
حصلت عليها بشكل خاص
قدرًا هائلاً من الطلبات ومن
المعجبين إلينا لإضافتك
البودكاست
وشكرا لك مرة أخرى لانضمامك إلينا
نحن سعداء جدًا بوجودك ولكني
أتخيل أيضًا
سيكونون مثل هل كتبت هذا
الشيء بعد؟ هل كتبتها بعد؟
نعم ، نعم ، لقد
وعدت بالفعل ، بمجرد أن أذكر أنني كنت
سأكتب شيئًا
لكنني اعتقدت أنني كنت مثل أوه إذا كنت
ضعها هناك سأفعلها
ولكن الآن بعد أن جربتها
الآن بعد أن جربته ، أنا معجب جدًا
بأي شيء
هذا مكتوب بشكل عام هل تعلم؟ انها
أعني ، لا أعرف
أن عملية كل شخص مختلفة و
يمكن لبعض الناس أن
يكتبوا أنك تعرف شخصًا مثل برنارد
French:
vous écrivez réellement à quelque chose
et ensuite quand vous dites à quelqu'un que vous
comme oh j'écris cette chose ils sont
comme oh c'est génial et puis tu es
comme oh merci
maintenant je n'ai pas besoin de l'écrire parce que vous
félicitez-le.
alors comme tu dois aimer garder ça
secret
[Colby] ou j'imagine que nous l'avons mentionné
avant de continuer,
nous avons reçu de nombreuses demandes
différentes personnes , mais vous en particulier
avoir obtenu
une quantité incroyable de demandes et
de fans à nous pour vous accueillir
le podcast
et merci encore de nous rejoindre
nous sommes très heureux de vous avoir mais
j'imagine aussi
ils seraient comme si vous aviez déjà écrit cette
chose? l'avez-vous encore écrit?
Ouais ouais ouais je l'ai fait, j'ai
promis une fois que je pourrais mentionner que j'étais
va écrire quelque chose
mais je pensais que j'étais comme oh si je
je vais devoir le faire
mais maintenant que je l'ai essayé
maintenant que je l'ai essayé, je suis tellement impressionné
par tout
c'est écrit en général, vous savez? ses
comme je veux dire, je ne sais pas que
le processus de chacun est différent et
certaines personnes peuvent
écrire que vous connaissez quelqu'un comme Bernard
Hungarian:
valójában írsz valaminek
, majd amikor elmondod valakinek, hogy vagy
mint ó, ezt a dolgot írom, olyanok, hogy
ó, ez nagyszerű, aztán te vagy
mint ó, köszönöm,
most nem kell írnom, mert te
adj neki dicséretet.
így tetszik neked megtartani a
titkos
[Colby], vagy azt képzelném, hogy ezt említettük
mielőtt folytattuk
volna, sok kérést kaptunk
különböző emberek, de ön különösen
megszerezte
elképesztő mennyiségű kérés és
rajongóktól számunkra, hogy továbblépjünk
a podcastot,
és még egyszer köszönöm, hogy csatlakozott hozzánk
nagyon örülünk, hogy van, de én is
el tudnám képzelni
olyanok lennének, mintha megírtad volna már azt a
dolgot? megírta már?
igen, igen, valóban van,
megígértem, ha egyszer megemlíthetem, hogy az vagyok
írok valamit,
de azt hittem, olyan vagyok, mintha ó, ha én
tedd oda, meg kell csinálnom,
de most, hogy kipróbáltam
most, hogy kipróbáltam, annyira lenyűgözött
minden
amit általában írnak, tudod? ez van
ilyenre gondolok, nem tudom, hogy
mindenkinek más a folyamata és
néhány ember
írhat, ismer valakit, mint Bernard
Chinese:
你实际上在写东西
,然后当你告诉某人你是
就像哦,我正在写这个东西,他们
就像哦,那太好了,然后你就
喜欢哦,谢谢,
现在我不必写它了,因为你
给他好评。
所以就像你必须喜欢保留它
秘密
[Colby]还是我想我们会提到这个
在我们继续之前,
我们已经收到了很多要求
不同的人,但你特别
有
大量的要求,
从粉丝到我们的要求
播客
,再次感谢您加入我们
我们很高兴有您,但我也
可以想象
他们会像你写那
东西了吗?你写了吗?
是的,是的,我实际上已经
答应了
要写点东西,
但我想我就像哦,如果我
把它放在那里,我必须做,
但是现在我已经尝试了
现在我已经尝试过
,任何事都让我印象深刻
那是一般写的,你知道吗?它的
这样的意思是,我不知道
每个人的过程都不同,
有人可以
写信给你,你知道像伯纳德这样的人
Russian:
вы действительно что-то пишете,
а затем, когда вы говорите кому-то, что вы
как о, я пишу эту вещь, они
такие, о, это здорово, а потом ты
как о, спасибо,
теперь мне не нужно писать, потому что ты
хвалите его.
так, как будто ты должен любить
секрет
[Колби] или я думаю, мы упомянули об этом
прежде чем мы продолжили,
мы получили много запросов на
разные люди, но вы особенно
получили
огромное количество запросов
от фанатов к нам, чтобы вы
подкаст
и еще раз спасибо за то, что присоединились к нам
мы очень рады видеть тебя, но я тоже
могу представить
они будут такими, как будто ты уже написал эту
вещь? ты это еще не написал?
да да да, на самом деле, я
пообещал, как только я смогу упомянуть, что я был
собирался что-то написать,
но я думал, что я типа о, если бы я
выложи это там, мне придется это сделать,
но теперь, когда я попробовал
Теперь, когда я попробовал, я так впечатлен
всем
это вообще написано знаете? его
я имею в виду, я не знаю, что у
всех разные процессы и
некоторые люди могут
написать, что вы знаете кого-то вроде Бернарда
Spanish:
en realidad estás escribiendo a algo
y luego cuando le dices a alguien que estás
como, oh, estoy escribiendo esto, ellos son
como, oh, eso es genial y luego estás
como oh gracias
ahora no tengo que escribirlo porque tu
alabadle.
así que tienes que gustarle mantenerlo
secreto
[Colby] o me imagino que mencionamos esto
antes de continuar
, hemos recibido muchas solicitudes de
diferentes personas, pero en particular
has conseguido
una cantidad increíble de solicitudes y
de los fans a nosotros para tenerte en
el podcast
y gracias de nuevo por acompañarnos
estamos muy contentos de tenerte pero yo
también me imagino
serían como si ya escribiste eso
? lo escribiste ya?
sí, sí, sí, de hecho, lo
prometí una vez que podía mencionar que estaba
iba a escribir algo
pero pensé que estaba como oh si yo
Ponlo ahí tendré que hacerlo
pero ahora que lo he probado
ahora que lo probé estoy tan impresionado
por cualquier cosa
que está escrito en general, ¿sabes? sus
es decir, no sé
que el proceso de todos es diferente y
algunas personas pueden
escribir, conoces a alguien como Bernard
English:
Cornwell
can write just the sheer
amount of writing that he
produces is like astounding.
yeah but it is quite a
slow moving process that
that's especially with film making is
like what we're trying to
trying to write a script is like a house
of cards basically trying to
keep things making sense and the most
the latest thing that I did, the latest
advice when I was explaining my idea to
somebody
who was a writer was just like you
know what do they want?
because you've just told me a bunch of
stuff that's like sure yeah interesting
stuff and that's
you know that's that's interesting but
like what do they want?
and if you don't have
that then you don't have anything
and actually like the more you
try and like create around
it like I'll add more ideas and put more
stuff on top of it's just
masking the fact that actually your
Russian:
Корнуэлл
может писать просто
количество написанного им
поразительно.
да, но это довольно
медленный процесс, который
это особенно касается кинопроизводства, это
похоже на то, что мы пытаемся
попытка написать сценарий подобна
карточному домику, в основном пытаясь
чтобы все было осмысленным, и самое
последнее, что я сделал, последнее
совет, когда я объяснял
кому-то свою идею
кто был писателем был просто как ты
знаешь чего они хотят?
потому что ты только что рассказал мне много
интересного
прочее, и
вы знаете, что это интересно, но
как они хотят?
и если у вас нет
что тогда у вас ничего нет
и вам нравится больше
попробуйте создать вокруг
него, как будто я добавлю больше идей и добавлю больше
это просто
маскировка того факта, что на самом деле ваша
German:
Cornwell
kann nur schiere schreiben
Die Menge an Schrift, die er
produziert, ist erstaunlich.
Ja, aber das ist ein ziemlich
langsamer Prozess
Das ist besonders beim Filmemachen so,
wie wir es versuchen
Der Versuch, ein Skript zu schreiben, ist wie ein Kartenhaus
, das es im Grunde versucht
Halten Sie die Dinge sinnvoll und das
Neueste, was ich getan habe, das Neueste
Ratschläge, als ich
jemandem meine Idee erklärte
Wer war ein Schriftsteller war genau wie Sie
wissen, was sie wollen?
weil du mir gerade ein paar
Sachen erzählt hast , die sicher ja interessant sind
Zeug und das
weißt du, das ist aber interessant
wie was wollen sie?
und wenn du nicht hast
dass du dann nichts hast
und tatsächlich magst, je mehr du
Versuchen Sie,
es zu erstellen , als würde ich mehr Ideen hinzufügen und mehr einfügen
Zeug darüber hinaus
maskiert es nur die Tatsache, dass tatsächlich Ihre
Arabic:
يمكن أن يكتب كورنويل فقط المطلق
كمية الكتابة التي
ينتجها مذهلة.
نعم لكنها عملية
بطيئة للغاية
هذا بشكل خاص مع صناعة الأفلام
يشبه ما نحاول القيام به
محاولة كتابة سيناريو يشبه بيتًا
من البطاقات يحاول أساسًا
اجعل الأمور منطقية
وأحدث ما فعلته ، الأحدث
نصيحة عندما كنت أشرح فكرتي
لشخص ما
من كان كاتبًا كان مثلك تمامًا
تعرف ماذا يريدون؟
لأنك أخبرتني للتو بمجموعة من
الأشياء التي من المؤكد أنها مثيرة للاهتمام
الأشياء وهذا
ما تعلم أنه مثير للاهتمام ولكن
مثل ماذا يريدون؟
وإذا لم يكن لديك
فهذا يعني أنه ليس لديك أي شيء
وفي الواقع يعجبك أكثر
حاول وأبدع
إعجابك به كما لو أنني سأضيف المزيد من الأفكار وأضع المزيد
الأشياء التي
تعلوها مجرد إخفاء لحقيقة أن
Chinese:
康维尔
只能写纯粹
他
产生的写作数量令人震惊。
是的,但这是一个
缓慢的过程
特别是在电影制作中,
就像我们要尝试的
尝试写脚本就像是一堆
纸牌屋
使事情变得有意义,以及
我所做的最新,最新的事情
当我向
某人解释我的想法时的建议
谁是作家就像你
知道他们想要什么?
因为你刚刚告诉我很多
东西,就像肯定的
东西,那是
你知道的,那很有趣,但是
喜欢他们想要什么?
如果你没有
那你什么都没有
,实际上喜欢的越多
尝试并喜欢围绕
它创建,就像我将添加更多想法并投入更多
上面的东西只是
掩盖了事实,
Spanish:
Cornwell
puede escribir solo el puro
La cantidad de escritura que
produce es asombrosa.
sí, pero es un
proceso bastante lento que
eso es especialmente con la realización de películas es
como lo que estamos tratando de
tratar de escribir un guión es como un castillo
de naipes que básicamente intenta
mantener las cosas teniendo sentido y lo
último que hice, lo último
consejo cuando le estaba explicando mi idea a
alguien
quien era un escritor era como tu
sabes que es lo que quieren?
porque me acabas de contar un montón de
cosas que son interesantes
cosas y eso es lo
que sabes que es interesante pero
como que quieren?
y si no tienes
que entonces no tienes nada
y en realidad te gusta cuanto más te
tratar de crear a
su alrededor como si agregara más ideas y pusiera más
cosas además de
enmascarar el hecho de que en realidad
Hungarian:
Cornwell
csak a puszta szót tudja írni
az általa készített írások mennyisége
megdöbbentő.
igen, de ez egy nagyon
lassan haladó folyamat
ez különösen a filmkészítéshez
hasonló, mint amire próbálunk
szkript megírása olyan, mint egy
kártyaház, amellyel alapvetően próbálkozik
hogy a dolgok értelmesek legyenek, és a
legfrissebb dolog, amit tettem, a legújabb
tanácsot, amikor elmagyaráztam
valakinek az ötletemet
aki író volt, olyan volt, mint te
tudod, mit akarnak?
mert most elmondtál nekem egy csomó olyan
dolgot, ami biztos, igen érdekes
cucc, és ez
tudja, hogy érdekes, de
mint mit akarnak?
és ha nincs
hogy akkor nincs semmid
és tulajdonképpen tetszik minél jobban
próbáld ki, és szeretnél létrehozni körülötte
, mintha további ötleteket adnék hozzá, és többet tesznék
a tetejére csak
elfedi azt a tényt, hogy valójában a
Portuguese:
Cornwell
pode escrever apenas o puro
a quantidade de textos que ele
produz é surpreendente.
sim, mas é um
processo lento que
isso é especialmente com a produção de filmes é
como o que estamos tentando
tentar escrever um roteiro é como um castelo
de cartas, basicamente, tentar
manter as coisas fazendo sentido e o mais
recente que fiz, o mais recente
conselho quando estava explicando minha ideia para
alguém
quem era escritor era igualzinho
sabe o que eles querem?
porque você acabou de me dizer um monte de
coisas que com certeza são interessantes
coisas e
você sabe que é interessante, mas
tipo o que eles querem?
e se você não tem
que então você não tem nada
e realmente gosta mais de você
tente criar em torno
dele como se eu adicionasse mais ideias e colocasse mais
em cima disso, está apenas
mascarando o fato de que, na verdade, sua
French:
Cornwell
peut écrire tout simplement
la quantité d'écriture qu'il
produit est stupéfiante.
oui mais c'est un
processus assez lent qui
C'est surtout avec la réalisation de films
que nous essayons de
essayer d'écrire un script, c'est comme un château
de cartes
garder les choses sensées et la
dernière chose que j'ai faite, la dernière
des conseils quand j'expliquais mon idée à
quelqu'un
qui était un écrivain était comme vous
savez ce qu'ils veulent?
parce que tu viens de me dire un tas de
choses qui sont sûrement intéressantes
trucs et c'est
vous savez que c'est intéressant mais
comme ce qu'ils veulent?
et si vous n'avez pas
qu'alors tu n'as rien
et en fait plus tu aimes
essayez de créer autour de
lui comme j'ajouterai plus d'idées et en mettrai plus
des trucs en plus
masquent simplement le fait que votre
German:
Charakter will nichts
und wenn du es magst, kann es sein
das einfachste willst du wissen. [Colby] Was würdest
du sagen, was Aethelred wollte?
König der Welt sein
yeah yeah will letztendlich nur
König der Welt sein.
Aber ja, du brauchst eine Fahrt
und dann, wenn das Publikum sie sieht
dann sind sie an Bord und wollen
sehen, dass du das Ding bekommst, auch wenn es ist
so
einfach wie ich ein Sandwich haben möchte
Sie wissen, aber was bei all den Dingen,
die Ihnen im Weg stehen, ist, dass Sie dazu in der Lage sind
Haben Sie ein Sandwich,
aber wenn Sie alle Ihre Ideen nichts bedeuten
ohne das wollen
wie verdammt noch mal zurück zum
Zeichnen Sie jetzt waren Sie ein Fan des Bernard Cornwell
Bücher vor der Show oder hast
du sie überhaupt gelesen?
Nein, ich habe
seine Bücher nie gelesen, aber ich meine, ich habe
arbeitete
jetzt an zwei seiner Buchreihen
als wäre das
meine neueste Arbeit, die ich nicht gelesen habe
Bücher, nur weil das Skript
sie anders machen, gehen sie weiter
Ihre eigene Reise, die Sie kennen, und
ich denke, Sie können sich an Dinge binden
French:
le personnage ne veut rien
et quand vous l'aimez, il peut l'être
le désir le plus simple que vous connaissez. [Colby] que diriez-
vous qu'Aethelred voulait?
être roi du monde
ouais ouais veut finalement être le
roi du monde.
mais oui, vous avez besoin d'un lecteur
et une fois que le public voit
qu'alors, ils sont à bord et ils veulent
vous voir obtenir cette chose même si c'est
aussi
simple que je veux avoir un sandwich
tu sais mais sur toutes les choses qui
se dressent sur ton chemin, tu peux
prends un sandwich
mais si toutes tes idées ne veulent rien dire
sans le vouloir
juste comme putain je dois retourner au
dessin maintenant étiez-vous fan du Bernard Cornwell
livres avant le spectacle ou les
avez - vous lus du tout?
non je n'ai jamais lu
ses livres mais je veux dire
a travaillé sur deux de
ses séries de livres maintenant
comme c'est
mon dernier travail, je n'ai pas lu le
livres juste parce que le script
qu'ils font est différent, ils continuent
leur propre voyage tu sais et
je pense que tu peux t'attacher à des choses
Spanish:
el personaje no quiere nada
y cuando te gusta puede ser
el deseo más simple que conoces. [Colby] ¿Qué
dirías que quería Aethelred?
ser rey del mundo
sí, sí, en última instancia, solo quiere ser el
rey del mundo.
pero sí, necesitas conducir
y una vez que la audiencia ve
que luego están a bordo y quieren
ver que consigas esa cosa incluso si es
tan
simple como querer un sándwich
ya sabes, pero ¿qué
pasa con todas las cosas que se interponen en tu camino?
toma un sándwich
pero si todas tus ideas no significan nada
sin el deseo,
como maldita sea, tengo que volver a la
dibujando ahora eras fan de Bernard Cornwell
libros antes del espectáculo o
¿los leíste?
no, nunca he leído
sus libros, pero quiero decir que he
trabajó en dos de
sus series de libros ahora
como si fuera
mi último trabajo, no leí el
libros solo porque el guión
lo hacen diferente, continúan
su propio viaje, ya sabes, y
creo que puedes apegarte a las cosas
Portuguese:
personagem não quer nada
e quando você gosta, pode ser
o mais simples quer você sabe. [Colby] o que
você diria que Aethelred queria?
ser rei do mundo
sim sim, em última análise, só quer ser o
rei do mundo.
mas sim, você precisa de um passeio
e depois que o público vê
que então eles estão a bordo e querem
ver você conseguir isso, mesmo que seja
tão
simples como eu quero comer um sanduíche
você sabe, mas em todas as coisas que
estão em seu caminho, você é capaz de
coma um sanduíche,
mas se todas as suas ideias não significam nada
sem o desejo,
assim como a porra tenho que voltar para o
desenho agora você era fã do Bernard Cornwell
livros antes do show ou
você os leu?
não, eu nunca li
seus livros, mas quero dizer que tenho
trabalhou em duas de
suas séries de livros agora
como se fosse
meu último trabalho, não li o
livros só porque o roteiro
é diferente, eles continuam
sua própria jornada, você conhece e
eu acho que você pode se apegar às coisas
English:
character doesn't want anything
and when you like it does it can be
the simplest want you know. [Colby] what would
you say Aethelred wanted?
to be king of the world
yeah yeah ultimately just wants to be
king of the world.
but yeah you need a drive
and then once the audience sees
that then they're on board and they want
to see you get that thing even if it's
as
simple as like I want to have a sandwich
you know but what on all the things that
stand in your way is you being able to
have a sandwich
but if you all your ideas mean nothing
without the want
just like damn got to go back to the
drawing now were you a fan of the Bernard Cornwell
books before the show or did
you read them at all?
no I've never read
his books but I mean I've
worked on two of
his book series now
like that's
my latest work I didn't read the
books just because the script
they do different, they go on
their own journey you know and
I think you can get attached to stuff
Arabic:
الشخصية لا تريد أي شيء
وعندما ترغب في ذلك يمكن أن تكون كذلك
أبسط ما تريد أن تعرفه. [كولبي] ماذا
تريد أن تقول أثيلريد؟
ليكون ملك العالم
نعم ، في النهاية ، يريد فقط أن
يصبح ملك العالم.
ولكن نعم أنت بحاجة إلى قيادة
وبعد ذلك بمجرد أن يرى الجمهور
ثم أنهم على متن الطائرة ويريدون
رؤيتك تحصل على هذا الشيء حتى لو كان كذلك
كما
البساطة وكأنني أريد أن يكون لها شطيرة
أنت تعرف ولكن ما الذي
يجعلك قادرًا على كل الأشياء التي تقف في طريقك
تناول شطيرة
ولكن إذا كانت كل أفكارك لا تعني شيئًا
دون الحاجة
تمامًا مثل اللعنة عليك العودة إلى
الرسم الآن كنت من محبي برنارد كورنويل
كتب قبل العرض أم
قرأتها أصلاً؟
لا ، لم أقرأ
كتبه مطلقًا ولكن أعني أنني أقرأها
عمل على اثنين من
سلسلة كتبه الآن
كأن هذا هو
آخر عمل لي لم أقرأه
الكتب فقط لأن النص الذي
يقومون به مختلف ، يستمرون
رحلتهم الخاصة كما تعلم
وأعتقد أنه يمكنك التعلق بالأشياء
Hungarian:
karakter nem akar semmit,
és amikor tetszik, akkor az is lehet
a legegyszerűbb vágy, amit tudsz. [Colby] mit mondana
, mit akar Aethelred?
hogy a világ királya legyek
igen igen végső soron csak
a világ királya akar lenni .
de igen, szükséged van egy hajtásra
, majd ha egyszer a közönség meglátja
hogy akkor a fedélzeten vannak, és azt akarják
látni, hogy megkapja azt a dolgot, még akkor is, ha van
olyan
egyszerű, mintha szendvicset szeretnék
tudod, de mit tudsz
az utadban álló minden dologban
van egy szendvicsed,
de ha minden ötleted semmit sem jelent
a nélkülözéshez
, mint a rohadtnak, vissza kell térnie a
most rajongottál a Bernard Cornwellért
könyveket a bemutató előtt, vagy
elolvasta egyáltalán?
nem, soha nem olvastam
a könyveit, de úgy értem, hogy olvastam
két
könyvsorozatán dolgozott most
mintha ez lenne
a legújabb munkám, nem olvastam el
könyveket csak azért, mert a forgatókönyv
másképp csinálják, folytatják
a saját útjukat, és
tudod, hogy kötődhetsz a dolgokhoz
Russian:
персонаж ничего не хочет,
и когда вам нравится, это может быть
самое простое хочу знать. [Колби] Что
, по-твоему, хотел Этельред?
быть королем мира
да да в конечном итоге просто хочет быть
королем мира.
но да, вам нужен драйв,
а потом, когда публика увидит
что тогда они на борту, и они хотят,
чтобы вы получили эту вещь, даже если это
так
просто, как будто я хочу бутерброд
вы знаете, но что из всего, что
стоит на вашем пути, дает вам возможность
есть бутерброд,
но если все твои идеи ничего не значат
без желания,
как черт возьми, нужно вернуться в
рисовать сейчас были ли вы поклонником Бернарда Корнуэлла
книги перед спектаклем или
вы их вообще читали?
нет, я никогда не читал
его книг, но я имею в виду, что я
работал над двумя из
своих книжных серий сейчас
как будто это
моя последняя работа, я не читал
книги только потому, что сценарий у
них другой, они продолжают
их собственное путешествие, вы знаете, и
я думаю, вы можете привязаться к вещам
Chinese:
角色不需要任何东西
,当您喜欢时可以
最简单的想知道的。[科尔比]你会
说艾瑟瑞德想要什么?
成为世界之王
是的,最终,他们只是想成为
世界之王。
但是是的,你需要开车
,然后一旦观众看到
那他们就在船上,他们希望
看到你得到那个东西,即使那是
就像我想要一个三明治一样简单
你知道,但是
阻碍你前进的是什么,
吃三明治,
但是如果你所有的想法都没有意义
没有
该死的想要,就该回到
现在是您的绘画吗,您是Bernard Cornwell的粉丝吗
演出前的书还是
您完全读过的书?
不,我从没看过
他的书,但我是说我
现在从事
他的两本丛书
就像那是
我的最新作品,我没有读过
只是因为脚本
做的不同,所以继续
你知道他们自己的旅程,
我想你可以迷恋东西
Chinese:
那不在里面
,是的,我的工作只是为了好
很好,
我想问你一本书中有趣的一件事
也许你知道也许不是
Uhtred和Aethelred在书中
实际上表兄弟
在书中。我不知道
背后有东西。似乎不像他们
在表演中详细阐述。
不,那会很酷
其实。[Colby]但是是的,所以我很好奇
有点像
他们在谈论的东西
节目,但在
节目中似乎不像
表演世界中的佳能。[托比]我不喜欢这会是一个很好的接触
知道,你知道他是怎么发现的吗?
[Colby]好吧,我想他知道这样,但是
Aethelred的父亲是Uhtred的母亲,
Uhtred不知道,他的妈妈
是她的兄弟,并且有一个
在第一本书中的时间,我认为Uhtred
需要在某处寻找避难所时
当你父亲仍然是我的时候,他走了
以为他在那里遇到你
,书中的Aethelred也没有
English:
that isn't in it
and my yeah my job was just to okay
cool well one thing from the books that
was interesting I wanted to ask you
maybe you know maybe not
is in the books Uhtred and Aethelred are
actually cousins
in the book. I didn't know if
there was something
behind it. it didn't seem like they
elaborated at all in the show.
no that would have been a cool touch yeah
actually. [Colby] but yeah so I was curious if that
was kind of like
something they had talked about on the
show but it doesn't seem like in the
show that's kind of like
canon in the show world. [Toby] it would have been a nice touch I don't
know, do you know how he finds out?
[Colby] well I think he knows like so but
Aethelred's father is Uhtred's mom's, who
Uhtred didn't know, his mom
that's her brother and there's a
time in the first book I think when Uhtred
needs to kind of find refuge somewhere
and he goes
when your father is still lord and I
think he meets you there
and Aethelred in the book is also not
Arabic:
هذا ليس فيه
، نعم ، كانت وظيفتي على ما يرام
رائع شيء واحد من الكتب
كان ممتعًا أردت أن أسألك عنه
ربما تعلم أنه ربما لا
يوجد في الكتب Uhtred و Aethelred
في الواقع أبناء عمومة
في الكتاب. لم أكن أعرف إذا
كان هناك شيء
خلفه. لا يبدو الأمر كذلك
مفصلة على الإطلاق في العرض.
لا ، كان من الممكن أن تكون لمسة رائعة ، نعم
فعلا. [كولبي] ولكن نعم ، كنت أشعر بالفضول إذا كان ذلك
كان نوعًا من
الأشياء التي تحدثوا عنها في
عرض ولكن لا يبدو أنه في
العرض يشبه نوعًا ما
الكنسي في عالم العرض. [توبي] كانت ستكون لمسة لطيفة لم أفعلها
تعرف ، هل تعرف كيف يكتشف؟
[كولبي] حسنًا ، أعتقد أنه يعرف ذلك ولكن
والد Aethelred هو والدة Uhtred
لم يعرف Uhtred ، والدته
هي شقيقها وهناك
أعتقد أن الوقت في الكتاب الأول عندما
يحتاج Uhtred إلى نوع من البحث عن ملجأ في مكان ما
ويذهب
عندما لا يزال والدك هو السيد وأنا
أعتقد أنه
يقابلك هناك و Aethelred في الكتاب ليس كذلك
German:
das ist nicht drin
und mein ja mein job war einfach zu okay
cool gut eine Sache aus den Büchern,
die interessant war, wollte ich dich fragen
Vielleicht weißt du, vielleicht steht es nicht
in den Büchern, die Uhtred und Aethelred sind
eigentlich Cousins
im Buch. Ich wusste nicht ob
da war etwas
dahinter. es schien nicht so wie sie
überhaupt in der Show ausgearbeitet.
Nein, das wäre eine coole Sache gewesen
tatsächlich. [Colby] aber ja, also war ich neugierig, ob das so ist
war wie
etwas, über das sie auf der gesprochen hatten
Show, aber es scheint nicht wie in der
Show, die irgendwie so ist
Kanon in der Showwelt. [Toby] Es wäre eine nette Geste gewesen, die ich nicht tue
Weißt du, wie er es herausfindet?
[Colby] Nun, ich denke er weiß es so aber
Aethelreds Vater ist Uhtreds Mutter, die
Uhtred wusste es nicht, seine Mutter
ist ihr Bruder und es gibt eine
Mal im ersten Buch denke ich, wenn Uhtred
irgendwo Zuflucht suchen muss
und er geht,
wenn dein Vater noch Herr und ich ist
denke er trifft dich dort
und Aethelred im Buch ist es auch nicht
Hungarian:
ez nincs benne,
és igen, a munkám csak rendben volt
jó egy dolog a könyvekből,
ami érdekes volt, kérdezni akartam tőled
Talán tudod, hogy talán nem
szerepel az Uhtred és Aethelred könyvekben
valójában unokatestvérek
a könyvben. Nem tudtam, hogy igen
volt valami
mögötte. nem tűnt nekik
a műsorban egyáltalán kidolgozott.
nem, ez hűvös érintés lett volna, igen
tulajdonképpen. [Colby], de igen, kíváncsi voltam, hogy ez van-e
olyan volt, mint
amiről beszéltek a
show, de nem tűnik olyannak, mint a
show-ban
kánon a show-világban. [Toby] szép érintés lett volna, nem
tudod, tudod, hogy tudja meg?
[Colby] Nos, azt hiszem, tudja, de így van
Aethelred apja Uhtred édesanyja, aki
Uhtred nem tudta, az anyja
a testvére, és van egy
idő az első könyvben azt hiszem, amikor Uhtrednek
valahogy menedéket kell találnia
és akkor megy,
amikor apád még mindig úr és én
gondolom, hogy ott találkozik veled,
és Aethelred a könyvben szintén nem az
Russian:
это не в этом,
и моя работа была просто в порядке
круто ну одна интересная вещь из книг
я хотела тебя спросить
может быть, вы знаете, может, нет
в книгах Утреда и Этельреда.
на самом деле кузены
в книге. Я не знал, если
за этим что-то было. не похоже, что они
проработано вообще в шоу.
нет, это было бы круто, да
фактически. [Колби] но да, мне было любопытно, если это
было похоже на
то, о чем они говорили на
показать , но это не похоже на
шоу , что вроде как
канон в шоу-мире. [Тоби] Было бы неплохо, я не знаю
знаете, вы знаете, как он узнает?
[Колби] Ну, я думаю, он так знает, но
Отец Этельреда - мама Утреда, которая
Утред не знал, его мама -
это ее брат, и есть
время в первой книге, я думаю, когда Утреду
нужно где-то найти убежище
И он уходит,
когда твой отец все еще господин, а я
думаю, что он встречает вас там,
и Этельред в книге тоже не
Portuguese:
que não está nele
e meu sim, meu trabalho era apenas muito bom
legal, bem, uma coisa dos livros que
foi interessante eu queria te perguntar
talvez você saiba, talvez não
esteja nos livros que Uhtred e Aethelred estão
na verdade, primos
no livro. Eu não sabia se
havia algo
por trás disso. não parecia que eles
elaborado em tudo no show.
não, isso teria sido um toque legal sim
na realidade. [Colby] mas sim, eu estava curioso se isso
era
algo que eles conversaram no
show, mas não parece que no
show é tipo
canon no mundo do show. [Toby] teria sido um toque legal, eu não
sabe, você sabe como ele descobre?
[Colby] bem, eu acho que ele sabe assim, mas
O pai de Aethelred é a mãe de Uhtred, que
Uhtred não sabia, a mãe dele
é irmão dela e há um
vez no primeiro livro, eu acho que quando Uhtred
precisa meio que encontrar refúgio em algum lugar
e ele vai
quando seu pai ainda é o senhor e eu
acho que ele te encontra lá
e Aethelred no livro também não é
French:
ce n'est pas dedans
et mon ouais mon travail était juste de bien
cool bien une chose des livres qui
était intéressante je voulais te demander
peut-être que vous savez que peut-être pas
est dans les livres Uhtred et Aethelred sont
en fait cousins
dans le livre. Je ne savais pas si
il y avait quelque chose
derrière. il ne semblait pas qu'ils
élaboré du tout dans le spectacle.
non ça aurait été une touche cool ouais
réellement. [Colby] mais oui alors j'étais curieux de savoir si ça
était un peu comme
quelque chose dont ils avaient parlé sur le
montrer mais il ne semble pas que dans la
série ce soit un peu comme
canon dans le monde du spectacle. [Toby] ça aurait été une bonne idée, je n'ai pas
savez-vous comment il le découvre?
[Colby] eh bien, je pense qu'il le sait, mais
Le père d'Aethelred est la mère d'Uhtred, qui
Uhtred ne savait pas, sa maman
c'est son frère et il y a un
fois dans le premier livre, je pense que quand Uhtred a
besoin de trouver un refuge quelque part
et il s'en va
quand ton père est toujours seigneur et moi
pense qu'il vous rencontre là
- bas et Aethelred dans le livre n'est pas non plus
Spanish:
eso no está en eso
y mi sí, mi trabajo estaba bien
Genial, bueno, una cosa de los libros que
fue interesante, quería preguntarte
tal vez sepas que tal vez no
está en los libros que Uhtred y Aethelred son
en realidad primos
en el libro. No sabia si
había algo
detrás. no parecía que ellos
elaborado en absoluto en el espectáculo.
No, eso hubiera sido un toque genial, sí
Realmente. [Colby] pero sí, así que tenía curiosidad si eso
era
algo así como algo de lo que habían hablado en el
programa, pero no parece que en el
programa sea como
canon en el mundo del espectáculo. [Toby] hubiera sido un buen toque, yo no
sabes, sabes como se entera?
[Colby] bueno, creo que lo sabe así pero
El padre de Aethelred es la madre de Uhtred, quien
Uhtred no lo sabía, su madre
es su hermano y hay un
En el primer libro, creo que cuando Uhtred
necesita encontrar refugio en algún lugar
y se va
cuando tu padre sigue siendo señor y yo
Creo que se encuentra contigo allí
y Aethelred en el libro tampoco es
Spanish:
el personaje más agradable,
pero no nos hemos metido realmente en él, soy
en el tercer libro en este momento,
realmente no he profundizado más en lo que Aethelred
se vuelve realmente
, sabes que no es agradable, es una especie de
como molesto ahora mismo en el libro.
un pequeño detalle divertido para poner allí. No
se como hubiera sido
cambió la actuación, pero [Colby] sí
, no sé si es tan importante
todavía odio sus tripas. [Colby]
todavía no se agradan como
tanto en los libros es solo
porque están tan alejados de ti
¿saber? [Toby]
sí, quiero decir que no
todos primos en esos días?
[Colby] correcto, entonces quiero decir, vamos.
los árboles genealógicos se parecen más a los arbustos
y una cosa que siempre les pedimos a nuestros huéspedes
es que hayan visto algo
interesante últimamente que te gustaría
compartir o algo?
si, que he visto? mis
visitas de bloqueo han sido
Quiero decir que he visto Succession de
nuevo.
English:
the most likable character
but we haven't really gotten into, I'm
in the third book right now, I haven't
really gotten into more where Aethelred
becomes really
you know not likeable he's just kind of
like annoying right now in the book.
a funny little detail to put in there. I
don't know how it would have
changed the performance but [Colby] yeah
I don't know if it's that important
still hate his guts. [Colby]
they still don't like each other like
that much in the books either it's just
because they're like so estranged you
know? [Toby]
yeah I mean wasn't
everyone cousins in those days?
[Colby] right so I mean come on.
family trees look more like bushes
and one thing we always ask our guests
to um is have you watched anything
interesting lately that you'd like
to share or anything?
yeah what have I seen? my lockdown
viewings have been
I mean I've watched Succession
again.
French:
le personnage le plus sympathique
mais nous n'y sommes pas vraiment entrés, je suis
dans le troisième livre en ce moment, je ne suis pas
vraiment entré dans plus où Aethelred
devient vraiment
tu sais pas aimable, il est juste un peu
comme ennuyeux en ce moment dans le livre.
un petit détail amusant à y mettre. Je
ne sais pas comment ça aurait
a changé la performance mais [Colby] ouais
je ne sais pas si c'est si important
déteste toujours ses tripes. [Colby]
ils ne s'aiment toujours pas comme
tant dans les livres soit c'est juste
parce qu'ils sont comme si éloignés de toi
savoir? [Toby]
ouais je veux dire n'était pas
tout le monde cousins à cette époque?
[Colby] c'est vrai donc je veux dire allez.
les arbres généalogiques ressemblent plus à des buissons
et une chose que nous demandons toujours à nos invités
est de vous avoir regardé quoi que ce soit
intéressant récemment que vous aimeriez
partager ou quoi que ce soit?
ouais qu'est-ce que j'ai vu? mes
visionnements de verrouillage ont été
Je veux dire que j'ai de
nouveau regardé Succession .
Hungarian:
a legszimpatikusabb karakter,
de nem igazán jöttünk bele, én vagyok
a harmadik könyvben most nem
igazán kerültem oda, ahová Aethelred került
válik igazán
tudod, hogy nem szimpatikus, ő csak olyan
mint bosszantó most a könyvben.
egy vicces kis részlet, amit oda kell tenni. Nem
tudom, hogy lett volna
megváltoztatta az előadást, de [Colby] igen
, nem tudom, hogy ez annyira fontos-e
még mindig utálja a belét. [Colby]
még mindig nem szeretik egymást
ennyit a könyvekben, vagy csak
azért, mert olyanok, mintha elidegenítették volna
tud? [Toby]
igen, nem úgy értettem
mindenki unokatestvérek azokban a napokban?
[Colby] igaz, úgy értem, gyere.
a családfák inkább bokrokra hasonlítanak
és egy dolgot mindig arra kérünk a vendégeinktől
, hogy figyeltél valamit
érdekes mostanában, hogy szeretnél
megosztani, vagy bármi?
igen mit láttam? lezárt nézeteim
voltak
Úgy értem, hogy
újra megnéztem az utódlást .
German:
Der sympathischste Charakter
, auf den wir uns aber nicht wirklich eingelassen haben, bin ich
Im dritten Buch bin ich gerade nicht
mehr auf Aethelred eingegangen
wird wirklich
du weißt nicht sympathisch er ist nur irgendwie
wie jetzt im Buch nervig.
ein lustiges kleines Detail, das man dort einfügen kann. Ich
weiß nicht, wie es gewesen wäre
hat die Leistung geändert, aber [Colby] Ja,
ich weiß nicht, ob es so wichtig ist
hasse immer noch seine Eingeweide. [Colby]
Sie mögen sich immer noch nicht so
so viel in den Büchern ist es auch nur,
weil sie dich so entfremdet haben
kennt? [Toby]
Ja, ich meine nicht
alle Cousins in jenen Tagen?
[Colby] Richtig, ich meine, komm schon.
Stammbäume sehen eher aus wie Büsche
und eine Sache, die wir unsere Gäste immer bitten
, ist, dass Sie etwas gesehen haben
Interessant in letzter Zeit, die Sie
teilen möchten oder so?
ja was habe ich gesehen Meine Sperransichten
waren
Ich meine, ich habe Succession
wieder gesehen.
Portuguese:
o personagem mais simpático,
mas ainda não nos demos bem, estou
no terceiro livro agora, eu
realmente não entrei em mais onde Aethelred
torna-se realmente
você sabe, não é simpático, ele é apenas uma espécie de
como irritante agora no livro.
um pequeno detalhe engraçado para colocar lá. Eu
não sei como ele teria
mudou a performance, mas [Colby] sim
, não sei se é tão importante
ainda odeio suas entranhas. [Colby]
eles ainda não se gostam, gostam
tanto nos livros é
porque eles estão tão distantes de você
conhecer? [Toby]
sim, quero dizer não era
todos primos naquela época?
[Colby] certo, então, vamos lá.
árvores genealógicas parecem mais arbustos
e uma coisa que sempre pedimos aos nossos hóspedes
é se você assistiu a alguma coisa
interessante ultimamente que você gostaria
de compartilhar ou algo assim?
sim o que eu vi? minhas
visualizações de bloqueio têm sido
Quer dizer, eu assisti Sucessão
novamente.
Arabic:
الشخصية الأكثر إعجابًا
ولكننا لم ندخلها حقًا ، أنا
في الكتاب الثالث في الوقت الحالي ، لم أذهب
حقًا إلى المزيد من حيث Aethelred
يصبح حقًا
أنك تعرف أنه غير محبوب إنه مجرد نوع من
مثل مزعج الآن في الكتاب.
تفاصيل صغيرة مضحكة لوضعها هناك. أنا
لا أعرف كيف كان يمكن أن يكون
غيرت الأداء ولكن [كولبي] نعم
لا أعرف ما إذا كان ذلك مهمًا
لا يزال يكره شجاعته. [كولبي]
ما زالوا لا يحبون بعضهم البعض
هذا كثيرًا في الكتب إما
لأنهم مثلهم منفردين جدًا
أعرف؟ [توبي]
نعم أعني لم يكن
الجميع أبناء عمومة في تلك الأيام؟
[كولبي] صحيح لذا أعني هيا.
تبدو أشجار العائلة أشبه بالشجيرات
والشيء الوحيد الذي نطلبه دائمًا من ضيوفنا
هو هل شاهدت أي شيء
مثيرة للاهتمام مؤخرًا تود
مشاركتها أو أي شيء؟
نعم ماذا رأيت؟
لقد كانت مشاهدات تأميني
أعني أنني شاهدت الخلافة
مرة أخرى.
Russian:
самый симпатичный персонаж,
но мы еще не вникли, я
прямо сейчас в третьей книге я
особо не углубился в то, что Этельред
становится действительно
вы знаете не симпатичным он просто отчасти
вроде напрягает щас в книжке.
забавная маленькая деталь, которую нужно вставить туда. Я
не знаю, как бы это было
изменил представление, но [Колби] да,
я не знаю, так ли это важно
все еще ненавижу его кишки. [Колби]
они все еще не любят друг друга, как
так много в книгах либо
потому, что они так отдалились от тебя
знать? [Тоби]
Да, я имею в виду, не был
все кузены в те дни?
[Колби] Хорошо, я имею в виду, давай.
родословные больше похожи на кусты
и мы всегда просим наших гостей спросить,
смотрели ли вы что-нибудь
интересно в последнее время, чем вы хотели бы
поделиться или что-нибудь?
да, что я видел? мои
просмотры блокировки были
То есть я снова смотрел "Наследие"
.
Chinese:
最讨人喜欢的角色,
但我们还没有真正涉足
在第三本书中,我还没有
真正深入到Aethelred
变得真的,
你知道他不喜欢他,只是
就像书中现在很烦人一样。
一个有趣的小细节,放在那儿。我
不知道会怎么样
改变了性能,但是[Colby]是的,
我不知道这是否重要
仍然讨厌他的胆量。[Colby]
他们仍然不喜欢彼此
书中有那么多,仅仅
是因为它们是如此的疏远了你
知道?[托比]
是的,我不是
那时的每个堂兄?
[Colby]对,所以我的意思是加油。
家谱看起来更像灌木丛
我们一直要求客人们
做的一件事是,您是否看过任何东西
您最近想
分享什么有趣的东西?
是的,我看到了什么?我的锁定
观看次数为
我的意思是我
再次看过继承。
English:
have you seen it? [Colby] no my sister
watches it though
oh my gosh she raves about the soundtrack
for it. [Steve] what is it? [Colby] she's played me the
soundtrack I think for Sucession
like the music yeah it's got i mean it's
got it's got one kind of
motif that it uses. [Colby] yeah yeah she
showed me that I like it. [Toby]
yeah I mean yeah I'm not watching it
for the music. [Colby]
oh I know that's the only thing I know
about it
it's Brian Cox
playing a media mogul
I mean he's they say it's not
Rupert Murdoch but it's kind of like
Rupert Murdoch
he's got a media empire and his four
kids are vying for the succession
of that empire and it's written by Jesse
Armstrong
who made Peep Show and he wrote Four
Lions
I think which is a hilarious comedy
Arabic:
هل رأيته؟ [كولبي] لا أختي
تشاهده رغم ذلك
يا إلهي ، إنها تهتم بالموسيقى التصويرية
لها. [ستيف] ما هذا؟ [كولبي] لقد لعبت دور
أعتقد أن الموسيقى التصويرية لـ Sucession
مثل الموسيقى ، نعم ، أعني ذلك
حصلت على نوع واحد من
الزخارف التي تستخدمها. [كولبي] نعم نعم هي
أظهر لي أنه يعجبني. [توبي] أجل
، أعني نعم أنا لا أشاهده
للموسيقى. [كولبي]
أعلم أن هذا هو الشيء الوحيد الذي أعرفه
حوله
إنه براين كوكس
يلعب دور قطب إعلامي
أعني أنه يقولون إنه ليس
روبرت مردوخ لكنه نوع من الإعجاب
روبرت مردوخ
لديه إمبراطورية إعلامية وأربعة
يتنافس الأطفال من أجل خلافة
تلك الإمبراطورية وقد كتبه جيسي
ارمسترونغ
الذي صنع Peep Show وكتب أربعة
الأسود
أعتقد أنها كوميديا مرحة
Russian:
ты это видел? [Колби] Нет, моя сестра
смотрит это, хотя
О, черт возьми, она в восторге от саундтрека
к нему. [Стив] что это? [Колби] она сыграла мне
саундтрек, я думаю, для Sucession,
как музыка, да, она есть, я имею в виду, что это
у него есть один вид
мотива, который он использует. [Колби] да да она
показал мне, что мне это нравится. [Тоби]
да, я имею в виду да, я не смотрю это
для музыки. [Колби]
о, я знаю, это единственное, что я знаю
об этом
это Брайан Кокс
играет медиа-магната
Я имею в виду, они говорят, что это не
Руперт Мердок, но это вроде как
Руперт Мердок,
у него есть медиа-империя и его четыре
дети борются за наследство
этой империи, и это написано Джесси
Армстронг,
который сделал Peep Show и написал Четыре
Львы,
я думаю, это веселая комедия
German:
hast du es gesehen? [Colby] Nein, meine Schwester
sieht es sich an
Oh mein Gott, sie schwärmt von dem Soundtrack
dafür. [Steve] was ist das? [Colby] Sie hat mir das vorgespielt
Soundtrack Ich denke für Sucession
wie die Musik. Ja, ich meine, es ist
Ich habe eine Art
Motiv, das ich benutze. [Colby] Ja, ja, sie
hat mir gezeigt, dass es mir gefällt. [Toby]
Ja, ich meine, ja, ich schaue es mir nicht an
für die Musik. [Colby]
Oh, ich weiß, das ist das einzige, was ich weiß
darüber
Es ist Brian Cox
, der einen Medienmogul spielt
Ich meine, er sagt, es ist nicht
Rupert Murdoch, aber es ist irgendwie so
Rupert Murdoch
hat ein Medienimperium und seine vier
Kinder wetteifern um die Nachfolge
dieses Reiches und es wurde von Jesse geschrieben
Armstrong
, der Peep Show machte und Four schrieb
Lions
Ich denke, das ist eine lustige Komödie
Spanish:
¿lo has visto? [Colby] no, mi hermana lo
ve
Oh, Dios mío, ella se entusiasma con la banda sonora
. [Steve] ¿qué es? [Colby] ella me jugó el
banda sonora Creo que para Sucession
como la música, sí, tiene, quiero decir, es
tiene un tipo de
motivo que usa. [Colby] si si ella
me mostró que me gusta. [Toby]
sí, quiero decir, sí, no lo estoy viendo
por la musica. [Colby]
oh, sé que eso es lo único que sé
sobre eso
es Brian Cox
interpretando a un magnate de los medios
Quiero decir, dicen que no es
Rupert Murdoch, pero es como
Rupert Murdoch
tiene un imperio mediático y sus cuatro
Los niños compiten por la sucesión
de ese imperio y está escrito por Jesse.
Armstrong,
que hizo Peep Show y escribió Cuatro
Leones
creo que es una comedia divertidísima
French:
l'AS tu vu? [Colby] non ma soeur le
regarde bien
oh mon Dieu, elle s'extasie sur la bande originale
de celui-ci. [Steve] qu'est-ce que c'est? [Colby] elle m'a joué le
bande-son je pense que pour Sucession
comme la musique ouais il a je veux dire c'est
il a un type de
motif qu'il utilise. [Colby] ouais ouais elle
m'a montré que j'aime ça. [Toby]
ouais je veux dire ouais je ne le regarde pas
pour la musique. [Colby]
oh je sais que c'est la seule chose que je sais
à propos de ça
c'est Brian Cox qui
joue un magnat des médias
Je veux dire, ils disent que ce n'est pas
Rupert Murdoch mais c'est un peu comme
Rupert Murdoch
il a un empire médiatique et ses quatre
les enfants se disputent la succession
de cet empire et c'est écrit par Jesse
Armstrong
qui a fait Peep Show et il a écrit Four
Lions
je pense que c'est une comédie hilarante
Portuguese:
você viu isso? [Colby] não, mas minha irmã
assiste
oh meu Deus, ela delira sobre a trilha sonora
para isso. [Steve] o que é? [Colby] ela me jogou o
trilha sonora, acho que para Sucession,
como a música, sim, tenho, quero dizer, é
tem um tipo de
motivo que usa. [Colby] sim sim ela
me mostrou que eu gosto. [Toby]
sim, quero dizer, não estou assistindo
para a música. [Colby]
oh, eu sei que é a única coisa que eu sei
sobre isso
é Brian Cox
interpretando um magnata da mídia
Quero dizer, eles dizem que não é
Rupert Murdoch, mas é tipo
Rupert Murdoch
ele tem um império de mídia e seus quatro
crianças estão competindo pela sucessão
daquele império e foi escrito por Jesse
Armstrong
que fez Peep Show e escreveu Four
Leões
, acho que é uma comédia hilária
Hungarian:
Láttad? [Colby] nem, a húgom
mégis figyeli
ó, istenem, a hangsáv
miatt dühöng érte. [Steve] mi ez? [Colby] engem játszott
filmzene szerintem a Sucession számára,
mint a zene, igen, megvan, úgy értem
van egyfajta
motívuma, amelyet használ. [Colby] igen, igen
megmutatta, hogy tetszik. [Toby]
igen, úgy értem, igen, nem nézem
a zenéhez. [Colby]
ó, tudom, hogy csak ezt tudom
erről
ez Brian Cox
játszik médiamagnót
Úgy értem, azt mondják, hogy ez nem
Rupert Murdoch, hanem hasonló
Rupert Murdoch
, van egy médiabirodalma és négy
gyerekek versengenek annak a
birodalomnak a folytatásáért, és Jesse írta
Armstrong,
aki a Peep Show-t készítette, és ő írta a Négyet
Oroszlánok
szerintem ez egy vidám vígjáték
Chinese:
你见过它么?[科尔比]我姐姐
虽然没看
哦,我的天哪,她
为此大声疾呼。[史蒂夫]这是什么?[科尔比]她在扮演我
我认为Sucession
的音乐就像音乐一样,是的,我的意思是
得到了它使用的一种
图案。[Colby]是的,她
告诉我我喜欢它。[Toby]
是的,我是说,我没看
音乐。[Colby]
哦,我知道那是我唯一知道的
关于它
是布莱恩·考克斯(Brian Cox)
扮演的媒体大亨
我的意思是他是他们说这不是
鲁珀特·默多克(Rupert Murdoch),但有点像
鲁珀特·默多克(Rupert Murdoch),
他有一个媒体帝国和他的四个
孩子们正在争夺
这个帝国的继承权,这是由杰西(Jesse)撰写的
阿姆斯特朗(Armstrong
)制作了《窥视秀》(Peep Show),他写了《四》
我认为狮子是一部搞笑的喜剧
Hungarian:
és csakugyan igazán
nagyon vicces, de olyan, mint a koromsötét
vígjáték alapvetően és igen vidám,
és néztem a Midnight Gospel-t
láttad ezt? [TSC] nem, ezt még nem láttam. [Toby]
oh ember mintha olyan lenne
a
Pendleton Ward készítette, aki a
animátor, aki a kalandidőt
és az kalandidőt igen kedvelte
A kalandidő, ahogy haladt
, egyre több volt, mint amire gondolok
technikailag
gyerekbemutató, de olyan volt, mint egy felnőtt
témák futnak át rajta, és ez
hasonló a történet kozmikus szálához
szóval
denevér szar őrült és
hogy hívják? Az éjféli evangélium olyan,
hogy csak az összes szünetet levették
és csak teljesen
vad LSD
táplált őrület, úgy értem
egy része olyan, mintha valójában egy
podcast lenne, szerintem Duncan Trussell-lel
mintha
a hang egy podcast interjú lenne
Duncan Russell, aki afféle
stand-up humorista
Russian:
И это действительно очень,
очень смешно, но как смоль
в основном комедия, и да, это весело,
и я видел, как Midnight Gospel
ты это видел? [TSC] нет, я этого не видел. [Тоби]
Боже, как будто это
сделал Пендлтон Уорд , который является
аниматор, который сделал "Время
приключений" и "Время приключений" так понравилось
Время приключений по мере того, как оно прогрессировало,
было все больше и больше похоже на то, что я имею в виду
Технически это
шоу для детей, но оно было похоже на более взрослое
темы, проходящие через него, и эта
космическая цепочка сюжетной линии была
так что
дерьмо с ума и
Как это называется? Полночное Евангелие похоже на
то, что все перерывы сняты
из него и просто совершенно
дикий ЛСД
подпитываемое безумием, я имею в виду, что это
отчасти это похоже на
подкаст, я думаю, с Дунканом Трасселом
это как
аудио - это интервью подкаста между
Дункан Рассел, он вроде
как комик
Spanish:
y es realmente realmente
muy divertido pero como un tono negro
comedia básicamente y sí, es divertidísimo
y he visto Midnight Gospel tener
has visto eso? [TSC] No, no lo he visto. [Toby]
oh hombre, es como si fuera
un
hecho por Pendleton Ward, que es el
animador que hizo Adventure Time
y Adventure Time sí, así que me gusta
Adventure Time a medida que avanzaba
tenía cada vez más una especie de
es técnicamente un
programa para niños, pero tenía un aspecto más adulto
temas que lo atraviesan y esta
como una hebra cósmica de la historia que fue
así que
locura y
¿Cómo se llama? Midnight Gospel es así
con todos los descansos quitados
de él y
LSD completamente salvaje
locura alimentada quiero decir que es
una parte es como si fuera un
podcast, creo que con Duncan Trussell
es como si
el audio fuera una entrevista de podcast entre
Duncan Russell, que es una especie de
comediante
English:
and it's just really really really
really funny but like pitch black
comedy basically and yeah it's hilarious
and I've watched Midnight Gospel have
you seen that? [TSC] no I haven't seen that. [Toby]
oh man it's like it's
a
made by Pendleton Ward who is the
animator who made Adventure Time
and Adventure Time yeah so like
Adventure Time as it like progressed
had more and more kind of like I mean
it's technically a
kids show but it had like a more adult
themes running through it and this
like cosmic strand of storyline that was
so
bat shit crazy and
what's it called? Midnight Gospel is like
that with just all the breaks taken off
of it and just completely
wild LSD
fueled madness I mean it's
a part it's like it's actually a
podcast I think with Duncan Trussell
it's like
the audio is a podcast interview between
Duncan Russell who's a kind of
he's a stand-up comedian
Chinese:
真的真的真的真的
很有趣但就像黑色
基本上是喜剧,是的,这很有趣
,我看过《午夜福音》有
你看到了吗?[TSC]不,我还没有看到。[托比]
哦,伙计,就像
一个
由彭德尔顿由沃德是谁的
动画师制作了《冒险时间》
和《冒险时间》,就像
我想说的是,《Adventure Time》随着进度的发展而越来越多
从技术上讲这是一个
儿童节目,但它像一个成年人
贯穿其中的主题,
就像故事情节的宇宙线一样,
所以
蝙蝠拉屎疯了,
它叫什么?午夜福音就是这样
,所有的休息都结束了
它和完全
野生的LSD
加剧了疯狂,我的意思是
我认为与Duncan Trussell一起播出的播客
就像
音频是介于
邓肯·罗素(Duncan Russell)是一种
喜剧演员
French:
et c'est vraiment vraiment vraiment
vraiment drôle mais comme du noir absolu
comédie en gros et ouais c'est hilarant
et j'ai regardé Midnight Gospel avoir
vous avez vu ça? [TSC] non, je n'ai pas vu ça. [Toby]
oh mec c'est comme si c'était
un
fabriqué par Pendleton Ward qui est le
animateur qui a créé Adventure Time
et Adventure Time ouais
Adventure Time, au fur et à mesure de sa progression, ressemblait de
plus en plus à ce que je veux dire
c'est techniquement une
émission pour enfants mais ça avait comme un adulte
thèmes qui le traversent et ceci
comme un brin cosmique de l'histoire qui était
alors
bat merde fou et
comment ça s'appelle? Midnight Gospel est comme
ça avec juste toutes les pauses enlevées
de celui-ci et juste
du LSD complètement sauvage
alimenté la folie je veux dire que c'est
une partie c'est comme si c'était en fait un
podcast je pense avec Duncan Trussell
c'est comme si
l'audio était une interview de podcast entre
Duncan Russell qui est en quelque sorte
un comédien de stand-up
German:
und es ist einfach wirklich sehr, sehr,
sehr lustig, aber wie pechschwarz
Komödie im Grunde und ja, es ist lustig
und ich habe Midnight Gospel gesehen
hast du das gesehen [TSC] Nein, das habe ich nicht gesehen. [Toby]
Oh Mann, es ist wie es ist
ein
gemacht von Pendleton Ward, der der ist
Animator, der Adventure Time
und Adventure Time gemacht hat
Die Abenteuerzeit, wie sie fortschreitet, hat
sich immer mehr so entwickelt, wie ich es meine
Es ist technisch gesehen eine
Kindershow, aber es war wie bei einem Erwachsenen
Themen, die durch sie laufen, und das
wie ein kosmischer Strang der Handlung, der war
also
Fledermaus Scheiße verrückt und
wie nennt man es? Das Mitternachtsevangelium ist so,
wenn nur alle Pausen eingelegt sind
davon und nur ganz
wildes LSD
angeheizter Wahnsinn, ich meine es ist
Ein Teil, als wäre es tatsächlich ein
Podcast, den ich mit Duncan Trussell denke
Es ist, als wäre
das Audio ein Podcast-Interview zwischen
Duncan Russell, der eine Art
Stand-up-Comedian ist
Portuguese:
e é realmente
muito engraçado, mas como breu
comédia basicamente e sim, é hilário
e eu assisti Midnight Gospel
você viu isso? [TSC] não, eu não vi isso. [Toby]
oh cara, é como se fosse
um
feito por Pendleton Ward que é o
animador que fez Adventure Time
e Adventure Time, sim, assim
O Adventure Time, à medida que avançava,
tinha mais e mais tipo de tipo, quero dizer
é tecnicamente um
programa infantil, mas tinha algo mais adulto
temas correndo por ele e isso
como uma linha cósmica de enredo que foi
então é uma
merda louca e
como é chamado? O Evangelho da Meia-Noite é assim
com todas as pausas tiradas
dele e
LSD completamente selvagem
loucura alimentada, quero dizer, é
uma parte é como se fosse um
podcast, acho que com Duncan Trussell
é como se
o áudio fosse uma entrevista de podcast entre
Duncan Russell que é uma espécie de
comediante stand-up
Arabic:
وهو أمر
مضحك حقًا حقًا ولكنه مثل اللون الأسود
الكوميديا في الأساس ونعم هو مضحك
وقد شاهدت إنجيل منتصف الليل
هل رأيت ذلك؟ [TSC] لا لم أر ذلك. [توبي]
يا رجل يبدو الأمر كذلك
من
صنع Pendleton Ward وهو
الرسوم المتحركة الذي جعل وقت
المغامرة ووقت المغامرة نعم هكذا
كان وقت المغامرة كما هو متقدمًا
أكثر فأكثر نوعًا مما أعنيه
إنه من الناحية الفنية
عرض للأطفال ولكن كان مثل الكبار أكثر
المواضيع التي تمر من خلالها وهذا
مثل قصة الكونية التي كانت
حتى
الخفافيش القرف مجنون و
ماذا يطلق عليها؟ يشبه إنجيل منتصف الليل
ذلك مع خلع جميع فترات الراحة
منه و
LSD البري تمامًا
تأجيج الجنون أعني ذلك
جزء يبدو وكأنه في الواقع
بودكاست أعتقد مع دنكان تروسيل
يبدو
أن الصوت عبارة عن مقابلة بودكاست بين
Duncan Russell الذي هو نوع من
الممثل الكوميدي
Arabic:
وأجرى مقابلات مع الضيوف حول البوذية
أو الحياة بعد الموت أو DMT
وكل الأشياء المهلوسة
ثم فوقها بندلتون
قام وارد بتحريك أكثر الصور جنونًا
سبق لك أن رأيته
في حياتك ، لذا فإن الأمر يشبه ذلك أيضًا
يصعب مشاهدتها
لأن مثل الصوت حقًا
مثيرة للاهتمام ولكن للرسوم المتحركة على
أعلى من ذلك
هو مثل الخفافيش تماما مجنون ،
نعم أنا حقا
كان هذا
هو الشيئين ، نعم ، و Devs مذهل. هل رأيت المطورين؟
آسف لا لم أر ذلك أيضًا. [توبي]
لديك الكثير من الأشياء لمشاهدتها
الآن لدينا قائمة جيدة هنا. [توبي]
نعم هذا رائع ما هو له
اسم؟
أليكس جارلاند
سلسلته التي كتبها وهي تدور حول
ماذا أقول دون إفسادها؟
English:
and he interviews guests about Buddhism
or life after death or DMT
and all things hallucinogenic and
then just over the top of it Pendleton
Ward
has animated the most insane visuals
you've ever seen
in your life so it's almost like too
difficult to watch
because like the audio is really
interesting but the animation over the
top of it
is like fully bat shit crazy
yeah that I really
that's been the two things oh
yeah and Devs is amazing. Have you seen Devs?
sorry no I haven't seen that either. [Toby]
you've got plenty of stuff to watch
now we got a good list here. [Toby]
yeah it's that's wow what's his
name?
Alex Garland
his series that he wrote and it's about
what should I say without spoiling it?
French:
et il interviewe des invités sur le bouddhisme
ou la vie après la mort ou DMT
et toutes choses hallucinogènes et
puis juste au-dessus Pendleton
Ward
a animé les visuels les plus insensés
tu as déjà vu
dans ta vie donc c'est presque comme trop
difficile à regarder
car comme l'audio est vraiment
intéressant mais l'animation par
dessus
C'est comme complètement fou de merde
ouais que je vraiment
ça a été les deux choses oh
ouais et Devs est incroyable. Avez-vous vu des développeurs?
désolé non, je n'ai pas vu ça non plus. [Toby]
vous avez plein de choses à regarder
maintenant nous avons une bonne liste ici. [Toby]
ouais c'est wow c'est quoi son
Nom?
Alex Garland
sa série qu'il a écrite et
que dois-je dire sans la gâcher?
Russian:
и он берет интервью у гостей о буддизме,
жизни после смерти или ДМТ.
и все галлюциногены, а
потом просто Пендлетон
Уорд
оживил самые безумные визуальные эффекты
вы когда-либо видели
в своей жизни, так что это тоже почти как
трудно смотреть,
потому что звук действительно
интересно, но анимация
поверх этого
похоже на полное дерьмо летучей мыши, сумасшедшее,
да, что я действительно
это были две вещи, о
да, и Devs великолепны. Вы видели разработчиков?
извини, нет, я этого тоже не видел. [Тоби]
тебе есть что посмотреть
теперь у нас есть хороший список. [Тоби]
да, это вау, что его
название?
Алекс Гарланд
его сериал, который он написал, и о
чем я должен сказать, не испортив его?
Spanish:
y entrevista a invitados sobre el budismo
o la vida después de la muerte o DMT
y todas las cosas alucinógenas y
luego un poco más Pendleton
Ward
ha animado las imágenes más locas
alguna vez has visto
en tu vida, así que es casi como demasiado
difícil de ver
porque el audio es realmente
interesante, pero la animación en la
parte superior
es como una mierda completamente loca,
sí, que realmente
esas han sido las dos cosas, oh
sí, y Devs es increíble. ¿Has visto a los desarrolladores?
lo siento, no, yo tampoco lo he visto. [Toby]
tienes muchas cosas que ver
ahora tenemos una buena lista aquí. [Toby]
sí, eso es wow, lo que es suyo
¿nombre?
Alex Garland
su serie que escribió y se trata de
¿qué debo decir sin estropearlo?
Chinese:
他采访了有关佛教
或死后或DMT生命的客人
和所有引起幻觉的东西,
然后就在Pendleton的顶部
病房
使最疯狂的视觉效果生动起来
你
在生活中见过,所以几乎就像
很难看,
因为喜欢音频
有趣,但
上方的动画
就像蝙蝠狗屎疯了,
是的,我真的
是这两件事哦,
是的,Devs很棒。你看过开发者吗?
对不起,我也没有看到过。[托比]
你有很多东西要看
现在我们这里有一个很好的清单。[Toby]
是的,哇,他叫什么
名称?
亚历克斯·加兰
他写的他的系列剧,这是关于
我应该说些什么而不破坏它?
Hungarian:
és interjút készít a vendégekkel a buddhizmusról,
a halál utáni életről vagy a DMT-ről
és minden hallucinogén,
majd a tetején Pendleton
Ward
a legőrültebb látványokat animálta
valaha is láttál
az életedben, így majdnem olyan, mint te is
nehéz megnézni,
mert mint az audió valóban
érdekes, de az animáció a
tetején
olyan, mint teljesen denevér szar őrült
igen, hogy én nagyon
ez volt a két dolog,
igen, és Devs elképesztő. Láttad Devs-et?
bocs nem én sem láttam ilyet. [Toby]
rengeteg dolgod van, amit megnézhetsz
most itt van egy jó lista. [Toby]
igen, ez az wow mi az övé
név?
Alex Garland
sorozatát, amelyet írt, és arról szól,
mit mondjak, hogy ne rontsam el?
Portuguese:
e ele entrevista convidados sobre budismo
ou vida após a morte ou DMT
e todas as coisas alucinógenas e, em
seguida, apenas por cima Pendleton
Ward
animou os visuais mais insanos
você já viu
em sua vida então é quase como
difícil de assistir
porque o áudio é realmente
interessante, mas a animação por
cima dele
é totalmente louco,
sim, eu realmente
essas são as duas coisas, oh
sim, e Devs é incrível. Você viu Devs?
desculpe não, eu não vi isso também. [Toby]
você tem muitas coisas para assistir
agora temos uma boa lista aqui. [Toby]
sim, isso é wow o que é dele
nome?
Alex Garland
a série que ele escreveu e é sobre
o que devo dizer sem estragar?
German:
und er interviewt Gäste über Buddhismus
oder Leben nach dem Tod oder DMT
und alles halluzinogen und
dann knapp darüber Pendleton
Ward
hat die verrücktesten Bilder animiert
Sie haben jemals
in Ihrem Leben gesehen, so ist es fast auch
schwer zu sehen,
weil wie der Ton wirklich ist
interessant , aber die Animation über die
oben drauf
ist wie voll Fledermaus Scheiße verrückt
ja, dass ich wirklich
Das waren die beiden Dinge, oh
ja, und Devs ist unglaublich. Hast du Devs gesehen?
Entschuldigung, nein, das habe ich auch nicht gesehen. [Toby]
du hast viel zu sehen
Jetzt haben wir hier eine gute Liste. [Toby]
Ja, das ist Wow, was ihm gehört
Name?
Alex Garland
seine Serie, die er geschrieben hat und es geht darum,
was ich sagen soll, ohne es zu verderben?
German:
Es geht nur um die Auswirkungen dessen,
was ein Quantencomputer tun könnte
wie ein Computer, der so leistungsfähig war,
dass er viele Dinge vorhersagen konnte.
Ich werde nicht mehr sagen, weil es wird, aber
es ist großartig, ja, es ist irgendwie wie ein
Silicon Valley Ja, wie die Technologiefirma
Willy Wonka, die einen Verrückten gemacht hat
sehr leistungsfähiger Computer,
gespielt von Nick Offerman. Ist das sein Name?
von Parks und Rec. [Colby] Ja, Nick Offerman. [Toby]
Ja und ja, ein ganz anderer Look
Er ist nicht Ron Swanson, er hat einen großen
Bart
und er ist technisch
und verrückt. [Colby] Wow interessant
das ist super gut cool cool und Steve
hast du noch andere Fragen während wir
hat Toby heute an? [Toby]
Keine Fragen Steve? nein aber danke danke
Sie für das Kommen.
Ja, es war großartig. [Toby] mein Vergnügen,
Gern geschehen. Ja, und wir verknüpfen all
Ihre Inhalte unter Ihren sozialen Medien.
Ihr Twitter, Instagram
alles andere. [Colby] Ja, und wir werden es auf jeden Fall tun
Arabic:
يتعلق الأمر فقط بالآثار المترتبة
على مثل ما يمكن أن يفعله الكمبيوتر الكمومي
مثل جهاز كمبيوتر كان قويًا للغاية بحيث
يمكنه التنبؤ بالعديد من الأشياء.
لن أقول أكثر من ذلك لأنه سيفعل ذلك ولكنه
رائع ، نعم إنه نوع من
وادي السليكون نعم مثل شركة التكنولوجيا
ويلي ونكا اكتب الرجل المجنون الذي صنع
حاسوب قوي جدا
يلعبه نيك أوفرمان. هل هذا اسمه؟
من باركس و Rec. [كولبي] نعم نيك أوفرمان. [توبي]
نعم ونعم نظرة مختلفة للغاية
إنه ليس رون سوانسون ، لديه
لحية كبيرة
وهو فني
ومجنون. [كولبي] واو مثير للاهتمام
هذا رائع رائع رائع وستيف
هل لديك أي أسئلة أخرى بينما نحن
هل لديك توبي اليوم؟ [توبي]
لا توجد أسئلة ستيف؟ لا ولكن شكرا لك
أنت على القدوم.
نعم لقد كان رائعًا. [توبي] يسعدني ،
من دواعي سروري. نعم وسنقوم بربط جميع
الأشياء الخاصة بك أسفل الوسائط الاجتماعية الخاصة بك ،
تويتر الخاص بك ، instagram
أي شيء آخر. [كولبي] نعم وسنقوم بالتأكيد
French:
il s'agit simplement des implications
de ce qu'un ordinateur quantique pourrait faire
comme un ordinateur si puissant
qu'il pouvait prédire beaucoup de choses.
Je n'en dirai pas plus parce que ça le fera mais
c'est génial ouais c'est un peu comme un
Silicon Valley ouais comme la société de technologie
Willy Wonka, un fou de type qui a fait un
ordinateur très puissant
joué par Nick Offerman. C'est son nom?
de Parks and Rec. [Colby] ouais Nick Offerman. [Toby]
ouais et ouais un look très différent
il n'est pas Ron Swanson il a une grosse
barbe
et il est technicien
et fou. [Colby] wow intéressant
c'est génial bien cool cool et Steve
avez-vous d'autres questions pendant que nous
avez Toby aujourd'hui? [Toby]
Pas de questions Steve? non mais merci merci
vous d'être venu.
ouais ça a été génial. [Toby] mon plaisir,
mon plaisir. ouais et nous lierons toutes
vos affaires en dessous de vos médias sociaux,
votre twitter, instagram
autre chose. [Colby] ouais et nous allons certainement
English:
it's just about the implications
of like what a quantum computer could do
like a computer that was so powerful
that it could predict a lot of stuff.
I won't say more because it will but
it's great yeah it's kind of like a
Silicon Valley yeah like tech company
Willy Wonka type madman who's made a
very powerful computer
played by Nick Offerman. Is that his name?
from Parks and Rec. [Colby] yeah Nick Offerman. [Toby]
yeah and yeah a very different look
he's not Ron Swanson he's got a big
beard
and he's techy
and mad. [Colby] wow interesting
that's awesome well cool cool and Steve
do you have any other questions while we
have Toby on today? [Toby]
No questions Steve? no but thank you thank
you for coming on.
yeah it's been great. [Toby] my pleasure,
my pleasure. yeah and we'll link all
your stuff down below your social media,
your twitter, instagram
anything else. [Colby] yeah and we'll certainly
Portuguese:
trata-se apenas das implicações
do que um computador quântico poderia fazer
como um computador tão poderoso
que poderia prever muitas coisas.
Não vou dizer mais porque vai, mas
é ótimo, sim, é como um
Vale do Silício, sim, como a empresa de tecnologia
Willy Wonka, tipo louco que fez um
computador muito poderoso
interpretado por Nick Offerman. É esse o nome dele?
de Parques e Rec. [Colby] sim, Nick Offerman. [Toby]
sim e sim um visual muito diferente
ele não é Ron Swanson, ele tem uma grande
barba
e ele é técnico
e louco. [Colby] nossa interessante
isso é incrível bem legal legal e Steve
, você tem alguma outra pergunta enquanto nós
está com o Toby hoje? [Toby]
Sem perguntas Steve? não, mas obrigado, obrigado
por ter vindo.
sim, tem sido ótimo. [Toby] é um prazer,
O prazer é meu. sim e vamos conectar todas as
suas coisas abaixo de suas redes sociais,
seu twitter, instagram
qualquer outra coisa. [Colby] sim e certamente
Hungarian:
csak annak következményeiről van szó
, mint amire egy kvantum számítógép képes
mint egy olyan nagy teljesítményű számítógép,
amely sok mindent meg tudott jósolni.
Nem mondok többet, mert lesz, de
nagyon jó, ez olyan, mint egy
A Szilícium-völgy igen, mint a technológiai cég, a
Willy Wonka típusú őrült, aki a
nagyon erős számítógép,
amelyet Nick Offerman játszik. Ez a neve?
a Parks and Rec. [Colby] igen, Nick Offerman. [Toby]
igen és igen más megjelenésű
ő nem Ron Swanson, nagy
szakálla van
és technikus
és őrült. [Colby] wow érdekes
ez fantasztikus, nagyon jó, és Steve-nek
van még kérdése, amíg mi
ma van Toby? [Toby]
Nincs kérdés Steve? nem, de köszönöm köszönöm
te, hogy jöttél.
igen nagyszerű volt. [Toby] örömöm,
örömöm. igen, és összekapcsoljuk az összes
dolgodat a közösségi médiád alatt,
a twittered, instagram
bármi mást. [Colby] igen, és biztosan megtesszük
Spanish:
se trata solo de las implicaciones
de lo que podría hacer una computadora cuántica
como una computadora que era tan poderosa
que podía predecir muchas cosas.
No diré más porque lo hará, pero
es genial, sí, es como un
Silicon Valley, sí, como la compañía de tecnología
Willy Wonka, un loco tipo que ha hecho un
computadora muy poderosa
interpretada por Nick Offerman. ¿Ese es su nombre?
de Parks and Rec. [Colby] sí Nick Offerman. [Toby]
sí y sí una mirada muy diferente
no es Ron Swanson, tiene una gran
barba
y es técnico
y está loco. [Colby] guau interesante
eso es increíble, bueno, genial, y Steve
, ¿tienes alguna otra pregunta mientras
¿Toby tiene hoy? [Toby]
Sin preguntas Steve? no pero gracias gracias
usted por venir.
sí, ha sido genial. [Toby] es un placer,
el gusto es mio. sí, y enlazaremos todas
tus cosas debajo de tus redes sociales,
tu twitter, instagram
cualquier otra cosa. [Colby] sí y ciertamente lo haremos
Russian:
это просто последствия
того, что может делать квантовый компьютер
как компьютер, который был настолько мощным,
что мог предсказывать многое.
Я не скажу больше, потому что это будет, но
это здорово, да, это вроде как
Кремниевая долина, да, как
сумасшедший из технологической компании Вилли Вонка, который
очень мощный компьютер,
которого играет Ник Офферман. Это его имя?
от Парков и Рек. [Колби] Да, Ник Офферман. [Тоби]
Да и да, совсем другой взгляд
он не Рон Свонсон, у него большая
борода
и он техничный
и сумасшедший. [Колби] вау, интересно
это круто, ну круто, круто, Стив,
у тебя есть еще вопросы, пока мы
есть Тоби сегодня? [Тоби]
Нет вопросов, Стив? нет но спасибо спасибо
вы за то, что пришли.
да, это было здорово. [Тоби] с удовольствием,
с удовольствием. да, и мы свяжем все
ваши материалы под вашими социальными сетями,
ваш твиттер, инстаграмм
что-нибудь еще. [Колби] Да, и мы обязательно
Chinese:
它只是影响
的像什么量子计算机可以做
就像一台功能强大的计算机,
它可以预测很多东西。
我不会说更多,因为它会,但是
很好,是的,就像
硅谷是的,就像科技公司
Willy Wonka型的疯子一样,
Nick Provideman玩的非常强大的计算机。那是他的名字吗?
来自Parks and Rec。[Colby]是的,Nick Offerman。[托比]
是的,是的,看起来很不一样
他不是罗恩·斯旺森,他
留着大胡子
而且他脾气暴躁
。[Colby]哇很有趣
太棒了,很酷,史蒂夫
,您还有其他问题吗?
今天有托比吗?[托比]
没问题,史蒂夫?不,但是谢谢谢谢
你来吧。
是的,这很棒。[托比]我的荣幸,
我的荣幸。是的,我们会将
您所有的内容链接到您的社交媒体下,
您的Twitter,Instagram等
。[Colby]是的,我们一定会
English:
miss you, I know season five is
is moving forward, we'll certainly miss
you moving forward and again it's like
it seemed like we were waiting for like
Uhtred to kill
or Aethelflaed to kill Aethelred and all
of a sudden you had a death that wasn't
so
like hooray. it was like oof.
yeah it's kind of cool to see you go out
like that too. [Toby]
yeah I've got, I think some of the
comments that I get that I
receive about the show is that
it's that turn and just being like why
did
what did you do? why did you make me
like you a tiny bit?
yeah I'm really really
grateful for those last few
scenes.
I wish I could
tell you about this stuff but I can't. [Colby]
we understand but we'll be looking
forward to when you can
and we'll definitely be keeping track
of you because you've definitely
earned our respect after we watched Last
Kingdom as an actor and then
to see you and some of the other stuff
we're really excited for your future as
well.
that's awesome thank you very much yeah
so lovely to talk to you
yeah it's great to talk to you as well
and like Steve said you'll have all your
Spanish:
te extraño, sé que la quinta temporada
está avanzando, ciertamente extrañaremos
avanzas y de nuevo es como
si pareciera que estábamos esperando como
Uhtred para matar
o Aethelflaed para matar a Aethelred y todos
de repente tuviste una muerte que no fue
tan
como hurra. fue como uf.
sí, es genial verte salir
así también. [Toby]
sí lo tengo, creo que algunos de los
Los comentarios que
recibo sobre el programa son que
es así de vuelta y simplemente ser como ¿por qué
lo hizo
¿Qué hiciste? ¿Por qué me
agradas un poquito?
sí, estoy realmente muy
agradecido por esos últimos
escenas.
Ojalá pudiera
hablarte de estas cosas pero no puedo. [Colby]
lo entendemos pero estaremos mirando
ansioso cuando puedas
y definitivamente estaremos haciendo un seguimiento
de ti porque definitivamente te has
ganado nuestro respeto después de que vimos Last
Kingdom como actor y luego
verte a ti y algunas de las otras cosas
también estamos muy emocionados por su futuro
.
eso es increíble, muchas gracias, sí,
es un placer hablar contigo
sí, es genial hablar contigo también
y, como dijo Steve, tendrás todas tus
Russian:
скучаю по тебе, я знаю, пятый сезон
продвигается вперед, мы обязательно пропустим
ты двигаешься вперед и опять как
будто мы ждали как
Утреда убить
или Этельфлаеда убить Этельреда и всех остальных
внезапно у вас была смерть, которая была не
так
как ура. это было похоже на уф.
да, это круто видеть, как ты выходишь
так тоже. [Тоби]
Да, я думаю, что некоторые из
комментарии, которые я
получаю о шоу, заключаются в том, что
это тот поворот и просто так, почему
сделал
что ты сделал? почему ты заставил меня
немного понравиться тебе?
да, я действительно очень
благодарен этим последним
сцены.
Мне бы хотелось, чтобы я мог
рассказать вам об этом, но я не могу. [Colby]
мы понимаем, но мы будем искать
с нетерпением ждем, когда вы сможете,
и мы обязательно будем отслеживать
из вас, потому что вы определенно
заслужили наше уважение после того, как мы посмотрели Last
Kingdom как актер, а затем
увидеть вас и кое-что еще
мы очень рады вашему будущему
.
это здорово, спасибо большое, да,
так приятно с тобой поговорить
да, тоже здорово поговорить с вами,
и, как сказал Стив, у вас будет все
Chinese:
想念你,我知道第五季
正在前进,我们一定会想念的
你继续前进,
好像我们在等待
应当以杀戮
或以种族歧视来杀死埃塞尔雷德和所有
突然间,您的死亡并非
如此
像万岁。就像是oof。
是的,看到你出去很酷
也一样。[托比]
是的,我想
我
收到的关于演出的评论是
它是转弯,仅仅是喜欢,为什么
做
你做了什么?你为什么让我
有点喜欢你?
是的,我真的非常
感谢这最后的几个
场景。
我希望我能
告诉你这些东西,但我不能。[Colby]
我们了解但我们会寻找
展望何时可以
,我们一定会保持跟踪
之所以喜欢您,是因为
我们在观看《 Last》之后肯定赢得了我们的尊重
作为演员的王国,然后
去看你和其他一些东西
我们也为您的未来感到非常兴奋
。
太好了,非常感谢
你
是的,也很
高兴与您交谈,就像史蒂夫说的那样,您将拥有所有的
Arabic:
أفتقدك ، أعلم أن الموسم الخامس
يمضي قدمًا ، وسنفتقد بالتأكيد
أنت تمضي قدمًا ومرة أخرى
يبدو الأمر كما لو كنا ننتظر إعجابًا
Uhtred لقتل أو Aethelflaed لقتل Aethelred والجميع
فجأة كان لديك موت لم يكن
كذلك
مثل الصيحة. كان مثل oof.
نعم ، من الرائع أن أراك تخرج
مثل هذا أيضًا. [توبي]
نعم لدي ، أعتقد أن بعض
التعليقات التي أحصل عليها والتي
أتلقاها حول العرض هي أن
ومن ذلك بدوره وكونها مجرد مثل لماذا
فعلت
ماذا فعلت؟ لماذا جعلتني
معجب بك قليلا؟
نعم ، أنا
ممتن حقًا لتلك القليلة الماضية
مشاهد.
أتمنى لو أستطيع
أخبرك عن هذه الأشياء لكني لا أستطيع. [كولبي]
نحن نفهم لكننا سنبحث
إلى متى يمكنك
وسنتابع بالتأكيد
منك لأنك حصلت بالتأكيد
على احترامنا بعد أن شاهدنا الأخير
المملكة كممثل ثم
أراك وبعض الأشياء الأخرى
نحن متحمسون جدًا لمستقبلك
أيضًا.
هذا رائع ، شكرًا جزيلاً لك ، نعم من
الجميل جدًا التحدث إليك
نعم ، من الرائع التحدث إليك أيضًا
، وكما قال ستيف ، ستحصل على كل ما لديك
Portuguese:
sinto sua falta, eu sei que a quinta temporada
está avançando, certamente sentiremos falta
você avançando e novamente é como
se estivéssemos esperando por
Uhtred para matar
ou Aethelflaed para matar Aethelred e todos
de repente você teve uma morte que não era
tão
como hooray. era como oof.
sim, é legal ver você sair
assim também. [Toby]
sim, eu tenho, acho que alguns dos
comentários que eu
recebo sobre o show são que
é que por sua vez, e apenas estar como por que
fez
o que você fez? por que você me fez
gostar um pouquinho de você?
sim, estou realmente muito
grato por aqueles últimos
cenas.
Eu queria poder
falar sobre essas coisas, mas não posso. [Colby]
nós entendemos, mas vamos olhar
para quando você puder
e nós definitivamente estaremos acompanhando
de você porque você definitivamente
ganhou nosso respeito depois de assistirmos Last
Kingdom como ator e depois
ver você e outras coisas
também estamos muito entusiasmados com o seu futuro
.
isso é incrível, muito obrigado, sim,
é um prazer falar com você
sim, é ótimo falar com você também
e, como Steve disse, você terá todos os seus
German:
vermisse dich, ich weiß, dass die fünfte Staffel
voranschreitet, wir werden sie sicherlich vermissen
Sie bewegen sich vorwärts und wieder ist es so
, als ob wir darauf gewartet hätten
Uhtred zu töten
oder Aethelflaed, um Aethelred und alle zu töten
plötzlich hattest du einen Tod, der nicht
so war
wie Hurra. es war wie oof.
Ja, es ist irgendwie cool zu sehen, wie du rausgehst
so auch. [Toby]
Ja, ich habe einige von ihnen
Kommentare, die ich bekomme, die ich
über die Show bekomme, sind das
es ist , dass wiederum und ist genau wie warum
tat
Was haben Sie gemacht? Warum hast du mich
ein bisschen wie dich gemacht?
Ja, ich bin wirklich sehr, sehr
dankbar für die letzten paar
Szenen.
ich wünschte ich könnte
Erzähl dir von diesem Zeug, aber ich kann nicht. [Colby]
wir verstehen, aber wir werden suchen
Ich freue mich darauf, wann Sie können und wir werden auf jeden Fall den Überblick behalten
von dir, weil du definitiv
unseren Respekt verdient hast, nachdem wir Last gesehen haben
Kingdom als Schauspieler und dann
dich und einige der anderen Sachen zu sehen
Wir freuen uns auch sehr auf Ihre Zukunft
.
Das ist großartig. Vielen Dank. Ja,
so schön, mit dir zu reden
Ja, es ist großartig, auch mit dir zu reden
und wie Steve sagte, du wirst alles haben
Hungarian:
hiányzol, tudom, hogy az ötödik évad
halad előre, minden bizonnyal hiányozni fogunk
te haladsz előre, és megint olyan, mintha
úgy tűnt volna, mintha hasonlóra várnánk
Uhtred ölni vagy Aethelflaed megölni Aethelredet és mindet
hirtelen halála volt, ami nem
így volt
mint hurrá. olyan volt, mint oof.
igen, nagyon jó látni, hogy kimész
olyan is. [Toby]
igen, megvan, szerintem néhány
A show-val kapcsolatos észrevételeim azok
ez az a fordulat, és csak úgy, mint hogy miért
tette
mit csináltál? miért tettél engem
egy kicsit?
igen, nagyon
hálás vagyok azért az utóbbi néhányért
jelenetek.
Bárcsak megtehetném
mesélni erről a dologról, de nem tehetem. [Colby]
megértjük, de keresni fogunk
előre, amikor tudsz,
és mi biztosan nyomon követjük
mert feltétlenül
kivívta a tiszteletünket, miután megnéztük a Last-ot
Királyság színészként, majd
látni téged és néhány más dolgot
nagyon izgatottak vagyunk a jövődért
is.
ez fantasztikus, köszönöm szépen, nagyon
kedves beszélni veled
igen, nagyon jó veled is beszélni,
és mint Steve mondta, hogy minden megvan
French:
tu me manques, je sais que la saison cinq
avance, nous allons certainement manquer
vous avancez et encore une fois, c'est comme
si nous attendions comme
Uhtred pour tuer
ou Aethelflaed pour tuer Aethelred et tous
d'un coup tu as eu une mort qui n'était pas
si
comme hourra. c'était comme oof.
ouais c'est plutôt cool de te voir sortir
comme ça aussi. [Toby]
ouais j'ai, je pense que certains des
les commentaires que je reçois que je
reçois à propos de l'émission sont que
c'est ce tour et être juste comme pourquoi a
fait
Qu'est-ce que tu as fait? pourquoi m'as
-tu fait un peu comme toi?
ouais je suis vraiment très
reconnaissant pour ces derniers
scènes.
SI seulement je pouvais
vous parler de tout ça mais je ne peux pas. [Colby]
nous comprenons mais nous allons chercher
hâte de quand vous le pouvez
et nous garderons certainement une trace
de vous parce que vous avez définitivement
gagné notre respect après avoir regardé Last
Kingdom en tant qu'acteur et ensuite
pour vous voir et d'autres choses
nous sommes également très enthousiastes pour votre avenir
.
c'est génial merci beaucoup ouais
si ravi de te parler
ouais c'est super de te parler aussi
et comme Steve l'a dit tu auras tout ton
Russian:
материалы, ссылки на которые указаны ниже
всех остальных, пожалуйста, продолжайте
проверьте наши переговоры, у нас еще есть в
пути
и подписывайтесь, лайкайте, подписывайтесь на нас в
Instagram, Facebook и всем прочем.
мы сейчас в твиттере, но
пока прощаемся с The Screen Chronicles и Тоби Регбо
Музыка Колби Гриффина и Итана Павляка
German:
Sachen, die unter
allen anderen verlinkt sind , bitte weiter
Schauen Sie sich unsere Gespräche an, wir haben mehr auf dem
Weg
und abonniere, folge uns auf
Instagram, Facebook all das Zeug.
Wir sind jetzt auch auf Twitter, aber auf
Wiedersehen von The Screen Chronicles und Toby Regbo
Musik von Colby Griffin und Ethan Pawlak
Portuguese:
coisas com link abaixo de
todo mundo, continue para
confira nossas palestras, temos mais a
caminho
e se inscrever, curtir, nos seguir no
Instagram, no Facebook todas essas coisas.
estamos no twitter agora também, mas por
enquanto adeus de The Screen Chronicles e Toby Regbo
Música de Colby Griffin e Ethan Pawlak
Chinese:
链接在
其他所有人下方的内容,请继续
查看我们的谈话,我们还有更多
路要走
并订阅,例如在
Instagram,Facebook 上关注我们。
我们现在也在Twitter上,但
现在从The Screen Chronicles和Toby Regbo再见
Colby Griffin和Ethan Pawlak创作的音乐
English:
stuff linked below
everybody else please continue to
check out our talks we have more on the
way
and subscribe, like, follow us on
Instagram, Facebook all that stuff.
we're on twitter now as well but for
now goodbye from The Screen Chronicles and Toby Regbo
Music by Colby Griffin and Ethan Pawlak
Hungarian:
mindenki alatt linkelt dolgokat, kérjük, folytassa
nézze meg a tárgyalásainkat, amelyek még több
úton vannak
és iratkozzon fel, hasonlóképpen, kövessen minket az
Instagramon, a Facebookon, minden ilyesmit.
most is a twitteren vagyunk, de
egyelőre a The Screen Chronicles és Toby Regbo búcsúztak
Colby Griffin és Ethan Pawlak zenéje
Arabic:
الأشياء المرتبطة أدناه
أي شخص آخر الرجاء الاستمرار
تحقق من محادثاتنا لدينا المزيد في
الطريق
واشترك ، مثل ، تابعنا على
Instagram و Facebook كل هذه الأشياء.
نحن الآن على
Twitter أيضًا ولكن الآن وداعًا من The Screen Chronicles و Toby Regbo
موسيقى كولبي جريفين وإيثان بافلاك
Spanish:
cosas vinculadas debajo de
todos los demás, continúe
mira nuestras charlas tenemos más en
camino
y suscríbete,
síguenos en Instagram, Facebook y todo eso.
También estamos en Twitter, pero por
ahora nos despedimos de The Screen Chronicles y Toby Regbo.
Música de Colby Griffin y Ethan Pawlak
French:
trucs liés sous
tout le monde s'il vous plaît continuer à
consultez nos discussions, nous en avons plus sur le
chemin
et abonnez-vous, aimez, suivez-nous sur
Instagram, Facebook tout ça.
nous sommes sur Twitter maintenant aussi mais pour l'
instant au revoir à The Screen Chronicles et Toby Regbo
Musique de Colby Griffin et Ethan Pawlak
| {
"pile_set_name": "YoutubeSubtitles"
} |
[MUSIC PLAYING]
SARA ZASKE: Hello.
My name's Sara Zaske.
And I'm here to talk to
you about "Achtung Baby"
and how Germans raise their
kids for self-reliance.
I'm really happy to
be here at Google.
But before I start, I'd like
to ask you a few questions.
I know who I'm talking to.
So first of all, how many
of you here are parents?
And it's OK you're not.
Oh, a lot.
Good.
You're in the right place.
How many of you have school-aged
kids, so ages 6 to 12?
Oh, quite a few.
So let me ask you this.
If you have kids aged 6 to
12 or you had them older,
think back to that time.
How many of you let
them walk places
by themselves to the
friend's house, to the park--
I see my allies back there--
or to school?
So just a couple.
As you know, you're very
typical American parents.
The rest of you--
the dominant style
of American parenting
today is high on supervision.
And not just
physical supervision.
I don't know about you.
But I have this nifty
thing back in my home town
called power loop where
I can watch the grades
as they come in in real time.
Well, that's a lot
of supervision.
And we have the best
intentions, right?
We want our kids to be safe.
We want them to succeed.
But we exercise so
much control in trying
to make those two things happen
that we've actually become more
controlling than German parents,
which sounds like an odd thing
to say.
Because when we think of
Germans, what do we think?
Strict people, right?
Very exacting people,
rule following.
I had all of those ideas in my
head when I moved to Germany.
But very quickly, I
learned that what I thought
was not exactly correct.
When I first moved to Germany,
my daughter was 2 and 1/2.
And we lived there
for 6 and 1/2 years.
And one of the first
things I noticed
was how Germans interact or
don't interact with their kids
on the playground.
One story that I tell
often, because it
was so shocking to me, was
I was at the playground
with my young daughter.
She's was still
about two or three.
And another kid who
was eight or nine
had climbed on outside of
a playground structure.
And it was really high.
And he's dangling
there by one hand.
And there's a good 10 feet
below him to the sand.
And I stand up, and I
go, "achtung," which
means attention, watch out.
Where is this kid's mom?
I'm looking at all
the other adults
at the edge of the park drinking
coffee, not worried at all.
And by the time I
turn back, the kid
drops down, looks at me like
I'm crazy, and runs away.
And then I thought, huh,
there's something going on here
that I don't quite understand.
And I found myself having many
of those kinds of experiences
in Berlin, where I'm the
one yelling "achtung"
and running after
the kids or thinking
I've got to watch them
on every playground.
And I started to think,
why am I so afraid?
Or better yet, why are
the Germans not afraid?
So I'm not going
to talk too much
about what's wrong
with American parenting
because I'm sure we've
heard it all, right?
Some people call it
helicopter parenting.
Some people call
it overparenting.
I think the most precise
term that I've heard
is from psychologist Peter Gray.
And he calls it,
protective-directive parenting.
And I would add that I think
it's primarily based on fear.
We're afraid for our kids'
safety, so we protect.
And a lot of that protection
involves restricting.
You can't walk alone.
You can't play alone.
You can't do anything
that's vaguely dangerous.
The direction part comes in our
fear for their future success
or failure.
So we direct all
their academic grades.
We watch their grades
really closely.
And if they start
to flounder, we
get on the kid or we
get on the teacher
or we have a meeting
with the principal
and we make sure they fill
out their academic resume
with plenty of extracurricular
sports or violin
or learning a language.
And that style of parenting
doesn't leave a lot of room
for the kids to make
choices or mistakes.
And taken to its extreme,
some American parents
protect and direct
through adolescence
and into young adulthood.
And that doesn't leave
a lot of opportunity
for the kid to become
an independent adult.
But one place that they
don't do this is in Germany.
Oh, I forgot this.
Pardon me.
But for those of you who
are parents-- most of
you are parents here.
I don't think of raising
kids as a side issue.
This is something that is
important for all, all of us.
And it sounds cliche, but
children are literally
the future.
When we get older, they're
going to be the ones
running the economy,
making the decisions,
hopefully founding the
next innovative idea that
changes our lives.
And so with that
bigger perspective
in mind and your own
personal perspective,
I'd like you to consider
these two lists.
So which is more
important to you
for children to learn,
obedience or self-reliance,
if you had to choose
between the two?
Respect for elders
or independence?
Being well-behaved
or being considerate?
Good manners or curiosity?
I'll give you a moment
just to think about it.
And some of you may have
seen this list before.
It's not mine.
It's a list that
researchers use to determine
how authoritarian you are.
So if you chose
the first column--
obedience, respect
for elders-- if you
chose more of
those things you're
more authoritarian
in your worldview.
If you chose the second column--
self-reliance,
independence, curiosity--
you're less authoritarian.
Now, I'm going to
take a wild guess.
Because we're here
at Google in Seattle.
Most of you probably took
self-reliance, independence,
that call.
That's great.
And those are all
very American values.
However, if you parrot in that
dominant, directive-protective
style that I just
mentioned, you're
actually reinforcing
the first column.
Because in order
to do that, you're
asking for a lot of the
obedience from your kids,
a lot of respect for elders,
and good behavior instead
of their own initiative.
So as I said before,
the one place
they don't do this, this
first column, is Germany.
And while I had that
stereotype of Germans
as being the strict,
overbearing parents,
that's true in the 1940s.
Things have changed a lot
in Germany since then.
And in fact, World
War II prompted
a big reaction against
that kind of parenting
and really against
everything the Nazis did.
The generation that
came after them
who were growing up in
the 1960s really rebelling
against their parents.
I mean it was going on here too.
But the Germans
really had some things
to rebel against of course,
including how their parents
raised their kids.
So there was even an
anti-authoritarian movement.
And some people opened
up daycare centers that
had absolutely no rules at all.
And I've seen some videos
of those daycare centers.
And they're pretty wild.
And things have come
back a bit then.
German parents are much more
moderate than that extreme.
However, you would be
really hard-pressed to find
many German educators
or parents would
advocate for a strict,
controlling way of dealing
with kids.
And some evidence to that
fact is, around 2000, they
banned corporal
punishment, which means,
it is illegal to spank
your child in Germany.
And when you think
about it, that's perhaps
the most authoritarian
thing you can do to a child
is your physical power
over them to try to force
them to do what you want to do.
So while they may be
anti-authoritarian,
German society is anything
but a wild bunch of people
just running around in chaos.
So how do they do it?
How do they manage to
raise kids who are not only
independent, but responsible?
The good news is that
you do less, not more.
The bad news is that doing less
can be really, really hard.
Whenever I talk
to German parents
and say, how can you let
your kids walk to school
or take the subway
by themselves,
they say, I'm afraid.
I hate it.
But I have to.
Because if I'm always with them
and I'm always hovering over
them, they'll never have a
chance to learn independence.
So they don't just throw their
kids out there, give them
a subway ticket and say, find
your way or go find school.
They spend a lot of time
preparing their kids
to take on each new
step of responsibility.
And one example of this
is walking to school.
In first grade, I walked my
daughter to school every day
about 900 yards through
busy city streets of Berlin.
There is about 3.5
million people there.
And at the end of first grade,
they had a little course,
her teacher did,
on traffic safety.
And they showed her the [GERMAN]
outside the school, which
are like the crosswalks
and basically
the whole area
around the school.
And after that, I was
supposed to let her try
to walk to school on her own.
And I thought, hm, she's
seven, and I'm American.
We are not doing that.
And so ashamed to admit,
I walked her every day
through most of second
grade and part of third,
while all her other friends
were walking to school
by themselves.
And one day, she
finally said to me,
you know, mom, I can do this.
And I said, well, the traffic.
And there's these
seedy guys who hang out
in the corner in the afternoon.
And I don't like that.
And she said, mom, all my
friends do it and they're fine.
Now, I hate the "all
my friends" thing.
However, she did have a point.
While I was walking my
daughter to school every day,
her best friend was biking
from much further away.
And every day she would
cross a really busy street,
Frankfurter Allee.
And she still does, as I
know, and she has not yet
been hit by a car.
So there is some evidence there.
And then I did eventually let
my daughter go walk to school.
And when I did, it
was transformative,
not just for her, but for me.
For her, all of a
sudden, it was easier
to go to school in the morning.
She got herself up, got dressed,
made a snack, packed her back--
so proud.
Said goodbye to mom at the door.
And for me it was like,
oh, this is really my job.
I thought my job was to
make you completely safe
and to make sure
that you succeed.
But really my job
is to teach you how
to do things and then let go.
So the German method is
to prepare their kids--
instead of trying to
keep them 100% safe,
but to prepare them to
manage risk themselves.
Because if we really
admit it to ourselves,
there is no way that we can
make the world 100% safe
for our kids.
That's just not the
nature of the world.
The best thing that
we can do for them is
give them the skills they need
to manage risk on their own.
And one way Germans do
this from an early age
is through playgrounds.
There we go.
And not this playground.
This playground is in a
typical American playground.
Does it look familiar?
You could probably find
this in any city in America.
It's plastic.
It's short.
The slides are plastic,
so they're not very fast.
There is not a whole
lot of risk to be
had here, except for
maybe a three-year-old
or a four-year-old.
After that, it's not
even very interesting.
This is a more typical
German playground.
And I say typical.
But I have never seen one German
playground that was exactly
the same as another,
which you can't
say about American
playgrounds unfortunately.
But some of the typical
elements they have are towers.
And they're much
taller than ours.
And they have different
ways of getting
to those towers that are
sometimes a little dangerous.
Here's an example.
That's my daughter up there.
And you can see from the
height that it's at least twice
as tall as she is.
And she's on a log with
just a rope to hang on.
So there's a lot of
chance to fall there.
So she's learning right there
how to manage some risk.
And not only are they more
dangerous or more risky.
They're more fun.
I mean, what's more
fun, this or this?
Now, this one's
actually in Bavaria.
A friend sent it to me.
And that kid is up kind of high.
This is more of a
side view of it.
These climbing rope
triangles are fairly common.
And if you see at
the end, that tail--
this whole thing is
sort of like a snake.
That tail is a slide.
So the reward for
climbing up there
is you get to go down that
really fun slide, which
might be a little scary.
Now, I was lucky enough
that, in our neighborhood,
we had something
called [GERMAN]..
And that's the
[GERMAN] right there.
Now, this dragon has
since been torn down.
And then they built another one.
But it's not only high.
It has a scary look to it.
It's got these big red teeth.
And the kids can actually
climb up into those teeth.
They can also hang out in
this gullet right here.
And they're two enormous slides
that go down the side-- metal,
so they're fast.
My daughter was
terrified of this thing.
She would not go near it.
Of course, she was really small.
That was her when we
first arrived in Berlin.
And this is the area in
front of the dragon, which
has some swings and some other
things that you can climb.
And for years, she would only
play around with the dragon.
The most she would do with
it would be go up the back
and down again, and up and down.
And that was it.
So flash forward two years,
I've got a new baby boy now.
And I'm watching him a lot
more than I'm watching her.
And I hear, mama, mama, mama.
And I'm like, ugh,
she's hurt herself.
I wasn't watching her.
Oh, my gosh.
But then I look up,
and she's in the teeth.
And then she comes
down the slide.
And when she stands on
it, you can just see it.
She had conquered her fear.
I didn't make her do it.
She did it all by herself.
And I think that's a really
important step for a child
to take, even when they're
five, is to face something
that they're afraid of and
to overcome it themselves,
and in their own way.
I mean, she was working
up to that point,
I think, for a long time.
And I'm a little afraid
that American kids don't
get a chance to conquer a
dragon very much anymore,
at least outside
of a video game.
This picture was taken actually
several years after that,
because you see there's
another little face up there.
And that's her brother.
So I guess if you have
a brave older sister,
you get pushed to do
things a little bit faster.
But another really important way
that Germans prepare their kids
is through using dangerous
implements that we normally
don't.
And there's none that is more
stark of an example than fire.
What are we taught about
fire when we're kids?
Don't play with it.
Don't play with matches.
If you ever seen a
lighter, go tell an adult.
That's not for kids.
That's not the prevailing
wisdom in Germany.
In fact, my daughter came
home from first grade one day,
and she said, mom, I would
like to light some candles.
Because she had learned how
to light matches in school.
And that was quite
shocking for me.
But she had the note
from her teacher.
And the idea behind
this is that Germans
think it's safer
to teach a kid how
to use something
that's potentially
dangerous than to prohibit it.
Because when you
prohibit, there's
a great amount of children,
especially when it
comes to fire, who
will try it in secret.
And of course, in secret is
dangerous because it's secret.
And because they have
no capability at it.
You actually have to
know how to hold a match.
A lot of young kids
will hold it like this.
And the fire burns
their fingers.
And then they drop it.
And then maybe something
catches on fire, right?
And their first thought,
if it's prohibited,
is, I'm going to get in trouble.
And then they run, or they hide.
And that's how a lot of
child-started fires happen.
Now, there is a
man in [INAUDIBLE]
who is a pioneer in this area.
And he teaches kids who
are even younger than seven
how to light
matches and candles.
But not only how to light
matches and candles,
but how to make bonfires.
Now, [INAUDIBLE],, he's kind
of an interesting character.
Because he used to
be a fire artist.
And he once burned the
Berlin Wall in the 1980s.
He has since got a second career
as a fire safety instructor.
And his idea of fire safety
is to teach very young kids,
ages 4, 5, and 6--
this is at a [GERMAN],,
which is like a daycare center--
how to deal with fire.
[VIDEO PLAYBACK]
- [SPEAKING GERMAN]
[END PLAYBACK]
SARA ZASKE: What I love
about this video so much is,
not only do you see these
small kids making fire,
but you see them sawing
things using an ax,
cutting food, and cooking it.
And I think it really
challenges our notion
that kids are
incapable and that they
need everything done for them.
With a little instruction,
they seem to manage quite well.
Now, these kind of workshops
are everywhere in Germany.
They're more common in
Berlin and Brandenburg.
But before you think [INAUDIBLE]
is a complete crazy man,
he has the backing of
insurance agencies,
child safety organizations,
and the Berlin [GERMAN],,
the city fire department.
And when I think back to
when I saw a firefighter come
to my elementary
school, they stood
at the front of the classroom.
And they told me not
to play with matches
and how to stop, drop, and
roll, which are all good things.
But never did I make
a fire with a fireman,
which might be
quite an experience.
So the German way
of dealing with fire
is almost the complete
opposite of ours.
However, I have
found no evidence
that child-started fires are of
any greater number in Germany
than they are here where we
have a lot of prohibition.
So that begs the question
then, if we're prohibiting it
and it's not working,
then why are we doing it?
And what is being lost
through that prohibition?
And I think, if you saw
those kids in that video,
they were incredibly engaged.
Kids are very
fascinated with fire.
And some people even
think we're evolutionary
wired to be fascinated
by fire because we used
to depend upon it for so long.
But this is also an opportunity
for learning, really intense
learning for them.
And that's another subject that
we are very concerned about,
right?
We all want to know what
makes children succeed.
Out here in the US,
we have pushed down
a lot of conceptual
learning into kindergarten
and to preschool.
And we do worksheets and
flash cards with kids.
In fact, Americans are
famous for trying to push
learning earlier and earlier.
The psychologist
Jean Piaget once
called it the "American
question" back in the 1970s.
And that question was,
can we do it faster?
How can we do it earlier?
And he didn't answer
that question, why do you
want to do that earlier?
And I have to say,
I'm guilty of it.
Because back in the US
before we left Germany,
I had this brilliant
little daughter
who could speak at
a really early age.
And I thought, she's a genius.
I got to help her.
And I started to teach
her how to spell.
I taught her to spell her
name while we were swinging.
And I would swing
her back and forth.
And she'd say,
S-O-P-H-I-A, Sophia.
And I was like,
oh, that's great.
I'll try something else.
OK, Sophia, let's spell mommy.
And she would say,
S-O-P-H-I-A, mommy!
So we may be able
to get young kids
to repeat back to us a lot of
things, including math facts.
And you may even be able
to get them to read,
which, by the way, has
very little evidence
that it gives them an
advantage later on.
In fact, there was a study that
compared early readers of four
or five with later
readers of more
the traditional seven or eight.
By the time both
sets got to be 11,
the late readers had caught up.
So again, if it doesn't
give them an advantage,
why are we doing it?
And more importantly,
what are they
missing while we are trying
to cram reading and math
at an early, early age?
And I would argue that
they're missing play.
And play is so essential.
All mammals do it, including us.
And it's kind of the
primary way that we learn.
In kindergarten, which
was invented in Germany,
at least there,
Frederick [INAUDIBLE]
had the idea that child
learning would take place
in a kind of Eden.
Thus, the "garten"
in kindergarten.
And that play was essential.
And they've had some
changes in kindergarten.
But they are back to that model.
And all they do in preschool
and kindergarten is play.
And when the ambitious
American in me
got nervous about that,
they would tell me,
really, they are learning.
They're learning social skills.
They're learning how to be
creative, how to be leaders,
how to have self-control.
And a lot of the
kindergartens there
practice what's
called the [GERMAN]
or what used to be known here
as the observational approach.
The teachers would step
back and watch what
was going on with the kids.
And this is one example.
Every year in the
"garten" at our [GERMAN],,
they would have a lot
of chestnuts come down
from the trees.
And the kids love them.
They would cram their
pockets full of them,
take them home, take
them in the inside rooms.
Rather than fight
it, they said, go.
Get all of them that you can.
And they bring them
in to play with them.
Now, I'm sure there's some
math skills going on here.
But they're not
very [? formal. ?]
The other kinds of
things that they would do
is they would do
projects with the kids,
but only projects that
kids chose themselves.
So they would have a little
meeting, and they'd say, OK,
what should our next project be?
And kids would throw out
ideas, and they vote on them.
How democratic, right?
And then they have
the kids throw out
all the questions they have
about that particular idea.
For instance, they did
a body project one year.
And so kids wanted to
know, how do the eyes see?
How do the ears hear?
The heart beats?
What's my skeleton look like?
And so after that, for
over a period of weeks,
they would investigate it.
They'd get books.
They'd watch videos.
They'd bring in an expert like
a doctor or go on a field trip
to a museum.
And through that
process, they're
learning how to engage
their curiosity.
And they're really
learning how to learn.
And this whole emphasis on
play and self-directed learning
goes on through
elementary school,
so until third or fourth grade.
And if that worries
you, consider
that German teenagers,
by the time they're 15,
do much better on the
International PISA Test
than Americans.
That's math,
science, and reading.
So maybe our
emphasis on academics
so early might be misplaced
and that maybe the kids
need more of a foundation
of this kind of exploration.
Oh, the last method
of preparation,
I just wanted to touch on
briefly, is information.
Germans are much more
open with difficult topics
with their kids than we are.
And these are things like sex,
religion, death, all of which
my daughter had
projects on in school
by the time of third grade.
And of course, for Germany,
the darker parts of history
is a huge topic.
But just to give you one example
for sex education, in Germany,
it's mandatory.
You cannot opt your child
out of it for any reason,
not even religion.
Because they believe
the kids have a right
to know how their
body works, which
I don't know how you take that.
But when I looked at the
statistics, in the end,
teenagers in Germany
are no more sexually
active than American teenagers.
In fact, the statistics
are almost identical.
The big difference, however,
are in other very important
statistics.
Germans have a much lower
rate of teen pregnancy,
a much lower rate
of teen abortion,
and a much lower rate
of HIV incidence.
So no matter what my morality
is around sex and my kids
having it at a certain point,
that information is powerful.
And it has the power to help
them protect themselves.
So then the big question.
How do we do any of this here?
We have a very different
culture, right?
And I have to admit there
are some things that
happen in German society
that are society-based.
And making changes in our school
system or our preschool system
or even getting a more exciting
playground down the street
would take a lot of effort
by a group of people.
But there are several
things that we can
do as parents and as citizens.
And one of the first ones
is what we talked about
in the beginning--
letting your kids learn to
navigate their own world.
A child of seven,
eight, or nine is
very capable of
taking themselves
to a place, especially
one that they
go to often, like a
friend's house, the school,
or the playground.
And if it makes you nervous,
try it out the German way.
Go with them a lot of times.
Teach them traffic.
Talk to them about strangers
possibly approaching them.
Though you should emphasize
it doesn't happen very often.
And if it still makes you
nervous, find them a buddy.
Because two kids
walking down the street
feels a lot safer than one.
And it also helps if there are
siblings involved, I think.
Another thing that
we can do as parents
is to make time in every
day that the kids get
to decide what to do with it.
And because we have a longer
school day now and homework
and then extracurricular
activities,
some kids can go
from first thing
in the morning to
the evening never
being able to decide
what they want to do.
So for us, when I do
this with my kids,
it usually means playing.
And it's very
important for them,
I think, to play every day
as it is to get outside,
which is also a German value.
And that's not something
that's too hard to do either,
though it does require
a push a little bit.
And another idea is
to give them some life
tasks, even at a young age.
My daughter does her
own laundry, which
means I put a bin in her room.
She fills it.
When it's full, she does the
laundry and has clean clothes.
I really like this
one because it
has very natural consequences.
I don't have to nag.
When she doesn't do her laundry,
she doesn't have clean clothes.
And for a while,
she didn't care.
But now, she
really, really does.
And it gets done.
And other things like
this are waking yourself
up in the morning.
Cooking also has very
natural consequences.
And they tend to be
very engaged, especially
if you couch it as teaching you
how to take care of yourself.
It's not necessarily a chore.
It's a bit of a step
towards independence.
And if we teach our kids these
smaller things now at this age,
they get to have a growing
sense of capability.
And as they get older, we
can give them more and more
responsibility so that
it's not such a shock
when they become 18.
I don't know about you,
but I did know some people
in college who had
never done laundry, who
had never made a pot of rice.
And they're missing out a lot.
They have to catch
up really fast.
And last, but not
least, is the idea
I brought up here about being
more open with your kids
about difficult topics.
They can handle it.
And I want to tell
you a short story
about World War II in Germany.
You can't avoid the topic of
World War II in the Holocaust
if you live in Berlin especially
because it's everywhere.
Your kids are going to ask you.
They'll see these
little gold [GERMAN]
in the street that memorialize
people who are taken off
to die in concentration camps.
And whenever I ask my
German friends, the adults,
about World War II,
they would tell me,
I cannot remember a time when I
didn't know what my country had
done.
And that really
affected me because,
if they couldn't remember
when they didn't know--
they must have been five maybe,
six when they learned about one
of the biggest crimes
in modern history
that their own culture had done.
That's a really heavy issue.
And those kids were about
as old as those kids
you saw making the
fire and using the ax.
So I think our kids are
more capable than we realize
or that we give them credit for.
They're more capable of
handling physical freedom
and handling tough,
intellectual,
and emotional subjects.
And that's the idea I'd like to
end the presentation with here.
I think, if we as parents
can get a handle on our fears
like the Germans do
and step back and give
our kids the space
they need, then
they can grow up
to be independent,
self-reliant adults.
Thank you.
[APPLAUSE]
AUDIENCE: Hi.
SARA ZASKE: Hi.
AUDIENCE: Do you have
any advice for parents
who would like to give
their kids more freedom
but are concerned about
things like your kids
getting taken by CPS as happened
to that couple in Maryland?
SARA ZASKE: Right.
Absolutely.
I mean, we do have that problem.
Germans have a sense of
community in the sense
that, if their kids
gets in trouble
that people will help them.
And here we've come
to a part of society
where people tend to
call the police on you.
The best advice
I can give you is
to try to know your community
and talk to your community.
That means talking
to your neighbors
and the fellow parents.
And let them know
what you're doing.
My kid really would like
to try walking to school.
I'm going to let
them do it tomorrow.
And you can get them in on it.
If they're a busybody, be like,
could you look out your window,
make sure they're OK?
I think if we start
to draw people in
to be proactively helpful
instead of negative,
then perhaps we can
start to build that here.
AUDIENCE: Thank you.
SARA ZASKE: Your welcome.
AUDIENCE: How did
you get your daughter
to start caring about not
wearing dirty clothes?
SARA ZASKE: It was
actually pretty natural.
There was a little
bit of rebellion.
I don't care, for a bit.
And then her favorite
shirt wasn't washed.
And it just kind of happened.
Yeah.
AUDIENCE: So I've
actually been thinking
about a lot of these
issues for a long time.
I have a 3-and-1/2-year-old and
I've been trying to introduce
her to things that I,
as an overprotected kid,
wasn't able to do until much
later but I feel like she can.
What I've been
trying to figure out
is kind of at what
ages to do what things.
And it feels like a
lot of the resources,
especially on the
internet-- ugh--
in America for
determining when is
a reasonable safe time where,
like you said, five or six
for fire.
Can you recommend any
resources for figuring out
how much earlier than the
American very conservative
norms different
things could be moved?
SARA ZASKE: Well, I'm
really reluctant to say
that any specific age is
good for a specific task.
It's really important to see
when your kid is ready for it.
And often, they'll tell you.
You can suggest some things, and
they'll be like, ugh, no way.
And I don't recommend forcing
a kid who's reluctant.
If you wanted to start with
cutting up potatoes together
and they don't want to touch
the knife, I would wait.
They'll come back.
And I'll tell you a short story
about my son in the first time
he wanted to walk to school.
He was 6, and we
were in America.
And he actually
wanted to walk home.
I had driven that day.
And he had no interest
in getting in the car.
And that first time
he ran the whole way.
And he was scared.
He didn't really tell me he
was scared, but I kind of knew.
And then he didn't ask again
for two or three weeks.
Then when he did
it the second time,
that's when it clicked for him.
And today, he
walks all the time.
So I would think suggesting
some things your kids
and see if they're into it.
And then if they
go for it, yeah.
But if they don't, back off.
Walking to school, the Germans
do it at about seven and eight.
The Fins do it at four and five.
So it's kind of a
cultural thing as well.
AUDIENCE: Do you have any
thoughts, observations of how
Germans teach responsibility?
So for example, you give an
example of kindergarten--
just play all day.
But do they get taught
like cleaning up.
It's not a very
natural consequence,
like dirty clothes.
So just wondering what your
thoughts are and observations--
SARA ZASKE: Sure.
AUDIENCE: If there's
any differences.
SARA ZASKE: It was
fairly freeform.
The kindergarten we went
to had very few rules
that the kids didn't
make themselves.
So they actually would
sit the kids around
and go, what should be the
rules for our [GERMAN]..
And one kid will say, don't
climb on the furniture.
And she'd say, why
don't you do that?
She's like, I don't want
your dirty feet on it.
Or don't hit other kids.
Well, that's a
really natural one.
Why?
Because it hurts.
The second answer is
always the most powerful.
Other kids won't want
to play with you.
So they learn some
responsibility
just through the
interaction with each other.
Now, if you're thinking
our parental interactions
with them, all
this responsibility
is rescindable, this freedom.
So if they are being allowed
to walk to school and instead
on the way home they
stop at a friend's house,
then you say, OK, then
maybe we need to take
a break from it for a while.
And I think kids,
in that sense, they
get a little bit of freedom and
then the accountability for it.
So that when they're
older, they're
not just going out
there and going crazy.
AUDIENCE: The most amount of
[INAUDIBLE] to give my kid
is for food.
Because if I let him
pick what he needs,
like if I have grains,
vegetables, and fruit,
[INAUDIBLE] I'm done.
Later in the evening, he'll
ask for something else.
So I don't know how to manage
that, teaching him such control
and responsibility [INAUDIBLE].
SARA ZASKE: Food is a hard one.
But I've heard that--
if you think about the
food you hate most in life.
For me, I'm really not a
big fan of Brussels sprouts.
Not for any particular
reason, but because I remember
being forced to eat them.
And they have that
connotation on it forever.
So I would urge you not to
force them to eat anything.
I'm always a big fan
of continuing to offer.
You only put out on the table
what you want them to eat.
But then he gets to
choose from that.
And of course, the sweets
are only for treats and not
for all the time.
The Germans do this a little
bit just through the way
they do school lunches.
Nobody brings their own lunch.
So they have two choices
usually, a vegetarian
and a non-vegetarian.
And if you don't like
it, you go hungry.
So kids tend to eat
if they're hungry.
AUDIENCE: Thank
you for the talk.
This is actually really nice.
My question is-- so if you
look at culture around here
in the US.
So for example, there was
a movie [INAUDIBLE] called
"Kidnap" with Halle Berry.
SARA ZASKE: Ugh, yeah.
AUDIENCE: It was
on accord of her
taking her eyes off
her kid for a second
and the kid got kidnapped.
And then [INAUDIBLE]
and all that stuff.
My question is-- so if
I see a movie like that,
I'm less reluctant to
let my kid walk to school
or lay on the playground
unsupervised for a second.
So how do you reconcile with
an environment like that?
Because I'm assuming,
like in Germany,
they have a lot more control
over their media, or at least
that's the perception
that I have being here
that they can prevent movies
like this from coming out.
Saying, hey, don't
show things like this.
[INAUDIBLE] kids walk
to school on their own.
So how do we reconcile this?
Thank you.
SARA ZASKE: It is a
different media environment.
I don't know that they
control it so much.
But there would not be as much
interest in that kind of movie.
We like to scare
ourselves a lot here.
What I really wish would
happen in our media
is that, whenever
they tell us one
of the real stories of
a kid being kidnapped
that they put it in context.
And as a formal
journalist, I wish
we could require this because
you're always supposed
to put things in context.
A little more than
100 kids get kidnapped
by strangers every year.
Absolutely every
story is horrific.
It's every parent's nightmare.
But we have 77 million
kids in this country.
Something happening to 100
kids is an aberration, not
a thing that happens every day.
And if we knew that, if we
keep thinking about that,
I think we might
change our behavior.
And one other short
story if I may.
The far more common scenario
of a kid being sexually abused
is by someone they know.
And it's usually a man.
And that man wants to have a
relationship with your child.
Now, the child that has
been very constrained
and told to obey adults and
respect their elders all
the time is much easier
prey to a person like that
than a kid who's been
raised to be independent,
is able to say no to adults.
So there's a really
strong argument
right there for making
your kid more independent
actually protects them.
AUDIENCE: OK, I come from a
slightly different perspective.
[GERMAN] So as you
see, I'm from Germany.
And when we moved
here, the school system
here does not really like if
your kids have these values
that you propagate here.
So for your own
children and in general,
how do you propose
that the school
system and this
kind of education
really works together?
Because for our kids,
it's very interesting.
So for example, things like
the Pledge of Allegiance
in elementary school.
This was pretty scary
from my perspective.
But all this value on secondary
virtues like being on time,
having all your work
done and, well, all
this control that you mentioned
that does not really go well
with this style of education.
SARA ZASKE: I've handled it
a couple of different ways.
I've had teachers who are
receptive to it and schools
that are.
I tell them my kids
are allowed to go home.
Sometimes I have
to write a note,
because we're a very
litigious culture, saying
that they have my permission
to do these things.
And sometimes I get a
little passive aggressive.
I have a teacher--
kids do not need to do
homework in elementary school.
I'll say that there are
no grades, especially
until third grade.
And there's no proof
that doing homework
helps in elementary school.
And I have had arguments
with teachers about this.
And other times, I've just
said to my son, don't do it.
You don't have to
do the homework.
And if you want to
do it and you want
to bring me the
little piece of paper
that I'm supposed
to sign, which is
a really interesting transfer
of responsibility, you can.
And the moment he does
that, he'll probably
have passed some bar.
But I don't let them
make me control him.
Does that make sense?
AUDIENCE: OK.
SARA ZASKE: Yeah.
Any other questions?
AUDIENCE: Do you have any
theories on how American
culture developed this way?
SARA ZASKE: Yeah.
Unfortunately, I
only have theories.
A lot of it is the media
and those scary stories
and scary movies.
I mean, we have a show.
I think it's called
"Law and Order--
Special Victims Unit"
where every week a child
is in some horrific situation.
And it gives the impression
that this happens often.
I also think that we have
a very competitive culture
and always have.
So we are so worried
about our kids' success
that we think we need to start
them on that treadmill early.
And it's actually had
some very bad results.
Because if you're
a kid and you're
working really hard in
kindergarten and in first grade
so that you can work really
hard in middle school
and high school so you can
get into a good college
and worked really hard to get a
good job so you can work really
hard, that can be
very depressing and
anxiety-producing.
Where is the moment
for enjoyment
and the meaning of life really?
Is it just to constantly compete
and be the best and make money?
Or is there something else
there that's of value?
And I think if we
change our view on that
and how we communicate
with our kids,
it could help them out a lot.
OK, should we break
at this point?
SPEAKER 1: Any more questions?
AUDIENCE: What's in the book?
SARA ZASKE: What's in the book?
Some of those
stories I told here.
It's a research
memoir, so it's partly
my stories and experiences.
And it's partly I talked
to a lot of experts
and looked at studies as well.
And I would say
it's part manifesto
because I'm trying to make an
argument that we should give
our kids more independence.
SPEAKER 1: Thanks
for coming everybody.
[APPLAUSE]
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how to win in 15 sec
a team
a death
a help
a victory
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This video is part of a series using the Marvel
Cinematic Universe as a lens to learn about
the Enneagram and the Enneagram to learn about
the MCU!
You can watch it in whatever order you want,
you’re the boss of you, but if you’d like
to start at the beginning, you can find the
full playlist at the first link in the description
or in the card up here.
Today we’re gonna talk about Thor, and we’re
gonna talk about Enneagram Type Three, The Achiever
Type Three’s basic desire is to feel worthwhile,
accepted, and desirable, and their basic fear
is of being worthless and without value.
This desire for acceptance often leads them
to pursue success, however that is defined by
their family, peer group, or culture.
They tend to be tremendously driven and disciplined
people, but since their sense of self-worth is
so rooted in other people’s perceptions
of them, they can grow to be entirely
out of touch with their own interests and
desires.
And this is where we get to start digging
into the really good stuff of how the Enneagram
can illuminate a story.
Because Thor’s arc is… well, it’s kind
of a mess, just, the good kind of mess.
We see him at rock bottom, and we see
him at something approaching his best, but
we don’t get them in that order.
Thor gets thrown at the perfect challenge
to help him grow right out of the gate, spends
some time developing and gets good, and then,
when he hits a series of major roadblocks...regresses,
even further than where we first met him,
and is just starting to put the pieces back
together at the point where last, dear reader,
we left him.
Thor is less like an eagle carving out a straight
line from OK to worse to best, than he is like a butterfly
flitting around on the changing winds around
him.
In other words... the MCU’s literal
god, is...human.
[epic theme music]
As a personal gift to me, Thor’s presence
in the MCU kicks off in his childhood, with
an X-ray of the precise anatomy of the chip
on his shoulder and the old block it came off of.
And Odin is… not subtle about this.
[Odin:] Both of you were born to be kings.
For Threes like Thor, this
kind of message, even if not so literal or
direct, can have a lifelong impact.
[NerdSync's Scott Niswander reads the onscreen text]
Odin makes it incredibly clear that Thor has
a purpose in life, and a duty to live up to
that purpose, and a clear metric for success.
[Odin:] Only one of you can ascend to the throne.
Not only that, he gives him an actual physical
manifestation of his worth to society.
And so, Thor has a clear blueprint for the
rest of his life.
Some of this cultivation involves ineffectual
and easily exploited egocentric image management,
[Laufey:] Run back home, little princess.
[Loki:] Damn.
but a lot of it
is also about genuinely understanding what’s
important to people and making it happen.
[Thor:] Fandral! Hogan! Who led you into the most glorious battles?
[Thor:] And Volstagg? To delicacies so succulent, you thought you'd died and gone to Valhalla?
[Thor:] And who proved wrong all who scoffed at the idea that a young maiden could be one of the fiercest warriors this realm has ever known?
Just, you know, with at least one eye toward how it reflects on him that he did that,
[Sif:] I did.
[Thor:] True. But I supported you, Sif.
and how to leverage it to get what he needs down the road.
In this case, to get his friends’ help with
the thing that will make him valuable to his
father: saving the kingdom from the frost
giants.
See, Dad makes a respectable “do as I say,
not as I do” effort,
[Odin:] A wise king never seeks out war, but, he must always be ready for it.
but Thor, like so many children,
sees right through to the unspoken message
at the heart of his father’s war stories.
[Thor:] When I'm king, I'll hunt the monsters down and slay them all, just as you did, Father.
[Thor:] My father fought his way into Jotunheim, defeated their armies, and took their casket.
Kings are war heroes.
I can prove that I am worthy to be king by
destroying my kingdom’s enemies.
And so, first grownup chance he gets, he tries
to.
He wages war, and he makes damn sure that
he is the hero of this battle, no matter who
thinks it’s a bad idea.
But, well, dad.
Dad thinks it’s a bad idea, and he takes
away that toy that manifests his approval,
and strands him on a planet full of mortals.
Ugh.
So Thor spends a good chunk of the movie just
trying to get back to the fancy toy - if he
has the toy, he is worthy! Done!
And since he obviously embodies all of the
traits of an admirable, valuable, worthy Asgardian,
all he needs to do is find the hammer, head
back home, and shove it in dad’s face, and
in the meantime he can laugh at all of these
silly mortals who think they’re worthy to
wield the mighty Mjollnir.
But then he finds the hammer and...he can’t
lift it.
And the fight goes out of him immediately
in a way that reveals a major issue for Threes:
at their core, they are deeply insecure about
their own worth.
And, it gets worse. Loki arrives to tell him
that his father is dead with the precisely
the kind of
[Loki:] You mustn't blame yourself.
that says, yeah, you definitely should, that
his mother absolutely blames him and never
wants to see him again, and that the role
he has been raised to fill, is now Loki’s.
And just like that, we’re looking at a Red
Flag.
As long as Mjollnir was stuck in a crater
somewhere and lifting it was an abstract concept
and the fallout of his invasion of Jotunheim
was happening off in the distance where he
couldn’t see it, Thor was able to convince himself that this was all just a mistake, a misunderstanding,
an arbitrary fetch quest, his father being
a dick, whatever.
But now that he has incontrovertible proof
that he really did f*ck everything up for
everybody, Thor is forced to confront the
possibility, the reality, that his father
was right to send him away, that his misguided
pursuit of success actually has made him unworthy.
With his whole sense of self destroyed and
no outline for a new set of goals to take
its place, Thor is completely lost.
[Thor:] For the first time in my life, I have no idea what I'm supposed to do.
But luckily,
he isn’t alone in this moment.
When Selvig rescues him, and specifically
when he pretends that Thor is a researcher
on his team, he is unwittingly inviting him
into one of Type Three’s most important
practices of growth:
Finally convinced of his exile from Asgard,
Thor says yes to this opportunity to bloom
where he’s been re-potted and support the
people in front of him.
He turns his focus from reclaiming his own
accolades to supporting Jane’s work, even
getting a little domestic.
Even when his friends arrive and want to take
him back, even when a uniquely otherworldly
threat lands on this mortal planet, he focuses
on the tasks he can complete in support of others.
[Thor:] I'm just a man. I'll only be in the way, or worse, get one of you killed. But I can help get these people to safety.
There’s a quick moment he has with Sif,
one that’s easy to toss on the pile of shrinkingly
noble moments if you’re not looking for
it.
[Sif:] I will die a warrior's death. Stories will be told of this day!
[Thor:] Live, and tell those stories yourself.
This isn’t just a moment of care for his
friend’s life - it represents a fundamental
shift in his worldview.
Where in his first battle with the Frost Giants,
he saw death as nothing to be bothered about
[Thor:] I have no plans to die today.
and retreat as proof
of cowardice,
[Loki:] We must go!
[Thor:] Then go!
now he sees failure
as a natural potentiality and his friends’
survival as something worth protecting.
And his own eventual moment of self-sacrifice
comes not out of seeking glory on the field
of battle, but accepting responsibility for
putting his friends in danger in the first place.
[Thor:] Brother, whatever I have done to wrong you, whatever I have done to lead you to do this,
[Thor:] I am truly sorry. But these people are innocent.
[Thor:] Taking their lives will gain you nothing. So take mine, and end this.
In short, he’s actually fighting on a team.
Of course, in this case, acclaim does follow.
Mjollnir returns to him, and he emerges as
the big damn hero of this particular battle.
But the work Thor has done doesn’t go by
the wayside just because he got what he thought
he wanted.
By the time he returns to Asgard, the crucial
difference between him and Loki is not one
of legitimacy, but of compassion.
While Loki is still chasing the approval of
Odin and of Asgard, no matter who he has to
hurt to get it, Thor understands that they
are talking about lives, and lives are worth
saving, no matter what the political cost.
And so, paradoxically, it’s only by abandoning
his quest to directly win his father’s approval
that Thor finally earns the message he’s
been desperately seeking his whole life.
[Odin:] You've already made me proud.
So our boy has achieved
success by the standards as defined.
Now the question becomes - are those standards
worth upholding?
This is Thor’s dilemma in The Avengers,
where he is no longer simply representing
himself to Asgard, but Asgard to the world.
It’s notable that he’s now pretty much able
to take threats to his own ego in stride,
[Tony:] Uhh, Shakespeare in the Park, doth mother know you weareth her drapes?
[Tony:] No hard feelings, Point Break. You've got a mean swing.
but is much touchier in moments where the reputation
of his home world, specifically, is at stake.
[Thor:] Have care how you speak. Loki is beyond reason, but he is of Asgard, and he is my brother.
[Natasha:] He killed 80 people in two days.
[Thor:] He's adopted.
And this increased focus on his place in something
larger than himself is a sign that Our Boy
is integrating!
And this is the point in this series where
we can start having a little fun with scope!
Because when you hold Okoye up next to Thor in this movie, you can start to see the difference between
an average-to-healthy Six and a Three who’s
integrating in that direction.
In quiet, private-ish moments, Thor’s healthy
faith in his own worth and judgement leads
him to be able question Asgard as an institution
and a set of values without threatening his
sense of identity,
[Thor:] We pretend on Asgard that we're more advanced, but we come here battling like Bilgesnipes.
even as he toes the line hard when
it’s a matter of optics.
[Thor:] My people want nothing but peace with your planet.
This focus
on Asgard doesn’t stand in for a lack of
faith in his own judgements, the way Okoye’s
faith in Wakanda does, but rather represents
an extension of his own inherent sense of
value to the people who matter to him, a welcoming
of their support and an eagerness to use what
is good about himself to serve something bigger.
And if that means perhaps too generous an
opinion of Loki’s potential,
[Loki:] It's too late to stop it.
[Thor:] No, we can. Together.
well, he can walk it off.
This is tested even further in Thor: The Dark
World, where, when Asgard faces a major existential
threat, Thor has to question the values of
this institution where he’s begun to find
meaning outside of himself, and where he’s
always looked for the standards that would
define his own worthiness.
And...well, it doesn’t look all that great.
[Odin:] We will fight, to the last Asgardian breath, to the last drop of Asgardian blood.
[Thor:] Then how are you different from Malekith?
[Odin:] The difference, my son, is that I will win.
Once again, we find Thor facing a major question
of identity: does he serve his father and
Asgard in pursuit of success and worthiness
as it’s always been defined for him, or
does he fight to preserve innocent life at
all costs as he’s learned from his own journey?
The answer leads to a major step of growth.
Hmm, OK, put a pin in heart’s desire.
But here, Thor chooses to pursue action that
reflects his values, even in direct contradiction
of his father’s, which are at this point,
essentially, Asgard’s, and therefore the
ones that represent success and worthiness
as they have existed for his whole life.
He rejects his value to his society, choosing
instead what will make him feel valued in
and of himself.
And, once again, this rejection of the pursuit
of success leads him to success,
[Odin:] You once said there would never be a wiser king than me.
[Odin:] You were wrong. What can Asgard offer its new king in return?
but this time, he rejects makes a different choice.
[Thor:] I will protect Asgard and all the realms with my last and every breath, but I cannot do so from that chair.
[Thor:] I'd rather be a good man than a great king.
And so we find Thor in Age of Ultron, where
we can learn an important lesson about the
Enneagram, which is that integration does
not necessarily mean leaving every average
level trait behind.
Thor is generally willing to let his friends
take a shot at lifting Mjollnir, but it matters
to him that no one else is able to succeed.
[Thor:] You’re all not worthy!
But even as Thor
is still living out some of his less healthy habits,
[Thor:] Jane's better.
the proof of the
pudding comes when, again, Scarlet Witch gives
everyone’s nightmares legs.
I wanna take a second to note Thor’s deepest
fear, specifically.
[Heimdall:] We are all dead! You're a destroyer, Odinson. See where your power leads.
This mirrors the format of a Red Flag
almost perfectly.
Thor’s deepest fear is not just Asgard’s
destruction, but the realization that his
relentless pursuit of success has caused it.
But unlike we saw with Banner, integrated
Thor isn’t distracted by seeing his deepest
fear brought to life.
He’s able to keep his head on his shoulders,
notice what’s in the periphery, and stay
focused on what matters.
That’s not to say he’s unaffected by Wanda’s
f*ckings around in his head, only to point
out that he’s built a solid enough foundation
that it doesn’t derail his development.
No matter how worried Thor seemed at the idea
of anyone else being worthy to wield Mjollnir
earlier, when Vision is able to pick it up
and hand it off like any other silly little
hammer, Thor is utterly unaffected, throwing
his considerable clout behind the one guy
who apparently can literally steal his thunder
to make sure the rest of the team accepts
and trusts him
Thor even welcomes the confusion instigated when more than one worthy soul is running
around, embracing that his strength is his
ability to hog the spotlight and steal focus
[Thor:] I am Thor, son of Odin, and as long as there is life in my breast, I...am running out of things to say, are you ready?
even when it means Vision does the actual
doing of the deed that only he is supposed
to be able to do.
Simply put, Thor is in a good-ass place at this point.
But progress isn’t permanence.
While Thor was able to take his seemingly
foundless vision of the destruction of Asgard
in stride during Age of Ultron, by the time
we catch up with him in Ragnarok two years
later, the visions have persisted.
To make matters worse, he finds out that Loki
is still alive, great, but has been taking
full advantage of Thor’s absence to take
the throne and shirk all its responsibilities,
undoing the work Thor had done and leading
the Nine Realms into chaos.
So, stuff’s already not great, and then Odin dies, for real this time, and to make matters worse, he leaves
his sons with a last-f*cking-second warning
that oh, by the way, they’ve got a sister
with a legitimate claim to the throne who
will one hundred percent destroy Asgard if
she gets the chance which she probably will
in like thirty seconds, and then she does,
breaks Mjollnir, heads for Asgard, and throws
Our Boy out alone into the abyss.
Heuy.
That’s...a lot, and unfortunately it’s
the kind of setback that can remind us just
how fragile the good habits of personal development
can be.
So even as Thor remains consciously focused
on helping the people of Asgard, his concern
with the specifics of his own reputation comes
back in hard.
Having lost just about everything, Thor obsesses
about the specifics of how he appears to others
in a way that runs much deeper than
good-natured competition.
[Thor:] By Odin's beard, you shall not cut my hair, lest you feel the wrath of the mighty Thor.
[Thor:] You're embarrassing me, I told them we were friends!
[Hulk:] Hulk like fire. Thor like water.
[Thor:] Well, we're kind of both like fire.
[Computer:] Voice activation required.
[Thor:] Strongest Avenger.
[Computer:] [beeps] Access denied.
[Thor:] Strongest Avenger!
[Grandmaster:] It seems that that criminally seductive Lord of Thunder -
[Thor:] Seductive GOD of Thunder!
And within this, you can see
type Three’s cardinal passion for deceit.
Average Threes have a tendency to lie to get
what they need.
This can involve pointedly telling people
what they want to hear in order to get what
they need,
[Thor:] I'm not Banner's friend, I prefer you!
[Thor:] I don't even like Banner! He's... I'm into numbers, and science and stuff!
[Thor:] No, I don't even like the Hulk! He's all like, ruuuuuh, smash smash! I, I prefer you!
but more crucially, it's
about lying to themselves to reassure themselves
of their own value.
[Thor:] You didn't smash anything, I won that fight!
[Thor:] You and I had a fight recently.
[Banner:] Did I win?
[Thor:] No, I won. Easily.
At the heart of it, this represents
a fundamental regression on Thor’s part:
he has lost touch with that intrinsic, unthreatenable
sense of his own worth, and is back to relying on
external symbols of status.
[Thor:] I choose to run towards my problems and not away from them, because that's what heroes do.
Not the right thing
to do, not the thing that will do the most
good in the world,
the thing that heroes do.
And while ghost dad calls him on this over-reliance
on the symbolic,
[Odin:] Are you Thor, the God of Hammers? Hmm?
our boy is too far gone for it to really sink in.
And...
Things can get worse.
Thor loses his brother, who looked like he
was finally gonna shape up and be a decent
deity, his best friend, who sacrificed his
life to this mission no one involved could fully
understand the scope of just yet, and...everyone.
This is a crushing blow for the obvious reasons. Thor, having lost so much so recently, loses,
essentially, everyone and everything he had
left in one fell swoop.
But this isn’t just a loss - it’s a failure.
The last message he got from his father
[Odin:] Asgard is not a place. Never was. Asgard is where our people stand.
[Odin:] Right now, those people need your help.
isn't just a message about prioritizing lives over buildings.
It’s a new metric for success, a definition
of how to be a good king, and it’s a definition
by which he is now the ultimate failure.
So, Thor revisits his father’s last question
to him
[Odin:] Are you Thor, the God of Hammers?
and basically says...
Yes. Yes I am.
[Thor:] I need a hammer, not a spoon.
He spends a whole
movie chasing one goal: get a new weapon.
[Thor:] The Thanos-killing kind.
It becomes desperately important to
Thor not just to stop Thanos, but to personally
kill him - because that’s what heroes do,
and being a hero is literally all that he has left.
And, for a second, it looks like it’s gonna
work.
But it doesn’t.
He makes one crucial mistake.
[Thanos:] You should have gone for the head.
And when he
gets the chance, he corrects it,
[Rocket:] What did you do?
[Thor:] I went for the head.
but in letter, not in spirit, and
it rings deeply, deeply hollow.
Killing Thanos doesn’t un-kill anyone else,
and it doesn’t make Thor feel any less like
a failure.
And now...he truly has nothing left.
No family, no kingdom, no aspirations...no
hope.
Hey, just gotta cut real quick before I show
any more footage of Chris Hemsworth in a fat
suit to say that weight gain is not inherently funny, and it’s not a sign of personal failure, and it's a
real bummer that this movie treats it as both
of those things! OK, bye!
OK. Disintegration to Nine.
Here, again, you can see the difference between
Bruce Banner as a Nine, and Thor as a Three
at Nine.
Where Banner hides from the world around him
because he’s uncomfortable being too affected
by default, Thor does it to better preserve
his self-image as an untouchably worthy hero.
As long as he stays in his cottage, drunk
out of his mind with friends who won’t challenge
him and even give him the opportunity to keep
being a little bit of a (drunk, reclusive) hero,
[Thor:] N00bmaster, hey, it's Thor again. You know, the God of Thunder?
Thor can cling to the truth
that he killed Thanos without having to face
the lie that it mattered.
[Thor:] Why would I be scared of that guy? I'm the one who killed that guy, remember?
I also just love looking at this scene with
the Enneagram as a lens, because it lends
so much to the fact that it’s Banner on
this mission.
[Banner:] I get it. You're in a rough spot, OK, I've been there myself.
He literally has been
in this spot before, he recognizes these coping
mechanisms because they’re his, too.
But he also recognizes the difference in the
motivation behind these coping mechanisms, and
he absolutely nails what Thor needs to hear
to get him off his ass.
[[Banner:] Do you wanna know who helped me out of it?
[Thor:] Oh, I don't know, was it, uhh, Natasha?
[Banner:] It was you.
Deep down, Threes want to be valued for themselves,
not just for their accomplishments.
So the fact that Banner calls, not on something
that Thor did in an acclaim-worthy way, but
on who he is, as a person, a friend, is crucial.
And at first it looks like it might not work,
but when Banner’s set him up, Rocket knocks him down.
[Rocket:] There's beer on the ship.
And sure, that’s a laugh
line, but it’s also concealing a truly kind
sentiment from someone who has actually come
to care for this guy: we want you, in whatever
shape you’re in.
You can be as drunk and sad and nominally
useless as you please, as long as you show up.
We need you.
So, Thor comes along for the ride, acts all
good to go, loses his sh*t entirely and....
finds himself talking to his mother.
And the walls come a-tumblin’ down.
[Thor:] I am totally from the future. I really need to talk to you.
This is one of the hardest
things for Threes to do, but one of the most
crucial.
While friendship is not, in and of itself,
something that is difficult for most Threes,
their relationships often involve a ton of
image management.
They are afraid of being truly vulnerable
with others because they fear that if they
acknowledge the things that make them feel
small, then others will see them as small.
You can see Rocket trying to chip away at
this in Infinity War,
[Rocket:] You sure you're up to this particular murder mission?
and how Thor shuts it down.
[Thor:] Anger, loss, regret, they're all tremendous motivators, they really clear the mind, so I'm good to go.
But with his mother, alive again,
it comes out.
And with her help, he makes a crucial revelation.
[Frigga:] Everyone fails at who they're supposed to be, Thor.
[Frigga:] The measure of a person, of a hero, is how well they succeed at being who they are.
And, HELLO, he’s worthy!
But OK, here’s the thing: being worthy of Mjollnir
is not the end of Thor’s story here!
It’s not like it’s unimportant, of course.
That the hammer comes when he calls is a much
more meaningful message to his shattered ego
than his own empty refrains about having killed
Thanos.
But if you dig into this moment in context,
this is an absolute refutation of the conversation
he just had!
Frigga tells Thor to stop putting so much
weight on who he’s supposed to be and focus
instead on who he can be.
And Thor turns around and immediately goes
back to his old friend, the material symbol
that he is who he is supposed to be.
Now, in a different video, we could talk about
the dissonance of this framing, with so much
pathos imbued in this moment that it overshadows
what seems like a much more important message.
But in this video, we can talk instead about
how personal growth and change, doesn’t
just happen like that, and Thor, like a person,
needs some time for this to sink in.
So, the fact that he goes right from his mother
to his hammer, shows us that he’s not there yet.
He’s got the hammer, he goes back to the
present and immediately drops back into blatantly
lying about what he’s capable of in order
to do something that will prove he is the
most worthy!!
[Thor:] I'm the strongest Avenger, OK, so this responsibility falls upon me. It's my duty...
[Thor:] Shhhh, stop it! Just let me, just let me do something good, something right.
But… he’s on the right track!
Because even at his healthiest up to this
point, Thor would never have been happy to
see Cap wield Mjollnir.
[Thor:] I knew it!
But even that, I don’t think, is the most
important hammer moment in this movie.
No, I think the one that tells us the most
about Thor, what he’s learning and where
he’s headed, is this one.
[Thor:] No, no, give me that. You have the little one.
Like, think about these weapons for a moment.
The wonderful Scott over at Nerdsync, whose
voice I have co-opted for this video for precisely
this reason, thanks Scott, made the excellent
observation that Mjollnir is a weapon and
a tool of endless possibility, while Stormbreaker
has one purpose: kill Thanos.
But that’s not all.
Mjollnir is a symbol of Thor’s former glory,
of his father’s approval and his ascendance
to the throne and his value to Asgard.
Stormbreaker is a symbol of his failure, a
trauma trigger that spent five years as no
more than a bottle opener.
But Thor’s not actually here to correct
the failure that Stormbreaker represents.
He doesn’t seem at all bothered by the question
of who’s going to go for the head this time.
He relishes the fight itself, standing proudly
as one member of a team who are in this together,
as the man he is today.
And the man he is today carries a big old
all-caps FAILURE of an axe.
In other words...
Mjollnir is the weapon the person he is supposed
to be wields.
Stormbreaker is the weapon the person he is
wields.
But when the fight is over… life goes on,
and our boy still has no family, no kingdom,
no metric for success to give his life direction.
Or, not quite.
There’s New Asgard, a people asking him
to crawl out from under his pile of beer bottles
and be their king.
But now, having come out the other side of
this darkest timeline where this pursuit of
external seals of approval can lead him, Thor
reaches an important revelation:
Even at his healthiest up to this point, Thor
was still courting success in the eyes of
somebody - rejecting the throne specifically,
maybe, but seeking honor, moral good, worthiness.
He’s never really considered what he might
like, enjoy, want, if the approval of others
were taken out of the equation.
So, he takes it off the table, leaving only
his elusive heart’s desire to finally be discovered.
[Thor:] Everybody knows who's in charge.
[Quill:] Me.
...right?
[Thor:] Yes, you! Of course! Of course. Of course.
Hopefully.
[light, optimistic music]
Thank you so much to all of my patrons, with an extra special thank you to
Andreas Evans, Kaya, Lizzie Gray, llmilktray, Michelle, and Nickie Miskell.
Thanks also to Scott Niswander from Nerdsync for lending his voice to this video.
He has also made an excellent video on Thor's journey in the MCU which you should definitely watch if you have not.
If you wanna help me make more and better videos, you can support me over at patreon.com/lauracrone
or throw me a one-time tip on Paypal.
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”It's a beautiful day in the neighborhhod. A beautiful day for a neighbor.
Would you be mine? Could you be mine?"
Tom Hanks had nothing but praise for everyone's favorite friendly neighbor Mister
Rogers while promoting his latest film 'A Beautiful Day in the Neighborhood' at the
Toronto Film Festival. On Sunday during a press conference, the academy award
winning actor, who plays the children’s tv host in the film, praised the icon for his
sincerity and longing to spread positivity in the world.
The actor said he was too old to watch Mister Rogers when the TV host debuted in the
mid-1960s, but Hanks said he began to appreciate the PBS icon years later when he saw
a video of Rogers addressing a child in a wheelchair.
Speaking on Rogers desire to put out more positive, genuine content for children,
Hanks said,
Peter Saraf, a producer on the film, summed up his own admiration for Rogers' positive
message to his young viewers. "Every human being has value and deserves to be loved."
'A Beautiful Day in the Neighborhood' follows a jaded journalist played by 'The
Americans’ Matthew Rhys who is assigned to write a profile on Fred Rogers. The
cynic soon discovers the healing nature of Mr. Rogers' kind spirit, which has shaped
the upbringing of generations. The Sony pic is set to hit theaters on Nov. 22.
For more on this story, head to THR.com
and until next time for The Hollywood Reporter News I’m Neha Joy.
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English:
Translator: Queenie Lee
Reviewer: Rhonda Jacobs
I can make diseases disappear.
To be more precise,
I can make chronic diseases disappear.
You see, chronic diseases
are the long-term conditions,
like type 2 diabetes,
high blood pressure,
depression
or even dementia.
There are 15 million people in England
who have already been diagnosed
with a chronic condition.
So that means looking out amongst you now,
there are probably
about 250 people in here
who have one of these
long-term conditions.
Just one of these alone,
type 2 diabetes, is costing the UK
20 billion pounds every single year,
Arabic:
المترجم: Mostafa Ehab
المدقّق: Riyad Almubarak
أستطيع أن أجعل الأمراض تختفي من الوجود.
لأكون أكثر دقة،
أستطيع أن أجعل الأمراض المزمنة
تختفي من الوجود.
نعلم أن الإصابة بالأمراض المزمنة
تستمر لمدة طويلة
كداء السكري من النمط الثاني،
ارتفاع ضغط الدم،
الاكتئاب
وحتى الخرف.
هناك خمسة عشر مليون مريضًا في انجلترا
ممن قد تم تشخيصهم بإصابة مزمنة.
مما يعني أنه بالنظر إلى من هم حولك الآن
من المحتمل وجود 250 شخص هنا
يعانون من أحد هذه الحالات المزمنة.
واحد فقط من هذه الأمراض،
هو مرض السكري من النوع الثاني
يكلف المملكة المتحدة 20 مليار جنيه كل عام،
Portuguese:
Tradutor: Carina Nugent
Revisor: Claudia Sander
Eu posso fazer doenças desaparecerem.
Para ser mais preciso,
posso fazer doenças
crônicas desaparecerem.
Doenças crônicas
são condições de longa duração,
como a diabete tipo 2,
pressão alta,
depressão,
ou até mesmo demência.
Existem 15 milhões
de pessoas na Inglaterra
que já foram diagnosticadas
com alguma doença crônica.
Isso quer dizer que, no meio de vocês,
temos aproximadamente 250 pessoas aqui
que possuem uma dessas
doenças de longa duração.
Apenas uma delas, a diabete tipo 2,
custa ao Reino Unido
20 bilhões de libras por ano,
Arabic:
وأنا أقف أمامكم هنا الآن لأخبركم
أنني أستطيع جعل هذه الأمراض تختفي.
بالطبع أنا لست ساحرًا،
أنا، كما يدعونني الأميركيون "ط ب"
ليست اختصارًا لطبيب ساحر،
ولكن طبيبًا بشريًا أو ما أدعوه مجرد طبيب.
السبب الذي يجعلني قادرًا
على جعل الأمراض تختفي
هو أن الأمراض مجرد وهم
الأمراض ليست شيئًا واقعيًا.
في الحقيقة، الأمراض ليست موجودة حقًا
على الأقل ليست موجودة بالطريقة
التي نعتقدها.
فمنذ خمسة عشر عامًا،
تأهلت للدراسة في كلية الطب
وكنت متأهبًا لذلك،
كنت مفعمًا بالحماس والشغف،
مستعدًا للانطلاق ولمساعدة الناس.
لكنني كنت أشعر دائمًا
أن هناك شيئًا مفقودًا.
فقد بدأت أعمل كاختصاصي
ثم انتقلت من اختصاصي إلي ممارس عام،
ودائمًا ما يراودني ذلك الشعور المزعج
English:
and I'm standing here before you saying
I can make these diseases disappear.
See, I'm not a magician,
I'm what the Americans call an MD.
That's not a magical doctor,
that's a medical doctor
or what I call a mere doctor.
You see, the reason
I can make diseases disappear
is because diseases are just an illusion;
diseases are not real.
In fact, diseases don't really exist,
at least not in the way
that we think they do.
So 15 years ago,
I qualified for medical school,
and I was ready,
I was full of enthusiasm,
full of passion,
ready to go out and help people.
But I always felt like
there was something missing.
I started off as a specialist.
I moved from being a specialist
to becoming a generalist, or a GP.
And I always got this nagging sense
Portuguese:
e estou aqui na frente dizendo
que posso fazer essas
doenças desaparecerem.
Não sou um mágico.
Sou o que os americanos chamam de DM.
Isso não é doutor mágico,
é um doutor em medicina
ou, simplesmente, médico.
Digo que posso fazer
as doenças desaparecerem
porque elas são apenas ilusões.
Doenças não são reais.
Na verdade, elas não existem,
pelo menos não do jeito que achamos.
Há 15 anos,
entrei na faculdade de medicina;
e eu estava cheio de entusiasmo
e totalmente apaixonado,
pronto para sair e ajudar as pessoas.
Mas sempre senti que faltava alguma coisa.
Iniciei carreira como especialista.
De especialista mudei para clínico geral.
E sempre tive esta sensação irritante
English:
that I was just managing disease
or simply suppressing people's symptoms.
And then, just five and a half years ago,
came the turning point for me.
See, five and a half years ago,
my son nearly died.
My wife and I,
we were on holiday in France
with our little baby boy,
and she called out to me,
said 'He's not moving',
so I rushed there, and he was lifeless.
I thought he was choking,
so I picked him up,
I tried to clear his airway.
Nothing happened, and I froze.
She called out to me and said,
'Come on, we've got to get to hospital'.
So we rushed there;
we were worried because when we got there,
he still wasn't moving.
The doctors were worried
because they didn't know
what was happening.
That night he had two lumbar punctures
because they thought
he might have meningitis,
Portuguese:
de estar somente gerenciando doenças
ou suprimindo os sintomas das pessoas.
Então, há cinco anos e meio,
o momento decisivo chegou.
Há cinco anos e meio,
meu filho quase morreu.
Eu e minha esposa
estávamos de férias na França
com o nosso bebezinho.
Ela me chamou e disse:
"Ele não está se mexendo".
Corri lá e ele estava inerte.
Achei que ele estivesse sufocando.
Peguei-o e tentei limpar suas vias aéreas.
Nada aconteceu e eu congelei.
Ela gritou:
"Vamos, temos que ir para o hospital".
Corremos pra lá.
E estávamos preocupados, pois
ao chegarmos ele ainda não se mexia.
Os médicos estavam preocupados
porque eles não sabiam
o que estava acontecendo.
Naquela noite fizeram
duas punções lombares nele,
porque acharam que ele poderia
estar com meningite.
Arabic:
أنني مجرد متحكم في المرض
أو ببساطة أخفف من أعراضه.
بعد ذلك، منذ خمس سنوات ونصف،
حدثت نقطة التحول بالنسبة لي.
منذ خمس سنوات ونصف، كاد ابني أن يموت.
كنت أنا وزوجتي في إجازة في فرنسا
مع ابننا الرضيع.
نادت عليّ زوجتي وقالت "ابننا لا يتحرك"
اندفعت نحوها، لقد كان فاقدًا للوعي.
اعتقدت أنه مخنوق لا يستطيع التنفس
رفعته إليّ وحاولت فتح مجراه التنفسي.
لم يستجب، لقد تصلبت مكاني
صاحت فيّ زوجتي وقالت،
"هيا، علينا أن نذهب إلى المستشفي"
فأسرعنا إلى هناك،
كنا قلقين لأنه عندما ذهبنا إلى هناك،
كان ما زال لا يتحرك.
كان الأطباء قلقين
لأنهم لا يعلمون ماذا يحدث بالضبط.
في هذه الليلة أجري له بزلين قطنيين
لاعتقادهم إصابته بالتهاب السحايا،
English:
and he stayed in
a foreign hospital for three days.
What actually transpired was
my son had a low level
of calcium in his blood
that was caused
by a low level of vitamin D.
My son nearly died
from a preventable vitamin deficiency
and his father, a doctor,
knew nothing about it.
You see, as a parent
that is a harrowing experience
that never leaves you.
But I was a doctor, I was his dad;
and the guilt that stayed with me,
and is still here today,
that changes you.
So I started reading,
I started reading
about this vitamin deficiency.
And as I started reading
I started to learn a lot of science -
a lot of science that I did not learn
in medical school,
a lot of science that I thought:
'Hey, this makes lots of sense to me'.
Arabic:
ظل في مستشفي أجنبية لمدة ثلاثة أيام.
في الواقع ما اتضح لنا
أن ابني عانى من انخفاض مستوى
الكالسيوم في الدم
لقد حدث هذا بسبب انخفاض مستوى فيتامين د.
كاد ابني أن يموت لشيء يمكن الوقاية منه
وهو نقص فيتامين
ووالده الطبيب لا يعلم شيئًا عن هذا.
كما ترون، كأب
تعتبر هذه تجربة مروعة
لا يمكن أن تغادر عقلك.
لكن لقد كان والده طبيبًا،
وهذا ذنب لازمني
وما زال يلازمني إلى الآن،
وغيّرني.
لذلك بدأت القراءة،
بدأت القراءة عن نقص ذلك الفيتامين.
وبمجرد ما بدأت القراءة
بدأت تعلم الكثير من العلم-
الكثير من العلم الذي لم أتعلمه
في كلية الطب،
الكثير من العلم الذي قلت:
"مهلًا، هذا مألوفٌ بالنسبة لي"
Portuguese:
E ele ficou num hospital
estrangeiro por três dias.
O que realmente aconteceu
foi que meu filho estava
com nível baixo de cálcio no sangue.
Isso foi causado
pelo baixo nível de vitamina D.
Meu filho quase morreu
de uma deficiência evitável de vitamina
e o seu pai, um médico,
não sabia nada sobre isso.
Vejam que, como pai
esta é uma experiência angustiante
que nunca vou esquecer.
Eu era um médico e era o seu pai;
e a culpa que carreguei,
que está aqui até hoje,
me fez mudar.
Então comecei a ler;
ler sobre esta deficiência de vitamina.
E quando comecei a ler,
comecei a aprender muita ciência.
Ciência que não aprendi
na faculdade de medicina.
Tanta ciência que pensei:
"Ei, isto faz muito sentido para mim".
Portuguese:
Comecei a praticar esta ciência.
Comecei a pôr em prática,
primeiramente, no meu filho
e pude ver os benefícios surpreendentes.
Depois comecei a usar nos pacientes,
e sabem o que aconteceu?
As pessoas começaram a melhorar,
melhorar muito.
Eu aprendi a resolver
a causa-raiz dos problemas
em vez de suprimir os sintomas.
Há pouco mais de um ano,
tive a oportunidade de fazer
uma série de documentários para a BBC 1
nos quais pude mostrar
este estilo de medicina.
Vou contar sobre uma paciente,
Dotti, de 35 anos.
Uma senhora adorável,
que estava lutando com a saúde.
Problemas com o peso,
com as juntas e com o sono.
Apesar de se esforçar bastante,
Dotti não foi capaz de fazer
nenhuma mudança sustentável.
Então fui à casa dela
Arabic:
ثم بدأت بتطبيق ذلك العلم.
طبّقتهُ أولًا مع ابني،
وشاهدت نتائج مدهشة.
ثم بدأت تطبيقه بعد ذلك مع مرضايّ،
هل تعلمون ماذا حدث؟
لقد بدأ المرضى بالتحسن،
حقًا بالتحسن،
كما ترون، لقد تعلمت أن أحل جذور مشكلاتهم
عوضًا عن مجرد كبح الأعراض الظاهرية.
من سنة مضت،
امتلكت الفرصة لصنع سلسة من الأفلام
الوثائقية لقناة BBC ONE
حيث أستعرض هذا النمط من الطب.
سأخبركم عن واحد من المرضى-
دوتي، صاحبة الخمسة وثلاثين عامًا،
سيدة محبوبة حقًا،
لكن كانت تعاني من سوء صحتها،
مشاكل في الوزن، ومشاكل في
المفاصل، ومشاكل في النوم.
بالرغم من جهودها الجبارة،
كانت لا تستطيع أن تحدث أي تغيير دائم.
ذهبت إلى منزل دوتي،
English:
So I started applying this science.
I started applying it,
first of all, with my son,
and I saw the amazing benefits.
So then I started applying it
with my patients,
and do you know what happened?
People started getting better,
really better.
You see, I learnt how to resolve
the root cause of their problems
rather than simply
suppressing their symptoms.
Just over a year ago,
I had the opportunity to make
a series of documentaries for BBC One
where I got to showcase
this style of medicine.
I'm going to tell you
about one of the patients -
a 35-year-old, Dotti,
lovely, lovely lady,
but she was struggling with her health,
weight problems,
joint problems, sleep problems.
See, despite Dotti's best efforts,
Dotti was unable to make
any sustainable changes.
So I went into Dotti's house,
Arabic:
في الأسبوع الأول قمت
بعمل بعض فحوصات الدم،
وقمت بتشخيصها كمريضة
بالسكري من النوع الثاني.
بعد ستة أسابيع عندما غادرت منزل دوتي،
لم تعد تعاني من السكري النوع الثاني.
كما ترون، لقد اختفى مرضها.
لذلك الصحة توجد على سلسة متصلة.
حسنًا؟
في أعلى اليمين يوجد المرض،
في أسفل اليسار توجد الصحة المثُلى،
ونحن دائمًا نتحرك لأعلى ولأسفل هذه السلسة.
فلنأخذ عيد الميلاد، السنة
الجديدة، كمثال، حسنًا؟
نشرب كثيرًا، نأكل كثيرًا، ما زلنا بعيدين،
على الأرجح نحن نتحرك لأعلى هذا المنحنى.
لكن، إن أعدنا تقويم أنفسنا
في يناير وفبراير،
نبدأ بالتحرك للأسفل مجددًا.
نحن جزء من الطب
وأعطيناك تشخيص لمرض مزمن ... هنا،
لكن بدأت الأشياء أن تسير على نحو
خاطئ ... لنعد إلى هنا.
Portuguese:
e na primeira semana fiz exames de sangue
e a diagnostiquei com diabete tipo 2.
Seis semanas depois,
quando saí da casa da Dotti,
ela não tinha mais diabete tipo 2.
A doença dela tinha desaparecido.
A saúde é um processo contínuo.
Certo?
No topo à direita temos a doença
e abaixo à esquerda temos a saúde ideal.
Estamos sempre nos movendo
para cima e para baixo nesta curva.
No Natal e no Ano Novo, por exemplo:
bebemos e comemos muito e dormimos tarde.
Provavelmente subimos nesta curva.
Mas se recalibrarmos
em janeiro ou fevereiro,
vamos começar a descer novamente.
Nós nos envolvemos com a medicina e damos
um diagnóstico de doença crônica aqui,
mas as coisas começaram
a dar errado... aqui.
English:
and in the first week
I did some blood tests,
and I diagnosed her with type 2 diabetes.
Six weeks later when I left Dotti's house,
she no longer had type 2 diabetes.
You see, her disease had disappeared.
So health exists on a continuum.
Okay?
At the top right we've got disease,
and at the bottom left
we've got optimal health,
and we are always moving
up and down that continuum.
Take Christmas, New Year,
for example, right?
We drink too much,
we eat too much, we stay up late;
we probably start to move up that curve.
But if we recalibrate
in January and February,
we start to move back down it again.
We get involved in medicine
and give you a diagnosis
of a chronic disease ... here,
but things have been starting
to go wrong ... back here.
English:
See, when I met Dotti,
she was up here, she had a disease.
You see, you can think of it
a little bit like a fire
that's been burning
in Dotti's body for years;
it's getting bigger
till it's finally raging out of control.
At that point, I can say,
'Hey Dotti, you have a disease'.
And I told her that,
'You do have a disease.'
But what caused it in the first place?
The thing we have to understand
is that acute disease and chronic disease
are two different things.
Acute disease is something
we're pretty good at as doctors,
we're good at this.
It's quite simple.
Okay?
You have something like a pneumonia,
that's a severe lung infection.
So in your lung you have
the overgrowth of some bugs,
typically a bacteria.
We identify the bacteria,
we give you a treatment,
typically an antibiotic,
and it kills the bacteria.
Portuguese:
Quando conheci a Dotti,
ela estava aqui, ela tinha uma doença.
Pensem nisso como um fogo
que vem queimando
no corpo da Dotti por anos;
e vai crescendo até, finalmente,
ficar fora de controle.
Neste ponto posso dizer:
"Ei Dotti, você tem uma doença".
E foi isto que lhe falei:
"Você tem uma doença".
Mas qual foi a causa em primeiro lugar?
O que temos que entender
é que doença aguda e crônica
são duas coisas diferentes.
Doença aguda é algo em que nós,
médicos, somos muito bons.
Somos muito bons nisso.
É bem simples.
Certo?
Você tem algo como pneumonia,
uma infecção grave nos pulmões.
Você tem o crescimento
de alguns germes no seu pulmão,
normalmente uma bactéria.
Identificamos a bactéria, tratamos,
normalmente com um antibiótico,
que mata a bactéria.
Arabic:
عندما قابلت دوتي ، كانت هنا في الأعلى،
لذلك كانت مريضة.
كما ترون، يمكنكم أن تفكروا في الأمر
كأنه حريق
استمر في إحراق جسم دوتي لسنوات،
ويزيد اشتعالاً
حتى يخرج في النهاية عن السيطرة.
في هذه النقطة، يمكن أن أقول،
"دوتي، أنتِ مريضة".
لقد أخبرتها حقًا "أنتِ مريضة".
لكن في المقام الأول ماذا الذي سبّب المرض؟
الشيء الذي يجب علينا فهمه
أن المرض المزمن والمرض الحاد
شيئان مختلفان.
المرض الحاد ذلك الشيء الذي نحن
بارعون فيه كأطباء،
نحن بارعون في ذلك.
إنه بسيط جدًا.
حسنًا؟
لديك مريض عنده التهاب رئوي،
وهي عدوي حادة بالرئة.
تُحدث فرط نمو لبعض الجراثيم،
عادةً البكتيريا.
نتعرف على البكتريا، فنعطيك دواءً،
غالبًا مضاد حيوي،
وهو يتولى قتل البكتريا.
Portuguese:
A bactéria morre e pronto.
Você não tem mais pneumonia.
O problema é que fazemos
o mesmo com doenças crônicas
e simplesmente não funciona
porque doença crônica não aparece do nada.
Você não acorda um dia
com uma doença crônica.
Existem várias causas diferentes
para doenças crônicas.
No momento em que damos o diagnóstico,
as coisas já estavam indo mal
há muito tempo.
Quando encontrei a Dotti,
ela recebeu seu "diagnóstico",
o açúcar no sangue dela
estava fora de controle.
É assim que as pessoas falam.
Muitas pessoas falam que diabete tipo 2
é um problema de açúcar no sangue,
mas elas não estão entendendo.
Existe um problema com o açúcar
no sangue na diabete tipo 2,
mas diabete tipo 2 não é
um problema de açúcar no sangue.
O açúcar no sangue
é o sintoma e não a causa!
Se só tratarmos os sintomas
nunca acabaremos com a doença.
Encontrando Dotti, disse:
"Dotti, você tem um problema
com o açúcar no sangue.
English:
The bacteria dies and hey, presto,
you no longer have your pneumonia.
The problem is we apply
that same thinking to chronic disease
and it simply doesn't work,
because chronic disease
doesn't just happen.
You don't just wake up
with chronic disease one day
and there are many different causes
of chronic disease.
By the time we give you that diagnosis,
things have been going wrong
for a long, long time.
So when I met Dotti
and she had her 'diagnosis',
her blood sugar was out of control,
because that's what people say,
many people say that type 2 diabetes
is a blood sugar problem,
but they're missing the point.
There is a problem
with blood sugar in type 2 diabetes,
but type 2 diabetes
is not a blood sugar problem.
The blood sugar is the symptom,
it's not the cause!
If we only treat symptoms
we'll never get rid of the disease.
So when I met Dotti, I said,
'Dotti, you've got a problem
with your blood sugar.
Arabic:
تموت البكتريا، وسريعًا نهنيك،
لم يعد لديك التهاب رئوي.
المشكلة تكمن في أننا نطبق نفس هذا
التفكير في الأمراض المزمنة
وببساطة لا ينفع الأمر،
لأن المرض المزمن لا يحدث بهذه البساطة.
فأنت لا تستيقظ ذات يوم وأنت
مصاب بمرض مزمن بهذه البساطة
فهناك أسباب كثيرة للمرض المزمن.
بمجرد أن نعطيك هذا التشخيص،
فعندها كانت الأشياء تسير على
نحو خاطئ لمدة طويلة.
لذلك عندما قابلت دوتي
وكانت تعرف تشخيص حالتها،
كان مستوى السكر في دمها خارج عن السيطرة،
لأن هذا ما يقوله الناس،
الكثير من الناس يقولون أن السكري من النوع
الثاني هو مشكلة تتعلق بالسكر في الدم،
لكن هناك شيئًا لا يفهمونه.
هناك مشكلة متعلقة بمستوي السكر في الدم
في مرض السكري النوع الثاني،
لكن مرض السكري النوع الثاني
ليس هو مشكلة مستوي السكر في الدم.
السكر في الدم مجرد عرض وليس سببًا،
لو أننا فقط عالجنا الأعراض لن
نتمكن أبدًا من التخلص من المرض.
لذلك عندما قابلت دوتي، قلت،
"دوتي، لديكِ مشكلة في
مستوى السكر في دمك.
Portuguese:
Nos últimos anos
seu corpo tem se tornado cada vez mais
intolerante a certas comidas.
Neste momento,
o seu corpo não tolera
carboidratos refinados ou processados,
ou qualquer açúcar.
Então você vai ter que cortá-los".
E o que isso faz?
Para de colocar combustível
na fogueira da Dotti.
Mas depois temos que descobrir
o que fez o fogo começar.
E qual combustível fez o fogo
queimar por tanto tempo.
Na maioria dos casos de diabete tipo 2,
é algo chamado resistência à insulina.
Insulina é um hormônio muito importante
e uma das suas funções principais
é manter o nível de açúcar
no sangue sob controle.
Digamos que você está embaixo à esquerda,
com a saúde ideal, como todos aqui,
e você come de café da manhã
uma tigela de cereal doce.
O que acontece é que
o açúcar no seu sangue sobe,
mas o corpo libera um pouco de insulina
Arabic:
دوتي، جسدك في السنين القليلة الأخيرة
أصبح غير محتمل لأنواع معينة من الأطعمة.
الآن، جسدك يا دوتي
لم يعد يتحمل على الإطلاق
الكربوهيدرات المنقاة والمصنعة.
لذلك يجب عليكِ أن تتوقفي عن تناولهم."
ماذا سيفعل هذا؟
حسنًا، سيعمل هذا على وقف
إضافة الوقود إلى حريق دوتي الملتهب.
لكن علينا بعد أن نعمل على
ما الذي أشعل هذا الحريق في المقام الأول؟
وما هذا الوقود الذي أشعل
هذا الحريق لهذه المدة الطويلة؟
في أغلب حالات مرض السكري النوع الثاني،
هناك شيء يسمي مقاومة الأنسولين.
الأنسولين هرمون مهم جدًا،
وواحدٌ من أهم وظائفه
هو المحافظة على مستوي السكر في الدم
في نطاق ضيق في جسدك.
لذلك، دعنا نقول أننا في أسفل اليسار
في صحتنا المثلى، مثل أغلبنا هنا،
وتناولنا فطور دعنا نقول، وعاءً
من الحبوب السكرية
ما يحدث هو ارتفاع مستوى السكر في الدم،
لكن جسدك يبدأ إطلاق كمية
قليلة من الأنسولين،
English:
Dotti, for the last few years
your body has become
more and more intolerant to certain foods.
At the moment, Dotti,
your body does not tolerate
refined or processed carbs
or sugar at all.
So you've got to cut them out'.
So what does that do?
Well, it stops putting fuel
on Dotti's raging fire.
But then we've got to work out
what started the fire in the first place?
And what was the fuel
that caused it to burn for so long?
In most cases of type 2 diabetes,
this is something
called insulin resistance.
Now insulin is a very important hormone,
and one of its key functions
is to keep your blood sugar
tightly controlled in your body.
So, let's say you're at the bottom left
in optimal health, like all of us in here,
and you have a breakfast
of say, a sugary bowl of cereal.
What happens is your blood sugar goes up,
but your body releases
a little bit of insulin,
Portuguese:
e o nível volta ao normal.
Ao subir nesta curva,
você está se tornando
mais e mais resistente à insulina.
Você precisa de mais insulina
para fazer o mesmo trabalho.
E por muitos anos antes do diagnóstico
esse nível alto de insulina
está te causando muitos problemas.
Você pode comparar com o álcool.
Na primeira vez em que você bebe,
o que acontece?
Você toma uma taça de vinho,
um ou dois golinhos, talvez meia taça.
Você se sente tonto,
se sente um pouco bêbado.
E ao se acostumar a beber,
você vai precisar de cada vez mais álcool
para sentir os mesmos efeitos.
É o mesmo com a insulina.
Você precisa de mais
para ter o mesmo efeito.
Mas a insulina em si é problemática.
E quando ela não consegue
mais controlar o açúcar,
a gente diz: "Você tem uma doença,
Arabic:
فيعود مستوى السكر في الدم
إلى المستوى الطبيعي.
كلما تحركت إلي أعلى المنحى،
أصبحت مقاومًا أكثر للأنسولين،
هذا يعني أنك تحتاج إلى أنسولين أكثر
لعمل نفس الوظيفة.
وطوال هذه السنين قبل أن تقترب
من التشخيص بالمرض،
معدل الأنسولين المرتفع هذا يسبب
لك العديد من المشاكل.
يمكنك أن تفكر به قليلًا كالكحوليات.
أول مرة بدأت شرب الكحول،
ماذا حدث؟
فلنقل، أنك تملك كوبًا من الخمر،
رشفة أو رشفتان، ربما نصف الكأس
ستشعر أنك سكران،
ستشعر قليلًا أنك مخمور.
وبمجرد أن تصبح أكثر تخضرمًا
وشاربًا معتادًا،
ستحتاج أكثر من الكحول لتجني نفس التأثير
فهذا ما يحدث مع الأنسولين.
تحتاج أنسولين أكثر وأكثر
لتحصد نفس التأثير،
لكن الأنسولين في حد ذاته مسببًا للمشاكل.
وعندما لم يعد الأنسولين قادرًا على
جعل مستوى السكر تحت السيطرة،
عند هذه النقطة سنقول،
"أنت تعاني من مرض"،
English:
and it comes back down to normal.
As you move up that curve,
you are becoming more
and more insulin resistant;
that means you need
more and more insulin
to do the same job.
And for all those years
before you get anywhere near a diagnosis,
that raised level of insulin
is causing you a lot of problems.
You could think of it
a little bit like alcohol.
The very first time you have a drink,
what happens?
Say, you have a glass of wine,
one or two sips, maybe half a glass;
you feel tipsy;
you feel a little bit drunk.
And as you become a more seasoned
and accustomed drinker,
you need more and more alcohol
to have the same effect;
so that's what's going on with insulin.
You need more and more insulin
to have the same effect,
but that insulin itself is problematic.
And when the insulin can no longer
keep your sugar under control,
at that point we say,
'Oh, you've got a disease';
English:
at that point, you have type 2 diabetes.
So what causes this insulin resistance
that then causes type 2 diabetes?
Well, there are many different things.
It could be your diet.
It could be that your diet
for the last ten years
has been full of processed junk food.
That could be a cause.
Or there's something else.
What if it's the fact that you
are chronically stressed?
Work stress, emotional stress,
perceived stress.
For me, just seeing
my email inbox sometimes,
that's a stress.
See, that raises
levels of cortisol in your body,
and cortisol, when it's up,
raises your sugar
which causes insulin resistance.
What if it's something else?
What if it's the fact
you have been sleep deprived
because you are a shift worker?
See, in some people,
one night's sleep deprivation
can give you as much insulin resistance
as six months on a junk food diet.
Portuguese:
você tem diabete tipo 2".
O que causa essa resistência à insulina,
que causa a diabete tipo 2?
Muitas coisas diferentes.
Pode ser a sua dieta.
Pode ser que a sua dieta
nos últimos dez anos
seja cheia de comida que não presta.
Esta pode ser a causa.
Ou alguma outra coisa.
E se for o fato de você estar
cronicamente estressado?
Estresse no trabalho, emocional,
estresse percebido.
Para mim, só de ver os meus e-mails
é um estresse.
Isso aumenta o nível de cortisol no corpo
e cortisol, quando sobe, aumenta o açúcar,
o que causa resistência à insulina.
E se for alguma outra coisa?
O fato de você não estar dormindo
porque você trabalha em escala?
Em algumas pessoas,
uma noite de privação de sono
pode dar tanta resistência à insulina
quanto seis meses de comida ruim.
Arabic:
عندها، أنت تعاني من
مرض السكري النوع الثاني.
فما الذي يسبب مقاومة الأنسولين
التي تتسبب فيما بعد في
مرض السكري النوع الثاني؟
حسنًا، هناك أشياء مختلفة.
يمكن أن يكون النظام الغذائي.
يمكن أن يكون هذا الغذاء
المليء بالأطعمة المصنعة
الذي تتناوله منذ عشرة أعوام.
يمكن أن يكون هذا هو السبب.
أو أن هناك شيئًا أخر.
ماذا عن حقيقة أنك دائمًا متوتر؟
توتر العمل، التوتر الانفعالي،
التوتر الإدراكي.
بالنسبة لي، مجرد مشاهدة
صندوق الوارد للإيميل،
أحيانًا، يمثل ذلك لي توتر.
فهذا يسبب رفع معدلات الكورتيزول بالجسم،
وعندما يكون الكورتيزول مرتفعًا
يرفع مستوى السكر
ومن ثم يسبب مقاومة الأنسولين.
ماذا لو أن هناك شيئًا أخر؟
ماذا عن حقيقة أنك محرومٌ من النوم
لأنك عاملٌ بالمناوبة؟
في بعض الناس، يوم واحد من الحرمان من النوم
يمكن أن يسبب مقاومة للأنسولين أكثر من
المداومة على الأطعمة الرديئة لمدة ستة أشهر
Portuguese:
E se for o fato de você estar envelhecendo
e perdendo massa muscular?
Isto causa resistência à insulina.
E se tiver a ver com o que
chamamos de microbioma?
Em nosso corpo,
vivem trilhões de bactérias.
E o equilíbrio dessas bactérias
é crítico para nossa saúde geral.
Se este equilíbrio for quebrado,
você pode ter o crescimento
de certas bactérias
em cuja membrana externa há algo
chamado de lipopolissacarídeo, ou LPS.
E quando isso chega no sangue,
causa resistência à insulina.
O problema é que existem muitas causas
para a resistência à insulina
e se não tratarmos as causas
para um determinado paciente,
nunca vamos eliminar a doença.
Foi isso que fiz com a Dotti.
E por isso, seis semanas
depois que a conheci,
ela não tinha mais a doença.
E se for algo sem relação nenhuma?
English:
What if it's the fact that as you're
getting older, you're losing muscle mass?
That causes insulin resistance.
Or what if it's something to do with
something we call your microbiome?
See, inside our body,
we have trillions of bugs living there,
and the balance of those bugs
is critical for our overall health.
If you have a disruption to that balance,
you can get the overgrowth
of certain bacteria,
and on their jacket,
these bacteria have something
called lipopolysaccharide, or LPS.
And what that does
is when it gets in your blood,
it causes insulin resistance.
You see, the problem is
there are many different causes
of insulin resistance,
and if we don't address the causes
for that particular patient,
we will never get rid of the disease.
That's what I did with Dotti,
and that's why six weeks after I met her,
she no longer had a disease.
What about something else
completely unrelated?
Arabic:
ماذا عن حقيقة فقدك للكتلة
العضلية عندما تكبر في العمر؟
هذا يسبب مقاومة الأنسولين.
ماذا لو أن هناك شيئًا يحدث
بسبب شيء نسميه ميكروبيوم؟
داخل أجسامنا هناك تريليونات
من الجراثيم تعيش فيها،
واتزان هذه الجراثيم حساسة لصحتنا العامة.
لو أن هناك اضطرابًا لهذا الاتزان،
يمكن أن يحدث فرط نمو لهذه البكتريا،
وفي معطف هذه البكتريا،
تمتلك مادة تسمى دهون متعددة السكر أو LPS
وما تفعله هو أنه عندما تتسرب إلى الدم،
فإنها تسبب مقاومة الأنسولين.
كما ترون فالمشكلة هي
أنه هناك أسبابًا كثيرة لمقاومة الأنسولين
وأننا إذا لم نتعامل مع
الأسباب لهذا المريض تحديدًا،
لن نتخلص من المرض أبدًا.
هذا ما فعلته مع دوتي،
ولهذا السبب بعد ستة أسابيع
من مقابلتي معها،
لم يعد لديها المرض.
ماذا عن شيء آخر ليس له علاقة تمامًا؟
English:
What about depression?
You see, one in five people
are going to get depression
at some point in their lives.
So what is depression?
There's no blood test for depression;
there's no scan for depression.
Depression is simply the name
that we give to a collection of symptoms.
But what causes the depression?
Well, we know that
many cases of depression
are associated with something
called inflammation.
Now this isn't the same inflammation
as if you trip up, you sprain your ankle,
it gets red, it gets swollen,
it gets hot for a few days.
But this is entirely different.
This is chronic inflammation.
This happens when your body thinks
it is under constant attack.
Now, King's College London three weeks ago
published a study on this.
This is current up-to-date stuff.
Patients with depression,
if they had high levels
of inflammation in their body,
Portuguese:
Se for depressão?
Uma em cada cinco pessoas
terão depressão em algum momento da vida.
O que é depressão?
Não existe exame de sangue para depressão,
ou nenhum exame que a mostre.
Depressão é o nome que damos
à uma coleção de sintomas.
Mas o que causa depressão?
Sabemos que muitos casos
estão associados
ao que chamamos de inflamação.
Não é a mesma inflamação de quando
tropeçamos e torcemos o tornozelo.
Fica vermelho, inchado
e quente por alguns dias.
Essa é completamente diferente.
Essa inflamação é crônica.
Isso acontece quando o seu corpo acha
que está sendo atacado constantemente.
Há três semanas, o King's College
em Londres publicou um estudo sobre isso.
Isto está bem atualizado.
Pacientes com depressão
que tinham altos níveis
de inflamação no corpo
Arabic:
ماذا عن الاكتئاب؟
كما ترون، واحد من كل خمسة أشخاص
سيصابون بالاكتئاب في مرحلة ما في حياتهم.
فما هو الاكتئاب؟
لا يوجد هناك اختبارات دموية للاكتئاب،
لا توجد فحوصات للاكتئاب.
الاكتئاب ببساطة هو اسم نعطيه
لمجموعة من الأعراض.
لكن ماذا يسبب الاكتئاب؟
حسنًا، نحن نعلم أن عديدًا
من حالات الاكتئاب
مرتبطة بشيء يسمى الالتهاب.
ليس نفس الالتهاب الذي يحدث إذا تعثرت
أو التوى كاحلك
فيصبح أحمر اللون، ومتورمًا،
وساخنًا لعدة أيام.
لكن ما أتحدث عنه مختلف تمامًا.
إنها المناعة المزمنة.
هذا يحدث عندما يعتقد جسدك
أنه تحت مهاجمة مستمرة.
نشرت جامعة لندن الملكية
دراسة عن هذا من ثلاثة أسابيع.
دراسات حديثة.
المرضى بالاكتئاب،
إذا كانوا يعانون من معدلات عالية
من الالتهاب،
Arabic:
فإنهم لا يستجيبون لمضادات الاكتئاب.
فلنرجع خطوة للوراء، يبدو
هذا مألوفًا، أليس كذلك؟
لأن مضادات الاكتئاب
مصممة لرفع مستوى المواد
الكيميائية في مخك.
لكن ماذا لو أن سبب هذا الاكتئاب
في الواقع يأتي من جسدك
والالتهاب الموجود به؟
بالتأكيد، يبدو مألوفًا لأننا نرى هذا.
فلنرَ، ماذا يسبب الالتهاب؟
حسنًا، فنظامك الغذائي يلعب دورًا في هذا،
مدى توترك يلعب دورًا.
الحرمان المزمن من النوم.
قلة النشاط.
نقص التعرض للشمس التي تمدك بفيتامين د.
اضطراب توازن بكتريا الأمعاء.
هناك أشياء مختلفة كثيرة.
لو لم نتعامل مع السبب،
لن نتخلص أبدًا من الأمراض.
الأمراض هي مجموعة الأعراض.
ماذا عن شيء آخر؟
ماذا عن مرض الزهايمر؟
فلنرَ.
Portuguese:
não respondiam a antidepressivos.
Até que faz sentido, não?
Porque um antidepressivo
é feito para aumentar o nível
de um produto químico no seu cérebro.
Mas e se a causa da sua depressão
está vindo do seu corpo
e da inflamação no seu corpo?
Com certeza faz mais sentido tratar isso.
O que causa essa inflamação?
A sua dieta tem uma parte nisso,
seu nível de estresse tem uma parte nisso.
Privação crônica do sono.
Inatividade física.
Falta de exposição à luz solar,
que fornece a vitamina D.
Desordem no microbioma intestinal.
Muitas coisas diferentes.
E, se não tratarmos a causa, nunca
vamos acabar com as doenças.
Doenças são os sintomas.
E as outras doenças?
Mal de Alzheimer?
Estão vendo?
English:
they did not respond
to antidepressants.
Take a step back,
it sort of makes sense, doesn't it?
Because an antidepressant
is designed to raise the level
of a chemical in your brain.
But what if the cause of your depression
is actually coming from your body
and the inflammation that's in your body?
Surely, it makes more sense
to address that.
See, what causes this inflammation?
Well, your diet plays a part in that,
your stress levels play a part.
Chronic sleep deprivation.
Physical inactivity.
A lack of exposure to the sun
which gives you vitamin D.
Disruptions in the gut microbiome.
There are many different things.
If we do not address the cause,
we'll never get rid of diseases.
Diseases are the symptom.
What about something else?
What about Alzheimer's disease?
See?
Arabic:
نحن نعيش أطول، أليس كذلك؟
لكننا مذعورون.
نحن نخاف لأنه كلما عشنا
أكثر نصبح أكثر عمرًا
فربما نضطر أن نعيش بعواقب وخيمة
من الأمراض مثل الزهايمر.
بالتأكيد الكثير منا هنا
لهم تجارب مع هذا،
مع عائلتهم.
إنها حالة مفجعة،
ونحن، الأطباء نتدافع في الأنحاء
لنحاول أن نجد العلاج.
هناك بروفيسور في سان فرانسيسسكو
البروفيسور بريديزن،
الذي كان في الواقع يوضح أنك تستطيع
أن تعالج الخرف.
أوضح أنك تستطيع أن تعكس التدهور الإدراكي
في مرضاه المصابين بالخرف،
وكيف يفعل هذا؟
حسنًا، الشيء الذي لا يفعله هو أنه لا يقول،
"كل هؤلاء المرضي في مكتبي أصيبوا بالخرف،
أو الزهايمر،
فما العلاج؟"
لا، فهو يسلك الطريق الآخر،
يقول، في كل هؤلاء المرضى،
دعنا نقول عشرة مرضى في مكتبي،
فهو يحاول أن يكتشف
Portuguese:
Estamos vivendo por mais tempo,
mas estamos com medo.
Porque, como vivemos mais
e ficamos mais velhos,
poderemos viver com as consequências
de doenças como o Alzheimer.
Tenho certeza de que muitos aqui
já tiveram experiências desse tipo
com a familia.
É uma condição muito triste,
e nós, médicos, estamos lutando
tentando encontrar a cura.
Tem um professor em San Francisco,
professor Bredesen,
que estava demonstrando
que você pode curar a demência.
Ele mostrou que pode
reverter o declínio cognitivo
nos pacientes com demência;
e como ele está fazendo isso?
Ele não diz:
"Todos estes pacientes no meu consultório
têm demência, mal de Alzheimer,
qual é a cura?"
Não, ele está fazendo de outra forma.
Digamos que ele tenha
dez pacientes no consultório,
English:
We're all living longer, aren't we?
But we're scared.
We're scared that as we live longer
and as we live older
we may have to live with the devastating
consequences of things like Alzheimer's.
I'm sure many of us in here
have experienced that ourselves,
with our family.
It's a heart-wrenching condition,
and we, the doctors,
we're scrambling around,
and we're trying to find the cure.
There's a professor in San Francisco,
Professor Bredesen,
who was actually demonstrating
that you can cure dementia.
He's shown that you can
reverse cognitive decline
in his patients with dementia;
and how is he doing that?
Well, one thing he's not doing
is he is not saying,
'Well, all these patients
in my office have got dementia,
Alzheimer's disease,
what is the cure?'
No, he's going the other way;
he's saying, with all these patients,
let's say ten patients in my office,
he's trying to work out
Portuguese:
ele está investigando as causas,
nos últimos 20 anos,
que fizeram estes pacientes
expressarem a demência.
E ele as identifica
e corrige cada uma delas.
E ao fazer isso, adivinhem o que acontece?
Eles estão revertendo os sintomas.
Não estão mais sendo classificados
como tendo demência.
É uma nova forma de olhar a doença.
É procurar o que está causando
esta doença neste paciente.
É totalmente diferente.
Então, quais fatores ele está olhando?
A dieta deles,
os níveis de estresse,
a qualidade do sono,
os níveis de atividade física,
a exposição a toxinas do ambiente,
etcetera, etcetera, etcetera.
Isto está soando familiar?
English:
what have been the triggers
for the last 20 years
that have ended up with this patient
expressing themselves as dementia?
And he identifies them,
and he corrects every single one of them.
And when he does that,
guess what's happening?
They are reversing their symptoms,
they are no longer being classified
as having dementia.
It's a brand new way
of looking at disease.
It's looking at what is causing
this disease in this individual patient.
It's totally different.
So what factors is he looking at?
Well, he's looking at their diet;
he's looking at their stress levels,
their sleep quality,
their physical activity levels,
their exposure
to environmental toxins,
et cetera, et cetera, et cetera.
Is this starting to sound
a little bit familiar?
Arabic:
ما المحفزات في أخر
عشرون عامًا
التي انتهت بهؤلاء المرضى ليقدموا
أنفسهم بأنهم مصابون بالخرف؟
فيتعرف علي كل محفز منهم،
ويصلح كل واحد منهم.
وعندما يفعل هذا خمن ماذا يحدث؟
ينهي ذلك من أعراض المرض،
فلم يعد هؤلاء المرضى يصنفون أنهم
مصابون بالخرف.
إنها طريقة جديدة للنظر إلي المرض.
طريقة تنظر إلى مسببات
هذا المرض لكل مريض.
إنها مختلفة تمامًا.
فما هي العوامل التي ينظر إليها؟
حسنًا، فهو ينظر إلى نظامهم الغذائي،
ينظر إلى معدلات توترهم،
كفاءة نومهم،
معدلات نشاطهم،
تعرضهم للسموم البيئية،
إلخ، إلخ، إلخ.
هل يبدوا ذلك مألوفًا قليلًا؟
Portuguese:
E se todas estas doenças
que se parecem desconectadas
na verdade têm como núcleo
causas comuns entre elas?
Temos que atualizar o modo de pensar.
A nossa genética não é o nosso destino.
Os nossos genes carregam a arma,
mas é o ambiente que puxa o gatilho.
Todos esses fatores estão aqui.
E eles interagem com os seus genes
e determinam como eles se expressam
caso você tenha uma saúde ideal
ou tenha uma doença
ou esteja no meio.
Coletivamente, como sociedade,
acredito que podemos
e temos que fazer melhor.
Somente a diabete tipo 2 está nos custando
20 bilhões de libras por ano.
Somente 1% de economia ali seriam
200 milhões de libras.
Acho que podemos fazer
muito melhor que 1%.
Hoje nos Estados Unidos,
Arabic:
ماذا لو أن هذه الأمراض
التي لا علاقة لها ببعضها ظاهريًا
في الواقع في جوهرها تشترك
في نفس السبب الرئيسي
نحن نحتاج أن نحدّث تفكيرنا،
فجيناتنا الوراثية ليست مصيرنا المحتوم.
جيناتنا تشحن البندقية،
لكن البيئة هي التي تضغط الزناد.
كل هذه العوامل هنا،
هي العوامل التي تتداخل مع جيناتك
وتحدد كيف ستعبر الجينات عن نفسها،
ستكون بصحة جيدة
أو سيصحبك لمرض،
أو ربما بين الصحة والمرض.
معًا، كمجتمع،
أنا بصدق أعتقد أننا نستطيع أن
نؤدي بشكل أفضل ويجب علينا ذلك.
مرض السكري النوع الثاني مفردًا
يكلفنا 20 مليار جنية سنويًا.
مجرد توفير واحد بالمائة،
سيصبح 200 مليون جنيهًا.
أعتقد أنه يمكننا أن نحصل علي أكثر من 1%.
اليوم في الولايات المتحدة،
English:
See, what if all these seemingly
separate diseases
actually at their core
share common root causes?
See, we need to update our thinking:
Our genetics are not our destiny.
Our genes load the gun,
but it's our environment
that pulls the trigger.
All these factors here,
these are the factors
that basically interact with your genes
and determine how your genes
are expressed,
whether you are in optimal health,
whether you have a disease,
or whether you are somewhere in between.
Collectively, as a society,
I genuinely believe
we can do better and we have to do better.
Type 2 diabetes alone
is costing us 20 billion pounds a year.
Just a 1% saving there
would be 200 million pounds.
I think we can do way better than 1%.
In the United States today,
English:
the new generation of kids that are born
have a lower life expectancy
than the generation before them.
Is this evolution or is this devolution?
You see, we need to evolve
the way that we practice medicine.
We need the medicine of aetiology,
not symptomatology -
the medicine that asks why,
not only tells you what.
This is personalized medicine,
this is precision medicine,
this is progressive medicine.
And actually, if you take a step back,
this is preventative medicine
in its purest form.
We have got to stop applying
20th century thinking
to 21st century problems.
We need to take back control,
empower ourselves,
and re-educate ourselves
away from our fear of disease
and right back down the curve
to optimal health.
Because if we do, together,
I genuinely believe that we can
change not only our health,
Arabic:
الجيل الجديد من المواليد
لديه توقعات أقل في الحياة
من الجيل السابق لهم.
هل هذا تطور أم انحطاط؟
كما ترون، نحتاج أن نطور
الطريقة التي نمارس بها الطب
نحتاج طب المسبباب، لا طب الأعراض.
الطب الذي يسألك لماذا،
لا الذي يخبرك فقط ماذا؟
هذا هو الطب الشخصي،
هذا هو الطب الدقيق،
هذا هو الطب المتقدم.
وفي الواقع لو أخذنا خطوة للوراء،
هذا هو الطب الوقائي في نسخته الزاهية.
يجب علينا أن نتوقف عن تطبيق
أفكار القرن العشرين علي مشاكل
القرن الواحد والعشرين.
نحتاج أن نستعيد السيطرة،
نمنح أنفسنا القوة،
ونعيد تعليم أنفسنا بعيدًا
عن خوفنا من المرض
وأن نعدل المنحنى للأسفل نحو
الصحة المثالية.
لأنه لو فعلنا هذا، معًا،
أؤمن بصدق أننا نستطيع
أن نغيّر ليس فقط صحتنا،
Portuguese:
a nova geração de crianças que nasce
tem uma expectativa de vida menor
que a geração anterior.
Isso é evolução ou involução?
Temos que evoluir
a forma que praticamos medicina.
Precisamos da etiologia médica
e não da sintomatologia,
da medicina que pergunta os porquês,
e não somente fala o quê.
Isto é medicina personalizada,
medicina de precisão,
medicina progressiva.
Na verdade, se derem uma olhada,
isso é medicina preventiva
na forma mais pura.
Temos que parar de aplicar
o pensamento do século 20
nos problemas do século 21.
Temos que tomar as rédeas novamente
e nos reeducar para longe
do nosso medo de doença
e de volta para baixo, para a saúde ideal.
Se fizermos isso juntos
acredito que podemos mudar
não somente a nossa saúde,
Portuguese:
a saúde das nossas comunidades,
mas talvez, somente talvez,
poderíamos começar a mudar
a saúde do mundo inteiro.
Muito obrigado.
(Aplausos) (Vivas)
Arabic:
ليس فقط صحة مجتمعنا،
ولكن ربما، ربما
نستطيع أن نغيّر صحة العالم أجمع.
شكرًا لكم.
(هتاف) (تصفيق)
English:
not only the health of our communities,
but maybe, just maybe
we could start to change the health
of the entire world.
Thank you.
(Cheers) (Applause)
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Hola gente ¿Cómo andan? El día de hoy les
traemos una crítica a la famosa película
AVENGERS: END GAME.
La película más decepcionante de todo Marvel,
no cumplió con las expectativas, no brindó el cierre
que la saga se merecía , ridiculización de personajes, puro fanservice poser, y lo
que se suponía ser una película épica, terminó siendo una PARODIA DEL BANANERO.
Es que se basaron en cagar en lo que
ellos mismos crearon. Véase: Thor
Capitán América, Hulk y Thanos. Tendrá
todas las referencias al cine que
quieras, pero si la película es una
mierda e intentan hacer algo épico, NO SIRVE.
Mirá flaco, la verdad yo no voy a ver
End Game para reírme. No tiene que ser una película
ya que es una mierda la película
cómica. LA CONCHA DE TU MADRE, NO VOY A REÍRME.
¿NO ENTENDÉS QUE NO VOY A REÍRME? NO QUIERO CAGARME DE RISAAAAAAAAAAAA.
HERMANOS RUSSO Y LA RECONCHA DE TU MADREEEEE.
Al público casual le parecerá gracioso
ver a THOR GORDO jugando FORTNITE pero porque no
entienden nada ¡Manga de posers del orto! La muerte de Black Widow una MIERDA. Lo único que me pareció un
poquito bueno fue la escena de la batalla
final. Nono, re podrido se fueron al
carajo, una negra volando en un caballo, NADA QUE VER.
Ahora vamos a pasar a argumentar en los
puntos débiles de cada personaje. Primero:
THOR. El principal problema de THOR no
es que sea un gordo traficante de
ravioles, que eso igual está re podrido, pero
ese no es el punto. El punto es que
Marvel no sabe terminar las jodas. Puede ser gracioso ver al
personaje más pija
ridiculizado. Está bien lo puedo
entender, pero escúchame flaco. Encima
va y le deja el reino a una negra re dura, y se hace Guardián de la Galaxia.
¿¡Dónde MIERDA VISTE A THOR GUARDIÁN DE LA GALAXIA!?
Y LIIITO.
Bueno, prosigamos con Capitán América.
Yo no entiendo, el final
del arco de Iron Man hasta el nivel, pero
lo que le hicieron al Cap. Nono, RE PODRIDOOO.
NONO, están re duros. O sea, hicieron que viaje
en el tiempo. Crearon toda inconcluencia en
el tiempo, porque se creó una línea de
tiempo donde el Cap se casa con Agente
Carter, que teóricamente no tendría que
existir esa línea de tiempo, pero existe igual
Después no sabemos cómo un viejo senil PODRIDO
hizo para meterse en la máquina del
tiempo ¡¿QUÉ?! ¿Se quedó ahí re duro sentado a
ver si alguien lo miraba y se daba cuenta
de que estaba ahí? Andá a saber cuánto tiempo
estuvo. Y en vez de darle el escudo a su
amigo de toda la vida, el soldado del invierno, se lo dá a un NEGRO, o sea, UN NEGROOOO.
Y bueno, en fin. Esta fue la opinión de
Duro's Corp sobre esta cagada de END GAME.
Recuerden que esta no es una opinión, sino
que es la verdad absoluta.
Un saludo, gente.
NANATSUNOKōDOBOBO.
Suscribite, no seas como el Ender Dragon.
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Spanish:
Ya nos dejó. Se fue hace horas..
Mi hechicería es tan buena, pero
soy incapaz de ayudar a mi niño.
Alguien que me conteste.
No me engaña.
Se donde está.
Fue a la laguna mágica de nuevo.
El amor es una maldición.
Está enamorado.
¿Creen que no lo se?
Traté de curarlo.
¿Habré perdido mis habilidades
de brujería?
No. No, Sybil.
¿Acaso mis hechizos no han curado
mordidas de serpiente...
sabañones, carbunclos,
conjuntivitis, padrastros...
y recuerdos tristes?
Sí. Sí, Sybil.
¿Entonces cómo puede librar a mi niño
de esta fiebre?
George es un hombre. Y humano.
English:
He's gone again. He left home hours ago.
What good is my sorcery
if I can't help my own boy?
Answer me, someone.
He's not fooling me.
I know where he is.
He's at the magic pool again.
Love is his curse. He is in love.
You think I don't know it?
I've tried to cure him of it.
Am I losing my skill as a sorceress?
No. No, Sybil.
Doesn't my witchcraft cure snakebites...
chilblains, carbuncles, pinkeye, hangnails...
and unhappy memories?
Yes. Yes, Sybil.
Then why can't I rid the boy of this fever?
George is a man. And human.
Croatian:
Ponovo je otišao...
prije nekoliko sati.
Šta je dobro u mojoj magiji
kad ne mogu pomoći vlastitom dječaku?
Odgovorite mi, bilo tko.
Ne može mene prevariti.
Znam ja gdje je on.
Opet je na čarobnoj fontani.
Ljubav je njegovo prokletstvo.
On je zaljubljen.
Mislite da ja to ne znam?
Pokušala sam ga izliječiti od toga.
Gubim li ja vještinu kao vračara?
Ne. Ne, Sybil.
Zar moje vračarije ne liječe ugriz zmije...
čireve,crvene oči,zanoktice...
i nesretna sjećanja?
Da. Da, Sybil.
Zašto onda ne mogu osloboditi
dječaka ove groznice?
George je muškarac. I čovjek.
Čovjek, da. No, muškarac teško.
Prije puki dječak od 20 g.
Spanish:
Ya nos dejó. Se fue hace horas..
Mi hechicería es tan buena, pero
soy incapaz de ayudar a mi niño.
Alguien que me conteste.
No me engaña.
Se donde está.
Fue a la laguna mágica de nuevo.
El amor es una maldición.
Está enamorado.
¿Creen que no lo se?
Traté de curarlo.
¿Habré perdido mis habilidades
de brujería?
No. No, Sybil.
¿Acaso mis hechizos no han curado
mordidas de serpiente...
sabañones, carbunclos,
conjuntivitis, padrastros...
y recuerdos tristes?
Sí. Sí, Sybil.
¿Entonces cómo puede librar a mi niño
de esta fiebre?
George es un hombre. Y humano.
Spanish:
Ya nos dejó. Se fue hace horas..
Mi hechicería es tan buena, pero
soy incapaz de ayudar a mi niño.
Alguien que me conteste.
No me engaña.
Se donde está.
Fue a la laguna mágica de nuevo.
El amor es una maldición.
Está enamorado.
¿Creen que no lo se?
Traté de curarlo.
¿Habré perdido mis habilidades
de brujería?
No. No, Sybil.
¿Acaso mis hechizos no han curado
mordidas de serpiente...
sabañones, carbunclos,
conjuntivitis, padrastros...
y recuerdos tristes?
Sí. Sí, Sybil.
¿Entonces cómo puede librar a mi niño
de esta fiebre?
George es un hombre. Y humano.
Spanish:
Ya nos dejó. Se fue hace horas..
Mi hechicería es tan buena, pero
soy incapaz de ayudar a mi niño.
Alguien que me conteste.
No me engaña.
Se donde está.
Fue a la laguna mágica de nuevo.
El amor es una maldición.
Está enamorado.
¿Creen que no lo se?
Traté de curarlo.
¿Habré perdido mis habilidades
de brujería?
No. No, Sybil.
¿Acaso mis hechizos no han curado
mordidas de serpiente...
sabañones, carbunclos,
conjuntivitis, padrastros...
y recuerdos tristes?
Sí. Sí, Sybil.
¿Entonces cómo puede librar a mi niño
de esta fiebre?
George es un hombre. Y humano.
Spanish:
Ya nos dejó. Se fue hace horas..
Mi hechicería es tan buena, pero
soy incapaz de ayudar a mi niño.
Alguien que me conteste.
No me engaña.
Se donde está.
Fue a la laguna mágica de nuevo.
El amor es una maldición.
Está enamorado.
¿Creen que no lo se?
Traté de curarlo.
¿Habré perdido mis habilidades
de brujería?
No. No, Sybil.
¿Acaso mis hechizos no han curado
mordidas de serpiente...
sabañones, carbunclos,
conjuntivitis, padrastros...
y recuerdos tristes?
Sí. Sí, Sybil.
¿Entonces cómo puede librar a mi niño
de esta fiebre?
George es un hombre. Y humano.
Spanish:
Humano sí. Pero aún no es un hombre
Es sólo un niño de 20.
Enamorado.
George. Hecho un hombre
¿Y enamorado?
El debería estar en casa
aprendiendo bien el oficio.
Como yo.
Laguna mágica, obedece mi deseo.
Traeme su visión.
Está bien. Búscala.
Está en el palacio.
No, adentro.
Quizas en la sala del trono
Croatian:
Zaljubljen.
George. Već muškarac. Zaljubljen?
Trebao bi biti kod kuće
i učiti zanat.
Poput mog.
Čarobna fontano. Ispuni mi želju.
Prenesi joj viziju mog znaka.
Tako je. Pronađi je.
Ona je u palači.
Ne, unutra.
Možda u sobi sa prijestoljem.
Spanish:
Humano sí. Pero aún no es un hombre
Es sólo un niño de 20.
Enamorado.
George. Hecho un hombre
¿Y enamorado?
El debería estar en casa
aprendiendo bien el oficio.
Como yo.
Laguna mágica, obedece mi deseo.
Traeme su visión.
Está bien. Búscala.
Está en el palacio.
No, adentro.
Quizas en la sala del trono
Spanish:
Humano sí. Pero aún no es un hombre
Es sólo un niño de 20.
Enamorado.
George. Hecho un hombre
¿Y enamorado?
El debería estar en casa
aprendiendo bien el oficio.
Como yo.
Laguna mágica, obedece mi deseo.
Traeme su visión.
Está bien. Búscala.
Está en el palacio.
No, adentro.
Quizas en la sala del trono
Spanish:
Humano sí. Pero aún no es un hombre
Es sólo un niño de 20.
Enamorado.
George. Hecho un hombre
¿Y enamorado?
El debería estar en casa
aprendiendo bien el oficio.
Como yo.
Laguna mágica, obedece mi deseo.
Traeme su visión.
Está bien. Búscala.
Está en el palacio.
No, adentro.
Quizas en la sala del trono
Spanish:
Humano sí. Pero aún no es un hombre
Es sólo un niño de 20.
Enamorado.
George. Hecho un hombre
¿Y enamorado?
El debería estar en casa
aprendiendo bien el oficio.
Como yo.
Laguna mágica, obedece mi deseo.
Traeme su visión.
Está bien. Búscala.
Está en el palacio.
No, adentro.
Quizas en la sala del trono
English:
Human, yes. But hardly a man.
He's a mere boy of 20.
In love.
George. Already a man. In love?
He ought to be at home
learning a good trade.
Like mine.
Pool of magic, obey my wish.
Bring her vision into my sight.
That's right. Find her.
She's at the palace.
No, inside.
Perhaps the throne room.
Croatian:
Ne. Probaj u usnulom vrtu unutar dvorca
pored Orientalnog bazena.
Takoje. Eno je.
Eno je.
Nadam se da je hladna voda ohladila
vašu vrelu narav, moja damo.
Ne,samo sam bijesna kao uvijek.
Oh, Princezo!
Lako je tebi govoriti.
Možeš činiti što god želiš.
Zaljubiti se, izaći iz ljubavi.
English:
No. Try the sunken garden in the palace
by the Oriental pool.
That's right. There she is.
There she is.
I hope the cold water's chilled
your hot temper, my lady.
Spanish:
No. Trata en el jardín acuático en la
laguna oriental del palacio.
Está bien.Ahí está.
Ahí está.
Espero que el agua haya enfriado
su genio, mi señora.
Spanish:
No. Trata en el jardín acuático en la
laguna oriental del palacio.
Está bien.Ahí está.
Ahí está.
Espero que el agua haya enfriado
su genio, mi señora.
Spanish:
No. Trata en el jardín acuático en la
laguna oriental del palacio.
Está bien.Ahí está.
Ahí está.
Espero que el agua haya enfriado
su genio, mi señora.
Spanish:
No. Trata en el jardín acuático en la
laguna oriental del palacio.
Está bien.Ahí está.
Ahí está.
Espero que el agua haya enfriado
su genio, mi señora.
Spanish:
No. Trata en el jardín acuático en la
laguna oriental del palacio.
Está bien.Ahí está.
Ahí está.
Espero que el agua haya enfriado
su genio, mi señora.
Spanish:
- No, estoy furiosa como siempre.
- Oh, princesa.
Es fácil para ti hablar.
Puedes hacer lo que gustes.
Enamorarte, y volver ha hacerlo.
Un escudero un día, un caballerizo al otro.
Pero yo por fuerza debo estar
prisionera en esta torre.
Ni siquiera puedo hablar con un hombre,
o estar a solas con él.
Es el castigo por ser princesa.
Pero aún a una princesa se le
debe permitir enamorarse..
- ¿ Cuando lo conoceré ?
-¿ A quién, mi señora ?
Al que pueda amar.
Algun día tendrá su oportunidad.
Puedes retirarte.
- ¿Quién la vestirá?
- Lo haré yo.
- Bien,¿Qué hará después?
- Lo de siempre. Sentarme y soñar.
¿Princesa Helena?
¿Quién es Ud?
Spanish:
- No, estoy furiosa como siempre.
- Oh, princesa.
Es fácil para ti hablar.
Puedes hacer lo que gustes.
Enamorarte, y volver ha hacerlo.
Un escudero un día, un caballerizo al otro.
Pero yo por fuerza debo estar
prisionera en esta torre.
Ni siquiera puedo hablar con un hombre,
o estar a solas con él.
Es el castigo por ser princesa.
Pero aún a una princesa se le
debe permitir enamorarse..
- ¿ Cuando lo conoceré ?
-¿ A quién, mi señora ?
Al que pueda amar.
Algun día tendrá su oportunidad.
Puedes retirarte.
- ¿Quién la vestirá?
- Lo haré yo.
- Bien,¿Qué hará después?
- Lo de siempre. Sentarme y soñar.
¿Princesa Helena?
¿Quién es Ud?
Spanish:
- No, estoy furiosa como siempre.
- Oh, princesa.
Es fácil para ti hablar.
Puedes hacer lo que gustes.
Enamorarte, y volver ha hacerlo.
Un escudero un día, un caballerizo al otro.
Pero yo por fuerza debo estar
prisionera en esta torre.
Ni siquiera puedo hablar con un hombre,
o estar a solas con él.
Es el castigo por ser princesa.
Pero aún a una princesa se le
debe permitir enamorarse..
- ¿ Cuando lo conoceré ?
-¿ A quién, mi señora ?
Al que pueda amar.
Algun día tendrá su oportunidad.
Puedes retirarte.
- ¿Quién la vestirá?
- Lo haré yo.
- Bien,¿Qué hará después?
- Lo de siempre. Sentarme y soñar.
¿Princesa Helena?
¿Quién es Ud?
Spanish:
- No, estoy furiosa como siempre.
- Oh, princesa.
Es fácil para ti hablar.
Puedes hacer lo que gustes.
Enamorarte, y volver ha hacerlo.
Un escudero un día, un caballerizo al otro.
Pero yo por fuerza debo estar
prisionera en esta torre.
Ni siquiera puedo hablar con un hombre,
o estar a solas con él.
Es el castigo por ser princesa.
Pero aún a una princesa se le
debe permitir enamorarse..
- ¿ Cuando lo conoceré ?
-¿ A quién, mi señora ?
Al que pueda amar.
Algun día tendrá su oportunidad.
Puedes retirarte.
- ¿Quién la vestirá?
- Lo haré yo.
- Bien,¿Qué hará después?
- Lo de siempre. Sentarme y soñar.
¿Princesa Helena?
¿Quién es Ud?
English:
- No, I'm just as furious as ever.
- Oh, Princess.
It's easy enough for you to talk.
You can do whatever you please.
Fall in love, fall out of it again.
A squire one day, a stableboy the next.
But I might as well be a prisoner in a tower.
I can't even speak to a man,
let alone have him look at me.
It's the penalty of being a princess.
But even a princess
should be allowed romance.
- How will I ever meet him?
- Who, my lady?
The one I could love.
You'll have your chance someday.
You run along.
- But your gown?
- I'll dress myself.
- Well, then what will you do?
- What I always do. Sit here and dream.
Princess Helene?
Who are you?
Spanish:
- No, estoy furiosa como siempre.
- Oh, princesa.
Es fácil para ti hablar.
Puedes hacer lo que gustes.
Enamorarte, y volver ha hacerlo.
Un escudero un día, un caballerizo al otro.
Pero yo por fuerza debo estar
prisionera en esta torre.
Ni siquiera puedo hablar con un hombre,
o estar a solas con él.
Es el castigo por ser princesa.
Pero aún a una princesa se le
debe permitir enamorarse..
- ¿ Cuando lo conoceré ?
-¿ A quién, mi señora ?
Al que pueda amar.
Algun día tendrá su oportunidad.
Puedes retirarte.
- ¿Quién la vestirá?
- Lo haré yo.
- Bien,¿Qué hará después?
- Lo de siempre. Sentarme y soñar.
¿Princesa Helena?
¿Quién es Ud?
Croatian:
Štitonoša jedan dan, konjušar slijedeći.
Ali ja isto tako mogu biti zatočenica u kuli.
Ne mogu čak niti razgovarati sa muškarcem
i pustiti mu da me gleda.
To je cijena od biti princeza.
Ali čak i princezama
bi trebala biti dozvoljena romansa.
Kako ću ga ikad sresti?
Koga, moja damo?
Onog kojeg ću moći voljeti.
Jednom ćete dobiti svoju priliku.
Idi ti sama.
Ali vaša haljina?
Obući ću se sama.
Dobro, i što ćete tada?
Kao i obično. Sjediti ovdje i sanjati.
Princezo Helene?
Tko si ti?
Što želiš?
Ostani dalje.
Da se nisi više približio.
Ne, Princezo...ja ću se brinuti o vama.
Spanish:
¿Qué desea?
Aléjese.
- No se acerque.
- No, Princesa, yo la cuidaré.
¡Helena!
¿Sybil, donde estás?
No necesitas gritar, George,
puedo escucharte.
Debo irme. Ella está en peligro.
¿De quién en este oscuro mundo
estás hablando?
De la Princesa Helena.
La amo desde el primer momento.
A un reflejo en el agua le dices amor,
niño tonto.
Algo terrible le ha pasado.
Déjame ver de que hablas.
Croatian:
Helene!
Sybil, gdje si?
Ne moraš vikati, George, Čujem te.
Moram otići odavde. Ona je u nevolji.
O keme na ovome svijeto
ti govoriš?
Princeza Helena.
Volim je od prvog trena kad sam je ugledao.
Odraz na vodi i ti je zoveš ljubav
ti luckasto dijete.
Nešto strašno joj se dogodilo.
Daj da vidim o čemu to govoriš.
Čarobno ogledalce,
pokaži mi što je uznemirilo mog dječaka.
Princeza je nestala, vaša Visosti.
Nije u odajama, niti u vrtu...
niti pored bazena.
Nitko ju nije vidio da napušta palaču.
Sve smo pretražili.
Spanish:
¿Qué desea?
Aléjese.
- No se acerque.
- No, Princesa, yo la cuidaré.
¡Helena!
¿Sybil, donde estás?
No necesitas gritar, George,
puedo escucharte.
Debo irme. Ella está en peligro.
¿De quién en este oscuro mundo
estás hablando?
De la Princesa Helena.
La amo desde el primer momento.
A un reflejo en el agua le dices amor,
niño tonto.
Algo terrible le ha pasado.
Déjame ver de que hablas.
Spanish:
¿Qué desea?
Aléjese.
- No se acerque.
- No, Princesa, yo la cuidaré.
¡Helena!
¿Sybil, donde estás?
No necesitas gritar, George,
puedo escucharte.
Debo irme. Ella está en peligro.
¿De quién en este oscuro mundo
estás hablando?
De la Princesa Helena.
La amo desde el primer momento.
A un reflejo en el agua le dices amor,
niño tonto.
Algo terrible le ha pasado.
Déjame ver de que hablas.
English:
What do you want?
Stay away.
- Don't you come any closer.
- No, Princess, I'm going to take care of you.
Helene!
Sybil, where are you?
You needn't shout, George, I can hear you.
I must leave here. She's in danger.
Who in the netherworld
are you talking about?
Princess Helene.
I loved her from the first moment I saw her.
A reflection in the water and you call it love,
you silly child.
Something terrible has happened to her.
Let me see what you're talking about.
Spanish:
¿Qué desea?
Aléjese.
- No se acerque.
- No, Princesa, yo la cuidaré.
¡Helena!
¿Sybil, donde estás?
No necesitas gritar, George,
puedo escucharte.
Debo irme. Ella está en peligro.
¿De quién en este oscuro mundo
estás hablando?
De la Princesa Helena.
La amo desde el primer momento.
A un reflejo en el agua le dices amor,
niño tonto.
Algo terrible le ha pasado.
Déjame ver de que hablas.
Spanish:
¿Qué desea?
Aléjese.
- No se acerque.
- No, Princesa, yo la cuidaré.
¡Helena!
¿Sybil, donde estás?
No necesitas gritar, George,
puedo escucharte.
Debo irme. Ella está en peligro.
¿De quién en este oscuro mundo
estás hablando?
De la Princesa Helena.
La amo desde el primer momento.
A un reflejo en el agua le dices amor,
niño tonto.
Algo terrible le ha pasado.
Déjame ver de que hablas.
Spanish:
Espejo mágico,
muéstrame lo que molesta a mi hijo.
La Princesa se ha ido,
su Majestad.
No está en sus dormitorios, ni en
el jardín, ni en la laguna.
Nadie la vio dejar el palacio.
La hemos buscado en todos lados.
- Manda a los guardias, Branton.
- Ya lo hicimos mi Señor.
Hasta que no aparezca nadie podrá
entrar o salir del palacio.
¿Quién es este?
Lo encontramos merodeando
por la ventana, mi Señor.
-No quiere hablar.
- Hay medios para obligarlo.
Sir Branton.
Su muy Serena Majestad.
Puede detener la búsqueda
La Princesa, su hija, está en mi castillo.
Encerrada con llave.
¿Quién eres tú?
Lodac.
¿El brujo?
Croatian:
Onda okupi gardu, Brantone.
Uradili smo to, moj gospodaru.
Dok je ne pronađemo, nitko ne smije
niti ući niti izači iz palače.
Tko je to?
Našli smo ga kako se šulja
oko istočnih stražnjih vrata, gospodaru.
Ne želi govoriti.
Postoje načini da ga se natjera da govori.
Sir Branton.
Vaše Presvjetlo Visočanstvo.
Možete prekinuti potragu.
Princeza, vaša kćer, je u mom dvorcu.
Zaključana i pod lancima.
Tko si ti?
Lodac.
Čarobnjak?
Ja sam polaskan što
me prati moja reputacija.
Lodac,
kažeš da je moja kćer u tvom dvorcu.
Ali zašto? Kako sam te povrijedio?
Zašto to činiš?
Odgovor je vrlo jednostavan.
Spanish:
Espejo mágico,
muéstrame lo que molesta a mi hijo.
La Princesa se ha ido,
su Majestad.
No está en sus dormitorios, ni en
el jardín, ni en la laguna.
Nadie la vio dejar el palacio.
La hemos buscado en todos lados.
- Manda a los guardias, Branton.
- Ya lo hicimos mi Señor.
Hasta que no aparezca nadie podrá
entrar o salir del palacio.
¿Quién es este?
Lo encontramos merodeando
por la ventana, mi Señor.
-No quiere hablar.
- Hay medios para obligarlo.
Sir Branton.
Su muy Serena Majestad.
Puede detener la búsqueda
La Princesa, su hija, está en mi castillo.
Encerrada con llave.
¿Quién eres tú?
Lodac.
¿El brujo?
Spanish:
Espejo mágico,
muéstrame lo que molesta a mi hijo.
La Princesa se ha ido,
su Majestad.
No está en sus dormitorios, ni en
el jardín, ni en la laguna.
Nadie la vio dejar el palacio.
La hemos buscado en todos lados.
- Manda a los guardias, Branton.
- Ya lo hicimos mi Señor.
Hasta que no aparezca nadie podrá
entrar o salir del palacio.
¿Quién es este?
Lo encontramos merodeando
por la ventana, mi Señor.
-No quiere hablar.
- Hay medios para obligarlo.
Sir Branton.
Su muy Serena Majestad.
Puede detener la búsqueda
La Princesa, su hija, está en mi castillo.
Encerrada con llave.
¿Quién eres tú?
Lodac.
¿El brujo?
Spanish:
Espejo mágico,
muéstrame lo que molesta a mi hijo.
La Princesa se ha ido,
su Majestad.
No está en sus dormitorios, ni en
el jardín, ni en la laguna.
Nadie la vio dejar el palacio.
La hemos buscado en todos lados.
- Manda a los guardias, Branton.
- Ya lo hicimos mi Señor.
Hasta que no aparezca nadie podrá
entrar o salir del palacio.
¿Quién es este?
Lo encontramos merodeando
por la ventana, mi Señor.
-No quiere hablar.
- Hay medios para obligarlo.
Sir Branton.
Su muy Serena Majestad.
Puede detener la búsqueda
La Princesa, su hija, está en mi castillo.
Encerrada con llave.
¿Quién eres tú?
Lodac.
¿El brujo?
Spanish:
Espejo mágico,
muéstrame lo que molesta a mi hijo.
La Princesa se ha ido,
su Majestad.
No está en sus dormitorios, ni en
el jardín, ni en la laguna.
Nadie la vio dejar el palacio.
La hemos buscado en todos lados.
- Manda a los guardias, Branton.
- Ya lo hicimos mi Señor.
Hasta que no aparezca nadie podrá
entrar o salir del palacio.
¿Quién es este?
Lo encontramos merodeando
por la ventana, mi Señor.
-No quiere hablar.
- Hay medios para obligarlo.
Sir Branton.
Su muy Serena Majestad.
Puede detener la búsqueda
La Princesa, su hija, está en mi castillo.
Encerrada con llave.
¿Quién eres tú?
Lodac.
¿El brujo?
English:
Magic mirror,
show me what has upset my boy.
The Princess is gone, Your Majesty.
She's not in her quarters, not in the garden,
not by the pool.
Yet no one saw her leave the palace.
We've searched everywhere.
- Then turn out the guards, Branton.
- We have done that, my liege.
Until she is found, no one will be permitted
in or out of the palace.
Who is this?
We found him skulking
within the eastern postern, my liege.
- He won't speak.
- There are means to make him speak.
Sir Branton.
Your Most Serene Majesty.
You can call off the search.
The Princess, your daughter, is in my castle.
Under lock and key.
Who are you?
Lodac.
The sorcerer?
Spanish:
Me halaga que mi
reputación me preceda.
Lodac, dices que mi
hija está en tu castillo.
¿Pero porqué? ¿En qué te he herido?
¿Porqué me haces esto?
La respuesta es muy simple.
Tu padre ejecutó a mi hija por brujería
cuando sólo tenía 18 años.
He esperado hasta que tu
hija cumpla esa edad...
así mi dragón podrá saborear
la carne de la Princesa.
- Lodac,te lo ruego.
- Rogar nada, mi Señor.
¿Dejará que este brujo come gusanos
nos asuste?
-Ten cuidado Brandon.
-No.
Lodac, encontraré tu castillo
liberaré a la princesa y te destruiré.
Encontrar mi castillo no es mucho trabajo.
Es un viaje corto de una semana.
Es tan simple como seguir
a la estrella amarilla del norte.
El truco es ¿Cómo llegar vivo?
Lo haré.
Spanish:
Me halaga que mi
reputación me preceda.
Lodac, dices que mi
hija está en tu castillo.
¿Pero porqué? ¿En qué te he herido?
¿Porqué me haces esto?
La respuesta es muy simple.
Tu padre ejecutó a mi hija por brujería
cuando sólo tenía 18 años.
He esperado hasta que tu
hija cumpla esa edad...
así mi dragón podrá saborear
la carne de la Princesa.
- Lodac,te lo ruego.
- Rogar nada, mi Señor.
¿Dejará que este brujo come gusanos
nos asuste?
-Ten cuidado Brandon.
-No.
Lodac, encontraré tu castillo
liberaré a la princesa y te destruiré.
Encontrar mi castillo no es mucho trabajo.
Es un viaje corto de una semana.
Es tan simple como seguir
a la estrella amarilla del norte.
El truco es ¿Cómo llegar vivo?
Lo haré.
English:
I am flattered
that my reputation has preceded me.
Lodac,
you say my daughter is at your castle.
But why? How have I hurt you?
Why have you done this thing?
The answer is very simple.
Your father executed my sister for witchcraft
when she was only 18 years old.
I have waited
until your daughter reached that age...
so that my dragon could relish
the flesh of the Princess.
- Lodac, I beseech you.
- Beseech nothing, my liege.
Will you have this worm-eaten sorcerer
frighten us?
- Be careful, Branton.
- Not I.
Lodac, I shall find your castle,
free the Princess, and see you destroyed.
Finding my castle is no great task.
It's a short journey of about a week.
You simply follow
the yellow star of the north.
The trick is, how to get there alive?
I shall.
Spanish:
Me halaga que mi
reputación me preceda.
Lodac, dices que mi
hija está en tu castillo.
¿Pero porqué? ¿En qué te he herido?
¿Porqué me haces esto?
La respuesta es muy simple.
Tu padre ejecutó a mi hija por brujería
cuando sólo tenía 18 años.
He esperado hasta que tu
hija cumpla esa edad...
así mi dragón podrá saborear
la carne de la Princesa.
- Lodac,te lo ruego.
- Rogar nada, mi Señor.
¿Dejará que este brujo come gusanos
nos asuste?
-Ten cuidado Brandon.
-No.
Lodac, encontraré tu castillo
liberaré a la princesa y te destruiré.
Encontrar mi castillo no es mucho trabajo.
Es un viaje corto de una semana.
Es tan simple como seguir
a la estrella amarilla del norte.
El truco es ¿Cómo llegar vivo?
Lo haré.
Spanish:
Me halaga que mi
reputación me preceda.
Lodac, dices que mi
hija está en tu castillo.
¿Pero porqué? ¿En qué te he herido?
¿Porqué me haces esto?
La respuesta es muy simple.
Tu padre ejecutó a mi hija por brujería
cuando sólo tenía 18 años.
He esperado hasta que tu
hija cumpla esa edad...
así mi dragón podrá saborear
la carne de la Princesa.
- Lodac,te lo ruego.
- Rogar nada, mi Señor.
¿Dejará que este brujo come gusanos
nos asuste?
-Ten cuidado Brandon.
-No.
Lodac, encontraré tu castillo
liberaré a la princesa y te destruiré.
Encontrar mi castillo no es mucho trabajo.
Es un viaje corto de una semana.
Es tan simple como seguir
a la estrella amarilla del norte.
El truco es ¿Cómo llegar vivo?
Lo haré.
Croatian:
Tvoj otac je optužio moju sestru za vještičarenje
kada je imala samo 18 godina.
Ja sam čekao dok
tvoja kćer dosegne njene godine...
kako bi moj zmaj mogao
okusiti princezino meso.
- Lodac, ja te ponizno molim.
Ne molite ništa, moj gospodaru.
Zar če te dopustiti ovom čarobnjačiću
da nas zastraši?
Budi oprezan, Brantone.
Ja ne.
Lodac, pronači ću tvoj dvorac,
osloboditi Princezu, i tebe uništiti.
Naći moj dvorac nije teško.
To je kratko putovanje oko tjedan dana.
Jednostavno prati
žutu zvijezdu na sjeveru.
Trik je u tome,
kako stići do tamo živ.
Ja hoću.
Ja se ne bojim.
Sada proklinjem sedam puta ovaj put
između ovog dvorca i mojeg.
Neka nitko ne ostane živ
tko se odluči na ovo mračno putovanje.
Spanish:
Me halaga que mi
reputación me preceda.
Lodac, dices que mi
hija está en tu castillo.
¿Pero porqué? ¿En qué te he herido?
¿Porqué me haces esto?
La respuesta es muy simple.
Tu padre ejecutó a mi hija por brujería
cuando sólo tenía 18 años.
He esperado hasta que tu
hija cumpla esa edad...
así mi dragón podrá saborear
la carne de la Princesa.
- Lodac,te lo ruego.
- Rogar nada, mi Señor.
¿Dejará que este brujo come gusanos
nos asuste?
-Ten cuidado Brandon.
-No.
Lodac, encontraré tu castillo
liberaré a la princesa y te destruiré.
Encontrar mi castillo no es mucho trabajo.
Es un viaje corto de una semana.
Es tan simple como seguir
a la estrella amarilla del norte.
El truco es ¿Cómo llegar vivo?
Lo haré.
English:
I'm afraid not.
Now seven times do I curse the road
that lies between this castle and mine.
Let no one live who dares the Dark Journey.
Let no man face my seven curses
and reach the dragon's lair.
Your curses won't stop me
from reaching your castle.
The Princess Helene
will make a delicate dish for my dragon...
in exactly seven days' time.
And now, if you will excuse me.
Sir Branton, my daughter will die.
No, sire, for I will rescue her.
You'll risk the seven curses?
Spanish:
Me temo que no.
Maldigo siete veces el camino
de aquí a mi castillo.
Que nadie viva para enfrentar
el oscuro viaje.
Que nadie encare las siete maldiciones
y encuentre la guarida del dragón.
Tus maldiciones no me
detendrán de encontrar el castillo.
La Princesa Helena será un
delicado plato para mi dragón...
en exactamente siete días.
Y ahora, si me disculpan.
Sir Branton, mi hija morirá.
No, sire, la rescataré.
¿Te enfrentarás a la
siete maldiciones?
Croatian:
Neka se nitko ne suoči sa mojih sedam
prokletstava i ne stigne u zmajev brlog.
Tvoja prokletstva me neće zaustaviti
da dođem do tvog dvorca.
Princeza Helene će biti
odličan zalogaj za moga zmaja...
za točno sedam dana!
A sada, ako bi me izvinili.
Sir Brantone, moja kćer će umrijeti.
Neće, gospodine, ja ću je spasiti.
Reskirat ćeš sedam prokletstava?
Za Helene, riskirat ću 70.
Čovjek koji spasi Helen dobit će njenu ruku
i pola mog kraljevstva, također.
Vjerujte mi, gospodine.
Ne, ja sam taj koji mora spasiti Princezu...
ne Sir Branton. Ja je volim.
Da li misliš da se možeš suočiti
sa Lodacovim čarolijama?
Ja se ne bojim.
Spanish:
Me temo que no.
Maldigo siete veces el camino
de aquí a mi castillo.
Que nadie viva para enfrentar
el oscuro viaje.
Que nadie encare las siete maldiciones
y encuentre la guarida del dragón.
Tus maldiciones no me
detendrán de encontrar el castillo.
La Princesa Helena será un
delicado plato para mi dragón...
en exactamente siete días.
Y ahora, si me disculpan.
Sir Branton, mi hija morirá.
No, sire, la rescataré.
¿Te enfrentarás a la
siete maldiciones?
Spanish:
Me temo que no.
Maldigo siete veces el camino
de aquí a mi castillo.
Que nadie viva para enfrentar
el oscuro viaje.
Que nadie encare las siete maldiciones
y encuentre la guarida del dragón.
Tus maldiciones no me
detendrán de encontrar el castillo.
La Princesa Helena será un
delicado plato para mi dragón...
en exactamente siete días.
Y ahora, si me disculpan.
Sir Branton, mi hija morirá.
No, sire, la rescataré.
¿Te enfrentarás a la
siete maldiciones?
Spanish:
Me temo que no.
Maldigo siete veces el camino
de aquí a mi castillo.
Que nadie viva para enfrentar
el oscuro viaje.
Que nadie encare las siete maldiciones
y encuentre la guarida del dragón.
Tus maldiciones no me
detendrán de encontrar el castillo.
La Princesa Helena será un
delicado plato para mi dragón...
en exactamente siete días.
Y ahora, si me disculpan.
Sir Branton, mi hija morirá.
No, sire, la rescataré.
¿Te enfrentarás a la
siete maldiciones?
Spanish:
Me temo que no.
Maldigo siete veces el camino
de aquí a mi castillo.
Que nadie viva para enfrentar
el oscuro viaje.
Que nadie encare las siete maldiciones
y encuentre la guarida del dragón.
Tus maldiciones no me
detendrán de encontrar el castillo.
La Princesa Helena será un
delicado plato para mi dragón...
en exactamente siete días.
Y ahora, si me disculpan.
Sir Branton, mi hija morirá.
No, sire, la rescataré.
¿Te enfrentarás a la
siete maldiciones?
Croatian:
Prije tristo godina, moj otac i brat
su bili pojedeni od Lodacovog zmaja...
I moja obitelj su bili veliki čarobnjaci
i imali su svoje pravo.
Ali ne dovoljno dobri kao Lodac.
Ni ja mu nisam ravna, priznajem.
Bojim ga se gotovo koliko ga i mrzim.
Ali, Sybil, ja...
Ostat ćeš ovdje kod kuće
gdje si siguran.
Možeš imati što god poželiš,
ali ostaješ ovdje.
Samo tražim svoju slobodu
kako bi oslobodio djevojku koju volim.
Ali ti to ne razumiješ,
biti smrtan.
Pokušala sam dati sve najbolje od sebe.
Znam da jesi, Sybil.
Ne možeš me zvati "majko"?
Oprosti, majko.
Bio si star samo tjedan dana kada
su tvoji pravi roditelji umrli od kuge.
Ja sam te našla,
odgajala kao svog sina.
Bio si poseban, i drag...
i učinila bih sve za tebe.
Spanish:
Por Helena, enfrentaría 70.
El hombre que salve a Helena tendrá su
mano en matrimonio y la mitad de mi reino.
Confíe en mí, sire.
No, yo debo salvar a la Princesa,
no Sir Branton. Yo la amo.
¿Crees que te dejaré enfrentar
la magia de Lodac?
No tengo miedo.
Hace trescientos años mi padre y mi hermano
fueron devorados por el dragón de Lodac.
Y en familia somos grandes
hechiceros por derecho.
Pero ellos no se enfrentarían a Lodac.
Yo tampoco, lo confieso.
- Le temo tanto como lo odio.
- Pero Sybil, yo...
Tu te quedarás aquí en casa,
donde estés seguro.
Tendrás todo lo que quieras, pero,
debarás quedarte.
Sólo quiero libertad para
salvar a la mujer que amo.
Pero tu no podrías entender eso,
no siendo mortal.
Trato de hacer lo mejor.
English:
For Helene, I'd risk 70.
The man who saves Helene will have her
hand in marriage, and half my kingdom, too.
Trust me, sire.
No, it is I who must save the Princess,
not Sir Branton. I love her.
Do you think
I'd let you face Lodac's sorcery?
I'm not afraid.
Three hundred years ago, my father and
brother were devoured by Lodac's dragon.
And my family were great sorcerers
in their own right.
But they were no match for Lodac.
I am no match for Lodac, I confess it.
- I fear him almost as much as I hate him.
- But Sybil, l...
You will stay right here at home
where you are safe.
You can have anything you want,
but you're staying here.
All I want is my freedom
so I can save the girl I love.
But you wouldn't understand that,
not being mortal.
I've tried to do my best.
Spanish:
Por Helena, enfrentaría 70.
El hombre que salve a Helena tendrá su
mano en matrimonio y la mitad de mi reino.
Confíe en mí, sire.
No, yo debo salvar a la Princesa,
no Sir Branton. Yo la amo.
¿Crees que te dejaré enfrentar
la magia de Lodac?
No tengo miedo.
Hace trescientos años mi padre y mi hermano
fueron devorados por el dragón de Lodac.
Y en familia somos grandes
hechiceros por derecho.
Pero ellos no se enfrentarían a Lodac.
Yo tampoco, lo confieso.
- Le temo tanto como lo odio.
- Pero Sybil, yo...
Tu te quedarás aquí en casa,
donde estés seguro.
Tendrás todo lo que quieras, pero,
debarás quedarte.
Sólo quiero libertad para
salvar a la mujer que amo.
Pero tu no podrías entender eso,
no siendo mortal.
Trato de hacer lo mejor.
Spanish:
Por Helena, enfrentaría 70.
El hombre que salve a Helena tendrá su
mano en matrimonio y la mitad de mi reino.
Confíe en mí, sire.
No, yo debo salvar a la Princesa,
no Sir Branton. Yo la amo.
¿Crees que te dejaré enfrentar
la magia de Lodac?
No tengo miedo.
Hace trescientos años mi padre y mi hermano
fueron devorados por el dragón de Lodac.
Y en familia somos grandes
hechiceros por derecho.
Pero ellos no se enfrentarían a Lodac.
Yo tampoco, lo confieso.
- Le temo tanto como lo odio.
- Pero Sybil, yo...
Tu te quedarás aquí en casa,
donde estés seguro.
Tendrás todo lo que quieras, pero,
debarás quedarte.
Sólo quiero libertad para
salvar a la mujer que amo.
Pero tu no podrías entender eso,
no siendo mortal.
Trato de hacer lo mejor.
Spanish:
Por Helena, enfrentaría 70.
El hombre que salve a Helena tendrá su
mano en matrimonio y la mitad de mi reino.
Confíe en mí, sire.
No, yo debo salvar a la Princesa,
no Sir Branton. Yo la amo.
¿Crees que te dejaré enfrentar
la magia de Lodac?
No tengo miedo.
Hace trescientos años mi padre y mi hermano
fueron devorados por el dragón de Lodac.
Y en familia somos grandes
hechiceros por derecho.
Pero ellos no se enfrentarían a Lodac.
Yo tampoco, lo confieso.
- Le temo tanto como lo odio.
- Pero Sybil, yo...
Tu te quedarás aquí en casa,
donde estés seguro.
Tendrás todo lo que quieras, pero,
debarás quedarte.
Sólo quiero libertad para
salvar a la mujer que amo.
Pero tu no podrías entender eso,
no siendo mortal.
Trato de hacer lo mejor.
Spanish:
Por Helena, enfrentaría 70.
El hombre que salve a Helena tendrá su
mano en matrimonio y la mitad de mi reino.
Confíe en mí, sire.
No, yo debo salvar a la Princesa,
no Sir Branton. Yo la amo.
¿Crees que te dejaré enfrentar
la magia de Lodac?
No tengo miedo.
Hace trescientos años mi padre y mi hermano
fueron devorados por el dragón de Lodac.
Y en familia somos grandes
hechiceros por derecho.
Pero ellos no se enfrentarían a Lodac.
Yo tampoco, lo confieso.
- Le temo tanto como lo odio.
- Pero Sybil, yo...
Tu te quedarás aquí en casa,
donde estés seguro.
Tendrás todo lo que quieras, pero,
debarás quedarte.
Sólo quiero libertad para
salvar a la mujer que amo.
Pero tu no podrías entender eso,
no siendo mortal.
Trato de hacer lo mejor.
Spanish:
- Sé que tratas, Sybil.
- ¿Podrías decirme "Mamá"?
Lo siento, mamá.
Tu sólo tenías una semana cuando
tus reales padres murieron por la plaga.
Yo te encontré y te crié
como si fueras mi hijo.
Tu has sido amable y cariñosa y yo
haría lo que fuera por tí.
Pero no puedo estar aquí
para siempre.
No soy un niño, ya tengo 20
y amo a Helena.
Háblame de amor
cuando tengas 420.
Cuando eres humano, 20 es
suficiente para sentir amor y miseria.
Déjame libre.
Debo decir que esta noche
estás muy molestoso.
Oh, bien, niños serán siempre niños.
Tendremos que darte más ánimo.
Mira a mamá ahora.
English:
- I know you have, Sybil.
- Can't you call me "Mother"?
I'm sorry, Mother.
You were only a week old when
your royal parents died from the plague.
I found you, reared you as my own son.
You've been kind and loving,
and I'd do anything for you.
But I can't stay here with you anymore.
I'm not a child. I'm 20, and I love Helene.
Talk to me of love when you are 420.
When you're human,
20 is old enough to feel love and misery.
Give me my freedom.
I must say
you're being very difficult tonight.
Oh, well, boys will be boys.
We'll have to cheer you up.
Watch Mother now.
Spanish:
- Sé que tratas, Sybil.
- ¿Podrías decirme "Mamá"?
Lo siento, mamá.
Tu sólo tenías una semana cuando
tus reales padres murieron por la plaga.
Yo te encontré y te crié
como si fueras mi hijo.
Tu has sido amable y cariñosa y yo
haría lo que fuera por tí.
Pero no puedo estar aquí
para siempre.
No soy un niño, ya tengo 20
y amo a Helena.
Háblame de amor
cuando tengas 420.
Cuando eres humano, 20 es
suficiente para sentir amor y miseria.
Déjame libre.
Debo decir que esta noche
estás muy molestoso.
Oh, bien, niños serán siempre niños.
Tendremos que darte más ánimo.
Mira a mamá ahora.
Spanish:
- Sé que tratas, Sybil.
- ¿Podrías decirme "Mamá"?
Lo siento, mamá.
Tu sólo tenías una semana cuando
tus reales padres murieron por la plaga.
Yo te encontré y te crié
como si fueras mi hijo.
Tu has sido amable y cariñosa y yo
haría lo que fuera por tí.
Pero no puedo estar aquí
para siempre.
No soy un niño, ya tengo 20
y amo a Helena.
Háblame de amor
cuando tengas 420.
Cuando eres humano, 20 es
suficiente para sentir amor y miseria.
Déjame libre.
Debo decir que esta noche
estás muy molestoso.
Oh, bien, niños serán siempre niños.
Tendremos que darte más ánimo.
Mira a mamá ahora.
Spanish:
- Sé que tratas, Sybil.
- ¿Podrías decirme "Mamá"?
Lo siento, mamá.
Tu sólo tenías una semana cuando
tus reales padres murieron por la plaga.
Yo te encontré y te crié
como si fueras mi hijo.
Tu has sido amable y cariñosa y yo
haría lo que fuera por tí.
Pero no puedo estar aquí
para siempre.
No soy un niño, ya tengo 20
y amo a Helena.
Háblame de amor
cuando tengas 420.
Cuando eres humano, 20 es
suficiente para sentir amor y miseria.
Déjame libre.
Debo decir que esta noche
estás muy molestoso.
Oh, bien, niños serán siempre niños.
Tendremos que darte más ánimo.
Mira a mamá ahora.
Spanish:
- Sé que tratas, Sybil.
- ¿Podrías decirme "Mamá"?
Lo siento, mamá.
Tu sólo tenías una semana cuando
tus reales padres murieron por la plaga.
Yo te encontré y te crié
como si fueras mi hijo.
Tu has sido amable y cariñosa y yo
haría lo que fuera por tí.
Pero no puedo estar aquí
para siempre.
No soy un niño, ya tengo 20
y amo a Helena.
Háblame de amor
cuando tengas 420.
Cuando eres humano, 20 es
suficiente para sentir amor y miseria.
Déjame libre.
Debo decir que esta noche
estás muy molestoso.
Oh, bien, niños serán siempre niños.
Tendremos que darte más ánimo.
Mira a mamá ahora.
Croatian:
Ali ne mogu više ostati
ovdje sa tobom.
Nisam više dijete, imam 20 godina
i volim Helene.
Pričaj mi o ljubavi kad budeš 420.
Kad si čovjek, 20 je dovoljno
da osjetiš ljubav i patnju.
Daj mi moju slobodu.
Moram reći da si
vrlo težak večeras.
Oh, dobro, dječaci će uvijek biti dječaci.
Moramo te podići.
Gledaj majku sada.
Majko, ne opet taj trik.
George, nisam te nikada vidjela ovakvog.
Gle, ako se želiš podići
zaboravi tu djevojku i Zodaca.
Pokazat ću ti poklone
koje sam ti izabrala za 21 rođendan.
Croatian:
Kakve poklone, majko?
Dođi ovamo.
Pokazat ću ti.
Sviđa ti se?
Veličanstven je.
Tvoj je kad napuniš 21.
Ime mu je Bayard.
On nije obična životinja.
On posjeduje moći.
To je najbrži konj na cijelom svijetu.
Ni jedan ga ne može pobijediti.
Spanish:
Mamá, no ese truco de nuevo.
George, nunca te había
visto así antes.
Mira, para que te animes, olvida
un poco a esa niña y a Lodac...
Te mostraré los regalos que elegí
para cuando cumplas 21.
- ¿Qué clase de relalos, mamá?
- Sígueme.
Te mostraré.
Spanish:
Mamá, no ese truco de nuevo.
George, nunca te había
visto así antes.
Mira, para que te animes, olvida
un poco a esa niña y a Lodac...
Te mostraré los regalos que elegí
para cuando cumplas 21.
- ¿Qué clase de relalos, mamá?
- Sígueme.
Te mostraré.
Spanish:
Mamá, no ese truco de nuevo.
George, nunca te había
visto así antes.
Mira, para que te animes, olvida
un poco a esa niña y a Lodac...
Te mostraré los regalos que elegí
para cuando cumplas 21.
- ¿Qué clase de relalos, mamá?
- Sígueme.
Te mostraré.
Spanish:
Mamá, no ese truco de nuevo.
George, nunca te había
visto así antes.
Mira, para que te animes, olvida
un poco a esa niña y a Lodac...
Te mostraré los regalos que elegí
para cuando cumplas 21.
- ¿Qué clase de relalos, mamá?
- Sígueme.
Te mostraré.
Spanish:
Mamá, no ese truco de nuevo.
George, nunca te había
visto así antes.
Mira, para que te animes, olvida
un poco a esa niña y a Lodac...
Te mostraré los regalos que elegí
para cuando cumplas 21.
- ¿Qué clase de relalos, mamá?
- Sígueme.
Te mostraré.
English:
Mother, not that trick again.
George, I've never seen you like this before.
Look, if you'll cheer up,
forget about that girl and Lodac...
I'll let you see the presents
I've chosen for you when you're 21.
- What sort of presents, Mother?
- Come along.
I'll show you.
Spanish:
¿Te gusta?
Es magnífico.
Será tuyo cuando tengas 21.
Se llama Bayard.
No es un animal ordinario.
Posee magia.
Es el caballo más rápido del mundo
Ningún córcel puede vencerlo.
¿Ves esto?
Lo usarás cuando montes el caballo.
- ¿Estas armas también son mágicas?
- Ningún arma las puede enfrentar.
Y esta es Ascalon, la espada.
Ninguna como ella desde que el mundo existe.
Derrota cualquier espada en combate.
La magia negra es superada
con un toque de la espada. Así es.
Spanish:
¿Te gusta?
Es magnífico.
Será tuyo cuando tengas 21.
Se llama Bayard.
No es un animal ordinario.
Posee magia.
Es el caballo más rápido del mundo
Ningún córcel puede vencerlo.
¿Ves esto?
Lo usarás cuando montes el caballo.
- ¿Estas armas también son mágicas?
- Ningún arma las puede enfrentar.
Y esta es Ascalon, la espada.
Ninguna como ella desde que el mundo existe.
Derrota cualquier espada en combate.
La magia negra es superada
con un toque de la espada. Así es.
English:
Do you like him?
He's magnificent.
He's yours when you are 21.
His name is Bayard.
He's no ordinary animal.
He possesses magic.
This is the fastest horse in all the world.
No other steed can beat him.
See this?
You'll wear it when you ride the stallion.
- Does this armor possess magic, too?
- No weapon can pierce it.
And this is Ascalon, the blade.
None like it since the world began.
It defies all swords in battle.
Black magic is overcome
by a touch of the blade. So there.
Spanish:
¿Te gusta?
Es magnífico.
Será tuyo cuando tengas 21.
Se llama Bayard.
No es un animal ordinario.
Posee magia.
Es el caballo más rápido del mundo
Ningún córcel puede vencerlo.
¿Ves esto?
Lo usarás cuando montes el caballo.
- ¿Estas armas también son mágicas?
- Ningún arma las puede enfrentar.
Y esta es Ascalon, la espada.
Ninguna como ella desde que el mundo existe.
Derrota cualquier espada en combate.
La magia negra es superada
con un toque de la espada. Así es.
Spanish:
¿Te gusta?
Es magnífico.
Será tuyo cuando tengas 21.
Se llama Bayard.
No es un animal ordinario.
Posee magia.
Es el caballo más rápido del mundo
Ningún córcel puede vencerlo.
¿Ves esto?
Lo usarás cuando montes el caballo.
- ¿Estas armas también son mágicas?
- Ningún arma las puede enfrentar.
Y esta es Ascalon, la espada.
Ninguna como ella desde que el mundo existe.
Derrota cualquier espada en combate.
La magia negra es superada
con un toque de la espada. Así es.
Croatian:
Vidiš ovo?
Ovo ćeš nositi kad budeš jahao pastuha.
Da li taj oklop posjeduje magije također?
Ni jedno oružje ga ne može isjeći.
A ovo je Ascalon, mač.
Ni jedan nije poput njega od kad je svijeta.
Pobjeđuje sve mačeve u borbi.
Crna magija nestaje
u dodiru sa ovim mačem. Tako.
Sve je tvoje kad budeš 21.
Tada ću te pustiti za Lodacom...
za moju osvetu kao i za tvoju.
Uz pomoć njihove magije,
mogao bih spasiti Princezu sada.
Ne, nisi dovoljno star
Ne bi znao kako da ga koristiš.
Dopusti mi samo da držim mač.
Samo da ga osjetim.
Molim te? Samo na tren.
U redu.
Spanish:
¿Te gusta?
Es magnífico.
Será tuyo cuando tengas 21.
Se llama Bayard.
No es un animal ordinario.
Posee magia.
Es el caballo más rápido del mundo
Ningún córcel puede vencerlo.
¿Ves esto?
Lo usarás cuando montes el caballo.
- ¿Estas armas también son mágicas?
- Ningún arma las puede enfrentar.
Y esta es Ascalon, la espada.
Ninguna como ella desde que el mundo existe.
Derrota cualquier espada en combate.
La magia negra es superada
con un toque de la espada. Así es.
English:
All yours when you are 21.
Then I'll let you go after Lodac,
for my revenge as well as your own.
With the help of their magic,
I could save the Princess now.
No, you're not old enough.
You wouldn't know how to use them.
Just let me hold the sword.
Just to get the feel of it.
- Please? Just for a while.
- Very well.
It feels like a part of my own body.
- I feel stronger.
- Of course.
Now come along. It pleases me
to show you something else tonight.
Who are they?
Once, the six most valiant knights
in the world.
- That's real black magic, Mother.
- I wish I could take the credit.
I've never been as good as that.
No, it was my brother.
Spanish:
Será todo tuyo cuando tengas 21.
Ahí te dejaré ir por Lodac,
para que tengamos nuestra venganza.
Con la ayuda de esta magia,
Podría salvar a la Princesa ahora.
No, eres muy joven.
No sabrías usarla.
Déjame tomar la espada.
Para ver como se siente.
- ¿Por favor? Sólo un rato.
-Muy bien.
La siento como parte de mí.
- Me siento más fuerte.
-Desde luego.
Ahora ven. Me complacería
mostrarte algo más esta noche.
¿Quienes son?
Alguna vez fueron los seis caballeros
más valientes del mundo.
- Esto es magia negra verdadera, mamá.
-Me gustaría tener el crédito.
Nunca he sido tan buena como esto.
No, fue mi hermano.
Spanish:
Será todo tuyo cuando tengas 21.
Ahí te dejaré ir por Lodac,
para que tengamos nuestra venganza.
Con la ayuda de esta magia,
Podría salvar a la Princesa ahora.
No, eres muy joven.
No sabrías usarla.
Déjame tomar la espada.
Para ver como se siente.
- ¿Por favor? Sólo un rato.
-Muy bien.
La siento como parte de mí.
- Me siento más fuerte.
-Desde luego.
Ahora ven. Me complacería
mostrarte algo más esta noche.
¿Quienes son?
Alguna vez fueron los seis caballeros
más valientes del mundo.
- Esto es magia negra verdadera, mamá.
-Me gustaría tener el crédito.
Nunca he sido tan buena como esto.
No, fue mi hermano.
Spanish:
Será todo tuyo cuando tengas 21.
Ahí te dejaré ir por Lodac,
para que tengamos nuestra venganza.
Con la ayuda de esta magia,
Podría salvar a la Princesa ahora.
No, eres muy joven.
No sabrías usarla.
Déjame tomar la espada.
Para ver como se siente.
- ¿Por favor? Sólo un rato.
-Muy bien.
La siento como parte de mí.
- Me siento más fuerte.
-Desde luego.
Ahora ven. Me complacería
mostrarte algo más esta noche.
¿Quienes son?
Alguna vez fueron los seis caballeros
más valientes del mundo.
- Esto es magia negra verdadera, mamá.
-Me gustaría tener el crédito.
Nunca he sido tan buena como esto.
No, fue mi hermano.
Spanish:
Será todo tuyo cuando tengas 21.
Ahí te dejaré ir por Lodac,
para que tengamos nuestra venganza.
Con la ayuda de esta magia,
Podría salvar a la Princesa ahora.
No, eres muy joven.
No sabrías usarla.
Déjame tomar la espada.
Para ver como se siente.
- ¿Por favor? Sólo un rato.
-Muy bien.
La siento como parte de mí.
- Me siento más fuerte.
-Desde luego.
Ahora ven. Me complacería
mostrarte algo más esta noche.
¿Quienes son?
Alguna vez fueron los seis caballeros
más valientes del mundo.
- Esto es magia negra verdadera, mamá.
-Me gustaría tener el crédito.
Nunca he sido tan buena como esto.
No, fue mi hermano.
Croatian:
Osjećam ga kao dio svog tijela.
Osjećam se jačim.
Naravno.
Sada pođi. Zadovoljstvo mi
je da ti još nešto pokažem večeras.
Tko su oni?
Nekoć, šest najhrabrijih vitezova
na cijelom svijetu.
To je prava crna magija, majko.
Voljela bih da sam to mogla.
Nisam nikada bila tako dobra.
Ne, bio je to moj brat.
Voliš Ascalona, George?
Jednostavno je divan.
Jel to učinio mač?
Naravno.
Jedan dodir mača i on otvara
i zatvara podove,vrata,zidove...
Kažeš, i zatvara stvari također?
Šta je dolje?
Spanish:
Será todo tuyo cuando tengas 21.
Ahí te dejaré ir por Lodac,
para que tengamos nuestra venganza.
Con la ayuda de esta magia,
Podría salvar a la Princesa ahora.
No, eres muy joven.
No sabrías usarla.
Déjame tomar la espada.
Para ver como se siente.
- ¿Por favor? Sólo un rato.
-Muy bien.
La siento como parte de mí.
- Me siento más fuerte.
-Desde luego.
Ahora ven. Me complacería
mostrarte algo más esta noche.
¿Quienes son?
Alguna vez fueron los seis caballeros
más valientes del mundo.
- Esto es magia negra verdadera, mamá.
-Me gustaría tener el crédito.
Nunca he sido tan buena como esto.
No, fue mi hermano.
Spanish:
Te gusta Ascalon, George?
Es genial.
- ¿La espada hizo eso?
- Por cierto.
Un toque de su filo y abre y
cierra pisos, puertas, muros y rejas.
¿Dices que tambien cierra?
¿Qué hay allá abajo?
No he bajado en siglos.
Solía ser la bodega
de seguridad de mi hermano...
para embrujos, encantamientos, rituales
mágicos y cosas así.
¿Quieres ver?
¿Hay alguna otra manera de
salir si la losa se cierra?
Depende que tan duro trabajes.
A un primo mío le tomó 80 años
encontrar el embrujo adecuado...
para abrir el cielo.
Spanish:
Te gusta Ascalon, George?
Es genial.
- ¿La espada hizo eso?
- Por cierto.
Un toque de su filo y abre y
cierra pisos, puertas, muros y rejas.
¿Dices que tambien cierra?
¿Qué hay allá abajo?
No he bajado en siglos.
Solía ser la bodega
de seguridad de mi hermano...
para embrujos, encantamientos, rituales
mágicos y cosas así.
¿Quieres ver?
¿Hay alguna otra manera de
salir si la losa se cierra?
Depende que tan duro trabajes.
A un primo mío le tomó 80 años
encontrar el embrujo adecuado...
para abrir el cielo.
Croatian:
Nisam bila dolje stoljećima.
Nekad je to bila
zalagaonica moga brata...
za čini,opremu...
magične rituale i slično.
Želiš pogledati?
Ima li koji drugi izlaz
u koliko se pod ponovo zatvori?
Ovisi o tome koliko si teško radio na tom.
Mom rođaku je trebalo 80 godina
da otkrije magiju...
koja je razbila krov.
Ali ne boj se.
Mi nećemo zatvoriti pod za sobom.
Ne bojim se.
Ti idi prva, majko.
Dolaziš, dušo?
Da.
George, što si to uradio?
George, pusti me van!
English:
You like Ascalon, George?
It's just great.
- Did the sword do that?
- Certainly.
One touch of the blade, and it opens and
shuts floors, doors, walls, and portcullises.
It shuts things too, you say?
What's down there?
I haven't been down there in centuries.
It used to be
my brother's safe deposit box...
for spells, enchantments,
magic ritual, and the like.
Want to see?
Is there any other way out
if the crack were closed again?
Depends on how hard you work at it.
A cousin of mine took 80 years
to whomp up a spell...
that blew the roof off.
Spanish:
Te gusta Ascalon, George?
Es genial.
- ¿La espada hizo eso?
- Por cierto.
Un toque de su filo y abre y
cierra pisos, puertas, muros y rejas.
¿Dices que tambien cierra?
¿Qué hay allá abajo?
No he bajado en siglos.
Solía ser la bodega
de seguridad de mi hermano...
para embrujos, encantamientos, rituales
mágicos y cosas así.
¿Quieres ver?
¿Hay alguna otra manera de
salir si la losa se cierra?
Depende que tan duro trabajes.
A un primo mío le tomó 80 años
encontrar el embrujo adecuado...
para abrir el cielo.
Spanish:
Te gusta Ascalon, George?
Es genial.
- ¿La espada hizo eso?
- Por cierto.
Un toque de su filo y abre y
cierra pisos, puertas, muros y rejas.
¿Dices que tambien cierra?
¿Qué hay allá abajo?
No he bajado en siglos.
Solía ser la bodega
de seguridad de mi hermano...
para embrujos, encantamientos, rituales
mágicos y cosas así.
¿Quieres ver?
¿Hay alguna otra manera de
salir si la losa se cierra?
Depende que tan duro trabajes.
A un primo mío le tomó 80 años
encontrar el embrujo adecuado...
para abrir el cielo.
Spanish:
Te gusta Ascalon, George?
Es genial.
- ¿La espada hizo eso?
- Por cierto.
Un toque de su filo y abre y
cierra pisos, puertas, muros y rejas.
¿Dices que tambien cierra?
¿Qué hay allá abajo?
No he bajado en siglos.
Solía ser la bodega
de seguridad de mi hermano...
para embrujos, encantamientos, rituales
mágicos y cosas así.
¿Quieres ver?
¿Hay alguna otra manera de
salir si la losa se cierra?
Depende que tan duro trabajes.
A un primo mío le tomó 80 años
encontrar el embrujo adecuado...
para abrir el cielo.
English:
But don't be afraid.
We won't close the crack behind us.
I'm not afraid.
You go first, Mother.
- Coming, dear?
- Yes.
George, what have you done?
George, let me out!
- Goodbye, Mother.
- George, son, let me out this instant.
You can't leave me here.
I told you about my cousin.
I'll come back and let you out
after I've rescued the Princess Helene.
What if you can't come back?
With a magic armor, magic sword,
magic steed, what can stop me now?
You don't know Lodac, George. Let me out.
Spanish:
Pero no temas.
Dejaremos la losa abierta.
No tengo miedo.
Ve tu primero mamá.
- ¿Vienes querido?
- Sí.
¿George, qué haz hecho?
¡George, déjame salir!
- Adios mamá.
- George, hijo, abre de inmediato.
No me puedes abandonar aquí.
Te conté sobre mi primo
Volveré y te sacaré después
de rescatar a la Princesa Helena.
¿Y si no vuelves?
¿Con una armadura, una espada y un corcel
mágicos,qué me detendría?
No conoces a Lodac, George. Suéltame.
Spanish:
Pero no temas.
Dejaremos la losa abierta.
No tengo miedo.
Ve tu primero mamá.
- ¿Vienes querido?
- Sí.
¿George, qué haz hecho?
¡George, déjame salir!
- Adios mamá.
- George, hijo, abre de inmediato.
No me puedes abandonar aquí.
Te conté sobre mi primo
Volveré y te sacaré después
de rescatar a la Princesa Helena.
¿Y si no vuelves?
¿Con una armadura, una espada y un corcel
mágicos,qué me detendría?
No conoces a Lodac, George. Suéltame.
Spanish:
Pero no temas.
Dejaremos la losa abierta.
No tengo miedo.
Ve tu primero mamá.
- ¿Vienes querido?
- Sí.
¿George, qué haz hecho?
¡George, déjame salir!
- Adios mamá.
- George, hijo, abre de inmediato.
No me puedes abandonar aquí.
Te conté sobre mi primo
Volveré y te sacaré después
de rescatar a la Princesa Helena.
¿Y si no vuelves?
¿Con una armadura, una espada y un corcel
mágicos,qué me detendría?
No conoces a Lodac, George. Suéltame.
Spanish:
Pero no temas.
Dejaremos la losa abierta.
No tengo miedo.
Ve tu primero mamá.
- ¿Vienes querido?
- Sí.
¿George, qué haz hecho?
¡George, déjame salir!
- Adios mamá.
- George, hijo, abre de inmediato.
No me puedes abandonar aquí.
Te conté sobre mi primo
Volveré y te sacaré después
de rescatar a la Princesa Helena.
¿Y si no vuelves?
¿Con una armadura, una espada y un corcel
mágicos,qué me detendría?
No conoces a Lodac, George. Suéltame.
Spanish:
Pero no temas.
Dejaremos la losa abierta.
No tengo miedo.
Ve tu primero mamá.
- ¿Vienes querido?
- Sí.
¿George, qué haz hecho?
¡George, déjame salir!
- Adios mamá.
- George, hijo, abre de inmediato.
No me puedes abandonar aquí.
Te conté sobre mi primo
Volveré y te sacaré después
de rescatar a la Princesa Helena.
¿Y si no vuelves?
¿Con una armadura, una espada y un corcel
mágicos,qué me detendría?
No conoces a Lodac, George. Suéltame.
Croatian:
Zbogom, majko.
George, sine, pusti me van ovog trena.
Ne možeš me ostaviti ovdje.
Pričala sam ti o mom rođaku.
Vratit ću se i pustiti te van
Nakon što oslobodim Princezu Helene.
Šta ako se ne uspiješ vratiti?
Sa magičnim štitom, magičnim mačem,
magičnim čelikom, što me može zaustaviti?
Ti ne znaš Lodaca, George. Pusti me van.
Kad bih imao šestoricu hrabrih ljudi poput ovih
ne bi se imao čega bojati.
{Y:i}Gospodine,
dugo vam je trebalo da dođete.
Spanish:
Si tengo seis valientes como estos
no tengo nada que temer.
Monsieur,
ha tardado en venir.
Pero en nombre de mis amigos
muchas gracias.
Su Majestad.
Su Majestad,
pongo mi espada a su servicio...
Spanish:
Si tengo seis valientes como estos
no tengo nada que temer.
Monsieur,
ha tardado en venir.
Pero en nombre de mis amigos
muchas gracias.
Su Majestad.
Su Majestad,
pongo mi espada a su servicio...
Spanish:
Si tengo seis valientes como estos
no tengo nada que temer.
Monsieur,
ha tardado en venir.
Pero en nombre de mis amigos
muchas gracias.
Su Majestad.
Su Majestad,
pongo mi espada a su servicio...
Croatian:
{Y:i}Aliu ime mojih ljudi, hvala.
Vaše Visočanstvo,
Vaše Visočanstvo,
zalažem svoj mač u vašu službu...
moj život za našu zajedničku nadu,
i svoje srce za Princezu Helene.
Dobro rečeno, Brantone.
Ali ja ne mogu pomoći
osim se osjećati nervozno.
I dalje ne želiš uzeti ovih 50 vitezova
koji su se ponudili da jašu sa tobom?
Ne, gospodine, oni su svi hrabri ljudi,
ali jedan čovjek može gdje 50 ne može.
Najhrabriji si od svih.
Vrati Helene sigurno, i ja ću biti
najponosniji otac u Christendomu.
To je čudan prsten, Brantone.
Nosiš ga za sreću?
Sreća ne smije igrati ulogu
kad se radi o životu vaše kćeri.
Idi, moj prijatelju.
Moje najbolje želje neka idu sa tobom.
Spanish:
Si tengo seis valientes como estos
no tengo nada que temer.
Monsieur,
ha tardado en venir.
Pero en nombre de mis amigos
muchas gracias.
Su Majestad.
Su Majestad,
pongo mi espada a su servicio...
English:
If I had six brave men like these,
I'd have nothing to fear.
Monsieur,
you have been a long time to come.
But on the behalf of my friends, merci bien.
Your Majesty.
Your Majesty,
I pledge my sword to your service...
Spanish:
Si tengo seis valientes como estos
no tengo nada que temer.
Monsieur,
ha tardado en venir.
Pero en nombre de mis amigos
muchas gracias.
Su Majestad.
Su Majestad,
pongo mi espada a su servicio...
Spanish:
mi vida en nuestra mutua esperanza,
y mi corazón a la Princesa Helena.
Muy bien dicho, Branton.
Pero no puedo evitar estar
un poco nervioso.
¿Aun no aceptas los 50 caballeros que se
ofrecen para acompañarte?
No, sire, son hombres valientes pero un
hombre sólo puede lograr lo que 50.
Eres el más valeroso.
Regresa a Helena safely,a salvo y
seré el suegro más orgulloso de Christendom.
Es un anillo extraño, Branton.
¿Lo usas para la suerte?
No hay lugar para la suerte si la
vida de su hija está en juego.
Ve mi amigo.
Mis mejores deseos para ti.
Su Majestad, estos caballeros y yo hemos venido
a servirle en su hora de necesidad.
English:
my life to our mutual hope,
and my heart to the Princess Helene.
Very well said, Branton.
But I can't help but feel a little nervous.
You still won't take these 50 knights
who have offered to ride with you?
No, sire, they are all brave men,
but one man can venture where 50 cannot.
You are the bravest of all.
Return Helene safely, and I'll be
the proudest father-in-law in Christendom.
That's a strange ring, Branton.
Do you wear it for luck?
Luck must not play a part
when your daughter's life is at stake.
Go, my friend.
And all my good wishes go with you.
Your Majesty, these knights and I have come
to serve you in your hour of need.
Spanish:
mi vida en nuestra mutua esperanza,
y mi corazón a la Princesa Helena.
Muy bien dicho, Branton.
Pero no puedo evitar estar
un poco nervioso.
¿Aun no aceptas los 50 caballeros que se
ofrecen para acompañarte?
No, sire, son hombres valientes pero un
hombre sólo puede lograr lo que 50.
Eres el más valeroso.
Regresa a Helena safely,a salvo y
seré el suegro más orgulloso de Christendom.
Es un anillo extraño, Branton.
¿Lo usas para la suerte?
No hay lugar para la suerte si la
vida de su hija está en juego.
Ve mi amigo.
Mis mejores deseos para ti.
Su Majestad, estos caballeros y yo hemos venido
a servirle en su hora de necesidad.
Spanish:
mi vida en nuestra mutua esperanza,
y mi corazón a la Princesa Helena.
Muy bien dicho, Branton.
Pero no puedo evitar estar
un poco nervioso.
¿Aun no aceptas los 50 caballeros que se
ofrecen para acompañarte?
No, sire, son hombres valientes pero un
hombre sólo puede lograr lo que 50.
Eres el más valeroso.
Regresa a Helena safely,a salvo y
seré el suegro más orgulloso de Christendom.
Es un anillo extraño, Branton.
¿Lo usas para la suerte?
No hay lugar para la suerte si la
vida de su hija está en juego.
Ve mi amigo.
Mis mejores deseos para ti.
Su Majestad, estos caballeros y yo hemos venido
a servirle en su hora de necesidad.
Spanish:
mi vida en nuestra mutua esperanza,
y mi corazón a la Princesa Helena.
Muy bien dicho, Branton.
Pero no puedo evitar estar
un poco nervioso.
¿Aun no aceptas los 50 caballeros que se
ofrecen para acompañarte?
No, sire, son hombres valientes pero un
hombre sólo puede lograr lo que 50.
Eres el más valeroso.
Regresa a Helena safely,a salvo y
seré el suegro más orgulloso de Christendom.
Es un anillo extraño, Branton.
¿Lo usas para la suerte?
No hay lugar para la suerte si la
vida de su hija está en juego.
Ve mi amigo.
Mis mejores deseos para ti.
Su Majestad, estos caballeros y yo hemos venido
a servirle en su hora de necesidad.
Croatian:
Vaše Visočanstvo, ovi vitezovi i ja smo došli
služiti vama u ovom trenutku potrebe.
To je vrlo ljubazno.
Tko ste vi?
Ja sam Sir George. Vitez
sa vrlinama 400 godina stare loze.
Dobrodošao, dobri gospodine.
Ovo su moji prijatelji pod naoružanjem
{Y:i}- Sir Dennis od Francuske.
- Vaše Visočanstvo, čast mi je.
{Y:i}- Sir Ulrich od Njemačke.
- Mein Kaiser, došli smo da služimo.
{Y:i}- Sir Anthony od Italije.
- AI servizio.
{Y:i}- Sir Pedro od Španjolske.
- Su servido, Vaše Visočanstvo.
Sir James od Škotske.
Naša srca suosjećaju sa vama
u vašoj tuzi, Vaše Visočanstvo.
Na kraju, Sir Patrick od Irske.
Spanish:
mi vida en nuestra mutua esperanza,
y mi corazón a la Princesa Helena.
Muy bien dicho, Branton.
Pero no puedo evitar estar
un poco nervioso.
¿Aun no aceptas los 50 caballeros que se
ofrecen para acompañarte?
No, sire, son hombres valientes pero un
hombre sólo puede lograr lo que 50.
Eres el más valeroso.
Regresa a Helena safely,a salvo y
seré el suegro más orgulloso de Christendom.
Es un anillo extraño, Branton.
¿Lo usas para la suerte?
No hay lugar para la suerte si la
vida de su hija está en juego.
Ve mi amigo.
Mis mejores deseos para ti.
Su Majestad, estos caballeros y yo hemos venido
a servirle en su hora de necesidad.
Spanish:
eso es muy amable. ¿Quién eres?
Soy Sir George. Un virtuoso caballero
con 400 años de noble linaje.
Bienvenido buen señor.
Estos son mis compañeros
de armas.
- Sir Dennis de Francia.
- Su Majestad, es un honor.
- Sir Ulrich de Alemania.
- Mein Kaiser, venimos a servir.
- Sir Anthony de Italia.
- A su servicio.
- Sir Pedro de España.
- Su servidor, su Majestad.
Sir James de Escocia.
Nuestros corazones lloran por su dolor,
su Majestad.
Y finalmente, Sir Patrick de Irlanda.
Ponemos nuestras vidas a vuestro servicio
hasta que la Princesa Helena no está a salvo.
Caballeros, hablo por el rey
agradecemos su gentil ofrecimiento.
Estoy seguro que Uds. harán un gran servicio
a su Majestad, mientras yo no estoy.
No fue lo que sir Patrick
quiso decir, Sir Branton.
Me conoces. ¿Nos han presentado?
Spanish:
eso es muy amable. ¿Quién eres?
Soy Sir George. Un virtuoso caballero
con 400 años de noble linaje.
Bienvenido buen señor.
Estos son mis compañeros
de armas.
- Sir Dennis de Francia.
- Su Majestad, es un honor.
- Sir Ulrich de Alemania.
- Mein Kaiser, venimos a servir.
- Sir Anthony de Italia.
- A su servicio.
- Sir Pedro de España.
- Su servidor, su Majestad.
Sir James de Escocia.
Nuestros corazones lloran por su dolor,
su Majestad.
Y finalmente, Sir Patrick de Irlanda.
Ponemos nuestras vidas a vuestro servicio
hasta que la Princesa Helena no está a salvo.
Caballeros, hablo por el rey
agradecemos su gentil ofrecimiento.
Estoy seguro que Uds. harán un gran servicio
a su Majestad, mientras yo no estoy.
No fue lo que sir Patrick
quiso decir, Sir Branton.
Me conoces. ¿Nos han presentado?
Spanish:
eso es muy amable. ¿Quién eres?
Soy Sir George. Un virtuoso caballero
con 400 años de noble linaje.
Bienvenido buen señor.
Estos son mis compañeros
de armas.
- Sir Dennis de Francia.
- Su Majestad, es un honor.
- Sir Ulrich de Alemania.
- Mein Kaiser, venimos a servir.
- Sir Anthony de Italia.
- A su servicio.
- Sir Pedro de España.
- Su servidor, su Majestad.
Sir James de Escocia.
Nuestros corazones lloran por su dolor,
su Majestad.
Y finalmente, Sir Patrick de Irlanda.
Ponemos nuestras vidas a vuestro servicio
hasta que la Princesa Helena no está a salvo.
Caballeros, hablo por el rey
agradecemos su gentil ofrecimiento.
Estoy seguro que Uds. harán un gran servicio
a su Majestad, mientras yo no estoy.
No fue lo que sir Patrick
quiso decir, Sir Branton.
Me conoces. ¿Nos han presentado?
Spanish:
eso es muy amable. ¿Quién eres?
Soy Sir George. Un virtuoso caballero
con 400 años de noble linaje.
Bienvenido buen señor.
Estos son mis compañeros
de armas.
- Sir Dennis de Francia.
- Su Majestad, es un honor.
- Sir Ulrich de Alemania.
- Mein Kaiser, venimos a servir.
- Sir Anthony de Italia.
- A su servicio.
- Sir Pedro de España.
- Su servidor, su Majestad.
Sir James de Escocia.
Nuestros corazones lloran por su dolor,
su Majestad.
Y finalmente, Sir Patrick de Irlanda.
Ponemos nuestras vidas a vuestro servicio
hasta que la Princesa Helena no está a salvo.
Caballeros, hablo por el rey
agradecemos su gentil ofrecimiento.
Estoy seguro que Uds. harán un gran servicio
a su Majestad, mientras yo no estoy.
No fue lo que sir Patrick
quiso decir, Sir Branton.
Me conoces. ¿Nos han presentado?
English:
That's very kind. Who are you?
I am Sir George. A knight
by virtue of 400 years of noble lineage.
Welcome, good sir.
These are my comrades-in-arms.
- Sir Dennis of France.
- Your Majesty, it is an honor.
- Sir Ulrich of Germany.
- Mein Kaiser, we come to serve.
- Sir Anthony of Italy.
- AI servizio.
- Sir Pedro of Spain.
- Su servido, Your Majesty.
Sir James of Scotland.
Our hearts grieve for you in your sorrow,
Your Majesty.
And last, Sir Patrick of Ireland.
We pledge our lives to your service
and to the Princess Helene until she is safe.
Gentlemen, speaking for the King,
we are grateful for your offer.
I am sure that you can be of immeasurable
service to His Majesty while I am away.
That is not what Patrick meant, Sir Branton.
You know who I am. Have we met?
Spanish:
eso es muy amable. ¿Quién eres?
Soy Sir George. Un virtuoso caballero
con 400 años de noble linaje.
Bienvenido buen señor.
Estos son mis compañeros
de armas.
- Sir Dennis de Francia.
- Su Majestad, es un honor.
- Sir Ulrich de Alemania.
- Mein Kaiser, venimos a servir.
- Sir Anthony de Italia.
- A su servicio.
- Sir Pedro de España.
- Su servidor, su Majestad.
Sir James de Escocia.
Nuestros corazones lloran por su dolor,
su Majestad.
Y finalmente, Sir Patrick de Irlanda.
Ponemos nuestras vidas a vuestro servicio
hasta que la Princesa Helena no está a salvo.
Caballeros, hablo por el rey
agradecemos su gentil ofrecimiento.
Estoy seguro que Uds. harán un gran servicio
a su Majestad, mientras yo no estoy.
No fue lo que sir Patrick
quiso decir, Sir Branton.
Me conoces. ¿Nos han presentado?
Croatian:
Nudimo svoje živote u vašu službu
i za Princezu Helene dok ne bude sigurna.
Gospodo, govorim u ime Kralja
zahvalni smo vam na vašoj ponudi.
Siguran sam da ćete biti korisni
u službi Njenog Visočanstva dok sam ja odsutan.
To nije ono na što je Patrick mislio, Sir Brantone.
Ti znaš tko sam ja.
Jesmo li se sreli?
Ne, često sam vas viđao.
Na polju?
Ne na polju.
I također znam da se želite
oženiti za Princezu Helene.
Prilično točno. Svi ste dobrodošli da ostanete
i plešete na mom vjenčanju.
Puno hvala.
Ali radije plešem na svom.
Govoriš u zagonetkama, mladiću.
Ne pokušavaj ih odgonetnuti
dok ne spasimo Princezu Helene.
"Mi"? Ja ću spasiti Helene.
{Y:i}Gospodine, pokušajte razumjeti.
Mi smo se svi zakleli
spasiti Sir Georgeovu prelijepu damu.
Sir Georgeovu damu?
Što je Francuz mislio?
Samo da je ja volim
I da je namjeravam oženiti.
Ti, arogantni dječače.
Da li znaš opasnosti mračnog putovanja?
Znamo, Sir Brantone.
Spanish:
No, lo he visto a menudo.
- ¿En el campo?
- No, no en el campo.
Y también sé que desea
casarse con la Princesa Helena.
Absoluta verdad. Los invito a
quedarse y bailar en mi boda.
Muchas gracias.
Pero preferiría bailar en otro lado.
Hablas en acertijos jovencito.
No trate de resolverlos hasta que
rescatemos a la Princesa Helena.
¿"Rscatemos"? Yo salvaré a Helena.
Monsieur, trate de entender.
Nos juramentamos de rescatar a la
bella dama de Sir George.
¿Dama de Sir George?
¿A qué se refiere este francés?
Sólo que la amo e intento
casarme con ellar.
Niño arrogante.
¿Ignoras los peligros del viaje tenebroso?
Los conocemos, Sir Branton.
Si no comparte nuestro entusiasmo
estaríamos felices de partir sin Ud .
¿Se atreverían?
Su Majestad,¿Tengo vuestro permiso para dar a este
mozuelo una lección en el uso de las armas?
No lucharé.
Excepto en nombre de la Princesa Helena.
English:
No, I've often seen you.
- In the field?
- Not in the field.
And I also know
you wish to marry the Princess Helene.
Quite true. You are all welcome to stay
and dance at my wedding.
Many thanks.
But I'd prefer to dance at my own.
You talk in riddles, young man.
Don't try to solve them
till we've rescued the Princess Helene.
"We"? I shall rescue Helene.
Monsieur, try to understand.
We are all sworn
to save Sir George's beautiful lady.
Sir George's lady?
What does the Frenchman mean?
Only that I love her
and I intend to marry her.
You arrogant boy.
Do you know the perils of the Dark Journey?
We do, Sir Branton.
If you don't share our enthusiasm,
we shall be happy to go on without you.
How dare you?
Your Majesty, have I your permission to give
this stripling a lesson in the use of arms?
Spanish:
No, lo he visto a menudo.
- ¿En el campo?
- No, no en el campo.
Y también sé que desea
casarse con la Princesa Helena.
Absoluta verdad. Los invito a
quedarse y bailar en mi boda.
Muchas gracias.
Pero preferiría bailar en otro lado.
Hablas en acertijos jovencito.
No trate de resolverlos hasta que
rescatemos a la Princesa Helena.
¿"Rscatemos"? Yo salvaré a Helena.
Monsieur, trate de entender.
Nos juramentamos de rescatar a la
bella dama de Sir George.
¿Dama de Sir George?
¿A qué se refiere este francés?
Sólo que la amo e intento
casarme con ellar.
Niño arrogante.
¿Ignoras los peligros del viaje tenebroso?
Los conocemos, Sir Branton.
Si no comparte nuestro entusiasmo
estaríamos felices de partir sin Ud .
¿Se atreverían?
Su Majestad,¿Tengo vuestro permiso para dar a este
mozuelo una lección en el uso de las armas?
No lucharé.
Excepto en nombre de la Princesa Helena.
Croatian:
Ako ne dijelite naš entuzijazam
mi ćemo biti sretni poći bez vas.
Kako se usuđeješ?
Vaše Visočanstvo, imam li vaše dopuštenje da
održim lekciju ovom dječačiću iz korištenja mača?
Ja neću izvuči mač.
Osim u ime Princeze Helene.
Kukavica? Potegni.
Dosta! To je dosta!
Sir Branton, sviđaju mi se ovi vitezovi.
Sigurno im je sigurnost u broju?
Ti i sedam dobrih mačeva?
Sedam mačeva...
i sedam prokletstava.
Kada polazimo, Sir Brantone?
Sada.
Spanish:
No, lo he visto a menudo.
- ¿En el campo?
- No, no en el campo.
Y también sé que desea
casarse con la Princesa Helena.
Absoluta verdad. Los invito a
quedarse y bailar en mi boda.
Muchas gracias.
Pero preferiría bailar en otro lado.
Hablas en acertijos jovencito.
No trate de resolverlos hasta que
rescatemos a la Princesa Helena.
¿"Rscatemos"? Yo salvaré a Helena.
Monsieur, trate de entender.
Nos juramentamos de rescatar a la
bella dama de Sir George.
¿Dama de Sir George?
¿A qué se refiere este francés?
Sólo que la amo e intento
casarme con ellar.
Niño arrogante.
¿Ignoras los peligros del viaje tenebroso?
Los conocemos, Sir Branton.
Si no comparte nuestro entusiasmo
estaríamos felices de partir sin Ud .
¿Se atreverían?
Su Majestad,¿Tengo vuestro permiso para dar a este
mozuelo una lección en el uso de las armas?
No lucharé.
Excepto en nombre de la Princesa Helena.
Spanish:
No, lo he visto a menudo.
- ¿En el campo?
- No, no en el campo.
Y también sé que desea
casarse con la Princesa Helena.
Absoluta verdad. Los invito a
quedarse y bailar en mi boda.
Muchas gracias.
Pero preferiría bailar en otro lado.
Hablas en acertijos jovencito.
No trate de resolverlos hasta que
rescatemos a la Princesa Helena.
¿"Rscatemos"? Yo salvaré a Helena.
Monsieur, trate de entender.
Nos juramentamos de rescatar a la
bella dama de Sir George.
¿Dama de Sir George?
¿A qué se refiere este francés?
Sólo que la amo e intento
casarme con ellar.
Niño arrogante.
¿Ignoras los peligros del viaje tenebroso?
Los conocemos, Sir Branton.
Si no comparte nuestro entusiasmo
estaríamos felices de partir sin Ud .
¿Se atreverían?
Su Majestad,¿Tengo vuestro permiso para dar a este
mozuelo una lección en el uso de las armas?
No lucharé.
Excepto en nombre de la Princesa Helena.
Spanish:
No, lo he visto a menudo.
- ¿En el campo?
- No, no en el campo.
Y también sé que desea
casarse con la Princesa Helena.
Absoluta verdad. Los invito a
quedarse y bailar en mi boda.
Muchas gracias.
Pero preferiría bailar en otro lado.
Hablas en acertijos jovencito.
No trate de resolverlos hasta que
rescatemos a la Princesa Helena.
¿"Rscatemos"? Yo salvaré a Helena.
Monsieur, trate de entender.
Nos juramentamos de rescatar a la
bella dama de Sir George.
¿Dama de Sir George?
¿A qué se refiere este francés?
Sólo que la amo e intento
casarme con ellar.
Niño arrogante.
¿Ignoras los peligros del viaje tenebroso?
Los conocemos, Sir Branton.
Si no comparte nuestro entusiasmo
estaríamos felices de partir sin Ud .
¿Se atreverían?
Su Majestad,¿Tengo vuestro permiso para dar a este
mozuelo una lección en el uso de las armas?
No lucharé.
Excepto en nombre de la Princesa Helena.
Spanish:
¿Un cobarde? Lucha.
Suficiente. Esto es suficiente.
Sir Branton, me agradan
estos caballeros.
¿No es más seguro en números?
¿Ud. y siete buenas espadas?
Siete espadas...
y siete maldiciones.
¿Cuando partimos, Sir Branton?
Ahora.
Spanish:
¿Un cobarde? Lucha.
Suficiente. Esto es suficiente.
Sir Branton, me agradan
estos caballeros.
¿No es más seguro en números?
¿Ud. y siete buenas espadas?
Siete espadas...
y siete maldiciones.
¿Cuando partimos, Sir Branton?
Ahora.
Spanish:
¿Un cobarde? Lucha.
Suficiente. Esto es suficiente.
Sir Branton, me agradan
estos caballeros.
¿No es más seguro en números?
¿Ud. y siete buenas espadas?
Siete espadas...
y siete maldiciones.
¿Cuando partimos, Sir Branton?
Ahora.
Spanish:
¿Un cobarde? Lucha.
Suficiente. Esto es suficiente.
Sir Branton, me agradan
estos caballeros.
¿No es más seguro en números?
¿Ud. y siete buenas espadas?
Siete espadas...
y siete maldiciones.
¿Cuando partimos, Sir Branton?
Ahora.
English:
I shall not draw.
Except in behalf of Princess Helene.
A coward? Draw.
Enough. That's enough.
Sir Branton, I like these knights.
Surely there is safety in numbers?
You and seven good swords?
Seven swords...
and seven curses.
When do we start, Sir Branton?
Now.
Spanish:
¿Un cobarde? Lucha.
Suficiente. Esto es suficiente.
Sir Branton, me agradan
estos caballeros.
¿No es más seguro en números?
¿Ud. y siete buenas espadas?
Siete espadas...
y siete maldiciones.
¿Cuando partimos, Sir Branton?
Ahora.
Croatian:
Ja sam Helene.
Znamo.
Čule smo kad si jutros dovedena.
Ja sam Princeza Laura,
a ovo je moja sestra, Grace.
Ovo je naš sedmi dan.
Sedmi dan?
Naš zadnji dan, na žalost...
Sigurno ne vjerujete u to
o zmaju?
Kad smo stigle bile su druge ovdje.
Ali sad ih nema.
Onda će tvoj otac učiniti nešto
da te spasi.
Zaštoi, njegova vojska se vjerovatno
približava dvorcu svake minute.
Zaista misliš tako?
Naravno.
Bit ćeš na putu kući do jutra.
Spanish:
Soy Helena.
Lo sabemos.
Escuchamos cuando te trajeron en la mañana.
Soy la Princesa Laura,
y esta es mi hermana, Grace.
- Este es nuestro séptimo día.
- ¿Séptimo día?
Nuestro último día,
a menos que...
¿Seguro Uds. no creen
eso del dragón?
Había otras cuando llegamos.
Pero ya no están.
Entonces su padre hiza algo
para salvarlas..
Porque, su ejército debe estar
cerca del castillo ahora.
¿Crees eso?
Desde luego.
Estarán libres por la mañana.
Las dos hermanas.
Croatian:
Dvije sestre.
Slobodne smo ići kući?
Otac je dogovorio za oslobađanje?
Ne idete kući.
Sigurno ste morali razgovarati sa njim?
Imao sam tri duga, dosadna razgovora sa njim.
Ali ništa ga nije moglo uvjeriti
da mi da što sam ga tražio.
Ne vjerujem vam.
Nešto vam je platio.
Ništa.
Umjesto toga, poslao je cijelu grupu
svojih hrabrih vitezova na mračno putovanje.
Jadne djevojke, nikad neće dočekati
treće prokletstvo. Vodite ih!
Hajde.
Ne!
Ne možete to učiniti.
To se jednostavno ne može desiti.
Nigdje jednostavno ne može biti nitko
tako okrutan i zao poput vas.
Zaista, Helene. Ovo nije prvi put
da princeza postane zalogaj zmaju.
Na kraju, ovdje se to
dešava samo jednom tjedno.
Osim ako ne dobijete što tražite.
Koju otkupninu ste tražili za mene?
Žao mi je,
ali ti si jedinstven slučaj.
English:
I'm Helene.
We know.
We heard you were brought in this morning.
I'm Princess Laura,
and this is my sister, Grace.
- This is our seventh day.
- Seventh day?
Our last day, unless...
Surely you don't believe that
about the dragon?
There were others here when we arrived.
But they're gone now.
Then your father will do something
to save you.
Why, his army is probably
approaching the castle this very minute.
Do you really think so?
Of course.
You'll be on your way home by morning.
The two sisters.
Spanish:
Soy Helena.
Lo sabemos.
Escuchamos cuando te trajeron en la mañana.
Soy la Princesa Laura,
y esta es mi hermana, Grace.
- Este es nuestro séptimo día.
- ¿Séptimo día?
Nuestro último día,
a menos que...
¿Seguro Uds. no creen
eso del dragón?
Había otras cuando llegamos.
Pero ya no están.
Entonces su padre hiza algo
para salvarlas..
Porque, su ejército debe estar
cerca del castillo ahora.
¿Crees eso?
Desde luego.
Estarán libres por la mañana.
Las dos hermanas.
Spanish:
Soy Helena.
Lo sabemos.
Escuchamos cuando te trajeron en la mañana.
Soy la Princesa Laura,
y esta es mi hermana, Grace.
- Este es nuestro séptimo día.
- ¿Séptimo día?
Nuestro último día,
a menos que...
¿Seguro Uds. no creen
eso del dragón?
Había otras cuando llegamos.
Pero ya no están.
Entonces su padre hiza algo
para salvarlas..
Porque, su ejército debe estar
cerca del castillo ahora.
¿Crees eso?
Desde luego.
Estarán libres por la mañana.
Las dos hermanas.
Spanish:
Soy Helena.
Lo sabemos.
Escuchamos cuando te trajeron en la mañana.
Soy la Princesa Laura,
y esta es mi hermana, Grace.
- Este es nuestro séptimo día.
- ¿Séptimo día?
Nuestro último día,
a menos que...
¿Seguro Uds. no creen
eso del dragón?
Había otras cuando llegamos.
Pero ya no están.
Entonces su padre hiza algo
para salvarlas..
Porque, su ejército debe estar
cerca del castillo ahora.
¿Crees eso?
Desde luego.
Estarán libres por la mañana.
Las dos hermanas.
Spanish:
Soy Helena.
Lo sabemos.
Escuchamos cuando te trajeron en la mañana.
Soy la Princesa Laura,
y esta es mi hermana, Grace.
- Este es nuestro séptimo día.
- ¿Séptimo día?
Nuestro último día,
a menos que...
¿Seguro Uds. no creen
eso del dragón?
Había otras cuando llegamos.
Pero ya no están.
Entonces su padre hiza algo
para salvarlas..
Porque, su ejército debe estar
cerca del castillo ahora.
¿Crees eso?
Desde luego.
Estarán libres por la mañana.
Las dos hermanas.
Spanish:
¿Nos dejarán ir a casa ahora?
¿Nuestro padre consiguió que nos liberaran?
- Uds. no irán a casa.
- ¿Seguro haz hablado con él?
Tuve tres largas y duras
reuniones con él.
Pero no pude convercerlo que
me diera lo que le pedí.
No te creo.El pagaría cualquier cosa.
Nada.
En vez, envió una compañía de valientes
caballeros por el camino tenebroso .
Los pobres muchachos apenas llegaron
a la tercera maldición. Llevénselas.
- Vamos.
- ¡No!
No puedes hacer esto.
Esto no puede estar pasando.
No puede haber alguien más cruel
y diabólico que tú.
De verdad, Helena. Esta no es la primera
vez que una princesa alimenta a mi dragón.
Y por estos lados eso sucede una
vez a la semana.
A menos que tengas lo que quieras.
¿Qué rescate pediste por mí?
Lo siento,
pero tu eres un caso particular.
Aún no he pedido rescate.
¿Entonces por qué me trajiste?
Spanish:
¿Nos dejarán ir a casa ahora?
¿Nuestro padre consiguió que nos liberaran?
- Uds. no irán a casa.
- ¿Seguro haz hablado con él?
Tuve tres largas y duras
reuniones con él.
Pero no pude convercerlo que
me diera lo que le pedí.
No te creo.El pagaría cualquier cosa.
Nada.
En vez, envió una compañía de valientes
caballeros por el camino tenebroso .
Los pobres muchachos apenas llegaron
a la tercera maldición. Llevénselas.
- Vamos.
- ¡No!
No puedes hacer esto.
Esto no puede estar pasando.
No puede haber alguien más cruel
y diabólico que tú.
De verdad, Helena. Esta no es la primera
vez que una princesa alimenta a mi dragón.
Y por estos lados eso sucede una
vez a la semana.
A menos que tengas lo que quieras.
¿Qué rescate pediste por mí?
Lo siento,
pero tu eres un caso particular.
Aún no he pedido rescate.
¿Entonces por qué me trajiste?
Spanish:
¿Nos dejarán ir a casa ahora?
¿Nuestro padre consiguió que nos liberaran?
- Uds. no irán a casa.
- ¿Seguro haz hablado con él?
Tuve tres largas y duras
reuniones con él.
Pero no pude convercerlo que
me diera lo que le pedí.
No te creo.El pagaría cualquier cosa.
Nada.
En vez, envió una compañía de valientes
caballeros por el camino tenebroso .
Los pobres muchachos apenas llegaron
a la tercera maldición. Llevénselas.
- Vamos.
- ¡No!
No puedes hacer esto.
Esto no puede estar pasando.
No puede haber alguien más cruel
y diabólico que tú.
De verdad, Helena. Esta no es la primera
vez que una princesa alimenta a mi dragón.
Y por estos lados eso sucede una
vez a la semana.
A menos que tengas lo que quieras.
¿Qué rescate pediste por mí?
Lo siento,
pero tu eres un caso particular.
Aún no he pedido rescate.
¿Entonces por qué me trajiste?
English:
We're free to go home now?
Father arranged for our release?
- You're not going home.
- Surely you must have spoken to him?
I've had three long, dull sessions with him.
But nothing could persuade him
to give up what I asked for.
I don't believe you. He'd pay you anything.
Nothing.
Instead, he sent an entire company
of his bravest knights on the Dark Journey.
The poor lads never even reached
the third curse. Take them away.
- Come on.
- No!
You can't do this.
That just can't be happening.
There just couldn't be anybody
as cruel and evil as you.
Really, Helene. This isn't the first time
that a princess has been fed to a dragon.
And at least around here,
it happens only once a week.
Unless you get what you want.
What ransom are you asking for me?
I'm sorry,
but you happen to be a particular case.
I'm not asking any ransom for you at all.
Then why did you bring me here?
Spanish:
¿Nos dejarán ir a casa ahora?
¿Nuestro padre consiguió que nos liberaran?
- Uds. no irán a casa.
- ¿Seguro haz hablado con él?
Tuve tres largas y duras
reuniones con él.
Pero no pude convercerlo que
me diera lo que le pedí.
No te creo.El pagaría cualquier cosa.
Nada.
En vez, envió una compañía de valientes
caballeros por el camino tenebroso .
Los pobres muchachos apenas llegaron
a la tercera maldición. Llevénselas.
- Vamos.
- ¡No!
No puedes hacer esto.
Esto no puede estar pasando.
No puede haber alguien más cruel
y diabólico que tú.
De verdad, Helena. Esta no es la primera
vez que una princesa alimenta a mi dragón.
Y por estos lados eso sucede una
vez a la semana.
A menos que tengas lo que quieras.
¿Qué rescate pediste por mí?
Lo siento,
pero tu eres un caso particular.
Aún no he pedido rescate.
¿Entonces por qué me trajiste?
Spanish:
¿Nos dejarán ir a casa ahora?
¿Nuestro padre consiguió que nos liberaran?
- Uds. no irán a casa.
- ¿Seguro haz hablado con él?
Tuve tres largas y duras
reuniones con él.
Pero no pude convercerlo que
me diera lo que le pedí.
No te creo.El pagaría cualquier cosa.
Nada.
En vez, envió una compañía de valientes
caballeros por el camino tenebroso .
Los pobres muchachos apenas llegaron
a la tercera maldición. Llevénselas.
- Vamos.
- ¡No!
No puedes hacer esto.
Esto no puede estar pasando.
No puede haber alguien más cruel
y diabólico que tú.
De verdad, Helena. Esta no es la primera
vez que una princesa alimenta a mi dragón.
Y por estos lados eso sucede una
vez a la semana.
A menos que tengas lo que quieras.
¿Qué rescate pediste por mí?
Lo siento,
pero tu eres un caso particular.
Aún no he pedido rescate.
¿Entonces por qué me trajiste?
Croatian:
Za tebe ne tražim nikakvu otkupninu.
Zašto ste me onda doveli ovdje?
Moj mali ljubimac će biti ponovo gladan
za šest dana.
Hajde, idemo gledati.
Ne, molim vas, ne.
Slušaj. Vjetar nosi dobro.
Nemoj okretati glavu.
Propustit ćeš svu zabavu.
Vidiš? Sve se odigrava vrlo brzo.
Sada moj mali ljubimac može spavati.
- Oh, to je užasno.
Ali to se neće dogoditi meni.
Njihov otac šalje nekolicinu.
Pa, moj šalje vojsku.
A ja te ne želim obeshrabriti.
U stvari, prije nekog vremena...
tvoj otac je odlučio da pošalje
samo jednog viteza da te oslobodi.
Ne krivi svog oca.
Vitez ga je sam to zamolio.
I tko je taj veoma hrabar čovjek?
Siguran sam da ga znaš. Sir Branton.
- Sir Branton?
- Ti ne voliš Sir Brantona?
English:
My little pet will be hungry again
in six days' time.
- Come, let's watch.
- No, please, no.
Listen in. The wind carries well.
Don't turn your head away.
You'll miss all the fun.
See? It all happens very quickly.
- Now my little pet can sleep.
- Oh, it's horrible.
But it won't happen to me.
Their father sent a company.
Well, mine will send an army.
And I hate to disillusion you.
Actually, for a while...
your father seemed content
to let just one knight undertake your rescue.
Don't blame your father.
The knight talked him into it.
And who is this very brave man?
I'm sure you know him. Sir Branton.
- Sir Branton?
- You don't like Sir Branton?
Oh, come now.
Spanish:
Mi pequeña mascota estará hambrienta
en seis días.
-Vamos, mira.
- No, por favor, no.
escucha. El viento sopla bien.
No voltees tu cabeza.
Te perderás la diversión.
¿Ver? Pasó tan rápido.
- Ahora mi mascota podrá dormir.
- Oh, es horrible.
Pero no me pasará a mí.
Su padre envió una compañía.
El mío enviará un ejército.
Odio desilucionarte.
De hecho, en este momento...
tu padre se ve contento de dejar que un
solo caballero te rescate.
No culpes a tu padre.
El caballero lo convenció.
¿Y quién es el valiente?
Estoy seguro conoces a Sir Branton.
- ¿Sir Branton?
- ¿No te agrada Sir Branton?
Oh, ven.
Spanish:
Mi pequeña mascota estará hambrienta
en seis días.
-Vamos, mira.
- No, por favor, no.
escucha. El viento sopla bien.
No voltees tu cabeza.
Te perderás la diversión.
¿Ver? Pasó tan rápido.
- Ahora mi mascota podrá dormir.
- Oh, es horrible.
Pero no me pasará a mí.
Su padre envió una compañía.
El mío enviará un ejército.
Odio desilucionarte.
De hecho, en este momento...
tu padre se ve contento de dejar que un
solo caballero te rescate.
No culpes a tu padre.
El caballero lo convenció.
¿Y quién es el valiente?
Estoy seguro conoces a Sir Branton.
- ¿Sir Branton?
- ¿No te agrada Sir Branton?
Oh, ven.
Spanish:
Mi pequeña mascota estará hambrienta
en seis días.
-Vamos, mira.
- No, por favor, no.
escucha. El viento sopla bien.
No voltees tu cabeza.
Te perderás la diversión.
¿Ver? Pasó tan rápido.
- Ahora mi mascota podrá dormir.
- Oh, es horrible.
Pero no me pasará a mí.
Su padre envió una compañía.
El mío enviará un ejército.
Odio desilucionarte.
De hecho, en este momento...
tu padre se ve contento de dejar que un
solo caballero te rescate.
No culpes a tu padre.
El caballero lo convenció.
¿Y quién es el valiente?
Estoy seguro conoces a Sir Branton.
- ¿Sir Branton?
- ¿No te agrada Sir Branton?
Oh, ven.
Croatian:
Oh, hajde.
Siromašne djevojke si nisu mogle
priuštiti da biraju.
Svejedno, ne brini, sam ili sa
svojim kompanjonima nikada neće stići ovdje.
Kompanjonima?
Mislila sam da si rekao da je Sir Branton sam.
Trebao je biti.
Ali neki ludo-hrabri mladić po imenu
George je inzistirao da pođe sa njim.
- George?
Naravno, njega ne poznaš.
Gdje je on?
Stalo ti je da ga vidiš?
Da ga vidim?
Naravno. Pokazat ću ti mladu budalu.
Reci mi, koji od njih je George?
Najmlađi.
On je na čelu, jaše sa Sir Brantonom.
Oni koji su mudri vratit će se odmah.
Spanish:
Mi pequeña mascota estará hambrienta
en seis días.
-Vamos, mira.
- No, por favor, no.
escucha. El viento sopla bien.
No voltees tu cabeza.
Te perderás la diversión.
¿Ver? Pasó tan rápido.
- Ahora mi mascota podrá dormir.
- Oh, es horrible.
Pero no me pasará a mí.
Su padre envió una compañía.
El mío enviará un ejército.
Odio desilucionarte.
De hecho, en este momento...
tu padre se ve contento de dejar que un
solo caballero te rescate.
No culpes a tu padre.
El caballero lo convenció.
¿Y quién es el valiente?
Estoy seguro conoces a Sir Branton.
- ¿Sir Branton?
- ¿No te agrada Sir Branton?
Oh, ven.
Spanish:
Mi pequeña mascota estará hambrienta
en seis días.
-Vamos, mira.
- No, por favor, no.
escucha. El viento sopla bien.
No voltees tu cabeza.
Te perderás la diversión.
¿Ver? Pasó tan rápido.
- Ahora mi mascota podrá dormir.
- Oh, es horrible.
Pero no me pasará a mí.
Su padre envió una compañía.
El mío enviará un ejército.
Odio desilucionarte.
De hecho, en este momento...
tu padre se ve contento de dejar que un
solo caballero te rescate.
No culpes a tu padre.
El caballero lo convenció.
¿Y quién es el valiente?
Estoy seguro conoces a Sir Branton.
- ¿Sir Branton?
- ¿No te agrada Sir Branton?
Oh, ven.
Spanish:
Una damisela en desgracia no
puede darse el gusto de elegir.
En todo caso no te preocupes.
Ni él, ni sus compañeros llegarán acá.
¿Compañeros?
Pensé que dijo que venía solo.
Podría haber venido.
Pero un joven estúpido llamado
George insistió en acompañarlo.
-¿George?
-Por supuesto, no lo conoces.
¿Donde está él?
- ¿Te preocupas por él?
- ¿Quieres verlo?
Seguro. Te mostraré al tonto.
- Dime, ¿Cúal es George?
- El más joven.
El está al mando junto a Sir Branton.
Si son listos se devolverán.
Spanish:
Una damisela en desgracia no
puede darse el gusto de elegir.
En todo caso no te preocupes.
Ni él, ni sus compañeros llegarán acá.
¿Compañeros?
Pensé que dijo que venía solo.
Podría haber venido.
Pero un joven estúpido llamado
George insistió en acompañarlo.
-¿George?
-Por supuesto, no lo conoces.
¿Donde está él?
- ¿Te preocupas por él?
- ¿Quieres verlo?
Seguro. Te mostraré al tonto.
- Dime, ¿Cúal es George?
- El más joven.
El está al mando junto a Sir Branton.
Si son listos se devolverán.
Spanish:
Una damisela en desgracia no
puede darse el gusto de elegir.
En todo caso no te preocupes.
Ni él, ni sus compañeros llegarán acá.
¿Compañeros?
Pensé que dijo que venía solo.
Podría haber venido.
Pero un joven estúpido llamado
George insistió en acompañarlo.
-¿George?
-Por supuesto, no lo conoces.
¿Donde está él?
- ¿Te preocupas por él?
- ¿Quieres verlo?
Seguro. Te mostraré al tonto.
- Dime, ¿Cúal es George?
- El más joven.
El está al mando junto a Sir Branton.
Si son listos se devolverán.
Spanish:
Una damisela en desgracia no
puede darse el gusto de elegir.
En todo caso no te preocupes.
Ni él, ni sus compañeros llegarán acá.
¿Compañeros?
Pensé que dijo que venía solo.
Podría haber venido.
Pero un joven estúpido llamado
George insistió en acompañarlo.
-¿George?
-Por supuesto, no lo conoces.
¿Donde está él?
- ¿Te preocupas por él?
- ¿Quieres verlo?
Seguro. Te mostraré al tonto.
- Dime, ¿Cúal es George?
- El más joven.
El está al mando junto a Sir Branton.
Si son listos se devolverán.
Spanish:
Una damisela en desgracia no
puede darse el gusto de elegir.
En todo caso no te preocupes.
Ni él, ni sus compañeros llegarán acá.
¿Compañeros?
Pensé que dijo que venía solo.
Podría haber venido.
Pero un joven estúpido llamado
George insistió en acompañarlo.
-¿George?
-Por supuesto, no lo conoces.
¿Donde está él?
- ¿Te preocupas por él?
- ¿Quieres verlo?
Seguro. Te mostraré al tonto.
- Dime, ¿Cúal es George?
- El más joven.
El está al mando junto a Sir Branton.
Si son listos se devolverán.
English:
A damsel in distress
can't afford to pick and choose.
Anyway, don't worry. Neither he
nor his companions will ever get here.
Companions?
I thought you said Sir Branton was alone.
He would have been.
But some foolhardy young man
named George insisted on coming with him.
- George?
- Of course, you don't know him.
Where is he?
- Would you care to see him?
- See him?
Certainly. I'll show you the young fool.
- Tell me, which one is George?
- The youngest.
He's in the lead, riding with Sir Branton.
Those who are wise will turn back now.
Croatian:
Ostanite, svi, on je moj.
Spanish:
¡Atrás todos, es mío!
Croatian:
Taj konj je brz...ne može biti...
Šta?
Ne, samo glupa pomisao
koja mi je prošla kroz glavu.
Dakle, konj je brz.
Moj ogre će ih ubiti obojicu.
Jesi posve siguran?
Spanish:
¡Atrás todos, es mío!
English:
Keep back, all of you, he's mine!
Spanish:
¡Atrás todos, es mío!
Spanish:
¡Atrás todos, es mío!
Spanish:
¡Atrás todos, es mío!
Spanish:
- Ese caballo es veloz. ¿Podría ser...
- ¿Qué?
No,sólo una idea tonta que
cruzó por mi cabeza.
Es rápido ese caballo.
Mi ogro los matará a ambos.
¿Estás muy seguro?
Spanish:
- Ese caballo es veloz. ¿Podría ser...
- ¿Qué?
No,sólo una idea tonta que
cruzó por mi cabeza.
Es rápido ese caballo.
Mi ogro los matará a ambos.
¿Estás muy seguro?
Croatian:
Pobjedio je. Pobjedio te u
tvojoj vlastitoj igri.
Neka je.
On će me spasiti. Znam da hoće.
Nema šanse.
Niko nikad nije pobjedio sedam prokletstava Lodaca.
To je bilo samo prvo.
Spanish:
- Ese caballo es veloz. ¿Podría ser...
- ¿Qué?
No,sólo una idea tonta que
cruzó por mi cabeza.
Es rápido ese caballo.
Mi ogro los matará a ambos.
¿Estás muy seguro?
Spanish:
- Ese caballo es veloz. ¿Podría ser...
- ¿Qué?
No,sólo una idea tonta que
cruzó por mi cabeza.
Es rápido ese caballo.
Mi ogro los matará a ambos.
¿Estás muy seguro?
English:
- That horse is swift. It couldn't be that...
- What?
No, just a stupid thought
that crossed my mind.
So the horse is swift.
My ogre will kill them both.
Are you quite sure?
Spanish:
- Ese caballo es veloz. ¿Podría ser...
- ¿Qué?
No,sólo una idea tonta que
cruzó por mi cabeza.
Es rápido ese caballo.
Mi ogro los matará a ambos.
¿Estás muy seguro?
Spanish:
El ganó. Te venció en
tu propio juego.
Sí, lo hizo.
-El me salvará. Sé que lo hará.
- No tiene chance.
Nadie ha sobrevivido las siete maldiciones
de Lodac. Esa fue sólo la primera.
Spanish:
El ganó. Te venció en
tu propio juego.
Sí, lo hizo.
-El me salvará. Sé que lo hará.
- No tiene chance.
Nadie ha sobrevivido las siete maldiciones
de Lodac. Esa fue sólo la primera.
Spanish:
El ganó. Te venció en
tu propio juego.
Sí, lo hizo.
-El me salvará. Sé que lo hará.
- No tiene chance.
Nadie ha sobrevivido las siete maldiciones
de Lodac. Esa fue sólo la primera.
English:
He won. He beat you at your own game.
So he did.
- He'll save me. I know he will.
- Not a chance.
No one has ever survived the seven curses
of Lodac. That was only the first.
Spanish:
El ganó. Te venció en
tu propio juego.
Sí, lo hizo.
-El me salvará. Sé que lo hará.
- No tiene chance.
Nadie ha sobrevivido las siete maldiciones
de Lodac. Esa fue sólo la primera.
Spanish:
El ganó. Te venció en
tu propio juego.
Sí, lo hizo.
-El me salvará. Sé que lo hará.
- No tiene chance.
Nadie ha sobrevivido las siete maldiciones
de Lodac. Esa fue sólo la primera.
Croatian:
Upomoć. Spasite nas.
Pustite nas van.
Ovamo.
Upomoć. Pustite nas van. Spasite nas.
Croatian:
Pomozite nam. Spasite nas. Oslobodite nas.
Idemo natrag u tvoju čeliju, hoćemo li?
Spanish:
Socorro. Salvenos. Sueltanos.
- Por aquí.
- Socorro. Sácanos. Sueltanos.
Socorro. Salvanos. Liberanos.
Croatian:
I dalje nema znaka
od našeg galantnog komandira, Sir Brantona.
Je li čovjek postao pogan...
bez da pokaže poštovanje
kada su jadni Ulrich i Pedro legli da odmore?
Ili je čovjek kukavica, koji ne želi
dići svoj mač protiv tog monstruma?
Branton nije kukavica. U to sam siguran.
Pričaj u đavolje ime.
Izgubili smo vas na sahrani, Sir Brantone.
Moje žaljenje, gospodo, je duboko
kao i vaše vlastito.
Ali pošto se svaka minuta računa...
Mislio sam da je mudrije za mene
da odjašim napred i izvidim.
Što si otkrio?
Uzjašite svoje konje, gospodo
i dođite vidjeti sami.
Spanish:
Socorro. Salvenos. Sueltanos.
- Por aquí.
- Socorro. Sácanos. Sueltanos.
Socorro. Salvanos. Liberanos.
Spanish:
Socorro. Salvenos. Sueltanos.
- Por aquí.
- Socorro. Sácanos. Sueltanos.
Socorro. Salvanos. Liberanos.
English:
Help. Save us. Let us out.
- Over here.
- Help. Let us out. Save us.
Help us. Save us. Free us.
Spanish:
Socorro. Salvenos. Sueltanos.
- Por aquí.
- Socorro. Sácanos. Sueltanos.
Socorro. Salvanos. Liberanos.
Spanish:
Socorro. Salvenos. Sueltanos.
- Por aquí.
- Socorro. Sácanos. Sueltanos.
Socorro. Salvanos. Liberanos.
Spanish:
Vuelve a tu celda.
No hay señal de nuestro
gallardo comandante, Sir Branton.
Es un hombre pagano...
que no rinde respeto al descanso
de los pobres Ulrich y Pedro.
¿O el hombre es un cobarde que no fue
capaz de levantar su espada contra ese monstruo?
Branton no es un cobarde, estoy seguro.
- Hablando del mismo diablo.
- Lo extrañamos en el funeral, Sir Branton.
Mis respetos son tan profundos
como los vuestros señores.
Pero como cada minuto cuenta...
Pensé que era más inteligente
adelantarse a reconocer.
¿Qué encontró?
Monten sus caballos señores,
y vean Uds. mismos.
Croatian:
Hoćete pogledati u to, George?
Spanish:
Vuelve a tu celda.
No hay señal de nuestro
gallardo comandante, Sir Branton.
Es un hombre pagano...
que no rinde respeto al descanso
de los pobres Ulrich y Pedro.
¿O el hombre es un cobarde que no fue
capaz de levantar su espada contra ese monstruo?
Branton no es un cobarde, estoy seguro.
- Hablando del mismo diablo.
- Lo extrañamos en el funeral, Sir Branton.
Mis respetos son tan profundos
como los vuestros señores.
Pero como cada minuto cuenta...
Pensé que era más inteligente
adelantarse a reconocer.
¿Qué encontró?
Monten sus caballos señores,
y vean Uds. mismos.
English:
Let's go back to your cell, shall we?
And still not a sign
of our gallant commander, Sir Branton.
Is the man heathen...
not to pay respects
when poor Ulrich and Pedro are laid to rest?
Or is the man a coward, not to have
lifted his sword against that monster?
Branton's no coward, I'm sure of that.
- Talk of the devil himself.
- We missed you at the burial, Sir Branton.
My regrets, gentlemen,
are as deep as your own.
But since every minute counts...
I thought it wiser for me
to ride ahead and reconnoiter.
What did you find?
Mount your horses, gentlemen,
and come see for yourselves.
Spanish:
Vuelve a tu celda.
No hay señal de nuestro
gallardo comandante, Sir Branton.
Es un hombre pagano...
que no rinde respeto al descanso
de los pobres Ulrich y Pedro.
¿O el hombre es un cobarde que no fue
capaz de levantar su espada contra ese monstruo?
Branton no es un cobarde, estoy seguro.
- Hablando del mismo diablo.
- Lo extrañamos en el funeral, Sir Branton.
Mis respetos son tan profundos
como los vuestros señores.
Pero como cada minuto cuenta...
Pensé que era más inteligente
adelantarse a reconocer.
¿Qué encontró?
Monten sus caballos señores,
y vean Uds. mismos.
Spanish:
Vuelve a tu celda.
No hay señal de nuestro
gallardo comandante, Sir Branton.
Es un hombre pagano...
que no rinde respeto al descanso
de los pobres Ulrich y Pedro.
¿O el hombre es un cobarde que no fue
capaz de levantar su espada contra ese monstruo?
Branton no es un cobarde, estoy seguro.
- Hablando del mismo diablo.
- Lo extrañamos en el funeral, Sir Branton.
Mis respetos son tan profundos
como los vuestros señores.
Pero como cada minuto cuenta...
Pensé que era más inteligente
adelantarse a reconocer.
¿Qué encontró?
Monten sus caballos señores,
y vean Uds. mismos.
Spanish:
Vuelve a tu celda.
No hay señal de nuestro
gallardo comandante, Sir Branton.
Es un hombre pagano...
que no rinde respeto al descanso
de los pobres Ulrich y Pedro.
¿O el hombre es un cobarde que no fue
capaz de levantar su espada contra ese monstruo?
Branton no es un cobarde, estoy seguro.
- Hablando del mismo diablo.
- Lo extrañamos en el funeral, Sir Branton.
Mis respetos son tan profundos
como los vuestros señores.
Pero como cada minuto cuenta...
Pensé que era más inteligente
adelantarse a reconocer.
¿Qué encontró?
Monten sus caballos señores,
y vean Uds. mismos.
Croatian:
Ovo izgleda kao nesigurno područje,
Sir Branton.
Hoćete sada biti sigurni
da idemo pravim putem?
Ili je to put na kojem smo svi?
Magla postaje gušča. Gdje je Dennis?
Gdje su James i Anthony?
James! Dennis! Anthony!
Ja sam ovdje.
Dobro onda, drži se nas, budi blizu.
Gdje je Anthony?
- Anthony!
Ja sam ovdje. Kojim ste vi putem?
English:
Will you look at that, George?
This seems to be an unsavory region,
Sir Branton.
Would you be sure now
that we were taking the right road?
Or is it a road we're on at all?
The fog's getting thicker. Where's Dennis?
Where's James and Anthony?
James! Dennis! Anthony!
I'm over here.
Well, then, keep with us, keep close.
- Where's Anthony?
- Anthony!
Spanish:
Mira eso George.
Parece ser una desagradable región,
Sir Branton.
¿Está seguro de haber tomado
el camino correcto?
¿O este es el único que hay?
La niebla espesa
¿Donde está Dennis?
¿Donde están
James y Anthony?
¡James! ¡Dennis! ¡Anthony!
Estoy aquí.
Bien, júntense y no se separen.
- ¿Donde está Anthony?
-¡Anthony!
Spanish:
Mira eso George.
Parece ser una desagradable región,
Sir Branton.
¿Está seguro de haber tomado
el camino correcto?
¿O este es el único que hay?
La niebla espesa
¿Donde está Dennis?
¿Donde están
James y Anthony?
¡James! ¡Dennis! ¡Anthony!
Estoy aquí.
Bien, júntense y no se separen.
- ¿Donde está Anthony?
-¡Anthony!
Spanish:
Mira eso George.
Parece ser una desagradable región,
Sir Branton.
¿Está seguro de haber tomado
el camino correcto?
¿O este es el único que hay?
La niebla espesa
¿Donde está Dennis?
¿Donde están
James y Anthony?
¡James! ¡Dennis! ¡Anthony!
Estoy aquí.
Bien, júntense y no se separen.
- ¿Donde está Anthony?
-¡Anthony!
Spanish:
Mira eso George.
Parece ser una desagradable región,
Sir Branton.
¿Está seguro de haber tomado
el camino correcto?
¿O este es el único que hay?
La niebla espesa
¿Donde está Dennis?
¿Donde están
James y Anthony?
¡James! ¡Dennis! ¡Anthony!
Estoy aquí.
Bien, júntense y no se separen.
- ¿Donde está Anthony?
-¡Anthony!
Spanish:
Mira eso George.
Parece ser una desagradable región,
Sir Branton.
¿Está seguro de haber tomado
el camino correcto?
¿O este es el único que hay?
La niebla espesa
¿Donde está Dennis?
¿Donde están
James y Anthony?
¡James! ¡Dennis! ¡Anthony!
Estoy aquí.
Bien, júntense y no se separen.
- ¿Donde está Anthony?
-¡Anthony!
Croatian:
Ovamo!
Nađite ga!
Anthony, gdje si?
Gdje si?
Ovdje sam! Pomozite mi!
Bio sam povučen unutra.
Daj mi ruku.
English:
I'm over here! Which way are you?
Here!
Find him!
Anthony, where are you?
- Where are you?
- I'm here! Help me!
Spanish:
¡Estoy por aquí!
¿Donde están Uds?
¡Aquí!
¡Encuéntrenlo!
¿Anthony, donde estás?
- ¿Donde estás?
-¡Por aquí! ¡Ayudenme!
Spanish:
¡Estoy por aquí!
¿Donde están Uds?
¡Aquí!
¡Encuéntrenlo!
¿Anthony, donde estás?
- ¿Donde estás?
-¡Por aquí! ¡Ayudenme!
Spanish:
¡Estoy por aquí!
¿Donde están Uds?
¡Aquí!
¡Encuéntrenlo!
¿Anthony, donde estás?
- ¿Donde estás?
-¡Por aquí! ¡Ayudenme!
Spanish:
¡Estoy por aquí!
¿Donde están Uds?
¡Aquí!
¡Encuéntrenlo!
¿Anthony, donde estás?
- ¿Donde estás?
-¡Por aquí! ¡Ayudenme!
Croatian:
Spasi se! Ili ćeš i ti umrijeti!
Ne, gledaj! Moj mač će nas spasiti,
kad bih ga barem mogao dokučiti.
Spanish:
¡Estoy por aquí!
¿Donde están Uds?
¡Aquí!
¡Encuéntrenlo!
¿Anthony, donde estás?
- ¿Donde estás?
-¡Por aquí! ¡Ayudenme!
Spanish:
Me están tirando para abajo.
Dame la mano.
¡Sálvate o morirás también!
¡No, mira! Mi espada nos salvará,
si pudiera alcanzarla.
Spanish:
Me están tirando para abajo.
Dame la mano.
¡Sálvate o morirás también!
¡No, mira! Mi espada nos salvará,
si pudiera alcanzarla.
English:
I'm being pulled under.
Give me your hand.
Save yourself, or you'll die too!
Spanish:
Me están tirando para abajo.
Dame la mano.
¡Sálvate o morirás también!
¡No, mira! Mi espada nos salvará,
si pudiera alcanzarla.
Spanish:
Me están tirando para abajo.
Dame la mano.
¡Sálvate o morirás también!
¡No, mira! Mi espada nos salvará,
si pudiera alcanzarla.
Spanish:
Me están tirando para abajo.
Dame la mano.
¡Sálvate o morirás también!
¡No, mira! Mi espada nos salvará,
si pudiera alcanzarla.
Croatian:
{Y:i}Jeste li vidjeli naše zlo?
Gdje je Anthony?
Gdje je George?
Nastavit ćemo jahati, gospodo.
Oni su izgubljeni zauvijek, obojica.
Ne obojica, gledajte!
Anthony se pridružio Pedru i Ulrichu.
Naprijed, gospodo.
Spanish:
¿Ha visto a nuestros amigos?
- ¿Donde está Anthony?
- ¿Donde está George?
Seguiremos caminos, caballeros.
Ambos se han sacrificado por nosotros.
English:
No, look! My sword will save us,
if only I can reach it.
Have you seen nos amis?
- Where is Anthony?
- Where is George?
We will ride on, gentlemen.
They are lost for good, both of them.
Spanish:
¿Ha visto a nuestros amigos?
- ¿Donde está Anthony?
- ¿Donde está George?
Seguiremos caminos, caballeros.
Ambos se han sacrificado por nosotros.
Spanish:
¿Ha visto a nuestros amigos?
- ¿Donde está Anthony?
- ¿Donde está George?
Seguiremos caminos, caballeros.
Ambos se han sacrificado por nosotros.
Spanish:
¿Ha visto a nuestros amigos?
- ¿Donde está Anthony?
- ¿Donde está George?
Seguiremos caminos, caballeros.
Ambos se han sacrificado por nosotros.
Spanish:
¿Ha visto a nuestros amigos?
- ¿Donde está Anthony?
- ¿Donde está George?
Seguiremos caminos, caballeros.
Ambos se han sacrificado por nosotros.
Spanish:
No ambos, miren.
Anthony se ha unido a Pedro y Ulrich.
Adelante caballeros.
English:
Not both, look.
Anthony has joined Pedro and Ulrich.
Forward, gentlemen.
Spanish:
No ambos, miren.
Anthony se ha unido a Pedro y Ulrich.
Adelante caballeros.
Spanish:
No ambos, miren.
Anthony se ha unido a Pedro y Ulrich.
Adelante caballeros.
Spanish:
No ambos, miren.
Anthony se ha unido a Pedro y Ulrich.
Adelante caballeros.
Croatian:
Uh, koliko muke da bi se izašlo odavde.
Čekaj dok mi ne dođe u ruke.
- George?
Nakon svega što sam učinila
za tog dječaka.
Da me prevari. Stavi me pod svoju moć,
mene, svoju vlastitu pomajku.
Gdje je on?
Lodac.
George. Njegov život je u opasnosti.
Vi ste umorni. Mirujte, mirujte.
Neću nikada mirovati dok ne bude siguran.
Oh, moj dječače, što si uradio?
Magično ogledalce...
pokaži mi viziju moga dječačića.
Zašto morate inzistirati da se
moji kompanjoni vrate, Sir Branton?
Ti i ja imamo dobar razlog
da nastavimo mračno putovanje!
Obojica smo zaljubljeni u istu djevojku,
svaki od nas se nada da će je spasiti.
Ali koji razlog imaju ostali
da se suoče sa Lodacovim prokletstvima?
Kao vaš zapovjednik, iskreno vam savjetujem
da se vratite dok još imate vremena.
Jesi li to čuo, George?
Spanish:
No ambos, miren.
Anthony se ha unido a Pedro y Ulrich.
Adelante caballeros.
Croatian:
Trebali bi se okrenuti i odjahati na sigurno
ostavivši vas i Sir Brantona?
- Sir Branton govori zdravim razumom.
Jesi ti skrenuo sa pameti?
Lodacova prokletstva su već počela.
Ulrich, Pedro i Anthony.
Dok god je ijedan od nas živ,
ima nade da će Princeza biti spašena.
Ipak,
tebe ne mogu okriviti za odlazak.
Između Lodacovih prokletstava i Brantonove
podmuklosti, trebat ćeš nas.
Ti Irski psu,
što si mislio sa tom drskosti?
-Pas, jesam li, ti licemjeru sa dva lica?
Prestani, Pat!
Zahtjevam objašnjenje.
I dobit ćeš ga!
Moji vitezovi vjeruju da želiš
nastaviti putovanje sam...
...kako bi me se mogao otarasiti.
Kakva besmislica.
Ne možeš to poreči.
Od početka odbijaš našu pomoć.
Pa, naravno,
nisam htio da ideš sam.
Osim toga, zašto bi se čovjek
pridružio svome rivalu?
Ali kad je počelo mračno putovanje,
prihvatio sam vas u potpunosti.
Zavolio sam vas, čak vam se počeo diviti.
Ipak će te nas jednom napustiti Sir George.
Kakve sumnjičave misli.
Samo zbog upletenosti u opasnost.
Spanish:
Oh, que trabajo salir de ahí.
- Esperen que le ponga las manos encima.
- ¿George?
Después de lo que trabajado
por ese niño.
Engañarme. Usar mis poderes,
contra su propia madre adoptiva.
¿Donde está?
Lodac.
Spanish:
Oh, que trabajo salir de ahí.
- Esperen que le ponga las manos encima.
- ¿George?
Después de lo que trabajado
por ese niño.
Engañarme. Usar mis poderes,
contra su propia madre adoptiva.
¿Donde está?
Lodac.
English:
My, what a job getting out of there.
- Wait till I get my hands on him.
- George?
After all I've done for that boy.
To trick me. Put me in his power,
me, his own foster mother.
Where is he?
Lodac.
Spanish:
Oh, que trabajo salir de ahí.
- Esperen que le ponga las manos encima.
- ¿George?
Después de lo que trabajado
por ese niño.
Engañarme. Usar mis poderes,
contra su propia madre adoptiva.
¿Donde está?
Lodac.
Spanish:
Oh, que trabajo salir de ahí.
- Esperen que le ponga las manos encima.
- ¿George?
Después de lo que trabajado
por ese niño.
Engañarme. Usar mis poderes,
contra su propia madre adoptiva.
¿Donde está?
Lodac.
Spanish:
Oh, que trabajo salir de ahí.
- Esperen que le ponga las manos encima.
- ¿George?
Después de lo que trabajado
por ese niño.
Engañarme. Usar mis poderes,
contra su propia madre adoptiva.
¿Donde está?
Lodac.
Spanish:
George. Su vida está en peligro.
Estás cansada, agotada. Reposa, descansa.
No descansaré hasta que esté a salvo.
Oh, mi niño ¿Donde te has metido?
Espejo mágico,
da una visión de mi niño.
¿Por qué insiste en que mis
compañeros vuelvan, Sir Branton?
Nosotros tenemos una buena razón
para seguir el camino tenebroso.
Ambos estamos enamorados de la misma mujer,
y cada cual desea rescatarla.
¿Pero qué razón tienen los otros para
enfrentar las maldiciones de Lodac?
Como vuestro líder, honestamente les advierto
que regresen mientras hay tiempo.
¿Oiste eso, George?
¿Quieres que volvamos abandonándote
a ti a a Sir Branton?
- Sir Branton habla con sentido.
- ¿Enfermaste del cerebro?
Las maldiciones de Lodac
han tomado a Ulrich, Pedro y Anthony.
Mientras uno de nosotros viva,
hay esperanza de salvar a la Princesa.
Sin embargo,
no podría culparlos si se van.
English:
George. His life is in danger.
You're tired, tired. Rest, rest.
I'll never rest again until I know he's safe.
Oh, my boy, what have you done?
Mirror of magic,
bring me a vision of my boy.
Why must you insist
my companions turn back, Sir Branton?
You and I have a good reason
to continue the Dark Journey.
Both of us in love with the same girl,
each of us hopes to rescue her.
But what reason have the others
to face Lodac's curses?
As your commander, I honestly advise you
to turn back now while there is still time.
Do you hear that, George?
We should turn heel and ride back to safety,
leaving you and Sir Branton?
- Sir Branton makes good sense.
- Are your wits addled?
Lodac's curses have already claimed
Ulrich, Pedro and Anthony.
As long as there is one of us left alive,
there's hope that the Princess can be saved.
Nevertheless,
I couldn't blame you for leaving.
Spanish:
George. Su vida está en peligro.
Estás cansada, agotada. Reposa, descansa.
No descansaré hasta que esté a salvo.
Oh, mi niño ¿Donde te has metido?
Espejo mágico,
da una visión de mi niño.
¿Por qué insiste en que mis
compañeros vuelvan, Sir Branton?
Nosotros tenemos una buena razón
para seguir el camino tenebroso.
Ambos estamos enamorados de la misma mujer,
y cada cual desea rescatarla.
¿Pero qué razón tienen los otros para
enfrentar las maldiciones de Lodac?
Como vuestro líder, honestamente les advierto
que regresen mientras hay tiempo.
¿Oiste eso, George?
¿Quieres que volvamos abandonándote
a ti a a Sir Branton?
- Sir Branton habla con sentido.
- ¿Enfermaste del cerebro?
Las maldiciones de Lodac
han tomado a Ulrich, Pedro y Anthony.
Mientras uno de nosotros viva,
hay esperanza de salvar a la Princesa.
Sin embargo,
no podría culparlos si se van.
Spanish:
George. Su vida está en peligro.
Estás cansada, agotada. Reposa, descansa.
No descansaré hasta que esté a salvo.
Oh, mi niño ¿Donde te has metido?
Espejo mágico,
da una visión de mi niño.
¿Por qué insiste en que mis
compañeros vuelvan, Sir Branton?
Nosotros tenemos una buena razón
para seguir el camino tenebroso.
Ambos estamos enamorados de la misma mujer,
y cada cual desea rescatarla.
¿Pero qué razón tienen los otros para
enfrentar las maldiciones de Lodac?
Como vuestro líder, honestamente les advierto
que regresen mientras hay tiempo.
¿Oiste eso, George?
¿Quieres que volvamos abandonándote
a ti a a Sir Branton?
- Sir Branton habla con sentido.
- ¿Enfermaste del cerebro?
Las maldiciones de Lodac
han tomado a Ulrich, Pedro y Anthony.
Mientras uno de nosotros viva,
hay esperanza de salvar a la Princesa.
Sin embargo,
no podría culparlos si se van.
Spanish:
George. Su vida está en peligro.
Estás cansada, agotada. Reposa, descansa.
No descansaré hasta que esté a salvo.
Oh, mi niño ¿Donde te has metido?
Espejo mágico,
da una visión de mi niño.
¿Por qué insiste en que mis
compañeros vuelvan, Sir Branton?
Nosotros tenemos una buena razón
para seguir el camino tenebroso.
Ambos estamos enamorados de la misma mujer,
y cada cual desea rescatarla.
¿Pero qué razón tienen los otros para
enfrentar las maldiciones de Lodac?
Como vuestro líder, honestamente les advierto
que regresen mientras hay tiempo.
¿Oiste eso, George?
¿Quieres que volvamos abandonándote
a ti a a Sir Branton?
- Sir Branton habla con sentido.
- ¿Enfermaste del cerebro?
Las maldiciones de Lodac
han tomado a Ulrich, Pedro y Anthony.
Mientras uno de nosotros viva,
hay esperanza de salvar a la Princesa.
Sin embargo,
no podría culparlos si se van.
Spanish:
George. Su vida está en peligro.
Estás cansada, agotada. Reposa, descansa.
No descansaré hasta que esté a salvo.
Oh, mi niño ¿Donde te has metido?
Espejo mágico,
da una visión de mi niño.
¿Por qué insiste en que mis
compañeros vuelvan, Sir Branton?
Nosotros tenemos una buena razón
para seguir el camino tenebroso.
Ambos estamos enamorados de la misma mujer,
y cada cual desea rescatarla.
¿Pero qué razón tienen los otros para
enfrentar las maldiciones de Lodac?
Como vuestro líder, honestamente les advierto
que regresen mientras hay tiempo.
¿Oiste eso, George?
¿Quieres que volvamos abandonándote
a ti a a Sir Branton?
- Sir Branton habla con sentido.
- ¿Enfermaste del cerebro?
Las maldiciones de Lodac
han tomado a Ulrich, Pedro y Anthony.
Mientras uno de nosotros viva,
hay esperanza de salvar a la Princesa.
Sin embargo,
no podría culparlos si se van.
Croatian:
Lodacova prokletstva će nas sve poubijati,
jednog po jednog, prokletstvo po prokletstvo.
Bit će kako sam rekao, ostajem sa Georgeom.
Do kraja.
Mi bi i dalje bili kipovi i buljili
bi u onaj razrušeni zid...
da nas George nije ponovno pretvorio u ljude.
I koja je korist od toga ako
ne možeš pomoći pobijediti dalekom prijatelju?
Hvala ti, Pat. Svima vama.
Evo ti odgovora.
Divim se vašoj hrabrosti.
Laku noć, gospodo.
Negov jezik je kao
med iz djetelinog tučka.
Ne vjerujem ni riječ
od onoga što je rekao.
Ako ova igra dokaže prijevaru...
Sir Branton će biti onaj
koji se neće vratiti sa ovog putovanja.
U to se kunem!
English:
Between the curses of Lodac and
Branton's treachery, you'll be needing us.
You Irish dog,
what do you mean by such insolence?
- Dog, am I, you two-faced hypocrite?
- Stop it, Pat!
- I demand an explanation.
- And you shall have one.
My knights believe
you prefer to continue the journey alone...
- so you could get rid of me.
- What nonsense.
You can't deny that.
From the first, you refused our help.
Well, of course,
I didn't want you coming along.
After all, what man wants
to join forces with his rival?
But once we had begun the Dark Journey,
I accepted you completely.
- I have come to like you, even admire you.
- Yet you would have us leave Sir George.
What suspicious minds.
Only because of the dangers involved.
Lodac's curses are killing us off
one by one, curse by curse.
Be that as it may, I stay with George.
To the end.
We'd still be statues
staring at that blasted wall...
if George hadn't turned us into men again.
And what good is it being a man again
if you can't help win the fair colleen?
Croatian:
Zdravo, Brantone.
Gdje si?
Ovdje sam.
O, vidim da si u dobroj formi.
U ugovoru, ja sam u divljoj formi..
Ne mogu podnijeti nekompetentnost.
Trebao si doći ovdje sam
na ovo lažno spašavanje....
Spanish:
Entre las maldiciones de Lodac y la traición de
Branton,nos necesitarás.
Perro irlandés,
¿Qué insinúas con esa insolencia?
- Perro, lo soy, hipócrita dos caras.
- ¡Para, Pat!
- Exijo una explicación.
- Y la tendrá.
Mis caballeros piensan que prefiere
seguir el viaje solo...
- para deshacerse de mí.
- Que locura.
No lo puede negar.
Desde un principio rehusó nuestra ayuda.
Claro, por supuesto,
no quería que vinieran.
¿Después de todo, a qué hombre
le gusta andar con su rival?
Pero empezado el viaje tenebroso,
los acepté plenamente.
-He llegado a aceptarte, incluso te admiro.
- Sin embargo quería que dejáramos a Sir George.
Mentes sospechosas.
Sólo por los peligros que involucra.
Las maldiciones de Lodac nos matan
uno por uno, maldición por maldición.
Digan lo que quieran,
me quedaré con George.
Hasta el fin.
Seguiríamos parados como estatuas
en ese maldito muro..
si George no nos vuelve
hombres nuevamente.
Y es bueno ser hombre de nuevo si
puedes ayudar a ganar en una causa justa.
Gracias, Pat. A todos.
Spanish:
Entre las maldiciones de Lodac y la traición de
Branton,nos necesitarás.
Perro irlandés,
¿Qué insinúas con esa insolencia?
- Perro, lo soy, hipócrita dos caras.
- ¡Para, Pat!
- Exijo una explicación.
- Y la tendrá.
Mis caballeros piensan que prefiere
seguir el viaje solo...
- para deshacerse de mí.
- Que locura.
No lo puede negar.
Desde un principio rehusó nuestra ayuda.
Claro, por supuesto,
no quería que vinieran.
¿Después de todo, a qué hombre
le gusta andar con su rival?
Pero empezado el viaje tenebroso,
los acepté plenamente.
-He llegado a aceptarte, incluso te admiro.
- Sin embargo quería que dejáramos a Sir George.
Mentes sospechosas.
Sólo por los peligros que involucra.
Las maldiciones de Lodac nos matan
uno por uno, maldición por maldición.
Digan lo que quieran,
me quedaré con George.
Hasta el fin.
Seguiríamos parados como estatuas
en ese maldito muro..
si George no nos vuelve
hombres nuevamente.
Y es bueno ser hombre de nuevo si
puedes ayudar a ganar en una causa justa.
Gracias, Pat. A todos.
Spanish:
Entre las maldiciones de Lodac y la traición de
Branton,nos necesitarás.
Perro irlandés,
¿Qué insinúas con esa insolencia?
- Perro, lo soy, hipócrita dos caras.
- ¡Para, Pat!
- Exijo una explicación.
- Y la tendrá.
Mis caballeros piensan que prefiere
seguir el viaje solo...
- para deshacerse de mí.
- Que locura.
No lo puede negar.
Desde un principio rehusó nuestra ayuda.
Claro, por supuesto,
no quería que vinieran.
¿Después de todo, a qué hombre
le gusta andar con su rival?
Pero empezado el viaje tenebroso,
los acepté plenamente.
-He llegado a aceptarte, incluso te admiro.
- Sin embargo quería que dejáramos a Sir George.
Mentes sospechosas.
Sólo por los peligros que involucra.
Las maldiciones de Lodac nos matan
uno por uno, maldición por maldición.
Digan lo que quieran,
me quedaré con George.
Hasta el fin.
Seguiríamos parados como estatuas
en ese maldito muro..
si George no nos vuelve
hombres nuevamente.
Y es bueno ser hombre de nuevo si
puedes ayudar a ganar en una causa justa.
Gracias, Pat. A todos.
Spanish:
Entre las maldiciones de Lodac y la traición de
Branton,nos necesitarás.
Perro irlandés,
¿Qué insinúas con esa insolencia?
- Perro, lo soy, hipócrita dos caras.
- ¡Para, Pat!
- Exijo una explicación.
- Y la tendrá.
Mis caballeros piensan que prefiere
seguir el viaje solo...
- para deshacerse de mí.
- Que locura.
No lo puede negar.
Desde un principio rehusó nuestra ayuda.
Claro, por supuesto,
no quería que vinieran.
¿Después de todo, a qué hombre
le gusta andar con su rival?
Pero empezado el viaje tenebroso,
los acepté plenamente.
-He llegado a aceptarte, incluso te admiro.
- Sin embargo quería que dejáramos a Sir George.
Mentes sospechosas.
Sólo por los peligros que involucra.
Las maldiciones de Lodac nos matan
uno por uno, maldición por maldición.
Digan lo que quieran,
me quedaré con George.
Hasta el fin.
Seguiríamos parados como estatuas
en ese maldito muro..
si George no nos vuelve
hombres nuevamente.
Y es bueno ser hombre de nuevo si
puedes ayudar a ganar en una causa justa.
Gracias, Pat. A todos.
Spanish:
Entre las maldiciones de Lodac y la traición de
Branton,nos necesitarás.
Perro irlandés,
¿Qué insinúas con esa insolencia?
- Perro, lo soy, hipócrita dos caras.
- ¡Para, Pat!
- Exijo una explicación.
- Y la tendrá.
Mis caballeros piensan que prefiere
seguir el viaje solo...
- para deshacerse de mí.
- Que locura.
No lo puede negar.
Desde un principio rehusó nuestra ayuda.
Claro, por supuesto,
no quería que vinieran.
¿Después de todo, a qué hombre
le gusta andar con su rival?
Pero empezado el viaje tenebroso,
los acepté plenamente.
-He llegado a aceptarte, incluso te admiro.
- Sin embargo quería que dejáramos a Sir George.
Mentes sospechosas.
Sólo por los peligros que involucra.
Las maldiciones de Lodac nos matan
uno por uno, maldición por maldición.
Digan lo que quieran,
me quedaré con George.
Hasta el fin.
Seguiríamos parados como estatuas
en ese maldito muro..
si George no nos vuelve
hombres nuevamente.
Y es bueno ser hombre de nuevo si
puedes ayudar a ganar en una causa justa.
Gracias, Pat. A todos.
Spanish:
Ahí está nuestra respuesta.
Admiro vuestro corage.
Buenas noches, caballeros.
Su lengua es tan dulce como
una hoja de trebol.
No creí una palabra de lo
que el hombre dijo.
Si probamos su traición...
será Sir Branton
quien no regrese de este viaje.
Lo juro.
Spanish:
Ahí está nuestra respuesta.
Admiro vuestro corage.
Buenas noches, caballeros.
Su lengua es tan dulce como
una hoja de trebol.
No creí una palabra de lo
que el hombre dijo.
Si probamos su traición...
será Sir Branton
quien no regrese de este viaje.
Lo juro.
Spanish:
Ahí está nuestra respuesta.
Admiro vuestro corage.
Buenas noches, caballeros.
Su lengua es tan dulce como
una hoja de trebol.
No creí una palabra de lo
que el hombre dijo.
Si probamos su traición...
será Sir Branton
quien no regrese de este viaje.
Lo juro.
Spanish:
Ahí está nuestra respuesta.
Admiro vuestro corage.
Buenas noches, caballeros.
Su lengua es tan dulce como
una hoja de trebol.
No creí una palabra de lo
que el hombre dijo.
Si probamos su traición...
será Sir Branton
quien no regrese de este viaje.
Lo juro.
Croatian:
ovako, moram trošiti prokletstva
da uništim Georgea i njegove vitezove.
Govoreći o nekompetentnosti...
za tri dana, morat ćeš uništiti samo
trojicu od ovih budala...
sa svim svojim magičnim močima.
Ne sa svima, Brantone.
Daj mi moj prsten
i brzo ću ih dovesti u red.
Kako bi tebi koristio prsten?
Ni jedan smrtnik ne može
upravljati njime.
Dobit ćeš svoj prsten natrag kada ja
dobijem Princezu. Takav je bio naš dogovor.
Ne vjeruješ mi?
Niti malo!
Drzak si!
Što ako te začaram i pretvorim
u psa, štakora, ili mačku...
i uzmem ti prsten ?
Samo naprijed!
Daj mi moj prsten, odmah!
Lodac, ne možeš me povrijediti
dok nosim tvoj prsten.
Ali kad ga jednom dobiješ natrag
što će me spasiti od tvojih prokletstava?
Spanish:
Ahí está nuestra respuesta.
Admiro vuestro corage.
Buenas noches, caballeros.
Su lengua es tan dulce como
una hoja de trebol.
No creí una palabra de lo
que el hombre dijo.
Si probamos su traición...
será Sir Branton
quien no regrese de este viaje.
Lo juro.
English:
Thank you, Pat. All of you.
There's your answer.
I have to admire your courage.
Good night, gentlemen.
His tongue
is like the honey from a clover patch.
I do not believe a word the man says.
If his game proves to be treachery...
it will be Sir Branton
who does not return from this journey.
This I swear.
Spanish:
- Hola, Branton.
-¿Donde estás?
Justo aquí.
Bien, te veo de buen humor.
Al contrario, estoy disgutado.
No soporto la incompetencia.
Tenías que venir solo
en este falso rescate...
pero en vez, debo malgastar mis
maldiciones en George y sus caballeros.
Hablando de incompetencia...
en tres días has logrado deshacerte de
solo tres de esos tontos entrometidos ...
con todos tus poderes mágicos.
-No con todos mis poderes, Branton.
Spanish:
- Hola, Branton.
-¿Donde estás?
Justo aquí.
Bien, te veo de buen humor.
Al contrario, estoy disgutado.
No soporto la incompetencia.
Tenías que venir solo
en este falso rescate...
pero en vez, debo malgastar mis
maldiciones en George y sus caballeros.
Hablando de incompetencia...
en tres días has logrado deshacerte de
solo tres de esos tontos entrometidos ...
con todos tus poderes mágicos.
-No con todos mis poderes, Branton.
Spanish:
- Hola, Branton.
-¿Donde estás?
Justo aquí.
Bien, te veo de buen humor.
Al contrario, estoy disgutado.
No soporto la incompetencia.
Tenías que venir solo
en este falso rescate...
pero en vez, debo malgastar mis
maldiciones en George y sus caballeros.
Hablando de incompetencia...
en tres días has logrado deshacerte de
solo tres de esos tontos entrometidos ...
con todos tus poderes mágicos.
-No con todos mis poderes, Branton.
English:
- Hello, Branton.
- Where are you?
I'm right here.
Well, I see you're in a good mood.
On the contrary, I'm in a savage mood.
I can't stand incompetence.
You were to come here alone
on this phony rescue...
but instead, I must waste my curses
to destroy George and his knights.
Talking about incompetence...
in three days, you've only managed
to destroy three of these interfering fools...
- with all your magic powers.
- Not all my magic powers, Branton.
Spanish:
- Hola, Branton.
-¿Donde estás?
Justo aquí.
Bien, te veo de buen humor.
Al contrario, estoy disgutado.
No soporto la incompetencia.
Tenías que venir solo
en este falso rescate...
pero en vez, debo malgastar mis
maldiciones en George y sus caballeros.
Hablando de incompetencia...
en tres días has logrado deshacerte de
solo tres de esos tontos entrometidos ...
con todos tus poderes mágicos.
-No con todos mis poderes, Branton.
Croatian:
Zašto bih te želio povrijediti?
Zašto ne bi?
Sada mi pomažeš samo zato
jer želiš natrag svoj prsten...
koji si tako glupo izgubio.
Dobro, održat ću svoju riječ.
Vratit ću ti ga za pet dana...
kada prokletstva budu iza mene
i kada dobijem Princezu.
Težak si trgovac, Brantone.
Obojica znamo što želimo
i obojica ćemo to dobiti...
dok god budeš držao podalje one vitezove
posebno Sir Georgea.
Sir George, da.
Dva puta je izbjegao tvoje zamke,
i mogao bi to ponoviti.
Prestani brinuti, Brantone,
gori si od stare babe.
Ako George i njegovi vitezovine budu
mrtvi do kraja tjedna...
Umrijet će puno prije toga!
I pod okolnostima najgorim od ičega
što sam do sada uradio.
Jedan od njih dolazi ovamo sada...
u svoju smrt!
Spanish:
- Hola, Branton.
-¿Donde estás?
Justo aquí.
Bien, te veo de buen humor.
Al contrario, estoy disgutado.
No soporto la incompetencia.
Tenías que venir solo
en este falso rescate...
pero en vez, debo malgastar mis
maldiciones en George y sus caballeros.
Hablando de incompetencia...
en tres días has logrado deshacerte de
solo tres de esos tontos entrometidos ...
con todos tus poderes mágicos.
-No con todos mis poderes, Branton.
English:
Give me my ring,
and I'll dispose of these men in quick order.
What use is the ring to you?
No mortal can command its magic.
You'll get your ring back when
I get the Princess. That was our bargain.
- Don't you trust me?
- Not an inch.
You are insolent.
What if I cast a spell over you
and turn you into a dog or a rat or a cat...
and take the ring?
- Go ahead.
- Give me my ring, now.
Lodac, you can't hurt me
while I wear your ring.
But once you have it back,
what's to save me from your curses?
Why would I want to hurt you?
Why wouldn't you?
You're only helping me now
because you want to get back this ring...
which you so stupidly lost.
Spanish:
Dame mi anillo y dispondré de
esos hombres rápidamente.
¿De qué te sirve el anillo a tí?
Ningún mortal puede usar su magia.
Tendrás el anillo cuando yo
tenga a la Princesa. Ese fue el trato.
- ¿No confías en mí?
- Ni una pulgada.
Insolente.
Podría hechizarte y convertirte
en perro, rata o gato...
¡Y tomar el anillo!
- Adelante.
- Dame mi anillo, ahora.
Lodac, no puedes herirme
si uso el anillo.
Pero si lo devuelvo
¿Qué me salvará de tus maldiciones?
¿Porqué querría herirte?
¿Porqué no?
Me ayudas sólo,para recuperar
este anillo...
que estupidamente perdiste.
Bien, mantendré mi palabra.
Te lo devolveré en cinco días más...
Spanish:
Dame mi anillo y dispondré de
esos hombres rápidamente.
¿De qué te sirve el anillo a tí?
Ningún mortal puede usar su magia.
Tendrás el anillo cuando yo
tenga a la Princesa. Ese fue el trato.
- ¿No confías en mí?
- Ni una pulgada.
Insolente.
Podría hechizarte y convertirte
en perro, rata o gato...
¡Y tomar el anillo!
- Adelante.
- Dame mi anillo, ahora.
Lodac, no puedes herirme
si uso el anillo.
Pero si lo devuelvo
¿Qué me salvará de tus maldiciones?
¿Porqué querría herirte?
¿Porqué no?
Me ayudas sólo,para recuperar
este anillo...
que estupidamente perdiste.
Bien, mantendré mi palabra.
Te lo devolveré en cinco días más...
Spanish:
Dame mi anillo y dispondré de
esos hombres rápidamente.
¿De qué te sirve el anillo a tí?
Ningún mortal puede usar su magia.
Tendrás el anillo cuando yo
tenga a la Princesa. Ese fue el trato.
- ¿No confías en mí?
- Ni una pulgada.
Insolente.
Podría hechizarte y convertirte
en perro, rata o gato...
¡Y tomar el anillo!
- Adelante.
- Dame mi anillo, ahora.
Lodac, no puedes herirme
si uso el anillo.
Pero si lo devuelvo
¿Qué me salvará de tus maldiciones?
¿Porqué querría herirte?
¿Porqué no?
Me ayudas sólo,para recuperar
este anillo...
que estupidamente perdiste.
Bien, mantendré mi palabra.
Te lo devolveré en cinco días más...
Croatian:
Dakle, galantni Francuz.
Pratio me je. Vidio je mog konja.
U redu.
Nemoj izgubiti glavu.
Pustimo ga neka dođe.
Bit ćemo spremni za njega.
{Y:i}- Malena moja, govoriš li francuski?
- Naravno, gospodine.
{Y:i}- Tko si ti?
- Mignonette, gospodine.
Spanish:
Dame mi anillo y dispondré de
esos hombres rápidamente.
¿De qué te sirve el anillo a tí?
Ningún mortal puede usar su magia.
Tendrás el anillo cuando yo
tenga a la Princesa. Ese fue el trato.
- ¿No confías en mí?
- Ni una pulgada.
Insolente.
Podría hechizarte y convertirte
en perro, rata o gato...
¡Y tomar el anillo!
- Adelante.
- Dame mi anillo, ahora.
Lodac, no puedes herirme
si uso el anillo.
Pero si lo devuelvo
¿Qué me salvará de tus maldiciones?
¿Porqué querría herirte?
¿Porqué no?
Me ayudas sólo,para recuperar
este anillo...
que estupidamente perdiste.
Bien, mantendré mi palabra.
Te lo devolveré en cinco días más...
Spanish:
Dame mi anillo y dispondré de
esos hombres rápidamente.
¿De qué te sirve el anillo a tí?
Ningún mortal puede usar su magia.
Tendrás el anillo cuando yo
tenga a la Princesa. Ese fue el trato.
- ¿No confías en mí?
- Ni una pulgada.
Insolente.
Podría hechizarte y convertirte
en perro, rata o gato...
¡Y tomar el anillo!
- Adelante.
- Dame mi anillo, ahora.
Lodac, no puedes herirme
si uso el anillo.
Pero si lo devuelvo
¿Qué me salvará de tus maldiciones?
¿Porqué querría herirte?
¿Porqué no?
Me ayudas sólo,para recuperar
este anillo...
que estupidamente perdiste.
Bien, mantendré mi palabra.
Te lo devolveré en cinco días más...
Croatian:
{Y:i}Najdraža Mignonette. Čekao sam na tebe.
Konačno, pronašao sam te.
{Y:i}Ja sam također čekala.
Oh, Dennis, volim te draga.
{Y:i}To je predivno.
{Y:i}- Poljubi me ponovo.
- Ne, moj voljeni.
{Y:i}Draga moja,
uvijek sam te volio.
{Y:i}I ja isto, dragi Dennis,
i ja tebe volim.
English:
Well, I'll keep my word.
I'll give it back in five days' time...
when these curses are behind me
and I've claimed the Princess.
You're a tough trader, Branton.
We both know what we want,
and we're both going to get it...
so long as you dispose of these knights,
especially Sir George.
Sir George, yes.
Twice he's squirmed out of your trap,
and he could do it again.
Stop worrying, Branton,
you're worse than an old woman.
If George and his knights are not dead
by week's end...
They'll die long before that.
And in circumstances
worse than anything I've conjured up yet.
One of them is coming here now...
to his death.
Well, the gallant Frenchman.
Spanish:
cuando las maldiciones queden atrás
y reclame a la Princesa.
Eres buen negociante, Branton.
Ambos sabemos lo que queremos
y lo obtendremos...
así que dispón de esos caballeros
especialmente de Sir George.
Sir George, sí.
Dos veces ha escapado de tus trampas
y podría volver a hacerlo.
Deja de llorar, Branton,
eres peor que una anciana.
Si George y sus caballeros no han muerto
al acabar la semana...
Morirán antes de eso.
Y si las cosas empeoran
usaré mis hechizos.
Uno de ellos se acerca...
a su muerte.
Bien, el galante francés.
Spanish:
cuando las maldiciones queden atrás
y reclame a la Princesa.
Eres buen negociante, Branton.
Ambos sabemos lo que queremos
y lo obtendremos...
así que dispón de esos caballeros
especialmente de Sir George.
Sir George, sí.
Dos veces ha escapado de tus trampas
y podría volver a hacerlo.
Deja de llorar, Branton,
eres peor que una anciana.
Si George y sus caballeros no han muerto
al acabar la semana...
Morirán antes de eso.
Y si las cosas empeoran
usaré mis hechizos.
Uno de ellos se acerca...
a su muerte.
Bien, el galante francés.
Spanish:
cuando las maldiciones queden atrás
y reclame a la Princesa.
Eres buen negociante, Branton.
Ambos sabemos lo que queremos
y lo obtendremos...
así que dispón de esos caballeros
especialmente de Sir George.
Sir George, sí.
Dos veces ha escapado de tus trampas
y podría volver a hacerlo.
Deja de llorar, Branton,
eres peor que una anciana.
Si George y sus caballeros no han muerto
al acabar la semana...
Morirán antes de eso.
Y si las cosas empeoran
usaré mis hechizos.
Uno de ellos se acerca...
a su muerte.
Bien, el galante francés.
Spanish:
cuando las maldiciones queden atrás
y reclame a la Princesa.
Eres buen negociante, Branton.
Ambos sabemos lo que queremos
y lo obtendremos...
así que dispón de esos caballeros
especialmente de Sir George.
Sir George, sí.
Dos veces ha escapado de tus trampas
y podría volver a hacerlo.
Deja de llorar, Branton,
eres peor que una anciana.
Si George y sus caballeros no han muerto
al acabar la semana...
Morirán antes de eso.
Y si las cosas empeoran
usaré mis hechizos.
Uno de ellos se acerca...
a su muerte.
Bien, el galante francés.
Spanish:
cuando las maldiciones queden atrás
y reclame a la Princesa.
Eres buen negociante, Branton.
Ambos sabemos lo que queremos
y lo obtendremos...
así que dispón de esos caballeros
especialmente de Sir George.
Sir George, sí.
Dos veces ha escapado de tus trampas
y podría volver a hacerlo.
Deja de llorar, Branton,
eres peor que una anciana.
Si George y sus caballeros no han muerto
al acabar la semana...
Morirán antes de eso.
Y si las cosas empeoran
usaré mis hechizos.
Uno de ellos se acerca...
a su muerte.
Bien, el galante francés.
Spanish:
- Me ha seguido. Vió mi caballo.
- Bien.
No pierdas la cabeza.
Deja que venga.
Estaremos listos para él.
- Pequeña,hablas francés?
- Naturalmente, señor.
-¿Cómo te llamas?
- Mignonette, señor.
Croatian:
To je bilo blizo.
{Y:i}Spasio si mi život, moj prijatelju.
Mi Francuzi imamo slabost
prema lijepim ženama.
Lodac te je začarao.
Da. Trebao sam znati da tako lijepo biće
ne bi bilo vani tako rano.
Ali su mi pokradene sve misli osim jedne.
Lodac zna kako Parižani osjećaju.
Zašto si došao ovdje?
Ne sjećam se.
{Y:i}- Čekaj. Moj idolu.
- Šta je to?
- Branton.
- Šta sa njim?
On je u toj kolibi. Siguran sam u to.
Vidio sam njegovog konja. Još uvijek je tamo.
English:
- He followed me. He's seen my horse.
- All right.
Don't lose your head.
Let him come in here.
We'll be ready for him.
- My little one, do you speak French?
- Naturally, mister.
- Who are you?
- Mignonette, mister.
Spanish:
- Me ha seguido. Vió mi caballo.
- Bien.
No pierdas la cabeza.
Deja que venga.
Estaremos listos para él.
- Pequeña,hablas francés?
- Naturalmente, señor.
-¿Cómo te llamas?
- Mignonette, señor.
Spanish:
- Me ha seguido. Vió mi caballo.
- Bien.
No pierdas la cabeza.
Deja que venga.
Estaremos listos para él.
- Pequeña,hablas francés?
- Naturalmente, señor.
-¿Cómo te llamas?
- Mignonette, señor.
Spanish:
- Me ha seguido. Vió mi caballo.
- Bien.
No pierdas la cabeza.
Deja que venga.
Estaremos listos para él.
- Pequeña,hablas francés?
- Naturalmente, señor.
-¿Cómo te llamas?
- Mignonette, señor.
Spanish:
- Me ha seguido. Vió mi caballo.
- Bien.
No pierdas la cabeza.
Deja que venga.
Estaremos listos para él.
- Pequeña,hablas francés?
- Naturalmente, señor.
-¿Cómo te llamas?
- Mignonette, señor.
English:
Dearest Mignonette. I have waited for you.
Finally, I have found you.
I have also waited.
Oh, Dennis, I love you dearly.
That's beautiful.
- Kiss me again.
- No, my beloved.
My dear,
I have always loved you.
Me too, dear Dennis,
I love you too.
Spanish:
Querida Mignonette. He esperado por tí.
Y finalmente te encontré.
Yo tambien te he esperado.
Oh, Dennis, te amo cariño.
Eras bellal.
-Bésame.
- No, mi amado.
Cariño,
siempre te he amado.
Yo tambien, querido Dennis,
Te amo.
Croatian:
{Y:i}- Sir Branton?
- Gospodine Branton?
Dakle, dobro jutro, gospodo.
Je li dobro?
Možemo li pitati što radite ovdje?
Netko mora da misli za vas.
Kao vaš zapovjednik, pomislio sam da bi
bilo mudro malo špijunirati...
Gornji kat ove kolibe
je samo bolji položaj.
Posljednji put kad si špijunirao
Sir Anthony je umro.
Uvijek se možeš vratiti, Sir Dennis.
Čuli ste moj odgovor na to.
Kako želiš.
Hoćemo probuditi ostale i jahati?
Gospodo.
Spanish:
Querida Mignonette. He esperado por tí.
Y finalmente te encontré.
Yo tambien te he esperado.
Oh, Dennis, te amo cariño.
Eras bellal.
-Bésame.
- No, mi amado.
Cariño,
siempre te he amado.
Yo tambien, querido Dennis,
Te amo.
Spanish:
Querida Mignonette. He esperado por tí.
Y finalmente te encontré.
Yo tambien te he esperado.
Oh, Dennis, te amo cariño.
Eras bellal.
-Bésame.
- No, mi amado.
Cariño,
siempre te he amado.
Yo tambien, querido Dennis,
Te amo.
Spanish:
Querida Mignonette. He esperado por tí.
Y finalmente te encontré.
Yo tambien te he esperado.
Oh, Dennis, te amo cariño.
Eras bellal.
-Bésame.
- No, mi amado.
Cariño,
siempre te he amado.
Yo tambien, querido Dennis,
Te amo.
Spanish:
Querida Mignonette. He esperado por tí.
Y finalmente te encontré.
Yo tambien te he esperado.
Oh, Dennis, te amo cariño.
Eras bellal.
-Bésame.
- No, mi amado.
Cariño,
siempre te he amado.
Yo tambien, querido Dennis,
Te amo.
Spanish:
Estuvo cerca.
Salvaste mi vida, mon ami.
Los franceses tenemos debilidad
por las mujeres bonitas.
Lodac te embrujó.
Sí, debí comprender que una criatura tan bella
no andaría por aquí a estas horas.
Robó mis pensamientos excepto uno.
Lodac sabe como piensa un parisiense.
¿Porqué viniste?
No lo recuerdo.
-Espera. Mon Dieu.
- ¿Qué ocurre?
- Branton.
-¿Qué hay con él?
Está en el molino.Estoy seguro.
Vi su caballo. Aún debería estar.
English:
That was close.
You saved my life, mon ami.
We Frenchmen,
we have a weakness for a pretty woman.
Lodac bewitched you.
Yes. I should have known that such a pretty
creature will not be out this early hour.
But I was robbed of all thought except one.
Lodac knows how a Parisian feels.
Why did you come here?
I don't remember.
- Wait. Mon Dieu.
- What is it?
- Branton.
- What about him?
He's in that mill. I'm sure of it.
I saw his horse. He's still there.
Spanish:
Estuvo cerca.
Salvaste mi vida, mon ami.
Los franceses tenemos debilidad
por las mujeres bonitas.
Lodac te embrujó.
Sí, debí comprender que una criatura tan bella
no andaría por aquí a estas horas.
Robó mis pensamientos excepto uno.
Lodac sabe como piensa un parisiense.
¿Porqué viniste?
No lo recuerdo.
-Espera. Mon Dieu.
- ¿Qué ocurre?
- Branton.
-¿Qué hay con él?
Está en el molino.Estoy seguro.
Vi su caballo. Aún debería estar.
Croatian:
Bungler!
Lodac, umalo sam ga ubila. Pokušala sam.
Mogla sam ih ubiti obojicu,
ali taj štit, nisam mogla gledati u njega.
Taj štit.
Da, taj štit. Magični.
Naravno da dječak ima magiju.
- Sir George?
Kako bi inače izbjegao
tri prokletstva? Magija!
A ja je čak nisam ni vidio.
Ta njegova majka, Sybil,
radi protiv mene.
Magija je jaka, Lodac. Znam to.
Kako ćeš je nadjačati?
Zar nećeš trebati svoj prsten?
Ne za Sybilinu magiju.
Ali jednom kad dobijem prsten,
to je Brantonov kraj...
i Princeza će biti hrana
za mog zmaja.
Sve što sada moram uraditi
je udvostručiti moju magiju.
I sve što ti moraš učiniti
je uništiti tog Francuza.
Bila si prespora.
Moraš naučiti lekciju.
Ne.
Gmiži vještice, gmiži!
Za pet, šest, 10 sati.
Gmiži dok te ne budem opet trebao.
Spanish:
Estuvo cerca.
Salvaste mi vida, mon ami.
Los franceses tenemos debilidad
por las mujeres bonitas.
Lodac te embrujó.
Sí, debí comprender que una criatura tan bella
no andaría por aquí a estas horas.
Robó mis pensamientos excepto uno.
Lodac sabe como piensa un parisiense.
¿Porqué viniste?
No lo recuerdo.
-Espera. Mon Dieu.
- ¿Qué ocurre?
- Branton.
-¿Qué hay con él?
Está en el molino.Estoy seguro.
Vi su caballo. Aún debería estar.
Spanish:
Estuvo cerca.
Salvaste mi vida, mon ami.
Los franceses tenemos debilidad
por las mujeres bonitas.
Lodac te embrujó.
Sí, debí comprender que una criatura tan bella
no andaría por aquí a estas horas.
Robó mis pensamientos excepto uno.
Lodac sabe como piensa un parisiense.
¿Porqué viniste?
No lo recuerdo.
-Espera. Mon Dieu.
- ¿Qué ocurre?
- Branton.
-¿Qué hay con él?
Está en el molino.Estoy seguro.
Vi su caballo. Aún debería estar.
Spanish:
Estuvo cerca.
Salvaste mi vida, mon ami.
Los franceses tenemos debilidad
por las mujeres bonitas.
Lodac te embrujó.
Sí, debí comprender que una criatura tan bella
no andaría por aquí a estas horas.
Robó mis pensamientos excepto uno.
Lodac sabe como piensa un parisiense.
¿Porqué viniste?
No lo recuerdo.
-Espera. Mon Dieu.
- ¿Qué ocurre?
- Branton.
-¿Qué hay con él?
Está en el molino.Estoy seguro.
Vi su caballo. Aún debería estar.
Spanish:
- ¿Sir Branton?
- ¿Seigneur Branton?
Bien, buenos días caballeros.
¿Son buenos?
Permítame preguntar que hacía aquí.
Alguien tiene que pensar por Uds.
Como su comandante,
creí sensato venir a revisar.
El segundo piso de este molino
es un buen punto de observación.
La último vez que revisó,
Sir Anthony murió.
- Aún puede volver, Sir Dennis.
- Ya sabe mi respuesta a ello.
Como quiera.
¿Despertamos a los otros para seguir?
Caballeros.
Spanish:
- ¿Sir Branton?
- ¿Seigneur Branton?
Bien, buenos días caballeros.
¿Son buenos?
Permítame preguntar que hacía aquí.
Alguien tiene que pensar por Uds.
Como su comandante,
creí sensato venir a revisar.
El segundo piso de este molino
es un buen punto de observación.
La último vez que revisó,
Sir Anthony murió.
- Aún puede volver, Sir Dennis.
- Ya sabe mi respuesta a ello.
Como quiera.
¿Despertamos a los otros para seguir?
Caballeros.
Croatian:
Ne, Lodac.
Pozdrav, Sybil.
Izgledaš starije. Daj da vidim,
nismo se sreli, koliko, sto godina?
Ne želim razgovarati sa tobom.
Ali ja želim sa tobom.
Prouzročila si mi puno nevolja.
Lodac, ako takneš dlaku sa glave mog sina,
borit ću se sa tobom.
Nema šanse.
Nikad nisi imala pravi talent za vračanje.
Uvijek si bio niža klasa.
Niža klasa?
Prilično si bespomoćna, Sybil.
Za četiri dana, Princeza Helene
postat će hrana za mog zmaja.
A tvoj George će umrijeti
i prije toga.
Ne možeš ništa učiniti...
osim gledati u svoje glupo ogledalo
ili čarobni bazen.
A sad, moram se pobrinuti za to.
Lodac, vrati se.
Čarobno ogledalce, prikaži Lodac.
mi viziju Lodaca.
Spanish:
- ¿Sir Branton?
- ¿Seigneur Branton?
Bien, buenos días caballeros.
¿Son buenos?
Permítame preguntar que hacía aquí.
Alguien tiene que pensar por Uds.
Como su comandante,
creí sensato venir a revisar.
El segundo piso de este molino
es un buen punto de observación.
La último vez que revisó,
Sir Anthony murió.
- Aún puede volver, Sir Dennis.
- Ya sabe mi respuesta a ello.
Como quiera.
¿Despertamos a los otros para seguir?
Caballeros.
English:
- Sir Branton?
- Seigneur Branton?
Well, good morning, gentlemen.
Is it good?
May we ask what you're doing here?
Someone has to do the thinking for you.
As your commander,
I thought it wise to spy out the countryside.
The upper floor of this mill
was the only vantage point.
The last time you spied out the land,
Sir Anthony died.
- You can always turn back, Sir Dennis.
- You have heard my answer to that.
As you will.
Shall we wake the others and ride on?
Gentlemen.
Spanish:
- ¿Sir Branton?
- ¿Seigneur Branton?
Bien, buenos días caballeros.
¿Son buenos?
Permítame preguntar que hacía aquí.
Alguien tiene que pensar por Uds.
Como su comandante,
creí sensato venir a revisar.
El segundo piso de este molino
es un buen punto de observación.
La último vez que revisó,
Sir Anthony murió.
- Aún puede volver, Sir Dennis.
- Ya sabe mi respuesta a ello.
Como quiera.
¿Despertamos a los otros para seguir?
Caballeros.
Spanish:
- ¿Sir Branton?
- ¿Seigneur Branton?
Bien, buenos días caballeros.
¿Son buenos?
Permítame preguntar que hacía aquí.
Alguien tiene que pensar por Uds.
Como su comandante,
creí sensato venir a revisar.
El segundo piso de este molino
es un buen punto de observación.
La último vez que revisó,
Sir Anthony murió.
- Aún puede volver, Sir Dennis.
- Ya sabe mi respuesta a ello.
Como quiera.
¿Despertamos a los otros para seguir?
Caballeros.
Spanish:
¡Mentirosa!
Lodac, casi lo maté. Traté.
Pude haber matado a los dos,
pero el escudo,no pude enfrentarlo
Ese escudo.
Sí, ese escudo. Mágico.
- Lógico, el chico tiene magia.
- ¿Sir George?
¿Cómo pudo escapar de
tres maldiciones? Magia.
Y yo no la vi.
Su madre adoptiva, Sybil,
trabaja en mi contra.
Su magia es fuerte, Lodac. Lo sé.
¿Cómo lo enfrentarás?
¿No necesitas tu anillo?
No para la magia de Sybil.
Pero cuando tenga mi anillo
será el fin de Branton...
Y la Princesa alimentará mi dragón.
Todo lo que debo hacer es
redoblar mi magia.
Y todo lo que tú tenías que hacer
era matar al francés.
Fuiste muy lenta.
Necesitas una lección.
- No.
- ¡Arrástrate, bruja!
Spanish:
¡Mentirosa!
Lodac, casi lo maté. Traté.
Pude haber matado a los dos,
pero el escudo,no pude enfrentarlo
Ese escudo.
Sí, ese escudo. Mágico.
- Lógico, el chico tiene magia.
- ¿Sir George?
¿Cómo pudo escapar de
tres maldiciones? Magia.
Y yo no la vi.
Su madre adoptiva, Sybil,
trabaja en mi contra.
Su magia es fuerte, Lodac. Lo sé.
¿Cómo lo enfrentarás?
¿No necesitas tu anillo?
No para la magia de Sybil.
Pero cuando tenga mi anillo
será el fin de Branton...
Y la Princesa alimentará mi dragón.
Todo lo que debo hacer es
redoblar mi magia.
Y todo lo que tú tenías que hacer
era matar al francés.
Fuiste muy lenta.
Necesitas una lección.
- No.
- ¡Arrástrate, bruja!
Spanish:
¡Mentirosa!
Lodac, casi lo maté. Traté.
Pude haber matado a los dos,
pero el escudo,no pude enfrentarlo
Ese escudo.
Sí, ese escudo. Mágico.
- Lógico, el chico tiene magia.
- ¿Sir George?
¿Cómo pudo escapar de
tres maldiciones? Magia.
Y yo no la vi.
Su madre adoptiva, Sybil,
trabaja en mi contra.
Su magia es fuerte, Lodac. Lo sé.
¿Cómo lo enfrentarás?
¿No necesitas tu anillo?
No para la magia de Sybil.
Pero cuando tenga mi anillo
será el fin de Branton...
Y la Princesa alimentará mi dragón.
Todo lo que debo hacer es
redoblar mi magia.
Y todo lo que tú tenías que hacer
era matar al francés.
Fuiste muy lenta.
Necesitas una lección.
- No.
- ¡Arrástrate, bruja!
English:
Bungler!
Lodac, I almost killed him. I tried.
I could have killed them both,
but that shield, I couldn't face it.
That shield.
Yes, that shield. Magic.
- Of course the boy has magic.
- Sir George?
How else could he have escaped
three curses? Magic.
And I didn't even see it.
That foster mother, Sybil,
is working against me.
The magic is strong, Lodac. I know it.
How will you counter it?
Won't you need your ring?
Not for Sybil's magic.
But once I get my ring,
that's the end of Branton...
and the Princess will be fed to my dragon.
All I have to do now
is to redouble my magic.
And all you had to do
was destroy that Frenchman.
You were too slow.
You need to be taught a lesson.
- No.
- Crawl, hag, crawl!
Croatian:
Niža klasa, jesam li?
Bespomoćna, jesam li?
Dakle, ne mogu učiniti ništa
da pomognem Georgeu.
Oh, Lodac, zažalit ćeš zbog ovoga.
Iskušaj me.
Odavno je prošlo otkad nisam ovo probala.
Jel bila jedna žlica ili dvije?
Jedna, sigurna sam.
Gdje je prah jednoroga?
Spanish:
¡Mentirosa!
Lodac, casi lo maté. Traté.
Pude haber matado a los dos,
pero el escudo,no pude enfrentarlo
Ese escudo.
Sí, ese escudo. Mágico.
- Lógico, el chico tiene magia.
- ¿Sir George?
¿Cómo pudo escapar de
tres maldiciones? Magia.
Y yo no la vi.
Su madre adoptiva, Sybil,
trabaja en mi contra.
Su magia es fuerte, Lodac. Lo sé.
¿Cómo lo enfrentarás?
¿No necesitas tu anillo?
No para la magia de Sybil.
Pero cuando tenga mi anillo
será el fin de Branton...
Y la Princesa alimentará mi dragón.
Todo lo que debo hacer es
redoblar mi magia.
Y todo lo que tú tenías que hacer
era matar al francés.
Fuiste muy lenta.
Necesitas una lección.
- No.
- ¡Arrástrate, bruja!
Spanish:
¡Mentirosa!
Lodac, casi lo maté. Traté.
Pude haber matado a los dos,
pero el escudo,no pude enfrentarlo
Ese escudo.
Sí, ese escudo. Mágico.
- Lógico, el chico tiene magia.
- ¿Sir George?
¿Cómo pudo escapar de
tres maldiciones? Magia.
Y yo no la vi.
Su madre adoptiva, Sybil,
trabaja en mi contra.
Su magia es fuerte, Lodac. Lo sé.
¿Cómo lo enfrentarás?
¿No necesitas tu anillo?
No para la magia de Sybil.
Pero cuando tenga mi anillo
será el fin de Branton...
Y la Princesa alimentará mi dragón.
Todo lo que debo hacer es
redoblar mi magia.
Y todo lo que tú tenías que hacer
era matar al francés.
Fuiste muy lenta.
Necesitas una lección.
- No.
- ¡Arrástrate, bruja!
Spanish:
Por cinco, seis , diez horas.
Arrástrate hasta que te necesite.
No, Lodac.
Saludos, Sybil.
Te ves vieja. Déjame ver,
no nos hemos visto, que, ¿Cien años?
No quiero hablarte.
Pero yo sí lo deseo.
Me has causado muchos problemas.
Lodac, si tocas un pelo de la cabeza
de mi niño, te combatiré.
No tienes opción.
Nunca has tenido talento para la magia.
- Siempre has sido de segunda categoría.
- ¿Segunda categoría?
Eres una inútil, Sybil.
En cuatro días, la Princesa Helena
alimentará mi dragón.
Y tu George morirá
mucho antes de eso.
Nada puedes hacer...
excepto mirar en tu estúpido espejo
o en tu laguna encantada.
Y ahora, me ocuparé de ellos
Lodac, vuelve.
Spanish:
Por cinco, seis , diez horas.
Arrástrate hasta que te necesite.
No, Lodac.
Saludos, Sybil.
Te ves vieja. Déjame ver,
no nos hemos visto, que, ¿Cien años?
No quiero hablarte.
Pero yo sí lo deseo.
Me has causado muchos problemas.
Lodac, si tocas un pelo de la cabeza
de mi niño, te combatiré.
No tienes opción.
Nunca has tenido talento para la magia.
- Siempre has sido de segunda categoría.
- ¿Segunda categoría?
Eres una inútil, Sybil.
En cuatro días, la Princesa Helena
alimentará mi dragón.
Y tu George morirá
mucho antes de eso.
Nada puedes hacer...
excepto mirar en tu estúpido espejo
o en tu laguna encantada.
Y ahora, me ocuparé de ellos
Lodac, vuelve.
Spanish:
Por cinco, seis , diez horas.
Arrástrate hasta que te necesite.
No, Lodac.
Saludos, Sybil.
Te ves vieja. Déjame ver,
no nos hemos visto, que, ¿Cien años?
No quiero hablarte.
Pero yo sí lo deseo.
Me has causado muchos problemas.
Lodac, si tocas un pelo de la cabeza
de mi niño, te combatiré.
No tienes opción.
Nunca has tenido talento para la magia.
- Siempre has sido de segunda categoría.
- ¿Segunda categoría?
Eres una inútil, Sybil.
En cuatro días, la Princesa Helena
alimentará mi dragón.
Y tu George morirá
mucho antes de eso.
Nada puedes hacer...
excepto mirar en tu estúpido espejo
o en tu laguna encantada.
Y ahora, me ocuparé de ellos
Lodac, vuelve.
Spanish:
Por cinco, seis , diez horas.
Arrástrate hasta que te necesite.
No, Lodac.
Saludos, Sybil.
Te ves vieja. Déjame ver,
no nos hemos visto, que, ¿Cien años?
No quiero hablarte.
Pero yo sí lo deseo.
Me has causado muchos problemas.
Lodac, si tocas un pelo de la cabeza
de mi niño, te combatiré.
No tienes opción.
Nunca has tenido talento para la magia.
- Siempre has sido de segunda categoría.
- ¿Segunda categoría?
Eres una inútil, Sybil.
En cuatro días, la Princesa Helena
alimentará mi dragón.
Y tu George morirá
mucho antes de eso.
Nada puedes hacer...
excepto mirar en tu estúpido espejo
o en tu laguna encantada.
Y ahora, me ocuparé de ellos
Lodac, vuelve.
English:
For five, six, 10 hours.
Crawl until I need you again.
No, Lodac.
Greetings, Sybil.
You're looking older. Let me see,
we haven't met in, what, a hundred years?
I don't want to talk to you.
But I want to talk to you.
You've caused me quite a lot of trouble.
Lodac, if you touch a hair of my boy's head,
I'll fight you.
Not a chance.
You never had any real talent for witchcraft.
- You were always tenth-rate.
- Tenth-rate?
You're quite helpless, Sybil.
In four days, the Princess Helene
will be fed to my dragon.
And your George will die
even sooner than that.
There's nothing you can do...
except look in your stupid mirror
or magic pool.
And now, I'll take care of that.
Spanish:
Por cinco, seis , diez horas.
Arrástrate hasta que te necesite.
No, Lodac.
Saludos, Sybil.
Te ves vieja. Déjame ver,
no nos hemos visto, que, ¿Cien años?
No quiero hablarte.
Pero yo sí lo deseo.
Me has causado muchos problemas.
Lodac, si tocas un pelo de la cabeza
de mi niño, te combatiré.
No tienes opción.
Nunca has tenido talento para la magia.
- Siempre has sido de segunda categoría.
- ¿Segunda categoría?
Eres una inútil, Sybil.
En cuatro días, la Princesa Helena
alimentará mi dragón.
Y tu George morirá
mucho antes de eso.
Nada puedes hacer...
excepto mirar en tu estúpido espejo
o en tu laguna encantada.
Y ahora, me ocuparé de ellos
Lodac, vuelve.
Croatian:
Sada, da vidimo.
Bila su dva korijena?
Što još ide unutra?
Oči. Ne, neču imati oči u ovome.
Oh, da.
Naravno! Grobarska prašina.
Spanish:
Espejo mágico, muéstrame a Lodac.
¿Yo, de segunda categoría?
¿Yo, una inútil?
Así que no puedo hacer nada
para ayudar a George.
Oh, Lodac,lamentarás esto.
Adórame.
Hace mucho que probé esto.
¿Eran una o dos cucharadas?
Una, estoy segura.
¿Donde está el polvo de unicornio?
Spanish:
Espejo mágico, muéstrame a Lodac.
¿Yo, de segunda categoría?
¿Yo, una inútil?
Así que no puedo hacer nada
para ayudar a George.
Oh, Lodac,lamentarás esto.
Adórame.
Hace mucho que probé esto.
¿Eran una o dos cucharadas?
Una, estoy segura.
¿Donde está el polvo de unicornio?
Spanish:
Espejo mágico, muéstrame a Lodac.
¿Yo, de segunda categoría?
¿Yo, una inútil?
Así que no puedo hacer nada
para ayudar a George.
Oh, Lodac,lamentarás esto.
Adórame.
Hace mucho que probé esto.
¿Eran una o dos cucharadas?
Una, estoy segura.
¿Donde está el polvo de unicornio?
Spanish:
Espejo mágico, muéstrame a Lodac.
¿Yo, de segunda categoría?
¿Yo, una inútil?
Así que no puedo hacer nada
para ayudar a George.
Oh, Lodac,lamentarás esto.
Adórame.
Hace mucho que probé esto.
¿Eran una o dos cucharadas?
Una, estoy segura.
¿Donde está el polvo de unicornio?
English:
Lodac, come back.
Mirror of magic, bring me a vision of Lodac.
Tenth-rate, am I?
Helpless, am I?
So, I can't do anything to help George.
Oh, Lodac, you'll be sorry for this.
Dear me.
It's a long time since I've tried this one.
Was it one tablespoon or two?
One, I'm sure. Where is the unicorn powder?
Croatian:
Vještice od Hecate, tamnije od tame...
demoni srama, i meso na rašljama...
učinite da naš George ne izgubi moći.
Udvostruči mu moći i neka pobijedi Lodaca!
Pitam se što Sybil sprema.
To je krivi recept.
Što si učinila, Sybil?
Ja sam završila George,
to sam napravila
Uzela sam njegovu magiju
od njega potpuno.
George više nema magije..
Spanish:
Espejo mágico, muéstrame a Lodac.
¿Yo, de segunda categoría?
¿Yo, una inútil?
Así que no puedo hacer nada
para ayudar a George.
Oh, Lodac,lamentarás esto.
Adórame.
Hace mucho que probé esto.
¿Eran una o dos cucharadas?
Una, estoy segura.
¿Donde está el polvo de unicornio?
Spanish:
Ahora, veamos.
¿Eran dos raíces de mandrágora?
¿Qué más llevaba?
Ojos.No, no llevaba ojos.Oh, sí.
De acuerdo. Tierra de cementerio.
Spanish:
Ahora, veamos.
¿Eran dos raíces de mandrágora?
¿Qué más llevaba?
Ojos.No, no llevaba ojos.Oh, sí.
De acuerdo. Tierra de cementerio.
Croatian:
Dennis! James!
Gdje ste sada?
Tu su tragovi njihovih konja.
Ne mogu vjerovat da su ispred nas.
Kako mogu podnijeti tu vrućinu?
Svakog trena je sve toplije.
Nemaš pravo da
ih pustiš napred bez nas.
Što sam mogao učiniti? Otišli su prije
svitanja prema drugoj strani.
Sir Dennis je rekao da mi ne može vjerovati
da više špijuniram ispred.
Trebao si nas probuditi.
Zakleli su se da će se
vratiti prije svitanja.
Ako je vrućina još veća ispred,
bit će reš pečeni do sada.
Ne mogu disati.
Ne mogu micati nogama.
Spanish:
Ahora, veamos.
¿Eran dos raíces de mandrágora?
¿Qué más llevaba?
Ojos.No, no llevaba ojos.Oh, sí.
De acuerdo. Tierra de cementerio.
Spanish:
Ahora, veamos.
¿Eran dos raíces de mandrágora?
¿Qué más llevaba?
Ojos.No, no llevaba ojos.Oh, sí.
De acuerdo. Tierra de cementerio.
English:
Now, let's see.
Was it two mandrake roots?
What else goes in?
Eyes. No, I won't have eyes in this one.
Oh, yes.
Of course. Graveyard dirt.
Spanish:
Ahora, veamos.
¿Eran dos raíces de mandrágora?
¿Qué más llevaba?
Ojos.No, no llevaba ojos.Oh, sí.
De acuerdo. Tierra de cementerio.
Spanish:
Brujas de Hecate, más negras
que el negro...
demonios de vergüenza y
carne angustiada....
vean que a George no le
falten poderes.
¡Doblen su magia para
combatir a Lodac!
Me pregunto que está
cocinando Sybil.
Me equivoqué de hechizo.
¿Qué hiciste Sybil?
He acabado con el pobre George,
eso es lo que hice.
Le he quitado su
magia completamente.
English:
Witches of Hecate, blacker than black...
demons of shame, and flesh on the rack...
see that our George no power shall lack.
Double his magic and beat that Lodac!
I wonder what Sybil's cooking up.
It's the wrong recipe.
What have you done, Sybil?
I've finished poor George,
that's what I've done.
Spanish:
Brujas de Hecate, más negras
que el negro...
demonios de vergüenza y
carne angustiada....
vean que a George no le
falten poderes.
¡Doblen su magia para
combatir a Lodac!
Me pregunto que está
cocinando Sybil.
Me equivoqué de hechizo.
¿Qué hiciste Sybil?
He acabado con el pobre George,
eso es lo que hice.
Le he quitado su
magia completamente.
Spanish:
Brujas de Hecate, más negras
que el negro...
demonios de vergüenza y
carne angustiada....
vean que a George no le
falten poderes.
¡Doblen su magia para
combatir a Lodac!
Me pregunto que está
cocinando Sybil.
Me equivoqué de hechizo.
¿Qué hiciste Sybil?
He acabado con el pobre George,
eso es lo que hice.
Le he quitado su
magia completamente.
Spanish:
Brujas de Hecate, más negras
que el negro...
demonios de vergüenza y
carne angustiada....
vean que a George no le
falten poderes.
¡Doblen su magia para
combatir a Lodac!
Me pregunto que está
cocinando Sybil.
Me equivoqué de hechizo.
¿Qué hiciste Sybil?
He acabado con el pobre George,
eso es lo que hice.
Le he quitado su
magia completamente.
Croatian:
Ne prilazi, idi natrag
ovdje vlada smrt.
Ostani natrag.
Mi smo završili.
Idi natrag.
Vrati se.
Oče sa nebesa!
George, jesi li pogledao tog čovjeka?
Nije čak ni topao a mi gorimo. Zašto?
Da. Zašto, Brantone?
To je, gospodo, moja tajna.
Spanish:
Brujas de Hecate, más negras
que el negro...
demonios de vergüenza y
carne angustiada....
vean que a George no le
falten poderes.
¡Doblen su magia para
combatir a Lodac!
Me pregunto que está
cocinando Sybil.
Me equivoqué de hechizo.
¿Qué hiciste Sybil?
He acabado con el pobre George,
eso es lo que hice.
Le he quitado su
magia completamente.
Spanish:
George ya no tiene magia.
¡Dennis! ¡James!
¿Donde están ahora?
Están las marcas de
sus caballos.
No puede creer que se adelantaran.
¿Cómo soportarán este calor?
Cada vez hay más calor.
No tienes derecho a irte sin
ellos o nosotros.
¿Qué más puedo hacer? Se despertaron antes del
amanecer y con ganas de luchar
Sir Dennis dijo que no confiaba en
mí para adelantarme y explorar.
Nos podría haber despertado.
Juraron volver antes del alba.
Si el calor empeora, no tardarán
en convertirse en ceniza.
Spanish:
George ya no tiene magia.
¡Dennis! ¡James!
¿Donde están ahora?
Están las marcas de
sus caballos.
No puede creer que se adelantaran.
¿Cómo soportarán este calor?
Cada vez hay más calor.
No tienes derecho a irte sin
ellos o nosotros.
¿Qué más puedo hacer? Se despertaron antes del
amanecer y con ganas de luchar
Sir Dennis dijo que no confiaba en
mí para adelantarme y explorar.
Nos podría haber despertado.
Juraron volver antes del alba.
Si el calor empeora, no tardarán
en convertirse en ceniza.
English:
I've taken his magic away
from him completely.
George has no more magic.
Dennis! James!
Where are you now?
There are the tracks of their horses.
I can't believe they're ahead of us.
How could they take this heat?
It's getting hotter by the moment.
You had no right
to let them go on without us.
What could I do? They were up
before daylight, and belligerent at that.
Sir Dennis said that he couldn't trust me
to spy out the land any longer.
You could have wakened us.
They swore they'd be back before daylight.
If the heat's any worse up ahead,
they'll be burned to a crisp by this time.
Spanish:
George ya no tiene magia.
¡Dennis! ¡James!
¿Donde están ahora?
Están las marcas de
sus caballos.
No puede creer que se adelantaran.
¿Cómo soportarán este calor?
Cada vez hay más calor.
No tienes derecho a irte sin
ellos o nosotros.
¿Qué más puedo hacer? Se despertaron antes del
amanecer y con ganas de luchar
Sir Dennis dijo que no confiaba en
mí para adelantarme y explorar.
Nos podría haber despertado.
Juraron volver antes del alba.
Si el calor empeora, no tardarán
en convertirse en ceniza.
Croatian:
Konji trebaju vodu, također.
Gdje je ovdje đavao?
Mora biti ovdje negdje.
Misliš, ja sam bio ovdje, George.
- Branton.
Žao mi je što vas moram napustiti sada.
Najdalja točka susreta
sa Princezom Helene.
I također sa mojim partnerom, Lodacom.
Partnerom?
Spanish:
George ya no tiene magia.
¡Dennis! ¡James!
¿Donde están ahora?
Están las marcas de
sus caballos.
No puede creer que se adelantaran.
¿Cómo soportarán este calor?
Cada vez hay más calor.
No tienes derecho a irte sin
ellos o nosotros.
¿Qué más puedo hacer? Se despertaron antes del
amanecer y con ganas de luchar
Sir Dennis dijo que no confiaba en
mí para adelantarme y explorar.
Nos podría haber despertado.
Juraron volver antes del alba.
Si el calor empeora, no tardarán
en convertirse en ceniza.
Spanish:
George ya no tiene magia.
¡Dennis! ¡James!
¿Donde están ahora?
Están las marcas de
sus caballos.
No puede creer que se adelantaran.
¿Cómo soportarán este calor?
Cada vez hay más calor.
No tienes derecho a irte sin
ellos o nosotros.
¿Qué más puedo hacer? Se despertaron antes del
amanecer y con ganas de luchar
Sir Dennis dijo que no confiaba en
mí para adelantarme y explorar.
Nos podría haber despertado.
Juraron volver antes del alba.
Si el calor empeora, no tardarán
en convertirse en ceniza.
Spanish:
No puedo respirar.
No puedo mover mis piernas.
No sigan. Vuelvan, la muerte ronda.
Quedense.
- Estamos acabados.
- Vuelvan.
Vuelvan.
¡Padre celestial!
George, has visto a ese hombre?
Ni siquiera suda y nosotros ardemos.¿Porqué?
Sí.¿Porqué, Branton?
Eso, señores, es mi secreto.
Spanish:
No puedo respirar.
No puedo mover mis piernas.
No sigan. Vuelvan, la muerte ronda.
Quedense.
- Estamos acabados.
- Vuelvan.
Vuelvan.
¡Padre celestial!
George, has visto a ese hombre?
Ni siquiera suda y nosotros ardemos.¿Porqué?
Sí.¿Porqué, Branton?
Eso, señores, es mi secreto.
Spanish:
No puedo respirar.
No puedo mover mis piernas.
No sigan. Vuelvan, la muerte ronda.
Quedense.
- Estamos acabados.
- Vuelvan.
Vuelvan.
¡Padre celestial!
George, has visto a ese hombre?
Ni siquiera suda y nosotros ardemos.¿Porqué?
Sí.¿Porqué, Branton?
Eso, señores, es mi secreto.
Spanish:
No puedo respirar.
No puedo mover mis piernas.
No sigan. Vuelvan, la muerte ronda.
Quedense.
- Estamos acabados.
- Vuelvan.
Vuelvan.
¡Padre celestial!
George, has visto a ese hombre?
Ni siquiera suda y nosotros ardemos.¿Porqué?
Sí.¿Porqué, Branton?
Eso, señores, es mi secreto.
Spanish:
No puedo respirar.
No puedo mover mis piernas.
No sigan. Vuelvan, la muerte ronda.
Quedense.
- Estamos acabados.
- Vuelvan.
Vuelvan.
¡Padre celestial!
George, has visto a ese hombre?
Ni siquiera suda y nosotros ardemos.¿Porqué?
Sí.¿Porqué, Branton?
Eso, señores, es mi secreto.
English:
I cannot breathe.
I cannot move my legs.
Don't come. Go back, it's death up here.
Stay back.
- We are finished.
- Go back.
Get back.
Heavenly Father!
George, will you be looking at that man?
He's not even hot and we're burning. Why?
Yes. Why, Branton?
That, gentlemen, is my secret.
Croatian:
Da, njegov dvorac je preko brda.
Ima li tko koju posljednju riječ?
Nećeš nam pobjeći, Brantone.
Već sam vam pobjegao, George.
Što ćemo sada uraditi?
Probit ćemo se. Sa Ascalonovom pomoći.
- Ascalon?
Nista znali da je moj mač čaroban?
Otvara podove, zidove, vrata, bilo što.
Bio je čaroban.
Kao tvoj konj.
Možda ga je Lodacova magija nadjačala.
Nema koristi. Samo ćeš ga otupiti.
Mora postojati drugi izlaz, Patrick.
English:
The horses want water, too.
Spanish:
Los caballos necesitan agua, tambien.
Spanish:
Los caballos necesitan agua, tambien.
Spanish:
Los caballos necesitan agua, tambien.
Spanish:
Los caballos necesitan agua, tambien.
Spanish:
Los caballos necesitan agua, tambien.
Spanish:
- ¿Donde diablos está?
- Por aquí, en alguna parte.
- Querrás decir que estuve aquí, George.
- Branton.
Lamento abandonarlos.
Tengo una cita con la
Princesa Helena.
- Y tambien con mi socio, Lodac.
-¿Socio?
Sí, su castillo está sobre la colina.
¿Alguna última palabra de su parte?
No escaparás, Branton.
Ya lo ha hecho, George.
¿Qué haremos?
- Escapar. Con la ayuda de Ascalon.
- ¿Ascalon?
¿No sabías que mi espada es mágica?
Abre pisos, muros, rejas, todo.
- Era mágica.
- Como tu caballo.
Croatian:
George, pomozi mi!
Spanish:
- ¿Donde diablos está?
- Por aquí, en alguna parte.
- Querrás decir que estuve aquí, George.
- Branton.
Lamento abandonarlos.
Tengo una cita con la
Princesa Helena.
- Y tambien con mi socio, Lodac.
-¿Socio?
Sí, su castillo está sobre la colina.
¿Alguna última palabra de su parte?
No escaparás, Branton.
Ya lo ha hecho, George.
¿Qué haremos?
- Escapar. Con la ayuda de Ascalon.
- ¿Ascalon?
¿No sabías que mi espada es mágica?
Abre pisos, muros, rejas, todo.
- Era mágica.
- Como tu caballo.
Spanish:
- ¿Donde diablos está?
- Por aquí, en alguna parte.
- Querrás decir que estuve aquí, George.
- Branton.
Lamento abandonarlos.
Tengo una cita con la
Princesa Helena.
- Y tambien con mi socio, Lodac.
-¿Socio?
Sí, su castillo está sobre la colina.
¿Alguna última palabra de su parte?
No escaparás, Branton.
Ya lo ha hecho, George.
¿Qué haremos?
- Escapar. Con la ayuda de Ascalon.
- ¿Ascalon?
¿No sabías que mi espada es mágica?
Abre pisos, muros, rejas, todo.
- Era mágica.
- Como tu caballo.
English:
- Where the devil is he?
- He must be in here somewhere.
- You mean I was in here, George.
- Branton.
I'm sorry I have to leave you now.
A longstanding appointment
with the Princess Helene.
- And also with my partner, Lodac.
- Partner?
Yes, his castle is just over the hill.
Any last words for either of them?
You won't escape us, Branton.
I already have escaped you, George.
What do we do now?
- We break out. With Ascalon's help.
- Ascalon?
Didn't you know my sword was magic?
It opens floors, walls, gates, anything.
Spanish:
- ¿Donde diablos está?
- Por aquí, en alguna parte.
- Querrás decir que estuve aquí, George.
- Branton.
Lamento abandonarlos.
Tengo una cita con la
Princesa Helena.
- Y tambien con mi socio, Lodac.
-¿Socio?
Sí, su castillo está sobre la colina.
¿Alguna última palabra de su parte?
No escaparás, Branton.
Ya lo ha hecho, George.
¿Qué haremos?
- Escapar. Con la ayuda de Ascalon.
- ¿Ascalon?
¿No sabías que mi espada es mágica?
Abre pisos, muros, rejas, todo.
- Era mágica.
- Como tu caballo.
Spanish:
- ¿Donde diablos está?
- Por aquí, en alguna parte.
- Querrás decir que estuve aquí, George.
- Branton.
Lamento abandonarlos.
Tengo una cita con la
Princesa Helena.
- Y tambien con mi socio, Lodac.
-¿Socio?
Sí, su castillo está sobre la colina.
¿Alguna última palabra de su parte?
No escaparás, Branton.
Ya lo ha hecho, George.
¿Qué haremos?
- Escapar. Con la ayuda de Ascalon.
- ¿Ascalon?
¿No sabías que mi espada es mágica?
Abre pisos, muros, rejas, todo.
- Era mágica.
- Como tu caballo.
Croatian:
Kroz zid!!
Ponovo je pobjegao.
I Sir Patrick,?
Ne. Patrick je gotov.
Ali Sir George jaše ovamo.
Nije bilo izlaza iz te pećine, Lodac.
Jel to magija?
Ne, nije magija.
Kako je onda George pobjegao?
Mislim, da, nešto jače od magije.
Snaga Patrickove vjere.
Spanish:
Quizás la magia de Lodac
es más fuerte.
Es inútil. Quebrarás la hoja.
Debe haber otra manera
de salir, Patrick.
Spanish:
Quizás la magia de Lodac
es más fuerte.
Es inútil. Quebrarás la hoja.
Debe haber otra manera
de salir, Patrick.
Spanish:
Quizás la magia de Lodac
es más fuerte.
Es inútil. Quebrarás la hoja.
Debe haber otra manera
de salir, Patrick.
English:
- It was magic.
- Like your horse.
Perhaps Lodac's magic is a bit stronger.
It's no use. You'll only be dulling the blade.
There must be some other way out, Patrick.
Spanish:
Quizás la magia de Lodac
es más fuerte.
Es inútil. Quebrarás la hoja.
Debe haber otra manera
de salir, Patrick.
Spanish:
Quizás la magia de Lodac
es más fuerte.
Es inútil. Quebrarás la hoja.
Debe haber otra manera
de salir, Patrick.
Croatian:
On dolazi.
Blizo je.
Prolazi kroz vrata zamka.
Spanish:
¡George,ayudame!
¡Por el muro!
- Volvió a escapar.
- ¿Sir Patrick, tambien?
Spanish:
¡George,ayudame!
¡Por el muro!
- Volvió a escapar.
- ¿Sir Patrick, tambien?
Spanish:
¡George,ayudame!
¡Por el muro!
- Volvió a escapar.
- ¿Sir Patrick, tambien?
Spanish:
¡George,ayudame!
¡Por el muro!
- Volvió a escapar.
- ¿Sir Patrick, tambien?
English:
George, help me!
Through the wall!
Croatian:
Kamo ide?
- Helene.
- Ne, Lodac, neću to dopustiti.
Ne brini! Sve ću riješiti
sa zadovoljstvom. Obećajem.
Ionako ne zna put do njene ćelije.
Ni ne treba. Kletva šestog prokletstva
ga je već preuzela.
Spanish:
¡George,ayudame!
¡Por el muro!
- Volvió a escapar.
- ¿Sir Patrick, tambien?
English:
- He's escaped again.
- Sir Patrick, too?
No. Patrick is finished.
But Sir George is riding this way.
There was no way out of that cave, Lodac.
Was it magic?
- No, not magic.
- Then how did George escape?
I think, yes, something stronger than magic.
The power of Patrick's faith.
He's coming.
Nearer.
He's arriving at the castle gates.
Spanish:
No. Patrick está acabado.
Pero Sir George cabalga hasta acá.
No había como escapar de la
caverna, Lodac.¿Fue magia?
- No, no es magia.
- ¿Cómo escapó George?
Creo, sí, algo más poderoso
que la magia.
El poder de la fe de Patrick.
Ahí viene.
Cerca.
Llegó a la reja del castillo.
Spanish:
No. Patrick está acabado.
Pero Sir George cabalga hasta acá.
No había como escapar de la
caverna, Lodac.¿Fue magia?
- No, no es magia.
- ¿Cómo escapó George?
Creo, sí, algo más poderoso
que la magia.
El poder de la fe de Patrick.
Ahí viene.
Cerca.
Llegó a la reja del castillo.
Spanish:
No. Patrick está acabado.
Pero Sir George cabalga hasta acá.
No había como escapar de la
caverna, Lodac.¿Fue magia?
- No, no es magia.
- ¿Cómo escapó George?
Creo, sí, algo más poderoso
que la magia.
El poder de la fe de Patrick.
Ahí viene.
Cerca.
Llegó a la reja del castillo.
Spanish:
No. Patrick está acabado.
Pero Sir George cabalga hasta acá.
No había como escapar de la
caverna, Lodac.¿Fue magia?
- No, no es magia.
- ¿Cómo escapó George?
Creo, sí, algo más poderoso
que la magia.
El poder de la fe de Patrick.
Ahí viene.
Cerca.
Llegó a la reja del castillo.
Croatian:
Mora da sanjam.
Ali ti jesi George.
Ili je ovo više od Lodacove magije?
Ja sam stvaran baš kao i ti.
Kako si me prepoznala?
Mislim da bih te prepoznala bilo gdje.
Lodac mi te pokazao, samo da bi me mučio.
Dolazio si bliže i bliže.
Spanish:
No. Patrick está acabado.
Pero Sir George cabalga hasta acá.
No había como escapar de la
caverna, Lodac.¿Fue magia?
- No, no es magia.
- ¿Cómo escapó George?
Creo, sí, algo más poderoso
que la magia.
El poder de la fe de Patrick.
Ahí viene.
Cerca.
Llegó a la reja del castillo.
Croatian:
Ali se uvijek kunio da nećeš
nikada živ stići ovdje.
Ali sam ovdje, i odlazimo zajedno.
Presretna sam da bi uopće razmišljala.
Nemoj razmišljati. Daj mi da te samo zagrlim.
Moramo ići dok možemo.
Šta se dogodilo sa Sir Brantonom?
Bolje pitaj šta će se desiti kada
ga dohvatim sa svojim mačem.
On je negdje ovdje u dvorcu.
Pusti njega. Šta je drugo važno,
osim nas i naše slobode, zajedno?
Provjerit ću da li je put čist.
Tiho.
English:
Where is he going?
- Helene.
- No, Lodac, I won't allow that.
Don't worry. It will all work out
most satisfactorily, I promise.
He doesn't know the way to her cell anyway.
He doesn't have to. The spell
of the sixth curse is already leading him on.
Spanish:
¿Donde va?
- Helena.
- No, Lodac,no lo permitiré.
No te preocupes. Todo
saldrá bien. Lo prometo.
No sabe llegar a su celda.
No lo hará. Deberá enfrentar el
hechizo de la sexta maldición.
Croatian:
Dobrodošao, Sir George.
Počeo sam misliti
da nikad nećeš stići.
Ovo tražiš?
Moja damo, vrijeme je za nas da krenemo.
- Ne, Helene.
- Ali ja to želim, George.
Nisi li nešto zaboravio, Brantone?
Oh, prsten.
Ja sam održao riječ.
U redu, vodi je, ako je još želiš.
Želim je, u redu, i ona želi mene.
Uvijek i zauvijek.
- Helene.
Tko je to?
Spanish:
¿Donde va?
- Helena.
- No, Lodac,no lo permitiré.
No te preocupes. Todo
saldrá bien. Lo prometo.
No sabe llegar a su celda.
No lo hará. Deberá enfrentar el
hechizo de la sexta maldición.
Spanish:
¿Donde va?
- Helena.
- No, Lodac,no lo permitiré.
No te preocupes. Todo
saldrá bien. Lo prometo.
No sabe llegar a su celda.
No lo hará. Deberá enfrentar el
hechizo de la sexta maldición.
Spanish:
¿Donde va?
- Helena.
- No, Lodac,no lo permitiré.
No te preocupes. Todo
saldrá bien. Lo prometo.
No sabe llegar a su celda.
No lo hará. Deberá enfrentar el
hechizo de la sexta maldición.
Spanish:
¿Donde va?
- Helena.
- No, Lodac,no lo permitiré.
No te preocupes. Todo
saldrá bien. Lo prometo.
No sabe llegar a su celda.
No lo hará. Deberá enfrentar el
hechizo de la sexta maldición.
Spanish:
Debo estar soñando.
Pero tu eres George.
¿O esta es magia de Lodac?
Soy tan real como tú.
- ¿Cómo me conoces?
- Creo que te conocería donde fuera.
Para torturarme Lodac me ha mostrado
visiones de tí.Venías cerca y más cerca.
Pero él siempre juró que tú
no llegarías vivo.
Pero estoy acá y nos
iremos juntos.
- Estoy feliz de pensarlo.
- No pienses. Sólo déjame sacarte.
Debemos irnos mientras podamos.
¿Qué pasó con Sir Branton?
Mejor pregunta que le pasará cuando
crucemos nuestras espadas.
El está en algun lugar del castillo.
Spanish:
Debo estar soñando.
Pero tu eres George.
¿O esta es magia de Lodac?
Soy tan real como tú.
- ¿Cómo me conoces?
- Creo que te conocería donde fuera.
Para torturarme Lodac me ha mostrado
visiones de tí.Venías cerca y más cerca.
Pero él siempre juró que tú
no llegarías vivo.
Pero estoy acá y nos
iremos juntos.
- Estoy feliz de pensarlo.
- No pienses. Sólo déjame sacarte.
Debemos irnos mientras podamos.
¿Qué pasó con Sir Branton?
Mejor pregunta que le pasará cuando
crucemos nuestras espadas.
El está en algun lugar del castillo.
Spanish:
Debo estar soñando.
Pero tu eres George.
¿O esta es magia de Lodac?
Soy tan real como tú.
- ¿Cómo me conoces?
- Creo que te conocería donde fuera.
Para torturarme Lodac me ha mostrado
visiones de tí.Venías cerca y más cerca.
Pero él siempre juró que tú
no llegarías vivo.
Pero estoy acá y nos
iremos juntos.
- Estoy feliz de pensarlo.
- No pienses. Sólo déjame sacarte.
Debemos irnos mientras podamos.
¿Qué pasó con Sir Branton?
Mejor pregunta que le pasará cuando
crucemos nuestras espadas.
El está en algun lugar del castillo.
Spanish:
Debo estar soñando.
Pero tu eres George.
¿O esta es magia de Lodac?
Soy tan real como tú.
- ¿Cómo me conoces?
- Creo que te conocería donde fuera.
Para torturarme Lodac me ha mostrado
visiones de tí.Venías cerca y más cerca.
Pero él siempre juró que tú
no llegarías vivo.
Pero estoy acá y nos
iremos juntos.
- Estoy feliz de pensarlo.
- No pienses. Sólo déjame sacarte.
Debemos irnos mientras podamos.
¿Qué pasó con Sir Branton?
Mejor pregunta que le pasará cuando
crucemos nuestras espadas.
El está en algun lugar del castillo.
Croatian:
Zar si stvarno mislio da ću održati riječ
jednom kad dobijem prsten?
Ali ja ne razumijem. Gdje je Helene?
Ovdje je.
Ona pripada meni. Sklopili smo dogovor.
Ja ne pregovaram sa smrtnicima. Ja ih uništavam.
Čudovište!
U redu, Brantone,
vrijeme je da se pobrinem za tebe.
Pripremite je za zmaja.
Odvedite Sir Georgea u tamnicu.
Ne smije odustati, inače je to njegov kraj,
kraj od njih oboje.
Što ćeš učiniti, Sybil?
Moram misliti.
Pokušati se sjetiti pravog recepta.
I vratiti mu njegovu magiju, Sybil?
Naravno. Moram.
Gdje sam pogriješila?
Vještice od Hecate, tamnije od tame...
demoni srama, i meso na kolcu.
Spanish:
Debo estar soñando.
Pero tu eres George.
¿O esta es magia de Lodac?
Soy tan real como tú.
- ¿Cómo me conoces?
- Creo que te conocería donde fuera.
Para torturarme Lodac me ha mostrado
visiones de tí.Venías cerca y más cerca.
Pero él siempre juró que tú
no llegarías vivo.
Pero estoy acá y nos
iremos juntos.
- Estoy feliz de pensarlo.
- No pienses. Sólo déjame sacarte.
Debemos irnos mientras podamos.
¿Qué pasó con Sir Branton?
Mejor pregunta que le pasará cuando
crucemos nuestras espadas.
El está en algun lugar del castillo.
English:
I must be dreaming.
But you are George.
Or is this more of Lodac's magic?
I'm as real as you are.
- How did you know me?
- I think I would have known you anywhere.
Lodac has shown me visions of you, just to
torture me. You coming nearer and nearer.
But he always swore
that you would never live to get here.
But I'm here, and we'll leave together.
- I'm too happy to even think.
- Don't think. Just let me hold you.
We must go while we can.
What happened to Sir Branton?
Rather ask what will happen
when I get him within my sword's length.
He's somewhere here in the castle.
Croatian:
Slijedeći je red, tu sam pogriješila,
i rima sa "kolac."
Smočiti? Zdrobiti?
Odrezak?
Ne, ni jedan od tih.
Otići ću u Lodacov dvorac, to ću učiniti.
Nešto ću smisliti putem.
Spasi ga, Sybil.
Pokušat ću.
Dobro, idemo.
Sir George, ovo je prava Helene, kunem ti se.
U redu, sada, idemo.
Pokaži mi kako se dvoje mladih smrtnika
koji su zaljubljeni opraštaju prije smrti.
Spanish:
Déjalo. ¿Qué más importa que nosotros y
nuestra libertad juntos?
Veré si hay vía libre.
Silencio.
Bienvenido, Sir George.
Spanish:
Déjalo. ¿Qué más importa que nosotros y
nuestra libertad juntos?
Veré si hay vía libre.
Silencio.
Bienvenido, Sir George.
Spanish:
Déjalo. ¿Qué más importa que nosotros y
nuestra libertad juntos?
Veré si hay vía libre.
Silencio.
Bienvenido, Sir George.
English:
Let him go. What does anything matter,
except us and our freedom together?
I'll see if the way is clear.
Quietly.
Welcome, Sir George.
Spanish:
Déjalo. ¿Qué más importa que nosotros y
nuestra libertad juntos?
Veré si hay vía libre.
Silencio.
Bienvenido, Sir George.
Spanish:
Déjalo. ¿Qué más importa que nosotros y
nuestra libertad juntos?
Veré si hay vía libre.
Silencio.
Bienvenido, Sir George.
Croatian:
Vrlo nježno, ali malo kasno,
šta ti kažeš?
Volim te, George, zapamti to zauvijek.
Volim te, Helene.
Dođi, Helene.
Imat ćeš dobar pogled sa prozora,
Sir George.
Gozba! Lodac želi gozbu!
Brzo, pokupite najbolje male ljude
za kuhare!
Ti odaberi vino.
Ostali znate što morate raditi.
Spanish:
Empezaba a creer que
nunca llegarías.
¿Buscabas esto?
Mi señora,es hora de irnos.
- No, Helena.
- Pero yo lo deseo, George.
¿No olvidas algo, Branton?
Oh, el anillo.
Mantengo mi palabra.
Bien, tómala, si aún la deseas.
La deseo, y ella a mi.
Siempre y para siempre.
- Helena.
- ¿Quién es esta?
¿Realmente pensaste que mantendría
mi palabra cuando tuviera el anillo?
Pero no entiendo.
¿Donde está Helena?
- Por ahí.
- ¡Me pertenece. Hicimos un trato!
-No hago tratos con mortales. Destrúyanlo.
- Monstruo.
Spanish:
Empezaba a creer que
nunca llegarías.
¿Buscabas esto?
Mi señora,es hora de irnos.
- No, Helena.
- Pero yo lo deseo, George.
¿No olvidas algo, Branton?
Oh, el anillo.
Mantengo mi palabra.
Bien, tómala, si aún la deseas.
La deseo, y ella a mi.
Siempre y para siempre.
- Helena.
- ¿Quién es esta?
¿Realmente pensaste que mantendría
mi palabra cuando tuviera el anillo?
Pero no entiendo.
¿Donde está Helena?
- Por ahí.
- ¡Me pertenece. Hicimos un trato!
-No hago tratos con mortales. Destrúyanlo.
- Monstruo.
Spanish:
Empezaba a creer que
nunca llegarías.
¿Buscabas esto?
Mi señora,es hora de irnos.
- No, Helena.
- Pero yo lo deseo, George.
¿No olvidas algo, Branton?
Oh, el anillo.
Mantengo mi palabra.
Bien, tómala, si aún la deseas.
La deseo, y ella a mi.
Siempre y para siempre.
- Helena.
- ¿Quién es esta?
¿Realmente pensaste que mantendría
mi palabra cuando tuviera el anillo?
Pero no entiendo.
¿Donde está Helena?
- Por ahí.
- ¡Me pertenece. Hicimos un trato!
-No hago tratos con mortales. Destrúyanlo.
- Monstruo.
Spanish:
Empezaba a creer que
nunca llegarías.
¿Buscabas esto?
Mi señora,es hora de irnos.
- No, Helena.
- Pero yo lo deseo, George.
¿No olvidas algo, Branton?
Oh, el anillo.
Mantengo mi palabra.
Bien, tómala, si aún la deseas.
La deseo, y ella a mi.
Siempre y para siempre.
- Helena.
- ¿Quién es esta?
¿Realmente pensaste que mantendría
mi palabra cuando tuviera el anillo?
Pero no entiendo.
¿Donde está Helena?
- Por ahí.
- ¡Me pertenece. Hicimos un trato!
-No hago tratos con mortales. Destrúyanlo.
- Monstruo.
English:
I was beginning to think
you'd never get here.
You're looking for this?
My lady, it's time for us to leave.
- No, Helene.
- But I want to, George.
Aren't you forgetting something, Branton?
Oh, the ring.
I keep my word.
All right, take her, if you still want her.
I want her, all right, and she wants me.
Always and forever.
- Helene.
- Who is this?
Did you really think I'd keep my word
once I had the ring?
But I don't understand. Where is Helene?
- Over here.
- She belongs to me. We made a bargain!
- I don't bargain with mortals. I destroy them.
- Monster.
Spanish:
Empezaba a creer que
nunca llegarías.
¿Buscabas esto?
Mi señora,es hora de irnos.
- No, Helena.
- Pero yo lo deseo, George.
¿No olvidas algo, Branton?
Oh, el anillo.
Mantengo mi palabra.
Bien, tómala, si aún la deseas.
La deseo, y ella a mi.
Siempre y para siempre.
- Helena.
- ¿Quién es esta?
¿Realmente pensaste que mantendría
mi palabra cuando tuviera el anillo?
Pero no entiendo.
¿Donde está Helena?
- Por ahí.
- ¡Me pertenece. Hicimos un trato!
-No hago tratos con mortales. Destrúyanlo.
- Monstruo.
Spanish:
Muy bien, Branton,
es hora de ocuparme de tí.
Preparenla para el dragón.
Lleven a Sir George al calabozo.
No me puede rendir, o será su final,
el final de ambos.
¿Qué harás, Sybil?
Debo pensar.
Tratar de recordar el
hechizo correcto.
- ¿Y devolverle su magia, Sybil?
-Por supuesto. Debo hacerlo.
¿Qué hice mal?
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
Es la próxima línea la que dije mal,
y rima con "angustiar."
¿Asar? ¿Dorar?
¿Sasonar?
No, nada de eso.
Iré al castillo de Lodac, eso haré.
Spanish:
Muy bien, Branton,
es hora de ocuparme de tí.
Preparenla para el dragón.
Lleven a Sir George al calabozo.
No me puede rendir, o será su final,
el final de ambos.
¿Qué harás, Sybil?
Debo pensar.
Tratar de recordar el
hechizo correcto.
- ¿Y devolverle su magia, Sybil?
-Por supuesto. Debo hacerlo.
¿Qué hice mal?
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
Es la próxima línea la que dije mal,
y rima con "angustiar."
¿Asar? ¿Dorar?
¿Sasonar?
No, nada de eso.
Iré al castillo de Lodac, eso haré.
Spanish:
Muy bien, Branton,
es hora de ocuparme de tí.
Preparenla para el dragón.
Lleven a Sir George al calabozo.
No me puede rendir, o será su final,
el final de ambos.
¿Qué harás, Sybil?
Debo pensar.
Tratar de recordar el
hechizo correcto.
- ¿Y devolverle su magia, Sybil?
-Por supuesto. Debo hacerlo.
¿Qué hice mal?
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
Es la próxima línea la que dije mal,
y rima con "angustiar."
¿Asar? ¿Dorar?
¿Sasonar?
No, nada de eso.
Iré al castillo de Lodac, eso haré.
Spanish:
Muy bien, Branton,
es hora de ocuparme de tí.
Preparenla para el dragón.
Lleven a Sir George al calabozo.
No me puede rendir, o será su final,
el final de ambos.
¿Qué harás, Sybil?
Debo pensar.
Tratar de recordar el
hechizo correcto.
- ¿Y devolverle su magia, Sybil?
-Por supuesto. Debo hacerlo.
¿Qué hice mal?
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
Es la próxima línea la que dije mal,
y rima con "angustiar."
¿Asar? ¿Dorar?
¿Sasonar?
No, nada de eso.
Iré al castillo de Lodac, eso haré.
English:
All right, Branton,
it's time to take care of you.
Prepare her for the dragon.
Take Sir George to the dungeon.
Mustn't give up, or it's the end of him,
the end of them both.
What will you do, Sybil?
I must think.
Try to remember the right recipe.
- And give him back his magic, Sybil?
- Of course. I have to.
Where did I go wrong?
Witches of Hecate, blacker than black...
demons of shame, and flesh on the rack.
It's the next line, that's the one I got wrong,
and it rhymes with "rack."
Swack? Smack?
Snack?
Spanish:
Muy bien, Branton,
es hora de ocuparme de tí.
Preparenla para el dragón.
Lleven a Sir George al calabozo.
No me puede rendir, o será su final,
el final de ambos.
¿Qué harás, Sybil?
Debo pensar.
Tratar de recordar el
hechizo correcto.
- ¿Y devolverle su magia, Sybil?
-Por supuesto. Debo hacerlo.
¿Qué hice mal?
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
Es la próxima línea la que dije mal,
y rima con "angustiar."
¿Asar? ¿Dorar?
¿Sasonar?
No, nada de eso.
Iré al castillo de Lodac, eso haré.
English:
No, none of those.
I'll go to Lodac's castle, that's what I'll do.
I'll give it some thought on the way.
Save him, Sybil.
I'll try.
Well, here goes.
Sir George, this is the real Helene, I swear it.
All right, now, go ahead.
Show me how a pair of young mortals
in love bid farewell before they die.
Very tender,
but a little late, wouldn't you say?
I love you, George, always remember that.
Spanish:
Pensaré algo por el camino.
Sálvalo Sybil.
Trataré.
Bien, aquí vamos.
Sir George, esta es la real
Helena, lo juro.
Muy bien, adelante.
Muestrenme como unos jóvenes mortales
enamorados se despiden antes de morir.
Muy tierno,
pero un poco tarde, ¿No creen?
Te amo, George, recuérdalo.
Spanish:
Pensaré algo por el camino.
Sálvalo Sybil.
Trataré.
Bien, aquí vamos.
Sir George, esta es la real
Helena, lo juro.
Muy bien, adelante.
Muestrenme como unos jóvenes mortales
enamorados se despiden antes de morir.
Muy tierno,
pero un poco tarde, ¿No creen?
Te amo, George, recuérdalo.
Croatian:
Požuri. Molim te, brzo, požuri!.
Brzo, presjeci uže oko mojih ruku!
Hvala ti. Zahvalan sam ti.
Moj mač je izgubio svoju moč,
ali je još uvijek mač.
Spanish:
Pensaré algo por el camino.
Sálvalo Sybil.
Trataré.
Bien, aquí vamos.
Sir George, esta es la real
Helena, lo juro.
Muy bien, adelante.
Muestrenme como unos jóvenes mortales
enamorados se despiden antes de morir.
Muy tierno,
pero un poco tarde, ¿No creen?
Te amo, George, recuérdalo.
Spanish:
Pensaré algo por el camino.
Sálvalo Sybil.
Trataré.
Bien, aquí vamos.
Sir George, esta es la real
Helena, lo juro.
Muy bien, adelante.
Muestrenme como unos jóvenes mortales
enamorados se despiden antes de morir.
Muy tierno,
pero un poco tarde, ¿No creen?
Te amo, George, recuérdalo.
Spanish:
Pensaré algo por el camino.
Sálvalo Sybil.
Trataré.
Bien, aquí vamos.
Sir George, esta es la real
Helena, lo juro.
Muy bien, adelante.
Muestrenme como unos jóvenes mortales
enamorados se despiden antes de morir.
Muy tierno,
pero un poco tarde, ¿No creen?
Te amo, George, recuérdalo.
English:
I love you, Helene.
Come, Helene.
You'll have a good view from the window,
Sir George.
A feast! Lodac will want a feast!
Hurry, you pick the best of the little people
for the stew!
You'll pick the wine.
The rest of you know what you have to do.
Spanish:
Te amo, Helena.
Vamos, Helena.
Tendrás una buena vista
desde la ventana, Sir George.
¡Un banquete!¡ Lodac
quiere un banquete!
¡De prisa, toma a los mejores
enanos para el guisado!
Tu traerás el vino.
El resto sabe que debe hacer.
Spanish:
Te amo, Helena.
Vamos, Helena.
Tendrás una buena vista
desde la ventana, Sir George.
¡Un banquete!¡ Lodac
quiere un banquete!
¡De prisa, toma a los mejores
enanos para el guisado!
Tu traerás el vino.
El resto sabe que debe hacer.
Croatian:
Uništi ga! To je moja volja!
Spanish:
Te amo, Helena.
Vamos, Helena.
Tendrás una buena vista
desde la ventana, Sir George.
¡Un banquete!¡ Lodac
quiere un banquete!
¡De prisa, toma a los mejores
enanos para el guisado!
Tu traerás el vino.
El resto sabe que debe hacer.
Spanish:
Te amo, Helena.
Vamos, Helena.
Tendrás una buena vista
desde la ventana, Sir George.
¡Un banquete!¡ Lodac
quiere un banquete!
¡De prisa, toma a los mejores
enanos para el guisado!
Tu traerás el vino.
El resto sabe que debe hacer.
Spanish:
Te amo, Helena.
Vamos, Helena.
Tendrás una buena vista
desde la ventana, Sir George.
¡Un banquete!¡ Lodac
quiere un banquete!
¡De prisa, toma a los mejores
enanos para el guisado!
Tu traerás el vino.
El resto sabe que debe hacer.
Spanish:
Rápido. Por favor. De prisa. Apúrense.
Croatian:
Dakle, Sybil, dođi da vidiš Georgeov kraj?
Prsten?
Da, prsten.
Ni jedan čarobnjak me sada ne može pobjediti.
Gledaj kako tvoj dječak umire.
Kad bi mu samo mogla vratiti njegovu magiju.
Vještice od Hecate, tamnije od tame...
demoni srama, i meso na kolcu.
Slijedeći redak. Kad bi se mogla
sjetiti slijedećeg retka.
Spanish:
Rápido. Por favor. De prisa. Apúrense.
Spanish:
Rápido. Por favor. De prisa. Apúrense.
Spanish:
Rápido. Por favor. De prisa. Apúrense.
Spanish:
Rápido. Por favor. De prisa. Apúrense.
Spanish:
¡Rápido, corten las cuerdas de mi muñeca!
Gracias. Les estoy agradecido.
Mi espada ha perdido su magia,
pero aún es una espada.
Spanish:
¡Rápido, corten las cuerdas de mi muñeca!
Gracias. Les estoy agradecido.
Mi espada ha perdido su magia,
pero aún es una espada.
Spanish:
¡Rápido, corten las cuerdas de mi muñeca!
Gracias. Les estoy agradecido.
Mi espada ha perdido su magia,
pero aún es una espada.
English:
Hurry. Please, quick, hurry.
Quick, cut the ropes from my wrists!
Thank you. I'm grateful to you.
My sword has lost its magic,
but it's still a sword.
Croatian:
Jadna budala.
Izgubio je čak i snagu da napada.
To je riječ!
Vještice od Hecate, tamnije od tame...
demoni srama, i meso na kolcu.
dajte mom dečku snagu da napadne.
Spanish:
¡Rápido, corten las cuerdas de mi muñeca!
Gracias. Les estoy agradecido.
Mi espada ha perdido su magia,
pero aún es una espada.
Spanish:
¡Rápido, corten las cuerdas de mi muñeca!
Gracias. Les estoy agradecido.
Mi espada ha perdido su magia,
pero aún es una espada.
Spanish:
¡Destrúyelo!¡Es mi voluntad!
Spanish:
¡Destrúyelo!¡Es mi voluntad!
Spanish:
¡Destrúyelo!¡Es mi voluntad!
English:
Destroy him! It is my will!
Spanish:
¡Destrúyelo!¡Es mi voluntad!
Croatian:
Moj prsten.
Ne, sada je moj prsten.
Spanish:
¡Destrúyelo!¡Es mi voluntad!
English:
Well, Sybil, come to see the end of George?
The ring?
Yes, the ring.
No sorcerer can cross me now.
Watch your boy die.
If only I could give him back his magic.
Witches of Hecate, blacker than black...
demons of shame, and flesh on the rack.
The next line.
If only I could remember the next line.
Spanish:
¿Bien, Sybil, no vas a ver
el final de George?
¿El anillo?
Sí, el anillo.
Ningun hechicero me puede enfrentar.
Mira como tu niño muere.
Si sólo pudiera devolverle su magia.
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
La otra línea.
Si pudiera recordar la otra línea.
Croatian:
Svejedno će umrijeti, oboje.
Sada ću ja tebe prokleti sa
osudom na pakao, prokletstvom nad prokletstvima.
Drski smrtniče, usuđuješ se izazvati mene.
Šest prokletstava te nije uništilo,
ali sad se moraš suočiti sa sedmim.
Samnom, nevidljivim!
Sad ću te zdrobiti u prašinu!
Sada, sva strašna bića iz pakla...
slušajte me kako izgovaram sedmo prokletstvo!
Spanish:
¿Bien, Sybil, no vas a ver
el final de George?
¿El anillo?
Sí, el anillo.
Ningun hechicero me puede enfrentar.
Mira como tu niño muere.
Si sólo pudiera devolverle su magia.
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
La otra línea.
Si pudiera recordar la otra línea.
Spanish:
¿Bien, Sybil, no vas a ver
el final de George?
¿El anillo?
Sí, el anillo.
Ningun hechicero me puede enfrentar.
Mira como tu niño muere.
Si sólo pudiera devolverle su magia.
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
La otra línea.
Si pudiera recordar la otra línea.
Spanish:
¿Bien, Sybil, no vas a ver
el final de George?
¿El anillo?
Sí, el anillo.
Ningun hechicero me puede enfrentar.
Mira como tu niño muere.
Si sólo pudiera devolverle su magia.
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
La otra línea.
Si pudiera recordar la otra línea.
Spanish:
¿Bien, Sybil, no vas a ver
el final de George?
¿El anillo?
Sí, el anillo.
Ningun hechicero me puede enfrentar.
Mira como tu niño muere.
Si sólo pudiera devolverle su magia.
Brujas de Hecate, más
negras que el negro...
demonios de vergüenza y
carne angustiada.
La otra línea.
Si pudiera recordar la otra línea.
Spanish:
Pobre tonto.
Perdió el poder de atacar.
Esa es la palabra.
Brujas de Hecate,
más negras que el negro...
demonios de vergüenza y
carne angustiada....
den a mi niño el poder de atacar.
Spanish:
Pobre tonto.
Perdió el poder de atacar.
Esa es la palabra.
Brujas de Hecate,
más negras que el negro...
demonios de vergüenza y
carne angustiada....
den a mi niño el poder de atacar.
Spanish:
Pobre tonto.
Perdió el poder de atacar.
Esa es la palabra.
Brujas de Hecate,
más negras que el negro...
demonios de vergüenza y
carne angustiada....
den a mi niño el poder de atacar.
English:
Poor fool.
He's even lost the power to attack.
That's the word.
Witches of Hecate, blacker than black...
demons of shame, and flesh on the rack...
give to my boy the power to attack.
Spanish:
Pobre tonto.
Perdió el poder de atacar.
Esa es la palabra.
Brujas de Hecate,
más negras que el negro...
demonios de vergüenza y
carne angustiada....
den a mi niño el poder de atacar.
Spanish:
Pobre tonto.
Perdió el poder de atacar.
Esa es la palabra.
Brujas de Hecate,
más negras que el negro...
demonios de vergüenza y
carne angustiada....
den a mi niño el poder de atacar.
English:
- My ring.
- No, my ring now.
Spanish:
- Mi anillo.
- No, mi anillo ahora.
Spanish:
- Mi anillo.
- No, mi anillo ahora.
Spanish:
- Mi anillo.
- No, mi anillo ahora.
Spanish:
- Mi anillo.
- No, mi anillo ahora.
Spanish:
- Mi anillo.
- No, mi anillo ahora.
English:
They will still die, both of them.
Now do I curse you with
all the damnation of hell, curse upon curse.
Defiant mortal, you dared to challenge me.
Six curses could not destroy you,
but now you must face the seventh.
Me, the invincible!
Now will I grind you to dust!
Now, all you vile creatures of hell...
listen to me as I cast the seventh curse!
Spanish:
Ahora ambos morirán.
Ahora te maldeciré con todo el daño infernal
maldición sobre maldición.
Mortal atrevido,
te atreves a desafiarme.
Seis maldiciones no te destruyeron,
pero ahora enfrentarás la séptima.
¡Yo, el invencible!
¡Ahora te convertiré en polvo!
¡Ahora,todas las creaturas infernales...
escuchenme convocar
la séptima maldición!
Spanish:
Ahora ambos morirán.
Ahora te maldeciré con todo el daño infernal
maldición sobre maldición.
Mortal atrevido,
te atreves a desafiarme.
Seis maldiciones no te destruyeron,
pero ahora enfrentarás la séptima.
¡Yo, el invencible!
¡Ahora te convertiré en polvo!
¡Ahora,todas las creaturas infernales...
escuchenme convocar
la séptima maldición!
Spanish:
Ahora ambos morirán.
Ahora te maldeciré con todo el daño infernal
maldición sobre maldición.
Mortal atrevido,
te atreves a desafiarme.
Seis maldiciones no te destruyeron,
pero ahora enfrentarás la séptima.
¡Yo, el invencible!
¡Ahora te convertiré en polvo!
¡Ahora,todas las creaturas infernales...
escuchenme convocar
la séptima maldición!
Spanish:
Ahora ambos morirán.
Ahora te maldeciré con todo el daño infernal
maldición sobre maldición.
Mortal atrevido,
te atreves a desafiarme.
Seis maldiciones no te destruyeron,
pero ahora enfrentarás la séptima.
¡Yo, el invencible!
¡Ahora te convertiré en polvo!
¡Ahora,todas las creaturas infernales...
escuchenme convocar
la séptima maldición!
Spanish:
Ahora ambos morirán.
Ahora te maldeciré con todo el daño infernal
maldición sobre maldición.
Mortal atrevido,
te atreves a desafiarme.
Seis maldiciones no te destruyeron,
pero ahora enfrentarás la séptima.
¡Yo, el invencible!
¡Ahora te convertiré en polvo!
¡Ahora,todas las creaturas infernales...
escuchenme convocar
la séptima maldición!
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French:
J'ai donc travaillé sur une vidéo d'achèvement des forces soniques pendant un certain temps maintenant et pendant que je suis en production sur cette vidéo
Sega a pris le vent de ça et m'a présenté la bonne opportunité quand j'ai entendu ce que j'étais en fait
super excité parce que cela n’a rien à voir avec mes opinions personnelles sur le jeu et
Clairement, il a été conçu pour être une façon amusante de parler de forces sonores
Sega a fait équipe avec The Tempest Freerunning Jim à Hawthorne pour promouvoir les forces sonores en transformant le gymnase en Green Hill Zone
créer une mise en page unique inspirée des forces sonores
ils ont également invité moi-même et quelques autres youtubers à descendre à la salle de gym avec des professionnels de l'industrie et des cascadeurs.
Tenter de faire certaines des cascades et des exploits que Sonic et ses amis font dans les forces sonores
Spanish:
Así que he estado trabajando en un video de finalistas de las fuerzas sónicas desde hace bastante tiempo y mientras he estado en producción en ese video
Sega se enteró de eso y me ofreció la genial oportunidad cuando escuché lo que era, en realidad era
súper emocionado porque no tenía nada que ver con mis puntos de vista personales sobre el juego y
Claramente, fue diseñado para ser una forma divertida de hablar sobre las fuerzas sónicas
Sega se asoció con The Tempest Freerunning Jim en Hawthorne para promover las fuerzas sónicas al convertir el gimnasio en Green Hill Zone
creando un diseño único inspirado en las fuerzas sónicas
también me invitaron a mí y a otros youtubers a ir al tren de gimnasia con algunos profesionales de la industria del parkour y especialistas.
Intenta hacer algunas de las acrobacias y hazañas geniales que Sonic y sus amigos hacen en las fuerzas sónicas
German:
Also arbeite ich schon seit geraumer Zeit an einem Sonic Force Completionist-Video und während ich in der Produktion an diesem Video war
Sega bekam davon Wind und bot mir die coole Gelegenheit, als ich hörte, was ich eigentlich war
Super aufgeregt, weil es nichts mit meinen persönlichen Ansichten über das Spiel zu tun hatte
Offensichtlich wurde es entworfen, um eine lustige Art zu sein, über Schallkräfte zu sprechen
Sega tat sich in Hawthorne mit The Tempest Freerunning Jim zusammen, um Schallkräfte zu fördern, indem sie das Fitness-Studio in Green Hill Zone verwandelten
Erstellen eines einzigartigen Layouts, das von Schallkräften inspiriert wurde
Sie luden mich und einige andere youtubers auch ein, mit einigen Industrieparkourprofis und Stuntmen und in den Gymnastikzug zu gehen
Versuche, einige der coolen Stunts und Heldentaten zu vollbringen, die Sonic und seine Freunde in Schallkräften machen
Spanish:
Definitivamente un poco aterrador
Ve allí, vete, sí, ahí vas, sigue adelante sigue, sí
Es bueno
German:
Definitiv ein bisschen beängstigend
Du gehst dahin du gehst, yeah da du gehst weiter geh weiter geh weiter, ja
Das ist gut
French:
Certainement un peu effrayant
Tu vas là-bas tu vas, ouais là tu vas continuer à continuer continue, oui
C'est bon
French:
homme
Ok, mec, c’est la partie la plus difficile de ce jour de piscine qui va bien maintenant une fosse de mousse
Ouais, tu devrais juste avoir comme une voiture que tu peux la tirer avec le zip. Pas de boulot
Tu as ce Gerard nous croyons en toi Oh
Dieu chaussette ouais s'arrête sur ses chaussettes tu dois sauver ton petit ami birdie
le chaos
Spanish:
hombre
De acuerdo, hombre, esa es la parte más difícil de este día de pool saliendo ahora, ahora un pozo de espuma
Sí, deberías tener como un automóvil que puedes jalarlo con cremallera. Ningún trabajo esta tinción de pozo húmedo SS
Tienes este Gerard creemos en ti Oh
Dios calcea, sí, se para en sus calcetines, tienes que salvar a tu pequeño amigo pajarito
Caos
German:
Mann
Okay, Mann, das ist der schwierigste Teil an diesem Pooltag, der jetzt in eine Schaumgrube kommt
Ja, du solltest einfach wie ein Auto haben, dass du es mit Reißverschluss ziehen kannst. Keine Arbeit, diesen feuchten Grubenfleck
Du hast diesen Gerard, wir glauben an dich Oh
God socks on yeah hält an seinen Socken an Du musst deinen kleinen Birdie Freund retten
Chaos
Spanish:
Las fuerzas sónicas te arrojan a un mundo donde Eggman podría ser lo suficientemente malo como para tener éxito en uno de sus esquemas
El mundo está en ruinas y depende de Sonic, el clásico Sonic y tu avatar personal, formar equipo y derrotarlo
Pero esta vez, Eggman se asoció con un flamante villano que hace que este conflicto sea realmente difícil. Las fuerzas de Sonic están ahora fuera de juego.
ps4 Xbox
French:
Les forces soniques vous plongent dans un monde où Eggman pourrait être assez mauvais pour réussir dans l'un de ses projets
Le monde est en ruine et c'est à Sonic classic Sonic et à votre avatar personnel de faire équipe et de l'abattre
Mais cette fois-ci, Eggman a fait équipe avec un nouveau méchant qui rend ce conflit vraiment difficile. Les forces Sonic sont maintenant disponibles
ps4 Xbox
German:
Sonic Forces werfen dich in eine Welt, in der Eggman vielleicht böse genug ist, um in einem seiner Pläne Erfolg zu haben
Die Welt ist in Trümmern und es liegt an Sonic classic Sonic und Ihrem persönlichen Avatar, sich zusammenzutun und ihn zu erledigen
Aber dieses Mal hat sich Eggman mit einem brandneuen Bösewicht zusammengetan, der diesen Konflikt wirklich schwierig macht Sonic Forces ist jetzt draußen
PS4 Xbox
French:
Un commutateur Nintendo et de la vapeur honnêtement faire cet événement était l'une des choses les plus amusantes
J'ai eu le plaisir de faire ici sur youtube si vous voulez me voir me faire botter les fesses par d'autres youtubers et
Professionnels cliquez ou appuyez sur le lien à l'écran ici maintenant
Et hé si vous voulez toujours que je fasse une vidéo sur le clic de Sonic Force que je carte dans le coin
Et si vous voulez plus de vidéos en coulisses, assurez-vous de me suivre sur Instagram et Twitter. A plus tard les gars
German:
Ein Nintendo-Schalter und Dampf, der ehrlich diese Veranstaltung machte, war eine der lustigsten Sachen
Ich hatte das Vergnügen, hier auf youtube zu machen, wenn du sehen willst, dass ich von anderen youtubers getreten werde
Profis klicken oder tippen auf den Link auf dem Bildschirm gleich hier
Und hey, wenn du immer noch willst, dass ich ein Video über Sonic Force's Klick mache, dass ich in der Ecke ablege
Und wenn Sie mehr hinter den Kulissen Videos wollen, folgen Sie mir auf Instagram und Twitter. Sehe euch später
Spanish:
Un interruptor de Nintendo y el vapor honestamente haciendo este evento fue una de las cosas más divertidas
He tenido el placer de hacerlo aquí en youtube si quieres ver que otros usuarios de YouTube me pateen el trasero
Los profesionales hacen clic o tocan el enlace en pantalla aquí mismo ahora mismo
Y si aún quieres que haga un video en Sonic Force, haz clic en esa tarjeta en la esquina
Y si quieres más videos detrás de escena, asegúrate de seguirme en Instagram y Twitter. Los veo luego
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Hey there.
Welcome to BrainStuff.
I'm Jonathan Strickland.
And the question I
have today is why is it
that I can play some DVDs as
Blu-rays on certain machines
I own, but other DVDs and
Blue-rays won't play at all?
It's a good question.
It all comes down to something
called region locking
and region codes.
You see, every DVD and
Blu-ray that's authorized
has a region code
associated with it.
And DVD and Blu-ray
players have region codes
associated with them.
So a DVD player and
a Blu-ray player
will only play the
media that matches
the region code of that player.
All other media with other
region codes won't play at all.
So why is that?
Well, it helps movie studios,
and video game companies,
other media producers
control when and where
their content can be viewed.
Now, movies can be
released on different dates
all around the world, and region
locking helps control that.
So what are the regions?
Well, region one is the
United States and Canada.
Region two, that's
Europe and Japan.
Region three is Southeast Asia.
Region four would be Latin
America and Australia.
Region five is Russia, the
rest of Asia and Africa.
But region six is China.
And region seven is-- oh,
there is no region seven.
Right.
So in order for you to be
able to enjoy these movies,
you have to have a player
that is also the same code
as the film's.
Unless you happen to have a
region free player-- in which
case, movie night at your house.
Anyway if you
enjoyed this video,
make sure you hit
the Like button
and subscribe to our channel.
We've got some amazing
questions coming up,
and I bet even more
amazing answers.
| {
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Hi guys, I'm erik bosse, and I think we can all agree that Dr.
Strange was just pure ridiculous [cumber] fun
But a lot of you guys been asking about the movies ending and yeah the whole movie can be a bit of a mine good
[times], but the [Endian] is an especially aggressive [mind] like Dr.
Strange enough my brain has to work in the morning, [so] in this video
I'm Gonna Explain
exactly what went down in that final dark dimension
Sequence of the movie and why it was so brilliant when he put it all together with a bunch of little clues that came up
throughout the film I'm also Gonna explain
Why [wang] revealing the eye of Agamotto as an infinity stone is so important and by the way if you want to know what happens
In the post-credits scenes I did another video that covers all [of] that this video is like a pre credit scene Breakdown
I know it's crazy someone actually wants to talk about what happens before the credits of a marvel movie
What world are we living in here [ok] bear with me as I take a step back, but in order to understand Dr.
Strange's ending you have to accept that this entire movie is about time, and yeah, sure it's about a lot of other things, too
Broken position trying to heal himself so that he can heal and save others letting go of pride and ego mind over matter
hands, but above all this is a story about a man struggling with time controlling his life and that by freeing himself from [time] he
Can use time to his advantage so that basically as the beatles put it time?
Is a yellow submarine I'm pretty sure that's how it goes throughout the film this idea of time is
Represented in the recurring symbol of a clock so like in the early scene doctor strange is operating on a gunshot victim
racing against time to remove a bullet from his brain and notice how when he tries to focus he's
Distracted by the ticking of Dr.
West's Wristwatch
And then he snaps at him to cover it up to block the sound now why does this ticking derail strange like this see at
This moment strange is at the Peak of his pride
He's a brilliant surgeon
Nailing this miraculous surgery that only he can do and the best of all he's rubbing it in the face of his rival he feels
invincible but the ticking of the watch
Reminds him that he's not invincible
[he's] mortal his own time is running out strange is kind of like a reverse
Captain hook like he's driven mad by a ticking sound that will soon
Foreshadow a life changing hand injury strange hates to be reminded
how time is controlling his life another clock that keeps showing up throughout doctor strange is the watch given to him by
Christine Palmer and remember that shatters when the muggers in Katmandu tried to steal it now notice
How [that] break happens right before he meets carl [mordo] and the ancient one and he begins his training and [Kamar] tosh
That's a symbolic moment of character growth for strange
He's literally breaking time diverging from his old [timeline]. Which was trying to heal his hands and [continue]
His [life] the Surgeon and now he's going to this new [timeline]
outside of time breaking the laws of Nature and learning the mystic arts
Okay
now [fast-forwarding] a bit here at the end of his training strange uses the book of cagliostro in the eye of [a] [komodo] to
manipulate time which is represented by this apple going back and Forth between
Eaten and uneaten and when wang and [mordo] catch them in the Act
mordo [warned] strange about paradoxes and time loops with this foreshadowing line
Do you want to get stuck reliving the [same] moment over and over forever and then strange is like, huh?
You don't say that could [be] useful okay fast-forward him again here while battling Kycilia
strange learns that the [dark] [dimension] is a place Beyond time Cai sillies opera strange what he thinks he wants the freedom from
Mortality to no longer worry about his time ticking away notice
How strange seems to consider this guy sillies tries to drive the point home by saying time and slaves us time as an insult death?
Is an insult but then later strange?
realizes the truth while talking with the ancient one in the astral plane at the moment of her death her philosophy is the opposite of
Cai silius she says death is what gives life meaning?
To know your days are numbered [your] time is short
so finally arriving at the end here in this final showdown in Hong Kong
Strange puts all of this knowledge about time together
[he] sees that the sanctum has already fallen and Kycilia says opened the gate [of] the dark dimension
How strange knows that he can reverse time to save the city using spells in the eye of agamotto?
But he knows that Kycilia is stronger than him and he probably can't feed him so he remembers two things one the [dark] [dimension] is
A realm where time does not exist, [so] by introducing time into it that would give strange a huge advantage and then to
Tampering with time can result in creating a loop reliving the same moment over and over forever
So that's what happens when strange floats up into the dark dimension
he creates a time loop starting with him proposing the bargain to dormammu and ending with his [debt] and because
Dormammu has no understanding of time. He's trapped in this until strange decides to stop it
So just like in movies like groundhog day
Or edge of tomorrow [doctor] strange dies and resets over and over
I personally counted 12 times
and he does this until dormammu goes crazy and strange eventually breaks him and convinces him to leave this room and take high silius and
his followers with him and what I love about the sequence is just like bill murray and groundhog day and Tom cruise and edge of
Tomorrow it's implied that doctor strange could have died hundreds thousands
maybe an infinite number of times
Notice how strange invited death regardless of how painful it would be saying
pain is an old friend and you gotta imagine that like dormammu would have enjoyed finding new ways to kill him for at least the
First couple hundred times until he got bored
And then maybe another thousand before it became like Mildly annoying and then thousands infinite number of times more before it became
legit torture
And it's really satisfying to see doctor strange show that he understands the ancient ones words that death is what gives life meaning?
Literally [doctor] strange's death or rather his infinite number of Deaths saves all the lives on Earth
Ultimately giving his life meaning once again
And then in these final moments wong of course reveals that the eye of agamotto is an infinity stone
specifically the time stone and that makes sense given the
Godly level power gives strange over time so that makes five out of six infinity stones revealed an McU so far and this officially ties
Doctor strange [to] the upcoming Avengers infinity war movies where thanos will try to assemble all of these stones in his infinity gauntlet
Basically making him ruler of all the universe we're just gonna have [to] imagine how powerful
[Danice] is going to become if he combines the [power] of the tesseract and the ether and [the] mind stone ambitions head and the orb
That Ronan used and now this time stone
[good] luck avengers
But now let's talk about this final shot which connects back to this idea of time strange puts back on [his] broken watch from Christine
If you look closely the way the glass is broken on the watch
Matches up with the lines in the seal of Vishanti in the Sanctum window also this watch wraps around the wrist
Just like the green time spell that we saw so we're seeing that through this broken watch that time is something that no longer in
Slave strange now real quick this video was brought to you by the great people at Warby Parker
They have a selection of really cool frames for your glasses now if you ever catch me like squinting at the camera
it's because I wear
And they get super dried out from these hot lights or you know I run out and I have to wear glasses like that one
Humiliating time a couple [videos] back [now]
I wasn't a huge fan of those frames
And it's always hard to shop [for] new ones because the woman at the store is just like standing right there
And she's like those make you look cool and they [really] don't you just you know wants to make a sale?
And then I fall in love with her and it gets super awkward
But Warby parker is great because they offer a home
Tryon where they send you frames to try on for free on your own with your friends who will be like brutally honest with you?
I love it and since you viewers are my best friends whether you like it or not
I need your help deciding which frames to get so head to warby parker comm slash new Rockstars to see my current favorite frames and
Get started with your free home try on today
You can choose five frames that you'd like to try on mail the frames back choose your favorite pair or pairs to have your prescription
Added to and then order where we parker makes your [experience] completely risk-free
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Experience today, and when you go to the site comment on which frames that you like best for me?
And you'll be entered to win a $50 gift card to warby Parker will shoot it randomly, but you have to comment
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[alright] if you [liked] this video please hit like and subscribe to new Rock stars
For more of these videos and remember to check out my breakdown of the doctor strange
Post-Credit scenes if you haven't already you can also contribute to new Rock stars on Patreon big
Thanks to all of our current patrons. We love you guys, and you aren't currently contributing to us
You can start right [now] for as little as $1 a month every little bit helps and getting these videos out faster
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And bother them about when our videos are coming out alright. Thanks for watching bye
you
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(upbeat music)
- [Announcer] Joanna Stern is
trying to go big on TikTok.
If you're tired of not
knowing what TikTok is,
then you'll love watching
this clout-chasing millennial
get to the bottom of
the world's hottest app.
- You're not gonna be
famous if you don't do this.
- [Announcer] What's a TikTok mean?
What's a banger?
What's #FYP?
Try not to #cringe.
- [Joanna] Yeet!
- [Announcer] In this installment of
"I, a Millennial, Tried to
Make a Viral TikTok, a Banger?"
(groans)
- The reason I'm doing this is because
I want to be TikTok famous
because if you're not
TikTok famous in life,
what, really, are you?
Old, I guess, which is what I am.
A week ago, I set out
to make a viral TikTok
and discovered the world of TikTok memes.
- [Boy] I heard if you
give your dog an egg,
they know how to be super fragile with it,
so, Cash, here you go,
want to open your mouth?
Wow.
- But, before we get to that, TikTok.
I wasn't rolling.
TikTok is very hard.
Browser, don't eat the
raw egg, don't, stop.
TikTok is the video
sharing app killing, sorry,
dominating the lives of
every teenager right now.
It's all about making,
watching, and sharing
15 to 60 second videos, most with music.
Open the app and you're
in the for you feed.
This is an endless feed of videos
the algorithm thinks you'll like.
Keep swiping up and you
get more and more and more
and more and more and
more and more videos.
It's incredibly easy
to make your own video
and add music to it.
That means so many dancing
and lip-syncing videos.
But TikTok is much more than that now.
Memes are central to TikTok
and I blame them for why I got
completely hooked on the app.
A meme is really anything
that spreads on the internet
and that is iterated on or re-interpreted.
On TikTok, a meme can be
a song, a dance, a filter,
even a hashtag that lots
of people start to post.
But I just had to find out.
How do you make a viral TikTok?
(phone ringing)
Or what the kids call a--
- Be a banger on TikTok.
- Absolutely sheer bangers.
- Bangers, in my opinion, because they got
millions of views and yeah.
- A banger is like...
It's like--
- It's like a hit.
- Yeah, like.
- Yo, that's fire, that's a banger.
- That's a banger, yeah, like.
- [Joanna Voiceover] Just learning
what a banger was wasn't enough.
I needed to learn how to make one.
- See what's trending, like you want to go
to the for you page, you want to look at
what everyone is doing and
see what's popping, what's in.
- Honestly, I think that
the more relatable it is,
the better it is because,
yeah, I just think if people relate to it,
they're gonna love it,
they're just gonna eat it up.
- It's the simple stuff that go viral.
It's more about what caption you put.
The video could be trash,
if your caption's good,
the video's good (laughs).
- So with that, I set out to
make som TikToks of my own
by joining a couple of different memes.
So a thing I think is very funny on TikTok
is people are making their own shoes
and they're pairing the video
with Iggy Azalea's "Work."
♪ Walk a mile in theses Louboutins ♪
- So I'm making AirPod heels
with the most advanced tools
you could possibly get.
All my credibility is going
down the drain right now.
Now I need to set up
the shot of me walking.
Okay hit video, hit record.
Okay.
Okay.
I'm gonna strut it.
♪ Walk a mile in these Louboutins ♪
- Feeling really nice with these.
I'm thinking about wearing
them to the next Apple event.
(light music)
Within a few hours of posting it,
I had a hundred new
followers and 600 views.
But a far cry from a banger.
These ones look nice.
Come on.
I tried a few other popular
memes while I was at it,
like where you give your dog a raw egg
and another where you
put Mentos in Diet Coke.
Ah.
Those didn't exactly take off.
No!
How are you supposed to get
it in and then close it?
I had to try something else.
And I'd heard about collabing.
He just wants to lick it.
So I went to the pros.
I headed to Trenton, New Jersey
to meet the Splash Twinz,
two 17-year-olds who have 2.6
million followers on TikTok.
- I'm Shellie.
- I'm Ona.
- I'm Shellie.
- I'm Ona.
- I'm Shellie.
- I'm Ona.
- How often do you TikTok?
(laughs)
- A lot.
That's most of our day.
- Yeah.
- [Ona] Like, I'll be in class,
I'm not doing anything in class,
I'll just be in class with my AirPods in,
just scrolling through TikTok.
- The only time we're not on TikTok
is during basketball practice,
which is from 2:30 to 4:30.
I mean, school, too, in class, we're like,
if I've done my work--
- Yeah.
- I scroll through TikTok.
So we find ideas for lunch so
we can make videos at lunch.
- [Joanna] You think we can make a banger?
- Yeah.
- Yeah, we can make a banger.
- We can make a banger
here, right now, today.
- Shellie and Ona told me that the music
is core to the dances they pick.
(light music)
- [Shellie] So the try part,
so when you put this leg out,
this arm goes like that.
(light music)
- Okay, whoa, whoa.
- So this is like, one,
two, and then go back.
Yeah, yeah.
(girls laughing)
- They're so supportive and nice.
I just, let's keep
repeating it, I'm so sorry.
That's repetition of that.
After an hour, I finally had it down.
(light music)
(laughing)
I think that was it.
- Yeah, me too.
- [Joanna] I posted it and thanks to
the Splash Twinz's following,
I got 500 views in the first hour or so.
- [Shellie] That's good.
- I hearted already.
That tapered off and
it hit about 1500 views
in the next few days.
I also grew my follower
count to about 500.
It's all one big cycle.
A meme takes off, you riff
on it and post your own,
you keep checking the app for those
likes, shares, and views,
and then TikTok feeds you more
memes in your for you page
that you're probably gonna
want to join in on next.
It's been a week.
I made a lot of TikToks.
I made zero bangers.
But I learned a lot along the way
and the biggest thing I
think I've learned is that
TikTok really perpetuates or
accelerates the meme cycle
and it hooks you, big time.
- [Announcer] That's it
for this installment.
Tune in next time, where
Joanna Stern learns about
another thing teens are doing.
- Down, yeah.
- Yeah.
- So ready, set, go.
That's the whoa.
- That's the whoa.
Yeet.
(girls laughing)
- [Shellie] Great.
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Hi, I'm Ralph Baer. Well, I'm usually known as the
inventor of the video game, particularly the
console video game business.
We built a succession of seven models, the
last one of which we called the Brown Box
because it was covered by brown adhesive paper.
And then we went on a two year trek trying
to find somebody who would take a license
and actually produce something. That turned
out to be Magnavox.
COMMERCIAL VO: This is Odyssey, the new electronic
game simulator. You attach Odyssey to your
television set in seconds to create a
closed circuit electronic playground.
RALPH BAER: The Odyssey sold quite well. About
100,000 were sold the first year in '72. By
the end of life in '74, 350,000 Odysseys
were in homes. Not a bad start.
So several million people played video games by then.
COMMERCIAL VO: It's new from Magnavox. Odyssey.
RALPH BAER: For the last 30 years I've been
doing toys and games, some of which became
quite well known like Milton Bradley's Simon
game for example. But by and large I'm in
the same boat as other inventors. You know,
we come up with a lot of stuff, spend a lot
of time developing and building things, marketing
them, and if we're lucky out of 10 or 15 items
we do a year, maybe one or two of them will
wind up with a licensing agreement.
My measure of success isn't a proper explanation
of why I do what I do. First of all, my wife
died in 2006. She died on a Friday, on Monday
the President of the United States hung a
National Medal of Technology around my head.
She didn't make it.
So here I am. We built this house 53 years
ago. I rattle around in it alone. So what
do you expect me to do? All my friends, they're
all gone. I've outlived them all. I'll be
90 in March of next year. So what am I gonna
do? I need a challenge.
And I still get a big charge out of making
something work. I write the hardware, I push
a button, I download it into the microprocessor,
and it works. Aah. Beautiful. It's like I'm
basically an artist, right? I'm no different
from a painter who sits there and loves what
he does. Would you ask a guy who's been painting
all his life, "Why do you keep painting? Why
don't you retire?" Retire to what? I mean,
stop painting? This is insane. I mean, why
would you want to do that, right?
[laughs] So here I am.
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Portuguese:
Hoje vamos ver o cobre, e algo que olhando
o antigo vídeo, é um vídeo curto,
e não tem nenhum experimento nele. Então
fizemos algo um pouco mais prático.
O cobre é um elemento com o qual
as pessoas estão muito familiarizadas,
pq é um metal com uma cor caracterítica.
Tem uma cor avermelhada, que fica escura
quando forma-se óxidos.
É um metal bem macio, e vc pode cortar ele bem
facilmente. Se vc tiver um cortador
como este, com lâminas de aço.
Vai perfurar o metal e cortar.
Quando vc corta o metal, vc consegue esta
bela e brilhante superfície renovada.
Com uma cor igual à do cobre.
- Esta é uma bola de cobre metálico
Vc pode imaginar, como bolas de metal são,
é bem densa e pesada.
Steve me disse esta manhã, se tivessemos
uma bola deste tamanho, de plutônio,
English:
Okay weíre going to be looking today at copper.
This is something looking back at the old
video, itís a short video and there isnít
any experimentation in it so I thought weíd
do something a bit practical.
Copper is an element which people are very
familiar with because itís such a characteristic
coloured metal, sort of reddish colour, though
it gets darker when oxide forms. But itís
quite a soft metal and you can cut it quite
easily if you have a cutter like this which
has steel blades, it will just dig into the
metal and it should just cut off. When you
cut the metal you get this very nice, shiny,
fresh surface coloured just like copper.
This is a ball of copper, copper metal. As
you might imagine itís a ball of metal so
therefore it is quite dense and heavy. I mean
itís not as dense as, I think Steve told
me this morning, that if we had a ball this
size of plutonium he told me it would weigh
Portuguese:
ele me disse que teria um quilo e meio. Não
é tão pesada quanto isso, mas é bem densa.
Esta é uma amostra bem bonita de um
fio bem fino de cobre.
Qual espessura é isso, é...
0, ... muito pequeno.
É 0,1 mm.
- Ok, dentro do bequer, temos uma solução
chamada de tartarato de sódio e potássio.
Ainda não tem cobre, vou introduzir com isso
é uma solução de sulfato de cobre.
- O cobre é muito popular em
uso arquitetônico. Pq se vc colocar isto
no telhado das construções
ele reage com o dióxido de carbono no ar,
para dar uma bela cor verde.
Primeiro temos que aquecer isto a 50 oC.
E ao tartarato de sódio e potássio
precisamos adicionar
um peróxido de hidrogênio bem fraco, é
somente 3%.
English:
about a kilo and a half so he thought. So
itís not quite as heavy as that but still
itís pretty heavy and dense.
So this is a very, very nice sample of very
fine copper wire. So the copper wire here
is, what width is this? This isÖ phew! Point
zero, Iím not even going toÖthatís just
too small, so itís point one of a millimetre.
So inside the beaker weíve got a solution
called sodium potassium tartrate, so no copper
in there at the moment. Weíre going to introduce
that through this. This is a solution of copper
sulphate.
Copper is very popular for architectural use
because if you put it on the roofs of buildings
it then reacts, particularly with carbon dioxide
in the air, to give a very nice green colour.
First of all though we need to heat this to
about 50∞C, and to the sodium potassium
tartrate we need to add some very weak, hydrogen
peroxide so this is only 3% hydrogen peroxide,
English:
so in it goes. We need to make sure they mix
together which is why thereís a stirring
bar at the bottom there stirring away. Okay
so thatís stirring nicely, so as I said sodium
potassium tartrate and hydrogen peroxide and
we need to add only one mill so thatís 1cm3
of the copper sulphate.
The copper wire here is very, very high grade,
this is grade one copper wire and itís point
one of a millimetre in diameter and you can
see the wonderful copperas lustre coming off
the side there.
What do you mean by grade one copper?
So this is very high purity, this is like
99.99% copper, used for electronics fabrications
and high quality research samples.
Itís also used for electrical wiring, in
fact itís used so much that in a country
Portuguese:
Vamos lá.
Temos que misturar, por isto tem uma barra
de agitação, no fundo.
Ok, está agitando bem. Então, como eu
disse, tartarato de sódio e potássio,
e peróxido de hidrogênio, e precisamos
adicionar somente um 1ml, 1cm3.
Do sulfato de cobre.
- O fio de cobre aqui, é bem puro,
é um fio de cobre de grau 1, e tem
diâmetro de 0,1mm.
Vc pode ver o maravilhoso brilho do cobre.
- O que quer dizer cobre em grau 1?
É de alta pureza, é como 99,99% de pureza,
usado em fabricação de eletrônicos,
e em amostras com alta pureza
para pesquisa.
É também usado em fios para eletricidade,
de fato é tão utilizado
que em um país como a Inglaterra, cada pessoa
tem em torno de 175 quilos
Portuguese:
associado, com cada pessoa; em tubos, em
fios, e assim por diante.
O problema é, que em muitos outros países,
por exemplo, na China,
as pessoas tem muito menos cobre associado
com elas. Não tem muitos fios para eletricidade
nas partes rurais da China. E se todas
pessoas na China
tivessem a mesma quantidade de cobre
associada com elas
como na Inglaterra, ou na América, ou
Canadá,
não existiria cobre suficiente em todos os
depósitos conhecidos no mundo.
O cobre é necessário para a vida de plantas
e animais, usam cobre.
Mas tem uma doença, chamada Doença de Wilson,
na qual seu corpo não metaboliza bem o cobre,
É uma doença hereditária.
Pronto?
O que está acontecendo ali, é que está
produzindo bastante gás,
English:
like the UK each person has about 175 kilos
of copper associated with each person, in
the piping, the wiring and so on. The problem
is that in many other countries, for example
in China, people have very much less copper
associated with them, there isnít so much
electrical wiring in rural parts of China.
And if everybody in China had the same amount
of copper associated with them as those in
England or America or Canada there wouldnít
be enough copper in all the known deposits
around the world.
Copper is actually necessary for life, plants
and animals use copper. But actually you can
have a disease called Wilsonís disease which
basically your body canít metabolise copper
properly, itís actually an inherited disease.
Ready? Whatís going on there is itís producing
a lot of gas so itís reacting to form a complex.
Portuguese:
está reagindo para formar um complexo, indo..
em um complexo de tartarato de potássio...
Bem, está produzindo dióxido de carbono,
e oxigênio, principalmente oxigênio,
e é por isso que vc vê o borbulhamento.
e gerando óxido cuproso.
O cobre é encontrado como um metal,
em diversos lugares no mundo.
Acho que o nome veio da ilha de Chipre, no
meio do Mediterrâneo,
Mas o cobre sempre foi conhecido, mesmo
na pré-história,
quando as pessoas achavam pequenas
quantidade de cobre.
Mas quando usamos mais e mais cobre, as
pessoas precisam cavar minas
cada vez mais profundas.
A mina no Chile, onde aqueles mineiros
heróicos ficaram presos
por mais de dois meses, e então resgatados,
era uma mina de cobre.
E para conseguir o metal que queremos,
precisamos ir mais e mais fundo na Terra.
English:
And itís going from the potassium tartrate
complex there to well, its producing carbon
dioxide and oxygen, mainly oxygen gas is being
produced which is why youíre seeing the fizzing.
And itís become copper oxide, cuprous oxide
actually.
Copper is found as a metal lying around in
various places in the world. I believe the
name came from the island of Cyprus in the
middle of the Mediterranean, but copper has
always been know even in pre-historic times
people found small amounts of copper. But
as we use more and more copper people have
had to dig deeper and deeper mines. The mine
in Chile where those very brave miners were
entombed for more than two months and then
rescued was a copper mine. And to get the
metal that we need weíre going to have to
English:
go deeper and deeper and deeper into the earth.
So what weíve got in there now is cuprous
oxide itís copper 1 oxide. And itís actually
gone from what was a kind of clear see-through,
all right itís got a colour on it, but see-through
solution to something thatís very cloudy.
So what weíve got there is a precipitate
of copper oxide.
Copper is very good because it has very high
thermal and electrical conductivity. What
that means is that heat flows through it very
well and also electricity. If you make wires
for electrical transmission out of copper,
when the electricity goes through them you
get very much less heating than say if you
made the wires out of iron, and all this heating
is of course lost energy. Youíd do even better
if you made the wires out of silver, but silver
is too expensive.
Portuguese:
O que temos ali agora é óxido cuproso, então
é óxido de cobre (I).
E foi de um solução com cor de azul
do mar,
para algo bem turvo, e o que temos
é um precipitado do óxido de cobre.
O cobre é muito bom por ter alta
condutividade elétrica e térmica.
Isto significa que o calor flui muito
bem
e também a eletricidade. Se vc fizer fios
para transmissão de eletricidade
de cobre, quando a eletricidade passa por
eles,
vc obtém bem menos aquecimento, do que se
vc fizer o metal...
do que se vc fizer os fios de ferro. E todo
este calor é energia perdida.
Vc fará ainda melhor se fizer os fios
feitos de prata
Portuguese:
mas a prata é muito cara.
Ok. Vamos ver se mudamos esta reação,
no momento, iniciamos com 50,
está agora em 63, acho que está mais
quente do que quando mudou de cor.
Vamos ver se podemos inverter,
É do Serviço Geológico Britânico,
é bem perto daqui
é em Keyworth, eu acho. É um presente de
Natal do meu marido,
e eu peguei. Acho muito legal.
- Pq o teu marido pensou em dar isto de
presente de Natal?
- Ele sabe do que eu gosto!
Ele compra essas coisas, ele sabe que sou
como pássaro que coleta coisas brilhantes.
Este é meu cobre.
A cor está mudando gradualmente.
Indo do laranja para um amarelo leitoso.
Pode ver um um tipo de verde, agora.
English:
OK. So letís see if we can change this reaction
back. So at the moment it started out as being
about 50∞C and itís shot up to about 63∞C,
I imagine it was even hotter than that when
it originally changed colour. So weíll see
if we can take it back, Iíll put that back
in.
I actually bought this from the British Geological
Survey which is just down the road from here,
I think it is in Keyworth I think. And I just
saw this and it was a Christmas present from
my husband and I picked it out. I just think
itís really cool actually.
What did your husband think of getting that
as a Christmas present?
He knows what Iím like! So he buys these
things for me he knows Iím a bit of a magpie,
I like to collect shiny things, and pretty
things, thatís my copper.
So the colour is gradually changing, itís
gone from orange and now kind of a murky yellow.
Portuguese:
É uma mudança gradual, não é mudança
repentina e espontânea, de volta
ao azul, transparente.
Agora voltou para aquela solução clara.
Vc pode ver novamente, na barra de agitação,
todas as bolhas de oxigênio, e pouco CO2.
A maior parte dos organismos, vc e eu,
usam ferro no sangue, para transportar oxigênio.
É isto o que torna nosso sangue vermelho.
Mas em alguns tipos de crustáceos
caranguejos e lagostas, eles são diferentes.
Eles usam cobre, usam um composto
chamado hemocianina, é um composto azul
de cobre. O ciano é uma palavra
clássica para azul.
Então eles realmente tem sangue
azul. E esta hemocianina
usa dois átomos de cobre em cada
molécula para transportar o oxigênio
pelo corpo do caranguejo ou lagosta.
English:
You can see itís kind of green now. And again
a gradual change, it wasnít a sudden spontaneous
straight back to being blue and see-through,
you know clear. Now weíve got back to that
clear solution. And again you can see on the
stirrer bar all the bubbles of the oxygen,
little bit of C02 forming on that.
Most organisms, you and me, use iron in our
blood to transport oxygen, thatís what makes
our blood red. But in some sorts of crustaceans,
crabs and lobsters, theyíre different they
use copper. They use a compound called hemocyanin,
itís a blue compound of copper. Cyanine is
some classical word for blue. So they really
have blue blood. And these hemocyanin use
two atoms of copper in each molecule to transport
the oxygen around the body of the crab or
English:
lobster. But itís not nearly as good as haemoglobin,
so if you start running after a crab or lobster
it quickly gets tired compared to running
after a rabbit or something like that, which
can keep going faster than you can.
Portuguese:
Mas não é tão bom como a hemoglobina, e se
vc correr atrás de um caranguejo ou lagosta
ele rapidamente fica cansado. Comparado
a correr atrás de um coelho
ou algo do tipo, que pode ir mais
rápido do que vc consegue.
Traduzido por Prof. Dr. Luís Brudna
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Hello my name is Karina and I'm a
dermatology nurse at St John's Institute of
Dermatology. In this short video I'm
going to talk about scalp psoriasis and
some of the techniques you can use to
maximise the effectiveness
of your prescribed treatments.
Psoriasis is a
common condition that causes inflammation,
scaling and thickening of the skin. It can
be harder to treat on the scalp because
the hair hides it. The most commonly
prescribed treatments for psoriasis are
designed to reduce the inflammation in
the skin and the overproduction of skin cells.
These treatments include topical
steroids, coal tar formulations and
vitamin D derivatives and these come in
different formulations designed to use on the scalp.
Always wash and dry your
hands thoroughly before applying any
treatments, apply treatment to the scalp
section by section and gently massage
the treatment into the affected areas. If
you have long hair it may be helpful to
part the hair to facilitate this and if
you have someone at home to help that
might make it easier. Be careful not to
let the treatment run off the scalp onto
the forehead or neck and remember to
always wash your hands thoroughly afterwards.
These treatments are normally
used once a day but follow the
instructions of your doctor or nurse.
If your psoriasis has thick scale on top
it can be helpful to soften this to
gently remove it before using your
prescribed treatments. One way is to
apply emulsifying ointment or oil and
leave under a shower cap for a few hours
or overnight if possible. The emulsifying
ointment should be washed out with a
medicated shampoo and a flat comb can be
used to help manually remove any loose
scale avoid picking though as this can
make the psoriasis worse. This procedure
can be undertaken before applying your
prescribed treatment and as frequently as is required.
We hope you found this
video useful, if you'd like further
information please click on the link
below for our downloadable leaflet. Thank you.
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ELMO: Oh, hi, Norah!
NORAH JONES: Hi, Elmo.
ELMO: Whoa.
What's the matter, Norah?
NORAH JONES: Well, I was
supposed to meet my friend
today, the letter of the day?
ELMO: Oh.
NORAH JONES: Y never
showed up.
ELMO: What?
Norah's friend is the
letter of the day?
NORAH JONES: Yes.
The
letter Y. ELMO: Oh.
[MUSIC PLAYING]
NORAH JONES: (SINGING) I waited
till I saw the sun.
I don't know why
Y didn't come.
I thought we'd meet
and have some fun.
I don't know why
Y didn't come.
ELMO: Oh, poor Norah.
NORAH JONES: (SINGING) I don't
know why Y didn't come.
We had great times
I won't forget.
ELMO: That's good.
NORAH JONES: (SINGING)
Spelling words
like yarn and yet.
But now that Y has gone away,
how I yearn for yesterday.
I don't know what to do.
ELMO: Oh, that's not right.
Do you see what Elmo sees?
NORAH JONES: (SINGING)
I can't even spell--
I can't even spell you.
Not without him.
ELMO: Norah, Norah!
The letter Y!
NORAH JONES: Oh, yeah.
The letter Y. We used to spell
great words together.
ELMO: But, but, but--
NORAH JONES: We had
a lot of fun.
We spelled yogurt.
ELMO: Yeah, but--
NORAH JONES: Yodel.
ELMO: That's good, but--
NORAH JONES: Yarn.
ELMO: But--
but I--
NORAH JONES: Now I can't
spell anything.
I miss him.
ELMO: Oh, boy.
NORAH JONES: (SINGING) Something
had to make him run.
I don't know why
Y didn't come.
And now I'm feeling
sad and glum.
I don't know why
Y didn't come.
I don't know why Y
I didn't come.
I don't know why--
ELMO: But, but--
NORAH JONES: (SINGING)
Y didn't come.
ELMO: B-but, b-but Norah!
Norah, Norah, hello?
The Y did come.
NORAH JONES: He did?
ELMO: Yes!
Y: Yoo-hoo!
NORAH JONES: Y, you're here.
Y: Yep.
Oh, I'm sorry I'm late.
Can you forgive me?
NORAH JONES: Yes.
Y: Yippee!
ELMO: Yay!
NORAH JONES: Yay!
You think we can all
play together now?
Y: Y not?
[LAUGHTER]
Y: Hey, you want to yodel?
NORAH JONES: Sure.
ELMO: Yeah, let's yodel!
[ALL YODELING]
NORAH JONES: I can't
yodel, though.
Y: I can.
Y AND ELMO: [YODELING]
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Portuguese:
*nota: nesta canção existem algumas expressões idiomáticas sem equivalente 100% adequado em português
Vê-te bem no teu enorme sapato de metal
A lutar contra tantas crianças, não sabes o que fazer
Tens metal pesado, mas ser grande não é ser mau
Esta Capuchinho Vermelho é apenas demasiado radical
Espelho meu, espelho meu, quem é que vai perder tudo?
Chicoteia bem essas crianças, ou o teu berço vai cair
Porque estou viva, como uma marioneta com batida de coração
Estou em chamas, e a sair fora da escala
Vais acabar como aquele passarinho, no teu último piu
Estás a caminho de uma queda, e estás perto do fim
Spanish:
Mírate en tu gran zapato de metal
Luchando contra tantos críos que no sabes qué hacer
Llevas metal pesado pero grande no significa malo
Esta Caperucita simplemente es demasiado radical
Espejito, espejito, ¿quién va a perderlo todo?
Azota bien a esos niños o tu cuna se caerá
Porque estoy viva como una marioneta con un latido
Estoy que ardo y echo a volar desde la hoja de tiro
Vas a acabar como ese petirrojo con tu último pío
Te diriges a una caída y te acercas al final
Portuguese:
Te vi dentro da sua ''grande perna metálica''
Lutando com tantas crianças que não sabem o que fazem
Você tem um metal pesado mas ser grande não dá medo
Essa chapeuzinho vermelho é radical demais
Espelho, espelho meu, quem vai perder tudo?
Chicoteie profundamente essas crianças ou seu berço cairá
Porque estou viva
Porque eu estou viva
como uma marionete com batimento cardíaco
Estou em chamas
Estou em chamas
E estou voando acima das alturas
Você vai voar
Você vai voar
Pra cima como um pássaro em seu último assobio
Você está indo pra queda
Você está indo pra queda
E está próximo do final
Spanish:
Como una casa hecha de paja, nadie te volverá a levantar
Más te vale ser ágil y veloz
O te voy a romper los huesos a pedradas y palos
Corre, corre, corre, corre tan rápido como puedas
Más te vale pedir un deseo igual que el pescador
Cenizas, cenizas, adivina quién va a caer
Peleando en zapatos de cristal y te acabarás partiendo la coronilla
Y estoy al punto como una sopa templada
Voy a volar con los cisnes y a mostrar mi belleza
Brincaré como una comadreja hasta que te retires
El cielo se va a caer
Sentirás el dolor
Serías grandiosa y terrible pero sólo si tuvieras un cerebro
Brinca la comadreja, hora de derrotarte
Hickory dickory, victoria absoluta
Te cortaré la cola como a tres ratones ciegos
Portuguese:
Como uma casa de palha, ninguém te vai reparar novamente
Mais vale seres ágil, e rapidamente
Ou vou partir-te os ossos à pedrada e paulada
Corre, corre, corre, corre tão rápido quanto possas
É melhor pedires um desejo como o pescador
Cinzas, cinzas, adivinhem quem está a cair?
A lutar em sapatos de cristal
e estás confinado a partir a tua coroa
E eu estou no ponto
como uma papa de aveia à temperatura perfeita
Vou voar com os cisnes e mostrar a minha beleza
Vou brincar como uma doninha até que te retires
O céu vai cair
Tu vais sentir a dor
Serias óptimo e terrível, mas só se tivesses um cérebro
A brincar vai-se a doninha, está na hora de te derrotar
'Hickory dickhory', vitória perfeita
Vou esculpir-te a cauda como três ratos cegos
Portuguese:
Como uma casa feita de palha
Como uma casa feita de palha
Ninguém virá colar você novamente
Melhor ficar esperta e é bom você ser rápido
Ou eu vou quebrar seus ossos com pedras e galhos
Corra, corra, corra, corra o mais rápido que puder
É melhor você fazer um desejo como o pescador
Cinzas, cinzas adivinhe quem está caindo?
Lutando em sapatos de cristal e você está perto de quebrar sua coroa
E estou certa
E estou certa
Como um mingau na temperatura certa
Eu vou voar
Eu vou voar
Com os cisnes e mostrar minha beleza
Vai se estalar
Vai se estalar
Como uma doninha até você recuar
O céu vai cair
O céu vai cair
Você estará sentindo a dor
Você seria grande e má
Você seria grande e má
Mas apenas se você tivesse um cérebro
O estalo na doninha, hora de te derrotar
''O tempo passa'', vitória perfeita
('hickory, dickory dock', história infantil sobre o tempo)
Cinzele sua cauda como três ratos cegos
Portuguese:
Melhor prestar atenção, não vou dizer de novo
Provocando a rosie você não pode me opor
('rosie/[rosa]', pessoa ''extraordinária'' ou ''perfeita'')
Vou contar logo
Eu vim pra te derrubar
Você vai encontrar o seu fim em esplendor
Sem mais mentir
você me deve essa (cair)
Sua estrela não brilha, e você se arrepia
É uma cena sangrenta
apatia demoníaca
A Ponte de Londres caiu, você não fala e nem respira
As rodas no seu ônibus, acabaram quebrar
Uni duni te, hora de você morrer
Pegue eles pelos pés, não deixe que escape
Sem tempo para rezar, é o seu último dia
A-B-C-D, você não consegue me ver
Porque estou viva
Porque estou viva
Como uma marionete com batimentos cardíacos
Estou em chamas
Estou em chamas
E estou voando acima das alturas
Você vai voar
Pra cima como um pássaro em seu último assobio
Você está indo pra queda
E está próximo do final
Como uma casa feita de palha
Ninguém está te colocando juinto de novo
Portuguese:
É melhor prestares atenção, não o vou dizer duas vezes
Gira, gira a roda, tu não te consegues opôr a mim
Vou dizer-te agora, estou aqui para te derrotar
Vais encontrar o teu fim em esplendor
Acabou-se a farsa, resta a tua queda
A tua estrela não brilhará, restará enrugada
Ensanguenta a cena - um demónio de pesadelos
A ponte de Londres caiu, não podes fazer barulho
As rodas to teu autocarro - acabaram de ser esmagadas
Um, dó, li, tá: está na hora de morreres
Cara de amendoá, nunca te libertarei
Não há tempo para rezar, é o teu último dia
A-B-C-D, não me podes ver
Porque estou viva, como uma marioneta com batida de coração
Estou em chamas, e a sair fora da escala
Vais acabar como aquele passarinho, no teu último piu
Estás a caminho de uma queda, e estás perto do fim
Como uma casa de palha, ninguém te vai reparar novamente
Spanish:
Presta atención, no lo diré dos veces
Al corro de la patata, no puedes oponerte a mí
Te lo digo ya, estoy aquí para tumbarte
Encontrarás tu fin con esplendor
Se acabó la farsa, tu caída está pendiente
Tu estrella no brillará, te quedarás toda arrugada
Ensangrienta la escena, un demonio horripilante
El puente de Londres se ha caído, no puedes hacer ruido
Las ruedas de tu autobús, aplastados
Pito pito gorgorito, hora de que mueras
A la era verdadera, pin pan pun fuera
Sin tiempo para rezar, es tu último día
A-B-C-D, no puedes verme
Porque estoy viva como una marioneta con un latido
Estoy que ardo y echo a volar desde la hoja de tiro
Vas a acabar como ese petirrojo con tu último pío
Te diriges a una caída y te acercas al final
Como una casa hecha de paja nadie te volverá a levantar
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English:
Hey everyone
Welcome to another episode of
3 Minute Dota Hero Basics
I'm your host Shani
And today we're looking at one of
the tankiest supports in the game
Ogre Magi
He can make his allies stronger just
as much as he can lockdown his enemies.
Let's get started
>> This way. Thataway. <<
Ogre's first ability is called Fireblast
Ogre stuns and damages his target
for a short duration.
Remember, a stun prevents your enemy from
moving, casting abilities and using items.
So, use this when you want to bring
a target down
or to prevent an enemy from
killing an ally.
>> One down <<
Ogre's second ability is called Ignite
Ogre throws dangerous chemicals at
a target and another random
enemy unit in sight.
Turkish:
Merhaba millet
3 Dakikada Dota Kahraman Temelleri'nin
yeni bölümüne hoş geldiniz
Ben sunucunuz Shani
Bugün oyundaki en dayanıklı desteklerden
birini konuşacağız: Ogre Magi
Düşmanları etkisiz hale getirmekte de
dostlarını güçlendirmekte de iyidir.
Haydi başlayalım
>> Bu taraftan... Hayır, şu taraftan... <<
Ogre'ın ilk yeteneği Fireblast
Ogre hedefini kısa bir süreliğine
sersemleterek zarar verir.
Sersemletmek düşmanlarınızı hareket
etmekten, yeteneklerini ve eşyalarını
kullanmaktan alıkoyar.
Bu yeteneğinizi bir düşmanın işini
bitirmek için ya da dostlarınızı
öldürmelerini engellemek için
kullanın.
>> Biri gitti <<
Ogre'ın ikinci yeteneğinin
adı Ignite
Ogre hedeflediği bir düşmana ve görüş
dahilindeki rastgele başka bir düşmana
zararlı kimyasallar fırlatır.
Turkish:
Kimyasallar hedefin hareket hızını düşürür
ve ona zamana yayılmış hasar verir.
Zamana yayılmış hasar (Damage over Time)
ifadesini DoT şeklinde kısaltıyoruz.
Yani birinin DoT dediğini duyarsanız
anlayın ki birileri
zamana yayılmış hasar alıyor.
>> Bir tane daha <<
Ogre'ın üçüncü yeteneği Bloodlust
Ogre, dost bir birime ekstra hareket ve
saldırı hızı kazandırır.
Bloodlust dostlarınızın daha hızlı
kasmasına yardımcı olduğu gibi
takım savaşlarında karar verici rol
oynayabilir.
>> Yeniden <<
Ogre'ın son yeteneği, Multicast
adında pasif bir yetenektir.
Ogre herhangi bir yeteneğini kullandığında
kullanılan yeteneğin
tekrarlanma ihtimali var.
Bu pasif bir yetenek, bu nedenle eğer
Multicast tetiklenirse kullanılan büyü
otomatik olarak tekrarlanacaktır.
Ogre'ın her yeteneği Multicast ile
farklı bir şekilde etkileşir.
Fireblast aynı hedef üstünde tekrar eder.
Ignite, menzil dahilindeki başka bir çift
hedef üzerine uygulanır.
Ve Bloodlust, Ogre'ın ilk hedefinin
bulunduğu alandaki birden fazla dost
kahramanı etkileyebilir.
[3 Küçük İpucu:]
>> İşte bu, yetenek <<
English:
The chemicals reduce the targets movement
speed as well as damages them over time.
The damage over time is something we
abbreviate as DoT.
So if you hear someone say DoT, it just
means someone is taking damage over time.
>> And another <<
Ogre's third ability is called Bloodlust
Ogre grants and allied unit additional
movement speed and attack speed.
Bloodlust can help your allies farm faster
as well as make the difference
in teamfights.
>> Again <<
Ogre's ultimate is a passive ability
called Multicast
Each time Ogre casts a spell, the spell
has a chance of casting again.
This is a passive ability,
so if Multicast is triggered
the spell will just repeat automatically.
Each of Ogre's abilities interact
a bit differently with Multicast.
Fireblast can repeat on the same target.
Ignite can be casted to another pair
of targets in range.
And Bloodlust can be
casted on multiple allies
in the area of Ogre's initial target.
>> Now that's skill <<
English:
As one of the tankies heroes in the game,
Ogre can zone his enemies in lane.
You can place yourself between the creeps
and their tower.
Whenever the enemy approaches the creep
wave, feel free to hit them
since you can often prevent at least
one hero from approaching the creep wave.
Any damage they deal to you is damage they
are not dealing to your ally
who is peacefully farming the lane.
You can use your bloodlust on towers
as well as all allied units.
Consider Bloodlust'ing a tower when
the enemy is trying to take it down.
This will make it significantly tougher
for them to break through your defense.
You can actually Multicast items
as well as spells.
It can be a lot of fun to purchase a
(Hand of) Midas
and watch your gold go up like crazy.
Or purchase a Scythe (of Vyse) and turn
multiple enemies into
easy to kill pigs.
It's important to keep in mind that you
can only Multicast items on enemy units.
So don't worry about Multicast'ing
defensive items.
Alright ladies and gentlemen
That's it for Ogre.
Keep your strong heroes Bloodlust'ed
and hope you picked up some...
Turkish:
Ogre, oyundaki en dayanıklı
kahramanlardan biri olarak
kulvarda düşmanları uzak tutabilir.
Yaratıklar ile kule arasında bekleyip
düşman, yaratık dalgasına yaklaştığında
ona vurun.
Çoğu zaman en az bir kahramanı yaratık
dalgasına yaklaşmaktan alıkoyabilirsiniz.
Size verdikleri zarar,
kulvarda huzur içinde kasmaya
devam eden dostunuza
verilmemiş olacaktır.
Bloodlust'ınızı bütün dost birimler ve
kuleler üzerinde kullanabilirsiniz.
Bloodlust'ı düşmanlarınızın
almaya çalıştığı kule üzerinde kullanın.
Bu, savunmanızı kırmalarını oldukça
zorlaştıracaktır.
Aslında, eşyalar da büyüler gibi
Multicast'ten etkilenir.
Bir (Hand of) Midas alıp deli gibi altın
kazanmak eğlenceli olabilir.
Ya da bir Scythe (of Vyse) ile birden
fazla düşmanı
kolayca öldürülebilir domuzlara
dönüştürebilirsiniz.
Unutmayın ki sadece düşman üzerinde
kullanılan eşyalar Multicast'lenebilir.
O yüzden savunma eşyalarını
Multicast'lemeye uğraşmayın.
Evet bayanlar ve baylar
Ogre bu kadar
Güçlü kahramanlarınızı Bloodlust'lamayı
ihmal etmeyin
ve umarım biraz şey kazanmışsınızdır...
English:
>> Expertise! From the experts. <<
Turkish:
>> Uzmanlık. Uzmanlardan. <<
[Daha fazlası için takipte kalın]
[Bir dahaki sefere hangi kahramanı
görmek istersiniz?]
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Les inondations présentent non seulement une menace pour les maisons et les entreprises,
mais aussi pour les services essentiels, comme la distribution de l’eau potable et le traitement des eaux usées.
C’est pourquoi j’ai le plaisir d’annoncer aujourd’hui, au nom du gouvernement fédéral,
notre appui à deux projets qui aideront la Ville de Montréal à mieux gérer les eaux pluviales et les eaux usées en cas de fortes pluies.
Nous verserons plus de 54 millions de dollars pour permettre à la Ville de Montréal
de construire un total de cinq ouvrages de rétention des eaux pour diminuer les débordements lors de pluies abondantes
et éviter bien évidement, la surcharge des réseaux.
Saisissons les occasions qui se présentent d'investir ensemble Mme la Mairesse,
pour continuer d'améliorer la qualité de vie des citoyens de la grande région de Montréal.
Soyons ambitieux comme nous le sommes aujourd'hui dans nos objectif et nos actions quand on parle d'environnement.
Et continuions de travailler ensemble pour bâtir les infrastructures du 21e siècle qui sont modernes, résilientes et vertes.
Merci encore Mme la mairesse, plaisir d'être avec vous aujourd'hui.
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Wat is het?
Het is een paard dat rondliep in het niemandsland.
Wat voor paard?
Een wonderbaarlijk paard, als je het mij vraagt.
Engeland is in oorlog! We zijn in oorlog!
Ik beloof dat ik voor hem zal zorgen. Als me dat lukt, geef ik hem terug aan jou.
Hij is mijn paard, meneer.
'Geraakt door goedheid'
Kan je het je voorstellen om te vliegen over een oorlog?
En je weet dat je nooit naar beneden mag kijken.
Je moet vooruit kijken, of je raakt nooit thuis.
'Deze Kerst'
Het is een eer om naast jullie te rijden.
En mag elke man zichzelf en zijn land trots maken!
'Overleeft hoop'
Wees dapper!
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Professor Dave here, let’s talk about logarithms.
As we’ve been learning about different mathematical
operations, we’ve come to understand that
every operation has an inverse operation.
Addition has subtraction.
Multiplication has division.
But when it comes to exponentiation, it’s
not as simple as just taking a particular
root, because roots are exponents, they’re
just fractional exponents.
The square root of X squared is X because
of the rules of exponents, which tell us that
X to the two to the one half equals X to the
two times one half, which equals X to the
one, or simply X.
In actuality, the inverse operation of raising
something to an exponent involves using something
called a logarithm.
This fact can be demonstrated if we try to
find the inverse function of B to the X.
If we recall how to do this, we just swap
X and Y, and then try to solve for Y.
No root will allow us to do this.
Even if we took the Y root of both sides,
we would still get the Y root of X, and that
won’t help at all.
That’s where logarithms come in.
To solve for Y, we have to take the log base
B of both sides.
Log base B of X equals log base B of B to
the Y.
To understand why this works, let’s pause
here and quickly define logarithms.
Logarithms are different ways of expressing
exponential relationships.
When we say log base B of X equals Y, we are
saying that B to the Y equals X.
With logs, the base of the log raised to the
power of what’s on the other side of the
equals sign, will equal the number that the
log is operating on.
For example, log base two of eight equals
three, because two to the third is eight.
Log base five of twenty-five is two, because
five squared is twenty-five.
So going back to this, taking the log base
B of both sides will solve this equation,
because it’s as though we are saying that
B to the log base B of X equals B to the Y.
If B to this power equals B to this power,
then these two phrases must be equivalent,
and therefore Y equals log base B of X.
This is why logarithms are the inverse functions
of exponents, we have defined them to be so.
The only constraint on logarithmic functions
is that X must be positive, because there
is no way to raise any number to some power
and get a negative number, and B must be positive
but not equal to one, because one raised to
any exponent can only be one.
Now that we know what logarithms are, let’s
solve a few simple logarithmic equations.
How about log base two of sixteen equals X.
What this is asking is, two raised to what
power equals sixteen?
The answer is four, so X is four.
What about the log base four of X equals two.
What this is asking is, four squared equals
what?
The answer is sixteen, so X is sixteen.
What if we have log base X of eighty-one equals
four.
This is asking, what number, raised to the
fourth power, equals eighty-one?
The answer is three, because we get three,
nine, twenty-seven, eighty-one.
So we should be able to solve simple logarithmic
equations with a variable in any of these
three positions.
We should also be able to convert between
exponential and logarithmic forms of functions.
If we have B squared equals nine, we should
be able to write this as log base B of nine
equals two, because this is the same as this
base B being raised to the second power to
get this number, nine.
Evaluating logs can sometimes seem a little
tricky, but you just have to think critically.
If you see something like log base seven of
one over forty nine, don’t get tripped up,
just think, raising seven by what power will
give me one over forty nine?
This must be negative two, because seven to
the negative two is the same as one over seven
squared, which gives us one over forty nine.
Let’s also quickly look at some graphs of
logarithmic equations.
We know what two to the X looks like, and
we learned earlier that the inverse function
of two to the X must be log base two of X.
We also know that to graph a function’s
inverse, we reflect it across the line Y equals
X, so that all the points swap their coordinates,
and that means that log base two of X must
look like this.
Now instead of having a domain that includes
all real numbers, it is the range that includes
all real numbers, because the base can be
raised to any exponent.
However, the domain includes only positive
real numbers, because raising the base to
any exponent will always produce a positive
number, so this function stays to the right
of the Y axis.
Note that just the way two to the X passes
through the point zero, one, log base two
of X passes through the point one, zero.
As we approach this vertical asymptote from
the right, the function approaches negative
infinity, and as we go towards positive infinity,
the function goes towards positive infinity.
Then from here, we can apply the transformations
we already know.
Adding or subtracting a number outside of
the log produces a vertical shift.
Adding or subtracting a number inside the
log will produce a horizontal shift.
A negative sign on the whole logarithmic term
reflects the function across the X axis, but
if it is in here, on the X itself, the function
is reflected across the Y axis.
And lastly, coefficients outside and inside
the log produce vertical and horizontal stretches
respectively.
Let’s check comprehension.
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Portuguese:
O que significa "ter" um Bitcoin?
Muitos já ouviram falar que é uma moeda completamente virtual
sem governo que a controle
e que nenhum banco precisa gerenciar contas e verificar transações.
e também que ninguém realmente sabe quem a inventou.
'QUEM É ESSE?'
e ainda, ninguém sabe a resposta para essa pergunta,
pelo menos, não totalmente.
Para chegar lá, e ter certeza que os detalhes técnicos
por baixo da resposta sejam interessantes
O que faremos será ir passo a passo, como você,
poderia ter inventado sua própria versão do Bitcoin.
Vamos iniciar com você mantendo registro de pagamentos junto de seus amigos
usando um registro (livro-caixa) comum, e então,
conforme você passa a confiar nos seus amigos e no mundo ao redor cada vez menos,
E se você é esperto o bastante para usar algumas ideias da criptografia
para tentar contornar a necessidade de confiança
você chegará ao que é chamado de Cripto moeda.
Bitcoin é apenas o primeiro exemplo implementado de uma cripto moeda
Korean:
한글 자막 by
[email protected]
비트코인을 *소유*하고 있다는 건 어떤 의미일까?
비트코인은 순전히 디지털로만 만들어진 화폐라는
이야기를 들어본 적이 있을거야.
비트코인은 발행하는 정부 주체도 없고,
계좌를 관리해주고 거래 내역을 확인해 주는
은행조차도 필요 없다고 하지.
사토시 나카모토라는 사람이 만들었다고 되어 있지만,
그가 누구인지는 정확히 알려져 있지 않아.
비트코인을 *소유*하는 것이 어떤 의미인지,
일부라도 아는 사람들은 많지 않아.
그 의미를 이해하고,
그 안에 담긴 기술적인 세부 사항을
확인해보는 것은 쉽지 않은 일이지만,
차례차례 한 번 알아보자구!!
여러분이 직접 비트코인을 만들었다면
어떻게 만들었을까?
먼저 친구들과의 금전 거래 내역을
공동의 장부에 기록해야겠지.
이제부턴 장부를 믿으면 되니까, 친구들과
세상에 대한 신뢰의 필요성은 점점 줄어들거야.
암호학에서 몇 가지 아이디어를 가져와서
그런 신뢰가 없어도 장부로 거래를 운영할 수 있다면,
그 거래에 사용된 화폐를
"암호화 화폐"라고 부르게 되지 않을까?
비트코인은 가장 먼저 만들어진 암호화 화폐야.
Czech:
Co vlastně znamená "vlastnit" Bitcoin?
Spousta lidí slyšela o Bitcoinu,
že jde o plně digitální měnu, kterou nevydává žádná vláda,
že není potřeba ani banky aby spravovala účty a ověřovala transakce
a také, že nikdo pořádně nezná člověka, který Bitcoin vynalezl.
Satoshi Nakamoto - Kdo to je?
Většina lidí nezná odpověd na tuto otázku, aspoň ne přesnou odpověď.
Abychom to osvětlili
a zároveň aby vás technické detaily potřebné k vysvětlení neodradily,
budeme postupovat krok za krokem
a vysvětlíme, jak jste si vy sami mohli vynalézt svou vlastní verzi Bitcoinu.
Začneme tím, že si vedete záznamy plateb mezi známými pomocí účetní knihy.
Postupně budete svým přátelům a celému světu věřit méně a méně
a pokud jste natolik chytrý, že dokážete využít pár nápadů z kryptografie
k tomu, aby se dala obejít potřeba prosté důvěry,
skončíte u toho, čemu se dnes říká kryptoměna.
Víte, Bitcoin je pouze první funkční příklad kryptoměny.
Indonesian:
Apakah artinya *mempunyai* Bitcoin?
Banyak orang telah mendengar Bitcoin bahwa
itu adalah mata uang digital yang tidak memperlukan pemerintah untuk mengeluarkannya;
dan tidak memerlukan bank untuk mengatur akun dan memverifikasi transaksi;
dan juga bahwa tidak ada orang yang tahu siapa yang menciptakannya.
Namun, banyak orang tidak tahu jawaban atas pertanyaan ini, setidaknya tidak secara penuh.
Untuk kesana,
untuk memastikan bahwa rincian teknis yang mendasari jawabannya benar-benar terasa termotivasi,
apa yang akan kita lakukan adalah dengan mencari tahu satu demi satu
bagaimana Anda mungkin bisa menciptakan Bitcoin versi Anda sendiri.
Kami akan mulai dengan Anda melacak pembayaran dengan teman Anda menggunakan buku besar (buku kas) umum.
Dan kemudian, saat Anda mulai mempercayai teman Anda, dan dunia di sekitar semakin berkurang mempercayai Anda,
dan jika Anda cukup pintar untuk membawa sedikit ide dari kriptografi (ilmu persandian)
untuk membantu menghindari kebutuhan akan kepercayaan
cara terakhir yang Anda pakai adalah yang bernama "cryptocurrency" (mata uang kripto).
Anda lihat, Bitcoin hanyalah contoh mata uang kripto yang pertama kali diimplementasikan.
Modern Greek (1453-):
Τι σημαίνει η "κατοχή" ενός Bitcoin;
Πολλοί άνθρωποι έχουν ακούσει το Bitcoin ως
ένα πλήρως ψηφιακό νόμισμα, χωρίς κάποια κυβέρνηση να το εκδίδει
και χωρίς τράπεζες για την διαχείριση λογαριασμών και την επαλήθευση συναλλαγών
και επίσης, κανένας πραγματικά δεν ξέρει ποιος το εφηύρε
Και ακόμα, πολλοί δεν ξέρουν την απάντηση σε αυτή την ερώτηση, τουλάχιστον ολόκληρη
Για να φτάσουμε εκεί
και για να βεβαιωθούμε ότι οι τεχνικές λεπτομέρειες που διέπουν την απάντηση είναι πραγματικά κίνητρα,
αυτό που θα κάνουμε είναι να πάμε βήμα προς βήμα
στο πως θα μπορούσατε να δημιουργήσετε την δική σας εκδοχή του Bitcoin
Θα ξεκινήσουμε με εσάς, με την καταγραφή των πληρωμών με τους φίλους σας σε ένα κοινόχρηστο βιβλίο
Και τότε, όσο αρχίζετε να εμπιστεύεστε τους φίλους σας και τον κόσμο γύρω σας όλο και λιγότερο
και αν είστε αρκετά έξυπνος ώστε να φέρετε μερικές ιδέες από την κρυπτογραφία
για να ξεπεραστεί η ανάγκη για εμπιστοσύνη
καταλήγετε σε αυτό που ονομάζουμε "κρυπτονόμισμα"
Βλέπετε, το Bitcoin είναι απλώς ένα υλοποιημένο παράδειγμα ενός κρυπτονομίσματος
Hungarian:
Mit jelent az, hogy *van* Bitcoinom?
Sokan halloták a Bitcoinról hogy
ez egy teljesen digitális pénz amit nem egy állam kormánya bocsát ki;
és amihez nincs szükség bankokra hogy kezeljék a számlákat és ellenőrizzék a tranzakciókat;
és hogy senki sem tudja igazán, hogy ki volt a feltalálója.
Sokan nem ismerik a választ erre a kérdésre, legalábbis nem teljesen.
Ahhoz, hogy megértsük,
és hogy a megoldáshoz vezető technológiai részletek valóban motiváljanak,
ahhoz lépésről lépésre végig fogunk menni azon hogy
te hogyan találnád fel a te saját változatodat a Bitcoinból.
Azzal fogjuk kezdeni hogy nyomonkövetjük az barátaitok közötti pénzmozgásokat egy közösségi főkönyvben.
Majd idővel, amikor egyre kevésbé bízol a barátaidban és a körülötted lévő világban,
és ha elég okos vagy hogy felhasználj néhány ötletet a kriptográfiából
hogy kiküszöbölhesd a bizalom szükségességét,
akkor idővel eljutsz ahhoz amit úgy hívunk hogy "kriptopénz".
Amint látod, a Bitcoin csak az első megvalósított példája a kriptopénznek.
Vietnamese:
* Có * được một Bitcoin có nghĩa là gì?
Nhiều người đã nghe rằng Bitcoin
là một đồng tiền kỹ thuật số mà không được phát hành bởi bất kì một chính phủ nào,
và vì vậy không cần đến ngân hàng để quản lí tài khoản và xác minh các giao dịch;
thế nên không ai thực sự biết người đã phát minh ra nó.
Cho đến bây giờ, có nhiều người không biết câu trả lời đầy đủ cho câu hỏi này.
Để trả lời đầy đủ câu hỏi này,
và để đảm bảo rằng các chi tiết liên quan đến chuyên môn của câu trả lời thực sự được làm rõ,
những gì chúng ta sẽ làm là từng bước tìm hiểu
cách bạn có thể đã phát minh ra phiên bản Bitcoin của riêng mình.
Ta sẽ bắt đầu với việc ban theo dõi các khoản thanh toán với bạn bè bằng một sổ cái chung.
Và sau đó, khi bạn bắt đầu mất niềm tin vào bạn bè và thế giới xung quanh mình.
và nếu bạn đủ thông minh để đưa ra một vài ý tưởng về viết mã (cryptography)
để gạt bỏ đi sự cần thiết của niềm tin giữa người với người,
thì bạn sẽ lập nên được một thứ gọi là "cryptocurrency" (đồng tiền mã hóa).
Bạn thấy đó, Bitcoin chỉ là ví dụ thực đầu tiên của một cryptocurrency.
Arabic:
ما الذي يعنيه أن "تمتلك" بِيتْكُوْيْن؟
لقد سمع الكثير من الناس عن البِيتْكُوْيْن بأنها
عملة رقمية بالكامل، دون وجود حكومة لإصدارها،
و أنه لا حاجة للبنوك لإدارة الحسابات والتحقق من المعاملات،
وأيضًا لا أحد يعرف حقًا من الذي اخترعها.
ومع ذلك، الكثير من الناس لا يعرفون الإجابة الكاملة على هذا السؤال.
للوصول الى الإجابة،
وللتأكد من أن التفاصيل التقنية الكامنة وراء هذه الإجابة مُحفِّزة،
ما سنفعله هنا هو السير خطوة بخطوة
في كيفية اختراع نسختك الخاصة من بيتكوين.
سنبدأ معك بتتبع المدفوعات بين أصدقائك باستخدام سجل مشترك،
وبعد ذلك، إذا بدأت ثقتك بأصدقائك وبمحيطك تقل أكثر فأكثر،
وإذا كنت ذكيًا كفايةً للمجيء ببعض الأفكار من علم التشفير
لتساعدك على التهرب من ضرورة هذه الثقة،
سينتهي بك الأمر بِما يُسمَّى "العملة المشفَّرة"
كما ترى، البيتكوين هي مجرد أول مثال عمليّ على العملات المشفرة
Polish:
Co to znaczy mieć 1 Bitcoin?
Wszyscy z nas słyszeli, że Bitcoin
to waluta cyfrowa, bez wspomagania rządowego,
bez kontroli banku co do dokonanych transakcji,
oraz to, że nikt właściwie nie wie, kto ją wynalazł.
Nadal duża część osób nie zna odpowiedzi na to pytanie, a przynajmniej nie w pełni wyczerpującej.
Żeby to zrozumieć
i mieć pewność, że techniczne założenia są nieodzowne
przejdziemy krok po kroku po tym,
jak TY mógłbyś utworzyć własną wersję Bitcoina.
Zaczniemy od tego, że zapisujesz wymianę gotówki ze znajomymi w jakiejś księdze opłat.
Potem, jak zaczniesz coraz mniej ufać swoim znajomym i światu,
a jeśli jesteś na tyle sprytny, aby wprowadzić kilka pomysłów z kryptografii,
aby ominąć konieczność zaufania,
skończysz z czymś co nazywa się „kryptowalutą”.
Widzisz, Bitcoin jest tylko pierwszym zaimplementowanym przykładem kryptowaluty.
Italian:
Cosa significa "possedere" un Bitcoin?
Quello che si sente spesso sul Bitcoin è che
si tratta di una moneta completamente digitale, senza un governo che la distribuisca
e che nessuna banca ha bisogno di gestire account e verificare transazioni
e anche che nessuno sa veramente chi l'ha inventata.
Tuttavia, molte persone non sanno la risposta a questa domanda, almeno non completamente.
Per arrivare a capire
e per assicurarci che i dettagli tecnici siano effettivamente motivati,
quello che faremo è procedere passo dopo passo
in come potresti aver inventato la tua versione del Bitcoin
Iniziando con il tener traccia dei pagamenti con i tuoi amici utilizzando un libro mastro comune.
e poi, quando cominci a fidarti dei tuoi amici e del mondo sempre di meno
e se sei furbo abbastanza da integrare alcune idea dalla crittografia
per aiutare a eludere il bisogno di fiducia
quello che ottieni è una criptovaluta
Vedi, Bitcoin è solo il primo esempio implementato di criptovaluta
German:
Was bedeutet es einen Bitcoin zu *haben*?
Viele Leute haben von Bitcoins gehört.
Dass sie eine komplett digitale Währung sind, ohne Regierung, die sie herausgibt.
Dass keine Banken sie verwalten und Transaktionen verifizieren müssen.
Und dass niemand so richtig weiß, wer sie erfunden hat.
Und dennoch können viele Leute diese Frage nicht beantworten, zumindest nicht vollständig.
Um das zu können,
und um sicher zu gehen, dass die technischen Details, die der Antwort zugrunde liegen, einleuchtend sind,
werden wir Schritt für Schritt durchgehen
wie du deine eigene Version der Bitcoins hättest erfinden können.
Wir beginnen mit dir und ein paar Freunden. Ihr haltet alle Zahlungen auf einem gemeinschaftlichen Bestandsbuch fest.
Wenn du dann deinen Freunden und der Welt um euch herum weniger und weniger vertraust
und wenn du clever genug bist ein paar Ideen aus der Kryptografie einzubringen
um die Notwendigkeit von Vertrauen zu umgehen
dann wirst du bald etwas haben, das man "Kryptowährung" nennt.
Bitcoin ist das erste Beispiel einer implementierten Kryptowährung.
Lithuanian:
Ką reiškia *turėti* bitkoiną?
Daugelis žmonių girdėjo apie Bitkoiną, kad
tai pilnai skaitmeninė valiuta, kuri neturi centrinės ją leidžiančios valdžios;
ir kad jokiems bankams nereikia tvarkyti sąskaitų ir tikrinti transakcijų;
ir taip pat, kad niekas tikrai nežino, kas jį iš tikro išrado.
Ir visgi, daugelis žmonių nežino atsakymo į šį klausimą, bent jau ne pilnai.
Kad tai atsakytume,
ir, kad būtume tikri, kad techninės detalės esančios atsakyme jaustųsi motyvuotos,
ką mes padarysim, tai praeisime žingnis po žingsnio
kaip tu galėjai išrasti savo paties Bitkoino versiją.
Pradėsime tuom, kad tu ir tavo draugai sekate savo mokėjimus naudodami bendruomenės apskaitos knygą.
Ir tada, kai pradedi pasitikėti savo draugais ir pasauliu aplink tave vis mažiau ir mažiau,
ir jei esi pakankamai gudrus pridėti keletą kriptografijos idėjų,
kad apeitum pasitikėjimo reikalingumą -
tai, ką sukursi, yra vadinama "kriptovaliuta".
Matai, Bitkoinas tėra pirmas implemetuotas kriptovaliutos pavyzdys.
Spanish:
¿Qúe significa tener un Bitcoin?
Mucha gente ha oido del Bitcoin que
es una moneda completamente digital sin ningun gobierno que la emite
y que no necesita de bancos que administren las cuentas y verifiquen transacciones
y también que nadie sabe de verdad quien la inventó
Aun así mucha gente no conoce la respuesta a esta pregunta, al menos no en su totalidad
Para llegar ahí,
y para asegurarnos de que los detalles técnicos subyacentes son entendidos
lo que vamos a hacer es hacer un paso
de como podrías haber inventado tu propia versión de Bitcoin
Empezaremos controlando los pagos con tus amigos usando un libro de cuentas comunitario
Y entonces, a medida que empiezas a desconfiar de tus amigos y tu entorno mas y mas,
y si eres lo suficientemente listo como para introducir algunos de conceptos de criptografía
para ayudar a evitar tener que confiar en ellos
terminas con lo que es conocido como una criptomoneda
Verás. Bitcoin es solo el primer ejemplo de la implemetación de una criptomoneda
Japanese:
ビットコインを「持つ」とはどういうことか?
多くの人がビットコインのことを、
政府が発行しないデジタル通貨で、
銀行も一切関与しないものだと理解している。
加えて誰も考案者の正体を知らない。
この疑問に対する、完璧な答えを知っている人は多くない。
完璧な答えとその根底にある技術的な要素を実感してもらうために、
着実に順序立てて説明するので、
ビットコインの変種を自分で作れるレベルにまで頑張って理解してほしい。
元帳を使って友達との支払いの様子を記録することから始まり、
次第に友達を含めた周囲すべてを信じなくなり、
暗号論に準じた解決策をシステムに付け加えることで、
性善説に頼る必要性を減らし、
最終的に暗号通貨と呼ばれるものになる。
承知の通り、ビットコインは最初に運用が始まった暗号通貨であり、
iw:
מה זה אומר ש-"יש לך ביטקוין"?
ביטקוין התפרסם כמטבע דיגיטלי לגמרי
שאף ממשלה לא מנפיקה אותו
ושלא נדרש אף בנק כדי לנהל חשבונות ולאשר עסקאות שנעשו בעזרתו
וגם, כי אף אחד לא באמת יודע מי המציא את אותו
ובכל זאת, הרבה אנשים לא יודעים את התשובה לשאלה זו, לפחות לא במלואה.
כדי להגיע לשם,
וכדי לוודא כי הפרטים הטכניים שבבסיס התשובה מובנים היטב,
אנחנו עומדים לעבור שלב אחר שלב על התהליך בעזרתו
הייתם ממציאים גרסא משלכם לביטקוין.
נתחיל בתיאור שלכם עוקבים אחר החלפות כספיות בינכם לבין חבריכם בעזרת ספר חשבונות קהילתי.
ואז, ככל שהאמון שלכם בחברים שלכם ובעולם מסביבכם הולך ופוחת,
ואם אתם חכמים מספיק כדי להביא כמה רעיונות מתחום הקריפטוגרפיה
כדי לעזור לעקוף את הצורך באמון,
בסוף תקבלו את מה שנקרא "מטבע מבוזר".
אתם מבינים, ביטקוין הוא רק הדוגמא המיושמת הראשונה של מטבע מבוזר.
Russian:
Что это значит — владеть Биткоином?
Многие слышали, что Биткоин — это полностью цифровая валюта,
не выпускаемая ни одним государством,
и что для управления счетами и подтверждения операций не нужен банк;
а ещё что никому не известно, кто изобрел его на самом деле.
Тем не менее, точно ответить на наш вопрос могут далеко не все.
Чтобы прийти к ответу
и убедиться, что технические особенности Биткоина и вправду играют важную роль,
мы шаг за шагом рассмотрим,
как вы могли бы изобрести собственную версию Биткоина.
Для начала представьте, что вы с друзьями записываете все платежи в общий журнал.
Но потом вы все меньше доверяете друзьям, да и вообще всему миру,
и если вы догадаетесь применить некоторые идеи криптографии,
чтобы не основываться только на доверии,
вы и получите так называемую «криптовалюту».
Биткоин — это всего лишь первое воплощение криптовалюты.
Turkish:
Bitcoine *sahip olmak* ne demek?
Bir çok insan Bitcion'in
Devletle ilgili sorunlar olmadan tamamen dijital bir para birimi olduğunu;
Ve para transferlerini onaylamak için bankalara gerek olmadığını;
ayrıca kimsenin gerçekten kimin icat ettiğini bilmediğini duymuştur.
Yine de, çoğu kişi bu sorunun cevabını bilmiyor, en azından tam olarak.
Buraya gelene kadar
ve teknik detayların altında yatan cevapların tatmin edici olduğundan emin olmak için
yapacağımız şey adım adım gitmek olacak.
Kendi vesiyonunuz olan Bitcoin'i nasıl icat edebilirdiniz
Arkadaşlarınla aranızdaki ödemeleri tutan ortak bir defterle başlayalım.
Gittikçe arkadaşlarınızın sözlerine ve çevrenize daha az güvenmeye başlarsınız.
ve eğer "şifreleme"den bir kaç fikir alabilecek kadar akıllıysanız
güvenme ihtiyacınıza çözüm olacak şeye
"cyrptocurrency" deniyor
Bitcoin cyrptocurrency'nin uygulanmış ilk örneğidir.
English:
What does it mean to have a bitcoin?
Many people have now heard of bitcoin, that’s
it’s a fully digital currency, with no government
to issue it and no banks needed to manage
accounts and verify transactions.
That no one actually knows who invented it.
Yet many people don’t know the answer to
this question, at least not in full.
To get there, and to make sure the technical
details underlying this answer feel motivated,
we’re going to walk through step-by-step
how you might have invented your own version
of Bitcoin.
We’ll start with you keeping track of payments
with your friends using a communal ledger.
Then, as you trust your friends and the world
less and less, and if you’re clever enough
to bring in a few tools of cryptography to
help circumvent the need for trust, what you
end up with what’s called a “cryptocurrency”.
French:
Que signifie avoir un Bitcoin ?
De nombreuses personnes ont entendu parler de Bitcoin
que c'est une monnaie entièrement numérique sans aucun gouvernement derrière
et qui n'a pas besoin de banque pour gérer les comptes et vérifier les transactions
et aussi que personne ne sait vraiment qui l'a inventé
Et aujourd'hui encore les gens ne connaissent pas la réponse à cette question
Du moins pas complètement
Pour entre là dedans et afin de s'assurer que les détails techniques sous-jacents à la réponse
apparaissent motivés, ce que nous allons faire c'est d'avancer pas à pas
à travers la façon dont vous vous y prendriez pour inventer votre propre
version de Bitcoin.
Nous commencerons avec vous gardant la trace des paiements avec vos amis utilisant un livre de compte commun.
Et ensuite comme vous commencez à avoir de moins en moins confiance en vos amis et au monde autour de vous
qui utilise ce livre de compte commun et si vous êtes suffisamment intelligent
pour amener quelques idées issues de la cryptographie pour aider à contourner
le besoin de confiance alors ce que vous obtenez
est ce qu'on appelle une crypto-monnaie
Vous voyez Bitcoin est juste le 1er exemple
d'implémentation d'une crypto-monnaie. Et maintenant il y en a des
Chinese:
「擁有」一枚比特幣究竟意味著什麼?
很多人都聽說過比特幣
它是一種數字貨幣,並不需要特定政府發行
也不依賴銀行來管理帳戶及驗證交易
甚至都沒有人真正知道其發明者
很多人都不知道片頭提及的那個問題的答案
至少不全然瞭解
想要搞清楚,同時也為了讓
比特幣背後的技術細節顯得直觀
我們將從你會如何發明自己的比特幣來一步一步地說明
首先我們從你用於記錄你與好友們交易的公共帳本開始
然而你與好友及世界上的其他人的互信開始逐漸降低
但聰明的你引入了密碼學中的某些概念來解決信任危機
你就創造了一種新事物,叫做「加密貨幣」
比特幣只是第一個被廣泛應用的加密貨幣的例子
Chinese:
“拥有”一枚比特币究竟意味着什么?
很多人都听说过比特币
它是一种数字货币,并不需要特定政府发行
也不依赖银行来管理账户及验证交易
甚至都没有人真正知晓其发明者
很多人都不知道片头提及的那个问题的答案
至少不全了解
要想搞明白,同时也为了让
比特币背后的技术细节显得直观
我们将从你会如何建立比特币的过程中一步一步地说明
首先我们从你用于记录你与好友们交易的公共账本开始
然而你与好友及世界上的其他人的互信开始逐渐降低
但聪明的你引入了密码学中的某些概念来解决信任危机
你就创造了一种新事物,叫做“加密货币”
比特币只是第一个被广泛应用的加密货币的例子
Lithuanian:
Ir dabar yra tūkstančiai kitų biržose su tradicinėmis valiutomis.
Eiti kelią išrandant savo kriptovaliutą gali padėti pagrindus
kai kurių visai neseniai pasirodžiusių žaidime veikėjų supratimui,
ir kada ir kodėl yra vietos skirtingų dizaino/projektavimo pasirinkimų atpažinimui.
Iš tiesų, viena iš priežasčių, kodėl pasirinkau šią temą yra tai,
kad per paskutinius metus atsirado didžiulis kiekis dėmesio ir investavimo
ir, na, nuoširdžiai nepagrįsto susijaudinimo (hype'o) nukreipto į šias valiutas.
Ir aš neketinu komentuoti ar spekuliuoti apie dabartinius ir ateities valiutos kursus,
bet manau mes visi galime sutarti, kad
bet kas, planuojantis pirkti kriptovaliutą, turėtų iš tikro žinoti, kas tai yra.
Ir aš neturiu galvoje supratimo palyginimais, su neaiškiais ryšiais su aukso kasimu;
turiu galvoje tikrą tiesioginį aprašymą, ką kompiuteriai daro
kai mes siunčiame, gauname ir sukuriame kriptovaliutas.
Vienas dalykas vertas pabrėžti, beje, yra tai,
kad nors mes čia ir įsigilinsime į detales,
ir tai užtruks vertingą laiką,
tau iš tikro nereikia žinoti šių detalių, jei tenori naudoti kriptovaliutą,
Portuguese:
e agora há milhares outras em trocas com moedas tradicionais.
Tentar criar a sua própria vai ajudar a mostrar o básico
para entender um pouco das moedas mais recentes,
e reconhecer quando e por quê há mais espaço para diferentes escolhas.
Na verdade, um dos motivos para ter escolhido este tópico foi que no último ano
houve uma enorme quantidade de atenção e investimento e,
bem, honestamente, 'hype", direcionado às cripto moedas
e não vou comentar ou especular
no presente ou futuro valor de troca, mas eu acho que todos concordamos
que qualquer pessoa querendo comprar cripto moedas
deveria realmente saber o que são, e não digo apenas
por analogias e vagas conexões a mineração de ouro
digo uma descrição real e direta
do que os computadores estão fazendo quando nós enviamos, recebemos e criamos cripto moedas.
É importante reforçar aliás, que apesar
de nós entrarmos nos detalhes aqui
e isso requerer tempo significativo
você não precisa saber desses detalhes se você só quer usar as cripto moedas
Russian:
А сейчас тысячи других криптовалют обмениваются на реальные валюты на биржах.
Разбор того, как вы могли бы изобрести свою криптовалюту,
поможет понять действия новых ключевых игроков рынка
и осознать, зачем нужно разнообразие решений в разработке.
На самом деле, я выбрал эту тему еще и потому,
что в прошлом году эти валюты привлекли много внимания,
инвестиций, и, честно говоря, хайпа.
Не буду строить догадки о курсах сейчас или в будущем,
но, согласитесь, каждый, кто хочет купить криптовалюту,
точно должен знать, что она представляет из себя.
И я не говорю о сравнениях и смутных отсылках к добыче золота —
я имею в виду четкое объяснение конкретных действий компьютеров,
когда мы отправляем, получаем и создаем криптовалюты.
Кстати, нужно отметить, что
даже если мы с вами глубоко уйдем в детали,
что займет не так уж мало времени,
вам не обязательно знать все это, если вы просто хотите использовать криптовалюту,
Italian:
E ora, ce ne sono altre migliaia che si scambiano con valute tradizionali
Seguire i passi per inventarne una può aiutare a gettare le basi
per comprendere alcuni dei più recenti partecipanti al gioco
e riconoscere quando e perché c'è spazio per scelte di progettazione differenti
infatti, una delle ragioni per le quali ho scelto questo argomento è che
nell' ultimo anno, ci sono stati enormi attenzioni e investimenti
e, beh, onestamente pubblicità dirette a queste valute
e non starò a commentare o speculare sull'andamento della loro quotazione
ma penso siamo tutti d'accordo che
chiunque voglia comprare una criptovaluta dovrebbe davvero sapere cos'è.
E non intendo solamente in termini di analogie e vaghe connessioni con l'estrazione dell'oro nelle miniere,
quanto piuttosto una descrizione diretta di cosa effettivamente i computer facciano
quando inviamo, riceviamo e creiamo delle criptovalute.
Tra l'altro, una cosa su cui vale la pena di porre l'accento, è che
anche se qui tu ed io entreremo nei dettagli,
cosa che richiederà un certo tempo,
non è strettamente necessario che tu conosca questi dettagli per utilizzate le criptovalute,
Chinese:
而如今有了更多其他的加密货币并与传统货币发生交易
从你发明你自己的加密货币入手
能帮助我们理解如今几大主流加密货币的理论基础
了解其背后在不同方面存在着不同的设计空间
事实上我选这个选题是因为在过去一年中针对加密货币
有大量的关注、资本投入甚至老实讲还有媒体过分渲染
我并不会对当前及未来的汇率发表评论及预测
但我想任何想要购买加密货币的人都应
搞明白加密货币究竟是怎么一回事
我不会含糊地将其与挖矿作类比
我会直接描述当我们发送、接受、创造加密货币时
计算机内部所发生的事情
我还要强调一点:
虽然我们将花一些时间稍深入地了解背后的原理
仅仅日常使用的话,我们并不需要了解其详细技术原理
Modern Greek (1453-):
Και τώρα, υπάρχουν χιλιάδες ακόμα σε ανταλλακτήρια με παραδοσιακά νομίσματα
Ακολουθώντας τα βήματα για την δημιουργία του δικού σας (κρυπτονομίσματος), μπορεί να βοηθήσει στην δημιουργία των θεμελίων
για την κατανόηση μερικών από τους πιο πρόσφατους παίκτες στο παιχνίδι
και την αναγνώριση του πότε και γιατί υπάρχει χώρος και για διαφορετικές υλοποιήσεις.
Στην πραγματικότητα, ένας από τους λόγους που επέλεξα αυτό το θέμα είναι ότι
τον τελευταίο χρόνο, υπάρχει μία τεράστια κέντριση προσοχής και επενδύσεων
και, ειλικρινά, θόρυβος κατευθυνόμενος προς αυτά τα νομίσματα.
Και δεν θα σχολιάσω ή προβλέψω την σημερινή και μέλλουσα τιμή αγοραπωλησίας
αλλά πιστεύω πως όλο θα συμφωνήσουμε στο ότι
όποιος σκέφτεται να αγοράσει ένα κρυπτονόμισμα, θα πρέπει να ξέρει τι είναι
Και δεν εννοώ απλά με όρους ανάλογους με την ασαφή σύνδεση του με την εξόρυξη χρυσού
Εννοώ μία κυριολεκτική και άμεση περιγραφή του τι κάνουν οι υπολογιστές
όταν στέλνουμε, λαμβάνουμε και δημιουργούμε κρυπτονομίσματα
Ένα πράγμα που αξίζει να τονιστεί, παρεμπιπτόντως, είναι πως
αν και, εσείς και εγώ πρόκειται να εμβαθύνουμε στις λεπτομέρειες εδώ,
και αυτό παίρνει ουσιαστικό χρόνο,
δεν χρειάζεται να γνωρίζετε όλες αυτές τις λεπτομέρειες, αν θέλετε απλά να χρησιμοποιήσετε το κρυπτονόμισμα
Turkish:
Ve şu an geleneksel paraları kullanan binden fazla borsa var.
Kendi kurumları için kendi para birimlerini icat etmeye çalışıyorlar.
Oyuna yeni katılanları daha iyi anlamak
ve diğer dizayn seçimleri için ne zaman ve niçin hala yer olduğunu anlamamız gerek
Bu konuyu seçmemdeki en büyük sebeplerden biri
son yıllarda fazla miktarda ilgi ve yatırım oldu
ve doğrusunu söylemek gerekirse bu para birimlerine yöneltilen büyük bir heyecan
Gelecekte borsaların ne durumda olduğuyla ilgili yorum yapmayacağım
ama sanırım hepimiz şunda hemfikiriz
cyrptocurrency almak isteyenler gerçekten tam olarak ne olduğunu bilmeliler
ve ben altın madenciliği ile belli belirsiz bağlantılar içeren benzetmeleri kastetmiyorum,
Bilgisayarların ne yaptığının gerçek tanımını
cryptocurrency'leri gönderdiğimizde, aldığımızda ve oluşturduğumuzdaki anlamını kastediyorum.
Bu arada vurgulamam gereken şey şu ki
sen ve ben burada detaylara girsek dahi
ki bunun anlamlı bir zaman ayırımı
eğer sadece cryptocurrency kullanmak istiyorsan bu detayları aslında bilmene gerek yok
Vietnamese:
Và bây giờ, có hơn ngàn những đồng tiền này, được trao đổi với các loại tiền tệ truyền thống.
Đi theo con đường sáng tạo của riêng bạn có thể giúp thiết lập nền móng
để hiểu được một số đồng tiền mới gần đây trong cuộc chơi
và nhận ra khi nào và tại sao lại có nhiều chỗ đứng cho các loại đồng tiền đến vậy
Trên thực tế, một trong những lý do tôi chọn chủ đề này là vì
trong năm qua, đã có rất nhiều sự chú ý và đầu tư
và cả sự cuồng nhiệt cho các loại tiền tệ này.
Và tôi sẽ không bình luận hoặc suy đoán về tỷ giá hối đoái trong hiện tại hay tương lai,
nhưng tôi nghĩ chúng tôi sẽ đồng ý rằng
bất cứ ai tìm cách để mua một cryptocurrency nên thực sự hiểu nó là gì.
Và hiểu ở đây không chỉ là biết những thuật ngữ, liên hệ mơ hồ với việc khai thác vàng,
Tôi muốn nói tới một mô tả trực tiếp của những gì các máy tính đang làm
khi chúng ta gửi, nhận và tạo ra các Đồng tiền mã hóa.
Một điều cần nhấn mạnh nữa là
mặc dù bạn và tôi sẽ đi sâu vào chi tiết,
và nó sẽ mất kha khá thời gian
thì thực sự, bạn không cần phải biết những chi tiết này nếu bạn chỉ muốn sử dụng cryptocurrency,
Hungarian:
Manapság már több ezer ilyen létezik tőzsdéken a hagyomás pénzek mellett.
A saját kriptopénzed feltalálásának útja segíthet téged abban, hogy megfelelő alapokra építve
megérthesd az újabb szereplőket a kriptopiacon
és hogy felismerd hogy miért van helye a különböző tervezésbeli megoldásoknak.
Valójában azért választottam ezt a témát mert
tavaly hatalmas figyelem, befektetés
és, hát, őszintén szólva hype irányult a kriptopénzek iránt.
És nem fogok megjegyzéseket tenni vagy spekulálni a jelenlegi vagy jövőbeni árfolyamokkal kapcsolatban,
de azt gondolom hogy mindannyian egyetérthetünk abban, hogy
bárki aki kriptopénzt szeretne vásárolni, annak tudnia kellene hogy az mi.
És itt most nem csak az aranybányászattal kapcsolatos homályos analógiákra gondolok,
hanem egy valódi, közvetlen leírást arról, hogy mit csinálnak a számítógépek
amikor elküldjük, fogadjuk, vagy létrehozzuk a kriptopénzeket.
Egyébként egy dolgot érdemes leszögezni, hogy
habár te és én bele fogunk itt ásni a részletekbe,
és ez jelentős időt fog igénybe venni,
valójában nincs szükséged arra, hogy részleteiben megismerd ha csak használni szeretnéd a kriptopénzt,
iw:
ובימינו יש עוד אלפי מטבעות כאלו בבורסות יחד עם מטבעות מסורתיים.
לעקוב אחר התהליך של המצאת מטבע מבוזר משל עצמכם יכול לעזור לבסס את היסודות
שהכרחיים להבנה של השחקנים החדשים במשחק
וכדי להבין מתי ולמה יש מקום, בתחום הזה, לבחירות עיצוביות שונות עבור כל מודל.
למעשה, אחת הסיבות שבחרתי בנושא זה היא
שבשנה שעברה הייתה כמות עצומה של תשומת לב והשקעה
ובכנות, "הייפ", מסביב למטבעות הללו.
ואני לא מתכוון להעריך או לתת ספקולציות על הערכים הנוכחיים או העתידיים של המטבע,
אבל אני חושב שכולנו מסכימים
שמי שמחפש לקנות מטבע מבוזר צריך באמת לדעת מה זה.
ואני לא מתכוון רק במונחים של אנלוגיות עם תיאורים מעורפלים של כריית זהב,
אני מתכוון לתיאור ישיר בפועל של מה המחשבים עושים
כאשר אנו שולחים, מקבלים ויוצרים מטבעות מבוזרים.
דבר אחד שראוי להדגיש, דרך אגב, הוא
שלמרות שאנחנו הולכים לחפור לתוך הפרטים של הנושא הזה,
וזה יקח זמן,
אתם לא באמת צריך לדעת את פרטים האלו כדי להשתמש במטבע מבוזר,
German:
Mittlerweile gibt es tausende anderer Kryptowährungen im Austausch mit traditionellen Währungen.
Zu erleben eine eigene Kryptowährung zu erfinden kann eine Basis bilden
um einige der neueren Kandidaten zu verstehen
und zu erkennen wann und warum es Spielraum für verschiedene Umsetzungen gibt.
Einer der Gründe, weshalb ich dieses Thema ausgewählt habe
ist, dass diese Währungen im letzten Jahr eine unglaubliche Menge an Aufmerksamkeit bekommen haben.
Es gab unglaublich viele Investitionen und, naja, es war ein ziemlicher Hype.
Ich werde nichts zu den derzeitigen oder zukünftigen Wechselkursen sagen.
Aber ich glaube wir sind uns alle einig, dass jeder
der in Kryptowährungen investieren möchte, wissen sollte, was das wirklich ist.
Und ich meine keine Analogien mit vagen Anspielungen auf Goldabbau.
Ich meine eine tatsächliche Beschreibung dessen, was Computer tun,
wenn wir Kryptowährungen senden, erhalten und kreieren.
Eine wichtige Sache vorab:
Obwohl wir hier in die Details gehen werden
und das einiges an Zeit braucht
musst du all das nicht wissen um die Kryptowährung zu benutzen.
Spanish:
Y ahora, hay miles más en intercambio con monedas tradicionales
Seguir el camino para inventar la tuya propia puede ayudar a establecer las bases
para entender algunas de las incorporaciones más recientes
y reconocer por qué y cuando hay mas espacio para diferentes elecciones de diseño
De hecho, una de las razones por las que elegí este tema es que
en los ultimos años, ha habido una enorme cantidad de atención e inversión
y, sinceramente, exageración dirigida a estas monedas
Y no voy a comentar o especular con las actuales o futuras tasas de cambio
pero creo que todos podemos estar de acuerdo en que
cualquiera que quiera comprar una criptomonetad debería saber lo que es
Y no lo digo solamente en el sentido de analogías con poca relación con la mineria de oro
Quiero decir una descripción real de lo que hacen los ordenadores
cuando enviamos, recibimos y creamos criptomonedas
Por cierto, una cosa que vale la pena remarcar es que
aunque tu y yo vamos a profundizar en los detalles aquí,
y esto conlleva un tiempo significativo,
en realidad no necesitas saber los detalles si solo quieres usar la criptomoneda
Czech:
Teď už jich existují tisíce, směnitelné za tradiční měny.
Pokud si projdeme způsob vytváření nové měny, pomůže nám to
v porozumění některých nových hráčů na scéně
a v rozpoznání kdy a proč existuje prostor pro různé typy návrhu měn.
Jeden z důvodů, proč jsem se rozhodl zpracovat toto téma je fakt,
že v posledním roce se těmto měnám věnovalo mnoho pozornosti, investic
a, řekněme, slepého nadšení.
Nebudu komentovat nebo spekulovat nad současnými nebo budoucími směnnými kurzy,
ale myslím, že se všichni shodneme,
že kdokoliv, kdo se chystá do kryptoměn investovat, by měl vědět, co jsou zač.
A nemám na mysli jen vzdálené přirovnání k těžení zlata,
jde mi o skutečný, přesný popis toho, co počítače dělají,
když posíláme, přijímáme a tvoříme kryptoměny.
Mimochodem, jednu věc je dobré zmínit:
přestože se teď spolu pustíme do detailů,
a to nějaký čas zabere,
tyto detaily ve skutečnosti nepotřebujete znát, pokud chcete kryptoměnu prostě používat.
Arabic:
والآن، هناك آلاف أخرى يمكن تداولها مع العملات التقليدية.
باتباع مسار اختراع نسختك الخاصة من بتكوين سيؤسسك جيدًا
لفهم اللاعبين الجدد في اللعبة
ولفهم أسباب وحالات وجود نماذج مختلفة.
في الواقع، أحد أسباب اختياري لهذا الموضوع هو أنه
في العام المنصرم، كان له قدر كبير من الاهتمام والاستثمار
وصراحةً "الضجيج" المُثار حول هذه العملات.
وأنا لست بصدد التعليق أو التنبؤ حول أسعار التداول الحالية أو المستقبلية لهذه العملات.
ولكنّي أعتقد أننا نتفق جميعًا على أنّ
أي شخص يتطلّع لشراء علمة مشفرة يجب عليه أن يعرف ما هي.
أنا لاقصد فقط من حيث المقارنات مع الإشارات الغامضة لتعدين الذهب
بل أعني الوصف الفعلي والمباشر لما تقوم به أجهزة الحاسوب
عندما نقوم بإرسال واستلام وإنشاء العملات المشفرة.
هناك أمر يستحق التأكيد، بالمناسبة، وهو
بالرغم من أننا سنخوض بالتفاصيل هنا،
وهذا سوف يستغرق بعض الوقت،
لكنك حقيقةً لست مضطرًا لمعرفة هذه التفاصيل إذا كنت تريد فقط أن تستخدم العملات المشفرة،
Chinese:
而如今已多了上千種加密貨幣在與傳統貨幣交易中
從發明你自己的加密貨幣入手
能幫助我們理解如今幾大主流加密貨幣的理論基礎
瞭解其背後在不同方面設計上的取捨
事實上我選這個主題是因為在過去一年中針對加密貨幣
有大量的關注、資本投入甚至老實講還有媒體過分渲染
我並不會對當前及未來的匯率發表評論及預測
但我想任何想要購買加密貨幣的人都應
搞清楚加密貨幣究竟是怎麼一回事
我不會含糊地將其與挖礦作類比
我會直接描述當我們發送、接受、創造加密貨幣時
電腦內部所發生的事情
我還要強調一點:
雖然我們將花一些時間稍深入地瞭解背後的原理
僅僅日常使用的話,我們並不需要瞭解其詳細技術原理
Japanese:
現在では政府発行の一般的通貨よりも多くの変種が生まれている。
変種を自分で作成することは、仮想的取引の上で
相手が試みようとする事の認識と、どの部分で
なぜ変種が生まれるのかについて見解を見出すことに繋がる。
なぜこのトピックを選んだのかの理由の一つは、
去年(2016年)ものすごい多くの関心を集め、取引がなされており、
暗号通貨に個人的に興奮したからである。
現在や未来の為替レートについて、計算したり議論するつもりはない。
しかし暗号通貨を購入しようと
考えている人が、その実態を正しく理解するのは当然であろう。
これは別に実際の貴金属採掘と関連があるアナログ的なことではなく、
暗号通貨の転送時に、コンピュータが一体何をしているかの
明瞭で的を射た説明である。
ここで強調しておきたいのは、
この動画で暗号通貨の深い領域まで探る事は、
有意義な時間とはなるが、
ただ暗号通貨を運用したいだけなら、詳細を知る必要はない点である。
English:
Bitcoin is just the first implemented example
of a cryptocurrency, and there are now thousands
more on exchanges with traditional currencies.
Walking the path of inventing your own can
help set the foundation for understanding
some of the more recent players in the game,
and recognizing where there’s room for different
design choices.
In fact, one of the reasons I chose this topic
is in response to the unprecedented leap in
attention, investment and...well.. hype directed
at these currencies in just the last year.
I won’t comment or speculate on the current
or future exchange rates, but I think we’d
all agree that anyone looking to buy a cryptocurrency
should really know what it is.
Not just in terms of analogies with vague
connections to gold-mining, I mean an actual
direct description of what computers are doing
when sending, receiving and creating cryptocurrencies.
One thing worth stressing, by the way, is
that even though you and I will dig into the
underlying details here, which takes some
meaningful time, you don’t actually need
Indonesian:
Dan sekarang, ada ribuan lagi pertukaran dengan mata uang tradisional.
Berjalan menuju ke arah penemuan Anda sendiri dapat membantu untuk mematok fondasi
untuk memahami beberapa pemain yang lebih baru dalam permainan
dan mengenali kapan dan mengapa ada ruang untuk pilihan desain yang berbeda.
Sebenarnya, salah satu alasan saya memilih topik ini adalah bahwa
pada tahun lalu, ada banyak perhatian dan investasi yang sangat besar
dan, yah, jujur saja, akhirnya trend hype diarahkan pada mata uang - mata uang baru ini.
Dan saya tidak akan berkomentar atau berspekulasi mengenai nilai tukar saat ini atau masa depan,
tapi kupikir kita semua akan setuju
siapa pun yang ingin membeli uang kripto harus benar-benar tahu apa itu.
Dan saya tidak hanya bermaksud beranalogi dengan koneksi samar terhadap pertambangan emas,
Maksud saya deskripsi langsung sebenarnya dari apa yang komputer lakukan
ketika kita mengirim, menerima dan menciptakan mata uang kripto.
Omong-omong, satu hal yang patut ditekankan adalah
meskipun Anda dan saya akan menggali detailnya di sini,
dan membutuhkan waktu yang berarti,
Anda sebenarnya tidak perlu mengetahui rinciannya jika Anda hanya ingin menggunakan mata uang kripto,
Korean:
지금은 거래소에서 수 천가지의 암호화 화폐를
기존의 통화로 사고 팔 수 있어.
앞에서 여러분의 암호화 화폐를 만든 과정을 되짚어보면
최근에 만들어진 암호화 화폐를 이해할 수 있고
언제, 그리고 왜 새로운 암호화 화폐들이
저마다의 독특한 설계로 만들어지는지 알 수 있어.
사실 내가 이 주제를 다루게 된 이유는,
작년(2016년)에 암호화 화폐에 대한
관심과 투자가 폭증했기 때문이야.
암호화 화폐에 대한 이 정도의 관심은,
솔직히 말해 좀 과장된 면도 있을거라고 봐.
나는 거래소에서 거래되는 암호화 화폐의
가격에 대한 얘기나 예측을 하려는 건 아니야.
하지만 암호화 화폐를 살 생각이 있다면,
먼저 암호화 화폐에 대해 알아야 한다고 생각해.
그렇다고해서 금광 채굴에 비유하면서
모호하게 용어를 설명하려는 것은 아니고,
디지털로 만들어진 암호화 화폐의 이면에서
컴퓨터가 실제로 어떤 일을 하는지
구체적으로 설명하려고 해.
우리가 암호화 화폐를 주고 받고 만들 때
어떤 일이 벌어지는지에 대한 얘기 말이야.
먼저 한 가지 강조하고 싶은 것은
이제부터 세부적인 내용을 심도있게 알아볼 것이고,
알아보는 데 시간도 꽤 걸리겠지만,
그런 것을 모두 알아야만 암호화 화폐를
사용할 수 있는 것은 아니라는 점이야.
French:
milliers en plus à échanger avec des devises traditionnelles.
Parcourir le chemin menant à l'invention de la votre
peut aider à définir les fondations pour comprendre les acteurs récents
du domaine et reconnaître quand et pourquoi il y a de la place pour différents
choix de conceptions.
En fait, l'une des raisons qui m'ont poussé à choisir ce sujet
est que l'année dernière il y a eu une énorme
attention et investissement et, bien honnêtement, une direction "hype"
vers ces devises et je ne vais pas commenter ou spéculer sur le taux
actuel ou à venir des devises.
Mais je pense que nous sommes tous
d'accord sur le fait que quiconque achète une crypto-monnaie devrait
réellement savoir ce que c'est. Et je ne parle pas seulement en termes d'analogies
avec de vagues connections avec le minage d'or.
Je veux dire une réelle description directe de ce que les ordinateurs font
lorsque nous envoyons, recevons et
créons des crypto-monnaies.
Une chose qu'il faut souligner en passant est que
bien que vous et moi n'allons pas creuser en détails ici
et cela prend significativement du temps
vous n'avez pas réellement besoin de connaître ces détails si vous souhaitez juste
Polish:
A teraz, jest ich tysiące więcej na miejscu tradycyjnych walut.
Idąc ścieżką wymyślania swojej własnej możesz stworzyć fundamenty
dla zrozumienia niektórych nowszych graczy w tej grze
i rozpoznania, kiedy i dlaczego jest miejsce dla różnych opcji projektowych.
W rzeczywistości, jednym z powodów, dla których wybrałem ten temat jest to, że
w ciągu ostatniego roku pojawiła się ogromna ilość zainteresowania i inwestycji
i hype na te waluty.
I nie zamierzam ich komentować ani spekulować na temat obecnych i przyszłych kursów walutowych,
ale myślę, że wszyscy zgadzamy się, że
każdy, kto chce kupić kryptowalutę, powinien wiedzieć, co to jest.
I nie tylko w kategoriach analogii z niejasnymi powiązaniami z wydobyciem złota,
mam na myśli konkretny opis tego, co robią komputery
kiedy wysyłamy, odbieramy i tworzymy kryptowaluty.
Jedną z rzeczy, którą warto podkreślić, nawiasem mówiąc, jest to, że
chociaż ty i ja będziemy zagłębiać się tu w szczegóły
a to wymaga czasu,
w rzeczywistości nie trzeba znać tych szczegółów, jeśli chcesz po prostu użyć kryptowaluty,
Arabic:
تمامًا مثل ما أنك لن تحتاج معرفة التفصيل التقنية عندما تمرر البطاقة الإئتمانية
مثل أي شكل من أشكال الدفع الرقمي، هناك العديد من التطبيقات سهلة الاستخدام
التي تسمح لك بإرسال واستقبال العملات المشفرة دون التفكير في ما يحدث خلف الكواليس.
الفرق هنا أن أساس هذه العملات المشفرة
هو ليس البنك الذي يتحقق من المعاملات
بل هو نظام عبقري من التحقق اللامركزي الغير معتمد على الثقة
والذي يعتمد على بعض رياضيات علم التشفير.
لكن لكي نبدأ،
أريدك أن تضع التفكير بالعملات المشفرة وكل هذه الأمور جانبًا لبضع دقائق قليلة.
سنبدأ القصة بشيء أكثر عملية وبساطة: سجلات وتواقيع رقمية.
إذا كنت أنت وأصدقاؤك تتبادلون المال بشكل متكرر،
-كما تعلم-، دفع جزء من حساب المطعم عند العشاء ومن هذا القبيل
قد يكون تبادل المال نقدًا دائمًا ليس بالمريح
لذا قد تتخذ سجل مشترك
والذي سوف يسجل جميع المدفوعات التي تنوي القيام بها في وقت ما في المستقبل
-كما تعلم-، (أليس) ستدفع لـ(بوب) 20 دولار
(بوب) سيدفع لـ(تشارلي) 40 دولار، أشياء كهذه.
هذا السجل سيكون عام ومتاح للجميع
Modern Greek (1453-):
όπως δεν χρειάζεται να γνωρίζετε τι συμβαίνει στο παρασκήνιο όταν "περνάτε" μία πιστωτική κάρτα.
Όπως κάθε ψηφιακή πληρωμή, υπάρχουν πολλές εφαρμογές φιλικές προς τον χρήστη που
σας επιτρέπουν να στείλετε και να λάβετε τα νομίσματα χωρίς να σκεφτείτε τι συμβαίνει.
Η διαφορά είναι ότι βάση για όλα αυτά
δεν είναι μία τράπεζα που επαληθεύει τις συναλλαγές.
Αντίθετα, είναι ένα έξυπνο σύστημα αποκεντρωμένης επαλήθευσης χωρίς εμπιστοσύνη,
βασισμένο σε κάποια από τα μαθηματικά που γεννήθηκαν στην κρυπτογραφία.
Αλλά για να ξεκινήσουμε,
Θέλω να αφήσετε στην άκρη την ιδέα των κρυπτονομισμάτων για μερικά λεπτά.
Θα ξεκινήσουμε την ιστορία με κάτι πιο οικείο: βιβλία (συναλλαγών) και ψηφιακές υπογραφές.
Εάν εσείς και οι φίλοι σας να ανταλλάσσετε χρήματα αρκετά συχνά,
ξέρετε, πληρώνετε το μερίδιό σας από το δείπνο και τέτοια,
μπορεί να είναι άβολο να ανταλλάζετε μετρητά όλη την ώρα.
Έτσι, μπορείτε να κρατήσετε ένα κοινόχρηστο βιβλίο
στο οποίο καταγράφονται όλες τις πληρωμές που σκοπεύετε να κάνετε κάποια στιγμή στο μέλλον.
Ξέρετε, η Alice πληρώνει τον Bob 20$,
ο Bob πληρώνει τον Charlie 40$, κάτι τέτοιο.
Αυτό το βιβλίο θα είναι κάτι δημόσιο και προσβάσιμο σε όλους,
Hungarian:
épp úgy mint ahogy nincs szükséged arra sem, hogy a részletesen tudd hogy mi történik a motorháztető alatt amikor a bankkártyádat használod.
Mint bármely digitális fizetésnél, sok felhasználó-barát alkalmazás létezik amelyekkel
anélkül küldhetünk vagy fogadhatunk pénzeket hogy azon kellene gondolkodnun hogy mi történik a háttérben.
A különbség itt az, hogy ennek a gerince
nem egy bank amely ellenőrzi a tranzakciókat.
Hanem egy decentralizált, bizalmat nem igénylő intelligens ellenőrző rendszer
amely a kriptográfiában született matematikára alapul.
De kezdésképpen
azt szeretném, ha egy pár perce valóban félretennéd a kriptopénzek gondolatát.
Ennél sokkal földhöz kötöttebb dologgal fogjuk kezdeni a történetünket: főkönyvekkel és digitális aláírásokkal.
Hogy ha elég gyakran cseréltek pénzt a barátaiddal,
tudod, például ha a vacsoránál ki kell fizetni a számla rádeső részét,
akkor kényelmetlenné válhat a készpénz használata.
Szóval fenntarthatsz egy közösségi főkönyvet
amely tartalmazza az összes fizetést amelyet valaha szeretnél csinálni.
Tudod, Alice fizet Bobnak 20$-t,
Bob fizet Charlie-nak 40$-t, ilyesmi.
Ez a főkönyv bárki számára nyilvános és elérhető lesz,
Spanish:
al igual que no necesitas saber los detalles de lo que ocurre internamente cuando pasas una tarjeta de credito
Como con cualquier pago digital, hay infinidad de aplicaciones
que te permiten enviar y recibir las monedas sin pensar en lo que pasa
La diferencia está en que la estructura subyacente
no es un banco que verifica transacciones.
Por contra es un sistema, muy bien pensado, de verificación sin confianza descentralizada
basada en algunas de las matmáticas nacidas de la criptografia
Pero para empezar,
Quiero que dejeis de lado la idea de las criptomonedas y derivados por unos minutos
Vamos a comenzarla historia con los pies en la tierra: libros de cuentas y firmas digitales
Si tu y tus amigos intercambiais dinero con bastante frecuencia
ya sabes, pagar tu parte de la cuenta y así,
puede ser molesto intercambiar dinero todo el rato.
Así que podeis llevar un libro de cuentas
que registra todos los pagos que tienes pensado hacer en un futuro
Ya sabes, Alice paga a Bob 20$
Bob paga a Charli 40$, cosas por el estilo
Este libro de cuentas va a ser algo público y accesible a los demas,
Japanese:
クレジットカードを使う際にも、裏で一体何が行われているのか知る必要はないのと同じである。
デジタル的な支払いにおいて、ユーザーフレンドリーなものは多くあり、
取引の最中に何が行われるのかを、全く考えずに通貨を扱える。
両者の違いは、後ろで支えているのが、
銀行か、そうではないかの点である
銀行の代わりに、暗号論上で生み出された数学をベースに、
非中央集権化された認証に信用不要の賢いシステムがある。
実際に暗号通貨の説明に入る前に、数分ほど別の事柄に時間を割く。
これから始めるのは、より現実味がある話、元帳とデジタル署名である。
もし夕食の勘定などにおいて、
友達と頻繁に金銭を交換する場合、
貨幣をその都度交換するのは不便である。
すると元帳という方式が生まれる。
これによって、その後行われる支払いのすべてを記録する。
例えば、アリスはボブに20ドル支払う、
ボブはチャーリーに40ドル支払う、のように。
この元帳は公開されており、ウェブページのように誰でも参照できる。
English:
to know those details to use a cryptocurrency,
just like you don’t need to know the details
of what happens under the hood when you swipe
a credit card.
Like any other digital payments, there are
plenty of user-friendly applications that
let you send and receive these currencies
very easily.
The difference is that the backbone underlying
this is not a bank verifying transactions,
but a clever system of decentralized trustless
verification based on some of the math born
in cryptography.
To start, set aside the thought of cryptocurrencies
for a few minutes.
We’re going to start the story with something
more down to earth: Ledgers, and digital signatures.
If you and your friends exchange money pretty
frequently, paying your share of the dinner
bill and such, it can be inconvenient to exchange
cash all the time.
So you might keep a communal ledger that records
payments you intend to make in the future.
Alice pays Bob $20, Bob pays Charlie $40,
things like that.
Korean:
카드를 긁을 때 그 안에서 무슨 일이 벌어지는지
몰라도 쓸 수 있는 것처럼 말이지.
다른 디지털 결제수단과 마찬가지로
속에서 무슨 일이 벌어지는지 알지 못해도,
쉽고 편리하게 돈을 주고 받을 수 있게 해주는
사용자 친화적인 애플리케이션이 많이 있어.
차이점이 뭐냐하면, 그런 결제 처리의 중심에
거래 내역을 확인해 주는 은행이 없다는 거지.
은행 대신에, 암호학에서 탄생된
몇 가지 수학 원리를 이용해서
거래 주체들 사이에 신뢰가 필요하지 않은
똘똘한 분산 확인 시스템이 있다고.
하지만 시작하기 전에,
암호화 화폐에 대한 생각은
앞으로 몇 분 동안만 잠시 접어두자고.
암호화 화폐에 앞서, 훨씬 실질적이고 현실적인 '장부'와
'디지털 서명'으로 이야기를 풀어나가려고 해.
여러분이 친구들과 돈을 주고 받는 일이
자주 일어난다면,
예를 들어, 저녁 값을 더치페이로 하는데,
그럴때마다 항상 현금으로 주고 받는 것은 불편하지.
그래서 그냥 공동 장부를 만들어서
더치 페이 내역을 모두 기록해두고,
나중에 한 번에 정산하는 것이 편할거야.
앨리스가 밥에게 20달러를 주고,
팝은 찰리에게 40달러를 주고..
이런 걸 모두 장부에 기록하는거지.
이 공동 장부는 누구나 볼 수 있어.
Indonesian:
Sama seperti Anda tidak perlu mengetahui rincian tentang apa yang terjadi di belakang layar saat Anda menggesek kartu kredit.
Seperti pembayaran digital lainnya, sudah ada banyak aplikasi yang mudah dipakai
yang biarkan Anda hanya mengirim dan menerima mata uang tanpa memikirkan apa yang sedang terjadi.
Bedanya adalah tulang punggung yang mendasari ini
yaitu bukan bank yang memverifikasi transaksi-transaksi.
melainkan adalah sebuah sistem verifikasi yang cerdas, desentralisasi (tidak terpusat), dan tidak terpercaya
berdasarkan beberapa matematika yang lahir di kriptografi.
Tapi untuk memulai,
Saya ingin Anda benar-benar menyisihkan pemikiran tentang mata uang kripto dan semua itu hanya selama beberapa menit.
Kita akan memulai ceritanya dengan sesuatu yang lebih sederhana: buku besar dan tanda tangan digital.
Jika Anda dan teman Anda sering bertukar uang,
Anda tahu, membayar bagian Anda dari tagihan makan malam dan semacamnya,
itu bisa merepotkan untuk menukar uang tunai sepanjang waktu.
Jadi Anda bisa menyimpan buku besar umum
yang mencatat semua pembayaran yang ingin Anda buat beberapa poin di masa depan.
Anda tahu, Alice membayar Bob $ 20,
Bob membayar Charlie $ 40, hal-hal seperti itu.
Buku besar ini akan menjadi sesuatu yang umum dan mudah diakses oleh semua orang,
Czech:
Stejně jako nepotřebujete znát detaily o tom, co se děje pod pokličkou, když platíte kartou.
Stejně jako s digitálními platbami, existuje spoustu přívětivých aplikací,
které vám umožní jednoduše posílat a přijímat měnu bez přemýšlení, co se ve skutečnosti děje.
Rozdíl je, že na pozadí tohoto typu plateb
není banka, která by ověřovala transakce.
Místo toho máme chytrý systém decentralizované verifikace, která nevyžaduje
slepou důvěru jakékoliv straně, založený na matematice z oboru kryptografie.
Ale na začátek
chci, abyste na chvíli přestali myslet na kryptoměny.
Začneme s něčím jednodušším: účetními knihami a digitálními podpisy.
Když si s přáteli často vyměňujete peníze,
jako třeba při dělení se o účet v hospodě a podobně,
je celkem otrava pořád si měnit hotovost.
Takže si vyrobíte společnou "účetní knihu",
kde si zapíšete všechny platby, které budete chtít někdy v budoucnu provést.
Například, Alice dluží Bobovi $20,
Bob dluží Charliemu $40, a tak dál.
Tahle kniha bude veřejná, přístupná komukoliv,
Italian:
così come non è necessario che tu sappia cosa accade "sotto il cofano" quando passi una carta di credito in un lettore.
Come per qualunque metodo di pagamento digitale, ci sono molte applicazioni di facile utilizzo che
ti permettono di mandare e ricevere le valute senza preoccuparti di cosa stia succedendo.
La differenza è che la spina dorsale del sistema
non è una banca che verifica le transazioni.
È invece un ingegnoso sistema di verifica decentralizzato
basato sulla matematica nata nella crittografia.
Ma per cominciare,
lasciamo da parte le criptovalute per qualche minuto.
Cominciamo la storia con qualcosa di più semplice e pratico: libri mastri e firme digitali.
Se tu e i tuoi amici vi scambiate soldi piuttosto di frequente,
sai, per pagare ognuno la sua parte del conto a cena e così via,
può essere sconveniente scambiarsi contanti ogni volta.
Così potreste decidere di tenere un libro mastro comune
che tenga conto di tutti i pagamenti che intendete fare in futuro.
Sai, Alice paga a Bob $20,
Bob paga a Charlie $40, cose del genere.
Questo libro mastro sarà qualcosa di pubblico e accessibile a tutti,
Turkish:
tıpkı kredi kartını çektiğinde arka planda neler olduğunu bilmene gerek olmadığı gibi
Her dijital ödemeler gibi bir çok kullanıcı-dostu uygulamalar mevcut
ki bunlar neler olduğunu anlamadan para göndermemizi ve para çekmemizi sağlar
Altında yatan en temel fark ise
bir banka para akışını doğrulamaz.
Bunun yerine merkezi olmayan güven-sizlik doğrulaması yapan akıllı bu sistem
Kriptografiden meydana gelen bir takım matematiğe dayalıdır
Ama başlangıç için,
Birkaç dakikalığına cryptocurrencies düşüncelerini bir kenara koymanızı istiyorum aslında.
Daha sağlam bir şekilde hikayeye başlayacağız : defterler ve dijital imzalar.
Eğer siz ve arkadaşınız sıklıkla paranızı değiştirirseniz,
bilirsiniz, akşam yemeği ve bu türlü payınızı ödemek,
Her zaman nakit alışveriş yapmak zahmetli olabilir.
Böylece ortak bir hesap defteri tutabilirsin
bu defter, gelecekte bir noktaya varmak amacıyla tüm ödemelerinizi kaydeder.
Bilirisiniz, Alice Bob'a $20 öder,
Bob Charlie'e $40 öde, bunlar gibi.
Bu defter herkes tarafından erişilebilir ve herkese açık olacak,
Chinese:
就像你不需要了解你刷信用卡背后所发生的一切一样
与电子支付一样,加密货币也有很多方便易用的应用
用于发送和接受货币而不需要知道是怎么实现的
区别在于加密货币的背后并不是某家银行来验证交易
而是一套基于密码学中某些数学方法的
去中心化的、互不信任的交易验证体系
在开始讲之前,你暂时把加密货币放在一边
我们先从更基本的概念入手:账本和电子签名。
如果你和你的朋友们有很频繁的金钱来往
比如AA支付晚餐的账单等等
用现金总是不方便的
所以可能会用到一个公共账本
它记录了某些未来将会发生的交易信息
如Alice支付Bob 20元,Bob支付Charlie 40元等等
这个账本必须是公开的,每个人都能查阅
Portuguese:
assim como você não precisa saber os detalhes do que ocorre por trás
quando você utiliza seu cartão de crédito
como qualquer pagamento virtual, há vários aplicativos amigáveis
que deixam você enviar e receber cripto moedas sem pensar no que está havendo
a diferença é que o centro e base de tudo
não é um banco que verifica transações.
ao invés, é um sistema inteligente, não centralizado de listas de confiança
baseado na matemática nascida da criptografia
Mas para começar, quero que você esqueça sobre criptomoedas e tudo isso, só por alguns minutos.
vamos começar com algo mais fácil de entender.
Registros (caixa-livro) e assinatura virtual
Se você e seu amigo trocam dinheiro com frequência
como dividir a conta do jantar e afins
pode ser inconveniente ficar trocando dinheiro o tempo todo
então você pode manter um registro comum
que grava todos os pagamentos que você pretende fazer em algum momento no futuro.
sabe, Alice paga 20USD para Bob, Bob para 40USD para Charlie, coisas assim
Esse registro vai ser algo público e acessível para todos,
iw:
בדיוק כפי שאתם לא צריכים לדעת את הפרטים של מה שקורה מתחת למכסה המנוע כשאתם מעבירים כרטיס אשראי בקופה.
כמו כל צורה של תשלום דיגיטלי, ישנן הרבה אפליקציות ידידותיות למשתמש
שיתנו לכם לשלוח ולקבל מטבעות מבוזרים בלי לחשוב על מה שקורה מאחורי הקלעים.
ההבדל הוא שעמוד השדרה בבסיס התהליך הזה
לא הוא בנק שבודק עסקאות.
במקום זאת, מדובר במערכת מתוחכמת של אימות חסר-אמון מבוזר
אשר מבוסס על חלק מהמתמטיקה שנולדה בתחום הקריפטוגרפיה.
אבל כדי להתחיל,
אני רוצה דווקא לשים בצד את המחשבות על מטבעות מבוזרים לרגע.
אנחנו הולכים להתחיל את הסיפור עם משהו יותר מעשי: ספרי חשבונות וחתימות דיגיטליות.
אם אתם וחבריכם מחליפים כסף בתדירות גבוהה,
נניח, כדי לשלם את חלקכם בחשבון במסעדה וכאלו,
זה יכול להיות לא נוח להחליף כסף במזומן כל הזמן.
אז אתם יכולים להחזיק ספר חשבונות קהילתי
אשר מתעד את כל התשלומים אשר אתם מתכוונים לעשות מתישהו בעתיד.
נניח, אליס משלמת לבוב עשרים דולר
בוב משלם לצ'ארלי ארבעים דולר, ודברים כאלו
ספר החשבונות הזה הולך להיות משהו ציבורי ונגיש לכולם,
French:
utiliser les crypto-monnaies. Tout comme vous n'avez pas besoin de connaître
les détails de ce qui se passe sous le capot lorsque vous insérez votre carte de crédit
Il y a beaucoup d'applications conviviales qui vous permettent
d'envoyer et de recevoir les devises sans avoir à penser à comment ça marche.
La différence est que la colonne vertébrale sous-jacente à ceci
n'est pas une banque qui vérifie les transactions.
A la place c'est un système ingénieux de vérifications décentralisées
basé sur certaines mathématiques
nées de la cryptographie.
Mais pour commencer je veux mettre de côté les
pensées de crypto-monnaies juste pour quelques minutes.
Nous allons commencer l'histoire avec quelque chose de plus terre à terre :
Les livres de compte et le signature numériques.
Si vous et vos amis échangez de l'argent assez fréquemment, vous savez
payer votre part de l'addition du dîner et de telles choses, il peut être inconfortable d'échanger de l'argent
liquide à chaque fois. Alors vous pourriez conserver un livre de compte
commun qui enregistre tous les
paiements que vous comptez faire à l'avenir. Vous savez,
Alice paie Bob 20$, Bob paie Charlie 40$, des choses comme ça.
Ce livre de compte sera quelque
chose de public et accessible à tout le monde comme un site web.
Lithuanian:
lygiai taip pat, kaip tau nereikia žinoti smulkmenų, kas vyksta po kapotu, kai atsiskaitydamas perbrauki kreditine kortele.
Kaip bet koks skaitmeninis apmokėjimas, yra daugybė vartotojui draugiškų aplikacijų, kurios
leidžia tau tiesiog siųsti ir gauti valiutas, nereikiant galvoti, kas vyksta.
Skirtumas yra tai, kad stuburas, esantis po viskuom,
yra ne bankas, kuris tikrina transakcijas.
Vietoj to, tai gudri decentralizuota patikrinimo be pasitikėjimo sistema,
paremta tam tikros matematika, kilusios iš kriptografijos.
Bet prieš pradedant
noriu, kad padėtum kriptovaliutas ir visa kita į šalį minutėlei.
Pradėsim istoriją su kai kuo daug žemiškesniu: apskaitos įrašais ir skaitmeniniais parašais.
Jei tu ir tavo draugai keičiatės pinigais gana dažnai,
na žinai, mokat savo dalį už vakarienę ir panašiai,
gali būti nepatogu keistis grynais pinigais visą laiką.
Tad galbūt turite bendruomeninę apskaitos knygą,
kurioje surašyti visi sumokėjimai, kuriuose planuoji padaryti kažkuriuo metu ateityje.
Na žinai, Alisa moka Bobui $20,
Bobas moka Čarliui $40, tokio tipo dalykai.
Ši apskaita bus vieša ir prienama visiems,
German:
Genau so wie du nicht wissen musst, was hinter den Kulissen passiert, wenn du deine Kreditkarte benutzt.
Wie bei allen digitalen Bezahlungsarten gibt es eine Reihe benutzerfreundlicher Apps,
die dich Währungen senden und empfangen lassen, ohne darüber nachzudenken was da gerade vor sich geht.
Der Unterschied ist,
dass hier keine Bank die Transaktionen verifiziert.
Stattdessen handelt es sich um ein cleveres System dezentralisierter, vertrauensloser Verifizierung,
basierend auf Mathematik aus der Kryptografie.
Aber erstmal
möchte ich Kryptowährungen und all das noch kurz beiseite legen.
Wir beginnen unsere Geschichte mit etwas bodenständigerem: Bestandsbücher und digitale Unterschriften
Wenn du und deine Freunde häufig Transaktionen ausführen,
also zum Beispiel jeder seinen Teil der Restaurantrechnung zahlt,
kann es umständlich werden, ständig Bargeld auszutauschen.
Also könntet ihr ein gemeinschaftliches Bestandsbuch führen,
in dem alle Zahlungen die ihr in Zukunft tätigen möchtet festgehalten werden.
So was wie: Alice zahlt 20$ an Bob,
Bob zahlt 40$ an Charlie, so in der Art.
Das Bestandsbuch ist öffentlich und für jeden zugänglich.
Chinese:
就像你不需要瞭解刷信用卡時背後所發生的事一樣
與電子支付一樣,加密貨幣也有很多方便易用的應用
用於發送和接受貨幣而不需要知道背後是怎麼運作的
差別在於加密貨幣的背後並不是某家銀行來驗證交易
而是一套基於密碼學中某些數學方法、
去中心化、互不信任的交易驗證體系
在開始講之前,你暫時把加密貨幣放在一邊
我們先從更基本的概念入手:帳本和電子簽名。
如果你和你的朋友們有很頻繁的金錢來往
比如AA支付晚餐的帳單等等
總是用現金很不方便
所以可能你們可能會寫一個公共帳本
來記錄某些未來將會發生的交易資訊
如Alice支付Bob 20元,Bob支付Charlie 40元等等
這個帳本必須是公開的,每個人都能查閱
Polish:
podobnie jak nie trzeba znać szczegółów tego, co się dzieje pod maską podczas przeciągnięcia kartą kredytową.
Jak dla każdej płatności cyfrowej, jest mnóstwo aplikacji przyjaznych dla użytkownika, które
pozwalają wysyłać i odbierać waluty bez myślenia o tym, co się dzieje.
Różnica polega na tym, że szkieletem tego systemu
nie jest bank, który sprawdza transakcje.
Zamiast tego, jest to sprytny system zdecentralizowanej weryfikacji ograniczonego zaufania
oparty o zasady matematyczne związane z kryptografią.
Ale na początek,
zostawmy temat kryptowalut na kilka minut.
Rozpoczniemy historię z czymś bardziej przyziemnym: księgami i podpisami cyfrowymi.
Jeśli Ty i twoi przyjaciele wymieniacie pieniądze dość często,
płacąc swoją część rachunku za kolację itp.,
wymienianie gotówki przez cały czas może być niewygodne.
Więc możecie prowadzić wspólną księgę,
która rejestruje wszystkie płatności, które zamierzacie zrealizować w pewnym momencie w przyszłości.
Wiecie, Alicja płaci Bobowi 20 $,
Bob płaci Charliemu $ 40, takie rzeczy.
Ta księga ma być publiczna i dostępna dla wszystkich,
Russian:
как не обязательно знать, что происходит под капотом терминала, когда вы платите кредиткой.
Как для любых цифровых платежей, есть множество понятных приложений,
которые помогают совершать и получать платежи, не задумываясь о деталях.
Разница в том, что в случае криптовалют основа системы —
это не банк, одобряющий операции.
Это хитрый механизм децентрализованного подтверждения, основанный не на доверии,
а на математических принципах, которые берут начало в криптографии.
Но для начала
давайте на несколько минут отвлечёмся от криптовалют и всего такого.
Начнем нашу историю с более приземленных вещей: с реестров и подписей.
Если вы с друзьями обмениваетесь деньгами довольно часто,
например, платите вашу долю за обед,
может быть неудобно постоянно передавать друг другу наличные.
Поэтому вы можете завести журнал, или реестр,
где будете записывать все суммы, которые планируете заплатить в будущем.
Скажем, Алиса платит Бобу $20,
Боб платит Чарли $40, и так далее.
Этот реестр будет в публичном доступе,
Vietnamese:
giống như bạn không cần phải biết chi tiết về những gì diễn ra trước dùng bạn quẹt thẻ tín dụng.
Giống như bất kỳ loại thanh toán kỹ thuật số nào, có rất nhiều ứng dụng thân thiện với người dùng
cho phép bạn chỉ gửi và nhận tiền tệ mà không cần suy nghĩ về những gì đang xảy ra.
Sự khác biệt nằm ở chỗ
ngân hàng sẽ không ở đằng sau xác minh giao dịch.
Thay vào đó là một hệ thống thông minh đảm nhiệm việc xác minh phân cấp, không phụ thuộc vào niềm tin giữa người và người.
dựa trên cơ sở toán học sinh ra trong mật mã học.
Nhưng để bắt đầu,
Tôi muốn để sang một bên các loại đồng tiền mã hóa và những thứ khác trong một vài phút.
Chúng ta sẽ bắt đầu câu chuyện với một cái gì đó gần gũi: sổ cái và chữ ký số.
Nếu bạn và bạn bè của bạn trao đổi tiền khá thường xuyên,
ví dụ là để trả phần của bạn trong hóa đơn bữa tối,
việc trao đổi tiền mặt mọi lúc có thể bất tiện.
Vì vậy, bạn có thể giữ sổ cái chung
ghi lại tất cả các khoản thanh toán mà bạn định thực hiện trong tương lai.
Bạn biết đấy, Alice trả cho Bob $20,
Bob trả Charlie $40, kiểu như thế.
Sổ cái này sẽ là cái gì đó công cộng và mọi người có thể tiếp cận được,
Spanish:
como una página web, donde cualquiera puede ir y añadir nuevas lineas
Y digamos que al final de cada mes
os reunís todos, mirais la lista de transacciones y saldais cuentas.
Si has gastado más dinero del que has recibido, metes ese dinero en el bote
y si recibes mas dinero del que has gastado, sacas ese dinero
Así que el protocolo para ser parte de este sistema tan simple podría tener este aspecto:
cualquiera puede añadir lineas al libro de cuentas
y al final de cada mes todos reunís y saldaís cuentas.
Un problema con un libro de cuentas público como este, es que cualquiera puede añadir una linea
asi que ¿qué puede evitar que Bob escriba "Alice paga a Bob 100$" sin que Alice lo apruebe?
¿Cómo podemos saber que todas estas transacciones
son lo que el emisor queria que fuesen?
Bueno, es aquí cuando llega el primer concepto sacado de la criptografia; firmas digitales.
Como con las firmas en papel
la idea es que Alice pueda añadir algo después de esa transacción
que demuestre que ella lo ha visto y lo ha aprobado.
Lithuanian:
kaip internetinis puslapis, kur bet kas gali nueiti ir pridėti naujas eilutes.
Ir sakykim, kad kiekvieno mėnesio gale
jūs visi susirenkat, pažiūrit į transakcijų sąrašą ir atsiskaitot.
Jei išleidai daugiau, nei gavai, padedi tuos pinigus į bendrą katilą;
ir jei gavai daugiau, nei išleidai, tu pasiimi tuos pinigus.
Taigi buvimo šios labai paprastos sistemos dalimi protokolas gali atrodyti taip:
bet kas gali pridėti eilutes į apskaitą;
ir kiekvieno mėnesio gale visi susirenkat ir atsiskaitot.
Dabar, viena problema su vieša apskaita yra ta, kad bet kas gali pridėti eilutę.
Tai kas trukdo Bobui prirašyti "Alisa sumoka Bobui $100" be Alisos patvirtinimo?
Kaip mes turėtume pasitikėti, kad visos šios transakcijos
yra tai, ką siuntėjas turėjo galvoje, kad jos yra?
Na, štai čia atsiranda pirmasis gabaliukas kriptografijos: skaitmeniniai parašai.
Kaip ir su ranka rašytais parašais,
idėja čia yra ta, kad Alisa turėtų galėti pridėti kažką prie tos transakcijos,
kas įrodo, kad ji ją matė ir ji ją patvirtino.
Czech:
jako webová stránka, kam může kdokoliv přidávat nové záznamy.
A řekněme, že na konci každého měsíce
se všichni sejdete, podíváte se na seznam transakcí, a vyrovnáte se.
Jestli dlužíte víc, než je dluženo vám, dáte rozdíl do banku;
a pokud vám ostatní v součtu dluží víc, než vy jim, peníze si z banku vezmete.
Takže pravidla pro tenhle jednoduchý systém vypadají asi takhle:
kdokoliv může přidat záznamy do knihy,
a na konci každého měsíce se vyrovnáte.
No jo, ale problém s takovouhle veřejnou knihou je, že kdokoliv může přidat záznam.
Co brání Bobovi napsat "Alice dluží Bobovi $100", aniž by to Alice schválila?
Jak máme věřit tomu, že všechny tyhle transakce
jsou legitimní?
Tady přichází na řadu první kousek kryptografie: digitální podpisy.
Stejně jako u klasických podpisů
je myšlenka taková, že Alice by měla mít možnost přidat něco k transakci,
co dokáže, že ji viděla, a že ji schvaluje.
Portuguese:
Como um website que qualquer um pode ir e adicionar novas linhas
e vamos dizer que no fim do mês, todos se juntam, olham a lista de transações e ajustam as contas.
Se gastou mais do que recebeu, coloca dinheiro no pote
e se você recebeu mais do que gastou, você pega o dinheiro do pote.
Então o protocolo para participar desse sistema simples se parece assim:
qualquer um pode adicionar linhas ao registro, e no fim de cada mês
vocês se juntam e acertam as contas.
Agora, um problema de um registro público como esse
é que qualquer um pode adicionar linhas, então, o que previne Bob
de escrever 'Alice paga 100USD para Bob', sem a aprovação de Alice?
Como podemos confiar que todas as transações
são o que o expedidor queria que elas fossem?
Bem, aqui é onde a primeira parte da criptografia entra,
Assinaturas Digitais
Como assinaturas escritas à mão, a ideia aqui é que
Alice deveria ser capaz de adicionar algo a essa transação
que prove que ela viu, e que ela aprovou
Hungarian:
mint egy weboldal, ahova bárki odamehet és hozzáadhat új sorokat.
És tételezzük fel, hogy minden hónap végén
közösen végignézitek a tranzakciós listát és elrendezitek a tartozásaitokat.
Hogy ha többet költöttél, mint amennyit kaptál, akkor annyi pénzt kell a közösbe rakod;
és ha többet kaptál, mint amennyit költöttél, akkor annyi pénzt vehetsz ki a közösből.
Tehát ennek a nagyon egyszerű rendszernek a következőképpen nézhet ki a protokollja:
bárki adhat hozzá sorokat a főkönyvhöz;
és minden hónap végén elrendezitek a tartozásaitokat.
Na már most egy probléma van ezzel a nyilvános főkönyvvel, mégpedig az hogy bárki hozzáadhat sorokat,
azaz mi akadályozná meg Bobot hogy beírja azt hogy "Alice fizet Bobnak 100$-t" anélkül hogy Alice ezt engedélyezné?
Hogyan tudnánk így megbízni abban, hogy minden tranzakció
az aminek a küldője szánta?
Nos, ez az első hogy ahol egy kicsit képbe jön a kriptográfia: digitális aláírások.
Mint a kézi aláírásoknál,
az elgondolás az hogy Alicenak hozzá kell tudnia adni valamit a tranzakció mellé,
ami igazolja hogy látta és jóváhagyta azt.
Indonesian:
seperti situs web, di mana orang bisa pergi dan hanya menambahkan baris baru.
Dan katakanlah bahwa pada akhir setiap bulan,
Anda semua pergi bersama-sama, melihat daftar transaksi dan menetap.
Jika Anda menghabiskan lebih dari yang Anda terima, Anda memasukkan uang itu ke dalam pot;
dan jika Anda menerima lebih dari yang Anda habiskan, Anda mengeluarkan uang itu.
Jadi protokol untuk menjadi bagian dari sistem yang sangat sederhana ini mungkin terlihat seperti ini:
siapapun bisa menambahkan baris ke buku besar;
dan pada akhir setiap bulan kalian semua berkumpul dan menetap.
Nah, satu masalah dengan buku besar seperti ini adalah siapapun bisa menambahkan satu baris,
jadi apa yang mencegah Bob tidak menulis "Alice membayar Bob $ 100" tanpa Alice menyetujui?
Bagaimana kita bisa percaya bahwa semua transaksi ini?
apa yang dimaksud pengirimnya?
Nah, di sinilah bagian pertama dari kriptografi masuk: "digital signatures" (tanda tangan digital).
Seperti tanda tangan tulisan tangan,
Ide di sini adalah bahwa Alice harus bisa menambahkan sesuatu di samping transaksi itu
yang membuktikan bahwa dia telah melihatnya dan dia menyetujui hal itu.
Turkish:
herkesin girebildiği, birer yeni satırlar ekleyebildiği bir website gibi.
Diyelim ki, her ayın sonunda,
Siz hep beraber, listedeki parasal işlemlere bakarsınız ve hesaplaşırsınız.
Eğer aldığınızdan daha fazla harcarsanız o parayı kumbaraya koyarsınız
ve eğer harcadığınızdan daha fazla para alırsanız o parayı alırsınız
Böylece bu basit sistemin parçası olmak için protokol şöyle ki;
herkes hesap defterine satır ekleyebilir.
ve her ayın sonunda hepiniz birlikte hesaplaşırsınız.
Şimdi, açık bir deftere herhangi birinin bir satır eklemesi gibi bir sorun var
yani Alice'in onayı olmadan, Bob' un "Alice Bob'a $100 öder" yazmasından alıkoyan nedir?
Tüm bu alım-satım işlemlerinin
gönderenin kendisi için olması gerektiğine nasıl güvenebiliriz?
Pekala, bu şifrelemenin ilk göründüğü yer : Dijital imza.
El yazısı imzaları gibi,
Alice bu işlemlerin yanına bir şeyler ekleyebilme fikri burası
ve bu da onun gördüğünü ve onayladığını gösterir.
Italian:
come un sito web, dove ognuno può aggiungere nuove voci.
E supponiamo che alla fine di ogni mese,
vi trovate, leggete la lista delle transazioni e saldate i conti
Se hai speso più di quanto hai ricevuto, metti i soldi sul tavolo;
e se hai ricevuto più di quanto hai speso, prendi i soldi che ti spettano.
Il protocollo per far parte di questo semplice sistema potrebbe quindi essere questo:
Ognuno può aggiungere linee al libro mastro;
e alla fine di ogni mese ci si trova a saldare i conti.
Ora, un problema con un libro mastro pubblico come in questo caso è che ognuno più aggiungere una nuova linea,
quindi cosa impedisce a Bob di scrivere "Alice paga a Bob $100" senza il consenso di Alice?
Come possiamo avere fiducia nel fatto che queste transazioni
sono effettivamente quello che il mittente voleva che fossero?
Ebbene, qui entra in gioco il primo pezzetto di crittografia: le firme digitali.
Come per le firme scritte a mano,
l'idea è che Alice aggiunga un testo accanto alla transazione
certificando che l'abbia vista e che la approvi.
Japanese:
更に誰でも新たな取引記録を追加できる。
月末になると皆が集まり、
リストを見て実際に支払いを行う。
もし受け取った額よりも多くの額を支払ったのなら、ポットに金を置く。
もし支払いよりも多くの受取額があるなら、ポットからその分を取る。
この単純明快なプロトコルの叙述は次のようになる。
誰でも取引記録を元帳に追加できる。
月末に最終的な差し引きを現金で交換する。
このような元帳に関わる一つの問題として、誰もが取引記録を追加できることから、
アリスの了承を得ないまま、「アリスはボブに100ドル支払う」という記録を追加できることである。
元帳にある全ての記録が、送金者の意図があって
行われたものだと信頼するのは難しい。
ここで最初の暗号論的要素が入る、デジタル署名である。
手で書く署名と同じく、
アリスは取引記録の横に何か付随するものを加える。
これによりアリスの意図を持って行われたことを証明する。
Polish:
jak strona internetowa, gdzie każdy może wejść i po prostu dodać nowe rekordy.
I powiedzmy, że na koniec każdego miesiąca,
wszyscy razem siadacie nad listą transakcji i rozliczacie się.
Jeśli wydałeś więcej niż otrzymałeś, dodajesz tę różnicę do puli;
a jeśli otrzymałeś więcej niż wydałeś, wyciągasz te pieniądze z puli.
Więc protokół bycia częścią tego bardzo prostego systemu może wyglądać następująco:
każdy może dodać wiersze do księgi;
i na koniec każdego miesiąca siadacie wszyscy razem i rozliczacie się.
Jednym problemem z publiczną księgą jest taki, że każdy może dodać wiersz,
więc czemu Bob miałby nie dopisać „Alicja płaci Bobowi 100 $” bez zatwierdzenia tego przez Alice?
Jak mamy wierzyć, że wszystkie z tych transakcji
są takie, jakie miały być ?
Cóż, tu z pomocą przychodzi kryptografia: podpisy cyfrowe.
Jak podpisy odręczne,
pomysł jest taki, że Alicja powinna być w stanie dodać coś przy tej transakcji,
co udowodni, że ją widziała i zatwierdziła.
iw:
כמו אתר, שבו כל אחד יכול ללכת ופשוט להוסיף שורות חדשות.
ונניח שבסוף כל חודש,
כולכם נפגשים להתבונן ברשימת העסקאות ולהסדיר את התשלומים.
אם בזבזתם יותר כסף מאשר קיבלתם, אתם שמים כסף בקופה המרכזית
ואם קבלתם יותר ממה שהוצאתם, אתם לוקחים את הכסף הזה מהקופה.
אז, הפרוטוקול כדי להיות חלק מהמערכת הפשוטה הזו עשוי להיראות כך:
כל אחד יכול להוסיף שורות לספר החשבונות
ובסוף כל חודש אתם נפגשים כולכם כדי להסדיר חובות.
עכשיו, בעיה אחת עם ספר חשבונות ציבורי כזה היא שכל אחד יכול להוסיף שורה,
אז מה מונע מבוב מלהוסיף "אליס משלמת בוב מאה דולר" בלי האישור של אליס?
איך אנחנו אמורים לסמוך על כך שכל העסקאות הללו
הן מה שהשולח התכוון שיהיו?
ובכן, כאן נכנסת לתמונה חתיכת הקריפטוגרפיה הראשונה להיום: חתימות דיגיטליות.
כמו חתימות בכתב יד,
הרעיון כאן הוא שאליס תוכל להוסיף משהו בתיעוד העסקה
שמוכיח שהיא ראתה אותה וכי היא מאשרת את קיומה.
Russian:
как, например, страница в сети, и кто угодно сможет добавлять в него записи.
И, допустим, что в конце каждого месяца
вы все вместе будете проверять список операций и рассчитываться друг с другом.
Если вы потратили больше, чем получили, то добавите деньги в общий запас,
а если вы получили больше, чем потратили, то забираете оттуда разницу.
Протокол для участия в этой простой системе может быть таким:
кто угодно может делать записи в реестре;
и в конце каждого месяца все собираются вместе и сводят счета.
Только проблема с таким открытым реестром в том, что добавлять записи могут все,
и что остановит Боба, если он захочет написать «Алиса платит Бобу $100» без её ведома?
Как мы можем быть уверенными, что все операции
происходят по воле отправителя?
На помощь приходит первое изобретение криптографии - цифровые подписи.
Как и в случае с ручными подписями,
идея в том, что Алиса должна добавить к операции
какое-нибудь доказательство того, что она увидела и одобрила её.
Modern Greek (1453-):
σαν έναν ιστότοπο, όπου ο καθένας μπορεί να πάει και απλά να προσθέσει νέες γραμμές.
Και ας πούμε ότι στο τέλος του κάθε μήνα,
μαζεύεστε όλοι μαζί, να δείτε την λίστα των συναλλαγών και να συνεννοηθείτε (σχετικά με το ποιος χρωστάει σε ποιον)
Αν ξοδέψατε περισσότερο από ό,τι έχετε λάβει, θα βάλετε χρήματα στο σύνολο
και αν έχετε λάβει περισσότερα από όσα ξοδέψει, παίρνετε τα χρήματα αυτά έξω (από το σύνολο).
Έτσι, το πρωτόκολλο για να είστε μέρος αυτού του πολύ απλού συστήματος μπορεί να μοιάζει κάπως έτσι:
ο καθένας μπορεί να προσθέσει γραμμές στο βιβλίο
και στο τέλος του κάθε μήνα συγκεντρώνεστε και συνεννοείστε (σχετικά με το ποιος χρωστάει σε ποιον).
Τώρα, ένα πρόβλημα με ένα δημόσιο βιβλίο όπως αυτό είναι ότι ο καθένας μπορεί να προσθέσει μία γραμμή,
έτσι τι αποτρέπει τον Bob από το να πάει και να γράψει «η Alice πληρώνει τον Bob 100$», χωρίς την έγκριση της Alice;
Πώς θα μπορούσαμε να σιγουρευτούμε πως όλες αυτές οι συναλλαγές
είναι αυτές που ο αποστολέας ήθελε να είναι;
Λοιπόν, αυτό είναι το πρώτο κομμάτι της κρυπτογραφίας που έχουμε: ψηφιακές υπογραφές.
Όπως οι χειρόγραφες υπογραφές,
Η ιδέα εδώ είναι ότι η Alice θα πρέπει να είναι σε θέση να προσθέσει κάτι δίπλα σε αυτή τη συναλλαγή
που αποδεικνύει ότι την έχει δει και την έχει εγκρίνει.
German:
Wie eine Website auf der jeder neue Einträge vornehmen kann.
Und an jedem Ende eines Monats
trefft ihr euch, seht die Liste der Transaktionen an, und rechnet ab.
Wenn du mehr ausgegeben hast als du bekommen hast, dann legst du entsprechend viel Geld in den Topf.
Und wenn du mehr bekommen als ausgegeben hast, dann nimmst du dir entsprechend viel Geld aus dem Topf.
Die Regeln um Teil dieses sehr simplen Systems zu sein könnten in etwa so aussehen:
Jeder kann Beiträge zum Bestandsbuch hinzufügen
und am Ende des Monats trefft ihr alle und rechnet ab.
Ein Problem von so einem öffentlichen Bestandsbuch ist allerdings, dass jeder neue Beiträge hinzufügen kann.
Was würde zum Beispiel Bob daran hindern zu schreiben "Alice zahlt 100$ an Bob", ohne dass Alice zustimmt?
Wie können wir sichergehen, dass all diese Transaktionen
auch wirklich das sind, was der Sender im Kopf hatte?
Hier kommt der erste Teil Kryptografie ins Spiel: digitale Unterschriften
Genau wie bei handschriftlichen Unterschriften
ist die Grundidee, dass Alice etwas neben der Transaktion platziert,
das bestätigt, dass sie die Transaktion gesehen hat und mit ihr einverstanden ist.
Chinese:
就像一個網站一樣,每個人都能查閱並添加新記錄
而到了每個月底大家對交易記錄都無異議就會一起合計
如果你花的比收到的多,就要向公家交錢
如果你收到的比花的多,就可以從中取錢
所以這個簡單體系的設計大概會是如下所述
每個人都能向帳本添加交易資訊,到月底再統一結算
但公共帳本存在一個問題,正因為每個人都能添加記錄
應該怎樣避免Bob在沒有Alice核准的情況下偷偷記下:Alice給Bob 100元
我們又憑什麼相信帳本中的記錄都準確無誤呢
這裡就需要密碼學中的電子簽名技術
就像手寫簽名一樣,Alice需能在交易資訊邊上留下記錄
以證明她瞭解並且允許這筆交易發生
English:
This ledger will be something public and accessible
to everyone, like a website where anyone can
go and just add new lines.
At the end of every month, you all look through
the list of transactions and tally everything
up.
If you’ve spent more than you received,
you put that money into the pot, and if you’ve
received more than you spent, you take that
much money out.
So the protocol for being part of this system
looks something like this: Anyone can add
lines to the ledger, and at the end of every
month everyone gets together to settles up
with real money.
One problem with a public ledger like this
is that when anyone can add a line, what’s
to prevent Bob from going in and writing “Alice
pays Bob $100” without Alice approving?
How are we supposed to trust that all these
transactions are what the sender meant for
them to be?
This is where the first bit of cryptography
comes in: Digital signatures.
Like a handwritten signature, the idea here
is that Alice should be able to add something
next to a transaction that proves that she
has seen it, and approved of it.
Vietnamese:
giống như một trang web, nơi mọi người có thể truy cập và cần thêm vào những ghi chú mới.
Và hãy nói rằng vào cuối mỗi tháng,
tất cả các bạn nhìn vào danh sách các giao dịch và giải quyết.
Nếu bạn dành nhiều hơn bạn nhận được, bạn đưa tiền vào khoản chung;
và nếu bạn nhận được nhiều hơn bạn đã bỏ ra, bạn lấy tiền đó ra ngoài.
Vì vậy giao thức trong hệ thống đơn giản này có thể như sau:
Bất cứ ai có thể thêm dòng vào sổ cái;
Và vào cuối mỗi tháng tất cả các bạn đều tụ lại và thanh toán với nhau.
Bây giờ, một vấn đề với một sổ cái chung như thế này là bất cứ ai cũng có thể thêm ghi chú,
vì vậy Bob có thể viết "Alice trả Bob $ 100" mà không có sự đồng ý của Alice?
Làm thế nào chúng ta tin tưởng rằng tất cả các giao dịch này
đúng như sự thật?
Mật mã số được ứng dụng ở vấn đề này: chữ ký số.
Giống như chữ ký viết tay,
ý tưởng ở đây là Alice sẽ có thể thêm một cái gì đó bên cạnh giao dịch đó
để chứng tỏ rằng cô đã nhìn thấy nó và rằng cô ấy đã xác nhận nó.
French:
Où tout le monde pourra aller et ajouter de nouvelles lignes.
Disons qu'à la fin du mois vous êtes tous ok ensemble
vous regardez la liste de transactions et les réglez.
Si vous avez dépensé plus que vous n'avez reçu
vous mettez de l'argent dans le pot et si vous avez reçu plus alors vous prenez
cet argent. Donc le protocole pour faire partie de ce système très simple
pourrait ressembler à ça.
Tout le monde peut ajouter des lignes au livre de compte. Régler avec de l'argent réel chaque fin de mois.
Maintenant un problème avec un livre de compte public comme ça
est que tout le monde peut ajouter une ligne.
Alors qu'est-ce qui empêche Bob d'ajouter
Alice paie Bob 100$ sans l'accord d'Alice.
Comment sommes-nous censés avoir confiance que toutes ces transactions
sont ce que l'émetteur signifie qu'elles sont ?
Et bien c'est là que le premier morceau de cryptographie arrive :
signatures numériques.
Comme les signatures manuscrites, l'idée
est qu'Alice devrait être capable
d'ajouter quelque chose à la suite de la transaction
Chinese:
就像一个网站一样,每个人都能查阅并添加新的记录
而到了每个月底大家对交易记录都无异议就会一起合计
如果你入不敷出,就要向公家交钱
如果仍有结余,就可以从中取钱
所以这个简单体系的设计大概会是如下所述
每个人都能向账本添加交易信息,到月底再统一结算
但公共账本存在一个问题,正因为每个人都能添加记录
应该怎样避免Bob在没有Alice核准的情况下偷偷记下:Alice给Bob 100元
我们又凭什么相信账本中的记录都准确无误呢
这里就需要密码学中的电子签名技术
就像手写签名一样,Alice需能在交易信息边上留下记录
以证明她了解并且允许这笔交易发生
Korean:
아무나 접속해서 글을 추가할 수 있는
웹사이트라고 생각해도 돼.
매달 말일에
모두 모여서 거래 내역을 보고 정산을 하는거지.
여러분이 받은 돈보다 쓴 돈이 더 많다면,
정산할 때 돈을 내야돼.
쓴 돈보다 받은 돈이 더 많다면,
정산할 때 돈을 받으면 되겠지.
이 단순한 시스템을 규약으로 정하면 이렇게 될 거야.
누구든 장부에 기록할 수 있다.
매월 말일에 모여서 정산한다.
이런 공동 장부의 문제점은
아무나 기록할 수 있다는 점이야.
예를 들어 밥이 앨리스의 확인도 없이 자기 멋대로
"앨리스가 밥에게 100달러 지불"이라고 기록한다면?
공동 장부에 기록된 내용들이
돈을 보내는 사람의 의도대로
진실되게 기록되어 있다는 것을
어떻게 믿을 수 있을까?
자, 딱 이 지점에서 암호학이 우리를 도와주러 오는거야.
인사해. '디지털 서명' 이라는 친구야.
손으로 서명하는 것처럼,
앨리스는 자기가 돈을 보낸다는 거래 기록에,
서명같은 효과를 가지는 무언가를 추가할 수 있어야 해.
그 무언가는 앨리스가 그 거래 기록을 직접 보고
승인을 했다는 증표가 되겠지.
Arabic:
مثل موقع الويب، حيث يمكن لأي شخص إضافة أسطر جديدة عليه.
ولنفترض أنكم في نهاية كل شهر،
تلتقون جميعكم للاطلاع على قائمة المعاملات وتسوّّونها
إذا دفعت أكثر مما استلمت، تضع هذا المال في الوسط
وإذا استلمت أكثر مما دفعت، تأخذ هذا المال.
لذا، القواعد اللازم تطبيقها للانضمام لهذا النظام البسيط قد تبدو كالآتي:
بإمكان أي شخص إضافة أسطر على السجل.
وفي نهاية كل شهر سوف تجتمعون معًا لتسوية الأمور.
الآن، هناك مشكلة في سجل عام كهذا وهي أن أي شخص بإمكانه إضافة أسطر،
ما الذي سيمنع (بوب) من كتابة "(أليس) ستدفع لـ(بوب) 100 دولار" دون موافقة (أليس)؟
كيف من المفترض أن نثق بأن كل هذه الصفقات
هي ما يريد مستلمها أن تكون؟
حسنًا، هنا حيث يأتي الجزء الأول من التشفير: التواقيع الرقمية.
كما التواقيع الورقية،
الفكرة هنا أن (أليس) يجب أن تكون قادرة على إضافة شيء ما بجانب تلك العملية
و الذي سيثبت أنها رأتها سابقًا وأنها وافقت عليها.
Chinese:
而且这个签名不能被他人获取并伪造
乍一思索电子签名似乎不太可能实现
无论电子签名是如何存储的,计算机读取并复制即可
那究竟该如何防止伪造呢
要实现电子签名,每个人都需要生成
一对公共密钥及私人密钥
每一个密钥都是一串比特
私人密钥有时也被叫做“秘密”钥匙以便能够缩写成sk
公共密钥则缩写成pk
正如其名,私人密钥是由你自己保存的
现实生活中,你所签署的所有文件中的签名都是一致的
电子签名则更进一步,它会随着签署的内容变化而变化
它看上去就是一串10代码,通常长度是256位
而内容的轻微变动都会让这串代码看上去几乎完全不同
French:
qui prouve qu'elle l'a vu et qu'elle l'approuve.
Et cela devrait être invisible pour quiconque d'imiter cette signature.
D'abord
il pourrait sembler qu'une signature numérique ne pourrait pas être possible.
Quelles que soient les données qui constituent la signature
elles peuvent être lues et copiées par un ordinateur alors comment empêcher l'imitation ?
Et bien, la façon dont ça fonctionne
est que tout le monde génère ce qu'on appelle une paire clé publique et clé privée.
Chacune d'entre elle ressemble
à une chaîne de bits. La clé privée est aussi parfois appelée
une clé secrète que nous pouvons abréger en SK (Secret Key)
tandis que nous abrégerons la clé publique en PK (Public Key)
Maintenant, comme le nom le suggère
cette clé secrète est quelque chose que vous voulez garder secret
pour vous dans le monde réel.
Votre signature manuscrite a l'air identique peu importe le document
que vous signez. Mais une signature numérique
est en faite plus forte. Parce qu'elle change pour des messages différents.
Elle ressemble à des chaînes de caractères de 0 et de 1.
Habituellement quelque chose comme 256 bits.
Et altérer le message même légèrement change complètement
l'apparence de la signature sur ce message.
Japanese:
当然、誰もその署名を真似出来ないようにしなければらない。
するとデジタル署名というのは実現不可能のように思える。
どんなに署名が複雑でも、コンピュータがコピーしてしまえばおしまいである。
どうすればこれを防げるか。
そのためには「公開鍵秘密鍵ペア」を全員が作成することで解決する。
各々の鍵はビットの塊のようなものである。
「秘密鍵」は「私有鍵」とも呼ばれる。
秘密鍵(Secret Key)は「sk」と略し、公開鍵(Public Key)は「pk」と略す。
名前が指し示す通り、秘密鍵は本人しか知り得ないものである。
現実世界において、手書きの署名は時と場所にかかわらず、ほぼ同じ形になるが、
デジタル署名はより強力で、
記録ごとに違うものになる。
署名は0と1の連続であり、大体256ビットである。
署名する記録が少しでも異なれば、
その署名は全く異なるものになる。
Indonesian:
Dan seharusnya tidak layak bagi orang lain untuk menempa tanda tangan itu.
Pada awalnya, sepertinya tanda tangan digital seharusnya tidak mungkin dilakukan.
Maksud saya, data apa pun yang membuat tanda tangan itu bisa dibaca dan disalin oleh komputer,
jadi bagaimana Anda mencegah pemalsuan?
Nah, cara kerjanya adalah semua orang menghasilkan apa yang disebut "kunci publik - pasangan kunci privat",
masing-masing terlihat seperti beberapa untaian bit.
"Kunci privat" terkadang juga disebut sebagai "kunci rahasia",
sehingga kita bisa menyingkatnya sebagai "sk", sementara menyingkat kunci publik adalah "pk".
Sekarang seperti namanya, kunci rahasia ini adalah sesuatu yang ingin Anda simpan untuk diri Anda sendiri.
Di dunia nyata, tanda tangan tulisan tangan Anda terlihat sama tidak peduli dokumen apa yang Anda tanda tangani.
Tapi tanda tangan digital sebenarnya jauh lebih kuat,
karena ia berubah tergantung berbagai pesan.
Itu sepertinya beberapa untaian dari angka-angka satu dan nol, biasanya seperti 256 bit;
dan mengubah pesan sedikit pun
akan benar-benar mengubah tanda tangan pada pesan itu.
Arabic:
و يجب أن يكون غير ممكن لأي شخص آخر أن يزور هذا التوقيع.
للوهلة الأولى، قد يبدو أن مفهوم التوقيع الرقمي مستحيل.
بمعنى أنه مهما كانت البيانات التي تُشكّل التوقيع، يمكن قراءتها ونسخها بواسطة الحاسب،
إذًا، كيف ستمنع التزوير؟
حسنًا، الطريقة التي يعمل بها هي أن ينشئ الجميع ما يسمى "زوج المفتاح العمومي والمفتاح الخاص"
كل واحد منها يبدو وكأنه سلسلة من البتّات (bits).
يُشار إلى "المفتاح الخاص" أحيانًا على أنه "المفتاح السري"
لذا يمكننا اختصاره إلى "SK" (من secret key)، والمفتاح العام إلى "PK" (من public key).
كما يوحي الاسم، المفتاح السري هو شيء عليك الاحتفاظ به لنفسك.
على أرض الواقع، توقيعك الورقي يأخذ نفس الشكل بغض النظر عن المستند الذي تقوم بالتوقيع عليه.
لكن يُعتبر التوقيع الرقمي حقيقةً أقوى بكثير،
لأنه يتغير مع تغير الرسالة.
هو يبدو وكأنه سلسلة من الأصفار والآحاد، الشائع 256 بت
و أي تغيير طفيف في الرسالة الأصلية
سيغير التوقيع تمامًا.
Vietnamese:
Và mục tiêu là không ai có thể giả mạo chữ ký đó.
Lúc đầu, có vẻ như chữ ký số là bất khả thi.
Dù cái chữ ký đó ở dạng dữ liệu nào thì máy tính đều đọc và sao chép được,
vậy làm thế nào để bạn ngăn ngừa giả mạo?
Giải pháp là tất cả mọi người tạo ra một "cặp khóa công khai - cá nhân",
mỗi cái trông giống như một số chuỗi bit.
"Khóa cá nhân" đôi khi còn được gọi là "khoá bí mật"
để chúng ta có thể viết tắt nó là "sk", trong khi viết tắt của "khoá công khai" là "pk".
Như tên cho thấy, "khóa bí mật" này là cái mà bạn không cho ai biết.
Trong thực tế, chữ ký viết tay của bạn sẽ giống nhau cho dù bạn đang ký tài liệu nào.
Nhưng một chữ ký số thực sự mạnh hơn,
bởi vì nó thay đổi ở các tin nhắn khác nhau.
Nó nhìn như một số chuỗi 1 và 0, thường là 256 bit;
và việc thay đổi thông điệp thậm chí một chút
cũng hoàn toàn thay đổi hình dạng của chữ ký trên thông điệp đó.
Czech:
A mělo by být nemožné tento podpis zfalšovat.
Mohlo by se zdát, že digitální podpis je nesmysl.
Vždyť jakákoliv data, která představují podpis, mohou být přečtena a zkopírována,
tak jak zabráníme falšování?
Způsob, jakým tohle funguje je, že všichni si vygenerují takzvaný pár veřejného a soukromého klíče,
oba klíče jsou nějaký řetězec bitů.
Soukromý klíč je také někdy nazýván tajný klíč.
Soukromý klíč můžeme zkracovat jako "sk" a veřejný klíč jako "vk".
Jak už název napovídá, soukromý klíč byste si měli nechat sami pro sebe.
Skutečný, ruční podpis, vypadá pořád stejně, nehledě na to, co podepisujete.
Ale digitální podpis je mnohem silnější,
protože vypadá jinak pro každou podepsanou zprávu.
Je to nějaký řetězec jedniček a nul, většinou 256 bitů;
a změna zprávy, i o jediné písmeno,
kompletně změní podobu vašeho podpisu k této zprávě.
Spanish:
Y debería ser inviable para los demas falsificar esa firma.
Al principio, podría parecer que una firma digital no debería ser siquiera posible
Quiero decir, cualesquiera que fuesen los datos que componen la firma podrian ser leidos y copiados por un ordenador,
Asi que cómo evitas falsificaciones?
Bueno, la forma en que funciona es que todos generan lo que se conoce como un "par clave pública - clave privada"
cada uno de los cuales parece una cadena de bits
La "clave privada" a veces también se la llama "clave secreta"
y la podemos abreviar como "sk" y la clave pública como "pk". (ambas abreviaciones en inglés)
Como el nombre sugiere, esta clave privada es algo que te quieres guardar para tí.
En el mundo real, tu firma tiene el mismo aspecto sin importar que documento firmes
Pero una firma digital es en realidad mucho mas fuerte,
porque cambia para cada mensaje
Parece una cadena de unos y ceros, comunmente de 256 bits;
y alterando el mensaje lo mas mínimo
cambia por completo el aspecto que la firma de ese mensaje tendría que tener
Hungarian:
És ennek az aláírásnak bárki által meghamisíthatatlannak kell lennie.
Elsőre úgy tűnhet, hogy egy ilyen digitális aláírás nem is lehetne igazán lehetséges.
Ez alatt azt értem, hogy bármely, az aláírást tartalmazó adatot egy számítógép egyszerűen beolvashatja és lemásolhaja,
szóval hogyan előződ meg ezt?
Nos, ez úgy működik hogy mindenki létrehoz egy úgynevezett "publikus kulcs - privát kulcs párt"
amelyek úgy néznek ki mint biteknek egy láncolata.
A "privát kulcsot" néha "titkos kulcsnak" (*secret key*) is hívják,
tehát lerövidíthetjük úgy mint "sk", míg a publikus kulcsot úgy mint "pk".
Ahogy a neve is sugalja, a titkos kulcs egy olyasvalami amit nem akarsz kiadni másoknak.
A valós életben, a kézi aláírásod ugyanúgy néz ki attól függetlenül, hogy milyen dokumentumot írsz alá.
Ezzel ellentétben a digitális aláírások valójában sokkal erősebbek,
mert változik a különböző üzeneteknél.
Úgy néz ki mint nullák és egyesek láncolata, amely a leggyakrabban 256 bites;
és ha egy kicsit is változtatunk az üzeneten, akkor az azt is
teljesen megváltoztatja ahogyan az aláírásnak ki kell néznie.
Polish:
I podrobienie podpisu powinno być niemożliwe dla każdego innego użytkownika.
Na początku wydaje się, że podpis cyfrowy nie powinien być w ogóle możliwy.
To znaczy, niezależnie od danych, które tworzą ten podpis, można go po prostu odczytać i skopiować na komputerze,
więc jak można uniknąć fałszerstw?
Cóż, działa to tak, że każdy generuje coś, co nazywa się „parą klucz publiczny/klucz prywatny”
z których każda wygląda jak jakiś ciąg bitów.
„Klucz prywatny” jest czasami nazywany również „tajnym kluczem”,
tak, że możemy skrócić go do „SK”, podczas gdy skrótem od klucza publicznego jest „PK”.
Jak sama nazwa wskazuje, ten tajny klucz jest czymś, co chcesz zachować dla siebie.
W realnym świecie, Twój podpis odręczny wygląda tak samo bez względu na to, jaki dokument podpisujesz.
Ale podpis cyfrowy jest w rzeczywistości znacznie silniejszy,
ponieważ zmienia się dla różnych komunikatów.
To wygląda jak jakiś ciąg zer i jedynek, powszechnie jakieś 256 bitów,
oraz nawet nieznaczna zmiana wiadomości
całkowicie zmienia to, jak powinien wyglądać podpis na tej wiadomości .
Modern Greek (1453-):
Και θα ήταν αδύνατο (πρακτικά) για οποιονδήποτε άλλον, να πλαστογραφήσει αυτή την υπογραφή.
Αρχικά, μπορεί να φαίνεται πως μία ψηφιακή υπογραφή δεν θα έπρεπε καν να είναι δυνατή.
Θέλω να πω ότι, τα δεδομένα που αποτελούν την υπογραφή μπορούν μόνο να διαβαστούν και να αντιγραφούν από έναν υπολογιστή,
οπότε πως αποτρέπεται η πλαστογραφία;
Λοιπόν, ο τρόπος με τον οποίο δουλεύει αυτό είναι ότι ο καθένας δημιουργεί αυτό που ονομάζεται «ζεύγος δημόσιου - ιδιωτικού κλειδιού»,
που το καθένα από αυτά μοιάζει με κάποια σειρά από bits (0 και 1).
Το «ιδιωτικό κλειδί» μερικές φορές ονομάζεται επίσης «μυστικό κλειδί»,
έτσι ώστε να μπορούμε να το συμβολίσουμε με «sk», ενώ το δημόσιο κλειδί με «pk».
Τώρα, όπως υποδηλώνει το όνομα, αυτό το μυστικό κλειδί είναι κάτι που θέλετε να κρατήσετε για τον εαυτό σας.
Στον πραγματικότητα, η χειρόγραφη υπογραφή σας φαίνεται το ίδιο σε κάθε έγγραφο που υπογράφετε.
Αλλά μια ψηφιακή υπογραφή είναι στην πραγματικότητα πολύ πιο ισχυρή,
γιατί αλλάζει για διαφορετικά μηνύματα.
Μοιάζει με κάποια σειρά από 1 και 0, συνήθως κάτι σε 256 bits
και η ελάχιστη αλλαγή του μηνύματος
αλλάζει εντελώς την υπογραφή για αυτό το μήνυμα.
Portuguese:
e deve ser inviável que alguém falsifique essa assinatura
Logo de cara, pode parecer que uma assinatura digital nem mesmo deveria ser possível
quero dizer, qualquer dado que faz parte dessa assinatura pode simplesmente ser lido e copiado
por um computador, então como evitar falsificações?
O jeito que isso funciona é que todo mundo gera
o que é chamado de um Par Chave Pública e Chave Privada
onde cada um se parece com uma sequência de bits.
A chave privada é também chamada de Chave Secreta para que possa ser abreviada 'SK',
enquanto se abrevia a Chave Pública como 'PK'
Como o nome sugere, essa chave secreta é algo que você deve manter para si só.
No mundo real, sua assinatura se parece a mesma não importa o documento que você assine
mas uma assinatura digital é na verdade muito mais forte
pois ela muda com mensagens dferentes
se parece com uma sequência de 1 e 0
normalmente algo como 256 bits
e mudando a mensagem mesmo que minimamente
completamente muda o que a assinatura daquela mensagem deveria ser
Chinese:
而且這個簽名不能被他人獲取並偽造
乍看之下電子簽名似乎不太可能實現
無論電子簽名是如何儲存的,電腦讀取並複製即可
那究竟該如何防止偽造呢
要實現電子簽名,每個人都需要生成
一對公共密鑰及私人密鑰
每一個密鑰都是一串位元
私人密鑰有時也被叫做「秘密」鑰匙以便能夠縮寫成sk
公共密鑰則縮寫成pk
正如其名,私人密鑰是由你自己保存的
現實生活中,你所簽署的所有文件中的簽名都是一致的
電子簽名則更強一些,它會隨著簽署的內容而變化
它看上去就是一串1和0,通常長度是256位
而內容的輕微變動都會讓這串數字看上去完全不同
German:
Und natürlich sollte es unmöglich sein, dass jemand anderes diese Unterschrift fälscht.
Auf den ersten Blick wirkt es so, als sind digitale Unterschriften überhaupt nicht möglich.
Ich meine – völlig egal aus welchen Daten diese Unterschrift besteht, sie kann von einem Computer einfach eingelesen und kopiert werden.
Wie verhindern wir also Fälschungen?
Das funktioniert, indem jeder ein Paar aus einem sogenannten "öffentlichen Schlüssel" und einem "privaten Schlüssel" generiert,
von denen beide aussehen wie eine Bitfolge.
Der "private Schlüssel" wird manchmal auch "Geheimschlüssel" genannt,
so dass wir ihn mit "sk" abkürzen können. Den öffentlichen Schlüssel kürzen wir mit "pk" ab. [englische Abkürzungen wie im Video verwendet]
Wie der Name schon sagt, ist der geheime Schlüssel etwas, was du für dich behalten solltest.
In der realen Welt sieht deine manuelle Unterschrift gleich aus, egal welches Dokument du unterschreibst.
Aber digitale Unterschriften sind eigentlich noch viel stärker,
denn sie verändern sich je nach unterschriebener Nachricht.
Sie sehen aus wie eine Folge aus Nullen und Einsen, meist etwas wie 256 Bits.
Eine kleine Veränderung der Nachricht
verändert das Aussehen der Unterschrift komplett.
English:
And it should be infeasible for anyone else
to forge her signature.
At first it might seem like digital signatures
shouldn’t even be possible, since whatever
data makes up the signature can just be read
and copied by any computer, so how do you
prevent forgeries?
The way this works is that everyone generates
what’s called a public key/private key pair,
each of which looks like some string of bits.
The private key is sometimes also called the
“secret” key, so that we can abbreviate
it to sk while abbreviating the public key
as pk.
As the names suggest, the secret key is something
you should keep to yourself.
In the real world, your handwritten signature
looks the same no matter what document you’re
signing.
A digital signatures is much stronger, because
it changes for different messages.
It looks like a string of 1’s and 0’s,
commonly something like 256 bits, and altering
the message even slightly completely changes
what your signature on that message should
Korean:
그리고 그 증표는 위조가 불가능해야돼.
처음에는 말이야, 디지털 서명이라는 것 자체가
전혀 가능할 것 같지가 않았어.
무슨 말이냐면, 그 디지털 서명을 구성하는 데이터는
컴퓨터로 쉽게 읽고 복사할 수 있을테니
증표로 쓸 수 없을 거라는 얘기지.
쉽게 읽어서 복사할 수 있는데,
위조를 어떻게 막을 수 있겠어?
그런데 '공개키(열쇠)-비공개키(열쇠)'라는 걸 만들면
위조를 막을 수 있어.
공개키와 비공개키는
모두 여러 자리수의 0과 1로 되어 있어.
비공개키는 비밀키라고 부르기도 해.
비밀키를 줄여서 sk라고 하고,
공개키를 줄여서 pk라고 하지.
이름에서 알 수 있는 것처럼,
비밀키는 여러분만 비밀로 가지고 있는 키야.
현실 세계에서 여러분이 직접 손으로 쓴 서명은
어느 문서에 쓰든 똑같아 보이지.
하지만 디지털 서명은 훨씬 더 강력해.
서명하는 문서의 내용에 따라
디지털 서명이 달라진다고.
디지털 서명은 보통 256개의 0과 1의
조합으로 만들어진 하나의 값이야.
문서의 내용 중 단 한 글자만 바뀌어도
256개의 0과 1로 구성된
디지털 서명값은 완전히 달라져.
Italian:
E dovrebbe essere impossibile per chiunque altro falsificare quella firma.
Alla prima occhiata, potrebbe sembrare che una firma digitale sia impossibile da implementare.
Voglio dire, qualunque dato crei quella firma può semplicemente essere letto e copiato da un computer,
quindi com'è possibile prevenire falsificazioni?
Beh, il sistema funzione così: ognuno genera una cosiddetta "copia chiave pubblica - chiave privata",
ognuna delle quali è una stringa di bit.
La "chiave privata" è a volte anche chiamata "chiave segreta",
la abbrevieremo con "sk", mentre la chiave pubblica la abbrevieremo con "pk".
Ora, come suggerito dal nome, la chiave privata è qualcosa che non devi divulgare.
Nel mondo reale, la tua firma scritta a mano è identica indipendentemente dal documento su cui è apposta.
Una firma digitale è invece molto più forte,
perché cambia a seconda del messaggio.
Assomiglia ad una stringa di 1 e 0, di solito lunga 256 bit;
E cambiando anche di poco il messaggio
la firma cambia completamente.
Russian:
И ни у кого не должно быть возможности подделать эту подпись.
Сперва может показаться, что цифровая подпись в принципе невозможна.
В конце концов, любой компьютер может прочитать и скопировать все данные в ней,
но тогда как же предотвратить подделки?
Идея в том, что каждый получает свою «ключевую пару» - открытый и закрытый ключ,
каждый из которых выглядит как цепочка битов.
Закрытый ключ иногда называют секретным,
поэтому обозначим его как «sk», а открытый или публичный ключ как «pk».
Как понятно из названия, секретный ключ нужно хранить в тайне.
В реальном мире ваша ручная подпись выглядит одинаково, что бы вы ни подписывали.
Но цифровая подпись намного надежнее,
потому что она меняется в зависимости от сообщения.
Она выглядит как цепочка из нулей и единиц, чаще всего длиной в 256 бит,
и даже малейшее изменение в сообщении
полностью перестраивает соответствующую ему подпись.
Lithuanian:
Ir turėtų būti neįmanoma bet kam kitam padirbti tą parašą.
Iš pradžių, gali atrodyti, kad skaitmeninis parašas neturėtų net būti įmanomas.
Turiu galvoje, kad ir kokie duomenys sudaro šį parašą, jie gali būti kompiuterio nuskaityti ir nukopijuoti,
tad kaip galime užkirsti kelią padirbimui?
Na, būdas, kaip tai veikia yra tai, kad visi sugeneruoja kas yra vadinama "viešo rakto - privataus rakto porą",
kur kiekvienas raktas atrodo kaip tam tikra bitų eilutė.
"Privatus raktas" kartais yra vadinamas "slaptu raktu",
tad galime sutrumpinti jį kaip "sk", o viešąjį raktą kaip "pk".
Dabar, kaip pavadinimas ir užsimena, šis slaptas raktas yra kažkas, ką tu nori pasilaikyti tik sau pačiam.
Realiame pasaulyje, tavo ranka rašytass parašas atrodo taip pat, nesvarbu, kokį dokumentą pasirašai.
Bet skaitmeninis parašas iš tikro yra daug stipresnis,
nes jis keičiasi su kiekviena skirtinga žinute.
Jis atrodo kaip vienetų ir nulių eilutė, paprastai galbūt 256 bitai;
ir keičiant žinutę net vos vos
visiškai pakeičia kaip parašas ant tos žinutės turėtų atrodyti.
iw:
וזה צריך להיות בלתי מעשי עבור מישהו אחר לזייף את החתימה הזו.
במבט ראשון, זה אולי נראה כי חתימה דיגיטלית היא קונספט בלתי אפשרי.
כלומר, המידע שיוצר את החתימה, מה שלא יהיה, יכול להיקרא ולהיות מועתק על ידי מחשב,
אז איך מונעים זיופים?
ובכן, הדרך שבה זה עובד היא שכולם יוצר מה שנקרא "זוג של מפתח ציבורי ומפתח פרטי",
שכל אחד מהם נראה כמו איזה מחרוזת של ביטים.
"מפתח פרטי" מכונה לעתים גם "מפתח סודי",
כדי שנוכל לקצר את שמו ל-"SK", ואת המפתח הציבורי ל-"PK".
כפי שהשם מרמז, מפתח סודי זה משהו שאתם רוצים לשמור לעצמכם.
בעולם האמיתי, החתימה (בכתב יד) שלכם נראית זהה לא משנה מה המסמך עליו אתם חותמים.
אבל חתימה דיגיטלית היא בעצם הרבה יותר חזקה,
כי היא משתנה עבור מסרים שונים.
היא נראית כמו מחרוזת של אחדות ואפסים, בדרך כלל 256 סיביות (ביטים)
ושינוי של ההודעה המקורית, אפילו במעט
משנה לחלוטין את איך שהחתימה על המסר נראית בסוף.
Turkish:
Ve diğer herkes için taklidi yapılamaz imza olmalı
İlk olarak, sayısal imza olanaksız gibi gözükebilir.
Yani, imzayı oluşturan herhangi veri bilgisayar tarafından okunup kopyalanabilir,
böylece sahtesine nasıl engel olursun?
Pekala, bunun işleyişi herkesin "public key - private key pair" üreten
ve her birinin belirli bit diziyle olması gibi gözüküyor.
"Private key" bazen "secret key" diye de adlandırılır,
böylece bunu "sk" olarak ve public key'i ise "pk" olarak kısaltabiliriz.
Şimdi isimden de anlaşılacağı gibi "secret(gizli) key" saklamak isteyebileceğin bir şey.
Gerçek dünyada, hangi belgeyi imzaladığının önemi olmadan el yazısı imzaların aynı gözükür
Ama bir dijital imza aslında çok daha güçlüdür,
çünkü farklı mesajlar için değişir.
Birler ve sıfırlar dizisi gibi gözükür, genelde 256 bit gibi;
ve mesaj çok az değişime dahi uğrasa
bu mesajın imzası olması gerekenden tamamen değişir
Italian:
Parlando un po' più formalmente,
produrre una firma coinvolge una funzione che dipende sia dal messaggio stesso che dalla tua chiave privata.
La chiave privata assicura che solo tu puoi produrre quella firma,
e il fatto che dipenda dal messaggio
significa che nessun altro può semplicemente copiare una tua firma e falsificarla in un altro messaggio.
Mano nella mano con la prima, c'è una seconda funzione utilizzata per verificare che la firma sia valida.
E qui entra in gioco la chiave pubblica.
Tutto ciò che fa è rispondere "vero" o "falso"
indicando se la firma è stata o meno prodotta dalla chiave privata
associata con la chiave pubblica che si sta usando per la verifica.
Non entro nei dettagli del funzionamento di queste due funzioni
ma l'idea è che sia completamente impossibile trovare una firma valida
senza conoscere la chiave segreta.
Specificatamente, non c'è alcuna strategia migliore che semplicemente indovinare e provare firme casuali,
che puoi testare usando la chiave pubblica che tutti conoscono.
Chinese:
正式一点地讲,产生这样的签名需要一个函数
它同时要求所签署的内容以及你的私人密钥
私人密钥确保了只有你本人能产生这个电子签名
这个签名还取决于签署的内容
就意味着其他人不能简单地复制这个签名
并在其他内容上伪造另一个签名
与此同时还有一个验证函数用于验证签名是否真实
而这个函数还需要公共密钥
它的作用是告诉我们这个签名是否是由一个私钥加密
并有一个与之配对的公钥用于验证
这里并不会具体讨论这些函数具体如何实现
它保证了如果你不知道私钥,
你几乎不可能找到一个正确的签名
准确地讲,并不会有比穷举并反复验证更好的办法了
然后用大家都知道的公钥进行验证
English:
look like.
Formally, producing a signature involves some
function that depends both on the message
itself, and on your private key.
The private key ensures that only you can
produce the signature, and the fact that it
depends on the message means no one can just
copy one of your signatures to forge it on
another message.
Hand-in-hand with this is a function to verify
that a signature is valid, and this is where
the public key comes into play.
All it does it output true or false to indicate
if this was a signature created by the private
key associated with the public key you use
for the verification.
I won’t go into the details how how exactly
these functions work, but the idea is that
it should be completely infeasible to find
a valid signature if you don’t know the
secret key.
Specifically there is no strategy better than
just guessing and checking if random signatures
Portuguese:
falando um pouco mais formalmente
produzir uma assinatura envolve uma função,
que depende da mensagem e da chave privada 'SK'
A chave privada garante que apenas você possa produzir aquela assinatura
e o fato de depender da mensagem
significa que ninguém pode simplesmente copiar uma de suas assinaturas
e falsificá-la em outra mensagem
Junto com isso existe uma segunda função usada para verificar que a assinatura é valida
e é aí que a chave pública entra em jogo
Tudo que ela faz é resultar em Verdadeiro ou Falso
para indicar se a assinatura criada pela chave privada
associada com a chave pública que você está usando para verificação.
Não vou entrar em detalhes de como exatamente
ambas as funções funcionam, mas a ideia é que elas deveriam ser
completamente inviável achar uma assinatura válida
se você não sabe qual a chave secreta
Especificamente, não há estratégia melhor do que
simplesmente adivinhar e testar assinaturas aleatórias, que você pode testar
usando a chave pública que todos conhecem.
Arabic:
بصياغة أكثر جدّية قليلًا،
لإنشاء توقيع تُستخدم دالة تعتمد على كُلٍّ من الرسالة نفسها والمفتاح الخاص.
المفتاح الخاص يُحتِّم على أنك أنت وحدك من يمكنه إنشاء توقيع،
و بما أن التوقيع يعتمد على الرسالة
فهذا يعني أنه لا يمكن لأي أحد نسخ توقيعك وتزويره في رسالة أخرى.
بجانب هذه الدالة، توجد دالة أخرى تتأكد من أن التوقيع صحيح.
و هنا يأتي دور المفتاح العام.
كل ما تفعله هذه الدالة هو إرجاع نتيجة إما "صح" أو "خطأ"
لتحديد ما إذا كان هذا التوقيع هو نفسه المُنشَأ بواسطة المفتاح الخاص
المرتبط بالمفتاح العام الذي تستخدمه لعملية التحقق.
لن أخوض بتفاصيل كيفية عمل كل من هذه الدالتين،
لكن الفكرة هي استحالة إيجاد توقيع صالح
إذا لم تكن تعرف المفتاح السري.
على وجه التحديد، لا توجد طريقة أفضل من مجرد التخمين والتحقق من التوقيعات العشوائية،
حيث يمكنك التحقق باستخدام المفتاح العام الذي هو معروف لدى الجميع
Hungarian:
Egy kicsit hivatalosabban mondva,
az aláírás létrehozása egy olyan függvényt foglal magában amely függ mind az üzenettől, és a privát kulcstól is.
A privát kulcs biztosítja azt hogy csak te tudod létrehozni ezt az aláírást,
és a tény hogy függ az üzenettől
azt jelenti, hogy senki nem tudja csak úgy lemásolni az aláírásodat, hogy meghamisítson vele egy másik üzenetet.
Ezzel kéz a kézben jár egy másik függvény amely az aláírás érvényességét hivatott ellenőrizni.
És itt jön képbe a publikus kulcs.
Mindössze annyit csinál hogy egy "igaz" vagy "hamis" állitást ad vissza
hogy jelezze ha ez az aláírás azzal a privát kulcssal készült
amelyhez az a publikus kulcs tartozik amit az ellenőrzésre használsz.
Nem fogok belemenni annak a részleteiben hogy pontosan hogyan működnek ezek a függvények,
de lényeg az hogy lehetetlen legyen találni egy érvényes aláírást
ha nem tudod a titkos kulcsot.
Pontosabban, nincs jobb stratégia annál, mint hogy véletlenszerűen találunk ki és ellenőrzünk le aláírásokat,
amit a mindenki által ismert publikus kulcs használatával ellenőrizhetsz le.
Polish:
Mówiąc nieco bardziej formalnie,
tworzenie podpisu obejmuje funkcję, która zależy zarówno od samej wiadomości jak i od Twojego klucza prywatnego.
Klucz prywatny zapewnia, że tylko Ty możesz wygenerować ten podpis,
i fakt, że zależy on od komunikatu
oznacza, że nikt nie może po prostu skopiować jednego z Twoich podpisów, a następnie podrobić go pod innym komunikatem.
Ręka w rękę z tą działa druga funkcja służąca do weryfikacji, czy podpis jest ważny.
I tu klucz publiczny wchodzi w grę.
Zwraca on tylko komunikat „prawda” lub „fałsz”,
aby wskazać, czy był to podpis wygenerowany przez klucz prywatny
związany z kluczem publicznym, którego używasz do weryfikacji.
Nie będę wchodził w szczegóły tego, jak dokładnie działają obie te funkcje,
ale chodzi o to, że znalezienie prawidłowego podpisu powinno być absolutnie niemożliwe
bez znajomości tajnego klucza.
W szczególności, nie ma lepszej strategii niż zgadywanie i sprawdzanie losowych podpisów,
które można sprawdzić przy użyciu klucza publicznego, który zna każdy.
German:
Etwas formaler:
Die Unterschrift wird mit Hilfe einer Funktion erstellt, die von der Nachricht selbst und deinem privaten Schlüssel abhängig ist.
Der private Schlüssel stellt sicher, dass nur du die Unterschrift erstellen kannst.
Und da die Unterschrift auch von der Nachricht abhängig ist,
kann niemand einfach deine Unterschrift kopieren und unter einer anderen Nachricht einfügen.
Dieser Prozess läuft Hand in Hand mit einer zweiten Funktion, die prüft ob die Unterschrift gültig ist.
Und hier kommt der öffentliche Schlüssel ins Spiel:
Alles was er ausgibt, ist ein "Wahr" oder "Falsch",
das aussagt ob die Unterschrift mit dem privaten Schlüssel erstellt wurde,
der zu dem öffentlichen Schlüssel gehört mit dem du die Gültigkeit der Unterschrift prüfst.
Ich werde nicht in die Details dieser beiden Funktionen gehen,
aber die Grundidee ist, dass es absolut unmöglich sein sollte, eine gültige Unterschrift zu finden
ohne den privaten Schlüssel zu besitzen.
Insbesondere gibt es keine bessere Strategie als einfach zufällige Kombinationen auszuprobieren,
die man mit dem allen bekannten öffentlichen Schlüssel testen kann.
Modern Greek (1453-):
Μιλώντας λίγο πιο επίσημα,
η παράγωγή μιας υπογραφής εμπλέκει μία συνάρτηση που εξαρτάται τόσο από το ίδιο το μήνυμα όσο και από το ιδιωτικό κλειδί σας.
Το ιδιωτικό κλειδί διασφαλίζει ότι μόνο εσείς μπορείτε να δημιουργήσετε αυτή την υπογραφή,
και το γεγονός ότι εξαρτάται από το μήνυμα
σημαίνει ότι κανείς δεν μπορεί να αντιγράψει μόνο μία από τις υπογραφές σας και στη συνέχεια να την πλαστογραφήσει σε άλλο μήνυμα.
Παράλληλα με αυτό, υπάρχει και μία δεύτερη συνάρτηση που χρησιμοποιείται για την επαλήθευση της εγκυρότητας της υπογραφής.
Και εδώ το δημόσιο κλειδί μπαίνει στο παιχνίδι.
Το μόνο που κάνει είναι να εξάγει "Αληθές" ή "Ψευδές"
για να υποδείξει αν αυτή ήταν μία υπογραφή που παράγεται από το ιδιωτικό κλειδί
που συνδέεται με το δημόσιο κλειδί που χρησιμοποιείται για επαλήθευση.
Δεν θα μπω σε λεπτομέρειες για το πώς ακριβώς λειτουργούν οι δύο αυτές λειτουργίες,
αλλά η ιδέα είναι ότι θα πρέπει να είναι εντελώς ανέφικτο να βρεθεί μια έγκυρη υπογραφή
αν δεν ξέρετε το μυστικό κλειδί.
Συγκεκριμένα, δεν υπάρχει καλύτερη στρατηγική από τον έλεγχο τυχαίων υπογραφών,
το οποίο μπορείτε να ελέγξετε χρησιμοποιώντας το δημόσιο κλειδί που όλοι γνωρίζουν.
Turkish:
Biraz usulüne göre konuşursak
bir imza üretimi mesajın kendisine ve "private key" ine bağımlı bir işlevsellik içerir.
"Private key" sadece senin imza üretebilmeni garantiler,
ve gerçek o ki bu da mesaja göre değişir
anlamı, kimsenin senin imzalarından birini kopyalayamaz ve sonra onu başka mesajlarda taklit edemez.
Devamında, bu da imzanın geçerli olduğunu doğrulamak için kullanılan ikinci işlevdir
Ve burası da "public key" in oynamaya girdiği yer.
Tüm yaptığı "true" veya "false" üretmek
amacı ise eğer bu imza "private key" tarafından üretildiyse
doğrulamak için kullandığın "public key" ile ilişkili olduğunu belirtir.
Bu iki işlevin nasıl çalıştığına dair detaylara girmeyeceğim,
ama ana fikir, bir geçerli imza bulmak tamamen olanaksız olmalı
tabii "secret key(private )" i bilmiyorsan.
Özellikle, rastgele imzaları tahmin etme ve kontrol etmekten daha iyi bir taktik yok,
ki herkesin bildiği "public key" i kullanarak kontrol edebilirsin.
Japanese:
より正確に言えば、
署名の生成には記録と秘密鍵を引数とする関数を用い、
この秘密鍵が署名の発行が本人のものであると保証する。
また、署名が記録に依存することは、
他の記録にある署名を単純にコピーすることはできないことを意味する。
二つ目の関数は、これと対になるもので、署名の認証を行う。
ここで公開鍵が威力を発揮する。
戻り値は「真」か「偽」で、
署名が認証に使用した公開鍵に対応する
秘密鍵で生成されたかどうかを示す。
この二つの関数がどのように動作するかの詳細は説明しないが、
秘密鍵がなければ正当な署名を生成するのが事実上不可能というアイデアは、
理解していただけると思う。
つまり署名を偽造するのに、適当に署名を作り出し、すでに知っている公開鍵を使って、
正当性をチェックする以外の方法はない。
Korean:
조금 더 공식적으로 얘기하면,
디지털 서명값은 문서의 내용과 여러분의 비밀키를
조합하는 함수에 의해 만들어져.
비밀키는 오직 여러분만이 알고 있으므로,
여러분의 디지털 서명값은 여러분만 만들 수 있지.
그리고 디지털 서명값을 만들 때
비밀키와 함께 문서의 내용이 포함된다는 것은
누군가가 여러분의 디지털 서명값을 훔쳐도,
그 훔친 디지털 서명값은 다른 문서에 대한 증표로는
사용할 수 없다는 것을 의미하지.
디지털 서명과 관련된 두 번째 함수는
디지털 서명값이 유효한지 확인하는데 사용돼.
그리고 디지털 서명값의 유효성을 확인할 때
비밀키의 짝꿍인 공개키가 사용되지.
두 번째 함수는 단순하게 참 또는 거짓 만을
결과값으로 반환하는데,
디지털 서명값이 공개키와 짝꿍인 비밀키를 이용해서
만들어져 있으면 참을,
그렇지 않으면 거짓을 반환해.
디지털 서명값이 비밀키로 만들어져있다는 사실을,
어떻게 공개키를 이용해서 확인할 수 있는지
그 깊은 상세 내용을 여기에서 정확하게
다룰 필요까지는 없겠지만,
비밀키를 모른다면 유효한 디지털 서명값을
찾아낼 수 없다는 것만은
알고 넘어가자고.
구체적으로 얘기하면, 비밀키를 모르면
그냥 아무 값이나 디지털 서명값으로 정하고,
공개키와 함께 계산해서 디지털 서명값이 유효한지
확인하는 것을 반복 하는 것 외에 다른 방법이 없어.
French:
Techniquement parlant produire une signature
implique une fonction qui dépend
à la fois du message lui-même et de votre clé privée.
La clé privée assure que vous seul pouvez produire
cette signature et le fait qu'elle dépende du message
signifie que personne ne peut copier l'une de vos signatures et l'imiter
pour un autre message.
Main dans la main avec ça il y a une seconde fonction
utilisée pour vérifier que la signature est valide.
Et c'est là que la clé publique intervient.
Tout ce qu'elle fait c'est
d'exporter vraie ou faux pour indique si cette signature a été produite
par la clé privée associée avec la clé publique que vous utilisez pour la vérification.
Je n'entrerais pas dans les détails de
comment ces deux fonctions marchent exactement.
Mais l'idée est que cela devrait
être complètement infaisable
de trouver une signature valide si vous ne connaissez pas
la clé secrète. En particulier, il n'y a pas de stratégie
meilleure que d'essayer de deviner et de vérifier des signatures aléatoires.
Que vous pouvez vérifier en utilisant la clé publique que tout le monde connaît.
Russian:
Говоря немного формальнее,
в создании подписи участвует функция, которая зависит и от сообщения, и от закрытого ключа.
Благодаря закрытому ключу подпись можете сделать только вы,
а из-за того, что ваша подпись зависит от сообщения,
никто не сможет просто скопировать её из одного сообщения и подделать на другом.
Вместе с этим для подтверждения подписи работает и другая фунция.
Здесь в дело вступает открытый ключ.
Он просто выдает «true» или «false»
в зависимости от того, была ли подпись создана на основе закрытого ключа,
который соответствует вашему открытому ключу.
Не буду вдаваться в детали работы этих функций,
но суть в том, что совсем невозможно подобрать правильную подпись,
не имея доступа к секретному ключу.
Точнее говоря, лучшая стратегия - это перебор и проверка случайных подписей,
используя открытый ключ, который знают все.
iw:
ובניסוח פורמאלי יותר,
הפקת החתימה כוללת פונקציה שתלויה הן בהודעה עצמה והן במפתח הפרטי שלכם.
המפתח הפרטי מבטיח שרק אתם יכולים לייצר את החתימה,
והעובדה שהיא תלויה בהודעה עצמה
אומרת שאף אחד לא יכול פשוט להעתיק את אחת החתימות שלכם ואז לזייף אותה בהודעה אחרת.
יד-ביד עם פונקציה זו מגיעה פונקציה שנייה, המשומשת כדי לוודא חתימה שהחתימה תקפה.
וכאן המפתח הציבורי נכנס למשחק.
כל מה שהפונקציה השנייה עושה היא לפלוט "אמת" או "שקר"
כדי לציין אם החתימה נוצרה על ידי המפתח הפרטי
הקשור למפתח הציבורי שאתם משתמשים בו לצורך אימות.
אני לא אכנס לפרטים של איך בדיוק הפונקציות האלו עובדות,
אבל הרעיון הוא שזה צריך להיות לגמרי לא מעשי ליצור חתימה תקפה
אם אתה לא יודע את המפתח הסודי.
באופן ספציפי, אין דרך טובה יותר לייצר כזו מאשר רק לנחש ולבדוק אוטומטית חתימות אקראיות,
שאותן אתם יכולים לבדוק באמצעות המפתח הציבורי שידוע לכולם.
Vietnamese:
Nói chính xác hơn một chút,
việc tạo ra một chữ ký số đòi hỏi một phương trình có biến là (thông điệp, "khoá cá nhân") của bạn.
"Khóa cá nhân" đảm bảo rằng chỉ có bạn mới có thể tạo ra chữ ký đó,
và việc nó phụ thuộc vào thông điệp
nghĩa là không ai có thể sao chép một trong những chữ ký của bạn và giả mạo nó trên một tin nhắn khác.
Cùng với đó là một phương trình thứ hai được sử dụng để xác minh rằng một chữ ký là hợp lệ.
Và đây là nơi mà "khoá công khai" phát huy tác dụng.
Tất cả những gì nó tạo ra kết quả "đúng" hoặc "sai"
để cho biết đây có phải là một chữ ký được sản xuất bởi cái "khóa cá nhân"
mà được liên kết với "khóa công khai" mà bạn đang sử dụng để xác minh hay không.
Tôi sẽ không đi vào chi tiết chính xác cách mà hai phương trình này hoạt động,
nhưng ý tưởng là nó phải đảm bảo là không thể tìm được một chữ ký hợp lệ
nếu bạn không biết "khóa bí mật".
Cụ thể, không có chiến lược nào tốt hơn là chỉ ngẫu nhiên đoán và kiểm tra chữ ký,
mà bạn có thể kiểm tra bằng cách sử dụng "khóa công khai" mà mọi người đều biết.
Spanish:
Formalmente dicho
producir una firma conlleva una función que depende tanto del mensaje en si como de tu clave privada.
La clave privada asegura que solo tú puedes producir la firma
y el hecho de que depende del mensaje
significa que nadie puede simplemente copiar una de tus firmas y pegarla en otro mensaje.
Junto con esto hay una segunda función que sirve para verificar que una firma es válida.
Y es aquí donde entra en juego la clave pública.
Todo lo que hace es devolver "verdadero" o "falso"
para indicar que es una firma producida por la clave privada
asociada con la clave pública que estas usando para la verificación.
No entraré en los detalles de cómo funcionan estas funciones exactamente,
pero la idea es que debería ser completamente inasquible encontrar una firma válida
si no conoces la clave privada.
Especificamente, no hay mejor estrategia que intentar adivinarla probando firmas aleatorias
que puedes comprobar utilizando la clave pública que todo el mundo conoce
Czech:
Formálně řečeno,
tvorba podpisu zahrnuje funkci, jež je závislá jak na zprávě samotné, tak na vašem soukromém klíči.
Soukromý klíč zajišťuje, že jen vy můžete podpis vytvořit
a fakt, že podpis závisí na zprávě,
znamená, že nikdo nemůže váš podpis prostě vzít a nakopírovat k jiné zprávě.
K tomu jde ruku v ruce druhá funkce, která verifikuje, že podpis je pravý.
V té se využívá veřejného klíče.
Výstup funkce je jednoduše "ano" nebo "ne",
což značí, zda byl zkoumaný podpis vyprodukován soukromým klíčem,
který je v páru s veřejným klíčem, který právě používáme k verifikaci.
Nebudu zabrušovat do toho, jak tyto funkce fungují,
ale pointa je v tom, že je výpočetně nemožné najít platný podpis,
pokud neznáte soukromý klíč.
Neexistuje žádný lepší způsob, než hádání náhodných podpisů,
a jejich kontrolování pomocí veřejného klíče, který všichni znají.
Chinese:
正式一點地講,產生這樣的簽名需要一個函數
以簽署的內容以及你的私人密鑰作爲參數
私人密鑰確保了只有你本人能產生這個電子簽名
這個簽名還取決於簽署的內容
就意味著其他人不能簡單地複製這個簽名
並在其他內容上偽造另一個簽名
與此同時還有一個驗證函數用於驗證簽名是否真實
而這個函數還需要公共密鑰
它的作用是告訴我們這個簽名是否是由一個私鑰加密
並有一個與之配對的公鑰用於驗證
這裡並不會具體討論這些函數具體如何實現
它保證了如果你不知道私鑰,
你幾乎不可能找到一個正確的簽名
更準確地講,並不會有比隨機猜測簽名
然後用大家都知道的公鑰反覆驗證更好的方法了
Lithuanian:
Kalbant truputį formaliau,
parašo sukūrime dalyvauja funkcija, kuri priklauso ir nuo pačios žinutės ir nuo tavo privataus rakto.
Privatus raktas užtikrina, kad tik tu vienas gali sukurti tą parašą,
ir tas faktas, kad parašas priklauso nuo žinutės,
reiškia, kad niekas negali tiesiog nukopijuoti vieno iš tavo parašų ir padirbti jį ant kitos žinutės.
Kartu su tuo yra antra funkcija, skirta patikrinti, kad parašas yra validus (tikras, nepadirbtas).
Ir štai čia dalyvauja viešas raktas.
Viskas, ką ši funkcija daro, tai išveda "tiesa" arba "netiesa",
kad parodytų, ar šis parašas buvo sukurtas privačiu raktu,
asocijuotu su viešu raktu, kurį naudoji patikrinimui.
Aš nesismulkinsiu, kaip konkrečiai šios abi funkcijos veikia,
bet idėja yra ta, kad turėtų būti visiškai neįmanoma surasti validų parašą,
jei nežinai slapto rakto.
Specifiškai, nėra geresnės strategijos negu tiesiog spėti ir tikrinti atsitiktinai parašus,
kuriuos gali patikrinti viešu raktu, kurį visi žino.
Indonesian:
Berbicara sedikit lebih formal,
Menghasilkan tanda tangan melibatkan fungsi yang bergantung pada pesan itu sendiri dan pada kunci privat Anda.
Kunci privat memastikan bahwa hanya Anda yang bisa menghasilkan tanda tangan itu,
dan fakta bahwa itu tergantung pada pesannya
berarti tidak ada yang bisa menyalin salah satu tanda tangan Anda dan kemudian menempanya di pesan lain.
berhubungan dengan ini adalah fungsi kedua yang digunakan untuk memverifikasi bahwa tanda tangan itu valid.
Dan di sinilah kunci publik mulai dimainkan.
Semua itu menghasilkan "betul" (T) atau "salah" (F)
untuk menunjukkan apakah ini adalah tanda tangan yang dihasilkan oleh kunci privat
terkait dengan kunci publik yang Anda gunakan untuk verifikasi.
Saya tidak akan membahas secara rinci bagaimana sebenarnya kedua fungsi ini bekerja,
Tapi idenya adalah bahwa hal itu seharusnya benar-benar tidak layak untuk menemukan tanda tangan yang sah
Jika Anda tidak tahu kunci rahasia itu.
Secara khusus, tidak ada strategi yang lebih baik daripada hanya menebak dan memeriksa tanda tangan acak,
yang bisa Anda periksa menggunakan kunci publik yang semua orang tahu.
Arabic:
فكر الآن في عدد التوقيعات الموجودة بطول 256 بت،
إنه 2 أٌس 256.
هذا رقم ضخم جدًا.
نحن نبالغ بتضخيم علم الفلك إذا سمينا هذا الرقم بالفلكي.
في الحقيقة، قمت بعمل فيديو آخر مخصص فقط لتوضيح مدى ضخامة هذا الرقم.
الآن، كل ما سنقوله أنك
عندما تتحقق من التوقيع الموجود على الرسالة وظهر أنه صالح
يمكنك أن تشعر بثقة كبيرة من أن الطريقة الوحيدة لإنشائه
هي أن يعرف المفتاح السري المرتبط بالمفتاح العام الذي استخدَمتَه في عملية التحقق.
الآن تأكد أن توقيع الناس على العمليات في السجل فكرة جيدة،
لكن هناك ثغرة صغيرة واحدة:
إذا وقعت (أليس) على عملية ما، مثل "(أليس) ستدفع لـ(بوب) 100 دولار"
وعلى الرغم من أن (بوب) لا يستطيع تزوير توقيع (أليس) على الرسائل الجديدة،
لكنه يستطيع نسخ نفس السطر بقدر ما يشاء،
وهذا يعني أن هذا الدمج بين الرسالة والتوقيع مايزال صالحًا.
Chinese:
現在想想256位元到底有多少可能的簽名
總共有2的256次方個可能的簽名
這是一個天文數字
稱其為天文數字實際上又遠遠高估了天文學的範疇
我還做了另一個補充影片來演示這個數字究竟有多大
現在假設你驗證了一個簽名是真的
你就能相當有把握地認為
這個簽名只能由他本人持有的私鑰加密產生
以及與這個私鑰配對的公鑰驗證
現在確保了每個人都會在交易資訊後面簽名
但仍然存在另一個問題
比如Alice簽署了一條Alice支付Bob 100元的交易記錄
即便Bob不能在Alice的新交易記錄上偽造簽名
他可以乾脆把這整條記錄隨心所欲地複製好幾遍
因爲這些記錄以及它對應的簽名都是正確的
Spanish:
Ahora piensa cuantas firmas hay con una longitud de 256 bits,
eso es 2^256
Este es un numero ridiculamente largo.
LLamarlo astronomicamente largo sería dar demasiado crédito a la astronomía.
De hecho, hice un video como suplemento solo para ilustrar lo enorme que es este número.
Aquí, solamente digamos que
cuando verificas que una firma para un mensaje dado es válido,
puedes sentirte extremadamente confiado de que la única forma en que alguien pudiese haberlo producido
es conociendo la clave secreta asociada con la clave publica que usaste para la verificación.
Asegurarse de que la gente firma las transacciones en el libro de cuentas está bastante bien
pero hay una pequeña laguna:
si Alice firma una transaccion, como "Alice paga a Bob 100$",
aunque Bob no puede falsificar la firma de Alice en un nuevo mensaje,
el podría simplemente copiar la misma linea tantas veces como quisiera.
Quiero decir, la combinación mensaje-firma sigue siendo válida.
Portuguese:
Agora pense em quantas assinaturas existem
com um tamanho de 256 bits.
Isso é 2 elevado a 256
é um número estupidamente enorme
chamá-lo de astronomicamente enorme seria dar muito crédito para a astronomia
Na verdade, eu fiz um vídeo complementar
dedicado só para ilustrar quão enorme ele é
aqui vamos só dizer que quando você verifica
que uma assinatura de uma certa mensagem é valida
você pode ficar extremamente confiante de que a única forma que alguém poderia ter feito ela
é se eles soubessem a chave secreta
associada com a chave pública usada para a verificação.
Agora ter certeza de que as pessoas assinem transações no registro
é muito bom, mas há um pequeno problema.
Se Alice assinar uma transação como
Alice paga 100USD para Bob
mesmo que Bob não possa falsificar a assinatura de Alice em uma nova mensagem
ele poderia simplesmente copiar aquela linha quantas vezes quisesse
afinal a combinação mensagem-assinatura continua válida
Hungarian:
Most gondolj bele abba hogy hány aláírás lehetséges egy 256 bites hosszúsággal,
ez 2^256.
Ez egy hülyén nagy szám.
Ha csillagászatilag nagy számnak mondanánk akkor azzal túl nagy hitelt adnánk az asztronómiának.
Valójában csináltam egy kiegészítő videót amit csak ennek a hatalmas számnak a szemléltetésére szántam.
Egyelőre maradjunk csak annyiban, hogy
amikor leellenőrizted hogy egy adott üzenethez tartozó aláírás érvényes,
akkor egészen biztos lehetsz abban, hogy az egyetlen módja annak, hogy ezt az aláírást elkészítsék az az,
hogy ha ismerték az aláírás ellenőrzésére használt publikus kulcsohoz tartozó titkos kulcsot.
Namost az elég jó, hogy ha meggyőződhetünk arról, hogy az emberek aláírják a főkönyvben lévő tranzakciókat,
de van egy kiskapu:
ha Alice aláír egy tranzakciót, például "Alice fizet Bobnak 100$-t",
habár Bob nem tudja meghamisítani Alice aláírását egy új üzeneten,
de le tudná másolni ugyanazt a sort ahányszor csak szeretné.
Úgy értem, hogy az üzenet-aláírás páros érvényes marad.
Russian:
А теперь подумайте, сколько существует подписей длиной в 256 бит:
всего их 2^256.
Это безумно большое число.
Назвать его астрономически большим польстило бы самой астрономии.
Я даже снял отдельное видео, просто чтобы показать, какое это огромное число.
Пока давайте просто считать,
что как только вы подтвердили подлинность подписи по сообщению,
вы можете быть уверены, что её могли сделать лишь зная секретный ключ,
который соответствует использованному для верификации открытому ключу.
Подписи на записях в журнале - это, конечно, здорово,
но есть одна уловка:
допустим, Алиса подписывает операцию - например, «Алиса платит Бобу $100».
Пусть Боб и не может подделать подпись на другом сообщении,
но по крайней мере он мог бы скопировать ту же самую запись столько раз, сколько захочет.
То есть сообщение и подпись все еще соответствовали бы друг другу.
Italian:
Ora pensa a quante firme lunghe 256 bit esistono,
sono 2^256.
È un numero stupidamente grande.
Chiamarlo astronomico darebbe troppo credito all'astronomia.
Infatti ho pubblicato un video supplementare solo per illustrare quanto questo numero sia gigantesco.
Qui diciamo solo che
quando hai verificato che la firma di un documento è valida
puoi essere estremamente fiducioso che l'unico modo con cui qualcuno abbia potuto produrla
è conoscendo la chiave segreta associata alla chiave pubblica che hai utilizzato per la verifica.
Ora, assicurarsi che le persone firmino le transazioni nel libro mastro va bene
ma c'è una piccola scappatoia:
se Alice firma una transazione come ad esempio "Alice paga a Bob $100",
anche se Bob non può falsificare la firma di Alice su un nuovo messaggio,
potrebbe semplicemente copiare la stessa linea tutte le volte che vuole.
Voglio dire, la combinazione messaggio-firma rimane valida.
Turkish:
Şimdi kaç tane imzanın 256 bit uzunluğunda olduğunu düşün,
ki bu da 2^256 dır.
Bu aptalca büyük bir sayı.
Bunu astronomik büyüklük olarak adlandırmak astronomiye itibar kazandırırdı.
Aslında, sadece büyük sayıların ne olduğunu gösteren bir ek video yaptım
Tam burada, diyelim ki
verilen geçerli mesaja karşı bir imza doğruladın,
bunu üretebilen biri sadece bir şekilde üretebildiği için
son derecede kendine güvenebilirsin
ki bu da onların "secret key" ile "public key" i doğrulama için ilişkilendirmeleri.
Şimdi insanların para işlemlerini imzalamalarından emin olmak oldukça güzel,
ama hafif bir boşluk var :
eğer Alice "Alice Bob'a $100 ödedi" şeklinde bir işlem imzalarsa,
hatta Bob Alice' in imzasını, yeni bir mesajın üzerine taklit edemese bile
istediği kadar aynı satırı kopyalayabilir
Yani, mesaj-imza kombinasyonu geçerli kalır.
Polish:
Teraz pomyśl, ile istnieje podpisów o długości 256 bitów.
Jest ich 2^256.
To głupio duża liczba.
Nazwać ją astronomicznie dużą byłoby przecenieniem astronomii.
Właściwie, zrobiłem dodatkowy film poświęcony właśnie zilustrowaniu, jak ogromna jest to liczba.
Tutaj powiedzmy, że
po sprawdzeniu, że podpis pod danym komunikatem jest ważny,
możesz czuć się bardzo pewny, że ktoś mógłby go wygenerować tylko wtedy,
gdyby znał tajny klucz powiązany z kluczem publicznym, który wykorzystano do weryfikacji.
Zatem upewnienie się, że ludzie podpisują transakcje w księdze, jest dość wiarygodne,
ale jest jedna niewielka luka:
jeśli Alicja podpisuje transakcję, na przykład „Alicja płaci Bobowi 100 $”,
mimo że Bob nie może podrobić podpisu Alicji pod nową wiadomością,
mógłby po prostu skopiować ten wiersz, tyle razy, ile chce.
To znaczy, ta kombinacja komunikat-podpis pozostaje ważna.
Lithuanian:
Dabar pagalvok, kiek yra parašų su 256 bitų ilgiu.
Tai 2^256 (2 pakelta 256 laipsniu).
Tai yra durnai didelis skaičius.
Vadinti jį astronomiškai dideliu, būtų per didelis garbės priskyrimas astronomijai.
Iš tiesų, padariau papildinį video skirtą vien tam, kad iliustruočiau, koks milžiniškas šis skaičius yra.
Čia, tiesiog sakykim,
kad kai tu patikrinai ar parašas tam tikrai duotai žinutei yra validus,
tu gali jaustis visiškai tikras, kad vienintelis būdas, kaip kažkas galėjo jį sukurti,
tai yra tik jei jis žinojo slaptą raktą, asocijuotą su viešu raktu, kurį tu naudojai patikrinimui.
Dabar užtikrinti, kad žmonės pasirašo transakcijas apskaitoje yra visai gerai,
bet yra vienas nedidelis apėjimas:
jei Alisa pasirašo transakciją, pavyzdžiui "Alisa sumoka Bobui $100",
nors Bobas ir negali padirbti Alisos parašo naujai žinutei,
jis tiesiog gali nukopijuoti tą pačią eilutę kiek nori kartų.
Turiu galvoje, toji žinutės - parašo kombinacija išlieka validi.
Modern Greek (1453-):
Τώρα σκεφτείτε πόσες υπογραφές υπάρχουν με μήκος 256 bits,
αυτό είναι 2 ^ 256 (2 εις την 256).
Αυτό είναι ένα βλακώδες μεγάλο νούμερο.
Με το να το αποκαλέσετε αστρονομικά μεγάλο θα ήταν δίνατε πάρα πολύ πίστωση στην αστρονομία.
Στην πραγματικότητα, έκανα ένα συμπληρωματικό βίντεο αφιερωμένο μόνο για να απεικονίστει το πόσο τεράστιος αριθμός αυτός είναι.
Εδώ, ας πούμε ότι
μόλις επιβεβαιώσετε πως μία υπογραφή ενός μηνύματος είναι έγκυρη
μπορείτε να αισθάνεστε απόλυτα σίγουροι ότι ο μόνος τρόπος που θα μπορούσε κάποιος να το παράξει
είναι αν γνώριζαν το μυστικό κλειδί που σχετίζεται με το δημόσιο κλειδί που χρησιμοποιείται για την επαλήθευση.
Τώρα να βεβαιωθούμε ότι οι υπογραφές αυτών του υπογράφουν τις συναλλαγές για το βιβλίο είναι πολύ καλές (έγκυρες),
αλλά υπάρχει ένα μικρό παραθυράκι:
αν η Alice υπογράψει μία συναλλαγή, όπως "Η Alice πληρώνει τον Bob 100$",
ακόμη και αν ο Bob δεν μπορεί να πλαστογραφήσει την υπογραφή της Alice σε ένα νέο μήνυμα,
θα μπορούσε να αντιγράψει ακριβώς την ίδια γραμμή όσες φορές θέλει.
Θέλω να πω, ότι ο συνδυασμός μήνυμα-υπογραφή εξακολουθεί να ισχύει.
English:
are valid using the public key until you hit
one that works.
There are 2^{256} possible signatures with
256 bits, and you’d need to find the one
that work.
This is a stupidly large number.
To call it astronomically large would be giving
way to much credit to astronomy.
In fact, I made a supplemental video devoted
just to illustrating what a huge number this
is.
Let’s just say that when you verify a signature
against a given message and public key, you
can feel extremely confident that the only
way someone could have produced it is if they
knew the secret key associated with the public
key.
There’s one slight problem here: If Alice
signs a transaction like “Alice pays Bob
$100”, even though Bob can’t forge Alice’s
signature on new messages, he could just copy
that same line as many times as he wants,
since the message/signature combination is
valid.
Chinese:
现在想想256位比特到底有多少可能的签名
总共有2的256次方个可能的签名
这是一个天文数字
称其为天文数字实际上又远远高估了天文学的范畴
我还做了另一个补充视频来演示这个数字究竟有多大
现在如果一旦你验证了一个签名是真的
你就能相当有把握地认为
这个签名只能由他本人持有的私钥加密产生
以及与这个私钥配对的公钥验证
现在确保了每个人都会在交易信息后面签名
仍然会存在另一个问题
比如Alice签署了一条Alice支付Bob 100元的交易记录
即便Bob不能在Alice的新交易记录上伪造签名
他还可以把这条记录随心所欲地复制好几遍
这些记录以及它对应的签名都是正确的
German:
Versuch dir einmal vorzustellen, wieviele Unterschriften es gibt, die eine Länge von 256 Bits haben.
Das sind 2 hoch 256.
Das ist eine bizarr große Nummer.
Sie "astronomisch" zu nennen würde die Astronomie hoffnungslos überschätzen.
Ich habe tatsächlich sogar ein Zusatzvideo gemacht, nur um die Größe dieser Zahl darzustellen.
Wichtig für uns hier ist erstmal:
Wenn du überprüft hast, dass eine Unterschrift für eine Nachricht gültig ist,
dann kannst du dir extrem sicher sein, dass sie nur erstellt werden konnte, wenn der Verfasser den privaten Schlüssel besaß,
der zu dem öffentlichen Schlüssel gehört, mit dem du die Unterschrift gerade überprüft hast.
Sicherzustellen, dass alle Transaktionen im Bestandsbuch unterzeichnet werden it schonmal ziemlich gut.
Es gibt allerdings ein kleines Schlupfloch:
Wenn Alice eine Transaktion unterzeichnet, etwa "Alice zahlt Bob 100$.",
dann kann Bob zwar nicht Alice' Unterschrift auf eine neue Nachricht kopieren,
er könnte aber einfach Nachricht und Unterschrift gemeinsam kopieren, so oft er möchte.
Denn diese Nachricht-Unterschrift-Kombination bleibt gültig.
Indonesian:
Sekarang pikirkan berapa banyak tanda tangan yang ada dengan panjang 256 bit,
itu 2 ^ 256
Ini adalah jumlah bodoh yang sangat besar sekali.
Mengenalinya secara astronomi besar akan memberi terlalu banyak pujian pada astronomi.
Sebenarnya, saya membuat video tambahan yang ditujukan hanya untuk menggambarkan jumlah besar ini.
Di sini, katakan saja begitu
ketika Anda memverifikasi bahwa tanda tangan terhadap pesan tertentu benar,
Anda bisa merasa sangat yakin bahwa satu-satunya cara seseorang bisa memproduksinya
adalah jika mereka tahu kunci rahasia yang terkait dengan kunci publik yang Anda gunakan untuk verifikasi.
Sekarang pastikan orang menandatangani transaksi di buku besar itu cukup bagus,
tapi ada satu celah kecil:
jika Alice menandatangani transaksi, seperti "Alice membayar Bob $ 100",
meskipun Bob tidak bisa menempa tanda tangan Alice pada sebuah pesan baru,
Dia bisa saja menyalin baris yang sama sebanyak yang dia mau.
Maksud saya, kombinasi tanda tangan itu tetap valid.
Czech:
Zamyslete se, kolik různých podpisů existuje, pokud jsou 256 bitů dlouhé.
Je jich 2 na 256.
Tohle je prasácky velké číslo.
Nazývat ho astronomickým by znamenalo dávat astronomii až moc zásluh.
Vytvořil jsem pomocné video, ve kterém předvádím, jak velké tohle číslo je.
Teď jen řekněme, že
když jste ověřili, že podpis nějaké zprávy je platný,
můžete si být velmi jisti, že jediný způsob, jakým ho někdo mohl vytvořit je
použitím soukromého klíče, párového k veřejnému klíči, kterým podpis ověřujete.
Nucení lidí k podepisování transakcí v knize je dobrá věc,
má to ale jeden háček:
pokud Alice podepíše např. transakci "Alice dluží Bobovi $100",
i když Bob nemůže zfalšovat Alicin podpis na nové zprávě,
může zkopírovat první řádku kolikrát chce.
Kombinace zpráva-podpis bude pořád platná.
Vietnamese:
Bây giờ suy nghĩ về có bao nhiêu chữ ký với chiều dài 256 bit,
2 ^ 256 đó!
Đây là một con số lớn khủng khiếp.
Lớn đến không thể tưởng được luôn!
Tôi đã làm một video bổ sung chỉ để minh họa con số này lớn như thế nào.
Còn bây giờ, có thể nói rằng
khi bạn xác minh rằng một chữ ký cho một thông điệp nào đó là hợp lệ,
bạn có thể cực kỳ tự tin là cách duy nhất để ai đó có thể tạo ra nó
là nếu họ biết "khóa bí mật" liên kết với "khoá công khai" mà bạn đã sử dụng để xác minh.
Việc đảm bảo rằng mọi người ký xác nhận giao dịch trên sổ cái là khá tốt,
nhưng có một lỗ hổng nhỏ:
nếu Alice ký một giao dịch, như "Alice trả Bob $100"
mặc dù Bob không thể giả mạo chữ ký của Alice trên một thông điệp mới,
anh ta có thể sao chép cùng dòng thông điệp đó bao nhiều lần tùy thích.
Ý tôi là, cặp thông điệp-chữ ký đó vẫn còn giá trị.
Japanese:
さて256ビット長の署名が取りうる値の大きさはどれ位か。
それは2の256乗である。
これはとてつもなく大きな数で、
天文学的数字と呼んでもまだ真の大きさを表していない程である。
これに関して、その大きさを表現する補足動画を作成したので、そちらを参照してほしい。
ここでは、受け取った記録と
その署名が正当であると保証されたとき、
その生成に対応する秘密鍵が使われたことを、全く疑いなく
信用することが出来るとだけに留めておく。
皆がこのルールに従って元帳に記録する時、
一つ問題点がある。
アリスが「アリスはボブに100ドル支払う」という記録を付けたとき、
新たな記録にボブは署名を加える事はできないが、
その記録自体を何回もコピーすることはできる。
記録と署名はすでに認証されている。
iw:
עכשיו תחשבו על כמה חתימות קיימות באורך של 256 סיביות,
זה שתיים בחזקת מאתיים חמישים ושש.
זהו מספר גדול בצורה מטופשת.
לקרוא למספר הזה אסטרונומי יהיה לתת יותר מדי קרדיט לאסטרונומיה.
למעשה, עשיתי וידאו נוסף המוקדש רק כדי להמחיש כמה המספר הזה עצום.
כרגע, בואו רק נגיד
שכאשר וידאתם עבור הודעה נתונה שהחתימה תקפה,
אתם יכול להרגיש בטוחים מאוד שהדרך היחידה מישהו יכל לייצר אותה
היא אם הוא ידע את המפתח הסודי המשויך למפתח הציבורי שבו השתמשתם עבור האימות.
לוודא שאנשים חותמים על העסקאות שמבוצעות בספר החשבון זה לא רע,
אבל יש פירצה קטנה אחת:
אם אליס חותמת על עסקה, כמו "אליס משלמת לבוב מאה דולר",
למרות שבוב לא יכול לזייף את חתימתה של אליס על הודעה חדשה,
הוא יכול פשוט להעתיק את אותה שורה כמה פעמים שהוא רוצה.
כלומר, שילוב ההודעה עצמה והחתימה שלה נשאר תקף.
French:
Maintenant pensez au nombre de signatures qu'il y a avec une longueur
de 256 bits
C'est 2 à la puissance 256
c'est un nombre incroyablement grand
L'appeler un nombre astronomique
donnerait beaucoup trop de crédit à l'astronomie
En fait, j'ai fait une vidéo supplémentaire uniquement dédiée
à l'énormité du nombre que c'est.
Disons que lorsque vous vérifiez qu'une signature d'un message
est valide vous pouvez vous sentir extrêmement confiant.
Le seul moyen pour quelqu'un de la produire
est de connaître la clé secrète associée à la clé publique que vous utilisez
pour la vérification. Maintenant que s'assurer que les gens qui signent
dans le livre de compte est OK il y a une légère faille.
Si Alice signe la transaction comme Alice paie Bob
100$ même si Bob ne peut pas imiter
la signature d'Alice pour un nouveau message.
Il pourrait copier cette même ligne autant de fois qu'il le souhaite.
Je veux dire que cette combinaison message signature restera valide.
Korean:
256비트 길이의 디지털 서명값을
찍을 수 있는 경우의 수가 몇 개냐 하면
무려 2의 256승 개야.
말도 안 되게 큰 숫자라고.
천문학적인 숫자라고 할 수도 없을만큼 큰 숫자야.
이게 얼마나 큰 숫자인지 보여줄 수 있는 비디오를
내가 따로 만들었단다.(https://youtu.be/S9JGmA5_unY)
어쨌든 경우의 수가 그렇게 많다면,
어떤 디지털 서명값이 유효하다고 확인이 되었다는 것은,
그 디지털 서명값은 찍어서 맞춘 것이 아니라,
유효함을 확인할 때 사용한 공개키와 짝꿍인 비밀키로
만든 진짜 디지털 서명값이라고 충분히 확신해도 될거야.
거래 내역을 장부에 기록하는 것은
꽤 괜찮은 생각 같아.
하지만 거기에도 가벼운 헛점은 있지.
앨리스가 "앨리스가 밥에게 100달러 지불"이라는
거래에 디지털 서명했다면,
밥이 그 메시지에 대한
디지털 서명값을 위조할 수는 없지만
동일한 거래 내역 자체는 여러 번 복사할 수 있지.
유효한 메시지-서명 조합을 복사하면,
복사한 메시지-서명 조합도 유효하다고 받아들여진다고.
Japanese:
これを防ぐため、記録を付ける度に、
各々特別な符号を作り、その符号を記録に含めることにする。
これにより、もし実際にアリスがボブに複数回100ドル支払ったとき、
各々の記録につく署名は完全に異なるものになる。
素晴らしい。
デジタル署名は、元々のプロトコルにある性善説の考え方を取り除く。
しかし、実際にこの方式を運用すると、
まだ人々の信頼に頼っていることに気づく。
つまり皆が元帳に記録に従って、
月末に現金の交換をすることを信じている。
例えばチャーリーが多額の借金を溜め込んだとして、
そのまま逃げたらどうだろう。
月末の現金のやり取りが破綻する決定的な理由は、
(チャーリーのような)ある人が負債を負った場合である。
保有する金銭よりも多くの額を使わせないように、
そして現金のやり取りをする必要性をなくすために、
iw:
כדי לעקוף את זה, מה שאנחנו עושים זה לוודא שכאשר אתם חותמים על עסקה,
ההודעה כוללת גם איזשהו מזהה ייחודי שמשויך לעסקה הזו בלבד.
בדרך זו, אם אליס משלמת לבוב מאה דולר מספר פעמים,
כל אחת מהשורות האלו על ספר החשבונות דורשת חתימה חדשה לחלוטין.
בסדר, נהדר!
חתימות דיגיטליות מסירות היבט ענק של אמון בעזרת הפרוטוקול הראשוני הזה,
אבל עדיין, אם היינו באמת משתמשים בו,
היינו צריכים לסמוך על קוד כלשהו של כבוד.
כלומר, אתם סומכים על כך שכולם למעשה ישתפו פעולה
ויפגשו לשלם במזומן את החובות בסוף כל חודש.
מה אם, למשל, צ'רלי צובר אלפי דולרים בחוב
ופשוט מסרב להגיע.
הסיבה האמיתית היחידה להשתמש במזומן ליישב את החובות
היא אם אנשים מסוימים (אני מסתכל עליך, צ'רלי) חייבים הרבה כסף.
אז אולי יש לכם רעיון חכם בעזרתו אתם אף פעם לא באמת צריכים ליישב חובות במזומן,
כל עוד תהיה לכם דרך כלשהי למנוע מאנשים לבזבז יותר מדי יותר ממה שהם לקחו.
Turkish:
Bu işi çözmek için, bir işlemi imzaladığında
mesaj, ayrıca bu işlemle ilişkilenen bir takım benzersiz ID içermek zorunda .
Bu şekilde, eğer Alice Bob'a birçok kez öderse,
defterdeki her bir satır tamamen yeni bir imza gerektirir.
Pekala, harika!
Dijital imzalar başlangıç protokolündeki büyük güven görüşünü ortadan kaldırır,
ama hala, bunu hala yaparsan,
bir tür onur sistemine güvenirdin.
Diğer bir değişle, herkesin baştan sona takip edeceğine
ve her ayın sonunda nakite çevireceğine güveniyorsun.
Örneğin, Charlie binlerce dolar borç içinde olsaydı
ve göstermeyi de reddetseydi.
Hesaplaşmak için nakit olarak geri dönmenin tek asıl nedeni
eğer bazı insanların (sana bakıyorum Charlie) çok borcu varsa
Belki de, nakite çevirmek zorunda olmadığına dair zekice bir fikrin var,
eğer tabi, insanların harcadıklarından daha fazlasını harcamaktan kaçınmanın bir yolu varsa.
Lithuanian:
Kad išspręstume tai, padarome taip, kad, kai transakcija pasirašoma,
žinutėje privalo taip pati būti kažkoks unikalus identifikacinis numeris, surištas su ta transakcija.
Tokiu būdu, jei Alisa sumoka Bobui $100 keletą kartų,
kiekviena iš tų eilučių apskaitoje privalo turėti visiškai naują parašą.
Gerai, puiku!
Skaitmeniniai parašai panaikina didelį kiekį pasitikėjimo reikalavimo šiame pradiniame protokole,
bet visgi, jei tu darytum šitai,
tu visvien pasitikėtum tam tikra garbės sistema.
Konkrečiai, tu pasitiki, kad kiekvienas iš tikrųjų dalyvaus
ir susimokės mėnesio gale grynais pinigais.
O kas jei, pavyzdžiui, Čarlis prisirinks tūkstančių dolerių skolą
ir tiesiog atsisakys pasirodyti?
Vienintelė priežastis, grįžti prie grynųjų pinigų atsiskaitymui
yra jei kai kurie žmonės (žiūriu į tave, Čarli) yra skolingi daug pinigų.
Taigi galbūt tu turi gudrią idėją, kad jūs iš tikrųjų niekad neatsiskaitot grynaisiais pinigais,
tol, kol turit kažkokį būdą užkirsti kelią žmonėms išleisti daug daugiau, nei jie pasiima iš kitų žmonių.
Indonesian:
Untuk menyiasati hal ini, apa yang kita lakukan adalah membuatnya sehingga ketika Anda menandatangani transaksi,
pesan juga harus menyertakan semacam ID unik yang terkait dengan transaksi tersebut.
Dengan begitu, jika Alice membayar Bob $ 100 beberapa kali,
masing-masing baris pada buku besar memerlukan tanda tangan yang sama sekali baru.
Baiklah, hebat
Tanda tangan digital menghapus aspek kepercayaan yang besar pada protokol awal ini,
Tapi tetap saja, jika Anda benar-benar melakukan ini,
Anda akan bergantung pada sistem kehormatan.
Yaitu, Anda percaya bahwa setiap orang benar-benar akan menindaklanjutinya
dan membayar berupa uang tunai setiap akhir bulan.
Bagaimana jika, misalnya, Charlie mengumpulkan ribuan dolar utang
dan hanya menolak untuk muncul.
Satu-satunya alasan sebenarnya untuk kembali membayar ke uang tunai
adalah jika beberapa orang (saya melihat Anda, Charlie) berhutang banyak uang.
Jadi mungkin, Anda memiliki gagasan cerdas bahwa Anda tidak pernah benar-benar harus membayar dengan uang tunai,
selama Anda memiliki beberapa cara untuk mencegah orang menghabiskan lebih banyak daripada yang mereka ambil.
Hungarian:
Ahhoz hogy ezt elkerüljük, ahhoz az kell, hogy amikor aláírsz egy tranzakciót,
akkor az üzenetnek tartalmaznia kell egy egyedi, tranzakcióhoz köthető azonosítót.
Így ha Alice több alkalommal fizet Bobnak 100$-t,
akkor minden sornak a főkönyvben egy teljesen új aláírásra van szüksége.
Rendben, nagyszerű!
A digitális aláírások nagyrészt megszüntetik a bizalom szükségességét ebben a kezdeti protokollban,
de még így is, ha tényleg eképp csinálnád,
még így is egyfajta becsület rendszerre kellene hagyatkoznod.
Pontosabban abban kell megbíznod hogy mindenki ténylegesen
rendezi fogja a készpénz tartozásait minden hónap végén.
Mi lenne, ha például Charlie többezer dollárnyi tartozást gyüjtene össze,
és egyszerűen nem jelenne meg.
Az egyetlen igazi oka a készpénzes tartozás rendezésnek az,
hogy ha néhány ember (Feléd nézek, Charlie!) egy csomó pénzzel tartozna.
Szóval lehet, hogy van egy okos ötleted, hogy soha nem kell készpénzzel rendezni a tartozásokat,
egészen addig ameddig meg tudod akadályozni azt, hogy az emberek sokkal többet költhessenek, mint amennyit befizettek.
Spanish:
Para evitar esto, lo que hacemos es hacer que cuando firmas una transacción,
el mensaje también tiene que incluir algun tipo de identificador único asociado a esa transacción.
De esa forma, si Alice paga a Bob 100$ multiples veces,
cada una de esas lineas en el libro de cuentas requiere de una firma completamente nueva.
Muy bien, genial!
Las firmas digitales eliminan en gran parte la confianza en este protocolo inicial
pero si aun así, si quisieses realmente hacer esto,
estarias dependiendo de un codigo de honor, por decirlo así.
Es decir, estas confiando en que todos seguiran adelante
y saldarán sus cuentas en métalico al final de cada mes.
Qué pasaría si por ejemplo. Charlie acumulase miles de dolares en deudas
y se niega a aparecer
El único motivo real para volver al dinero en efectivo para saldar las cuentas
es si algunas personas(te estoy mirando a ti Charlie) deben mucho dinero.
Asi que quizás, tienes la brillante idea de que nunca tienes que saldar cuentas en efectivo
mientras que tengas una forma de evitar que la gente gaste mucho más de lo que recibe.
Modern Greek (1453-):
Για να αντιμετωπιστεί αυτό, αυτό που συμβαίνει είναι, όταν υπογράφετε μια συναλλαγή,
το μήνυμα πρέπει να περιλαμβάνει επίσης κάποιο είδος μοναδικού αναγνωριστικού που σχετίζεται με την εν λόγω συναλλαγή.
Με αυτόν τον τρόπο, αν η Alice πληρώνει τον Bob 100$ πολλές φορές,
κάθε μία από αυτές τις γραμμές στο βιβλίο απαιτεί μια εντελώς νέα υπογραφή.
Εντάξει, ωραία!
Οι ψηφιακές υπογραφές αφαίρεσε το τεράστιο πρόβλημα της εμπιστοσύνης σε αυτό το αρχικό πρωτόκολλο,
αλλά ακόμη και τότε, αν ήταν να το κάνετε πραγματικά αυτό,
θα πρέπει να βασιστείτε σε ένα σύστημα τιμής ανάλογο του είδους.
Δηλαδή, εμπιστεύεστε ότι ο καθένας θα κάνει αυτά που πρέπει να κάνει
και τελικά θα διαπραγματευτούν σε μετρητά στο τέλος του κάθε μήνα.
Τι θα συμβεί αν, για παράδειγμα, ο Charlie δημιουργήσει χιλιάδες δολάρια χρέους
και απλά αρνείται να εμφανιστεί.
Ο μόνος πραγματικός λόγος για να διαπραγματεύεστε σε μετρητά
είναι αν κάποιοι (κοιτάζω εσένα, Charlie) χρωστάνε πολλά χρήματα.
Έτσι ίσως, έχετε μία έξυπνη ιδέα ώστε να μην χρειαστεί ποτέ να διαπραγματευτείτε σε μετρητά
εφ 'όσον έχετε κάποιο τρόπο να αποτρέψετε τους ανθρώπους να ξοδεύουν πάρα πολύ περισσότερο από ότι έχουν λάβει.
Russian:
Чтобы избежать этого, когда вы подписываете операцию,
вашему сообщению присваевается уникальный ID, связанный с этой операцией.
Получается, если Алиса заплатит Бобу $100 несколько раз,
у каждой записи в реестре будет собственная уникальная подпись.
Что ж, отлично!
С цифровыми подписями роль доверия в протоколе намного слабеет,
но даже так, следуя такому протоколу,
вы все же надеетесь на честность участников.
То есть вы верите, что все на самом деле выполнят обязательства
и рассчитаются в конце каждого месяца.
Что если, например, некто Чарли накопит долгов на тысячи долларов,
а потом просто исчезнет?
Возвращаться к наличным для расчетов приходится только потому,
что некоторые (как наш друг Чарли) могут влезть в крупные долги.
Но наверняка у вас есть хитрая идея: что если, не рассчитываться наличными,
а каким-то образом не допустить, чтобы люди тратили намного больше денег, чем получают?
French:
Pour contourner ça ce que nous faisons est que lorsque vous signez une transaction
le message doit aussi inclure
une sorte d'identifiant unique associé à
cette transaction. De cette manière
si Alice paie Bob 100$ plusieurs fois
chacune de ces lignes sur le livre de compte requière une signature entièrement nouvelle.
Ok, super, les signatures numériques effacent un énorme aspect
confiance dans ce protocole initial.
Mais même encore si vous étiez réellement en train de faire ça
vous devriez compter sur un système de gestion d'honneur de sorte
à savoir que vous feriez confiance que tout le monde suivra et réglera
en argent liquide à la fin de chaque mois. Que faire si,
par exemple, Charlie rajoute des milliers de dollars de dette
et juste refuse de se présenter ?
La seule vraie raison de revenir à l'argent pour régler est
si certaines personnes, je te regarde Charlie,
doivent beaucoup d'argent.
Alors peut-être que vous avez l'idée ingénieuse vous n'avez en fait jamais
à régler en argent liquide
tant que vous avez un certain moyen d'empêcher les gens de dépenser plus
d'argent qu'ils n'en apportent. Peut-être que ce que vous faites
Chinese:
要解决这个问题,你在签署新的交易信息时
交易信息还必须包含一个唯一的编号与之对应
那样如果Alice多次支付Bob 100元的话
账本上的每条记录都会要求一个新的签名
有了电子签名就完美地解决了原本体系中的信任危机
但要真正实现,仍然需要依赖一个类似的信用机构
也就是说你信任每个人到了月底都会出现并用现金结算
万一Charlie欠了很多钱但就是不出来还钱该怎么办
而再次使用现金的唯一原因是其中有人欠了钱
聪明的你想到了一个方法就不需要真正再用现金结算
只要能够避免其中有些人的所得不足以支付其支出
Polish:
Aby obejść ten problem, możemy zrobić tak, że podczas podpisywania transakcji
komunikat musi również zawierać jakiś unikalny identyfikator związany z tą transakcją.
W ten sposób, jeśli Alicja płaci Bobowi wielokrotnie 100$,
każdy z tych wierszy w księdze wymaga zupełnie nowego podpisu.
Wszystko w porządku, super!
Podpisy cyfrowe pozbawiają ogromnego aspektu zaufania w tym wstępnym protokole,
ale nawet mimo to, jeśli miałbyś naprawdę to zrobić,
polegałbyś na pewnego rodzaju systemie honorowym.
Mianowicie, ufasz, że każdy rzeczywiście przestrzega zasad
i rozlicza się w gotówce na koniec każdego miesiąca.
Co jeśli, na przykład, Charlie zdobędzie tysiące dolarów długu
i po prostu odmówi przyjścia ?
Jedynym sensownym powodem, aby powrócić do gotówki w celu rozliczenia jest sytuacja,
gdy niektórzy ludzie (Patrzę na ciebie, Charlie) są winni dużo pieniędzy.
Więc może masz sprytny pomysł, żeby nigdy nie trzeba było rozliczać się w gotówce,
tak długo, jak masz jakiś sposób, aby uniemożliwić ludziom wydawanie dużo więcej niż mogą.
Portuguese:
Para evitar isso, fazemos com que quando você assine uma transação
a mensagem tem também que incluir uma espécie de ID único
associada com aquela transação
Dessa forma,
Se Alice pagar 100USD para Bob várias vezes
Cada uma dessas linhas no registro requer uma assinatura completamente nova.
Certo, ótimo, assinaturas digitais removem um grande aspecto de confiança neste protocolo inicial
mas mesmo assim
se você fosse realmente fazer isso, iria depender de um sistema de honra ou parecido
Isto é, você está confiando que todos irão ajustar as contas e pagar o que deve no final de cada mês.
Mas e se, por exemplo, Charlie contrair milhares de dólares em dívida e se recusar a pagar o que deve
a única razão real para reverter em dólares para acerto de contas
é se alguma pessoa - estou olhando para você Charlie - dever muito dinheiro
então talvez você tenha a inteligente ideia
de que você nunca tem que realmente acertar as contas em dólares
desde que você tenha uma forma de prevenir pessoas de gastar mais do que elas recebem
talvez o que você faça,
Arabic:
وللتغلب على ذلك، ما نفعله هو أنه عندما توقع على عملية،
نضع تعريفات فريدة تميز الرسالة ترتبط بالعملية.
و بهذه الطريقة، إذا كانت (أليس) ستدفع لـ(بوب) أكثر من مرة،
كل سطر من أسطر السجل يتطلب توقيع جديد بالكامل.
حسنًا.. هذا رائع
التواقيع الرقمية أزالت جانب ضخم من الثقة مع هذا الميثاق المبدئي.
و لكن مع هذا، إذا كنت ستستخدمها حقًا،
مازال عليك الاعتماد على نوع من الشرف والأمانة.
حيث أنك ستثق بالجميع بأنهم سيلتزمون
ويجتمعون نهاية كل شهر لتسوية الديون
لكن ماذا لو راكم (تشارلي) ديون من آلاف الدولارات مثلًا
و بعدها رفض أن يظهر نفسه.
السبب الوحيد الذي يجعل الإجتماع لتسوية الديون ضروري
هو إذا قام بعض الناس باستلاف الكثير من المال.
(أنا أنظر إليك، (تشارلي))
عندها ربما تكون لديك فكرة ذكية لكي لا تضطر في النهاية إلى تسوية الديون نقدًا،
طالما لديك طريقة لمنع الناس من الإنفاق فوق حد دخلهم.
Chinese:
要解決這個問題,你在簽署新的交易資訊時
交易資訊還必須包含一個唯一的編號與之對應
那樣如果Alice多次支付Bob 100元的話
帳本上的每條記錄都會要求一個新的簽名
有了電子簽名就完美地解決了原本體系中的信任危機
但要真正實現,仍然需要依賴一個類似的信用機構
也就是說你信任每個人到了月底都會出現並用現金結算
萬一Charlie欠了很多錢但就是不出來還錢該怎麼辦
而再次使用現金的唯一原因就是有人欠了錢不還
聰明的你想到了一個方法就不需要真正再用現金結算
只要能夠避免其中有些人的所得不足以支付其支出
Czech:
Abychom tohle vyřešili, pokaždé když někdo podepíše transakci,
ta musí také obsahovat nějaký unikátní identifikátor dané transakce.
Takže pokud Alice dluží Bobovi $100 několikrát,
každý takový záznam v knize bude muset být podepsán jinak.
Tak jo, dobrý!
Digitální podpisy odstraňují potřebu slepé důvěry v našem systému,
ale i tak, pokud bychom ho začali používat,
museli bychom se spoléhat na jakýsi kodex cti.
Konkrétně, věříme tomu, že všichni opravdu dostojí svému slovu,
a vyrovnají se v hotovosti na konci každého měsíce.
Co když Charlie udělá dluhy za tisíce dolarů
a pak se prostě neukáže?
Jediný důvod k tomu, vracet se k hotovosti a vyrovnávat se je,
pokud někteří lidé (jako ty, Charlie), dluží spoustu peněz.
Co kdybychom se nikdy nevyrovnávali v hotovosti,
za předpokladu, že by byl způsob jak zabránit lidem utrácet víc, než dostávají?
Korean:
이런 문제가 발생하지 않게 하려면,
메시지에 거래별로 유일한 식별자인 ID값을 포함해야 돼.
그렇게 하면 메시지 내용이 서로 다르므로,
디지털 서명값도 모두 달라지게 되어,
메시지-서명 조합을 복사해도 다른 곳에 쓸 수 없게 되지.
이 방법을 쓰면 앨리스가 밥에게 100달러를
여러번 지불하더라도,
각 거래는 서로 다른 새로운 거래로 인식되고,
새로운 디지털 서명값을 가지게 돼.
오! 아주 훌륭한데!
처음에 만든 두 가지 규약에
디지털 서명된 거래만 유효하다는 조항을 추가해서
거래 내용 확인 및 신뢰 확보에 드는 비용을
제거할 수 있게 되었어.
하지만 여전히
거래 참여자에 대한 신뢰에 의지하지 않을 수는 없어.
왜냐하면, 거래 참여자가 모두 규약을 잘 따르고
매월 말일에 현금으로 정산할 거라고 믿고 있는데,
찰리가 수천 달러를 지불한다는
거래 기록을 장부에 남기고
나중에 실제로 정산할 때 나타나지 않고
먹튀할 수도 있기 때문이지.
월 1회 장부기록-사후정산 방식 대신
그때그때 현금으로 주고 받는 방식으로 되돌아가야 하는
유일한 경우는 바로 이렇게 누군가 먹튀할 때야.
(찰리 너 걸리면 뒈진다..)
먹튀를 막을 수 있는 좋은 방법은
바로 사람들이 자기들이 미리 적립해둔 금액 이상으로는
지출할 수 없게 하는 거지.
German:
Um das zu vermeiden richten wir ein, dass wenn du eine Transaktion unterschreiben möchtest
die Nachricht außerdem noch eine einmalige ID enthalten muss, die mit dieser Transaktion verbunden ist.
Wenn Alice auf diesem Weg mehrere Male 100$ an Bob zahlt,
dann benötigt jede einzelne Zeile im Bestandsbuch eine komplett neue Unterschrift.
So weit, so gut!
Digitale Unterschriften senken die Relevanz von Vertrauen in diesem ersten Plan.
Dennoch, wenn du das wirklich machen wolltest
würdest du dich immer noch auf eine Art Ehrenkodex verlassen.
Du würdest dich nämlich darauf verlassen, dass alle Teilnehmer
wirklich am Ende des Monats die Rechnungen begleichen.
Was passiert, wenn Charlie beispielsweise ein paar tausend Dollar Schulden anhäuft,
und dann einfach nicht auftaucht?
Der einzig wirkliche Grund am Ende des Monats auf Bargeld zurückzugreifen
ist der Fall, dass jemand (ja Charlie, du bist gemeint) viele Schulden anhäuft.
Vielleicht hast du also die clevere Idee, dass es gar nicht nötig ist auf Bargeld zurückzugreifen,
solange es eine Möglichkeit gibt Leute davon abzuhalten mehr auszugeben als sie einnehmen.
English:
To get around that, we make it so that when
you sign a transaction, the message has to
include some unique id associated with that
transaction.
That way, if Alice pays Bob $100 multiple
times, each transaction requires a completely
new signature.
Alright, great, digital signatures remove
a huge aspect of trust in our initial protocol.
But even still, this relies on an honors system
of sorts.
Namely, you’re trusting that everyone will
actually follow through and settle up in cash
at the end of each month.
But what if, for example, Charlie racked up
thousands of dollars in debt, and just refuses
to show up?
The only real reason to revert to cash to
settle up is if some people, I’m looking
at you Charlie, owe a lot of money.
So maybe you have the clever idea that you
never actually have to settle up in cash as
long as you have some way to prevent people
from spending too much more than they take
in.
Vietnamese:
Để giải quyết vấn đề này, mỗi khi bạn kí một giao dịch
thông điệp cũng phải chứa một loại ID duy nhất liên kết đến giao dịch đó.
Bằng cách đó, nếu Alice trả cho Bob $ 100 nhiều lần,
mỗi một dòng trên sổ cái đòi hỏi một chữ ký hoàn toàn mới.
Được rồi!
Chữ ký số khiến chúng ta không phải lo lắng nhiều về vấn đề niềm tin
nhưng kể cả thế, nếu bạn làm được điều này,
bạn sẽ vẫn dựa vào một hệ thống trên nền tảng của sự trung thực
Cụ thể, bạn tin tưởng rằng mọi người sẽ thực sự thực hiện theo sổ cái
và thanh toán bằng tiền mặt vào cuối mỗi tháng.
Điều gì sẽ xảy ra nếu, ví dụ, Charlie nợ hàng ngàn đô la
và rồi lặn mất tăm
Lý do thực sự duy nhất để giải quyết sau khi quy đổi lại nó về tiền mặt
là nếu một số người (tôi đang nói đến anh đó, Charlie!) nợ rất nhiều tiền.
Vì vậy, có thể, bạn có ý tưởng thông minh rằng: bạn sẽ không phải giải quyết bằng tiền mặt,
miễn là có một số cách để ngăn mọi người chi tiêu nhiều hơn nhiều lần so với lượng tiền họ đưa vào.
Italian:
Per evitare questo problema, quello che facciamo è fare in modo che quando si firma una transazione,
il messaggio debba contenere anche un ID unico associato a quella transazione.
In questo modo, se Alice paga a Bob $100 più volte,
ognuna di queste linee sul libro mastro necessita di una firma completamente nuova.
Bene, fantastico!
Le firme digitale tolgono un grosso aspetto della fiducia in questo protocollo iniziale.
ma comunque, se utilizzassi davvero questo sistema,
faresti affidamento su una sorta di sistema d'onore.
Cioè ti fideresti del fatto che ognuno stia alle regole
e regoli i conti alla fine di ogni mese.
Cosa succederebbe se ad esempio Charlie accumulasse migliaia di dollari di debiti
e non si facesse più vedere?
L'unico caso in cui c'è una ragione reale per saldare i conti in contanti
è quando una persona (penso a te, Charlie) deve molti soldi.
Quindi potresti avere la brillante idea che non sia mai necessario saldare i conti in contanti,
fintanto che sia possibile impedire alle persone di spendere molto più di quanto ricevono.
Korean:
미리 100달러씩 선납해서 적립해두고
장부에는 적립 내역을 기록하는 거야.
앨리스 100달러 적립, 밥 100달러 적립,
찰리 100달러 적립 등
이제 참여자들이 적립해둔 금액 이상으로는
지출할 수 없게 하면,
이제 참여자들이 적립해둔 금액 이상으로는
지출할 수 없게 하면,
예를 들면, 처음 두 거래가
"찰리가 앨리스에게 50달러 지불"과
"찰리가 밥에게 50달러 지불"인 상태에서,
"찰리가 네게 20달러 지불"이라는 거래를 기록하려할 때 ,
적립한 100달러를 모두 소진한 빈털터리 찰리가
또 20달러를 지불하려는 거래는 무효가 되는거지.
마치 디지털 서명을 하지 않은 거래가
유효하지 않은 것처럼 말이야.
이게 가능하려면 어떤 거래가 발생할 때마다
그 시점까지의 거래 내역 전부를 알아야만 한다는
제약 사항이 생겨.
이는 암호화 화폐에서도 마찬가지야.
다만 암호화 화폐에는 좀더 최적화 할 여지가 있지.
재미있는 것은
이 과정에서 장부와 실제 물리적인 US 달러와의
연결 고리가 끊어진다는 점이야.
이론적으로 세상의 모든 사람들이
이 장부를 사용한다면
Modern Greek (1453-):
Ίσως αυτό που κάνετε είναι να ξεκινήσετε από την πληρωμή 100$ σε όλους, από το σύνολο,
και στη συνέχεια να έχετε τις πρώτες γραμμές στο βιβλίο
"Η Alice παίρνει 100$", "ο Bob παίρνει 100$", "ο Charlie παίρνει 100$", κ.λπ.
Τώρα, απλά δεν δέχεστε καμία συναλλαγή
όταν κάποιος δαπανά περισσότερα από όσα έχουν ήδη σε αυτό το βιβλίο.
Για παράδειγμα, εάν οι δύο πρώτες συναλλαγές είναι
"ο Charlie πληρώνει την Alice 50$", και "ο Charlie πληρώνει τον Bob 50$",
αν προσπαθούσε να προσθέσει «ο Charlie σας πληρώνει 20$», θα είναι άκυρη,
τόσο άκυρη, σαν να μην υπογράφτηκε ποτέ
Παρατηρήστε πως αυτό σημαίνει ότι η επαλήθευση μιας συναλλαγής
απαιτεί την γνώση όλου του ιστορικού των συναλλαγών μέχρι εκείνο το σημείο.
Και αυτό πάνω κάτω ισχύει και για τα κρυπτονομίσματα
αν και υπάρχει ένα μικρό περιθώριο για βελτιστοποίηση.
Αυτό που είναι ενδιαφέρον εδώ είναι ότι
αυτό το βήμα καταργεί τη σύνδεση ανάμεσα στο βιβλίο και τα πραγματικά δολάρια ΗΠΑ.
Θεωρητικά, αν όλοι στον κόσμο χρησιμοποιούσαν αυτό το βιβλίο,
Italian:
Magari si potrebbe iniziare facendo mettere $100 sul tavolo ad ognuno,
e scrivere sulle prime linee del libro mastro
"Alice riceve $100", "Bob riceve $100", "Charlie riceve $100", eccetera.
Ora basterebbe non accettare transazioni
da qualcuno che voglia spendere più di quanto non abbia sul libro mastro.
Per esempio, se le prime due transazioni fossero
"Charlie paga ad Alice $50" e "Charlie paga a Bob $50",
se provasse ad aggiungere "Charlie paga a te $20", questo non sarebbe valido,
come se non l'avesse mai firmato.
Questo significa che per verificare una transazione
è necessario conoscere la storia delle transazioni fino a quel momento.
E questo è più o meno vero anche per le criptovalute,
anche se c'è un po' di spazio per l'ottimizzazione.
Ciò che è interessante qui è che
questo passaggio rimuove la connessione tra il libro mastro e la moneta fisica.
In teoria, se tutti nel mondo stessero usando il libro mastro
German:
Vielleicht beginnt du indem du jeden bittest 100$ einzuzahlen
und dann die ersten paar Zeilen des Bestandsbuchs vorliest.
"Alice kriegt 100$.", "Bob kriegt 100$.", "Charlie kriegt 100$.", etc.
Und jetzt akzeptiere einfach keine Transaktionen
bei denen jemand mehr ausgibt als er bereits laut dem Bestandsbuch hat.
Wenn zum Beispiel die ersten beiden Transaktionen lauten
"Charlie zahlt 50$ an Alice." und "Charlie zahlt 50$ and Bob."
und Charlie dann versucht "Charlie zahlt dir 20$." hinzuzufügen, dann wäre das ungültig.
Genauso ungültig, wie wenn er die Transaktion nie unterschrieben hätte.
Wichtig ist, dass man, um eine Transaktion auf diese Art und Weise zu verifizieren,
die komplette Geschichte aller Transaktionen kennen muss.
Und das ist mehr oder weniger der Fall bei Kryptowährungen,
obwohl noch ein bisschen Spielraum für Optimierung da ist.
Das interessante hieran ist,
dass dieser Schritt die Verbindung zwischen dem Bestandsbuch und tatsächlichen, anfassbaren US-Dollar aufhebt.
Theoretisch, wenn jeder Mensch auf der Welt dieses Bestandsbuch verwendet,
Polish:
Może to, co możesz zrobić, to zacząć od konieczności wpłacenia 100$ do puli
i kilka pierwszych wierszy księgi zapisać jako
"Alicja dostaje 100 $", "Bob dostaje 100 $", "Charlie dostaje 100 $", itd.
Dalej, po prostu nie przyjmuj żadnych transakcji,
gdzie ktoś wydaje więcej niż ma już w tej księdze.
Na przykład, jeśli dwie pierwsze transakcje brzmią
„Charlie płaci Alicji 50$” i „Charlie płaci Bobowi 50$”,
gdyby spróbował dodać „Charlie płaci Tobie 20$”, ten rekord byłby nieważny,
jak gdyby nigdy go nie podpisał.
Zauważ, oznacza to, że weryfikacja transakcji
wymaga poznania pełnej historii wszystkich transakcji, aż do tego punktu.
I to mniej więcej też będzie prawdą w kryptowalutach,
choć jest tam mało miejsca na optymalizację.
Ciekawe jest to, że
ten krok usuwa połączenie między księgą i rzeczywistymi fizycznymi dolarami amerykańskimi.
Teoretycznie, jeśli każdy na świecie używałby tej księgi,
Japanese:
皆が始めからポットに100ドルを入れるとする。
元帳にその事をまず記録する。
「アリスは100ドルを得る」、「ボブは100ドルを得る」、「チャーリーは100ドルを得る」のように。
ここで各々が元帳において保持している額を超えるような
金額を指定する取引は受け入れないこととする。
例えば、最初の二つの取引が、
「チャーリーはアリスに50ドル支払う」、「チャーリーはボブに50ドル支払う」の時、
更に「チャーリーはあなたに20ドル支払う」と付け足すことはできない。
署名がないのと同様の扱いである。
結果的に取引の認証には、
関連する以前の取引すべての情報が必要となる。
この事は暗号通貨においても、若干適応される。
最適化の余地はまだあるが。
興味深いのは、
これによって元帳と物理的な米ドルとの関係が消えたことである。
理論的には、世界の全員がこの元帳に従えば、
French:
c'est de commencer par avoir payé 100$ dans le pot
et ensuite avoir les premières quelques lignes
du livre de compte lu Alice a mis 100$
Bob a mis 100$, Charlie a mis 100$ etc
Maintenant n'acceptez aucune transaction
lorsque quelqu'un dépense plus que ce qu'il a
sur ce livre de compte.
Par exemple, si les deux premières transactions sont
Charlie paie Alice 50$ et
Charlie paie Bob 50$.
Si vous essayiez d'ajouter Charlie vous paie 20$
cela serait invalide. Comme s'il n'avait jamais signé.
Notez que cela signifie que vérifier une transaction
requiert de connaître l'historique complet
de toutes les transactions jusqu'à ce moment.
Et cela va plus ou moins être aussi vrai pour les crypto-monnaies
bien qu'il y ait un peu de place pour l'optimisation.
Ce qui est intéressant ici, c'est que
cette étape supprime la connexion entre le livre de compte et
des vrais dollars américains physiques.
Indonesian:
Mungkin yang Anda lakukan adalah memulai dengan meminta setiap orang membayar $ 100 ke dalam panci,
dan kemudian memiliki beberapa baris pertama buku besar yang dibaca
"Alice mendapat $ 100", "Bob mendapat $ 100", "Charlie mendapat $ 100", dan seterusnya
Sekarang, coba jangan menerima transaksi apapun
di mana seseorang menghabiskan lebih dari yang mereka miliki di buku besar tersebut.
Misalnya, jika dua transaksi pertama adalah
"Charlie membayar Alice $ 50" dan "Charlie membayar Bob $ 50",
Jika dia mencoba menambahkan "Charlie membayar Anda $ 20", itu tidak valid,
tidak sah seolah dia tidak pernah menandatanganinya.
Perhatikan, ini berarti memverifikasi transaksi
membutuhkan mengetahui riwayat transaksi secara penuh sampai saat itu.
Dan ini lebih atau kurang juga akan menjadi kenyataan dalam mata uang kripto,
meski ada sedikit ruang untuk optimasi.
Yang menarik di sini adalah itu
Langkah ini menghapus koneksi antara buku besar dan fisik Dollar AS sebenarnya.
Secara teori, jika semua orang di dunia menggunakan buku besar ini,
English:
What you might do is start by having everyone
pay $100 into the pot, and have the first
few lines of the ledger will read “Alice
gets $100, Bob gets $100, etc.
Now, just don’t accept transactions when
someone is spending more than they have on
the ledger.
For example, after starting everyone off with
$100, if the first two transaction are “Charlie
pays Alice $50” and “Charlie pay Bob $50”,
if he were to try to add “Charlie pays You
$20”, that would be invalid, as invalid
as if he never signed it.
Notice, this means you need to know the full
history of transactions to verify that a new
one is valid.
And this is, more or less, going to be true
for cryptocurrencies as well, though there
is a little room for optimization.
What’s interesting here is that this step
somewhat removes the connection between the
Ledger and physical cash.
Lithuanian:
Galbūt, ką jūs darot, tai pradedat nuo to, kad kiekvienas sumoka po $100 į bendrą katilą,
ir tada turit pirmas kelias eilutes apskaitoje parašytas
"Alisa gauna $100", "Bobas gauna $100", "Čarlis gauna $100" ir t. t.
Dabar, tiesiog nepriimk jokių transakcijų,
kur kažkas išleidžia daugiau, nei turi toje apskaitoje.
Pavyzdžiui, jei pirmos dvi transakcijos yra
"Čarlis moka Alisai $50" ir "Čarlis moka Bobui $50",
jei jis bandytų pridėti "Čarlis moka tau $20", tai būtų nevalidu,
taip nevalidu, kaip kad lyg jis nepasirašė tos transakcijos.
Pastebėk, kad tai reiškia, kad transakcijos patikrinimui
reikia žinoti pilną transakcijų istoriją iki šio momento.
Ir tai bus daugmaž teisinga ir kriptovaliutose,
nors ten yra truputis vietos optimizavimui.
Kas čia yra įdomu yra tai,
kad šis žingsnis panaikina bet kokį ryšį tarp apskaitos ir tikro fizinio JAV dolerio.
Teoriškai, jei visi pasaulyje naudotų šią apskaitos knygą,
iw:
אולי מה שאתם צריכים לעשות זה להתחיל את הפרוטוקול בכך שכולם ישימו מאה דולר בקופה הראשית,
ואז השורות הראשונות בספר החשבונות יהיו
"אליס מקבלת מאה דולר",
"בוב מקבל מאה דולר",
"צ'רלי מקבל מאה דולר",
וכו'
וכעת, פשוט לא נקבל עסקאות
בהן מישהו מוציא יותר ממה שהם כבר קיבלו על פי ספר החשבונות.
לדוגמא, אם שתי העסקות הראשונות הן
"צ'רלי משלם לאליס חמישים דולר"
ו-"צ'רלי משלם לבוב חמישים דולר"
אם הוא היה מנסה להוסיף:
"צ'רלי משלם לכם עשרים דולר"
זה יהיה לא תקף,
לא תקף בדיוק כמו שהיה אילו צ'רלי לא חתם על העסקה מעולם.
שימו לב, זה אומר כי בדיקת תקפותה של עסקה
דורשת לדעת את ההיסטוריה המלאה של עסקאות עד לאותו המועד.
וזה פחות או יותר גם הולך להיות המקרה במטבעות מבוזרים,
אם כי יש קצת מקום אופטימיזציה.
מה שמעניין כאן הוא
שצעד זה מסיר את הקשר בין ספר החשבונות לדולרים הפיסיים והממשיים.
בתיאוריה, אם כולם בעולם משתמשים בספר חשבונות זה,
Czech:
Můžeme začít tím, že všichni dají $100 do banku,
a první řádky knihy budou
"Alici je dluženo $100", "Bobovi je dluženo $100", "Charliemu je dluženo $100" atd.
A navíc, nebudeme akceptovat transakce,
ve kterých někdo utrácí víc, než podle knihy mají.
Například, pokud jsou první dvě transakce
"Charlie dluží Alici $50" a "Charlie dluží Bobovi $50",
a pokusil se přidat "Charlie dluží Vám $20", nebylo by to povoleno,
stejně jako nepodepsaná transakce.
Všimněte si, že ověřování transakce
vyžaduje znalost kompletní historie transakcí až do tohoto bodu.
A tohle bude více méně platit u kryptoměn,
i když existuje trochu prostoru pro vylepšení.
Tady je zajímavé,
že tento krok odstraňuje propojení mezi účetní knihou a skutečnými dolary.
Teoreticky, pokud by všichni na světě používali tuto knihu,
Vietnamese:
Bạn có thể bắt đầu bằng cách cho mọi người trả $ 100 vào quỹ,
và sau đó viết vài dòng đầu tiên của sổ cái:
"Alice có được 100 đô la", "Bob có được 100 đô la", "Charlie có được 100 đô la", v.v ...
Bây giờ, chỉ cần không chấp nhận bất kỳ giao dịch nào
khi ai đó chuẩn bị chi tiêu nhiều hơn lượng họ đã có trên sổ cái đó.
Ví dụ: nếu hai giao dịch đầu tiên là
"Charlie trả 50 đô la cho Alice" và "Charlie trả 50 đô la cho Bob"
nếu anh ta cố thêm "Charlie trả bạn 20 đô", điều đó sẽ không hợp lệ,
không hợp lệ như thể anh ta chưa bao giờ ký nó.
Chú ý là điều này có nghĩa là việc xác minh một giao dịch
đòi hỏi lịch sử các giao dịch đầy đủ cho tới thời điểm đó.
Và điều này ít nhiều cũng đúng trong tiền mã hóa,
mặc dù chỉ có thêm một chút tối ưu hóa.
Điều thú vị ở đây là
bước này sẽ loại bỏ mối liên hệ giữa sổ cái và đồng tiền thực tế
Theo lý thuyết, nếu mọi người trên thế giới đang sử dụng sổ cái này,
Spanish:
Quizás lo que haces es empezar por hacer que todo el mundo meta en el bote 100$,
y entonces haces que las primeras lineas del libro de cuentas sean
"Alice recibe 100$", "Bob recibe 100$", "Charlie recibe 100$", etc.
Ahora, simplemente no aceptes ninguna transacción
en la que alguien esta gastando mas de lo que ya tiene en el libro de cuentas.
Por ejemplo si las primeras dos transacciones son
"Charlie paga a Alice $50" y "Charlie paga a Bob $50",
Si intentase añadir "Charlie te paga 20$" ,eso sería inválido,
tan inválido como si nunca lo hubiese firmado
Date cuenta, que esto significa que para verificar una transacción
necesitas saber el historial completo de transacciones hasta ese punto.
Y esto también va a ser más o menos cierto para las criptomonedas
aunque todavía hay espacio para mejoras.
Lo que es interesante aquí es que
este paso elimina la conexión entre el libro de contabilidad y dolares reales.
En teorría, si todas las personas del mundo utilizasen este libro de cuentas,
Turkish:
Belki de yaptığınız şeye herkesin potaya $100 ödemesiyle başlar,
ve sonra defterdeki ilk bir kaç satır
"Alice $100 alır" "Bob $100 alır" "Charlie $100 alır" vs. okunur.
Şimdi, birisi defterde sahip olduğundan..
..daha fazla harcama yapmasına dair herhangi bir işlemi kabul etmeyin.
Örneğin, eğer ilk iki para işlemleri :
"Charlie Alice'e $50 öder" ve "Charlie Bob'a $50" olsaydı,
ve eğer Charlie sana $20 öder" satırını ekleseydi, bu geçersiz olurdu,
hiç imzalamamış gibi geçersiz sayılır.
Dikkat et, bunun anlamı: bir para işlemini doğrulamak
bu noktada tüm parasal işlemin hikayesi bilmeyi gerektirir.
Ve bu da optimizasyon için küçük bir yer olmasına rağmen.,
cryptocurrencies de az veya çok da olsa doğru olacaktır.
Burada ki ilgi çekici şey ise
bu adım defter ve gerçek fiziksel para arasındaki bağlantıyı kaldırır.
Teoride, eğer dünyadaki herkes bu defteri kullansaydı,
Hungarian:
Talán azzal kezded hogy mindenkinek be kell fizetnie 100$-t a közösbe,
és azzal kezded a főkönyvet, hogy
"Alice kap 100$-t", "Bob kap 100$-t", "Charlie kap 100$-t", stb...
Na, most egyszerűen ne fogadj el olyan tranzakciót,
ahol valaki többet költ mint amennyije számon van tartva a főkönyvben.
Például, ha az első két tranzakció:
"Charlie fizet Alice-nak 50$-t" és "Charlie fizet Bobnak 50$-t",
ha megpróbálná hozzáadni azt hogy "Charlie fizet neked 20$-t", akkor az érvénytelen lenne,
éppúgy érvénytelen mintha soha nem is írta volna alá.
Figyeld meg, hogy ez azt jelenti, hogy egy tranzakció leellenőrzéséhez
szükséges a teljes tranzakciós történet egészen addig a pontig.
És ez többé-kevésbé igaz lesz a kriptopénzekre is,
habár lenne még helye egy kis optimizálásnak.
Az az érdekes ebben, hogy
ez a lépés megszünteti a kapcsolatot a főkönyv és a tényleges fizikai USA dollár között.
Elméletben, ha mindenki ezt a főkönyvet használná a világon,
Portuguese:
seja todos começarem colocando 100 dólares no pote
e ter as primeiras linhas do registro escritas
Alice recebe 100 USD, Bob Recebe 100 USD, etc.
Agora,
apenas não aceite transações onde a pessoa gaste mais do que ela tem naquele registro
Por exemplo, se as duas primeiras transações são
Charlie paga 50 USD para Alice, e Charlie paga 50 USD para Bob
Se ele fosse tentar adicionar Charlie paga 20 USD para Você, isso seria inválido
tão inválido como se ele nunca tivesse assinado
Perceba, isso significa que verificar uma transação
requer conhecimento de todo o histórico de transações até aquele ponto
e isso será, mais ou menos, também verdade para as cripto moedas
embora haja espaço para otimização
O que é interessante aqui é que este passo,
remove a conexão entre registro e dinheiro físico real
Na teoria, se todo o mundo estivesse usando esse registro,
Russian:
Можно начать с того, что все скидываются по $100,
и в реестре делаются первые записи:
«Алиса получает $100», «Боб получает $100», «Чарли получает $100», и так далее.
Теперь нужно просто отклонять все операции,
в которых кто-то тратит больше, чем получил, согласно реестру.
Напромер, если в первых двух записях говорится:
«Чарли платит Алисе $50» и «Чарли платит Бобу $50»,
а затем кто-то пытается записать, что «Чарли платит вам $50», это будет недействительно,
как будто Чарли никогда не подписывал операции.
Заметьте, что для подтверждения любой операции
нужно знать полную историю операций до того момента.
Примерно так и работают криптовалюты,
хотя в нашей системе можно кое-что оптимизировать.
Интересно, что
этот шаг разрывает связь между реестром и реальными долларами США.
В теории, если бы все в мире пользовались этим реестром,
Arabic:
ربما ما عليك القيام به هو بدء الميثاق بأن يضع كل شخص 100 دولار في الوسط
ثم ستكون الأسطر الأولى من السجل
"(أليس) لديها 100 دولار"، "(بوب) لديه 100 دولار"، "(تشارلي) لديه 100 دولار"، إلخ...
و الآن لا تقبل أيّ من العمليات
التي ينفق فيها الشخص أكثر من رصيده المسجل في السجل
مثلًا، إذا كانت أول صفقتين:
"(تشارلي) سيدفع لـ(أليس) 50 دولارًا" و"(تشارلي) سيدفع لـ(بوب) 50 دولارًا"
إذا كان يحاول أن يضيف: "(تشارلي) سيدفع لك 20 دولارًا"، ستكون إضافة غير صالحة
غير صالحة تمامًا كما لو أنه لم يوقعها
لاحظ أن هذا يعني أن تأكيد عملية ما
يتطلب معرفة سجل العمليات السابقة حتى تلك اللحظة.
و هذا صحيح نوعًا ما في العملات المشفرة أيضًا،
ولو أن هناك مجال صغير للتحسين.
المثير هنا أن
بهذه الخطوة، أُزيل الارتباط بين السجل والدولار الحقيقي الملموس.
نظريًا، لو استخدم كل الناس هذا السجل؛
Chinese:
所有人开始就往账上支付100元,
账本上最先记录几条:
Alice获得100元,Bob获得100元,Charlie等等
现在只需要拒绝在账本上记录某些人入不敷出的交易
举个例子,如果前两条交易记录是
Charlie支付Alice 50元,
Charlie支付Bob 50元
如果他想记录Charlie支付你20元,
那将是不合法的,和他没有签名一样不合法
因此这就意味着验证一条交易
就需要了解截至当前所有的历史交易信息
这在加密货币中同样如此,并且仍有待优化
有趣的是,这个设计真正去掉了账本和真实货币的联系
理论上如果世界上所有人都是用这个账本
Chinese:
所有人開始就往帳上支付100元,
帳本上最先記錄幾條:
Alice獲得100元,Bob獲得100元,Charlie等等
現在只需要拒絕在帳本上記錄某些人入不敷出的交易
舉個例子,如果前兩條交易記錄是
Charlie支付Alice 50元,
Charlie支付Bob 50元
如果他想記錄Charlie支付你20元,
那將是無效的,和他沒有簽名一樣
因此這就意味著驗證一條交易
就需要瞭解截至當前所有的歷史交易資訊
這在加密貨幣中同樣如此,雖然仍有待優化
有趣的是,這個設計真正去掉了帳本和真實貨幣的連結
理論上如果世界上所有人都是用這個帳本
Chinese:
你可以終其一生都在這個帳本上收付款
根本不需用到真實的貨幣
為了強調這一點,我們把帳本上的貨幣單位稱之為帳元,並簡稱為LD
你當然也可以將帳元自由地兌換成真的美元
舉個例子,Alice在現實中給了Bob 100元
同時Bob在公共帳本上記上Bob支付Alice 100元
但這樣的兌換並不在這套系統的設計初衷之內
這樣的兌換與美元和歐元或市場上其他的貨幣兌換類似
但那就是題外話了
這是理解比特幣和其他加密貨幣的最重要的資訊了
它實際上就是一個帳本
所有的歷史交易總和就是當下的貨幣
當然就比特幣而言
Italian:
potresti vivere la tua intera vita solamente mandando e ricevendo soldi su questo libro mastro
senza mai bisogno di convertirli in dollari reali.
Infatti, per enfatizzare questo punto,
cominciamo a riverirci alle quantità su questo libro mastro come " dollari del libro mastro" o abbreviato "LD".
Sei ovviamente libero di scambiare LD con veri dollari americani.
Per esempio, Alice dà a Bob una banconota da 10$ nel mondo reale
e lui in cambio aggiunge e firma la transazione
"Bob paga ad Alice 10 LD" sul libro mastro comune.
Ma scambi di questo tipo non saranno garantiti dal protocollo.
È più analogo a come scambieresti dollari per euro,
o qualunque altra valuta sul mercato,
è solo una cosa indipendente.
Questa è la prima cosa importante da capire a proposito dei Bitcoin o qualunque altra criptovaluta:
è un libro mastro, la storia delle transazioni è la moneta stessa.
Ovviamente, nel Bitcoin
Indonesian:
Anda bisa menjalani seluruh hidup Anda hanya mengirim dan menerima uang di buku besar ini
tanpa harus mengkonversi ke Dolar AS riil.
Sebenarnya, untuk menekankan hal ini,
mari kita mulai mengacu pada jumlah pada buku besar sebagai "buku besar dolar", atau "LD" untuk memperpendek.
Anda tentu saja bebas menukarkan buku besar dolar untuk dolar AS yang sesungguhnya.
Misalnya, mungkin Alice memberi Bob uang $ 10 di dunia nyata
sebagai gantinya dia menambahkan dan menandatangani transaksi
"Bob membayar Alice 10 LD" ke buku besar umum ini.
Tapi pertukaran seperti itu, mereka tidak akan dijamin oleh protokol.
Sekarang lebih mirip dengan bagaimana Anda bisa menukarkan dolar untuk Euro,
atau mata uang lainnya di pasar terbuka,
itu hanya hal tersendiri.
Ini adalah hal penting pertama yang harus dipahami tentang Bitcoin atau uang kripto yang lain:
apa itu buku besar, sejarah transaksi adalah mata uangnya.
Tentu saja, dengan Bitcoin,
Czech:
mohli byste celý život posílat a přijímat peníze jen skrze ni,
a nikdy byste nemuseli měnit na skutečné dolary.
Ke zdůraznění tohoto faktu
začněme nazývat hodnoty v knize "knižní dolary", nebo zkráceně "LD". [Ledger Dollars]
Máte samozřejmě možnost vyměnit si knižní dolary za skutečné Americké Dolary.
Například, Alice dá Bobovi $10 bankovku
za to, že on přidá a podepíše transakci
"Bob dluží Alici 10 LD" do účetní knihy.
Ale tyto výměny nebudou zajišťované a garantované naším systémem.
Je to podobná situace, jako kdybyste měnili dolary za eura,
nebo jakoukoliv jinou měnu na světovém trhu,
je to nezávislá věc.
Tohle je první důležitá věc, kterou je třeba pochopit u Bitcoinu, nebo kterékoliv jiné kryptoměně:
je to účetní kniha - historie transakcí je samotná měna.
Samozřejmě, s Bitcoinem
English:
In theory, if everyone in the world used this
Ledger, you could live your whole life just
sending and receiving money on this ledger
without ever converting to real US.
To emphasize this point, let’s start referring
to quantities on the ledger as “LedgerDollars”,
or LD for short.
You’re of course free to exchange LedgerDollars
for real US dollars, for example maybe Alice
gives Bob a $10 bill in the real world in
exchange for him adding and signing the transaction
“Bob pays Alice 10 LedgerDollars” to the
communal ledger.
But exchanges like this are not guaranteed
in the protocol.
It’s now more analogous to how you might
exchange Dollars for Euros or any other currency
on the open market, it’s just its own independent
thing.
This is the first important thing to understand
about Bitcoin, or any other cryptocurrency:
What it is is a ledger; the history of transactions
is the currency.
Polish:
mógłbyś żyć całe życie tylko wysyłając i odbierając pieniądze w tej księdze
bez konieczności konwersji na prawdziwe dolary amerykańskie.
Aby podkreślić ten punkt,
zacznijmy odnosić się do ilości w księdze jako „dolarów księgi głównej” lub w skrócie „LD”.
Możesz oczywiście swobodnie wymieniać dolary księgi głównej na prawdziwe dolary amerykańskie.
Na przykład, może Alicja wystawia Bobowi czek na 10$ w realnym świecie
w zamian za to, że on doda i podpisze transakcję
„Bob płaci Alicji 10 LD” do tej księgi wspólnej.
Ale takie wymiany nie będą gwarantowane przez protokół.
Teraz jest to bardziej analogiczne do tego, jak można wymieniać dolary na euro,
lub jakąkolwiek inną walutę na wolnym rynku.
To jest działanie niezależne od księgi.
Jest to pierwsza ważna rzecz do zrozumienia na temat Bitcoin lub innej kryptowaluty:
jest to pewna księga główna, historia transakcji jest walutą.
Oczywiście, z Bitcoin
German:
dann könntest du dein ganzes Leben leben und Geld nur auf diesem Bestandsbuch senden und empfangen,
ohne es jemals in echte US Dollar umtauschen zu müssen.
Und um das nochmal zu betonen,
lass uns ab jetzt die Mengen auf dem Bestandsbuch als "Ledger Dollars", oder kurz "LD" bezeichnen. [englische, im Video verwendete Abkürzung]
Du kannst natürlich jeder Zeit Ledger Dollars in echte US Dollar umtauschen.
Vielleicht gibt zum Beispiel Alice Bob in der echten Welt eine 10$-Note
und er fügt im Ausgleich die Transaktion "Bob zahlt Alice 10 LD." hinzu
und unterzeichnet sie.
Aber ein Tausch wie dieser hier wird nicht garantiert sein.
Das ist jetzt mehr so als ob man Dollars in Euros
oder irgendeine andere Währung auf dem offenen Markt umtauschen würde.
Es ist eine eigene, unabhängige Sache.
Das ist die erste wichtige Sache, die man über Bitcoins und andere Kryptowährungen wissen und verstehen muss:
Sie sind im Endeffekt ein Bestandsbuch. Der Verlauf aller Transaktionen in dieser speziellen Währung.
Bei Bitcoins kommt Geld natürlich nicht auf das Bestandsbuch
Turkish:
tüm hayatını bu defter üzerinden sadece para gönderip para almakla yaşardın
hiç gerçek paraya çevirmeden hem de.
Aslında, bu noktayı vurgulamak için,
defterdeki miktarlara kısaca "LD" olan defter üzerindeki "ledger dolarları" atayalım.
Sen tabii ki de ledger dolarlarını gerçek dolarlarla değiştirmekte özgürsün.
Örneğin, gerçek hayatta Alice Bob'a $10 lık bir fatura verebilir
parasal işlemin eklenmesi ve imzalanması karşılığında
"Bob Alice'e 10 LD öder" bu açık deftere.
Ama bunun gibi değişimler, protokol tarafından garanti altına alınmazlar.
Dolarlarını Euro karşılığında nasıl değiştireceğin şimdi daha da benzer
ya da açık pazar üzerinde herhangi bir para birimi,
bu sadece kendi bağımsızlığına dayalı.
Bu Bitcoin veya herhangi cryptocurrency hakkında anlaması en önemli ilk şey:
bir defterin ne olduğu, parasal işlemlerin geçmişi para birimidir.
Tabii ki, Bitcoin ile ,
Russian:
вы могли бы всю жизнь просто отправлять и получать деньги через него,
безо всякой надобности переводить их в реальную валюту.
Чтобы подчеркнуть эту мысль,
давайте измерять суммы в реестре в «лог-долларах», или коротко «LD».
Конечно, вы можете обменять их на реальные доллары США.
Например, Алиса дает Бобу в руки 10 реальных долларов
в обмен на запись и подпись операции
«Боб платит Алисе 10 LD» в общем реестре.
Но такие сделки не будут защищены протоколом.
Можно провести параллель с обменом долларов на евро
или любую другую валюту на рынке,
это просто независимые операции.
Вот и первая идея о Биткоине и других криптовалютах, которую важно усвоить:
по сути это и есть реестр, история операций - это и есть валюта.
Конечно, в случае с Биткоином
Japanese:
実際の米ドルに両替することなく、
元帳の上での取引だけで人生を過ごすことができる。
この事実をより明確に強調するため、
元帳での額の量を元帳ドル(LD)としよう。
もちろん元帳ドルと米ドルの両替は自由である。
例えば、アリスがボブに10ドルを現実世界で渡し、
その対価として、「ボブはアリスに10元帳ドル支払う」を、
ボブは元帳に署名付きで追加する。
しかしこの様な両替はプロトコルによって保証されていない。
米ドルをユーロに替えたりするのと同じく、
アナログ的である。
これは別の領域の問題である。
ビットコインや、その他暗号通貨に関して最初に理解する必要がある事は、
その実態は元帳であり、取引の歴史自体が通貨である事である。
ビットコインの仕組みの中では、
Vietnamese:
bạn có thể sống cả cuộc đời của bạn chỉ cần gửi và nhận tiền vào sổ cái này
mà không bao giờ phải chuyển đổi sang đô la Mỹ thực.
Trong thực tế, để nhấn mạnh điểm này,
chúng ta hãy bắt đầu đề cập đến giá trị tiền trên sổ cái là "đô la sổ cái", hoặc "LD" cho ngắn.
Tất nhiên, bạn đang tự do trao đổi "đô la sổ cái" cho "đô la Mỹ thật".
Ví dụ, có thể Alice đưa cho Bob một tờ $10 trong thế giới thực
để đổi lấy anh ta thêm và ký kết giao dịch
"Bob trả Alice 10 LD" vào sổ cái chung này.
Nhưng những trao đổi như vậy, chúng sẽ không được bảo đảm bởi các giao thức.
Nó dường như giống với cách bạn có thể đổi đô la cho Euro,
hoặc bất kỳ loại tiền tệ khác trên thị trường mở,
Nó như một "thứ" riêng.
Đây là điều quan trọng đầu tiên để hiểu về Bitcoin hoặc bất kỳ đồng tiền mã hóa nào khác:
Nó là một sổ cái. Lịch sử của giao dịch chính là loại tiền tệ này.
Tất nhiên, với Bitcoin,
Portuguese:
você poderia viver a sua vida toda só enviando e recebendo dinheiro nesse registro
sem precisar converter para dinheiro físico real
De fato, para enfatizar esse argumento,
vamos passar a chamar as quantidades desse registro como 'Ledger Dollars' (Dólares do Registro)
ou 'LD' abreviado
Você é claro livre para trocar LDs por dinheiro físico real
Por exemplo, talvez Alice dê uma nota de 10 USD para Bob no mundo real
em troca por ele adicionar e assinar a transação Bob paga 10 LD para Alice, neste registro comum
mas trocas como essa não serão garantidas pelo protocolo
agora é mais análogo a como você pode trocar Dólares por Euros
ou qualquer outra moeda no mercado regular
é apenas a sua própria coisa independente
essa é a primeira coisa importante a entender sobre Bitcoin
ou qualquer outra criptomoeda
O que ela é, é um registro,
o histórico de transações é a moeda
Arabic:
سيكون بإمكانك أن تكمل حياتك كلها وأنت ترسل وتستلم الأموال عن طريق هذا السجل
دون أن تضطر إلى تحويلها إلى دولار أمريكي مطلقًا.
في الواقع، لنؤكّد على هذه النقطة،
دعنا نشير إلى إلى القيم التي على السجل على أنها "دولار السجل" أو للاختصار "LD" (من ledger dollars)
لديك كامل الحرية طبعًا بالتحويل بين دولار السجل والدولار الأمريكي
مثلًا، ربما (أليس) تعطي (بوب) 10 دولارات على أرض الواقع
مقابل أن يضيف ويوقع لها العملية:
"(بوب) سيدفع لـ(أليس) 10 LD" على السجل العام.
ولكن تحويلات كهذه لن يضمنها الميثاق،
إنها أشبه بكيفية تبادل الدولار باليورو،
أو أي عملة أخرى في السوق،
إن هذا الأمر مستقل بذاته.
هذا هو أول شيء مهم لفهم بيتكوين أو أي عملة مشفرة أخرى:
هي في الواقع مجرد سجل، وسجل العمليات هو العملة.
بالطبع، في بيتكوين،
Modern Greek (1453-):
θα μπορούσατε να ζήσετε ολόκληρη την ζωή σας στέλνοντας και λαμβάνοντας χρήματα με αυτό το βιβλίο
χωρίς ποτέ να χρειαστούν μετατροπή σε πραγματικά δολάρια ΗΠΑ.
Στην πραγματικότητα, για να τονίσουμε αυτό το σημείο,
ας ξεκινήσουμε αναφερόμενος στις ποσότητες στο βιβλίο ως «δολάρια βιβλίου», ή «LD» για συντομία.
Μπορείτε, φυσικά, να ανταλλάξετε δολάρια βιβλίου για πραγματικά δολάρια ΗΠΑ.
Για παράδειγμα, ίσως η Alice δίνει στον Bob 10$ στον πραγματικό κόσμο
ως αντάλλαγμα για την προσθήκη και την υπογραφή της συναλλαγής
«ο Bob πληρώνει την AIice 10 LD» σε αυτό το κοινόχρηστο βιβλίο.
Αλλά ανταλλαγές, όπως αυτές, δεν πρόκειται να είναι εγγυημένες από το πρωτόκολλο.
Ανάλογα θα μπορούσατε να ανταλλάσσετε δολάρια για Ευρώ,
ή για οποιοδήποτε άλλο νόμισμα στην ελεύθερη αγορά,
είναι απλώς ένα ανεξάρτητο πράγμα.
Αυτό είναι το πρώτο σημαντικό πράγμα που πρέπει να καταλάβετε για το Bitcoin ή για οποιοδήποτε άλλο κρυπτονόμισμα:
αυτό που είναι, είναι ένα βιβλίο, το ιστορικό των συναλλαγών είναι το νόμισμα.
Φυσικά, με το Bitcoin,
Lithuanian:
galėtum gyventi savo visą gyvenimą tiesiog siųsdamas ir priimdamas pinigus šioje apskaitoje
nereikiant konvertuoti į tikrus JAV dolerius.
Iš tiesų, kad pabrėžtume šią mintį,
pradėkime vadinti kiekius apskaitoje apskaitos doleriais arba trumpiau "LD".
Žinoma, tu gali laisvai keisti apskaitos dolerius į tikrus JAV dolerius.
Pavyzdžiui, galbūt Alisa duoda Bobui $10 tikrame pasaulyje
už tai, kad jis pridėjo ir pasirašė transakciją
"Bobas moka Alisai 10 LD" į šią bendruomeninią apskaitos knygą.
Bet tokie mainai, jie nebus užtikrinti protokolo.
Dabar tai yra labiau lygintina kaip doleriai iškeičiami į eurus,
arba bet kurią kitą valiutą atviroje biržoje,
tai tiesiog yra savo paties nepriklausomas dalykas.
Tai yra pirmas svarbus dalykas, kurį reikia suprasti apie Bitkoiną arba bet kurią kitą kriptovaliutą:
kas tai yra, tai - apskaita; transakcijų istorija yra valiuta.
Žinoma, Bitkoine,
Chinese:
你整个一生都可以在这个账本上支付并获得钱财中度过
根本不需要真实的货币
为了强调这一点,我们把账本上的货币单位称之为账元,并简称为LD
你也可以将账元自由地兑换成真的美元
举个例子,Alice在现实中给了Bob 100元
同时Bob在公共账本上记上Bob支付Alice 100元
但这样的兑换并不在这套系统的设计初衷之内
这样的兑换与美元和欧元或市场上其他的货币兑换类似
那是另外一个事情了
这是理解比特币和其他加密货币的最重要的信息了
它实际上就是一个账本
所有的历史交易总和就是当下(current)的货币(currency)
当然就比特币而言
iw:
אתם יכולים לחיות כל חייכם רק על ידי שליחה וקבלה של כסף על אותו ספר חשבונות
מבלי להמיר את החובות בשום שלב לדולרים אמיתיים.
למעשה, כדי להדגיש את הנקודה הזו,
בואו נתחיל להתייחס לתשלומים על ספר החשבונות בתור "דולרי לדג'ר", או "LD" בקיצור.
אתם, כמובן, חופשיים להחליף דולרי לדג'ר בדולרים אמיתיים.
לדוגמא, אולי אליס נותנת לבוב שטר של עשרה דולר בעולם האמיתי
תמורת כך שבוב יוסיף ויחתום על העסקה בספר החשבונות
"בוב משלם לאליס עשרה LD"
אבל חילופים כאלו לא הולכים להיות מובטחים על ידי הפרוטוקול.
זה יותר דומה לאופן שבו מחליפים דולרים עבור יורו,
או בכל מטבע אחר בשוק הפתוח,
זה פשוט דבר עצמאי ולא קשור לנושא.
זהו הדבר החשוב הראשון שיש להבין על ביטקוין או כל מטבע מבוזר אחר:
המטבע המבוזר הוא למעשה ספר חשבונות, ההיסטוריה של העסקאות היא המטבע.
כמובן, בביטקוין,
Spanish:
podrías vivir toda tu vida mandando y recibiendo dinero en este libro de cuentas
sin tener que convertir a dolares reales.
De hecho, para enfatizar este punto,
vamos a empezar a llamr a las cantidades en este libro de cuentas como "dolares de cuenta", o "LD" para abreviar
Por supuesto eres libre de intercambiar dolares de cuenta por dolares reales.
Por ejemplo, quizas Alice da a Bob un billete de 10$ en el mundo real
a cambio de que el añada y firme la transacción
"Bob paga a Alice 10LD" a el libro de cuentas.
Pero intercambios como ese, no van a estar garantizados por el protocolo.
Ahora esto es análogo a como podrías cambiar dolares por euros,
o a cualquier otra moneda en el mercado,
es ahora una cosa independiente.
Este es el primer punto importante a entender sobre Bitcoin o cualquier criptomoneda:
Lo que es, es un libro de cuentas, el historial de transacciones es la moneda
Por supuesto, con Bitcoin,
Hungarian:
akkor az egész életedet leélhetnéd úgy hogy csak ezen a főkönyvön keresztül küldenél és fogadnál pénzt
anélkül hogy valaha igazi USA dollárra kellene váltanod.
Igazából, ahhoz hogy hangsúlyozzuk ezt a pontot,
kezdjünk el "főkönyv dollárként" (*ledger dollar*-ként) hivatkozni rá, vagy röviden "LD".
Természetesen szabadon válthatsz főkönyv dollárt (LD) igazi USA dollárra.
Például, talán Alice ad Bobnak egy 10$-os bankjegyet a való világban,
cserébe azért, hogy hozzááadja és aláírja azt a tranzakciót
a főkönyvben, hogy "Bob fizet Alice-nak 10 LD-t".
De az ilyen a cseréket nem fogja tudni garantálni a protokoll.
Ez már inkább hasonlít arra ahogyan euróra, dollárra,
vagy bármely más pénzre váltanál a szabad piacon,
ez egyszerűen egy saját különálló dolog.
Ez az első fontos dolog amit meg kell érteni a Bitcoinról és bármely más kriptopénzről,
hogy mi ez valójában: egy főkönyv, a pénz maga a tranzakciók története.
Természetesen, a Bitcoinnál
Korean:
여러분은 이 장부 상에서 수입을 올리고
지출하는 것만으로도 살아갈 수 있어.
장부상의 돈을 US 달러로 환전하지 않고도
살아갈 수 있다는 얘기야.
자 이 부분을 더 강조하기 위해,
장부상의 금액을 "장부달러", 줄여서 "LD"라고 하자.
여러분은 장부달러를 실물 US 달러로
자유롭게 환전할 수 있어.
예를 들어, 앨리스가 실제로 밥에게 10 US 달러를 줬다면
장부에 다음과 같이 기록하고 디지털 서명할 수 있지.
"밥이 앨리스에게 10 장부달러 지불"
하지만 10 US 달러와 10 장부달러의 환전은
장부의 규약에 의해 보증되지는 않아.
이 부분을 이해하기 위해
달러를 유로나 다른 통화로 환전하는 것을 떠올려보자.
이 부분을 이해하기 위해
달러를 유로나 다른 통화로 환전하는 것을 떠올려보자.
환전 자체는 그저 독립적인 사건이잖아.
바로 그게 비트코인이나 다른 암호화 화폐를 이해하는데
가장 중요한 점이기도 해.
뭐냐하면 장부는 해당 통화의
모든 거래 이력만을 가지고 있을뿐,
환전을 기록하지는 않는다는거야.
비트코인에서도,
French:
En théorie, si tout le monde dans le monde était en train d'utiliser ce livre de compte
vous pourriez vivre toute votre vie juste en envoyant et en recevant de l'argent
sur ce livre de compte sans avoir à les convertir
en dollars américains réels.
En fait pour insister sur ce point commençons par nous
référer aux quantités sur ce livre de compte comme Ledger Dollars ou LD pour faire court.
Vous êtes bien sûr libre pour échanger des Ledger Dollars pour des dollars
américains réels. Par exemple, peut-être qu'Alice donne 10$ à Bob dans le
monde réel et en échange pour lui d'ajouter et de signer la transaction
Bob paie Alice dix Ledger Dollars
à ce livre de compte commun.
Mais des échanges comme celui-ci
ne seront pas garantis par le protocole.
C'est maintenant plus une analogie sur comment
échanger des dollars contre des euros ou n'importe
qu'elle devise sur le marché ouvert.
C'est juste sa propre chose indépendante.
Ceci est la première chose importante à comprendre à propos de Bitcoin ou à propos de n'importe qu'elle
crypto-monnaie. Ce que c'est, c'est un livre de compte.
L'historique des transactions est la devise.
Czech:
se peníze do účetní knihy nedostávají od lidí, kteří by dávali reálné peníze do banku.
K tomu, jak se do knihy peníze dostávají, se dostanu za chvíli.
Předtím se ale zmíníme o důležitém rozdílu
mezi naším systémem knižních dolarů a tím, jak fungují kryptoměny.
Doposud jsme uvažovali, že kniha je na nějakém veřejném místě,
jako např. webové stránce, kam může kdokoliv přidávat záznamy.
Ale to by znamenalo důvěru v centrální bod,
konrétně "kdo provozuje ty webové stránky?",
"kdo kontroluje pravidla přidávání nových transakcí?".
Abychom se zbavili závislosti na centrální autoritě, budou si u sebe všichni držet vlastní kopii knihy.
Když budete chtít provést transakci, např. "Alice dluží Bobovi 100 LD",
tak tu transakci vyšlete do světa,
ostatní ji uslyší, a zapíšou ji do jejich kopií účetní knihy.
Ale, pokud neuděláte ještě něco navíc, je tenhle systém k ničemu.
Jak se všichni shodnou na tom, která z knih je ta správná?
Když Bob obdrží zprávu o transakci "Alice dluží Bobovi 10 LD",
Portuguese:
Claro, com Bitcoin dinheiro não entra no histórico com pessoas comprando por meio de dinheiro físico real
Vou explicar como o dinheiro entra em alguns minutos
Mas antes disso, há na verdade uma diferença ainda mais significativa
entre nosso sistema de Ledger Dollars, e como cripto moedas funcionam
Até então, eu disse que esse registro está em um local público
como um website que qualquer um pode adicionar novas linhas
mas para isso seria preciso confiar em um local centralizado
como, quem hospeda o website,
quem controla as regras para adicionar novas linhas
para remover essa parte de confiança,
vamos fazer com que cada um mantenha sua própria cópia do registro
Então quando quiser fazer uma transação, como Alice paga 100 LD para Bob
o que você faz é transmitir isso para o resto do mundo
para as pessoas ouvirem e gravarem no seu próprio registro privado
Mas, a menos que faça algo a mais
este sistema é absurdamente ruim
como você poderia fazer com que todos concordassem sobre qual o registro correto é?
Quando Bob recebe uma transação como, Alice paga 10 LD para Bob
Indonesian:
Uang tidak masuk buku besar dengan orang-orang membeli menggunakan uang tunai.
Saya akan mengerti bagaimana uang baru masuk ke buku besar hanya dalam beberapa menit,
Tapi sebelumnya, sebenarnya ada perbedaan yang jauh lebih signifikan
antara sistem buku besar dollar kita saat ini dan bagaimana kerja mata uang kripto
Sejauh ini, saya telah mengatakan bahwa buku besar ini ada di tempat umum,
seperti situs web, di mana setiap orang dapat menambahkan baris baru.
Tapi itu perlu mempercayai lokasi sentral,
yaitu "siapa yang menyediakan website?",
"siapa yang mengontrol aturan menambahkan baris baru?".
Untuk menghapus sedikit kepercayaan itu, kita akan meminta semua orang menyimpan salinan buku besar mereka sendiri.
Kemudian ketika Anda ingin melakukan transaksi, seperti Alice membayar Bob 100 LD,
apa yang Anda lakukan adalah menyiarkannya keluar ke dunia
agar orang bisa mendengar dan mencatat di buku besar pribadi mereka sendiri.
Tapi, kecuali jika Anda melakukan sesuatu yang lebih, sistem ini sangat tidak masuk akal.
Bagaimana Anda bisa membuat semua orang setuju dengan buku yang benar?
Saat Bob menerima transaksi, seperti Alice membayar Bob 10 LD,
French:
Bien sûr avec Bitcoin, l'argent n'entre pas dans le livre de compte
avec les gens l'achetant en utilisant l'argent liquide.
J'expliquerais comment l'argent entre dans le livre de compte dans quelques minutes.
Mais avant cela, il y a en fait une différence encore plus importante
entre notre système actuel de Ledger Dollar et comment les crypto-monnaies fonctionnent.
Jusqu'à présent j'ai
dit que ce livre de compte était dans un endroit public
comme par exemple un site web
où tout le monde peut ajouter de nouvelles lignes.
Mais cela nécessite de faire confiance à un emplacement central, à savoir
qui hébergerait le site web contrôle les règles d'ajout de nouvelles lignes.
Pour supprimer ce peu de confiance, nous ferons en sorte que tout le monde conserve sa propre
copie du livre de compte. Alors lorsque vous voulez faire une transaction
comme Alice paie Bob 100 LD.
Ce que vous faites, c'est diffuser cela dans le monde entier
pour que les gens entendent et enregistrent
sur leur propre livre de compte privé.
Mais à moins que vous fassiez quelque chose de plus, ce système
est absurdement mauvais. Comment pouvez vous
obtenir le consensus sur ce que le bon livre de compte est ?
Lorsque Bob reçoit une transaction comme Alice paie Bob 10 LD.
Comment pouvez-vous être sûr que personne d'autre
Hungarian:
nem az emberek készpénzes bevásárlásaival kerül pénz a főkönyvbe.
Egy pár perc múlva eljutunk oda is hogyan kerül új pénz a főkönyvbe,
de azelőtt, van egy még lényegesebb különbség
a mi mostani "főkönyv dollar" (*ledger dollar*) rendszerünk és aközött ahogyan a kriptopénzek működnek.
Eddig annyit mondtam, hogy ez a főkönyv valamilyen publikus helyen van,
például egy weboldalon, ahol bárki hozzá tud adni újabb sorokat.
De ez megköveteli, hogy megbízzunk egy központi helyben,
nevezetesen abban, hogy "ki weboldal üzemeltetője?",
"ki irányítja az új sorok hozzáadásának a szabályait?".
Ahhoz, hogy megszüntessük a bizalom efféle szükségességét, mindenki tartani fog magánál egy saját másolatot a főkönyből.
Azután amikor egy tranzakciót szeretnél csinálni, például "Alice fizet Bobnak 100LD-t",
akkor azt közvetíted mindenkinek a világban,
hogy az emberek az alapján elmenthessék a saját privát főkönyvjükben.
De ha nem teszel még valamit, ez a rendszer abszurd módon rossz.
Hogyan tudna mindenki meggyőződni arról, hogy melyik a helyes főkönyv?
Amikor Bobnak küldenek egy tranzakciót, például "Alice fizet Bobnak 10LD-t",
English:
Of course, with Bitcoin money doesn’t enter
the Ledger with people buying into using cash,
I’ll get to how new money enters the ledger
in just a few minutes.
Before that, there’s an even more significant
difference between our current system of LedgerDollars
how cryptocurrencies works.
So far, I’ve said that this ledger is some
public place, like a website where anyone
can add new lines.
But this requires trusting a central location.
Namely, who hosts that website?
Who controls the rules of adding new lines?
To remove that bit of trust, we’ll have
everyone keep their own copy of the ledger.
Then to make a transaction, like “Alice
pays Bob 100 LedgerDollars”, you broadcast
into the world for people to hear and record
on their own private Ledgers.
But unless we do something more, this system
would absurdly bad.
How can you get everyone to agree on what
the right ledger is?
When Bob receives the transaction “Alice
pays Bob 10 LedgerDollars”, how can he be
Arabic:
لا تُضاف الأموال إلى السجل عبر أشخاص يشترون بالنقد (الكاش).
سوف أقوم بشرح كيفية دخول الأموال إلى السجل خلال دقائق،
ولكن قبل ذلك، هناك فرق أكثر أهمية
بين نظام "دولار السجل" الحالي وبين طريقة عمل العملات المشفرة.
حتى الآن، لقد قلت أن السجل متواجد بمكان عام،
مثل موقع ويب ما، حيث يمكن لأي شخص إضافة أسطر جديدة.
ولكن هذا سيتطلب الوثوق بجهة مركزية،
بمعنى آخر، "من يملك موقع الويب هذا؟"
"من يتحكم في قواعد إضافة أسطر جديدة؟"
للتخلص من هذا الجزء المعتمد على الثقة، سيحتفظ كل شخص منا بنسخته من السجل.
ثم عندما تريد إنشاء صفقة، مثل (أليس) ستدفع لـ(بوب) 100 LD.
عليك أن تبث هذه العملية للجميع
حتى يتمكن الآخرون من سماعها وتسجيلها في سجلاتهم الخاصة.
ولكن، مالم تقم ببعض التعديلات، فإن هذا النظام سيء للغاية.
كيف ستجعل الجميع يتفقون على إحدى هذه النسخ أنها هي الصحيحة؟
عندما يستلم (بوب) صفقة، مثلًا (أليس) ستدفع لـ(بوب) 10 LD،
iw:
כסף לא נוצר בספר החשבונות על ידי כך שאנשים מכניסים כסף מזומן לקופה ראשית.
אני אגיע לאיך כסף חדש נכנס לספר החשבונות בתוך מספר דקות,
אבל לפני כן, יש באמת הבדל משמעותי אף יותר
בין המערכת הנוכחית שלנו של דולרי לדג'ר ואיך מטבועת מבוזרים עובדים.
עד כה, הצהרתי כי ספר החשבונות הזה נמצא באיזה מקום ציבורי,
כמו אתר, שבו כל אחד יכול להוסיף שורות חדשות.
אבל זה דורש אמון במיקום המרכזי הזה,
כלומר - "מי בעל האתר?"
"מי שולט בכללים להוספת שורות חדשות לספר?"
כדי להיפטר מהחלק דורש האמון הזה, נצטרך כולנו לשמור עותק משלנו של ספר החשבונות.
ואז, כאשר אתם רוצים לבצע עסקה, כמו אליס משלמת לבוב מאה LD,
מה שאתם צריכים לעשות זה לשדר את העסקה הזו לעולם
כדי שאנשים אחרים יוכלו לשמוע ולתעד אותה בספרי החשבונות הפרטיים שלהם.
אבל, אלא אם כן מוסיפים משהו, מערכת זו היא רעה באופן אבסורדי.
איך אפשר לוודא שכולם מסכימים על מה היא הגרסא הנכונה של ספר החשבונות?
כאשר בוב מקבל עסקה, כמו אליס משלמת עשרה LD לבוב,
Turkish:
insanların nakitle satın aldıkları para deftere girmez
Yeni paranın deftere nasıl girdiğine birkaç dakika içinde geleceğim,
ama ondan önce, daha önemli bir farklılık var
bu fark; bizim ledger dolarlarımızın şuan ki sistemi ve cryptocurrencylerin çalışmasıyla arasında.
Şimdiye kadar, bu defterin halka açık bir yerde olduğuydu,
herkesin yeni bir satır ekleyebildiği bir websitesi gibi.
Ama bu merkezi bir yere güven gerektirir,
diğer bir deyişle "bu websitesinin sahibi kim?"
"yeni bir satır eklemenin kuralını kim kontrol ediyor?".
Bu güven unsurunu kaldırmak için, herkese kendi defter kopyasını saklarız.
Sonra da " Alice Bob'a 100 LD öder" gibi parasal işlem yapmak istediğinde,
yaptığın şey; dünyaya yayın yapmak..
..insanların duymasını ve kendi özel defterlerine kaydetmesi için.
Ama, daha fazla şey yaptıkça, bu sistem absürt bir şekilde kötü.
Herkes doğru defterin ne olduğunu kabul etmesini nasıl sağlardın?
"Alice Bob'a 10 LD öder" gibi Bob bir parasal işlem alırsa,
Korean:
사람들이 현금으로 비트코인을 사더라도,
장부에 실질적인 돈이 들어오는 것은 아니라고.
장부에 새로운 돈이 어떻게 들어오는지는
몇 분 후에 설명해줄게.
일단 지금은, 현재의 장부달러 체계와
암호화 화폐가 작동하는 체계는
큰 차이가 있다는 점이 중요해.
지금까지, 장부는 일종의 공용 장소라고 얘기했잖아?
아무나 새로운 내용을 추가할 수 있는
웹사이트 같다고 얘기했지.
하지만 웹사이트는 어떤 중앙의 통제소를 필요로 해.
즉, 그 웹사이트를 "(중앙의)누군가"가
호스팅하고 있다는거지.
그럼 장부에 새로운 내용을 추가하는 것도
중앙의 누군가가 통제하는 걸까?
중앙의 누군가에 의존하지 않으려면,
모든 사람들이 장부의 복사본을 가지고 있어야 돼.
그리고 "앨리스가 밥에게 100 장부달러 지불"이라는
거래를 기록하려면
장부를 가지고 있는 모든 사람들에게
이 거래를 알려야 하지.
그래야 사람들이 그 거래 정보를 듣고
자기들이 각자 보유한 장부에 기록할 수 있을테니까.
하지만 여기에 추가적인 조치를 하지 않는다면,
각자 복사본을 보유하는 이런 체계는 매우 안 좋아.
수많은 장부 중에서 어떤 장부가 올바른 장부인지
어떻게 알 수 있겠어?
밥이 "앨리스가 밥에게 10 장부달러 지불"이라는
거래 정보를 수신받았다면,
Chinese:
用現金購買比特幣不會在帳本上記錄
新的比特幣如何產生我待會再細說
但在此之前,我們的LD體系和當前加密貨幣還有一大不同
我剛提到這個公共帳本存在於某個公共地點
比如一個網站,所有人都能登入並添加記錄
那樣的話我們就必須信任這一中心機構
那究竟誰來管理這個網站,誰來控制添加記錄的規則呢
讓所有人都能獲取這份帳本也就不需要信任中心機構了
當產生交易,如「Alice支付Bob 100元」
你就將這個訊息廣播給網絡中所有的人
他人收到了這個訊息都在自己那份帳本上記下這條交易
但是除非有更多相應的措施,這樣的設計相當糟糕
你要如何確保所有人手裡都是正確的那份帳本呢
當Bob收到了如「Alice支付Bob10帳元」的交易,
German:
indem Leute Bitcoins mit Bargeld kaufen.
Wie das Geld auf das Bestandsbuch kommt erkläre ich in ein paar Minuten.
Aber vorher gibt es noch einen anderen, eigentlich noch wichtigeren Unterschied
zwischen unserem Währungssystem, den Ledger Dollars, und der Funktionsweise von Kryptowährungen.
Bisher habe ich gesagt, dass dieses Bestandsbuch ein öffentlicher Ort ist.
Wie eine Website auf der jeder neue Zeilen eintragen kann.
Aber das würde voraussetzen einem zentralen Ort zu vertrauen.
Nämlich: "Wer hostet die Website?"
"Wer bestimmt die Regeln für das Hinzufügen neuer Zeilen?"
Um dieses Stück Vertrauen zu entfernen lassen wir jeden seine eigene Kopie des Bestandsbuchs haben.
Wenn du dann eine Transaktion durchführen möchtest, beispielsweise "Alice zahlt Bob 100 LD.",
dann sendest du diese Nachricht in die Welt hinaus,
damit die Leute sie hören und auf ihren eigenen, privaten Bestandsbüchern vermerken.
Aber, solange du nicht noch einen Schritt weiter gehst ist dieses System grauenhaft schlecht.
Wie kriegst du die Leute dazu zu entscheiden, welches das richtige Bestandsbuch ist?
Wenn Bob eine Zahlung empfängt, "Alice zahlt Bob 10 LD.",
Modern Greek (1453-):
τα χρήματα δεν εισέρχονται στο βιβλίο απλά με ανθρώπους που αγοράζουν με χρήση μετρητών.
Θα φτάσω στο πώς νέο χρήμα εισέρχεται στο βιβλίο μέσα σε λίγα λεπτά,
αλλά πριν από αυτό, υπάρχει στην πραγματικότητα μια ακόμη πιο σημαντική διαφορά
μεταξύ του τωρινού συστήματος δολαρίων βιβλίου και του πώς τα κρυπτονομίσματα λειτουργούν.
Μέχρι στιγμής, έχω πει ότι αυτό το βιβλίο είναι σε κάποιο δημόσιο χώρο,
σαν έναν ιστότοπο, όπου ο καθένας μπορεί να προσθέσει νέες γραμμές.
Αλλά αυτό θα απαιτούσε εμπιστοσύνη σε μία κεντρική τοποθεσία,
δηλαδή «ποιος φιλοξενεί τον ιστότοπο;»,
«Ποιος ελέγχει τους κανόνες για την προσθήκη νέων γραμμών;».
Για να αφαιρεθεί εκείνο το κομμάτι της εμπιστοσύνης, θα πρέπει ο καθένας να κρατήσει το δικό του αντίγραφο του βιβλίου.
Στη συνέχεια, όταν θέλετε να κάνετε μια συναλλαγή, όπως η Alice πληρώνει τον Bob 100 LD,
αυτό που κάνουμε είναι να το εκπέψουμε σε όλους τους άλλους
τους ανθρώπους ώστε να το "ακούσουν" και να το καταγράψουν στο δικό τους ιδιωτικό βιβλίο
Αλλά, αν δεν κάνουμε κάτι περισσότερο, αυτό το σύστημα είναι παράλογα κακό.
Πώς θα μπορούσαν όλοι να συμφωνήσουν στο ποιο είναι το σωστό βιβλίο;
Όταν ο Bob λαμβάνει μια συναλλαγή, όπως η Alice πληρώνει τον Bob 10 LD,
Italian:
i soldi non entrano nel libro mastro con le persone che comprano in contanti.
Spiegherò come i soldi entrano nel libro contabile tra qualche minuto,
ma prima c'è una differenza ancora più significativa
tra come il nostro sistema bastato sui "dollari del libro mastro" funziona e le criptovalute.
Finora ho detto che il libro mastro è in un qualche posto pubblico,
come un sito web, a cui ognuno può aggiungere nuove linee.
Ma questo necessiterebbe di fidarsi di una posizione centralizzata,
ossia, "chi è il proprietario del sito web?",
"chi controlla le regole per aggiungere nuove linee?".
Per rimuovere questa fiducia, ognuno dovrà mantenere la sua propria copia del libro mastro.
Quindi quando vuoi fare una transazione come "Alice paga a Bob 100 LD",
quello che fai è trasmetterlo al mondo
così che le altre persone possano sentirlo e aggiungerlo al proprio libro mastro.
Ma, a meno di migliorarlo, questo sistema non funziona per nulla bene.
Come fai a mettere tutti d'accordo su quale sia il giusto libro mastro?
Quando Bob riceve una transazione, come "Alice paga a Bob 10 LD",
Vietnamese:
tiền không vào sổ cái khi mọi người mua bằng tiền mặt.
Lát nữa, tôi sẽ nói tới việc làm thế nào để tiền mới nhập vào sổ cái,
nhưng trước đó, thực sự có một sự khác biệt đáng kể
giữa hệ thống "đồng sổ cái" của ta và cách đồng tiền mã hóa vận hành.
Cho đến nay, tôi đã nói rằng sổ cái này là công cộng,
giống như một trang web, nơi mọi người có thể thêm dòng mới.
Nhưng điều đó đòi hỏi sự tin tưởng vào vị trí trung tâm này,
cụ thể là " ai là chủ trang web",
"ai kiểm soát các quy tắc của việc thêm dòng mới".
Để loại bỏ yếu tố niềm tin đó, chúng ta sẽ cho mọi người giữ bản sao riêng của sổ cái.
Sau đó, khi bạn muốn thực hiện giao dịch, như "Alice trả cho Bob 100 LD",
bạn phát thông tin ra cho thế giới
để mọi người nghe và ghi lại vào sổ cái riêng của họ.
Nhưng, trừ khi bạn thêm vào yếu tố gì đó, hệ thống này rất tệ.
Làm thế nào bạn có thể làm cho mọi người đồng thuận về một sổ cái chính xác?
Khi Bob nhận được một giao dịch, như "Alice trả cho Bob 10 LD",
Lithuanian:
pinigai neateina į apskaitą žmonėms tiesiog susimokant grynais pinigais.
Aš prieisiu prie to, kaip nauji pinigai įeina į apskaitą po kelių minučių,
bet prieš tai, iš tikro yra dar didesnis skirtumas
tarp mūsų dabartinės apskaitos sistemos dolerių ir kaip kriptovaliutos veikia.
Kolkas, aš sakiau, kad ši apskaita yra kažkokioje viešoje vietoje,
kaip interneto puslapis, kur bet kas gali pridėti naujas eilutes.
Bet tam reiktų pasitikėti centrine vieta,
konkrečiai "kam priklauso interneto puslapis?",
"kas kontroliuoja taisykles, kaip pridėti naujas eilutes?".
Kad pašalintume tą gabaliuką pasitikėjimo, mums reikės, kad visi turėtų savo pačių apskaitos kopiją.
Tada, kai tu nori padaryti transakciją, kaip Alisa sumoka Bobui 100 LD,
ką Tu darai, tai transliuoji šitai į pasaulį,
kad žmonės išgirstų ir įsirašytų į savo asmenines apskaitas.
Bet, nebent padarysi kažką dar, ši sistema yra absurdiškai bloga.
Kaip padarysi, kad visi sutartų, kuri apskaita yra teisinga?
Kai Bobas gauna transakciją, kaip Alisa moka Bobui 10 LD,
Russian:
деньги не попадают в реестр потому, что их кто-то купил за наличные.
Я обьясню, как они попадают туда, через несколько минут,
но перед этим нам нужно отметить еще более важную разницу
между нашей системой LD и настоящими криптовалютами.
Я говорил, что реестр находится в открытом доступе,
как, например, сайт, и кто угодно может добавлять в него записи.
Но это означало бы, что нужно доверять какой-то центральной организации.
На чьём сервере он размещен?
Кто следит за правилами, по которым добавляются записи?
Чтобы не было необходимости в доверии, у каждого будет храниться своя копия реестра.
Когда нужно совершить операцию, например, Алиса захочет заплатить Бобу 100 LD,
это просто нужно сообщить всему миру,
чтобы каждый записал это в своем личном реестре.
Но если больше ничего не предпринимать, система просто ужасна.
Как всем согласиться, чей реестр верный?
Когда Боб получает платеж, например, Алиса платит Бобу 10 LD,
Spanish:
el dinero no entra al libro de cuentas cuando la gente compra usando dinero real para entrar
ya llegaré a como nuevo dinero entra al libro de cuentas en unos minutos,
pero antes de eso, hay en realidad una diferencia aun más importante
entre nuestro sistema actual de dolares de cuenta y cómo las criptomonedas funcionan--
Hasta el momento, he dicho que el libro de cuentas esta en algún espacio público,
como una página web. donde cualquiera puede añadir nuevas líneas.
Pero eso requeriría confiar en una ubicación central,
a saber "quién aloja la página"?
"quién controla las reglas para añadir nuevas líneas"?
Para eliminar la confianza de la ecuación, haremos que todo el mundo guarde su propia copia del libro de cuentas.
Entonces cuando quieres hacer una transacción, como Alice paga a Bob 100 LD.
lo que haces es emitirla al resto de participantes
para que la reciban y almacenen en su copia privada del libro de cuentas.
Pero, a no ser que hagas algo más este sistema es ridiculamente malo.
¿Cómo podrías conseguir que todos estén de acuerdo en cual es el libro de cuentas correcto?
Cuando Bob recibe una transacción, como Alice paga a Bob 10 LD,
Polish:
pieniądze nie wchodzą do księgi od osób kupujących przy użyciu gotówki.
Przejdę do tego, jak nowe pieniądze dostają się do księgi w ciągu zaledwie kilku minut,
ale przed tym, jest faktycznie jeszcze bardziej istotna różnica
między naszym obecnym systemem dolarów księgi głównej i tego, jak działają kryptowaluty.
Do tej pory mówiłem, że księga jest w jakimś miejscu publicznym,
na przykład na stronie internetowej, gdzie każdy może dodać nowe wiersze.
Ale to wymagałoby ufania centralnej lokalizacji,
mianowicie tego, „kto jest gospodarzem strony?”,
„kto kontroluje zasady dodawania nowych wierszy?”.
Aby usunąć tę kwestię zaufania, niech każdy ma swoją własną kopię księgi.
Wtedy, gdy chcemy dokonać transakcji, jak "Alicja płaci Bobowi 100 LD",
trzeba to wyemitować w świat
aby ludzie to usłyszeli i zarejestrowali we własnych prywatnych księgach.
Ale, dopóki nie zrobimy czegoś więcej, system ten jest absurdalnie zły.
Jak można dostać zgodę wszystkich, jaka księga jest właściwa?
Kiedy Bob odbiera transakcję, jak "Alicja płaci Bobowi 10 LD",
Chinese:
人们只有用现金购买和使用比特币才会在账本上记录
但新的比特币如何产生我一会儿再细说
但此之前,我们的LD体系和当前加密货币还有一大不同
我刚提到这个公共账本存在于某个公共地点
比如一个网站,所有人都能登陆并添加记录
那样的话我们就必须信任这一中心机构
那究竟谁来管理这个网站,谁来控制添加记录的规则呢
让所有人都能获取这份账本也就不需要信任中心机构了
当你需要发生交易,如Alice支付Bob 100元
你需要将这个信息广播给网络中所有的其他人
他人收到了这个信息都在自己那份账本上记下这条交易
想法虽然简单,但这样的设计相当糟糕
如何确保所有人手里都是正确的那份账本呢
当Bob收到了如Alice支付Bob10账元的交易,
Japanese:
当然の事ながら、現実の貨幣が元帳と一切関わっておらず、
暗号通貨のみで完結している。
その説明に入る前に、元帳ドルと暗号通貨の間には
大きな違いがあることを示しておく。
先程、この元帳はウェブページのように公開されており、
誰でも記録を追加できると説明した。
しかしこれでは信頼できる中心機関が必要となる。
問題は「誰が保管するのか?」
「誰が記録のルールを管理するのか?」である。
信頼の必要性を消すため、皆が元帳のコピーを持つこととする。
これでアリスがボブに100元帳ドル支払うなどの取引を追加したら、
そのことを世界全体に伝えて、
人々が各々の持つ元帳を更新できるようにする。
しかしこれでは、システム全体が簡単に崩壊する。
今現在正しい元帳がどれかを確かめるすべがない。
ボブが、アリスがボブに10元帳ドル支払うなどの取引記録を受け取ったとき、
iw:
איך הוא יכול להיות בטוח שכולם קיבלו את המידע אודות אותה העסקה כפי שהיא נכתבה
כדי שהוא יוכל, בהמשך, ללכת לצ'רלי ולהשתמש באותם עשרה LD כדי לעשות עסקה אחרת?
נסו לדמיין את עצמכם יושבים ומקשיבים לעסקאות משודרות,
איך אתם יכולים להיות בטוחים שכולם תיעדו את אותן העסקאות, ובאותו הסדר?
זהו בעצם לב לנושא.
זו היא בעייה מעניינת.
האם אתם יכולים להמציא פרוטוקול כדי לקבל או לדחות עסקאות
ובאיזה סדר, כך שתוכלו להרגיש בטוחים
שכל אחד אחר בעולם אשר עוקב אחרי אותו פרוטוקול
יש ספר חשבונות שנראה זהה לשלכם?
זוהי הבעיה אשר מקבלת מענה במאמר המקורי אודות הביטקוין.
באופן כללי, הפתרון שהביטקוין מציע הוא
לבטוח כי ספר החשבונות הנכון הוא זה אשר הושקעה בו הכי הרבה עבודה חישובית.
אני אקח רגע להסביר בדיוק מה זה אומר,
זה כרוך בדבר שנקרא "פונקצית hash קריפטוגרפית".
Chinese:
他如何確保其他人也都同樣收到並且相信這個訊息
讓他在今後可以用這10帳元支付給Charlie做交易?
試著想想是你自己收聽著來自外界的交易資訊廣播
你怎麼確定其他人和你一樣以相同的順序記錄著相同的交易資訊
這才是關鍵所在,也是一個有趣的難題
你能想出一個規則來決定接受或拒絕收到的交易資訊
同時確信其他人在這個規則下
都能以同樣的順序接受交易資訊
並最終形成同樣的一份個人帳本嗎?
這就是比特幣原始論文處理的問題
簡單地講,比特幣的解決辦法是
選擇信任消耗最多計算資源的那份帳本
我會花一些時間解釋這到底代表什麼意思
它涉及「加密雜湊函數」這個概念
Spanish:
cómo puede estar seguro de que todos los demás han recibido y se creen esa transacción
para que más tarde pueda ir a Charlie y usar esos mismos 10 LD para hacer una transacción?
De verdad, imaginate recibiendo transacciones emitidas
cómo puedes estar seguro de que todos los demás están anotando las mismas transacciones y en el mismo orden?
Este es realmente el meollo del asunto.
Es un problema interesante.
¿Puedes pensar en un protocolo para aceptar o rechazar transacciones
y en qué orden, para que puedas estar seguro de que
todos los demás que están utilizando ese protocolo
tengan un libro de cuentas personal idéntico al tuyo?
Este es el problema abordado en el artículo original de Bitcoin.
A un alto nivel, la solución que ofrece Bitcoin es
confiar en el libro de cuentas que ha llevado el mayor trabajo computacional.
Haré un pequeño inciso para explicar exactamente lo que siginifica esto,
tiene que ver con una cosa llamada "función criptográfica hash".
Czech:
jak si může být jistý, že všichni ostatní ji také obdrželi a věří jí?
Jak ví, že později bude moct jít za Charliem a použít těchto 10 LD pro svou vlastní transakci?
Jen si to představte sami. Posloucháte jak vám chodí transakce,
jak si můžete být jisti, že všichni ostatní si zaznamenávají ty samé transakce v tom samém pořadí?
Tohle je to jádro pudla.
Tohle je zajímavý problém.
Dokážete vymyslet sadu pravidel o tom, jak přijímat nebo odmítat transakce
a ve správném pořadí, abyste si mohli být jisti,
že všichni, kteří hrají podle stejných pravidel,
budou u sebe mít knihu, která bude vypadat stejně, jako ta vaše?
Tohle je problém řešený v původním článku o Bitcoinu.
Jednoduše řečeno, řešení které Bitcoin nabízí je
věřit té verzi knihy, do které bylo vloženo nejvíc výpočetní námahy.
Na chvilku se zastavím u vysvětlení, co to znamená.
Zahrnuje to tzv. "kryptografickou hash funkci".
Portuguese:
Como ele pode ter certeza de que todos receberam e acreditam nessa transação?
que ele vai poder, depois, ir até o Charlie e usar os mesmo 10 LD para fazer uma transação?
Sério, imagine você mesmo ouvindo transações sendo transmitidas
como você pode ter certeza de que todos estão gravando as mesmas transações, e na mesma ordem?
Este é realmente o coração do problema, um quebra-cabeça interessante
Você consegue criar um protocolo
para como aceitar ou rejeitar transações
e em que ordem
para que você possa estar seguro de que qualquer outra pessoa no mundo
que está seguindo o mesmo protocolo tem um registro pessoal igual ao seu?
Este é o problema tratado no ensaio original do Bitcoin.
No alto nível, a solução que Bitcoin oferece
é confiar no registro que possui o maior trabalho computacional utilizado
Vou usar um momento para explicar exatamente o que isso significa,
envolve essa coisa chamada Função Hash Criptográfica
Lithuanian:
kaip jis gali būti tikras, kad visi kiti gavo ir pasitiki ta pačia transakcija,
kad jis galės vėliau nueiti pas Čarlį ir panaudoti tuos pačius 10 LD, kad padarytų naują transakciją?
Rimtai, įsivaizduok save tik besiklausant transakcijų, kurios transliuojamos,
kaip gali būti tikras, kad visi kiti užfiksuoja tas pačias transakcijas tokia pat tvarka?
Šitai iš tikro ir yra problemos esmė.
Tai įdomus galvosūkis.
Ar gali sugalvoti protokolą kaip priimti ar atmesti transakcijas
ir kokia tvarka, taip, kad jaustumeisi tikras, kad
bet kas kitas pasaulyje, kuris laikosi to paties protokolo
turi asmeninę apskaitą, kuri atrodo taip pat kaip tavo?
Tai yra problema, spręsta pirminiame Bitkoino straipsnyje.
Aukštame lygyje, sprendimas, kurį Bitkoinas siūlo yra
pasitikėti ta apskaita, kuri yra įdėjusi daugiausiai skaičiuojamojo darbo.
Aš paskirsiu laiko paaiškinti, ką tai reiškia.
Su tuom susijęs toks dalykas kaip "kriptografinės hešo (smulkinimo ir maišymo) funkcijos".
Italian:
come fa ad essere sicuro che tutti gli altri abbiano ricevuto e credano alla stessa transazione
così che possa andare più tardi da Charlie e usare questi stessi 10 LD per fare una nuova transazione?
Davvero, immaginati ad ascoltare le transazioni che vengono trasmesse,
come puoi essere sicuro che tutti gli altri stiano registrando le stesse transazioni e nello stesso ordine?
Questo è proprio il cuore del problema.
Questo è un puzzle interessante.
Puoi immaginarti un protocollo per come accettare o rifiutare una transazione
e in che ordine, così che ti possa fidare del fatto che
tutti gli altri nel mondo che stanno seguendo lo stesso protocollo
abbiano il proprio libro mastro uguale al tuo?
Questo è il problema affrontato sulla pubblicazione originale sul Bitcoin.
Ad alto livello, la soluzione offerta dal Bitcoin è
di fidarsi del libro mastro che contiene più "lavoro computazionale".
Prendo un momento per spiegare cosa significa esattamente,
coinvolge le cosiddette "funzione crittografica di hash".
Modern Greek (1453-):
πώς μπορεί να είναι σίγουρος ότι όλοι οι άλλοι έλαβαν και πίστεψαν ότι η ίδια συναλλαγή
ότι θα είναι σε θέση να πάει αργότερα στον Charlie και να χρησιμοποιήσει τα ίδια αυτά 10 LD για να κάνει μια συναλλαγή;
Πραγματικά, φανταστείτε τον εαυτό σας μόνο να "ακούτε" (παρακολουθείτε) τις συναλλαγές που εκπέμπονται
πώς μπορείτε να είστε σίγουροι ότι όλοι οι άλλοι καταγράφουν τις ίδιες συναλλαγές και με την ίδια σειρά;
Αυτή είναι πραγματικά ο πυρήνας του ζητήματος.
Αυτό είναι ένα ενδιαφέρον παζλ.
Μπορείτε να καταλήξετε σε ένα πρωτόκολλο για την αποδοχή και απόρριψη των συναλλαγών
και με ποια σειρά, έτσι ώστε να μπορείτε να αισθάνεστε σίγουροι ότι
οποιοσδήποτε άλλος στον κόσμο που παρακολουθεί το ίδιο πρωτόκολλο
έχει ένα προσωπικό βιβλίο που φαίνεται ίδιο με το δικό σας;
Αυτό είναι το πρόβλημα που διορθώνεται στο αρχικό έγγραφο Bitcoin (την αρχική εργασία).
Σε υψηλό επίπεδο, η λύση που προσφέρει το Bitcoin είναι
να εμπιστεύονται όποιο βιβλίο έχει τη μεγαλύτερη υπολογιστική εργασία
Θα πάρω μια στιγμή για να εξηγήσω τι ακριβώς σημαίνει αυτό,
περιλαμβάνει αυτό το πράγμα που ονομάζεται «κρυπτογραφική συνάρτηση κατακερματισμού».
Vietnamese:
làm thế nào anh ta có thể chắc rằng mọi người khác đã biết về và tin tưởng giao dịch đó
rằng sau đó, anh ta sẽ có thể sử dụng cùng 10 LD đó để thực hiện giao dịch với Charlie?
Thật vậy, hãy tưởng tượng chỉ nghe được các giao dịch đang được phát sóng,
sao bạn có thể chắc rằng người khác đang ghi lại các giao dịch tương tự và theo cùng một thứ tự?
Đây thực sự là tâm điểm của vấn đề.
Đây là một câu đố thú vị.
Sao bạn có thể đưa ra một giao thức cho việc chấp nhận hoặc từ chối giao dịch
và theo thứ tự nào để bạn có thể cảm thấy tự tin rằng
bất cứ ai trên thế giới đang tuân theo cùng một giao thức
có một sổ cái cá nhân trông giống như của bạn?
Đây là vấn đề được chỉ ra trong bản gốc của bài nghiên cứu Bitcoin.
Ở cấp độ cao, giải pháp mà Bitcoin cung cấp là:
đặt niềm tin vào sổ cái nào có nhiều sự tính toán nhất trong đó.
Tôi sẽ dành một chút thời gian để giải thích chính xác điều đó có ý nghĩa gì,
nó liên quan đến "hàm băm mật mã học" (hàm hash).
Turkish:
diğer herkesin aynı parasal işlemini aldığından ve inandığından nasıl emin olur
ki o daha sonra aynı parasal işlemi yapmak için 10 LD yi kullanıp daha sonra Charlie'e gidebilir
Gerçekten, kendini parasal işlemlerin yayınlarını dinlerken hayal et,
herkesin aynı düzenle içinde aynı işlemi kaydettiğinden nasıl emin olabilirsin?
Bu gerçekten sorunun kalbi.
Bu ilgi çekici bir bulmaca.
Parasal işlemleri kabul eden veya reddeden bir protokol bulabilir misin,
ki bu bulduğun düzende kendini güvende hissedip
dünyadaki herkesin aynı protokolü takip eden ve..
..seninkinin aynısı olan bir kişisel defter daha var mıdır?
Esas Bitcoin makalelerinde ele alınan sorun budur.
Yüksek düzeyde, Bitcoin'in sunduğu çözüm..
..hangi defter olursa olsun en hesaplama işi olana güvenmektir.
Aslında bunun ne demek olduğunu açıklama için bir dakikanızı alacağım,
bu "Kriptografik (şifreleyici ) hash fonksiyonunu " denen şeyi içerir.
Japanese:
ボブ以外の全員が同じ記録を受け取ったかどうか確かめられない。
これではその10元帳ドルを使ってチャーリーと取引することも難しい。
ただ取引記録を聞くだけの立場にいると想像してほしい。
自分以外の全員が全く同じ順序で全く同じ取引を記録しているか確信できない。
これは深刻な問題で、
解決しがいがある。
取引の認証と拒否をしながらも、同じプロトコルの使用者全員が、
常に同様の元帳のコピーを持っていることを、
保証してくれるようなプロトコルの設計を、
どの様にすれば出来るだろうか。
これは最初のビットコインの提案書で肝心となっていた点である。
ビットコインが提供する精錬された解決方法は、
最も計算量の多いワークが含まれている元帳を信用するというものである。
これが何を意味するかの説明には少し時間がいる。
まず「暗号論的ハッシュ関数」の知識が必要になる。
German:
wie kann er dann sicher sein, dass alle anderen diese Transaktion empfangen haben und sie für glaubwürdig halten?
Woher weiß er sicher, dass er später zu Charlie gehen kann, und genau diese 10 LD in einer Transaktion verwenden kann?
Stell dir wirklich mal vor einfach nur zuzuhören wie Transaktionen gesendet werden.
Wie kannst du sicher sein, dass alle anderen dieselben Transaktionen in derselben Reihenfolge aufzeichnen?
Das ist das Kernstück des Problems
und ein interessantes Puzzle.
Hast du eine Idee wie man Transaktionen akzeptiert oder ablehnt?
Und in welcher Reihenfolge?
Kannst du sichergehen, dass jeder, der derselben Regel folgt,
ein persönliches Bestandsbuch hat, dass genau so aussieht wie deins?
Das ist das Problem um das es im original Bitcoin-Paper geht.
Grob gesagt, die Lösung, die Bitcoin bietet,
ist immer dem Bestandsbuch zu trauen, in das am meisten rechnerische Arbeit investiert wurde.
Lass mich kurz erklären, was das genau bedeutet.
Es hat mit etwas zu tun, dass sich "kryptografische Hash-Funktion" nennt.
Chinese:
他如何确保并相信其他所有人也同样收到了这一信息
能让他在今后可以用这10账元支付给Charlie做交易?
试着想想是你自己收听着来自外界的交易信息广播
该如何确保其他人和你一样以相同的顺序接受交易信息
这才是关键所在,也是一个有趣的难题
你能想出一个方法来决定接受或拒绝收到的交易信息
而且你确信其他所有人在这个方法下
能以同样的顺序接受交易信息
最终形成同样的一份账单
这也是比特币原始论文中详述的部分
简单地讲,比特币的解决办法是
选择信任消耗最多计算资源的那份账本
我会花一些时间详细讲是什么意思
它涉及到“加密散列函数”这个概念
Polish:
jak on może mieć pewność, że wszyscy otrzymali i wierzą w prawdziwość tej samej transakcji,
że on będzie mógł później udać się do Charliego i używać tych samych 10 LD, aby dokonać transakcji?
Naprawdę, wyobraź sobie tylko słuchanie nadawania transakcji.
W jaki sposób można mieć pewność, że wszyscy rejestrują te same transkacje i w tej samej kolejności?
To jest naprawdę główny problem tej kwestii.
Jest to ciekawa zagadka.
Można wymyślić protokół, jak zaakceptować lub odrzucić transakcje
i w jakiej kolejności, dzięki czemu można mieć pewność, że
ktokolwiek inny na świecie, kto realizuje ten sam protokół
ma prywatną księgę, która wygląda tak samo jak twoja?
Jest to pytanie otwarte w oryginalnych dokumentach Bitcoin.
Na wysokim poziomie, Bitcoin oferuje rozwiązanie polegające na tym, aby
ufać księdze, która ma najwięcej wykonanej pracy obliczeniowej.
Poświęcę chwilę, aby dokładnie wyjaśnić, co to znaczy.
Wiąże się to z czymś o nazwie „kryptograficzna funkcja skrótu”.
French:
reçoive et croit cette même transaction ?
Qu'il sera capable d'aller voir Charlie plus tard
et d'utiliser ces mêmes 10 LD pour faire une transaction.
Vraiment, imaginez-vous juste écoutant les transactions qui ont été
diffusées. Comment pouvez-vous être sûr
que tous les autres sont en train d'enregistrer la même transaction
dans le même ordre ?
Ceci est vraiment le coeur du problème.
C'est une énigme intéressante. Pouvez-vous arriver avec un protocole
pour comment accepter ou rejeter une transaction ?
Et dans quel ordre ? Alors vous vous pouvez vous sentir sûr
que personne d'autre dans le monde qui suit
le même protocole a un livre de compte personnel qui
a la même apparence que le votre. Ceci est
le problème adressé au papier original
du Bitcoin. A un haut niveau la solution que le Bitcoin offre est
de faire confiance au livre de compte
qui a le plus de travail de calcul en son sein.
Je prendrais un moment pour expliquer ce que cela signifie exactement.
Cela implique cette chose appelée fonction de hash cryptographique.
English:
sure that everyone else received and believes
that same transaction?
That he’ll be able to later use those 10
LedgerDollars to make a trade with Charlie.
Really, imagine yourself just listening to
transactions being broadcast.
How can you be sure that everyone else is
recording the same transactions in the same
order?
Now we’ve hit on an interesting puzzle:
Can you come up with a protocol for how to
accept or reject transactions and in what
order so that you can feel confident that
anyone else in the world following the same
protocol has a personal ledger that looks
the same as yours?
This is the problem addressed in the original
Bitcoin paper.
At a high level, the solution Bitcoin offers
to trust whichever ledger has the most computational
work put into it.
I’ll take a moment to explain what exactly
that means, which involves this thing called
a “Cryptographic hash function”.
Indonesian:
bagaimana dia bisa memastikan bahwa semua orang menerima dan percaya bahwa transaksi yang sama
bahwa dia akan bisa kemudian pergi ke Charlie dan menggunakan 10 LD yang sama untuk melakukan transaksi?
Sungguh, bayangkan diri Anda hanya mendengarkan transaksi yang disiarkan,
bagaimana Anda bisa yakin bahwa orang lain mencatat transaksi yang sama dan dalam urutan yang sama?
Ini benar-benar inti permasalahannya.
Ini adalah teka-teki yang menarik.
Bisakah Anda membuat sebuah protokol untuk menerima atau menolak transaksi
dan dalam urutan apa sehingga Anda bisa merasa yakin bahwa
siapa pun di dunia yang mengikuti protokol yang sama
memiliki buku besar pribadi yang terlihat sama dengan milikmu?
Inilah masalah yang dibahas dalam makalah Bitcoin yang asli.
Pada tingkat tinggi, solusi yang ditawarkan Bitcoin adalah
untuk mempercayai buku besar mana pun yang memiliki kary komputasi paling banyak yang dimasukkan ke dalamnya.
Saya akan luangkan waktu untuk menjelaskan dengan tepat apa artinya itu,
Ini melibatkan hal ini yang disebut "fungsi hash kriptografi".
Korean:
다른 모든 사람들도 똑같은 거래 정보를 수신 받고
그 거래 정보를 신뢰해서,
밥이 앨리스에게 받은 그 10 장부달러를 찰리에게
지불할 수 있다는 것을 밥은 어떻게 확신할 수 있을까?
자 실제로 여러분이 브로드캐스팅 되는 거래 정보를
수신하고 있다고 상상해보자.
여러분뿐아니라 다른 모든 사람들도
똑같은 거래를 똑같은 순서로 그들의 장부에 기록해서
모든 사람들의 장부 내용이 언제나 완전히 똑같다는 것을
확신할 수 있을까?
이게 바로 문제의 핵심이야!!
이건 진짜 재미있는 퍼즐이라고.
거래 내용을 접수하거나 거절하는 기준이 되고,
거래 내용 기록의 순서를 정하는
기준이 될 수 있는 규약을 만들 수 있을까?
그래서 모든 사람이 그 규약을 따르기만 하면
모든 사람들의 장부가 여러분의 장부와
완전히 똑같다는 것을 확신할 수 있게 해주는
규약이 있을까?
비트코인 논문에는
바로 그 문제에 대한 해답이 담겨 있어.
좀 추상적인 수준에서 살펴보면,
비트코인이 제시한 해법이라는 것은
가장 많은 계산 작업을 포함하고 있는 장부가
신뢰할 만한 올바른 장부라는 것이야.
이게 무슨 뜻인지 더 자세히 설명해줄게.
그건 "암호화 해쉬 함수"라는 것과 관련이 있어.
Hungarian:
hogyan győződhet meg arról, hogy mindenki más is megkapta és elhiszi ugyanazt a tranzakciót,
ha majd később odamegy Charlie-hoz, hogy felasználja ugyanazt a 10LD-t egy tranzakcióhoz?
De tényleg, gondolj csak bele, hogy ha a szétküldött tranzakciókat figyeled,
hogyan győződhetsz meg arról, hogy mindenki más is ugyanazokat a tranzakciókat ugyanabban a sorrendben menti el?
Ennek a problémának valójában ez a lényege.
Ez egy érdekes feladvány.
Ki tudsz-e találni egy olyan protokollt, amivel úgy tudsz fogadni vagy elutasítani tranzakciókat,
és milyen sorrendben, ahhoz, hogy meggyőződhess arról, hogy
ha bárki a világban aki ezt a protokollt követi,
annak ugyanúgy nézzen ki az ő saját személyes főkönyve, mint a tiéd?
Az eredeti Bitcoin tanulmány ezt a problémát oldja meg.
Egy magasabb szinten, a megoldás amit a Bitcoin kínál az az, hogy
abban a főkönyvben bízunk, amelyikbe a legtöbb számítási munkát tették.
Most röviden elmondom, hogy mit jelent ez pontosan,
egy olyan dolgot foglal magában amit úgy nevezünk hogy "kriptográfiai hasítófüggvény" (*cryptographic hash function*).
Russian:
как он может быть уверен, что все знают и верят, что операция произошла,
и что потом он сможет прийти к Чарли и потратить те самые 10 LD на другую операцию?
Серьёзно, представьте, что вы слушаете поток сообщений об операциях,
тогда как вы можете быть уверены, что все записывают то же самое в том же порядке?
Как раз в этом вся загвоздка.
А задача интересная.
Можно ли придумать протокол, по которому принимать или отклонять операции,
и в каком порядке это делать, чтобы точно знать,
что у всех, кто следует этому протоколу,
реестр выглядит точно так же, как ваш?
Изанчальный документ о Биткоине как раз описывает эту проблему.
В общих словах, решение, которое предлагает Биткоин -
доверять тому реестру, над которым проводилось больше вычислительной работы.
Уделю пару минут, чтобы объяснить, что это значит.
Речь о так называемой криптографической хеш-функции.
Arabic:
كيف سيتأكد من أن الجميع حصل على المعلومات المتعلقة بهذه الصفقة كما تمت كتابتها
لكي يستطيع بعد ذلك أن يذهب إلى (تشارلي) ويستخدم هذه الـ10 LD لإبرام صفقة أخرى؟
حقًا، تخيل نفسك جالسًا وتستمع إلى العمليات التي يتم بثها ونشرها،
كيف ستتأكد من أن الجميع قام بتسجيل نفس العمليات وبنفس الترتيب؟
وهذا حقيقةً هو لُب المشكلة.
هذه المشكلة مثيرة للاهتمام.
هل يمكنك ابتكار مثياق لقبول أو رفض العمليات
وتحديد ترتيبها، لكي تتمكن بعدها من الشعور بالثقة بأن
كل الأشخاص الذين يتبعون نفس الميثاق
لديهم نُسَخهم من السجل والتي تتطابق مع سجلك؟
هذه هي المشكلة التي تم عرضها في المقالة الأصلية حول البيتكوين.
بشكل عام، الحل الذي أتت به البيتكوين هو
أن تثق بالسجل الذي أُجريت عليه حسابات أكثر.
سآخذ لحظة لأشرح ما الذي يعنيه هذا بالضبط،
المقالة تتضمن ما تُسمى "دالّة التّهشير التشفيرية"*
Lithuanian:
Bendra idėja, kuria remsimės
yra tai, kad jei naudoji skaičiuojamąjį darbą kaip pagrindu pasitikėjimui,
gali padaryti taip, kad apgaulingoms transakcijoms ir konfliktuojančioms apskaitoms
reiktų atlikti neįmanomai didelius skaičiavimus.
Vėlgi, priminsiu, kad lendame giliai į detales,
kurių tikrai nereiktų žinoti tiesiog norint naudoti tokią valiutą,
bet tai tikrai kieta idėja!
Ir jei supranti ją, supranti Bitkoino ir kitų valiutų esmę.
Taigi, visų pirma, kas yra hešo funkcija?
Įvestys vienai iš šių funkcijų gali būti bet kokio tipo žinutė arba failas,
specifika tikrai nėra svarbi.
O išvestis yra bitų eilutė su fiksuotu ilgiu, pavyzdžiui 256 bitai.
Ši išvestis yra vadinama tos žinutės "hešu" arba "santrauka".
Ir esmė yra ta, kad ši eilutė atrodo atsitiktinė.
Ji nėra atsitiktinė - funkcija visada duos tą pačią išvestį tai pačiai duotai įvesčiai.
Bet idėja yra ta, kad
jei tu truputį pakeisi įvestį, galbūt pakeisdamas tik vieną simbolį,
Spanish:
La noción general a la que queremos llegar
es que si usas trabajo computacional como base para decidir en queéconfiar,
puedes hacerlo de tal forma que las transacciones fraudulentas y los libros de cuentas distintos
requeririan una cantidad inviable de computaciones para llevar a cabo.
De nuevo, te recuerdo que estamos entrando en la maleza
mas allá de lo que cualquiera necesita saber para usar una moneda como esta,
pero es una idea muy interesante!
Y si la entiendes, entiendes el núcleo de Bitcoin y todas las demas criptomonedas.
Pero lo primero es lo primero, qué es una función hash?
La entrada para una de estas funciones puede ser cualquier tipo de mensaje o archivo
no importa en realidad.
Y la salida es una cadena de bits de longitud fija, como 256 bits.
Esta salida se llama el "hash" o la "digestion" del mensaje.
Y la intención es que parezca aleatorio.
No es aleatorio- siempre da la misma salida para una entrada dada.
Pero la idea es que
si cambiases lo más mínimo la entrada, quizás editando uno de los carácteres
French:
L'idée générale que ça va construire est que si vous
utilisez du travail de calcul comme base de confiance
vous pouvez faire en sorte que les transactions frauduleuses
et les conflits de livres de compte
requerraient une quantité de calcul infaisable.
A nouveau je vous rappellerai que cela
va bien au-delà de ce que quiconque a besoin de savoir
pour utiliser une devise comme celle-là. Mais
c'est une idée rafraichissante et si vous comprenez cela
vous comprenez le coeur de Bitcoin et d'autres
crypto-monnaies. Alors les premières choses d'abord.
Qu'est-ce qu'une fonction de hash ? Les entrées pour ce
type de fonctions peuvent être n'importe quel sorte
de message ou fichier. Cela importe peu. Et la sortie est une chaîne de
bits avec une sorte de longueur fixe comme 256 bits.
Cette sortie est appelée le hash ou le résumé
du message. Et l'intention est que ça ait l'air aléatoire.
Ce n'est pas aléatoire. Cela donne toujours la même sortie
pour une entrée donnée.
Mais l'idée est que si vous changez légèrement l'entrée
peut-être en éditant juste un des caractères le hash résultant
Indonesian:
Gagasan umum yang akan kita bangun
adalah jika Anda menggunakan pekerjaan komputasi sebagai dasar untuk dipercaya,
Anda bisa membuatnya sehingga transaksi penipuan dan buku besar yang saling bertentangan
akan membutuhkan hitungan perhitungan yang tidak layak.
Sekali lagi, saya akan mengingatkan Anda bahwa ini sudah masuk ke dalam gulma
melebihi apa yang orang perlu tahu hanya untuk menggunakan mata uang seperti ini,
tapi itu ide yang sangat keren!
Dan jika Anda memahaminya, Anda memahami intisari Bitcoin dan semua mata uang kripto yang lain.
Jadi hal pertama dulu, apa itu fungsi hash?
data masukan ke salah satu fungsi ini bisa berupa pesan atau file apa pun,
itu tidak masalah
Dan hasilnya adalah untaian beberapa bit dengan panjang tetap, seperti 256 bit.
Hasil hitungan ini disebut "hash" atau "digest" dari pesan.
Dan maksud dari ini adalah untuk terlihat acak.
Ini tidak acak - selalu memberikan hasil yang sama untuk masukan yang diberikan.
Tapi idenya adalah itu
Jika Anda sedikit mengubah masukan, mungkin hanya mengedit salah satu karakternya,
Chinese:
基本的思路如下:
如果你要將計算資源的消耗作為你信任的基礎,
那麼偽造交易記錄
將需要不可能達到的計算能力才可行。
再提醒大家一次,這裡我們將會繼續深入討論
大多數僅僅只是使用比特幣的用戶並不需瞭解
但這個想法實在是太酷了!
如果你懂了,你就會理解比特幣和其他加密貨幣的核心
那麼首先,什麼是雜湊函數?
這些函數的輸入可以是任何資訊或文件
它們會輸出一個固定長度的比特字符串,如256位
這個輸出值叫做這個資訊的雜湊值,或者稱其為「指紋」
它被設計成看似隨機的亂數
但它並非隨機的,對給定的資訊總是輸出相同的數
但如果你將輸入稍作修改,
也許僅僅只是修改了其中一個字母,
English:
The general idea we’ll build to is that
if you use computational work as a basis for
what to trust, you can make it so that fraudulent
transactions and conflicting ledgers would
require an infeasible amount of computation.
Again, this is getting well into the weeds
beyond what anyone would need to know just
to use a currency like this.
But it’s a really cool idea, and if you
understand it, you understand the heart of
bitcoin and other cryptocurrencies.
A hash function takes in any kind of message
or file, and outputs a string of bits with
a fixed length, like 256 bits.
This output is called the “hash” or “digest”
of the message, and it’s meant to look random.
It’s not random; it always gives the same
output for a given input.
But the idea is that when you slightly change
the input, maybe editing just one character,
Korean:
이제부터 알아볼 아이디어는
무엇을 신뢰할 것인가를 판단하는 기준을
계산 작업에 둔다면,
거래 내역을 속이거나 장부의 충돌을 유발하기 위해서는
정해진 시간 내에 처리가 불가능할만큼
엄청난 양의 계산이 필요하게 만들수 있다는 거야.
다시 말하지만, 그저 화폐를 사용하기만 하는 입장에서는
이런 내용까지 알아야 할 필요는 없어.
하지만 이건 완전 기발한 아이디어라고.
그리고 이 부분을 이해한다면,
비트코인과 다른 모든 암호화 화폐의
핵심을 이해할 수 있어.
자 차례차례 알아보자.
해쉬 함수가 뭘까?
어떤 종류의 메시지나 파일도
해쉬 함수의 입력값이 될 수 있어.
입력값의 종류는 중요하지 않아.
해쉬 함수의 결과값은 256비트처럼,
고정된 길이의 연속된 비트값이야.
결과값을 그 입력값의 "해쉬"
또는 "다이제스트"라고 해.
기본적인 의도는 난수처럼 보이게 해서
쉽게 알아볼 수 없게 하는 거지만,
실제로는 그냥 난수가 아니야.
입력값이 같다면 결과 해쉬값은 언제나 똑같아.
그리고 입력값 중에서 단 한 글자만 바꾸더라도
Chinese:
基本的思路如下:
如果你将计算资源的消耗作为你的信任之基,
那么伪造交易记录
将会需要不可能达到的计算能力才有可能。
在提醒大家一次,这里我们将会继续深入讨论
对大多数仅仅只是使用比特币的用户并不需了解
但这个想法实在是太酷了!
如果你懂了,你就会理解比特币和其他加密货币的核心
那么首先,什么是散列函数?
这些函数的输入可以是任何信息或文件
它们会输出一个固定长度的比特字符串,如256位
这个输出值叫做这个信息的散列值,或者称其为“指纹”
它故意设计成会输出看似相当随机的内容
但并不是随机的,对给定的信息总是输出相同的内容
但如果你将输入稍作修改,
也许仅仅只是修改了其中一个字母,
Turkish:
Yapacağımız genel fikir
hesaplamayı kullanmak için bir temel olarak neye güveniriz,
Hileli parasal işlemleri ve sahte defterleri yapabilirsin
ki bu da uygulanamaz miktarda hesaplama gerektirir.
Tekrar hatırlatayım ki burası yabani otların içine gidiyor
Herhangi birinin bir para biriminin nasıl kullanılacağını bilmenin de ötesinde,
bu harika bir fikir!
Ve eğer bunu anlarsan, Bitcoin ve diğer tüm şifreli para birimlerin özünü anlarsın.
Yani ilk başta, bir hash fonksiyonu nedir?
Bu fonksiyona girişler herhangi bir mesaj veya dosya olabilir,
bunun gerçekten bir önemi yok.
Ve çıkış ise 256 bit gibi değişmez uzunlukta bitlerdir
Bu çıkışa "hash" veya mesajın "özeti" denir.
ve bu amaç rastgele gözükür.
Rastgele değildir - verilen bir giriş için her zaman aynı çıkışı verir.
Ama buradaki fikir
eğer girişte küçük değişiklikler yaparsan, belki de sadece karakterlerin birinde
Modern Greek (1453-):
Η γενική ιδέα που θα βασιστούμε
είναι ότι αν χρησιμοποιείτε την υπολογιστική εργασία ως βάση για το τι πρέπει να εμπιστεύεστε,
μπορείτε να το κάνετε, έτσι ώστε δόλιες συναλλαγές και αντικρουόμενα βιβλία
θα απαιτούσαν ένα ανέφικτο ποσό υπολογισμών
Και πάλι, εγώ θα σας υπενθυμίσω πως αυτή είναι πολύ μεγάλη εμβάθυνση (σε ελεύθερη μετάφραση)
πέρα από ότι ο καθένας θα πρέπει να γνωρίζει ακριβώς για να χρησιμοποιήσει ένα νόμισμα όπως αυτό,
αλλά είναι μια πραγματικά καλή ιδέα!
Και αν το καταλάβετε, θα καταλάβετε τον πυρήνα του Bitcoin και όλων των άλλων κρυπτονομισμάτων.
Έτσι, αρχικά, τι είναι μία συνάρτηση κατακερματισμού;
Οι είσοδοι για μία από αυτές τις συναρτήσεις μπορεί να είναι οποιοδήποτε είδος μηνύματος ή αρχείου,
δεν έχει σημασία.
Και η έξοδος είναι μια συμβολοσειρά δυαδικών ψηφίων ένα είδος σταθερού μήκους, όπως 256 bits.
Η έξοδος αυτή ονομάζεται «hash» ή «σύνοψη» του μηνύματος.
Και η πρόθεση είναι ότι φαίνεται τυχαία.
Δεν είναι τυχαίο - δίνει πάντα την ίδια έξοδο για μία δεδομένη τιμή εισόδου.
Αλλά η ιδέα είναι ότι
εάν αλλάξει ελαφρώς η είσοδος, η επεξεργασία μόνο ενός από τους χαρακτήρες,
Japanese:
このアイデアの目的は、
信頼性の確認するため、計算量の多いワークを使うことで、
不正な取引や元帳の競合を起こさせるのを、
極めて困難にすることである。
しつこいようだが、ただ暗号通貨を使う分には、
全く理解する必要のない仕組みである。
ただこのアイデアは面白い。
理解できれば、ビットコインやその他すべての暗号通貨の根幹を理解できたことになる。
まず始めに、ハッシュ関数とは何か。
関数の入力は如何なる値も取る事ができる。
そこに問題はない。
出力は256ビットのような一定の長さを持つビット列である。
この出力結果を「ハッシュ」または記録の「要約値」と呼ぶ。
出力はランダムに見える。
実際にはランダムではなく、同じ入力に対して常に同じ出力を返す。
重要なのは、
入力をほんの少しだけでも変えたときには、
Italian:
L'idea generale è che
se si usasse il "lavoro computazionale" come base per decidere a cosa dare fiducia,
si potrebbe fare in modo che le transazioni fraudolente e i libri mastri in conflitto
richiedessero una quantità di computazione non praticabile per essere considerati validi.
Di nuovo, ti ricordo che questo
va ben oltre quanto sia necessario sapere per solamente utilizzare una valuta come questa,
ma è una gran bella idea!
E se la capisci, capisci il cuore del Bitcoin e di altre criptovalute.
Quindi per prima cosa, cos'è una funzione crittografica di hash?
Gli argomenti per una di queste funzioni possono essere ogni sorta di messaggi o file,
è davvero irrilevante.
E restituisce una stringa di bit di lunghezza fissa, ad esempio 256 bit.
Quanto restituito dalla funzione è detto "hash" o "digest" del messaggio.
E l'intento è che sembri casuale.
Non è random, restituisce sempre la stessa stringa per lo stesso argomento.
Ma l'idea è che
anche cambiando un solo carattere all'argomento,
Vietnamese:
Ý tưởng chung của chúng ta là
là nếu bạn sử dụng công tính toán làm cơ sở để đặt niềm tin,
bạn có thể xây dựng nó sao cho các giao dịch gian lận và sổ cái xung đột
do không thể tạo ra được một phép tính nào đáp ứng được.
Một lần nữa, tôi sẽ nhắc nhở bạn rằng đây là phần đi vào chi tiết,
sâu hơn những gì mọi người cần biết để sử dụng một loại tiền tệ như thế này,
nhưng nó là một ý tưởng thực sự thú vị!
Và nếu bạn hiểu nó, bạn sẽ hiểu được cái cốt lõi của Bitcoin và tất cả các tiền mã hóa khác.
Vì vậy, đầu tiên, một hàm băm (hash function) là gì?
Các đầu vào cho những hàm này có thể là bất kỳ loại thông điệp hoặc tập tin,
nó thực sự không quan trọng.
Và đầu ra là một chuỗi các bit với một chiều dài nhất định, như 256 bit.
Đầu ra này được gọi là "băm" hoặc "sản phẩm tiêu hóa" của thông điệp.
Và mục đích là để cho nó nhìn rất ngẫu nhiên.
mặc dù nó không phải ngẫu nhiên - nó luôn cho kết quả tương ứng cho một đầu vào nhất định.
Nhưng ý tưởng là
nếu bạn hơi thay đổi đầu vào, có thể chỉ chỉnh sửa một kí tự nào đó,
iw:
הרעיון הכללי שנתקדם אליו
הוא שאם אתם משתמשים בעבודה חישובית כבסיס לעל מה לסמוך,
אפשר להגיע למצב בו יצירת עסקאות מזויפות וספרי חשבונות סותרים
תדרוש כמות בלתי סבירה של חישובים.
שוב, אני אזכיר לכם כי זו בהחלט כניסה מדוקדקת לפרטים
מעבר למה שמישהו צריך לדעת רק כדי להשתמש במטבע כזה,
אבל זה רעיון ממש מגניב!
ואם אתם מבינים את זה, אתם מבינים את הלב של הביטקוין ושל כל מטבע מבוזר אחר.
אז דבר ראשון, מהי פונקציית hash?
הקלט לפונקציה כזו יכול להיות כל הודעה או קובץ,
זה באמת לא משנה.
והפלט הוא מחרוזת של ביטים עם איזה אורך קבוע, נניח 256 סיביות.
פלט זה נקרא "hash" או "digest" של ההודעה.
והכוונה היא שהוא יראה אקראי.
הוא לא אקראי - הפונקציה תמיד נותנת את אותו פלט עבור קלט נתון.
אבל הרעיון הוא
שאם אתם תשנו את הקלט אפילו קצת, נניח אם תערכו רק אחת מהאותיות,
Polish:
Ogólna idea
jest taka, że jeśli używasz pracy obliczeniowej jako podstawy do decyzji, czemu możesz ufać,
można zrobić to tak, że fałszywe transakcje i sprzeczne księgi
wymagałyby niewykonalnych ilości obliczeń.
Znowu, przypominam, że to wykracza daleko
poza to, co musisz wiedzieć, aby użyć takiej waluty,
ale to naprawdę fajny pomysł!
A jeśli go zrozumiesz, zrozumiesz serce Bitcoin'a i wszystkich innych kryptowalut.
Więc po kolei, co to jest funkcja skrótu?
Danymi wejściowymi jednej z takich funkcji może być dowolny rodzaj wiadomości lub pliku,
to naprawdę nie ma znaczenia.
A danymi wyjściowymi jest ciąg bitów pewnej stałej długości, na przykład 256 bitów.
Ta dana wyjściowa jest nazywana „hashem” lub „skrótem” wiadomości.
Zamiar jest taki, że ma ona wyglądać na przypadkową.
Nie jest przypadkowa - zawsze daje taki sam efekt dla tych samych danych.
Ale chodzi o to, że
jeśli nieznacznie zmienisz dane, nawet zmieniając tylko jeden znak,
Czech:
Myšlenka, na které budeme stavět je:
pokud budete používat výpočetní námahu pro určení čemu věřit,
dá se zařídit, že podvodné transakce a protichůdné knihy
budou vyžadovaly provedení prakticky nemožného množství výpočtů.
Ještě jednou připomínám, že se dostáváme do detailů,
které nikdo nepotřebuje znát, pokud chce měnu jenom používat.
Je to ale fakt cool myšlenka!
A jestli ji pochopíte, budete rozumět podstatě Bitcoinu a všech ostatních kryptoměn.
Pěkně od začátku, co je to hash funkce? [též hashovací funkce]
Do takové funkce vstupuje jakákoliv zpráva, soubor,
na tom nesejde.
Výstup je řetězec bitů s pevně danou délkou, jako třeba 256 bitů.
Tento výstup se nazývá "hash" nebo "otisk" vstupní zprávy.
A z principu vypadá náhodně.
Není náhodný - pro stejný vstup vždy dostaneme stejný výstup.
Ale funkce se chová tak, že
když jen malinko změníte vstup, třeba změnou jediného písmene,
German:
Die generelle Idee ist,
dass wenn du rechnerische Arbeit als Basis dafür benutzt, wem du vertrauen kannst,
dann kannst du das System so einrichten, dass betrügerische Transaktionen und widersprüchliche Bestandsbücher
mit einem nicht zu bewältigendem Aufwand verbunden wären.
Nochmal der Hinweis, dass das hier weit mehr ist,
als man bräuchte um Kryptowährungen einfach nur zu benutzen.
Aber es ist eine echt coole Idee!
Und wenn du sie verstehst, dann verstehst du das Herzstück von Bitcoins und all den anderen Kryptowährungen.
Also eins nach dem anderen – was ist eine Hashfunktion?
Die Eingabe für eine dieser Funktionen kann irgendeine Art Nachricht oder Datei sein,
das spielt wirklich keine große Rolle.
Die Ausgabe ist eine Bitfolge mit einer bestimmten Länge, zum Beispiel 256 Bits.
Diese Ausgabe wird der "Hashwert" der Nachricht genannt.
Und die Absicht ist, dass es vollkommen willkürlich aussieht.
Aber es ist nicht willkürlich – die Ausgabe für eine bestimmte Eingabe ist immer dieselbe.
Aber die Grundidee ist,
dass wenn du die Eingabe leicht verändert, also vielleicht nur einen Buchstaben änderst,
Portuguese:
a ideia geral que vamos construir
é que se você usar trabalho computacional como base para o que confiar
você pode fazer com que transações fraudulentas e registros conflitantes
requiram uma quantidade de trabalho computacional inviável para surgirem.
Novamente, lembre-se que estamos chegando nos pequenos detalhes
bem além do que alguém precisa saber só para usar uma moeda como essa.
Mas é uma ideia muito legal
e se você a entende
você entende o núcleo do Bitcoin e de outras cripto moedas
Então, antes de tudo, o que é uma função Hash?
O valor de entrada dessas funções pode ser qualquer tipo de mensagem ou arquivo,
realmente não importa
e o resultado é uma sequência de bits com algum tipo de comprimento fixo
como 256 bits
Esse resultado é chamado de Hash ou resumo da mensagem
e o objetivo é que ele pareça aleatório.
Não é aleatório, sempre gera o mesmo resultado para uma certa entrada (mensagem ou arquivo).
Mas a ideia é que se você levemente mudar a entrada
talvez alterando apenas um dos caracteres
Hungarian:
Arra az általános elképzelésre építünk,
hogy ha számítási munkát használsz a bizalom alapjaként,
akkor el tudod érni azt, hogy a csalárd tranzakciókhoz és egymással ellentétes főkönyvekhez
megvalósíthatatlanul sok számítás kelljen ahhoz, hogy azok megvalósulhassanak.
Ismét szeretnélek emlékeztetni téged arra, hogy ez kezd jóval
túlmutatni azon amit bárkinek tudnia kell ahhoz, hogy csak használhasson egy ilyen pénzt,
de ez egy nagyon jó ötlet!
És hogy ha ezt érted, akkor megérted azt is, hogy mi a lelke a Bitcoinnak és az többi kriptopénznek.
Kezdjük az elején, mi az a hasító függvény (*hash function*)?
Ezeknek a függvényeknek a bemente egy tetszőleges üzenet vagy fájl,
ez valójában mindegy.
A kimenete pedig bitek egy meghatározott hosszúságú láncolata, pl. 256 bit.
Ezt a kimenetét "hash"-nek, vagy "digest"-nek hívjuk. (magyarul: *hasítás*, *kivonat*, a továbbiakban "hash", kiejtve: *hes*)
És a szándék az hogy ez véletlenszerűnek látszik.
De nem véletlenszerű - azonos bemenetre mindig azonos kimenetet ad.
De az itt az ötlet, hogy
ha egy picit is megváltoztatod a bemenetet, akár csak az egyik betűt megváltoztatva is,
Arabic:
الفكرة العامة التي نحاول تقريبها
هي أنك إذا استخدمت الحسابات الحاسوبية كأساس لما تثق به،
يمكنك تصميمها بحيث أن العمليات الاحتيالية والسجلات المتضاربة
تتطلب كمية غير معقولة من الحوسبة.
مجددًا، سأذكركم بأننا ندخل بالتفاصيل
أكثر مما قد يحتاج أي شخص معرفته لاستعمال العملات المشفرة فقط،
ولكنها حقًا فكرة رائعة!
وإذا استوعبت الفكرة، فستكون قد استوعبت لُب فكرة البيتكوين وكل العملات المشفرة الأخرى.
أولًا، ما هي وظيفة دالّة التّهشير؟
مدخلات إحدى هذه الدوال ممكن أن تكون أي نوع من الرسائل أو الملفات،
ذلك لا يهم،
ومخرجات هذه الدالة ستكون سلسلة من الأرقام الثنائية بطول محدد ما، مثل 256 بت.
المخرجات تُسمى بـ"الهاش" أو بـ"خلاصة" الرسالة.
والهدف أن يبدو عشوئيًا
هو ليس عشوائي، ستعطيك الدالة نفس المخرجات لنفس المدخلات دائمًا.
و لكن الفكرة هي أنك
إذا غيرت أي تغيير حتى لو طفيف جدًا، ربما تعديل حرف واحد فقط؛
Russian:
Основная идея, которую мы будем развивать,
состоит в том, что если использовать вычислительную работу как основы доверия,
можно сделать так, что поддельные операции и реестры с несоответствиями
потребуют практически неосуществимых по времени вычислений.
Напоминаю: мы углубляемся в такие вещи,
знать которые совсем необязательно для простого использования таких криптовалют,
но это очень любопытная мысль!
И если вы её понимаете, то вы понимаете суть Биткоина и всех остальных криптовалют.
Прежде всего, что же такое хеш-функция?
Аргументом такой функции может быть сообщение или файл,
и вообще что угодно.
А значение - цепочка битов определенной длины, например, 256 бит.
Выходное значение функции называется «хэшем» или «дайджестом» сообщения
Это значение, по идее, должно выглядеть случайным.
Оно не совсем случайное - значение всегда одно и то же для определенного аргумента.
Но план такой, что
если хотя бы один символ в аргументе изменится,
Turkish:
hash sonucu tamamen değişir.
Aslında, burada gösterdiğim hash fonksiyonları için, SHA256 denir,
girişte küçük değişiklikler yaparken çıkışı tahmin etmek önceden kestirilemez
Bakın, bu sadece herhangi bir hash fonksiyonu değil,
bir şifrelenmiş hash fonksiyonu.
Bu ters yönde hesaplamanın
imkansız olduğu anlamına gelir.
Eğer ben sana bir ve sıfırlardan oluşan
bir dizi gösterseydim
ve senden bir girişi bulmanı istesem
böylece SHA256 hash fonksiyonun girişi bu bit dizisini verir
tahmin ve kontrol etmekten daha iyi bir yöntemin yok.
Ve tekrardan, 2^256 için ne kadar hesaplama gerektiğini sezmek istersen
ilave video ya bir göz at.
Aslında böyle bir şeyi yazarken baya eğlendim.
Bu fonksiyonların gerçekten nasıl çalıştığına dair detayları düşünebilirsin
uygun giriş ile tahmin ve kontrol yapmadan ters mühendislik yapabilirsin
Modern Greek (1453-):
το παραγόμενο hash αλλάζει εντελώς.
Στην πραγματικότητα, η συνάρτηση κατακερματισμού που παρουσιάζω εδώ, ονομάζεται SHA256,
ο τρόπος που η έξοδος αλλάζει με την παραμικρή αλλαγή της εισόδου είναι τελείως απρόβλεπτος.
Βλέπετε, αυτό δεν είναι μία οποιοδήποτε συνάρτηση κατακερματισμού,
είναι μια κρυπτογραφική συνάρτηση κατακερματισμού.
Αυτό σημαίνει ότι είναι ανέφικτο (πρακτικά αδύνατο) να υπολογιστεί προς την αντίθετη κατεύθυνση.
Αν σας δείξω κάποια σειρά από 1 και 0,
και σας ζητήσω να βρείτε μία είσοδο
έτσι ώστε η "σύνοψη" SHA256 της εν λόγω εισόδου να δίνει αυτή την συγκεκριμένη σειρά από bits,
δεν θα έχετε καμία καλύτερη μέθοδο από το να μαντεύετε και να ελέγχετε.
Και πάλι, αν θέλετε να καταλάβετε το πόσοι υπολογισμοί θα χρειαστούν για όλες τις 2^256 μαντεψιές,
απλά ρίξτε μια ματιά στο συμπληρωματικό βίντεο.
Είχα υπερβολική χαρά με την δημιουργία αυτού (του βίντεο)
Μπορεί να σκεφτείτε ότι αν θέλετε πραγματικά να εμβαθύνετε στις λεπτομέρειες για το πως αυτή η συνάρτηση λειτουργεί,
θα μπορούσατε να "αντιστρέψετε μηχανικά" την κατάλληλη είσοδο χωρίς να μαντέψετε και να ελέγξετε
English:
the resulting hash changes completely.
In fact, for the hash function I’m showing
here, called SHA256, the way that output changes
as you slightly change the input is entirely
unpredictable.
You see, this is not just any hash function,
it’s a cryptographic hash function.
That means it’s infeasible to compute in
the reverse direction.
If I show you some specific string of 1’s
and 0’s and ask you to find an input message
so that the SHA256 hash of that message gives
this exact string of bits, you will have no
better method than to guess and check.
Again, if you want a feel for just how much
computation would be needed to go through
2256 guesses, take a look at the supplement
video.
I actually had way too much fun writing that
thing.
You might think you could reverse engineer
the desired input by really digging through
Japanese:
出力が全く別物になることである。
いま紹介しているのはSHA256というハッシュ関数である。
入力の違いによる出力の相違点は完全に予測不能である。
これはハッシュ関数の特徴ではなく、
暗号論的ハッシュ関数の特徴である。
つまり、逆の計算をコンピュータがするのが不可能という意味である。
もし適当なゼロとイチの列を見せられて、
SHA256で計算すると、
出力がその列と完全に一致するような、入力を特定しろと言われたとき、
ただ予想して確認するのを繰り返す以外の解き方はない。
先に述べた通り、2の256乗分の1の確率というのが一体どれくらい想像を絶する物なのかは、
補足動画で確認してほしい。
とても楽しい動画に仕上がっている。
更に深い領域に進んで、この関数の中身を正確無比に完全理解すれば、
予想と確認を繰り返さずに、出力を得る方法が見つかるかもしれない。
French:
change complètement.
En fait, pour la fonction de hash que je vous montre ici,
appelée SHA256, la façon dont la sortie
change si vous modifiez légèrement son entrée
est entièrement imprévisible. Vous voyez
ce n'est pas juste n'importe qu'elle fonction de hash
c'est une fonction de hash cryptographique.
Cela signifie que c'est infaisable de calculer la réciproque.
Si je vous montre une chaîne de 1 et de 0 et
que je vous demande de trouver une entrée
de sorte que le hash SHA256 de cette entrée donne exactement cette chaîne
de bits vous n'auriez pas de meilleure méthode
que de juste deviner et vérifier.
Et de nouveau, si vous voulez
sentir quelle puissance de calcul serait nécessaire pour aller à travers les 2 puissances 256 devinettes
juste jetez un oeil à la vidéo supplémentaire.
En fait je me suis beaucoup amusé à
écrire ce truc. Vous pourriez
penser que si vous vous plongiez
réellement dans les détails de comment fonctionne réellement cette fonction vous pourriez faire de l'ingénierie inversée
iw:
ה-hash שתקבלו יהיה שונה לחלוטין.
למעשה, עבור פונקצית ה-hash שאני משתמש בה כאן, שנקראת SHA256,
הדרך בה הפלט משתנה כתוצאה משינוי קטן מאוד של הקלט היא בלתי צפויה לחלוטין.
אתם מבינים, זו לא סתם איזו פונקציית hash,
זו פונקציית hash קריפטוגרפית.
כלומר, זה אומר שזה לא מעשי לחשב את התוצאה בכיוון ההפוך.
אם אני מראה לכם איזו מחרוזת של אחדות ואפסים,
ואבקש מכם למצוא קלט
כך שתוצאת ה-SHA256 של הקלט תהיה המחרוזת המדויקת הזו של ביטים,
לא תהיה לכם שום שיטה טובה יותר למצוא קלט כזה מאשר סתם לנחש ולבדוק.
ושוב, אם אתם רוצים לקבל תחושה של כמה חישובים דרושים כדי לעבור על שתיים בחזקת מאתיים חמישים ושישה ניחושים,
פשוט תסתכלו על הוידאו הנוסף.
האמת היא שהיה לי הרבה יותר מדי כיף לכתוב את אותו הוידאו.
אתם עשויים לחשוב שאם אתם רק תתעמקו בפרטים של איך בדיוק הפונקציה הזו פועלת,
אתם יכולים להנדס לאחור את הקלט המתאים מבלי לנחש ולבדוק.
Polish:
wynikowy hash zmieni się całkowicie.
W rzeczywistości, dla funkcji skrótu, którą tu pokazuje, zwanej SHA256,
sposób zmiany danych wyjściowych, po nieznacznej zmianie danych wejściowych, jest całkowicie nieprzewidywalny.
To nie jest tylko jakaś funkcja skrótu,
to kryptograficzna funkcja skrótu.
Oznacza to, że jest niemożliwe, aby obliczyć ją w odwrotnym kierunku.
Jeśli pokażę ci ciąg zer i jedynek,
i poproszę, aby znaleźć dane wejściowe
takie, że funkcja SHA256 dla tych danych daje dokładnie ten ciąg bitów,
nie będzie lepszego sposobu niż zgadywać i sprawdzać.
Przypominam, jeśli chcesz lepiej poczuć, ile obliczeń byłoby potrzebnych, aby przeprowadzić 2^256 prób,
spójrz na dodatkowe wideo.
Właściwie miałem zbyt dużo zabawy pisząc o tym.
Można by pomyśleć, że jeśli zagłębić się w szczegóły, jak dokładnie ta funkcja działa,
można znaleźć odpowiednie dane wejściowe bez konieczności zgadywania i sprawdzania.
Spanish:
el hash resultante cambia por completo.
De hecho, para el hash que estoy enseñando aquí, llamado SHA256,
La forma en que la salida cambia a medida que alteras un poco la entrada es completamente impredecible.
Verás, esta no es cualquier función hash,
es una función criptográfica hash.
Esto significa que es inviable calcularla en el sentido contrario.
Si yo te enseño una cadena de unos y ceros
y te pido que encuentres una entrada
tal que el hash SHA256 de esa entrada devuelva exactamente esta cadena de bits,
no tendrás mejor método que adivinar y comprobar.
Y de nuevo, si quieres hacerte una idea de cuanta computación seria necesaria para recorrer 2^256 intentos,
echale un vistazo al video extra.
De hecho, me lo pasé demasiado bien escribiéndolo.
Podrías pensar que si simplemente profundizases en los detalles de cómo funciona exactamente esta función,
podrías mediante ingeniería inversa encontrar la entrada correcta sin tener que adivinar y comprobar.
Chinese:
最终的散列值会变得面目全非
事实上,我这里做演示的散列函数叫做“SHA256”
输入的轻微修改,输出就会完全不同,毫无规律可言
明白了吧,这不是普通的散列函数,
这是加密散列函数
这就意味着逆向计算是不可能的
如果告诉你一串1,0的字符串然后问你
哪一个输入经过SHA256函数计算后会得到同样的结果
没有比一个一个尝试更好的办法了
如果你想感受一下2的256次方个尝试究竟需要计算多久
可以看看这个补充视频
你会想如果知道了这个函数的运作细节
是不是就可以不用瞎猜而是可以倒过来推断这个输入呢
Russian:
то полученный хэш будет совершенно другим.
На самом деле, для хеш-функции SHA256, о которой я говорю,
невозможно предсказать, как именно изменится результат при малейшем изменении аргумента.
Дело в том, что эта хеш-функция не простая,
а криптографическая.
Это значит, что её расчёт в обратном направлении требует невыполнимых вычислений.
Допустим, я покажу вам цепочку из нулей и единиц
и попрошу вас найти такой аргумент,
для которого значение SHA256-хеш-функции точно совпадет с этой цепочкой.
У вас не останется лучшего метода кроме подбора и проверки.
Опять же, если вы хотите осознать, какого объема вычислений потребует подбор из 2^256 вариантов,
просто посмотрите моё дополнительное видео.
Мне было жутко интересно работать над ним.
Возможно, вы думаете, что если хорошо разобраться, как именно работает эта функция,
можно путем обратной разработки получить нужный аргумент и ничего не подбирать.
Vietnamese:
các kết quả thay đổi hoàn toàn.
Trên thực tế, đối với hàm băm mà tôi đang trình bày ở đây, được gọi là SHA256,
cách đầu ra thay đổi khi bạn thay đổi đầu vào một ít là hoàn toàn không thể đoán trước được.
Bạn thấy, đây không chỉ là bất kỳ hàm băm nào,
đó là một hàm băm mật mã.
Điều đó có nghĩa là không thể tính theo chiều ngược lại.
Nếu tôi chỉ cho bạn một chuỗi những số 1 và 0,
và yêu cầu bạn tìm một đầu vào
để băm SHA256 cho ra chính cái chuỗi các bit đó,
bạn sẽ không có phương pháp tốt hơn ngoài chỉ đoán và kiểm tra.
Và một lần nữa, nếu bạn muốn nắm được cần bao nhiêu công tính toán để đoán 2 ^ 256 lần,
chỉ cần đi xem video bổ sung.
Viết cho video đó thực sự đã rất thú vị.
Bạn có thể nghĩ rằng nếu bạn thực sự đào sâu vào các chi tiết về cách hàm này hoạt động,
bạn có thể lần ra được đầu vào thích hợp mà không cần phải đoán và kiểm tra.
Korean:
결과 해쉬값은 약간만 달라지는게 아니라
전체적으로 완전히 다른 값이 나와.
내가 여기에서 보여주는 해쉬 함수는
SHA256이라는 해쉬 함수인데,
입력값에 따라 결과 해쉬값이 어떻게 달라지는지
예측하는 것이 불가능해.
그래서 이 SHA256 함수는 그냥 해쉬 함수가 아니라,
암호화 해쉬 함수라고 부르지.
암호화 해쉬 함수는 결과값에서 역산을 통해
입력값을 알아내는 것이 현실적으로 불가능하다고.
내가 0과 1로된 숫자를 여러분에게 보여주고,
"SHA256함수로 계산해서 이런 해쉬값이 나오려면
입력값은 무엇일까요?" 하고 묻는다면,
답을 찾는 방법은 그저 찍어서 맞추는 수 밖에 없어.
그리고 그 찍을 수 있는 가지수가 2의 256승이나 돼.
2의 256승 개 중에서 여러분이 찍어서 맞출 수 있겠어?
2의 256이 얼마나 큰 수인지는(https://youtu.be/S9JGmA5_unY)를 보면 알 수 있을거야.
그 비디오를 만들때 개인적으로 엄청 재미있었어.
SHA256 함수가 어떻게 동작하는지
깊게 파들어가서 연구하면
그냥 찍기가 아니라 역산을 통해서
입력값을 맞출 수 있을거라고 생각할 수도 있을 거야.
German:
dann verändert sich der ausgegebene Hashwert vollkommen.
Bei der Hashfunktion die ich dir hier zeige, genannt SHA256,
ist die Veränderung der Ausgabe, bei einer minimalen Veränderung der Eingabe, vollkommen unvorhersagbar.
Denn das hier ist nicht einfach irgendeine Hashfunktion,
sondern eine kryptografische Hashfunktion.
Das bedeutet es ist unmöglich in die andere Richtung zu rechnen.
Wenn ich dir eine Folge Nullen und Einsen zeige,
und dich auffordere, eine Eingabe zu finden,
mit der SHA256 genau diese Folge Nullen und Einsen ausgibt.
Dann hast du keine bessere Möglichkeit als einfach zu raten und zu überprüfen.
Und wie gesagt, wenn du ein Gefühl dafür entwickeln möchtest, wieviel rechnerische Arbeit vonnöten ist um 2 hoch 256 Vermutungen zu überprüfen,
dann schau dir einfach das Zusatzvideo an.
Dessen Erstellung mir übrigens einen Wahnsinnsspaß bereitet hat.
Vielleicht denkst du, dass wenn du dich wirklich durch die Details dieser Funktion wühlst,
du einen Weg finden könntest von einer Ausgabe auf die entsprechende Eingabe zu schließen.
Chinese:
最終的雜湊值會變得完全不一樣
事實上,我這裡做演示的雜湊函數叫做「SHA256」
輸入的輕微修改,輸出就會完全不同,毫無規律可言
明白了吧,這不是普通的雜湊函數,
這是加密雜湊函數
這就意味著逆向計算是不可能的
如果告訴你一個1和0的字符串然後問你
什麼輸入經過SHA256函數計算後會得到同樣的字符串
沒有比一個一個嘗試更好的辦法了
如果你想感受一下2的256次方個嘗試究竟需要計算多久
可以看看這個補充影片
我其實做那部影片做的很開心
你可能會想如果知道了這個函數的運作細節
是不是就可以不用瞎猜而可以倒過來推算出這個輸入呢
Czech:
výsledný otisk se změní celý.
Pro hash funkci, kterou tu ukazuji, SHA256,
je způsob, kterým se změní výstup na základě změny vstupu, naprosto nepředvídatelný.
Tohle totiž není ledajaká hash funkce,
je to kryptografická hash funkce.
To znamená, že je prakticky nemožné vypočíst ji v opačném směru.
Pokud vám dám řetězec jedniček a nul,
a budu po vás chtít najít vstup tak,
aby SHA256 otisk vašeho vstupu vrátil původní řetězec jedniček a nul,
nezbyde vám nic lepšího než jen hádat a kontrolovat.
Ještě jednou, pokud chcete vědět, jakou práci by dalo projít 2^256 pokusů,
podívejte se na pomocné video.
Psaní toho videa mě bavilo možná až moc.
Možná si říkáte, že když se opravdu porochníte v detailech toho, jak tahle funkce funguje,
tak budete schopni sestavit odpovídající vstup aniž byste museli hádat.
Lithuanian:
iš to sekantis hešas visiškai pasikeis.
Iš tiesų, hešo funkcijoje, pavadinimu SHA256, kurią čia rodau,
tai, kaip išvestis keičiasi, kai truputį pakeičiama įvestis, yra visiškai nenuspėjama.
Matai, tai ne bet kokia hešo funkcija,
tai kriptografinė hešo funkcija.
Tai reiškia, yra neįmanoma skaičiuoti atvirkštine kryptimi.
Jei parodysiu tau kažkokią vienetų ir nulių eilutę
ir paprašysiu tavęs surasti įvestį
taip, kad tos įvesties SHA256 hešas duotų būtent šią bitų eilutę,
tu neturėsi geresnio metodo nei tiesiog spėti ir patikrinti.
Ir vėl, jei nori pajausti kiek skaičiavimo reikėtų, kad praeitum per 2^256 spėjimų,
tiesiog pažiūrėk į papildinį video.
Man iš tiesų buvo tikrai per daug linksma kurti tą dalyką.
Tu gali pagalvoti, kad jei rimtai pasiknisi po detales, kaip tiksliai ši funkcija veikia,
galėsi atbulom suprojektuoti tinkamą įvestį, išvengiant spėjimo ir tikrinimo.
Italian:
il risultato cambi completamente
Infatti, per la funzione di hash che sto mostrando qui, chiamata SHA256,
il modo in cui il risultato cambia al minimo cambiamento dell'argomento è completamente imprevedibile.
Vedi, questa non è una qualunque funzione di hash,
è una funzione crittografica di hash.
Questo significa che è impossibile da invertire.
Se ti mostrassi una stringa di 1 e 0,
e ti chiedessi di trovare un argomento
per cui la funzione SHA256 restituisse esattamente quella stringa di bit,
non avresti miglior sistema che tirare ad indovinare.
E di nuovo, se vuoi avere una sensazione di quanta computazione sarebbe necessaria per provare 2^256 possibili combinazioni,
dai un'occhiata al video di supplemento.
Mi sono veramente divertito con quel video.
Potresti pensare che se analizzassi nel dettaglio il funzionamento di questa funzione,
potresti essere in grado di trovare l'argomento appropriato senza bisogno di provare ogni combinazione.
Indonesian:
perubahan hash yang dihasilkan berubah keseluruhannya.
Sebenarnya, untuk fungsi hash yang saya tunjukkan di sini, yang disebut SHA256,
Cara bagaimana hasilnya bisa berubah saat Anda sedikit merubah data masukan, adalah sama sekali tidak dapat diprediksi.
Anda lihat, ini bukan sembarang fungsi hash,
Ini adalah fungsi hash kriptografi.
Itu berarti tidak mungkin menghitung dalam arah sebaliknya.
Jika saya menunjukkan beberapa string angka dan angka nol,
dan meminta Anda untuk mencari tahu data masukan
sehingga hash SHA256 dari masukan tersebut memberikan rangkaian bit yang tepat ini,
Anda tidak akan memiliki metode yang lebih baik daripada hanya menebak dan memeriksa.
Dan lagi, jika Anda ingin merasakan berapa banyak perhitungan yang dibutuhkan untuk melewati 2^256 terkaan,
coba lihat saja video pelengkapnya.
Sebenarnya aku terlalu suka menulis hal itu.
Anda mungkin berpikir bahwa jika Anda benar-benar menggali detail bagaimana sebenarnya fungsi ini bekerja,
Anda bisa memutar balik masukan yang sesuai tanpa harus menebak dan mengeceknya.
Hungarian:
az eredményezett hash teljesen megváltozik.
Igazából ez a hasító függvényt (*hash function*-t), a SHA256-ot (ejtsd: *sá 256*), amit itt mutatok,
úgy változik a kimenet ahogy egy picit is megváltoztatod a bemenetet, hogy az teljesen kiszámíthatatlan.
Ahogy látod, ez nem csak egy akármilyen hasító függvény,
ez egy kriptográfiai hasító függvény.
Ez azt jelenti, hogy az ellenkező irányban kiszámíthatatlan.
Hogy ha mutatok neked néhány egyes és nullás láncolatát,
és megkérlek arra hogy keresd meg azt a bemenetet,
amely bemenetre a SHA256 hash-e pontosan ugyanazt a bitek láncolatát adja,
akkor nem lenne jobb módszered annál, mint hogy találgass és leellenőrizd.
Ha szeretnéd ismét átérezni, hogy mennyi számításra lenne szükséged ahhoz, hogy végigmenj 2^256-ik találgatáson,
akkor csak nézd meg az erről szóló videónkat.
Valójában túlzottan nagyon is élveztem megírni azt a dolgot.
Gondolhatnád azt, hogy ha csak mélyen tanulmányozod azt ahogyan működik ez a függvény (*hashing function*),
akkor visszafejthetnéd a megfelelő bemenetet anélkül hogy próbálgatnál és ellenőrizgetnél.
Portuguese:
O Hash resultante muda completamente.
Na verdade, para a função Hash que estou mostrando aqui
chamada de SHA256
a forma que o resultado muda conforme você levemente altera a entrada
é completamente imprevisível
Veja, ela não é só uma função Hash qualquer
é uma função Hash criptográfica
significa que é inviável calcular na direção inversa
se eu te mostrar uma sequência de 1 e 0
e pedir para achar o valor de entrada,
para que o Hash SHA256 dessa entrada resulte nesta exata sequência de bits
você não terá método melhor do que adivinhar e testar
E novamente, se você quer imaginar quanto trabalho computacional
seria necessário para verificar 2 elevado a 256 tentativas
apenas assista ao vídeo complementar
eu me diverti demais fazendo ele.
Você pode imaginar que se pesquisar os detalhes
de como exatamente essa função funciona
você poderia através da engenharia reversa descobrir a entrada sem ter que adivinhar e testar
Arabic:
سيتغير الهاش النهائي بالكامل.
في الواقع، دالّة التّهشير المعروضة هنا اسمها SHA256،
الطريقة التي تتغير بها المخرجات عندما تغير المدخلات تغيير طفيف غير متوقعة أبدًاً.
كما ترى، هذه ليست أي دالة تهشير،
بل هي دالّة تّهشير تشفيرية.
هذا يعني أنه من غير الممكن أن يتم حسابها من الاتجاه المعاكس.
إذا أعطيك سلسلة من الآحاد والأصفار،
و طلبت من إيجاد المدخلات
التي إن أدخلتها إلى الدالة SHA256 ستعطيك نفس السلسلة من الآحاد والأصفار،
ليس لديك طريقة أفضل من التخمين والتحقق.
ومجددًا، إذا كنت تريد أن تدرك كمية الحوسبة التي تحتاجها لتخمين 2 أس 256 قيمة؛
فقط قم بالاطلاع على الفيديو الملحق.
بالحقيقة لقد استمتعت كثيرًا بكتابة ذلك الفيديو.
ربما تعتقد أنك إذا قمت بالخوض بتفاصيل كيفية عمل هذه الدالة
قد تتمكن من أن تُهندس المدخلات المتوافقة عكسيًا دون اللجوء إلى التخمين والتحقق.
Chinese:
但目前没有人可以做到
有趣的是,目前还没有严格的证明逆向计算是困难的
目前大量的安全行业和加密需求都取决于
加密散列函数以及它的这个性质
如果你细看浏览器和youtube建立的加密连接
背后的加密算法
或浏览器连接银行网站时
你很可能会看到SHA256算法
但现在,我们的关注点会是
这样的函数如何证明一个账单
它所需要的计算力
想想如果有人给你一份交易记录并说
“嘿!我发现了一个特殊的数字
你把这个数字放在这份交易记录后面
整体信息进行SHA256函数计算后
前面30个数字都会是0!”
你想想找到这样的一个数字有多难?
对于一个随机的信息,
Modern Greek (1453-):
Αλλά κανένας δεν έχει βρει τρόπο για να το κάνετε αυτό.
Ωστόσο, ενδιαφέρον είναι ότι, δεν υπάρχει απόδειξη ότι είναι δύσκολο να υπολογιστεί προς την αντίθετη κατεύθυνση.
Και όμως, ένα τεράστιο ποσό της σύγχρονης ασφάλειας
εξαρτάται από την κρυπτογραφική συνάρτηση κατατεμαχισμού και την ιδέα ότι έχουν αυτή την ιδιότητα.
Εάν πρόκειται να δείτε τι αλγόριθμοι αποτελούν τη βάση της ασφαλούς σύνδεσης
που το πρόγραμμα περιήγησής σας κάνει με το YouTube αυτή τη στιγμή,
ή ότι κάνει με την τράπεζά σας,
κατά πάσα πιθανότητα θα δείτε το όνομα SHA256 να εμφανίζεται εκεί.
Για τώρα, η εστίασή μας θα είναι μόνο για
το πως μια τέτοια συνάρτηση μπορεί να αποδείξει μία συγκεκριμένη λίστα συναλλαγών
συνδέεται με ένα μεγάλο ποσό υπολογιστικών προσπαθειών.
Φανταστείτε κάποιον που σας εμφανίζει μια λίστα συναλλαγών, και λένε
«Γεια! Βρήκα έναν ειδικό αριθμό
έτσι ώστε όταν βάζετε αυτόν τον αριθμό στο τέλος αυτής της λίστας συναλλαγών
και να εφαρμόσετε SHA256 σε όλο το πράγμα,
τα πρώτα 30 bits της εξόδου είναι όλα 0!»
Πόσο δύσκολο πιστεύεις πως ήταν γι' αυτούς να βρουν τον αριθμό αυτό?
Λοιπόν, για ένα τυχαίο μήνυμα,
Spanish:
Pero nadie ha encontrado una forma de hacerlo.
Es interesante mencionar, que no hay una prueba dura y rigurosa de que es difícil de computar en sentido contrario.
Y aun asi, una enorme cantidad de la seguridad moderna
depende de funciones criptográficas hash y de la idea de que tienen esta propiedad.
Si buscases que algoritmos subyacen bajo la conexión segura
que tu navegador está realizando con YouTube ahora mismo,
o que realiza con tu banco,
lo más seguro es que vieses aparecer el nombre SHA256.
De momento, nuestra atención estará en
cómo dicha función puede probar que una lista de transacciones en particular
está asociado con un gran esfuerzo computacional.
Imagina que alguien te enseña una lista de transacciones, y te dicen
"Eh! He encontrado un número especial
tal que cuando lo pones al final de esta lista transacciones
y le aplicas SHA256 al archivo entero
los primeros 30 bits de la salida son ceros!
¿Cómo de dificil piensas que fue para ellos encontrar ese número?
Bien, para un mensaje aleatorio,
Czech:
Ale nikdo zatím nevymyslel, jak tohle udělat.
Zajímavé je, že neexistuje žádný tvrdý rigorózní důkaz, že je těžké provést výpočet v opačném směru.
A přesto, obrovská část moderní počítačové bezpečnosti
stojí na kryptografických hash funkcích a jejich vlastnostích.
Kdybyste se podívali na to, jaké algoritmy využívá šifrované spojení
kterým jste právě teď připojeni k YouTube,
nebo spojení do internetového bankovnictví,
nejspíš byste tam SHA256 našli.
My se teď budeme věnovat jen tomu,
jak můžeme takovou funkci použít k důkazu, že seznam transakcí
je spjat s velkou výpočetní námahou.
Představte si, že vám někdo ukáže seznam transakcí a řekne
"Hele, našel jsem speciální číslo,
které když přidáš na konec seznamu,
a celý to zahashuješ SHA256,
prvních 30 bitů výsledného otisku budou nuly!"
Co myslíte, jak těžké pro ně bylo tohle číslo najít?
Pro náhodnou zprávu
German:
Aber bisher hat niemand einen Weg gefunden, das zu schaffen.
Interessanterweise gibt es keinen rigorosen Beweis dafür, dass es schwierig ist in die andere Richtung zu rechnen.
Und dennoch basiert ein gewaltiger Teil moderner Sicherheitstechnologien auf diesen kryptographischen Hashfunktionen
und darauf, dass sie diese Eigenschaft haben.
Wenn du dir anschauen würdest mit welchen Algorithmen
dein Browser gerade die sichere Verbindung zu YouTube
oder zu deiner Bank aufbaut,
dann wirst du ziemlich wahrscheinlich auf den Namen SHA256 stoßen.
Für jetzt konzentrieren wir uns erstmal darauf
wie eine solche Funktion beweisen kann, dass eine bestimme Liste Transaktionen
mit einer hohen Menge an rechnerischer Arbeit verbunden ist.
Stell dir vor jemand zeigt dir eine Liste an Transaktionen und sagt:
"Hey, ich habe eine besondere Zahl gefunden.
Wenn du diese Zahl ans Ende der Liste an Transaktionen schreibst,
und SHA256 auf die Liste anwendest,
dann sind die ersten 30 Bits der Ausgabe alles Nullen!"
Wie schwer glaubst du war es für diese Person, eine solche Nummer zu finden?
Für irgendeine zufällige Nachricht ist die Wahrscheinlichkeit,
Hungarian:
De soha senki nem jött rá hogyan lehetne ezt megcsinálni.
Érdekes, hogy szigorúan véve nincs konkrét bizonyíték arra, hogy nehéz kiszámítani a fordított irányban.
És mégis, korszerű biztonságtechnika hatalmas mértékben
függ a kriptográfiai hasító függvényektől (*cryptographic hash functions*), és az elgondolástól hogy ezzel a tulajdonsággal rendelkeznek.
Ha belenéznél, hogy milyen algoritmusokon alapszik az a titkos kapcsolat,
amely a böngésződ és a Youtube között jött most létre,
vagy amelyet a bankoddal létesít,
akkor valószínűleg felbukkanna a SHA256 név.
Egyelőre azon lesz a fókusz, hogy
hogyan tudja bizonyítani egy ilyen függvény, hogy egy bizonyos tranzakciós listához
egy nagy mennyiségű számítási erőfeszítés tartozik.
Képzeld el, hogy valaki mutat neked egy tranzakciós listát, és azt mondják:
"Hé! Találtam egy különleges számot,
amit hogy ha a tranzakciós lista végére illesztek,
és SHA256-ot alkalmazok az egészre,
akkor a kimement első 30 bitjének nullásnak kell lennie."
Szerinted milyen nehéz volt nekik megtalálni ezt a számot?
Nos, egy véletlenszerű üzenettel,
Chinese:
但目前沒有人可以做到
有趣的是,目前還沒有嚴格的證明逆向計算是困難的
目前大量的安全行業和加密需求都取決於
加密雜湊函數以及它的這個性質
如果你看瀏覽器和YouTube建立的加密連接
或連上銀行網站時
它背後的加密演算法
你很可能會看到「SHA256演算法」
但現在,我們的關注點會是
如何證明這樣的函數代表一個帳單
需要非常大量的計算資源
想想如果有人給你一份交易記錄並說
「嘿!我發現了一個特殊的數字
你把這個數字放在這份交易記錄後面
整體資訊進行SHA256函數計算後
前面30個數字都會是0!」
你想想找到這樣的一個數字有多難?
對於一個隨機的訊息,
English:
the details of how the function works, but
no one has ever found a way to do that.
Interestingly, there’s no proof that it’s
hard to compute in the reverse direction,
yet a huge amount of modern security depends
on cryptographic hash functions.
If you were to take a look at what algorithms
underlie the secure connection that your browser
is making with YouTube right now, or that
it makes with a bank, you will likely see
a name like SHA256 in there.
For right now, our focus will just be on how
such a function can prove that a particular
list of transactions is associated with a
large amount of computational effort.
Imagine someone shows you a list of transactions,
and they say “I found a special number so
that when you put this number at the end of
list of transactions, and apply SHA256 the
entire thing, the first 30 bits of the output
are zeros”.
How hard do you think it was for them to find
that number?
Japanese:
しかし誰も達成できていない。
面白いのは、逆の計算が非常に難しいという事を厳密には証明できていないという点である。
しかし現代のセキュリティは、
暗号論的ハッシュ関数の特性に深く依存している。
銀行のサイトにアクセスしているときや、
今YouTubeとブラウザの間で行われているセキュア通信の
中身を探れば、
SHA256という名前が見受けられると思う。
これからフォーカスを当てていく部分は、
このような関数がどのようにして、特定の取引の記録列が、
莫大な計算量の結果としれ生まれたものだと保証するかである。
想像してほしい。誰かが記録列を見せて来て、次のように言う。
「すごい数値を見つけたぞ。
この数値を記録列の最後において、
SHA256を全体に適用すると、
出力の最初の30桁が全てゼロになる。」
その数値を探り出すのにどれくらいの労力が必要だろうか。
記録はランダムだから、
Arabic:
لكن لم يحدث أن وجد أحد طريقة لفعل هذا سابقًا.
ومن المثير للاهتمام أنه لا يوجد دليل صارم على أنه من الصعب حقًا الحساب في الاتجاه المعاكس.
رغم ذلك، كمية هائلة من الأمن الاكتروني الحديث
تعتمد على دوال التهشير التشفيرية وفكرة أن لديهن تلك الميزة.
إذا اطلعت على الخوارزميات التي يعتمد عليها الاتصال الآمن
بين المتصفح الذي تتصفح منه وبين اليوتيوب الآن،
أو التي يعتمد عليها البنك الذي اشتركت به،
غالبًا قد تجد الاسم SHA256 موجود هناك.
ولكن الآن، لنركّز على
كيف يمكن لدالة كهذه أن تثبت أن قائمة مُعَيّنة من العمليات
مرتبطة بكمية كبيرة من الحوسبة المجهدة.
تخيل أن شخص ما أراك قائمة من العمليات، وقال:
"انظر! لقد وجدت رقم مميز
عندما أضعه في نهاية قائمة العمليات
و أنفذ الدالة SHA256 على كل هذا،
ستكون أول 30 خانة من المخرجات كلها أصفار!"
ما مقدار الصعوبة التي واجهها في إيجاد هذا الرقم برأيك؟
حسنًا، بالنسبة لرسالة عشوائية،
French:
et obtenir l'entrée appropriée sans avoir à deviner et vérifier... Mais
personne n'a découvert de moyen de faire ça.
Curieusement il n'y a pas de preuve rigoureuse qu'il est difficile de calculer l'image réciproque.
Et encore une énorme quantité de sécurité moderne dépendent des
fonctions de hash cryptographiques.
Et l'idée qu'elles
ont cette propriété.
Si vous voulez voir les algorithmes sous-jacents à la sécurité de connexion
que votre navigateur crée avec YouTube maintenant ou
avec votre banque vous trouverez le même nom SHA256
Pour maintenant nous allons nous concentrer sur comment une
telle fonction peut prouver qu'une liste particulière de transactions
est associée avec une grande quantité
d'effort de calcul.
Imaginez quelqu'un vous montrant une liste de
transactions, et vous disant : "Hey, j'ai trouvé un nombre spécial
de sorte que lorsque vous mettez ce nombre spécial à la fin de cette liste de transactions
et appliquez SHA256 à l'ensemble
les 30 premiers bits de cette sortie sont tous des 0."
Combien pensez-vous qu'il était difficile pour eux de trouver ce nombre ?
Lithuanian:
Bet niekas šito dar nesugalvojo.
Kas įdomu, nėra jokio šalto, tvirto įrodymo, kad yra sudėtinga suskaičiuoti atbuline tvarka.
Ir visgi, milžiniškas modernaus saugumo kiekis
priklauso nuo kriptografinių hešo funkcijų ir nuo idėjos, kad jos turi tokią savybę.
Jei pažiūrėtum, kokiais algoritmais grįstas saugus sujungimas, kurį
tavo naršyklė sukuria su YouTube dabar,
arba sukuria su tavo banku,
tu tikriausiai pamatysi SHA256 pavadinimą kažkur.
Dabar, mūsų dėmesys bus sutelktas tik į tai,
kaip tokia funkcija gali įrodyti, kad tam tikras transakcijų sąrašas
yra susijęs su didelio skaičiavimo kiekio pastangomis.
Įsivaizduok, kažkas parodo tau transakcijų sąrašą ir sako:
"Ei! Atradau specialų skaičių,
kurį pridėjus prie transakcijų sąrašo
ir praleidus visą dalyką per SHA256,
gausi išvestį, kurios pirmi 30 bitų visi nuliai!"
Kaip manai, kaip sunku jam buvo surasti tą skaičių?
Na, atsitiktinei žinutei,
Vietnamese:
Nhưng chưa ai từng tìm ra cách để làm điều đó.
Kì lạ là không có phép chứng minh nào nói rằng tính theo hướng ngược lại là rất khó.
Tuy nhiên, một lượng lớn hệ thống an ninh ngày nay
phụ thuộc vào các hàm băm mật mã và tin tưởng rằng chúng có thuộc tính này.
Nếu bạn đã nhìn vào những thuật toán được dùng hỗ trợ kết nối an toàn
mà trình duyệt của bạn đang thực hiện với YouTube ngay bây giờ,
hoặc là cho kết nối mà nó thực hiện với ngân hàng của bạn,
bạn có thể sẽ thấy cái tên SHA256 xuất hiện.
Bây giờ, chúng ta sẽ chỉ tập trung vào
làm thế nào hàm hash có thể chứng minh rằng một danh sách cụ thể các giao dịch
được liên kết với một lượng lớn công tính toán.
Hãy tưởng tượng ai đó cho bạn xem một danh sách các giao dịch, và họ nói
"Này! Tôi tìm thấy một số đặc biệt
để khi bạn đặt số đó vào cuối danh sách các giao dịch này
và áp dụng SHA256 cho tất cả các chi tiết này,
cho đầu ra với 30 bit đầu tiên của nó là tất cả các số không! "
Bạn nghĩ tìm ra con số đó khó khăn đến thế nào?
Đối với một thông điệp ngẫu nhiên,
Portuguese:
mas ninguém descobriu uma forma de fazer isso
curiosamente, não há prova de que seja difícil
fazer esse cálculo inverso
e ainda assim, uma enorme quantidade de segurança moderna
depende das funções Hash criptográficas
e a ideia de que elas têm essa propriedade
Se você fosse olhar quais algoritmos são a base para a conexão segura que seu navegador está utilizando
ou que ele faz com o seu banco
provavelmente você vai ver o nome SHA256 em algum local
Neste momento, nosso foco será em como essa função
pode provar que uma certa lista particular de transações
está associada com uma enorme quantidade de trabalho computacional
imagine que alguém lhe mostre uma lista de transações e diz
"Ei, eu encontrei um número especial que quando você coloca ele no fim da lista de transações
e aplica SHA256 em tudo, os primeiros 30 bits do resultado serão todos zeros.
Quão difícil você acha que foi para eles acharem esse número?
iw:
אבל אף אחד מעולם לא חשב על דרך לעשות את זה.
באופן מעניין, אין הוכחה ריגורוזית שבאמת קשה לחשב בכיוון ההפוך.
ובכל זאת, כמות עצומה של ביטחון דיגיטלי מודרני
תלוי בפונקציות hash קריפטוגרפיות והרעיון שיש להן את התכונה הזו.
אם הייתם בודקים אילו אלגוריתמים מנצאים בבסיס החיבור המאובטח שלכם
שהדפדפן שלכם עושה עם YouTube עכשיו,
או שהוא עושה עם הבנק שלכם,
סביר שתראו את השם SHA256 מופיע שם.
אבל כעת, ההתמקדות שלנו תהיה רק על
איך פונקציה כזו יכולה להוכיח שלרשימה מסוימת של עסקאות
מזוהה עם כמות גדולה של מאמץ חישובי.
תארו לעצמכם שמישהו היה מראה לכם רשימה של עסקאות, והוא היה אומר
"היי! מצאתי מספר מיוחד
כך שכאשר אתה מכניס את המספר הזה בסוף רשימה זו העסקאות
ומפעיל SHA256 על כל הספר,
30 הסיביות הראשונות של הפלט הן אפסים!"
כמה קשה אתם חושבים שזה יהיה להם למצוא את המספר הזה?
ובכן, עבור הודעה אקראית,
Italian:
Ma per ora nessuno ha mai trovato il modo di farlo.
È interessante notare che nessuno ha dimostrato in maniera rigorosa che sia effettivamente difficile calcolare l'argomento partendo dal risultato.
Tuttavia, una gran parte della moderna sicurezza
dipende da funzione crittografiche di hash e dall'idea che abbiano questa proprietà.
Se dovessi guardare quale algoritmo sta alla base della connessione sicura
che il tuo browser utilizza con YouTube in questo momento
o che utilizza con la tua banca,
vedresti probabilmente il nome SHA256 sbucare da qualche parte.
Per ora ci concentreremo solo su
come una di queste funzioni possa provare che una particolare lista di transazioni
sia associata con una gran quantità di sforzo computazionale.
Immagina che qualcuno ti mostri una lista di transazioni e dica
"Hey! Ho trovato un numero speciale
che se messo alla fine della lista di transazioni
e SHA256 viene applicata al tutto,
i primi 30 bit del risultato sono zeri!"
Quanto pensi sia stato difficile trovare quel numero?
Ebbene, per un messaggio casuale,
Indonesian:
Tapi tidak ada yang tahu cara untuk melakukan itu.
Menariknya, tidak ada bukti keras yang sulit untuk dihitung dalam arah sebaliknya.
Namun, sejumlah besar keamanan modern
tergantung pada fungsi hash kriptografi dan gagasan bahwa mereka memiliki sifat ini.
Jika Anda melihat algoritma apa yang mendasari koneksi aman
yang dibuat oleh browser Anda dengan YouTube sekarang ini,
atau itu terjadi dengan bank Anda,
Anda mungkin akan melihat nama SHA256 muncul di sana.
Untuk saat ini, fokus kita hanya akan terus berlanjut
bagaimana fungsi semacam itu bisa membuktikan bahwa daftar transaksi tertentu
dikaitkan dengan sejumlah besar usaha komputasi.
Bayangkan seseorang menunjukkan daftar transaksi, dan mereka mengatakannya
"Hei, saya menemukan nomor khusus
sehingga ketika Anda memasukkan nomor itu di akhir daftar transaksi ini
dan menerapkan SHA256 untuk keseluruhannya,
30 bit pertama dari hasil itu semuanya nol! "
Seberapa sulit menurut Anda untuk menemukan nomor itu?
Nah, untuk pesan acak,
Polish:
Ale nikt nigdy nie wymyślił, jak to zrobić.
Co ciekawe, nie ma twardego dowodu na to, że trudno jest to obliczyć w odwrotnym kierunku.
A jednak, ogromna ilość nowoczesnych zabezpieczeń
zależy od kryptograficznych funkcji skrótu i idei, że mają one tę właściwość.
Jeśli zobaczyłbyś algorytmy, na których opierają się bezpieczne połączenia
Twojej przeglądarki z YouTube'm
albo z Twoim bankiem,
prawdopodobnie zobaczysz nazwę SHA256.
Teraz naszym celem będzie tylko zrozumienie,
jak taka funkcja może udowodnić, że dana lista transakcji
jest związana z dużą ilością zabiegów obliczeniowych.
Wyobraź sobie, że ktoś pokazuje Ci listę transakcji i mówi:
„Hej! Znalazłem specjalny numer
taki, że kiedy umieścisz go na końcu tej listy transakcji
i zastosujesz do wszystkiego SHA256,
pierwsze 30 bitów tego, co otrzymamy będą zerami!”
Sądzisz, że jak ciężko było znaleźć ten numer?
Cóż, dla losowej wiadomości
Russian:
Только пока ещё никто не догадался, как это сделать.
Любопытно, что нет строгого доказательства того, что обратные вычисления слишком сложны.
И всё равно современная защита основательно полагается
на криптографические хеш-функции и представление об этом их свойстве.
Если бы вы взглянули на алгоритмы, которые обеспечивают безопасное соединение,
и которые ваш браузер сейчас выполняет на Youtube
или когда взаимодействует с вашим банком,
вы наверняка где-нибудь заметили бы SHA256.
Но пока сосредоточимся на том,
как такая функция может доказать, что определенный список операций
потребует колоссальных вычислительных усилий.
Представьте, что кто-то показывает вам список операций и говорит:
«Смотри, я нашел такое число,
что если его поставить в конец этого списка операций,
а потом применить ко всему этому функцию SHA256,
то все первые 30 бит результата будут нулями!»
Как думаете, им было трудно найти это число?
Для произвольного сообщения
Korean:
하지만 지금까지 아무도,
그 방법을 알아내지 못했지.
재미있는 사실은, 역산으로 입력값을 계산해 낼 수 없다는
확실한 증명도 없다는 거야.
현대 보안의 많은 부분은
이처럼 역산이 실질적으로 불가능하다는
암호화 해쉬 함수의 특성에 기반을 두고 있어.
지금 여러분의 브라우저와 유튜브 사이에 맺어져 있는
보안 연결이 어떤 알고리듬으로 되어 있는지
지금 여러분의 브라우저와 유튜브 사이에 맺어져 있는
보안 연결이 어떤 알고리듬으로 되어 있는지
또는 여러분과 은행 사이트 사이의 보안 연결이
어떤 알고리듬으로 되어 있는지 알아보다 보면
아마도 SHA256 함수와 반드시 마주치게 될 거야.
일단 지금은
그런 암호화 해쉬 함수가 어떤 방식으로,
일정한 수의 거래들이
상당히 많은 양의 계산 작업과 연결되어 있다는 것을
증명할 수 있는가에 집중해보자고.
누군가 여러분에게 일정한 갯수의 거래 내역을 보여주고,
"이봐!! 내가 매직넘버를 찾아냈어!!"
"이 매직 넘버를 거래 내역 목록의
마지막에 추가한 다음에"
"그 값을 입력값으로 해서 SHA256 함수로 계산하면,"
"결과 해쉬값의 첫 30비트는 모두 0이야!!"
라고 말했다고 해보자.
그 매직 넘버를 알아내는데
도대체 얼마나 많은 계산을 한 걸까?
그냥 난수로 만들어진 메시지에서
Turkish:
Ama kimse bunu nasıl yapılacağının bir yolunu bulamadı
İlginç bir şekilde bu ter hesaplamayı yapabilecek bir titiz ve sıkı bir kanıtta yok.
Ve hal böyleyken, modern güvenliğin büyük bir kısmı
şifrelenmiş hash fonksiyonlarına ve sahip oldukları varlıklara bağlıdır.
Güvenlik bağlantısının altında yatan algoritmalara bakarsan
Şuan için tarayıcın YouTube çalıştırıyor,
ya da banka ile yaptığınız,
büyük ihtimalle SHA256 ismi görünecektir.
Şuan için, odaklanma noktamız
nasıl bir fonsiyon belirli para işlemleri listesiyle
büyük bir hesaplama eforu ile ilişkili olduğunu ispatlayabilir.
Birinin sana para işlemleri listesini gösterdiğini hayal et, ve diyorlar ki
"Hey! özel bir sayı buldum
bu sayıyı para işlemleri defterinin sonuna koyduğun zaman
ve tamamına SHA256 uyguladığında
çıkışların ilk 30 biti tamamen sıfır!"
Sence onların bu sayıyı bulması ne kadar zordu?
Pekala, rastgele bir mesaj için,
Hungarian:
az esélye annak hogy egy olyan hash forduljon elő ami 30 egymást követő nullással kezdődik 1 a 2^30-hoz,
ami nagyjából egy az egy milliárdhoz.
És mivel a SHA256 egy kriptográfiai hasító függvény (*cryptographic hash finction*),
az egyetlen módja, hogy találjunk egy ilyen különleges számot, az az ha csak találgatunk és leellenőrizzük.
Tehát ennek az illetőnek biztosan végig kellett mennie körülbelül egy milliárd különböző számon ahhoz,
hogy találjon egy ilyen különleges számot.
És onnantól hogy tudod ezt a számot,
nagyon gyorsan le lehet ellenőrizni - csak lefuttatod a hash-t és megnézed hogy van-e 30 nullásod.
Más szavakkal, le tudod ellenőrizni, hogy véghezvittek nagy mennyiségű munkát,
anélkül, hogy ugyanazokon az erőfeszítéseken kelljen végigmenned saját magad.
Ezt "proof of work"-nek hívják. (~*bizonyíték az elvégzett munkáról*, a továbbiakban "proof of work")
És ami nagyon fontos, hogy mindez a munka elválaszthatatlanul kötve van az adott tranzakciós listához.
Ha megmásítod az egyik tranzakciót, akár csak egy kicsit is,
az teljesen megváltoztatná a hash-edet,
tehát végig kellene menned egy újabb milliárd találgatáson ahhoz, hogy újra bizonyítani tudd az elvégzett munkát, azaz hogy egy újabb "proof of work"-ot találj,
egy új számot, amely azt eredményezi,
Portuguese:
Bem, para uma mensagem aleatória, a probabilidade que um Hash
ocorre de iniciar com 30 bits 0 consecutivos
é 1 em 2 elevado a 30, o que dá aproximadamente 1 em 1 bilhão.
e por SHA256 ser uma função Hash criptográfica,
a única forma de achar um número como aquele é adivinhar e testar
então essa pessoa quase certamente teve que passar por cerca de 1 bilhão de números diferentes
antes de achar aquele especial
E quando você sabe qual esse número, é muito rápido verificar
você só executa o Hash, e procura pelos 30 zeros
Em outras palavras, você pode verificar
que eles passaram por um trabalho enorme
mas sem precisar fazer o mesmo trabalho você mesmo
isso é chamado Prova de Trabalho
E importante, todo esse trabalho é intrinsecamente ligado à lista de transações
se você mudar uma dessas transações, mesmo minimamente
você mudaria o Hash completamente, então teria que fazer
mais um bilhão de tentativas para achar uma nova Prova de Trabalho
um novo número, para o qual o resultado Hash da lista alterada junto com esse novo número
Lithuanian:
tikimybė, kad hešas prasidės su 30 iš eilės einančių nulių yra 1 iš 2^30,
kas yra apie vienas iš milijardo.
Ir kadangi SHA256 yra kriptografinė hešo funkcija,
vienintelis būdas surasti tokį specialų skaičių yra spėliojimas ir tikrinimas.
Taigi šis asmuo beveik garantuotai turėjo praeiti apie milijardą skirtingų skaičių
prieš atrandant šį specialųjį.
Ir kai žinai tą skaičių,
yra labai greita patikrinti: tiesiog praleidi hešo funkciją ir pamatai, kad yra 30 nulių.
Taigi, kitais žodžiais, gali patikrinti, kad jis praėjo per didelį darbo kiekį,
bet tau pačiam nereikia įdėti tiek pat pastangų patikrinimui.
Tai yra vadinama "darbo įrodymu"
Ir labai svarbiai, visas šis darbas iš esmės susijęs su transakcijų sąrašu.
Jei pakeisi vieną iš transakcijų, netgi vos vos,
tai visiškai pakeistų hešą,
tad tau reiktų praeiti dar vieną milijardą spėjimų, kad atrastum naują darbo įrodymą,
naują skaičių, kuris padaro taip,
Polish:
prawdopodobieństwo, że skrót zaczyna się 30 zerami wynosi 1 do 2^30,
co stanowi około jeden na miliard.
A ponieważ SHA256 jest kryptograficzną funkcją skrótu,
jedynym sposobem, aby znaleźć taką specjalną liczbę jest po prostu zgadywanie i sprawdzanie.
Więc ta osoba prawie na pewno musiała przejść przez około miliard różnych liczb
zanim znalazła ten właściwy.
A gdy już znasz tę liczbę,
naprawdę szybko można to sprawdzić - wystarczy uruchomić hash i zobaczyć, że jest 30 zer.
Więc innymi słowy, możesz zweryfikować, że ktoś przeszedł dużą ilość pracy,
ale bez konieczności przechodzenia przez to samo samodzielnie.
Nazywa się to „dowód pracy”.
I najważniejsze, cała ta praca jest nierozerwalnie związana z listą transakcji.
W przypadku zmiany jednej z tych transakcji, nawet nieznacznie,
całkowicie zmieniłby się hash,
więc musiałbyś przejść przez kolejne miliardy domysłów, aby znaleźć nowy dowód pracy,
nową liczbę, która sprawia, że
Spanish:
la probabilidad de que un hash empiece con 30 ceros sucesivos es 1 de cada 2^30,
aproximadamente 1 en 1000 millones.
Y como SHA256 es una función criptográfica,
la única forma de encontrar un número especial como ese es adivinando y comprobando.
Asi que esta persona casi seguro que ha tenido que comprobar 1000 millones de números distintos
antes de encontrar este número especial.
Y una vez que concoes este número,
se puede verificar bastante rápido, simplemente aplicas y compruebas que tiene 30 ceros.
Así que en otras palabras, puedes verificar que les ha llevado una gran cantidad de trabajo,
pero sin tener que realizar ese mismo esfuerzo tu mismo.
Esto se conoce como una "prueba de trabajo".
Y lo más importane, todo este trabajo esta intrinsecamente conectado a la lista de transacciones.
Si modificas ligeramente una de esas transacciones,
alteraría por completo el hash,
asi que tendrías que comprobar otros 1000 millones de números para encontrar una nueva "prueba de trabajo"
un nuevo número
French:
Bien, pour un message aléatoire
la probabilité qu'un hash commence par 30 zéros successifs est
de 1 sur 2^30, ce qui est environ 1 sur 1 milliard.
Et parce que SHA256 est une fonction de hash cryptographique,
la seule façon de trouver ce nombre spécial
est juste deviner et vérifier.
Donc cette personne a presque certainement dû aller
jusqu'à un milliard de nombres différents avant de trouver.
Et une fois que vous connaissez ce nombre
C'est vraiment rapide de vérifier. Vous lancez juste le hash et voyez qu'il y a 30 zéros.
Donc en d'autres termes, vous pouvez vérifiez
qu'il vient d'une grande quantité de travail,
mais sans avoir à passer par cette même quantité de travail vous-même.
Ceci s'appelle une "preuve de travail".
Et d'une façon importante, tout ce travail
est intrinsèquement lié à liste de transactions.
Si vous changez l'une de ces transactions, même de façon minime,
cela changera complètement le hash.
Alors vous devrez aller jusqu'à un autre milliard de devinettes pour trouver une nouvelle preuve de travail,
un nouveau nombre qui fait en
Arabic:
احتمالية أن يبدأ الهاش بـ30 صفر متتالية هي 1 من (2 أس 30)
والذي يعني حوالي واحد من مليار.
وبما أن SHA256 هي دالّة تّهشير تشفيرية؛
الطريقة الوحيدة لإيجاد رقم كهذا هي التخمين والتحقق.
لذا، هذا الشخص غالبًا اضطر لتجربة مليارات الأرقام المختلفة
قبل أن يجد هذا الرقم المميز.
وعندما تجد هذا الرقم؛
سيتم التحقق بسرعة، ضع الهاش في الدالة ونفذها وانظر إذا ظهر 30 صفر أم لا.
لذا، بمعنى آخر، يمكنك التأكد أن ذلك الشخص اجتهد كثيرًا،
ولكن دون الاضطرار للمرور بنفس الإجهاد بنفسك.
و هذا يسمى "إثبات العمل"
ومن المهم أن نفهم أن كل هذا العمل مرتبط جوهريًا بقائمة العمليات.
إذا عدّلت أي من هذه العمليات حتى لو بشكل طفيف
سوف يتغير الهاش بالكامل،
لذا عليك أن تجرب مليارات التخمينات حتى تتمكن من إيجاد رمز إثبات العمل.
والرقم الجديد الذي ينتجه
Japanese:
30のゼロの列が始めに来る確率は、2の30乗分の1であり、
10億分の1に近似できる。
SHA256は暗号論的ハッシュ関数なので、
この様なすごい数値を求めるには、予想と確認を繰り返すしかない。
よってこの人はこの数値を発見するのに10億に近い数値を相手に、
努力したと言える。
だが一度その数値を知ってしまえば、
確認するのは非常に簡単である。ハッシュ関数を使って、30のゼロがあることを見れば良い。
言い換えれば、大変多くのワークを行ったことを確かめる時、
同じ努力をせずに検証できる。
これを「プルーフ・オブ・ワーク」と呼ぶ。。
覚えておきたいのは、このワークは記録列に強烈に依存しており、
記録列のごく一部でも変えてしまえば、
ハッシュも完全に変わってしまう。
こうなってしまえば、新たなプルーフ・オブ・ワークを見つけるために、
再び億単位の作業を行って、
iw:
ההסתברות שתוצאת ה-hash תתחיל עם שלושים אפסים רצופים היא אחד לשתיים בחזקת שלושים
שזה בערך אחד למיליארד.
וכיוון ש-SHA256 היא פונקציה hash קריפטוגרפית,
הדרך היחידה למצוא מספר מיוחד כזה הוא רק ניחוש ובדיקה.
אז האדם הזה כמעט בוודאות היה צריך לעבור על כמיליארד מספרים שונים
לפני שמצא אחד מיוחד שכזה.
וברגע שאתם יודעים את המספר הזה,
זה באמת מהיר לאמת - אתם יכולים פשוט להפעיל את ה-hash ולראות שישנם שלושים אפסים.
אז במילים אחרות, אתם יכולים לוודא שאותו אדם ביצע כמות גדולה של עבודה,
מבלי להשקיע אותו מאמץ בעצמכם.
זה נקרא "הוכחה של עבודה".
וחשוב להבין - כל העבודה הזו קשורה באופן מהותי לרשימת העסקאות.
אם תשנו את אחת העסקאות הללו, אפילו במעט,
היא תשנה את ה-hash לחלוטין,
כך שהייתם צריכים לנחש עוד מיליארד ניחושים כדי למצוא הוכחה חדשה של עבודה,
מספר חדש שבעזרתו
Indonesian:
kemungkinan bahwa hash terjadi dengan memulai 30 angka nol berturut-turut adalah 1 banding 2^30,
yang sekitar satu banding satu miliar.
Dan karena SHA256 adalah fungsi hash kriptografi,
satu-satunya cara untuk menemukan nomor spesial seperti itu hanya menebak dan mengecek.
Jadi orang ini hampir pasti harus melalui sekitar satu miliar nomor yang berbeda
sebelum menemukan yang spesial ini.
Dan begitu Anda tahu nomor itu,
itu benar-benar cepat untuk memverifikasi - Anda hanya menjalankan hash dan melihat bahwa ada 30 nol.
Jadi dengan kata lain, Anda dapat memverifikasi bahwa mereka menjalani sejumlah besar pekerjaan,
tapi tanpa harus melalui usaha yang sama itu sendiri.
Ini disebut "proof of work"(bukti kerja).
Dan yang terpenting, semua pekerjaan ini secara intrinsik terkait dengan daftar transaksi.
Jika Anda mengubah salah satu transaksi tersebut, bahkan sedikit pun,
itu benar-benar akan mengubah hash,
jadi Anda harus melewati satu miliar tebakan lagi untuk menemukan bukti kerja baru,
sebuah nomor baru yang membuatnya
Turkish:
bu olasılık bir hash fonksiyonun peş peşe 30 tane sıfırla ile başlama olasılığı 2^30 da 1
ki bu da milyarda bir ihtimal demek.
Ve çünkü SHA256 şifrelenmiş bir hash fonksiyonudur,
bu şekilde bir sayıyı bulmanın tek yolu tahmin ve kontrol etmektir.
Yani bu kişi neredeyse bir milyar farklı sayıyı geçmek zorundaydı
ta ki bu özel olanı buluncaya dek.
Ve bu sayıyı bir kere biliyorsan
doğrulaması gerçekten hızlıdır - sadece hash fonksiyonunu çalıştırırsın ve 30 tane sıfırı görürsün.
Bir başka deyişle, onların yaptığı büyük miktardaki işini sen doğrulayabilirsin,
ama aynı eforu da kendin için sarfetmeden.
Buna "çalışma ispatı" denir.
Ve en önemlisi, tüm bu işler özünde parasal işlemler listesiyle bağımlı
eğer bu parasal işlemlerin birinde küçük değişikler yapsan dahi,
hash'i tamamen değiştirecektir,
yani yeni bir çalışma ispatı bulmak için bir başka bir milyar tahmine daha gitmek zorunda olurdun,
onu yapan yeni bir sayı
German:
dass der Hashwert mit 30 Nullen beginnt 1 zu 2^30.
Also in etwa eins zu einer Milliarde.
Und weil SHA256 eine kryptografische Hashfunktion ist,
ist die einzige Möglichkeit eine solche Nummer zu finden schlicht und ergreifend immer wieder zu raten.
Das heißt diese Person musste ziemlich sicher ungefähr eine Milliarde Zahlen ausprobieren,
bevor sie diese besondere gefunden hat.
Sobald du die Zahl weißt, ist es leicht sie zu überprüfen.
Du wendest einfach die Hashfunktion an und siehst die 30 Nullen.
Mit anderen Worten: Du kannst überprüfen, dass jemand eine ganze Menge Arbeit geleistet hat,
ohne dir selbst den Aufwand zu machen.
Das nennt man den "Ausführungsnachweis".
Wichtig ist, dass all diese Arbeit intrinsisch mit der Liste an Transaktionen verbunden ist.
Wenn du nur eine der Transaktionen ein kleines bisschen veränderst,
würde sich der Hashwert komplett verändern.
Du müsstest also nochmal eine Milliarde Zahlen ausprobieren um dienen Ausführungsnachweis zu finden.
Eine neue Zahl mit der der Hashwert der veränderten Liste
Modern Greek (1453-):
η πιθανότητα ότι ένα hash συμβαίνει να ξεκινήσει με 30 διαδοχικές μηδενικά είναι 1 σε 2 ^ 30,
που είναι περίπου ένα σε ένα δισεκατομμύριο.
Και επειδή η SHA256 είναι μία κρυπτογραφική συνάρτηση κατακερματισμού,
ο μόνος τρόπος για να βρείτε έναν ειδικό αριθμό όπως αυτόν, είναι απλά μαντεύοντας και ελέγχοντας.
Έτσι, αυτό το άτομο έπρεπε σχεδόν σίγουρα να περάσει από περίπου ένα δισεκατομμύριο διαφορετικούς αριθμούς
πριν από την εύρεση αυτού του ιδιαίτερου (αριθμού).
Και από τη στιγμή που γνωρίζετε αυτόν τον αριθμό,
είναι πραγματικά γρήγορο το να τον επαληθεύσετε - απλά εκτελέστε το hash και θα δείτε ότι υπάρχουν 30 μηδενικά.
Έτσι, με άλλα λόγια, μπορείτε να επιβεβαιώσετε ότι πέρασε από μια μεγάλη προσπάθεια (για να βρει αυτόν τον αριθμό)
αλλά χωρίς να χρειάζεται να εκτελέσετε εσείς ο ίδιος ανάλογη προσπάθεια.
Αυτό ονομάζεται «απόδειξη εργασίας».
Και το σημαντικότερο, όλη αυτή η εργασία είναι άρρηκτα συνδεδεμένη με τη λίστα των συναλλαγών.
Εάν αλλάξετε μία από αυτές τις συναλλαγές, έστω και λίγο,
θα αλλάξει εντελώς το hash,
έτσι θα πρέπει να περάσουν από άλλες δισεκατομμύρια μαντεψιές για να βρουν μια νέα απόδειξη εργασίας,
μια νέα σειρά (νέο αριθμό) που κάνει,
Czech:
je pravděpodobnost, že její hash bude začínat 30 nulami jedna ku 2^30,
což je asi jedna ku miliardě.
A protože je SHA256 kryptografická hash funkce,
jediná možnost jak takové číslo najít je hádat a kontrolovat výsledky.
Takže museli nejspíš projít zhruba miliardu čísel,
aby to speciální našli.
Když už tohle číslo máte,
je jednoduché ověřit, že je správné - prostě to proženete hash funkcí a zkontrolujete, že je tam 30 nul.
Jinými slovy, můžete si ověřit, že k nalezení tohoto čísla muselo být vykonáno hodně práce,
aniž byste ji museli sami vykonat.
Tomu se říká "důkaz práce".
A co je důležité, tahle práce je spojená se seznamem transakcí.
když změníte kteroukoliv transakci, jakkoliv málo,
kompletně se změní hash,
takže byste museli projít další miliardu čísel, abyste našli nový důkaz práce,
tj. nové číslo, které po přidání
Italian:
la probabilità che un hash inizi con 30 zeri è 1 su 2^30,
che è circa una su un miliardo.
E visto che SHA256 è una funzione crittografica di hash,
L'unico sistema per trovare un numero speciale come quello è di tirare ad indovinare.
Per cui questa persona molto probabilmente ha dovuto provare circa un miliardo di numeri differenti
prima di trovare quello speciale.
E una volta che conosci questo numero,
è davvero veloce da verificare - lo inserisci nella funzione di hash e controlli che ci siano i 30 zeri.
In altre parole, puoi verificare che hanno lavorato molto,
ma senza dover fare il loro stesso sforzo.
Questa è chiamata "proof of work".
E soprattutto, tutto questo lavoro è intrinsecamente legato alla lista delle transazioni.
se cambiassi una di queste transazioni, anche di poco,
cambierebbe completamente l'hash,
quindi dovresti tentare di nuovo un milione di combinazioni per trovare una nuova "proof of work",
un nuovo numero che faccia in modo
Russian:
вероятность того, что хеш начинается с 30 нулей, составляет 1 из 2^30,
то есть примерно из миллиарда.
И потому, что SHA256 - криптографическая функция,
единственный способ найти такое особенное число - это подбирать и проверять.
Так что вполне возможно, что этому человеку пришлось перебрать где-то миллиард чисел,
перед тем как прийти к своей находке.
Но когда это число известно,
его очень легко проверить: нужно просто подставить его в хэш-функцию и посчитать количество нулей.
Другими словами, вы сможете подтвердить, что человек сделал невероятно сложные вычисленния,
но вам не нужно будет повторять их.
Это называется доказательством выполнения работы (англ. proof of work).
Важно, что вся эта работа неразрывно связана с самим списком операций.
Если вы хоть немного подредактируете одну из операций,
это полностью изменит хеш,
и вам опять придется перебирать миллиард чисел, чтобы найти доказательство выполнения работы,
то есть новое число,
Korean:
이처럼 처음 30자리가 모두 0일 확률은
2의 30승 분의 1 이야.
대략 10억 분의 1 이지.
SHA256 해쉬 함수는 암호화 해쉬 함수이므로
매직 넘버를 찾아낼 수 있는 유일한 방법은
아무 값이나 넣고 계산해서
결과를 비교하는 수밖에 없어.
그러니 그 사람은 답을 찾아내기 위해
아무값이나 넣고 계산하는 일을
대략 10억번 반복했다는 얘기지.
그러니 그 사람은 답을 찾아내기 위해
아무값이나 넣고 계산하는 일을
대략 10억번 반복했다는 얘기지.
하지만 그 매직 넘버가 정말 맞는 답인지 확인해 볼 때는
단 한 번만 계산해보고 그 결과값이 정말로
30개의 0으로 시작하는지 쉽게 알 수 있지.
정리하면, 매직 넘버를 찾아내는 데는
엄청난 양의 계산이 필요하지만
그 매직 넘버가 맞는 값인지 확인해 보는 일에는
별로 많은 양의 계산이 필요하지 않다는 거야.
이를 "작업 증명"이라고 해.
중요한 것은 이런 "작업"에는
내부적으로 일정한 수의 거래 내역이 포함되기 때문에
그 거래 정보를 아주 조금만 변경하더라도
결과 해쉬값은 완전히 달라질 것이고,
새로운 매직 넘버를 찾아내는 작업 증명을 완수하기 위해
10억번의 계산을 다시 해야돼.
새로운 매직 넘버를 찾아내는 작업 증명을 완수하기 위해
10억번의 계산을 다시 해야돼.
Vietnamese:
xác suất rằng một hash sẽ bắt đầu với 30 số 0 liên tiếp là 1 trong 2 ^ 30,
đó là khoảng một trên một tỷ.
Và bởi vì SHA256 là một hàm băm mật mã,
cách duy nhất để tìm ra một số đặc biệt như thế chỉ là đoán và kiểm tra.
Vì vậy, người này hầu như chắc chắn phải trải qua khoảng một tỷ số khác nhau
trước khi tìm ra dãy số đặc biệt này.
Và một khi bạn biết được số đó,
nó thực sự nhanh chóng để xác minh - bạn chỉ cần chạy qua hash và thấy rằng có 30 số 0 hay không.
Nói cách khác, bạn có thể biết chắc rằng rằng họ đã phải thực hiện một lượng lớn "công việc",
nhưng chính bạn không phải trải qua những nỗ lực tương tự.
Đây được gọi là "proof of work" (bằng chứng công việc)
Và quan trọng là, tất cả "công việc" này gắn liền với danh sách giao dịch.
Nếu bạn thay đổi một trong những giao dịch, thậm chí một chút,
nó sẽ hoàn toàn thay đổi mã băm,
vì vậy bạn phải đoán hơn một tỷ lần để tìm một proof of work mới
một dãy số mới làm cho
Chinese:
其散列值前30位都是0的概率是2的30次方分之一
差不多是十亿分之一
而且因为SHA256是一个加密散列函数
找到这个特殊数字的唯一方法只能是穷举验证
所以刚才那个人基本上已经尝试了十亿次
才找到了这个特别数字
而你知道了这个数字,
很快计算一下散列值发现开头确实是30个0
换言之,你能很快地验证他们确实经过了大量的计算
而你不需要亲自付出这么多重复劳动。
这叫做“工作量证明”
重要的是,这个工作量证明和这份交易记录紧密相关
如果你更改了其中一条交易信息,即便是轻微的改动
也会完全改变最终的散列值
所以就又需要经过十亿次尝试才能找到新的工作量证明
即找到那个特别数字
Chinese:
其雜湊值前30位都是0的機率是2的30次方分之一
差不多是十億分之一
而且因為SHA256是一個加密雜湊函數
找到這個特殊數字的唯一方法只能是窮舉驗證
所以剛才那個人基本上已經嘗試了十億次
才找到了這個特別數字
而你知道了這個數字,
很快計算一下雜湊值發現開頭確實是30個0
換言之,你能很快地驗證他們確實經過了大量的計算
而你不需要親自付出這麼多重複勞動。
這叫做「工作量證明」
重要的是,這個工作量證明和這份交易記錄緊密相關
如果你更改了其中一條交易資訊,即便是輕微的改動
也會完全改變最終的雜湊值
所以就又需要經過十億次嘗試才能找到新的工作量證明
找到一個新的那個特別數字
English:
For a random message, the probability that
the hash happens to start with 30 successive
zeros is 1 in 230, which is about 1 in a billion.
Because SHA256 is a cryptographic hash function,
the only way to find a special number like
this just guessing and checking.
So this person almost certainly had to go
through about a billion different numbers
before finding this special one.
And once you know the number, you can quickly
verify that this hash really does start with
30 zeros.
In other words, you can verify they they went
through a large amount of work without having
to go through that same effort yourself.
This is called a “proof of work”.
And importantly, all this work is intrinsically
tied to that list of transactions.
If you change one of the transactions, even
slightly, it would completely change the hash,
so you’d have to go through another billion
guesses to find a new proof of work, a new
number that makes it so that the hash of the
altered list together with this new number
Hungarian:
hogy a megváltoztatott lista hash-e ezzel az új számmal együtt 30 darab nullással kezdődjön.
Tehát akkor most gondoljunk vissza az elosztott főkönyv helyzetére:
mindenki ott van szórni a tranzakciókat,
és azt szeretnénk, ha meg tudnának egyezni azon, hogy mi a helyes főkönyv.
Ahogy mondtam, az eredeti Bitcoin tanulmány mögött megbúvó alapvető ötlet
az, hogy mindenki abban a főkönyvben bízik meg, amelyikbe a legtöbb munkát fektették.
Ez úgy működik, hogy először blokkokba rendezzük az adott főkönyvet,
ahol a blokkok a tranzakciók egy listáját tartalmazzák egy "proof of work"-kel együtt,
ami egy különleges szám, amivel az egész blokk hash-e egy csomó nullással kezdődik.
Egy pillanatra mondjuk azt, hogy 60 darab nullással kell kezdődnie,
de később majd vissza fogunk térni ennek a számnak a kiválasztásának egy sokkal szisztematikusabb módjára.
Ugyanazon a módon ahogy egy tranzakciót csak akkor tekintük érvényesnek, hogy ha az alá van írva a küldő fél által,
egy blokk csak akkor tekinthető érvényesnek, hogy ha a belefektett munkának van bizonyítéka, azaz, hogy ha érvényes "proof of work"-je.
Továbbá ahhoz, hogy meggyőződhessünk arról, hogy szabványos sorrendben vannak ezek a blokkok,
ahhoz bele kell tennünk minden blokk fejlécébe az előző blokk hash-ét.
French:
sorte que le hash de la liste altérée avec ce nouveau nombre démarre avec 30 zéros.
Alors maintenant revenons à notre
situation de livre de compte distribué. Tout le monde est en train de diffuser des transactions.
Et nous voulons une façon de se
mettre d'accord sur le bon livre de compte. Comme je l'ai dit
l'idée principale du papier Bitcoin
est de faire confiance à chacun selon le plus grand nombre de livres dont le plus grand nombre
La façon dont cela fonctionne est d'organiser d'abord un grand livre en blocs,
où chaque bloc comprend une liste de transactions avec une preuve de travail,
c'est un nombre spécial afin que le
hash de l'ensemble du bloc
commence par un tas de zéros.
Pour le moment, disons qu'il doit commencer
avec 60 zéros. Mais plus tard, nous reviendrons de
manière plus systématique, vous voudrez peut-être choisir ce nombre.
De la même manière qu'une transaction n'est considérée comme
valide que lorsqu'elle est signée par l'expéditeur,
un bloc est seulement considéré comme valide s'il a une preuve de travail.
Et aussi, pour s'assurer qu'il existe un ordre standard
pour ces blocs, nous allons le faire de
Italian:
che l'hash della lista alterata assieme a questo nuovo numero inizi con 30 zeri.
Ora ritorniamo alla situazione del libro mastro distribuito:
ognuno sta trasmettendo transazioni,
e vogliamo un modo per mettere tutti d'accordo su quale sia il libro mastro corretto.
Come ho detto, l'idea centrale dietro la pubblicazione originale sul Bitcoin
è che ognuno si fidi del libro mastro contenente più lavoro.
Il modo in cui questo funziona è organizzando un dato libro mastro in blocchi,
dove ogni blocco consiste in una lista di transazioni assieme ad una "proof of work",
che è un numero speciale per il quale l'hash dell'intero blocco inizi con un serie di zeri.
Per il momento, diciamo che debba iniziare con... 60 zeri,
ma più tardi torneremo su un modo più sistematico per scegliere questo numero.
Allo stesso modo in cui una transazione è considerata valida solo se firmata dal mittente,
un blocco è considerato valido solo se ha una "proof of work".
E anche, per essere sicuri che ci sia un ordine standard per i blocchi,
facciamo in modo che un blocco debba contenere l'hash del blocco precedente come intestazione.
Turkish:
değiştirilmiş listenin hash'i 30 tane sıfırla başlamasını sağlayan yeni sayıyla birlikte yapar.
Şimdi bizim paylaştırılmış defter durumunu hatırla
herkes orada para işlemlerini yayınlıyor
ve biz de onlara anlaşmaları için doğru defterin ne olduğu üzerine bir yol arıyoruz.
Dediğim gibi, Bitcoin makalelerinin arkasındaki çekirdek fikir
herkes en çok hangi deftere katkıda bulunduysa ona güvenmektir.
Bunun işleyişi; ilk olarak verilen defteri bloklar halinde düzenlemektir,
burada her blok çalışma işi ile birlikte bir para işlemleri listesinden oluşur,
bu da özel bir sayıdır böylece tüm blokların hash 'i bir grup sıfır ile başlar.
Şimdilik, diyelim ki 60 tane sıfır ile başlamak zorunda olsun,
ama sonra da sayıyı seçmek isteyeceğiniz için daha sistematik bir şekilde geriye döneceğiz.
Aynı şekilde sadece gönderici tarafından imzalandığında para işlemi geçerli sayılır,
eğer ki bir çalışma prensibi varsa bir blok geçerli sayılır.
Ve ayrıca, bu blokların oluşumunda standart düzen olduğundan emin olmak için
bir blok bir önceki bloğun hash'ini başlığında içermek zorunda olduğu şekilde yaparız.
Modern Greek (1453-):
ώστε το hash της τροποποιημένης λίστας μαζί με τη νέα αυτή σειρά ξεκινά με 30 μηδενικά.
Έτσι, τώρα σκεφτείτε την περίπτωση του κοινόχρηστου βιβλίου:
όπου όλοι εκεί εκπέμπουν συναλλαγές,
και θέλουμε έναν τρόπο για να συμφωνήσουν ποιο είναι το σωστό βιβλίο.
Όπως είπα, η βασική ιδέα πίσω από το αρχικό έγγραφο Bitcoin (την αρχική εργασία)
είναι να έχουμε όλοι εμπιστοσύνη σε όποιο βιβλίο έχει την περισσότερη δουλειά.
Ο τρόπος με τον οποίο αυτό λειτουργεί είναι με την οργάνωση του βιβλίου σε μπλοκ (κομμάτια)
όπου κάθε μπλοκ αποτελείται από μία λίστα συναλλαγών μαζί με την απόδειξη της εργασίας,
αυτό είναι ένας ειδικός αριθμός, έτσι ώστε το hash του συνόλου μπλοκ ξεκινά με ένα μάτσο μηδενικά.
Προς το παρόν, ας πούμε ότι πρέπει να ξεκινήσει με ... 60 μηδενικά,
αλλά αργότερα θα επιστρέψουμε σε ένα πιο συστηματικό τρόπο για την επιλογή του αριθμού αυτού.
Με τον ίδιο τρόπο που μια συναλλαγή είναι μόνο θεωρείται έγκυρη όταν είναι υπογεγραμμένη από τον αποστολέα,
ένα μπλοκ θεωρείται έγκυρο μόνο αν έχει μια απόδειξη δουλειάς.
Και επίσης, για να βεβαιωθούμε ότι υπάρχει ένα πρότυπο ώστε να αυτά τα μπλοκ,
θα το κάνουμε έτσι ώστε ένα μπλοκ πρέπει να περιέχει το hash του προηγούμενου στην επικεφαλίδα του
Chinese:
和它对应的交易记录的散列值会以30个0开头
现在回过头来考虑我们的分布式账本的情形:
每个人都在广播交易信息,
我们想找到一个方法能让所有人都确认一份正确的账单
我前面说过比特币原始论文的核心点就是
每个人都信任需要最多计算能力的那份账单
要实现这个想法首先需要将账单整理成区块
这些区块包含了一系列交易信息以及其工作量证明
也即有一个特别数字满足其散列值以一系列0开头
我们暂时先定60个0开头吧,
一会儿我们会回头来看如何系统地确定这些0的个数
类比于交易信息要经过发送方签名才被认定为有效
一个区块只有当它有工作量证明时才被认定为有效
而且为了确保这些区块有一定的顺序
我们规定前一区块的散列值必须加入到当前区块的头部信息中
Portuguese:
comece com 30 zeros
Agora voltando para nossa situação de registros distribuídos
todos estão transmitindo transações
e procuramos uma forma para que todos concordem sobre qual é o registro correto
como eu disse, a ideia principal do ensaio original do Bitcoin
é para confiarmos no registro com maior trabalho computacional
A forma que isso funciona é primeiro organizar um certo registro em blocos
Em que cada bloco corresponde a uma lista de transações junto com uma Prova de Trabalho
Isto é, um número especial no qual o Hash do bloco comece com vários zeros
Por enquanto, vamos dizer que deve começar com 60 zeros
mas depois vamos retornar a uma forma mais sistemática
que você possa querer escolher esse número
Da mesma forma que uma transação só é considerada válida
quando ela está assinada pelo expedidor
um bloco só é considerado válido se possuir uma Prova de Trabalho
E também, para garantir que haja uma ordem padrão nesses blocos
faremos com que o bloco precise conter o Hash do bloco anterior no seu cabeçalho
Korean:
그렇게 새로 찾아낸 매직 넘버와 변경된 거래 내역을 통해
계산한 해쉬값은 30개의 0으로 시작하게 되지.
자 이제 앞에서 살펴봤던 분산 장부로 다시 돌아가보자.
모두가 거래 정보를 브로드캐스팅 하고 있어.
장부를 가진 다른 사람들이
어느 장부가 올바른 장부인지 모두 동의하려면,
다시 말해, 비트코인 논문에 담겨 있던
그 핵심 아이디어는
"장부를 가진 모든 사람들은
가장 많은 계산 작업이 포함된 장부를 믿으면 된다."
라는 거야.
장부는 블록 단위로 나누어서 구성되어 있고,
블록에는 일정한 수의 거래 내역이
작업 증명(매직 넘버)과 함께 담겨 있으며,
그 블록의 해쉬값은 정해진 만큼의
여러 자리수의 0으로 시작하겠지.
먼저 블록의 해쉬값이 60자리의 0으로
시작해야 한다고 해보자.
나중에는 이 60이라는 값을 결정하는데도
어떤 체계가 있다는 것을 알게될 거야.
거래는 지불하는 송금자의 디지털 서명이 있어야만
유효한 거래로 인식되는 것처럼
블록도 마찬가지로 작업 증명이 있어야만
유효한 블록으로 인식될 수 있어.
더 나아가서 블록들의 순서까지 보장하려면
각 블록이 자기보다 앞에 있는 이전 블록의
해쉬값을 포함하게 하면 돼.
German:
wieder mit 30 Nullen beginnt.
Erinnre dich an unsere Situation mit dem Bestandsbuch:
Alle senden Transaktionen in die Welt
und wir wollen eine Möglichkeit finden uns einig zu sein welches Bestandsbuch das richtige ist.
Wie gesagt, die Grundidee hinter dem ursprünglichen Bitcoin-Paper ist
dass alle dem Bestandsbuch vertrauen, in dem die meiste rechnerische Arbeit steckt.
Das funktioniert indem man zuerst ein bestimmtes Bestandsbuch in Blöcke unterteilt.
Jeder dieser Blöcke besteht aus einer Liste an Transaktionen zusammen mit einem Ausführungsnachweis,
der eine besondere Zahl ist, durch die der Hashwert des Blocks mit einer Anzahl Nullen beginnt.
Lass uns einfach mal festlegen, dass der Hashwert mit…60 Nullen beginnen muss.
Wir kommen später nochmal zu einem systematischeren Weg die Anzahl der Nullen auszuwählen.
Genau so wie eine Transaktion nur gültig ist, wenn sie vom Sender unterzeichnet wurde,
so ist auch ein Block nur gültig, wenn er einen Ausführungsnachweis hat.
Und um sicherzugehen, dass die Blöcke eine vorgegebene Reihenfolge haben,
legen wir fest, dass ein Block den Hashwert des vorhergehenden Blocks an seinem Beginn stehen haben muss.
iw:
ה-hash של הרשימה ששונתה יחד עם המספר חדש יתחיל בשלושים אפסים.
אז עכשיו היזכרו בסיטואציה שלנו עם ספר החשבונות המבוזר:
כולם שם משדרים פרטים של עסקאות,
ואנחנו מחפשים דרך עבורם להסכים על מה הוא ספר החשבונות הנכון.
כפי שאמרתי, הרעיון המרכזי מאחורי מאמר הביטקוין המקורי
הוא שכולם יסמכו על ספר החשבונות שדרש את הכי הרבה עבודה.
הדרך שבה זה עובד היא קודם כל לחלק ספר חשבונות נתון לבלוקים,
כאשר כל בלוק מורכב מרשימת עסקאות יחד עם הוכחת העבודה,
שהיא מספר מיוחד שמוודא שה-hash של הבלוק כולו מתחיל עם חבורה של אפסים.
לעת עתה, נניח שיש להתחיל עם ... שישים אפסים,
אך מאוחר יותר נחזור באופן שיטתי יותר לאיך כדאי לבחור את המספר הזה.
באותו אופן שבו עסקה נחשבת תקפה רק אם מצורפת לה חתימה של השולח,
בלוק נחשב תקף רק אם יש לו הוכחה של עבודה.
וגם, כדי לוודא שיש סדר סטנדרטי לבלוקים האלה,
אנחנו נדאג שבלוק יהיה צריך להכיל את ה-hash של הבלוק הקודם בכותרת שלו (לפני הכל).
Vietnamese:
"băm" của danh sách mới cùng với dãy số mới này bắt đầu với 30 số 0.
Vậy, giờ hãy suy nghĩ lại về vấn đề phân phối sổ cái của chúng ta:
mọi người đều phát sóng các giao dịch,
và ta muốn có một cách để họ đồng ý về sổ cái nào là chính xác.
Như tôi đã nói, ý tưởng cốt lõi đằng sau bài nghiên cứu Bitcoin đầu tiên
là: làm cho mọi người tin vào bất cứ sổ cái nào chứa nhiều công tính toán nhất.
Việc này đòi hỏi việc đầu tiên: sắp xếp một sổ cái thành các khối,
mỗi khối gồm một danh sách các giao dịch cùng với một proof of work,
đó là một dãy số đặc biệt để "băm" của toàn bộ khối bắt đầu với một số lượng số 0 nhất định.
Bây giờ, giả sử rằng nó phải bắt đầu với ... 60 số 0,
nhưng sau đó chúng ta sẽ trở lại và nói về một cách chọn số số 0 có hệ thống hơn.
Tương tự như cách một giao dịch chỉ được coi là hợp lệ khi nó được ký bởi người gửi,
một khối chỉ được coi là có giá trị chỉ khi nó có proof of work.
Thêm nữa, để đảm bảo rằng có một trình tự tiêu chuẩn cho các khối này,
ta sẽ làm cho một khối phải chứa, ở tiêu đề của nó, các "băm" của khối trước đó.
English:
starts with 30 zeros.
So now think back to our distributed ledger
situation.
Everyone is broadcasting transactions, and
we want a way for everyone to agree on what
the correct ledger really is.
As I said, the core idea behind the original
bitcoin paper is to have everybody trust whichever
ledger has the most work put into it.
The this works is to first organize a given
ledger into blocks, where each block consists
of a list of transactions, together with a
proof of work.
That is, a special number so that the hash
of the whole block starts with a bunch of
zeros.
For the moment let’s say it has to start
with 60 zeros, but later I’ll return back
to how you might choose that number.
In the same way that a transaction is only
considered valid if it is signed by the sender,
a block is only considered valid if it has
a proof of work.
Also, to make sure there is a standard way
to order of these blocks, we’ll make it
Czech:
na konec seznamu způsobí, že hash bude začínat 30 nulamit.
Vraťme se teď k naší situaci s distribuovanou účetní knihou:
všichni rozesílají své transakce,
a chceme, aby se byli schopni dohodnout na tom, která kniha je ta správná.
Jak jsem již řekl, hlavní myšlenka v původním Bitcoin článku je o tom,
že všichni budou věřit té verzi knihy, která má za sebou největší množství práce.
Způsob, kterým tohle funguje je, že se kniha rozdělí do bloků,
každý z nich obsahuje nějakou část transakcí a důkaz práce,
to speciální číslo které způsobí, že hash bloku bude začínat několika nulami.
Pro teď řekněme, že musí začínat 60 nulami,
ale k tomu se později vrátíme a vymyslíme systematičtější způsob, jakým požadovaný počet nul zvolit.
Stejně jako je transakce platná pouze pokud je podepsaná odesílatelem,
blok je validní pouze pokud obsahuje důkaz práce.
A abychom zajistili, že máme pevné pořadí bloků,
dáme do hlavičky každého bloku hash bloku, který mu předchází.
Chinese:
讓和它對應的交易記錄的雜湊值會以30個0開頭
現在回過頭來考慮我們的分散式帳本的情形:
每個人都在廣播交易資訊,
我們想找到一個方法能讓所有人都確認一份正確的帳單
我前面說過比特幣原始論文的核心點就是
每個人都信任需要最多計算能力的那份帳單
要實現這個想法首先需要將帳單整理成區塊
這些區塊包含了一系列交易資訊以及其工作量證明
也就是說有一個特別的數字滿足其雜湊值以一系列0開頭
我們暫時先定60個0開頭吧,
待會我們再來看如何系統地決定這些0的個數
就像交易資訊要經過發送方簽名才被認定為有效
一個區塊只有當它有工作量證明時才被認定為有效
而且為了確保這些區塊有一定的順序
我們規定前一區塊的雜湊值必須加到當前區塊的頭部資訊中
Polish:
hash zmienionej listy wraz z nowym numerem rozpoczyna się 30 zerami.
Więc teraz wróćmy do naszej sytuacji z księgą:
każdy nadaje transakcje
i chcemy znaleźć sposób, jak wszyscy się zgodzą, która księga jest prawidłowa.
Jak powiedziałem, ideą stojącą za Bitcoin'em
jest mieć zaufanie każdego co do tego, w którą księgę włożono najwięcej pracy.
Działa to w ten sposób, żeby najpierw zorganizować daną księgę na bloki,
gdzie każdy blok składa się z listy transakcji wraz z dowodem pracy,
który jest specjalną liczbą, taką że hash całego bloku rozpoczyna się zerami.
Na razie powiedzmy, że ma się zacząć ... 60 zerami,
ale później wrócimy do bardziej systematycznego sposobu, w którym możesz wybrać ten numer.
W ten sam sposób jak transakcja jest uważana za ważną tylko wtedy, gdy jest podpisana przez nadawcę,
blok jest uważany za ważny tylko, jeśli ma dowód pracy.
A także, aby upewnić się, że istnieje standardowy porządek tych bloków,
zrobimy to tak, że blok musi zawierać skrót poprzedniego bloku w swoim nagłówku.
Arabic:
بحيث يكون هاش القائمة المعدلة وهذا الرقم الجديد يبدأ بـ30 صفر.
و الآن لنعد إلى حالة السجل الموزَّع:
كل شخص يبث وينشر الصفقات والعمليات،
ونحن نريد طريقة تجعلهم يتفقون على السجل الصحيح،
وكما ذكرت سابقًا، الفكرة الأساسية خلف ورقة البيتكوين البحثية
هي أن تجعل الجميع يتفقون على السجل الذي به عمليات أكثر.
والطريقة التي تعمل بها هي أن تُنظم السجلات في "كُتَل"
حيث أن كل كتلة مكوّنة من قائمة من العمليات مع رمز إثبات العمل
والذي هو رقم مميز، بحيث أن يبدأ الهاش الخاص بالكتلة بسلسلة من الأصفار.
الآن، دعنا نقول أنه يجب أن يبدأ بـ ... لنقل 60 صفرًا
ولكننا سنعود لاحقًا لشرح طريقة أكثر منهجيةً لاختيار هذا العدد.
بالطريقة نفسها التي تعتبر فيها العملية صالحة فقط عندما تُوقع من المُرسِل،
تعتبر الكتلة صالحة فقط إذا كان لديها رمز إثبات العمل.
وأيضًا، للتأكد من أن هذه الكتل لها ترتيب معياري محدد،
سنجعل الكتلة تحتوي في الترويسة الخاصة بها على الهاش الخاص بالكتلة التي تسبقها.
Lithuanian:
kad pakeisto sąrašo ir to naujo skaičiaus hešas prasidėtų 30 nulių.
Taigi dabar pagalvok vėl apie mūsų išplatintą apskaitą:
kiekvienas ten transliuoja transakcijas,
ir norim surasti būdą, kad jie sutartų, kuri apskaita yra teisinga.
Kaip ir sakiau, principinė idėja pirminiame Bitkoino straipsnyje
yra pasikliauti ta apskaita, kuri turi daugiausia įdėta darbo į ją.
Būdas, kaip šitai veikia, yra pirma suorganizuoti duotą apskaitą į blokus,
kur kiekvienas blokas susideda iš transakcijų sąrašo kartu su darbo įrodymu,
tai yra specialiu skaičiumi, tokiu, kad viso bloko hešas prasideda su nulių rinkiniu.
Šiam kartui, sakykim, kad jis turi prasidėti su... 60 nulių,
bet vėliau sugrįšim prie labiau sistematiško būdo, kaip galėtum pasirinkti tą skaičių.
Taip pat, kaip transakcija yra laikoma validžia, tik kai ji yra pasirašyta siuntėjo,
blokas yra laikomas validžiu, tik kai jis turi darbo įrodymą.
Ir taip pat, kad užtikrintume, jog būtų standartinė blokų tvarka,
padarysim taip, kad blokas turėtų savy ankstesnio bloko hešą savo antraštėje.
Russian:
которое вместе с измененным вами списком операций дает хеш, начинающийся с 30 нулей.
А теперь вернемся к нашему распределенному реестру:
все транслируют друг другу сообщения об операциях,
и нам нужен какой-то способ прийти к согласию насчёт правильного реестра.
Как я говорил, основная идея изначального документа о Биткоин -
это доверие реестру, над которым было проведено больше всего вычислений.
Это работает так: сначала реестр делится на блоки,
каждый из которых состоит из списка операций и доказательства выполнения работы,
то есть числа, вместе с которым хеш блока начинается с какого-то количества нулей.
Сейчас допустим, что он должен начинаться с 60 нулей,
но позже мы вернемся к более последовательному способу выбора этого числа.
По аналогу с операцией, которая подтверждается, только если её подписывает отправитель,
блок действителен, только если в нём есть доказательство выполнения работы.
И ещё, чтобы упорядочить блоки,
мы сделаем так, что каждый блок должен содержать хеш предыдущего блока в заголовке.
Indonesian:
sehingga hash dari daftar yang diubah bersamaan dengan nomor baru ini dimulai dengan 30 angka nol.
Jadi sekarang pikirkan kembali situasi buku besar kami yang terdistribusi:
semua orang ada transaksi penyiaran,
dan kami ingin sebuah cara bagi mereka untuk menyetujui buku besar yang benar.
Seperti yang saya katakan, inti ide di balik kertas Bitcoin asli
adalah agar semua orang percaya buku besar mana yang paling banyak dimasukkan ke dalamnya.
Cara kerjanya adalah dengan terlebih dahulu mengatur buku besar yang diberikan ke dalam blok,
dimana setiap blok terdiri dari daftar transaksi bersama dengan bukti kerja,
Itu adalah bilangan khusus sehingga hash dari keseluruhan blok dimulai dengan sekelompok angka nol.
Untuk saat ini, katakanlah bahwa itu harus dimulai dengan ... 60 angka nol,
Tapi kemudian kita akan kembali ke cara yang lebih sistematis sehingga Anda mungkin ingin memilih nomor itu.
Dengan cara yang sama bahwa transaksi hanya dianggap valid saat ditandatangani oleh pengirim,
blok hanya dianggap sah jika memiliki bukti kerja.
Dan juga, untuk memastikan bahwa ada perintah standar untuk blok ini,
kita akan membuatnya sehingga blok harus berisi hash dari blok sebelumnya di headernya.
Spanish:
tal que el hash de la lista alterada junto con este nuevo número comienza con 30 ceros.
Ahora volvamos a nuestro problema con los libros de cuentas distribuidos:
todo el mundo esta emitiendo transacciones,
y queremos una forma para que todos esten de acuerdo en cual es libro de cuentas correcto.
Como he dicho, la idea principal tras el artículo de Bitcoin
es hacer que todos confien en el libro de cuentas que tenga el mayor trabajo detrás.
La forma en que esto funciona es primero organizar un libro de cuentas dado en bloques,
donde cada bloque consiste de una lista de transacciones junto con una prueba de trabajo,
este es un numero especial tal que el hash de todo el bloque comienza con unos cuantos ceros.
Por el momento, digamos que tiene que empezar con... 60 ceros,
pero más tarde volveremos con una forma más sistemática que podrías querer utilizar para elegir ese numero.
De la misma forma que una transaccion solo es considerada válida cuando está firmada por el emisor,
un bloque solo es considerado válido si contiene una prueba de trabajo.
Y también, para asegurarnos que estos bloques siguen un orden estandar,
lo haremos de tal forma que un bloque tiene que contener el hash del bloque anterior como encabezamiento.
Japanese:
ハッシュの始めが30のゼロになるようにしなければならない。
分散型元帳の話に戻ろう。
皆が取引記録を配信する際、
今現在正しい元帳とは何かを定める手段がいる。
先に述べたとおり、最初のビットコインの提案書に書かれた解決策は、
最も計算量の多いワークを持つ元帳を信頼するということである。
この仕組を成り立たせるため、元帳をブロック列と見立て、
各ブロックには一連の取引記録と、その末尾にプルーフ・オブ・ワークを入れる。
プルーフ・オブ・ワークの定義から、全てのブロックのハッシュは長いゼロの列で始まる。
暫くの間、必要な連続するゼロの数は60としよう。
後に適切なゼロの数を選ぶための、より系統的な方法について説明する。
個別の取引記録は、送信者による署名によって妥当性が確認され、
ブロックは、プルーフ・オブ・ワークによって妥当性が確認される。
このブロック列の正当な順番を定めるために、
各ブロックの先頭に前のブロックのハッシュを入れる事とする。
Czech:
Tím zajistíme, že kdyby někdo šel zpět do hotových bloků a některý změnil,
nebo prohodil pořadí dvou bloků,
změnilo by to blok, který po něm následuje,
což změní hash bloku,
což změní blok, který po něm následuje, a tak pořád dokola.
To by znamenalo nutnost přepracování veškeré práce,
tedy nalézt speciální číslo pro každý dotčený blok, díky kterému bude jeho hash začínat 60 nulami.
Protože jsou bloky takto zřetězené,
tak budeme historii transakcí nazývat blok-řetěz [blockchain] místo "účetní kniha".
Do našeho seznamu pravidel zavedeme, že
kdokoliv může blok vytvořit.
To znamená, že budou poslouchat vysílané transakce,
shromáždí je do nějakého bloku,
a potom vykonají spoustu práce,
aby našli to speciální číslo, které zařídí, že hash bloku bude začínat 60 nulami.
Jakmile tohle číslo najdou, vyšlou nový zkompletovaný blok do světa.
Aby z toho tvůrce bloku něco měl,
když platný blok vytvoří,
může si na jeho začátku zapsat jednu speciální transakci,
Spanish:
De esa forma si quisieses retorceder y cambiar cualquiera de esos bloques
o intercambiar el orden de dos bloques,
cambiaría el bloque que viene despues de él,
lo que cambiaría el hash de ese bloque,
lo que cambiaria el hash del que viene a continuación así sucesivamente.
Eso requeriría rehacer todo el trabajo,
encontrar un nuevo numero especial para cada uno de esos bloques que hace que su hash empiece por 60 ceros.
Debido a que los bloques estan encadenados de esta forma,
en vez de llamarlo libro de cuentas, es comúnmente llamado "cadena de bloques"
Como parte de nuestro protocolo actualizado,
permitiremos a cualquier persona del mundo ser un creador de bloques.
Lo que eso significa es que van a estar escuchando transacciones siendo emitidas,
las recogeran en un bloque,
y a continuación llevar a cabo una gran cantidad de trabajo
para encontrar un número especial que haga que el hash de ese bloque empiece por 60 ceros.
Y una vez que lo han encontrado, emiten el bloque que han encontrado.
Para recompensar a un creador de bloques por todo este trabajo,
cuando elabora un bloque,
le permitieremos incluir una transaccion muy especial al principio de este,
Korean:
이렇게 하면 과거로 돌아가서
어떤 블록의 내용을 변경하거나
어떤 두 블록의 순서를 바꾼다면,
변경한 블록에 대한 해쉬값이 바뀌므로,
그 다음에 이어져 있는 블록들의 내용도 바뀌고
결과적으로 다음에 이어지는
블록들의 해쉬값도 바뀌게 되지.
그 변경은 그 이후의 모든 블록에서
연쇄적으로 발생하게 돼.
결국 이후의 모든 블록마다 해쉬값이
60 자리의 0으로 시작하게 하는
작업 증명을 다시 해야만
변경이 발생한 이후의 모든 블록들이
유효한 블록이 될 수 있겠지.
블록은 이렇게 앞의 블록의 해쉬값을 통해
앞뒤가 연쇄적으로 연결되어 있기 때문에
그냥 장부라고 부르지 않고 "블록체인"이라고 부르지.
체인을 이루도록 변경된 규약에 의해,
이제는 누구든지 블록을 생성할 수 있게 되었어.
무슨 얘기냐 하면 누구든지 브로드캐스팅 되는
거래 정보를 접수하고
접수한 거래 정보를 모아서 블록을 만들고
그 블록의 해쉬값이 60개의 0으로 시작하게 하는
매직 넘버를 찾기 위해 엄청난 양의
계산 작업을 수행하고
마침내 그 매직 넘버를 찾아내서
그 블록을 브로드캐스팅하면 블록의 생성자가 되는거야.
이 모든 작업을 수행한 블록 생성자에게
보상을 주기 위해서는
거래 정보를 모아서 블록을 구성할 때
블록 생성자에게 예를 들어 10 장부달러를 지급한다는
아주 특별한 거래를
Chinese:
这样的话,如果你回头想改变其中某个区块的内容
或交换两个区块的顺序
你就会改变它后一个区块的内容
也就改变了那个区块的散列值
然后又影响到再下一个区块
那将会需要重新计算所有这些区块的散列值,
重新寻找每个特别数字使得区块的散列值以60个0开头
因为区块以这种方式相互链接
与其称其为账本,不如称其为“区块链”
在这个新的体系之下,
我们现在允许世界上的每个人都能成为区块的建立者
意思是说他们都将收听网络中的交易信息,
整理这些信息生成区块,
然后花大量的计算能力
寻找特别数字使得区块的散列值以60个0开头
一旦找到了这个数字,他们就将这个区块广播出去
为了奖励这个区块建立者的工作付出,
当她建立了一个区块,
我们规定她可以把一笔特别的交易信息放在账单开头,
Modern Greek (1453-):
Με αυτόν τον τρόπο, εάν επρόκειτο να πάτε πίσω και να αλλάξετε οποιοδήποτε από τα μπλοκ
ή να ανταλλάξετε τη σειρά δύο μπλοκ,
θα αλλάξει το μπλοκ που έρχεται μετά από αυτό,
που αλλάζει το hash αυτού του μπλοκ,
που αλλάζει αυτό που έρχεται μετά από αυτό, και ούτω καθεξής.
Αυτό θα απαιτούσε να επαναληφθεί όλη η εργασία,
βρίσκοντας ένα νέο ειδικό αριθμό για κάθε ένα από αυτά τα τμήματα που κάνει τα hashes τους να ξεκινήσουν με 60 μηδενικά.
Επειδή τα μπλοκ είναι δεμένα κατ' αυτόν τον τρόπο,
αντί να το αποκαλούμε βιβλίο, είναι σύνηθες να το αποκαλούμε «blockchain» (αλυσίδα μπλοκ)
Στο πλαίσιο της ενημέρωσης του πρωτοκόλλου μας,
τώρα θα επιτρέψουμε σε οποιονδήποτε στον κόσμο να είναι ένας δημιουργός μπλοκ.
Αυτό σημαίνει ότι θα πάμε να ακούσουμε για τις συναλλαγές που μεταδίδονται,
θα τους συγκεντρώσουμε σε κάποιο μπλοκ,
και στη συνέχεια να κάνουμε ένα σωρό εργασία
για να βρούμε έναν ειδικό αριθμό που κάνει το hash αυτού του μπλοκ να ξεκινήσει με 60 μηδενικά.
Και από τη στιγμή που κάποιος το βρει, θα μεταδώσει το μπλοκ που βρήκε (σαν αποτέλεσμα της εργασίας).
Για να ανταμειφθεί ο δημιουργός μπλοκ για όλο αυτό το έργο,
όταν βάζει μαζί ένα μπλοκ,
θα του επιτραπεί να συμπεριλάβει μια πολύ ιδιαίτερη συναλλαγή στην κορυφή του,
Japanese:
これでもしブロックの何処か一部の内容を変えたり、
順番を変えようとすれば、
そのブロックのハッシュが変わり、
後ろのハッシュと合わなくなり、
そのブロックのハッシュも変わり、これが最後まで続く。
つまり全てのワークをやり直すことになる。
各々のブロックにおいてハッシュが60のゼロの列で始まるような値を再び探す。
このようなブロック列はチェーン(鎖)の様に見える事から、
元帳と呼ぶ代わりに「ブロックチェーン」と呼ぶことにする。
強化されたプロトコルの実現のため、
ブロックの作成者という、誰にでも出来る立場を用意する。
作成者は送られてくる取引記録を集めて、
ブロックに収納する。
そしてワークを行う。
ハッシュの始めが60のゼロの列で始まるような値が見つかれば、
そのブロックを配信する。
作成者にはワークの報酬として、
ブロックの作成時、
記録の先頭に自身を主語に特別な記録をつけることを許可する。
Indonesian:
Dengan begitu, jika Anda harus kembali dan mengubah salah satu blok
atau untuk menukar urutan dua blok,
itu akan mengubah blok yang datang setelah itu,
yang mengubah hash blok itu,
yang mengubah yang datang setelah itu, dan seterusnya.
Itu akan membutuhkan pengulangan semua pekerjaan,
menemukan nomor khusus baru untuk masing-masing blok yang membuat hash mereka dimulai dengan 60 angka nol.
Karena blok dirantai sama seperti ini,
alih-alih menyebutnya buku besar, biasanya kita menyebutnya "blockchain"
Sebagai bagian dari protokol terbaru kami,
sekarang kami mengizinkan siapa pun di dunia ini menjadi pembuat blok.
Artinya, mereka akan mendengarkan transaksi yang disiarkan,
mengumpulkan mereka ke beberapa blok,
dan kemudian melakukan sejumlah besar pekerjaan
untuk menemukan nomor khusus yang membuat hash dari blok itu dimulai dengan 60 angka nol.
Dan begitu mereka menemukannya, mereka menyiarkan blok yang mereka temukan.
Untuk memberi penghargaan pada pembuat blok untuk semua pekerjaan ini,
Saat dia mengumpulkan satu blok,
kami akan mengizinkannya memasukkan transaksi istimewa di bagian atasnya,
French:
sorte qu'un bloc contienne le hash du bloc précédent
dans son en-tête. De cette façon, si vous deviez revenir en arrière et changez l'un des blocs
ou pour échanger l'ordre de deux blocs
cela modifierait le bloc qui vient après,
ce qui changerait le hash de ce bloc, ce qui changerait le bloc qui vient
après et ainsi de suite.
Cela nécessiterait de refaire tout le travail.
Trouver un nouveau nombre spécial pour chacun de ces blocs qui fait
que leurs hash commencent avec 60 zéros.
Parce que les blocs sont chaînés ensemble comme ceci,
au lieu d'appeler ça un livre de compte il est usuel de l'appeler la chaîne de blocs (blockchain).
Dans le cadre de notre protocole mis à jour
nous allons maintenant permettre à quiconque dans le monde d'être un créateur de blocs.
Ce que cela signifie, c'est qu'ils vont écouter
les transactions diffusées, les collecter dans certains blocs,
et ensuite faire tout un tas de travail pour trouver un nombre spécial qui fera
que le hash de ce bloc commencera par 60 zéros.
Et une fois qu'ils l'auront trouvé ils
diffuseront le bloc.
Pour récompenser les créateurs de blocs pour tout ce travail,
lorsqu'elle met les blocs ensemble
nous l'autoriserons à inclure une transaction très spéciale au dessus,
iw:
ככה, אם היינו חוזרים ומשנים איזשהו בלוק
או מחליפים את הסדר של שני בלוקים,
זה ישנה את הבלוק שמגיע אחריו,
שמשנה את ה-hash של הבלוק הזה,
שמשנה את האחד שמגיע אחריו, וכן הלאה.
זה ידרוש לבצע מחדש את כל העבודה,
ולמצוא מספר מיוחד חדש לכל אחד מהבלוקים האלו שיגרום ל-hash השונים שלהם להתחיל בשישים אפסים.
מכיוון בלוקים משורשרים זה לזה ככה,
במקום לקרוא לזה ספר חשבונות, זה נפוץ לקרוא לזה "שרשרת בלוקים" ("בלוקצ'יין")
במסגרת הפרוטוקול המעודכן שלנו,
נאפשר כעת לכל אחד בעולם להיות יוצר בלוקים.
המשמעות של זה היא שהם הולכים להקשיב לעסקאות המשודרות,
לאסוף אותן לתוך בלוק כלשהו,
ואז לעשות הרבה עבודה
כדי למצוא מספר מיוחד שגורם לכך שה-hash של הבלוק יתחיל עם שישים אפסים.
וברגע שהם מוצאים אותו, הם משדרים את הבלוק שהם מצאו.
כדי לתגמל יוצרי בלוקים על כל העבודה הזאת,
כשהם מרכיבים בלוק,
אנו נאפשר להם לכלול עסקה מיוחדת מאוד בחלק העליון של הבלוק,
English:
so that a block has to contain the hash of
the previous block.
That way, if you change any block, or try
to swap the order of two blocks, it would
change the block after it, which changes that
block’s hash, which changes the next block,
and so on.
That would require redoing all the work, finding
a new special number for each of these blocks
that makes their hashes start with 60 zeros.
Because blocks are chained together like this,
instead of calling it a ledger, this is commonly
called a “Blockchain”.
As part of our updated protocol, we’ll now
allow anyone in the world to be a “block
creator”.
What this means is that they’ll listen for
the transactions being broadcast, collect
them into a block, then do a whole bunch of
work to find the special number that makes
the hash of this block start with 60 zeros,
and broadcast out the block they found.
To reward a block creator for all this work,
when she puts together a block, we’ll allow
Russian:
Таким образом, если вам захочется изменить какой-то блок
или поменять порядок нескольких блоков,
от этого изменится блок, который следует за ними,
а также его хеш,
что, в свою очередь, меняет блок, следующий за этим, и так далее.
Для этого потребовалось бы проделать всю работу заново
и для каждого блока найти особое число, с которым хеш блока начинался бы с 60 нулей.
Из-за того, что блоки выстроены в такую цепочку,
вместо слова «журнал» чаще всего говорят «блокчейн».
По нашему обновленному протоколу
мы разрешаем кому угодно по всему миру создавать блоки.
Это значит, что люди будут следить за трансляцией операций,
собирать их в блок,
а затем проделывать над ним вычисления,
чтобы найти число, с которым хеш начинается с 60 нулей.
И как только они найдут его, они транслируют полученный блок.
Чтобы наградить создателя блока за всю его работу,
когда он создаст блок,
мы разрешим ему добавить к блоку специальную операцию,
Polish:
W ten sposób, jeśli miałbyś wrócić i zmienić jeden z bloków
lub zamienić kolejność dwóch bloków,
zmieniłoby to następny blok,
co z kolei zmieniłoby hash tego bloku,
co zmienia blok kolejny, i tak dalej.
Wymagałoby to powtórzenia całej pracy,
znalezienia nowego numeru specjalnego dla każdego z tych bloków, który sprawi, że ich hashe rozpoczynają się 60 zerami.
Ponieważ bloki są połączone w ten sposób,
zamiast nazywając je księgą, często nazywa się je „Block Chain”.
Jako część naszego zaktualizowanego protokołu,
każdy na świecie będzie teraz upoważniony do bycia twórcą bloku.
Znaczy to, że będą oni słuchać emitowanych transakcji,
zbierać je do jakiegoś bloku,
a następnie wykonywać całą masę pracy,
aby znaleźć specjalny numer, który sprawi, że hash tego bloku rozpocznie się 60 zerami.
A kiedy go znajdą, będą nadawać ten blok.
Aby nagrodzić twórcę bloków za całą tę pracę,
kiedy postawi blok,
pozwolimy jej dodać na samej górze bardzo szczególną transakcję,
Arabic:
بهذه الطريقة، إذا غيرت أي من الكتل السابقة
أو غيرت ترتيب كتلتين،
سوف تتغير الكتلة التي تليها،
والتي تغير الهاش الخاص بهذه الكتلة،
والذي سيتسبب بتغيير الكتلة التي تليها ... وهكذا دواليك.
وهذا سيتطلب إعادة كل العمل مرة أخرى،
وإيجاد رقم مميز جديد لكل كتلة من هذه الكتل بحيث يكون الهاش الخاص بها يبدأ بـ60 صفرًا.
ولأن الكتل مقيدة مع بعضها بهذا الشكل،
بدلًا من وصفه بأنه سجل، من الشائع أن نسميه "سلسة الكتل"
كجزء من ميثاقنا المُحدَّث،
سنسمح لأي شخص بالعالم بأن ينشأ كتل جديدة،
وهذا يعني بأنهم سيستمعون للصفقات التي يتم بثها،
ثم يجمعونهم في كتلة ما،
ثم يقومون بكل العمل اللازم
لإيجاد رقم مميز يجعل الهاش الخاص بتلك الكتلة يبدأ بـ60 صفرًا.
وحالما يعثرون على هذا الرقم، يقومون ببث هذه الكتلة التي وجدوها.
ولمكافأة مُنشئ الكتلة على كل هذا العمل،
عندما يصنعون كتلة،
سنسمح له بتسجيل عملية خاصة في بداية الكتلة،
Vietnamese:
Bằng cách đó, nếu bạn lùi về trước và thay đổi bất kỳ một trong các khối
hoặc tráo đổi thứ tự của hai khối,
nó sẽ thay đổi khối mà đi liền sau nó,
dẫn đến thay đổi "băm" của cái khối đó,
dẫn đến thay đổi cái "băm" sau đó, và liên tục như vậy.
Điều đó sẽ đòi hỏi phải làm lại tất cả "công việc",
để tìm ra một số đặc biệt mới cho mỗi khối đó, đảm bảo "băm" của chúng bắt đầu với 60 số 0.
Bởi vì các khối được xích lại với nhau như thế này,
thay vì gọi nó là một sổ cái, nó thường được gọi là một "blockchain"
Một phần của giao thức mới của chúng ta,
chúng ta bây giờ sẽ cho phép bất kỳ ai trên thế giới trở thành "người tạo ra khối".
Điều đó có nghĩa là họ sẽ nhận các giao dịch được phát ra,
thu thập chúng vào một khối nào đó,
và sau đó bỏ công ra
để tìm một dãy số đặc biệt mà làm cho "băm" của khối đó bắt đầu với 60 số 0.
Và một khi họ tìm thấy nó, họ phát sóng khối của họ ra.
Để thưởng cho người tạo khối đã bỏ công,
khi cô ấy hoàn thành một khối,
chúng ta sẽ cho phép cô ấy viết vào khối đó một giao dịch rất đặc biệt ở trên cùng của nó,
Chinese:
這樣的話,如果你回頭想改變其中某個區塊的內容
或交換兩個區塊的順序
你就會改變它後一個區塊的內容
也就改變了那個區塊的雜湊值
然後又影響到再下一個區塊
那將會需要重新計算所有這些區塊的雜湊值,
重新尋找每個特別數字使得區塊的雜湊值以60個0開頭
因為區塊以這種方式相互鏈接
與其稱其為帳本,不如稱其為「區塊鏈」
在這個新的體系之下,
我們現在允許世界上的每個人都能成為區塊的建立者
意思是說他們都將收聽網絡中的交易資訊,
整理這些資訊生成區塊,
然後花大量的計算能力
尋找特別數字使得區塊的雜湊值以60個0開頭
一旦找到了這個數字,他們就將這個區塊廣播出去
為了獎勵這個區塊建立者的工作付出,
當她建立了一個區塊,
我們規定她可以把一筆特別的交易資訊放在帳單開頭,
Turkish:
Bu şekilde, geriye dönseydin ve herhangi bir bloğu değiştirseydin
ya da iki bloğun sırasını yer değiştirseydin
sonra gelen bloğu değiştirirdi,
ki bu da blok hash'lerini değiştirir
aynı şekilde sonradan geleninde değişirdi vs.
Lithuanian:
Tokiu būdu, jei grįžtum atgal ir pakeistum bet kurį iš blokų,
ar pakeistum dviejų blokų eilės tvarką,
tai pakeistų po jo sekantį bloką,
kas pakeistų to bloko hešą,
kas pakeistų bloką, einantį po jo, ir t. t.
Tam reiktų padaryti visą tą darbą:
surasti naują specialų skaičių kiekvienam iš tų blokų, taip, kad hešai prasidėtų 60 nulių.
Kadangi blogai yra šitaip sujungti lyg grandine,
vietoj to, kad visa tai būtų vadinama apskaita, dažnai tai vadinama "blokų grandine" (blockchain).
Mūsų atnaujintame protokole,
dabar leisim bet kam pasaulyje būti blokų kūrėju.
Ką tai reiškia, tai, kad jie gali klausyti transliuojamų transakcijų,
surinkti jas į kažkokį bloką,
ir tada atlikti daugybę darbo,
kad rastų specialų skaičių, kuris to bloko hešą priverčia prasidėti 60 nulių.
Ir kai jie suranda jį, jie transliuoja tą bloką, kurį atrado.
Kad apdovanotume blokų kūrėjus už visą ši darbą,
kai kūrėjas sukuria bloką,
leisim jam pridėti labai specialią transakciją sąrašo viršuje,
German:
Wenn du jetzt etwas an einem der früheren Blöcke verändern
oder die Reihenfolge zweier Blöcke tauschen würdest,
dann würde das den Block, der als nächstes kommt, verändern,
was den Hashwert dieses Blocks verändert,
was wiederum den Block danach verändert, und so weiter.
Die ganze Arbeit müsste nochmal erledigt werden.
Man müsste für jeden Block eine neue Nummer finden, mit der sein Hashwert mit 60 Nullen beginnt.
Weil die Blöcke so aneinander gekettet sind,
nennt man das ganze nicht Bestandsbuch, sondern "Blockkette".
Im Rahmen unserer erweiterten Regeln
erlauben wir jetzt allen Menschen auf der Welt Urheber eines Blocks zu sein.
Das bedeutet, dass sie auf versendete Transaktionen achten,
sie in einem Block sammeln,
und dann eine ganze Menge Arbeit verrichten,
um eine spezielle Zahl zu finden, mit der der Hashwert ihres Blocks mit 60 Nullen beginnt.
Und sobald sie sie finden, senden sie den gesamten Block in die Welt hinaus.
Um solche Blockerschaffer für ihre Arbeit zu belohnen
erlauben wir ihnen
eine ganz besondere Transaktion am Anfang ihres Block hinzuzufügen.
Hungarian:
Ilyen módon, hogy ha visszamennél hogy megváltoztass egy blokkot,
vagy hogy kicseréld két blokk sorrendjét,
akkor az megváltoztatná azt a blokkot is, ami utána jön,
ami megváltoztatja annak a blokknak a hash-ét,
ami megváltoztatja a következő blokk hash-ét, és így tovább.
Az megkövetelné azt, hogy újra elvégezzék az összes munkát,
hogy megtaláljanak egy újabb különleges számot az összes blokknak, hogy azoknak a hash-ei is 60 darab nullással kezdődjenek.
Mivel a blokkol ilyen módon össze vannak láncolva,
ezért ahelyett, hogy főkönyvnek hívnánk, gyakran úgy hívjuk, hogy "blokklánc" (*blockchain*).
A frissített protokollunk részeként,
mostantól bárkinek megengedjük, hogy blokkokat hozhasson létre.
Ez azt jelenti, hogy figyelni fognak a hálózatra kiszórt tranzakciókra,
összegyűjtik őket blokkokba,
aztán elvégeznek egy csomó munkát,
hogy találhassanak egy különleges számot, amellyel annak a blokknak a hash-e 60 darab nullással kezdődik.
És ha egyszer megtalálják, akkor kiszórják a talált blokkot a hálózatra.
Ahhoz, hogy megjutalmazzuk a blokk létrehozóját mindezért a munkáért,
amikor összerak egy blokkot,
akkor megengedünk neki egy speciális tranzakciót a legtetején,
Italian:
In questo modo, se dovessi tornare indietro e cambiare uno qualunque dei blocchi
o cambiare l'ordine di due blocchi,
cambierebbe il blocco che vene dopo
che cambierebbe la sua hash
che cambierebbe il blocco che viene dopo e così via.
Questo necessiterebbe di rifare tutto il lavoro,
trovare un nuovo numero speciale per ognuno di questi blocchi che faccia cominciare il loro hash con 60 zeri.
Visto che i blocchi sono "incatenati" tra loro in questo modo
invece di chiamarlo "libro mastro", di solito viene chiamata "blockchain"
Nel nostro protocollo aggiornato,
permettiamo a chiunque nel mondo di diventare un creatore di blocchi.
Questo significa che ascolteranno le transazioni trasmesse,
le raccoglieranno in blocchi,
e quindi faranno un sacco di lavoro
per trovare un numero speciale per il quale l'hash di quel blocco cominci con 60 zeri.
E una volta che l'avranno trovato, trasmetteranno il blocco.
Per ricompensare una creatrice di blocchi per tutto questo lavoro,
quando mette assieme il blocco,
le permettiamo di includere una transazione molto speciale in cima,
Portuguese:
dessa forma, se você voltasse e mudasse qualquer um dos blocos
ou trocasse a ordem de dois blocos
você mudaria o bloco que vem depois
o que muda o Hash daquele bloco
o que muda aquele que vem depois desse
e assim por diante
Para isso seria preciso refazer todo o trabalho, achando o número especial para cada um dos blocos
que faz seu Hash iniciar com 60 zeros
Pelos blocos serem encadeados juntos dessa forma
ao invés de chamá-los de registro, é comum chamá-los de Cadeia de Blocos.
como parte do nosso protocolo atualizado,
vamos agora permitir que qualquer pessoa do mundo seja um criador de blocos
Isso quer dizer que eles irão ouvir transações sendo transmitidas
juntá-las em um bloco
e então fazer todo o trabalho de achar o número especial
que faz o Hash daquele bloco iniciar com 60 zeros
e assim que acharem, eles vão transmitir o bloco que acharam
Para recompensar um criador de blocos por todo esse trabalho,
quando eles completarem um bloco,
vamos permitir que incluam uma transação muito especial no topo
Spanish:
en la que recibe, digamos 10 LD, de la nada.
Esto se llama "recompensa por bloque",
y es una excepción a nuestras reglas habituales sobre si aceptar o rechazar transacciones.
No viene de nadie, así que no tiene que estar firmada.
Y también significa que el número total de dolares de cuenta en nuestra economía aumenta con cada nuevo bloque.
Crear bloques se conoce comunmente como "minear",
dado que requiere realizar un montón de trabajo
e introduce nuevos fragmentos de moneda en la economía.
Pero cuando oyes o lees sobre los "mineros",
ten en cuenta que lo que están haciendo en realidad es
recibiendo transacciones, creando bloques,
emitiendo esos bloques, y siendo recompensados con dinero nuevo por hacerlo.
Desde la perspectiva de los mmineros, cada bloque es como una loteria en miniatura,
donde todo el mundo esta adivinando numeros lo más rápido que pueden
hasta que un afortunado encuentra un número especial
que hace que el hash del bloque comience con tantos ceros
y son recompensados.
Japanese:
例えば10元帳ドル得るなど。
これを「ブロック報酬」と呼ぶ。
これについては、議論していた一般的な取引記録と異なる例外であり、
取引元がないので、署名の必要がない。
また、これは新たなブロックが作成される毎に、体系全体の元帳ドルの数が増加する事を意味する。
ブロックの作成は、沢山のワークが必要で、
新たな利益をもたらす事から、
「採掘」とも呼ばれる。
採掘者に関して承知しておきたいのは、
採掘者が実際にしている事は、
取引記録を集め、ブロックを作り、
そのブロックを配信して、その過程で報酬を得ているという事である。
採掘者の視点からすれば、ブロックは小型宝くじのような物であり、
皆が要件を満たすの数を探すのを競い、
誰かが運良く一連のゼロの列を作り出すような、
特殊な数を見つければ、その採掘者には
報酬が得られる。
Turkish:
Korean:
블록의 맨 처음 거래로 포함하게 하면 돼.
이 특별한 거래를 "블록 보상"이라고 불러.
이 특별한 블록 보상에는
일반적으로 거래를 받아들이거나 거절하는데 적용되는 기준이 예외적으로 적용되지 않아.
그리고 보상액을 지급하는 주체가 없으므로
디지털 서명이 필요하지 않지.
이는 블록이 새로 생성될 때마다 보상에 의해
장부달러의 총액이 증가한다는 얘기야.
블록을 생성하고 보상을 받는 것을
"채굴"이라고 부르기도 하지.
블록을 생성할 때 많은 작업을 해야하고
실물 경제에 새로운 화폐를 도입하게 하므로
채굴이라고 부르는 것도 나쁘지 않은 것 같아.
하지만 이제부터 비트코인 채굴자에 대한
얘기를 듣거나 읽을 때는
채굴자들이 실제로 하는 일은
브로드캐스팅 되는 거래 정보를 수집하고,
블록을 새로 생성해서,
생성한 새 블록을 다시 브로드캐스팅하고
보상을 받는 일이라는 것을 잊지 말자고.
채굴자의 입장에서는 각 블록이 미니 로또나 마찬가지야.
모든 채굴자들이 서로 먼저 매직 넘버를 찾기 위해
경쟁하고
결국 매직 넘버를 가장 먼저 찾아내는 단 한 채굴자가
결국 매직 넘버를 가장 먼저 찾아내는 단 한 채굴자가
보상을 받게 되거든.
Chinese:
即:她获得10账元。
这叫做“区块奖励”,
这是我们接受或拒绝交易信息规则的一个例外情况
它并不来自于其他人,所以也并不需要签名。
也意味着整个网络中的账元会随着新区块的产生而增加
建立区块通常叫做“挖矿”,
因为它会需要大量的计算力
挖矿会为整个经济中引入新的货币量
所以当你听到或看到矿工时
你现在明白他们所做的其实就是
收听交易信息,建立区块,广播区块
并获得新货币的奖励
而在矿工眼中,每个区块就像是一个小型的彩票,
每个人都想尽可能快得猜数字
直到其中有一个幸运儿找到了那个特别数字
能让区块的散列值以很多0开头,然后他们就得到奖励
Czech:
skrze kterou mu vyčarujeme, řekněme, 10 LD.
Tomu se říká "odměna bloku",
a je to výjimka z našich pravidel, ve kterých určujeme jestli přijmout nebo nepřijmout transakci.
Tahle nemusí od nikoho přicházet, nikým nemusí být podepsaná.
A také to znamená že celkové množství knižních dolarů v naší ekonomice narůstá s každým novým blokem.
Tvoření bloků se často nazývá "dolování" [mining],
jelikož to vyžaduje velké množství práce
a generuje nové oběživo do ekonomiky dané měny.
Když ale slyšíte nebo čtete o těžařích (minerech),
pamatujte, že ve skutečnosti jenom
poslouchají zprávy o nových transakcích, tvoří bloky,
posílají je ostatním a dostávají za svou snahu peníze.
Z pohledu minera je každý blok v podstatě miniaturní loterie,
ve které všichni najednou co nejrychleji hádají čísla,
dokud nějaký šťastlivec nenajde to speciální,
které způsobí, že hash celého bloku bude začínat spoustou nul,
a dostane odměnu.
Polish:
w którym dostaje ona, powiedzmy 10 LD, z powietrza.
Jest to tak zwana „nagroda za blok”
i jest to wyjątek od naszych zwykłych zasad dotyczących akceptowania transakcji.
Nie pochodzi ona od nikogo, więc nie musi być podpisana.
A to oznacza, że całkowita liczba dolarów księgi głównej w naszej gospodarce wzrasta z każdym nowym blokiem.
Tworzenie bloków jest często nazywane „wydobywaniem”,
ponieważ wymaga to dużej ilości pracy
i wprowadza nowe kawałki waluty do gospodarki.
Ale kiedy słyszysz lub czytasz o górnikach,
należy pamiętać, że zajmują się oni naprawdę
odbieraniem transakcji, tworzeniem bloków,
nadawaniem tych bloków, i byciem nagradzanym nowymi pieniędzmi za ich pracę.
Z punktu widzenia górnika, każdy blok jest czymś w rodzaju miniaturowej loterii,
gdzie każdy zgaduje liczby tak szybko, jak to możliwe,
aż jakiś szczęściarz nie znajdzie specjalnego numeru,
który sprawia, że hash bloku zaczyna się wieloma zerami
i dostanie nagrodę.
Hungarian:
amiben kap mondjuk 10 LD-t, a semmiből.
Ezt hívjuk "blokk jutalom"-nak (*block reward*-nak),
és ez egy kivétel a szokásos szabályainkhoz képest, amik a tranzakciók elfoadásáról szólnak.
Nem számazik senkitől, ezért nem is kell senkinek sem aláírnia.
És ez azt is jelenti, hogy a gazdaságunkban forgó összes "ledger dollar" száma növekszik minden egyes új blokkal.
A blokkok létrehozását gyakran "bányászat"-nak (*mining*-nak) hívjuk,
mivel sok munkát igényel,
és újabb pénzdarabokat vezet be a gazdaságba.
De amikor a bányászokról hallasz vagy olvasol,
tartsd észben, hogy amit valójában csinálnak az az, hogy
új tranzakciókra figyelnek, blokkokat hoznak létre,
amiket szétszórnak a hálózaton, hogy ezért jutalmat kapjanak új pénz formájában.
A bányászok szemszögéből minden egyes blokk olyan, mint egy kisméretű lottó,
ahol mindenki olyan gyorsan találgat számokat, amilyen gyorsan csak tud,
amíg egy szerencsés nem talál egy különleges számot,
amivel a blokk hash-e sok nullással kezdődik,
és ezért jutalmat kapnak.
French:
dans laquelle elle obtient 10 LD à partir de rien.
Cela s'appelle le "bloc de récompense".
Et c'est une exception à nos règles habituelles
concernant l'acceptation ou non de transactions.
Elle ne vient de personne, donc elle n'a pas à être signée.
Et cela signifie également que le nombre total
de ledger dollars de l'économie augmente avec
chaque nouveau bloc.
La création de blocs est souvent appelée "minage",
puisque cela nécessite beaucoup de travail
et que cela introduit de nouvelles "pièces" dans l'économie.
Mais lorsque vous entendez ou lisez à propos des mineurs,
gardez à l'esprit que ce qu'ils font vraiment est
écouter les transactions, créer des blocs,
diffuser ces blocs, et obtenir des récompenses avec l'argent créé
en faisant cela.
Du point de vue des mineurs, chaque bloc
est une sorte de loterie miniature,
où tout le monde essaie de deviner des nombres aussi vite qu'ils le peuvent
jusqu'à ce qu'un individu chanceux trouve un nombre spécial
qui fait que le hash du bloc commence avec de nombreux zéros, et obtienne la récompense.
Indonesian:
di mana dia mendapatkan, katakanlah 10 LD, dari udara yang tipis.
Ini disebut "block reward",
dan ini pengecualian terhadap peraturan biasa kami tentang apakah akan menerima transaksi atau tidak.
Itu tidak datang dari siapapun, jadi tidak harus ditandatangani.
Dan itu juga berarti bahwa jumlah total dolar ledger dalam perekonomian kita meningkat dengan setiap blok baru.
Membuat blok sering disebut "mining",
karena membutuhkan banyak pekerjaan
dan memperkenalkan bit baru mata uang ke dalam ekonomi.
Tapi saat Anda mendengar atau membaca tentang para penambang,
Ingatlah bahwa apa yang sebenarnya mereka lakukan adalah
mendengarkan transaksi, menciptakan blok,
menyiarkan blok tersebut, dan mendapatkan imbalan dengan uang baru untuk melakukannya.
Dari perspektif penambang, masing-masing blok itu seperti undian miniatur,
di mana setiap orang menebak nomor secepat mungkin
sampai satu orang beruntung menemukan nomor khusus
yang membuat hash blok dimulai dengan banyak angka nol,
dan mereka mendapatkan pahala.
Lithuanian:
kurioje jis gauna, sakykim, 10 LD tiesiog iš oro.
Tai vadinama "bloko atpildu/apdovanojimu" (block reward),
ir tai yra išimtis mūsų įprastoms taisyklėms apie tai ar priimti transakcijas.
Ši transakcija neateina iš niekieno, tad jos nereikia pasirašyti.
Ir tai taip pat reiškia, kad pilnas mūsų apskaitos dolerių kiekis mūsų ekonomikoje didėja sulyg kiekvienu nauju bloku.
Naujų blokų kūrimas dažnai vadinamas "kasimu" (mining),
nes tam reikia atlikti daug darbo
ir tai introdukuoja naujus valiutos kiekius į ekonomiką.
Bet kai išgirsi ar skaitysi apie kasėjus,
turėk galvoje, kad tai, ką jie iš tikro daro, yra
klausosi transakcijų, kuria blokus,
transliuoja tuos blokus, ir būna apdovanojami naujais pinigais už tą darbą.
Iš kasėjo perspektyvos, kiekvienas blokas yra tarsi mažytė loterija,
kur kiekvienas spėlioja skaičius taip greitai, kaip gali
tol, kol vienam laimingam žmogui pavyksta rasti specialų skaičių,
kuris padaro taip, kad bloko hešas prasidėtų daugybe nulių,
ir jie yra apdovanojami.
Italian:
in cui lei riceve, diciamo 10 LD, dal nulla.
Questa è chiamata "block reward",
ed è un'eccezione alla nostra regola usuale per quanto riguarda l'accettare o meno transazioni.
Non proviene da nessuno, quindi non deve essere firmata.
E significa anche che il numero totale di "dollari del libro mastro" nella nostra economia aumenta ad ogni nuovo blocco.
Creare blocchi è spesso chiamato "mining",
visto che richiede molto lavoro
e introduce un po' di nuova moneta nell'economia.
Ma quando senti o leggi a proposito di "minatori",
tieni a mente che quello che stanno effettivamente facendo è
ascoltare transazioni, creare blocchi,
trasmettere questi blocchi e ricevere una ricompensa con della nuova moneta per fare tutto questo.
Dalla prospettiva del "minatore", ogni blocco è una specie di lotteria in miniature,
dove ognuno sta provando numeri il più velocemente possibile
finché un fortunato trova un numero speciale
per cui l'hash del blocco inizi con molti zeri,
e viene ricompensato.
English:
her to include a special transaction at the
top in which she gets, say, 10 LedgerDollars
out of thin air.
This is called the block reward.
It’s a special exception to our usual rules
about whether or not to accept transactions;
it doesn’t come from anyone, so it doesn’t
have to be signed.
It also means that the total number of LedgerDollars
in our economy increases with each new block.
Creating blocks is often called “mining”,
since it requires a lot of work, and it introduces
new bits of currency into the economy.
But when you hear or read about miners, keep
in mind that what they’re really doing is
creating blocks, broadcasting those blocks,
and getting rewarded with new money for doing
so.
From the miners perspective, each block is
like a miniature lottery, where everyone is
guessing numbers as fast as they can until
one lucky individual finds one that makes
the hash of the block start with many zeros,
and gets rewarded for doing so.
Chinese:
例如:她獲得10帳元。
這叫做「區塊獎勵」,
這是我們接受或拒絕交易資訊規則的一個例外情況
它並不來自於其他人,所以也並不需要簽名。
也意味著整個網絡中的帳元會隨著新區塊的產生而增加
建立區塊通常叫做「挖礦」,
因為它會需要大量的計算力
挖礦會為整個經濟中引入新的貨幣量
所以當你聽到或看到礦工時
你現在明白他們所做的其實就是
收聽交易資訊,建立區塊,廣播區塊
並獲得新貨幣的獎勵
而在礦工眼中,每個區塊就像是一個小型的彩票,
每個人都想盡可能快得猜數字
直到其中有一個幸運兒找到了那個特別數字
能讓區塊的雜湊值以很多0開頭,然後他們就得到獎勵
Vietnamese:
trong đó cô ấy nhận được, ví dụ 10 LD, chẳng từ ai cả.
Đây được gọi là "phần thưởng khối",
và đó là ngoại lệ đối với các quy tắc của chúng ta về việc chấp nhận giao dịch hay không.
Nó không đến từ bất cứ ai, vì vậy nó không cần phải được ký.
Và điều đó cũng có nghĩa là tổng số "đô la sổ cái" trong nền kinh tế của chúng ta gia tăng với mỗi khối mới.
Việc tạo khối thường được gọi là "đào",
vì nó đòi hỏi phải bỏ ra rất nhiều công
và nó cho ra các bit tiền tệ mới vào nền kinh tế.
Nhưng khi bạn nghe hay đọc về thợ đào,
hãy ghi nhớ rằng những gì họ đang thực sự làm là
hóng các giao dịch, tạo ra khối,
phát sóng các khối đó, và nhận thưởng với một lượng tiền mới.
Từ quan điểm của người thợ đào, mỗi khối giống như một xổ số thu nhỏ,
nơi mọi người đoán được dãy số nhanh nhất có thể
cho đến khi một cá nhân may mắn tìm thấy một dãy số đặc biệt
mà làm cho "hash" của khối bắt đầu với một số số 0,
và họ nhận được phần thưởng.
Portuguese:
no qual eles ganhem, digamos, 10 LD do nada
isso é chamado de recompensa do bloco
e é uma exceção para nossas regras regulares sobre aceitar ou não transações
Não vem de ninguém, então não precisa ser assinado
e também quer dizer que o número total de LD na nossa economia cresce com cada novo bloco
Criar blocos é comumente chamado "mineirar",
já que requer muito trabalho e introduz pequenas quantidades de moeda na economia
Mas quando você ouve ou lê sobre mineradores,
tenha em mente que o que eles estão realmente fazendo
é escutar por transações, criar blocos, transmitir esses blocos
e sendo recompensados com novas moedas por isso.
Pela perspectiva dos mineradores,
cada bloco é como uma loteria em miniatura
onde cada um está adivinhando números o mais rápido que podem,
até um indivíduo sortudo encontrar o número especial
que faz o Hash do bloco iniciar com muitos zeros, e ganham a recompensa.
Russian:
в которой он получит, скажем, 10 LD как бы из воздуха.
Это называется наградой за блок,
и такая награда - исключение из наших обычных правил подтверждения транзакций.
Её никто не выплачивает, поэтому операцию не нужно подписывать.
Это значит, что с каждым новым блоком количество денег в нашей экономике растёт.
Создание блоков часто называют «майнингом»,
потому что оно требует огромной работы
и добавляет новые деньги в экономику.
Так что когда вы читаете или слышите о майнерах,
не забывайте, что в действительности их занятие -
следить за операциями, создавать блоки,
транслировать их и получать за это награды.
С точки зрения майнера, каждый блок - это маленькая лотерея,
в которой все наперегонки подбирают числа,
пока одному счасливчику не попадется особенное число,
которое позволяет получить хеш с большим числом нулей в начале,
и за это счастливчик получает награду.
iw:
אשר בה הם מקבלים, נניח עשרה LD, יש מאין.
זה נקרא "גמול הבלוק",
וזו החרגה לכללים הרגילים שלנו לגבי השאלה אם לקבל או לא לקבל עסקאות.
זה לא בא מאף אחד, אז זה לא חייב להיות חתום.
וזה גם אומר כי המספר הכולל של דולרי הלדג'ר במשק שלנו גדל עם כל בלוק חדש.
יצירה בלוקים נקראת לעתים קרובות "כרייה",
מאחר שהיא דורשת עושה הרבה עבודה
ומוסיפה מטבעות חדשים לכלכלה.
אבל כשאתם שומעים או קוראים על כורים,
יש לזכור כי מה שהם באמת עושים הוא
האזנה לעסקאות, יצירת בלוקים,
שידור של הבלוקים האלה, וקבלה של כסף חדש עבור עשייה זו.
מנקודת מבטו של הכורה, כל בלוק הוא כמו סוג של הגרלת לוטו מיניאטורית,
כאשר כולם מנחשים מספרים מהר ככל שביכולתם
עד שבר מזל אחד מוצא מספר מיוחד
שדואג שה-hash של הבלוק יתחיל באפסים רבים,
והוא מקבלים את הפרס.
German:
In der sie beispielsweise 10 LD einfach so aus dem Nichts bekommen.
Das nennt man die "Blockbelohnung".
Sie ist eine Ausnahme was unsere Regeln für das Akzeptieren oder Ablehnen von Transaktionen angeht.
Sie hat keinen Urheber, muss also auch nicht unterzeichnet werden.
Und sie bedeutet auch, dass die absolute Anzahl an Ledger Dollars in unserer Wirtschaft mit jedem neuen Block steigt.
Blocks zu kreieren wird oft als "Mining" bezeichnet [dt.: "abbauen" im Bergbau],
da es sehr viel Arbeit erfordert
und neues Geld in die Wirtschaft einbringt.
Aber wenn du etwas über Miner hörst oder liest,
für dir immer vor Augen, dass sie letztendlich
nur auf Transaktionen achten, Blocks kreieren,
diese Blocks senden, und dafür mit neuem Geld belohnt werden.
Aus der Sicht eines Miners ist jeder Block wie eine Art Minilotto,
bei dem jeder so schnell wie er kann Zahlen rät,
bis jemand Glück hat und eine besondere Nummer findet,
mit der der Hashwert des Blocks mit vielen Nullen beginnt.
Und der bekommt dann die Belohnung.
Modern Greek (1453-):
στην οποία παίρνει, ας πούμε 10 LD, από το πουθενά.
Αυτό ονομάζεται «ανταμοιβή μπλοκ»,
και είναι μια εξαίρεση στους σύνηθες κανόνες σχετικά με το αν πρέπει ή όχι να δέχονται συναλλαγές.
Δεν έρχεται από κανέναν, γι 'αυτό δεν πρέπει να υπογραφεί.
Και αυτό σημαίνει, επίσης, ότι ο συνολικός αριθμός των δολαρίων βιβλίου της οικονομίας μας αυξάνεται με κάθε νέο μπλοκ.
Η δημιουργία μπλοκ συνήθως αποκαλείται «εξόρυξη»,
δεδομένου ότι απαιτεί πολλή δουλειά
και εισάγει νέα κομμάτια του νομίσματος στην οικονομία.
Αλλά όταν ακούτε ή διαβάζετε για ανθρακωρύχους,
να έχετε κατά νου ότι αυτό που πραγματικά κάνουν είναι
να ακούν για συναλλαγές, να δημιουργούν μπλοκ,
να μεταδίδουν αυτά τα μπλοκ, και να ανταμείβονται με νέα χρήματα για κάτι τέτοιο.
Από την πλευρά του ανθρακωρύχου, κάθε μπλοκ είναι κάτι σαν μια μικρή λαχειοφόρο,
όπου ο καθένας είναι μαντεύει αριθμούς όσο πιο γρήγορα μπορεί
μέχρι ένας τυχερός να βρει έναν ειδικό αριθμό
που θα κάνει το hash του μπλοκ να ξεκινήσει με πολλά μηδενικά,
και θα πάρουν την ανταμοιβή.
Arabic:
وهي أنه حصل على .. لنقل 10 LD من لاشيء.
وهذا ما يسمى بـ"مكافأة الكتلة"،
وهذا استثناء لقواعدنا المعتادة بشأن قبول أو عدم قبول العمليات.
وهذه العملية ليس لها مُرسِل، لذا فهي لا تحتاج لتوقيع.
وهذا يعني أيضًا أن إجمالي عدد دولارات السجلات الموجودة لدينا في ازدياد مع كل كتلة جديدة.
إنشاء الكتل يسمى عادةً بـ"التعدين".
حيث أنها تتطلب الكثير من العمل،
وتضيف عملات جديدة للنظام الاقتصادي.
ولكنك عندما تقرأ أو تسمع عن المُعَدِّنين،
ضع في اعتبارك أن ما يقومون به هو
استقبال العمليات، إنشاء كتل،
نشر هذه الكتل، والحصول على بعض الأموال لقاء هذا.
بالنسبة للمعُدِّن، كل كتلة تمثل له شيء مثل اليانصيب المصغر.
حيث أن الجميع يخمنون أرقام بكل طاقتهم
إلى أن يجد محظوظٌ ما الرقمَ المميز
الذي يجعل الهاش الخاص بالكتلة يبدأ بعدة أصفار،
ثم يحصل على المكافأة.
Polish:
Dla każdego, kto tylko chce korzystać z systemu do dokonywania płatności,
zamiast słuchać transakcji,
wszyscy zaczynają słuchać tylko bloków nadawanych przez górników
i aktualizują swoje własne kopie Block Chain.
Teraz kluczowym dodatkiem do naszego protokołu jest to, że
jeśli usłyszysz dwa odrębne Block Chain'y sprzeczne z historią transakcji,
bierzesz najdłuższy z nich, z największą pracą w niego włożoną.
Jeśli jest remis, poczekaj, aż usłyszysz dodatkowy blok, który sprawia, że jeden z nich jest dłuższy.
Więc pomimo tego, że nie ma centralnego autorytetu i każdy zachowuje swoją własną kopię Block Chain'a,
jeśli wszyscy zgadzają się, aby dać pierwszeństwo Block Chain'owi, w który włożono najwięcej pracy,
mamy sposób, aby dojść do zdecentralizowanego konsensusu.
Aby zrozumieć, dlaczego to sprawia, że system jest godny zaufania,
i zrozumieć, w jakim momencie możesz ufać, że płatność jest legalna,
bardzo pomocne będzie przejście przez dokładnie to, co trzeba zrobić, aby oszukać kogoś przy użyciu tego systemu.
Może Alicja próbuje oszukać Boba przy użyciu sfałszowanego bloku,
Indonesian:
Bagi orang lain yang hanya ingin menggunakan sistem untuk melakukan pembayaran,
alih-alih mendengarkan transaksi,
mereka semua mulai mendengarkan hanya untuk blok yang disiarkan oleh para penambang,
dan memperbarui salinan pribadi blockchain mereka sendiri.
Sekarang tambahan kunci untuk protokol kita adalah itu
jika Anda mendengar dua benturan yang berbeda dengan sejarah transaksi yang saling bertentangan,
Anda tunduk pada yang terpanjang, yang paling banyak bekerja di dalamnya.
Jika ada kesamaan, tunggu sampai Anda mendengar blok tambahan yang membuat salah satunya lebih panjang.
Jadi meskipun tidak ada otoritas pusat dan setiap orang memelihara salinan blockchain mereka sendiri,
jika semua orang setuju untuk memberi preferensi pada blockball mana pun yang paling banyak dimasukkan ke dalamnya,
kita punya cara untuk sampai pada konsensus terdesentralisasi.
Untuk melihat mengapa hal ini membuat sistem yang dapat dipercaya,
dan untuk memahami pada titik mana Anda harus percaya bahwa pembayaran itu sah,
itu benar-benar sangat membantu untuk berjalan melalui apa yang diperlukan untuk membodohi seseorang yang menggunakan sistem ini.
Mungkin Alice sedang mencoba menipu Bob dengan blok curang,
Arabic:
أما بالنسبة للآخرين الذين يريدون استخدام النظام للمعاملات مالية فقط
بدلًا من أن يستقبلون العمليات،
هم يبدؤون باستقبال العمليات التي نشرها المعدِّنون،
ويحدثون نسخهم الخاصة من سلسلة الكتل.
الآن الإضافة الرئيسية لميثاقنا هي
أنك إذا استقبلت سلسلتي كتل مختلفة بسجلات عمليات متعارضة،
فيجب أن تُقر بالسلسلة الأطول، التي أُجريَ عليها عمل أكثر.
إذا كانتا متساوتي الطول، فانتطر حتى تستقبل كتلة أخرى والتي ستجعل إحدى السلسلتين أطول.
لذا حتى لو لم تكن هناك سلطة مركزية والجميع لديه نسخته الخاصة من سلسلة الكتل،
إذا اتفق الجميع على اعتماد السلسلة التي أجري عليها عمل أكثر،
فسنصل إلى طريقة تُحقِّقُ اتفاقًا لامركزيًّا.
لتفهم لما بهذا سينشأ نظام موثوق،
ولتستوعب إلى أي مرحلة عليك أن تثق بأن الدفع شرعي،
من المفيد جدًا اتباع العملية الدقيقة اللازمة لخداع شخص ما مع هذا النظام.
ربما كانت (أليس) تحاول خداع (بوب) باستخدام كتلة مزيفة،
Vietnamese:
Đối với bất kỳ ai khác mà chỉ muốn sử dụng hệ thống để thanh toán,
thay vì lắng nghe các giao dịch,
tất cả đều chỉ lắng nghe các khối được phát sóng bởi các thợ đào,
và cập nhật vào các bản sao blockchain của riêng mình.
Bây giờ một bổ sung mang tính quyết định cho giao thức của chúng ta là:
Nếu bạn nghe được hai blockchain khác biệt với lịch sử giao dịch mâu thuẫn nhau,
bạn nên tin vào blockchain dài nhất, cái mà chứa nhiều "công" tính toán nhất.
Nếu hòa nhau, chỉ cần đợi cho đến khi bạn nghe được một khối bổ sung mà làm cho một dãy dài hơn.
Vì vậy, dù không có cơ quan trung ương và mọi người đang duy trì một bản sao blockchain riêng,
nếu mọi người đều ưu tiên cho bất kỳ blockchain nào chứa nhiều "công" nhất,
chúng ta có một cách để đạt được sự đồng thuận trong hệ thống phân tán.
Để hiểu tại sao điều này làm cho một hệ thống đáng tin cậy,
và để hiểu tại thời điểm nào bạn nên tin rằng một khoản thanh toán là đáng tin cậy,
ta nên xem các bước để ai đó có thể lừa người khác trong cái hệ thống này.
Có lẽ Alice đang cố đánh lừa Bob bằng một khối chứa thông tin lệch,
Chinese:
而对于其他只是想利用这个系统做交易的人而言,
并不需要收听交易记录,
他们只需要收听被矿工广播的区块即可,
然后更新自己的那一份区块链
现在我们新体系的关键点来了
如果我们收到了两份完全不同的区块链,
我们倾向于选择最长的那一个,也就是需要最多的工作量的那一份。
如果暂时难分上下,等待下一个区块的广播,
总有一个会形成更长的区块链
所以即便没有中心机构,
所有人也都自己维护自己的那份区块链
但如果每个人都信任最多工作量的那个区块链,
我们就达到了一个去中心化的共识
为什么这样能够建立一个可信的系统,
并理解这个系统里的交易到底有多可信,
我们尝试在这个系统中伪造信息欺骗他人到底有多难
也许Alice想要用一个伪造的区块欺骗Bob
Czech:
Ti, kteří chtějí systém používat jen pro platby
nečekají na nové transakce,
ale jenom bloky, které jim dodávají mineři,
a aktualizují si svoji lokální verzi blokového řetězu [blockchainu].
Důležitý nový bod v našich pravidlech je ten, že
když dostanete dva různé řetězy, které mají každý jinou historii transakcí,
budete věřit tomu nejdelšímu, na kterém bylo vykonáno více práce.
Pokud je to remíza, prostě počkáte, až do některého z nich přijde nový blok.
Takže i přesto, že neexistuje centrální autorita a všichni si drží vlastní verzi řetězu,
pokud se všichni shodnou na upřednostňování řetězu, na kterém bylo vykonáno nejvíc práce,
máme způsob, jak se decentralizovaně dohodnout.
Abychom si ukázali, proč tohle tvoří důvěryhodný systém,
a abyste pochopili v jakou chvíli můžete věřit, že je nějaká platba legitimní,
je dobré říct si, co by obnášela snaha někoho v tomhle systému podvést.
Řekněme, že se Alice snaží napálit Boba podvodným blokem,
Lithuanian:
Bet kam kitam, kas tenori naudotis sistema atlikti mokėjimams,
vietoj transakcijų klausymosi,
jie visi klausosi tik kasėjų transliuojamų blokų,
ir atnaujina savo asmenines blokų grandinės kopijas.
Dabar esminė mūsų protokolo dalis yra tai,
kad jei išgirsti dvi skirtingas blokų grandines su konfliktuojančiomis transakcijų istorijomis,
tu pasirenki ilgiausią - tą, kurioje yra įdėta daugiausiai darbo.
Jei yra lygiosios, tiesiog palauk, kol išgirsi dar vieną bloką, kuris padaro vieną iš grandinių ilgesnę.
Taigi, nors ir nėra centrinio autoriteto ir kiekvienas palaiko savo blokų grnadinės kopiją,
jei visi sutaria duoti pirmumą tai grandinei, kuri turi daugiausia darbo įdėta į ją,
mes turim būdą surasti decentralizuotą konsensusą.
Kad pamatytum, kodėl tai sukuria patikimą sistemą,
ir kad suprastum, kuriuo momentu gali pasitikėti, kad apmokėjimas yra tikras,
yra iš tikro naudinga praeiti per kelią, norint apgauti kažką, kas naudoja šią sistemą.
Galbūt Alisa bando apgauti Bobą su klastotu bloku.
Hungarian:
Mindenki másnak aki csak fizetésre szeretné használni a rendszert,
ahelyett, hogy új traznakciókra figyelnének,
elkezdenek csak a bányászok által a hálózatra szórt blokkokra figyelni,
és frissíteni a saját személyes másolatukat a blokkláncból.
Namost egy kulcsfontosságú kiegészítés a protokollunkhoz az,
hogy ha két egymástól eltérő blokkláncot hallasz amiben egymással ellentmondó tranzkciós történet szerepel,
akkor a leghosszabbat követed, azt, ameybe a legtöbb munkát fektették.
Ha holtverseny alakulna ki, akkor csak várnod kell addig, amíg nem hallasz egy újabb blokkot, amitől az egyik hosszabb lesz.
Szóval annak ellenére, hogy nincs központi hatóság és mindenki a saját blokklánc példányát tartja karban,
ha mindenki megegyezik abban, hogy azt a blokkláncot részesítik előnyben, amelybe a legtöbb munkát fektették,
akkor ezzel lett egy módszerünk arra, hogy eljussunk a decentralizált konszenzushoz.
Ahhoz, hogy lássuk hogy miért lesz ettől megbízható ez a rendszer,
és hogy megértsük hogy melyik ponttól kezdve tekintheted megbízhatónak azt, hogy egy fizetés legitim,
ahhoz valójában nagyon hasznos az, ha végigmegyünk azon, hogy pontosan mi szükségeltetik ahhoz, hogy becsapjunk valakit ebben a rendszerben.
Talán Alice meg szeretné próbálni becsapni Bobot egy csalárd blokkal,
Russian:
А все остальные, кто просто хочет использовать систему для платежей,
не следят за каждой операцией,
а просто получают от майнеров трансляцию о блоках
и обновляют собственные копии блокчейна.
Вот ключевое дополнение к нашему протоколу:
если вы получили информацию о двух блокчейнах и их истории операций не совпадают,
вы выбираете самый длинный, то есть тот, над которым проводилось больше вычислений.
Если они одинаковые по длине, дождитесь нового блока, который сделает одну цепочку длиннее.
Так что несмотря на то, что центра управления нет и у всех своя копия блокчейна,
если все соглашаются выбирать блокчейн с наибольшим объёмом работы,
мы приходим к децентрализованному консенсусу.
Чтобы понять, почему из этого получается надежная система,
и в какой момент стоит верить в подлинность платежа,
полезно рассмотреть, как именно можно обвести кого-то вокруг пальца с помощью этой системы.
Например, Алиса пытается обмануть Боба с помощью поддельного блока,
Portuguese:
Para todo mundo que só quer usar o sistema para fazer pagamentos
ao invés de ouvir transações
eles passam a ouvir os blocos sendo transmitidos pelos mineradores
e atualizando sua cópia pessoal da cadeia de blocos.
Agora a adição chave do nosso protocolo
é que se você ouvir 2 cadeias de blocos distintas
com histórico de transações conflitantes
você inclina para o maior, com maior trabalho computacional presente
se houver empate, apenas, espere
até você ouvir um bloco adicional que faz um deles maior
então mesmo que não haja autoridade central
e todo mundo mantém sua própria cópia da cadeia de blocos
se todo mundo concordar em dar preferência
para a cadeia de blocos que possuir maior trabalho presente
nós temos uma forma de chegar a um consenso decentralizado
para ver como isso gera um sistema confiável
e entender em qual ponto você deve confiar que um pagamento é legítimo
é útil vermos exatamente o que seria necessário para enganar alguém usando esse sistema
Talvez Alice queira enganar Bob com um bloco fraudulento
English:
The way our protocol will now work for someone
using this system is that instead of listening
for transactions, you listen for new blocks
being broadcast by miners, updating your own
personal copy of the blockchain.
The key addition is that if you hear of two
distinct blockchains with conflicting transaction
histories, you defer to the longest one, the
one with the most work put into it.
If there’s a tie, wait until you hear of
an additional block that makes one longer.
So even though there is no central authority,
and everyone is maintaining their own copy
of the blockchain, if everyone agrees to give
preference to whichever blockchain has the
most work put into it, we have a way to arrive
at decentralized consensus.
To see why this makes for a trustworthy system,
and to understand at what point you should
trust that a payment is legitimate, it’s
helpful to walk through what it would take
to fool someone in this system.
French:
Pour tous les autres qui veulent juste utiliser ce système pour effectuer des paiements,
au lieu d'écouter les transactions,
ils commencent tous par écouter juste les blocs diffusés par les mineurs,
et mettant à jour leur propre copie personnelle de la chaîne de blocs.
Maintenant le supplément clé à notre protocole est
que si vous entendez deux blockchains
avec des historiques de transaction conflictuels,
vous vous rapportez à la plus longue avec le plus de travail mis dedans.
Si c'est serré, attendez juste jusqu'à ce qu'un bloc
supplémentaire fasse que l'une soit plus longue que l'autre.
Donc bien qu'il n'y ait aucune autorité centrale et que tout le monde
maintienne sa propre copie de la blockchain,
si tout le monde s'accorde à donner la préférence
à la blockchain qui a le plus de travail en son sein, nous
avons un moyen de parvenir à un consensus décentralisé.
Pour voir pourquoi cela fait un système fiable
et pour comprendre à quel point vous devriez avoir confiance que c'est un paiement honnête,
il est vraiment utile de parcourir exactement ce qu'il faudrait
pour tromper quelqu'un en utilisant ce système.
Peut-être qu'Alice essaie de tromper Bob avec un bloc frauduleux,
Turkish:
Chinese:
而對於其他只是想利用這個系統做交易的人而言,
並不需要收聽交易記錄,
他們只需要收聽被礦工廣播的區塊即可,
然後更新自己的那一份區塊鏈
現在我們新體系的關鍵點來了
如果我們收到了兩份完全不同的區塊鏈,
我們傾向於選擇最長的那一個,也就是需要最多的工作量的那一份。
如果暫時難分上下,等待下一個區塊的廣播,
總有一個會形成更長的區塊鏈
所以即便沒有中心機構,
所有人也都自己維護自己的那份區塊鏈
但如果每個人都信任最多工作量的那個區塊鏈,
我們就達到了一個去中心化的共識。
爲了理解爲什麼這樣能夠建立一個可信的系統
和這個系統裡的交易到底有多可信,
我們嘗試看看在這個系統中偽造資訊欺騙他人到底有多難
也許Alice想要用一個偽造的區塊欺騙Bob
iw:
כשמדובר במישהו אחר שרק רוצה להשתמש במערכת כדי לבצע תשלומים,
במקום להקשיב לעסקאות,
הם כולם מקשיבים רק לבלוקים מוכנים שכורים משדרים לעולם,
ומעדכנים את העותק האישי שלהם של הבלוקצ'יין.
עכשיו התוספת המרכזית לפרוטוקול שלנו היא
שאם אתם שומעים שני בלוקצ'יינס שונים עם היסטורית עסקאות סותרת,
אתם מאמינים לארוך יותר, האחד שבעבורו הושקעה יותר עבודה.
אם יש תיקו, פשוט תחכו עד שאתם שומעים בלוק נוסף שגורם לאחת מהן להפוך לארוכה יותר.
אז למרות שאין סמכות מרכזית וכולם שומרים עותק משלהם של הבלוקצ'יין,
אם כולם מסכימים לתת עדיפות לבלוקצ'יין שהושקעה בו את הכמות הגדולה ביותר של עבודה,
יש לנו דרך להגיע לקונצנזוס מבוזר.
כדי להבין מדוע זה יוצר מערכת אמינה,
וכדי להבין באיזה שלב ראוי שתסמוך על תשלום כלגיטימי,
זה מאוד עוזר לעקוב אחר התהליך המדויק שנדרש כדי לרמות מישהו בעזרת המערכת הזו.
אולי אליס מנסה לשטות בבוב עם בלוק מזויף,
Korean:
채굴자가 아닌, 그러니까 비트코인을
결제 수단으로만 사용하는 사람들은
브로드캐스팅 되는 모든 거래 정보를 수집하는 대신에
채굴자가 브로드캐스팅하는 블록 정보만 수집해서
각자의 블록체인 복사본을 업데이트 하면 돼.
이제 규약에 핵심적인 내용이 추가되는데,
여러분에게 서로 충돌되는 이력을 가진
두 개의 서로 다른 블록체인 정보가 들어왔다면
여러분은 둘 중에서 더 많은 계산 작업이 포함된
더 긴 블록체인만을
유효한 블록체인으로 받아들여야 한다는 거야.
두 개의 블록체인의 길이가 같다면,
더 긴 블록체인 정보가 들어올 때까지
어느 한 쪽을 선택하지 말고 기다려야 돼.
따라서 모두가 각자의 블록체인 복사본을
각자 따로 가지고 있더라도
가장 많은 계산 작업을 포함하고 있는 가장 긴 블록체인만
유효한 블록체인으로 인정하는데 동의한다면,
우리는 중앙의 통제 기관에 의지하지 않고도
분산된 합의에 도달할 수 있어.
이런 방식이 어떻게 신뢰할 수 있는 체계를 만들어내는지
알아보려면
그리고 어떤 지불이 유효하다는 것을
어느 시점에 신뢰해도 되는 건지 이해하려면,
이 체계를 이용하는 누군가가 다른 누군가를
속이는 사례를 검토해보는 것이 효과적이야.
앨리스가 거짓 블록으로 밥을 속이려 한다고 해보자.
Japanese:
ただ支払いの手段として活用しようとしている人からすれば、
取引記録を集める代わりに、
採掘者から送られたブロックを集めれば事足りる。
あとは個人でブロックチェーンを更新すれば良い
更に重要なプロトコルの更新点として、
もし競合する取引履歴を持つ二つの異なるブロックチェーンがあった時、
より長い、より計算量の多いワークを持つ方に従うという点である。
長さが同じならば、片方がより長くなる様な追加ブロックを待てば良い。
このシステムには中心機関がなく、皆が個人でブロックチェーンのコピーを持っている。
そして皆が、最も計算量の多いワークを持つブロックチェーンに従うことを認めれば、
総意に基づく非中央集権的な体系が完成する。
このシステム体系が信頼に値するものである事と、
支払いが正当と見なせるのはどのタイミングなのかを理解するために、
逆にこのシステムを使って悪事を働くことが出来るか試してみよう。
アリスがボブに嘘のブロックを送りつけるとする。
German:
Alle anderen, die das System einfach nur für Zahlungen benutzen wollen,
achten nicht auf Transaktionen,
sondern auf Blöcke, die von Minern versendet werden,
und aktualisieren ihre eigene, persönliche Kopie der Blockkette.
Ein wichtiger Zusatz für unsere Regelung ist,
dass wenn du zwei verschiedene Blockketten aufschnappst, deren Transaktionsverlauf sich widerspricht,
dann hörst du auf die längere der beiden. Die, in der die meiste rechnerische Arbeit steckt.
Wenn beide gleich lang sind, dann warte einfach bis du einen weiteren Block hörst, der eine der beiden länger macht.
Das heißt obwohl es keine zentrale Autorität gibt, und jeder seine eigene Kopie der Blockkette aktuell hält,
haben wir einen Weg uns alle einig zu sein, indem wir abmachen die Blockkette anzuerkennen,
in der die meiste rechnerische Arbeit steckt.
Um zu sehen, warum man diesem System vertrauen kann
und um zu verstehen, wann man davon ausgehen kann, dass eine Zahlung authentisch ist,
ist es am besten einmal zu überlegen was genau jemand tun müsste um dieses System zu überlisten.
Vielleicht versucht Alice Bob zu betrügen,
Italian:
Per tutti gli altri che vogliono semplicemente usare il sistema per fare pagamenti,
invece di ascoltare transazioni,
ascoltano i blocchi trasmessi dai "minatori",
e aggiornano la loro copia personale della "blockchain".
Ora l'aggiunta chiave al nostro protocollo è che
se senti due "blockchains" distinte in conflitto tra loro,
tieni in considerazione la più lunga, quella contenente più lavoro.
Se c'è un pareggio, aspetta semplicemente finché non senti ulteriori blocchi che ne rendano una più lunga.
Così anche se non c'è un'autorità centrale e ognuno mantiene la propria copia della "blockchain",
se tutti sono d'accordo di dare la preferenza alla "blockchain" contenente più lavoro,
abbiamo la possibilità di raggiungere un consenso decentralizzato.
Per vedere perché questo è un sistema affidabile,
e per capire a che punto puoi essere sicuro che un pagamento sia legittimo,
è davvero utile capire cosa sia necessario fare per ingannare qualcuno che utilizzi questo sistema.
Magari Alice sta cercando di ingannare Bob con un blocco fraudolento,
Modern Greek (1453-):
Για οποιονδήποτε άλλον που απλά θέλει να χρησιμοποιήσει το σύστημα για να κάνει τις πληρωμές,
αντί να ακούει για τις συναλλαγές,
αρχίζει να ακούει μόνο για τα πεδία που εκπέμπονται από τους ανθρακωρύχους,
και την ενημέρωση του δικού τους προσωπικού αντίγραφου του blockchain (της δικιάς τους αλυσίδας μπλοκ) .
Τώρα η προσθήκη-κλειδί στο πρωτόκολλο μας είναι ότι
αν ακούσετε δύο διαφορετικά blockchains με αντικρουόμενες ιστορίες συναλλαγής,
θα αναφέρεστε στην μεγαλύτερη (αλυσίδα μπλοκ), αυτή με την περισσότερη εργασία.
Αν υπάρχει ισοπαλία, απλά περιμένετε μέχρι να ακούσετε ένα επιπλέον μπλοκ που καθιστά ένα από αυτά μεγαλύτερο.
Έτσι, ακόμη κι αν δεν υπάρχει κεντρική εξουσία και ο καθένας διατηρεί το δικό του αντίγραφο του blockchain,
αν όλοι συμφωνούν να δώσουν προτεραιότητα σε όποιο blockchain έχει την περισσότερη εργασία,
έχουμε έναν τρόπο για να καταλήξουμε σε αποκεντρωμένη συναίνεση.
Για να δείτε γιατί αυτό το κάνει ένα αξιόπιστο σύστημα,
και για να κατανοήσετε σε ποιο σημείο θα πρέπει να πιστέψετε ότι η πληρωμή είναι πραγματική,
είναι πραγματικά πολύ χρήσιμο να δούμε ακριβώς τι θα χρειαζόταν για να ξεγελαστεί κάποιος που χρησιμοποιεί αυτό το σύστημα.
Ίσως η Alice προσπαθεί να ξεγελάσει τον Bob με δόλια μπλοκ,
Spanish:
Para los demás que solo quieren usar el sistema para hacer pagos,
en vez de recibir transacciones,
lo que hacen es recibir bloques emitidos por los mineros,
y actualizar sus propias copias personales de la cadena de bloques.
Ahora el añadido clave a nuestro protocolo es que
si recibes dos cadenas de bloques con historiales de transacciones que difieren
eliges el más largo, el que más trabajo halla conllevado.
Si hay un empate, simplemente espera hasta que recibas un bloque adicional que haga uno de los dos más largo.
Así que, aunque no haya una autoridad central y todos poseen su propia copia de la cadena de bloques,
si todo el mundo se pone de acuerdo en dar preferencia a la cadena que tenga más trabajo dedicado,
tenemos una forma de llegar a un consenso descentralizado.
Para ver por que esto es un sistema digno de confianza,
y para entender en que momento deberías confiar en que un pago es legal,
ayuda bastante seguir paso a paso exactamente lo que haría falta hacer para engañar a alguien utilizando este sistema.
Quizás Alice esta intentando engañar a Bob con un bloque fraudulento,
English:
If Alice wants to fool Bob with a fraudulent
block, she might try to send him one that
includes a her paying him 100 LedgerDollars,
but without broadcasting that block to the
rest of the network.
That way everyone else thinks she still has
those 100 LedgerDollars.
To do this, she’d have to find a valid proof
of work before all other miners, each working
on their own block.
And that could happen!
Maybe Alice wins this miniature lottery before
anyone else.
But Bob will still be hearing broadcasts made
by other miners, so to keep him believing
the fraudulent block Alice would have to do
all the work herself to keep adding blocks
to this special fork in Bob’s blockchain
that’s different from what he’s hearing
from the rest of the miners.
Remember, as per the protocol Bob always trusts
the longest chain he knows about.
Alice might be able to keep this up for a
few blocks if just by chance she happens to
find blocks more quickly than all of the rest
of the miners on the network combined.
Chinese:
也就是說她給Bob一個區塊包含她支付Bob 100帳元的資訊
但她沒有把這個區塊廣播給網絡中的其他人
那樣的話,其他人會認爲她仍然持有那100帳元
她要比其他所有礦工先找到工作量證明才能欺騙所有人
他們都在獨立計算區塊
而這確實是有可能發生的!
有可能Alice剛好比其他所有人都先找到了這個證明
但Bob也還會收到來自其他礦工的區塊廣播
所以為了讓他相信她那份偽造的區塊,
Alice後面都要重新計算
她那份偽造給Bob的區塊後面的所有區塊
這些區塊和Bob收到了來自其他礦工的區塊都不同
但系統規定Bob總是信任他所指的最長的那一個區塊鏈
Alice在前幾個區塊還有可能保持領先
如果剛好碰巧她比其他所有礦工都先找到那個區塊
Chinese:
也即她给Bob一个区块里包含里她支付Bob 100账元的信息
但她没有把这个区块广播给网络中的其他人
那样的话,其他人还会人会她仍然持有那100账元
她要比其他所有矿工先找到工作量证明才能欺骗所有人
他们都在独立计算区块
而这确实是有可能发生的!
有可能Alice刚好比其他所有人都先找到了这个证明
但Bob也还会收到来自其他矿工的区块广播
所以为了让他相信她那份伪造的区块,
Alice后面都要重新计算
她那份伪造给Bob的区块后面的所有区块
这些区块和Bob收到了来自其他矿工的区块都不同
但系统规定Bob总是信任他所指的最长的那一个区块链
Alice在前几个区块还有可能保持领先
如果刚好碰巧她比其他所有矿工都先找到那个区块
Turkish:
Korean:
앨리스는 밥에게 100 장부달러를 지불한다는
거짓 거래가 포함된 블록을 밥에게 보내고
그 블록을 블록체인 네트워크 상의 다른 사람들에게는
브로드캐스팅하지 않는다고 해보자.
이러면 밥을 제외한 다른 사람들은
앨리스가 여전히 100 장부달러를 가지고 있는 걸로 알지.
이게 가능하려면, 앨리스는 각자의 블록을 채굴하고 있는
다른 모든 채굴자들보다 먼저
그 거짓 블록의 매직 넘버를 찾아내야 돼.
실제로 앨리스가 먼저 찾아낼 수도 있지!!
앨리스가 운좋게 다른 사람들보다 먼저
이 미니 로또를 맞출 수도 있는 거니까.
하지만 밥은 앨리스 뿐아니라 다른 채굴자들이
브로드캐스팅하는 블록 정보도 수집하고 있어.
따라서 그 거짓 블록을 밥이 계속 신뢰하게 하려면
앨리스는 그 거짓 블록이 포함된 밥의 블록체인에
블록을 추가하는 일을 혼자서 계속 해야 돼.
앨리스는 그 거짓 블록이 포함된 밥의 블록체인에
블록을 추가하는 일을 혼자서 계속 해야 돼.
그 블록체인은 밥이 다른 채굴자들로부터 수집하고 있는
블록체인과는 내용이 다른 블록체인이겠지.
다시 떠올려보자. 규약에 따르면,
밥은 항상 가장 긴 블록체인을
유효한 것으로 인정해야돼.
앨리스의 거짓 블록이 포함된 블록체인이
밥이 가진 가장 긴 블록체인으로 계속 남을 수도 있어.
앨리스가 운좋게도 네트워크에 있는
다른 모든 채굴자들이 생성해내는 블록보다
더 많은 블록을 생성할 수 있다면 말이지.
Russian:
а именно отправляет ему блок, согласно которому она платит Бобу 100 LD.
Только Алиса не транслирует этот блок для всей остальной сети.
Так остальные участники будут думать, что у нее еще есть эти 100 LD.
Тогда ей нужно найти правильное доказательство выполнения работы вперёд остальных майнеров,
которые работают над собственными блоками.
И это вполне может случиться!
Может, Алисе просто повезёт в этой маленькой лотерее раньше всех.
Только Боб будет получать трансляции и от других майнеров,
поэтому, чтобы Боб поверил в этот поддельный блок,
Алисе пришлось бы проделать всю работу самой,
чтобы добавлять блоки в это отдельное ответвление блокчейна Боба.
Оно отличается от трансляций других майнеров.
Помните, что по протоколу Боб доверяет самой длинной цепочке?
Алисе, может, и удалось бы поддерживать ответвление длиной в несколько блоков,
если ей повезёт найти их быстрее,
чем все остальные майнеры в сети вместе взятые.
Vietnamese:
cụ thể là cô ấy cố gắng gửi cho anh ta một khối có ghi cô ấy "trả cho anh ta 100 LD"
nhưng không phát sóng khối đó cho mọi ai khác trong mạng lưới.
Bằng cách đó, mọi người vẫn nghĩ rằng cô ấy vẫn có 100 LD.
Để làm điều này, cô sẽ phải tìm một proof of work hợp lệ trước tất cả các thợ mỏ khác,
mà mỗi người thợ mỏ đều làm việc trên khối của họ.
Và điều này chắc chắn có thể xảy ra!
Có lẽ Alice có thể giành chiến thắng mỗi vòng xổ số nhỏ này trước mọi người khác.
Nhưng Bob vẫn đang nghe các thợ mỏ khác phát sóng,
vì vậy để giữ cho anh ta tin vào cái khối chứa thông tin lệch này,
Alice sẽ phải tự bỏ ra tất cả "công" tính toán
để tiếp tục thêm các khối trên cái dãy đặc biệt này trong blockchain của Bob.
Nó khác với những gì anh ta nghe được từ những thợ mỏ còn lại.
Hãy nhớ rằng, theo giao thức, Bob luôn tin tưởng vào chuỗi dài nhất mà anh ta biết.
Alice có thể kịp cho thêm một vài khối
nếu, cô ấy may mắn tìm ra các khối
nhanh hơn phần các thợ mỏ còn lại trên mạng hợp lại.
Modern Greek (1453-):
δηλαδή προσπαθεί να του στείλει ένα (μπλοκ) που περιλαμβάνει την πληρωμή 100 LD σε αυτόν.
αλλά χωρίς να το μεταδίδει στο υπόλοιπο δίκτυο.
Με αυτόν τον τρόπο, όλοι οι άλλοι εξακολουθούν να πιστεύουν ότι έχει αυτά τα 100 LD.
Για να γίνει αυτό, θα έπρεπε να βρει ένα έγκυρο αποδεικτικό εργασίας πριν από όλους τους άλλους ανθρακωρύχους,
όπου ο καθένας εργάζεται για το δικό του μπλοκ.
Και αυτό θα μπορούσε σίγουρα να συμβεί!
Ίσως η Alice τυχαίνει να κερδίσει αυτή μικρή αυτή "κλήρωση" πριν από όλους τους άλλους.
Αλλά ο Bob πρόκειται να ακούσει και τις εκπομπές από άλλους ανθρακωρύχους,
έτσι, για να τον κρατήσει να πιστεύει σε αυτό το δόλιο μπλοκ,
η Alice θα πρέπει να κάνει όλο το έργο μόνη της
για να συνεχίζει να προσθέτει μπλοκ σε αυτή την ειδική "έκδοση" του blockchain του Bob.
Που είναι διαφορετικό από ότι ακούει από τους υπόλοιπους ανθρακωρύχους.
Να θυμάστε, σύμφωνα με το πρωτόκολλο, ο Bob εμπιστεύεται πάντα τη μεγαλύτερη αλυσίδα που ξέρει.
Η Alice μπορεί να είναι σε θέση να τον κρατήσει σε αυτό για μερικά μπλοκ
αν, μόνο κατά τύχη, συμβεί να βρει μπλοκ πιο γρήγορα
από το όλο το υπόλοιπο των ανθρακωρύχων στο δίκτυο.
Arabic:
بعبارة أخرى، كانت تحاول أن ترسل له كتلة تتضمن مدفوعات بقيمة 100 LD،
ولكن دون بث هذه الصفقة لباقي الشبكة.
بهذه الطريقة، سيظن الآخرون أنها لازالت تملك هذه الـ100 LD.
ولكي تتمكن من ذلك، عليها أن تجد رمز إثبات عمل صالح قبل كل المعدّنين،
وكلٌّ يعمل على كتلته.
وهذا بالتأكيد قد يحدث!
ربما تفوز (أليس) بهذا اليانصيب قبل الآخرين.
ولكن (بوب) سيستمر باستقبال ما يبثه الآخرون،
لذا لكي يستمر بالإقرار بهذه الكتلة المزيفة،
على(أليس) أن تقوم بكل العمل لوحدها
أي أن تستمر بإضافة كتل على هذا الفرع المتفرع من سلسلة الكتل الخاصة بـ(بوب).
إنها مختلفة عمّا يستقبله من الآخرين.
تذكر، وفقًا للميثاق، فإن (بوب) يثق دائمًا بأطول سلسلة يعرفها.
قد تنجح (أليس) بالاستمرار بهذا لبضع كتل أخرى
إذا حدث بالحظ ووجدت (أليس) الكتل أسرع
مما يجده كل المعدنون الآخرون على الشبكة مجتمعين.
Hungarian:
azaz megpróbál küldeni neki egy olyat amiben fizet neki 100 LD-t,
anélkül, hogy azt a blokkot kiszórta volna a hálózat többi résztvevőjének.
Ilyen módon a mindenki más még mindig azt hiszi, hogy megvan neki az a 100 LD.
Ahhoz, hogy ezt megtegye, ahhoz találnia kell egy érvényes "proof of work"-öt mindenki más előtt,
akik a saját blokkjukon dolgoznak.
És ez biztosan megtörténhet!
Talán épp úgy adódik hogy Alice megnyeri ezt a mini-lottót mindenki más előtt.
De Bob még mindig hallani fogja azokat, amiket többiek kiszórnak,
tehát ahhoz, hogy továbbra is elhitethessük vele ezt a csalárd blokkot,
Alicenak egymagának kellene elvégeznie az összes munkát
ahhoz, hogy továbbras is tudjon blokkokat hozzáadni Bob blokkláncának ezen speciális elágazásán.
Ez különbözik attól, amit a többi bányásztól hall.
Emlékezz, hogy a protokoll szerint Bob mindig a leghosszabb láncban bízik meg, amiről tudomása van.
Alice talán tudja ezt folytatni néhány blokk erejéig,
ha, pusztán szerence alapon, hamarabb találja meg a blokkokat,
mint az összes többi bányász a hálózaton együttvéve.
German:
indem sie ihm einen Block schickt in dem sie ihm 100 LD zahlt,
ohne aber diesen Block an den Rest des Netzwerks zu schicken.
Auf diese Weise denken alle anderen, dass sie diese 100 LD noch selbst besitzt.
Um das zu tun, müsste sie einen gültigen Ausführungsnachweis vor allen anderen Minern finden,
die alle an ihrem eigenen Block arbeiten.
Und das könnte definitiv passieren!
Vielleicht gewinnt Alice diese Minilotterie einfach vor allen anderen.
Aber Bob hört dennoch die Nachrichten aller anderen Miner.
Damit er also Alice fehlerhaftem Block glaubt,
müsste Alice die ganze Arbeit also selbst machen.
Immer mehr Blocks an Bobs spezielle Blockkette hängen,
die anders ist als das, was er von den anderen Minern hört.
Denk dran, laut unserer Regelung vertraut Bob immer der längsten Kette, von der er weiß.
Alice mag das vielleicht ein paar Blöcke lang schaffen.
Solange sie durch Zufall Blöcke schneller findet
als alle anderen Miner im Netzwerk zusammen.
Portuguese:
como tentar enviar um bloco que inclui Alice paga 100 LD para Bob
mas sem transmitir esse bloco para o resto do mundo
dessa forma, todo o resto acha que ela ainda tem esses 100 LD
Para fazer isso,
ela teria que achar uma Prova de Trabalho válida antes dos outros mineradores
cada um trabalhando no seu próprio bloco
e isso poderia acontecer
talvez Alice simplesmente ganhe essa loteria em miniatura antes de todo mundo
Mas Bob ainda vai estar ouvindo transmissões dos outros mineradores
então para que ele continue acreditando nesse bloco fraudulento
Alice teria que fazer todo esse trabalho ela mesma,
para continuar adicionando blocos nessa cadeia especifica do Bob
que é diferente do que ele está ouvindo do resto dos mineradores
Lembre-se, pelo protocolo, Bob sempre confia na cadeia de blocos mais longa que ele conhece
Alice pode manter isso por alguns blocos,
mesmo que por pura sorte ela consiga os blocos
de forma mais rápida do que todos os mineradores combinados
Lithuanian:
Konkrečiai, ji bando jam išsiųsti bloką, kuriame yra 100 LD mokestis jam iš jos,
bet be to bloko transliavimo likusiam tinklui.
Tokiu būdu, visi kiti galvoja, kad ji vis dar tebeturi tuos 100 LD.
Kad šitai padarytų, jai reikėtų surasti validų darbo įrodymą anksčiau, nei visi kiti kasėjai,
kur kiekvienas kasėjas dirba ties savo bloku.
Ir tai tikrai gali įvykti!
Galbūt Alisai tiesiog pasiseka laimėti šią mini loteriją prieš visus kitus.
Bet Bobas visvien tebegirdės kitų kasėjų transliacijas,
tad, kad priverstų jį tikėti šiuo klastotu bloku,
Alisai reiktų ir vėl daryti visą darbą pačiai,
kad vis pridėtų papildomai blokus ant savo specialios šakos Bobo blokų grandinėje.
Tai skiriasi nuo to, ką jis girdi iš kitų kasėjų.
Prisimink, pagal protokolą, Bobas visada pasitiki ilgiausia, kurią žino, grandine.
Alisa galbūt šitai palaikys kelis blokus,
jei, tiesiog atsitiktinai, jai pasiseks rasti blokus greičiau
negu visiems kitiems tinklo kasėjams, kartu sudėjus.
Indonesian:
yaitu dia mencoba mengiriminya satu yang termasuk dia membayarnya 100 LD
tapi tanpa menyiarkan blok itu ke jaringan lainnya.
Dengan begitu, semua orang masih berpikir bahwa dia memiliki 100 LD tersebut.
Untuk melakukan ini, dia harus menemukan bukti kerja yang benar sebelum semua penambang lainnya,
masing-masing bekerja di blok mereka sendiri.
Dan itu pasti bisa terjadi!
Mungkin Alice kebetulan menang lotre miniatur ini sebelum orang lain.
Tapi Bob masih akan mendengar siaran yang dibuat oleh penambang lainnya,
Jadi agar dia percaya blok curang ini,
Alice harus melakukan semua pekerjaan itu sendiri
untuk terus menambahkan blok pada cabang khusus ini di blockchain-nya Bob.
Ini berbeda dengan apa yang dia dengar dari sisa penambang.
Ingat, sesuai protokolnya, Bob selalu mempercayai rantai terpanjang yang dia ketahui.
Alice mungkin bisa menyimpan ini beberapa blok
Jika, kebetulan saja, dia kebetulan menemukan blok lebih cepat
dari sisa penambang di jaringan semua digabungkan.
Japanese:
そのブロックには、アリスはボブに100元帳ドル支払うと付け加える。
ここでネットワーク全体に配信しない限り、
他の人から見れば、アリスはまだ100元帳ドルを持っていると考える。
この作業を遂行するためには、他の採掘者よりも早くプルーフ・オブ・ワークを
見つけ出さなければならない。
有り得ない事ではない。
アリスは運良く小型宝くじに最速で当選したのである。
しかしボブはその後も他の採掘者からの配信を注視し続ける。
ボブにこの嘘のブロックを本物と思わせるために、
アリスはその後のワーク全てを一人で行い、
ボブの持つブロックチェーンの内、偽の方のブロック列を続けさせる必要がある。
このブロック列は、他の採掘者から送られるブロック列とは全く異なる。
思い出してほしい、プロトコルの仕組みから、ボブは最も長いチェーンを信用する。
アリスは数ブロック位なら追いつけるかもしれない。
ネットワーク上の全ての採掘者よりも、
たまたま早くブロックを作れればの話だが。
French:
à savoir qu'elle tente de lui en envoyer
un qui l'inclut en lui payant 100 LD
mais sans diffuser ce bloc au reste du réseau.
De cette façon, tous les autres penseront encore qu'elle a encore
ces 100 LD. Pour faire ça, elle
devrait trouver une preuve de travail valide avant tous les autres mineurs,
chacun travaillant sur leur propre bloc.
Et cela pourrait certainement arriver.
Peut-être qu'Alice vient juste de gagner cette mini loterie avant tous les autres.
Mais Bob sera encore en train d'écouter les diffusions
faites par les autres mineurs,
alors pour le maintenir dans la croyance en ce bloc frauduleux,
Alice devrait faire tout le travail elle-même pour continuer d'ajouter des blocs
sur ce fork spécial de la blockchain de Bob.
C'est différent de ce qu'il entend du reste des mineurs.
Souvenez-vous, en tant que protocole pair-à-pair, Bob fait toujours confiance
à la chaîne la plus longue qu'il connaît.
Alice pourrait être capable de maintenir ça pour quelques blocs
si, juste par hasard, elle arrive à trouver des blocs plus rapidement
que le reste des mineurs du réseau réunis.
Italian:
cerca cioè di inviargliene uno che includa un suo pagamento di 100 LD verso di lui
ma senza trasmettere quel blocco al resto della rete.
In questo modo tutti gli altri pensano che lei abbia ancora quei 100 LD.
Per fare questo, lei dovrebbe trovare una "proof of work" valida prima di tutti gli altri "minatori",
ognuno di quali che lavora al proprio blocco.
E questo potrebbe certamente succedere!
Magari capita semplicemente che Alice vinca questa lotteria in miniature prima di chiunque altro.
Ma Bob continuerà comunque a sentire le trasmissioni degli altri "minatori",
quindi per continuare a fargli credere a questo blocco fraudolento,
Alice dovrebbe fare tutto il lavoro da sola
e continuare ad aggiungere blocchi a questa "biforcazione" speciale nella "blockchain" di Bob.
È differente da quanto sente dal resto dei "minatori".
Ricorda, come da protocollo, Bob si fida sempre della catena più lunga di cui è a conoscenza.
Alice potrebbe forse riuscire a resistere per qualche blocco
se, per caso, trovasse i blocchi più velocemente
che il resto dei "minatori" nella rete messi assieme.
Spanish:
digamos que intenta enviarle un bloque que incluye un pago en el que le paga 100 LD
pero sin enviar ese bloque al resto de la red.
De esa forma, el resto piensa que todavía tiene esos 100 LD.
Para hacer esto, tendría que encontrar una prueba de trabajo válida antes que el resto de mineros,
cada uno trabajando en su propio bloque.
Y realmente, eso podría pasar!
Quizás Alice tiene la suerte de ganar esta mini loteria antes que todos los demas.
Pero Bob va a seguir escuchando las emisiones del resto de mineros,
así que para que siga creyendo en este bloque fraudulento,
Alice tendría que hacer todo el trabajo sola,
y seguir añadiendo bloques en esta segunda cadena que Bob iba a tener.
Esta es differente de lo que esta recibiendo del resto de mineros.
Recuerda que, debido al protocolo, Bob siempre confia en la cadena más larga que reciba.
Alice podría continuar manteniendo el engaño durante unos pocos bloques
si, por casualidad, encontrase los bloques mas rápido
que el resto de mineros de la red combinados.
iw:
כלומר היא מנסה לשלוח לו בלוק הכולל תשלום שהיא משלמת לו על סך מאה LD
אבל בלי לשדר את פרטי העסקה הזו לשאר הרשת.
ככה, כולם עדיין חושב שיש לה את המאה LD הללו.
כדי לעשות זאת, היא תצטרך למצוא הוכחת עבודה תקפה לפני כל הכורים האחרים,
כאשר כל אחד מהם עובד על בלוק משל עצמו.
וזה בהחלט יכול לקרות!
אולי אליס פשוט זוכה בלוטו מיניאטורי במקרה, לפני כולם.
אבל בוב עדיין הולך לשמוע את מה שכורים אחרים משדרים,
אז כדי לדאוג שבוב עדיין יאמין בבלוק המזויף,
אליס תצטרך לעשות את כל העבודה בעצמה
כדי להמשיך להוסיף בלוקים חדשים על אותו הענף בבלוקצ'יין של בוב.
זה שונה ממה שהוא שומע משאר הכורים.
זכרו, על פי הפרוטוקול, לבוב תמיד יש אמון בשרשרת הארוכה ביותר שהוא יודע עליה.
אליס אולי תוכל להמשיך כך לעוד מספר בלוקים
אם, רק במקרה, היא תצליח למצוא בלוקים מהר יותר
מאשר כל שאר הכורים ברשת יחדיו.
Czech:
konkrétně se snaží poslat mu blok, ve kterém je zahrnuta transakce, kde mu posílá 100LD,
ale aniž by tenhle blok posílala do světa.
Tímhle způsobem si budou ostatní myslet, že oněch 100LD pořád má.
Bude muset najít platný důkaz práce rychleji, než všichni ostatní mineři,
kteří pracují na vlastních blocích.
A to se rozhodně může stát!
Alice může tuhle miniloterii vyhrát.
Bob ale pořád uslyší to, co ostatní mineři posílají,
takže aby věřil podvodnému bloku,
Alice by musela práci všech minerů dohromady vykonat sama,
aby na speciální Bobovu "větev" řetězu přidávala nové bloky.
Budou to jiné bloky, než jaké ostatní mineři vysílají.
Pamatujte, podle našich pravidel Bob věří nejdelšímu řetězu o kterém ví.
Alici se může dařit balamutit Boba po dobu několika bloků
pokud, čirou náhodou, najde důkazy práce rychleji
než všichni ostatní mineři dohromady.
Polish:
mianowicie próbuje wysłać mu blok, który zawiera zapłacenie przez nią Bobowi 100 LD,
ale bez nadawania tego bloku do reszty sieci.
W ten sposób wszyscy nadal uważają, że ma ona nadal te 100 LD.
Aby to zrobić, musiałaby znaleźć ważny dowód pracy przed wszystkimi innymi górnikami,
każdym pracującym na własnym bloku.
A to może się w końcu zdarzyć!
Może Alicja właśnie wygra tę małą loterię przed wszystkimi.
Ale Bob nadal będzie słuchał audycji innych górników,
więc, aby utrzymać go w wierze w prawdziwość tego bloku,
Alicja musiałaby zrobić całą pracę sama,
dodając bloki w tym szczególnym rozwidleniu Block Chain'a Boba.
To różni się od tego, co on słyszy od reszty górników.
Pamiętaj, że zgodnie z protokołem, Bob zawsze ufa najdłuższemu łańcuchowi, o którym wie.
Alicja może być w stanie robić to przez kilka bloków
jeśli tylko, przez przypadek, znajdzie bloki szybciej
niż wszyscy górnicy w sieci.
Russian:
Но если только в её руках не половина всех вычислительных мощностей сети,
то будет несравнимо вероятнее,
что блокчейн остальных майнеров
вырастет быстрее, чем поддельный блокчейн, который Алиса подсовывает Бобу.
Так что через некоторое время Боб откажется от блокчейна Алисы
в пользу более длинной цепочки, над которой работают все остальные.
Заметьте, это значит, что доверять новому блоку, как только вы его получили, нельзя.
Лучше дождаться, когда к нему добавится несколько новых блоков.
Если вы так и не получите более длинного блокчейна,
то можете верить, что этот блок - часть цепочки, которую вычисляют все.
Так мы и пришли к основным идеям.
Система распределенного реестра, основанная на доказательстве выполненной работы,
и есть механизм работы протокола Биткоина и других криптовалют.
Осталось прояснить лишь несколько деталей.
До этого, я упоминал, что доказательством работы является число,
Turkish:
Indonesian:
Tapi kecuali jika ia memiliki hampir 50% sumber daya komputasi di antara semua penambang,
kemungkinannya menjadi luar biasa
bahwa blockchain yang dikerjakan oleh semua penambang lainnya
tumbuh lebih cepat daripada blockchain curang tunggal yang Alice berikan pada Bob.
Jadi, setelah cukup lama, Bob hanya akan menolak apa yang dia dengar dari Alice
mendukung rantai yang lebih panjang yang sedang dikerjakan orang lain.
Perhatikan, itu berarti bahwa Anda seharusnya tidak mempercayai blok baru yang Anda dengar segera;
Sebagai gantinya, Anda harus menunggu beberapa blok baru ditambahkan di atasnya.
Jika Anda masih belum pernah mendengar tentang rantai blok lagi,
Anda dapat mempercayai bahwa blok ini adalah bagian dari rantai yang sama dengan yang digunakan orang lain.
Dan dengan itu, kita telah mencapai semua gagasan utama.
Sistem buku besar terdistribusi ini berdasarkan bukti kerja
dimana kurang lebih menggambarkan bagaimana protokol Bitcoin dan mata uang kripto lainnya bekerja.
Masih ada beberapa detail untuk memperjelas.
Sebelumnya, saya mengatakan bahwa bukti kerja mungkin untuk menemukan nomor khusus
Polish:
Ale dopóki ona ma blisko 50% zasobów obliczeniowych wśród wszystkich górników,
przytłaczające staje się prawdopodobieństwo,
że Block Chain, na którym pracują wszyscy inni górnicy
rośnie szybciej niż pojedynczy oszukańczy Block Chain, który Alicja wysyła Bobowi.
Tak więc, po wystarczającej ilości czasu, Bob po prostu odrzuci to, co słyszy od Alicji
na rzecz dłuższego łańcucha, nad którym wszyscy pracują.
Zauważ, to oznacza, że nie należy koniecznie zaufać nowemu blokowi od razu, kiedy go usłyszysz.
Zamiast tego, należy odczekać aż kilka nowych bloków zostanie dodanych na górze.
Jeśli jeszcze nie słyszałeś o jakichkolwiek dłuższych łańcuchach blokowych,
możesz zaufać, że ten blok jest częścią tego samego łańcucha, z którego wszyscy korzystają.
A z tym, spełniliśmy wszystkie główne idee.
Ten rozproszony system księgi oparty na dowodzie pracy
mniej więcej obrazuje działanie protokołu Bitcoin i wielu innych kryptowalut.
Jest tylko kilka szczegółów, które trzeba wyjaśnić.
Wcześniej powiedziałem, że dowodem pracy może być znalezienie specjalnego numeru
Arabic:
ولكن ما لم يكن لديها ما يقرب من 50 ٪ من موارد الحوسبة بين جميع المعدنين،
فإن الاحتمالية ستصبح شبه مؤكدة
أن سلسلة الكتل التي يعمل عليها جميع المعدنون
تنمو أسرع من سلسلة الكتل المزيفة التي تحاول (أليس) غش (بوب) بها.
لذا، بعد فترة، (بوب) ببساطة سيرفض ما يستقبله من (أليس)
لصالح السلسلة الأطول التي يعمل عليها الجميع.
لاحظ، هذا يعني أنه ليس عليك بالضرورة أن تثق بكل كتلة تستقبلها فورًا؛
بدلاً من ذلك، عليك انتظار بضع كتل إضافية ليتم إضافتها على نفس المجموعة.
إذا كنت لاتزال لا تستقبل أي سلسلة كتل أخرى أطول؛
يمكنك حينها أن تثق بأن هذه الكتلة هي جزء من السلسلة الموجودة لدى الجميع.
وبهذا، نكون قد مررنا بجميع الأفكار الرئيسية.
إن نظام السجل الموزع هذا الذي يعتمد على إثبات العمل
بشكل أو بآخر، هو الطريقة التي تعمل بها البتكوين والعديد من العملات المشفرة الأخرى.
لا يوجد سوى بعض التفاصيل القليلة لتوضيحها.
لقد قلت سابقًا أن إثبات العمل يكون عن طريق إيجاد رقم مميز
Vietnamese:
Nhưng trừ khi cô ấy có gần 50% tài nguyên tính toán của tất cả các thợ mỏ,
thì xác suất chắc chắn sẽ nghiêng về bên
blockchain mà tất cả các thợ mỏ khác đang đổ "công" tính toán vào
phát triển nhanh hơn so với blockchain sai lệch duy nhất mà Alice đang đổ "công" vào cho Bob.
Nên sau một khoảng thời gian, Bob sẽ từ chối những gì anh ấy nghe từ Alice
và thiên về chuỗi dài hơn mà mọi người khác đang đổ "công" vào.
Chú ý là điều này có nghĩa là bạn không nên tin ngay vào một khối mới mà bạn nghe được;
Thay vào đó, bạn nên chờ một số khối mới được thêm vào sau nó.
Nếu bạn vẫn chưa nghe được chuỗi nào dài hơn,
bạn có thể tin tưởng rằng khối này là thuộc cùng một chuỗi mà mọi người khác đang sử dụng.
Và với điều đó, chúng tôi đã đi qua được tất cả những ý tưởng chính.
Hệ thống sổ cái phân phối dựa trên proof of work này
ít nhiều chính là cách các giao thức Bitcoin và các đồng tiền mã hóa khác hoạt động.
Chỉ còn một vài chi tiết để làm rõ.
Vừa rồi, tôi đã nói rằng proof of work có thể là việc tìm một số đặc biệt
Modern Greek (1453-):
Αλλά αν έχει κοντά στο 50% των υπολογιστικών πόρων μεταξύ όλων των ανθρακωρύχων,
η πιθανότητα γίνεται συντριπτική
ότι το blockchain που όλοι οι άλλοι μεταλλωρύχοι εργάζονται
αυξάνεται ταχύτερα από ότι το μοναδικό δόλιο blockchain που η Alice δίνει στον Bob.
Έτσι, μετά από αρκετό καιρό, ο Bob θα απορρίψει ό,τι έχει ακούσει από την Alice
υπέρ της μεγαλύτερης αλυσίδας που όλοι οι άλλοι εργάζονται.
Ωστόσο, αυτό σημαίνει ότι δεν πρέπει να εμπιστεύεστε απαραιτήτως ένα νέο μπλοκ που θα ακούσετε αμέσως
Αντ 'αυτού, θα πρέπει να περιμένετε για πολλά νέα μπλοκ να προστεθούν πάνω του.
Αν ακόμα δεν έχετε ακούσει για τις μακρύτερες αλυσίδες μπλοκ,
μπορείτε να εμπιστευθείτε ότι αυτό το μπλοκ είναι μέρος της ίδιας αλυσίδας που όλοι οι άλλοι χρησιμοποιούν.
Και με αυτό, έχουμε λύσει όλες τις βασικές ιδέες.
Αυτό το κατανεμημένο σύστημα βιβλίου που βασίζεται σε αποδεικτικά στοιχεία εργασίας
είναι πάνω κάτω το πώς λειτουργεί το πρωτόκολλο Bitcoin και πως λειτουργούν πολλά άλλα κρυπτονομίσματα
Υπάρχουν μόνο μερικές λεπτομέρειες να ξεκαθαρίσω.
Νωρίτερα, είπα ότι η απόδειξη εργασίας μπορεί να είναι για να βρείτε έναν ειδικό αριθμό
German:
Aber solange sie nicht fast 50% aller Rechenressourcen im Netzwerk hat
ist die Wahrscheinlichkeit unglaublich hoch,
dass die Blockkette an der alle anderen Miner arbeiten,
schneller wächst als die gefälschte Blockkette, die Alice an Bob weitergibt.
Das heißt nach einer gewissen Zeit wird Bob ablehnen, was er von Alice hört
und stattdessen der längeren Kette vertrauen, an der alle anderen arbeiten.
Das bedeutet, dass du einem neuen Block, den du hörst, nicht sofort vertrauen solltest.
Du solltest warten bis ein paar Blöcke an ihn hinzugefügt wurden.
Wenn du dann noch immer von keiner längeren Blockkette gehört hast,
dann kannst du davon ausgehen, dass dieser Block Teil der Kette ist, die alle anderen auch nutzen.
Und damit hätten wir die wichtigsten Punkte geklärt.
Dieses auf Ausführungsnachweisen basierende Bestandsbuchsystem
ist mehr oder weniger die Funktionsweise von Bitcoins und anderen Kryptowährungen.
Es gibt nur noch ein paar Details zu klären.
Ich habe zum Beispiel gesagt, dass der Ausführungsnachweis eine spezielle Zahl sein kann,
Japanese:
それでも、全採掘者の計算能力の半分以上をアリスが持っていない限り、
その可能性は減少する。
他の採掘者が作業しているブロックチェーンは、
アリスの嘘のブロックチェーンよりも早く伸びるからである。
十分な時間が過ぎた後に、ボブはアリスから送られたブロック列を切り捨て、
他の採掘者が伸ばしていた方を信用する。
この事から、新たに追加されたブロックをその地点ですぐに信用する必要はない。
その代わりに、暫くその後ろに新たに続くブロックを見守って、
もしより長いブロックチェーンが見つからなければ、
その時にはそのブロックを、他の人が持つ同じブロックチェーンの一部と信用して良い。
主要なアイデアが出揃った。
プルーフ・オブ・ワークを基盤にした分散型元帳システムは、
ビットコインやその他多くの暗号通貨の基本となる仕組みである。
まだ少しばかり追記する部分がある。
先程、プルーフ・オブ・ワークとは60のゼロの列が先頭に来る
iw:
אבל אלא אם כן יש לה קרוב ל-50% ממשאבי המחשוב בקרב כל הכורים,
ההסתברות הופכת להיות כמעט וודאית
שהבלוקצ'יין שכל הכורים האחרים עובדים עליו
גדל מהר יותר מאשר הבלוקצ'יין המזויף שאליס מזינה לבוב.
אז, אחרי מספיק זמן, בוב פשוט הולך לדחות את מה שהוא שומע מאליס
לטובת השרשרת הארוכה יותר שכל השאר עובדים עליה.
שימו לב, זה אומר שאתם לא צריך לסמוך בהכרח בלוק חדש שאתם שומעים בואפן מידי,
במקום, אתם צריכים לחכות לעוד מספר בלוקים חדשים שיתווספו על גבי אותו בלוק.
אם עדיין לא שמעתם על בלוקצ'יין ארוך יותר,
אתם יכולים להיות בטועים שבלוק זה זה הוא חלק מאותה שרשרת שכולם משתמשים בה.
וכך, עברנו על כל הרעיונות המרכזיים.
מערכת של ספר חשבונות שמופץ לכולם, המבוססת על הוכחת עבודה
היא פחות או יותר איך שהפרוטוקול של הביטקוין, ומטבעות מבוזרים אחרים, עובדים
יש רק כמה פרטים להבהיר.
מוקדם יותר, אמרתי שהוכחה של עבודה יכולה להיות מציאה של מספר מיוחד
Italian:
Ma a meno di avere intorno al 50% delle risorse computazionali dell'intero gruppo di "minatori"
la probabilità diventa travolgente
che la "blockchain" alla quale tutti gli altri "minatori" stanno lavorando
cresca più veloce della "blockchain" fraudolenta che Alice manda a Bob.
Così, dopo un tempo sufficiente, Bob rifiuterà semplicemente ciò che proviene da Alice
in favore della "blockchain" più lunga alla quale tutti gli altri stanno lavorando.
Nota che non devi necessariamente fidarti immediatamente di un nuovo blocco che senti;
piuttosto, dovresti aspettare diversi nuovi blocchi che vi si aggiungano.
Se non hai ancora sentito nessun'altra "blockchain" più lunga,
puoi essere sicuro che questo blocco fa parte della stessa catena che tutti gli altri stanno usando.
E con questo, abbiamo toccato tutte le idee principali.
Questo sistema di libro mastro distribuito basato sulla "proof of work"
è più o meno come il protocollo Bitcoin originale e quello di altre criptovalute funzionano.
Ci sono solo un paio di dettagli da chiarire.
Prima, ho detto che la "proof of work" potrebbe essere trovare un numero speciale
English:
But unless Alice has close to 50% of the computing
resources among all miners, the probability
becomes overwhelming that the blockchain that
all the other miners are working on grows
faster than the single fraudulent blockchain
that Alice is feeding Bob.
So in time Bob will reject what he’s hearing
from Alice in favor of the longer chain that
everyone else is working on.
Notice that means you shouldn’t necessarily
trust a new block that you hear immediately.
Instead, you should wait for several new blocks
to be added on top of it.
If you still haven’t heard of any longer
blockchains, you can trust that this block
is part of the same chain everyone else is
using.
And with that, we’ve hit all the main ideas.
This distributed ledger system based on a
proof of work is more or less how the Bitcoin
protocol works, and how many other cryptocurrencies
work.
There’s just a few details to clear up.
Korean:
하지만 앨리스가 모든 채굴자들의 컴퓨팅 자원의
50%에 근접하는 자원을 보유하지 못하면
그런 일이 실제로 발생할 가능성은 매우 낮아.
다른 모든 채굴자들이 생성해내는 블록들로
구성되는 블록체인이 결국에는
앨리스가 밥을 속이기 위해 혼자 만들어가고 있는
블록체인보다 더 빨리 길어질 것이기 때문이지.
그래서 결국 충분한 시간이 지나면,
밥은 앨리스에게 받는 블록체인 정보를 기각하게 돼.
앨리스에게 받는 블록체인보다
다른 사람들로부터 받는 블록체인이 더 길기 때문이지.
새로 생성되어 브로드캐스팅 된 블록을
접수하자마자 신뢰할 필요는 없다는 점에 유의하라고.
대신에 새 블록 몇 개가 더 추가될 때까지
기다린 후에 신뢰해야돼.
기다린 후에도 더 긴 블록체인 정보를 접수하지 못했다면
그때서야 여러분은 그 블록이
다른 사람들이 모두 신뢰하고 사용하고 있는 블록체인에 있는 유효한 블록이라고 신뢰할 수 있게 되는거야.
이제 핵심 아이디어는 모두 알아봤어.
"작업 증명"에 기반한 이 분산 장부 시스템은
비트코인 규약이 동작하는 방식과
다른 많은 암호화 화폐가 동작하는 방식의 근간이야.
정확하게 정리하고 넘어가야 할
세부 내용들도 몇 가지 있어.
아까 작업 증명이란 블록의 해쉬값이
60개의 0으로 시작하게 하는
매직 넘버를 찾는 일이라고 얘기했는데,
Czech:
Ale pokud nevlastní kolem 50% veškeré výpočetní kapacity, kterou mineři disponují,
je ohromující pravděpodobnost,
že skutečný řetěz, na kterém pracují všichni ostatní,
bude růst rychleji než podvodný řetěz, kterým Alice krmí Boba.
Časem Bob zavrhne to, co slyší od Alice
a začne věřit delšímu řetězu, na kterém pracují všichni.
Všimněte si, z toho plyne, že byste neměli hned věřit každému bloku, který slyšíte;
měli byste počkat, až se za něj navěsí několik nových bloků.
Pokud do té doby nezaregistrujete žádný delší řetěz,
můžete věřit tomu, že přijatý blok je součástí řetězu, který používají i ostatní.
A s tím jsme pokryli všechny hlavní myšlenky.
Tenhle distribuovaný účetní systém založený na důkazu práce
je víceméně to, jak Bitcoin a spoustu dalších kryptoměn funguje.
Zbývá vyjasnit jen pár detailů.
Řekl jsem, že důkaz práce může spočívat v nalezení speciálního čísla,
Portuguese:
mas a menos que ela tenha cerca de 50% do poder computacional de todos os mineradores combinados
a probabilidade fica esmagadora
de que a cadeia de blocos que todos os outros mineradores estão trabalhando
cresça mais rápido do que a cadeia de blocos fraudulenta que Alice está enviando ao Bob
Então, depois de um certo tempo,
Bob vai passar a rejeitar o que está recebendo de Alice
em favor da cadeia de blocos mais longa que todo o resto do mundo está trabalhando
Note, isso significa que você não deve necessariamente confiar
em um novo bloco que você ouve imediatamente,
ao invés você deve esperar que vários outros blocos sejam adicionados a esse
Se você ainda não ouviu outras cadeias de blocos maiores
você pode confiar que este bloco
faz parte da mesma cadeia que todo mundo está usando
E com isso,
falamos sobre todas as ideias principais
Esse sistema de registros distribuídos
baseado na Prova de Trabalho
é mais ou menos como o protocolo Bitcoin funciona
e como muitas outras cripto moedas funcionam
só há alguns detalhes para esclarecer
Spanish:
Pero a no ser que tenga cerca de el 50% de los recursos computacionales de toda la red,
la probabilidad de que
la cadena de bloques en que están trabajando el resto de mineros
crezca más rapido, que la otra cadena que Alice esta enviando a Bob, juega en su contra.
Así que despues de un tiempo, Bob empezará a rechazar lo que esta recibiendo de Alice
en favor de la cadena más larga en que está trabajando el resto.A
Date cuenta, de que esto siginifica que, no es necesario que confies en un bloque nuevo al momento;
en cambio, puedes esperar a que lleguen nuevos bloques conectados con este.
Si todavía no has recibido ninguna cadena más larga,
puedes estar seguro de que ese bloque es parte de la misma cadena que la que usan los demás.
Y con esto, ya hemos atacado todas las ideas principales.
Este sistema de libro de cuentas distribuido basado en una prueba de trabajo
es más o menos como el protocolo Bitcoin funciona y como muchas otras criptomonedas funcionan.
Quedan todavía unos pocos detalles que cerrar.
Antes dije que la prueba de trabajo podría ser encontrar un número especial
Chinese:
但除非她拥有接近所有矿工的计算资源的50%
所以更可能发生的是
所以其他矿工计算的区块
会比Alice伪造给Bob的区块形成的区块链更长更快
所以经过足够长的时间,Bob会放弃他收到的来自Alice的区块链
而选择其他所有人都在计算的那一份区块链
所以你一开始并不会立即信任收听到的新的区块
而要等到后面有新的区块添加后
如果你还没收听到更长的区块链,
你就能信任这个区块和其他人的区块链中是一致的
到此,我们讲解了所有主要内容
这个基于工作量证明的分布式账本系统
多多少少和比特币还有其他加密货币一样
再讲讲更多的细节
刚我讲到工作量证明是寻找那一个特别数字
Hungarian:
De hacsak nincs közel 50%-os számítási erőforrása az összes többi bányász között,
elsöprővé válik annak a valószinűsége,
hogy az a blokklánc, amin az összes többi bányász dolgozik
az gyorsabban növekedjen, mint az egyedüli csalárd blokklánc, amivel Alice eteti Bobot.
Így kellő idővel után Bob csak el fogja utasítani azt, amit Alice-tól hall
a hosszabb blokklánc javára, amelyen mindenki más is dolgozik.
Figyeld meg, hogy ez azt jelenti, hogy nem feltétlenül bízhatsz meg azonnal egy új blokkban, amelyet hallasz;
ehelyett érdemes várnod hogy néhány új blokk épüljön rá.
Ha továbbra sem hallasz semmilyen hosszabb blokk láncolatról,
akkor megbízhatsz abban, hogy ez a blokk ugyanannak a láncnak a része, amelyet mindenki más is használ.
És ezzel meg is valósítottuk az fő ötleteinket.
Ez, az "elvégzett munka bizonyítékára" (*proof of work*-re) épülő az elosztott főkönyv rendszer
ez többé-kevésbé az ahogyan a Bitcoin protokoll és a legtöbb kriptopénz működik.
Vanegy pár apróság amit tisztáznunk kell.
Korábban azt mondtam, hogy a "proof of work" lehet az, hogy találni kell egy speciális számot,
French:
Mais à moins qu'elle n'ait environ 50% des ressources
de calcul parmi tous les mineurs,
la probabilité devient accablante
que la blockchain sur laquelle tous les autres mineurs travaillent
grossisse plus vite que la simple blockchain frauduleuse qu'Alice fournit à Bob.
Donc, après un temps suffisant, Bob
rejettera juste ce qu'il entend d'Alice
en faveur de la chaîne la plus longue sur laquelle tous les autres travaillent.
Notez que cela signifie que vous ne devriez pas nécessairement avoir confiance
en un nouveau bloc que vous entendez immédiatement,
à la place, vous devriez attendre que plusieurs nouveaux blocs soient ajoutés par dessus.
Si vous n'avez pas encore entendu parler d'une blockchain plus longue
vous pouvez avoir confiance que ce bloc
fait partie de la même chaîne que tous les autres utilisent.
Et avec ça, nous avons atteint toutes
les idées principales.
Ce système de livre de compte distribué basé sur une preuve de travail
est plus ou moins la façon dont le protocole Bitcoin fonctionne
et de nombreuses autres crypto-monnaies.
Il y a juste quelques détails à éclaircir. Plus tôt, j'ai dit
Chinese:
但除非她擁有接近所有礦工的計算資源的50%
不然更可能發生的是
所以其他礦工計算的區塊
會比Alice偽造給Bob的區塊形成的區塊鏈更長更快
所以經過足夠長的時間,Bob會放棄他收到的來自Alice的區塊鏈
而選擇其他所有人都在計算的那一份區塊鏈
所以你一開始並不會立即信任收聽到的新區塊
而要等到後面有新的區塊添加
如果沒收聽到更長的區塊鏈,
你就能信任這個區塊和其他人的區塊鏈是一致的
到此,我們講解了所有主要內容
這個基於工作量證明的分散式帳本系統
多多少少和比特幣還有其他加密貨幣運作原理一樣
只剩一些細節要解釋
剛剛我講到工作量證明是尋找那一個特別數字
Lithuanian:
Bet, nebent ji turi arti 50% visų kasėjų skaičiavimo resursų,
tikimybė tampa nepaprastai didelė,
kad blokų grandinė, prie kurios dirba visi kiti kasėjai,
auga greičiau nei viena suklastota blokų grandinė, kurią Alisa maitina Bobui.
Taigi, po pakankamo laiko tarpo, Bobas tiesiog atmes tai, ką girdi iš Alisos,
rinkdamasis ilgesnę grandinę, prie kurios dirba visi kiti.
Pastebėk, kad tai reiškia, kad tu neturėtum iš karto pasitikėti nauju bloku, kurį kątik išgirdai.
Vietoj to, turėtum laukti, kol keletas naujų blokų bus pridėti ant viršaus.
Jei vis dar negirdėjai jokių ilgesnių blokų grandinių,
gali pasitikėti, kad šis blokas yra dalis grandinės, kuria naudojasi ir visi kiti.
Ir su tuom, aptarėme visas pagrindines idėjas.
Ši išdalinta apskaitos sistema, paremta darbo įrodymu
yra daugiau ar mažiau kaip Bitkoino protokolas veikia ir kaip dauguma kitų kriptovaliutų veikia.
Yra tik keletas dalykų, kuriuos reiktų paaiškinti.
Anksčiau, sakiau, kad darbo įrodymas gali būti specialaus skaičiaus suradimas
Modern Greek (1453-):
έτσι ώστε το hash του μπλοκ ξεκινά με 60 μηδενικά.
Λοιπόν, ο τρόπος που το πραγματικό πρωτόκολλο Bitcoin δουλεύει είναι να αλλάξει περιοδικά ο αριθμός των μηδενικών
έτσι ώστε να πρέπει να παίρνει κατά μέσο όρο 10 λεπτά για να βρεθεί ένα νέο μπλοκ.
Έτσι, δεδομένου ότι υπάρχουν όλο και περισσότεροι ανθρακωρύχοι στο δίκτυο,
η πρόκληση γίνεται όλο και πιο δύσκολη,
με τέτοιο τρόπο που αυτή η μικρή κλήρωση έχει μόνο έναν νικητή κάθε 10 λεπτά.
Πολλά νεότερα κρυπτονομίσματα έχουν στην πραγματικότητα πολύ μικρότερους χρόνους μπλοκ από αυτό.
Και όλα τα χρήματα σε Bitcoin έρχονται τελικά από κάποια ανταμοιβή μπλοκ.
Στην αρχή, οι ανταμοιβές ήταν 50 Bitcoin ανά μπλοκ.
Υπάρχει πραγματικά μια πολύ καλή ιστοσελίδα μπορείτε να πάτε που ονομάζεται «Block Explorer»
που καθιστά εύκολο να κοιτάξετε μέσα στο blockchain του Bitcoin.
Και αν δει κανείς τα πρώτα λίγα μπλοκ της αλυσίδας,
δεν περιέχουν συναλλαγές, εκτός από εκείνη την αμοιβή των 50 Bitcoin στον ανθρακωρύχο.
Αλλά κάθε 210.000 μπλοκ, το οποίο είναι περίπου κάθε 4 χρόνια,
ότι η ανταμοιβή κόβεται στο μισό.
Portuguese:
Antes, eu disse que a Prova de Trabalho poderia ser achar o número especial
para que o Hash do bloco comece com 60 zeros,
Bem, a forma que o verdadeiro protocolo Bitcoin funciona
é periodicamente mudar esse número de zeros
para que demore, em média, 10 minutos para achar um novo bloco.
Então, quanto mais e mais mineradores são adicionados na rede,
o desafio fica mais e mais difícil
de forma que essa loteria em miniatura
só tenha um vencedor a cada 10 minutos
Muitas novas cripto moedas possuem tempos de bloco bem menores que esse
E todo o dinheiro do Bitcoin, no fim vem de alguma recompensa de bloco
No início, essa recompensa eram 50 Bitcoin por bloco
há um ótimo website chamado Block Explorer
que deixa fácil olhar a cadeia de blocos do Bitcoin
e se você olhar os primeiros blocos da cadeia de blocos
não há transação alguma além dos 50 Bitcoin de recompensa para o minerador
mas a cada 210 blocos, o que demora cerca de 4 anos
essa recompensa é cortada pela metade
Czech:
díky kterému bude hash bloku začínat s 60 nuly.
Způsob, jakým skutečný Bitcoin funguje spočívá v tom, že pravidelně mění počet nul tak,
aby nalezení nového bloku trvalo cca 10 minut.
S tím, jak do systému přibývají noví mineři
je práce těžší a těžší tak,
aby tahle miniaturní loterie měla vítěze průměrně každých 10 minut.
Mnoho nových kryptoměn má mnohem kratší intervaly nalezení bloku.
Veškeré peníze v Bitcoin systému pochází z blokových odměn.
V počátku byly odměny ve výši 50 Bitcoinů za každý blok.
Existuje webová stránka "Block Explorer",
kde se můžete podívat na celý Bitcoin řetěz.
A když se podíváte na prvních pár bloků řetězu,
neobsahují žádné transakce, kromě odměn 50 Bitcoinů pro minera.
Každých 210000 bloků, což je každé cca 4 roky
se bloková odměna zmenší na polovinu.
Spanish:
tal que el hash del bloque empiece con 60 ceros.
Bueno, la manera en que funciona con Bitcoin es cambiando periodicamente el numero de ceros
de tal forma que debería llevar de media 10 minutos encontrar un bloque nuevo.
Entonces a medida que más y más mineros entran a la red,
el reto se vuelve más y más dificil,
de tal forma que la mini loteria solo tiene un ganador cada 10 minutos.
Muchas criptomonedas más modernas tienen de media tiempos más cortos que este.
Y todo el dinero en Bitcoin en un comienzo viene de la recompensa por bloque.
Al principio, estas recompensas eran 50 Bitcoins por bloque.
De hecho hay una muy buena página a la que puedes ir llamada "Block Explorer"
que facilita visualizar la cadena de Bitcoin.
Y si miras a los primeros bloques en la cadena,
no contienen otra transacción que los 50 Bitcoin de recompensa al minero.
Pero cada 210.000 bloques, cada 4 años aproximadamente,
esa recompensa se reduce a la mitad.
iw:
כך שה-hash של הבלוק מתחיל בשישים אפסים.
ובכן, פרוטוקול הביטקוין בפועל משנה מעת לעת את המספר הזה של אפסים
כך שיקח עשר דקות בממוצע למצוא בלוק חדש.
כך שככל שיש יותר ויותר כורים ברשת,
האתגר בעצם נהיה קשה יותר ויותר,
בצורה שבה בלוטו המיניאטורי הזה יש רק מנצח אחד כל עשר דקות.
להרבה מטבעות מבוזרים יש למעשה זמן מציאת בלוק קצר יותר מזה
וכל הכסף בביטקוין מגיע בסופו של דבר מתגמולי בלוק
בהתחלה, התגבול הזה היה חמישים ביטקוין לכל בלוק.
יש למעשה אתר אינטרנט גדול שאתם יכולים ללכת אליו שנקרא "Block Explorer"
שמקל על החיפוש של בלוקצ'יינס של ביטקוין
ואם אתם מסתכלים על כמה הבלוקים הראשונים בכל השרשרת,
הם אינם מכילים עסקאות חוץ מגמול של חמישים ביטקוין לכורה.
אבל כל 210,000 בלוקים, שזה בערך כל 4 שנים,
הגבול נחתך בחצי.
French:
que la preuve de travail était de trouver un nombre spécial
de sorte que le hash du bloc commence par 60 zéros
et bien, la façon dont le vrai protocole Bitcoin fonctionne
est que ce nombre de zéros change périodiquement
de sorte que cela devrait prendre en moyenne 10 minutes pour trouver un nouveau bloc.
Donc comme il y a de plus en plus de mineurs dans le réseau,
le défi est de plus en plus dur,
de telle sorte que cette mini loterie ait uniquement
un vainqueur toutes les 10 minutes.
De nombreuses nouvelles crypto-monnaies ont
des temps de création de blocs plus courts que ça.
Et tout l'argent dans Bitcoin vient de
certains blocs de récompenses.
Au début, ces récompenses étaient de 50 bitcoins par bloc.
Il y a en fait un super site web sur lequel vous pouvez aller appelé "Block Explorer"
qui rend les choses faciles pour parcourir la blockchain Bitcoin.
Et si vous regardez les tous premiers blocs de la chaîne
ils ne contiennent aucune autre transaction que les 50 BTC de récompenses des mineurs.
Mais tous les 210 000 blocs,
ce qui équivaut à peu près à 4 ans,
la récompense est divisée par 2.
German:
mit der der Hashwert eines Blocks mit 60 Nullen beginnt.
Eigentlich funktioniert es so, dass die Anzahl dieser Nullen regelmäßig geändert wird,
so dass im Durchschnitt alle 10 Minuten ein neuer Block gefunden wird.
Das heißt wenn mehr und mehr Miner mitmachen
wird die Herausforderung schwerer und schwerer.
So dass die Minilotterie nur einen Gewinner alle 10 Minuten hat.
Viele neue Kryptowährungen haben deutlich kürzere Blockzeiten als 10 Minuten.
Und all das Geld in Bitcoins kommt letztendlich von Blockbelohnungen.
Am Anfang lag diese Belohnung bei 50 Bitcoin pro Block.
Es gibt eine gute Website auf die du gehen kannst, der "Block Explorer",
auf der du dir die Bitcoin-Blockkette ansehen kannst.
Und wenn du dir die ersten paar Blocks in der Kette anschaust,
dann siehst du, dass sie keine Transaktionen enthalten, außer den 50 Bitcoins Belohnung für die Miner.
Aber alle 210.000 Blocks, also in etwa alle vier Jahre,
wird diese Belohnung halbiert.
Korean:
아까 작업 증명이란 블록의 해쉬값이
60개의 0으로 시작하게 하는
매직 넘버를 찾는 일이라고 얘기했는데,
정확하게는 비트코인은 그 0의 갯수를
주기적으로 조절하는 규약을 가지고 있어.
그래서 새 블록을 생성하는데 드는 시간이 평균적으로
10분이 되도록 주기적으로 0의 갯수를 조절해.
그래서 더 많은 채굴자가 비트코인의
블록체인 네트워크에 참여하면
0의 갯수를 늘려서 매직 넘버를 찾아내기
더 어렵게 만들지.
이 방식을 통해 미니 로또 당첨자는
대략 10분 마다 탄생되는거야.
많은 새로운 암호화 화폐들은 대개 10분보다
훨씬 더 짧은 블록 생성 시간을 갖고 있어.
비트코인에서의 모든 코인은
이 블록 보상에서 만들어지는거야.
처음에는 블록 하나 당
50 비트코인이 보상으로 주어졌어.
"Block Explorer"라는 웹사이트에 가면
비트코인 블록체인 정보를 쉽게 살펴볼 수 있어.
맨 처음 몇 블록을 살펴보면
채굴자에게 50 비트코인을 보상으로 주었다는
블록 보상 거래만 보일거야.
21만 블록마다, 시간적으로는 약 4년 마다
보상액은 절반으로 줄어들어.
Turkish:
Italian:
così che l'hash del blocco inizi con 60 zeri.
Ebbene, la maniera in cui il protocollo Bitcoin funziona è cambiando periodicamente il numero di zeri
così che in media trovare un nuovo blocco richieda 10 minuti.
Così più "minatori" si aggiungono al network
più la sfida diventa difficile,
in maniera che questa lotteria in miniatura abbia circa solo un vincitore ogni 10 minuti.
Molte nuove criptovalute hanno un "tempo di blocco" molto più corto.
E alla fine tutti i soldi nel Bitcoin arrivano dalla ricompensa per ogni nuovo blocco.
All'inizio questa ricompensa ammontava a 50 Bitcoin per blocco.
C'è un bel sito web che puoi visitare chiamato "Block Explorer"
che rende semplice scorrere la "blockchain" del Bitcoin.
E se guardi i primi blocchi della catena,
non contengono alcuna transazione oltre alla ricompensa di 50 Bitcoin per il "minatore".
Ma ogni 210000 blocchi, circa ogni 4 anni,
la ricompensa viene dimezzata.
Chinese:
滿足其區塊的雜湊值以60個0開頭
而現實的比特幣體系中這些0的長度規律地變化
以保證平均每10分鐘產生一個新的區塊
所以當有越來越多的礦工加入其中
計算也變得越來越難,來維持這個「樂透」大約每10分鐘只有一個人中獎
很多新的加密貨幣有更短的區塊時間
比特幣體系中所有的比特幣最初都來自於生成新區塊的獎勵
在一開始,是每區塊50個比特幣
還有一個叫做「Block Explorer」的網站你可以去看看
上面能輕鬆地看到比特幣區塊鏈中的資訊
如果你看區塊鏈最開始的那幾個區塊
它們除了獎勵給礦工的50個比特幣之外並沒有其他交易
但每過210000個區塊,差不多每4年,
區塊獎勵就會減半
Polish:
takiego, że hash bloku zaczyna się 60 zerami.
Cóż, rzeczywisty protokół Bitcoin działa w ten sposób, że liczba zer jest okresowo zmieniana,
tak, że powinno zająć średnio 10 minut, aby znaleźć nowy blok.
Tak więc, jak przybywa coraz więcej górników w sieci,
wyzwanie staje się coraz trudniejsze,
w taki sposób, że ta mini loteria ma tylko około jednego zwycięzcę co 10 minut.
Wiele nowszych kryptowalut ma znacznie krótsze czasy blokowe niż ta.
I wszystkie pieniądze w Bitcoin ostatecznie pochodzą z pewnego bloku nagrody.
Na początku, te nagrody wynosiły 50 Bitcoin na blok.
Jest świetna strona internetowa , którą możesz odwiedzić, „Block Explorer”,
na której można łatwo przejrzeć Block Chain Bitcoin.
A jeśli spojrzysz na kilka pierwszych bloków na łańcuchu,
one nie zawierają żadnych transakcji innych niż 50 Bitcoin nagrody dla górnika.
Ale co 210000 bloki, czyli około co 4 lata,
ta nagroda zostaje pomniejszona o połowę.
English:
Earlier I said that the proof of work might
be to find a special number so that the hash
of the block starts with 60 zeros.
The way the actual bitcoin protocol works
is to periodically change that number of zeros
so that it should take, on average, 10 minutes
to find a block.
So as there are more and more miners on the
network, the challenge gets harder and harder
in such a way that this miniature lottery
only has about one winner every 10 minutes.
Many newer cryptocurrencies have much shorter
block times.
All of the money in Bitcoin ultimately comes
from some block reward.
These rewards 50 Bitcoin per block.
There’s a great site called “block explorer”
where you can look through the bitcoin blockchain,
and if you look at the very first few blocks
on the chain, they contain no transactions
other than the 50 Bitcoin reward to the miner.
Every 210,000 blocks, which is about every
4 years, that reward gets cut in half.
Arabic:
بحيث يبدأ الهاش بـ60 صفرًا.
حسنًا، الطريقة التي تعمل بها البيتكوين الحقيقية هي أن عدد الأصفار هذا يتغير من وقت لآخر
بحيث تستغرق بالمتوسط 10 دقائق لإيجاد كتلة جديدة.
لذا مع زيادة عدد المعدنين المنضمين إلى الشبكة،
التحدي حقيقةً يزداد صعوبة أكثر فأكثر
بطريقة يكون في هذا اليانصيب فائز واحد كل 10 دقائق.
في الواقع، العديد من العملات المشفرة الآخرى تحتاج وقت أقصر من هذا لاكتشاف كتلة جديدة.
وكل الأموال في بيتكوين تأتي نهايةً من المكافآت.
في البداية، كانت المكافأة 50 بتكوين لكل كتلة.
في الواقع، يوجد موقع ويب رائع يمكنك زيارته يسمى "Block Explorer"
والذي يجعل الاطلاع على سلسلة كتل البيتكوين سهل.
وإذا اطلعت على الكتل الأولى من السلسلة،
فستجد أنه ليس هناك أي عمليات غير الـ50 بيتكوين التي اكتسبها المعدن.
ولكن، كل 210000 كتلة، أي ما يعادل 4 سنوات تقريبًا،
تقل هذه المكافأة إلى النصف.
Indonesian:
sehingga hash blok dimulai dengan 60 angka nol.
Nah, cara kerja protokol Bitcoin sebenarnya adalah mengubah jumlah angka nol secara berkala
sehingga harus memakan waktu rata-rata 10 menit untuk menemukan blok baru.
Jadi karena semakin banyak penambang ditambahkan ke jaringan,
tantangan itu sebenarnya semakin sulit,
sedemikian rupa sehingga undian miniatur ini hanya memiliki satu pemenang setiap 10 menit.
Banyak uang kripto yang lebih baru sebenarnya memiliki banyak blok waktu yang lebih pendek dari itu.
Dan semua uang di Bitcoin pada akhirnya berasal dari beberapa block reward.
Pada awalnya, penghargaan ini adalah 50 Bitcoin per blok.
Sebenarnya ada situs web hebat yang bisa Anda kunjungi "Block Explorer"
yang membuatnya mudah untuk melihat melalui blokir Bitcoin.
Dan jika Anda melihat beberapa blok pertama pada rantai itu,
Mereka tidak mengandung transaksi selain pemberian imbalan 50 Bitcoin kepada penambang.
Tapi setiap 210000 blok, yaitu sekitar setiap 4 tahun,
Imbalan itu terbelah dua.
Vietnamese:
để "băm" của khối bắt đầu với 60 số không.
Vâng, cách mà giao thức Bitcoin thực tế hoạt động là định kỳ thay đổi số lượng số 0
để việc tìm một khối mới phải mất trung bình 10 phút.
Vì vậy, khi ngày càng có nhiều thợ mỏ được thêm vào mạng,
việc tìm thực sự càng trở nên khó khăn hơn,
theo cách mà mỗi vòng xổ số thu nhỏ này chỉ có một người chiến thắng mỗi 10 phút.
Nhiều đồng tiền mã hóa mới hơn có thời gian tạo khối ngắn hơn nhiều.
Và tất cả số tiền trong Bitcoin cuối cùng là bắt nguồn từ phần thưởng khối.
Ban đầu, những phần thưởng này là 50 Bitcoin mỗi khối.
Có một trang web thú vị mà bạn có thể ghé thăm, tên là "Block Explorer",
nó giúp ta xem xét các blockchain của Bitcoin một cách dễ dàng.
Và nếu bạn nhìn vào vài khối đầu tiên trên chuỗi,
chúng không chứa các giao dịch nào ngoài phần thưởng 50 Bitcoin cho người khai thác mỏ.
Nhưng cứ mỗi 210000 khối, hay là khoảng mỗi 4 năm,
phần thưởng đó bị cắt giảm một nửa.
Lithuanian:
taip, kad bloko hešas prasidėtų 60 nulių.
Na, tai, kaip tikrasis Bitkoino protokolas veikia, yra periodiškai pakeisti nulių skaičių taip,
kad vidutiniškai užtruktų dešimt minučių surasti naują bloką.
Taigi, kai prie tinklo prisideda vis daugiau ir daugiau kasėjų,
sudėtingumas darosi vis sunkesnis ir sunkesnis;
tiek, kad ši mini loterija turi maždaug vieną laimėtoją kas dešimt minučių.
Dauguma naujų kriptovaliutų iš tiesų turi daug trumpesnius blokų laikus nei tiek.
Ir visi pinigai Bitkoine galiausiai atsiranda iš kažkurio bloko apdovanojimo.
Pradžioje, šie apdovanojimai buvo 50 bitkoinų už bloką.
Iš tiesų yra geras internetinis puslapis, pavadinimu "Blokų tyrinėtojas",
kuris lengvai padeda peržiūrėti Bitkoino blokų grandinę.
Ir jei pažiūrėsi į pirmuosius kelis blokus grandinėje,
juose nėra jokių transakcijų, išskyrus 50 bitkoinų apdovanojimus kasėjams.
Bet kas 210 000 blokų, kas yra maždaug 4 metai,
tas atlygis sumažinamas per pusę.
Chinese:
满足其区块的散列值以60个0开头
而现实的比特币体系中这些0的数字规律的变化
以保证平均每10分钟产生一个新的区块
当有越来越多的矿工加入其中
为了赢得每10分钟开奖的彩票,计算也变得越来越难
很多新的加密货币有更短的区块时间
比特币体系中所有的比特币都来自于生成新区块的奖励
在一开始,是每区块50个比特币
还有一个叫做“Block Explorer”的网站你可以去看看
上面能轻松地看到比特币区块链中的信息
如果你看区块链最初识的那几个区块
它们除了奖励给矿工的50个比特币之外并没有其他交易
但每过210000个区块,差不多每4年,
区块奖励就会减半
Russian:
которое при подстановке в хэш функцию выдаёт первые 60 нулей.
Но протоколу Биткоина требуемое число нулей меняется периодично,
таким образом, чтобы в среднем потребовалось 10 минут для создания нового блока
То есть, чем больше "майнеров" приходит в сеть, тем задача становится сложнее и сложнее,
для того чтобы эта мини-лоттерея в среднем выдавала одного победителя каждые 10 минут
Многие новые криптовалюты имеют меньшее среднее время нахождения нового блока
И все биткоины в обращении являются ничем другим, как наградами за нахождение новых блоков
Сначала эти награды имели размер в 50 биткоинов
Есть отличный сайт, который называется BlockExplorer
Он позволяет легко путешествовать по истории транзакций в блокчейне
И если посмотреть на первые найденные блоки в цепочке,
можно убедиться, что они не содержали никаких транзакций, кроме награды майнеру за нахождение блока
Но каждые 210 000 блоков, что примерно соответствует 4 годам
Награда уменьшается в 2 раза
Hungarian:
amivel a blokk hash-e 60 darab nullával kezdődik.
Nos, a Bitcoin protokoll valójában úgy működik, hogy időközönként megváltoztatják a nullák számát,
hogy így átlagosan 10 perc szükségeltessen ahhoz, hogy megtaláljanak egy új blokkot.
Tehát ahogy egyre több bányász csatlakozik a hálózatra,
úgy egyre nagyobb lesz a kihivás,
olyan módon, hogy ennek a mini-lottónak 10 percenként átlagosan egyetlen nyertese lehessen.
Számos újabb kriptopénz valójában ennél sokkal rövidebb blokkidőkkel rendelkeznek.
És végső soron minden pénzegység a Bitcoinban valamilyen blokk jutalomból származik.
A kezdetben ez a jutalom 50 bitcoin volt blokkonként.
Igazából van egy nagyszerű weboldal amit "Block Explorer"-nek hívnak,
ami segít átlátni a Bitcoin blokkláncot.
És hogy ha megnézed az első néhány blokkot a láncon, akkor azt láthatod, hogy
nincs benne más tranzakció mint az 50 bitcoinos jutalom a bányásznak.
De minden 210 000-ik blokknál, ami nagyjából 4 évente van,
ez a jutalom megfeleződik.
Japanese:
ハッシュを作り出す値を探す事だと説明した。
実際のビットコインのプロトコルでは、必要なゼロの数は変動する。
それで新たなブロックの生成にかかる時間を平均10分になるよう調整する。
もしより多くの採掘者がネットワーク上にいた場合、
要件はより厳しくなる。
これで大体10分の間に一人、小型宝くじに当選する人がいる様にする。
後発の暗号通貨はもっと短い期間を採用している場合が多い。
ビットコイン上にある通貨は全てブロック報酬によって生まれている。
最初のブロック報酬は1ブロックにつき50ビットコインであった。
これに関して「Block Explorer」という素晴らしいサイトがあり、
ビットコインのブロックチェーンの成り行きを簡単に閲覧できる。
一番最初のブロックを参照してみると、
取引記録が無く、50ビットコインの報酬だけが記録されている。
実は21万ブロックごとに、得られる報酬は半減する。
大体4年ごとである。
French:
Donc maintenant, la récompense est de 12,5 BTC par bloc.
Et parce que cette récompense diminue géométriquement
à travers le temps, cela signifie qu'il n'y
aura jamais plus que 21 000 000 de BTC en circulation.
Cependant, cela ne signifie pas que les mineurs ne gagneront plus d'argent.
En supplément des blocs de récompenses, les mineurs peuvent
aussi percevoir des frais de transactions.
La façon dont ça marche est qu'à chaque fois que vous faites un paiement,
vous pouvez de façon totalement optionnelle (mais recommandée) inclure des frais de transaction avec
qui iront au mineur qui inclura ce bloc de paiement.
La raison pour laquelle vous pourriez faire cela est d'encourager les mineurs
pour inclure réellement la transaction
que vous transmettez dans le prochain bloc.
Vous voyez, dans Bitcoin, chaque bloc est limité à environ 2 400 transactions.
De nombreux critiques disent que cette restriction
n'est pas nécessaire.
En comparaison, VISA procède en moyenne à environ 1700 transactions par seconde,
et ils sont capable d'en manipuler plus de 24 000 par seconde.
Ce traitement relativement lent sur
Japanese:
2017年現在、報酬は12.5ビットコインである。
この報酬の減少は永久に続いていくわけだから、
2100万ビットコインが存在できる上限である事が分かる。
ただし、採掘者が通貨を獲得できなくなるという事は無い。
ブロック報酬に加えて、採掘者は取引手数料を徴収することができる。
よって実は取引をした時はいつも、
手数料を追加で含める事ができる。
この手数料によって、採掘者はブロックにどの取引記録を入れるかを決める。
手数料を入れれば、採掘者に自分の取引記録を
次のブロックに入れてもらうように催促できる。
ビットコインにおいては、各ブロックが保持できる記録数の上限は2400であり、
これには批判も多々ある。
比較として、VISAは一秒につき約1700の取引を平均で完了させている。
さらに一秒に2万4千の取引を完了させる能力も持っている。
Modern Greek (1453-):
Έτσι, αυτή τη στιγμή, η ανταμοιβή είναι 12,5 Bitcoin ανά μπλοκ.
Και επειδή αυτή η ανταμοιβή μειώνεται γεωμετρικά την πάροδο του χρόνου,
αυτό σημαίνει ότι δεν θα υπάρξουν ποτέ πάνω από 21.000 000 Bitcoin.
Ωστόσο, αυτό δεν σημαίνει ότι οι ανθρακωρύχοι θα σταματήσουν να κερδίζουν χρήματα.
Εκτός από την ανταμοιβή μπλοκ, οι ανθρακωρύχοι μπορούν επίσης να παραλαμβάνουν τέλη συναλλαγής.
Ο τρόπος που δουλεύει αυτό είναι ότι κάθε φορά που κάνετε μια πληρωμή,
μπορείτε να εντελώς προαιρετικά να συμπεριλάβετε μια μικρή αμοιβή συναλλαγής
που πρόκειται να πάει στον ανθρακωρύχο που συμπεριέλαβε την πληρωμή (στο μπλοκ του).
Ο λόγος που γίνεται αυτό είναι να δοθούν κίνητρα στους ανθρακωρύχους
για να συμπεριλάβουν την συναλλαγή που μεταδίδετε, στο επόμενο μπλοκ.
Βλέπετε, στο Bitcoin, κάθε μπλοκ περιορίζεται σε περίπου 2400 συναλλαγές,
το οποίο πολλοί επικριτές υποστηρίζουν είναι αδικαιολόγητα περιοριστικό.
Για λόγους σύγκρισης, η VISA επεξεργάζεται κατά μέσο όρο περίπου 1.700 συναλλαγές το δευτερόλεπτο,
και είναι σε θέση να χειρίζεται πάνω από 24.000 ανά δευτερόλεπτο.
Arabic:
والآن، تبلغ المكافأة 12.5 بيتكوين لكل كتلة.
وبما أن المكافأة تتناقص بشكل هندسي
فهذا يعني أن عملات البيتكوين لن تزيد مطلقًا عن 21 مليون بيتكوين.
ولكن هذا لا يعني أن المعدنين لن يجنوا المال مجددًا.
فبالإضافة للمكافآت، بإمكان المعدنين الحصول على رسوم العمليات.
والطريقة التي يستطيعون ذلك بها هي أنه في كل مرة تقوم فيها بالدفع،
يمكنك بشكل طوعي تمامًا تضمين رسوم عمليات قليلة مع نفس الدفعة
والتي ستذهب لحساب المعدّن الذي عدن الكتلة التي تحتوي على تلك العملية.
السبب الذي سيدفعك لفعل هذا هو تحفيز المعدنين
ليضموا عملياتك التي تبثها في الكتلة التالية.
كما ترى، كل كتلة تقتصر على 2400 عملية
والتي يناقش العديد من النقاد على أنها قيود غير ضرورية.
وعلى سبيل المقارنة، تقوم VISA بالمتوسط بمعالجة 1700 معاملة في الثانية،
وقادرة على التعامل مع أكثر من 24000 في الثانية.
Russian:
Сейчас, награда за блок составляет 12.5 биткоинов
Поскольку в течение времени награда уменьшается в геометрической прогрессии
Число биткоинов в обращении не может быть больше 21 миллиона
Но это не значит, что майнеры перестанут останутся без хлеба
Помимо награды за нахождение, майнеры могут получать плату за включение транзакций в свой блок
Это работает так: всякий раз, совершая транзакцию
Ты можешь опционально добавить небольшую плату вместе с ней,
которая уйдёт майнеру, включившему её в свой блок
Это делается для того, чтобы мотивировать майнеров добавить
транслируемые транзакции в следующий блок побыстрее
В биткоине каждый блок может включить в себя примерно 2400 транзакций
и многие критикуют за это биткоин, считая это число слишком ограничивающим
Для сравнения: VISA в среднем проводит 1700 операций в секунду
и способна проводить более 24 тысяч операций в секунду
Italian:
Ora la ricompensa è di 12.5 Bitcoin per blocco.
E visto che questa ricompensa decresce nel tempo come una serie geometrica,
significa che non esisteranno mai più di 21000000 Bitcoin.
Questo però non significa che i "minatori" smetteranno di guadagnare soldi.
Oltre alla ricompensa per ogni blocco, i "minatori" possono anche ricevere delle "commissioni di transazione".
Il modo in cui questo funziona è che ogni volta che tu fai un pagamento,
puoi, in maniera totalmente volontaria" includere una piccola "commissione di transazione"
che andrà al "minatore" del blocco che la include.
Questo può servire ad incentivare i "minatori"
ad includere la transazione che stai trasmettendo nel prossimo blocco.
Vedi, nel Bitcoin, ogni blocco è limitato a circa 2400 transazioni,
cosa che molti critici trovano inutilmente restrittiva
A titolo di paragone, VISA elabora in media 1700 transazioni al secondo
e sarebbero in grado di gestirne 24000 al secondo.
Korean:
그래서 지금(2017년 7월)은
블록 당 12.5 비트코인이 보상으로 지급되고 있어.
보상액이 시간이 지남에 따라
기하급수적으로 줄어들게 되므로
비트코인의 총 개수가 2,100만개가 되면
보상액은 0이 되고 코인 수는 더 이상 늘어나지 않아.
하지만 보상액이 0이 된다고 해서
채굴자들이 채굴을 멈추지는 않아.
왜냐하면 채굴자들은 블록 보상 외에도
일정량의 거래 수수료를 챙길 수 있기 때문이지.
여러분이 비트코인으로 지불할 때
옵션으로 소액의 거래 수수료를 포함할 수 있어.
그럼 그 지불이 포함된 블록의 생성자가
그 거래 수수료를 가져가게 돼.
거래 수수료를 포함하면
채굴자들이 수수료가 포함된 그 거래를
다른 거래보다 먼저 블록에 포함시키도록
동기부여가 되겠지.
비트코인에서는 약 2,400개까지의 거래만
하나의 블록에 포함될 수 있도록 제한하고 있어.
이 부분은 사실 불필요한 제약이라며
많은 비판을 받고 있기도 해.
다른 것과 비교를 해보자면, VISA 카드사는
초당 평균 1,700개의 거래를 처리한다고 해.
초당 최대 24,000개의 거래도 처리할 수 있다고 하네.
Polish:
Więc teraz, nagroda wynosi 12.5 Bitcoin na blok.
A ponieważ ta nagroda zmniejsza się geometrycznie w czasie,
to oznacza, że nigdy nie będzie więcej istniejących Bitcoin niż 21000000.
Jednak nie oznacza to, że górnicy przestaną zarabiać pieniądze.
Oprócz nagrody za blok, górnicy mogą również podnieść opłaty transakcyjne.
Działa to w taki sposób, że kiedykolwiek dokonujesz płatności,
możesz opcjonalnie zawrzeć w niej niewielką opłatę transakcyjną,
która trafi do górnika, którego blok zawiera tę płatność.
Możesz to robić po to, żeby zachęcić górników, aby
włączali transakcję, którą nadajesz do następnego bloku.
Widzisz, w Bitcoin, każdy blok jest ograniczony do około 2400 transakcji,
co wielu krytyków uważa za niepotrzebnie restrykcyjne.
Dla porównania, VISA przetwarza średnio około 1700 transakcji na sekundę
i są w stanie obsługiwać więcej niż 24000 na sekundę.
German:
Im Moment liegt diese Belohnung bei 12,5 Bitcoins pro Block.
Und weil diese Belohnung geometrisch verringert wird,
bedeutet das, dass es nie mehr als 21 Millionen Bitcoins geben wird.
Das bedeutet aber nicht, dass Miner kein Geld mehr verdienen.
Zusätzlich zu den Blockbelohnung können Miner auch Transaktionsgebühren einnehmen.
Das funktioniert indem du, jedes Mal wenn du eine Zahlung vornimmst,
freiwillig eine kleine Transaktionsgebühr mitschickst
die an den Miner geht, dessen Block deine Zahlung beinhaltet.
Deine Motivation dahinter könnte sein, Miner dazu zu bringen,
deine Zahlung im nächsten Block mitaufzunehmen.
Bei Bitcoins ist jeder Block auf circa 2400 Transaktionen beschränkt,
laut vieler Kritiker unnötig einschränkend.
Zum Vergleich: Visa bearbeitet circa 1700 Transaktionen pro Sekunde
und kommt theoretisch mit mehr als 24000 pro Sekunde klar.
Portuguese:
então agora, a recompensa são 12,5 Bitcoin por bloco
Por essa recompensa diminuir geometricamente pelo tempo,
significa que não existirão mais do que 21 milhões de Bitcoin
Entretanto, isso não significa que mineradores deixarão de ganhar recompensas
Além da recompensa de bloco,
mineradores também podem receber taxas de transações
O jeito que funciona é, quando você faz um pagamento,
você pode puramente opcional incluir uma taxa de transação que vai para o minerador
responsável pelo bloco que inclua aquela transação
a razão que você pode querer fazer isso é para incentivar os mineradores
a incluir a transação que você transmitiu já no próximo bloco
Entenda, no Bitcoin, cada bloco é limitado a cerca de 2400 transações
o que muitos críticos consideram ser desnecessariamente restritivo
Para comparação, Visa processa uma média de 1700 transações por segundo
e são capazes de suportar mais do que 24000 por segundo
Este comparativamente lerdo processamento de Bitcoin
Vietnamese:
Vì vậy, ngay bây giờ, phần thưởng là 12,5 Bitcoin mỗi khối.
Và bởi vì phần thưởng này giảm dần theo cấp số nhân theo thời gian,
sẽ không bao giờ có hơn 21000000 Bitcoin tồn tại.
Tuy nhiên, điều này không có nghĩa là thợ mỏ sẽ ngừng được thưởng tiền.
Ngoài phần thưởng từ việc làm khối, các thợ mỏ cũng có thể nhận các khoản phí giao dịch.
Nghĩa là bất cứ khi nào bạn thực hiện thanh toán,
bạn hoàn toàn có thể chọn bao gồm một khoản phí giao dịch nhỏ với nó
khoản đó sẽ đi vào các thợ mỏ của bất kỳ khối chứa thanh toán đó.
Lý do bạn có thể làm điều đó là để khuyến khích các thợ mỏ
bao gồm các giao dịch (mà bạn phát sóng) vào khối kế tiếp.
Bạn thấy đó, trong Bitcoin, mỗi khối bị giới hạn trong khoảng 2400 giao dịch,
mà nhiều nhà phê bình lập luận là không cần thiết.
Để so sánh, VISA xử lý trung bình khoảng 1700 giao dịch mỗi giây,
và họ có khả năng xử lý hơn 24000 mỗi giây.
Chinese:
現在,每個區塊的獎勵是12.5個比特幣
也因為這個獎勵隨著時間等比減少
也就意味著最終可獲取的比特幣不會超過21000000
但這並不是說礦工最終不能再賺錢
除了區塊獎勵外,礦工還可以獲得交易費
每當你支付時,你可選擇一小筆交易費一起支付
這筆交易費最終會給包含這筆記錄的區塊建立者
你這麼做能夠激勵礦工們
在下個區塊中包含你這筆交易資訊
在比特幣中,每個區塊包含約2400筆交易記錄
很多批判家認為這個限制過於嚴格
與VISA比較,VISA每秒平均處理約1700筆交易
每秒最多能處理24000筆交易
iw:
אז עכשיו, הפרס הוא 12.5 ביטקוין לכל בלוק.
ומכיוון שהגמול הזה קטן באופן גיאומטרי לאורך זמן,
זה אומר שלא יהיה יותר מ-210 מיליון ביטקוין קיימים, אי פעם.
עם זאת, זה לא אומר שכורים יפסיקו להרוויח כסף.
בנוסף גמול הבלוק, כורים יכולים גם לקבל דמי עסקה.
הדרך שבה זה עובד היא שבכל פעם שאתם מבצעים תשלום,
אתם יכולים (לגמרי בהתנדבות) לכלול דמי עסקה קטנים לאותו תשלום
שהולכים אל הכורה אשר יכלול את התשלום הזה בבלוק שלו.
הסיבה שאתם עלולים לעשות זאת היא לתמרץ הכורים
לכלול את העסקה ששידרתם בבלוק הבא שלהם.
אתם מבינים, בביטקוין, כל בלוק חדש מוגבל לבערך 2,400 עסקאות
מה שמבקרים רבים טוענים שהוא הגבלה מיותרת.
לשם השוואה, ויזה מעבדים בממוצע 1,700 עסקאות בשנייה
ומסוגלים להתמודד עם יותר מ-24,000 לשנייה.
Lithuanian:
Taigi, dabar, atlyginimas yra 12.5 bitkoino už bloką.
Ir kadangi šis atlyginimas mažėja geometriškai su laiku,
tai reiškia, kad niekada nebus daugiau nei 21 000 000 bitkoinų egzistavime.
Visgi, tai nereiškia, kad kasėjai nustos gauti pinigus.
Neskaitant blokų apdovanojimų, kasėjai taip pat gauna transakcijų mokesčius.
Tai veikia taip, kad kiekvieną kartą tau sumokant,
tu gali visiškai savo nuožiūra pasirinkti pridėti mažą transakcijos mokestį kartu su pačia transakcija,
kuris nukeliaus to bloko, kuriame atsiras transakcija, kasėjui.
Priežastis, kodėl tu gali norėti taip padaryti, tai suteikti motyvacijos kasėjams
pridėti tą transakciją, kurią tu transliuoji, į sekantį bloką.
Matai, Bitkoine, kiekvienas blokas yra apribotas iki 2 400 transakcijų,
ką daugelis kritikų vadina nereikalingai ribota.
Palyginimui, VISA apdoroja vidutiniškai apie 1 700 transakcijų per sekundę,
ir jie gali dirbti su daugiau nei 24 000 transakcijų per sekundę.
Czech:
Teď je odměna 12.5 Bitcoinu za blok.
A protože odměna klesá geometricky,
znamená to, že nikdy nebude existovat víc než 21.000.000 Bitcoinů.
To ale neznamená, že by mineři přestali vydělávat.
Spolu s blokovou odměnou mohou mineři také účtovat transakční poplatky.
Ty fungují tak, že kdykoliv někdo udělá platbu v Bitcoinu,
může k ní volitelně nabídnout transakční poplatek,
který se vyplatí tomu, jehož blok bude tuto transakci zahrnovat.
Důvod, proč byste k transakci nabízeli peníze navíc je, abyste motivovali minery
k zahrnutí vaší vyslané transakce do jejich bloku.
V Bitcoinu je každý blok omezen na cca 2400 transakcí,
což je často kritizováno jako příliš omezující.
Pro porovnání, VISA zpracuje v průměru asi 1700 transakcí za vteřinu,
a jsou schopni zvládnout až 24.000 za vteřinu.
Hungarian:
Tehát a jutalom most 12,5 bitcoin blokkonként.
És mivel ez a jutalom geometrikusan csökken az idő múlásával,
ez azt jelenti, hogy soha nem fog több mint 21 000 000 Bitcoin létezni.
Ez azonban nem jelenti azt, hogy a bányászok egyszercsak nem fognak több pénzt keresni.
A blokk jutalom mellett a bányászok a tranzakciós díjakat is megkaphatják.
Ez úgy működik, hogy amikor csak fizetni szeretnél,
tisztán opcionálisan hozzáadhatsz vele együtt egy kis tranzakciós költséget,
ami annak a bányásznak fog menni, aki kibányássza azt a blokkot, amiben a te tranzakciód is van.
Ezt azzal az indokkal tennéd meg, hogy ösztönözd a bányászokat,
hogy valóban adják hozzá a következő blokkban azt a tranzakciót, amit kiküldtél a hálózatra.
Látod, a Bitcoinban minden blokk körülbelül 2400 tranzakcióra van limitálva,
amelyet sokan kritikus vitat, hogy szükségtelenül korlátozó.
Összehasonlításképpen a VISA átlagosan körülbelül 1700 tranzakciót dolgoz fel másodpercenként,
és összesen 24 000-et is képesek kezelni másodpercenként.
Indonesian:
Jadi saat ini, imbalannya adalah 12,5 Bitcoin per blok.
Dan karena penghargaan ini menurun secara geometris seiring berjalannya waktu,
Artinya tidak akan ada lebih dari 21.000.000 Bitcoin yang ada.
Namun, ini tidak berarti bahwa penambang akan berhenti menghasilkan uang.
Selain bonus blok, penambang juga bisa mengambil biaya transaksi.
Cara kerjanya adalah setiap kali Anda melakukan pembayaran,
Anda bisa secara sukarela memasukkan sedikit biaya transaksi dengannya
itu akan pergi ke penambang blok mana pun termasuk pembayaran itu.
Alasan Anda mungkin melakukannya adalah dengan memberi insentif kepada para penambang
untuk benar-benar memasukkan transaksi yang Anda tayangkan ke blok berikutnya.
Anda lihat, di Bitcoin, setiap blok dibatasi sekitar 2.400 transaksi,
Banyak kritikus berpendapat tidak perlu membatasi.
Sebagai perbandingan, VISA memproses rata-rata sekitar 1.700 transaksi per detik,
dan mereka mampu menangani lebih dari 24.000 per detik.
English:
So right now, the reward is at 12.5 Bitcoin
per block, and because this reward decreases
geometrically over time, there will never
be more than 21 million bitcoin in existence.
However, this doesn’t mean miners will stop
earning money.
In addition to the block reward, miners can
also pick up transactions fees.
The way this works is that whenever you make
a payment, you can optionally include a small
transaction fee with it that will go to the
miner of whatever block includes that payment.
The reason you might do this is to incentivize
miners to actually include the transaction
you broadcast into the next block.
You see, in Bitcoin, each block is limited
to about 2,400 transactions, which many critics
argue is unnecessarily restrictive.
For comparison, Visa processes an average
of around 1,700 transactions per second, and
Chinese:
现在,每个区块的奖励是12.5个比特币
也因为这个奖励随着时间等比减少
也就意味着最终可获取的比特币不会超过21000000
但这并不是说矿工最终赚不到钱
除了区块奖励外,矿工还可以获得交易费
每当你支付时,你可选择一小笔交易费一起支付
这笔交易费最终会给包含这笔记录的区块建立者
你这么做能够激励矿工们
将包含你这笔交易信息的区块广播给网络中的其他人
在比特币中,每个区块包含约2400笔交易记录
很多批判家认为这个限制过于严格
与VISA比较,VISA每秒平均处理约1700笔交易
而它每秒能够处理多达24000笔交易
Spanish:
De tal forma que, ahora mismo la recompensa por bloque es 12,5.
Y debido a que esta recompensa desciende geometricamente en el tiempo,
significa que nunca habrá más de 21.000.000 de BItcoins.
En cualquier caso, esto no significa que los mineros dejarán de recibir dinero.
Aparte de las recompensas por bloque, los mineros también pueden recibir cuotas por transacciones.
Esto funciona asi, cuando realizas un pago,
si quieres puedes añadir un pequeño extra a la transacción
que va a recibir el minero que haya descubierto el bloque en que vaya esa trasacción.
La razón por la que podrías hacerlo es para incentivar a los mineros
a incluir la transaccion que estas emitiendo en el siguiente bloque.
Verás, en Bitcoin, el limite por bloque es de unas 2400 por bloque,
algo quemuchos críticos argumentan que es demasiado restrictivo.
Como comparación, VISA procesa una media de 1.700 transacciones por segundo,
y son capaces de manejar mas de 24.000 por segundo.
Turkish:
Korean:
이처럼 상대적으로 느린 비트코인 처리 시간은
놓은 수수료를 지불하게 되는 원인이 되기도 하지.
왜냐면 채굴자가 어떤 거래를 선택해서 블록에 포함할지
결정하는 기준이 바로 거래 수수료이기 때문이야.
지금까지 다뤘던 주제들이
암호화 화폐의 전부는 결코 아니야.
암호화 화폐에는 더 다양한 주제 및 뉘앙스와
설계 대안들도 많이 있어.
하지만 지금까지 다룬 주제들이 "잠깐만 근데 왜.." 같은
생각의 뿌리가 될 수 있기를 진심으로 바라는 마음이야.
그래서 다른 자료들을 읽으면서
더 많은 생각의 가지로 자라나기를 바라고.
처음에 얘기했던 것처럼,
이걸 만든 이유는, 많은 돈이 암호화 화폐 분야로
흘러들어가고 있기 때문이야.
그게 좋은 투자인지 나쁜 투자인지를
내가 평가할 일은 아니지만,
사람들이 어떤 게임에 참가하려면,
그 기술의 기초에 대해서는 알고 참가하는 것이
건전한 방식이라고 생각해.
언제나처럼, 이 채널을 만들어가는
Patreon과 그 멤버들에게
진심으로 감사 말씀 전하고 싶어.
모든 사람들이 공헌할 수는 없다는 것은
나도 알고 있어.
하지만 여러분이 여전히 어떻게든
도와주고 싶다면
가장 좋은 방법은
여러분이 재미있다고 생각하거나
다른 사람들에게 도움이 될 것 같은 비디오를
여러 곳에 공유해 주는 거야.
그렇게 해주면 실제로 정말 많은 도움이 된다고.
Hungarian:
A Bitcoinnak ez a viszonylag lassú feldolgozása magasabb tranzakciós költségeket eredményez,
hiszen ez az ami eldönti, hogy mely tranzakciókat választják a bányászok hogy belerakják egy új blokkba.
Mindez messze nem fedi le olyan széleskörűen a kriptopénzeket;
még mindig vannak olyan árnyalatok és alternatív tervezési lehetőségek, amelyeket még nem is érintettem.
De az abban reménykedem, hogy ezzel tudtam adni egy stabil "várj, de miért?" szerű megértéshez egy vázat
bárkinek, aki további olvasással szerteágazóbban utánanézne.
Ahogy az elején mondtam,
az egyik motiváció emögött az, hogy sok pénz kezdett áramlani a kriptopénzek felé.
És habár nem szeretnék állást foglalni abban, hogy ez egy jó vagy rossz befektetés-e vagy sem,
én valóban azt gondolom, hogy egészséges azoknak az embereknek a számára akik belefolynak a játékba,
hogy legalább ismerjék a technológia alapjait.
Chinese:
相比而言比特币较慢的交易速度使得它的交易费用更高
正是交易费用让矿工更倾向将其交易收入到新的区块中
除了以上这些加密货币的基础知识
还有其他许多不同的加密货币的系统设计尚未涉及
我希望这个视频能够让大家在今后遇到新概念时
能有一个理性的思考
正如我开头所说,
我做此视频的初衷是目前有大量的资金涌入加密货币中
是好是坏我并不过多评价
但我认为想要进入这一领域的人
如果懂一些基本内容是有所裨益的
最后,我衷心感谢在Patreon支持这个频道的你们
我理解并不是每个人都能支持到这个地步
但你如果仍想支持我,
最好的方式之一就是
将这个视频分享给你认为对其有益的人们
这对我是莫大的支持
English:
they’re capable of handling more than 24,000
per second.Slower processing on Bitcoin means
higher transactions fees, since that’s what
determines which transactions miners choose
to include in new blocks.
This is far from a comprehensive coverage
of cryptocurrencies.
There are many nuances and alternate design
choices I haven’t touched here, but hopefully
this can provide a stable Wait-but-Why-style
tree trunk of understanding for anyone looking
to add a few more branches with further reading.
Like I said at the start, one of the motivations
behind this video is that a lot of money has
started flowing towards cryptocurrencies,
and even though I don’t want to make any
claims about whether that’s a good or bad
investment, I do think it’d be healthy for
people getting into this game to at least
know the fundamentals of the technology.
As always, my sincerest thanks those of you
making this channel possible on Patreon.
I understand not everyone is in a position
to contribute, but if you’re still interested
in helping out, one the best ways to do that
is simply to share videos that you think might
be interesting or helpful to others.
Chinese:
相比而言比特幣較慢的交易速度使得它的交易費用更高
因爲正是交易費用讓礦工更傾向將其交易記錄在新的區塊中
以上這些絕非完整的加密貨幣知識
還有其他許多細微差異和加密貨幣的系統設計尚未涉及
我希望這個影片能夠讓大家有個紮實的基礎知識
之後能自行閱讀再學習新觀念
正如我開頭所說,
我做此影片的初衷是目前有大量的資金湧入加密貨幣中
是好是壞我並不過多評價
但我認為想要進入這一領域的人
如果能至少懂一些基本技術背景是有所裨益的
最後,我衷心感謝在Patreon支持這個頻道的你們
我理解並不是每個人都能支持到這個地步
但你如果仍想支持我
最好的方式之一就是
將這個影片分享給你認為對此感興趣或對其有益的人
你也知道,這對我是莫大的支持
Polish:
To stosunkowo powolne przetwarzanie na Bitcoin skutkuje wyższymi opłatami transakcyjnymi,
ponieważ to decyduje o tym, które transakcje górnicy zdecydują się zawrzeć w nowym bloku.
Wszystko to jest dalekie od kompleksowego zobrazowania kryptowalut.
Nadal istnieje wiele niuansów i alternatywnych wyborów projektowych, z którymi nawet nie miałem do czynienia.
Ale mam nadzieję, że może to zapewnić stabilne podstawy do dalszego dociekania
dla każdego, kto chce dowiedzieć się jeszcze więcej z dalszego czytania.
Tak jak mówiłem na początku,
jednym z motywów za tym filmem jest to, że dużo pieniędzy zaczęło płynąć w kierunku kryptowalut.
I mimo, że nie chcę orzekać, czy to dobra czy zła inwestycja,
naprawdę sądzę, że dołączenie do gry jest zdrowym posunięciem,
żeby przynajmniej poznać podstawy technologii.
Jak zawsze, moje najszczersze podziękowania dla tych, którzy czynią ten kanał dostępnym na Patreon.
Rozumiem, że nie każdy jest w stanie się do tego przyczynić,
ale jeśli nadal jesteś zainteresowany pomocą,
jednym z najlepszych sposobów, aby to zrobić
jest po prostu udostępnianie filmów, które uważasz za interesujące i pomocne dla innych.
Wiem, że to wiesz, ale to naprawdę pomaga.
French:
Bitcoin permet des frais de transaction plus élevés
puisque c'est ce qui détermine les opérations que les mineurs
choisissent d'inclure dans un nouveau bloc.
Tout ceci est loin d'être une couverture
complète des crypto-monnaies;
il y a encore beaucoup de nuances et de choix de conception alternatifs que je n'ai même pas évoqué.
Mais mon espoir est que cela peut fournir
une base de tronc commun de compréhension stable
pour quiconque voudrait rajouter des branches pour une lecture plus approfondie.
Comme je l'ai dit au début, l'une des motivations derrière ça est que
beaucoup d'argent a commencé à être investi dans les crypto-monnaies.
Et même si je ne veux pas clamer quant à savoir si c'est un bon ou un mauvais investissement.
Je pense vraiment qu'il est sain pour les gens qui entrent dans le jeu
de connaître au moins les fondamentaux de la technologie.
Comme toujours, mes sincères remerciements à vous qui
rendez cette chaîne possible sur Patreon.
Je comprends que tout le monde n'est pas en position de contribuer
mais si vous êtes intéressés pour aider,
l'une des meilleures façons de le faire est
simplement de partager ces vidéos aux personnes que vous pensez qui pourraient être intéressées.
Je sais que vous savez ça mais ça aide vraiment.
Turkish:
Modern Greek (1453-):
Αυτή η σχετικά αργή επεξεργασία στο Bitcoin οδηγεί σε για υψηλότερες αμοιβές συναλλαγής,
δεδομένου ότι αυτό είναι που καθορίζει ποιες συναλλαγές οι ανθρακωρύχοι θα επιλέξουν να συμπεριλάβουν σε ένα νέο μπλοκ.
Όλα αυτά είναι αρκετά μακριά από μια ολοκληρωμένη κάλυψη των κρυπτονομισμάτων
εξακολουθούν να υπάρχουν πολλές αποχρώσεις και σχεδιαστικές επιλογές που δεν έχω καν αγγίξει.
Αλλά ελπίζω πως αυτό μπορεί να παρέχει ένα σταθερό "περίμενε, μα γιατί" στιλ δέντρου τρόπου κατανόησης
για όποιον θέλει να προσθέσει μερικά ακόμα κλαδιά, με περισσότερο διάβασμα
Όπως είπα και στην αρχή,
ένα από τα κίνητρα πίσω από αυτό είναι ότι πολλά χρήματα έχει αρχίσει να ρέουν προς τα κρυπττονομίσματα.
Και ακόμα κι αν δεν θέλω να κάνω καμία αξίωση για το αν αυτό είναι μία καλή ή κακή επένδυση,
Πραγματικά πιστεύω ότι είναι καλό για αυτούς που θέλουν να μπουν στο παιχνίδι
τουλάχιστον γνωρίζουν τις βασικές αρχές της τεχνολογίας.
Όπως πάντα, τις ειλικρινείς μου ευχαριστίες σε όλους εσάς, για την ύπαρξη του καναλιού με την υποστήριξή σας στο Patreon
Καταλαβαίνω ότι δεν είναι όλοι σε θέση να συμβάλουν,
αλλά εάν ακόμα ενδιαφέρεστε να μας βοηθήσετε,
ένας από τους καλύτερους τρόπους για να το κάνετε αυτό
Είναι απλά για να μοιραστείτε τα βίντεο που νομίζετε ότι μπορεί να είναι ενδιαφέροντα και χρήσιμα για τους άλλους.
Ξέρω ότι ξέρετε, αλλά πραγματικά βοηθά.
Japanese:
ビットコインの取引完了の遅さは、より早く採掘者に自分の取引記録を
ブロックに入れてもらう様に、より多くの手数料を含める傾向に繋がる。
今回紹介した内容は、暗号通貨の全貌の一部分であり。
カバーしきれていない所や、全く言及していない領域もある。
しかしこの動画が、より深く探究しようとしている人に対して、
基礎となる思考を提供できていたなら幸いである。
初めに述べた通り、
この動画作成の動機の一つは、大量の金銭が暗号通貨に流れ始めたからである。
その事について良し悪しを主張するつもりはないが、
もしこのゲームに足を踏み入れようとするならば、
技術的な基礎知識は持っておくべきである。
恒例だが、Patreonでこのチャンネルを支えてくれている人達に感謝する。
誰もがこの様な形で貢献できる訳ではないのは理解している。
もしそれでも支援をしたいと思っているならば、
一番良い方法として、
他に興味を持ってくれそうな人にこの動画をシェアしてほしい。
実際強力な支援になる。
Russian:
Эта сравнительная медлительность биткоина выливается в более высокие комиссии,
поскольку именно они определяют очередность включения транзакций майнерами в блоки.
Всё изученное далеко от глубокого освоения криптовалют
Есть ещё много нюансов и альтернативные доказательства работы, которые я даже не упомянул
Но я надеюсь, что это может
Arabic:
هذا البطء النسبي في معالجة البيتكوين يجعل رسوم العمليات مرتفعة،
لأن هذا هو ما يحدد ما سوف يقرر المعدنون وضعه في كتلهم الجديدة.
كل هذا لا يعتبر تغطية شاملة للعملات المشفرة؛
لا تزال هناك العديد من الفروق الدقيقة وخيارات التصميم البديلة التي لم أتطرق إليها حتى.
لكن أملي هو أن أستطيع تقديم تفسير مستقر لـ"ولكن لماذا؟"
لأي شخص يتطلع للتوسع والقراءة أكثر.
كما ذكرت في البداية،
أحد الدوافع وراء هذا هو أن الكثير من المال بدأ يتدفق إلى العملات المشفرة.
وعلى الرغم من أنني لا أريد أن أقول أي شيء حول ما إذا كان هذا استثمارًا جيدًا أو سيئًا،
أنا أعتقد حقًا أنه من المفيد للناس أن يفهموا ما هي اللعبة،
على الأقل لمعرفة أساسيات التقنية.
كما الحال دائمًا، أنا ممتن جدًا لأولئك الذين يجعلون استمرار هذه القناة ممكن عبر Patreon
أتفهم أنه ليس كل شخص في وضع يمكنه من المساهمة،
ولكن إذا كنت لا تزال تريد المساعدة،
واحدة من أفضل الطرق للقيام بذلك
فقط مشاركة مقاطع الفيديو التي تعتقد أنها قد تكون مثيرة أو مفيدة للآخرين.
أعلم أنك تعرف ذلك، لكن هذا يساعد كثيرًا حقًا.
Italian:
Questa lentezza nell'elaborazione rende le "commissione di transazione" nel Bitcoin più alte
visto che determinano quali transazioni i "minatori" includeranno in un nuovo blocco.
Tutto questo è lungi dall'essere una spiegazione completa delle criptovalute
ci sono ancora molte sfumature e scelte di design alternative che non ho nemmeno toccato.
Ma la mia speranza è che questo possa fornire un "tronco" di comprensione in stile "aspetta ma perché"
per chiunque volesse aggiungere qualche ulteriore "ramo" con ulteriori letture.
Come ho detto all'inizio,
uno dei motivi per questo, è che molti soldi hanno cominciato a scorrere verso le criptovalute.
E anche se non voglio affermare se sia o meno un buon investimento,
penso che sia davvero salutare per le persone che vogliono entrare in gioco
almeno conoscere le fondamenta di questa tecnologia
Come sempre, i miei sinceri ringraziamene a coloro i quali rendono possibile questo canale su Patreon.
Capisco che non tutti sono nella posizione di poter contribuire,
ma se sei interessato da dare una mano,
uno dei modi migliori per farlo
è semplicemente di condividere video che pensi possano essere interessanti o d'aiuto per altre persone.
So che lo sai, ma aiuta davvero.
Indonesian:
Pengolahan lambat pada Bitcoin ini membuat biaya transaksi lebih tinggi,
karena itulah yang menentukan penagih transaksi mana yang memilih untuk disertakan dalam blok baru.
Semua ini jauh dari penjelasan menyeluruh mata uang kripto;
Masih banyak hal-hal kecil dan pilihan desain alternatif yang bahkan belum saya sentuh.
Tapi harapan saya adalah bahwa ini bisa memberikan penjelasan gaya "wait but why" yang stabil (lihat website waitbutwhy.com)
bagi siapapun yang ingin menambahkan beberapa cabang penjelasan lagi dengan bacaan lebih lanjut.
Seperti yang saya katakan di awal,
Salah satu motif di balik ini adalah bahwa banyak uang mulai mengalir menuju mata uang kripto.
Dan meskipun saya tidak ingin membuat klaim tentang apakah itu investasi yang baik atau buruk,
Saya benar-benar berpikir bahwa itu sehat bagi orang yang masuk ke dalam permainan
setidaknya mengetahui dasar-dasar teknologi.
Seperti biasa, terima kasih saya yang tulus kepada Anda yang membuat saluran ini memungkinkan Patreon.
Saya mengerti bahwa tidak semua orang dalam posisi untuk berkontribusi,
Tapi jika Anda masih tertarik untuk membantu,
Salah satu cara terbaik untuk melakukannya
hanya untuk berbagi video yang menurut Anda mungkin menarik atau bermanfaat bagi orang lain.
Saya tahu Anda tahu itu, tapi itu benar-benar membantu.
iw:
העיבוד האיטי הזה (בהשוואה) של הביטקוין גורם לדמי העסקה להיות גבוהים יותר
כיוון שזה מה שקובע אלו עסקאות כורים יחליטו להכניס לבלוקים החדשים שלהם
כל זה רחוק מלהיות כיסוי מקיף של מטבעות מבוזרים
ישנם עדיין ניואנסים רבים ואפשרויות עיצוב חלופיות שאפילו לא נגעתי בהם.
אבל התקווה שלי היא שזה יוכל לספק הסבר "מה, אבל למה?" יציב
עבור כל מי שמחפש להרחיב עם קריאה נוספת.
כמו שאמרתי בהתחלה,
אחד המניעים מאחורי זה הוא שהרבה כסף החל לזרום למטבעות מבוזרים.
ואף על פי שאני לא רוצה לטעון שום דבר לגבי השאלה האם זו השקעה טובה או רעה,
אני באמת חושב שזה בריא לאנשים שרוצים להיכנס למשחק
לפחות לדעת את יסודות הטכנולוגיה.
כמו תמיד, תודתי הכנה לאלה מכם עושה את הערוץ הזה לאפשרי בעזרת תרומות ב-Patreon.
אני מבין שלא כולם נמצאים בעמדה לתרום,
אבל אם אתם עדיין רוצים לעזור,
אחת הדרכים הטובות ביותר לעשות את זה
היא פשוט לשתף סרטונים שאתם חושבים שאולי יהיו מעניינים או מועילים לאחרים.
אני יודע שאתם יודעים את זה, אבל זה באמת עוזר מאוד.
Spanish:
Este proceso , lento en comparación de Bitcoin, hace que las cuotas por transacción aumenten,
dado que estas determinan que transacciones los mineros eligen incluir.
Todo esto esta lejos de ser una cobertura extensa de las criptomonedas;
todavia quedan muchos matices y decisiones de diseño alternativas que ni siquiera he tocado.
Pero espero que este video provea de un tronco estable de conocimiento
para todo el mundo que quiera añadir más ramas profundizando en el tema.
Como he dicho al comienzo,
uno de los motivos tras este video es que una gran cantidad de dinero ha empezado a fluir hacia las criptomonedas.
Y aunque no quiero hacer declaraciones sobre si son una buena o mala inversión,
realmente creo que es bueno que la gente que quiera entrar al juego
al menos sepa los fundamentos de la tecnología.
Como siempre, mis más sinceros agradecimientos van a todos aquellos que haceis este canal posible en Patron.
Entiendo que no todo el mundo tiene la posibilidad de contribuir,
pero si aun estas interesado en ayudar,
una de las mejores formas de hacerlo
es simplemente compartir los videos que creas que pueden ayudar o ser interesantes para otros.
Ya se que lo sabes, pero realmente ayuda.
Portuguese:
gera custos maiores de transações
já que isso determina quais transações
mineradores preferem colocar nos novos blocos
Tudo isso é longe der ser uma cobertura completa sobre cripto moedas
há ainda muitos nuances, e escolhas de design alternativos que nem mencionei
mas eu espero que este vídeo sirva como uma base estável, simples, como uma árvore
para quem quiser adicionar mais galhos com leitura subsequente
como disse no início
um dos motivos por trás disto é que muito dinheiro passou a fluir
para as cripto moedas, e mesmo que eu não queira dizer se é um investimento bom ou ruim,
eu realmente acho que seja saudável para pessoas interessadas em entrar no jogo
pelo menos conheceram o fundamental da tecnologia.
Como sempre, meu sincero obrigado a todos que fazem este canal possível via Patreon
Eu entendo que nem todos estão em uma posição favorável para contribuir
mas se você ainda estiver interessado em ajudar, uma das melhores formas de fazer isso é simplesmente
compartilhar os vídeos que você considera interessantes ou úteis a outras pessoas
Eu sei que você sabe, mas realmente ajuda
Vietnamese:
Việc xử lý tương đối chậm trên Bitcoin làm cho phí giao dịch cao hơn,
vì đó sẽ quyết định những giao dịch nào sẽ được những người khai thác mỏ cho vào trong một khối mới.
Video này vẫn còn xa mới giúp bạn hiểu toàn bộ về đồng tiền mã hóa;
vẫn còn nhiều những đặc tính và thể loại thiết kế mà tôi chưa đề cập.
Nhưng tôi hy vọng là video có thể cung cấp một nền móng ban đầu vững chắc cho việc hiểu sâu hơn
cho bất cứ ai muốn đọc thêm và hiểu sâu hơn nữa.
Như tôi đã nói từ đầu,
một trong những động cơ làm video này là đã có rất nhiều tiền bắt đầu đổ vào đồng tiền mã hóa.
Và mặc dù tôi không muốn đưa ra bất kỳ nhận xét nào, rằng đó là sự đầu tư tốt hay xấu,
Tôi thực sự nghĩ rằng đối với mọi người tham gia vào trò chơi,
nên ít nhất biết các nguyên tắc cơ bản của công nghệ đằng sau tiền mã hóa.
Như mọi khi, tôi chân thành cảm ơn những người ủng hộ kênh youtube này trên Patreon.
Tôi hiểu rằng không phải ai cũng có thể đóng góp,
nhưng nếu bạn vẫn quan tâm đến việc giúp đỡ,
một trong những cách tốt nhất để làm điều đó
chỉ đơn giản là chia sẻ các video mà bạn nghĩ có thể thú vị hoặc hữu ích cho người khác.
Tôi biết bạn biết điều đó, nhưng nó thực sự có ích.
German:
Diese verhältnismäßig langsame Verarbeitung bei Bitcoins zeiht höhere Transaktionsgebühren mit sich.
Denn die entscheiden letztendlich welche Transaktionen die Miner in ihre Blöcke aufnehmen.
All das ist bei weitem keine allumfassende Erklärung von Kryptowährungen.
Es gibt noch viele Nuancen und andere Funktionsweisen, die ich nicht erwähnt habe.
Aber ich hoffe, dass ich eine Art "Aber warum...?"-Basis geschaffen habe
auf der man weiter aufbauen kann.
Wie ich bereits am Anfang gesagt habe,
ein Hauptmotiv für dieses Video ist, dass viel Geld begonnen hat in Kryptowährungen zu fließen.
Und obwohl ich keine Aussage dazu machen möchte, ob das eine gute oder schlechte Investition ist,
glaube ich, dass es eine gute Startvoraussetzung für Leute ist
zumindest die Grundlagen der Technologie zu kennen.
Wie jedes Mal geht mein außerordentlicher Dank an diejenigen von euch, die diesen Kanal über Patreon möglich machen.
Ich verstehe, dass nicht jeder in der Lage ist, etwas beisteuern zu können.
Aber wenn du dennoch mithelfen möchtest,
dann ist einer der besten Wege das zu tun,
einfach die Videos, von denen du glaubst, das sie für andere nützlich sein könnten, zu teilen.
Ich weiß, dass du das weißt. Aber es hilft wirklich.
Czech:
Poměrně pomalé zpracování plateb v Bitcoinu pak znamená vyšší transakční poplatky,
jelikož to je faktor, který určuje, jaké transakce budou zahrnuty v dalším bloku.
Tohle byl krátký úvod do přehledu kryptoměn;
zbývá spoustu nuancí a alternativních designů, o kterých jsem se ani nezmínil.
Doufám ale, že jsem poskytl stabilní základ porozumění
pro všechny, kteří si budou dále chtít doplnit zbývající mezery.
Jak jsem řekl na začátku,
jedním z důvodů vypracování tohoto videa je množství peněz, které se do kryptoměn začínají sypat.
Aniž bych chtěl dělat soudy o tom, jestli je to dobře nebo špatně,
opravdu si myslím, že je správné
znát alespoň základy této technologie.
Jako pokaždé, mé upřímné díky všem z Patreonu, kteří umožňují tomuto kanálu stát se realitou.
Rozumím tomu, že ne všichni mají možnost přispět,
ale pokud byste i tak kanálu chtěli pomoct,
jeden z nejlepších způsobů je
sdílet videa, o kterých si myslíte, že by mohla být zajímavá nebo poučná.
Vím, že to víte, ale stejně - opravdu to pomáhá.
Lithuanian:
Šis sąlyginai lėtas apdorojimas Bitkoine sukuria aukštesnius transakcijų mokesčius,
nes tai nulemia, kurias transakcijas kasėjai pasirenka pridėti į naują bloką.
Visa tai toli gražu nėra pilna kriptovaliutų apžvalga.
Tebėra daug niuansų ir alternatyvių dizaino/projektavimo pasirinkimų, kurių aš net nepaliečiau.
Bet mano viltis yra, kad tai suteiks stabilų "palauk, bet kodėl" stiliaus medžio kamieno supratimą
bet kam, kas nori pridėti dar kelias šakas su tolimesniu skaitymu.
Kaip ir sakiau pradžioje,
vienas iš viso šito motyvų yra tai, kad daug pinigų pradėjo judėti link kriptovaliutų.
Ir nors ir nenoriu daryti jokių pareiškimų, ar tai geras ar blogas investavimas,
aš tikrai manau, kad žmonėms, įsitraukiantiems į žaidimą
yra sveika žinoti bent jau technologijos fundamentų pagrindą.
Kaip visada, mano nuoširdžiausia padėka tiems jums, kurie leidžia šiam kanalui egzistuoti per Patreon.
Aš suprantu, kad ne kiekvienas gali prisidėti,
bet jei vis dar esi suinteresuotas padėti,
vienas iš geriausių būdų tai padaryti
yra paprasčiausiai pasidalinti mano video, kurie manai gali būti įdomūs ar naudingi kitiems.
Žinau, kad žinai tai, bet tai tikrai padeda.
Russian:
Lithuanian:
Aš taip pat norėčiau padėkoti Protocol Labs už jų paramą šiam video.
Tai organizacija, kuri dirba prie keleto skirtingų tyrimų ir kūrimo projektų.
Ir jei seksi kai kuriomis nuorodomis, kurias palikau aprašyme,
kad pasiskaitytum apie tų projektų smulkmenas,
pastebėsi stiprias paraleles su koncepcijomis, apibūdintomis šiame video.
Decentralizacijos iššūkiai ir nauda
nėra jokiais būdais apribota vien tik valiutomis ir transakcijų istorijomis.
Ir kriptografijos įrankių nauda, kaip hešo funkcijos ir skaitmeniniai parašai
taip pat yra daug bendriau naudojami.
Pavyzdžiui, keletas Protocol Labs projektų, tokie kaip IPFS ir Filecoin,
centruojasi ties išdalintu failų saugojimu,
kuris atveria visiškai naują įdomių iššūkių ir galimybių lauką.
Bet kuriems programuotojams tarp jūsų, Protocol Labs labai vertina atvirą kodą.
Tad jei susidomėjai, gali prisijungti prie to, kas ir taip yra stipri bendradarbių bendruomenė.
Bet jie taip pat ieško pasamdymui pilno etato programuotojų.
Taigi, jei manai, kad tiktum ten, tikrai pabandyk gauti ten darbą.
Japanese:
また、Protocol Labsにもこの動画のサポーターとして感謝の意を表する。
Protocol Labsは多くの研究開発プロジェクトを遂行している機関で、
動画の説明文に載せたリンク先を、
よく査読していただくと、このビデオの内容に
強い結び付きがあるのが理解していただけると思う。
非中央集権化の考え方と効果は、
通貨や取引履歴に限った話ではない。
また、ハッシュ関数やデジタル署名といった暗号論上の道具は、
より広範囲で役に立つ。
例を挙げると、Protocol Labsのプロジェクトの中で、IPFSやFilecoinなどは、
分散型ファイルストレージを研究対象としており、
技術全体とその技術の持つ可能性を広げる。
Protocol Labsはオープンソースの考えに重点を置いており、あなたが開発者で、
興味があれば、既に存在する大きなコミュニティに参加できる。
またフルタイムの開発者も募集している。
もし開発環境がマッチしていると思ったならば、問い合わせてみてほしい。
Modern Greek (1453-):
Θέλω επίσης να ευχαριστήσω την Protocol Labs για την υποστήριξή τους από αυτό το βίντεο.
Αυτή είναι μια οργάνωση που τρέχει έναν αριθμό διαφορετικών έργων έρευνας και ανάπτυξης.
Και αν ακολουθήσετε μερικές από τις συνδέσεις που έχω αφήσει στην περιγραφή
για να διαβάσετε τις λεπτομέρειες των εν λόγω έργων,
θα παρατηρήσετε κάποια ισχυρή ομοιότητα με τις έννοιες που καλύπτονται σε αυτό το βίντεο.
Οι προκλήσεις και τα οφέλη της αποκέντρωσης
σε καμία περίπτωση δεν περιορίζεται σε νόμισμα και ιστορικό συναλλαγών.
Και η χρησιμότητα των εργαλείων από την κρυπτογραφία, όπως συναρτήσεις κατακερματισμού και ψηφιακές υπογραφές,
είναι επίσης πολύ πιο γενικό.
Για παράδειγμα, μερικά από τα έργα της Protocol Labs, όπως το IPFS και το Filecoin,
κέντρο στην ιδέα της κατανεμημένης αποθήκευσης αρχείων,
η οποία ανοίγει έναν ολόκληρο τομέα της ενδιαφέρουσες προκλήσεις και δυνατότητες.
Για προγραμματιστές ανάμεσά σας, η Protocol Labs δίνει πολύ μεγάλη αξία στον ανοικτό κώδικα.
Έτσι, αν σας ενδιαφέρει, μπορείτε να συμμετέχετε σε αυτό που είναι ήδη μια πολύ ισχυρή κοινότητα συνεισφερόντων.
Αλλά είναι επίσης ψάχνει να προσλάβει προγραμματιστές πλήρους απασχόλησης.
Έτσι, αν νομίζετε ότι ταιριάζετε εκεί, αιτηθείτε άμεσα.
Korean:
이 동영상을 만드는데 도움을 준
Protocol Labs에도 감사 말씀을..
Protocol Labs는 여러가지 다양한
연구 개발 프로젝트를 진행하는 조직인데
내가 설명에 남긴 링크를 따라가면
다양한 프로젝트의 세부 내용을 볼 수 있을 거야.
다양한 프로젝트들이 이 동영상에서 다룬 개념들과
많은 관계가 있다는 걸 알게 될 거야.
분산화를 통해 얻을 수 있는 장점은
결코 통화나 거래 이력에만 국한되지 않아.
그리고 해쉬 함수나 디지털 서명 같은
암호화 도구들도 분산화와 마찬가지로
통화나 거래 뿐 아니라
더 많은 영역에 일반적으로 적용될 수 있어.
예를 들어 Protocol Labs의 프로젝트인
IPFS나 Filecoin은
분산 파일 저장소에 대한 아이디어에 중점을 두고 있고,
다양한 분야의 흥미로운 도전과 가능성에
활짝 문을 열고 있다능..
여러분 중에 개발자가 있다면,
Protocol Labs는 개발자 여러분에게
아주 소중한 가치를 오픈 소스로 선사해 줄 거야.
그래서 관심이 있다면, 이미 많은 공헌자들로
구성된 강력한 커뮤니티에 참여해 보라고.
그리고 Protocol Labs에서는
풀타임 개발자도 찾고 있다고 하니,
관심있다면 지원해 봐!!
Turkish:
Chinese:
我还想感谢Protocol Labs对此视频的支持
这是一家运营着众多不同研究和开发项目的机构
如果你点击我留在视频描述中的链接
进一步了解这些项目的细节
你会发现有些项目有与这个视频中相似的理念
去中心化的挑战和好处
并不仅限于货币和交易历史
密码学中的工具如散列函数和数字签名
有更广泛的应用
比如Protocol Labs上的有些项目,如IPFS和Filecoin
将文件的分布式存储作为其研究中心
由此将会展开一个全新的充满机遇和挑战的领域
对开发者而言,Protocol Labs非常注重开源
所以如果你感兴趣,就可以加入其中
而他们也招募全职的开发者
如果你有信心胜任,大胆申请吧
French:
Je veux aussi remercier Protocol Labs pour leur soutient pour cette vidéo.
Il s'agit d'une organisation qui gère un certain nombre de projets de
recherche et de développement différents.
Et si vous suivez certains des liens que j'ai laissé dans la description pour lire dans les détails de ces projets
vous remarquerez des parallèles très forts avec les concepts couverts
par cette vidéo.
Les défis et avantages de la décentralisation
ne sont pas limités à l'argent et à l'historique de transactions.
Et l'utilité des outils issus de la cryptographie,
comme les fonctions de hash et les signatures numériques,
sont également beaucoup plus généraux.
Par exemple, quelques projets de Protocol Labs
tels que IPFS et Filecoin, sont centrés
sur l'idée de stockage décentralisé de fichiers.
Ce qui ouvre un champ entier de défis et de possibilités intéressants.
Pour les développeurs parmi vous,
Protocol Labs accorde une valeur importante au code ouvert.
Alors si vous êtes intéressés, vous pouvez rejoindre ce qui est déjà une
très forte communauté de contributeurs.
Mais ils cherchent aussi des développeurs à plein temps.
Donc, si vous pensez que vous pourriez être un bon ajustement, postulez.
Italian:
Voglio anche ringraziare Protocol Labs per il loro supporto a questo video.
È un'organizzazione che gestisce una serie di differenti ricerche e progetti di sviluppo.
E se segui alcuni dei link che ho lasciato nella descrizione
per leggere i dettagli di questi progetti,
noterai diversi forti parallelismi con i concetti trattati in questo video.
Le sfide e i benefici della decentralizzazione
non sono assolutamente limitati alle valute e ai registri di transazioni.
E l'utilità degli strumenti provenienti dalla crittografia, come le funzioni di hash e le firme digitali,
sono probabilmente anche più generali.
Per esempio, un paio di progetti di Protocol Labs, come l'IPFS e il Filecoin,
si basano sull'idea di un'archiviazione distribuita dei file,
cosa che apre ad un intero campo di interessanti sfide e possibilità.
Per ogni sviluppatore tra di voi, Protocol Labs tiene particolarmente all'open source.
Quindi se sei interessato, puoi unirti a quella che è già una forte comunità di contributori.
Ma stanno anche cercando sviluppatori da assumere a tempo pieno.
Se pensi che potrebbe fare al caso tuo, candidati.
Polish:
Chcę również podziękować Protocol Labs za ich wsparcie dla tego filmu.
Jest to organizacja, która prowadzi wiele różnych projektów badawczych i rozwojowych.
A jeśli odwiedzisz linki, które zamieściłem w opisie,
aby zapoznać się ze szczegółami tych projektów,
zauważysz silne analogie z pojęciami, które omówiłem w tym filmie.
Wyzwania i korzyści decentralizacji
nie są w żaden sposób ograniczone do waluty oraz historii transakcji.
I użyteczność narzędzi z kryptografii, takich jak funkcje skrótu i podpisy cyfrowe,
są również bardziej ogólne.
Na przykład, kilka projektów Protocol Labs, takich jak IPFS i Filecoin,
koncentrują się na idei rozproszonego przechowywania plików,
który otwiera całe pole ciekawych wyzwań i możliwości.
Dla wszystkich developerów wśród was, Protocol Labs kładzie bardzo duży nacisk na open source.
Więc jeśli jesteś zainteresowany, możesz dołączyć do bardzo już silnej społeczności użytkowników.
Chcą oni też zatrudnić developerów w pełnym wymiarze godzin.
Więc jeśli myślisz, że możesz tam pasować, koniecznie zaaplikuj.
iw:
אני גם רוצה להודות ל-Protocol Labs עבור תמיכתם בוידאו זה.
זהו ארגון שמפעיל מספר פרויקטי מחקר ופיתוח שונים.
ואם אתם תיכנסו לחלק מהקישורים שהשארתי בתיאור
כדי לקרוא את הפרטים של פרויקטים האלה,
תוכלו להבחין כמה הקבלות חזקות יש שם עם רעיונות שכיסינו בסרטון הזה.
האתגרים והיתרונות של ביזור
הם בהחלט לא מוגבלים למטבעות ולהיסטוריות של עסקאות.
וגם השימושיות של כלים מן קריפטוגרפיה, כמו פונקציות hash וחתימות דיגיטליות,
הם הרבה יותר כלליים.
לדוגמה, כמה פרויקטים של Protocol Labs, כגון IPFS ו Filecoin,
סובבים סביב הרעיון של אחסון קבצים מבוזר,
אשר פותח שדה שלם של אתגרים ואפשרויות חדשים.
עבור כל מפתחים שביניכם, מעבדות פרוטוקול שמה דגש חזק מאוד על קוד פתוח.
אז אם אתם מעוניינים, אתם יכולים להצטרף לקהילה הכבר מאוד חזקה של תורמים.
אבל הם גם מחפשים לשכור מפתחים במשרה מלאה.
אז אם אתם חושבים שאתם יכול להתאים שם, שלחו קורות חיים.
Arabic:
أود أيضًا أن أشكر Protocol Labs على دعمهم لهذا الفيديو.
وهي منظمة تدير عددًا من مشاريع البحث والتطوير.
وإذا قمت بزيارة بعض الروابط التي تركتها في الوصف؛
لقراءة تفاصيل هذه المشاريع،
ستلاحظ مدى التشابه القوي مع الأفكار التي تناولناها في هذا الفيديو.
إن تحديات وفوائد اللامركزية
بالتأكيد لا تقتصر على العملات وتاريخ العمليات.
وإن فوائد أدوات التشفير، مثل دوال التشويش والتواقيع الرقمية،
تعتبر أمور أكثر عمومية،
على سبيل المثال، العديد من مشاريع Protocol Labs، مثل IPFS وFilecoin
تدور فكرتها حول تخزين الملفات الموزعة
التي تفتح مجالًا كاملاً من التحديات والإمكانيات الجديدة.
بالنسبة إلى المطورين بينكم، لدى Protocol Labs الكثير من الاهتمام حول المصادر المفتوحة
لذلك إذا كنت مهتمًا، يمكنك الانضمام إلى المنتدى المساهمين النشط جدًا.
ولكنهم يتطلعون أيضًا إلى تعيين مطورين بدوام كامل.
Czech:
Dále bych chtěl poděkovat Protocol Labs za jejich podporu při tvorbě tohoto videa.
Je to organizace, která zaštiťuje řadu výzkumných a vývojových projektů.
A pokud si rozkliknete některé z odkazů, které jsem nechal v popisu videa
a přečtete si detaily o těchto projektech,
všimnete si podobností s koncepty, o kterých bylo tohle video.
Výzvy a výhody decentralizace
nejsou vůbec omezeny jen na měny a historie transakcí.
A přínos nástrojů z kryptografie, jako hash funkce a digitální podpisy,
je taktéž mnohem obecnější.
Například, některé Protocol Labs projekty, jako IPFS a Filecoin,
jsou založeny na myšlence distribuovaného uložiště souborů,
což přináší řadu zajímavých možností.
Pro vývojáře mezi vámi, Protocol Labs si vysoce cení open source.
Pokud máte zájem, můžete se přidat do již velmi silné komunity přispěvovatelů.
Také hledají full-time vývojáře.
Takže pokud si myslíte, že byste se k nim hodili, určitě se přihlaste.
Portuguese:
Agradecimentos ao Protocol Labs pelo suporte.
Spanish:
También quiro agradecer a Protocol Labs por su apoyo a este video.
Es una organización que tiene varios proyectos de investigación y desarrollo.
Y si sigues algunos de los enlaces que he dejado en la descripción
para leer los detalles de esos proyectos,
te daras cuenta de varios paralelismos con los conceptos cubiertos en este video.
Los beneficios y desafios de la descentralización
no estan bajo ningún concepto limitados a monedas e historiales de transacciones.
Y la utilidad de las herramientas provenientes de la criptografía como funciones hash y firmas digitales,
son igualmente mucho más generales.
Por ejemplo un par de proyectos de Protocol Labs, como IPFS y FIlecoin,
están basados en la idea de almacenamiento de archivos distribuidos,
lo que abre todo un nuevo campo de posibilidades y desafios interesantes.
Para cualquiera de los desarrolladores entre vosotros, Protocol Labs, da un gran valor al codigo abierto.
Así que si estás interesado, puedes unirte a lo que ya es una gran comunidad de colaboradores.
Aunque también están interesados en dar trabajo a desarrolladores.
Así que si piensas que podría ser lo tuyo, no lo dudes y solicita trabajo.
German:
Ich möchte mich außerdem bei Protocol Labs für ihre Unterstützung bei diesem Video bedanken.
Protocol Labs ist eine Organisation, die eine Reihe verschiedener Forschungs- und Entwicklungsprojekte betreiben.
Und wenn du einigen der Links in der Beschreibung folgst
um dir die Details dieser Projekte anzuschauen,
dann wirst du einige starke Parallelen zu den Konzepten aus diesem Video bemerken.
Die Vorteile und Herausforderungen von Dezentralisierung
beschränken sich bei weitem nicht auf Währungen und Transaktionsverläufe.
Und der Nutzen von angewandter Kryptographie, also Hashfunktionen, digitale Unterschriften und so weiter,
ist ebenso viel allgemeiner.
Ein Beispiel: Ein paar der Projekte von Protocol Labs (u.a. IPFS und Filecoin)
drehen sich um die Idee von verteilter Datenspeicherung.
Das eröffnet ein ganzes Feld an interessanten Herausforderungen und Möglichkeiten.
Für die Entwickler unter euch: Protocol Labs legt sehr hohen Wert auf Open Source.
Also wenn ihr Interesse habt, dann könnt ihr die bereits sehr starke Community an Mitwirkenden verstärken.
Protocol Labs sucht aber auch nach Vollzeit-Entwicklern.
Wenn du glaubst du könntest gut in das Team passen, dann bewirb dich auf jeden Fall.
Chinese:
我還想感謝Protocol Labs對此影片的支持
這是一家做著眾多不同研究和開發項目的機構
如果你點擊我留在影片描述中的連結
進一步瞭解這些項目的細節
你會發現有些項目有與這個影片中相似的理念
去中心化的挑戰和好處
並不僅限於貨幣和交易歷史
密碼學中的工具如雜湊函數和數字簽名的用處
有更廣泛的應用
比如Protocol Labs上的有些項目,如IPFS和Filecoin
著重在文件分散式儲存的研究
由此將會展開一個全新充滿有趣挑戰和可能的領域
假如你是開發者的話,Protocol Labs非常注重開源
所以如果你感興趣,可以加入這已經很興盛的開源社群
而他們也招募全職的開發者
如果你覺得那裡很適合你的話,一定要去申請!
English:
I know you know that, but it really does help.
I also want to thank Protocol Labs for their
support of this video.
This is an organization that runs a number
of research and development projects, and
if you follow the links I’ve left in the
description to read into the details of these
projects, you’ll notice some strong parallels
with the concepts covered in this video.
The challenges and benefits of decentralization
are by no means limited to currency and transaction
histories, and the usefulness of tools from
cryptography like hash functions and digital
signatures are likewise much more general.
For example, a couple of Protocol Lab’s
projects, such as IPFS and Filecoin, center
on distributed filestorage, which opens a
whole field of interesting challenges and
possibilities.
For any developers out there, Protocol labs
places a high value on open source, so if
you’re interested you can join what’s
already a very strong community of contributors.
They’re also looking to hire more full-time
developers, so if you think you might be a
good fit for some of these projects, definitely
apply.
Indonesian:
Saya juga ingin mengucapkan terima kasih kepada Protokol Lab atas dukungan mereka terhadap video ini.
Ini adalah organisasi yang menjalankan sejumlah proyek penelitian dan pengembangan yang berbeda.
Dan jika Anda mengikuti beberapa tautan yang tertinggal di deskripsi
untuk membaca rincian proyek-proyek tersebut,
Anda akan melihat beberapa kesamaan yang kuat dengan konsep yang tercakup dalam video ini.
Tantangan dan manfaat desentralisasi
sama sekali tidak terbatas pada mata uang dan sejarah transaksi.
Dan kegunaan alat dari kriptografi, seperti fungsi hash dan tanda tangan digital,
juga jauh lebih luas.
Sebagai contoh, beberapa proyek Protokol Labs, seperti IPFS dan Filecoin,
berpusat pada ide penyimpanan file terdistribusi,
yang membuka seluruh bidang tantangan dan kemungkinan yang menarik.
Untuk pengembang di antara Anda, Protocol Labs menempatkan nilai yang sangat tinggi pada open source.
Jadi jika Anda tertarik, Anda bisa bergabung dengan komunitas kontributor yang sangat kuat.
Tapi mereka juga ingin mempekerjakan pengembang penuh waktu.
Jadi jika Anda pikir Anda mungkin cocok di sana, pasti berlaku.
Vietnamese:
Tôi cũng muốn cảm ơn Protocol Labs cho sự hỗ trợ của họ đối với video này.
Đây là một tổ chức điều hành một số dự án nghiên cứu và phát triển khác nhau.
Và nếu bạn ghé thăm một số các liên kết tôi chia sẻ trong phần Description
để đọc về các chi tiết của những dự án đó,
bạn sẽ nhận ra một số điểm rất tương đồng với các khái niệm được đề cập trong video này.
Những thách thức và lợi ích của hệ thống phi tập trung
không chỉ giới hạn trong tiền tệ và lịch sử giao dịch.
Và tính hữu ích của các công cụ từ khoa học mật mã, như các hàm băm và chữ ký số,
cũng tương đối rộng hơn.
Ví dụ: một vài dự án của Protocol Labs, chẳng hạn như IPFS và Filecoin,
xoay quanh ý tưởng lưu trữ tập tin trong cách tổ chức phi tập trung,
mở ra những thách thức và khả năng thú vị.
Cho các kĩ sư tin học trong số các bạn, Protocol Labs rất đề cao mã nguồn mở.
Vì vậy, nếu bạn quan tâm, bạn có thể tham gia một cộng đồng cộng tác viên lớn mạnh.
Nhưng họ cũng đang tìm kiếm để thuê các nhà phát triển tiềm năng.
Vì vậy, nếu bạn nghĩ rằng bạn có thể phù hợp ở đó, đăng kí thôi!
Arabic:
لذا إذا كنت تعتقد أنك ستكون مناسب هناك، تقدم إليهم.
| {
"pile_set_name": "YoutubeSubtitles"
} |
Thanks to curiosity stream for
supporting PBS Digital Studios.
We've been failing to detect dark matter
for decades but finally the latest
failure to detect Dark Matter may have
actually proved its existence one of
these is true either most of the matter
in the universe is invisible and formed
by something not explained by modern
particle physics or our understanding of
gravity is completely broken the debate
over which is true has raged for decades
but may finally have been resolved in an
unlikely way the proof that Dark Matter
exists and really is an exotic unknown
substance may have come from the
discovery of two galaxies that appear to
have no dark matter at all
today on spacetime journal Club we'll
look at the papers that reveal this
discovery the effect of dark matter who
was first noticed in 1933 when the
legendary Swiss astrophysicists Fritz
Zwicky noticed that the galaxies in the
Coma Cluster were moving too quickly to
remain gravitationally bound within that
cluster he guessed the presence of
Dunkel materia a dark matter invisible
to the telescope but whose gravitational
effect held the cluster together as with
many of his wiki's predictions like the
existence of neutron stars and
gravitational lensing this wasn't taken
seriously until decades later the hunt
for dark matter began in earnest after
the early 70s when Vera Rubin discovered
that the rotation rates of spiral
galaxies were too fast given the mass of
their visible stars alone they should
throw themselves to pieces spinning that
quickly that is unless a gravitational
force of unseen origin was holding them
together since the 1970s generations of
astronomers have searched for the origin
of dark matter
gradually ruling out the possibilities
if it were dust or gas we'd see it's
obscuring effect on light passing
through it if it were dark compact
bodies like failed stars or stellar
corpses or primordial black holes then
we'd see the warping of
of more distant stars in their
gravitational fields in other words we'd
see their gravitational lensing all
known particles of the standard model of
particle physics have likewise been
ruled out if dark matter really is a
type of matter then it must be an
unknown type generations of experiments
to find this particle have also failed
to locate the exotic dark matter
particle so far this troubled quest has
inspired theorists to explore another
possibility what if the discrepancies in
the orbits within galaxies and clusters
is not due to an unknown source of
gravity but due to a failure of
gravitational theory itself the first
such proposal was Mons modified
Newtonian dynamics proposed by Mordecai
Milgram in the early 80s the idea is the
Newton's law of universal gravitation
might change between short distances
like within the solar system and large
distances like entire galaxies and
clusters such a proposal doesn't just
modify Newton's gravity but also
requires modification of Einstein's
general relativity over the years
various efforts have been made to refine
and justify such a modification and new
proposals keep popping up like the
quantized inertia and dark fluid that
last one is something we covered
recently but no consistent theory has
appeared a few points have come out in
favor of the dark matter as mater
hypothesis versus the modified gravity
schemes
there's gravitational lensing the
warping of light from more distant
objects and due to the gravitational
fields of galaxies and clusters this has
given us an independent measure of the
mass of those objects and those masses
were the same as measured from the
orbits the Cosmic Microwave Background
fluctuations also give us a measurement
of the relative amount of dark matter in
the early universe compared to atoms
once again roughly consistent with what
we measure from other methods modified
gravity theories had to
hard to keep up with the mounting
evidence that dark matter looks like
actual physical stuff but still we have
an impasse astronomers and particle
physicists can't find the matter that
dark matter is made of while those who
would like to overthrow the underlying
theory of gravity struggle to make their
models fit all the observational
evidence but there's one feature common
to almost all modified gravity models
that could falsify all of them they pin
gravity on the baryons
they say that most of the gravity in the
universe comes from normal stuff like
stars and gas in particular the protons
and neutrons they contain their baryons
that gravity then follows different
rules at different distances giving the
illusion of there being more baryonic
matter than there really is in this
scheme baryons on galactic size scales
should always produce the effect of dark
matter dark matter and baryons should
never be observed separately the first
piece of evidence that baryons and dark
matter can actually be separated came
with the bullet cluster this is a pair
of clusters that recently collided
because galaxies are relatively small
compared to the space between the
galaxies in these clusters mostly he
passed right through each other on the
other hand the gas in these clusters
collided and ended up left at the
location of the collision while the
galaxies moved on so where is the dark
matter if modified gravity models are
correct you'd expect it to be wherever
most of the baryons are in this case
that's the gas
there's about twice as much mass in that
trainwreck of gas in the middle compared
to the stars in the galaxy clusters on
either side the true mass distribution
of the bullet cluster was mapped using
gravitational lensing this time the
warping of life of galaxies behind that
cluster it turns out that most of the
mass here's a invisible it's not stars
or gas but rather dark matter
and be it hanging out with the stars and
not the gas the Dark Matter also appears
to have passed straight through the
collision site which is exactly what
you'd expect if dark matter is what we
think it is some exotic weakly
interacting particle but not what you'd
expect if dark matter were just a
modification of gravity produced by the
baryons then the mass should be exactly
where we see it hanging out with the gas
some modified gravity proposals have
claimed they are still consistent with
the observation of the bullet cluster so
apparently we need more evidence cue the
new discovery a galaxy that may have no
dark matter whatsoever this weird object
is a so-called ultra diffuse galaxy or
udg these can be the size of the Milky
Way but maybe with 1% of the number of
stars sister Milky Way Peter van dokkum
and Shani Danieli of Yale University and
their team were studying one of these UD
G's in the neighborhood of the
elliptical galaxy NGC 1052 and this udg
is charmingly named and you see 1052 / d
f2 but today we're gonna call it fritz
to understand how Fritz formed the team
measured the motions of stars within
that galaxy first some bright lots of
stars globular clusters then did a few
stars of the rest of the galaxy
remember that Ricky and Rubin discovered
dark matter in the first place by
observing that the velocities were too
fast in clusters and in galaxies
indicating an unseen source of mass to
hold those things together well this
team found the velocities were extremely
small at least compared to similar you
DG's discovered in the past from the
stellar orbits they inferred a mass for
Fritz of 130 million times that of our
Sun although with an error bar of 18
million solar masses the comparison our
galaxy has a mess around ten thousand
times greater with the vast majority of
which is dark matter
this was intriguing
to determine the ratio of stars to dark
matter the team calculates in Fritz's
still a mess based on the amount of
light received from the galaxy this is
actually pretty straightforward because
we have an excellent understanding of
how much and what type of light stars of
different masses produce they got a
stellar mass of a hundred million suns
that's basically the same mass from the
stellar orbits that told the researchers
that we don't even need dark matter to
account for the mass of this galaxy and
most Fritz should have about the same
mass in dark matter as it doesn't stars
but even that would be bizarre because
normally in a galaxy like this the dark
matter would outweigh the stars by a
factor of 400 the team has since found a
second galaxy in the same group that
also appears to be missing dark matter
and they have several more candidates
for which they still need to measure
velocities it seems it is possible for a
galaxy to be missing dark matter which
is an ironically powerful argument in
favor of the existence of dark matter if
dark matter isn't a substance but rather
a modification of the laws of gravity
then it shouldn't be possible to
separate it from the galaxy yet in this
case that seems to be exactly what
happened the authors have some ideas of
how this could have happened but they
emphasize that these are just guesses
for the moment perhaps these UD G's form
from gas and stars ejected in a past
collision with the nearby elliptical
galaxies while perhaps that elliptical
galaxy once harbored a quasar its
central black hole underwent a feeding
frenzy that blasted enough gas out of
the galaxy to form a new mini galaxy but
without the dark matter or perhaps those
same quasar winds landed some gas
exterior to the elliptical galaxy
triggering it to collapse into stars
even without the dark matter that would
normally be needed to start that process
obviously more work is needed to
understand these dark metal light
galaxies then
document team are honored and no doubt
many other astronomers will be racing to
investigate this weird new class of
object hopefully if we can understand
how a galaxy can form without dark
matter we can learn more about the
nature of dark matter itself which be
nice I mean it only makes up 80% of all
matter in space-time thank you to
curiosity stream for supporting PBS
Digital Studios curiosity stream is a
subscription streaming service that
offers documentaries and nonfiction
titles from a variety of filmmakers
including curiosity stream originals for
example you can watch the hunt for dark
matter which looks at how CERN and the
University of California Santa Barbara
are working to uncover just exactly how
dark matter works and what it may
actually be you can learn more at
curiosity stream comm slash space-time
so you all seem to have completely
understood the holographic universe
video on first watch so there's nothing
to say here
well you fan did request a new video the
explanation of the holographic universe
explained point taken any further
explanations will get their own entire
videos today we're just going to use the
response section to address your
humorous comments and also to show some
of the incredible artwork you came up
with depicting Roger Penrose dressed as
Gandalf with a lightsaber and a TARDIS
okay maybe just one science one from
Tony face who muses the whole
information stored on the surface of a
volume idea had got me thinking pick a
sphere that encompasses whatever you
define of as me so everything about me
can be encoded on the outside of that
surface could you say that everything I
could possibly measure about the outside
universe is also encoded on the inside
of that same sphere and thus every
closed 2d surface in 3d space is
essentially a limit of the know ability
of one region about the other Tony face
consider a career switch this is indeed
a reasonable interpretation of the
universe beyond our cosmic horizon as a
hologram living in the light bill
quite reach us trapped at the expanding
horizon and that sounds like another
entire episode okay to the face mollify
shares with us they're tuning in to that
video randomly was like Oh bleep I just
walked into the final exam without ever
going to class so you're saying our
videos are like a nightmare to you well
at least they're free cook for 20
informs is that while we may feel that
we live in a three spatial dimension
universe serve up down left right
forward back we're actually in a higher
dimensional universe of up up down down
left right left right B a B a select
start that's right you already have all
the power-ups you just don't know it
bailed agust points out that Roger
Penrose is a Time Lord in
four-dimensional space but looks like a
Jedi in a three-dimensional surface
infinitely far away fleam notes that
this is a form of Jedi Time Lord duality
try RT guys try allottee he's also a
wizard as our Roger Penrose fan out
reveals here we have a brilliant one
from over decks on Twitter I see a
soldier of ministereth in the background
there but wasn't he Gandalf the White
not the gray by the time the
fellowshipped reached the tower of watch
oh yeah TARDIS he time traveled and also
from Twitter we have Steven Halliday's
brilliant drawing in which the
lightsaber blade is the matrix
mathematics of the more penrose
conditions truly an elegant weapon for a
more civilized age and finally Roger
Penrose as dr. Gandalf the White on
Shadowfax by David surely no fun is here
just wow David I'm gonna just go ahead
and replace Ian McKellen with Roger
Penrose in my mental image of Gandalf
[Music]
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hi friends in this video we are going to
see one more important parameter of AC
voltage waveform and that is average
value lets see the definition of average
value the average value of an
alternating quantity is defined as that
value which is obtained by averaging all
the instantaneous values over a period
of half cycle now one half cycle is
required for calculation of average
value because AC waveform we have seen
that it is a sinusoidal in nature it has
two positive as well as a negative off
cycles which are identical one so thing
is that if I average or if I add all the
instantaneous values in positive as well
as negative off cycle
ultimately it sums up towards 0 so
you can say average value is 0 but
that is not a case whenever we calculate
average value of a such waveform we need
to take only half cycle because it is
understood remaining half is identical
to the first half only sine is changing
so in order to avoid this problem we
always take half cycle while calculation
of average value so every value can be
calculated by two way one is a graphical
and second is analytical so what
graphical method is I am considering a
half cycle and in this half cycle I
have consider so many instances so let
us look at 12 instances I have
calculated and for every instant I
calculate the instantaneous value of a
current or a voltage and simply I will
add them and divided by number of
instances we are taken so that gives
rise to this formula for 12
instances I have V average as v1 plus v2
plus v3 up to Whitwell divided by 12 in
general suppose I am having n number of
points so I will get V average as v1
plus v2 plus v3
up to VN / n same way instead of a
voltage if I want to get average current
it is given by I average equal to i1
plus i2 plus i3 up to In divided by n
so this is a one way of a calculation of
average value let us go to the second
way and that is analytical method so
what do we do in an analytical method we
just consider the area covered by this
half cycle so what I will consider a
small element I will consider and then I
integrate over a half cycle I will get a
average value so lets solve so the
average value can be obtained by taking
the ratio of area under the curve or a
half cycle to length of base of half
cycle so I average is equal to area under curve
for half cycle and we have seen that it
is integral 0 to PI I dtheta because
I D theta is that small element which we
need to integrate to complete area
of the half cycle and length of half
cycle is PI so 1 over PI I can take it
out integral 0 to PI by ID theta if I
solve instead of I I need to substitute
IM sine theta I am I can take it out
as it is constant so IM by PI integral
0 to PI sine theta D theta sine theta
integral a is the minus cos theta and if
I apply the limits I will get value 2IM
75
00:03:50,090 --> 00:03:58,130 by PI 2 by PI is a constant and if we
solve you will get that constant number
0.637 so I can say I average
is nothing but 0.637 IM
similarly V average I can say 0.637
VM so every value is nothing but
63.7% of the maximum value for AC
quantity what is the advantage of this
average value we have seen that
whenever required this AC can be
converted into a DC so whenever we are
converting this AC into DC what value
exactly we can pass while applying a DC
supply and that is given by this average
value so average value is nothing but
whenever I convert AC into DC and
without any filteration if I check the
voltage that voltage is nothing but
average value thank you
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Hi, Billy Mays here. This is the new commercial
for Tom Humps the movie starring Tom Humps
with Tom Humps in the role as Tom Humps in
Tom Humps the movie, Tom Humps the movie is
sponsered by Tom Humps productions.
Buy now
at tomhumps.com
| {
"pile_set_name": "YoutubeSubtitles"
} |
English:
Imagine that your friend comes over one day
and brings a Ouija board with him.
You both sit and start to try to contact evil
spirits, your skeptical eye watching every
move the planchette makes and trying to figure
out if your friend's pulling your leg.
Suddenly the planchette starts moving from
the letter Z to the letter O, over and over
again rapidly, and after making its presence
known, this 'spirit' starts answering questions
about relatives of yours with incredible accuracy.
Creeped out, the next day you get curious
and google the name Zozo, only to discover
thousands of similar accounts written across
various message boards online.
Hello and welcome to another special episode
of The Infographics Show's Greatest Mysteries:
The Zozo Demon.
You don't have to imagine the preceding scenario,
because it has in fact happened to thousands
of people around the world.
Whether using ouija boards, automatic writing,
or various other spiritual contact techniques,
people all around the world have reported
contacting an entity calling itself “Zozo”.
Italian:
Immagina che un giorno arrivi il tuo amico e che porti con sè una tavola Ouija.
Vi sedete entrambi e tentate di contattare spiriti maligni, i tuoi occhi scettici che guardano ogni
movimento che fa la lente e cercano di capire se il tuo amico ti sta tirando la gamba.
All'improvviso la lente inizia a muoversi dalla lettera Z alla lettera O ripetutamente,
di nuovo, rapidamente e dopo aver palesato la sua presenza, questo "spirito" inizia a rispondere a domande
riguardo i tuoi parenti con incredibile accuratezza.
Rabbrividito, il giorno dopo ti incuriosisci e cerchi su google il nome Zozo per poi scoprire
migliaia di account simili scritti su varie bacheche online.
Ciao e benvenuto su un altro episodio speciale di "The Infographics Show's Greatest Mysteries":
Il Demone Zozo.
Non c'è bisogno di immaginare lo scenario precedente perchè, di fatto, è accaduto a migliaia
di persone nel mondo.
Che sia stato usando tavole Ouija, scrittura automatica o varie altre tecniche di contatto spirituale,
persone da tutto il mondo riportarono di aver contattato un'entità che si faceva chiamare "Zozo".
English:
With the advent of the internet, people began
to share their stories online, each person
shocked to discover that hundreds, if not
thousands of others had had the same experiences
as they did.
Possibly more terrifying though is the fact
that stories about Zozo have been around for
hundreds of years, with one of the oldest
accounts coming from Collin de Plancy's demonic
encyclopedia, the Dictionnaire Infernal.
According to de Plancy, a young girl claimed
to be constantly harassed by three evil spirits:
Mimi, Crapoulet, and Zozo.
The demons would torment the girl and force
her to walk on her hands, or act indecent
in the company of others.
Eventually she was exorcised successfully,
although the priest performing the rite was
warned not to attempt another exorcism by
the police.
It's easy to discount old tales as mere superstition,
or even to discount modern testimony as simply
flights of fancy that appropriate old legends
or scary stories.
It's not so easy however to explain the massive
amount of collaborative testimony available
Italian:
Con l'avvento di internet, la gente iniziò a condividere le loro storie online, ogni persona
sconvolta di scoprire che centinaia, se non migliaia di altri, hanno avuto la stessa esperienza
che hanno avuto loro.
Ancor più terrificante forse è il fatto che le storie su Zozo erano in circolazione già da
centinaia di anni, con uno dei più vecchi resoconti provenire dall'enciclopedia demoniaca
di Collin de Plancy: il Dictionnaire Infernal.
Secondo de Plancy, una giovane sostenne di essere tormentata di continuo da 3 spiriti maligni:
Mimi, Crapoulet e Zozo.
I demoni tormentavano la ragazza e la obbligavano a camminare sulle sue mani o a comportarsi in modo
indecente in compagnia degli altri.
Fu eventualmente esorcizzata con successo, anche se il prete che praticò il rito venne
avvertito di non tentare un altro esorcismo dalla polizia.
E' facile dare per scontato le vecchie favole come mere superstizioni o anche considerare le moderne testimonianze come semplici
voli pindarici caratteristici delle vecchie leggende o delle storie di paura.
Tuttavia non è così facile spiegare l'enorme ammontare di testimonianze collaborative disponibili
English:
online, specially from people surprised to
discover so many others allegedly having contact
with the same entity.
Encounters with Zozo tend to go the same way-
contactees will be using a Ouija board or
other spirit contact technique, and Zozo will
make its presence known by spelling out its
name.
Typically it will then answer questions that
would be difficult for other people around
you to know the answers to in an effort to
gain your trust.
Other times it will simply start to spell
out expletives.
Contact with Zozo typically results in something
tragic happening shortly after- one man claims
that his wife left his daughter in the bath
tub and stepped out for a moment, which was
long enough for his daughter to begin drowning.
After rescuing her she was struck ill by a
mysterious infection days later.
Another woman claims that on the same day
as her contact with Zozo she was hit by a
drunk driver.
People differ on what exactly Zozo is, but
whatever it is it's clearly got a bad temper.
Some say that Zozo is a demon, possibly even
the ancient Mesopotamian king of wind demons,
Italian:
in rete, specialmente da persone sorprese di aver scoperto così tanti altri che hanno presumibilmente
avuto contatto con la stessa entità.
Gli incontri con Zozo tendono ad andare nello stesso modo: quelli che contattano usano una tavola Ouija o
altre tecniche di contatto spirituale e Zozo rende nota la sua presenza rivelando
il suo nome.
Di solito poi risponde a domande che risulterebbero difficili da saper rispondere per le altre persone
così da guadagnare la tua fiducia.
Altre volte inizia semplicemente a sillabare imprecazioni.
Il contatto con Zozo risulta tipicamente in qualcosa di tragico accadere subito dopo, come ad un uomo che
sostenne che sua moglie lasciò sua figlia nella vasca e si allontanò per un momento che era
abbastanza lungo da permettere a sua figlia di affogare.
Dopo averla salvata venne colpita da una malattia da una misteriosa infezione giorni dopo.
Un'altra donna sostenne che nello stesso giorno del suo contatto con Zozo venne investita
da un guidatore ubriaco.
Le persone hanno diverse opinioni su cosa sia Zozo esattamente ma qualsiasi cosa sia ha chiaramente un brutto carattere.
Alcuni dicono che Zozo sia un demone, possibilmente anche l'antico re Mesopotamiano dei demoni del vento,
Italian:
Pazuzu.
Altri credono che Zozo sia semplicemente un'entità malevola che si sia appropriata di tale nome a causa
della crescente paura di esso.
Altri ancora credono che Zozo non sia una singola entità ma piuttosto un nome che vari spiriti
maligni o maliziosi usano per spaventarci, sapendo quanto spaventati siamo diventati nel contattare
l'irritabile Zozo.
Queste persone pensano che gli spiriti possano semplicemente divertirsi un po' usando
tale nome mentre spiriti più malvagi se ne appropriano per spaventarci e -ritengono- che la paura
dia il potere agli spiriti.
Qualunque sia la sua origine, alcune caratteristiche di Zozo implicano un'attrazione per il genere femminile
preferendo il contatto con le donne che con gli uomini.
Zozo inoltre sembra essere attratto da persone con tendenze suicide, depressione e altri
disordini psicologici.
I ricercatori sostengono che queste persone sono più vulnerabili a influenze demoniache dando al demone
più potere su di loro e rendendo più facile spingerle a fare cose estreme
come il suicidio o ferire e spaventare gli altri.
English:
Pazuzu.
Others believe Zozo is simply a malevolent
entity that appropriated the name because
of growing fear around it.
Yet others believe that Zozo is not a single
entity, but rather a name that various evil
or mischievous spirits use to scare us, knowing
how scared we have become of contacting the
ill-tempered Zozo.
These people think that spirits may simply
be having a bit of fun with us by using the
name, while more evil spirits appropriate
it in order to scare us- and fear, they believe,
gives the spirits power.
Whatever its origin, some of Zozo's characteristics
involve an attraction to the female sex, preferring
contact with women over men.
Zozo also seems to be attracted to people
with suicidal tendencies, depression, or other
psychological disorders.
Researchers claim that these people are more
vulnerable to demonic influence, giving a
demon more power over them and making it easier
to push them to do extreme things such as
suicide or hurting or scaring others.
English:
Those who claim to have come in contact with
Zozo describe sudden and intense feelings
of anger, fear, depression, or generally black
thoughts as they talk with Zozo.
Their encounters are typically followed by
seemingly bad luck.
Others though are more severely affected,
with some claiming to have suffered physical
symptoms such as headaches, sleepwalking,
and the appearance of marks and bruises on
their bodies.
This is all quite terrifying- if true.
Along with the host of believers, there are
just as many skeptics however, and the preferred
tool of contact with Zozo, the Ouija board,
is itself fraught with doubts.
For starters, it's a game manufactured by
a major toy company, and many skeptics have
a hard time swallowing the fact that spirits
and demons are immediately accessible with
a simple board game.
There may be some merit to that point, but
then again, if the world of spirits and demons
is real then who says they need some special,
archaic and mysterious method to contact us?
But that's hardly the only criticism leveled
at the Ouija board.
Italian:
Quelli che sostengono di avere avuto contatti con Zozo descrivono delle improvvise e intense sensazioni
di rabbia, paura, depressione o generalmente brutti pensieri durante il dialogo con Zozo.
I loro incontri sono tipicamente seguiti da apparentementi casi di sfortuna.
Altri tuttavia sono influenzati in modo più critico, con alcuni che sostengono di aver sofferto sintomi
fisici come mal di testa, sonnambulismo, e la comparsa di segni e lividi
in corpo.
Se è vero, questo è alquanto terrificante.
Ci sono numerosi credenti tanti quanti i molti scettici, e lo strumento di contatto
preferito di Zozo, la tavola Ouija, è esso stesso carico di dubbi.
Per iniziare, è un gioco creato da una grande compagnia di giochi e molti scettici fanno fatica
a digerire il fatto che gli spiriti e i demoni siano consultabili con
un semplice gioco da tavola.
Ci potrebbero essere alcuni meriti su questo punto ma, ancora, se il mondo degli spiriti e dei demoni
è reale allora chi dice che hanno bisogno di uno speciale metodo arcaico e misterioso per contattarci?
Ma questa è difficilmente l'unica critica a livello della tavola Ouija.
Italian:
Nel 1972 gli psicologi fecero un esperimento per vedere se le persone potessero avere esperienze di contatti
paranormali con gli spiriti tramite la sola volontà umana, in pratica volevano vedere se
fosse tutto dentro la nostra testa.
Per lo studio inventarono un personaggio fittizio di nome Philip Aylesford e poi invitarono un
gruppo di persone per una seduta spiritica per evocare il suo fantasma.
Il gruppo ebbe eventualmente un contatto con l'entità, convincendosi che potevano
sentire la presenza di Philip, udendo bussare dal tavolo, sentirono il tavolo vibrare
fisicamente e ad un certo punto videro il tavolo piegarsi su due gambe.
Per tutto il tempo non avevano idea che Philip fosse una finzione.
Lo studio provò quindi quanto siamo suscettibili al credere nel paranormale con solo
il più piccolo stimolo.
Ma ancora, se il mondo degli spiriti e dei demoni fosse reale, chi ci dice che uno spirito malizioso
o un demone malvagio non abbia semplicemente risposto alla seduta, sapendo per certo cosa stava succedendo
e approfittandosi della frustrazione che avrebbe causato l'intera faccenda quando ai partecipanti
sarebbe stato detto che non c'era nessuna persona come quella a cui sostenevano di parlare?
English:
In 1972 psychologists ran an experiment to
see if people could have paranormal spirit
contact experiences through nothing more than
human will- basically they wanted to see if
it was all just in our heads.
For the study, they made up a fictional person
named Philip Aylesford and then invited a
group of people to run a séance in order
to summon his ghost.
The group eventually made contact with the
entity, becoming convinced that they could
feel Philip's presence, hearing knocking sounds
coming from the table, felt the table physically
vibrate, and at one point saw the table tilt
up onto two legs.
All the while, they had no idea that Philip
had been completely made up.
The study proved just how susceptible we can
be to believing in the paranormal with just
the smallest amount of prodding.
Yet, if the world of spirits and demons is
real, what's to say that a mischievous spirit
or evil demon didn't simply respond to the
séance, knowing full well what was taking
place, and reveling in the frustration the
entire affair would cause when the participants
were told there was no such person as the
one they claimed to be speaking to?
English:
Why would spirits and demons be any different
than we are- basically, why wouldn't a spirit
troll a scientific study way back in 1972?
Other skeptics point at the ideomotor effect
as an explanation for 'contact' with Zozo
and other paranormal entities.
The ideomotor effect is the subconscious and
involuntary movement of muscles, typically
to a very small and likely imperceptible degree.
This effect has been well documented, most
famously by the famed Michael Faraday who
built a device to show how the ideomotor effect
was responsible for the 'table-turning' fad
that swept supernatural-believing London.
Today, skeptics claim that ouija board communications
are nothing more than the subconscious mind
using the ideomotor effect to push the planchette
around and give us the answers we are seeking.
Zozo may well be simply a product of our own
subconscious pushing a planchette on a ouija
board with movements so imperceptible that
even we ourselves are fooled into believing
a supernatural explanation.
Yet that doesn't explain the global internet
phenomenon which has seen thousands of people
Italian:
Perchè gli spiriti e i demoni sarebbero diversi da noi- in pratica, perchè non dovrebbe uno spirito
trollare uno studio scientifico nel lontano 1972?
Altri scettici puntano all'effetto idiomotorio come una spiegazione per il "contatto" con Zozo
e altre entità paranormali.
L'effetto idiomotorio è un movimento inconscio e involontario dei muscoli, tipicamente
su una piccolissima e impercettibile scala.
Questo effetto è stato documentato a lungo, per fama, dal famoso Michael Faraday che
costruì un dispositivo per mostrare come l'effetto idiomotorio fosse responsabile del tipico effetto del "tavolo che si muove"
che spazzò la Londra che credeva nel sovrannaturale.
Oggi gli scettici sostengono che le comunicazioni con la tavola ouija non siano altro che il subconscio che
che usa l'effetto idiomotore per spingere la lente e darci le risposte che cerchiamo.
Zozo potrà semplicemente essere frutto del nostro subconscio che spinge la lente su una tavola ouija
con movimenti così impercettibili che perfino noi stessi siamo ingannati a credere
a una spiegazione sovrannaturale.
Ancora, questo non spiega il fenomeno globale di internet il quale ha assistito a migliaia di persone
Italian:
sostenere un contatto con la stessa entità.
Gli scettici puntano alla possibilità di una tendenza psicologica di massa tra i credenti
o che ognuno di loro stia potenzialmente inventando una grande bufala.
Entrambe le risposte potrebbero essere vere ma per quanta evidenza valida ci sia per entrambe le risposte
quanta ce ne sia per Zozo -ovvero zero- è un tipo di ironia speciale che la credenza
della non esistenza di Zozo richiede, tanta quanta la fede senza fatti di quella credenza stessa.
English:
all claiming contact with the exact same entity.
Skeptics point out the possibility of a mass
psychological trend amongst all these believers,
or that potentially every single one of them
is simply making up a tall tale.
Both answers could be true, but with just
as much hard evidence for either those two
answers as there is for Zozo- that being zero-
it's a special kind of irony that the belief
Italian:
Pensi che Zozo sia reale?
Hai mai incontrato questa entità?
Raccontaci la tua storia nei commenti!
Inoltre, assicurati di dare un'occhiata all'altro nostro video "Scariest Ghost Stories".
Grazie per la visione e come sempre, non dimenticarti di mettere like, condividere ed iscriverti.
Alla prossima.
English:
Zozo is not real requires just as much fact-less
faith as the belief that it is.
Do you think Zozo is real?
Have you ever encountered this entity?
Tell us your story in the comments!
Also, be sure to check out our other video
Scariest Ghost Stories.
Thanks for watching, and as always, don’t
forget to like, share and subscribe.
See you next time.
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This is Simerjeet Singh back again with the
#QuotesThatInspire series. My desire is
to share with you words of inspiration
from different parts of the world, from
different thinkers. Words which provoke
you, which inspire you, which force you to
slow down and think again about life and
your priorities.
I think today's videos like two
different quotations rolled into one
from two different masters, from two
different parts of the world, from two
different eras or together differently.
One is from the famous psychologist
Carl Jung and the other one is from the Sufi master Jalaluddin Rumi. And the beauty
of these two very different set of words
is how similar they are and their intent.
Coming from two people who probably
would have never met each other, probably
came from very different cultures but
yet the essence of what they had to say
remains the same and that's what I love
because it all connects, all these great
thinkers, all these great minds, you know
they probably all tuned into a super
conscious mind and derive their wisdom
from that. So let's start with the first
one coming from Carl Jung who wrote
"The shoe that fits one person pinches another."
"The shoe that fits one person pinches another; there is no universal recipe for living."
And I think I've found
this quotation by Carl Jung very apt at
times when people send emails or ask
experts about the ideal life. There is no
ideal path
that anyone else can tell you. There is
no set path that you must walk on in
order to qualify as a life that was
lived well or in order to qualify being
called successful. Because what
works for one person might not work for
another and therefore it is the utmost
responsibility of every human being to
figure out your own way, to figure out
that path which is meant for you, which
utilizes your strengths and which will
enable you to flourish and will give you
most peace and harmony. If you are an
entrepreneur,
perhaps you would feel suffocated
working for someone else or living on a
salary because that's
who you're, that's your path, that
is your recipe for living. If you're an
entrepreneur you must unleash that
entrepreneurial instinct and do
something on your own and if you
suffocate yourself into a job just
because you did not have the courage to
follow your own path you're going to
lead a life of misery. However not
everyone's meant to be an entrepreneur.
You know, some people find life more
comfortable and more appealing and
they're able to handle it better when
they when they're working for someone else,
when they're drawing a salary and
working for a corporation and a person
like that would find it very hard to
survive as an entrepreneur. You know he
might find it very difficult on a
day-to-day basis
to figure out everything for himself or
herself. They'd be better off
being part of a system, of an ecosystem
where a lot of things are
taken care off by someone else and they
can focus on the work they need to do.
So "the shoe that fits one person pinches
another; there is no your universal
recipe for living."
Which means figure out your own recipe.
Experiment, think and take a few wrong
steps in order to arrive
to the truth but please please please
figure out your own path, the one that
pleases you the most. The second one
coming from the Sufi master Jalaluddin Rumi.
Again ties into this one. Rumi writes
"Don't be satisfied
with the stories how things have gone
for others. Unfold your own myth."
"Don't be satisfied with stories how things have
gone with others. Unfold your own myth."
And I think the beauty about this, second
set of words from Jalaluddin Rumi is
once someone becomes successful, suddenly
there's a huge amount of interest in how
did this person get there,
what's his life story, what sort of
actions did he take, what sort of steps
on his journey. In the desire to
replicate that journey, in the desire to
follow those four steps, in the desire to
recreate that success and that is where
precisely Rumi is asking you not to do
it. And he's saying okay fine
learn and be inspired and you know
gather information if you have to. But
learn to unfold your own myth and I
think that is one of our primary
responsibilities to ourselves, to leading
a fulfilling life: is to have the courage
to unfold our own myth, is the it is to
have the courage to walk into the
unknown and not always seek out a
step-by-step description of what someone
else has done before you. So I leave you
in summary with these two thoughts once
again, with the only intent that
after you finish this video.
Pause and spend some time on figuring
out your own journey and with the desire
to unfold your own myth. "The shoe that
fits one person pinches another; there is
no Universal recipe for living."
Curl Jung: "Do not be satisfied with the stories
how things have gone for others. Unfold
your own math."
Jalaluddin Rumi. So I hope this gives
you food for thought,
to figure out your very own specific
path
- unfolding the beautiful gifts that you
arrived with on this planet.
Thank you
for watching! Bye bye!
you
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in most people's minds anarchy summons up visions of a lawless hellscape
where only the strongest and most brutal
people can survive. Something like the
Purge. In fact, the second Purge movie
literally has the subtitle Anarchy.
But I don't want that! It's obvious that in a
world where only the strong survive
I'd be burned for fuel on day one! How
could I want something so incongruous
with my effete, soft-boi lifestyle? What I
want is socialism, but like, without a
state. Also it'd be mad decentralized. We
call this framework anarcho-communism.
Hey, real quick, here's the definition of
socialism I use so we can be on the same
page. Common ownership of the means of production. Which is to say that the
stuff needed, to make the stuff needed to
survive, so like factories tools and
farms and that kind of thing, are owned
and controlled by everyone that depends
on them rather than privately owned by
whatever ding dong had the money to buy
them. Sounds pretty good, right? But if you ask centrists and right-wing goofballs
about it, "Oh it works on paper, but it'll
never work in real life!" There's just one
little thought terminating cliche that
prevents socialism from ever working in
the real world...
Attila the Hun, Elizabeth Báthory, Mozart,
Andy Dick,
Marie Curie, Camus, Tilda Swinton ,Napoleon, Octomom, Nelson Mandela, Sonic the Hedgehog...
All human. All possessing the
same mercurial essence. The unseen,
irreducible, inalienable, quality of human
nature... that makes their actions and
behaviors exactly the same if you think
about it!
Socialism can't work because people are
simultaneously too greedy and too lazy.
That may seem like an oxymoron but it
isn't because...(long silence). Well anyway that's a
pretty dim view of humanity
if you ask me I happen to think that
mutual aid is a factor of evolution! The
assumption wieners make is that
socialism is somehow based on everyone
sharing stuff, with no protections in
place if somebody tries to take all this
stuff, because it's all based on the
honor system I guess. All the stuff is
just put in a big pile and people can
come and take whatever they want so one person could take everything and
everyone else would be hosed.
But socialism doesn't just mean
everybody sharing things! It means that
if everyone in the community needs
something, nobody gets to own it
privately, and as a consequence of that
people kind of have to share things.
Let's look at a very realistic example
I've cooked up with my good good
anarchist brain: Say we have some rich
pervert... let's call him "Dave the
capitalist". Because of his inherent
rational self-interest, he covets
material wealth. In his village the
greatest producer of this wealth is a
big fidget spinner Factory. All the rest
of the people in his village need those
fidget spinners to soothe their nervous
energy. Under capitalism Dave gets to buy
the factory, assuming he has the capital
to do, so then he owns the fidget
spinners and everybody has to pay him to
get one.. and since they have no other wayto self-soothe he can charge whatever he
wants! That's called "inelastic demand." He can
bilk the poor fidgety peasants for
everything they have, and live high off
the hog on his fidget throne. Under
socialism, Dave doesn't
get to keep the factory if everyone else
needs it. Sucks for Dave right? How's he
gonna feed his capitalist family? Oh wait
it's fine,
because all of the things necessary for
survival, like farms and shelter, are
owned in common. So he has just as much right to food as anyone else, presuming
that he shares in the labor of producing
it. But how would the peasants take away
the factory? They'd just walk in and take
it because the police and military
wouldn't back up Dave's property claims
because property claims wouldn't exist...
and ideally neither with the police or
military. Socialism doesn't break down if
people refuse to share, because you can't
hoard things from people if nobody
respects or, critically, defends with
force your right to privately own things
if other people need them to survive.
Human greed isn't a big problem for
socialism because the economic system
doesn't incentivize it or protect i,t but
it's a big problem for capitalism though!
Oops!1% of the global population owns 50% of the total wealth on the planet (sad slide whistle noise).
A lot of the jobs people do now would be
completely irrelevant in an an-com
society. We wouldn't need anyone to work
in advertising, or finance, we wouldn't
need managers, middle managers, presidents, vice presidents, executives,
account managers, brand specialists, thought leaders, lobbyists or any of the other
parasites that capitalism makes
essential nowadays. A lot of jobs just
straight up don't need to be done... At all.
David Graeber writes about what he calls
"bullshit Jobs": "In the year 1930
john maynard key- keen... Keynes!
predicted that by the century's end
technology would have advanced
sufficiently that countries like Great
Britain or the United States would have
achieved a 15 hour work week. There's
every reason to believe he was right. In
technological terms we are quite capable
of this. And yet it didn't happen. Instead
technology has been marshaled, if
anything, to figure out ways to make us
all work more. In order to achieve this
jobs have had to be created that are,
effectively, pointless. Huge swathes of
people in Europe and North America in
particular spend their entire working
lives performing tasks they secretly
believe do not really need to be
performed. The moral and spiritual damage
that comes from this situation is
profound.
It is a scar across our collective soul."
There's a whole lot of human
energy that could be redirected to more
useful purposes... and that's not even
touching people who want to work and be
productive but can't find a job or the
idle rich who literally do nothing. But
granted, there are a lot of jobs that are
difficult and require specialized
training... here's the thing though, I
really don't want those jobs being done
by people who are just cashing a cheque.
I want my doctor to genuinely care about
my health and be passionate about
learning and practicing medicine. There
are probably a lot of very caring
intelligent and fastidious people who
can't become doctors under capitalism
because they can't afford the training.
And imagine, just imagine, the way
specialized fields could be
revolutionized if everyone with the
necessary drive and talent was able to
participate in those fields, and those
without those qualities didn't feel
compelled to participate in them and
junk everything up just to get a
paycheque. Every doctor that's ever pushed
pills on you because they had a
sweetheart deal with the manufacturer,
every therapist has ever stalled to
bill more hours, every lawyer who
defends exxon-valdez when they have an
oil spill, every cab driver who took the
long way to your destination, every
salesperson who tried to push a useless
extended warranty... They all did it
because the point of their job is to
make money, not to help people, not to
service human need. But what about crappy jobs?
Well I guarantee for literally
every job, no matter how difficult,
dangerous, or disgusting
there are passionate people who
genuinely want to do it and plenty of
competent people who would be willing to
do it if it needed to get done. And sure,
maybe you say, "Not me I'll just sit
around playing video games"... you cannot do the labor necessary to have everything
you need to live a life of leisure
playing video games on your own. You can't.
Making your own food alone would
be so much effort that you wouldn't have
much time left over to research how to
solar power your X-box.
At some point, you're going to require
someone else's help and why would people
give it to you if you're not willing to
help others when they need it? But if
everyone works just a little bit we can
all blow the rest of the time doing
anything we want to do! You could spend a lot of time playing video games or you
could stay the course in capitalism
generating endless reports that nobody
reads to justify the salary that you
need to pay rent to your landlord who
literally does nothing but sit on their
butt and collect cheques from you.
Your choice I guess. Ultimately I can't prove what human nature is I can't prove
people are fundamentally good or
hard-working, but even if we weren't I
think it's worth challenging the
assumption that the way people behave
now is intractable and unchangeable. I
don't believe there's such thing as
human nature, we're flexible animals.
Human beings are really, really good at
adapting to new ways of doing things, we
need to get better at the reverse:
Adapting the way we do things to be
better for human beings.
We're good enough to live in a better
world. We need to fix the mess that
capitalism has made of our lives. We can
fix it, and we will fix it because humans
have the capacity to be compassionate
and hard-working, and compassion and hard
work are all that is required. If you
think humanity is defined by selfishness
and cruelty let me ask you this... If
people are so fundamentally crooked that
they cannot be trusted with freedom
because they will abuse it, how can they
be trusted with authority over someone
else?
Charlie! Look at me. Look at me!
hey tell people to LIKE and
subscribe
tell them tell them to LIKE and
subscribe to thought slime on YouTube.com
Charlie, Charlie I don't ask you for
much please man please Charlie I put so
much work into this video
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I think I was drawn particularly to Odell
just because it is one of the more livelier
residence halls in SOA just because you do
get a lot of first years, as well as a lot
of second years, but then also just like people
looking for all different sorts of things.
So it's kind of more of an eclectic mix.
We've started in specifically Odell this year
is Odell brunches, which is like every other
Saturday.
It happens before brunch for the people who
get up earlier than 11 so like 10 to noon.
That's been super fun most of the hall comes
and you just get to have like whatever kind
of food you want and cook it yourself or usually
I cook it for them.
That's been a fun thing that we do.
We have Waffle Wednesday every Wednesday at
9pm so it's a great late night snack break
from studying and stuff like that.
I mean the main thing is just helping people
get to know each other because life gets really
really busy, but we had a lot of events where
we talked about race and gender and the different
ways that people identify and being really
respectful of that and acknowledging that
we all play a role in this.
We've done a lot of events like that and I
think that's been something that's helped
our hall get to know each other in a little
less superficial way than you would at maybe
a Waffle Wednesday or something like that.
I guess the most recent event we've had is
an event on gratitude.
It was really fun.
I just baked a bunch of things and got a bunch
of art supplies and we all were down in the
Odell lounge and so people were like just
painting things that they're grateful for
or writing letters to people that they wanted
to say thank you to.
Everyone seemed to enjoy it a lot.
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Good morning guys, welcome to Saint Seiya awakening: KOTZ
Today we are going to watch some of the fights we've doing last 2 days.
Using our new Milo repaired cloth.
Finally we completed him last monday with a lot of effort and sweat.
We collected the pieces slowly
i sold all my Algol and Tetis cloth
that i found in my boxes.
So i could buy Orichalcum and we got SUPER LUCKY
Saturday at night i think, i bought 1 box.
With 300 coupons and i got the LAST piece i needed which was the chest!
An enourmous amount of luck that,
from 6 pieces that was the last one so
thank you so much Athena and grand pope
These are his stats right now: with a good amount of damage,
low crit chance, just like Seiya divine cloth and Milo.
It's really hard to get a good amount of crit because we are building them with speed.
By the way my Milo it's not using Cristal Fire,
so that's why he has low PATK.
This set of New Moon was in my Seiya DC
before we got Cristal Fire
So this set of New Moon, upgraded and refined i gave it to Milo.
In a future when i found a new set of Cristal Fire.
Or if i'm not using Seiya DC
definitely i'm switching cosmos to that set.
For now he is gonna keep this, these are not bad stats, also he does SO MUCH DAMAGE
he doesn't need a lot of stats.
His skills are: Basic attack in 2
and Antares in 3!
I'm waiting for just 1 milo so i can upgrade that one!
Let's watch some fights i've done today and yesterday in Galactic Duel
Obviosuly these are some i won.
But also we lost some with some stupids team composition i tried and didn't work
So here are the best!
And that's it guys!
Hopefully you enjoyed the fights!
As you can see june it's a bit weaker
With the amout of damage that can do Milo.
Still a bit annoying but with a good amount of damage
Finally we can kill those team of june, Ikki DC and Jamian
Like you have seen in my channel i don't band Ikki DC. I kill them!
Obviously we lose some fights but it's funnier
My ikki dc it's always banned so
I kill enemy chickens! That's it for today guys.
If you haven't done it yet please leave a like,
Subscribe and turn on the Bell. Bye!
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Interviewer: How has your work affected you personally?
It's made me a deeply cynical bastard!
I grew up in Ireland,
a country that has been deeply affected by terrorism.
As a child, it seemed that the people who devote their lives to this kind of behavior
they've got to be mentally ill or– or psychopathic.
In college, I found myself taking a class in social psychology.
My professor was this terrorism expert.
His argument was: All we ever really see is the end result of when...
...the people that we call terrorists do what they do.
We don't see the long and winding road that they take.
As a result, we look for a neat, simple explanation and typically we say...
"They must be just evil in some way."
That idea changed my life.
I wanted to become a psychologist who studied terrorism.
When I sit down and interview a former terrorist,
I'm trying to understand the motivations for becoming involved in terrorism,
With all of its complexity and with all of its nuance.
Nobody wants to hear that this is complicated.
My challenge is to try to convey just how complex this issue is.
Terrorism is a strategy.
We can engage it with military solutions,
but it's not going to stop terrorism.
What we really ought to be doing is figuring out how we can
make that strategy less appealing, how we can engage it without actually making it worse.
We need to move beyond these simplistic questions,
that currently I think just prevent us from actually doing something really meaningful.
It's difficult not to have a sense of profound disillusionment with the world and with humanity.
I've been visiting Pakistan, and I've had an extraordinary opportunity to visit
de-radicalization facilities that are aimed at young kids, who are recruited into the Taliban.
These kids are then rescued by the Pakistan Army and are given a second chance at life.
I sat down with a failed suicide bomber.
And he was an 11-year-old boy, who decided very bravely at the last minute
he didn't want to go through with this operation and he gave himself up.
And I thought to myself how selfish I am, to be so deeply cynical,
when here we have an extraordinary example of people who can and do change.
There’s always hope, and it sounds so cliché, it sounds so hokey,
But those are the kinds of success stories we should never ever lose sight of.
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más
tras las
se ha trasladado lo más loco
te
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German:
Die ICU der Akutmedizin-Abteilung in der Tokyo University Hospital.
Die Behandlung, die stattfand hier etwa ein Jahr und einen halben Tag war in der Welt beispiellos.
Er ist Dr. Kazuhiko Maekawa.
Er ist seit über 30 Jahren in der Notfallversorgung beteiligt.
Es war das erste Mal, dass er einen Patienten begegnet, die eine große Menge an Strahlung erhalten hatte.
Bei dem Unfall, die im Tokaimura Werk von JCO aufgetreten ist, wurden drei Arbeiter einer Strahlung ausgesetzt ...
Die Kritikalität Unfall ereignete sich bei der Kernbrennstoffverarbeitungsanlage in Tokai Dorf
und zwei Arbeiter wurden durch eine schwere Strahlenexposition getötet.
French:
L'unité de soins intensifs du service de médecine aiguë à l'hôpital universitaire de Tokyo.
Le traitement qui a eu lieu ici environ un an et demi auparavant, était sans précédent dans le monde.
Il est le Dr Kazuhiko Maekawa.
Il a été impliqué dans les soins d'urgence pendant environ 30 ans.
Ce fut la première fois qu'il a rencontré un patient qui avait reçu une énorme quantité de rayonnement.
Dans l'accident survenu à l'usine Tokaimura de JCO, trois travailleurs ont été exposés à des radiations ...
L'accident de criticité a eu lieu à l'usine de traitement du combustible nucléaire dans le village de Tokai
et deux travailleurs ont été tués par une forte exposition au rayonnement.
English:
The ICU of the Acute Medicine department
in the Tokyo University Hospital.
The treatment that took place here about a year
and a half ago was unprecedented in the world.
He is Dr. Kazuhiko Maekawa.
He has been involved in the emergency care
for about 30 years.
It was the first time that he encountered a patient
who had received a massive amount of radiation.
In the accident that occurred at the Tokaimura plant
of JCO, three workers were exposed to radiation...
The criticality accident occurred at the nuclear
fuel processing facility in Tokai village
and two workers were killed by
a heavy exposure to radiation.
German:
Er ist Hisashi Ouchi, das erste Opfer der Atomunfälle in Japan.
Er wurde einer Strahlung ausgesetzt, die etwa 20.000-mal mehr als die zulässige jährliche Obergrenze für die einfachen Menschen waren.
Dieses Team war verantwortlich für die Behandlung von Ouchi.
Sie wendeten die neuesten Medizintechnik auf die Behandlung, die die Welt noch nie gesehen hatte.
Jedoch wurden sie jeden Tag durch die schrecklichen Folgen der Strahlenbelastung überwältigt.
Einfach unser Stolz wie Medizinern setzen, wurde in Stücke gebrochen.
Ich denke, um ihn am Leben, so lange wie möglich zu halten wie ein Qual für ihn war.
Ich will nicht, dass er uns danken. Ich würde seinen Groll akzeptieren.
French:
Il est Hisashi Ouchi, la première victime des accidents nucléaires au Japon.
Il a été exposé à un rayonnement qui était d'environ 20.000 fois plus que la limite annuelle admissible pour les gens ordinaires.
Cette équipe est en charge du traitement des Ouchi.
Ils ont appliqué toutes les dernières technologies médicales au traitement que le monde avait jamais vu auparavant.
Cependant, ils ont été submergés chaque jour par les horribles effets de l'exposition aux radiations.
Autrement dit, notre fierté en tant que professionnels de la santé a été brisé en morceaux.
Je pense le garder en vie aussi longtemps que possible était comme une agonie pour lui.
Je ne veux pas qu'il nous remercier. J'accepte son ressentiment.
English:
He is Hisashi Ouchi, the first victim
of nuclear accidents in Japan.
He was exposed to radiation that was about 20,000 times
more than the permissible annual limit for ordinary people.
This team was in charge of
the treatment of Ouchi.
They applied all the latest medical technology to the treatment
that the world had never seen before.
However, they were overwhelmed every day
by the horrible effects of radiation exposure.
Simply put, our pride as medical professionals
was broken into pieces.
I think keeping him alive as long as possible
was just like an agony for him.
I don't want him to thank us.
I would accept his resentment.
English:
All I want is the answer whether we did the right thing.
These are the 83-day records of Ouchi's treatment.
The records are disclosed for the first time because his family
hopes his death should be of help to someone else.
You can see the medical team's anguish as well as
his family's desperate hope for his recovery.
We are going to follow Ouchi's 83 days with his medical
records and the interviews of his medical staff.
Dr. Maekawa, who specialized in emergency care,
first heard of the accident early afternoon on that day.
French:
Tout ce que je veux est la réponse que nous avons fait la bonne chose.
Ce sont les dossiers de 83 jours de traitement de Ouchi.
Les dossiers sont présentés pour la première fois parce que sa famille espère que sa mort devrait être utile à quelqu'un d'autre.
Vous pouvez voir l'angoisse de l'équipe médicale, ainsi que désespérée espoir de sa famille pour son rétablissement.
Nous allons suivre 83 jours de Ouchi avec ses dossiers médicaux et les interviews de son personnel médical.
Dr Maekawa, spécialisé dans les soins d'urgence, d'abord entendu parler de l'accident début d'après midi ce jour-là.
German:
Alles was ich will ist die Antwort, ob wir das Richtige getan haben.
Dies sind die 83-Tage-Aufzeichnungen von Ouchi der Behandlung.
Die Datensätze werden zum ersten Mal offenbart, weil seine Familie hofft, dass sein Tod Hilfe jemand anderes sein sollte.
Sie können die medizinischen Teams Angst sowie seine Familie verzweifelte Hoffnung für seine Genesung sehen.
Wir werden Ouchi der 83 Tage mit seinen medizinischen Aufzeichnungen und Interviews seines medizinischen Personals folgen.
Dr. Maekawa, die in der Notfallversorgung spezialisiert, gehörte zunächst den Unfall am frühen Nachmittag an diesem Tag.
English:
I heard something had apparently happened in Tokai village
and I watched TV to see something terrible
had actually happened there.
While I was watching TV news, I noticed the staff of
the NIRS wore protective suits and masks.
Therefore I suspected the degree of the contamination
might have been quite high.
Because of his massive exposure to radiation,
Ouchi was transferred to the Tokyo University Hospital
in order to receive the most up-to-date treatments.
Dr. Maekawa became the leader of the medical team
German:
Ich gehört hatte, was offenbar in Tokai Dorf geschah
und ich sah TV zu sehen, etwas Schreckliches war es wirklich passiert ist.
Während ich TV-Nachrichten sah, bemerkte ich die Mitarbeiter der NIRS trugen Schutzanzüge und Masken.
Daher vermutete ich das Ausmaß der Kontamination könnte recht hoch gewesen.
Wegen seiner massiven Strahlenbelastung wurde Ouchi an der Tokyo University Hospital übertragen
um die meisten up-to-date-Behandlungen zu erhalten.
Dr. Maekawa wurde der Leiter des medizinischen Teams
French:
J'ai entendu quelque chose avait apparemment passé dans le village de Tokai
et je regardais la télévision pour voir quelque chose de terrible était en réalité passé là-bas.
Alors que je regardais la télévision de nouvelles, j'ai remarqué le personnel du NIRS portait des vêtements de protection et des masques.
Par conséquent, je soupçonnais le degré de la contamination aurait pu être assez élevé.
En raison de son exposition massive aux radiations, Ouchi a été transféré à l'hôpital universitaire de Tokyo
afin de recevoir les traitements les plus mises à jour.
Le Dr Maekawa est devenu le chef de l'équipe médicale
French:
en raison de son rôle central dans un groupe professionnel de la médecine d'urgence radiologique.
La quantité de rayonnement que M. Ouchi avait sans doute reçu était fatale.
Cela était évident pour tout le monde dans l'équipe.
Cependant, M. Ouchi avait l'air très bien à ce moment-là
et nous n'avons pas eu l'impression qu'il avait été exposé à un haut niveau de rayonnement.
Par conséquent, nous avons décidé de faire tout ce que nous pouvions.
Le premier patient qui avait eu une exposition aux radiations était tout à fait différent de ce que les infirmières avaient imaginé.
Le médecin l'a élevé, sur la civière comme d'habitude, à la salle privée dans l'unité de soins intensifs, comme un malade ordinaire.
German:
Aufgrund seiner zentralen Rolle in einer Berufsgruppe der Strahlung Notfallmedizin.
Die Menge an Strahlung, die Herr Ouchi vermutlich erhalten hatte, war tödlich.
Das war offensichtlich für alle im Team.
Allerdings sah Herr Ouchi sehr gut an diesem Punkt
und wir haben nicht den Eindruck haben, dass er auf ein so hohes Niveau der Strahlung ausgesetzt worden war.
Deshalb stellten wir fest, alles, was wir konnten zu tun.
Der erste Patient, der eine Strahlenexposition hatte war ganz anders, als die Schwestern vorgestellt hatte.
Der Arzt brachte ihn auf, auf der Bahre wie üblich, auf den privaten Raum auf der Intensivstation, wie ein gewöhnlicher Patient.
English:
due to his central role in a professional group
of the radiation emergency medicine.
The amount of radiation that Mr. Ouchi had
presumably received was fatal.
That was obvious to everyone in the team.
However, Mr. Ouchi looked very well at that point
and we didn't have an impression that he had been
exposed to such a high level of radiation.
Therefore we determined to do everything we could.
The first patient who had had a radiation exposure was
quite different from what the nurses had imagined.
The doctor brought him up, on the stretcher as usual,
to the private room in the ICU, like an ordinary patient.
English:
I met him there.
His skin was reddish as if he had got a terrible sunburn.
His arm was badly swollen and
he said he had a pain in that area.
I thought at that time that he wouldn't have to die,
I mean, he would be well enough to leave the hospital.
This is Ouchi's right arm which received
the highest radiation exposure.
At this time, the arm was only slightly
reddened and swollen.
On the day of the accident, Ouchi was handling radioactive
materials according to the company's instructions.
The task was to enrich uranium using a bucket.
German:
Ich traf ihn dort. Seine Haut war rötlich, als hätte er einen schrecklichen Sonnenbrand bekommen hatte.
Sein Arm war stark geschwollen und er sagte, er in diesem Bereich einen Schmerz hat.
Ich dachte damals, dass er nicht sterben würde, ich meine, würde er gut genug sein, um das Krankenhaus zu verlassen.
Dies ist Ouchi rechten Arm, der die höchste Strahlenbelastung erhalten.
Zu diesem Zeitpunkt wurde der Arm nur leicht gerötet und geschwollen.
Am Tag des Unfalls wurde Umgang Ouchi radioaktive Stoffe gemäß den Anweisungen des Unternehmens.
Die Aufgabe bestand darin, Uran mit einem Eimer zu bereichern.
French:
Je l'ai rencontré là-bas. Sa peau était rouge comme s'il avait eu un terrible coup de soleil.
Son bras était très enflé et il a dit qu'il avait une douleur dans cette région.
Je pensais à ce moment-là qu'il ne serait pas mourir, je veux dire, il serait assez bien pour quitter l'hôpital.
C'est le bras droit de Ouchi qui a reçu l'exposition au rayonnement le plus élevé.
A cette époque, le bras a été légèrement rougi et enflé.
Le jour de l'accident, Ouchi a été la manipulation de matières radioactives conformément aux instructions de la société.
La tâche était d'enrichir l'uranium en utilisant un seau.
French:
Il n'a jamais été dit sur la possibilité de criticité.
Son collègue versait solution d'uranium et Ouchi tenait un entonnoir avec sa main droite.
Sur la septième coulée de solution d'uranium, un éclair bleu a été soudainement émis.
Une critique ou une réaction nucléaire en chaîne, se sont produits.
Le rayonnement qui a pénétré les chromosomes de ses cellules.
Chromosomes sont les plans d'un corps humain qui contiennent toutes les informations génétiques.
German:
Er war nie über die Möglichkeit der Kritikalität erzählt.
Seine Mitarbeiter strömen Uranlösung und Ouchi wurde einen Trichter mit seiner rechten Hand hält.
Am siebten von Uranlösung Gießen wurde ein blauer Blitz plötzlich emittiert.
Eine Kritikalität oder eine nukleare Kettenreaktion, stattgefunden hatte.
Die Strahlung die Chromosomen seiner Zellen eingedrungen.
Chromosomen sind die Pläne eines menschlichen Körpers, die alle genetischen Informationen enthalten.
English:
He was never told about the possibility of criticality.
His co-worker was pouring uranium solution and
Ouchi was holding a funnel with his right hand.
On the seventh pouring of uranium solution,
a blue flash was suddenly emitted.
A criticality, or a nuclear chain reaction, had occurred.
The radiation penetrated the chromosomes of his cells.
Chromosomes are the blueprints of a human body
that contain all the genetic information.
German:
Jedes Paar von Chromosomen hat eine Nummer und kann angeordnet sein, um.
Es war jedoch unmöglich, Ouchi die bestrahlte Chromosomen zu arrangieren.
Sie wurden aufgebrochen und einige von ihnen wurden aneinander geklebt.
Die Zerstörung der Chromosomen dazu geführt, dass neue Zellen würden nicht danach erzeugt werden.
Im Moment der Strahlenexposition, verloren Ouchi die Pläne seines Körpers.
Aus der Tatsache, dass seine Chromosomen so katastrophale Schäden erlitten,
wir gefolgert, dass seine Leberzellen und Darmschleimhautzellen wurden ebenfalls schwer beschädigt
und sie könnten nicht in der Lage sein, sich selbst zu regenerieren.
English:
Each pair of chromosomes has a number
and can be arranged in order.
However, it was impossible to arrange
Ouchi's irradiated chromosomes.
They were broken apart and some of them
were stuck to each other.
The destruction of the chromosomes meant that
new cells would not be generated thereafter.
At the moment of the radiation exposure,
Ouchi lost the blueprints of his body.
From the fact that his chromosomes suffered
such catastrophic damage,
we inferred that his liver cells and bowel mucosal cells
were also severely damaged
and they might not be able to regenerate themselves.
French:
Chaque paire de chromosomes a un certain nombre et peut être agencé.
Cependant, il était impossible d'organiser des chromosomes irradiés de Ouchi.
Ils ont été rompues, et certains d'entre eux ont été collés les uns aux autres.
La destruction des chromosomes signifie que les nouvelles cellules ne seraient pas générés par la suite.
Au moment de l'exposition aux radiations, Ouchi a perdu les plans de son corps.
Du fait que ses chromosomes ont subi de tels dommages catastrophiques,
nous avons déduit que ses cellules du foie et les cellules de la muqueuse de l'intestin ont également été gravement endommagés
et ils pourraient ne pas être en mesure de se régénérer.
German:
Die ersten anormalen Symptome aufgrund der Chromosom Zerstörung erschienen in seiner Blutzelle.
Die Zahl seiner weißen Blutkörperchen, die als Abwehrmechanismus des Körpers handelte, wurde abnimmt dramatisch.
Er war in einem gefährlichen Zustand, in der viralen und bakteriellen Infektionen wahrscheinlich auftreten würden.
Ouchi wurde zu einem sterilisierten Raum übertragen, um eine Infektion zu verhindern.
Die Zahl seiner weißen Blutkörperchen war auf ein Zehntel verringert im Vergleich zu gesunden Menschen.
Dr. Maekawa und sein Ärzteteam diskutierte die Behandlungsstrategie.
Der einzige Weg, um diese Situation zu handhaben war zu Transplantationszellen, die weißen Blutkörperchen zu produzieren.
French:
Le premier symptôme anormal en raison de la destruction des chromosomes est apparu dans ses cellules sanguines.
Le nombre de ses globules blancs, qui a agi comme un mécanisme de défense du corps, diminuait considérablement.
Il était dans une situation périlleuse où les infections virales et bactériennes sont susceptibles de se produire.
Ouchi a été transféré dans une chambre stérile afin de prévenir l'infection.
Le nombre de ses globules blancs a diminué à un dixième par rapport aux personnes en bonne santé.
Dr Maekawa et son équipe médicale ont discuté de la stratégie de traitement.
La seule façon de gérer cette situation était de transplanter des cellules qui produisent des globules blancs.
English:
The first abnormal symptom due to the chromosome
destruction appeared in his blood cells.
The number of his white blood cells, which acted as a defense
mechanism of the body, was decreasing dramatically.
He was in a perilous condition where viral and
bacterial infections were likely to occur.
Ouchi was transferred to a sterilized room
in order to prevent infection.
The number of his white blood cells had decreased
to one tenth as compared with healthy people.
Dr. Maekawa and his medical team discussed
the treatment strategy.
The only way to handle this situation was
to transplant cells that produce white blood cells.
English:
To perform the transplantation, they had to look for a person
whose white blood cell type matched with that of Ouchi.
They found that Ouchi's sister was the person.
Using this apheresis system,
they immediately began collecting blood from her.
The white-blood-cell-producing cells
were extracted from her blood.
The blood collection took more than nine hours
over two days.
Her cells were transplanted into Ouchi.
German:
Um die Transplantation durchzuführen, mußten sie für eine Person, deren weißen Blutzelltyp mit der Ouchi abgestimmt suchen.
Sie fanden heraus, dass Ouchi Schwester die Person war.
Mit diesem Apheresesystems, begannen sie sofort Blut aus ihr zu sammeln.
Die weißen Blutzellen-produzierenden Zellen wurden aus ihrem Blut extrahiert.
Die Blutentnahme dauerte mehr als neun Stunden über zwei Tage.
Ihre Zellen wurden in Ouchi transplantiert.
French:
Pour effectuer la greffe, ils ont dû chercher une personne dont le type de globule blanc assorti à celui de Ouchi.
Ils ont constaté que la sœur de Ouchi était la personne.
L'utilisation de ce système d'aphérèse, ils ont immédiatement commencé à recueillir le sang de son.
Les cellules-cellules sanguines productrices blanches ont été extraites de son sang.
La collecte de sang a pris plus de neuf heures sur deux jours.
Ses cellules ont été transplantées dans Ouchi.
French:
Son état futur dépendait de savoir si les cellules de sa sœur pourraient produire des globules blancs dans son corps.
Il faudrait dix jours pour obtenir le résultat.
A cette époque, Ouchi a pu parler avec sa famille et les infirmières.
Je lui ai demandé comment il était marié à sa femme.
Il m'a dit qu'ils se connaissaient depuis le lycée
et ils étaient mariés après une assez longue ... environ sept ans ... relation.
J'ai été impressionné par son histoire et dit:
«Tu as épousé un amour passionné! ou quelque chose comme ça.
German:
Seine Zukunft Zustand hing davon ab, ob seine Schwester Zellen weiße Blutzellen in seinem Körper erzeugen können.
Es würde 10 Tage dauert das Ergebnis zu erhalten.
Um diese Zeit war Ouchi der Lage, mit seiner Familie und den Krankenschwestern zu sprechen.
Ich fragte ihn, wie er zu seiner Frau geheiratet hatte.
Er sagte mir, dass sie seit der High School einander gekannt hatte
und sie geheiratet hatte nach einer ziemlich langen ... etwa sieben Jahren ... Beziehung.
Ich war beeindruckt von seiner Geschichte und sagte,
‚Mit einer leidenschaftlichen Liebe verheiratet!‘ oder sowas ähnliches.
English:
His future condition depended on whether his sister's cells
could produce white blood cells in his body.
It would take ten days to get the result.
Around that time, Ouchi was able to talk
with his family and the nurses.
I asked him how he had got married to his wife.
He told me that they had known each other since high school
and they had married after quite a long ...
about seven years ... relationship.
I was impressed by his story and said,
'You married with a passionate love!'
or something like that.
French:
Dr Maekawa a expliqué à la famille de Ouchi sur son état et le traitement chaque jour.
Ceci est la salle de réception où l'explication a eu lieu.
Dr Maekawa dit candidement la famille de Ouchi que son état devait empirer à l'avenir.
J'ai essayé de sa famille accepte la vérité par au moins les laisser le voir tous les jours.
Je ne veux pas être idéaliste.
Cependant, il a subi des dommages du rayonnement énorme et son apparence changeait radicalement,
English:
Dr. Maekawa explained to Ouchi's family about
his condition and treatment every single day.
This is the reception room
where the explanation took place.
Dr. Maekawa candidly told Ouchi's family that
his condition was expected to get worse in the future.
I tried to have his family accept the truth
by at least letting them see him every day.
I don't mean to be idealistic.
However, he suffered damage from enormous radiation
and his appearance was changing drastically,
German:
Dr. Maekawa erklärte Ouchi Familie über seinen Zustand und die Behandlung an jedem einzelnen Tag.
Dies ist der Empfangsraum, wo die Erklärung stattfand.
Dr. Maekawa erzählte freimütig Ouchi Familie, dass sein Zustand wurde erwartet in Zukunft noch verschärfen.
Ich habe versucht, seine Familie zu haben, die Wahrheit zu akzeptieren, indem zumindest ließ sie ihn jeden Tag sehen.
Ich meine nicht, idealistisch zu sein.
Aber er litt Schaden von enormer Strahlung und sein Aussehen drastisch veränderte,
French:
donc j'avais sa famille voir son état afin pour eux d'accepter la vérité.
Les dégâts d'irradiation est également apparue sur la surface de son corps.
Environ une semaine après l'accident, les cicatrices de la suppression du sparadrap ne se sont plus en mesure de guérir.
Dans un premier temps, nous avons utilisé sparadrap comme d'habitude.
Cependant, il est devenu de plus en plus fréquent que sa peau a été arrachée avec la bande enlevée.
Finalement, nous ne pouvions plus utiliser du sparadrap.
les cellules de la peau saine cellules se divisent rapidement et de nouvelles remplacent les anciennes.
English:
so I had his family see his condition
in order for them to accept the truth.
The radiation damage also appeared
on the surface of his body.
About a week after the accident, scars from removing
surgical tape became no longer able to heal.
At first, we used surgical tape as usual.
However, it became more and more frequent that
his skin was ripped off along with the removed tape.
Eventually, we couldn't use surgical tape anymore.
Healthy skin cells divide rapidly and
new cells replace old ones.
German:
so hatte ich seine Familie seinen Zustand, um zu sehen für sie, die Wahrheit zu akzeptieren.
Die Strahlenschäden erschienen auch auf der Oberfläche seines Körpers.
Etwa eine Woche nach dem Unfall, von Narben -Verband entfernt wurden nicht mehr in der Lage zu heilen.
Zunächst haben wir -Verband wie gewohnt.
Allerdings wurde es immer häufiger, dass seine Haut wurde zusammen mit dem entfernten Band gerissen.
Schließlich konnten wir -Verband nicht mehr verwenden.
Gesunde Hautzellen teilen sich schnell und neue Zellen zu ersetzen alte.
German:
Doch in Ouchi der bestrahlten Haut wurden neue Zellen nicht mehr erzeugt.
Seine alte Haut wurde herunterfallen.
Starke Schmerzen in seiner Haut.
Der Kampf gegen die Infektion.
Er hatte Flüssigkeitsretention in der Lunge entwickelt und er begann, Schwierigkeiten beim Atmen zu erleben.
Dies sind Ouchi Worte in seiner Pflegedokumentation. (Ich kann es nicht ertragen!)
(Ich will nach Hause gehen!)
(Hör auf!)
(Mama!)
Das medizinische Team hielt ihn an ein Beatmungsgerät setzen, ihm zu helfen, leichter zu atmen.
English:
However, in Ouchi's irradiated skin,
new cells were no longer generated.
His old skin was falling off.
Intense pain in his skin.
The battle against infection.
He had developed fluid retention in his lungs
and he began to experience difficulty in breathing.
These are Ouchi's words in his nursing records.
(I can't stand it!)
(I wanna go home!)
(Stop it!)
(Mom!)
The medical team considered putting him
on a respirator to help him breathe easier.
French:
Cependant, dans la peau irradiée de Ouchi, de nouvelles cellules ne sont plus générés.
Sa vieille peau se détachait.
Une douleur intense dans sa peau.
La lutte contre l'infection.
Il avait développé la rétention d'eau dans ses poumons et il a commencé à éprouver des difficultés à respirer.
Ce sont les paroles de Ouchi dans ses dossiers de soins infirmiers. (Je ne peux pas le supporter!)
(Je veux aller à la maison!)
(Arrête ça!)
(Maman!)
L'équipe médicale considéré le mettre sur un respirateur pour l'aider à mieux respirer.
French:
Cela signifiait qu'il deviendrait incapable d'avoir des conversations avec sa famille.
Ouchi a parlé à sa femme qui lui a rendu visite.
À ce moment-là, M. Ouchi se sentait sans doute la fatigue et la lourdeur,
et il semblait avoir besoin de rassembler la force juste pour parler.
Malgré cela, il était souriant légèrement et dit à sa femme « Je t'aime » un ton tendre.
En voyant ce genre de scènes fait notre mal de cœur.
Il est vrai que personne ne savait que ce qui allait lui arriver,
German:
Das bedeutete, dass er nicht in der Lage sein würde, Gespräche mit seiner Familie zu haben.
Ouchi sprach mit seiner Frau, die ihn besuchten.
Damals fühlte sich Herr Ouchi wahrscheinlich Müdigkeit und Schwere,
und er schien Kraft zu brauchen nur zu sammeln, zu sprechen.
Trotz alledem war er zu seiner Frau ein wenig und sagte lächelnd ‚Ich liebe dich‘ in einem zarten Ton.
Sehen Sie diese Art von Szenen unser Herz schmerzte.
Es war richtig, dass niemand genau wusste, was mit ihm geschehen würde,
English:
That meant he would become unable
to have conversations with his family.
Ouchi talked to his wife who visited him.
At that time, Mr. Ouchi was probably
feeling weariness and heaviness,
and he seemed to need to gather strength just to speak.
In spite of that, he was smiling slightly and
said to his wife 'I love you' in a tender tone.
Seeing that kind of scenes made our hearts ache.
It was true that nobody knew for sure
what would happen to him,
English:
but we were able to imagine that his condition
would get worse and worse.
I guess he himself was also aware of that.
In that situation, he told his family of his love.
I wonder how he felt when he said to his wife 'I love you.'
I think it was a heartwarming moment,
but ... I don't know what to say ...
I think his words represented
what he wanted to tell his family.
Next day, Ouchi became unable to breathe.
German:
aber wir waren in der Lage, sich vorzustellen, dass sein Zustand würde immer schlimmer.
Ich glaube, er selbst war auch bewusst.
In dieser Situation, sagte er zu seiner Familie von seiner Liebe.
Ich frage mich, wie er sich fühlte, als er zu seiner Frau sagte: ‚Ich liebe dich.‘
Ich denke, es war ein herzerwärmende Moment, aber ... ich weiß nicht, was ich sagen soll ...
Ich denke, seine Worte repräsentiert, was er wollte, dass seine Familie erzählen.
Am nächsten Tag wurde Ouchi nicht in der Lage zu atmen.
French:
mais nous avons pu imaginer que son état serait qu'empirer.
Je suppose qu'il était lui-même aussi au courant de cela.
Dans cette situation, il dit à sa famille de son amour.
Je me demande comment il se sentait quand il a dit à sa femme « Je t'aime ».
Je pense que ce fut un moment chaud au cœur, mais ... Je ne sais pas quoi dire ...
Je pense que ses paroles représentaient ce qu'il voulait dire à sa famille.
Le lendemain, Ouchi est devenu incapable de respirer.
English:
Endotracheal intubation was immediately performed.
That is, a tube was inserted into his windpipe.
Ouchi's silent battle began.
His family visited him every day.
In this room, his wife, son, parents,
and brothers waited to see him.
When I came to see them for some reason,
they were intent on folding paper cranes.
That made a strong impression on me.
German:
Intubation wurde sofort durchgeführt. Das heißt, dass ein Rohr in seine Luftröhre eingeführt.
Ouchi Stumm Schlacht begann.
Seine Familie besuchte ihn jeden Tag.
In diesem Raum, seine Frau, Sohn, Eltern und Brüder warteten, ihn zu sehen.
Als ich kam, um sie aus irgendeinem Grund zu sehen, waren sie darauf bedacht Papierkraniche zu falten.
Das machte einen starken Eindruck auf mich.
French:
L'intubation endotrachéale a été immédiatement effectuée. Autrement dit, un tube a été inséré dans sa trachée-artère.
bataille silencieuse Ouchi a commencé.
Sa famille lui a rendu visite tous les jours.
Dans cette salle, sa femme, ses fils, les parents et les frères attendaient de le voir.
Quand je suis venu les voir pour une raison quelconque, ils avaient l'intention de plier des grues en papier.
Cela a fait une forte impression sur moi.
German:
Dies sind Kraniche aus Papier, die Ouchi Familie gefaltet.
Sie wollten, dass sie mindestens einen Kran an seinem Bett setzen könnten.
Es wurde jedoch nicht wegen der Ansteckungsgefahr zu bringen eines in dem sterilisierten Raum erlaubt.
Seine Familie fortgesetzt Papierkraniche falten.
Ouchi Blut wurde getestet, um zu sehen, ob die weißen Blutzellen-produzierenden Zellen von seiner Schwester in seinem Blut lebten.
Es gab zwei rote Punkte in einer Zelle.
Die Punkte angegeben, die Existenz der weiblichen Chromosomen.
English:
These are paper cranes that Ouchi's family folded.
They wished that they could put at least
one crane by his bedside.
However, it was not allowed to bring one
in the sterilized room due to the risk of infection.
His family continued to fold paper cranes.
Ouchi's blood was tested to see whether the white-blood-cell-producing
cells from his sister were living in his blood.
There were two red dots in a cell.
The dots indicated the existence of female chromosomes.
French:
Ce sont des grues en papier que la famille de Ouchi plissées.
Ils souhaitaient qu'ils pourraient mettre au moins une grue à son chevet.
Cependant, il n'a pas permis d'apporter un dans la chambre stérile en raison du risque d'infection.
Sa famille a continué à plier des grues en papier.
Le sang de Ouchi a été testé pour voir si les cellules de cellules sanguines productrices blanche de sa sœur vivaient dans son sang.
Il y avait deux points rouges dans une cellule.
Les points indiquent l'existence de chromosomes féminins.
English:
His sister's cells were living in his blood.
Everyone felt relieved at the result.
We managed to get over the first hurdle,
even if only temporarily.
I thought we would be able to keep going
because his white blood cells had increased significantly.
It was the first time that the transplantation of
white-blood-cell-producing cells
had succeeded in the treatment of radiation injuries.
French:
Les cellules de sa sœur vivaient dans son sang.
Tout le monde se sentait soulagé par le résultat.
Nous avons réussi à franchir le premier obstacle, même temporairement.
Je pensais que nous serions en mesure de continuer parce que ses globules blancs ont augmenté de manière significative.
Ce fut la première fois que la transplantation de cellules de cellules sanguines productrices blanc
avait réussi dans le traitement des blessures de rayonnement.
German:
Seine Schwester-Zellen wurden in seinem Blut leben.
Jeder fühlte sich das Ergebnis entlastet.
Wir haben es geschafft über die erste Hürde zu nehmen, wenn auch nur vorübergehend.
Ich dachte, wir würden in der Lage zu gehen zu halten, weil seine weißen Blutkörperchen deutlich erhöht hatte.
Es war das erste Mal, dass die Transplantation von weißen Blutzellen-produzierenden Zellen
hatte bei der Behandlung von Strahlenschäden gelungen.
English:
The number of his white blood cells increased at a good rate
and recovered to the same level as that of healthy people.
Ouchi responded to his family's calls with
his whole body even though he couldn't speak.
A week later, however, subtle mutations
were observed in his blood cells.
These are the chromosomes from his sister's cells
that just took root in his body.
In some of them, abnormalities were found.
The chromosomes were damaged.
The medical team presumed that the radiation was
also responsible for the damage.
When penetrated by the radiation, substances in his body
were mutated to emit radiation on their own.
French:
Le nombre de ses globules blancs a augmenté à un bon taux et récupéré au même niveau que celui des personnes en bonne santé.
Ouchi a répondu à tout son corps appels de sa famille, même si il ne pouvait pas parler.
Une semaine plus tard, cependant, les mutations subtiles ont été observées dans ses cellules sanguines.
Ce sont les chromosomes de cellules de sa sœur qui vient de se racine dans son corps.
Dans certains d'entre eux, des anomalies ont été trouvées.
Les chromosomes ont été endommagés.
L'équipe médicale présumé que le rayonnement a également été responsable du dommage.
Lorsque pénétré par le rayonnement, les substances dans son corps ont été mutés pour émettre un rayonnement sur leur propre.
German:
Die Zahl seiner weißen Blutkörperchen erhöht zu einem guten Preis und erholte sich auf das gleiche Niveau wie die von gesunden Menschen.
Ouchi reagierte auf seine Familie Anrufe mit seinem ganzen Körper, auch wenn er nicht sprechen kann.
Eine Woche später jedoch subtile Mutationen wurden in den Blutzellen beobachtet.
Dies sind die Chromosomen von seiner Schwester-Zellen, die nur Wurzel nahm in seinem Körper.
In einigen von ihnen wurden Anomalien gefunden.
Die Chromosomen wurden beschädigt.
Das medizinische Team vermutet, dass die Strahlung für den Schaden verantwortlich war.
Wenn sie durch die Strahlung durchdrungen, Substanzen in seinen Körper Strahlung auf eigene Faust zu emittieren wurden mutiert.
German:
Es wurde gefolgert, dass die Strahlung aus dem Inneren seines Körpers die Chromosomenschäden verursacht hatte.
Es gibt eine Menge von Patienten, die Blutkrankheiten und erhalten ein Knochenmark oder periphere Blutstammzell-Transplantation haben.
Es wurde jedoch nie beobachtet worden, dass für die Patienten transplantierten Zellen haben diese Art von Anomalie.
Wir waren von den nach der Transplantation Chromosomenschäden schockiert und wir erkennen, noch einmal die Schrecke der Strahlenexposition.
Wir diskutierten lebhaft die möglichen Ursachen des Schadens.
Allerdings konnten wir keine Schlussfolgerung gelangen, weil es keine Beweise dafür.
Die Verschlimmerung seines Zustandes wurde sein Blut und die Haut nicht darauf beschränkt.
French:
Il en a été déduit que le rayonnement à l'intérieur de son corps avait causé le dommage chromosomique.
Il y a beaucoup de patients qui ont des maladies du sang et reçoivent une greffe de moelle osseuse ou périphérique greffe de cellules souches du sang.
Cependant, il n'a jamais été observé que les cellules transplantées aux patients ont ce genre d'anomalie.
Nous avons été choqués par les dégâts du chromosome post-greffe et nous avons réalisé une nouvelle fois l'horreur de l'exposition aux radiations.
Nous avons discuté vivement les causes possibles du dommage.
Cependant, nous ne pouvions pas parvenir à une conclusion parce qu'il n'y avait aucune preuve.
L'aggravation de son état ne se limite pas à son sang et la peau.
English:
It was inferred that the radiation from inside his body
had caused the chromosome damage.
There are a lot of patients who have blood diseases and receive
a bone marrow or peripheral blood stem cell transplant.
However, it has never been observed that cells transplanted
to the patients have that kind of abnormality.
We were shocked by the post-transplant chromosome damage
and we realized once again the horror of radiation exposure.
We keenly discussed the possible causes of the damage.
However, we couldn't reach any conclusion
because there was no evidence.
The aggravation of his condition was
not limited to his blood and skin.
German:
Dies ist ein endoskopisches Bild von Ouchi Darm.
Die toten Schleimhäuten weiß geworden und senkten sich nach unten.
Voluminöse Durchfall begann.
Es wird gesagt, dass Strahlenschäden Patienten häufig zu Störungen des Verdauungstraktes durch sterben.
Dr. Maekawa schlimmste Angst geschehen war.
Prüfpräparate wurden mit Zustimmung von Ouchi Familie verwaltet.
Allerdings erhöhte sich die Menge an Durchfall Tag für Tag mehr als drei Liter pro Tag.
Drei Wochen nach der Durchfall begonnen hatte, seine Eingeweide blutete.
French:
Ceci est une image endoscopique des intestins Ouchi.
Les muqueuses mortes blanchirent et pendaient.
la diarrhée a commencé Volumineux.
On dit que les patients atteints de lésions dues aux rayonnements meurent souvent en raison de troubles de l'appareil digestif.
pire crainte du Dr Maekawa était arrivé.
nouveaux médicaments expérimentaux ont été administrés avec le consentement de la famille Ouchi.
Toutefois, le montant de la diarrhée a augmenté de jour en jour à plus de trois litres par jour.
Trois semaines après la diarrhée avait commencé, ses intestins ont commencé à saigner.
English:
This is an endoscopic image of Ouchi's intestines.
The dead mucous membranes turned white
and drooped down.
Voluminous diarrhea began.
It is said that radiation injury patients often die
due to digestive tract disorders.
Dr. Maekawa's worst fear had happened.
Investigational new drugs were administered
with the consent of Ouchi's family.
However, the amount of diarrhea increased day by day
to more than three liters per day.
Three weeks after the diarrhea had begun,
his intestines started bleeding.
English:
His intestines were filled with blood that oozed from
the wound where mucous membranes had fallen off.
This is the record of Ouchi's blood transfusions.
One blue sticker corresponds to one transfusion.
There were days when more than ten transfusions
were performed in half a day.
It was almost impossible to provide a scientific
basis for the treatment of him
who had received such a high level of radiation.
We tried every possible treatment and medicine.
French:
Ses intestins étaient remplis de sang qui suintait de la plaie où les muqueuses étaient tombés.
Ceci est le compte rendu des transfusions sanguines de Ouchi.
Un autocollant bleu correspond à une transfusion.
Il y avait des jours où plus de dix transfusions ont été réalisées dans une demi-journée.
Il était presque impossible de fournir une base scientifique pour le traitement de lui
qui avait reçu un tel haut niveau de rayonnement.
Nous avons essayé tous les traitements possibles et la médecine.
German:
Seine Därme wurden mit Blut gefüllt, die aus der Wunde sickerte wo Schleimhäute heruntergefallen war.
Dies ist die Aufzeichnung von Ouchi der Bluttransfusionen.
Ein blauer Aufkleber entspricht eine Transfusion.
Es gab Tage, an denen mehr als zehn Bluttransfusionen wurden in einem halben Tag durchgeführt.
Es war fast unmöglich, eine wissenschaftliche Grundlage für die Behandlung von ihm zu schaffen
die hatte ein so hohes Maß an Strahlung erhalten.
Wir haben versucht, jede mögliche Behandlung und Medizin.
French:
Je pense que, même avec le recul, nous ne pouvions guère prendre de nouvelles mesures contre le saignement dans le tube digestif.
Ouchi a été transféré à un lit pour les patients gravement malades.
Le lit inclinable à 55 degrés.
Il était destiné à améliorer la circulation systémique et de réduire la pression sur sa peau.
Son état a été continué de se dégrader.
Ces images montrent son traitement à ce moment-là.
Son sang et le liquide ont été suinte de la zone où la peau avait été perdue.
Son corps presque toute devait être recouvert de gaze.
Jour après jour, il y avait beaucoup d'exsudat dans sa peau.
German:
Ich denke, auch im Nachhinein, wir konnten kaum weitere Maßnahmen gegen die Blutung nehmen im Verdauungstrakt.
Ouchi wurde für kritisch kranke Patienten auf einem Bett übertragen.
Das Bett kippt 55 Grad.
Es war beabsichtigt, systemische Zirkulation zu verbessern und den Druck auf seiner Haut zu reduzieren.
Sein Zustand verschlechterte sich weiter.
Das Filmmaterial zeigt seine Behandlung zu diesem Zeitpunkt.
Sein Blut und Flüssigkeit wurden Nass aus der Gegend, wo seine Haut verloren hatte.
Seine fast den ganzen Körper hatte mit Gaze abgedeckt werden.
Tag für Tag, gibt es in seiner Haut viel Exsudat.
English:
I think, even in hindsight, we could hardly take further
measures against the bleeding in the digestive tract.
Ouchi was transferred to a bed
for critically ill patients.
The bed tilts 55 degrees.
It was intended to improve systemic circulation
and to reduce pressure on his skin.
His condition was further deteriorating.
This footage shows his treatment at that time.
His blood and fluid were oozing from
the area where his skin had been lost.
His almost entire body had to be covered with gauze.
Day after day, there was a lot of exudate in his skin.
English:
It took almost half a day to treat it.
He was surrounded by many doctors to receive
skin treatment, but he seemed to feel severe pain.
We administered large doses of narcotics to
put him to sleep, but he looked very painful.
His eyes were easy to dry and bleed.
He was bleeding from his eyes.
It looked like blood tears.
Ouchi's body was covered with a lot of gauze.
From the area whose exposure level was high,
the damage spread throughout his body.
German:
Es dauerte fast einen halben Tag, sie zu behandeln.
Er wurde von vielen Ärzten umgeben Hautbehandlung zu erhalten, aber er schien starke Schmerzen zu empfinden.
Wir verabreichten hohe Dosen von Betäubungsmitteln ihn einzuschläfern, aber er sah sehr schmerzhaft.
Seine Augen waren leicht zu trocknen und bluten.
Er blutete aus den Augen. Es sah aus wie Blut Tränen.
Ouchi Leiche wurde mit vieler Gaze bedeckt.
Aus dem Bereich, dessen Expositionsniveaus war hoch, der Schaden im ganzen Körper verteilt.
French:
Il a fallu près d'une demi-journée pour le traiter.
Il était entouré par de nombreux médecins pour recevoir un traitement de la peau, mais il semblait ressentir une douleur sévère.
Nous avons administré de fortes doses de stupéfiants pour le mettre à dormir, mais il avait l'air très douloureux.
Ses yeux étaient faciles à sécher et saigner.
Il saignait de ses yeux. Il avait l'air comme des larmes de sang.
Le corps de Ouchi a été couvert avec beaucoup de gaze.
Dans la zone dont le niveau d'exposition était élevé, les dégâts se propager dans tout son corps.
French:
Il était en train de perdre environ 10 litres de liquide par jour à travers sa peau et les intestins.
Il fallait reconstituer en permanence la même quantité de fluide.
L'équipe médicale a décidé de faire une greffe de peau afin d'éviter suintement fluide.
Ceci est un morceau de peau cultivée préparée en cultivant des cellules de peau humaine in vitro.
La transplantation de la peau cultivée, qui a été l'un des derniers traitements pour les blessures de brûlure,
a été menée presque tous les jours.
Il avait déjà perdu sa propre peau, de sorte que nous frotté la surface de son corps avec de la gaze
pour exposer la couche de saignement et de mettre la peau en culture sur la région.
English:
He was losing about 10 liters of fluid a day
through his skin and intestines.
It was necessary to constantly replenish
the same amount of fluid.
The medical team decided to do skin transplantation
in order to prevent fluid oozing.
This is a piece of cultured skin prepared
by cultivating human skin cells in vitro.
The transplantation of cultured skin, which was
one of the latest treatments for burn injury,
was conducted almost every day.
He had already lost his own skin,
so we rubbed the surface of his body with gauze
to expose the bleeding layer and put the cultured skin on the area.
German:
Er verlor etwa 10 Liter Flüssigkeit pro Tag durch seine Haut und Darm.
Es war notwendig, ständig die gleiche Menge an Flüssigkeit aufzufüllen.
Das medizinische Team entschied Hauttransplantation zu tun, um Flüssigkeit Nass zu verhindern.
Dies ist ein Stück kultivierter Haut, die durch menschliche Hautzellen in vitro zu kultivieren.
Die Transplantation von kultivierter Haut, die eine der neuesten Behandlungen für Brandverletzungen war,
wurde fast jeden Tag durchgeführt.
Er hatte bereits seine eigene Haut verloren, so rieben wir die Oberfläche seines Körpers mit Gaze
die Blutung Schicht und legen die kultivierte Haut auf dem Gebiet zu belichten.
German:
Das war nicht so umfangreich Behandlung.
Wir haben die Transplantation, sobald wir einige Stücke von kultivierter Haut bekamen.
Doch leider das gezüchtete Haut nicht an seinem Körper haften.
Ich denke, es könnte sein, wegen seiner allgemeinen Zustand.
Dies ist die rechte Arm ein Monat nach dem Unfall des Ouchi.
Die Strahlung zerstört seine Chromosomen und seine Zellen wurden einer nach dem anderen verloren.
In den Sitzungen über den Verlauf der Behandlung hatten die Ärzte Bemerkungen immer weniger geworden.
French:
Cela n'a pas été si vaste traitement.
Nous avons fait la transplantation dès que nous avons eu quelques morceaux de peau cultivée.
Cependant, malheureusement, la peau cultivée n'a pas adhéré à son corps.
Je suppose que ce serait peut-être à cause de son état général.
C'est le bras droit de Ouchi un mois après l'accident.
Le rayonnement détruit ses chromosomes et ses cellules à se perdre un après l'autre.
Lors des réunions sur le cours du traitement, les remarques des médecins étaient devenus de moins en moins.
English:
That was not so extensive treatment.
We did the transplantation as soon as
we got some pieces of cultured skin.
However, unfortunately, the cultured skin
did not adhere to his body.
I guess it might be because of his general condition.
This is Ouchi's right arm one month after the accident.
The radiation destroyed his chromosomes and
his cells were being lost one after another.
At the meetings about the course of treatment,
the doctors' remarks had become fewer and fewer.
German:
Dr. Maekawa entschied immer den Verlauf der Behandlung.
Nach der erfolgreichen Transplantation der weißen Blutkörperchen Zellen produzierenden, gab es keine sichtbaren Fortschritte erzielt worden.
Es war offensichtlich für jedermann, dass die Chance auf sein Überleben sehr schlank war.
Niemand hätte nicht gesagt, dass laut, aber ich denke, dass jeder das gleiche Gefühl geteilt.
wenn jemand gesagt hatte, aber, dass laut, wenn jemand hatte Zweifel an der aktiven Intervention in seinem Leben
French:
Dr Maekawa toujours décidé au cours du traitement.
Après la transplantation réussie de cellules productrices blanc sang cellule, il n'y avait pas eu de progrès visibles.
Il était évident pour tout le monde que la chance de sa survie était très mince.
Personne n'a pas dit à haute voix, mais je pense que tout le monde a partagé le même sentiment.
Cependant, si quelqu'un avait dit à haute voix que, si quelqu'un avait des doutes au sujet de l'intervention active dans sa vie
English:
Dr. Maekawa always decided the course of treatment.
After the successful transplantation of the white-blood-cell
-producing cells, there had been no visible progress.
It was obvious to everybody that
the chance of his survival was very slim.
Nobody didn't say that aloud, but I think
everybody shared the same feeling.
However, if somebody had said that aloud, if somebody had
had doubts about the active intervention in his life
French:
et les doutes souffla sur toute l'équipe, nous avons perdu de vue notre but.
Qu'est-ce que nous faisons? Pour qui? Pour quoi?
Je suppose que nous avions peur d'avoir ce genre de pensée.
Après son état a commencé à empirer,
A ...
German:
und die Zweifel hatten über das Team verteilt, würden wir die Augen verlieren unseren Zweck.
Was zum Teufel tun wir? Für wen? Für was?
Ich denke, wir hatten Angst, diese Art des Denkens zu haben.
Nach seinem Zustand begann schlimmer und schlimmer werden,
A ...
English:
and the doubts had spread across the team,
we would have lost sight of our purpose.
What the hell are we doing?
For whom? For what?
I guess we were afraid of having that kind of thought.
After his condition began to get worse and worse,
Um...
German:
Ich fragte mich, was diese Person war, und nicht, wer diese Person war.
Er war in einem solch schrecklichen Zustand.
A ...
Es gab einen Körper vor uns.
Der Körper war nicht aus der Ferne gesund, aber war stark angeschlagen und von vielen Geräten umgeben.
Das war wie ein kontinuierlicher Kampf um den Körper zu bewahren.
Wir mussten seine Hornhaut vor dem Austrocknen bewahren.
Wir hatten seinen Körper zu bedecken, seine Haut zu verhindern ablöst.
Diese Art der Behandlung fortgesetzt endlos.
English:
I wondered WHAT this person was,
rather than WHO this person was.
He was in such a terrible condition.
Um...
There was a body in front of us.
The body was not remotely healthy but was severely
battered and surrounded by a lot of equipment.
That was like a continuous battle to preserve the body.
We had to keep his corneas from drying out.
We had to cover his body to prevent his skin from coming off.
That kind of treatment continued endlessly.
French:
Je me demandais ce que cette personne était, plutôt que l'OMS était cette personne.
Il était dans un état terrible.
A ...
Il y avait un corps devant nous.
Le corps n'a pas à distance, mais en bonne santé a été sévèrement battu et entouré par un grand nombre d'équipements.
Ce fut comme une bataille continue pour préserver le corps.
Nous avons dû garder ses cornées de sécher.
Nous avons dû couvrir son corps pour empêcher sa peau de se détacher.
Ce type de traitement a continué sans cesse.
French:
Nous avons presque perdu de vue ce que nous luttions pour.
Notre but était de ne pas protéger ses cornées.
Je ne pouvais pas supporter de faire le traitement si je n'avais pas la conviction que je faisais pour protéger sa vie.
Près de deux mois se sont écoulés depuis le début du traitement.
la perte de sang massive et répétée transfusion sanguine.
Le cœur de Ouchi battait la chamade pour pomper le sang dans tout son corps.
English:
We almost lost sight of what we were striving for.
Our purpose was not to protect his corneas.
I couldn't have endure doing the treatment if I hadn't had
the conviction that I was doing it to protect his life.
Nearly two months had passed since the treatment started.
Massive blood loss and repeated blood transfusion.
Ouchi's heart was beating wildly to pump blood
throughout his body.
German:
Wir verloren fast aus den Augen, was wir für das Streben.
Unser Ziel war es nicht seine Cornea zu schützen.
Ich konnte es nicht ertragen, die Behandlung zu tun, wenn ich die Überzeugung nicht gehabt hätte, dass ich tat es, sein Leben zu schützen.
Fast zwei Monate waren vergangen, seit der Behandlung begonnen.
Massiver Blutverlust und wiederholte Bluttransfusion.
Ouchi Herz schlug wild Blut durch seinen Körper zu pumpen.
English:
His heart rate was over 120 beats per minute.
His heart was working as hard as when running a marathon.
On this day, Dr. Maekawa started making rounds
about seven a.m. as usual.
Right after that, he saw the monitor
and rushed into Ouchi's room.
Ouchi's heart had suddenly stopped.
I hastily rushed into his room
and the medical team immediately started
cardiopulmonary resuscitation, that is, cardiac massage.
French:
Son rythme cardiaque était plus de 120 battements par minute.
Son cœur travaillait aussi dur que lors de l'exécution d'un marathon.
Ce jour-là, le Dr Maekawa a commencé à faire des rondes sur les sept heures comme d'habitude.
Juste après, il a vu le moniteur et se précipita dans la chambre de Ouchi.
Le cœur de Ouchi avait soudainement arrêté.
Je lance précipitamment dans sa chambre
et l'équipe médicale réanimation cardio-pulmonaire a commencé immédiatement, c'est un massage cardiaque.
German:
Seine Herzfrequenz war über 120 Schläge pro Minute.
Sein Herz arbeitet so hart wie bei einem Marathonlauf.
An diesem Tag begann Dr. Maekawa Runden um 07.00 Uhr wie üblich zu machen.
Gleich darauf sah er den Monitor und stürzte in Ouchi Zimmer.
Ouchi Herz hatte plötzlich gestoppt.
Ich hastig in sein Zimmer stürmte
und das medizinische Team sofort Herz-Lungen-Reanimation begonnen, die, Herzdruckmassage ist.
English:
Ouchi's heart started beating again,
but stopped again.
His heart repeated start and stop three times.
The medical team performed cardiac massages and
administered cardiotonic drugs minute by minute.
I had no idea what had happened.
I got all the team members together and we massaged his heart
hoping that his heart would start beating again.
About an hour later,
Ouchi's heart started beating again on its own.
German:
Ouchi Herz begann wieder zu schlagen, aber wieder gestoppt.
Sein Herz wiederholt starten und dreimal stoppen.
Das medizinische Team durchgeführt Herzmassagen und verwalten cardiotonischen Drogen von Minute zu Minute.
Ich hatte keine Ahnung, was passiert war.
Ich habe die alle Teammitglieder zusammen und wir massiert sein Herz der Hoffnung, dass sein Herz wieder zu schlagen beginnen würde.
Etwa eine Stunde später, Herzen Ouchi begann wieder auf seinem eigenen zu schlagen.
French:
Le cœur de Ouchi a commencé à battre de nouveau, mais à nouveau arrêté.
Son cœur répété démarrer et arrêter trois fois.
L'équipe médicale effectue des massages cardiaques et administrés médicaments cardiotoniques minute par minute.
Je ne savais pas ce qui était arrivé.
Je suis tous les membres de l'équipe ensemble et nous avons massé son cœur en espérant que son cœur commençait à battre.
Environ une heure plus tard, le cœur de Ouchi a commencé à battre de nouveau sur lui-même.
German:
Ich war so erleichtert, als er zurückkommen.
Ich konnte zu diesem Zeitpunkt nicht an nichts denken. Ich war verzweifelt gehofft, seine zurückzukommen.
Als er zurückkam, fühlte ich mich erleichtert, dass er noch am Leben war.
Allerdings hatte der Stillstand seines Herzens ernsthafte Auswirkungen auf die verschiedenen Organe im ganzen Körper,
wie das Gehirn und die Nieren.
Ouchi Zustand verschlechterte sich rapide.
Ouchi nicht reagierte mehr seiner Familie telefonieren.
French:
J'étais tellement soulagé quand il est revenu.
Je ne pouvais pas penser à quoi que ce soit à ce moment-là. J'espérais désespérément son retour.
Quand il est revenu, je me suis senti soulagé qu'il était en vie.
Cependant, l'arrêt de son cœur a eu des effets graves sur divers organes tout au long de son corps,
comme le cerveau et les reins.
L'état de Ouchi se détériorait rapidement.
Ouchi ne répondait plus aux appels de sa famille.
English:
I was so relieved when he came back.
I couldn't think of anything at that time.
I was desperately hoping his coming back.
When he came back, I felt relieved that he was alive.
However, the stoppage of his heart had serious effects
on various organs throughout his body,
such as the brain and the kidneys.
Ouchi's condition was deteriorating rapidly.
Ouchi no longer responded to his family's calls.
German:
Sein Leben wurde von medizinischen Geräten und Medikamenten unterstützt.
English:
His life was supported by medical equipment and medicines.
French:
Sa vie a été soutenue par des équipements médicaux et des médicaments.
English:
After a long period of treatment, some of
the staff members, including me,
Um...
had a feeling that we shouldn't continue
the treatment anymore.
However, Mr. Ouchi's family didn't give up hope
for his recovery until the very end.
I think that was the main driving force that supported us.
These are his family's words at his bedside.
His mother called his name.
German:
Nach einer langen Zeit der Behandlung, mir einige der Mitarbeiter, darunter,
A ...
hatte das Gefühl, dass wir nicht mehr die Behandlung nicht fortgesetzt werden sollten.
Allerdings Familie Herr Ouchi ist nicht aufgeben Hoffnung für seine Genesung bis zum Ende.
Ich denke, dass die treibende Kraft war, die uns unterstützt.
Es handelt sich um seine Familie Worte an seinem Bett.
Seine Mutter nannte seinen Namen.
French:
Après une longue période de traitement, certains des membres du personnel, y compris moi,
A ...
avait le sentiment que nous ne devrions pas poursuivre le traitement plus.
Cependant, la famille de M. Ouchi n'a pas abandonné l'espoir pour son rétablissement jusqu'à la fin.
Je pense que c'était la principale force motrice qui nous a soutenus.
Ce sont les paroles de sa famille à son chevet.
Sa mère a appelé son nom.
German:
(Hisashi, festhalten.)
Sein Vater sprach in seinem Ohr.
(Gib nie auf!)
Eine neue Situation entstand in Ouchi Blut.
Diese ameba artige Dinge sind seine Immunzellen.
Immunzellen zu bekämpfen Bakterien und Viren und loszuwerden von ihnen.
Seine Immunzellen wurden abnormal und greifen seine normalen weißen Blutzellen und andere Zellen.
English:
(Hisashi, hold on.)
His father spoke in his ear.
(Never give up!)
A new situation arose in Ouchi's blood.
These ameba-like things are his immune cells.
Immune cells fight bacteria and viruses
and get rid of them.
His immune cells became abnormal and were attacking
his normal white blood cells and other cells.
French:
(Hisashi, tiens).
Son père a parlé à l'oreille.
(N'abandonnez jamais!)
Une nouvelle situation est survenue dans le sang de Ouchi.
Ces choses amibes comme sont ses cellules immunitaires.
Les cellules immunitaires combattent les bactéries et les virus et se débarrasser d'eux.
Ses cellules immunitaires sont devenues anormales et attaquaient ses globules blancs normaux et d'autres cellules.
German:
Bluttransfusionen und hematinic Medikamente wurden wiederholt verabreicht.
Die Zahl seiner weißen Blutkörperchen wurde schnell abnimmt.
Schließlich sank die Zahl auf fast Null zurück.
Unter diesen Umständen war es nichts mehr konnten wir tun.
Wir waren irgendwie in einer Sackgasse stecken.
Ich weiß nicht, wie mein Gefühl zu beschreiben, zu dieser Zeit.
Wir konnten weder vorwärts noch rückwärts bewegen.
Es gab keine praktikable Lösungen.
Mein ehrliches Gefühl war, dass wir in einem kompletten Stillstand waren.
French:
Les transfusions sanguines et des médicaments ont été administrés hématiniques à plusieurs reprises.
Le nombre de ses globules blancs diminuait rapidement.
Finalement, le nombre a diminué de nouveau à presque zéro.
Dans ces circonstances, il n'y avait rien que nous pouvions faire à gauche.
Nous étions en quelque sorte coincé dans une impasse.
Je ne sais pas comment décrire mon sentiment à ce moment-là.
Nous pourrions aller ni en avant ni en arrière.
Il n'y avait pas des solutions viables.
Mon honnête sentiment était que nous étions dans une impasse totale.
English:
Blood transfusions and hematinic drugs
were administered repeatedly.
The number of his white blood cells was decreasing rapidly.
Eventually, the number decreased back to almost zero.
Under those circumstances,
there was nothing left we could do.
We were sort of stuck in a stalemate.
I don't know how to describe my feeling at that time.
We could move neither forward nor backward.
There were no workable solutions.
My honest feeling was that
we were in a complete deadlock.
English:
Ouchi's abnormal immune cells were attacking
even the white blood cells
that were produced by his sister's cells.
On the 81st night after the radiation accident,
Dr. Maekawa called Ouchi's all family members together.
Dr. Maekawa told them that even if Ouchi's heart stopped again,
any further resuscitation attempts shouldn't be made.
His family agreed to my suggestion, and
I gave the medical team strict instructions
French:
les cellules immunitaires anormales de Ouchi attaquaient même les globules blancs
qui ont été produites par les cellules de sa sœur.
Dans la nuit 81e après l'accident de rayonnement, le Dr Maekawa a appelé tous les membres de la famille Ouchi ensemble.
Dr Maekawa leur a dit que même si le cœur de Ouchi arrêté à nouveau, ne devrait pas y avoir de nouvelles tentatives de réanimation.
Sa famille a accepté de ma suggestion, et je donnai l'équipe médicale des instructions strictes
German:
Ouchi die abnormalen Immunzellen greifen auch die weißen Blutkörperchen
daß wurden von seiner Schwester-Zellen produziert.
Am 81. Nacht nach dem Strahlenunfall, genannt Dr. Maekawa Ouchi die alle Familienmitglieder zusammen.
Dr. Maekawa sagte ihnen, dass selbst wenn Ouchi Herz wieder gestoppt, alle weiteren Wiederbelebungsversuche sollten nicht vorgenommen werden.
Seine Familie vereinbart, meinen Vorschlag, und ich habe die medizinische Team strenge Anweisungen
German:
nicht kardiopulmonalen Reanimation durchführen, wenn sein Herz wieder gestoppt.
Seine Familie verließ leise das Zimmer.
Am nächsten Tag, Ouchi Frau sprach mit ihm.
Sie wollte mit ihm im neuen Jahr schellen.
Seine Familie fortgesetzt Papierkraniche im Warteraum falten.
Die Zahl der Krane war fast zehntausend.
French:
de ne pas effectuer la réanimation cardio-pulmonaire si son cœur a cessé de nouveau.
Sa famille a quitté la salle tranquillement.
Le lendemain, la femme de Ouchi lui a parlé.
Elle voulait sonner dans la nouvelle année avec lui.
Sa famille a continué à plier des grues en papier dans la salle d'attente.
Le nombre des grues était presque dix mille.
English:
not to perform cardiopulmonary resuscitation
if his heart stopped again.
His family left the room quietly.
Next day, Ouchi's wife spoke to him.
She wanted to ring in the new year with him.
His family continued to fold paper cranes
in the waiting room.
The number of the cranes was almost ten thousand.
English:
On the 83rd day after the radiation accident,
his wife visited him with his son.
They saw him without gauze covering his face.
His son, who was an elementary
school student, spoke to him.
(Dad, hang in there.)
His wife cried for the first time.
French:
Le jour 83e après l'accident de rayonnement, sa femme lui a rendu visite avec son fils.
Ils l'ont vu sans gaze couvrant son visage.
Son fils, qui était un élève de l'école élémentaire, lui a parlé.
(Papa, accrochez-vous.)
Sa femme a pleuré pour la première fois.
German:
Am 83. Tag nach dem Strahlenunfall, seine Frau besuchte ihn mit seinem Sohn.
Sie sahen ihn ohne Gaze bedeckte sein Gesicht.
Sein Sohn, der ein Grundschüler war, sprach mit ihm.
(Dad, hängen dort.)
Seine Frau rief zum ersten Mal.
French:
Pour autant que je pouvais voir, ce fut la seule fois où elle a pleuré.
Apparemment, elle essayait de réprimer un cri.
Je pensais qu'elle n'a pas eu à le faire.
Cette nuit,
Ouchi est décédé.
English:
As far as I could see,
that was the only time she cried.
Apparently, she was trying to suppress a cry.
I thought she didn't have to do that.
That night,
Ouchi passed away.
German:
Soweit ich sehen konnte, war, dass das einzige Mal, dass sie weinte.
Offenbar versuchte sie einen Schrei zu unterdrücken.
Ich dachte, sie nicht zu tun hat.
Diese Nacht,
Ouchi verstorben.
English:
The 83-day battle of Ouchi, his family,
and the medical team ended.
Radiation exposure destroys human body from the inside.
The effects of radiation spread throughout Ouchi's body.
This photograph shows his muscle tissue.
German:
Die 83-Tage-Schlacht von Ouchi, seiner Familie und das medizinische Team beendet.
Die Strahlenexposition zerstört menschliche Körper von innen.
Die Auswirkungen der Strahlung verbreitete sich in Ouchi des Körpers.
Dieses Foto zeigt seine Muskeln.
French:
La bataille de 83 jours de Ouchi, sa famille et l'équipe médicale terminée.
L'exposition aux radiations détruit le corps humain de l'intérieur.
diffuser les effets du rayonnement dans tout le corps de Ouchi.
Cette photographie montre son tissu musculaire.
German:
Muskelgewebe wird als die am wenigsten anfällig für Strahlenschäden sein.
Allerdings sind die meisten der Muskelfasern wurden durch eine massive Menge an Strahlung verloren.
Unter denen, blieb nur ein Organ intakt, ohne seine Muskelgewebe beschädigt.
Herz.
Nur war sein Herzmuskel nicht durch Strahlung zerstört.
Natürlich gibt es Unterschiede zwischen dem Herzmuskel und anderen Muskeln.
Ich studierte verschiedene medizinische Literatur, aber jetzt,
Ich bin mir nicht ganz sicher, warum sein Herz im Gegensatz zu anderen Muskeln überlebt.
Wir diskutierten, ob das war eine Wirkung der Strahlung oder eine Wirkung verschiedener Behandlungen wie Medikamente.
Beide Meinungen sind plausibel und ich habe noch nicht zum Abschluss gekommen.
French:
Le tissu musculaire est considéré comme des dommages de rayonnement les moins vulnérables.
Cependant, la plupart des fibres musculaires ont été perdus par une énorme quantité de rayonnement.
Parmi ceux-ci, un seul organe est resté intact sans son tissu musculaire endommagé.
Cœur.
Seul son muscle cardiaque n'a pas été détruit par le rayonnement.
Bien sûr, il y a des différences entre le muscle cardiaque et d'autres muscles.
J'ai étudié diverses littérature médicale, mais pour l'instant,
Je ne suis pas tout à fait sûr pourquoi son cœur a survécu contrairement à d'autres muscles.
Nous avons discuté si cela était un effet de rayonnement ou un effet de divers traitements tels que les médicaments.
Les deux opinions sont plausibles et je n'ai pas encore abouti à une conclusion.
English:
Muscle tissue is considered to be
the least vulnerable to radiation damage.
However, most of the muscle fibers were
lost by a massive amount of radiation.
Among those, only one organ remained intact
without its muscle tissue damaged.
Heart.
Only his heart muscle was not destroyed by radiation.
Of course, there are differences between
heart muscle and other muscles.
I studied various medical literature, but for now,
I'm not quite sure why his heart
survived in contrast to other muscles.
We discussed whether that was an effect of radiation or
an effect of various treatment such as medicines.
Both opinions are plausible and
I haven't yet reached a conclusion.
German:
Um jedoch die Tatsache, dass sein Herz angesichts überlebte die Strahlenexposition,
Ich denke, dies ist eines der Probleme ist, dass wir, Mediziner, in Zukunft ansprechen sollen.
Ouchi Herz blieb am Leben, obwohl alle anderen Zellen in seinem Körper zerstört wurden.
Ärzte und Krankenschwestern fortgesetzt, sich in dieser ICU auf die Behandlung von Ouchi zu widmen.
Diese Zeiten tiefe Fragen offen, die in jedem Teammitglied Geist noch bleiben.
English:
However, considering the fact that his heart
survived the radiation exposure,
I think this is one of the issues that we,
medical professionals, should address in the future.
Ouchi's heart stayed alive even though
all other cells in his body were destroyed.
Doctors and nurses continued to devote themselves
to the treatment of Ouchi in this ICU.
Those days left profound questions that
still remain in each team member's mind.
French:
Toutefois, compte tenu du fait que son coeur a survécu à l'exposition aux rayonnements,
Je pense que c'est l'un des problèmes que nous, professionnels de la santé, devrait répondre à l'avenir.
Le cœur de Ouchi est resté en vie, même si toutes les autres cellules de son corps ont été détruits.
Les médecins et les infirmières ont continué de se consacrer au traitement des Ouchi dans cette unité de soins intensifs.
Ces jours ont laissé de profondes questions qui restent encore dans l'esprit de chaque membre de l'équipe.
English:
This case made me painfully aware that
the system made by human beings
could cause terrible disasters with one wrong move.
There is nothing mere doctors like us can do about that.
With any latest technology and equipment, we have no chance
against the catastrophic effects of radiation.
We learned that the hard way.
His encounter with Ouchi was a major turning point
for Dr. Maekawa.
French:
Cette affaire m'a fait douloureusement conscience que le système fait par des êtres humains
pourrait provoquer des catastrophes terribles avec un faux mouvement.
Il n'y a rien de simples médecins comme nous peuvent faire à ce sujet.
Avec toute dernière technologie et de l'équipement, nous avons aucune chance contre les effets catastrophiques de rayonnement.
Nous avons appris que la dure.
Sa rencontre avec Ouchi a été un point tournant majeur pour le Dr Maekawa.
German:
Dieser Fall hat mich schmerzlich bewusst, dass das System von Menschen gemacht
das dazu führen könnte schreckliche Katastrophen mit einer falschen Bewegung.
Es gibt nichts, nur Ärzte wie wir dagegen tun können.
Mit jeder neuesten Technologie und Ausrüstung, haben wir keine Chance gegen die katastrophalen Auswirkungen von Strahlung.
Wir erfuhren, dass die harte Weise.
Seine Begegnung mit Ouchi war ein wichtiger Wendepunkt für Dr. Maekawa.
English:
This spring, Dr. Maekawa reached retirement age
and left the hospital.
He has decided to work on establishing medical systems
for treatment of radiation exposure.
"People who passed away will never come back again.
There will be no next time for people who passed away."
This is a letter from Ouchi's wife to Dr. Maekawa.
"Maybe I'm too pessimistic, but I can't help but think
that a similar accident would occur again
German:
In diesem Frühjahr, Dr. Maekawa das Rentenalter erreicht und das Krankenhaus verlassen.
Er hat sich entschieden, auf die Schaffung medizinischer Systeme für die Behandlung von Strahlenexposition zu arbeiten.
„Die Menschen, die verstorben werden nie wieder zurückkommen.
Es wird kein nächstes Mal für Menschen, die verstorben.“
Dies ist ein Brief von Ouchi Frau Dr. Maekawa.
„Vielleicht bin ich zu pessimistisch, aber ich kann mir nicht helfen, aber, dass ein ähnlicher Unfall wieder auftreten würde,
French:
Ce printemps, le Dr Maekawa a atteint l'âge de la retraite et a quitté l'hôpital.
Il a décidé de travailler sur la création de systèmes médicaux pour le traitement de l'exposition aux radiations.
« Les gens qui sont décédés ne reviendront jamais à nouveau.
Il n'y aura pas de prochaine fois pour les gens qui sont décédés « .
Ceci est une lettre de l'épouse de Ouchi au Dr Maekawa.
« Peut-être que je suis trop pessimiste, mais je ne peux pas empêcher de penser qu'un accident semblable se produirait à nouveau
French:
aussi longtemps que l'énergie nucléaire est inséparable de notre vie quotidienne.
Ma méfiance à l'égard de l'énergie nucléaire ne disparaîtra jamais car elle est gérée par des êtres humains.
Si les gens qui sont impliqués dans l'industrie nucléaire ne peuvent pas se protéger,
le domaine médical doit apprendre les leçons enseignées par mon mari et son collègue au sacrifice de leur vie.
J'espère que misérables victimes, comme mon mari, peuvent être sauvés dans l'avenir « .
German:
solange die Kernenergie ist untrennbar mit unserem täglichen Leben.
Mein Misstrauen gegenüber der Kernenergie geht nie weg, weil sie von den Menschen umgegangen wird.
Wenn Menschen, die in der Atomindustrie beteiligt sind, nicht selbst schützen können,
im medizinischen Bereich soll die Lektionen gelehrt von meinem Mann und seinem Kollegen am Opfer ihres Lebens erfährt.
Ich hoffe, dass elende Opfer, wie mein Mann, können in Zukunft gerettet werden.“
English:
as long as nuclear energy is inseparable
from our daily lives.
My distrust of nuclear energy will never go away
because it is handled by human beings.
If people who are involved in the nuclear industry
cannot protect themselves,
the medical field should learn the lessons taught by my husband
and his colleague at the sacrifice of their lives.
I hope that wretched victims, like my husband,
can be saved in the future."
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Slovenian:
Doooooooooobro
jutro igralci!
Še en dan v Minecraftu
Ali ni tako, vsi?
ow. prekleto nisem
AAAAAAAH
Zakaj si blizu moje mesne kroglice ??? (😏)
Pojdi stran!
Ljubim te, mesnate kroglice, toda mAN,
zdi se, da privablja veliko slabih ljudi
kaj je z mesnimi kroglicami in slabimi ljudmi? (smeh v švedščini)
Ikea Tower je videti lepa.
Moo krava - poskušate pobegniti?
Boat Cow? Prosim.
Kakorkoli že, danes
imamo veliko stvari, ki jih moramo storiti * zvoni zvonjenje * (btw, če zazvonite zvonjenje med napadom, ki vam pomaga)
(Vrže lubenico v Joergenov zlati grob)
Imamo veliko misij za dokončanje.
ni dat RighT, svEn (bruh zvočni učinek)
Hočem
zgraditi hišo
za mojega malega konja
Da, čutim, da ne dobi ljubezni in pozornosti, ki si jo zasluži.
Sedi tukaj s temi ... Drugimi gnusnimi ... Stvari.
Joergen (drugi) si zasluži * možganske celice umrejo *,
svojo hišo!
Desno Sven ?? (da pewds)
Tako kot imaš svojo hišo.
Joergen vsaj, vsaj,
Japanese:
GOOOOOOOOOOOOOODDDDDDD
朝のゲーマー!
Minecraftのもう1つの素晴らしい日です。
そうじゃない、みんな?
おお。私はしなかった
AAAAAAAH
何故お前は俺のミートボール付近にいるんだ? (クエスト)
どこかに行って!
ミートボール、愛してる
あなたはたくさんの悪い人々を魅了しているようです -
ミートボールや悪い人たちにとってそれは何ですか? (スウェーデン語で笑います)
もちろん綺麗に見えるイケアタワー。
ムー牛 - あなたは脱出しようとしていますか?
ボート牛?お願いします。
とにかく、今日
*ベルを鳴らす*(襲撃中にベルを鳴らした場合は助けになります)(bro tip)
(Joergenの黄金の墓でスイカを投げます)
私たちには完成するべきたくさんの使命があります。
dat RighT、svEnではありません(bruh sound effect)
基本的に私はしたい
小さな家を建てる
私の小さな馬のために
はい、私は彼が彼が値する愛と注意を得ていないように私は感じます。
彼はこれらと共にここに座っています...他の嫌なこと...物事。
Joergen(2番目)は*脳細胞が死ぬ*に値する、
彼自身の家!
右スヴェン? (はいpewds)
あなたがあなた自身の家を手に入れたように。
少なくともJoergen、
English:
GOOOOOOOOOOOOOODDDDDDD
morning gamers!
It's another bEaUtIfUl day in Minecraft
isn't that right, everyone?
ow. dammit I didn-
AAAAAAAH
Why are you near my meatball??? (😏 😏 )
Go away!
I love you, meatball, but mAN,
you seem to attract a lot of bad people-
what is it with meat balls and bad people? (laughs in swedish)
Ikea Tower looking beautiful of course.
Moo Cow- are you trying to Escape?
Boat Cow? Please.
anyway, today
we have a lot of things to do *rings bell* (btw if you ring the bell during a raid it helps you out)(bro tip)
(Throws Watermelon at Joergen's golden grave)
We have a lot of missions to complete.
isn’t dat RighT, svEn (bruh sound effect)
Basiclly I wanna
build a little house
for my little horse 😁
Yes, I feel like he's not getting the love and attention that he deserves.
He’s sitting in here with these... Other disgusting... Things.
Joergen (the second) deserves a *brain cells die*,
his own house!
Right Sven?? (yes pewds)
Just like you got your own house.
Joergen at least, at least,
Arabic:
صبااااااح الخير ايها اللاعبين !
إنه يوم آخر رائع في ماين كرافت
ليس هذا صحيح ، الجميع؟
آه. اللعنة أنا لم -
لماذا أنت بالقرب من بلدي اللحم المفروم ؟؟ (😏 😏)
ابتعد أو ارحل!
أنا أحبك ، اللحم المفروم ، ولكن الرجل
يبدو أنك تجذب الكثير من الناس السيئين
ما هو كرات اللحم والأشرار؟ ههههه
برج ايكيا يبدو جميلا بالطبع.
مو البقرة ، هل تحاول الهرب؟
بقرة البقرة؟ رجاء.
على أي حال ، اليوم
لدينا الكثير من الأشياء التي يجب القيام بها (راجع للشغل إذا رنت الجرس أثناء غارة فإنه يساعدك على الخروج) (نصيحة إخوانه)
(رميات البطيخ في قبر يورغن الذهبي)
لدينا الكثير من المهام لإكمالها.
Basiclly أريد
بناء منزل صغير
لحصاني الصغير 😁
نعم ، أشعر أنه لا يحصل على الحب والاهتمام اللذين يستحقهما.
إنه يجلس هنا مع هؤلاء ... أشياء أخرى مثيرة للاشمئزاز ... أشياء.
منزله الخاص!
الحق سفين؟ (نعم بيوود)
مثلك تماما حصلت على منزلك.
يورغن على الأقل ، على الأقل
Chinese:
早安各位游戲玩家
又是一個在Minecraft的美好一天
又是一個在Minecraft的美好一天
又是一個在Minecraft的美好一天
不是嗎?各位?
凹嗚
該死的,他沒有...
啊啊啊啊
你為什麼靠近我的肉球
走開
我愛你肉球
可是兄弟
你看起來似乎困在壞人之中
可是如果肉球也是壞的呢
IKEA塔看起來依舊不合理的完美
船牛你是在試圖逃脫嗎?
船牛?
拜託不要
無論如何
今天我們有很多事情要做
(敲
有許多任務要去完成
不是嗎 Sven?
bruh
基本上..
我想要為我的愛馬們
蓋個小愛巢
我覺得他似乎感覺他沒有得到它應有的愛和照顧
他在住在這
和一些其他的噁心的......東西們...
Joergen值得擁有他自己的房子
對吧!Sven
像你就擁有自己的房子
Joergen至少
"至少"
Portuguese:
Bom dia, gamers!
É outro lindo dia no Minecraft, né gente?
Droga eu não- AAH
Por que você está perto da minha almôndega?!
Vai embora!!
Eu te amo, Almôndega, mas, cara, você parece atrair muita gente ruim
O que tem aver almôndegas com gente ruim?
Torre Ikea está linda, obvio
Vaca Moo, você está tentando escapar?
Vaca do barco? Por favor
De qualquer forma, hoje nós temos muitas coisas a fazer
Temos muitas missões para completar, não é mesmo, Sven?
Basicamente, eu quero construir uma casinha para o meu cavalinho
Eu sinto como se ele não estivesse recebendo o amor e a atenção que ele merece
Ele está sentado aqui com essas coisas … repugnantes
Joergen merece sua propria casa, né Sven?
Igual a você que tem sua própria casa
Vietnamese:
Chào buổi sáng gamers!
Lại là một ngày đẹp trời khác trong Minecraft.
Đúng không các bruh
Ow
Đm không- AAAAAH
Tại sao mi ở gần cục thịt khổng lồ của mị?!!
Cút xéo!
Mị yêu em thịt viên nhưng giời em có vẻ như đang gọi mấy người xấu tới.
Có gì sai giữa thịt viên và người xấ-
WHEEZE
Tháp Ikea trông đẹp như mọi ngày tất nhiên
MOO-COW mi đang định trốn à?
Ngươi định trốn hả?
Làm ơn.
Dù gì thì hôm nay, chúng ta có nhiều việc quan trọng để làm.
(CC : Maw#7146)
Chúng ta có nhiều nhiệm vụ để hoàn thành.
Đúng không Sven? (Rờ)
Việc là mị muốn xây một căn nhà nhỏ cho con ngựa nhỏ của mị.
Đúng ra là mình cảm thấy như em ấy không được sự quan tâm và chú ý em ấy đáng nhận.
Em ấy ngồi trong đây với mấy con...
Vật ghớm ghiết.
Joergen đáng nhận nhà riêng của em ấy!
Đúng không Sven? Cũng như em có nhà riêng của em.
Spanish:
Buenos dias, Gamers! hijos de la chingada
Es otro nuevo y hermoso día
en Minecraft
Eso es correcto chicos!
AU
Demonios, hice-
AAAAH
¿Por qué estas cerca de mi albóndiga?
Aléjate!
Te amo albóndiga, pero tu parces atraer mucha gente mala
Qué pasa si nosotros albóndigamos malas personas? (wtf)
*no sé qué dijo ni qué quiso decir*
(risas)
La torre IKEA luciendo hermosa, por supuesto
BoatCow, estas tratando de escapar?
subtitulos hechos por Lujii la mass pro
De todas formas
Hoy, tenemos muchas cosas que hacer . . .
Tenemos muchas misiones que completar
no es cierto eso Sven?
Básicamente
Quiero construir una pequeña casa
para mi pequeño caballo
Si, siento que él no está recibiendo la atención y amor que él merece
Él se está sentando aquí
con estas otras . . .
desagradables . . .
cosas
Joergen merece una- Su propia casa!
Verdad Sven?
Así como tu tienes la tuya. Joergen al menos
al menos!
Russian:
ДОБРОЕ УТРО, ГЕЙМЕРЫ!
Очередной прекрасный день в майнкрафте!
Разве это не так? Ау!
Черт, я... А-А-А!
Почему ты у моей Фрикадельки?! Уходи!
Я люблю тебя, фрикаделька, но чел
Ты кажется привлекаешь слишком много плохишей.
Что это всё значит, фрикаделька?
Башня ИКЕЯ как всегда прекрасна
Корова в лодке, ты пыталась сбежать?
Эй? Корова в лодке, пожалуйста.
Тем не менее, сегодня мы должны сделать много вещей
У нас много миссий, которые должны быть выполнены.
Разве это не так, Свен?
(BRUH) В принципе, я хочу построить маленький домик для моей маленькой лошадки
Да, я чувствую, как будто он не получает любви и внимания, которых он заслуживает
Он сидит тут вместе с этими другими отвратительными... ...штуками
Йорген заслуживает свой собственный дом.
Да, Свен?
Прямо как ты имеешь свой собственный домик
Polish:
WITAAAAJCIE GRACZE!
To kolejny przepiękny dzień w Minecrafcie
Czyż nie mam racji?
Auć
Cholera, ja...
Aaaaaa!
Dlaczego jesteś blisko mojego klopsika?
Idź sobie!
Kocham cię klopsiku!
Ale, zdajesz się przyciągać sporo złych ludzi
Co jest z tymi klopsikami i złymi ludźmi
*śmiech*
Wieża IKEI wygląda oczywiście pięknie
Łódkokrówko próbujesz uciec?
Łódkorówko, proszę...
Tak czy inaczej dzisiaj mamy wiele rzeczy do zrobienia,
mamy wiele misji do wykonania...
Mam rację, Sven?
W zasadzie to chcę zbudować mały domek dla mojego małego konia
Tak, czuję że nie otrzymuje miłości i uczuć na które zasługuję
Siedzi tutaj z innymi obrzydliwymi... stworami...
Joergen zasługuje na... swój własny dom!
Prawda, Sven?
Tak jak ty dostałeś swój,
Turkish:
Günaydın Oyuncular!
Minecraft'ta yine harika bir gün.
Değil mi?
Ah
Lanet olsun ben sadec... Aah!
Neden köftemin etrafındasın?
Git Buradan!
Seni seviyorum Köfte, adamım kötüleri etrafına çekiyorsun.
Köfte ve kötü insanların arasında ne var? :D
IKEA Kulesi çok güzel gözüküyor tabi ki de.
Möö inek, kaçmaya mı çalışıyorsun?
Bot İneği, Lütfen!
Neyse..
Bugün yapmamız gereken pek çok şey var.
Tamamlamak için bir sürü görevimiz..
Değil mi Sven?
Breh!
İlk olarak küçük atım için bir ev yapmak istiyorum.
O.. Onun hak ettiği sevgi ve ilgiyi alamadığını hissediyorum.
O diğer değişik tiplerle birlikte burada oturuyor.
Joergen kendi evini hakediyor
Değil mi Sven?
Azerbaijani:
Minecraft'ta başqa bir gün var
hər kəs bu doğru deyil?
ow. dəlilik
AAAAAAAH
Niyə köfte yaxınlaşırsınız? (😏 😏)
Çıx get!
Mən səni sevirəm, köftə, amma mən,
bir çox pis insanları cəlb edirsiniz -
ət topları və pis insanlarla nədir? (İsveçcə gülür)
Ikea Tower əlbəttə gözəl görünür.
Moo Cow - xilas etməyə çalışırsan?
Boat İnək? Xahiş edirik.
Hər halda, bu gün
bizdə bir çox şey var * zənglər zəngi * (btw əgər zəng çaldığınız zaman bir basqın zamanı)
(Joergen'in qızıl məzarında Qarpız atır)
Tamamlamaq üçün bir çox missiyamız var.
RatT, svEn (bruh səs effekti)
Əsasən istərdim
kiçik bir ev qurmaq
kiçik atım üçün 😁
Bəli, özünə layiq olan sevgini və diqqətini ala bilməyəcəyini hiss edirəm.
Bu yerlərlə oturur ... Digər iyrənc şeylər.
Joergen (ikinci) bir beyin hüceyrəsi ölmək layiqdir *
öz evini!
Sağ Sven ?? (bəli pewds)
Öz eviniz olduğu kimi.
Ən azı Joergen, ən azı,
Japanese:
馬小屋に値する。
私の神よ、私の家から出てください。
よし、逃げないで、Jorgen。
逃げないでください。
安全にする必要があります。
Joergenが二度と消えないように。
私の心はそれを扱うことができないので、
もう。
そうではありませんスヴェン?
Svenを心配しないでください、それはあなたの家のように空想ではありませんそれはちょうど安定しているでしょう。
それを乗り切るには、どれくらいの高さがなければなりませんか。
はい。
おお、私の神、これは最も迷惑な場所です
構築する!あなたたちは私の顔の中にいます!
あなたは匂いがします。
Joergenがあなたと一緒に好きではないのも不思議ではありません...
ああ私の神Joergen noooooo!
私は大丈夫ですよ!
その安定性は最高です
あなたは今までにあなたの人生の中で見たことがあります。
私はその文を終わらせることさえできなかった。
笑う*自分の文章を笑う*
ああ、神。
スヴェンと...
彼の倒錯した方法。
フェンスはありますか?柵があります。
そこに行きます。
Portuguese:
Joergen pelo menos, PELO MENOS, merece um estábulo
Ai meu Deus, saia da minha casa!
Ok, não escape, Joergen. Não escape
Eu preciso fazer isso mais seguro para que o Joergen nunca desapareça de novo
porque o meu coração não consegue aguentar mais
Não é, Sven?
Não se preocupe, Sven. Não vai ser tão bonito quanto a sua casa
Vai ser apenas um estábulo
O quão alto tem de ser para eu sair?
Ok..
Ai meu Deus, esse é o lugar mais irritante de construir
Vocês estão na minha cara
Vocês fedem
Nem me pergunto porquê o Joergen não quer ficar com vocês
Meu deus, Joergen nãão!
Eu to tentando construir aqui!
Vai ser o melhor estábulo que você ja viu na vida
Eu não pude nem terminar essa frase sem
Ai, Deus
Sven e
seus jeitos pervertidos
Eu tenho cercas? Sim, tenho. Aí sim
Turkish:
Tıpkı sizin evinizin olduğu gibi, Joergen en azından bir ahırı hak ediyor.
Aman Tanrım evimden defol!
Tamam kaçma Joergen
Joergen bir daha asla kaybolmasın diye bunu daha güvenli yapmalıyım.
Çünkü kalbim buna artık dayanamaz.
Değil mi Sven?
Merak etme Sven senin evin kadar güzel olmayacak.
Sadece bir ahır olacak.
Dışarıya gidebilmem için bunun ne kadar uzun olması gerekiyor?
Aman Tanrım burası inşaat için en sinir bozucu yer! Siz çocuklar yüzümdesiniz resmen
Kokuyorsun
Joergen'ın sizinle takılmayı sevmemesine şaşmamalı.
Aman Tanrım Joergen hayır! İnşa etmeye çalışıyorum şurada!
Hayatında gördüğün en güzel ahır olacak.
(?)
Ah Tanrım
Sven ve sapıklıkları
Çitim var mı, var.
Chinese:
該擁有一個馬廄
我的天 離我的房子遠一點
別逃跑Joergen
別逃跑
我必須讓這更安全點以防止Joergen再消失一次
因為我的心臟可不能再承受一次
”再多一次“
對吧! Sven
放心吧Sven,這不會比你的房子更漂亮
這只會是一個馬廄而已
需要多高才不會讓我騎著它跳出去
OK...
我 的 天 這是這世界上最吵的建築地點
你們這些傢伙粘在我的臉上
你很臭
不意外Joergen討厭你們這些傢伙
我 的 天 Joergen不~~
我嘗試著在這裡蓋房子啊
這會是你這輩子看過最好的馬廄了
我甚至沒辦法完成那句話如果沒有
(笑
天哪
在沒有Sven...和他的反常
我有籬笆嗎?我有嗎?喔..我有
看這個
Slovenian:
zasluži stabilno.
O moj bog, pojdi iz moje hiše.
V redu, ne pobegni, Jorgen.
Ne pobegni.
Moram narediti to varnejše,
tako da Joergen nikoli več ne izgine.
Ker moje srce ne more ravnati,
več.
Ali ni to prav Sven?
Ne skrbi Sven, ne bo tako domišljijsko kot tvoja hiša, ampak bo stabilna.
Kako visok mora biti, da se odpravim iz nje?
V redu.
O moj Bog, to je najbolj nadležno mesto
zgraditi! Vi ste v mojem obrazu!
Smrdiš.
Ni čudno, da se Joergenu ne marate z vami ...
Oh moj bog Joergen noooooo!
Jaz sem tryna bUILD hERe!
Najboljša bo stabilna
ste jih kdaj videli v vašem LIFe.
Nisem mogel niti dokončati tega stavka
smeh * se smeji na lastni stavek *
Oh bog.
Sven in ...
Njegove sprevržene poti.
Ali imam ograjo? Imam ograjo.
No pa gremo.
Arabic:
يستحق مستقرة.
يا إلهي ، اخرج من منزلي.
حسنا ، لا تهرب ، يورغن.
لا تهرب.
أحتاج إلى جعلها أكثر أمانًا
بحيث يختفي يورجين أبدا مرة أخرى.
لأن قلبي لا يستطيع التعامل معها
أي أكثر من ذلك.
أليس هذا صحيح سفين؟
لا تقلق سفين ، لن يكون خيالي مثل منزلك سيكون مجرد مستقر.
ما طول القامة التي يجب أن أعود بها؟
حسنا.
يا إلهي هذا هو المكان الأكثر مزعج
لبناء! يا رفاق في وجهي!
رائحتك كريهة.
لا عجب أن يورغن لا يعجبك يا رفاق ...
يا إلهي يورجين noooooo!
أنا tryna bUilD هيري!
ستعمل يكون أفضل مستقرة
سبق لك أن رأيت في حياتك.
لم أستطع حتى إنهاء هذه الجملة بدون
يضحك * يضحك في الجملة الخاصة به *
يا إلهي..
سفين و ...
طرقه المنحرفة.
هل لدي سياج؟ لدي سياج.
هناك نذهب.
Russian:
Йорген, как минимум, КАК МИНИМУМ заслуживает стойло
О боже, убирайся из моего дома
Хорошо, не убегай Йорген, не убегай
Мне нужно сделать стойло более безопасным, так что Йорган больше не пропадал
Потому что мое сердце больше не справится с этим
никогда.
Так ведь, Свен? Не волнуйся, Свен, он не будет таким классным, как твой домик, это будет просто стойлом.
Какой высоты должно быть стойло для меня, чтобы я мог выезжать?
Окей...
О боже, это самое раздражающее место, чтобы строить
Вы, ребята, прямо у моего лица!
От вас воняет! Я не удивлен,
почему Йоргену не нравится сидеть тут с вами. О боже, Йорген, нет!
Я пытаюсь строить тут!
Это будет лучшее стойло, которое вы когда-либо видели в своей жизни
Я даже не смог закончить это предложение без...(Смех)
О боже,
Свен и...
его развратные мысли...
У меня есть забор? Да, есть.
Погнали
Azerbaijani:
stabildir.
Oh mənim Allahım, evimdən çıxın.
Alright, qaçma, Jorgen.
Qaçma.
Bunu daha təhlükəsiz etmək lazımdır,
Yorgen yenidən bir daha yox olur.
Çünki ürəyim onu idarə edə bilməz,
artıq.
Sven bu doğru deyilmi?
Sven narahat olmayın, evinizdə olduğu kimi xeyirli olmayın, o, sabit olacaq.
Mənim üçün çıxmaq üçün nə qədər uzun olmalıdır?
Tamam.
Oh mənim Tanrım bu ən canlanıcı bir yerdir
tikmək! Sizlər mənim üzümdəyəm!
Kokuyorsun.
Heç bir təəccüb doğurmur ki, Joergen sizinlə uşaqları sevmir ...
Oh my God Joergen noooooo!
TƏRCÜMƏLƏRİMİZ
Ən yaxşı stabil olacaq
HƏR HƏYATININ HƏYATINDA gördünüz.
Hətta bu cəzanı da bitirməmişdim
gülür * öz cəzasına gülür *
Allahım ..
Sven və ...
Onun sapqın yolları.
Çardam varmı? Çit var.
Gedirik.
English:
deserves a stable.
Oh my God, get out of my house.
Alright, don't escape, Jorgen.
Don't escape.
I need to make it safer,
so that Joergen never disappears again.
Because my heart can not handle it,
anymore.
Isn't that right Sven?
Don't worry Sven, it wont be as fancy as your house it will just be a stable.
How tall does it have to be for me to ride out of it?
Okay.
Oh my God this is the most annoying place
to build! You guys are in my face!
You smell.
No wonder Joergen doesn’t like it with you guys...
Oh my God Joergen noooooo!
I'm tryna bUilD hERe!
Its gonna be the best stable
you have EVER seen in your LIFe.
I couldn't even finish that sentence without
laughing *laughs at his own sentence*
Oh God..
Sven and...
His perverted ways.
Do I have fence? I do have fence.
There we go.
Vietnamese:
Joergen đáng nhận ít nhất một căn nhà ngựa.
Đờ mờ cút ra khỏi nhà bố!
Được rồi, đừng có trốn Joergen. Đừng trốn.
Mình cần làm cái này an toàn hơn để Joergen không biến mất lần nào nữa.
Vì tim mị không thể chịu nổi nữa.
Thêm nữa
Đúng hông Sven?
Đừng lo Sven nó sẽ không xịn hơn nhà em đâu.
Nó sẽ như 1 cái chuồng thôi/Mị sẽ xây nó cao bao nhiêu đây
OMG cái chỗ này là chỗ phiền phức nhất
các ngươi đang ở ngay cái bản mặt mị
bốc mùi quá
joergen không giống với các ngươi đâu/joergen nô!!
t đang cố xây nhà cho m nèeeeee
nó sẽ là cái chuồng xịn nhất trong đời m
Mị còn chưa kết thúc câu nói của mình
Oh chúa
Sven và người bạn dâm dục :/
Mị có rào không yeah có đây/ngon rồi
đây
mị luôn tìm mấy cái khóa dễ thương như này
Polish:
Joergen przynajmniej, przynajmniej, zasłużył na stajnię.
Jeeezuuu, wynocha z mojego domu!
Ok, nie uciekaj Joergen...
...nie uciekaj
Muszę wprowadzić zabezpieczenia, aby Joergen już nigdy nie zniknął,
ponieważ moje serce tego nie zniesie
już dłużej.
Mam rację, Sven?
Nie martw się Sven, nie będzie tak wypasiony jak twój, to będzie tylko stajnia.
Jak wysokie musi to być, abym wyjechał?
Ok...
O mój Boże, to jest najgorsze miejsce do budowania! Wchodzicie mi w twarz!
Śmierdzicie!
Nic dziwnego, że Joergen nie lubi tu być z wami...
Joergen, nieeee!!!
Próbuję tu budować!
To będzie najlepsza stajnia, jaką widziałeś w swoim życiu
Nie mogłem nawet dokończyć tego zdania bez... *śmiech*
O Boże...
Sven i...
Jego zboczone zwyczaje...
Mam płot? Mam płot.
No i proszę.
Spanish:
Merece su (idk wtf he said here)
Oh dios mío, vete de mi casa
Ok, no te escapes Joergen, no te escapes
necesito hacer esto mas seguro
para que Joergen no desaparezca otra vez
es mi corazón no puedo manejar
no puedo soportarlo mas
¿no es así Sven?
no te preocupes Sven, no será tan elegante como tu casa
Simplemente será menos estable
¿Qué tan alto tiene que ser para mí ahora mismo?
de acuerdo
¡OH DIOS MIO! este es el lugar más molesto y ustedes están en mi cara
huele, a que Joergen no quiere estar con ustedes chicos
Oh dios mio Joergen NOOO!
*suspiro*
Estoy tratando de construir
Slovenian:
Mislim, že videti nizko-tip srčkan.
To je AdOrAbLe ^ ∇ ^
Ne, osupljiv si, Joergen.
Vi ste brea * Smeji se na lastno šalo AGAIN *
Oh! Morali bi prižgati svetilko!
To bi bilo tako srčkano.
Res ne potrebujem toliko.
Uhhhhhhh lahko naredim te nazaj ???
To je za dober razlog.
To je za dober namen in boli mojo dušo.
To je za Joergena, prav? To je za Joergena.
Kupite majico, da si lahko privoščim to.
OH MOJ GOD, KI JE TAKO KIT!
Krava, kaj je frickie.
OH MOJ Bog mi ni vedel, da bi jih ti lahko HANG!
To je čudovito! (✿◠‿◠)
* smeje se potem glasno vzdihne * Da ..
Se šališ? Jaz sem kratek.
DAMMIT !!!
To je za Joergena.
To je za Joergena. Naredi za Joergena.
Smurgan Purgan.
OH MOJ BOG Jaz sem eden SHOR- oh nikamor
* smeh *
Odlično!
Oh moj bog, jaz ... tukaj so vrata.
Veš, kaj bi bilo srčkano?
Vietnamese:
Nhìn yêu ghê
Giờ m nhìn hấp dẫn đấy joergen
ồ chúng ta sẽ thắp sáng bằng đèn lồng
nó sẽ rất là dễ xương
Mị không cần nhiều thế/Mị có thể hoàn lại không
Nó là cho điều tốt x2/Linh hỒN của Mị
nó là cho joergen oke ? x2
Mua áo của Mị để mị có khả năng nuôi joergen :>>>>>>
OMG dat soo cute (nó dễ thương qquá x3.14)
bò m muốn gì dude
OMG Mị không biết là có thể treo nó
dat ADORABLE (siêu cute)
Yes
M đùa mị à không lẽ mị là một người thấp
chết tiệt
Turkish:
Hadi bakalım. Yani şimdiden şirin görünüyor.
Çok güzel! Nefes kesicisin Joergen :D
Fenerle aydınlatmalıyız.
Bu çok şirin olurdu. O kadar çok fenerim yok
Bunları geri dönüştürebilir miyim? İyi bir neden için!
Aah canımı yakıyor!
Joergen için tamam mı?
Tişörtümü alın ki parasını ödeyebileyim. (merch)
Aman Tanrım çok tatlı!
Onların asılabileceğini bilmiyordum! Bu çok güzel!
Şaka mı yapıyorsun bir tane eksiğim var Yarragım yok
Lanet olsun! Joergen için, Joergen için. Onun için yapıyorum
Smergen Pergen
Bir bloğum eksik! Her neyse.
Mükemmel!! Aman Tanrım, oh tamam.
Ne yapsam tatlı olurdu biliyor musunuz?
Russian:
Я имею в виду, уже выглядит вполне мило.
Это восхитительно!!!
Нет, ты потрясающий, Йорган, ты...
*хихикает*
О, мы должны зажечь фонарь.
Это будет так мило.
Мне не нужно так много.
Могу я превратить их обратно?
Это для благой цели, для благой цели.
Это ранит мою душу.
Это для Йоргена, ладно? Это для Йоргена.
Покупайте футболки, чтобы я смог себе это позволить.
О мой бог, это так мило!!!
Кава-чёрт-ии, чел
О боже, я не знал, что их можно вешать!
Это восхитительно!
*имитирует Дарта Вейдера*
дааа
Ты шутишь?
Только я низкий.
ЧЁРТТТ
Это для Йоргена. Это для Йоргена.
Сделай это для Йоргена.
Смёрген. Пёрген.
О БОЖЕ Я СЛИШКОМ НИЗКИЙ
а, неважно.
ХаАхаха
идеально
о господи, я-
ох, калитка на месте
О, ты знаешь, что было бы мило?
Polish:
Znaczy, już teraz wygląda całkiem dobrze
To jest przesłodkie!
Nie, to ty zapierasz dech w piersiach Joergen, ty...
Powinniśmy podświetlić latarnią...
To byłoby super
Nie potrzebuję dużo, eee...
Mogę z nich zrobić z powrotem?
To szczytny cel, to szczytny cel!
Aaaa, to rani moją duszę!
To dla Joergena, jasne? To dla niego. Kupujcie koszulki, żeby było mnie stać.
BOŻE JAKIE TO PIĘKNE!
Nie wiedziałem, że można je wieszać!
To jest śliczne!
Taaak!
Żartujecie sobie ze mnie? brakuje mi jednego
CHOLERA!
To dla Joergena
To dla Joergena. Zrobię to dla Joergena
Smurgan Purgan
O BOŻE BRAKUJE MI JEDNE...- nieważne *śmiech*
Idealnie!
O boże- o jest brama.
wiecie co byłoby słodkie?
Chinese:
我的意思是.這看起來已經..算是有低調的可愛
這真可愛
現在你很驚嘆吧!Joergen
你很....
我們該點些燈籠
那會非常可愛
我沒需要那麼多
呃呃呃呃呃呃呃呃呃呃
我可以讓這復原嗎??
這花的是值得的
這花的值得
啊...它傷害了我的靈魂
這是為了Joergen好嗎 為了Joergen
買件T-shirt讓我付得起這個
我 的 天
它太太太可愛了
他太kawaiiiiii了 老兄
我的天 我不知道你還可以掛它們
這真的很可愛
yess
你在開玩笑嗎..我只差一個
該死!!
為了Joergen 只為了 Joergen做這件事
sOmErGEN PoERgEn???
我的天又差一個??
喔..別介意...
完~美
喔喔這裡有個門
你知道什麼會更可愛嗎??
English:
I mean, already looking low-key kind of cute.
That’s AdOrAbLe (^∇^)
No, YOU’RE breathtaking, Joergen.
You’re brea- *Laughs at his own joke AGAIN*
Oh! We should lit up with a lantern!
That would be so cute.
Right I don’t need that many.
Uhhhhhhh can I make these back???
It’s for a good cause.
It’s for a good cause and it hurts my soul.
It’s for Joergen, okay? It’s for Joergen.
Buy a T-Shirt so I can afford this.
OH MY GOD THAT’S SO CUTE!!!
Cow what the frickie dude.
OH MY GOD I DIDN’T KNOW YOU COULD HANG THEM!
That’s adorable!!! (✿◠‿◠)
*laughs then sighs loudly* Yes..
Are you kidding me? I’m one short.
DAMMIT!!!
It’s for Joergen.
It’s for Joergen. Do it for Joergen.
Smurgan Purgan.
OH MY GOD I’M ONE SHOR- oh never mind
*laughs*
Perfect!
Oh my god I- oh there’s the gate.
Oh you know what would be cute?
Arabic:
أعني ، تبحث بالفعل نوع من مفتاح لطيف.
ذلك AdOrAbLe (^ ∇ ^)
لا ، أنت لالتقاط الأنفاس ، يورغن.
أنت تتنفس * يضحك من مزاحه مرة أخرى *
يا! يجب أن أضاءت مع فانوس!
من شأنه أن يكون لطيف جدا.
صحيح أنني لست بحاجة إلى الكثير.
Uhhhhhhh يمكنني جعل هذه الظهر ؟؟
إنه لسبب وجيه.
إنه لسبب وجيه يؤلمني.
إنه لجورغن ، حسناً؟ إنها لجورغن.
شراء تي شيرت حتى أتمكن من تحمل هذا.
يا إلهي هذا لطيف !!!
بقرة ما المتأنق frickie.
يا إلهي لم أكن أعرف أنك قد علقتهم!
هذا محبب!!! (✿◠‿◠)
* يضحك ثم يتنهد بصوت عال * نعم ..
هل تمزح معي؟ أنا واحد قصير.
اللعنة!
إنها لجورغن.
هل لأنها ليورغن.
سمورجان بورغان.
يا إلهي أنا شور واحد - لا مانع
* يضحك *
في احسن الاحوال!
يا إلهي أنا هناك البوابة.
يا أنت تعرف ما سيكون لطيف؟
Japanese:
つまり、控えめな種類の可愛さがもう見えています。
それはAdOrAbLe(^∇^)
いいえ、あなたは息をのむようです、Joergen。
あなたはbrea-だ*自分の冗談で笑うAGAIN *
ああ!私たちはランタンでライトアップするべきです!
それはとてもかわいいでしょう。
それほど多くは必要ありません。
Uhhhhhhh私はこれらを取り戻すことができますか?
それは正当な理由です。
それは正当な理由のためであり、それは私の魂を傷つけます。
Joergenのためです、大丈夫ですか? Joergenのためです。
私はこれを買う余裕ができるようにTシャツを買う。
おお、私の神はとてもかわいい!
牛は何フリッキー男。
OH MY GOD私はあなたがそれらをつかむことができなかったことを知らなかった!
それは愛らしいです! (✿◠‿◠)
*笑って大声でため息をつく*はい..
私をからかってるの?私は1人短いです。
ダム!
Joergenのためです。
Joergenのためです。 Joergenのためにそれをしなさい。
スマーガン・プルガン
OH MY GOD私は1つのSHO-だよああ気にしない
*笑う*
パーフェクト!
ああ私の神よ - ああ、門があります。
あああなたは何がかわいいだろうか知っていますか?
Portuguese:
Quero dizer, já está um pouco fofo
É adorável!
Não, você é de tirar o fôlego, Joergen
Ah! A gente deveria iluminar com lanternas
Isso seria tão fofo. Eu não preciso desse tanto
Uhhhhh, eu posso faze-los de volta?
É por uma boa causa! É por uma boa causa!
Dói a minha alma. É pelo Joergen, ok? É pelo Joergen
Compre uma camisa para eu bancar isso. AI MEU DEUS, ISSO É MUITO FOFO!!
Kawaii pra caramba, cara
Meu Deus, eu não sabia que podia as pendurar!
É adorável!
Você tá brincando? Eu fiz um nível mais baixo
Droga! É pelo Joergen, é pelo Joergen
Faça pelo Joergen
Ah meu Deus, um mais baixo-.. deixa pra lá
Perfeito
Ah meu deus, eu estou- ah tem um portão
Azerbaijani:
Demək istəmirəm ki, artıq zərif əsaslı şirin bir görünüş.
Bu AdOrAbLe (^ ∇ ^)
Xeyr, siz nəfəs alacaqsınız, Joergen.
Siz özünüzü gülürsünüz * Öz qəribəsində gülürlər *
Oh! Bir fənərlə işıqlandırmalıyıq!
Bu qədər şirin olardı.
Doğrudan da çoxlarıma ehtiyac yoxdur.
Uhhhhhhh bu geri edə bilərəmmi?
Yaxşı bir səbəbdir.
Yaxşı bir səbəbdir və bu mənim canımı incidir.
Joergen üçün, tamam mı? Joergen üçün.
T-shirt satın ala bilərsiniz.
ÇOX CUTE OLAR!
Fruktu nəvəsini inəyin.
ONUNUN MƏHKƏMƏSİNDƏN İSTƏMİŞ OLMAMAĞINDAN BİLMİŞDİ!
Bu gözəl! (✿◠‿◠)
* Gülür sonra yüksək səslənir * Bəli.
Zarafat edirsən? Mən bir qısa idim.
DAMMİT !!!
Joergen üçün.
Joergen üçün. Joergen üçün bunu.
Smurgan Purgan.
OYUN HÖKMƏSİ BİR ŞƏRƏFƏSİM - O, heç vaxt ağla
* gülür *
Mükəmməl!
Oh mənim tanrım - oh qapı var.
Nə yaxşı olardı bilirsən?
Japanese:
ちょっとしたCA UL DRONが好き
コールドロン彼らは高価ですか?
ああ、私はそれを作っていません - ああそれはJoergenのためです。
私はこれらの石を持っています。 *笑う*
*うめき声*みんな。
大丈夫
私は今入ることはできません:/
ああっ!
それはかわいいではないでしょうか...
もし彼がこれを持っていたら、もうそこには水がある。
完璧です。
見て、そう彼は飲み物を飲むことができる:)
だから彼は丸呑みを丸呑みにすることができます!
ラマに乗ることはできますか?できません。 (あなたはできる)
はい
我々がするつもりです
トランス
私はあなたに乗りたくない!
ああ
大丈夫私はあなたをプッシュしますもう。
でる!
いいえ!
どんな牛でも神になることはできないこれは神である
Joergenはすでに* whEEZE *をエスケープしました
取り出す!
はい!
これはJoergen専用です!
Joergen Smurgen o-これは何ですか?
戻ってはいけません!
ごきげんよう。
English:
Having like a little C A UL D R O N
Cauldron. Are they expensive?
AHHHH I’m not making that- Oh it’s for Joergen though.
I have these stones. *laughs*
*groans* Guys.
Alright.
I can’t enter now :/
ahhhh!
Like wouldn’t it be cute...
If he had this littl- oh there’s already water in it.
Perfect.
Look, so he can make a drinky drink :)
So he can make slurp slurp!
Can I ride the Llamas? I can’t. (you can)
Okay
We’re gonna have to
Trans-
I DON’T WANNA RIDE YOU!!
AHH
Alright I’ll push you then. Geez.
Out!
No!
No cows can en- oh god this is an- oh god
Joergen has already escaped *whEEZE*
GET OUT!
Yes!
This is for Joergen only!
Joergen Smurgen o- What is this?
DON’T GO BACK IN!!
Gosh.
Polish:
Mieć taki mały kociołek
Kociołek. Jest drogi?
AAAAAAAH nie zamierzam tego zrobić-ale to dla Jurgena
Mam trochę kamieni. *śmiech*
*jęki* ludzie
Okej
nie mogę teraz wejść :(
aaaaaa
Czyż nie byłoby słodkie...
gdyby miał taką małą-oo w tym już jest woda
Idealnie :)
Patrzcie, żeby mógł sobie siorbać...
... żeby mógł sobie pochlipać
Mogę ujeżdżać lamy? Nie mogę
Dobra, będziemy musieli przetrans...
Nie chcę cię ujeżdżać!
Dobra, po prostu cię popchnę. Jezu.
Wyjdź
Nie!
Krowy nie mogą...
O Boże to nie je...
O Boż...
Joergen już uciekł *śmiech*
Wynoś się!
Tak...
To jest tylko dla Joergena
Joergen Smorgen
Co to je...
Nie wracaj tu!
Vietnamese:
Slovenian:
Tako kot malo UL UL DRON
Kotliček. So drage?
AHHHH Tega ne delam. Oh, to je za Joergena.
Imam te kamne. * smeh *
* Stoka * Fantje.
Vredu.
Ne morem vstopiti zdaj: /
ahhhh!
Kot da ne bi bilo ljubko ...
Če je imel to malo vode, je v njej že voda.
Odlično.
Poglej, da bi naredil pijačo pijačo :)
Tako lahko naredi slurp slurp!
Lahko jaz vozim Lame? Ne morem. (ti lahko)
v redu
Morali bomo
Trans-
Ne želim te voziti !!
AHH
V redu, potem te bom potisnil. Bog.
Out!
Ne!
Nobene krave ne morejo boga, da je to- oh bog
Joergen je že ušel * whEEZE *
POJDI VEN!
Da!
To je samo za Joergena!
Joergen Smurgen o- Kaj je to?
Ne pojdite nazaj!
Presneto.
Azerbaijani:
Bir az CA UL DRON kimi
Quldur. Onlar bahalı mı?
AHHHH bunu yapmıyorum - Oh, bu Joergen üçün olsa.
Bu daşlar var. * gülür *
* groans * Uşaqlar.
Alright.
İndi daxil edə bilmirəm: /
ahhhh!
Sevgilim olmasaydı ...
Əgər o, bu çölə çıxsaydı, artıq orada su var.
Mükəmməl.
Baxın, o, içkisi bir içki içsin :)
Beləliklə, o slurp slurp edə bilər!
Llamaları gəzdirə bilərəmmi? Mən edə bilmirəm. (bacararsan)
Tamam
Bilmək lazımdır
Trans-
SİZİN RİA UĞURMAYIN!
AHH
Alright sonra səni itələyəcəyəm. Geez.
Out!
Yox!
Heç bir inək Allahı tanrı edə bilməz, ancaq Allahdır
Joergen artıq qaçdı * whEEZE *
RƏDD OL!
Bəli!
Bu yalnız Joergen üçün!
Joergen Smurgen o- Bu nədir?
GERİ GƏLƏCƏK!
Gosh.
Turkish:
Küçük bir kazanın olması.
Kazan. Pahalılar mı?
Bunu yapmıyorum. Ama Joergen için. Taşlarım var??
Millet... Pekala.
Giremiyorum şimdi de.
Tatlı olmaz mıydı..
Küçük bir kazanın olması.
Zaten burada su varmış, mükemmel.
Burada su içebilir.
Lamaları sürebilir miyim, süremem. Tamam.
Şey yapmamız gerekecek.
Seni sürmek istemiyorum!
Seni iteceğim o halde.
Dışarı! İnekler giremez!
Joergen kaçtı bile.
Çık dışarı!
Evet, burası sadece Joergen için!
... ne bu?
Chinese:
放一個小鍋釜
鍋
釜
喔..這很貴貴
啊啊啊啊啊~
我才不要做那個鬼東東
雖然是為了 Joergen
但我有這些小石頭
大家
好了
我現在能進去了
啊
它現在不會可愛
如果它有這個小小的...
喔原來下面已經有水了...完美
看 他現在可以自己喝喝水了
可以吸吸水
我可以騎草尼馬嗎?? 喔..不行
我們必須..
我才不想騎你
啊
好吧 我只能推他們
老天
不 牛不能進 喔..天哪
這是...喔天哪 Joergen已經嚇跑了
滾邊啦!!
對
這只給Joergen而已
Joergen smorergen
噢
這是...
別回來這裡
天哪..
這是為什麼在Minecraft沒好事
Arabic:
وجود مثل القليل من C A UL D R O N
مرجل. هم باهظة الثمن؟
AHHHH أنا لا أفعل ذلك - أوه إنه لجويرن رغم ذلك.
لدي هذه الحجارة. * يضحك *
* الآهات * الرجال.
حسنا.
لا يمكنني الدخول الآن: /
ahhhh!
مثل لن يكون لطيف ...
إذا كان لديه هذا الصغر ، فهناك بالفعل ماء فيه.
في احسن الاحوال.
انظر ، حتى يتمكن من شرب مشروب :)
حتى يتمكن من جعل كرته كردي!
هل يمكنني ركوب اللاما؟ لا استطيع (يمكنك)
حسنا
يجب علينا القيام بذلك
عبر-
أنا لا أريد ركوبك !!
آه
حسنا سأدفعك بعد ذلك. الجيز.
خارج!
لا!
لا يمكن للأبقار أن الله هذا إله
نجا Joergen بالفعل * whEEZE *
اخرج!
نعم فعلا!
هذا لجورن فقط!
يورغن سمورجين o- ما هذا؟
لا تتراجع !!
يا الهي.
Russian:
Небольшой котёл
кооотёл
Он дорогой?
ААА! Я НЕ ТО СДЕЛАЛ!
Охх, это для Йоргана, хотя..
У меня есть камень
*хихикает*
Всё в порядке, парни
а, я не могу зайти сейчас
ААА
Будет ли мило,
если здесь будет маленький..
Оу, здесь уже есть вода, идеально.
Смотрите, теперь вы можете пить.
Могу ли я оседлать ламу? Не могу.
Нам нужно попытаться..
Я не хочу кататься на тебе!
Хорошо, я протолкну их отсюда.
Нет! Коровам нельзя-
О, боже, это просто,
о, боже, Йорген уже сбежал.
Уходите!
Да.
Это только для Йоргена!
Йорген-Сморген..
оу..
Что это за-
Не заходи сюда!
Господи.
Вот поэтому мы не можем делать что-то прикольное в майнкрафте.
Portuguese:
Turkish:
Geri girme! İşte bu yüzden Minecraft'ta güzel şeyler yaşanmıyor.
Çık dışarı.
İşte şimdi işe yarıyor.
Oraya git işte.
Sen de. Tenderbone sen kalabilirsin.
Bakın ne tatlı, Joergen'ın küçük bir arkadaşı var!
Bir daha asla Joergen'la konuşma.
Aynen öyle Maya, oh bakın küçük bir yeri var. Artık suyunu içebilirsin.
Bu harika
Diğerlerinin dediği umurumda değil
Niye burada çirkin bir duvar var diye merak edebilirsiniz.
Bir şey denemek istedim
Gizli bir kapı gibi.
Çünkü artık Joergen'la gezmeye çıktığım zaman
işe yaramıyor.
Kapıyı yapamadım.
Hayır Joergen için çok darlar
bu yüzden
piston kapısı tarzında bir şey yapmaya çalışıyorum çünkü pistonlar eğlenceli. Çık buradan!
yani Joergen ve ben maceraya çıktığımız zaman
Slovenian:
Zato ne moremo imeti lepih stvari v Minecraftu!
Pojdi ven.
Oh, zdaj deluje!
Pojdimo tja
Ti tudi
Večerja, lahko ostaneš.
Oh poglej! Poglej kako luštna.
Joergen ima malo prijatelja tukaj.
Ne pripadate!
Nikoli znova ne govori z Joergenom! * woof *
Tako je Maya.
Poglej, ima malo srčkano - zdaj lahko piješ vodo.
V redu, to je čudaška adorbs!
Ne zanima me, kaj kdo pravi!
V redu, lahko se vprašate, zakaj imam tu grdo steno?
Želel sem poskusiti
Če bi lahko gradil kot ... skrita vrata.
Stvar je kot ...
Ker zdaj,
Ko jaz
AHHH
Zdaj, ko sem se odpravil z Joergenom Smurgenom
Ne deluje!
Ne deluje
Lahko naredim vrata s podobnim
Ne, preveč so premajhni za Joergena.
Torej želim narediti kot ...
Kot...
Mislim, da so vrata z batom.
Ker so bati zabavni.
GLEJ OD TUKAJ!
Torej ... Torej, ko jaz in Joergen gremo na pustolovščino,
Pritisnemo gumb,
Portuguese:
English:
This is why we can’t have nice things in Minecraft!
Get out.
Oh NOW it works!
Let’s go there
You too
Dinnerbone, you can stay.
Oh look! Look how cute.
Joergen has a little friend in here.
YOU DON’T BELONG!!!
Don’t EVER speak to Joergen again! *woof*
That’s right Maya.
Look he has a cute little- you can drink water now.
Okay that’s freaking adorbs!
I don’t care what anyone says!
Okay so you may wonder ‘why do I have this ugly wall here?’
Well I wanted to try out
If I could build like a... hidden door.
The thing is like...
‘Cause now,
When I
AHHH
Now when I ride out with Joergen Smurgen
It doesn’t work!
It doesn’t work
I could make a door with like
No, they’re too sm- They’re too small for Joergen.
So I want to make like a...
Like a...
A piston door, I think.
Because pistons are fun.
GET AWAY FROM HERE!
So- So when me and Joergen go out on adventure,
We hit button,
Azerbaijani:
Buna görə Minecraft'ta gözəl şeylərimiz olmaya bilər!
Rədd ol.
NOW bu işləyir!
Gəlin oraya gedin
Sən də
Dinnerbone, qala bilərsən.
Oh gözləyin! Baxın nə qədər cute.
Joergen burada bir az dostu var.
SİZİN MÜQƏDDƏSİZ!
Heç bir daha Yorgen ilə danışma! * woof *
Bu doğru Maya.
Bax, o, bir az şirin var - indi su içə bilərsiniz.
Tamam ki, bəzən çaşqınlıq yaradır!
Hər kəsin nə dediklərinə heç bir maraq yoxdur!
Tamam 'şüurlu bir duvara niyə buradayam?'
Yaxşı cəhd etmək istərdim
Gizli qapı kimi qurulsaydım.
Şey kimi ...
Çünki indi,
Mən də
AHHH
İndi Joergen Smurgen ilə çıxdığımda
Bu işləmir!
Bu işləmir
Mən bir qapıya bənzəyirəm
Xeyr, onlar çox istəyirlər - Onlar Joergen üçün çox kiçik.
Beləliklə, mən istəyirəm kimi ...
Kimi...
Məncə bir piston qapısıdır.
Pistonlar əyləncəli olduğundan.
BURADA BURAXMA!
Beləliklə, mən və Joergen macəraya çıxanda,
Biz düyməni vurduq,
Arabic:
هذا هو السبب في أننا لا نستطيع الحصول على أشياء لطيفة في Minecraft!
اخرج.
أوه الآن أنها تعمل!
فلنذهب إلى هناك
و انت ايضا
عشاء العشاء ، يمكنك البقاء.
انظر! انظروا كيف لطيف.
يورغن لديه صديق صغير هنا.
أنت لا تنتمي !!!
لا تتحدث مع يورجن مرة أخرى! * اللحمة *
هذا صحيح مايا.
تبدو لديه القليل لطيف ، يمكنك شرب الماء الآن.
حسنًا ، هذا رائع!
انا لا اهتم بما يقوله اي احد!
حسنًا ، لذا قد تتساءل "لماذا لدي هذا الجدار القبيح هنا؟"
حسنا أردت أن أجرب
إذا كنت أستطيع بناء مثل ... الباب الخفي.
الشيء يشبه ...
now السبب الآن
عندما
أهه
الآن عندما أركب مع يورغن سمورجن
إنه لا يعمل!
إنه لا يعمل
أنا يمكن أن تجعل الباب مع مثل
لا ، إنهم أكثر من اللازم ، فهم أصغر من أن يورغن.
لذلك أريد أن أجعل مثل ...
مثل ...
باب مكبس ، على ما أعتقد.
لأن المكابس ممتعة.
إبتعد عن هنا!
لذا ، عندما خرجت أنا وجورجن في مغامرة
نحن ضرب زر
Russian:
Проваливай.
О, теперь это работает.
Иди суда.
Ты тоже.
Диннербоун встань здесь.
О, посмотрите как мило!
У Йоргена появился маленький друг здесь))
*звуки убийства*(О_О)
Больше никогда не разговаривай с Йоргеном.
Майя: *гав*
Ты права, Майя.
Посмотрите, теперь у него есть маленький милый..
Ты можешь теперь пить воду!
Окей, это просто великолепно.
И мне всё равно, что кто-либо скажет.
Хорошо, ты наверное не понимаешь, что здесь делает эта уродливая стена?
Чтож, я хочу попытаться построить что-то вроде скрытой двери.
Я хочу это, потому что сейчас.. Когда я...
ААаа
Сейчас, когда я попробую выехать на Йоргене-Сморгене
это будет невозможно!
Это не работает.
Я мог бы сделать дверь, типа..
Нет((, она слишком маленькая для Йоргена
Ну, я хочу сделать что-то вроде раздвигающихся с помощью поршней дверь.
Я сделаю так, потому что поршни прикольные.
Уйди от отсюда!
Чтобы, когда я и Йорген отправимся в приключение
Vietnamese:
Polish:
To właśnie dlatego nie możemy mieć fajnych rzeczy w Minecraft
Wyjdź
O teraz to działa
Chodźmy tam
Ty też
Ty możesz zostać
O! Zobaczcie jak słodko, Joergen znalazł tu sobie nowego przyjaciela uwu
Zdychaj!
Nigdy więcej nie odzywaj się do Joergena
*sczek*
... prawda Maya (pies PewDiePie)
Popatrzcie, ma tu słodki... możesz teraz pić wodę
Dobra, to jest cholernie słodziaśne
I nie obchodzi mnie co mówią inni
Możecie się zastanawiać dlaczego mam tu tę brzydką ścianę...
chciałem po prostu sprawdzić, czy mogę zbudować tu takie ukryte drzwi
Chodzi o to...
bo teraz, kiedy...
Teraz kiedy wyjeżdżam z Joergenem
To nie działa!
Mógłbym zrobić drzwi z...
nie, są za m...
są za małe dla Joergena
Więc chciałem zrobić takie...
drzwi z pistonów
Bo pistony są fajne
Odejdź stąd!
Więc kiedy ja z Joergenem wyruszamy na przygodę, naciskamy przycisk
Japanese:
だからこそ、Minecraftでは素晴らしいことができません。
取り出す。
ああ今それは動作します!
行ってみよう
君も
ディナーボーン、あなたは滞在できます。
おお、見て!可愛いね。
Joergenはここに小さな友達がいます。
あなたは見逃すな!
二度とJoergenに話しかけないでください。 *横糸*
そうです、Mayaです。
彼がかわいい子を持っているのを見てください - あなたは今水を飲むことができます。
さて、おかしくなりそうです。
誰かが言っても構いません。
さて、あなたは「なぜ私はここにこの醜い壁を持っているのですか?」と不思議に思うかもしれません。
まあ試してみたかった
私が隠れたドアのように建てることができれば。
事はのようなものです...
今すぐ原因
ときに
ああ
今私はJoergen Smurgenと一緒に出かけるとき
うまくいきません。
うまくいかない
私はのようにドアを作ることができます
いいえ、彼らは小さすぎます - 彼らはJoergenには小さすぎます。
だから私はのように作りたい...
のような...
ピストンドアだと思います。
ピストンは楽しいからです。
ここから離れてゲット!
だから私とJoergenが冒険に出かけたとき、
ボタンを押して、
Chinese:
滾開
喔...現在又可以了..
你就滾去那
你也是
dinnerbone你可以留下
快看 超可愛
Joergen有位好朋友在這
你沒資格!!(((激動
永遠別想和Joergen講話
對的 Maya
看它有一個可愛的小....
你現在可以喝水了
好的 那真的 超級可愛
我才不管其他人說啥
所以..
你也許在想為什麼這裡有個醜醜的牆
呃..
我想試試..
蓋個隱藏門??
我想法就像..
因為現在..
當我
當我想騎著Joergen出去時
這行不通
出不去
我能做個門但會像..
對Joergen來說太小
所以我想做像..
像個..
活塞門..我想
因為活塞很好玩
滾開這裡
所以當我跟Joergen出去冒險時
Japanese:
ドアが開いて、外に出て、それは壮大な楽しい時間です。
さて、それをしましょう。
その方法がわかりません。
それを理解しましょう、右スヴェン?
私たちのおしっこうんちうんち脳を使用しましょう
はい。さてそれで最初にしなければならないことはステーキを調理しなければならないことです。
私は欲しい-
私は知っている -
わかりました私は3つの粘着性があるピストンがあります。
もっと必要かもしれないと思います。
私はこれらが必要です、そして私はてこが必要です。
おそらく新しい斧です。
私は私のアンビルがどのように壊れたのか知りません、そして私は鋼がとても少ないです!
いいですね。何だ?これは素晴らしいです
ロッタダイヤモンドはありますか?
私は思う - 私は斧を作るために暇があると思う。
私のレベルは? 27 ???私はrich'a'frickyをおかしくしています
大丈夫、エンチャントタイム!
私たちは何を得ましたか?
私たちは何を得ましたか?私たちは何を得ましたか?
効率3!さて、私はそれを取るつもりだと思います。
おい、私は私が完全にダイヤモンドである方法について話すことができますか?
それについて話すことができますか?あなたはそれについて話をしたいですか?
あなたは私がどれほど金持ちであるかを話したいですか?
私はダイヤモンドがたくさんありますがスチールはありませんか?
これはどのように機能しますか?
中立的な状況で試してみましょう。
Chinese:
我們按按鈕..
門打開然後我們出去
然後就是史詩級的玩樂時間
我們開始做唄
我不知道怎麼做這東西
讓我們搞清楚
對吧~Sven
讓我們用霹霹噗噗腦想
好的~
首先...
我們先來煮牛排
我需要...
我知道我有很多...
我有三個黏性活塞
我想我應該需要更多
我需要這個 然後還有操縱桿
大概還需要一支新斧頭
我的鐵鉆壞了...
我的鐵礦快沒了
好吧..你知道嗎?..好吧
我有很多鑽石的(+3+)
我覺得我可以用一些去做斧頭
我現在幾等?? 2 7 ??
我超有錢的餒
好的..附魔時間!!!
我們能附魔什麼呢??
有什麼?有什麼呢??
效率三!!
我想我們就附魔這個
兄弟們~我想我們可以討論我為何有超多的鑽石
我們能聊嗎??
你們想聊嗎??
你們想聊我有多有錢嗎??
我為何有那麼多鑽石但沒有鐵
這會怎麼運作...?
我們在這個地面試試
English:
Door open, and we go out and it’s epic fun time.
Okay let’s do that.
I don’t know how to do that.
Let’s figure it out, right Sven?
Let’s use our pee-pee poo-poo brain
Okay. Okay so first what we have to do is we have to cook a steak.
I need-
I know I have-
Okay I have three sticky pistons.
I think I might need more.
I need these, and I need lever.
Probably a new axe.
I don’t know how my anvil broke and I’m so low on steel!
Fine. Y’know what? Fine this is-
I have a lotta diamonds, okay?
I think- I think I can spare to make an axe.
What level am I? 27??? I’m freaking rich’a’fricky
Alright, enchantment time!
What did we get?
What did we get? What did we get?
Efficiency 3!! Okay I guess I’ll take it.
Dude, can we talk about how I’m fully diamond?
Can we talk about that? You guys wanna talk about that?
You wanna talk how rich I am?
I have so much diamond but no steel?
How will this work?
Let’s test it out on neutral ground.
Russian:
Мы нажали кнопку, двери распахнулись, и мы вышли наружу
И начнётся эпично-весёлое время.
Окей, давайте сделаем это.
Я без понятия как это делать,
поэтому давайте разбираться, да, Свен?
Давайте используем наш пипи-пупу мозг.
Хорошо, хорошо. Итак, первое, что нам нужно сделать, это приготовить стейк
Мне нужно.. Я знаю, у меня есть три липких поршня
Я думаю, мне может понадобиться больше
Мне нужно это, и мне нужен рычаг и вероятнее новый топор.
Я не против, что моя наковальня сломалась
У меня так мало железа!
Хорошо, знаешь, я в порядке, у меня есть много алмазов, окей?
Я думаю, я могу сэкономить на топоре
Какой у меня уровень? Двадцать седьмой!?
Я офигенно богат.
Отлично, время зачарований.
Что же мы получим? х3
Эффективность - III
Окей, я думаю, я возьму это.
Чувак, мы можем поговорить о том, что я весь в алмазах?
Мы можем поговорить об этом?
Вы, парни, хотите поговорить об этом?
Я собираюсь говорить о том, какой я богатый.
Почему у меня есть так много алмазов, не железа?
Ладно, как это работает?
Давайте протестим это.
Portuguese:
Arabic:
الباب مفتوح ، ونخرج و حان وقت المرح الملحمي.
حسنًا ، دعنا نفعل ذلك.
لا أعرف كيف أفعل ذلك.
هيا بنا ، سفين؟
دعنا نستخدم عقلك poo-poo poo-poo
حسنا. حسنًا ، أولاً ما يتعين علينا القيام به هو أننا نطهو شريحة لحم.
احتاج-
أعلم أنني قد
حسنا لدي ثلاثة مكابس لزجة.
أعتقد أنني قد أحتاج أكثر من ذلك.
أحتاج هذه ، وأنا بحاجة إلى رافعة.
ربما الفأس الجديد.
لا أعرف كيف تحطم السندان الخاص بي ، وأنا شديد الانخفاض على الفولاذ!
غرامة. هل تعرف ماذا؟ حسنا هذا
لدي ماس لوتا ، حسنا؟
أعتقد - أعتقد أنني يمكن أن تدخر لصنع الفأس.
ما هو المستوى أنا؟ 27 ؟؟؟ أنا أغنياء. أنا خائف
حسنا ، وقت السحر!
ماذا حصلنا عليه؟
ماذا حصلنا عليه؟ ماذا حصلنا عليه؟
الكفاءة 3! حسنًا ، أعتقد أنني سآخذها.
المتأنق ، هل يمكن أن نتحدث عن كيف أكون الماس بالكامل؟
هل يمكننا التحدث عن ذلك؟ يا رفاق تريد التحدث عن ذلك؟
تريد التحدث كيف أنا غنية؟
لدي الكثير من الماس ولكن لا الصلب؟
كيف سيكون هذا العمل؟
لنختبرها على أرض محايدة.
Azerbaijani:
Qapı açıqdır, biz çıxırıq və epik əyləncə zamanıdır.
Tamam bunu edək.
Bunu necə edəcəyimi bilmirəm.
Sven deyə bilərəmmi?
Bizim pee-pee poo-poo beynindən istifadə edək
Tamam. Əvvəla bir şey etmək lazımdır ki, bir biftek pişirməyimiz lazımdır.
Mənə ehtiyac var -
Mən bilirəm ki,
Tamam, məndə üç yapışqan piston var.
Daha çox ehtiyac duyacağımı düşünürəm.
Bunlara ehtiyacım var, mənə qolu lazımdır.
Yəqin ki, yeni bir baltadır.
Mən anvilin necə qırıldığını bilmirəm və mən poladda belə aşağı qaldım!
Gözəl. Nə bilirsən? Gözəl - bu,
Çoxlu almazım var, tamam mı?
Hesab edirəm ki, mən baltalar etmək üçün ehtiyatlı olmağı düşünürəm.
Nə səviyyəm? 27 ??? Mən zəngin bir qəhrəmanıyam
Alright, sehrləmə vaxtı!
Nə getdik?
Nə getdik? Nə getdik?
Verimlilik 3 !! Tamam, mən onu alacağam.
Dostum, tamamilə almaz olduğumu necə danışa bilərik?
Bu barədə danışa bilərikmi? Sizlər bu barədə danışmaq istərdiniz?
Nə zəngin olduğumu danışmaq istəyirsiniz?
Çox almazım var amma heç bir polad varmı?
Bu necə işləyəcək?
Neytral yer üzərində test edək.
Vietnamese:
Slovenian:
Vrata odprta in gremo ven, in to je epski zabavni čas.
Ok, naredimo to.
Ne vem, kako naj to naredim.
Ugotovimo, Sven?
Izkoristimo naše možgane
V redu. V redu, zato moramo najprej kuhati zrezek.
Rabim-
Vem, da imam ...
Ok imam tri lepljive bate.
Mislim, da bi potreboval več.
Potrebujem te in potrebujem vzvod.
Verjetno nova sekira.
Ne vem, kako je prišlo do mojega nakovala in sem tako nizko na jeklu!
V redu. Veš kaj? Dobro je to-
Imam veliko diamantov, prav?
Mislim, da mislim, da lahko delam sekire.
Na kateri ravni sem? 27 ??? Prebrisan sem
V redu, čas očaranosti!
Kaj smo dobili?
Kaj smo dobili? Kaj smo dobili?
Učinkovitost 3 !! Ok, mislim, da ga bom vzel.
Stari, lahko govorimo o tem, kako sem popolnoma diamant?
Lahko govorimo o tem? Hočete govoriti o tem?
Hočeš govoriti, kako bogat sem?
Imam toliko diamantov, ampak jekla?
Kako bo to delovalo?
Preizkusimo ga na nevtralnem terenu.
Turkish:
düğmeye basıyoruz, kapı açılıyor ve dışarı çıkıyoruz ve epik eğlence zamanı
Tamam hadi yapalım. Nasıl yapıldığını bilmiyorum.
Hadi şimdi çözelim değil mi Sven? Beynimizi kullanalım.
tamam, tamam. Şimdi yapmamız gereken
bir biftek pişirmek.
şimdi ihtiyacım olan... pekala üç yapışkan pistonum var
sanırım biraz daha ihtiyacım olabilir.
Şunlara... ve bir kaldıraca ihtiyacım var muhtemelen yeni bir baltaya da.
baltam kırıldı... Çok az çeliğim var!
peki tamam
Çok fazla elmasım var, tamam mı?
sanırım bir balta yapmak için harcayabilirim.
kaçıncı seviyedeyim... Yirmi yedi mi?! Çok zenginim
Tamamdır büyü zamanı... Neyimiz var, neyimiz var...
Üçüncü seviye yeterlilik!
Alacağım galiba.
Ne kadar elmasla dolu olduğumdan bahsedebilir miyiz?
Bunun hakkında konuşabilir miyiz? Konuşalım mı?
Ne kadar da zengin olduğumdan bahsetmek ister misiniz?
Neden bu kadar çok elmasım var da hiç çeliğim yok?
Bu nasıl çalışıyor? Hadi doğada
Polish:
Drzwi się otwierają i wyruszamy
I jest świetna zabawa
Dobra, zróbmy to
Nie wiem jak to zrobić
Wymyślimy coś, prawda Sven?
Użyjmy naszego ptasiego móżdżku
Dobrze więc, na początku musimy upiec stek
Dobra, mam trzy lepkie pistony
Będę potrzebował więcej
... dźwignia
Moje kowadło się zepsuło
Dobra, wiecie co? Dobra mam dużo diamentów okej?
Myślę *śmiech* Myślę że mogę je wydać żeby zrobić siekierę
Jaki mam level? 27?! Jestem cholernie bogaty
No dobra, czas zaklinania,
Co dostaniemy? x3
Wydajność 3! Okej myślę że to wezmę
Gościu, czy możemy porozmawiać o tym jak jestem wypełniony diamentami?
Czy możemy o tym porozmawiać? Chcecie o tym porozmawiać?
Chcecie porozmawiać o tym jaki jestem bogaty?
Dlaczego mam tyle diamentów a żadnego żelaza? :D
Okej, to jak to działa?
Przetestujmy to na neutralnej powierzchni
Russian:
Я не знаю, как работает липкий поршень,
Но я думаю, что он будет работать если мы поставим..
Поставим блок и..
Послушайте, я ветеран майнкрафта, мне кажется, я знаю лучше тебя.
Так что не надо мне тут, Стивен-Смиден.
Как это работает?
Он возращает, он возращает! Это грандиозно!
Так..Идея в том, что Йорген..Ты просто остаёшься здесь
О, боже, это будет раздражительно.
Никому не подходить к Йоргену!
Никому не подходить к Йор- ООХ
ПОЧЕМУ ВЫ НЕ МОЖЕТЕ ОСТАВИТЬ НАС В ПОКОЕ?
Нет, тебе нельзя входить, тебе не следует делать этого.
Боже, я ненавижу вас всех.
Оставьте нас в поко- оставьте нас!
ОТСТАНЬ ОТ НАС !
ОТСТАНЬ!
Ну, ты напросился, ты напросился
Не подходите, я вас раскромсаю
Окей, один, два, три
НЕЕТ
НЕЕЕЕТ
Аа! Я убью всех вас.
О боже мой, ты чудак
Просто офигеть какие надоедливые.
Polish:
Nie wiem jak przyklejające-pistony działają
Ale myślę że będą trzymać, będą trzymać eee, blok który...
Słuchaj, jestem weteranem minecrafta myślę że wiem lepiej niż ty.
Więc nawet nie, Steven Smeden
Jak to działa?
Aha, to wraca? To wraca!
To jest epickie!
Więc pomysł wtedy, Joergen jeżeli mógłbyś
Stanąć tutaj
O boże, to będzie denerwujące
NIKT NIE PODCHODZI DO JOERGENA!
NIKT NIE PODCHODZI DO JOER, ohhh
Dlaczego nie możecie nas zostawić samych?
Nie, nie możesz wejść, YOU SHELL NOT PASS (z władcy pierścieni)
Boże, nienawidzę was wszystkich
Zostaw nas samych, zostaw nas.
ZOSTAW NAS!
ZOSTAW NAS!
Prosiłeś się o to, prosiłeś się o to, prosiłeś.
Nie podchodź tutaj, zostaniesz skrępowany. (xD)
Okej 1,2,3 NIE! NIE!
Zabije wszystkie z was
O mój boże, ty dziwadle,
Aktualnie, ekstremalnie denerwujące.
Arabic:
لا أعرف كيف يعمل المكبس اللاصق.
لكنني أعتقد أن ما يمكنهم فعله هو أنهم
إنهم يحملون
الكتلة التي ...
اسمع أنا محارب قديم في ماين كرافت ، وأعتقد أنني أعلم أفضل منك.
حتى لا ... ستيفن سميدين.
كيف يعمل هذا؟
هل يأتي با - يأتي مرة أخرى! هذه ملحمة!
لذا ، الفكرة ...
ثم ، يورغن إذا كان يمكن فقط البقاء هنا.
اللهم هذا سيصبح مزعج.
لا أحد يذهب بالقرب من JOERGAN!
لا أحد يذهب بالقرب من JOERGAN!
لماذا لا يمكنك تركنا وشأننا؟
لا!
لا يمكنك الدخول ، لن تمر.
الله اكرهكم جميعا
اتركنا - اتركنا.
اتركنا!
اتركنا!
أوه أنت تطلب ذلك. أنت تطلب ذلك. أنت تسأل!
لا تقترب منك فسوف تنخدع.
حسنا. واحد اثنين ثلاثة. لا!!
لا!
آه! سوف أقتل جميعكم.
يا إلهي ، أنت متعب.
بالفعل منزعج للغاية.
انتظر لحظة ، هل يمكننا حتى المرور عبر هذا؟
English:
I don’t know how sticky piston work.
But I think what they can do is they hol-
They hold the-
The block that it’s...
Listen I’m a Minecraft veteran, I think I know better than you.
So don’t even... Steven Smeden.
How does this work?
Does it come ba- IT COMES BACK! That’s epic!
So, the idea...
Then, Joergen if could just stay over here.
Oh god this is gonna be annoying.
NO ONE GOES NEAR JOERGAN!
NO ONE GOES NEAR JOERGAN!
Why can’t you leave us alone?
No!
You cannot enter, you shall not pass.
God I hate you all.
Leave us al- leave us.
LEAVE US!
LEAVE US!
Oh you’re asking for it. You’re asking for it. You’re asking!
Don’t come near you’ll get fricked.
Okay. One, two, three. NO!!
NO!
AHH! I’ll kill all of you.
Oh my god, you frick.
Already extremely annoyed.
Wait a minute, can we even go through this?
Portuguese:
Slovenian:
Ne vem, kako lepljivi bat deluje.
Ampak mislim, da lahko storijo, da so
Imajo
Blok, ki je ...
Poslušaj, jaz sem veteran Minecrafta, mislim, da vem bolje od tebe.
Torej sploh ne ... Steven Smeden.
Kako to deluje?
Ali je prišlo nazaj? To je epsko!
Torej, ideja ...
Potem, Joergen, če bi lahko ostal tukaj.
Oh bog bo to nadležno.
KOT JOERGANA NI MNOGO NEGO!
KOT JOERGANA NI MNOGO NEGO!
Zakaj nas ne pustiš pri miru?
Ne!
Ne morete vstopiti, ne boste mimo.
Bog vas vse sovražim.
Pustite nas - pustite nas.
Pustite nas!
Pustite nas!
Oh, prosiš za to. Prosiš za to. Sprašujete me!
Ne približujte se, saj se boste prevarali.
V redu. Ena, dva, tri. NE !!
NE!
AHH! Vse vas bom ubil.
O, moj bog, ti se pretiravaš.
Že zelo zoprna.
Počakaj malo, ali lahko sploh gremo skozi to?
Chinese:
我不知道黏性活塞怎麼運作的
但我想它們能黏著..
能黏著方塊
聽著 我是Minecraft老手我覺得我知道的比你多
所以別... steven smegen
這怎麼運作...
他會回來ㄇ...會回來!!真是歷史性一刻
所以我的想法是..
Joergen你就在這吧~
我的老天這一定會很吵
沒人能靠近Joergen
你們不能靠近Joergen 喔..
你們為什麼不能離我們遠一點
你不能進來 你不能通過
討厭你們全部
離我們遠點..離開我們!!
滾開!!!!
滾開!!!!( /0A0)/
你逼我的 ..是你逼我的 你自己活該
別靠近這裡你會嚇死
一..二...三...不!!!
不!!!!(0皿0)/
啊!!我會殺光光你們
我的天..你這怪咖
已經吵到爆炸了
等一下..
我們能過得去嗎?
Turkish:
test edelim. Yapışkan pistonun nasıl çalıştığını bilmiyorum.
Ama sanırım ordaki bloğu
tutuyorlar...
Dinleyin ben Minecraft emektarıyım bence sizden daha iyi biliyorum bunu.
O yüzden tavsiye vermeye bile çalışmayın. Bu nasıl çalışıyor?
Geri geliyor mu? Geri geliyor! Efsane!
O zaman yapılacak şey...
Joergen eğer...
burada kal sadece. Tanrım sinir bozucu olacak bu.
Kimse Joergen'a yaklaşmıyor! x2
Niye bizi rahat bırakmıyorsunuz
Hayır giremezsiniz! Geçemezsiniz!
Hepinizden nefret ediyorum. Bırakın. Bizi yalnız bırakın.
Bırakın!
Bırakın! Kaşınıyor musun, kaşınıyorsun ama.
Yaklaşmayın
Tamam bir, iki, üç...
Hayır!
Hepinizi öldüreceğim!
Tanrım seni ..
Şimdiden aşırı sinir bozucu.
Burayı geçebiliyor muyuz?
Azerbaijani:
Yapışqan pistonun necə işlədiyini bilmirəm.
Amma düşünürəm ki, onlar nə edə bilərlər,
Onlar,
Bu blokun ...
Dinləyin Mən bir Minecraft veteran olduğumu düşünürəm, səndən daha yaxşı bilirəm.
Yəni belə deyil ... Steven Smeden.
Bu necə işləyir?
Bəli, gəlirmi? Bu epikdir!
Beləliklə, fikir ...
Bundan sonra, Joergen yalnız burada qalmağı bacardı.
Aman Tanrım bu zəhlətökən olacaq.
JOERGAN yaxınlığında heç kimə gedir!
JOERGAN yaxınlığında heç kimə gedir!
Niyə bizi tək buraxmırsınız?
Yox!
Giremezsiniz, keçməyəcəksiniz.
Allah sizə hamıdan nifrət edirəm.
Bizi tərk edin, bizi tərk edin.
ABŞ-ı tərk edin!
ABŞ-ı tərk edin!
Xahiş edirəm bunu soruşur. Bunun üçün xahiş edirik. Siz soruşursunuz!
Yaxınlaşmayın ki, siz fəvvarə alacaqsınız.
Tamam. Bir iki üç. YOX!!
YOX!
AHH! Hamınızı öldürəcəyəm.
Oh mənim tanrım, sən kölgə.
Artıq çox narahat.
Bir dəqiqə gözləyin, hətta bu yoldan keçə bilərikmi?
Japanese:
粘着性のあるピストンがどのように機能するかわかりません。
しかし、私は彼らができることは彼らが聖なることだと思います
彼らは
それがブロックだ...
私はMinecraftのベテランだと聞いて、私はあなたよりもよく知っていると思う。
そうでもいけない…スティーブン・スメデン。
これはどのように作動しますか?
それは戻ってくるのですか?それは叙事詩です!
だから、アイデア...
それなら、Joergenがここにいるだけでいいのです。
おお、これは迷惑になるつもりです。
誰もが近寄りません!
誰もが近寄りません!
なぜあなたは私たちを一人にしておくことができないのですか?
いいえ!
あなたは入ることができず、あなたは通り過ぎてはならない。
神よ、私はあなた全員が嫌いです。
お任せください。
私たちを残します!
私たちを残します!
ああ、あなたはそれを求めています。あなたはそれを求めています。あなたが聞いている!
近くに来ないでください、あなたはきらめくでしょう。
はい。一二三。いいえ!
いいえ!
ああ!私はあなた全員を殺します。
おお、私の神よ、あなたはフリックします。
すでに非常に腹が立つ。
ちょっと待ってください、我々もこれを通過することができますか?
Vietnamese:
Azerbaijani:
* ağrısı * Joergan çox yağlıdır.
Üzr istəyirik Joergan.
Bəli, bəli.
İndi yalnız yola çıxırsınız, yalnız yola çıxırsınız.
Demək ki, biz daha üç yapışqan piston lazımdır.
Dəmir! Mən kasıbam.
Sükan arxasında narahat olmayın, Sven. Sözün Pappy işdə çətin bir gün var.
NİYƏ İSTƏYƏCƏK?
Aman Tanrım!
Pistons, bəli. Bu, yalnız bir poladdır, buna görə də biz onu ödəyə bilərik.
Hesab edirəm ki, mənim sümüyüm var. Bəli.
Limon və kireç sıxaraq.
Tamam, sillə-yox! Piston.
Yapışqan piston. Biri.
Tamam, sonra bir, iki.
Bu daha yaxşı olsun!
Bu daha yaxşı flippin 'dippin',
cılız dippin ',
top pippin '...
Ondan uzaqlaşın Joergen!
O, pisdir.
Tamam, beləliklə ... Bu buraya gedəcək ...
Bütün bu kontrasepsiyanın daha da geridə qalması lazım olduğunu başa düşdüm.
Allah sarsıdırsan!
Əgər Su Qoyun olmasaydı, hamınızı qurtardı.
Russian:
Подожди-ка минуту, мы даже не можем пройти через это?
Йорген слишком толстый, прости Йорген.
Тебе бы лучше.. Оо, ты просто сейчас хвастаешься перед нами.
Что ж, это значит нам нужно больше липких поршней.
Чёрт подери, я бедняк!
Не волнуйся об этих воплях, Свен,
у щенка буквально тяжёлый рабочий день(?).
Как ты это терпел!?
Поршни..Да.
Это только один.
Остался только один.
Так что, мы не можем себе позволить это.
Я думаю, у меня есть слизь. Да, есть.
С соком лимона и лайма
Окей, сли- нет! Поршень.
Липкий поршень. Один.
Окей, тогда один, два
Это лучше, чем круто
это лучше, чем флиппин, диппин
(что это за слово???)
скинни диппин
мяч пиппин
ОТВАЛИ ОТ НЕГО, ЙОРГЕН
он злой!
окей, так...
оно будет здесь
Arabic:
* آهات * Joergan هو الدهون جدا.
آسف جورغان.
نعم ، أنت أفضل.
أنت تظهر فقط الآن ، أنت تعرض فقط.
هذا يعني أننا بحاجة إلى ثلاثة مكابس لزجة.
اللعنة! أنا فقير.
لا تقلق بشأن الصراخ ، سفين. إنه حرفيا بابي لديه يوم صعب في العمل.
كيف حصلت من خلال ؟؟؟
يا إلهي!
بيستونز ، نعم. إنه فولاذ واحد فقط حتى نتمكن من تحمله.
مع ضغط من الليمون والجير.
حسنًا ، لا! مكبس.
مكبس لزجة. واحدة.
حسنا ، ثم واحد ، اثنان.
هذا أفضل أن يكون بارد!
هذا flippin أفضل "dippin"
نحيف dippin "
الكرة بيبين ...
الابتعاد عنه يورغن!
إنه شرير.
حسنًا ، ... سوف يذهب هنا ...
أدركت أن هذا الانتهاك كله يحتاج إلى العودة.
الله انت مزعج !!!
إذا لم يكن الأمر مع Water Sheep ، فسأخلص منك جميعًا.
Japanese:
*うめき声* Joerganは太りすぎです。
ごめんなさいJoergan。
ええ、あなたは間違いないです。
あなたは今披露しているだけで、披露しているだけです。
だから私たちはさらに3つの粘着性のあるピストンが必要であることを意味します。
ダミット!私はかわいそうです。
叫びについて心配しないで、スヴェン。それは文字通りパピーは仕事で厳しい一日を過ごしています。
どのようにあなたは巧みになったか。
何てことだ!
ピストン、はい。それはただ一つの鋼鉄なので、私たちは実際にそれを買うことができます。
スライムがあると思います。はい、そうです。
レモンとライムを絞ります。
さて、スライム - いいえ!ピストン。
粘着性のあるピストン1。
それでは、1、2。
これはもっとカッコイイ!
このより良いフリッピン 'dippin'、
スキニーディピン '、
ボールピッピン
彼から離れてJoergen!
彼は悪だ。
わかりました、そう…これはここに行きます…
私はこの全体の解釈がさらに戻ってくる必要があることに気づきました。
迷惑な神様!
それがWater Sheepのためではなかったら、私はあなた全員を取り除きます。
English:
*groan* Joergan is too fat.
Sorry Joergan.
Yeah, you bette- aw.
You’re just showing off now, you’re just showing off.
So that means we need three more sticky pistons.
Dammit! I’m poor.
Don’t worry about the yelling, Sven. It’s literally Pappy has a tough day at work.
HOW DID YOU GET THROUGH???
Oh my god!
Pistons, yes. It’s only one steel so we actually can afford it.
I think I have slime. Yes I do.
With a squeeze of lemon and lime.
Okay, slime- no! Piston.
Sticky piston. One.
Okay, then one, two.
This better be cool!
This better flippin' dippin',
skinny dippin',
ball pippin'...
Get away from him Joergen!
He's evil.
Okay, so... This will go here...
I realised this whole contraption needs to come further back.
God you're annoying!!!
If it wasn't for Water Sheep, I would get rid of all of you.
Portuguese:
Slovenian:
* jecanje * Joergan je predebel.
Oprosti, Joergan.
Ja, pravzaprav.
Sedaj se samo razkazujete, samo se razmetavate.
To pomeni, da potrebujemo še tri lepljive bate.
Prekleto! Reven sem.
Ne skrbi za kričanje, Sven. Dobesedno ima Pappy težek dan na delu.
KAKO STE DOBILI?
O moj bog!
Pistons, ja. To je samo eno jeklo, da si ga lahko privoščimo.
Mislim, da imam sluz. Ja.
S stiskanjem limone in limete.
Ok, sluz-ne! Piston.
Lepljiv bat. Ena.
V redu, potem eno, dve.
Bolje, da je kul!
To je boljše, da zavržem,
skinny dippin ',
žogica ...
Pojdi stran od njega Joergen!
Zlo je.
Ok, torej ... To bo šlo tukaj ...
Spoznal sem, da je treba celotno napravo nadaljevati.
Bog ti je nadležen!
Če ne bi bilo Water Sheep, bi se jaz vse rešil.
Polish:
Poczekajcie minutę, czy my w ogóle możemy przez to przejść?
ooohh Joergen jest za gruby.
Wybacz Joergen
Tak, ty lepiej ohh teraz to po prostu się wykazujesz, teraz to się wykazujesz
To znaczy że potrzebujemy jeszcze 3 przyklejające-pistony
Cholera! Jestem biedny!
Nie martw się krzykami, Sven To po prostu Papcio ma trudny dzień w pracy
JAK SIĘ TU DOSTAŁEŚ?
O mój boże!
Pistony, tak to tylko jedna sztabka żelaza
więc właściwie możemy tyle wydać
Myślę że mam szlam, tak mam.
W tłoku cytryny i limonki???
Okej, Szlam nie Piston! Przyklejające-pistony
Jedna, okej
Druga,
Lepiej żeby było fajne
Lepiej żeby było. - flimi-dipin skini-dipin
boo-dipin
ODEJDŹ OD NIEGO JOERGEN!
On jest zły.
Okej, czyli to będzie tutaj, zrozumiałem że że cała konstrukcja powinna być trochę z tyłu
BOŻE JESTEŚCIE DENERWUJĄCY!
Jeżeli to nie było dla Wodnej-Owcy pozbędę się was wszystkich
Chinese:
Joergen太胖了
抱歉 Joergen
對 ..你最好..喔(=_=)
你現在只是在炫耀 你在炫耀..
所以這代表我們還需要三個黏性活塞
該死 我很窮
別在意那個尖叫聲 Sven
那是拔比今天在工作上有點難熬
你是怎麼過來的!!??
活塞...
只需要一個...
只需要一個鐵而已所以我們其實做得出來
我記得我有史萊姆....對我有
和一些擠壓檸檬和萊姆
好的 史萊ㄇ... 不 活塞
黏性活塞 一個
然後一 二
這最好能很酷
這最好 flipbendipen
skinnydipben ballhipben
Joergen離他遠一點
他很邪惡..
好的..所以..這個放這裡
我意識到這玩意兒需要後退一格
天哪 你們很吵(=_=)
如果不是為了水羊 我會把你們全趕走
Vietnamese:
Turkish:
Joergen çok şişman, üzgünüm Joergen
Gösteriş yapıyorsun şimdi de!
Bu üç tane daha yapışkan pistona ihtiyaç var demek.
Lanet olsun çok fakirim! Bağırmalara aldırış etme Sven
baban zor bir iş günü geçirdi.
Sen nasıl geçtin buraya! Tanrım!
Pistonlar... evet. Sadece bir adet...
sadece bir çelik bunu karşılayabiliriz.
Sanırım slime'ım var, evet var.
tamam, slime... Hayır, piston, yapışkan piston. Bir tane.
Tamam, şimdi bir, iki.
Bu güzel olsa iyi olur
güzel olsa iyi olur.
Uzaklaş ondan Joergen!
o iblis! Pekala, bu buraya...
fark ettim de tüm yapının tekrarlanması gerek.
Çok sinir bozucusunuz! Su koyunu için yapıyor olmasaydım
hepinizden kurtulurdum.
English:
All of you would go bye bye.
Just so you know.
Just so you know.
Ahhh... I think I fricked up again.
For the third time.
It's my frick day.
Birthday I mean. Today...
Thanks for all the birthday wishes.
Why did I said that, that's a lie.
Okay,
Did I frick up again?
I cannot frick up three times.
I've never fricked up three times.
One, two, three.
And then.. It will go here.
And then... One,
two... Two...
Two, three.
You will pee in my... Skiis.
That sucks. We gotta get rid of lantern.
Okay so, This is how it looks like when the doors are open.
Now I just need to wire it somehow.
I got your...
Thankyou. Thankyou.
Keep telling them to leave.
Hopefully I can make it as clean as possible.
I don't really get how...
Redstone works.
Slovenian:
Vsi bi šli na zdravje.
Toliko da veš.
Toliko da veš.
Ahhh ... Mislim, da sem se spet zagrabil.
Tretjič.
Danes je moj frik.
Mislim na rojstni dan. Danes ...
Hvala za vse rojstne želje.
Zakaj sem to rekel, to je laž.
V redu,
Sem se spet zagledal?
Ne morem trikrat.
Nikoli se nisem trikrat spravil.
Ena, dva, tri.
In potem ... Tukaj bo šlo.
In potem ... Eden,
dva ... dva ...
Dva, tri.
Lulat boš v moji ... Skiis.
To je zanič. Moramo se znebiti luči.
V redu, tako izgleda, ko so vrata odprta.
Sedaj ga moram nekako speljati.
Imam tvoje ...
Hvala vam. Hvala vam.
Povej jim, naj odidejo.
Upam, da ga lahko naredim čistega.
Ne razumem kako ...
Redstone deluje.
Turkish:
hepiniz giderdiniz.
Bilin diye söylüyorum.
Üçüncü kez batırdım galiba.
Bugün doğum günüm.
Tüm doğum günü dilekleriniz için teşekkürler.
Niye dedim ki bunu, yalan bu.
Yine mi batırdım? Bir kez daha batıramam.
Berbat oldu, fenerden kurtulmamız gerek.
Pekala bu kapı açıkken görünüşü.
Bunu şimdi bir şekilde döşemem gerek.
Teşekkürler, teşekkürler. Onlara gitmelerini söylemeye devam et.
Mümkün olduğunca dolambaçsız yapabiliirim umarım.
Kızıltaş nasıl çalışıyor anlamıyorum cidden.
Azerbaijani:
Hamınız yanına gedəcəksiniz.
Biləsən ki.
Biləsən ki.
Ahhh ... Mən bir daha bükülmüş hesab edirəm.
Üçüncü dəfədir.
Bu mənim köküm günümdür.
Ad gününü qeyd edirəm. Bu gün ...
Bütün doğum günləri üçün təşəkkür edirəm.
Niyə dedim ki, bu yalandır.
Tamam,
Yenə qaynadın mı?
Mən üç dəfə əylənə bilmirəm.
Mən heç vaxt üç dəfə möhkəmlənməmişəm.
Bir iki üç.
Və sonra .. Bura gedir.
Və sonra ... Bir,
iki ... İki ...
İki, üç.
Siz mənim işimdə çalışırsınız ... Skiis.
Bu sucks. Fənərdən xilas olmalıyıq.
Tamam, Belə ki, bu qapıları açıq olduğu kimi görünür.
İndi yalnız elə bir şəkildə telaşlamalıyam.
Mən səni aldım ...
Çox sağ ol. Çox sağ ol.
Onlara ayrılmasını izah edin.
İnşallah mümkün qədər təmiz hala gətirə bilərəm.
Mən həqiqətən necə aldım ...
Redstone işləyir.
Arabic:
كلكم سيذهبون إلى اللقاء.
كما تعلم.
كما تعلم.
آه ... أعتقد أنني خدعت مرة أخرى.
للمرة الثالثة.
انه يوم بلدي frick.
عيد ميلاد أعني. اليوم...
شكرا لجميع رغبات عيد ميلاد.
لماذا قلت ذلك ، هذه كذبة.
حسنا
هل قاتلت مرة أخرى؟
لا أستطيع أن أفيق ثلاث مرات.
لم يسبق لي أن خدعت ثلاث مرات.
واحد اثنين ثلاثة.
وبعد ذلك .. سوف يذهب هنا.
وبعد ذلك ... واحد
اثنان ... اثنان ...
اثنين ثلاثة.
سوف يتبول في بلدي ... تزلج.
أن تمتص. يجب أن نتخلص من الفانوس.
حسنًا ، هكذا يبدو الأمر عندما تكون الأبواب مفتوحة.
الآن أنا فقط بحاجة إلى توصيله بطريقة أو بأخرى.
حصلت على ما لديك...
شكرا جزيلا. شكرا جزيلا.
استمر في إخبارهم بالمغادرة.
آمل أن أتمكن من جعله نظيفًا قدر الإمكان.
أنا لا أفهم كيف ...
ريدستون يعمل.
Vietnamese:
Portuguese:
Japanese:
みなさん、さようなら。
ちょうどあなたが知っているので。
ちょうどあなたが知っているので。
ああ...私は再びフリックアップしたと思います。
三度目です。
私のフリックデーです。
お誕生日今日...
すべての誕生日の願いをありがとう。
なぜ私はそれを言ったのですか、それは嘘です。
はい、
私はまたフリックアップしましたか。
私は3回フリックアップすることはできません。
私は三度フリックアップしたことがない。
一二三。
そしてそれはここに行きます。
そして……
2 ... 2 ...
二、三。
あなたは私の...おしっこでおしっこするでしょう。
それは吸います。私たちはランタンを取り除かなければならない。
さて、これはドアが開いているときの様子です。
今、私はそれをどうにかして配線する必要があります。
私はあなたに…
ありがとうございました。ありがとうございました。
彼らに去るように言い続けなさい。
できればできるだけきれいにしてください。
私は本当にどうしてもわからない…
Redstoneが機能します。
Polish:
Wszyscy powiecie Bye-Bye
Tak żebyście wiedzieli x2
Myślę że pomyliłem się znowu, po raz trzeci.
To mój pomyłkowy dzień,
Urodzinowy dzień znaczy. Dzisiaj
Dziękuje za wszystkie życzenia urodzinowe.
Dlaczego ja to powiedziałem? To kłamstwo.
Okej? Czy znowu się pomyliłem? Nie mogę się pomylić trzeci raz.
Nigdy się nie mylę za trzecim razem
Eee, to będzie tutaj.
Raz, dwa trzy.
Będziesz sikać w moim *coś po szwedzku*
To ssie, będziemy musieli pozbyć się latarni.
Okej, więc tak to wygląda kiedy jest otwarte.
Chinese:
你們全部都會掰掰
我只這樣跟你說讓你知道
我只是讓你們知道
呃...我想我又蓋錯了
第三次
今天是搞砸的一天
生日我想...
今天...謝謝所有的生日願望
為啥我要說這個~這是謊話
我又搞砸了一次嗎??
我可不能搞砸三次
我永遠不會搞砸第三次
然後 它會往這裡走
你 會 尿 尿 在 我 的 滑 雪 板 (?
這很糟糕..我們要移除燈籠
好的所以...這是門打開看起來的樣子
現在我只需要...一些線連接之類的
我抓到你的....
感恩感恩你
繼續跟他們說叫他們滾
希望我能讓它看起來越簡單越好
我實在還是無法理解.....
紅石的運作方式
Slovenian:
Še vedno sem, ne vem.
Naj naredim, da gredo pod ali nad?
Ali oboje?
To ga ne aktivira.
Kaj?
Mogoče je bolje, če grem pod.
Samo me je udaril z vrati?
Ne more me udariti z vrati!
V redu. Skoraj sem končal.
Skoraj sem končal!
Če me pustite pri miru.
Naj pomislim.
Kaj?
Kako je to povezano?
Ali obstaja kot
Kaj?
Ta igra nima smisla.
Poglej koliko prostora je.
Vsi ste ... Oh moj bog!
Vrata so nazaj!
Se šališ?
Ne razumem Redstone.
Kako
V redu, ne razumem redblok jasno.
Ampak, deluje.
Ne!
Noooooo !!!
Moje ožičenje!
* Arghhh *
aaaaaaaaAAAAAAAA
Oh moj bog .. Yahaaha.
Ampak zakaj ...
Turkish:
Üstten mi döşeyeyim alttan mı?
Aktive olmadı, ne?
Alttan döşesem daha iyi olur belki.
Bana kapıyla mı vurdu o?
Tamam, neredeyse bitti, neredeyse bitti.
Eğer beni rahat bırakırsanız... Bir düşüneyim...
Ne? Nasıl bağlı o?
Yani şimdi... ne?
Çok mantıksız.
Bakın ne kadar boş alan var!
Kapıyla vuran geri döndü! Nasıl...
Kızıltaşı anlayamıyorum.
Kızıltaş bloğunu anlamıyorum görüldüğü gibi, ama işe yarıyor.
Hayır, hayır!
Döşemelerim!
Japanese:
私はまだ好きです、私は知りません。
私はそれを上下に動かすべきですか?
または両方?
それはそれを活性化しません。
何?
私が下に行けば多分それは良いです。
彼はただゲートで私を襲った?
彼は私を門で殴ることはできない!
ごきげん、大丈夫。もう終わりです。
もう終わりだ!
あなたが私を一人にしておくだけなら。
考えさせて。
何?
それはどのようにつながっていますか?
an-のようなものはありますか
何?
このゲームは意味がありません。
どのくらいのスペースがあるか見てください。
あなたはすべてだ - ああ私の神よ!
門が帰ってきた!
私をからかってるの?
私はレッドストーンを理解していません。
どうやって
さて、私は明らかにredblockを理解していません。
しかし、それはうまくいきます。
いやー!
Noooooo !!!
私の配線!
*アーグ*
aaaaaaaaAAAAAAAA
ああ、私の神よ。
しかし、どうして……
English:
I'm still like, I don't know.
Should I make it go under or above?
Or both?
That does not activate it.
What?
Maybe it's better if I go under.
He just hit me with a gate?
He can't hit me with a gate!
Gosh, okay. I'm almost done.
I'm almost done!
If you just leave me alone.
Let me think.
What?
How is that connected?
Is there like an-
What?
This game makes zero sense.
Look how much space there is.
You're all- Oh my God!
The gate is back!
Are you kidding me?
I don't understand redstone.
How does th-
Okay, I don't understand redblock clearly.
But, It works.
Nooo!
Noooooo!!!
My wiring!
*Arghhh*
aaaaaaaaAAAAAAAA
Oh my God.. Yahaaha.
But why does....
Arabic:
ما زلت مثل ، لا أعرف.
هل يجب أن أجعله يمضي أو أقل؟
او كلاهما؟
هذا لا ينشطه.
ماذا؟
ربما من الأفضل إذا ذهبت.
لقد ضربني فقط مع بوابة؟
لا يستطيع أن يضربني ببوابة!
يا الهي ، حسنا. لقد انتهيت تقريبا.
لقد انتهيت تقريبا!
إذا كنت مجرد ترك لي وحدي.
دعني أفكر.
ماذا؟
كيف يتم ذلك متصل؟
هل هناك مثل
ماذا؟
هذه اللعبة لا معنى لها.
انظروا كم مساحة هناك.
أنت كل شيء - يا إلهي!
البوابة عادت!
هل تمزح معي؟
أنا لا أفهم ريدستون.
كيف ال
حسنا ، أنا لا أفهم redblock بوضوح.
ولكنه يعمل.
نوو!
Noooooo !!!
بلدي الأسلاك!
* * Arghhh
aaaaaaaaAAAAAAAA
يا إلهي .. ياحها.
ولكن لماذا لا ....
Russian:
Я думаю
Я не уверен, но надеюсь это будет работать
Неет, неет!
Мой бассейн!
Ах...
аХ...а..ААА!
О боже
Ха-ха..! Он широкий
Portuguese:
Vietnamese:
Azerbaijani:
Mən hələ də bəyənmirəm, bilmirəm.
Mən bunu altında və ya yuxarıya getməliyəmmi?
Və ya hər ikisi?
Bu onu aktivləşdirmir.
Nə?
Bəlkə də altında olsam yaxşı olar.
O yalnız bir darvazamla vurdu?
Mənə bir darvaza çarptı!
Gosh, tamam. Mən demək olar ki, bitmişəm.
Mən demək olar ki, bitmişəm!
Yalnız məni tək buraxarsan.
Qoy fikirləşim.
Nə?
Bu necə bağlıdır?
Bir-
Nə?
Bu oyun sıfır mənada edir.
Baxın nə qədər yer var.
Sən hamımsan, ey Allahım!
Qapısı geri döndü!
Zarafat edirsən?
Redstone'ı anlamıram.
Necədir th-
Tamam, redblock'ı aydın anlamıram.
Amma işləyir.
Nooo!
Noooooo !!!
Mənim kabellərim!
* Arghhh *
aaaaaaaaAAAAAAAA
Oh mənim Allahım .. Yahaaha.
Amma nə üçün ....
Chinese:
我還是像...我不知道?
我應該要讓他往下還是上
還是都要??
這沒讓它動
啥
也許往下會更好
它剛是用籬笆打我嗎??!
你不能用籬笆打我啊啊
好的 我幾乎快完成了
我幾乎快完成了!!
如果你離我遠點
讓我自己想想
這東東是如何連接的??
這是像....啥??
這個遊戲零道理
看這裡有多少空間
你們全都...我的天
這個籬笆殭屍回來了??
你在開玩笑嗎?
我不理解紅石
這是如何....
好吧我很明顯完全不懂這個紅色的磚塊
但它能運作
我的線路!!!
啊
啊啊啊啊啊啊
啊啊啊
啊
啊啊啊啊啊啊啊啊啊啊啊啊啊啊
我的天
但為何這個..
Portuguese:
Russian:
Это не убийство
Ладно, давайте попробуем еще раз
Это уродливо... Хорошо, Ёрген, мы выезжаем
Я думаю, это надо закрыть
О боже, нужно быть тихими Х)
Овцы такие обманчивые..
Возращаемся обратно
Надеюсь все было нормально пока меня не было
Это особенное время...О боже! Спускайся от туда!
Спускайся с загона!!
Они сбегают!
Ххах.. ты такой наивный Т-Т
Круто, и там одна корова слева
Ёрген!!!
Ты возращаешься
Хорошо
Так, это прекрасно работает
Иии... Я слез *громкие опладисменты*
И мы снова возращаемся
Это прикольно, и Ёрген в целости и сохраности
Chinese:
這沒殺死.. 你知道的
好唄 我們現在來試試這個
我來嘗試藏起這個醜醜的地放
好的Joergen 我們現在要騎出去
我猜我需要這個會關閉
我的天..和平和安靜...
我已經聽太久那些羊們叫聲了
我想 .我好像失去了一點審美觀
或許我需要
花點時間
我的老天 給我從那滾下來
我討厭你!!!!!
他們在逃跑!!!
你們很吵...
酷 只有一隻牛離開了
Joergen!!!!!
你不是
所以..它運作起來像這樣
嘣~我們出來
然後就這樣 這就是我在蓋的東西
然後我們回來
按開關
Joergen會安安全全還有水水可以喝
Vietnamese:
Japanese:
これは殺さないの?
あのね?
大丈夫
今それを試してみましょう。
そうそう、醜いものを隠してみてください。
さて、Joergen ...乗っています。
私もそれを閉じるためにそれが必要だと思います。
私だけです。
私の神よ、平和で静かです。
私はずっとずっと羊を聞いています。
*ため息*
つまり、私は少し美的感覚を失いました。
たぶん私は...
しばし時間をすごす。
何てことだ!!!
そこから降りて!
大嫌い!!!
彼らは脱出している!
*泣く*
あなたはうるさいです。
クール、文字通り1頭の牛が残っています。
ヨルゲン!
あなたもね!
はい、
だからそれはこのように動作します:
ブーム、我々は出ている。
以上です。それは私が作ったものでした。
*拍手*
そして戻ってきます。
スイッチを押してください。
Joerganは安全で健全で、水を持っています。
Turkish:
Tamamdır Joergen! Dışarıya çıkıyoruz!
Sanırım kapamam gerek.
Tanrım huzur ve sükunet... Sabahtan beri koyun
sesi dinliyorum.
Yani biraz estetiğini mahvettim,
belki de biraz vakit ayırmalıyım buna.
Tanrım in aşağı nefret ediyorum senden!!
çok sinirimi bozuyorsun.
harika, sadece bir koyun içeride.
Joergen!
sen de gitme.
Tamam, şimdi
şu şekilde çalışacak ve bum! Dışarıdayız.
Ve... Bu kadar, bunu tasarladım.
Sonra geri döneceğiz
düğmeye basacağız, Joergen güvende ve huzurlu.
Slovenian:
To ni ubilo?
Veš kaj?
Vredu.
Poskusimo zdaj.
Oh ja, poskusimo skriti grdo ...
Ok Joergen ... jahamo.
Mislim, da ga potrebujem, da ga zaprem.
Jaz samo.
O moj Bog, mir in tišina.
Tako dolgo poslušam ovce.
* Vzdihi *
Mislim, izgubil sem malo estetike.
Mogoče bi moral ...
Preživite nekaj časa.
O moj bog!!!
Spusti se od tam !!!
Sovražim te!!!
Pobegnili so!
* Klici *
Tako si nadležna.
Cool, dobesedno ena krava je ostala.
Joergen !!!
Tudi ti ne!
V redu,
Tako bo delovalo tako:
Boom, izginili smo.
In to je to. To je bilo to.
* Aplavz *
In potem se vrnemo.
Pritisnite stikalo.
Joergan je varen in ima vodo.
Azerbaijani:
Bu öldürmür?
Nə bilirsən?
Alright.
İndi yalnız cəhd edək.
Bəli, gəlin çirkinliyi sınayın və gizlədək ...
Okay Joergen ... Biz binicilik edirik.
Mənə yaxınlaşmaq lazım olduğunu düşünürəm.
Mən indicə.
Ey Allahım, sülh və sakitlik.
Uzun müddət qoyunlara qulaq asıram.
* Sıxır *
Demək istərdim ki, estetik bir az itirmişəm.
Bəlkə də ...
Bir az vaxt sərf et.
Aman Tanrım!!!
Oradan çıxın!
Sənə nifrət edirəm!!!
Onlar qaçdılar!
* Cries *
Siz çox cansıxıcısınız.
Sərin, tam bir inək qalır.
Joergen !!!
Siz də deyilsiniz!
Tamam,
Beləliklə, belə olacaq:
Boom, biz buradayıq.
Və bu qədər. Bu idi - Mən inşa etdiyim şey idi.
* Alqışlar *
Və sonra geri qayıdırıq.
Şəbəkəyə basmayın.
Joergan təhlükəsiz və səslidir və su var.
Arabic:
هذا لا يقتل؟
أتعلم؟
حسنا.
دعنا فقط جربه الآن.
أوه نعم ، دعونا نحاول فقط إخفاء القبيح ...
حسنا يورغن ... نحن نركض.
أعتقد أنني في حاجة إليها لإغلاق aswell.
أنا فقط.
يا إلهي السلام والهدوء.
لقد كنت أستمع إلى الأغنام لفترة طويلة.
* التنهدات *
أعني ، لقد فقدت قليلا من الجمالية.
ربما ينبغي ان...
قضاء بعض الوقت.
يا إلهي!!!
إنزل من هنا!!!
أنا أكرهكم!!!
انهم يهربون!
* صرخات *
انت مزعج جدا.
بارد ، بقيت حرفيا بقرة واحدة.
يورغن !!!
ليس انت ايضا!
حسنا
لذلك سوف يعمل مثل هذا:
ازدهار ، نحن خارج.
وهذا كل شيء. كان ذلك - وهذا ما بنيته.
*تصفيق*
ثم عدنا.
ضرب التبديل.
جورغان آمن وسليم ولديه ماء.
English:
This not kill?
You know what?
Alright.
Let's just try it out now.
Oh yeah, let's just try and hide the ugly...
Okay Joergen... We are riding off.
I guess I need it to close aswell.
I just.
Oh my God, peace and quiet.
I've been listening to the sheeps for so long.
*Sighs*
I mean, I did loose a little bit of the aesthetic.
Maybe I should...
Spend some time.
Oh my god!!!
Get down from there!!!
I hate you!!!
They're escaping!
*Cries*
You're so annoying.
Cool, literally one cow is left.
Joergen!!!
Not you too!
Okay,
So it will work like this:
Boom, we're out.
And that's it. That was- That was what I built.
*Applause*
And then we come back.
Hit the switch.
Joergan is safe and sound and he has water.
Slovenian:
Popolno je.
Ali vam je všeč Joergen?
Obožuje ga. Rekel je, da ga ima rad. Slišal sem ga.
Oh ne, Boat Cow!
Sven !!!
* Klici *
Prekleto!!!
Poskušal sem se rešiti čolna.
Moj Bog!
Prosim, ne opravljajte veliko s kravo na ladji.
Prosim, samo
To je prav, Sven, pravzaprav gremo na avanturo.
Ker ko sem šel po vsem
Sven !!!
Uh, odkril sem džunglo.
In nikoli nisem šel,
V njem.
Ampak čas je, da gremo. Mislim, da vem ...
Kam gremo - Najdi. V redu, gremo.
Wooohooo!
Jahh!
Pridi Sven in Joergen, to je pustolovščina.
Kot vedno sem pozabil na povodcu.
Moram prinašati povodec.
V Minecraftu je treba premisliti o toliko stvari.
Vsaj, če vas skrbi za svoje živali, postane popolnoma drugačen vidik igre.
Ker ne moreš iti brez ... ah.
Azerbaijani:
Mükəmməldir.
Joergen xoşunuza gəlirmi?
O sevir. O, sevdiyini söylədi. Mən onu eşitdim.
Oh no, Boat Cow!
Sven !!!
* Cries *
Allahdamnit !!!
Mən qayıdan xilas olmaq üçün çalışırdım.
Allahım!
Xahiş edirik qayıq inəkdən böyük bir şey etməyin.
Xahiş edirik,
Doğrudan da Sven biz macəraya çıxırıq.
Çünki bütün f-
Sven !!!
Uh, bir jungle tapdım.
Mən heç vaxt getmədim,
İçəridə.
Amma getmək vaxtı gəldi. Bilirəm ki ...
Getmək harada - tapın. Tamam, gedək.
Wooohooo!
Yeahhh!
Sven və Joergen'e gəl, bu macəra.
Həmişə olduğu kimi, mən bir boşqab unutdum.
Bir qarışdırma gətirməliyəm.
Minecraft'ta düşünmək lazım olan çox şey var.
Ən azı, əgər heyvanlarınıza qayğı varsa, oyunun tam fərqli bir forması olur.
Çünki sənsiz gedə bilməzsən.
Arabic:
انها مثالية.
هل يعجبك يورغن؟
يحبها. قال إنه أحبها. سمعت عنه.
أوه لا ، بقرة قارب!
سفين !!!
* صرخات *
لعنها الله!!!
كنت أحاول التخلص من القارب.
ربي!!!
من فضلك لا تجعل صفقة كبيرة من بقرة القارب.
من فضلك فقط
هذا صحيح سفين نحن نتجه في الواقع في المغامرة.
لأنه عندما ذهبت في جميع أنحاء و-
سفين !!!
أه اكتشفت غابة.
وأنا لم أذهب مثل
داخله.
ولكن حان الوقت للذهاب. أعتقد أنني أعرف...
إلى أين أذهب- ابحث عنه. حسنا دعنا نذهب.
Wooohooo!
Yeahhh!
هيا سفين وجويرن ، إنها مغامرة.
كما هو الحال دائما ، لقد نسيت المقود.
أحتاج إلى إحضار المقود.
هناك أشياء كثيرة تحتاج إلى التفكير بها في Minecraft.
على الأقل ، إذا كنت تهتم بالحيوانات الخاصة بك ، فإنها تصبح جانبًا مختلفًا تمامًا من اللعبة.
'السبب لا يمكنك الذهاب دون آه.
Japanese:
パーフェクトだ。
あなたはそれが好きですか?
彼はそれが大好きです。彼はそれが好きだと言った。私は彼を聞いた。
ああ、ボートカウ!
スヴェン!
*泣く*
ゴッドダムニット!
私はボートから逃げようとしていた。
我が神よ!!!
ボート牛から大したことをしないでください。
ちょうどしてください -
そうです、Svenは実際に冒険に出かけています。
何故なら、私はf-を一周したからです。
スヴェン!
ええと、私はジャングルを発見しました。
そして私は決して行きませんでした、
その中。
しかし、それは行く時間です。私は知っていると思います...
どこへ行く - それを見つける。では行きましょう。
ウーホー!
うん!
SvenとJoergenに来てください、それは冒険です。
いつものように、私はひもを忘れていました。
ひもをつける必要があります。
Minecraftには、考えるべきことがたくさんあります。
少なくとも、あなたがあなたの動物を気にかけているのなら、それはゲームの全く異なる側面になります。
'あなたはああなしで行くことはできません原因。
Russian:
И да вода, это замечательно
Тебе нравится, Йорген? Он сказал что ему нравится, я слышал ^^
*еще одно убийство, ну сколько можно?((*
*грустная музыка* О нет! Водная Корова! Свен!
О боже... Черт!
Я просто хотел убрать лодку!
О боже.. Прошу, не поднимайте шум из-за коровы в лодке. Прошу, просто...
Все верно, Свен, сегодня мы отправляемся
На ПрИкЛюЧеНиЯ!
Потому что, когда я переходил через... Свен!!!
Я нашел джунгли!
Я никогда не был там, внутри.
Но пора идти, я думаю, я знаю...
Куда идти...Хорошо, пошли!
Юху! Еее! Давай, Свен
И Йорген!
Это приключение, как обычно, и я забыл поводок
Я забыл взять поводок... В Майнкрафте столько вещей, о которых надо помнить!
Разве что, если вы беспокоитесь о своих животных. Они становятся совершено
другим аспектом во всей игре.
Ведь без этого идти нельзя... эх..
Portuguese:
Chinese:
這很完美
你喜歡嗎?Joergen
牠超愛 牠說牠超愛 我聽到了
不..船牛!
Sven!!!
天哪!!
我只是嘗試把船打掉
拜託別大肆宣傳船船牛
拜託..
對的Sven 我們實際上是要出去探險的
因為當我在穿越那個
Sven!!!!
我發現了叢林
然後我從沒走去像...
叢林深處
但是時候該去了!我覺得我知道
去從哪裡找到它 我們走吧
走吧Sven和Joergen 這是場和平常一樣的冒險
我忘了套索
我需要帶個套索
有太多事情是你在玩Minecraft時你必須想到
至少..如果你在意你的動物 那又是另一個不同的方面
因為你沒辦法走...
English:
It's perfect.
Do you like it Joergen?
He loves it. He said he loved it. I heard him.
Oh no, Boat Cow!
Sven!!!
*Cries*
Goddamnit!!!
I was trying to get rid f the boat.
My God!!!
Please don't make a big deal out of boat cow.
Please just-
That's right Sven we're actually heading out on adventure.
Because when I went all across the f-
Sven!!!
Uh, I discovered a jungle.
And I never went like,
Inside it.
But it's time to go. I think I know...
Where to go- Find it. Okay, let's go.
Wooohooo!
Yeahhh!
Come on Sven and Joergen, it's adventure.
As always, I forgot a leash.
I need to bring a leash.
There's so many things you need to think about in Minecraft.
At least, if you care about your animals it becomes a whole different aspect of the game.
'Cause you can't go without- ah.
Vietnamese:
Turkish:
Suyu da var, mükemmel.
Beğendin mi Joergen? Çok sevdi, sevdiğini söyledi duydum.
Olamaz bot ineği! Sven!
Lanet olsun!
Bottan kurtulmaya çalışıyordum!
Lütfen bot ineğini çok büyütmeyin.
Bu doğru Sven, bugün aslında
maceraya çıkıyoruz!
Çünkü ben Minecraft'ı gezdiğimde... Sven!
Bir orman buldum
içine daha girmedim ama
artık girme vakti.
Nerede olduğunu biliyorum galiba. Tamam, hadi gidelim!
Gel Sven!
ve Joergen macera
zamanı! Tasmayı unuttum.
Bir tasma getirmeliyim.
Minecraft'ta hayvanınızı umursuyorsanız eğer çok şey düşünmelisiniz.
Çünkü sen tasmasız gidemezsin.
Russian:
Я правда рад, что потратил полсерии на постройку гребаного красного камня...
Это весело! Мне нравится это! Посмотри... Это круто!
Это определенно круто
Я бы хотел быть лучше в проходке... в том, чтобы прятать проводку и все такое.
Если у вас есть советы, ребята, дайте знать.
С нами Свен.
Я бы хотел, чтобы Свен
мог ездить на лошади... Йоргене, это было бы круто.
Итак, отличное время, чтобы поблагодарить represent.com/pewdiepie
Теперь у нас есть Майнкрафтовый мерч. Да-да!
Поддерживайте серию, поддержите Свена, поддержите Йоргена...
По... Будете при этом выглядеть эпически круто.
Ага? Чего еще надо от жизни?
Итак, джунгли находятся очень далеко на севере отсюда
Должен убедиться, что Свен все еще тут.
Рыба фугу в ведре, у нее все отлично.
Выглядишь отлично сегодня, рыба фугу в ведре.
Свену не нравится рыба фу...фу *смеется* Свену не нравится рыба фугу
Из-за нее он вспоминает о временах, когда сам сидел в ведре.
Много кто говорил, что в ведро можно посадить Дракона Края.
А еще много кто - кучка... лживых... сссслизней.
Japanese:
エピソードの半分を荒っぽい赤い石にしようとしていて本当にうれしいです...
楽しいですよ。私はそれが好きです。
見て、かっこいいです。
かっこいいと思います。
私は配線を隠すことで - を雇うのが上手だったことを望みます。
私に知らせてください。
Svenは一緒にいます。
私はSvenが馬に乗れるように願っています。
Joergan上では、それはとてもかわいいでしょう。
大丈夫これは私が叫ぶのに最適な時間です
Represent.com/pewdiepie
Minecraftの商品があります。
そのとおり。
シリーズを支え、スヴェンを支え、
Joergenをサポートします。
Get-同時に壮観に格好いいでしょう。
大丈夫ですか?あなたは人生で他に何が欲しいですか?
それで、このようにジャングルは本当にはるか北にあります。
Svenがまだそこにあることを確認してください。
今日はフグのバケツがすごく元気です。
今日は本当に美味しそうなフグのバケツ。
Svenは蛹が好きではありません -
*笑う*
Svenはフグが嫌いです。
それは彼がバケツに入ったときのことを彼に思い出させます。
Ender Dragonを実際にバケツに入れることができると多くの人が言っています。
そして多くの人々はまた、たくさんの嘘つきのsssssnevilsです。
Turkish:
Bölümün yarısını lanet olası bir kızıltaş döşemesi yapmakla geçirdiğim için çok mutluyum.
Eğlenceliyid ama! Sevdim! Bakın, havalı!
Bence havalı.
Keşke döşemeyi saklamakta daha iyi olsaydım
eğer taktikleriniz varsa yazın.
Sven de bizimle. Keşke Sven ata binebilse
çok tatlı olurdu. Şimdi reklam için iyi bir zaman
artık Minecraft merchimiz var. Bu doğru
seriye destek olun, Sven'e ve Joergen'a destek olun.
Orman çok uzak kuzeyde bu tarafta.
Sven'in hala burada olduğundan emin olmalıyız.
Bir kova kirpi balığı, bugün iyi görünüyorsun kirpi balığı.
Sven kirpi balığını sevmedi. O ona
kendisinin kovada olduğu zamanları anımsatıyor.
Birçok kişi ender ejderhasını
kovaya koyabilirsin diyor
aynı zamanda birçok kişi de yalan söylüyor sürekli.
English:
I'm really glad I spent half the episode trying to build a frickn' redstone...
It's fun! I like it.
Look, it's cool.
I think it's cool.
I wish I was better at hiring the- At hiding the wiring.
If you guys have any tips, like let me know.
Sven is with us.
I wish Sven could on the horse.
On Joergan, that would be so cute.
Alright well this is a good time for me to shoutout
represent.com/pewdiepie
We now have Minecraft merch.
That's right.
Support the series, support Sven,
support Joergen.
Get- Will look epically cool at the same time.
Alright? What else could you want in life?
So the jungle's like really far north this way.
Gotta make sure Sven is still there.
Bucket of pufferfish is doing great today.
You look really good today bucket of pufferfish.
Sven doesn't like pu- pa-
*Laughs*
Sven doesn't like pufferfish.
It reminds him of when he was in a bucket.
A lot of people have been saying that you can actuallly put the Ender Dragon in a bucket.
And a lot of people are also a bunch of lying sssssnevils.
Arabic:
أنا سعيد حقًا لأنني أمضيت نصف الحلقة في محاولة لبناء حجر رمزي ...
انه ممتع! احب ذلك.
انظر ، إنه رائع.
أعتقد أنه رائع.
كنت أتمنى لو كنت أفضل في توظيف - في إخفاء الأسلاك.
إذا كان لديك أي نصائح ، مثل اسمحوا لي أن أعرف.
سفين معنا.
أتمنى سفين يمكن على الحصان.
على Joergan ، سيكون ذلك لطيفًا جدًا.
حسناً ، هذا وقت مناسب لي لأصرخ
represent.com/pewdiepie
لدينا الآن Minecraft merch.
هذا صحيح.
دعم هذه السلسلة ، ودعم سفين
دعم يورغن.
Get- سوف تبدو باردة ملحمة في نفس الوقت.
حسنا؟ ماذا يمكن أن تريد في الحياة؟
لذلك فإن الغابة مثل الشمال البعيد حقا بهذه الطريقة.
فلدي تأكد من سفين لا يزال هناك.
دلو من السمكة المنتفخة يقوم بعمل رائع اليوم.
أنت تبدو جيدة حقا اليوم دلو من السمكة المنتفخة.
سفين لا يحب pu-
* يضحك *
سفين لا يحب السمكة المنتفخة.
هذا يذكره عندما كان في دلو.
يقول الكثير من الناس أنه يمكنك فعلاً وضع لعبة Ender Dragon في دلو.
والكثير من الناس أيضا مجموعة من الكذب sssssnevils.
Vietnamese:
Portuguese:
Azerbaijani:
Mən, həqiqətən, sevinirəm, yarım epizodu bir frickn 'redstone qurmağa çalışıram ...
Əyləncəli! Mənim bundan xoşum gəlir.
Baxın, bu sərindir.
Məncə, bu, sərindir.
İstəyirəm ki, işə qəbul etmək mənə daha yaxşıdır - kabellərin gizlənməsində.
Uşaqlarınızın hər hansı bir ipucu varsa, mənə bildirin.
Sven bizimlədir.
Svenin ata gələ biləcəyini diləyirəm.
Joergan'da, bu qədər şirin olardı.
Əlbəttə ki, bu, mənim üçün səsləndirmək üçün yaxşı bir vaxtdır
represent.com / pewdiepie
İndi Minecraft merch var.
Düzdür.
Seriyası dəstəkləyən Sven,
Joergen'i dəstəkləyin.
Get-eyni zamanda epical sərin baxmaq.
Tamam mı? Həyatda başqa nə istəyirsiniz?
Beləliklə, ordu həqiqətən uzaq şimala bənzəyir.
Sven hələ də orada olduğundan əmin olun.
Buğda yağı kovası bu gün böyükdür.
Bu gün balqabaq kovası həqiqətən yaxşı görünür.
Sven pu-pa-
* Laughs *
Sven pufferfish kimi deyil.
O, bir kovada olduğunda onu xatırladır.
Bir çox insanlar, Ender Dragonu bir kovada aktuallly qoya biləcəyinizi söyləyirlər.
Və bir çox insanlar da yalançı sssssnevils bir dəstədir.
Slovenian:
Res sem vesel, da sem porabil polovico epizode, ko sem poskušal zgraditi frikn ...
To je zabavno! Všeč mi je.
Poglej, kul je.
Mislim, da je kul.
Želim si, da bi bil boljši pri najemanju.
Če imate kakšne nasvete, mi sporočite.
Sven je z nami.
Želim si, da bi Sven na konju.
Na Joerganu bi bilo tako srčkano.
V redu, to je dober čas za mene
represent.com/pewdiepie
Zdaj imamo Minecraft merch.
Tako je.
Podpora seriji, podpora Sven,
podporo Joergenu.
Get-bo videti epično kul ob istem času.
Vredu? Kaj bi še želeli v življenju?
Torej je džungla tako zelo severna.
Moram se prepričati, da je Sven še vedno tam.
Žlica pufferfish je danes odlična.
Zgledaš zelo dobro danes vedro pufferfish.
Sven ne mara
* Smeh *
Sven ne mara pufferfisha.
Spominja ga, ko je bil v vedru.
Veliko ljudi je govorilo, da lahko dejansko postavite Enderjevega Zmaja v vedro.
In veliko ljudi je tudi skupina ležečih sssssnevil.
Chinese:
我真開心我花了一半的影片去嘗試蓋個紅石門
這很好玩 我喜歡
看 它很酷
我覺得很酷
我希望我能把那個線路藏得更好
如果你們有更好的建議讓我知道
Sven正跟著我們
我真希望Sven能坐上馬
騎著Joergen 那會很可愛
>工商時間<
我們現在有麥塊的商品啦~
對的~~
支持這系列 支持Sven 支持Joergen
你還可以在同時看起來很cool
好嗎? 你們還想要什麼能出現在你們的生活中??
所以...叢林在遙遠的北方那
必須確認Sven還跟著我們
桶子裡的河豚寶貝還是保持棒棒的
你今天看起來很棒呦桶子河豚
Sven不喜歡河ㄊ
Sven不喜歡河豚
那讓他想起來牠還在桶子裡時
許多人都跟我說其實可以把終界龍放進桶子裡
然後我知道很多人都用邪惡的想法在欺騙我
Turkish:
Pekala şu lanet orman nerede? Suyu sevmiyorum!
Joergen, Sven gelin maceraya atılıyoruz. Ormanı arıyoruz.
Ormanda ne mi bulacağız? Bilmiyorum!
Minecraft'ın eğlenceli yanı da bu. Daha karlı yerlere gelmedim bile.
Koca ayak Minecraftta var mı Sven?
Bir ara tilkiler gördüğümü hatırlıyorum.
Su mu var? Ah!
Hatırlamıyorum, sadece kuzeyde olduğunu hatırlıyorum.
Orman bu mu? Ormanı bulduk Sven!
İşte!
Ve kaplumbağalar! Bakireler mi?
Merhaba kaplumbağalar, çocuklarınız nerede? Onlara zarar
vermeyeceğim
tamam sanırım artık Joergen'a tasma takmamız gerek.
Bence papağanlar ve diğer birçok hayvan olacak
Arabic:
حسنا ، أين هذه الغابة fickin.
أنا لا أحب الماء.
360 فوق الماء.
آه ، لا يعمل مع 360s
حسنا ، هنا ، تعال هنا.
Cippin chomg ، chim chin chomg.
chim chim chim chomg.
هيا.
هيا يورغن ، سفين ، لدينا مغامرات.
نحن نبحث عن الادغال.
ما الذي سنجده في الغابة؟
لا أدري، لا أعرف؟ هذا هو متعة Minecraft.
لم أكن حتى في أماكن الثلوج حتى الآن.
هل هناك مثل yetis؟
غاس * هل فوت في ماين كرافت سفين؟
أتذكر أنني رأيت الثعلب لمثل ، نصف ثانية.
وكنت مثل-
Ahhhhh!
هناك ماء.
* الآهات *
لا أتذكر ، أنا فقط أتذكر الشمال.
اه. هل نستطيع إنجازها؟ لا لا نستطيع.
هل هذا الغاب؟
* * اللهيث
وجدنا الغابة سفين.
ذلك هو.
* اللحظات * والسلاحف.
هل هم عذراء؟
مرحبا السلاحف.
اين اطفالك؟
لن أؤذيهم ، أريد فقط أن يحترسوا.
حسنًا ، يجب أن نضع المقود على يورغن.
لنذهب. أعتقد أنك يمكن أن تجد مثل
الببغاوات ، ومثل الحيوانات الأخرى.
* الغناء * إنه عالم جديد بالكامل.
English:
Alright, where's this fickin' jungle.
I don't like water.
360 over the water.
Ah, never works with 360s
Alright fine, here, come here.
Cippin chomg, chim chin chomg.
Chim chim chim chomg.
Come on.
Come on Joergen, Sven, we have adventures.
We looking for jungles.
What are we going to find in the jungle?
I don't know? That's the fun of Minecraft.
I haven't even been in snow places yet.
Are there like yetis?
*Gasp* Is bigfoot in Minecraft Sven?
I remember I saw a fox for like, half a second.
And I was like-
Ahhhhh!
There's water.
*Groans*
I don't remember- i just remmber North.
Uh. Can we do it? No we can't.
Is that the jungle?
*Gasp*
We found the jungle Sven.
There it is.
*Gasp* And turtles.
Are they virgin?
Hello turtles.
Where are your children?
I will not harm them, I just want to their scutes.
Alright, we're gonna have to put the leash on Joergen.
Let's go. I think you can find like,
parrots, and like other animals.
*Singing* It's a whole new world.
Vietnamese:
Russian:
ТАк, где эти чертовы джунгли?
Не люблю воду.
360 над водой!
А, никогда не работает с 360.
Ну ладно, сюда иди. Прыг-скок прыг прыг скок
Прыг-прыг-прыг скок. Давайте!
Вперед, Йорген, Свен, у нас приключение!
Мы ищем джунгли! И что же мы найдем в джунглях?
Я не знаю!
В этом прелесть Майнкрафта! А я еще не был в снежных местах.
А там есть, типо, йети?
*драматичный вздох*
В Майкрафте Бигфут, Свен?
Помню, что видел лисицу всего на секунду.
И я такой...
АААА!
Там вода?
Я и не помню... помню, что север.
Ух. У нас получится? Нет, не получится.
Там джунгли? *вздох*
МЫ НАШЛИ ДЖУНГЛИ СВЕН
Вот они!
*Еще вздох* И черепашки!
Они девственники?
Здравствуйте, черепашки, где ваши дети?
Я не причиню им вреда, мне нужны их щитки.
Окей, нам придется одеть поводок на Йоргена.
Пойдем, я думаю, там мы найдем...
попугаев и других зверей.
Portuguese:
Azerbaijani:
Alright, bu fickin 'jungle harada.
Mən suyu sevmirəm.
Suyun üzərində 360.
Ah, 360'larla heç vaxt işləmir
Tamam, bura gəl.
Cippin chomg, chim chin chomg.
Çim çim çim.
Hadi.
Gəlin Joergen, Sven, macəralarımız var.
Biz jungles axtarır.
Jungle'da nə tapacağıq?
Bilmirəm? Minecraft əyləncəsi.
Hələ qar yerlərində olmadım.
Yetis kimi varmı?
* Gasp * Minecraft Sven-də böyük foot mi?
Xatırladım ki, yarım saniyə bir tülkü görmüşəm.
Və mənim kimi idi -
Ahhhhh!
Su var.
* Groans *
Mən xatırlamıram - yalnız Şimalı xatırlayıram.
Uh. Bunu edə bilərikmi? Xeyr biz edə bilmərik.
Bu ormanda mı?
* Gasp *
Biz orda Sven tapdıq.
Orada var.
* Gasp * Və kaplumbağalar.
Bakirəlik edirlərmi?
Salam bağları.
Uşaqlarınız haradadır?
Onlara zərər verməyəcəyəm, yalnız onların səthlərini istəyirik.
Tamam, biz Joergen'e qoymaq məcburiyyətindəyik.
Gedək. Hesab edirəm ki,
papağanlar və digər heyvanlar kimi.
* Singing * Bu yeni bir dünya var.
Chinese:
好的 那個叢林在哪
我不喜歡水
360度下水~~
呃...360度下水從沒成功過
好吧 就這樣 這裡 來這裡
卿卿鏘 卿卿鏘 卿卿卿鏘
過來Joergen.Sven我們要冒險
我們在找叢林
我們要怎麼 找到叢林??
我不知道~這就是玩Minecraft的樂趣
我也從沒去過雪地
那裡看起來像雪人嗎
Minecraft裡有大腳怪嗎???Sven??
我記得我曾看過狐狸大概只有..半秒鐘...
然後我就像....啊!!
又是水..
我不記得..我只記得在北邊
喔...我們能做到嗎??不 ..不能
那是叢林嗎???
我們找到叢林了Sven!!!
在這裡
還有烏龜
他們是處女嗎?? ((=-=)啥??)
嗨烏龜 你們的小孩呢??
我不會傷害牠們 我只想要牠們的鱗甲
好的 我們現在要用繩索帶Joergen
走吧.. 我想你能找到像
鸚鵡..和其他動物之類的
是一個新世界~~~
Japanese:
さて、この気まぐれなジャングルはどこにあります。
私は水が嫌いです。
水の上の360。
ああ、360年代では決して動かない
大丈夫、ここで、ここに来る。
Cippin chomg、chim chin chomg。
チムチムチムチョム。
いい加減にして。
Sven、Joergenに来てください、私たちは冒険をしています。
私たちはジャングルを探しています。
私たちはジャングルの中で何を見つけるつもりですか?
知りません?それがMinecraftの楽しさです。
私はまだ雪の場所にさえいなかった。
yetisのようなものはありますか?
* Gasp * Minecraft Svenには足が大きいのか?
私は、キツネが好きで、半秒間見たのを覚えています。
そして私は
ああっ!
水があります。
*うめき声*
私は覚えていません - 私は北を覚えているだけです。
ええと。できますか?いいえ、できません。
それはジャングルですか?
*あえぎ*
私たちはジャングルのSvenを見つけました。
そこにそれがある。
*あえぎ*そしてカメ。
彼らは処女ですか?
こんにちはカメ。
あなたの子供はどこ?
私は彼らに害を与えることはないでしょう、私はただ彼らの評判に従いたいのです。
さて、私たちはひもをJoergenに置かなければならないつもりです。
行こう。私はあなたがのように見つけることができると思います、
オウム、そして他の動物のように。
*歌う*それはまったく新しい世界です。
Slovenian:
V redu, kje je ta peklenska džungla.
Ne maram vode.
360 nad vodo.
Ah, nikoli ne dela s 360s
V redu, tukaj, pridi sem.
Cippin chomg, chimg chimg.
Chim chim chim chomg.
Pridi.
Pridi Joergen, Sven, imamo avanture.
Iščemo džungle.
Kaj bomo našli v džungli?
Nevem? To je zabava Minecrafta.
Še nikoli nisem bil na snegu.
Ali so še kakšni?
* Gasp * Je bigfoot v Minecraft Sven?
Spomnim se, da sem videla lisico za pol sekunde.
In jaz sem bil kot ...
Ahhhhh!
Tam je voda.
* Groans *
Ne spomnim se - sem samo zapomnil Sever.
Uh. Lahko to naredimo? Ne, ne moremo.
Je to džungla?
* Vdihnite *
Našli smo džunglo Sven.
Tukaj je.
* Udih * In želve.
So device?
Pozdravljeni, želve.
Kje so vaši otroci?
Ne bom jim škodoval, hočem samo njihove spise.
V redu, Joergenu bomo morali dati povodec.
Pojdimo. Mislim, da lahko najdete kot,
kot druge živali.
* Petje * To je popolnoma nov svet.
Turkish:
yepyeni bir dünya.
Joergen ve Sven efsane zaman geçiriyor. Sven
aşırı dikkatli olmalıyız bu eşsiz bir yer
Bu ne? Ne bu?
Wow! Bambu mu?
Artık şampuan yapabilirim.
Tırmanabiliyor muyum bunlara?
Aman Tanrım!
Tırmanabiliyorum!
En üste çıkmam lazım.
En üste-
a peki.
Aaa anlıyorum olmuyor. Joergen.
Teşekkürler, teşekkürler. Lanet olsun bu havalı.
Bu bambularla Japon evimi dekore edebilirim.
Bu çok tatmin edici.
Tanrım burası çok sık dostum.
Kendimi bile göremiyorum.
Bu da neydi? Korkma Joergen.
Ormanda ne var bilmiyorum
Arabic:
يورغن وسفين يواجهان أوقاتًا ملحمية.
سفين ، علينا أن نكون حذرين للغاية.
هذا غير معروض ...
ما هذا؟
هناك-
WOAH.
واه ، ووه ، ووه. الخيزران؟
فريك نعم ، يمكنني صنع الشامبو الآن
يا إلهي. هناك شامبو في Mine-
هل يمكنني تسلق هذه؟
يا إلهي.
آه.
يا إلهي ، أستطيع الصعود.
الشفة ، الشفة ، الشفة.
حصلت على الذهاب ontop الرجل.
حصلت - آه.
جيد.
حسناً ، أرى ، أرى. لا تذهب
يورغن.
يا إلهي.
شكرا شكرا.
اللعنة هذا رائع.
يمكنني تزيين منزلي الياباني بهذه الخيزران.
Prrrrr. هذا مرض للغاية.
Prrrrr.
يا إلهي ، إنها سميكة هنا يا صاحبي.
لا أستطيع حتى أن أرى نفسي.
آه! ماذا كان هذا؟
لا تخافوا يورغن.
أنا تقريبا خنق نفسي.
أنا لا أعرف ما هو موجود في الغابة؟
مثل ، هذا لا يبدو الغابة جدا.
Vietnamese:
Japanese:
JoergenとSvenは壮大な時代を送っています。
それでも、私たちは特別な注意を払う必要があります。
これは禁止されていません...
これは何ですか?
これは何ですか?あります -
うーん。
ああ、ああ、ああ。竹?
フリックええ、私は今シャンプーを作ることができます、
何てことだ。私のシャンプーがあります -
私はこれらを登ることができますか?
何てことだ。
おお。
私の神よ、私は登ることができます。
blip、blip、blip
私は男の上に行くようになった。
ああ。
いいね。
ああ、わかりました、わかりました。行きません -
Joergen
おお、神よ。
ありがとうありがとう。
くそーこれはクールです。
これらの竹で私の家を飾ることができました。
プリル。それはとても満足です。
プリル。
私の神、それはここの男で厚いです。
私も自分自身を見ることができません。
ああ!何だって?
Joergenを怖がらないでください。
私はほとんど首を絞めました。
私はジャングルの中に何があるのかわからない?
のように、これは非常にジャングルには見えません。
Russian:
♫ Это целый новый миииир~♫
♫ Йорген и Свен эпично проводят время ♫
Свен, нам нужно быть крайне осторожными - это не...обжитая...
Это что такое?
Что это? Это...
Ого!
Ого ого ого
Бамбук?
Черт да, я могу теперь делать шампунь.
Госпади, шампунь в Майнкрафте?
Я могу залезть сюда?
О. Госпади.
Ай.
Боже мой, я могу залезать.
*блип блип блип*
Мне надо.. мне надо наверх, чел
Мне на... ааа.
А, ок.
О, ок, я понял, понял, нет пути...
Йорген...
Госпади. Спасибаспасиба
Блин, тут круто.
Я бы мог украсить мой японский дом бамбуком.
Пррр, так приятно.
*издает звуки падающего бамбука*
Госпади, тут так густо, чел
Я сам себя не вижу.
А! Это что было?
Не бойся, Йорген. Я чуть не придушил себя
Я прям не знаю, что там в джунглях. Не похоже на джунгли.
English:
Joergen and Sven is having epic times.
Sven, we have to be extra careful.
This is unexhibited...
What is this?
What is this? There's-
Woah.
Woah, woah, woah. Bamboo?
Frick yeah, I can make shampoo now,
Oh my god. There's shampoo in Mine-
Can I climb these?
Oh, my, God.
ow.
Oh my God, I can climb.
Blip, blip, blip.
I got to go ontop man.
I got- ah.
Oh fine.
Oh okay, I see, I see. It doesn't go-
Joergen.
Oh God.
Thankyou, thankyou.
Damn this is cool.
I could decorate my Japanese house with these bamboo.
Prrrrr. That's so satisfying.
Prrrrr.
My God, it's thick in here dude.
I can't even see myself.
Ah! What was that?
Don't be scared Joergen.
I nearly chocked myself.
I don't know like what's in the jungle?
Like, this doesn't look very jungley.
Azerbaijani:
Joergen və Sven epik dəfə yaşayır.
Sven, biz daha diqqətli olmalıyıq.
Bu qeyri-mümkündür ...
Bu nədir?
Bu nədir? Orada-
Woah.
Woah, woah, woah. Bamboo?
Frick evet, indi şampun edə bilərəm,
Aman Tanrım. Mine-
Bunlara dırma bilərəmmi?
Aman Tanrım.
ow.
Oh mənim Allahım, dırmaşam.
Blip, blip, blip.
Mən ontop adama getməliyəm.
Mən aldım.
Gözələm
Tamam, mən görürəm, görürəm. Bu,
Joergen.
Ey Allah.
Təşəkkürlər təşəkkürlər.
Lanet olsun bu sərin.
Bu bambu ilə yapon evimi bəzəyəcəyəm.
Prrrrr. Bu çox razıdır.
Prrrrr.
Tanrım, burda dostum var.
Hətta özümü görə bilmərəm.
Ah! Nə idi o?
Joergen'i qorxmayın.
Mən özümü sıxışdırdım.
Jungle içərisində olan kimi bilmirəm.
Kimi, bu çox jungley baxmaq deyil.
Portuguese:
Chinese:
Joergen 和 Sven有個棒棒的時光
Sven 我們必須非常小心
這是不受控制的...
這是什麼??
這是??
哇哇哇..竹子??
喔耶 我能做洗髮精了
有洗髮精在我的...
這我能爬這個嗎??
我的天
啊
我的天
我能爬~
嗶 嗶 嗶
我必須到樹頂各位
我要...啊
喔 沒事
喔 我看到了它沒有連接到樹頂..
Joergen??
謝謝..謝謝...
哇...這真的很酷
我能用這些竹子裝飾我的日式房屋
這真讓人愉悅
它卡在這裡了兄弟們
我甚至沒辦法看到我自己..
哇..那是什麼??
別怕Joergen
我差點掛了我自己
我不知道有什麼在叢林裡
Slovenian:
Joergen in Sven imata epske čase.
Sven, moramo biti zelo previdni.
To je nepričakovano ...
Kaj je to?
Kaj je to? Obstaja-
Woah.
Woah, woah, woah. Bambus?
Frick ja, zdaj lahko naredim šampon,
O moj bog. V Mine je šampon
Lahko vzamem te?
O moj bog.
ow.
O moj bog, lahko se povzpnem.
Blip, blip, blip.
Moram iti na vrh človeka.
Imam ... ah.
Dobro.
Oh v redu, vidim, vidim. Ne gre
Joergen.
O Bog.
Hvala hvala.
Prekleto, to je kul.
S tem bambusom bi lahko okrasil svojo japonsko hišo.
Prrrrr. To je tako zadovoljivo.
Prrrrr.
Moj bog, tukaj je debelo.
Ne morem niti sebe videti.
Ah! Kaj je bilo to?
Ne boj se Joergena.
Skoraj sem se zagozdil.
Ne vem, kaj je v džungli?
Kot, to ne izgleda zelo jungley.
Russian:
Думаю... О там арбузы в...
То есть, кактусы.
Да что ж я так лагаю?
Ахаха, хочешь немного?
Окей, берем небольшой перерыв на кактус.
Держи, Свен.
Держи, Йорген.
Так, нам придется...
Делать по старинке...
Я знаю, ты этого не любишь, Йорген...
Во, побудь тут с рыбой фугу
Балин, скоро стемнеет.
Ох нееет.
Надо было... мне надо было принести...
Ты там в порядке, Йорген?
Надо было принести с собой постель.
А теперь придется остаться в джунглях на ночь.
О, я слышу их!
Хватай их, Йорген (Свен)!
Свен: *Гав*
Вот, мой мальчик!
Эйэйэйэйэйэй ага, правильно!
Банда костей! Хорошая работа, Свен.
Это то, что я думаю?
Видишь это, Свен?
Неть, не арбузик.
Воу!
*ле гасп* Попугайчик!
И храм одновременно!
Slovenian:
Predvidevam- oh, tam so melone
Mislim kaktusi.
Zakaj toliko zaostajam?
Awww. Hočeš nekaj?
Dobro, vzeli bomo majhen kaktus.
Tukaj greš Sven.
Tukaj si Joergen.
V redu, morali bomo
Naredite staro tehniko.
Vem, da ti ni všeč ta Joergen.
Tu lahko ostanete s Pufferfishom.
Čudovito, kmalu bo postalo temno.
Oh ne.
Moral bi ... Moral bi imeti
Si v redu, Joergen?
Moral bi priti s posteljo.
Zdaj bomo ponoči v džungli.
Oh, slišal sem jih.
Spravi Joergena!
Sven.
To je moj fant.
Ay, ay, ay, ay, ay
Ja, tako je.
Bone Gang!
Dobro delo Sven.
Je to tisto, kar mislim, da je?
Ali vidiš ta Sven?
Ne, ne melono.
Woah.
* Udih * Papagaj!
In tempelj hkrati!
Sven poglej.
Chinese:
像這個...這看起來沒有很叢林
我想...喔 有西瓜
我說仙人掌
為什麼我這麼當
哈哈 你想要西瓜嗎??
好吧 我們拿一些仙人掌(西瓜)打碎
給你吧 Sven
給你 Joergen
我們現在要...
用些老技巧
我知道你不喜歡這個 Joergen
給你.你能跟河豚寶貝待一起
很快就要天黑了..
我應該..我應該要帶一個..
Joergen你在那裡好嗎?
我應該要帶一個床的
現在我們必須在叢林裡待上一晚
喔..我聽到他們了..
殺了他們Joergen(口誤) Sven!!!
這才是我的乖狗狗
對 ..對的
臭骷髏
做得好Sven
這是我想的那個嗎??
你看到這個了嗎Sven??
不 不是西瓜
哇哇!!!!!鸚鵡!!
還有叢林遺跡同時出現
Sven看!!
Azerbaijani:
Hesab edirəm ki, oh,
Mən kaktuslar demək.
Niyə bu qədər uzanıram?
Awww. Bəziləri istəyirsiniz?
Gözəl, bir az kaktus ara verək.
Sven'e get.
Burada Joergen'e gedirsən.
Alright,
Köhnə texnika edin.
Bu Joergen'i sevmədiyini bilirəm.
Burada Pufferfish ilə qalmaq olar.
Əzab, qısa müddətdə qaranlıq olur.
Oh no.
Mənə lazımdır -
Yorgeren yaxşı deyirsən?
Mən bir yataq gətirməmişdim.
İndi gecə ormanda olacağıq.
Oh, eşitdim.
Joergen'i alın!
Sven.
Bu mənim oğlan.
Ay, ay, ay, ay, ay
Bəli, bu doğru.
Bone Gang!
Yaxşı İş Sven.
Budur məncə bu nədir?
Sven'i görürsənmi?
Xeyr, qovun deyil.
Woah.
* Qasp * Pasxa!
Eyni zamanda bir məbəd!
Sven bak.
Portuguese:
Vietnamese:
English:
I assume- oh, there's melons in-
I mean cactuses.
Why am I lagging so much?
Awww. You want some?
Fine, we take a little cactus break.
Here you go Sven.
Here you go Joergen.
Alright, we're gonna have to-
Do the old technique.
I know you don't love this Joergen.
Here, you can stay with Pufferfish.
Oh, gosh, it's getting dark soon.
Oh no.
Should have- I should have broght a-
Are you okay there Joergen?
I should have brought a bed.
Now we're gonna be in the jungle at night.
Oh, I hear them.
Get em Joergen!
Sven.
That's my boy.
Ay, ay, ay, ay, ay
Yeah, that's right.
Bone Gang!
Good Job Sven.
Is that what I think it is?
Do you see this Sven?
No, not the melon.
Woah.
*Gasp* The parrot!
And a temple at the same time!
Sven look.
Turkish:
burası pek ormansı durmuyor. Sanırım-
burada karpuzlar var, yani kaktüsler.
Neden bu kadar çok lagtayım
İster misin biraz? Tamam bir kaktüs molası verelim.
Al bakalım Sven.
Al bakalım Joergen. Tamam eski taktiği
yapmamız gerekiyor. Biliyorum sevmiyorsun
Joergen.
Kirpi balığıyla kalabilirsin.
Tanrım yakında hava kararacak, hayır.
Bir şey getirmeliydim- iyi misin Joergen?
Yatak getirmeliydim.
Şimdi gece ormanda dolaşacağız. Duydum onları.
Hakla onları Joergen- Sven!
İşte benim oğlum!
Tayfa kemik! Aferin Sven.
Bu düşündüğüm şey mi?
Gördün mü Sven?
Hayır karpuzu değil.
Papağanı!
Ve aynı zamanda bir tapınak!
Arabic:
أفترض - أوه ، هناك البطيخ في
أعني الصبار.
لماذا أنا متخلفة كثيرا؟
أوو. هل تريد قليلا؟
حسنًا ، نأخذ استراحة الصبار قليلاً.
هنا تذهب سفين.
هنا تذهب يورغن.
حسنا ، نحن بحاجة إلى
هل التقنية القديمة.
أعلم أنك لا تحب هذا يورغن.
هنا ، يمكنك البقاء مع Pufferfish.
أوه ، يا إلهي ، سيصبح الظلام قريبًا.
لا لا
يجب أن يكون - يجب أن يكون لديك
هل أنت بخير هناك يورغن؟
الآن سنكون في الغابة في الليل.
أوه ، أسمعهم.
الحصول على م Joergen!
سفين.
هذا هو ولدي.
آي ، آي ، آي ، آي ، آي
نعم هذا صحيح.
عصابة العظام!
عمل جيد سفين.
هل هذا ما أعتقد أنه؟
هل ترى هذا سفين؟
لا ، ليس البطيخ.
WOAH.
* اللحظات * الببغاء!
ومعبد في نفس الوقت!
سفين نظرة.
Japanese:
私は - ああ、メロンが -
私はサボテンを意味します。
なぜ私はそんなに遅れているのですか?
Awww。いくつか欲しいですか?
さて、私たちは少しサボテン休憩を取ります。
ここであなたはSvenに行きます。
ここでJoergenに行きます。
さて、私たちはしなければならないつもりです -
古いテクニックをやりなさい。
私はあなたがこのJoergenを愛していないのを知っています。
ここでは、フグを利用できます。
おお、まあ、もうすぐ暗くなってきた。
あらいやだ。
持っているべきです - 私はaを裂いたはずです -
あなたはそこに大丈夫ですか?
私はベッドを持ってきたはずです。
今、私たちは夜ジャングルにいるつもりです。
ああ、聞こえます。
em Joergenをゲット!
スヴェン
それは私の男の子です。
アイ、アイ、アイ、アイ、アイ
はい、そのとおり。
骨ギャング!
グッドジョブスヴェン
それが私がそれだと思うものですか?
あなたはこのスヴェンを見ますか?
いいえ、メロンではありません。
うーん。
*あえぎ*オウム!
そして同時に寺!
スヴェン
Slovenian:
To je bloop, modra.
Modra je.
Sven. Sven, Sven.
* Šepetanje * Pridi sem.
Pozdravljeni, jaz sem tvoj prijatelj.
Pripeljali te bomo domov.
Kako ... Kako lahko ukrotim papiga?
O moj bog, tako je srčkan.
Ljubim te.
O moj bog.
ARGHHHHHH !!
Jej !!!!!!!
* Znamenitosti * O moj Bog.
Sedel bo na tvojo ramo!?!?!?!
O moj bog.
Jaz sem frik- Imam nekaj semen.
Tukaj ti bom dal svoje seme. Oh.
Vam je všeč?
V redu, všeč mu je.
Kako ti je torej ime?
Klaus?
Klaus.
Ok Klaus.
V redu, na srečo so tu melone.
Kar naredi ... bling, blang, bling, bling, blong.
Seme melone, vam je všeč semena melone?
Sven se sreča z Klausom
Delaš grozljive zvoke.
Oh, on me ljubi.
Ali to pomeni, da sem to storil?
Ali pa ti je všeč?
* Vdihnite *
Sedi!
Japanese:
それは大したことではなく、青いものです。
それは青いです。
スヴェンスヴェン、スヴェン。
*ささやき*ここに来てください。
こんにちは、私はあなたの友達です
私たちはあなたを家に持って帰ります。
どうすればいいの?どうやってオウムを飼い慣らすの?
私の神よ、とてもかわいいです。
わたしは、あなたを愛しています。
何てことだ。
ARGHHHHHH !!!!
食べる!!!!!!!
*光景*ああ、私の神よ。
それはあなたの肩の上に座るでしょう!?!?!?!
何てことだ。
私はフリックです - 私はいくつかの種があります。
ここで、私はあなたに私の種をあげます。ああ。
あなたは好きですか?
さて、彼はそれが好きです。
あなたの名前は何ですか?
クラウス?
クラウス。
そうクラウス。
さて、幸運にもここにメロンのようなものがあります。
それは…キラキラ、blang、キラキラ、キラキラ、blongになります。
メロンの種、あなたはメロンの種が好きですか?
Sven meet Klaus
あなたは不気味な音を立てています。
ああ、彼は私を愛しています。
それは私がやったということですか?
それともあなたはそれが好きですか?
*あえぎ*
彼は座っている!
Russian:
Свен, глянь! Он голу... синенький!
Он синий!
свенсвенсвенсвен
Иди, иди сюда.
Привет, я твой друг.
Мы заберем тебя домой. А как... как приручить попугая?
Госпади, он такой миленький.
Я люблю тебя.
Боже мой.
ААААААААААААА!!! (НЕТ СВЕН)
ЕЕЕШЬ!!
О Господи.
Он сядет на плечо?????!!!
О мой бог. У меня... у меня есть семечки.
На, держи мои семечки.
О... Тебе нравится?
О, ему нравится.
Как тогда тебя будут звать?
КЛАУС??
Клаус.
Окей, Клаус, окей. Повезло, что тут много арбузов.
Получается... *звуки создания семечек*
Арбузные семечки, любишь арбузные семечки?
Свен, знакомься: Клаус!
Ты издаешь криповые звуки.
Ого, он любит меня!
То есть, у меня получилось?
Или тебе просто понравилось...
*ле гасп (х2)* Он сидит!
Portuguese:
Arabic:
إنه bloop ، إنه أزرق.
انها واحدة زرقاء.
سفين. سفين ، سفين.
* يهمس * تعال هنا.
مرحبا انا صديقك
نحن نقدم لك المنزل.
كيف يمكنني - كيف يمكنني ترويض الببغاء؟
يا إلهي ، إنه لطيف للغاية.
أحبك.
يا إلهي.
ARGHHHHHH !!!!
تأكل!!!!!!!
* مشاهد * يا إلهي.
سوف تجلس على كتفك!؟!؟!؟!
يا إلهي.
أنا frick - لدي بعض البذور.
هنا ، سوف أعطيك بذري. يا.
يعجبك ذلك؟
حسنًا ، يحبها.
ما اسمك إذن؟
كلاوس؟
كلاوس.
حسنا كلاوس.
حسنًا ، لحسن الحظ ، هناك مثل البطيخ هنا.
مما يجعل ... بلينغ ، بلانج ، بلينغ ، بلينغ ، بلونج.
بذور البطيخ ، هل تحب بذور البطيخ؟
سفين يجتمع كلاوس
أنت تُحدث ضوضاء زاحفة.
أوه ، يحبني.
هل هذا يعني أنني فعلت ذلك؟
* * اللهيث
انه جالس!
Chinese:
是藍的.是藍的鸚鵡
Sven Sven Sven過來這裡
哈囉 我是你的朋友
我們會帶你回家
我們要怎麼訓服鸚鵡??
真的很可愛
我愛你
我的天....啊啊啊啊啊
吃 東 西!!!!!
啊...我的天...
他會坐在肩上???!!
我有一些種子
我給你我的種子
你喜歡嗎??
喔...他喜歡
你要叫什麼名字?
claus??
claus~~
好的claus
很幸運的..這裡就有西瓜
能做出...
嗶啷噗鈴啷啷
西瓜子 你喜歡西瓜子嗎??
Sven來認識Klaus
你發出詭異的聲音
牠愛我
這代表我成功了嗎??
還是你只是喜歡這個??
牠坐著!
Turkish:
Sven bak! Mavilerinden!
Mavilerinden! Sven Sven gel buraya
Merhaba ben senin dostunum seni eve götürüyoruz.
Bir papağanı nasıl eğitirim? Aman tanrım çok şirin.
Seni seviyorum.
Aman Tanrım.
Ye!
Tanrım. Omzuna mı oturacak?!
Aman Tanrım- biraz tohumum var.
Sana tohumumu vereyim. Beğendin mi?
Evet beğendi. Adın ne peki?
Clause?
Clause!
Tamam Clause tamam. Şansımıza
burada karpuzlar var ve karpuzlar
karpuz tohumları yapar
karpuz tohumlarını seviyor musun?
Sven, Clause ile tanış. Garip sesler çıkarıyorsun. Beni sevdi!
Bu eğittim mi demek yoksa sadece beğendin mi? Oturuyor!
English:
It's a bloop, it's a blue one.
It's a blue one.
Sven. sven, sven.
*Whispering* Come here.
Hello, I am your friend.
We're bringing you home.
How do I- How do I tame a parrot?
Oh my God, it's so cute.
I love you.
Oh my God.
ARGHHHHHH!!!!
EAT!!!!!!!
*Sights* Oh my God.
It will sit on your shoulder!?!?!?!
Oh my God.
i'm frick- I have some seeds.
Here, I'll give you my seed. Oh.
You like that?
Okay, he likes it.
What's your name then?
Klaus?
Klaus.
Okay Klaus.
Okay, luckily there's like melons here.
Which makes... bling, blang, bling, bling, blong.
Melon seeds, you like melon seeds?
Sven meet Klaus
You're making creepy noises.
Oh, he loves me.
Does that mean I did it?
Or that you just like it?
*Gasp*
He's sitting!
Vietnamese:
Azerbaijani:
Bu bir bloop, bu mavi bir.
Bu mavi bir.
Sven. Sven, Sven.
* Fısıltı * Buraya gəl.
Salam, mən sənin dostum.
Biz sizi evə gətirdik.
Necə edirəm - bir tutuquşu necə təmizləyə bilərəm?
Oh mənim Allahım, bu qədər şirin.
Mən səni sevirəm.
Aman Tanrım.
ARGHHHHHH !!!!
Eat !!!!!!!
* Görməli yerlər * Oh my God.
Çiyininizə oturacaq!!!!?!?!
Aman Tanrım.
Mən dəfələrdəyəm - bəzi toxumlarım var.
Burada mənim toxumunu verəcəyəm. Oh.
Bunu sevirsən?
Tamam, onu sevir.
O zaman adın nədir?
Klaus?
Klaus.
Okay Klaus.
Yaxşı, xoşbəxtlikdən burada bostan kimi var.
Hansı ... bling, blang, bling, bling, blong edir.
Qovun toxumu, siz qovun toxumlarını sevirsən?
Sven Klausla görüşür
Siz ürpertici səslər edirsiniz.
Oh, məni sevir.
Mən bunu etdiyimi bildirirəmmi?
Yoxsa yalnız bunu xoşlayırsınız?
* Gasp *
O oturdu!
Japanese:
Sven、彼は私たちと一緒にいます! (?)
私の神よ、私は頭がおかしいように遅れています。
フリックオフ
彼は私の変態に座っていますか - 彼は座っています -
彼は座っていますか?
*あえぎ*
*ワオ*
彼も青いです。
イェス!
イェス!
はい。それはとても素晴らしいです。
私たちはSvenというゲームで勝ちます。
耳を傾け、私はジャングルのために遅すぎる。
私は獣のコンピュータが好きですが...
Minecraftは多すぎる。
これを見てください、Sven。
これを見て、クラウス私は言います。
あなたは頭がおかしい、彼は頭がおかしい。ここに。
ちょっとちょっと待って
入り口はどこですか?
それは怖くないですか?
ある必要があります -
うーん、それを見つけた。
いいゲーマー、
君がここに座れば。
クラウス、ええと…あなたはセクシーに見え続けます。
うーん、私は緑を手に入れた。
ああこれは素晴らしいです。私はこれを営むことができます。
さて、これは罠になるかもしれない、私はこれが好きではない。
うん、うん、うん、あなたはそこに座る。あなたはそこに座ります
みんな、ただ座って。
Felixを死なないでください。あなたがここでやらなければならないことはそれだけです。
死なないでください。
私は本当にこの苔状のものが欲しいです。私はクールなもののように作ることができます。
Vietnamese:
English:
Sven, he's closes with us! (?)
My god, I'm lagging like crazy.
Frick off.
Is he sitting on my fickin'- Is he sitting-
Is he sitting?
*Gasp*
*Wow*
He's blue too.
Yesss!
Yesss!
Yess. That's so awesome.
We win at games Sven.
Listen, I'm too laggy for a jungle.
I have like a beast computer but...
Minecraft is just too much.
Look at this, Sven.
Look at this, Klaus I mean.
You crazy, he's crazy. Here.
Have a little meo- No.
Where's the entrance?
Doesn't that look scary?
There's gotta be an-
Woah, found it.
Okay gamers,
Sven you sit here.
Klaus, you uh... You keep looking sexy.
Woah, I got the green.
Oh this is awesome.I could farm this.
Okay, this could be a trap, I don't like this.
yeah, yeah, yeah, you sit there. You sit there.
Everyone, just sit.
Don't die Felix. That's all you gotta do here.
Don't die.
I really want this mossy stuff. I can make like cool stuff.
Chinese:
Sven牠親近我們!!
我的天..我當的可怕
滾開
牠是坐在我的..?
坐在我的??
牠坐在??
牠也是藍的
這超棒棒!!
我們贏了這場遊戲了Sven
聽著我在叢林真的很當
我有一台很強的電腦但...
Minecraft就是太多東西了
看這個Sven
看這個.Klaus我想
你瘋了 牠瘋了..這裡
給你一些西瓜ㄗ..不要
入口在哪?
不覺得這看起來很可怕嗎??
這裡一定有入..
找到了~~
好的 兄弟們
Sven你坐在這裡
Klaus 你...繼續保持性感
哇..我得到綠色的
喔這很棒 我能種這個
這可能是個陷阱 我不喜歡這個
對對對..你坐在這 你坐在那
大家都坐著
別死Felix.這是你唯一的任務
別死
我真的很想要這個長青苔的東西
我能做許多酷東西
Slovenian:
Sven, on se zapre z nami! (?)
Moj bog, zaostajam kot nor.
Odklonite se.
Ali sedi na moji fikini?
Ali sedi?
* Vdihnite *
* Wow *
Tudi on je modra.
Yesss!
Yesss!
Jess. To je tako super.
Zmagali smo na igrah Sven.
Poslušaj, jaz sem preveč lagal za džunglo.
Imam kot računalnik zver, toda ...
Minecraft je preveč.
Poglej to, Sven.
Poglej to, mislim Klaus.
Nori, nor je. Tukaj.
Malo ne.
Kje je vhod?
Ali ni videti strašljivo?
Mora obstajati
Woah, našel sem ga.
Ok igralci,
Sedite tukaj.
Klaus, ti ... Zgledaš seksi.
Woah, dobil sem zeleno.
Oh, to je super.
Ok, to je lahko past, ne maram tega.
Ja, ja, ja, sedite tam. Sedite tam.
Vsi sedite.
Ne umri Felixa. To je vse, kar moraš storiti tukaj.
Ne umri.
Resnično hočem te mossy stvari. Lahko naredim kul stvari.
Russian:
Свен, он сблизился с нами!
Блин, ненормально лагает!
Пшол вон!
Он сидит на моем гребаном... он сидит? Он сидит?
*ле гасп (х3)*
*ВАААААААУ* *Звуки радости*
И он синенький. Даааа!
Даааа! Это так круто!
Мы побеждаем в играх, Свен.
Знаете, я слишком лагаю в джунглях.
Мой компьютер - зверь, но Майнкрафт - это слишком.
Посмотри сюда, Свен.
В смысле, посмотри сюда, Клаус.
Ты больной, он больной. Вот. Держи немного ар... не будет.
А где вход?
Разве не страшно? Тут должен быть вх...
Воу, нашел.
Итак, геймеры.
Свен, ты сидишь тут.
Клаус, а ты... продолжай быть секси.
Ух ты, я нашел зелень.
О, это круто, я посажу это. Так, это может быть ловушка, мне это не нравится.
дадада, сиди там. Ты сидишь там. Все, просто, сидите.
Не умирай, Феликс. У тебя есть одно задание. Не умирай.
Мне правда нужен этот мох. Из этого можно создать крутые штуки.
Arabic:
سفين ، إنه يغلق معنا! (؟)
يا إلهي ، أنا متأخرة مثل الجنون.
فريك قبالة.
هل هو جالس على قضيبي؟ هل هو جالس؟
هل هو جالس؟
* * اللهيث
*رائع*
إنه أزرق أيضًا.
YESSS!
YESSS!
YESS. هذا رائع جدا.
فزنا في مباريات سفين.
الاستماع ، أنا laggy جدا عن الغابة.
لدي مثل كمبيوتر الوحش ولكن ...
ماين كرافت هو أكثر من اللازم.
انظروا الى هذا ، سفين.
انظر إلى هذا ، كلاوس أعني.
أنت مجنون ، إنه مجنون. هنا.
لديك القليل ميو رقم
أين المدخل؟
لا يبدو ذلك مخيفا؟
يجب أن يكون هناك
واه ، وجدت ذلك.
حسنا اللاعبين
سفين تجلس هنا.
كلاوس ، أنت اه ... واصلت النظر مثير.
واه ، حصلت على الأخضر.
أوه هذا رائع. أستطيع أن أزرع هذا.
حسنًا ، قد يكون هذا فخًا ، لا أحب هذا.
نعم ، نعم ، نعم ، أنت تجلس هناك. أنت تجلس هناك.
الجميع ، مجرد الجلوس.
لا تموت فيليكس. هذا كل ما عليك فعله هنا.
لا تموت.
اريد حقا هذه الاشياء المطحلبه يمكنني أن أجعل مثل الأشياء الرائعة.
Turkish:
Sven Clause bizimle
Çok fazla lagleniyorum aman Tanrım. Defol!
Omzumda mı? Omzumda mı oturuyor şu an?
Mavi bir de. Yaşasın!
Evet! Bu çok güzel!
Oyunlarda hep galibiz Sven.
Şuna bak Sven.
Şu Clause'a bak.
Al. biraz karpuz-
hayır mı?
Girişi nerede bunun? Korkunç görünmüyor mu?
Buralarda bir giriş olmalı. Buldum.
Tamam gamerlar. Sven sen burada otur. Clause sen de-
seksi görünmeye devam et.
Yeşil şey aldım-
bu harika bunu kazabilirim. Pekala bu bir tuzak olabilir sevmedim burayı
Evet otur orada, otur. Herkes otursun.
Ölme Felix. Yapman gereken tek şey bu. Ölmemek.
Bu şeyleri istiyorum cidden, havalı şeyler yapabilirim bunlarla.
Azerbaijani:
Sven, o bizimlə bağladı! (?)
Tanrım, mən dəli kimi gecikirəm.
Frick off.
O, mənim fickin üzərində otururmu?
Oturur mu?
* Gasp *
*Heyrət! Vay*
O da mavi.
Yesss!
Yesss!
Yess. Bu qədər zəhmli.
Sven oyunlarında qazanırıq.
Dinləyin, bir ormanda çox laggy.
Mən bir heyvan kompüterim var, amma ...
Minecraft çoxdur.
Buna baxın, Sven.
Buna baxın Klaus.
Siz deli, o, deli. Burada.
Bir az meo-yoxdur.
Giriş harada?
Qorxulu görünmür mu?
Anna-
Woah, tapdı.
Tamam oyunçu,
Sven burada oturursunuz.
Klaus, siz uh ... Seksual axtarırsınız.
Woah, mən yaşıldım.
Oh bu zəhmli.
Tamam, bu bir tələ ola bilər, mən bunu sevmirəm.
Bəli, bəli, bəli, orada oturursunuz. Siz orada oturursunuz.
Hər kəs, yalnız otur.
Feliks ölməyin. Burada etdiyiniz hər şey var.
Ölməyin.
Mən, həqiqətən, bu moss şeylər istəyirəm. Mən sərin şeylər kimi edə bilərəm.
Portuguese:
Arabic:
حسنا ، هناك بالتأكيد الفخاخ هنا.
أنا أعرف كيف تعمل هذه اللعبة.
مرحبا. أوه ، سلندرمان.
مرحبا نحيلة. آسف هل هذا منزلك؟
يتحدث اليابانية *
حسنًا ، سأعمل على الشيبة ليبا.
لا بأس بهدوء ، معرفة لطيفة ، يا إلهي ، هناك شيء آخر.
مثل ما أنت يا رفاق-
إلى اين ذهب؟
يا الله ، هناك العتلات؟
* شيطاني الضوضاء *
ماذا؟
أين هو؟
يا الله ، إنه غاضب.
أنت مجنون.
يا.
أنت تخدع
* يتحدث اليابانية *
توقف ، أنا متخلفة!
اسمع ، أنا بحاجة لآلئك.
تحدثنا عن هذا.
المتأنق ، أنت تمتص.
آه لطيف.
واه ، ووه ، ووه.
انهم جميعا تتعثر في الخيزران.
لا.
سفين !!!
هل تصنع-
هل هو صنع سفين الضوضاء؟
ذلك لطيف جدا.
حسنا.
حسنا ، نحن يجب أن نكون حذرين هنا
توخي الحذر.
هناك العتلات.
حسنًا ، أشعر حقًا أن هذا يجب أن يكون شيئًا.
Vietnamese:
English:
Alright, there's definetly traps in here.
I know how this game works.
Hello. Oh, slenderman.
Hello slender. Sorry is this your house?
*Speaking Japanese*
Okay, I'm gonna have to sheiba leiba him.
Alright cool, nice knowing- oh, god, there's another one.
Like what are you guys-
Where did he go?
Oh God, there's levers?
*Demonic Noise*
What?
Where is he?
Oh God, he's agnry.
You mad.
Oh.
You fricking
*Speaks Japanese*
Stop, I'm lagging!
Listen, I need your pearls.
We talked about this.
Dude, you suck.
Oh, nice.
Woah, woah, woah.
They all get stuck in the bamboo.
No.
Sven!!!
Are you making-
Is he making Sven noises?
That's so cute.
Okay.
Alright, we gotta be careful here,
practice caution.
There's levers.
Okay, I really feel like this has to be something.
Chinese:
好的 這裡絕對有陷阱
我知道這遊戲會怎麼做的
哈囉
喔 是安德(終界使者)
嗨 安德 抱歉這是你的房子嗎?
(日文)*抱歉呦~真的很抱歉*
好的 我必須噓吧唎吧牠
喔酷喔 很棒的噪音
喔天那 這裡還又另一隻
你們為何...
牠去哪了??
這裡有開關??
啥?牠在哪?
喔 他很生氣
你很生氣~
你這詭異的東西
停止..我很當!!
聽著 我需要你的珍珠
我們談過這個
老兄你很廢
他們全被卡在竹林裡
Sven!!!
你是在製造..
牠是在學Sven的聲音嗎??
真的很可愛
我們必須在這裡小心一點
謹慎小心
這裡有開關
我真的覺得這裡面大概有什麼
Japanese:
さて、ここには絶対的な罠があります。
このゲームのしくみを知っています。
こんにちは。ああ、スレンダーマン。
こんにちは細身。すみません、これはあなたの家ですか?
*日本語を話す*
さて、私はsheiba leiba彼に持っているつもりです。
わかりました、いい知っている - ああ、神、もう一つあります。
あなたたちみんなのように -
彼はどこに行ったの?
神よ、レバーはありますか?
*悪魔のようなノイズ*
何?
彼はどこにいますか?
おお神よ、彼は愚痴です。
怒っている。
ああ。
あなたはフリック
*日本語を話します*
やめなさい、私は遅れている!
聞いて、私はあなたの真珠が必要です。
これについて話しました。
おい、あなたは吸う。
いいね。
ああ、ああ、ああ。
彼ら全員は竹で立ち往生します。
いいえ
スヴェン!
あなたは作っていますか -
彼はスヴェンの音を立てていますか?
かわいいね。
はい。
さて、私たちはここで注意しなければならない、
注意してください。
レバーがあります。
さて、私はこれが何かでなければならないように本当に感じます。
Portuguese:
Slovenian:
V redu, tukaj so definitivno pasti.
Vem, kako deluje ta igra.
Zdravo. Oh, slenderman.
Zdravo vitko. Oprostite, je to vaša hiša?
* Govorjenje v japonščini *
Ok, moram mu povedati sheiba leiba.
V redu, kul, lepo vedenje ... oh, bog, tam je še ena.
Kot, kaj ste vi fantje
Kam je šel?
Oh Bog, tam so vzvodi?
* Demonski hrup *
Kaj?
Kje je on?
Oh Bog, on je agnry.
Si jezen.
Oh.
Prekleti
* Govori japonsko *
Ustavi, zaostajam!
Poslušaj, potrebujem tvoje bisere.
O tem smo govorili.
Stari, ti si zanič.
O lepo.
Woah, woah, woah.
Vsi se zataknejo v bambusu.
Ne.
Sven !!!
Ali vi delate
Je on Svenov zvok?
To je tako ljubko.
V redu.
V redu, tukaj moramo biti previdni,
previdno.
Obstajajo vzvodi.
V redu, resnično se počutim, da je to nekaj.
Russian:
Так, там точно есть ловушки.
Я знаю, как работают эти игры.
Привет. О, слендермен.
Приветик, слендер. Прости, это твой дом?
*прости, прошу прощения*
Окей, я его зарубабаю.
Так, отлично, приятно было... ох, нет, еще один.
Чего вы там...?
Куда он ушел? Ой нет.
Боже мой, там, рычаги?
Azerbaijani:
Alright, buradakı tələlər var.
Bu oyunun necə işlədiyini bilirəm.
Salam. Oh, slenderman.
Salam. Bağışlayın, bu sizin eviniz?
* Yapon danışan *
Tamam, mən ona şeybanın leibasına sahib olacağam.
Alright sərin, gözəl bilirik - oh, tanrım, başqa bir var.
Nədir uşaqlar kimi -
O hara getdi?
Ey Allah, qolu var?
* Demonik səs-küy *
Nə?
O haradadır?
Aman Allah, o, acınacaqlıdır.
Sən dəlisən.
Oh.
Siz fricking
* Yapon danışır *
Dur, mən gecikirəm!
Dinləyin, incilərinizə ehtiyacım var.
Bu barədə danışdıq.
Dostum, sən əminsən.
Oh, gözəl.
Woah, woah, woah.
Hamısı bambuza sıxılırlar.
Yox.
Sven !!!
Sizcə,
Sven səsləri mi edir?
Bu qədər şirin.
Tamam.
Alright, burada diqqətli olmalıyıq,
praktikaya diqqət yetirin.
Əlaqələr var.
Tamam, həqiqətən, bu bir şey olmalı kimi hiss edirəm.
Turkish:
Tamam burada kesinlikle tuzak var
bu oyun nasıl işliyor biliyorum. Merhaba-
Slenderman!
Merhaba Slender. Pardon burası senin evin mi?
Girebilir miyim?
Tamam şey yapmam gerekecek- harika.
bir tane daha var.
Nereye gittin? Tanrım kaldıraç da mı var?
Ne? Nerede? Tanrım sinirlendi.
Dur! Lage giriyor!
Dinle, incilerin lazım.
Berbatsın. Güzel!
Hepsi bambuların arasında sıkışıyor.
Sven!
Taklit mi-
Sven'i mi taklit ediyor?
Bu çok şirin. Pekala burada dikkatli olmamız gerek.
Dikkatli olun. Kaldıraçlar var burada!
Bu başka bir şey gibi hissediyorum.
Turkish:
Ya da rastgele bir şey mi
Öyleyse burada kesinlikle bir şeyler var.
Neden üç tane kaldıraç var? Tanrım korkuyorum!
Merhaba? Bu dağitıcı
Vuracaklar- bu da ne?
Tuzak bu!
Aman Tanrım! Tuzağı nasıl geçeceğim?
Bu ne?
Merhaba bir şey mi yaptım? Merhaba?
Nereye gitti?
Soru işareti
Burada gibi.
Tuzağı nasıl atlatacağım?
Dikkatli ol. Sanırım etkisiz hale getirdim.
Elmaslar! Ve çelik.
Gerçekten çelik lazım ve Sven için de kemikler.
Portuguese:
Arabic:
أم أن هذا مثل عشوائي ولدت ...
Schepecle.
أنه؟ يمكن؟
نعم فعلا.
حسنا.
ثم هناك بالتأكيد شيء ...
هنا.
لماذا هناك ثلاثة العتلات؟
يا الله ، أنا خائف.
مرحبا.
هذا موزع.
هناك سيطلقون النار.
ما هذا؟
هذا فخ!
يا إلهي.
كيف يمكنني تجاوز المصيدة؟
ما هذا؟
مرحبا؟ هل فعلت شيء ما؟
Helloooo؟
يا.
أين ذهب هذا؟
علامة استفهام.
بدا وكأنه هنا.
حسنا ، دعنا نحافظ عليه.
كيف أفعل؟
كيف أفعل الفخ؟
WOAH!
يا هو.
حسنا ، كن حذرا.
أوه ، أعتقد أنني قمت بإلغاء تنشيطه.
* * اللهيث
اه لا!
جيز.
* الضحك.
الماس!!!!!
والصلب ، أنا حقا بحاجة الصلب.
وعظام سفين.
Azerbaijani:
Və ya təsadüfi yaradılan bu kimi ...
Schepecle.
Bu? Ola bilər?
Bəli.
Tamam.
Sonra müəyyən bir şey var ...
Burada.
Niyə üç qolu var?
Ey Allah, mən qorxuram.
Salam.
Bu bir dağıtıcıdır.
Çölə atacağam.
Bu nədir?
Bu bir tələ var!
Aman Tanrım.
Tələbi necə ala bilərəm?
Bu nədir?
Salam? Bir şey mi etdim?
Helloooo?
Oh.
Nə getdi?
Sual işarəsi.
Buradakı kimi səsləndi.
Tamam, tutaq.
Necə edirəm?
Tuzağı necə edə bilərəm?
Woah!
Oh ho.
Tamam, diqqətli olun.
Oh, mən - mən onu ləğv etdiyimi düşünürəm.
* Gasp *
Ah, yox!
Jeez.
* Laughing.
DIAMONDS !!!!!
Çelik, həqiqətən polad lazımdır.
Və Sven üçün sümüklər.
Japanese:
またはこれはランダムに生成されたようなものです...
Schepecle
それ?多分?
はい。
はい。
それから確かに何かがあります...
ここに。
なぜ3つのレバーがありますか?
神よ、私は怖いです。
こんにちは。
それはディスペンサーです。
撃つつもりだ
それは何ですか?
それは罠です!
何てことだ。
どうやって罠を乗り越えることができますか?
これは何ですか?
こんにちは?私は何かしましたか?
こんにちは
ああ。
それはどこに行きましたか?
疑問符。
ここのように聞こえた。
さて、それを続けましょう。
どうやって?
どうやって罠をするの?
うーん!
おお。
さて、注意してください。
ああ、私はそれを無効にしたと思います。
*あえぎ*
ああ、いや!
そうねえ。
*笑い。
ダイヤモンド!!!!!
そして鋼鉄、私は鋼鉄が本当に必要です。
そしてSvenの骨。
Slovenian:
Ali je to naključno ustvarjeno ...
Schepecle.
Je? Mogoče?
Da.
V redu.
Potem je definitivno nekaj ...
Tukaj.
Zakaj so trije vzvodi?
Oh Bog, strah me je.
Zdravo.
To je razdeljevalec.
To bo ustrelil.
Kaj je to?
To je past!
O moj bog.
Kako naj pridem mimo pasti?
Kaj je to?
Zdravo? Sem kaj naredil?
Helloooo?
Oh.
Kje je šlo?
Vprašaj.
Zvenelo je kot tukaj.
V redu, obdržimo ga.
Kako?
Kako naj naredim past?
Woah!
Oh ho.
Ok, bodite previdni.
Mislim, da sem ga deaktiviral.
* Vdihnite *
Ah, ne!
Jezus.
* Smeh.
DIAMANTI !!!!!
In jeklo, res potrebujem jeklo.
In kosti za Svena.
Russian:
Chinese:
或者就只是隨機生成的而已
????
是嗎?也許?
對
那這裡一定有什麼
為什麼有三個開關?
我很害怕
哈囉?
那是一個發射器
它會射...
那是什麼?
那是陷阱!!!
我的天
我要怎麼通過那個陷阱?
這可以幹嘛?
我有觸發了什麼嗎??
這通去哪裡??
問號問號??
聽起來是這裡
好吧 我們留著
我要怎麼...怎麼處理陷阱
好的..小心
喔..我想我關閉了這個陷阱
啊 不
!!!!鑽石!!!!(+3+)
還有鐵 我真的很需要鐵
還有給Sven的骨頭
Vietnamese:
English:
Or is this like a random generated...
Schepecle.
It is? Maybe?
Yes.
Okay.
Then there's definetly something...
Here.
Why are there three levers?
Oh God, i'm scared.
Hello.
That's a dispenser.
Thery're gonna shoot.
What is that?
That's a trap!
Oh my God.
How do I get past the trap?
What is this?
Hello? Did I do something?
Helloooo?
Oh.
Where did that go?
Question mark.
Sounded like over here.
Alright, let's keep it.
How do I?
How do I do the trap?
Woah!
Oh ho.
Okay, be careful.
Oh, I- I think I deactivated it.
*Gasp*
Ah, no!
Jeez.
*Laughing.
DIAMONDS!!!!!
And steel, I really need steel.
And bones for Sven.
Azerbaijani:
Xoşbəxt gün.
ARGH !!
Mən deaktivasiya düşündüm!
Bəli, indi səni vura bilərsən, indi səni vura bilərsən.
Amma məni ata bilməzsən. Yox.
Bu IKEA Bird.
Bu IKEA Bird, Sven.
Bəli.
Bir az daha araşdırmaq istəyirəm.
Nə tapa biləcəyimizə baxın.
Quş kimi mi? Quş necə sürətlidir?
Çox sürətli deyil.
Oh, nədir?
* Gasp *
Kakao fasulyəsidir.
Kakao pococs.
NOOO !!!!
SVEN!
Bu frikiklərin çoxu gonnna ...
Mən fışqırma səsini edən quş olduğunu düşünürdüm.
Düşüncə bu adam kimi idi, mənə trolls.
Tamam, mən də aldım, toxumları asılı olaraq vermişəm.
Cənabın sağlamlığını necə tanıyıram ......
Melon Man.
Tamam, o gözəl görünür.
Frickin 'qovunlu dostum.
Dostum,
English:
Happy day.
ARGH!!
I thought I deactivation!
Yeah, you can shoot me now, you can shoot me now.
But you can't shoot me nee. No.
It's IKEA Bird.
It's IKEA Bird, Sven.
Yes.
I want to explore a little bit more.
See what we can find.
Is the bird like- How fast is the bird?
Not very fast.
Oh, what is that?
*Gasp*
That's the cocoa beans.
The cocoa pococs.
NOOO!!!!
SVEN!
How many of these frickers are gonnna...
I thought it was the bird that made the frickin' noise.
Thought it was like dude, he trolls me.
Okay, I got, I gotta give seeds away aswell.
How do I know the health of Mr......
Melon Man.
Okay, he seems fine.
Frickin' melons dude.
Dude,
Russian:
Slovenian:
Vesel dan.
ARGH!
Mislil sem, da bom deaktiviral!
Ja, lahko me ustreliš, lahko me ustreliš.
Ampak ne moreš me ustreliti. Ne.
To je IKEA Bird.
To je IKEA Bird, Sven.
Da.
Želim raziskati malo več.
Poglejte, kaj lahko najdemo.
Je ptica všeč ... Kako hitro je ptica?
Ne zelo hitro.
Oh, kaj je to?
* Vdihnite *
To je kakavova zrna.
Kakav čokolada.
NOOO !!!!
SVEN!
Koliko od teh frickers je gonnna ...
Mislil sem, da je ptica tista, ki je ustvarila hrup.
Mislil sem, da je kot človek, trol me.
Prav, moram dati semena.
Kako poznam zdravje g.
Melon Man.
Ok, zdi se, da je v redu.
Prekleti meloni, stari.
Stari,
Chinese:
開心的一天
啊!!
我還以為我關掉了
你現在可以射我了*2
但你射不到了
是IKEA鳥
是IKEA鳥啊 Sven
我想再繼續探險更多
看看我們能找到什麼
那鳥是像...
看那鸚鵡能飛多快
沒有很快..
那是什麼??
那是可可豆
是可可 POCO
不!!!!!!
Sven!!
到底還有多多的怪物要...
我以為是鳥鳥在製造這個奇怪的聲音
想說..它在耍我
喔..我必須我必須 把種子丟掉
我要怎麼知道這位的生命值
這位...西瓜人先生
喔好...它看起來很正常
詭異的西瓜 老兄
老兄..
Arabic:
يوم سعيد.
أرغ !!
اعتقدت أنني تعطيل!
نعم ، يمكنك إطلاق النار لي الآن ، يمكنك إطلاق النار لي الآن.
ولكن لا يمكنك اطلاق النار لي ني. لا.
انها ايكيا الطيور.
انها ايكيا الطيور ، سفين.
نعم فعلا.
أريد أن أستكشف أكثر قليلاً.
انظر ماذا يمكننا أن نجد.
هل يشبه الطائر - ما مدى سرعة الطائر؟
ليس سريع جدا
ما هذا؟
* * اللهيث
هذا هو حبوب الكاكاو.
pococs الكاكاو.
NOOO !!!!
SVEN!
كم من هؤلاء المقاتلون سوف ...
اعتقدت أنه كان الطائر الذي جعل الضوضاء frickin.
اعتقد انه كان مثل المتأنق ، وقال انه المتصيدون لي.
حسنًا ، لقد حصلت ، يجب أن أعطي البذور بعيدًا.
كيف أعرف صحة السيد ......
البطيخ مان.
حسنًا ، يبدو جيدًا.
Frickin البطيخ المتأنق.
يا صديق
Vietnamese:
Japanese:
幸せな一日。
ARGH !!
私は失活したと思った!
ええ、あなたは今私を撃つことができます、あなたは今私を撃つことができます。
しかし、あなたは私を撃つことはできません。いいえ
イケアバードです。
イケアバード、スヴェンです。
はい。
もう少し探検したいです。
私たちが見つけられるものを見てください。
鳥は好きです - 鳥はどのくらい速いですか?
速くはありません。
ああ、それは何ですか?
*あえぎ*
それがカカオ豆です。
ココアpococ
NOOO !!!!
SVEN!
これらのフリッカーのうちどれくらいがつもりですか...
私はそれがfrickinの音を立てたのは鳥だと思った。
それは男のようだと思った、彼は私をトロール。
さて、私は得た、私も種を譲ることを得た。
どうやって氏の健康状態を知ることができますか......
メロンマン。
さて、彼は元気そうです。
フリッキンメロン
おい、
Turkish:
Mutlu gün!
Etkisizleştirdim sanmıştım!
Şimdi vurabilirsin tabi ama
daha sonra vuramayacaksın. IKEA kuşu bu!
IKEA kuşu Sven. Evet.
Biraz daha keşfetmek istiyorum burayı
Bakalım neler bulabiliriz.
Kuş ne kadar hızlı? Çok da hızlı değil.
Bu da ne?
Kakao!
Sven!
Daha ne kadar creeper-
Sesi kuş çıkardı sanmıştım.
Kandırıyor sanmıştım.
Pekala tohumları atmam lazım.
Kuşun sağlık durumunu nasıl bileceğim?
Tamam iyi görünüyor. Karpuzlar dostum.
Dostum havalı
Portuguese:
Portuguese:
Azerbaijani:
Bilirsən, bəli. Sizcə,
Sərin.
Ağac evləri və əşyalar.
Hərəkət etməyin - ona zərər verməyin.
Beləliklə, uh, kakao fasulye ilə düşünürsən, həqiqətən edə bilərsiniz, uh ...
Qəhvəyi boya.
Bu, faktiki jungle kimi.
Otur, otur.
Ey Tanrım, mən IKEA Quşunun öldüyünü düşündüm.
Yaxşı bir idman var, deyim.
Frickin 'sürünənləri, niyə ormanda sürünənlər var?
İndi cavab verin.
Niyə?
Eyni məbəd və ya başqa məbəd mi?
Ormanda kənd varmı?
Ola bilər. Bu sərin olardı.
Buradakı bir şəhər kimi tapmaq.
Oh mənim Allahım, mən əsl bir uşaqam.
Jungle kəndliləri kimi idi, əgər bu sərin olmaz?
* Laughs *
Zəhmli Sven ola bilməz mi?
Və IKEA Sven.
* Laughs *
Klaus. Onun adı Klausdur. Sağ Oyunçuları alın.
Cani b-
Ow. Ow.
Eybi yoxdur.
Siz yılan!
Gid, bu, sinir bozucu naviqasiya.
Aman Tanrım.
Onlar, ey Allahım, onlardan ikisi.
Belə düşünməyin.
Ooooo. Bu olsa da vurdu.
Russian:
Turkish:
ağaç ev tarzı şeyler
tasarlayabilirsin burada.
Vurma ona.
Sanırım kakaolarla
kahverengi boya yapabilirsin. Gerçek orman gibi burası. Sen. Otur.
Tanrım IKEA kuşu öldü sandım.
Lanet creeperlar. Creeperlar neden ormanda?
Cevabını verin.
Neden?
Bu aynı tapınak mı başka tapınak mı?
Ormanda köylüler var mı? Bu havalı olurdu.
Burada kasaba tarzı bir yer bulmak falan.
Çocuk gibiyim resmen. ''Havalı olmaz mıydı...''
harika olmaz mıydı Sven?
Ve IKEA Sven? Clause!
Onun adı Clause millet.
Bambunun üzerinde-
her neyse.
Seni yılan! Tanrım navigasyon sinir bozucu.
Tanrım. Her yerdeler- İki tane.
Hiç zannetmiyorum. İsabet etti!
Japanese:
ええ、できます。あなたはのように構築することができます -
クール。
木の家ともの。
ヒットしないで - 彼を傷つけないでください。
だから、私はええと、カカオ豆、あなたが実際に作ることができる、ええとと思う...
褐色の染料。
実際のジャングルのようです。
あなた、座って
おお神よ、私はIKEA Birdが死んだと思った。
彼はいいスポーツだよ。
フリッキンのクリーパー、なぜジャングルの中にクリーパーがあるのですか?
今私にこたえて。
どうして?
それは同じ寺院ですか、それとも別の寺院ですか?
ジャングルに村はありますか?
多分。それはクールだよ。
ここで町のように見える。
私の神よ、私は実子です。
ジャングルの中に村人のような人がいたとしたら、クールではないでしょうか。
*笑う*
それは素晴らしいSvenではないでしょうか。
そしてIKEA Sven。
*笑う*
クラウス。彼の名前はクラウスです。正しいゲーマー
Caniはb-の上に立ちます
わ。わ。
気にしないで。
あなたは蛇だ!
Gid、ナビゲートが面倒です。
何てことだ。
彼らは - 私の神よ、2人です。
そうは思わないでください。
おおー。しかしそれは撃った。
Vietnamese:
English:
you could, uh, yeah. You could build like-
Cool.
Tree houses and stuff.
Don't hit- Don't hurt him.
So I think with uh, cocoa beans, you can actually make, uh...
Brown dye.
It's like an actual jungle.
You, sit.
Oh God, I thought IKEA Bird died.
He's a good sport, I gotta say.
Frickin' creepers, why are there creepers in the jungle?
Answer me now.
Why?
Is that the same temple or another temple?
Are there villages in the Jungle?
Maybe. That'd be cool.
Finding like a town in here.
Oh my God, I'm an actual child.
Wouldn't it be cool if there was like villagers in the jungle?
*Laughs*
Whouldn't that be awesome Sven?
And IKEA Sven.
*Laughs*
Klaus. His name is Klaus. Get it right Gamers.
Cani stand on the b-
Ow. Ow.
Nevermind.
You snake!
Gid, it's annoying navigating.
Oh my God.
They're- Oh my God, two of them.
Don't think so.
Ooooo. That shot though.
Chinese:
你可以..對 你可以像這樣
"""冷靜"""
樹屋和東西
別攻擊 別攻擊它
所以我想有了可可豆
你其實能做出..呃..
咖啡色染料
這看起來就像真正的叢林
你..坐著
我還以為IKEA鳥掛了
它真的挺不錯的 我必須說
又是苦力帕 為什麼苦力帕為在叢林裡
現在回答我!
為什麼??
是一樣的遺跡還是另一個
叢林裡有村莊嗎??
也許..那會很酷
找到一個在這裡的城鎮
我真的變成一個小孩了
如果叢林裡有村莊一定會很酷酷的呦
Sven你覺得會恨棒棒嗎??
還有IKEA Sven??((笑
claus 牠的名字是claus 講正確你們
我能站在竹.....
凹嗚..
當我沒說..
你 潛伏
真是個惱人的怪物
我的天有兩個
別想靠過來
Slovenian:
Lahko bi, uh, ja. Lahko bi zgradil podobne-
Cool.
Drevesne hiše in ostalo.
Ne udari- Ne poškoduj ga.
Torej mislim, da lahko, kakava, dejansko narediš, uh ...
Rjava barva.
To je kot prava džungla.
Ti, sedi.
Oh Bog, mislil sem, da je IKEA Bird umrla.
Dober je šport, moram reči.
Prekleti plazilci, zakaj se v džungli pojavijo vzpenjače?
Odgovori mi zdaj.
Zakaj?
Je to isti tempelj ali drug tempelj?
Ali obstajajo vasi v džungli?
Mogoče. To bi bilo kul.
Tukaj najdeš mesto.
O moj bog, jaz sem pravi otrok.
Ali ne bi bilo kul, če bi v džungli živeli kot vaščani?
* Smeh *
Kaj ne bi bilo to super Sven?
In IKEA Sven.
* Smeh *
Klaus. Ime mu je Klaus. Spravi se prav Gamers.
Cani stojijo na b-
Ow. Ow.
Pozabi.
Kača!
Gid, to je nadležno navigacijo.
O moj bog.
Oni so ... O moj Bog, dva izmed njih.
Ne misli tako.
Ooooo. Tisti strel.
Arabic:
يمكنك ، اه ، نعم. يمكنك بناء مثل
رائع.
شجرة المنازل والاشياء.
لا تضرب - لا تؤذيه.
لذا أعتقد مع أه حبوب الكاكاو ، يمكنك فعلاً صنعها ، اه ...
صبغة براون.
انها مثل الغابة الفعلية.
اجلس.
يا إلهي ، اعتقدت أن إيكيا بيرد مات.
إنه رياضة جيدة ، كما قلت.
Frickin 'الزواحف ، لماذا هناك الزواحف في الغابة؟
أجبني الان.
لماذا ا؟
هل هذا هو نفس المعبد أو معبد آخر؟
هل هناك قرى في الغابة؟
يمكن. سيكون ذلك رائعًا.
العثور على مثل مدينة هنا.
ألن يكون الجو باردا إذا كان هناك مثل القرويين في الغابة؟
* يضحك *
ألن يكون ذلك رائعًا سفين؟
و IKEA سفين.
* يضحك *
كلاوس. اسمه كلاوس. احصل عليه بشكل صحيح
يقف كاني على ب
آه. آه.
لا يهم.
أنت ثعبان!
دائرة المخابرات العامة ، انها مزعجة التنقل.
يا إلهي.
انهم - يا إلهي ، اثنان منهم.
لا أعتقد ذلك.
OOOOO. تلك اللقطة.
Japanese:
しかしそれは撃った。いい加減にして。
クリーパーが私たちのようなものであればどうなりますか?
私は間違った方向に歩いていますか?
なぜクラウスは好きですか?
彼はよりクリーパーな音を立てます!
それとも彼は私にそれを警告していますか?
初めて私を混乱させました。
私は彼が私に警告するためにそれをすると思います。
それはとても素晴らしいです。クラウスは素晴らしいです。
さて、私たちはただJoergenを見つけてバウンスしなければなりません。
*あえぎ*
パンダ。
パンダおしっこおしっこ。
こんにちは。
こんにちは。
こんにちは。
なんでしょう?羽毛?いいえ?
種?
彼は何が好きですか? pandsはどんな感じですか?
竹?彼らは竹が好きです。
あなたは竹が好きですか?
おお、私の神よ、それはそんなにかわいいのです!
ああ、ハハハハ。
*笑い*
私たちは新しい友達を作っています、これはすごいです。
ダンあなたは本当にそれを元気づけました。
パンダを飼い慣らすこともできますか?
Turkish:
İsabet etti!
Ya creeper da bizim gibiyse... Yanlış yöne mi gidiyorum?
Neden Clause hayır diyor gibi?
Creeper sesleri çıkartıyor! Yoksa beni uyarıyor mu?
Bu çok işime yarayabilir!
Sanırım beni uyarmak için yapıyor.
Bu harika. Clause harika.
Pekala şimdi Joergen'ı bulup gitmeliyiz.
Panda!
Merhaba?
Merhaba?
Ne istersin? Tüy?
Hayır mı? Tohum?
Ne sever? Pandalar ne sever? Bambu. Bambu severler.
Bambu sever misin?
Aman Tanrım bu çok şirin!
Yeni arkadaşlar ediniyoruz millet bu harika.
Cidden çiğniyorsun ha?
Panda evcilleştirebiliyor muyum?
English:
That shot though. Come on.
What if creeper is just like us?
I'm walking in the wrong direction?
Why does Klaus sound like- No.
He makes creeper noises!
Or does he warn me for it?
It confused me so much the first time.
I think he does it to warn me.
That's so awesome. Klaus is awesome.
Alright, we just gotta find Joergen and bounce.
*Gasp*
Panda.
Panda pee pee.
Hello.
Hello.
Hi.
What do you want? Feathers? No?
Seeds?
What does he like? What do pands like?
Bamboo? They like bamboo.
You like bamboo?
OH MY GOD, THAT'S SO CUTE!!!
Ahhh ha ha ha ha.
*Laughing*
We're making new friends guys, this is awesome.
Dang. You really chugged that down huh.
Can I even tame a panda?
Arabic:
تلك اللقطة. هيا.
ماذا لو كان الزاحف مثلنا تمامًا؟
أنا أمشي في الاتجاه الخاطئ؟
لماذا يبدو كلاوس مثل- رقم
انه يجعل الضوضاء الزاحف!
أم هل حذرني من ذلك؟
لقد أربكتني كثيراً في المرة الأولى.
أعتقد أنه يفعل ذلك لتحذيري.
هذا رائع جدا. كلاوس رائع.
حسنا ، نحن فقط سنجد يورغن وترتد.
* * اللهيث
الباندا.
الباندا تبول بول.
مرحبا.
مرحبا.
مرحبا.
ماذا تريد؟ الريش؟ لا؟
بذور؟
ماذا يحب؟ ماذا تحب العصابات؟
الخيزران؟ هم يحبون الخيزران.
تحب الخيزران؟
يا إلهي ، هذا لطيف!
Ahhh ها ها ها ها ها ها.
* يضحك *
نحن نبني صداقات جديدة ، هذا رائع.
دانغ. أنت حقا متعب ذلك أسفل هاه.
هل يمكنني حتى ترويض الباندا؟
Vietnamese:
Azerbaijani:
Bu olsa da vurdu. Hadi.
Sürünənlər bizə bənzəyir?
Yanlış istiqamətdə gedirəm?
Niyə Klaus səslənir?
Sürünən səslər edir!
Yoxsa bunun üçün məni xəbərdar edir?
Bu, ilk dəfə məni çox qarışdırdı.
Hesab edirəm ki, məni xəbərdar etsin.
Bu qədər zəhmli. Klaus zəhmli idi.
Yox, yalnız Joergen və sıçrama tapmalıyıq.
* Gasp *
Panda.
Panda pee pee.
Salam.
Salam.
Salam.
Nə istəyirsən? Lələkləri? Yox?
Toxumlar?
O nə xoşlayır? Lands nədir?
Bamboo? Bambuku sevirlər.
Bambukdan xoşunuza gəlirmi?
OH MY GOD, BU CUTE OLAR!
Ahhh ha ha ha ha.
* Laughing *
Yeni dostlar uşaqlar edirik, bu zəhmli.
Dang. Siz, həqiqətən, aşağı huh.
Hətta bir panda ala bilərəmmi?
Portuguese:
Chinese:
射到了齁 射到了齁 來啊
如果苦力怕只是喜歡我們呢
我走錯邊了??!
為什麼Klaus聽起來像....
他在學苦力帕的聲音
還是牠在警告我??
牠第一次讓我那麼困惑
我想牠真的在警告我
那真的很棒棒
Klaus真的很棒棒
我們現在只需要找到Joergen和彈跳
熊貓!!
熊貓 嗶 嗶
哈囉
哈囉 嗚 嗚 嗚~~
你想要什麼??羽毛??
不要??
種子??
牠會喜歡什麼??熊貓會喜歡什麼??
竹子? 他們喜歡竹子
超~可~愛~
啊 哈哈哈哈哈哈哈哈哈
我們在交新朋友各位
這超棒棒
哇 你真的嚼的很開心是吧
我能訓練熊貓嗎??
Russian:
Slovenian:
Tisti strel. Pridi.
Kaj pa, če je gmaz je kot mi?
Hodim v napačno smer?
Zakaj Klaus zveni kot - Ne.
On ustvarja šumenje!
Ali me opozarja?
Tako me je prvič zmedlo.
Mislim, da me to opozori.
To je tako super. Klaus je super.
V redu, samo moramo najti Joergena in bounce.
* Vdihnite *
Panda.
Panda pee pee.
Zdravo.
Zdravo.
Zdravo.
Kaj hočeš? Perje? Ne?
Semena?
Kaj ima on rad? Kakšni so pandi?
Bambus? Všeč jim je bambus.
Ti je všeč bambus?
Oh moj Bog, to je tako lepo!
Ahhh ha ha ha.
* Smeh *
Ustvarjamo nove prijatelje, to je super.
Dang. To si res uničil.
Lahko celo ukrotim pando?
Japanese:
それはとても理にかなっています。
大丈夫、ちょうどそれを終えなさい。
何てことだ。
あなたは本当にダウンが屋ではないことを抱きしめていますか?
ちょっと待って、パンダの人格は違うよ。
彼らは怠け者、心配、遊び心のある、そして攻撃的、弱い、または褐色です。
何?
それはとてもクールです。
だから私たちは実際にそれを飼い慣らすことができるとは思わない。
だから、私は頭を上げてこれをやるつもりです。
彼は私をフォローしますか?私が竹を持っていれば彼は後に続く牛のようですか?
どうやって彼をフォローさせるのですか?
ここで、もう一つ持ってください。
だから、私は間違いなくパンダの怠惰なバージョンを手に入れました。
我が神よ。
あなたは動いていませんか?
だから、ひもをhiimに置くことはできません。
どうやって彼をやらせるのですか。
動けますか?
まったく?それとも彼は立ち往生していますか?
たぶん彼は竹で立ち往生している。
私はあなたを家の仲間までずっと押し戻します。
彼は今私をフォローしていますか?
ああ!
それとも彼は実際に動いているだけなのでしょうか。
ここで、私は竹を手に入れました。
あなたはこれを求めている?
彼に乗れますか。
私は何ができますか - 私はあなたと何ができますか?
Vietnamese:
English:
It makes so sense.
Alright, just finish it.
Oh my God.
You're really chugging that down aren't ya?
Wait, panda's have different personalities.
They can be lazy, worried, playful and agressive, weak, or brown.
What?
That's so cool.
So I don't think we can actually tame it.
So, I'm just gonna go a head and do this.
Does he follow me? Is he like a cow that follows if I have bamboo?
How do I make him follow me?
Here, have another one.
So, I definetly got the lazy version of the panda.
My God.
You are not moving are you?
So I can't put the leash on hiim.
How do I make him come.
Can you move?
At all? Or is he stuck?
Maybe he's stuck in the bamboo.
I'll push you all the way back home buddy.
Is he following me now?
Ahhhh!
Or is he just actually moving now?
Here, I got Bamboo.
You want this?
Can I ride him?
What can I do- What can I do with you?
Arabic:
هذا منطقي جدا.
حسنا ، مجرد الانتهاء منه.
يا إلهي.
كنت حقا الأزيز هذا أليس كذلك؟
الانتظار ، الباندا لها شخصيات مختلفة.
يمكن أن تكون كسولة أو قلقة أو مرحة أو عدوانية أو ضعيفة أو بنية اللون.
ماذا؟
ذاك لطيف جدا.
لذلك لا أعتقد أننا نستطيع ترويضه بالفعل.
لذلك ، أنا فقط سأذهب رأسًا ونفعل ذلك.
هل يتبعني؟ هل هو مثل بقرة تتبع إذا كان لدي خيزران؟
كيف أجعله يتبعني؟
هنا ، لديك واحدة أخرى.
لذلك ، بالتأكيد حصلت على النسخة البطيئة من الباندا.
ربي.
أنت لا تتحرك أنت؟
لذلك لا أستطيع وضع المقود على him.
كيف أجعله يأتي.
هل تستطيع التحرك؟
على الاطلاق؟ أم أنه عالق؟
ربما هو عالق في الخيزران.
سوف أدفع لك طوال الطريق إلى المنزل الأصدقاء.
هل هو يتبعني الآن؟
Ahhhh!
أم أنه يتحرك بالفعل الآن؟
هنا ، حصلت على الخيزران.
انت تريد هذا؟
هل يمكنني ركوبه؟
ماذا يمكنني أن أفعل - ماذا يمكنني أن أفعل معك؟
Portuguese:
Slovenian:
To je tako smiselno.
V redu, samo dokončaj.
O moj bog.
Ti to resnično pomešaš, kajne?
Počakaj, panda ima različne osebnosti.
Lahko so leni, zaskrbljeni, razigrani in agresivni, šibki ali rjavi.
Kaj?
To je tako kul.
Zato mislim, da je ne moremo ukrotiti.
Torej, šel bom samo glavo in to naredil.
Ali me sledi? Je kot krava, ki sledi, če imam bambus?
Kako naj ga prisilim, da me spremlja?
Tukaj, še eno.
Torej, definitivno sem dobil leno različico pande.
Moj Bog.
Vi se ne premikate?
Ne morem postaviti povodec na hiim.
Kako ga prisilim, da pride.
Lahko se premaknete?
Nasploh? Ali je obtičal?
Mogoče je obtičal v bambusu.
Potisnil vas bom do doma.
Ali me zdaj spremlja?
Ahhhh!
Ali pa se zdaj dejansko premika?
Tukaj imam Bamboo.
Hočeš to?
Lahko ga jaz vozim?
Kaj lahko storim ... Kaj lahko storim s tabo?
Turkish:
Çok saçma. Pekala bitir sadece.
Aman Tanrım
Çiğniyorsun cidden öyle mi?
Bekle pandaların farklı kişilikleri mi var? ''Tembel, endişeli
oyuncul, agresif, zayıf,
kahverengi...'' Kahverengi mi?!
Ne?
Bu çok havalı.
Evcilleştirebileceğimizi düşünmüyorum o yüzden
bunu yapacağım. Beni takip ediyor mu?
İnek gibi mi, elimde bambu tutsam takip eder mi?
Beni nasıl takip edecekler? Al bakalım bi tane daha.
Sanırım tembel olan pandaya rastlamışım Tanrım
hareket etmiyorsun değil mi? Bu yüzden ona tasma takamıyorum.
Nasıl gelmelerini sağlayacağım? Hareket ediyor mu yoksa sıkışmış mı?
Belki de bambuların arasında sıkışmıştır.
Seni eve kadar ittireceğim dostum.
Takip ediyor mu şimdi?
Yoksa şu an hareket mi ediyor? Bak, bambum var.
İster misin?
Binebilir miyim üstüne?
Azerbaijani:
Bu mənada çox məna verir.
Tamam, onu bitir.
Aman Tanrım.
Həqiqətən, səninlə deyil, səninlədir.
Gözləyin, panda müxtəlif şəxsiyyətlərə sahibdir.
Onlar tənbəl, narahat, oynaq və agressiv, zəif və ya qəhvəyi ola bilər.
Nə?
Bu qədər sərindir.
Budur, biz əslində onu ala biləcəyimizi düşünmürəm.
Beləliklə, mən yalnız başımla gedəcəyəm və bunu edirəm.
O məni təqib edirmi? Bambuka sahib olsaydı o bir inək kimi mi?
Onu necə təqib etməliyəm?
Burada başqa bir var.
Beləliklə, mən, həqiqətən, panda'nın tənbəl versiyasını aldım.
Allahım.
Siz hərəkət etmirsinizmi?
Buna görə də hiim üzərinə büzüşməyim mümkün deyil.
Onu necə gətirəcəyəm?
Tərtib edə bilərsənmi?
Bütün? Yoxsa vurulmuş mu?
Bəlkə bambukda qaldı.
Mən səni ev dostumun bütün yolunu itələyəcəyəm.
İndi məni izləyirmi?
Ahhhh!
Yoxsa o, həqiqətən indi hərəkət edir?
Burada Bamboo aldım.
Bunu istəyirsən?
Onu gəzməyə bilərəmmi?
Nə edə bilərəm? Mən sizinlə nə edə bilərəm?
Chinese:
這會一點道理都沒有
好的 .就吃完它
你真的嚼的很認真 對吧
等一下..熊貓有不同的人格特質
牠們可以有懶惰.擔憂.調皮和有侵略性的.弱的.或棕色
啥???
這很酷
所以我想我們不能真的訓練牠
所以我們就只能直接來了
他有跟著我們嗎??
如果我的手上有竹子的話他會像牛一樣跟著我們嗎??
我要怎麼讓他跟著我??
給你另外一個竹子
所以我大概遇到的是懶惰特性的熊貓
你不會動吧你?
所以我不能用繩索帶牠
我要怎麼讓牠過來
你能動嗎?
一點??還是牠卡住了??
也許牠卡在竹子裡
我會一路推著你回家呦老弟
牠現在跟著我了嗎??
還是牠只是動牠自己的
這裡 我有竹子
你想要嗎??
我能騎牠嗎??
我能做...我能對你做什麼??
Portuguese:
Japanese:
ラメ!!!
さて、私はそれらを飼い慣らすことはできない、とにかく。
本物のパンダが家にあっても大丈夫です。偽のパンダはいりません。
Joergenを今見つけよう。彼はどこかの穴にいます。
うーん...
おお、神よ。
私はどこに彼を置いたのですか?
ああ、鳥を見なさい。
クラウス。
そこに彼はいます!
Joergen
*笑う*
こんにちはJoergen。
ここで、ここで御馳走です。
ああ、決して気にしないで、彼はそれを望んでいない。はい。
さて、どうやってここから出るの?
これはおそらく…
最も簡単な方法です。
彼らはこれまでにテレポートすることができますか?
おお、神よ。
大丈夫
なんてことだ。
私は思います…そうではありません。
ああ。
ああ、彼はまた私に警告している。何てことだ。
Joergenはそこに行かないでください。
私はそうは思いません!
ああ。
彼は斧を使っています。
Turkish:
Seninle ne yapacağım? Ezik!
Onları evcilleştiremiyorum galiba, her neyse.
Evde gerçek pandamız var, tamam mı? Sahte pandalara gerek yok.
Joergen'ı bulacağım şimdi. Buralarda bir delikte.
Tanrım, nereye bıraktım onu?
Kuşa bak! Clause! İşte burada!
Joergen!
Merhaba Joergen!
Al, işte ödülün.
Her neyse, istemiyor, pekala.
Nasıl çıkacağım buradan?
Bu muhtemelen en kolay yol.
Bu kadar uzağa ışınlanabilirler mi?
Pekala.
Aman Tanrım!
Hiç zannetmiyorum.
Ah, beni tekrar uyarıyor, Tanrım.
Gitme oraya Joergen. Hiç zannetmiyorum.
Hile mi yapıyor?! Tanrım!
Chinese:
廢..
我想我真的不能訓服牠 隨便啦
我們有真的熊貓在家對吧 我們不需要假的
現在只需要找到Joergen
他在某處的一個洞裡
我把牠放去哪了..
喔 看那個鳥鳥 Klaus
牠在這裡!Joergen
哈囉Joergen
這裡 給你的獎勵
喔 好吧 牠不想要
那我現在要怎麼離開
這或許..
是最簡單的方法
他們可以傳送那麼遠嗎??
我想....不!
他又再提醒我了
別過去那裏Joergen
我覺得不行!
牠在用外挂!
Slovenian:
LAME !!!
V redu, mislim, da jih ne morem ukrotiti.
Pravo pando imamo doma. Ne potrebujemo ponaredkov.
Sedaj moram najti Joergena. Nekje je v luknji.
Ummm ...
O Bog.
Kje sem ga dal?
Oh, poglej si ptico.
Klaus.
Tukaj je!!!
Joergen.
* Smeh *
Pozdravljeni Joergen.
Tukaj, tukaj je poslastica.
Oh, nikogar ne želi. V redu.
Kako naj grem od tu?
To je verjetno ...
Najlažji način.
Lahko teleportirajo tako daleč?
O Bog.
Vredu.
O moj bog.
Mislim, da ne.
Oh.
Spet me opozarja. O moj bog.
Ne hodite tja, Joergen.
Mislim, da ne!
oh.
Uporablja sekiro.
Arabic:
عرجاء!
حسنا ، أعتقد أنني لا أستطيع ترويضهم ، أيا كان.
لدينا الباندا الحقيقية في المنزل بخير. نحن لسنا بحاجة الباندا وهمية.
فقط فلدي تجد يورغن الآن. انه في حفرة في مكان ما.
يممم ...
يا إلهي.
أين وضعته؟
أوه ، انظر إلى الطائر.
كلاوس.
ها هو!!!
يورغن.
* يضحك *
مرحبا يورغن.
هنا ، وهنا متعة.
أوه ، فما باللك ، فهو لا يريد ذلك. حسنا.
الآن ، كيف أخرج من هنا؟
ربما هذا ...
أسهل طريقة.
هل يمكنهم النقل الفضائي بعيدًا؟
يا إلهي.
حسنا.
يا الهي.
لا أعتقد ذلك.
يا.
أوه ، لقد حذرني مرة أخرى. يا إلهي.
لا تذهب هناك يورغن.
لا أعتقد ذلك!
يا.
انه يستخدم الفأس.
Vietnamese:
English:
LAME!!!
Alright, I guess i can't tame them, whatever.
We have a real panda at home okay. We don't need fake pandas.
Just gotta find Joergen now. He's in a hole somewhere.
Ummm...
Oh God.
Where did I put him?
Oh, look at the bird.
Klaus.
There he is!!!
Joergen.
*Laughs*
Hello Joergen.
Here, here's a treat.
Oh, nevermind, he doesn't want it. Okay.
Now, how do I get out of here?
This is probably...
The easiest way.
Can they teleport this far?
Oh God.
Alright.
Oh my gosh.
I think... Not.
Oh.
Oh, he's warning me again. Oh my God.
Don't go in there Joergen.
I think not!
oh.
He's using an axe.
Azerbaijani:
LAME!
Alright, məncə, onları nə qədər aldatmayacağam.
Evimizdə tam bir panda var. Saxta pandalara ehtiyacımız yoxdur.
İndi Joergen'i tapmalıyam. Bir yerdə bir deşik var.
Umm ...
Ey Allah.
Onu harada qoydum?
Quşa baxın.
Klaus.
Budur o!!!
Joergen.
* Laughs *
Salam Joergen.
Burada bir müalicə var.
Oh, nevermind, istəmir. Tamam.
İndi necə buradan çıxa bilərəm?
Bu ehtimal ki ...
Ən asan yol.
Bu qədər teleport edə bilərəmmi?
Ey Allah.
Alright.
Mənim gözətçim.
Düşünürəm ... Xeyr.
Oh.
Oh, yenə xəbərdarlıq edir. Aman Tanrım.
Orada Joergenə getmə.
Mən düşünmürəm!
oh.
Balta istifadə edir.
Japanese:
なんてことだ。
うーん。
それはトライデントな男です、私たちはそれをするつもりです。
私たちはそれに行きます。
彼らはフリックとして危険です。
スヴェン、私は今あなたが穴にいる必要があります。
あ、ごめんなさい。
何てことだ。
私は少しです -
スヴェンくそー、野蛮人。
Joergenをフィードしてください。
私は彼を百万のように襲った
うーん、彼は陸にいます。
ジーバ
それはいいですね。
はい。
彼はそれを落としましたか?
畜生!
Svenを入手してください。
Svenを入手してください。
殺しなさい。
殺しなさい。
スヴェンを殺しなさい。
あなたがSvenを手に入れたものを見せてください。
フリックエムアップリアルスヴェン。
良い仕事スヴェン。
かっこいい、雨が降っている、
しかしここではありません。
Minecraftは意味がありません。
Vietnamese:
Slovenian:
O moj bog.
Woah.
To je trizobec, greva za to.
Greva za to.
Nevarni so kot frick.
Sven, zdaj te potrebujem v luknji.
Oh oprosti.
O moj bog.
Malce sem
Sven. Prekleto, divji.
Nahrani Joergen.
Udaril sem ga kot milijon-
Woah, on je na kopnem.
Jeeba.
To pa je dobro.
Da.
Ga je spustil?
Prekleto!
Spravi jih v Sven.
Spravi jih v Sven.
Ubij jih.
Ubij jih.
Ubij jih Sven.
Pokaži jim, kaj imaš Sven.
Razbij se resnično dober Sven.
Dobro delo Sven.
Kul, zato dežuje,
ampak ne tukaj.
Minecraft nima smisla.
English:
Oh my gosh.
Woah.
It's a trident guy, We're going for it.
We'r going for it.
They're dangerous as frick.
Sven, I need you in the hole right now.
Oh, sorry.
Oh my God.
I'm a little-
Sven. Damn, savage.
Feed Joergen.
I hit him like a million-
Woah, he's on land.
Jeeba.
That's good though.
Yes.
Did he drop it?
Damnit!
Get 'em Sven.
Get 'em Sven.
Kill 'em.
Kill 'em.
Kill 'em Sven.
Show 'em what you got Sven.
Frick 'em up real good Sven.
Good job Sven.
Cool, so it's raining here,
but not here.
Minecraft makes no sense.
Portuguese:
Chinese:
我的天
是那個三叉戟傢伙 我們去打牠
我們打牠
他們危險得跟鬼一樣
Sven我需要你現在待在洞裡
喔..抱歉
我有一點...
Sven 哇.. 野蠻
餵Joergen
我打了他大概上百次
哇嗚.牠上岸了
??
那招棒棒喔
牠有掉嗎?
該死沒有
掛了他們Sven
掛了他們
殺了他們
殺了他們
殺了他們Sven
展現給他們看Sven
掛翻他們Sven
做得好Sven
這裡在下雨
但這裡沒有
Minecraft沒道理
Azerbaijani:
Mənim gözətçim.
Woah.
Bu bir trident oğlan, biz bunun üçün gedirik.
Bunun üçün gedirik.
Onlar frikik kimi təhlükəlidirlər.
Sven, indi sənə çuxurda ehtiyacım var.
Üzr istəyirik.
Aman Tanrım.
Mən bir az-
Sven. Lanet olsun, vahşi.
Yöreni yemi.
Ona bir milyonluq kimi vurdum,
Woah, torpaqda.
Jeeba.
Bu olsa yaxşıdır.
Bəli.
Buraxdı mı?
Lənət olsun!
Sven olsun.
Sven olsun.
Öldür.
Öldür.
Sven'i öldür.
Sven etdiyin şeyi göstər.
Frick, həqiqətən yaxşı Sven.
Yaxşı iş Sven.
Sərin, buna görə yağış yağır,
lakin burada deyil.
Minecraft heç bir məna vermir.
Turkish:
Mızraklı adam! Bunun için gidiyoruz.
Bunun için. Çok tehlikeliler.
Sven sana delikte ihtiyacım var şu an.
Üzgünüm, üzgünüm.
Sven, lanet olsun! Vahşi!
Milyon kez vurdum resmen. (Joergen)
Karaya çıkmış!
İyi bir şey ama.
Evet! Düşürdü mü?
Lanet olsun! Hakla onu Sven.
Hakla onu Sven.
Öldür. x2
Öldür onu Sven, hünerlerini göster.
İyi hakla onu Sven.
Aferin Sven. Yağmur yağıyor.
Burada yağıyor ama orada yağmıyor.
Minecraft çok saçma.
Arabic:
يا الهي.
WOAH.
انه رجل ترايدنت ، نحن ذاهبون لذلك.
نحن ذاهبون لذلك.
انهم خطرون مثل frick.
سفين ، أحتاجك في الحفرة الآن.
أه آسف.
يا إلهي.
انا قليلا
سفين. اللعنة ، وحشية.
تغذية يورغن.
أنا ضربته مثل مليون
واه ، إنه على الأرض.
Jeeba.
هذا جيد رغم ذلك.
نعم فعلا.
هل أسقطها؟
عليك اللعنة!
الحصول على م سفين.
الحصول على م سفين.
اقتله.
اقتله.
قتل م سفين.
عرض ما حصلت عليه سفين.
Frick 'em up سفين جيد حقيقي.
عمل جيد سفين.
بارد ، لذلك تمطر هنا
لكن ليس هنا.
ماين كرافت لا معنى له.
Vietnamese:
Chinese:
太陽能趕快升上來嗎 拜託
是村莊各位
Klaus你為什麼倒著飛我看到了
高跳
小貓!!
該死我沒有魚
有天我一定會訓服一隻貓
我會訓服基努李維((+_+)??)
26個馬鈴薯?!你瘋了
從我的眼前滾開
給我這個 我想要這個
我想我們要開始為了終局之戰準備
想準備箭和其他像那樣的東西
因為我想我們非常接近它
沒再騙你
砍倒樹木
要怎麼製作陶製品??
我能直接偷走鐵巨人嗎??
問號問號??
這村莊頗爛 我們離開吧
喔抱歉Sven
這世界發生什麼事了?
我能偷....
你要跟我走了
我們今天交到了許多新朋友呀
為什麼要自己做鐵巨人勒
他們太貴了就直接偷一個就好了呀
English:
Can the sun come up please?
Woah.
There's a village guys.
Klaus, were you flying backwards? I saw that.
High Jump.
Oh yeah.
*Gasp*
Kitty.
Damnit. I don't have- I don't have fish.
One day I will take a kitty. Urgh.
I will take Keanu Reeves.
26 potatoes, you're cray.
Get out of my face.
Give me this. I want this.
I think we're gonna have to start preparing for the endgame.
Like getting arrows and stuff like that.
Because i think we're getting pretty close.
Not gonna lie.
Knock on wood.
How do you make terracotta stuff?
Can I just steal an Iron Golem?
Question mark.
I mean, this village kinda sucks, let's get real here.
Oh, sorry Sven.
What in the world happened here. Can I steal-
*Gasp*
Cou're coming with me.
Oo, we got a lot of new friends today.
Okay.
Why make an Iron Golem, they're expensive, you can just steal them.
Turkish:
Güneş doğabilir mi artık?
Bir kasaba millet! Clause geriye doğru mu uçuyordun?
Gördüm. Yüksek atlayış!
Kedicik! Lanet olsun balığım
yok. Bir gün bir kediyi-
Keanu Reeves'i evcilleştireceğiz. 28 patates mi?!
Çıldırmışsın. Çekil gözümün önünden.
Bunu ver bunu istiyorum. Artık oyunun sonuna
hazırlanmaya başlamalıyız galiba.
Oklar ve onun gibi şeyler edinmeye falan.
Çünkü yalan söylemiyorum
sona yaklaştık.
Odunlara saldırı.
Iron golem çalabilir miyim?
Soru işareti? Bu kasaba berbatmış.
Hadi kaçalım buradan. Pardon Sven.
Ne oluyor? Çalabilir miyim-
Benimle geliyorsun.
Bugün bir sürü yeni arkadaş edindik, pekala.
Niye bir iron golem yapasın ki, baya masraflılar. Onun yerine çal.
Azerbaijani:
Günəş xahiş edə bilərmi?
Woah.
Bir kənd uşaqları var.
Klaus, geriyə doğru uçurdun? Bunu gördüm.
Yüksək atla.
Bəli.
* Gasp *
Kitty.
Lənət olsun. Bilmirəm - məndə balıq yoxdur.
Bir gün bir kitty alacağam. Urgh.
Keanu Reeves'i götürəcəyəm.
26 kartof, sən qarışıyorsun.
Üzümdən çıxın.
Mənə bu verin. Mən bunu istəyirəm.
Hesab edirəm ki, biz endgame üçün hazırlaşmağa başlamalıyıq.
Oxlar və kimi şeylər əldə etmək kimi.
Çünki düşünürəm ki, biz olduqca yaxınlaşırıq.
Yalan söyləmək olmaz.
Taxta toxun.
Terrakotta məhsulları necə edirsiniz?
Bir Iron Golem'i yalnız oğurlaya bilərəm?
Sual işarəsi.
Demək istəyirəm ki, bu kənd kinayədir, gəlin burada olsun.
Üzr, Sven.
Dünyada nə oldu. Mən oğurluq edə bilərəmmi?
* Gasp *
Mənimlə birlikdə gəlin.
Bu gün bir çox yeni dostumuz var.
Tamam.
Niyə Iron Golem etmək, onlar bahadır, yalnız onları oğurlaya bilərsiniz.
Portuguese:
Slovenian:
Ali lahko pride sonce, prosim?
Woah.
Tam je vaška družina.
Klaus, ste leteli nazaj? To sem videl.
Visoki skok.
Oh ja.
* Vdihnite *
Kitty.
Prekleto. Nimam - nimam rib.
Nekega dne bom vzel mucko. Urgh.
Vzela bom Keanua Reevesa.
26 krompirja.
Izgini mi izpred oči.
Daj mi to. Hočem to.
Mislim, da se bomo morali začeti pripravljati na končnico.
Kot da bi dobili puščice in podobne stvari.
Ker mislim, da postajamo zelo blizu.
Ne bom lagal.
Udari na les.
Kako narediš izdelke iz terakote?
Lahko ukradem železni Golem?
Vprašaj.
Mislim, ta vas je nekako zanič, da postanemo resnični tukaj.
Oprosti, Sven.
Kaj se je zgodilo tukaj. Lahko ukradem
* Vdihnite *
Prihajajo z mano.
Oo, danes imamo veliko novih prijateljev.
V redu.
Zakaj bi naredili Iron Golem, saj so drage, lahko jih samo ukradete.
Arabic:
يمكن أن تأتي الشمس من فضلك؟
WOAH.
هناك شباب القرية.
كلاوس ، هل كنت تطير للخلف؟ رأيت ذلك.
الوثب العالي.
آه أجل.
* * اللهيث
كيتي.
عليك اللعنة. ليس لدي - ليس لدي سمك.
يوم واحد سوف آخذ كيتي. Urgh.
سآخذ كيانو ريفز.
26 بطاطا ، أنت تبكي.
اغرب عن وجهي.
اعطني هذا. اريد هذا.
أعتقد أننا سنعمل على البدء في الاستعداد لمباراة النهاية.
مثل الحصول على السهام وأشياء من هذا القبيل.
لأنني أعتقد أننا نقترب جدا.
لن تكذب.
دق على الخشب.
كيف تجعل الاشياء الطين؟
هل يمكنني فقط سرقة Golem Iron؟
علامة استفهام.
أعني ، هذه القرية تمتص كيندا ، هيا بنا هنا.
أوه ، آسف سفين.
ما في العالم حدث هنا. هل يمكنني سرقة
* * اللهيث
كنت قادم معي.
يا ، لدينا الكثير من الأصدقاء الجدد اليوم.
حسنا.
لماذا صنع Golem Iron ، إنها غالية الثمن ، يمكنك فقط سرقتها.
Japanese:
太陽が昇ってきますか。
うーん。
村の人たちがいます。
クラウス、あなたは後ろに飛んでいましたか?私はそれを観た。
高跳び。
そうそう。
*あえぎ*
キティ
畜生。持っていない - 魚がいない。
ある日、私は子猫を連れて行きます。うーん。
私はKeanu Reevesを取ります。
26のじゃがいも、あなたは泣いている
私の顔から出てください。
これをください。これ欲しい。
私たちは終盤の準備を始めなければならないと思います。
矢やそのようなものを手に入れるのが好きです。
私たちはかなり近づいていると思うので。
うそをつくつもりはありません。
木をたたきなさい。
どのようにテラコッタのものを作りますか?
アイアンゴーレムを盗むだけでもいいですか?
疑問符。
つまり、この村はちょっと吸い込んでしまいます。
ああ、すみませんスヴェン。
ここで何が起こったのでしょう。盗むことはできますか
*あえぎ*
Couが私と一緒に来ています。
Oo、今日はたくさんの新しい友達ができました。
はい。
なぜアイアンゴーレムを作る、彼らは高価です、あなたはそれらを盗むことができます。
Turkish:
Bu iyi bir şey mi kötü mü anlayamıyorum
ama seni eve götürüyoruz orada yaşayacaksın falan.
iyi şeylerimiz var.
İki tane sizden yaptım ama ikisi de kaçtı yani...
tamam mı?
Onlara tasma takmam gerektiğini bilmiyordum.
Bu sefer bir
köprü inşa etmemiz gerekecek.
Çünkü suya girdiğini sanmıyorum (iron golem)
Joergen Smergen.
Iron golem ne kadar hızlı gidebilir? Görmek isitiyorum bunu.
Koşsan iyi olur!
Ben ve o!
Nereye gitti? Tanrım
Ah hayır
Ne yaptın? Geri gel hemen
Tasman nerede? Tasman gerek- işte burada.
Gel buraya, geri gel. Dostum PewDiePie tayfasındasın
kardeşler tayfasındasın. Neyini duymadın?!
Portuguese:
Japanese:
これが悪いのか良いのかわからないけど
私たちはあなたを家に連れて帰ります。あなたはすてきなものを生きるつもりです。
私たちは好きです、私たちはものを持っています。
聞きなさい、私はあなたのうちの二人を建てた。あなたのうちの2人はとても大丈夫です。
私はあなたが彼らに鎖をつける必要があることを知りませんでした。
今回は、次のことを行う必要があります...
私たちは橋を架ける必要があるでしょう。
「原因私は彼が水に入るとは思わない。
Joergen Smergen。
アイアンゴーレムはどれくらい速く行くことができますか?
あれを見たい。
*笑い*
こんにちは!
そのとおり。あなたは男の子を走らせるほうがいいです。
とっとと逃げろ。私と男の子
ああ、彼はどこに行きましたか?
何てことだ。こんにちは。
*うめき声*
おお、今やった、そこから戻ってきなさい。
どこにあなたの鎖はどこにありますか?
おい、私は必要だ - ああ、そこにある。
ここに来て。ここに戻って。
あなたはPewdiepieギャングにいます。あなたは仲間の一員です。
何?あなたはフリックではありませんでしたか?
私はあなたが発言を持っていないかどうかを気にしません。
Vietnamese:
Slovenian:
Ne morem ugotoviti, če je to slabo ali dobro
Pripeljali te bomo domov. Lepo boš živela in ostalo.
Mi imamo, imamo stvari.
Poslušaj, zgradil sem dva od vas. Dva od vas sta tako v redu.
Nisem vedel, da jih moraš povzdigniti.
Tokrat bomo morali ...
Morali bomo zgraditi most.
Ker ne mislim, da gre v vodo.
Joergen Smergen.
Kako hitro lahko grelec?
To bi rad videl.
* Smeh *
OW !!!
Tako je. Bolje, da zaženete fanta.
Bolje tecite. Jaz in fant.
Oh, kam je šel?
O moj bog. Pridi ... Oh ne.
* Groans *
Oh, zdaj si to naredil, od tam se vrni.
Kje ... Kje je povodec?
Stari, potrebujem ... Oh, tam je.
Pridi sem. Pridi nazaj.
Ti si v bandi Pewdiepie. V bratovski tolpi si.
Kaj? Ali nisi me poslušal, stari.
Vseeno mi je, da nimaš besede.
English:
I can't tell if this is bad or good but-
We're bring you home. You're gonna live nice and stuff.
We have like, we have stuff.
Listen, I built two of you. Two of you are out there so okay.
I didn't know you had to put a leash on them.
This time, we're gonna have to...
We're gonna have to build a bridge.
"Cause I don't think he goes in water.
Joergen Smergen.
How fast can the Iron Golem go?
I want to see that.
*Laughing*
OW!!!
That's right. You better run boy.
You better run. Me and the boy.
Oh, where'd he go?
Oh my God. Come- Oh no.
*Groans*
Oh you've done it now, get back from there.
Where's- Where's your leash?
Dude, I need- Oh, there it is.
Come here. Come back here.
You're in the Pewdiepie gang. You're in the bro gang.
What? Did you not frickin' hear me dude.
I don't care you don't have a say.
Chinese:
我不能跟你們說這是好還是壞
我們要帶你去新家
你會離開.你會活得開心充足
我們有很多東西
聽著 我做了兩個你 兩個都離開了
我不知道你需要用繩索套住他們
這次..我們就必須...
必須蓋個橋了
因為我覺得它不能泡水
Joergen SMoergen
鐵巨人能走多快??
我想看看
你最好跑快點男孩
你最好跑~我和男孩
不 牠去哪了
你玩完沒..回來這裡
你的繩索呢?老兄我需要 喔 在這裡
過來這裡 回來這裡
你在Pewdiepie幫 你在兄弟幫
你沒在聽嗎?老兄
我才不在意你不用說了
Azerbaijani:
Bu pis və ya yaxşı olub olmadığını deyə bilmərəm.
Biz sizi evə gətirdik. Gözəl və təvazökarlıqla yaşayacaqsan.
Bizə bənzəyir ki, bizdə şeylər var.
Dinləyin, ikinizdən birini qurdum. İkinizdən çox yaxşıyıq.
Bilmirəm ki, onlara bir şey qoymağınız lazım idi.
Bu dəfə, biz ...
Bir körpü qurmaq məcburiyyətindəyik.
"Çünki suda gedir deyə düşünmürəm.
Joergen Smergen.
Iron Golem nə qədər sürətli gedə bilər?
Bunu görmək istəyirəm.
* Laughing *
OW !!!
Düzdür. Siz daha yaxşı bir oğlan qaçarsınız.
Daha yaxşı işləsən. Mən və oğlan.
Oh, harada getdi?
Aman Tanrım. Gəl
* Groans *
İndi bunu etdin, oradan qayıdın.
Harada olursunuz?
Dostum, mənə lazımdır - Oh, var.
Bura gəl. Buraya qayıdın.
Siz Pewdiepie şəbəkəsindəsiniz. Bro çetesindesin.
Nə? Sən məni eşitməmişdin mi?
Bilmirəm sənə bir söz deyilmir.
Arabic:
لا يمكنني معرفة ما إذا كان هذا سيئًا أم جيدًا
نأتي بك إلى المنزل. أنت ستعيش لطيفًا والأشياء.
لدينا مثل ، لدينا الاشياء.
اسمع ، لقد بنيت اثنين منكم. اثنان منكم هناك بخير.
لم أكن أعلم أنه كان عليك وضع مقود عليها.
هذه المرة ، علينا أن ...
نحن ذاهبون لبناء جسر.
"السبب لا أعتقد أنه يذهب في الماء.
يورغن سميرغن.
كيف يمكن أن تذهب سريع Golem الحديد؟
اريد ان ارى ذلك.
* يضحك *
OW !!!
هذا صحيح. أنت أفضل تشغيل الصبي.
أنت تدير أفضل. أنا والصبي.
أوه ، أين ذهب؟
يا إلهي. تعال - لا لا.
* الآهات *
لقد قمت بذلك الآن ، عد من هناك.
أين - أين مقودك؟
المتأنق ، أنا في حاجة ، أوه ، هناك.
تعال الى هنا. عد إلى هنا.
أنت في عصابة Pewdiepie. أنت في عصابة إخوانه.
ماذا؟ ألم تسمعني يا فريكين.
لا يهمني ليس لديك رأي.
Turkish:
Umurumda değil
Bu demokrasi ortamı değil. Bir önemin yok!
Su koyununun suçlarının
bedelini sen ödeyeceksin.
Biri ödemeli.
Ben ve çocuklar 51. Bölgeye hücum ediyoruz.
Clause'u getirebilir miyim?
Onu ben patronlarla falan savaşırken yanımda
getirebilir miyim?
Sana koşmayı bırak dedim mi?
İhtişamlı köfte!
IKEA kulem nerede?
İşte burada.
Ve içeri giriyoruz.
Kapıyı kapıyoruz.
Harikaydı bu.
Tasma nerede? Kimse bilmiyor.
Hey su koyunu! Görmeni istediğim biri var.
Bu senin yeni-
sen burada kal.
Su koyununu koru. Görevin bu.
Duymadın mı? Su koyununu koru dedim!
Slovenian:
To ni demokracija.
Ti ni pomembno.
To pravim.
Plačal boš za zločine ...
Ovčje vode.
Nekdo mora.
Jaz in fantje napadamo območje 51.
Ohhhh!
Ow!
Lahko prinesem ... Klausa?
Lahko ga pripeljem s seboj, ko se borim s šefi in podobnimi stvarmi?
Sem ti rekla, da nehaš teči?
Ah, veličastno meso.
Kje je moj IKEA stolp?
Ona je tukaj.
In mi...
Vozimo se ...
In smo blizu.
To je bilo neverjetno.
Oh, ja.
Kje je bil povodec? nihče ne ve.
Hej vodne ovce?
Nekaj želim, da vidiš.
To je tvoj novi ... Ay!
Ostani tukaj.
Zaščitite ovčjo vodo.
To je vaša dolžnost.
Me ne slišiš? Rekel sem PROTECT WATER SHEEP!
Japanese:
これは民主主義ではありません。
あなたは関係ありません。
私が言っていることです。
あなたは犯罪の支払いをするでしょう...
水の羊の。
誰かがする必要があります。
私と男の子がエリア51を襲撃しました。
うーん!
わ!
持ってきてもいいですか…クラウス?
私が上司やそのようなものと戦うとき、私は彼を私と一緒に連れて行くことができますか?
走りを止めるように言いましたか?
ああ、素晴らしいミートブル。
私のIKEAタワーはどこにありますか?
彼女はそこだ。
そして、私たちは...
私たちは乗る...
そして私達はクローズアップします。
それは最高でした。
そうそう。
ひもはどこに行きましたか。誰も知らない。
ちょっと水羊?
あなたに見てほしいものがあります。
これはあなたの新しいAyです。
あなたはここにいてください。
水羊を守ります。
それはあなたの義務です。
聞こえないの?私はプロテクトウォーターシープを言った!
Vietnamese:
Arabic:
هذه ليست ديمقراطية.
لا يهم
هل ما أقوله.
سوف تدفع ثمن الجرائم ...
من الماء الأغنام.
شخص ما لديه ل.
أنا والأولاد اقتحام المنطقة 51.
أوههه!
آه!
هل يمكنني إحضار ... كلاوس؟
هل يمكن أن أحضره معي عندما أحارب الزعماء وأشياء من هذا القبيل؟
هل قلت لك أن تتوقف عن الجري؟
آه ، اللحم المجيد.
أين برج IKEA الخاص بي؟
ها هي ذا.
و نحن...
نحن ركوب في ...
ونحن عن قرب.
كان هذا رائعا.
آه أجل.
أين ذهب المقود؟ لا أحد يعلم.
يا خروف الماء؟
هناك شيء أريدك أن تراه.
هذا هو الجديد الخاص بك آي!
أنت ابقى هنا.
حماية الماء الأغنام.
هذا هو واجبك.
لا يمكنك سماعي؟ قلت حماية الأغنام المياه!
Portuguese:
English:
This is not a democracy.
You don't matter.
Is what I'm saying.
You will pay for the crimes...
Of Water Sheep.
Someone has to.
Me and the boys storming Area 51.
Ohhhh!
Ow!
Could I bring... Klaus?
Could I bring him with me when I fight bosses and stuff like that?
Did I tell you to stop running?
Ah, glorious meatbll.
Where's my IKEA tower?
There she is.
And we...
We ride in...
And we close up.
That was awesome.
Oh, yeah.
Where did the leash go? no one knows.
Hey Water Sheep?
There's something I want you to see.
This is your new- Ay!.
You stay here.
Protect Water Sheep.
That is your duty.
You can't hear me? I said PROTECT WATER SHEEP!
Azerbaijani:
Bu demokratiya deyil.
Fərq etmirsən.
Mən dedim.
Cinayətlərə görə ödəyəcəksiniz ...
Su Qoyunlarından.
Biri var.
51 yaşa qədər məni və oğlanları vurdular.
Ohhhh!
Ow!
Klaus gətirə bilərəmmi?
Bossları və buna bənzər şeylərlə mübarizə apararkən onu mənimlə gətirə bilərmı?
Mən sizə yayınmağı dayandırmanı söylədinizmi?
Ah, şərəfli ət balığı.
Mənim IKEA qala haradadır?
Orada var.
Və biz...
Biz gəzirik ...
Və biz yaxınlaşırıq.
Bu möhtəşəm idi.
Oh, evet.
Yarma nereden çıxdı? heç kim bilmir.
Hey su quzu?
Görməyiniz üçün bir şey var.
Bu sizin yeni - Ay !.
Burada qalma.
Su Qoyunu qoruyun.
Bu sizin vəzifəmizdir.
Məni eşitdinizmi? PROTECT WATER SHEEP dedim!
Chinese:
這是不民主的
你沒意見
那就是我在說的
你要為這個罪付出...
水綿羊
某人必須
我和男孩們攻陷51區
我能帶...Klaus
我能帶著牠去打Boss戰之類的嗎??
我有叫你停止跑步嗎?
壯麗的肉球
我的IKEA塔呢?
她在這
然後我們.. 進去....
關起來
這超棒
繩索去哪了??沒人知道
嘿 水綿羊
我想讓你看看一些東西
這是你的新...欸
你待這裡
保護水羊
那是你的任務
你能聽到我說的嗎????我說保護水羊!!
Azerbaijani:
Su qorumaq qorxmazsınız!
Su Qoyun kimdir? Aman Tanrım.
İdiot.
* Yapon danışır *
Alright Gamers,
Minecraft Let'sPlay başqa bir epizod seyr etdiyiniz üçün təşəkkür edirik
Sizlər əyləndiniz. Bu gün bəzi yeni dostlar etdik,
bu zəhmli.
Bütün sevgi və dəstək üçün təşəkkür edirik.
Yoxlamaq istəsəniz, bu link təsvirdədir.
Və bu mənim üçün indi. Siqaret çəkmək,
və abunə olun.
Bəli.
* Cat oynayır *
Nə?
Nə? Tuber simulyatorunu heç oynamadın mı?
Bilirsən, bu əyləncəli, doğrudurmu?
Mənim fikrimi verməyim lazım deyil,
lakin bir cəhd verin və sonra yaxşı və ya olmasın mənə deyə bilərsiniz.
Hələ əmin deyil? Tamam.
Bir razılaşmanı kəsəcəyəm?
Oyun pulsuzdur.
Və bu, böyük bir qiymətdir.
English:
You can't- PROTECT WATER SHEEP!
Who's Water Sheep? Oh my God.
Idiot.
*Speaks Japanese*
Alright Gamers,
Thanks for watching another episode of Minecraft Let'sPlay
Hope you guys had fun. We made some new friends today,
that's awesome.
Thanks for all the love and support.
If you want yo check out the merch, link is in the description.
And that's it from me for now. Smash like,
and subscribe.
Oh yeah.
*Cat Plays*
What?
What? You've never played Tuber Simulator?
You know it's fun, right?
I'm not supposed to give my opinion,
but give it a try and then you can tell me if it's good or not.
Not convinced yet? Okay.
I'll cut you a deal?
The game's available for free.
And that's a great price.
Arabic:
لا يمكنك حماية أغنام المياه!
من هو غنم الماء؟ يا إلهي.
الأبله.
* يتحدث اليابانية *
حسنا اللاعبين
نشكرك على مشاهدة حلقة أخرى من Minecraft Let'sPlay
اتمنى انكم استمتعتم. لقد صنعنا بعض الأصدقاء الجدد اليوم
هذا رائع.
شكرا على كل الحب والدعم.
إذا كنت تريد أن تحقق من الميرتش ، فسيكون الرابط في الوصف.
وهذا كل شيء مني الآن. تحطيم مثل
والاشتراك.
آه أجل.
* القط يلعب *
ماذا؟
أنت تعرف أنها ممتعة ، أليس كذلك؟
ليس من المفترض أن أعطي رأيي
ولكن جرّبها ، ثم يمكنك أن تخبرني ما إذا كانت جيدة أم لا.
غير مقتنع حتى الآن؟ حسنا.
سوف أعقد صفقة؟
اللعبة مجانية.
هذا سعر رائع.
Chinese:
你不能..保護水羊!!
誰是水羊?我的老天
笨蛋
好的各位
感恩收看又一集的Minecraft
希望你們看的開心
我們今天交了新朋友
那超棒棒
感恩所有的愛與支持
如果想看看商品 可以到下方資訊欄查看
我們今天就到這了謝謝大家
按讚和訂閱
stomjacki翻譯
/////工商時間////
Portuguese:
Turkish:
Su koyununu koru!
Tanrım. Salak.
Pekala gamerlar, Minecraft'ın
başka bir bölümünü daha izlediğiniz için teşekkür ederim.
Umarım eğlenmişsinizdir. Bugün yeni arkadaşlar edindik, harika!
Tüm sevgi ve destek için teşekkürler, eğer merchlere bakmak isterseniz linki açıklamada
ve bu kadar. Beğenin ve abone olun!
Oo eveet.
NeE? Ne? Daha önce hiç Tuber Simulator oynamadınız mı?
NeE? Ne? Daha önce hiç Tuber Simulator oynamadınız mı?
Eğlenceli olduğunu biliyorsunuz, değil mi?
Fikrimi vermemem gerekiyor
ama oyunu bir deneyin.
Ondan sonra oyunun iyi olup olmadığını bana söyleyebilirsiniz.
İkna olmadınız mı? Tamam...
Size bir teklif yapıyorum. Oyun bedava olsun.
Size bir teklif yapıyorum. Oyun bedava olsun.
Size bir teklif yapıyorum. Oyun bedava olsun.
Bu harika bir fiyat!
Vietnamese:
Slovenian:
Ne morete- ZAŠČITI VODE!
Kdo je vodna ovca? O moj bog.
Idiot.
* Govori japonsko *
Dobro, igralci,
Hvala, ker si gledal še eno epizodo Minecrafta
Upam, da ste se zabavali. Danes smo naredili nekaj novih prijateljev,
to je super.
Hvala za vso ljubezen in podporo.
Če želite, da jo pregledate, je povezava v opisu.
In to je zdaj od mene. Smash kot,
in se naročite.
Oh ja.
* Predvajanje mačke *
Kaj?
Kaj? Še nikoli nisi igral Tuber Simulator?
Veš, da je zabavno, kajne?
Ne bi smel dati svojega mnenja,
ampak poskusite in potem mi lahko poveste, če je dobro ali ne.
Še niste prepričani? V redu.
Sestavil vas bom?
Igra je na voljo brezplačno.
In to je odlična cena.
Japanese:
あなたはできません - ウォーターシープを守れ!
水羊は誰ですか?何てことだ。
馬鹿。
*日本語を話します*
大丈夫ゲーマー、
Minecraft Let'sPlayの別のエピソードを見てくれてありがとう
あなたたちみんなが楽しんだことを願っています。今日は何人かの新しい友達を作りました、
それは素晴らしいです。
すべての愛とサポートをありがとう。
あなたは商品をチェックアウトしたい場合は、リンクが説明にあります。
そしてそれは今のところ私からのものです。スマッシュ、
そして購読する。
そうそう。
猫の遊び
何?
何?あなたはチューバーシミュレータをプレイしたことがない?
楽しいですね。
私は私の意見を述べることになっていません、
それを試してみると、それが良いかどうか私に言うことができます。
まだ納得していませんか?はい。
私はあなたに取り引きをするつもりですか?
ゲームは無料で利用可能です。
そしてそれは素晴らしい価格です。
| {
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THE STEPS FOR APPROVAL IN OUR
VACCINE WATCH.
>>> NEWLY RELEASED AUDIO, OUT OF
THE FORMERS OFFICERS -- CLAIMING
HE WANTED TO ROLL FLOYD ONTO HIS
SIDE WHILE HE SAYS DEREK CHAUVIN
TOLD THEM TO KEEP HOLDING HIM
DOWN.
>>> DROWNING IN DEBT.
DEEP DIVE INTO THE STUDENT LOAN
CRISIS, YOUNGER GENERATIONS
UNABLE TO GET AHEAD, WHILE SOME
ARE RETHINKING HIGHER EDUCATION
ALL TOGETHER.
>>> FLOWER POWER, HOW YOU CAN
GROW SOME LIFE AND COLOR IN YOUR
SPACES.
>>> GOOD EVENING, EVERYONE, I'M
LINSEY DAVIS.
THANKS SO MUCH FOR STREAMING
WITH US.
WE ARE NOW IN THE HOME STRETCH,
THE THIRD NIGHT OF THE
DEMOCRATIC NATIONAL CONVENTION
IS ABOUT TO BEGIN SHORTLY.
LAST NIGHT THE PARTY OFFICIALLY
NOMINATED JOE BIDEN TO TAKE ON
PRESIDENT TRUMP.
AND TONIGHT HIS HISTORIC VICE
PRESIDENTIAL PICK SENATOR KAMALA
HARRIS SET TO ADDRESS THE NATION
AND MAKE A CASE FOR THE
BIDEN/HARRIS TICKET AND SHE IS
COMING WITH LOTS OF BACKUP,
LOCKED AND LOADED WITH NANCY
PELOSI, ELIZABETH WARREN,
HILLARY CLINTON AND FORMER
PRESIDENT OBAMA, ALL PART OF THE
NIGHT'S LINEUP, AND MARY BRUCE
LEADS US OFF.
>> Reporter: JUST HOURS FROM NOW
FORMER PRESIDENT BARACK OBAMA
SPEAKING FROM PHILADELPHIA, THE
BIRTHPLACE OF AMERICAN
DEMOCRACY, WILL ARGUE THAT VERY
DEMOCRACY IS ON THE LINE IN THIS
ELECTION.
OBAMA EXPECTED TO ATTACK HIS
SUCCESSOR IN SEARING,
UNPRECEDENTED TERMS.
EXCERPTS OF HIS SPEECH CHARGE
PRESIDENT TRUMP HAS NEVER TAKEN
THE JOB SERIOUSLY.
QUOTE, HE'S SHOWN NO INTEREST IN
PUTTING IN THE WORK, NO INTEREST
IN FINDING COMMON GROUND, NO
INTEREST IN USING THE AWESOME
POWER OF HIS OFFICE TO HELP
ANYONE BY HIMSELF FROM HIS
SPRENDS.
OBAMA WILL SAY THE QUOTE
CONSEQUENCES OF THAT FAILURE ARE
SEVERE, 170,000 AMERICANS DEAD,
MILLIONS OF JOBS GONE, OUR WORST
IMPULSES UNLEASHED.
OUR PROUD REPUTATION AROUND THE
WORLD, BADLY DIMINISHED.
AND OUR DEMOCRATIC INSTITUTIONS
THREATENED LIKE NEVER BEFORE.
AND SOON AFTER OBAMA SPEAKS
KAMALA HARRIS WILL BECOME THE
FIRST BLACK WOMAN IN THE FIRST
ASIAN-AMERICAN NOMINATED TO BE
VICE PRESIDENT, DEMOCRATS
TONIGHT EAGER TO SHOWCASE THIS
MOMENT IN HISTORY.
>> WHEN SHE SAYS FOR THE PEOPLE
IT IS WITH EVERY OUNCE OF WHO
SHE IS.
>> Reporter: ALSO TONIGHT A
BITTERSWEET RETURN FOR HILLARY
CLINTON WHO ACCEPTED THE
DEMOCRATIC PRESIDENTIAL
NOMINATION AT THE LAST
CONVENTION.
IN EXCERPTS OF HER SPEECH SHE
DELIVERS A WARNING.
FOR FOUR YEARS PEOPLE HAVE SAID
TO ME I DIDN'T REALIZE HOW
DANGEROUS HE WAS.
I WISH I COULD GO BACK AND DO IT
OVER, OR WORST, I SHOULD HAVE
VOTED.
WELL, THIS CAN'T BE ANOTHER
WOULD HAVE, COULD HAVE, SHOULD
HAVE ELECTION.
MOST AFTER OWALL, NO MATTER WHA
VOTE.
>> HILLARY CLINTON TRYING TO
ENCOURAGE PEOPLE TO GET OUT TO
THE POLLS.
MARY BRUCE JOINS US FROM
WILMINGTON, DELAWARE WHERE
KAMALA HARRIS WILL GIVE HER
SPEECH LATER ON TONIGHT.
STRONG WORDS FROM PRESIDENT
OBAMA AND PRESIDENT TRUMP, ALSO
MAKING THE CASE FOR JOE BIDEN.
WHAT'S HE PLANNING TO SAY?
>> HE WILL DESCRIBE JOE BIDEN AS
A BROTHER WHO MADE HIM A BETTER
PRESIDENT.
HE NOT ONLY WILL, OF COURSE,
MAKE A FORCEFUL CASE AGAINST
PRESIDENT TRUMP BUT HE WILL
ARGUE WHY JOE BIDEN IS THE BEST
LEADER TO TAKE THE COUNTRY
FORWARD.
THE FORMER PRESIDENT WILL MAKE A
DIRECT PLEA TO VOTERS, HE WILL
SAY, QUOTE, TONIGHT I'M ASKING
YOU TO BELIEVE IN JOE AND
CAMILLA'S ABILITY TO LEAD THIS
COUNTRY OUT OF DARK TIMES, AND
BUILD IT BACK BETTER.
>> TONIGHT'S LINEUP WILL BE
FILLED WITH LOTS OF FEMALE
SPEAKERS, WHAT'S THE BIDEN
CAMPAIGN SAYING ABOUT WHAT
THEY'RE HOPING TO SHOWCASE
TONIGHT AND WILL WE ALSO START
HEARING MORE SPECIFICS ON THEIR
AGENDA?
>> THIS IS A NIGHT TO HIGHLIGHT
SOME TRAIL BLAZING WOMEN, IN
ADDITION TO KAMALA HARRIS WE
WILL BE HEARING FROM HILLARY
CLINTON AND HOUSE SPEAKER NANCY
PELOSI BUT THIS IS ALSO A CHANCE
FOR THE BIDEN CAMPAIGN TO HIT ON
SOME OF THE PIVOTAL ISSUES IN
THIS ELECTION.
YOU'LL BE HEARING ABOUT CLIMATE
CHANGE, GUN REFORM, HEALTH CARE,
A LOT OF ISSUES THAT ARE TOP OF
MIND FOR SO MANY VOTERS.
IT IS A CHANCE FOR THIS CAMPAIGN
TO HIGHLIGHT JOE BIDEN'S RECORD,
HIS EXPERIENCE, TO CONTINUE TO
ARGUE WHY THEY THINK THE CURRENT
PRESIDENT IS FAILING IN THESE
AREAS, AND TO PRESENT, AGAIN,
THAT UNITED FRONT FROM THE
DEMOCRATIC PARTY, THAT BROAD
COALITION THAT THEY'VE BEEN
TRYING TO PRESENT IN THE
PREVIOUS NIGHTS AND WHY THEY
FEEL THAT JOE BIDEN AND HIS
AGENDA IS A WAY TO TURN THE PAGE
IN THIS COUNTRY.
>> MARY BRUCE, AND WE WILL BE
CHECKING BACK IN WITH YOU LATER
TONIGHT.
THANKS, MARY.
>>> HE WAS PART OF THE DNC'S
FIRST ALL-VIRTUAL ROLL CALL LAST
NIGHT.
>> SOUTH CAROLINA'S 64 VOTES AS
FOLLOWS, 15 FOR BERNIE SANDERS,
AND 49 FOR OUR NEXT PRESIDENT OF
THE UNITED STATES, JOE BIDEN.
>> AND HE'S ALSO TRYING TO
UNSEAT LONGTIME REPUBLICAN
SENATOR AND TRUMP ALLY LINDSEY
GRAHAM IN SOUTH CAROLINA.
LATELY POLLS HAVE SHOWN IT IS A
TIGHT RACE IN THIS DEEP RED
STATE.
JOINING US NOW, JAMIE HARRISON,
THANKS SO MUCH FOR YOUR TIME,
JAMIE.
>> THANKS SO MUCH FOR HAVING ME.
>> SO FIRST OFF LET'S LOOK AHEAD
TONIGHT THREE OF THE DNC
CONVENTION, WHAT DOES IT MEAN TO
YOU TO SEE THE FIRST BLACK WOMAN
ACCEPT A MAJOR PARTY'S
NOMINATION FOR VP TONIGHT AND
HOW IMPORTANT WAS IT FOR JOE
BIDEN TO PICK A BLACK WOMAN
RUNNING MATE?
>> WELL, YOU KNOW, I'M SO PROUD
OF KAMALA HARRIS.
SHE'S A FRIEND, AND SHE'S A
STRONG, SMART, VERY POWERFUL
AFRICAN-AMERICAN WOMAN.
AND IT MEANS SO MUCH TO ME
PERSONALLY BUT IT ALSO MEANS A
LOT TO OUR COMMUNITY,
PARTICULARLY HERE IN SOUTH
CAROLINA.
YOU KNOW, WHEN SHE WAS RUNNING
FOR PRESIDENT THERE WERE A LOT
OF FOLKS HERE THAT WERE REALLY
PUSHING AND PULLING FOR HER.
AND, YOU KNOW, IT'S JUST A
TREMENDOUS THING.
AND I THINK A LOT OF FOLKS ARE
VERY APPRECIATIVE OF THE VICE
PRESIDENT FOR SELECTING HER AS
HIS NOMINEE, AND RUNNING MATE.
>> A DEMOCRATIC PRESIDENTIAL
TICKET HAS NOT WON IN SOUTH
CAROLINA SINCE JIMMY CARTER, THE
SEAT THAT YOU'RE RUNNING FOR HAS
BEEN IN REPUBLICAN HANDS FOR
NEARLY 60 YEARS AND YOU'RE
FACING AN INCUMBENT WITH DEEP
TIES BOTH IN WASHINGTON AND
SOUTH CAROLINA.
HOW DO YOU PERSONALLY CONVINCE
VOTERS WHO HAVE SUPPORTED
LINDSEY GRAHAM FOR YEARS, NOW IS
THE TIME TO CHANGE COURSE?
>> ONE OF THE FIRST OLD ADAGES I
LEARNED IN POLITICS WHICH WAS
ALL POLITICS ARE LOCAL.
MAKING SURE YOU AS A PUBLIC
SERVANT ARE ACTUALLY SERVING THE
PUBLIC.
ADDRESSING THE ISSUES THAT
PEOPLE CARE ABOUT ON A
DAY-TO-DAY BASIS.
AND LINDSEY GRAHAM HAS BEEN A
MISSING IN ACTION SENATOR.
THIS IS A GUY WHO -- IN-PERSON
TOWN HALL IN ALMOST THREE THREE
YEARS BUT YOU CAN FIND HIM ON
SEAN HANNITY AND FOX NEWS EVERY
OTHER NIGHT AT 9:00.
THE PEOPLE HERE IN SOUTH
CAROLINA ARE -- UNDERSTAND THAT
AND THEY SEE IT AND FEEL IT.
WE HAVE A SENATOR WHO, WHERE IN
A STATE WHERE WE HAVE ALMOST
700,000 PEOPLE WHO HAVE FILED
FOR UNEMPLOYMENT AND IT WAS OUR
SENATOR WHO HELD UP THE CARES
ACT INITIALLY AND THEN SAID OVER
OUR DEAD BODIES WILL WE ALLOW AN
EXTENSION OF THE FEDERAL
BENEFIT, $600 BENEFIT TO THOSE
WHO ARE UNEMPLOYED.
THAT WAS BRINGING $120 MILLION
INTO THE SOUTH CAROLINA ECONOMY
EVERY WEEK AND RIGHT NOW WE'RE
ON THE VERGE OF SCHOOLS OPENING
BACK UP, PARENTS WONDERING HOW
THEY'RE GOING TO GET SCHOOL
SUPPLIES AND THINGS FOR THEIR
KIDS, WONDERING HOW TO PAY THE
RENT OR MORTGAGE.
OUR SENATOR IS NOW ON VACATION
INSTEAD OF GOING AND DOING THE
THINGS THAT ARE NEEDED IN ORDER
TO ADDRESS THE NEEDS OF THE
PEOPLE HERE IN SOUTH CAROLINA.
AND THAT'S WHY I AM IN THIS
RACE.
THAT IS WHY THIS RACE IS SO
CLOSE BECAUSE PEOPLE ARE FED UP
WITH THE POLITICS, THE
WASHINGTON, D.C. POLITICAL GAMES
THAT LINDSAY'S PLAYING AND
THEY'RE READY FOR SOMEBODY
THAT'S GOING TO ROLL UP THEIR
SLEEVES AND FOCUS ON THEM.
>> I'M TOLD ON YOUR DESK YOU
KEEP A QUOTE FROM BEN PITCHFORK
TILLMAN, A FORMER SOUTH CAROLINA
GOVERNOR WHO LED A WHITE GANG
THAT MURDERED SIX INNOCENT
AFRICAN-AMERICANS, IN 1876
TILLMAN SAID ON THE STATE'S
EFFORT TO DISENFRANCHISE VOTERS
WE HAVE SCRATCHED OUR HEADS TO
FIND OUT HOW WE COULD ELIMINATE
THE LAST ONE OF THEM, WE STUFFED
BALLOT BOXES, WE ARE NOT
ASHAMED.
ALL THESE YEARS LATER ARE YOU
CONFIDENT THERE WON'T BE A
NUMBER OF HURDLES FOR SOUTH
CAROLINA VOTERS CASTING THEIR
BALLOTS THIS FALL AND WHAT'S
YOUR CAMPAIGN DOING TO BOOST
TURNOUT?
>> IT'S REALLY, REALLY
IMPORTANT.
GOING INTO THIS CAMPAIGN IT WAS
IMPORTANT FOR ME TO UNDERSTAND
THE HISTORY OF THE SEAT I WAS
VYING FOR.
AND I UNDERSTAND THE HISTORY OF
SOUTH CAROLINA, A STATE THAT I
LOVE SO DEARLY.
SO WE ARE GOING EYES WIDE OPEN.
WE ARE BEING PROACTIVE TO MAKE
SURE THAT EVERY PERSON IN THE
STATE THAT'S ELIGIBLE TO VOTE
GETS AN OPPORTUNITY TO DO SO,
EVEN IF THEY'RE NOT VOTING FOR
ME.
THE GREATEST RIGHT THAT WE HAVE
AS AMERICAN CITIZENS IS OUR
RIGHT TO VOTE AND NOBODY SHOULD
STAND IN THE WAY OF ANYBODY
EXERCISING THAT RIGHT.
I DON'T CARE IF IT'S A DEMOCRAT
OR REPUBLICAN, NOBODY HAS THAT
POWER.
AND SO WE'RE WORKING WITH OUR
FAIR FIGHT, AND WE'RE WORKING
WITH OUR STATE PARTY, THE DNC
AND OTHER ENTITIES TO MAKE SURE
THAT WE HAVE ATTORNEYS ON THE
GROUND IN EVERY COUNTY IN SOUTH
CAROLINA TO PROTECT THE RIGHT TO
VOTE FOR ALL FOLKS.
AS I SAID FROM THE START OF THIS
CAMPAIGN THIS IS ABOUT CLOSING A
CHAPTER ON THE OLD SOUTH, AND
STARTING A WHOLE BRAND NEW BOOK
CALLED A NEW SOUTH, A NEW SOUTH
THAT IS BOLD, THAT IS INCLUSIVE
AND DIVERSE.
AND WHERE EVERYBODY HAS A ROLE
TO PLAY AND EVERYBODY HAS VALUE.
>> LAST MONTH YOU PENNED AN
OP-ED ON B.E.T..COM WITH TWO
OTHER BLACK SENATE CANDIDATES
AND IN IT YOU SAID
REPRESENTATION MATTERS AND FOR
ITS ENTIRE HISTORY THE U.S.
SENATE HAS FAILED TO REPRESENT
THE RACIAL DIVERSITY OF OUR
NATION.
OUT OF THE ROUGHLY 2,000 MEN AND
WOMEN WHO HAVE SERVED IN THE
SENATE ONLY TEN HAVE BEEN BLACK.
CONSIDERING THIS COUNTRY'S
RACIAL RECKONING ARE YOU OF THE
BELIEF THAT WILL CHANGE SOON?
>> I DO, WE'RE GOING TO WIN THIS
RACE.
SOUTH CAROLINA, THE FIRST SAID
THAT SECEDED FROM THE UNION IN
THE CIVIL WAR, IN A SEAT THAT
WAS OCCUPIED BY JOHN C. CALHOUN,
A SEAT OCCUPIED BY BEN TILLMAN,
A SEAT OCCUPIED BY STROM
THURMAN, YOU'RE GOING TO GET AN
AFRICAN-AMERICAN SENATOR AND
SOUTH CAROLINA WILL BECOME THE
VERY FIRST STATE WITH TWO
AFRICAN-AMERICAN SENATORS
SERVING AT THE VERY SAME TIME,
ONE DEMOCRAT AND ONE REPUBLICAN.
>> YOU'VE DESCRIBED SOUTH
CAROLINA REPRESENTATIVE JIM
CLYBURN AS YOUR POLITICAL FATHER
AND MANY WOULD SAY THE CLYBURN'S
ENDORSEMENT SINGLE HANDEDLY
SAVED JOE BIDEN'S CAMPAIGN IN
FEBRUARY.
WHAT'S THE MOST IMPORTANT ADVICE
HE'S GIVEN TO YOU AND HOW WILL
YOU USE THAT IF YOU GET ELECTED?
>> CONGRESSMAN CLYBURN AND DR.
EMILY CLYBURN, HIS LATE WIFE AND
I WAS SO HONORED TO MENTION HER
LAST NIGHT WHEN I GAVE THE
PRESENTATION BECAUSE THEY'VE
BEEN TREMENDOUS FORCES IN MY
LIFE.
YOU KNOW, ONE OF THE THINGS HE
TOLD ME WHEN I WAS A STAFFER IN
HIS OFFICE, HE SAID, JAMIE, ON
THE HILL, ON CAPITOL HILL,
MEMBERS OF CONGRESS THAT ARE
SHOW HORSES AND THERE ARE
WORKHORSES.
HE SAID YOU ALWAYS WANT TO BE A
WORKHORSE.
AND THAT'S MY AIM.
I'M GOING TO ROLL UP MY SLEEVES
AND I'M GOING TO GO TO
WASHINGTON, D.C. AND WORK MY
BEHIND OFF FOR THE PEOPLE OF
SOUTH CAROLINA.
BECAUSE THEY DESERVE IT.
THEY NEED SOMEBODY THAT'S GOING
TO FOCUS AND FIGHT FOR THEM.
>> JAMIE HARRISON, WE APPRECIATE
YOU COMING ON THE SHOW.
THANK YOU FOR YOUR TIME.
>> THANK YOU SO MUCH FOR HAVING
ME.
>>> AND NEXT TO NEWS TONIGHT
OVER THE BATTLE AT THE POST
OFFICE, AFTER THE POSTMASTER
GENERAL SAID THAT HE WOULD
SUSPEND COST CUTTING MEASURES
UNTIL AFTER THE ELECTION.
SPEAKER NANCY PELOSI SAYS THAT'S
NOT ENOUGH, INSISTING THAT HE
AGREE TO REVERSE THE CUTS
THEY'VE ALREADY MADE AS
AMERICANS ACROSS THE COUNTRY SAY
THEY'VE NOTICED A CHANGE.
HERE'S ABC'S JONATHAN KARL.
>> ABC NEWS HAS OBTAINED
PHOTOGRAPHS OF WHAT APPEAR TO BE
DISMANTLED SORTING MACHINES AT A
POSTAL FACILITY IN PORTLAND.
THE POSTAL WORKER WHO TOOK THE
PHOTOS SAYS THE MACHINES WERE
DISMANTLED OVER THE PAST MONTH.
ACROSS THE COUNTRY SIMILAR
IMAGES AT A POSTAL FACILITY IN
GAITHERSBURG, MARYLAND FROM ABC
AFFILIATE WJLA, THE POSTMASTER
GENERAL HAS AGREED TO PAUSE COST
CUTTING MEASURES DEMOCRATS CALL
AN ATTEMPT TO SABOTAGE THE
UPCOMING ELECTION BY SLOWING
DOWN THE DELIVERY OF MAIL-IN
BALLOTS.
>> I DON'T FRANKLY TRUST THE
POSTMASTER GENERAL AND WHAT HE
SAID.
>> HOUSE SPEAKER NANCY PELOSI
SAYS THE PAUSE IS NOT ENOUGH,
AND, QUOTE, DOES NOT REVERSE THE
DAMAGE ALREADY REAPED.
SHE SAYS SHE SPOKE WITH THE
POSTMASTER GENERAL AND TRUMP
MEGA DONOR LOUIS DeJOY AND HE
FRANKLY ADMITTED HE HAD NO
INTENTION OF REPLACING THE
SORTING MACHINES, BLUE BOXES AND
OTHER MAIL INFRA STRUCTURE THAT
HAD BEEN REMOVED.
COAST-TO-COAST, THERE HAVE BEEN
REPORTS OF DELAYS IN THE MAIL.
>> I'M HEARING FROM OUR MEMBERS
THAT MAIL ARE BEING LEFT
UNWORKED, SITTING ON THE WORK
ROOM FLOORS.
>> TO LAURA GOLDBERG IN MIAMI,
SHE'S SEEN A CLEAR CHANGE AT HER
MAILBOX.
>> I PUT MAIL OUT INTO MY
MAILBOX TUESDAY NIGHT AND I PUT
MY FLAG UP.
EXPECTING THAT MY BILLS WOULD BE
PICKED UP WEDNESDAY AND I CAME
OUT WEDNESDAY AFTERNOON AND MY
MAIL STILL HADN'T PICKED UP.
>> PRESIDENT TRUMP INSISTS HE
ISN'T DOING ANYTHING TO SLOW
DOWN THE MAIL.
AND HAS EVEN RELEASED VIDEO OF
HIMSELF FILLING OUT HIS OWN
ABSENTEE BALLOT.
>> WE HAVE TO MAKE SURE
EVERYTHING'S --
>> PRESIDENT TRUMP HAS LONG SAID
HE RELIES ON MAIL-IN VOTING
ALONG WITH MANY MEMBERS OF HIS
FAMILY AND CABINET.
JONATHAN KARL JOINS US NOW.
CONGRESS IS STALLED ON MORE
FUNDING FOR THE POST OFFICE AS
PART OF THOSE STIMULUS
NEGOTIATIONS.
WHAT'S THE LATEST THERE?
>> WELL, NANCY PELOSI HAS
BROUGHT BACK THE HOUSE, PLAN A
VOTE ON SATURDAY ON A BILL THAT
WOULD PROVIDE $25 BILLION IN
ADDITIONAL FUPNDING TO THE POST
OFFICE AND ALSO WOULD INSTRUCT
THE POSTAL SERVICE TO UNDO THE
CHANGES THAT WERE PUT IN PLACE,
THOSE COST CUTTING CHANGES THAT
WERE PUT IN PLACE BY THE
POSTMASTER GENERAL.
>> WHAT'S THE OTHER NEWS THAT
THE PRESIDENT MADE DURING HIS
AFTERNOON PRESS CONFERENCE?
>> OH, WOW, THIS IS -- THIS IS
SOMETHING ELSE.
HE WAS ASKED ABOUT QANON, YOU
KNOW THAT FAR RIGHT CONSPIRACY
THEORY THAT ALLEGES ESSENTIALLY
THAT PRESIDENT TRUMP'S ENEMIES,
HIS OPPONENTS INCLUDE THIS CA
BOLL OF SATAN WORSHIPPING
PEDOPHILES AND CANNIBALS,
INCLUDING TOP OFFICIALS IN THE
UNITED STATES GOVERNMENT AND IN
GOVERNMENTS AROUND THE WORLD.
THE PRESIDENT WAS ASKED ABOUT
THAT.
AND HE SAID, QUOTE, THAT -- HE
SAID HE DIDN'T KNOW MUCH ABOUT
IT BUT THAT, QUOTE, I UNDERSTAND
THEY LIKE ME VERY MUCH, WHICH I
APPRECIATE.
HE ALSO SAID THESE ARE PEOPLE
WHO LOVE OUR COUNTRY.
NOW, LINSEY, ANOTHER FACT ABOUT
QANON IS THAT THE FBI NOT LONG
AGO PUT OUT A BULLETIN WARNING
THIS GROUP POSES A POTENTIAL
DOMESTIC TERROR THREAT, THAT'S
THE GROUP THE PRESIDENT JUST
SAID THESE ARE PEOPLE WHO LOVE
OUR COUNTRY.
>> INTERESTING DEVELOPMENT
THERE, JONATHAN KARL, THANKS SO
MUCH.
>> TO BREAKING NEWS IN THE WEST,
A STATE OF EMERGENCY DECLARED IN
CALIFORNIA AS DOZENS OF
WILDFIRES THERE BURN, LIGHTNING
STRIKES TRIGGERING SCENES LIKE
THIS, DRIVING THROUGH THE FLAMES
NEAR THE BIGGEST CLUSTER OF
FIRES IN THE BAY AREA.
OUR CLAYTON SANDELL HAS THE
LATEST.
>> Reporter: THE GOLDEN STATE A
FIERY EXPLOSION OF RED, ORANGE
AND BLACK.
THOUSANDS ORDERED TO EVACUATE IN
THE DARKNESS, FAMILIES RACING TO
ESCAPE FLAMES PUSHED BY HEAT ASK
WIND.
UP AND DOWN THE STREET THERE'S
QUITE A FEW HOMES AND STRUCTURES
BURNING RIGHT NOW.
NEAR VACAVILLE, MULTIPLE FIRES
ARE TEARING THROUGH COMMUNITIES,
MORE THAN 46,000 ACRES SCORCHED,
THE TRAFFIC ON FIRE RADIOS
PAINTING A GRIM PICTURE OF THE
INJURIES AND A LOSING BATTLE.
>> AN AMBULANCE FOR BURN
INJURIES, TWO VICTIMS EN ROUTE.
>> THESE WILDFIRES ARE MOVING
INCREDIBLY FAST, TURNING THIS
ENTIRE MOBILE HOME PARK INTO AN
APOCALYPTIC WASTE LAND.
MANY GOT OUT WITH JUST SECONDS
TO SPARE.
>> IT WAS LIKE THE ENTIRE WALL
OF THE FOREST WAS JUST COMING AT
USA DOWN THE ROAD.
IT WAS SO SCARY.
>> HOW MUCH TIME DID YOU HAVE?
WHEN --
>> 30 SECONDS.
I LOOKED UP AND THE BACK OF MY
HOUSE WAS ON FIRE.
>> JUDY AND MARCIA HAVE BEEN
NEIGHBORS FOR 13 YEARS.
BOTH THEIR HOMES ARE GONE.
>> I LOST MY CATS.
AND EVERYTHING.
I HAVE NO INSURANCE.
I HAVE LOST EVERYTHING.
>> NOW VOLMER'S MOST VALUABLE
POSSESSION IS A VERY SPECIAL
FLOWER POT PULLED FROM THE
ASHES.
>> MY GRAND BABIES MADE THIS FOR
ME, THEIR HAND PRINTS.
>> THEY'RE GROUPED INTO WHAT
THEY CALL COMPLEXES, FOUR
BURNING ACROSS THE STATE.
SUPERCHARGED BY THE WEATHER.
>> OVER THE PAST 72 HOURS
CALIFORNIA HAS EXPERIENCED
EXTREME LIGHTNING.
>> Reporter: THE NUMBER OF
EXTREME FIRE WEATHER DAYS IN
CALIFORNIA HAS DOUBLED, WITH SO
MANY GROWING BLAZES, PLANES,
CHOPPERS AND FIREFIGHTERS ARE
STRETCHED THIN.
>> WE HAVE NO MORE TO GIVE ON
THE FRONT LINES.
>> Reporter: WE HAVE JUST
LEARNED OF A FIRE FIGHTING
TRAGEDY HERE IN CALIFORNIA.
WE UNDERSTAND THAT A PRIVATE
HELICOPTER THAT WAS CONTRACTED
TO FIGHT A BLAZE NEAR FRESNO
THAT HAS CRASHED.
WHEN IT WENT DOWN IT SPARKED A
NEW BRUSH FIRE, A 50 ACRE BRUSH
FIRE.
AUTHORITIES TELL US, HOWEVER,
THAT IS NOT A THREAT TO ANY
HOMES OR STRUCTURES.
WE ALSO UNDERSTAND THAT THE
PILOT, THE ONLY PERSON ON BOARD,
DID NOT SURVIVE.
NOW THE OTHER BIG PROBLEM HERE,
YOU CAN SEE BEHIND ME, IT'S ALL
THIS SMOKE IN THE AIR.
IT IS VERY THICK.
THERE ARE FIRES BURNING IN EIGHT
OF THE NINE BAY AREA COUNTIES
HERE.
AND THAT IS A HUGE PROBLEM FOR
PEOPLE WITH RESPIRATORY HEALTH
PROBLEMS, ESPECIALLY IN THE AGE
OF COVID-19.
LINSEY?
>> OUR THANKS TO YOU, CLAYTON.
>>> NOW TO THE COVID CRISIS AND
THE BATTLES OVER SCHOOL
REOPENINGS.
CASES NOW SPREADING ON COLLEGE
CAMPUSES, SCENES LIKE THIS, A
PACKED PARTY AT THE UNIVERSITY
OF CONNECTICUT CAUSING AN UPROAR
AND THE SCHOOL IS TAKING DRASTIC
ACTION AS MORE COLLEGES REVERSE
COURSE ON IN-PERSON CLASSES AND
GO VIRTUAL HERE IN NEW YORK CITY
TEACHERS IN THE NATION'S LARGEST
SCHOOL SYSTEM ARE THREATENING TO
STRIKE IF THEIR SCHOOLS ARE NOT
SAFE.
ABC'S STEPHANIE RAMOS HAS THIS
REPORT.
>> THE NEW WARNING TONIGHT, THE
YOUNG PEOPLE ARE RAPIDLY
SPREADING COVID-19.
SCHOOL OFFICIALS INVESTIGATING
SCENE AFTER SCENE AFTER LARGE
COLLEGE PARTIES POSTED TO SOCIAL
MEDIA.
AUTHORITIES SAYING THIS HAS TO
STOP.
THE UNIVERSITY OF CONNECTICUT
TONIGHT TAKING DRASTIC ACTION
AFTER SEEING THIS VIDEO OF A
PACKED PARTY INSIDE A DORM ROOM.
THE SCHOOL NOW KICKING THOSE
STUDENTS OFF CAMPUS.
>> I'M REALLY GLAD THAT THEY'RE
PUTTING THEIR FOOT DOWN.
ENFORCING THESE RULES.
>> Reporter: NATIONWIDE AT LEAST
22 STATES REPORTING CASES ON
COLLEGE CAMPUSES, MORE THAN 220
STUDENTS TESTING POSITIVE AT THE
UNIVERSITY OF NOTRE DAME.
A 20% JUMP IN CASES.
THE SCHOOL JOINING A GROWING
LIST OF UNIVERSITIES SWITCHES TO
REMOTE LEARNING.
>> THERE WAS A CERTAIN FRACTION
OF THE STUDENTS THAT THOUGHT
THEY WERE KIND OF INVINCIBLE, I
THINK.
>> LATE TODAY THE PRESIDENT
WEIGHING IN ON HOW SCHOOLS CAN
REOPEN SAFELY.
>> STUDENTS WHO FEEL SICK SHOULD
IN THE ATTEND CLASS AND SHOULD
LIMIT SOCIAL INTERACTION, AND
UNIVERSITIES SHOULD IMPLEMENT
MEASURES TO PROTECT THE HIGH
RISK STUDENTS, OR PROFESSORS,
AND TEACHERS.
>> Reporter: IT'S NOT JUST
UNIVERSITIES.
>> THERE HAVE BEEN SOME STUDIES
TO SHOW THAT CHILDREN FROM 10 TO
19 CAN TRANSMIT TO ADULTS AS
EASILY AS ADULTS TRANSMIT TO
ADULTS.
>> Reporter: TEACHERS IN NEW
YORK CITY KNOW ONE SICK CHILD
CAN EMPTY A CLASSROOM.
>> THIS CITY WENT THROUGH HELL
AND CAME BACK AND WE ARE NOT
GOING BACK TO HELL BECAUSE OF
SHORT-SIGHTED POLITICAL AGENDAS.
>> Reporter: THE TEACHERS UNION
THREATENING LEGAL ACTION AND
EVEN A STRIKE SAYING IT'S NOT
SAFE TO REOPEN.
THEY'RE DEMANDING ALL SCHOOLS
MUST HAVE PPE, PROPER
VENTILATION, AND A MASSIVE
TESTING AND TRACING PROGRAM,
BEFORE STUDENTS RETURN TO CLASS.
AND IN FLORIDA AN EMOTIONAL DAY
IN COURT.
>> NOW I'M GOING TO -- I'M --
I'M NOT GOING TO CHOOSE -- I
MEAN, I'VE CHOSEN MY KIDS, MY
STUDENTS OVER SO MANY DIFFICULT
THINGS.
BUT I CAN'T PUT MY FAMILY AT
RISK.
>> THE STATE'S LARGEST TEACHERS
UNION SUING TO STOP IN-PERSON
LEARNING.
>> JUST SUCH A TOUGH SITUATION
FOR SO MANY, AND STEPHANIE RAMOS
JOINS US NOW.
WHAT CAN YOU TELL US ABOUT THE
OTHER BIG HEADLINE TODAY ABOUT
BLOOD PLASMA TREATMENT?
>> Reporter: TOP FEDERAL
DOCTORS, INCLUDING DR. FAUCI,
SAY THEY DON'T HAVE ENOUGH DATA
FROM CLINICAL TRIALS THAT PROVES
PLASMA CAN HELP PEOPLE FIGHT THE
VIRUS.
NOW, PLASMA HAS BEEN BENEFICIAL
TO SOME BUT MORE CLINICAL TRIALS
ARE REQUIRED BEFORE THE FDA
AUTHORIZES ITS USE.
>> STEPHANIE RAMOS, THANKS SO
MUCH.
>>> AND NOW TO A HATE CRIME
INVESTIGATION IN HOLLYWOOD,
CALIFORNIA, POLICE NOW REVIEWING
VIDEO WHICH APPEARS TO SHOW
THREE TRANSGENDER WOMEN BEING
ROBBED AND ASSAULTED AS
BYSTANDERS LAUGH AND MOCK
INSTEAD OF TRYING TO HELP.
A WARNING, THIS VIDEO IS
DISTURBING, ABC'S MATT GUTMAN AS
MORE.
>> Reporter: TONIGHT THE LAPD IS
CLOSING IN ON THE SUSPECT IN
THIS VICIOUS APPARENT HATE
CRIME.
THIS VIDEO, A 26-MINUTE
CHRONICLE OF HARASSMENT OF THREE
TRANSGENDER WOMEN RIGHT ON THE
HOLLYWOOD WALK OF FAME.
THE INCIDENT AND THAT MOCKERY --
>> I THINK THAT'S A DUDE.
>> Reporter: IGNITING A FIRE
STORM ON -- HE STOLE HER PHONE.
>> INITIALLY WE ALL CHASE AFTER
HIM TO RETRIEVE MY PHONE.
BUT BYSTANDERS AROUND US STARTED
TO MAKE FUN OF US AND SURROUNDED
US, AND STARTED THROWING ROCKS,
LIGHTERS, STARTED CALLING US
MEN.
>> Reporter: POLICE SAY THE
SUSPECT ARMED WITH A METAL BAR
ROBBED ALLEN AND LATER STRUCK
LUCINETTE IN THE HEAD WITH A
BOTTLE.
HATE CRIMES DIRECTED AT
TRANSGENDER INDIVIDUALS
INCREASED 42% IN ONE YEAR.
>> BECAUSE WE'RE TRANS, NOBODY
CARES.
>> FOR MORE LET'S BRING IN MATT
GUTMAN.
WHERE DOES THE INVESTIGATION
STAND AND ARE HATE CRIME CHARGES
BEING CONSIDERED?
>> Reporter: THEY ARE.
THE LAPD IS SAYING IT'S GOING TO
INVESTIGATE IT AS A ROBBERY, BUT
ALSO AS A HATE CRIME.
AND WITH THE HELP OF A
TREMENDOUS AMOUNT OF SOCIAL
MEDIA SLEUTHING ON TWITTER,
INSTAGRAM, TIKTOK, THEY BELIEVE
THEY'VE IDENTIFIED THE SUSPECT,
DETECTIVES SAY THAT THEY'RE
NARROWING IN THE FOCUS ON HIM.
HE'S NOT YET IN CUSTODY.
BUT THAT COULD HAPPEN AT SOME
POINT IN THE NEAR FUTURE.
>> MATT GUTMAN, THANKS FOR YOUR
REPORTING, AS WULS.
>>> WHEN WE COME BACK, THE SCENE
THAT NO ONE EVER WANTS TO SEE
OUTSIDE THEIR WINDOW.
LOOK AT THAT.
AND REMEMBER THIS MOMENT WHEN A
BILLIONAIRE WIPED AWAY THE
GRADUATION CLASS'S DEBT?
TONIGHT WE FOLLOW UP HOW THAT
MOMENT CHANGED THEIR LIVES,
WHILE SO MANY OTHERS ARE CRUSHED
WITH UNMANAGEABLE STUDENT LOAN
DEBT.
>>> THE AUDIO REVEALING WHAT ONE
OFFICER SAYS HE TRIED TO DO TO
GEORGE FLOYD WHILE HE WAS
HANDCUFFED AND HOW ANOTHER
OFFICER NOW CHARGED WITH MURDER.
>> DANCING PREMIERS LIVE MONDAY,
SEPTEMBER 14th.
>>> WELL, THIS IS SOMETHING YOU
CERTAINLY DON'T WANT TO SEE
OUTSIDE OF YOUR WINDOW, TAKE A
LOOK AT THIS MASSIVE WATER SPOUT
NEAR THE TOWN OF AVENTURA,
OUTSIDE OF MIAMI.
NO MAJOR DAMAGE WAS REPORTED.
THIS STORM COMES AS PEOPLE IN
THAT PART OF THE COUNTRY ARE
BEGINNING TO KEEP AN EYE ON THE
TROPICS.
ONE STORM HAS A 90% CHANCE OF
DEVELOPING.
>>> NOW TO THE GEORGE FLOYD
MURDER INVESTIGATION, AND A
NEWLY RELEASED AUDIO RECORDING,
WHAT FORMER MINNEAPOLIS POLICE
OFFICER THOMAS LANE TOLD
INVESTIGATORS ABOUT THOSE
MOMENTS WHEN FLOYD BEGGED FOR
HIS LIFE.
ABC'S ALEX PEREZ HAS THE LATEST.
>> Reporter: TONIGHT WE'RE
HEARING FROM ONE OF THE FORMER
COPS CHARGED IN THE KILLING OF
GEORGE FLOYD IN HIS OWN WORDS.
>> IT'S THOMAS LANE, IS THAT
CORRECT?
>> YES, SIR.
>> Reporter: HE WAS ONE OF THE
FIRST OFFICERS ON THE SCENE, THE
COURT RELEASING LANE'S 90-MINUTE
AUDIO INTERVIEW WITH
INVESTIGATORS.
THE ROOKIE COP SAID THE OFFICERS
THOUGHT FLOYD WAS ON DRUGS AND
THE MORE VETERAN OFFICER DEREK
CHAUVIN DIRECTED HOW FLOYD WAS
RESTAINED.
>> I THINK I SAID, AGAIN, I
THINK WE SHOULD ROLL HIM ONTO
HIS SIDE, AND I BELIEVE CHAUVIN
SAID, WE HAVE HIM, THERE'S AN
AMBULANCE COMING, WE GOT HIM,
WE'RE JUST GOING TO HOLD HERE.
>> Reporter: FLOYD AT LEAST TWO
DOZEN TIMES BEGGED FOR AIR AND
SAID HE COULDN'T BREATHE BEFORE
LOSING CONSCIOUSNESS.
>> IT SEEMS LIKE YOUR GUT
REACTION WAS SOMETHING'S NOT
RIGHT HERE AND WE NEED TO
RETHINK HOW WE ARE RESTRAINING
MR. FLOYD?
>> YEAH, I WOULD SAY I FELT LIKE
IT MAYBE COULD HAVE BEEN HANDLED
DIFFERENTLY OR WE SHOULD BE
REASSESSING WHAT WE'RE DOING.
>> Reporter: INVESTIGATORS ALSO
ASKED LANE WHY HE DREW HIS GUN
ON FLOYD MOMENTS AFTER
ENCOUNTERING HIM.
>> I ASKED TO SEE HIS OTHER HAND
AND HE KEPT HIS HAND LIKE THIS.
HE HAD HIS ONE HAND UP AND HE
KEPT HIS HAND DOWN HERE AND I
SAID LET ME SEE YOUR OTHER HAND,
LET ME SEE YOUR HAND, AND HE
DIDN'T.
I DON'T KNOW IF HE'S GOT A GUN.
>> THAT OFFICER TRYING TO
EXPLAIN HIS ACTIONS.
FOR MORE NOW LET'S BRING IN ALEX
PEREZ.
THAT FORMER OFFICER THOMAS LANE,
HE HAS ARGUED THAT HE ACTUALLY
DIDN'T DO ANYTHING WRONG.
>> Reporter: YEAH, HIS ATTORNEY
SAID THOSE EXACT WORDS, IN A
21-PAGE FILING IN COURT, A
MOTION TO DISMISS THOSE CHARGES.
HE'S TRYING TO SHIFT ANY
RESPONSIBILITY FOR WHAT HAPPENED
TO FORMER OFFICER DEREK CHAUVIN.
IT'S A STRATEGY THE OTHER
OFFICERS THAT HAVE BEEN CHARGED
ARE USING AS WELL.
THE NEXT COURT HEARING WHERE
THAT MOTION TO DISMISS WILL BE
HEARD IS COMING UP ON SEPTEMBER
11th.
>> ALEX PEREZ, THANKS SO MUCH
FOR YOUR REPORTING.
>>> AND WE STILL HAVE LOTS MORE
TO GET TO HERE ON PRIME.
THE BODY CAM, WHICH SHOWS THE
NBA TEAM PRESIDENT BEING SHOVED
BY A GUARD MOMENTS AFTER HIS
TEAM WON THE NBA FINALS, THE
GUARD ORIGINALLY CLAIMED HE WAS
PUNCHED.
WHAT THE NBA EXECUTIVE IS SAYING
TONIGHT.
>>> AND WITH NEWS OF RUSSIA
CREATING THE VERY FIRST COVID
VACCINE, WHAT WOULD IT TAKE FOR
THE TRIALS HERE IN THE UNITED
STATES TO MAKE IT OVER THE
FINISH LINE?
>>> AND BETWEEN COLLEGE STUDENTS
DEFERRING, SCHOOLS OPENING AND
SHUTTING BACK DOWN, ALL OF THIS
IS CREATING ECONOMIC CHAOS IN
HIGHER EDUCATION.
WE'LL TAKE A LOOK BY THE
NUMBERS.
BUT FIRST, OUR POST OF THE DAY.
THE TEACHERS TRYING TO HAVE SOME
FUN DESPITE THE SURREAL SCHOOL
YEAR.
>> I'M NUMBER ONE -- ♪
RE FUN THAN
THIS.
>>> WELCOME BACK, EVERYBODY, WE
TURN NOW TO HIGHER EDUCATION,
LATER ON IN THE SHOW WE'RE GOING
TO TAKE A LOOK AT THE STUDENT
LOAN CRISIS, BUT NOW WE EXAMINE
BY THE NUMBERS HOW THE PANDEMIC
IS DRIVING MORE STUDENTS TO
DEFER OR RETHINK THEIR COLLEGE
PLANS AND WHAT THIS MEANS PER
HARD HIT SCHOOLS NOW ON THE
BRINK.
22% OF COLLEGE STUDENTS ARE NOW
PLANNING NOT TO ENROLL THIS FALL
ACCORDING TO AXIOS, INCOMING
FRESHMAN ARE EVEN MORE LIKELY TO
DEFER OR CHANGE COURSE.
40% WHO WERE HOPING TO BEGIN A
FOUR-YEAR RESIDENTIAL COLLEGE
THIS FALL SAY THEY'LL LIKELY
DELAY OR CANCEL PLANS.
HARVARD UNIVERSITY, WHICH WILL
BE ALL VIRTUAL FOR UNDERGRADS
THIS FALL ANNOUNCED MORE THAN
20% OF ITS WOULD BE FRESHMAN
HAVE NOW DEFERRED.
AT THIS .33% OF COLLEGES ARE
PLANNING TO REOPEN OR MOSTLY OR
FULLY ONLINE.
15% WILL LIKELY TAKE A HYBRID
APPROACH AND 24%, LIKE ALL OF
US, STILL FIGURING IT OUT.
ACCORDING TO THE COLLEGE CRISIS
INITIATIVE.
MANY SCHOOLS ARE STRUGGLING,
AMERICAN COLLEGES AND
UNIVERSITIES ARE PROJECTED TO
LOSE MORE THAN $120 BILLION FROM
LOST REVENUES AND ADDED EXPENSES
RELATED TO THE CORONAVIRUS.
THAT'S ACCORDING TO THE AMERICAN
COUNCIL ON EDUCATION.
AND SOME MAY NOT SURVIVE.
STILL AHEAD HERE ON PRIME OUR
COMPREHENSIVE LOOK AT HOW
STUDENT LOAN DEBT HAS ALTERED SO
MANY LIVES.
WHAT HAPPENED TO THE STUDENTS
WHO HAD MILLIONS OF DEBT WIPED
CLEAR BY A BILLIONAIRE AND THE
QUESTION IS A DEGREE WORTH WHAT
IT USED TO BE?
AND IT'S THE FIRST COMPANY
VALUED AT $2 TRILLION.
CAN YOU GUESS WHICH ONE?
BUT FIRST, HERE'S SOME OF THE
TRENDING STORIES ON ABCNEWS.COM.
>>> THE DEMOCRATIC CONVENTION IS
AT ITS MIDPOINT AND WITH JOE
BIDEN OFFICIALLY NOMINATED --
>> THANK YOU VERY, VERY MUCH,
FROM THE BOTTOM OF MY HEART.
>> SOME POLITICAL HEAVY WEIGHTS
WILL BE HIGHLIGHTED TONIGHT.
SENATOR ELIZABETH WARREN AND
HILLARY CLINTON WILL SPEAK,
KAMALA HARRIS, IF FIRST BLACK
WOMAN TO ACCEPT A MAJOR PARTY'S
NOMINATION FOR VICE PRESIDENT,
AND FORMER PRESIDENT BARACK
OBAMA WILL ALSO TAKE CENTER
STAGE.
>> JOE, I'M SO PROUD TO STAND
WITH YOU AND I DO SO MINDFUL OF
ALL THE HEROIC AND AMBITIOUS
WOMEN BEFORE ME.
>> HARRIS'S TEAM SAYS SHE HOPES
VOTERS WILL BE ABLE TO SEE
THEMSELVES IN HER SPEECH.
SHE'S EXPECTED TO SET OUT HER
VISION FOR THE NATION AND MAKE A
CASE FOR ELECTING JOE BIDEN
PRESIDENT LAST NIGHT THE SENATOR
WATCHED AS DELEGATES AROUND THE
COUNTRY PLEDGED THEIR SUPPORT
FOR BIDEN'S PRESIDENCY.
>> 119 VOTES FOR OUR NEXT
PRESIDENT, JOE BIDEN.
>> PRIOR TO COMING ON THE HILL.
SO WE ARE LEAVING.
>> TENS OF THOUSANDS OF PEOPLE
ARE UNDER EVACUATION ORDERS
ACROSS CALIFORNIA AS OVER TWO
DOZEN WILDFIRES ENGULF THE
NORTHERN AND CENTRAL PARTS OF
THE STATE.
THE MOST URGENT OF WHICH IS IN
THE CITY OF VACAVILLE, SOUTHWEST
OF SACRAMENTO, WHERE RESIDENTS
WERE TOLD TO LEAVE IN THE MIDDLE
OF THE NIGHT.
>> I WENT OUTSIDE IN THE FRONT
YARD AND I SAW THE RED GLOW OVER
THE MOUNTAINS.
>> WITH FIRES IN EIGHT OF THE
NINE BAY AREA COUNTIES ITS AIR
QUALITY IS NOW THE WORST IN THE
WORLD.
BY TUESDAY AFTERNOON CALIFORNIA
GOVERNOR GAVIN NEWSOM DECLARED A
STATEWIDE EMERGENCY DUE TO THE
EXTREME WEATHER CONDITIONS.
>>> NEWLY RELEASED VIDEO OF A
CONFRONTATION BETWEEN A SECURITY
GUARD AND A AN NBA TEAM
PRESIDENT.
SECURITY AND BODY CAM VIDEO
SHOWING THE GUARD SHOVING
TORONTO RAPTORS PRESIDENT
MOMENTS AFTER HIS TEAM HAD WON
THE NBA FINALS AGAINST GOLDEN
STATE LAST YEAR.
ALLEN STRICKLAND PREVIOUSLY
SUING CLAIMING HE WAS PUNCHED.
THE PRESIDENT IS NOW
COUNTERSUING, SAYING THE VIDEO
SHOWS STRICKLAND WAS THE
AGGRESSOR.
>>>st IT'S A MILESTONE FOR ANY
COMPANY AT ANY TIME BUT APPLE
HAS MANAGED TO BECOME THE FIRST
AMERICAN COMPANY TO PULL IT OFF
THIS YEAR, AFTER SHUTTERING
RETAIL STORES AND FACTORIES
DURING THE CORONAVIRUS OUTBREAK.
>> APPLE HAS BECOME THE FIRST
AMERICAN COMPANY TO HIT A
VALUATION OF MORE THAN $2
TRILLION TWO YEARS AFTER THE
iPHONE MAKER REACHED THE $1
TRILLION MARK.
>> APPLE SHARES HAVE GAINED 60%
THIS YEAR.
>> UBER AND LYFT DRIVERS,
PREPARING FOR A SHUTDOWN OF
SERVICE.
>> CALIFORNIA'S ATTORNEY GENERAL
HAS FILED A LAWSUIT OVER THE
CLASSIFICATION OF UBER AND LYFT
DRIVERS AS INDEPENDENT
CONTRACTORS.
SHE WANTS THEM MOVED INTO THE
EMPLOYEE CATEGORY, MAKING THEM
ELIGIBLE FOR UNEMPLOYMENT
BENEFITS IF THEY LOSE THEIR
JOBS.
THAT WOULD COST THE COMPANIES
HUNDREDS OF MILLIONS OF DOLLARS.
BOTH LYFT AND UBER SAY THAT IF
THEIR APPEALS OF THE
RECLASSIFICATION ARE
UNSUCCESSFUL THEY'LL BE FORCED
TO SHUT DOWN IN CALIFORNIA.
AS EARLY AS TOMORROW.
>>> WELCOME BACK, THIS MONTH
RUSSIA BECAME THE FIRST NATION
TO TOUT A COVID-19 VACCINE BUT
MANY ARE SKEPTICAL AS THEY
HAVEN'T FOLLOWED THE RIGOROUS
TRIAL PROCESS MOST NATIONS
FOLLOW.
HERE IN THE U.S., FOR EXAMPLE,
EVEN AFTER SUCCESSFUL TRIALS ARE
COMPLETED THERE'S ANOTHER LAYER
OF APPROVAL BY THE FDA TO MAKE
SURE A VACCINE IS SAFE TO USE.
BOB WOODRUFF EXPLAINS IN THIS
WEEK'S VACCINE WATCH.
>> LAST WEEK IN RUSSIA, A
SUDDEN, UNEXPECTED
ANNOUNCEMENT -- OFFICIALS
INSISTING THE COUNTRY HAS
DEVELOPED A SAFE AND EFFECTIVE
CORONAVIRUS VACCINE.
>> WE EXPECT REGISTRATION OF
THE -- OF THE WORLD.
WE WILL VACCINATE MEDICAL
WORKERS AND TEACHERS FIRST.
MASSIVE VACCINATION WILL START
IN OCTOBER.
>> IN THE WORLD OF HEALTH AND
SCIENCE THERE'S DEEP SKEPTICISM.
>> WERE I RUSSIA RIGHT NOW I
WOULD NOT ROLL UP MY SLEEVES AND
GET THIS VACCINE BECAUSE IT
HASN'T BEEN ADEQUATELY TESTED.
IT MAY BE SAFE AND IT MAY WORK
BUT WHY TAKE THAT CHANCE.
WHY DO YOU HAVE TO LUCKY?
>> WHAT HAS HAPPENED IN RUSSIA
COULD NEVER HAVE HAPPENED HERE
IN THE U.S. WHERE APPROVAL COMES
ONLY AFTER SAFETY AND
EFFECTIVENESS IS PROVEN IN
WHAT'S COMMONLY KNOWN AS PHASE
THREE HUMAN TRIALS.
THIS CAN REQUIRE UP TO 30,000
VOLUNTEERS.
>> THEY'VE DONE ONE SMALL PHASE
ONE TRIAL OF 38 PEOPLE, GIVING
THEM A DOSE OF THE VACCINE AND
THAT'S IT.
THE PROOF IS IN THE PUDDING, THE
PUDDING IS IN THE PHASE THREE
TRIAL.
>> EVEN WITH A SUCCESSFUL PHASE
THREE TRIAL THE NEXT STOP IS TO
PROVE THAT THE VACCINE IS SAFE
TO THE GOVERNMENT.
THE FDA AND ITS OUTSIDE EXPERT,
ITS VACCINE ADVISORY COMMITTEE.
>> THE FDA VACCINE ADVISORY
PANEL IS COMPOSED MOSTLY OF B
K
ACADEMICS IN THE BROADER
COMMUNITY, NOT FDA OFFICIALS.
IN THIS CASE I SUSPECT WE MAY BE
ADVISING THE FDA ON WHETHER WE
THINK IT SHOULD BE APPROVED BUT
EMERGENCY USE AND AUTHORIZATION.
>> THE U.S. WON'T OUTPACE RUSSIA
BUT THE FDA SAYS IT WILL DO ALL
IT CAN TO GET A SAFE VACCINE
APPROVED AFTER REVIEWING FINAL
STAGES OF HUMAN TRIALS.
>> ONE OF THE THINGS WE'RE GOING
IS A ROLLING REVIEW.
WE'RE LOOKING AT THE DATA OF THE
PHASE THREE EVERY WEEK.
>> ACROSS THE GLOBE SIX VACCINE
CANDIDATES ARE IN PHASE THREE.
TWO IN THE U.S. AND COMPANIES
ARE LOOKING FOR VOLUNTEERS.
>> WE'RE LOOKING AT WHO'S BEING
ENROLLED, DO YOU HAVE ELDERLY
VOLUNTEERS, DO YOU HAVE RACIAL
AND ETHNIC MINORITIES,
VOLUNTEERS IN THE TRIALS.
>> ONE RECENT VOLUNTEER, ABC
NEWS PRODUCER GINA SINCERI.
>> APPARENTLY I PASSED THE
INITIAL EXAM BUT THEY REALLY
WANT PEOPLE TO GO TO BARS, GO TO
BEACHES.
THE FACT THAT I WORK OUTSIDE THE
HOME AND TRAVEL, THAT MAKES ME
VERY DESIRABLE FOR THIS TEST.
>> Reporter: SHE IS NOW A PART
OF PFIZER'S PHASE THREE TRIALS,
RECEIVING HER INJECTION LATE
LAST WEEK.
>> I'M HERE IN THE WAITING ROOM.
I'VE GOTTEN A COVID-19 TEST.
I'VE NOW GIVEN A LOT OF BLOOD.
NEXT UP IS THE INJECTION.
>> Reporter: WE DON'T KNOW IF
GINA RECEIVED THE VACCINE OR A
PLACEBO BUT WE WILL BE WATCHING
AS GINA TRACKS HER PROGRESS.
>>> THERE ARE NOW GROWING CALLS
FOR A STUDENT LOAN BILL OF
RIGHTS, SOME SET OF NATIONWIDE
PROTECTIONS FOR THE MILLIONS
BUCKLING UNDER CRUSHING DEBT.
THE HIGHER COSTS OF HIGHER
EDUCATION IS CREATING A STRANGLE
HOLD ON MOBILITY FOR SOME.
AND MANY SAY IT'S ONLY GETTING
WORSE.
SO TONIGHT WE WANTED TO TAKE A
COMPREHENSIVE LOOK AT THE
CRISIS.
OUR TREVOR ALT BEGINS HIS LOOK
WITH WHAT HAPPENED WITH ONE
GROUP OF STUDENTS AND THE
SURPRISE GIFT FROM A BILLIONAIRE
THAT CHANGED THEIR LIVES.
>> TO CELEBRATE --
>> Reporter: 396 GRADUATING
SENIORS AT MOREHOUSE COLLEGE SAT
LISTENING TO BILLIONAIRE ROBERT
SMITH LAST MAY.
>> WE'RE GOING TO PUT A LITTLE
FUEL IN YOUR BUS.
>> MANY IN THE CROWD DIDN'T KNOW
WHO SMITH WAS BUT HE WAS ABOUT
TO CHANGE THEIR LIVES.
>> THIS IS MY CLASS, 2019.
AND MY FAMILY IS MAKING A GRANT
TO ELIMINATE THEIR STUDENT
LOANS.
>> WITH THAT GESTURE $34 MILLION
IN STUDENT DEBT WAS WIPED AWAY,
INCLUDING THAT OF ELI KIRKLAND.
>> I'M NOT GOING TO LIE THERE
WAS PART OF ME THAT WAS LIKE,
MAN, I REALLY DON'T EVEN WANT TO
BE HERE BUT I'M NOT MAD NO MORE.
>> Reporter: ELI WASN'T EVEN
SUPPOSED TO BE THERE THAT DAY,
FINANCIAL AID ISSUES HAD KEPT
HIM FROM GRADUATING THE YEAR
BEFORE AFTER GETTING BEHIND ON
CREDIT CARD PAYMENTS AND HIS
PARENTS TAKING LOANS TO HELP, HE
WAS READY TO LEAVE WITH MORE
THAN 100,000 IN STUDENT LOANS.
INSTEAD HE LEFT WITH ZERO.
>> WAIT, YOU'RE DEBT FREE
DEGREE?
>> DEBT FREE DEGREE.
>> THAT HAPPENED, MY CREDIT
SCORE WENT UP TREMENDOUSLY.
I HAVE SO MUCH MORE FREEDOM.
I'M NOT HANDICAPPED TO THAT BAD
CREDIT.
>> CONGRATS.
I WISH I WAS IN YOUR POSITION.
>> JORDAN RANDLE, CLASS OF 2020
DID NOT GET A BILLIONAIRE
COMMENCEMENT SPEAKER, DIDN'T
EVEN GET A COMMENCEMENT.
WITH CORONAVIRUS SENDING
EVERYONE HOME HIS FAMILY PUT
TOGETHER THIS HUMBLE SOCIALLY
DISTANCED GATHERING IN THE
BACKYARD, AND WHILE JORDAN IS
STILL GRATEFUL FOR WHAT HE HAS,
DEBT COLLECTORS DON'T TAKE
GRATITUDE AS PAYMENT FOR HIS
STUDENT LOANS.
>> IT'S DEFINITELY OVER 30,000.
I ALMOST FEEL BAD SAYING THAT
BECAUSE I'VE LITERALLY SAID THAT
AND SOME STUDENTS HAVE LAUGHED
AT ME AND SAID I WISH I HAD YOUR
CASE, WHICH IS SAD.
MOVING IN, GETTING MY NEW CAR,
TRYING TO APPLY FOR ANOTHER
CREDIT CARD, DOING THESE TYPICAL
ADULT THINGS HAVE BEEN A LOT
HARDER.
>> BOTH ELI AND JORDAN, FRESH
INTO THE WORKFORCE, SAY THE
SYSTEM OF HIGHER EDUCATION NEEDS
TO BE RE-EXAMINED.
THAT EXORBITANT COLLEGE COST MAY
BE PUTTING THOSE WHO WANT A
DEGREE IN A POSITION WHERE THEY
CAN ONLY GET AHEAD IF THEY'RE
BAILED OUT BY A BILLIONAIRE.
>> THERE ARE A LOT OF PEOPLE WHO
ARE STRUGGLING OR, YOU KNOW, WHO
HAVE THAT DEGREE AND CAN'T FIND
WORK, THEY'RE USING EVERY PENNY
TO PAY OFF THAT DEBT.
>> A LOT OF PEOPLE ARE STUCK IN
SO MUCH DEBT THAT THEY CAN'T
EVEN DO WHAT THEY STUDIED FOR.
SO IT'S LIKE WHAT'S THE POINT?
>> IN THE MIDST OF THE PANDEMIC
JORDAN AND THE MILLIONS PAYING
STUDENT LOANS HAVE SOME
TEMPORARY RELIEF.
IN MARCH THE CONGRESSIONAL
RELIEF PACKAGE SUSPENDED FEDERAL
STUDENT LOAN PAYMENTS AND
COLLECTIONS AND WAIVED
INTEREST --
>> TO HELP OUR STUDENTS AND
THEIR FAMILIES, I'VE WAIVED
INTEREST ON ALL STUDENT LOANS
HELD BY FEDERAL GOVERNMENT
AGENCIES.
>> PRESIDENT TRUMP HAS SINCE
EXTENDED THAT THROUGH THE END OF
THE YEAR.
BUT THAT RELIEF IS NOT GOING TO
LAST FOREVER.
AND SEEING THE RAPIDLY INFLATING
STUDENT LOAN TOTALS CURRENTLY
$1.7 TRILLION NATIONWIDE,
RESE
RESEARCHERS ARE EXAMINING THE
QUESTION, IS AN INCREASINGLY
EXPENSIVE COLLEGE EDUCATION EVEN
WORTH IT?
>> THIS IS OUTPACED INFLATION,
AND OTHER GROWTH IN PRICES AND
WAGES FOR MANY AMERICANS.
AND SO IT KIND OF GIVES A SENSE
OF CRISIS.
>> Reporter: THE FED CENTER FOR
FINANCIAL STABILITY, HE SAYS,
YES, COLLEGE IS STILL A WORTHY
INVESTMENT YOU HAVE TO BE SMART
ABOUT IT BECAUSE THE PAYOFF
ISN'T NEARLY AS GUARANTEED AS IT
WAS A GENERATION AGO.
>> THE RETURNS RELATIVE TO THE
GENERATIONS THAT CAME BEFORE ARE
STARTING TO WEAKEN.
WHEN IT COMES TO WEALTH --
>> Reporter: IT'S EVEN MORE
STRIKING FOR GRADUATES OF COLOR.
ACCORDING TO DATA FOR BLACK
AMERICANS BORN AS EARLY AS THE
1960s HAVING A COLLEGE OR POST
GRADUATE DEGREE WAS
INSIGNIFICANT TO THEIR WEALTH
THAT ON AVERAGE, EVEN WITH ALL
THAT EXTRA SCHOOLING THEY
BASICALLY BROKE EVEN.
>> IT POINTS TO SOME OF THE
FUNDAMENTAL WEALTH GAP SOURCES
AS BEING DEEPLY ENTRENCHED IN
OUR HISTORY.
AND SHOWS THAT HOW DIFFICULT IT
IS FOR ANY ONE FAMILY OR AN
INDIVIDUAL TO ESCAPE FROM SOME
OF THE SYSTEMIC GAPS IN WEALTH
ACCUMULATION THAT WE SEE BASED
ON RACE AND ETHNICITY IN THE
U.S.
>> THE MILLIONS OF AMERICANS
TAKING ON THESE GIANT STUDENT
LOANS ARE BETTING ON THEMSELVES
AND THE OPPORTUNITIES A DEGREE
CAN PROVIDE.
MAKE NO MISTAKE, HIGHER
EDUCATION STILL PLAYS AN
ENORMOUS ROLE IN UPWARD SOCIAL
MOVEMENT FOR A HUGE PERCENTAGE
OF AMERICANS BUT COLLEGE
EDUCATION HAS CERTAINLY NEVER
COST MORE.
SINCE 1998 THE PRICE OF COLLEGE
TUITION HAS RISEN 183%, MORE
THAN THREE TIMES FASTER THAN
OVERALL INFLATION.
FROM 1989 TO 2016 THE COLLECTIVE
BALANCE OF OUTSTANDING STUDENT
LOAN DEBT FOR AMERICAN FAMILIES
ROSE FROM 8.9% TO 22.4%.
NEARLY SEVEN IN TEN MEMBERS OF
THE CLASS OF 2019 TOOK OUT SOME
FORM OF STUDENT LOAN GRADUATING
WITH AN AVERAGE DEBT OF NEARLY
$30,000.
THEY JOIN THE 44 MILLION
AMERICANS WITH STUDENT DEBT AND
MORE THAN1% OF THOSE STUDENT
LOANS ARE 90 DAYS DELINQUENT OR
IN DEFAULT.
FOR SOME THE DREAMS OF A COLLEGE
DEGREE CAN SOON TURN INTO A
NIGHTMARISH BURDEN.
>> WHEN I FINISHED COLLEGE I WAS
STILL WORKING AT STARBUCKS.
I WAS WORKING AT A CALL CENTER.
AND I WAS ALSO DELIVERING MAIL
ON SATURDAYS.
AND I STILL COULDN'T AFFORD THE
LOANS WHEN THEY CAME IN AT $700
A MONTH.
>> KATRINA WILLIAMS FOUND
HERSELF WITH MORE THAN $100,000
IN STUDENT LOAN PAYMENTS AND SHE
COULDN'T GET A BETTER PAYING
JOB.
SHE WAS CAUGHT IN A VICIOUS
VIKELE, BREAKING OUT IN HIVES
FROM THE STRESS, TOO BROKE TO
BUY GAS TO GO TO WORK.
>> EVEN IF I WORKED THREE JOBS
UNTIL I PAID NOTHING BUT MY
STUDENT LOAN DEBT, SOLD EVERY
BELONGING I HAD I STILL WOULDN'T
BE ABLE TO PAY IT OFF WITHIN THE
NEXT 30 YEARS.
I CAN'T.
>> KATRINA MOVED TO JAPAN TO
TEACH AND DECIDED SHE JUST
WOULDN'T PAY HER LOANS.
SHE SAYS ALMOST IMMEDIATELY THE
STRESS WAS LIFTED, BUT THE
HORROR SHE FEELS TOWARDS WHAT
SHE SAYS IS A RIGGED SYSTEM
HASN'T GONE AWAY.
>> WHEN I WAS 18 YEARS OLD AND
MY EYES WERE FULL OF STARS, I'M
GOING AWAY TO COLLEGE.
I HAD NO IDEA THIS WAS THE
FUTURE.
I HAD NO IDEA WHAT THOSE GIANT
NUMBERS MEANT.
I WAS A KID.
PEOPLE ARE STARTING TO REALIZE,
THOSE MILLENNIALS AREN'T JUST
EATING AVOCADO TOAST AND BEING
LAZY, THEY'RE IN CRIPPLING DEBT.
OVER $100,000 IN DEBT.
>> NO FINANCIAL OR LEGAL EXPERT
WOULD RECOMMEND DEFAULTING ON
YOUR LOANS AND LEAVING THE
COUNTRY.
THE FOUNDER OF ED MITT WHICH
HELPS STUDENTS --
>> A COLLEGE DEGREE IS STILL
WORTH IT.
THE AVERAGE COLLEGE GRADUATE
EARNS NEARLY A MILLION DOLLARS
MORE OVER THE COURSE OF THEIR
LIFETIME THAN A COMPARABLE HIGH
SCHOOL GRADUATE WITHOUT A
DEGREE, SO IT'S WORTH IT.
>> HE SAYS IT'S ESSENTIAL TO
KNOW THE FINANCIAL IMPLICATIONS
AHEAD OF TIME, JUST AS YOU WOULD
FOR BUYING A HOUSE OR A CAR.
AND IF YOU'RE ALREADY IN
MOUNTING DEBT, EXHAUST EVERY
AVAILABLE OPTION, LIKE
INCOME-DRIVEN REPAYMENT TO
MINIMIZE THE BURDEN IF YOU CAN.
>> MAKE SURE YOU UNDERSTAND WHAT
OPTIONS ARE AVAILABLE WITH
RESPECT TO ADDRESSING YOUR
STUDENT DEBT.
I'D ALSO SAY THAT THEY'RE NOT A
LOAN.
THERE'S A LOT OF UNFORTUNATELY
OTHER STUDENTS THAT HAVE AN
AWFUL LOT OF STUDENT DEBT AND
THERE ARE COMMUNITIES ONLINE
THAT THEY CAN FIND AND MEET
OTHERS WHO HAVE BEEN CHIPPING
AWAY AT THAT DEBT.
>> OF COURSE FOR THE MOST RECENT
GRADUATES THAT MAY NOT SOUND
VERY PROMISING AND EVEN JORDAN
WHO ALREADY HAS A JOB AND IS
WORKING TO PAY OFF HIS DEBTS
SAYS IT'S TIME FOR A MAJOR
OVERHAUL.
>> I THINK THE ISSUE WITH THE
STUDENT LOAN SYSTEM IS NOW IT'S
BASICALLY COME BUSTING.
THERE DOES NEED TO BE A CHANGE
IN OUR, YOU KNOW, ACADEMIC
SYSTEM, IN GENERAL.
AND, YOU KNOW, BECAUSE I DO FEEL
LIKE IT STILL BENEFITS PEOPLE
WHO COME FROM WEALTH, BECAUSE
THAT'S WHO IT WAS MADE FOR.
>> TREVOR ALT, ABC NEWS, NEW
YORK.
>>> AND WHEN WE RETURN, WHAT
WE'RE TRACKING WITH THE
CONVENTION'S LESS THAN AN HOUR
AWAY.
STAY WITH US.
>>> AND THE ONLINE INFLUENCER,
TRYING TO BRIGHTEN UP OUR MOODS
DURING THESE TURBULENT TO HAPPI
LISTEN TO THE 10% HAPPIER
PODCAST FREE ON APPLE PODCASTS.
>>> WELCOME BACK, HERE'S
SOMETHING YOU MAY NOT HAVE HEARD
JUST YET BUT QUARANTINE HAS
APPARENTLY GIVEN MANY OF US A
CRAVING FOR MORE COLOR IN OUR
HOMES.
ERIELLE RESHEF SPEAKS TO AN
INFLUENCER.
>> I WANT TO TALK ABOUT ROSES.
>> HE'S THE FLORAL DESIGN
SENSATION BLOOMING ON INSTAGRAM.
KRISTEN GRIFFITH'S DEVOTED
FOLLOWING HAS BLOSSOMED TO MORE
THAN 65,000.
>> IT'S ALL ABOUT THE BLOW AND
TWIST.
I THINK OUR BODIES ARE NATURALLY
REACTING TO BEING STUCK IN OUR
HOUSES ALL DAY.
SO WE'RE LOOKING TO CONNECT IN
ANY WAY THAT WE CAN.
IT ALLOWS YOU TO BREATHE BETTER
AND EXPERIENCE LIFE IN A MORE
FULL WAY BECAUSE IT'S CONNECTING
YOU WITH THE OUTSIDE.
BUT YOU'RE JUST BRINGING IT
INSIDE AND HAVING SOMETHING
PRETTY TO LOOK AT AS WELL.
>> WITH ALL OF US SPENDING MORE
TIME AT HOME THE HASHTAGS PLANT
DAD AND PLANT MOM ARE TRENDING.
>> THERE'S SOMETHING VERY
THERAPEUTIC AND COMFORTING ABOUT
WATCHING THINGS GROW, AND
FEELING LIKE YOU WERE A PART OF
THAT.
AND I THINK THAT THAT'S FUELED A
LOT OF THIS FOR PEOPLE, EVEN IF
YOU'RE JUST DIGGING IN A POT ON
YOUR BALCONY.
THERE'S SOMETHING VERY
SATISFYING AND HOPEFUL ABOUT
THAT.
>> TO MAKE YOUR HOME GARDEN GROW
WE WENT TO THE EXPERT FOR
ADVICE.
>> I HAVE A QUESTION REGARDING
MY TOMATO PLANTS.
I SEEM TO FIND BLACK ACCO
CATERPILLARS ON THEM TO SEEM TO
APPEAR OVERNIGHT.
>> NUMBER ONE THING I DO IS YOU
HAVE TO USE AN ORGANIC
PESTICIDE.
THERE'S SOMETHING CALLED -- OIL,
WHICH COMES FROM THE TREE, COMES
FROM THE SEEDS OF THE TREE WHICH
I BELIEVE IS NATIVE TO SOUTHEAST
ASIA.
THAT OIL ACTS AS A NATURAL
PESTICIDE.
AND IT TASTES AWFUL.
IT HAS THIS REALLY DISGUSTING,
BITTER TASTE, THAT PESTS AND
BUGS REALLY DISLIKE.
>> I WANT TO KNOW, HOW CAN I
CREATE A FLOWER ARRANGEMENT WITH
ONLY USING DARK COLORS, LIKE
BLACK OR MAYBE A DEEP PURPLE?
>> I SAY EMBRACE THE MOOD,
THERE'S NOTHING DEPRESSING ABOUT
DARK FLOWERS AND THAT IS A
REALLY GREAT WAY TO BRING IN
SOMETHING SORT OF DARK AND A
LITTLE BIT SEXY INTO YOUR SPACE.
>> WHAT IF YOU'RE LIKE ME AND
WANT HOME FLORALS WITHOUT THE
FUSS.
>> THIS IS EXTREMELY HELPFUL FOR
ME.
>> KRISTEN SAYS A SUCCULENT IS
ALWAYS A SAFE CHOICE.
>> IF YOU HAVE A MURDER THUMB,
IT'S PERFECT FOR THAT.
>> THAT WOULD BE ME.
>> OUR THANKS TO ERIELLE FOR
THAT.
>>> WE'LL CONTINUE OUR COMPLETE
COVERAGE WITH OUR POWER HOUSE
POLITICAL TEAM HERE ON ABC NEWS
LIVE BUT FOR A PREVIEW OF WHAT
WE CAN EXPECT FOR TONIGHT LET'S
BRING IN ABC NEWS DEPUTY
POLITICAL DIRECTOR MARY ALICE
PARKS.
THE WHOLE NIGHT WILL HAVE A HUGE
FOCUS ON FEMALE SPEAKERS.
GIVE US THE HIGHLIGHTS.
>> Reporter: SENATOR KAMALA
HARRIS, FRONT AND CENTER
TONIGHT, THE FIRST TIME WE WILL
HEAR FROM JOE BIDEN'S HISTORIC
PICK.
BUT SHE IS NOT THE ONLY TRAIL
BLAZING FEMALE DEMOCRAT THAT
WILL BE HIGHLIGHTED TONIGHT.
THE FIRST FEMALE SPEAKER OF THE
HOUSE NANCY PELOSI, ELIZABETH
WARREN SPEAKING TONIGHT,
OBVIOUSLY A POWERFUL FEMALE
VOICE IN THE DEMOCRATIC PARTY
AND HILLARY CLINTON, THE
DEMOCRATIC FEMALE NOMINEE LAST
TIME, ALL OF THESE HISTORY
MAKING WOMEN BECAUSE, LOOK, BIG
PICTURE, DEMOCRATS HAVE ALWAYS
KNOWN THAT WOMEN ARE THE
BACKBONE OF THEIR PARTY.
AND IN THE ERA OF TRUMP IT'S
MORE THAN THAT.
THEY'RE THE GUTS, BRAINS, THE
ENTIRE OPERATION OF THE
DEMOCRATIC PARTY.
AND IT'S VERY CLEAR THAT
DEMOCRATS WANT TO REMIND VOTERS
THAT THEY'RE THE ONES WITH THE
HUGE EDGE WITH WOMEN.
>> THE GUTS, THE BRAINS, THE
BACKBONE, ALL THAT, AND OF
COURSE KAMALA HARRIS HAS HER BIG
MOMENT TONIGHT.
WHAT ARE YOU EXPECTING IN HER
REMARKS?
>> SHE BASICALLY HAS TO DO TWO
THINGS, SHE NEEDS TO REINTRODUCE
HERSELF ON THIS NATIONAL STAGE,
NO LONGER JOE BIDEN'S
COMPETITOR, SHE NOW NEEDS TO
SHOW SHE'S HIS TEAMMATE AND THAT
THEY'RE WORKING TOGETHER.
BUT THERE'S ALSO A LOT OF
PRESSURE FOR HER TO START TO
SHOW WHAT A BIDEN/HARRIS
ADMINISTRATION WOULD EVEN LOOK
LIKE.
THE LAST FEW DAYS WE'VE SEEN
THESE GLOWING SPEECHES ABOUT JOE
BIDEN BUT THEY'VE REALLY BEEN
ABOUT HIS CHARACTER.
BUT THEY'RE NOT EXACTLY SPEECHES
ABOUT BIG CHANGE.
THAT'S PARTLY THE BENEFIT OF
RUNNING AGAINST A SITTING
PRESIDENT, DEMOCRATS CAN PARTLY
SAY THAT CHANGING
ADMINISTRATIONS WOULD BE CHANGE
ENOUGH BUT THE BIDEN TEAM KNOWS
THAT'S NOT REALLY ENOUGH.
THEY NEED TO START LAYING OUT
THE CASE TO VOTERS WHAT EXACTLY
AN ADMINISTRATION WOULD LOOK
LIKE, WE'RE EXPECTING SOME BIG
POLICY SPEECHES.
HARRIS WILL TAKE THE CHARGE ON
THAT, ENVIRONMENTAL CHANGE,
IMMIGRATION REFORM, GUN CONTROL,
ISSUES THAT JOE BIDEN REALLY
WANTS TO LEAD ON.
>> AND OF COURSE WE CANNOT
FORGET PRESIDENT OBAMA IS ALSO
SPEAKING TONIGHT.
WHAT DO YOU HAVE YOUR EYE ON
THERE?
>> YEAH, IT IS REMARKABLE, WE
WERE JUST TALKING ABOUT THESE
POWER HOUSE WOMEN BUT IT IS
REALLY POSSIBLE THAT BARACK
OBAMA, THE FORMER PRESIDENT,
REALLY STEALS THE SHOW IN THE
END.
YOU KNOW, HE'S NOT JUST GOING TO
BE TALKING AS JOE BIDEN'S FORMER
BOSS.
HE'S TALKING AS A FORMER
PRESIDENT AND THE CAMPAIGN JUST
PUT OUT SOME EXCERPTS OF HIS
PREPARED REMARKS, I HAVE TO TELL
YOU THEY ARE STUNNING, IT IS
REALLY SOMETHING.
HE IS HOLDING ABSOLUTELY NOTHING
BACK.
IT'S REALLY RARE FOR A FORMER
PRESIDENT TO GO DIRECTLY AFTER A
SITTING PRESIDENT.
BUT IT SEEMS LIKE THAT'S EXACTLY
WHAT BARACK OBAMA PLANS TO DO.
HE DOESN'T NORMALLY CALL IT OUT
DONALD TRUMP BY NAME BUT IN
THESE PREPARED REMARKS HE REALLY
DOES.
HE SAYS THAT DONALD TRUMP HAS
SHOWN NO INTEREST IN PUTTING IN
THE WORK.
FINDING COMMON GROUND, USING THE
AWESOME POWER OF HIS OFFICE TO
HELP ANYONE BUT HIMSELF AND HIS
FRIENDS.
JUST PRETTY REMARKABLE LANGUAGE,
TAKEN ALL TOGETHER THESE
EXCERPTS I'M LOOKING AT IT LOOKS
LIKE PRESIDENT OBAMA PLANS TO
SAY THAT HE REALLY BELIEVES
PRESIDENT TRUMP IS A THREAT TO
DEMOCRATIC INSTITUTIONS.
AND THAT'S QUITE THE CLAIM.
>> PEOPLE WILL BE ALL EARS
TONIGHT, FOR SURE.
MARY ALICE, THANKS SO MUCH.
>> THANKS, LINSEY.
>>> AND BEFORE WE GO TONIGHT OUR
IMAGE OF THE DAY.
A WORKER GETTING THE STAGE READY
IN WILMINGTON, DELAWARE WHERE
SENATOR KAMALA HARRIS IS SET TO
DELIVER HER SOCIALLY DISTANT
SPEECH TONIGHT.
MUCH OF THE FANFARE OF PAST
CONVENTIONS IS GONE, HISTORY
WILL NONETHELESS BE MADE.
AND THAT IS OUR SHOW FOR
TONIGHT.
I'M ABOUT TO SWITCH SETS AND BE
JOINED BY OUR POWER HOUSE
POLITICAL TEAM.
BE SURE TO STAY TUNED TO ABC
NEWS LIVE AS WE BEGIN NIGHT
THREE OF COVERAGE FOR THE
DEMOCRATIC NATIONAL CONVENTION.
I'M LINSEY DAVIS.
THANKS SO MUCH FOR STREAMING
WITH US AND GOOD NIGHT.
.
>>> THIS IS AN ABC NEWS SPECIAL.
TONIGHT, THE MOST POWERFUL WOMEN
IN THE DEMOCRATIC PARTY TAKE UP
THE FIGHT FOR JOE BIDEN.
NANCY PELOSI, ELIZABETH WARREN,
HILLARY CLINTON, AND HIS NEW
RUNNING MATE, KAMALA HARRIS.
PLUS, PRESIDENT BARACK OBAMA
HOPES TO DELIVER A KNOCKOUT BLOW
FOR HIS FRIEND, JOE BIDEN.
LIVE FROM NEW YORK CITY AND
ACROSS THE COUNTRY, HERE NOW,
LINSEY DAVIS, TOM LLAMAS, AND
THE ABC NEWS POWERHOUSE
POLITICAL TEAM.
>> GOOD EVENING.
THANK YOU FOR JOINING US ON ABC
NEWS LIVE TONIGHT.
I'M TOM LLAMAS JOINED WITH
LINSEY DAVIS.
TONIGHT IS SENATOR KAMALA
HARRIS' BIG NIGHT, ADDRESSING IN
PRIME TIME FOR THE FIRST TIME,
THE DEMOCRATIC PARTY AS THE
NOMINEE FOR THE DEMOCRATS AS
VICE PRESIDENT.
>> SENATOR HARRIS JOINS AN ELITE
GROUP TONIGHT AS ONLY THE THIRD
WOMAN TO BE NOMINATED FOR VICE
PRESIDENT ON A MAJOR PARTY
TICKET.
AND OF COURSE, THE FIRST WOMAN
OF COLOR.
TONIGHT SHE'S GOT ONE JOB TO
MAKE A STRONG PITCH FOR JOE
BIDEN AS PRESIDENT.
THAT'S KIND OF A HARD LEFT TURN
FROM THE JOBS SHE ONCE THROUGH
DURING THE DEMOCRATIC DEBATE
EARLIER THIS YEAR.
>> THIS EVENING THE LINEUP IS
ANCHORED BY THE MOST POWERFUL
WOMEN IN THE PARTY, SOME OF THE
MOST POLARIZING AS WELL.
SPEAKER NANCY PELOSI, SENATOR
ELIZABETH WARREN, SPECKING ONCE
AGAIN TO JOE BIDEN.
ALSO ON TAP, HILLARY CLINTON,
WHO KNOWS ALL TOO WELL WHAT A
FIGHT AGAINST DONALD TRUMP LOOKS
LIKE.
>> PRESIDENT OBAMA PROTESTANT
AND CENTER TONIGHT.
MOST RECENTLY TAKING JABS AT
PRESIDENT TRUMP'S LEADERSHIP AT
THE MEMORIAL SERVICE FOR
REPRESENTATIVE JOHN LEWIS.
IN THIS ARENA WHERE THE GLOVES
ARE OFF, HOW HARD WILL PRESIDENT
OBAMA SWING TONIGHT?
>> OUR POWERHOUSE ROUNDTABLE IS
WITH US IN NEW YORK, D.C., AND
ACROSS THE COUNTRY.
WE START WITH MARY BRUCE IN
WILMINGTON, DELAWARE, TONIGHT.
MARY, SO GREAT TO HAVE YOU HERE
TONIGHT.
KAMALA HARRIS IS ON THE BIGGEST
STAGE OF HER LIFE RIGHT NOW.
THIS IS A HIGH-STAKES MOMENT.
WHAT IS SHE GOING TO SAY TONIGHT
AND WHAT DO DEMOCRATS WANT TO
HEAR FROM HER?
>> TOM, KAMALA HARRIS IS GOING
TO OUTLINE HER VISION FOR THE
FUTURE AND THIS COUNTRY AND
EXPLAIN WHY SHE FEELS THAT HER
STORY, THE AMERICAN STORY, A
VISION OF A COUNTRY WHERE
EVERYONE BELONGS IS SOMETHING
THAT SHE SAYS NOW FEELS LIKE A
DISTANT PAST UNDER PRESIDENT
TRUMP.
SHE'S GOING TO OUTLINE WHY SHE
FEELS THAT JOE BIDEN IS THE BEST
LEADER TO BRING BACK THAT
VISION.
SHE IS THE DAUGHTER OF
IMMIGRANTS A JAMAICAN FATHER AND
INDIAN MOTHER.
SHE HAS BROKEN BARRIERS.
WE'RE SEEING A BLACK WOMAN, AN
ASIAN-AMERICAN ACCEPTING THE
PARTY'S NOMINATION TO BE VICE
PRESIDENT.
YOU KNOW, IN SPEAKING WITH
VOTERS OVER THE LAST WEEK OR SO,
I HAVE BEEN STRUCK BY HOW MANY
PEOPLE HAVE SAID IN HEARING JOE
BIDEN'S PICK FOR VICE PRESIDENT,
HIS DECISION TO PICK KAMALA
HARRIS THAT THEY FELT IT WAS A
SIGN OF REAL PROGRESS , THAT IN
THESE DIVISIVE TIMES THAT HOPE
WAS SOMETHING THAT WAS STILL
POSSIBLE, ESPECIALLY IN TALKING
TO BLACK WOMEN WHO SAY THEY SEE
THIS AS A SIGN THAT JOE BIDEN
HEARS THEM.
OF COURSE BLACK VOTERS IN MANY
WAYS SAVED HIS STRUGGLING
CAMPAIGN OR MADE THIS NIGHT
POSSIBLE.
THEY FEEL THAT JOE BIDEN IS
INCLUDING THEM IN THE FUTURE OF
THE PARTY GOING FORWARD.
IT WILL BE QUITE A THING TONIGHT
TO SEE HER MAKE HISTORY.
IT SENDS SUCH A POWERFUL MESSAGE
TO WOMEN ACROSS THIS COUNTRY, TO
WOMEN OF COLOR, ESPECIALLY TO
YOUNG GIRLS.
>> TRULY HISTORIC.
THANK YOU SO MUCH, MARY.
LET'S BRING IN TERRY MORAN IN
PHILADELPHIA.
MICHELLE ELECTIFIED DEMS ON
MONDAY.
WHAT ARE YOU EXPECTING TONIGHT?
>> I EXPECT SOMETHING WE HAVEN'T
SEEN IN A LONG TIME, LINSEY.
HERE IN PHILADELPHIA WHERE THE
COUNTRY WAS BORN AND
INDEPENDENCE HALL BEHIND ME,
FORMER PRESIDENT OBAMA SPEAKING
FRONT OF THE MUSEUM OF THE
AMERICAN REVOLUTION IS GOING TO
LAUNCH A BLISTERING ATTACK
AGAINST HIS SUCCESSOR.
MAYBE HARRY TRUMAN DID THE SAME
THING TO EISENHOWER.
HE'S GOING TO FLAY THE POLITICAL
SKIN OFF DONALD TRUMP.
TRUMP HAS TRASHED OBAMA AND HIS
PERFORMANCE IN OFFICE AGAIN AND
AGAIN.
IT SOUNDS LIKE IT'S PAY-BACK
TIME TONIGHT.
THE PRESIDENT THE GOING TO SAY
AT A DONALD TRUMP SEES THE OVAL
OFFICE ONLY AS A REALITY ♪SHOW
THAT HE CAN USE TO GET THE
ATTENTION HE CRAVES, AND HE'S
GOING TO SAY ALSO DONALD TRUMP
HASN'T GROWN INTO THE JOB
BECAUSE HE CAN'T.
NOW, ALL THESE INSULTS AND
CRITICISM OF THE CURRENT
PRESIDENT BY THE FORMER
PRESIDENT AREN'T JUST THIS
PERSONAL BATTLE.
WHAT BARACK OBAMA IS TRYING TO
DO WITH THESE EXCERPTS AND THE
SPEECHES IS RAISE THE STAKES, IF
YOU CAN IMAGINE IT, FOR THE
AMERICAN PEOPLE.
HE'S TRYING TO SAY THAT
DEMOCRACY ITSELF, THE LEGACY OF
THE COUNTRY'S DEMOCRACY THAT
BEGAN HERE IN PHILADELPHIA IS ON
THE BALLOT BECAUSE OF DONALD
TRUMP'S PERFORMANCE IN OFFICE
AND HIS ATTITUDE, HIS
AUTHORITARIAN ATTITUDE IN THE
EYES OF BARACK OBAMA TOWARDS
POWER.
SO WE'RE GOING TO SEE A
KNOCKDOWN, DRAG 'EM OUT,
HAY-MAKING SPEECH FROM THE
FORMER PRESIDENT TO THE CURRENT
PRESIDENT.
SHOULD BE WILD.
>> ALL RIGHT, TERRY, STAND BY.
MORE ON PRESIDENT OBAMA'S
SPEECH.
I WANT TO BRING IN RACHEL SCOTT
AT THE WHITE HOUSE.
WE KNOW PRESIDENT TRUMP HAS HIT
SOME SWING STATES.
HE'S TRYING TO SWAY VOTERS AND
STEAL SOME OF THOSE HEADLINES
DURING THIS DEMOCRATIC NATIONAL
CONVENTION, BUT WE HAVE RELEASED
EXCERPTS FROM FORMER PRESIDENT
OBAMA'S SPEECH AND WE KNOW NOW
PRESIDENT TRUMP HAS WEIGHED IN
ON THE EXCERPTS.
>> YES, TOM.
HE DEFINITELY HAS.
HE IS RAILING AGAINST PRESIDENT
OBAMA, CALLING HIM INEFFECTIVE,
SAYING HE WOULDN'T HAVE THE JOB
THAT HE HAS NOW IN THE OVAL
OFFICE IF PRESIDENT OBAMA DID
HIS JOB FIRST.
THE PRESIDENT WAS ASKED DIRECTLY
ABOUT SOME OF THOSE PREPARED
REMARKS.
IT IS CLEAR THAT THE PRESIDENT
IS TUNING INTO WHAT IS HAPPENING
ON THE OTHER SIDE OF THE AISLE
HERE AT THE DEMOCRATIC NATIONAL
CONVENTION.
PINNED ON HIS TWITTER FEED RIGHT
NOW IS A MESSAGE TO OBAMA SAYING
SEE YOU ON THE FIELD OF BATTLE,
TOM.
>> RACHEL, I ALSO WANT TO
ADDRESS ANOTHER HEADLINE OUT OF
THE WHITE HOUSE TONIGHT.
THE PRESIDENT DURING HIS
BRIEFING TODAY ADDRESSED
SUPPORTERS OF THE QANON
CONSPIRACY THEORY.
IF YOU CAN EXPLAIN TO YOUR
VIEWERS FIRST WHAT EXACTLY QANON
IS AND WHAT THE PRESIDENT SAID
TONIGHT?
>> YEAH, THAT WAS QUITE THE
MOMENT IN THE WHITE HOUSE PRESS
BRIEFING ROOM.
THE PRESIDENT WAS ASKED ABOUT
THE QANON CONSPIRACY THEORY
WHICH AT THE CRUX OF THIS PEOPLE
BELIEVE THAT THE PRESIDENT'S
OPPONENTS ARE PART OF SOME
SECRET SOCIETY OF PEDOPHILES AND
THERE ARE THOSE OUT TO GET THE
PRESIDENT.
THE PRESIDENT WAS ASKED TO
RESPOND TO THIS AND SAID HE
KNOWS NOTHING ABOUT THE
MOVEMENT, HASN'T KNOWN ANYTHING
ABOUT IT EXCEPT FOR THE FACT
THAT SOME OF ITS BELIEVERS
SUPPORT HIM, WHICH HE
APPRECIATES.
HE THEN WENT ON TO SAY SOME OF
THE BELIEVERS OF THIS CONSPIRACY
THEORY LOVE OUR COUNTRY.
TONIGHT THE BIDEN CAMPAIGN IS
FIRING BACK, TOM, SAYING THAT
THE PRESIDENT IS LEGITIMIZING A
CONSPIRACY THEORY THAT THE FBI
HAS LABELED A POTENTIAL DOMESTIC
TERRORIST THREAT.
TOM?
>> RACHEL SCOTT, I'LL TAKE THAT
BACK.
THANK YOU SO MUCH.
WE'RE JOINED BY GOVERNOR
GRETCHEN WHITMER OF MICHIGAN, OR
AS SHE JOKED ON MONDAY NIGHT ,
THAT WOMAN FROM MICHIGAN AS
PRESIDENT TRUMP CALLED HER.
THANK YOU SO MUCH FOR JOINING
US, GOVERNOR.
>> GLAD TO BE WITH YOU.
>> TONIGHT WE'LL SEE A MOSTLY
FEMALE SPEAKING LINEUP AHEAD OF
KAMALA HARRIS OFFICIALLY
ACCEPTING THE VP NOMINATION.
JUST REFLECT ON THIS MOMENT FOR
A MOMENT AS FAR AS WHAT YOU HOPE
TO HEAR TONIGHT.
>> OH, I GOT TO TELL YOU, I'M SO
EXCITED.
I THINK THAT TONIGHT IS GOING TO
HAVE A PHENOMENAL IMPACT.
IT'S A HISTORIC MOMENT TO HEAR
FROM KAMALA HARRIS.
I AM SO EXCITED.
I'M GOING TO BE WATCHING IT WITH
MY DAUGHTER.
WE REMEMBER FOUR YEARS AGO WE
WENT -- MICHELLE OBAMA SPEAK AT
A HILLARY CLINTON -- THIS IS THE
MOMENT WHERE WE WILL LOOK BACK
AND THINK THIS CHANGED THE
ELECTION.
THIS PUTS NOT JUST MICHIGAN BUT
THE WHOLE COUNTRY -- COVERING
THE COVID-19, PULLING BACK OUR
ECONOMY STRONGER THAN EVER --
AND REALLY EXCITED ABOUT THIS --
>> GOVERNOR, THERE IS A LOT OF
PRESSURE ON YOU TONIGHT AND
OTHER DEMOCRATIC LEADERS IN YOUR
STATE.
MICHIGAN TURNED BLUE IN 1992.
IT STAYED IN THE DEMOCRATIC WIN
COLUMN FOR 24 YEARS.
AND THAT ALL CHANGED FOUR YEARS
AGO WHEN 2016.
YES, IT WAS A RAZOR THIN MARGIN,
BUT PRESIDENT TRUMP WON YOUR
STATE.
WHAT ARE YOU DOING RIGHT NOW AND
WHAT CAN YOU TELL DEMOCRATS
TONIGHT THAT YOU AND OTHER
LEADERS ARE WORKING OVERTIME TO
MAKE SURE YOU CAN DELIVER
MICHIGAN FOR THE DEMOCRATS?
>> WELL, THERE'S NO QUESTION THE
ROAD TO THE WHITE HOUSE GOES
THROUGH THE GREAT STATE OF
MICHIGAN.
IN 2016 TRUMP WON MICHIGAN BY
11,000 VOTES.
WHEN I WON JUST TWO YEARS LATER,
I WON BY OVER 400,000 VOTES.
ALL THAT BEING SAID -- I
THINK -- I DON'T BUY IT FOR A
SECOND -- WORK ALL THE WAY
THROUGH THE LAST VOTE BEING --
THAT WE CAN TAKE NOTHING FOR
GRANTED.
JUST TODAY WE SAW THAT THE POST
OFFICES ACROSS THE MICHIGAN WE
SAW A LOT OF VERY CONCERNING
PICTURES AND REPORTS COMING OUT
THAT -- WHITE HOUSE -- THEY
ARE -- SO TINKERING WITH OUR US
POSTAL SERVICE -- THAT'S WHAT WE
GOT -- TAKE THIS SERIOUSLY.
>> GOVERNOR GRETCHEN WHITMER,
THANK YOU IF YOU ARE YOUR TIME.
UNFORTUNATELY WE HAD A LITTLE
TECHNICAL DELAY WITH THE ZOOM
CALL, BUT I THINK WE GOT THE
GIST OF WHAT YOU'RE SAYING.
YOU'RE GOING TO WORK HARD TO TRY
TO DELIVER YOUR STATE BACK FOR
DEMOCRATS COME NOVEMBER.
ALL RIGHT, GOVERNOR, THANK YOU
FOR YOUR TIME.
>>> WHEN WE COME BACK, THE
FORMER PROSECUTOR AND
PRESIDENTIAL CANDIDATE WHO
BECAME THE FIRST BLACK WOMAN TO
BE NOMINATED TO BE A VICE
PRESIDENT, SENATOR KAMALA
HARRIS.
STAY WITH US.
"ONE OF A KIND TO AN OUTER
BANKS" AT 9:00 ON NATIONAL
GEOGRAPHIC.
>>> BY CHOOSING A WOMAN TO RUN
FOR OUR NATION'S SECOND HIGHEST
OFFICE, YOU SEND A POWERFUL
SIGNAL TO ALL AMERICANS.
THERE ARE NO DOORS WE CANNOT
UNLOCK.
[ CHEERS ]
>> AMERICANS EXPECT US TO GO TO
WASHINGTON FOR THE RIGHT
REASONS, THE RIGHT REASON IS TO
CHALLENGE THE STATUS QUO, TO
SERVE THE COMMON GOOD AND TO
LEAVE THIS NATION BETTER THAN WE
FOUND IT.
[ CHEERS ]
>> THOSE ARE THE TWO WOMEN WHO
WALKED IN KAMALA HARRIS'
FOOTSTEPS BEFORE, THE FIRST TWO
WOMEN AS CANDIDATES FOR VICE
PRESIDENT NOW TONIGHT SENATOR
HARRIS JOINS THAT VERY EXCLUSIVE
CLUB.
>> LINSEY, ALTHOUGH SHE HAS BEEN
ON THE NATIONAL STAGE AS A
PRESIDENTIAL CANDIDATE AND
HIGH-PROFILE SENATOR, HER PATH
TO THIS MOMENT IS VERY DIFFERENT
THAN THE WOMEN AND MEN WHO HAVE
SERVED AS RUNNING MATES BEFORE
HER.
OUR BYRON PITTS EXPLAINS.
>> I AM NOT PERFECT.
LORD KNOWS I AM NOT PERFECT.
BUT I WILL ALWAYS SPEAK WITH
DECENCY AND MORAL CLARITY AND
TREAT ALL PEOPLE WITH DIGNITY
AND RESPECT.
[ CHEERS ]
>> KAMALA HARRIS, THE
55-YEAR-OLD STEPMOTHER AND WIFE,
THE DAUGHTER OF IMMIGRANTS, A
JAMAICAN FATHER AND INDIAN
MOTHER, WHO WAS HER GUIDING
FORCE GROWING UP IN THE
CALIFORNIA BAY AREA.
>> OUR MOTHER WAS FIERCE IN HER
BELIEF THAT YOU WILL BE JUDGED
BASED ON YOUR ACTIONS, NOT YOUR
WORDS.
OUR MOTHER ALSO, YOU KNOW, SHE
WAS ALL OF FIVE FEET TALL, BUT
YOU EVER MET HER, YOU PROBABLY
ONE OF YOU THOUGHT SHE WAS 7 TO
10 FEAT TALL.
>> A LAWYER BY TRAINING, SHE
WORKED UP AS DEPUTY DISTRICT
ATTORNEY IN OAKLAND IN THE
1990s, PROSECUTING DRUG
TRAFFICKING AND ABUSE.
THE FIRST PERSON OF COLOR TO
HOLD ATTORNEY GENERAL OF
CALIFORNIA.
SHE WOULD FACE CRITICISM OVER
HER STANCE ON POLICE
PROSECUTIONS, BUT HER STAR
CONTINUED TO RISE IN THE
DEMOCRATIC PARTY.
EASILY WINNING HER RACE FOR U.S.
SENATE IN 2016.
>> DO YOU SOLEMNLY SWEAR --
>> THE FORMER PROSECUTOR BECAME
MORE WIDELY KNOWN WITH WHEN HER
NOTABLE MOMENTS IN SENATE
HEARINGS WENT VIRAL, INCLUDING
IN THE 2018 SUPREME COURT
CONFIRMATION HEARINGS OF BRETT
KAVANAUGH.
>> CAN YOU THINK OF ANY LAWS
THAT GIVE GOVERNMENT POWER TO
MAKE DECISIONS ABOUT THE MALE
BODY?
>> I'M HAPPY TO ANSWER A MORE
SPECIFIC QUESTION.
>> MALE VERSUS FEMALE.
>> THERE ARE MEDICAL PROCEDURES.
>> HER FIERCE GRILLING DEPLOYED
AGAIN DURING THE MUELLER
INVESTIGATION.
>> ATTORNEY GENERAL BARR, HAS
THE PRESIDENT OR ANYONE AT THE
WHITE HOUSE EVER ASKED OR
SUGGESTED THAT YOU OPEN AN
INVESTIGATION OF ANYONE?
>> I WOULDN'T -- I WOULDN'T --
>> YES OR NO?
>> COULD YOU REPEAT THAT
QUESTION?
>> AS A DEMOCRATIC CANDIDATE FOR
PRESIDENT HERSELF LAST YEAR, HER
FIERY DEBATE STYLE OFTEN
FLATTENING HER COMPETITORS.
>> AMERICA DOESN'T WANT TO WANS
FOOD FIGHT.
THEY WANT TO KNOW HOW WE'RE
GOING TO PUT FOOD ON THE TABLE.
>> RESERVING SOME OF HER
HARSHEST CRITICISM FOR JOE
BIDEN.
CONFRONTING HIM FOR TOUTING HIS
ABILITY TO WORK WITH ANYONE,
EVEN SEGREGATIONIST SENATORS.
>> IT'S PERSONAL.
IT WAS HURTFUL TO HEAR YOU TALK
ABOUT THE REPUTATIONS OF TWO
UNITED STATES SENATORS WHO BUILT
THEIR REPUTATIONS AND CAREER ON
THE SEGREGATION OF RACE IN THIS
COUNTRY.
>> SHE WENT ON TO ATTACK BIDEN'S
PAST POSITION ON SCHOOL BUSSING.
>> THERE WAS A LITTLE GIRL IN
CALIFORNIA WHO WAS PART OF THE
SECOND CLASS TO INTEGRATE HER
PUBLIC SCHOOLS, AND SHE WAS
BUSSED TO SCHOOL EVERY DAY.
AND THAT LITTLE GIRL WAS ME.
>> CAROL PORTER, KAMALA'S
CHILDHOOD FRIEND WATCHING THAT
MOMENT AT HOME UNDERSTOOD THE
EMOTION BEHIND KAMALA'S FIERY
RESPONSE.
>> WHEN SHE BROUGHT UP THE
BUSSING IN BERKELEY, IT MADE ME
EMOTIONAL.
I HAVE TO BE CAREFUL NOW SO I
DON'T GET EMOTIONAL.
AND THAT'S WHEN I RECALL LEANED
IN.
I WAS, LIKE, OKAY.
AT THAT MOMENT I THINK SHE
LIFTED UP COMMUNITIES OF PEOPLE,
YOU KNOW, ESPECIALLY PEOPLE OF
COLOR WHO WENT THROUGH THAT SAME
EXPERIENCE WITH HER.
>> HER ABILITY TO GET TOUGH WITH
BIDEN GARNERED HEADLINES
THROUGHOUT THE VEEPSTAKES
PROCESS, MAKING SOME WONDER IF
THE TWO COULD GET PAST THEIR
TENSE MOMENTS.
AS EXPLANATION MOUNTED ABOUT WHO
WOULD BE HIS RUNNING MATE, BIDEN
WAS SEEN AT A PRESS CONFERENCE
WITH NOTES SHOWING HARRIS' NAME
AND THE TALKING POINTS DO NOT
HOLD GRUDGES.
HARRIS' RELATIONSHIP WITH THE
BIDENS BEGAN WITH SON, BEAU.
THE TWO SERVED ADD ATTORNEYS
GENERAL BEFORE HE DIED OF BRAIN
CANCER.
>> I WILL ALWAYS FEEL STRONGLY
ABOUT THE GREATNESS OF WHO BEAU
BIDEN WAS, AND I GOT TO KNOW JOE
IN LARGE PART THROUGH BEAU'S
RELATIONSHIP WITH HIS FATHER.
>> ACKNOWLEDGING HIS SON'S BOND
SAYING SHE WORKED CLOSELY WITH
BEAU, I WAS PROUD THEN AND I'M
PROUD NOW TO HAVE HER AS MY
PARTNER IN THIS CAMPAIGN.
THREE MONTHS AFTER DROPPING OUT
OF THE PRESIDENTIAL RACE, HARRIS
THREW HER SUPPORT BEHIND BIDEN.
>> I'VE DECIDED THAT I AM WITH
GREAT ENTHUSIASM GOING TO
ENDORSE JOE BIDEN FOR PRESIDENT
OF THE UNITED STATES.
>> I INTRODUCE THE NEXT --
>> SHE BEGAN APPEARING AT
FUNDRAISERS.
>> LOOK, I VIEW MYSELF AS A
BRIDGE, NOT AS ANYTHING ELSE.
THERE'S AN ENTIRE GENERATION OF
LEASHING YOU SAW STAND BEHIND
ME.
THEY ARE THE FUTURE OF THIS
COUNTRY.
>> ONE OF THOSE YOUNGER LEADERS
NOW HIS RUNNING MATE, THE WOMEN
REPORTED TO BE HER COMPETITION
THROWING SUPPORT BEHIND HER.
SENATOR ELIZABETH WARREN
TWEETING THROUGHOUT HER CAREER
SHE HAS BEEN UNAFRAID AND AN
INSPIRATION TO MILLIONS OF WOMEN
WHO SEE THEMSELVES IN HER.
SUSAN RICE CALLING HER A AT THE
NATION AND TRAIL BLAZING LEADER.
FROM CONGRESSWOMAN VAL DEMOCING
TO SEE A BLACK WOMAN RENEWS MY
FAITH THAT PEOPLE CAN SUCCEED NO
MATTER WHO THEY ARE.
>> FROM A CHILDHOOD FRIEND A
MESSAGE OF HOPE.
>> IT MEANS SOMETHING TO WOMEN.
IT MEANS SOMETHING FOR PEOPLE OF
COLOR.
IT MEANS SOMETHING FOR LITTLE
GIRLS WITH THE OPPORTUNITY TO
LOOK AT HER AND SEE WHERE SHE
CAME FROM.
KAMALA DIDN'T GET ANYTHING
SPECIAL.
SHE DID THE WORK, PROBABLY MORE
WORK THAN MANY WHO HAVE
PROCEEDED HER HAVE DONE TO BE
WHERE SHE IS.
AND IT'S JUST, YOU KNOW, FILLED
OUR COMMUNITY WITH PRIDE AND I
KNOW THAT SHE'S GOING TO FILL
AMERICA WITH PRIDE.
>> OUR THANKS TO BYRON PITTS FOR
THAT STORY.
THERE IS SO MUCH TO TALK ABOUT
WHEN IT COMES TO SENATOR KAMALA
HARRIS.
WE START WITH ABC NEWS DEPUTY
POLITICAL DIRECTOR MARY ELLIS
PARKS.
WHY KAMALA?
>> POLITICO REPORTERS AND
DEMOCRATIC ACTIVISTS WHO ARE
CLOSELY FOLLOWING ALL OF THIS
WEREN'T REALLY SURPRISED BY THE
OUTCOME.
KAMALA HARRIS HAD BEEN THE ODDS
FAVORITE IN THIS PROCESS ALL
ALONG.
IT'S SIMPLE.
SHE'S INCREDIBLY POPULAR.
SO EVEN THOUGH THE PICK WAS
EXPECTED, IT WAS STILL HUGELY
EXCITING TO DEMOCRATS.
ACCORDING TO ABC NEWS' LATEST
POLL, I LIVE OF DEMOCRATS
APPROVE OF THIS PICK.
25% OF REPUBLICANS APPROVE OF
KAMALA HARRIS.
1 IN 4 REPUBLICANS.
I MEAN, THAT'S REALLY
REMARKABLE.
SO SHE'S INCREDIBLY WELL LIKED,
EXTREMELY WELL LIKED WITH OLDER
WOMEN, WOMEN IN GENERAL.
AND I THINK TONIGHT IT'S GOING
TO BE THIS INCREDIBLE
OPPORTUNITY FOR HER TO START TO
PIVOT THE CONVERSATION TO WHAT A
BIDEN AND HARRIS ADMINISTRATION
WILL REALLY LOOK LIKE.
SHE'S GOING TO DO WELL IF SHE
CAN SAY CONCRETELY THESE ARE MY
GOALS FOR DAY ONE.
>> YVETTE SIMPSON, CEO FOR
DEMOCRACY FOR AMERICA, I WANT TO
BRING YOU INTO THIS.
OKAY, SO THE LAST DEBATE BIDEN
GUARANTEES AMERICA I'M GOING TO
CHOOSE A WOMAN AS MY RUNNING
MATE.
SHORTLY AFTER THAT YOU HAD BLACK
WOMEN, YOU HAD BLACK MEN,
HUNDREDS OF THEM PUTTING A LOT
OF PRESSURE ON BIDEN IN OP-EDS
SAYING PICK ONE OF THOSE.
>> I WAS ONE OF THOSE WOMAN.
I SIGNED ON THE ORIGINAL LETTER
WITH A BUNCH OF OTHER BLACK
WOMEN LEADERS SAYING THIS IS THE
MOMENT WE MUST DO THIS.
YOU CANNOT CONTINUE TO DISREGARD
THE BLACK WOMEN WHO'VE BEEN THE
BACKBONE OF THIS PARTY AND WE
KNOW WHERE OUR COUNTRY IS RIGHT
NOW.
AND SO, YES, I THINK HE MADE THE
RIGHT CHOICE CHOOSING HER
PARTICULARLY.
SO I THINK THE BIG QUESTION IS
WHAT IS SHE GOING TO CARRY FOR
THE TICKET?
WE KNOW THAT SHE IS HIS
COMPLEMENT.
WE KNOW SHE BRINGS MORE ENERGY
TO THE TICKET.
WE KNOW SHE'S GOT A LOT OF
EXPERIENCE.
WE KNOW SHE'S SHARP, STRONG,
MAMA LA.
WE KNOW HE'S GOING TO USE HER A
LOT OUT THERE, PARTICULARLY WITH
SUBURBAN WOMEN AND OTHER BLACK
WOMEN TO ENERGIZE.
WILL SHE TALK ABOUT THE VISION
FOR THE FUTURE?
WHICH IS WHAT PROGRESSIVES ARE
GOING TO BE LOOKING FOR.
ARE YOU GOING TO TALK SPECIFICS
ABOUT WHAT YOU'RE GOING TO BRING
AND DO?
I THINK SHE CAN CARRY THAT.
>> IT'S A LOVE FEST NOW BUT IT
WITHIN THE ALWAYS.
ZOHREEN SHAH COVERED HER
PRESIDENTIAL CAMPAIGN FOR US
HERE AT ABC NEWS.
THIS IS REALLY INTERESTING.
DEMOCRATS MAY BE EXCITED BY
SENATOR HARRIS NOW, BUT MONTHS
AGO THEY WERE NOT.
SHE HAD SERIOUS TROUBLE RUNNING
THE CAMPAIGN.
SHE HAD SOME ROUGH DEBATES,
INCLUDING A VERY TOUGH QUESTION
FROM OUR OWN LINSEY DAVIS, WHICH
SHE DIDN'T HANDLE TOO WELL.
SHE DIDN'T EVEN MAKE IT IOWA.
SO THE QUESTION IS WAS SHE
ESSENTIALLY CAMPAIGNING FOR THIS
JOB FROM THE GET-GO?
>> HI, TOM.
I CAN TELL YOU THAT SHE WAS
DEFINITELY NOT CAMPAIGNING FOR
THIS JOB FROM THE GET-GO.
SHE WAS SERIOUS ABOUT RUNNING
FOR PRESIDENT OF THE UNITED
STATES.
IT DID NOT WORK OUT FOR HER,
THOUGH.
BUT THERE WERE MOMENTS IN HER
CAMPAIGN, ONE OF THE REASONS WHY
IS THIS IDEA OF, QUOTE, KAMALA
BEING A COP REALLY HAUNTED HER.
YOU REMEMBER BACK WHEN SHE WAS
DISTRICT ATTORNEY, SHE
THREATENED TO PUT PARENTS BEHIND
BARS IF THEIR KIDS WERE TRUANT.
SHE CALLED FOR MORE POLICE AND
RAISING CASH BAIL FOR GUN
CHARGES.
WHEN SHE WAS RUNNING FOR
ATTORNEY GENERAL OF CALIFORNIA,
WHEN A REPORTER ASKED HER ABOUT
LEGALIZING MARIJUANA, SHE
LAUGHED IN HIS FACE.
THERE WAS A WHOLE LIST OF OTHER
ISSUES.
SHE'S INVOLVED ON ALL OF THEM.
IN A RECENT ABC POLL WHEN PEOPLE
WERE ASKED ABOUT HER PAST AS A
PROSECUTOR, 32% OF AMERICANS
SAID THEY VIEWED HER MORE
FAVORABLE WHEN THEY THOUGHT
ABOUT HER PAST VERSUS 16% WHO
VIEWED HER LESS FAVORABLY.
WHEN YOU ISOLATE JUST DEMOCRATS,
IT'S 52 VERSUS 6.
SHE THINKS KAMALA HARRIS HAD
EVOLVED.
SHE STILL FACES TOUGH KWERKSZ
PEOPLE STILL WONDER WHAT SHE
TALKS ABOUT REIMAGINING THE
POLICE.
BUT OVERALL THE BIG TAKEAWAY IS
SHE'S EVOLVED ON THOSE CRITICAL
ISSUES AND THE DEMOCRATIC PARTY
HAS REALLY COME AROUND THE
TICKET AT THIS POINT.
>> I WANT TO BRING IN REPUBLICAN
STRATEGIST SARA FAGEN.
SARAH, I HAVE A QUESTION FOR YOU
BECAUSE IT SEEMS LIKE IT'S TOUGH
FOR REPUBLICANS TO NAIL DOWN AN
ATTACK ON KAMALA HARRIS.
YOU KNOW, WE HEAR THAT SHE'S
MORE PROGRESSIVE THAN BERNIE
SANDERS WHEN IT COMES TO HER
VOTING RECORD IN THE SENATE.
YET THE FAR LEFT SAYS SHE WAS
TOO TOUGH OF A PROSECUTOR.
SO WHAT CAN REPUBLICANS DO TO
REALLY TAKE A SHOT AT HER?
>> I THINK THERE ARE TWO ISSUES.
I MEAN, FIRST OF ALL, TONIGHT IS
A HISTORIC MOMENT AND ALL
AMERICANS SHOULD CELEBRATE IT.
THAT SAID, IT DOESN'T MEAN SHE
SHOULD BE THE VICE PRESIDENT.
SHE HAS TWO FLAWS, WHAT KAMALA
HARRIS IS GOING TO SHOW UP
TONIGHT TO THE CONVENTION?
IS IT GOING TO BE THE TOUGH
PROSECUTOR?
OR IS IT GOING TO BE THE PERSON
WHO VOTED WITH ELIZABETH WARREN
AND BERNIE SANDERS AND IS FAR TO
THE LEFT OF JOE BIDEN?
JOE BIDEN, UNLIKE PREVIOUS
PRESIDENTIAL NOMINEES, ALL WHO
HAVE PICKED A VP MORE
CONSERVATIVE THAN THEMSELVES IN
MODERN HISTORY, HE PICKED
SOMEBODY MORE LIBERAL.
THIS IS A SIGN THAT THE
DEMOCRATIC PARTY IS MOVING TO
THE LEFT.
AND I THINK WHAT STANDS BETWEEN
JOE BIDEN AND THE WHITE HOUSE IS
THE ABILITY TO CONTAIN THAT
PROGRESSIVE MOVEMENT BECAUSE
IT'S NOT WHERE AMERICA GOES.
IF THE BIDEN CAMPAIGN WAS SMART,
THEY WOULD HAVE KAMALA HARRIS
TALKING ABOUT HER TOUGH CRIME
RECORD BECAUSE THE MIDDLE OF
AMERICA IS NOT FOR DEFUNDING THE
POLICE.
>> LET'S NOW BRING IN AMANDA
RENTERIA WHO WORKED WITH THE
CONFLICT CAMPAIGN.
HILLARY CLINTON ENERGIZED WOMEN
BUT NOT ENOUGH TO GAIN
OVERWHELMING SUPPORT.
SOME OF THEM SAID PART OF THAT
IS HILLARY CLINTON WAS SUCH A
POLARIZING FIGURE.
DO YOU THINK THAT KAMALA HARRIS
MIGHT BE ABLE TO ACHIEVE A
SUCCESS WITH THE FEMALE VOTE
THAT CLINTON WAS NOT ABLE TO?
WHAT DO YOU WANT TO HEAR IN YOUR
FORMER BOSS TONIGHT?
>> I THINK WE'VE COME A LONG WAY
IN 3 1/2 YEARS.
WHEN YOU THINK ABOUT IT, THE DAY
WHEN TRUMP CAME INTO OFFICE, THE
NEXT DAY, A HUGE MARCH HAPPENED.
EVER SINCE THEN FOR THREE AND A
HALF YEARS, YOU'VE SEEN WOMEN
BASICALLY MARCH INTO LEADERSHIP
ROLES, BREAKING BARRIERS.
WE'VE SEEN FIRST NATIVE AMERICAN
WOMAN, SO MANY FIRSTS IN
CONGRESS, SO MANY FIRSTS ACROSS
THE COUNTRY.
AND THIS HAS BEEN THE CULL
MINI
CULMINATION.
AND I THINK WHAT YOU'RE GOING TO
HEAR FROM SECRETARY CLINTON IS
WE GOT TO RUN ALL THE WAY TO THE
END.
DO NOT BE SURPRISED.
SHE STILL IS THE PERSON WHO RAN
AGAINST TRUMP, WHO KNOWS WHAT
THIS IS LIKE, WHAT IT'S LIKE TO
BE A WOMAN ON THE STAGE.
AND I THINK THAT GOES A LONG WAY
TO REMINDING THE DEMOCRATIC
PARTY THAT THIS IS A TOUGH
ELECTION, THAT WE'RE GOING TO
HAVE TO BE READY, UNITED AND
MOVE FORWARD TOGETHER.
MAN, TONIGHT IS A BIG NIGHT FOR
WOMEN, WOMEN OF COLOR WHERE HER
TO SEE WHAT IS HAPPENING ON THAT
STAGE.
>> SENATOR HEITKAMP, HILLARY
CLINTON HAS TALKED ABOUT THAT
GLASS CEILING.
IT'S STILL NOT BEEN CRACKED AT
MULTIPLE LEVELS.
HOW DO YOU THINK SHE'S GOING TO
EMBRACE THIS MOMENT THAT SHE'S
NOT THE ONE DOING THE CRACKING?
>> I THINK SHE'S GOING TO TALK A
LOT ABOUT HER PERSONAL STORY.
ONE THING WE HAVEN'T TALKED
ABOUT IS SHE'S THE FIRST
ASIAN-AMERICAN NOMINEE.
AND THAT'S BIG.
THAT'S A GROWING BASE FOR THE
DEMOCRATIC PARTY.
IT'S ONE THAT SHE EMBRACES.
I KNOW VERY MANY ASIAN AMERICANS
WHO ARE SO EXCITED, ESPECIALLY
WOMEN, TO SUPPORT KAMALA.
BUT LET'S NOT LOSE SIGHT OF THE
FACT THAT JOE BIDEN IS AT THE
TOP OF THE TICKET, AND JOE BIDEN
IS GOING TO BE SUPPORTED BY
KAMALA.
HE IS GOING TO BE -- SHE'S GOING
TO BE HIS BASE.
SHE'S GOING TO BE OUT THERE AS A
PLUS MULTIPLIER, AND I THINK
WHEN WE TALK WAY TOO MUCH ABOUT
VICE PRESIDENT, WE FORGET THAT
THE PRESIDENT, THE PERSON WHO'S
AT THE TOP OF THE TICKET IS
SIGNIFICANT.
NOW, WHAT I DO ALSO WANT TO SAY
BECAUSE KAMALA IS A GREAT FRIEND
OF MINE IS THAT SHE IS SO
QUALIFIED TO BE PRESIDENT OF THE
UNITED STATES DAY ONE.
AND SO WHEN WE LOOK AT THE
SINGLE MOST IMPORTANT
QUALIFICATION FOR VICE
PRESIDENT, SHE IS THERE, SHE'S
READY TO SERVE, AND I ALSO WANT
TO SAY FOR HISPANIC AMERICANS,
TAKE A LOOK AT HER RECORD ON
CHALLENGING THIS ADMINISTRATION,
ON PUTTING CHILDREN IN CAGES AND
SEPARATING CHILDREN.
I SERVED ON THE HOMELAND
SECURITY COMMITTEE WITH KAMALA,
AND I CAN TELL YOU NO ONE WAS
MORE TENACIOUS IN THEIR ATTITUDE
AND IN THEIR QUESTIONING OF DHS
THAN KAMALA.
WHEN IT COMES TO KIDS, SHE PUTS
THEM NUMBER ONE AND SHE'S GOING
TO BE A GREAT ASSET.
ALONG WITH THE FACT THAT WE ARE
SO PROUD THAT THE DEMOCRATIC
PARTY ONCE AGAIN IS THE PARTY OF
OPPORTUNITY AND EQUAL
OPPORTUNITY FOR ALL.
>> MARY ELLIS, LET'S BRING YOU
BACK.
TONIGHT WE HAVE NANCY PELOSI,
ELIZABETH WARREN, HILLARY
CLINTON ALL SPEAKING TONIGHT ON
JOE BIDEN'S BEHALF.
HOW WOULD YOU SAY THE ME TOO
MOVEMENT HAS CHANGED THE DYNAMIC
OF THE 2020 RACE?
>> OH, I THINK IT'S CHANGED IT
HUGELY.
YOU KNOW WHAT'S NOTICEABLE TO ME
THAT DURING THE VP VETTING
PROCESS, WHEN QUOTES WOULD START
TO SNEAK INTO STORIES ABOUT
WHETHER SENATOR HARRIS WAS TOO
AMBITIOUS OR WHETHER SHE WAS
WELL LIKED ENOUGH.
WOMEN'S GROUPS AND HER
COLLEAGUES SHUT THAT DOWN.
IT COULD NOT GO ON.
THAT REPRESENTED A HUGE CULTURAL
SHIFT TO ME.
SOME OF THAT SUDDENLY SEXIST
LANGUAGE WAS JUST NOT GOING TO
FLY ANYMORE.
LIKE I SAID, IT'S A BIG SHIFT IN
POLITICS, BUT NOTHING HAS
SHIFTED NEEDLE LIKE PRESIDENT
TRUMP.
THE FACT IS REPUBLICANS AND THIS
PRESIDENT HAVE BEEN HEMORRHAGING
WOMEN SINCE HE TOOK OFFICE.
BIDEN IS UP 16% OVER THE
PRESIDENT AMONG WOMEN.
I COVERED THE 2018 MIDTERMS
CLOSELY WHEN ALL THOSE FEMALE
CANDIDATES JUST SHATTERED
RECORDS.
THEY CAME INTO CONGRESS IN
RECORD NUMBERS.
BUT IT WASN'T JUST THE
CANDIDATES.
IT WAS THE VOLUNTEERS, THOSE
PEOPLE MAKING PHONE CALLS, THE
CAMPAIGN MANAGERS.
ON THE DEMOCRATIC SIDE, IT IS
SHOCKING.
IT IS A WOMEN-RUN OPERATION.
>> SPEAKING OF THAT, SARAH, YOU
KNOW, EARLIER IN THE WEEK THERE
WERE SOME DEMOCRATS IN THE FAR
LEFT WHO WERE A LITTLE CONCERNED
ABOUT THE REPUBLICANS SPEAKING.
THERE'S BEEN TALK ABOUT NOT
ENOUGH HISPANICS SPEAKING IN THE
PRIME TIME SLOTS.
TONIGHT WE'LL HEAR FROM SENATOR
ELIZABETH WARREN.
WE TALK ABOUT A BIG TENT FOR THE
DEMOCRATS.
IS THIS A SMART PLAY BY THE
DEMOCRATS OR DO YOU THINK THIS
OPENS THEM UP TO THE ATTACKS WE
HEARD FROM PRESIDENT TRUMP ABOUT
THIS BEING FAR LEFT AND THE
LEFT-WING RADICALS ARE GOING TO
TAKE OVER THE PARTY?
>> THE DIVERSITY OF THEIR FEMALE
LEADERSHIP IS A STRONG POINT,
AND THE ELECTION IS LIKELY TO BE
DECIDED BY WOMEN VOTERS, THE
LAST TWO PRESIDENTIAL WOMEN HAVE
PLAYED THE MOST IMPORTANT ROLE
IN ELECTING THE PRESIDENT AND
THE MOST IMPORTANT SWING ROLE, I
SHOULD POINT OUT.
YOU KNOW, HAVING SAID THAT,
WE'VE SEEN A LOT OF GREAT
MOMENTS IN THIS CONVENTION,
FEEL-GOOD MOMENTS, HAPPY, LOVE,
JOY, A LOT OF THAT HAS COME
THROUGH.
WE'VE SEEN VERY LITTLE POLICY,
ALMOST NONE.
THE ONLY TWO PEOPLE WHO SPOKE
IN-DEPTH ON POLICY IN THE LAST
TWO NIGHTS WERE BERNIE SANDERS
AND CONGRESSWOMAN OCASIO-CORTEZ,
THE PROGRESSIVES.
THE DNC, THE MODERATES RUNNING
THE DEMOCRATIC PARTY, THEY DON'T
WANT THE PROGRESSIVE VOICE IN
THIS CONVENTION.
THEY ARE ON THE PATH TO VICTORY
RIGHT NOW.
THEY ARE UP SIX TO EIGHT POINTS.
DOESN'T MEAN THEY'RE GOING TO
WIN, BUT TODAY CERTAINLY THEY
HAVE A LEAD AND THEY DON'T WANT
THAT VOICE COMING FORWARD.
>> I KNOW IT'S THE LOVE FEST.
DO YOU THINK THAT'S TRUE?
YOU REPRESENT THE PROGRESSIVE
WING OF THE PARTY.
>> I WOULD SAY WE ARE VERY
FRUSTRATED BY THE FACT THAT
PROGRESSIVES ARE THE ONLY ONES
TALKING ABOUT ISSUES BECAUSE WE
KNOW AMERICANS ARE REALLY
CONCERNED RIGHT NOW IN THE MIDST
OF A PANDEMIC ABOUT WHAT WE'RE
GOING TO DO ABOUT HEALTH CARE.
WE NEED TO MAKE SURE THAT WE
HAVE, YOU KNOW, MAKING SURE WE
HAVE UBI FOR FOLKS WHO ARE NOT
WORKING.
WE NEED TO MAKE SURE WE GOT
SUPPORT FOR SMALL BUSINESSES.
WHY IS THE DEMOCRATIC PARTY, THE
PARTY OF THE PEOPLE, NOT USING
THEIR CONVENTION TO TALK ABOUT
HOW WE'RE GOING TO SERVE ALL
PEOPLE?
AND I DON'T THINK IT'S A
PARTISAN ISSUE BECAUSE WE KNOW
THE REPUBLICANS, INDEPENDENTS,
AND DEMOCRATS HAVE BEEN IMPACTED
BY THIS PANDEMIC.
AND SO I THINK -- WE'LL TALK
ABOUT IT MORE.
I THINK IT'S A MISTAKE THE ONLY
PEOPLE TALKING ABOUT POLICY ARE
PROGRESSIVES.
BUT WHAT'S WHAT WE ARE.
I THINK IT'S FEAR.
PART OF THE IS WE KNOW THE
DEMOCRATIC ESTABLISHMENT IS
WORRIED ABOUT RUFFLING THE
FEATHERS OF INDEPENDENTS AND
REPUBLICANS BECAUSE THEY THINK
THEY'RE GOING TO LOSE THAT BASE.
I THINK THAT'S NOT TRUE.
I THINK THIS PANDEMIC HAS BEEN
AN EQUALIZER AND WE THINK PEOPLE
PARTICULARLY ON THE MARGINS WHO
ARE REPUBLICANS AND INDEPENDENTS
WHO ARE GETTING IMPACTED.
>> YOU HAVE TO GET THOSE VOTERS
FIRED UP SO THEY SHOW UP.
>> I THINK THAT'S RIGHT.
IF DEMOCRATS DON'T DO IT, WHO'S
GOING TO DO IT.
DONALD TRUMP IS NOT TALKING
ABOUT HOW WE'RE GOING TO PROTECT
PEOPLE IN THIS PANDEMIC.
SO I THINK IT'S A MISTAKE.
I THINK IT'S A MISCALCULATION.
WE'LL SEE.
>> THANKS TO YOU, YVETTE, AND
THE ENTIRE TEAM.
>>> WHEN WE COME BACK, SOME
CALLED IT A BROMANCE, SOME
CALLED IT AN EFFECTIVE WORKING
RELATIONSHIP.
A CLOSER LOOK AT THE OBAMA/BIDEN
DCHLKT STA"DCHLKT" STAY WITH US♪
>> THANK YOU, THE INCREDIBLE
DR. POLL SATURDAYS ON NATGEO
WILD.
>> EVEN AS WE SPEAK, THERE ARE
THOSE PREPARING TO DIVIDE US,
THE NEGATIVE AD PEDALERS WHO
EMBRACE THE POLITICS OF ANYTHING
GOES.
WELL, I SAY TO THEM TONIGHT,
THERE IS NOT A LIBERAL AMERICA
AND A CONSERVATIVE AMERICA.
THERE IS THE UNITED STATES OF
AMERICA.
>> THAT WAS THEN-SENATOR BARACK
OBAMA DELIVERING THE KEYNOTE
ADDRESS TO THE DEMOCRATIC
NATIONAL CONVENTION BACK IN
BOSTON 2004, HIS BREAKOUT MOMENT
INTO NATIONAL POLITICS AND, OF
COURSE, JUST FOUR YEARS LATER HE
WOULD TAKE OFFICE AS PRESIDENT.
>> HIS RIGHT-HAND MAN IN THE
WHITE HOUSE AND SOMEONE WHO KNEW
WASHINGTON, D.C., INSIDE AND
OUT, JOE BIDEN.
NOW THE DYNAMIC BETWEEN THE TWO
OF THEM IS SHIFTING.
PRESIDENT BARACK OBAMA OUT THERE
FIGHTING FOR HIS FRIEND, JOE.
DAVID WRIGHT EXPLAINS.
>> THEY WERE ALWAYS SORT OF AN
ODD COUPLE, THE FUSSY YOUNG
PERFECTIONIST WHO CHOSE EVERY
WORD WITH CARE, AND THE
OLD-SCHOOL POLITICIAN WHO COULD
BE VERBALLY MESSY.
>> FIRST SORT OF MAINSTREAM
AFRICAN-AMERICAN WHO IS
ARTICULATE AND BRIGHT AND CLEAN
AND A NICE-LOOKING GUY.
>> BIDEN WAS OSCAR MADISON TO
OBAMA'S FELIX UNGER.
POLITICALLY IT WORKED.
THE DIFFERENCE IN AGE AND
ETHNICITY BALANCED THE 2008
TICKET BUT WITH THE OLDER WHITE
GUY CAST IN THE ROLE OF THE SIDE
KICK.
>> I'M PROUD TO STAND FIRM FOR
THE NEXT PRESIDENT OF THE UNITED
STATES, BARACK OBAMA.
>> AT THE TIME HE APPEARED TO BE
A THING OF THE PAST.
THAT MAY HAVE MADE HIM A MORE
NATURAL RIGHT-HAND MAN.
HIS OWN AMBITIONS DIDN'T GET IN
THE WAY.
>> HAVING THOSE PERSONAL
AMBITIONS TO JUST LITERALLY
DEVOTING YOURSELF, DEVOTING ALL
OF YOURSELF TO MAKING THAT
PRESIDENT THE MOST SUCCESSFUL
POSSIBLE, NOT EVERYBODY CAN DO
THAT.
BUT THAT'S WHAT HE WAS.
>> OBAMA PROMISED BIDEN HE WOULD
BE THE LAST PERSON IN THE ROOM
BEFORE ANY BIG DECISIONS WERE
MADE.
THE TWO ENJOYED THE CLOSEST
RELATIONSHIP OF ANY PRESIDENT
AND VICE PRESIDENT IN MODERN
TIMES.
>> IT WAS JUST AN EXTRAORDINARY
RELATIONSHIP THAT DEEPENED INTO
A DEEP, DEEP FRIENDSHIP OVER
TIME.
>> BY ALL ACCOUNTS, THE
RELATIONSHIP DEEPENED AS BIDEN
SUFFERED THE ILLNESS AND DEATH
OF HIS SON, BEAU.
DURING HIS EULOGY, OBAMA FOR THE
FIRST TIME PUBLICLY EXPRESSED
THE DEPTH OF HIS AFFECTION FOR
HIS NUMBER TWO.
>> MICHELLE AND I THANK GOD YOU
ARE IN OUR LIVES.
TAKING THIS RIDE WITH YOU IS ONE
OF THE GREAT PLEASURES OF YOUR
LIVES.
JOE, YOU ARE MY BROTHER.
I'M GRATEFUL EVERY DAY THAT YOU
GOT SUCH A BIG HEART AND A BIG
SOUL AND THOSE BROAD SHOULDERS.
I COULDN'T ADMIRE YOU MORE.
>> I WAS THERE AT THAT SERVICE.
WE ALL WERE.
THAT WAS DEAD HONEST.
THESE WERE TWO DEVOTED FATHERS
STRUGGLING WITH THE HARDEST
THING IN LIFE, WHICH IS THE
DEATH OF YOUR OWN CHILD.
>> THAT EXPERIENCE ALSO PUT A
PERSONAL STAMP ON THE BIGGEST
POLICY DRIVER OF THE VICE
PRESIDENT'S TENURE, THE CANCER
MOONSHOT.
>> LAST YEAR VICE PRESIDENT
BIDEN SAID WHEN THE NEW MOON
SHOT, AMERICA CAN CURE CANCER.
SO TONIGHT I'M ANNOUNCING A NEW
NATIONAL EFFORT TO GET IT DONE,
BECAUSE HE'S GONE TO THE MAT FOR
ALL OF US ON SO MANY ISSUES OVER
THE PAST 40 YEARS, I'M PUTTING
JOE IN CHARGE OF MISSION
CONTROL.
>> BY THE END OF EIGHT YEARS IN
OFFICE, THE AFFECTION BETWEEN
THESE TWO MEN WAS CLEAR.
>> THE BEST VICE PRESIDENT'S
AMERICA'S EVER HAD, MR. JOE
BIDEN.
>> THEIR BROMANCE WELL
DOCUMENTED AS OBAMA HIMSELF
PROVE.
>> IT GIVES THE INTERNET ONE
LAST CHANCE TO TALK ABOUT OUR
BROMANCE.
>> IN ONE OF HIS LAST ACTS AS
PRESIDENT, OBAMA HAD A SURPRISE
FOR BIDEN.
>> FOR THE FINAL TIME AS
PRESIDENT, I AM PLEASED TO AWARD
OUR NATION'S HIGHEST CIVILIAN
HONOR, THE PRESIDENTIAL MEDAL OF
FREEDOM.
[ APPLAUSE ]
>> BIDEN FOUGHT BACK THE TEARS.
>> THANK YOU.
YOU'RE FIRED.
>> THE ADMIRATION OF ONE FOR THE
OTHER SINCERE AND ENTIRELY
MUTUAL.
>> I NEVER ONCE DOUBTED THAT
YOUR JUDGMENT WAS -- NOT ONCE.
NOT ONCE.
WE DISAGREED AND ARGUED AND
RAISED OUR VOICES, WE MADE A
DEAL WE'D BE COMPLETELY OPEN
LIKE BROTHERS WITH ONE ANOTHER.
BUT MR. PRESIDENT, I WATCHED YOU
UNDER INTENSE FIRE.
>> BEHIND THE SCENES, JOE'S
CANDID, HONEST COUNSEL HAS MADE
ME A BETTER PRESIDENT AND
COMMANDER IN CHIEF.
FROM THE SITUATION ROOM TO OUR
WEEKLY LUNCHES, TO OUR HUDDLES
AFTER EVERYBODY ELSE HAS CLEARED
OUT OF THE ROOM, HE'S BEEN
UNAFRAID TO GIVE IT TO ME
STRAIGHT, EVEN IF WE DISAGREED.
>> OBAMA DID NOT PUBLICLY
ENCOURAGE BIDEN TO RUN BACK IN
2016 WITH HILLARY CLINTON
WAITING IN THE WINGS.
HE ALSO DID NOT ENDORSE BIDEN
THIS YEAR UNTIL EVERYONE ELSE
HAD DROPPED OUT OF THE
PRIMARIES.
THAT WAS AT BIDEN'S REQUEST.
>> VICE PRESIDENT BIDEN NEEDED
TO, YOU KNOW, WIN THIS ON HIS
OWN, ON HIS OWN MERITS AS HIS
OWN MAN.
DOWN DEEP, DOINK PRESIDENT OBAMA
IS UNBELIEVABLE PLEASED AND EVEN
PROUD?
YEAH, I THINK SO.
I THINK SO.
>> SOCIAL DISTANCING FOR THE
GOOD OF THE PARTY, THE
FRIENDSHIP TAKING A BACKSEAT TO
OTHER PRIORITIES UNTIL TONIGHT.
FOR ABC NEWS, I'M DAVID WRIGHT.
>> WE THANK DAVID WRIGHT FOR
THAT COMPREHENSIVE LOOK AT THAT
RELATIONSHIP.
>>> NOW, FORMER VICE PRESIDENT
JOE BIDEN HOPING TO BE THE FIRST
VICE PRESIDENT TO HAVE HIS BOSS'
FORMER JOB.
I WANT TO BRING BACK A
ROUNDTABLE.
TERRY, WHETHER YOU LIKE
PRESIDENT OBAMA OR YOU DON'T,
YOU HAVE TO RESPECT HIM AS A
POLITICIAN.
HE HAD SO MANY TOOLS.
HE CAN BE A UNITER IN CHIEF
GLERKSD ALSO BE A FIGHTER.
AND I WONDER WHAT YOU THINK HIS
TONE WILL BE LIKE TONIGHT
BECAUSE WE'VE SEEN THE FIGHTER
SORT OF CREEP OUT OVER THE LAST
FEW MONTHS AS THIS RACE HAS
GOTTEN CLOSER TO ELECTION DAY.
>> ABSOLUTELY, TOM.
WE'VE SEEN BARACK OBAMA ALMOST
AS A BEHIND-THE-SCENES LEADER OF
THE OPPOSITION OF THE DEMOCRATIC
PARTY OVER THE PAST FEW YEARS.
HE'S COME OUT FULL FORCE AND WE
CAN EXPECT HIM TO SEE HIM ON THE
CAMPAIGN TRAIL JUST TRYING TO
FLAY THE POLITICAL SKIN OFF HIS
SUCCESSOR.
THERE'S NO LOVE LOST THERE.
BUT WHAT'S FASCINATING ABOUT
TONIGHT IS A COUPLE THINGS.
CHRONOLOGICALLY, WHEN JOE BIDEN
RAN FOR SENATE, BARACK OBAMA WAS
11 YEARS OLD.
NOW HE'S THE SENIOR POLITICIAN
ENDORSING HIS WOULD-BE SUCCESSOR
AFTER TRUMP.
THAT'S WHAT THEY HOPE.
THE OTHER IS THAT THIS IS A
MOMENT OF VINDICATION OF SORTS
FOR JOE BIDEN.
YOU HEARD DAVID WRIGHT THERE SAY
THAT IN 2016 BARACK OBAMA BACKED
HILLARY CLINTON AND TACITLY
DISCOURAGED BIDEN FROM RUNNING.
AND YOU HEARD ALSO THAT FOR
BARACK OBAMA, JOE BIDEN IS ABOUT
HEART AND SOUL, AND THOSE BROAD
SHOULDERS, EMOTIONAL STRENGTHS.
OBAMA, LIKE HILLARY CLINTON,
MUCH MORE CEREBRAL.
WHAT THIS IS IS AN OPPORTUNITY
AS THIS MOTORCYCLE GROUP GOES BY
IN PHILADELPHIA.
IT'S AN OPPORTUNITY FOR BARACK
OBAMA MAYBE TO MAKE GOOD ON
SOMETHING THAT HAPPENED IN 2016
AND CERTAINLY TO PLAY UP ONCE
AGAIN THE GREAT STRENGTHS OF THE
TRADITIONAL POLITICIAN, THE
INSTINCTUAL POLITICIAN WHO
CONNECTS WITH THE PUBLIC
EMOTIONS BECAUSE THEY MATCH HIS
OWN LIFE OBAMA WENT TO HARVARD
LAW.
HILLARY WENT TO YALE LAW.
BIDEN WENT TO SYRACUSE LAW AND
HE DIDN'T LIKE IT.
HE SAID IT WAS BORING.
HE IS A VERY DIFFERENT
POLITICIAN, AND TONIGHT WE'LL
HEAR BARACK OBAMA PRAISE HIM IN
A WAY MAYBE HE APPRECIATES MORE
NOW.
>> MATT DOWD, PRESIDENT OBAMA
DIDN'T NECESSARILY ENCOURAGE HIS
VP TO RUN IN 2016.
HE DIDN'T EVEN ENDORSE HIM UNTIL
HE WAS THE LAST MAN STANDING.
IT APPEARS HE'S A LOT MORE
INVOLVED THIS TIME AND SHIFTING
INTO HIGH GEAR.
>> WELL, I THINK JOE BIDEN AND
BARACK OBAMA HAVE SUCH A CLOSE
RELATIONSHIP THAT THE STRATEGY
THAT PLAYED OUT THIS YEAR WAS IN
BOTH OF THEIR BENEFITS.
I THINK ERNIE DUNCAN SAID IT
WELL, AND JOE BIDEN KNEW AND
BARACK OBAMA I'M SURE AGREED
THAT JOE BIDEN HAD TO SEPARATE
HIMSELF A BIT AND WIN IT ON HIS
OWN.
NOW HE CAN GO ALL IN, BARACK
OBAMA CAN BE THERE.
LET'S NOT FORGET, I MEAN, A LOT
OF PEOPLE TALKING ABOUT BARACK
OBAMA.
BARACK OBAMA IS THE SECOND MOST
POPULAR POLITICAL LEADER IN
AMERICA AFTER MICHELLE OBAMA.
AND BARACK OBAMA ENDED HIS
PRESIDENCY WITH A NEAR 60%
APPROVAL, WHICH DONALD TRUMP
WOULD PROBABLY GIVE HIS RIGHT
LEG, LEFT LEG, RIGHT ARM AND
LEFT ARM TO GET CLOSE TO BARACK
OBAMA'S FAVORABILITY RATING.
REPUBLICANS ARE MAKING A MISTAKE
AND THE PRESIDENT CAN'T HELP
HIMSELF TO DO WHAT IS WRONG
POLITICAL, WHICH IS I DON'T
UNDERSTAND WHY THEY THINK
ATTACKING BARACK OBAMA W.H.O.
WHO'S EXCEEDINGLY POPULAR IS
GOING TO HELP.
I DON'T THINK ATTACKING SENATOR
HARRIS IS A SMART THING BECAUSE
THIS RACE IS FUNDAMENTALLY ABOUT
JOE BIDEN.
AND GOING ON ATTACKS ON SOMEBODY
THAT'S POPULAR LIKE SENATOR
HARRIS, SOMEBODY POPULAR LIKE
BARACK OBAMA WHO'S VERY CLOSE TO
JOE BIDEN DOES THEM ANY GOOD IN
THIS RACE.
THEY WOULD BE BETTER OFF AIMING
THEIR ATTACKS, WELCOMING THE
OTHER IN THE RACE AND SAYING
THEY'RE FINE WITH THEM AND GO
AFTER JOE BIDEN.
BUT FOR SOME REASON THE
PRESIDENT AND THE REPUBLICANS
CAN'T HELP THEMSELVES BUT TO
ATTACK EVERYBODY THAT'S IN THE
LINE WHEN THEIR MAIN AMMUNITION
OUGHT TO BE AIMED AT JOE BIDEN.
>> BUT THERE IS A GAMBLE HERE.
SUCCESSFUL CAMPAIGNS ARE ABOUT
THE FUTURE AND NOT THE PAST.
AND PRESIDENT TRUMP SAID
SOMETHING VERY TRUTHFUL AND
SMART THIS WEEK WHEN HE
RESPONDED TO MICHELLE OBAMA'S
SPEECH.
HE SAID THE OBAMA PRESIDENCY IS
THE REASON WHY I'M IN THE WHITE
HOUSE, AND THAT'S TRUE FOR A LOT
OF REPUBLICANS.
THAT'S WHY A LOT OF REPUBLICANS
WENT TO PRESIDENT TRUMP BECAUSE
HE WAS FEEDING THEM THAT RED
MEAT AFTER THE OBAMA PRESIDENCY.
IS THERE A DANGER HERE WITH JOE
BIDEN?
I EVEN THINKING ABOUT WHEN AL
GORE WAS RUNNING OR EVEN WHEN
REPUBLICAN CANDIDATES WERE
RUNNING AFTER PRESIDENT BUSH.
NO ONE REALLY PUT THEIR ARMS
AROUND SORT OF THE INCUMBENT
LIKE WE ARE NOW SEEING WITH JOE
BIDEN AND BARACK OBAMA.
>> I MEAN, LOOK, ON SOME LEVEL,
YOU KNOW, HE WANTS TO RUN AS
THE, YOU KNOW, SORT OF THIRD
OBAMA TERM BECAUSE HE HEARKENS
BACK TO A COUNTRY THAT'S
PRE-TRUMP WHERE THE COUNTRY HAD
LESS PANDEMIC AND CRISIS.
BUT HAVING SAID THAT, BARACK
OBAMA IS MORE CONSERVATIVE THAN
JOE BIDEN'S PARTY.
AND SO HE PRESIDED OVER A
RECOVERY.
IT WAS A RELATIVELY SHALLOW
RECOVERY.
GOING BACK AND TALKING ABOUT
THOSE POLICIES AS A SOLUTION TO
THE ECONOMIC CRISIS WE'RE IN
NOW, I DON'T THINK IT'S BEEN
VERY FAR.
THEY NEED A MORE DIFFERENT,
ROBUST PLAN, AND WE HAVE HEARD
NOTHING YET OUT OF THE VICE
PRESIDENT.
WE WILL PROBABLY HEAR IT
TOMORROW NIGHT, HIS PLAN FOR THE
FUTURE, BUT WE HAVEN'T HEARD IT
IN THIS CONVENTION OR IN THIS
CAMPAIGN YET AT ALL.
>> YVETTE, I WANT TO GO BACK TO
2008.
BARACK OBAMA HAD BLACK VOTERS
ENERGIZED, ENTHUSIASTIC TO VOTE.
WHY DO YOU THINK THAT KAMALA
HARRIS IS NOT ABLE TO GET THAT
SAME KIND OF REACTION?
>> YOU KNOW, A COUPLE THINGS.
BARACK OBAMA WAS THE HOPE AND
CHANGE.
HE WAS THE INSURGENT CANDIDATE.
HE WAS NEW TO POLITICS, OR AT
LEAST TO NATIONALIT POLITICS.
HE TALKED ABOUT HIS FATHER, HIS
DREAMS, YOUNG MEN, HE CAME INTO
COMMUNITIES.
HE WAS FROM CHICAGO.
AND THESE ARE ALL THINGS HE
REALLY SPOKE ABOUT BOLDLY.
I REMEMBER BEING ON THE VOTER
PROTECTION TEAM IN OHIO IN 2008.
I TALKED ABOUT THIS A COUPLE
TIMES, AND WATCHING YOUNG BLACK
MEN WAIT IN LINE ALL DAY TO VOTE
FOR BARACK OBAMA, TALKING ABOUT
HOW PROUD THEY WERE TO CAST
THEIR VOTE FOR BARACK OBAMA.
THE HOPE IS THAT THAT CARRIES
OVER WITH KAMALA HARRIS.
SHE HAS CERTAINLY THAT ENERGY
WITH BLACK WOMEN.
I THINK THE QUESTION IS WHAT
DOES THAT MEAN FOR YOUNG BLACK
MEN, AND WE GOT TO TALK ABOUT
HOW WE ENGAGE YOUNG BLACK MEN IN
THE CONVERSATION ABOUT HOW
THEY'RE GOING TO VOTE FOR THIS
TICKET.
BUT HE WAS ONCE IN A LIFETIME.
>> I DO THINK HAVING THE
PRESIDENT ACTIVELY CAMPAIGNING
FOR JOE BIDEN IS REALLY HELPFUL.
THIS PANDEMIC HAS MADE
CAMPAIGNING A REAL CHALLENGING
PROPOSITION IN THE MODERN AGE,
ONE THAT RELIES ON EVENTS AND
RALLIES AND FUNDRAISERS AND DOOR
KNOCKS.
DEMOCRATS ARE DOING VERY LITTLE
LIKE THAT, SO HAVING A PRESIDENT
THAT'S GETTING ON ZOOM TO RALLY
THE BASE, THAT'S SOMETHING
REPUBLICANS ARE GOING TO RELY
SO
SOLELY ON THE TRUMP FAMILY FOR.
JOE BIDEN HAS A BIGGER BENCH
>> ON THAT WHAT IS THE
RELATIONSHIP LIKE RIGHT NOW WITH
PROGRESSIVE VOTERS AND PRESIDENT
BARACK OBAMA AND THE LEGACY?
RECENTLY PRESIDENT OBAMA HAS HAD
SOME VERY TOUGH WORDS FOR
PROGRESSIVES, ESPECIALLY YOUNG
PROGRESSIVES AND SOME OF THEIR
ACTIVISTS.
>> I THINK HE'S STILL ONE OF THE
MOST SIGNIFICANT UNIFIERS.
HE SAYS WE COULD HAVE DONE MORE.
I WISH WE HAD DONE MORE.
WHEN HE TALKED ABOUT AT JOHN
LEWIS' FUNERAL, THAT WAS A BIG
MOMENT FOR PROGRESSIVES WHERE WE
SAID THAT'S THE GUY, THAT'S THE
GUY WE ALL RALLIED IN AND AROUND
2008.
HE'S BACK.
HE'S NOT CONSTRAINED TO BE ABLE
TO TALK ABOUT A VISION FOR THE
FUTURE AND HE TALKED ABOUT THE
VOTING RIGHTS ACT AND GOING
FURTHER AND MAKING ELECTION DAY
A HOLIDAY.
AND HE TALKED ABOUT ENDING THE
FILIBUSTER.
AND IT REALLY RALLIED US, AND I
HOPE THAT HE TAKES THAT POSITION
BECAUSE I THINK HE'S GOT THE
ABILITY TO DO IT BECAUSE HE'S
NOT CONSTRAINED BY POLITICS AT
THIS POINT.
>> YVETTE, THANK YOU.
NIGHT THREE OF THE DEMOCRATIC
NATIONAL CONVENTION BEGINS IN
JUST MOMENTS.
BARACK OBAMA, HILLARY CLINTON,
AND KAMALA HARRIS ALL COMING UP.
PLUS, GEORGE STEPHANOPOULOS AND
DAVID MUIR JOIN OUR COVERAGE.
IT IS NIGHT THREE, A BIG NIGHT
TONIGHT.
STAY WITH US HERE ON ABC NEWS
LIVE.
>>> YOU COULD SHOP AROUND, BUT
IT DOESN'T GET ANY MORE FUN THAN
THIS.
>> WE CAN PERFORMANCE.
AFTER ALL, GINGER ROGERS DID
EVERYTHING THAT FRED ASTAIRE
DID, SHE JUST DID IT BACKWARDS
AND IN HIGH HEELS.
>> PRETTY IMPRESSIVE, BACKWARDS
AND IN HIGH HEELS, ANN RICHARDS,
TREASURER.
ONLY THE SECOND WOMAN IN 160
LIGHT YEARS TO DELIVER THE
KEYNOTE ADDRESS AT HER PARTY'S
CONVENTION.
TONIGHT A FULL SLATE OF WOMEN
READY TO SPEAK WE'RE GOING TO GO
AND HAVE SOME FINAL THOUGHTS
HERE.
MATT DOWD, WHAT ARE YOU LOOKING
FOR TONIGHT?
>> THE MOST IMPORTANT TONIGHT IS
SENATOR HARRIS' SPEECH, THE
BIGGEST MOMENT OF HER CAREER.
I THINK IT'S REALLY IMPORTANT TO
JOE BIDEN HOW SHE DOES AND WHAT
SHE GOES THROUGH.
I THINK THE FASCINATING THING
ABOUT THIS CONVENTION SO FAR IS
THE WEIGHT OF IMPRESSIVENESS HAS
FALLEN ON WOMEN EVERY SINGLE
NIGHT.
FIRST NIGHT, MICHELLE OBAMA,
SECOND NIGHT, JILL BIDEN,
TONIGHT IN MY MIND, SENATOR
HARRIS, WHICH IS A FASCINATING
CONVENTION TO HAVE WHERE WOMEN
WILL LIKELY DOMINATE UP UNTIL
JOE BIDEN SPEAKS.
I'M LOOKING AT SENATOR HARRIS'
BIGGEST SPEECH OF HER CAREER
TONIGHT.
>> YVETTE, WHAT ARE YOU LOOKING
FOR?
>> I'M LOOKING TO HEAR FROM
KAMALA HARRIS ABOUT EXACTLY WHAT
SHE PLANS TO DO IN THE ROLE.
I THINK PEOPLE WANT HER TO BE
OUT FRONT.
SHE'S GOT TO BE PRESIDENT ON DAY
ONE.
WE KNOW SHE CAN.
I HOPE SHE INTRODUCES HERSELF
AND BRINGS EVERYBODY INTO THE
ROOM, BRING WOMEN, LATINX, BLACK
PEOPLE AS ONLY SHE CAN DO.
AND I HOPE SHE GAIFSZ VISION
WITH CLEAR DIRECTION ABOUT HOW
THE WORLD IS GOING TO LOOK
DIFFERENT ON JANUARY 20th WHEN
WE ELECT HER AND JOE BIDEN.
>> SARAH?
>> A COUPLE THOUGHTS.
I'M CURIOUS WHAT THE BALANCE IS
IN BARACK OBAMA'S SPEECH BETWEEN
ATTACKS ON TRUMP AND
RELITIGATING THE OBAMA/BIDEN
POLICIES.
>> WE'RE GOING TO WRAP UP.
SORRY TO CUT YOU OF THERE.
BENNY THOMPSON OF MISSISSIPPI
LEADINGS US OFF.
LET'S LISTEN IN.
>> CAMPAIGNING FOR THE UNITED
STATES HOUSE OF REPRESENTATIVES.
IT'S THE PARTY THAT TAUGHT ME
THAT PUBLIC SERVICE SHOULD SERVE
THE PUBLIC, EVEN IF YOUR
OPPONENTS CALL YOU NAMES LIKE
NASTY.
TODAY IT'S THE PARTY THAT CALLS
US TO STAND UP FOR WHAT'S RIGHT
AND TO GET IN GOOD TROUBLE.
S
ON BEHALF OF THIS GREAT PARTY,
IT'S MY PLEASURE TO WELCOME ONCE
AGAIN, DELEGATES, AMOUNTS, AND
FELLOW AMERICANS, MEMBERS OF THE
MEDIA AND GUESTS FROM AROUND THE
WORLD.
I NOW CALL THIS THIRD SESSION OF
THE 48th QUADRENNIAL NATIONAL
CONVENTION OF THE DEMOCRATIC
PARTY TO OUTDOOR.
[ GAVEL POUNDS ]
NOW LET'S GET THIS SHOW STARTED.
>> AND NOW, LIVE IN WISCONSIN,
PLEASE WELCOME GOVERNOR TONY
EVERS.
>> GOOD EVENING, FOLKS.
I'M TONY EVERS, AND I'M
INCREDIBLY PROUD TO BE THE 46th
GOVERNOR OF THE GREAT STATE OF
WISCONSIN.
WE WERE REALLY LOOKING FORWARD
TO HAVING YOU HERE IN AMERICA'S
DAIRY LAND.
UNFORTUNATELY, THE PANDEMIC
MEANS WE CAN'T DO THAT THIS
YEAR.
BUT WHATIT UNITES US IS FAR
GREATER THAN WHAT DIVIDES US.
I KNOW WE HAVE A SHARED SENSE OF
PURPOSE.
THAT IS TO ELECT JOE BIDEN AND
KAMALA HARRIS.
THIS NOVEMBER IS ABOUT RETURNING
KINDNESS, RESPECT, EMPATHY, AND
CIVILITY BACK TO THE WHITE
HOUSE.
AND THAT'S WHOI JOE AND KAMALA
ARE, BECAUSE THEY KNOW,
ESPECIALLY DURING CHALLENGING
TIMES LIKE THESE, THE PROBLEMS
WE FACE CAN ONLY BE SOLVED BY
ALL OF US TOGETHER.
HOLY MACKEREL, FOLKS, LET'S GET
TO WORK.
♪ RISE UP ♪
>> HELLO, MY NAME IS TERRY
WILLIAMS AND I'VE BEEN A
REPUBLICAN FOR ALL MY ADULT
LIFE.
>> A LIFELONG REPUBLICAN.
>> REPUBLICAN.
>> A LIFELONG REPUBLICAN.
>> I'VE BEEN A LONG-STANDING
REPUBLICAN AND I'M TELLING YOU,
YOU GOT TO VOTE FOR JOE BIDEN.
>> I HAVE VOTED AND CAMPAIGNED
FOR REPUBLICANS SINCE THE REAGAN
YEARS.
BUT I WON'T BE VOTING FOR DONALD
TRUMP IN NOVEMBER.
>> I'M SUPPORTING JOE BIDEN FOR
PRESIDENT.
>> WE NEED A POSITIVE LEADER,
SOMEONE WHO CAN WORK WITH BOTH
SIDES, REPUBLICANS AND THE
DEMOCRATS.
>> I DON'T THINK WE CAN DEAL
WITH THE TYPE OF PERSON WE HAVE
IN THE WHITE HOUSE ANY LONGER.
>> VOTE, AMERICA.
THAT'S THE ONLY WAY TO GET OUT
OF THIS.
AND JOE BIDEN IS JUST THE PERSON
TO ENSURE WE GET OUR LIVES BACK
TO NORMAL.
>> J BIDEN IS A DECENT MAN
WITH A LONG HISTORY OF PUBLIC
SERVICE TO AMERICA.
>> HE WILL RESTORE ORDER AND
INTEGRITY TO THE EXECUTIVE
BRANCH.
>> I WOULD STRONGLY ENCOURAGE
ALL OF US TO COME TOGETHER.
>> AND HOPEFULLY RETURN OUR
COUNTRY'S POLITICAL DISCOURSE
BACK TO SOME MEASURE OF NORMALCY
AND DECENCY.
>> I'M SURE, I'M ABSOLUTELY SURE
HE'S GOING TO HELP US.
>> LIVE FROM NEW YORK CITY AND
ACROSS THE COUNTRY, THE
DEMOCRATIC NATIONAL CONVENTION.
NOW REPORTING, CHIEF ANCHOR,
GEORGE STEPHANOPOULOS.
>> GOOD EVENING AND WELCOME TO
DAY THREE OF THE DEMOCRATIC
NATIONAL CONVENTION.
WE WANT TO GET RIGHT TO THE
VIRTUAL CONVENTION FLOOR.
JOE BIDEN'S RUNNING MATE KAMALA
HARRIS IS OPENING UP THE PROGRAM
WITH KERRY WASHINGTON AHEAD OF
HER FORMAL AND HISTORICAL SPEECH
TONIGHT.
>> I PLEDGE ALLEGIANCE TO THE
FLAG.
>> TO THE UNITED STATES OF
AMERICA.
WITH LIBERTY AND JUSTICE FOR
AL
ALL.
>> HEY, EVERYBODY.
I'M ME KAMALA.
I WANT TO TALK ABOUT THE
IMPORTANCE OF VOTING.
I KNOW MANY OF YOU PLAN TO VOTE
THIS YEAR BUT WITH THE
EXCITEMENT EX AND ENTHUSIASM ,
HEARD ABOUT OBSTACLES.
I THINK WE NEED TO ASK OURSELVES
WHY DON'T THEY WANT US TO VOTE?
THE ANSWER IS BECAUSE WHEN WE
VOTE, THINGS CHANGE.
WHEN WE VOTE, THINKING GET
BETTER.
WHEN WE VOTE, WE ADDRESS THE
NEED TO BE TREATED WITH DIGNITY
AND RESPECT IN OUR COUNTRY SO
EACH OF US NEED A VOTING PLAN.
JOE EXAND I WANT TO MAKE SURE
YOU'RE PREPARED.
TEXT VOTE TO 30330 WE'LL HELP
YOU COME UP WITH A PLAN AND
REMEMBER DEADLINES AND GET READY
TO VOTE SEND THE TEXT.
LET'S ENJOY ANOTHER NIGHT OF
INSPIRATION FROM AROUND OUR
COUNTRY.
I'LL SEE YOU A LITTLE LATER
TONIGHT AND UNTIL THEN, I TURN
IT OVER TO MY DEAR FRIEND AND
TONIGHT'S MODERATOR KERRY
WASHINGTON.
>> NEVER SEEN A CONVENTION OPEN
LIKE THAT.
TO P
NO PODIUM STARTING WITH MICHELLE
OBAMA ON MONDAY NIGHT.
GO OUT AND VOTE.
30330.
A SOBER KAMALA HARRIS.
LET ME GO TO MARY BRUCE.
A SURPRISE THERE.
>> A BIT OF A PUBLIC SERVICE
ANNOUNCEMENT AT THE TOP BUT MAKE
NO MISTAKE SHE'S A WOMAN ON THE
CUSP OF MAKING HISTORY.
WE'RE GOING TO SEE SOMETHING
THAT WE'VE NEVER SEEN BEFORE.
A BLACK WOMAN AND THE FIRST
ASIAN AMERICAN EVER TO ACCEPT A
PARTY'S NOMINATION TO BE VICE
PRESIDENT AND TONIGHT KAMALA
HARRIS WILL TELL HER STORY HOW
THE DAUGHTER OF IMMIGRANTS WENT
ON TO BREAK BARRIERS AND OUTLINE
HER VISION FOR THE COUNTRY THAT
MADE HER STORY POSSIBLE.
SHE WILL DESCRIBE AN AMERICA
WHERE ALL PEOPLE FEEL WELCOME,
WHERE AMERICANS LOOK OUT FOR
EACH OTHER AND THAT VISION FEELS
DISTANLTS AND ARGUE THAT JOE
BIDEN IS THE LEADER WHO CAN
BRING THAT AMERICA BACK.
GEORGE.
>> MARY BRUCE, THANKS VERY MUCH.
DAVID MAUER IS HERE, AS WELL.
WE SEEN A LOT OF DIFFERENT
KAMALA HARRIS.
WE CAN SEE HER GO BEFORE A
CONGRESSIONAL HEARING AND THIS
IS CONVERSATIONAL AND POINTED.
>> VERY POINTED.
>> IT'S LIKE BEFORE A DEBATE
BACK STAGE AND WE RUN INTO
CANDIDATES.
KAMALA HARRIS AND MAYBE PART OF
THE STRATEGY OF LOOSING UP
NERVES BEFORE HISTORY MAKING.
THERE IS STRATEGY.
THEY HAVE TO HAVE A CALL WITH
VOTING.
LATER TONIGHT SHE'LL MAKE THE
CASE FOR HERSELF BUT MAKE THE
CASE FOR JOE BIDEN.
>> YOU'RE RIGHT.
I THINK IT'S POSSIBLE THAT
PRESIDENT OBAMA COULD STEAL THE
SHOW TONIGHT AND NANCY PELOSI
AND HILLARY CLINTON, CAHK
CAK
HAR
HARRIS, HILLARY CLINTON HAS SAID
IN THE PAST THAT THE HARDEST
HIGHEST GLASS CEILING FOR A
WOMAN IS THE WHITE HOUSE AND IN
HER 2016 CONCESSION SPEECH, SHE
EXPRESSED REGRET SHE WAS THE
WOMAN ABLE TO SHATTER IT.
WE'LL SEE A PASSING OF THE TORCH
AND KIND OF VOUCHING FOR KAMALA
SHE'S THE ONE WHO IS CAPABLE OF
SHATTERING IT AND SHATTER IT.
>> TONIGHT SHE'LL TELL US.
>> WANT TO BRING IN RON EMANUEL.
WILL BARACK OBAMA STEAL THE SHOW
IS A QUESTION THERE?
YOU WORKED FOR HIM AS CHIEF OF
STAFF IN THE WHITE HOUSE AND ONE
OF THE THINGS YOU'VE SEEN SOME
EXCERPTS FROM HIS SPEECH ALREADY
BUT YOU SAW THAT JOHN LEWIS
FUNERAL A COUPLE WEEKS AGO A
MUCH TOUGHER, MUCH MORE
OUTSPOKEN BARACK OBAMA THAN
BEFORE.
>> FIRST OF ALL, TO THE FIRST
PART OF THE QUESTION, I ACTUALLY
THINK IT'S INTERESTING THEY
DIDN'T DO ANY EXCERPTS FROM
PRESIDENT OBAMA'S SPEECH.
I THINK THE TWO WILL BE
COMPLEMENTARY.
IT WILL BE A DOUBLE BARREL.
FROM SOMEBODY THAT WORKED
ALONGSIDE AND SAW A PERSON IN AN
INTIMATE WAY AND ANOTHER PERSON
SELECTED.
SHE'S ACHIEVED THE FIVE GOALS.
SHE'S MADE HISTORY.
SHE'S EXCITED THE BASE.
REASSURED SWING VOTERS AND RILED
UP TRUMP AND DRAWN FIRE AWAY
FROM BIDEN AND RETURNED FIRE FOR
BIDEN.
SHE'S ACCOMPLISHED WHAT A VICE
PRESIDENT CAN DO.
THE PRESIDENT HAS BEEN HOLDING
BACK.
HE BELIEVES WHAT PRESIDENT
GEORGE BUSH 43 YOU DON'T SAY
ANYTHING ABOUT YOUR SUCCESSOR
AND PREDECESSOR BUT HAS A LOT ON
HIS PLATE HE WANTS TO GET OFF.
THERE WILL BE A LINE AND HE'S
GOT -- THE ONE THING THAT
DEMOCRATS HAVE TO DO IS WE THINK
THE PRESIDENT HAS MADE A MESS OF
THINGS AND HIS STYLE IS A MESS.
THEY HAVE GOT TO RELATE THAT
STYLE TO YOUR LIFE AND WHY YOUR
LIFE IS A MESS NOW.
JUST THE MESS ISN'T GOOD ENOUGH.
>> CHRIS CHRISTIE WENT TO THE
PODIUM AROUND 5:30, 5:45 AND
SAID HE WOULDN'T HAVE RUN FOR
PRESIDENT PROBABLY IF BARACK
OBAMA HADN'T BEEN A FAILURE.
>> LISTEN, THAT'S HIS THEME ALL
ALONG.
HE STARTED OUT REALLY WITH MITT
ROMNEY AND THE RACE IN '12 AND
YOU REMEMBER HIS REACTION AFTER
ROMNEY LOST AND WAS VERY VISUAL
AND THOUGHT THAT WAS A WINNABLE
RACE AND ROMNEY SHOULD HAVE WON
IT.
THAT WAS HIS VIEW AND HE GOT OUT
THERE TODAY AS WE TALKED ABOUT
ON MONDAY, HE WAS GOING TO BE A
PRESENCE EVERY DAY THIS WEEK
HIMSELF BECAUSE THAT'S WHAT HE
DOES.
HIS OWN CHIEF STRATEGISTS AND
THE PRESIDENT.
AND THAT'S WHAT HE'S DOING.
I DON'T KNOW IT'S BEEN THAT
EFFECTIVE.
IT WILL BE INTERESTING TO SEE
TONIGHT WHAT HE DOES AFTER IT
OVER.
I'M NOT SURPRISED THAT'S WHAT
HE'S DOING AND DID TODAY.
HE DOESN'T LIKE BARACK OBAMA AND
I'LL TELL YOU WHY.
BECAUSE ALL THE WAY BACK TO THE
WHITE HOUSE CORRESPONDENCE
DINNER, THAT IS WHAT TURNED ALL
OF IT AROUND FOR DONALD TRUMP
AND HE WAS VERY ANGRY THAT NIGHT
AND IN THE AFTERMATH AND HE HAS
NOT FORGIVEN BARACK OBAMA FOR
THAT YET AND PART OF WHAT DRIVES
WHAT HE'S DOING TODAY.
>> I THINK YOU AND I WERE AT THE
SAME TABLE THAT NIGHT.
HE WAS ONE TABLE OVER AND YOU
COULD SEE IT ON HIS FACE.
>> I'VE NEVER SEEN HIM THAT
VISIBLY ANGRY WHEN HE WASN'T
SPEAKING HIMSELF.
TO HAVE HIM TAKE THAT IN THAT
NIGHT, HE WAS HAVE VISIBLY
ANGRY.
DIDN'T CHUCKLE ONCE AT SOME OF
THE THINGS THAT WERE FUNNY AND
IN THE END HE'S NOT FORGIVEN
OBAMA AND PART OF HIS ANGER IS
DRIVEN BY THAT.
>> KAMALA HARRIS NOT ALWAYS A
FAVORITE TO THE PROGRESSIVE WING
BUT TALK ABOUT WHAT IT MEANS TO
SEE A WOMAN OF COLOR ACCEPTING
THE VICE PRESIDENTIAL NOMINEE
NATION.
>> IT MEANS EVERYTHING.
BLACK WOMEN, I WAS ONE OF THEM
TO MAKE SURE A BLACK WOMAN WAS
ON THE TICKET AND FEEL SATISFIED
BY THAT.
WHAT THAT'S DOING IS GOING TO
BRING BACK THE ORGANIZERS AND
MOBILIZERS.
I SAY BLACK WOMEN BRING A WHOLE
COMMUNITY WITH THEM.
WE BRING FAMILY MEMBERS AND
CHURCHES AND COMMUNITY AND THEM
WITH US AND HE'S GOING TO DO
THAT.
WE BELIEVE IN DIVERSITY.
EVERYBODY TALKS ABOUT THE SQUAD.
WE LOVE THE SQUAD BECAUSE THEY
ARE DIVERSE WOMEN AND SO WE'RE
REALLY EXCITED AND WE WORK WITH
HER AND JOE BIDEN KNOWS SHE'S
GOT TO GIVE HIM.
>> HE PROMISED SHE WOULD BE THE
LAST PERSON IN THE ROOM FOR
BARACK OBAMA.
ONE OTHER QUESTION ON THAT THE
VICE PRESIDENT MADE A POINT OF
INTERVIEWING GRETCHEN WHITMER
AND TALKING TO ELIZABETH WARREN
BUT DO YOU THINK THIS PICK WAS
BAKED IN THE CAKE?
>> I THINK THAT'S RIGHT.
HE NEEDED SOMEBODY THAT WOULD
COMPLIMENT HIM AND NEEDED
SOMEONE TO TAKE IT TO TRUMP AND
SHE MADE HER CASE ON THE
PRESIDENTIAL TICKET ABOUT MAKING
THE CASE AGAINST DONALD TRUMP
AND MIKE PENNSYLVANCE AND HE NE
TO BE A FIGHTER.
I THINK THAT WAS EXPECTED.
WE KNEW SHE COULD BRING US
TOGETHER.
HE KNEW THAT AND THAT WAS THE
REASON HE MADE THE CHOICE.
>> GOING BACK TO 2008, MANY
DIDN'T KNOW WHO SARAH PALIN WAS.
THE NIGHT SHE GAVE THE SPEECH
PROBABLY THE HIGH POINT FOR HER
OF THE CAMPAIGN.
>> THAT'S FOR CERTAIN AND THAT
WAS A MISTAKE TO PUT HER ON THE
TICKET.
SHE WASN'T READY FOR THE PRIME
NATIONAL STAGE.
KAMALA HARRIS IS.
THERE IS NO QUESTION SHE'S
QUALIFIED BUT SHE DOES HAVE TWO
THINGS THAT REPUBLICANS ARE
GOING TO CONTINUE TO POINT OUT
IN THIS CAMPAIGN.
THE FIRST IS THAT YOU DON'T KNOW
WHICH KAMALA HARRIS IS GOING TO
SHOW UP AT THE PODIUM.
IS IT THE PROSECUTOR, TOUGH COP
OR A WOMAN WHO HAS VOTED WITH
BERNIE SANDERS ELIZABETH WARREN?
WE'LL SEE TONIGHT.
>> WE'LL SEE TONIGHT.
THANKS VERY MUCH.
>>> ANOTHER BIG FOCUS, GUN
CONTROL.
COMING UP GABBY GIFFORDS OF
COURSE THE VICTIM OF A SHOOTING
SO MANY YEARS AGO WILL ADDRESS
THE CONVENTION.
LET'S CHECK IT OUT.
>> SHOT IN THE HEAD FROM LESS
THAN THREE FEET AWAY.
SHE SURVIVED.
WHEN TRAGEDY STRIKES, WE SEEK
COMFORT IN KNOWING WE AREN'T
ALONE.
>> JOIN US IN THIS FIGHT.
>> WE SEEK STRENGTH TO KEEP
FIGHTING, TO KEEP MOVING FOR
D
FORWARD.
WE TURN TO LEADERS WHO SHARE OUR
PAIN.
>> THE MOST DIFFICULT TIMES WE
STAND CLOSEST TOGETHER.
IT OUT OF TRAGEDY THAT WE GROW
STRONGER.
>> HE WAS THERE FOR ME, HE'LL BE
THERE FOR YOU, TOO.
>> WE ARE A NATION READY TO END
GUN VIOLENCE, A SAFER AMERICA IS
POSSIBLE BUT FROM THIS POINT
FORWARD, WE MUST CHOOSE COURAGE.
>> I'VE KNOWN THE DARKEST OF
DAYS, DAYS OF PAIN AND RECOVERY.
BUT CONFRONTED BY THIS SOMEONE'S
HOPE CONFRONT D ED BY PARALYSIS
RESPOND WITH DETERMINATION.
I PUT ONE FOOT IN FRONT OF THE
OTHER.
I'VE FOUND ONE WORD AND THEN I
FOUND ANOTHER.
MY RECOVERY IS A DAILY FIGHT BUT
FIGHTING MAKES ME STRONGER.
WORDS ONCE CAME EASILY.
TODAY I STRUGGLE TO SPEAK.
BUT I HAVE NOT LOST MY VOICE.
AMERICA NEEDS ALL OF US TO SPEAK
OUT EVEN WHEN YOU HAVE TO FIGHT
TO FIND THE WORDS.
WE ARE AT A CROSS ROADS.
WE CAN'T LET THE SHOOTING
CONTINUE OR WE CAN ACT.
WE CAN PROTECT OUR FAMILIES, OUT
FUT
FUTURE AND WE CAN VOTE.
WE CAN BE ON THE RIGHT SIDE OF
HIST
HISTORY.
AND IN THIS FIGHT, VOTE, VOTE,
VOTE.
THANK YOU VERY MUCH.
>> SHE'S THE CORRESPONDENT MANY
YEARS AGO IN THE LAST COUPLE
YEARS YOU'VE SEEN THIS ENTIRE
MOVEMENT OF GUN CONTROL SWEEP
ACROSS THE COUNTRY IN THE WAKE
OF THE SCHOOL SHOOTINGS.
>> GEORGE, SEEING HER TONIGHT IS
STRIKING.
WE REMEMBER THE DIFFICULT
SATURDAY IN JANUARY OF 2011 WHEN
SHE WAS SHOT.
ONE OF 13 PEOPLE INJURED.
SIX PEOPLE DIED THAT DAY AND YOU
SEE HER NOW FIGHTING TO REGAIN
NORMALCY IN HER LIVE BUT SHOWING
A LOT OF GRIT.
SADLY, GEORGE, THE KIND OF MASS
SHOOTING THAT WE SAW THAT DAY IS
MUCH MORE PREVALENT.
SHE'S FIGHTING BECAUSE WHILE WE
HAVE A NEW PLAGUE IN THIS NEW
PANDEMIC, WE HAVE AN ON GOING
CHRONIC EPIDEMIC OF GUN
VIOLENCE.
>> THANKS SO MUCH.
WE'LL TA
ABC NEWS.
>> WE'RE BACK WITH DAY THREE OF
THE DEMOCRATIC CONVENTION.
FOCUSSING ON CLIMATE CHANGE.
GOVERNOR OF NEW MEXICO IS
SUPPOSED TO BE COMING UP.
WAY TO
I WANT TO GO TO JOHN CARL, THE
WHITE HOUSE HOPING TO MAKE THE
GREEN NEW DEAL PUSHED BY
DEMOCRATS, THE HEART OF THEIR
ATTACK ON THE CLIMATE PLAN.
>> NO QUESTION ABOUT THAT
GEORGIA THE GREEN NEW DEAL IS
SOMETHING AND THE ISSUE OF
CLIMATE CHANGE AND ALSO GIVING A
BOOST TO A NEW LEVEL ECONOMY A
GREEN ECONOMY BUT THE TRUMP
ADMINISTRATION DONALD TRUMP
HIMSELF PORTRAYED IT AS
SOCIA
SOCIALISM, AN EFFORT TO UNDUE
SOMETHING WHICH TRUMP SEES AS A
SIGNATURE OF HIS ADMINISTRATION
DOING AWAY, GUTTING THE
ENVIRONMENTAL REGULATIONS PUT IN
PLACE BY BARACK OBAMA AND OTHERS
AND MAKING THE UNITED STATES A
NET OF ENERGY.
>> THIS IS SOMETHING EVERY
SINGLE DEMOCRAT ON THIS DAY IS
PUSHING HARD.
>> CHANGE AND THIS CONVENTION,
THIS IS GOING TO BE SOMETHING
BIDEN AND HARRIS CONTINUE TO SAY
THAT THEY'RE GOING TO WORK ON
FAR MORE THAN THE TRUMP
ADMINISTRATION HAS.
WE REPORTED THIS WEEK ON
DRILLING OFF OF ALASKA BUT THEY
WILL CONTINUE TO PUSH.
IT MIGHT NOT MAKE PROGRESSIVES
HAPPY WITH TALK OF A GREEN NEW
DEAL BUT JOE BIDEN MADE THE CASE
HE WILL FIGHT FOR CLIMATE
CHANGE.
>> COMING UP RKT THE , THE GOVE
OF NEW MEXICO AND CONSIDERING A
RUNNING MATE FOR A POLITICIAN
GOVERNOR GRESHAM.
♪
♪
>>> GOOD EVENING AMERICA.
I'M MICHELLE GRESHAM, GOVERNOR
OF THE GREAT STATE OF MEXICO.
I'M PROUD OF MY HOME STATE EVERY
SINGLE DAY ESPECIALLY HOW WE
HAVE PUNCHED ABOVE OUR
SUCCESSFUL RESPONSE TO COVID-19.
I'M PROUD OF NEW MEXICOENS THAT
STEPPED UP AND SACRIFICED IN SO
MANY INCREDIBLE WAYS THIS PAST
HALF YEAR.
I'M PROUD OF HOW WE EMBRACE OUR
MULTI CULTURAL IDENTITY AS OUR
GREATEST STRENGTH AND PROUD NEW
MEXICO HAS SHOWN WHAT CLIMATE
LEADERSHIP HAS LOOKED LIKE AND
THE TLURUMP ADMINISTRATION IS
ELIMINATING ENVIRONMENTAL
PROTECTIONS, WE EXPANDED THEM
AND THEY ARE ROLLING BACK
REGULATIONS ON OIL AND GAS, WE
HAVE TAKEN ON POLLUTERS AND HELD
THEM ACCOUNTABLE.
WE'VE COMMITTED TO A RENEWABLE
ENERGY FUTURE FOR WORKERS ALL
ACROSS OUR BEAUTIFUL STATE
INCLUDING RIGHT HERE IN THE
HEART OF NORTHERN NEW MEXICO.
WE'RE LAYING A ROAD MAP HERE FOR
WHAT AMERICA CAN AND SHOULD LOOK
LIKE IN THE 21st CENTURY AND
AMERICA WHERE WE LEAD AGAIN,
WHERE WE BUILD SAFER, CLEAR
ENAND MORE AFFORDABLE CITIES AND
COMMUNITIES WHERE WE PROVIDE
MEANINGFUL OPPORTUNITIES FOR
WORKERS AND FAMILIES TO THRIVE
AND BUILD BETTER LIVES.
AS PRESIDENT, JOE BIDEN WILL
REJOIN THE INTERNATIONAL CLIMATE
AGREEMENT AND THE QUITE WILL
ONCE AGAIN LEAD ON THIS CRITICAL
ISSUE.
AT HOME, HE'LL INVEST IN ENERGY
WORKERS AND DELIVER FOR WORKING
FAMILIES ACROSS THE U.S. HELPING
THEM BUILD MEANINGFUL CAREERS
WHILE ACCELERATING OUR NATION
AND WORLD INTO A CLEAN, GREEN
21st CENTURY AND WELL BEYOND.
WE KNOW TIME IS RUNNING OUT TO
SAVE OUR PLANET.
WE HAVE THE CHANCE THIS NOVEMBER
TO END TWO CRISIS.
THE TRUMP PRESIDENCY AND THE
ENVIRONMENTAL ANNIHILATION HE
REPRESENTS.
WE HAVE THE CHANCE THIS NOVEMBER
TO ATTACK THE CLIMATE CRISIS,
INVEST IN GREEN 21st CENTURY
JOBS AND EMBRACE THE CLEAN
ENERGY REVOLUTION OUR COUNTRY,
OUR YOUNG PEOPLE ARE CRYING OUT
FOR AND THE LEADERSHIP THE REST
OF THE WORLD IS WAITING FOR.
THE CHOICE IS CLEAR.
THE CHOICE IS JOE BIDEN.
THANK YOU, AMERICA.
>>> HARD WORK.
RISING TO THE CHALLENGE.
THE AMERICAN WAY.
GOING TO THE MOON WAS ALL THREE.
MANY ASTRONAUTS RETURNED HOME
AND REPORTED A SHIFT IN THEIR
AWARENESS.
THE VIEW THEY SAW OF EARTH FROM
SPACE WAS PROFOUND.
THE WORLD LOOKED BEAUTIFUL,
TINY, FRAGILE.
OUR ATMOSPHERE IS ALL THAT
SEPARATES US FROM OCHO BLIF YIN.
>> OUR COMMUNITIES FACED THE
BURDEN OF POLLUTION AND
ADDRESSING CLIMATE CHANGE GIVES
US AN OPPORTUNITY TO CORRECT
SOME WRONGS AND TO ALSO INVEST
IN OUR VULNERABLE COMMUNITIES.
>> MAYBE YOU'VE READ SYSTEM OF
THE MILLIONS OF PAGES OF SIGN
TICK
-- SCIENTIFIC EVIDENCE OF
CLIMATE CHANGE OR FELT IT AS YOU
WALKED THE NEIGHBORHOOD.
FOR MOST PEOPLE, IT'S
OVERWHELMING.
>> ALL OF THIS WITH THE GLOBAL
WARMING AND A LOT OF IT IS A
HOAX.
IT'S A HOAX.
>> I SPENT FIVE YEARS WORKING ON
THIS REPORT.
THE TRUMP ADMINISTRATION STARTED
TO REMOVE ANY MENTION THAT HU
HUMANS WERE THE CAUSE OF CLIMATE
CHANGE.
>> I WROTE MY RESIGNATION LETTER
SIX MONTHS INTO ADMINISTRATION.
THEY WERE HANDING THE KEYS OF
PUBLIC LAND TO PRIVATE INTEREST.
THE TRUMP ADMINISTRATION HAS
GONE ALL OUT TO NEGLECT IT BUT
REVERSE THEM.
>> WE HAVE ABOUT A DECADE BEFORE
IT'S TOO LATE.
>> I'M A KID AND GOING TO SAY TO
THE ADULTS WATCHING THIS NOW,
WHY DON'T YOU GET UP AND DO
SOMETHING?
>> FIRST CLIMATE CHANGE WAS BY A
SENATOR OF DELAWARE.
>> DONALD TRUMP THINKS ABOUT
CLIMATE CHANGE, THE ONLY WORD HE
CAN MUSTER IS HOAX.
>> AMERICA IS FACED WITH A
CHALLENGE BUT IF WE FACE IT
TOGETHER, WE'LL RISE TO THE A
OCCASION AND BUILD BACK BETTER.
>> WHEN I THINK OF CLIMATE
CHANGE, I THINK ABOUT JOBS.
>> THAT'S JOE'S PLAN TO CREATE
MILLIONS OF NEW GOOD PAYING
JOBS.
MANY UNION LIKE MINE.
INVEST IN CRITICAL IN
INFRASTRUCTURE AND PRECISION
AGRICULTURE.
A CLEAN ENERGY FUTURE THAT
ACHIEVES NET ZERO EMISSIONS BY
2050 BECAUSE WE CAN'T POWER THE
ECONOMIES OF THE FUTURE WITHOUT
INVESTING IN THE TECHNOLOGIES OF
THE FUTURE.
>> WHAT IS IMPORTANT IS 40% OF
THE INVESTMENT WILL GO TO
VULNERABLE COMMUNITIES.
>> WE KNOW HOW TO DO THIS.
WE'LL DO IT AGAIN BUT THIS TIME
BIGGER AND FASTER AND SMARTER.
>> JOE WON'T IGNORE THE CRISIS.
WE'RE SEEING WHAT HAPPENS WHEN
WE DO THAT.
HE WON'T SER RURRENDERER TO THE
FIGHT.
JOE'S AMERICA WILL LEAD THE
WORLD ON CLEAN ENERGY AND JOB
CREATION AND AMERICA WILL LEAD
THE WORLD AGAIN ONE CLIMATE.
>> I WAS 13 WHEN THE CAMPFIRE,
THE MOST DESTRUCTIVE WILDFIRE IN
CALIFORNIA'S HISTORY BROKE OUT.
WE WERE VISITING FAMILY NEARLY
100 MILES AWAY BUT MY ASTHMA
FLARED BADLY.
I COULD HARDLY BREATHE.
I'M ALEXANDRIA AND I'VE BEEN
ORGANIZING YOUNG PEOPLE AROUND
CLIEPTD CHANGE SINCE 2018.
CLIMATE CHANGE IS IMPACTING US
NOW AND IT'S ROBBING MY
GENERATION OF A FUTURE.
FOR YOUNG PEOPLE MY AGE, EVERY
ASPECT OF OUR LIVES FROM WHERE
WE GO TO SCHOOL TO WHAT KIND OF
CAREERS WE'LL HAVE TO WHETHER OR
NOT WE CAN RAISE A FAMILY
DEPENDS ON US TAKING CLIMATE
CHANGE SERIOUSLY RIGHT NOW.
JOE BIDEN WON'T SOLVE THIS
CRISIS IN FOUR YEARS.
NO ONE CAN.
BUT HE WILL PUT US BACK ON TRACK
SO MY GENERATION CAN HAVE A
FIGHTING CHANCE.
I'M ASKING YOU TO JOIN US.
DON'T LET OUR FUTURE GO UP IN
FLAMES.
>> THERE IS A SAYING, NEHI BY
THE FOURTH OF JULY.
WE'RE LUCKY IF THE CORN IS EVEN
PLANTED.
I STUDIED AT NORTHERN MICHIGAN
UNIVERSITY.
US FARMERS CAN SEE THE EFFECTS
OF CLIMATE CHANGE IN FRONT OF
US.
WE'VE BEEN TRYING TO DO OUR
PART.
WE'RE ADOPTING SUSTAINABLE
SOLUTIONS ON MY FAMILY'S FARM
USINGLESS LAND AND RESOURCES TO
GROW FOOD.
WE'RE ELIMINATING BY MIMICKING
NA
NATURAL ECOSYSTEMS.
TODAY WE ALL CAN GROW OUR OWN
FUTURE BUT NEED LEADERS TO BE
PART OF THE SOLUTION AS WELL
INSTEAD OF PART OF THE PROBLEM.
WE NEED THEM TO COMMIT TO
SCIENCE, NOT IGNORE IT.
WE NEED THEM TO PUT REAL PLANS
ON THE TABLE RATHER THAN
ROLLBACK.
THAT'S WHAT JOE BIDEN IS DOING
WITH THE CLEAN ENERGY REVOLUTION
INSTEAD OF BEING LEFT BEHIND, WE
COULD LEAD THE WORLD AGAIN.
>> I SPEND A LOT OF TIME TALKING
ABOUT CLIMATE CHANGE WITH
DIFFERENT COMMUNITIES HERE IN
NEVADA AND THE ONE HE I GET
ASKED OVER AND OVER AGAIN IS
WHAT ARE YOU DOING HERE?
NOT A LOT OF CLIMATE ACTIVISTS
LOOK LIKE ME.
I'M A LATINA AND ACTIVESTS.
POLLUTION RATES ARE OFTEN HIGHER
AND A LOT OF KIDS HAVE ASTHMA.
SWITCHING TO RENEWABLE ENERGY
MEANS CLEANER AIR, BETTER HEALTH
AND A STEADIER INCOME FOR FOLKS
IN NEIGHBORHOODS LIKE MINE
BECAUSE SOLAR PD INSTALLERS ARE
SOME OF THE FASTEST GROWING JOBS
IN THE COUNTRY AND JOE BIDEN'S
TIME IS TRANSFORMATIVE.
HE KNOWS SAVING THE PLANET ISN'T
JUST A CHALLENGE TO OVERCOME,
IT'S AN OPPORTUNITY FOR A BETTER
WAY OF LIFE.
>> SO WHAT'S IT GOING TO BE
AMERICA?
>> ARE YOU READY TO VOTE FOR JOE
BIDEN?
>> ARE YOU READY TO SOLVE THE
CLIMATE CRISIS?
>> OUR FUTURES DEPEND ON IT.
>> THERE WE SEE THE CLIMATE
CHANGE.
LET GO BACK TO KERRY WASHINGTON
INTRODUCING BILLIE EILISH.
>> NOT TO MENTION AN IMMENSELY
TALENTED ARTIST.
SHE WORKED TO ENSURE THAT HER
MOST RECENT CONCERT TOUR WAS
GREEN AND SUSTAINABLE URGING
FANS TO TAKE SIMILAR ACTIONS IN
THEIR DAILY LIVES AND EVEN
BEFORE SHE HERSELF WAS OLD
ENOUGH TO VOTE, SHE HELD
REGISTRATION DRIVES BEFORE HER
SHOWS SIGNING UP THOUSANDS OF
VOTERS.
SHE'S A VOICE FOR HER GENERATION
IN BOTH HER MUSIC AND HER
ACTIVISM.
HERE TO PERFORM "MY FUTURE"
PUBLICLY FOR THE FIRST TIME,
BILLIE EILISH.
>> YOU DON'T NEED ME TO TELL YOU
THINGS ARE A MESS.
DONALD TRUMP IS DESTROYING OUR
COUNTRY AND EVERYTHING WE CARE
ABOUT.
WE NEED LEADERS WHO WILL SOLVE
PROBLEMS LIKE CLIMATE CHANGE AND
COVID, NOT DENY THEM.
LEADERS WHO WILL FIGHT AGAINST
SYSTEMIC RACISM AND THAT STARTS
BY VOTING FOR SOMEBODY THAT
UNDERSTANDS HOW MUCH IS AT STAKE
AND BUILDS A TEAM THAT SHARES
OUR VALUES.
IT STARTS WITH VOTING AGAINST
DONALD TRUMP AND FOR JOE BIDEN.
SI
SILENCE IS NOT AN OPTION AND WE
CAN'T SIT THIS OUT.
WE HAVE TO VOTE LIKE OUR LIVES
AND THE WORLD DEPEND ON IT
BECAUSE THEY DO.
THE ON WAY TO BE CERTAIN OF THE
FUTURE IS TO MAKE IT OUR
SEVERALS.
PLEASE REGISTER, PLEASE VOTE.
♪ I CAN'T SEEM TO FOCUS, SEEM TO
NOTICE I'M NOT HERE SFOET I'M
JUST AMI MIRROR.
♪ YOU CHECK YOUR COME PROPLEXIO
FIND YOUR REFLECTIONS ALL
ALONE ♪
♪ CAN'T YOU HEAR ME ♪
♪ I'M NOT COMING THROUGH ♪
♪ DO YOU UNDERSTAND I'VE CHANGED
MY PLANS BECAUSE I, I'M IN LOVE
WITH MY FUTURE ♪
♪ CAN'T WAIT TO MEET HER ♪
♪ AND I, I'M IN LOVE ♪
♪ JUST WANT TO GET TO KNOW
MYSELF ♪
♪
♪
♪
♪
♪ I KNOW BETTER THAN TO DRIVE
YOU HOME ♪
♪
♪
♪
♪
>> BILLIE EILISH PERFORMING THE
SONG "MY FEATURE."
A YOUNG ACTIVIST FOR CLIMATE
CHANGE AND VOTING RIGHTS AS THE
CONVENTION PREPARES TO SWITCH TO
IMMIGRATION, ANOTHER HOT BUTTON
ISSUE IN THIS CAMPAIGN.
I WANT TO BRING IN TOM FOR MORE.
WE SPOKE ABOUT PRESIDENT TRUMP
AND YOU IN ARIZONA TALKING ABOUT
IMMIGRATION.
WHEN HE TALKS ABOUT IMMIGRATION,
WE WANTS TO TALK ABOUT THE WALL.
DEMOCRATS WANT TO TALK ABOUT THE
FAMILY SEPARATION POLICY.
>> RIGHT, AND DEALING WITH
IMMIGRATION FOR ANY POLITICIAN
GEORGE YOU KNOW IS DIFFICULT AND
GOING TO BE HARD FOR JOE BIDEN.
IN A FEW MOMENTS WE'LL HEAR
POWERFUL STORIES WHAT WE HEAR A
POWERFUL STORY ABOUT FAMILIES,
AMERICAN FAMILIES AFFECTED BY
THE TRUMP POLICY.
AS YOU MENTIONED, YESTERDAY
TRUMP PRESIDENT WENT BACK TO
2015 USING THE TOUGH LANGUAGE ON
IMMIGRATION SAYING IF DEMOCRATS
ARE ELECTED IN HIS WORDS ALIENS
WITH CRIMINAL RECORDS WILL RUN
RAM
RAMPED.
JOE BIDEN HAS SOMETHING TO DEAL
WITH.
ON THE OTHER END, HE HAS THE FAR
LEFT CALLING TO ABOLISH ICE.
JOE BIDEN IS NOT CALLING TO
ABOLISH ICE.
THE DEMOCRATIC PLATFORM DOES POT
CALL FOR THAT.
WHAT THEY DO SAY ARE THESE ARE
THEIR WORDS, CALLOUS CRUEL AND
RECKLESS.
HE SAYS THAT IF HE'S ELECTED,
HE'LL STOP THE NATIONAL
EMERGENCY FUNDING TO THE WALL
AND CREATE A PATHWAY TO CITIZEN
SHIP BUT EVEN JOE BIDEN'S LEGACY
IS TOUGH ON THIS ONE, GEORGE.
AS YOU KNOW BECAUSE THE OBAMA
BIDEN TICKET DEPORT FOR THE
AMERICANS THAN ANY OTHER
PRESIDENCY IN THE HISTORY.
OBAMA WAS KNOWN AS A DEPORTER IN
CHIEF.
HE'LL HAVE TO RECKON WITH THAT
LEGACY, AS WELL.
THERE IS A LOT OF ISSUES AND IT
WON'T BE EASY AS WE GET CLOSER
TO ELECTION DAY.
>> HE'S WALKING A FINE LINE.
WE'LL HEAR FROM 11-YEAR-OLD
ESTELLA, HER FATHER SERVED AS A
MARINE AND VOTED FOR TRUMP.
>> NOW MORE THAN EVER BEFORE.
>> TELL ME WHEN I START READING.
DEAR DONALD TRUMP.
MY NAME IS ESTELLA.
I AM 11 YEARS OLD.
MY MOM IS MY BEST FRIEND.
SHE CAME TO AMERICA AS A
TEENAGER OVER 20 YEARS AGO
WITHOUT PAPERS IN SEARCH OF A
BETTER LIFE.
SHE MARRIED MY DAD WHO SERVED
OUR COUNTRY AS A MARINE IN SOUTH
AMERICA, AFRICA AND IRAQ.
MY MOM WORKED HARD AND PAID
TAXES AND THE OBAMA
ADMINISTRATION TOLD HER SHE
COULD STAY.
MY DAD THOUGHT YOU WOULD PROTECT
MILITARY FAMILIES SO HE VOTED
FOR YOU IN 2016, MR. PRESIDENT.
HE SAYS HE WON'T VOTE FOR YOU
AGAIN AFTER WHAT YOU DID TO OUR
FAMILY.
>> THE WIFE OF A U.S. MARINE
VETERAN WAS DEPORTED TO MEXICO.
>> INSTEAD OF PROTECTING US, YOU
TORE US APARTMENT.
>> MY MOM IS A GOOD PERSON.
SHE'S NOT A CRIMINAL.
>> NOW MY MOM IS GONE AND SHE'S
BEEN TAKEN FROM US FOR NO REASON
AT ALL.
EVERY DAY THAT PASSES YOU DEPORT
MORE MOMS AND DADS AND TAKE THEM
AWAY FROM KIDS LIKE ME.
>> YOU WILL BEGIN MOVING THEM
OUT DAY ONE.
>> YOU SEPARATED THOUSANDS OF
CHILDREN FROM THEIR PARENTS AND
YOU PUT THEM IN CAGES.
SOME OF THOSE KIDS ARE NOW OR
PA
-- ORPHANS BECAUSE OF YOU.
>> MR. PRESIDENT, MY MOM IS AN
AMERICAN OF TWO CHILDREN.
WE ARE AMERICAN FAMILIES.
WE'RE A PRESIDENT THAT BRING
PEOPLE TOGETHER, NOT TEAR THEM
APART SINCERELY, ESTELLA.
>> WITH HER LETTER TO PRESIDENT
TRUMP.
WE'LL TAKE A QUICK BREAK.
COMING UP, HILLARY CLINTON.
>>> THE DEMOCRATIC NATIONAL COP
VEN
-- CONVENTION.
>> DAY THREE OF THE DEMOCRATIC
CONVENTION FEATURING SO MANY
HIGH PROFILE PROMINENT
DEMOCRATIC LEADERS.
WANT TO BRING IN A FORMER
SENATOR FROM THE DEMOCRATIC
PARTY HEIDI AND ONE OF THE
THINGS WE'RE SEEING TONIGHT OF
COURSE WITH KAMALA HARRIS IS THE
FIRST WOMAN OF COLOR, TONIGHT
NAN
NANCY PELOSI, THE TOP WOMEN
HEARDS IN
LEADERS IN THE DEMOCRATIC PARTY.
>> NO DOUBT.
THERE IS A HUGE GENDER GAP AND
WOMEN WANT TO SEE HEROES AND
LEADERS AND THAT'S WHEN WE'LL
SEE TONIGHT.
I THINK GABBY GIFFORDS STARTING
THIS OFF WITH HER COURAGE AND
THAT'S THE COURAGE OF DEMOCRATIC
WOMEN AND YOU SAW THIS YOUNG
GIRL READING HER LETTER.
I THINK GEORGE, WHAT'S REALLY
REMARKABLE ABOUT THIS
CONVENTION, WE'VE HAD THESE
HIGHLIGHTS OF, YOU KNOW, JILL
BIDEN AND MICHELLE OBAMA BUT
ORDINARY CITIZENS STEP UP TO THE
PLATE AND SAY THIS IS WHY THIS
ELECTION MATTERS TO ME AND THIS
CONNECTION.
WHAT DOES THIS MEAN FOR ME?
HOW DOES THIS IMPACT MY FAMILY?
I THINK ALL OF THESE WOMEN WILL
SPEAK ABOUT CHILDREN AND THEY
WILL SPEAK ABOUT WHY THEY HAVE
GOTTEN INVOLVED IN POLITICS AND
IT WILL BE FOCUSED AROUND
FAMILIES.
>> THANKS VERY MUCH.
WOMEN ARE THE BASE IN THE
DEMOCRATIC PARTY.
>> YES.
YOU KNOW, IF YOU LOOK AT -- TAKE
BARACK OBAMA SPEAKING TODAY.
COLLEGE WOMEN IN 2012, HE GOT
46% OF THE VOTE.
IN 2018 THE CONGRESSIONAL
DEMOCRATS GOT 59 AND JOE BIDEN
IS TRENDING CLOSE TO 63%.
THAT IS A 20% MOVEMENT AND IF
YOU COMPARE WOMEN WITH A COLLEGE
DEGREE TO HISPANIC VOTERS,
THEY'RE AT OR JUST SLIGHTLY
ABOVE BY A HAIR HISPANIC VOTERS.
THEY ARE A KEY COMPONENT OF THE
DEMOCRATIC PARTY BASE.
I WANT TO SAY ONE OTHER THING
WITH THE WOMEN SPEAKERS AND
BARACK OBAMA, HE'S BEEN INVITED
TO A SORORITY PARTY AND DOESN'T
KNOW HOW HE GOT THERE.
HOW DID THIS HAPPEN?
[ LAUGHTER ]
AND ALSO WOMEN WITHOUT A COLLEGE
DEGREE.
THEY ARE A FORMITT NL FORCE IN
THE DEMOCRATIC PARTY VIS-A-VIS
KAMALA HARRIS.
>> IT SEEMS PRESIDENT TRUMP IS
AWARE.
HE BRINGS ON HIS LAW AND ORDER
CAMPAIGN AND TALKS ABOUT
SUBURBAN HOUSEWIVES.
I WONDER IF THAT LANGUAGE ENDS
UP WORKING AGAINST HIM.
>> I THINK IT DOES TO SOME
DEGREE BUT AT THE SAME TIME, HIS
BIGGEST DROP, YOU KNOW, HAS BEEN
COLLEGE EDUCATED WOMEN.
NON-COLLEGE EDUCATED WOMEN THAT
VOTED FOR HIM OVERWHELMINGLY IN
THE LAST ELECTION ALSO HAVE
DROPPED MAYBE TEN POINTS SINCE
THE BEGINNING OF THE PANDEMIC.
THESE ARE PEOPLE THAT LIKE HIS
POLICIES.
THEY DON'T NECESSARILY LIKE HIS
PERSONA.
HIS PERSONA IS MORE FRONT AND
CENTER.
HE'S GOT TO GET BACK TO TALKING
ABOUT THINGS LIKE IMMIGRATION,
NOT FAMILY SEPARATION BUT THE
FACT THAT WE DON'T WANT TO
DECRIMINALIZE THE BORDER.
THE COUNTRY CAN'T AFFORD HEALTH
CARE AND EDUCATION FOR ANYBODY
THAT WANTS TO COME HERE WITH NEW
NO RULES.
PEOPLE AGREE WITH THAT.
THEY AGREE WITH HIM ON THAT
ISSUE.
HE NEEDS TO SOFTEN HIS TONE.
>> THAT DID SEEM TO BE WHEN YOU
GO BACK TO THE BEGINNING OF THE
DEMOCRATIC PRIMARY, IT SEEMS
LIKE IT WAS MOVING MUCH MORE IN
THAT DIRECTION BUT EVERY DEBATE,
HEALTH CARE FOR ILLEGAL
IMMIGRANTS AND JOE BIDEN TRIED
TO SOFTEN THAT A BIT.
>> I DON'T KNOW WHY.
A BIG PART OF THE REASON WHY
PROGRESS ZIIVES PUSHED THAT IS
SAW WHAT CAN HAPPEN WHEN THE
SYSTEM GOES UNCHECKED.
WE'VE SEEN FAMILIES BE SEPARATED
AND PEOPLE, ICE GO INTO FAMILIES
AND TO COMMUNITIES AND TAKING
CHILDREN OUT WHILE THEIR PARENTS
ARE AT WORK.
WE'VE SEEN THE WORST OF IT.
PART OF THE REASON PROGRESSIVES
WANTED TO PUSH BACK, WE DON'T
WANT THIS AUTHORITY TO BE IN THE
HANDS OF ANY PRESIDENT.
WE WANT TO PULL BACK.
WE WANT TO REMEMBER WHAT THIS
COUNTRY IS ABOUT, THIS COUNTRY
PROTECTS ALL PEOPLE.
WE ARE THE NATION OF IMMIGRANTS.
THAT'S A REALLY IMPORTANT THING.
AGAIN, PROGRESSIVES HAVE BEEN
PUT ON THE BACK BURNER TO SAY WE
CAN'T GO THAT FAR AND WE WILL GO
WITH THE DEMOCRATIC PARTY TO
MAKE SURE WE GET THROUGH THIS
NEXT STAGE BUT THERE WILL BE A
CONVERSATION ABOUT HOW WE MAKE
SURE THAT PEOPLE WHEN THEY COME
TO THIS COUNTRY ARE VALUED HOW
WE MAKE SURE THAT I.C.E. DOESN'T
GET TO ABUSE THEIR AUTHORITY THE
WAY THEY HAVE BEFORE AND DO WE
REALLY NEED I.C.E.?
I.C.E. CAME AS A RESULT OF THE
2001 --
>> I GOT TO INTERRUPT YOU THERE.
I SAW CHRIS CHRISTIE LICK HIS
LIPS WHEN YOU SAID DO WE NEED
I.C.E.?
>> I DON'T NEED TIME.
I YIELD MY TIME.
>> I LOVE WE'RE HAVING THIS
DEBATE.
WE'VE SEEN I.C.E. DO DAMAGING
THINGS AND ABUSE KIDS IN THESE
FACILITIES.
WE HAVE SEEN THEM RIP FAMILIES
APART WITH ABANDON.
THE QUESTION IS CAN AN ENTITY
LIKE THAT BE REFORMED AND DO WE
NEED TO LOOK AT IT DIFFERENTLY.
>> YOU HIT THE POLLS.
THE PRESIDENT'S TOUGH POLICIES
DO HAVE A FOLLOWING BUT THE
FAMILY SEPARATION IS PROBABLY
ONE OF THE MOST DAMAGING THINGS
HE'S HAD TO LIVE WITH.
>> LET'S INJECT A FEW MORE FACTS
INTO THIS DISCUSSION.
THE OBAMA ADMINISTRATION HAD A
VERY AGGRESSIVE DEPORTATION.
>> AS TOM SAID.
>> VERY AGGRESSIVE DEPORTATION
PROGRAM.
SECONDLY, THE CAGES THEY'RE
TALKING ABOUT WERE BUILD EVER
BUILT BY THE OBAMA
ADMINISTRATION.
THEY WEREN'T BUILT BY THE TRUMP
ADMINISTRATION, THEY WERE BUILT
BY THE OBAMA ADMINISTRATION AND
IF DOWN GO BACK AND LISTEN TO
BARACK OBAMA THAT HAILED TONIGHT
AND OTHER NIGHTS ON THIS
PROGRAM, YOU KNOW, HIS RHETORIC
ON IMMIGRATION WAS PRETTY TOUGH.
IT WASN'T TRUMP TOUGH BUT PRETTY
TOUGH.
THE REASON IT WAS WAS BECAUSE
BARACK OBAMA IS A SMART
POLITICIAN.
AND HE KNEW THAT'S WHERE A
MAJORITY OF THE COUNTRY WAS AND
STILL IS.
NOW SARAH SAID DONALD TRUMP HAS
TO SOFTEN HIS RHETORIC.
AMEN.
RIGHT?
WE ONLY COULD WISH AS
REPUBLICANS THAT'S WHAT HE'LL DO
BECAUSE THE CORE OF THE POLICY
BILL CLINTON HAS AGREED WITH,
GEORGE BUSH 43 AGREED WITH AND
SO HAS BARACK OBAMA.
THIS IS NOTHING NEW AT ALL AND I
THINK THE REASON THAT
PROGRESSIVES HAVE BEEN PUT AS I
THINK YOU SAID IN THE BACKSEAT
ON THIS IS BECAUSE THEY ARE
WRONG.
AND THE SECOND THING YOU'RE
GOING TO SEE IN THIS CAMPAIGN,
GEORGE, YOU'LL SEE THAT DEBATE
WHEN EVERY ONE OF THE DEMOCRATS
RAISED THEIR HAND ON THIS
IMMIGRATION QUESTION.
>> WE ARE GOING TO SEE THAT.
WE'LL SEA HER IN A FEW MINUTES
IS HILLARY CLINTON GIVING HER
SPEECH.
I WANT TO BRING IN TERRY MORAN.
WE TALKED ABOUT BILL CLINTON.
THE SPEECH WILL BE LIVE BUT SHE
STILL IS IN A DIFFICULT POSITION
AT THIS CONVENTION.
>> SHE IS.
YOU DON'T SEE AL GORE SPEAKING
AT THESE CONVENTIONS BECAUSE HE
LOST IN 2000 AS DID SHE.
HER LOSS IS SEEN AS VERY
DIFFERENT IN PART IT IS SEEN AS
ILLEGITIMATE AMONG SOME PEOPLE
WHO SUPPORTED HER AND PARTLY
BECAUSE SHE WAS A WOMAN AND
SHE'S STILL A STANDARD FOR SO
MANY WOMEN IN THE COUNTRY.
THAT SAID, JOE BIDEN NEEDS HER
SUPPORT, NEEDS THE SUPPORT OF
THE WOMEN THAT DO FOLLOW HER.
THAT'S WHY WE'RE HEARING FROM
HER.
>> DEMOCRATS TALKING ABOUT THE
WOMEN'S VOTE.
LET
LET'S LISTEN IN.
♪
♪ GOT TO UNDERSTAND WHAT HAPPENS
FROM HERE.
>> SHOW WAS CALLED AN
INSTIGATOR, A RULE BREAKER, A
RAVEL ROUSER AND SHE IS CALLED
THING A E ING A T
A
AGITATI.
THE ONE WITH ATTITUDE.
>> NOW IS THE TIME FOR ALL OF US
TO STAND UP AND SAY ENOUGH IS
ENOUGH.
FROM THE BALLOT BOX FROM HER
LIVING ROOM TO THE E.R. SHE
MAKES TROUBLE THE GOOD KIND.
SHE IS THE MOTHER WHO CRIES OUT
FOR SENSIBLE GUN LAWS.
THE DAUGHTER THAT BELIEVES EQUAL
JUSTICE MEANS JUSTICE FOR ALL.
>> WE ARE AMERICA.
>> THE CHILD THAT KNOWS BLACK
LIVES MATTER.
SHE IS OUR WARRIOR ON THE FRONT
LINES.
CHALLENGING AUTHORITY TO MAKE
THE WORLD SAFE.
>> NOBODY IS ABOVE THE LAW.
>> REFUSING TO BE TOLD WHO MAKES
DECISIONS ABOUT HER BODY OR
ANYONE ELSE'S.
>> THESE WOMEN AND MEN OF ALL
AGES, RACES AND BACKGROUNDS
DON'T COME TO PLANNED PARENT HAD
TO MAKE A POLITICAL STATEMENT,
THEY COME TO GET QUALITY
AFFORDABLE HEALTH CARE.
>> YOU ARE DISADVANTAGING HER
BECAUSE OF HER SEX.
♪
♪
>> THIS IS THE TIME.
>> AND SHE KNOWS TO CHANGE THE
WORLD, YOU NEED TO CHANGE THE
IDEA OF POWER.
>> PROTESTERS IN FEDERAL
GOVERNMENT.
>> MY TIME AND I CONTROL IT.
>> WE ARE FIGHTING FOR YOU EACH
AND EVERY SINGLE DAY.
>> AND SHE KNOWS HER VOICE IS
HEARD AND AMPLIFIED BY THE WOMEN
SHE ELECTS TO PUBLIC OFFICE.
>> IF WE WANT FAMILIES TO
SUCCEED, WE START BY EMPOWERING
WOMEN.
>> WHEN I FIRST GOT ELECTED, I
CAME TO WASHINGTON D.C. TO FIGHT
FOR THE ISSUES IN OUR COMMUNITY.
>> WE LOOK FORWARD TO MAKING
SURE THIS DISTRICT IS WELL
REPRESENTED.
>> THE THINGS WE RAN ON GOING
INTO NOVEMBER, WE'RE DOING THAT.
>> WOMEN DON'T JUST FIGHT FOR
WOMEN.
THEY FIGHT FOR FAMILIES AND
FAIRNESS, INCLUSION, JUSTICE.
>> TO MAKE OUR NATION A MORE
PERFECT UNION ESPECIALLY FOR
THOSE PEOPLE WHO ARE THE MOST
MARGINAL.
>> IF WE JUMP START THE MIDDLE
CLOSE, WE'VE GOT TO ENSURE THAT
COLLEGE IS AFFORDABLE,
SEPARATION OF FAMILIES AND
CHILDREN ARE DETRIMENTAL TO
THEIR HEALTH.
>> GIVE THE VICTIMS A GENDER
BIAS IN THE WORKPLACE, THE TOOLS
THEY NEED TO SEEK JUSTICE.
>> WOMEN ARE THE MOST IMPORTANT
POLITICAL FORCE IN THE QUITE OF
AMERICA.
>> SHE REPRESENTS HER VIEWS ON
EDUCATION.
>> WE GOT TO PAY EDUCATORS MORE
AND WE'VE GOT TO HIRE MORE
EDUCATORS.
>> THE PROFILE OF TEACHERS AND
CELEBRATE AND GIVE THEM BETTER
PAY.
>> SHE REPRESENTS HER CONCERNS
ABOUT HEALTH CARE.
>> HEALTH CARE IS THE NUMBER ONE
ISSUE EVERY DAY.
EVERY DAY.
>> SHE SPEAKS OUT ON EQUAL PAY.
>> VERY FRUSTRATING FOR WOMEN
EVERYWHERE TO BE FEELING LIKE
THEY ARE GETTING PAID WHAT THEY
SHOULD BE.
>> AND FOCUSES ON PROTECTING OUR
CHILDREN.
>> LET GIVE PARENTS THE PEACE OF
MIND THAT THEIR KIDS ARE SAFE
AND ARE BEING SETUP FOR SUCCESS.
>> CARING FOR OUR SENIORS AND
THE PEOPLE WHO CARE FOR THEM.
>> SHE KEEPS THIS NATION GOING
EVEN IN CHALLENGING TIMES.
AND WHILE RUNNING FOR OFFICE IS
NOT EASY.
>> WHAT'S WRONG WITH THE
PRESIDENT OF THIS COUNTRY?
>> NEVER THELESS, SHE PERSISTS.
>> WE LEARNED ALONG TIME AGO YOU
DON'T GET WHAT YOU DON'T FIGHT
FOR.
>> AND PERSEVERES.
>> THIS IS OUR TIME.
>> AND PREVAILS.
>> ALTHOUGH WE WEREN'T ABLE TO
SHATTER THAT GLASS CEILING THIS
TIME, IT GOT ABOUT 18 MILLION
CRACKS IN IT.
>> A RECORD-BREAKING NUMBER OF
WOMEN RAN IN THE MIDTERMS AND
WON.
>> SHE BILLS COLLISIONS AND SHE
KNOWS WHO HER ALLIES ARE.
FROM THE FIGHT FOR HEALTH CARE
TO OFFERING THE VIOLENCE AGAINST
WOMEN'S ACT TO BUILDING A
SOCIETY WHERE FAIRNESS AND
EQUALITY AND OPPORTUNITY APPLIES
TO EVERYONE.
>> THE MORNING AFTER THE LAST
ELECTION I SAID WEST OWE DONALD
TRUMP AN OPEN MIND AND A CHANCE
TO LEAD.
I MEANT IT.
EVERY PRESIDENT DESERVES THAT
AND TRUMP CAME IN WITH SO MUCH
SET UP FOR HIM A STRONG ECONOMY,
PLANS FOR MANAGING CRISIS
INCLUDING A PANDEMIC.
YES, WE DEMOCRATS WOULD HAVE
DISAGREES WITH HIM ON MANY
THINGS.
BUT IF HE HAD PUT HIS OWN
INTEREST AND EGO ASIDE, SEEING
THE HUMANITY IN A CHILD RIPPED
FROM HER PARENTS AT THE BORDER
OR A PROTESTER CALLING FOR
JUSTICE OR A FAMILY WIPED OUT BY
NATURAL DISASTER, THAT WOULD
HAVE BEEN A GOOD THING FOR
AMERICA AND THE WORLD.
I WISH DONALD TRUMP KNEW HOW TO
BE A PRESIDENT BECAUSE AMERICA
NEEDS A PRESIDENT RIGHT NOW.
THROUGHOUT THIS TIME OF CRISIS
AMERICANS KEEP GOING CHECKING ON
NEIGHBORS, SHOWING UP TO JOBS AS
FIRST RESPONDERS, HOSPITALS,
GROCERY STORES, NURSING HOMES,
YES, IT STILL TAKING A VILLAGE
AND WE NEED LEADERS EQUAL TO
THIS MOMENT OF SACRIFICE AND
SERVICE.
WE NEED JOE BIDEN AND KAMALA
HARRIS.
EVERYONE HAS A STORY ABOUT JOE'S
CARING AND EMPATHY.
I REMEMBER HIM CALLING AFTER MY
MOTHER DOROTHY DIED AND WE
TALKED ABOUT BEING RAISED BY
STRONG WOMEN.
THE BEST TESTAMENT TO JOE IS HOW
HE'S CARED FOR HIS FAMILY AND
HOW GREAT IS IT THAT DR. JOE
BIDEN PLANS TO KEEP TEACHING AS
FIRST LADY?
AND JOE PICKED THE RIGHT PARTNER
IN KAMALA.
SHE'S RELENTLESS AND KIND.
WHEN HER PRESS SECRETARY TYRONE
GAIL WAS DYING OF CANCER, SHE
DROPPED EVERYTHING TO BE WITH
HIM IN HIS FINAL MOMENTS.
I KNOW SOMETHING ABOUT THE
SLINGS AND ARROWS SHE'LL FACE
AND BELIEVE ME, THIS FORMER
DISTRICT ATTORNEY AND ATTORNEY
GENERAL CAN HANDLE THEM ALL.
SO THIS IS THE TEAM TO PULL OUR
NATION BACK FROM THE BRINK BUT
THEY CAN'T DO IT WITHOUT US.
FOR FOUR YEARS PEOPLE TOLD ME I
DIDN'T REALIZE HOW DANGEROUS HE
WAS.
I WISH I COULD DO IT ALL OVER OR
WORSE.
I SHOULD HAVE VOTED.
LOOK, THIS CAN'T BE ANOTHER
WOULD HAVE, COULD HAVE, SHOULD
HAVE ELECTION.
IF YOU VOTE BY MAIL, REQUEST
YOUR BALLOT NOW AND SEND IT BACK
RIGHT AWAY.
IF YOU VOTE IN PERSON, DO IT
EARLY.
BECOME A POLL WORKER.
MOST OF ALL, NO MATTER WHAT
VOTE.
AS MICHELLE OBAMA AND BERNIE
SANDERS WARNED US, IF TRUMP IS
REELECTED THINGS WILL GET EVEN
WORSE.
THAT'S WHY WE NEED UNITY NOW
MORE THAN EVER.
REMEMBER BACK IN 2016 WHEN TRUMP
ASKED WHAT DO YOU HAVE TO LOSE?
WELL, NOW WE KNOW.
OUR HEALTH CARE, OUR JOBS, OUR
LOVED ONES.
OUR LEADERSHIP IN THE WORLD AND
EVEN OUR POST OFFICE.
LET SET OUR SIGHTS HIGHER THAN
GETTING ONE MAN OUT OF THE WHITE
HOUSE.
JOE BIDEN AND KAMALA HARRIS ARE
GOING TO GIVE US SO MUCH TO VOTE
FOR.
LET'S VOTE FOR THE JOBS THAT
JOE'S PLAN WILL CREATE, CLEAN
ENERGY JOBS AND CARE GIVING JOBS
AND SAVES PEOPLE FROM
FORECLOSURES AND HEVICTIONS.
BILLIONAIRES GOT H HOUNDREDS OF
MILLIONS AND MANY LOST THEIR
EXTRA $600 A WEEK.
VOTE FOR PARENTS AND TEACHERS
STRUGGLING TO BALANCE EDUCATION
AND SAFETY AND FOR HEALTH CARE
WORKERS FIGHTING COVID-19.
VOTE FOR PAID FAMILY LEAVE AND
HEALTH CARE FOR EVERYONE.
FOR SOCIAL SECURITY, MEDICARE
AND PLANNED PARENTHOOD.
VOTE FOR DREAMERS AND THEIR
FAMILIES.
VOTE FOR LAW ENFORCEMENT PURGED
OF RACE BIAS THAT KEEPS ALL OUR
STREETS SAFE.
VOTE FOR JUSTICE, FOR GEORGE
FLOYD, BREONNA TAYLOR AND AHMAUD
ARBERY BECAUSE BLACK LIVES
MATTER.
VOTE FOR HONEST ELECTIONS SO WE,
NOT A FOREIGN ADVERSARY CHOOSE
OUR PRESIDENT.
VOTE FOR THE DIVERSE HOPEFUL
AMERICA WE SAW IN THE ROLE CALL
JOE AND KAKAMALA CAN WIN BY VOT
AND STILL LOSE BECAUSE TRUMP
CAN'T SNEAK OR STEAL HIS WAY TO
VICTORY.
TEXT VOTE 30330 TO GET STARTED.
100 YEAR ACE GO IT TOOK SWITCH
DECADES TO MARCH, PICKET AND GO
TO JAIL TO PUSH US CLOSER TO A
MORE PERFECT UNION.
55 YEARS AGO JOHN LEWIS MARCHED
AND THAT WORK WAS UNFINISHED.
A BLACK INDIAN IMMIGRANTS AND
OUR NOMINEE FOR VICE PRESIDENT.
THIS IS OUR COUNTRY'S STORY
BREAKING DOWN BARRIERS AND
EXPANDING POSSIBILITY TO THE
YOUNG PEOPLE WATCHING, DON'T
GIVE UP.
EXCITEMENT OUR FLAWS AND
PROBLEMS.
WE CAN STILL BE A MORE JUST
EQUAL COUNTRY WITH OPPORTUNITIES
GENERATIONS COULD NEVER HAVE
IMAGINED.
THERE IS HEARTBREAK AND MANY
THINGS WERE BROKEN.
HE KNOWS HOW TO KEEP GOING.
UNIFY AND LEAD.
HE'S DONE THAT FOR HIS COUNTRY.
COME NOVEMBER, IF WE'RE STRONG
TOGETHER, WE'LL HEAL TOGETHER.
WE'LL REDEEM THE SOUL AND THE
PROMISE OF OUR COUNTRY LED BY
PRESIDENT JOE BIDEN AND VICE
PRESIDENT KA MMALA HARRIS.
>> HILLARY CLINTON WRAPPING UP
HER CONVENTION SPEECH SAYING WE
CAN'T HAVE ANY MORE WOULD HAVE,
COULD HAVE, SHOULD HAVE.
SHE WAS NOT WEARING THAT V-O-T-E
NECKLACE LIKE MICHELLE OBAMA.
>> IT WAS WARNING SHOTS ABOUT
THE DANGERS OF REELECTING DONALD
TRUMP AND CO-SIGNING ON KAMALA
HARRIS SAYING SHE'S RELENTLESS
IN THE PURSUIT OF JUSTICE AND
WARNING I WISH DONALD TRUMP KNEW
HOW TO BE A PRESIDENT, THE
PRESIDENT THAT WE NEED RIGHT
NOW.
>> DAVID, YOU WONDER WHAT IS
GOING THROUGH SOMEONE'S MIND,
HILLARY CLINTON TALKED ABOUT
SPEAKING THE DAY AFTER THE
ELECTION FOUR YEARS AGO AND THE
POPULAR VOTE SHE WON BY 3
MILLION VOTES.
FOUR YEARS AGO SHE WAS IN THAT
CROWD ACROSS THE COUNTRY HAVING
TO GIVE A DIFFERENT SPEECH.
RUNNING AGAINST WHAT WE'VE SEEN
WITH THE TRUMP ADMINISTRATION
PEOPLE CAN DECIDE WHETHER OR NOT
THEY LIKE WHAT THEY HAVE SEEN
BUT IN THIS PARTICULAR SPEECH,
VERY EVEN.
ONE THING THAT STRUCK ME IS SHE
SAID REMEMBER WHEN TRUMP ASKED
WHAT DO YOU HAVE TO LOSE AND WE
SAID WE ALMOST TOLD YOU SO
WITHOUT SAYING THAT.
I THINK HER TONE WILL ALLOW
PEOPLE AT HOME TO DECIDE WHETHER
SHE'LL DECIDE WHETHER OR NOT SHE
DID DECIDE TO WARN US.
I REMEMBER A NEW YOR"NEW YORK T
ARTICLE ARTICLE THE ON THING
BETWEEN AN APOCALYPSE AND ME.
YOU CAN BE REST ASSURED HILLARY
IS THINKING I TRIED TO WARN YOU.
>> AND THERE IS NO QUESTION
DEMOCRATS ARE CONCERNED ABOUT
EVERYTHING HAPPEN TLG IN THE
POSTAL SERVICE WITH MAIL IN
BALLOTING.
>> I WANT TO SAY THERE SAY PHD
IN CLINTONOLOGY.
SHE'S MOST EFFECTIVE ADVOCATING
FOR SOMEBODY ELSE.
HERE SHE DID A -- I THINK A
VERY, VERY GOOD JOB.
I WOULD SAY EVERYBODY IS SAYING
YOU HAVE TO DO VOTE -- AS WE SAY
IN CHICAGO, VOTE OFTEN, VOTE
EARLY.
THAT'S THE MESSAGE IN THIS
PROCESS.
>> THE NIGHT JUST GETTING
STARTED HERE.
KCAMILLEAKAMALA HARRIS IS COMIN
BARACK EVERYWHERE RIGHT TO
YOU.
>> ABC
>>> THIS IS AN ABC NEWS SPECIAL.
>> READY TO GO TO WORK?
>> OH MY GOD, I'M SO READY TO GO
TO WORK.
>> TONIGHT, THE BATTLE FOR THE
WHITE HOUSE CONTINUES.
PARTY LEADER ELIZABETH WARREN
TAKES THE STAGE.
BUT CAN THE DEMOCRATS SEIZE THE
MOMENT?
PRESIDENT BARACK OBAMA HOPES TO
DELIVER A KNOCKOUT BLOW FOR HIS
FRIEND, JOE BIDEN.
AND VICE PRESIDENTIAL NOMINEE
KAMALA HARRIS TAKES UP THE FIGHT
FOR THE TICKET.
LIVE FROM NEW YORK CITY AND
ACROSS THE COUNTRY, THE
DEMOCRATIC NATIONAL CONVENTION.
NOW REPORTING, CHIEF ANCHOR
GEORGE STEPHANOPOULOS.
>> GOOD EVENING.
WELCOME TO NIGHT THREE OF THE
DEMOCRATIC NATIONAL CONVENTION.
TONIGHT THE DEMOCRATS WILL ROLL
OUT THEIR BIGGEST GUNS YET.
BARACK OBAMA SET TO EMBRACE THE
VICE PRESIDENT HE CALLS A
BROTHER AND LAUNCH A BLISTERING
ATTACK ON THE PRESIDENT HE CORN
DE
CONDEMNING FOR ENDANGERING OUR
DEMOCRACY.
ONE MORE SIGN OF WHAT A BATTLE
THIS WILL BE, DONALD TRUMP FIRED
BACK FROM THE WHITE HOUSE
DECLARING HE RAN FOR PRESIDENT
SIMPLY BECAUSE OBAMA FAILED.
THE DEMOCRATS ARE ALSO SHINING A
LIGHT ON SOME OF THEIR MOST
PROMINENT WOMEN TONIGHT, NANCY
PELOSI, ELIZABETH WARREN,
HILLARY CLINTON AND THE SENATOR
BREAKING A NEW BARRIER, KAMALA
HARRIS.
SHE'LL FORMALLY ACCEPT THE
NOMINATION FOR VICE PRESIDENT
LATER TONIGHT AND BROKE WITH
TRADITION BY KICKING THE EVENING
OFF, HERSELF.
>> I KNOW MANY OF YOU PLAN TO
VOTE THIS YEAR, BUT AMIDST THE
EXCITEMENT AND ENTHUSIASM FOR
THIS ELECTION YOU'VE HEARD ABOUT
OBSTACLES AND MISINFORMATIONHAR
TO CAST YOUR BALLOT.
I THINK WE NEED TO ASK OURSELVES
WHY DON'T THEY WANT US TO VOTE?
WHY IS THERE SO MUCH EFFORT TO
SILENCE OUR VOICE
VOICES?
AND THE ANSWER IS BECAUSE WHEN
WE VOTE, THINGS CHANGE.
>> KAMALA HAR FRISRIS FROM
WILMINGTON, DELAWARE.
WE ARE OUTSIDE THE CHASE
SCEPTER.
THIS IS HER NIGHT.
>> Reporter: GEORGE, KAMALA
HARRIS IS MOMENTS AWAY FROM
MAKING HISTORY.
THIS A HUGE MOMENT OF
SIGNIFICANCE FOR WOMEN, FOR
WOMEN OF COLOR AND ESPECIALLY
FOR YOUNG GIRLS ACROSS THIS
COUNTRY.
KAMALA HARRIS TONIGHT WILL SPEAK
ABOUT THE COUNTRY THAT MADE HER
STORY POSSIBLE.
HER AMERICAN DREAM.
A COUNTRY WHERE THE DAUGHTER OF
IMMIGRANTS CAN GO ON TO BECOME
THE FIRST BLACK WOMAN.
THE FIRST ASIAN-AMERICAN.
TO BE NOMINATED TO BE THE VICE
PRESIDENT.
BUT SHE WILL SAY THAT THAT
COUNTRY NOW FEELS DISTANT UNDER
PRESIDENT TRUMP AND KAMALA
HARRIS WILL BE BLUNT IN ARGUING
THAT BOTTOM LINE, THIS COUNTRY
IS AT A KEY INFLECTION POINT AND
SHE WILL SAY THAT JOE BIDESON
THE LEADER WHO CAN BRING BACK
THE COUNTRY THAT MADE HER STORY
POSSIBLE.
>> MARY BRUCE, THANKS VERY MUCH.
DAVID MUIR, WE'VE SEEN KAMALA
HARRIS IN DEBATES, SEEN KAMALA
HARRIS IN THE SENATE, IN SENATE
HEARINGS, NEVER IN A MOMENT
QUITE LIKE THIS.
>> THAT'S ABSOLUTELY RIGHT,
GEORGE.
IN FACT, SHE'LL GET AN
OPPORTUNITY TONIGHT AS SHE MAKES
HISTORY TO REINTRODUCE HERSELF
TO THE AMERICAN PEOPLE.
WE WATCHED HER IN THE PRIMARY,
RISING STAR OF THE DEMOCRATIC
PARTY FOR SOME TIME NOW.
TONIGHT SHE'LL TELL HER STORY
AND IN DOING SO ALSO PUSH HER
PARTNER NOW, JOE BIDEN.
WE HAVE A HINT OF WHAT SHE'LL
ATONIGHA
SAY TONIGHT TALKING ABOUT THE
CONSTANT CHAOS, THE CALLOUSNESS
THAT MAKES US FEEL ALONE.
WE SCCAN DO BETTER, WE MUST ELE
JOE BIDEN.
SHE HAS THE UNENVIABLE TASK OF
GOING AFTER FORMER PRESIDENT
BARACK OBAMA TONIGHT.
ABC NEWS HAS LEARNED HE WAS
INITIALLY SUPPOSED TO END THE
EVENING BUT HE ASKED THAT SHE GO
LAST SO THAT HE CAN SYMBOLICALLY
PASS THE TORCH TO THE RISING
STAR OF THE DEMOCRATIC PARTY.
>> MAKE IT CLEAR IT IS HER NIGHT
AS SHE CLOSES IT OUT.
KAMALA HARRIS IS A PROSECUTOR AS
WELL.
WE MIGHT SEE A FLASH OF THAT.
>> I IMAGINE WE WILL.
AS MUCH AS THIS NIGHT IS ABOUT
HISTORIC AND HOW THE
BIDEN/HARRIS TICKET IS GOING TO
TACKLE THESE CRISES OF
IMMIGRATION, GUN CONTROL, HEALTH
CARE, IN THIS COUNTRY, I THINK
THAT IT'S ALSO, YOU KNOW, THERE
WAS AN AWFUL LOT OF PRESSURE ON
BIDEN TO PICK A BLACK WOMAN AS
HIS RUNNING MATE.
NOW WE'RE GOING TO GET A CHANCE
TO GET A SENSE MORE OF WHO SHE
IS.
THIS IS SOMEONE WHO AS A STUDENT
WORKED AT McDONALD'S, FRIES AND
THE ICE CREAM, SOMEBODY WHO SAID
SHE EATS NO FOR BREAKFAST.
SHE SAYS YOU HAVE TO TELL HER AT
LEAST FIVE TIMES BEFORE SHE EVEN
HEARS IT.
I THINK THAT'S PART OF WHAT MADE
HER.
SHE'S SUCH A HISTORY MAKER,
MULTIPLE POSITIONS WHERE SHE WAS
THE FIRST WOMAN OF COLOR.
>> SHE WILL MAKE HISTORY
TONIGHT.
FOUR YEARS AGO HILLARY CLINTON
MADE HISTORY WHEN SHE BECAME THE
FIRST WOMAN TO BE NOMINATED FOR
PRESIDENT OF THE UNITED STATES
FOR THE DEMOCRATIC PARTY.
SHE SPOKE EARLIER TONIGHT.
>> IT TOOK SEVEN DECADES OF
SUFFRAGISTS MARCHING, PICKETING
AND GOING TO JAIL TO PUSH US
CLOSER TO A MORE PERFECT UNION.
55 YEARS AGO JOHN LEWIS MARCHED
AND BLED IN SELMA BECAUSE THAT
WORK WAS UNFINISHED.
TONIGHT, I'M THINKING OF THE
GIRLS AND BOYS WHO SEE
THEMSELVES IN AMERICA'S FUTURE
BECAUSE OF KAMALA HARRIS.
A BLACK WOMAN, THE DAUGHTER OF
JAMAICAN AND INDIAN IMMIGRANTS
AND OUR NOMINEE FOR VICE
PRESIDENT.
THIS IS OUR COUNTRY'S STORY.
BREAKING DOWN BARRIERS AND
EXPANDING THE CIRCLE OF
POSSIBILITY.
AND TO THE YOUNG PEOPLE
WATCHING, DON'T GIVE UP ON
AMERICA.
DESPITE OUR FLAWS AND PROBLEMS,
WE'VE COME SO FAR.
WE CAN STILL BE A MORE JUST,
EQUAL, COUNTRY, WITH
OPPORTUNITIES PREVIOUS
GENERATIONS COULD NEVER HAVE
IMAGINED.
THERE'S A LOT OF HEARTBREAK IN
AMERICA NOW.
AND THE TRUTH IS, MANY THINGS
WERE BROKEN BEFORE THE PANDEMIC,
BUT AS THE SAYING GOES, THE
WORLD BREAKS EVERYONE AND
AFTERWARD, MANY ARE STRONG AT
THE BROKEN PLACES.
THAT'S JOE BIDEN.
HE KNOWS HOW TO KEEP GOING,
UNIFY, AND LEAD BECAUSE HE'S
DONE THAT FOR HIS FAMILY AND
COUNTRY.
SO COME NOVEMBER, IF WE'RE
STRONG TOGETHER, WE'LL HEAL
TOGETHER.
WE'LL REDEEM THE SOUL AND THE
PROMISE OF OUR COUNTRY LED BY
PRESIDENT JOE BIDEN AND VICE
PRESIDENT KAMALA HARRIS.
>> LITTLE CATCH THERE IN HILLARY
CLINTON'S VOICE AS SHE TALKED
ABOUT JOE BIDEN.
HERE WITH RAHM EMANUEL.
YOU'VE KNOWN HILLARY CLINTON A
LONG TIME, WORKED WITH HILLARY
CLINTON.
A VERY DIFFERENT KIND OF SPEECH
FROM FOUR YEARS AGO.
WEARING THE SAME WHITE BUT
TONIGHT SPEAKING ON BEHALF OF
SOMEONE ELSE.
>> YEAH.
I THINK, YOU KNOW, SOMEBODY WHO
STUDIED BOTH CLINTONS, WORKED
FOR BOTH CLINTONS, UNDERSTUDY, I
HAVE A MASTER'S DEGREE IN
CLINTONOLOGY, SHE IS THE BEST
ADVOCATE FOR SOMEBODY ELSE.
AND YOU SAW IT HERE.
SHE KNOWS JOE PERSONALLY FROM
NOT ONLY SENATORS, SITUATION
ROOM, TEAMMATES, TRYING TO PASS
HEALTH CARE, TRYING TO DO STUFF
ON FOREIGN POLICY, TAKING ON A
LOT OF ASSIGNMENTS.
I THINK SHE DID AN INCREDIBLE
JOB HERE AND POUNDED HARD WITH
AN AUTHENTICITY, YOUR VOTE
COUNTS, THIS IS NOT FRIVOLOUS.
WITHOUT BEING TOO MUCH, THIS IS
NOT A GAME ANYMORE AND YOU KNOW
THE CONSEQUENCES OF IT.
I THINK SHE WAS VERY EFFECTIVE
ON WHAT AN ELECTION CAN MEAN,
WHAT IT CAN -- THE CONSEQUENCES
OF IT.
>> CAN'T HAVE ANY MORE.
COULD HAVE, COULD HAVE, SHOULD
HAVE, ELECTION.
SHE SAID, IT'S CLEAR, AS YOU'RE
WATCHING THE DEMOCRATS OVER
THESE THREE NIGHTS, THEY ARE
STUNNED BY WHAT THEY CONSIDER
KIND OF STATISTICAL FLUKE FOUR
YEARS AGO, WINNING THE POPULAR
VOTE BY 3 MILLION THEN LOSING
THE ELECTORAL COLLEGE BY 77,000
VOTES.
>> YEAH, THAT'S STILL VERY RAW
FOR HER.
YOU CAN TELL.
SHE BELIEVES SHE SHOULD HAVE
BEEN THE PRESIDENT.
SHE WON THE POPULAR VOTE.
WHAT STRUCK ME ABOUT THESE LAST
COUPLE NIGHTS IS THE FEMALE
STARS OF THE DEMOCRATIC PARTY
HAVE BEEN SUBTLE IN THEIR
ATTACKS ON DONALD TRUMP.
MICHELLE OBAMA WAS A LITTLE MORE
DIRECT THAN HILLARY CLINTON.
>> SAID HIS NAME.
>> RIGHT.
SHE WAS A LITTLE MORE DIRECT.
BUT IT'S BEEN PRETTY EFFECTIVE.
WE TALK SO MUCH IN POLITICS
ABOUT SUBURBAN WOMEN AND THEY'RE
THE KEY TO THE ELECTION.
IT'S ALMOST LIKE THEY'RE SAYING,
IT'S TOO BAD HE'S NOT UP FOR THE
JOB.
YOU KNOW, I WANTED HIM TO BE UP
TO THE JOB.
HE JUST CAN'T GET US THERE.
AND WHAT THEY'RE SAYING TO THOSE
WOMEN IS WE KNOW YOU DON'T AGREE
WITH OUR PROGRESSIVE BASE, BUT
STYLISTICALLY, HE CAN'T BE
ELECTED AGAIN.
AND I THINK IT'S BEEN PRETTY
EFFECTIVE.
>> EVETTE SIMPSON, COMING INTO
THIS CONVENTION, JOE BIDEN HAD
AN ENTHUSIASM GAP WITH DONALD
TRUMP.
CERTAINLY SOMEWHAT OF AN
ENTHUSIASM GAP INSIDE THE PARTY,
PEOPLE MUCH MORE FOCUSED ON
DEFEATING DONALD TRUMP THAN
SUPPORTING JOE BIDEN.
IS THAT PROBLEM GETTING SOLVED?
>> I THINK IT IS.
I THINK THE ANNOUNCEMENT OF
KAMALA HARRIS REALLY DID EXCITE
QUITE A BIT OF PEOPLE.
PARTICULARLY BLACK WOMEN WHO AS
WE KNOW HOLD COMMUNITIES, HOLD
FAMILIES, HOLD NEIGHBORHOODS,
HOLD CHURCHES SO THEM MOBILIZING
AND GETTING EXCITED ABOUT THIS
IS REALLY EXCITING FOR A LOT OF
PEOPLE.
I THINK THE OTHER THING IS SHE
BALANCES HIM IN WAYS, HE EVEN
SEEMED MORE EXCITED WITH HER AT
THE ANNOUNCEMENT THAN HE'S EVER
BEEN.
HE SEEMED MORE SHARP.
HE SEEMED MORE ON IT.
SO I THINK THIS GIVES PEOPLE
SOMETHING TO BE EXCITED ABOUT.
SHE'S THE FUTURE OF THE PARTY.
WE WERE CONCERNED ABOUT HIS
ABILITY TO LEAD THE PARTY AT
THIS SAME OF HIS LIFE.
WHETHER OR NOT HE WAS GOING TO
BE BRINGING THE PAST WITH HIM.
SHE REPRESENTS THE FUTURE.
AND SO I THINK THE FACT THAT
THEY PLAY OFF SO WELL TOGETHER I
THINK IS PART OF THE REASON WHY
THE GAP IS GETTING FILLED HERE
WITH HER ON THE TICKET.
>> CHRIS CHRISTIE, SUPPORTER
OVER PRESIDENT TRUMP, HEADING
INTO THE THIRD NIGHT, WHAT ARE
THE DEMOCRATS DOING RIGHT, WHAT
CAN REPUBLICANS TAKE AWAY FROM
IT?
>> I THINK TONIGHT TONE HAS BEEN
GOOD.
AND I THINK THAT THERE'S BEEN
SOME REAL INTERESTING CONTRASTS
WITH THE WAY THE PRESIDENT
APPROACHES HIS BUSINESS.
AND THAT IS MELLOWER TONE.
THAN WE HAVE FROM MICHELLE
OBAMA.
I WOULD ARGUE SHE WAS AN ATTACK
DOG ON MONDAY NIGHT.
SHE DID IT VERY WELL, BUT SHE
WAS AN ATTACK DOG.
THAT WAS VERY, VERY DIRECT
LANGUAGE.
YOU DON'T SEE THAT TONIGHT FROM
HILLARY CLINTON.
YOU HAVEN'T SEEN IT FROM SOME OF
THE OTHERS.
YOU MAY SEE IT FROM ELIZABETH
WARREN IN A COUPLE MINUTES, BUT
I THINK THAT WHAT THE
REPUBLICANS CAN LEARN FROM
WATCHING THIS IS THAT IF THEY
DON'T WANT THIS TO BE A
REFERENDUM ON THE PRESIDENT,
THEY BETTER START TALKING ABOUT
ISSUES FAST NEXT WEEK.
MAKE THE CONTRAST ON ISSUES.
THE PROGRESSIVE MOVEMENT OF THE
DEMOCRATIC PARTY LEFT AND
CONTRAST IT WITH WHAT DONALD
TRUMP WANTS TO DO OVER THE NEXT
FOUR YEARS.
THAT IS THEIR ONLY WAY TO GET
SUBURBAN WOMEN BACK IS TO MAKE
THEM THINK, YOU KNOW WHAT, I
DON'T LIKE HIM, BUT I, BOY DO I
NOT LIKE MY TAXES BEING RAISED
$3 TRILLION.
BOY, I DON'T WANT MEDICARE FOR
ALL AND I DON'T WANT A GREEN NEW
DEAL.
>> THAT IS NEXT WEEK.
WE IHAVE A LOT MORE COMING UP
HERE.
ELIZABETH WARREN IS NEXT.
WE'LL BE RIGHT BACK.
YOU, THE INCREDIBLE DR.
PAUL.
NEW EPISODES SATURDAY AT 9:00 ON
NATGEO WILD.
♪ WHEN THE NIGHT HAS COME ♪
♪ OH AND THE LAND IS DARK ♪
♪
>> 31 YEARS OLD, DOMINICAN
AMERICAN BORN IN THE BRONX
SINGING "STAND BY ME" PART OF
THE ENTERTAINMENT AT THE
DEMOCRATIC CONVENTION TONIGHT.
COMING UP NEXT, ELIZABETH
WARREN, SHE'S GOING TO BE GIVING
HER SPEECH FOCUSED ON COVID AND
THE ECONOMY.
I WANT TO BRING IN CHIEF WHITE
HOUSE CORRESPONDENT JOHN CARL
FOR MORE ON THIS.
THE ECONOMY STILL ONE OF THE
ISSUES WHERE DONALD TRUMP IS
HOLDING ADVANTAGE OVER JOE
BIDEN.
>> OH, IT IS IN THE POLLS AND IT
WAS GOING TO BE THE CENTERPIECE
OF HIS CAMPAIGN BEFORE THE
COVID-19 SLOWDOWN.
AND PROBABLY STILL WILL BE.
AND IF YOU, YOU KNOW, ELIZABETH
WARREN IS SOMEBODY THAT HE
TALKED ABOUT, I THINK, GEORGE,
MORE THAN ANY OF THE DEMOCRATS
OVER THE COURSE OF THE
DEMOCRATIC PRIMARY.
HE HAD A PET NICKNAME FOR HER.
PLAYING ON HER CLAIMS THAT SHE
HAD SOME NATIVE AMERICAN
ANCESTRY.
AND PORTRAYED HER AS A FAR-LEFT
EXTREMIST IN THE DEMOCRATIC
PARTY.
I THINK THAT HE WANTED TO RUN
AGAINST ELIZABETH WARREN OR
BERNIE SANDERS.
SOMEBODY ON THE LEFT.
INSTEAD, HE'S GOT JOE BIDEN.
ELIZABETH WARREN'S GOT A
PROMINENT ROLE HERE IN THE
CONVENTION, BUT HE'S RUNNING
AGAINST THE CANDIDATE HE HASN'T
QUITE FIGURED OUT HOW TO RUN
AGAINST.
YOU KNOW, GEORGE, IF YOU LOOK AT
THE FIRST, THE ONLY REAL RALLY
WE'VE HAD AFTER IT BECAME CLEAR
BIDEN WAS THE NOMINEE WAS IN
TULLSA AND SAW ALL KINDS OF MEM
BA
MEMORABILIA FOR CRITICIZING
HILLARY CLINTON, BARACK OBAMA,
NOTHING REALLY FROM ANY OF THOSE
TRUMP SUPPORTERS, NO SIGNS,
NOTHING TALKING ABOUT JOE BIDEN.
HE HASN'T QUITE COME UP WITH A
WAY TO GO AFTER HIM.
>> SO THERE HE'S GOING TO BE
ARGUING THAT PEOPLE LIKE
ELIZABETH WARREN ARE GOING TO BE
REALLY CONTROLLING --
>> YES.
>> -- JOE BIDEN.
>> THAT'S EXACTLY THE CASE.
HE'S GOING TO SAY, HE HAS BEEN
SAYING THAT BIDEN IS JUST A
PAWN, THAT HE'S BEEN CONTROLLED
BY THE FAR LEFT OF THE PARTY,
AOC, BERNIE SANDERS, ELIZABETH
WARREN.
THAT'S GOING TO BE -- THAT'S
GOING TO BE THE GAME BOOK.
>> ELIZABETH WARREN NOW ABOUT TO
TAKE THE VIRTUAL STAGE OF THE
DEMOCRATIC NATIONAL CONVENTION.
LET'S LISTEN IN.
>> TONIGHT, WE'VE HEARD FROM THE
PEOPLE WHO MAKE AMERICA WORK.
PEOPLE WHO PUT THEIR LIVES ON
THE LINE TO KEEP OUR COUNTRY
GOING AND SINCE COVID-19 HIT,
THEY'VE TAKEN ONE GUT PUNCH
AFTER ANOTHER.
AND WHAT HAS THE COVID FALLOUT
DONE TO OUR BABIES?
WELL, I'M HERE AT THE EARLY
CHILDHOOD EDUCATION CENTER IN
SPRINGFIELD, MASSACHUSETTS,
WHICH HAS BEEN CLOSED FOR
MONTHS.
CHILDCARE WAS ALREADY HARD TO
FIND BEFORE THE PANDEMIC, AND
NOW PARENTS ARE STUCK, NO IDEA
WHEN SCHOOLS CAN SAFELY RE-OPEN
AND EVEN FEWER CHILDCARE
OPTIONS.
THE DEVASTATION IS ENORMOUS AND
THE WAY I SEE IT, BIG PROBLEMS
DEMAND BIG SOLUTIONS.
NOW, I LOVE A GOOD PLAN, AND JOE
BIDEN HAS SOME REALLY GOOD
PLANS.
PLANS TO BRING BACK UNION JOBS
AND MANUFACTURING AND CREATE NEW
UNION JOBS IN CLEAN ENERGY.
PLANS TO INCREASE SOCIAL
SECURITY BENEFITS, CANCEL
BILLIONS IN STUDENT LOAN DEBT
AND MAKE OUR BANKRUPTCY LAWS
WORK FOR FAMILIES INSTEAD OF THE
CREDITORS WHO CHEAT THEM.
THESE PLANS REFLECT A CENTRAL
TRUTH.
OUR ECONOMIC SYSTEM HAS BEEN
RIGGED TO GIVE BAILOUTS TO
BILLIONAIRES AND KICK DIRT IN
THE FACE OF EVERYONE ELSE.
BUT WE CAN BUILD A THRIVING
ECONOMY BY INVESTING IN FAMILIES
AND FIXING WHAT'S BROKEN.
JOE'S PLAN TO BUILD BACK BETTER
INCLUDES MAKING THE WEALTHY PAY
THEIR FAIR SHARE.
HOLDING CORPORATIONS
ACCOUNTABLE.
REPAIRING RACIAL INEQUITIES.
AND FIGHTING CORRUPTION IN
WASHINGTON.
LET ME TELL YOU ABOUT ONE OF
JOE'S PLANS THAT'S ESPECIALLY
CLOSE TO MY HEART.
CHILDCARE.
AS A LITTLE GIRL GROWING UP IN
OKLAHOMA, WHAT I WANTED MOST IN
THE WORLD WAS TO BE A TEACHER.
I LOVED TEACHING.
AND WHEN I HAD BABIES AND WAS
JUGGLING MY FIRST BIG TEACHING
JOB DOWN IN TEXAS, IT WAS HARD,
BUT I COULD DO HARD.
THE THING THAT ALMOST SANK ME,
CHILDCARE.
ONE NIGHT MY AUNT BEE CALLED
JUST TO CHECK IN AND I THOUGHT I
WAS FINE BUT THEN I JUST BROKE
DOWN AND STARTED TO CRY.
I HAD TRIED HOLDING IT ALL
TOGETHER, BUT WITHOUT RELIABLE
CHILDCARE, WORKING WAS NEARLY
IMPOSSIBLE.
AND WHEN I TOLD AUNT BEE I WAS
GOING TO QUIT MY JOB, I THOUGHT
MY HEART WOULD BREAK.
AND THEN SHE SAID THE WORDS THAT
CHANGED MY LIFE, "I CAN'T GET
THERE TOMORROW BUT I'LL COME ON
THURSDAY."
AND SHE ARRIVED WITH SEVEN
SUITCASES AND A PEKONESE NAMED
BUDDY AND STAYED FOR 16 YEARS.
I GET TO BE HERE TONIGHT BECAUSE
OF MY AUNT BEE.
I LEARNED A FUNDAMENTAL TRUTH.
NOBODY MAKES IT ON THEIR OWN.
AND, YET, HERE WE GO TWO
GENERATIONS OF WORKING PARENTS
LATER AND IF YOU HAVE A BABY AND
DON'T HAVE AN AUNT BEE, YOU'RE
ON YOUR OWN.
AND HERE'S WHY THAT IS WRONG.
WE BUILD INFRASTRUCTURE LIKE
ROADS AND BRIDGES AND
COMMUNICATIONS SYSTEMS SO THAT
PEOPLE CAN WORK.
THAT INFRASTRUCTURE HELPS US ALL
BECAUSE IT KEEPS OUR ECONOMY
GOING.
IT'S TIME TO RECOGNIZE THAT
CHILDCARE IS PART OF THE BASIC
INFRASTRUCTURE OF THIS NATION.
IT'S INFRASTRUCTURE FOR
FAMILIES.
JOE AND KAMALA WILL MAKE
HIGH-QUALITY CHILDCARE
AFFORDABLE FOR EVERY FAMILY,
MAKE PRESCHOOL UNIVERSAL AND
RAISE THE WAGES OF EVERY
CHILDCARE WORKER.
NOW, THAT'S JUST ONE PLAN, BUT
IT GIVES YOU AN IDEA OF HOW WE
GET THIS COUNTRY WORKING FOR
EVERYONE.
DONALD TRUMP'S IGNORANCE AND
INCOMPETENCE HAVE ALWAYS BEEN A
DANGER TO OUR COUNTRY.
COVID-19 WAS TRUMP'S BIGGEST
TEST.
HE FAILED MISERABLY.
TODAY, AMERICA HAS THE MOST
COVID DEATHS IN THE WORLD AND AN
ECONOMIC COLLAPSE AND BOTH
CRISES ARE FALLING HARDEST ON
BLACK AND BROWN FAMILIES.
MILLIONS OUT OF WORK, MILLIONS
MORE TRAPPED IN CYCLES OF
POVERTY.
MILLIONS ON THE BRINK OF LOSING
THEIR HOMES.
MILLIONS OF RESTAURANTS AND
STORES HANGING BY A THREAD.
THIS CRISIS IS BAD AND IT DIDN'T
HAVE TO BE THIS WAY.
THIS CRISIS IS ON DONALD TRUMP
AND THE REPUBLICANS WHO ENABLE
HIM.
ON NOVEMBER 3rd WE WILL HOLD
THEM ALL ACCOUNTABLE.
SO, WHETHER YOU'RE PLANNING TO
VOTE WEARING A MASK OR VOTE BY
MAIL, PLEASE, TAKE OUT YOUR
PHONE RIGHT NOW AND TEXT "VOTE"
TO 30330.
WE ALL NEED TO BE IN THE FIGHT
TO GET JOE AND KAMALA ELECTED,
AND AFTER NOVEMBER WE ALL NEED
TO STAY IN THE FIGHT TO GET BIG
THINGS DONE.
WE STAY IN THIS FIGHT SO THAT
WHEN OUR CHILDREN AND OUR
GRANDCHILDREN ASK WHAT WE DID
DURING THIS DARK CHAPTER IN OUR
NATION'S HISTORY, WE WILL BE
ABLE TO LOOK THEM SQUARELY IN
THE EYE AND SAY, WE ORGANIZED,
WE PERSISTED, AND WE CHANGED
AMERICA.
>> YOU CAN BOIL DOWN THE MESSAGE
OF THIS DEMOCRATIC CONVENTION TO
ONE WORD, YOU HEARD IT THERE
AGAIN, "VOTE," FROM ELIZABETH
WARREN.
>>> COMING UP, BARACK OBAMA AND
KAMALA HARRIS. --
>> GET THROUGH THIS TOGETHER.
>>> FORMER PRESIDENT BARACK
OBAMA IS UP NEXT AT THIS NIGHT
THREE OF THE DEMOCRATIC
CONVENTION.
WANT TO BRING IN "NIGHTLINE'S"
ANCHOR FOR MORE ON THIS.
IF THE SPEECH TONIGHT IS
ANYTHING LIKE WHAT WE SAW AT THE
EULOGY FOR JOHN LEWIS JUST A
COUPLE WEEKS AGO, WE KNOW THAT
BARACK OBAMA IS COMING TO THIS
CONVENTION READY TO PLAY.
>> YEAH, GEORGE, IT WILL BE
ELOQUENT BUT ALSO HAVE EDGE.
EARLIER GOVERNOR CHRISTIE TALKED
ABOUT HOW MUCH PRESIDENT TRUMP
DOESN'T LIKE PRESIDENT OBAMA.
THE FEELING IS MUTUAL.
WE WILL HEAR SOME OF THAT
TONIGHT.
I'M ALSO MINDFUL, THINKING ABOUT
TONIGHT, I REMEMBER THE NIGHT
THAT HE ACCEPTED THE NOMINATION
FROM THE PARTY.
WHAT I SAID TO MY MOTHER, A
BLACK WOMAN.
I THINK NOW, THIS HISTORIC
NIGHT, HIS PRESENCE, WHAT IT
SAYS ABOUT HIS TENURE, ALSO WHAT
IT POTENTIALLY SAYS ABOUT KAMALA
HARRIS, WHAT THIS SAYS ABOUT
AMERICA.
>> THEN SHE WILL CLOSE THE NIGHT
OUT.
NOW WE WILL HEAR FROM FORMER
PRESIDENT BARACK OBAMA.
>> GOOD EVENING, EVERYBODY.
AS YOU'VE SEEN BY NOW, THIS
ISN'T A NORMAL CONVENTION.
IT'S NOT A NORMAL TIME.
SO TONIGHT I WANT TO TALK AS
PLAINLY AS I CAN ABOUT THE
STAKES IN THIS ELECTION.
BECAUSE WHAT WE DO THESE NEXT 76
DAYS WILL ECHO THROUGH
GENERATIONS TO COME.
I'M IN PHILADELPHIA WITH OUR
CONSTITUTION WAS DRAFTED AND
SIGNED.
IT WASN'T A PERFECT DOCUMENT.
IT ALLOWED FOR THE INHUMANITY OF
SLAVERY AND FAILED TO GUARANTEE
WOMEN AND EVEN MEN WHO DIDN'T
OWN PROPERTY THE RIGHT TO
PARTICIPATE IN THE POLITICAL
PROCESS.
BUT EMBEDDED IN THIS DOCUMENT
WAS A NORTH STAR THAT WOULD
GUIDE FUTURE GENERATIONS.
A SYSTEM OF REPRESENTATIVE
GOVERNMENT, A DEMOCRACY, TO
WHICH WE COULD BETTER REALIZE
OUR HIGHEST IDEALS.
THROUGH CIVIL WAR AND BITTER
STRUGGLES, WE IMPROVED THIS
CONSTITUTION TO INCLUDE THE
VOICES OF THOSE WHO'D ONCE BEEN
LEFT OUT.
AND GRADUALLY WE MADE THIS
COUNTRY MORE JUST AND MORE EQUAL
AND MORE FREE.
THE ONE CONSTITUTIONAL OFFICE
ELECTED BY ALL OF THE PEOPLE IS
THE PRESIDENCY.
SO AT A MINIMUM, WE SHOULD
EXPECT A PRESIDENT TO FEEL A
SENSE OF RESPONSIBILITY FOR THE
SAFETY AND WELFARE OF ALL 330
MILLION OF US REGARDLESS OF WHAT
WE LOOK LIKE, HOW WE WORSHIP,
WHO WE LOVE, HOW MUCH MONEY WE
HAVE OR WHO WE VOTED FOR.
BUT WE SHOULD ALSO EXPECT A
PRESIDENT TO BE THE CUSTODIAN OF
THIS DEMOCRACY.
WE SHOULD EXPECT THAT REGARDLESS
OF EGO, AMBITION, OR POLITICAL
BELIEFS, THE PRESIDENT WILL
PRESERVE, PROTECT, AND DEFEND
THE FREEDOMS AND IDEALS THAT SO
MANY AMERICANS MARCHED FOR, WENT
TO JAIL FOR, FOUGHT FOR AND DIED
FOR.
I HAVE SAT IN THE OVAL OFFICE
WITH BOTH OF THE MEN WHO ARE
RUNNING FOR PRESIDENT.
I NEVER EXPECTED THAT MY
SUCCESSOR WOULD EMBRACE MY
VISION OR CONTINUE MY POLICIES.
I DID HOPE FOR THE SAKE OF OUR
COUNTRY THAT DONALD TRUMP MIGHT
SHOW SOME INTEREST IN TAKING THE
JOB SERIOUSLY.
THAT HE MIGHT COME TO FEEL THE
WEIGHT OF THE OFFICE AND
DISCOVER SOME REVERENCE FOR THE
DEMOCRACY THAT HAD BEEN PLACED
IN HIS CARE.
BUT HE NEVER DID.
FOR CLOSE TO FOUR YEARS NOW, HE
HAS SHOWN NO INTEREST IN PUTTING
IN THE WORK.
NO INTEREST IN FINDING COMMON
GROUND.
NO INTEREST IN USING THE AWESOME
POWER OF HIS OFFICE TO HELP
ANYONE BUT HIMSELF AND HIS
FRIENDS.
NO INTEREST IN TREATING THE
PRESIDENCY AS ANYTHING BUT ONE
MORE REALITY SHOW THAT HE CAN
USE TO GET THE ATTENTION HE
CRAVES.
DONALD TRUMP HASN'T GROWN INTO
THE JOB BECAUSE HE CAN'T.
AND THE CONSEQUENCES OF THAT
FAILURE ARE SEVERE.
170,000 AMERICANS DEAD.
MILLIONS OF JOBS GONE.
WHILE THOSE AT THE TOP TAKE IN
MORE THAN EVER.
OUR WORST IMPULSES UNLEASHED.
OUR PROUD REPARATION AROUND THE
WORLD BADLY DIMINISHED.
AND OUR DEMOCRATIC INSTITUTIONS
THREATENED LIKE NEVER BEFORE.
NOW, I KNOW THAT IN TIMES AS
POLARIZED AS THESE MOST OF YOU
HAVE ALREADY MADE UP YOUR MIND.
BUT MAYBE YOU'RE STILL NOT SURE
WHICH CANDIDATE YOU'LL VOTE FOR.
OR WHETHER YOU'LL VOTE AT ALL.
MAYBE YOU'RE TIRED OF THE
DIRECTION WE'RE HEADED BUT YOU
CAN'T SEE A BETTER PATH YET.
OR YOU JUST DON'T KNOW ENOUGH
ABOUT THE PERSON WHO WANTS TO
LEAD US THERE.
SO LET ME TELL YOU ABOUT MY
FRIEND, JOE BIDEN.
12 YEARS AGO WHEN I BEGAN MY
SEARCH FOR A VICE PRESIDENT, I
DIDN'T KNOW I'D END UPINDING A
BROTHER.
JOE AND I COME FROM DIFFERENT
PLACES, DIFFERENT GENERATIONS,
BUT WHAT I QUICKLY CAME TO
ADMIRE ABOUT JOE BIDEN IS HIS
RESILIENCE, BORN OF TOO MUCH
STRUGGLE, HIS EMPATHY, BORN OF
TOO MUCH GRIEF.
JOE'S A MAN WHO LEARNED EARLY ON
TO TREAT EVERY PERSON HE MEETS
WITH RESPECT AND DIGNITY, LIVING
BY THE WORDS HIS PARENTS TAUGHT
HIM, "NO ONE'S BETTER THAN YOU,
JOE, BUT YOU'RE BETTER THAN
NOBODY."
THAT EMPATHY, THAT DECENCY, THE
BELIEF THAT EVERYBODY COUNTS,
THAT'S WHO JOE IS.
WHEN HE TALKS WITH SOMEONE WHO
LOST HIS JOB, JOE REMEMBERS THE
NIGHT HIS FATHER SAT HIM DOWN TO
SAY THAT HE'D LOST HIS.
WHEN JOE LISTENS TO A PARENT
WHO'S TRYING TO HOLD IT ALL
TOGETHER RIGHT NOW, HE DOES IT
AS A SINGLE DAD WHO TOOK THE
TRAIN BACK TO WILMINGTON EACH
AND EVERY NIGHT SO HE COULD TUCK
HIS KIDS INTO BED.
WHEN HE MEETS WITH MILITARY
FAMILIES WHO'VE LOST THEIR HERO,
HE DOES IT AS A KINDRED SPIRIT.
THE PARENT OF AN AMERICAN
SOLDIER.
SOMEBODY WHOSE FAITH HAS ENDURED
THE HARDEST LOSS THERE IS.
FOR EIGHT YEARS JOE WAS THE LAST
ONE IN THE ROOM WHENEVER I FACED
A BIG DECISION.
HE MADE ME A BETTER PRESIDENT.
AND HE'S GOT THE CHARACTER AND
THE EXPERIENCE TO MAKE US A
BETTER COUNTRY.
AND IN MY FRIEND, KAMALA HARRIS,
HE'S CHOSINGE IN
N AN IDEAL PA
WHO'S MORE THAN PREPARED FOR THE
JOB, SOMEONE WHO KNOWS WHAT IT'S
LIKE TO OVERCOME BARRIERS AND
WHO'S MADE A CAREER FIGHTING TO
HELP OTHERS LIVE OUT THEIR OWN
AMERICAN DREAM.
ALONG WITH THE EXPERIENCE NEEDED
TO GET THINGS DONE, JOE AND
KAMALA HAVE CONCRETE POLICIES
THAT WILL TURN THEIR VISION OF
COUNTRY, INTO REALITY.
THEY WILL GET THIS PANDEMIC
UNDER CONTROL.
LIKE JOE DID WHEN HE HELPED ME
MANAGE H1N1 AND PREVENT AN EBOLA
OUTBREAK FROM REACHING OUR
SHORES.
THEY'LL EXPAND HEALTH CARE TO
MORE AMERICANS LIKE JOE AND I
DID TEN YEARS AGO.
WHEN HE HELPED CRAFT THE
AFFORDABLE CARE ACT AND NAIL
DOWN THE VOTES TO MAKE IT THE
LAW.
THEY'LL RESCUE THE ECONOMY, LIKE
JOE HELPED ME DO AFTER THE GREAT
RECESSION.
I ASKED HIM TO MANAGE THE
RECOVERY ACT, WHICH JUMP-STARTED
THE LONGEST STRETCH OF JOB
GROWTH IN HISTORY, AND HE SEES
THIS MOMENT NOW NOT AS A CHANCE
TO GET BACK TO WHERE WE WERE BUT
TO MAKE LONG OVERDUE CHANGES SO
THAT OUR ECONOMY ACTUALLY MAKES
LIFE A LITTLE EASIER FOR
EVERYBODY.
WHETHER IT'S THE WAITRESS TRYING
TO RAISE A KID ON HER OWN OR THE
SHIFT WORKER ALWAYS ON THE EDGE
OF GETTING LAID OFF, OR THE
STUDENT FIGURING OUT HOW TO PAY
FOR NEXT SEMESTER'S CLASSES.
JOE AND KAMALA WILL RESTORE OUR
STANDING IN THE WORLD AND AS
WE'VE LEARNED FROM THIS
PANDEMIC, THAT MATTERS.
JOE KNOWS THE WORLD AND THE
WORLD KNOWS HIM.
HE KNOWS THAT OUR TRUE STRENGTH
COMES FROM SETTING AN EXAMPLE
THAT THE WORLD WANTS TO FOLLOW.
A NATION THAT STANDS WITH
DEMOCRACY, NOT DICTATORS.
A NATION THAT CAN INSPIRE AND
MOBILIZE OTHERS TO OVERCOME
THREATS LIKE CLIMATE CHANGE AND
TERRORISM.
POVERTY AND DISEASE.
BUT MORE THAN ANYTHING, WHAT I
KNOW ABOUT JOE, WHAT I KNOW
ABOUT KAMALA, IS THAT THEY
ACTUALLY CARE ABOUT EVERY
AMERICAN.
AND THAT THEY CARE DEEPLY ABOUT
THIS DEMOCRACY.
THEY BELIEVE THAT IN A DEMOCRACY
THE RIGHT TO VOTE IS SACRED AND
WE SHOULD BE MAKING IT EASIER
FOR PEOPLE TO CAST THEIR
BALLOTS, NOT HARDER.
THEY BELIEVE THAT NO ONE,
INCLUDING THE PRESIDENT, IS
ABOVE THE LAW.
AND THAT NO PUBLIC OFFICIAL
INCLUDING THE PRESIDENT SHOULD
USE THEIR OFFICE TO ENRICH
THEMSELVES OR THEIR SUPPORTERS.
THEY UNDERSTAND THAT IN THIS
DEMOCRACY THE COMMANDER IN CHIEF
DOES NOT USE THE MEN AND WOMEN
OF OUR MILITARY, WHO ARE WILLING
TO RISK EVERYTHING TO PROTECT
OUR NATION, AS POLITICAL PROPS
TO DEPLOY AGAINST PEACEFUL
PROTESTERS ON OUR OWN SOIL.
THEY UNDERSTAND THAT POLITICAL
OPPONENTS AREN'T UN-AMERICAN
JUST BECAUSE THEY DISAGREE WITH
YOU.
FREE PRESS ISN'T THE ENEMY BUT
THE WAY WE HOLD OFFICIALS
ACCOUNTABLE.
THAT OUR ABILITY TO WORK
TOGETHER TO SOLVE BIG PROBLEMS
LIKE A PANDEMIC DEPEND ON A
FIDELITY TO FACTS AND SCIENCE
AND LOGIC AND NOT JUST MAKING
STUFF UP.
NONE OF THIS SHOULD BE
CONTROVERSIAL.
THESE SHOULDN'T BE REPUBLICAN
PRINCIPLES OR DEMOCRATIC
PRINCIPLES.
THEY ARE AMERICAN PRINCIPLES,
BUT AT THIS MOMENT THIS
PRESIDENT AND THOSE WHO ENABLE
HIM HAVE SHOWN THEY DON'T
BELIEVE IN THESE THINGS.
TONIGHT, I'M ASKING YOU TO
BELIEVE IN JOE AND KAMALA'S
ABILITY TO LEAD THIS COUNTRY OUT
OF THESE DARK TIMES AND BUILD IT
BACK BETTER.
BUT HERE'S THE THING, NO SINGLE
AMERICAN CAN FIX THIS COUNTRY
ALONE.
NOT EVEN A PRESIDENT.
DEMOCRACY WAS NEVER MEANT TO BE
TRANSACTIONAL.
YOU GIVE ME YOUR VOTE, I MAKE
EVERYTHING BETTER?
IT REQUIRES AN ACTIVE AND
INFORMED CITIZENRY.
SO I'M ALSO ASKING YOU TO
BELIEVE IN YOUR OWN ABILITY TO
EMBRACE YOUR OWN RESPONSIBILITY
AS CITIZENS, TO MAKE SURE THAT
THE BASIC TENETS OF OUR
DEMOCRACY ENDURE BECAUSE THAT'S
WHAT'S AT STAKE RIGHT NOW.
OUR DEMOCRACY.
LOOK, I UNDERSTAND WHY A LOT OF
AMERICANS ARE DOWN ON
GOVERNMENT.
THE WAY THE RULES HAVE BEEN SET
UP AND ABUSED IN CONGRESS MAKE
IT EASIER FOR SPECIAL INTERESTS
TO STOP PROGRESS THAN TO MAKE
PROGRESS.
BELIEVE ME.
I KNOW IT.
I UNDERSTAND WHY A WHITE FACTORY
WORKER WHO'S SEEN HIS WAGES CUT
OR HIS JOB SHIPPED OVERSEAS
MIGHT FEEL LIKE THE GOVERNMENT
NO LONGER LOOKS OUT FOR HIM.
AND WHY A BLACK MOM MIGHT FEEL
LIKE IT NEVER LOOKED OUT FOR HER
AT ALL.
I UNDERSTAND WHY A NEW IMMIGRANT
MIGHT LOOK AROUND THIS COUNTRY
AND WONDER WHETHER THERE'S STILL
A PLACE FOR HIM HERE.
WHY A YOUNG PERSON MIGHT LOOK AT
POLITICS RIGHT NOW, THE CIRCUS
OF IT ALL, THE MEANNESS, LIES,
CONSPIRACY THEORIES, AND THINK,
WHAT IS THE POINT?
WELL, HERE'S THE POINT.
THIS PRESIDENT AND THOSE IN
POWER, THOSE WHO BENEFIT FROM
KEEPING THINGS THE WAY THEY ARE,
THEY ARE COUNTING ON YOU.
THEY KNOW THEY CAN'T YOIN OVER
WITH THEIR POLICIES SO THEY'RE
HOPING TO MAKE IT AS HARD AS
POSSIBLE FOR YOU TO VOTE AND TO
CONVINCE YOU THAT YOUR VOTE DOES
NOT MATTER.
THAT'S HOW THEY WIN, HOW THEY
GET TO MAKE DECISIONS THAT
AFFECT YOUR LIFE AND THE LIVES
OF PEOPLE YOU LOVE.
IT'S HOW THE ECONOMY WILL KEEP
GETTING SKEWED TO THE WEALTHY
AND WELL CONNECTED.
HOW OUR HEALTH SYSTEMS WILL LET
MORE PEOPLE FALL THROUGH THE
CRACKS.
THAT'S HOW A DEMOCRACY WITHERS.
UNTIL IT'S NO DEMOCRACY AT ALL.
AND WE CANNOT LET THAT HAPPEN.
DO NOT LET THEM TAKE AWAY YOUR
POWER.
DO NOT LET THEM TAKE AWAY YOUR
DEMOCRACY.
MAKE A PLAN RIGHT NOW FOR HOW
YOU ARE GOING TO GET INVOLVED
AND VOTE.
DO IT AS EARLY AS YOU CAN AND
TELL YOUR FAMILY AND FRIENDS HOW
THEY CAN VOTE, TOO.
DO WHAT AMERICANS HAVE DONE FOR
OVER TWO CENTURIES WHEN FACED
WITH EVEN TOUGHER TIMES THAN
THIS.
ALL THOSE QUIET HEROES WHO FOUND
THE COLONEL TO KEEP MARSHALING,
KEEP PUSHING IN THE FACE OF
HARDSHIP AND INJUSTICE.
LAST MONTH, WE LOST A GIANT OF
AMERICAN DEMOCRACY IN JOHN
LEWIS.
SOME YEARS AGO I SAT DOWN WITH
JOHN AND A FEW REMAINING LEADERS
OF THE EARLY CIVIL RIGHTS
MOVEMENT.
ONE OF THEM TOLD ME HE NEVER
IMAGINED HE'D WALK INTO THE
WHITE HOUSE AND SEE A PRESIDENT
WHO LOOKED LIKE HIS GRANDSON.
THEN HE TOLD ME THAT HE HAD
LOOKED IT UP AND IT TURNED OUT
THAT ON THE VERY DAY THAT I WAS
BORN, HE WAS MARCHING INTO A
JAIL CELL TRYING TO END JIM CROW
SEGREGATION IN THE SOUTH.
WHAT WE DO ECHOS THROUGH
GENERATIONS.
WHATEVER OUR BACKGROUNDS, WE ARE
ALL THE CHILDREN OF AMERICANS
WHO FOUGHT THE GOOD FIGHT.
THE GREAT-GRANDPARENTS WORKING
IN FIRETRAPS AND SWEATSHOPS
WITHOUT RIGHTS OR
REPRESENTATION.
FARMERS LOSING THEIR DREAMS TO
DUST.
IRISH AND ITALIANS AND ASIANS
AND LATINOS TOLD GO BACK WHERE
YOU COME FROM.
JEWS AND CATHOLICS, MUSLIMS AND
SIKHS MADE TO FEEL SUSPECT FOR
THE WAY THEY WORSHIPPED.
BLACK AMERICANS CHAINED AND
WHIPPED AND HANGED, SPIT ON, FOR
TRYING TO SIT AT LUNCH COUNTERS.
BEATEN FOR TRYING TO VOTE.
IF ANYONE HAD A RIGHT TO BELIEVE
THAT THIS DEMOCRACY DID NOT WORK
AND COULD NOT WORK, IT WAS THOSE
AMERICANS.
OUR ANCESTORS.
THEY WERE ON THE RECEIVING END
OF A DEMOCRACY THAT HAD FALLEN
SHORT ALL THEIR LIVES.
THEY KNEW HOW FAR THE DAILY
REALITY OF AMERICA STRAYED.
AND YET INSTEAD OF GIVING UP,
THEY JOINED TOGETHER.
AND THEY SAID, SOMEHOW, SOMEWAY,
WE ARE GOING TO MAKE THIS WORK.
WE ARE GOING TO BRING THOSE
WORDS IN OUR FOUNDING DOCUMENTS
TO LIFE.
I HAVE SEEN THAT SAME SPIRIT
RISING THESE PAST FEW YEARS.
FOLKS OF EVERY AGE AND
BACKGROUND WHO PACKED CITY
CENTERS AND AIRPORTS AND RURAL
ROADS SO THAT FAMILIES WOULDN'T
BE SEPARATED.
SO THAT ANOTHER CLASSROOM
WOULDN'T GET SHOT UP.
SO THAT OUR KIDS WON'T GROW UP
ON AN UNINHABITABLE PLANET.
AMERICANS OF ALL RACES JOINING
TOGETHER TO DECLARE IN THE FACE
OF INJUSTICE AND BRUTALITY AT
THE HANDS OF THE STATE THAT
BLACK LIVES MATTER.
NO MORE, BUT NO LESS.
SO THAT NO CHILD IN THIS COUNTRY
FEELS THE CONTINUING STING OF
RACISM.
TO THE YOUNG PEOPLE WHO LED US
THIS SUMMER, TELLING US WE NEED
TO BE BETTER, IN SO MANY WAYS
YOU ARE THIS COUNTRY'S DREAMS
FULFILLED.
EARLIER GENERATIONS HAD TO BE
PERSUADED THAT EVERYONE HAS
EQUAL WORTH.
FOR YOU, IT'S A GIVEN.
A CONVICTION.
AND WHAT I WANT YOU TO KNOW IS
FOR ALL ITS MESSINESS AND
FRUSTRATIONS, YOUR SYSTEM OF
SELF-GOVERNMENT CAN BE HARNESSED
TO HELP YOU REALIZE THOSE
CONVICTIONS.
FOR ALL OF US.
YOU CAN GIVE OUR DEMOCRACY NEW
MEANING.
YOU CAN TAKE IT TO A BETTER
PLACE.
YOU'RE THE MISSING INGREDIENT.
THE ONES WHO WILL DECIDE WHETHER
OR NOT AMERICA BECOMES THE
COUNTRY THAT FULLY LIVES UP TO
ITS CREED.
THAT WORK WILL CONTINUE LONG
AFTER THIS ELECTION.
BUT ANY CHANCE OF SUCCESS
DEPENDS ENTIRELY ON THE OUTCOME
OF THIS ELECTION.
THIS ADMINISTRATION HAS SHOWN IT
WILL TEAR OUR DEMOCRACY DOWN IF
THAT'S WHAT IT TAKES FOR THEM TO
WIN.
SO WE HAVE TO GET BUSY BUILDING
IT UP BY POURING ALL OUR EFFORTS
INTO THESE 76 DAYS AND BY VOTING
LIKE NEVER BEFORE FOR JOE AND
KAMALA AND CANDIDATES UP AND
DOWN THE TICKET SO THAT WE LEAVE
NO DOUBT ABOUT WHAT THIS COUNTRY
THAT WE LOVE STANDS FOR.
TODAY AND FOR ALL OUR DAYS TO
COME.
STAY SAFE.
GOD BLESS.
>> RESTRAINED PASSION THERE FROM
BARACK OBAMA CALLING ON A NEW
GENERATION OF AMERICANS TO ECHO
THE ANCESTORS WHO MADE OUR
DEMOCRACY WORK AND DRAWING A
STARK, STARK CONTRAST BETWEEN
JOE BIDEN WHO HE SAYS BELIEVES
EVERYBODY COUNTS AND THE
PRESIDENT OF THE UNITED STATES
WHO'S SHOWN NO INTEREST IN USING
THE AWESOME POWER OF HIS OFFICE
TO HELP ANYONE BUT HIMSELF.
NOW THE NOMINATION OF KAMALA
HARRIS.
>> GROUNDBREAKING IDEAS TO
PROTECT FAMILIES AND KEEP THEM
TOGETHER BY REDUCING RECIDIVISM.
I AM SO THRILLED FOR HER TO
BECOME THE VICE PRESIDENT OF THE
UNITED STATES.
NOW PLEASE WELCOME OUR
CONVENTION CHAIR, CONGRESSMAN --
>> AUTOMATIC DELEGATES WOULD
NOMINATE THE DEMOCRATIC
CANDIDATE FOR VICE PRESIDENT.
IN ACCORDANCE WITH OUR RULES,
VICE PRESIDENT BIDEN HAS
NOMINATED SENATOR KAMALA HARRIS
AS HIS VICE PRESIDENTIAL
CANDIDATE.
OUR RULES FURTHER PROVIDE THAT
IF ONLY ONE CANDIDATE IS
NOMINATED FOR VICE PRESIDENT THE
CHAIR IS AUTHORIZED TO DECLARE
THE NOMINEE THE DEMOCRATIC
CANDIDATE FOR VICE PRESIDENT.
AS SUCH, WITH ONLY ONE
NOMINATION RECEIVED AND PURSUANT
TO OUR RULES, I HEREBY DECLARE
THAT KAMALA HARRIS IS ELECTED AS
THE DEMOCRATIC CANDIDATE FOR
VICE PRESIDENT.
I'M PLEASED TO REPORT THAT VICE
PRESIDENTIAL CANDIDATE KAMALA
HARRIS HAS BEEN INVITED TO
DELIVER AN ACCEPTANCE SPEECH.
>> KAMALA HARRIS IS MY AUNTIE.
>> MY STEPMOM.
>> MY BIG SISTER.
>> WHICH MEANS YOU'LL ALWAYS BE
MY OLDER SISTER.
>> THERE'S SOME THINGS WE'D LIKE
TO SHARE WITH YOU.
TO MY BROTHER AND MANY, YOU'LL
ALWAYS BE MOMALA, THE WORLD'S
GREATEST STEP MOM.
>> YOU'RE MY ROLE MODEL.
WHO TAUGHT ME I CAN DO ANYTHING
I WANTED.
>> MY VERY BEST FRIEND, MY
CONFIDANT, MY PARTNER IN
MISCHIEFJUSTICE.
>> YOU'RE A ROCK, NOT ONLY FOR
MY DAD BUT GENERATIONS OF A
BLENDED FAMILY.
>> YOU MADE SURE I GREW UP
SURROUNDED BY SMART, STRONG,
AMBITIOUS WOMEN EVERY DAY.
>> GROWING UP, HEAVEN HELP THE
POOR KID WHO PICKED ON ME
BECAUSE MY BIG SISTER WOULD BE
THERE IN A FLASH READY TO HAVE
MY BACK.
WELL, NOW, WE'VE GOT YOUR BACK.
AS YOU AND JOE FIGHT TO PROTECT
OUR DEMOCRACY.
>> AND THERE'S NO UNION MORE
PERFECT THAN THE ONE THAT BRINGS
US ALL TO YOUR KITCHEN TABLE
EVERY SUNDAY NIGHT FOR STIR FRY,
FETA CHICKEN OR SPAGHETTI AND
MEATBALL FAMILY DINNERS.
>> NOW THAT I'M A MOM, YOU'RE
SHOWING MY DAUGHTERS AND SO MANY
GIRLS AROUND THE WORLD WHO LOOK
LIKE THEM WHAT'S POSSIBLE AND
WHAT IT'S LIKE TO MOVE THROUGH
THE WORLD AS FIERCE, FORMIDABLE,
PHENOMENAL, WOMEN IN THEIR OWN
UNIQUE WAY.
>> I LOVE YOU.
I ADMIRE YOU.
I AM SO PROUD OF YOU.
AND EVEN THOUGH MOMMY'S NOT HERE
TO SEE HER FIRST DAUGHTER STEP
INTO HISTORY, THE ENTIRE NATION
WILL SEE IN YOUR STRENGTH, YOUR
INTEGRITY, YOUR INTELLIGENCE,
AND YOUR OPTIMISM, THE VALUES
THAT SHE RAISED US WITH.
>> WE LOVE YOU, MOMALA.
>> WE'RE SO PROUD OF YOU,
AUNTIE.
>> YOU MEAN THE WORLD TO US,
KAMALA.
>> WE COULD NOT B MORE
EXCITED --
>> TO SHARE YOU WITH THE WORLD.
>> AS THE NEXT --
>> AS THE NEXT.
>> VICE PRESIDENT.
>> VICE PRESIDENT OF THE UNITED
STATES.
>> JOE BIDEN HAS SELECTED KAMALA
HARRIS AS HIS RUNNING MATE.
>> SHE IS THE FIRST BLACK WOMAN,
FIRST SOUTH-ASIAN WOMAN, TO BE
NAMED ON THE DEMOCRATIC TICKET.
>> THIS IS A HISTORIC PICK.
>> LET'S GO!
>> SOMEONE WHO LOOKS LIKE US ON
A PRESIDENTIAL TICKET.
THAT'S CRAZY.
>> KAMALA HARRIS IS US.
SHE WAS BORN IN OAKLAND.
>> A DAUGHTER OF IMMIGRANTS.
>> THE DAUGHTER OF SHAMLA.
>> BIG SISTER AND PROTECTOR.
>> SHE IS AN HBCU GRAD.
>> SHE IS A WOMAN OF MANY
FIRSTS.
>> SHE'S A HARD WORKER.
A REALLY HARD WORKER.
>> SHE'S BRILLIANT.
SHE'S SMART.
SHE'S TOUGH.
SHE'S GOT A BIG FUTURE.
>> PROBABLY ONE OF THE BEST ROLE
MODELS.
>> KAMALA HARRIS IS, LIKE, A
DREAM TO ME.
>> SENATOR HARRIS CARES ABOUT
PEOPLE.
THERE'S NO DOUBT ABOUT IT.
>> WHEN SHE SAYS FOR THE PEOPLE,
IT IS EVERY OUNCE OF WHO SHE IS.
SHE'S FOR US.
SHE'S FOR US.
>> SHE FIGHTS FOR WOMEN'S
RIGHTS.
SHE FIGHTS TO END MASS
INCARCERATION.
>> SHE IS A FEARLESS ADVOCATE
FOR THE VOICELESS.
>> THE LITMUS TEST FOR AMERICA
IS HOW WE TREAT BLACK WOMEN.
>> I'M TALKING ABOUT SOMEONE WHO
CAN FIGHT FOR BLACK PEOPLE.
BROWN PEOPLE.
UNDOCUMENTED PEOPLE.
LGBT PEOPLE.
DISABLED PEOPLE.
YOUNG PEOPLE.
OLD PEOPLE.
ALL OF AMERICA.
>> IT'S ABOUT ALL OF US KNOWING
OUR POWER, EACH OF US TO LIFT
PEOPLE UP, RIGHT?
AND TO REMIND THEM THAT WE SEE
THEM AND WE HEAR THEM AND THAT
THEY MATTER.
♪
♪
♪
[ CHEERING ]
♪
>> YOU'RE GOING TO BE VICE
PRESIDENT OF THE UNITED STATES?
>> GREETINGS, AMERICA.
IT IS TRULY AN HONOR TO BE
SPEAKING WITH YOU TONIGHT.
THAT I AM HERE TONIGHT IS A
TESTAMENT TO THE DEDICATION OF
GENERATIONS BEFORE ME.
WOMEN AND MEN WHO BELIEVE SO
FIERCELY IN THE PROMISE OF
EQUALITY, LIBERTY, AND JUSTICE
FOR ALL THIS WEEK MARKS THE
100th ANNIVERSARY OF THE PASSAGE
OF THE 19th AMENDMENT AND WE
CELEBRATE THE WOMEN WHO FOUGHT
FOR THAT RIGHT.
YET, SO MANY OF THE BLACK WOMEN
WHO HELPED SECURE THAT VICTORY
WERE STILL PROHIBITED FROM
VOTING LONG AFTER ITS
RATIFICATION, BUT THEY WERE
UNDETERRED.
WITHOUT FANFARE OR RECOGNITION,
THEY ORGANIZED AND TESTIFIED AND
RALLIED AND MARCHED AND FOUGHT
NOT JUST FOR THEIR VOTE BUT FOR
A SEAT AT THE TABLE.
THESE WOMEN AND THE GENERATIONS
THAT FOLLOWED WORKED TO MAKE
DEMOCRACY AND OPPORTUNITY REAL
IN THE LIVES OF ALL OF US WHO
FOLLOWED.
THEY PAVED THE WAY FOR THE TRAIL
BLAZING LEADERSHIP OF BARACK
OBAMA AND HILLARY CLINTON.
AND THESE WOMEN INSPIRED US TO
PICK UP THE TORCH AND FIGHT ON.
WOMEN LIKE MARY CHURCH TERRELL,
MARY CLOYDE BETHUNE, FANNIE LOU
HAMER AND THE GREAT SHIRLEY
CHRISOLM.
WE'RE NOT OFTEN TAUGHT THEIR
STORIES BUT AS AMERICANS WE ALL
STAND ON THEIR SHOULDERS.
AND THERE'S ANOTHER WOMAN WHOSE
NAME ISN'T KNOWN, WHOSE STORY
ISN'T SHARED.
ANOTHER WOMAN WHOSE SHOULDERS I
STAND ON.
AND THAT'S MY MOTHER, SHAMALA
GOPALIN HARRIS.
SHE CAME HERE FROM INDIA AT AGE
19 TO PURSUE HER DREAM OF CURING
CANCER.
AT THE UNIVERSITY OF CALIFORNIA
BERKELEY, SHE MET MY FATHER,
DONALD HARRIS, WHO HAD COME FROM
JAMAICA TO STUDY ECONOMICS.
THEY FELL IN LOVE IN THAT MOST
AMERICAN WAY WHILE MARCHING
TOGETHER FOR JUSTICE IN THE
CIVIL RIGHTS MOO
S MOVEMEN
1960s.
IN THE STREETS OF OAKLAND AND
BERKELEY, I GOT A STROLLER'S-EYE
VIEW OF PEOPLE GETTING INTO WHAT
THE GREAT JOHN LEWIS CALLED GOOD
TROUBLE.
WHEN I WAS 5, MY PARENTS SPLIT
AND MY MOTHER RAISED US MOSTLY
ON HER OWN.
LIKE SO MANY MOTHERS, SHE WORKED
AROUND THE CLOCK TO MAKE IT
WORK.
PACKING LUNCHES BEFORE WE WOKE
UP.
AND PAYING BILLS AFTER WE WENT
TO BED.
HELPING US WITH HOMEWORK AT THE
KITCHEN TABLE AND SHUTTLING US
TO CHURCH FOR CHOIR PRACTICE.
SHE MADE IT LOOK EASY, THOUGH IT
NEVER WAS.
MY MOTHER INSTILLED IN MY
SISTER, MAYA, AND ME, THE VALUES
THAT WOULD CHART THE COURSE OF
OUR LIVES.
SHE RAISED US TO BE PROUD,
STRONG, BLACK WOMEN AND SHE
RAISED US TO KNOW AND BE PROUD
OF OUR INDIAN HERITAGE.
SHE TAUGHT US TO PUT FAMILY
FIRST.
THE FAMILY YOU'RE BORN INTO AND
THE FAMILY YOU CHOOSE.
FAMILY IS MY HUSBAND, DOUG, WHO
I MET ON A BLIND DATE SET UP BY
MY BEST FRIEND.
FAMILY IS OUR BEAUTIFUL
CHILDREN, COLE AND ELLA, WHO
CALL ME MOMALA.
FAMILY IS MY SISTER.
FAMILY IS MY BEST FRIEND.
MY NIECES AND MY GODCHILDREN.
FAMILY IS MY UNCLES, MY AUNTS.
FAMILY IS MRS. SHELTON, MY
SECOND MOTHER WHO LIVED TWO
DOORS DOWN AND HELPED RAISE ME.
FAMILY IS MY BELOVED ALPHA KAPPA
ALPHA, OUR DIVINE NINE, AND MY
HBCU BROTHERS AND SISTERS.
FAMILY IS THE FRIENDS I TURN TO
WHEN MY MOTHER, THE MOST
IMPORTANT PERSON IN MY LIFE,
PASSED AWAY FROM CANCER.
AND EVEN AS SHE TAUGHT US TO
KEEP OUR FAMILY AT THE CENTER OF
OUR WORLD, SHE ALSO PUSHED US TO
SEE A WORLD BEYOND OURSELVES.
SHE TAUGHT US TO BE CONSCIOUS
AND COMPASSIONATE ABOUT THE
STRUGGLES OF ALL PEOPLE.
TO BELIEVE PUBLIC SERVICE IS A
NOBLE CAUSE AND THE FIGHT FOR
JUSTICE IS A SHARED
RESPONSIBILITY.
THAT LED ME TO BECOME A LAWYER.
A DISTRICT ATTORNEY.
ATTORNEY GENERAL.
AND A UNITED STATES SENATOR.
AND AT EVERY STEP OF THE WAY,
I'VE BEEN GUIDED BY THE WORDS I
SPOKE FROM THE FIRST TIME I
STOOD IN A COURTROOM.
"KAMALA HARRIS FOR THE PEOPLE."
I'VE FOUGHT FOR CHILDREN AND
SURVIVORS OF SEXUAL ASSAULT.
I FOUGHT AGAINST TRANSNATIONAL
CRIMINAL ORGANIZATIONS.
I TOOK ON THE BIGGEST BANKS AND
HELPED TAKE DOWN ONE OF THE
BIGGEST FOR-PROFIT COLLEGES.
I KNOW A PREDATOR WHEN I SEE
ONE.
MY MOTHER TAUGHT ME THAT SERVICE
TO OTHERS GIVES LIFE PURPOSE AND
MEANING.
AND, OH, HOW I WISH SHE WERE
HERE TONIGHT, BUT I KNOW SHE'S
LOOKING DOWN ON ME FROM ABOVE.
I KEEP THINKING ABOUT THAT
25-YEAR-OLD INDIAN WOMAN, ALL OF
5 FEET TALL, WHO GAVE BIRTH TO
ME AT KAISER HOSPITAL IN
OAKLAND, CALIFORNIA.
ON THAT DAY SHE PROBABLY COULD
HAVE NEVER IMAGINED THAT I WOULD
BE STANDING BEFORE YOU NOW AND
SPEAKING THESE WORDS.
I ACCEPT YOUR NOMINATION FOR
VICE PRESIDENT OF THE UNITED
STATES OF AMERICA.
I DO SO COMMITTED TO THE VALUES
SHE TAUGHT ME.
TO THE WORD THAT TEACHES ME TO
WALK BY FAITH AND NOT BY SIGHT.
AND TO A VISION PASSED ON
THROUGH GENERATIONS OF AMER
S
AMERICANS, ONE THAT JOE BIDEN
SHARES.
A VISION OF OUR NATION AS A
BELOVED COMMUNITY.
WHERE ALL ARE WELCOME NO MATTER
WHAT WE LOOK LIKE, NO MATTER
WHERE WE COME FROM OR WHO WE
LOVE.
A COUNTRY WHERE WE MAY NOT AGREE
ON EVERY DETAIL, BUT WE ARE
UNITED BY THE FUNDAMENTAL BELIEF
THAT EVERY HUMAN BEING IS OF
INFINITE WORTH, DESERVING OF
COMPASSION, DIGNITY, AND
RESPECT.
A COUNTRY WHERE WE LOOK OUT FOR
ONE ANOTHER.
WHERE WE RISE AND FALL AS ONE.
WHERE WE FACE OUR CHALLENGES AND
CELEBRATE OUR TRIUMPHS TOGETHER.
TODAY, THAT COUNTRY FEELS
DISTANT.
DONALD TRUMP'S FAILURE OF
LEADERSHIP HAS COST LIVES AND
LIVELI
LIVELIHOODS.
IF YOU'RE A PARENT STRUGGLING
WITH YOUR CHILD'S REMOTE
LEARNING, OR YOU'RE A TEACHER
STRUGGLING ON THE OTHER SIDE OF
THAT SCREEN, YOU KNOW WHAT WE'RE
DOING RIGHT NOW IS NOT WORKING.
AND WE ARE A NATION THAT IS
GRIEVING.
GRIEVING THE LOSS OF LIFE.
THE LOSS OF JOBS.
THE LOSS OF OPPORTUNITIES.
THE LOSS OF NORMALCY.
AND, YES, THE LOSS OF CERTAINTY.
AND WHILE THIS VIRUS TOUCHES US
ALL, WE GOT TO BE HONEST, IT IS
NOT AN EQUAL-OPPORTUNITY
OFFENDER.
BLACK, LATINO, AND INDIGENOUS
PEOPLE ARE SUFFERING AND DYING
DISPROPO
DISPROPORTIONATELY.
AND THIS IS NOT A COINCIDENCE.
IT IS THE EFFECT OF STRUCTURAL
RACISM.
OF INEQUITIES AND EDUCATION AND
TECHNOLOGY, HEALTH CARE AND
HOUSING, JOB SECURITY, AND
TRANSPORTATION.
THE INJUSTICE IN REPRODUCTIVE
AND MATERNAL HEALTH CARE.
IN THE EXCESSIVE USE OF FORCE BY
POLICE.
AND IN OUR BROADER CRIMINAL
JUSTICE SYSTEM.
THIS VIRUS, IT HAS NO EYES.
AND YET, IT KNOWS EXACTLY HOW WE
SEE EACH OTHER AND HOW WE TREAT
EACH OTHER.
AND LET'S BE CLEAR.
THERE IS NO VACCINE FOR RACISM.
WE HAVE GOT TO DO THE WORK.
FOR GEORGE FLOYD, FOR BREONNA
TAYLOR, FOR THE LIVES OF TOO
MANY OTHERS TO NAME, FOR OUR
CHILDREN AND FOR ALL OF US.
WE'VE GOT TO DO THE WORK TO
FULFILL THAT PROMISE OF EQUAL
JUSTICE UNDER LAW BECAUSE HERE'S
THE THING, NONE OF US ARE FREE
UNTIL ALL OF US ARE FREE.
SO WE'RE AT AN INFLECTION POINT.
THE CONSTANT CHAOS LEAVES US
ADRIFT.
THE INCOMPETENCE MAKES US FEEL
AFRAID.
THE CALLOUSNESS MAKES US FEEL
ALONE.
IT'S A LOT.
AND HERE'S THE THING.
WE CAN DO BETTER AND DESERVE SO
MUCH MORE.
WE MUST ELECT A PRESIDENT WHO
WILL BRING SOMETHING DIFFERENT,
SOMETHING BETTER, AND DO THE
IMPORTANT WORK.
A PRESIDENT WHO WILL BRING ALL
OF US TOGETHER.
BLACK, WHITE, LATINO, ASIAN,
INDIGENOUS.
TO ACHIEVE THE FUTURE, WE
COLLECTIVELY WANT.
WE MUST ELECT JOE BIDEN, AND I
WILL TELL YOU, I KNEW JOE AS
VICE PRESIDENT.
I KNEW JOE ON THE CAMPAIGN
TRAIL.
AND I FIRST GOT TO KNOW JOE AS
THE FATHER OF MY FRIEND.
SO JOE'S SON, BEAU, SERVED AS
ATTORNEYS GENERAL OF OUR STATES,
DELAWARE AND CALIFORNIA.
DURING THE GREAT RECESSION, HE
AND I SPOKE ON THE PHONE NEARLY
EVERY DAY.
WORKING TOGETHER TO WIN BACK
BILLIONS OF DOLLARS FOR
HOMEOWNERS FROM THE BIG BANKS
THAT FORE CLOSED ON PEOPLE'S
HOMES AND BEAU AND I, WE WOULD
TALK ABOUT HIS FAMILY, HOW AS A
SINGLE FATHER JOE WOULD SPEND
FOUR HOURS EVERY DAY RIDING THE
TRAIN BACK AND FORTH FROM
WILMINGTON TO WASHINGTON.
BEAU AND HUNTER GOT TO HAVE
BREAKFAST EVERY MORNING WITH
THEIR DAD.
THEY WENT TO SLEEP EVERY NIGHT
WITH THE SOUND OF HIS VOICE
READING BEDTIME STORIES.
WHILE THEY ENDURED AN
UNSPEAKABLE LOSS, THOSE TWO
LITTLE BOYS ALWAYS KNEW THAT
THEY WERE DEEPLY,
UNCONDITIONALLY, LOVED.
AND WHAT ALSO MOVED ME ABOUT JOE
IS THE WORK THAT HE DID AS HE
WAS GOING BACK AND FORTH.
THIS IS THE LEADER WHO WROTE THE
VIOLENCE AGAINST WOMEN ACT AND
ENACTED THE ASSAULT WEAPONS BAN,
WHO AS VICE PRESIDENT
IMPLEMENTED THE RECOVERY ACT,
WHICH BROUGHT OUR COUNTRY BACK
FROM THE GREAT RECESSIONS.
HE CHAMPIONED THE AFFORDABLE
CARE ACT, PROTECTING MILLIONS OF
AMERICANS WITH PRE-EXISTING
CONDITIONS.
WHO SPENT DECADES PROMOTING
AMERICAN VALUES AND INTERESTS
AROUND THE WORLD.
JOE, HE BELIEVES WE STAND WITH
OUR ALLIES AND STAND UP TO OUR
ADVERSARIES.
RIGHT NOW, WE HAVE A PRESIDENT
WHO TURNS OUR TRAGEDIES INTO
POLITICAL WEAPONS.
JOE WILL BE A PRESIDENT WHO
TURNS OUR CHALLENGES INTO
PURPOSE.
JOE WILL BRING US TOGETHER TO
BUILD AN ECONOMY THAT DOESN'T
LEAVE ANYONE BEHIND.
WHERE A GOOD-PAYING JOB IS THE
FLOOR, NOT THE CEILING.
JOE WILL BRING US TOGETHER TO
END THIS PANDEMIC AND MAKE SURE
THAT WE ARE PREPARED FOR THE
NEXT ONE.
JOE WILL BRING US TOGETHER TO
SQUARELY FACE AND DISMANTLE
RACIAL INJUSTICE, FURTHERING THE
WORK OF GENERATIONS.
JOE AND I BELIEVE THAT WE CAN
BUILD THAT BELOVED COMMUNITY.
ONE THAT IS STRONG AND DECENT.
JUST AND KIND.
ONE IN WHICH WE CAN ALL SEE
OURSELVES.
THAT'S THE VISION THAT OUR
PARENTS AND GRANDPARENTS FOUGHT
FOR.
THE VISION THAT MADE MY OWN LIFE
POSSIBLE.
THE VISION THAT MAKES THE
AMERICAN PROMISE, FOR ALL ITS
COMPLEXITIES AND IMPERFECTIONS,
A PROMISE WORTH FIGHTING FOR.
SO MAKE NO MISTAKE, THE ROAD
AHEAD IS NOT EASY.
WE MAY STUMBLE.
WE MAY FALL SHORT.
BUT I PLEDGE TO YOU THAT WE WILL
ACT BOLDLY AND DEAL WITH OUR
CHALLENGES HONESTLY.
WE WILL SPEAK TRUTHS AND WE WILL
ACT WITH THE SAME FAITH IN YOU
THAT WE ASK YOU TO PLACE IN US.
WE BELIEVE THAT OUR COUNTRY, ALL
OF US, WILL STAND TOGETHER FOR A
BETTER FUTURE.
AND WE ALREADY ARE.
WE SEE IT IN THE DOCTORS, THE
NURSES, THE HOME HEALTH CARE
WORKERS, AND FRONT LINE WORKERS,
WHO ARE RISKING THEIR LIVES TO
SAVE PEOPLE THEY'VE NEVER MET.
WE SEE IT IN THE TEACHERS AND
TRUCK DRIVERS, THE FACTORY
WORKERS AND FARMERS, THE POSTAL
WORKERS AND POLL WORKERS.
ALL PUTTING THEIR OWN SAFETY ON
THE LINE TO HELP US GET THROUGH
THIS PANDEMIC.
AND WE SEE IT IN SO MANY OF YOU
US THROUGH OUR CURRENT CRISIS
BUT TO SOMEWHERE BETTER.
THERE'S SOMETHING HAPPENING ALL
ACROSS OUR COUNTRY.
IT'S NOT ABOUT JOE OR ME.
IT'S ABOUT YOU.
AND IT'S ABOUT US.
PEOPLE OF ALL AGES AND COLORS
AND CREEDS WHO ARE, YES, TAKING
TO THE STREETS AND ALSO
PERSUADING OUR FAMILY MEMBERS,
RALLYING OUR FRIENDS, ORGANIZING
OUR NEIGHBORS, AND GETTING OUT
THE VOTE.
AND WE HAVE SHOWN THAT WHEN WE
VOTE, WE EXPAND ACCESS TO HEALTH
CARE AND EXPAND ACCESS TO THE
BALLOT BOX AND ENSURE THAT MORE
WORKING FAMILIES CAN MAKE A
DECENT LIVING.
AND I'M SO INSPIRED BY A NEW
GENERATION.
YOU, YOU ARE PUSHING US TO
REALIZE THE IDEALS OF OURUAT
NATION.
PUSHING US TO LIVE THE VALUES WE
SHARE.
DECENCY AND FAIRNESS, JUSTICE,
AND LOVE.
YOU ARE PATRIOTS WHO REMIND US
THAT TO LOVE OUR COUNTRY IS TO
FIGHT FOR THE IDEALS OF OUR
COUNTRY.
IN THIS ELECTION WE HAVE A
CHANCE TO CHANGE THE COURSE OF
HISTORY.
WE'RE ALL IN THIS FIGHT.
YOU, ME, AND JOE.
TOGETHER.
WHAT AN AWESOME RESPONSIBILITY.
WHAT AN AWESOME PRIVILEGE.
SO, LET'S FIGHT WITH CONVICTION.
LET'S FIGHT WITH HOPE.
LET'S FIGHT WITH CONFIDENCE IN
OURSELVES AND A COMMITMENT TO
EACH OTHER.
TO THE AMERICA WE KNOW IS
POSSIBLE.
THE AMERICA WE LOVE.
AND YEARS FROM NOW, THIS MOMENT
WILL HAVE PASSED AND OUR
CHILDREN AND OUR GRANDCHILDREN
WILL LOOK IN OUR EYES AND
THEY'RE GOING TO ASK US, WHERE
WERE YOU WHEN THE STAKES WERE SO
HIGH?
THEY WILL ASK US, WHAT WAS IT
LIKE?
AND WE WILL TELL THEM, WE WILL
TELL THEM NOT JUST HOW WE FELT,
WE WILL TELL THEM WHAT WE DID.
THANK YOU.
GOD BLESS YOU.
AND GOD BLESS THE UNITED STATES
OF AMERICA.
>> KAMALA HARRIS, THE PAGEANTRY
MAY BE MISSING BUT MAKE NO
MISTAKE THAT WAS A MOMENT OF
HISTORY RIGHT THERE.
THE FIRST WOMAN OF COLOR TO
ACCEPT THE NOMINATION FOR
PRESIDENT OR VICE PRESIDENT ON A
NATIONAL TICKET.
SHE SPOKE PERSONALLY.
THERE'S SOME APPLAUSE RIGHT
THERE.
ABOUT HER FOUR WOMEN IN THE
CIVIL RIGHTS MOVEMENT.
FANNIE LOU HAMER.
SHIRLEY CHISOLM.
ABOUT HER MOM FROM INDIA.
SHE SPOKE PLAINLY, QUOTE, I KNOW
A PREDATOR WHEN THERE IS ONE, NO
VACCINE FOR RACISM.
TALKED ABOUT STRUCTURAL RACISM.
WE NEVER HEARD THAT BEFORE.
INEQUITIES HITTING MINORITY
COMMUNITIES ALL ACROSS THE
COUNTRY DURING THIS COVID
CRISIS.
SHE'S ALL SMILES NOW AS SHE
PREPARES TO MEET HER FAMILY.
♪ THEY'LL NEVER BE HAPPY BECAUSE
THEY'RE NOT HAPPY WITH
THEMSELVES ♪
HER RUNNING MATE JOE BIDEN RIGHT
THERE, SOCIALLY DISTANCED HUG.
DAVID MUIR, IT REALLY -- YOU GET
THE FEELING HERE AFTER SEEING
THE SPEECH, THIS KIND OF, AGAIN,
HOW DIFFERENT EVERYTHING IS THIS
YEAR.
>> EVEN WITH THE SMILES AND THE
TRACK THAT THEY'RE PLAYING NOW
WITH THE APPLAUSE, YOU DO FEEL
THE HEAVINESS OF THIS MOMENT IN
AMERICA.
THIS PANDEMIC WE'RE LIVING
THROUGH.
170,000 AMERICAN LIVES.
FAMILY'S NOW COMING OUT.
>> A BLIND DATE SET UP BY HER
BEST FRIEND.
OF COURSE, DR. JILL BIDEN WHO
AMERICA SAW LAST NIGHT AS WELL.
HE'S AN ENTERTAINMENT LAWYER IN
LOS ANGELES, BUSINESS LAWYER.
HE'S NOW TAKING A LEAVE FROM HIS
LAW FIRM TO AVOID ANY CONFLICTS
OF INTEREST.
DR. JILL BIDEN WE SAID LAST
NIGHT DID KEEP HER JOB WHILE JOE
BIDEN WAS VICE PRESIDENT AS AN
EDUCATOR.
AND, OF COURSE, THIS IS ALL
SETTING THE STAGE NOW FOR JOE
BIDEN'S BIG SPEECH TOMORROW
NIGHT WHERE HE WILL ACCEPT
DEMOCRATIC NOMINATION FOR
PRESIDENT OF THE UNITED STATES.
WE'RE GOING TO RETURN NOW TO OUR
REGULAR PROGRAMMING.
FOR MANY OF YOU GUYS, LATE LOCAL
NEWS.
AND "NIGHTLINE" WILL COME UP
LATER.
I'LL SEE YOU ALL TOMORROW
MORNING ON "GMA."
♪
"ABC NEWS LIVE."
>> STREAMING EVERYWHERE RIGHT TO
YOU.
>> "ABC NEWS LIVE."
>>> WE ARE JOINED NOW BY CHRIS
CHRISTIE, FORMER GOVERNOR OF NEW
JERSEY, RAHM EMANUEL, FORMER
MAYOR OF CHICAGO.
ABC NEWS CONTRIBUTOE EOR YVETTE
SIMP
SIMPSON.
TONIGHT WAS HISTORIC.
KAMALA HARRIS, ON A MAJOR PARTY
TICKET.
SHE JUST FINISHED UP WITH HER
SPEECH.
TALK TO US ABOUT FIRST OF ALL
YOUR IMPRESSIONS AND ALSO THE
MAGNITUDE OF THIS MOMENT.
>> I WANT TO START WITH THE
MAGNITUDE.
IS A BIG, BIG MOMENT.
I THINK AS A BLACK WOMAN LEADER
I HAVE TO SAY WE CAN'T
UNDERESTIMATE THE MAGNITUDE OF
THE MOMENT AND I THINK SHE DID
WHAT SHE NEEDED TO DO TODAY.
ONE OF THE THINGS THAT I
PREDICTED THAT SHE WOULD DO THAT
SHE DID WAS TO BRING EVERYBODY
IN THE ROOM.
I MEAN, SHE REALLY DID TALK
ABOUT BLACK AND BROWN PEOPLE IN
A WAY WE HAVE NOT SEEN THIS
CONVENTION DO.
SHE TALKED ABOUT HB KRU
CUs.
DIVINE NINE.
TALKED ABOUT HER STOIP.
STORY.
THE FACT WE MUST DO THE WORK.
TALKED ABOUT THE FACT SHE'S PART
OF THE FUTURE AND THEY'RE
BUILDING SOMETHING.
THAT'S SOMETHING WE'VE BEEN
WAITING FOR.
SHE GOT THAT DIG IN ON DONALD
TRUMP SAYING I KNOW A PREDATOR
WHEN I SEE ONE.
PROBABLY ONE OF THE MOST POINTED
I THINK CRITICISMS OF DONALD
TRUMP WE'VE SEEN TO DATE.
AND SO IF YOU THINK ABOUT THE
THREE THINGS THAT WE EXPECTED
HER TO DO, INTRODUCE HERSELF TO
AMERICA, MOMALA, MAKE SURE THAT
SHE TALKS ABOUT THE VISION FOR
THE FUTURE.
SHE DID THAT.
AND ALSO BRING IT TO TRUMP, I
THINK SHE DID IT ALL REALLY WELL
AND HAD A SMILE ON HER FACE.
SHE LOOKED EXCITED.
SHE LOOKED COMFORTABLE.
I THINK KAMALA HARRIS IS AT HER
BEST WHEN SHE'S JUST HERSELF AND
COMFORTABLE.
>> GOVERNOR CHRISTIE, YOUR
THOUGHTS.
>> I ACTUALLY WAS KIND OF
DISAPPOINTED.
I THOUGHT IT WAS KIND OF FLAT.
I THINK SHE WAS TRYING TOO HARD.
I THINK THERE'S A LOT OF FAKE
SMILES IN THERE AND A LOT OF,
YOU KNOW, PRACTICED HAND
GESTURES AND I THNK IINK IT'S RY
HARD TO FOLLOW SOMEBODY AS
COMPELLING AS BARACK OBAMA.
I THINK THEY SHOULD HAVE LEFT IT
THE WAY IT WAS.
BARACK OBAMA SHOULD HAVE LEFT
HIS NOSE OUT OF IT, LET HER GO
FIRST AND OBAMA GO LAST.
I THOUGHT OBAMA WAS COMPELLING
AND THOUGHT HARRIS WAS OKAY AND
IT SHOULDN'T BE THAT WAY.
IT SHOULD BE THE OTHER WAY
AROUND.
LET HER GO AND LET THE NIGHT
FINISH WITH THE PRESIDENT
BECAUSE OF WHO HE IS.
I'LL SAY ONE THING ABOUT HIS
SPEECH, WHICH I THINK WAS REALLY
TOP NOTCH.
BUT EVERY GREAT POLITICIAN HAS
ONE BLIND SPOT, AT LEAST.
SOMETIMES MORE THAN ONE.
HE HAS A LINE IN THERE, HE SAID,
"THEY KNOW THEY CAN'T WIN YOU
WITH YOUR POLICIES SO THEY'RE
GOING TO TRY TO MAKE SURE YOU
DON'T VOTE."
THAT MEANS HE STILL
MISUNDERSTANDS WHAT HAPPENED IN
2016.
HE STILL MISUNDERSTANDS IT.
HE STILL BELIEVES THAT SOMEHOW
THE AMERICA LOST ITS MIND AND
VOTED FOR DONALD TRUMP.
WHAT THEY SAID WAS, WE DON'T
LIKE WHAT HILLARY CLINTON'S
SELLING.
WE DON'T NECESSARILY LOVE
EVERYTHING YOU'VE DONE THE LAST
EIGHT YEARS, MR. PRESIDENT.
AND WE'RE GOING TO VOTE FOR
ANOTHER DIRECTION.
AND SO WHILE I GIVE OBAMA AN "A"
FOR WHAT HE DID, HE'S STILL GOT
THE ONE BLIND SPOT AND IT'S THE
DEMOCRATS' BLIND SPOT AND WHY
THE PRESIDENT NEXT WEEK SHOULD
EXPLOIT THAT BLIND SPOT AND GET
TO THE ISSUES OF THIS RACE AND
STOP WITH THE PERSONA STUFF.
IT'S NOT WORKING FOR HIM.
IT'S NOT GOING TO WORK FOR HIM.
AND I THINK OBAMA SHOWED HIM
THAT OPENING TONIGHT IF HE WAS
PAYING ATTENTION.
>> YOU SAID IT DEPENDS ON WHICH
KAMALA HARRIS SHOWS UP.
WHICH ONE SHOWED UP?
>> I THINK THE ONE THAT SHOWED
UP IS THE MODERATE KAMALA
HARRIS.
SHE WASN'T TALKING ABOUT
DECRIMINALIZING THE BORDER.
SHE WASN'T TALKING ABOUT
MEDICARE FOR ALL.
SHE WASN'T TALKING ABOUT A GREEN
NEW DEAL WHICH SHE CO-AUTHORED.
SHE REALLY FOCUSED MOSTLY ON
HERSELF AND HER STORY WHICH IS
APPROPRIATE IN THIS SPEECH.
AND THEN SHE DID TAKE IT TO
DONALD TRUMP I THOUGHT PRETTY
HARD.
I AGREE WITH YVETTE, THAT WAS A
VERY HARD LINE.
>> RAHM, WHAT DOES KAMALA BRING
TO THE TICKET THAT BIDEN DOESN'T
HAVE ON HIS OWN?
>> WELL, I THINK THAT PACKAGE,
YOU GOT TO LOOK AT THEM TOGETHER
AND I THINK SHE HAS AN ENERGY, A
VIVACIOUSNESS AND JUST A LUST OF
LIFE THAT IS THERE.
I DO WANT TO, THOUGH, RETURN TO
ONE THING ABOUT OBAMA'S SPEECH.
WHEN YOU LOOK AT THE TWO
DIFFERENT SETTINGS.
ONE WAS STARK.
THE OTHER ONE HAS RICH HISTORY
AND EMOTION TO IT.
THERE'S A CRITICAL MOMENT IN
HEALTH CARE, THIS IS WHAT
REMINDED ME, WE'RE OVER IN THE
CABINET ROOM, THE DEMOCRATS,
HOUSE AND SENATE, WERE IN A
TOUGH, TOUGH MOMENT, NEGOTIATING
THE RACE IN MASSACHUSETTS,
HAPPENED TO REPLACE TED KENNEDY.
PRESIDENT AND I GO BACK INTO THE
OVAL, SAYS, GIVE ME THE BALL.
WE GOT THREE SECONDS.
GIVE ME THE BALL.
AND HE BROUGHT HIS THREE SHOT TO
THIS.
I THOUGHT IT WAS -- I'VE SEEN A
LOT OF HIS SPEECHES.
ONE OF THE BEST HE HAS GIVEN.
IT WAS CONTROLLED.
IT WAS CONCISE.
LAID OUT THE CONSEQUENCES OF
THIS ELECTION.
WHAT THE MEANING OF OUR HISTORY
IS AND ALL OF US IN THE PROCESS.
I THINK HE MADE A VERY
COMPELLING CASE.
WHY DONALD TRUMP HAS FAILED ALL
OF US AND WE HAVE A
RESPONSIBILITY, NOT JUST TO
BLAME HIM, BUT OUR
RESPONSIBILITY TO ACT AND THAT'S
VOTING AND AFTER THAT.
I THINK SHE DID A GREAT JOB FOR
THE TICKET.
I DON'T WANT TO QUIBBLE HERE.
SHE WAS LEFT WITH TRYING TO
EXPLAIN HER HISTORY.
SHOULD HAVE BEEN ABOUT IN THE
MOVIE.
OTHER PIECES SHOULD HAVE BEEN
THERE IN THAT.
I THINK SHE DID A GREAT JOB FOR
THE TICKET AND INTRODUCED AS I
THINK SARAH SAID, THE AGENDA
THAT SHE AND JOE AS A PACKAGE
WILL PURSUE.
>> DID SHE ENERGIZE THE BASE?
>> WELL, THERE'S NO DOUBT THE
BASE -- AS I SAID EARLIER, I
THINK SHE BRINGS FIVE THINGS,
NOT ONE THING.
THIS IS WHY THIS IS A GREAT
TICKET.
SHE MAKES HISTORY.
SHE EXCITES THE BASE.
THAT'S VERY CLEAR.
YOU CAN SEE IT BY THE FU
FUND-RAISING AS ONE MEASURE OF
THAT.
REASSURING MODERATE STRING
VOTERS ESPECIALLY IN THE SUBURBS
AND OTHER WOMEN, SHE RILES UP
TRUMP AND SHE DRAWS TRUMP'S FIRE
AWAY FROM BIDEN.
REMEMBER, WHAT HAS HAPPENED,
BIDEN'S ATTACKING OBAMA, HE'S
ATTACKING KAMALA HARRIS.
I MEAN, TRUMP IS.
AS LONG AS HE LEAVES BIDEN WITH
VERY LITTLE NEGATIVES, UNLIKE
WHAT HILLARY HAD, BIDEN HAS A
REALLY GOOD CHANCE.
YOU KNOW IT.
EVERYBODY KNOWS THAT IF YOU GET
VERY LOW NEGATIVES WHICH IS --
HE'S -- DONALD TRUMP IS
ATTACKING EVERYBODY BUT THE ONE
PERSON HE'S RUNNING AGAINST SO
SHE'S ALREADY SERVING THE
POLITICAL STRATEGIC PURPOSE OF
DRAWING AND CONFUSING DONALD
TRUMP WITH WHO HE'S RUNNING
AGAINST.
>> SHE MISSED AN OPPORTUNITY,
THOUGH, AS WELL.
SHE HAS A BACKGROUND AS A
PROSECUTOR.
YOU KNOW, THIS IS SOMETHING THAT
APPEALS TO MOST AMERICANS.
SOMEBODY WHO IS -- CAN BE TOUGH
ON CRIME WHEN IT'S NECESSARY.
IT'S SOMETHING SHE'S CHAMPIONED
FOR A BIG PART OF HER CAREER.
SHE DIDN'T SAY IT TONIGHT
BECAUSE IT'S NOT POPULAR.
THE DEMOCRATIC FACE.
I DO THINK, YOU KNOW, WE
CRITICIZE TRUMP FOR BEING
DIVISIVE.
SEE IT ALL THE TIME EVERYWHERE.
PEOPLE CRITICIZE DONALD TRUMP
FOR BEING DIVISIVE.
SHE HAD AN OPPORTUNITY TONIGHT
TO TALK ABOUT RACISM AND LAW
ENFORCEMENT AND BRINGING
AMERICANS TOGETHER.
THESE
EXCLUSIVE.
WE CAN FIGHT RACISM, POLICE
REFORMS BUT COPS AREN'T BAD
PEOPLE.
YOU KNOW, WE HAVEN'T SEEN A LOT
OF -- WE HAVEN'T SEEN ANYTHING
IN THIS DEMOCRATIC CONVENTION
ABOUT POLICE OFFICER AND LAW
ENFORCEMENT.
>> THE ONE THING I WAS -- I GOT
TO KNOW JOE BIDEN WHEN I WAS
WORKING FOR PRESIDENT CLINTON
WHEN HE WAS DOING THE VIOLENCE
AGAINST WOMEN ACT.
WE WORKED ON THAT TOGETHER
JOINTLY.
CAME OUT WHEN WE OPENED UP IN
CHICAGO FIRST NEW DOMESTIC
VIOLENCE SHELTER.
I WAS SURPRISED GIVEN HOW MANY
WOMEN WERE SPEAKING TODAY THAT
HIS WORK ON THE VIOLENCE AGAINST
WOMEN'S ACT WAS REALLY NOT
CENTRAL TO THEIR VALIDATION OF
HIS CANDIDACY GIVEN ALL THE
WOMEN.
I THINK IT WAS A MISSED
OPPORTUNITY.
IT WAS SO ESSENTIAL TO HIS
RECORD.
>> THAT SHOWS DIVISION IN THE
PARTY.
>> NO.
>> THE PARTY --
>> I DON'T BUY THAT.
>> THERE'S A LARGE SWATHS OF
THIS PARTY THAT ARE NOW ANTI-LAW
ENFORCEMENT AND IT IS VOGUE
RIGHT NOW.
IN LARGE PARTS OF THE DEMOCRATIC
PARTY TO BE ANTI-LAW
ENFORCEMENT.
THEY BETTER BE CAREFUL ABOUT
THAT BECAUSE IF THAT'S THE
DIRECTION THEY GO IN, A LOT OF
THOSE INDEPENDENT VOTERS WE'VE
BEEN TALKING ABOUT TONIGHT, THEY
BELIEVE IN POLICE REFORMS LIKE
WE DID IN CAMDEN WHEN I WAS
GOVERNOR, RAHM DID WHEN HE WAS
MAYOR.
THEY STILL SUPPORT THE MEN AND
WOMEN IN UNIFORM IN THE MAIN AND
IF THEY GET THEMSELVES OUT ON
THAT TRACK, IT'S GOING TO GIVE
TRUMP ANOTHER OPENING.
>> I DISAGREE WITH ALL OF THAT.
I MEAN, WE HAVE TO THINK ABOUT
WHERE WE ARE IN COUNTRY TODAY.
BIGGEST MULTIRACIAL GLOBAL
MOVEMENT AROUND THE MURDER OF
GEORGE FLOYD.
MOMS, SUBURBAN PEOPLE, WHITE
PEOPLE, BLACK PEOPLE, ALL OVER
THE WORLD.
WE'RE ALL TALKING ABOUT RACISM.
HER STATEMENT WHERE SHE SAYS,
"THERE IS NO VACCINE FOR RACISM,
WE GOT TO DO THE WORK," WAS UP
OF THE MOST UNIFYING STATEMENTS
IN A TIME LIKE TODAY.
SHE DOESN'T HAVE TO MENTION
POLICE OFFICERS.
SHE HAS TO MENTION GEORGE FLOYD
AND BREONNA TAYLOR WHICH I
BELIEVE MOST AMERICANS AGREE
SHOULD NOT HAVE BEEN MURDERED BY
THE POLICE THE WAY THAT THEY
WERE.
>> ALL AMERICANS --
>> SHE HAS -- JOE BIDEN'S RECORD
OF VIOLENCE AGAINST WOMEN ACT.
>> ALL NIGHT, UNFORTUNATELY,
WE'RE OUT OF TIME.
>> WE'RE STAYING.
>> THANK YOU SO MUCH.
THANK YOU FOR JOINING US.
WE'LL SEE YOU RIGHT BACK HERE
TOMORROW NIGHT STARTING AT 7:00
P.M. FOR COVERAGE OF THE FINAL
NIGHT OF THE DIGITAL DNC
CONVENTION.
GOOD NIGHT.
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The presidency of Thomas Jefferson began on
March 4, 1801, when he was inaugurated as
the third President of the United States,
and ended on March 4, 1809.
Jefferson assumed the office after defeating
incumbent President John Adams in the 1800
presidential election.
The election was a realigning election in
which the Democratic-Republican Party swept
the Federalist Party out of power, ushering
in a generation of Democratic-Republican dominance
in American politics.
After serving two terms, Jefferson was succeeded
by Secretary of State James Madison, also
of the Democratic-Republican Party.
Jefferson took office determined to roll back
the Federalist program of the 1790s.
His administration reduced taxes, government
spending, and the national debt, and repealed
the Alien and Sedition Acts.
In foreign affairs, the major developments
were the acquisition of the gigantic Louisiana
Purchase from France in 1803, an embargo against
trade with both Great Britain and France,
and worsening relations with Britain as the
United States tried to remain neutral in the
midst of the Napoleonic Wars that engulfed
Europe.
He established a military academy, used the
Navy to protect merchant ships from Barbary
pirates in North Africa, and developed a plan
to protect U.S. ports from foreign invasion
by the use of small gunboats (a plan that
proved useless when war came in 1812).
He also authorized the Lewis and Clark expedition
to explore the Louisiana Territory and the
Pacific Northwest.
During his second term, Jefferson's attention
was focused on the trial of then former Vice
President Burr for treason, which resulted
in an acquittal, and on the issue of slavery,
specifically the importation of slaves from
abroad.
In 1806, he denounced the international slave
trade as a "violation of human rights" and
called upon Congress to criminalize it.
Congress responded by approving the Act Prohibiting
Importation of Slaves the following year.
Rising tensions between the United States
and Britain dominated the final years of Jefferson's
second term, as the Royal Navy began impressing
sailors from American ships and attacking
American shipping.
Jefferson rejected war and instead used economic
threats and embargoes that ultimately hurt
the U.S. more than Britain.
The disputes with Britain continued after
Jefferson left office, eventually leading
to the War of 1812.
Jefferson, whose reputation has ebbed and
flowed through the years, has been memorialized
in numerous ways.
He is, as a result of his contribution in
shaping the nation's republican political
philosophy, consistently ranked—in surveys
of academic historians and political scientists
or popular opinion—as one of the nation's
most esteemed presidents.
== Election of 1800 ==
Jefferson ran for president in the 1796 election
as a Democratic-Republican, but finished second
in the electoral vote to Federalist John Adams;
under the rules then in place, Jefferson's
second-place finish made him the Vice President
of the United States.
Jefferson strongly opposed the Federalist
program, including the Alien and Sedition
Acts, and the nation became increasingly polarized.
Jefferson and Adams were once again the major
presidential candidates of their respective
parties in the 1800 presidential election,
and Aaron Burr was the Democratic-Republican
Party's vice presidential nominee.
Adams's campaign was weakened by unpopular
taxes and vicious Federalist infighting over
his actions in the Quasi-War.
The Democratic-Republicans accused the Federalists
of being secret monarchists, while the Federalists
charged that Jefferson was a godless libertine
in thrall to the French.Under the election
system in place at the time, the members of
the Electoral College were permitted to vote
for two names for president; any tie would
be decided in a contingent election in the
United States House of Representatives.
Jefferson and Burr each received 73 electoral
votes, while Adams finished in third place
with 65 votes.
The House of Representatives, still controlled
by the Federalists, held a contingent election
in February 1801 to decide whether Jefferson
or Burr would accede to the presidency.
Though some Federalists preferred Burr, Federalist
leader Alexander Hamilton strongly preferred
Jefferson.
On the thirty-sixth ballot of the contingent
election, enough Federalists congressmen abstained
from the vote to allow Jefferson to win the
presidency.
Jefferson regarded his victory as "America's
Second Revolution," and he hoped to transform
the country by limiting government and weakening
the power of elites.
== Inauguration ==
Jefferson's first inauguration, on March 4,
1801, was the first to be held in the nation's
new capital, Washington, D.C.
That morning an artillery company on Capitol
Hill had fired shots to welcome the daybreak,
and in a first for a newspaper, Jefferson
gave a copy of his speech to the National
Intelligencer for it to be published and available
right after delivery.
He delivered a 1721 word speech in the United
States Capitol's Senate Chamber.
He was not a strong speaker, and the audience
could barely catch his words, which called
for national unity.
The speech was widely reprinted and celebrated
by Democratic-Republicans across the country
as a clear statement of the party's principles.
The presidential oath of office was administered
by Chief Justice John Marshall.
Outgoing President Adams had left the capital
earlier that day, and did not attend the ceremony.
== Administration ==
===
Cabinet ===
By July 1801, Jefferson had assembled his
cabinet, which consisted of Secretary of State
James Madison, Secretary of the Treasury Albert
Gallatin, Secretary of War, Henry Dearborn,
Attorney General Levi Lincoln Sr., and Secretary
of the Navy Robert Smith.
After his decision to pursue the presidency
in the contingent election, Burr was excluded
from any role in the Jefferson administration.
Jefferson sought to make collective decisions
with his cabinet, and each member's opinion
was elicited before Jefferson made major decisions.
Gallatin and Madison were particularly influential
within Jefferson's cabinet; they held the
two most important cabinet positions and served
as Jefferson's key lieutenants.
=== Patronage and the Federalists ===
When Adams took office in 1797, he carried
many of outgoing President George Washington's
supporters over into his new administration.
As a result, there was little change in the
federal government during the transition between
Washington and Adams, the first presidential
transition in U.S. history.
With Jefferson's election in 1800, there was
a transfer of power between parties, not simply
a transition between presidents.
As president, Jefferson had the power of appointment
to fill many government positions that had
long been held by Federalists.
Jefferson resisted the calls of his fellow
Democratic-Republicans to remove all Federalists
from their appointed positions, but he felt
that it was his right to replace the top government
officials, including the cabinet.
He also replaced any lower-ranking Federalist
appointees who engaged in misconduct or partisan
behavior.
Jefferson's refusal to call for a complete
replacement of federal appointees under a
"spoils system" was followed by his successors
until the election of Andrew Jackson in 1828.
== Judiciary ==
In the final days of his presidency, Adams
had appointed numerous federal judges to fill
positions created by the Judiciary Act of
1801.
Democratic-Republicans were outraged by the
appointment of these "midnight judges," almost
all of whom were Federalists.
Jefferson and his allies sought to reverse
the Judiciary Act of 1801, partly because
they did not believe the new judicial positions
were necessary, and partly to weaken Federalist
influence on the courts.
Federalists vehemently opposed this plan,
arguing that Congress did not have the power
to abolish judicial positions that were occupied.
Despite these objections, the Democratic-Republicans
passed the Judiciary Act of 1802, which largely
restored the judicial structure that had prevailed
prior to the Judiciary Act of 1801.
The Jefferson administration also refused
to deliver judicial commissions to some Adams
appointees who had won Senate confirmation
but had not yet formally taken office.
One such appointee, William Marbury, sued
Secretary of State Madison to compel him to
deliver the judicial commissions.
In the 1803 Supreme Court case of Marbury
v. Madison, the court ruled against Marbury,
but also established the precedent of judicial
review, thereby strengthening the judicial
branch.Still unhappy with Federalist power
on the bench even after the passage of the
Judiciary Act of 1802, the Democratic-Republicans
impeached district court Judge John Pickering
and Supreme Court Justice Samuel Chase.
Federalist congressmen strongly opposed both
impeachments, criticizing them as attacks
on judicial independence.
Pickering, who frequently presided over cases
while drunk, was convicted by the Senate in
1804.
However, the impeachment proceedings of Chase
proved more difficult.
While serving on the Supreme Court, Chase
had frequently expressed his skepticism of
democracy, predicting that the nation would
"sink into mobocracy," but he had not shown
himself to be incompetent in the same way
that Pickering had.
Several Democratic-Republican senators joined
the Federalists in opposing Chase's removal,
and Chase would remain on the court until
his death in 1811.
Though Federalists would never regain the
political power they had held during the 1790s,
the Marshall Court continued to reflect Federalist
ideals until the 1830s.Jefferson appointed
three people to the Supreme Court during his
presidency.
The first vacancy of Jefferson's presidency
arose due to the resignation of Alfred Moore.
Determined to appoint a Democratic-Republican
from a state unrepresented on the Court, Jefferson
selected William Johnson, a young attorney
who had previously served as an appellate
judge in South Carolina.
After the death of William Paterson in 1806,
Jefferson appointed Henry Brockholst Livingston,
a justice of the New York Supreme Court.
After Congress added another seat to the Supreme
Court with the Seventh Circuit Act of 1807,
Jefferson asked individual members of Congress
for their recommendations on filling the vacancy.
Though Representative George W. Campbell of
Tennessee emerged as the most popular choice
in Congress, Jefferson was unwilling to appoint
a sitting member of Congress.
Jefferson instead appointed Thomas Todd, another
individual popular among members of Congress,
and who served as the chief justice of the
Kentucky Court of Appeals.
Jefferson hoped that his appointments would
weaken Chief Justice Marshall's influence
on the Court, but, with the partial exception
of Johnson, his Supreme Court appointments
tended to support Marshall's decisions.
Jefferson also appointed seven United States
circuit court judges and nine United States
district court judges.
== Domestic affairs ==
===
Jeffersonian democracy ===
After the American Revolution, many Federalists
hoped that society would remain largely as
it had been during the colonial era, but Jefferson
wanted to upend the social order.
He advocated a philosophy that historians
would later call Jeffersonian democracy, which
was marked by his belief in agrarianism and
strict limits on the national government.
In a world in which few believed in democracy
or egalitarianism, Jefferson's belief in political
equality for white men stood out from many
of the other Founding Fathers of the United
States, who continued to believe that the
rich and powerful should lead society.
Under pressure from Jeffersonian Republicans,
states achieved universal white manhood suffrage
by eliminating property requirements.
Expanding suffrage and the mobilization of
ordinary people ensured that individuals outside
of the elite class had the opportunity to
become government officials, especially in
the North.
Prior to the 1790s, campaigning was considered
an interference on each citizen's right to
think and vote independently.
Without competition for office, voter turnouts
were often low, sometimes fewer than 5 percent
of eligible men.
With the rise of the two-party system, many
regions saw voter participation rise to approximately
20 percent in the 1790s and to 80 percent
during Jefferson's presidency.
Wood writes, "by the standards of the early
nineteenth century America possessed the most
popular electoral politics in the world."The
egalitarianism of the age extended beyond
voting rights, as the practice of indentured
servitude declined and traditional hierarchies
in employment and education were challenged.
In a reflection of his own belief in egalitarianism,
Jefferson broke with many of the precedents
set by Adams and Washington.
Jefferson accepted visitors without regard
to social status, discontinued the practice
of delivering speeches to Congress in person,
and enforced a less formal protocol at White
House events.In reaction to the expansion
of the franchise, even Federalists began to
adopt partisan techniques, such as party organization,
newspapers, and the establishment of auxiliary
societies.
The Federalists peacefully accepted the transfer
of power to the Democratic-Republicans in
1800, but most party leaders hoped that it
would be just a temporary anomaly.
Many Federalists continued to serve in state
or local office, though prominent Federalists
like John Jay and Charles Cotesworth Pinckney
retired from public life.
Reflecting the fears of other ambitious young
Federalists, John Quincy Adams wrote that
the Federalist Party had been "completely
and irrevocably abandoned....it
never can and never will be revived."
As Jefferson's presidency continued, Adams's
prediction proved accurate, and the Federalists
struggled to compete outside of New England.
=== Fiscal policy ===
Much of Jefferson's early agenda focused on
undoing the Federalist program of the 1790s.
Upon taking office, he repealed the remaining
provisions of the Alien and Sedition Acts
and pardoned all ten individuals who had been
prosecuted under the acts.
He also began dismantling Hamilton's fiscal
system with help from Secretary of the Treasury
Gallatin.
Jefferson's administration eliminated the
whiskey excise and other taxes after closing
"unnecessary offices" and cutting "useless
establishments and expenses".
After the repeal of these taxes, over 90 percent
of federal revenue came from import duties.
Despite Jefferson's earlier opposition to
the national bank, Gallatin persuaded Jefferson
to retain the First Bank of the United States.
With the repeal of the Federalist program,
many Americans had little contact with the
federal government, with the exception of
the postal service.Jefferson's ultimate goal
was to abolish the national debt, which he
believed to be inherently dangerous and immoral.
Though Gallatin and Jefferson did not find
as much Federalist governmental waste as they
had expected, their fiscal cuts and the benign
economic conditions that persisted for much
of Jefferson's presidency allowed them to
run budget surpluses.
Jefferson shrank the army and the navy, deeming
them largely unnecessary in peacetime.
He transformed the navy into a fleet consisting
of inexpensive gunboats used only for defense,
with the idea that they would not provoke
foreign hostilities.
His administration discharged numerous soldiers,
leaving the army with 3,350 officers and enlisted
men.
At the end of his two terms, Jefferson had
lowered the national debt from $83 million
to $57 million.
In 1806, believing that the country would
soon abolish its national debt, Jefferson
proposed enlarging the army and passing a
constitutional amendment to explicitly allow
Congress to spend funds on internal improvements
and education, but these proposals were not
acted on by Congress.
That same year, Congress authorized the construction
of the National Road, a route designed to
connect the East Coast to St. Louis, although
construction on the road did not begin until
1811.
=== Yazoo controversy ===
In the early 1800s, much of the American frontier
was subject to the competing claims of settlers,
land speculators, and Native Americans.
The Yazoo lands of western Georgia were no
exception, and they emerged as point of major
tension during Jefferson's administration.
In what became known as the Yazoo land scandal,
Georgia had engaged in a massive real estate
fraud by selling large tracts of Yazoo land
before passing a law retroactively invalidating
the grants.
With the Compact of 1802, the federal government
purchased western Georgia (now the states
of Alabama and Mississippi), agreed to seek
to extinguish all Native American claims in
the region, and also agreed to settle all
claims against the land from those who had
been defrauded in the scandal.
In 1804, Jefferson sought to compensate those
defrauded in the Yazoo land scandal by giving
them some of the lands acquired in the compact,
but Congressman John Randolph successfully
mobilized opposition to the proposal, castigating
it as a giveaway to land speculators.
The incident marked the start of a factionalism
within the Democratic-Republican Party that
would prove problematic for Jefferson and
his successors, as Randolph's "tertium quids"
freely criticized presidents of their own
party.
Controversy over the Yazoo lands would continue
until 1814, when Congress finally agreed to
compensate the claimants.
=== Lewis and Clark and other expeditions
===
Even before the 1803 purchase of the Louisiana
Territory, Jefferson had begun planning for
an expedition to the lands west of the Mississippi
River.
Jefferson considered it important for the
United States to establish a claim of "discovery"
to Oregon Country by documenting and establishing
an American presence there before Europeans
could establish strong claims.
Jefferson also hoped the expedition would
discover the long-sought-for Northwest Passage
to the Pacific Ocean, which would greatly
promote commerce and trade for the country.
In 1804, he appointed his personal secretary
Meriwether Lewis, along with William Clark,
as the leaders of a western expedition, dubbing
it the Corps of Discovery.
Jefferson chose Lewis to lead the expedition
rather than someone with only the best scientific
credentials because of Lewis' military experience
in the woods and "familiarity with the Indian
manners and character."
Jefferson possessed the largest collection
of books in the world on the subject of the
geography and natural history of the North
American continent, and before the expedition
he tutored Lewis in the sciences of mapping,
botany, natural history, mineralogy, astronomy,
and navigation.
In May 1804, the Corps of Discovery, consisting
of about 40 men, departed from St. Louis and
traveled up the Missouri River.
Guided by Sacagawea and various Native American
tribes along the way, the expedition, traveling
on the Columbia River, reached the Pacific
Ocean by November 1805.
After the winter thaw the expedition began
their return trip on March 22, 1806, and returned
to St. Louis on September 23 that year, adding
a wealth of scientific and geographical knowledge
of the vast territory, along with knowledge
of the many Indian tribes.
Two months after the expedition's end, Jefferson
made his first public statement to Congress
giving a one sentence summary about its success
before asserting the justification for the
expenses involved.
The American Philosophical Society ultimately
became the repository for many of the expedition's
findings, including seeds, fossils, plant,
and other specimens.
In 1808, businessman John Jacob Astor established
a transcontinental fur trading company, and
in 1811 his company established Fort Astoria,
the first American settlement on the Pacific
Coast.In addition to the Corps of Discovery,
Jefferson organized other western exploration
expeditions, some of which traveled through
Spanish territory.
William Dunbar and George Hunter led an expedition
on the Ouachita River, Thomas Freeman and
Peter Custis led the Red River Expedition,
and Zebulon Pike led the Pike Expedition into
the Rocky Mountains and the Southwest.
All of the exploration expeditions sent out
under Jefferson's presidency produced valuable
information about the American frontier.
=== National military academy ===
Jefferson strongly felt the need for a national
military university that could produce a competent
officer engineering corps that would not have
to rely on foreign sources for top grade engineers.
An academy would also help to replace many
of the Federalist officers who Jefferson dismissed
when he took office.
Jefferson signed the Military Peace Establishment
Act on March 16, 1802, thus founding the United
States Military Academy at West Point.
The Act documented in 29 sections a new set
of laws and limits for the military.
=== Twelfth amendment ===
In reaction to the Electoral College tie between
Jefferson and Burr in 1800, Congress approved
an amendment to the United States Constitution
providing a new procedure for electing the
president and vice president, and submitted
it to the state legislatures for ratification
in December 1803.
The Twelfth Amendment was ratified by the
requisite number of states (then 13) to become
part of the Constitution in June 1804.
=== Admission of Ohio ===
One new state, Ohio, was admitted to the Union
while Jefferson was in office.
The exact date upon which Ohio became a state
is unclear.
On April 30, 1802 the 7th Congress had passed
an act "authorizing the inhabitants of Ohio
to form a Constitution and state government,
and admission of Ohio into the Union."
On February 19, 1803 the same Congress passed
an act "providing for the execution of the
laws of the United States in the State of
Ohio."
Neither act, however, set a formal date of
statehood.
An official statehood date for Ohio was not
set until 1953, when the 83rd Congress passed
a Joint resolution "for admitting the State
of Ohio into the Union", which designated
March 1, 1803, as that date.
It was the first state created from the Northwest
Territory.
== Foreign affairs ==
===
Barbary War ===
For decades prior to Jefferson's accession
to office, the Barbary Coast pirates of North
Africa had been capturing American merchant
ships, pillaging valuable cargoes and enslaving
crew members, demanding huge ransoms for their
release.
Before independence, American merchant ships
were protected from the Barbary pirates by
the naval and diplomatic influence of Great
Britain, but that protection came to end after
the colonies won their independence.
In 1794, in reaction to the attacks, Congress
had passed a law to authorize the payment
of tribute to the Barbary States.
At the same time, Congress passed the Naval
Act of 1794, which initiated construction
on six frigates that became the foundation
of the United States Navy.
By the end of the 1790s, the United States
had concluded treaties with all of the Barbary
States, but weeks before Jefferson took office
Tripoli began attacking American merchant
ships in an attempt to extract further tribute.Jefferson
was reluctant to become involved in any kind
of international conflict, but he believed
that force would best deter the Barbary States
from demanding further tribute.
He ordered the U.S. Navy into the Mediterranean
Sea to defend against the Barbary Pirates,
beginning the First Barbary War.
The administration's initial efforts were
largely ineffective, and in 1803 the frigate
USS Philadelphia was captured by Tripoli.
In February 1804, Lieutenant Stephen Decatur
led a successful raid on Tripoli's harbor
that burned the Philadelphia, making Decatur
a national hero.
Jefferson and the young American navy forced
Tunis and Algiers into breaking their alliance
with Tripoli which ultimately moved it out
of the war.
Jefferson also ordered five separate naval
bombardments of Tripoli, which restored peace
in the Mediterranean for a while, although
Jefferson continued to pay the remaining Barbary
States until the end of his presidency.
=== Louisiana Purchase ===
Jefferson believed that western expansion
played an important role in furthering his
vision of a republic of yeoman farmers.
By the time Jefferson took office, Americans
had settled as far west as the Mississippi
River, though vast pockets of land remained
vacant or inhabited only by Native Americans.
Many in the United States, particularly those
in the west, favored further territorial expansion,
and especially hoped to annex the Spanish
province of Louisiana.
Jefferson believed that weak Spanish rule
in the region made it just a matter of time
until the United States gained control of
the region, so long as the British did not
seize the Spanish territories.
U.S. expansionary hopes were temporarily dashed
when Napoleon pressured Spain to transfer
the province to France in the 1801 Treaty
of Aranjuez.
Though French pressure played a role in the
conclusion of the treaty, the Spanish also
believed that French control of Louisiana
would help protect New Spain from American
expansion.
Napoleon's dreams of a re-established French
colonial empire in North America threatened
to reignite the tensions of the recently concluded
Quasi-War, but the continued insurrection
in Saint-Domingue and renewed hostilities
between France and Britain eventually convinced
Napoleon to relinquish his imperial plans
in North America.In 1802, Jefferson sent James
Monroe and Robert Livingston to Paris in hopes
of purchasing the city of New Orleans and
adjacent coastal areas.
To the surprise of the American delegation,
Napoleon offered to sell the entire territory
for $15 million.
Most contemporaries thought that this was
an exceptional opportunity, apart from any
constitutional reservations.
Secretary of State James Madison gave his
assurances that the purchase was well within
even the strictest interpretation of the Constitution,
the Senate quickly ratified the treaty, and
the House immediately authorized funding.
The purchase, concluded in December 1803,
marked the end of French ambitions in North
America and ensured American control of the
Mississippi River.
The purchase nearly doubled the size of the
United States, and Treasury Secretary Gallatin
was forced to borrow from foreign banks to
finance the payment to France.
Though the Louisiana Purchase was widely popular,
some Federalists criticized it; Congressman
Fisher Ames argued that "we are to spend money
of which he have too little for land of which
we already have too much."
The
=== Burr conspiracy ===
Having been dropped from the 1804 Democratic-Republican
ticket, Burr ran for the position of Governor
of New York in an April 1804 election.
Following his defeat in that election, Burr
challenged Federalist Party leader Alexander
Hamilton, whom he accused of having made defamatory
remarks, to a duel.
On July 11, 1804, Burr mortally wounded Hamilton
in a duel at Weehawken, New Jersey.
Hamilton had been a key factor in Burr's defeat
in running in the 1804 New York gubernatorial
election.
Hamilton had made callous remarks regarding
Burr.
Believing his honor had been offended, Burr
had challenged Hamilton to a duel in which
Hamilton was mortally wounded.
Burr was indicted for Hamilton's murder in
New York and New Jersey causing him to flee
to Georgia, although he remained President
of the Senate during Supreme Court Justice
Samuel Chase's impeachment trial.
The two Burr indictments were "quietly allowed
to die".After Aaron Burr was disgraced in
the duel of 1804 and his own presidential
ambitions were ended, he was reported by the
British ambassador as wanting to "effect a
separation of the western part of the United
States [at the Appalachian Mountains]".
Jefferson believed that to be so by November
1806, because Burr had been rumored to be
variously plotting with some western states
to secede for an independent empire, or to
raise a filibuster to conquer Mexico.
At the very least, there were reports of Burr's
recruiting men, stocking arms, and building
boats.
New Orleans seemed especially vulnerable,
but at some point, the American general there,
James Wilkinson, a double agent for the Spanish,
decided to turn on Burr.
Jefferson issued a proclamation warning that
there were U.S. citizens illegally plotting
to take over Spanish holdings.
Though Burr was nationally discredited, Jefferson
feared for the very Union.
In a report to Congress January 1807, Jefferson
declared Burr's guilt "placed beyond question".
By March 1807, Burr was arrested in New Orleans
and placed on trial for treason in Richmond,
Virginia, with Chief Justice John Marshall
presiding.
On June 13, Jefferson was subpoenaed by Burr
to release documents that favored Burr's defense.
Jefferson stated he had no loyalty to Burr
and only released a few documents Burr had
requested having invoked executive privilege.
Jefferson refused to appear at Burr's trial.
The weak government case led to Burr's acquittal,
but with his reputation ruined he was never
able to mount another adventure.
Burr later died on his Staten Island residence
in October 1836.
=== Florida and Haiti ===
After early 1802, when he learned that Napoleon
intended to regain a foothold in Saint-Domingue
and Louisiana, Jefferson proclaimed neutrality
in relation to the Haitian Revolution.
The U.S. allowed war contraband to "continue
to flow to the blacks through usual U.S. merchant
channels and the administration would refuse
all French requests for assistance, credits,
or loans."
When Jefferson's concerns related to the balance
of power in the Caribbean, the "geopolitical
and commercial implications" of Napoleon's
plans outweighed his fears of a slave-led
nation.
After the rebels in Saint-Domingue proclaimed
independence from France in the new republic
of Haiti in 1804, Jefferson refused to recognize
Haiti as the second independent republic in
the Americas.
In part he hoped to win Napoleon's support
over the acquisition of Florida.
American slaveholders had been frightened
and horrified by the slave massacres of the
planter class during the rebellion and after,
and a southern-dominated Congress was "hostile
to Haiti."
They feared its success would encourage slave
revolt in the American South.
Historian Tim Matthewson notes that Jefferson
"acquiesced in southern policy, the embargo
of trade and nonrecognition, the defense of
slavery internally and the denigration of
Haiti abroad."
According to the historian George Herring,
"the Florida diplomacy reveals him [Jefferson]
at his worst.
His lust for land trumped his concern for
principle."
Jefferson's non-recognition of Haiti did little
to advance his goal of acquiring East Florida
and West Florida, which remained under the
control of Spain.
Jefferson argued that the Louisiana Purchase
had extended as far west as the Rio Grande
River, and had included West Florida as far
east as the Perdido River.
He hoped to use that claim, along with French
pressure, to force Spain to sell both West
Florida and East Florida.
In 1806, he won congressional approval of
a $2 million appropriation to obtain the Floridas;
eager expansionists also contemplated authorizing
the president to acquire Canada, by force
if necessary.
In this case, unlike that of the Louisiana
Territory, the dynamics of European politics
worked against Jefferson.
Napoleon had played Washington against Madrid
to see what he could get, but by 1805 Spain
was his ally.
Spain had no desire to cede Florida, which
was part of its leverage against an expanding
United States.
Revelations of the bribe which Jefferson offered
to France over the matter provoked outrage
and weakened Jefferson's hand, and he subsequently
gave up on Florida.
=== Native American relations ===
In keeping with his Enlightenment thinking,
President Jefferson adopted an assimilation
policy towards American Indians known as his
"civilization program" which included securing
peaceful U.S. – Indian treaty alliances
and encouraging agriculture.
Jefferson advocated that Indian tribes should
make federal purchases by credit holding their
lands as collateral for repayment.
Various tribes accepted Jefferson's policies,
including the Shawnees led by Black Hoof and
the Creek.
However, Jefferson dreamed of a transcontinental
nation, and he became increasingly skeptical
of assimilation efforts.
As his presidency continued, Jefferson prioritized
white settlement of the western territories
over peaceful assimilation.When Jefferson
assumed power, the Shawnee leader Tecumseh
and his brother Tenskwatawa were leading raids
against American settlements in the Ohio Valley,
with munitions provided by British traders
in Canada.
Attempting to form a confederation of Indian
people in the Northwest Territory, the two
brothers would be a continual source of irritation
to westward settlers.
The Indian Nations followed Tenskwatawa (the
Shawnee Prophet and the brother of Tecumseh)
who had a vision of purifying his society
by expelling the "children of the Evil Spirit"
(the American settlers).
The success of the Indians gave Britain hope
that it could create an Indian satellite nation
in parts of the American territory.
The raids became a major cause of the later
War of 1812.
=== Slave trade ===
In the 1790s, many anti-slavery leaders had
come to believe that the institution of slavery
would become extinct in the United States
in the foreseeable future.
These hopes lay in part on the enthusiasm
for the abolition of slavery in the North,
and in the decline of the importation of slaves
throughout the South.
The Constitution had included a provision
preventing Congress from enacting a law banning
the importation of slaves until 1808.
In the years before Jefferson took office,
the growing fear of slave rebellions led to
diminished enthusiasm in the South for the
abolition of slavery, and many states began
to enact Black Codes designed to restrict
the behavior of free blacks.
During his presidential term, Jefferson was
disappointed that the younger generation was
making no move to abolish slavery; he largely
avoided the issue until 1806.
He did succeed in convincing Congress to block
the foreign importation of slaves into the
newly purchased Louisiana Territory.Seeing
that in 1808 the twenty-year constitutional
ban on ending the international slave trade
would expire, in December 1806 in his presidential
message to Congress, he called for a law to
ban it.
He denounced the trade as "violations of human
rights which have been so long continued on
the unoffending inhabitants of Africa, in
which the morality, the reputation, and the
best interests of our country have long been
eager to proscribe."
Jefferson signed the new law and the international
trade became illegal in January 1808.
The legal trade had averaged 14,000 slaves
a year; illegal smuggling at the rate of about
1000 slaves a year continued for decades.
"The two major achievements of Jefferson's
presidency were the Louisiana Purchase and
the abolition of the slave trade," according
to historian John Chester Miller.
=== Relations with European Powers and the
Embargo Act ===
American trade boomed after the outbreak of
the French Revolutionary Wars in the early
1790s, in large part because American shipping
was allowed to act as neutral carriers with
European powers.
Though the British sought to restrict trade
with the French, they had largely tolerated
U.S. trade with mainland France and French
colonies after the signing of the Jay Treaty
in 1794.
Jefferson favored a policy of neutrality in
the European wars, and was strongly committed
the principle of freedom of navigation for
neutral vessels, including American ships.
Early in his tenure, Jefferson was able to
maintain cordial relations with both France
and Britain, but relations with Britain deteriorated
after 1805.
Needing sailors, the British Royal Navy seized
hundreds of American ships and impressed 6,000
sailors from them, angering Americans.
The British began to enforce a blockade of
Europe, ending their policy of tolerance towards
American shipping.
Though the British returned many seized American
goods that had not been intended for French
ports, the British blockade badly affected
American commerce and provoked immense anger
throughout the nation.
Aside from commercial concerns, Americans
were outraged by what they saw an attack on
national honor.
In response to the attacks, Jefferson recommended
an expansion of the navy, and Congress passed
the Non-importation Act, which restricted
many, but not all, British imports.To restore
peaceful relations with Britain, Monroe negotiated
the Monroe–Pinkney Treaty, which would have
represented an extension of the Jay Treaty.
Jefferson had never favored the Jay Treaty,
which had prevented the United States from
implementing economic sanctions on Britain,
and he rejected the Monroe–Pinkney Treaty.
Tensions with Britain heightened due to the
Chesapeake–Leopard affair, a June 1807 naval
confrontation between an American ship and
a British ship that ended in the death or
impressment of several American sailors.
Beginning with the Napoleon's December 1807
Milan Decree, the French began to seize ships
trading with the British, leaving American
shipping vulnerable to attacks by both of
the major naval powers.
In response to attacks on American shipping,
Congress passed the Embargo Act in 1807, which
was designed to force Britain and France into
respecting U.S. neutrality by cutting off
all American shipping to Britain or France.
Almost immediately the Americans began to
turn to smuggling in order to ship goods to
Europe.
Defying his own limited government principles,
Jefferson used the military to enforce the
embargo.
Imports and exports fell immensely, and the
embargo proved to be especially unpopular
in New England.
In March 1809, Congress replaced the embargo
with the Non-Intercourse Act, which allowed
trade with nations aside from Britain and
France.Most historians consider Jefferson's
embargo to have been ineffective and harmful
to American interests.
Even the top officials of the Jefferson administration
viewed the embargo as a flawed policy, but
they saw it as preferable to war.
Appleby describes the strategy as Jefferson's
"least effective policy", and Joseph Ellis
calls it "an unadulterated calamity".
Others, however, portray it as an innovative,
nonviolent measure which aided France in its
war with Britain while preserving American
neutrality.
Jefferson believed that the failure of the
embargo was due to selfish traders and merchants
showing a lack of "republican virtue."
He maintained that, had the embargo been widely
observed, it would have avoided war in 1812.
== Election of 1804 ==
Like both of his predecessors, Jefferson ran
for a second term.
The election of 1804 was the first to be held
after the ratification of the Twelfth Amendment,
which instituted the current electoral system
in which separate electoral votes are cast
for the presidency and vice presidency.
With Burr having little chance at re-nomination,
the party's congressional nominating caucus
chose Governor George Clinton of New York
as Jefferson's running mate.
The Federalists nominated Charles Cotesworth
Pinckney for president and Rufus King for
vice president.
The Federalists made attacks on Jefferson's
alleged atheism, his support for democratization,
and his affair with Sally Hemings the centerpiece
of their campaign, arguing that Jefferson's
affair with an enslaved woman was hypocritical
given his continuing support for slavery.
The Democratic-Republicans enjoyed a marked
advantage in party organization, while the
Federalists and their ethos of government-by-the-elite
were becoming increasingly unpopular.
Jefferson won every state except for Connecticut
and Delaware, taking 162 of the 174 electoral
votes.
== Election of 1808 ==
Jefferson, who believed that incumbents should
not serve indefinitely, followed the two-term
tradition precedent established by Washington,
and declined to seek a third term.
Instead, he endorsed his advisor and friend
James Madison for the presidency.
Jefferson's assertive foreign policy created
intra-party criticism from the tertium quids,
led by Randolph.
Randolph and other powerful Democratic-Republican
leaders opposed to Madison, including Samuel
Smith and William Duane, rallied around the
potential candidacy of James Monroe.
Additionally, Vice President Clinton, who
had accepted the vice presidential nomination
again, announced his own candidacy for President.
It took all of Jefferson's prestige and charm
to convince dissident Democratic-Republicans
not to bolt from the party out of disdain
for Madison.
In the end, Madison, headed off the intra-party
challenges and defeated Federalist nominee
Charles Cotesworth Pinckney, winning 122 of
the 176 electoral votes in the 1808 election.
== Historical reputation ==
Meacham opines that Jefferson was the most
influential figure of the democratic republic
in its first half century, succeeded by presidential
adherents James Madison, James Monroe, Andrew
Jackson, and Martin Van Buren.
Jefferson's reputation declined during the
Civil War due to his support of states' rights.
In the late 19th century, his legacy was widely
criticized; conservatives felt his democratic
philosophy had led to that era's populist
movement, while Progressives sought a more
activist federal government than Jefferson's
philosophy allowed.
Both groups saw Hamilton as vindicated by
history, rather than Jefferson, and President
Woodrow Wilson even described Jefferson as
"though a great man, not a great American".In
the 1930s, Jefferson was held in higher esteem;
President Franklin D. Roosevelt and New Deal
Democrats celebrated his struggles for "the
common man" and reclaimed him as their party's
founder.
Jefferson became a symbol of American democracy
in the incipient Cold War, and the 1940s and
'50s saw the zenith of his popular reputation.
Following the civil rights movement of the
1950s and '60s, Jefferson's slaveholding came
under new scrutiny, particularly after DNA
testing in the late 1990s supported allegations
he had a relationship with Sally Hemings.
Noting the huge output of scholarly books
on Jefferson in recent years, historian Gordon
Wood summarizes the raging debates about Jefferson's
stature: "Although many historians and others
are embarrassed about his contradictions and
have sought to knock him off the democratic
pedestal ... his position, though shaky, still
seems secure."Polls of historians and political
scientists generally rank Jefferson as one
of the best presidents, often just outside
the top three.
The Siena Research Institute poll of presidential
scholars, begun in 1982, has consistently
ranked Jefferson as one of the five best U.S.
presidents, and a 2015 Brookings Institution
poll of the American Political Science Association
members ranked him as the fifth greatest president.
Though historians tend to think highly of
Jefferson's overall performance as president,
a 2006 poll of historians ranked the Embargo
Act of 1807 as the seventh-worst mistake made
by a sitting president
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