text
stringlengths
2
764k
meta
dict
Neo-Lutheranism was a 19th-century revival movement within Lutheranism which began with the Pietist driven Erweckung, or Awakening, and developed in reaction against theological rationalism and pietism. This movement followed the Old Lutheran movement and focused on a reassertion of the identity of Lutherans as a distinct group within the broader community of Christians, with a renewed focus on the Lutheran Confessions as a key source of Lutheran doctrine. Associated with these changes was a renewed focus on traditional doctrine and liturgy, which paralleled the growth of Anglo-Catholicism in England. It was sometimes even called "German Puseyism". In the Roman Catholic Church in Germany, neo-Lutheranism was paralleled by Johann Adam Möhler. The chief literary organ of the neo-Lutheranism was Evangelische Kirchenzeitung, edited by Ernst Wilhelm Hengstenberg. == Repristination versus Erlangen school == Neo-Lutheranism developed as a reaction against the Prussian Union in a similar manner to the development of Tractarianism against the British Government's decision to reduce the number of Irish bishoprics. A distinction developed in neo-Lutheranism whereby one side held to repristination theology which tried to restore historical Lutheranism, while the other held to the theology of the Erlangen School. The repristination theology group was represented by Ernst Wilhelm Hengstenberg, Carl Paul Caspari, Gustav Adolf Theodor Felix Hönecke, Friedrich Adolf Philippi, and C.F.W. Walther. Repristination theology is the mother of later Confessional Lutheranism. Confessionalism to the Erlangen School was not to be static, but dynamic. The Erlangen School tried to combine Reformation theology with the new learning. The Erlangen School included Franz Hermann Reinhold von Frank, Theodosius Harnack, Franz Delitzsch, Johann Christian Konrad von Hofmann, Karl Friedrich August Kahnis, Christoph Ernst Luthardt and Gottfried Thomasius. == High Church Lutheranism == However, neo-Lutheranism is sometimes called only theology and activity represented by Theodor Friedrich Dethlof Kliefoth, August Friedrich Christian Vilmar, Johann Konrad Wilhelm Löhe, August Friedrich Otto Münchmeyer and Friedrich Julius Stahl who had particularly high ecclesiology. They were polemic against idea of invisible church, strongly claiming church as an outward, visible institution of salvation and therefore laid emphasis on ordained ministry instituted by Christ and significance of sacraments above word as Means of Grace. However, unlike the Erlangen School, this neo-Lutheranism did not make lasting influence on Lutheran theology. Properly speaking, High Church Lutheranism began in Germany much later, 1917 the Hochkirchliche Vereinigung Augsburgischen Bekenntnisses was created, inspired by 95 theses Stimuli et Clavi, exactly 100 years after Claus Harms' 95 theses. Neo-Lutheranism should not be confused with term Neo-Protestantism, represented e.g. by Adolf von Harnack and his followers, which means exclusively liberal theology. == See also == Gottlieb Christoph Adolf von Harless Andreas Gottlob Rudelbach Charles Porterfield Krauth Ludwig Adolf Petri Fredrik Gabriel Hedberg Evangelical Catholic Old Lutherans Gisle Johnson C. F. W. Walther Carl Paul Caspari U. V. Koren Herman Amberg Preus
{ "pile_set_name": "YoutubeSubtitles" }
(uplifting music) - Your baby's growing by leaps and bounds and is already an inch-and-a-half long and a quarter ounce in weight. That's about the size of a prune, but happily your sweet sugar plum is much cuter than the average prune, and not nearly as wrinkled. Baby's head takes up about half his length and your cutie's facial features are quite recognizable now. His eyes are hidden behind sealed lids and they won't function until later in the second trimester. But a kissable button nose is visible and the external parts of those adorable ears have started to grow low down on the fetal head. Twenty tiny baby teeth buds are in place beneath his gums, though you won't see any precious pearlies until your sweetie is about six months old. Baby's stomach and kidneys are operational now, churning out digestive juices and urine. That beating heart is now a fully functional four-chambered one. Two ventricles pump blood to the lungs and body while the two atria receive blood from baby's circulation. Your baby is also getting stronger, busy building bones and cartilage and already sporting a pair of elbows that actually bend. Also under construction: knees, wrists and ankles, so he can poke and prod his mama in the months to come. If your baby's a girl her tiny ovaries are beginning to form even tinier eggs. Got a boy in your belly? Believe it or not, his newly developing testes are already starting to make testosterone. What a guy! (gentle music)
{ "pile_set_name": "YoutubeSubtitles" }
En el referéndum sobre el Brexit los gibraltareños eligieron permanecer en la Unión Europea. En Reino Unido el Brexit ganó por poco y algunas regiones eligieron también quedarse en la Unión. Pero lo de gibraltar fue de escándalo. Casi todos los gibraltareños, un 96%, decidieron quedarse en la Unión Europea. Esto plantea un serio problema para Gibraltar. Si al final el Reino Unido sale de la Unión, Gibraltar también tendrá que abandonar su estatus Tras el Brexit Gibraltar corre el riesgo cierto de perder su relación especial con la Unión Europea. Esto significaría controles en la frontera, un aislamiento del peñón y perjuicios para toda la región del Campo de Gibraltar. ¿Qué hacer entonces? En este vídeo vamos a hablar de los problemas actuales de Gibraltar y de su relación con España. Y os aseguro que son cuestiones muy, muy interesantes En varios momentos de la historia Gibraltar ha querido ser independiente pero no ha podido porque Naciones Unidas ha declarado que tienen que respetarse los derechos de España. Gibraltar está en la lista de descolonización de Naciones Unidas pero su origen no fue la expansión colonial. La ciudad el puerto y el peñón de Gibraltar fueron una cesión territorial de un estado europeo, España, a otro, Gran Bretaña, hecha con condiciones en el Tratado de Utrecht de 1713. Una de esas condiciones es que en caso de que Gran Bretaña quiera cambiar de cualquier manera el estatus de Gibraltar España recupera los derechos anteriores a la cesión. Por esto Reino Unido no puede transmitir el territorio de gibraltar a ningún otro estado y Gibraltar tampoco se puede convertir en independiente. En cualquiera de esos dos casos españa tiene derecho a recuperar Gibraltar. Poned atención, esto es textualmente lo que dice él tratado. ¿Un paraíso fiscal? Frente a esta situación Londres dio una Constitución otorgada a Gibraltar en 2006 que respeta su autonomía pero reserva las relaciones exteriores y la seguridad para el Reino Unido. Un gobernador de la reina comparte el poder con el gobierno de Gibraltar actualmente presidido por Fabián Picardo del Partido Laborista. El Parlamento de Gibraltar quienes solamente 17 escaños y en la actualidad diez de estos componen el gobierno presidido por Picardo, con ministros como los señores García, Cortés o la señora Sacramento. Nombre muy mediterráneos. Además, el gobierno de Picardo se encuentra bajo la tutela del gobernador militar británico que en la actualidad es Edward Davis. El gobernador que no está sometido a los tribunales puede, por ejemplo, rechazar las normas aprobadas por el Parlamento de Gibraltar si la reina no las acepta o si el gobernador entiende que son contrarias al buen gobierno del territorio. Al mismo tiempo Gibraltar tiene un régimen especial en la Unión Europea. Gibraltar no es territorio de la Unión porque no es territorio del Reino Unido, pero allí se aplica el derecho comunitario y las libertades comunitarias, salvo la unión aduanera. Esto quiere decir que las importaciones desde fuera de la Unión pagan impuestos en cualquier territorio de la Unión, pero las importaciones a Gibraltar no deben pagar ese impuesto común. Por este motivo las cosas importadas son más baratas en Gibraltar, como por ejemplo el tabaco o los productos del petróleo. Gibraltar se ha aprovechado de esta situación de varias maneras: una de las primeras importaciones de Gibraltar es el tabaco en grandes cantidades. Pero los gibraltareños no pueden fumar todo lo que importa. Por ejemplo, se calcula que en 2014 entre un 30 y un 40% de el tabaco que llegaba de contrabando a España provenía de Gibraltar. Y la Unión Europea y España dejaron de recaudar alrededor de 1.000 millones de euros por este concepto. Desde entonces se ha regulado la venta de tabaco y su entrada en España pero todavía queda mucho por hacer. Igualmente Gibraltar realiza pactos de exención fiscal con empresas que se instalan en su territorio, y muchas de ellas con oficinas ficticias para poder operar en países de la Unión Europea sin pagar impuestos. Fijaos bien con un territorio de unos seis kilómetros cuadrados en Gibraltar hay inscritas más de 20.000 empresas. Esto ha sido duramente criticado por la Comisión Europea que acusa a gibraltar de competencia desleal. Pero el caso más espectacular que demuestra que Gibraltar ha querido ser un paraíso fiscal es el de las empresas de apuestas online. Este caso es muy reciente ha sido resuelto por el Tribunal de Justicia de la Unión Europea en junio de 2017. Lo más sorprendente de este caso es que fue una demanda del Reino Unido contra Gibraltar. La asociación de empresas del juego había convencido al gobierno de Gibraltar para no poner ningún impuesto a los que ganaban apuestas online para favorecer la instalación de estas empresas mientras que en Reino Unido los ganadores de apuestas online debían pagar un 15 por ciento. Pues bien, al final el Tribunal de la Unión Europea dio la razón al Reino Unido y Gibraltar ha tenido que aplicar ese impuesto. Al final Gibraltar ha perdido numerosos casos judiciales porque quiere actuar como paraíso fiscal, e incluso según algunos informes aprovecharse de tráficos ilícitos. Evidentemente esto afecta a la hacienda y a la seguridad no sólo de España sino de la Unión Europea. En el referéndum sobre el Brexit se demostró que los ciudadanos de Gibraltar tienen intereses muy distintos a los del Reino Unido. Para intentar una solución temporal a la controversia sobre Gibraltar, tras el Brexit España presentó una propuesta de soberanía compartida al Reino Unido en octubre de 2016 ante Naciones Unidas. La idea principal es una soberanía compartida de España y Reino Unido sobre Gibraltar que mantendría su autonomía sobre asuntos locales. En esta propuesta se permite a los gibraltareños guardar la nacionalidad británica y adquirir además la española, una gestión conjunta de la seguridad y las relaciones exteriores y la pertenencia de Gibraltar a la Unión Europea. No se vosotros qué pensaréis, amigos de VisualPolitik, o qué pensarán los gibraltareños pero a mí me parece que esta propuesta tiene tres grandes ventajas: Primero una normalización de las relaciones de Gibraltar con su entorno y la apertura de la frontera. Segundo el relanzamiento económico del Campo de Gibraltar y de toda la región con el uso conjunto del aeropuerto. Y tercero los gibraltareños ya no tendrían que elegir entre o ser británicos o ser españoles porque pueden ser los dos y lo que es más importante ser ciudadanos de la Unión Europea. En cambio el escenario opuesto, una ruptura de relaciones con la Unión Europea supondría mayores controles fronterizos y un posible aislamiento del peñón. Y esto afectaría por supuesto a los más de ocho mil trabajadores que desde España se desplazan cada día para trabajar en el peñón. En definitiva, sería malo para todos. "Lo preocupante, bueno lo preocupante es que haya fluidez en la frontera que es un tema más Schengen que Brexit, pero ese ha sido el pan nuestro de cada día de 35 años que llevamos con la frontera abierta". La propuesta española de cosoberanía subraya que se respetarían las tradiciones y la cultura de Gibraltar. Además, indica también que el régimen nuevo de Gibraltar podría insertarse en la Constitución española de 1978. Hoy estamos delante del parlamento español y bajo la estatua de Cervantes y hemos venido aquí para encontrarnos con Ainhoa López, licenciada en derecho público y presidenta de la Asociación Cultural Alonso Martinez: Hola, Ainhoa ¿qué tal estás? Quería preguntarte en primer lugar las nacionalidades históricas y las regiones, según menciona nuestra Constitución, ¿cómo hicieron sus estatutos de autonomía? Pues, muy fácil a través del artículo 143 de la Constitución se elaboró el marco para que estas regiones y nacionalidades elaborarán su propio estatuto y así se conformarán cumpliendo los requisitos como comunidades autónomas. Y además de estos estatutos de las nacionalidades y regiones, ¿existen otras posibilidades en nuestra Constitución? Sí, en el artículo 144 de la Constitución existe ese apartado como para ciudades como Ceuta y Melilla. Y en este sistema, ¿sería posible integrar el caso de Gibraltar? Sí claro, de hecho la Constitución lo prevé así en el artículo 144, esa amplitud está hecha precisamente para poder implantar a Gibraltar dentro de la Constitución. Muchísimas gracias, Ainhoa, gracias por estar con nosotros en VisualPolitik. El artículo 144 de la Constitución establece que las Cortes Generales mediante ley orgánica pueden por motivos de interés nacional autorizar o acordar un estatuto de autonomía para territorios que no estén integrados en la organización provincial. El Brexit, amigos inteligentes, plantea un reto muy grave para Gibraltar. Sus ciudadanos y sus empresas puedan quedar fuera de la Unión y al margen de las libertades comunitarias. Los gibraltareños deben resolver la contradicción en la que se encuentran por un lado dicen que quieren ser europeos y por otro han dicho que no quieren que Reino Unido negocie la cosoberanía con España. Cuando en realidad tras el Brexit la única manera que los gibraltareños tienen de regularizar su situación en la Unión Europea es yendo de la mano de España. Esta solución aportaría beneficios para todos. Supondría el relanzamiento económico de toda la región. Sobre todo hay que evitar aislamientos y bloqueos, hay soluciones ganadoras para todos. Para que se entienda en la lengua de Shakespeare: "It´s a win win situation". Gibraltar podría aprovechar la propuesta española de cosoberanía y buscar soluciones imaginativas para resolver esta controversia histórica entre España y Reino Unido. En fin, Cervantes y Shakespeare deberían entenderse como buenos amigos. Hasta la próxima, inteligentes. mi mente m
{ "pile_set_name": "YoutubeSubtitles" }
Ça a été un hiver long et froid Sans toi J'ai pleuré à l'intérieur sur toi Tu m'as juste glissé entre les doigts alors que la vie se détournait Tu m'as juste glissé entre les doigts depuis ce jour et il est si difficile de trouver la force maintenant mais j'essaye Et je ne veux pas parler maintenant de ce qui s'est passé Parce que peu importe ce que je dis Je ne peux pas changer ce qui est arrivé Peu importe ce que je fais Je ne peux pas changer ce qui est arrivé Parce que peu importe ce que je dis Je ne peux pas changer ce qui est arrivé Non, je ne peux pas Tu m'as juste glissé entre les doigts et j'ai tellement honte Tu m'as juste glissé entre les doigts et j'ai payé Parce que peu importe ce que je dis Je ne peux pas changer ce qui est arrivé Peu importe ce que je fais Je ne peux pas changer ce qui est arrivé Peu importe ce que je dis Je ne peux pas changer ce qui est arrivé Non, non, je ne peux pas changer Tu m'as juste glissé entre les doigts Et je sens que j'ai tellement payé Tu m'as juste glissé entre les doigts
{ "pile_set_name": "YoutubeSubtitles" }
Mega Evolution,huh? Charizard I choose you! FLAMETHROWER! FLAMETHROWER! DRAGON CLAW CHARIZARD ARE YOU ALLRIGHT? STEEL WING! LET'S GO CHARIZARD,DRAGON PULSE!
{ "pile_set_name": "YoutubeSubtitles" }
- Models, we all love them. Ohh, son of a... (beep) I find models fascinating. When I hold onto one, it just unlocks some curious part of my brain that just makes me dream. I remember as a kid being fascinated with models. I would bring 'em to school every year to teach my class about the moon landings. Pretty much nobody really cared about anything I had to say, but one thing that did grab their attention was the fact that I'd let them handle my models at the end of my very elaborate presentation. And today, I still have that boyish enthusiasm for bringing these skyward monsters onto my shelf. With the growth and popularity of spaceX in the last few years, the demand for spaceX models has skyrocketed, but there were a few problems. For one, they were very hard to come by, and two, they were insanely expensive. Luckily for us, one man saw a hole in that market and took his 3D modeling skills to create handmade, 3D printed spaceX models that are insanely accurate. His name is Oli Braun and I had the pleasure of interviewing him across the world to talk about his past, his motivations, and his inspirations in a new interview series I'm doing called Space Creators. I'm just gonna open this with thanking you for taking the time to do this. I have the first model you sent me. - Yep. - The Falcon 9 Block 4. - With the dragon capsule, yeah. - It really is slick. It's definitely my favorite model here so far, up until my most recent package. - Okay, so you haven't un-boxed it yet? - It's right here. - Let's hope it's not damaged. - Well, what's funny is it arrived and it had a nice hole in the side of the box. - Okay, oh, okay. - Have you seen anybody ever open a box of your product before? - No, not yet apart from myself. - I thought it would be something fun to start the interview with. And also to clarify, this Block Five dragon model I have is the first one you mailed, correct? - Yep, the first one, with the crew dragon. - Dude it looks, it looks like it's fine. - It looks like in one piece? - Holy (beeping), this is beautiful. - Yeah, it seems to be in one piece, glad you like it. - Before we get more into details, about the particular model making process, I'm curious about your motivations. I know your background is in film and television, did you do any 3D motion graphics? - What I did earlier, when I went to film school, I did 3D animation, and visual effects. This is my core, and the reason why I got into real-life filming was because, I always had problems with live background play for my animations. I thought to myself, well why not do it myself? - So you developed your skills in your main career as a Director of Photography and Motions graphic artist, so I can now see where the skill set came from for 3D modeling because that is a skill set that is applicable across video games, 3D printing clearly, graphics for television, what made you want to make a 3D model of a spaceX rocket? - I mean, I'm a spaceX follower and space fan in general for all my childhood and I've been following spaceX since the first launches of Falcon One, when I watched these fuzzy live streams that they had back then, with laggy Internet. One day I was thinking about, I mean, I want to have models like these, standing around. I mean models were always inspiring to me. I always had models on my desk. Since 3D printing has come up to a pretty usable level, in the past years, I thought to myself, why not just try to remodel things and print them and see how it works. Five or 10 years ago, it wasn't really an option that was on the table. It works so well, it was so accurate, that you could construct things, consisting of multiple parts, that fit together so well. - Did you see a business in this at the time? Or is this strictly just for personal use? - At first it was like, spaceX engineers, these people, they work on this hardware for 10 years maybe. It has a all different meaning for them to have a Falcon Nine sitting on their desk, for example, than it is for me. I was very honored to have these people approach me. The business side of things is not the key element for me. At first glance, they are kinda expensive, if you compare to an off the shelf toy you can buy at Walmart, which is mass produced in China probably. I mean, making stuff at home, in the small company, with limited resources like we do, every model is unique to itself, because it's handmade. I just do it because I love making these things and as soon as it pays for itself, I'm all good. It has it's downsides too because when things are kinda cheap, like these small models were, I get flooded in orders, which made many people tell me, hey man, your stuff is much too cheap. If you look at other custom model makers, they charge more than double of the price what you charge for your stuff still. - When you talk about the price, I think it's very reasonable and I do want viewers to know that I did pay for these models. Clearly, you're at a price point that people are comfortable with because you are flooded with orders and I feel bad because I remember when I ordered my first model, I think it took about six or seven months for it to deliver. Your stuff is in so high demand, and you're one person, hand-making these models, we gotta cut you some slack, cause I remember writing you emails being like, did my order get forgotten? You're like no, there's like, 5,000 other things going on, I promise I'm gonna get to it and I trusted you and you did, you delivered and you delivered a beautiful product. So I'm absolutely thrilled. Has Elon seen any of your models that you're aware of? - Some of the first models I made in 2017 were also made for Elon and also Gwen and Hans and yeah, he was pretty happy with them. He posted them on his Instagram, which doesn't exist anymore because he deleted his Instagram account. You know, it may sound kinda cheesy but spaceX has given me so much inspiration in my life. - I remember being a kid, building space shuttles, Saturn Five's, Mercury Atlas, Redstones and I had them on display and I'd hang them from my ceiling, and it made me dream, you know? You're doing that same exact thing for kids today. As they age, they're gonna be able to say that you know, I had one of Oli's models and I had it hanging on my shelf, and I think you're having a bigger impact on people than you think. So you should feel really good about that. - I'm pretty happy to see kids or young people to be inspired by these things. So very happy about it. Or if my models help making that happen, then yes, yeah, of course. - I learned a lot from that interview and if you want to watch the entire, hour long, uncut interview, you can find a link in the description below. I really want to thank Oli for taking the time and effort to help me set up this interview for my new Space Creators series. I do want to remind everybody that Oli has a big backlog of orders he's still powering through so please be patient with him. He's so busy, in fact, that he's taking a pause on his regular business, to fulfill all these orders for the rest of the year. If you enjoyed this video, I'd appreciate it if you did subscribe. I hope you learned something. I had a lot of fun, I hope you did too and that's really it. All right, bye.
{ "pile_set_name": "YoutubeSubtitles" }
- [Schwarzenegger] We always thought about what can we do for the state of California or for the country, for the United States. - [Woman] We come here to figure out how to solve some of the world's toughest issues. - [Woman] The mission of the Institute is to advance post partisanship, where leaders put people over political parties and political ideology. - Here in California our drought has become the type of crisis that sucks up all the oxygen in the room. We might be short on water, but we are being flooded with headlines and analysis about that water drought. This is why I called us all together here today, in the hope of breaking through this noise. This forum has two equally important goals. One is to help us here, and the people of California understand the problem. Number two is to identify and analyze possible solutions. Our current problem, in my opinion, is not the crisis of water. It is a crisis of vision and commitment to long term planning. Too often, politicians cannot or do not look beyond the current crisis. Over the past hundred years, Southern California has averaged 14 inches of rain a year. As this drought has intensified, over the last five years, same thing. 14 inches average. If history is any guidance, we would enact some short term policies to get thought this drought. When the rain falls we will all move on, so the cycle can repeat itself over and over again. But this time it must be different. We must remember that the real problem is our shortsightedness. We shouldn't just marvel at innovative solutions. We must make a commitment to the future. We must work together to build a lasting vision, a lasting future for California. The question is not what are the needs of the Republicans or the Democrats? The real question is what are the needs of our people? And if you just stick to one party's proposals, you miss half of the good ideas.
{ "pile_set_name": "YoutubeSubtitles" }
Hi, everyone, it's Emmy, and I am back to eat today something that has been much requested and something that I actually....um... really quite like. It's called natto! So, for those of you that don't know what natto is, natto is a I guess you call it pretty traditional... Japanese... I don't know if you call it a dish? Or um, Just food! Traditional Japanese food. It's fermented soybeans, and there are thousands -- well okay perhaps not thousands -- dozens, maybe even hundreds of permutations or styles of natto. So natto is soy beans that have been fermented. They've been inoculated with this stuff and it creates this really sticky, slimy film around them, and that they are quite, um -- how do you put it politely -- pungent in odor? People call them also stinky or foul-smelling. A lot of people actually don't like... don't like natto. I am in the camp of those that love natto, so I don't mind the smell. I don't mind the flavor. I think it's delicious. Okay, I had to go rescue my child! Um, so, natto it's typically eaten for breakfast. Um, you find them in the grocery store kind of in the deli case -- really reasonably priced. Anywhere from a dollar? Equivalent of like a $1 to $3 in U.S. dollars for a three pack. One of the things I've noticed in Japanese food, when I was living in Japan, is there's a great appreciation for, um, slimy textures. So, natto and there's a yamaimo-- which is a type of mountain potato that has a very slimy, viscous... consistency or texture -- which is loved! And soups are slurped, so there's this very much unique, I think, mouth feel to Japanese cuisine? That's different than than western cuisine. I think a lot of westerners have a hard time dealing with that consistency? I love it, I love it! I love the squelchy, squishy, slimy. I'm into it. So, for those of you that try natto be warned, fair warned, besides the smell, there is also a consistency, so... and it does smell very strong. The best way I can describe it is it's similar to some stinky cheeses. So, I'm going to share with you natto. So today I have a bowl of rice. This is a rice bowl that I made when I was in Japan. I took a, um, ceramics class with this lovely lady in my neighborhood. But anyways, here's one of my bowls, and some hot rice. And this is the one I'm going to eat today. This is one of my favorites! It comes in this little cute plastic container called... umeki? So what you do is you open, and you remove the little plastic film -- and it is very pungent -- and inside you'll often find two little packets of some... kind of flavoring This says shiso nori -- which is like a shiso flavored -- shiso is like... Heck! Similar to basil. And nori is seaweed. And, um, the sealed yellow packet which you often see is karashi, which is mustard -- Japanese hot mustard. So there's different ones. Some have just like tsuyu-- which is some sort of sauce-- and karashi, some have wasabi. So like I said, there are many, many, many different kinds. And then inside you have this: those are the beans, and then there's a little plastic film. So you remove the film, and you can immediately see the strands of the culture. The culture is what they use to create that flavor and hence the smell. What you do is you take your hashi, your chopsticks -- you want to develop that slime. So look at that! Add your... in this case I'm gonna add my nori... and my karashi, which is my mustard. And then, again, give it a good mix. Then, after do that, you just... top it onto your rice -- adding some green... some sliced green onion on top. Itadakimasu! Mmm! Delicious! So that's a trick: like if you use your chopsticks, and you give it a twirl, it'll break those strands. Otherwise you get the kind of strands of slime kind of hanging on your mouth, which isn't um, necessarily attractive or pleasant feeling. So, has a bit of that soy sauce sweet and salty flavor, and it tastes kind of cheesy! And then the green onions give it a really nice kind of freshness. Very, very humble humble food, you know, just beans and rice. And it's supposed to be very nutritious -- really good for you! Lots of like, lots of cultured and fermented foods -- like Kimchi, or natto, or kombucha -- those kinds of things are all supposed to be really great for you, so... yeah, it's good for you; it's affordable, and um, it's just plain delicious. So, I highly recommend trying natto. If you've never had it before, give it a go. Maybe you'll find you like it. Maybe you'll find you detest it. Anyways, I hope you try it! If you do, if you've had it, or let me know what your experiences are with natto, I'd love to hear about them. Yeah, don't forget to subscribe, like below, and leave a comment and let me know-- let me know what your experiences are with natto. Alright! Take care, and I'll see you in my next video. Bye!
{ "pile_set_name": "YoutubeSubtitles" }
Arnold Schwarzenegger rose to fame as the world's top bodybuilder, launching a career that would make him a giant Hollywood star via films like Conan the Barbarian, The Terminator and Total Recall. After years of blockbuster movie roles, Schwarzenegger went into politics, becoming governor of California in 2003. He returned to the big screen after leaving office in 2011, finding success with The Expendables franchise and a return to the Terminator series. Arnold Schwarzenegger was born on July 30, 1947, near Graz, Austria. Schwarzenegger's childhood was far from ideal. His father, Gustav, was an alcoholic police chief and one-time member of the Nazi Party, who clearly favored Arnold's brother over his gangly, seemingly less athletic younger son. Arnold Schwarzenegger said the violence from the father created the Arnold of today: “A lot of kids around me were whipped when parents didn't want to create a person but just a obedient guy, I was like a rebel who refused to follow a set path and that was why I was beaten. Every time I was hit or listened to someone to make me cynical, I always told myself: 'This won't last long because I'm going to leave. I will become rich and I will become an influential person. So uptight and uncomfortable, in fact, that Schwarzenegger would later refuse to attend the funeral of his father, who died in 1972, or his brother, who was killed in a car crash in 1971. The unhappy childhood is one of the important reason that lead Arnold to become a empower man who know exactly what he need and what he should have done. He becomes a Mr universe in 1980. From the age of 14, the young man started working out after trying out football. Arnold was so passionate about fitness that he was ready to break into the gym on the weekends to practice stealthily: “Missing a day of practice can make me sick. I know I won't be able to look at myself in the mirror in the morning if I didn't practice the day before. ”As a result, at the age of 17, Arnold Schwarzengger possessed a sculpted body and began to participate in competitions. Schwarzenegger was known as the Styrian Oak, or Austrian Oak, in the bodybuilding world, where he dwarfed his competition. He won his first amateur Mr. Universe title in 1967. After moving to California in 1968 to train and compete in bigger events in the United States, he won four more Mr. Universe titles and then the professional Mr. Olympia title six years in a row (1970–75) before retiring. He surprised the bodybuilding world by returning to competition one more time to claim the Mr. Universe title in 1980. Bodybuilding was the subject of several of his books, including the autobiographical Arnold: The Education of a Bodybuilder (1977) and The New Encyclopedia of Modern Bodybuilding (1998). After becoming the most famous bodybuilder in the world, Arnold continues to conquer new role. His next goal is film, with action, masculine roles. And His first film is in Hercules role , later, Schwarzenegger’s native charm and wit finally came through in the acclaimed documentary Pumping Iron (1977), which led to his starring role in Conan the Barbarian (1982). His other films include Predator (1987), Kindergarten Cop (1990), Total Recall (1990), True Lies (1994), and The 6th Day (2000). Although he officially entered Hollywood in the early 1970s with the film Hercules in New York, he was still regarded as a mediocre actor by "the strange body and voice and the name is too long. It was not until the role of the brave Conan in Conan the Barbarian (1982) that Arnold truly resonated. His giant appearance is perfectly suited to play this ancient hero. Arnold's fate is very similar to Conan himself. In the film, this character is famous for being a gladiator and immersed in the colors before rediscovering himself on the battlefield, being made king. In real life, Arnold became a celebrity as a bodybuilder, after a period of substance abuse and chasing girls. No longtime later, he comeback again in the field of film, married the late Kennedy's grandson Maria Shriver and became Governor of California. After gaining attention with Conan the Barbarian, Schwarzenegger actually rose to a movie star as the "Terminator" T-800 in the science fiction film The Terminator (1984). In the film, he plays the killer robot sent to the past to destroy Sarah Connor (Linda Hamilton) - who later became the mother of a hero. Although initially not expected much, The Terminator unexpectedly achieved great success in terms of revenue. Many critics rated it as one of the best films in 1984, with a focus on the cold-blooded T-800 and the classic "I'll be back" line. The Terminator turned directors James Cameron and Arnold Schwarzenegger into stars. These two close friends later collaborated on two other successful films, the action-comedy True Lies (1994) and especially Terminator 2: Judgment Day (1991). In the second part, Arnold plays the T-800 robot back to the past to protect Sarah's son John Connor from the T-1000 assassin. The film won four Oscars, becoming the best-selling film in 1991 and ranked as one of the best action films in history. The hero with Arnold's cold face wearing dark glasses in Terminator 2 is the most famous figure of his career. When people say "Terminator" is referring to Arnold and vice versa. Even when Arnold Schwarzenegger decided to retire from politics to become political and become Governor of California between 2003 and 2011, people still called him "The Governator" as nick name(based on the combination of Governor and Terminator. ). When the Terminator 3 got no impression from audiences as well as movie critics, he started another roles with a politician, after get married with his wife Maria Shriver. Marriage to Maria Shriver: Off-screen Schwarzenegger continued his remarkable story, marrying into the Kennedy family in 1986 by tying the knot with Maria Owings Shriver, grandson of President Kennedy , daughter of Eunice Kennedy Shriver and her husband R. Sargent Shriver. Schwarzenegger and Shriver have four children: Katherine, Christina, Patrick and Christopher. Patrick followed his dad into the acting business, appearing in several films as a child before taking a leading role in the 2018 teen tear-jerker Midnight Sun. However, The couple announced their decision to separate in May 2011, after Schwarzenegger's acknowledgment that he'd fathered a baby with a member of the family's household staff. During the 1990s he became increasingly active in the Republican Party at both the state and national levels, and in 2003 he was elected governor of California in a recall election. In his initial years in office, Schwarzenegger pushed for a number of restrictive measures that proved unpopular, especially with organized labour. Nevertheless, he was reelected in 2006. He earned key legislative victories on issues relating to the environment, including a landmark act to reduce greenhouse-gas emissions in California, and successfully advocated for ballot propositions to reform the state’s redistricting process and political-primary format. At the same time, his governorship was encumbered by the state’s enormous budget deficit, which ballooned to $26 billion in 2009. Despite a battery of service reductions and salary cuts enacted to stem the fiscal crisis, the state’s economy continued to struggle, and Schwarzenegger suffered from consistently low approval ratings. Because of term limits, he did not run for reelection in 2010. Return to Hollywood: 'The Expendables' and 'Terminator' Sequels In 2010, Schwarzenegger appeared alongside Sylvester Stallone, Jason Statham, Jet Li and Bruce Willis in the ensemble action film The Expendables. In August 2012, he reunited with the cast for The Expendables 2. Just one week after the film's premiere, it had climbed to the No. 1 spot at the box office, bringing in nearly $28.6 million. Schwarzenegger made headlines again later in 2012, when he admitted for the first time to having an affair with his Red Sonja co-star, actress Brigitte Nielsen, in the mid-1980s, while he was dating and living with Maria Shriver. Nielsen had written about the adulterous relationship in her 2011 memoir, You Only Get One Life, but Schwarzenegger didn't publicly confirm Nielsen's account until the fall of 2012, when his memoir, Total Recall, was published. Continuing with his acting career, Schwarzenegger rejoined Stallone for The Expendables 3 in 2014. The following year he returned to the film franchise that made him a star with Terminator Genisys. After the release of Terminator Genisys, many people rated Arnold's presence as one of the movie's highlights. Recently he also made a nice gesture to the fans. After a man said his ill father smiled back when he saw Terminator Genisys, Arnold personally wrote in response: “Your story is very touching. I want to say that this is the reason why I am acting but you should know that you made your father laugh. I want to tell your father that I feel honored when my silly smile in the Terminator made him laugh. ” It is the intimate actions that show such interest in the fans and the action roles that make Arnold Schwarzengger - even at the age of U70 - still one of the most popular stars in the world.
{ "pile_set_name": "YoutubeSubtitles" }
In New Zealand, avocados have joined the ranks of all the illicit, illegal, and stolen goods available on the black market. And it’s not even the first time this has happened. There is a crime wave in New Zealand, and its target is avocados. About 40 large-scale thefts have been reported by farmers, with up to 350 avocados stolen each time, according to Radio New Zealand. The illegitimate fruit is being sold locally, at roadside stalls and through grocery stores and restaurants, at slightly less than the market price – which has doubled over the past few months. In neighboring Australia, there were reports of the fruit selling for $7 apiece earlier this year (that’s about $5 American). To prevent break-ins, Brisbane grocers began posting signs: “Please note: No cash or avocados are kept on premises overnight.” How did we get here? As a society, what drives this kind of black market activity? As with any economic issue, it’s supply versus demand. In this case, weather conditions led to a poor crop right after a boom in demand. In 2015, an additional 96 thousand New Zealand households began buying the fruit, according to growers’ organization New Zealand Avocado. Desperate times lead to opportunistic measures. And all of this is small potatoes compared to what happened in California in the late 1980s. After three winters of freezes cut crops short, petty thievery gave way to professional-level heists. Organized crime rings stole ten million dollars’ worth of fruit in a single year – about five to ten percent of the California industry at the time. The state hired full-time avocado cops, who in their first year of operations uncovered 283 thousand pounds of illicit fruit being sold on the black market. The takeaway here is that it’s up to us as consumers to be wary: If a deal seems too good to be true, it probably is. And a bit of good news: So far, the thefts in New Zealand have amounted to only a couple thousand avocados out of the 25 million that may be sold this season, and new crops should stabilize the market over the next few weeks. What’s your moral stance about black market goods? Reach out and let us know. And to keep up with what’s going on in the world right now, head to now.howstuffworks.com every day.
{ "pile_set_name": "YoutubeSubtitles" }
one, two, three, four If the heart is always searching Can you ever find a home I've been looking for that someone I'll never make it on my own Dreams can't take the place of loving you There's gotta be a million reasons why it's true When you look me in the eyes When you look me in the eyes And tell me that you love me And tell me that you love me Every thing's alright Every thing's alright When you're right here by my side When you're right here by my side When you look me in the eyes When you look me in the eyes I catch a glimpse of heaven I find my paradise I find my paradise When you look me in the eyes When you look me in the eyes How long will I be waiting How long will I be waiting To be with you again Gonna tell you that I love you In the best way that I can I can't take a day without you here I can't take a day without you here I can't take a day without you here I can't take a day without you here You're the light that makes my darkness disappear You're the light that makes my darkness disappear When you look me in the eyes When you look me in the eyes And tell me that you love me And tell me that you love me Every thing's alright When you're right here by my side When you're right here by my side When you look me in the eyes I catch a glimpse of heaven I find my paradise When you look me in the When you look me in the eyes When you look me in the eyes You tell me that you love me Every thing's alright When you're right here by my side 'Cause when you look me in the eyes 'Cause when you look me in the eyes 'Cause when you look me in the eyes 'Cause when you look me in the eyes I catch a glimpse of heaven I catch a glimpse of heaven I catch a glimpse of heaven I find my paradise I find my paradise I find my paradise I find my paradise When you look me in the eyes When you look me in the eyes When you look me in the eyes When you look me in the eyes When you look me in the eyes
{ "pile_set_name": "YoutubeSubtitles" }
- People say that if you want caffeine, you need coffee or energy drinks. - Woo! (energetic music) - Well those people are wrong. (upbeat music) I'm making the best God damn tea. I'm starting a tea company, I'm trying to do the whole thing for under $500 and I'm showing you guys the whole process so you can learn what it takes to start a business. Oh my God. I'm not selling products yet. Do you have something to sell? I need to figure out what these flavors are, huh? Today I'm sampling from over 50 different teas in a quest to make original flavors. Something that combines the punch of my favorite caffeinated teas with the health benefits and anti-inflammatory properties of my favorite herbal teas. And oh yeah, it's gonna be really, really yummy. And while I do that, I've asked my friends to sample from some of the world's most popular caffeinated beverages to see what they like and if there's anything I should incorporate into my tea. - Mm. Yeah. Woo. - Where does tea come from? - True tea comes from camellia sinensis can you say that? - Camellia sinensis. She was dating Shaun Mendez, right? (laughing) So you sent me like well over 50 different samples. I have all of these teas to try. What am I looking for as I'm drinking these? - Just think, what would I want to drink every day? - We are launching with two original blends. One for waking up, and one at the end of that day for chilling out. I just wanna make something that you sip and it makes you happy. Did I just create a new blend? My mission today is to better understand flavor. - According to Ayurveda you have the tongue, right? So you have sweet, you have salty, you have pungent, and then the far back of the tongue and along the sides of the cheek is astringency. High quality food has that puckery effect that drawing astringent effect. As you start to define that pallet you can really tend to appreciate it so much more. - I need to get in touch with my lil' taste buds. My little flavor buddies. My lil' flav homies. What's going on in my mouth place? - I don't know what Zach's doing, he's off having a spirit quest somewhere. But the boys today are gonna be sipping the caff. Hello, and welcome to the ultimate caffeine taste test. We're gonna get (beep) up. - Zach did text me and say, "Eugene, don't drink the entire bottles "of everything we've given you." He's not here, there's no oversight. I'm gonna do whatever I want. - We did consult with medical professionals. (laughing) We googled some stuff about like is this okay, can caffeine kill you? And it turns out you have to have like a lot a lot of caffeine to even be close to dying. Disclaimer, whatever. We don't have legal. Well we do have legal, but like not that type of legal. - You have a way that you taste tea specifically. - Yes, again, this isn't something that you do on a date. This is something if you're like really honing in and you're evaluating a tea. Ideally, it's best to taste tea early in the morning. - Good morning, campers. It is 6:45 AM. - Because your senses are more awake. You're more alive, you're more charged. - I certainly don't feel alive. - You should have as clear of a palate as possible. You just wanna make sure your tongue, that instrument is fully ready to really understand the single ingredient components. Make sure you have a clear bladder. - So you're telling me, that to taste up here I gotta empty out down there? - Yes. (trickling) - First up, coffee. I certainly have coffee everyday, something I'm very used to. - Yeah, that's good. Tastes like waking up. Tastes like getting me going. - What is caffeine? - There's about five botanicals that we know of that naturally have caffeine. Coffee, tea, cacao. Lot of people associate side effects of caffeine because of coffee. - Is my hair making myself glow? Is that what it is? How dark and black my hair is, is making me turn into Edward Cullen? - Typically, you'll get a much more balanced caffeine experience when it comes to tea than you will with coffee. - Next up we have some black tea. - Steaming up my glasses, I'm steaming up my glasses. (slurping) - Sorry, that was gross that I slurped. - Honestly, I just want more, I'm just so sleepy, the coffee's I think all that's gonna help me. - I think a lot of people, there's this assumption that tea isn't enough. - Tea has its time and place. Coffee has its time and place. - Yeah, coffee's great. - That if I'm sleepy, if I need that kick of energy. (upbeat music) - Yeah, the tea's just super underwhelming. - That tea can't do what the other things can do. - What can I say? Let's chug this. - So I would say they're 100% right. If they're used to buying the scraps that are left over and put into most supermarket teas, you're not gonna get all the other polyphenols, flavor notes, the natural oils, amino acids that could be left in a whole tea. - Now white teas are quick. You only need to brew them for about one to three minutes. So let's put time on the clock. And then I'm not gonna make you wait three minutes. Let's cut to them being done. So I've got my teas here next to what I'm sampling, next to this puzzle that I gave up on. Let's do it. - So what I'm gonna do is I'm gonna draw the liquid in the front of my mouth. Just take a normal sip and swallow. This helps me get baseline in terms of temperature, I don't wanna burn my mouth. I then swirl it around in the front, swish it back so it covers all of my taste buds. (slurping) Swallow, and with my lips closed, I take a slow breathe out through my nose. - Now here we go. (slurping) (choking) (slurping) (choking) - Almost everybody coughs like the first couple times that they try this. - I think I need to try that again. - [Steve] Okay, let's do it. - First up, I'm gonna do silver nettle. (slurping) Oh yeah. It's like if you could take all the dew off the grass on a spring morning and sip it. White acai. Cheers. Lot of sweetness up front. Feels very summertime to me. But it's not what I want when I first wake up in the morning. In the mornings I want something that feels like a warm hug, but then slaps you across the face. White tea and organic green tea together. That's really nice. That's really good. With having my autoimmune disease, I don't sleep great a lot of the time. So I really need something in the morning that just kick starts my day. White goji blossom. Mm. This is already so hard. It's like, okay, that was good tea. Hey, this is a good tea too. I don't (beep) know. So I just decided to ask Twitter what their favorite tea flavor was, and I have over 830 responses already. - And by the way, tea people are very vocal. They're gonna be like, this sucks, or this is the best experience I have ever had, and I need to have it again. I need to have it again, and I need to have it again. - This is both very exciting. It shows that people are tapped in, they really care about this. But it also makes me nervous because I know that invariably I'm going to disappoint some people. This is tough. - [Ned] The ultimate caffeine taste test. Matcha. (clinking) Is it Ned who doesn't like matcha? - I have never tasted a matcha that I have liked. - Absolute blasphemy. - Smells like I'm just tasting grass clipping here. - Really straight up smells like some grass up in here. And not the Friday night kind, you know what I mean? All right, we're having fun. (slurping) - Oh I hate it. - I feel like I wanna drink this, I'm a cow. - Like a sexy cow. - Makes me feel like I'm on a farm. And somebody just blasted a shotgun full of grass in my face. - I love this so matcha. Dumb, dumb, it's dumb when it comes out of my mouth. Something that Keith would probably say, it sounds like a Ned joke. - I'm gonna probably start steeping multiple. - Yes, you can get super scientific and it's gonna be one minute, or three minutes, and this particular temperature. But if it's a great tea, then it should allow you the wiggle room in terms of how it comes out. Try it at three minutes, try it at four minutes, try it at five minutes, and try it at, like eight minutes. - If you do it too hot, or if you leave it over steeping it needs to still just taste great. Now we are into the black teas. English breakfast. If you've ever even heard of a tea flavor, you probably know English breakfast. Oh yeah. You know what, I'm just gonna say it right now. I think I want the wake up tea to be a black tea. There's something about the way that this makes me feel that just tells me like, hey, it's the morning. It's time to wake the (beep) up. - The one thing that's gonna drive the most amount of caffeine is how long you steep it. That's why white tea and green tea, by nature, have more caffeine, but black tea you steep longer. - I really like black tea. And I'm trying to find one though that is more interesting. All right, let's move on to monk's blend. (jazzy music) (eerie music) Yes I am so stoked about this. This is like what you expect black tea and want it to be. - Usually from Assam, India, the flavor profile's almost like fresh baked bread. It has that multi-ness that you might be attracted to. - The ultimate caffeine taste test. Espresso. Espresso, no, no, no, it's an espresso not expresso. E-spre-sso. Espresso yourself. Oh my God I can't stand what I'm saying right now. I'm just talking. - Salut. (electronic music) - Woo. - Delicious. - This is plum olong. Oh wow. This is what I've been looking for. Plum, dates, cherry, stone fruit. These kind of deeper flavors I think really go well with the black tea. Oh my God, I am so excited. - Can you say ultimate caffeine taste test? (babbling) Woohoo! (rock music) Oh yeah, we're getting this party started. Did I shake this up? Oh, oh. - I'm not the biggest fan of this no sugar, no calories, aspartame flavor. - I have aspirations, but not aspartations. What's that mean? - Okay, next round of teas. We're moving into the herbal blends. We've talked a lot about caffeine in this video, but one of my favorite things about tea is its healing properties. Tea can calm you and soothe you, and there's a lot of really cool stuff in it that has great effects on your body. I want the herbal tea to just be something that gives you permission to say oh, let's relax. First up, we've got bright eyed. Oh this kicks ass. (rock music) - Woo! Let's go. (belching) (intense rock music) (slurping) - Hell yeah. That's good. Oh it makes you smile. - My heart's beating faster actually. (slurping) - Okay next up I have the ginger ginseng. Balanced really nicely. The ginger brings it to a place that I like. We got rooibos. Oh I love this. Very multi-nutty and then cinnamony. It's just such a fun herbal flavor. Rooibos chai, it's got that delicious flavor but then the chai is giving me this tingle and it's this spice, and it's aromatic. - You remember yerba merty. - [Ned] Smells like flat coca-cola. - Yerba mate y'all. (growling) - Hey, hey. Children, children. Father is filming. (sighing) (rock music) (gagging) - Talk to the people, Bean. Hello, my name is Bean and I'm a dog. How's your quarantine going? Oh pretty good, I like barking at all the people walking by. - Feeling a little, little crazy now. - Feeling pretty lit. I'm feeling litty city. (upbeat music) - Mm. - Woo. - Okay, okay, okay, okay, okay, okay, okay. (tongue clicking) - It's now 8:30 AM I'm two hours into this. I've sampled from 12 different types of tea and I'm feeling really nice. - Wow it is starting to hit me. My brains is going da-da-ling-ding-ding. (humming) - My mind feels clear. - I'm right, you're wrong, shut up. No, not right. Zach zach, zach zach, zachitty zach. Zach's tea. - I'm awake but I'm not feeling crazy like this. - Cute. Cute. Cute. - I feel like I've had a nice steady ramp up in the morning and I just feel good. - Feeling crazy. I do need to do work today. Or do I need to play skee-ball? Skee-ball. Skee-ball. Skee-ball. (techno music) Gimme the ball, gimme the ball, gimme the ball. - Time to have a dance party. (techno dance music) - Oh the bees are out again. (techno music) - The bees. - It gives you wings. - I am starting to crash. - I'm just tired. (metal clinking) Oh no, somebody dropped a fork. - If you're drinking coffee at this really high spike and you come down below your natural state, and it takes a long time to come back to normal. - They're all like a little party. They're all like getting to know each other. They're all like, "Hey, how've you been?" - Bad for the body, it's bad for the adrenal glands. It keeps people up at night. - Oh I've been in quarantine. Oh my too, I blah blah. I haven't seen you in so long. I haven't seen anyone in so long. Get a sip of coffee. - Now there's nothing in the bean itself to combat the negative side effects of caffeine. Now the type of caffeine that's in tea is chemically similar. - They're the same thing. They're the same thing. - But they effect the body a little bit differently. There's polyphenols and flavanoids and catenins that naturally combat the negative side effects of caffeine. - I wonder do I seem a lot more animated and happy than when I started this video? I feel wonderful right now. I just feel alive. (electric whirring) - Thank you. - Yo. - Hey man. Where's the rest of the guys? - Oh well, Ned threw is back out. And Eugene was up until five in the morning, so you just got me today. - Oh my God. - Yeah. (chuckling) - I guess, what'd you guys learn? - (beep) nothing, man. Maybe don't drink that much caffeine. - Uh thanks, I guess. - Yeah you're welcome, man, it was fun. - I have some flavor ideas. - That's great. We probably had the same day. - Okay, well bye. - Okay, bye. - So after my flavor adventure I have settled on blend ideas that I am stokes about. For the wake up tea, we're gonna do Monk's Blend mixed with stone fruit. For the calm down tea we're doing rooibos, just a really beautiful, flavorful red tea. Then we're gonna try mixing it with chai, ginger, turmeric. Wake you up, tastes great, make you feel great. In about a week I'm gonna get the samples back and be able to try different versions of my tea for the first time. And then in about a month and a half it'll be in your hands. It's happening. The next episode is all about design. What do you think my logo should be? I want you to illustrate, Photoshop, send me your best, wackiest, funniest, craziest designs using the hashtag #korndiddytea. I'll have instructions up on my Twitter and Instagram. And I will review them in the next episode. And very exciting, I finally have a name to reveal for my company. Next time, bye. (upbeat music) - Zach's tea, I love Zach's tea. I love to drink Zach's tea.
{ "pile_set_name": "YoutubeSubtitles" }
English: ♪♪♪ [humming] ♪ Remember when you said it there's no second chance ♪ ♪ Oh, baby, I heard you been hoping you could change the past ♪ ♪ You miss the long goodnights ♪ ♪ You miss the long goodbyes ♪ ♪ You miss the long goodnights ♪ ♪ Yup, yup, yup, yup, yup ♪ ♪ Well did you ever think that it was hard for me ♪ ♪ To walk it off like nothing happened nonchalantly ♪ ♪ I got you feeling like ♪ ♪ I got you feeling right ♪ ♪ I got you feeling like ♪ ♪ Yup, yup, yup, yup, yup ♪ ♪ That's my shape I made the shadow ♪ ♪ That's my name, don't wear it out though ♪ ♪ Feelin' myself ♪ ♪ Can't be illegal ♪ ♪ Illegal ♪ ♪ So sue me ♪ ♪ For looking too pretty tonight ♪ ♪ Wearing your favorite color under the lights ♪ ♪ For moving on, doing everything right ♪ Japanese: 覚えているわ もうやり直せない ってあなたは言った ねえベイビー 過去を変えられたらって ずっと願っていたんでしょ あの長いおやすみの言葉が恋しくて あの長いお別れが恋しくて あの長いおやすみが恋しくて (そうなんでしょ) ねえ 考えたことある? 私がどんなに辛い思いをして 何事もなかったように平然と立ち去ったか あなたにそう感じさせたか それでいいと思わせたか あなたにそう感じさせたか 私の影よ そこに映っているのは あれは私の名 ボロボロにしないで でも晴れやかな気分になったって 別に違法じゃないわ 違法じゃない 訴えたければどうぞ 今夜はキレイ過ぎてごめんね あなたの好きな色をまとってライトに照らされて 前に進んで 全部完璧で Japanese: 悪かったわね あなたの仲間と仲良くして 出会った場所であなたと鉢合わせて 私を忘れられなくさせちゃって 悪かったわね 外出先で私と会うのはすごく辛いでしょうね でも無神経にならないようにするわ なぜってあなたは鈍感だから 確かにしんどいと思う 会いたくもない人に会うのは そのキツさはわかる (そう わかる) 私の影よ そこに映っているのは あれは私の名 ボロボロにしないで でも晴れやかな気分になったって 別に違法じゃないわ 違法じゃない 訴えたければどうぞ 今夜はキレイ過ぎてごめんね あなたの好きな色をまとってライトに照らされて 前に進んで 全部完璧で 悪かったわね English: ♪ So sue me ♪ ♪ For being good friends with your friends ♪ ♪ And running into you the place that we met ♪ ♪ For being something you can't forget ♪ ♪ So sue me ♪ ♪ Go ♪ ♪ It's hard to see me on when you been off as hell ♪ ♪ But I'm not gonna dull myself because you dull yourself ♪ ♪ I know it's hard to see what you don't want to see ♪ ♪ I know it's hard to see ♪ ♪ Yup, yup, yup, yup, yup ♪ ♪ That's my shape, I made the shadow ♪ ♪ That's my name, don't wear it out though ♪ ♪ Feelin' myself ♪ ♪ Can't be illegal ♪ ♪ Illegal ♪ ♪ So sue me ♪ ♪ For looking too pretty tonight ♪ ♪ Wearing your favorite color under the lights ♪ ♪ Yeah, yeah, yeah ♪ ♪ For moving on ♪ ♪ Doing everything right ♪ ♪ So sue me ♪ ♪ For being good friends with your friends ♪ English: ♪ And running into you the place that we met ♪ ♪ For being something you can't forget ♪ ♪ So sue me ♪ ♪ I ♪ ♪ I, I ♪ ♪ I guess I'm hard to ignore ♪ ♪ Pick up that jaw off the floor ♪ ♪ So sue me ♪ ♪♪♪ [vocalizing] ♪ For looking too pretty tonight ♪ ♪ Wearing your favorite color under the lights ♪ ♪ For moving on, doing everything right ♪ ♪ Everything right ♪ ♪ So sue me ♪ ♪ For being good friends with your friends ♪ ♪ With your friends, yeah, yeah, yeah ♪ ♪ And running into you ♪ ♪ The place that we met ♪ ♪ The place that we met ♪ ♪ For being something you can't forget ♪ ♪ You can't forget no ♪ ♪ So sue me ♪ ♪ Sue me, baby ♪ ♪♪♪ [vocalizing] Japanese: あなたの仲間と仲良くして 出会った場所であなたと鉢合わせて 私を忘れられなくさせちゃって 悪かったわね 私から眼をそらすのは大変そうね ほら ポカンと開いた口を閉じなきゃ 訴えたければどうぞ 今夜はキレイ過ぎてごめんね あなたの好きな色をまとってライトに照らされて 前に進んで 全部完璧で (完璧で) 悪かったわね あなたの仲間と仲良くして 出会った場所であなたと鉢合わせて (出会った場所で) 私を忘れられなくさせちゃって (忘れられなくさせちゃって) 悪かったわね 悪かったわね ベイビー
{ "pile_set_name": "YoutubeSubtitles" }
My name is Ben Nemzer, and I am a magician. One of my specialties is close-up magic with ordinary objects, decks of cards, ropes, rubber bands, and I do that all over New York City. I'm going to teach you some of the basics of magic that you guys can start performing right away. I'm going to show you how to take a bread roll and bounce it really high. Now, look. Now, here's the secret behind the bouncing bread roll. For starters, there are actually two bread rolls, and you don't let anybody know that you have two. And you want to try to find two that look pretty similar, although nobody will notice if they're slightly different like these. And you leave one on the bread plate, and when no one's looking, you take another one and sneak it into your lap and I keep it right here on my left knee. Now, what I do is as I reach for the bread roll with my right hand, my left hand takes this one off my knee. Now, it looks like this bread roll is bouncing, but what happens is as soon as I hear the impact of it hitting the floor, I take the other hand and I toss it up, just like that. And that's how you bounce a bread roll really high.
{ "pile_set_name": "YoutubeSubtitles" }
XWelcome to Part 5 of our series on the common fallacies committed by both the religious and the pro-government. This week, we look at the Argument from Incredulity, also known as the Argument from Ignorance. This is where someone asserts his claim has been proven because there is no evidence to the contrary. Here are some common examples: "I saw something in the sky, and I don't know what it was. So it MUST have been an alien spaceship!" "My cancer went away, and my doctors don't know how. It must have been because I prayed!" "You can't prove that vaccines DON'T cause autism, and until you can, we need to be on the safe side and NOT vaccinate!" Here's an example from a rather shameful period in American history: "You must be a communist, because you can't prove that you're not! If this sounds like a Shifting Burden fallacy, like what we talked about back in Part 1, well, you're right, but there's another element of it, too. And that's been summed up by the common phrase given by many a woo: "Absence of evidence is NOT evidence of absence!" Well, it certainly isn't evidence FOR your claim! At best, it means we should withhold judgement. But not only that, sometimes absence of evidence IS evidence of absence if we look where the evidence should be and it isn't there. It also tries to avoid the unlikelihood of their premise, or at least, the superior likelihood of alternatives. Let's say it's 1947 and you're in the town of Roswell, New Mexico. You see something fall from the sky. You run to check it out. But before you get there, lots of military guys pull up in jeeps and grab you and take you away somewhere. So now you're at the table with the light over it, and they're asking you questions about what you saw and how much you know. Once they're satisfied you've told them everything, they let you go, but warn you that if you talk to anyone about it you'll be arrested or even killed. That night on the news, you see a story saying that what fell from the sky was a weather balloon. But, you think, why would the military be that concerned about a weather balloon? So when someone suggests that it was really an alien spaceship, and the military was covering it up, do you believe them? "Well, yeah! Why else would the military have reacted that way?" Well, if it were an alien spaceship, yes, you'd expect the military to react that way. But is that the ONLY reason? What you need to think of is the likelihood of an alien visitation absent your experience. This is called "prior probability." And if the prior probability is low, you need a LOT of evidence to overcome it. Or, as Carl Sagan said, extraordinary claims require extraordinary evidence. "But you don't know what it was!" So what? That doesn't mean that your set of evidence is enough to overcome prior probability. And how do you feel after Congress passes the Freedom of Information Act and we find out it was a spy balloon, trying to see if the Russians were doing high-altitude tests of nuclear weapons? "Sounds like another cover story to me!" Ah, but how did you know the weather balloon story was a cover? Because the evidence didn't fit it. But if it WERE a spy balloon, what would you expect? You'd expect the military to question you to find out what you knew, and release you after threatening you if you talked. EXACTLY the same evidence that led you to conclude it was aliens! But the spy balloon hypothesis has a MUCH higher likelihood than aliens--especially for 1947! And think about this: Before, when that explanation wasn't available to you, you thought "aliens" because you couldn't think of anything else it could be. But now, looking back, you can see that you should have considered one other alternative: that you didn't have enough information to get the REAL answer. Any time you're faced with something like this, where you can't think of an alternative, remember that: it just might be that if you were in possession of all the facts, an alternative hypothesis would be obvious. Probably the biggest example in religion is known as the God of the Gaps argument. Remember THIS guy? "Tide goes in, tide goes out--you can't explain it!" Yes, I can: tides are caused by the moon's gravity. "Okay, but how did the moon get there? PINHEAD!" See? You fill one gap, they just jump to the next. And it doesn't even matter that we've got a pretty solid model explaining how the moon formed. They can just jump to something else--ANY hole in our knowledge would do. Creationists do this all the time. "You don't have a missing link between apes and humans!" Well, humans ARE apes, so I'll interpret this to mean, between humans and our last common ancestor with chimpanzees: Sahelanthropus. And we do: there's Australopithecus africanus. "Well, now you have TWO gaps: one between Sahelanthropus and Australopithecus africanus, and one between Australopithecus africanus and Homo sapiens! You have TWO missing links!" No, they've been filled! In fact, between Sahelanthropus and H. sapiens, we have Ardipithecus, Australopithecus anamensis, A. afarensis, A. africanis, Homo habilis, H. erectus, H.heidelbergensis, and H. rhodesiensis. "But that's...] 8 missing links you have to fill!" See how it works? Each gap you fill in just creates two more. This happens all the time with origins. "You don't know how life started! So it MUST have been done by God!" Remember what we said earlier? What's the alternative you should ALWAYS consider? "Uh...I don't have enough information to get the real answer?" See? You're learning! Lots of scientists have theories of abiogenesis that are being tested and refined. Any one of these has a greater prior probability than God, and even before we had any idea about any other possibility, there's STILL the possibility that NO ONE has the information to get the right answer...yet. Just like with the Roswell aliens. Maybe God did it, or maybe you just don't have enough information to reach the right conclusion. I think we both know which one has the higher prior probability. So, how do statists engage in the Argument from Incredulity? Do I have to do it again? "But who will build the roads?" As we've discussed previously, the fact that you can't THINK of who will build the roads does NOT mean they won't be built, and it CERTAINLY doesn't mean that government will build them better. And this is far from the only question: "Who will feed the poor?" "Who will put out fires?" "How will you stop crime?" "What will stop people from dumping toxic waste into our rivers?" And just like with the theists, it's "You can't explain it!" Even if I can't, so what? That doesn't mean you win by default! As discussed in part one, that does NOT absolve you of your burden of proof. All it does is speak to your lack of imagination. It's Government of the Gaps. In fact, it's hard to think of any statist arguments that DON'T comprise an Argument from Incredulity in some way. They really can't imagine how this can be achieved through peaceful, voluntary cooperation. But this itself raises an important question: Do you really trust someone who knows so little about a subject to control it through the use of force? Not only that, it shows a complete inability to think about things in any way other than imposing one solution on others. They're essentially asking: "So what one solution will YOU force on others?" As pointed out in Part 4, we DON'T have our own way that we want to impose on others. We don't have direct answers for these questions, not because we can't think of any answers, but we can think of LOTS of possible answers and we want people to have the freedom to explore which solution works for them. Maybe some private roads will be toll roads. Maybe some residential roads will be built by a homeowners association--as many are today, in fact. Maybe roads in a business park will be paid for by the businesses who want customers to have easy access to their stores. Sit and brainstorm: I'll bet you can think of a dozen different possibilities. Which way is best? The libertarian doesn't claim to know. We just aren't that arrogant. And that's really what this fallacy is all about: arrogance. Whether you're talking about God or government, the essence of the Argument from Incredulity is this: "If I can't think of an alternative, there must not be one!" But whether you're a statist or a theist, you have to stop and think that maybe you're just not clever enough, or don't have the right experience, or don't have as much information as you need to see alternative solutions. And once you learn to have the humility to see that this option just might have a higher prior probability than the statist solution you're advocating, you put yourself in a MUCH better position to discuss libertarian and market-based approaches to all of these problems. Stay tuned.
{ "pile_set_name": "YoutubeSubtitles" }
♫ EPIC NEW FUS RO DAH INTRO MUSIC ♫ AARON: Okay, so, why am I going here? EMRE: WELL! You're going here because you need-- AARON: Staff of Magnus. EMRE: Yeah. AARON: Hey! It's convenient that I just found you here like this, Gavros Plinius. GAVROS PLINIUS [with a dying breath]: Find...Paratus... ...In...Oculory... AARON: Okay. EMRE: OH! AARON: Alright, I'll work on that honey. HEEeey, spider buddy! You're *DEAD*, bitch! [EMRE making raspy explosions with his mouth] AARON: Not a fuckin' CHANCE against mah firebawl! This plaaaace is CRAAAAYzeeeee! EMRE: What is THAT?! AARON [with narration like that of Honey Badger Randall]: A chaurus reaper--look at 'em run baaackwaaards! OOOH! Did the chaurus reaper eat this Synod Reeesearcheeer?? That's so DIISGUsstiiinnng... OOOhhh! The chaurus reaper doesn't give a shit! AARON [as his normal bored self]: Faaaalmerrr... Suuuuck iiitt... [EMRE providing more mouth noise. This time a delightful oral fart] PFFffffffffffffttttthhhhhhhhHHhhHHHHhhhh.... AARON [as deceased Falmer]: 'OOOooh, I didn't expect a FOURTH fireball that would kill mehehehhh'! Focusing Crystal?? EMRE: YEEEEEEEYAAAHH! AARON: I think I'm gonna need *that*. EMRE: You notice that all the Falmers kinda look like President George W. Bush? AARON: They do. PARATUS DECIMIUS: WHAT?!...What are *you* doing here?? What have you done with Gavros?! AARON: Yer PAL Gavros is DEAD. PARATUS: It was the Falmer, wasn't it?! AARON: And so is Davros who invented the Daleks, actually. EHHHHH--I'm lookin' for the Staff of Magnus! LETSGITDOWNTOBUSINESS. PARATUS: EH...I'm afraid I can't help you with that... AARON: Okay. PARATUS: I need *THE CRYSTAL* to do anything useful! And, I don't have it... AARON: Mmmmnn, well...I've got it. PARATUS: You found it?? AARON: Yeh. PARATUS: How in the WORLD?? AARON: I just killed this dude and he had it. AARON: [suddenly a pompous trust fund baby]: *I'M* with the *COLLEGE OF WINTERHOLD*. PARATUS: You ARE, are you? AARON: MNNYES! We have vereh nice ASSES at the College of Winterhold. [INSERT EMRE GIGGLES] We are *ALSO* vereh interested in SPEAKING and DISCUSSING...and TALKING and FOLLOWING. If you want me to do somethin' like *THAT*, I can definitely--YES, I will *FOLLOW* you. I'm VEREH good at this. EMRE [also very privileged]: IN FACT, he has a *MAJOR* in FOLLOWING. AARON: I do! I have a Major in Following and a minor in...Attempting to Kill Myself. ...Because I'm so bored, all the time. EMRE: It's more of an extracurricular activity. AARON: BUT, YOU KNOW... It's hard to get a *DEGREE* in Killing Yourself out of Boredom. AARON: I wish one of these quests would just be like, 'Have sex with one of your college roomates'. COME ON! I mean, COME ON! Like, *MAGICAL* sex! AARON: Where you use magic to make your dick like SEVENTEEN inches long. EMRE: Why stop at seventeen? Why not go into the-- AARON: Awwhh, once you start gettin' any longer than that, it's gonna get awkward. You know? EMRE & AARON: OHHHHGGGHHH--! AARON: Shit. Lookie what we got here. EMRE: It's your first multiple choice test of college. AARON: It is. It's like a Pop Quiz. [BANJOS STRUM OVER MANY, MANY HOURS OF PAINFUL REGRET AND RECONSIDERATION TO THE CLASSIC TUNE OF COLLEGE DEBT] [MORE AND MORE DEBT, MORE AND MORE REGRET] [AN AUDIENCE OF CHILDREN GASP WITH EXCITEMENT AS THE BOYS FINALLY PASS A CLASS THAT DOESN'T MATTER] EMRE: Oh. My. GOD. That took forever. AARON: Ah, it didn't take that long... I-It's only been like half an hour, Emre. I don't know what your problem is. EMRE: I can't help but think we might have got that done quicker if we weren't *drunk*. AARON: Hey, dickweed. How's it goin'? PISSY PARATUS: What is IT?! What have you DONE?! AARON: You better *FUCK OFF*. SOOOOooo, the Staff of Magnus is somewhere else that I have to go... ...fuckin' look for... PARATUS: WELL....YES! AARON:...Yer kiddin' me... PARATUS: But, that doesn't matter now! Because I know you're *HORDING* something even *MORE* important at your college! AARON: I am. I have over--I have a collection of over THIRTY skulls! I'd like to add your skull to my collection! PARATUS: You got what you came f-- [EXPLOSIVE BETRAYAL] EMRE: OHOOOOO!! PARATUS: I YIELD! I YIELD!! AARON: Nah, you don't yield. You *DIE*. ...Fuckin' dick. I keel'd 'em! I KEEL'D 'EEEM! DOO DA DOO DA DOOOoooo!! He was a douchebag. I'm so glad he's dead--WHAT THE FUCK? Hello? EMRE: *These guys* again... MYSTERIOUS ELF: You've done well thus far-- AARON: WUT? MYSTERIOUS ELF: But TRYING TIMES are ahead! AARON: OH! Hi! Is it *snowing* where you live? Cuz is looks like it is here... MYSTERIOUS ELF: You are on the RIGHT PAWHTH, and you will PREVAIL. AARON: PATH or PAWHTH? I dunno what a PAWHTH is... Is that like a posse? Byyyyeee~~! Oh, Mzulft. I'm gonna miss you. EMRE: *Are* you? AARON: No. AARON:..Did you just let one? EMRE: IIIIIiii...let one... AARON: Wonderful. EMRE: You know wherever I see that statue of the mage farting, I just feel... Like I *need to*. AARON: Hey, what's happenin'? UHHHH. Sorry I'm late. I've been drinkin'. SAVOS [barely audible over a goddamn wind tunnel]: I don't know what he's doing, but he won't get away-- AARON: I'm kinda wasted right now, so I can't really hear you. Savos? I love you. AARON [even more drunk]: I LUV ALL YEW GUYS AT THE MAGE'S COLLEGEEEE. YEW GUYS ARE SO AWESUMMM.... I'm so GLAAAD I came hereee... Hey! What are you doin', man?? EMRE: Ah! You're supposed to blast it! BLAST IT! AARON: Blast WUT??? EMRE: WHATEVER, man! Just do it! AARON: I did it. Hey! What are you doin', dude? Maybe you should stop. EMRE [loves a good man butt]: That's the guy with the nice butt! Check it out! YEEEEAAAAAAAaaahhhh!! AARON: Hey, you better--you better stahp it! Stahp it, man. EMRE: They're comin' for ya! AARON: Stahp it. Git 'em! EMRE: AAAHHh, shit. AARON: UHHH... What's goin' on? MIRABELLE: Are you alright? AARON: N-No? MIRABELLE: Can you WALK? AARON: Yeah? MIRABELLE: I need you on your feet! We're in trouble here. AARON: I'm kinda tired... Think I might take a nap. EMRE: Oh, man! That's not good! AARON [speaking with his mouth full]: OHSHHNOOO--SHHAVOS! I'm eatin' banana, sorry. SHAAAVOS iz deaaad--OhhGAWHD! EMRE: BUT HE WAS THE *DEAN*! Now who's going to stop your... Crazy college antics? AARON: NO ONE. [LET THE UNIFIED CACKLING COMMENCE AARON: HEY, FARALDY! Wanna go protect the village and shit?! Should be fun! Come on, Faralda! I like you! You're mah favorite here! You're no Astrid, but...if I gotta bang somebody. Hey, Faralda! Have you ever been a part of a gangbang? It's pretty fun. Wanna try it? Me and Arniel. How 'bout it? Just the three of us. Threesome?? Come ooooonn... If you've never tried it, it's pretty fun! EMRE: That's the look of consideration. AARON: Yeah, she is. She'll think about it. She'll let me know. 'Defeat the creatures infesting Winderhoooold'...? Alright. If you insist. EMRE: Man! These things sure have a lot of health! AARON: YEAH! Punch 'em! PUNCH 'EM!! Whoops! Set my buddy on fire there. EMRE: WOOO!! AARON: WE DID IT! Good job, everybody! Heeeey, how do ya wanna *celebrate*, Faralda?? How 'bout a lil party? I'm having a party back in my dorm room right now. Wanna come? [FARALDA is fed up with this world] AARON: To celebrate killing all these--HEY! HEYYY! [ADAM CACKLES OVER AARON'S LIFE OF REJECTION] AARON [laughing at his own pain]: Shiiit!...I guess I shouldn't have asked her... Now what? Hello?? Can I come in? I just wanna talk to you for a second, man. Gaw, why are you such a dick? Heyyy, uhhh, I took care of those dudes out in the, uhhh...town? What are--Get over here! MIRABELLE: WELL! Is everything out there alright?? AARON: Yeah, it's fine. MIRABELLE: Wish I could say the same for us... AARON: Yeah, me too. MIRABELLE: Tolfdir and I can *try* and keep this contained. AARON: Can you? MIRABELLE: *YOU* need to get your hands on the Staff of Magnus. *NOW*! AARON [weighed down by so much bullshit]: OKAY, WELL, I guess *I'LL* go off to Labyrinthian. MIRABELLE: WAT?! Are you... Are you sure?? AARON: NO! I'm not sure! I don't wanna go there! I want to go back to my dorm room and have a nap and a...booze. TOLFDIR: WAT ARE YOU *DOING HERE*?! YEW NEED TO GET THAT STAFF OR ELSE WE DON'T STAND A CHANCE!! AARON: UHH....okay? But, where are you shouting at me from...? EMRE: Oh, there he is! AARON: JEEeesus, he just--Were you in this *POOL*?? TOLFDIR THE DEMENTED: WAT ARE YEW DOING HERE-- EMRE: What are *YOU* doing here?! I'm just a student! Shouldn't *YOU* be out doing something-- AARON: Why don't YOU go get the GODDAMN staff?! I'm just fuckin--I CAME HERE TO LEARN HOW TO DO *MAGIC*! Not to *SAVE THE COLLEGE*! EMRE: He's like, 'Don't worry! I'll keep your chair nice and warm while you go save the world!' TOLFDIR: WAT ARE YOU DOING HEEEERE?! YOU NEED TO GET THAT STAFF OR ELSE-- AARON: YEAH! AARON [as demented Tolfdir]: 'YEAH, GET OUT OF YOUR ROOOOOM! *I'M* USING IT AND GO FIND THAT STAFF!!' You fuckin' loser. Give me one good reason I shouldn't *destroy* you. TOLFDIR: GIT AWAY FROM ME! AARON and EMRE: PFFTTTTBWAAAHAHA! AARON: GAHHD! I'm SORRY, Tolfdir! EMRE: Baahaa--WOW! AARON: This is *my* room! Get outta here! AARON [as a nappy skull]: Waaauttt aaREee yew doin' HEeerree??! WEH Guuttah gIT outtah--GOGITDATSTAAaaaffh! WOOT aaREh yEWww doOIIng HEEeere?!!?! YEW goTTahgoOut n GIT daht STAAHFFff! EMRE: What's upstairs? AARON: I dunno? I've never been up here. Hey! Who's this? WHAT AM I DOING HERE?! I'M SUPPOSED TO BE GETTING THE STAFF AND SAVING THE COLLEGE! ENTHIR: This is going to be *TERRIBLE* for business. AARON: THIS IS GOING TO BE *TERRIBLE* FOR BUSINESS!! WHAT AM I DOING HERE?! I'M SUPPOSED TO GET THAT *STAFF*!! ENTHIR: This is going to be *TERRIBLE* for business. AARON: THIS IS *TERRRRIBLE* FOR BUSINESS! WHAT AM I DOING HEREEE?! I HAVE TO GO GET THAT STAFF AND SAVE THE COLLEGE!! MIRABELLE: If we can't stop this, *WHAT* happens to the rest of Skyrim?? AARON: THAT WOULD BE BAD FOR BUSINESS! [EMRE finally breaks over AARON's prolonged manic state] AARON: Ohh, my God. I'm going to kill myself if I stay here any longer. I'm gonna go get that fucking *STAFF* and save the college. EMRE: Whaat the Hell? AARON: This is the College of Winterhold's... EMRE: MASCOT. AARON: Mascot. Bored Face. EMRE: I guess we just gotta do this... AARON: Yeah, let's go to Labyrinthian. That'll be really fun, right? EMRE: MHM... It's not like it's going to be LONG and BORING and hard to navigate. AARON: NOOOooo! No, no, noOOooooooo... UGGGH! If only Astrid was sending me out to kill people! It just doesn't get any more exciting than that! EMRE: No, it doesn't. We really, um...blew out load, right away. AARON: We did. We bllleeeew it all oveer.... ...Astrid's face. HELLO?? Savos?? Wow! His ghost travels quick! EMRE: Huh. AARON: Hey. What's goin' on, man? Nothing? Okay! WELL! Fuck you! Alright! This is kinda LI-byrinthine in here! EMRE: LI-byrinthine? AARON: Libyrinthine. EMRE: LA-Byrinthine. AARON: Librarian. EMRE DAWG: Librizzle. Mah nizzle. AARON: HEY, WHAT'S HAPPENING?! OHMAHGAWHD, THERE'S A FUCKIN' SKELE-D-DRAGON! OHMAHGAWD, THIS IS WAY MORE EXCITING THAN IT SHOULD BE! This is impossible! EMRE: IMPOSSIBLY exciting! OH, GOD! AARON: Oh, shit! I got trouble. EMRE: JEEEEEZE!! Nice! AARON: YEeeeaaah! You piece of SHIT! You like dat?! EMRE [cautiously optimistic]: Well, that was pretty cool! AARON: I was *not* expecting anything exciting, at all. ♫ AARON: HEY, TOLFDIR! UH! Okay, yeah! Let's get inside, quick! [TOLFDIR lets out one last 'FAAAAASCIINNAAATING' as he is FUS RO DAH'd into Oblivion] AARON [feigning shock as ADAM and EMRE laugh at elder abuse]: Oh, shit! Oh! Uh! Bye, Tolfdir! Did you SEE that?? He just fell off the bridge! SERGIUS TURRIANUS: I'll be AMAZED if any of us survive this! AARON: Yeah, me too. Especially Tolfdir. [GTA Random Citizen: Yeeeeaaah! BOI, BOI! HaHa! DOPE!]
{ "pile_set_name": "YoutubeSubtitles" }
When geology shows up in the news it is often a result of something that happened at a convergent plate boundary. For example, earthquakes and volcanic eruptions are common at these locations. Our objectives for this lesson are to make some observations of features found at convergent boundaries and then use those observations to make interpretations of the geological processes that occur at these locations. Then we will explain why the processes we described produce similarities and differences among the three common types of convergent boundaries. We'll begin by explaining the physical features associated with a convergent boundary formed when a plate composed of oceanic lithosphere is consumed below a continental plate. First we often have a descending plate that is pushed down into the mantle. In this example we have a plate composed of oceanic lithosphere that turns downward along the trench which represents the boundary between two plates. We also have an over-riding plate that remains at Earth's surface. In this case the over-riding plate is composed on continental lithosphere and has a line of volcanoes some distance from the trench Both plates rest on the asthenosphere in the upper most part of the mantle. Plates move toward each other along convergent boundaries. This map illustrates divergent boundaries in red, transform boundaries in green and convergent boundaries in blue. We can find examples of where oceanic lithosphere is consumed below continental lithosphere here Where the Pacific Plate is destroyed below the North American plate in Alaska and where the Nazca plate collides with the western margin of South America And where the Indian-Australian plate is consumed below the Eurasian plate. This map shows the locations of more than 1600 earthquakes of magnitude 5 or greater that occurred in a single year. Note that there are continuous zones of earthquake activity associated with our three examples of oceanic-continental convergent boundaries. Zooming in on two convergent boundaries on either side of the Caribbean plate, we can take a closer look at where exactly these earthquakes are occurring. In this image we have trenches here and here, associated with convergent boundaries between the Cocos, Caribbean and North American plate. Our map suggests that there are lots of earthquakes clustering between the trench and the western margin of Central America. But if we look more carefully, what we realize is that most of these earthquakes occur at some depth. We want you to be able to explain the processes that cause the earthquakes to occur and to account for their distribution in sloping zones reaching from the trench down to several hundred kilometers below the surface. Next we are going to zoom in to these two trenches to take a closer look. We'll start in Central America Notice the red triangles on the maps and the yellow triangles on the section. All of these triangles indicate the presence of volcanoes located approximately 200 kilometers behind the trench. The volcanoes form a line known as a volcanic arc that trends parallel to the trench. We see a similar pattern to the west of the Puerto Rico trench but this time because the volcanoes form islands they are known as an island arc. Our explanation of geologic processes at convergent boundaries will have to be able to explain why volcanoes are present and why the arc is consistently located several hundred kilometers from the trench. We call it subduction when one plate descends into the mantle below another plate. The feature that results is known as a subduction zone. The oceanic lithosphere sinks below the continent as the rocks of the oceanic plate are more dense than those of the continents. Water-rich sediment rests on top of the ocean floor and the minerals of the oceanic crust often contain water in their crystal structure. Earthquakes occur as rocks in the descending plate fracture and high pressures cause minerals to undergo changes in composition and crystal structure. As the plate descends into the mantle, it is compressed and the water is squeezed out of the sediment and minerals. At a depth of approximately 100 kilometers, the water enters the much hotter mantle rocks immediately above the subduction zone. The addition of the water causes these mantle rocks to melt. Melting generates magma that rises to the surface to form volcanoes. Finally the force of the collision produces mountains along the leading edge of the over-riding plate. Similar processes occur where two plates of oceanic lithosphere collide. One significant difference is that we no longer have a contrast in the composition of the converging plates. So what determines which plate undergoes subduction? While each plate is composed of similar rocks, the rocks are often of different ages. Relatively young oceanic lithosphere is warmer and less dense than older lithosphere Consequently when two oceanic plates converge the plate with older lithosphere undergoes subduction. We see this in the western Pacific ocean where the older Pacific plate in subducting below the Philippine plate that is composed of rocks more than a 100 million years younger. Just like in the ocean/continent convergence, earthquakes occur in the descending plate and the rocks of the plate are compressed to squeeze out water which enters the much hotter mantle rocks overlying the subduction zone and causes them to melt. The principal difference is that magma rising to the surface now forms an island arc, rather than a volcanic arc, and there are no associated mountains. Otherwise, the processes are similar. The third type of boundary is represented by continent-continent collision. Before the two continents can collide we have a typical ocean-continent boundary but eventually the ocean basin is destroyed and the two continents converge. This is the process that occurred before the Indian subcontinent could collide with the rest of Eurasia about 10 million years ago. Continental crust is too buoyant to descend into a subduction zone so there is no source for magma generation and subsequent volcanism. Instead, the leading edge of each continent stacks up to produce unusually thick continental crust and results in higher elevations. similar to those observed in the Himalaya mountains today. Finally we will leave you with some simple analogs for the characteristics of convergent plate boundaries. We can use some basic geo-gestures with the addition of some very geological oven mitts to model the processes of the three boundary types. We also summarize the basic characteristics of each boundary below the figures. How well do you think you can respond to the learning objectives of the lesson?
{ "pile_set_name": "YoutubeSubtitles" }
>> >> Host: >> Host: LET'S >> Host: LET'S SEE, >> Host: LET'S SEE, ROSE >> Host: LET'S SEE, ROSE SAID >> Host: LET'S SEE, ROSE SAID -- >> Host: LET'S SEE, ROSE SAID -- HSN, >> Host: LET'S SEE, ROSE SAID -- HSN, ONE >> Host: LET'S SEE, ROSE SAID -- HSN, ONE BIG SAID -- HSN, ONE BIG SAID -- HSN, ONE BIG FAMILY. FAMILY. FAMILY. OH, FAMILY. OH, WAIT, FAMILY. OH, WAIT, I FAMILY. OH, WAIT, I HAVE FAMILY. OH, WAIT, I HAVE A OH, WAIT, I HAVE A OH, WAIT, I HAVE A PERIDOT OH, WAIT, I HAVE A PERIDOT COLLECTION, OH, WAIT, I HAVE A PERIDOT COLLECTION, A PERIDOT COLLECTION, A PERIDOT COLLECTION, A GARNETT PERIDOT COLLECTION, A GARNETT COLLECTION PERIDOT COLLECTION, A GARNETT COLLECTION FROM GARNETT COLLECTION FROM GARNETT COLLECTION FROM YOU, GARNETT COLLECTION FROM YOU, AND GARNETT COLLECTION FROM YOU, AND I GARNETT COLLECTION FROM YOU, AND I LOVE GARNETT COLLECTION FROM YOU, AND I LOVE THAT! YOU, AND I LOVE THAT! YOU, AND I LOVE THAT! STICK YOU, AND I LOVE THAT! STICK AROUND, YOU, AND I LOVE THAT! STICK AROUND, PAUL'S STICK AROUND, PAUL'S STICK AROUND, PAUL'S GOING STICK AROUND, PAUL'S GOING TO STICK AROUND, PAUL'S GOING TO HANG STICK AROUND, PAUL'S GOING TO HANG OUT STICK AROUND, PAUL'S GOING TO HANG OUT A STICK AROUND, PAUL'S GOING TO HANG OUT A FEW GOING TO HANG OUT A FEW GOING TO HANG OUT A FEW MORE GOING TO HANG OUT A FEW MORE MINUTES, GOING TO HANG OUT A FEW MORE MINUTES, BECAUSE GOING TO HANG OUT A FEW MORE MINUTES, BECAUSE WE MORE MINUTES, BECAUSE WE MORE MINUTES, BECAUSE WE WILL MORE MINUTES, BECAUSE WE WILL TAKE MORE MINUTES, BECAUSE WE WILL TAKE A MORE MINUTES, BECAUSE WE WILL TAKE A SECOND MORE MINUTES, BECAUSE WE WILL TAKE A SECOND LOOK WILL TAKE A SECOND LOOK WILL TAKE A SECOND LOOK AT WILL TAKE A SECOND LOOK AT A WILL TAKE A SECOND LOOK AT A POPULAR WILL TAKE A SECOND LOOK AT A POPULAR TODAY'S AT A POPULAR TODAY'S AT A POPULAR TODAY'S SPECIAL. SPECIAL. SPECIAL. IT SPECIAL. IT IS SPECIAL. IT IS A SPECIAL. IT IS A GORGEOUS SPECIAL. IT IS A GORGEOUS RING IT IS A GORGEOUS RING IT IS A GORGEOUS RING COMING IT IS A GORGEOUS RING COMING UP. >> >> TURQUOISE >> TURQUOISE IS >> TURQUOISE IS THE >> TURQUOISE IS THE ONLY >> TURQUOISE IS THE ONLY GEMSTONE >> TURQUOISE IS THE ONLY GEMSTONE THAT >> TURQUOISE IS THE ONLY GEMSTONE THAT CONSIST >> TURQUOISE IS THE ONLY GEMSTONE THAT CONSIST AT GEMSTONE THAT CONSIST AT GEMSTONE THAT CONSIST AT THE GEMSTONE THAT CONSIST AT THE POINTLY GEMSTONE THAT CONSIST AT THE POINTLY YOU GEMSTONE THAT CONSIST AT THE POINTLY YOU CAN GEMSTONE THAT CONSIST AT THE POINTLY YOU CAN SAY THE POINTLY YOU CAN SAY THE POINTLY YOU CAN SAY LOOKS THE POINTLY YOU CAN SAY LOOKS GREAT THE POINTLY YOU CAN SAY LOOKS GREAT ON THE POINTLY YOU CAN SAY LOOKS GREAT ON EVERY LOOKS GREAT ON EVERY LOOKS GREAT ON EVERY SKIN LOOKS GREAT ON EVERY SKIN TONE. SKIN TONE. SKIN TONE. SHE'S SKIN TONE. SHE'S GOING SKIN TONE. SHE'S GOING TO SKIN TONE. SHE'S GOING TO LOVE SHE'S GOING TO LOVE SHE'S GOING TO LOVE THAT. THAT. THAT. IF THAT. IF SHE'S THAT. IF SHE'S EXOTIC, THAT. IF SHE'S EXOTIC, AND THAT. IF SHE'S EXOTIC, AND SHE IF SHE'S EXOTIC, AND SHE IF SHE'S EXOTIC, AND SHE LOVES IF SHE'S EXOTIC, AND SHE LOVES THAT IF SHE'S EXOTIC, AND SHE LOVES THAT PLAY IF SHE'S EXOTIC, AND SHE LOVES THAT PLAY OF IF SHE'S EXOTIC, AND SHE LOVES THAT PLAY OF COLOR LOVES THAT PLAY OF COLOR LOVES THAT PLAY OF COLOR STORY. STORY. STORY. SHE STORY. SHE WILL STORY. SHE WILL LOVE STORY. SHE WILL LOVE THE SHE WILL LOVE THE SHE WILL LOVE THE ETHIOPIAN SHE WILL LOVE THE ETHIOPIAN OPAL. ETHIOPIAN OPAL. ETHIOPIAN OPAL. SHE'S ETHIOPIAN OPAL. SHE'S GOING ETHIOPIAN OPAL. SHE'S GOING TO ETHIOPIAN OPAL. SHE'S GOING TO LOVE ETHIOPIAN OPAL. SHE'S GOING TO LOVE IT SHE'S GOING TO LOVE IT SHE'S GOING TO LOVE IT BECAUSE SHE'S GOING TO LOVE IT BECAUSE OF SHE'S GOING TO LOVE IT BECAUSE OF THE BECAUSE OF THE BECAUSE OF THE COMBINATION BECAUSE OF THE COMBINATION OF BECAUSE OF THE COMBINATION OF COLORS BECAUSE OF THE COMBINATION OF COLORS WE COMBINATION OF COLORS WE COMBINATION OF COLORS WE PUT COMBINATION OF COLORS WE PUT TOGETHER. PUT TOGETHER. PUT TOGETHER. >> PUT TOGETHER. >> Host: PUT TOGETHER. >> Host: PAUL PUT TOGETHER. >> Host: PAUL IS PUT TOGETHER. >> Host: PAUL IS BACK. >> Host: PAUL IS BACK. >> Host: PAUL IS BACK. I'M >> Host: PAUL IS BACK. I'M SUZANNE >> Host: PAUL IS BACK. I'M SUZANNE RUNYAN, >> Host: PAUL IS BACK. I'M SUZANNE RUNYAN, BUT I'M SUZANNE RUNYAN, BUT I'M SUZANNE RUNYAN, BUT WHO I'M SUZANNE RUNYAN, BUT WHO CARES I'M SUZANNE RUNYAN, BUT WHO CARES IF I'M SUZANNE RUNYAN, BUT WHO CARES IF PAUL'S WHO CARES IF PAUL'S WHO CARES IF PAUL'S HERE. HERE. HERE. WE'VE HERE. WE'VE KNOWN HERE. WE'VE KNOWN EACH HERE. WE'VE KNOWN EACH OTHER WE'VE KNOWN EACH OTHER WE'VE KNOWN EACH OTHER SINCE WE'VE KNOWN EACH OTHER SINCE 1997? SINCE 1997? SINCE 1997? MANY SINCE 1997? MANY YEARS, SINCE 1997? MANY YEARS, JUDY'S SINCE 1997? MANY YEARS, JUDY'S DEAR MANY YEARS, JUDY'S DEAR MANY YEARS, JUDY'S DEAR FRIEND, MANY YEARS, JUDY'S DEAR FRIEND, SHE MANY YEARS, JUDY'S DEAR FRIEND, SHE WAS MANY YEARS, JUDY'S DEAR FRIEND, SHE WAS MY FRIEND, SHE WAS MY FRIEND, SHE WAS MY MENTOR FRIEND, SHE WAS MY MENTOR WHEN FRIEND, SHE WAS MY MENTOR WHEN I FRIEND, SHE WAS MY MENTOR WHEN I STARTED FRIEND, SHE WAS MY MENTOR WHEN I STARTED IN MENTOR WHEN I STARTED IN MENTOR WHEN I STARTED IN THIS MENTOR WHEN I STARTED IN THIS BIZ. THIS BIZ. THIS BIZ. SO THIS BIZ. SO WELCOME. SO WELCOME. SO WELCOME. >> SO WELCOME. >> Guest: SO WELCOME. >> Guest: FULL SO WELCOME. >> Guest: FULL CIRCLE. >> Guest: FULL CIRCLE. >> Guest: FULL CIRCLE. >> >> Guest: FULL CIRCLE. >> Host: >> Guest: FULL CIRCLE. >> Host: YOU'VE >> Guest: FULL CIRCLE. >> Host: YOU'VE COME >> Host: YOU'VE COME >> Host: YOU'VE COME BACK >> Host: YOU'VE COME BACK AROUND >> Host: YOU'VE COME BACK AROUND THE >> Host: YOU'VE COME BACK AROUND THE THIRD BACK AROUND THE THIRD BACK AROUND THE THIRD TIME, BACK AROUND THE THIRD TIME, WHAT'S BACK AROUND THE THIRD TIME, WHAT'S SPECTACULAR TIME, WHAT'S SPECTACULAR TIME, WHAT'S SPECTACULAR IS TIME, WHAT'S SPECTACULAR IS PAUL TIME, WHAT'S SPECTACULAR IS PAUL DECIDED, TIME, WHAT'S SPECTACULAR IS PAUL DECIDED, AND TIME, WHAT'S SPECTACULAR IS PAUL DECIDED, AND I IS PAUL DECIDED, AND I IS PAUL DECIDED, AND I THOUGHT IS PAUL DECIDED, AND I THOUGHT IT IS PAUL DECIDED, AND I THOUGHT IT WAS THOUGHT IT WAS THOUGHT IT WAS BRILLIANT, THOUGHT IT WAS BRILLIANT, HE THOUGHT IT WAS BRILLIANT, HE SAID THOUGHT IT WAS BRILLIANT, HE SAID I'M BRILLIANT, HE SAID I'M BRILLIANT, HE SAID I'M GOING BRILLIANT, HE SAID I'M GOING COME BRILLIANT, HE SAID I'M GOING COME BACK BRILLIANT, HE SAID I'M GOING COME BACK WITH GOING COME BACK WITH GOING COME BACK WITH FIREWORKS GOING COME BACK WITH FIREWORKS AND FIREWORKS AND FIREWORKS AND EXPLOSIONS, FIREWORKS AND EXPLOSIONS, AND FIREWORKS AND EXPLOSIONS, AND YOU EXPLOSIONS, AND YOU EXPLOSIONS, AND YOU CLEARLY EXPLOSIONS, AND YOU CLEARLY DID EXPLOSIONS, AND YOU CLEARLY DID THAT EXPLOSIONS, AND YOU CLEARLY DID THAT WITH CLEARLY DID THAT WITH CLEARLY DID THAT WITH OUR CLEARLY DID THAT WITH OUR TODAY CLEARLY DID THAT WITH OUR TODAY SPECIAL. OUR TODAY SPECIAL. OUR TODAY SPECIAL. I OUR TODAY SPECIAL. I WILL OUR TODAY SPECIAL. I WILL SHOW OUR TODAY SPECIAL. I WILL SHOW YOU OUR TODAY SPECIAL. I WILL SHOW YOU THE OUR TODAY SPECIAL. I WILL SHOW YOU THE TWO I WILL SHOW YOU THE TWO I WILL SHOW YOU THE TWO DIFFERENT I WILL SHOW YOU THE TWO DIFFERENT OPTIONS, I WILL SHOW YOU THE TWO DIFFERENT OPTIONS, I'VE DIFFERENT OPTIONS, I'VE DIFFERENT OPTIONS, I'VE BEEN DIFFERENT OPTIONS, I'VE BEEN FORTUNATE DIFFERENT OPTIONS, I'VE BEEN FORTUNATE TO DIFFERENT OPTIONS, I'VE BEEN FORTUNATE TO TALK BEEN FORTUNATE TO TALK BEEN FORTUNATE TO TALK ABOUT BEEN FORTUNATE TO TALK ABOUT JEWELRY BEEN FORTUNATE TO TALK ABOUT JEWELRY FOR BEEN FORTUNATE TO TALK ABOUT JEWELRY FOR MORE ABOUT JEWELRY FOR MORE ABOUT JEWELRY FOR MORE THAN ABOUT JEWELRY FOR MORE THAN TWO ABOUT JEWELRY FOR MORE THAN TWO DECADE, ABOUT JEWELRY FOR MORE THAN TWO DECADE, I'VE THAN TWO DECADE, I'VE THAN TWO DECADE, I'VE NEVER THAN TWO DECADE, I'VE NEVER SEEN THAN TWO DECADE, I'VE NEVER SEEN AN THAN TWO DECADE, I'VE NEVER SEEN AN OPAL THAN TWO DECADE, I'VE NEVER SEEN AN OPAL THAT NEVER SEEN AN OPAL THAT NEVER SEEN AN OPAL THAT IS NEVER SEEN AN OPAL THAT IS MORE NEVER SEEN AN OPAL THAT IS MORE BEAUTIFUL. IS MORE BEAUTIFUL. IS MORE BEAUTIFUL. NOT IS MORE BEAUTIFUL. NOT ONLY IS MORE BEAUTIFUL. NOT ONLY IS IS MORE BEAUTIFUL. NOT ONLY IS IT IS MORE BEAUTIFUL. NOT ONLY IS IT LARGE, NOT ONLY IS IT LARGE, NOT ONLY IS IT LARGE, BUT NOT ONLY IS IT LARGE, BUT JUST NOT ONLY IS IT LARGE, BUT JUST ABSOLUTELY BUT JUST ABSOLUTELY BUT JUST ABSOLUTELY INCREDIBLE BUT JUST ABSOLUTELY INCREDIBLE IN BUT JUST ABSOLUTELY INCREDIBLE IN TERMS BUT JUST ABSOLUTELY INCREDIBLE IN TERMS OF INCREDIBLE IN TERMS OF INCREDIBLE IN TERMS OF THE INCREDIBLE IN TERMS OF THE COLOR, INCREDIBLE IN TERMS OF THE COLOR, AND INCREDIBLE IN TERMS OF THE COLOR, AND HOW THE COLOR, AND HOW THE COLOR, AND HOW BRILLIANT THE COLOR, AND HOW BRILLIANT IT THE COLOR, AND HOW BRILLIANT IT IS, THE COLOR, AND HOW BRILLIANT IT IS, THE BRILLIANT IT IS, THE BRILLIANT IT IS, THE PLAY BRILLIANT IT IS, THE PLAY OF BRILLIANT IT IS, THE PLAY OF LIGHT, BRILLIANT IT IS, THE PLAY OF LIGHT, IT BRILLIANT IT IS, THE PLAY OF LIGHT, IT IS PLAY OF LIGHT, IT IS PLAY OF LIGHT, IT IS JUST PLAY OF LIGHT, IT IS JUST MAGNIFICENT. JUST MAGNIFICENT. JUST MAGNIFICENT. SURROUNDING JUST MAGNIFICENT. SURROUNDING IT JUST MAGNIFICENT. SURROUNDING IT OR JUST MAGNIFICENT. SURROUNDING IT OR TWO SURROUNDING IT OR TWO SURROUNDING IT OR TWO STUNNING SURROUNDING IT OR TWO STUNNING TANZANITES, SURROUNDING IT OR TWO STUNNING TANZANITES, AND STUNNING TANZANITES, AND STUNNING TANZANITES, AND SURROUNDING STUNNING TANZANITES, AND SURROUNDING THAT STUNNING TANZANITES, AND SURROUNDING THAT ON STUNNING TANZANITES, AND SURROUNDING THAT ON THE SURROUNDING THAT ON THE SURROUNDING THAT ON THE SHOULDERS SURROUNDING THAT ON THE SHOULDERS AND SURROUNDING THAT ON THE SHOULDERS AND CRADLING SHOULDERS AND CRADLING SHOULDERS AND CRADLING DOWN SHOULDERS AND CRADLING DOWN A SHOULDERS AND CRADLING DOWN A HAIR SHOULDERS AND CRADLING DOWN A HAIR IS SHOULDERS AND CRADLING DOWN A HAIR IS GOING SHOULDERS AND CRADLING DOWN A HAIR IS GOING TO DOWN A HAIR IS GOING TO DOWN A HAIR IS GOING TO BE DOWN A HAIR IS GOING TO BE YOUR DOWN A HAIR IS GOING TO BE YOUR ZIRCON. BE YOUR ZIRCON. BE YOUR ZIRCON. YOUR BE YOUR ZIRCON. YOUR OTHER BE YOUR ZIRCON. YOUR OTHER OPTION BE YOUR ZIRCON. YOUR OTHER OPTION IS YOUR OTHER OPTION IS YOUR OTHER OPTION IS THIS. THIS. THIS. IF THIS. IF YOU THIS. IF YOU ARE THIS. IF YOU ARE A THIS. IF YOU ARE A TURQUOISE IF YOU ARE A TURQUOISE IF YOU ARE A TURQUOISE PERSON, IF YOU ARE A TURQUOISE PERSON, ALL IF YOU ARE A TURQUOISE PERSON, ALL TURQUOIS PERSON, ALL TURQUOIS PERSON, ALL TURQUOIS WOULD PERSON, ALL TURQUOIS WOULD LIKE PERSON, ALL TURQUOIS WOULD LIKE TO PERSON, ALL TURQUOIS WOULD LIKE TO GROW PERSON, ALL TURQUOIS WOULD LIKE TO GROW UP PERSON, ALL TURQUOIS WOULD LIKE TO GROW UP TO WOULD LIKE TO GROW UP TO WOULD LIKE TO GROW UP TO BE WOULD LIKE TO GROW UP TO BE THIS WOULD LIKE TO GROW UP TO BE THIS COLOR WOULD LIKE TO GROW UP TO BE THIS COLOR AND WOULD LIKE TO GROW UP TO BE THIS COLOR AND LOOK. BE THIS COLOR AND LOOK. BE THIS COLOR AND LOOK. >> BE THIS COLOR AND LOOK. >> Guest: BE THIS COLOR AND LOOK. >> Guest: NO BE THIS COLOR AND LOOK. >> Guest: NO DOUBT. >> Guest: NO DOUBT. >> Guest: NO DOUBT. >> >> Guest: NO DOUBT. >> Host: >> Guest: NO DOUBT. >> Host: YOU >> Guest: NO DOUBT. >> Host: YOU WANT >> Guest: NO DOUBT. >> Host: YOU WANT TO >> Host: YOU WANT TO >> Host: YOU WANT TO LOOK >> Host: YOU WANT TO LOOK LIKE >> Host: YOU WANT TO LOOK LIKE THIS. LOOK LIKE THIS. LOOK LIKE THIS. WHAT LOOK LIKE THIS. WHAT DOES LOOK LIKE THIS. WHAT DOES THAT LOOK LIKE THIS. WHAT DOES THAT MEAN? WHAT DOES THAT MEAN? WHAT DOES THAT MEAN? SOME WHAT DOES THAT MEAN? SOME OF WHAT DOES THAT MEAN? SOME OF THE WHAT DOES THAT MEAN? SOME OF THE FINEST WHAT DOES THAT MEAN? SOME OF THE FINEST IN SOME OF THE FINEST IN SOME OF THE FINEST IN THE SOME OF THE FINEST IN THE WORLD. THE WORLD. THE WORLD. PAUL THE WORLD. PAUL HAS THE WORLD. PAUL HAS BEEN THE WORLD. PAUL HAS BEEN ABLE THE WORLD. PAUL HAS BEEN ABLE TO PAUL HAS BEEN ABLE TO PAUL HAS BEEN ABLE TO SECURE PAUL HAS BEEN ABLE TO SECURE IT PAUL HAS BEEN ABLE TO SECURE IT IN PAUL HAS BEEN ABLE TO SECURE IT IN THIS SECURE IT IN THIS SECURE IT IN THIS SPECIAL. SPECIAL. SPECIAL. IN SPECIAL. IN THE SPECIAL. IN THE OPEN SPECIAL. IN THE OPEN PEL, SPECIAL. IN THE OPEN PEL, I SPECIAL. IN THE OPEN PEL, I WILL IN THE OPEN PEL, I WILL IN THE OPEN PEL, I WILL SHOW IN THE OPEN PEL, I WILL SHOW YOU IN THE OPEN PEL, I WILL SHOW YOU -- IN THE OPEN PEL, I WILL SHOW YOU -- OPAL, IN THE OPEN PEL, I WILL SHOW YOU -- OPAL, I IN THE OPEN PEL, I WILL SHOW YOU -- OPAL, I WILL SHOW YOU -- OPAL, I WILL SHOW YOU -- OPAL, I WILL SHOW SHOW YOU -- OPAL, I WILL SHOW YOU SHOW YOU -- OPAL, I WILL SHOW YOU THE SHOW YOU -- OPAL, I WILL SHOW YOU THE LAST SHOW YOU -- OPAL, I WILL SHOW YOU THE LAST OF SHOW YOU -- OPAL, I WILL SHOW YOU THE LAST OF THE SHOW YOU THE LAST OF THE SHOW YOU THE LAST OF THE MATCHING SHOW YOU THE LAST OF THE MATCHING PIECES. MATCHING PIECES. MATCHING PIECES. THAT MATCHING PIECES. THAT IS MATCHING PIECES. THAT IS THE MATCHING PIECES. THAT IS THE PENDANT. THAT IS THE PENDANT. THAT IS THE PENDANT. I'VE THAT IS THE PENDANT. I'VE SWITCHED THAT IS THE PENDANT. I'VE SWITCHED TO THAT IS THE PENDANT. I'VE SWITCHED TO THE I'VE SWITCHED TO THE I'VE SWITCHED TO THE TURQUOISE I'VE SWITCHED TO THE TURQUOISE ONE I'VE SWITCHED TO THE TURQUOISE ONE BECAUSE TURQUOISE ONE BECAUSE TURQUOISE ONE BECAUSE THIS TURQUOISE ONE BECAUSE THIS IS TURQUOISE ONE BECAUSE THIS IS GOING TURQUOISE ONE BECAUSE THIS IS GOING TO TURQUOISE ONE BECAUSE THIS IS GOING TO SELL THIS IS GOING TO SELL THIS IS GOING TO SELL OUT. OUT. OUT. I OUT. I HAVE OUT. I HAVE LESS OUT. I HAVE LESS THAN OUT. I HAVE LESS THAN 50 OUT. I HAVE LESS THAN 50 LEFT I HAVE LESS THAN 50 LEFT I HAVE LESS THAN 50 LEFT IN I HAVE LESS THAN 50 LEFT IN THE I HAVE LESS THAN 50 LEFT IN THE MATCHING I HAVE LESS THAN 50 LEFT IN THE MATCHING PEN I HAVE LESS THAN 50 LEFT IN THE MATCHING PEN DAN, IN THE MATCHING PEN DAN, IN THE MATCHING PEN DAN, AND IN THE MATCHING PEN DAN, AND THAT IN THE MATCHING PEN DAN, AND THAT LOOKS IN THE MATCHING PEN DAN, AND THAT LOOKS LIKE IN THE MATCHING PEN DAN, AND THAT LOOKS LIKE IT AND THAT LOOKS LIKE IT AND THAT LOOKS LIKE IT IS AND THAT LOOKS LIKE IT IS $500, AND THAT LOOKS LIKE IT IS $500, NOT AND THAT LOOKS LIKE IT IS $500, NOT $159. IS $500, NOT $159. IS $500, NOT $159. SO IS $500, NOT $159. SO I IS $500, NOT $159. SO I HAVE IS $500, NOT $159. SO I HAVE 40 IS $500, NOT $159. SO I HAVE 40 LEFT, IS $500, NOT $159. SO I HAVE 40 LEFT, LAST SO I HAVE 40 LEFT, LAST SO I HAVE 40 LEFT, LAST CHANCE SO I HAVE 40 LEFT, LAST CHANCE FOR SO I HAVE 40 LEFT, LAST CHANCE FOR THE SO I HAVE 40 LEFT, LAST CHANCE FOR THE PENDANT CHANCE FOR THE PENDANT CHANCE FOR THE PENDANT WITH CHANCE FOR THE PENDANT WITH THE CHANCE FOR THE PENDANT WITH THE CHAIN. WITH THE CHAIN. WITH THE CHAIN. I WITH THE CHAIN. I WANTED WITH THE CHAIN. I WANTED YOU WITH THE CHAIN. I WANTED YOU TO WITH THE CHAIN. I WANTED YOU TO SEE WITH THE CHAIN. I WANTED YOU TO SEE THE I WANTED YOU TO SEE THE I WANTED YOU TO SEE THE AMOUNT I WANTED YOU TO SEE THE AMOUNT OF I WANTED YOU TO SEE THE AMOUNT OF METAL I WANTED YOU TO SEE THE AMOUNT OF METAL WE I WANTED YOU TO SEE THE AMOUNT OF METAL WE PUT AMOUNT OF METAL WE PUT AMOUNT OF METAL WE PUT BEHIND AMOUNT OF METAL WE PUT BEHIND THAT. BEHIND THAT. BEHIND THAT. THAT BEHIND THAT. THAT WAS BEHIND THAT. THAT WAS CALCULATED BEHIND THAT. THAT WAS CALCULATED AS THAT WAS CALCULATED AS THAT WAS CALCULATED AS WELL, THAT WAS CALCULATED AS WELL, BECAUSE THAT WAS CALCULATED AS WELL, BECAUSE ESPECIALLY WELL, BECAUSE ESPECIALLY WELL, BECAUSE ESPECIALLY WITH WELL, BECAUSE ESPECIALLY WITH AN WELL, BECAUSE ESPECIALLY WITH AN OPAL, WELL, BECAUSE ESPECIALLY WITH AN OPAL, THE WELL, BECAUSE ESPECIALLY WITH AN OPAL, THE MORE WITH AN OPAL, THE MORE WITH AN OPAL, THE MORE YOU WITH AN OPAL, THE MORE YOU CLOSE WITH AN OPAL, THE MORE YOU CLOSE THE WITH AN OPAL, THE MORE YOU CLOSE THE BACK WITH AN OPAL, THE MORE YOU CLOSE THE BACK OF YOU CLOSE THE BACK OF YOU CLOSE THE BACK OF SOMETHING, YOU CLOSE THE BACK OF SOMETHING, IT YOU CLOSE THE BACK OF SOMETHING, IT REALLY SOMETHING, IT REALLY SOMETHING, IT REALLY HELPS SOMETHING, IT REALLY HELPS ELEVATE SOMETHING, IT REALLY HELPS ELEVATE THAT SOMETHING, IT REALLY HELPS ELEVATE THAT PLAY HELPS ELEVATE THAT PLAY HELPS ELEVATE THAT PLAY OF HELPS ELEVATE THAT PLAY OF COLOR. OF COLOR. OF COLOR. SO OF COLOR. SO A OF COLOR. SO A LOT OF COLOR. SO A LOT OF OF COLOR. SO A LOT OF THOUGHT OF COLOR. SO A LOT OF THOUGHT GOES SO A LOT OF THOUGHT GOES SO A LOT OF THOUGHT GOES INTO SO A LOT OF THOUGHT GOES INTO THE SO A LOT OF THOUGHT GOES INTO THE DESIGN. INTO THE DESIGN. INTO THE DESIGN. >> INTO THE DESIGN. >> Host: INTO THE DESIGN. >> Host: YOU INTO THE DESIGN. >> Host: YOU CAN INTO THE DESIGN. >> Host: YOU CAN TELL >> Host: YOU CAN TELL >> Host: YOU CAN TELL IT'S >> Host: YOU CAN TELL IT'S BRILLIANTLY IT'S BRILLIANTLY IT'S BRILLIANTLY FASHIONED. FASHIONED. FASHIONED. AND FASHIONED. AND BACK FASHIONED. AND BACK TO FASHIONED. AND BACK TO THE FASHIONED. AND BACK TO THE RING. AND BACK TO THE RING. AND BACK TO THE RING. 5-10, AND BACK TO THE RING. 5-10, AND AND BACK TO THE RING. 5-10, AND AS AND BACK TO THE RING. 5-10, AND AS I AND BACK TO THE RING. 5-10, AND AS I WAS 5-10, AND AS I WAS 5-10, AND AS I WAS SAYING, 5-10, AND AS I WAS SAYING, THE 5-10, AND AS I WAS SAYING, THE VAST SAYING, THE VAST SAYING, THE VAST MAJORIY SAYING, THE VAST MAJORIY OF SAYING, THE VAST MAJORIY OF YOU SAYING, THE VAST MAJORIY OF YOU HAVE MAJORIY OF YOU HAVE MAJORIY OF YOU HAVE DECIDED MAJORIY OF YOU HAVE DECIDED THE MAJORIY OF YOU HAVE DECIDED THE OPAL MAJORIY OF YOU HAVE DECIDED THE OPAL WAS DECIDED THE OPAL WAS DECIDED THE OPAL WAS YOUR DECIDED THE OPAL WAS YOUR CHOICE. YOUR CHOICE. YOUR CHOICE. IT'S YOUR CHOICE. IT'S THE YOUR CHOICE. IT'S THE FIRST YOUR CHOICE. IT'S THE FIRST OPAL YOUR CHOICE. IT'S THE FIRST OPAL I IT'S THE FIRST OPAL I IT'S THE FIRST OPAL I WOULD IT'S THE FIRST OPAL I WOULD CONSIDER IT'S THE FIRST OPAL I WOULD CONSIDER HAVING. WOULD CONSIDER HAVING. WOULD CONSIDER HAVING. MOST WOULD CONSIDER HAVING. MOST OF WOULD CONSIDER HAVING. MOST OF THEM WOULD CONSIDER HAVING. MOST OF THEM I WOULD CONSIDER HAVING. MOST OF THEM I SEE WOULD CONSIDER HAVING. MOST OF THEM I SEE ARE MOST OF THEM I SEE ARE MOST OF THEM I SEE ARE PLANE, MOST OF THEM I SEE ARE PLANE, THEY'RE MOST OF THEM I SEE ARE PLANE, THEY'RE DULL, MOST OF THEM I SEE ARE PLANE, THEY'RE DULL, A PLANE, THEY'RE DULL, A PLANE, THEY'RE DULL, A CLOUDY PLANE, THEY'RE DULL, A CLOUDY WHITE, PLANE, THEY'RE DULL, A CLOUDY WHITE, HOT PLANE, THEY'RE DULL, A CLOUDY WHITE, HOT MESS. CLOUDY WHITE, HOT MESS. CLOUDY WHITE, HOT MESS. >> CLOUDY WHITE, HOT MESS. >> Guest: CLOUDY WHITE, HOT MESS. >> Guest: AND CLOUDY WHITE, HOT MESS. >> Guest: AND IF CLOUDY WHITE, HOT MESS. >> Guest: AND IF YOU'RE >> Guest: AND IF YOU'RE >> Guest: AND IF YOU'RE GETTING >> Guest: AND IF YOU'RE GETTING THAT >> Guest: AND IF YOU'RE GETTING THAT KIND >> Guest: AND IF YOU'RE GETTING THAT KIND OF GETTING THAT KIND OF GETTING THAT KIND OF PLAY GETTING THAT KIND OF PLAY OF GETTING THAT KIND OF PLAY OF COLOR, GETTING THAT KIND OF PLAY OF COLOR, YOU GETTING THAT KIND OF PLAY OF COLOR, YOU PAY GETTING THAT KIND OF PLAY OF COLOR, YOU PAY A PLAY OF COLOR, YOU PAY A PLAY OF COLOR, YOU PAY A LOT PLAY OF COLOR, YOU PAY A LOT FOR PLAY OF COLOR, YOU PAY A LOT FOR IT. LOT FOR IT. LOT FOR IT. >> LOT FOR IT. >> Host: LOT FOR IT. >> Host: PREMIUM. >> Host: PREMIUM. >> Host: PREMIUM. >> >> Host: PREMIUM. >> Guest: >> Host: PREMIUM. >> Guest: SO >> Host: PREMIUM. >> Guest: SO WHY >> Host: PREMIUM. >> Guest: SO WHY IT >> Host: PREMIUM. >> Guest: SO WHY IT I >> Guest: SO WHY IT I >> Guest: SO WHY IT I PICK >> Guest: SO WHY IT I PICK THESE >> Guest: SO WHY IT I PICK THESE TWO >> Guest: SO WHY IT I PICK THESE TWO FOR >> Guest: SO WHY IT I PICK THESE TWO FOR MY PICK THESE TWO FOR MY PICK THESE TWO FOR MY FIRST PICK THESE TWO FOR MY FIRST TODAY'S PICK THESE TWO FOR MY FIRST TODAY'S SPECIAL PICK THESE TWO FOR MY FIRST TODAY'S SPECIAL AT FIRST TODAY'S SPECIAL AT FIRST TODAY'S SPECIAL AT THIS FIRST TODAY'S SPECIAL AT THIS NETWORK? THIS NETWORK? THIS NETWORK? IF THIS NETWORK? IF I THIS NETWORK? IF I CAN THIS NETWORK? IF I CAN SELL THIS NETWORK? IF I CAN SELL ONE IF I CAN SELL ONE IF I CAN SELL ONE GEMSTONE, IF I CAN SELL ONE GEMSTONE, IT IF I CAN SELL ONE GEMSTONE, IT WOULD IF I CAN SELL ONE GEMSTONE, IT WOULD BE GEMSTONE, IT WOULD BE GEMSTONE, IT WOULD BE TURQUOISE, GEMSTONE, IT WOULD BE TURQUOISE, AND GEMSTONE, IT WOULD BE TURQUOISE, AND I GEMSTONE, IT WOULD BE TURQUOISE, AND I TALKED TURQUOISE, AND I TALKED TURQUOISE, AND I TALKED ABOUT TURQUOISE, AND I TALKED ABOUT IN TURQUOISE, AND I TALKED ABOUT IN THE TURQUOISE, AND I TALKED ABOUT IN THE PAST, TURQUOISE, AND I TALKED ABOUT IN THE PAST, I TURQUOISE, AND I TALKED ABOUT IN THE PAST, I DID ABOUT IN THE PAST, I DID ABOUT IN THE PAST, I DID A ABOUT IN THE PAST, I DID A LOT ABOUT IN THE PAST, I DID A LOT OF ABOUT IN THE PAST, I DID A LOT OF SLEEPING A LOT OF SLEEPING A LOT OF SLEEPING BEAUTY. BEAUTY. BEAUTY. JUNE BEAUTY. JUNE 30 BEAUTY. JUNE 30 OF BEAUTY. JUNE 30 OF 2012, BEAUTY. JUNE 30 OF 2012, THE JUNE 30 OF 2012, THE JUNE 30 OF 2012, THE SLEEPING JUNE 30 OF 2012, THE SLEEPING BEAUTY JUNE 30 OF 2012, THE SLEEPING BEAUTY CLOSED SLEEPING BEAUTY CLOSED SLEEPING BEAUTY CLOSED FOREVER. FOREVER. FOREVER. UNFORTUNATELY, FOREVER. UNFORTUNATELY, A FOREVER. UNFORTUNATELY, A LOT FOREVER. UNFORTUNATELY, A LOT OF UNFORTUNATELY, A LOT OF UNFORTUNATELY, A LOT OF PEOPLE UNFORTUNATELY, A LOT OF PEOPLE THESE UNFORTUNATELY, A LOT OF PEOPLE THESE DAYS UNFORTUNATELY, A LOT OF PEOPLE THESE DAYS ARE PEOPLE THESE DAYS ARE PEOPLE THESE DAYS ARE STILL PEOPLE THESE DAYS ARE STILL SELLING PEOPLE THESE DAYS ARE STILL SELLING IT, PEOPLE THESE DAYS ARE STILL SELLING IT, AND PEOPLE THESE DAYS ARE STILL SELLING IT, AND I STILL SELLING IT, AND I STILL SELLING IT, AND I KNOW STILL SELLING IT, AND I KNOW THERE'S STILL SELLING IT, AND I KNOW THERE'S NOT STILL SELLING IT, AND I KNOW THERE'S NOT THAT KNOW THERE'S NOT THAT KNOW THERE'S NOT THAT MUCH KNOW THERE'S NOT THAT MUCH OUT KNOW THERE'S NOT THAT MUCH OUT THERE. MUCH OUT THERE. MUCH OUT THERE. >> MUCH OUT THERE. >> Host: MUCH OUT THERE. >> Host: RIGHT. >> Host: RIGHT. >> Host: RIGHT. >> >> Host: RIGHT. >> Guest: >> Host: RIGHT. >> Guest: THIS >> Host: RIGHT. >> Guest: THIS IS >> Host: RIGHT. >> Guest: THIS IS FROM >> Guest: THIS IS FROM >> Guest: THIS IS FROM KING >> Guest: THIS IS FROM KING MAN, >> Guest: THIS IS FROM KING MAN, THIS >> Guest: THIS IS FROM KING MAN, THIS IS >> Guest: THIS IS FROM KING MAN, THIS IS THE KING MAN, THIS IS THE KING MAN, THIS IS THE BEST KING MAN, THIS IS THE BEST KINGMANITOU KING MAN, THIS IS THE BEST KINGMANITOU I BEST KINGMANITOU I BEST KINGMANITOU I DIDN'T BEST KINGMANITOU I DIDN'T SAY BEST KINGMANITOU I DIDN'T SAY I'VE BEST KINGMANITOU I DIDN'T SAY I'VE EVER DIDN'T SAY I'VE EVER DIDN'T SAY I'VE EVER OFFERED. OFFERED. OFFERED. -- OFFERED. -- KINGTURQUOISE OFFERED. -- KINGTURQUOISE I'VE -- KINGTURQUOISE I'VE -- KINGTURQUOISE I'VE OFFERED. OFFERED. OFFERED. THE OFFERED. THE ZACHARY OFFERED. THE ZACHARY METHOD OFFERED. THE ZACHARY METHOD USES THE ZACHARY METHOD USES THE ZACHARY METHOD USES NO NO NO RESINS. RESINS. RESINS. I RESINS. I LIKE RESINS. I LIKE TO RESINS. I LIKE TO EDUCATE I LIKE TO EDUCATE I LIKE TO EDUCATE PEOPLE. PEOPLE. PEOPLE. TURQUOISE PEOPLE. TURQUOISE IS PEOPLE. TURQUOISE IS A PEOPLE. TURQUOISE IS A POROUS TURQUOISE IS A POROUS TURQUOISE IS A POROUS MINERAL. MINERAL. MINERAL. IF MINERAL. IF YOU MINERAL. IF YOU DON'T MINERAL. IF YOU DON'T FILL MINERAL. IF YOU DON'T FILL IT IF YOU DON'T FILL IT IF YOU DON'T FILL IT WITH IF YOU DON'T FILL IT WITH SOMETHING IF YOU DON'T FILL IT WITH SOMETHING OVER IF YOU DON'T FILL IT WITH SOMETHING OVER TIME WITH SOMETHING OVER TIME WITH SOMETHING OVER TIME IT, WITH SOMETHING OVER TIME IT, WILL WITH SOMETHING OVER TIME IT, WILL GET WITH SOMETHING OVER TIME IT, WILL GET FILLED WITH SOMETHING OVER TIME IT, WILL GET FILLED OR IT, WILL GET FILLED OR IT, WILL GET FILLED OR IT IT, WILL GET FILLED OR IT WILL IT, WILL GET FILLED OR IT WILL CRACK. IT WILL CRACK. IT WILL CRACK. WHAT IT WILL CRACK. WHAT THEY IT WILL CRACK. WHAT THEY DO, IT WILL CRACK. WHAT THEY DO, AND IT WILL CRACK. WHAT THEY DO, AND THE WHAT THEY DO, AND THE WHAT THEY DO, AND THE GENERAL WHAT THEY DO, AND THE GENERAL SENSE, WHAT THEY DO, AND THE GENERAL SENSE, IT WHAT THEY DO, AND THE GENERAL SENSE, IT COSTS GENERAL SENSE, IT COSTS GENERAL SENSE, IT COSTS MONEY GENERAL SENSE, IT COSTS MONEY TO GENERAL SENSE, IT COSTS MONEY TO STABILIZE GENERAL SENSE, IT COSTS MONEY TO STABILIZE AN MONEY TO STABILIZE AN MONEY TO STABILIZE AN ITEM, MONEY TO STABILIZE AN ITEM, BUT MONEY TO STABILIZE AN ITEM, BUT IN MONEY TO STABILIZE AN ITEM, BUT IN A MONEY TO STABILIZE AN ITEM, BUT IN A GENERAL ITEM, BUT IN A GENERAL ITEM, BUT IN A GENERAL SENSE, ITEM, BUT IN A GENERAL SENSE, MOST ITEM, BUT IN A GENERAL SENSE, MOST ARE ITEM, BUT IN A GENERAL SENSE, MOST ARE USING ITEM, BUT IN A GENERAL SENSE, MOST ARE USING A SENSE, MOST ARE USING A SENSE, MOST ARE USING A RESIN, SENSE, MOST ARE USING A RESIN, THAT SENSE, MOST ARE USING A RESIN, THAT THEY SENSE, MOST ARE USING A RESIN, THAT THEY FORCE RESIN, THAT THEY FORCE RESIN, THAT THEY FORCE INTO RESIN, THAT THEY FORCE INTO THE RESIN, THAT THEY FORCE INTO THE PORES. INTO THE PORES. INTO THE PORES. IT INTO THE PORES. IT TAKES INTO THE PORES. IT TAKES BETWEEN INTO THE PORES. IT TAKES BETWEEN 30-60 IT TAKES BETWEEN 30-60 IT TAKES BETWEEN 30-60 DAYS, IT TAKES BETWEEN 30-60 DAYS, AND IT TAKES BETWEEN 30-60 DAYS, AND COSTS IT TAKES BETWEEN 30-60 DAYS, AND COSTS MONEY IT TAKES BETWEEN 30-60 DAYS, AND COSTS MONEY TO DAYS, AND COSTS MONEY TO DAYS, AND COSTS MONEY TO DO DAYS, AND COSTS MONEY TO DO THAT. DO THAT. DO THAT. THE DO THAT. THE ZACHARY DO THAT. THE ZACHARY METHOD, THE ZACHARY METHOD, THE ZACHARY METHOD, HOWEVER, THE ZACHARY METHOD, HOWEVER, WAS THE ZACHARY METHOD, HOWEVER, WAS DEVELOPED HOWEVER, WAS DEVELOPED HOWEVER, WAS DEVELOPED BY HOWEVER, WAS DEVELOPED BY A HOWEVER, WAS DEVELOPED BY A GUY, HOWEVER, WAS DEVELOPED BY A GUY, ZACHARY HOWEVER, WAS DEVELOPED BY A GUY, ZACHARY WAS BY A GUY, ZACHARY WAS BY A GUY, ZACHARY WAS HIS BY A GUY, ZACHARY WAS HIS NAME, BY A GUY, ZACHARY WAS HIS NAME, AND BY A GUY, ZACHARY WAS HIS NAME, AND HE BY A GUY, ZACHARY WAS HIS NAME, AND HE FIGURED HIS NAME, AND HE FIGURED HIS NAME, AND HE FIGURED OUT HIS NAME, AND HE FIGURED OUT A HIS NAME, AND HE FIGURED OUT A WAY, HIS NAME, AND HE FIGURED OUT A WAY, PROPRIETARY OUT A WAY, PROPRIETARY OUT A WAY, PROPRIETARY METHOD OUT A WAY, PROPRIETARY METHOD TO OUT A WAY, PROPRIETARY METHOD TO STABILIZE METHOD TO STABILIZE METHOD TO STABILIZE SLEEPING METHOD TO STABILIZE SLEEPING BEAUTY SLEEPING BEAUTY SLEEPING BEAUTY TURQUOISE SLEEPING BEAUTY TURQUOISE WITHOUT SLEEPING BEAUTY TURQUOISE WITHOUT USING TURQUOISE WITHOUT USING TURQUOISE WITHOUT USING ANY TURQUOISE WITHOUT USING ANY RESIN, TURQUOISE WITHOUT USING ANY RESIN, AND TURQUOISE WITHOUT USING ANY RESIN, AND STILL ANY RESIN, AND STILL ANY RESIN, AND STILL MAKING ANY RESIN, AND STILL MAKING IT ANY RESIN, AND STILL MAKING IT STRONGER ANY RESIN, AND STILL MAKING IT STRONGER AND MAKING IT STRONGER AND MAKING IT STRONGER AND HARDER. HARDER. HARDER. THAT HARDER. THAT FOR HARDER. THAT FOR THE HARDER. THAT FOR THE FIRST HARDER. THAT FOR THE FIRST TIME THAT FOR THE FIRST TIME THAT FOR THE FIRST TIME IN THAT FOR THE FIRST TIME IN MY THAT FOR THE FIRST TIME IN MY CAREER THAT FOR THE FIRST TIME IN MY CAREER WAS THAT FOR THE FIRST TIME IN MY CAREER WAS DONE IN MY CAREER WAS DONE IN MY CAREER WAS DONE WITH IN MY CAREER WAS DONE WITH THE IN MY CAREER WAS DONE WITH THE KINGMAN WITH THE KINGMAN WITH THE KINGMAN TURQUOISE, WITH THE KINGMAN TURQUOISE, BUT WITH THE KINGMAN TURQUOISE, BUT THE WITH THE KINGMAN TURQUOISE, BUT THE FOWT TURQUOISE, BUT THE FOWT TURQUOISE, BUT THE FOWT BROTHERS. BROTHERS. BROTHERS. I BROTHERS. I WOULD BROTHERS. I WOULD CALL BROTHERS. I WOULD CALL THIS BROTHERS. I WOULD CALL THIS ONE BROTHERS. I WOULD CALL THIS ONE OF I WOULD CALL THIS ONE OF I WOULD CALL THIS ONE OF THE I WOULD CALL THIS ONE OF THE BEST I WOULD CALL THIS ONE OF THE BEST VALUES I WOULD CALL THIS ONE OF THE BEST VALUES I'VE THE BEST VALUES I'VE THE BEST VALUES I'VE EVER THE BEST VALUES I'VE EVER DONE THE BEST VALUES I'VE EVER DONE IN THE BEST VALUES I'VE EVER DONE IN MY THE BEST VALUES I'VE EVER DONE IN MY CAREER EVER DONE IN MY CAREER EVER DONE IN MY CAREER IN EVER DONE IN MY CAREER IN TURQUOISE. IN TURQUOISE. IN TURQUOISE. >> IN TURQUOISE. >> Host: IN TURQUOISE. >> Host: CLEARLY. >> Host: CLEARLY. >> Host: CLEARLY. >> >> Host: CLEARLY. >> Guest: >> Host: CLEARLY. >> Guest: AND >> Host: CLEARLY. >> Guest: AND MINED >> Host: CLEARLY. >> Guest: AND MINED IN >> Guest: AND MINED IN >> Guest: AND MINED IN AMERICA >> Guest: AND MINED IN AMERICA AS >> Guest: AND MINED IN AMERICA AS YOU >> Guest: AND MINED IN AMERICA AS YOU WILL >> Guest: AND MINED IN AMERICA AS YOU WILL SEE AMERICA AS YOU WILL SEE AMERICA AS YOU WILL SEE IS AMERICA AS YOU WILL SEE IS A AMERICA AS YOU WILL SEE IS A THEME AMERICA AS YOU WILL SEE IS A THEME FOR AMERICA AS YOU WILL SEE IS A THEME FOR ME AMERICA AS YOU WILL SEE IS A THEME FOR ME IT'S IS A THEME FOR ME IT'S IS A THEME FOR ME IT'S VERY IS A THEME FOR ME IT'S VERY IMPORTANT. VERY IMPORTANT. VERY IMPORTANT. AND VERY IMPORTANT. AND I'M VERY IMPORTANT. AND I'M TRYING VERY IMPORTANT. AND I'M TRYING TO VERY IMPORTANT. AND I'M TRYING TO DO AND I'M TRYING TO DO AND I'M TRYING TO DO MORE AND I'M TRYING TO DO MORE AND AND I'M TRYING TO DO MORE AND MORE AND I'M TRYING TO DO MORE AND MORE OF AND I'M TRYING TO DO MORE AND MORE OF IT AND I'M TRYING TO DO MORE AND MORE OF IT EACH MORE AND MORE OF IT EACH MORE AND MORE OF IT EACH YEAR, MORE AND MORE OF IT EACH YEAR, AND MORE AND MORE OF IT EACH YEAR, AND EVENTUALLY MORE AND MORE OF IT EACH YEAR, AND EVENTUALLY I YEAR, AND EVENTUALLY I YEAR, AND EVENTUALLY I WILL YEAR, AND EVENTUALLY I WILL START YEAR, AND EVENTUALLY I WILL START BRINGING WILL START BRINGING WILL START BRINGING MANUFACTURING WILL START BRINGING MANUFACTURING BACK WILL START BRINGING MANUFACTURING BACK HERE. MANUFACTURING BACK HERE. MANUFACTURING BACK HERE. >> MANUFACTURING BACK HERE. >> NO MANUFACTURING BACK HERE. >> NO KIDDING? >> NO KIDDING? >> NO KIDDING? THAT'S >> NO KIDDING? THAT'S WONDERFUL. THAT'S WONDERFUL. THAT'S WONDERFUL. >> THAT'S WONDERFUL. >> Host: THAT'S WONDERFUL. >> Host: THAT'S THAT'S WONDERFUL. >> Host: THAT'S GREAT. >> Host: THAT'S GREAT. >> Host: THAT'S GREAT. I >> Host: THAT'S GREAT. I TOTALLY >> Host: THAT'S GREAT. I TOTALLY APPRECIATE >> Host: THAT'S GREAT. I TOTALLY APPRECIATE IT. I TOTALLY APPRECIATE IT. I TOTALLY APPRECIATE IT. I I TOTALLY APPRECIATE IT. I THINK I TOTALLY APPRECIATE IT. I THINK WHAT'S I TOTALLY APPRECIATE IT. I THINK WHAT'S SO I THINK WHAT'S SO I THINK WHAT'S SO SPECTACULAR, I THINK WHAT'S SO SPECTACULAR, IT'S SPECTACULAR, IT'S SPECTACULAR, IT'S TURQUOISE, SPECTACULAR, IT'S TURQUOISE, I SPECTACULAR, IT'S TURQUOISE, I THINK SPECTACULAR, IT'S TURQUOISE, I THINK A SPECTACULAR, IT'S TURQUOISE, I THINK A LOT TURQUOISE, I THINK A LOT TURQUOISE, I THINK A LOT OF TURQUOISE, I THINK A LOT OF TIMES TURQUOISE, I THINK A LOT OF TIMES WHEN TURQUOISE, I THINK A LOT OF TIMES WHEN YOU TURQUOISE, I THINK A LOT OF TIMES WHEN YOU THINK OF TIMES WHEN YOU THINK OF TIMES WHEN YOU THINK TURQUOISE, OF TIMES WHEN YOU THINK TURQUOISE, WE OF TIMES WHEN YOU THINK TURQUOISE, WE THINK OF TIMES WHEN YOU THINK TURQUOISE, WE THINK IT'S TURQUOISE, WE THINK IT'S TURQUOISE, WE THINK IT'S BEAUTIFUL, TURQUOISE, WE THINK IT'S BEAUTIFUL, BUT TURQUOISE, WE THINK IT'S BEAUTIFUL, BUT NOT BEAUTIFUL, BUT NOT BEAUTIFUL, BUT NOT ELEVATED BEAUTIFUL, BUT NOT ELEVATED TO BEAUTIFUL, BUT NOT ELEVATED TO THIS BEAUTIFUL, BUT NOT ELEVATED TO THIS LEVEL. ELEVATED TO THIS LEVEL. ELEVATED TO THIS LEVEL. IF ELEVATED TO THIS LEVEL. IF YOU ELEVATED TO THIS LEVEL. IF YOU GO ELEVATED TO THIS LEVEL. IF YOU GO TO ELEVATED TO THIS LEVEL. IF YOU GO TO SOME ELEVATED TO THIS LEVEL. IF YOU GO TO SOME OF ELEVATED TO THIS LEVEL. IF YOU GO TO SOME OF THE IF YOU GO TO SOME OF THE IF YOU GO TO SOME OF THE FINEST IF YOU GO TO SOME OF THE FINEST JEWELRY IF YOU GO TO SOME OF THE FINEST JEWELRY STORES IF YOU GO TO SOME OF THE FINEST JEWELRY STORES IN FINEST JEWELRY STORES IN FINEST JEWELRY STORES IN THE FINEST JEWELRY STORES IN THE WORLD, FINEST JEWELRY STORES IN THE WORLD, ON FINEST JEWELRY STORES IN THE WORLD, ON DESIGNERS, THE WORLD, ON DESIGNERS, THE WORLD, ON DESIGNERS, THEY THE WORLD, ON DESIGNERS, THEY ARE THE WORLD, ON DESIGNERS, THEY ARE ELEVATING THEY ARE ELEVATING THEY ARE ELEVATING TURQUOISE, THEY ARE ELEVATING TURQUOISE, AND THEY ARE ELEVATING TURQUOISE, AND SET THEY ARE ELEVATING TURQUOISE, AND SET IT THEY ARE ELEVATING TURQUOISE, AND SET IT IN TURQUOISE, AND SET IT IN TURQUOISE, AND SET IT IN GOLD. GOLD. GOLD. BUT GOLD. BUT I GOLD. BUT I LOVE GOLD. BUT I LOVE YOU GOLD. BUT I LOVE YOU DID GOLD. BUT I LOVE YOU DID THAT. BUT I LOVE YOU DID THAT. BUT I LOVE YOU DID THAT. THIS BUT I LOVE YOU DID THAT. THIS IS BUT I LOVE YOU DID THAT. THIS IS THE BUT I LOVE YOU DID THAT. THIS IS THE FEMININE THIS IS THE FEMININE THIS IS THE FEMININE SIDE, THIS IS THE FEMININE SIDE, THE THIS IS THE FEMININE SIDE, THE RICH THIS IS THE FEMININE SIDE, THE RICH HIGH SIDE, THE RICH HIGH SIDE, THE RICH HIGH PRESSURE SIDE, THE RICH HIGH PRESSURE LOOKING SIDE, THE RICH HIGH PRESSURE LOOKING SIDE. PRESSURE LOOKING SIDE. PRESSURE LOOKING SIDE. THIS PRESSURE LOOKING SIDE. THIS IS PRESSURE LOOKING SIDE. THIS IS -- PRESSURE LOOKING SIDE. THIS IS -- RICH-SIDE, THIS IS -- RICH-SIDE, THIS IS -- RICH-SIDE, FOR THIS IS -- RICH-SIDE, FOR ME, THIS IS -- RICH-SIDE, FOR ME, IT'S THIS IS -- RICH-SIDE, FOR ME, IT'S CASUAL, THIS IS -- RICH-SIDE, FOR ME, IT'S CASUAL, AND FOR ME, IT'S CASUAL, AND FOR ME, IT'S CASUAL, AND I FOR ME, IT'S CASUAL, AND I LOVE FOR ME, IT'S CASUAL, AND I LOVE IT, FOR ME, IT'S CASUAL, AND I LOVE IT, BUT FOR ME, IT'S CASUAL, AND I LOVE IT, BUT IT'S I LOVE IT, BUT IT'S I LOVE IT, BUT IT'S PRETTY I LOVE IT, BUT IT'S PRETTY CASUAL. PRETTY CASUAL. PRETTY CASUAL. >> PRETTY CASUAL. >> Guest: PRETTY CASUAL. >> Guest: WE PRETTY CASUAL. >> Guest: WE HAVE >> Guest: WE HAVE >> Guest: WE HAVE TANZANITE, >> Guest: WE HAVE TANZANITE, WHITE >> Guest: WE HAVE TANZANITE, WHITE ZIRCON, TANZANITE, WHITE ZIRCON, TANZANITE, WHITE ZIRCON, IT TANZANITE, WHITE ZIRCON, IT IS TANZANITE, WHITE ZIRCON, IT IS ELEVATED. IT IS ELEVATED. IT IS ELEVATED. AND IT IS ELEVATED. AND I IT IS ELEVATED. AND I WILL IT IS ELEVATED. AND I WILL TELL IT IS ELEVATED. AND I WILL TELL YOU AND I WILL TELL YOU AND I WILL TELL YOU THAT, AND I WILL TELL YOU THAT, AGAIN, AND I WILL TELL YOU THAT, AGAIN, MY AND I WILL TELL YOU THAT, AGAIN, MY NUMBER THAT, AGAIN, MY NUMBER THAT, AGAIN, MY NUMBER ONE THAT, AGAIN, MY NUMBER ONE SELLER THAT, AGAIN, MY NUMBER ONE SELLER FOR THAT, AGAIN, MY NUMBER ONE SELLER FOR THE THAT, AGAIN, MY NUMBER ONE SELLER FOR THE LAST ONE SELLER FOR THE LAST ONE SELLER FOR THE LAST NINE ONE SELLER FOR THE LAST NINE YEARS ONE SELLER FOR THE LAST NINE YEARS IS ONE SELLER FOR THE LAST NINE YEARS IS TURQUOISE. NINE YEARS IS TURQUOISE. NINE YEARS IS TURQUOISE. AND NINE YEARS IS TURQUOISE. AND WHETHER, NINE YEARS IS TURQUOISE. AND WHETHER, NO NINE YEARS IS TURQUOISE. AND WHETHER, NO MATTER AND WHETHER, NO MATTER AND WHETHER, NO MATTER WHERE AND WHETHER, NO MATTER WHERE IT AND WHETHER, NO MATTER WHERE IT WAS AND WHETHER, NO MATTER WHERE IT WAS FROM, WHERE IT WAS FROM, WHERE IT WAS FROM, CHINESE, WHERE IT WAS FROM, CHINESE, MEXICAN, WHERE IT WAS FROM, CHINESE, MEXICAN, USA CHINESE, MEXICAN, USA CHINESE, MEXICAN, USA SLEEPING CHINESE, MEXICAN, USA SLEEPING BEAUTY, CHINESE, MEXICAN, USA SLEEPING BEAUTY, DIDN'T SLEEPING BEAUTY, DIDN'T SLEEPING BEAUTY, DIDN'T MATTER. MATTER. MATTER. BUT MATTER. BUT EVERYBODY MATTER. BUT EVERYBODY LIKES MATTER. BUT EVERYBODY LIKES THE BUT EVERYBODY LIKES THE BUT EVERYBODY LIKES THE TURQUOISE BUT EVERYBODY LIKES THE TURQUOISE MORE BUT EVERYBODY LIKES THE TURQUOISE MORE WHEN BUT EVERYBODY LIKES THE TURQUOISE MORE WHEN YOU TURQUOISE MORE WHEN YOU TURQUOISE MORE WHEN YOU PUT TURQUOISE MORE WHEN YOU PUT A TURQUOISE MORE WHEN YOU PUT A FAST TURQUOISE MORE WHEN YOU PUT A FAST SETTLED TURQUOISE MORE WHEN YOU PUT A FAST SETTLED BLUE PUT A FAST SETTLED BLUE PUT A FAST SETTLED BLUE STONE PUT A FAST SETTLED BLUE STONE -- PUT A FAST SETTLED BLUE STONE -- FACETTED PUT A FAST SETTLED BLUE STONE -- FACETTED BLUE STONE -- FACETTED BLUE STONE -- FACETTED BLUE STONE STONE -- FACETTED BLUE STONE WITH STONE -- FACETTED BLUE STONE WITH T STONE -- FACETTED BLUE STONE WITH T THERE'S STONE -- FACETTED BLUE STONE WITH T THERE'S NO STONE WITH T THERE'S NO STONE WITH T THERE'S NO ELEVATED STONE WITH T THERE'S NO ELEVATED STONE STONE WITH T THERE'S NO ELEVATED STONE TO STONE WITH T THERE'S NO ELEVATED STONE TO DO ELEVATED STONE TO DO ELEVATED STONE TO DO WITH ELEVATED STONE TO DO WITH YOUR ELEVATED STONE TO DO WITH YOUR TURQUOISE ELEVATED STONE TO DO WITH YOUR TURQUOISE THAN WITH YOUR TURQUOISE THAN WITH YOUR TURQUOISE THAN TANZANITE. TANZANITE. TANZANITE. >> TANZANITE. >> Host: TANZANITE. >> Host: YES. >> Host: YES. >> Host: YES. >> >> Host: YES. >> Guest: >> Host: YES. >> Guest: IT'S >> Host: YES. >> Guest: IT'S VERY >> Guest: IT'S VERY >> Guest: IT'S VERY PRETTY. PRETTY. PRETTY. >> PRETTY. >> Host: PRETTY. >> Host: I PRETTY. >> Host: I LOVE PRETTY. >> Host: I LOVE THE >> Host: I LOVE THE >> Host: I LOVE THE POSITION >> Host: I LOVE THE POSITION OF >> Host: I LOVE THE POSITION OF THE >> Host: I LOVE THE POSITION OF THE SEMI POSITION OF THE SEMI POSITION OF THE SEMI PRECIOUS POSITION OF THE SEMI PRECIOUS WITH POSITION OF THE SEMI PRECIOUS WITH THE PRECIOUS WITH THE PRECIOUS WITH THE OPAQUE. OPAQUE. OPAQUE. , OPAQUE. , OR OPAQUE. , OR WITH OPAQUE. , OR WITH THE OPAQUE. , OR WITH THE CLEAR, , OR WITH THE CLEAR, , OR WITH THE CLEAR, TRANSPARENT , OR WITH THE CLEAR, TRANSPARENT WITH , OR WITH THE CLEAR, TRANSPARENT WITH THE TRANSPARENT WITH THE TRANSPARENT WITH THE OPAQUE. OPAQUE. OPAQUE. BECAUSE OPAQUE. BECAUSE IT'S OPAQUE. BECAUSE IT'S BEAUTIFUL. BECAUSE IT'S BEAUTIFUL. BECAUSE IT'S BEAUTIFUL. THERE'S BECAUSE IT'S BEAUTIFUL. THERE'S A BECAUSE IT'S BEAUTIFUL. THERE'S A SPARKLE BECAUSE IT'S BEAUTIFUL. THERE'S A SPARKLE ABOUT THERE'S A SPARKLE ABOUT THERE'S A SPARKLE ABOUT THE THERE'S A SPARKLE ABOUT THE TANZANITE, THERE'S A SPARKLE ABOUT THE TANZANITE, AND THE TANZANITE, AND THE TANZANITE, AND ZIRCON THE TANZANITE, AND ZIRCON FOR THE TANZANITE, AND ZIRCON FOR THAT THE TANZANITE, AND ZIRCON FOR THAT MATTER. ZIRCON FOR THAT MATTER. ZIRCON FOR THAT MATTER. AND ZIRCON FOR THAT MATTER. AND YOU ZIRCON FOR THAT MATTER. AND YOU HAVE ZIRCON FOR THAT MATTER. AND YOU HAVE THE ZIRCON FOR THAT MATTER. AND YOU HAVE THE SOLID AND YOU HAVE THE SOLID AND YOU HAVE THE SOLID BLUE, AND YOU HAVE THE SOLID BLUE, JUST AND YOU HAVE THE SOLID BLUE, JUST A AND YOU HAVE THE SOLID BLUE, JUST A GOOD BLUE, JUST A GOOD BLUE, JUST A GOOD CONTRAST BLUE, JUST A GOOD CONTRAST BETWEEN BLUE, JUST A GOOD CONTRAST BETWEEN THE CONTRAST BETWEEN THE CONTRAST BETWEEN THE TWO. TWO. TWO. >> TWO. >> Guest: TWO. >> Guest: AND TWO. >> Guest: AND AGAIN, TWO. >> Guest: AND AGAIN, I >> Guest: AND AGAIN, I >> Guest: AND AGAIN, I DON'T >> Guest: AND AGAIN, I DON'T SAY >> Guest: AND AGAIN, I DON'T SAY THIS >> Guest: AND AGAIN, I DON'T SAY THIS ABOUT DON'T SAY THIS ABOUT DON'T SAY THIS ABOUT EVERY DON'T SAY THIS ABOUT EVERY STONE. EVERY STONE. EVERY STONE. YOU EVERY STONE. YOU GET EVERY STONE. YOU GET THE EVERY STONE. YOU GET THE ROBIN'S EVERY STONE. YOU GET THE ROBIN'S EGG YOU GET THE ROBIN'S EGG YOU GET THE ROBIN'S EGG BLUE YOU GET THE ROBIN'S EGG BLUE COLOR, YOU GET THE ROBIN'S EGG BLUE COLOR, IT YOU GET THE ROBIN'S EGG BLUE COLOR, IT LIGHT BLUE COLOR, IT LIGHT BLUE COLOR, IT LIGHT SPECTACULAR BLUE COLOR, IT LIGHT SPECTACULAR ON BLUE COLOR, IT LIGHT SPECTACULAR ON EVERY SPECTACULAR ON EVERY SPECTACULAR ON EVERY SKIN SPECTACULAR ON EVERY SKIN TONE. SKIN TONE. SKIN TONE. AND SKIN TONE. AND ALMOST SKIN TONE. AND ALMOST EVERY SKIN TONE. AND ALMOST EVERY COLOR AND ALMOST EVERY COLOR AND ALMOST EVERY COLOR YOU AND ALMOST EVERY COLOR YOU WEAR. YOU WEAR. YOU WEAR. NOTHING YOU WEAR. NOTHING THAT YOU WEAR. NOTHING THAT LOOKS YOU WEAR. NOTHING THAT LOOKS BAD NOTHING THAT LOOKS BAD NOTHING THAT LOOKS BAD WITH NOTHING THAT LOOKS BAD WITH THIS. WITH THIS. WITH THIS. MANY WITH THIS. MANY PEOPLE WITH THIS. MANY PEOPLE ARE MANY PEOPLE ARE MANY PEOPLE ARE SURPRISED MANY PEOPLE ARE SURPRISED WHEN MANY PEOPLE ARE SURPRISED WHEN HE MANY PEOPLE ARE SURPRISED WHEN HE I MANY PEOPLE ARE SURPRISED WHEN HE I HAD SURPRISED WHEN HE I HAD SURPRISED WHEN HE I HAD INDICATE SURPRISED WHEN HE I HAD INDICATE THEM, INDICATE THEM, INDICATE THEM, EVERYTHING INDICATE THEM, EVERYTHING -- INDICATE THEM, EVERYTHING -- EDUCATE EVERYTHING -- EDUCATE EVERYTHING -- EDUCATE THEM, EVERYTHING -- EDUCATE THEM, PEOPLE EVERYTHING -- EDUCATE THEM, PEOPLE SAID THEM, PEOPLE SAID THEM, PEOPLE SAID SLEEPING THEM, PEOPLE SAID SLEEPING BEAUTY THEM, PEOPLE SAID SLEEPING BEAUTY WAS THEM, PEOPLE SAID SLEEPING BEAUTY WAS THE SLEEPING BEAUTY WAS THE SLEEPING BEAUTY WAS THE MOST SLEEPING BEAUTY WAS THE MOST EXPENSIVE SLEEPING BEAUTY WAS THE MOST EXPENSIVE EVER. MOST EXPENSIVE EVER. MOST EXPENSIVE EVER. IT MOST EXPENSIVE EVER. IT WASN'T, MOST EXPENSIVE EVER. IT WASN'T, IT MOST EXPENSIVE EVER. IT WASN'T, IT WENT MOST EXPENSIVE EVER. IT WASN'T, IT WENT UP IT WASN'T, IT WENT UP IT WASN'T, IT WENT UP WHEN IT WASN'T, IT WENT UP WHEN THE IT WASN'T, IT WENT UP WHEN THE MINE IT WASN'T, IT WENT UP WHEN THE MINE CLOSED. WHEN THE MINE CLOSED. WHEN THE MINE CLOSED. THE WHEN THE MINE CLOSED. THE PRICE WHEN THE MINE CLOSED. THE PRICE DOUBLES WHEN THE MINE CLOSED. THE PRICE DOUBLES WITHIN THE PRICE DOUBLES WITHIN THE PRICE DOUBLES WITHIN THREE THE PRICE DOUBLES WITHIN THREE WEEKS. THREE WEEKS. THREE WEEKS. IT THREE WEEKS. IT TRIPLED THREE WEEKS. IT TRIPLED WITHIN THREE WEEKS. IT TRIPLED WITHIN SIX IT TRIPLED WITHIN SIX IT TRIPLED WITHIN SIX WEEKS. WEEKS. WEEKS. IT WEEKS. IT HAD WEEKS. IT HAD JUST WEEKS. IT HAD JUST GONE WEEKS. IT HAD JUST GONE CRAZY. IT HAD JUST GONE CRAZY. IT HAD JUST GONE CRAZY. BUT, IT HAD JUST GONE CRAZY. BUT, LIKE IT HAD JUST GONE CRAZY. BUT, LIKE A IT HAD JUST GONE CRAZY. BUT, LIKE A BLACK IT HAD JUST GONE CRAZY. BUT, LIKE A BLACK SPIDER BUT, LIKE A BLACK SPIDER BUT, LIKE A BLACK SPIDER WEB BUT, LIKE A BLACK SPIDER WEB MATRIX BUT, LIKE A BLACK SPIDER WEB MATRIX IN BUT, LIKE A BLACK SPIDER WEB MATRIX IN A BUT, LIKE A BLACK SPIDER WEB MATRIX IN A -- BUT, LIKE A BLACK SPIDER WEB MATRIX IN A -- WOULD WEB MATRIX IN A -- WOULD WEB MATRIX IN A -- WOULD DWARF WEB MATRIX IN A -- WOULD DWARF THE WEB MATRIX IN A -- WOULD DWARF THE COST WEB MATRIX IN A -- WOULD DWARF THE COST OF WEB MATRIX IN A -- WOULD DWARF THE COST OF A DWARF THE COST OF A DWARF THE COST OF A SLEEPING DWARF THE COST OF A SLEEPING BEAUTY. SLEEPING BEAUTY. SLEEPING BEAUTY. BUT SLEEPING BEAUTY. BUT IT'S SLEEPING BEAUTY. BUT IT'S COMFORTING SLEEPING BEAUTY. BUT IT'S COMFORTING TO BUT IT'S COMFORTING TO BUT IT'S COMFORTING TO KNOW BUT IT'S COMFORTING TO KNOW I BUT IT'S COMFORTING TO KNOW I CAN BUT IT'S COMFORTING TO KNOW I CAN GIVE BUT IT'S COMFORTING TO KNOW I CAN GIVE YOU BUT IT'S COMFORTING TO KNOW I CAN GIVE YOU A KNOW I CAN GIVE YOU A KNOW I CAN GIVE YOU A GENUINE KNOW I CAN GIVE YOU A GENUINE TURQUOISE, KNOW I CAN GIVE YOU A GENUINE TURQUOISE, NOT KNOW I CAN GIVE YOU A GENUINE TURQUOISE, NOT A GENUINE TURQUOISE, NOT A GENUINE TURQUOISE, NOT A FAKE, GENUINE TURQUOISE, NOT A FAKE, NOT GENUINE TURQUOISE, NOT A FAKE, NOT A GENUINE TURQUOISE, NOT A FAKE, NOT A DYED, GENUINE TURQUOISE, NOT A FAKE, NOT A DYED, NOT FAKE, NOT A DYED, NOT FAKE, NOT A DYED, NOT COMPRESSED FAKE, NOT A DYED, NOT COMPRESSED THAT FAKE, NOT A DYED, NOT COMPRESSED THAT CAME COMPRESSED THAT CAME COMPRESSED THAT CAME FROM COMPRESSED THAT CAME FROM A COMPRESSED THAT CAME FROM A SINGLE COMPRESSED THAT CAME FROM A SINGLE PIECE COMPRESSED THAT CAME FROM A SINGLE PIECE OF FROM A SINGLE PIECE OF FROM A SINGLE PIECE OF KINGMAN, FROM A SINGLE PIECE OF KINGMAN, THAT FROM A SINGLE PIECE OF KINGMAN, THAT USING FROM A SINGLE PIECE OF KINGMAN, THAT USING THE KINGMAN, THAT USING THE KINGMAN, THAT USING THE ZACHARY KINGMAN, THAT USING THE ZACHARY METHOD, KINGMAN, THAT USING THE ZACHARY METHOD, THAT ZACHARY METHOD, THAT ZACHARY METHOD, THAT GIVING ZACHARY METHOD, THAT GIVING YOU ZACHARY METHOD, THAT GIVING YOU THE ZACHARY METHOD, THAT GIVING YOU THE ROBIN'S GIVING YOU THE ROBIN'S GIVING YOU THE ROBIN'S EGG GIVING YOU THE ROBIN'S EGG BLUE. EGG BLUE. EGG BLUE. YOU EGG BLUE. YOU WILL EGG BLUE. YOU WILL ENJOY EGG BLUE. YOU WILL ENJOY IT. YOU WILL ENJOY IT. YOU WILL ENJOY IT. >> YOU WILL ENJOY IT. >> Host: YOU WILL ENJOY IT. >> Host: IT'S YOU WILL ENJOY IT. >> Host: IT'S BEAUTIFUL. >> Host: IT'S BEAUTIFUL. >> Host: IT'S BEAUTIFUL. AND >> Host: IT'S BEAUTIFUL. AND A >> Host: IT'S BEAUTIFUL. AND A STUNNING >> Host: IT'S BEAUTIFUL. AND A STUNNING VERSION AND A STUNNING VERSION AND A STUNNING VERSION OF AND A STUNNING VERSION OF TURQUOISE. OF TURQUOISE. OF TURQUOISE. SIZE OF TURQUOISE. SIZE WISE, OF TURQUOISE. SIZE WISE, 5-10. SIZE WISE, 5-10. SIZE WISE, 5-10. IF SIZE WISE, 5-10. IF YOU SIZE WISE, 5-10. IF YOU THINK SIZE WISE, 5-10. IF YOU THINK ABOUT IF YOU THINK ABOUT IF YOU THINK ABOUT GETTING IF YOU THINK ABOUT GETTING THE IF YOU THINK ABOUT GETTING THE OPAL, IF YOU THINK ABOUT GETTING THE OPAL, THAT GETTING THE OPAL, THAT GETTING THE OPAL, THAT IS GETTING THE OPAL, THAT IS CLEARLY GETTING THE OPAL, THAT IS CLEARLY THE GETTING THE OPAL, THAT IS CLEARLY THE MOST IS CLEARLY THE MOST IS CLEARLY THE MOST LIMITED. LIMITED. LIMITED. NOW, LIMITED. NOW, SIZE LIMITED. NOW, SIZE 9 LIMITED. NOW, SIZE 9 AND LIMITED. NOW, SIZE 9 AND SIZE LIMITED. NOW, SIZE 9 AND SIZE 10 NOW, SIZE 9 AND SIZE 10 NOW, SIZE 9 AND SIZE 10 ARE NOW, SIZE 9 AND SIZE 10 ARE GETTING NOW, SIZE 9 AND SIZE 10 ARE GETTING LIMITED. ARE GETTING LIMITED. ARE GETTING LIMITED. SO ARE GETTING LIMITED. SO JUST ARE GETTING LIMITED. SO JUST A ARE GETTING LIMITED. SO JUST A LITTLE ARE GETTING LIMITED. SO JUST A LITTLE HEAD'S SO JUST A LITTLE HEAD'S SO JUST A LITTLE HEAD'S UP. UP. UP. YOUR UP. YOUR AWATCHING UP. YOUR AWATCHING NOW, UP. YOUR AWATCHING NOW, IF YOUR AWATCHING NOW, IF YOUR AWATCHING NOW, IF YOU YOUR AWATCHING NOW, IF YOU THINK YOUR AWATCHING NOW, IF YOU THINK IT YOUR AWATCHING NOW, IF YOU THINK IT LOOKS YOUR AWATCHING NOW, IF YOU THINK IT LOOKS GOOD YOU THINK IT LOOKS GOOD YOU THINK IT LOOKS GOOD ON YOU THINK IT LOOKS GOOD ON THE YOU THINK IT LOOKS GOOD ON THE TELEVISION YOU THINK IT LOOKS GOOD ON THE TELEVISION SET, ON THE TELEVISION SET, ON THE TELEVISION SET, WHEN ON THE TELEVISION SET, WHEN YOU ON THE TELEVISION SET, WHEN YOU OPEN ON THE TELEVISION SET, WHEN YOU OPEN THE ON THE TELEVISION SET, WHEN YOU OPEN THE BOX, WHEN YOU OPEN THE BOX, WHEN YOU OPEN THE BOX, IT WHEN YOU OPEN THE BOX, IT IS, WHEN YOU OPEN THE BOX, IT IS, IT'S WHEN YOU OPEN THE BOX, IT IS, IT'S LIKE WHEN YOU OPEN THE BOX, IT IS, IT'S LIKE YOUR IT IS, IT'S LIKE YOUR IT IS, IT'S LIKE YOUR MOUTH IT IS, IT'S LIKE YOUR MOUTH DROPS IT IS, IT'S LIKE YOUR MOUTH DROPS OPEN. MOUTH DROPS OPEN. MOUTH DROPS OPEN. IT MOUTH DROPS OPEN. IT WILL MOUTH DROPS OPEN. IT WILL BLOW MOUTH DROPS OPEN. IT WILL BLOW YOUR MOUTH DROPS OPEN. IT WILL BLOW YOUR MIND. IT WILL BLOW YOUR MIND. IT WILL BLOW YOUR MIND. >> IT WILL BLOW YOUR MIND. >> Host: IT WILL BLOW YOUR MIND. >> Host: I IT WILL BLOW YOUR MIND. >> Host: I MOSTLY IT WILL BLOW YOUR MIND. >> Host: I MOSTLY ALWAYS >> Host: I MOSTLY ALWAYS >> Host: I MOSTLY ALWAYS DISAPPOINTED >> Host: I MOSTLY ALWAYS DISAPPOINTED IN >> Host: I MOSTLY ALWAYS DISAPPOINTED IN OPALS >> Host: I MOSTLY ALWAYS DISAPPOINTED IN OPALS SO DISAPPOINTED IN OPALS SO DISAPPOINTED IN OPALS SO I DISAPPOINTED IN OPALS SO I WASN'TS DISAPPOINTED IN OPALS SO I WASN'TS THAT DISAPPOINTED IN OPALS SO I WASN'TS THAT EXCITED I WASN'TS THAT EXCITED I WASN'TS THAT EXCITED -- I WASN'TS THAT EXCITED -- WASN'T I WASN'TS THAT EXCITED -- WASN'T THAT I WASN'TS THAT EXCITED -- WASN'T THAT EXCITED -- WASN'T THAT EXCITED -- WASN'T THAT EXCITED WITH -- WASN'T THAT EXCITED WITH THE -- WASN'T THAT EXCITED WITH THE PICTURE. WITH THE PICTURE. WITH THE PICTURE. SO WITH THE PICTURE. SO WHEN WITH THE PICTURE. SO WHEN I WITH THE PICTURE. SO WHEN I WALKED WITH THE PICTURE. SO WHEN I WALKED IN, WITH THE PICTURE. SO WHEN I WALKED IN, IT SO WHEN I WALKED IN, IT SO WHEN I WALKED IN, IT WAS SO WHEN I WALKED IN, IT WAS DARK SO WHEN I WALKED IN, IT WAS DARK IN SO WHEN I WALKED IN, IT WAS DARK IN THE SO WHEN I WALKED IN, IT WAS DARK IN THE STUDIO, WAS DARK IN THE STUDIO, WAS DARK IN THE STUDIO, AND WAS DARK IN THE STUDIO, AND GROWING WAS DARK IN THE STUDIO, AND GROWING ACROSS WAS DARK IN THE STUDIO, AND GROWING ACROSS THE AND GROWING ACROSS THE AND GROWING ACROSS THE STUDIO. STUDIO. STUDIO. >> STUDIO. >> Guest: STUDIO. >> Guest: YOU STUDIO. >> Guest: YOU NEED STUDIO. >> Guest: YOU NEED THAT >> Guest: YOU NEED THAT >> Guest: YOU NEED THAT ON >> Guest: YOU NEED THAT ON YOUR >> Guest: YOU NEED THAT ON YOUR FINGER. ON YOUR FINGER. ON YOUR FINGER. >> ON YOUR FINGER. >> Host: ON YOUR FINGER. >> Host: I ON YOUR FINGER. >> Host: I KNOW. >> Host: I KNOW. >> Host: I KNOW. IT'S >> Host: I KNOW. IT'S THE >> Host: I KNOW. IT'S THE FIRST >> Host: I KNOW. IT'S THE FIRST OPAL >> Host: I KNOW. IT'S THE FIRST OPAL I'M IT'S THE FIRST OPAL I'M IT'S THE FIRST OPAL I'M JONESSING IT'S THE FIRST OPAL I'M JONESSING FOR. JONESSING FOR. JONESSING FOR. >> JONESSING FOR. >> Guest: JONESSING FOR. >> Guest: AND JONESSING FOR. >> Guest: AND CAN JONESSING FOR. >> Guest: AND CAN I >> Guest: AND CAN I >> Guest: AND CAN I COMPLIMENT >> Guest: AND CAN I COMPLIMENT THE >> Guest: AND CAN I COMPLIMENT THE AUDIENCE? COMPLIMENT THE AUDIENCE? COMPLIMENT THE AUDIENCE? I COMPLIMENT THE AUDIENCE? I TAKE COMPLIMENT THE AUDIENCE? I TAKE A COMPLIMENT THE AUDIENCE? I TAKE A LITTLE COMPLIMENT THE AUDIENCE? I TAKE A LITTLE CREDIT I TAKE A LITTLE CREDIT I TAKE A LITTLE CREDIT FOR I TAKE A LITTLE CREDIT FOR THIS I TAKE A LITTLE CREDIT FOR THIS BECUSE I TAKE A LITTLE CREDIT FOR THIS BECUSE I'VE FOR THIS BECUSE I'VE FOR THIS BECUSE I'VE BEEN FOR THIS BECUSE I'VE BEEN EDUCATING FOR THIS BECUSE I'VE BEEN EDUCATING THE BEEN EDUCATING THE BEEN EDUCATING THE AUDIENCE BEEN EDUCATING THE AUDIENCE FOR BEEN EDUCATING THE AUDIENCE FOR A BEEN EDUCATING THE AUDIENCE FOR A LONG AUDIENCE FOR A LONG AUDIENCE FOR A LONG TIME. TIME. TIME. I TIME. I KNEW TIME. I KNEW THE TIME. I KNEW THE OPAL TIME. I KNEW THE OPAL WOULD I KNEW THE OPAL WOULD I KNEW THE OPAL WOULD SELL I KNEW THE OPAL WOULD SELL OUT I KNEW THE OPAL WOULD SELL OUT FIRST. SELL OUT FIRST. SELL OUT FIRST. AND SELL OUT FIRST. AND I SELL OUT FIRST. AND I MEAN, SELL OUT FIRST. AND I MEAN, IT'S SELL OUT FIRST. AND I MEAN, IT'S LIKE AND I MEAN, IT'S LIKE AND I MEAN, IT'S LIKE TWO AND I MEAN, IT'S LIKE TWO OR AND I MEAN, IT'S LIKE TWO OR THREE AND I MEAN, IT'S LIKE TWO OR THREE TO AND I MEAN, IT'S LIKE TWO OR THREE TO ONE. TWO OR THREE TO ONE. TWO OR THREE TO ONE. AND TWO OR THREE TO ONE. AND THE TWO OR THREE TO ONE. AND THE REASON TWO OR THREE TO ONE. AND THE REASON I TWO OR THREE TO ONE. AND THE REASON I KNEW AND THE REASON I KNEW AND THE REASON I KNEW THAT, AND THE REASON I KNEW THAT, ANY AND THE REASON I KNEW THAT, ANY TIME AND THE REASON I KNEW THAT, ANY TIME I'VE THAT, ANY TIME I'VE THAT, ANY TIME I'VE GIVEN THAT, ANY TIME I'VE GIVEN THE THAT, ANY TIME I'VE GIVEN THE AUDIENCE THAT, ANY TIME I'VE GIVEN THE AUDIENCE A GIVEN THE AUDIENCE A GIVEN THE AUDIENCE A CHOICE, GIVEN THE AUDIENCE A CHOICE, THEY GIVEN THE AUDIENCE A CHOICE, THEY KNOW GIVEN THE AUDIENCE A CHOICE, THEY KNOW WHICH CHOICE, THEY KNOW WHICH CHOICE, THEY KNOW WHICH IS CHOICE, THEY KNOW WHICH IS THE CHOICE, THEY KNOW WHICH IS THE MORE CHOICE, THEY KNOW WHICH IS THE MORE EXPENSIVE IS THE MORE EXPENSIVE IS THE MORE EXPENSIVE STONE. STONE. STONE. AND STONE. AND THE STONE. AND THE TRUTH STONE. AND THE TRUTH IS, STONE. AND THE TRUTH IS, THAT AND THE TRUTH IS, THAT AND THE TRUTH IS, THAT KINGMAN AND THE TRUTH IS, THAT KINGMAN IS AND THE TRUTH IS, THAT KINGMAN IS NOT AND THE TRUTH IS, THAT KINGMAN IS NOT CHEAP. KINGMAN IS NOT CHEAP. KINGMAN IS NOT CHEAP. THAT'S KINGMAN IS NOT CHEAP. THAT'S AN KINGMAN IS NOT CHEAP. THAT'S AN EXPENSIVE THAT'S AN EXPENSIVE THAT'S AN EXPENSIVE TURQUOISE. TURQUOISE. TURQUOISE. IF TURQUOISE. IF YOU'RE TURQUOISE. IF YOU'RE AT TURQUOISE. IF YOU'RE AT HOME, IF YOU'RE AT HOME, IF YOU'RE AT HOME, WHAT'S IF YOU'RE AT HOME, WHAT'S A IF YOU'RE AT HOME, WHAT'S A 11 IF YOU'RE AT HOME, WHAT'S A 11 BY IF YOU'RE AT HOME, WHAT'S A 11 BY 9? IF YOU'RE AT HOME, WHAT'S A 11 BY 9? IT'S WHAT'S A 11 BY 9? IT'S WHAT'S A 11 BY 9? IT'S rTHE WHAT'S A 11 BY 9? IT'S rTHE MILLIMETER WHAT'S A 11 BY 9? IT'S rTHE MILLIMETER SIZE. rTHE MILLIMETER SIZE. rTHE MILLIMETER SIZE. THE rTHE MILLIMETER SIZE. THE NEXT rTHE MILLIMETER SIZE. THE NEXT THING rTHE MILLIMETER SIZE. THE NEXT THING YOU rTHE MILLIMETER SIZE. THE NEXT THING YOU SAY, THE NEXT THING YOU SAY, THE NEXT THING YOU SAY, THIS THE NEXT THING YOU SAY, THIS IS THE NEXT THING YOU SAY, THIS IS AMERICA. THIS IS AMERICA. THIS IS AMERICA. >> THIS IS AMERICA. >> Host: THIS IS AMERICA. >> Host: GIVE THIS IS AMERICA. >> Host: GIVE ME THIS IS AMERICA. >> Host: GIVE ME IN >> Host: GIVE ME IN >> Host: GIVE ME IN INCHES. INCHES. INCHES. >> INCHES. >> Guest: INCHES. >> Guest: I INCHES. >> Guest: I WANT INCHES. >> Guest: I WANT YOU INCHES. >> Guest: I WANT YOU TO >> Guest: I WANT YOU TO >> Guest: I WANT YOU TO KNOW >> Guest: I WANT YOU TO KNOW THAT >> Guest: I WANT YOU TO KNOW THAT MY >> Guest: I WANT YOU TO KNOW THAT MY CLASS >> Guest: I WANT YOU TO KNOW THAT MY CLASS WHEN KNOW THAT MY CLASS WHEN KNOW THAT MY CLASS WHEN I KNOW THAT MY CLASS WHEN I WAS KNOW THAT MY CLASS WHEN I WAS IN KNOW THAT MY CLASS WHEN I WAS IN LIKE KNOW THAT MY CLASS WHEN I WAS IN LIKE JUNIOR I WAS IN LIKE JUNIOR I WAS IN LIKE JUNIOR HIGH, I WAS IN LIKE JUNIOR HIGH, OR I WAS IN LIKE JUNIOR HIGH, OR WHATEVER I WAS IN LIKE JUNIOR HIGH, OR WHATEVER IT HIGH, OR WHATEVER IT HIGH, OR WHATEVER IT WAS, HIGH, OR WHATEVER IT WAS, THAT'S HIGH, OR WHATEVER IT WAS, THAT'S WHEN HIGH, OR WHATEVER IT WAS, THAT'S WHEN THEY WAS, THAT'S WHEN THEY WAS, THAT'S WHEN THEY TRIED WAS, THAT'S WHEN THEY TRIED TO WAS, THAT'S WHEN THEY TRIED TO FORCE WAS, THAT'S WHEN THEY TRIED TO FORCE THE TRIED TO FORCE THE TRIED TO FORCE THE METRIC TRIED TO FORCE THE METRIC SYSTEM TRIED TO FORCE THE METRIC SYSTEM ON TRIED TO FORCE THE METRIC SYSTEM ON US. METRIC SYSTEM ON US. METRIC SYSTEM ON US. AND METRIC SYSTEM ON US. AND WE METRIC SYSTEM ON US. AND WE REJECTED METRIC SYSTEM ON US. AND WE REJECTED IT METRIC SYSTEM ON US. AND WE REJECTED IT SO AND WE REJECTED IT SO AND WE REJECTED IT SO FIRST AND WE REJECTED IT SO FIRST OF AND WE REJECTED IT SO FIRST OF ALL, AND WE REJECTED IT SO FIRST OF ALL, YOU'RE FIRST OF ALL, YOU'RE FIRST OF ALL, YOU'RE WELCOME. WELCOME. WELCOME. >> WELCOME. >> Host: WELCOME. >> Host: WHERE WELCOME. >> Host: WHERE ARE WELCOME. >> Host: WHERE ARE YOU >> Host: WHERE ARE YOU >> Host: WHERE ARE YOU GOING >> Host: WHERE ARE YOU GOING WITH >> Host: WHERE ARE YOU GOING WITH THIS? GOING WITH THIS? GOING WITH THIS? >> GOING WITH THIS? >> Guest: GOING WITH THIS? >> Guest: YOU'RE >> Guest: YOU'RE >> Guest: YOU'RE WELCOME. WELCOME. WELCOME. >> WELCOME. >> Host: WELCOME. >> Host: THANK WELCOME. >> Host: THANK YOU, >> Host: THANK YOU, >> Host: THANK YOU, PAUL. PAUL. PAUL. THANK PAUL. THANK YOU PAUL. THANK YOU FOR PAUL. THANK YOU FOR STOPPING THANK YOU FOR STOPPING THANK YOU FOR STOPPING THE THANK YOU FOR STOPPING THE METRIC THANK YOU FOR STOPPING THE METRIC SYSTEM. THE METRIC SYSTEM. THE METRIC SYSTEM. IT'S THE METRIC SYSTEM. IT'S BECAUSE THE METRIC SYSTEM. IT'S BECAUSE OF THE METRIC SYSTEM. IT'S BECAUSE OF YOU. IT'S BECAUSE OF YOU. IT'S BECAUSE OF YOU. >> IT'S BECAUSE OF YOU. >> Guest: IT'S BECAUSE OF YOU. >> Guest: FORGET IT'S BECAUSE OF YOU. >> Guest: FORGET THE >> Guest: FORGET THE >> Guest: FORGET THE FACT >> Guest: FORGET THE FACT IT'S >> Guest: FORGET THE FACT IT'S EASIER. FACT IT'S EASIER. FACT IT'S EASIER. THE FACT IT'S EASIER. THE GEM FACT IT'S EASIER. THE GEM BUSINESS FACT IT'S EASIER. THE GEM BUSINESS IS FACT IT'S EASIER. THE GEM BUSINESS IS A THE GEM BUSINESS IS A THE GEM BUSINESS IS A WORLDWIDE THE GEM BUSINESS IS A WORLDWIDE BUSINESS, THE GEM BUSINESS IS A WORLDWIDE BUSINESS, WE WORLDWIDE BUSINESS, WE WORLDWIDE BUSINESS, WE BUY WORLDWIDE BUSINESS, WE BUY AND WORLDWIDE BUSINESS, WE BUY AND SELL WORLDWIDE BUSINESS, WE BUY AND SELL IN BUY AND SELL IN BUY AND SELL IN MILLIMETER BUY AND SELL IN MILLIMETER SIZES BUY AND SELL IN MILLIMETER SIZES IF MILLIMETER SIZES IF MILLIMETER SIZES IF WE'RE MILLIMETER SIZES IF WE'RE BUYING MILLIMETER SIZES IF WE'RE BUYING GEMS MILLIMETER SIZES IF WE'RE BUYING GEMS IN WE'RE BUYING GEMS IN WE'RE BUYING GEMS IN BULK WE'RE BUYING GEMS IN BULK IN WE'RE BUYING GEMS IN BULK IN THE WE'RE BUYING GEMS IN BULK IN THE ROUGH, WE'RE BUYING GEMS IN BULK IN THE ROUGH, WE BULK IN THE ROUGH, WE BULK IN THE ROUGH, WE BUY BULK IN THE ROUGH, WE BUY IT BULK IN THE ROUGH, WE BUY IT IN BULK IN THE ROUGH, WE BUY IT IN KILOS. BUY IT IN KILOS. BUY IT IN KILOS. THE BUY IT IN KILOS. THE EXCEPTION BUY IT IN KILOS. THE EXCEPTION IS THE EXCEPTION IS THE EXCEPTION IS TURQUOISE. TURQUOISE. TURQUOISE. WORLDWIDE TURQUOISE. WORLDWIDE THEY TURQUOISE. WORLDWIDE THEY DEAL TURQUOISE. WORLDWIDE THEY DEAL IN WORLDWIDE THEY DEAL IN WORLDWIDE THEY DEAL IN POUNDS. POUNDS. POUNDS. AMERICAN POUNDS. AMERICAN TURQUOISE POUNDS. AMERICAN TURQUOISE IS AMERICAN TURQUOISE IS AMERICAN TURQUOISE IS SUCH AMERICAN TURQUOISE IS SUCH AN AMERICAN TURQUOISE IS SUCH AN IMPORTANT AMERICAN TURQUOISE IS SUCH AN IMPORTANT PART AMERICAN TURQUOISE IS SUCH AN IMPORTANT PART . SUCH AN IMPORTANT PART . SUCH AN IMPORTANT PART . >> SUCH AN IMPORTANT PART . >> Host: SUCH AN IMPORTANT PART . >> Host: IT SUCH AN IMPORTANT PART . >> Host: IT HAS SUCH AN IMPORTANT PART . >> Host: IT HAS THE SUCH AN IMPORTANT PART . >> Host: IT HAS THE MOST >> Host: IT HAS THE MOST >> Host: IT HAS THE MOST AMAZING >> Host: IT HAS THE MOST AMAZING PLAY >> Host: IT HAS THE MOST AMAZING PLAY OF >> Host: IT HAS THE MOST AMAZING PLAY OF THE AMAZING PLAY OF THE AMAZING PLAY OF THE COLORS. COLORS. COLORS. THIS COLORS. THIS IS COLORS. THIS IS WHAT COLORS. THIS IS WHAT YOU COLORS. THIS IS WHAT YOU WANT COLORS. THIS IS WHAT YOU WANT AN THIS IS WHAT YOU WANT AN THIS IS WHAT YOU WANT AN OPAL THIS IS WHAT YOU WANT AN OPAL TO THIS IS WHAT YOU WANT AN OPAL TO BE. OPAL TO BE. OPAL TO BE. AND OPAL TO BE. AND WHAT OPAL TO BE. AND WHAT I OPAL TO BE. AND WHAT I LOVE OPAL TO BE. AND WHAT I LOVE ABOUT AND WHAT I LOVE ABOUT AND WHAT I LOVE ABOUT TONIGHT, AND WHAT I LOVE ABOUT TONIGHT, WE AND WHAT I LOVE ABOUT TONIGHT, WE HAVE AND WHAT I LOVE ABOUT TONIGHT, WE HAVE FlexPAY TONIGHT, WE HAVE FlexPAY TONIGHT, WE HAVE FlexPAY ON TONIGHT, WE HAVE FlexPAY ON THIS, TONIGHT, WE HAVE FlexPAY ON THIS, WE'VE TONIGHT, WE HAVE FlexPAY ON THIS, WE'VE GOT TONIGHT, WE HAVE FlexPAY ON THIS, WE'VE GOT AN ON THIS, WE'VE GOT AN ON THIS, WE'VE GOT AN AWESOME ON THIS, WE'VE GOT AN AWESOME ONE ON THIS, WE'VE GOT AN AWESOME ONE DAY ON THIS, WE'VE GOT AN AWESOME ONE DAY VALUE. AWESOME ONE DAY VALUE. AWESOME ONE DAY VALUE. HALF AWESOME ONE DAY VALUE. HALF 9 AWESOME ONE DAY VALUE. HALF 9 QUANTITY AWESOME ONE DAY VALUE. HALF 9 QUANTITY OF AWESOME ONE DAY VALUE. HALF 9 QUANTITY OF THE HALF 9 QUANTITY OF THE HALF 9 QUANTITY OF THE OPAL HALF 9 QUANTITY OF THE OPAL IS HALF 9 QUANTITY OF THE OPAL IS GONE HALF 9 QUANTITY OF THE OPAL IS GONE NOW, HALF 9 QUANTITY OF THE OPAL IS GONE NOW, AND HALF 9 QUANTITY OF THE OPAL IS GONE NOW, AND WE OPAL IS GONE NOW, AND WE OPAL IS GONE NOW, AND WE ARE OPAL IS GONE NOW, AND WE ARE IN OPAL IS GONE NOW, AND WE ARE IN THE OPAL IS GONE NOW, AND WE ARE IN THE SECOND OPAL IS GONE NOW, AND WE ARE IN THE SECOND AIRING ARE IN THE SECOND AIRING ARE IN THE SECOND AIRING OF ARE IN THE SECOND AIRING OF IT ARE IN THE SECOND AIRING OF IT AT ARE IN THE SECOND AIRING OF IT AT THIS ARE IN THE SECOND AIRING OF IT AT THIS POINT. OF IT AT THIS POINT. OF IT AT THIS POINT. SO OF IT AT THIS POINT. SO IF OF IT AT THIS POINT. SO IF YOU OF IT AT THIS POINT. SO IF YOU WANT OF IT AT THIS POINT. SO IF YOU WANT THE SO IF YOU WANT THE SO IF YOU WANT THE PENDANT, SO IF YOU WANT THE PENDANT, THERE'S SO IF YOU WANT THE PENDANT, THERE'S 10 PENDANT, THERE'S 10 PENDANT, THERE'S 10 LEFT. LEFT. LEFT. WE LEFT. WE SOLD LEFT. WE SOLD OUT LEFT. WE SOLD OUT OF LEFT. WE SOLD OUT OF THE WE SOLD OUT OF THE WE SOLD OUT OF THE EARRINGS, WE SOLD OUT OF THE EARRINGS, THAT'S WE SOLD OUT OF THE EARRINGS, THAT'S GONE WE SOLD OUT OF THE EARRINGS, THAT'S GONE SO EARRINGS, THAT'S GONE SO EARRINGS, THAT'S GONE SO IF EARRINGS, THAT'S GONE SO IF YOU EARRINGS, THAT'S GONE SO IF YOU THINK EARRINGS, THAT'S GONE SO IF YOU THINK ABOUT EARRINGS, THAT'S GONE SO IF YOU THINK ABOUT THE IF YOU THINK ABOUT THE IF YOU THINK ABOUT THE PENDANT, IF YOU THINK ABOUT THE PENDANT, YOU IF YOU THINK ABOUT THE PENDANT, YOU HAVE IF YOU THINK ABOUT THE PENDANT, YOU HAVE TO IF YOU THINK ABOUT THE PENDANT, YOU HAVE TO GO PENDANT, YOU HAVE TO GO PENDANT, YOU HAVE TO GO NOW. NOW. NOW. IF NOW. IF YOU NOW. IF YOU WANT NOW. IF YOU WANT THE NOW. IF YOU WANT THE RING, IF YOU WANT THE RING, IF YOU WANT THE RING, HALF IF YOU WANT THE RING, HALF THE IF YOU WANT THE RING, HALF THE QUANTITY IF YOU WANT THE RING, HALF THE QUANTITY SOLD HALF THE QUANTITY SOLD HALF THE QUANTITY SOLD WERE HALF THE QUANTITY SOLD WERE IN HALF THE QUANTITY SOLD WERE IN THE HALF THE QUANTITY SOLD WERE IN THE SECOND HALF THE QUANTITY SOLD WERE IN THE SECOND HOUR WERE IN THE SECOND HOUR WERE IN THE SECOND HOUR OF WERE IN THE SECOND HOUR OF THE WERE IN THE SECOND HOUR OF THE NEW WERE IN THE SECOND HOUR OF THE NEW DAY. OF THE NEW DAY. OF THE NEW DAY. >> OF THE NEW DAY. >> Guest: OF THE NEW DAY. >> Guest: THIS OF THE NEW DAY. >> Guest: THIS IS OF THE NEW DAY. >> Guest: THIS IS GOING >> Guest: THIS IS GOING >> Guest: THIS IS GOING TO >> Guest: THIS IS GOING TO BE >> Guest: THIS IS GOING TO BE LIKE >> Guest: THIS IS GOING TO BE LIKE A >> Guest: THIS IS GOING TO BE LIKE A TELETHON, TO BE LIKE A TELETHON, TO BE LIKE A TELETHON, SEND TO BE LIKE A TELETHON, SEND PAUL TO BE LIKE A TELETHON, SEND PAUL EARLY. SEND PAUL EARLY. SEND PAUL EARLY. >> SEND PAUL EARLY. >> Host: SEND PAUL EARLY. >> Host: SO SEND PAUL EARLY. >> Host: SO WE SEND PAUL EARLY. >> Host: SO WE CAN >> Host: SO WE CAN >> Host: SO WE CAN REJECT >> Host: SO WE CAN REJECT ANOTHER REJECT ANOTHER REJECT ANOTHER MATHEMATICAL REJECT ANOTHER MATHEMATICAL SYSTEM? MATHEMATICAL SYSTEM? MATHEMATICAL SYSTEM? HE'S MATHEMATICAL SYSTEM? HE'S AMAZING. HE'S AMAZING. HE'S AMAZING. >> HE'S AMAZING. >> Guest: HE'S AMAZING. >> Guest: I HE'S AMAZING. >> Guest: I MIGHT HE'S AMAZING. >> Guest: I MIGHT SAY HE'S AMAZING. >> Guest: I MIGHT SAY -- >> Guest: I MIGHT SAY -- >> Guest: I MIGHT SAY -- >> >> Guest: I MIGHT SAY -- >> Host: >> Guest: I MIGHT SAY -- >> Host: YOU >> Guest: I MIGHT SAY -- >> Host: YOU WANT >> Guest: I MIGHT SAY -- >> Host: YOU WANT TO >> Guest: I MIGHT SAY -- >> Host: YOU WANT TO END >> Host: YOU WANT TO END >> Host: YOU WANT TO END NOW? NOW? NOW? FREE NOW? FREE SPEECH? FREE SPEECH? FREE SPEECH? >> FREE SPEECH? >> Guest: FREE SPEECH? >> Guest: NO, FREE SPEECH? >> Guest: NO, THAT'S >> Guest: NO, THAT'S >> Guest: NO, THAT'S ALREADY >> Guest: NO, THAT'S ALREADY BEEN >> Guest: NO, THAT'S ALREADY BEEN DONE. ALREADY BEEN DONE. ALREADY BEEN DONE. I'LL ALREADY BEEN DONE. I'LL THINK ALREADY BEEN DONE. I'LL THINK OF ALREADY BEEN DONE. I'LL THINK OF SOMETHING. I'LL THINK OF SOMETHING. I'LL THINK OF SOMETHING. >> I'LL THINK OF SOMETHING. >> Host: I'LL THINK OF SOMETHING. >> Host: WE'RE I'LL THINK OF SOMETHING. >> Host: WE'RE STILL >> Host: WE'RE STILL >> Host: WE'RE STILL DOING >> Host: WE'RE STILL DOING LITRES >> Host: WE'RE STILL DOING LITRES -- DOING LITRES -- DOING LITRES -- >> DOING LITRES -- >> Guest: DOING LITRES -- >> Guest: LISTEN, DOING LITRES -- >> Guest: LISTEN, I'M >> Guest: LISTEN, I'M >> Guest: LISTEN, I'M NOT >> Guest: LISTEN, I'M NOT HAPPY >> Guest: LISTEN, I'M NOT HAPPY WITH >> Guest: LISTEN, I'M NOT HAPPY WITH THE NOT HAPPY WITH THE NOT HAPPY WITH THE BALLISTIC NOT HAPPY WITH THE BALLISTIC BOTTLES NOT HAPPY WITH THE BALLISTIC BOTTLES BEING BALLISTIC BOTTLES BEING BALLISTIC BOTTLES BEING A BALLISTIC BOTTLES BEING A -- BALLISTIC BOTTLES BEING A -- PLASTIC BALLISTIC BOTTLES BEING A -- PLASTIC BOTTLES A -- PLASTIC BOTTLES A -- PLASTIC BOTTLES BEING A -- PLASTIC BOTTLES BEING A A -- PLASTIC BOTTLES BEING A HALF A -- PLASTIC BOTTLES BEING A HALF LITRE: BEING A HALF LITRE: BEING A HALF LITRE: >> BEING A HALF LITRE: >> Host: BEING A HALF LITRE: >> Host: WHAT BEING A HALF LITRE: >> Host: WHAT ARE BEING A HALF LITRE: >> Host: WHAT ARE WE >> Host: WHAT ARE WE >> Host: WHAT ARE WE DOING? DOING? DOING? LITTLE DOING? LITTLE HISTORY, DOING? LITTLE HISTORY, HOW DOING? LITTLE HISTORY, HOW DID LITTLE HISTORY, HOW DID LITTLE HISTORY, HOW DID YOU LITTLE HISTORY, HOW DID YOU FIND LITTLE HISTORY, HOW DID YOU FIND THIS LITTLE HISTORY, HOW DID YOU FIND THIS OPAL YOU FIND THIS OPAL YOU FIND THIS OPAL SPECIFICALLY? SPECIFICALLY? SPECIFICALLY? >> SPECIFICALLY? >> Guest: SPECIFICALLY? >> Guest: LISTEN, SPECIFICALLY? >> Guest: LISTEN, I >> Guest: LISTEN, I >> Guest: LISTEN, I WANTED >> Guest: LISTEN, I WANTED TO >> Guest: LISTEN, I WANTED TO DO >> Guest: LISTEN, I WANTED TO DO THE >> Guest: LISTEN, I WANTED TO DO THE LARGEST WANTED TO DO THE LARGEST WANTED TO DO THE LARGEST ONE WANTED TO DO THE LARGEST ONE I'D WANTED TO DO THE LARGEST ONE I'D DONE WANTED TO DO THE LARGEST ONE I'D DONE AS WANTED TO DO THE LARGEST ONE I'D DONE AS A ONE I'D DONE AS A ONE I'D DONE AS A SPECIAL ONE I'D DONE AS A SPECIAL ANYWHERE. SPECIAL ANYWHERE. SPECIAL ANYWHERE. SO SPECIAL ANYWHERE. SO -- SPECIAL ANYWHERE. SO -- DO SPECIAL ANYWHERE. SO -- DO WE SPECIAL ANYWHERE. SO -- DO WE HAVE SPECIAL ANYWHERE. SO -- DO WE HAVE THAT SO -- DO WE HAVE THAT SO -- DO WE HAVE THAT VIDEO SO -- DO WE HAVE THAT VIDEO OF SO -- DO WE HAVE THAT VIDEO OF REJECTING SO -- DO WE HAVE THAT VIDEO OF REJECTING THEM. VIDEO OF REJECTING THEM. VIDEO OF REJECTING THEM. >> VIDEO OF REJECTING THEM. >> Host: VIDEO OF REJECTING THEM. >> Host: REJECTION VIDEO OF REJECTING THEM. >> Host: REJECTION IS >> Host: REJECTION IS >> Host: REJECTION IS FUNNY. FUNNY. FUNNY. HERE FUNNY. HERE WE FUNNY. HERE WE GO. HERE WE GO. HERE WE GO. >> HERE WE GO. >> Guest: HERE WE GO. >> Guest: THIS HERE WE GO. >> Guest: THIS IS >> Guest: THIS IS >> Guest: THIS IS ACTUALLY, >> Guest: THIS IS ACTUALLY, THIS >> Guest: THIS IS ACTUALLY, THIS -- ACTUALLY, THIS -- ACTUALLY, THIS -- >> ACTUALLY, THIS -- >> Host: ACTUALLY, THIS -- >> Host: I ACTUALLY, THIS -- >> Host: I THINK ACTUALLY, THIS -- >> Host: I THINK IT'S >> Host: I THINK IT'S >> Host: I THINK IT'S COMING >> Host: I THINK IT'S COMING UP. COMING UP. COMING UP. >> COMING UP. >> Guest: COMING UP. >> Guest: IN COMING UP. >> Guest: IN THE >> Guest: IN THE >> Guest: IN THE MONTAGE, >> Guest: IN THE MONTAGE, OKAY. MONTAGE, OKAY. MONTAGE, OKAY. WHAT MONTAGE, OKAY. WHAT YOU'RE MONTAGE, OKAY. WHAT YOU'RE GOING MONTAGE, OKAY. WHAT YOU'RE GOING TO MONTAGE, OKAY. WHAT YOU'RE GOING TO SEE WHAT YOU'RE GOING TO SEE WHAT YOU'RE GOING TO SEE IS WHAT YOU'RE GOING TO SEE IS WHATARE WHAT YOU'RE GOING TO SEE IS WHATARE FANTASTIC IS WHATARE FANTASTIC IS WHATARE FANTASTIC LOOKING IS WHATARE FANTASTIC LOOKING OPALS. LOOKING OPALS. LOOKING OPALS. >> LOOKING OPALS. >> Host: LOOKING OPALS. >> Host: THERE LOOKING OPALS. >> Host: THERE IT LOOKING OPALS. >> Host: THERE IT IS. >> Host: THERE IT IS. >> Host: THERE IT IS. >> >> Host: THERE IT IS. >> Guest: >> Host: THERE IT IS. >> Guest: SELECTION >> Host: THERE IT IS. >> Guest: SELECTION HAS >> Guest: SELECTION HAS >> Guest: SELECTION HAS 10, >> Guest: SELECTION HAS 10, REJECTION >> Guest: SELECTION HAS 10, REJECTION HAS. 10, REJECTION HAS. 10, REJECTION HAS. THEY 10, REJECTION HAS. THEY LOOKED 10, REJECTION HAS. THEY LOOKED GOOD. THEY LOOKED GOOD. THEY LOOKED GOOD. AND THEY LOOKED GOOD. AND EVEN THEY LOOKED GOOD. AND EVEN ON THEY LOOKED GOOD. AND EVEN ON THE THEY LOOKED GOOD. AND EVEN ON THE SHOT AND EVEN ON THE SHOT AND EVEN ON THE SHOT WHERE AND EVEN ON THE SHOT WHERE THELIGHTING AND EVEN ON THE SHOT WHERE THELIGHTING WAS WHERE THELIGHTING WAS WHERE THELIGHTING WAS WHAT WHERE THELIGHTING WAS WHAT WE WHERE THELIGHTING WAS WHAT WE TRAINED WHERE THELIGHTING WAS WHAT WE TRAINED THEM WHERE THELIGHTING WAS WHAT WE TRAINED THEM TO WHAT WE TRAINED THEM TO WHAT WE TRAINED THEM TO DO WHAT WE TRAINED THEM TO DO IN WHAT WE TRAINED THEM TO DO IN THE WHAT WE TRAINED THEM TO DO IN THE FACTORY, WHAT WE TRAINED THEM TO DO IN THE FACTORY, IS DO IN THE FACTORY, IS DO IN THE FACTORY, IS THEY DO IN THE FACTORY, IS THEY LOOKED DO IN THE FACTORY, IS THEY LOOKED AT DO IN THE FACTORY, IS THEY LOOKED AT IT DO IN THE FACTORY, IS THEY LOOKED AT IT FROM THEY LOOKED AT IT FROM THEY LOOKED AT IT FROM EVERY THEY LOOKED AT IT FROM EVERY DIFFERENT THEY LOOKED AT IT FROM EVERY DIFFERENT ANGLE, EVERY DIFFERENT ANGLE, EVERY DIFFERENT ANGLE, SO EVERY DIFFERENT ANGLE, SO ONE EVERY DIFFERENT ANGLE, SO ONE ANGLE EVERY DIFFERENT ANGLE, SO ONE ANGLE IT EVERY DIFFERENT ANGLE, SO ONE ANGLE IT MIGHT SO ONE ANGLE IT MIGHT SO ONE ANGLE IT MIGHT LOOK SO ONE ANGLE IT MIGHT LOOK GOOD, SO ONE ANGLE IT MIGHT LOOK GOOD, BUT SO ONE ANGLE IT MIGHT LOOK GOOD, BUT IF SO ONE ANGLE IT MIGHT LOOK GOOD, BUT IF IT LOOK GOOD, BUT IF IT LOOK GOOD, BUT IF IT DIDN'T LOOK GOOD, BUT IF IT DIDN'T LOOK LOOK GOOD, BUT IF IT DIDN'T LOOK GOOD LOOK GOOD, BUT IF IT DIDN'T LOOK GOOD AT LOOK GOOD, BUT IF IT DIDN'T LOOK GOOD AT THE DIDN'T LOOK GOOD AT THE DIDN'T LOOK GOOD AT THE OTHER, DIDN'T LOOK GOOD AT THE OTHER, IT DIDN'T LOOK GOOD AT THE OTHER, IT HIT DIDN'T LOOK GOOD AT THE OTHER, IT HIT THE DIDN'T LOOK GOOD AT THE OTHER, IT HIT THE REJECT OTHER, IT HIT THE REJECT OTHER, IT HIT THE REJECT PILE. PILE. PILE. >> PILE. >> Host: PILE. >> Host: IN PILE. >> Host: IN THE >> Host: IN THE >> Host: IN THE TURQUOISE, >> Host: IN THE TURQUOISE, THIS >> Host: IN THE TURQUOISE, THIS IS TURQUOISE, THIS IS TURQUOISE, THIS IS GENUINE TURQUOISE, THIS IS GENUINE KINGMAN GENUINE KINGMAN GENUINE KINGMAN TURQUOISE. TURQUOISE. TURQUOISE. WE TURQUOISE. WE HAVE TURQUOISE. WE HAVE THE TURQUOISE. WE HAVE THE PENDANT, TURQUOISE. WE HAVE THE PENDANT, 18 WE HAVE THE PENDANT, 18 WE HAVE THE PENDANT, 18 INCHES WE HAVE THE PENDANT, 18 INCHES AND WE HAVE THE PENDANT, 18 INCHES AND A WE HAVE THE PENDANT, 18 INCHES AND A BRILLIANT WE HAVE THE PENDANT, 18 INCHES AND A BRILLIANT 3- INCHES AND A BRILLIANT 3- INCHES AND A BRILLIANT 3- INCH INCHES AND A BRILLIANT 3- INCH EXTENDER, INCHES AND A BRILLIANT 3- INCH EXTENDER, WE INCHES AND A BRILLIANT 3- INCH EXTENDER, WE HAVE INCH EXTENDER, WE HAVE INCH EXTENDER, WE HAVE THE INCH EXTENDER, WE HAVE THE DROP INCH EXTENDER, WE HAVE THE DROP EARRING. THE DROP EARRING. THE DROP EARRING. THE THE DROP EARRING. THE TURQUOISE THE DROP EARRING. THE TURQUOISE COLLECTION THE TURQUOISE COLLECTION THE TURQUOISE COLLECTION IS THE TURQUOISE COLLECTION IS HERE. IS HERE. IS HERE. NOW IS HERE. NOW THAT IS HERE. NOW THAT THE IS HERE. NOW THAT THE OPAL'S NOW THAT THE OPAL'S NOW THAT THE OPAL'S ALMOST NOW THAT THE OPAL'S ALMOST GONE NOW THAT THE OPAL'S ALMOST GONE IN NOW THAT THE OPAL'S ALMOST GONE IN THE ALMOST GONE IN THE ALMOST GONE IN THE ADDITIONAL ALMOST GONE IN THE ADDITIONAL PIECES ALMOST GONE IN THE ADDITIONAL PIECES THIS ADDITIONAL PIECES THIS ADDITIONAL PIECES THIS IS ADDITIONAL PIECES THIS IS WHAT ADDITIONAL PIECES THIS IS WHAT WILL ADDITIONAL PIECES THIS IS WHAT WILL REMAIN. IS WHAT WILL REMAIN. IS WHAT WILL REMAIN. I IS WHAT WILL REMAIN. I WILL IS WHAT WILL REMAIN. I WILL HAVE IS WHAT WILL REMAIN. I WILL HAVE THE IS WHAT WILL REMAIN. I WILL HAVE THE MAIN I WILL HAVE THE MAIN I WILL HAVE THE MAIN STAY I WILL HAVE THE MAIN STAY SPECIAL. STAY SPECIAL. STAY SPECIAL. A STAY SPECIAL. A LOT STAY SPECIAL. A LOT LESS STAY SPECIAL. A LOT LESS OF STAY SPECIAL. A LOT LESS OF THE A LOT LESS OF THE A LOT LESS OF THE MATCHING A LOT LESS OF THE MATCHING PIECES A LOT LESS OF THE MATCHING PIECES THAN A LOT LESS OF THE MATCHING PIECES THAN WE MATCHING PIECES THAN WE MATCHING PIECES THAN WE DO MATCHING PIECES THAN WE DO OF MATCHING PIECES THAN WE DO OF THE MATCHING PIECES THAN WE DO OF THE MAIN MATCHING PIECES THAN WE DO OF THE MAIN CELEBRITY DO OF THE MAIN CELEBRITY DO OF THE MAIN CELEBRITY OF DO OF THE MAIN CELEBRITY OF THE DO OF THE MAIN CELEBRITY OF THE SHOW. OF THE SHOW. OF THE SHOW. >> OF THE SHOW. >> Guest: OF THE SHOW. >> Guest: IT'S OF THE SHOW. >> Guest: IT'S THE OF THE SHOW. >> Guest: IT'S THE MOST >> Guest: IT'S THE MOST >> Guest: IT'S THE MOST SOUGHT >> Guest: IT'S THE MOST SOUGHT AFTER >> Guest: IT'S THE MOST SOUGHT AFTER COLOR >> Guest: IT'S THE MOST SOUGHT AFTER COLOR IN SOUGHT AFTER COLOR IN SOUGHT AFTER COLOR IN TURQUOISE. TURQUOISE. TURQUOISE. >> TURQUOISE. >> Host: TURQUOISE. >> Host: YES. >> Host: YES. >> Host: YES. >> >> Host: YES. >> Guest: >> Host: YES. >> Guest: THE >> Host: YES. >> Guest: THE MOST >> Guest: THE MOST >> Guest: THE MOST EXPENSIVE? EXPENSIVE? EXPENSIVE? NO. NO. NO. THE NO. THE RARE, NO. THE RARE, IMPOSSIBLE NO. THE RARE, IMPOSSIBLE TO THE RARE, IMPOSSIBLE TO THE RARE, IMPOSSIBLE TO FINE, THE RARE, IMPOSSIBLE TO FINE, PEOPLE THE RARE, IMPOSSIBLE TO FINE, PEOPLE BUY THE RARE, IMPOSSIBLE TO FINE, PEOPLE BUY IT, FINE, PEOPLE BUY IT, FINE, PEOPLE BUY IT, SOMETIMES FINE, PEOPLE BUY IT, SOMETIMES SPENDING FINE, PEOPLE BUY IT, SOMETIMES SPENDING A SOMETIMES SPENDING A SOMETIMES SPENDING A THOUSAND SOMETIMES SPENDING A THOUSAND DOLLARS SOMETIMES SPENDING A THOUSAND DOLLARS ACARAT. THOUSAND DOLLARS ACARAT. THOUSAND DOLLARS ACARAT. EVERYBODY THOUSAND DOLLARS ACARAT. EVERYBODY THAT THOUSAND DOLLARS ACARAT. EVERYBODY THAT HAS THOUSAND DOLLARS ACARAT. EVERYBODY THAT HAS BEEN EVERYBODY THAT HAS BEEN EVERYBODY THAT HAS BEEN CRAVING EVERYBODY THAT HAS BEEN CRAVING SLEEPING EVERYBODY THAT HAS BEEN CRAVING SLEEPING BEAUTY CRAVING SLEEPING BEAUTY CRAVING SLEEPING BEAUTY WILL CRAVING SLEEPING BEAUTY WILL NEVER CRAVING SLEEPING BEAUTY WILL NEVER BE CRAVING SLEEPING BEAUTY WILL NEVER BE ABLE CRAVING SLEEPING BEAUTY WILL NEVER BE ABLE TO WILL NEVER BE ABLE TO WILL NEVER BE ABLE TO SLL WILL NEVER BE ABLE TO SLL IT WILL NEVER BE ABLE TO SLL IT AGAIN. SLL IT AGAIN. SLL IT AGAIN. I SLL IT AGAIN. I PROBABLY SLL IT AGAIN. I PROBABLY DID SLL IT AGAIN. I PROBABLY DID MORE SLL IT AGAIN. I PROBABLY DID MORE THAN I PROBABLY DID MORE THAN I PROBABLY DID MORE THAN ANYONE. ANYONE. ANYONE. THIS ANYONE. THIS IS ANYONE. THIS IS THE ANYONE. THIS IS THE BEST THIS IS THE BEST THIS IS THE BEST ALTERNATIVE, THIS IS THE BEST ALTERNATIVE, FROM ALTERNATIVE, FROM ALTERNATIVE, FROM KINGMAN, ALTERNATIVE, FROM KINGMAN, AND ALTERNATIVE, FROM KINGMAN, AND WE ALTERNATIVE, FROM KINGMAN, AND WE HAD ALTERNATIVE, FROM KINGMAN, AND WE HAD TO KINGMAN, AND WE HAD TO KINGMAN, AND WE HAD TO FIND KINGMAN, AND WE HAD TO FIND TURQUOISE KINGMAN, AND WE HAD TO FIND TURQUOISE ROUGH FIND TURQUOISE ROUGH FIND TURQUOISE ROUGH THAT FIND TURQUOISE ROUGH THAT HAD FIND TURQUOISE ROUGH THAT HAD NO FIND TURQUOISE ROUGH THAT HAD NO MATRIX FIND TURQUOISE ROUGH THAT HAD NO MATRIX IN THAT HAD NO MATRIX IN THAT HAD NO MATRIX IN THERE, THAT HAD NO MATRIX IN THERE, OR THAT HAD NO MATRIX IN THERE, OR CUT THAT HAD NO MATRIX IN THERE, OR CUT AWAY, THAT HAD NO MATRIX IN THERE, OR CUT AWAY, AND THERE, OR CUT AWAY, AND THERE, OR CUT AWAY, AND SO THERE, OR CUT AWAY, AND SO THAT THERE, OR CUT AWAY, AND SO THAT MEANS THERE, OR CUT AWAY, AND SO THAT MEANS WE THERE, OR CUT AWAY, AND SO THAT MEANS WE HAD THERE, OR CUT AWAY, AND SO THAT MEANS WE HAD TO SO THAT MEANS WE HAD TO SO THAT MEANS WE HAD TO FIND SO THAT MEANS WE HAD TO FIND BIGGER SO THAT MEANS WE HAD TO FIND BIGGER PIECES SO THAT MEANS WE HAD TO FIND BIGGER PIECES TO SO THAT MEANS WE HAD TO FIND BIGGER PIECES TO DO FIND BIGGER PIECES TO DO FIND BIGGER PIECES TO DO A FIND BIGGER PIECES TO DO A 11 FIND BIGGER PIECES TO DO A 11 BY FIND BIGGER PIECES TO DO A 11 BY 9. A 11 BY 9. A 11 BY 9. >> A 11 BY 9. >> Host: A 11 BY 9. >> Host: CAN A 11 BY 9. >> Host: CAN YOU A 11 BY 9. >> Host: CAN YOU IMAGINE >> Host: CAN YOU IMAGINE >> Host: CAN YOU IMAGINE THE >> Host: CAN YOU IMAGINE THE WASTE >> Host: CAN YOU IMAGINE THE WASTE YOU >> Host: CAN YOU IMAGINE THE WASTE YOU WENT THE WASTE YOU WENT THE WASTE YOU WENT THROUGH THE WASTE YOU WENT THROUGH TO THE WASTE YOU WENT THROUGH TO GET THE WASTE YOU WENT THROUGH TO GET IT THROUGH TO GET IT THROUGH TO GET IT COMPLETELY THROUGH TO GET IT COMPLETELY CLEAN? COMPLETELY CLEAN? COMPLETELY CLEAN? >> COMPLETELY CLEAN? >> Guest: COMPLETELY CLEAN? >> Guest: I'VE COMPLETELY CLEAN? >> Guest: I'VE BEEN COMPLETELY CLEAN? >> Guest: I'VE BEEN TO >> Guest: I'VE BEEN TO >> Guest: I'VE BEEN TO THE >> Guest: I'VE BEEN TO THE MINE, >> Guest: I'VE BEEN TO THE MINE, AND >> Guest: I'VE BEEN TO THE MINE, AND I >> Guest: I'VE BEEN TO THE MINE, AND I HAVE >> Guest: I'VE BEEN TO THE MINE, AND I HAVE TO THE MINE, AND I HAVE TO THE MINE, AND I HAVE TO GO THE MINE, AND I HAVE TO GO BACK THE MINE, AND I HAVE TO GO BACK AND THE MINE, AND I HAVE TO GO BACK AND FILM THE MINE, AND I HAVE TO GO BACK AND FILM IT GO BACK AND FILM IT GO BACK AND FILM IT AGAIN GO BACK AND FILM IT AGAIN SO GO BACK AND FILM IT AGAIN SO YOU GO BACK AND FILM IT AGAIN SO YOU CAN GO BACK AND FILM IT AGAIN SO YOU CAN SEE GO BACK AND FILM IT AGAIN SO YOU CAN SEE IT. AGAIN SO YOU CAN SEE IT. AGAIN SO YOU CAN SEE IT. YOU AGAIN SO YOU CAN SEE IT. YOU WILL AGAIN SO YOU CAN SEE IT. YOU WILL SEE AGAIN SO YOU CAN SEE IT. YOU WILL SEE WHEN AGAIN SO YOU CAN SEE IT. YOU WILL SEE WHEN THEY YOU WILL SEE WHEN THEY YOU WILL SEE WHEN THEY HAD YOU WILL SEE WHEN THEY HAD THE YOU WILL SEE WHEN THEY HAD THE BIG YOU WILL SEE WHEN THEY HAD THE BIG EARTH YOU WILL SEE WHEN THEY HAD THE BIG EARTH MOVING HAD THE BIG EARTH MOVING HAD THE BIG EARTH MOVING EQUIPMENT, HAD THE BIG EARTH MOVING EQUIPMENT, WHEN HAD THE BIG EARTH MOVING EQUIPMENT, WHEN YOU HAD THE BIG EARTH MOVING EQUIPMENT, WHEN YOU FIND EQUIPMENT, WHEN YOU FIND EQUIPMENT, WHEN YOU FIND LIKE EQUIPMENT, WHEN YOU FIND LIKE A EQUIPMENT, WHEN YOU FIND LIKE A VEIN, EQUIPMENT, WHEN YOU FIND LIKE A VEIN, IT'S EQUIPMENT, WHEN YOU FIND LIKE A VEIN, IT'S DONE LIKE A VEIN, IT'S DONE LIKE A VEIN, IT'S DONE BY LIKE A VEIN, IT'S DONE BY HAND. BY HAND. BY HAND. GET BY HAND. GET SOMETHING BY HAND. GET SOMETHING THE BY HAND. GET SOMETHING THE SIZE GET SOMETHING THE SIZE GET SOMETHING THE SIZE OF GET SOMETHING THE SIZE OF YOUR GET SOMETHING THE SIZE OF YOUR FIST, GET SOMETHING THE SIZE OF YOUR FIST, DROP GET SOMETHING THE SIZE OF YOUR FIST, DROP IN GET SOMETHING THE SIZE OF YOUR FIST, DROP IN A OF YOUR FIST, DROP IN A OF YOUR FIST, DROP IN A BUCKET, OF YOUR FIST, DROP IN A BUCKET, THAT'S OF YOUR FIST, DROP IN A BUCKET, THAT'S ALL BUCKET, THAT'S ALL BUCKET, THAT'S ALL YOU'RE BUCKET, THAT'S ALL YOU'RE MINING. YOU'RE MINING. YOU'RE MINING. AND YOU'RE MINING. AND THEN YOU'RE MINING. AND THEN THEY YOU'RE MINING. AND THEN THEY TAKE YOU'RE MINING. AND THEN THEY TAKE THE AND THEN THEY TAKE THE AND THEN THEY TAKE THE REST AND THEN THEY TAKE THE REST OF AND THEN THEY TAKE THE REST OF THE AND THEN THEY TAKE THE REST OF THE STUFF, AND THEN THEY TAKE THE REST OF THE STUFF, 75% REST OF THE STUFF, 75% REST OF THE STUFF, 75% OF REST OF THE STUFF, 75% OF THE REST OF THE STUFF, 75% OF THE TURQUOISE. OF THE TURQUOISE. OF THE TURQUOISE. THEY OF THE TURQUOISE. THEY PUT OF THE TURQUOISE. THEY PUT IT OF THE TURQUOISE. THEY PUT IT IN OF THE TURQUOISE. THEY PUT IT IN A OF THE TURQUOISE. THEY PUT IT IN A HOPPER, THEY PUT IT IN A HOPPER, THEY PUT IT IN A HOPPER, AND THEY PUT IT IN A HOPPER, AND GOES THEY PUT IT IN A HOPPER, AND GOES ON THEY PUT IT IN A HOPPER, AND GOES ON A THEY PUT IT IN A HOPPER, AND GOES ON A CONVEYOR AND GOES ON A CONVEYOR AND GOES ON A CONVEYOR BELT. BELT. BELT. THOSE BELT. THOSE WILL BELT. THOSE WILL NEVER BELT. THOSE WILL NEVER BE THOSE WILL NEVER BE THOSE WILL NEVER BE PIECES THOSE WILL NEVER BE PIECES LIKE THOSE WILL NEVER BE PIECES LIKE THIS. PIECES LIKE THIS. PIECES LIKE THIS. THAT'S PIECES LIKE THIS. THAT'S ABOUT PIECES LIKE THIS. THAT'S ABOUT THE PIECES LIKE THIS. THAT'S ABOUT THE 75% THAT'S ABOUT THE 75% THAT'S ABOUT THE 75% PERCENT THAT'S ABOUT THE 75% PERCENT OF THAT'S ABOUT THE 75% PERCENT OF THE THAT'S ABOUT THE 75% PERCENT OF THE KINGMAN. PERCENT OF THE KINGMAN. PERCENT OF THE KINGMAN. SO PERCENT OF THE KINGMAN. SO THIS PERCENT OF THE KINGMAN. SO THIS IS PERCENT OF THE KINGMAN. SO THIS IS A PERCENT OF THE KINGMAN. SO THIS IS A PHENOMENAL, SO THIS IS A PHENOMENAL, SO THIS IS A PHENOMENAL, I SO THIS IS A PHENOMENAL, I WOULD SO THIS IS A PHENOMENAL, I WOULD CALL SO THIS IS A PHENOMENAL, I WOULD CALL THIS SO THIS IS A PHENOMENAL, I WOULD CALL THIS MY I WOULD CALL THIS MY I WOULD CALL THIS MY BEST I WOULD CALL THIS MY BEST KINGMAN I WOULD CALL THIS MY BEST KINGMAN PIECE I WOULD CALL THIS MY BEST KINGMAN PIECE EVER. BEST KINGMAN PIECE EVER. BEST KINGMAN PIECE EVER. >> BEST KINGMAN PIECE EVER. >> Host: BEST KINGMAN PIECE EVER. >> Host: CLEARLY, BEST KINGMAN PIECE EVER. >> Host: CLEARLY, WHEN >> Host: CLEARLY, WHEN >> Host: CLEARLY, WHEN IT >> Host: CLEARLY, WHEN IT COMES >> Host: CLEARLY, WHEN IT COMES DO, >> Host: CLEARLY, WHEN IT COMES DO, IF >> Host: CLEARLY, WHEN IT COMES DO, IF YOU'RE >> Host: CLEARLY, WHEN IT COMES DO, IF YOU'RE A IT COMES DO, IF YOU'RE A IT COMES DO, IF YOU'RE A PIECE IT COMES DO, IF YOU'RE A PIECE OF IT COMES DO, IF YOU'RE A PIECE OF TURQUOISE PIECE OF TURQUOISE PIECE OF TURQUOISE AROUND PIECE OF TURQUOISE AROUND THE PIECE OF TURQUOISE AROUND THE WORLD, PIECE OF TURQUOISE AROUND THE WORLD, THIS AROUND THE WORLD, THIS AROUND THE WORLD, THIS IS AROUND THE WORLD, THIS IS WHAT AROUND THE WORLD, THIS IS WHAT YOU AROUND THE WORLD, THIS IS WHAT YOU WANT AROUND THE WORLD, THIS IS WHAT YOU WANT TO AROUND THE WORLD, THIS IS WHAT YOU WANT TO GROW IS WHAT YOU WANT TO GROW IS WHAT YOU WANT TO GROW UP IS WHAT YOU WANT TO GROW UP TO IS WHAT YOU WANT TO GROW UP TO BE. UP TO BE. UP TO BE. >> UP TO BE. >> Guest: UP TO BE. >> Guest: DON'T UP TO BE. >> Guest: DON'T HURT UP TO BE. >> Guest: DON'T HURT THE >> Guest: DON'T HURT THE >> Guest: DON'T HURT THE TURQUOISE >> Guest: DON'T HURT THE TURQUOISE FEELINGS. TURQUOISE FEELINGS. TURQUOISE FEELINGS. >> TURQUOISE FEELINGS. >> Host: TURQUOISE FEELINGS. >> Host: THEY'RE TURQUOISE FEELINGS. >> Host: THEY'RE THE >> Host: THEY'RE THE >> Host: THEY'RE THE REAL >> Host: THEY'RE THE REAL THING. REAL THING. REAL THING. I REAL THING. I WANT REAL THING. I WANT TO REAL THING. I WANT TO BE REAL THING. I WANT TO BE CLEAN REAL THING. I WANT TO BE CLEAN AND I WANT TO BE CLEAN AND I WANT TO BE CLEAN AND BLUE. BLUE. BLUE. BUT BLUE. BUT IT'S BLUE. BUT IT'S A BLUE. BUT IT'S A REAL BLUE. BUT IT'S A REAL TREAT, BUT IT'S A REAL TREAT, BUT IT'S A REAL TREAT, THIS BUT IT'S A REAL TREAT, THIS IS BUT IT'S A REAL TREAT, THIS IS SO BUT IT'S A REAL TREAT, THIS IS SO HIGH BUT IT'S A REAL TREAT, THIS IS SO HIGH END, THIS IS SO HIGH END, THIS IS SO HIGH END, BEAUTIFULLY THIS IS SO HIGH END, BEAUTIFULLY DONE. BEAUTIFULLY DONE. BEAUTIFULLY DONE. THERE'S BEAUTIFULLY DONE. THERE'S TANZANITE BEAUTIFULLY DONE. THERE'S TANZANITE ON THERE'S TANZANITE ON THERE'S TANZANITE ON HERE, THERE'S TANZANITE ON HERE, TOO. HERE, TOO. HERE, TOO. >> HERE, TOO. >> Guest: HERE, TOO. >> Guest: AND HERE, TOO. >> Guest: AND ABOUT, >> Guest: AND ABOUT, >> Guest: AND ABOUT, OVER >> Guest: AND ABOUT, OVER 3/4 >> Guest: AND ABOUT, OVER 3/4 OF >> Guest: AND ABOUT, OVER 3/4 OF A >> Guest: AND ABOUT, OVER 3/4 OF A CARAT. OVER 3/4 OF A CARAT. OVER 3/4 OF A CARAT. THAT'S OVER 3/4 OF A CARAT. THAT'S ON OVER 3/4 OF A CARAT. THAT'S ON A, OVER 3/4 OF A CARAT. THAT'S ON A, LIKE OVER 3/4 OF A CARAT. THAT'S ON A, LIKE A OVER 3/4 OF A CARAT. THAT'S ON A, LIKE A Y- THAT'S ON A, LIKE A Y- THAT'S ON A, LIKE A Y- DESIGN, THAT'S ON A, LIKE A Y- DESIGN, AND THAT'S ON A, LIKE A Y- DESIGN, AND EXTENDING DESIGN, AND EXTENDING DESIGN, AND EXTENDING DOWN, DESIGN, AND EXTENDING DOWN, ALMOST DESIGN, AND EXTENDING DOWN, ALMOST LIKE DESIGN, AND EXTENDING DOWN, ALMOST LIKE A DOWN, ALMOST LIKE A DOWN, ALMOST LIKE A WISHBONE. WISHBONE. WISHBONE. SO WISHBONE. SO YOU WISHBONE. SO YOU HAVE WISHBONE. SO YOU HAVE THAT WISHBONE. SO YOU HAVE THAT ON WISHBONE. SO YOU HAVE THAT ON BOTH SO YOU HAVE THAT ON BOTH SO YOU HAVE THAT ON BOTH SIDE SO YOU HAVE THAT ON BOTH SIDE OF SO YOU HAVE THAT ON BOTH SIDE OF THE SO YOU HAVE THAT ON BOTH SIDE OF THE RING SO YOU HAVE THAT ON BOTH SIDE OF THE RING IN SO YOU HAVE THAT ON BOTH SIDE OF THE RING IN BOTH SIDE OF THE RING IN BOTH SIDE OF THE RING IN BOTH DESIGNS. DESIGNS. DESIGNS. SO DESIGNS. SO JUST DESIGNS. SO JUST -- DESIGNS. SO JUST -- HERE'S DESIGNS. SO JUST -- HERE'S THE SO JUST -- HERE'S THE SO JUST -- HERE'S THE BEST SO JUST -- HERE'S THE BEST ADVICE. BEST ADVICE. BEST ADVICE. EVERYTHING BEST ADVICE. EVERYTHING IN BEST ADVICE. EVERYTHING IN THE BEST ADVICE. EVERYTHING IN THE OPAL EVERYTHING IN THE OPAL EVERYTHING IN THE OPAL IS EVERYTHING IN THE OPAL IS SOLD EVERYTHING IN THE OPAL IS SOLD OUT EVERYTHING IN THE OPAL IS SOLD OUT EXCEPT EVERYTHING IN THE OPAL IS SOLD OUT EXCEPT FOR IS SOLD OUT EXCEPT FOR IS SOLD OUT EXCEPT FOR THE IS SOLD OUT EXCEPT FOR THE DAY'S IS SOLD OUT EXCEPT FOR THE DAY'S SPECIAL. THE DAY'S SPECIAL. THE DAY'S SPECIAL. IF THE DAY'S SPECIAL. IF YOU THE DAY'S SPECIAL. IF YOU LIKE THE DAY'S SPECIAL. IF YOU LIKE THE IF YOU LIKE THE IF YOU LIKE THE TURQUOISE, IF YOU LIKE THE TURQUOISE, I IF YOU LIKE THE TURQUOISE, I HAVE IF YOU LIKE THE TURQUOISE, I HAVE ALL TURQUOISE, I HAVE ALL TURQUOISE, I HAVE ALL THE TURQUOISE, I HAVE ALL THE MATCHING TURQUOISE, I HAVE ALL THE MATCHING SPICES, THE MATCHING SPICES, THE MATCHING SPICES, UNFORTUNATELY, THE MATCHING SPICES, UNFORTUNATELY, THEY THE MATCHING SPICES, UNFORTUNATELY, THEY ARE UNFORTUNATELY, THEY ARE UNFORTUNATELY, THEY ARE LIMITED UNFORTUNATELY, THEY ARE LIMITED AS UNFORTUNATELY, THEY ARE LIMITED AS WELL. LIMITED AS WELL. LIMITED AS WELL. WE LIMITED AS WELL. WE JUST LIMITED AS WELL. WE JUST DON'T LIMITED AS WELL. WE JUST DON'T HAVE LIMITED AS WELL. WE JUST DON'T HAVE A LIMITED AS WELL. WE JUST DON'T HAVE A LOT WE JUST DON'T HAVE A LOT WE JUST DON'T HAVE A LOT OF WE JUST DON'T HAVE A LOT OF THESE WE JUST DON'T HAVE A LOT OF THESE AT WE JUST DON'T HAVE A LOT OF THESE AT ALL. OF THESE AT ALL. OF THESE AT ALL. HOW OF THESE AT ALL. HOW MANY OF THESE AT ALL. HOW MANY BRACELET OF THESE AT ALL. HOW MANY BRACELET DO OF THESE AT ALL. HOW MANY BRACELET DO I HOW MANY BRACELET DO I HOW MANY BRACELET DO I HAVE HOW MANY BRACELET DO I HAVE LEFT, HOW MANY BRACELET DO I HAVE LEFT, RICK? HAVE LEFT, RICK? HAVE LEFT, RICK? I HAVE LEFT, RICK? I HAVE HAVE LEFT, RICK? I HAVE 250 HAVE LEFT, RICK? I HAVE 250 BRACELET HAVE LEFT, RICK? I HAVE 250 BRACELET IN I HAVE 250 BRACELET IN I HAVE 250 BRACELET IN THE I HAVE 250 BRACELET IN THE TURQUOISE, I HAVE 250 BRACELET IN THE TURQUOISE, IN I HAVE 250 BRACELET IN THE TURQUOISE, IN THREE THE TURQUOISE, IN THREE THE TURQUOISE, IN THREE LENGTHS, THE TURQUOISE, IN THREE LENGTHS, AND THE TURQUOISE, IN THREE LENGTHS, AND PENDANT LENGTHS, AND PENDANT LENGTHS, AND PENDANT WITH LENGTHS, AND PENDANT WITH THE LENGTHS, AND PENDANT WITH THE CHAIN, LENGTHS, AND PENDANT WITH THE CHAIN, AND WITH THE CHAIN, AND WITH THE CHAIN, AND MATCHING WITH THE CHAIN, AND MATCHING DANGLE MATCHING DANGLE MATCHING DANGLE EARRINGS. EARRINGS. EARRINGS. HERE'S EARRINGS. HERE'S YOUR EARRINGS. HERE'S YOUR BRACELET HERE'S YOUR BRACELET HERE'S YOUR BRACELET INFO. INFO. INFO. APPRAISED INFO. APPRAISED AT INFO. APPRAISED AT ALMOST APPRAISED AT ALMOST APPRAISED AT ALMOST $800. $800. $800. >> $800. >> TURQUOISE $800. >> TURQUOISE EARRINGS >> TURQUOISE EARRINGS >> TURQUOISE EARRINGS ARE >> TURQUOISE EARRINGS ARE ALMOST >> TURQUOISE EARRINGS ARE ALMOST GONE. ARE ALMOST GONE. ARE ALMOST GONE. >> ARE ALMOST GONE. >> Guest: ARE ALMOST GONE. >> Guest: EARRINGS ARE ALMOST GONE. >> Guest: EARRINGS ARE >> Guest: EARRINGS ARE >> Guest: EARRINGS ARE SUCH >> Guest: EARRINGS ARE SUCH AN >> Guest: EARRINGS ARE SUCH AN ESSENTIAL >> Guest: EARRINGS ARE SUCH AN ESSENTIAL PART SUCH AN ESSENTIAL PART SUCH AN ESSENTIAL PART OF SUCH AN ESSENTIAL PART OF THE SUCH AN ESSENTIAL PART OF THE WARDROBE. OF THE WARDROBE. OF THE WARDROBE. >> OF THE WARDROBE. >> Host: OF THE WARDROBE. >> Host: RICK, OF THE WARDROBE. >> Host: RICK, WHAT OF THE WARDROBE. >> Host: RICK, WHAT DID >> Host: RICK, WHAT DID >> Host: RICK, WHAT DID YOU >> Host: RICK, WHAT DID YOU SAY? YOU SAY? YOU SAY? THE YOU SAY? THE PENDANT, YOU SAY? THE PENDANT, A YOU SAY? THE PENDANT, A COUPLE THE PENDANT, A COUPLE THE PENDANT, A COUPLE HUNDRED THE PENDANT, A COUPLE HUNDRED AVAILABLE. HUNDRED AVAILABLE. HUNDRED AVAILABLE. SO HUNDRED AVAILABLE. SO THERE HUNDRED AVAILABLE. SO THERE YOU HUNDRED AVAILABLE. SO THERE YOU GO. SO THERE YOU GO. SO THERE YOU GO. OKAY, SO THERE YOU GO. OKAY, SO SO THERE YOU GO. OKAY, SO UPDATE SO THERE YOU GO. OKAY, SO UPDATE ON SO THERE YOU GO. OKAY, SO UPDATE ON THE OKAY, SO UPDATE ON THE OKAY, SO UPDATE ON THE TODAY'S OKAY, SO UPDATE ON THE TODAY'S SPECIAL, OKAY, SO UPDATE ON THE TODAY'S SPECIAL, OVER OKAY, SO UPDATE ON THE TODAY'S SPECIAL, OVER A TODAY'S SPECIAL, OVER A TODAY'S SPECIAL, OVER A THOUSAND TODAY'S SPECIAL, OVER A THOUSAND NOW TODAY'S SPECIAL, OVER A THOUSAND NOW GONE. THOUSAND NOW GONE. THOUSAND NOW GONE. I THOUSAND NOW GONE. I WILL THOUSAND NOW GONE. I WILL TELL THOUSAND NOW GONE. I WILL TELL YOU THOUSAND NOW GONE. I WILL TELL YOU THE THOUSAND NOW GONE. I WILL TELL YOU THE VAST I WILL TELL YOU THE VAST I WILL TELL YOU THE VAST MAJORITY I WILL TELL YOU THE VAST MAJORITY IS I WILL TELL YOU THE VAST MAJORITY IS GOING I WILL TELL YOU THE VAST MAJORITY IS GOING TO I WILL TELL YOU THE VAST MAJORITY IS GOING TO BE MAJORITY IS GOING TO BE MAJORITY IS GOING TO BE IN MAJORITY IS GOING TO BE IN THE MAJORITY IS GOING TO BE IN THE GREAT MAJORITY IS GOING TO BE IN THE GREAT OP MAJORITY IS GOING TO BE IN THE GREAT OP PAL, MAJORITY IS GOING TO BE IN THE GREAT OP PAL, AND IN THE GREAT OP PAL, AND IN THE GREAT OP PAL, AND -- IN THE GREAT OP PAL, AND -- AT IN THE GREAT OP PAL, AND -- AT THAT IN THE GREAT OP PAL, AND -- AT THAT RATE IN THE GREAT OP PAL, AND -- AT THAT RATE IT, IN THE GREAT OP PAL, AND -- AT THAT RATE IT, WILL -- AT THAT RATE IT, WILL -- AT THAT RATE IT, WILL SELL -- AT THAT RATE IT, WILL SELL OUT -- AT THAT RATE IT, WILL SELL OUT BEFORE -- AT THAT RATE IT, WILL SELL OUT BEFORE THE SELL OUT BEFORE THE SELL OUT BEFORE THE TURQUOISE. TURQUOISE. TURQUOISE. WHEN TURQUOISE. WHEN IT'S TURQUOISE. WHEN IT'S GONE, WHEN IT'S GONE, WHEN IT'S GONE, EVERYBODY WHEN IT'S GONE, EVERYBODY GOES WHEN IT'S GONE, EVERYBODY GOES FOR WHEN IT'S GONE, EVERYBODY GOES FOR THE EVERYBODY GOES FOR THE EVERYBODY GOES FOR THE TURQUOISE. TURQUOISE. TURQUOISE. YOUR TURQUOISE. YOUR OPAL TURQUOISE. YOUR OPAL IS TURQUOISE. YOUR OPAL IS OVER TURQUOISE. YOUR OPAL IS OVER SHAD YOUR OPAL IS OVER SHAD YOUR OPAL IS OVER SHAD DOING YOUR OPAL IS OVER SHAD DOING A YOUR OPAL IS OVER SHAD DOING A BIT. DOING A BIT. DOING A BIT. WHEN DOING A BIT. WHEN THIS DOING A BIT. WHEN THIS IS DOING A BIT. WHEN THIS IS GONE, DOING A BIT. WHEN THIS IS GONE, THIS WHEN THIS IS GONE, THIS WHEN THIS IS GONE, THIS WILL WHEN THIS IS GONE, THIS WILL BE WHEN THIS IS GONE, THIS WILL BE OUT WHEN THIS IS GONE, THIS WILL BE OUT OF WHEN THIS IS GONE, THIS WILL BE OUT OF HERE. WILL BE OUT OF HERE. WILL BE OUT OF HERE. >> WILL BE OUT OF HERE. >> Guest: WILL BE OUT OF HERE. >> Guest: ARE WILL BE OUT OF HERE. >> Guest: ARE YOU >> Guest: ARE YOU >> Guest: ARE YOU KICKING >> Guest: ARE YOU KICKING ME >> Guest: ARE YOU KICKING ME OUT. KICKING ME OUT. KICKING ME OUT. >> KICKING ME OUT. >> Host: KICKING ME OUT. >> Host: I KICKING ME OUT. >> Host: I AM KICKING ME OUT. >> Host: I AM THROWING >> Host: I AM THROWING >> Host: I AM THROWING YOU >> Host: I AM THROWING YOU OUT >> Host: I AM THROWING YOU OUT NOW. YOU OUT NOW. YOU OUT NOW. >> YOU OUT NOW. >> Guest: YOU OUT NOW. >> Guest: WHEN YOU OUT NOW. >> Guest: WHEN YOU YOU OUT NOW. >> Guest: WHEN YOU SAID >> Guest: WHEN YOU SAID >> Guest: WHEN YOU SAID IT >> Guest: WHEN YOU SAID IT IN >> Guest: WHEN YOU SAID IT IN A >> Guest: WHEN YOU SAID IT IN A NICE >> Guest: WHEN YOU SAID IT IN A NICE VOICE, >> Guest: WHEN YOU SAID IT IN A NICE VOICE, I IT IN A NICE VOICE, I IT IN A NICE VOICE, I KNEW IT IN A NICE VOICE, I KNEW YOU IT IN A NICE VOICE, I KNEW YOU WERE. KNEW YOU WERE. KNEW YOU WERE. >> KNEW YOU WERE. >> Host: KNEW YOU WERE. >> Host: AND KNEW YOU WERE. >> Host: AND NEXT, KNEW YOU WERE. >> Host: AND NEXT, WE'RE >> Host: AND NEXT, WE'RE >> Host: AND NEXT, WE'RE MOVING >> Host: AND NEXT, WE'RE MOVING TO >> Host: AND NEXT, WE'RE MOVING TO DIAMONDS >> Host: AND NEXT, WE'RE MOVING TO DIAMONDS AND MOVING TO DIAMONDS AND MOVING TO DIAMONDS AND ON MOVING TO DIAMONDS AND ON SALE MOVING TO DIAMONDS AND ON SALE DIAMONDS MOVING TO DIAMONDS AND ON SALE DIAMONDS WHICH ON SALE DIAMONDS WHICH ON SALE DIAMONDS WHICH IS ON SALE DIAMONDS WHICH IS AWESOME. IS AWESOME. IS AWESOME. THANKS, IS AWESOME. THANKS, PAUL. THANKS, PAUL. THANKS, PAUL. GOOD THANKS, PAUL. GOOD SEEING THANKS, PAUL. GOOD SEEING YOU, THANKS, PAUL. GOOD SEEING YOU, BABY. . . >> . >> GOAT . >> GOAT MILK . >> GOAT MILK ADDRESSES >> GOAT MILK ADDRESSES >> GOAT MILK ADDRESSES MOISTURE >> GOAT MILK ADDRESSES MOISTURE TO >> GOAT MILK ADDRESSES MOISTURE TO YOUR >> GOAT MILK ADDRESSES MOISTURE TO YOUR -- >> GOAT MILK ADDRESSES MOISTURE TO YOUR -- ADDS MOISTURE TO YOUR -- ADDS MOISTURE TO YOUR -- ADDS MOISTURE MOISTURE TO YOUR -- ADDS MOISTURE TO MOISTURE TO YOUR -- ADDS MOISTURE TO YOUR MOISTURE TO YOUR -- ADDS MOISTURE TO YOUR SKIN. MOISTURE TO YOUR SKIN. MOISTURE TO YOUR SKIN. PEOPLE MOISTURE TO YOUR SKIN. PEOPLE REALLY MOISTURE TO YOUR SKIN. PEOPLE REALLY DO MOISTURE TO YOUR SKIN. PEOPLE REALLY DO NOTICE PEOPLE REALLY DO NOTICE PEOPLE REALLY DO NOTICE THE PEOPLE REALLY DO NOTICE THE HYDRATION PEOPLE REALLY DO NOTICE THE HYDRATION OF PEOPLE REALLY DO NOTICE THE HYDRATION OF THEIR THE HYDRATION OF THEIR THE HYDRATION OF THEIR SKIN. SKIN. SKIN. >> SKIN. >> Host: SKIN. >> Host: NOW SKIN. >> Host: NOW WE'RE SKIN. >> Host: NOW WE'RE GOING >> Host: NOW WE'RE GOING >> Host: NOW WE'RE GOING TO >> Host: NOW WE'RE GOING TO TALK >> Host: NOW WE'RE GOING TO TALK ABOUT >> Host: NOW WE'RE GOING TO TALK ABOUT DIAMONDS. TO TALK ABOUT DIAMONDS. TO TALK ABOUT DIAMONDS. AN TO TALK ABOUT DIAMONDS. AN AWESOME TO TALK ABOUT DIAMONDS. AN AWESOME NIGHT TO TALK ABOUT DIAMONDS. AN AWESOME NIGHT FROM AN AWESOME NIGHT FROM AN AWESOME NIGHT FROM OPALS AN AWESOME NIGHT FROM OPALS TO AN AWESOME NIGHT FROM OPALS TO TURQUOISE AN AWESOME NIGHT FROM OPALS TO TURQUOISE TO OPALS TO TURQUOISE TO OPALS TO TURQUOISE TO DIAMONDS. DIAMONDS. DIAMONDS. I DIAMONDS. I THINK DIAMONDS. I THINK YOU DIAMONDS. I THINK YOU WILL DIAMONDS. I THINK YOU WILL LOVE I THINK YOU WILL LOVE I THINK YOU WILL LOVE THIS I THINK YOU WILL LOVE THIS NEXT I THINK YOU WILL LOVE THIS NEXT COUPLE I THINK YOU WILL LOVE THIS NEXT COUPLE OF THIS NEXT COUPLE OF THIS NEXT COUPLE OF MINUTES THIS NEXT COUPLE OF MINUTES WITH THIS NEXT COUPLE OF MINUTES WITH US. MINUTES WITH US. MINUTES WITH US. AND MINUTES WITH US. AND TO MINUTES WITH US. AND TO DO MINUTES WITH US. AND TO DO THAT, MINUTES WITH US. AND TO DO THAT, WE MINUTES WITH US. AND TO DO THAT, WE GO MINUTES WITH US. AND TO DO THAT, WE GO TO AND TO DO THAT, WE GO TO AND TO DO THAT, WE GO TO OUR AND TO DO THAT, WE GO TO OUR DIAMOND AND TO DO THAT, WE GO TO OUR DIAMOND EXPERT. OUR DIAMOND EXPERT. OUR DIAMOND EXPERT. HOW OUR DIAMOND EXPERT. HOW ARE OUR DIAMOND EXPERT. HOW ARE YOU? HOW ARE YOU? HOW ARE YOU? >> HOW ARE YOU? >> Guest: HOW ARE YOU? >> Guest: I'M HOW ARE YOU? >> Guest: I'M EXCITED >> Guest: I'M EXCITED >> Guest: I'M EXCITED ABOUT >> Guest: I'M EXCITED ABOUT TONIGHT. ABOUT TONIGHT. ABOUT TONIGHT. >> ABOUT TONIGHT. >> Host: ABOUT TONIGHT. >> Host: I'LL ABOUT TONIGHT. >> Host: I'LL TELL ABOUT TONIGHT. >> Host: I'LL TELL YOU ABOUT TONIGHT. >> Host: I'LL TELL YOU A >> Host: I'LL TELL YOU A >> Host: I'LL TELL YOU A STORY >> Host: I'LL TELL YOU A STORY BEHIND >> Host: I'LL TELL YOU A STORY BEHIND HER. STORY BEHIND HER. STORY BEHIND HER. 10 STORY BEHIND HER. 10 YEARS STORY BEHIND HER. 10 YEARS -- STORY BEHIND HER. 10 YEARS -- AND STORY BEHIND HER. 10 YEARS -- AND DID STORY BEHIND HER. 10 YEARS -- AND DID YOU 10 YEARS -- AND DID YOU 10 YEARS -- AND DID YOU SEE 10 YEARS -- AND DID YOU SEE THE 10 YEARS -- AND DID YOU SEE THE PRICING? SEE THE PRICING? SEE THE PRICING? WE SEE THE PRICING? WE HAVE SEE THE PRICING? WE HAVE SOME SEE THE PRICING? WE HAVE SOME REAL WE HAVE SOME REAL WE HAVE SOME REAL TREATS. TREATS. TREATS. WE TREATS. WE HAVE TREATS. WE HAVE A TREATS. WE HAVE A DIAMOND TREATS. WE HAVE A DIAMOND CROSS WE HAVE A DIAMOND CROSS WE HAVE A DIAMOND CROSS ON WE HAVE A DIAMOND CROSS ON SALE WE HAVE A DIAMOND CROSS ON SALE COMING WE HAVE A DIAMOND CROSS ON SALE COMING UP, ON SALE COMING UP, ON SALE COMING UP, EVERYTHING ON SALE COMING UP, EVERYTHING IS ON SALE COMING UP, EVERYTHING IS ON ON SALE COMING UP, EVERYTHING IS ON SALE. EVERYTHING IS ON SALE. EVERYTHING IS ON SALE. I EVERYTHING IS ON SALE. I LOVE EVERYTHING IS ON SALE. I LOVE THAT EVERYTHING IS ON SALE. I LOVE THAT CROSS. I LOVE THAT CROSS. I LOVE THAT CROSS. AND I LOVE THAT CROSS. AND MY I LOVE THAT CROSS. AND MY DIAMOND I LOVE THAT CROSS. AND MY DIAMOND STORY AND MY DIAMOND STORY AND MY DIAMOND STORY LAST AND MY DIAMOND STORY LAST TIME. LAST TIME. LAST TIME. -- LAST TIME. -- ARE LAST TIME. -- ARE YOU LAST TIME. -- ARE YOU READY LAST TIME. -- ARE YOU READY TO LAST TIME. -- ARE YOU READY TO TO -- ARE YOU READY TO TO -- ARE YOU READY TO TO GO? GO? GO? >> GO? >> Guest: GO? >> Guest: FANCY GO? >> Guest: FANCY COLORED >> Guest: FANCY COLORED >> Guest: FANCY COLORED DIAMONDS, >> Guest: FANCY COLORED DIAMONDS, LET'S >> Guest: FANCY COLORED DIAMONDS, LET'S GO. DIAMONDS, LET'S GO. DIAMONDS, LET'S GO. >> DIAMONDS, LET'S GO. >> Host: DIAMONDS, LET'S GO. >> Host: THESE DIAMONDS, LET'S GO. >> Host: THESE ARE DIAMONDS, LET'S GO. >> Host: THESE ARE GREAT >> Host: THESE ARE GREAT >> Host: THESE ARE GREAT DIAMOND >> Host: THESE ARE GREAT DIAMOND RING. DIAMOND RING. DIAMOND RING. AND DIAMOND RING. AND THESE DIAMOND RING. AND THESE ARE DIAMOND RING. AND THESE ARE A DIAMOND RING. AND THESE ARE A FALL AND THESE ARE A FALL AND THESE ARE A FALL PRICE. PRICE. PRICE. THIS PRICE. THIS IS PRICE. THIS IS GOING PRICE. THIS IS GOING TO PRICE. THIS IS GOING TO BLOW THIS IS GOING TO BLOW THIS IS GOING TO BLOW YOUR THIS IS GOING TO BLOW YOUR MIND, THIS IS GOING TO BLOW YOUR MIND, RIGHT? YOUR MIND, RIGHT? YOUR MIND, RIGHT? THIS YOUR MIND, RIGHT? THIS IS YOUR MIND, RIGHT? THIS IS OUR YOUR MIND, RIGHT? THIS IS OUR 10 YOUR MIND, RIGHT? THIS IS OUR 10 POINT THIS IS OUR 10 POINT THIS IS OUR 10 POINT COLORED THIS IS OUR 10 POINT COLORED DIAMOND THIS IS OUR 10 POINT COLORED DIAMOND CLUSTER COLORED DIAMOND CLUSTER COLORED DIAMOND CLUSTER STACKABLE COLORED DIAMOND CLUSTER STACKABLE RING. STACKABLE RING. STACKABLE RING. $39.90. $39.90. $39.90. REAL $39.90. REAL DIAMONDS. REAL DIAMONDS. REAL DIAMONDS. CHAMPAGNE, REAL DIAMONDS. CHAMPAGNE, GREEN, REAL DIAMONDS. CHAMPAGNE, GREEN, BLACK, CHAMPAGNE, GREEN, BLACK, CHAMPAGNE, GREEN, BLACK, YELLOW, CHAMPAGNE, GREEN, BLACK, YELLOW, 5-10 CHAMPAGNE, GREEN, BLACK, YELLOW, 5-10 IN CHAMPAGNE, GREEN, BLACK, YELLOW, 5-10 IN TERMS CHAMPAGNE, GREEN, BLACK, YELLOW, 5-10 IN TERMS OF YELLOW, 5-10 IN TERMS OF YELLOW, 5-10 IN TERMS OF SIZES. SIZES. SIZES. WHERE SIZES. WHERE COULD SIZES. WHERE COULD YOU SIZES. WHERE COULD YOU GO SIZES. WHERE COULD YOU GO IN WHERE COULD YOU GO IN WHERE COULD YOU GO IN THE WHERE COULD YOU GO IN THE WORLD WHERE COULD YOU GO IN THE WORLD AND WHERE COULD YOU GO IN THE WORLD AND GET WHERE COULD YOU GO IN THE WORLD AND GET A THE WORLD AND GET A THE WORLD AND GET A GENUINE THE WORLD AND GET A GENUINE DIAMOND THE WORLD AND GET A GENUINE DIAMOND RING THE WORLD AND GET A GENUINE DIAMOND RING ALL GENUINE DIAMOND RING ALL GENUINE DIAMOND RING ALL PAVE GENUINE DIAMOND RING ALL PAVE SET GENUINE DIAMOND RING ALL PAVE SET FOR GENUINE DIAMOND RING ALL PAVE SET FOR THE GENUINE DIAMOND RING ALL PAVE SET FOR THE PRICE PAVE SET FOR THE PRICE PAVE SET FOR THE PRICE OF PAVE SET FOR THE PRICE OF A PAVE SET FOR THE PRICE OF A BALANCE PAVE SET FOR THE PRICE OF A BALANCE FASHION OF A BALANCE FASHION OF A BALANCE FASHION JEWELRY OF A BALANCE FASHION JEWELRY PIECE. JEWELRY PIECE. JEWELRY PIECE. ON JEWELRY PIECE. ON FLEX, JEWELRY PIECE. ON FLEX, IT'S JEWELRY PIECE. ON FLEX, IT'S $7.98. ON FLEX, IT'S $7.98. ON FLEX, IT'S $7.98. AND ON FLEX, IT'S $7.98. AND THEY'RE ON FLEX, IT'S $7.98. AND THEY'RE GENUINE AND THEY'RE GENUINE AND THEY'RE GENUINE DIAMONDS. DIAMONDS. DIAMONDS. >> DIAMONDS. >> Guest: DIAMONDS. >> Guest: WE DIAMONDS. >> Guest: WE ALL DIAMONDS. >> Guest: WE ALL LOVE >> Guest: WE ALL LOVE >> Guest: WE ALL LOVE STACKABLES. STACKABLES. STACKABLES. BUT STACKABLES. BUT WHEN STACKABLES. BUT WHEN YOU STACKABLES. BUT WHEN YOU TALK STACKABLES. BUT WHEN YOU TALK FINE BUT WHEN YOU TALK FINE BUT WHEN YOU TALK FINE JEWELRY, BUT WHEN YOU TALK FINE JEWELRY, IF BUT WHEN YOU TALK FINE JEWELRY, IF YOU'RE BUT WHEN YOU TALK FINE JEWELRY, IF YOU'RE LIKE JEWELRY, IF YOU'RE LIKE JEWELRY, IF YOU'RE LIKE ME, JEWELRY, IF YOU'RE LIKE ME, WE JEWELRY, IF YOU'RE LIKE ME, WE GET JEWELRY, IF YOU'RE LIKE ME, WE GET ONE JEWELRY, IF YOU'RE LIKE ME, WE GET ONE FOR JEWELRY, IF YOU'RE LIKE ME, WE GET ONE FOR OUR ME, WE GET ONE FOR OUR ME, WE GET ONE FOR OUR BIRTHDAY, ME, WE GET ONE FOR OUR BIRTHDAY, ONE ME, WE GET ONE FOR OUR BIRTHDAY, ONE FOR ME, WE GET ONE FOR OUR BIRTHDAY, ONE FOR THE BIRTHDAY, ONE FOR THE BIRTHDAY, ONE FOR THE HOLIDAY BIRTHDAY, ONE FOR THE HOLIDAY AND BIRTHDAY, ONE FOR THE HOLIDAY AND YOU BIRTHDAY, ONE FOR THE HOLIDAY AND YOU START HOLIDAY AND YOU START HOLIDAY AND YOU START COLLECTING. COLLECTING. COLLECTING. YOU COLLECTING. YOU CAN COLLECTING. YOU CAN GET COLLECTING. YOU CAN GET THEM COLLECTING. YOU CAN GET THEM ALL YOU CAN GET THEM ALL YOU CAN GET THEM ALL TONIGHT. TONIGHT. TONIGHT. I TONIGHT. I RARELY TONIGHT. I RARELY STACK TONIGHT. I RARELY STACK FOUR, TONIGHT. I RARELY STACK FOUR, BUT I RARELY STACK FOUR, BUT I RARELY STACK FOUR, BUT I I RARELY STACK FOUR, BUT I PUT I RARELY STACK FOUR, BUT I PUT FOUR I RARELY STACK FOUR, BUT I PUT FOUR ON I RARELY STACK FOUR, BUT I PUT FOUR ON BECAUSE I PUT FOUR ON BECAUSE I PUT FOUR ON BECAUSE YOU I PUT FOUR ON BECAUSE YOU CAN. YOU CAN. YOU CAN. SO YOU CAN. SO WHETHER YOU CAN. SO WHETHER YOU'RE YOU CAN. SO WHETHER YOU'RE A YOU CAN. SO WHETHER YOU'RE A TWO SO WHETHER YOU'RE A TWO SO WHETHER YOU'RE A TWO STACKABLE SO WHETHER YOU'RE A TWO STACKABLE WOMAN, SO WHETHER YOU'RE A TWO STACKABLE WOMAN, ON STACKABLE WOMAN, ON STACKABLE WOMAN, ON THREE STACKABLE WOMAN, ON THREE STACKABLE, STACKABLE WOMAN, ON THREE STACKABLE, OR THREE STACKABLE, OR THREE STACKABLE, OR FOUR, THREE STACKABLE, OR FOUR, THIS THREE STACKABLE, OR FOUR, THIS IS THREE STACKABLE, OR FOUR, THIS IS POSSIBLE. FOUR, THIS IS POSSIBLE. FOUR, THIS IS POSSIBLE. OF FOUR, THIS IS POSSIBLE. OF GENUINE FOUR, THIS IS POSSIBLE. OF GENUINE DIAMONDS. OF GENUINE DIAMONDS. OF GENUINE DIAMONDS. UNHEARD OF GENUINE DIAMONDS. UNHEARD OF OF GENUINE DIAMONDS. UNHEARD OF TO OF GENUINE DIAMONDS. UNHEARD OF TO BE OF GENUINE DIAMONDS. UNHEARD OF TO BE ABLE OF GENUINE DIAMONDS. UNHEARD OF TO BE ABLE -- UNHEARD OF TO BE ABLE -- UNHEARD OF TO BE ABLE -- JUST, UNHEARD OF TO BE ABLE -- JUST, I UNHEARD OF TO BE ABLE -- JUST, I MEAN UNHEARD OF TO BE ABLE -- JUST, I MEAN -- JUST, I MEAN -- JUST, I MEAN -- >> JUST, I MEAN -- >> Host: JUST, I MEAN -- >> Host: AND JUST, I MEAN -- >> Host: AND YOU JUST, I MEAN -- >> Host: AND YOU CAN JUST, I MEAN -- >> Host: AND YOU CAN SEE >> Host: AND YOU CAN SEE >> Host: AND YOU CAN SEE THE >> Host: AND YOU CAN SEE THE COLORS. THE COLORS. THE COLORS. YOU THE COLORS. YOU WOULD THE COLORS. YOU WOULD THINK THE COLORS. YOU WOULD THINK FOR YOU WOULD THINK FOR YOU WOULD THINK FOR $39.90, YOU WOULD THINK FOR $39.90, IT YOU WOULD THINK FOR $39.90, IT WOULD YOU WOULD THINK FOR $39.90, IT WOULD BE YOU WOULD THINK FOR $39.90, IT WOULD BE THE $39.90, IT WOULD BE THE $39.90, IT WOULD BE THE BLURRY $39.90, IT WOULD BE THE BLURRY HOT $39.90, IT WOULD BE THE BLURRY HOT MESS. BLURRY HOT MESS. BLURRY HOT MESS. LOOK BLURRY HOT MESS. LOOK AT BLURRY HOT MESS. LOOK AT THE BLURRY HOT MESS. LOOK AT THE SPARKLE, LOOK AT THE SPARKLE, LOOK AT THE SPARKLE, FACETTED. FACETTED. FACETTED. THOSE FACETTED. THOSE ARE FACETTED. THOSE ARE ALL FACETTED. THOSE ARE ALL PAVE FACETTED. THOSE ARE ALL PAVE SET. THOSE ARE ALL PAVE SET. THOSE ARE ALL PAVE SET. IT'S THOSE ARE ALL PAVE SET. IT'S THAT THOSE ARE ALL PAVE SET. IT'S THAT TIME THOSE ARE ALL PAVE SET. IT'S THAT TIME OF THOSE ARE ALL PAVE SET. IT'S THAT TIME OF YEAR, IT'S THAT TIME OF YEAR, IT'S THAT TIME OF YEAR, NOT IT'S THAT TIME OF YEAR, NOT YET, IT'S THAT TIME OF YEAR, NOT YET, BUT IT'S THAT TIME OF YEAR, NOT YET, BUT EVENTUALLY NOT YET, BUT EVENTUALLY NOT YET, BUT EVENTUALLY YOU NOT YET, BUT EVENTUALLY YOU WEAR NOT YET, BUT EVENTUALLY YOU WEAR GLOVES, NOT YET, BUT EVENTUALLY YOU WEAR GLOVES, WORK NOT YET, BUT EVENTUALLY YOU WEAR GLOVES, WORK AT YOU WEAR GLOVES, WORK AT YOU WEAR GLOVES, WORK AT NURSING YOU WEAR GLOVES, WORK AT NURSING OR YOU WEAR GLOVES, WORK AT NURSING OR SOMETHING NURSING OR SOMETHING NURSING OR SOMETHING LIKE NURSING OR SOMETHING LIKE THAT, NURSING OR SOMETHING LIKE THAT, YOU NURSING OR SOMETHING LIKE THAT, YOU CAN LIKE THAT, YOU CAN LIKE THAT, YOU CAN EASILY LIKE THAT, YOU CAN EASILY WEAR LIKE THAT, YOU CAN EASILY WEAR THIS LIKE THAT, YOU CAN EASILY WEAR THIS RING LIKE THAT, YOU CAN EASILY WEAR THIS RING IF EASILY WEAR THIS RING IF EASILY WEAR THIS RING IF YOU EASILY WEAR THIS RING IF YOU WORK EASILY WEAR THIS RING IF YOU WORK WITH EASILY WEAR THIS RING IF YOU WORK WITH KIDS. YOU WORK WITH KIDS. YOU WORK WITH KIDS. YOU YOU WORK WITH KIDS. YOU DON'T YOU WORK WITH KIDS. YOU DON'T HAVE YOU WORK WITH KIDS. YOU DON'T HAVE TO YOU WORK WITH KIDS. YOU DON'T HAVE TO WORRY YOU DON'T HAVE TO WORRY YOU DON'T HAVE TO WORRY ABOUT YOU DON'T HAVE TO WORRY ABOUT A YOU DON'T HAVE TO WORRY ABOUT A HIGH YOU DON'T HAVE TO WORRY ABOUT A HIGH PRONG ABOUT A HIGH PRONG ABOUT A HIGH PRONG DIAMOND ABOUT A HIGH PRONG DIAMOND PIECE, ABOUT A HIGH PRONG DIAMOND PIECE, BUT ABOUT A HIGH PRONG DIAMOND PIECE, BUT IT DIAMOND PIECE, BUT IT DIAMOND PIECE, BUT IT HAS DIAMOND PIECE, BUT IT HAS A DIAMOND PIECE, BUT IT HAS A LOT DIAMOND PIECE, BUT IT HAS A LOT OF DIAMOND PIECE, BUT IT HAS A LOT OF POW. HAS A LOT OF POW. HAS A LOT OF POW. >> HAS A LOT OF POW. >> Guest: HAS A LOT OF POW. >> Guest: WE HAS A LOT OF POW. >> Guest: WE CALL HAS A LOT OF POW. >> Guest: WE CALL THAT >> Guest: WE CALL THAT >> Guest: WE CALL THAT -- >> Guest: WE CALL THAT -- LOOK >> Guest: WE CALL THAT -- LOOK AT >> Guest: WE CALL THAT -- LOOK AT THAT >> Guest: WE CALL THAT -- LOOK AT THAT YELLOW. -- LOOK AT THAT YELLOW. -- LOOK AT THAT YELLOW. I -- LOOK AT THAT YELLOW. I RARELY -- LOOK AT THAT YELLOW. I RARELY HAVE -- LOOK AT THAT YELLOW. I RARELY HAVE YELLOW I RARELY HAVE YELLOW I RARELY HAVE YELLOW DIAMONDS. DIAMONDS. DIAMONDS. THAT'S DIAMONDS. THAT'S YOUR, DIAMONDS. THAT'S YOUR, MOST THAT'S YOUR, MOST THAT'S YOUR, MOST POPULAR, THAT'S YOUR, MOST POPULAR, THE THAT'S YOUR, MOST POPULAR, THE ALL THAT'S YOUR, MOST POPULAR, THE ALL THE POPULAR, THE ALL THE POPULAR, THE ALL THE TRUE POPULAR, THE ALL THE TRUE WOMEN POPULAR, THE ALL THE TRUE WOMEN WHO POPULAR, THE ALL THE TRUE WOMEN WHO WANT POPULAR, THE ALL THE TRUE WOMEN WHO WANT TO TRUE WOMEN WHO WANT TO TRUE WOMEN WHO WANT TO GET TRUE WOMEN WHO WANT TO GET IN TRUE WOMEN WHO WANT TO GET IN TOUCH TRUE WOMEN WHO WANT TO GET IN TOUCH WITH GET IN TOUCH WITH GET IN TOUCH WITH ROYALTY, GET IN TOUCH WITH ROYALTY, THERE'S GET IN TOUCH WITH ROYALTY, THERE'S THE ROYALTY, THERE'S THE ROYALTY, THERE'S THE BLUE. BLUE. BLUE. AND BLUE. AND THE BLUE. AND THE YELLOW BLUE. AND THE YELLOW AND AND THE YELLOW AND AND THE YELLOW AND CHAMPAGNE, AND THE YELLOW AND CHAMPAGNE, AND AND THE YELLOW AND CHAMPAGNE, AND CLASSIC CHAMPAGNE, AND CLASSIC CHAMPAGNE, AND CLASSIC BLACK. BLACK. BLACK. >> BLACK. >> Host: BLACK. >> Host: AND BLACK. >> Host: AND YOU'RE >> Host: AND YOU'RE >> Host: AND YOU'RE RIGHT, >> Host: AND YOU'RE RIGHT, WE >> Host: AND YOU'RE RIGHT, WE DON'T >> Host: AND YOU'RE RIGHT, WE DON'T OFFER RIGHT, WE DON'T OFFER RIGHT, WE DON'T OFFER THE RIGHT, WE DON'T OFFER THE YELLOW RIGHT, WE DON'T OFFER THE YELLOW VERY RIGHT, WE DON'T OFFER THE YELLOW VERY OFTEN. THE YELLOW VERY OFTEN. THE YELLOW VERY OFTEN. THAT'S THE YELLOW VERY OFTEN. THAT'S EXQUISITE. THAT'S EXQUISITE. THAT'S EXQUISITE. THAT THAT'S EXQUISITE. THAT COOL, THAT'S EXQUISITE. THAT COOL, COOL THAT COOL, COOL THAT COOL, COOL BRACELET'S THAT COOL, COOL BRACELET'S COMING THAT COOL, COOL BRACELET'S COMING UP, BRACELET'S COMING UP, BRACELET'S COMING UP, WHICH BRACELET'S COMING UP, WHICH I BRACELET'S COMING UP, WHICH I THINK BRACELET'S COMING UP, WHICH I THINK IS BRACELET'S COMING UP, WHICH I THINK IS SO WHICH I THINK IS SO WHICH I THINK IS SO UPDATED WHICH I THINK IS SO UPDATED FOR WHICH I THINK IS SO UPDATED FOR DIAMONDS. UPDATED FOR DIAMONDS. UPDATED FOR DIAMONDS. AND UPDATED FOR DIAMONDS. AND STAY UPDATED FOR DIAMONDS. AND STAY WITH UPDATED FOR DIAMONDS. AND STAY WITH US. AND STAY WITH US. AND STAY WITH US. YOU AND STAY WITH US. YOU WILL AND STAY WITH US. YOU WILL BE AND STAY WITH US. YOU WILL BE SHOCKED AND STAY WITH US. YOU WILL BE SHOCKED AT YOU WILL BE SHOCKED AT YOU WILL BE SHOCKED AT THE YOU WILL BE SHOCKED AT THE PRICES YOU WILL BE SHOCKED AT THE PRICES TONIGHT. THE PRICES TONIGHT. THE PRICES TONIGHT. WHEN THE PRICES TONIGHT. WHEN I THE PRICES TONIGHT. WHEN I WAS THE PRICES TONIGHT. WHEN I WAS GOING THE PRICES TONIGHT. WHEN I WAS GOING THROUGH WHEN I WAS GOING THROUGH WHEN I WAS GOING THROUGH THE WHEN I WAS GOING THROUGH THE SHOW, WHEN I WAS GOING THROUGH THE SHOW, IT WHEN I WAS GOING THROUGH THE SHOW, IT WAS WHEN I WAS GOING THROUGH THE SHOW, IT WAS LIKE WHEN I WAS GOING THROUGH THE SHOW, IT WAS LIKE MY THE SHOW, IT WAS LIKE MY THE SHOW, IT WAS LIKE MY GOODNESS, THE SHOW, IT WAS LIKE MY GOODNESS, IT THE SHOW, IT WAS LIKE MY GOODNESS, IT IS THE SHOW, IT WAS LIKE MY GOODNESS, IT IS GOOD, GOODNESS, IT IS GOOD, GOODNESS, IT IS GOOD, AND GOODNESS, IT IS GOOD, AND GREAT GOODNESS, IT IS GOOD, AND GREAT DIAMONDS. AND GREAT DIAMONDS. AND GREAT DIAMONDS. SO AND GREAT DIAMONDS. SO YOU AND GREAT DIAMONDS. SO YOU HAVE AND GREAT DIAMONDS. SO YOU HAVE SIZES AND GREAT DIAMONDS. SO YOU HAVE SIZES IN SO YOU HAVE SIZES IN SO YOU HAVE SIZES IN TERMS SO YOU HAVE SIZES IN TERMS OF SO YOU HAVE SIZES IN TERMS OF THIS SO YOU HAVE SIZES IN TERMS OF THIS ONE, SO YOU HAVE SIZES IN TERMS OF THIS ONE, 5-10, TERMS OF THIS ONE, 5-10, TERMS OF THIS ONE, 5-10, WE TERMS OF THIS ONE, 5-10, WE HAVE TERMS OF THIS ONE, 5-10, WE HAVE TWO TERMS OF THIS ONE, 5-10, WE HAVE TWO FlexPAYS TERMS OF THIS ONE, 5-10, WE HAVE TWO FlexPAYS ON WE HAVE TWO FlexPAYS ON WE HAVE TWO FlexPAYS ON IT, WE HAVE TWO FlexPAYS ON IT, WHICH WE HAVE TWO FlexPAYS ON IT, WHICH IS, WE HAVE TWO FlexPAYS ON IT, WHICH IS, NO, WE HAVE TWO FlexPAYS ON IT, WHICH IS, NO, FIVE. IT, WHICH IS, NO, FIVE. IT, WHICH IS, NO, FIVE. THAT'S IT, WHICH IS, NO, FIVE. THAT'S SO IT, WHICH IS, NO, FIVE. THAT'S SO MUCH IT, WHICH IS, NO, FIVE. THAT'S SO MUCH FUN. THAT'S SO MUCH FUN. THAT'S SO MUCH FUN. MY THAT'S SO MUCH FUN. MY CART THAT'S SO MUCH FUN. MY CART ONLY THAT'S SO MUCH FUN. MY CART ONLY HAD THAT'S SO MUCH FUN. MY CART ONLY HAD TWO. MY CART ONLY HAD TWO. MY CART ONLY HAD TWO. FIVE MY CART ONLY HAD TWO. FIVE FlexPAYS. FIVE FlexPAYS. FIVE FlexPAYS. THE FIVE FlexPAYS. THE FlexPAY FIVE FlexPAYS. THE FlexPAY FAIRIES FIVE FlexPAYS. THE FlexPAY FAIRIES HAVE THE FlexPAY FAIRIES HAVE THE FlexPAY FAIRIES HAVE BEEN THE FlexPAY FAIRIES HAVE BEEN BUSY. BEEN BUSY. BEEN BUSY. BUT BEEN BUSY. BUT LOOK BEEN BUSY. BUT LOOK HOW BEEN BUSY. BUT LOOK HOW PRETTY BEEN BUSY. BUT LOOK HOW PRETTY THAT BUT LOOK HOW PRETTY THAT BUT LOOK HOW PRETTY THAT IS. IS. IS. AND IS. AND IT'S IS. AND IT'S SHOCKING, AND IT'S SHOCKING, AND IT'S SHOCKING, CUSTOMER AND IT'S SHOCKING, CUSTOMER PICK, AND IT'S SHOCKING, CUSTOMER PICK, 4.9 CUSTOMER PICK, 4.9 CUSTOMER PICK, 4.9 STARS, CUSTOMER PICK, 4.9 STARS, AND CUSTOMER PICK, 4.9 STARS, AND A CUSTOMER PICK, 4.9 STARS, AND A REALLY CUSTOMER PICK, 4.9 STARS, AND A REALLY VERY STARS, AND A REALLY VERY STARS, AND A REALLY VERY BIG STARS, AND A REALLY VERY BIG DIAMOND STARS, AND A REALLY VERY BIG DIAMOND LOOK. BIG DIAMOND LOOK. BIG DIAMOND LOOK. >> BIG DIAMOND LOOK. >> Guest: BIG DIAMOND LOOK. >> Guest: AND BIG DIAMOND LOOK. >> Guest: AND IT'S BIG DIAMOND LOOK. >> Guest: AND IT'S BEGIN >> Guest: AND IT'S BEGIN >> Guest: AND IT'S BEGIN WITHIN, >> Guest: AND IT'S BEGIN WITHIN, IT'S >> Guest: AND IT'S BEGIN WITHIN, IT'S REAL. WITHIN, IT'S REAL. WITHIN, IT'S REAL. WE'RE WITHIN, IT'S REAL. WE'RE TALKING WITHIN, IT'S REAL. WE'RE TALKING ABOUT WE'RE TALKING ABOUT WE'RE TALKING ABOUT SOMETHING WE'RE TALKING ABOUT SOMETHING FORMED WE'RE TALKING ABOUT SOMETHING FORMED OVER SOMETHING FORMED OVER SOMETHING FORMED OVER BILLION SOMETHING FORMED OVER BILLION OF SOMETHING FORMED OVER BILLION OF YEARS. BILLION OF YEARS. BILLION OF YEARS. THINK BILLION OF YEARS. THINK ABOUT BILLION OF YEARS. THINK ABOUT THAT. THINK ABOUT THAT. THINK ABOUT THAT. YOU THINK ABOUT THAT. YOU LOOK THINK ABOUT THAT. YOU LOOK AT THINK ABOUT THAT. YOU LOOK AT THE THINK ABOUT THAT. YOU LOOK AT THE PRICE, YOU LOOK AT THE PRICE, YOU LOOK AT THE PRICE, YOU YOU LOOK AT THE PRICE, YOU THINK, YOU LOOK AT THE PRICE, YOU THINK, NO, YOU LOOK AT THE PRICE, YOU THINK, NO, NO, YOU THINK, NO, NO, YOU THINK, NO, NO, THEY'RE YOU THINK, NO, NO, THEY'RE REAL. THEY'RE REAL. THEY'RE REAL. >> THEY'RE REAL. >> Host: THEY'RE REAL. >> Host: WHAT THEY'RE REAL. >> Host: WHAT A THEY'RE REAL. >> Host: WHAT A GOOD >> Host: WHAT A GOOD >> Host: WHAT A GOOD WEIGH >> Host: WHAT A GOOD WEIGH TO >> Host: WHAT A GOOD WEIGH TO START >> Host: WHAT A GOOD WEIGH TO START -- >> Host: WHAT A GOOD WEIGH TO START -- WAY >> Host: WHAT A GOOD WEIGH TO START -- WAY TO WEIGH TO START -- WAY TO WEIGH TO START -- WAY TO START WEIGH TO START -- WAY TO START OFF WEIGH TO START -- WAY TO START OFF THE WEIGH TO START -- WAY TO START OFF THE COLORS WEIGH TO START -- WAY TO START OFF THE COLORS OF START OFF THE COLORS OF START OFF THE COLORS OF DIAMONDS START OFF THE COLORS OF DIAMONDS SHOW. DIAMONDS SHOW. DIAMONDS SHOW. YOU DIAMONDS SHOW. YOU CAN DIAMONDS SHOW. YOU CAN ORDER DIAMONDS SHOW. YOU CAN ORDER QUICKER DIAMONDS SHOW. YOU CAN ORDER QUICKER IF YOU CAN ORDER QUICKER IF YOU CAN ORDER QUICKER IF YOU YOU CAN ORDER QUICKER IF YOU GO YOU CAN ORDER QUICKER IF YOU GO ONLINE. YOU GO ONLINE. YOU GO ONLINE. BUT YOU GO ONLINE. BUT IMAGINE YOU GO ONLINE. BUT IMAGINE GETTING YOU GO ONLINE. BUT IMAGINE GETTING ONE BUT IMAGINE GETTING ONE BUT IMAGINE GETTING ONE FOR BUT IMAGINE GETTING ONE FOR SOMEBODY BUT IMAGINE GETTING ONE FOR SOMEBODY FOR BUT IMAGINE GETTING ONE FOR SOMEBODY FOR THEIR FOR SOMEBODY FOR THEIR FOR SOMEBODY FOR THEIR BIRTHDAY. BIRTHDAY. BIRTHDAY. A BIRTHDAY. A YOUNG BIRTHDAY. A YOUNG GAL BIRTHDAY. A YOUNG GAL OPENS BIRTHDAY. A YOUNG GAL OPENS THE A YOUNG GAL OPENS THE A YOUNG GAL OPENS THE BOX, A YOUNG GAL OPENS THE BOX, AND A YOUNG GAL OPENS THE BOX, AND SHE A YOUNG GAL OPENS THE BOX, AND SHE GOES A YOUNG GAL OPENS THE BOX, AND SHE GOES YOU BOX, AND SHE GOES YOU BOX, AND SHE GOES YOU GOT BOX, AND SHE GOES YOU GOT MY BOX, AND SHE GOES YOU GOT MY A BOX, AND SHE GOES YOU GOT MY A DIAMOND BOX, AND SHE GOES YOU GOT MY A DIAMOND RING? GOT MY A DIAMOND RING? GOT MY A DIAMOND RING? THE GOT MY A DIAMOND RING? THE NEXT GOT MY A DIAMOND RING? THE NEXT THING, GOT MY A DIAMOND RING? THE NEXT THING, WE'RE THE NEXT THING, WE'RE THE NEXT THING, WE'RE MOVING THE NEXT THING, WE'RE MOVING RIGHT THE NEXT THING, WE'RE MOVING RIGHT OW. MOVING RIGHT OW. MOVING RIGHT OW. COMING MOVING RIGHT OW. COMING UP, MOVING RIGHT OW. COMING UP, THIS MOVING RIGHT OW. COMING UP, THIS IS COMING UP, THIS IS COMING UP, THIS IS REALLY COMING UP, THIS IS REALLY COOL. REALLY COOL. REALLY COOL. HARKENS REALLY COOL. HARKENS BACK REALLY COOL. HARKENS BACK TO REALLY COOL. HARKENS BACK TO A HARKENS BACK TO A HARKENS BACK TO A POPULAR HARKENS BACK TO A POPULAR EARRING, HARKENS BACK TO A POPULAR EARRING, WHICH POPULAR EARRING, WHICH POPULAR EARRING, WHICH IS POPULAR EARRING, WHICH IS THE POPULAR EARRING, WHICH IS THE DEKOW. IS THE DEKOW. IS THE DEKOW. EVERY IS THE DEKOW. EVERY REVIEW IS THE DEKOW. EVERY REVIEW IS IS THE DEKOW. EVERY REVIEW IS FIVE EVERY REVIEW IS FIVE EVERY REVIEW IS FIVE STAR. STAR. STAR. AND STAR. AND GUESS STAR. AND GUESS WHAT, STAR. AND GUESS WHAT, THAT STAR. AND GUESS WHAT, THAT WAS AND GUESS WHAT, THAT WAS AND GUESS WHAT, THAT WAS $150. $150. $150. WE'RE $150. WE'RE AT $150. WE'RE AT $94.90. WE'RE AT $94.90. WE'RE AT $94.90. AND WE'RE AT $94.90. AND EVERYTHING WE'RE AT $94.90. AND EVERYTHING HAS WE'RE AT $94.90. AND EVERYTHING HAS FIVE AND EVERYTHING HAS FIVE AND EVERYTHING HAS FIVE FLEX, AND EVERYTHING HAS FIVE FLEX, WHICH AND EVERYTHING HAS FIVE FLEX, WHICH IS AND EVERYTHING HAS FIVE FLEX, WHICH IS EXCITING FLEX, WHICH IS EXCITING FLEX, WHICH IS EXCITING BECAUSE FLEX, WHICH IS EXCITING BECAUSE I FLEX, WHICH IS EXCITING BECAUSE I DIDN'T FLEX, WHICH IS EXCITING BECAUSE I DIDN'T KNOW BECAUSE I DIDN'T KNOW BECAUSE I DIDN'T KNOW THAT BECAUSE I DIDN'T KNOW THAT UNTIL BECAUSE I DIDN'T KNOW THAT UNTIL THIS BECAUSE I DIDN'T KNOW THAT UNTIL THIS SECOND. THAT UNTIL THIS SECOND. THAT UNTIL THIS SECOND. ONE THAT UNTIL THIS SECOND. ONE MORE THAT UNTIL THIS SECOND. ONE MORE THING, THAT UNTIL THIS SECOND. ONE MORE THING, RIGHT ONE MORE THING, RIGHT ONE MORE THING, RIGHT HERE, ONE MORE THING, RIGHT HERE, THIS ONE MORE THING, RIGHT HERE, THIS IS ONE MORE THING, RIGHT HERE, THIS IS SO HERE, THIS IS SO HERE, THIS IS SO ELEGANT, HERE, THIS IS SO ELEGANT, IT'S HERE, THIS IS SO ELEGANT, IT'S A HERE, THIS IS SO ELEGANT, IT'S A GREAT ELEGANT, IT'S A GREAT ELEGANT, IT'S A GREAT ALTERNATIVE ELEGANT, IT'S A GREAT ALTERNATIVE FOR ELEGANT, IT'S A GREAT ALTERNATIVE FOR A ALTERNATIVE FOR A ALTERNATIVE FOR A WEDDING ALTERNATIVE FOR A WEDDING BAND. WEDDING BAND. WEDDING BAND. >> WEDDING BAND. >> Guest: WEDDING BAND. >> Guest: WE WEDDING BAND. >> Guest: WE LOVE WEDDING BAND. >> Guest: WE LOVE BANDS >> Guest: WE LOVE BANDS >> Guest: WE LOVE BANDS FOR >> Guest: WE LOVE BANDS FOR EVERY >> Guest: WE LOVE BANDS FOR EVERY DAY. FOR EVERY DAY. FOR EVERY DAY. IT'S FOR EVERY DAY. IT'S THE FOR EVERY DAY. IT'S THE GO-TO FOR EVERY DAY. IT'S THE GO-TO CHOICE. IT'S THE GO-TO CHOICE. IT'S THE GO-TO CHOICE. >> IT'S THE GO-TO CHOICE. >> Host: IT'S THE GO-TO CHOICE. >> Host: 119, IT'S THE GO-TO CHOICE. >> Host: 119, IT'S >> Host: 119, IT'S >> Host: 119, IT'S $59.90. $59.90. $59.90. $59.90, $59.90. $59.90, ALL $59.90. $59.90, ALL DIAMONDS, $59.90, ALL DIAMONDS, $59.90, ALL DIAMONDS, BEAUTIFUL, $59.90, ALL DIAMONDS, BEAUTIFUL, FIVE $59.90, ALL DIAMONDS, BEAUTIFUL, FIVE FlexPAYS BEAUTIFUL, FIVE FlexPAYS BEAUTIFUL, FIVE FlexPAYS TONIGHT BEAUTIFUL, FIVE FlexPAYS TONIGHT ONLY, BEAUTIFUL, FIVE FlexPAYS TONIGHT ONLY, THAT BEAUTIFUL, FIVE FlexPAYS TONIGHT ONLY, THAT IS TONIGHT ONLY, THAT IS TONIGHT ONLY, THAT IS SPECTACULAR. SPECTACULAR. SPECTACULAR. NOBODY SPECTACULAR. NOBODY WOULD SPECTACULAR. NOBODY WOULD IMAGINE, NOBODY WOULD IMAGINE, NOBODY WOULD IMAGINE, THIS NOBODY WOULD IMAGINE, THIS IS NOBODY WOULD IMAGINE, THIS IS A NOBODY WOULD IMAGINE, THIS IS A $60 NOBODY WOULD IMAGINE, THIS IS A $60 RING. THIS IS A $60 RING. THIS IS A $60 RING. AND THIS IS A $60 RING. AND THERE'S THIS IS A $60 RING. AND THERE'S NO THIS IS A $60 RING. AND THERE'S NO WAY. AND THERE'S NO WAY. AND THERE'S NO WAY. >> AND THERE'S NO WAY. >> Guest: AND THERE'S NO WAY. >> Guest: IT'S AND THERE'S NO WAY. >> Guest: IT'S REALLY >> Guest: IT'S REALLY >> Guest: IT'S REALLY NOT >> Guest: IT'S REALLY NOT A >> Guest: IT'S REALLY NOT A $60 >> Guest: IT'S REALLY NOT A $60 RING. NOT A $60 RING. NOT A $60 RING. >> NOT A $60 RING. >> Host: NOT A $60 RING. >> Host: $209 NOT A $60 RING. >> Host: $209 REALLY. >> Host: $209 REALLY. >> Host: $209 REALLY. LOOK >> Host: $209 REALLY. LOOK THOUSAND >> Host: $209 REALLY. LOOK THOUSAND PRETTY LOOK THOUSAND PRETTY LOOK THOUSAND PRETTY THAT LOOK THOUSAND PRETTY THAT IS. THAT IS. THAT IS. AND THAT IS. AND THAT'S THAT IS. AND THAT'S JUST THAT IS. AND THAT'S JUST THE AND THAT'S JUST THE AND THAT'S JUST THE BEGINNING AND THAT'S JUST THE BEGINNING OF AND THAT'S JUST THE BEGINNING OF OUR, AND THAT'S JUST THE BEGINNING OF OUR, ABOUT BEGINNING OF OUR, ABOUT BEGINNING OF OUR, ABOUT 32 BEGINNING OF OUR, ABOUT 32 MINUTES BEGINNING OF OUR, ABOUT 32 MINUTES WITH BEGINNING OF OUR, ABOUT 32 MINUTES WITH DIANE, 32 MINUTES WITH DIANE, 32 MINUTES WITH DIANE, THAT'S 32 MINUTES WITH DIANE, THAT'S INCREDIBLE. THAT'S INCREDIBLE. THAT'S INCREDIBLE. YOU THAT'S INCREDIBLE. YOU WANT THAT'S INCREDIBLE. YOU WANT TO THAT'S INCREDIBLE. YOU WANT TO MOVE THAT'S INCREDIBLE. YOU WANT TO MOVE ON? YOU WANT TO MOVE ON? YOU WANT TO MOVE ON? WE YOU WANT TO MOVE ON? WE HAVE YOU WANT TO MOVE ON? WE HAVE A YOU WANT TO MOVE ON? WE HAVE A LOT YOU WANT TO MOVE ON? WE HAVE A LOT TO YOU WANT TO MOVE ON? WE HAVE A LOT TO GET YOU WANT TO MOVE ON? WE HAVE A LOT TO GET TO. WE HAVE A LOT TO GET TO. WE HAVE A LOT TO GET TO. OUR WE HAVE A LOT TO GET TO. OUR NEXT WE HAVE A LOT TO GET TO. OUR NEXT ONE WE HAVE A LOT TO GET TO. OUR NEXT ONE UP WE HAVE A LOT TO GET TO. OUR NEXT ONE UP GOES OUR NEXT ONE UP GOES OUR NEXT ONE UP GOES BACK OUR NEXT ONE UP GOES BACK TO OUR NEXT ONE UP GOES BACK TO THE OUR NEXT ONE UP GOES BACK TO THE FIRST OUR NEXT ONE UP GOES BACK TO THE FIRST ACCENT BACK TO THE FIRST ACCENT BACK TO THE FIRST ACCENT WE BACK TO THE FIRST ACCENT WE TALKED BACK TO THE FIRST ACCENT WE TALKED ABOUT. WE TALKED ABOUT. WE TALKED ABOUT. THIS WE TALKED ABOUT. THIS IS WE TALKED ABOUT. THIS IS 14 WE TALKED ABOUT. THIS IS 14 POINTS WE TALKED ABOUT. THIS IS 14 POINTS OF WE TALKED ABOUT. THIS IS 14 POINTS OF THE THIS IS 14 POINTS OF THE THIS IS 14 POINTS OF THE COLOR THIS IS 14 POINTS OF THE COLOR DIAMOND THIS IS 14 POINTS OF THE COLOR DIAMOND CLUSTER COLOR DIAMOND CLUSTER COLOR DIAMOND CLUSTER STERLING COLOR DIAMOND CLUSTER STERLING SILVER COLOR DIAMOND CLUSTER STERLING SILVER STUD STERLING SILVER STUD STERLING SILVER STUD EARRINGS. EARRINGS. EARRINGS. THREE EARRINGS. THREE CHOICES, EARRINGS. THREE CHOICES, WE EARRINGS. THREE CHOICES, WE HAVE THREE CHOICES, WE HAVE THREE CHOICES, WE HAVE THE THREE CHOICES, WE HAVE THE CHAMPAGNE, THREE CHOICES, WE HAVE THE CHAMPAGNE, WE THREE CHOICES, WE HAVE THE CHAMPAGNE, WE HAVE THE CHAMPAGNE, WE HAVE THE CHAMPAGNE, WE HAVE THE THE CHAMPAGNE, WE HAVE THE BLACK, THE CHAMPAGNE, WE HAVE THE BLACK, AND THE CHAMPAGNE, WE HAVE THE BLACK, AND WE THE CHAMPAGNE, WE HAVE THE BLACK, AND WE HAVE THE BLACK, AND WE HAVE THE BLACK, AND WE HAVE THE THE BLACK, AND WE HAVE THE YELLOW THE BLACK, AND WE HAVE THE YELLOW DIAMONDS THE YELLOW DIAMONDS THE YELLOW DIAMONDS RIGHT THE YELLOW DIAMONDS RIGHT HERE. RIGHT HERE. RIGHT HERE. ONCE RIGHT HERE. ONCE AGAIN, RIGHT HERE. ONCE AGAIN, THIS RIGHT HERE. ONCE AGAIN, THIS IS ONCE AGAIN, THIS IS ONCE AGAIN, THIS IS DIAMOND ONCE AGAIN, THIS IS DIAMOND HEAVEN. DIAMOND HEAVEN. DIAMOND HEAVEN. >> DIAMOND HEAVEN. >> Guest: DIAMOND HEAVEN. >> Guest: PEOPLE DIAMOND HEAVEN. >> Guest: PEOPLE ARE >> Guest: PEOPLE ARE >> Guest: PEOPLE ARE HAPPY >> Guest: PEOPLE ARE HAPPY THEY >> Guest: PEOPLE ARE HAPPY THEY STAYED >> Guest: PEOPLE ARE HAPPY THEY STAYED UP. HAPPY THEY STAYED UP. HAPPY THEY STAYED UP. >> HAPPY THEY STAYED UP. >> Host: HAPPY THEY STAYED UP. >> Host: THEY HAPPY THEY STAYED UP. >> Host: THEY ARE HAPPY THEY STAYED UP. >> Host: THEY ARE LIKE >> Host: THEY ARE LIKE >> Host: THEY ARE LIKE WHAT? WHAT? WHAT? THANK WHAT? THANK GOSH WHAT? THANK GOSH I WHAT? THANK GOSH I WAS WHAT? THANK GOSH I WAS ABOUT THANK GOSH I WAS ABOUT THANK GOSH I WAS ABOUT TO THANK GOSH I WAS ABOUT TO GO THANK GOSH I WAS ABOUT TO GO TO THANK GOSH I WAS ABOUT TO GO TO BED. TO GO TO BED. TO GO TO BED. $49.90. $49.90. $49.90. CAN $49.90. CAN I $49.90. CAN I ASK $49.90. CAN I ASK YOU $49.90. CAN I ASK YOU A CAN I ASK YOU A CAN I ASK YOU A QUESTION? QUESTION? QUESTION? DON'T QUESTION? DON'T YOU QUESTION? DON'T YOU THINK QUESTION? DON'T YOU THINK FOR QUESTION? DON'T YOU THINK FOR A DON'T YOU THINK FOR A DON'T YOU THINK FOR A YOUNGER DON'T YOU THINK FOR A YOUNGER GAL, DON'T YOU THINK FOR A YOUNGER GAL, THIS DON'T YOU THINK FOR A YOUNGER GAL, THIS WOULD YOUNGER GAL, THIS WOULD YOUNGER GAL, THIS WOULD BE YOUNGER GAL, THIS WOULD BE THE YOUNGER GAL, THIS WOULD BE THE MOST YOUNGER GAL, THIS WOULD BE THE MOST AMAZING BE THE MOST AMAZING BE THE MOST AMAZING BIRTHDAY BE THE MOST AMAZING BIRTHDAY GIFT. BIRTHDAY GIFT. BIRTHDAY GIFT. >> BIRTHDAY GIFT. >> Guest: BIRTHDAY GIFT. >> Guest: THE BIRTHDAY GIFT. >> Guest: THE MOST >> Guest: THE MOST >> Guest: THE MOST AMAZING >> Guest: THE MOST AMAZING GIFT >> Guest: THE MOST AMAZING GIFT FOR AMAZING GIFT FOR AMAZING GIFT FOR WHATEVER AMAZING GIFT FOR WHATEVER HOLIDAY AMAZING GIFT FOR WHATEVER HOLIDAY YOU'RE WHATEVER HOLIDAY YOU'RE WHATEVER HOLIDAY YOU'RE THINKING WHATEVER HOLIDAY YOU'RE THINKING OF, WHATEVER HOLIDAY YOU'RE THINKING OF, BECAUSE WHATEVER HOLIDAY YOU'RE THINKING OF, BECAUSE OF THINKING OF, BECAUSE OF THINKING OF, BECAUSE OF THE THINKING OF, BECAUSE OF THE OPPORTUNITY, THINKING OF, BECAUSE OF THE OPPORTUNITY, AND THE OPPORTUNITY, AND THE OPPORTUNITY, AND YES, THE OPPORTUNITY, AND YES, I'VE THE OPPORTUNITY, AND YES, I'VE SAID THE OPPORTUNITY, AND YES, I'VE SAID THIS, THE OPPORTUNITY, AND YES, I'VE SAID THIS, I YES, I'VE SAID THIS, I YES, I'VE SAID THIS, I THINK YES, I'VE SAID THIS, I THINK EVERY YES, I'VE SAID THIS, I THINK EVERY TIME YES, I'VE SAID THIS, I THINK EVERY TIME ON YES, I'VE SAID THIS, I THINK EVERY TIME ON AIR, THINK EVERY TIME ON AIR, THINK EVERY TIME ON AIR, A THINK EVERY TIME ON AIR, A YOUNG THINK EVERY TIME ON AIR, A YOUNG WOMAN THINK EVERY TIME ON AIR, A YOUNG WOMAN SHOULDN'T A YOUNG WOMAN SHOULDN'T A YOUNG WOMAN SHOULDN'T BE A YOUNG WOMAN SHOULDN'T BE WAITING A YOUNG WOMAN SHOULDN'T BE WAITING FOR A YOUNG WOMAN SHOULDN'T BE WAITING FOR A A YOUNG WOMAN SHOULDN'T BE WAITING FOR A DIAMOND BE WAITING FOR A DIAMOND BE WAITING FOR A DIAMOND TO BE WAITING FOR A DIAMOND TO COME BE WAITING FOR A DIAMOND TO COME FOR BE WAITING FOR A DIAMOND TO COME FOR A BE WAITING FOR A DIAMOND TO COME FOR A MAN TO COME FOR A MAN TO COME FOR A MAN ANYMORE. ANYMORE. ANYMORE. SHE ANYMORE. SHE SHOULD ANYMORE. SHE SHOULD GET ANYMORE. SHE SHOULD GET IF ANYMORE. SHE SHOULD GET IF FROM SHE SHOULD GET IF FROM SHE SHOULD GET IF FROM HER SHE SHOULD GET IF FROM HER MOM, SHE SHOULD GET IF FROM HER MOM, FAMILY, SHE SHOULD GET IF FROM HER MOM, FAMILY, SHE HER MOM, FAMILY, SHE HER MOM, FAMILY, SHE WILL HER MOM, FAMILY, SHE WILL HAVE HER MOM, FAMILY, SHE WILL HAVE THESE HER MOM, FAMILY, SHE WILL HAVE THESE FOREVER. WILL HAVE THESE FOREVER. WILL HAVE THESE FOREVER. WHAT WILL HAVE THESE FOREVER. WHAT CAN WILL HAVE THESE FOREVER. WHAT CAN YOU WILL HAVE THESE FOREVER. WHAT CAN YOU GET WILL HAVE THESE FOREVER. WHAT CAN YOU GET AS WILL HAVE THESE FOREVER. WHAT CAN YOU GET AS A WHAT CAN YOU GET AS A WHAT CAN YOU GET AS A YOUNG WHAT CAN YOU GET AS A YOUNG GIRL WHAT CAN YOU GET AS A YOUNG GIRL YOU'LL WHAT CAN YOU GET AS A YOUNG GIRL YOU'LL LIKE YOUNG GIRL YOU'LL LIKE YOUNG GIRL YOU'LL LIKE IN YOUNG GIRL YOU'LL LIKE IN YOUR YOUNG GIRL YOU'LL LIKE IN YOUR 20s, YOUNG GIRL YOU'LL LIKE IN YOUR 20s, 30s, YOUNG GIRL YOU'LL LIKE IN YOUR 20s, 30s, 40s IN YOUR 20s, 30s, 40s IN YOUR 20s, 30s, 40s AND IN YOUR 20s, 30s, 40s AND BEYOND. AND BEYOND. AND BEYOND. DIAMONDS. DIAMONDS. DIAMONDS. >> DIAMONDS. >> Host: DIAMONDS. >> Host: YOU DIAMONDS. >> Host: YOU BUY DIAMONDS. >> Host: YOU BUY THEM, >> Host: YOU BUY THEM, >> Host: YOU BUY THEM, SHE >> Host: YOU BUY THEM, SHE WILL >> Host: YOU BUY THEM, SHE WILL BE >> Host: YOU BUY THEM, SHE WILL BE 14, >> Host: YOU BUY THEM, SHE WILL BE 14, AND >> Host: YOU BUY THEM, SHE WILL BE 14, AND WHEN SHE WILL BE 14, AND WHEN SHE WILL BE 14, AND WHEN SHE'S SHE WILL BE 14, AND WHEN SHE'S 94, SHE WILL BE 14, AND WHEN SHE'S 94, SHE SHE WILL BE 14, AND WHEN SHE'S 94, SHE WILL SHE WILL BE 14, AND WHEN SHE'S 94, SHE WILL STILL SHE'S 94, SHE WILL STILL SHE'S 94, SHE WILL STILL BE SHE'S 94, SHE WILL STILL BE WEARING SHE'S 94, SHE WILL STILL BE WEARING THEM. BE WEARING THEM. BE WEARING THEM. THESE BE WEARING THEM. THESE ARE BE WEARING THEM. THESE ARE PETITE, BE WEARING THEM. THESE ARE PETITE, NOT THESE ARE PETITE, NOT THESE ARE PETITE, NOT BIG THESE ARE PETITE, NOT BIG HONKING THESE ARE PETITE, NOT BIG HONKING HUGE BIG HONKING HUGE BIG HONKING HUGE EARRINGS, BIG HONKING HUGE EARRINGS, BUT BIG HONKING HUGE EARRINGS, BUT LOVELY. EARRINGS, BUT LOVELY. EARRINGS, BUT LOVELY. THEY'RE EARRINGS, BUT LOVELY. THEY'RE NOTICEABLE, EARRINGS, BUT LOVELY. THEY'RE NOTICEABLE, VERY THEY'RE NOTICEABLE, VERY THEY'RE NOTICEABLE, VERY EAST THEY'RE NOTICEABLE, VERY EAST CITY THEY'RE NOTICEABLE, VERY EAST CITY TO THEY'RE NOTICEABLE, VERY EAST CITY TO WEAR THEY'RE NOTICEABLE, VERY EAST CITY TO WEAR DURING EAST CITY TO WEAR DURING EAST CITY TO WEAR DURING THE EAST CITY TO WEAR DURING THE DAY. THE DAY. THE DAY. >> THE DAY. >> Guest: THE DAY. >> Guest: I THE DAY. >> Guest: I DON'T THE DAY. >> Guest: I DON'T GO THE DAY. >> Guest: I DON'T GO TO >> Guest: I DON'T GO TO >> Guest: I DON'T GO TO THE >> Guest: I DON'T GO TO THE KITCHEN >> Guest: I DON'T GO TO THE KITCHEN WITHOUT THE KITCHEN WITHOUT THE KITCHEN WITHOUT JEWELRY! JEWELRY! JEWELRY! >> JEWELRY! >> Host: JEWELRY! >> Host: BUT JEWELRY! >> Host: BUT DURING JEWELRY! >> Host: BUT DURING THE >> Host: BUT DURING THE >> Host: BUT DURING THE DAY, >> Host: BUT DURING THE DAY, I'M >> Host: BUT DURING THE DAY, I'M GOING >> Host: BUT DURING THE DAY, I'M GOING CRAZY DAY, I'M GOING CRAZY DAY, I'M GOING CRAZY STUFF, DAY, I'M GOING CRAZY STUFF, I'M DAY, I'M GOING CRAZY STUFF, I'M PLAYING STUFF, I'M PLAYING STUFF, I'M PLAYING TENNIS STUFF, I'M PLAYING TENNIS OR STUFF, I'M PLAYING TENNIS OR CLEANING STUFF, I'M PLAYING TENNIS OR CLEANING OR TENNIS OR CLEANING OR TENNIS OR CLEANING OR SOMETHING. SOMETHING. SOMETHING. BUT SOMETHING. BUT I SOMETHING. BUT I LIKE SOMETHING. BUT I LIKE SOME SOMETHING. BUT I LIKE SOME SPARKLE BUT I LIKE SOME SPARKLE BUT I LIKE SOME SPARKLE AT BUT I LIKE SOME SPARKLE AT THE BUT I LIKE SOME SPARKLE AT THE YEAR. AT THE YEAR. AT THE YEAR. >> AT THE YEAR. >> Guest: AT THE YEAR. >> Guest: DIAMONDS >> Guest: DIAMONDS >> Guest: DIAMONDS BECOME >> Guest: DIAMONDS BECOME PART >> Guest: DIAMONDS BECOME PART OF >> Guest: DIAMONDS BECOME PART OF IS. BECOME PART OF IS. BECOME PART OF IS. I BECOME PART OF IS. I BELIEVE BECOME PART OF IS. I BELIEVE WE BECOME PART OF IS. I BELIEVE WE FEEL BECOME PART OF IS. I BELIEVE WE FEEL THE I BELIEVE WE FEEL THE I BELIEVE WE FEEL THE ENERGY. ENERGY. ENERGY. WOMEN ENERGY. WOMEN HAVE ENERGY. WOMEN HAVE TOLD ENERGY. WOMEN HAVE TOLD ME, ENERGY. WOMEN HAVE TOLD ME, THEY WOMEN HAVE TOLD ME, THEY WOMEN HAVE TOLD ME, THEY FEEL WOMEN HAVE TOLD ME, THEY FEEL THE WOMEN HAVE TOLD ME, THEY FEEL THE ENERGY WOMEN HAVE TOLD ME, THEY FEEL THE ENERGY OF FEEL THE ENERGY OF FEEL THE ENERGY OF NATURAL FEEL THE ENERGY OF NATURAL AND FEEL THE ENERGY OF NATURAL AND REAL. NATURAL AND REAL. NATURAL AND REAL. THESE NATURAL AND REAL. THESE ARE NATURAL AND REAL. THESE ARE DIAMONDS, NATURAL AND REAL. THESE ARE DIAMONDS, BUT. THESE ARE DIAMONDS, BUT. THESE ARE DIAMONDS, BUT. AND THESE ARE DIAMONDS, BUT. AND STUDS THESE ARE DIAMONDS, BUT. AND STUDS ARE THESE ARE DIAMONDS, BUT. AND STUDS ARE THE AND STUDS ARE THE AND STUDS ARE THE CLASSIC. CLASSIC. CLASSIC. SO CLASSIC. SO A CLASSIC. SO A FINE CLASSIC. SO A FINE JEWELRY SO A FINE JEWELRY SO A FINE JEWELRY WARDROBE, SO A FINE JEWELRY WARDROBE, YOU SO A FINE JEWELRY WARDROBE, YOU CAN SO A FINE JEWELRY WARDROBE, YOU CAN GIVE WARDROBE, YOU CAN GIVE WARDROBE, YOU CAN GIVE THE WARDROBE, YOU CAN GIVE THE GIFT, WARDROBE, YOU CAN GIVE THE GIFT, AND WARDROBE, YOU CAN GIVE THE GIFT, AND IF WARDROBE, YOU CAN GIVE THE GIFT, AND IF YOU THE GIFT, AND IF YOU THE GIFT, AND IF YOU NEVER THE GIFT, AND IF YOU NEVER HAD THE GIFT, AND IF YOU NEVER HAD FANS THE GIFT, AND IF YOU NEVER HAD FANS I THE GIFT, AND IF YOU NEVER HAD FANS I COLORED NEVER HAD FANS I COLORED NEVER HAD FANS I COLORED DIAMONDS NEVER HAD FANS I COLORED DIAMONDS HERE NEVER HAD FANS I COLORED DIAMONDS HERE IS NEVER HAD FANS I COLORED DIAMONDS HERE IS YOUR DIAMONDS HERE IS YOUR DIAMONDS HERE IS YOUR OPPORTUNITY. OPPORTUNITY. OPPORTUNITY. >> OPPORTUNITY. >> Host: OPPORTUNITY. >> Host: WHEN OPPORTUNITY. >> Host: WHEN WE OPPORTUNITY. >> Host: WHEN WE WORKED >> Host: WHEN WE WORKED >> Host: WHEN WE WORKED TO >> Host: WHEN WE WORKED TO GO >> Host: WHEN WE WORKED TO GO THE >> Host: WHEN WE WORKED TO GO THE LAST >> Host: WHEN WE WORKED TO GO THE LAST TIME, TO GO THE LAST TIME, TO GO THE LAST TIME, LIKE TO GO THE LAST TIME, LIKE A TO GO THE LAST TIME, LIKE A MONTH TO GO THE LAST TIME, LIKE A MONTH OR TO GO THE LAST TIME, LIKE A MONTH OR TWO LIKE A MONTH OR TWO LIKE A MONTH OR TWO MONTHS LIKE A MONTH OR TWO MONTHS AGO, LIKE A MONTH OR TWO MONTHS AGO, WE LIKE A MONTH OR TWO MONTHS AGO, WE HAD LIKE A MONTH OR TWO MONTHS AGO, WE HAD A MONTHS AGO, WE HAD A MONTHS AGO, WE HAD A GREAT MONTHS AGO, WE HAD A GREAT LITTLE MONTHS AGO, WE HAD A GREAT LITTLE DIAMOND GREAT LITTLE DIAMOND GREAT LITTLE DIAMOND NECKLACE, GREAT LITTLE DIAMOND NECKLACE, AND GREAT LITTLE DIAMOND NECKLACE, AND I GREAT LITTLE DIAMOND NECKLACE, AND I BOUGHT NECKLACE, AND I BOUGHT NECKLACE, AND I BOUGHT IT. IT. IT. I IT. I BOUGHT IT. I BOUGHT IT IT. I BOUGHT IT RIGHT IT. I BOUGHT IT RIGHT AFTER I BOUGHT IT RIGHT AFTER I BOUGHT IT RIGHT AFTER -- I BOUGHT IT RIGHT AFTER -- IT I BOUGHT IT RIGHT AFTER -- IT WAS I BOUGHT IT RIGHT AFTER -- IT WAS A I BOUGHT IT RIGHT AFTER -- IT WAS A BLACK -- IT WAS A BLACK -- IT WAS A BLACK DIAMOND. DIAMOND. DIAMOND. I DIAMOND. I THOUGHT DIAMOND. I THOUGHT IT DIAMOND. I THOUGHT IT WAS DIAMOND. I THOUGHT IT WAS CHIC DIAMOND. I THOUGHT IT WAS CHIC TO I THOUGHT IT WAS CHIC TO I THOUGHT IT WAS CHIC TO WEAR I THOUGHT IT WAS CHIC TO WEAR THEM. WEAR THEM. WEAR THEM. IT WEAR THEM. IT WAS WEAR THEM. IT WAS AMAZING, WEAR THEM. IT WAS AMAZING, BECAUSE IT WAS AMAZING, BECAUSE IT WAS AMAZING, BECAUSE WHO IT WAS AMAZING, BECAUSE WHO DOESN'T IT WAS AMAZING, BECAUSE WHO DOESN'T LOVE WHO DOESN'T LOVE WHO DOESN'T LOVE DIAMONDS, WHO DOESN'T LOVE DIAMONDS, RIGHT? DIAMONDS, RIGHT? DIAMONDS, RIGHT? THEY'RE DIAMONDS, RIGHT? THEY'RE BOND DIAMONDS, RIGHT? THEY'RE BOND A DIAMONDS, RIGHT? THEY'RE BOND A GIRL'S THEY'RE BOND A GIRL'S THEY'RE BOND A GIRL'S BEST THEY'RE BOND A GIRL'S BEST FRIEND. BEST FRIEND. BEST FRIEND. BUT BEST FRIEND. BUT I BEST FRIEND. BUT I THOUGHT BEST FRIEND. BUT I THOUGHT IT BEST FRIEND. BUT I THOUGHT IT WAS BEST FRIEND. BUT I THOUGHT IT WAS A BUT I THOUGHT IT WAS A BUT I THOUGHT IT WAS A FUN BUT I THOUGHT IT WAS A FUN ALTERNATIVE BUT I THOUGHT IT WAS A FUN ALTERNATIVE TO BUT I THOUGHT IT WAS A FUN ALTERNATIVE TO WEAR FUN ALTERNATIVE TO WEAR FUN ALTERNATIVE TO WEAR COLORED FUN ALTERNATIVE TO WEAR COLORED DIAMONDS FUN ALTERNATIVE TO WEAR COLORED DIAMONDS BECAUSE COLORED DIAMONDS BECAUSE COLORED DIAMONDS BECAUSE THERE'S COLORED DIAMONDS BECAUSE THERE'S JUST COLORED DIAMONDS BECAUSE THERE'S JUST A COLORED DIAMONDS BECAUSE THERE'S JUST A LOT COLORED DIAMONDS BECAUSE THERE'S JUST A LOT OF THERE'S JUST A LOT OF THERE'S JUST A LOT OF WHITE THERE'S JUST A LOT OF WHITE DIAMONDS THERE'S JUST A LOT OF WHITE DIAMONDS OUT THERE'S JUST A LOT OF WHITE DIAMONDS OUT THERE WHITE DIAMONDS OUT THERE WHITE DIAMONDS OUT THERE AND WHITE DIAMONDS OUT THERE AND IT'S WHITE DIAMONDS OUT THERE AND IT'S COMMON, WHITE DIAMONDS OUT THERE AND IT'S COMMON, BUT AND IT'S COMMON, BUT AND IT'S COMMON, BUT WHEN AND IT'S COMMON, BUT WHEN I AND IT'S COMMON, BUT WHEN I HAVE AND IT'S COMMON, BUT WHEN I HAVE THE AND IT'S COMMON, BUT WHEN I HAVE THE LITTLE WHEN I HAVE THE LITTLE WHEN I HAVE THE LITTLE BLACK WHEN I HAVE THE LITTLE BLACK DIAMOND WHEN I HAVE THE LITTLE BLACK DIAMOND ON, WHEN I HAVE THE LITTLE BLACK DIAMOND ON, PEOPLE BLACK DIAMOND ON, PEOPLE BLACK DIAMOND ON, PEOPLE GO BLACK DIAMOND ON, PEOPLE GO LIKE BLACK DIAMOND ON, PEOPLE GO LIKE YOUR BLACK DIAMOND ON, PEOPLE GO LIKE YOUR NECKLACE, GO LIKE YOUR NECKLACE, GO LIKE YOUR NECKLACE, WHAT'S GO LIKE YOUR NECKLACE, WHAT'S THAT? WHAT'S THAT? WHAT'S THAT? THE WHAT'S THAT? THE BLUE WHAT'S THAT? THE BLUE DIAMOND. THE BLUE DIAMOND. THE BLUE DIAMOND. >> THE BLUE DIAMOND. >> Guest: THE BLUE DIAMOND. >> Guest: IF THE BLUE DIAMOND. >> Guest: IF IT'S THE BLUE DIAMOND. >> Guest: IF IT'S A THE BLUE DIAMOND. >> Guest: IF IT'S A BLUE >> Guest: IF IT'S A BLUE >> Guest: IF IT'S A BLUE THYME, >> Guest: IF IT'S A BLUE THYME, THEY >> Guest: IF IT'S A BLUE THYME, THEY KNOW >> Guest: IF IT'S A BLUE THYME, THEY KNOW IT'S THYME, THEY KNOW IT'S THYME, THEY KNOW IT'S NOT THYME, THEY KNOW IT'S NOT A THYME, THEY KNOW IT'S NOT A SAPPHIRE, THYME, THEY KNOW IT'S NOT A SAPPHIRE, BUT NOT A SAPPHIRE, BUT NOT A SAPPHIRE, BUT COLORED NOT A SAPPHIRE, BUT COLORED GEM NOT A SAPPHIRE, BUT COLORED GEM STONES NOT A SAPPHIRE, BUT COLORED GEM STONES DON'T COLORED GEM STONES DON'T COLORED GEM STONES DON'T SPARKLE COLORED GEM STONES DON'T SPARKLE SO. SPARKLE SO. SPARKLE SO. WHEN SPARKLE SO. WHEN PEOPLE SPARKLE SO. WHEN PEOPLE SEE SPARKLE SO. WHEN PEOPLE SEE YOUR WHEN PEOPLE SEE YOUR WHEN PEOPLE SEE YOUR FANCY WHEN PEOPLE SEE YOUR FANCY COLORED WHEN PEOPLE SEE YOUR FANCY COLORED DIAMOND FANCY COLORED DIAMOND FANCY COLORED DIAMOND EARRING, FANCY COLORED DIAMOND EARRING, OR FANCY COLORED DIAMOND EARRING, OR NECKLACE FANCY COLORED DIAMOND EARRING, OR NECKLACE OR EARRING, OR NECKLACE OR EARRING, OR NECKLACE OR RING, EARRING, OR NECKLACE OR RING, THEY EARRING, OR NECKLACE OR RING, THEY GO EARRING, OR NECKLACE OR RING, THEY GO -- EARRING, OR NECKLACE OR RING, THEY GO -- IS EARRING, OR NECKLACE OR RING, THEY GO -- IS IT RING, THEY GO -- IS IT RING, THEY GO -- IS IT THAT? THAT? THAT? YES, THAT? YES, IT'S THAT? YES, IT'S A THAT? YES, IT'S A FANCY YES, IT'S A FANCY YES, IT'S A FANCY COLORED YES, IT'S A FANCY COLORED DIAMOND. COLORED DIAMOND. COLORED DIAMOND. >> COLORED DIAMOND. >> I'VE COLORED DIAMOND. >> I'VE GOT COLORED DIAMOND. >> I'VE GOT ANOTHER COLORED DIAMOND. >> I'VE GOT ANOTHER SET >> I'VE GOT ANOTHER SET >> I'VE GOT ANOTHER SET COMING >> I'VE GOT ANOTHER SET COMING UP. COMING UP. COMING UP. IF COMING UP. IF YOU COMING UP. IF YOU NEED COMING UP. IF YOU NEED BIGGER, COMING UP. IF YOU NEED BIGGER, WE IF YOU NEED BIGGER, WE IF YOU NEED BIGGER, WE HAVE IF YOU NEED BIGGER, WE HAVE IT. HAVE IT. HAVE IT. STICK HAVE IT. STICK AROUND HAVE IT. STICK AROUND FOR HAVE IT. STICK AROUND FOR THAT. STICK AROUND FOR THAT. STICK AROUND FOR THAT. JUST STICK AROUND FOR THAT. JUST WANT STICK AROUND FOR THAT. JUST WANT TO STICK AROUND FOR THAT. JUST WANT TO SHOW STICK AROUND FOR THAT. JUST WANT TO SHOW YOU JUST WANT TO SHOW YOU JUST WANT TO SHOW YOU THIS. THIS. THIS. THIS THIS. THIS IS, THIS. THIS IS, AGAIN, THIS. THIS IS, AGAIN, JUST THIS IS, AGAIN, JUST THIS IS, AGAIN, JUST THINK THIS IS, AGAIN, JUST THINK GREAT THIS IS, AGAIN, JUST THINK GREAT IDEA, THIS IS, AGAIN, JUST THINK GREAT IDEA, GREAT THINK GREAT IDEA, GREAT THINK GREAT IDEA, GREAT GIFT. GIFT. GIFT. LOOK GIFT. LOOK HOW GIFT. LOOK HOW BRIGHT GIFT. LOOK HOW BRIGHT AND LOOK HOW BRIGHT AND LOOK HOW BRIGHT AND SPARK-Y LOOK HOW BRIGHT AND SPARK-Y THESE LOOK HOW BRIGHT AND SPARK-Y THESE R LOOK HOW BRIGHT AND SPARK-Y THESE R I LOOK HOW BRIGHT AND SPARK-Y THESE R I HAVE SPARK-Y THESE R I HAVE SPARK-Y THESE R I HAVE 70 SPARK-Y THESE R I HAVE 70 AVAILABLE. 70 AVAILABLE. 70 AVAILABLE. THAT 70 AVAILABLE. THAT IS 70 AVAILABLE. THAT IS JUST 70 AVAILABLE. THAT IS JUST GORGEOUS. THAT IS JUST GORGEOUS. THAT IS JUST GORGEOUS. IT THAT IS JUST GORGEOUS. IT DOES THAT IS JUST GORGEOUS. IT DOES INCLUDE THAT IS JUST GORGEOUS. IT DOES INCLUDE THE IT DOES INCLUDE THE IT DOES INCLUDE THE CHAIN. CHAIN. CHAIN. THE CHAIN. THE APPRAISED CHAIN. THE APPRAISED VALUE CHAIN. THE APPRAISED VALUE IS THE APPRAISED VALUE IS THE APPRAISED VALUE IS $889. $889. $889. WELL $889. WELL WORTH $889. WELL WORTH IT. WELL WORTH IT. WELL WORTH IT. >> WELL WORTH IT. >> Guest: WELL WORTH IT. >> Guest: SOLID WELL WORTH IT. >> Guest: SOLID COLD. >> Guest: SOLID COLD. >> Guest: SOLID COLD. WE'RE >> Guest: SOLID COLD. WE'RE NOT >> Guest: SOLID COLD. WE'RE NOT TALKING WE'RE NOT TALKING WE'RE NOT TALKING VERMAY, WE'RE NOT TALKING VERMAY, THIS WE'RE NOT TALKING VERMAY, THIS IS WE'RE NOT TALKING VERMAY, THIS IS SOLD VERMAY, THIS IS SOLD VERMAY, THIS IS SOLD 10kt VERMAY, THIS IS SOLD 10kt GOLD. 10kt GOLD. 10kt GOLD. YOU 10kt GOLD. YOU KNOW 10kt GOLD. YOU KNOW I 10kt GOLD. YOU KNOW I HAVE 10kt GOLD. YOU KNOW I HAVE A 10kt GOLD. YOU KNOW I HAVE A CROSS YOU KNOW I HAVE A CROSS YOU KNOW I HAVE A CROSS IN YOU KNOW I HAVE A CROSS IN EVERYONE YOU KNOW I HAVE A CROSS IN EVERYONE OF YOU KNOW I HAVE A CROSS IN EVERYONE OF MY YOU KNOW I HAVE A CROSS IN EVERYONE OF MY SHOWS IN EVERYONE OF MY SHOWS IN EVERYONE OF MY SHOWS AND IN EVERYONE OF MY SHOWS AND COLLECTIONS IN EVERYONE OF MY SHOWS AND COLLECTIONS AND IN EVERYONE OF MY SHOWS AND COLLECTIONS AND THIS AND COLLECTIONS AND THIS AND COLLECTIONS AND THIS IS AND COLLECTIONS AND THIS IS PRECIOUS. IS PRECIOUS. IS PRECIOUS. FOR IS PRECIOUS. FOR ALL IS PRECIOUS. FOR ALL OF IS PRECIOUS. FOR ALL OF YOU IS PRECIOUS. FOR ALL OF YOU THAT IS PRECIOUS. FOR ALL OF YOU THAT -- FOR ALL OF YOU THAT -- FOR ALL OF YOU THAT -- THIS FOR ALL OF YOU THAT -- THIS IS FOR ALL OF YOU THAT -- THIS IS A FOR ALL OF YOU THAT -- THIS IS A BEAUTY, FOR ALL OF YOU THAT -- THIS IS A BEAUTY, AND THIS IS A BEAUTY, AND THIS IS A BEAUTY, AND SOLID THIS IS A BEAUTY, AND SOLID GOLD, THIS IS A BEAUTY, AND SOLID GOLD, AND THIS IS A BEAUTY, AND SOLID GOLD, AND BLUE THIS IS A BEAUTY, AND SOLID GOLD, AND BLUE AND SOLID GOLD, AND BLUE AND SOLID GOLD, AND BLUE AND WHITE SOLID GOLD, AND BLUE AND WHITE DIAMONDS. WHITE DIAMONDS. WHITE DIAMONDS. >> WHITE DIAMONDS. >> AND WHITE DIAMONDS. >> AND WE WHITE DIAMONDS. >> AND WE ARE WHITE DIAMONDS. >> AND WE ARE $50 WHITE DIAMONDS. >> AND WE ARE $50 OFF, >> AND WE ARE $50 OFF, >> AND WE ARE $50 OFF, AND >> AND WE ARE $50 OFF, AND FIVE >> AND WE ARE $50 OFF, AND FIVE FlexPAYS, >> AND WE ARE $50 OFF, AND FIVE FlexPAYS, AND AND FIVE FlexPAYS, AND AND FIVE FlexPAYS, AND ONLY AND FIVE FlexPAYS, AND ONLY 70 AND FIVE FlexPAYS, AND ONLY 70 LEFT. ONLY 70 LEFT. ONLY 70 LEFT. >> ONLY 70 LEFT. >> THERE'S ONLY 70 LEFT. >> THERE'S A ONLY 70 LEFT. >> THERE'S A PEEK ONLY 70 LEFT. >> THERE'S A PEEK AT >> THERE'S A PEEK AT >> THERE'S A PEEK AT THAT. THAT. THAT. NOW, THAT. NOW, WHAT THAT. NOW, WHAT ARE THAT. NOW, WHAT ARE WE THAT. NOW, WHAT ARE WE MOVING NOW, WHAT ARE WE MOVING NOW, WHAT ARE WE MOVING TO? TO? TO? THIS TO? THIS IS TO? THIS IS COOL. THIS IS COOL. THIS IS COOL. REALLY THIS IS COOL. REALLY NEAT. REALLY NEAT. REALLY NEAT. I REALLY NEAT. I LOVE REALLY NEAT. I LOVE THIS REALLY NEAT. I LOVE THIS CONCEPT. I LOVE THIS CONCEPT. I LOVE THIS CONCEPT. IT'S I LOVE THIS CONCEPT. IT'S SO I LOVE THIS CONCEPT. IT'S SO NEAT. IT'S SO NEAT. IT'S SO NEAT. TALK IT'S SO NEAT. TALK ABOUT IT'S SO NEAT. TALK ABOUT DOING IT'S SO NEAT. TALK ABOUT DOING A IT'S SO NEAT. TALK ABOUT DOING A STACK TALK ABOUT DOING A STACK TALK ABOUT DOING A STACK IN TALK ABOUT DOING A STACK IN A TALK ABOUT DOING A STACK IN A FRESH TALK ABOUT DOING A STACK IN A FRESH DIFFERENT IN A FRESH DIFFERENT IN A FRESH DIFFERENT WAY. WAY. WAY. >> WAY. >> Guest: WAY. >> Guest: IT'S WAY. >> Guest: IT'S A WAY. >> Guest: IT'S A STACK, >> Guest: IT'S A STACK, >> Guest: IT'S A STACK, BUT >> Guest: IT'S A STACK, BUT LOOK, >> Guest: IT'S A STACK, BUT LOOK, LOOK, >> Guest: IT'S A STACK, BUT LOOK, LOOK, LOOK. BUT LOOK, LOOK, LOOK. BUT LOOK, LOOK, LOOK. >> BUT LOOK, LOOK, LOOK. >> Host: BUT LOOK, LOOK, LOOK. >> Host: SO BUT LOOK, LOOK, LOOK. >> Host: SO YOU BUT LOOK, LOOK, LOOK. >> Host: SO YOU PUT BUT LOOK, LOOK, LOOK. >> Host: SO YOU PUT IT >> Host: SO YOU PUT IT >> Host: SO YOU PUT IT ON >> Host: SO YOU PUT IT ON -- ON -- ON -- >> ON -- >> Guest: ON -- >> Guest: YOU ON -- >> Guest: YOU MAY ON -- >> Guest: YOU MAY THINK >> Guest: YOU MAY THINK >> Guest: YOU MAY THINK OF >> Guest: YOU MAY THINK OF THIS, >> Guest: YOU MAY THINK OF THIS, KNOW >> Guest: YOU MAY THINK OF THIS, KNOW THAT OF THIS, KNOW THAT OF THIS, KNOW THAT DESIGNER OF THIS, KNOW THAT DESIGNER SOME OF THIS, KNOW THAT DESIGNER SOME PEOPLE DESIGNER SOME PEOPLE DESIGNER SOME PEOPLE REFER DESIGNER SOME PEOPLE REFER TO DESIGNER SOME PEOPLE REFER TO THEM DESIGNER SOME PEOPLE REFER TO THEM MAYBE DESIGNER SOME PEOPLE REFER TO THEM MAYBE AS DESIGNER SOME PEOPLE REFER TO THEM MAYBE AS A REFER TO THEM MAYBE AS A REFER TO THEM MAYBE AS A PUZZLE REFER TO THEM MAYBE AS A PUZZLE RING, REFER TO THEM MAYBE AS A PUZZLE RING, YOU REFER TO THEM MAYBE AS A PUZZLE RING, YOU HAVE PUZZLE RING, YOU HAVE PUZZLE RING, YOU HAVE ALL PUZZLE RING, YOU HAVE ALL KIND PUZZLE RING, YOU HAVE ALL KIND OF PUZZLE RING, YOU HAVE ALL KIND OF WAYS PUZZLE RING, YOU HAVE ALL KIND OF WAYS OF ALL KIND OF WAYS OF ALL KIND OF WAYS OF TWISTING ALL KIND OF WAYS OF TWISTING THIS ALL KIND OF WAYS OF TWISTING THIS WHEN ALL KIND OF WAYS OF TWISTING THIS WHEN -- TWISTING THIS WHEN -- TWISTING THIS WHEN -- IT'S TWISTING THIS WHEN -- IT'S JUST TWISTING THIS WHEN -- IT'S JUST LIKE TWISTING THIS WHEN -- IT'S JUST LIKE FOUR IT'S JUST LIKE FOUR IT'S JUST LIKE FOUR SINGULAR IT'S JUST LIKE FOUR SINGULAR ALL IT'S JUST LIKE FOUR SINGULAR ALL LINKED SINGULAR ALL LINKED SINGULAR ALL LINKED TOGETHER, SINGULAR ALL LINKED TOGETHER, AND SINGULAR ALL LINKED TOGETHER, AND EASIER TOGETHER, AND EASIER TOGETHER, AND EASIER THAN TOGETHER, AND EASIER THAN A TOGETHER, AND EASIER THAN A RUBIKS TOGETHER, AND EASIER THAN A RUBIKS CUBE, TOGETHER, AND EASIER THAN A RUBIKS CUBE, AND THAN A RUBIKS CUBE, AND THAN A RUBIKS CUBE, AND I THAN A RUBIKS CUBE, AND I JUST THAN A RUBIKS CUBE, AND I JUST PUT THAN A RUBIKS CUBE, AND I JUST PUT THEM THAN A RUBIKS CUBE, AND I JUST PUT THEM -- THAN A RUBIKS CUBE, AND I JUST PUT THEM -- IT'S I JUST PUT THEM -- IT'S I JUST PUT THEM -- IT'S ALMOT I JUST PUT THEM -- IT'S ALMOT LIKE I JUST PUT THEM -- IT'S ALMOT LIKE EVERY I JUST PUT THEM -- IT'S ALMOT LIKE EVERY TIME ALMOT LIKE EVERY TIME ALMOT LIKE EVERY TIME CAN ALMOT LIKE EVERY TIME CAN BE ALMOT LIKE EVERY TIME CAN BE DIFFERENT. CAN BE DIFFERENT. CAN BE DIFFERENT. >> CAN BE DIFFERENT. >> Guest: CAN BE DIFFERENT. >> Guest: IT CAN BE DIFFERENT. >> Guest: IT IS CAN BE DIFFERENT. >> Guest: IT IS FOR CAN BE DIFFERENT. >> Guest: IT IS FOR ME. >> Guest: IT IS FOR ME. >> Guest: IT IS FOR ME. WHERE >> Guest: IT IS FOR ME. WHERE IS >> Guest: IT IS FOR ME. WHERE IS THE >> Guest: IT IS FOR ME. WHERE IS THE BREW WHERE IS THE BREW WHERE IS THE BREW DIAMOND WHERE IS THE BREW DIAMOND GOING WHERE IS THE BREW DIAMOND GOING TO WHERE IS THE BREW DIAMOND GOING TO BE. DIAMOND GOING TO BE. DIAMOND GOING TO BE. >> DIAMOND GOING TO BE. >> Host: DIAMOND GOING TO BE. >> Host: AND DIAMOND GOING TO BE. >> Host: AND THEN DIAMOND GOING TO BE. >> Host: AND THEN THEY >> Host: AND THEN THEY >> Host: AND THEN THEY -- -- -- >> -- >> Guest: -- >> Guest: IT'S -- >> Guest: IT'S PLAYFUL. >> Guest: IT'S PLAYFUL. >> Guest: IT'S PLAYFUL. AFTERNOON >> Guest: IT'S PLAYFUL. AFTERNOON IT'S >> Guest: IT'S PLAYFUL. AFTERNOON IT'S DIAMONDS AFTERNOON IT'S DIAMONDS AFTERNOON IT'S DIAMONDS IN AFTERNOON IT'S DIAMONDS IN A AFTERNOON IT'S DIAMONDS IN A BAND. IN A BAND. IN A BAND. WOMEN IN A BAND. WOMEN LOVE IN A BAND. WOMEN LOVE BANDS, IN A BAND. WOMEN LOVE BANDS, IT'S WOMEN LOVE BANDS, IT'S WOMEN LOVE BANDS, IT'S AN WOMEN LOVE BANDS, IT'S AN EVERY WOMEN LOVE BANDS, IT'S AN EVERY DAY WOMEN LOVE BANDS, IT'S AN EVERY DAY RING. AN EVERY DAY RING. AN EVERY DAY RING. AND AN EVERY DAY RING. AND THIS AN EVERY DAY RING. AND THIS IS AN EVERY DAY RING. AND THIS IS FUN. AND THIS IS FUN. AND THIS IS FUN. LOOK AND THIS IS FUN. LOOK AT AND THIS IS FUN. LOOK AT THAT. LOOK AT THAT. LOOK AT THAT. SO LOOK AT THAT. SO YOU LOOK AT THAT. SO YOU HAVE LOOK AT THAT. SO YOU HAVE TWO LOOK AT THAT. SO YOU HAVE TWO SOLID SO YOU HAVE TWO SOLID SO YOU HAVE TWO SOLID STERLING SO YOU HAVE TWO SOLID STERLING SILVER SO YOU HAVE TWO SOLID STERLING SILVER RINGS, STERLING SILVER RINGS, STERLING SILVER RINGS, AND STERLING SILVER RINGS, AND IF STERLING SILVER RINGS, AND IF YOU STERLING SILVER RINGS, AND IF YOU HAD STERLING SILVER RINGS, AND IF YOU HAD ONE, STERLING SILVER RINGS, AND IF YOU HAD ONE, BUT AND IF YOU HAD ONE, BUT AND IF YOU HAD ONE, BUT IF AND IF YOU HAD ONE, BUT IF YOU AND IF YOU HAD ONE, BUT IF YOU WENT AND IF YOU HAD ONE, BUT IF YOU WENT TO AND IF YOU HAD ONE, BUT IF YOU WENT TO A AND IF YOU HAD ONE, BUT IF YOU WENT TO A STORE, IF YOU WENT TO A STORE, IF YOU WENT TO A STORE, AND IF YOU WENT TO A STORE, AND SAID IF YOU WENT TO A STORE, AND SAID HEY, IF YOU WENT TO A STORE, AND SAID HEY, PAVE IF YOU WENT TO A STORE, AND SAID HEY, PAVE SET, AND SAID HEY, PAVE SET, AND SAID HEY, PAVE SET, FULLY AND SAID HEY, PAVE SET, FULLY FACETTED, AND SAID HEY, PAVE SET, FULLY FACETTED, AND AND SAID HEY, PAVE SET, FULLY FACETTED, AND YOU FULLY FACETTED, AND YOU FULLY FACETTED, AND YOU WOULD FULLY FACETTED, AND YOU WOULD GO FULLY FACETTED, AND YOU WOULD GO $189? WOULD GO $189? WOULD GO $189? SURE. SURE. SURE. WAIT SURE. WAIT A SURE. WAIT A MINUTE, SURE. WAIT A MINUTE, AND SURE. WAIT A MINUTE, AND THEY WAIT A MINUTE, AND THEY WAIT A MINUTE, AND THEY GO WAIT A MINUTE, AND THEY GO HOW WAIT A MINUTE, AND THEY GO HOW ABOUT WAIT A MINUTE, AND THEY GO HOW ABOUT IF WAIT A MINUTE, AND THEY GO HOW ABOUT IF WE WAIT A MINUTE, AND THEY GO HOW ABOUT IF WE ADD GO HOW ABOUT IF WE ADD GO HOW ABOUT IF WE ADD IN, GO HOW ABOUT IF WE ADD IN, I GO HOW ABOUT IF WE ADD IN, I DON'T GO HOW ABOUT IF WE ADD IN, I DON'T KNOW, GO HOW ABOUT IF WE ADD IN, I DON'T KNOW, A GO HOW ABOUT IF WE ADD IN, I DON'T KNOW, A BAND IN, I DON'T KNOW, A BAND IN, I DON'T KNOW, A BAND OF IN, I DON'T KNOW, A BAND OF CHOCOLATE IN, I DON'T KNOW, A BAND OF CHOCOLATE DIAMONDS, OF CHOCOLATE DIAMONDS, OF CHOCOLATE DIAMONDS, THAT'S OF CHOCOLATE DIAMONDS, THAT'S BETTER. THAT'S BETTER. THAT'S BETTER. AND THAT'S BETTER. AND TWO THAT'S BETTER. AND TWO MORE THAT'S BETTER. AND TWO MORE STERLING AND TWO MORE STERLING AND TWO MORE STERLING SILVER AND TWO MORE STERLING SILVER RINGS. SILVER RINGS. SILVER RINGS. THE SILVER RINGS. THE PRICE SILVER RINGS. THE PRICE ON SILVER RINGS. THE PRICE ON THIS SILVER RINGS. THE PRICE ON THIS IS THE PRICE ON THIS IS THE PRICE ON THIS IS $559. $559. $559. SO $559. SO WE $559. SO WE ARE $559. SO WE ARE JUST $559. SO WE ARE JUST HAVE SO WE ARE JUST HAVE SO WE ARE JUST HAVE GREAT, SO WE ARE JUST HAVE GREAT, GREAT SO WE ARE JUST HAVE GREAT, GREAT VALUES. GREAT, GREAT VALUES. GREAT, GREAT VALUES. AND GREAT, GREAT VALUES. AND YOU GREAT, GREAT VALUES. AND YOU CAN GREAT, GREAT VALUES. AND YOU CAN JUST GREAT, GREAT VALUES. AND YOU CAN JUST PUT GREAT, GREAT VALUES. AND YOU CAN JUST PUT IT AND YOU CAN JUST PUT IT AND YOU CAN JUST PUT IT ON AND YOU CAN JUST PUT IT ON ANY AND YOU CAN JUST PUT IT ON ANY WAY AND YOU CAN JUST PUT IT ON ANY WAY YOU AND YOU CAN JUST PUT IT ON ANY WAY YOU WANT. ON ANY WAY YOU WANT. ON ANY WAY YOU WANT. >> ON ANY WAY YOU WANT. >> Guest: ON ANY WAY YOU WANT. >> Guest: OR ON ANY WAY YOU WANT. >> Guest: OR BE ON ANY WAY YOU WANT. >> Guest: OR BE MORE >> Guest: OR BE MORE >> Guest: OR BE MORE PREMEDITATED >> Guest: OR BE MORE PREMEDITATED BECAUSE >> Guest: OR BE MORE PREMEDITATED BECAUSE IT PREMEDITATED BECAUSE IT PREMEDITATED BECAUSE IT IS PREMEDITATED BECAUSE IT IS FUN, PREMEDITATED BECAUSE IT IS FUN, PLAYFUL, PREMEDITATED BECAUSE IT IS FUN, PLAYFUL, BUT IS FUN, PLAYFUL, BUT IS FUN, PLAYFUL, BUT CLASSIC. CLASSIC. CLASSIC. AT CLASSIC. AT THE CLASSIC. AT THE STACKABLE AT THE STACKABLE AT THE STACKABLE INTERLOCKING AT THE STACKABLE INTERLOCKING RING AT THE STACKABLE INTERLOCKING RING THAT'S INTERLOCKING RING THAT'S INTERLOCKING RING THAT'S LIKE INTERLOCKING RING THAT'S LIKE A INTERLOCKING RING THAT'S LIKE A PUZZLE INTERLOCKING RING THAT'S LIKE A PUZZLE RING. LIKE A PUZZLE RING. LIKE A PUZZLE RING. >> LIKE A PUZZLE RING. >> Guest: LIKE A PUZZLE RING. >> Guest: YOU LIKE A PUZZLE RING. >> Guest: YOU LUCKY >> Guest: YOU LUCKY >> Guest: YOU LUCKY WOMEN >> Guest: YOU LUCKY WOMEN TO >> Guest: YOU LUCKY WOMEN TO BE >> Guest: YOU LUCKY WOMEN TO BE TUNING >> Guest: YOU LUCKY WOMEN TO BE TUNING IN. WOMEN TO BE TUNING IN. WOMEN TO BE TUNING IN. >> WOMEN TO BE TUNING IN. >> Host: WOMEN TO BE TUNING IN. >> Host: THEY WOMEN TO BE TUNING IN. >> Host: THEY ARE. >> Host: THEY ARE. >> Host: THEY ARE. AND >> Host: THEY ARE. AND LOOK, >> Host: THEY ARE. AND LOOK, I'M >> Host: THEY ARE. AND LOOK, I'M GOING >> Host: THEY ARE. AND LOOK, I'M GOING TO AND LOOK, I'M GOING TO AND LOOK, I'M GOING TO SLIDE AND LOOK, I'M GOING TO SLIDE THIS AND LOOK, I'M GOING TO SLIDE THIS ON, AND LOOK, I'M GOING TO SLIDE THIS ON, THAT AND LOOK, I'M GOING TO SLIDE THIS ON, THAT IS SLIDE THIS ON, THAT IS SLIDE THIS ON, THAT IS THAT SLIDE THIS ON, THAT IS THAT REALLY SLIDE THIS ON, THAT IS THAT REALLY PHENOMENAL THAT REALLY PHENOMENAL THAT REALLY PHENOMENAL PRICE. PRICE. PRICE. THAT PRICE. THAT IS PRICE. THAT IS THAT PRICE. THAT IS THAT BLUE THAT IS THAT BLUE THAT IS THAT BLUE DIAMOND THAT IS THAT BLUE DIAMOND RING THAT IS THAT BLUE DIAMOND RING WE THAT IS THAT BLUE DIAMOND RING WE SHOWED DIAMOND RING WE SHOWED DIAMOND RING WE SHOWED YOU DIAMOND RING WE SHOWED YOU EARLIER DIAMOND RING WE SHOWED YOU EARLIER ON DIAMOND RING WE SHOWED YOU EARLIER ON SALE. YOU EARLIER ON SALE. YOU EARLIER ON SALE. JUST YOU EARLIER ON SALE. JUST BRING YOU EARLIER ON SALE. JUST BRING IT. JUST BRING IT. JUST BRING IT. WHY JUST BRING IT. WHY NOT? WHY NOT? WHY NOT? >> WHY NOT? >> Guest: WHY NOT? >> Guest: I WHY NOT? >> Guest: I LOVE WHY NOT? >> Guest: I LOVE THAT >> Guest: I LOVE THAT >> Guest: I LOVE THAT RING. RING. RING. >> RING. >> Host: RING. >> Host: BUT RING. >> Host: BUT ALL RING. >> Host: BUT ALL TO RING. >> Host: BUT ALL TO GO, >> Host: BUT ALL TO GO, >> Host: BUT ALL TO GO, JUST >> Host: BUT ALL TO GO, JUST PLAYING >> Host: BUT ALL TO GO, JUST PLAYING AND >> Host: BUT ALL TO GO, JUST PLAYING AND HAVING JUST PLAYING AND HAVING JUST PLAYING AND HAVING FUN JUST PLAYING AND HAVING FUN WITH JUST PLAYING AND HAVING FUN WITH THE JUST PLAYING AND HAVING FUN WITH THE STACK. FUN WITH THE STACK. FUN WITH THE STACK. THAT'S FUN WITH THE STACK. THAT'S A FUN WITH THE STACK. THAT'S A CUTE, FUN WITH THE STACK. THAT'S A CUTE, CUTE THAT'S A CUTE, CUTE THAT'S A CUTE, CUTE LOOK. LOOK. LOOK. IF LOOK. IF YOU LOOK. IF YOU LIKE LOOK. IF YOU LIKE LOTS LOOK. IF YOU LIKE LOTS OF IF YOU LIKE LOTS OF IF YOU LIKE LOTS OF RINGS IF YOU LIKE LOTS OF RINGS OR IF YOU LIKE LOTS OF RINGS OR A IF YOU LIKE LOTS OF RINGS OR A LITTLE, IF YOU LIKE LOTS OF RINGS OR A LITTLE, WE RINGS OR A LITTLE, WE RINGS OR A LITTLE, WE HAVE RINGS OR A LITTLE, WE HAVE IT RINGS OR A LITTLE, WE HAVE IT FOR RINGS OR A LITTLE, WE HAVE IT FOR YOU RINGS OR A LITTLE, WE HAVE IT FOR YOU ON RINGS OR A LITTLE, WE HAVE IT FOR YOU ON THIS HAVE IT FOR YOU ON THIS HAVE IT FOR YOU ON THIS ONE. ONE. ONE. ALL ONE. ALL FOUR, ONE. ALL FOUR, SIZES, ONE. ALL FOUR, SIZES, LET ONE. ALL FOUR, SIZES, LET ME ALL FOUR, SIZES, LET ME ALL FOUR, SIZES, LET ME SEE ALL FOUR, SIZES, LET ME SEE GOSH, ALL FOUR, SIZES, LET ME SEE GOSH, YOU ALL FOUR, SIZES, LET ME SEE GOSH, YOU KNOW ALL FOUR, SIZES, LET ME SEE GOSH, YOU KNOW WHAT? SEE GOSH, YOU KNOW WHAT? SEE GOSH, YOU KNOW WHAT? I SEE GOSH, YOU KNOW WHAT? I DON'T SEE GOSH, YOU KNOW WHAT? I DON'T HAVE SEE GOSH, YOU KNOW WHAT? I DON'T HAVE SIZES SEE GOSH, YOU KNOW WHAT? I DON'T HAVE SIZES ON SEE GOSH, YOU KNOW WHAT? I DON'T HAVE SIZES ON MY I DON'T HAVE SIZES ON MY I DON'T HAVE SIZES ON MY CARD, I DON'T HAVE SIZES ON MY CARD, BUT I DON'T HAVE SIZES ON MY CARD, BUT 5-10. CARD, BUT 5-10. CARD, BUT 5-10. AND CARD, BUT 5-10. AND IT'S CARD, BUT 5-10. AND IT'S GENUINELY CARD, BUT 5-10. AND IT'S GENUINELY TRUE AND IT'S GENUINELY TRUE AND IT'S GENUINELY TRUE TO AND IT'S GENUINELY TRUE TO SIZE. TO SIZE. TO SIZE. >> TO SIZE. >> Guest: TO SIZE. >> Guest: YES, TO SIZE. >> Guest: YES, IT TO SIZE. >> Guest: YES, IT IS. >> Guest: YES, IT IS. >> Guest: YES, IT IS. >> >> Guest: YES, IT IS. >> Host: >> Guest: YES, IT IS. >> Host: WRAP >> Guest: YES, IT IS. >> Host: WRAP UP >> Guest: YES, IT IS. >> Host: WRAP UP ON >> Guest: YES, IT IS. >> Host: WRAP UP ON THAT >> Host: WRAP UP ON THAT >> Host: WRAP UP ON THAT ONE. ONE. ONE. WE ONE. WE HAVE ONE. WE HAVE 100 ONE. WE HAVE 100 LEFT, ONE. WE HAVE 100 LEFT, THAT'S WE HAVE 100 LEFT, THAT'S WE HAVE 100 LEFT, THAT'S IT. IT. IT. AND IT. AND THAT'S IT. AND THAT'S COMPLETELY AND THAT'S COMPLETELY AND THAT'S COMPLETELY SOLD AND THAT'S COMPLETELY SOLD OUT. SOLD OUT. SOLD OUT. SO SOLD OUT. SO A SOLD OUT. SO A COUPLE SOLD OUT. SO A COUPLE THINGS. SO A COUPLE THINGS. SO A COUPLE THINGS. DIANA SO A COUPLE THINGS. DIANA AND SO A COUPLE THINGS. DIANA AND I SO A COUPLE THINGS. DIANA AND I WERE SO A COUPLE THINGS. DIANA AND I WERE TALKING DIANA AND I WERE TALKING DIANA AND I WERE TALKING ABOUT DIANA AND I WERE TALKING ABOUT THIS DIANA AND I WERE TALKING ABOUT THIS ONE. ABOUT THIS ONE. ABOUT THIS ONE. THIS ABOUT THIS ONE. THIS IS ABOUT THIS ONE. THIS IS FANTASTIC. THIS IS FANTASTIC. THIS IS FANTASTIC. I THIS IS FANTASTIC. I BOUGHT THIS IS FANTASTIC. I BOUGHT A THIS IS FANTASTIC. I BOUGHT A BLACK THIS IS FANTASTIC. I BOUGHT A BLACK DIAMOND I BOUGHT A BLACK DIAMOND I BOUGHT A BLACK DIAMOND WHEN I BOUGHT A BLACK DIAMOND WHEN WE I BOUGHT A BLACK DIAMOND WHEN WE WERE I BOUGHT A BLACK DIAMOND WHEN WE WERE ON WHEN WE WERE ON WHEN WE WERE ON TOGETHER. TOGETHER. TOGETHER. THIS TOGETHER. THIS IS TOGETHER. THIS IS INSANE. THIS IS INSANE. THIS IS INSANE. THIS THIS IS INSANE. THIS IS THIS IS INSANE. THIS IS ANOTHER THIS IS INSANE. THIS IS ANOTHER ONE, THIS IS INSANE. THIS IS ANOTHER ONE, HOW THIS IS ANOTHER ONE, HOW THIS IS ANOTHER ONE, HOW MANY THIS IS ANOTHER ONE, HOW MANY OF THIS IS ANOTHER ONE, HOW MANY OF THESE THIS IS ANOTHER ONE, HOW MANY OF THESE DO THIS IS ANOTHER ONE, HOW MANY OF THESE DO I THIS IS ANOTHER ONE, HOW MANY OF THESE DO I HAVE? MANY OF THESE DO I HAVE? MANY OF THESE DO I HAVE? I MANY OF THESE DO I HAVE? I CAN'T MANY OF THESE DO I HAVE? I CAN'T HAVE MANY OF THESE DO I HAVE? I CAN'T HAVE MANY. I CAN'T HAVE MANY. I CAN'T HAVE MANY. WE I CAN'T HAVE MANY. WE HAVE I CAN'T HAVE MANY. WE HAVE 5-10, I CAN'T HAVE MANY. WE HAVE 5-10, AND I CAN'T HAVE MANY. WE HAVE 5-10, AND I'M WE HAVE 5-10, AND I'M WE HAVE 5-10, AND I'M GOOD WE HAVE 5-10, AND I'M GOOD ON WE HAVE 5-10, AND I'M GOOD ON ALL WE HAVE 5-10, AND I'M GOOD ON ALL SIZES. GOOD ON ALL SIZES. GOOD ON ALL SIZES. THIS GOOD ON ALL SIZES. THIS ORIGINALLY GOOD ON ALL SIZES. THIS ORIGINALLY WAS THIS ORIGINALLY WAS THIS ORIGINALLY WAS $139.90. $139.90. $139.90. IT'S $139.90. IT'S $59.90. IT'S $59.90. IT'S $59.90. CAN IT'S $59.90. CAN YOU IT'S $59.90. CAN YOU GUYS IT'S $59.90. CAN YOU GUYS GO IT'S $59.90. CAN YOU GUYS GO IN IT'S $59.90. CAN YOU GUYS GO IN A IT'S $59.90. CAN YOU GUYS GO IN A BIT CAN YOU GUYS GO IN A BIT CAN YOU GUYS GO IN A BIT TIGHTER. TIGHTER. TIGHTER. YOU TIGHTER. YOU GOT TIGHTER. YOU GOT TO TIGHTER. YOU GOT TO SEE TIGHTER. YOU GOT TO SEE THIS TIGHTER. YOU GOT TO SEE THIS ONE. YOU GOT TO SEE THIS ONE. YOU GOT TO SEE THIS ONE. BLACK YOU GOT TO SEE THIS ONE. BLACK AND YOU GOT TO SEE THIS ONE. BLACK AND WHITE YOU GOT TO SEE THIS ONE. BLACK AND WHITE DIAMONDS BLACK AND WHITE DIAMONDS BLACK AND WHITE DIAMONDS PAVE BLACK AND WHITE DIAMONDS PAVE SET BLACK AND WHITE DIAMONDS PAVE SET ON BLACK AND WHITE DIAMONDS PAVE SET ON THE PAVE SET ON THE PAVE SET ON THE SHOULDERS, PAVE SET ON THE SHOULDERS, YOU PAVE SET ON THE SHOULDERS, YOU HAVE PAVE SET ON THE SHOULDERS, YOU HAVE THE SHOULDERS, YOU HAVE THE SHOULDERS, YOU HAVE THE WHITE SHOULDERS, YOU HAVE THE WHITE GOING SHOULDERS, YOU HAVE THE WHITE GOING AROUND. WHITE GOING AROUND. WHITE GOING AROUND. THANK WHITE GOING AROUND. THANK YOU. THANK YOU. THANK YOU. THAT THANK YOU. THAT IS THANK YOU. THAT IS THE THANK YOU. THAT IS THE STEAL THANK YOU. THAT IS THE STEAL OF THANK YOU. THAT IS THE STEAL OF THE THAT IS THE STEAL OF THE THAT IS THE STEAL OF THE DEAL. DEAL. DEAL. >> DEAL. >> Guest: DEAL. >> Guest: THEY DEAL. >> Guest: THEY WERE DEAL. >> Guest: THEY WERE SELL >> Guest: THEY WERE SELL >> Guest: THEY WERE SELL LIKE >> Guest: THEY WERE SELL LIKE GRAPES >> Guest: THEY WERE SELL LIKE GRAPES AROUND >> Guest: THEY WERE SELL LIKE GRAPES AROUND THE LIKE GRAPES AROUND THE LIKE GRAPES AROUND THE HOLIDAYS. HOLIDAYS. HOLIDAYS. THIS HOLIDAYS. THIS IS HOLIDAYS. THIS IS -- HOLIDAYS. THIS IS -- BUT HOLIDAYS. THIS IS -- BUT BLACK HOLIDAYS. THIS IS -- BUT BLACK AND THIS IS -- BUT BLACK AND THIS IS -- BUT BLACK AND WHITE. WHITE. WHITE. WHO WHITE. WHO HAS WHITE. WHO HAS THAT? WHO HAS THAT? WHO HAS THAT? IT'S WHO HAS THAT? IT'S NOT WHO HAS THAT? IT'S NOT THE WHO HAS THAT? IT'S NOT THE PRICE, WHO HAS THAT? IT'S NOT THE PRICE, IT'S IT'S NOT THE PRICE, IT'S IT'S NOT THE PRICE, IT'S THE IT'S NOT THE PRICE, IT'S THE ACCESSIBILITY. THE ACCESSIBILITY. THE ACCESSIBILITY. GO THE ACCESSIBILITY. GO INTO THE ACCESSIBILITY. GO INTO A THE ACCESSIBILITY. GO INTO A JEWELRY THE ACCESSIBILITY. GO INTO A JEWELRY STORE GO INTO A JEWELRY STORE GO INTO A JEWELRY STORE AND GO INTO A JEWELRY STORE AND ASK GO INTO A JEWELRY STORE AND ASK TO GO INTO A JEWELRY STORE AND ASK TO SEE GO INTO A JEWELRY STORE AND ASK TO SEE A GO INTO A JEWELRY STORE AND ASK TO SEE A BLACK AND ASK TO SEE A BLACK AND ASK TO SEE A BLACK AND AND ASK TO SEE A BLACK AND WHITE AND ASK TO SEE A BLACK AND WHITE DIAMOND. AND WHITE DIAMOND. AND WHITE DIAMOND. >> AND WHITE DIAMOND. >> Host: AND WHITE DIAMOND. >> Host: AND AND WHITE DIAMOND. >> Host: AND THEN AND WHITE DIAMOND. >> Host: AND THEN IS AND WHITE DIAMOND. >> Host: AND THEN IS IT >> Host: AND THEN IS IT >> Host: AND THEN IS IT GOING >> Host: AND THEN IS IT GOING TO >> Host: AND THEN IS IT GOING TO BE >> Host: AND THEN IS IT GOING TO BE $59.90? GOING TO BE $59.90? GOING TO BE $59.90? AND GOING TO BE $59.90? AND BY GOING TO BE $59.90? AND BY THE GOING TO BE $59.90? AND BY THE WAY, GOING TO BE $59.90? AND BY THE WAY, CAN GOING TO BE $59.90? AND BY THE WAY, CAN I AND BY THE WAY, CAN I AND BY THE WAY, CAN I HAVE AND BY THE WAY, CAN I HAVE FIVE AND BY THE WAY, CAN I HAVE FIVE FLEX? HAVE FIVE FLEX? HAVE FIVE FLEX? MA'AM. MA'AM. MA'AM. YOU MA'AM. YOU HAVE MA'AM. YOU HAVE TO MA'AM. YOU HAVE TO GO. YOU HAVE TO GO. YOU HAVE TO GO. GIRLS, YOU HAVE TO GO. GIRLS, IF YOU HAVE TO GO. GIRLS, IF YOU YOU HAVE TO GO. GIRLS, IF YOU WANT YOU HAVE TO GO. GIRLS, IF YOU WANT A GIRLS, IF YOU WANT A GIRLS, IF YOU WANT A STUNNING GIRLS, IF YOU WANT A STUNNING PIECE, GIRLS, IF YOU WANT A STUNNING PIECE, I GIRLS, IF YOU WANT A STUNNING PIECE, I WOULD STUNNING PIECE, I WOULD STUNNING PIECE, I WOULD GO STUNNING PIECE, I WOULD GO FOR STUNNING PIECE, I WOULD GO FOR THIS STUNNING PIECE, I WOULD GO FOR THIS ONE. GO FOR THIS ONE. GO FOR THIS ONE. THAT'S GO FOR THIS ONE. THAT'S AN GO FOR THIS ONE. THAT'S AN UNBELIEVABLE THAT'S AN UNBELIEVABLE THAT'S AN UNBELIEVABLE PRICE. PRICE. PRICE. HERE PRICE. HERE WE PRICE. HERE WE GO. HERE WE GO. HERE WE GO. WE'LL HERE WE GO. WE'LL SHOW HERE WE GO. WE'LL SHOW YOU HERE WE GO. WE'LL SHOW YOU THESE. WE'LL SHOW YOU THESE. WE'LL SHOW YOU THESE. THESE WE'LL SHOW YOU THESE. THESE ARE WE'LL SHOW YOU THESE. THESE ARE FUN. THESE ARE FUN. THESE ARE FUN. CHECK THESE ARE FUN. CHECK THIS THESE ARE FUN. CHECK THIS OUT. CHECK THIS OUT. CHECK THIS OUT. HERE CHECK THIS OUT. HERE WE CHECK THIS OUT. HERE WE GO. HERE WE GO. HERE WE GO. LOOK HERE WE GO. LOOK AT HERE WE GO. LOOK AT THESE, HERE WE GO. LOOK AT THESE, DARN HERE WE GO. LOOK AT THESE, DARN IT. LOOK AT THESE, DARN IT. LOOK AT THESE, DARN IT. I LOOK AT THESE, DARN IT. I SHOULD LOOK AT THESE, DARN IT. I SHOULD HAVE LOOK AT THESE, DARN IT. I SHOULD HAVE DONE LOOK AT THESE, DARN IT. I SHOULD HAVE DONE SOME I SHOULD HAVE DONE SOME I SHOULD HAVE DONE SOME SHOPPING I SHOULD HAVE DONE SOME SHOPPING EARLIER. SHOPPING EARLIER. SHOPPING EARLIER. YOU SHOPPING EARLIER. YOU GET SHOPPING EARLIER. YOU GET ALL SHOPPING EARLIER. YOU GET ALL FOUR SHOPPING EARLIER. YOU GET ALL FOUR OF SHOPPING EARLIER. YOU GET ALL FOUR OF THE YOU GET ALL FOUR OF THE YOU GET ALL FOUR OF THE BAND YOU GET ALL FOUR OF THE BAND RINGS, YOU GET ALL FOUR OF THE BAND RINGS, IT'S YOU GET ALL FOUR OF THE BAND RINGS, IT'S NOT YOU GET ALL FOUR OF THE BAND RINGS, IT'S NOT A BAND RINGS, IT'S NOT A BAND RINGS, IT'S NOT A CHOICE BAND RINGS, IT'S NOT A CHOICE OF, BAND RINGS, IT'S NOT A CHOICE OF, AND BAND RINGS, IT'S NOT A CHOICE OF, AND TONIGHT, CHOICE OF, AND TONIGHT, CHOICE OF, AND TONIGHT, IT'S CHOICE OF, AND TONIGHT, IT'S $150 CHOICE OF, AND TONIGHT, IT'S $150 OFF. IT'S $150 OFF. IT'S $150 OFF. LOOK IT'S $150 OFF. LOOK AT IT'S $150 OFF. LOOK AT THAT IT'S $150 OFF. LOOK AT THAT AS IT'S $150 OFF. LOOK AT THAT AS A IT'S $150 OFF. LOOK AT THAT AS A STAND LOOK AT THAT AS A STAND LOOK AT THAT AS A STAND ALONE. ALONE. ALONE. HOW ALONE. HOW BEAUTIFUL ALONE. HOW BEAUTIFUL IS ALONE. HOW BEAUTIFUL IS THE HOW BEAUTIFUL IS THE HOW BEAUTIFUL IS THE SINGLE HOW BEAUTIFUL IS THE SINGLE RING HOW BEAUTIFUL IS THE SINGLE RING IN HOW BEAUTIFUL IS THE SINGLE RING IN THE HOW BEAUTIFUL IS THE SINGLE RING IN THE WHITE SINGLE RING IN THE WHITE SINGLE RING IN THE WHITE DIAMOND. DIAMOND. DIAMOND. YOU DIAMOND. YOU GET DIAMOND. YOU GET THE DIAMOND. YOU GET THE BLACK, DIAMOND. YOU GET THE BLACK, YOU YOU GET THE BLACK, YOU YOU GET THE BLACK, YOU GET YOU GET THE BLACK, YOU GET THE YOU GET THE BLACK, YOU GET THE WHITE, YOU GET THE BLACK, YOU GET THE WHITE, AND YOU GET THE BLACK, YOU GET THE WHITE, AND THE GET THE WHITE, AND THE GET THE WHITE, AND THE BLUE GET THE WHITE, AND THE BLUE AND GET THE WHITE, AND THE BLUE AND CHAMPAGNE. BLUE AND CHAMPAGNE. BLUE AND CHAMPAGNE. ALL BLUE AND CHAMPAGNE. ALL OF BLUE AND CHAMPAGNE. ALL OF THEM BLUE AND CHAMPAGNE. ALL OF THEM FOR BLUE AND CHAMPAGNE. ALL OF THEM FOR $209.90. ALL OF THEM FOR $209.90. ALL OF THEM FOR $209.90. LOOK ALL OF THEM FOR $209.90. LOOK HOW ALL OF THEM FOR $209.90. LOOK HOW COOL ALL OF THEM FOR $209.90. LOOK HOW COOL THAT ALL OF THEM FOR $209.90. LOOK HOW COOL THAT IS. LOOK HOW COOL THAT IS. LOOK HOW COOL THAT IS. YOU LOOK HOW COOL THAT IS. YOU CAN LOOK HOW COOL THAT IS. YOU CAN STACK LOOK HOW COOL THAT IS. YOU CAN STACK THEM, LOOK HOW COOL THAT IS. YOU CAN STACK THEM, USE YOU CAN STACK THEM, USE YOU CAN STACK THEM, USE THEM YOU CAN STACK THEM, USE THEM ASTOUNDS. THEM ASTOUNDS. THEM ASTOUNDS. IF THEM ASTOUNDS. IF YOU'RE THEM ASTOUNDS. IF YOU'RE ON THEM ASTOUNDS. IF YOU'RE ON A THEM ASTOUNDS. IF YOU'RE ON A BUDGET IF YOU'RE ON A BUDGET IF YOU'RE ON A BUDGET FOR IF YOU'RE ON A BUDGET FOR A IF YOU'RE ON A BUDGET FOR A WEDDING. FOR A WEDDING. FOR A WEDDING. BE FOR A WEDDING. BE THAT FOR A WEDDING. BE THAT REALLY FOR A WEDDING. BE THAT REALLY EDGY FOR A WEDDING. BE THAT REALLY EDGY GIRL BE THAT REALLY EDGY GIRL BE THAT REALLY EDGY GIRL AND BE THAT REALLY EDGY GIRL AND DO BE THAT REALLY EDGY GIRL AND DO BLACK BE THAT REALLY EDGY GIRL AND DO BLACK DIAMONDS. AND DO BLACK DIAMONDS. AND DO BLACK DIAMONDS. THERE'S AND DO BLACK DIAMONDS. THERE'S THE AND DO BLACK DIAMONDS. THERE'S THE BAND, AND DO BLACK DIAMONDS. THERE'S THE BAND, AND THERE'S THE BAND, AND THERE'S THE BAND, AND MAIN THERE'S THE BAND, AND MAIN ENGAGEMENT THERE'S THE BAND, AND MAIN ENGAGEMENT RING. MAIN ENGAGEMENT RING. MAIN ENGAGEMENT RING. >> MAIN ENGAGEMENT RING. >> Host: MAIN ENGAGEMENT RING. >> Host: IN MAIN ENGAGEMENT RING. >> Host: IN THE MAIN ENGAGEMENT RING. >> Host: IN THE BACK, >> Host: IN THE BACK, >> Host: IN THE BACK, YOU >> Host: IN THE BACK, YOU HAVE >> Host: IN THE BACK, YOU HAVE A >> Host: IN THE BACK, YOU HAVE A LOBSTER >> Host: IN THE BACK, YOU HAVE A LOBSTER CLAW YOU HAVE A LOBSTER CLAW YOU HAVE A LOBSTER CLAW CLASP. CLASP. CLASP. IT'S CLASP. IT'S THE CLASP. IT'S THE CHIC CLASP. IT'S THE CHIC DIAMOND IT'S THE CHIC DIAMOND IT'S THE CHIC DIAMOND STYLE. STYLE. STYLE. LIKE STYLE. LIKE I STYLE. LIKE I JUST STYLE. LIKE I JUST TOSSED STYLE. LIKE I JUST TOSSED SOME LIKE I JUST TOSSED SOME LIKE I JUST TOSSED SOME DIAMONDS LIKE I JUST TOSSED SOME DIAMONDS ON, LIKE I JUST TOSSED SOME DIAMONDS ON, I'M DIAMONDS ON, I'M DIAMONDS ON, I'M FABULOUS. FABULOUS. FABULOUS. WITHOUT FABULOUS. WITHOUT BEING FABULOUS. WITHOUT BEING OVER FABULOUS. WITHOUT BEING OVER DONE, WITHOUT BEING OVER DONE, WITHOUT BEING OVER DONE, AND WITHOUT BEING OVER DONE, AND I WITHOUT BEING OVER DONE, AND I LOVE, WITHOUT BEING OVER DONE, AND I LOVE, THIS WITHOUT BEING OVER DONE, AND I LOVE, THIS IS WITHOUT BEING OVER DONE, AND I LOVE, THIS IS SO AND I LOVE, THIS IS SO AND I LOVE, THIS IS SO FRESH AND I LOVE, THIS IS SO FRESH AND AND I LOVE, THIS IS SO FRESH AND DIFFERENT AND I LOVE, THIS IS SO FRESH AND DIFFERENT TO FRESH AND DIFFERENT TO FRESH AND DIFFERENT TO SET FRESH AND DIFFERENT TO SET THOSE FRESH AND DIFFERENT TO SET THOSE STONES FRESH AND DIFFERENT TO SET THOSE STONES IN FRESH AND DIFFERENT TO SET THOSE STONES IN THE SET THOSE STONES IN THE SET THOSE STONES IN THE ELONGATED SET THOSE STONES IN THE ELONGATED MANNER. ELONGATED MANNER. ELONGATED MANNER. >> ELONGATED MANNER. >> Guest: ELONGATED MANNER. >> Guest: IT'S ELONGATED MANNER. >> Guest: IT'S THAT ELONGATED MANNER. >> Guest: IT'S THAT NEW >> Guest: IT'S THAT NEW >> Guest: IT'S THAT NEW YORK >> Guest: IT'S THAT NEW YORK COST >> Guest: IT'S THAT NEW YORK COST -- >> Guest: IT'S THAT NEW YORK COST -- HOW >> Guest: IT'S THAT NEW YORK COST -- HOW GREAT, YORK COST -- HOW GREAT, YORK COST -- HOW GREAT, WE YORK COST -- HOW GREAT, WE HAVE YORK COST -- HOW GREAT, WE HAVE BLUE, YORK COST -- HOW GREAT, WE HAVE BLUE, WE YORK COST -- HOW GREAT, WE HAVE BLUE, WE HAVE WE HAVE BLUE, WE HAVE WE HAVE BLUE, WE HAVE BLACK, WE HAVE BLUE, WE HAVE BLACK, AND WE HAVE BLUE, WE HAVE BLACK, AND THEN WE HAVE BLUE, WE HAVE BLACK, AND THEN WE WE HAVE BLUE, WE HAVE BLACK, AND THEN WE HAVE BLACK, AND THEN WE HAVE BLACK, AND THEN WE HAVE THE BLACK, AND THEN WE HAVE THE CHAMPAGNE BLACK, AND THEN WE HAVE THE CHAMPAGNE COLOR. THE CHAMPAGNE COLOR. THE CHAMPAGNE COLOR. SO THE CHAMPAGNE COLOR. SO LET'S THE CHAMPAGNE COLOR. SO LET'S WORK THE CHAMPAGNE COLOR. SO LET'S WORK WITH THE CHAMPAGNE COLOR. SO LET'S WORK WITH THE SO LET'S WORK WITH THE SO LET'S WORK WITH THE BLUE. BLUE. BLUE. I BLUE. I HAVE BLUE. I HAVE THE BLUE. I HAVE THE BLUE BLUE. I HAVE THE BLUE ON, BLUE. I HAVE THE BLUE ON, A I HAVE THE BLUE ON, A I HAVE THE BLUE ON, A BUNCH I HAVE THE BLUE ON, A BUNCH OF, I HAVE THE BLUE ON, A BUNCH OF, MAYBE I HAVE THE BLUE ON, A BUNCH OF, MAYBE YOU I HAVE THE BLUE ON, A BUNCH OF, MAYBE YOU HAVE BUNCH OF, MAYBE YOU HAVE BUNCH OF, MAYBE YOU HAVE STERLING BUNCH OF, MAYBE YOU HAVE STERLING SILVER BUNCH OF, MAYBE YOU HAVE STERLING SILVER CUFFS, STERLING SILVER CUFFS, STERLING SILVER CUFFS, BANGLE STERLING SILVER CUFFS, BANGLE BRACELET, STERLING SILVER CUFFS, BANGLE BRACELET, AND STERLING SILVER CUFFS, BANGLE BRACELET, AND POP BANGLE BRACELET, AND POP BANGLE BRACELET, AND POP THIS BANGLE BRACELET, AND POP THIS IN BANGLE BRACELET, AND POP THIS IN WITH BANGLE BRACELET, AND POP THIS IN WITH THE BANGLE BRACELET, AND POP THIS IN WITH THE OTHER THIS IN WITH THE OTHER THIS IN WITH THE OTHER BRACELETS THIS IN WITH THE OTHER BRACELETS ON THIS IN WITH THE OTHER BRACELETS ON YOUR THIS IN WITH THE OTHER BRACELETS ON YOUR WRIST. BRACELETS ON YOUR WRIST. BRACELETS ON YOUR WRIST. I BRACELETS ON YOUR WRIST. I WISH BRACELETS ON YOUR WRIST. I WISH I BRACELETS ON YOUR WRIST. I WISH I HAD BRACELETS ON YOUR WRIST. I WISH I HAD A BRACELETS ON YOUR WRIST. I WISH I HAD A BUNCH BRACELETS ON YOUR WRIST. I WISH I HAD A BUNCH TO I WISH I HAD A BUNCH TO I WISH I HAD A BUNCH TO SHOW I WISH I HAD A BUNCH TO SHOW YOU. SHOW YOU. SHOW YOU. THAT'S SHOW YOU. THAT'S THAT SHOW YOU. THAT'S THAT EFFORT-LESS, THAT'S THAT EFFORT-LESS, THAT'S THAT EFFORT-LESS, I THAT'S THAT EFFORT-LESS, I JUST THAT'S THAT EFFORT-LESS, I JUST THROW THAT'S THAT EFFORT-LESS, I JUST THROW IT THAT'S THAT EFFORT-LESS, I JUST THROW IT ON THAT'S THAT EFFORT-LESS, I JUST THROW IT ON WITH I JUST THROW IT ON WITH I JUST THROW IT ON WITH MY I JUST THROW IT ON WITH MY OVER I JUST THROW IT ON WITH MY OVER BRACELET. MY OVER BRACELET. MY OVER BRACELET. -- MY OVER BRACELET. -- OTHER MY OVER BRACELET. -- OTHER BRACELETS. -- OTHER BRACELETS. -- OTHER BRACELETS. >> -- OTHER BRACELETS. >> Guest: -- OTHER BRACELETS. >> Guest: WE -- OTHER BRACELETS. >> Guest: WE HAVE -- OTHER BRACELETS. >> Guest: WE HAVE A >> Guest: WE HAVE A >> Guest: WE HAVE A WARDROBE >> Guest: WE HAVE A WARDROBE GOING. WARDROBE GOING. WARDROBE GOING. >> WARDROBE GOING. >> Host: WARDROBE GOING. >> Host: I'VE, WARDROBE GOING. >> Host: I'VE, SINCE WARDROBE GOING. >> Host: I'VE, SINCE I >> Host: I'VE, SINCE I >> Host: I'VE, SINCE I BOUGHT >> Host: I'VE, SINCE I BOUGHT THAT >> Host: I'VE, SINCE I BOUGHT THAT BLACK BOUGHT THAT BLACK BOUGHT THAT BLACK SOLITAIRE BOUGHT THAT BLACK SOLITAIRE -- SOLITAIRE -- SOLITAIRE -- >> SOLITAIRE -- >> Guest: SOLITAIRE -- >> Guest: I SOLITAIRE -- >> Guest: I KNEW SOLITAIRE -- >> Guest: I KNEW YOU >> Guest: I KNEW YOU >> Guest: I KNEW YOU WERE >> Guest: I KNEW YOU WERE GOING >> Guest: I KNEW YOU WERE GOING TO >> Guest: I KNEW YOU WERE GOING TO BE WERE GOING TO BE WERE GOING TO BE ADDICTED. ADDICTED. ADDICTED. >> ADDICTED. >> Host: ADDICTED. >> Host: ONCE ADDICTED. >> Host: ONCE YOU ADDICTED. >> Host: ONCE YOU GO, >> Host: ONCE YOU GO, >> Host: ONCE YOU GO, AND >> Host: ONCE YOU GO, AND YOU >> Host: ONCE YOU GO, AND YOU TRY >> Host: ONCE YOU GO, AND YOU TRY A >> Host: ONCE YOU GO, AND YOU TRY A BLACK AND YOU TRY A BLACK AND YOU TRY A BLACK DIAMOND, AND YOU TRY A BLACK DIAMOND, IT'S AND YOU TRY A BLACK DIAMOND, IT'S SO DIAMOND, IT'S SO DIAMOND, IT'S SO REFRESHINGLY DIAMOND, IT'S SO REFRESHINGLY DIFFERENT REFRESHINGLY DIFFERENT REFRESHINGLY DIFFERENT THAN REFRESHINGLY DIFFERENT THAN WHAT REFRESHINGLY DIFFERENT THAN WHAT YOUR REFRESHINGLY DIFFERENT THAN WHAT YOUR FRIENDS THAN WHAT YOUR FRIENDS THAN WHAT YOUR FRIENDS ARE THAN WHAT YOUR FRIENDS ARE WEARING THAN WHAT YOUR FRIENDS ARE WEARING AND THAN WHAT YOUR FRIENDS ARE WEARING AND IT'S ARE WEARING AND IT'S ARE WEARING AND IT'S STRIKING. STRIKING. STRIKING. LIKE STRIKING. LIKE PEOPLE, STRIKING. LIKE PEOPLE, HAVE STRIKING. LIKE PEOPLE, HAVE YOU LIKE PEOPLE, HAVE YOU LIKE PEOPLE, HAVE YOU FOUND LIKE PEOPLE, HAVE YOU FOUND THAT LIKE PEOPLE, HAVE YOU FOUND THAT PEOPLE LIKE PEOPLE, HAVE YOU FOUND THAT PEOPLE WHEN FOUND THAT PEOPLE WHEN FOUND THAT PEOPLE WHEN YOU FOUND THAT PEOPLE WHEN YOU WEAR FOUND THAT PEOPLE WHEN YOU WEAR A FOUND THAT PEOPLE WHEN YOU WEAR A COLORED YOU WEAR A COLORED YOU WEAR A COLORED DIAMOND, YOU WEAR A COLORED DIAMOND, IT'S YOU WEAR A COLORED DIAMOND, IT'S REALLY DIAMOND, IT'S REALLY DIAMOND, IT'S REALLY KIND DIAMOND, IT'S REALLY KIND OF DIAMOND, IT'S REALLY KIND OF A DIAMOND, IT'S REALLY KIND OF A STOPPER. KIND OF A STOPPER. KIND OF A STOPPER. >> KIND OF A STOPPER. >> Guest: KIND OF A STOPPER. >> Guest: IT'S KIND OF A STOPPER. >> Guest: IT'S A >> Guest: IT'S A >> Guest: IT'S A STOPPER, >> Guest: IT'S A STOPPER, BECAUSE >> Guest: IT'S A STOPPER, BECAUSE IT'S STOPPER, BECAUSE IT'S STOPPER, BECAUSE IT'S LIKE STOPPER, BECAUSE IT'S LIKE A STOPPER, BECAUSE IT'S LIKE A BLUE, STOPPER, BECAUSE IT'S LIKE A BLUE, CHAMPAGNE LIKE A BLUE, CHAMPAGNE LIKE A BLUE, CHAMPAGNE DIAMONDS LIKE A BLUE, CHAMPAGNE DIAMONDS PEOPLE DIAMONDS PEOPLE DIAMONDS PEOPLE RECOGNIZE, DIAMONDS PEOPLE RECOGNIZE, BLUE DIAMONDS PEOPLE RECOGNIZE, BLUE DIAMONDS RECOGNIZE, BLUE DIAMONDS RECOGNIZE, BLUE DIAMONDS ARE RECOGNIZE, BLUE DIAMONDS ARE SHOCKED. ARE SHOCKED. ARE SHOCKED. IT'S ARE SHOCKED. IT'S NOT ARE SHOCKED. IT'S NOT LIKE ARE SHOCKED. IT'S NOT LIKE THE IT'S NOT LIKE THE IT'S NOT LIKE THE SPINELE. SPINELE. SPINELE. THAT SPINELE. THAT BRILLIANCE SPINELE. THAT BRILLIANCE IS THAT BRILLIANCE IS THAT BRILLIANCE IS DIFFERENT. DIFFERENT. DIFFERENT. >> DIFFERENT. >> Host: DIFFERENT. >> Host: AND DIFFERENT. >> Host: AND YOU DIFFERENT. >> Host: AND YOU CAN >> Host: AND YOU CAN >> Host: AND YOU CAN TELL >> Host: AND YOU CAN TELL THE >> Host: AND YOU CAN TELL THE DIFFERENCE >> Host: AND YOU CAN TELL THE DIFFERENCE WHEN TELL THE DIFFERENCE WHEN TELL THE DIFFERENCE WHEN YOU TELL THE DIFFERENCE WHEN YOU SEE TELL THE DIFFERENCE WHEN YOU SEE IT. YOU SEE IT. YOU SEE IT. DID YOU SEE IT. DID YOU YOU SEE IT. DID YOU NOTICE, YOU SEE IT. DID YOU NOTICE, THAT'S YOU SEE IT. DID YOU NOTICE, THAT'S A DID YOU NOTICE, THAT'S A DID YOU NOTICE, THAT'S A TRIPLE DID YOU NOTICE, THAT'S A TRIPLE ROW. TRIPLE ROW. TRIPLE ROW. LOOK TRIPLE ROW. LOOK HOW TRIPLE ROW. LOOK HOW MANY TRIPLE ROW. LOOK HOW MANY DIAMONDS, LOOK HOW MANY DIAMONDS, LOOK HOW MANY DIAMONDS, THOSE LOOK HOW MANY DIAMONDS, THOSE ARE LOOK HOW MANY DIAMONDS, THOSE ARE FULLY THOSE ARE FULLY THOSE ARE FULLY FACETTED. FACETTED. FACETTED. IT'S FACETTED. IT'S 32 FACETTED. IT'S 32 POINTS FACETTED. IT'S 32 POINTS SO FACETTED. IT'S 32 POINTS SO 32 IT'S 32 POINTS SO 32 IT'S 32 POINTS SO 32 POINTS, IT'S 32 POINTS SO 32 POINTS, THAT IT'S 32 POINTS SO 32 POINTS, THAT ARE POINTS, THAT ARE POINTS, THAT ARE BEAUTIFULLY POINTS, THAT ARE BEAUTIFULLY USED POINTS, THAT ARE BEAUTIFULLY USED ON BEAUTIFULLY USED ON BEAUTIFULLY USED ON THAT. THAT. THAT. >> THAT. >> Guest: THAT. >> Guest: THAT THAT. >> Guest: THAT IS THAT. >> Guest: THAT IS A >> Guest: THAT IS A >> Guest: THAT IS A THIRD >> Guest: THAT IS A THIRD OF >> Guest: THAT IS A THIRD OF A >> Guest: THAT IS A THIRD OF A CARAT. THIRD OF A CARAT. THIRD OF A CARAT. I THIRD OF A CARAT. I HOPE THIRD OF A CARAT. I HOPE YOU THIRD OF A CARAT. I HOPE YOU TRY THIRD OF A CARAT. I HOPE YOU TRY IT I HOPE YOU TRY IT I HOPE YOU TRY IT TONIGHT, I HOPE YOU TRY IT TONIGHT, AND I HOPE YOU TRY IT TONIGHT, AND FALL I HOPE YOU TRY IT TONIGHT, AND FALL PRICE, TONIGHT, AND FALL PRICE, TONIGHT, AND FALL PRICE, FIVE TONIGHT, AND FALL PRICE, FIVE PLEX. FIVE PLEX. FIVE PLEX. I'M FIVE PLEX. I'M GOING FIVE PLEX. I'M GOING TO FIVE PLEX. I'M GOING TO LEAVE FIVE PLEX. I'M GOING TO LEAVE THESE I'M GOING TO LEAVE THESE I'M GOING TO LEAVE THESE BRACELET I'M GOING TO LEAVE THESE BRACELET OUT I'M GOING TO LEAVE THESE BRACELET OUT HERE. BRACELET OUT HERE. BRACELET OUT HERE. THE BRACELET OUT HERE. THE BLUE BRACELET OUT HERE. THE BLUE ONE? THE BLUE ONE? THE BLUE ONE? GOOD. GOOD. GOOD. >> GOOD. >> Guest: GOOD. >> Guest: SORRY, GOOD. >> Guest: SORRY, YOU >> Guest: SORRY, YOU >> Guest: SORRY, YOU GUYS >> Guest: SORRY, YOU GUYS WERE >> Guest: SORRY, YOU GUYS WERE ALREADY >> Guest: SORRY, YOU GUYS WERE ALREADY ON GUYS WERE ALREADY ON GUYS WERE ALREADY ON LINE GUYS WERE ALREADY ON LINE FOR GUYS WERE ALREADY ON LINE FOR THEM. LINE FOR THEM. LINE FOR THEM. LET'S LINE FOR THEM. LET'S JUST LINE FOR THEM. LET'S JUST DO LINE FOR THEM. LET'S JUST DO THIS LINE FOR THEM. LET'S JUST DO THIS ONE. LET'S JUST DO THIS ONE. LET'S JUST DO THIS ONE. LOOK LET'S JUST DO THIS ONE. LOOK AT LET'S JUST DO THIS ONE. LOOK AT THAT LET'S JUST DO THIS ONE. LOOK AT THAT TOGETHER, LOOK AT THAT TOGETHER, LOOK AT THAT TOGETHER, TOO. TOO. TOO. THIS TOO. THIS IS TOO. THIS IS YOUR TOO. THIS IS YOUR -- TOO. THIS IS YOUR -- I'M TOO. THIS IS YOUR -- I'M SO THIS IS YOUR -- I'M SO THIS IS YOUR -- I'M SO HAPPY THIS IS YOUR -- I'M SO HAPPY YOU'RE THIS IS YOUR -- I'M SO HAPPY YOU'RE SO THIS IS YOUR -- I'M SO HAPPY YOU'RE SO HAPPY. HAPPY YOU'RE SO HAPPY. HAPPY YOU'RE SO HAPPY. SO HAPPY YOU'RE SO HAPPY. SO I'M HAPPY YOU'RE SO HAPPY. SO I'M GOING HAPPY YOU'RE SO HAPPY. SO I'M GOING TO HAPPY YOU'RE SO HAPPY. SO I'M GOING TO HOLD SO I'M GOING TO HOLD SO I'M GOING TO HOLD THIS SO I'M GOING TO HOLD THIS STILL, SO I'M GOING TO HOLD THIS STILL, DUSTIN, SO I'M GOING TO HOLD THIS STILL, DUSTIN, SO THIS STILL, DUSTIN, SO THIS STILL, DUSTIN, SO WE THIS STILL, DUSTIN, SO WE CAN THIS STILL, DUSTIN, SO WE CAN GO THIS STILL, DUSTIN, SO WE CAN GO IN THIS STILL, DUSTIN, SO WE CAN GO IN TIGHT. WE CAN GO IN TIGHT. WE CAN GO IN TIGHT. THIS WE CAN GO IN TIGHT. THIS IS WE CAN GO IN TIGHT. THIS IS A WE CAN GO IN TIGHT. THIS IS A HECK WE CAN GO IN TIGHT. THIS IS A HECK OF WE CAN GO IN TIGHT. THIS IS A HECK OF A WE CAN GO IN TIGHT. THIS IS A HECK OF A RING THIS IS A HECK OF A RING THIS IS A HECK OF A RING R THIS IS A HECK OF A RING R APPRAISED THIS IS A HECK OF A RING R APPRAISED VALUE THIS IS A HECK OF A RING R APPRAISED VALUE $209, R APPRAISED VALUE $209, R APPRAISED VALUE $209, NORTHERLY R APPRAISED VALUE $209, NORTHERLY THEIR R APPRAISED VALUE $209, NORTHERLY THEIR 119 R APPRAISED VALUE $209, NORTHERLY THEIR 119 -- NORTHERLY THEIR 119 -- NORTHERLY THEIR 119 -- NORMALLY NORTHERLY THEIR 119 -- NORMALLY $119. NORMALLY $119. NORMALLY $119. IT'S NORMALLY $119. IT'S $59.90 NORMALLY $119. IT'S $59.90 RIGHT NORMALLY $119. IT'S $59.90 RIGHT NOW. IT'S $59.90 RIGHT NOW. IT'S $59.90 RIGHT NOW. SIZES IT'S $59.90 RIGHT NOW. SIZES RICK? SIZES RICK? SIZES RICK? WE SIZES RICK? WE HAVE SIZES RICK? WE HAVE 5-11. WE HAVE 5-11. WE HAVE 5-11. NICE, WE HAVE 5-11. NICE, THAT'S WE HAVE 5-11. NICE, THAT'S GREAT. NICE, THAT'S GREAT. NICE, THAT'S GREAT. >> NICE, THAT'S GREAT. >> Guest: NICE, THAT'S GREAT. >> Guest: THAT NICE, THAT'S GREAT. >> Guest: THAT WAS NICE, THAT'S GREAT. >> Guest: THAT WAS A >> Guest: THAT WAS A >> Guest: THAT WAS A VERY >> Guest: THAT WAS A VERY POPULAR >> Guest: THAT WAS A VERY POPULAR CUSTOMER VERY POPULAR CUSTOMER VERY POPULAR CUSTOMER PICK. PICK. PICK. CERTAINLY PICK. CERTAINLY NOT PICK. CERTAINLY NOT AT PICK. CERTAINLY NOT AT THIS CERTAINLY NOT AT THIS CERTAINLY NOT AT THIS PRICE, CERTAINLY NOT AT THIS PRICE, BUT CERTAINLY NOT AT THIS PRICE, BUT MY CERTAINLY NOT AT THIS PRICE, BUT MY GOSH PRICE, BUT MY GOSH PRICE, BUT MY GOSH CUSTOMER PRICE, BUT MY GOSH CUSTOMER PICK PRICE, BUT MY GOSH CUSTOMER PICK WAS PRICE, BUT MY GOSH CUSTOMER PICK WAS AT CUSTOMER PICK WAS AT CUSTOMER PICK WAS AT $119, CUSTOMER PICK WAS AT $119, RIGHT. $119, RIGHT. $119, RIGHT. AND $119, RIGHT. AND I'M $119, RIGHT. AND I'M GOING $119, RIGHT. AND I'M GOING TO $119, RIGHT. AND I'M GOING TO PUT $119, RIGHT. AND I'M GOING TO PUT -- AND I'M GOING TO PUT -- AND I'M GOING TO PUT -- >> AND I'M GOING TO PUT -- >> Guest: AND I'M GOING TO PUT -- >> Guest: THEN AND I'M GOING TO PUT -- >> Guest: THEN IT AND I'M GOING TO PUT -- >> Guest: THEN IT WAS AND I'M GOING TO PUT -- >> Guest: THEN IT WAS A >> Guest: THEN IT WAS A >> Guest: THEN IT WAS A VALUE. VALUE. VALUE. I VALUE. I LOVE VALUE. I LOVE THAT. I LOVE THAT. I LOVE THAT. TALK I LOVE THAT. TALK ABOUT I LOVE THAT. TALK ABOUT THE TALK ABOUT THE TALK ABOUT THE FEMININITY TALK ABOUT THE FEMININITY OF TALK ABOUT THE FEMININITY OF THE FEMININITY OF THE FEMININITY OF THE SCALLOPING,. SCALLOPING,. SCALLOPING,. >> SCALLOPING,. >> Guest: SCALLOPING,. >> Guest: YOU SCALLOPING,. >> Guest: YOU TAKE SCALLOPING,. >> Guest: YOU TAKE A >> Guest: YOU TAKE A >> Guest: YOU TAKE A BAND >> Guest: YOU TAKE A BAND RING, >> Guest: YOU TAKE A BAND RING, WHICH >> Guest: YOU TAKE A BAND RING, WHICH FROM BAND RING, WHICH FROM BAND RING, WHICH FROM THE BAND RING, WHICH FROM THE RED BAND RING, WHICH FROM THE RED CARPET BAND RING, WHICH FROM THE RED CARPET TO THE RED CARPET TO THE RED CARPET TO HOLLYWOOD, THE RED CARPET TO HOLLYWOOD, TO THE RED CARPET TO HOLLYWOOD, TO A THE RED CARPET TO HOLLYWOOD, TO A WEDDING, HOLLYWOOD, TO A WEDDING, HOLLYWOOD, TO A WEDDING, WE HOLLYWOOD, TO A WEDDING, WE LOVE HOLLYWOOD, TO A WEDDING, WE LOVE BANDS. WE LOVE BANDS. WE LOVE BANDS. IT'S WE LOVE BANDS. IT'S OUR WE LOVE BANDS. IT'S OUR GO-TO WE LOVE BANDS. IT'S OUR GO-TO RING. IT'S OUR GO-TO RING. IT'S OUR GO-TO RING. BUT IT'S OUR GO-TO RING. BUT WE IT'S OUR GO-TO RING. BUT WE CALL IT'S OUR GO-TO RING. BUT WE CALL THAT IT'S OUR GO-TO RING. BUT WE CALL THAT A BUT WE CALL THAT A BUT WE CALL THAT A DESIGN BUT WE CALL THAT A DESIGN THOSE BUT WE CALL THAT A DESIGN THOSE THOSE BUT WE CALL THAT A DESIGN THOSE THOSE -- BUT WE CALL THAT A DESIGN THOSE THOSE -- OR DESIGN THOSE THOSE -- OR DESIGN THOSE THOSE -- OR THE DESIGN THOSE THOSE -- OR THE STAGE, DESIGN THOSE THOSE -- OR THE STAGE, IF DESIGN THOSE THOSE -- OR THE STAGE, IF YOU DESIGN THOSE THOSE -- OR THE STAGE, IF YOU WILL, THE STAGE, IF YOU WILL, THE STAGE, IF YOU WILL, OF THE STAGE, IF YOU WILL, OF THE THE STAGE, IF YOU WILL, OF THE CENTERS THE STAGE, IF YOU WILL, OF THE CENTERS STAGE THE STAGE, IF YOU WILL, OF THE CENTERS STAGE OF OF THE CENTERS STAGE OF OF THE CENTERS STAGE OF THE OF THE CENTERS STAGE OF THE BLUE OF THE CENTERS STAGE OF THE BLUE DIAMONDS, OF THE CENTERS STAGE OF THE BLUE DIAMONDS, THE THE BLUE DIAMONDS, THE THE BLUE DIAMONDS, THE ROYAL THE BLUE DIAMONDS, THE ROYAL BLUE, THE BLUE DIAMONDS, THE ROYAL BLUE, THE THE BLUE DIAMONDS, THE ROYAL BLUE, THE TRUE ROYAL BLUE, THE TRUE ROYAL BLUE, THE TRUE BLUE, ROYAL BLUE, THE TRUE BLUE, REAL ROYAL BLUE, THE TRUE BLUE, REAL AND ROYAL BLUE, THE TRUE BLUE, REAL AND GENUINE. BLUE, REAL AND GENUINE. BLUE, REAL AND GENUINE. THE BLUE, REAL AND GENUINE. THE SCALLOPED, BLUE, REAL AND GENUINE. THE SCALLOPED, JUST BLUE, REAL AND GENUINE. THE SCALLOPED, JUST ADDS THE SCALLOPED, JUST ADDS THE SCALLOPED, JUST ADDS MORE THE SCALLOPED, JUST ADDS MORE FEMININITY. MORE FEMININITY. MORE FEMININITY. DOESN'T MORE FEMININITY. DOESN'T IT. DOESN'T IT. DOESN'T IT. >> DOESN'T IT. >> Host: DOESN'T IT. >> Host: THAT'S DOESN'T IT. >> Host: THAT'S PRETTY. >> Host: THAT'S PRETTY. >> Host: THAT'S PRETTY. AND >> Host: THAT'S PRETTY. AND A >> Host: THAT'S PRETTY. AND A NICE >> Host: THAT'S PRETTY. AND A NICE FEMININE >> Host: THAT'S PRETTY. AND A NICE FEMININE TAKE AND A NICE FEMININE TAKE AND A NICE FEMININE TAKE ON AND A NICE FEMININE TAKE ON A AND A NICE FEMININE TAKE ON A BAND AND A NICE FEMININE TAKE ON A BAND RING. ON A BAND RING. ON A BAND RING. >> ON A BAND RING. >> Guest: ON A BAND RING. >> Guest: JUST ON A BAND RING. >> Guest: JUST SOLVED. >> Guest: JUST SOLVED. >> Guest: JUST SOLVED. >> >> Guest: JUST SOLVED. >> Host: >> Guest: JUST SOLVED. >> Host: AND >> Guest: JUST SOLVED. >> Host: AND YOU >> Guest: JUST SOLVED. >> Host: AND YOU SAW >> Guest: JUST SOLVED. >> Host: AND YOU SAW THE >> Host: AND YOU SAW THE >> Host: AND YOU SAW THE STACK >> Host: AND YOU SAW THE STACK OF >> Host: AND YOU SAW THE STACK OF FOUR >> Host: AND YOU SAW THE STACK OF FOUR BAND STACK OF FOUR BAND STACK OF FOUR BAND RINGS. RINGS. RINGS. THIS RINGS. THIS IS RINGS. THIS IS MORE RINGS. THIS IS MORE FEMININE, THIS IS MORE FEMININE, THIS IS MORE FEMININE, SOFTER, THIS IS MORE FEMININE, SOFTER, I THIS IS MORE FEMININE, SOFTER, I LOVE THIS IS MORE FEMININE, SOFTER, I LOVE THE SOFTER, I LOVE THE SOFTER, I LOVE THE SCALLOPED SOFTER, I LOVE THE SCALLOPED EDGES. SCALLOPED EDGES. SCALLOPED EDGES. COME SCALLOPED EDGES. COME ON, SCALLOPED EDGES. COME ON, LET'S SCALLOPED EDGES. COME ON, LET'S REALLY COME ON, LET'S REALLY COME ON, LET'S REALLY GET COME ON, LET'S REALLY GET DOWN COME ON, LET'S REALLY GET DOWN TO COME ON, LET'S REALLY GET DOWN TO IT COME ON, LET'S REALLY GET DOWN TO IT TONIGHT. GET DOWN TO IT TONIGHT. GET DOWN TO IT TONIGHT. IT'S GET DOWN TO IT TONIGHT. IT'S JUST GET DOWN TO IT TONIGHT. IT'S JUST ALL GET DOWN TO IT TONIGHT. IT'S JUST ALL OF GET DOWN TO IT TONIGHT. IT'S JUST ALL OF US IT'S JUST ALL OF US IT'S JUST ALL OF US GIRLS IT'S JUST ALL OF US GIRLS HERE. GIRLS HERE. GIRLS HERE. IT'S GIRLS HERE. IT'S BLUE GIRLS HERE. IT'S BLUE AND GIRLS HERE. IT'S BLUE AND WHITE IT'S BLUE AND WHITE IT'S BLUE AND WHITE DIAMONDS IT'S BLUE AND WHITE DIAMONDS FOR IT'S BLUE AND WHITE DIAMONDS FOR LESS IT'S BLUE AND WHITE DIAMONDS FOR LESS THAN DIAMONDS FOR LESS THAN DIAMONDS FOR LESS THAN THE DIAMONDS FOR LESS THAN THE PRICE DIAMONDS FOR LESS THAN THE PRICE OF DIAMONDS FOR LESS THAN THE PRICE OF REALLY DIAMONDS FOR LESS THAN THE PRICE OF REALLY THE THE PRICE OF REALLY THE THE PRICE OF REALLY THE YUCCHY THE PRICE OF REALLY THE YUCCHY FASHION THE PRICE OF REALLY THE YUCCHY FASHION RING THE PRICE OF REALLY THE YUCCHY FASHION RING YOU YUCCHY FASHION RING YOU YUCCHY FASHION RING YOU WOULD YUCCHY FASHION RING YOU WOULD FIND YUCCHY FASHION RING YOU WOULD FIND IN YUCCHY FASHION RING YOU WOULD FIND IN AN WOULD FIND IN AN WOULD FIND IN AN EMERGENCY, WOULD FIND IN AN EMERGENCY, LIKE WOULD FIND IN AN EMERGENCY, LIKE IF WOULD FIND IN AN EMERGENCY, LIKE IF YOU EMERGENCY, LIKE IF YOU EMERGENCY, LIKE IF YOU WERE EMERGENCY, LIKE IF YOU WERE IN EMERGENCY, LIKE IF YOU WERE IN A EMERGENCY, LIKE IF YOU WERE IN A STORE EMERGENCY, LIKE IF YOU WERE IN A STORE IN EMERGENCY, LIKE IF YOU WERE IN A STORE IN THE WERE IN A STORE IN THE WERE IN A STORE IN THE MALL, WERE IN A STORE IN THE MALL, AND WERE IN A STORE IN THE MALL, AND HAD WERE IN A STORE IN THE MALL, AND HAD TO WERE IN A STORE IN THE MALL, AND HAD TO GET MALL, AND HAD TO GET MALL, AND HAD TO GET SOMETHING MALL, AND HAD TO GET SOMETHING TO MALL, AND HAD TO GET SOMETHING TO MATCH MALL, AND HAD TO GET SOMETHING TO MATCH YOUR SOMETHING TO MATCH YOUR SOMETHING TO MATCH YOUR OUT SOMETHING TO MATCH YOUR OUT GET. OUT GET. OUT GET. WHEN OUT GET. WHEN YOU OUT GET. WHEN YOU BUY OUT GET. WHEN YOU BUY THOSE OUT GET. WHEN YOU BUY THOSE KIND WHEN YOU BUY THOSE KIND WHEN YOU BUY THOSE KIND OF WHEN YOU BUY THOSE KIND OF RINGS, WHEN YOU BUY THOSE KIND OF RINGS, THEY WHEN YOU BUY THOSE KIND OF RINGS, THEY FALL OF RINGS, THEY FALL OF RINGS, THEY FALL APART OF RINGS, THEY FALL APART IN OF RINGS, THEY FALL APART IN A OF RINGS, THEY FALL APART IN A WEEK. APART IN A WEEK. APART IN A WEEK. BUT APART IN A WEEK. BUT THEY APART IN A WEEK. BUT THEY MATCH APART IN A WEEK. BUT THEY MATCH YOUR BUT THEY MATCH YOUR BUT THEY MATCH YOUR OUTFIT. OUTFIT. OUTFIT. THAT OUTFIT. THAT PRICE OUTFIT. THAT PRICE IS OUTFIT. THAT PRICE IS LIKE OUTFIT. THAT PRICE IS LIKE SILLY THAT PRICE IS LIKE SILLY THAT PRICE IS LIKE SILLY WHEN THAT PRICE IS LIKE SILLY WHEN WE THAT PRICE IS LIKE SILLY WHEN WE LOOK THAT PRICE IS LIKE SILLY WHEN WE LOOK AT THAT PRICE IS LIKE SILLY WHEN WE LOOK AT SUCH WHEN WE LOOK AT SUCH WHEN WE LOOK AT SUCH BEAUTIFUL WHEN WE LOOK AT SUCH BEAUTIFUL GENUINE BEAUTIFUL GENUINE BEAUTIFUL GENUINE DIAMOND BEAUTIFUL GENUINE DIAMOND JEWELRY. DIAMOND JEWELRY. DIAMOND JEWELRY. FINE DIAMOND JEWELRY. FINE JEWELRY. FINE JEWELRY. FINE JEWELRY. I FINE JEWELRY. I HAVE FINE JEWELRY. I HAVE TO FINE JEWELRY. I HAVE TO KEEP FINE JEWELRY. I HAVE TO KEEP SAYING FINE JEWELRY. I HAVE TO KEEP SAYING T I HAVE TO KEEP SAYING T I HAVE TO KEEP SAYING T I I HAVE TO KEEP SAYING T I KNOW I HAVE TO KEEP SAYING T I KNOW THEY'RE I HAVE TO KEEP SAYING T I KNOW THEY'RE SEEING I HAVE TO KEEP SAYING T I KNOW THEY'RE SEEING IN I KNOW THEY'RE SEEING IN I KNOW THEY'RE SEEING IN THE I KNOW THEY'RE SEEING IN THE SCREEN, I KNOW THEY'RE SEEING IN THE SCREEN, THINKING I KNOW THEY'RE SEEING IN THE SCREEN, THINKING NO. THE SCREEN, THINKING NO. THE SCREEN, THINKING NO. >> THE SCREEN, THINKING NO. >> Host: THE SCREEN, THINKING NO. >> Host: IF THE SCREEN, THINKING NO. >> Host: IF YOU'RE THE SCREEN, THINKING NO. >> Host: IF YOU'RE NOT >> Host: IF YOU'RE NOT >> Host: IF YOU'RE NOT PAYING >> Host: IF YOU'RE NOT PAYING ATTENTION, >> Host: IF YOU'RE NOT PAYING ATTENTION, YEAH, PAYING ATTENTION, YEAH, PAYING ATTENTION, YEAH, ALL PAYING ATTENTION, YEAH, ALL IF PAYING ATTENTION, YEAH, ALL IF A PAYING ATTENTION, YEAH, ALL IF A SETTLED PAYING ATTENTION, YEAH, ALL IF A SETTLED FULLY ALL IF A SETTLED FULLY ALL IF A SETTLED FULLY FACETTED ALL IF A SETTLED FULLY FACETTED HANDSET FACETTED HANDSET FACETTED HANDSET GORGEOUS FACETTED HANDSET GORGEOUS DIAMONDS, FACETTED HANDSET GORGEOUS DIAMONDS, NOT GORGEOUS DIAMONDS, NOT GORGEOUS DIAMONDS, NOT FAKE GORGEOUS DIAMONDS, NOT FAKE DIAMONDS, GORGEOUS DIAMONDS, NOT FAKE DIAMONDS, NOT GORGEOUS DIAMONDS, NOT FAKE DIAMONDS, NOT FAUX FAKE DIAMONDS, NOT FAUX FAKE DIAMONDS, NOT FAUX DIAMOND, FAKE DIAMONDS, NOT FAUX DIAMOND, NOT FAKE DIAMONDS, NOT FAUX DIAMOND, NOT IT FAKE DIAMONDS, NOT FAUX DIAMOND, NOT IT SORT FAKE DIAMONDS, NOT FAUX DIAMOND, NOT IT SORT OF DIAMOND, NOT IT SORT OF DIAMOND, NOT IT SORT OF LOOKS DIAMOND, NOT IT SORT OF LOOKS LIKE DIAMOND, NOT IT SORT OF LOOKS LIKE A DIAMOND, NOT IT SORT OF LOOKS LIKE A DIAMOND. LOOKS LIKE A DIAMOND. LOOKS LIKE A DIAMOND. THESE LOOKS LIKE A DIAMOND. THESE ARE LOOKS LIKE A DIAMOND. THESE ARE THE LOOKS LIKE A DIAMOND. THESE ARE THE REAL THESE ARE THE REAL THESE ARE THE REAL THING. THING. THING. AND THING. AND WITH THING. AND WITH FlexPAY, THING. AND WITH FlexPAY, IT'S AND WITH FlexPAY, IT'S AND WITH FlexPAY, IT'S $11.98. $11.98. $11.98. >> $11.98. >> Guest: $11.98. >> Guest: YOU $11.98. >> Guest: YOU CAN $11.98. >> Guest: YOU CAN OPEN >> Guest: YOU CAN OPEN >> Guest: YOU CAN OPEN DIAMONDS, >> Guest: YOU CAN OPEN DIAMONDS, ENJOY DIAMONDS, ENJOY DIAMONDS, ENJOY DIAMONDS, DIAMONDS, ENJOY DIAMONDS, FEEL DIAMONDS, ENJOY DIAMONDS, FEEL DIAMONDS, DIAMONDS, FEEL DIAMONDS, DIAMONDS, FEEL DIAMONDS, AND DIAMONDS, FEEL DIAMONDS, AND THE DIAMONDS, FEEL DIAMONDS, AND THE BEAUTY DIAMONDS, FEEL DIAMONDS, AND THE BEAUTY OF DIAMONDS, FEEL DIAMONDS, AND THE BEAUTY OF FANCY AND THE BEAUTY OF FANCY AND THE BEAUTY OF FANCY COLORS. COLORS. COLORS. >> COLORS. >> Host: COLORS. >> Host: THERE'S >> Host: THERE'S >> Host: THERE'S SOMETHING >> Host: THERE'S SOMETHING FUN >> Host: THERE'S SOMETHING FUN ABOUT SOMETHING FUN ABOUT SOMETHING FUN ABOUT HAVING SOMETHING FUN ABOUT HAVING COLORED SOMETHING FUN ABOUT HAVING COLORED DIAMONDS. HAVING COLORED DIAMONDS. HAVING COLORED DIAMONDS. IT'S HAVING COLORED DIAMONDS. IT'S REALLY HAVING COLORED DIAMONDS. IT'S REALLY A HAVING COLORED DIAMONDS. IT'S REALLY A VERY IT'S REALLY A VERY IT'S REALLY A VERY UNIQUE IT'S REALLY A VERY UNIQUE EXPERIENCE. UNIQUE EXPERIENCE. UNIQUE EXPERIENCE. AND UNIQUE EXPERIENCE. AND VERY, UNIQUE EXPERIENCE. AND VERY, VERY UNIQUE EXPERIENCE. AND VERY, VERY DIFFERENT AND VERY, VERY DIFFERENT AND VERY, VERY DIFFERENT THAN AND VERY, VERY DIFFERENT THAN TRADITIONAL THAN TRADITIONAL THAN TRADITIONAL DIAMONDS. DIAMONDS. DIAMONDS. WE DIAMONDS. WE WILL DIAMONDS. WE WILL WRAP DIAMONDS. WE WILL WRAP UP DIAMONDS. WE WILL WRAP UP ON DIAMONDS. WE WILL WRAP UP ON THAT. WE WILL WRAP UP ON THAT. WE WILL WRAP UP ON THAT. GO WE WILL WRAP UP ON THAT. GO TO WE WILL WRAP UP ON THAT. GO TO HSN.COM WE WILL WRAP UP ON THAT. GO TO HSN.COM AND WE WILL WRAP UP ON THAT. GO TO HSN.COM AND YOU GO TO HSN.COM AND YOU GO TO HSN.COM AND YOU CAN GO TO HSN.COM AND YOU CAN GET GO TO HSN.COM AND YOU CAN GET THAT GO TO HSN.COM AND YOU CAN GET THAT 10 GO TO HSN.COM AND YOU CAN GET THAT 10 AND GO TO HSN.COM AND YOU CAN GET THAT 10 AND 11 CAN GET THAT 10 AND 11 CAN GET THAT 10 AND 11 BEFORE CAN GET THAT 10 AND 11 BEFORE IT'S CAN GET THAT 10 AND 11 BEFORE IT'S GONE. BEFORE IT'S GONE. BEFORE IT'S GONE. SO BEFORE IT'S GONE. SO DIE'S BEFORE IT'S GONE. SO DIE'S IS BEFORE IT'S GONE. SO DIE'S IS WEARING SO DIE'S IS WEARING SO DIE'S IS WEARING THESE SO DIE'S IS WEARING THESE -- SO DIE'S IS WEARING THESE -- DIANE'S SO DIE'S IS WEARING THESE -- DIANE'S WEARING THESE -- DIANE'S WEARING THESE -- DIANE'S WEARING THESE. THESE. THESE. THESE THESE. THESE ARE THESE. THESE ARE APPRAISED THESE. THESE ARE APPRAISED AT THESE ARE APPRAISED AT THESE ARE APPRAISED AT $229, THESE ARE APPRAISED AT $229, AND THESE ARE APPRAISED AT $229, AND BEAUTIFUL $229, AND BEAUTIFUL $229, AND BEAUTIFUL COLORS, $229, AND BEAUTIFUL COLORS, SURROUNDED $229, AND BEAUTIFUL COLORS, SURROUNDED BY COLORS, SURROUNDED BY COLORS, SURROUNDED BY WHITE COLORS, SURROUNDED BY WHITE DIAMONDS. WHITE DIAMONDS. WHITE DIAMONDS. THESE WHITE DIAMONDS. THESE ARE WHITE DIAMONDS. THESE ARE FIVE WHITE DIAMONDS. THESE ARE FIVE FlexPAYS THESE ARE FIVE FlexPAYS THESE ARE FIVE FlexPAYS OF THESE ARE FIVE FlexPAYS OF $25.98. OF $25.98. OF $25.98. >> OF $25.98. >> Guest: OF $25.98. >> Guest: THIS OF $25.98. >> Guest: THIS IS OF $25.98. >> Guest: THIS IS THE >> Guest: THIS IS THE >> Guest: THIS IS THE MOST >> Guest: THIS IS THE MOST ELEGANT >> Guest: THIS IS THE MOST ELEGANT SHAPE >> Guest: THIS IS THE MOST ELEGANT SHAPE IN MOST ELEGANT SHAPE IN MOST ELEGANT SHAPE IN DIAMOND MOST ELEGANT SHAPE IN DIAMOND JEWELRY. DIAMOND JEWELRY. DIAMOND JEWELRY. CAN DIAMOND JEWELRY. CAN YOU DIAMOND JEWELRY. CAN YOU WEAR DIAMOND JEWELRY. CAN YOU WEAR IT DIAMOND JEWELRY. CAN YOU WEAR IT -- DIAMOND JEWELRY. CAN YOU WEAR IT -- YOU CAN YOU WEAR IT -- YOU CAN YOU WEAR IT -- YOU CAN CAN YOU WEAR IT -- YOU CAN WEAR CAN YOU WEAR IT -- YOU CAN WEAR IT CAN YOU WEAR IT -- YOU CAN WEAR IT STRAIGHT, CAN WEAR IT STRAIGHT, CAN WEAR IT STRAIGHT, THE CAN WEAR IT STRAIGHT, THE CUSHION CAN WEAR IT STRAIGHT, THE CUSHION CUT, CAN WEAR IT STRAIGHT, THE CUSHION CUT, ON CAN WEAR IT STRAIGHT, THE CUSHION CUT, ON THE THE CUSHION CUT, ON THE THE CUSHION CUT, ON THE DIAGONAL, THE CUSHION CUT, ON THE DIAGONAL, WHICH THE CUSHION CUT, ON THE DIAGONAL, WHICH I DIAGONAL, WHICH I DIAGONAL, WHICH I BELIEVE DIAGONAL, WHICH I BELIEVE EYE DIAGONAL, WHICH I BELIEVE EYE LONG DIAGONAL, WHICH I BELIEVE EYE LONG GATE DIAGONAL, WHICH I BELIEVE EYE LONG GATE MY BELIEVE EYE LONG GATE MY BELIEVE EYE LONG GATE MY FACE. FACE. FACE. I FACE. I START FACE. I START OUT FACE. I START OUT IN FACE. I START OUT IN THE I START OUT IN THE I START OUT IN THE MORNING I START OUT IN THE MORNING WITH I START OUT IN THE MORNING WITH THEM I START OUT IN THE MORNING WITH THEM IN I START OUT IN THE MORNING WITH THEM IN THE MORNING WITH THEM IN THE MORNING WITH THEM IN THE LITTLE MORNING WITH THEM IN THE LITTLE PILLOW, MORNING WITH THEM IN THE LITTLE PILLOW, AND MORNING WITH THEM IN THE LITTLE PILLOW, AND JUST LITTLE PILLOW, AND JUST LITTLE PILLOW, AND JUST SWISS LITTLE PILLOW, AND JUST SWISS THEM LITTLE PILLOW, AND JUST SWISS THEM A LITTLE PILLOW, AND JUST SWISS THEM A BIT LITTLE PILLOW, AND JUST SWISS THEM A BIT -- SWISS THEM A BIT -- SWISS THEM A BIT -- TWIST SWISS THEM A BIT -- TWIST THEM SWISS THEM A BIT -- TWIST THEM A SWISS THEM A BIT -- TWIST THEM A BIT. TWIST THEM A BIT. TWIST THEM A BIT. IT TWIST THEM A BIT. IT BECOMES TWIST THEM A BIT. IT BECOMES MORE IT BECOMES MORE IT BECOMES MORE ELONGATING IT BECOMES MORE ELONGATING AND ELONGATING AND ELONGATING AND FLATTERING. FLATTERING. FLATTERING. AND FLATTERING. AND YOU FLATTERING. AND YOU FEEL AND YOU FEEL AND YOU FEEL DIFFERENTLY. DIFFERENTLY. DIFFERENTLY. SO, DIFFERENTLY. SO, YEAH, DIFFERENTLY. SO, YEAH, YOU DIFFERENTLY. SO, YEAH, YOU GET DIFFERENTLY. SO, YEAH, YOU GET TWO SO, YEAH, YOU GET TWO SO, YEAH, YOU GET TWO STYLES SO, YEAH, YOU GET TWO STYLES WITH SO, YEAH, YOU GET TWO STYLES WITH A SO, YEAH, YOU GET TWO STYLES WITH A CUSHION STYLES WITH A CUSHION STYLES WITH A CUSHION CUT. CUT. CUT. >> CUT. >> AND CUT. >> AND THAT CUT. >> AND THAT IS CUT. >> AND THAT IS STILL CUT. >> AND THAT IS STILL TO >> AND THAT IS STILL TO >> AND THAT IS STILL TO COME. COME. COME. WE COME. WE WILL COME. WE WILL DO COME. WE WILL DO IT COME. WE WILL DO IT ALL. WE WILL DO IT ALL. WE WILL DO IT ALL. WE'RE WE WILL DO IT ALL. WE'RE JUST WE WILL DO IT ALL. WE'RE JUST SHOWING WE WILL DO IT ALL. WE'RE JUST SHOWING YOU WE'RE JUST SHOWING YOU WE'RE JUST SHOWING YOU EVERYTHING. EVERYTHING. EVERYTHING. >> EVERYTHING. >> Host: EVERYTHING. >> Host: RICK. >> Host: RICK. >> Host: RICK. DID >> Host: RICK. DID WE >> Host: RICK. DID WE SHOW >> Host: RICK. DID WE SHOW THE >> Host: RICK. DID WE SHOW THE ONE >> Host: RICK. DID WE SHOW THE ONE WE DID WE SHOW THE ONE WE DID WE SHOW THE ONE WE TALKED DID WE SHOW THE ONE WE TALKED ABOUT DID WE SHOW THE ONE WE TALKED ABOUT EARLIER TALKED ABOUT EARLIER TALKED ABOUT EARLIER WITH TALKED ABOUT EARLIER WITH DIANE? WITH DIANE? WITH DIANE? >> WITH DIANE? >> Guest: WITH DIANE? >> Guest: I WITH DIANE? >> Guest: I DON'T WITH DIANE? >> Guest: I DON'T SEE >> Guest: I DON'T SEE >> Guest: I DON'T SEE THAT >> Guest: I DON'T SEE THAT ONE >> Guest: I DON'T SEE THAT ONE HERE. THAT ONE HERE. THAT ONE HERE. LET THAT ONE HERE. LET ME THAT ONE HERE. LET ME SEE. LET ME SEE. LET ME SEE. >> LET ME SEE. >> Host: LET ME SEE. >> Host: DO LET ME SEE. >> Host: DO YOU >> Host: DO YOU >> Host: DO YOU REMEMBER, >> Host: DO YOU REMEMBER, RICK? REMEMBER, RICK? REMEMBER, RICK? WHICH REMEMBER, RICK? WHICH ONE REMEMBER, RICK? WHICH ONE WAS REMEMBER, RICK? WHICH ONE WAS IT? WHICH ONE WAS IT? WHICH ONE WAS IT? >> WHICH ONE WAS IT? >> Guest: WHICH ONE WAS IT? >> Guest: THE WHICH ONE WAS IT? >> Guest: THE BLUE WHICH ONE WAS IT? >> Guest: THE BLUE ONE >> Guest: THE BLUE ONE >> Guest: THE BLUE ONE ON >> Guest: THE BLUE ONE ON YOUR >> Guest: THE BLUE ONE ON YOUR FINGER. ON YOUR FINGER. ON YOUR FINGER. LOT ON YOUR FINGER. LOT OF ON YOUR FINGER. LOT OF YOU ON YOUR FINGER. LOT OF YOU ARE ON YOUR FINGER. LOT OF YOU ARE STILL ON YOUR FINGER. LOT OF YOU ARE STILL ON LOT OF YOU ARE STILL ON LOT OF YOU ARE STILL ON THE LOT OF YOU ARE STILL ON THE LINE LOT OF YOU ARE STILL ON THE LINE FOR LOT OF YOU ARE STILL ON THE LINE FOR THAT THE LINE FOR THAT THE LINE FOR THAT SCALLOP THE LINE FOR THAT SCALLOP DESIGN. SCALLOP DESIGN. SCALLOP DESIGN. ART SCALLOP DESIGN. ART DECO, SCALLOP DESIGN. ART DECO, HERE SCALLOP DESIGN. ART DECO, HERE WE SCALLOP DESIGN. ART DECO, HERE WE COME. ART DECO, HERE WE COME. ART DECO, HERE WE COME. >> ART DECO, HERE WE COME. >> Host: ART DECO, HERE WE COME. >> Host: AND ART DECO, HERE WE COME. >> Host: AND TWO >> Host: AND TWO >> Host: AND TWO DIFFERENT >> Host: AND TWO DIFFERENT CHOICES. DIFFERENT CHOICES. DIFFERENT CHOICES. I DIFFERENT CHOICES. I HAVE DIFFERENT CHOICES. I HAVE 70 DIFFERENT CHOICES. I HAVE 70 OF DIFFERENT CHOICES. I HAVE 70 OF EACH, I HAVE 70 OF EACH, I HAVE 70 OF EACH, THAT'S I HAVE 70 OF EACH, THAT'S IT. THAT'S IT. THAT'S IT. 60 THAT'S IT. 60 OF THAT'S IT. 60 OF EACH, THAT'S IT. 60 OF EACH, AND THAT'S IT. 60 OF EACH, AND WE THAT'S IT. 60 OF EACH, AND WE HAVE 60 OF EACH, AND WE HAVE 60 OF EACH, AND WE HAVE THREE 60 OF EACH, AND WE HAVE THREE CHOICES, THREE CHOICES, THREE CHOICES, CHAMPAGNE, THREE CHOICES, CHAMPAGNE, RED, THREE CHOICES, CHAMPAGNE, RED, AND CHAMPAGNE, RED, AND CHAMPAGNE, RED, AND BLUE. BLUE. BLUE. GOT BLUE. GOT IT, BLUE. GOT IT, HERE BLUE. GOT IT, HERE WE BLUE. GOT IT, HERE WE GO. GOT IT, HERE WE GO. GOT IT, HERE WE GO. SO GOT IT, HERE WE GO. SO WHAT GOT IT, HERE WE GO. SO WHAT DO GOT IT, HERE WE GO. SO WHAT DO WE GOT IT, HERE WE GO. SO WHAT DO WE LOVE GOT IT, HERE WE GO. SO WHAT DO WE LOVE ABOUT SO WHAT DO WE LOVE ABOUT SO WHAT DO WE LOVE ABOUT DIAMONDS SO WHAT DO WE LOVE ABOUT DIAMONDS IN SO WHAT DO WE LOVE ABOUT DIAMONDS IN ART SO WHAT DO WE LOVE ABOUT DIAMONDS IN ART DECO DIAMONDS IN ART DECO DIAMONDS IN ART DECO PERIOD? PERIOD? PERIOD? >> PERIOD? >> IT'S PERIOD? >> IT'S SO PERIOD? >> IT'S SO ELEGANT, PERIOD? >> IT'S SO ELEGANT, IT'S >> IT'S SO ELEGANT, IT'S >> IT'S SO ELEGANT, IT'S SO >> IT'S SO ELEGANT, IT'S SO STRIKING, >> IT'S SO ELEGANT, IT'S SO STRIKING, MANY >> IT'S SO ELEGANT, IT'S SO STRIKING, MANY OF >> IT'S SO ELEGANT, IT'S SO STRIKING, MANY OF YOU SO STRIKING, MANY OF YOU SO STRIKING, MANY OF YOU ARE SO STRIKING, MANY OF YOU ARE IN SO STRIKING, MANY OF YOU ARE IN LOVE SO STRIKING, MANY OF YOU ARE IN LOVE WITH SO STRIKING, MANY OF YOU ARE IN LOVE WITH ART ARE IN LOVE WITH ART ARE IN LOVE WITH ART DECO, ARE IN LOVE WITH ART DECO, FROM ARE IN LOVE WITH ART DECO, FROM FURNITURE ARE IN LOVE WITH ART DECO, FROM FURNITURE TO DECO, FROM FURNITURE TO DECO, FROM FURNITURE TO ARCHITECTURE, DECO, FROM FURNITURE TO ARCHITECTURE, BUT DECO, FROM FURNITURE TO ARCHITECTURE, BUT IN ARCHITECTURE, BUT IN ARCHITECTURE, BUT IN JEWELRY, ARCHITECTURE, BUT IN JEWELRY, IT'S ARCHITECTURE, BUT IN JEWELRY, IT'S AN ARCHITECTURE, BUT IN JEWELRY, IT'S AN EYE JEWELRY, IT'S AN EYE JEWELRY, IT'S AN EYE CATCHER, JEWELRY, IT'S AN EYE CATCHER, IT'S JEWELRY, IT'S AN EYE CATCHER, IT'S BEAUTIFUL. CATCHER, IT'S BEAUTIFUL. CATCHER, IT'S BEAUTIFUL. LOOK CATCHER, IT'S BEAUTIFUL. LOOK AT CATCHER, IT'S BEAUTIFUL. LOOK AT THE CATCHER, IT'S BEAUTIFUL. LOOK AT THE SYMMETRY. LOOK AT THE SYMMETRY. LOOK AT THE SYMMETRY. BUT LOOK AT THE SYMMETRY. BUT AGAIN, LOOK AT THE SYMMETRY. BUT AGAIN, THESE LOOK AT THE SYMMETRY. BUT AGAIN, THESE ARE BUT AGAIN, THESE ARE BUT AGAIN, THESE ARE DIAMONDS, BUT AGAIN, THESE ARE DIAMONDS, BLUE BUT AGAIN, THESE ARE DIAMONDS, BLUE DIAMONDS, DIAMONDS, BLUE DIAMONDS, DIAMONDS, BLUE DIAMONDS, LOOK DIAMONDS, BLUE DIAMONDS, LOOK AT DIAMONDS, BLUE DIAMONDS, LOOK AT THE DIAMONDS, BLUE DIAMONDS, LOOK AT THE NEGATIVE LOOK AT THE NEGATIVE LOOK AT THE NEGATIVE SPACE LOOK AT THE NEGATIVE SPACE EVERY LOOK AT THE NEGATIVE SPACE EVERY SO SPACE EVERY SO SPACE EVERY SO SYMMETRICAL, SPACE EVERY SO SYMMETRICAL, SO SPACE EVERY SO SYMMETRICAL, SO IT SPACE EVERY SO SYMMETRICAL, SO IT LOOKS SYMMETRICAL, SO IT LOOKS SYMMETRICAL, SO IT LOOKS BIGGER. BIGGER. BIGGER. >> BIGGER. >> Host: BIGGER. >> Host: AND BIGGER. >> Host: AND THAT BIGGER. >> Host: AND THAT OPEN >> Host: AND THAT OPEN >> Host: AND THAT OPEN SPACE. SPACE. SPACE. >> SPACE. >> Guest: SPACE. >> Guest: YOU SPACE. >> Guest: YOU HAVE SPACE. >> Guest: YOU HAVE THE >> Guest: YOU HAVE THE >> Guest: YOU HAVE THE WHITE >> Guest: YOU HAVE THE WHITE DIAMONDS >> Guest: YOU HAVE THE WHITE DIAMONDS AND >> Guest: YOU HAVE THE WHITE DIAMONDS AND I'M >> Guest: YOU HAVE THE WHITE DIAMONDS AND I'M A WHITE DIAMONDS AND I'M A WHITE DIAMONDS AND I'M A PURE WHITE DIAMONDS AND I'M A PURE RISK. PURE RISK. PURE RISK. I PURE RISK. I WORKED PURE RISK. I WORKED FOR PURE RISK. I WORKED FOR DEE PURE RISK. I WORKED FOR DEE BEERS I WORKED FOR DEE BEERS I WORKED FOR DEE BEERS FOR I WORKED FOR DEE BEERS FOR MANY I WORKED FOR DEE BEERS FOR MANY YEARS, I WORKED FOR DEE BEERS FOR MANY YEARS, AND I WORKED FOR DEE BEERS FOR MANY YEARS, AND I FOR MANY YEARS, AND I FOR MANY YEARS, AND I WAS FOR MANY YEARS, AND I WAS COLOR FOR MANY YEARS, AND I WAS COLOR DEPRIVED, FOR MANY YEARS, AND I WAS COLOR DEPRIVED, I WAS COLOR DEPRIVED, I WAS COLOR DEPRIVED, I THINK, WAS COLOR DEPRIVED, I THINK, ONCE WAS COLOR DEPRIVED, I THINK, ONCE I WAS COLOR DEPRIVED, I THINK, ONCE I STARTED THINK, ONCE I STARTED THINK, ONCE I STARTED WORKING THINK, ONCE I STARTED WORKING FOR THINK, ONCE I STARTED WORKING FOR THE THINK, ONCE I STARTED WORKING FOR THE NATURAL WORKING FOR THE NATURAL WORKING FOR THE NATURAL COLOR WORKING FOR THE NATURAL COLOR DIAMOND, WORKING FOR THE NATURAL COLOR DIAMOND, AND COLOR DIAMOND, AND COLOR DIAMOND, AND PERSONALITY. PERSONALITY. PERSONALITY. >> PERSONALITY. >> Host: PERSONALITY. >> Host: I PERSONALITY. >> Host: I WANT PERSONALITY. >> Host: I WANT TO PERSONALITY. >> Host: I WANT TO SHOW >> Host: I WANT TO SHOW >> Host: I WANT TO SHOW YOU, >> Host: I WANT TO SHOW YOU, WE >> Host: I WANT TO SHOW YOU, WE HAVE >> Host: I WANT TO SHOW YOU, WE HAVE THE >> Host: I WANT TO SHOW YOU, WE HAVE THE STUD YOU, WE HAVE THE STUD YOU, WE HAVE THE STUD EARRINGS YOU, WE HAVE THE STUD EARRINGS THAT YOU, WE HAVE THE STUD EARRINGS THAT DIANE YOU, WE HAVE THE STUD EARRINGS THAT DIANE IS EARRINGS THAT DIANE IS EARRINGS THAT DIANE IS WEARING EARRINGS THAT DIANE IS WEARING IN EARRINGS THAT DIANE IS WEARING IN THE EARRINGS THAT DIANE IS WEARING IN THE SAME WEARING IN THE SAME WEARING IN THE SAME COLORS. COLORS. COLORS. IF COLORS. IF YOU COLORS. IF YOU WANT COLORS. IF YOU WANT TO COLORS. IF YOU WANT TO GO COLORS. IF YOU WANT TO GO FOR IF YOU WANT TO GO FOR IF YOU WANT TO GO FOR IT, IF YOU WANT TO GO FOR IT, YOU'RE IF YOU WANT TO GO FOR IT, YOU'RE THINKING, IT, YOU'RE THINKING, IT, YOU'RE THINKING, OKAY, IT, YOU'RE THINKING, OKAY, I'VE IT, YOU'RE THINKING, OKAY, I'VE NEVER IT, YOU'RE THINKING, OKAY, I'VE NEVER HAD IT, YOU'RE THINKING, OKAY, I'VE NEVER HAD AN OKAY, I'VE NEVER HAD AN OKAY, I'VE NEVER HAD AN OPPORTUNITY OKAY, I'VE NEVER HAD AN OPPORTUNITY TO OKAY, I'VE NEVER HAD AN OPPORTUNITY TO GET OKAY, I'VE NEVER HAD AN OPPORTUNITY TO GET LOTS OPPORTUNITY TO GET LOTS OPPORTUNITY TO GET LOTS OF OPPORTUNITY TO GET LOTS OF DIAMONDS. OF DIAMONDS. OF DIAMONDS. I OF DIAMONDS. I THINK OF DIAMONDS. I THINK THAT OF DIAMONDS. I THINK THAT WORKS I THINK THAT WORKS I THINK THAT WORKS REALLY I THINK THAT WORKS REALLY WELL I THINK THAT WORKS REALLY WELL TOGETHER, REALLY WELL TOGETHER, REALLY WELL TOGETHER, AND REALLY WELL TOGETHER, AND CONSISTENCY REALLY WELL TOGETHER, AND CONSISTENCY ACROSS AND CONSISTENCY ACROSS AND CONSISTENCY ACROSS THE AND CONSISTENCY ACROSS THE DIAMOND AND CONSISTENCY ACROSS THE DIAMOND COLORS. THE DIAMOND COLORS. THE DIAMOND COLORS. THROUGHOUT THE DIAMOND COLORS. THROUGHOUT DIANE'S THROUGHOUT DIANE'S THROUGHOUT DIANE'S ENTIRE THROUGHOUT DIANE'S ENTIRE LINE. ENTIRE LINE. ENTIRE LINE. IF ENTIRE LINE. IF YOU ENTIRE LINE. IF YOU GET ENTIRE LINE. IF YOU GET A ENTIRE LINE. IF YOU GET A BLUE ENTIRE LINE. IF YOU GET A BLUE TODAY, IF YOU GET A BLUE TODAY, IF YOU GET A BLUE TODAY, CHANCES IF YOU GET A BLUE TODAY, CHANCES ARE IF YOU GET A BLUE TODAY, CHANCES ARE IT IF YOU GET A BLUE TODAY, CHANCES ARE IT WILL IF YOU GET A BLUE TODAY, CHANCES ARE IT WILL WORK CHANCES ARE IT WILL WORK CHANCES ARE IT WILL WORK WITH CHANCES ARE IT WILL WORK WITH PIECES CHANCES ARE IT WILL WORK WITH PIECES YOU CHANCES ARE IT WILL WORK WITH PIECES YOU PICK CHANCES ARE IT WILL WORK WITH PIECES YOU PICK UP. WITH PIECES YOU PICK UP. WITH PIECES YOU PICK UP. >> WITH PIECES YOU PICK UP. >> Guest: WITH PIECES YOU PICK UP. >> Guest: WHEN WITH PIECES YOU PICK UP. >> Guest: WHEN YOU WITH PIECES YOU PICK UP. >> Guest: WHEN YOU TALK >> Guest: WHEN YOU TALK >> Guest: WHEN YOU TALK ABOUT >> Guest: WHEN YOU TALK ABOUT THE >> Guest: WHEN YOU TALK ABOUT THE DESIGN >> Guest: WHEN YOU TALK ABOUT THE DESIGN NOTES, ABOUT THE DESIGN NOTES, ABOUT THE DESIGN NOTES, ALL ABOUT THE DESIGN NOTES, ALL THE ABOUT THE DESIGN NOTES, ALL THE STYLES ABOUT THE DESIGN NOTES, ALL THE STYLES HAVE ABOUT THE DESIGN NOTES, ALL THE STYLES HAVE TO ALL THE STYLES HAVE TO ALL THE STYLES HAVE TO BE ALL THE STYLES HAVE TO BE WORTHY. BE WORTHY. BE WORTHY. YOU BE WORTHY. YOU MIX BE WORTHY. YOU MIX AND BE WORTHY. YOU MIX AND MATCH YOU MIX AND MATCH YOU MIX AND MATCH BECAUSE YOU MIX AND MATCH BECAUSE THEY YOU MIX AND MATCH BECAUSE THEY ALL YOU MIX AND MATCH BECAUSE THEY ALL GO BECAUSE THEY ALL GO BECAUSE THEY ALL GO TOGETHER, BECAUSE THEY ALL GO TOGETHER, BECAUSE BECAUSE THEY ALL GO TOGETHER, BECAUSE THE TOGETHER, BECAUSE THE TOGETHER, BECAUSE THE BRILLIANCE TOGETHER, BECAUSE THE BRILLIANCE IS TOGETHER, BECAUSE THE BRILLIANCE IS THERE. BRILLIANCE IS THERE. BRILLIANCE IS THERE. SO BRILLIANCE IS THERE. SO LOOK BRILLIANCE IS THERE. SO LOOK AT BRILLIANCE IS THERE. SO LOOK AT THE BRILLIANCE IS THERE. SO LOOK AT THE BLUE SO LOOK AT THE BLUE SO LOOK AT THE BLUE DIAMOND, SO LOOK AT THE BLUE DIAMOND, THAT SO LOOK AT THE BLUE DIAMOND, THAT HE SO LOOK AT THE BLUE DIAMOND, THAT HE WILL SO LOOK AT THE BLUE DIAMOND, THAT HE WILL GO DIAMOND, THAT HE WILL GO DIAMOND, THAT HE WILL GO BEAUTIFUL DIAMOND, THAT HE WILL GO BEAUTIFUL WITH DIAMOND, THAT HE WILL GO BEAUTIFUL WITH THE DIAMOND, THAT HE WILL GO BEAUTIFUL WITH THE BLUE BEAUTIFUL WITH THE BLUE BEAUTIFUL WITH THE BLUE CUSHION BEAUTIFUL WITH THE BLUE CUSHION CUT, BEAUTIFUL WITH THE BLUE CUSHION CUT, DIAMONDS CUSHION CUT, DIAMONDS CUSHION CUT, DIAMONDS THAT CUSHION CUT, DIAMONDS THAT WERE, CUSHION CUT, DIAMONDS THAT WERE, JUST CUSHION CUT, DIAMONDS THAT WERE, JUST -- THAT WERE, JUST -- THAT WERE, JUST -- THERE'S THAT WERE, JUST -- THERE'S SO THAT WERE, JUST -- THERE'S SO MANY THERE'S SO MANY THERE'S SO MANY OPPORTUNITIES. OPPORTUNITIES. OPPORTUNITIES. >> OPPORTUNITIES. >> Host: OPPORTUNITIES. >> Host: AND OPPORTUNITIES. >> Host: AND I OPPORTUNITIES. >> Host: AND I THINK >> Host: AND I THINK >> Host: AND I THINK THIS >> Host: AND I THINK THIS IS >> Host: AND I THINK THIS IS ANOTHER >> Host: AND I THINK THIS IS ANOTHER CUSTOMER THIS IS ANOTHER CUSTOMER THIS IS ANOTHER CUSTOMER PICK, THIS IS ANOTHER CUSTOMER PICK, A THIS IS ANOTHER CUSTOMER PICK, A LOVELY THIS IS ANOTHER CUSTOMER PICK, A LOVELY EXAMPLE PICK, A LOVELY EXAMPLE PICK, A LOVELY EXAMPLE OF PICK, A LOVELY EXAMPLE OF KIND PICK, A LOVELY EXAMPLE OF KIND OF PICK, A LOVELY EXAMPLE OF KIND OF AN PICK, A LOVELY EXAMPLE OF KIND OF AN UPDATED OF KIND OF AN UPDATED OF KIND OF AN UPDATED LOOK OF KIND OF AN UPDATED LOOK IN OF KIND OF AN UPDATED LOOK IN ART OF KIND OF AN UPDATED LOOK IN ART DECO OF KIND OF AN UPDATED LOOK IN ART DECO T LOOK IN ART DECO T LOOK IN ART DECO T TYPICALLY LOOK IN ART DECO T TYPICALLY HAS LOOK IN ART DECO T TYPICALLY HAS MORE LOOK IN ART DECO T TYPICALLY HAS MORE HARSH TYPICALLY HAS MORE HARSH TYPICALLY HAS MORE HARSH LINES. LINES. LINES. >> LINES. >> Guest: LINES. >> Guest: IT LINES. >> Guest: IT HAS LINES. >> Guest: IT HAS A >> Guest: IT HAS A >> Guest: IT HAS A SINGLE >> Guest: IT HAS A SINGLE -- >> Guest: IT HAS A SINGLE -- SYMMETRY. SINGLE -- SYMMETRY. SINGLE -- SYMMETRY. >> SINGLE -- SYMMETRY. >> Host: SINGLE -- SYMMETRY. >> Host: THE SINGLE -- SYMMETRY. >> Host: THE COLOR >> Host: THE COLOR >> Host: THE COLOR DIAMOND >> Host: THE COLOR DIAMOND IS >> Host: THE COLOR DIAMOND IS IN >> Host: THE COLOR DIAMOND IS IN THE DIAMOND IS IN THE DIAMOND IS IN THE CENTER, DIAMOND IS IN THE CENTER, AND DIAMOND IS IN THE CENTER, AND I DIAMOND IS IN THE CENTER, AND I LOVE DIAMOND IS IN THE CENTER, AND I LOVE HOW CENTER, AND I LOVE HOW CENTER, AND I LOVE HOW THEY CENTER, AND I LOVE HOW THEY BROKE CENTER, AND I LOVE HOW THEY BROKE UP CENTER, AND I LOVE HOW THEY BROKE UP THE CENTER, AND I LOVE HOW THEY BROKE UP THE COLOR THEY BROKE UP THE COLOR THEY BROKE UP THE COLOR ON THEY BROKE UP THE COLOR ON THE THEY BROKE UP THE COLOR ON THE SHOULDERS. ON THE SHOULDERS. ON THE SHOULDERS. I ON THE SHOULDERS. I LOVE ON THE SHOULDERS. I LOVE THEY ON THE SHOULDERS. I LOVE THEY FILLED, I LOVE THEY FILLED, I LOVE THEY FILLED, INSTEAD I LOVE THEY FILLED, INSTEAD OF I LOVE THEY FILLED, INSTEAD OF LEAVING I LOVE THEY FILLED, INSTEAD OF LEAVING THAT INSTEAD OF LEAVING THAT INSTEAD OF LEAVING THAT EMPTY, INSTEAD OF LEAVING THAT EMPTY, WHICH INSTEAD OF LEAVING THAT EMPTY, WHICH WOULD INSTEAD OF LEAVING THAT EMPTY, WHICH WOULD HAVE EMPTY, WHICH WOULD HAVE EMPTY, WHICH WOULD HAVE BEEN EMPTY, WHICH WOULD HAVE BEEN LESS EMPTY, WHICH WOULD HAVE BEEN LESS EXPENSIVE, BEEN LESS EXPENSIVE, BEEN LESS EXPENSIVE, THEY'VE BEEN LESS EXPENSIVE, THEY'VE GOT BEEN LESS EXPENSIVE, THEY'VE GOT WHITE THEY'VE GOT WHITE THEY'VE GOT WHITE DIAMONDS THEY'VE GOT WHITE DIAMONDS ON THEY'VE GOT WHITE DIAMONDS ON THE DIAMONDS ON THE DIAMONDS ON THE EXTERIOR, DIAMONDS ON THE EXTERIOR, BUT DIAMONDS ON THE EXTERIOR, BUT FILL DIAMONDS ON THE EXTERIOR, BUT FILL WHAT EXTERIOR, BUT FILL WHAT EXTERIOR, BUT FILL WHAT WOULD EXTERIOR, BUT FILL WHAT WOULD BE EXTERIOR, BUT FILL WHAT WOULD BE AN EXTERIOR, BUT FILL WHAT WOULD BE AN OPEN EXTERIOR, BUT FILL WHAT WOULD BE AN OPEN WINDOW. WOULD BE AN OPEN WINDOW. WOULD BE AN OPEN WINDOW. THEY WOULD BE AN OPEN WINDOW. THEY FILLED WOULD BE AN OPEN WINDOW. THEY FILLED IT WOULD BE AN OPEN WINDOW. THEY FILLED IT WITH WOULD BE AN OPEN WINDOW. THEY FILLED IT WITH A THEY FILLED IT WITH A THEY FILLED IT WITH A PAVE THEY FILLED IT WITH A PAVE SET THEY FILLED IT WITH A PAVE SET DIAMONDS. PAVE SET DIAMONDS. PAVE SET DIAMONDS. >> PAVE SET DIAMONDS. >> Guest: PAVE SET DIAMONDS. >> Guest: I PAVE SET DIAMONDS. >> Guest: I BELIEVE, >> Guest: I BELIEVE, >> Guest: I BELIEVE, IT'S >> Guest: I BELIEVE, IT'S TRUE, >> Guest: I BELIEVE, IT'S TRUE, BECAUSE >> Guest: I BELIEVE, IT'S TRUE, BECAUSE I'VE IT'S TRUE, BECAUSE I'VE IT'S TRUE, BECAUSE I'VE BEEN IT'S TRUE, BECAUSE I'VE BEEN ALL IT'S TRUE, BECAUSE I'VE BEEN ALL OVER, IT'S TRUE, BECAUSE I'VE BEEN ALL OVER, WHEN BEEN ALL OVER, WHEN BEEN ALL OVER, WHEN DESIGNERS BEEN ALL OVER, WHEN DESIGNERS WORK BEEN ALL OVER, WHEN DESIGNERS WORK WITH DESIGNERS WORK WITH DESIGNERS WORK WITH DIAMONDS, DESIGNERS WORK WITH DIAMONDS, THEY DESIGNERS WORK WITH DIAMONDS, THEY JUST DESIGNERS WORK WITH DIAMONDS, THEY JUST PICK DIAMONDS, THEY JUST PICK DIAMONDS, THEY JUST PICK IT DIAMONDS, THEY JUST PICK IT UP DIAMONDS, THEY JUST PICK IT UP A DIAMONDS, THEY JUST PICK IT UP A NOTCH. IT UP A NOTCH. IT UP A NOTCH. BECAUSE IT UP A NOTCH. BECAUSE IT'S IT UP A NOTCH. BECAUSE IT'S THE BECAUSE IT'S THE BECAUSE IT'S THE ULTIMATE BECAUSE IT'S THE ULTIMATE GEMSTONE. ULTIMATE GEMSTONE. ULTIMATE GEMSTONE. SO ULTIMATE GEMSTONE. SO THEY ULTIMATE GEMSTONE. SO THEY ALWAYS ULTIMATE GEMSTONE. SO THEY ALWAYS GO ULTIMATE GEMSTONE. SO THEY ALWAYS GO A SO THEY ALWAYS GO A SO THEY ALWAYS GO A LITTLE SO THEY ALWAYS GO A LITTLE STEP SO THEY ALWAYS GO A LITTLE STEP FURTHER LITTLE STEP FURTHER LITTLE STEP FURTHER BECAUSE LITTLE STEP FURTHER BECAUSE THEY LITTLE STEP FURTHER BECAUSE THEY CAN. BECAUSE THEY CAN. BECAUSE THEY CAN. THEY BECAUSE THEY CAN. THEY STOP BECAUSE THEY CAN. THEY STOP SOMETIMES, BECAUSE THEY CAN. THEY STOP SOMETIMES, IS THEY STOP SOMETIMES, IS THEY STOP SOMETIMES, IS THAT THEY STOP SOMETIMES, IS THAT -- THAT -- THAT -- >> THAT -- >> Host: THAT -- >> Host: AND THAT -- >> Host: AND YOU THAT -- >> Host: AND YOU KNOW >> Host: AND YOU KNOW >> Host: AND YOU KNOW WHAT? WHAT? WHAT? IT WHAT? IT MAKES WHAT? IT MAKES THE WHAT? IT MAKES THE COLOR WHAT? IT MAKES THE COLOR POP IT MAKES THE COLOR POP IT MAKES THE COLOR POP WHEN IT MAKES THE COLOR POP WHEN YOU IT MAKES THE COLOR POP WHEN YOU SURROUND IT MAKES THE COLOR POP WHEN YOU SURROUND IT WHEN YOU SURROUND IT WHEN YOU SURROUND IT WITH WHEN YOU SURROUND IT WITH COLOR. WITH COLOR. WITH COLOR. THIS WITH COLOR. THIS COMES WITH COLOR. THIS COMES IN, WITH COLOR. THIS COMES IN, JUST WITH COLOR. THIS COMES IN, JUST VERY THIS COMES IN, JUST VERY THIS COMES IN, JUST VERY QUICKLY THIS COMES IN, JUST VERY QUICKLY AT THIS COMES IN, JUST VERY QUICKLY AT 32 THIS COMES IN, JUST VERY QUICKLY AT 32 POINT, THIS COMES IN, JUST VERY QUICKLY AT 32 POINT, SO QUICKLY AT 32 POINT, SO QUICKLY AT 32 POINT, SO YOU QUICKLY AT 32 POINT, SO YOU HAVE QUICKLY AT 32 POINT, SO YOU HAVE OVER QUICKLY AT 32 POINT, SO YOU HAVE OVER A QUICKLY AT 32 POINT, SO YOU HAVE OVER A QUARTER YOU HAVE OVER A QUARTER YOU HAVE OVER A QUARTER OF YOU HAVE OVER A QUARTER OF A YOU HAVE OVER A QUARTER OF A CARAT. OF A CARAT. OF A CARAT. >> OF A CARAT. >> Guest: OF A CARAT. >> Guest: IT OF A CARAT. >> Guest: IT HAS OF A CARAT. >> Guest: IT HAS A OF A CARAT. >> Guest: IT HAS A HALF >> Guest: IT HAS A HALF >> Guest: IT HAS A HALF CARAT >> Guest: IT HAS A HALF CARAT LOOK. CARAT LOOK. CARAT LOOK. I'M CARAT LOOK. I'M SAYING CARAT LOOK. I'M SAYING THIS CARAT LOOK. I'M SAYING THIS IS CARAT LOOK. I'M SAYING THIS IS YOUR I'M SAYING THIS IS YOUR I'M SAYING THIS IS YOUR TIME I'M SAYING THIS IS YOUR TIME TO I'M SAYING THIS IS YOUR TIME TO FALL I'M SAYING THIS IS YOUR TIME TO FALL FOR I'M SAYING THIS IS YOUR TIME TO FALL FOR FANCY TIME TO FALL FOR FANCY TIME TO FALL FOR FANCY COLOR TIME TO FALL FOR FANCY COLOR DIAMONDS. COLOR DIAMONDS. COLOR DIAMONDS. >> COLOR DIAMONDS. >> Host: COLOR DIAMONDS. >> Host: AND COLOR DIAMONDS. >> Host: AND WITH COLOR DIAMONDS. >> Host: AND WITH THE >> Host: AND WITH THE >> Host: AND WITH THE FlexPAY >> Host: AND WITH THE FlexPAY TONIGHT, >> Host: AND WITH THE FlexPAY TONIGHT, I >> Host: AND WITH THE FlexPAY TONIGHT, I LIKE FlexPAY TONIGHT, I LIKE FlexPAY TONIGHT, I LIKE THE FlexPAY TONIGHT, I LIKE THE FlexPAY FlexPAY TONIGHT, I LIKE THE FlexPAY FAIRIES. THE FlexPAY FAIRIES. THE FlexPAY FAIRIES. THEY THE FlexPAY FAIRIES. THEY WERE THE FlexPAY FAIRIES. THEY WERE OUT THE FlexPAY FAIRIES. THEY WERE OUT EARLY. THEY WERE OUT EARLY. THEY WERE OUT EARLY. OKAY. OKAY. OKAY. WHAT OKAY. WHAT AM OKAY. WHAT AM I OKAY. WHAT AM I DOING? WHAT AM I DOING? WHAT AM I DOING? UPDATE? UPDATE? UPDATE? OKAY. OKAY. OKAY. I'M OKAY. I'M GOING OKAY. I'M GOING TO OKAY. I'M GOING TO SHOW OKAY. I'M GOING TO SHOW YOU I'M GOING TO SHOW YOU I'M GOING TO SHOW YOU THIS I'M GOING TO SHOW YOU THIS AGAIN. THIS AGAIN. THIS AGAIN. I THIS AGAIN. I KNOW THIS AGAIN. I KNOW YOU THIS AGAIN. I KNOW YOU OWN THIS AGAIN. I KNOW YOU OWN THAT I KNOW YOU OWN THAT I KNOW YOU OWN THAT BLACK I KNOW YOU OWN THAT BLACK PENDANT. BLACK PENDANT. BLACK PENDANT. >> BLACK PENDANT. >> Guest: BLACK PENDANT. >> Guest: STOP BLACK PENDANT. >> Guest: STOP T BLACK PENDANT. >> Guest: STOP T I'M BLACK PENDANT. >> Guest: STOP T I'M ALL >> Guest: STOP T I'M ALL >> Guest: STOP T I'M ALL OVER >> Guest: STOP T I'M ALL OVER THIS. OVER THIS. OVER THIS. >> OVER THIS. >> Host: OVER THIS. >> Host: I'M OVER THIS. >> Host: I'M GOING OVER THIS. >> Host: I'M GOING TO >> Host: I'M GOING TO >> Host: I'M GOING TO GET >> Host: I'M GOING TO GET OFF >> Host: I'M GOING TO GET OFF THE >> Host: I'M GOING TO GET OFF THE AIR, >> Host: I'M GOING TO GET OFF THE AIR, AND >> Host: I'M GOING TO GET OFF THE AIR, AND DO GET OFF THE AIR, AND DO GET OFF THE AIR, AND DO SOME GET OFF THE AIR, AND DO SOME SHOPPING. SOME SHOPPING. SOME SHOPPING. I SOME SHOPPING. I EVEN SOME SHOPPING. I EVEN CAN'T SOME SHOPPING. I EVEN CAN'T RESIST I EVEN CAN'T RESIST I EVEN CAN'T RESIST THIS. THIS. THIS. DIANE THIS. DIANE WERE THIS. DIANE WERE ON THIS. DIANE WERE ON ABOUT THIS. DIANE WERE ON ABOUT A DIANE WERE ON ABOUT A DIANE WERE ON ABOUT A MONTH DIANE WERE ON ABOUT A MONTH AGO, DIANE WERE ON ABOUT A MONTH AGO, AND DIANE WERE ON ABOUT A MONTH AGO, AND SOLD DIANE WERE ON ABOUT A MONTH AGO, AND SOLD THIS MONTH AGO, AND SOLD THIS MONTH AGO, AND SOLD THIS SOLITAIRE MONTH AGO, AND SOLD THIS SOLITAIRE BLACK MONTH AGO, AND SOLD THIS SOLITAIRE BLACK DIAMOND SOLITAIRE BLACK DIAMOND SOLITAIRE BLACK DIAMOND NECKLACE, SOLITAIRE BLACK DIAMOND NECKLACE, AND SOLITAIRE BLACK DIAMOND NECKLACE, AND IT SOLITAIRE BLACK DIAMOND NECKLACE, AND IT WAS NECKLACE, AND IT WAS NECKLACE, AND IT WAS SILLY. SILLY. SILLY. I SILLY. I LITERALLY SILLY. I LITERALLY HAD SILLY. I LITERALLY HAD TO SILLY. I LITERALLY HAD TO HAVE I LITERALLY HAD TO HAVE I LITERALLY HAD TO HAVE IT. IT. IT. IT IT. IT WASN'T IT. IT WASN'T EVEN IT. IT WASN'T EVEN A IT. IT WASN'T EVEN A DEBATE. IT WASN'T EVEN A DEBATE. IT WASN'T EVEN A DEBATE. >> IT WASN'T EVEN A DEBATE. >> Guest: IT WASN'T EVEN A DEBATE. >> Guest: BUT IT WASN'T EVEN A DEBATE. >> Guest: BUT LOOK IT WASN'T EVEN A DEBATE. >> Guest: BUT LOOK AT >> Guest: BUT LOOK AT >> Guest: BUT LOOK AT THE >> Guest: BUT LOOK AT THE RING, >> Guest: BUT LOOK AT THE RING, THE >> Guest: BUT LOOK AT THE RING, THE WHITE THE RING, THE WHITE THE RING, THE WHITE DIAMOND THE RING, THE WHITE DIAMOND HALO, THE RING, THE WHITE DIAMOND HALO, THE DIAMOND HALO, THE DIAMOND HALO, THE DIAMOND DIAMOND HALO, THE DIAMOND ENCRUSTED DIAMOND ENCRUSTED DIAMOND ENCRUSTED SHOULDERS, DIAMOND ENCRUSTED SHOULDERS, BLACK SHOULDERS, BLACK SHOULDERS, BLACK DIAMONDS SHOULDERS, BLACK DIAMONDS WITH SHOULDERS, BLACK DIAMONDS WITH THE DIAMONDS WITH THE DIAMONDS WITH THE METALLIC DIAMONDS WITH THE METALLIC BRILLIANCE. METALLIC BRILLIANCE. METALLIC BRILLIANCE. >> METALLIC BRILLIANCE. >> Host: METALLIC BRILLIANCE. >> Host: DOWN METALLIC BRILLIANCE. >> Host: DOWN TO METALLIC BRILLIANCE. >> Host: DOWN TO THE >> Host: DOWN TO THE >> Host: DOWN TO THE FINAL >> Host: DOWN TO THE FINAL 60 >> Host: DOWN TO THE FINAL 60 OF >> Host: DOWN TO THE FINAL 60 OF THE >> Host: DOWN TO THE FINAL 60 OF THE CROSS. FINAL 60 OF THE CROSS. FINAL 60 OF THE CROSS. YOU'VE FINAL 60 OF THE CROSS. YOU'VE BEEN FINAL 60 OF THE CROSS. YOU'VE BEEN WEARING FINAL 60 OF THE CROSS. YOU'VE BEEN WEARING IT. YOU'VE BEEN WEARING IT. YOU'VE BEEN WEARING IT. >> YOU'VE BEEN WEARING IT. >> Guest: YOU'VE BEEN WEARING IT. >> Guest: SOLID, YOU'VE BEEN WEARING IT. >> Guest: SOLID, IT'S >> Guest: SOLID, IT'S >> Guest: SOLID, IT'S NOT >> Guest: SOLID, IT'S NOT PLATED, >> Guest: SOLID, IT'S NOT PLATED, SOLD >> Guest: SOLID, IT'S NOT PLATED, SOLD GOLD NOT PLATED, SOLD GOLD NOT PLATED, SOLD GOLD FOR NOT PLATED, SOLD GOLD FOR THE NOT PLATED, SOLD GOLD FOR THE PURIST NOT PLATED, SOLD GOLD FOR THE PURIST THAT NOT PLATED, SOLD GOLD FOR THE PURIST THAT LOVE FOR THE PURIST THAT LOVE FOR THE PURIST THAT LOVE DIAMONDS FOR THE PURIST THAT LOVE DIAMONDS WITH FOR THE PURIST THAT LOVE DIAMONDS WITH GOLD, DIAMONDS WITH GOLD, DIAMONDS WITH GOLD, WHITE DIAMONDS WITH GOLD, WHITE DIAMONDS DIAMONDS WITH GOLD, WHITE DIAMONDS AND DIAMONDS WITH GOLD, WHITE DIAMONDS AND BLUE WHITE DIAMONDS AND BLUE WHITE DIAMONDS AND BLUE DIAMONDS WHITE DIAMONDS AND BLUE DIAMONDS IN WHITE DIAMONDS AND BLUE DIAMONDS IN A WHITE DIAMONDS AND BLUE DIAMONDS IN A CROSS. DIAMONDS IN A CROSS. DIAMONDS IN A CROSS. AND DIAMONDS IN A CROSS. AND THIS DIAMONDS IN A CROSS. AND THIS IS DIAMONDS IN A CROSS. AND THIS IS A DIAMONDS IN A CROSS. AND THIS IS A SPECIAL AND THIS IS A SPECIAL AND THIS IS A SPECIAL CROSS. CROSS. CROSS. >> CROSS. >> Host: CROSS. >> Host: AND CROSS. >> Host: AND DOTS CROSS. >> Host: AND DOTS IN >> Host: AND DOTS IN >> Host: AND DOTS IN 10kt >> Host: AND DOTS IN 10kt WHITE >> Host: AND DOTS IN 10kt WHITE GOLD. 10kt WHITE GOLD. 10kt WHITE GOLD. AND 10kt WHITE GOLD. AND WE 10kt WHITE GOLD. AND WE HAVE 10kt WHITE GOLD. AND WE HAVE SIX 10kt WHITE GOLD. AND WE HAVE SIX ROUND AND WE HAVE SIX ROUND AND WE HAVE SIX ROUND BLUE AND WE HAVE SIX ROUND BLUE DIAMONDS, AND WE HAVE SIX ROUND BLUE DIAMONDS, FIVE BLUE DIAMONDS, FIVE BLUE DIAMONDS, FIVE ROUND BLUE DIAMONDS, FIVE ROUND WHITE BLUE DIAMONDS, FIVE ROUND WHITE DIAMONDS ROUND WHITE DIAMONDS ROUND WHITE DIAMONDS CONNECTED ROUND WHITE DIAMONDS CONNECTED IN ROUND WHITE DIAMONDS CONNECTED IN THE ROUND WHITE DIAMONDS CONNECTED IN THE CRUSHED CONNECTED IN THE CRUSHED CONNECTED IN THE CRUSHED SHAPE. SHAPE. SHAPE. YOUR SHAPE. YOUR CARAT SHAPE. YOUR CARAT WEIGHT SHAPE. YOUR CARAT WEIGHT IS, YOUR CARAT WEIGHT IS, YOUR CARAT WEIGHT IS, ALMOST YOUR CARAT WEIGHT IS, ALMOST A YOUR CARAT WEIGHT IS, ALMOST A HALF YOUR CARAT WEIGHT IS, ALMOST A HALF CARAT. ALMOST A HALF CARAT. ALMOST A HALF CARAT. >> ALMOST A HALF CARAT. >> Guest: ALMOST A HALF CARAT. >> Guest: AND ALMOST A HALF CARAT. >> Guest: AND LOOK, >> Guest: AND LOOK, >> Guest: AND LOOK, TALKING >> Guest: AND LOOK, TALKING FULL >> Guest: AND LOOK, TALKING FULL CUT TALKING FULL CUT TALKING FULL CUT DIAMONDS, TALKING FULL CUT DIAMONDS, THESE TALKING FULL CUT DIAMONDS, THESE ARE TALKING FULL CUT DIAMONDS, THESE ARE NOT DIAMONDS, THESE ARE NOT DIAMONDS, THESE ARE NOT LITTLE DIAMONDS, THESE ARE NOT LITTLE PIECES, DIAMONDS, THESE ARE NOT LITTLE PIECES, LIKE LITTLE PIECES, LIKE LITTLE PIECES, LIKE SLICES. SLICES. SLICES. >> SLICES. >> Host: SLICES. >> Host: FULLY SLICES. >> Host: FULLY FACETTED. >> Host: FULLY FACETTED. >> Host: FULLY FACETTED. WE'RE >> Host: FULLY FACETTED. WE'RE GOING >> Host: FULLY FACETTED. WE'RE GOING TO >> Host: FULLY FACETTED. WE'RE GOING TO WRAP >> Host: FULLY FACETTED. WE'RE GOING TO WRAP UP WE'RE GOING TO WRAP UP WE'RE GOING TO WRAP UP ON WE'RE GOING TO WRAP UP ON THAT, WE'RE GOING TO WRAP UP ON THAT, I WE'RE GOING TO WRAP UP ON THAT, I HAVE WE'RE GOING TO WRAP UP ON THAT, I HAVE ABOUT WE'RE GOING TO WRAP UP ON THAT, I HAVE ABOUT 50 ON THAT, I HAVE ABOUT 50 ON THAT, I HAVE ABOUT 50 LEFT. LEFT. LEFT. AND LEFT. AND YOU LEFT. AND YOU GET LEFT. AND YOU GET THE AND YOU GET THE AND YOU GET THE NECKLACE, AND YOU GET THE NECKLACE, WHICH AND YOU GET THE NECKLACE, WHICH IS AND YOU GET THE NECKLACE, WHICH IS 16 NECKLACE, WHICH IS 16 NECKLACE, WHICH IS 16 ITCHES NECKLACE, WHICH IS 16 ITCHES LONG NECKLACE, WHICH IS 16 ITCHES LONG WITH NECKLACE, WHICH IS 16 ITCHES LONG WITH A NECKLACE, WHICH IS 16 ITCHES LONG WITH A -- ITCHES LONG WITH A -- ITCHES LONG WITH A -- INCHES ITCHES LONG WITH A -- INCHES LONG, ITCHES LONG WITH A -- INCHES LONG, WITH ITCHES LONG WITH A -- INCHES LONG, WITH AN INCHES LONG, WITH AN INCHES LONG, WITH AN EXTENDER, INCHES LONG, WITH AN EXTENDER, AND INCHES LONG, WITH AN EXTENDER, AND ABOUT INCHES LONG, WITH AN EXTENDER, AND ABOUT 16 EXTENDER, AND ABOUT 16 EXTENDER, AND ABOUT 16 NOW EXTENDER, AND ABOUT 16 NOW LEFT. NOW LEFT. NOW LEFT. NEXT NOW LEFT. NEXT UP? NEXT UP? NEXT UP? WE'RE NEXT UP? WE'RE GOING NEXT UP? WE'RE GOING TO NEXT UP? WE'RE GOING TO TALK WE'RE GOING TO TALK WE'RE GOING TO TALK ABOUT WE'RE GOING TO TALK ABOUT THE, WE'RE GOING TO TALK ABOUT THE, WHAT WE'RE GOING TO TALK ABOUT THE, WHAT ARE WE'RE GOING TO TALK ABOUT THE, WHAT ARE WE ABOUT THE, WHAT ARE WE ABOUT THE, WHAT ARE WE DOING? DOING? DOING? THE DOING? THE PRETTY DOING? THE PRETTY EARRINGS. THE PRETTY EARRINGS. THE PRETTY EARRINGS. HERE THE PRETTY EARRINGS. HERE WE THE PRETTY EARRINGS. HERE WE GO. HERE WE GO. HERE WE GO. THESE HERE WE GO. THESE ARE HERE WE GO. THESE ARE SO HERE WE GO. THESE ARE SO PRETTY. THESE ARE SO PRETTY. THESE ARE SO PRETTY. >> THESE ARE SO PRETTY. >> Guest: THESE ARE SO PRETTY. >> Guest: THE THESE ARE SO PRETTY. >> Guest: THE ONES THESE ARE SO PRETTY. >> Guest: THE ONES I'M >> Guest: THE ONES I'M >> Guest: THE ONES I'M WEARING >> Guest: THE ONES I'M WEARING OF >> Guest: THE ONES I'M WEARING OF COURSE, WEARING OF COURSE, WEARING OF COURSE, CUSHION, WEARING OF COURSE, CUSHION, CUSHION, CUSHION, CUSHION, CUSHION, CUSHION, CUSHION. CUSHION. CUSHION. THIS CUSHION. THIS IS CUSHION. THIS IS OUR CUSHION. THIS IS OUR COLOR THIS IS OUR COLOR THIS IS OUR COLOR DIAMOND THIS IS OUR COLOR DIAMOND CUSHION THIS IS OUR COLOR DIAMOND CUSHION STUD DIAMOND CUSHION STUD DIAMOND CUSHION STUD EARRINGS, DIAMOND CUSHION STUD EARRINGS, PRAISED DIAMOND CUSHION STUD EARRINGS, PRAISED AT EARRINGS, PRAISED AT EARRINGS, PRAISED AT $229, EARRINGS, PRAISED AT $229, WE EARRINGS, PRAISED AT $229, WE HAVE EARRINGS, PRAISED AT $229, WE HAVE FOUR $229, WE HAVE FOUR $229, WE HAVE FOUR DIFFERENT $229, WE HAVE FOUR DIFFERENT COLOR $229, WE HAVE FOUR DIFFERENT COLOR CHOICES DIFFERENT COLOR CHOICES DIFFERENT COLOR CHOICES IT DIFFERENT COLOR CHOICES IT WORKS, DIFFERENT COLOR CHOICES IT WORKS, IT DIFFERENT COLOR CHOICES IT WORKS, IT GOAT DIFFERENT COLOR CHOICES IT WORKS, IT GOAT MUCH IT WORKS, IT GOAT MUCH IT WORKS, IT GOAT MUCH GOES IT WORKS, IT GOAT MUCH GOES BACK IT WORKS, IT GOAT MUCH GOES BACK TO IT WORKS, IT GOAT MUCH GOES BACK TO THE GOES BACK TO THE GOES BACK TO THE BRACELETS, GOES BACK TO THE BRACELETS, THE GOES BACK TO THE BRACELETS, THE RINGS, BRACELETS, THE RINGS, BRACELETS, THE RINGS, BUT BRACELETS, THE RINGS, BUT WE BRACELETS, THE RINGS, BUT WE WILL BRACELETS, THE RINGS, BUT WE WILL START BRACELETS, THE RINGS, BUT WE WILL START ON BUT WE WILL START ON BUT WE WILL START ON THIS BUT WE WILL START ON THIS END, BUT WE WILL START ON THIS END, THE BUT WE WILL START ON THIS END, THE BLUE THIS END, THE BLUE THIS END, THE BLUE DIAMOND, THIS END, THE BLUE DIAMOND, AND THIS END, THE BLUE DIAMOND, AND THEN THIS END, THE BLUE DIAMOND, AND THEN WE DIAMOND, AND THEN WE DIAMOND, AND THEN WE HAVE DIAMOND, AND THEN WE HAVE BESIDE DIAMOND, AND THEN WE HAVE BESIDE THAT DIAMOND, AND THEN WE HAVE BESIDE THAT IS HAVE BESIDE THAT IS HAVE BESIDE THAT IS GOING HAVE BESIDE THAT IS GOING TO HAVE BESIDE THAT IS GOING TO BE HAVE BESIDE THAT IS GOING TO BE YOUR HAVE BESIDE THAT IS GOING TO BE YOUR -- GOING TO BE YOUR -- GOING TO BE YOUR -- >> GOING TO BE YOUR -- >> Guest: GOING TO BE YOUR -- >> Guest: GREEN. >> Guest: GREEN. >> Guest: GREEN. >> >> Guest: GREEN. >> Host: >> Guest: GREEN. >> Host: WE >> Guest: GREEN. >> Host: WE DON'T >> Guest: GREEN. >> Host: WE DON'T SEE >> Host: WE DON'T SEE >> Host: WE DON'T SEE GREEN >> Host: WE DON'T SEE GREEN VERY >> Host: WE DON'T SEE GREEN VERY OFTEN. GREEN VERY OFTEN. GREEN VERY OFTEN. >> GREEN VERY OFTEN. >> Guest: GREEN VERY OFTEN. >> Guest: ALL GREEN VERY OFTEN. >> Guest: ALL THE GREEN VERY OFTEN. >> Guest: ALL THE WOMEN >> Guest: ALL THE WOMEN >> Guest: ALL THE WOMEN THAT >> Guest: ALL THE WOMEN THAT LOVE >> Guest: ALL THE WOMEN THAT LOVE ORGANIC, >> Guest: ALL THE WOMEN THAT LOVE ORGANIC, MAKE THAT LOVE ORGANIC, MAKE THAT LOVE ORGANIC, MAKE SURE, THAT LOVE ORGANIC, MAKE SURE, OR THAT LOVE ORGANIC, MAKE SURE, OR ZEN, THAT LOVE ORGANIC, MAKE SURE, OR ZEN, THIS THAT LOVE ORGANIC, MAKE SURE, OR ZEN, THIS IS SURE, OR ZEN, THIS IS SURE, OR ZEN, THIS IS FOR SURE, OR ZEN, THIS IS FOR YOU. FOR YOU. FOR YOU. >> FOR YOU. >> Host: FOR YOU. >> Host: AWESOME. >> Host: AWESOME. >> Host: AWESOME. THIS >> Host: AWESOME. THIS IS >> Host: AWESOME. THIS IS CHAMPAGNE, >> Host: AWESOME. THIS IS CHAMPAGNE, AND THIS IS CHAMPAGNE, AND THIS IS CHAMPAGNE, AND YOUR THIS IS CHAMPAGNE, AND YOUR LAST THIS IS CHAMPAGNE, AND YOUR LAST CHOICE THIS IS CHAMPAGNE, AND YOUR LAST CHOICE RIGHT YOUR LAST CHOICE RIGHT YOUR LAST CHOICE RIGHT HERE YOUR LAST CHOICE RIGHT HERE IS YOUR LAST CHOICE RIGHT HERE IS GOING YOUR LAST CHOICE RIGHT HERE IS GOING TO YOUR LAST CHOICE RIGHT HERE IS GOING TO BE, HERE IS GOING TO BE, HERE IS GOING TO BE, IT'S HERE IS GOING TO BE, IT'S BLACK. IT'S BLACK. IT'S BLACK. ARE IT'S BLACK. ARE THESE IT'S BLACK. ARE THESE RED. ARE THESE RED. ARE THESE RED. SO ARE THESE RED. SO CHAMPAGNE ARE THESE RED. SO CHAMPAGNE MUST ARE THESE RED. SO CHAMPAGNE MUST BE SO CHAMPAGNE MUST BE SO CHAMPAGNE MUST BE GONE. GONE. GONE. CHAMPAGNE GONE. CHAMPAGNE SOLD GONE. CHAMPAGNE SOLD OUT. CHAMPAGNE SOLD OUT. CHAMPAGNE SOLD OUT. >> CHAMPAGNE SOLD OUT. >> Guest: CHAMPAGNE SOLD OUT. >> Guest: I CHAMPAGNE SOLD OUT. >> Guest: I THINK CHAMPAGNE SOLD OUT. >> Guest: I THINK SO. >> Guest: I THINK SO. >> Guest: I THINK SO. >> >> Guest: I THINK SO. >> Host: >> Guest: I THINK SO. >> Host: THAT'S >> Guest: I THINK SO. >> Host: THAT'S RED. >> Host: THAT'S RED. >> Host: THAT'S RED. SORRY >> Host: THAT'S RED. SORRY ABOUT >> Host: THAT'S RED. SORRY ABOUT THAT. SORRY ABOUT THAT. SORRY ABOUT THAT. AND SORRY ABOUT THAT. AND THEN SORRY ABOUT THAT. AND THEN WE SORRY ABOUT THAT. AND THEN WE HAVE SORRY ABOUT THAT. AND THEN WE HAVE BLACK AND THEN WE HAVE BLACK AND THEN WE HAVE BLACK ON AND THEN WE HAVE BLACK ON THE AND THEN WE HAVE BLACK ON THE END. ON THE END. ON THE END. >> ON THE END. >> Guest: ON THE END. >> Guest: I'M ON THE END. >> Guest: I'M WEARING >> Guest: I'M WEARING >> Guest: I'M WEARING THE >> Guest: I'M WEARING THE BLACK. THE BLACK. THE BLACK. THE THE BLACK. THE WHOLE THE BLACK. THE WHOLE SPECTATE THE BLACK. THE WHOLE SPECTATE WHO THE WHOLE SPECTATE WHO THE WHOLE SPECTATE WHO ARE THE WHOLE SPECTATE WHO ARE LOOK THE WHOLE SPECTATE WHO ARE LOOK -- THE WHOLE SPECTATE WHO ARE LOOK -- SPECTATOR ARE LOOK -- SPECTATOR ARE LOOK -- SPECTATOR LOOK. LOOK. LOOK. REMEMBER, LOOK. REMEMBER, THE LOOK. REMEMBER, THE CUSHION REMEMBER, THE CUSHION REMEMBER, THE CUSHION CUT REMEMBER, THE CUSHION CUT IS REMEMBER, THE CUSHION CUT IS THE REMEMBER, THE CUSHION CUT IS THE POSE REMEMBER, THE CUSHION CUT IS THE POSE ELEGANT, CUT IS THE POSE ELEGANT, CUT IS THE POSE ELEGANT, THE CUT IS THE POSE ELEGANT, THE MOST CUT IS THE POSE ELEGANT, THE MOST FEMININE. THE MOST FEMININE. THE MOST FEMININE. KNOWN THE MOST FEMININE. KNOWN THROUGHOUT THE MOST FEMININE. KNOWN THROUGHOUT THE KNOWN THROUGHOUT THE KNOWN THROUGHOUT THE WORLD. WORLD. WORLD. AND WORLD. AND AGAIN, WORLD. AND AGAIN, YOU WORLD. AND AGAIN, YOU HAVE WORLD. AND AGAIN, YOU HAVE THE AND AGAIN, YOU HAVE THE AND AGAIN, YOU HAVE THE VERSATILITY, AND AGAIN, YOU HAVE THE VERSATILITY, SO AND AGAIN, YOU HAVE THE VERSATILITY, SO THAT VERSATILITY, SO THAT VERSATILITY, SO THAT SOFT VERSATILITY, SO THAT SOFT SQUARE VERSATILITY, SO THAT SOFT SQUARE CUSHION VERSATILITY, SO THAT SOFT SQUARE CUSHION IF SOFT SQUARE CUSHION IF SOFT SQUARE CUSHION IF YOU SOFT SQUARE CUSHION IF YOU WEAR SOFT SQUARE CUSHION IF YOU WEAR IT SOFT SQUARE CUSHION IF YOU WEAR IT SQUARE SOFT SQUARE CUSHION IF YOU WEAR IT SQUARE ON YOU WEAR IT SQUARE ON YOU WEAR IT SQUARE ON YOUR YOU WEAR IT SQUARE ON YOUR EAR, YOU WEAR IT SQUARE ON YOUR EAR, OR YOU WEAR IT SQUARE ON YOUR EAR, OR DIAGONAL. YOUR EAR, OR DIAGONAL. YOUR EAR, OR DIAGONAL. >> YOUR EAR, OR DIAGONAL. >> LOVE, YOUR EAR, OR DIAGONAL. >> LOVE, GOOD YOUR EAR, OR DIAGONAL. >> LOVE, GOOD TO YOUR EAR, OR DIAGONAL. >> LOVE, GOOD TO SEE >> LOVE, GOOD TO SEE >> LOVE, GOOD TO SEE YOU. YOU. YOU. YOU'RE YOU. YOU'RE BACK YOU. YOU'RE BACK LATER? YOU'RE BACK LATER? YOU'RE BACK LATER? >> YOU'RE BACK LATER? >> 8:00 YOU'RE BACK LATER? >> 8:00 A.M. >> 8:00 A.M. >> 8:00 A.M. >> >> 8:00 A.M. >> EARLIER >> 8:00 A.M. >> EARLIER TODAY! >> EARLIER TODAY! >> EARLIER TODAY! >> >> EARLIER TODAY! >> Host: >> EARLIER TODAY! >> Host: WE >> EARLIER TODAY! >> Host: WE HAVE >> EARLIER TODAY! >> Host: WE HAVE NOW >> Host: WE HAVE NOW >> Host: WE HAVE NOW SOLD >> Host: WE HAVE NOW SOLD WELL >> Host: WE HAVE NOW SOLD WELL OVER >> Host: WE HAVE NOW SOLD WELL OVER A SOLD WELL OVER A SOLD WELL OVER A THOUSAND SOLD WELL OVER A THOUSAND IN SOLD WELL OVER A THOUSAND IN JUST SOLD WELL OVER A THOUSAND IN JUST THE THOUSAND IN JUST THE THOUSAND IN JUST THE FIRST THOUSAND IN JUST THE FIRST SOMEHOW THOUSAND IN JUST THE FIRST SOMEHOW WITH THOUSAND IN JUST THE FIRST SOMEHOW WITH PAUL FIRST SOMEHOW WITH PAUL FIRST SOMEHOW WITH PAUL DEASY. DEASY. DEASY. OF DEASY. OF THE DEASY. OF THE THOUSAND DEASY. OF THE THOUSAND SOLD, OF THE THOUSAND SOLD, OF THE THOUSAND SOLD, 900 OF THE THOUSAND SOLD, 900 ARE OF THE THOUSAND SOLD, 900 ARE IN OF THE THOUSAND SOLD, 900 ARE IN THE OF THE THOUSAND SOLD, 900 ARE IN THE OPAL, OF THE THOUSAND SOLD, 900 ARE IN THE OPAL, AND 900 ARE IN THE OPAL, AND 900 ARE IN THE OPAL, AND THAT'S 900 ARE IN THE OPAL, AND THAT'S HALF 900 ARE IN THE OPAL, AND THAT'S HALF OF 900 ARE IN THE OPAL, AND THAT'S HALF OF THE THAT'S HALF OF THE THAT'S HALF OF THE QUANTITY THAT'S HALF OF THE QUANTITY FOR THAT'S HALF OF THE QUANTITY FOR THE THAT'S HALF OF THE QUANTITY FOR THE ENTIRE QUANTITY FOR THE ENTIRE QUANTITY FOR THE ENTIRE DAY. DAY. DAY. HELLO, DAY. HELLO, EVERYTHING DAY. HELLO, EVERYTHING ELSE HELLO, EVERYTHING ELSE HELLO, EVERYTHING ELSE IN HELLO, EVERYTHING ELSE IN THE HELLO, EVERYTHING ELSE IN THE OPAL HELLO, EVERYTHING ELSE IN THE OPAL IS HELLO, EVERYTHING ELSE IN THE OPAL IS GONE, IN THE OPAL IS GONE, IN THE OPAL IS GONE, EXCEPT IN THE OPAL IS GONE, EXCEPT THE IN THE OPAL IS GONE, EXCEPT THE RING IN THE OPAL IS GONE, EXCEPT THE RING ITSELF. EXCEPT THE RING ITSELF. EXCEPT THE RING ITSELF. AND EXCEPT THE RING ITSELF. AND YOU EXCEPT THE RING ITSELF. AND YOU CAN EXCEPT THE RING ITSELF. AND YOU CAN STILL EXCEPT THE RING ITSELF. AND YOU CAN STILL PICK AND YOU CAN STILL PICK AND YOU CAN STILL PICK IT AND YOU CAN STILL PICK IT UP AND YOU CAN STILL PICK IT UP AND AND YOU CAN STILL PICK IT UP AND LEARN AND YOU CAN STILL PICK IT UP AND LEARN MORE. IT UP AND LEARN MORE. IT UP AND LEARN MORE. HAVE IT UP AND LEARN MORE. HAVE A IT UP AND LEARN MORE. HAVE A GREAT IT UP AND LEARN MORE. HAVE A GREAT EVENING, HAVE A GREAT EVENING, HAVE A GREAT EVENING, MORE HAVE A GREAT EVENING, MORE JEWELRY HAVE A GREAT EVENING, MORE JEWELRY NEXT.
{ "pile_set_name": "YoutubeSubtitles" }
English: Hey guys what's up! Or as Farina likes to say heyguyswhatsup~ Since Farina is currently learning Korean I thought I might help her out with a secret super special study sessions. First of all a huge thanks to today's sponsor Skillshare! This is actually the platform I'm currently learning Korean with. And I'll tell you more about it later. Many people keep asking me how I learned to speak Korean so well and I really wonder where they got that from because I've never spoken Korean in any of our videos yet. I think it's because you started learning quite a while ago when you first started the channel you did a 'How I learn Korean' video. Yea I gave some tips about my favorite apps and stuff. That's why they think "Oh she used to learn Korean like two years ago, she must be fluent by now." I started learning two or three years ago but I was pretty inconsistent so I'd say I'm progressing pretty slowly bit by bit. Filipino: Oy mga pare kamusta! O tulad ng gusto ni Farina na sabihin heyguyswhatsup ~ Dahil ang Farina ay kasalukuyang natututo ng Korean Akala ko maaari ko siyang tulungan sa isang lihim na sobrang espesyal na mga sesyon sa pag-aaral. Una sa lahat isang malaking salamat sa sponsor ngayon Skillshare! Ito talaga ang platform na kasalukuyang natututunan ko sa Korean. At sasabihin ko sa iyo ang higit pa tungkol dito. Maraming tao ang patuloy na nagtatanong sa akin kung paano ko natutunan magsalita ng Korean nang maayos at talagang nagtataka ako kung saan nila nakuha iyon dahil hindi pa ako nagsasalita ng Koreano sa alinman sa aming mga video. Sa tingin ko ito ay dahil sa nagsimula ka pag-aaral ng medyo matagal na noong una mong sinimulan ang channel ay gumawa ka ng isang video na 'Paano ko matututo ang Korean'. Oo nagbigay ako ng ilang mga tip tungkol sa aking mga paboritong apps at mga gamit. Iyon ang dahilan kung bakit sa palagay nila "Oh dati niyang natutunan ang Korean tulad ng dalawang taon na ang nakalilipas, dapat siyang maging matatas ngayon. Nagsimula akong matuto ng dalawa o tatlong taon na ang nakalilipas ngunit medyo hindi ako pantay-pantay kaya sasabihin kong sumusulong ako ng medyo dahan-dahan. Malay (macrolanguage): Hai kawan apa! Atau seperti yang Farina suka katakan heyguyswhatsup ~ Oleh kerana Farina kini belajar bahasa Korea Saya fikir saya mungkin membantunya dengan sesi pembelajaran rahsia super istimewa. Terlebih dahulu terima kasih banyak kepada penaja hari ini Perkongsian Kemahiran! Ini sebenarnya platform yang sedang saya pelajari bahasa Korea. Dan saya akan memberitahu anda lebih banyak mengenainya nanti. Ramai orang terus bertanya kepada saya bagaimana saya belajar boleh berbahasa Korea dengan baik dan saya benar-benar tertanya-tanya dari mana mereka mendapatkannya kerana saya belum pernah bercakap bahasa Korea dalam mana-mana video kami. Saya fikir ia kerana anda bermula belajar agak lama dahulu semasa mula-mula memulakan saluran, anda membuat video 'Bagaimana saya belajar bahasa Korea'. Ya saya memberikan beberapa petua mengenai aplikasi dan barang kegemaran saya. Itulah sebabnya mereka berfikir "Oh dia dulu belajar bahasa Korea seperti dua tahun yang lalu, dia mesti fasih sekarang." Saya mula belajar dua atau tiga tahun yang lalu tetapi saya agak tidak konsisten jadi saya katakan saya maju dengan perlahan sedikit demi sedikit. French: Hé, les gars! Quoi de neuf! Ou comme Farina aime dire heyguyswhatsup ~ Puisque Farina apprend actuellement le coréen J'ai pensé que je pourrais l'aider avec des sessions d'étude super spéciales secrètes. Tout d'abord un immense merci au sponsor d'aujourd'hui Partage de compétences! C'est en fait la plate-forme avec laquelle j'apprends actuellement le coréen. Et je vous en parlerai plus tard. Beaucoup de gens me demandent comment j'ai appris à parle si bien le coréen et je me demande vraiment d'où ils viennent ça parce que je n'ai encore jamais parlé coréen dans aucune de nos vidéos. Je pense que c'est parce que tu as commencé apprendre il y a un bon moment lorsque vous avez commencé la chaîne, vous avez fait une vidéo "Comment j'apprends le coréen". Oui, j'ai donné quelques conseils sur mes applications et mes trucs préférés. C'est pourquoi ils pensent "Oh, elle avait l'habitude d'apprendre le coréen comme il y a deux ans, elle doit parler couramment maintenant." J'ai commencé à apprendre il y a deux ou trois ans mais j'étais assez incohérent donc je dirais que je progresse assez lentement petit à petit. Italian: Ciao ragazzi come va! O come dice Farina heyguyswhatsup ~ Dal momento che Farina sta attualmente imparando il coreano Ho pensato di poterla aiutare con sessioni di studio segrete super speciali. Innanzitutto un enorme grazie allo sponsor di oggi Skillshare! Questa è in realtà la piattaforma con cui sto attualmente imparando il coreano. E ti dirò di più al riguardo più tardi. Molte persone continuano a chiedermi come ho imparato a farlo parlare coreano così bene e mi chiedo davvero da dove l'hanno preso perché non ho mai parlato coreano in nessuno dei nostri video. Penso che sia perché hai iniziato imparando un po 'di tempo fa quando hai iniziato il canale per la prima volta, hai realizzato un video "Come imparo il coreano". Sì, ho dato alcuni consigli sulle mie app e cose preferite. Ecco perché pensano "Oh, aveva imparato il coreano come due anni fa, ormai deve essere fluente". Ho iniziato a studiare due o tre anni fa ma ero piuttosto incoerente quindi direi che sto procedendo abbastanza lentamente, a poco a poco. Indonesian: Hai teman-teman apa kabar! Atau seperti yang Farina suka katakan heyguyswhatsup ~ Karena Farina saat ini sedang belajar bahasa Korea Saya pikir saya bisa membantunya dengan sesi belajar rahasia super spesial. Pertama-tama, terima kasih banyak untuk sponsor hari ini Skillshare! Ini sebenarnya platform yang saat ini saya pelajari bahasa Korea. Dan saya akan bercerita lebih banyak tentangnya nanti. Banyak orang terus bertanya kepada saya bagaimana saya belajar berbicara bahasa Korea dengan sangat baik dan saya benar-benar bertanya-tanya dari mana mereka mendapatkannya karena saya belum pernah berbicara bahasa Korea di salah satu video kami. Saya pikir itu karena Anda mulai belajar beberapa waktu yang lalu saat pertama kali memulai saluran, Anda membuat video 'Bagaimana saya belajar bahasa Korea'. Ya saya memberikan beberapa tips tentang aplikasi dan barang favorit saya. Itu sebabnya mereka berpikir, "Oh, dia dulu belajar bahasa Korea seperti dua tahun yang lalu, dia pasti fasih sekarang." Saya mulai belajar dua atau tiga tahun yang lalu tetapi saya cukup tidak konsisten jadi saya katakan saya maju sedikit demi sedikit perlahan. Spanish: ¡Hola chicos, que hay! O como a Farina le gusta decir heyguyswhatsup ~ Como Farina actualmente está aprendiendo coreano Pensé que podría ayudarla con unas sesiones secretas de estudio súper especiales. En primer lugar, muchas gracias al patrocinador de hoy. Skillshare! Esta es en realidad la plataforma con la que actualmente estoy aprendiendo coreano. Y te contaré más sobre eso más tarde. Mucha gente sigue preguntándome cómo aprendí a habla coreano muy bien y realmente me pregunto de dónde sacaron eso porque nunca he hablado coreano en ninguno de nuestros videos todavía. Creo que es porque empezaste aprendiendo hace bastante tiempo cuando comenzaste el canal hiciste un video de 'Cómo aprendo coreano'. Sí, di algunos consejos sobre mis aplicaciones y cosas favoritas. Es por eso que piensan "Oh, ella solía aprender coreano como hace dos años, ya debe tener fluidez". Empecé a aprender hace dos o tres años, pero era bastante inconsistente. entonces diría que estoy progresando muy lentamente poco a poco. Portuguese: Ei pessoal, o que se passa! Ou como Farina gosta de dizer heyguyswhatsup ~ Como Farina está atualmente aprendendo coreano Eu pensei que poderia ajudá-la com sessões secretas de estudo super especiais. Antes de tudo, um enorme agradecimento ao patrocinador de hoje Skillshare! Esta é realmente a plataforma com a qual estou aprendendo coreano atualmente. E eu vou lhe contar mais sobre isso mais tarde. Muitas pessoas continuam me perguntando como eu aprendi a fala coreano tão bem e eu realmente me pergunto de onde eles tiraram isso, porque eu nunca falei coreano em nenhum dos nossos vídeos ainda. Eu acho que é porque você começou aprendendo há um tempo atrás quando você iniciou o canal, fez um vídeo "Como eu aprendo coreano". Sim, eu dei algumas dicas sobre meus aplicativos e coisas favoritas. É por isso que eles pensam "Oh, ela costumava aprender coreano como dois anos atrás, ela deve ser fluente agora". Comecei a aprender há dois ou três anos, mas eu era bastante inconsistente então eu diria que estou progredindo bem devagar, pouco a pouco. Turkish: Naber beyler nasıl gidiyor! Veya Farina heyguyswhatsup demeyi sevdiği gibi ~ Farina şu anda Korece öğreniyor Ona gizli bir süper özel çalışma seansında yardım edebileceğimi düşündüm. Her şeyden önce bugünün sponsoruna çok teşekkürler Skillshare! Bu aslında şu anda Korece öğrendiğim platform. Size daha sonra anlatacağım. Birçok insan bana nasıl öğrendiğimi soruyor Korece çok iyi konuş ve bunu nereden aldıklarını merak ediyorum çünkü henüz hiçbir videomda Korece konuşmadım. Bence bunun nedeni başladı bir süre önce öğrenmek kanala ilk başladığınızda 'Korece nasıl öğrenirim' videosu yaptınız. Evet, en sevdiğim uygulamalar ve şeyler hakkında bazı ipuçları verdim. Bu yüzden "Oh, Koreli'yi iki yıl önce öğreniyordu, şimdiye kadar akıcı olmalı" diye düşünüyorlar. İki ya da üç yıl önce öğrenmeye başladım ama oldukça tutarsızdım bu yüzden yavaş yavaş yavaş ilerlediğimi söyleyebilirim. Arabic: مرحبًا ، ما الأمر! أو كما تحب Farina أن تقول heyguyswhatsup ~ منذ Farina يتعلم حاليا الكورية اعتقدت أنني قد أساعدها في جلسات دراسية خاصة فائقة السرية. بادئ ذي بدء شكر كبير لرعاة اليوم Skillshare! هذه هي المنصة التي أتعلم اللغة الكورية بها حاليًا. وسأخبركم المزيد عنها لاحقًا. يسألني الكثير من الناس كيف تعلمت يتكلم الكورية بشكل جيد وأتساءل حقًا من أين حصلوا على ذلك لأنني لم أتحدث الكورية أبدًا في أي من مقاطع الفيديو الخاصة بنا حتى الآن. أعتقد أنه لأنك بدأت تعلم منذ فترة طويلة عندما أنشأت القناة لأول مرة ، أجريت مقطع فيديو بعنوان "كيف أتعلم اللغة الكورية". نعم ، لقد قدمت بعض النصائح حول تطبيقاتي وأشياءي المفضلة. لهذا السبب يعتقدون "أوه كانت تتعلم اللغة الكورية منذ عامين ، يجب أن تكون بطلاقة الآن." لقد بدأت التعلم قبل عامين أو ثلاثة أعوام لكني كنت متناقضًا جدًا لذلك أقول أنني أتقدم ببطء شديد شيئًا فشيئًا. French: La cohérence est la clé. -Ouais c'est vrai. Je dis que je sais lire, que je peux écrire mais que je ne comprends pas beaucoup. Et je connais le les bases. Je ne dirais pas encore que je suis capable de parler correctement. Mais nous y arriverons. -Pour aujourd'hui leçon spéciale ... en tant que pro de l'éducation moi-même Je pensais que la meilleure façon d'apprendre quelque chose doit faire face à certaines difficultés et c'est pourquoi aujourd'hui nous faisons quelque chose que même les locuteurs natifs pourraient ne pas être bons. Virelangues! -Tangue twister ~ -Oui ~ ou comme les Allemands aiment «Zungenbrecher» -Sons effrayants ... Je suis vraiment horrible à ces ... -Ouais-tu? -Ouais, je me tord la langue en parlant normalement Je n'ai pas un bon contrôle sur ma bouche. -Je pense que je vais bien avec des virelangues. (Twister de langue allemande) Malay (macrolanguage): Ketekalan adalah kunci. -Ya itu benar. ID Saya boleh membaca Saya boleh menulis tetapi saya tidak faham banyak. Dan saya biasa dengan asas. Saya tidak akan mengatakan bahawa saya dapat bercakap dengan betul. Tetapi kita akan sampai di sana. -Untuk hari ini pelajaran khas ... sebagai pro pendidikan saya sendiri Saya fikir cara terbaik untuk belajar sesuatu adalah menghadapi kesukaran tertentu dan itulah sebabnya hari ini kita melakukan sesuatu yang mungkin tidak dapat dituturkan oleh penutur asli. Puting lidah! -Tongue twister ~ -Ya ~ atau seperti orang Jerman 'Zungenbrecher' -Bunyi menakutkan ... Saya benar-benar mengerikan pada mereka ... -Ya anda? -Ya, saya menjelirkan lidah ketika bercakap dengan normal Saya tidak mempunyai kawalan yang baik terhadap mulut saya. -Saya fikir saya baik-baik saja dengan lidah puting. (Twister lidah Jerman) English: Consistency is key. -Yeah that's true. I'd say I can read I can write but I cannot understand a lot. And I'm familiar with the basics. I wouldn't say I'm able to talk properly yet. But we'll get there. -For today's special lesson... as an educational pro myself I thought the best way to learn something is to face certain difficulties and that is why today we're doing something that even native speakers might not be good at. Tongue twisters! -Tongue twister~ -Yes~ or as Germans like 'Zungenbrecher' -Sounds scary... I'm actually horrible at those... -Yeah you are? -Yeah, I twist my tongue when speaking normally I don't have good control over my mouth. -I think I'm alright with tongue twisters. (German tongue twister) Spanish: La consistencia es la clave. -Si eso es verdad. Carné de identidad digo que puedo leer, puedo escribir pero no puedo entender mucho. Y estoy familiarizado con el lo esencial. No diría que todavía puedo hablar correctamente. Pero llegaremos allí. -Para hoy Lección especial ... como profesional educativo Pensé que la mejor manera de aprender algo es enfrentar ciertas dificultades y es por eso que hoy estamos haciendo algo en lo que incluso los hablantes nativos podrían no ser buenos. ¡Trabalenguas! - trabalenguas ~ -Sí ~ o como a los alemanes les gusta 'Zungenbrecher' -Suena aterrador ... En realidad soy horrible con esos ... -Si lo eres? -Si, tuerzo la lengua cuando hablo normalmente No tengo buen control sobre mi boca. -Creo que estoy bien con trabalenguas. (Trabalenguas alemán) Arabic: الاتساق هو المفتاح. -نعم هذا صحيح. هوية شخصية أقول أستطيع أن أقرأ يمكنني الكتابة ولكن لا أستطيع أن أفهم الكثير. وأنا على دراية بال الأساسيات. لن أقول إنني قادر على التحدث بشكل صحيح حتى الآن. لكن سنصل هناك. -اليوم درس خاص ... كمحترف تعليمي اعتقدت أن أفضل طريقة للتعلم شيء ما هو مواجهة بعض الصعوبات ولهذا السبب نقوم اليوم بشيء قد لا يجيده حتى المتحدثون الأصليون. كلمات معقدةالنطق! - إعصار اللسان ~ -نعم ~ أو كما يحب الألمان "Zungenbrecher" -يبدو مخيفا... أنا في الواقع فظيع على هؤلاء ... - نعم أنت؟ - نعم ، ألوي لساني عندما أتحدث بشكل طبيعي ليس لدي سيطرة جيدة على فمي. -أعتقد أنني بخير مع أعاصير اللسان. (إعصار اللسان الألماني) Filipino: Ang pagkakapare-pareho ay susi. -Yeah totoo yan. Gusto ko sasabihin kong maaari kong basahin ang maaari kong isulat ngunit hindi ako masyadong nakakaintindi. At pamilyar ako sa mga pangunahing kaalaman. Hindi ko sasabihin na makapagsalita pa ako ng maayos. Ngunit makarating kami doon. -Para ngayon espesyal na aralin ... bilang isang pang-edukasyon pro sa aking sarili Naisip ko ang pinakamahusay na paraan upang malaman ang isang bagay ay upang harapin ang ilang mga paghihirap at iyon ang dahilan kung bakit ngayon ginagawa namin ang isang bagay na kahit na ang mga katutubong nagsasalita ay maaaring hindi mahusay. Mga twisters ng dila! -Tongue twister ~ -Oo ~ o tulad ng gusto ng mga Aleman 'Zungenbrecher' -Sounds nakakatakot ... Talagang nakakatakot ako sa mga ... -Ye ikaw? -Oo, pinilipit ko ang aking dila kapag nagsasalita nang normal Wala akong mahusay na kontrol sa aking bibig. -Alam kong tama ako sa mga dila ng dila. (German twister wika) Indonesian: Konsistensi adalah kuncinya. -Ya itu benar. Indo katakan saya bisa membaca saya bisa menulis tetapi saya tidak bisa mengerti banyak. Dan saya kenal dengan dasar-dasar. Saya tidak akan mengatakan saya bisa berbicara dengan benar. Tapi kita akan sampai di sana. -Untuk hari ini pelajaran khusus ... sebagai pro pendidikan sendiri Saya pikir cara terbaik untuk belajar sesuatu untuk menghadapi kesulitan tertentu dan itulah sebabnya hari ini kita melakukan sesuatu yang bahkan tidak bisa digunakan oleh penutur asli. Twister lidah! Twister -Tongue ~ -Ya ~ atau seperti orang Jerman suka 'Zungenbrecher' -Kedengarannya menakutkan ... Aku benar-benar mengerikan pada mereka ... -Ya kamu? -Ya, saya memutar lidah ketika berbicara dengan normal Saya tidak memiliki kendali yang baik atas mulut saya. -Saya pikir saya baik-baik saja dengan twister lidah. (Twister lidah Jerman) Turkish: Tutarlılık anahtardır. -Evet doğru. İD diyebilirim ki okuyabiliyorum ama çok anlayamıyorum. Ve ben temelleri. Henüz düzgün konuşabildiğimi söyleyemem. Ama oraya gideceğiz. -Günümüz için özel bir ders ... kendimi bir eğitim uzmanı olarak Öğrenmenin en iyi yolunu düşündüm bir şey belirli zorluklarla yüzleşmek ve bu yüzden bugün anadili İngilizce olanların bile iyi olamayacağı bir şey yapıyoruz. Tekerlemeler! -Dil twister ~ -Evet ~ veya Almanlar gibi 'Zungenbrecher' - Korkunç geliyor ... Aslýnda bunlara korkunçum ... -Evet misin? -Evet, normal konuşurken dilini büküyorum Ağzım üzerinde iyi bir kontrolüm yok. -Bence dil bükücüleri ile iyiyim. (Almanca tekerleme) Portuguese: Consistência é a chave. -Sim, é verdade. Eu iria dizer que sei ler, sei escrever, mas não consigo entender muito. E eu estou familiarizado com o Fundamentos. Eu não diria que sou capaz de falar direito ainda. Mas nós vamos chegar lá. -Para hoje lição especial ... como profissional educacional Eu pensei que a melhor maneira de aprender algo é enfrentar certas dificuldades e é por isso que hoje estamos fazendo algo em que até os falantes nativos podem não ser bons. Trava-línguas! -Torretor de língua ~ -Sim ~ ou como alemães gostam «Zungenbrecher» -Parece assustador ... Eu sou realmente horrível com aqueles ... -Sim você é? -Sim, eu torço a língua quando falo normalmente Eu não tenho um bom controle sobre minha boca. -Acho que estou bem com trava-línguas. (Trava-língua alemão) Italian: La coerenza è la chiave. -Sì è vero. mi piacerebbe dire che posso leggere posso scrivere ma non capisco molto. E ho familiarità con il nozioni di base. Non direi che sono ancora in grado di parlare correttamente. Ma ci arriveremo. -Per oggi lezione speciale ... come professionista educativo me stesso Ho pensato al modo migliore per imparare qualcosa deve affrontare alcune difficoltà ed è per questo che oggi stiamo facendo qualcosa in cui anche i madrelingua potrebbero non essere bravi. Scioglilingua! -Pistola della lingua ~ -Si ~ o come piace ai tedeschi 'Zungenbrecher' -Suoni spaventosi ... Sono davvero orribile in quei ... -Sì, lo sei? -Sì, giro la lingua quando parlo normalmente Non ho un buon controllo sulla mia bocca. -Penso di stare bene con gli scioglilingua. (Scioglilingua tedesco) Malay (macrolanguage): Adakah anda ingat semasa saya mengajar yang ini kepada Eric Nam? -Ya ~ Betul. Ada kelainan. -Pusing? Saya telah berfikir ... apakah kaedah terbaik untuk belajar sesuatu? Anda memerlukan motivasi bukan? Dan apakah motivasi yang lebih baik daripada ketakutan dan penderitaan? -Takut? !! Jadi saya fikir kita boleh menjadikan ini sebagai cabaran ... dengan budak jahat ini. Kami akan melakukan twister lidah. setiap kali anda melakukan a Setiap kali anda membuat ayat, kami akan menjadikannya lebih sukar. -Anda juga menyediakan semangkuk kentang goreng ... Ya itu satu-satunya perkara yang dapat saya fikirkan bahawa anda makan dengan sos. -Ini hebat ... Ini adalah sos mi api pedas berganda. Saya tidak boleh makan mi api ini ... -Anda sudah! Tidak mengapa. -Tetapi sangat teruk. Ia kelihatan mematikan ... -Lihat warna ini! Bahasa Inggeris ... -Bahasa Inggeris? Ya bahasa Inggeris untuk memanaskan badan. Mari mulakan dengan yang pertama. Peter Piper memilih sebiji lada acar Portuguese: Você se lembra quando eu ensinei este para Eric Nam? -Sim ~ Certo. Há uma torção. -Uma reviravolta? Eu estive pensando ... qual é a melhor maneira de aprender alguma coisa? Você precisa de motivação, certo? E qual é a melhor motivação do que medo e agonia? -Medo?!! Então pensei que poderíamos fazer disso um desafio ... com esse garoto mau. Faremos trava-línguas. cada vez que você faz um Cada vez que você faz uma frase, fica mais difícil. -Bem, você também preparou uma tigela de batatas fritas ... Sim, é a única coisa que consigo pensar que você come com molho. -Isso é ótimo... Este é o molho de macarrão picante de fogo duplo. Eu não posso comer esses macarrão de fogo ... -Você já comeu! Está bem. -Mas é muito ruim. Parece mortal ... -Olha essa cor! Ingleses ... -Inglês? Sim, os ingleses apenas para aquecer. Vamos começar com o primeiro. Peter Piper pegou um pouco de pimentão em conserva Indonesian: Apakah Anda ingat ketika saya mengajarkan yang ini kepada Eric Nam? -Yeah ~ Benar. Ada twist. -Pelintir? Saya sudah berpikir ... apa cara terbaik untuk belajar sesuatu? Anda butuh motivasi bukan? Dan apa motivasi yang lebih baik daripada rasa takut dan penderitaan? -Takut?!! Jadi saya pikir kita bisa membuat ini sebuah tantangan ... dengan bocah nakal ini. Kami akan melakukan twister lidah. setiap kali Anda melakukan Setiap kali Anda melakukan kalimat, kami akan membuatnya lebih sulit. -Yah, Anda juga menyiapkan semangkuk kentang goreng ... Ya itu satu-satunya hal yang bisa saya pikirkan bahwa Anda makan dengan saus. -Itu hebat... Yang ini adalah saus mie api pedas ganda. Saya tidak bisa makan mie api ini ... -Anda sudah melakukannya! Tidak apa-apa. -Tapi itu sangat buruk. Itu terlihat mematikan ... -Lihat warna ini! Bahasa Inggris ... -Inggris? Ya bahasa Inggris untuk pemanasan saja. Mari kita mulai dengan yang pertama. Peter Piper mengambil kecupan paprika acar English: Do you remember when I taught this one to Eric Nam? -Yeah~ Right. There is a twist. -A twist? I've been thinking... what's the best way to learn something? You need motivation right? And what's a better motivation than fear and agony? -Fear?!! So I have thought we could make this a challenge...with this bad boy. We will be doing tongue twisters. each time you do a Each time you do a sentence we'll make it harder. -Well you also prepared a bowl of fries... Yea that's the only thing I could think of that you eat with sauce. -That's great... This one is the double spicy fire noodles sauce. I can't eat these fire noodles... -You did already! It's fine. -But it's really bad. It looks deadly... -Look at this color! English ones... -English? Yea English ones to just warm up. Let's start with the first. Peter Piper picked a peck of pickled peppers Turkish: Bunu Eric Nam'a öğrettiğimi hatırlıyor musun? -Evet ~ Doğru. Bir bükülme var. - Bir bükülme mi? Düşünüyordum ... bir şey öğrenmenin en iyi yolu nedir? Motivasyona ihtiyacınız var değil mi? Ve korku ve acıdan daha iyi bir motivasyon nedir? -Korku?!! Bu yüzden, bu kötü çocukla bir meydan okuma yapabileceğimizi düşündüm. Dil bükümleri yapacağız. her yaptığınızda Her cümle yaptığınızda bunu daha da zorlaştıracağız. -Ayrıca bir kase patates de hazırladın ... Evet, sosla yediğinizi düşünebileceğim tek şey bu. -Bu harika... Bu bir çift baharatlı ateş erişte sosu. Bu ateşli erişteleri yiyemem ... -Ben zaten yaptın! Bu iyi. -Ama gerçekten kötü. Ölümcül görünüyor ... -Bu renge bak! İngilizce olanlar ... -İngilizce? Evet İngilizce olanlar sadece ısınmak için. İlk ile başlayalım. Peter Piper bir biber turşusu aldı Italian: Ricordi quando ho insegnato questo a Eric Nam? -Sì ~ Giusto. C'è una svolta. -Un colpo di scena? Ho pensato ... qual è il modo migliore per imparare qualcosa? Hai bisogno di motivazione, giusto? E qual è la motivazione migliore della paura e dell'agonia? -Paura?!! Quindi ho pensato che potremmo renderlo una sfida ... con questo cattivo ragazzo. Faremo scioglilingua. ogni volta che lo fai a Ogni volta che fai una frase, la renderemo più difficile. -Beh hai anche preparato una ciotola di patatine fritte ... Sì, questa è l'unica cosa che mi viene in mente che mangi con la salsa. -È fantastico... Questa è la doppia salsa piccante tagliatelle al fuoco. Non riesco a mangiare questi spaghetti di fuoco ... -Hai già fatto! Va bene. -Ma è davvero brutto. Sembra mortale ... -Guarda questo colore! Quelli inglesi ... -Inglese? Sì, quelli inglesi per scaldarsi. Cominciamo con il primo. Peter Piper raccolse un boccone di peperoni sott'aceto Filipino: Naaalala mo ba noong itinuro ko ito kay Eric Nam? -Yeah ~ Tama. May twist. -Ang twist? Napaisip ako ... ano ang pinakamahusay na paraan upang malaman ang isang bagay? Kailangan mo ng pagganyak? At ano ang isang mas mahusay na pagganyak kaysa sa takot at paghihirap? -Pakita? !! Kaya naisip ko na maaari nating gawin itong hamon ... kasama ng masamang batang ito. Magsasagawa kami ng twisters ng dila. sa tuwing gagawin mo a Sa bawat oras na gumawa ka ng isang pangungusap ay gagawin naming mas mahirap. -Naghanda ka rin ng isang mangkok ng fries ... Oo iyon ang tanging naiisip ko na kumain ka ng sarsa. -Ang mahusay ... Ang isang ito ay ang dobleng maanghang na sarsa ng pansit. Hindi ko makakain ang mga pansit na ito ... -Nagawa mo na! Ayos lang. -Pero masama talaga. Mukhang nakamamatay ... -Tingnan ang kulay na ito! English na ... -English? Oo Ingles ang magpainit. Magsimula tayo sa una. Si Peter Piper ay pumili ng isang peck ng mga adobo na sili Spanish: ¿Recuerdas cuando le enseñé esto a Eric Nam? -Sí ~ Correcto. Hay un giro -¿Un giro? He estado pensando ... ¿cuál es la mejor manera de aprender algo? Necesitas motivación ¿verdad? ¿Y qué es una mejor motivación que el miedo y la agonía? -¡¡¿Miedo?!! Así que pensé que podríamos hacer de esto un desafío ... con este chico malo. Haremos trabalenguas. cada vez que haces un Cada vez que hagas una oración, lo haremos más difícil. -Bueno, también preparaste un plato de papas fritas ... Sí, eso es lo único que se me ocurre que comes con salsa. -Eso es genial... Esta es la doble salsa picante de fideos de fuego. No puedo comer estos fideos de fuego ... -¡Ya lo hiciste! Está bien. -Pero es realmente malo. Se ve mortal ... -¡Mira este color! Los ingleses ... -Inglés? Sí, los ingleses para calentarse. Comencemos con el primero. Peter Piper recogió un picotazo de pimientos en vinagre Arabic: هل تتذكر عندما علمت هذا إريك نام؟ -نعم ~ صحيح. هناك تطور. -تويست؟ كنت أفكر ... ما هي أفضل طريقة لتعلم شيء ما؟ تحتاج إلى الدافع الصحيح؟ وما هو الدافع الأفضل من الخوف والعذاب؟ -خاف؟ !! لذلك اعتقدت أننا يمكن أن نجعل هذا التحدي ... مع هذا الولد الشرير. سنفعل أعاصير اللسان. في كل مرة تفعل في كل مرة تقوم فيها بجملة ، سنجعل الأمر أكثر صعوبة. -حسنا أيضا قمت بإعداد وعاء من البطاطس المقلية ... نعم هذا هو الشيء الوحيد الذي يمكن أن أفكر فيه أنك تأكل مع الصلصة. -ذلك رائع... هذا هو صلصة المعكرونة المزدوجة الحارة. لا أستطيع أكل هذه المعكرونة الناري ... - لقد فعلت بالفعل! لا بأس. -لكن الأمر سيء حقًا. تبدو مميتة ... -انظروا إلى هذا اللون! منها الإنجليزية ... نعم الإنجليزية منها فقط للتدفئة. لنبدأ بالأول. اختار بيتر بايبر قطعة من الفلفل المخلل French: Vous souvenez-vous quand j'ai enseigné celui-ci à Eric Nam? -Oui ~ D'accord. Il y a une torsion. -Une torsion? J'ai pensé ... quelle est la meilleure façon d'apprendre quelque chose? Vous avez besoin de motivation non? Et quelle est une meilleure motivation que la peur et l'agonie? -Peur?!! J'ai donc pensé que nous pourrions en faire un défi ... avec ce mauvais garçon. Nous allons faire des virelangues. chaque fois que vous faites un Chaque fois que vous faites une phrase, nous la rendrons plus difficile. -Eh bien tu as aussi préparé un bol de frites ... Oui, c'est la seule chose à laquelle je pouvais penser que tu manges avec de la sauce. -C'est génial... Celle-ci est la double sauce aux nouilles épicées. Je ne peux pas manger ces nouilles de feu ... -Tu l'as déjà fait! C'est bon. -Mais c'est vraiment mauvais. Ça a l'air mortel ... -Regardez cette couleur! Les anglais ... -Anglais? Oui, les anglais pour se réchauffer. Commençons par le premier. Peter Piper a choisi un pic de poivrons marinés Malay (macrolanguage): sebiji lada acar Peter Piper memilih jika Peter Piper memilih keping lada acar di mana pak dari lada acar yang dipetik Peter Piper Soalan yang baik. -Ya giliran anda. Betty Better membeli beberapa- Percubaan pertama! Betty botter membeli sebilangan mentega tetapi dia mengatakan butter pahit tetapi jika saya memasukkan adunan saya, ia akan berjaya adunan saya pahit tetapi sedikit lebih baik mentega akan menjadikan adunan saya lebih baik. Betty botter membeli sedikit mentega yang lebih baik. Saya benci ini. Bagi saya, selalu sukar beralih dari satu bahasa ke bahasa lain. Walaupun sekarang. -Terutama dari Bahasa Inggeris ke Bahasa Korea. -Kami tidak bercakap dalam bahasa Inggeris dalam kehidupan seharian kami jadi semasa kita membuat rakaman dan kita mesti beralih dari bahasa Jerman yang merupakan bahasa yang sangat sukar ke bahasa Inggeris. Sekarang mari kita mulakan dengan bahasa lidah Korea. -Saya gementar. Indonesian: kecupan dari paprika acar Peter Piper memilih jika Peter Piper memilih kecupan dari acar paprika di mana kecupan itu dari paprika acar Peter Piper mengambil Pertanyaan bagus. -Yeah giliranmu. Betty Lebih baik membeli Percobaan pertama! Betty botter membeli beberapa mentega tapi dia bilang mentega pahit tetapi jika saya memasukkan adonan saya itu akan membuat adonan saya pahit tapi sedikit lebih baik mentega akan membuat adonan saya lebih baik. Betty botter membeli sedikit mentega yang lebih baik. Aku benci ini. Bagi saya itu selalu sulit beralih dari satu bahasa ke bahasa lain. Sekarangpun. -Terutama dari bahasa Inggris ke bahasa Korea. -Kita tidak berbicara dalam bahasa Inggris dalam kehidupan sehari-hari jadi ketika kita merekam dan kita selalu harus beralih dari Jerman yang merupakan bahasa yang sangat sulit ke bahasa Inggris. Sekarang mari kita mulai dengan twister lidah Korea. -Aku gugup. Italian: un bacio di peperoni sott'aceto Peter Piper ha scelto se Peter Piper ha scelto a beccata di peperoni sott'aceto dov'è il becco di peperoni sott'aceto raccolti da Peter Piper Buona domanda. -Sì è il tuo turno. Betty Better ha acquistato alcuni- Primo tentativo! Betty Botter ne acquistò un po ' burro ma ha detto i burri amari ma se metto la pastella, lo farà la mia pastella è amara ma un po 'meglio il burro renderà la mia pastella migliore. Betty Botter comprò un po 'di burro migliore. Lo odio. Per me è sempre così difficile passare da una lingua all'altra. Anche adesso. -In particolare dall'inglese al coreano. -Non parliamo in inglese nella nostra vita quotidiana quindi quando registriamo e dobbiamo sempre passare dal tedesco, che è una lingua davvero difficile all'inglese. Ora cominciamo con i scioglilingua coreani. -Sono nervoso. French: un pic de poivrons marinés Peter Piper choisi si Peter Piper a choisi un pic de poivrons marinés où est le pic de poivrons marinés cueillis par Peter Piper Bonne question. -Oui c'est ton tour. Betty Better en a acheté Premier essai! Betty botter en a acheté beurre mais elle a dit les beurres amers mais si je mets ma pâte ça fera ma pâte amère mais un peu meilleure le beurre rendra ma pâte meilleure. Betty botter a acheté un peu de meilleur beurre. Je déteste ça. Pour moi, c'est toujours si difficile de passer d'une langue à l'autre. Même maintenant. -En particulier de l'anglais vers le coréen. -Nous ne parlons pas en anglais dans notre vie quotidienne donc quand nous enregistrons et nous devons toujours passer de l'allemand qui est une langue très difficile à l'anglais. Commençons maintenant par les virelangues coréennes. -Je suis stressé. Arabic: قطعة من الفلفل المخلل بيتر اختار بايبر إذا اختار بيتر بايبر أ قطعة من الفلفل المخلل حيث أنقر من الفلفل المخلل اختار بيتر بايبر سؤال جيد. نعم حان دورك. اشترت بيتي بيتر بعض- أول محاولة! اشترت بيتي بوتر بعض زبدة لكنها قالت الزبد مرير ولكن إذا وضعت في الخليط فسوف تصنع بلدي الخليط المريرة ولكن أفضل قليلا الزبدة ستجعل الخليط أفضل. بيتي اشترى botter القليل من الزبدة الأفضل. اكره هذا. بالنسبة لي من الصعب دائما التبديل من لغة إلى أخرى. حتى الان. -خاصة من الإنجليزية إلى الكورية. - نحن لا نتحدث باللغة الإنجليزية في حياتنا اليومية لذلك عندما نقوم بالتسجيل وعلينا دائمًا أن ننتقل من الألمانية التي هي لغة صعبة جدًا إلى الإنجليزية. الآن لنبدأ مع أعاصير اللسان الكورية. -انا عصبي. Turkish: turşu biber bir yığın Peter Peter Piper, biber turşusu gaga nerede turşu biber Peter Piper aldı İyi soru. -Evet sıra sende. Betty Better biraz satın aldı. İlk deneme! Betty botter biraz satın aldı tereyağı ama tereyağı acı dedi ama hamuruma koyarsam, meyilliğim acı ama biraz daha iyi tereyağı hamurumu daha iyi yapacaktır. Betty botter biraz daha iyi tereyağı aldı. Bundan nefret ediyorum. Benim için her zaman çok zor bir dilden diğerine geçin. Şimdi bile. -Özellikle İngilizce'den Korece. -Günlük hayatımızda İngilizce konuşmuyoruz yani kayıt yaparken ve her zaman çok zor bir dil olan Almanca'dan İngilizceye geçmek zorundayız. Şimdi Kore dili burguları ile başlayalım. -Sinirliyim. English: a peck of pickled peppers Peter Piper picked if Peter Piper picked a peck of pickled peppers where's the peck of pickled peppers Peter Piper picked Good question. -Yeah it's your turn. Betty Better bought some- First try! Betty botter bought some butter but she said the butters bitter but if I put in my batter it will make my batter bitter but a bit of better butter will make my batter better. Betty botter bought a bit of better butter. I hate this. For me it's always so hard to switch from one language to another. Even now. -Especially from English to Korean. -We don't talk in English in our daily life so when we're recording and we always have to switch from German which is a really hard language to English. Now let's start with the with the Korean tongue twisters. -I'm nervous. Spanish: un besito de pimientos en vinagre Peter Piper eligió si Peter Piper eligió un picotazo de pimientos en vinagre donde está el picoteo de pimientos en vinagre recogido por Peter Piper Buena pregunta. -Si es tu turno. Betty Better compró algo ¡Primer intento! Betty Botter compró algunos mantequilla pero ella dijo que las mantequillas amargas pero si pongo mi masa hará que mi masa amarga pero un poco mejor la mantequilla mejorará mi masa. Betty Botter compró un poco de mejor mantequilla. Odio esto. Para mí siempre es tan difícil cambiar de un idioma a otro. Incluso ahora. -Especialmente del inglés al coreano. -No hablamos inglés en nuestra vida diaria. así que cuando estamos grabando y siempre tenemos que cambiar del alemán, que es un idioma realmente difícil al inglés. Ahora comencemos con el trabalenguas coreano. -Estoy nervioso. Portuguese: um bocado de pimentos em conserva Peter Piper escolheu se Peter Piper escolheu um beijinho de pimentão em conserva onde está o beijinho de pimentas em conserva Peter Piper escolheu Boa pergunta. Sim, é a sua vez. Betty Better comprou algo Primeira tentativa! Betty botter comprou alguns manteiga, mas ela disse que as manteigas amargas mas se eu colocar na minha massa vai fazer minha massa amarga, mas um pouco melhor manteiga vai melhorar minha massa. Betty botter comprou um pouco de manteiga melhor. Eu odeio isso. Para mim, é sempre tão difícil mudar de um idioma para outro. Mesmo agora. -Especialmente do inglês para o coreano. -Nós não falamos em inglês em nossa vida diária então, quando estamos gravando e sempre temos que mudar do alemão, que é realmente um idioma difícil para o inglês. Agora vamos começar com o trava-línguas coreano. -Eu estou nervoso. Filipino: isang peck ng adobo na sili na si Peter Pinili ni Piper kung si Peter Piper ang pumili ng isang peck ng adobo na sili kung nasaan ang peck ng adobo na paminta na pinili ni Peter Piper Magandang tanong. -Yeah ikaw na naman. Bumili si Betty Better ng ilang- Unang subukan! Bumili ng ilan si Betty botter mantikilya ngunit sinabi niya ang mga butter na mapait ngunit kung inilalagay ko ang aking batter ay gagawin ito ang aking batter mapait ngunit medyo mas mahusay bubuti ng mantikilya ang aking batter. Si Betty bumili si botter ng kaunting mas mahusay na mantikilya. Ayaw ko nito. Para sa akin ito ay palaging mahirap lumipat mula sa isang wika sa isa pa. Kahit ngayon. -Espesyal mula sa Ingles hanggang Korean. -Hindi kami makipag-usap sa Ingles sa aming pang-araw-araw na buhay kaya kapag nagre-record kami at lagi kaming dapat lumipat mula sa Aleman na isang mahirap na wika sa Ingles. Ngayon magsimula tayo sa mga may tw twing sa wika ng Korea. -Kinakabahan ako. Turkish: İlkini yapacağım. Bu sadece ısınmak ve aslında bunu biliyorum, bu yüzden sadece denemek ve içine almak. Çok güzeldi! Evet aslında bunu çocukluğumdan biliyorum. Bu aslında ... Soya sosu fabrikasının fabrika müdürü fabrika müdürü Jang. Ve fasulye ezmesi fabrikasının fabrika müdürü fabrika müdürü Kang. Evet, iyiydi. -İydi mi? -Evet şimdi zamanımı geçmelisin! Tamam beş saniye 35. -Bunu üç iki tane yapamam 3 ... 2 ... 1 ... git! Indonesian: Saya akan melakukan yang pertama. Ini hanya pemanasan dan saya benar-benar tahu yang ini jadi saya hanya akan mencoba dan masuk ke dalamnya. Itu sangat bagus! Ya saya sebenarnya tahu yang ini sejak kecil. Yang ini sebenarnya berarti ... Manajer pabrik dari pabrik kecap adalah manajer pabrik Jang. Dan manajer pabrik dari pabrik pasta kacang adalah manajer pabrik Kang. Ya itu baik-baik saja. -Apakah itu baik-baik saja? -Yeah sekarang kamu harus mengalahkan waktuku! Oke lima detik 35. -Aku tidak bisa melakukan ini, tiga, satu, pergi 3 ... 2 ... 1 ... pergi! Portuguese: Eu vou fazer o primeiro. Isso aquece e eu realmente conheço este, então vou tentar entrar nele. Isso foi muito legal! Sim, eu realmente conheço este desde a minha infância. Este realmente significa ... O gerente da fábrica de molho de soja é gerente de fábrica Jang. E o gerente da fábrica de pasta de feijão é gerente de fábrica Kang. Sim, estava tudo bem. -Tudo bem? -Sim, agora você tem que vencer o meu tempo! Ok cinco segundos 35. -Eu não posso fazer isso três dois um ir 3 ... 2 ... 1 ... vai! French: Je ferai le premier. Cela vient de s'échauffer et je connais celui-ci donc je vais juste essayer de me lancer. C'était plutôt sympa! Oui, je connais celui-ci depuis mon enfance. Celui-ci signifie en fait ... Le directeur de l'usine de la sauce de soja est directeur d'usine Jang. Et le directeur de l'usine de pâte de haricots est le directeur d'usine Kang. Oui, ça allait. -Est-ce que ça allait? -Ouais maintenant tu dois battre mon temps! D'accord cinq secondes 35. -Je ne peux pas faire ça trois deux en un 3 ... 2 ... 1 ... allez-y! Italian: Farò il primo. Mi sto solo scaldando e in realtà lo conosco, quindi cercherò di entrare. È stato molto carino! Sì, lo so davvero dalla mia infanzia. Questo in realtà significa ... Il direttore della fabbrica della salsa di soia è direttore di fabbrica Jang. E il direttore della fabbrica della pasta di fagioli è il direttore di fabbrica Kang. Sì, andava bene. -Va tutto bene? -Sì ora devi battere il mio tempo! Va bene cinque secondi 35. -Non posso fare questi tre due uno 3 ... 2 ... 1 ... via! Filipino: Gagawin ko muna. Nagpapainit lang ito at talagang kilala ko ang isang ito kaya susubukan ko lang at mapasok ito. Iyon ay maganda! Oo alam ko talaga ito mula pa noong bata pa ako. Ang ibig sabihin ng isang ito ... Ang tagapamahala ng pabrika ng toyo ay tagapamahala ng pabrika na si Jang. At ang tagapamahala ng pabrika ng pabrika ng bean paste ay ang tagapamahala ng pabrika Kang. Oo okay lang. -Ako ba? -Yeah ngayon kailangan mong talunin ang oras ko! Okay limang segundo 35. -Hindi ko magagawa ang tatlo na ito 3 ... 2 ... 1 ... go! English: I'll do the first one. This just warm up and I actually know this one so I will just try and get into it. That was pretty nice! Yea I actually know this one from my childhood. This one actually means... The factory manager of the soy sauce factory is factory manager Jang. And the factory manager of the bean paste factory is factory manager Kang. Yea it was okay. -Was it okay? -Yeah now you have to beat my time! Okay five seconds 35. -I can't do this three two one go 3...2...1...go! Arabic: سأفعل الأول. هذا مجرد الاحماء وأنا أعرف هذا بالفعل لذلك سأحاول فقط الدخول فيه. كان ذلك لطيفا جدا! نعم أنا أعرف هذا بالفعل من طفولتي. هذا يعني في الواقع ... مدير المصنع لمصنع صلصة الصويا مدير المصنع جانغ. ومدير مصنع معجون الفول هو مدير المصنع كانغ. نعم كان بخير. -هل كان بخير؟ -نعم الآن عليك أن تغلب على وقتي! حسنًا خمس ثوانٍ 35. -لا أستطيع أن أفعل هذا ثلاثة اثنين واحد يذهب 3 ... 2 ... 1 ... انطلق! Spanish: Yo haré el primero. Esto solo se calienta y en realidad lo sé, así que intentaré entrar en él. Eso estuvo muy bien! Sí, en realidad lo conozco desde mi infancia. Este en realidad significa ... El gerente de la fábrica de salsa de soja es Gerente de fábrica Jang. Y el gerente de la fábrica de pasta de frijoles es el gerente de la fábrica Kang. Sí, estuvo bien. -¿Está bien? -¡Si ahora tienes que ganarme el tiempo! De acuerdo, cinco segundos 35. -No puedo hacer esto tres dos uno ir 3 ... 2 ... 1 ... ¡vamos! Malay (macrolanguage): Saya akan buat yang pertama. Ini baru menghangatkan dan saya sebenarnya tahu yang ini jadi saya hanya akan mencuba dan memahaminya. Cukup bagus! Ya, saya sebenarnya tahu yang ini sejak kecil saya. Yang ini sebenarnya bermaksud ... Pengurus kilang kilang kicap adalah pengurus kilang Jang. Dan pengurus kilang kilang pes kacang adalah pengurus kilang Kang. Ya, tidak mengapa. -Adakah tidak mengapa? -Ya sekarang anda harus mengalahkan masa saya! Okey lima saat 35. -Aku tidak boleh melakukan tiga dua ini 3 ... 2 ... 1 ... pergi! Italian: Quindi ora sta diventando reale. Inseriremo la salsa. È spaventoso... -Ora si sta divertendo! Va bene prima di iniziare ... Voglio presentarti rapidamente a Skillshare. Molti di voi ragazzi mi chiedono come apprendo il coreano E direi che lo sono principalmente imparare il coreano online poco a poco. Volevo mostrarti le lezioni che mi ha aiutato molto in questi giorni. C'è questa classe coreana per principianti di Keewan Kim. -Principianti assoluti! -Si Giusto. Che ho fatto breccia abbastanza rapidamente perché io conosco già le basi. E ha anche un costruttore di vocabolario coreano e un viaggio Classe coreana che sto verificando in questo momento. E penso che questi due mi aiuteranno molto personalmente per il mio prossimo viaggio in Corea. Skillshare offre anche migliaia di altre incredibili lezioni stimolanti. Ho scoperto di recente questa nuova classe e questo hobby per me stesso che è "Style your Space". -Oh suona bene! Portuguese: Então agora está ficando real. Vamos colocar o molho. É assustador... -Agora está ficando divertido! Ok, antes de começarmos ... Quero rapidamente apresentar-lhe o Skillshare. Muitos de vocês perguntam sobre meus métodos como eu aprendo coreano E eu diria que sou principalmente aprendendo coreano online pouco a pouco. Eu queria te mostrar as aulas que me ajudou muito esses dias. Há uma aula de coreano para iniciantes de Keewan Kim. -Iniciantes absolutos! Sim, certo. Que eu passei rapidamente, porque eu já conhece o básico. E ele também tem um construtor de vocabulário coreano e uma viagem Aula de coreano que estou verificando agora. E acho que esses dois me ajudarão muito pessoalmente na minha próxima viagem à Coréia. O Skillshare também oferece milhares de outras aulas inspiradoras incríveis. Eu descobri recentemente essa nova classe e hobby para mim que é 'Estilize seu espaço'. -Ah, isso parece legal! Indonesian: Jadi sekarang semakin nyata. Kami akan memasukkan saus. Menakutkan... -Sekarang Ini semakin menyenangkan! Oke sebelum kita mulai ... Saya dengan cepat ingin memperkenalkan Anda ke Skillshare. Saya ditanyakan oleh banyak orang tentang metode saya bagaimana saya belajar bahasa Korea Dan saya katakan saya terutama belajar bahasa Korea online sedikit demi sedikit. Saya ingin menunjukkan kepada Anda kelas-kelas itu banyak membantu saya hari ini. Ada kelas bahasa Korea untuk pemula oleh Keewan Kim. -Memutuskan pemula! -Ya benar. Yang saya lalui cukup cepat karena saya sudah tahu dasar-dasarnya. Dan dia juga memiliki pembangun kosakata Korea dan perjalanan Kelas bahasa Korea yang saya periksa sekarang. Dan saya pikir keduanya akan banyak membantu saya secara pribadi untuk perjalanan saya berikutnya ke Korea. Skillshare juga menawarkan ribuan kelas inspiratif menakjubkan lainnya. Baru-baru ini saya menemukan kelas dan hobi baru ini untuk diri saya sendiri yang merupakan 'Gaya Ruang Anda'. -Oh itu kedengarannya bagus! Malay (macrolanguage): Jadi sekarang ia menjadi nyata. Kami akan mendapatkan sos. Ianya menakutkan... -Sekarang ini semakin menyeronokkan! Baiklah sebelum kita memulakan ... Saya dengan cepat ingin memperkenalkan anda kepada Skillshare. Saya diminta oleh ramai daripada anda mengenai kaedah saya bagaimana saya belajar bahasa Korea Dan saya katakan saya terutamanya belajar bahasa Korea dalam talian sedikit demi sedikit. Saya mahu menunjukkan kepada anda kelas-kelas itu banyak membantu saya hari ini. Terdapat kelas Korea ini untuk pemula oleh Keewan Kim. - Pemula yang mutlak! -Ya betul. Yang saya lalui dengan cepat kerana saya sudah mengetahui asasnya. Dan dia juga mempunyai pembangun perbendaharaan kata Korea dan perjalanan Kelas Korea yang sedang saya periksa sekarang. Dan saya fikir kedua-duanya akan banyak membantu saya secara peribadi untuk perjalanan seterusnya ke Korea. Skillshare juga menawarkan beribu-ribu kelas inspirasi lain yang menakjubkan. Saya baru-baru ini menemui kelas dan hobi baru ini iaitu 'Gaya Ruang Anda'. -Oh itu terdengar bagus! Turkish: Şimdi gerçek oluyor. Sosu alacağız. Korkutucu... -Şimdi eğlenceli oluyor! Başlamadan önce ... Sizi hızlıca Skillshare ile tanıştırmak istiyorum. Birçoğunuzdan Korece'yi nasıl öğrendiğime dair yöntemlerim soruluyor Ve esasen benim olduğumu söyleyebilirim Korece çevrimiçi öğrenme. Sana sınıfları göstermek istedim bu günlerde bana çok yardımcı oldu. Keewan Kim'in yeni başlayanlar için bu Korece sınıfı var. -Yeniden başlayanlar! -Evet doğru. Oldukça hızlı bir şekilde ürediğim için temel bilgileri zaten biliyor. Ayrıca Korece bir kelime oluşturucu ve bir seyahat var. Şu anda kontrol ettiğim Korece sınıfı. Ve sanırım bu ikisi bir sonraki Kore seyahatim için kişisel olarak bana çok yardımcı olacak. Skillshare ayrıca binlerce şaşırtıcı ilham verici sınıf sunmaktadır. Kısa süre önce bu yeni sınıfı ve hobiyi kendim keşfettim ki bu da sizin mekanınıza tarz katın. -Oh kulağa hoş geliyor! Spanish: Entonces ahora se está volviendo real. Pondremos la salsa. Da miedo... -Ahora se está divirtiendo! Está bien antes de comenzar ... Rápidamente quiero presentarte a Skillshare. Muchos de ustedes me preguntaron sobre mis métodos cómo aprendo coreano Y yo diría que soy principalmente aprendiendo coreano en línea poco a poco. Quería mostrarte las clases que Me ayudó mucho en estos días. Hay una clase de coreano para principiantes de Keewan Kim. -¡Principiantes absolutos! -Si bien. Lo cual atravesé rápidamente porque yo Ya sé lo básico. Y también tiene un constructor de vocabulario coreano y un viaje Clase de coreano que estoy viendo ahora. Y creo que estos dos me ayudarán mucho personalmente para mi próximo viaje a Corea. Skillshare también ofrece miles de otras increíbles clases inspiradoras. Recientemente he descubierto esta nueva clase y pasatiempo para mí. que es 'Style your Space'. -Oh, eso suena bien! Arabic: حتى الآن أصبحت حقيقة. سوف نحضر الصلصة. انه مخيف... - الآن أصبح الأمر ممتعًا! حسنًا قبل أن نبدأ ... أريد أن أقدمك بسرعة إلى Skillshare. يسألني الكثير منكم عن طرق عملي كيف أتعلم اللغة الكورية وأنا أقول بشكل رئيسي تعلم اللغة الكورية عبر الإنترنت شيئًا فشيئًا. أردت أن أريكم الدروس ساعدني كثيرا هذه الأيام. هناك هذه الفئة الكورية للمبتدئين من قبل Keewan Kim. -المبتدئين! -نعم صحيح. الذي نسخته بسرعة كبيرة لأنني تعرف بالفعل الأساسيات. ولديه أيضًا باني مفردات كوري وسفر الفصل الكوري الذي أتحقق منه الآن. وأعتقد أن هذين سيساعدانني شخصيًا كثيرًا في رحلتي القادمة إلى كوريا. تقدم Skillshare أيضًا الآلاف من الفصول الملهمة المذهلة الأخرى. لقد اكتشفت مؤخرًا هذه الفئة الجديدة وهواية لنفسي وهو "أسلوب الفضاء الخاص بك". -أوه يبدو لطيفًا! English: So now it's getting real. We'll get the sauce in. It's scary... -Now it's getting fun! Okay before we start... I quickly want to introduce you to Skillshare. I get asked by many of you guys on my methods how I learn Korean And I'd say I'm mainly learning Korean online bit by bit. I wanted to show you the classes that helped me a lot these days. There's this Korean class for beginners by Keewan Kim. -Absolute beginners! -Yea right. Which I breezed through pretty quickly because I already know the basics. And he also has a Korean vocabulary builder and a travel Korean class that I'm checking out right now. And I think these two will help me personally a lot for my next trip to Korea. Skillshare also offers thousands of other amazing inspiring classes. I have recently discovered this new class and hobby for myself which is 'Style your Space'. -Oh that sounds nice! Filipino: Kaya ngayon ito ay nagiging tunay. Kukuha kami ng sarsa. Nakakatakot... -Nagiging masaya ka na! Okay bago tayo magsimula ... Mabilis kong nais na ipakilala sa iyo sa Skillshare. Tinanong ako ng marami sa inyo ang aking mga pamamaraan kung paano ko natututo ang Korean At sasabihin ko pangunahin ko pag-aaral ng Korean online nang kaunti. Nais kong ipakita sa iyo ang mga klase na nakatulong sa akin ng maraming mga araw na ito. Nariyan ang klase ng Koreano para sa mga nagsisimula ni Keewan Kim. -Baguhan! -O talaga. Na pinangangasiwaan ko ng napakabilis dahil ako alam na ang mga pangunahing kaalaman. At mayroon din siyang tagabuo ng bokabularyo ng Korea at paglalakbay Korean class na nagchecheck ako ngayon. At sa palagay ko ang dalawang ito ay makakatulong sa akin nang personal para sa aking susunod na paglalakbay sa Korea. Nag-aalok din ang Skillshare ng libu-libong iba pang kamangha-manghang mga nakasisiglang klase. Natagpuan ko kamakailan ang bagong klase at libangan na ito para sa aking sarili na kung saan ay 'Estilo ng iyong Space'. -O na maganda ang tunog! French: Alors maintenant, ça devient réel. Nous allons mettre la sauce. C'est effrayant... -Maintenant ça devient amusant! D'accord avant de commencer ... Je veux rapidement vous présenter Skillshare. Beaucoup d'entre vous me demandent comment j'apprends le coréen Et je dirais que je suis principalement apprendre le coréen en ligne petit à petit. Je voulais vous montrer les cours m'a beaucoup aidé ces jours-ci. Il y a ce cours de coréen pour débutants par Keewan Kim. -Novices! -Ouai, bien sur. Que j'ai traversé assez rapidement parce que je connaissent déjà les bases. Et il a aussi un constructeur de vocabulaire coréen et un voyage Cours de coréen que je vérifie en ce moment. Et je pense que ces deux-là m'aideront beaucoup personnellement pour mon prochain voyage en Corée. Skillshare propose également des milliers d'autres classes inspirantes incroyables. J'ai récemment découvert cette nouvelle classe et ce passe-temps pour moi qui est «Style votre espace». -Oh ça sonne bien! Portuguese: Essa é de Emily Henderson. Como você sabe, estamos atualmente tentando reformar uma casa um pouco então essa aula realmente me ajudou a ter ideias factíveis para planejar nossa casa e você pode até fazer um teste para encontrar seu estilo pessoal, então definitivamente confira. Também o Skillshare é incrivelmente acessível especialmente em comparação com classes caras e pessoais oficinas. Uma assinatura anual é inferior a US $ 10 por mês. Na verdade, os primeiros mil de vocês que clicam no link aqui na caixa de descrição receberá dois meses gratuitos de assinatura premium! Então você pode explorar sua criatividade e aprender algumas coisas novas! Vou começar. Vou apenas tentar. Eu pego essa batata e fico um pouco ... minúscula ... oops. Omg, é tão vermelho! Está bem! -Está bem? Agora comece com o primeiro. 3 ... 2 ... 1 Filipino: Ang isang ito ni Emily Henderson. Tulad ng alam mo na kasalukuyang sinusubukan naming baguhin ang isang bahay nang kaunti kaya tinulungan ako ng klase na ito sa pagkuha ng mga magagandang ideya upang magplano ng aming tahanan at maaari ka ring gumawa ng isang pagsusulit upang mahanap ang iyong personal na istilo kaya siguradong suriin ito. Gayundin ang Skillshare hindi kapani-paniwalang abot-kayang lalo na kumpara sa mga mahal na klase ng klase at mga workshop. Ang isang taunang subscription ay mas mababa sa $ 10 sa isang buwan. Tunay na ang unang libong mga lalake na nag-click sa link dito sa kahon ng paglalarawan makakakuha ng dalawang libreng buwan ng premium membership! Kaya maaari mong tuklasin ang iyong pagkamalikhain at matuto ilang mga bagong bagay! Magsisimula na ako. Susubukan ko lang ito ng kaunti. Kinukuha ko ang pritong ito at kumuha lang ng kaunti ... maliit ... oops. Omg ito ay pula! Ayos lang! -Ako okay? Ngayon magsimula sa una. 3 ... 2 ... 1 English: This one's by Emily Henderson. As you know we are currently trying to renovate a home a bit so this class really helped me with getting doable ideas to plan our home and you can even do a quiz to find your personal style so definitely check it out. Also Skillshare is incredibly affordable especially compared to pricey in-person classes and workshops. An annual subscription is less than $10 a month. Actually the first thousand of you guys who click the link here in the description box will get two free months of premium membership! So you can explore your creativity and learn some new stuff! I will start. I'll just give it a little try. I take this fry and get just a little... tiny... oops. Omg it's soo red! It's okay! -It's okay? Now start with the first one. 3...2...1 Malay (macrolanguage): Yang ini oleh Emily Henderson. Seperti yang anda ketahui, kami sedang berusaha untuk mengubahsuai rumah sedikit jadi kelas ini sangat membantu saya mendapatkan idea yang boleh dilakukan untuk merancang rumah kami dan anda juga boleh membuat kuiz untuk mencari gaya peribadi jadi pasti memeriksanya. Skillshare juga sangat berpatutan terutamanya berbanding dengan kelas orang yang mahal dan bengkel. Langganan tahunan kurang dari $ 10 sebulan. Sebenarnya seribu orang pertama yang mengklik pautan di sini di kotak penerangan akan mendapat dua bulan percuma keahlian premium! Oleh itu, anda boleh meneroka kreativiti anda dan belajar beberapa barang baru! Saya akan mula. Saya hanya akan mencuba sedikit. Saya mengambil goreng ini dan mendapat sedikit ... kecil ... aduh. Omg sangat merah! Tidak mengapa! - Tidak apa-apa? Sekarang mulakan dengan yang pertama. 3 ... 2 ... 1 Italian: Questo è di Emily Henderson. Come sapete, stiamo attualmente cercando di rinnovare un po 'la casa quindi questa lezione mi ha davvero aiutato a ottenere idee fattibili per pianificare la nostra casa e puoi anche fare un quiz per trovare il tuo stile personale, quindi dai un'occhiata. Anche Skillshare è incredibilmente conveniente soprattutto rispetto alle costose lezioni di persona e workshop. Un abbonamento annuale è inferiore a $ 10 al mese. In realtà i primi mille di voi ragazzi che cliccano sul link qui nella casella della descrizione riceverà due mesi gratuiti di abbonamento premium! Quindi puoi esplorare la tua creatività e imparare alcune cose nuove! Inizierò. Ci proverò solo un po '. Prendo questa patatina e ottengo solo un po '... minuscolo ... oops. Omg è così rosso! Va bene! -Va bene? Ora inizia con il primo. 3 ... 2 ... 1 French: Celui-ci est d'Emily Henderson. Comme vous le savez, nous essayons actuellement de rénover un peu donc ce cours m'a vraiment aidé à trouver des idées réalisables pour planifier notre maison et vous pouvez même faire un quiz pour trouver votre style personnel donc n'hésitez pas à le vérifier. Le partage des compétences est également incroyablement abordable en particulier par rapport aux cours en personne coûteux et ateliers. Un abonnement annuel est inférieur à 10 $ par mois. En fait, le premier millier d'entre vous qui cliquez sur le lien ici dans la zone de description bénéficiera de deux mois d'abonnement premium gratuits! Vous pouvez ainsi explorer votre créativité et apprendre de nouvelles choses! Je vais commencer. Je vais juste l'essayer. Je prends cette frite et j'obtiens juste un tout petit ... petit ... oups. Omg c'est tellement rouge! Ça va! -Ça va? Commencez maintenant par le premier. 3 ... 2 ... 1 Indonesian: Yang ini oleh Emily Henderson. Seperti yang Anda ketahui, kami sedang sedikit merenovasi rumah jadi kelas ini benar-benar membantu saya mendapatkan ide yang bisa dilakukan untuk merencanakan rumah kami dan Anda bahkan dapat melakukan kuis untuk menemukan gaya pribadi jadi pasti memeriksanya. Skillshare juga sangat terjangkau terutama dibandingkan dengan kelas pribadi yang mahal dan lokakarya. Langganan tahunan kurang dari $ 10 sebulan. Sebenarnya ribuan pertama dari kalian yang mengklik tautan di sini di kotak deskripsi akan mendapatkan dua bulan gratis keanggotaan premium! Jadi Anda bisa mengeksplorasi kreativitas Anda dan belajar beberapa barang baru! Aku akan mulai. Saya akan coba sedikit saja. Saya mengambil goreng ini dan hanya mendapatkan sedikit ... kecil ... oops. Omg soo red! Tidak masalah! -Tidak masalah? Sekarang mulailah dengan yang pertama. 3 ... 2 ... 1 Turkish: Bu Emily Henderson. Bildiğiniz gibi şu anda bir evi biraz yenilemeye çalışıyoruz bu yüzden bu sınıf gerçekten evimizi planlamak için uygulanabilir fikirler edinmeme yardımcı oldu ve hatta bulmak için bir sınav yapabilirsiniz kişisel tarzı kesinlikle kontrol edin. Ayrıca Skillshare inanılmaz derecede uygun özellikle pahalı yüz yüze derslere kıyasla ve atölyeler. Yıllık abonelik ayda 10 dolardan azdır. Aslında açıklama kutusundaki bağlantıyı tıklayan ilk bin kişiniz iki aylık ücretsiz premium üyelik kazanacaksınız! Böylece yaratıcılığınızı keşfedebilir ve öğrenebilirsiniz. bazı yeni şeyler! Başlayacağım. Sadece biraz deneyeceğim. Bu kızartmayı alıp biraz ... minik ... ayy. Aman tanrım çok kırmızı! Sorun değil! -Sorun değil? Şimdi ilki ile başlayın. 3 ... 2 ... 1 Spanish: Este es de Emily Henderson. Como saben, actualmente estamos tratando de renovar un poco la casa. así que esta clase realmente me ayudó a obtener ideas factibles para planificar nuestro hogar e incluso puedes hacer un cuestionario para encontrar tu estilo personal, así que definitivamente échale un vistazo. También Skillshare es increíblemente asequible especialmente en comparación con las clases en persona caras y Talleres de trabajo. Una suscripción anual es menos de $ 10 al mes. En realidad, los primeros mil de ustedes que hacen clic en el enlace aquí en el cuadro de descripción ¡obtendrá dos meses gratis de membresía premium! Para que pueda explorar su creatividad y aprender algunas cosas nuevas! Comenzaré. Solo lo intentaré un poco. Tomo esta papa frita y me pongo un poco ... pequeño ... ¡Uy! Omg es tan rojo! ¡Está bien! -¿Está bien? Ahora comience con el primero. 3 ... 2 ... 1 Arabic: هذا واحد من إميلي هندرسون. كما تعلمون نحن نحاول حاليًا تجديد المنزل قليلاً لذلك ساعدني هذا الفصل حقًا في الحصول على أفكار قابلة للتنفيذ لتخطيط منزلنا ويمكنك حتى إجراء اختبار للعثور على النمط الشخصي لذلك تحقق من ذلك بالتأكيد. أيضا Skillshare هو بأسعار معقولة بشكل لا يصدق خصوصا بالمقارنة مع الطبقات الشخصية و ورش عمل. الاشتراك السنوي أقل من 10 دولارات في الشهر. في الواقع الألف منكم الذين ينقرون على الرابط هنا في مربع الوصف ستحصل على شهرين مجانيين من العضوية المميزة! حتى تتمكن من استكشاف إبداعك والتعلم بعض الاشياء الجديدة! سأبدأ. سأحاول فقط. آخذ هذه اليرقة وأحصل على القليل ... صغير ... عفوا. OMG انها حمراء جدا! حسنا! -حسنا؟ ابدأ الآن بالأول. 3 ... 2 ... 1 Portuguese: É realmente picante! -É sim? -Pegue este aqui. Eu vou levar este ... Você consegue? -Dói ... tudo bem, eu posso fazer isso ... Pare meu tempo! -3 ... 2 ... 1 ... vai! Treze! Treze segundos! -Sim, legal! Leite de segurança. Então este aqui significa As janelas de barra de ferro da sede da polícia são barras de ferro de camada única e o escritório do promotor janelas de barra de ferro são barras de ferro de dupla camada. -Faz sentido. Ok, próximo. Turkish: Gerçekten baharatlı! -Evet mi? -Bunu al. Bunu alacağım... Bunu yapabilirsin? -Ağrıyor ... tamam yapabilirim ... Durma zamanımı! -3 ... 2 ... 1 ... git! Onüç! On üç saniye! -Evet güzel! Güvenli süt. Yani bu demek oluyor ki Polis merkezinin demir çubuk pencereleri tek katmanlı demir çubuklar ve savcılıktır demir çubuk pencereler çift katmanlı demir çubuklardır. -Mantıklı. Bir sonraki. Malay (macrolanguage): Ia sungguh pedas! -Ya betul? - Ambil yang ini. Saya akan ambil yang ini ... Awak boleh lakukannya? -Sakit ... baiklah saya boleh melakukannya ... Hentikan masa saya! -3 ... 2 ... 1 ... pergi! Tiga belas! Tiga belas saat! -Ya bagus! Susu keselamatan. Jadi ini bermaksud Tingkap besi besi ibu pejabat polis adalah batang besi lapisan tunggal dan pejabat pendakwa tingkap palang besi adalah batang besi lapisan dua. -Masuk akal. Baiklah yang seterusnya. Filipino: Spicy talaga! -Ano ito? -Kuha ng isang ito. Kukunin ko ang isang ito ... Kaya mo yan? -Masakit ... okay na magawa ko ... Itigil ang oras ko! -3 ... 2 ... 1 ... go! Labintatlo! Labintatlong segundo! -Yeah! Kaligtasan ng gatas. Kaya ang ibig sabihin ng isang ito Ang mga bintana ng bar ng iron headquarter ng pulisya ay mga solong layer na bakal na bar at ang tagapangasiwa ng tanggapan ang mga iron bar windows ay double layer iron bar. -Maramdam. Okay sa susunod. Italian: È davvero piccante! -Sì? -Prendi questo. Prenderò questo ... Puoi farlo? -Fa male ... okay posso farcela ... Stop al mio tempo! -3 ... 2 ... 1 ... via! Tredici! Tredici secondi! -Sì bello! Latte di sicurezza. Quindi questo significa Le finestre della sbarra di ferro del quartier generale della polizia sono sbarre di ferro a strato singolo e l'ufficio del procuratore le finestre delle sbarre di ferro sono barre di ferro a doppio strato. -Ha senso. Va bene il prossimo. Indonesian: Ini sangat pedas! -Ya itu? -Ambil yang ini. Saya akan mengambil yang ini ... Kamu bisa melakukannya? -Ini menyakitkan ... oke saya bisa melakukannya ... Hentikan waktuku! -3 ... 2 ... 1 ... pergi! Tigabelas! Tiga belas detik! -Ya bagus! Susu pengaman. Jadi ini artinya Jendela besi di markas besar kepolisian adalah batang besi berlapis tunggal dan kantor kejaksaan jendela besi adalah lapisan ganda. -Masuk akal. Oke selanjutnya. French: C'est vraiment épicé! -Oui c'est ça? -Prends celui-ci. Je vais prendre celui-ci ... Tu peux le faire? -Cela fait mal ... ok je peux le faire ... Arrêtez mon temps! -3 ... 2 ... 1 ... allez-y! Treize! Treize secondes! -Ouais sympa! Lait de sécurité. Donc, celui-ci signifie Les fenêtres à barres de fer du siège de la police sont des barres de fer à une seule couche et le bureau du procureur les fenêtres à barres de fer sont des barres de fer à double couche. -Logique. D'accord, le suivant. Spanish: ¡Es muy picante! -Si lo es? -Toma este. Tomaré esta... ¿Puedes hacerlo? -Me duele ... está bien, puedo hacerlo ... ¡Para mi tiempo! -3 ... 2 ... 1 ... ¡vamos! ¡Trece! ¡Trece segundos! -¡Sí! Genial! Leche de seguridad. Entonces este significa Las ventanas de la barra de hierro de la sede de la policía son barras de hierro de una sola capa y la oficina del fiscal Las ventanas de barra de hierro son barras de hierro de doble capa. -Tiene sentido. Ok, el siguiente. Arabic: إنه حار حقًا! -هل هو؟ خذ هذا. سآخذ هذا واحد... يمكنك أن تفعل ذلك؟ - إنه يؤلم ... حسنا يمكنني فعل ذلك ... توقف عن وقتي! -3 ... 2 ... 1 ... انطلق! ثلاثة عشر! ثلاثة عشر ثانية! -نعم لطيف! حليب الامان. هذا يعني إن نوافذ القضبان الحديدية بمقر الشرطة عبارة عن قضبان حديدية أحادية الطبقة ومكتب المدعي العام نوافذ قضبان الحديد هي قضبان حديدية مزدوجة الطبقة. -من المنطقي. حسنا التالي. English: It's really spicy! -Yea is it? -Take this one. I'll take this one... You can do it? -It hurts... okay I can do it... Stop my time! -3...2...1...go! Thirteen! Thirteen second! -Yeah nice! Safety milk. So this one means The police headquarter's iron bar windows are single layer iron bars and the prosecutor's office iron bar windows are double layer iron bars. -Makes sense. Okay next one. Spanish: Comenzaré con el siguiente. -Esta vez comes dos de estos. -Estos dos... Te ves tan asustado ... estás temblando. Tengo miedo de que realmente duela. ¡Yo puedo hacerlo! ¿Cúal? Ok, eso significa ... El dibujo de la jirafa que dibujaste es un dibujo mal dibujado de una jirafa y el dibujo de una la jirafa que dibujé está bien Dibujado dibujo de una jirafa. Tal vez lo lea lentamente primero. ¡Quince! French: Je vais commencer par le suivant. -Cette fois, tu en manges deux. -Ces deux... Tu as l'air si effrayé ... tu trembles. J'ai peur que ça fasse vraiment mal. Je peux le faire! Laquelle? D'accord, cela signifie ... Le dessin de la girafe que vous avez dessiné est un dessin mal dessiné d'une girafe et le dessin d'un la girafe que j'ai dessinée est bien dessin dessiné d'une girafe. Peut-être que je vais le lire lentement d'abord. Quinze! Arabic: سأبدأ مع المرحلة التالية. - هذه المرة تأكل اثنين من هذه. -هذين... تبدين خائفة جدا ... أنت ترتجفين. أخشى أن ذلك يؤلمني حقًا. استطيع ان افعلها! أي واحد؟ حسنًا ، هذا يعني ... رسم الزرافة الذي رسمته هو رسم ضعيف للزرافة ورسم الزرافة التي رسمتها بشكل جيد رسم زرافة. ربما سأقرأها ببطء أولاً. خمسة عشر! Portuguese: Vou começar com o próximo. Desta vez você come dois deles. -Estes dois... Você parece tão assustado ... você está tremendo. Estou com medo que dói mesmo. Eu posso fazer isso! Qual? Ok, isso significa ... O desenho da girafa que você desenhou é um desenho mal desenhado de uma girafa e o desenho de uma girafa que eu desenhei está bem desenho desenhado de uma girafa. Talvez eu deva ler devagar primeiro. Quinze! Turkish: Bir sonraki ile başlayacağım. -Bu kez bunlardan iki tanesini yersin. -Bu ikisi... Çok korkmuş görünüyorsun ... titriyorsun. Gerçekten acıtmasından korkuyorum. Bunu yapabilirim! Hangisi? Tamam bu demek oluyor ki ... Çizdiğiniz zürafanın çizimi, bir zürafanın zayıf çizilmiş çizimi ve çizdiğim zürafa iyi çizim bir zürafa çekilmiş. Belki önce yavaşça okuyacağım. Onbeş! Malay (macrolanguage): Saya akan mulakan dengan yang seterusnya. -Kali ini anda makan dua. -Dua ini ... Anda kelihatan sangat takut ... anda gemetar. Saya takut ia sangat menyakitkan. Saya boleh lakukannya! Yang mana satu? Baiklah maksudnya ... Lukisan zirafah yang anda lukis adalah lukisan jerapah yang tidak dilukis dengan baik dan lukisan a zirafah yang saya lukis dengan baik lukisan jerapah yang dilukis. Mungkin saya akan membacanya dengan perlahan terlebih dahulu. Lima belas! Italian: Inizierò con il prossimo. -Questa volta ne mangi due. -Questi due... Sembri così spaventato ... stai tremando. Ho paura che fa davvero male. Riesco a farlo! Quale? Va bene significa ... Il disegno della giraffa che hai disegnato è un disegno mal disegnato di una giraffa e il disegno di una la giraffa che ho disegnato sta bene disegno disegnato di una giraffa. Forse prima lo leggerò lentamente. Quindici! Filipino: Magsisimula ako sa susunod. -Ang oras na kumain ka ng dalawa rito. -Ang dalawa ... Mukha kang natatakot ... nanginginig ka. Natatakot ako na masakit talaga. Kaya ko ito! Alin? Okay ang ibig sabihin nito ... Ang pagguhit ng giraffe na iyong iginuhit ay hindi maganda ang iginuhit na pagguhit ng isang dyirap at ang pagguhit ng isang dyirap na iginuhit ko ay maayos iginuhit na pagguhit ng isang dyirap. Siguro babasahin ko muna ito ng dahan-dahan. Labinlimang! Indonesian: Saya akan mulai dengan yang berikutnya. -Kali ini kamu makan dua ini. -Dua ini... Kamu terlihat sangat ketakutan ... kamu gemetaran. Aku takut itu sangat menyakitkan. Aku bisa melakukan itu! Yang mana? Oke itu berarti ... Gambar jerapah yang Anda gambar adalah gambar jerapah yang tidak menarik dan gambar a jerapah yang saya gambar baik-baik saja menggambar jerapah. Mungkin saya akan membacanya perlahan dulu. Limabelas! English: I will start with the next one. -This time you eat two of these. -These two... You look so scared... you're trembling. I'm scared it really hurts. I can do it! Which one? Okay it means... The drawing of the giraffe that you drew is a poorly drawn drawing of a giraffe and the drawing of a giraffe that I drew is well drawn drawing of a giraffe. Maybe I'll read it slowly first. Fifteen! Malay (macrolanguage): Saya hanya akan ... gerimis yang ini ... Supaya ia seperti pertandingan. Ia taklah teruk sangat. -Adakah anda pasti? Ok giliran anda. Masa saya adalah 15 saat. 9 saat! Anda mahukan susu? -Tidak. Saya akan buat keju cheddar. -Bunyi menyeronokkan! Ia sangat pedas! Jadi ini bermaksud. Choi Dauen yang telah memakan sebahagian besar keju cheddar adalah pemenang pertandingan makan keju cheddar Italian: Farò solo un po '... pioviggina questo ... Quindi è una specie di competizione. Non è così male. -Sei sicuro? Ok è il tuo turno. Il mio tempo era di 15 secondi. 9 secondi! Vuoi del latte? -No. Farò quello al formaggio cheddar. -Sembra divertente! È così piccante! Quindi questo significa. Choi Dauen che ha mangiato la maggior parte del formaggio cheddar è il vincitore del concorso gastronomico di formaggio cheddar Turkish: Sadece ... bunu çađýrýrým ... Yani bu bir tür rekabet. O kadar da kötü değil. -Emin misiniz? Tamam, sıra sizde. Zamanım 15 saniyeydi. 9 saniye! Biraz süt ister misin? -Hayır. Çedar peyniri olanı yapacağım. - Kulağa eğlenceli geliyor! Çok baharatlı! Yani bu demek oluyor. Cheddar peynirinin çoğunu yiyen Choi Dauen çedar peyniri yeme yarışmasının galibi English: I'll just kinda... drizzle this one... So that it's kind of a competition. It's not that bad. -Are you sure? Ok it's your turn. My time was 15 seconds. 9 seconds! You want some milk? -No. I'll do the cheddar cheese one. -Sounds fun! It's soo spicy! So this one means. Choi Dauen who has eaten most of the cheddar cheese is the winner of the cheddar cheese eating competition Arabic: سأقوم فقط برش هذا ... حتى أنها نوع من المنافسة. انها ليست بهذا السوء. -هل أنت واثق؟ حسنا حان دورك. كان وقتي 15 ثانية. 9 ثواني! تريد بعض الحليب؟ -لا. سأقوم بعمل جبن الشيدر. -يبدو ممتع! إنه حار جدا! هذا يعني. تشوي داوين الذي تناول معظم جبن الشيدر هو الفائز في مسابقة أكل جبن الشيدر French: Je vais juste ... arroser celui-ci ... C'est donc une sorte de compétition. C'est pas si mal. -Êtes-vous sûr? Ok c'est ton tour. Mon temps était de 15 secondes. 9 secondes! Tu veux du lait? -Non. Je vais faire celui au cheddar. -Sons amusant! C'est tellement épicé! Donc, celui-ci signifie. Choi Dauen qui a mangé la plupart du fromage cheddar est le gagnant du concours de consommation de fromage cheddar Filipino: Mabait lang ako ... drizzle this one ... Kaya't ito ay uri ng isang kumpetisyon. Hindi naman masama yun. -Sigurado ka ba? Ok ito ang iyong tira. Ang aking oras ay 15 segundo. 9 segundo! Gusto mo ng gatas? -Hindi. Gagawin ko ang keso ng cheddar. -Sounds masaya! Ito ay maanghang! Kaya ang ibig sabihin ng isang ito. Choi Dauen na nakakain ng karamihan sa keso ng cheddar ay ang nagwagi sa kumpetisyon sa pagkain ng keso sa cheddar Portuguese: Eu só vou ... regar este ... Para que seja uma espécie de competição. Não é tão ruim. -Você tem certeza? Ok, é a sua vez. Meu tempo foi de 15 segundos. 9 segundos! Quer um pouco de leite? -Não. Eu vou fazer o queijo cheddar. -Parece divertido! É muito picante! Então este significa. Choi Dauen, que comeu a maior parte do queijo cheddar é o vencedor da competição de comer queijo cheddar Spanish: Solo un poco ... llovizna este ... Para que sea una especie de competencia. No está tan mal. -¿Estás seguro? Ok, es tu turno. Mi tiempo fue de 15 segundos. 9 segundos! ¿Quieres un poco de leche? -No. Haré el queso cheddar. -¡Suena divertido! Es muy picante! Entonces este significa. Choi Dauen que ha comido la mayor parte del queso cheddar es el ganador del concurso de comer queso cheddar Indonesian: Saya hanya akan agak ... gerimis yang satu ini ... Jadi itu semacam kompetisi. Tidak seburuk itu. -Apakah kamu yakin? Baiklah, giliran Anda. Waktu saya adalah 15 detik. 9 detik! Anda ingin susu? -Tidak. Saya akan membuat keju cheddar. -Terdengar menyenangkan! Sangat pedas! Jadi ini artinya. Choi Dauen yang telah memakan sebagian besar keju cheddar adalah pemenang kompetisi makan keju cheddar Arabic: أوه لا ~ -لا أستطيع أن أشعر لساني! حسب القاعدة يجب أن آكل واحدة أخرى. 9 ثواني. أنت دائمًا بحاجة إلى تسعة ثواني لكل جملة. هل تؤلم؟ هل يجب أن أنضم إلى النادي؟ هيا دعونا نعاني معا. -إنه لاشيء. هل هذا جيد؟ -لا بأس. لا تأكل الزريعة كلها. جبنة الشيدر! ابدأ ... الوقت! Malay (macrolanguage): Oh tidak ~ -Saya tidak dapat merasakan lidah saya! Menurut peraturan, saya mesti makan yang lain. 9 saat. Anda selalu memerlukan sembilan saat untuk setiap ayat. Adakah sakit? Sekiranya saya menyertai kelab? Ayuh mari kita menderita bersama. -Tiada apa-apa. adakah ini baik-baik saja? -Tidak mengapa. Jangan makan keseluruhan goreng. Keju Cheddar! Mulakan ... masa! French: Oh non ~ -Je ne peux pas sentir ma langue! Selon la règle, je dois en manger un autre. 9 secondes. Tu as toujours besoin de neuf secondes pour chaque phrase. Est-ce que ça fait mal? Dois-je rejoindre le club? Allons souffrons ensemble. -Ce n'est rien. est-ce bien? -C'est d'accord. Ne mangez pas les alevins entiers. Fromage cheddar! Commencez ... le temps! Spanish: Oh no ~ -No puedo sentir mi lengua! Según la regla, tengo que comer otro. 9 segundos Siempre necesitas nueve segundos por cada oración. ¿Duele? ¿Debería unirme al club? Venga suframos juntos -No es nada. esta bien? -Esta bien. No te comas toda la papa. ¡Queso cheddar! Comience ... el tiempo! Italian: Oh no ~ -Non riesco a sentire la mia lingua! Di regola devo mangiarne un altro. 9 secondi Hai sempre bisogno di nove secondi per ogni frase. Fa male? Dovrei unirmi al club? Dai soffriamo insieme. -Non è niente. va bene? -Va tutto bene. Non mangiare tutta la patata. Formaggio cheddar! Inizia ... il tempo! Turkish: Ah hayır ~ -Dilini hissedemiyorum! Kural gereği bir tane daha yemeliyim. 9 saniye. Her zaman dokuza ihtiyacınız var her cümle için saniye. Acıtır mı? Kulübe katılmalı mıyım? Haydi birlikte acı çekelim. -Önemli değil. bu iyi mi -Tamam. Bütün yavruları yemeyin. Çedar peyniri! Başlayın ... zaman! Filipino: Oh hindi ~ -Hindi ko maramdaman ang aking dila! Tulad ng bawat panuntunan kailangan kong kumain ng isa pa. 9 segundo. Lagi kang nangangailangan ng siyam segundo para sa bawat pangungusap. Masakit ba? Dapat ba akong sumali sa club? Halika na magdusa tayo. -Hindi wala. tama ba ito? -Ayos lang. Huwag kumain ng buong magprito. Cheddar cheese! Magsimula ... ang oras! Indonesian: Oh tidak ~ -Aku tidak bisa merasakan lidahku! Sesuai aturan saya harus makan yang lain. 9 detik. Kamu selalu butuh sembilan detik untuk setiap kalimat. Apakah itu menyakitkan? Haruskah saya bergabung dengan klub? Ayolah mari kita menderita bersama. -Tidak apa. apakah ini baik baik saja -Tidak apa-apa. Jangan makan seluruh goreng. Keju cheddar! Mulai ... waktunya! Portuguese: Oh não ~ -Não consigo sentir minha língua! Como regra, eu tenho que comer outro. 9 segundos. Você sempre precisa de nove segundos para cada frase. Isso doi? Devo entrar no clube? Vamos vamos sofrer juntos. -Não é nada. está tudo bem? -Está tudo bem. Não coma a batata frita inteira. Queijo cheddar! Comece ... a hora! English: Oh no~ -I can't feel my tongue! As per rule I have to eat another one. 9 seconds. You always need nine seconds for every sentence. Does it hurt? Should I join the club? Come on let's suffer together. -It's nothing. is this alright? -It's alright. Don't eat the whole fry. Cheddar cheese! Start...the time! Filipino: Dalawampu ... isang bagay? -22? Gawin natin ito sa susunod. Medyo mahaba. Okay magsisimula na ako. -Seryoso ka? Babasahin ko ang Ingles. Tekstong Ingles. Isang hindi moist moist-chip-cookie Medyo dila ko lang. isang hindi basa-basa na tsokolate cookie na nakatira sa Non-moist-chocolate-chip-cookie Land sinabi sa isang basa-basa tsokolate cookie cookie mula sa basa-basa lupang tsokolateng cookie cookie. "Nais kong maging isang basa-basa na tsokolate cookie" kaya napunta ito sa moist moist chocolate chip cookie land ngunit ang tagabantay ng gate ng aking basa-basa na tsokolate sinabi ng cookie land ... "Ikaw ay isang hindi basa-basa na cookie tsokolateng chip kaya hindi ka mabubuhay sa basa-basa na tsokolate cookie cookie!" Kaya't ang hindi basa-basa na tsokolate cookie ay sumuko English: Twenty...something? -22? Let's do this one next. It's pretty long. Okay I'll start. -You serious? I'm gonna read the English. English text. A non-moist chocolate-chip-cookie I just bit my tongue. a non-moist chocolate chip cookie that lived in Non-moist-chocolate-chip-cookie Land said to a moist chocolate chip cookie from moist chocolate chip cookie land. "I want to become a moist chocolate chip cookie" so it went to moist chocolate chip cookie land but the gate keeper of my moist chocolate chip cookie land said... "You are a non-moist chocolate chip cookie so you can't live in moist chocolate chip cookie land!" So the non-moist chocolate chip cookie gave up Italian: Venti ... qualcosa? -22? Facciamo questo dopo. È piuttosto lungo. Va bene comincio. -Sei serio? Leggerò l'inglese. Testo inglese. Un biscotto al cioccolato non umido Mi sono appena morso la lingua. un biscotto di pepita di cioccolato non umido che viveva in terra di pepita di cioccolato non umido detto a un umido biscotto con gocce di cioccolato dall'umidità terra di biscotti al cioccolato. "Voglio diventare un biscotto di pepita di cioccolato umido", quindi è andato alla terra dei biscotti di pepita di cioccolato umido ma il guardiano del cancello del mio umido scaglie di cioccolato cookie land ha detto ... "Sei un biscotto con gocce di cioccolato non umido, quindi non puoi vivere nella terra dei biscotti con gocce di cioccolato umido!" Quindi il biscotto al cioccolato non umido ha rinunciato Arabic: عشرون ... شيء؟ -22؟ لنفعل هذا بعد ذلك. انها طويلة جدا. حسنًا ، سأبدأ. -انت جاد؟ سأقرأ اللغة الإنجليزية. الانجليزية النص. كعكة الشوكولاتة غير الرطبة لقد عضت لساني. قال كوكي غير مبلل برقائق الشوكولاتة كان يعيش في كوكي غير مبلل برقائق الشوكولاتة كعكة الشوكولاتة رقاقة من رطبة كوكي الشوكولاته رقاقة الأرض. "أريد أن أصبح كوكي رقائق الشوكولاتة رطبة" لذلك ذهبت إلى كوكي رقائق الشوكولاتة الرطبة لكن حارس بوابة رقاقة الشوكولاته الرطبة قالت أرض الكعكة ... "أنت ملف تعريف ارتباط رقاقة شوكولاتة غير رطبة لذا لا يمكنك العيش في أرض كوكيز رقائق الشوكولاتة الرطبة!" لذا استسلم كوكي رقائق الشوكولاتة غير الرطبة Spanish: ¿Veinti algo? -22? Hagamos esto a continuación. Es bastante largo Está bien, comenzaré. -¿Hablas en serio? Voy a leer el ingles. Texto en inglés. Una galleta con chispas de chocolate no húmeda Solo me mordí la lengua. una galleta con chispas de chocolate no húmeda que vivía en una galleta con chispas de chocolate no húmeda galleta con chispas de chocolate de húmedo galleta con chispas de chocolate. "Quiero convertirme en una galleta húmeda con chispas de chocolate", así que fue a tierra húmeda de galletas con chispas de chocolate pero el guardián de mi chispita de chocolate húmedo tierra de galletas dijo ... "¡Eres una galleta con chispas de chocolate no húmeda, así que no puedes vivir en tierra húmeda con galletas de chispas de chocolate!" Entonces la galleta con chispas de chocolate no húmeda se rindió Indonesian: Duapuluhan? -22? Mari kita lakukan ini selanjutnya. Cukup panjang. Oke saya akan mulai. -Kamu serius? Saya akan membaca bahasa Inggris. Teks bahasa inggris. Kue coklat chip yang tidak lembab Aku hanya menggigit lidahku. biskuit cokelat non-lembab yang hidup di Tanah biskuit-non-lembab coklat dikatakan lembab kue cokelat dari lembab lahan kue chip coklat. "Aku ingin menjadi biskuit cokelat chip yang lembab" jadi ia pergi ke tanah biskuit cokelat yang lembab tapi penjaga gerbang chip coklat saya yang lembab cookie land berkata ... "Kamu adalah kue keripik cokelat yang tidak lembab sehingga kamu tidak bisa hidup di tanah kue keripik coklat yang lembab!" Jadi kue coklat chip yang tidak lembab menyerah Turkish: Yirmi küsür? -22? Bunu bir sonraki yapalım. Oldukça uzun. Tamam başlayacağım. -Ciddi misin? İngilizceyi okuyacağım. İngilizce metin. Nemli olmayan çikolata parçalı kurabiye Sadece dilimi ısırdım. yaşadığı nemli olmayan çikolata parçalı kurabiye Nemli olmayan çikolata parçalı kurabiye Land ıslak bir dedi nemli çikolatalı kurabiye çikolatalı kurabiye arazi. "Ben nemli çikolatalı kurabiye olmak istiyorum" bu yüzden nemli çikolatalı kurabiye arazi gitti ama nemli çikolata parçamın kapıcısı çerez arazi dedi ... "Sen nemli olmayan bir çikolatalı kurabiye vardır, bu yüzden nemli çikolatalı kurabiye ülkesinde yaşayamazsın!" Bu yüzden nemli olmayan çikolatalı kurabiye pes etti Portuguese: Vinte ... alguma coisa? -22? Vamos fazer isso a seguir. É bem longo. Ok, eu vou começar. -Está falando sério? Eu vou ler o inglês. Texto em inglês. Um biscoito de chocolate não úmido Eu apenas mordi minha língua. um biscoito de chocolate não úmido que vivia em um biscoito de chocolate não úmido biscoito de chocolate úmido terra de biscoito de chocolate. "Eu quero me tornar um biscoito de chocolate úmido", então ele foi para a terra dos biscoitos de chocolate úmidos mas o guardião do meu pedaço de chocolate úmido terra dos biscoitos disse ... "Você é um biscoito de chocolate não úmido, portanto não pode viver em terras úmidas!" Então o biscoito de chocolate não úmido desistiu French: Vingt ... quelque chose? -22? Faisons celui-ci ensuite. C'est assez long. D'accord, je vais commencer. -Es tu sérieux? Je vais lire l'anglais. Texte en anglais. Un biscuit aux pépites de chocolat non humide J'ai juste mordu ma langue. un biscuit aux pépites de chocolat non humide qui vivait dans un biscuit aux pépites de chocolat non humide Land dit à un humide biscuit aux pépites de chocolat de humide terre de cookie aux pépites de chocolat. "Je veux devenir un biscuit aux pépites de chocolat moelleux" alors c'est allé au pays des biscuits aux pépites de chocolat mais le gardien de ma pépite de chocolat humide biscuit terre dit ... "Vous êtes un biscuit aux pépites de chocolat non humide, vous ne pouvez donc pas vivre au pays des biscuits aux pépites de chocolat humides!" Donc, le cookie aux pépites de chocolat non humide a abandonné Malay (macrolanguage): Dua puluh ... sesuatu? -22? Mari buat ini seterusnya. Ia cukup panjang. Baiklah saya akan mulakan. -Awak serius? Saya akan membaca Bahasa Inggeris. Teks Inggeris. Kuki cip coklat yang tidak lembap Saya hanya menjelirkan lidah. kuki coklat cair yang tidak lembap yang tinggal di kuki coklat tidak lembap, kata Land kepada yang lembap kuki coklat chip dari lembap tanah kuki coklat chip. "Saya mahu menjadi cookie chip coklat lembap" jadi ia menuju ke cookie chip coklat lembap tapi penjaga pintu cip coklat lembap saya tanah kuki berkata ... "Anda adalah kuki coklat cair yang tidak lembab sehingga anda tidak dapat tinggal di tanah kuki coklat lembap!" Jadi kuki coklat tidak lembap menyerah Filipino: sa pagiging isang basa-basa na tsokolate cookie at bumalik sa hindi aking lupon ng tsokolate cookie. Wow! 3 ... 2 ... 1 Kapag nagsasalita ako ay nakakakuha ito sa aking mga mata! Hindi ito nagtatapos! 55 segundo! Italian: diventando un biscotto con gocce di cioccolato umido e sono tornato alla terra dei miei biscotti con gocce di cioccolato Wow! 3 ... 2 ... 1 Quando parlo mi viene in mente! Non finisce! 55 secondi! English: on becoming a moist chocolate chip cookie and went back to non my chocolate chip cookie land. Wow! 3...2...1 When I'm talking it gets into my eyes! It doesn't end! 55 seconds! French: en devenant un cookie aux pépites de chocolat moelleux et je suis retourné au pays des cookies aux pépites de chocolat. Hou la la! 3 ... 2 ... 1 Quand je parle, ça me passe dans les yeux! Ça ne s'arrête pas! 55 secondes! Portuguese: em se tornar um biscoito de chocolate úmido e voltou para a minha terra de biscoitos de chocolate. Uau! 3 ... 2 ... 1 Quando estou falando, entra nos meus olhos! Não acaba! 55 segundos! Malay (macrolanguage): untuk menjadi kuki cip coklat lembap dan kembali ke tanah kuki coklat saya. Wah! 3 ... 2 ... 1 Semasa saya bercakap, ia masuk ke dalam mata saya! Ia tidak berakhir! 55 saat! Turkish: nemli bir çikolatalı kurabiye haline geldi ve benim olmayan çikolatalı kurabiye ülkesine geri döndü. Vaov! 3 ... 2 ... 1 Ben konuşurken gözlerime giriyor! Bitmiyor! 55 saniye! Spanish: en convertirme en una galleta húmeda con chispas de chocolate y volví a la tierra de mis galletas con chispas de chocolate. ¡Guauu! 3 ... 2 ... 1 ¡Cuando hablo se me mete en los ojos! ¡No termina! 55 segundos! Arabic: على أن أصبح كوكي رقائق شوكولاتة رطبة وعاد إلى أرضي غير كوكي رقائق الشوكولاتة. نجاح باهر! 3 ... 2 ... 1 عندما أتحدث يدخل عيني! لا تنتهي! 55 ثانية! Indonesian: untuk menjadi kue cokelat chip yang lembab dan kembali ke tanah kue cokelat saya. Wow! 3 ... 2 ... 1 Ketika saya berbicara itu masuk ke mata saya! Itu tidak berakhir! 55 detik! Filipino: Sa palagay ko handa na ako. Ganap na handa. Itigil ang oras ko. Italian: Penso di essere pronto. Assolutamente pronto. Fermare il mio tempo Turkish: Sanırım hazırım. Kesinlikle hazır. Durma zamanımı. Portuguese: Eu acho que estou pronta. Absolutamente pronto. Pare o meu tempo. Spanish: Creo que estoy listo Absolutamente listo Para mi tiempo Arabic: أعتقد أنني مستعد. جاهز تماما. توقف عن وقتي. French: Je pense que je suis prêt. Absolument prêt. Arrêtez mon temps. Malay (macrolanguage): Saya rasa saya sudah bersedia. Sudah betul-betul bersedia. Hentikan masa saya. English: I think I'm ready. Absolutely ready. Stop my time. Indonesian: Saya pikir saya sudah siap. Benar-benar siap. Hentikan waktuku. English: 1:18! -You try this at home. First try and beat our time. (German tongue twister) I'm done here... You're done? Okay guys I think that's it for today's video. I hope you liked our little tongue twister challenge if you liked the video leave a like as always and we see you guys in the next video bye bye! Indonesian: 1:18! -Anda coba ini di rumah. Pertama, coba dan kalahkan waktu kita. (Twister lidah Jerman) Saya selesai di sini ... Kamu sudah selesai? Oke kawan, kurasa itu untuk hari ini video. Saya harap Anda menyukai tantangan twister lidah kecil kami jika Anda suka video tinggalkan seperti biasa dan kami melihat kalian di video selanjutnya bye bye! French: 1:18! -Tu essaies ça à la maison. Essayez d'abord de battre notre temps. (Twister de langue allemande) J'en ai terminé ici... Vous avez terminé? D'accord les gars, je pense que c'est tout pour aujourd'hui vidéo. J'espère que vous avez aimé notre petit défi de virelangue si vous avez aimé la vidéo laissez un comme toujours et on se voit dans la prochaine vidéo bye bye! Turkish: 01:18! -Bunu evde denersin. Önce deneyin ve zamanımızı yendi. (Almanca tekerleme) Burada bittim... Sen bittin? Tamam çocuklar bence bugünün video. Umarım küçük dilli twister mücadelemizi beğenmişsinizdir Eğer videoyu beğendiyseniz, her zamanki gibi bir beğeni bırakın ve sizi bir sonraki video görüşürüz görüşürüz! Malay (macrolanguage): 1:18! -Anda mencuba ini di rumah. Mula-mula cuba dan mengalahkan masa kita. (Twister lidah Jerman) Saya selesai di sini ... Anda sudah selesai? Baiklah, saya rasa itu sahaja untuk hari ini video. Saya harap anda menyukai cabaran twister lidah kecil kami jika anda suka video tinggalkan suka seperti biasa dan kami melihat kalian di video seterusnya bye bye! Filipino: 1:18! -Subukan mo ito sa bahay. Una subukan at talunin ang aming oras. (German twister wika) Tapos na ako dito ... Tapos ka na? Okay guys sa tingin ko na ito para sa ngayon video. Umaasa ako na nagustuhan mo ang aming maliit na dila twister challenge kung nagustuhan mo ang video mag-iwan ng tulad ng dati at nakikita namin kayong mga lalaki sa susunod na video bye bye! Italian: 01:18! -Si prova a casa. Prima prova a battere il nostro tempo. (Scioglilingua tedesco) Ho finito qui... Hai finito? Ok ragazzi penso che sia tutto per oggi video. Spero che ti sia piaciuta la nostra piccola sfida di scioglilingua se ti è piaciuto il video lascia un like come sempre e ci vediamo nel prossimo video ciao ciao! Spanish: 1:18! -Intentas esto en casa. Primero intenta ganar nuestro tiempo. (Trabalenguas alemán) Ya terminé aquí... ¿Ya terminaste? Ok chicos creo que eso es todo por hoy vídeo. Espero que les haya gustado nuestro pequeño reto de trabalenguas si les gustó el video, dejen un me gusta como siempre y nos vemos en el próximo video, ¡chao! Arabic: 1:18! -تجرب هذا في المنزل. حاول أولًا وتغلب على وقتنا. (إعصار اللسان الألماني) أنا انتهيت من هذه المهمة... انت انتهيت؟ حسنًا يا رفاق أعتقد أن هذا هو اليوم فيديو. آمل أن أعجبك تحدي إعصار اللسان الصغير إذا كنت تحب الفيديو اترك مثله كما هو الحال دائمًا ونرى يا رفاق في الفيديو التالي إلى اللقاء! Portuguese: 1:18! -Você tenta isso em casa. Primeiro tente vencer o nosso tempo. (Trava-língua alemão) Eu acabei por aqui... Você Terminou? Ok pessoal, eu acho que é isso para hoje vídeo. Espero que você tenha gostado do nosso desafio trava-língua se vocês gostaram do vídeo deixe um like como sempre e nos vemos no próximo vídeo tchau tchau!
{ "pile_set_name": "YoutubeSubtitles" }
In this lecture, we are first going to show that if A is a normal matrix; that means, A star A is equal to A A star, then 2 norm of the matrix is modulus of the biggest Eigen value. Then we will look at some of the localization results; that means, we will look at some region in the complex plane which are going to contain Eigen values of given matrix, after that we are going to look at power method, which is a method for finding approximation to the dominant Eigen value and then we will look at some of the extensions of this power method. So, let me first show that 2 norm of A is maximum of the biggest or it is the modulus of the biggest Eigen value provided A is normal. So, we have got A to be normal matrix A star A is equal to A A star, by spectral theorem we have got A u j is equal to lambda j u j, where norm u j, its 2 norm is equal to 1 and inner product of u i with u j is 0, if i not equal to j. Our definition of 2 norm is maximum of norm A z its 2 norm divided by norm z 2 provided, z is not equal to 0 vector. A z in c n can be written as summation j goes from 1 to n, inner product of z with u j u j. So, this is using orthonormality of u j s. So, let us calculate norm z, norm A z, A z is going to be summation j goes from 1 to n, inner product of z with u j and then A u j. So, that will be lambda j u j. So, we have got z is equal to summation j goes from 1 to n inner product of z with u j u j. So, norm z its 2 norm square, it is going to be inner product of z with itself. So, this will be summation j goes from 1 to n, inner product of z with u j u j and summation, say, i goes from 1 to n, inner product of z with u i u i. Now, use the linearity in the first variable conjugate linearity in the second variable to obtain summation j goes from 1 to n, summation i goes from 1 to n, inner product of z with u j this is coming out as it is, complex conjugate of z u I, because it is coming out from the second variable, u j comma u i, now this is 0 if i not equal to j. So, you will get this to be equal to summation j goes from 1 to n modulus of z comma u j square. So, this is norm z its 2 norm square. In a similar manner, we are going to have A z to be equal to summation j goes from 1 to n, inner product of z with u j lambda j u j. So, norm of A z, its 2 norms square will be summation j goes from 1 to n modulus of z comma u j square mod lambda j square. Suppose the Eigen values are ordered in this manner, mod lambda 1 are bigger than or equal to mod lambda 2, bigger than or equal to mod lambda n, then norm A z its 2 norms square will be less than or equal to each mod lambda j will be less than or equal to mod lambda 1, take out of the summation sign. So, we will have mod lambda 1 square, summation j goes from 1 to n modulus of z comma u j square. Now this is nothing but 2 norm of z whole square. So, we have got mod lambda 1 square and then norm z 2 square and thus we will get norm A z 2 norm to be less than or equal to mod lambda 1 times norm z 2 norm. And then for z not equal to 0 vector, norm a z divided by norm z will be less than or equal to mod lambda 1, which will imply that maximum of norm a z by norm z, z not equal to 0 vector is less than or equal to mod lambda 1. This is our norm a 2. We have got a u 1 is equal to lambda 1 u 1. So, norm a u 1 is going to be mod lambda 1 times norm u 1 2 norm. So, this is equal to 1 and thus mod lambda 1 will be less than or equal to norm a 2 norm u 1 2 which is 1. So, here you have got norm a 2 to be less than or equal to mod lambda 1, here you have got mod lambda 1 to be less than or equal to norm a 2, so combining you get norm a 2 to be equal to mod lambda 1. There is the result that, if A is normal, lambda 1 lambda 2 lambda n are Eigen values of A, which are arranged in such a manner that mod lambda 1 bigger than or equal to mod lambda 2, bigger than or equal to mod lambda n, then 2 norm of A is nothing but modulus of lambda 1. Now, here we have just obtain a formula, but norm A 2, it is still we cannot compute, because we cannot compute the Eigen values for all matrices. For special matrices, if it is a upper triangular matrix, I know how to calculate its Eigen values. So, for norm A 2, we did not have a formula, in terms of the elements of the matrix as in case of 1 norm or infinity norm, and now we have got norm a 2 is equal to mod lambda 1, where both left hand side and right hand side are not computable, but still we have got a relation. So, now we are going to consider localization of Eigen values. So, we have the simplest one which we get is, if A is a, this is going to be always the case. A will be either real or a complex matrix, if lambda is a eigen value, then you have A u is equal to lambda u, where u is a not non-0 vector. If you consider induced matrix norm, then we have got norm a to be maximum of norm a z by norm z. So, taking norm here, you get norm A u is equal to norm lambda u. So, that gives you mod lambda to be equal to norm A u by norm u, I can divide by norm u, because u is a non-0 vector and this will be less than or equal to norm a. So, if you consider a disc with center 0 and radius norm A, then the Eigen values they are going to lie in this close disc, set of all z belonging to c such that mod z is less than or equal to norm A. This norm can be any induced matrix norm. It can be 1 norm, it can be infinity norm, it can be 2 norm or whichever norm you take. You fix a vector norm consider the induced matrix norm, then your mod lambda is going to be less than or equal to norm of a. This result tells us that if i take any z outside this disc, then my a minus z i is going to be invertible. If your matrix is a special matrix like, if it is a self-adjoint matrix, then what we know is the Eigen values they are going to be real. So, we can say that for self-adjoint matrix, the Eigen values they will lie in the interval, closed interval, minus norm a to plus norm A. We have to take intersection of the close disc with the real line. If you are considering or if your matrix is skew self-adjoint, then you have to take intersection of this close disc with the imaginary axis. Now, we are going to consider what is known as Gerschgorin theorem. So, that again gives us regions in the complex plane, which are going to contain all our Eigen values and as a consequence of Gerschgorin theorem, we will show that if the matrix is diagonally dominant, then such a matrix is invertible. So, here is the Gerschgorin theorem A is n by n complex matrix, you look at D i to be the disc with center a i i and radius to be sum of half diagonal entries in that particular row. So, you are going to have n such discs, then the eigen values of a, they are going to be contained in the union of this disc. So, the matrix a is given to us. We look at the disc with center a i i. So, look at the ith row. So, take the center to be a i i and radius to be the entries in the same row except the diagonal entry, take their modulus and then sum. So, that is going to be the radius. So, you have such n disc, so all our eigen values they will lie in the union of this n disc and the proof is not difficult. So, let us prove this. So, we have got A to be a n by n matrix whose i jth entry is given by a i j. Then suppose you have got a u is equal to lambda u, where u is a non-0 vector. Let me write u as u 1 up to u n, a column vector. Now, here a u is equal to lambda u, this is equality of 2 vectors. So, this means you have got ith component of a u is equal to lambda times u i, i goes from 1 to up to n. Now this is nothing but, summation a i j u j, j going from 1 to n lambda times u i . So, what I will do is, the term which contains u i, i will take on the other side and the remaining terms, i will keep here. So, we have got summation j goes from 1 to n a i j u j, j not equal to i is equal to lambda minus a i i u i. So, we have got a u is equal to lambda u and from here we deduced that lambda minus a i i u i is equal to summation j goes from 1 to n, j not equal to i a i j u j, i going from 1 to up to n. Let modulus of u k be norm u infinity norm; that means, maximum of modulus of u j 1 less than or equal to j, less than or equal to n. This is true for i is equal to 1 to up to n. So, in particular it will be true for i is equal to k. So, i will have lambda minus a k k is equal to summation j goes from 1 to n, j not equal to k, a k j u j divided by u k. u is a non-0 vector. So, u k will not be equal to 0. Take modulus and use triangle in equality. So, we will have modulus of lambda minus a k k to be less than or equal to summation j goes from 1 to n, modulus of a k j j not equal to k and then mod u j by u k, and this is going to be less than or equal to 1. So, we have got this. So, we started with a eigen value lambda. Then we looked at corresponding eigen vector. For this eigen vector, we looked at component u k, where mod u k is equal to norm u infinity. There can be more than 1 such k, if your vector is a constant vector then k will be any component. Any way it does not matter. So, mod u k is equal to norm u infinity and then we showed that modulus of lambda minus a k k is less than or equal to summation j goes from 1 to n, j not equal to k and then modulus of a k j. So, here the catch is, we do not know lambda, we do not know eigen vector u. Then if I do not know eigen vector u, I cannot know what is the k, where mod u k is equal to norm u infinity. So, this whatever estimate I have got it is not of much use. It says that your eigen value lambda is going to lie in the disc with center a k k and radius to be some of the moduli of half diagonal entries in that kth row, but we do not know what is the that row. So, that is why what we do is I do not the row. So, I will do it for each such row and then take their union. So, then I will know that my lambda has to be in the 1 of the disc. Is your a u is equal to lambda u, u is vector non-0 vector, then we have got we looked at a u i is equal to lambda times u I, i is equal to 1 to up to n, wrote down what it means mod u k was norm u infinity. And then we got modulus of lambda minus a k k to be less than or equal to summation j goes from 1 to n j not equal to k modulus of a k j. Since we do not know k, we are going to look at all such discs. So, d i is set of all z belonging to c such that modulus of z minus a i i to be less than or equal to this and then the eigen values of the A they are going to be contained in union of d i i goes from 1 to up to n. So, let us look at a example and try to find that the region in which your eigen values are going to lie by using our first estimate, that modulus of lambda is less than or equal to norm A. So, that norm we can take either 1 norm or infinity norm and another result which we have got is this Gerschgorin theorem. So, here is a 3 by 3 matrix, the matrix is a symmetric matrix, you can see that 1 norm is equal to infinity norm is equal to 11, because for infinity norm, we are going to look at the rows. So, it will be 4 plus 1 plus 2. So, that is going to be 8, then second row it will be 9 and third row it is 11. So, norm a 1 is equal to norm a infinity is equal to 11. As the matrix is a real matrix, eigen values they are going to be real. So, eigen values they will lie between minus 11 to plus 11. Now, let us look at Gerschgorin disks. So, D 1 will be modulus of z minus 4 less than or equal to 1 plus 2 that is 3. D 2 is going to be set of all z belonging to c, such that modulus of z minus 5 is less than or equal to sum of half diagonal entries. So, 1 plus 3 is equal to 4. Then d 3 will be set of all z belonging to c, such that mod z minus 6 less than or equal to 5. As I know that the eigen values are real, it is suffices to look at the intervals. So, D 1 will be interval 1 to 7, d 2 will be interval 1 to 9 and d 3 will be interval 1 to 11. When you take the union of these 3 intervals, it is going to be 1 to 11. So, here Gerschgorin theorem tells us that eigen values, they will be in the interval 1 to 11 whereas the norm thing, it gave us interval to be minus 11 to plus 11. Also look at the interval. It does not contain 0, so that means, 0 cannot be an eigen value of a, because all eigen values they have to be in the interval 1 to 11. So, 0 not an eigen value; that means, A is going to be invertible matrix. So, now is the result which I said that if the matrix is strictly row dominant; that means, the diagonal entry modulus of a i i is bigger than sum of the moduli of remaining entries. Then such a matrix is going to be invertible. So, you have summation j goes from 1 to n modulus of a i j, j not equal to i to be strictly less than modulus of a i i, then A is invertible. Our D i is set of all z belonging to c, such that modulus of z minus a i i is less than or equal to this number. Now, 0 cannot be in D I, because if 0 belongs to D I, it will mean that modulus of a i i is less than or equal to this. So, it will contradict this. So, 0 does not belong to any of the discs and all eigen values they are in the union of these discs. So, a strictly row dominant matrix is going to be invertible. Now, what about strictly column dominant? That means, in a column, suppose the diagonal entry modulus of a i i is going to be bigger than sum of the half diagonal entries in the column. Earlier we have looked at rows, now we are looking at columns. Will such a matrix be invertible? So, the answer is yes, because what we can do is, if you have such a matrix look at its transpose. So, if a matrix is diagonally column dominant, then a transpose will be diagonally row dominant and diagonally row dominant means invertible we have seen just now. So, if A is diagonally column dominant, then a transpose will be invertible, but if a transpose is invertible, then a also is invertible, because a transpose inverse is same as a inverse transpose. So, when we started eigen values, I said that till now we were restricting ourselves to real numbers. Now we have to go to complex numbers. If your matrix is real symmetric matrix, then you can restrict yourselves to real numbers. So, the matrix is real symmetric; that means, it is going to be self-adjoint a star is equal to a. So, the eigen values they are going to be all real. Now the question is what about eigen vector? If i can show that it has a real eigen vector, then i need not go to complex numbers. Now that is so, let me show you, so, we have got a to be real symmetric matrix. So, we have got a transpose is equal to a and a star which is a bar transpose, it will be equal to a transpose, it will be equal to a. So, our eigen values, they are going to be real. Now, look at A z to be equal to lambda z, where z belongs to c n and z is not equal to 0; that means, z is eigen vector. So, this z, I can write as x plus i y where x and y, these are in r n. Now let me substitute, so i will get a of x plus i y is equal to lambda times x plus i y. Elements of a are real lambda is real. So, this gives you a x is equal to lambda x a y is equal to lambda y. Since z is not a 0 vector, we have got either x is not 0 or y is not 0 or both are not 0. So, we have got, we started with z to be a eigen vector, then we looked at its real and imaginary parts. So, you have got vector x, vector y, both x and y are going to be satisfying a x is equal to lambda x a y is equal to lambda y. So, they will be eigen vectors provided they are non-0 Since z is not equal to 0 vector, either x is not 0 or y is not 0 or both are not 0 and x and y, these are real vectors. So, thus for a real symmetric matrix, eigen values are real, the entries of the matrix are real and you can choose your eigen vector to be a real vector. So, there we can restrict ourselves to the real numbers. Now when we look at eigen value problem, it is that simultaneously we have to find a complex number lambda and a complex vector u, such that a u is equal to lambda u. So, this is what it makes it difficult, that you have to simultaneously calculate or find lambda and u. Suppose lambda is given to you and you want to find u, such that a u is equal to lambda u, then it is easy. You have got lambda is known, you want a u is equal to lambda u, so u is going to be solution of a minus lambda I, u is equal to 0 vector, lambda is eigen value. So, a minus lambda i will be a singular matrix. So, you get a homogeneous system with coefficient matrix to be singular. So, it will have always have a non-trivial solution and we know how to calculate the solution of system of linear equations. So, if lambda is known, you can calculate eigen vector. On the other hand if eigen vector is known then lambda is nothing but constant of proportionality. So, u is given to you, matrix a is known. So, calculate a u, calculate u and then they are going to be multiple of each other. So, whatever is that multiple, that is lambda. Or you can look at lambda to be equal to u star a u divided by u star u. So, thus if eigen value is known you can calculate eigen vector, if eigen vector is known you can calculate eigen value. So, now here is the method, which is known as power method for calculating approximation to a dominant eigen value. So, these are our assumptions, that the eigen values of a are such that mod lambda 1 is strictly bigger than mod lambda 2, bigger than or equal to mod lambda 3, bigger than or equal to mod lambda n. So, such a matrix, this is known as dominant eigen value. So, here you have to notice this strictly bigger than, this is essential. The second assumption is a has n linearly independent eigen vectors. So, you have a u j is equal to lambda j u j, j is equal to 1 to up to n, lambda j's can be repeated except for the first 1. This biggest eigen value, this should be simple, it should not be repeated. So, now these are our assumptions and the second assumption will be satisfied for class of normal matrices or if a has n distinct eigen values, then also the second assumption is satisfied and if the matrix a is a normal matrix then. In fact, a has n orthonormal eigen vectors. So, what is the method? The method is you choose z to be a non-0 vector. This z you can write as a linear combination of u 1 u 2 u n. So, z is equal to alpha 1 u 1 plus alpha 2 u 2 plus alpha n u n. Apply a to this. So, a z will be alpha 1 a u 1 plus alpha 2 a u 2 plus alpha n a u n. a u 1 is equal to lambda 1 u 1, so this will be lambda 1 alpha 1 u 1. a u 2 is lambda 2 u 2 so it is lambda 2 alpha 2 u 2 plus lambda n alpha n u n. a raise to k z will be lambda 1 raise to k alpha 1 u 1 plus lambda 2 raise to k alpha 2 u 2 plus lambda n raise to k alpha n u n. So, see what is happening? You start with a non-0 vector, any vector z. This z will have component in the direction of u 1. So, you write z as alpha 1 u 1 plus alpha 2 u 2 plus alpha n u n, then you keep applying a. So, the component in the direction of u 1, which was that alpha 1, that is getting multiplied by lambda 1 raise to k. The component in the direction of u 2, that is getting multiplied by lambda 2 raise to k. We are assuming mod lambda 1 to be bigger than mod lambda 2. So, this component in the direction of u 1 will become more significant. So, that is the idea of the power method that if you consider a raise to k z divided by lambda 1 raise to k. So, we have got a raise to k z to be alpha 1 lambda 1 raise to k u 1 plus alpha 2 lambda 2 raise to k u 2 and so on. So, take lambda 1 raise to k common and when you look at a raise to k z by lambda 1 raise to k, this is going to converge to alpha 1 u 1 as k tends to infinity. Now, we do not know lambda 1, we do not know lambda 1, we do not know u 1. So, this a raise to k z by lambda 1 raise to k, even if it is converging to a multiple of eigen vector u 1, this is not something which you can calculate. But this is just a normalization. So, you look at a raise to k z divided by norm of a raise to k z. So, here you have lambda 1 raise to k, alpha 1 u 1 plus lambda 2 by lambda 1 raise to k alpha 2 u 2 and so on, when k tends to 0, this is going to tend to 0, this is going to tend to 0, then if lambda 1 is bigger than 0, then lambda 1 will be equal to mod lambda 1, this will get cancelled and a raise to k z divided by norm of a raise to k z will tend to alpha 1 u 1 divided by norm of alpha 1 u 1. If lambda 1 is less than 0, then even subsequence will tend to alpha 1 u 1 divided by norm of alpha 1 u 1. So, now we have got this convergence. It is a raise to k z divided by norm of a raise to k z. The matrix a is given to us its very simple to implement. If your matrix a, it is a spars matrix; that means, there are lot of 0. Then calculating a raise to k z will not involve much computations and then it is going to give us approximation to the eigen vector to an eigen vector corresponding to dominant eigen value. For the sake of stability, this a raise to k z by norm of a raise to k z, we will write it in a different form. So, we have, suppose you consider so, z is our starting vector, u divide by its norm and then call it z 0. Then you apply a to this, so, you will be a z 0 and immediately divide by its norm. So, here is the sequence, z 0 is equal to z upon norm z and z k is a z k minus 1 divided by norm of a z k minus 1. Now, it is equivalent formulation. This was our z k is equal to a raise to k z divided by norm of a raise to k z. So, here what we are doing is, we are applying a raise to k to z and then dividing by its norm. Here at each stage, you are applying a and immediately dividing by its norm. And this proof is by induction, if k is equal to 0, then it will be a raise to 0; that means, identity. So, z upon norm z. So, that is our z 0, assume the result to be true for k is equal to n consider z n plus 1. This is our definition. z n plus 1 will be a, z n divided by norm of a raise a z n by induction hypothesis, z n will be a raise to n z divided by norm of a raise to n z. You are applying a. So, the numerator will be a raise to n plus 1 z divided by norm of a raise to n z and denominator will be norm of this. So, it will be norm of a raise n plus 1 z by norm of a raise to n z. So, this will get cancelled and we get 1 for n plus 1. So, you assume for k is equal to n and then u obtained for n plus 1. So, this is power method. Now, there is only one slight catch, what we said was z is arbitrary vector. You write z as alpha 1 u 1 plus alpha 2 u 2 plus alpha n u n, then you define our power iterates and it is going to converge to alpha 1 u 1 divided by norm of alpha 1 u 1, z is a arbitrary vector. What if alpha 1 is equal to 0? We are saying take any vector z which is non-0. So, it can very well happen, that alpha 1 is equal to 0 and still z is a non-0 vector, because z will be alpha 1 u 1 plus alpha 2 u 2 plus alpha n u n, alpha 1 is 0. In that case, what we will get is, our vector that a raise to k z divided by norm of a raise to k z, that will tend to a 0 vector. We are trying to find an eigen vector. So, this is of no use, but what we are doing is z is chosen randomly c n is n dimensional space. So, it is unlikely that the vector which is chosen arbitrarily lies in n minus 1 dimensional subspace, like look at r 2, in r 2 1 dimensional subspace will be a straight line. So, it is really highly unlikely that the vector which you are choosing arbitrarily is going to lie along that particular line. We have been always talking about round off errors, the problems it creates. Now here is an example, where it is rather useful, that suppose by stroke of luck, the vector which we are choosing, it is in the span of u 2 u 3 u n; that means, alpha 1 is equal to 0, but round of error is there. So, alpha 1 will never be equal to 0, it will be a small number, and now when you go on applying a, because our lambda 1 is the dominant eigen value that component will go on increasing. So, even though the starting point alpha 1 was a small number, when you perform the iterates, it is going to become big. So, this power method, it is going to give us approximation, 2 eigen vector corresponding to the dominant eigen value. So, this is rather restrictive, that only the largest eigen value in modulus we can approximate. But then there are some extensions, suppose your matrix a is invertible matrix and lambda 1 lambda 2 lambda n, these are eigen values of a, then 1 upon lambda 1, 1 upon lambda 2, 1 upon lambda n, they will be eigen values of a inverse. So, apply power method to a inverse and then you can approximate 1 by lambda n. So, we have a invertible mod lambda 1 bigger than or equal to mod lambda 2, bigger than or equal to mod lambda n minus 1 and here now, we have got strict in equality. We have a u j is equal to lambda j u j, j is equal to 1 to up to n. So, a inverse a u j will be equal to lambda j a inverse u j, this is identity. So, it will be u j, so a inverse u j will be 1 upon lambda j u j, j is equal to 1 to up to n and 1 upon mod lambda n will be strictly bigger than 1 upon mod lambda n minus 1 bigger than or equal to 1 upon lambda 1. So, thus 1 upon lambda n is dominant eigen value of a inverse. So, you apply power method to a inverse. So, you consider. So, 1 upon lambda n is dominant eigen value of a inverse, apply power method to a inverse and obtain approximation to u n. So, I know how to calculate the eigen value of biggest modulus, how to calculate or how to rather calculate approximations to eigen value of least modulus. Now what about the eigen value in between? So, if you have some initial approximation to an intermediate eigen value, then we have got a inverse power method and using that inverse power method, we can find eigen vector corresponding to the intermediate eigen value. So, that is going to be that we are going to do in the next lecture. So, in the next lecture, we will consider inverse power method and then we will start our discussion towards q r method, which is the most popular method for calculating eigen values of matrix a at present. So, thank you.
{ "pile_set_name": "YoutubeSubtitles" }
We’re going to dive into the Calvin Cycle. So we’re looking at photosynthesis and all the parts and pieces that allow a plant to take in sunlight and breathe in CO2 and water and make glucose, or sugar, of that. So if you haven’t seen the previous videos: Photosynthesis overview and ADP / ATP you may want to check those out. But the Calvin Cycle gets a little more involved. Mainly because I am going to take it one step further in the chemistry with this whole thing. Now, the Photosynthesis Overview, umm, I’ve got this on other videos, you may want to check that out. Again, we’re just going to focus in on that area of the Calvin Cycle and what happens to finally produce this glucose at the end of the process. The Calvin Cycle is not an organelle inside of there so I am just representing it as a cycle because you are going to see that it cycles. So here’s how we’re going to look at this to begin with: Inside the chloroplast you have this five carbon chain, now it’s not just carbon, there’s a whole bunch of other stuff with it, alright, but we are just representing it with those carbon nuclei to keep things as simple as possible. So, you’ve got this five carbon chain, and it’s a molecule and its got a really big name, you can look it up, if you want it but I am not going to share all that technical stuff here, it’s just a little bit overwhelming when you are learning the process. This is where a cell needs to breathe in CO2. When it breathes in that CO2, it undergoes another chemical reactions it breaks that carbon off and that oxygen goes away and gets used in other stuff. We’re not going to follow that oxygen right now, we’re going to follow that carbon. As part of the Calvin Cycle, when that gets broken off of there it gets attached to those five other carbons. Now we’ve got a six carbon chain, that’s important. We’re going to see a six carbon chain later on but this is a different one, this is not really one that our body can use to make sugar, a few things have to happen first. So, we go back to the photo part of photosynthesis where we made ATP. That ATP, as part of the calvin cycle, it releases that energy. So that phosphate group breaks off of there. When that phosphate group breaks off it pours out its energy and that energy slams into our six carbon chain but its not quite enough. There’s a slight configuration change, it’s not enough to get the full reaction to happen that we need to have happen, which is why the plant also needs NADPH. OK. Again, trying to stay away from getting too technical but this NADPH has got those two electrons. When those electrons break off it releases energy into this cycle and we’re left with NADP+. Now remember the NADP+ is like the wagon we’re carrying along but it doesn’t have anything in the wagon, it’s just something that can store that energy. You might have to go back all the way to the photosynthesis overview video if you don’t understand what that is all about. So now this six carbon chain has been hammered - bam, bam, bam. Hit by two different sources of energy. When that happens it breaks it apart; it breaks it into two, three carbon chains. There is other stuff attached to all of this carbon, I’m just not showing that. Three of those leave the cycle, there just going to wait. Now this is happening very fast but those are just going to wait. The other three stay in the cycle, they’re going to be recycled and they are going to be used again to make the next step. So this three carbon chain that is still in the calvin cycle, it’s going to get hit with the energy from ATP one more time. ATP comes in - BAM! - it releases that phosphate. That energy slams into this three carbon chain. And then there’s another two other carbons, another two carbon chain floating around. You just have to trust me in the fact that these are in there, they have complex names but those in there. That energy, so, to attach those onto the other three carbons requires energy - ATP provides that energy. And all the sudden BAM, once that energy is released it allows those to attach on there. Now we have a five carbon chain again. Well, that’s what we started with. So, all we’ve done here is taken that three carbon change that has changed into a five carbon chain and that’s what we started with when [breathes in] that plant breathed in the CO2, so this happens again. More CO2 comes in, it gets broken apart. The carbon gets broken off, it gets hooked onto that five carbon chain making a six carbon chain. And then ATP comes in and slams into that and releases it’s energy. NADPH comes in, the electrons break off, it releases it’s energy and this thing breaks apart again. And all the sudden, down here at the end of the calvin cycle, we’ve gone through the Calvin Cycle one time, two times. We’ve got two three-carbon chains. So, two three-carbon chains get attached together and they make another six carbon chain. What is that six carbon molecule? Well, that’s what we’ve been working with the whole time, or trying to get to the whole time. This is the product of all of the steps of photosynthesis - we’ve just made sugar: C6H12O6 That C6 means six carbons. And remember there’s some Hydrogens hanging off there, there’s some oxygens hanging off of there, um that’s how we get that whole configuration. But this is the sugar that plants make. I’ve got the complete reaction down there at the bottom. It requires 3 CO2 molecules, requires 6 NADPH’s that break off those electrons, we need 5 waters although for some reason that H got really small, that should be 5 H2O, with a big H, little 2, O. We need 9 ATP, that’s our source of energy and when all that comes together - BOOM - we end up with sugar. We end up with some other stuff as well with is why I have the little star by the sugar, but what we’re really trying to focus on here are the steps of photosynthesis, going from sunlight, water and CO2 and finally ending up with sugar at the end. Now, if you go back to the overview of photosynthesis, you know that a plan actually takes that sugar and converts it into a number of other things. Um, here’s the overview, we got to that last step down there at the bottom, making Glucose and again there are videos explaining the other steps of you need them. I’ve also got a handout for this one, a worksheet that I use in my class to explain what happens at each of the steps; a good overview and a good sort of assessment to see how well you understand what’s happening in all of these things. And, I do have that attached down at the bottom, you can go to the link. Also there will be a link here at the end that pops up. Um, again we created our sugar at the end through all these processes. And you’re going to see, if you missed all those other videos they’re going to show up all around here, somewhere on this page and then we’ll move into the next step which is Cellular Respiration. Cellular Respiration is what happens when you, or an animal, goes and eats that plant and gets the glucose out of there. The glucose goes into your body and it makes energy. So, that’s the next step. Good luck. Keep on Learning.
{ "pile_set_name": "YoutubeSubtitles" }
كيف تصنع الكفير اللذيذ محلي الصنع باستخدام حبوب الكفير من مزارع طيبة لذلك الكفير هو مشروب مخمر كثيف مذاقه مثل الزبادي اليوناني العادي إنه نوع من الحامض لديه القليل من العضة إليها لكنها دسم للغاية و من الجيد جدًا إضافته إلى أي نظام غذائي مليئة بالكالسيوم البروتين وفيتامين ب وله القناة الهضمية البروبيوتيك لذلك فهو بالتأكيد شيء أنت تريد دمجها في نظامك الغذائي لذا هناك حقيقة صغيرة ممتعة وهي أنك لا تستطيع ذلك في الواقع تنمو حبوب الكفير الخاصة بك عليك أن تكتسبهم وهو ما فعلته من خلال مزارع طيبة ولكن مرة واحدة فعل لديك يمكنك استخدام تلك الحبوب أكثر وأكثر لمواصلة تحقيق المزيد و دفعات أكثر من الكفير بذلك الحبوب ليست حبوبًا حقيقية إنها نوعًا ما خلوية مطاطية بناء لذلك هناك ما يسمى بالحبوب ولكن إذا كان لديك عدم تحمل الغلوتين أنت بخير تمامًا لاستخدام تلك التي ليس لديهم العقل الفعلي في نفوسهم وكيف نشأ جاء في كيفية الكفير البداية هي قصة ممتعة للبحث عنها إذا أجريت بحثًا على الإنترنت ، فهناك ملف الكثير من الأساطير والتقاليد والقصص حول كيفية جاءت الصفوف الأولى وبعد ذلك تم تجاوزهم من جيل إلى جيل وحتى متنازع عليه ولذا فهي قصة ممتعة للبحث عنها لذا فإن الحبوب هي المحرك الذي تغذي هذه العملية برمتها تحتوي على الخميرة والبكتيريا التي تتفاعل مع الحليب وتخمرها وتحويلها إلى الكفير اللذيذ لذلك فإن العنصر الآخر الوحيد الذي أنت أحتاج إلى حليبك الذي أحب استخدامه كاملاً حليب ولكن يمكنك أن تنخفض تدريجياً إلى أ محتوى أقل من الدهون مثل 2٪ أو واحد بالمئة يمكنك استخدام بدائل الحليب مثل الجاموس أو الماعز لكنها قد تتغير الاتساق يجعلها إما أكثر سمكا أو أخف بالنسبة لحليب الجوز ، يمكنك الحصول على واحد فقط ربما دورتين مع حبوب الكفير بعد ذلك تريد إعادتهم في حليب حيوان [موسيقى] لذلك يومك هو واحد من التجميع والصنع الكفير الخاص بك خطوتك الأولى هي التأكد فقط كل شيء نظيف تريد غسله تريد غسل يديك جميع المواد مع أ صابون غير مضاد للميكروبات خفيف فقط صابون الأطباق رائع أيضًا إذا كنت تريد استخدامه الزجاج والبلاستيك الكفير الخضر لا يحبون المعدن تأكد من عدم استخدام أي معدن المنتجات ثم سنبدأ بها ملعقة كبيرة من مزارع طيبة الكفير بقوليات وسنضعها في منطقتنا جرة ربع ثم نضيف أربعة أكواب من حليب وهذا نحن فقط نغطي ما تريد استخدامه قطعة قماش أو يمكنك استخدام طبقتين من المناشف الورقية أو بعض فلاتر القهوة وتأمينها بامتداد رابط مطاطي وبعد ذلك سيستوعب هذا 18 إلى 24 ساعة تريد الحصول عليها بقعة دافئة مظلمة وعادة ما تكون حوالي 18 إلى 29 درجة مئوية وسوف تخمر و تبدأ في التكاثف ثم نأتي العودة غدا ونرى هذه العملية نحن في اليوم الثاني من عمليتنا الكفير من مزارع طيبة الحبوب لقد مرت 24 ساعة وستعرف إذا تم الكفير عندما يتكاثف ويتحول إلى زبادي التناسق وبالتأكيد رائحة مخمرة لذلك سنقوم بخلع ذلك وأنت استطيع ان اري هذا الزبادي ولها رائحة مخمرة حتى ذلك الحين عمليتنا كتذكير بكل شيء يحتاج لغسل يديك وكل شيء كل شيء هذا سوف يتلامس مع منظف معتدل ثم تريد استخدام شبكة دقيقة مصفاة النايلون لأنك لا تريد استخدم المعدن كل ما يحتاجه الكفير أن تكون من البلاستيك أو الزجاج أو النايلون بدون معدن ولذا نصبها فقط في وعاءنا [موسيقى] سأقوم بتجفيفه قليلاً ودفع مشروب الكفير نحافظ على الحبوب تريد حفظ العديد من الحبوب مثلك يستطيع ثم نقوم بشطف هذه الجرة وستعود الحبوب إلى هناك ثم تضيف حليبك وتستمر العملية كله من جديد [موسيقى] وبعد ذلك يمكنك شرب هذا المشروب الكفير عليه لديها مرارة حامضة قليلا إنه رائع أيضًا للطبخ معك يمكنك وضعها في عصائر يمكنك استخدامها يمكنك استبدال اللبن الرائب استخدامه للآيس كريم يمكنك استخدامه للطبخ مع الخبز البضائع مع ذلك هذا سوف يخزن في الثلاجة ل لمدة تصل إلى أسبوعين ويمكنك الاحتفاظ بها فقط مثله للمرحلة التالية على الرغم من أنني سأذهب توضح لك كيفية تحويلها إلى ثانية مشروب مخمر يمكنك تحليته ونكهة عدة طرق مختلفة [موسيقى] ثم سوف نكهة مع نصف ملعقة صغيرة قرفة ملعقة صغيرة فانيليا ومن ثم سنستخدم بعض المواد الخام عسل يمكنك نكهة هذا كيفما تريد يستطيع عمل بعض الفاكهة مثل مزج بعض الفراولة أو المانجو أو ربما المانجو والفراولة معا يمكنك استخدام مسحوق الكاكاو لك يمكن استخدام التواريخ يمكنك استخدام عناصر مثل ما أنا عليه استخدام الاحتمالات لا حصر لها ل جميع أنواع مشروبات الكفير المنكهة واسمحوا لي فقط أن أضع الغطاء امنحه مزيجًا جيدًا حركه وهذا سوف تخمر مرة ثانية سنتركه يتخمر لمدة 12 ساعات مرة أخرى فقط في بقعة دافئة مظلمة وسيكون هذا مشروب أحلى وأكثر استساغة لذلك سنقوم عد بعد 12 ساعة [موسيقى] ونحن في يومنا الأخير مع مشروب الكفير كما ترون إذا اقتربتم منا يملك تم تخمير الفقاعات في الجزء العلوي من أجلها 12 ساعة إضافية وهو الآن جاهز للشرب لذا أنا فقط سأعطيها مزيج صغير هز الفقاعات وخلاصة التخمير الثاني هي التي تتذوقها ويمكن أن تجعل الكثير من المرح مختلفًا مجموعات ثم الثانية الأولى التخمير هو واحد حيث يمكنك شربه أو يمكنك استخدامه للطهي وتكملة الحليب العادي ومن ثم عليك الحصول على جميع الفوائد الصحية الخاصة بك مشروب الكفير الآن لديك لذيذ صحي مشروب زبادي رائع لذا استمر في استخدام حبوب الكفير الخاصة بك من مزارع الطيّبة واجعلوا هذا المشروب أكثر ومرة أخرى واستمتع بالصحة فوائد
{ "pile_set_name": "YoutubeSubtitles" }
马来西亚的银行主要区别是什么? 您该投资哪一家? 让我们找出答案 大家好,我是Stanley 今天想要跟大家分享马来西亚的银行主要区别 和您该如何选择投资哪一家 我们今天会谈到5个马来西亚银行 Maybank,Public Bank, CIMB, Hong Leong Bank和 RHB Bank 我们会去观察每一个银行收入来源 了解他们在哪里赚钱 为什么一些银行管理得更好 然后我们也来看看他们的估值 和比较哪家目前是最便宜的 我会与你分享哪家是的我觉得 是其中最公道的 首先,我们来了解为什么我们甚至需要投资在银行 对我来说,我明白了银行作为经济的代理 因为他们给所有贷款部门的经济 所以当经济表现良好,银行也做得很好 所以如果你对马来西亚经济投资非常乐观的投资者 马来西亚银行肯定会给你投资组合曝光 好的,我们现在跟详细的去了解每家银行 我们先从马来亚银行,或Maybank Maybank是马来西亚最大的银行 通过锻炼和收入 它在2019赚取利润82亿令吉 它也拥有最多的一个多样化的所有收入来源 只有其营业收入的62%来自马来西亚 新加坡和印度尼西亚作为主要主要海外市场 它有一个非常体面的10.9%回报 显示银行是管理得相当良好 如果你想了解更多关于股本回报 在这里可以看看我们以前的视频 接下来是公共银行 公共银行是一个马来西亚投资者最爱的股票 该股票自2006年以来的已返回超过150% 这是在计数之前是股息 和公共银行业绩卓越的关键是在于它的管理 是马来西亚最有效率的银行,在于13.6% 跟其他银行的股本回报比起是最高 公共银行是通过非常谨慎的风险管理达到这成绩 公共银行的不良贷款有非常低比率,仅为0.5% 是工业平均水平的三倍 通过更好的风险管理, 公共银行有能够产生更好的利润 对股东来说是一件好事 但是公共银行缺乏的是多元化 今天大部分的收入仍然还是在马来西亚 它有一个非常大的独特的信托业务 贡献约8%的收入 我们正在移动鉴于全球趋势 这部分业务可能面临未来的一些逆风 公共银行也不是没有风险 下一步是CIMB集团 CIMB银行是马来西亚第三大银行 它在2019获取了四百六十亿令吉的资产 但它的收入不是来自零售市场如Maybank和公共银行 CIMB是一个商业银行 地理上目前是相当多样化 只有69%的收入来自马来西亚 包括印度尼西亚泰国和新加坡作为其主要市场 不幸的是,CIMB是马来西亚管理最不良好的银行 股本回报率为9。3% 他银行的股本回报都超过10% 接下来我们谈Hong Leong银行 这银行比较棘手因为 它有三个家在马来西亚釜山上市的贷款公司 他们是Hong Leong财务集团 Hong Leong资本集团 和Hong Leong银行集团 你需要知道的是Hong Leong资本集团 主要是投资银行处理股票 债券期货及单位信托和房屋贷款 和Hong Leong银行集团是银行业务核心 给我们的负载和接受存款 然后Hong Leong金融集团是一个控股公司 它拥有约64%的住房贷款银行 和81%Hong Leong资本集团 它也还拥有业务的保险 但大部分收入是是来自Hong Leong银行 所以我们关注银行本身 Hong Leong银行在个2019年赚了大约六十亿令吉 大部分收入仍然是来自马来西亚 在中国成都银行有一个很大的投资 通过这个投资 联营公司获利是现在约22%的净利润 这家银行也相当管理良好 股本回报率为10。8% 不良贷款比率仅为0.8% 工业平均水平的一半 最后让我们来看RHB银行 RHB银行有一个简单的业务 89%的收入来自马来西亚 也有一个显着投资银行业务 分割其收入来源接近50%其投资收入 和传统的银行收入 所以这是马来西亚之间的主要区别 现在我们看看评估 对于银行,我喜欢使用价格与书的比率 和看着其股息收益率 账面价值是净该公司目前拥有的资产 和该值基本上是他们传递回投资者时的收入 当我们通他们的价格到书扫描比 我们可以看到CIMB银行是其中最便宜的 这可能是因为他的素质较低 在所有的银行拥有最低的股本回报率 然而所有的银行交易显着低于他们 目前的长期平均估值 例如公共银行在过去十年的大部分时间 一直在交易接近这个账面价值的两倍 目前因为疫情慢停下来 而且由于银行是代理经济时 当经济不好,银行的生意也会很糟糕 现在让我们来看看他们的股息收益率 基于去年的股息 我们看到全部都有一个非常高股息 Maybank最高在8.6% 然而如前所述,今年股息由于目前的疫情将被削减 所以当你所收到的听听就算了 现在让我们来看看哪一个银行我觉得是最公道的 先说明,我不拥有任何这些银行 但如果必须选择,我还是选择Maybank银行 它是仍然是马来西亚最大的银行 它和其他银行相比拥有非常多样化的收入来源 它的业务主要仍在服务 比起零售市场更具弹性 现在不是最便宜的,但以我观点它价钱仍然是非常合理 在投资时,我们不应该用最便宜的价钱衡量股票 我们必须平衡业务的质量 和估值 对我来说,Maybank目前有最好的平衡 你同意吗?哪一个是你最想投资的银行? 现在分享您的想法 除了银行,我们有五个认为更好的投资股息股票 只需点击链接下面下载我们的免费副本股息股权 如果你想了解更多关于投资 如了解价格与书面比率和还有什么是ROE 您可以在这里查看我们的投资成本 你可以免费获得开始 今天说到这里,我的名字是Stanley 下次见,小心投资 感谢您观看视频 如果你喜欢它,请给我们一个喜欢 如果你觉得它有用,我希望你分享 以及记得订阅我们的频道 点击钟按钮获取通知我们的下一个视频 我们在接下来的视频再见
{ "pile_set_name": "YoutubeSubtitles" }
As Head of School I just wanted to send this message of celebration to you, our final year students. This has been a really difficult few months with the Covid crisis and lockdown. I know that many of you have had to continue studying through very challenging circumstances, and it was a painful moment for us when we had to finally close our labs. In EECS we're all very proud of you and are fascinated to see what you do next, you all have so much potential. Queen Mary is a unique university, excellent for research and education, and the most diverse of the Russell Group. In ECCS we've just been rated ninth in the UK for Computer Science research by guide to research.com. I've also just seen the latest figures on graduate destinations and from two years ago nearly ninety percent of our EECS graduates went on to graduate level employment or study. That's really great but I want you all to do even better, let's make it 100 percent. The tech sector is booming and you have so much to contribute to it and to benefit from in the form of great careers, whether you go straight into industry or do an MSC or PHD first. And if you're thinking of staying in EECS check out our latest news on funded scholarships for MSC and PHD. As ECCS graduands you are part of our history and part of our future. We trust you to make the world a better place and carve out great lives for yourselves in the process. Bye for now and please take care. Hi everyone, as the Undergraduate Project Coordinator I would like to personally congratulate you on your achievements during your time at Queen Mary University of London. Having been a student at Queen Mary many, many years ago, I understand the feeling of achieving something special at this great institution. And I'm sure that you've had a fascinating journey where you have worked very hard over the last three to four years. In addition to this you have lived through a very unique experience over the last semester with the Covid-19 outbreak. And I must say I've been quite impressed and really proud, the way you have been resilient towards achieving your goals within your academic studies. You are a very special cohort and I'm very proud of achievements and you will remain an important part of our history and our future. All the best.
{ "pile_set_name": "YoutubeSubtitles" }
Yeah Everybody knows that I'm breaking down. Everybody knows how to fake your nether. Everybody knows my heart shaking now. Yes, she hates me now I'm in mistakes. Banana. I don't ever wanna be alone. I don't really ever feel at home. Am I going in this zone? That's the only way I know Feeling out about to blow back up if I know that the doubt creep in you got a pup a couple more best friend I don't think I'll never let you been easier to break it off best friends. I don't really understand myself Understand need help. I don't wanna be left on the Shelf couldn't even hear me if I come It's so calm I Don't want to break down I always feel like I could break now, but I never let it I won't ever let my thoughts get away. Now I got things to do picking fate now I'm just gonna be the best coming great now. I don't know if I'm okay. Go insane Yeah, I remember better days on the playground open the come away go in and face it down I fight even when I don't know what is right I'ma pick a side and I'ma take guy I will decide my fate guy will never let them tell me who I am If you try to shake me I'll be jams headed underground square bust and never give up. That was always the plan. It's so cool It's so car You
{ "pile_set_name": "YoutubeSubtitles" }
VISUAL: Sia Wai Suan. Bachelor of Computer Science. RMIT University logo. VISUAL: Sia Wai Suan, side on to the camera, leaning on the railing in the portico of the Swanston Academic Building and looking out on to the street. Sia Wai Suan: Coming to Melbourne has literally changed my life. VISUAL: Video looking down on Swanston Street. RMIT buildings with RMIT University logo signs are to the left and the Swanston Academic Building is to the right. Sia Wai Suan: It’s broadened my horizons and I’ve grown as a person. VISUAL: Sia Wai Suan standing leaning against a brick post on the footpath outside the Melbourne City Baths, smiling at the camera and pointing towards the Swanston Academic Building in the distant background. Sia Wai Suan: Studying at RMIT gives me a feeling like no other ... VISUAL: Sia Wai Suan standing on the footpath on Swanston Street, General Pants Co shop is in the background. People are walking past him. Sia Wai Suan: ... a sense of responsibility, it’s as if I have a duty ... VISUAL: Sia Wai Suan standing against the wall of The Hub. The discs on the façade of The Hub are behind him. He is slowly looking around him. Sia Wai Suan: ... to make the most of this privilege that has been given to me. VISUAL: Video of Sia Wai Suan in the distance walking on the grounds of RMIT. Building 1, Francis Ormond Building, an old sandstone building, is in the background. Sia Wai Suan: I really enjoy campus life ... VISUAL: Sia Wai Suan walking on a path towards the State Library of Victoria with his back to the camera. Sia Wai Suan: ... there’s always something going on ... VISUAL: Sia Wai Suan walking down a path in a city park. Sia Wai Suan: ... hidden corners to discover and new places to explore. VISUAL: Sia Wai Suan sitting on a bench in a nicely landscaped park looking at his smart phone. Sia Wai Suan: I was pretty lost in the beginning ... VISUAL: Sia Wai Suan walking past Building 11. Sia Wai Suan: ... but finding my way around has become as second nature to me ... VISUAL: Sia Wai Suan walking down a hallway in an RMIT building. On the right of screen is a large promotional poster for RMIT and on the left side of the hallway are a row of lockers. Sia Wai Suan: ... learning where facilities were located. VISUAL: Sia Wai Suan sitting at a desk in a study area working on a computer with his back to the camera. Sia Wai Suan: On campus, my life involves ... VISUAL: Sia Wai Suan sitting on the edge of the desk in the computer lab facing the camera and smiling. Sia Wai Suan: ... lots of time in the computer labs. VISUAL: Sia Wai Suan sitting typing at his computer in the computer lab, camera is side-on and then pans in for a close up of the screen. Sia Wai Suan: I do most of my course assignments in the labs as I feel it’s a much more comfortable environment to work in. Also, it’s open 24/7 which is very convenient ... VISUAL: Sia Wai Suan leaning against the computer desk in the lab with his arms crossed and speaking to the camera. Sia Wai Suan: ... for me as I live only 15 minutes away. VISUAL: Sia Wai Suan sitting at his computer in the computer lab, camera is side-on to him. Sia Wai Suan: It’s the programming aspect of studying Computer Science that I find ... VISUAL: Close up of Sia Wai Suan typing on his computer in the computer lab, the camera is behind him. Sia Wai Suan: ... most enjoyable. I have a great interest in ... VISUAL: Sia Wai Suan typing on his computer in the computer lab, camera is side-on to him. Sia Wai Suan: ... learning new programming languages ... VISUAL: Close up of the computer screen which has a computer program on it. Sia Wai Suan: ... as the technicality and architecture ... VISUAL: Close up of Sia Wai Suan sitting in front of his computer, speaking side on to camera and gesturing with his hands as he explains something. Sia Wai Suan: ... has always intrigued me. But studying Computer Science ... VISUAL: Close up of Sia Wai Suan’s hands typing on his laptop. Sia Wai Suan: ... at RMIT is not all heavy programming ... VISUAL: Sia Wai Suan sitting in a classroom at a large table typing on his laptop and discussing what’s on his screen with the camera. Sia Wai Suan: ... there’s much more to it than that. The main focus of the program is to learn to think critically as a computer scientist ... VISUAL: Sia Wai Suan typing on his computer in the computer lab. Sia Wai Suan: ... to go beyond what’s on the computer screen ... VISUAL: Sia Wai Suan sitting on the edge of the desk in the computer lab and facing the camera. He is speaking and gesturing with his hands as he speaks. Sia Wai Suan: ... and really put some thought as to how machines really work, internally, at their software core. VISUAL: Sia Wai Suan sitting in a classroom listening to a male teacher who is standing by a white board and is discussing what’s written on it. Sia Wai Suan: The teaching here, at RMIT, has been great. VISUAL: Close-up of the male teacher speaking in the classroom and looking at the whiteboard, off screen, and back at the students, off screen. Sia Wai Suan: I’m amazed by how the teaching staff go out of their way to help you ... VISUAL: Sia Wai Suan smiling and speaking to the male teacher who is off screen. A female student is sitting behind him in the classroom. Sia Wai Suan: ... even when they don’t have to like old style lectures and via online discussion forums. VISUAL: Video from side on of Sia Wai Suan and the male teacher speaking with each other and the female student in the background listening. Sia Wai Suan: I don’t hesitate to seek help from a teacher because I know ... VISUAL: Video from another angle at the back of the room of the male teacher pointing at what’s written on the white board, Sia Wai Suan and the female student is listening. Sia Wai Suan: ... that they can be depended upon; making study so much easier here at RMIT. VISUAL: Video of Sia Wai Suan speaking in the classroom with his laptop in front of him. VISUAL: Video of Sia Wai Suan walking down Swanston Street’s footpath, General Pants Co shop is on the left of screen and the Melbourne blue bikes for hire rack are on the right. Sia Wai Suan: I really enjoy Melbourne and I’ve adapted ... VISUAL: Video of Sia Wai Suan standing out the front of RMIT’s Building 13 (Emily McPherson Building). Sia Wai Suan: ... pretty swiftly due to the simple fact that it was ... VISUAL: Video of Sia Wai Suan standing on the footpath between Building 13 (Emily McPherson Building) and Building 11 (Old Melbourne Gaol). Sia Wai Suan: ... easy to adapt to; a great place to live ... VISUAL: Same image as previous but from a different camera angle, side-on, a tree is now in the background and Sai Wai Suan is smiling and looking at something to his left, off screen. Sia Wai Suan: ... and study. VISUAL: Video of Sia Wai Suan shooting a goal in basketball with another male student watching. Sia Wai Suan: I mainly play sports like basketball and badminton ... VISUAL: The student standing and watching walks over and gives Sia Wai Suan a high-five for getting the ball through the hoop. Sia Wai Suan: ... during my spare time. VISUAL: Video of Sia Wai Suan and a few other male students playing basketball. Sia Wai Suan catches, bounces and shoots the ball through the hoop. VISUAL: Sia Wai Suan typing on his laptop in a student study area at the Swanston Academic Building. Sia Wai Suan: I’ve no regrets about coming to RMIT ... VISUL: Same image as previous, but difference camera angle, now side-on to Sian Wai Suan as he types. Sia Wai Suan: ... that’s for sure. VISUAL: Sia Wai Suan smiling and standing in a hallway of an RMIT building which has windows right along the length of the hallway to the outside in the background. Sia Wai Suan: I wouldn’t trade it for anything. My time at RMIT ... VISUAL: Sia Wai Suan standing in a hallway of The Hub, the discs of the façade can be seen to the left of screen. He is stretching his arms out between the steel frame of the façade and an inside wall of the hallway. The camera pans out. Sia Wai Suan: ... can be summed up in one word: invaluable. VISUAL: Sia Wai Suan sitting on a bench seat talking to another male student in The Hub. The discs of The Hub’s façade are in the background. Sia Wai Suan: I’ve learnt so much more than I expected and I’m truly grateful for that and to ... VISUAL: Sia Wai Suan at night time standing against a railing of an RMIT Building (probably the portico of Swanston’s Academic Building), the street lights and city buildings are in the background. Sia Wai Suan: ... anyone that’s helped me reach this point in my life. VISUAL: Same location as previous but camera is side-on to Sia Wai Suan and close-up on his face. Sia Wai Suan: The experience that I have gained here, at RMIT ... VISUAL: Same location as previous, camera pans back to show the street below in the background. Sia Wai Suan smiles at the camera. Sia Wai Suan: ...is pretty much irreplaceable. VISUAL: Same location as previous, camera is close up on Sia Wai Suan’s smiling face. The background of the city is blurry. VISUAL: RMIT University Logo. End of video
{ "pile_set_name": "YoutubeSubtitles" }
- [Narrator] Discharge conveyors do a lot of work, but can quickly become frustrating when the belt begins to track poorly. Operators should be routinely monitoring belt tracking and inspecting belt edges, and splicing for any signs of excessive wear. If a misalignment is discovered, there are a series of steps that should be taken to reduce the likelihood an overcorrection is not made. The first question that should be asked, is the machine frame sitting square? Depending on the terrain, if the axles are on a slope and the front outriggers are adjusted level, it could create a slight twist in the frame, leading to poor tracking. Slightly adjusting the front outriggers or moving the machine to level ground can sometimes provide enough movement for the belt to begin tracking properly. The other potential issue to eliminate before turning to wrenches, would be to inspect for debris or flashing misalignment that could be causing the poor tracking. If those two things don't seem to fix it, the next step is to attempt to steer the belt using the return rollers. By loosening the return roller brackets and offsetting the alignment with the forward edge being the direction the belt needs to track. Try it with one roller at a time before adjusting multiple. Pro tip, begin grinding to load the belt with material when checking tracking. The operational weight on the belt can be enough to move it back into alignment. If steering the belt doesn't work, then resort to adjusting tension via the head pulley at the discharge point. Adjusting tension on the belt to address tracking can be frustrating, as it can quickly lead to overcorrection and poor tracking the opposite direction. Make small adjustments and check tracking to reduce this effect. For more information about belt tracking, reference the machine's maintenance manual or contact your local Vermeer dealer.
{ "pile_set_name": "YoutubeSubtitles" }
WELCOME TO "THE LATE SHOW." I'M YOUR HOST STEPHEN COLBERT. ( CHEERS AND APPLAUSE ) THANK YOU FOR THAT. I NEED IT TONIGHT. SOME DAYS THE NEWS IS FRUSTRATING. AND BY SOME DAYS, I MEAN EVERY DAY FOR THE LAST THREE YEARS. BUT TODAY IS ESPECIALLY IRKSOME. I AM FULLY IRKED. TRUMP IS REALLY IRKING ME OFF. SEE, IT'S BEEN A COUPLE DAYS SINCE THE IRAN ALMOST-WAR, AND THE WORLD'S SPHINCTER IS FINALLY UNCLENCHING. NOW, WITH THE PERSPECTIVE OF TIME, WE CAN ASK, WAS ANY OF THIS LEGAL? THE ADMINISTRATION SAYS YES. THE DRONE STRIKE WAS COMPLETELY JUSTIFIED, BECAUSE THEY WERE HEADING OFF AN IMMINENT ATTACK. MIGHT BE TRUE. BUT, SO FAR, TRUMP HASN'T PROVIDED ANY EVIDENCE OF THAT, OR TOLD ANYONE WHAT THE ATTACK WOULD HAVE BEEN. YESTERDAY, TRUMP ADMINISTRATION OFFICIALS DELIVERED A CLASSIFIED BRIEFING TO MEMBERS OF CONGRESS. AND NOT EVERYBODY GAVE IT A RAVE. SOME GAVE IT A RANT, LIKE UTAH REPUBLICAN SENATOR AND MAN DEFINITELY NOT SNAPPING ON THE BEAT, MIKE LEE. LEE DESCRIBED THE MEETING WHERE THE ADMINISTRATION WAS SUPPOSED TO EXPLAIN THE JUSTIFICATION FOR THE ATTACK THIS WAY: >> PROBABLY THE WORST BRIEFING I'VE SEEN, AT LEAST ON A MILITARY ISSUE, IN THE NINE YEARS I'VE SERVED ON THE UNITED STATES SENATE. THEY KEPT TELLING US THAT THERE WOULD HAVE BEEN AN IMMINENT ATTACK HAD THEY NOT TAKEN THIS STRIKE ON FRIDAY. BUT THEN WHEN WE WOULD ASK THEM, "WHAT WAS THE NATURE OF THAT ATTACK? WHEN AND WHERE WOULD THAT HAVE BEEN OCCURRED? BY WHOM WOULD IT HAVE BEEN CARRIED IT OUT?," THEY REFUSED TO ANSWER THE QUESTION. >> STEPHEN: AND THAT'S THE ONLY REASON FOR THE MEETING. THAT'S LIKE A DOCTOR SAYING, "WE HAVE THE RESULTS OF YOUR M.R.I., BUT I REFUSE TO SHOW THEM TO YOU. SO WHAT DO YOU WANT TO TALK ABOUT? HEY, HAVE YOU FINISHED BINGING "THE WITCHER" ON NETFLIX YET? I'D GET TO THAT IN THE NEXT COUPLE OF WEEKS, IF I WERE YOU." ( LAUGHTER ) ( PIANO RIFF ) NOT ONLY ARE THEY NOT PROVIDING ANY INFORMATION TO CONGRESS, BRIEFERS WERE EVEN SHUSHING LAWMAKERS WHO ASKED TOUGH QUESTIONS. OKAY, THAT ONE'S FINE. REMEMBER WHAT JAMES MADISON SAID TO JOHN ADAMS AT THE CONSTITUTIONAL CONVENTION ABOUT THE SEPARATION OF POWERS: "SHUT YOUR DIRTY LITTLE MOUTH!" ( LAUGHTER ) SENATOR LEE, WHO AGAIN, IS A REPUBLICAN, SAYS THE CENSORSHIP WENT EVEN FURTHER THAN THAT: >> WHAT I FOUND SO DISTRESSING ABOUT THAT BRIEFING WAS THAT ONE OF THE MESSAGES WE RECEIVED FROM THE BRIEFERS WAS "DO NOT DEBATE, DO NOT DISCUSS THE ISSUE OF FURTHER MILITARY INTERVENTION AGAINST IRAN, AND THAT IF YOU DO, YOU'LL BE EMBOLDENING IRAN." >> STEPHEN: OF COURSE, IRAN WANTS NOTHING MORE THAN FORCING THE GREAT SATAN TO HAVE A FUNCTIONING DEMOCRACY. DON'T FORGET THEIR RALLYING CRY, "REASONED DEBATE TO AMERICA!" LEE SAYS THAT NOT ONLY WAS THE BRIEFING HORRIBLE, THE PORTIONS WERE SO SMALL: >> THEY HAD TO LEAVE AFTER 75 MINUTES. >> STEPHEN: 75 MINUTES IS SHORTER THAN THE OPENING CREDITS OF "THE IRISHMAN!" LEE WRAPPED UP HIS CRITICISM OF THE BRIEFING BY TELLING US HOW HE REALLY FELT. >> I FIND THIS INSULTING. AND DEMEANING. NOT PERSONALLY, BUT TO THE OFFICE THAT EACH OF THE 100 SENATORS IN THIS BUILDING HAPPENS TO HOLD. I FIND IT INSULTING, AND I FIND IT DEMEANING TO THE CONSTITUTION OF THE UNITED STATES. >> STEPHEN: DAMN RIGHT, MIKE! ( CHEERS AND APPLAUSE ) YES! YOU MAY BE REPUBLICAN, BUT YES! OH, HELL, YES! SENATOR, I'M GOING TO RUIN YOUR POLITICAL CAREER BY AGREEING WITH YOU. ( LAUGHTER ) HE'S ABSOLUTELY RIGHT! HE'S ABSOLUTELY RIGHT! THIS IS INSULTING. ( PIANO RIFF ) THIS IS INSULTING. NOT JUST TO CONGRESS-- TO THE AMERICAN PEOPLE. HAS EVERYONE ALREADY FORGOTTEN WHAT HAPPENS WHEN WE DON'T ASK FOR CONCRETE EVIDENCE JUSTIFYING A MILITARY ATTACK AGAINST A MIDDLE EASTERN COUNTRY WHOSE NAME BEGINS WITH "IRA"? ( LAUGHTER ) OBVIOUSLY, WE KNOW WHAT THAT WAS LAST TIME: >> OBVIOUSLY, THE WAR IN IRAQ WAS A BIG, FAT MISTAKE. ( LAUGHTER ) >> STEPHEN: THANK YOU, MORE RECENT MISTAKE. ( LAUGHTER ) ( CHEERS AND APPLAUSE ) ( PIANO RIFF ) HERE'S THE DIFFERENCE -- HERE IT IS! >> Jon: COME ON, NOW! >> Stephen: LISTEN UP! HERE'S THE DIFFERENCE BETWEEN 2003 AND NOW-- I WEIGH 30 POUNDS MORE. ( LAUGHTER ) HERE'S ANOTHER ONE -- HERE'S ANOTHER ONE -- BACK THEN, GEORGE W. BUSH RESPECTED US ENOUGH TO PUT SOME EFFORT INTO HIS LIES. REMEMBER? (AS BUSH) "SADDAM HUSSEIN HAS MOBILE WEAPONS LABS THAT RIDE THE RAILS MADE OF ALUMINUM TUBES THAT CAN DELIVER 50,000 BARRELS OF HONEY MUSTARD GAS HIDDEN ON A TURKEY FARM. SADDAM WILL ATTACK US WITH HUMAN-ANIMAL HYBRIDS." ( LAUGHTER ) THEY EVEN SENT COLIN POWELL TO THE U.N. TO SHAKE HIS COCAINE VIAL FULL OF SWEET 'N' LOW, AND CLAIM IF HE OPENED IT, IT WOULD KILL EVERYONE FROM HERE TO WESTCHESTER. ( LAUGHTER ) AND HE'D LOVE TO SHOW US THE EVIDENCE, BUT THAT WOULD RUIN EVERYTHING. WE JUST HAD TO TRUST THEM AND THEIR BUDDY CURVEBALL. WELL, 17 YEARS LATER, HERE WE ARE AGAIN. WORST THROWBACK THURSDAY EVER. ( LAUGHTER ) ( CHEERS AND APPLAUSE ) AND HERE'S ANOTHER DIFFERENCE. HERE'S ANOTHER DIFFERENCE. TRUMP DOESN'T EVEN HAVE A COLIN POWELL. THEY DON'T HAVE SOMEONE WITH A REPUTATION WORTH FLUSHING DOWN THE TOILET. THE BEST THEY CAN SCRAPE TOGETHER IS THE MIKE PENCE EXPERIENCE: >> WE HAVE TO PROTECT SOURCES AND METHODS, AND SO THERE'S ONLY A CERTAIN AMOUNT THAT WE CAN SHARE WITH EVERY MEMBER OF CONGRESS, BUT THOSE OF US WHO HAVE SEEN ALL THE EVIDENCE KNOW THAT THERE IS A COMPELLING CASE OF AN IMMINENT THREAT. >> STEPHEN: GET THAT? PENCE HAS SEEN ALL THE EVIDENCE. BUT YOU WON'T EVER SEE IT, BECAUSE IT GOES TO ANOTHER SCHOOL, IN CANADA. AND IT IS SUPER HOT. ( LAUGHTER ) AND HE TOTALLY GOT TO THIRD BASE WITH IT, WHICH FOR MIKE PENCE, IS "SHARE FROYO." ( LAUGHTER ) I SAY, BEFORE WE GIVE THE PRESIDENT THE AUTHORITY TO ATTACK ANOTHER MIDDLE EASTERN COUNTRY, WE MUST DEMAND BETTER LIES. WE DESERVE THEM! THIS IS AMERICA, HOME OF THE WHOPPER. ( CHEERS AND APPLAUSE ) OUR TAXES, YOUR TAXES, MY TAXES, OUR TAXES PAY FOR ALL THESE LIES! PUT SOME EFFORT INTO IT! DAZZLE AND DECEIVE US! SELL IT WITH SOME SIZZLE! SCARE THE ( BLEEP ) OUT OF US! ( CHEERS AND APPLAUSE ) BUT JUST TRY! BUT ONE SENATOR WAS DEEPLY GRATEFUL FOR ALL THE NOTHING THEY GOT-- SOUTH CAROLINA SENATOR AND FROG WHO GOT KISSED AND TURNED INTO LINDSAY GRAHAM -- ( LAUGHTER ) -- LINDSEY GRAHAM. HE WAS ASKED ABOUT WHETHER CONGRESS SHOULD EVER GET TO LEARN ANYTHING ABOUT THE JUSTIFICATION FOR THIS ATTACK FROM THE PRESIDENT: >> DOES THE ADMINISTRATION NOT HAVE A DUTY TO DISCLOSE SOME OF WHAT THEY KNOW SPECIFICALLY WHEN THEY COME TO CONGRESS? >> THE WAY WE FOUND THIS OUT, WE'LL NEVER TELL ANYBODY, IT WAS MAGICAL, AND WE WON'T COMPROMISE IT. >> STEPHEN: YES, IT WAS MAGICAL. (MAGIC MUSIC) WOULD YOUREICH A JUSTIFICATION? ALL RIGHT, ALL RIGHT, PICK A JUSTIFICATION, ANY JUSTIFICATION. ALL RIGHT, DON'T LOOK AT IT. NOW, PUT IT BACK INTO THE DECK. BRIEFING OVER!" ( LAUGHTER )
{ "pile_set_name": "YoutubeSubtitles" }
Portuguese: Como uma obscura melodia folk romena, uma canção italiana do século 16, e um poeta romântico bêbado combinam-se para criar o Hatikva, O hino nacional de inspiração de Israel? Sim, uma musica sinonima com esperança e duradoura dificuldade não só tem uma origem insana, mas também está cercado em um pouco de controvérsia porque, como o próprio Estado de Israel, O Hatikva tem o complexo papel de ser tanto um símbolo da esperança e identidade judaica bem como o hino para um multicultural e estado multiétnico dedicado à igualdade. Eu sou Jacob e hoje vamos explorar as origens da música, o que isso significava para o povo judeu antes mesmo de haver o Estado de Israel, e como veio a ser o hino emblemático da nação. (intro music) Como muitos hinos nacionais antes, Hatikva encontra suas raízes líricas em um poema. Tikvatenu, ou nossa esperança, foi escrito em 1877. O poema evocou imagens bíblicas e enfatizou o anseio para os judeus retornarem à sua pátria. English: How did an obscure Romanian folk melody, a 16th-century Italian song, and a drunk romantic poet combine to create Hatikva, Israel's inspirational national anthem? Yeah, a song synonymous with hope and enduring hardship not only has an insane origin, but also is surrounded in a little bit of controversy because, like the State of Israel itself, Hatikva has the complex role of being both a symbol of Jewish hope and identity as well as the anthem for a multicultural and multiethnic state dedicated to equality. I'm Jacob and today we're going to explore the origins of the song, what it meant to the Jewish people before there even was the State of Israel, and how it came to be the emblematic anthem of the nation. (intro music) Like many national anthems before it, Hatikva finds its lyrical roots in a poem. Tikvatenu, or Our Hope, was written in 1877. The poem evoked biblical imagery and emphasized the yearning for the Jews to return their homeland. Russian: Каким образом малоизвестная румынская народная мелодия, и итальянская песня XVI века при участии страдающего алкоголизмом поэта-романтика превратились в Хатикву — вдохновляющий национальный гимн Израиля? Да, песня о надежде и противостоянии трудностям не только имеет странное происхождение, но и окружена некоторыми противоречиями, поскольку, так же, как и самому Израилю, Хатикве одновременно отведена сложная роль как символа еврейской надежды и самосознания, так и гимна многокультурного и многонационального государства, прославляющего равенство. Меня зовут Джейкоб, и сегодня мы поговорим о происхождении этой песни, ее значении для еврейского народа еще до появления государства Израиль и о том, как она стала символическим гимном нации. ИСТОРИЯ ИЗРАИЛЯ ПРОСТЫМ ЯЗЫКОМ Подобно многим национальным гимнам в основу Хатиквы была положена поэма "Тикватейну" или "Наша надежда", увидевшая свет в 1877 году. Поэма оживляла библейские образы и подчеркивала стремление евреев вернуться на свою родину. Spanish: ¿Cómo una oscura melodía rumana, una canción italiana del siglo XVI y un poeta romántico borracho se combinan para crear El Hatikva, el himno nacional de Israel? Sí, una canción sinónimo de esperanza y penuria eterna no solo tiene un origen descabellado, sino que también está rodeada de un poco de controversia, porque, al igual que el Estado de Israel, El Hatikva tiene el difícil papel de ser un símbolo de esperanza e identidad judía así como el himno de un estado multicultural y multiétnico dedicado a la igualdad. Soy Jacob y hoy exploraremos el origen de la canción, su significado para el pueblo antes de ser el Estado de Israel y cómo se convirtió en el himno emblemático de la nación. LA HISTORIA DE ISRAEL EXPLICADA Como muchos himnos nacionales, El Hatikva tiene sus raíces líricas en un poema. "Tikvatenu", o "Nuestra esperanza", se escribió en 1877. El poema evocaba la imaginería bíblica y destacaba el anhelo de los judíos de regresar a su patria. iw: ‫איך הצליחה מנגינת שיר עם רומני מעורפלת, ‫שיר איטלקי מהמאה ה-16 ‫ומשורר רומנטיקן ושתוי ‫להשתלב כדי ליצור את "התקווה", ‫ההמנון הלאומי רב ההשראה של ישראל? ‫כן, שיר המזוהה עם תקווה ‫ועמידה בקשיים ‫שלא רק שיש לו מקורות הזויים ‫גם יש מסביבו קצת מחלוקות, ‫כי כמו מדינת ישראל עצמה, ‫יש ל"התקווה" תפקיד מורכב, ‫גם להיות סמל לתקווה וזהות יהודיים, וגם להיות ההמנון ‫של מדינה מרובת תרבויות ומגוון אתני ‫המחויבת לשוויון. ‫שמי ג'ייקוב, והיום נחקור את מקורות השיר, ‫מה הייתה משמעותו עבור היהודים ‫לפני שהייתה אפילו מדינת ישראל ‫ואיך הוא הפך להיות ‫ההמנון הסמלי של האומה. ‫ההיסטוריה של ישראל ‫מוסברת ‫כמו המנונים רבים לפניו, ‫"התקווה" מוצא את שורשיו הפיוטיים בשיר. ‫"תקוותנו" נכתב ב-1877. ‫השיר הזכיר תמונות תנ"כיות ‫והדגיש את כמיהת היהודים לשוב למולדתם. iw: ‫מחבר השיר, נפתלי הרץ אימבר ‫היה יהודי אוקראיני ‫שהיה גם מרושש, שיכור ומאוד לא מאושר, ‫משהו שקל להבין ‫אם אתה יהודי מאוקראינה. ‫היו אנשים בתקופתו שאפילו כינו אותו ‫"נווד" או "נבל" ו"נוכל". ‫אז ישר מלידתה, ‫"התקווה" הייתה שנויה במחלוקת. ‫"תקוותנו" הולחן ב-1888 ‫ע"י היהודי הרומני שמואל כהן. ‫עכשיו, מה המנגינה שהותאמה לו? ‫על זה יש קצת ויכוח. ‫יש שאומרים שזו "לה מנטובנה" ‫שיר איטלקי פופולרי מהמאה ה-16 ‫בזמן שאחרים אומרים שזה "די מולדאו" ‫של המלכין הצ'כי בדריך סמטנה ‫והויכוח הזה הובילה לריב פולמוסי ‫שמזכיר את הויכוח ‫אם נקניקייה בלחמנייה זה סנדוויץ' או לא. ‫בהחלט סנדוויץ'. ‫ודרך כמה שינויים בשיר ‫כמו קיצורו מ-9 בתים ל-2, ‫אנחנו מגיעים פחות או יותר ‫ל"התקוה" שאנחנו מכירים ואוהבים, ‫או- שמכירים ושיש שאלות קשות לגביו. ‫השיר צבר פופולריות בקרב החלוצים הראשונים ‫שהגיעו להתיישב בפלשתינה לפני קום המדינה ‫ועבדו בשדות. ‫ואז בכינוס הראשון ‫של הקונגרס הציוני של 1897 ‫"התקווה" נבחרה להיות המנון הארגון. Portuguese: Seu autor, Naphtali Herz Imber, era um judeu ucraniano que também aconteceu de ser quebrou, bêbado e profundamente infeliz, o que foi compreensível se você é um judeu da Ucrânia. Alguns de seus contemporâneos até o chamavam um vagabundo, ou um canalha e uma fraude. Então, desde o início, Hatikva estava mergulhado em controvérsias. Tikvatenu foi colocado na melodia em 1888 pelo judeu romeno Samuel Cohen. Agora, qual melodia foi posta Está pronto para algum debate. Alguns dizem que foi La Mantovana, uma canção italiana popular do século 16, enquanto outros dizem que foi Die Moldau pelo compositor checo Bedřich Smetana, e esse desacordo levou para uma visão contenciosa por parte de se ou não um cachorro-quente é um sanduíche. Definitivamente um sanduíche. E através de algumas alterações líricas, como cortá-lo de nove estrofes para duas, nós mais ou menos chegamos ao Hatikva nós conhecemos e amamos, ou sabemos mas tem sérias dúvidas sobre. A música ganhou popularidade com os primeiros pioneiros judeus para pré-estado da Palestina que trabalhou a terra. Então, na primeira reunião do Congresso Sionista de 1897, Russian: Сочинил ее украинский еврей Нафтали Герц Имбер - глубоко несчастный алкоголик без гроша денег, что можно понять, если Вы — еврей, живущий в Украине. Некоторые его современники даже называли его бродягой, прохвостом и мошенником. Так что Хатиква была пронизана противоречиями с самого начала. "Тикватейну" была положена на музыку в 1888 г. румынским евреем Шмуэлем Коэном. Однако какую именно мелодию он взял – остается открытым вопросом. По словам одних, это была популярная итальянская песня XVI века "Ла Мантована". По словам других, это была "Влтава" чешского композитора Бедржиха Сметаны. И это разногласие привело к ожесточенным спорам, наподобие споров о том, является ли хот-дог сэндвичем. Конечно, является. Но вот, после пары лирических изменений как, например, сокращение строк с 11-ти до 2-х, появилась примерно та Хатиква, которую мы знаем и любим сейчас, или знаем, но которая вызывает серьезные вопросы. Песня завоевала популярность среди ранних еврейских пионеров догосударственной Палестины, которые работали на земле. Затем, на первом съезде Сионистского конгресса в 1897 году Хатиква была принята в качестве гимна организации. Spanish: Su autor, Naphtali Herz Imber, era un judío ucraniano que además era pobre, borracho y sumamente infeliz, lo cual es comprensible si eres un judío de Ucrania. Sus contemporáneos incluso lo llamaban vagabundo, canalla y fraude. Ya desde su comienzo, El Hatikva estaba imbuida de polémica. A "Tikvatenu" le puso melodía en 1888 el judío rumano Samuel Cohen. La melodía que le puso ha provocado el debate. Unos dicen que era "La Mantovana", una canción italiana popular del sigo XVI, mientras otros dicen que era "Die Moldau", del compositor checo Bedrich Smetana. Este desacuerdo ha llevado a una polémica enemistad comparable a si un perrito caliente es un sándwich o no. Es un sándwich. Y tras algunos cambios líricos, como reducirla de nueve estrofas a dos, llegamos a El Hatikva que conocemos y adoramos, o conocemos pero de la que dudamos. La canción se hizo popular entre los pioneros judíos del pre-estado palestino que trabajaban la tierra. Luego, en la primera reunión del Congreso Sionista en 1897, adoptaron El Hatikva como himno de la organización. English: Its author, Naphtali Herz Imber, was a Ukrainian Jew, who also happened to be broke, drunk, and deeply unhappy, which was understandable if you're a Jew from the Ukraine. Some of his contemporaries even called him a vagabond, or a scoundrel, and a fraud. So, right from its inception, Hatikva was steeped in controversy. Tikvatenu was put to melody in 1888 by Romanian Jew Samuel Cohen. Now, which melody it was put to is up for some debate. Some say it was La Mantovana, a popular 16th-century Italian song, while others say it was Die Moldau by Czech composer Bedřich Smetana, and that disagreement has led to a contentious view on part of whether or not a hotdog is a sandwich. Definitely a sandwich. And through a few lyrical alterations, such as cutting it down from nine stanzas to two, we more or less arrive at the Hatikva we know and love, or know but have serious questions about. The song gained popularity with early Jewish pioneers to pre-state Palestine who worked the land. Then, at the first meeting of the Zionist Congress of 1897, iw: ‫כשהוא מוטרד מהשם הרע שהיה לאימבר, ‫תאודור הרצל, ‫אבי התנועה הציונית המודרנית, ‫ערך מספר תחרויות בינלאומיות ‫בתקווה למצוא שיר חלופי. ‫אבל בדיוק כמו היהודים, ‫ההמנון החדש שלהם היה עקשן ‫ובלתי ניתן לעקירה. ‫ואז, בקונגרס הציוני השישי ב-1903, ‫רעיון הקמת מדינה יהודית באוגנדה עלה ‫ולמעשה עבר ברוב של 295 נגד 178. ‫כמחאה, מתנגדי ההצעה ‫קמו ושרו "התקווה" ‫במפגן מרגש המעודד אותם ‫לא לוותר על מולדתם העתיקה. ‫זה היה כאילו השיר היה כבר ההמנון ‫למדינה שאפילו לא הייתה קיימת עדיין. ‫ב-1933, שלושים שנים מאוחר יותר, ‫הקונגרס הציוני ה-18 ‫אימץ באופן רשמי את התקווה כהמנון. ‫בשלב זה השיר הפך כבר ‫למין סמל זהות לאומית עבור היהודים ‫שחזרו הביתה לראשונה מזה 2,000 שנה. ‫אבל כשיהודי אירופה מצאו עצמם ‫מתמודדים עם אכזריות השואה, ‫"התקווה" קיבלה תפקיד חדש ‫כשיר מחאה. ‫המון סיפורים מתעדים ‫קורבנות במחנות הריכוז והמוות Portuguese: Hatikva foi adotado como o hino da organização. Incomodado por Imber reputação, Theodor Herzl, fundador do movimento sionista moderno, realizou várias competições internacionais na esperança de encontrar uma alternativa. Mas, assim como os judeus, seu novo hino era teimoso e não seria desenraizado. Então, na Sexta Congresso sionista em 1903, a ideia de um estado judeu em Uganda foi proposto e, na verdade, passou de 295 para 178. Em protesto, os adversários para a proposta levantou-se e cantou Hatikva em uma demonstração em movimento encorajando-os a não desistir em sua antiga terra natal. Foi como se a musica já era o hino para um estado que nem existia ainda. Em 1933, 30 anos depois, o 18º Congresso Sionista adotou oficialmente o Hatikva como seu hino. Até agora a música se tornou uma espécie de identidade cultural para os judeus, que estavam voltando para casa pela primeira vez em 2.000 anos. Mas quando os judeus europeus se encontraram enfrentando a brutalidade do Holocausto, O Hatikva assumiu um novo a vida como uma música de resistência. Dezenas de histórias são documentado sobre vítimas nos campos de concentração e morte English: Hatikva was adopted as the organization's anthem. Troubled by Imber's reputation, Theodor Herzl, founder of the Modern Zionist movement, held multiple international competitions in hopes of finding an alternative. But, just like the Jews, their new anthem was stubborn and would not be uprooted. Then, at the Sixth Zionist Congress in 1903, the idea of a Jewish state in Uganda was proposed and actually passed 295 to 178. In protest, opponents to the proposal stood up and sang Hatikva in a moving demonstration emboldening them not to give up on their ancient homeland. It was as if the song was already the anthem to a state that didn't even exist yet. By 1933, 30 years later, the 18th Zionist Congress officially adopted Hatikva as its anthem. By now the song had become a sort of cultural identity for the Jews, who were coming home for the first time in 2,000 years. But when European Jews found themselves facing the brutality of the Holocaust, Hatikva took on a new life as a resistance song. Scores of stories are documented about victims in the concentration and death camps Russian: Обеспокоенный репутацией Имбера, Теодор Герцль, основатель сионистского движения, провел ряд международных конкурсов в надежде найти альтернативу. Однако, так же как сами евреи, их новый гимн был упрямым и не собирался уступать позиции. Далее, на VI съезде Сионистского конгресса в 1903 году была предложена идея создания еврейского государства в Уганде, поддержанная большинством (295 к 178). В знак протеста, противники предложения поднялись и начали петь Хатикву в трогательной демонстрации, призывающей не отказываться от их древней родины. Казалось, песня уже тогда стала гимном государства, которое еще не существовало. Но в 1933 году, 30-ю годами позже, на XVIII Сионистском конгрессе Хатиква была утверждена официальным гимном организации. К тому времени песня отражала своего рода культурную самобытность евреев, которые возвращались домой впервые за 2000 лет. Однако, когда европейские евреи столкнулись с жестокостями Холокоста, Хатиква приобрела новую форму и стала песней сопротивления. Сотни задокументированных историй рассказывают о жертвах концлагерей и лагерей смерти, Spanish: Preocupados por la reputación de Imber, Theodore Herzl, fundador del movimiento moderno sionista, organizó numerosas competiciones internacionales con la esperanza de hallar una alternativa. Pero, como los judíos, el nuevo lema era tenaz y no desaparecía fácilmente. En el sexto Congreso Sionista de 1903, se propuso la idea de un estado judío en Uganda y se aprobó con 295 votos de 178. Como protesta, los opositores a la propuesta cantaron El Hatikva en una demostración emotiva, animándolos a que no renunciaran a su antigua patria. Parecía que la canción ya era el himno de un estado que ni siquiera existía. En 1933, 30 años después, el decimoctavo Congreso Sionista adoptó oficialmente El Hatikva como himno. La canción se había convertido en identidad cultural para los judíos que volvían a casa por primera vez en 2000 años. Pero cuando los judíos europeos se enfrentaron a la brutalidad del Holocausto, El Hatikva adoptó una nueva vida como canción de resistencia. Hay historias documentadas de víctimas en los campos de concentración iw: ‫שרים אותו בנסיבות מצערות מאוד. ‫עובד כפייה אחד באושוויץ ‫זוכר שראה יהודים צ'כיים ‫הצועדים לתאי הגזים ‫ומודעים לגמרי לגורלם ‫פוצחים בשירה ספונטנית של "התקווה". ‫טייס יהודי פולני ‫שנכלא במחנה עבודה, ‫זוכר ששמע לעתים קרובות את שירת "התקווה" ‫המגיעה מהאסירים האחרים. ‫רדיו הבי.בי.סי שידר תיעוד ‫של מאות ניצולים ‫ששרים את "התקווה" ‫בהובלת רב צבאי יהודי בצבא הבריטי ‫לאחר שחרור מחנה הריכוז ברגן בלזן. ‫"התקווה" פרצה כהרבה יותר ‫מסתם שיר על זהות, ‫אלא כמשהו שנותן כושר עמידות ‫וסמל לתקווה שהשיר המקורי נועד להיות. ‫אבל בדיוק כמו שישראל ‫תמיד הייתה צריכה להילחם על זכותה להתקיים, ‫"התקווה" סבלה רבות מצנזורה ‫באירועים רבים בעולם. ‫רק לאחרונה, באוקטובר 2018, ‫"התקווה" נוגנה לראשונה ‫באיחוד האמירויות הערביות ‫כשישראל זכתה בזהב ‫בתחרות ג'ודו בינלאומית. ‫בשנים קודמות המתמודדים נאלצו לעמוד ‫תחת דגל איגוד הג'ודו העולמי ‫במקום דגלם שלהם, English: singing it in harrowing circumstances. One Jewish slave laborer in Auschwitz recounted seeing Czech Jews march to the gas chambers fully aware of their fate, break in the spontaneous rendition of Hatikva. A Polish Jewish pilot imprisoned in a labor camp reported frequently hearing voices singing Hatikva coming from other prisoners. BBC Radio broadcast an account of hundreds of survivors singing Hatikva led by a British Jewish army chaplain after the liberation of the Bergen-Belsen concentration camp. Hatikva emerged as something far more than just a song about identity but a source of resilience and the symbol for hope the original poem was destined to become. But just as Israel has always had to fight for its right to exist, Hatikva has often suffered censorship at many world events. As recently as October 2018, Hatikva was played for the first time in the United Arab Emirates when Israel took home the gold at an international judo tournament. In previous years, the competitors had to appear under the International Judo Federation's flag Spanish: cantándola en circunstancias horrorosas. Un trabajador judío de Auschwitz relató cómo vio a los judíos checos caminando a las cámaras de gas, conscientes de su destino, y empezar a interpretar de forma espontánea El Hatikva. Un piloto judío polaco encerrado en un campo de trabajo dijo que oía con frecuencia voces cantando El Hatikva procedentes de otros prisioneros. La BBC Radio emitió un informe de cientos de supervivientes cantando El Hatikva dirigidos por un capellán del Ejército Británico tras la liberación del campo de concentración de Bergen-Belsen. El Hatikva surgió como algo más que una simple canción sobre la identidad, sino como una fuente de resistencia y el símbolo de esperanza al que estaba destinado el poema original. Pero igual que Israel siempre tuvo que luchar por su derecho a existir, El Hatikva ha sufrido la censura en muchos eventos mundiales. Hace poco, en octubre de 2018, sonó El Hatikva por primera vez en los EUA cuando Israel consiguió el oro en un torneo internacional de judo. En años anteriores, los competidores aparecían bajo la bandera de la Federación Internacional de Judo en lugar de la suya. Portuguese: cantando em circunstâncias angustiantes. Um trabalhador escravo judeu em Auschwitz recontado vendo judeus checos marcha para as câmaras de gás totalmente consciente de seu destino, quebrar no espontâneo entrega de Hatikva. Um piloto judeu polonês preso em um campo de trabalho relatado freqüentemente ouvindo vozes cantando Hatikva vindo de outros prisioneiros. BBC Radio transmite uma conta de centenas de sobreviventes cantando Hatikva liderado por um capelão do exército judeu britânico depois da libertação do campo de concentração de Bergen-Belsen. Hatikva surgiu como algo muito mais do que apenas uma música sobre identidade mas uma fonte de resiliência e o símbolo da esperança o poema original estava destinado a se tornar. Mas assim como Israel sempre teve lutar pelo seu direito de existir, Hatikva sofreu muitas vezes censura em muitos eventos mundiais. Recentemente, em outubro de 2018, Hatikva foi jogado pela primeira vez nos Emirados Árabes Unidos quando Israel levou para casa o ouro em um torneio internacional de judô. Nos anos anteriores, o concorrentes tiveram que aparecer sob o International Bandeira da Federação de Judô Russian: которые пели Хатикву при ужасающих обстоятельствах. Один невольный рабочий в Освенциме рассказывал о том, как чешские евреи, которые направлялись в газовую камеру, полностью осознавая свою судьбу, неожиданно начали петь Хатикву. Польский пилот еврей, находящийся в трудовом лагере, сообщал о том, что неоднократно слышал других заключенных, исполнявших Хатикву. Радио BBC передавали сообщение, как сотни выживших пели Хатикву под предводительством капеллана британской еврейской армии после освобождения концлагеря Берген-Бельзен. Хатиква стала не просто песней о национальном самосознании, но источником сопротивления и символом надежды, чем и должна была стать оригинальная поэма. Но так же, как Израилю всегда приходилось бороться за свое право на существование, Хатиква часто страдала от цензуры на многих мировых событиях. Не далее, как в октябре 2018 года, Хатиква впервые звучала в Объединенных Арабских Эмиратах, когда Израиль взял золото на международных соревнованиях по дзюдо. В предыдущие годы, спортсмены могли выступать только под флагом Международной федерации дзюдо, вместо своего собственного. iw: ‫אבל הפעם, שרת הספורט מירי רגב, ‫בכתה ליד דוכן המנצחים ‫כששמעה את המנון מדינתה מושמע באולם. ‫הרגע היה כל-כך היסטורי ‫שרשתות השידור בישראל הפסיקו את השידור ‫כדי להעביר את הטקס בשידור חי. ‫עכשיו, יש עוד מאפיין ייחודי של "התקווה" ‫שמבדיל אותה מהמנונים אחרים. ‫אם תקשיבו למילים תגלו ‫שאין אזכור לאש הטילים או פצצות מתפוצצות, ‫אין קריאות לאזרחים לאחוז בנשק ‫או סצנות אלימות ‫כמו "תנו לדם מזוהם להשקות את שדותינו"... ‫"התקווה" מדבר ב-100 אחוזים ‫על תקווה, שלום ושיבה הביתה. ‫כמו שתיאר את זה הסופר ‫בנג'מין קרשטיין, ‫"שלא כמו המנונים אחרים ‫"אין ב"התקווה" דימויים צבאיים, ‫לא מתוארים נצחונות, שום סוג של אלימות. ‫"אלא פשוט רגשות של תקווה ואופטימיות". ‫אז איך יכול שיר שנראה ‫כל-כך עשיר בתקווה ‫להיות כזה מקור של מחלוקת? ‫טוב, בואו נשים לב ‫מה בעצם אומר השיר. ‫"כל עוד בלבב פנימה ‫נפש יהודי הומייה, ‫"ובפאתי מזרח קדימה ‫עין לציון צופיה, Portuguese: em vez de seus próprios. Mas desta vez, o ministro dos esportes, Miri Regev chorou no pódio quando ouviu o hino da sua nação tocou no local. O momento foi tão histórico Redes israelenses interromperam a programação para transmitir a cerimônia ao vivo. Agora, há mais uma qualidade única de Hatikva que o diferencia de outros hinos nacionais. Se você ouvir as letras, você notará que não há menções de "brilho vermelho dos foguetes" ou "Bombas explodindo no ar" não "pegue suas armas, cidadãos" ou imagens violentas, como "Pode impurar a água do sangue em nossos campos." Hatikva é 100% sobre esperança, paz e voltando para casa. Como escreveu o autor Benjamin Kerstein, "Ao contrário de outros hinos nacionais, "Hatikva não contém militarismo, "sem triunfalismo, sem violência de qualquer tipo "mas simplesmente sentimentos de esperança e otimismo ". Então, como poderia uma música aparentemente tão rica sobre a esperança ser tal fonte de controvérsia? Bem, vamos quebrar o que a música realmente diz. Enquanto o espírito judaico está ansiando profundamente no coração, com os olhos voltados para o leste olhando para Zion, então nossa esperança, English: instead of their own. But this time, sports minister Miri Regev cried at the podium as she heard her nation's anthem played in the venue. The moment was so historic, Israeli networks interrupted programming to broadcast the ceremony live. Now, there's one more unique quality of Hatikva that sets it apart from other national anthems. If you listen to the lyrics, you'll notice there are no mentions of "Rockets' red glare," or "Bombs bursting in air," no "Grab your weapons, citizens," or violent imagery such as "May impure blood water our fields." Hatikva is 100% about hope, peace and returning home. As author Benjamin Kerstein put it, "Unlike other national anthems, "Hatikva contains no militarism, "no triumphalism, no violence of any kind "but simply feelings of hope and optimism." So how could such a seemingly rich song about hope be such a source of controversy? Well, let's break down what the song actually says. As long as the Jewish spirit is yearning deep in the heart, with eyes turned towards the East looking toward Zion, then our hope, Spanish: Pero esta vez, la ministra de Deporte Miri Regev lloró en el podio cuando oyó su himno nacional en el recinto. El momento fue tan histórico, que los canales israelíes interrumpieron la programación para emitir la ceremonia en vivo. El Hatikva posee otra cualidad única que la diferencia de otros himnos nacionales. Si escucháis la letra, veréis que no se mencionan "resplandor de cohetes" ni "bombas estallando". Ni "coged vuestras armas, ciudadanos" ni imágenes violentas como "¡que la sangre impura riegue nuestros campos!" El Hatikva habla solo de esperanza, paz y el regreso a casa. Como dijo el autor Benjamin Kerstein: "A diferencia de otros himnos nacionales, El Hatikva no contiene militarismo, triunfalismo, ni violencia alguna, sino solo sentimientos de esperanza y optimismo". ¿Cómo una canción que parece llena de esperanza es origen de tanta polémica? Analicemos lo que dice la canción. "Mientras el espíritu judío anhele en su corazón, con los ojos entornados al este mirando hacia Sion, Russian: На этот же раз министр спорта Мирьям Регев плакала на подиуме, когда услышала на этом событии свой национальный гимн. Момент был настолько историческим, что израильские сети прервали другие программы, чтобы показать прямую трансляцию. Однако Хатиква имеет еще одну уникальную характеристику, которая отличает ее от других национальных гимнов. Если вы прислушаетесь к тексту, вы заметите, что в нем нет слов "красный отблеск ракет" или "бомбы, взрывающиеся в воздухе". Никаких "хватайте свое оружие, граждане" или жестоких оборотов, таких как "и пусть нечистая кровь оросит наши поля!" Хатиква на 100% о надежде, мире и возвращении домой. Как сказал писатель Бенджамин Керстайн "В отличие от других национальных гимнов Хатиква не содержит милитаризма, триумфализма или какого бы то ни было насилия, а только чувства надежды и оптимизма". Как же такая на вид богатая песня о надежде могла породить столько противоречий? Что ж, давайте посмотрим, о чем в ней действительно поется. "Пока еврейский дух трепещет в сердце, и глаза смотрят на восток, где возвышается Сион, Portuguese: a esperança de 2000 anos de idade, não será perdida. Para ser um povo livre em nossa terra, a terra de Sião e Jerusalém. Bastante inspirador, mas é relevante? Bem, sim, se você é judeu. Veja que Israel é conhecido por tentar para realizar o impossível. Sobrevivendo guerras em todas as frentes, transformando desertos em terras férteis e magicamente dizendo a você qual rota será mais rápida. Obrigado Waze. Mas talvez o desafio mais assustador Israel comprometeu-se a ser tanto uma pátria para o povo judeu bem como uma nação dedicada à igualdade independentemente de raça, religião ou cultura. Israel contém muitas etnias diferentes e pessoas de muitas religiões diferentes, como cristãos, muçulmanos, drusos, Baha'i e samaritanos. Cidadãos israelenses, não importa qual fé, pode votar, ocupar posições no governo, e muitos até servem nas forças armadas. E enquanto é ótimo que eles possam viver e adorar como quiserem sem a opressão que eles possam encontrar nos países vizinhos, é uma espécie de arrasto quando eles querem para expressar seu orgulho nacional, o hino anuncia trompete de outra cultura Anseio e aspirações. A população árabe israelense, iw: ‫"עוד לא אבדה תקוותנו, ‫התקווה בת שנות אלפיים, ‫"להיות עם חופשי בארצנו, ‫ארץ ציון וירושלים." ‫מאוד מעודד השראה, ‫אבל... האם זה רלוונטי? ‫ובכן, כן- אם אתם יהודים. ‫תראו, ישראל ידועה בזה ‫שהיא מנסה להשיג את הבלתי אפשרי, ‫לשרוד מלחמות בכל החזיתות, ‫להפוך מדבריות לאדמות פוריות, ‫ולהגיד לכם באורח פלא ‫איזו דרך תהיה מהירה יותר. ‫תודה, "ווייז". ‫אבל אולי האתגר המורכב ביותר שהיה לישראל ‫הוא להיות מולדת גם לעם היהודי, ‫וגם מדינה הדוגלת בשוויון, ‫בלי הבדל גזע, דת או תרבות. ‫בישראל יש קבוצות אתניות רבות ‫ואנשים בעלי אמונות רבות ושונות, ‫כמו נוצרים, מוסלמים, דרוזים, ‫בהאיים ושומרונים. ‫אזרחי ישראל מכל אמונה שהיא ‫יכולים להצביע, להיות שרים בממשלה ‫ורבים מהם אפילו משרתים בצבא. ‫ובעוד זה נפלא שהם יכולים ‫לחיות ולהאמין איך שהם רוצים, ‫בלי הדיכוי שהם עלולים למצוא ‫במדינות השכנות, ‫זה קצת מעיק עליהם ‫שכשהם רוצים להביע גאווה לאומית, ‫ההמנון מריע לכמיהות ושאיפות ‫של עם אחר. Russian: не иссякнет наша надежда – 2000-летняя надежда: быть свободными людьми на нашей земле, земле Сиона и Иерусалима". Довольно вдохновляюще, но уместно ли? В общем-то, да, если вы — еврей. Видите ли, Израиль известен попытками совершить невозможное, переживая войны на всех фронтах, превращая пустыни в плодородные земли, и чудесным образом подсказывая, какой маршрут будет быстрее, Спасибо, Waze. Но, вероятно, самый сложный вызов, принятый Израилем, — быть одновременно домом для евреев и нацией, которая придерживается идей равенства, независимо от расы, религии и культуры. В Израиле проживает множество различных наций и людей различных конфессий, таких как христиане, мусульмане, друзы и самаритяне. Израильские граждане, независимо от религии, могут голосовать, занимать государственные должности, а многие даже служат в военных войсках. И хоть это и прекрасно, что они могут жить как хотят, и почитать любого бога без давления, которое на них оказывали бы в других странах, это некоторого рода бремя, что когда они хотят выразить свою национальную гордость, гимн страны воспевает стремления и надежды другого народа. Арабское население Израиля, Spanish: entonces nuestra esperanza, la de hace 2000 años, no estará perdida: ser un pueblo libre en nuestra tierra, la tierra de Sion y Jerusalén". Muy inspirador, pero ¿es relevante? Si eres judío, lo es. Israel es famosa por intentar lograr lo imposible, sobrevivir guerras en todos los frentes, transformar desiertos en tierras fértiles e indicarte la ruta más corta. Gracias, Waze. Pero quizá el reto más abrumador que ha llevado a cabo es ser a la vez la patria del pueblo judío y una nación dedicada a la igualdad, sin importar raza, religión o cultura. Israel contiene muchas etnias y personas de distinta fe, como cristianos, musulmanes, drusos, bahá'í y samaritanos. Los ciudadanos israelíes, da igual su fe, pueden votar, ocupar cargos gubernamentales y muchos incluso sirven en el Ejército. Y mientras pueden vivir y rendir culto como les plazca sin la opresión que encontrarían en otros países, es un fastidio que cuando quieren expresar su orgullo nacional, el himno proclama el anhelo y las aspiraciones de otra cultura. English: the 2000-year-old hope, will not be lost. To be a free people in our land, the land of Zion and Jerusalem. Pretty inspiring but is it relevant? Well, yeah if you're Jewish. See Israel is known for trying to accomplish the impossible. Surviving wars on all fronts, transforming deserts into fertile lands and magically telling you which route will be faster. Thank you Waze. But perhaps the most daunting challenge Israel has undertaken is to be both a homeland for the Jewish people as well as a nation dedicated to equality regardless of race, religion, or culture. Israel contains many different ethnicities and people from many different faiths, like Christians, Muslims, Druze, Baha'i and Samaritans. Israeli citizens, no matter what faith, can vote, hold government positions, and many even serve in the military. And while it's great that they can live and worship as they please without the oppression they might find in neighboring countries, it's kind of a drag that when they want to express their national pride, the anthem trumpets another culture's yearning and aspirations. The Arab Israeli population, Russian: которое составляет 20% жителей страны, не осталось сидеть на месте, игнорируя проблему. Или скорее, это именно то, что они сделали. Рифат Турк — первый арабо-израильский футболист, игравший за сборную Израиля, молча сидел во время звучания Хатиквы на Олимпийских играх 1976 года, прокомментировав: "У меня не еврейский дух, а арабский. Если бы слова гимна были о любви и уважении к людям, как я, я бы с радостью спел его". В 2012 году арабо-израильский судья Верховного суда Салим Джубран стоял во время исполнения гимна, но не пел его, вызвав споры, противоречия и даже обвинения в расизме. В том же году опрос "Глобальный индекс миролюбия", проводимый Университетом Тель-Авива, показал, что 90% арабо-израильтян считают гимн неподходящим, что, в общем-то, логично. Если 20% населения не находят представления в национальном гимне, что с этим делать, тем более, если нужно сохранить душу еврейской родины? Но есть также и те, кто полагает, что гимн не в полной мере отражает еврейские идеи. Раввин Авраам Ицхак Кук — духовный лидер English: which comprises almost 20% of the country hasn't taken this slight sitting down, or rather that's exactly what they did. Rifaat Turk, the first Israeli Arab to play for the Israeli national team, remained seated and silent as Hatikva played at the 1976 Olympic Games commenting, "I'm not a Jewish soul. "I am an Arab soul. "If the anthem's lyrics were about love "and consideration of people like me, "I'd happily sing it." In 2012, Arab Israeli Supreme Court Justice Salim Joubran stood for the anthem but didn't sing, sparking discussion controversy and even accusations of racism. Also, that year a Peace Index poll from Tel Aviv University found that 90% of Israeli Arabs consider the anthem unsuitable which kind of makes sense. If 20% of your population lacks representation in your country's song, what do you do about that? Especially when you're trying to maintain the soul of the Jewish homeland. But then there're some who are of the opinion that the anthem doesn't go far enough to embody Jewish ideas. Rabbi Abraham Isaac Kook, the spiritual leader of Religious Zionism Portuguese: que compreende quase 20% do país não tomou este ligeiro sentado, ou melhor, é exatamente o que eles fizeram. Rifaat Turk, o primeiro árabe israelense para jogar pela seleção de Israel, permaneceu sentado e em silêncio como Hatikva tocou no os Jogos Olímpicos de 1976 comentando: "Eu não sou uma alma judia. "Eu sou uma alma árabe. "Se as letras do hino fossem sobre amor "e consideração de pessoas como eu, "Eu ficaria feliz em cantar isso." Em 2012, o árabe israelense supema Corte da Justiça Salim Joubran defendeu o hino mas não cantou, faiscando controvérsia discussão e até mesmo acusações de racismo. Além disso, naquele ano, uma pesquisa do Índice de Paz da Universidade de Tel Aviv descobriu que 90% dos árabes israelenses considere o hino inadequado Que tipo de sentido faz sentido. Se 20% da sua população carece de representação na música do seu país, o que você faz sobre isso? Especialmente quando você está tentando manter a alma da pátria judaica. Mas então tem alguns quem é da opinião que o hino não vai longe o suficiente para incorporar idéias judaicas. Rabino Abraham Isaac Kook, o líder espiritual do sionismo religioso iw: ‫האוכלוסייה הערבית ישראלית ‫המהווה כמעט 20 אחוזים מהמדינה, ‫לא רצו לספוג את העלבון בישיבה, ‫או שבעצם זה בדיוק מה שהם עשו. ‫ריפעת טורק, הערבי הישראלי הראשון ‫ששיחק בנבחרת הלאומית, ‫נותר לשבת ושתק בזמן נגינת התקווה ‫באולימפיאדה של 1976. ‫והעיר, "אני לא נפש יהודית, ‫אני נפש ערבית. ‫"אם מילות ההמנון היו ‫על אהבה והתחשבות באנשים כמוני, ‫"הייתי שר אותו בשמחה". ‫ב-2012, השופט הערבי הישראלי ‫בבית המשפט העליון, סלים ג'ובראן, ‫עמד בנגינת ההמנון, אבל לא שר. ‫הדבר עורר ויכוחים סוערים ‫ואפילו האשמות בגזענות. ‫כמו כן, בשנה זו ‫סקר מדד השלום של אוניברסיטת תל-אביב ‫מצא ש-90 אחוז מערביי ישראל ‫החשיבו את ההמנון לבלתי-מתאים. ‫וזה די הגיוני. ‫אם אין ל-20 מהאוכלוסייה שלכם ‫אין ייצוג בשיר המייצג את המדינה, ‫מה אפשר לעשות? ‫במיוחד כשאתם מנסים לשמר ‫את נפש המדינה היהודית? ‫אבל מצד שני יש כאלה שלדעתם ‫ההמנון לא מכיל מספיק רעיונות יהודיים. ‫הרב אברהם יצחק קוק, Spanish: La población árabe-israelí, que conforma casi el 20 % del país, no se sentó con los brazos cruzados. O eso es exactamente lo que hicieron. Rifaat Turk, el primer jugador árabe-israelí del equipo nacional, se quedó sentado y en silencio cuando sonó El Hatikva en los Juegos Olímpicos de 1976 y comentó: "No soy un alma judía. Soy un alma árabe. Si la letra hablara de amor y consideración de gente como yo, la cantaría con alegría". En 2012, el juez árabe-israelí de la Corte Suprema Salim Joubran se levantó durante el himno pero no cantó, despertando el debate, la polémica, e incluso acusaciones de racismo. Ese año, una encuesta del índice de paz de la Universidad de Tel Aviv descubrió que el 90 % de árabe-israelíes no consideraban adecuado el himno, lo cual tiene sentido. Si el 20 % de tu población no tiene representación en la canción de tu país, ¿qué haces al respecto, sobre todo si intentas conservar el alma de la patria judía? Pero luego hay otros que opinan que el himno tampoco personifica del todo las ideas judías. El rabino Abraham Isaac Kook, líder espiritual English: in the 20th century, felt that the song should be more religious and even wrote a counter-anthem to Hatikva entitled Shir Ha'emunah, or Song of Faith. Rejecting secularism, the song speaks of a steadfast faith in the return to our land. But eventually the Religious Zionists fully accepted Hatikva and may be among the anthem's biggest supporters. But the misrepresentation doesn't stop there. Looking back at the first stanza, "As long as the Jewish spirit "is yearning deep in the heart." Okay, that's good if you're on board with the whole Jewish thing. Then, "With eyes turned towards the East, "looking toward Zion." That would be known as Eurocentrism, or a world view catering to Europe and the Western world. It's the reason our world map is this way instead of this way, why for decades Asian people were referred to as "Orientals," and why we have yet to see a South Indian actor play Batman. Looking East towards Jerusalem works great if your place in a 2,000-year diaspora was in Europe or America. But what if your ancestry iw: המנהיג הרוחני ‫הגדול ביותר של הציונות הדתית במאה ה-20, ‫חש שעל השיר להיות דתי יותר, ‫ואפילו כתב המנון חלופי ל"התקווה" ‫שנקרא "שיר האמונה". ‫השיר הדוחה את החילוניות ‫מדבר על אמונה איתנה בשיבה למולדת. ‫אך בסופו של דבר ‫הציונות הדתית קיבלה לגמרי את "התקווה", ‫והם כנראה בין תומכי ההמנון הנלהבים ביותר. ‫אבל הייצוג הלקוי לא נגמר בזה. ‫אם נביט שוב על הבית הראשון, ‫"כל עוד בלבב פנימה ‫נפש יהודי הומיה"... ‫אוקיי, זה בסדר, ‫אם מתאים לך כל העניין היהודי. ‫ואז, "ובפאתי מזרח קדימה, ‫עין לציון צופיה"... ‫לזה אפשר לקרוא "אירוצנטריות", ‫או השקפת עולם ‫המתאימה לאירופה ולעולם המערבי. ‫זו הסיבה שמפת העולם ‫נראית ככה ‫ולא ככה. ‫למה במשך עשורים ‫קראו לתושבי אסיה "אוריינטלים", ‫ולמה עדיין לא ראינו ‫שחקן מדרום אסיה בתפקיד בטמן. ‫להסתכל מזרחה לכיוון ירושלים ‫עובד נהדר ‫אם אתם נמצאים בתפוצות ‫בנות 2,000 שנים ‫שנמצאות באירופה או אמריקה. Spanish: del sionismo religioso del siglo XX, creía que la canción debía ser más religiosa e incluso compuso un contra himno titulado "Shir ha-Emunah", o "Canción de fe". Rechazando el secularismo, la canción habla de una fe firme en el retorno a nuestra tierra. Pero al final el religioso sionista aceptó El Hatikva y está entre los mayores partidarios del himno. Pero la falta de representación no acaba aquí. Veamos la primera estrofa: "Mientras el espíritu judío anhele en su corazón". Vale, está bien si abrazas todo el rollo judío. Luego, "con los ojos entornados al este mirando hacia Sion". Eso se conocería como eurocentrismo o una visión mundial que complace a Europa y Occidente. Por eso nuestro mapamundi es así y no así, porque durante décadas se referían a los asiáticos como orientales y porque todavía nos falta ver a un actor indio haciendo de Batman. Mirar al este a Jerusalén funciona bien si tu casa en la diáspora de hace 2000 años estaba en Europa o EE. UU. Portuguese: no século 20, senti que a música deve ser mais religioso e até escreveu um contra-hino ao Hatikva intitulado Shir Ha'emunah, ou Canção da Fé. Rejeitando o secularismo, a música fala de uma fé inabalável em o retorno à nossa terra. Mas eventualmente os sionistas religiosos Hatikva totalmente aceite e pode ser entre os maiores defensores do hino. Mas a deturpação não pára por aí. Olhando para trás na primeira estrofe, "Enquanto o espírito judaico "é anseio profundo no coração." Ok, isso é bom se você está a bordo com toda a coisa judaica. Então, "com os olhos voltados para o leste, "olhando para Zion". Isso seria conhecido como eurocentrismo, ou uma visão do mundo para a Europa e o mundo ocidental. É a razão pela qual o nosso mapa mundial é assim em vez disso, porque por décadas povos asiáticos foram referidos como "orientais" e porque ainda temos que ver um ator do sul da Índia interpreta Batman. Olhando para o leste em direção a Jerusalém funciona muito bem se o seu lugar em uma diáspora de 2.000 anos estava na Europa ou na América. Mas e se sua ascendência Russian: религиозного сионизма в 20 веке, чувствовал, что песня должна быть более религиозной и даже написал противоположный Хатикве гимн, назвав его Sefer ha-Emunah или "Песня веры". Отрицая секуляризм, в песне поется о непоколебимой вере, которая возвращается на нашу землю. Правда, в итоге религиозный сионист полностью принял Хатикву и был, возможно, самым большим ее сторонником. Но ложная интерпретация на этом не закончилась. Давайте снова взглянем не первую строку: "Пока еврейский дух трепещет в сердце, Окей, ничего плохого здесь, если ты в курсе еврейского вопроса. Но затем: "И глаза устремлены на восток, где находится Сион". Это можно отнести к понятию евроцентризма, или мировоззрению, благоволящему Европе и Западному миру. Это причина, по которой карта мира выглядит так, а не так, почему десятки лет азиатские люди называются восточными, и почему мы пока не видели южного индийца в роли Бэтмена. Взгляд на Восток в сторону Иерусалима прекрасно работает для представителей 2000-летней диаспоры, которые живут в Европе или Америке. iw: ‫אבל מה אם המוצא שלכם ‫הוא מעירק, סוריה או אירן? ‫יהודים מזרחיים הם חלק גדול מאוד ‫מאוכלוסיית ישראל, ‫המונה בסביבות 3.2 מיליון איש ‫החיים במדינה. ‫אז עוד חלק מהאוכלוסייה ‫שאין להם ייצוג בהמנון. ‫אי אפשר להתעלם מזה ש"התקווה" ‫לא מייצגת אנשים רבים במדינה. ‫אז נשאלת השאלה, ‫מה חשוב יותר בהמנון הלאומי, ‫שיכלול את אזרחיו במובן הרחב של המילה, ‫או שישקף את הרוח ‫שהמדינה מבוססת עליה ושואפת לשמר? ‫האם זה הגיוני לדרוש מאלה ‫שלא מיוצגים בו ‫לנסות להזדהות איתו ‫במישור עמוק ורגשי יותר? ‫ומה בקשר לרוב הגדול ‫של היהודים החיים בישראל ‫שכן מזדהים עם השיר? ‫הם מגלמים מסורת ‫של כמיהה לחזור למולדת לאחר אלפי שנים, ‫תקווה שסירבה להיעלם ‫עד שלבסוף מומשה. ‫אלה לא שאלות שקל לענות עליהן ‫והאמת היא שבהינתן האופי המורכב של ישראל, ‫כנראה שלעולם לא יימצא פתרון ‫שמספק את כולם. ‫אבל התקווה היא שבסופו של דבר, ‫השאלות האלה יגרמו לאזרחי ישראל ‫להבין זה את זה טוב יותר, Portuguese: era do Iraque, Síria ou Irã. Os judeus mizrahi são uma parte importante da população israelense com cerca de 3,2 milhões de pessoas vivendo no país. Então, outro pedaço do povo não se sentindo representado no hino. Não há como escapar disso Hatikva não representa muitas pessoas no país. Então, aqui está a questão. O que é mais importante a um hino nacional? Que inclua seus cidadãos no sentido mais amplo, ou que ela personifique o espírito o país foi fundado e que se esforça para manter. É razoável perguntar aqueles não representados para tentar se conectar com ele nesse nível emocional mais profundo? E sobre a grande maioria de judeus que vivem em Israel quem se conecta com a música? Eles incorporam uma tradição de saudade de voltar para uma terra natal depois de milhares de anos, uma esperança que se recusou a morrer até que finalmente foi realizado. Estas não são perguntas fáceis de responder e a verdade é que, dado Natureza complexa de Israel você provavelmente nunca vai encontrar uma solução isso satisfaz a todos. Mas, esperançosamente, no final, estas perguntas liderar o povo de Israel entender melhor um ao outro ao contrário de afastá-los. Spanish: Pero ¿y si tus ancestros procedían de Irak, Siria o Irán? Los judíos mizrajíes son gran parte de la población israelí con cerca de 3,2 millones de personas viviendo en el país, así que otra porción del pueblo que no se siente representada. El Hatikva no se salva de no representar a mucha gente del país. Esta es la pregunta: ¿qué importa más en un himno nacional, que incluya a sus ciudadanos en el sentido más amplio o que personifique el espíritu del país que lo fundó y que lucha por mantenerlo? ¿Es razonable pedirles a los no representados que intenten conectar con él a un nivel más emocional? ¿Y qué hay de la gran mayoría de judíos que vive en Israel y no conectan con la canción? Representan una tradición del deseo de regresar a la patria después de miles de años, una esperanza que se negó a morir hasta que se realizó. No son preguntas fáciles de contestar y lo cierto es que, dada la naturaleza compleja de Israel, nunca encontraremos una solución que satisfaga a todos. Pero con suerte, al final, estas preguntas harán que el pueblo se entienda mejor en lugar de distanciarlos, Russian: Но что если твои родственники из Ирака, Ирана или Сирии? Мизрахи составляют большую часть израильского населения, насчитывая 3,2 млн человек, проживающих в стране - т.е. еще одна группа людей, обделенных вниманием в гимне. Нельзя отрицать, что Хатиква обходит стороной многих жителей страны. Поэтому вопрос здесь в следующем: что важнее для национального гимна: включать всех своих граждан в широком смысле или воплощать дух страны, на основе которой он появился, и которую стремится сохранить? Имеет ли смысл просить тех, кого гимн не представляет, пытаться связывать себя с ним на глубоком эмоциональном уровне? И что по поводу огромного большинства евреев, живущих в Израиле, которые связывают себя с песней? Они олицетворяют традицию стремления вернуться на родину спустя тысячи лет, надежду, которая отказывалась умирать, пока, наконец, не была реализована. На эти вопросы сложно ответить, и правда в том, что с учетом сложной израильской натуры вы, вероятно, никогда не найдете решения, которое бы удовлетворило всех. Но хочется надеяться, что в конце концов эти вопросы помогут людям Израиля лучше понимать друг друга, вместо того чтобы противостоять друг другу, English: was from Iraq, Syria, or Iran. Mizrahi Jews are a major part of the Israeli population with around 3.2 million people living in the country. So, another chunk of the people not feeling represented in the anthem. There's no escaping that Hatikva doesn't represent a lot of people in the country. So, here's the question. What's more important to a national anthem? That it include its citizens in the broader sense, or that it embody the spirit the country was founded upon and that it strives to maintain. Is it reasonable to ask those not represented to try to connect with it on that deeper emotional level? And what about the vast majority of Jews living in Israel who do connect with the song? They embody a tradition of longing to return to a homeland after thousands of years, a hope that refused to die until it was finally realized. These are not easy questions to answer and the truth is, that given Israel's complex nature you're probably never going to find a solution that satisfies everyone. But, hopefully, in the end, these questions will lead the people of Israel to understand each other better as opposed to driving them apart. English: Because if the latter happens, then they'll have completely lost the spirit of Hatikva and all that it stands for. Hope, peace and endurance through the cauldron of the most agonizing of hardships. So, what do you think? Drop a comment below and don't forget to subscribe. Oh, and if there're any topics you want us to tackle, comment or tweet. See you guys next time! Russian: потому что в последнем случае, они полностью потеряют дух Хатиквы и все, что в ней воспевается: надежда, мир и стойкость в котле самых мучительных трудностей. Итак, что думаете вы? Оставляйте ваши комментарии и не забывайте подписываться. Да, и если есть темы, на которые вы бы хотели увидеть видео, пишите в комментариях или твиттере. До встречи в следующий раз. iw: ‫במקום ליצור פילוג, ‫כי אם יווצר פילוג, ‫אז זה אומר שהם איבדו לגמרי ‫את רוח הדברים ב"התקווה" ‫וכל מה שהשיר מייצג- ‫תקווה, שלום וכוח סבל ‫בכל התקופות הקשות ביותר. ‫אז מה אתם חושבים? ‫כתבו הערה כאן למטה ‫ואל תשכחו להירשם לערוץ. ‫אה, ואם יש נושא כלשהו ‫שאתם רוצים שנדבר עליו, ‫העירו או צייצו. ‫להתראות בפעם הבאה. Spanish: ya que, si ocurre esto último, habrán perdido el espíritu de El Hatikva y todo lo que representa: esperanza, paz y resistencia en el hervidero de la penuria más agonizante. ¿Qué opináis? Dejad un comentario y suscribíos. Y si hay algún tema que queráis que abordemos, comentadlo o tuiteadlo. Hasta la próxima. Portuguese: Porque se o último acontecer, então eles terão perdido completamente o espírito de Hatikva e tudo o que ele representa. Esperança, paz e resistência através do caldeirão das mais agonizantes de dificuldades. Então, o que você acha? Deixe um comentário abaixo e não esqueça de se inscrever. Ah, e se houver algum tópico você quer que nós abordemos, comentemos ou twitemos. Vejo vocês na próxima vez!
{ "pile_set_name": "YoutubeSubtitles" }
Malay (macrolanguage): Baru-baru ini seorang kawan saya berada di London dan tidak tahu tiket Tube untuk membeli apa sahaja yang anda gunakan untuk mengembara di bas dan tiub di London sekarang jika anda dari uk anda hanya boleh menggunakan kad kredit tanpa sentuh anda kira-kira yang lebih lewat, tetapi jika anda dari luar negara, anda baru saja tiba Dan anda tidak tahu di mana anda tinggal, apa nama anda, atau di mana anda pergi; anda mungkin tidak mahu membayar semua yuran bank asing ke atas urus niaga anda Jadi, mungkin lebih mudah untuk mendapatkan kad Oyster sekarang jangan menjadi orang yang bertahan selama berabad-abad dan masuk ke dalam semua orang Perkara pertama yang anda mahu lakukan adalah datang ke sini dan tekan mendapatkan kad baru Anda boleh membuat keputusan di sini berapa banyak kad yang anda mahukan, tetapi hanya ada satu daripada saya Jadi saya mahukan satu kad Oyster baru tekan mengesahkan Anda perlu menentukan berapa banyak wang yang anda ingin letakkan pada kad Oyster anda Ia membayar semasa anda pergi jadi ia bergantung kepada berapa banyak perjalanan yang anda lakukan setiap hari dan Kemudian ia akan cap sebagai kad perjalanan harian Sekarang ramai orang panik apabila mereka pertama tiba di London di Heathrow misalnya Chinese: 最近我的一个朋友在伦敦,不知道要购买哪种地铁、公交票 用来在伦敦乘搭巴士和地铁 现在如果你来自英国,你可以使用非接触式信用卡 但如果你来自国外,你刚到伦敦 你不知道你住在哪里,你叫什么, 也不确定去哪里,你可能也不想要付国外银行的交易费 因此,买一张伦敦的Oyster公交卡可能方便 来吧,不要不知所措然后处处挡道 初来乍到,你要做的第一件事就是买张Oyster公交卡 你在这里选定想要买几张,我只有一个人 所以我选一张Oyster公交卡 然后点击确认 然后你看要预付多少钱在你的卡里 然后它是用多少扣多少 所以,取决于你每天乘坐几趟公交 每天都总消费它会有一个封顶 很多人刚到达伦敦希思罗机场都会感到不知所措 English: Recently a friend of mine was in London and didn't know which Tube ticket to buy or whatever it is that you use to travel on the buses and tubes in London now if you're from the uk you can just use your contactless credit card about which more later, but if you're from abroad, you just arrived And you don't know where you live, what your name is, or where you're going; you probably don't want to pay all those foreign bank fees on your transactions So it's probably easier to get an oyster card now don't be that person who hangs around for ages and gets in everybody's way First thing you want to do is come over here and hit get new card You can decide here how many cards you want, but there's only one of me So I want one new oyster card hit confirm You then have to decide how much money you want to put onto your oyster card It's pay as you go so it depends on how many journeys you do per day and Then it'll cap it as a day travelcard Now a lot of people panic when they first arrive in London at Heathrow for example Malay (macrolanguage): dan katakanlah, saya beli tiket mingguan, atau saya membeli tambah nila Pay-as-you-go (Bayar apabila anda hendak pergi) sekarang, jadi saya fikir perkara terbaik untuk dilakukan ialah apabila anda tiba hanya melekat kredit sebanyak £15 ke kad Oyster dan kemudian yang membelinya sedikit masa untuk menentukan jenis perjalanan yang akan anda lakukan selepas itu, Jadi mulakan dengan 15 paun. bahagian Oyster adalah duduk depo lima paun, yang anda bayar dan bayar ketika anda pergi Cedit adalah 15 pound jadi sama sekali 20 pound sekarang jangan risau, anda akan mendapat balik deposit anda apabila anda memulangkan kad anda ditambah dengan kredit yang tidak digunakan selagi ia berada di bawah 10 pon dan VOILA! mengapa kad Oyster segar bagus sedia untuk digunakan Sekarang sebelah kiri eskalator adalah untuk orang yang lebih sibuk daripada anda Jadi sejauh londoners bimbang jika anda berdiri di sisi yang salah anda pada dasarnya tidak mempunyai hak asasi manusia Dan kamu akan dibajak oleh orang seperti saya Maafkan saya keluar daripada cara berdarah! Your're di sebelah yang salah eskalator. Adakah anda jujur ​​tidak perasan bahawa semua orang ... baiklah! Cukup jelas bukan? Saya tidak melihat tanda-tanda English: and say look, do I buy a weekly pass, or do I buy a pay-as-You-go top up now, so I think the best thing to do is when you arrive just stick 15 pounds credit on to an oyster card and then that buys you some time to decide what kind of the journeys you're going to be making after that, So start with 15 pounds. the oyster part is a five-pound depo sit, which you pay and the pay as you go Cedit is 15 pounds so altogether it's 20 pounds now don't worry, you'll get your deposit back when you return your card plus any unused credit as long as it's under 10 pounds and VOILA! why nice fresh oyster card ready for use Now the left side of the escalator is for people who are much busier than you So as far as londoners are concerned if you're standing on the wrong side you basically have no human rights And you will be ploughed out the way by people like me Excuse me get out of the bloody way please! Your're on the wrong side of the escalator. Did you honestly not notice that everyone was... alright! Pretty obvious isn't it? I didn't see the signs Chinese: 犹豫到底要买周票?还是预付储值卡,用多少扣多少 我个人建议最好就是先买一张15英镑的卡 先用用看,再决定都怎么买 所先买15英镑,然后它还有一个5英镑的押金 加上15英镑的储值,总共是20英镑 押金退卡的时候会还给你的 还有没用完的储值也会一起退回,但必须是10英镑以下 大功告成! 好了,刚买好的卡可以使用了 记住地铁站里自动扶梯的左侧是为比你着急的人而设 因此,就伦敦人而言 如果你站错边,你基本上没有人权而言 你会被像我这样的人挤开 不好意思,别挡道! 哥们儿,你站错边了 你真的没有注意到大家都很嫌弃地看着你? 好吧! 你看,很明显吧? 我没有看到牌子 Malay (macrolanguage): Tidak kira anda mesti bercakap dengan sesiapa sahaja pastikan anda menyimpan telefon ... Anda tidak dibenarkan bercakap dengan saya Kami berada di London Oh, awak bukan London Saya terus berjumpa dengan penduduk utara, apa yang sedang berlaku Mereka sebenarnya bercakap dengan anda di atas tiub. anda benar-benar amat amatur, anda tidak pernah mendapat fon kepala anda amatur Maafkan saya. Saya akan merenung telefon saya sekarang Jadi jika anda tergesa-gesa, anda hanya boleh menggesek kad kredit anda atau kad debit anda selama ia mendapat ini Simbol yang tidak dapat dilihat di atasnya sekarang yang akan bekerja dengan cara yang sama seperti kredit pay-as-you-go pada kad Oyster tetapi anda tidak perlu mengatasinya di mesin atau apa sahaja. anda hanya mengambilnya dan anda hanya mengimbasnya terus ke mesin dan jangan menjadi salah satu daripada orang-orang yang mendapat jalan dan berdiri di hadapan pintu tiket. Maaf English: On no account must you speak to anybody make sure that you keep your head phones in... You're not allowed to speak to me We're in London Oh, you're not a Londoner I keep meeting northerners, what's going on They actually speak to you on the tube. you really are amateur, you haven't even got your headphones in amateur Excuse me. I'm going to stare at my phone now So if you're in a real hurry, you can just swipe your credit card or your debit card as long as it's got this Contactless symbol on it now that will work in exactly the same way as a pay-as-You-go credits on an oyster card but you don't have to top this up at the machine or anything . you just take it and you just scan it straight onto the machine and don't be one of those people who gets in the way and stands in front of the ticket Gate. Sorry Chinese: 记住任何时候都不要跟别人搭讪 记得插上耳机 你不能跟我说话 我们在伦敦 哦,你不是伦敦人 我一直遇到北方人,我做错了什么? 他们会在地铁里跟你搭讪 你看你,一点都不专业,你怎么连耳机都没戴上? 不专业 不好意思,我现在要玩手机 如果你赶时间,你可以直接刷信用卡或借记卡,只要看到这个 非接触式支付的符号 这和Oyster公交卡上用多少扣多少是一样的 刷信用卡或者储值卡不用充值那么麻烦 直接把信用卡在机器上扫一下 千万注意,在闸机口别挡道 Chinese: 记住公交车是不收现金的,所以你必须使用卡 Oyster公交卡你可以反复使用 如果你在一天内刷了50次 消费到达封顶金额就不会再扣钱了 好像是6、7英镑 我特别喜欢15路公交车,有时候你会偶遇一辆这种经典款巴士,这个很赞 它有固定的行程路线,从特拉法加广场经过皇家法院 纪念碑 电影魔街理发师里的那家理发店 终点站是伦敦塔桥。这车人不多很宽敞 反正我感觉很舒服,你还可以打开窗 你看 我很不喜欢那种新款的巴士 你看角落的那个座位......我朋友管它叫变态狂魔座位 通常变态狂魔喜欢坐这个位子。但我其实挺喜欢这个位子的 你可以坐这里,从车厢后面观察每个上车下车的人 谢谢。。。 再见! 你甚至可以在公交渡轮上刷它,但貌似挺贵的 Malay (macrolanguage): Ingat, anda tidak boleh menggunakan wang tunai di dalam bas supaya anda perlu menggunakan kad anda Perkara tentang kad Oyster itu boleh digunakan lagi dan lagi dan lagi dan jika anda menggunakan 50 kali dalam satu hari ia tidak akan melebihi jumlah tertentu supaya anda boleh terus menggunakannya sepanjang hari. Mereka memanggilnya sebagai "penutup" Saya fikir ia adalah jenis enam atau tujuh atau sesuatu Saya Terutama seperti nombor 15 bus kerana anda boleh mendapatkan salah satu daripada routemasters lama ini, dan mereka benar-benar baik Mereka mengikuti laluan sepanjang jalan dari trafalgar persegi melewati mahkamah diraja keadilan Tugu itu Sweeney Todd's [Barbershop] dan ia selesai oleh menara [London]. Terdapat ruang yang lebih banyak pada ini juga Saya hanya berasa lebih selesa dan anda juga boleh membuka tetingkap di sini lihatlah itu Saya benci mereka yang baru dahsyat kerusi ini di sini di sudut .... kawan saya pernah memanggilnya kerusi pencolanya Weirdos dan pervs digunakan untuk duduk di satu ini. Saya suka Anda boleh duduk di belakang bas [dan] semata-mata melihat semua orang mendapat dari sini terima kasih. Anda juga boleh menggunakannya di atas kapal, tetapi kosnya sedikit English: Remember you can't use cash on the bus so you've got to use your card The thing about the oyster card it that you can use it again and again and again and if you use its a 50 times in one day it won't go above a certain amount so you can just continue using it all day long. They call it a "capping" I think it's mout sort of six or seven quid or something I Particularly like the number 15 bus because you can get one of these old routemasters, and they're really good They follow a route all the way from trafalgar square past the royal courts of justice The monument Sweeney Todd's [Barbershop] and it finishes up by the tower of [London]. There's so much more space on these as well I just feels so much more comfortable and you can even open the window here look at that I hate those horrible new ones this seat over here in the corner ....my friend used to call it the molesters seat weirdos and pervs used to sit in this one. I rather like it You can sit at the back of the bus [and] just sort of observe everybody gets on from over here thank you. You can even use it on the boat, but it does cost a little bit more English: But you really have to remember to swipe out It's very important otherwise you get charged extra Sometimes the gates are already open and a lot of people think I know I won't get charged if I just walk straight through But that's not the case you'll get charged eight pounds! some stations Don't even have ticket gates so make absolutely sure that you touch in and out properly otherwise you can get absolutely skinned on the fare be careful You can even use it on the emirates airlines Excellent it cost's £3.40 for an adult and £1.70 for a child if you have an oyster cost In many ways there's no need to pay for one of those expensive guided tour buses with so many joolz guides online You can just access them on your phone and with an oyster card you can get around London for a reasonable price Malay (macrolanguage): Tetapi anda benar-benar perlu ingat untuk meleret Ia sangat penting jika tidak anda akan dikenakan bayaran tambahan Kadang-kadang pintu sudah terbuka dan ramai yang fikir saya tahu saya tidak akan dikenakan caj jika saya hanya berjalan terus Tetapi itu bukan kes anda akan dikenakan lapan pound! sesetengah stesen juga tidak mempunyai pintu tiket jadi pastikan bahawa anda menyentuh masuk dan keluar dengan betul jika tidak, anda boleh mendapatkan kulit yang sama pada tambang berhati-hati Anda juga boleh menggunakannya di syarikat penerbangan emirat Cemerlang ia berharga £ 3.40 untuk orang dewasa dan £ 1.70 untuk anak jika anda mempunyai kos Oyster Dalam banyak cara, tidak perlu membayar untuk salah satu bas pelancongan berpandu yang mahal dengan banyak panduan joolz dalam talian Anda hanya dapat mengaksesnya di telefon anda dan dengan kad oyster anda boleh mendapatkan sekitar London untuk harga yang berpatutan Chinese: 但你真的必须记得刷一下 很重要,否则你会收取额外的费用 有的时候车站的闸门是开着的 很多人会以为正好逃票,直接走过去 但事实并非如此,你会被收取8英镑的费用! 有些车站甚至没有检票口 所以进站和出站都要记得刷一下否则会罚款 小心 您甚至可以用它来买伦敦阿联酋航空空中缆车 很赞吧 刷Oyster公交卡,大人费用是3.40英镑,儿童1.70英镑 很多时候,其实没必要参加昂贵的带导游的旅游巴士团 网上有很多Joolz导游指南 用手机就可以查询 配合Oyster公交卡,你可以很实惠地玩转伦敦 Malay (macrolanguage): Sekiranya anda menikmati filem saya sila melanggan saluran tersebut Pelayaran bon !! Chinese: 如果您喜欢我的视频,请粉一下我们的专区 一路顺风!! English: If you enjoy my films do please subscribe to the channel Bon voyage!!
{ "pile_set_name": "YoutubeSubtitles" }
Russian: Реактивные двигатели уже почти 100 лет успешно применяются на самолетах В этом видео мы шаг за шагом расскажем о технологиях, стоящими за ними Реактивный двигатель заставляет самолет двигаться вперед, используя простой принцип - тот же, что заставляет подниматься воздушный шарик: Третий закон Ньютона Так же как реактивная струя воздуха заставляет подниматься шарик, так и сила реактивной струи на конце двигателя заставляет самолет двигаться вперед Таким образом работа реактивного двигателя заключается в создание высокоскоростной реактивной струи Vjet Чем больше скорость струи, тем больше сила тяги Сила тяги заставляет самолет двигаться вперед (сила сопротивления воздуха / сила тяги) Высокая скорость истечения достигается благодаря комбинации разных технологий Korean: 제트 엔진은 지금까지 거의 한 세기 동안 성공적인 항공기 운항에 도움을 주었습니다. 이 비디오에서, 우리는 제트 엔진에 숨겨진 기술들을 논리적이고 단계적인 방법으로 설명할 것입니다. 제트 엔진은 아주 간단한 원리를 통해 항공기를 움직이게 합니다. 이 원리는 공기로 가득 찬 풍선을 움직이게 하는 원리와 같습니다. 이것이 바로 뉴턴의 운동 제 3 법칙입니다. 공기가 풍선을 움직일 떄 발생되는 반작용처럼, 제트엔진의 후미에서 나오는 고속의 기류로 인한 반작용이 항공기를 움직이게 하는 것입니다. 그래서, 엔진의 후미에서 발생되는 고속의 기류가 제트 엔진 작동 원리의 전부라고 할 수 있습니다. 발생된 기류의 속도가 빠를수록, 추진력이 더 커집니다. 그 추진력이 항공기를 움직이게 합니다. 이와 같은 고속의 기류는 기술의 융합으로 만들어집니다. Turkish: Jet motorları,neredeyse bir asırdır uçaklarda başarılı şekilde kullanılmaktadır. Bu videoda,bir jet motorunun altında yatan teknolojinin mantığını adım adım açıklayacağız. Bir jet motoru, çok basit bir yasaya bağlı olarak uçakların ileri yönlü hareket etmesini sağlar. Bu olay hava dolu bir balonun yukarı doğru uçmasıyla aynı mantıktadır. Evet, Newton'un 3.kanunu (Etki-tepki prensibi) Tıpkı balonu iten havanın tepki kuvvetinde olduğu gibi, yüksek hızlı jetin kuyruğuna etki eden tepki kuvveti ileri doğru hareketi sağlar. -jet motorunun uyguladığı kuvvete eş değer tepki kuvveti oluşur- Yani,jet motorlarının çalışması tamamen;akışkanın çıkış noktasında yüksek bir akış hızı elde etme mantığına dayanır. Jet hızı ne kadar yüksek olursa oluşan itme kuvvetide o kadar büyük olacaktır. İtme kuvveti,hava araçlarının ileri doğru hareketini sağlayan kuvvettir. Bu kuvvet,yüksek hıza sahip gazların bazı tekniklerin çeşitli kombinasyonlarıyla kullanımı sonucu elde edilebilir. Chinese: 为近百年来,喷气式发动机已经成为飞机上成功的驱动器 翻译/校对/时间轴/压制 本期视频我们会逐步的为大家解释喷气式发动机背后的技术 喷气式发动机使飞机保持前进 应用了一个简单的原理 和使气球运动的原理一样 没错,它就是牛逼闪闪的牛顿第三运动定律 就像是由空气产生的能使气球运动的反作用力 喷气引擎尾部的高速气流产生的反作用力,推动了飞机向前运动 所以,喷气式发动机的工作是关于在出口处产生高速喷气 喷射的速度越高,产生的推力就越大 正是推力使飞机向前运动 这种高速排气应用了一系列技术 English: jet engines have been the successful drivers of aircrafts for nearly a century now in This video we will explain the technology behind the jet engine in a logical step-By-step Manner a jet engine keeps an aircraft moving forward using a very simple principle The same that makes an air-filled balloon move Yes, Newton's third law of [motion] just [like] the reaction Force produced by the Air moves the balloon The reaction Force produced by the high speed jet at the tail of the jet engine makes it move forward so the working of jet engine is all about producing a High-speed jet [at] the exit the higher the speed of the jet the greater the thrust force The thrust force makes an aircraft move forward Such high-speed exhaust is achieved by a combination of techniques Portuguese: os motores a jato têm sido um sucesso à condução de aeronaves por aproximadamente um século até agora neste vídeo nós iremos explicar a tecnologia por trás dos motores a jatos de uma maneira lógica passo a passo um motor a jato movimenta a aeronave para frente usando um princípio simples o mesmo que faz um balão cheio de ar se mover sim, a terceira lei de Newton (ação e reação) do mesmo jeito que a força de reação produzida pelo ar move o balão a reação produzida pelo jato de alta velocidade na cauda do motor fazem o mover-se para frente então o funcionamento do motor consiste em produzir um jato de alta velocidade na saída quanto maior a velocidade do jato, maior será o empuxo o empuxo faz com que a aeronave se mova para frente a alta velocidade do jato é conseguido por diversas técnicas combinadas Vietnamese: Động cơ phản lực không khí luôn là môt phần quan trọng và góp phần lớn vào thành công trong sự phát triển ngành công nghiệp máy bay trong gần 1 thế kỷ nay Trong video này chúng tôi sẽ giải thích một cách đơn giản các công nghệ cốt lõi ẩn sau 1 động cơ phản lực Động cơ phản lực (ĐCPL) giúp máy bay bay bởi một nguyên lý khá đơn giản Giống như cách một quả bóng bay bằng cách đẩy khí ra ngoài để di chuyển theo hướng ngược lại Đó cũng chính là định luật 3 Newton Phản lực tạo ra bởi không khí lên quả bóng bay giúp nó chuyển động. Ở ĐCPL cũng vậy, lực tạo ra bởi dòng khí có vận tốc lớn ở phần đuôi động cơ tạo ra phản lực làm nó chuyển động về phía trước Vì vậy để ĐCPL hoạt động, chỉ cần tìm cách tạo ra vận tốc lớn ở phần đuôi của động cơ và vận tốc này càng lớn thì lực đẩy càng mạnh. Lực đẩy này cũng chính là nhân tố giúp máy bay chuyển động về phía trước Một vận tốc phụt lớn như vậy có thể được tạo bằng cách sau đây: Romanian: Motoarele cu reacție au fost liderii de succes ai avioanelor de acum aproape un secol În acest videoclip vom explica tehnologia din spatele motorului cu reacție într-o manieră logică pas cu pas. Un motor cu reacție menține o aeronavă în mișcare înainte folosind un principiu foarte simplu. Același care face ca balonul plin cu aer să se deplaseze. Da, a treia lege a mișcării a lui Newton! La fel ca forța de reacție produsă de aerul care deplasează balonul, Forța de reacție produsă de jetul de mare viteză de la coada motorului cu reacție îl face să se deplaseze înainte, astfel încât funcționarea motorului cu reacție are drept scop producerea unui jet de mare viteză la ieșire. Cu cât este mai mare viteza jetului, cu atât este mai mare forța de împingere! Forța de împingere face ca o aeronava să avanseze. O astfel de evacuare de mare viteză se realizează printr-o combinație de tehnici. Portuguese: se você puder aquecer o ar frio que entra, ao sair ele se expandirá e criará o jato de alta velocidade para esse propósito uma câmara de combustão é utilizada o combustível na forma atomizada é queimado na câmara de combustão uma efetiva combustão requer ar para estar com alta pressão e temperatura para trazer o ar nessas condições uma série de compressores são utilizados as lâminas giratórias do compressor agregam energia ao fluído de forma a elevar sua pressão e temperatura deixando-o suscetível à combustão o compressor recebe a energia para a rotação por meio de uma turbina colocada logo depois da câmara de combustão Korean: 만약 유입되는 공기를 가열시킬 수 있다면, 그것은 엄청나게 팽창할 것이고, 고속의 제트 기류를 만들 것입니다. 공기를 가열시키기 위해, 연소실이 사용됩니다. 원자 상태의 연료는 연소실에서 연소 과정을 거칩니다. 연소는 적당하게 높은 온도와 압력 상태의 공기를 필요로 합니다. 공기를 고온, 고압의 상태로 전환하기 위해, 여러 번의 압축 단계를 거치게 됩니다. 압축기의 회전하는 날은 기류에 에너지를 더하고, 온도와 압력은 연소를 유지하는 데에 적당한 정도로 증가합니다. Turkish: Eğer giren bu soğuk havayı ısıtırsak, muazzam ölçüde genleşecek ve oldukça yüksek bir hızda akış oluşturacaktır. Bu amaçla "yanma odası" adı verilen bir eleman kullanılır. Yakıt püskürtülen hava,bu oda da yakılır. Etkili bir yanma,düzgün sıcak hava ve yüksek basınç etkisiyle gerçekleşir. Havayı bu duruma getirmek için,kademeli kompresör kullanılır. Koprasörde bulunan döner kanatçıklar,akışkanı iterek enerji verirken akışkanın sıcaklığı ve basıncı yanmanın devam edebileceği bir seviyeye çıkartılır. Yanma odasının hemen sonunda bulunan bir türbinin dönüşüyle elde edilen enerji kompresöre iletilir. Chinese: 如果你可以把流入的空气加热到很高的温度 它会极大地膨胀并且将产生高速射流 为了达到这个目的,要用到一个燃烧室 雾化形式的煤油在燃烧室被燃烧 有效的燃烧需要空气达到适当的高温和压力 为了使空气达到上述的条件 要用到一组多级压气机 压气机旋转的叶片(转子)会给气流加入能量 使它的温度和压力都升高到适合持续燃烧的程度 压气机从放置在燃烧室后面的涡轮处 Russian: Если сильно нагреть входящий поток воздуха, то он расширится значительно и создаст высокоскоросную реактивную струю (холодный воздух / горячий воздух) Для этой цели используется камера сгорания (впрыскные отверстия топлива / воздухозаборные отверстия) Распыленное топливо сжигается в камере сгорания Для процесса сжигания необходим воздух высокой температуры и давления Его получают, используя несколько ступеней компрессора (лопатки ротора / лопатки статора) Вращающиеся лопасти компрессора передают энергию потоку, температура и давление потока вырастает до уровня поддержания процесса горения Компрессор вращается благодаря энергии, получаемой им от турбины, которую устанавливают сразу за камерой сгорания Romanian: Dacă puteți încălzi aerul de intrare la o temperatură ridicată, acesta se va extinde foarte mult și va crea un jet de mare viteză. În acest scop se utilizează o cameră de combustie. O formă atomizată a combustibilului este arsă în camera de combustie. Combustia eficientă necesită ca aerul să fie la temperaturi și presiuni moderat ridicate. Pentru a aduce aerul în această condiție se utilizează un set de etape de compresor. Lamele rotative ale compresorului adaugă energie fluidului, iar temperatura și presiunea acestuia cresc până la un nivel adecvat pentru susținerea arderii. Compresorul primește energia pentru rotire de la o turbină, Vietnamese: Nếu dòng khí vào, qua động cơ được đốt nóng lên đến 1 nhiệt độ rất cao nó sẽ giãn ra dữ dội và tạo ra luồng khí vận tốc lớn Chính vì thế một buồng cháy được dùng trong động cơ để đốt cháy nhiên liệu đưa vào, tạo ra luồng khí nhiệt độ cao Để đốt cháy hiệu quả khí trước khi đốt cần đạt điều kiện nhiệt độ và áp suất tương đối cao hơn bình thường Đó là lý do cần đến máy nén nhiều tầng trong động cơ Áp suất và nhiệt độ khí, qua các tầng nén rotor và stator được đẩy lên cao để phục vụ đốt cháy nhiên liệu. Bản thân máy nén được quay bởi tuabin English: If you can heat the incoming air to a high temperature it will expand tremendously and will create the high velocity [jet] For this purpose a combustion chamber is used An atomized form of the fuel is burnt in the combustion chamber effective combustion requires air to be at moderately high temperature and pressure To bring the air to this condition a set of compressor stages are used The rotating blades of the compressor add energy to the fluid and its temperature and pressure rise to a level suitable to sustain combustion The compressor receives the energy for the rotation from a turbine which is placed right after the combustion chamber? Korean: 압축기는 연소실 바로 뒤에 위치한 터빈에게서 회전에 필요한 에너지를 얻습니다. 압축기와 터빈은 동일한 축에 붙어있습니다. 연소실에서 배출된 높은 에너지의 기류는 터빈의 날이 돌아가게 만듭니다. 당신은 터빈의 날이 양력을 발생시켜서 날이 회전하게 만들어주는 특별한 날개 모양을 하고 있다는 것을 볼 수 있을 것입니다. 터빈이 기류로부터 에너지를 흡수함에 따라, 기류의 압력이 떨어집니다. 이러한 절차를 통해, 우리는 매우 뜨겁고 속도가 빠른 공기를 엔진에서 배출시켜야 한다는 우리의 목적을 달성하게 되었습니다. 엔진의 폭은 배출구 쪽으로 갈수록 점점 좁아지는데, 이것은 훨씬 빠른 속도의 기류를 발생시킵니다. 요약해서 말하자면, 압축기, 연소실, 그리고 터빈의 동시 통합적인 작동이 항공기를 움직이게 합니다. Romanian: care este amplasată imediat după camera de combustie. Compresorul și turbina sunt atașate la același arbore. Fluidul de înaltă energie care părăsește camera face ca lamelele turbinei să se rotească. Puteți vedea că lamelele turbinei au o formă specială de suprafață portantă care creează forța de ridicare și le face să se rotească. Pe măsură ce turbina absoarbe energia din fluid, presiunea sa scade. Prin aceste pași am realizat obiectivul nostru: un aer foarte fierbinte și de mare viteză emis de ieșirea motorului. Carcasa motorului devine mai îngustă spre ieșire, ceea ce duce la o viteză și mai mare a jetului. Pe scurt, funcționarea sincronizată a compresorului, a camerei de ardere și a turbinei face aeronava să avanseze. Turkish: Komprasör ve türbin aynı şafta bağlıdır. Yanma odasını terk eden ve ısınıp basıncı artan bu yüksek enerjili akışkan, türbinden geçerken türbini,bağlı olan kanatçıkları vasıtasıyla döndürür. Görüldüğü üzere,türbinin üzerindeki kanatçık profil geometrisi,akışkanın kanatçıklara kaldırma kuvveti uygulanmasını sağlar. Akışkanın bu kuvvet yardımıyla enerjisinin bir kısmını türbine aktarmasından sonra basıncı düşer.(Hızı artar) Bu adımların ardından beklenen sonuç olan sıcak ve yüksek akış hızındaki havanın motordan çıkışı gerçekleşir. Motorun çıkış kısmındaki egzoz lülesinin daha dar olması bu bölgeden çok daha yüksek hızda hava çıkışı elde etmeyi sağlar. Kısaca;kompresör,yanma odası ve türbinin eş zamanlı olarak yaptığı bu işlem hava araçlarının ileri yönlü hareket gerçekleştirmesini sağlar. Chinese: 获得能量从而旋转 压气机和涡轮连接在一根轴上 从(燃烧)室喷出的高能气流推动了涡轮叶片的旋转 你可以看到,涡轮叶片有一个特殊的翼型 可以产生升力使叶片旋转 因为涡轮吸收了一部分气流的能量 气流的压力就降低了 通过这些步骤,我们就达到了我们的目的 高温高速的空气从引擎的出口处射出 引擎罩在位于出口处变窄,这又进一步增加了喷射速度 简单说,压气机、燃烧室和涡轮的同步运作 使得飞机向前飞行 Russian: Компроссор и турбина вращаются на одном валу Высокоскоростная струя, покидающая камеру сгорания, поворачивает лопатки турбины Лопатки турбины имеют специальный аэродинамический профиль, который создает подъемную силу, заставляющую лопатки вращаться Когда турбина поглощает энергию потока воздуха, давление последнего падает Мы достигли своей цели: горячий быстрый поток воздуха истекает из двигателя Корпус двигателя сужается к концу, что еще более убыстряет поток Совместная работа компрессора, камеры сгорания и турбины заставляет самолет лететь вперед English: The compressor and turbine are attached to the same shaft The High-energy fluid that leaves the chamber makes the turbine blades turn You can see that the turbine blades have a special airfoil shape which creates lift force and make them turn As the turbine absorbs energy from the fluid [its] pressure drops Through these steps we have achieved our objective a really hot and high-speed air emitted from the exit of the engine the engine case becomes narrower towards the outlet which results in even greater jet velocity In short the synchronized operation of the compressor combustion chamber and turbine makes the aircraft move forward Vietnamese: được đặt ngay đằng sau buồng cháy Máy nén và tuabin được nối với nhau trên cùng một trục Năng lượng dòng khí nóng phát ra bởi buồng cháy sẽ làm quay cánh quạt tuabin Những cánh quạt này được thiết kế để có một hình dạng khí động đặc biệt giúp chúng quay. Dòng khí nóng trong lúc dãn nở làm các tầng tuabin quay và giảm dần áp suất Qua các bước này ta đã thiết lập nên một cơ chế tạo dòng khí nóng và vận tốc lớn thoát ra khỏi động cơ Cấu trúc vỏ động cơ sẽ nhỏ dần về phía đuôi làm tăng vận tốc dòng khí ở đầu ra của động cơ Tóm lại, sự phối hợp hoạt động giữa máy nén, buồng cháy và tuabin làm cho máy bay chuyển động về phía trước Các máy bay hiện đại Portuguese: o compressor e a turbina são unidos pelo mesmo eixo o fluído que deixa a câmara está na condição de fazer girar as lâminas da turbina você pode perceber que as lâminas da turbina possuem um formato aerodinâmico que cria força de elevação e as faz girar à medida que a turbina absorve energia do fluido a pressão tende a cair por meio de tais passos nós alcançamos o nosso objetivo; ar extremamente quente e em alta velocidade é emitido na saída do motor o revestimento do motor torna-se mais estreito próximo a saída, o que resulta em maior velocidade de jato em suma, a operação sincronizada do compressor, câmara de combustão e turbina fazem a aeronave mover-se para frente Turkish: Modern hava araçları bundan biraz daha gelişmiş bir komprasör-türbin düzeneği barından 2 milli motor barındırır. Burada bağımsız iki kompresör kademesi kullanılır. Dıştaki komprasör ve türbine bağlı şaft, içteki komprasör türbin çiftinden de eşmerkezli olarak geçer. Dışarıdaki türbin;akışkanın içteki türbinden geçen halinden daha az enerjiye sahip ve daha yavaş hızdaki haline maruz kalır. Düşük basınca ve düşük hıza maruz kalan dıştaki türbinin kanatçık boyu daha uzundur. Bu durum,türbinin merkezinde oluşacak merkezcil gerilmeleri azaltarak kanatçıkların ömrünü arttırır. Bazı modern uçaklarda 3 milli motor dahi kullanmaktadır. Şimdiye kadar bahsettiğimiz motor "Turbojet motoru" olarak adlandırılmaktadır. Turbojet motorları yüksek seviyede gürültülü olmaya yatkındır. Chinese: 现代的飞机使用了一个略有改进的压气机-涡轮组合,叫做双轴型 这里使用了两组独立的涡轮-多级压气机组合 外侧(低压)压气机-涡轮组合的轴同心地穿过了内侧(高压)压气机-涡轮组合的轴 外侧的涡轮受到低能量气流的(吹动),并将以比内侧涡轮慢一点的速度转动 低压区的涡轮叶片要更长 这种低速(气流)会有助于减少在根部所引发的离心应力 因此,提高了叶片寿命 一些现代飞机还使用了三轴引擎 到目前为止我们讨论的引擎 更具体地称为涡轮喷气发动机 涡喷发动机常常产生很大的噪音 一项革命性的改进被应用到飞机发动机中 Vietnamese: cải tiến máy nén và tuabin bởi một hệ thống 2 trục Ở đây 2 tầng máy tuabin / máy nén độc lập được sử dụng 1 trục nối 1 hệ thống tuabin / máy nén sẽ nằm trong 1 trục khác kết nối hệ thống tuabin / máy nén thứ 2 Tuabin ở sau (tính từ buồng cháy) sẽ nhận dòng khí năng lượng thấp hơn Và quay chậm hơn tuabin ở phía trước (ở ngay sau buồng cháy) Cánh quạt tầng thấp áp sẽ dài hơn Và vận tốc thấp hơn giúp giảm ứng suất ở phần ngọn của cánh quạt ly tâm Do đó tăng tuổi thọ cho cánh quạt Một số máy bay hiện đại thậm chí còn sử dụng hệ thống 3 trục Động cơ mà chúng ta xem từ đầu tới giờ được gọi là Động cơ tuabin phản lực luồng và động cơ tuabin phản lực luồng có xu hướng thường tạo ra tiếng ồn lớn Để cải tiến, 1 cánh quạt lớn được đặt ở đầu vào của động cơ English: Modern aircrafts use a slightly [improved] compressor turbine arrangement called a [two] spool Here two independent turbine compressor stages are used the shaft of the outer compressor turbine passes concentric [LI] through the inner one The outer turbine is subjected to a low energy fluid and will run at a lower speed than the inner turbine Low pressure blades are longer this [low-speed] helps to reduce centrifugal stress induced at the root Thus improving the blades life Some modern aircrafts even use a three spool engine The engine we have discussed so far is more specifically called as turbo jet engine Turbo jet engines tend to Produce high levels of noise [A] Revolutionary Improvement was made to this engine by fitting a large fan with the low pressure spool Korean: 현대의 항공기에는 기존에 것에서 미세하게 개선된 '2 스풀'이라는 터빈 압축기 배열이 사용됩니다. 여기에서는 두 가지의 독립적인 터빈 압축기 단계가 진행됩니다. 바깥에 위치한 압축 터빈의 축은 안쪽 터빈 축과 함께 회전합니다. 바깥쪽에 위치한 터빈에는 낮은 에너지의 기류가 지나가고, 이로 인해 중앙에 있는 터빈보다 더 느린 속도로 회전합니다. 저압의 날은 길이가 더 깁니다. 이러한 느린 속도는 터빈의 축에서 발생되는 마모를 감소시켜서 날의 수명을 늘려줍니다. 현대 항공기 중 몇몇은 '3스풀 엔진'까지도 사용합니다. 지금까지 우리가 다룬 엔진은 특별하게 터보 제트 엔진 이라고 불립니다. 터보제트 엔진은 심한 소음이 발생되는 경향이 있습니다. Portuguese: aeronaves modernas usam arranjo de compressor e turbina com algumas melhoras chamado: 2-eixos aqui dois estágios independentes de turbina e compressor são usados o eixo do compressor externo passa concentricamente através do interior do outro arranjo a turbina externa (arranjo) é submetida a um fluído de baixa energia e ira se movimentar em uma velocidade menor que a turbina interna as lâminas para baixa pressão são mais longas e a baixa velocidade ajuda na redução da tensão causada pela centrífuga e que é induzida na base, melhorando assim a vida útil das lâminas algumas aeronaves modernas usam um motor com três eixos o motor pela qual falamos até o momento é conhecido especificamente como motor jato-turbo. Motores jato-turbo tendem a produzir ruído extremamente alto Romanian: Avioanele moderne folosesc un aranjament ușor îmbunătățit al turbinelor compresoare numit ”două unități de componente rotative”. Aici sunt utilizate două etape independente ale compresorului turbinei. Arborele turbinei compresorului exterior trece concentric prin cel interior. Turbina exterioară este supusă unui fluid de energie redusă și va funcționa la o viteză mai mică decât turbina interioară. Lamele cu presiune scăzută sunt mai lungi. Această viteză redusă ajută la reducerea stresului centrifugal indus la bază, îmbunătățind astfel durata de viață a lamelor. Unele aeronave moderne utilizează chiar și motoare cu trei unități de componente rotative. Motorul pe care l-am discutat până acum este mai specific numit motor cu reacție turbo. Motoarele cu reacție turbo tind să producă niveluri ridicate de zgomot. A fost făcută o îmbunătățire revoluționară acestui motor Russian: В современных самолетах реактивный двигатель улучшен благодаря применения двухвальной схемы ( Двухвальный двигатель / внешний компрессор / внешняя турбина) Здесь показаны две независимые системы компрессор-турбина Вал внешней системы компрессор-турбина проходит через вал внутренней Вал низкого давления / вал высокого давления Внешняя турбина вращается потоком низкой энергии и на более низкой скорости, чем внутренняя Лопасти низкого давления длинее Более низкая скорость снижает центробежные нагрузки и увеличивает срок службы Некоторые современные самолеты оснащены трехвальными двигателями Описанный двигатель называется турбореактивным: ТРД Турбореактивный двигатель создает высокий уровень шума Революционным улучшением этого двигателя стало добавление на вал низкого давления большого вентилятора Turkish: Bu tip motorların başına gelen devrimsel gelişme,geniş çaplı bir fanın düşük basınçlı giriş kademesine yerleştirilmesi olmuştur. Bu tip motorlar "Turbofan motor" olarak adlandırılır ve nerdeyse her ticari uçak bu tip motorlarla çalışmaktadır. Bir turbofan motorundan devasa oranda hava geçişi olur Havanın aktığı bu kanalı daraltmak geçen havaya iyi derecede bir hız kazandırır. Bir turbofan motorunda,itme kuvvetinin büyüklüğü,fanın tepki kuvvetinden gelir Ayrıca, fan sistemdeki hava akışını dışardan daha çok hava emerek arttırmaktadır. Böylece itmenin artmasını da sağlar. Bu, normalden azıcık fazla yakıt kullanılarak itmenin büyük oranda arttırılmasını sağlar. Turbofan motorlarının oldukça ekonomik yakıt tüketiminin nedeni budur. Bir jet motorunun ürettiği gürültü,büyük ölçüde akışkanın çıkış hızına bağlıdır. Turbofan motorlarda ise dıştaki kanaldan geçen soğuk hava içteki sıcak havayla karıştırılarak akışkanın çıkış hızını belli bir seviyede tutmak mümkündür. Chinese: 就是把一个大型的风扇安装在低压区的轴上 这类发动机叫做涡轮风扇(涡扇)发动机 并且几乎每架商用飞机上都使用这种引擎 涡扇发动机的(外涵道中)会流过大量空气 每个狭窄的外涵道管 都使得流过的空气获得了很高的喷射速度 在涡扇发动机中大部分的推力都来自于风扇的反作用力 此外,风扇通过吸进更多的空气大大提升了系统中的空气流量 因此,它帮助提高了推力 这意味着 只需增加一点昂贵的燃油,就可以实现高推力 这就是为什么涡扇发动机有很高的燃油经济性 喷气式发动机发出的噪音在于 出口处空气的喷射速度 由于在涡扇发动机中,流过外涵道的冷空气和(内涵道的)热空气混合 可以把(空气的)出口速度保持在一定限度内 Korean: 저압의 거대한 터빈을 설치함으로써 터보 제트 엔진의 효과적인 개선이 이루어졌습니다. 이러한 엔진들은 터보 팬 엔진이라고 불리며, 거의 모든 상업용 항공기가 터보 팬 엔진을 사용합니다. 터보 팬 엔진은 방대한 양의 공기를 흘려보냅니다. 점점 좁혀지는 형태의 관은 지나가는 기류의 적절한 분사 속도를 제공합니다다. 터보 팬 엔진에서, 추진력의 대부분은 팬의 반작용에서 오게 됩니다. 게다가, 팬은 더 많은 공기를 빨아들임으로써 시스템 내에서의 기류를 대단히 완화시킵니다. 더욱이, 그것은 추진력을 개선하는 데에도 도움을 줍니다. 이것은 약간 더 많은 연료의 지출 내역에 따른 강한 추진력의 발생을 의미합니다. 이것이 바로 터보 팬 엔진이 고효율의 경제적 수단인지에 대한 이유입니다. 터보 팬 내에서 흐르는 찬 공기가 뜨거운 공기와 섞이는 것은 제한 없이 분사 속도를 유지시키는 것을 가능하게 하기 때문에 제트엔진에서 발생하는 소음 역시 이에 크게 의존합니다. Vietnamese: cánh quạt này được gắn cùng với trục quay của hệ thống thấp áp Động cơ như vậy được gọi là Động cơ tuabin phản lực cánh quạt (Turbofan) Hầu hết máy bay thương mại hiện nay trên thế giới đều dùng loại này Động cơ tuabin phản lực cánh quạt sẽ tạo ra một luồng lớn khí bởi dòng khí qua cánh quạt nhưng bên ngoài vỏ động cơ của máy nén Phần khí tách ra này cũng nằm trong một khoang ống động cơ hẹp dần giúp tạo ra vận tốc lớn Trong động cơ tuabin phản lực cánh quạt phần lớn lực được tạo ra bởi phản lực của luồng khí này Hơn nữa, cánh quạt lớn này cũng giúp hút được 1 lượng nhiều khí hơn Vì thế nó giúp tạo ra nhiều lực đẩy hơn Giúp tiết kiệm nhiên liệu một cách tương đối so với động cơ tuabin phản lực luồng Đó cũng là lý do vì sao động cơ tuabin phản lực cánh quạt rất được ưa chuộng Độ ồn tạo ra bởi ĐCPL phụ thuộc chủ yếu vào vận tốc khí phụt ra Vì đối với ĐC tuabin phản lực cánh quạt, luồng khí nóng (qua các tầng nén / cháy / tuabin) và luống khí lạnh (luồng ngoài) trộn lẫn với nhau nên vận tốc chung phụt ra được giảm đi đáng kể Russian: Такой двигатель называют турбовентиляторным (или турбореактивным двухконтурным: ТРДД) Фактически все коммерческие авиалайнеры оснащены именно ими Турбовентиляторный двигатель прогоняет огромный поток воздуха по внешнему контуру Ссужающийся канал внешнего контура обеспечивает хорошую скорость потока В турбовентиляторном двигателе бо́льшая часть тяги поступает от вентилятора К тому же вентилятор значительно улучшает приток воздуха, засасывая бо́льший объем Это также улучшает тягу В других выражениях, мы получаем бо́льшую тягу при меньшем расходе топлива Вот почему турбовентиляторные двигатели являются высокоэкономичными Шум, производимый турбореактивными двигателями, сильно зависит от скорости исходящего потока А так как турбовентиляторный двигатель смешивает на выходе медленный холодный поток с быстрым горячим, шум двигателя уменьшается. English: such engines are called Turbofan engines and almost every commercial aircraft run on them a Turbofan engine bypass is a huge amount of air The ever narrowing bypass duct provides a good jet velocity to the bypassed air in a turbofan engine the majority of the thrust force comes from the fans reaction force further the fan greatly improves Airflow in the system by sucking in more air Thus it helps to improve the thrust This means high thrust creation with an expense of slightly more fuel This is [the] reason why Turbofan engines are highly fuel economical The noise produced by a jet engine is highly dependent on the exit jet velocity Since in a turbofan the bypassed cold air gets mixed with the hot air it is possible to keep the outlet velocity within a limit Romanian: prin montarea unui ventilator mare cu unitatea de componente rotative de presiune joasă. Asemenea motoare se numesc motoare turbo-exhaustoare și aproape toate aeronavele comerciale rulează cu ele. Un motor turbo-exhaustor este ocolit de o cantitate imensă de aer. Conducta care se îngustează din ce în ce mai mult asigură o viteză bună a jetului pentru aerul ocolit. Într-un motor turbo-exhaustor majoritatea forței de de împingere provine de la forța de reacție a ventilatoarelor. În plus, ventilatoarele îmbunătățesc foarte mult fluxul de aer din sistem prin aspirarea de mai mult aer, astfel, acestea ajută la îmbunătățirea tracțiunii. Aceasta înseamnă crearea de forță mare, cu consumul a puțin mai mult combustibil. Acesta este motivul pentru care motoarele turbo-exhaustoare sunt extrem de economice. Zgomotul produs de un motor cu reacție este în mare măsură dependent de viteza jetului de ieșire. Dat fiind că, într-un turbo-exhaustor, aerul rece răcit ocolit se amestecă cu aerul fierbinte, este posibilă menținerea vitezei de ieșire într-o limită. Portuguese: um aprimoramento revolucionário foi feito nesse motor ao adaptar um leque largo no eixo de baixa pressão tais arranjos são chamados de motores turbofan e quase todas as aeronaves comerciais o utilizam um motor turbofan rejeita uma enorme quantidade de ar o duto que tende a se estreitar dá uma boa velocidade ao ar rejeitado em um motor turbofan boa parte da força de impulso vem da força de reação dos leques além disso o leque aprimora de maneira significativa o fluxo de ar no sistema por sugar mais ar portanto ajuda a aprimorar o impulso isso significa que será necessário consumir apenas um pouco de combustível para ter um impulso aprimorado e essa é a razão dos motores turbofan serem altamente econômicos o barulho produzido por um motor a jato depende significantemente da velocidade de saída do ar uma vez que no turbofan o ar frio rejeitado acaba se misturando com o ar quente é possível manter a velocidade de saída dentro de um limite Chinese: 因此它克服了噪音问题 (由于)有着更安静的排气和更好的燃油经济性 涡扇发动机将继续主导飞机的推进系统 我们希望本期视频为喷气式发动机的工作提供了一个良好的介绍 感谢观看 Vietnamese: Độ ồn vì thế cũng được cải thiện theo. Vì thế, hiện nay ĐC tuabin phản lực cánh quạt thống lĩnh thị trường máy bay thương mại Hy vọng video này bổ ích đối với các bạn English: Thus it overcomes the noise problem With quieter exhaust and better fuel economy the turbofan engines continued to dominate aircraft propulsion systems We hope this provided a nice introduction to the working of jet engines. Thank you for watching this video Turkish: Böylece gürültü sorununun üstesinden gelinmiş olur. Daha sessiz hava çıkışı ve daha iyi yakıt ekonomisi özellikleri sayesinde turbofan motorları uçak endüstrisindeki taşıma sistemleri arasında egemen olmaya devam edecektir. Umarız ki,bu video jet motorlarına iyi bir giriş yapmanızı sağlamıştır. İzlediğiniz için teşekkürler. -Çeviren:Mert Kırımgeri- Romanian: Astfel depășește problema zgomotului. Cu o evacuare mai silențioasă și o mai bună economie de combustibil, motoarele turbo-exhaustoare au continuat să domine sistemele de propulsie ale aeronavelor. Sperăm că aceasta v-a oferit o introducere frumoasă în funcționarea motoarelor cu reacție. Vă mulțumim pentru vizionarea acestui videoclip! Russian: Это частично решает проблему шума Менее шумные и более экономичные турбовентиляторные двигатели доминирует в авиастроении Надеемся, вы узнали много нового о работе реактивных двигателей Спасибо за просмотр Portuguese: superando assim o problema com o barulho com um escapamento menos barulhento e um consumo menor de combustível, os motores turbofan continuam dominando o sistema de propulsão das aeronaves esperamos ter fornecido uma boa introdução para o funcionamento de motores a jato. Obrigado por assistir esse vídeo. Korean: 더욱이, 그것은 소음문제를 극복할 수 있습니다. 소음의 감소와 더 좋은 연비가 충족된다면 항공기 추진 시스템에 대한 터보 팬 엔진의 지배는 지속될 것입니다. 우리는 이것이 제트엔진의 작동원리에 대한 좋은 소개를 제공했기를 바랍니다. 영상을 봐주셔서 감사합니다.
{ "pile_set_name": "YoutubeSubtitles" }
I'm just going give you a little background on who I am and where I'm coming from, and why I've made some of the decisions I been making. So I did my PhD in Boston, which is where I am now. I do like it there. I was in a speech and hearing biosciences technology program, and that was a program originally designed for teaching engineers to be speech and hearing scientists. It worked pretty well. I decide to stay, and I worked at the MGH voice center. Four out of my five years as a doctoral student, I was funded on a T32, and I had no idea what writing a grant meant. I wrote a dissertation proposal, which I'm sure you all agree is nothing like a real grant. And no one ever told me I should write an F31. Because we had four years of funding, and I was in a funded lab, and they only had to fund me for one year. Why would I waste my time writing a grant? Honestly, I know that sounds ridiculous to the people in this room. But it seriously never occurred to me. I thought about it, a little bit, before I finished because I was looking for a postdoc, and some people asked me if I had grant writing experience. And I'm like, "Yeah, I read some grants. They were great." And lucky for me, I found a position at the University of Washington. I was actually on a T32, again, in their rehabilitation medicine department, and I was working with an adviser on a neuro-robotics laboratory which was in computer science. And lucky for me, I was on a T32, and she was also very well funded from NSF and NIH, and she's like, don't waste your time writing a grant. So, as I started applying for jobs, I began to realize exactly how much trouble I was in. Because I would do phone interviews and I would go to jobs, and they'd be like, "Yeah, your publications look great. So, you've been applying for grants, right? You just haven't been funded yet." I'm like, "Hmm. Okay." I was lucky enough to get a job at BU because they didn't know any better, I suppose. So the whole summer before I was going to start, I had finally gotten the memo that I was in big trouble, and I started writing grants like it was my job. Which as it turns out, it is my job to write grants. So, I started my first year on the tenure-track, and in the fall I taught my first course. And I'm mentioning that because also, because I was on T32s, I never had to teach. So I taught my first course the fall of my first year. And for those of you who are yet to negotiate your first year on the tenure-track, many times they will let you negotiate a semester off. Some brilliant person had given me the advice that I should ask for that semester off to be the spring of my first year. Do that. That is an excellent idea. So I taught right away, even though I was terrible and didn't know anything about teaching, it gave me time for everything to arrive in my lab and to train the undergrads. That's the big thing here. I was training new undergrads. That was really easy for me because because even though I wasn't writing grants, I was doing something during my postdoc, and that was mentoring about seven undergrads. My adviser left to go work for Google while I was a postdoc, and left me in charge of her lab. Which was interesting because it was a robotics lab, and I was trying to learn robotics, not mentor her several doctoral students. And all of the undergrads that she and I could hire, which was very useful, it gave me the experience that when I started my new lab I didn't have any doctoral student, I didn't have any support, but I had a bunch of free undergrads and I knew how to tell them how to do something. I got my ASHFoundation new investigators grant that year, which was awesome. It's the reason I was allowed to come to Lessons for Success my first year. And I also submitted my R03, which was based on work I had done as a doc student and also as a postdoc. And I think that that helped it make it look a little more legitimate. Someone mentioned, "Will they believe I can do that?" And I think, and in my case at least, I think a reason they thought I could was but because all the publications weren't with my doctoral mentors. There were some that came after. So I was be only continuing factor in there. So I think it looked a little more believable. I came to Lessons for Success. Which was amazing. Everyone says that, so believe it. My R03 was not funded. It had what I thought was an embarrassingly terrible score. It was a 44. And I know now, what Bob Hillman told me at the time was, "Forty- four. That means don't stop trying." Great. A 44 is what, a D if you take the whole scale. It was humiliating. One of the things that I realized having failed in my R03, and having it reviewed here. Which I think you guys are reviewing my grant again, which is more room for embarrassment. I sat there and I listened to people really rip my R03, even worse than the real reviewers had. Which is when I realized that nobody outside of my collaborators read this. It wasn't that I didn't try. I tried, I sent it to people. It's not their job to read your grant, right? You have to beg, borrow, and steal to get someone to put their eyes on these things. They're long. The margins are half an inch. No one wants to read this. So I came back from Lessons for Success and I was really depressed. I'm bad at this. I don't know what I'm doing. I don't have a mentor now -- not a supervisor. I wasted all those years of training, not having supervisors read my work because I didn't know I was supposed to be writing grants. And now I'm in trouble. So I went to my dean at the time, and I told her, "You have to hire someone to read my grants." I actually had this conversation. And she's like, "Who?" She's an interesting woman, and she's at least entertaining this. And I had identified someone. He was a research professor at BU. He had something like $30 million in grants over his career. He's been writing to fund himself his whole life, and they were at a low point and he needed some effort covered, so she hired him to mentor all the junior faculty in our college. And he reads our grants. It's awesome. So that was really helpful. I picked up my first PhD student, which was fantastic. I put in so many small grant submissions. I was writing grants pretty much 70 percent of the time. And I got some of them, and I failed at many of them. And I hired a lab manager. Which, if you have the funds to do so, is a really marvelous idea. If you do experimental work -- I was the one managing Google calendar and scheduling subjects, while I write all those grants. It was horrible, and I didn't even realize how inexpensive it can be to get someone to help you with those things. So, interlude. Year 1, I looked this up, I submitted 13 grants in my first year. I didn't get very many of those. And 13 was hard ,and so I got some advice from Frank Guenther who is in my department. Because I'm a pessimistic person, he's like, "You have to celebrate every step of grants. You should celebrate when you turn one in. Because that's a good job. You should celebrate when it gets reviewed, even if it doesn't get reviewed. And you should celebrate when you think you might get it, because by the time you get it, it really not interesting anymore." And the side note to this is that given where the funding rates are, every time you don't get a grant, you're just ten percent closer to a success. And I do realize that statistics don't work that way. But if you think about it, it works that way. Definitely. So every time you fail, you have to go have a drink. So then in Year 2, I had a lot of failures. In that fall I submitted three grants all on the same project. It was an aging project. Aging and physiology of neck motor control. Scintillating. I sent it to the American Federation for Aging Research, and they don't give you reviews so it's hard to tell how much they hated it. They just didn't fund it. In the meantime, I had been talking so this kind of related to swallowing theoretically, and Lana said it wasn't appropriate for NIDCD. So I found someone at Aging to talk to who thought it would be interesting. I told her about my idea, I was going to submit an R21, and she's like, "Yeah. Have you thought about our K01?" Which I hadn't because I'm not eligible for any of the Ks at NIDCD, and I had them sort of out of my brain. And she said, "You should really think about it." And we talked about it, and I'm like, "So I should submit a K this fall instead of an R21." And she's like, "No, no. You can submit both. You can submit the same aims, it's okay." I checked it out, I knew someone who had done this before, they year before. So I did. I wrote two grants for the same deadline. They were pretty similar, so it shouldn't count as two -- one and a half. And that was the worst fail of all because actually the R21 was not even funded. Definitely not funded. It was not even scored. And right after they didn't score it, they sent me a note yelling at me about how it was illegal to send in both of them, even though the program director had told me to. So don't do that. Apparently it used to be okay -- actually it might be okay again, because you can have multiple submissions now. Anyway, at the time that was definitely a bad fall. Then in the spring, I failed at an NSF. I tried a different R21 on a different project, that also failed. But my R03 got funded. Yay! That R03 got funded partially because of the amazing eyes that I had on it at Lessons for Success. I guess, since they didn't read any of those other failures, it's not their fault. I got a small local grant for some of my other work. Failed at ASHFoundation. And then I failed at an NSF career grant. And added my first postdoc. The reason I want to tell you about all the different times that I failed, is because I'm used to it, but you might not be. I think there are a lot of Type A personalities in communication disorders. A lot of people who have gotten a lot of As, and I've gotten a lot of not-As. So, I'm really used to failing. So, I would encourage you to not take failure as a personality trait, but as something that has to happen. Many times. So then in the fall, I had a nice talk with Roger Miller at NIDCD, and he said, "Stop writing grants. I don't want to see any more R21s from you, ever." I know, people don't believe he said it, but he did. So now my focus is enjoying my R03 and my Foundation money. I'm going to keep trying with NSF because I got some really positive feedback, just not funded feedback. And to start prepping an R01 to submit in the next year and a half, I hope. I've added two new PhD students, which brings me to three, which is a large but optimal number in my opinion. And this spring, I have resubmitted one of my NSFs and am prepping my career award resubmit. I added postdoc number two, and I'm still prepping that R01. And right now I'm here talking to you. So as I mentioned, I don't have any answers. But I'm just letting you know where I'm coming from and the things I'm trying in case you want to try them too. And now I have some tips, because they gave me a soapbox: Listen to yourself, but listen to others. Everyone kept telling me not to do this neck motor control thing. And I didn't listen to any of them. And by everybody, I mean, at least six or seven people that I respect a lot. When that many people tell you it's a dumb idea, you should just stop. You're not always right. I was wrong, and I wasted a lot of time and effort on that. Go deep, but stay broad. People tell me I lacked focus. And to some degree they are correct. But on the other hand, I think having multiple lines of projects is smart. Because there are different agencies because just because you think it's a good idea you could be wrong. Or even if you're right, someone else may not believe you. I think it helps to have multiple things going on, as long as they are complementary. And you should tell everyone what you're doing. Because you never know what skills or contacts that they might have that could help you. Early and often. Share. One way that I found that doesn't really work with senior faculty, but with other junior faculty, volunteer to read their stuff and then later when you ask them, they'll know they owe you. Sit on a panel as soon as possible. I've been moderately successful at this. For NIH, no success. If you haven't already, send your CV immediately to be an early career reviewer for NIH. I know they do ask some people. Not me. What I have been successful with is getting on NSF panels, which has been amazing. I wish so much I could of done that before I bothered to send the first grant because it's like making sausage. It's amazing just to see what they're really looking for and getting the practice in reading the grants. So I've done that a couple of times and feel a lot more comfortable. And NSF is really open to having new people go. I volunteered there and a year went by and nothing happened. Then another somewhat junior, maybe sixth year junior assistant professor who I'm friends with mentioned, "Oh, they ask me all the time, it's so annoying. I can't go again." And I'm like, "Why don't you send them my name?" And she did, and they called me in a week later. So, if you know anybody who reviews for NSF, have them send your name in and that might work better. Don't take it personally when people don't want to talk to you. Like program directors. They don't always want to talk to you, and it is not personal, and if you keep trying, eventually of you'll find the right person and find someone who can give you the good information. Make your work accessible. I heard this a few different times. I think it's still relevant for NIH. But for NSF, having an up to date website matters. Having your papers accessible on your website matters. I heard this from people who are NSF funded, but then when I was on panels, literally, as people review they will be a discussion about whether something is really true, or whether whatever, and they go on the website and they look. They take a lot of time while they are reviewing these things and they will look up and see what you have on your website. So make sure it matches what you wrote on the grant. This is really random, but it really works for me. I waste an entire wall of my office with this whiteboard. This is a random shot of my urgent-yes/urgent-no, important-yes/important-no. And its helps me figure out what I'm allowed to do that day. And helps me not to do the urgent not important at all things, or at least to put them off for a little longer. And outsourcing. Obviously, I mentioned I'm actively trying to get grad students, postdocs. So it's clear that I think that's an important step. Not just because the education is important, but because teaching them once really does save you in the long run. If you get good students. Getting what you need: Ask for it. I asked for someone to be hired 20 percent, and she actually did it, and then six months later, I asked for endoscopy equipment that wasn't included in my startup, and I said "the college needs it for this reason and this reason." And she bought it. If you have a good reason, and you're strategic -- I mean, I didn't wait a week in between the two big things I asked for -- and explain why, and have a solution. So don't just go and complain. I didn't just go and say, "Ugh. No one will read my grants, it's so annoying." I said, "No one will read my grants, hire this guy to read my grants." And if you give them a to-do, and they have the ability to do it, they want you to succeed, and it might work. Which is actually the topic I was asked to speak about. Catch up on sleep later. When I was here, you know you have to be down in the lobby at 7:30. And they are going to keep you busy all day. There will not be three minutes break. And then you're going to have dinner. And you're going to want to network and do all these things. And in the back of your mind, you're like I have to grade this, and I need to go back, and you've got like fifty new emails. Just do that later tonight. Like way later. Don't think about it. Don't try to multitask, or you won't get enough out of the experience. Or don't answer e-mails, and go back to work on your aims more. Because after you talk to your mentor, you're going to want to do as much as you can here with them. One last thing, inspired by Will, who was a doctoral student at BU who asked me six months ago why he should have to do a postdoc. Here's why I think you should do a postdoc. Because you get more mentors and more sponsors that you can send your aims to later, who might feel some reason to read them for you. You can obtain a brand-new network, especially if you move out of the same institution or city. You get to practice starting from scratch, with a lot less pressure than a tenure-track job. When you start a new job, it's not just starting that new job. It's starting everything new about it. Where's the copier? How do I do the most mundane things that were easy in my last job? Practicing that, it's a skill, and you'll be better at it when you start your tenure track job. Practice with research mentoring. So in my case having all those undergrads to mentor was really helpful. Getting pilot data and grant writing experience. I sort of failed on that one, but you don't have to. Building your CV so you can get a better tenure-track job. So that you have all those publications and you can compete with other people who didn't do a postdoc. And to distinguish yourself from your PhD supervisor. And for me, I think that's the big one. If you go right out then you're just, no offense, a more junior version of your PhD mentor. And do you want to be writing grants that get reviewed in teh same cycle as them? You need some other skills to add to that to make you the next best thing.
{ "pile_set_name": "YoutubeSubtitles" }
Estou curioso: quantos de vocês se consideram muçulmanos devotos? Deixem-me ver suas mãos,não quero destacar ninguém...mas não são muitas... Vocês estão todos cientes,claro,de que o Corão existe e alega ser a palavra perfeita do criador do Universo... estão cientes de que,uma vez tendo ouvido esta possibilidadee a rejeitado,vocês todos irão para o inferno,pela eternidade? É desnecessário dizer,Dr. Craig e eu iremos ambos para O inferno caso essa visão seja verdadeira. O problema é que tudo o que o Dr.Craig disse hoje à noite,com poucas modificações, poderia ser dito em defesa do Islã,e de fato foi dito em defesa do Islã. A lógica é exatamente a mesma: “Nós temos um livro que alega ser a palavra do criador do universo. Ele nos fala acerca da natureza da realidade moral e de como viver de acordo com ela.” Mas e se os muçulmanos estiverem certos?E se o Islã for verdadeiro? Como deveríamos ver Deus em termos morais? Como nós veríamos Deus em termos morais,ou eu deveria dizer,Alá? Nós nascemos no lugar errado,com os pais errados,nos foi dada a cultura errada,e a teologia errada. Desnecessário dizer,Dr.Craig está condenado.Ele foi completamente confundido pelo cristianismo. Só imaginem a péssima posição em que ele está para apreciar a verdadeira palavra de Deus... Eu fui completamente enganado pela ciência... Onde está a compaixão de Alá? Ainda assim,ele é onipotente;ele poderia mudar isso em um instante. Ele poderia nos dar um sinal que convenceria todos que estão neste recinto. E ainda assim ele não fará isso.E o inferno espera. E o inferno espera nossos filhos,porque não podemos evitar enganar nossos filhos. Agora,segure essa visão na sua mente,e então avalie o quão pouco sono você perdeu pensando nisso. Apenas sinta neste momento o quão despreocupado você está,e continuará a estar,em face desta possibilidade. Quais são as chances de todos nós irmos para o inferno,pela eternidade, por não termos reconhecido o Corão como a perfeita palavra do criador do universo? Por favor, saiba que é exatamente assim como O cristianismo é percebido... por alguém que não foi doutrinado por ele.
{ "pile_set_name": "YoutubeSubtitles" }
FRIDAY FRIDAY EVERYBODY. FRIDAY EVERYBODY. THIS FRIDAY EVERYBODY. THIS ONE'S FRIDAY EVERYBODY. THIS ONE'S FOR FRIDAY EVERYBODY. THIS ONE'S FOR ALL FRIDAY EVERYBODY. THIS ONE'S FOR ALL THE FRIDAY EVERYBODY. THIS ONE'S FOR ALL THE DAY FRIDAY EVERYBODY. THIS ONE'S FOR ALL THE DAY BREAKERS FRIDAY EVERYBODY. THIS ONE'S FOR ALL THE DAY BREAKERS WORKING FRIDAY EVERYBODY. THIS ONE'S FOR ALL THE DAY BREAKERS WORKING FROM FRIDAY EVERYBODY. THIS ONE'S FOR ALL THE DAY BREAKERS WORKING FROM HOME. FRIDAY EVERYBODY. THIS ONE'S FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT FRIDAY EVERYBODY. THIS ONE'S FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT DO FRIDAY EVERYBODY. THIS ONE'S FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT DO YOU FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT DO YOU FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT DO YOU MISS FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT DO YOU MISS MOST FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT THE FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT THE OFFICE? FOR ALL THE DAY BREAKERS WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT THE OFFICE? IS WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT THE OFFICE? IS WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT THE OFFICE? IS IT WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT THE OFFICE? IS IT YOUR WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS MAYBE WORKING FROM HOME. WHAT DO YOU MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS MAYBE GETTING MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS MAYBE GETTING MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS MAYBE GETTING OUT MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS MAYBE GETTING OUT OF MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS MAYBE GETTING OUT OF THE MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS MAYBE GETTING OUT OF THE HOUSE? MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS MAYBE GETTING OUT OF THE HOUSE? HOW MISS MOST ABOUT THE OFFICE? IS IT YOUR COWORKERS MAYBE GETTING OUT OF THE HOUSE? HOW ABOUT IT YOUR COWORKERS MAYBE GETTING OUT OF THE HOUSE? HOW ABOUT IT YOUR COWORKERS MAYBE GETTING OUT OF THE HOUSE? HOW ABOUT HAVING IT YOUR COWORKERS MAYBE GETTING OUT OF THE HOUSE? HOW ABOUT HAVING AN IT YOUR COWORKERS MAYBE GETTING OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL IT YOUR COWORKERS MAYBE GETTING OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL OFFICE? IT YOUR COWORKERS MAYBE GETTING OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL OFFICE? LET'S OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL OFFICE? LET'S OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL OFFICE? LET'S BRING OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL OFFICE? LET'S BRING IN OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR RESIDENT OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR RESIDENT WORK OUT OF THE HOUSE? HOW ABOUT HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR RESIDENT WORK FROM HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR RESIDENT WORK FROM HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR RESIDENT WORK FROM HOME. HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR IS HAVING AN ACTUAL OFFICE? LET'S BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR IS HERE BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR IS HERE BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR IS HERE WITH BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR IS HERE WITH A BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR IS HERE WITH A REVEALING BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR IS HERE WITH A REVEALING LOOK BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR IS HERE WITH A REVEALING LOOK AT BRING IN OUR RESIDENT WORK FROM HOME. ROCHELLE PURYEAR IS HERE WITH A REVEALING LOOK AT THIS HOME. ROCHELLE PURYEAR IS HERE WITH A REVEALING LOOK AT THIS HOME. ROCHELLE PURYEAR IS HERE WITH A REVEALING LOOK AT THIS NEW HOME. ROCHELLE PURYEAR IS HERE WITH A REVEALING LOOK AT THIS NEW SURVEY. HOME. ROCHELLE PURYEAR IS HERE WITH A REVEALING LOOK AT THIS NEW SURVEY. SOME HOME. ROCHELLE PURYEAR IS HERE WITH A REVEALING LOOK AT THIS NEW SURVEY. SOME INTERESTING WITH A REVEALING LOOK AT THIS NEW SURVEY. SOME INTERESTING WITH A REVEALING LOOK AT THIS NEW SURVEY. SOME INTERESTING STUFF WITH A REVEALING LOOK AT THIS NEW SURVEY. SOME INTERESTING STUFF HERE WITH A REVEALING LOOK AT THIS NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. WITH A REVEALING LOOK AT THIS NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. YEAH. WITH A REVEALING LOOK AT THIS NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. YEAH. DAN NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. YEAH. DAN NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. YEAH. DAN ,IT NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT WORK NEW SURVEY. SOME INTERESTING STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT WORK FROM STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT WORK FROM STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT WORK FROM HOME STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT WORK FROM HOME FOLKS STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE SHELLING STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE SHELLING OUT STUFF HERE MICHELLE. YEAH. DAN ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE SHELLING OUT THE ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE SHELLING OUT THE ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE SHELLING OUT THE BIG ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE SHELLING OUT THE BIG BUCKS ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE TALKING ,IT TURNS OUT THAT WORK FROM HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE TALKING SHOE HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE TALKING SHOE HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE TALKING SHOE MONEY HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE TALKING SHOE MONEY TO HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE TALKING SHOE MONEY TO GET HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME HOME FOLKS ARE SHELLING OUT THE BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME OFFICE BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME OFFICE BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME OFFICE UP BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME OFFICE UP TO. BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME OFFICE UP TO. LET'S BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME OFFICE UP TO. LET'S TALK BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME OFFICE UP TO. LET'S TALK ABOUT BIG BUCKS WE'RE TALKING SHOE MONEY TO GET THAT HOME OFFICE UP TO. LET'S TALK ABOUT IT. MONEY TO GET THAT HOME OFFICE UP TO. LET'S TALK ABOUT IT. MONEY TO GET THAT HOME OFFICE UP TO. LET'S TALK ABOUT IT. ACCORDING MONEY TO GET THAT HOME OFFICE UP TO. LET'S TALK ABOUT IT. ACCORDING TO MONEY TO GET THAT HOME OFFICE UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE MONEY TO GET THAT HOME OFFICE UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY MONEY TO GET THAT HOME OFFICE UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY FROM UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY FROM UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY FROM THE UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY FROM THE WEB UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY FROM THE WEB SITE. UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS IS UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS IS WHY UP TO. LET'S TALK ABOUT IT. ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS IS WHY I'M ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS IS WHY I'M ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS IS WHY I'M BROOKS ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS IS WHY I'M BROOKS X ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS IS WHY I'M BROOKS X 3 ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS IS WHY I'M BROOKS X 3 THOUSAND ACCORDING TO THE SURVEY FROM THE WEB SITE. THIS IS WHY I'M BROOKS X 3 THOUSAND EMPLOYEES THE WEB SITE. THIS IS WHY I'M BROOKS X 3 THOUSAND EMPLOYEES THE WEB SITE. THIS IS WHY I'M BROOKS X 3 THOUSAND EMPLOYEES ABOUT THE WEB SITE. THIS IS WHY I'M BROOKS X 3 THOUSAND EMPLOYEES ABOUT THEIR THE WEB SITE. THIS IS WHY I'M BROOKS X 3 THOUSAND EMPLOYEES ABOUT THEIR SPENDING. THE WEB SITE. THIS IS WHY I'M BROOKS X 3 THOUSAND EMPLOYEES ABOUT THEIR SPENDING. THEY BROOKS X 3 THOUSAND EMPLOYEES ABOUT THEIR SPENDING. THEY BROOKS X 3 THOUSAND EMPLOYEES ABOUT THEIR SPENDING. THEY FOUND BROOKS X 3 THOUSAND EMPLOYEES ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS BROOKS X 3 THOUSAND EMPLOYEES ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS DROPPED BROOKS X 3 THOUSAND EMPLOYEES ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS DROPPED ABOUT ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS DROPPED ABOUT ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS DROPPED ABOUT 1 ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED AND ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED AND NINETY ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED AND NINETY DOLLARS ABOUT THEIR SPENDING. THEY FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED AND NINETY DOLLARS ON FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED AND NINETY DOLLARS ON FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED AND NINETY DOLLARS ON NEW FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE EQUIPMENT. FOUND VIRGINIANS DROPPED ABOUT 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE EQUIPMENT. COMPARE 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE EQUIPMENT. COMPARE 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE EQUIPMENT. COMPARE THAT 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED AND 1 HUNDRED AND NINETY DOLLARS ON NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED AND SEVENTY NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED AND SEVENTY NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED AND SEVENTY DOLLARS NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA NEW OFFICE EQUIPMENT. COMPARE THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA AND THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA AND THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA AND UP THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA AND UP TO THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA AND UP TO MORE THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA AND UP TO MORE THAN THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA AND UP TO MORE THAN 2 THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA AND UP TO MORE THAN 2 HUNDRED THAT TO 1 HUNDRED AND SEVENTY DOLLARS IN NORTH CAROLINA AND UP TO MORE THAN 2 HUNDRED AND DOLLARS IN NORTH CAROLINA AND UP TO MORE THAN 2 HUNDRED AND DOLLARS IN NORTH CAROLINA AND UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN NORTH CAROLINA AND UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS DOLLARS IN NORTH CAROLINA AND UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN DOLLARS IN NORTH CAROLINA AND UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN PENNSYLVANIA UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN PENNSYLVANIA UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN PENNSYLVANIA .SOME UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN PENNSYLVANIA .SOME OF UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE SETUPS UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE SETUPS HAVE UP TO MORE THAN 2 HUNDRED AND THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE SETUPS HAVE TO THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE SETUPS HAVE TO THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE SETUPS HAVE TO BE THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE SETUPS HAVE TO BE PRETTY THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE SETUPS HAVE TO BE PRETTY SWEET THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE SETUPS HAVE TO BE PRETTY SWEET BECAUSE THIRTY DOLLARS IN PENNSYLVANIA .SOME OF THESE SETUPS HAVE TO BE PRETTY SWEET BECAUSE 2 .SOME OF THESE SETUPS HAVE TO BE PRETTY SWEET BECAUSE 2 .SOME OF THESE SETUPS HAVE TO BE PRETTY SWEET BECAUSE 2 THIRDS .SOME OF THESE SETUPS HAVE TO BE PRETTY SWEET BECAUSE 2 THIRDS OF .SOME OF THESE SETUPS HAVE TO BE PRETTY SWEET BECAUSE 2 THIRDS OF PEOPLE .SOME OF THESE SETUPS HAVE TO BE PRETTY SWEET BECAUSE 2 THIRDS OF PEOPLE SURVEYED .SOME OF THESE SETUPS HAVE TO BE PRETTY SWEET BECAUSE 2 THIRDS OF PEOPLE SURVEYED THEY BE PRETTY SWEET BECAUSE 2 THIRDS OF PEOPLE SURVEYED THEY BE PRETTY SWEET BECAUSE 2 THIRDS OF PEOPLE SURVEYED THEY PREFER BE PRETTY SWEET BECAUSE 2 THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR BE PRETTY SWEET BECAUSE 2 THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME BE PRETTY SWEET BECAUSE 2 THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME OFFICE BE PRETTY SWEET BECAUSE 2 THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME OFFICE AND THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME OFFICE AND THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME OFFICE AND NEARLY THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME OFFICE AND NEARLY THE THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME OFFICE AND NEARLY THE SAME THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT WANT THIRDS OF PEOPLE SURVEYED THEY PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT WANT TO PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT WANT TO PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT WANT TO WORK PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT WANT TO WORK FROM PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR THE PREFER THEIR HOME OFFICE AND NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR THE REST NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR THE REST NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR THE REST OF NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR THE REST OF THE NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR THE REST OF THE YEAR. NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR THE REST OF THE YEAR. AND NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR THE REST OF THE YEAR. AND NO NEARLY THE SAME AMOUNT WANT TO WORK FROM HOME FOR THE REST OF THE YEAR. AND NO SURPRISE WORK FROM HOME FOR THE REST OF THE YEAR. AND NO SURPRISE WORK FROM HOME FOR THE REST OF THE YEAR. AND NO SURPRISE HERE WORK FROM HOME FOR THE REST OF THE YEAR. AND NO SURPRISE HERE MOST WORK FROM HOME FOR THE REST OF THE YEAR. AND NO SURPRISE HERE MOST JUST WORK FROM HOME FOR THE REST OF THE YEAR. AND NO SURPRISE HERE MOST JUST ABOUT WORK FROM HOME FOR THE REST OF THE YEAR. AND NO SURPRISE HERE MOST JUST ABOUT 85 WORK FROM HOME FOR THE REST OF THE YEAR. AND NO SURPRISE HERE MOST JUST ABOUT 85 PERCENT OF THE YEAR. AND NO SURPRISE HERE MOST JUST ABOUT 85 PERCENT OF THE YEAR. AND NO SURPRISE HERE MOST JUST ABOUT 85 PERCENT OF OF THE YEAR. AND NO SURPRISE HERE MOST JUST ABOUT 85 PERCENT OF THOSE OF THE YEAR. AND NO SURPRISE HERE MOST JUST ABOUT 85 PERCENT OF THOSE PEOPLE OF THE YEAR. AND NO SURPRISE HERE MOST JUST ABOUT 85 PERCENT OF THOSE PEOPLE THAT OF THE YEAR. AND NO SURPRISE HERE MOST JUST ABOUT 85 PERCENT OF THOSE PEOPLE THAT WERE HERE MOST JUST ABOUT 85 PERCENT OF THOSE PEOPLE THAT WERE HERE MOST JUST ABOUT 85 PERCENT OF THOSE PEOPLE THAT WERE SURVEYED HERE MOST JUST ABOUT 85 PERCENT OF THOSE PEOPLE THAT WERE SURVEYED IN HERE MOST JUST ABOUT 85 PERCENT OF THOSE PEOPLE THAT WERE SURVEYED IN THAT HERE MOST JUST ABOUT 85 PERCENT OF THOSE PEOPLE THAT WERE SURVEYED IN THAT STUDY HERE MOST JUST ABOUT 85 PERCENT OF THOSE PEOPLE THAT WERE SURVEYED IN THAT STUDY THAT OF THOSE PEOPLE THAT WERE SURVEYED IN THAT STUDY THAT OF THOSE PEOPLE THAT WERE SURVEYED IN THAT STUDY THAT THEY OF THOSE PEOPLE THAT WERE SURVEYED IN THAT STUDY THAT THEY DID OF THOSE PEOPLE THAT WERE SURVEYED IN THAT STUDY THAT THEY DID WHAT OF THOSE PEOPLE THAT WERE SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR OF THOSE PEOPLE THAT WERE SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY OF THOSE PEOPLE THAT WERE SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY TO SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY TO SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY TO PAY SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY TO PAY THEM SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SO SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SO I'VE SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SO I'VE GOT SURVEYED IN THAT STUDY THAT THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SO I'VE GOT 2 THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SO I'VE GOT 2 THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SO I'VE GOT 2 WORDS THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SO I'VE GOT 2 WORDS FOR THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SO I'VE GOT 2 WORDS FOR THEM. THEY DID WHAT THEIR COMPANY TO PAY THEM BACK. SO I'VE GOT 2 WORDS FOR THEM. EXPENSE
{ "pile_set_name": "YoutubeSubtitles" }
Hey hey, you guys. Here's one for you Let's say none of us were married, alright? If you could have any woman in the world, who would it be? Mariel Hemingway Oh come on. That's not a very good choice She's so jagged No no, I think she's very attractive in a classical kind of way Yeah, but you could cut a roast on here face I would go with Margaret Thatcher Eww. Why the hell Margaret Thatcher? Oh, so nobody here thinks power is sexy? Not one of you finds power sexy?
{ "pile_set_name": "YoutubeSubtitles" }
Hungarian: Hé, Vsauce, én Jake vagyok és akár tetszik a Call of Duty, akár nem, tény, hogy elképesztően népszerű. A legújabb játék a sorozatban a Black Ops 2, amivel eddig több mint 916 millió órát játszottak, ami egy kicsit több, mint 104 ezer év. Percenként 83 ezer ember hal meg a játékban, ami azt jelentené a valóságra vetítve, hogy 6 nap után senki nem maradna életben a világon. Összesen több mint 106 milliárd haláleset történt a Black Ops 2-ben, amely egyenértékű a valaha világra jött emberek 98%-ával. De mi lenne akkor, ha a 916 millió óra játékból csak 1 valódi lett volna? Valódi emberekkel, valódi fegyverekkel, és valós költségekkel. Mivel a játék a jövőben játszódik, napjainkban nem létező felszereléssel, olyan elemekkel fogunk számolni, amiket ma használnak a harcban. Ilyen például a legtöbbet használt gépkarabély az amerikai fegyveres erőknél, az M4-es, aminek darabja 673,47 dollárba kerül, a hozzá tartozó 5.56mm-es lövedék (M855) ára pedig 0,26 dollár. Italian: Ehi, Vsauce, io sono Jake e se ti piace Call of Duty o no, il fatto è che è incredibilmente popolare. L'ultimo gioco della serie, Nero Ops 2, ha oltre 916 milioni ore giocate, che è un po 'più di 104 mila anni. 83.000 persone muoiono ogni minuto del gioco il che significherebbe che, in 6 giorni, non ci sarebbe rimasto nessuno nel mondo. In totale, ci sono oltre 106 miliardi di morti in Black Ops 2, che equivale al 98% di esseri umani che sia mai esistito. Ma, di 916 milioni di ore di gioco giocare, cosa succede se solo uno era reale? Come nel reale persone, armi vere, e costi reali. Dal momento che parti del gioco si svolgono in futuro con attrezzature che non esistono, ci atterremo agli elementi che vengono utilizzati oggi in combattimento. Come il fucile d'assalto più utilizzati le forze armate degli Stati Uniti, la carabina M4, che costa 673,47 dollari un pezzo, e il 5,56 millimetri rotonda utilizza (M855) a 0,26 dollari una cartuccia English: Hey, Vsauce, I'm Jake and whether you like Call of Duty or not, the fact is, it's incredibly popular. The latest game in the series, Black Ops 2, has over 916 million hours played, which is a little more than 104,000 years. 83,000 people die every minute in the game which would mean that, in 6 days, there would be no one left in the world. In total, there are over 106 billion deaths in Black Ops 2, which is equivalent to 98% of humans who have ever existed. But, out of the 916 million hours of game play, what if just one was real? As in real people, real weapons, and real costs. Since parts of the game take place in the future with equipment that doesn't exist, we will stick to items that are used today in combat. Like the most heavily used assault rifle in the US Armed forces, the M4 Carbine, which costs $673.47 a piece, and the 5.56mm round it uses (M855) at $.26 a cartridge Spanish: Hey, Vsauce, soy Jake y si te gusta Call of Duty o no, el hecho es que es increíblemente popular. El último juego de la serie, Black Ops 2, cuenta con más de 916 millones de horas de juego que es un poco más de 104.000 años 83.000 personas mueren cada minuto en el juego lo que significaría que, en 6 días, no quedaría nadie vivo en el mundo. En total, hay más de 106 mil millones de muertes en Black Ops 2, lo que equivale a un 98% de los seres humanos que han existido nunca. Pero, de las 916 millones de horas de juego, ¿que pasaría si sólo una fuera real? Como la realidad personas, armas reales y costos reales. Ya que algunas partes del juego se llevan a cabo en el futuro con equipo que no existe nos atendremos a los elementos que se utilizan hoy en combate como el rifle de asalto más utilizado en las fuerzas armadas de Estados Unidos, la carabina M4, que cuesta $ 673.47 cada una, y la ronda 5.56mm utiliza (M855) a $ 0,26 cada cartucho English: Then, the cost of basic training for a soldier which is around $50,000. Now, let's start small with the ammunition. The US Army used 1.5 billion rounds of small arms ammo for all of 2006. In Call of Duty, an average 88,000,000 shots are fired an hour, so you'd hit 1.5 billion before the end of the day. But, in terms of cost, those 88 million rounds would be $22,800,000. Their weight alone is about the same as the Eiffel Tower...on top of another Eiffel Tower. Then, let's say you get a killstreak and call in some cruise missiles. The Tomahawk Missile is one of the most commonly used, and the tactical version costs $1.45 million per shot- not to mention that you need something to launch it, like a $2 billion submarine, or a $4.5 billion destroyer. But, lets make it simple and use the 20,209 people playing Black Ops 2 on Steam right now as our Army sample size. How much would it cost to get them battle ready and equipped for a one-hour long fight? Well at $50,000 per soldier for training, plus around $17,400 to equip a soldier with Spanish: Luego, el costo de la formación básica de un soldado que cuesta alrededor de $ 50.000. Ahora, vamos a empezar poco a poco con la munición. El Ejército de Estados Unidos utilizó 1,5 mil millones de rondas pequeñas para armas para todo el 2006. En Call of Duty, un promedio de 88.000.000 tiros se dispararon en una hora, por lo que le golpearían a 1.5 mil millones de personas antes de que el día acabase. Pero, en términos de costo, esos 88 millones de rondas serían $ 22.800.000. Su peso único sería casi lo mismo que la Torre Eiffel ... encima de otra torre Eiffel. Entonces, digamos que usted consigue una racha de muertes y llama a algunos misiles de crucero. El Misil Tomahawk es uno de los más utilizados, y la versión táctica cuesta $ 1.450.000 por disparo por no hablar de que se necesita algo para lanzarlo, como un submarino de $ 2 mil millones, o un destructor de $ 4.5 mil millones. Pero, vamos a hacer que sea sencillo y utilizar a las 20209 personas jugando Black Ops 2 en Steam ahora como nuestro tamaño de la muestra del Ejército. ¿Cuánto le costaría conseguir estar listos en la batalla y equipado para una larga lucha de una hora? Bueno en $ 50.000 por soldado para el entrenamiento, más alrededor de $ 17.400 para equipar a un soldado con Italian: Quindi, il costo della formazione di base per un soldato che è di circa $ 50.000. Ora, cominciamo piccola con le munizioni. L'esercito americano utilizzato 1,5 miliardi di cicli di piccola armi munizioni per tutti 2006 In Call of Duty, una media di 88.000.000 colpi vengono sparati un'ora, in modo che ci ha colpito 1,5 miliardi entro la fine del il giorno. Ma, in termini di costo, quei 88 milioni di giri sarebbe stato 22,8 milioni dollari. Il loro peso solo è più o meno come la Torre Eiffel ... in cima di un'altra Torre Eiffel. Quindi, diciamo che si ottiene un killstreak e chiamare in alcuni missili da crociera. Il Missile Tomahawk è uno dei più comunemente usato, e la versione tattica costa 1450 mila dollari per colpo- per non parlare che avete bisogno di qualcosa di lanciarlo, come 2 miliardi di dollari sottomarino, o un 4,5 miliardi dollari distruttore. Ma, lascia rendono semplice e utilizzare il 20.209 persone che giocano Black Ops 2 sulla destra Steam ora come il nostro campione dell'esercito. Quanto costerebbe per farli battaglia pronto e attrezzato per una lunga battaglia di un'ora? Beh a $ 50.000 per soldato per la formazione, più intorno 17,400 dollari per equipaggiare un soldato con Hungarian: Egy katona alapképzésének költsége pedig mintegy 50 ezer dollárba kerül. Most nézzük meg közelebbről a lőszereket! Az amerikai hadsereg 1,5 milliárd kézifegyver töltényt használt el 2006-ban. A Call of Dutyban átlagosan 88 millió lövés dördül el egyetlen óra alatt, tehát a nap vége előtt elérheted az 1,5 milliárdot. De, ami a költségeket illeti, csak ez a 88 millió töltény 22.800.000 dollárba kerülne. Csak a golyók súlya körülbelül ugyanannyi, mint az Eiffel-toronyé ... fölötte egy másik Eiffel-toronnyal. Aztán, mondjuk kapsz egy killstreaket és hozzájutsz néhány cirkáló rakétához. A Tomahawk rakéta az egyik leggyakrabban használt, és a taktikai változata 1,45 millió dollárba kerül lövésenként - arról nem is beszélve, hogy kell valami, amire kilövöd, például egy 2 milliárd dolláros tengeralattjáró, vagy egy 4,5 milliárd dolláros romboló. De egyszerűsítsük le a dolgot és vegyük azt a 20.209 embert, aki épp Steamen játszik a Black Ops 2-vel, mint egy kisebb méretű hadsereg. Mennyibe kerülne őket csatasorba állítani, felkészíteni és felszerelni egy egyórás küzdelemre? Nos, 50 ezer dollár a képzés díja katonánként, valamint mintegy 17.400 dollár felszerelni egyet Hungarian: fegyverrel, golyóálló mellénnyel és a szükséges felszereléssel - már e két tényezővel önmagában legalább 1.362.086.600 dollárba kerülne egy egyórás háború, amely, ami összevetve azzal a 300 millió dollárral, amit az Egyesült Államok költ naponta az iraki és afgán háborúban, eléggé hihetetlen. Eddig több mint 1,9 billió lövés dördült el a Black Ops 2-ben, és amennyiben ezek mind a normál súlyú 5.56mm-es lőszerrel történtek, akkor kb. 362 milliárd kg lőszerről beszélhetünk, vagyis a Föld súlyának 0,000000006%-áról. Hogyan is tudnánk finanszírozni egy órányi hadviselést, ha az $ 1.362.000.000 dollárba kerül? Ha azt vesszük, a játék 22,9 millió példányban kelt el világszerte és egy példány kiskereskedelmi ára 60 dollár, vagyis összesen 1.374.000.000 dollár folyt be belőle, ami elegendő lenne arra, hogy egy órát Call of Dutyzzunk a valóságban, és még 14.000.000 dollár megmarad, amiből csaknem 10 taktikai Tomahawk rakétákat vásárolhatunk. Italian: arma, armatura e necessaria del cambio con solo questi due fattori, ci stanno guardando almeno 1362,0866 milioni dollari per un'ora di guerra, che, rispetto ai 300 milioni di dollari negli Stati Uniti spendono una giornata sulla guerra in Iraq e Afghanistan, è abbastanza incredibile. Attualmente, in Black Ops 2 ci sono stati oltre 1,9 trilioni colpi sparati e, se erano tutti al peso standard di uno 5,56 millimetri tondo, che peserebbe circa 362 miliardi kg, o 6% del peso della Terra. Ora, come potremmo effettivamente finanziare un'ora di guerra che costa 1.362 milioni dollari di dollari? Se si prende i 22,9 milioni di copie del gioco ha venduto in tutto il mondo, con ogni unità al prezzo al dettaglio di $ 60, esso sarebbe pari 1.374 milioni dollari che sarebbe sufficiente a pagare per un'ora della vera chiamata vita of Duty, e vi darà $ 14 milioni di avanzi di comprare quasi 10 Tactical Missili Tomahawk. Spanish: un arma, armadura y el equipamiento necesario, con esos dos factores por sí solos, estaríamos hablando de al menos $ 1,362,086,600 para una hora de guerra, que, en comparación con los $ 300 millones que los Estados Unidos gasta en un día en la guerra en Irak y Afganistán, es bastante increíble. Actualmente, en Black Ops 2 ha habido más de 1,9 billones de disparos y, si estaban todos en el peso estándar de un solo 5.56mm por ronda , pesaría unos 362 mil millones kg, o 6% el peso de la Tierra. Ahora, ¿cómo podríamos realmente financiar una hora de la guerra que cuesta $ 1,362,000,000 de dólares? Si tomas los 22,9 millones de copias del juego vendidas en todo el mundo, con cada unidad en el precio de venta de $ 60, que sería igual a $ 1374 millones lo que sería suficiente para pagar por una hora de la vida real de Call of Duty, y sobrarian $ 14 millones para comprar casi 10 tactical Misiles Tomahawk. English: a weapon, body armor and necessary gear- with those two factors alone, we are looking at at least $1,362,086,600 for one hour of war, which, compared to the $300 million the United States spends a day on the war in Iraq and Afghanistan, is pretty incredible. Currently, in Black Ops 2 there have been over 1.9 trillion shots fired and, if they were all at the standard weight of one 5.56mm round, it would weigh about 362 billion kg, or 6% the weight of Earth. Now, how would we actually fund an hour of warfare that costs $1,362,000,000 dollars? If you take the 22.9 million copies of the game sold worldwide, with each unit at the retail price of $60, it would equal $1,374,000,000 which would be enough to pay for one hour of real life Call of Duty, and give you $14 million leftover to buy almost 10 Tactical Tomahawk missiles. Italian: Ma, al momento dell'acquisto di giochi come Call of Duty, stiamo davvero dando i soldi ai produttori di armi? Il mio amico Mike Rugnetta sull'idea canale PBS fatto un grande video discutendo proprio questo. Essere sicuri di check it out, e, come sempre, grazie per guardare. Spanish: Pero, en la compra de juegos como Call of Duty, ¿estamos realmente dando dinero a los fabricantes de armas? Mi amigo Mike Rugnetta en el Canal Idea PBS hizo un gran vídeo discutiendo precisamente eso. Asegúrese de mirarlo , y como siempre, gracias por vernos. Hungarian: De ha olyan játékokat vásárolunk, mint a Call of Duty,támogatjuk a fegyvergyártókat? A barátom Mike Rugnetta a PBS Idea csatornán készített egy nagyszerű videót, amiben ezt a kérdést feszegeti. Ezt feltétlenül nézd meg, és, mint mindig, köszönet a megtekintésért! English: But, when buying games like Call of Duty, are we actually giving money to gun manufacturers? My friend Mike Rugnetta on the PBS Idea Channel made a great video discussing just that. Be sure to check it out, and, as always, thanks for watching.
{ "pile_set_name": "YoutubeSubtitles" }
German: Herzlich willkommen zu einem neuen Video unserer Anwenderserie. In diesem Praxisbeispiel möchten wir Ihnen ein Projekt vorstellen, welches von Angela Martin durchgeführt wurde. Zur Planung eines neuen Parkettbodens im Kronsaal des Schloss Albrechtsbergs musste eine exakte Bestandsaufnahme der Ist-Situation erstellt werden. Frau Martin wurde beauftragt den Grundriss, die Auslasse der Heizung sowie den Höhenverlauf des Bodens aufzumessen. Das heißt, wir können in unserer Flexijet Software, nachdem wir den Grundriss eingemessen haben, ein Raster auf den Boden legen, dessen Größe wir innerhalb der Software definieren und das Flexijet misst automatisch definierte Messpunkte Punkt für Punkt, so dass eine dreidimensionale Datei entsteht, die mir sogar farbig den Höhenverlauf des English: Scanning floor levels Welcome to a new video of our series “Flexijet 3D in practice”. In this example, our colleague Angela Martin was involved in a project to replace the parquet floor in the coronation room of Schloss Albrechtsberg, where the current ‘as built’ state of the floor needed to be documented.. Mrs. Martin was charged to measure all heater niches and the variation in floor levels. After having measuring the floor plan perimeter, the Flexijet software enables us, to create a grid overlay onto the floor plan. Flexijet then automatically measures floor levels at each grid point and creates 3D coloured data map of the differences German: Bodens anzeigt. Ich habe automatisch den höchsten und tiefsten Punkt und kann das komplett dreidimensional exportieren, in fast jedes Format, dass Sie sich vorstellen können. Nach weniger als drei Stunden hatte Angela Martin eine komplett fertige Aufmaßzeichnung auf dem Computer, die alle Informationen, Bezugspunkte und natürlich auch die Maßpunkte enthält. Diese Datei konnte die Hirschberger Parkett GmbH als Grundlage für Planung, Kalkulation und später natürlich auch Produktionen der Parketthölzer nutzen. Sollten auch Sie Interesse haben so effizient und schnell wie Frau Martin zu arbeiten dann werfen Sie doch einen Blick auf unsere Webseite www.flexijet.info/3d English: in floor levels with defined high and the low points. This 3D data could then be exported into almost any format. After less than three hours Angela Martin had a completed drawing on her laptop including all information, reference points and obviously all measurements. The company Hirschberger Parkett could then use this data as the basis for planning and calculating all requirements for production of the new parquet floor. If you are interested in working as efficiently and quickly as Mrs. Martin, have a look in our website:
{ "pile_set_name": "YoutubeSubtitles" }
What’s up guys, this is Kevan here and today, i’m playing fortnite. Oh! You know what fortnite is, everyone knows fortnite right? I haven't even play it for a while and i havent upload a video as well because I have something else to do and i was sick at that time. This video has no commentary during my gameplay but there’s captions of my reactions. And I'm playing this on solo mode and i will try my best. Ok let’s do this
{ "pile_set_name": "YoutubeSubtitles" }
♪♪ ♪♪ ♪♪
{ "pile_set_name": "YoutubeSubtitles" }
English: Everything we've talked about so far with this startup company selling socks and all of that, has been raising money from an equity. We raised private money-- when the company was private it went to VCs and it went to angel investors, and maybe you could go to your friends and family to raise money. And then the company could go public and raise money from the public markets. But there's actually two ways that a company can raise capital. So this is why this playlist is called capital markets, or it's part of it, the name of raise capital. Capital is just essentially-- I mean the easy way to think about it is you're raising cash that you want to invest in some way to grow your business or to sustain your business or start your business. So everything we talked about so far was equity, and that's essentially selling shares in your company to raise money. And so that's all of those VC examples. The equity investor-- so when you sell equity, you're essentially selling-- you're kind of making that person Chinese: 我们已经谈论过这个卖袜子的小公司, 都是关于融资。 我们融入了私人资金 - 当公司是私人的时候,它 去找了风险投资公司,它去找了天使投资者,也许你 可以去你的朋友和家人来筹集资金。 然后公司上市,从公开市场筹集资金 但实际上,有两种方式,一个 公司可以筹集资金。 所以这就是为什么这个播放列表被称为资本市场,或 筹集资金是它的一部分。 资本基本上是 - 我的意思是容易的方式去考虑它 如果你想扩大,维持或启动你的生意 所以我们迄今为止谈到的都是股权, 基本上就是靠卖股票来融资。 这些都是VC的例子。 股权投资者 - 当你出售股权,你 基本上是在销售 - 你是让购买人买进 - 你知道,股权和股票是一样的 - 你其实是让购买的人 成为了公司的合作伙伴。 因此,如果公司 - 比方说,有两种情况 - 如果 公司破产 - 和我将更多的讨论关于 破产 - 但如果该公司 破产,所有的股东啥都没了。 他们全部清零。 但如果公司有很多长处,股票就 上涨。 因为他们是合作伙伴。 如果这是那个小公司我们之前说到的, 如果它变成Amazon.com,并成为一个数十亿美元的 公司,每个人都做的非常好。 每个人都会分享在这一涨势。 但还有另一种方式来筹集资金,其实这 可能是一般家庭更熟悉的东西。 我的意思是在家庭层面上,你永远不会去融资。 你从来不说,你知道什么 - 你可以,但你不 会说,嘿,我需要买房子,为什么不是我去找 我的有钱朋友,把我房子10%的股权出售 给他,他会成为我家的合作伙伴。 这可能发生,但在大多数情况下它不会。 通常,在个人层面上,你通过 债务融资。 这是有趣的。 因此,债务的好处是 - 让我们从放贷人的角度想想 债务只是借钱。 我想大家都知道借钱是什么。 我去找我的有钱朋友,我说嘿,我可以借1美元么? 一年后我会还给你1.25美元 他说,OK,借给你没问题。 基本上我是答应了将来的某一天把钱还给他。 如果我出售股权,我没有做任何承诺。 我会说,嘿,我有一个伟大的企业,你为什么不给我 1美元,那么你得到了我的生意的20%。 如果我的业务做大了,你会得到20%的 业务利润。 如果我的生意崩了,你的风险是,你什么也得不到 我也什么都得不到 债务说,不管我的生意如何,如果它 很牛,你也只能得到利息。 这是一种好处(upside很难翻)。 因此,好处有限的,对不对? 如果我以9%的利息借钱,你只能 得到9%。 即使我的公司成为下一个谷歌或微软 放贷人也只能得到本金的9% 但是此人有可能得到一百倍汇报 ,因为他们做了一个赌注。 另一方面,这个坏处低得多。 因此,有限的坏处。 因为他们的钱会按一定的还款日程退还给他们 而且他们会在股东之前拿回钱 - 假如, 公司陷入困境的情况下 - 我们会做 整个播放列表来讲破产-房贷人先于股东收回钱。 那么这一切是怎么体现在资产负债表里的呢? 所以让我们说我们有一个上市公司。 如果你想知道在一家公司的财务总监是干啥的, 这是他们做的最主要的决定 我们筹集资金么 - 好了,我们如何做筹集资金,如果我们需要 它,是从股市融资 还是从债市融资? 因此,让我们再用一个公司做例子 比方说,这是其流动资产。 不是流动 - 我不想说流动资产,它的 ,它目前拥有的资产。 流动资产是指另一个的东西,我们以后讨论 它。 但是,假设,这是其资产。 你知道它可能有一些现金在这里。 我们将更详细讨论它。 实际上,我们将看看真实的公司资产负债表 来解读资产负债表上的所有条款。 但是,目前这是资产。 比方说,现在它所有的钱, 都被股权化了。 比方说,它是上市公司。 它没必要一定是。 比方说,其股权, 有1千万股。 另一个有趣的事情,当一个公司的是 上市了 - 请记住,每次当一个公司是私人的时候, 增加了一个股权投资者,他们 他们都要坐下来估值。 这些资产价值多少? 但是很酷的是,当你有一个公开上市 公司,这些股票在交易所上市交易,对么? 假如说,这些股票 纽约证券交易所。 因此,每天你可以去雅虎 财务或其它地方,你可以看一下图表。 让我画一个图表。 你可以绘制图表。 我们都看过股票图表,我觉得。 因此,假设,这是这可能是其首次公开招股日期 或者它可能仅仅是开始, 比方说,股票首次公开发行以后长了,然后整个市场 了跌了 但股价 - 也许它在那里,对么? 但在任何一秒钟 股票都有一个价格 可能不是最好的价格,但它总有一个价格。 我们将讨论为什么发生这种情况,因为你可能 有1000万股,在那一天如果只有100股 被交易了 在当天的交易,那是指示性价格么? 因为这不是一个巨大的百分比, 对于所有的股份来说 但无论如何,我们将讨论交易量等等。 但是,假设在这一秒, 交易价格为每股15美元。 对,15元,在这一秒 这就好比现在。 交易价格为每股15美元,你可以看看您的 彭博终端或任何其他地方 所以基本上市场为我们提供 这家公司的价值信息。 市场是说哇,市场愿意 以15美元的价格交易,。 有一个在完全自愿买方和自愿卖方 愿意以每股15美元交易。 因此,这意味着,在那一刻的市场估价这一 公司的1000万股为每股倍15元。 所以$ 15乘以10亿股 - 不 一定是美元。 所以市场给了一个 1.5亿美元的市值。 该公司的市值。 你可以在雅虎财经网页上看到这个。 你会看到一个公司的市值。 它只是股数乘以 股份价格。 这实质上是市场给股权的定价。 市场是说,这公司 价值1.5亿美元。 由于这块股权等于资产,我们 在右侧没有别的,市场的 本质上说的资产现在值 1.5亿美元。 这并不是总是相等的。 后面的几个视频里你可能会看到 你必须做额外的计算弄清楚的债务 资产的价值或 - ,我会在这里抛出了一个新名词, 企业公司的价值。 企业价值的本质的资产价值 减去多余的现金。 公司不需要用来维持日常经营的现金。 我们将更详细的讨论这个。 但我们现在把它看作资产。 所以,如果我是这家公司的CFO,比方说,我们需要 融资1500万美元。 我有两个选择。 我可以说OK,公司股票是每股15美元,我 需要筹集1500万美元的,所以我可以发行 另外一百万股。 它会不会是我的首次公开募股 因为我已经是上市公司。 这将是一个后续发行,或有时 叫做的二次发行。 虽然这个‘二’有两个含义。 但它是我可能会做的一次后续发行 我会去找董事会,然后发行另外100万股 然后卖给市场,并 希望人们将在每股15美元购买,或着 低一点的价格,因为我们是在往市场 里大量发行股份。 也许他们买每股14美元,这样我们 将筹集1400万美元。 这将是一个后续发行。 所以,我们总是可以使用作为公开市场 筹集更多的钱。 我们不一定要这么做 - 我的意思是, 我们没有必要做这个福所的估价, 谈判,聘请银行等工作。 虽然银行仍然会收取费用。 实际上,我们将聘请银行要做到这事儿。 所以这是一个选项。 或其他的选项是我们是建立好的公司,我们 产生现金,如果我们愿意我们可以付利率 我们可以去找银行。 实际上有很多不同的方法来做到这事儿。 但我们基本上可以借钱。 假设我们这样做。 不这样做 - 假设,我们两者都做。 因此,比方说,我们做了100万股的后续发行, 筹集了1400万美元。 然后我们说我们要筹集另外的200万美元,但这个时候 我们不发行股票 - 现在我们有多少股票? 我们卖出了100万,我们有1000万,我们 有1100万股。 比方说,你知道的,比方说,作为CFO,我觉得 我们的股票要大涨。 因此,我们不想他们被贱卖。 比方说,利率非常低。 相反,我们将借钱。 本质上是举债。 因此,加入说,我们借了3万美元,因为我们需要它。 所以,实际上这将是债务,300万元的债务,并 我们将得到3万美元的现金。 所以,现在我们的资产 在左侧。 我们的负债呢? 现在,我们之前并没有负债 我们有的都是股权。 但是,现在我们有债务。 现在我们欠别人300万美元。 我将讨论有关的借钱的不同方式。 但本质上,它可能就只是银行贷款。 他们可能只是去美国银行说,哎, 我们是一家大公司和我们价值不菲,为什么 你不借给我们300万美元的呢。 也许这将是在低利率的300万美元 率,也许每年6%。 和美国银行的感觉很好,因为你有一个高 - 我们将谈论更多的信用评级等 - 但 他们说,哦,你有本质上是一个好公司 信用评分也不错 因此我们用低利率借给你,。 所以将来,这些资产将 产生一些现金。 之前,这些家伙看到它 - 让我在 - 在这些股权持有人之前 - 这是股权持有人 现在 - 在股权持有人看到任何东西之前,这些 家伙得到利息。我会 损益表上一行行的给你看。 到目前为止,我们所做的一切一直是资产负债表。 但一些有趣的事情发生了。 现在突然你的“资产”,这是那一边 - 我 知道我是图上写 - 你的资产 现在比你的股权多了。 现在我觉得,这是复习 资产负债表的视频,你看,资产等于 你的股权,在这里,你的股权,加上 你的负债。 您的负债现在是300万美元。 加负债。 所以,如果你想知道你的资产价值,因为 你的资产等于你的权益。 你的股权的市场价值是多少? 我们已经知道了。 现在我们有1100万股。 比方说,不论什么原因,股市狂泻至每股10美元, 那么市值是多少呢?每股10美元,1100万股,我们 有1.1亿美元的市值。 我们正在做的市场估值。 我们将讨论市值 账面价值的差别。 但是,这是你的股权的市场价值。 那么你的负债? 我们欠300万美元,所以加上300万。 因此,我们可以说,基本上我们资产的市值 ,市场认为这整个左手 一边是值得我们的股权价值, 公司的市值,加上债务的金额,这 等于1.13亿美元。 因此,这些资产的价值是1.13亿美元, 这就是公司价值 什么是公司的资产价值? 我们将讨论 - 我们将来会做一个小调整 企业的价值上。 但是,这基本上你怎么给公司估值。 很多人当他们这样做的市值 计算是他们说,哦,那是什么 该公司的价值。 不对,这就是股权价值。 市值是股权的价值。 如果你想知道什么公司的价值,你必须 计算市值,然后加上债务。 另一种方式 - 好,我不会整的太复杂,因为我 才意识到我已经没时间了。 下次见。 Thai: ทุกอย่างที่เราพูดถึงเกี่ยวกับบริษัท สตาร์ทอัพถึงตอนนี้ การขายหุ้น อะไรพวกนี้ ได้ระดม เงินจากหุ้นหรือส่วนได้เสีย (equity) เราระดมเงินนอกตลาด -- ตอนที่บริษัทยังไม่เข้าตลาด เขาไปหา VC ไปหานักลงทุนเทวดา และคุณอาจ ไปหาเพื่อนและครอบครัวเพื่อระดมเงิน แล้วบริษัทก็เข้าตลาด แล้วระดมเงินจาก ตลาดทั่วไป แต่จริงๆ แล้วมีวิธีที่บริษัทสามารถ ระดมเงินทุนได้สองวิธี นี่คือสาเหตุที่รายการวิดีโอนี้เรียกว่า ตลาดเงินทุน หรือ อีกชื่อหนึ่งคือ การระดมทุน เงินทุน (Capital) ก็คือ -- วิธีคิดง่ายๆ ก็คือคุณอยากระดมเงินสด ที่คุณอยากลงทุน เพื่อทำให้ธุรกิจเติบโต หรือทำให้ ธุรกิจอยู่ได้ หรือเพื่อเริ่มธุรกิจ ทุกอย่างที่เราพูดถึงในตอนนี้คือ ส่วนได้เสีย (equity) และนั่น ก็คือการขายหุ้นในบริษัทของคุณ เพื่อระดมเงิน นั่นคือตัวอย่างพวก VC ทั้งหลาย นักลงทุนหุ้น -- เมื่อคุณขายหุ้น คุณ จะขาย -- คุณทำให้คนคนนั้น Dutch: Alles waar we het tot nog toe over hebben gehad met betrekking tot deze startende onderneming die aandelen verkocht en dies meer, betrof het ophalen van kapitaal. We haalden privé-kapitaal op - als de onderneming privé-eigendom was, dan ging ze naar VC's (durfkapitaalverstrekkers) en ging ze naar angel investeerders, en misschien kan je naar je vrienden en familie gaan om geld op te halen. En dan kan je onderneming "publiek gaan" en geld ophalen van de openbare markten. Maar er zijn eigenlijk twee manieren waarop een onderneming kapitaal kan ophalen. Dat is waarom deze afspeellijst kapitaalmarkten noemt, of een deel ervan: kapitaal ophalen. Kapitaal is in wezen - ik bedoel dat een eenvoudige manier om erover na te denken, is dat je geld aan het ophalen bent dat je wil investeren op een bepaalde manier om je handel te laten groeien of om je handel te onderhouden of op te starten. Alles waar we dus tot nog toe over hebben gepraat was kapitaal en dat komt neer op aandelen in je onderneming verkopen om geld op te halen. En dat zijn all die voorbeelden van durfkapitalisten. The kapitaalverstrekker - dus als je eigen vermogen verkoopt, dan verkoop je eigenlijk - maak je van de persoon Polish: Wszystko co powiedzieliśmy dotychczas na temat startup'u firmy sprzedającej skarpetki, dotyczyło zbierania pieniędzy z kapitału. Zbieraliśmy prywatne pieniądze - gdy firma była prywatna zwracała się do inwestorów VC i do aniołów biznesu i być może nawet moglibyśmy się zwrócić do przyjaciół i rodziny by zebrać pieniądze. Następnie firma mogła upublicznić się i zbierać fundusze z publicznych rynków. Ale w zasadzie są dwie metody jakimi firma może zebrać kapitał. Dlatego ta playlista nazywa się rynki kapitałowe, lub jest ich częścią, zbieraniem kapitału. Kapitał to właściwie - najprostsza definicja to zbieranie pieniędzy, które chcemy zainwestować w pewien sposób by rozwijać swoją działalność lub ją utrzymywać albo też rozpoczynać nowy biznes. Wszystko co omówiliśmy wcześniej to był kapitał, a to w zasadzie sprzedawanie akcji firmy by zebrać pieniądze. To te wszystkie przykłady z inwestorami VC. Inwestor kapitałowy - gdy sprzedajemy udziały, zasadniczo sprzedajemy Portuguese: Tudo o que falamos sobre essa startup que comprava meias, foi ao arrecadar dinheiro de capital próprio. Dinheiro de iniciativa privada-- quando a empresa era privada, fomos até empresas de Venture Capital (VC), investidores anjo, ou pegamos dinheiro emprestado de amigos ou familiares. E então a empresa se tornou pública e levantou dinheiro de mercados públicos Mas há dois modos de uma empresa levantar capital. É por isso que essa playlist se chama mercado de capitais, ela fala sobre obtenção de capital. Capital é-- O modo fácil de pensar sobre isso é: você está tentando arrecadar capital para investir em sua empresa, para mantê-la, ou até mesmo para iniciá-la. Então tudo o que falamos até agora foi sobre capital próprio, e isso é, essencialmente, vender ações no mercado e arrecadar dinheiro. E esses foram os exemplos de Venture capital. O investidor privado-- quando você vende capital, está vendendo-- você é meio que a pessoa que está Japanese: 私がここでお話ししたことは、会社を始めるとき、 お金は、均衡状態よりも上がっていきますよ ということです。 Czech: Všechno o čem jsme doteď mluvili týkající se téhle začínající firmy prodávající ponožky bylo, že získávala peníze z vlastního jmění. Získali jsme soukromé peníze... když byla firma soukromá, obrátila se na investora rizikového kapitálu a na andělského investora a třeba byste šli za kamarádem nebo rodinou, abyste získali peníze. A potom se firma mohla stát veřejnou a získat peníze na veřejných trzích. Ale vlastně jsou tu dva způsoby, jak může firma získat kapitál. Takže to je proč se tohle video jmenuje kapitálové trhy nebo část z toho, název jak získat kapitál. Kapitál je v podstatě.. domnívám se, že je jednoduché přemýšlet o tom tak, že získáváte hotovost, kterou chcete uričitým způsobem investovat do růstu vašeho podnikání nebo podpořit nebo začít vaše podnikání. Takže všechno o čem jsme až doteď mluvili, bylo vlastní jmění a to je v podstatě prodávání akcií ve vaší firmě pro získání peněz. A stejně tak všechny příklady rizikového kapitálu. Investor do vlastního kapitálu... takže když prodáváte vlastní kapitál, vlastně prodáváte...svým způsobem se osoba, Dutch: die aandelen koopt - weet je, eigen vermogen is hetzelfde als aandelen - maak je van de persoon die een aandeel kopen een soort vennoot in de onderneming. Dus als de onderneming - laten we zeggen dat er twee situaties zijn - als de onderneming failliet gaat - en ik zal nog veel nader bespreken wat failliet betekent - maar als de onderneming failliet gaat, dan krijgen de aandeelhouders niets. Ze krijgen op het eind niets. Maar als de onderneming veel meerwaarde heeft, krijgt het aandeel een hoop meerwaarde. Omdat ze vennoten in de onderneming zijn. Als dit een onderneming was, die starter waar we het over hadden, als het Amazon.com wordt en een miljarden- onderneming wordt, zal iedereen het echt goed hebben. Iedereen zal delen in die meerwaarde. Maar er is een andere manier om geld op te halen, en dat is waarschijnlijk iets dat dichter aanleunt bij een huishouden. I bedoel dat je in een huishouden nooit kapitaal ophaalt. Je zegt nooit, weet je wat - wel je zou het kunnen, maar je zegt het niet - hey, ik moet een huis komen, waarom ga ik niet naar mijn rijke vriend en doe hem het aanbod om 10% aandeel in mijn huis te kopen en hij zal bij wijze van spreken een vennoot zijn in mijn huis. Thai: คนที่ซื้อหุ้น -- ส่วนได้เสียก็เหมือนกับ หุ้น -- คุณทำให้คนที่ซื้อ หุ้นเป็นเหมือนหุ้นส่วนของบริษัท ถ้าบริษัท -- สมมุติว่ามีสถานการณ์สองแบบ -- ถ้า บริษัทล้มละลาย -- และผมจะพูดถึงความหมาย ของการล้มละลายอีกมาก -- แต่ถ้าบริษัท ล้มละลาย ผู้ถือหุ้นจะไม่ได้อะไรเลย พวกเขาจะได้ศูนย์ แต่ถ้าบริษัทได้กำไรมาก หุ้นจะ ขึ้นไปมาก มีคนเป็นหุ้นส่วนอยู่ ถ้านี่คือบริษัท สตาร์ทอัพที่เราพูดถึงไป ถ้ามันกลายไปเป็น Amazon.com และกลายเป็นบริษัท พันล้าน ทุกคนก็จะไปได้ดี ทุกคนจะได้ส่วนแบ่งของกำไรนั้น แต่มันมีวิธีระดมเงินอีกวิธี และนี่ น่าจะเป็นสิ่งที่คนคุ้นเคยมากกว่า ในระดับครัวเรือน ผมหมายความว่า ในระดับครัวเรือน คุณไม่เคยระดมหุ้น คุณไม่เคยบอกว่า รู้ไหม -- คุณทำได้ แต่คุณจะ ไม่ไปบอกว่า เฮ้ ฉันต้องซื้อบ้าน ทำไมฉันถึงไม่ ไปหาเพื่อนรวยๆ แล้วเสนอขาย 10% ของ บ้านให้เขา แล้วเขาจะเป็น หุ้นส่วนของบ้านฉัน Portuguese: comprando a ação-- você sabe, capital é o mesmo que ação-- você é a pessoa que está comprando a ação, meio que um parceiro da empresa. Se a empresa-- digamos que haja duas situações-- caso a empresa vá à falência- e falarei muito sobre o significado de se declarar falência-- mas se a empresa declarar falência, todos os acionistas perdem tudo. Eles ficam sem nada. Mas se a empresa for bem, o valor das ações da empresa sobe Porque há parceiros. Se aquela startup sobre a qual falamos se tornar uma Amazon e valer um bilhão de dólares, todos vão se dar bem. Todos se beneficiarão daquele ponto positivo. Mas há outro modo de arrecadar dinheiro, esse é mais comum no nível doméstico. No nível doméstico não levantamos capital. Você não diz-- na verdade você pode, mas não vai até seu amigo rico e oferece a ele uma porcentagem de 10% de sua casa caso se ele aceite ser seu parceiro na compra. English: who's buying the stock-- you know, an equity is the same thing as stock-- you're making the person who's buying a stock kind of a partner in the company. So if the company-- let's say there's two situations-- if the company goes bankrupt-- and I'll talk a lot more about what bankruptcy even means-- but if the company goes bankrupt, all the shareholders end up with nothing. They end up with nil. But if the company has a lot of upside, the stock gets a lot of upside. Because they're partners in it. If this was a company, that start-up that we talked about, if it turns into Amazon.com and becomes a billion-dollar company, everyone is going to do really well. Everyone's going to share in that upside. But there's another way to raise money, and actually this is probably something that's more familiar at the household level. I mean at the household level you never raise equity. You never say, you know what-- well you can, but you're not going to say hey, I need to buy a house, why don't I go to my rich friend and offer to sell 10% of the stake in my house to him and he'll be kind of a partner in my house. Polish: - w pewnym sensie sprawiamy, że osoba, która kupuje akcje - wiecie, udział to to samo co akcja - sprawiamy, że osoba, która kupuje akcje staje się partnerem firmy. Jeżeli firma - powiedzmy, że są dwie sytuacje - jeśli firma bankrutuje - a opowiem znacznie więcej czym jest bankrutcwo - jeżeli natomiast firma bankrutuje, wszyscy udziałowcy zostają z niczym. Zostaje im zero. Jeżeli natomiast firma ma duży potencjał wzrostu, akcje zwyżkują. Ponieważ są w niej partnerami. Gdyby to była firma, startup o którym mówiliśmy, która zamienia się w Amazon.com i staje się dochodową na miliardy dolarów firmą, wszystkim będzie się dobrze wiodło. Wszyscy będą mieli udział w tych pozytywach. Lecz jest inny sposób zdobywania pieniędzy i w zasadzie jest to prawdopodobnie coś bardziej znanego na poziomie gospodarstwa domowego. Na poziomie gospodarstwa domowego nigdy nie zbiera się udziałów. Nigdy nie mówi się, wiecie co - możnaby, ale nie powiemy tak, że skoro musimy kupić dom, to czemu nie mielibyśmy pójść do naszego bogatego przyjaciela i zaoferować mu kupno 10% udziałów w naszym domu tak byśmy zostali wspólnikami. Czech: která kupuje akcie... víte, vlastní jmění je stejná věc jako akcie... osoba, která kupuje akcie, se stává partnerem ve firmě. Takže když firma... řekněme, že jsou dvě situace... pokud jde firma do konkursu... a budu mluvit víc o tom, co bankrot vůbec znamená... ale když firma zbankrotuje, všichni akcionáři skončí s ničím. Skončí na nule. Ale pokud má firma mnoho výhod, akcie mají mnoho výhod. Protože jsou v tom partneři. Pokud byla tohle začínající firma, o které jsme mluvili, pokud se stane Amazon.com a stane se firmou s miliardou dolarů, každému se bude dařit dobře. Každý se bude podílet na té výhodě. Ale existuje i jiný způsob, jak získat peníze a v podstatě tohle je pravděpodobně známější na úrovni domácnosti. Myslím, že na úrovni domácnosti nenavyšujete vlastní jmění. Nikdy neřeknete, víte co... můžete, ale nebudete říkat hele, potřebuji koupit dům. Proč nepůjdu za bohatým kamarádem a nenabídnu mu prodat 10% podíl v mém domě, aby se stal v mém domě partnerem. Polish: Tak mogłoby się stać lecz najczęściej się tak nie dzieje. Przeważnie gdy robimy coś prywatnie, zbieramy pieniądze zaciągając dług. To ciekawe. Co dobrego w długu to to, że - przeanalizujmy to od strony osoby pożyczającej nam pieniądze. Dług to zwyczajnie, pożyczanie pieniędzy. Sądzę, że każdy z nas wie co to pożyczanie pieniędzy. Idę do swojego bogatego przyjaciela i mówię mu, pożyczyłbyś mi 1$, jeśli oddam ci 1,25$ za rok? On mówi, zgoda. Ale obiecuję, że oddam pieniądze w określonym terminie w przyszłości. Gdy sprzedaję udziały niczego nie obiecuję. Mówię, mam świetny biznes, daj mi 1$ a dostaniesz 20% udziałów w firmie. Jeśli moja działalność się rozwinie dostaniesz 20% wszystkich zysków firmy. Jeśli moja działalność będzie szła źle, zaryzykowałeś, nic nie dostajesz i ja też nic nie dostaję. English: That could happen but for the most part it doesn't. Usually when you do something on a personal level you raise money through debt. And that's interesting. So what's good about debt is it's-- so let's think about it from the point of view of the person who's lending the money to you. Debt is just borrowing money. I think all of us know what borrowing money is. I go to my rich friend and I say hey, could I borrow $1 and I'll give you $1.25 in a year? And he says, OK, you're good for it. But I'm essentially promising I'm going to give the money back at some future date. If I sell equity, I'm not promising anything. I'm like hey, I got a great business, why don't you give $1 and then you get a 20% cut of my business. If my business does awesome, you get 20% of all of the profits of my business. If my business does horrible, well you took a risk, you get nothing and I get nothing. Debt says regardless of how my business does, if it does Portuguese: Isso poderia acontecer, mas não é usual. Normalmente, quando fazemos as coisas no nível pessoal, levantamos dinheiro por meio de dívidas. E isso é interessante. O lado bom do endividamento é-- vamos tentar ver isso pelo ponto de vista da pessoa que está te emprestando dinheiro. Endividamento é apenas pegar dinheiro emprestado. Acho que todos sabem o que isso significa. Vou até meu amigo rico e digo: "Você pode me emprestar $1 e te devolverei "$1.25 no ano que vem?" Ele diz: "Tudo bem, você é bom para isso". Estou prometendo devolver o dinheiro em uma data futura. Se eu vendo capital próprio, não prometo nada. Na verdade diria: "Tenho um bom negócio, me dê $1, e então você receberá um lucro de 20%. Se meu negócio for muito bem, você recebe 20% de todos os lucros. Se for mal, bem você correu um risco, nenhum de nós ganha nada". No caso de endividamento, independentemente dos resultados, Thai: มันเกิดขึ้นได้ แต่มันมักไม่เกิดขึ้น เวลาคุณทำอะไรส่วนตัว คุณมักจะ ระดมเงินผ่านหนี้ และมันน่าสนใจ สิ่งที่ดีเกี่ยวกับหนี้คือว่า -- ลองคิดถึงมัน จากมุมมองของคนที่ให้คุณ ยืมเงิน หนี้ก็คือการยืมเงิน ผมคิดว่าพวกคุณทุกคนรู้ว่า การยืมเงินคืออะไร ผมไปหาเพื่อนรวยๆ แล้วผมบอกว่า เฮ้ ฉันขอยืม $1 แล้ว ฉันจะจ่ายคืน $1.25 ในหนึ่งปีได้ไหม? และเขาก็บอกว่า โอเค ได้เลย แต่ผมกำลังสัญญาว่า ผมจะจ่ายเงิน คืนในอนาคต ถ้าผมขายหุ้น ผมไม่ได้สัญญาอะไรเลย ผมบอกว่า เฮ้ ฉันมีธุรกิจเจ๋งๆ ทำไมเธอไม่ให้ เงินฉัน $1 แล้วฉันจะให้ 20% ของบริษัท ถ้าธุรกิจของฉันออกมาดี เธอจะได้ 20% ของ กำไรจากธุรกิจของฉัน ถ้าบริษัทฉันออกมาแย่ เธอก็รับความเสี่ยงไป เธอไม่ได้อะไร ฉันก็ไม่ได้อะไร หนี้บอกว่า ไม่ว่าธุรกิจของผมจะเป็นอย่างไร Czech: Může se to stát, ale většinou se to nestává. Obvykle, pokud děláte něco na osobní úrovni, získáváte peníze pomocí dluhu. A to je zajímavé. Takže co je dobré na dluhu... zamyslíme se nad tím z pohledu osoby, která vám půjčuje peníze. Dluh je jen půjčování peněz. Myslím, že všichni z nás víme, co je půjčování peněz. Půjdu za bohatým kamarádem a řeknu hele, můžu si půjčit 1 dolar a za rok ti vrátím 1,25 dolaru. A on řekne hele, máš to mít. Ale já vlastně slibuji vrátit peníze někdy v budoucnu. Pokud prodávám vlastní jmění, neslibuji nic. Řeknu hele, mám skvělé podnikání, proč mi nedáš 1 dolar a potom dostaneš 20% kus mého podnikání. Pokud se mému podnikání bude skvěle dařit, dostaneš 20% ze všech zisků mého podnikání. Pokud se mému podnikání povede špatně, berete na sebe riziko, že nedostanete nic a já nedostanu nic. Dluh říká bez ohledu na to, jak si moje podnikání vede, Dutch: Dat zou kunnen voorkomen, maar meestal komt het niet voor. Normaal, als je iets persoonlijk doet, haal je geld op door schulden aan te gaan. En dat is interessant. Wat er goed is aan schuld is - laten we dat overdenken vanuit het perspectief van de persoon die geld ontleent aan jou. Schuld is niet meer dan geld lenen. I denk dat we allen weten wat geld lenen is. I ga naar mijn rijke vriend en ik zeg: "hey, kan ik een dollar lenen en ik zal je er in een jaar 1,25 teruggeven?" En hij zegt: "OK, je kan dat terugbetalen." Maar eigenlijk beloof ik dat ik het geld zal teruggeven op een bepaalde dag in de toekomst. Als ik eigen vermogen verkoop, beloof ik niets. Ik zeg dan iets als: "Hey, ik heb een geweldige handel, waarom geef je me geen dollar en dan krijg je een 20%-deel in mijn handel. Als mijn handel het geweldig doet, krijg je 20% van al de winst van mijn handel. Als mijn handel het barslecht doet, wel, je nam een risico, je krijgt niets en ik krijg niets." Schuld zegt: "Ongeacht hoe mijn handel het doet, als het Polish: Dług zostanie niezależnie jak pójdzie interes, jeśli pójdzie wspaniale dostaniesz jedynie odsetki. To jest zaleta. Zalety są ograniczone, prawda? Jeśli pożyczę pieniądze przy 9% stopie, ta osoba dostanie jedynie 9%. Nawet jeżeli moja firma stanie się następcą Google czy Microsoftu lub czymkolwiek innym, osoba ta dostanie tylko 9% za swoje pieniądze. Podczas gdy ta osoba mogłaby dostać sto razy więcej niż dała, gdyż założyła się. Z drugiej jednak strony ta wada jest znacznie mniejsza. Więc ograniczona wada. Ponieważ otrzymają swoje pieniądze w pewnym - wiecie, jest pewien harmonogram spłaty. Odzyskają też swoje pieniądze przed udziałowcami - przyjmijmy, że w sytuacji gdy firma napotyka trudności - zrobimy całą playlistę o bankructwie - ludzie, którzy pożyczają pieniądze firmie, zobaczą swoje pieniądze zanim udziałowcy cokolwiek zobaczą. Jak to wszystko wynika z bilansu? Przyjmijmy, że mamy publiczną firmę. Portuguese: tudo o que você recebe são os juros. Esse é o lado bom. Mas o lado bom tem limites, certo? Se eu emprestar dinheiro a uma taxa de 9%, tudo o que essa pessoa recebe é 9%. Mesmo que a empresa fique grande como o Google ou a Microsoft, tudo que essa pessoa recebe são os 9%. Enquanto essa pessoa pode ter recebido cem vezes o valor inicial, pois ela fez uma aposta. Por outro lado, o lado ruim é muito menor. Desvantagem muito pequena. Pois eles vão receber seu dinheiro em um certo-- há uma agenda de pagamentos. E eles receberão seu dinheiro antes dos acionistas-- em uma situação onde a empresa passa por dificuldades-- e faremos uma playlist sobre falência-- as pessoas que emprestaram dinheiro para a empresa verão seu dinheiro antes que os acionistas vejam qualquer coisa. Como isso aparece em um balanço? Digamos que nossa empresa seja pública. Se você se pergunta o que um CFO faz, English: awesome all you're going to get is the interest. That's kind of the upside. So the upside's limited, right? If I borrow money at 9% interest, all that person's going to get is 9%. Even if my company becomes the next Google or Microsoft or whatever else, that person's just going to get 9% on their money. While this person might have gotten a hundred times their money because they made a bet. On the other hand, this downside is much lower. So limited downside. Because they're going to get their money back at a certain-- you know, there's a certain payment schedule. And they're going to get their money back before the stockholders-- so let's say in a situation where the company's going into difficulty-- and we'll do a whole playlist on bankruptcy-- the people who lend money to the company will see their money before the stockholders see anything. So how does all of this come out from the balance sheet? So let's say we have a public company. Dutch: geweldig gaat, is alles wat je zal krijgen de rente. Dat is zowat het voordeel. Dus het voordeel is beperkt, juist? Als ik geld ontleen tegen 9% rente, is alles wat die persoon zal krijgen 9%. Zelfs als mijn onderneming de volgende Google of Microsoft wordt of eender wat, die persoon krijgt enkel 9% op het (ontleende) geld. Terwijl die persoon mogelijk honderd keer zijn geld had kunnen krijgen, omdat ze een gok waagden. Anderzijds dit nadeel is veel minder erg. Dus: beperkt nadeel. Omdat ze hun geld terug zullen krijgen op een bepaald (ogenblik) - weet je (nog), er is een afbetalingsschema bepaald. En ze zullen hun geld terugkrijgen voor de aandeelhouders - laten we dus zeggen in een situatie waar de onderneming in moeilijkheden geraakt - en we zullen een hele afspeellijst wijden aan failliet - de mensen die geld ontleend hebben aan de onderneming zullen hun geld terugzien voor de aandeelhouders iets te beurt valt. En hoe zien we al dit tevoorschijn komen in de balans? Laten we zeggen dat we een publieke onderneming hebben. Thai: ถ้ามันออกมาดีมาก สิ่งที่คุณจะได้ ก็มีแต่ดอกเบี้ย นั่นคือกรณีที่ออกมาดี ผลตอบแทนมันจำกัด จริงไหม? ถ้าผมยืมเงินที่อัตราดอกเบี้ย 9% คนคนนั้น จะได้แค่ 9% ถึงแม้ว่าบริษัทของผมจะกลายเป็นกูเกิ้ล หรือไมโครซอฟต์หรือ อะไรใหญ่ๆ ต่อไป คนคนนั้นจะ ได้แค่ 9% ของเงินที่ให้ยืม ในขณะที่คนคนนี้อาจได้เงินเป็นร้อยเท่า เพราะเขากล้าพนัน อย่างไรก็ตาม ความเสียหายจะน้อยกว่า ความเสียหายก็จำกัด เพราะเขาจะได้เงินคืน -- คุณก็รู้ มันมีตารางจ่ายคืนอยู่ และเขาจะได้เงินคืนก่อน ผู้ถือหุ้น -- สมมุติว่าในกรณีที่ บริษัทมีปัญหา -- และเราจะทำ รายการวิดีโอเรื่องการล้มละลาย -- คนที่ให้บริษัท ยืมเงินจะเห็นเงินคืนก่อนผู้ถือหุ้น จะเห็นอะไรก็ตาม แล้วทั้งหมดนี้ปรากฏในงบดุลอย่างไร? สมมุติว่าเรามีบริษัทมหาชน Czech: pokud si vede skvěle všechno, co dostanete je úrok. To je výhoda. Takže výhoda je omezená, ne? Pokud si půjčím peníze za 9% úrok, všechno, co ten člověk dostane, je 9%. I když se moje firma stane příštím Googlem nebo Microsoftem nebo čímkoli jiným, tahle osoba dostane 9% ze svých peněz. Zatímco tahle osoba by mohla dostat stokrát své peníze, protože vsadili. Na druhou stranu tahle nevýhoda je mnohem nižší. Takže omezená nevýhoda. Protože dostanou své peníze zpět za určitou... víte existuje určitý platební plán. A dostanou své peníze zpět dříve než akcionáři... takže řekněme, že v situaci, kdy se firma dostane do potíží... a uděláme celou sérii o bankrotu... lidé, kteří půjčili peníze firmě, uvidí své peníze dříve, než cokoli uvidí akcionáři. Takže jak tohle všechno vychází z rozvahy? Řekněme, že máme veřejnou firmu. Thai: ถ้าคุณสงสัยว่า CFO ของบริษัททำอะไร นี่ก็คือ การตัดสินใจหลักที่เขาต้องทำ เราจะระดมเงินไหม -- เราจะระดมอย่างไรถ้าเราต้องการเงิน เราจะระดมเงินจากตลาดหุ้นหรือจาก ตลาดหนี้? ลองตั้งบริษัทขึ้นมาอีกครั้งกัน สมมุติว่านั่นคือ current assets ไม่ใช่ current -- ผมไม่อยากใช้คำนั้น มันเป็นคำเฉพาะ สินทรัพย์ที่มีตอนนี้ Current assets มีความหมายอื่น และเราจะพูดถึงมัน ในอนาคต แต่สมมุติว่า นั่นคือสินทรัพย์ของบริษัท คุณรู้ว่ามันอาจเป็นเงินสดตรงนี้ เราจะลงรายละเอียดต่อไป เราจะดูงบดุลบริษัทจริงๆ และ เข้าใจความหมายของคำทั้งหมดในงบดุล แต่นั่นคือสินทรัพย์ของเราในตอนนี้ และสมมุติว่าตอนนี้ เงินทั้งหมดที่ระดมมาถึงตอนนี้ เป็นส่วนได้เสีย และสมมุติว่ามันเป็นบริษัท ที่อยู่ในตลาดหลักทรัพย์ มันไม่จำเป็นต้องอยู่ สมมุติว่านั่นคือส่วนได้เสียทั้งหมด และสมมุติว่ามันมี English: If you wonder what a CFO at a company does, this is really the main decision that they're always making. Do we raise money-- well, how do we raise money if we need it, and do we raise money from the equity markets or from the debt markets? So let's come up with a company again. Let's say that that's its current assets. Not current-- I don't want to say current assets, it's the assets that it currently has. Current assets means something different, and we'll talk about that in the future. But let's say, so that's its assets. You know it might have some cash here. We'll go into more detail. We'll actually look at real company balance sheets and decipher what all of the terms on the balance sheet mean. But that's its assets for now. And let's say right now all of its money it's raised so far has been equity. And let's say it's a publicly listed company. It doesn't have to be. Let's say that's all of its equity, and let's say it has, Czech: Pokud by vás zajímalo, co ve firmě dělá CFO (finanční ředitel), tohle je skutečně hlavní rozhodnutí, které vždycky dělají. Získáme peníze... jak získáme peníze, pokud je potřebujeme a získáme peníze z akciových trhů nebo trhů s dluhy? Takže znovu máme firmu. Tohle jsou její současná aktiva. Ne současná... nechci říct současná aktiva, jsou to aktiva, která má v současnosti. Současná aktiva znamená něco jiného a v budoucnu o tom budeme mluvit. Ale řekněme, že tohle jsou aktiva. Může mít nějakou hotovost. Budeme se tím zabývat detailně. Podíváme se na rozvahu skutečné firmy a rozluštíme, co znamenají všchny pojmy v rozvaze. Ale pro teď jsou to její aktiva. A řekněme, že všechny peníze, které doteď získali, bylo vlastní jmění. A řekněme, že je veřejně obchodovaná na burze. Nemusí být. Řekněme, že všechno její vlastní jmění a má, Dutch: Als je je afvraagt wat de CFO van een onderneming doet, dan is dit echt de belangrijkste beslissing die zij elke dag maken. Halen we geld op - of beter, hoe halen we geld op als we er nodig hebben en halen we geld op van de kapitaalmarkten of van de schuldmarkten? Laten we er opnieuw een onderneming bij halen. Laten we zeggen dat dit de liquide activa zijn. Niet "liquide" - ik bedoel niet de liquide activa, het zijn de activa die ze op vandaag heeft. Liquide middelen betekent iets anders en we zullen het daarover later hebben. Maar laten we zeggen, dat dit de middelen zijn. Je weet dat de onderneming wat cash kan hebben: hier. We gaan hier dieper op in. We zullen zelfs naar de balans van een echte onderneming kijken en ontcijferen wat de termen op de balans betekenen. Maar dit zijn - voor nu - de activa. Laten we dus nu aannemen dat al het geld dat tot nog toe is opgehaald eigen vermogen was. En laten we aannemen dat het een publiek genoteerde onderneming is. Dat hoeft niet. Dit - zeggen we - is al het eigen vermogen, en laten we zeggen dat er Portuguese: essa é uma decisão importante, e eles sempre as tomam. Levantamos dinheiro?-- Como levantamos dinheiro quando precisarmos, e, recorreremos ao mercado de capitais ou ao mercado de dívidas? Vamos fazer uma empresa de novo. Estes são os ativos dela. São os ativos que ela tem neste momento. Depois falarei sobre ativo circulante. Então a empresa tem esses ativos. Talvez ela tenha algum dinheiro aqui. Vou detalhar isso depois. Vamos olhar para balanços de empresas de verdade e decifrar o significado de alguns termos. Mas estes são os ativos da empresa agora. E digamos que todo o dinheiro arrecadado seja capital próprio. E digamos que seja uma empresa listada em bolsa, mas não precisa ser. Tudo isso é capital e ela tem Polish: Jeśli zastanawiacie się czym zajmuje się dyrektor finansowy w firmie, to to jest główna decyzja jaką zawsze podejmują. Czy będziemy zbierać pieniądze - jak zbierzemy pieniądze gdy będziemy ich potrzebować, czy będziemy zbierać pieniądze z rynków kapitałowych czy z rynków dłużnych? Wymyślmy znów jakąś firmę. Powiedzmy, że to są jej aktywa obrotowe. Nie obrotowe - nie chciałem powiedzieć aktywa obrotowe, są to aktywa, które obecnie posiada. Aktywa obrotowe oznaczają coś innego i porozmawiamy o tym w przyszłości. Przyjmijmy, że to są jej aktywa. Wiemy, że może mieć nieco gotówki tu. Wejdźmy w szczegóły. Spojrzymy na prawdziwy bilans firmy i rozszyfrujemy co wszystkie zwroty bilansu oznaczają. Lecz narazie to są jej aktywa. Przyjmijmy teraz, że wszystkie pieniądze jakie zebrała dotychczas to kapitał. Załóżmy, że to publicznie notowana firma. Nie musi taka być. Thai: ไม่รู้สิ 10 ล้านหุ้นแล้วกัน สิ่งที่น่าสนใจอีกอย่างเมื่อบริษัท เข้าตลาด -- นึกดู ทุกครั้งเวลาบริษัท ยังไม่เข้าตลาด และ นักลงทุน นักลงทุนหุ้น เขา ต้องมานั่งและต่อรองว่าหุ้นนี้ มีค่าเท่าไหร่? สินทรัพย์เหล่านี้มีค่าเท่าใด? แต่สิ่งที่เจ๋งคือว่า เมื่อคุณมีบริษัทที่ซื้อขาย ในตลาด หุ้นเหล่าน้ี้ซื้อขายในตลาด จริงไหม? หุ้นเหล่านี้อยู่ใน สมมุติว่ามันอยู่ใน New York Stock Exchange ทุกวัน คุณไปที่ Yahoo! Finance หรือเว็บไซต์อะไรก็ตาม คุณดูแผนภูมิได้ ขอผมวาดแผนภูมินะ คุณวาดแผนภูมิได้ และเราจะเห็นตารางหุ้นทั้งหมด ผมว่านะ สมมุติว่านี่คือ อันนี้คือวันที่ IPO หรืออาจเป็นจุดเริ่มต้นที่เราดู แล้ว สมมุติว่าหุ้น IPO เพิ่มขึ้น แล้วทั้งตลาด ก็ลงมาหน่อย แต่หุ้น -- มันอาจอยู่ตรงนั้น จริงไหม? แต่ ณ ขณะใดๆ แทบจะทุกวินาที Dutch: - weet ik veel - 10 miljoen aandelen zijn uitgegeven. Het andere interessante van een publieke onderneming - herinner je je dat elke keer een onderneming privé-eigendom was en er was een investeerder nodig, er was een kapitaalinvesteerder nodig, dan moest er samengezeten en onderhandeld worden over wat de waarde was? Wat zijn deze activa waard? Maar wat cool is, is wanneer je een publiek verhandelde onderneming hebt, dan worden deze aandelen verhandeld op een beurs, juist? Die aandelen zijn (genoteerd) op, laten we zeggen, op de New York Stock Exchange. Dan kan je elke dag surfen naar Yahoo! Finance of eender waar en kan je kijken naar de koersgrafiek. Laat ik een koersgrafiek tekenen. Je kan een koersgrafiek tekenen. En we hebben allen al koersgrafieken gezien, denk ik. Laten we dus zeggen dat dit de datum van de eerste publieke notering was of het kan ook gewoon de start zijn waar we naar aan het kijken zijn, en laten we zeggen dat de aandelenprijs omhoog ging, en dat dan de hele markt een klein beetje naar beneden ging. Maar de aandelenprijs - staat misschien daar, goed? Maar op eender welk, werkelijk bijna op eender welke seconde, English: I don't know, 10 million shares. And the other interesting thing about when a company's public-- remember, every time when a company was private and it took an investor, when it took equity investors, they had to sit and have a negotiation saying what is this worth? What are these assets worth? But what's cool is, is when you have a publicly traded company, these shares are traded on an exchange, right? These shares are on, let's say it's on the New York Stock Exchange. So every day you could go to Yahoo! Finance or wherever and you can look at a chart. Let me draw a chart. You can draw a chart. And we've all seen stock charts, I think. So let's say that this is this could have been its IPO date or it could just be the start that we're looking at, and let's say the stock IPO went up, and then the whole market went down a little bit. But the stock-- maybe it's there, right? But on any given, really almost any given second, Czech: nevím, 10 milionů akcií. A další zajímavá věc, když je firma veřejná... pamatujte si, pokaždé, když byla firma soukromá a spojila se s investorem, s kapitálovým investorem, museli si sednout a vyjednávat o tom, jakou to má hodnotu. Jakou mají tahle aktiva hodnotu? Ale co je úžasné, když máte veřejně obchodovanou firmu, tyhle akcie jsou obchodované na burze, ne? Tyhle akcie jsou na Newyorské burze. Každý den můžete jít na Yahoo! Finance nebo něco takového a podívat se do tabulky. Nakeslím graf. Můžete nakreslit graf. A všichni jsme viděli akciový graf, myslím. Řekněme, že tohle by mohlo být datum první veřejné nabídky akcií nebo to může být začátek, na který se díváme a řekněme, že akcie při první veřejné nabídce vzrostly a potom celý trh trochu klesl. Ale akcie... možná je to tady, ne? Ale v každou opravdu skoro každou sekundu Polish: Przyjmijmy, że to jest cały jej kapitał i ustalmy, że ma, no nie wiem, 10 milionów akcji. Kolejna ciekawa związana z tym, że firma jest publiczna, - pamiętacie jak za każdym razem gdy firma była prywatna i brała inwestora, inwestorów kapitałowych, to musieli przeprowadzić negocjacje na temat ich wartości? Ile warte są te aktywa? Lecz to co jest fajne w posiadaniu spółki publicznej, to to, że akcje są obracane na giełdzie, prawda? Te akcje są na, załóżmy, że są na Nowojorskiej Giełdzie Papierów Wartościowych. Każdego dnia moglibyście wejść na stronę Yahoo! Finance lub gdziekolwiek i spojrzeć na wykres. Rozrysuję wykres. Możemy narysować wykres. Myślę, że wszyscy kiedyś widzieliśmy wykresy giełdowe. Załóżmy, że to mogłaby być data IPO lub zwyczajnie początek, który oglądamy oraz załóżmy, że notowania akcji IPO wzrosły, a potem cały rynek nieco spadł. Ale akcje - może są tu, prawda? Portuguese: dez milhões de ações. Outra coisa interessante quando a empresa se torna pública-- quando a empresa era privada e usou um investidor, quando este investidor privado quis investir, eles sentaram e conversaram para saber se o investimento valia a pena E se os ativos valeriam a pena. Quando se tem uma empresa publicamente listada, as ações são negociadas em bolsa, certo? Digamos que elas estejam na bolsa de Nova York. Então você pode ir todo dia até um site de economia e olhar um gráfico. Vou desenhar um. Você pode desenhar um gráfico também. E todos nós já vimos gráficos antes. Isso poderia ser o dia do IPO (Oferta pública inicial), ou o primeiro dia que olhamos para ele, digamos que a ação subiu e todo o mercado ficou um pouco em baixa. Mas a ação-- está lá, certo? Mas em algum momento, Polish: Lecz w każdej dowolnej sekundzie, jest cena, po której ktoś obracał akcjami i może to nie być najlepsza cena, lecz jest to cena. Omówimy czemu tak się dzieje, ponieważ można mieć 10 milionów akcji, jeśli tylko, no nie wiem, 100 akcji będzie obracanych w dowolnej chwili, lub powiedzmy tylko 100 akcji zostanie przehandlowanych tego dnia, czy jest to cena wskaźnikowa? Nie jest to bowiem wielki procent wszystkich akcji. W każdym bądź razie porozmawiamy więcej o znaczeniu wolumenu względem całkowitego obrotu itd. Założmy jednak, że w tej chwili akcje firmy obracane były za 15$ za sztukę. To 15$, prawda, w tej chwili.. Dokładnie teraz. Obracane przy cenie 15$ za akcję, a wy moglibyście to wyszukać na swoim terminalu Bloomberga lub czymkolwiek innym. Rynek dostarcza nam wartości tej firmy. Rynek jest gotów obracać akcjami po cenie 15$. Był chętny kupiec i chętny spzedawca przy cenie 15$ za akcję. To oznacza, że w tym momencie rynek ocenia tę firmę na 15$ za akcję razy 10 milionów akcji. English: there's a price that somebody traded that stock at and it might not be the best price, but it is a price. And we'll talk about why that happens, because you might have 10 million shares, and if only, I don't know, 100 shares get traded at any second, or let's say only 100 shares get traded in the day, is that an indicative price? Because that's not a huge percentage of all of the shares. But anyway, we'll talk more about what volume means relative to the total float and all of that. But let's say at this split second the company shares traded at $15 a share. This is $15, right, at this second in time. This is like right now. Traded at $15 a share, and you could look it up on your Bloomberg terminal or whatever else. So essentially the market is providing us a value for this company. The market is saying wow, the market is willing to trade the share at $15. There was a willing buyer and a willing seller at exactly $15 a share. So that means that the market at that moment is valuing this company at $15 per share times 10 million shares. Portuguese: há um preço pelo qual alguém negociou, talvez não seja o melhor preço, mas é um preço. E falarei sobre o motivo disso acontecer, pois você tem 10 milhões de ações, e se cem ações forem negociadas no dia, isso é um preço indicativo? Essa não é uma grande porcentagem do total de ações. Mas falaremos sobre o significado de volume em relação às margens totais e tudo isso. Mas, vamos dizer que neste momento as ações da empresa sejam negociadas por $15 cada. São $15 neste segundo. Agora mesmo. Negociadas a $15 por ação, e você pode olhar um terminal Bloomberg ou algo do tipo. Então o mercado está nos fornecendo um valor para a empresa. O mercado está dizendo que está disposto a pagar $15 por ação. Havia um comprador e um vendedor disponíveis por exatamente $15 por ação. Isso significa que o mercado neste momento avalia a empresa em: $15 por ação vezes dez milhões de ações. Thai: มันมีราคาที่คนซื้อขายหุ้นนั้น และมัน อาจไม่ใช่ราคาที่ดีที่สุด แต่มันเป็นราคาค่าหนึ่ง และเราจะคุยกันว่าทำไมมันถึงเกิดขึ้น เพราะคุณอาจ มี 10 ล้านหุ้น แล้วถ้า 100 หุ้น ถูกซื้อขายทุกวินาที หรือสมมุติว่ามีหุ้นแค่ 100 หุ้น ถูกซื้อขายในวันนั้น มันเป็นราคาที่มีความหมายหรือเปล่า? เพราะมันไม่ใช่เปอร์เซ็นต์มากมาย ของหุ้นทั้งหมด แต่ช่างเถอะ เราจะพูดถึงว่าปริมาณ (volume) หมายถึงอะไร เทียบกับ total float อะไรพวกนั้น แต่สมมุติว่า ณ วินาทีนั้น หุ้นบริษัท ซื้อขายที่ $15 ต่อหุ้น นี่คือ $15 ใช่ ณ วินาทีนี้ มันเป็นอย่างนี้ตอนนี้ ซื้อขายที่ $15 ต่อหุ้น และคุณดูใน Bloomberg terminal หรืออื่นๆ ได้ ที่สุดแล้วตลาดจะให้ มูลค่าแก่บริษัทนี้ ตลาดกำลังบอกว่า ตลาดยินดีซื้อขาย หุ้นที่ราคา $15 มีคนยินดีซื้อและคนขายที่ราคา $15 ต่อหุ้นพอดี นั่นหมายความว่าตลาด ณ ขณะนั้น ประเมินค่าบริษัทนี้ ที่ $15 ต่อหุ้นคูณ 10 ล้านหุ้น Dutch: is er een prijs waartegen iemand dat aandeel heeft verhandeld en het is mogelijk niet de beste prijs, maar het is een prijs. En we zullen bespreken waarom dat gebeurt, omdat je mogelijk 10 miljoen aandelen hebt, en als slechts - weet ik veel - 100 aandelen worden verhandeld elke seconde, of laten we zeggen dat enkel 100 aandelen verhandeld worden per dag, is dat dan een indicatieve prijs? Omdat dat niet een groot percentage is van al de aandelen. Sowieso, we zullen het nog uitgebreider hebben over wat volume betekent ten opzichte van de totale uitstaande aandelen (float) en al dat. Maar laten we op dit ogenblik aannemen dat de aandelen van de onderneming verhandeld worden aan 15 dollar per aandeel. Dat is 15 dollar op dit eigenste ogenblik. Dit is bij wijze van spreken: nu. Verhandeld aan 15 dollar per aandeel, en je kan het opzoeken op je Bloomberg scherm of zo. Eigenlijk voorziet de markt ons hier van een waardering voor deze onderneming. De markt zegt: "Wow." De markt is bereid het aandeel te verhandelen aan 15 dollar. Er was een bereidwillige koper en een bereidwillige verkoper tegen exact 15 dollar per aandeel. Dat betekent dus dat de markt op dat ogenblik deze onderneming waardeert tegen 15 dollar per aandeel, maal 10 miljoen aandelen. Czech: existuje cena, za kterou někdo obchoduje tu akcii a nemusí to být nejlepší cena, ale je to cena. A budeme mluvit o tom, proč se to děje, protože můžete mít 10 milionů akcií, a pokud se obchoduje jenom, nevím, 100 akcií v danou sekundu nebo řekněme jen 100 akcií se obchoduje v daný den, je to orientační cena. Protože to není velké procento ze všech akcií. V každém případě budeme více mluvit o tom, co znamená objem vzhledem k celkovému oběhu atd. Ale řekněme, že v tuhle sekundu jsou akcie firmy obchodovány za 15 dolarů za akcii. Tohle je 15 dolarů v tenhle okamžik. To je jako právě teď. Obchodované za 15 dolarů za akcii a a můžete si to vyhledat na svém Bloomberg terminálu nebo kdekoli jinde. Takže trh nám vlastně poskytuje hodnotu za tuhle firmu. Trh říká wow, trh je ochoten obchodovat akcii za 15 dolarů. Byl zde ochotný kupující a ochotný prodávající přesně pro 15 dolarů za akcii. Takže to znamená, že trh v tom okamžiku hodnotí tuhle firmu na 15 dolarů za akcii krát 10 milion akcií. Thai: $15 ต่อหุ้นคูณ 10 ล้านหุ้น -- ไม่ต้อง ใส่ดอลล่าร์ก็ได้ ตลาดจึงกำหนดค่า 15 คูณ 10 ได้ 150 $150 ล้าน market cap คือมูลค่าหลักทรัพย์ตามตลาดของบริษัท แล้วคุณก็ดู ผมว่า มันอยู่ใน แท็บข้อมูลสถิติหลักของ Yahoo! Finance คุณจะเห็นมูลค่าหลักทรัพย์ ตามตลาดของบริษัท มันก็แค่จำนวนหุ้นคูณ ราคาหุ้น นี่คือสิ่งที่ตลาดคิดว่า หุ้นมีค่าเท่าใด ตลาดกำลังบอกว่าส่วนนี้ตรงนี้ มีค่า $150 ล้าน และเนื่องจากส่วนนี้มีขนาดเท่ากับสินทรัพย์ เราไม่มีอย่างอื่นทางขวา ตลาด จึงบอกว่าสินทรัพย์ตอนนี้มีค่า $150 ล้าน และสองตัวนี้ไม่จำเป็นต้องเท่ากันเสมอไป เราจะเห็นในวิดีโอต่อๆ ไป เมื่อคุณเริ่มระดม Czech: Takže 15 dolarů za akcii krát 10 milionů akcií... ne nutně symbol dolaru. Takže trh přiřazuje, 15 krát 10 je 100. 150 milionů dolarů tržní kapitalizace. Tržní kapitalizace firmy. A můžete se na to podívat...myslím, že je to klíčový statistický tabulátor na Yahoo! Finance a uvidíte tržní kapitalizaci firmy. A je to jen počet akcií krát cena akcií. Tohle je vlastně na kolik trh hodnotí vlastní jmění. Trh říká, že tahle část tady má hodnotu 150 milionů dolarů. A protože tahle část má stejnou velikost jako aktiva, nemáme nic jiného na pravé straně, trh vlastně říká, že tady ta aktiva mají hodnotu 150 milionů dolarů. A tyhle si nebudou vždy rovny. Uvidíme pravděpodbně v pár videích, že když začnete zvyšovat Portuguese: São $15 por ação vezes 10 milhões de ações-- não necessariamente em dólares. São quinze vezes cento e... cento e cinquenta, um valor de mercado de $150 milhões de dólares. Capitalização de mercado para a empresa. Você pode ver isso na aba de estatísticas principais no Yahoo! finanças Lá você pode ver a capitalização de mercado para uma empresa. E isso é apenas o número de ações vezes o preço das ações. Isso é, essencialmente, o valor de mercado do capital. O mercado está dizendo que essa parte bem aqui vale $150 milhões. Já que esse pedaço tem o mesmo tamanho dos ativos, não temos nada no lado direito o mercado está dizendo que os ativos neste momento valem $150 milhões; E esse dois não serão sempre iguais. Veremos em outros vídeos que quando se começa o endividamento, Polish: 15$ za akcję razy 10 milionów akcji - niekoniecznie ze znakiem dolara. Rynek wyznacza - 15 razy 10 to 100 - 150 milionową kapitalizację rynkową. Kapitalizacja rynkowa firmy. Moglibyście spojrzeć na jak sądzę kluczową zakładkę ze statystykami na stronie Yahoo! Finance, a zobaczycie kapitalizację rynkową dla firmy. To jedynie liczba akcji razy cena za akcję. To zasadniczo wartość rynkowa kapitału. Rynek mówi, że ta część tu warta jest 150 milionów $. A skoro ta część jest tej samej wielkości co aktywa, nie mamy nic więcej po prawej stronie, rynek mówi, że teraz aktywa są warte 150 milionów $. To nie zawsze będzie równe. English: So $15 per share times 10 million shares-- not necessarily a dollar sign. So the market is assigning a, 15 times 10 is 100. $150 million market cap. Market capitalization for the company. And you could look on the kind of, I think it's the key statistics tab on Yahoo! Finance, and you'll see market capitalization for a company. And it's just the number of shares times the price of the shares. This is essentially what the market's value of the equity is. The market is saying that this piece right here is worth $150 million. And since this piece is the same size as the assets, we have nothing else on the right-hand side, the market's essentially saying that the assets right now are worth $150 million. And these aren't always going to be equal. We'll see probably in a few videos when you start raising Dutch: Dus 15 dollar per aandeel maal 10 miljoen aandelen - een dollar teken is niet noodzakelijk. De markt kent dus - 15 keer 10 is 150 - een marktcapitalisatie toe van 150 miljoen dollar. Marktcapitalisatie van de onderneming. En je zou kunnen kijken naar zowat - ik denk dat het het belangrijkste statistische tabblad is op Yahoo! Finance, en je zal er de marktcapitalizatie van een onderneming zien. Het is niet meer dan het aantal aandelen vermenigvuldigd met de prijs van de aandelen. Dat is in wezen wat de marktwaarde van het eigen vermogen is. De markt vertelt ons dat dit deel hier 100 miljoen waard is. Een aangezien dat deel exact dezelfde grootte heeft als de activa - we hebben niets anders aan de rechterkant - zegt de markt ons eigenlijk dat de activa op dit ogenblik 150 miljoen dollar waard zijn. En deze zullen niet altijd hetzelfde zijn. We zullen waarschijnlijk in een aantal video's zien dat wanneer je begint met Polish: Parę filmów dalej, zobaczymy prawdopodobnie, że gdy zaczynamy zbierać długi, trzeba wykonać dodatkowe obliczenia by wykombinować wartość aktywów lub - dorzucę tu nowe określenie - wartość przedsiębiorstwa. Wartość przedsiębiorstwa to zasadniczo wartość aktywów minus nadwyżka gotówki. Gotówka w firmie nie musi być w obiegu. Omówimy szczegóły tego. Jednak narazie spojrzymy na to jako na aktywa. Jeśli będę dyrektorem finansowym firmy i załóżmy, że musimy zebrać kolejne, no nie wiem, 15 milionów $. Mam dwie możliwości. Mógłbym powiedzieć, dobrze, firma obraca akcjami po cenie 15$ za akcję, muszę zebrać 15 milionów $, tak bym mógł wyemitować kolejny milion akcji. Nie byłaby to pierwsza oferta publiczna, ponieważ jestem już upubliczniony. Byłaby to kolejna oferta publiczna, czasem nazywana wtórną ofertą. Chociaż słowo wtórna ma dwie konotacje. Lecz byłaby to kolejna oferta publiczna, w której wyemitowałbym akcje, zwróciłbym się do zarządu, stworzylibyśmy kolejny milion akcji, a nastepnie sprzedalibyśmy je na rynku, Czech: dluh, musíte udělat výpočet navíc, abyste zjistili jakou hodnotu mají aktiva nebo... a hodím sem nový pojem jaká je hodnota firmy. Hodnota podniku je vlastně hodnota aktiv mínus přebytečná hotovost. Hotovost, kterou firma nepotřebuje k provozu. A půjdeme do detailů. Ale budeme se na to nyní dívat jako na aktiva. Takže pokud jsem finanční ředitel téhle firmy a řekněme, že potřebujeme získat dalších, nevím, 15 milionů dolarů. Mám dvě možnosti. Mohl bych říct OK, firma se obchoduje za 15 dolarů za akcii, potřebuji získat 15 milionů dolarů, takže bych mohl emitovat další milion akcií. Nebude to první veřejná nabídka akcií, protože jsem již veřejná firma. Bude to následná nabídka akcií nebo někdy se to nazývá sekundární nabídka akcií. Ačkoli slovo sekundární má dva významy. Ale byla by to následná nabídka akcií, kde bych emitoval milion akcií představenstvu. Vlastně bychom vytvořili další milion akcií a potom je prodali na trhu a doufejme, že je lidé budou kupovat za 15 dolarů za akcii nebo pravděpodobně English: debt you have to do an extra calculation to figure out what the asset value or-- and I'll throw out a new term here, the enterprise value of the firm is. The enterprise value's essentially the asset value minus excess cash. The cash the company really doesn't need to operate. And we'll go into more detail of that. But we'll just view it as the assets for now. So if I'm the CFO of this company, and let's say we need to raise another, I don't know, $15 million. I have two options. I could say OK, the company is trading at $15 per share, I need to raise $15 million, so I could issue another million shares. It wouldn't be the initial public offering because I'm already public. It would be a follow-on offering, or sometimes it's called a secondary offering. Although the word secondary has kind of two connotations. But it would be a follow-on offering where I would issue, I'd go to the board, we would essentially create another million shares, and then sell them into the market, and hopefully people will buy it at $15 a share or probably a Portuguese: é necessário um cálculo extra para se saber o valor-- e vou introduzir um novo termo: Valor da empresa. Esse valor é calculado subtraindo-se o excesso de caixa do valor dos ativos. O dinheiro que a empresa não precisa para poder operar. Vou detalhar isso. Mas por enquanto apenas veremos isso como ativos. Sou o CFO desta empresa, e preciso arrecadar $15 milhões. Eu tenho duas opções; Poderia dizer: "Certo, a empresa está sendo negociada a $15 por ação, e preciso de arrecadar mais $15 milhões, logo posso emitir mais um milhão de ações". Não seria um IPO pois a empresa já é pública. Seria um follow on, também conhecido como oferta secundária. Mesmo que "secundária" tenha duas conotações. Mas seria um follow on, então eu iria até os diretores, e nós criaríamos mais um milhão de ações, e as venderíamos no mercado, Thai: หนี้ คุณต้องคำนวณเพิ่มว่า มูลค่าสินทรัพย์หรือ -- ผมจะใส่คำใหม่ตรงนี้ มูลค่าสุทธิของกิจการ (enterprise value) เป็นเท่าใด มูลค่าสุทธิของกิจการก็คือมูลค่าสินทรัพย์ ลบเงินสดส่วนเกิน เงินสดที่บริษัทไม่ได้ดำเนินงานอะไร และเราจะพูดถึงรายละเอียดอีกทีหลัง แต่เราจะมองมันเป็นสินทรัพย์ไปก่อน ถ้าผมเป็น CFO ของบริษัทนี้ และสมมุติว่เราอยาก ระดมเงินอีก ไม่รู้สิ $15 ล้าน ผมมีตัวเลือก 2 อย่าง ผมบอกได้ว่า โอเค บริษัทซื้อขายอยู่ที่ $15 ต่อหุ้น ผมต้องระดมเงิน $15 ล้าน ผมก็ออก อีกล้านหุ้นได้ มันจะไม่ใช่การเสนอขายหุ้น ในตลาดครั้งแรก เพราะผม อยู่ในตลาดแล้ว มันจะเป็นการเสนอขายต่อ (follow-on offering) หรือบางครั้ง เรียกว่าการเสนอขายทุติยภูมิ (secondary offering) ถึงแม้คำว่าทุติยภูมิจะมีความหมายสองแง่ มันอาจเป็นการเสนอขายต่อ โดยผมออก ผมไปที่บอร์ดบริหาร แล้วเราตกลงสร้างหุ้น อีกล้านหุ้น แล้วขายหุ้นในตลาด และ หวังว่าจะมีคนซื้อที่ $15 ต่อหุ้น หรือน้อยกว่า Dutch: het aangaan van schulden je een bijkomende berekening moet maken om uit te maken wat de waarde van de activa of - en ik zal hier een nieuwe term opwerpen - de bedrijfswaarde van de onderneming is. De bedrijfswaarde is de waarde van de activa verminderd met de overtollige cash. De cash die de onderneming echt niet nodig heeft om te kunnen werken. We zullen daar in meer detail op ingaan. Maar nu zullen we het enkel als activa beschouwen. Dus als ik de CFO van deze onderneming ben, en we moeten pakweg nog - weet ik veel - 15 miljoen dollar ophalen. Ik heb twee opties. Ik zou kunnen zeggen: "OK, de onderneming verhandeld tegen 15 dollar per aandeel, ik moet 15 miljoen dollar ophalen, dus zou ik nog een miljoen aandelen kunnen uitgeven. Het zou geen eerste publieke aanbieding zijn omdat ik al publiek ben. Het zou een opvolg-aanbieding zijn, of soms wordt het ook een secundaire aanbieding genoemd. Het woord secundair heeft zo'n twee connotaties. Het zou een opvolg-aanbieding zijn waarin ik - ik zou naar de raad van bestuur gaan - we zouden een extra miljoen aandelen uitgeven, en ze dan verkopen op de beurs, en hopelijk kopen mensen dat dan aan 15 dollar per aandeel or waarschijnlijk Portuguese: então as pessoas pagariam um pouco menos que os $15 já que estamos enchendo o mercado com um monte de ações. Talvez eles paguem $14 por ação, e nós arrecadaríamos $14 milhões. E isso seria um follow on. Como vimos, podemos sempre usar mercados públicos como uma maneira de arrecadar dinheiro. Na maior parte das vezes não tivemos que fazer uma avaliação, negociações, contratar bancos, nem coisas do tipo. Mesmo que os bancos ainda coletem taxas. Na verdade teríamos que contratar bancos. Essa é uma opção. Outra opção seria, no caso de sermos uma empresa consolidada, que gera lucro; poderíamos fazer pagamentos de juros. Poderíamos ir até um banco. Mas há vários modos de fazer isso. Iríamos pegar dinheiro emprestado. Digamos que vamos fazer isso. Ao invés de fazer isso-- vamos fazer os dois. Fizemos um follow on de $1 milhão que gerou $14 milhões para a empresa. Mas queremos mais $2 milhões, mas ao invés de vender ações-- temos quantas ações agora? Vendemos 1 milhão, tínhamos 10 milhões, temos 11 milhões de ações. Czech: za trochu méně, protože trochu zahlcujeme trh tunami akcií. Možná je koupí za 14 dolarů za akcii a my získáme 14 milionů dolarů. A to by byla následná nabídka akcií. Takže můžeme vždy použít veřejné trhy jako zůsob já získat více peněz. Nemuseli jsme dělat všechno tohle... myslím, z větší části jsme nemuseli dělat tohle velké oceňovací cvičení a vyjednávání a dělat všechno tohle, najímat banky atd. Ačkoli banky budou stále vybírat poplatky. Ve skutečnosti bychom měli najmout na tohle banky. Takže to je jedna možnost. Nebo další možnost je, že jsme zavedená firma, generujeme hotovost, můžeme uskuečnit úrokové platby, pokud chceme. Můžeme jít do banky. A ve skutečnosti je řada jiných způsobů, jak tohle udělat. Ale v podstatě si můžeme půjčit peníze. A řekněme, že to uděláme. Místo, abychom dělali tohle... řekněme, že uděláme obojí. Takže řekněme, že jsme udělali následnou veřejnou nabídku akcií v hodnotě 1 milion dolarů, což nám dalo 14 milionů dolarů. A řekněme, že chceme další 2 miliony dolarů, ale tentokrát místo prodávání akcií... takže nyní kolik máme akcií? Prodali jsme 1 milion, měli jsme 10 milionů, máme 11 milionů akcií. Polish: mając nadzieję, że ludzie kupią je po 15$ za akcję lub prawdopodobnie nieco mniej, ponieważ zalewamy rynek tonami akcji. Być może kupią je za 14$ za akcję, a my zbierzemy 14 milionów $. Byłaby to kolejna oferta publiczna. Zawsze możemy użyć rynków publicznych jako sposobu na zbieranie pieniędzy. Nie musieliśmy przez to wszystko przechodzić - chodzi mi o to, że nie musieliśmy wykonać tego wielkiego wysiłku wyceny i negocjacji, zatrudniać banki itd. Chociaż banki nadal będą pobierać opłaty. W zasadzie musielibyśmy zatrudnić banki do tego. To jedna z możliwości. Druga możliwość to taka, że jesteśmy uznaną firmą generującą zysk, moglibyśmy mieć wypłatę odsetek gdybyśmy chcieli. Moglibyśmy pójść do banku. W zasadzie jest wiele sposobów w jaki to można zrobić. Moglibyśmy pożyczyć pieniądze. Załóżmy, że tak właśnie zrobiliśmy. Zamiast tego - załóżmy, że zrobimy obie rzeczy. Załóżmy, że przygotowaliśmy milionową kolejną ofertę publiczną, to nam dało 14 milionów $. Załóżmy, że chcemy kolejne 2 miliony $, lecz tym razem zamiast sprzedawać akcje - ile mamy teraz akcji? Sprzedaliśmy milion, mieliśmy 10 milionów, English: little bit less because we're kind of flooding the market with a ton of shares. Maybe they buy it at $14 per share, and we would raise $14 million. And that would be a follow-on offering. So we can always use the public markets as a way to raise more money. We didn't have to go to all this-- I mean, for the most part we didn't have to do this huge valuation exercise and negotiations and do all of this, hire banks and all that. Although the banks will still collect fees. We actually would have to hire banks to do this. So that's one option. Or the other option is we're an established company, we're generating cash, we could make interest payments if we want to. We could go to a bank. And actually there's a lot of different ways to do this. But we could essentially borrow money. And let's just say we do that. Instead of doing this-- let's say we do both. So let's say we did a $1 million follow-on offering, that gave us $14 million. And let's say we want another $2 million, but this time instead of selling shares-- so right now how many shares do we have? We sold 1 million, we had 10 million, we have 11 million shares. Thai: นิดหน่อยเพราะเราทำให้มีหุ้น ในตลาดเป็นจำนวนมาก บางทีเขาอาจซื้อที่ราคา $15 ต่อหุ้น แล้วเรา จะระดมเงินได้ $14 ล้าน นั่นคือการเสนอขายต่อแบบหนึ่ง เราจึงใช้ตลาดทั่วไปเพื่อ ระดมเงินเพิ่มได้ เราไม่ต้องไปทำเรื่องทั้งหมดนี้ -- ส่วนใหญ่แล้ว เราไม่ต้องไปทำการประเมินค่าและ ต่อรอง อะไรพวกนั้น จ้างธนาคารอะไรพวกนั้นอีก ถึงแม้ว่าธนาคารจะยังคิดค่าธรรมเนียมอยู่ เรายังต้องจ้างธนาคารทำงานนี้ นั่นคือตัวเลือกหนึ่ง หรืออีกวิธีคือเราเป็นธุรกิจที่มั่นคงแล้ว เรา สร้างเงินสดได้ เราจ่ายดอกเบี้ยได้ ถ้าต้องการ เราก็ไปยังธนาคารได้ และมันมีวิธีทำหลายวิธี แต่ที่สุดแล้ว เราจะไปยืมเงิน และสมมุติว่าเราทำอย่างนั้น แทนที่จะทำอย่างนี้ -- สมมุติว่าเราทำทั้งสองอย่าง สมมุติว่าเราทำการเสนอขายต่อ อีก 1 ล้านหุ้น ทำให้เราได้เงิน $14 ล้าน และสมมุติว่าเราอยากได้อีก $2 ล้าน แต่คราวนี้ แทนที่จะขายหุ้น -- ตอนนี้เรา มีหุ้นกี่หุ้นนะ? เราขายไป 1 ล้าน เรามี 10 ล้าน ตอนนี้เรา มี 11 ล้านหุ้น Dutch: een klein beetje minder omdat we de markt zowat overspoelen met heel veel aandelen. Misschien kopen ze het aan 14 dollar per aandeel en we zouden 14 miljoen dollar ophalen. En dat zou een opvolg-aanbieding zijn. Dus we kunnen altijd een beroep doen op de openbare markten om meer geld op te halen. We moesten niet door dit alles gaan - ik bedoel, voor het overgrote deel moesten we deze enorme waarderingsoefening niet te doen noch de onderhandelingen en al dit doen, banken inhuren en zo. Hoewel de banken nog altijd vergoedingen ontvangen. We zouden eigenlijk banken moeten inhuren om dit te doen. Dus dat is een optie. Of de andere optie is dat we een gestelde onderneming zijn, we genereren cash, we zouden rente kunnen terugbetalen als we zouden willen. We zouden naar een bank kunnen gaan. En er zijn in feite heel veel verschillende manieren om dat te doen. Maar we zouden geld kunnen lenen. En laten we aannemen dat we dat doen. In plaats van dit te doen -- laten we zeggen dat we beide doen. Dus laten we aannemen dat we een opvolg-aanbieding afwerkten van 1 miljoen dollar die ons 14 miljoen dollar opleverde. En laten we aannemen dat we nog eens 2 miljoen dollar willen, maar deze keer - in plaats van aandelen te verkopen - op dit ogenblik hoeveel aandelen hebben we? We verkochten er 1 miljoen, we hadden er 10 miljoen, we hebben 11 miljoen aandelen. English: Let's say, you know what, let's say as a CFO I feel like our shares are going to move up a lot more. So we don't like selling them at this low price. And let's say interest rates are really low. Instead we're going to borrow money. That's essentially raising debt. So let's say we borrow another $3 million because we need it. So actually this would be debt, $3 million of debt, and we would get $3 million of cash. So now our assets are all of this stuff on the left-hand side. And what are our liabilities now? Now, we didn't have liabilities before because everything we had were equities. But now we do. Now we owe somebody $3 million right here. And I'll talk more about all the different ways to kind of borrow money. But it's essentially, it could just literally be a bank loan. They might have just gone to Bank of America and said hey, Thai: สมมุติว่า รู้ไหม สมมุติว่า CFO ผมรู้สึกว่า จำนวนหุ้นเราเพิ่มขึ้นมากเกิน เราไม่อยากขายหุ้นที่ราคาต่ำเกินไป และสมมุติว่าอัตราดอกเบี้ยต่ำมาก เราจึงจะยืมเงินแทน นั่นก็คือการระดมหนี้ สมมุติว่าเรายืมเงินอีก $3 ล้าน เพราะเราต้องการมัน นี่จะเป็นหนี้ หนี้ $3 ล้านและ เราจะได้เงินสดมา $3 ล้าน ตอนนี้สินทรัพย์ของเราคือทั้งหมดนี้ ทางซ้ายมือ แล้วหนี้สินของเราตอนนี้เป็นเท่าใด? ทีนี้ เราไม่มีหนี้สินมาก่อนเพราะ ทุกอย่างที่เรามีเป็นส่วนได้เสีย แต่ตอนนี้เรามีแล้ว ตอนนี้เราติดเงินคนอื่น $3 ล้าน และเราจะพูดถึงวิธีการยืมเงินแบบต่างๆ ต่อไป แต่มันก็คือ มันก็คือการกู้ธนาคาร บริษัทอาจไปหา Bank of America แล้วบอกว่า เฮ้ Dutch: Laten we zeggen... weet je wat, laten we zeggen dat ik als CFO denk dat onze aandelen heel veel meer waard zullen worden. Dus willen we ze niet verkopen tegen een lage prijs. En laten we aannemen dat de intrestvoeten heel laag zijn. In de plaats daarvan zullen we geld lenen. Dat is de essentie van schulden aangaan. Dus laten we aannemen dat we nog eens 3 miljoen dollar lenen, omdat we het nodig hebben. Dat zou dus echt schuld zijn, 3 miljoen schulden, en we zouden 3 miljoen schulden hebben. Dus nu zijn onze activa al dit hier aan de linkerkant. En wat is ons vreemd vermogen nu? Nu, we hadden geen vreemd vermogen voordien omdat alles wat we hadden eigen vermogen was. Maar nu hebben we er dus wel. Nu moeten we iemand 3 miljoen dollar, hierzo. En ik zal verder uitweiden over de verschillende manier om geld te lenen. Maar het komt erop neer dat het gewoon letterlijk een banklening kan zijn. Ze kunnen gewoon naar de Bank of America gegaan zijn en gezegd hebben: Polish: mamy 11 milionów akcji. Przyjmijmy, że jako dyrektor finansowy czuję, że nasze akcje znacznie podskoczą. Nie chcemy ich sprzedawać po tak niskiej cenie. Ustalmy, że stopy procentowe są bardzo niskie. Zamiast tego pożyczymy pieniądze. To zasadniczo zaciąganie długu. Załóżmy, że pożyczamy kolejne 3 miliony $, ponieważ je potrzebujemy. To byłby dług, 3 miliony $ długu, dostalibyśmy 3 miliony $ w gotówce. Nasze aktywa teraz to wszystko to po lewej stronie. Jakie są nasze pasywa teraz? Nie mieliśmy wcześniej pasywów, ponieważ wszystko co mieliśmy to był kapitał. Teraz natomiast mamy. Jesteśmy teraz komuś winni 3 miliony $. Powiem nieco więcej o różnych metodach pożyczania pieniędzy. Może to być dosłownie pożyczka w banku. Mogli po prostu pójść do banku Bank of America i powiedzieć, Portuguese: Digamos que como CFO eu sinta que nossas ações vão subir mais. Então não quero vendê-las por pouco dinheiro. E digamos que as taxas de juros sejam pequenas. Então vamos pegar dinheiro emprestado. Isso irá aumentar a dívida. Digamos que pegamos $3 milhões emprestados por necessidade. Então isso seria uma dívida, uma dívida de $3 milhões, e, teríamos $3 milhões em dinheiro. Agora nossos ativos são essas coisas aqui no lado esquerdo. Qual é nosso passivo agora? Não tínhamos passivo antes já que tudo o que tínhamos era capital. Mas agora temos passivo. Agora devemos $3 milhões para alguém. Falarei sobre os diferentes modos de se pegar dinheiro emprestado. Mas isso poderia ser um empréstimo bancário. Eles podem ter ido ao Bank of America e dito: Czech: Víte co, řekněme, že jako finanční ředitel cítím, že naše akcie hodně porostou. Takže nejsme rádi, že se prodávají za takhle nízkou cenu. A řekněme, že úrokové sazby jsou skutečně nízké. Místo toho si půjčíme peníze. To je vlastně získávání dluhu. Takže řekněme, že si půjčíme další 3 miliony dolarů, protože je potřebujeme. Takže ve skutečnosti je tohle dluh, dluh 3 miliony dolarů a dostaneme 3 miliony v hotovosti. Takže teď jsou naše aktiva všechny tyhle věci na levé straně. A co jsou nyní naše závazky? Nyní, neměli jsme předtím žádné závazky, protože všechno, co jsme měli, bylo vlastní jmění. Ale nyní máme. Nyní někomu dlužíme 3 miliony dolarů. A budu více mluvit o různých způsobech půjčování peněz. Ale to je v podstatě, může to být doslova bankovní půjčka. Mohli jen tak jít do Bank of America a říct, hele English: we're a big company and we're good for the money, why don't you lend us $3 million. And maybe it would be $3 million at a low interest rate, at maybe 6% per year. And Bank of America feels good because you have a high-- we'll talk more about credit ratings and all of that-- but they say oh, you have essentially a good company credit score. So we'll give it to you at a low interest rate. So what happens in the future is, these assets are going to generate, hopefully, some cash. And before these guys see it-- let me do to it in the-- before these equity holders-- this is the equity holders right now-- before the equity holders see anything, these guys have to get paid their interest. And I'll show you all of that on a line-by-line basis in an income statement. Everything we've done so far has been a balance sheet. But something interesting is happening now. Now all of a sudden your assets, which is that side-- I know I just keep writing over the same drawing-- your assets are now larger than your equity. I think now, and this is just kind of a review of the Polish: jesteśmy dużą firmą i jesteśmy warci tych pieniędzy, czemu nie pożyczycie nam 3 milionów $. Być może byłyby to 3 milion $ przy niskiej stopie procentowej, może 6% rocznie. Bank of America dobrze się czuje, ponieważ mamy wysoką - porozmawiamy nieco więcej o zdolności kredytowej i całej reszcie - lecz mówią macie dobry wynik kredytowy (credit score). Udzielimy wam nisko oprocentowanego kredytu. W przyszłości, mamy nadzieje, że aktywa wygenerują trochę gotówki. Zanim ci ludzie to zauważą - zrobię to w - zanim ci udziałowcy - to są teraz udziałowcy - zanim udziałowcy coś zobaczą, ci ludzie muszą mieć opłacone odsetki. Pokażę wam to linijka za linijką w zaświadczeniu o dochodach. Wszystko co dotychczas robiliśmy było bilansem. Coś ciekawego się teraz dzieje. Nagle wszystkie nasze aktywa, czyli ta strona - wiem, że ciągle piszę po tym samym rysunku - nasze aktywa są teraz większe niz nasz kapitał. Sądzę teraz, a to tylko przypomnienie filmu o bilansach, Portuguese: "Somos uma grande empresa que lida bem com dinheiro, "por que você não nos empresta $3 milhões?". E isso seria um empréstimo de $3 milhões com uma taxa de juros baixa, por volta de 6% ao ano. E o Bank of America se sente confortável já que você tem-- falaremos sobre qualificação creditícia e tudo isso-- mas eles dizem: "Sua empresa tem uma boa pontuação de crédito". "Faremos o empréstimo a uma taxa de juros baixa". O que acontece no futuro é que esses ativos vão gerar algum dinheiro. E antes que eles notem-- vou fazer no-- antes que estes acionistas-- estes são os acionistas no momento--- antes que os acionistas vejam qualquer coisa, esses caras precisam receber seus juros. Mostrarei a vocês detalhadamente uma declaração de renda. Tudo o que fizemos até agora foi um balanço. Mas há algo interessante acontecendo. De repente seus ativos, que estão deste lado-- eu sei que estou escrevendo sobre o mesmo desenho-- seus ativos são maiores que seu passivo. Isso é apenas uma revisão do vídeo sobre Dutch: "We zijn een groot bedrijf en we kunnen onze schulden terugbetalen, waarom ontleen je ons geen 3 miljoen dollar?" En misschien zou het 3 miljoen zijn tegen een lage intrestvoet misschien tegen 6% per jaar. En Bank of America vindt dit goed omdat je een hoge -- we zullen het later uitgebreider hebben over credit ratings en die dingen -- maar ze zeggen: "Oh, je hebt in wezen een goede onderneming credit score. Dus we zullen het aan je geven tegen een lage interestvoet." Wat er dan te gebeuren staat, is dat deze activa - hopelijk - wat cash gaan opbrengen. En nog voor deze gasten het zien -- laat ik het voorstellen in de -- voor deze aandeelhouders -- dit zijn de aandeelhouders op dit ogenblik -- voor de aandeelhouders iets zien, moeten deze gasten hun rente betaald krijgen. En ik zal je al dat lijn-per-lijn laten zien op een inkomstenstaat. Alles wat we tot nog toe gedaan hebben, is een balans. Maar nu gebeurt iets interessant. Plots zijn je activa, dat is deze kant - ik weet dat ik maar over dezelfde tekening blijf schrijven - je activa zijn nu groter dan je eigen vermogen. Ik bedenk nu dat dit gewoon een soort evaluatie is van de Czech: jsme velká firma a za dané peníze máme dobrou hodnotu, proč nám nepůjčíte 3 miliony dolarů? A třeba to budou 3 miliony dolarů za nízkou úrokovou sazbu, třeba 6% ročně. A Bank of America se cítí dobře, protože máte vysokou... budeme mluvit o úvěrovém hodnocení atd.... ale řeknou, máte v podstatě dobré firemí kreditní skóre. Takže vám to dáme za nízkou úrokovou sazbu. Takže, co se v budoucnu stane je, že tahle aktiva budou generovat, doufejme, nějakou hotovost. A předtím než to tihle lidé uvidí...udělám to předtím než tihle akcionáři... tohle jsou akcionáři... předtím než akcionáři něco uvidí, těmhle lidem se musí zaplatit úrok. A všechno tohle vám ukáži řádek po řádku ve výsledovce. Vše, co jsme doteď dělali, byla rozvaha. Ale teď se děje něco zajímavého. Nyní najednou vaše aktiva, což je tahle strana... já vím, píši přes ten samý obrázek... vaše aktiva jsou nyní větší než vaše vlastní jmění. Teď přemýšlím a tohle je svým způsobem opakování Thai: เราเป็นบริษัทใหญ่ และเรามีเงินอยู่ ทำไมคุณไม่ ให้เรายืมเงินสัก $3 ล้านล่ะ บางทีอาจเป็น $3 ล้านอัตราดอกเบี้ยต่ำ อาจเป็น 6% ต่อปี และ Bank of America ก็ยินดีเพราะคุณมี -- เราจะพูดถึงอันดับเครดิต อะไรพวกนั้น -- แต่ เขาบอกว่า โอ้ คุณมีคะแนน เครดิตบริษัทดี เราจะให้คุณยืมด้วยอัตราดอกเบี้ยต่ำ สิ่งที่เกิดขึ้นในอนาคตคือว่า สินทรัพย์เหล่านี้ หวังว่าจะสร้างเงินสดขึ้นมา และก่อนหน้าที่คนเหล่านี้จะเห็นมัน -- ขอผมเขียน -- ก่อนผู้ถือหุ้นเหล่านี้ -- นี่คือผู้ถือหุ้น ตอนนี้ -- ก่อนที่ผู้ถือหุ้นจะเห็นอะไร คนเหล่านี้ต้องได้ดอกเบี้ยก่อน ผมจะแสดง ให้เห็นบรรทัดต่อบรรทัดในงบกำไรขาดทุน ทุกอย่างที่เราทำถึงตอนนี้เป็นแค่งบดุล แต่สิ่งที่น่าสนใจกำลังเกิดขึ้นแล้ว ทันใดนั้น สินทรัพย์ของคุณ ซึ่งก็คือด้านนี้ -- ผมรู้ว่าผมเขียนทับรูปเดิมอยู่นั่นแหละ -- สินทรัพย์ของคุณ ตอนนี้ใหญ่กว่าส่วนได้เสีย ผมคิดว่าตอนนี้ นี่เป็นเพียงการทบทวน Portuguese: balanços, você pode perceber que seus ativos são iguais ao seu capital, que é isso bem aqui, seu capital mais seu passivo. Seu passivo é de $3 milhões. Mais passivo. Se você quisesse saber o valor de seus ativos, já que seu ativo é o mesmo que seu capital. Qual o valor de mercado de seu capital? Já esclarecemos isso. Temos onze milhões de ações agora. Digamos que seu o valor das ações vá a $10 por algum motivo estranho ou não. Qual o valor de mercado? $10 por ação, 11 milhões de ações, temos um valor de mercado de $110 milhões. Este é o valor de mercado. Falarei sobre a diferença entre valor de mercado e valor contábil. Este é o valor de mercado de seu capital. E qual o valor de seu passivo? Devemos $3 milhões, então são mais $3 milhões. Podemos dizer que, para o mercado, Czech: videa o rozvaze. Vidíte, že aktiva se rovnají vašemu vlastnímu jmění, které je právě tady, vaše vlastní jmění plus vaše závazky. Vaše závazky jsou nyní 3 miliony dolarů. Plus závazky. Takže pokud jste chtěli vědět, jakou hodnotu mají vaše aktiva, protože vaše aktiva se rovnají vašemu vlastnímu jmění. Takže jaká je tržní hodnota vašeho vlastního jmění? To už jsme zjistili. Máme nyní 11 milionů akcií. A řekněme, že akcie klesne na 10 dolarů za akcii z nějakého divného důvodu nebo nedivného důvodu. Takže jaká je tržní kapitalizace? 10 dolarů za akcii, 11 milionů akcií, máme tržní kapitalizaci 110 milionů dolarů. Děláme tržní hodnotu. A budeme více mluvit o rozdílu mezi tržní a účetní hodnotou. Ale tohle je tržní hodnota vašeho vlastního jmění. A potom kolik jsou vaše závazky? Dlužíme 3 miliony dolarů, takže plus 3 miliony dolarů. Takže bychom mohli říct, z větší části tržní hodnota English: balance sheet video, you see that the assets are equal to your equity, which is this right here, your equity plus your liabilities. Your liabilities now are $3 million. Plus liabilities. So if you wanted to know what your assets are worth, because your assets are equal to your equity. So what's your market value of your equity? Well, we figured that out already. We have 11 million shares now. And let's say the stock plummets to $10 a share for some strange reason or for a not-strange reason. So what's the market cap? $10 a share, 11 million shares, we have a $110 million market cap. We're doing a market value. And we'll talk more about the difference between market and book value. But this is the market value of your equity. And then what is your liabilities? Well we owe $3 million, so plus 3 million. So we could say that for the most part the market value of Polish: widzicie, że aktywa są równe kapitałowi, który jest tym tutaj, kapitał plus pasywa. Nasze pasywa wynoszą teraz 3 miliony $. Plus pasywa. Jeśli chcieliście wiedzieć ile nasze aktywa są warte, ponieważ nasze aktywa są równe kapitałowi. Jaka jest wartość rynkowa naszego kapitału? Już do tego doszliśmy. Mamy teraz 11 milionów udziałów. Przyjmijmy, że ceny akcji runęły do wartości 10$ za sztukę z pewnego dziwnego powodu lub bez żadnego dziwnego powodu. Jaka jest kapitalizacja rynkowa? 10$ za akcję, 11 milionów akcji, mamy 110 milionową kapitalizację rynkową. Robimy wycenę rynkową. Powiemy nieco więcej o różnicy między wartościa rynkową a wartością księgową. Ale to rynkowa wartość kapitału. Jakie są nasze pasywa? Jesteśmy winni 3 milionów $, więc plus 3 miliony. Moglibyśmy powiedzieć, że w większej części wartość rynkowa naszych aktywów Thai: วิดีโอเรื่องงบดุล คุณเห็นว่าสินทรัพย์เท่ากับ ส่วนได้เสีย ซึ่งก็คือตรงนี้ ส่วนได้เสียบวก หนี้สินของคุณ หนี้สินคุณตอนนี้อยู่ที่ $3 ล้าน บวกหนี้สิน ถ้าคุณอยากรู้ว่าสินทรัพย์มีค่าเท่าใด เนื่องจาก สินทรัพย์เท่ากับส่วนได้เสีย มูลค่าตลาดของส่วนได้เสียคุณเป็นเท่าใด? เราหาไปแล้ว เรามี 11 ล้านหุ้นตอนนี้ สมมุติว่าหุ้นตกลงมาเหลือ $10 ต่อหุ้น ด้วยเหตุผลประหลาด หรือไม่ประหลาดก็ตาม market cap จะเป็นเท่าใด? $10 ต่อหุ้น 11 ล้านหุ้น เรา มีมูลค่าหลักทรัพย์ตามตลาด $110 ล้าน เราคิดมูลค่าตามตลาด และเราจะพูดถึงความแตกต่างระหว่าง มูลค่าตามตลาดกับตามบัญชี ต่อไป แต่นี่คือมูลค่าตลาดของส่วนได้เสีย แล้วหนี้สินของคุณเป็นเท่าใด? เรายืมเงินมา $3 ล้าน บวก 3 ล้าน เราก็บอกได้ว่า รวมแล้วมูลค่าตามตลาดของ Dutch: video over balansen, je ziet dat de activa gelijk zijn aan je eigen vermogen, dat hier staat, je eigen vermogen plus je vreemd vermogen. Je vreemd vermogen is nu 3 miljoen. Plus vreemd vermogen. Dus als je wou weten wat je activa waard waren, omdat je activa gelijk zijn aan je eigen vermogen. Dus wat is je marktwaarde ten aanzien van je eigen vermogen? Wel, dat hebben we al door. We hebben nu 11 miljoen aandelen. En laten we zeggen dat het aandeel ineenzakt tot 10 dollar per aandeel voor een of andere vreemde reden of zelfs voor een niet-zo-vreemde reden. Dus wat is nu de marktcapitalisatie? 10 dollar per aandeel, 11 miljoen aandelen, we hebben een marktcapitalisatie van 110 miljoen dollar. We bekijken nu even de marktwaarde. En we zullen het verder hebben over het verschil tussen markt- en boekwaarde. Maar dit is de marktwaarde van je eigen vermogen. En wat is dan je vreemd vermogen? Wel, we hebben 3 miljoen dollar tegoed, dus plus 3 miljoen. We kunnen dus zeggen dat voor het overgrote deel de marktwaarde van Dutch: onze activa, de markt denkt dat het geheel van deze linkerkant een waarde zal hebben van ons eigen vermogen, de marktcapitalisatie van onze onderneming, vermeerderd met de som van onze schulden, die gelijk is aan 113 miljoen dollar. De waarde van deze activa is dus 113 miljoen dollar, en dat is voor het grootste deel de bedrijfswaarde van de onderneming. Wat zijn de activa van de onderneming waard? En we zullen het daarover hebben - er is een kleine aanpassing die we zullen toepassen - later - op de bedrijfswaarde. Maar dat is in essentie hoe je zo ongeveer kan inschatten wat de onderneming waard is. Een heel aantal mensen, als ze een marktcapitalisatie berekenen, zeggen "Oh, dat is wat de onderneming waard is." Wel, neen, dat is wat het eigen vermogen waard is. Marktcapitalisatie is wat het eigen vermogen waard is. Als je wil weten wat de onderneming waard is, moet je de marktcapitalisatie nemen en dan de schulden toevoegen. Een andere manier -- wacht, ik zal het niet te ingewikkeld maken omdat ik net bedenk dat mijn tijd alweer op is. Tot ziens in een volgende video. English: our assets, the market thinks that this entire left-hand side is going to be worth the value of our equity, the market cap of the company, plus the amount of debt, which is equal to $113 million. So the value of these assets are $113 million, and that for the most part is the enterprise value of the company. What is the company's assets worth? And we'll talk-- there's a little bit of a tweak we'll do in the future on enterprise value. But that's essentially how you kind of can value what the company's worth. A lot of people when they do a market capitalization calculation they say oh, that's what the company's worth. Well no, that's what the equity is worth. Market cap is what the equity's worth. If you want to know what the company's worth, you have to take the market cap and then add the debt. Another way-- well, I won't get too complicated because I just realized I've run out of time again. See you in the next video. Thai: สินทรัพย์ ตลาดคิดว่าทางซ้ายมือทั้งหมด จะมีค่าเท่ากับมูลค่าของหุ้น market cap ของบริษัท บวกปริมาณหนี้ ซึ่งเท่ากับ $113 ล้าน มูลค่าของสินทรัพย์เหล่านี้ จึงเท่ากับ $113 ล้าน และมันก็เกือบเป็นมูลค่าสุทธิ ของกิจการบริษัทแล้ว สินทรัพย์ของบริษัทมีค่าเท่าใด? เราจะพูดถึง -- มูลค่าสุทธิของกิจการ จริงๆ แตกต่างนิดหน่อย เราจะพูดถึงในอนาคต แต่มันก็คือวิธีที่คุณมองมูลค่า ของบริษัท หลายคนเวลาคิด มูลค่าหลักทรัพย์ตามตลาด เขาบอกว่า โอ้ นั่นคือ มูลค่าของบริษัท แต่ไม่ใช่ นั่นคือมูลค่าของส่วนได้เสีย มูลค่าหลักทรัพย์ตามหลักทรัพย์ คือมูลค่าของส่วนได้เสีย ถ้าคุณอยากรู้ว่าทั้งบริษัทมีมูลค่าเท่าใด คุณต้อง นำ market cap มาแล้วบวกหนี้สิน อีกวิธี -- ผมไม่อยากทำให้ซับซ้อนเกิน เพราะผมเพิ่งรู้ตัวว่าผมหมดเวลาอีกแล้ว แล้วพบกันใหม่ในวิดีโอหน้าครับ Czech: našich aktiv, trh si myslí, že tahle celá levá strana bude mít hodnotu našeho vlastního jmění, tržní kapitalizace firmy plus částka dluhu, se rovná 113 milionů dolarů. Takže hodnota těchto aktiv je 113 milionů dolarů a to je z větší části hodnota podniku naší firmy. Jaká je hodnota firemních aktiv? A budeme mluvit... a je tu malá úprava hodnoty podniku, kterou uděláme v budoucnu. Ale to je v podstatě, jak můžete určit hodnotu firmy. A řada lidí, když dělají výpočet tržní kapitalizace říkají, to je jakou má firma hodnotu. To je jakou hodnotu má vlastní jmění. Tržní kapitalizace je hodnota vlastního jmění. Pokud chcete vědět jakou hodnotu má firma, musíte vzít tržní kapitalizaci a přidat dluh. Jiný způsob... nebudu to příliš komplikovat, protože jsem si uvědomil, že už zase nemám čas. Uvidíme se v příštím videu. Portuguese: o valor de nossos ativos, aqui no lado esquerdo, é o mesmo valor de nosso capital, o valor de mercado da empresa mais os débitos, que é igual a $113 milhões. O valor desses ativos é $113 milhões e isso vale para a maior parte do valor da empresa. Quanto valem os ativos da empresa? No futuro falaremos sobre o valor da empresa. Mas isso é, essencialmente, o modo de se calcular quanto vale uma empresa. Muitas pessoas, ao fazer uma capitalização de mercado acreditam que esse seja o valor da empresa. Na verdade isso é quanto vale o capital. O valor de mercado é quanto vale o capital. Se quiser saber o quanto vale a empresa, precisa pegar o valor de mercado e adicioná-lo ao débito. Não vou complicar as coisas, pois estou sem tempo de novo. Até a próxima. [Legendado por: Karoline] Polish: - rynek sądzi, że cała lewa strona będzie równa wartości naszego kapitału, kapitalizacja rynkowa firmy, plus wielkość długu, co jest równe 113 milionom $. Wartość tych aktywów to 113 milionów, a to w przeważającej części wartość przedsiębiorstwa. Ile warte są aktywa firmy? Porozmawiamy - jest mała zmiana, którą w przyszłości wprowadzimy do wartości przedsiębiorstwa. Zasadniczo jednak można w ten sposób jakby wycenić wartość firmy. Wiele osób gdy robi kalkulację kapitalizacji rynkowej, mówi, że to wartość firmy. Otóż nie, to wartość kapitału. Kapitalizacja rynkowa to wartość kapitału. Jeśli chcemy wiedzieć ile warta jest firma, musimy do kapitalizacji rynkowej dodać dług. Inny sposób - nie będę komplikował, ponieważ właśnie zauważyłem, że znów skończył mi się czas. Do zobaczenia w następnym filmie.
{ "pile_set_name": "YoutubeSubtitles" }
(guitar music) - This is called the Respect Life 5K and it's a fundraiser for the Knights of Columbus ultrasound initiative. We raise funds to purchase ultrasounds for pregnancy crisis centers here in Colorado. - What we're here for is first of all saying life is good. Life's a race like Saint Paul says, we run and we run the race of faith and we want every child conceived to be able to run that race. - The Knights have really truly helped us because we use their ultrasounds on a daily basis. There's many women when they see the image of their baby, not only they but their families come to support that life. - When they actually go in and have an ultrasound done, I think they make a much more informed decision. - The Knights, this council started this nine years ago. It's grown to, I think it was today, they had a record 261 runners. We got Knights planning this event for the past year. - We want to bring our Catholic principles into the community. You know we're integrated into society, but also we're leading society. - We give the opportunity for the community to come together as a whole and hopefully make a statement about respecting life. - The Knights are definitely a pro-life organization. I try to beg, borrow, and steal so that every dime we save goes right to the ultrasounds initiative. - You know it's really hard to stand up for life some days, but on a day like today, it's just easy to remember that God's here and that we've already won the victory.
{ "pile_set_name": "YoutubeSubtitles" }
- Hi, so check it out, it's Trevor James. I just got in to Medan, Indonesia and I'm so pumped because today, we're going to go for a full on street food tour. I can't wait. (upbeat music) This is Medan, a food hotspot in northern Sumatra that you're going to fall in love with right when you arrive. You'll be surprised by the sheer variety of street food right there for you to try around every corner. There's tons of classic dishes to be tried and a large amount of Chinese influenced dishes as well. We found nine different amazing street foods that you're going to love, so stick around until the end to enjoy them all. We're deep in the morning market here. (speaks foreign language) in Medan. Let's see what we can find. After a quick walk through the morning market, we found a hawker stall selling a ton of different specialties. But one thing that captures your eye right away as you walk up is the famous Nasi Lemak. This dish is famous all throughout Indonesia and Malaysia with slight variations wherever you go, but one thing that is certain is the rice is cooked in a rich coconut milk and you can choose some super spicy and flavorful side dishes. Oh wow, look at this, guys. We're going to get a Nasi Lemak in a banana leaf. Rice on the banana leaf. Oh yeah, some crisps. Oh, fried shallots. - Rendang, rendang. - Rendang. (upbeat music) - [Trevor] Oh, rendang. Oh, look at that. That just looks amazing. So we just got the Nasi (speaks foreign language), Nasi Lemak. Doesn't that look amazing? I got a ton of beef rendang sauce over rice, all of these fried. I think this is fried galangal. Here's cucumber. Oh yeah, there's, oh yeah, lots of different spicy sambos in there. There's crisps, oh yeah. And I'm just going to get a nice big bite full of that rendang sauce with a big piece of that beef rendang. Mm! Wow, that beef flavor. That rendang spice, it's so thick. It's ultra, ultra rich. That rendang is so thick and rich. It's quite spicy, earthy. Oh, and that rice mixed with all the little bits of sambal, fried galangal. Oh, that is just a powerful start to the day. Next up, we made our way down the street to another morning market in search of more street food and found an iconic dish in Medan, the Kuay Teow. As soon as we walked up and found this Kuay Teow noodle stall, we knew that it had to be eaten. This must be the famous Kuay Teow. Oh, duck and Kuay Teow! Just walking through a morning market here and there's so much goodies to find. So fried Kuay Teow, which are like fat, wide rice noodles and she's going to put duck egg in there and shrimp and rice cake and sweet sausage, Chinese sausage. (Trevor and woman speak foreign language) Oh, this is just going to be a marvelous dish. (speaks foreign language) Kuay Teow for life. Oh, there's the duck egg. (cook speaks foreign language) (Trevor and woman converse in foreign language) Wow, look at this guys. Oh, she's just putting a little lagau in there, oh, just a little touch. Oh, you can really smell the flavor of the wok going into those noodles. (Trevor and woman speak foreign language) Oh yeah, right on the banana leaf. Wow, right on the banana leaf there. That just looks so flavorful. (Trevor and woman speak foreign language) This is famous in Medan. Oh, it's hot and fresh. Look at that, guys, all those Kuay Teow noodles packed with fish ball, shrimp, oh, there's duck egg in there and the Kuay Teow, you can really smell the banana leaf fragrance because it's warm. The banana leaf is just emitting an amazing fragrance. Wow. (Trevor and woman speak foreign language) (Trevor and woman laugh) Wow, that flavor is incredibly fragrant. (man speaks foreign language) That is ultra flavor. The Kuay Teow mixed with the shrimp, mixed with the fish ball and that slightly sweet Chinese sausage. The wok definitely gives it a bunch of flavor. Slightly smoky, slightly peppery. Mm, mm, oh yeah, a touch of spice. Next up, we went to go try one of the most famous street noodles in Medan, the Duck Bihun. Here, you get nice huge chunks of duck meat, Bihun noodles, garlic, and greens all combined with the richest duck broth that's been simmering for hours. This is one of the best broths you'll ever taste. - Good morning. - Morning. Oh, good. How are you. Oh, the Bihun Bebek. - Yes. (man speaks foreign language) The best in the world. - The best in the world? Really? Okay. - Big one. - Yeah, big one please. Okay, big one (speaks foreign language). - This looks so good. That duck broth is just like, in the air. You can smell it, it's strong. (Trevor and woman foreign language) This just looks amazing. Look at this, guys. Starting the day of right here in Medan. We have the Bihun Bebek. Look at all of these nice, tender looking slices of duck with rice noodle, tons of garlic, greens, oh yeah, green onions. And then the real magic, the duck broth and some chili paste. First thing I'm going to do is just add a couple spoons of that garlic. Oh yeah, get a little more. Wow! And then add their specialty duck broth. That is thick! Look at that, guys. Oh, wow. That is going to be a beautiful start to the day. And then just a touch. Don't want to overpower. Just a touch of chili to start it off. Oh yeah. oh, that's ultra flavor. (speaks foreign language) - All around the world. - Around the world. - Peking, Shanghai. - Really? - You cannot. - Cannot get that flavor? - You can't. - Wow. That duck broth is just so flavorful with ll the garlic in there, that is so powerfully smooth and the duck meat, it is so tender. Next up, we went to one of the oldest restaurants in Medan, trying a famous coconut milk and tumeric beef soup famous for its distinct, rich gravy that's spiced with caraway, ginger, coriander, and garlic. This is a broth that keeps the locals coming back for more. (Trevor and woman speak foreign language) - Beef, beef. - Beef. - [Trevor] We just got the full on morning soto soup here. This is made with beef and galangal, ginger, lots of coconut milk. Oh yeah, look at those nice beef slices. It also comes with a shrimp cake, fried shrimp cake. I believe these are fried potato patties. I think there's some egg in there as well. And rice, and this is a sambo with fried shallot. I'm going to do that, I'm going to do that. Oh, beautiful. Make a soto rice concoction. Mm. Oh, it's so creamy from the coconut milk. The creaminess from the coconut milk with a hint of galangal and ginger, that tender beef. Oh, slight curry flavor all over that rice. Beautiful. Next up for lunch, we made our way to Tri-Medan's most famous curry at the Bona restaurant. Right when you walk up and smell these huge pots of bubbling curry, you know it's gonna be good. (Trevor and man speak foreign language) It's beautiful. This curry broth is so potent and it's powerful. You walk by, you can just smell it. It is so strong. It hits the nostrils and it is going to be so delicious. Oh! Oh yeah, we're going to get one of these. Oh yeah, blood cubes, potato. Rich broth, oh, that looks amazing. We're going to order one up. Add the curry broth, oh! (Trevor and woman speak foreign language) Thank you. Oh, look at this, guys. We have their specialty curry here. Oh, nice big blood cubes, black pudding. Oh yeah, slices of chicken. Bihun, see the Bihun noodles here on the bottom. Oh, beautiful. Oh, and potato. Get a nice blood cube for that first bite, the blood cube, chicken slice. Mm, oh! Oh, it's so creamy from the coconut milk they put in there. You can really taste that coconut milk. Oh, that blood. That blood gives it a nice little pop of joy. It's so milky and creamy. It almost tastes like a laksa with the blood cubes, the chicken, the potato. Oh, it's a slight spice, it's just a slight spice. (men speak foreign language) - 80 years. - 80 years. (Trevor and man speak foreign language) - Bye bye. - [Trevor] Next up for a mid-afternoon snack, we went to go try some street side mixed chicken and organ skewers covered in a rich and peppery gravy. It has been a wonderful day here in Medan and we're going to keep going. We're going to get some sate. Oh yeah, we're going to get it all. Chicken, beef, organs all covered in that. Look at this sate sauce right here. (Trevor speaks foreign language) Oh yeah, they're putting latang, rice cake, covering it with a sate sauce. Oh, look how creamy and thick that is! Mix it up. Look at that sauce with the fried shallots. (speaks foreign language) Wow, look at this, guys. Look at that chicken sate covered in fried shallots and their specialty sate sauce. Look at that, right over the banana leaf. That looks so beautiful. Okay, we're just going to go right in for that. Mm, oh. That gravy they put over top. That is a very savory gravy. Slightly peppery, slightly peppery with those fried shallots. A little smoky and a little spicy as well. Oh, beautiful. Mm, oh yeah. Next up, just down the street, we found a famous popiah joint selling these beautiful little rice flower rolls stuffed with a sweet fruit sauce, boiled green beans and carrots, a scoop of crab meat, fried shallots, Chinese barbecue pork, and boiled radish. You can order a deep fried version as well and you're going to fall in love with both. Oh, popiah. - Popiah. (Trevor and man speak foreign language) So take a look at this. There is two types of popiah. Over here is the fried popiah and that's what he is making right here, which has radish, green bean, cha show, see that cha show barbecue pork. The white is crab. There's radish and it's wrapped up in a rice flour wrap and he's just covering it in, I think that's a bit of batter to seal it. Oh, he's going to fry that up. And over here, this one has tons of radish, shallot, green bean, carrot, and a sweet chili sauce, almost like a sweet, fruity chili sauce. We just got the beautiful rice flour popiah and then we're just going to add a little bit of a fruity sauce, a fruity sweet sauce over it there, oh. Mm, good. Sweet and spicy and refreshing. And this popiah, that is really good. That barbecue pork, that carrot and radish and green bean, it's all very soft. It almost melts in your mouth with that smooth rice flour wrapper. There's also a bit of cha show barbecue pork in there and then you just cover it. And then you just cover it in that sweet chili sauce. It's almost like a fruity, sweet chili sauce. For our final meal before going to an insane durian mountain, we went to have a beautiful Medan style seafood feast. I Medan, you can try a ton of seafood, but we came specifically to try the amazing mud crab cooked in padang sauce, even richer than the chili crab you can find in many places in Southeast Asia. The flavor comes from a spice mix using garlic, shallot, bird's eye chili, ginger, tumeric, candlenut, and more red chili pepper. The sauce gets so thick when it's mixed with eggs and it's super hot, savory, and spicy. We also ordered a plain cooked stone crab to dip into their signature sweet and sour pineapple sauce. (loud thuds) Oh, he's just cracking that claw. It's just spraying juice everywhere. This is amazing! Wow, look at that flesh. (Trevor and woman speak foreign language) What a feast! Oh (laughs)! Lots of seafood here today. Look at this amazing selection of seafood. We have two coconut stone crabs, one here, look at this in the padang sauce, which is like a chili sauce, chili crab. Wow, and those are huge, fat claws. Look at that claw, oh! Look at that claw. There's egg in there and it's just dripping with that padang chili sauce. That is going to be plump. And then the other coconut stone crab over here is just clear and boiled. Apparently the flesh is supposed to be slightly sweet. We have some boiled clams and these, you dip into their pineapple sweet and sour and spicy sauce. You got to mix that up well. We have some fried rice with shrimp chili sauce. It looks like there are some shallots in that chili sauce. There's egg in that fried rice. It's crazy! This is fried shrimp with the Thai stink beans, those are going to be potent. There's tofu puffs, there's fresh red chilis, and that chili sauce, I just saw them put some curry paste there in the wok. You know what we're going to go right in for first though, right? Oh! These monster, oh, look at that! These monster claws, these coconut stone crab. Oh, look at that. I'm just going to go right in for that. Wow! (Trevor speaks foreign language) Just dripping with that chili egg sauce. Wow, look at that crab flesh, oh. That is definitely slightly sweet and spicy, wow. That is monster-sized crab flesh. This is an insane, an insane crab spectacle. Look at that, look at that. This is so flavorful, so sweet and spicy and aromatic, and the fried eggs. Oh, that is just breathtaking. That is a super, super flavorful, slightly sweet, spicy sauce and that crab meat is so, so springy. Whoa. We got just crab claw after crab claw here. It's like a crab claw Popsicle. Look at that, it's like a Popsicle. You can just suck it right off the flesh and then you dip it into this pineapple sweet, spicy, and sour homemade secret sauce. Whoa! It's definitely a crab claw Popsicle. It just pops into your mouth lik a big, juicy crab ball. That chili sauce, it's chili pineapple sauce. You can really taste the pineapple, that sweet, slightly spicy pineapple, slightly sour. Oh, amazing, amazing. After this seafood feast of a lifetime, we went to finish the night with the most controversial fruit in the world, durian. As soon as we walked up to this 24/7 durian joint serving up some of the best local farmer's durians from the surrounding areas, we found what looked like thousands of durians all waiting to be ordered with staff sorting the best fleshy durians into takeaway boxes for customers and the tables full of people chatting and eating he stinky, sweet, potent custardy and creamy fruit from heaven. We just found the durian heaven. Oh! Wow. Look at this, thousands of durian. Oh, it's like a mountain of durian. You could swim in there. It's like a mountain of durian. So Medan is supposed to be famous for durian, and this looks like it's going to be good. We're going to get a big fat one. Oh yeah, and try it out. Durian is one of the stenchiest and most potent fruits in the world. You can smell it as you walk up. It's really strong and there's a truck backing up with durian right here. This is crazy. And this is just like the icing on the cake for us and come with a durian feast at the end of the day. Wow, look at that. (Trevor laughs) Oh, you can smell it. It's strong, it's stenchy. It smells like, ooh! That smells like ooh, that smells like rotten cheese almost, but good rotten cheese. Oh, we found the jackpot here. Apparently Medan has both sweet and bitter. I'm a fiend for the sweet, so we're going to go get some sweet ones. Oh, huge crates of durian. It's like a durian, there's a couple durian mountains here. Hi. - Hello. - You have lots of durian. Oh, it smells good. (men speak foreign language) Awesome, we're going to get some nice, fat durians here. (Trevor and man speak foreign language) Big. - Oh fat, okay. (Trevor and man speak foreign language) - Oh yeah, it's like a big durian bar. (Trevor speaks foreign language) You sit down, you get your durian fix and you're good to go. So we've got two different types of durian here. This is the bitter. Oh, that is very potent. It's stenchy, it almost smells like garbage. And then over here, this is the sweet one. This one just looks very soft. Some people love their durian soft, some of it more firm. But my opinion, when it's creamy and it melts in your mouth and that flesh is just, oh, it's so creamy and milky, there's nothing better. Let's try it out. That is so, so sweet and creamy and milky. I was honestly, when I saw this, when I saw this durian, I wasn't expecting it to be super delicious. I thought it was going to be average, but that is actually fantastic durian. It's so sweet and butterscotch-y and milky. Mm. And now we're going to go for the bitter. Oh, look at that. It's so soft, that flesh. That is really the joy of durian, is sucking the flesh off there until it melts in your mouth. Wow. The seeds are big, but there's also a lot of flesh on there. The sweet was fantastic. Mm! It almost has a jungle-y, earthy, plant-y flavor to it. That one is actually a little stenchy. Oh, it tastes like, it tastes like foul onions. It takes like sweet foul onions, but delicious. The best thing about durian is the variety and how you can have different flavors like sweet, bitter, alcoholic. There's like, so any different textures. Some are soft, some are a little more firm and you can really just get into it like a wine or a cheese. It really is a world of its own. For you. - No, for you. - For me, oh (laughs). - Yes. - Mm, oh. (woman speaks foreign language) Wow, it's okay. It has been an amazing time here in Medan. Delicious food and friendly people and this whole month in Indonesia has been mind blowing. I'll remind you to click that subscribe button and little bell button behind it because we have a ton of awesome street food tours coming up for you guys. So much amazing food and the people here have just been so friendly. It's completely blowing my mind and we are definitely coming back here. I would love to hear from you in the comments below about what you thought about this Medan video and our whole Indonesia street food series. You can check out the whole series in the playlist. I would love to hear from you and click that like button as well. Thank you so much for watching, guys.
{ "pile_set_name": "YoutubeSubtitles" }
soccer positions, soccer players, soccer tutorial, soccer defense techniques, defensive soccer drills, soccer defense drills, soccer defense, how to defend in soccer, soccer defender, soccer skills, soccer drills, how to coach soccer, soccer coaches, how to play soccer, how to soccer, football soccer, soccer player, soccer football, soccer world, soccer video, soccer training, soccer videos What’s going on? Little dap. It’s Jared Montz former pro and founder of OnlineSoccerAcademy.com. Today we are learning how to defend in a 1 vs 1 situation. Defending is not about being big, fast and strong. Yes, those things help but the best defenders are the smartest and don't just relay on their athleticism to win tackles; they use their minds. In this OSA video I will show you basic key points and advanced key points. This OSA video is sponsored by our parent company Believe in it®. Believe in it® is apparel that inspires you to reach your goal. It's for motivated athletes; all sports, all ages. BelieveinitApparel.com is launching in early 2014; enter your email to be alerted when you can buy a Believe in it® shirt! 1. Close down space and be 1-2 steps away from the attacker. If you are to far away that gives them time to get their head up and look around. Get close to force their head down. 2. Jockey, be patient and don't dive in. The best attackers want you to dive in on them because they will just touch it around you and go. So we want to jockey them. I'm not sure where the term jockey came from but basically it means to be patient and move your body backwards as the attacker is dribbling the ball. 3. Force the attacker onto their weak foot. Let's say you are the attacker, which way am I forcing you right now? I'm not forcing you any direction. Based off my body position you can go right or left. This is why I want to stand sideways at an angle to force you one direction. Typically you force an attacker towards their weak foot. How do you know which foot is their weak foot? Good question. You certainly don't ask them when you are about to tackle them… "excuse me buddy, what is your weak foot?". You know the answer by being observant in the game and knowing what foot they use to pass the ball. 4. Be on your toes! Don't be back on your heels. 5. Keep your feet moving, don't stand like a statue. 6. Keep your eye on the ball! Do not look at the attackers feet, hips or shoulders. Focus on the ball. If the ball isn't going to the right, the attacker is not going to the right. 7. Win the ball with confidence when the time is right. When that attacker takes their touch to far ahead of them like so what are they? Off balance, that is a good time to step in and win it. When the attacker has one leg up in the air doing a scissors what are they? Off balance, that is a good time to step in and win it. When you do step in get your body behind you. Don't just reach and lunge for the ball with your foot. Equipment Needed: You will need a few balls, one will work if that's all you got, 10 cones and a partner. If you don't have a partner then hang tight and I'll show you an exercise how to practice 1v1 defending on your own. Exercise Player Can Do: Set up two cone goals and a small field around the goals. This is your 1v1 field. Don't make it to tiny because you want enough room to work on your defending technique. If you don't have enough cones to make a sideline then don't have sidelines and you be the judge when it goes out. One goal will be the defending goal, the other the attacking goal. Behind the defender goal is all the balls. The defender will pass the ball to the attacker, then sprint and close the space down, set your feet and start defending. The attacker tries to beat the defender and score through the cone goals. If the defender wins it they try to score or kick the ball out. After the defender goes 5 times then switch with your partner. Repeat this process until you are mastering it or get tired. Starting out I'd advise just doing a few jockeying reps. So the attacker doesn't try to beat you and you don't try to win it. You just practice jockeying and being patient. Advanced Key Points: Now for some advance key points. 1. DO NOT take giant steps! Keep your feet underneath your body by taking smaller steps and moving your feet fast. Versus taking big giant steps and getting off balance and not being able to react as fast. 2. Get your arm out, use your body and be physical. I am NOT saying foul or hurt anyone, not at all. But when that attacker goes to take a touch by you because you have your body angled correctly when you turn to take your step you will be a step ahead of them. At that moment get your arm out and put it into their chest/abs as you are in your running stride. This will push them back a bit and push you forward. This should like part of your running stride. Do not just run side by side with each other and not make contact. Be careful not to foul. If it looks like this, you will probably be called for a foul. If it looks like this you will be a great 1v1 defender. 3. Use the sideline as a 2nd defender when you can. If you are near the sideline force your attacker to the sideline so they only have a limited amount of room to try and dribble around you. This way if they try to beat you down the sideline and dribble out of bounds, little dap to you, you did a great job! 4. Let the attacker make the mistake, then win it. Lots of attackers try to do to much, this is when they take that touch to far in front of them or have a bad touch, that is when you win it. Be patient, let them make the mistake. What Player Could Be Doing Wrong: Some things that could be going wrong. If the attacker is just running by you and you are frozen in place for a second or two you are diving in. Don't dive in. Be patient. They need to get past you to be successful, if they are standing there with the ball not getting behind you and not doing anything dangerous you are doing your job; don't dive in and give them a chance. If you feel like the attacker passes the ball back but you didn't do a good job because you didn't win it from them, don't think you have to win every ball. If your attacker passes backwards or sideways you are doing your job. Exercise to Practice on your Own To practice on your own set up a start cone and an attacker cone 15 yards ahead of you. Set a ball next to the attacker cone. Sprint from the start cone, close down the imaginary attacker, then jockey back to the start cone. Do this 5 times, then rest and repeat. Just pretend there is an attacker making moves on you. Bonus Tip! Be confident. Mentally believe you will win the ball every time, don't hope to win it. You won't win the ball every time, but have the mindset that you will. If the attacker gets behind you, that's okay, it's going to happen. Just hustle back on defense and react positive. I'll applaud you every time if you react positive; none of us are perfect. Hope you enjoyed this Online Soccer Academy training video. Like, favorite and share this video if you did and don’t forget to Subscribe on YouTube or become a member and create your profile for free at OnlineSoccerAcademy.com. Players all over the world use it and you can do game reviews and track your progress! Post a comment; let me know what you think and how it worked for you? My name is Jared Montz and Remember if you Believe in it® and back that up with hard work, anything in life is possible! Believe in it®!
{ "pile_set_name": "YoutubeSubtitles" }
Hello friends Welcome to All About Here Channel In today's video we will give you information about NASA Mars Mission So watch this video till the end and subscribe to our channel and press the bell icon and share to our channel with friends and relatives. The three major components of the Mars 2020 spacecraft are the cruise stage for travel between Earth and Mars the Entry, Descent and Landing System that includes the aeroshell parachute, descent vehicle, and sky crane; and the rover. The rover is based on the design of Curiosity While there are differences in scientific instruments and the engineering required to support them the entire landing system and rover chassis can essentially be recreated without any additional engineering or research. This reduces overall technical risk for the mission while saving funds and time on development. One of the upgrades is a guidance and control technique called "Terrain Relative Navigation" to fine-tune steering in the final moments of landing In October 2016, NASA reported using the Xombie rocket to test the Lander Vision System as part of the Autonomous Descent and Ascent Powered-flight Testbed experimental technologies for the Mars 2020 mission landing, meant to increase the landing accuracy and avoid obstacle hazards. A Multi-Mission Radioisotope Thermoelectric Generator left over as a backup part for Curiosity during its construction, will power the rover. The generator has a mass of 45 kilograms and uses 4.8 kilograms of plutonium dioxide as the source of steady supply of heat that is converted to electricity. The electrical power generated is approximately 110 watts at launch with little decrease over the mission time.Two lithium-ion rechargeable batteries are included to meet peak demands of rover activities when the demand temporarily exceeds the MMRTG's steady electrical output levels. The MMRTG offers a 14-year operational lifetime and it was provided to NASA by the US Department of Energy. Unlike solar panels, the MMRTG provides engineers with significant flexibility in operating the rover's instruments even at night and during dust storms and through the winter season. Engineers redesigned the Mars 2020 rover wheels to be more robust than Curiosity's wheels which have sustained some damage. The rover will have thicker more durable aluminum wheels, with reduced width and a greater diameter than Curiosity's 50 cm wheels. The aluminum wheels are covered with cleats for traction and curved titanium spokes for springy support. The combination of the larger instrument suite new Sampling and Caching System, and modified wheels makes Mars 2020 heavier than its predecessor, Curiosity, by 17% . The rover will include a five-jointed robotic arm measuring 7 feet long. The arm will be used in combination with a turret to analyze geologic samples from the Martian surface. The rover mission and launch are estimated to cost about US$2.1 billion. The mission's predecessor the Mars Science Laboratory cost US$2.5 billion in total. The availability of spare parts make the new rover somewhat more affordable. Curiosity's engineering team are also involved in the rover's design.
{ "pile_set_name": "YoutubeSubtitles" }
Bonk! That is how goats love each other! Give him a bonk. He has been bonked enough where he knows. Baby Goats! Urban Farmer since day one! Today, we are going to show you how to go off-grid with your aquaponics, to make an IBC tote aquaponics system, powered by the sun for under $400. This is scalable. This one will at least be 200 gallons when we are done with it. We are here with Alex, who is going to help us demonstrate just how easy this is. First, you will need to obtain a food-grade, 275-gallon, IBC tote. Get this off Craig's list, anywhere between $25-100, food-grade being very important. You will need to find out what was in it. Next, you will need to remove that top bracket on the top of your IBC tote. So, what are we doing next? Alright, we are going to flip this over and we are going to pull out the plastic so we can measure and cut out how deep we want our grow bed and then the outer rack to support that grow bed. Now that we have the plastic and the metal cage separated, we can cut the metal without cutting the plastic and we will have a better product in the end. Alright, we are going to take this bottom bracket and we are going to cut right above this bottom rung. So, that will be the top and we will flip the cage over and that will be the frame for the bottom to sit on. Okay, so, after you make your cuts, take your rack off and 180 degrees you take your bottom and now that is your top for your grow bed. So, what are we doing here? Alright, since our grow bed doesn't need to be that deep, we only need eight inches or so. We are using our frame as a jig and we are just going to make our cut line all the way across. So, we are just going to cut the top off right now and then flip it over for the grow bed. Like a glove. That is it right there: stackable aquaponics. Alright, we are going to be using a flood and drain system on this IBC tote, where the pump is going to be pumping in more water than this drain can drain. So, it is going to be draining slower than it fills on the low side. So, the water will fill up over the top of this drain and then then there is going to be another stand pipe next to it that goes up to this level. But, once it hits this level, it starts draining draining faster then. So, we have to install these two pipes into our grow bed. We're going to cut through the metal and then use a hole saw to cut through the plastic. Can I get up here for a minute? Why? So I can see your plants. Can I screw these together now? Can I screw these all the way together? First thing we are going to do, is drill two holes with this hole saw, which is just a little bit bigger than this drain pipe. uh, yeah, just a little bit bigger.. We drilled two holes here with the hole saw. We just did that here and here. Then, there is a litle rubber gasket here. These are five-dollar fittings, ten dollars for the set. You get them at a local hydroponic shop or online somewhere. So, you just slide this in here and go down underneath, tighten that up, tight as you can get it with your hands. And, you notice, you have two drains. One drains at the floor, the other one drains up high. And you can make these even taller: you can unscrew this, add a link, and then screw these in up top here. This is perfect aquaponic music. Right? You like it? Yeah. Hey, buddy! You going swimming? Yes! No! Yes! You are. Alright, our solar-powered aquaponics system is being powered by this solar panel unit right here. We have it turned away from the sun for demonstration purposes. I am going to show you just how simple this is. The solar unit is this. This plugs into a charge controller, this controls your charge. This is hooked to the battery right here. Now, this is hooked to your inverter. Here is the inverter. I have the timer for the aquaponics to fill and drain and the inverter. Now, you are plugged in just like regular electricity. This turns the D/C to A/C and powers the whole thing. And these are your solar panels right here. We were able to power this all day and all night. We have more than double the amount of solar capacity in comparison to the wattage of our pump. We have a small pump in here. What are you doing, Titus? I am trying to get a fish. Good job! Can I put it up there? Okay, you get it. Thank you. My new one, ha! You got one! Good job! He is getting better at this. Look at that--first try! Tell me about your invention. You hold the apple with a zip tie and a rubber band and if you want a bite, what do you do-- Swing it up to your face? Just like that? Let us walk around with it.
{ "pile_set_name": "YoutubeSubtitles" }
In this video, I will be using neural networks to predict whether a tumor in a woman’s breasts is malignant or benign. By the way, a benign tumor is a tumor that cannot invade neighboring tissue, which in most cases renders it harmless. A malignant tumor is the exact opposite; it can spread to the rest of the body and is extremely dangerous. The importance of differentiating between the two is obvious. I’ll actually be making multiple models -- some with logistic regression, some with softmax regression, some simple, some complex, and more. I will be implementing all of these models in keras. This is a prime example of a classification problem. As the name implies, classification simply involves identifying to which of a set of categories or classes a new observation belongs. In this instance, I will be identifying if a tumor belongs to one of two classes: malignant or benign. Before we start building the model, let’s take a brief look at the dataset. There are a total of 32 attributes, of which 30 are input features, 1 is the classification, and 1 is the id number. The inputs are just a bunch of features and measurements of the tumor. Some of these parameters include measurements of the nuclei of cells in the tumor. Examples of these measurements include radius, texture, perimeter, and area. For more information on the input features, and even the dataset as a whole, you can visit the UCI machine learning repository, which is where I got the dataset from. There will be a link to the website in the video description. The output parameter, which is the classification, comes as m for malignant or b for benign. In the dataset that I use in this video, I exchange the b for 0 and m for 1. As usual, it will also be divided into inputs and outputs and you will be able to access it on my GitHub, for which there will be a link to in the video description. And finally the id number. As I’m sure you can imagine, it has absolutely no correlation to the diagnosis, so it is in our best interest to simply remove it. If we did include it, then the model would very likely establish some completely arbitrary relationship between the id number and diagnosis, that doesn’t generalize. The datasets in my GitHub already have this feature removed. Next, as I did in the last video, I upload the input and output data by making a new folder, clicking upload, selecting my files, clicking open, and finally clicking the blue upload button. Next, to make a new notebook I click new then python 3. From here I begin writing the code. First, I import all the packages that I’ll be using later in the script. Next, I assign the input and output data to df1 and df2, respectively. After that, I scale the input data. I do this because some features are orders of magnitude larger than others, and it is unlikely that these features are significantly more correlated than others to the output. In general, scaling the data is a good practice. I don’t scale the output though, because this is a classification problem, and it wouldn’t make sense to scale categorical data, even if different classes are represented by some arbitrary numbers, like, in our case, 0 and 1. In the same way as in the last video, I do this with the .scale function from sklearn.preprocessing. I then split the inputs and outputs into training and testing data, with training data being 80% of the total data and testing data being 20% of the total data. Note, that the data is randomly sampled. From this point, I’ll begin developing a relatively simple or “shallow”, logistic regression model. Logistic simply refers to a sigmoid activation function. You may be wondering why it is still “regression” when it is being used in classification. Sigmoid still assigns any possible input to an output, which, by the way, is between zero and one. In order for sigmoid to be used for classification, we must set a threshold. For example, on this sigmoid graph, we could set a threshold here, or, in other words, any y value, or output, that is less than 0.5 will be 0, and anything more will be 1. Note, that with logistic regression, or sigmoid, you can only be predicting between 2 classes. For problems with more classes than this you will have to use softmax regression, which I will also be implementing in this video. With our dataset having two classes, either approach works equally well, as we will see. Anyhow, for the logistic regression model I first define the model in the line model=sequential(). Then I add an input layer with 30 neurons. This corresponds to the 30 input features from the dataset. This connects to a single hidden layer with 13 neurons, which I chose for a completely arbitrary reason: it corresponds to my age. Each of the hidden layer neurons has the relu activation function applied to them. Why relu, you may ask. Is it not inherent in logistic regression that we use sigmoid? Yes it is, but not necessarily in the hidden layers. Frankly, relu performs better than sigmoid, and logistic regression with a threshold can still be used as long as the output value has the sigmoid activation function applied to it. These connect to a single output layer neuron, which WILL have the sigmoid activation function applied to it. In this line, the model is compiled. The loss or cost function that is used is binary cross-entropy. The only thing that you really need to know about binary cross-entropy is that it is used in tandem with the sigmoid activation function for 2-class classification problems. I use the adam optimizer, which as you know from the last video, simply states how the weights are updated, and in general, performs better than most other optimizers. I also state the learning rate which will be 0.001, and that I want the model to keep track of the ‘accuracy’ metric. I then define the earlystopping function, pass several parameters, assign it to earlystopper, and add this as a callback in the .fit() function, which is all assigned to history. In the .fit function I pass several other parameters including X_train, y_train, the number of epochs, which is 2000, the validation split, which is 15%, and verbose which I set to 0, or false. In the next line, I assign history.history to history_dict. I’ll just be using this to plot the performance of the model. For more information on the .fit function, earlystopping, and much more, watch the previous video in this series, where I predict the number of views on a youtube video with neural networks, implemented in Keras. If you aren’t really familiar with this keras syntax and you are confused, certainly go back and watch the previous video. Once I cover a particular topic, I don’t repeat myself in the same detail, or else this video series would be extremely repetitive. From this point, I plot the training loss and the validation split loss over the epochs. As you can see, the early stopping function did its job--it made the model complete training much faster, and didn’t allow the model to overfit. Next, I plot the accuracy of the model over the epochs. Accuracy is the inverse of the cost in the sense that you want it to be as large as possible, whereas you want the cost to be as low as possible. Once again, the graph indicates that the model is performing well. Once I’ve done this, I want to calculate the loss, and also the accuracy as a fraction of the number of correct diagnoses out of the total diagnoses, for the testing data. I do exactly this in these lines. When I print out the loss and the accuracy, you can see that they are pretty good. Next, I use two other metrics to further reveal the performance of the model. They go hand in hand, and are pretty cool. First, I must explain why there is a need for a metric besides the accuracy, which is calculated as a fraction of correct out of incorrect responses. And before I do that, you must understand the differences between true positives, true negatives, false positives and false negatives. I’ll do that with this chart. True positives are where you correctly predict something to be true. This could be correctly predicting that a tumor is malignant. True negatives are where you correctly predict that something is false. This could be correctly predicting that a tumor is not malignant, or in other words benign. There are also false positives where you incorrectly predict that something is true. This could be predicting that a tumor is malignant, when in reality is not. False negatives are where you incorrectly predict that something is false. This could be predicting that a tumor is not malignant when in reality it is. Depending on your intentions, you will want to maximize certain parameters and minimize others. To illustrate this concept, I will use the diagnosis of breast cancer as an example. A patient, for whom this diagnosis is crucial, may want to make sure that if she does have cancer, then it will be identified, even if it the diagnosis may call for further testing. This patient would want to maximize true positives and minimize false negatives, even at the expense of an increase in false positives and a decrease in true negatives. On the other hand, a hospital with plenty of patients may find it more profitable to raise the diagnosis threshold, so that there are fewer patients without cancer that attend costly further testing. This hospital would want to maximize true negatives and minimize false positives, even at the expense of an increase in false negatives and a decrease in true positives. Perhaps the hospital seems evil and and even abhorrent to you. Regardless, it would be interesting to see how the model would perform in both of the situations, and many more, in a single graph. That is exactly what a ROC curve does. AUC is the area under the curve, and it is a numerical value that tells us how well the model would perform in different situations, like with the patient and the hospital. The ROC curve essentially plots the possible thresholds of a trained model. It is created by plotting the true positive rate (on the y-axis) against the false positive rate (on the x-axis). The “rate” for true positives is the number of correctly predicted positives out of all the actual positives. The “rate” for false positives is the number of incorrectly predicted positives out of all the actual negatives. Let’s see how an roc curve would be created. For the first point, say that the threshold was at 0.3. Any probability below 0.3, and the model would predict the patient has a benign tumor. Any probability above 0.3, and the model would predict the patient has a malignant tumor. This threshold is, relatively speaking, pretty sensitive, meaning that if the model’s diagnosis is benign (and not malignant), then it is most likely that the correct diagnosis is also benign. This threshold would best suit the heartfelt patient, in the scenario from before. Perhaps with this threshold, 210 out of the possible 212 actual positives were correctly diagnosed, as malignant tumors. So, the true positive rate is 210/212 or about 0.99. Unfortunately, with this threshold, the model may incorrectly diagnose 55 out of the 357 actually benign tumors, as malignant. So, the false positive rate is 55/357 or about 0.15. This coordinate pair would then be plotted on the roc curve. Next, I will use a threshold of 0.7, and calculate the corresponding true and false positive rates. In contrast to 0.3, 0.7 is a specific threshold, meaning that if the diagnosis by the model is positive, it is most likely that the correct diagnosis is also positive. This threshold would best suit the lucrative and amoral hospital, in the scenario from before. Perhaps with this threshold only 190 out of the possible 212 actual malignant tumors are correctly diagnosed. The true positive rate would then be 190/212, or about 0.9. In addition, with this threshold, the model may incorrectly diagnose only 4 of the 357 actually benign tumors, as malignant. So, the false positive rate is 4/357, or about 0.01. This coordinate pair would then be plotted on the graph. The process would continue in a similar fashion, only starting from a threshold of 0 and working upward in much smaller increments. As far as AUC, you just need to know that a perfect model would have a value of 1. An ideal model would look something like this. A model with whatever threshold was used to generate this point wouldn’t have to make any compromises in order to please both the patient and the hospital. By the way the conflict between the patient and the hospital is known as sensitivity vs. specificity. In my opinion this is not only interesting from a technical perspective, as a programmer or a data scientist, but also as a moral consideration; seeing it from the lens of a philosopher. Anyhow, back to programming. In these lines, I calculate the AUC and plot the ROC curve. In order to do this, I first import these two packages from sklearn.metrics. Then, I calculate the models predicted outputs for X_test, as probabilities, and then assign these values to y_test_pred. It is important that the predictions are probabilities and and not just zeros and ones. Remember, in order to get the AUC and the ROC curve, you change the threshold. If your predicted outputs were categories, represented by zeros and ones, then the threshold was already set, likely at 0.5. Attaining the AUC and the ROC curve with different thresholds from that point would be impossible. However, I actually didn’t need to include the _proba, as model.predict defaults to probabilities. I did this simply to emphasize the fact that probabilities are needed for the predictions. So, model.predict_classes would not have worked. In the next line, I calculate the false positive rates and the true positive rates at different thresholds. Note that the thresholds are actually assigned to a variable. In the next two lines, I calculate and print the AUC. In these lines I graph the ROC curve. As you can see, the model is pretty darn good. I then repeat this process for the training data. Once again it performs well. I can now conclude that I have a functioning model. Remember that in this implementation I used sigmoid as the activation function, and binary cross entropy for the loss. This model would be considered a logistic regression model, and is just one approach to a binary classification problem. As promised earlier in the video, I will now implement a different approach to the same problem. This approach involves the softmax activation function, and categorical cross entropy as the loss. By the way, this approach, which would be known as softmax regression, can also be used in multiclass classification problems, while the simple logistic regression can’t. So, without further ado, let’s implement it. From the start, things actually start to get different from the last implementation, and the last video for that matter. I use the function to_categorical from Keras.utils, pass y_train, and assign it all to y_train_cat. What to_categorical does is it converts a class vector to a binary class matrix. Ok, what does that mean? Well, a vector is simply a one-dimensional array. This is is the original y_train, a vector. Note that besides the zeros and ones there is also an index. A binary class matrix, or what to_categorical makes y_train, is simply a bunch of rows and columns made up of binary numbers, where each row represents a class. Let’s take a look at what y_train looks like after it was passed into to_categorical. Here, the first row corresponds to the first value of the original y_train. How is 0,1 equal to 1 and 1,0 to 0? Well, 1,0 represents the first class, which is zero, and 01, represents the second class, which is 1. The same applies for any two corresponding data points in the original and current y_train. To further solidify this concept, let’s see how this would play out with three possible classes. Let’s say that the classes were originally expressed as zeros, ones, and twos, and that the first 4 data points are 0,2,1,1. Assuming that zero is the first category, one is the second, and two is the third, after passing 0 into to_categorical we would get 100, after passing 2 we would get 001, after passing 1 we get 010, and again, after passing 1 we get 010. The reason why I did this is that the activation function, softmax, and the loss function, categorical cross entropy, that I use, requires data in this format. I’ll talk about the activation function and loss function a bit more in just a second after we define the structure of the model. In these lines I do exactly this. First I define the model in the line model=sequential(). Then I add an input layer with 30 neurons. This corresponds to the 30 input features from the dataset. This connects to a single hidden layer with 13 neurons, which again I chose simply because it corresponds to my age. Each of these neurons then has the softmax activation function applied to them. These neurons then connect to two output neurons, instead of one in the logistic regression model. With the softmax activation function, this is simply the necessary formatting. The format, as you may have noticed, corresponds to the training data after to_categorical was applied to it. To_categorical was used to match the training data to the format that the models outputs would be in. This allows us to train the model with the training data, which is obviously a crucial step in machine learning. In my code, I don’t apply to_categorical to y_test and assign it to y_test_cat just yet, but you very well could. Eventually, you will need to do this in order to calculate the loss and cost of the testing data. Before I train the model, I first define the loss which is categorical crossentropy, the optimizer, Adam, and the learning rate, 0.0001. Adam was already explained in the previous video, but categorical crossentropy is new. All that you need to know about it is that it is used in tandem with softmax for multiclass classification problems. Next we train the model with the earlystopping callback, assign it to history, and assign history.history to history_dict. After that, I plot the training loss and the validation split loss over the epochs on one graph, and the accuracy over the epochs on another. As I did last time, I also calculate the loss and accuracy of the model with the testing data. Note, that this time, I have to apply to_categorical to y_test, because we are using softmax regression. Already, you can see that the model is pretty good, just as it was with logistic regression. Still, I continue measuring the performance of the model with the AUC and ROC curve. I first find them for the testing data. I do that in these lines, and once again they are pretty darn good. When I do so, note that I use the original y_test, and not y_test_cat, because this is the required format. I do the same for the training data. So, I use the original y_train. Again, the model performed well. We can now safely say that in this instance, and with this particular problem, it really doesn’t matter if we use logistic regression or softmax regression. In the script, I proceed to modify the number of hidden layers, to see if it will improve the performance of the model, a little bit. So, I define a model with 30 inputs, 4 hidden layers each with 13 neurons, and an output layer with 2 neurons. Each layer neuron has the softmax activation function applied to it. I train the model over 3000 epochs with the early stopping callback, and plot its loss and accuracy over the epochs. I then calculate and print the loss and accuracy as numerical values. I also find the AUC and the ROC curve. In conclusion, it doesn’t change the performance of the model. Before concluding the video, I want address an issue that someone in the process of developing a model would face. The problem is the following: how can you tell if your model would benefit from having more data? My prefered approach would involve a visualization, and is known as learning curves. It involves restricting the amount of data used a lot to train the model, then calculating the performance, increasing the amount data used slightly, then calculating the performance, increasing the data used, then calculating the performance, and so on. This data can than be graphed, with the number of data points used on the x-axis, and both the training and testing accuracy on the y-axis. As the amount of data used increases, the training accuracy shouldn’t be impacted much, and the testing accuracy, at least initially, should increase. If the testing accuracy follows an upward trajectory in the latter half of the graph than it would most likely benefit from more data. If it remains constant or decreases, then you can assume that model will not benefit from having more data. I implement such learning curves in these lines. BTW, linspace creates a defined number of equally spaced values in a defined range. I use it here to determine the different fractions of the training data that I will use. As you can see from the resulting graph, increasing the amount of data used in training would most likely not have any effect on the model’s performance. I mentioned this in the last video, but there are many ways in which programmers improve the performance of neural networks. Among these are batch normalization, dropout, and weight regularization. For this model and for this dataset, after implementing these, there is no noticeable improvement. If interested, the supplementary code on my github contains the implementations of each of these. So there you have it--functioning logistic and softmax regression neural network classification models implemented in keras. In case you didn’t already know, this video is part of a series in which I find really cool datasets like this one, and for each of them I show you how to implement a Neural Network. In doing this, I hope to both entertain and educate you. Subscribe and click on the notification bell to be notified when I release the next video in this series, and also hit the like button and leave a comment if you want this video to reach more people.
{ "pile_set_name": "YoutubeSubtitles" }
Arabic: تقدم squarespace لكم Crash Course Philosophy Squarespace مشارك شغفك مع العالم من خلال كم تفكرعادة عن الأشياء التي تقولها؟ مالذي تقوله حرفيًا؟ بالمناسبة ، هذه كلمة تستخدم بكثرة "حرفيّا" غالباّ، يستخدمها الناس للتوكيد بطرق أعتبرها جدا خاطئة. مثلا، يقول الناس" أنا حرفيَا أموت من الجوع!" لأنه مضى على وجبة الغداء بضع ساعات. لكن من الواضح أنهم لم يموتوا حرفيَا من الجوع. بل هم جاعون فقط. ماعدا إذا كنت صديقنا القديم لودويق ويتجنستين، الذي يعتقد أنه ليس للغة معنى حقيقي. يشير المعنى الحرفي عادة إلى معنى مقبول محدد للكلمة هو الشيء المقصود الذي ينبغي أن تعنيه الكلمة لذلك، إلا إذا كنت من المراحل المتقدمة لسوء التغذية وعلى باب الموت.ماعدا ذلك لا ، لست تموت حرفيَّا من الجوع. لكن نحن نقول مثل هذه الأشياء طوال الوقت. أعني، هل فكرت مسبقا عن كمية الأشياء التي تقوله أنها عبارات استعارة ، أشياء ليست صحيحة حرفيَا Spanish: Crash Course Filosofía es traído a ti por Squarespace. Squarespace: Comparte tu pasión con el mundo. ¿Qué tan a menudo piensas en las cosas que dices? Y me refiero a lo que dices literalmente. Por cierto, usamos 'literalmente' demasiado. Literalmente. Muchas veces se usa para hacer énfasis en maneras que yo considero bastante incorrectas. Por ejemplo alguien puede decir: "Literalmente me estoy muriendo de hambre", porque han pasado unas cuantas horas desde la comida, pero obviamente no está muriendo literalmente de hambre, sólo están... hambrientos. A menos que seas nuestro viejo amigo Ludwig Wittgenstein, quien creía que el lenguaje no tiene un significado intrínseco. El significado literal se refiere usualmente al significado específico y aceptado de una palabra, es aquello intencional que se supone que una palabra representa. Así que a menos que estés en una etapa avanzada de desnutrición y estés a las puertas de la muerte, entonces no, no estás literalmente muriendo de hambre. Pero todos decimos cosas como esas todo el tiempo, digo, ¿alguna vez te has puesto a pensar en cuánto de lo que dices son figuras literarias... cosas que no son literalmente ciertas? German: Crash Course Philosophie wird dir präsentiert von Squarespace. Squarespace: Teile deine Leidenschaft mit der Welt. Wie oft denkst du eigentlich über die Dinge nach, die du sagst? Also, was du buchstäblich sagst? Nur so am Rande: "buchstäblich" ist ein echt inflationäres Wort! Meistens benutzt man dieses Wort, um Dinge auf eine Art und Weise zu betonen, die ich für schlichtweg falsch halte. Etwa wenn sie sagen: "Ich sterbe buchstäblich vor Hunger!" weil das Mittag schon ein paar Stunden her ist. Aber ganz offensichtlich sind sie nicht buchstäblich am Verhungern. Sie haben einfach nur großen Hunger. Wenn du nicht gerade unser alter Kumpel Ludwig Wittgenstein bist, der geglaubt hat, dass Sprache keine intrinsische Bedeutung hat, dann bezieht sich die buchstäbliche Bedeutung normalerweise auf die spezifische, anerkannte Bedeutung eines Wortes. Also steht es auch tatsächlich für das, wofür das Wort steht. Wenn du also nicht in einem fortgeschrittenen Stadium der Mangelernährung verweilst und dem Tod ins Auge blickst, dann stirbst du einfach nicht buchstäblich vor Hunger. Aber wir alle sagen ständig solche Sachen. Ich meine, hast du dir je Gedanken darüber gemacht, wie viele Dinge, die du sagst, Redemittel, die nicht buchstäblich wahr sind? Turkish: Squarespace, Crash Course Felsefe'yi sunar. Squarespace: tutkunuzu dünyayla paylaşın. Ne kadar sıklıkla söylediğiniz şeyler hakkında gerçekten düşünüyorsunuz? Yani, tam anlamıyla (literally) dediğinizi? Bu da gerçekten çok kullanılan bir kelime, bu arada — "tam anlamıyla." (literally) Çoğu zaman, insanlar bunu benim çok yanlış bulduğum şekilde vurgu yapmak için kullanıyorlar. Örneğin, bazı insanların öğle yemeğinden bir iki saat sonra "tam anlamıyla açlıktan ölüyorum!" demesi gibi. Ama tabii ki "tam anlamıyla" açlıktan ölmüyorlar. Sadece açlar. Eğer dilin esas anlamı olmadığını düşünen eski dostumuz Ludwig Wittgenstein değilseniz, "gerçek anlam" bir sözcüğün çoğunlukla spesifik, genel geçer anlamını ifade eder. Bu, bir kelimenin kastedilen anlamı demektir. Yani, gıdasızlığın son evresi ve ölümün kapısında değilseniz; hayır, "tam anlamıyla" açlıktan ölmüyorsunuz. Ama hepimiz buna benzer şeyleri hep söyleriz! Demek istediğim, dediğiniz şeylerin ne kadarının mecaz anlamlı, tam anlamıyla doğru olmayan şeyler olduğunu hiç düşündünüz mü? Dutch: Crash Course Filosofie wordt u aangeboden door Squarespace. Squarespace: deel je passie met de wereld. Hoe vaak denk je eigenlijk na over de dingen die je zegt? Wat je letterlijk aan het zeggen bent? Dat is trouwens een bijzonder overgebruikt woord - 'letterlijk.' Veel mensen gebruiken het om iets te benadrukken op manieren die ik incorrect acht. Mensen zeggen dingen als "Ik ga letterlijk om van de honger!" omdat ze enkele uren niet gegeten hebben. Maar uiteraard komen ze niet echt om van de honger. Ze... hebben gewoon honger. Behalve als je onze vriend Ludwig Wittgenstein bent, die geloofde dat taal geen intrinsieke betekenis heeft, verwijst letterlijke betekenis meestal naar een specifieke, aanvaarde betekenis van een woord. Het is het bedoelde iets waar een woord voor zou moeten staan. Dus nee, als je niet in een gevorderd stadium van ondervoeding bent en op het punt staat te bezwijken, ben je niet letterlijk aan het omkomen van de honger. Maar we zeggen allemaal constant zulke dingen! Ik bedoel, heb je ooit stilgestaan bij het feit dat veel dingen die je zegt beeldspraak zijn, dingen die niet letterlijk kloppen? English: Crash Course Philosophy is brought to you by Squarespace. Squarespace: share your passion with the world. How often do you actually think about the things you say? Like, what you’re literally saying? That’s a seriously overused word, by the way -- “literally.” A lot of the time, people use it for emphasis in ways that I consider pretty incorrect. Like, people will say “I’m literally dying of hunger!” because it’s been a few hours since lunch. But obviously they are not literally dying of hunger. They’re just like hungry. Unless you’re our old friend Ludwig Wittgenstein, who believed that language had no intrinsic meaning, literal meaning usually refers to the specific, accepted meaning of a word. It’s the intended thing that a word is supposed to stand for. So, unless you’re in the advanced stages of malnutrition and are at Death’s Freaking Door, then, no, you’re not literally dying of hunger. But we all say stuff that like that all the time! I mean, have you ever thought about how many of the things you say that are figures of speech, things that aren’t literally true? Estonian: Crash Course Filosoofia toob teieni Squarespace. Squarespace: jaga oma kirge maailmaga. Kui tihti sa tõesti mõtled asjade peale, mida sa ütled? Nagu, mida sa sõna otseses mõttes ütled? See on tõsiselt ülekasutatud väljend, muuseas, 'sõna otseses mõttes' Tihti kasutavad seda inimesed rõhu andmiseks kohtades, kus mina loeks kasutuse ebakorrektseks. Näiteks inimesed ütlevad: "Ma olen sõna otseses mõttes nälga suremas!" lihtsalt seetõttu, et lõunast on paar tundi möödunud. Aga ilmselgelt ei ole nad sõna otseses mõttes nälga suremas. Nad on lihtsalt näljased. Kui sa just ei ole meie vana sõber Ludwig Wittgenstein, kes uskus, et keelel ei ole mingit seesmist tähendust, siis sõna otsene mõte viitab enamasti sõna kindlale, laialdaselt aksepteeritud tähendusele. See on sõna ettenähtud asi mida see sõna peaks esindama. Seega kui sa just ei ole alatoitumise arenenud faasis ja surma lävepakul, siis ei, sa ei ole sõna otseses mõttes nälga suremas. Aga me ütleme seda sorti asju kogu aeg! Kas sa oled kunagi mõelnud sellele kui paljud asjad, mida sa ütled, on keelendid millel täht-tähene tõesus puudub. Turkish: Bu mecaz anlamlı şeyler başka anlamlara sahiptirler, gerçek ifadelere koymak istemediğimiz şeylere karşılık gelirler. Mesela, birinin "çok iyi biri" olduğundan bahsederken ne demediğimizi hepimiz biliriz. Veya bir kadın "makyajını tazelemeye" gittiğini söylediğinde. Ve tabii ki bir de "Netflix and chill"in gerçekten Netflix izlemekle pek de alakası olmayışı gibi. Anlam fikrinin zamana, bölgeye veya dilsel komüniteye bağlı olması nedeniyle ne kadar hassas olabildiği hakkında zaten konuşmuştuk. Ve bu fikir henüz insanların söyledikleri şeyi gerçekten ifade etmemeleri gerçeğini içermiyordu, çünkü aynı zamanda deyimler, kısa cümleler, argo ve metaforlar kullanarak da konuşuruz. Bunlar beni şu soruya getiriyor: birbirimizi anlamayı nasıl başarıyoruz? [Jenerik müziği] "Kötü" olarak tanımladığımız bir şeyin nasıl aslında "iyi" olduğu veya Netflix'e yapılan bir referansın aslında seksle ilgili olduğu konusunda 20. yüzyılda yaşamış İngiliz filozof Paul Grice'a teşekkür edebiliriz. Dutch: Die 'manieren van spreken' hebben andere betekenissen, en meestal betekenen ze dingen die we liefst niet in letterlijke termen uitdrukken. Zo weten we allemaal wat we niet zeggen als we zeggen dat iemand 'een leuke personaliteit heeft.' Of als een dame aankondigt dat ze 'haar neus gaat poederen.' En natuurlijk is er de 'Netflix and chill,' die bijzonder weinig te maken blijkt te hebben met daadwerkelijk Netflix kijken. We hebben het reeds gehad over hoe ongrijpbaar het idee van betekenis kan zijn, omdat het verandert afhankelijk van de tijd, regio, of linguïstische gemeenschap waar je je in bevindt. Maar dan beschouwen we nog niet eens het feit dat mensen meestal niet bedoelen wat ze zeggen, want we spreken ook in idiomen, fragmenten, jargon en metaforen. Wat me leidt tot de vraag: hoe zijn we überhaupt in staat elkaar te begrijpen? [Muziek] Als het erop aankomt te weten dat iets beschreven als 'goed' eigenlijk slecht is of dat een verwijzing naar Netflix eigenlijk over seks gaat, zijn we de 20ste-eeuwse Britse filosoof Paul Grice een bedankje verschuldigd. Spanish: Esas figuras literarias tienen otros significados y la mayoría del tiempo significan cosas que preferiríamos no poner en términos literales. Por ejemplo, todos sabemos lo que no estamos diciendo al decir que alguien tiene una "gran personalidad". O si una dama dice que irá a "polvearse la nariz". Y por supuesto está "Vamos a ver películas a mi casa", que resulta tener muy poca relación con ver películas realmente. Ya hemos hablado de lo resbaladiza que puede ser la idea del significado, ya que cambia dependiendo del tiempo, la región o la comunidad lingüística. Y esto es sin considerar el factor de que las personas a veces no quieren decir lo que dicen porque también usamos modismos, fragmentos, jerga, metáforas. Lo que me lleva a la pregunta: ¿Cómo es que siquiera logramos entendernos entre nosotros? Cuando se trata de cómo sabemos que algo descrito como "malo" es en realidad bueno, o cómo sabemos que una referencia a películas es en realidad acerca de tener sexo, podemos agradecer al filósofo británico del s. XX Paul Grice. English: Those figures of speech have other meanings, and most of the time, they mean stuff that we’d rather not put in literal terms. Like, we all know what we’re not saying when we say that someone “has a nice personality.” Or if a lady announces she’s going to “powder her nose.” And of course there’s “Netflix and chill,” which it turns out has very little to do with, like, actually watching Netflix. We’ve already talked about how slippery the idea of meaning can be, as it changes depending on the time, or region, or linguistic community you’re in. But that’s not even considering the fact that people don’t usually mean what they say, because we also speak in idioms, fragments, slang, and metaphors. Which leads me to the question: how do we manage to understand each other at all? [Theme Music] When it comes to how we know that something described as “bad” is actually good, or how we know that a reference to Netflix is really about sex, we can thank 20th century British philosopher Paul Grice. German: Diese Redemittel haben andere Bedeutungen, und meistens bezeichnen sie jene Dinge, die wir lieber nicht wortwörtlich ausdrücken. Zum Beispiel wissen wir alle genau, was wir auslassen, wenn wir über jemanden sagen "er hat einen tollen Charakter". Oder wenn eine Dame ankündigt, dass sie sich mal eben "die Nase pudern" geht. Und dann gibt es da natürlich noch "Netflix und Chillen", was, wie sich herausstellt, erstaunlich wenig mit Netflix Schauen zu tun hat. Wir haben bereits darüber gesprochen, wie schwammig der Bedeutungsbegriff sein kann, da er sich abhängig von Zeit, Gegend oder Sprachgemeinschaft verändert. Aber das schließt noch die Tatsache aus, dass Menschen oft nicht das meinen, was sie sagen, weil wir auch mit Sprichwörtern, Bruchstücken, Slang oder Metaphern sprechen. Was mich zu der Frage führt: Wie verstehen wir einander dann überhaupt? [Titelmusik] Wenn es darum geht, woher wir wissen, dass etwas, das als "schlecht" beschrieben wird, eigentlich gut ist, und dass sich hinter einer Bezugnahme auf Netflix Sex verbirgt, können wir uns bei Paul Grice, einem Britischen Philosophen des 20ten Jahrhunderts bedanken. Arabic: تعنى هذه الاتسعارات معاني أخرى، وفي غالب الوقت، تعني أشياء من الأفضل أن لانضعها في مصطلحات حرفية. نحن جميعا نعلم مالذي نستبعده عندما نقول أن شخص "شخصيته جميلة". أو إذا قالت سيدة أنها سـتضع بودرة على أنفها. وبالتأكيد هناك كلمة "Netflix & Chill" أيضا والذي اتضح أنها تعني القليل ، كمشاهدة Netflix فعليًا. تكلمنا مسبقا عن مدى غموض فكرة المعنى، كما أنها تتغير نسبة للوقت أوالمنطقة أو المجتمع اللغوي لكن ذلك لايشمل حقيقة أن الناس لاتعني عادة ماتقوله، لأننا نستخدم أيضًأ المصطلحات والأجزاء والعامية والاستعارات. والذي يدفعنا للتساؤل، كيف تمكنا من فهمنا لبعضنا على الإطلاق؟ عندما يتعلق الأمر بكيفية معرفتنا للأشياء السيئة أنها في الواقع جيدة أو كيف نعرف أن معنى نتفليكس يتعلق بالجنس يعود الفضل للفيلسوف البريطاني في القرن 20، بول جرايس ، Estonian: Nendel keelenditel on ka teisi tähendusi ja enamasti kasutame me neid tähistamaks asju, mida me parema meelega otse välja ei ütleks. Näiteks me kõik teame, mida me jätame ütlemata, kui me ütleme, et kellelgi "on hea iseloom." Või kui mõni daam läheb oma "nina puuderdama." Ja muidugi ka "Netflix ja chill," millel tuleb välja, on väga vähe pistmist päriselt Netflixi vaatamisega. Me oleme juba rääkinud kui libe võib olla idee tähendusest, kuivõrd see muutub aja, regiooni või keelelise kogukonnaga mille osa sa oled. Eriti võttes arvesse seda, et inimesed ei pea enamasti silmas seda, mida nad ütlevad, kuna me räägime kasutades idioome, fragmente, sängi ja metafoore. Mis toob mind järgmise küsimuse juurde: Kuidas me teineteisest ikkagi aru saame? [Tunnusmuusika] Kui me tahame teada kuidas me teame et miski, mida nimetatakse halvaks on tegelikult hea, või kuidas viidates Netflixi kõneletakse tegelikult seksist, siis selle eest saame me tänada 20. sajandi briti filosoofi Paul Grice'i. German: Er wollte erklären wie genau wir wissen, was gemeint ist, und nicht nur, was gesagt wird. Und unsere Fähigkeit, das zu tun, beschreibt er in einer Theorie, die er konversationelle Implikatur nennt. Grice sagte, um wirklich zu verstehen was passiert wenn wir Bedeutung verarbeiten, müssen wir den Unterschied zwischen dem Gesagten und dem Implizierten finden. Das Gesagte ist der tatsächliche sprachliche Inhalt, die Wörter, die aus dem Mund des Sprechers kommen. Das Implizierte beinhaltet viel viel mehr als nur das gesprochene Wort. Implikatur verknüpft die buchstäblichen Wörter, die wir äußern, mit dem Kontext, in dem wir sie äußern. Und dieser Kontext kann alles einschließen von gemeinsamen Erfahrungen bis hin zu sozialen Gepflogenheiten, Dingen wie Gesichtsausdrücken, Stimmfall oder Gestik. Also, damit man eine erfolgreiche Konversation führen konnte, stellte Grice ein paar Bedingungen heraus, die erfüllt sein müssen. Zuerst musst du willens sein, mit jemandem zu kommunizieren und eine erfolgreiche Konversation zu führen. Ist das der Fall, dann hältst du dich an das, was man Kooperationsprinzip nennt. Das bedeutet dass, wann immer ein Sprecher etwas Zweideutiges sagt, der Zuhörer sich nach der wahrscheinlichsten Bedeutung des Gesagten richten soll, je nach dem, was der Kontext hergibt. Dutch: Hij wilde uitleggen hoe we precies kunnen weten wat er bedoeld wordt, in plaats van wat er gezegd wordt. Hij beschreef ons vermogen om dit te doen met een theorie die hij conversationele implicatuur noemde. Grice zei dat om werkelijk te begrijpen wat er gebeurt wanneer we betekenis verwerken, we het verschil tussen wat gezegd wordt en wat geïmpliceerd is. Wat gezegd wordt is de eigenlijke liguïstische inhoud, de woorden die uit de mond van de spreker komen. Wat geïmpliceerd wordt bevat een hele boel meer dan enkel de woorden die uitgesproken worden. Implicatuur combineert de eigenlijke woorden die we uitbrengen met de context waarin we ze zeggen. Die context kan zaken omvatten als vroegere gedeelde ervaringen, sociale conventies, gezichtsuitdrukkingen, toon van de stem en gebaren. Grice observeerde dat enkele condities moesten gelden opdat een succesvolle conversatie kan plaatsvinden. Ten eerste moet je daadwerkelijk proberen om met iemand te communiceren, en een succesvolle conversatie te houden. Als dat het geval is, dan zei Grice dat je het coöperatieve principe naleeft. Dit betekent dat, telkens wanneer er dubbelzinnigheid is in wat een spreker zegt, het publiek naar de meest waarschijnlijke betekenis van wat gezegd wordt op zoek moet gaan, gegeven de context. English: He wanted to explain exactly how we can know what is meant, rather than what is said. And he described our ability to do this, through a theory he called conversational implicature. Grice said, to really understand what goes on when we process meaning, we need to sort out the difference between what is said, and what is implied. What is said is the actual linguistic content, the words that come out of the speaker’s mouth. What is implied contains a whole lot more than just the words that are spoken. Implicature combines the actual words we utter, with the context in which we say them. And that context can include anything from past shared experiences, to social conventions, to things like facial expressions, tone of voice, and gestures. Now, in order for anyone to have a successful conversation, Grice observed that a few conditions had to be in place. First, you have to be actually trying to communicate with someone, and have a successful conversation. If that’s the case, then Grice said that you’re adhering to what’s known as the cooperative principle. This means that, whenever there’s ambiguity in what a speaker is saying, the audience should look for the most likely intended meaning of what’s being said, given the context. Estonian: Ta tahtis seletada seda, kuidas me saame aru sellest mida peetakse silmas mitte sellest mida öeldakse. Ta kirjeldas meie võimet seda teha teooriaga, mida ta kutsus vestluslikuks implikatuuriks. Grice ütled, et selelks, et tõesti mõista seda mis toimub kui me üritame tähendusest aru saada, siis me peame eristama seda, mis on mõeldud, ja mis on öeldud. Mis on öeldud on tegelik keeleline sisu, sõnad, mis tulevad välja rääkija suust. Mis on mõeldud sisaldab palju rohkemat kui lihtsalt sõnu, mida on räägitud. implikatuur kombineerib sõnad, mida me ütleme kontekstiga, milles me neid ütleme. Ja see kontekst võib hõlmata mida iganes alates minevikust ja sotsiaalsetest kommetest kuni näoilmete, hääletoonide ning žestideni. Niisiis, selleks et vestlus oleks üldse võimalik pani Grice tähele paari tingimust, mis peavad paigas olema. Esiteks, sa pead päriselt proovima suhelda ja proovima edukat suhtlust läbi viia. Kui sa teed seda, siis Grice ütleb, et sa andud heatahtlikkuse printsiibile. See tähendab, et kui on ebakõla rääkija öeldus, siis publik peaks otsima seda, mida rääkija kõige tõenäolisemalt silmas pidas, konteksti silmas pidades. Turkish: Grice, söylenen yerine ifade edileni nasıl anladığımızı açıklamak istemişti. Ve bunu yapma kabiliyetimizi "konuşma sezdirimi" denilen bir teoriyle ifade etti. Grice dedi ki, "anlamı işlerken ne olup bittiğini anlamak için söylenen ve ima edilen arasındaki farkı çözümlememiz gerekir." Söylenen, gerçek dilsel içeriktir; yani konuşanın ağzından çıkan kelimeler. İma edilen, konuşulan sözcüklerden çok daha fazla şey içerir. Sezdirim gerçekten kullandığımız sözcükleri ve içinde bulunduğumuz bağlamı birleştirir. Bu bağlam ortak deneyimlerden görgü kurallarına, mimiklere, ses tonuna, ve jestlere kadar her şeyi içerebilir. Grice, başarılı bir sohbet için birkaç şartın sağlanmış olması gerektiğini gözlemledi. Başarılı bir sohbet için öncelikle, biriyle gerçekten sohbet etmeye çalışıyor olmanız gerekir. Eğer durum buysa, Grice "işbirliği prensibi" olarak bilinen şeye uyduğunuzu söyler. Bu şu anlama gelir: eğer konuşan kişinin söylediğinde bir belirsizlik varsa, dinleyici, bağlam içerisinde büyük ihtimalle kastediliyor olan anlama bakmalıdır. Spanish: Él quería explicar cómo saber lo que se quiere decir en lugar de lo que en realidad se dice. Y describió nuestra habilidad de hacerlo a través de una teoría llamada implicatura conversacional. Grice dijo que para entender realmente lo que ocurre cuando procesamos el significado de algo, necesitamos explicar la diferencia entre lo que se dice y lo que está implícito. Lo que se dice es el contenido lingüístico real, las palabras que salen de la boca del hablante. Lo que está implícito contiene mucho más que sólo las palabras que se dijeron. La implicatura combina las palabras que pronunciamos con el contexto en el que las decimos. Y ese contexto puede incluir cualquier cosa, desde experiencias compartidas, convenciones sociales, a cosas como expresión facial, tono de voz y gestos. Ahora, a fin de que cualquiera tenga una conversación exitosa, Grice observó que debe haber ciertas condiciones. Primero tienes que estar intentando comunicarte con alguien en serio y tener una conversación exitosa. Si es así, Grice dice que estás adherido a lo que se conoce como principio cooperativo. Esto significa que siempre que haya ambigüedad en lo que el hablante está diciendo, la audiencia debe buscar el significado más probable de lo que se dijo, dado el contexto. Arabic: أراد أن يشرح بالضبط كيف يمكننا معرفة بالمقصود بدلًا من معرفتنا مالذي قيل. ووصف مقدرتنا على ذلك بنظرية سماها مضمون الكلام، لمعرفة مايدور بالفعل عندما نستقبل المعنى، نحتاج لمعرفة الفرق بين ماتم قوله وماتم قصده ماتم قصده هو المعنى اللغوي الفعلي،الكلمات التي تخرج من فم المتحدث أما يحتوي ماتم تضمينه على أكثر من الكلمات التي قيلت فقط يربط المضمون بين الكلمات الفعلية التي نقولها وسياق الكلمات التي قلناها ومن الممكن أن يحتوي هذا السياق على أي شيء من التجارب الماضية المشتركة أو التقاليد الإجتماعية أو تعابير الوجه، نبرة الصوت أو الوضعيات. في سبيل جعل المحادثة ناجحة، لاحظ جريس أنه هناك بعض الشروط التي ينبغي تواجدها أولا ينبغي عليك أن تحاول أن تتواصل مع شخص ما وأن تحظى بمحادثة ناجحة قال جريس وإن نجحت في ذلك، فإنك ملتزم بما يعرف بمبادىء التعاون مما يعني، عندما يكون كلام المتحدث غامض، ينبغي على المتلقي أن ينظر للمعنى المُرجح تضمنه في ماتم قوله نظراً للسياق. German: Also selbst wenn die buchstäblichen Wörter nicht in die Unterhaltung passen, solltest du versuchen, dein Gegenüber so zu interpretieren, wie es Sinn macht. Wenn du zum Beispiel im Zimmer deiner Schwester bist, ihr euch streitet und sie sagt: "Da ist die Tür" dann kannst du dir sicher sein, dass sie nicht wahllos auf die Einrichtung zeigt. Sie rät dir, durch die Tür und aus ihrem Zimmer zu gehen. Aber die Bürde des Verstehens liegt nicht immer auf dem Zuhörer. Grice hat auch bestimmte Maximen formuliert, oder kommunikative Faustregeln, die dem Sprecher helfen, sich an das Kooperationsprinzip zu halten. Von diesen Maximen gibt es 4: Quantität, Qualität, Relevanz sowie Art und Weise. Für Quantität gibt es zwei Regeln. Als erstes solltest du ausreichend informativ sein. Wenn dich deine Eltern im Internat anrufen und fragen, wie's dir geht, dann solltest du wahrscheinlich so was sagen wie "gut." Nun ja, das mag technisch ausreichend sein, aber du gibst ihnen nicht die Menge an Informationen, auf die sie aus sind. Sie wollen eigentlich wissen, ob du den Mathe-Test schaffst, und ob du auch immer deine Bettwäsche wechselst. Zeug eben... Zweitens solltest du nicht informativer als notwendig sein. Wir alle kennen diese Menschen. Wenn du deinem Lehrer erklärst, dass du Mathe verpasst hast, weil du krank warst, musst du nicht voll ins Detail gehen und den Verlauf deines Durchfalls schildern. Dutch: Dus, zelfs als de letterlijke woorden niet passen in de conversatie, zou je moeten proberen te interpreteren wat je gesprekspartner aan het zeggen is, zodat het zinvol wordt. Bijvoorbeeld, als je een ruzie hebt in de kamer van je zus, en ze zegt, 'Daar is de deur,' mag je aannemen dat ze niet lukraak onderdelen van een huis aan het opsommen is. Ze is je aan het adviseren om door die deur te stappen, uit haar kamer. De last van het begrijpen moet echter niet altijd door de toehoorders gedragen worden. Grice formuleerde ook enkele maximes, of communicatieve vuistregels, die de sprekers helpen om zich aan het coöperatieve principe te houden. Deze maximes vallen onder vier hoofdcategorieën: kwantiteit, kwaliteit, relevantie en stijl. Er zijn twee regels in verband met kwantiteit: Ten eerste zou je voldoende informatief moeten zijn. Als je ouders je bellen terwijl je op school zit en vragen hoe het gaat, zeg je waarschijnlijk iets als 'Goed.' Dit is misschien technisch gezien wel correct, maar je geeft hen niet de hoeveelheid informatie die ze verwachten. Wat ze echt willen weten is of je zal slagen voor wiskunde en je beddengoed verschoont. Zo'n dingen. Ten tweede zou je niet meer informatief moeten zijn dan vereist. We hebben allemaal wel zo iemand ontmoet. Wanneer je uitlegt aan je leerkracht dat je de les hebt gemist omdat je ziek was, hoef je niet volledig in detail te treden over je diarree. English: So, even if the literal words don’t fit into the conversation you’re having, you should try to interpret whatever your interlocutor is saying, so that it makes sense. Like, if you’re in your sister’s room having an argument, and she says, “there’s the door,” you can assume she’s not just randomly naming house parts. She’s recommending that you walk through that door and out of her space. But the burden of understanding doesn’t all fall on the audience. Grice also laid out certain maxims, or communicative rules of thumb, which help speakers keep to the cooperative principle. These maxims fall under four main types – quantity, quality, relation, and manner. There are two rules relating to quantity. First, you should be adequately informative. When your parents call you up at school, and they ask you how you’ve been, you probably say something along the lines of: “fine.” Now, this might be technically accurate, but you’re not giving them the quantity of information they’re looking for. What they really want to know is, are you going to pass math, and are you remembering to wash your sheets? Stuff like that. Second, we shouldn’t be more informative than is required. We’ve all met these people. When you’re explaining to your teacher that you missed class because you were sick, you do not need to provide all of the gruesome details about the nature of your diarrhea. Estonian: Seega isegi kui täpsed sõnad ei sobi peetavasse vestlusesse, siis sa peaks ikkagi mõtlema kuidas saaks vastaspoole öeldut mõista nii, et see kõlaks loogiliselt. Näieks kui sa oled oma õe toas temaga vaidlemas ja ta osutab uksele ja ütleb "uks on sealpool," siis sa võid eeldada, et ta teeb enamat kui nimetab maja osi. Ta soovitab, et sa kasutaks seda ust tema toast lahkumiseks. Aga mõistmise koorem ei lasku ainuüksi publikul. Grice märkis ära ka maksiimid või suhtluse näpunäited, mis aitavad rääkijatel koostöö printsiibist kinni pidada. Need maksiimid langevad kvantiteedi, kvaliteedi, relatsiooni ja kombekuse alusel nelja eri alatüübi alla. On kaks reeglit, mis on seotud kvantiteediga. Esiteks, sa peaks olema adekvaatselt informeeriv. Kui su vanemad helistavad sulle kooli ajal ja küsivad kuidas sul läheb, siis sa silmselt vastad "hästi." See võib olla küll tehniliselt tõene, aga sa ei anna neile sellist info hulka, mida nad otsivad. Mida nad tahavad tegelikult teada on, kas sa saad matemaatikast läbi ja kas sul on meeles linu pesta? Seda sorti värgid. Teiseks, me ei tohiks olla ülemäära informatiivsed. Me oleme kõik selliste inimestega kohtunud. Kui sa seletad oma õpetajale, et sa puudusid, kuna sa olid haige, siis sa ei pea minema oma kõhulahtisuse peensusteni välja. Turkish: Yani, sözcüklerin gerçek anlamı sohbetinize uymuyor olsa bile, muhattabınızın söylediği şeyleri yorumlamalısınız ki mantıklı olsun. Örneğin, eğer kız kardeşinizin odasında tartışıyorsanız ve o "kapı orada" diyorsa, öylesine evin kısımlarını belirtmediğini anlamanız gerekir. Kardeşiniz o kapıdan geçmenizi ve alanını terk etmeniz gerektiğini söylüyordur. Fakat anlamanın yükü sadece dinleyiciye düşmez. Grice aynı zamanda belirli ilkeler, veya iletişimsel kurallar, ortaya koymuştur; bu kurallar konuşanın işbirliği prensibine uymasını sağlar. Bu ilkeler dört tiptir – nicelik, nitelik, bağıntı, ve açıklık. Niceliğe bağlı iki kural vardır. İlki, yeterince bilgi verici olmalısınız. Ebeveynleriniz sizi okulda aradığında ve nasıl olduğunuzu sorduğunda, muhtemelen şöyle bir şey diyorsunuz: "iyi." Bu teknik olarak doğru olabilir, ama onlara aradıkları nicelikte bilgi vermiyorsunuz. Gerçekten bilmek istedikleri, matematiği geçebilecek misiniz, çarşaflarınızı yıkamayı hatırlıyor musunuzdur. Bunun gibi şeyler. İkincisi, gereğinden fazla bilgi vermememiz gerekir. Hepimiz böyle insanlar tanırız. Öğretmeninize dersi hasta olduğunuz için kaçırdığınızı açıklarken ishalinizle ilgili korkunç bilgileri sunmanıza gerek yoktur. Arabic: لذلك، حتى لو لم تتناسب الكلمات الحرفية مع المحادثة، ينبغي أن تحاول تفسير ماقاله محاورك حتى يكون منطقيًا. مثلا، إذا كنت تتشاجر في غرفة أختك وقالت هذا هو الباب يمكنك أن تفترض أنها لا تسمي أجزاء المنزل بشكل عشوائي بل أنها تشير عليك بالخروج من ذاك الباب ومن مساحتها الخاصة لكن لايكون عبء الفهم مقتصر على المتلقي فقط. بل وضع جريس مبادىء وقواعد التواصل العامة ليساعد المتحدث بالالتزام بمبادىء التعاون تندرج هذه المبادىء تحت أربع أنواع رئيسية: الكمية، والنوع والعلاقة والسلوك. هناك قاعدتين تتعلق بالكمية. أولا ينبغي أن تُزود بمعلومات كافية عندما يناديك والديك في المدرسة ويسألوك كيف كان حالك، ربما تجيب بشيء يشابه " بحال جيدة" قد يبدو هذا تقنيًا دقيق لكنك لاتعطيهم كمية المعلومات التي يتطلعون لها. مالذي يريدون معرفته بالفعل هو هل ستجتاز الرياضيات وأنك الآن تتذكر أن تغسل مفارشك. أشياء مثل هذه. ثانيا لاينبغي أن نُزود بمعلومات أكثر من المطلوب نجن جميعا قابلنا هؤلاء الأشخاص من هذا النمط. عندما تشرح لمدرسك أنك تغيبت عن الحصة لأنك كنت مريضا لا تحتاج أن تقول جميع التفاصيل البشعة عن طبيعة الإسهال Spanish: Entonces, aún cuando las palabras literales no encajen dentro de la conversación, Debes tratar de interpretar lo que el interlocutor está diciendo, de manera que tenga sentido. Por ejemplo, si estás en la habitación de tu hermana discutiendo con ella y de pronto dice "Ahí está la puerta", puedes asumir que no está diciendo partes de la casa al azar, está recomendando que camines por esa puerta, fuera de su espacio. Pero la carga del entendimiento no recae únicamente en la audiencia. Grice también dispuso ciertas máximas, o reglas comunicativas de oro, que ayudan al hablante a mantener el principio cooperativo. Estas máximas caen dentro de cuatro grandes grupos: Cantidad, calidad, relación y modo. Hay dos reglas relacionadas a la cantidad. Primero, debes ser adecuadamente informativo. Cuando tus padres te llaman en la escuela y preguntan cómo has estado, probablemente sólo dirás algo como "bien". Esto puede ser técnicamente correcto, pero no les estás dando la cantidad de información que están buscando. Lo que en realidad quieren saber es si pasarás matemáticas o si recordaste lavar tus sábanas, cosas como esas. Segundo, no debemos dar más información de la requerida. Todos hemos conocido gente como esta. Cuando le estás explicando a tu maestro que faltaste a clases porque estabas enfermo, no es necesario decir todos los detalles repugnantes de tu diarrea. Arabic: أعني هناك بالفعل مايسمى بالكثير من المعلومات يارفاق هناك أيضا قاعدتين للنوع للتواصل أولا لاينبغي أن نقول أشياء نعتقدها خاطئة هذا يشمل الأشخاص الذين يسعون لمناصب مرشحة لا ينبغي لأحد أن يكذب تحذرنا القاعدة الثانية للنوع من أن نمتعض عن وضع الافتراضيات لما لدينا من أدلة غير كافية لذا إذا شاهدت أحد يتحدث لآخر في الممرات لا تخبر الجميع أن هناك حثالة تغش بدون أن تتأكد من حقائقك هذا لا يعني أن الأشخاص لايخترقون هذه القواعد طوال الوقت، يكذب البعض أكثر من قوله للحقيقة لكن نظرية جريس كانت أن انتهاك هذه القواعد تضعف التواصل والمبدأ الذي يليه هو العلاقة والذي ينص على قول الأشياء ذو العلاقة وهذا مايمنعنا من البكاء في منتصف لعبة البولينغ في مايتعلق بالعالمية لأعضائنا المفضلين أنا أنظر إليك كلورفيل وأخيرا هناك أربع قواعد في مايتعلق بسلوكنا عندما نتحدث أولا ينبغي أن نتجنب المعاني الغامضة للعبارات في النهاية قد يجعلك ذلك متغطرس ومتحذلق. وقد يجعل محاضرك عنيد Spanish: Realmente eso es demasiada información. Hay también dos reglas de calidad en comunicación. Primero, no debemos decir cosas que creemos que son falsas. Esto incluye a las personas que se postulan para cargos de elección popular. ¡Nadie debería mentir! La segunda cualidad es abstenerse de hacer afirmaciones de las que no tenemos evidencia suficiente. Así que si ves a tu pareja hablando con alguien más en los pasillos no vayas alrededor diciéndole a todos que es un maldito infiel sin antes comprobar los hechos. Ahora, esto no significa que las personas no rompan estas reglas todo el tiempo. Algunas personas mienten más de lo que dicen la verdad. Pero el punto de Grice era que romper estás reglas impide la comunicación exitosa. La siguiente máxima es la regla de la relación, que nos indica que debemos decir cosas relevantes. Es lo que nos impide interrumpir un partido para hablar del mundo de origen de nuestros miembros favoritos de la legión de héroes sustitutos. Te estoy viendo a ti Chico Clorofila. Y finalmente hay cuatro reglas sobre el modo en el que hablamos. Primero, debemos evitar frases pretensiosas. Después de todo puede resultar bastante tonto y pedante, y podría causar que el interlocutor se ponga de malhumor. German: Damit will ich sagen: "zu viel Information" gibt es sehr wohl, Leute. Weiterhin gibt es zwei Qualitätsregeln der Kommunikation. Erstens: Sag nichts, was du für falsch hältst. Das schließt auch Präsidentschaftskandidaten ein! Niemand sollte jemals lügen! Die zweite Qualitätsregel hält uns an, von Aussagen abzusehen, für die wir nur unzureichende Beweise haben. Wenn du also deine bessere Hälfte mit jemand anderem im Flur reden siehst, dann erzähl nicht überall rum, dass er ein fremdgehender Mistkerl ist, ohne vorher die Fakten abzuchecken. Damit will ich nicht sagen, dass die Leute diese Regeln nicht durchweg brechen; einige lügen mehr als sie die Wahrheit sagen. Aber Grice wollte klar machen, dass der Verstoß gegen diese Regeln eine erfolgreiche Kommunikation behindert. Die nächste Maxime dreht sich um Relevanz. Sie hält uns davon ab, mitten in einem Fußballspiel eine lange Diskussion über Pokémon vom Zaun zu brechen. Ich spreche mit dir, Ash Ketchum! Und zuletzt, gibt es 4 Regeln der Art und Weise, mit der wir sprechen. Als erstes sollten wir obskure Formulierungen vermeiden. Denn das könnte uns am Ende extrem hochnäsig und pedantisch aussehen lassen, und könnte deinen Gesprächspartner ungesprächig machen. English: I mean, there really is such a thing as too much information, people. There are also two quality rules of communication. First, we shouldn’t say things that we think are false. This includes people who are running for elected office! No one should just tell lies! The second quality rule cautions us to refrain from making claims for which we we have insufficient evidence. So if you see your significant other talking to someone else in the hallway, don’t go around telling everyone that they’re a cheating scumbag without first checking your facts. Now, this isn’t to say people don’t break these rules all the time; some people lie more than they tell the truth. But Grice’s point was, violating these rules hinders successful communication. Now, the next maxim is the rule of relation, which tells us to say relevant things. It’s what keeps us from going on a tear in the middle of the Super Bowl about the home worlds of our favorite members of the Legion of Substitute Heroes. I’m look at you, Chlorophyll Kid. And finally, there are four rules about the manner in which we speak. First, we should avoid obscure turns of phrase. After all, this could come off as supercilious and pedantic, and might cause your interlocutor to be fractious. Estonian: Ma pean silmas, et on tõesti olemas selline asi nagu liiga palju informatsiooni, inimesed. Ka kvaliteedi kohta käib suhtluses kaks reeglit. Esiteks, me ei tohiks öelda asju, mida me arvame, et on valed. See hõlmab ka poliitikuid. Keegi ei tohiks lihtsalt valetada! Teine reegel hoiatab, et ma peaks hoiduma väidetest, mille jaoks meil piisav tõestus puudub. Kui sa näed oma kaasat kõnelemas koridoris kellegi teisega, siis ära mine kõigile väitma, et ta on petlik tõbras enne, kui sa oled oma fakte kontrollinud. Asi ei ole nii, nagu inimesed ei rikuks neid reegleid kogu aeg; mõned räägivad rohkem valet kui tõtt. Aga Grice'i mõte oli, et nende reeglite rikkumine takistab edukat suhtlust. Järgmine, relatsiooni, maksiim ütleb, et me peaks jääma relevantse juurde. See on see, mis takistab meil Super Bowli ajal vallandamast oma mõtteid lemmikute Asenduskangelaste kodumaailmade kohta. Ma vaatan sinu otsa Klorofülli-laps. Ja viimaks on neli reeglit nende kommete kohta, mille alusel me kõneleme. Esiteks, väldi kasutamast segaseid fraase ja pöördeid. Sest see võib ometi jätta kõrgi ja pedantliku mulje, ja sa võid põhjusatada oma kaasvestlejas segadust. Turkish: Yani, çok fazla bilgi diye bir şey gerçekten vardır. Nitelik hakkında da iki iletişimsel kural vardır. Öncelikle, yanlış olduğunu düşündüğümüz şeyleri söylememeliyiz. Bu, seçime giren insanları da kapsar! Kimse yalan söylememeli! İkinci kural, hakkında yeterince kanıt sahibi olmadığımız iddialarda bulunmamamız gerektiğini ifade eder. Mesela sevgilinizi koridorda başka biriyle konuşurken gördüğünüzde bilgilerinizin doğruluğunu kanıtlamadan önce gidip herkese onun ne kadar sahtekar biri olduğunu anlatmamanız gerekir. Bu, insanların bu kuralları asla ihlal etmediği anlamına gelmez; bazı insanlar doğrudan çok yalan söyler. Grice'ın demek istediği, bu kuralların ihlalinin sağlıklı iletişimi zorlaştıracağıdır. Diğer ilke ise bağıntı kuralıdır, bu ilke bize konuyla ilişkisi olan şeyler söylememizi anlatır. Bu, futbol maçı izlerken Legion of Substitute Heroes'taki favori karakterimizin evinden bahsetmemizi engeller. Sana diyorum, Klorofil Çocuk. Son olarak, açıklık ilkesiyle ilgili dört kural vardır. Öncelikle, gizli üsluplardan kaçınmalıyız. Çünkü bu, ukala ve tepeden bakan biri olarak görünmemize sebep olup, dinleyicinin sinirlenmesine neden olabilir. Dutch: Er is zoiets als te veel informatie, mensen. Er zijn eveneens twee kwaliteitsregels in verband met communicatie. Ten eerste zouden we geen dingen mogen zeggen waarvan we denken dat ze fout zijn. Dit geldt dus ook voor presidentskandidaten! Niemand zou zomaar mogen liegen! De tweede kwaliteitsregel waarschuwt ons ervoor geen beweringen te maken die we niet kunnen staven met voldoende bewijs. Dus als je je partner ziet praten met iemand in de gang, ga dan niet overal rondbazuinen dat die een overspelige klootzak is zonder eerst de feiten na te gaan. Nu, dat betekent niet dat mensen deze regels niet constant overtreden; sommige mensen liegen meer dan dat ze de waarheid vertellen. Maar Grices punt was dat deze regels overtreden succesvolle communicatie belemmert. De volgende maxime is die van relevantie. Het is wat ons ervan weerhoudt om midden in de Champions League-finale over Pokémon te beginnen. Ik kijk naar jou, Ash Ketchum! Ten slotte zijn er vier regels omtrent de stijl van spreken. Ten eerste zouden we obscure zinswendingen moeten vermijden. Dit kan immers als verwaand en schoolmeesterachtig overkomen, en je zou je gesprekspartner lastig kunnen maken. English: The whole point of a conversation is successful communication, not showing off how big your vocabulary is. Second, ambiguity should be avoided. Keep your audience in mind when you use figures of speech and slang. The reason you don’t talk to your grandmother about your bae is because she’s not going to have any idea what you’re talking about. Third, be brief. Don’t give a ten minute explanation when a one minute one will do. And finally, be orderly. Remember that time your mom recounted the recipe for her famous meatloaf from memory? And then when you tried to make it, you ended up with whole onions and raw meat? Mom assumed you were going to know that you needed to chop the onions and bake the loaf, but she didn't say that. So, the rule of orderliness reminds us not to miss steps when we’re communicating information. Now, this might sound like a lot of rules, but Grice believed that we already follow these maxims when we engage in conversation. Because, generally, when we communicate, we want to be understood. And – here’s the cool part – since everyone understands these unspoken rules, we can violate them from time to time, knowing that other people will get that we’re breaking the rules on purpose. Why would we do that? Arabic: المغزى من التواصل هو التواصل الناجح وليس استعراض كمية الكلمات التي تملكها ثانيا يجب تجنب الغموض ضع جمهورك في عين الاعتبار عندما تستخدم الاستعارات واللهجات السبب خلف أنك لاتتحدث مع جدتك عن الحكومة لأنها لن تكون لديها أدني فكرة عن ماتقوله ثالثا كن مختصرا، لاتشرح لمدة 10 دقائق عندما تستطيع فعل ذلك في دقيقة واحدة وأخيرا اجعل الكلام منظما تذكر الوقت الذي حكت فيه أمك عن طريقة رغيف اللحم المشهور لديها ثم حاولت صنعه وانتهى بك الحال ببصلة كاملة ولحم نيء افترضت أمك أنك ستعرف أنك ستحتاج لتقطيع البصل وطبخ الرغيف، لكنها لم تقل ذلك لذلك تُذكّرنا قاعدة تنظيم الكلام، بأن لاننسى الخطوات عندما ننقل المعلومات قد يبدون هذا الآن وكأنها قواعد كثيرة لكن يعتقد جريس أننا في الأساس نتبع هذه القواعد في المحادثات لأن عموما عندما نتواصل نريد أن يفهمنا الغير وهذا الجزء الأفضل، بما أن الجميع يفهم هذه القواعد الصامته، يمكننا انتهاك هذه القواعد من وقت لوقت آخر لأننا نعرف أن الطرف الآخر سيفهم أننا نكسر هذه القواعد عمدا لماذا نفعل ذلك؟ German: Am Ende liegt der Sinn einer Konversation in erfolgreicher Kommunikation, und nicht darin, mit deinem Wortschatz anzugeben. Zweitens: Zweideutigkeit sollte vermieden werden. Behalte deine Zuhörer im Hinterkopf, wenn du Redemittel und Slang benutzt. Der Grund, warum du nicht mit deiner Oma über Chabos sprichst, ist, weil sie keine Ahnung haben würde, was du meinst. Als drittes: Fass dich kurz. Halte keine 10-minütige Rede ab, wenn es auch in einer Minute geht. Und dann noch: Halte die Ordnung ein. Erinnerst du dich, als deine Mutter das Rezept für ihren berühmten Hackbraten aus dem Gedächtnis hergebetet hat? Und als du beim Versuch, ihn zu kochen, am Ende ganze Zwiebeln und rohes Fleisch hattest? Mama dachte sich wohl, dass du weißt, dass man die Zwiebeln schneiden und den Braten schmoren muss, aber das hat sie dir nicht gesagt. Die Regel der Ordnung erinnert uns also daran, keine Schritte auszulassen, wenn wir Informationen mitteilen. Das klingt jetzt wie ein Riesenhaufen Regeln, aber Grice glaubte, dass wir diese Regeln schon kennen, wenn wir kommunizieren. Denn, ganz allgemein, wollen wir verstanden werden, wenn wir kommunizieren. Und hier kommt der coole Teil: da jeder diese unausgesprochenen Regeln versteht, können wir sie von Zeit zu Zeit brechen und wissen dabei, dass die anderen dahinterkommen, dass wir das mit Absicht gemacht haben. Warum sollten wir das tun? Spanish: El punto de la conversación es la comunicación exitosa, no presumir lo grande que es tu vocabulario. Segundo, debe evitarse la ambigüedad. Mantén en mente a tu audiencia cuando uses figuras literarias y jerga. La razón de que no le hables a tu abuela sobre tu bae es porque no tendría idea de lo que estás diciendo. Tercero, sé breve. No des una explicación de diez minutos cuando puedes hacerlo en uno. Y finalmente, sé ordenado. ¿Recuerdas aquella vez en que tu madre te dio de memoria la receta de su famoso pastel de carne, luego intentaste hacerlo y terminaste con cebollas enteras y carne cruda? Tu madre asumió que sabrías que necesitabas cortar las cebollas y hornear la carne, pero no lo dijo. Por lo tanto la regla del orden nos recuerda no saltarnos pasos cuando estamos comunicando información. Esto puede sonar como demasiadas reglas, pero Grice creía que ya seguíamos estas máximas al participar en una conversación, porque generalmente cuando nos comunicamos queremos ser entendidos. Y aquí está la parte genial, ya que todos entendemos estás reglas no dichas, podemos romperlas de vez en cuando, sabiendo que otras personas entenderán que estamos rompiendo las reglas a propósito. Turkish: Bir sohbetin bütün amacı başarılı iletişimdir, kelime hazinenizin ne kadar güçlü olduğunu göstermek değil. İkincisi, belirsizlikten kaçınmalıyız. Deyim ve argo kullanırken dinleyicinizi aklınızda bulundurmalısınız. Büyükannenize "manita"nızdan bahsetmezsiniz çünkü o, ne hakkında konuştuğunuzu bilmeyecektir. Üçüncüsü, kısa ve öz olun. Bir dakikalık bir açıklama işe yarayacakken on dakika konuşmayın. Son olarak, intizamlı olun. Annenizin ezberden köfte tarifi verdiği zamanı hatırlıyor musunuz? Ve onu yapmaya çalıştığınızda, bütün soğanlar ve çiğ etle kaldığınızı? Anneniz sizin soğanları doğrayacağınızı ve eti pişireceğinizi bildiğinizi farz etti, fakat bunu söylemedi. İntizam kuralı bize iletişim kurarken adım kaçırmamamızı söyler. Çok fazla kural varmış gibi gelebilir, ama Grice bu ilkeleri konuşmamız içerisinde zaten takip ettiğimizi söylemiştir. Çünkü, genellikle, iletişim kurduğumuzda, anlaşılmak isteriz. Ve, burası çok havalı, herkes bu söz edilmeyen kuralları anladığı için, karşımızdaki anladığından bunları zaman zaman ihlal edebiliriz. Neden bunu yaparız? Dutch: Het hele punt van een conversatie is succesvolle communicatie, niet pronken met je rijke woordenschat. Ten tweede moet dubbelzinnigheid vermeden worden. Houd je publiek in gedachten wanneer je een stijlfiguur of jargon gebruikt. De reden waarom je niet met je grootmoeder praat over je 'bae' is omdat ze geen idee zou hebben waarover je het hebt. Ten derde, wees beknopt. Geef geen uitleg van tien minuten als eentje van één minuut voldoet. En ten laatste, wees ordelijk. Herinner je je het moment toen je moeder je uit het hoofd het recept voor haar fameuze vleesbrood gaf? En wanneer je het probeerde te maken, je met hele uien en rauw vlees eindigde? Mama veronderstelde dat je zou weten dat je de uien moet snijden en het vlees moet bakken, maar dat zei ze niet. Dus, de regel van ordelijkheid herinnert ons eraan geen stappen over te slaan wanneer we informatie communiceren. Nu, dit klinkt misschien als een heleboel regels, maar Grice geloofde dat we deze maximes reeds gebruiken wanneer we een gesprek aangaan. Wanneer we communiceren willen we over het algemeen immers begrepen worden. En hier is het leuke gedeelte: aangezien iedereen deze onuitgesproken regels begrijpt, kunnen we ze zo nu en dan breken, wetende dat andere mensen zullen begrijpen dat we de regels expres overtreden. Waarom zouden we dat doen? Estonian: Kogu vestluse mõte on edukas suhtlus, mitte oma sõnavaraga uhkeldamine. Teiseks, kahetimõistetavusi tuleks vältida. Pea silmas oma publikut, kui sa kasutad keelendeid või slängi. Põhjus, miks sa ei räägi oma vanaemale musust on, kuna ta ei mõistaks, mida sa talle öelda tahad. Kolmandaks, räägi lühidalt. Ära seleta kümne minutiga seda, mida saab seletada ühega. Ja viimaks, ole korrastatud. Mäletad seda, kui su ema ütles peast oma kuulsa pikkpoisi retsepti? Ja kui sa proovisid seda järgi teha, siis lõpetasid sa tervete sibulate ja toore lihaga? Ema eeldas, et sa taipad, et sa pead sibulad tükkideks lõikama ja pikkpoissi küpsetama, aga ta ei öelnud seda. Seega korrastatuse reegel ütleb, et me ei tohiks seletuses ära jätta vahepealseid samme. Võib tunduda, et neid reegleid on palju, Aga Grice uskus, et me juba järgime neid maksiime oma igapäevastes vestlustes. Sest enamasti, kui me suhtleme, siis me tahame, et meid mõistetaks. Ja, see on nüüd äge osa, kuna me kõik juba järgime neid kirjutamata reegleid, siis me saame neid vahel rikkuda, teades, et teised mõistavad, et me rikume neid meelega. Ja miks me peaks seda tegema? Arabic: لأن انتهاك القواعد عمدا هي طريقة جيدة لصنع نقطة تواصل ويمسى هذا بـ تجاهل القوانين نتجاهل قاعدة النوع على سبيل المثال، عندما نستخدم السخرية أنا متأكد أنك لم تجرب السخرية من قبل ونتجاهل قاعدة السلوك عندما نستخدم كلمات 10 دولارات عمدا ، لتشويش وإحراج محاضرنا الآن بما أننا نعرف كيف نقول مانعني بدون التصريح بمانعني،حان الوقت لفعل الأشياء بالكلمات دعونا نذهب thought bubble للتعرف flash philosophy عام 1950، كتب الفيلسوف البريطاني جيل أوستين كتاب صغير بعنوان كيف تفعل الأشياء باستخدام الكلمات ولاحظ أوستين أن الكلمات لديها القدرة في تغيير العالم بعض الأحيان لا أعني بذلك مثل طريقة كلمات الملك مارتين لوثر في تغيير العالم، لكن قدرة الخطاب الفوري والفعال بتغيير حقيقة معينة عن العالم عندما يقول قسيس الزواج أصرح الآن بكونك زوج وزوجة أو زوج وزوج أو زوجة وزوجة يملك هذا الكلام القدرة في تبديل حالة الشخص من أعزب إلى متزوج بنفس قدرة الأباء في تحديد اسم طفلهم بكل بساطة بإعلانه Spanish: ¿Por qué haríamos eso? Porque romper una máxima deliberadamente es una buena forma de comunicar un punto. Esto se conoce como desobedecer una máxima. Por ejemplo, desobedecemos la máxima de calidad al usar el sarcasmo. Estoy seguro de que nunca antes has escuchado el sarcasmo. E incumplimos la máxima del modo cuando usamos palabras pomposas deliberadamente para confundir o avergonzar a nuestro interlocutor. Ahora que sabemos cómo decir lo que queremos decir sin decir lo que queremos decir, es hora de hacer cosas. Vayamos a la Burbuja del pensamiento por un poco de Filosofía flash. En los 1950's el filósofo británico J. L. Austin escribió un pequeño y encantador libro llamado "Cómo hacer cosas con palabras". En él Austin observó que "a veces, las palabras tienen la habilidad de cambiar al mundo". No me refiero a la manera en que las palabras de Martin Luther King cambiaron al mundo, sino en el sentido de que, en un instante, un acto de expresión puede cambiar un hecho en particular del mundo. Cuando el oficiante de boda dice "Y ahora los declaro marido y mujer" o "marido y marido" o "mujer y mujer", ese acto de expresión tiene el poder de en realidad transformar a dos personas solteras en una pareja casada. De ese mismo modo los padres tienen el poder de determinar el nombre de su hijo simplemente con anunciarlo. German: Nun, weil das absichtliche Verstoßen gegen eine Maxime ein toller Weg ist, etwas zu unterstreichen. Man nennt das Flouting/Verhöhnung einer Maxime. Wir verhöhnen beispielsweise die Qualitätsmaxime, wenn wir sarkastisch sind. Aber du hast ja sicher noch nie was mit Sarkasmus zu tun gehabt. Wir verhöhnen die Maxime der Art und Weise, wenn wir ellenlange Wortungetüme benutzen, um unseren Gesprächspartner zu verwirren oder bloßzustellen. Also gut: Jetzt wo wir wissen, wie man sagt, was man meint, ohne zu sagen, was man meint, wird es Zeit, die Dinge anzupacken! Gehen wir rüber in die Gedankenblase für etwas Blitzphilosophie. In den 1950ern schrieb der Britische Philosoph J.L. Austin ein nettes Buch namens: "How to Do Things With Words" Darin beschrieb Austin, dass manche Wörter tatsächlich die Fähigkeit haben, die Welt zu verändern. Damit meine ich nicht die Weise, wie Martin Luther Kings Worte die Welt verändert haben, aber eher so, dass ein Sprechakt im Nu einen bestimmten Fakt über die Welt verändern kann. Wenn der Standesbeamte sagt: "Hiermit erkläre ich euch zu Mann und Frau"" oder "Ehegatten" oder "Ehepartnern", dann hat dieser Sprechakt die Macht, zwei einzelne Individuen in ein verheiratetes Paar zu verwandeln. Auf dieselbe Weise haben Eltern die Macht über die Wahl des Namens ihres Kindes, indem sie ihn schlichtweg verkünden. Dutch: Wel, omdat opzettelijk een maxime overtreden een goede manier is om een communicatief punt te maken. Dit noemt men het schenden van een maxime. We schenden bijvoorbeeld de maxime van kwaliteit wanneer we sarcasme gebruiken. Zoals 'Ik ben er ZEKER van dat je nog nooit met sarcasme in aanraking bent gekomen.' En we schenden de maxime van stijl wanneer we opzettelijk moeilijke woorden gebruiken om onze gesprekspartner te verwarren of voor schut te zetten. Dus, nu we weten hoe te zeggen wat we bedoelen zonder te zeggen wat we bedoelen, is het tijd om dingen te doen! Laten we naar de Thought Bubble gaan voor wat Flash Filosofie. In de jaren '50 schreef de Britse filosoof J. L. Austin een charmant boekje getiteld 'How to Do Things with Words.' Daarin observeerde Austin dat woorden soms de wereld kunnen veranderen. Ik bedoel niet op de manier dat bijvoorbeeld Martin Luther King's woorden de wereld veranderden, maar in de zin dat, in een ogenblik, een taalhandeling een bepaald feit uit de wereld kan veranderen. Wanneer een trouwambtenaar zegt, 'Ik verklaar jullie nu tot man en vrouw,' of 'man en man,' of 'vrouw en vrouw,' hebben die woorden de kracht om twee individuen te transformeren in een getrouwd koppel. Op dezelfde manier hebben ouders de macht om de naam van hun kind te bepalen, eenvoudigweg door hem uit te spreken. Estonian: Sest maksiimist meelega üle astumine on hea viis mõtte teisele selgeks tegemiseks. Seda nimetatakse maksiimi eiramiseks. Me eirame kvaliteedi maksiimi näiteks sarkasmi kasutades. Nagu ma olen kindel, et sa pole kunagi oma elus sarkasmiga kokku puutunud! Ja me eirame kombekuse maksiimi, kasutades meelega $10 sõnavara, et oma vestluspartnerit segadusse ajada. Nüüd mil me teame kuidas öelda, mida me mõtleme, ilma ütlemata, mis meil mõttes, on aeg asuda tegudele! Lähme Mõttemulli natukese välkfilosoofia jaoks. 1950ndatel kirjutas briti filosoof J. L. Austin armsa väikse raamatu, nimega "Kuidas Teha Asju Sõnadega." Selles avastab Austin, et vahetevahel on sõnadel võim maailma muuta. Ma ei pea silmas seda, kuidas näiteks Martin Luther Kingi sõnad maailma muutsid, vaid seda, kuidas hetkega võib kõneakt muuta mingit kindlat fakti maailma kohta. Kui laulatuse läbiviija ütleb "Ma kuulutan teid meheks ja naiseks," või "meheks ja meheks," või"naiseks ja naiseks," siis sel kõneaktil on võim teha kahest indiviidist abielupaar. Niisamuti on vanematel võim määrata oma lapse nimi seda lihtsalt välja kuulutades. English: Well, because deliberately violating a maxim is a good way to make a communicative point. This is called flouting a maxim. We flout the maxim of quality, for example, when we use sarcasm. Like, I’m sure that you’ve never experienced sarcasm before! And we flout the maxim of manner when we deliberately use $10 words to confuse or embarrass our interlocutor. So, now that we know how to say what we mean without saying what we mean, it’s time to do things! Let’s go to the Thought Bubble for some Flash Philosophy. In the 1950s, British philosopher J. L. Austin wrote a charming little book called How to Do Things with Words. And in it, Austin observed that sometimes, words actually have the ability to change the world. I don’t mean in the way that, like, Martin Luther King’s words changed the world, but in the sense that, in an instant, an act of speech can change a particular fact about the world. When a wedding officiant says, “I now pronounce you husband and wife,” or “husband and husband,” or “wife and wife,” that speech-act has the power to actually transform two single individuals into a married couple. In that same way, parents have the power to determine their child’s name, simply by announcing it. Turkish: Çünkü isteyerek bir ilke ihlali yapmak iletişimsel bir vurgu yapmanın iyi bir yoludur. Buna ilkeye uymamak denir. Örneğin, sarkazm yaparken nitelik kuralına uymayız. Tabii, hiç sarkazma denk gelmediğinize eminim! Dinleyici kafa karışıklığına uğratmak veya utandırmak istediğimizde isteyerek sık kullanılmayan kelimeler kullanırız. Şimdi, demek istediğimiz şeyleri söylemeden nasıl ifade edeceğimizi bildiğimize göre, bir şeyler yapma vakti! Biraz Flaş Felsefe için Düşünce Baloncuğu'na gidelim. 1950'lerde, İngiliz filozof J. L. Austin, "Söylemek ve Yapmak" adlı küçük ve etkileyici bir kitap yazmıştır. Bu kitapta, Austin kelimelerin dünyayı değiştirme kapasitesine sahip olduğunu görmüştür. Martin Luther King'in dünyayı değiştirmesi gibi bir şeyden bahsetmiyorum, daha çok, bir anda bir konuşma edimi dünya hakkında spesifik bir gerçeği değiştirebilir. Bir nikah memuru "sizi karı koca ilan ediyorum" veya "koca-koca" veya "karı-karı" dediğinde bu konuşma edimi aslında iki bekar bireyi evli bir çifte dönüştürme gücündedir. Aynı şekilde ebeveynler, çocuklarının ismini basitçe bunu duyurarak belirlerler. Arabic: يشن رئيس الدولة حالة حرب بالإعلان عنها فقط وبقوله "أعدكم بخلق إلتزام أخلاقي" نحن حيوانات لفظية، وسمحنا لمجتمعنا بإتخاذ شكله بشكل عميق بإستخدام الكلمات والقيمة التي نمنحها هذا شيء لا نفكر فيه بكثرة لكن عندما تتوقف بالتفكير فيه، فإنه من المدهش أنه من الممكن خلق تعهد أو إلغاه بكلمات أو بالتسبب في جعل الدولة في حالة حرب لكن تتطلب بعض هذه الأمثلة توفر شروط محددة لكي يعمل مفعول الكلام أو كما يقول أوستين يكون ناجحا مثلا إذا كان أحد الأزواج الذي سيتزوج تحت سن الزواج أو متزوج أصلا أو كان كلبا، فإن إعلان الزواج لن يكون حقيقيا ستحتاج أيضا إلى قسيس شرعي لإعلان الزواج، كما هو الحال أيضا في إعلان حالة الحرب أو منح شهادة أكاديمية لكن في الحالات الأخرى، مثل التعهد أو الانضمام لمجتمع أو تسمية مولود يمكن لأي أحد تغيير العالم في هذه الحالة بكل بساطه بكلماتهم تعتبر التعبيرات الإنجازية مثيرة للإهتمام، لأننا نعتقد بطبيعة الحال أن الجمل بكل بساطة ناقلة للمعلومات شكرا لـ thought bubble German: Ein Präsident oder Staatsoberhaupt kann einen Kriegszustand auslösen, nur indem er ihn erklärt. Und wenn wir sagen "ich verspreche," dann schaffen wir moralische Verpflichtungen. Wir sind Tiere des Wortes, und wir haben es zugelassen, dass unsere Realität grundlegend von Wörtern geformt werden können, und den Werten, die sie tragen. Darüber denken wir nicht oft nach, aber wenn man es recht bedenkt, dann ist es schon unglaublich, dass Worte tatsächlich eine Bindung schaffen oder auflösen können, oder ein Sprechakt dafür sorgen kann, dass Nationen sich bekriegen. Aber für einige von diesen Beispielen müssen bestimmte Bedinungen erfüllt sein, damit die Äußerung formuliert, oder wie Austin sie genannt hat: Gelingensbedingungen. Wenn zum Beispiel eine Partei der Eheschließung minderjährig, bereits verheiratet oder gar ein Hund ist, wird der Ehespruch die Ehe nicht gültig machen. Außerdem braucht man einen rechtlich anerkannten Standesbeamten, der den Sprechakt ausführt, was auch für Kriegserklärungen und Verleihung akademischer Titel gilt. Aber in anderen Fällen, etwa ein Versprechen geben, einer Vereinigung beitreten, oder ein Kind benennen, kann jeder die Welt lediglich durch seine Worte verändern. Performative Äußerungen sind interessant, weil wir Sätze üblicherweise als Trägermedium für Information ansehen. Danke, Gedankenblase! Turkish: Bir devlet veya eyalet başkanı savaş açabilir, bunu sadece ilan ederek. Ve "söz veriyorum" diyerek, etik sorumluluklar oluşturmuş oluruz. Konuşan hayvanlarız ve gerçekliğimizin derinden kelimeler ile değişmesine izin verdik. Bu üzerinde çok düşündüğümüz bir şey değil, fakat durup sorguladığımızda, kelimelerin bir bağ oluşturması veya bu bağı kırması, veya bir konuşma ediminin savaşa yol açması gerçekten inanılmazdır. Fakat bu örneklerden bazılarının gerçekleşmesi için uygun şartlar gerekmektedir; veya Austin'in dediği gibi, isabetli olması için. Mesela evlenecek kişilerden birinin yaşının yetmemesi, halihazırda evli veya bir köpek olması, evlilik ilan edilse de bu onu doğru yapmaz. Ayrıca yasal olarak yetkili bir memurun ilan etmesi gerekir, bu aynı zamanda savaş ilanlarında ve akademik derecelerde de geçerlidir. Fakat diğer olaylarda, mesela söz vermek, bir topluluğa katılmak, veya bir çocuğa isim koymak gibi, bu yoldan herkes dünyayı değiştirebilir, sadece sözcükleriyle. Edimsel söyleyişler ilginçtir, çünkü genellikle cümlelerin sadece bilgi taşıyıcı olduklarını düşünürüz. Teşekkürler, Düşünce Baloncuğu! Spanish: Un presidente o jefe de estado puede crear un estado de guerra simplemente con declararlo. Y diciendo "Lo prometo", creamos obligación moral. Somos animales verbales y permitimos que la palabras y el valor que les otorgamos den forma a nuestra realidad de una manera muy profunda. Esto no es algo que pensemos mucho pero cuando nos detenemos a reflexionar sobre ello es bastante increíble que las palabras puedan crear un lazo, o disolverlo, o que un acto de expresión pueda causar que una nación vaya a la guerra. Pero algunos de estos ejemplos requieren que se reúnan ciertas condiciones para que la declaración funcione, o en palabras de Austin, "ser felices". Si alguno de esos cónyuges es menor de edad, o ya está casado, o es un perro, entonces declarar el matrimonio no lo hará válido. También necesitas un oficiador legalmente reconocido para hacer la declaración, lo cual también aplica para declaraciones de guerra o conferir grados académicos. Pero en otros casos, como hacer una promesa o unirse a una sociedad o nombrar a un niño, cualquiera puede cambiar el mundo de esta manera, simplemente con sus palabras. Los enunciados performativos son interesantes porque normalmente pensamos en las frases como en simples transportadores de información. Gracias Burbuja de Pensamiento. Estonian: President või muu riigipea saab luua sõjaseisukorra seda lihtsalt kuulutades. Ja öeldes "Ma luban," loome me moraalseid kohustusi. Me oleme verbaalsed loomad ja me oleme lubanud oma reaalsust mõjutada sõnade ja neile antud jõu poolt. Aga see ei ole miski, millele me palju mõtleks, aga kui sa peatud ja mõtiskled selle üle, siis on hämmastav, et sõnad saavad sidemeid luua või neid hävitada, või et kõneakt võib põhjustada riikide vahelist sõda. Aga osad neist näidetest vajavad paljude tingimuste täitumist, et öeldu toimiks või nagu Austin ütleb, oleks õnnelik Näiteks kui üks kihlatutest on alaealine, juba abielus või koer, siis nende abiellunuks kuulutamine ei tööta. On vaja ka seaduslikku läbiviijat, kes kuulutaks, mis on tõsi ka sõja kuulutamisel ja kraade andes. Aga teistel juhtudel, näiteks andes lubadusi, liitudes seltsidega või pannes lapsele nime, võib ükskõik kes maailma muuta vaid sõnadega. Esinemisena öeldu on huvitav, kuna tavaliselt tahame me lausetega lihtsalt infot edastada. Aitäh, mõttemull! English: A president or head of state can create a state of war, just by declaring it. And by saying, “I promise,” we create moral obligations. We’re verbal animals, and we’ve allowed our reality to be shaped, in a very deep way, by words, and the value that we give them. This isn’t something we think about a lot, but when you stop to reflect on it, it’s kind of incredible that words can actually create a bond, or dissolve it, or that a speech-act can cause nations to go to war. But some of these examples require certain conditions to be met, in order for the utterance to work, or, in Austin’s words, to be felicitous. Like, if one of the spouses-to-be at a wedding is underage, or already married, or is a dog, then pronouncing them married won’t make it true. You also need a legally recognized officiant to do the pronouncing, which is also true of declarations of war and in conferring academic degrees. But in other cases, like making a promise, or joining a society, or naming a child, anyone can change the world in this way, simply with their words. Performative utterances are interesting, because we normally think of sentences as simply conveyors of information. Thanks, Thought Bubble! Dutch: Een president of staatshoofd kan een staat van oorlog creëren, gewoon door hem te verklaren. En door 'Ik beloof het' te zeggen creëren we morele verplichtingen. We zijn verbale dieren, en we hebben onze realiteit op een zeer verregaande manier door woorden en de waarde die we hen toekennen laten vormen. Dit is niet iets waar we veel bij stilstaan, maar als je er over nadenkt, is het best ongelooflijk hoe woorden een band kunnen creëren of verbreken, of dat een taalhandeling oorlog tussen naties kan veroorzaken. Maar sommige van deze voorbeelden vereisen dat bepaalde condities vervuld zijn om de uiting te doen slagen. Als bijvoorbeeld een van de partners voor het huwelijk minderjarig is, of reeds getrouwd, of een hond, dan betekent hen getrouwd verklaren nog niet dat het huwelijk geldig is. Er is ook een wettelijk erkende ambtenaar nodig die het verklaren doet, wat ook geldt voor oorlogsverklaringen en het uitreiken van academische diploma's. Maar in andere gevallen, zoals een belofte doen, of lid worden van een vereniging, of een kind een naam geven, kan iedereen de wereld veranderen gewoonweg door de kracht van hun woorden. Performatieve uitdrukkingen zijn interessant, omdat we zinnen normaal enkel als dragers van betekenis zien. Bedankt, Thought Bubble! Turkish: Sonuç olarak, bazen, bu tür cümleler gerçekten bir şeyler yaparlar. Bugün konuşma sezdirimi, işbirliği prensibi, ve Paul Grice tarafından oluşturulan başarılı iletişimin dört ilkesi hakkında konuştuk. Aynı zamanda edimsel söyleyişleri öğrendik. Ayrıca hatırlatmak isterim ki muzlar, "chom chom"lardır. Gelecek sefere dil felsefesi ve etiğin buluştuğu bir alana bakacağız, ve sözcüklerin gücünün hangi yollarla zarar verebileceğine. Squarespace bu bölümü sundu. Squarespace websitesi, blog veya online mağaza kurmaya yardımcı olur. Websiteleri profesyonel dizayn edilmiş gibi gözükür, yetenek düzeyiniz fark etmeden, kodlama gerektirmez. Squarespace'i squarespace.com/crashcourse adresinden deneyin. Squarespace: tutkunuzu dünyayla paylaşın. Crash Course Felsefe PBS Digital Studios ile üretilmiştir. Onların kanalına giderek şöyle programlardan oluşmuş çalma listelerine bakabilirsiniz: Shanks FX, PBS Space Time, and BBQ with Franklin. Crash Course'un bu bölümü Doctor Cheryl C. Kinney Crash Course Studio'da English: It turns out, sometimes, these types of sentences actually do things. Today we talked about conversational implicature, the cooperative principle, and the four main maxims of successful communication, as laid out by Paul Grice. We also learned about performative utterances. And I would like to remind you that bananas are chom choms. Next time we’ll look at an area where the philosophy of language and ethics meet, by talking about the ways in which the power of words can cause harm. This episode is brought to you by Squarespace. Squarespace helps to create websites, blogs or online stores for you and your ideas. Websites look professionally designed regardless of skill level, no coding required. Try Squarespace at squarespace.com/crashcourse for a special offer. Squarespace: share your passion with the world. Crash Course Philosophy is produced in association with PBS Digital Studios. You can head over to their channel and check out a playlist of the latest episodes from shows like Shanks FX, PBS Space Time, and BBQ with Franklin. This episode of Crash Course was filmed in the Doctor Cheryl C. Kinney Crash Course Studio German: Wie sich herausstellt, bewirken diese Arten von Sätzen manchmal wirklich etwas. Heute haben wir über konversationelle Implikatur gesprochen, über das Kooperationsprinzip und die vier Hauptmaximen der erfolgreichen Kommunikation nach Paul Grice. Wir haben auch etwas über performative Äußerungen gelernt. Und dann möchte ich dich gern daran erinnern, dass Bananen Chom-choms heißen. Nächstes Mal sehen wir uns ein Gebiet an, auf dem sich Sprachphilosophie und Ethik begegnen, wenn wir darüber sprechen, wie die Macht der Worte Schaden anrichten kann. Diese Folge von Crash Course wurde dir präsentiert von Squarespace. Squarespace hilft bei der Erstellung von Websites, Blogs oder Online-Shops für dich und deine Ideen. Websites sehen professionell designt aus, unabhängig von Fähigkeiten und Kodierung ist nicht notwendig. Probiere Squarespace aus unter squarespace.com/crashcourse, um ein Sonderangebot zu erhalten. Squarespace: Teile deine Leidenschaft mit der Welt. Crash Course Philosophy wird produziert in Verbindung mit PBS Digital Studios. Du kannst rüber auf deren Channel gehen und eine Playlist mit den neuesten Folgen aus Formaten wie Shanks FX, PBS Space Time und BBQ with Franklin auschecken. Diese Folge von Crash Course wurde gefilmt im Doctor Cheryl C. Kinney Crash Course Studio Spanish: Resulta que algunas veces este tipo de frases realmente hacen cosas. Hoy hablamos de implicatura conversacional, el principio cooperativo y las cuatro máximas principales de la comunicación como fueron expuestas por Paul Gride. También aprendimos sobre las declaraciones performativas y quiero recordarles que los plátanos con Chom choms. La próxima vez veremos un área donde se encuentran la filosofía del lenguaje y la ética, al hablar de maneras en que el poder de las palabras pueden causar daño. Este episodio es traído a ti por Squarespace. Squarespace ayuda a crear sitios web, blogs o tiendas en líneas para ti y tus ideas. Los sitios web se ven diseñados profesionalmente sin importar el nivel de habilidad, no se requiere de código. Prueba Squarespace en squarespace.com/crashcourse para una oferta especial. Squarespace: Comparte tu pasión con el mundo. Crash Course Filosofía es producido en asociación con PBS Digital Studios. Puedes dirigirte a su canal y ver una lista de reproducción de sus últimos episodios de shows como Shanks FX, PBS Space Time y BBQ With Franklin. Este episodio de Crash Course fue gradabo en el Dr. Cheryl C. Kinney Crash Course Studio con la ayuda de todas estas geniales personas y su igualmente fantástico equipo gráfico es Thought Café. Arabic: بدى في بعض الأحيان أن هذه الأنواع من الجمل تؤدي الكثير تحدثنا اليوم عن مضمون الكلام ومبادىء التعاون والأنواع الأربعة الأساسية لقوانين التواصل التي كتبها بول جريس وتعلمنا أيضا عن الكلام الإنجازي وأريد أن أذكركم أيضا بأن ........ .لاحقا سنتناول عن التقاء فلسفة اللغة مع الأخلاقيات بالحديث عن كيف أن الكلمات تسبب الأذى تقدم squarespace هذه الحلقة تساعد squarespace في صنع حلقات ومدونات ومتاجرعلى شبكة الإنترنت لك ولأفكارك تصمم الشبكات بشكل احترافي بغض النظر عن مستوى المهارة وبدون رموز زر موقع squarespace.com/crash course للحصول على عروض خاصة شارك شغفك مع العالم من خلال squarespace عُرضت فلسفة كراش كورس بالتعاون PBS Digital Studios يمكنك زيارة قناتهم لمشاهدة قائمة التشغيل لآخر الحلقات لبرامج مثل shanks effects PBS , space time and BBQ with Franklin تم تصوير هذه الحلقة في استديو the doctor Cherly C Kinney crash course studio Dutch: Blijkbaar doen dit soort zinnen soms werkelijk iets. We hebben het vandaag gehad over conversationele implicatuur, het coöperative principe en de vier hoofdzakelijke maximes van succesvolle communicatie, als vastgelegd door Paul Grice. We hebben ook geleerd over perfomatieve werkwoorden. En ik zou je eraan willen herinneren dat bananen chom-choms zijn. Volgende keer bekijken we een gebied waar de filosofie van taal en ethiek elkaar ontmoeten, door de manieren waarop de kracht van woorden schade kan berokkenen te bespreken. Deze aflevering werd u aangeboden door Squarespace. Squarespace helpt bij het creëren van websites, blogs of webwinkels voor jou en je ideeën. Websites zien er professioneel ontworpen uit ongeacht je vaardigheden, geen eigen code vereist. Probeer Squarespace via squarespace.com/crashcourse voor een speciale aanbieding. Squarespace: deel je passie met de wereld. Crash Course Filosofie wordt geproduceerd in samenwerking met PBS Digital Studios. Je kan een kijkje nemen op hun kanaal voor de laatste afleveringen van shows als Shanks FX, PBS Space Time, en BBQ with Franklin. Deze aflevering van Crash Course werd gefilmd in de Doctor Cheryl C. Kinney Crash Course Studio Estonian: Tuleb välja, et vahel teevad seda sorti laused asju. Täna rääkisime me vestluslikust implikatuurist, koostöö printsiibist, ja neljast eduka suhtluse põhilisest maksiimist, nagu neid esitas Paul Grice. Me õppisime ka esinduslike ütlemiste kohta. Ja ma tahaks sulle meelde tuletada, et banaanid on chom chomid Järgmisel korral vaatame me ala, kus keelefilosoofia ja eetika kohtuvad, rääkides viisidest, kuidas sõnade jõud võib halba teha. Selle episoodi tõi teieni Squarespace. Squarespace aitab luua veebilehti, blogisid ja veebipoode sinu ja sinu mõtete jaoks. Veebilehed näevad välja profesionaalselt disainitud, vaatamata oskuste tasemele, ilma programmeerimist vajamata. Proovi Squarespace'i aadressil squarespace.com/crashcourse et saada eripakkumise osaliseks. Squarespace: jaga oma kirge maailmaga. Crash Course filosoofia loodi PBS Digital Studios abiga. Suundu nende kanalile, et vaadata esitlusloendit värskete episoodidega saadetest nagu Shanks FX, PBS Space Time, ja BBQ with Franklin. See episood Crash Course'i filmiti Doctor Cheryl C. Kinney Crash Course Studios German: mit der Hilfe dieser wunderbaren Menschen und unser gleichermaßen fantastisches Grafikteam ist Thought Cafe. Turkish: bu harika insanların yardımıyla çekildi, ve aynı harikalıkta olan grafik ekibimiz: Thought Cafe. English: with the help of these awesome people and our equally fantastic graphics team is Thought Cafe. Estonian: Abiga neilt vingetelt inimestelt ja meie võrdväärselt vinge videotöötluse meeskond on Thought Cafe. Dutch: met de hulp van deze geweldige mensen en ons evenzeer fantastisch grafisch team is Thought Cafe. Arabic: بمساعدة فريق الرسومات المبدعين وهو thought cafe
{ "pile_set_name": "YoutubeSubtitles" }
English: It's surprisingly easy to make your own butter, and it is a brilliant way to get children to think about the science of how one substance can be changed into another. Tonight, Brownies, we've got lots and lots of scones, but we don't anything to put on them, but I have lots of cream and I have heard that we can change cream into butter and whipped cream for our yummy scones for later. We make the butter by putting in to the jar and shaking it really really hard. And we make the whipped cream by putting it into the bowl and whisking it really hard, and while do we do this I want you to think about changes that happen to the cream Azerbaijani: ExpeRimental - Elmi Evə Gətiririk Kərə yağının hazırlanması Kərə yağını evdə düzəltmək olduqca asan olmaqdan əlavə, uşaqları bir maddənin digərinə necə çevrilməsinin elmi tərəfi ilə tanış etməyin maraqlı bir yoludur. Ləvazimatlar Uşaqlar, bu gün çoxlu çoxlu qoğalımız var, amma üstünə sürtməyə heç nəyimiz yoxdur. Təkcə qaymağımız var və deyirlər qaymağı kərə yağına və krem şantiyə çevirib qoğalımızın üstünə sürtə bilərik. Kərə yağını düzəltmək üçün qaymağı bankaya doldurub, möhkəm-möhkəm silkələyirik. Krem şantini isə, qaymağı bir qaba qoyub, yaxşıca çalaraq hazırlayırıq. Bunları edə-edə, qaymağı kərə yağına və krem şantiyə çevirən zaman Azerbaijani: ona nə baş verdiyi haqda düşünməyinizi istəyirəm. Oyna. Bax. Soruş. Qaymağı tökə bilərsən bankaya? Siz isə qabda çala bilərsiz? Yaxşıca qarışdırın. Davay, davay, davay, yorulmadın ki? Bir az. Suzannaya ötürmək istəyirsən? Suzanna, indi bir az sən qarışdır. Qaymağı çalmaq ona hava qataraq içindəki yağ topacıqlarını parçalayır. Yağ molekulları hava qabarcıqlarının ətrafında qoruyucu təbəqə əmələ gətirərək, qaymağı maye halından krem şanti dediyimiz köpüklü hala keçirir. Bankanı belə tut və bacardığın qədər möhkəm silkələ! Davam elə və fikir ver gör bankanın içindəkilər dəyişir ya yox? Hələ də maye kimidir? Hə, hələ də maye kimidir. English: when we make it into butter and make it into whipped cream. Do you want to pour your cream into your jar? And are you going to start whipping? Whip it really hard. Whip whip whip, is your arm getting sore? Do you want to pass it on to Suzanna? You have a go now, whisk really really hard. Whisking the cream ads air to it, and breaks apart the fact globules in it. The fat forms protective bubbles around tiny pockets of air and changes the cream from a liquid into foam which is what we call whipped cream. Hold the jar like that, and shake it really hard, as hard as you can shake it! Keep shaking, and I want you to think, can you feel anything changing inside yet? Or does it still feel like a liquid? English: Milk and cream are composed mainly of water and fat. The fat is in the form of microscopic globules, which are like tiny balloons filled with fat molecules. Cream has more of these fat globules than milk, which is why it's thicker. When we shake the cream in a jar the globules bash against each other. This makes their skins brick so the fat molecules spill out. As we keep shaking the freed fat globules join together making one big lump of fat, which separates out from the water. Lucy can you feel anything happen to it when you shake it? A bit? Does it still sound like liquid? Ooh! That looks really cool! We just pour that off. There's so much. And what are we left with? We're left with... butter! There we go, scones for everyone. I think what we did was we were whipping Azerbaijani: Süd və qaymaq əsasən sudan və yağdan təşkil olunub. Yağ, içi yağ molekulları ilə dolu mikroskopik topacıqlar şəklində olur. Qaymaqda bu topacıqlar süddəkindən daha çoxdur, ona görə də, qaymaq daha qatıdır. Bankadakı qaymağı silkələyəndə, bu topacıqlar bir-birilə toqquşur. Nəticədə, topacıqların qabığı partlayır və yağ molekulları dağılır. Silkələməyə davam etdikcə, partlamış yağ topacıqları böyük bir yağ topası əmələ gətirir və sudan ayrılır. -Lucy, silkələdikcə nəyinsə dəyişdiyini hiss eləyirsən? Bir az... Bir az? Maye səsi gəlir? Ooo! Yeri var! Suyunu boşaldaq. Uydaa, nə qədər çıxıb. Burda qalan nədir? -Kərə yağı! Oyna Buyurun, bu da qoğallarınız. Deyəsən bunu o qədər möhkəm qarışdırmışıq ki, Azerbaijani: burdakı qaymağımız da kərə yağına çevrilib. Deməli, iki cür kərə yağımız var: çalaraq və silkələyərək əldə etdiyimiz. Bu gün elədiklərimizin elmi tərəfi ilə tanış olmaq üçün məlumat vərəqini yükləyin. Fəaliyyəti edərkən çəkdiyiniz şəkilləri bizimlə paylaşmağı və digər maraqlı təcrübələr üçün kanalımza abunə olmağı unutmayın! English: really really really hard and we may have to turned our cream into butter as well. So we types of butter, butter we made by whipping, and butter we made by shaking. Download the infosheet to learn more about the science of what we were doing tonight. We'd love to see your photographs and videos of you doing the activity, and subscribe To the channel for more exciting experiments.
{ "pile_set_name": "YoutubeSubtitles" }
We'll kick your monster butt! Ninja Spin! Ninja Spin! [Gold Ranger] Let's race! Ha! Yeah! C'mon brother. Haha! (Calvin gasps) A monster? (monsters grunting) Calvin! Help us. (monsters grunting) [Calvin] What happened to you guys? You weren't here, so that monster joined Brody and Levi's relay team. When we lost to him, we all turned into trophies. I think he put Brody and Levi under a spell that made them crazy competitive. They're about to race that monster. Calvin, you have to stop them, before they're turned to trophies too! Please hurry. [Red Ranger] Okay, I'm the leader. [Gold Ranger] Wrong, you're a loser! [Red Ranger] You're the loser! [Gold Ranger] No, you are! [Monster] Ha! They'll never beat me if they act like that. Maybe not on their own! [Gold Ranger] Hey! [Red Ranger] What? (monsters gasp) But with me on their team, they've got a shot. [Gold Ranger] Calvin? Huh. Whao! Another Ranger! Fantastic! Then I can beat you all at once! Yeah! You do know that if I win, I get your ninja power stars, right? And if we win, we get our friends back, right? Ha! Deal! But you'll never win! Yeah? We'll see about that. Ninja Spin! Hah! Hahaha! Prepare to lose your power stars, Rangers. (Basher Bot grunts) [Monster] Oh yeah! I'm ready! (gun fires) Ah! Eat my dust, Ranger bros! (Rangers grunt) Get up! We gotta beat Shoespike! We only fell because you slowpokes were holding me back! See, this is more likeah! (Rangers grunt) (Shoespike laughs) You guys look like fools! [Gold Ranger] Yeah, well it takes one to know, oh! Guys! Look! He's cheating! Those aren't Basher Bots! They turned into dummies! See you at the finish line! C'mon! We gotta catch that creep! (Rangers yell) I know what to do. Let me lead! I'll see you later, alligators. We have to work as a team. Step in time. Ready? Okay! Right, and left, and right, and left, and right, and left! [Gold Ranger] We're doing it! [Red Ranger] Yeah! See guys? Working together is always better. We're coming for you, Shoespike! And you better watch out, because we're a team! (Rangers grunt) Teamwork is epic! Woohoo! Let's see how they like my booby traps! We're gonna get you, shoelace-face! (Rangers grunting) It's a trap! (Rangers screaming) Nice try, but you can't stop us! [Gold Ranger] We're hot on your heels! [Shoespike] You'll never catch me! [Yellow Ranger] We can do this guys! We can do this! Close, but no cigar! (Rangers grunt) [Gold Ranger] We're right behind you, Shoestink! Ah! No! I can't lose! (Rangers grunting) [Yellow Ranger] Almost there! (Rangers grunting) Run, Shoespike! Run like the wind! (laughs) (crowd cheers) Yes! I'm gonna win! [Red Ranger] Think again! (everyone grunting) [Shoespike] Ah, ah. No! (Rangers yelling) [Gold Ranger] Can you believe it? We won! [Yellow Ranger] Yeah! [Red Ranger] We won! Yes! Impossible! They beat me! And broke my spell over them! Oh man, I feel weird. It's okay! You guys are back to normal!
{ "pile_set_name": "YoutubeSubtitles" }
-A lot of pundits, some people who are already running are warning about this idea that if the Democratic Party goes too far left, that will enable a Trump victory because people in the center will flee to him out of fear of the left. -No, I strongly disagree with that. I think one of the reasons that people like Trump get elected is so many working people and lower income people have given up on the political process and they don't vote. And compared to other countries around the world, our voter turnout is not particularly high. And I think what we need are candidates who speak to ordinary people who today are in a lot of pain. All right? We don't talk about it enough. You got mothers all over this country who cannot find quality childcare for their little ones. We have kids who are graduating college $40,000, $50,000, $100,000 debt. Others can't even afford to go to college. We got people who work in two or three jobs while we have the three wealthiest people in this country owning more wealth than the bottom half of the American people. We got to raise that as a moral issue. When we have so many people in poverty, so many people uninsured, is it acceptable that so few have so much money and so much power? And I think when you start talking about those issues and you say, "Yeah, I understand you can't make it on 10 bucks an hour. I understand that you're worried about the future generation, worried about whether your kids are gonna have a lower standard of living than you have. You're worried about climate change." When we speak to the needs of working people and we say, "Yes. We are prepared to take on Wall Street and the fossil fuel industry and all of the big money interests to create an economy that works for all of us." I think people say, "You know what? It's about time, and I'm gonna go out and vote, and I'm gonna support those candidates." That's my view. -You had a -- [ Applause ] Obviously, there were so many things about your last campaign that were successful, but ultimately you didn't win the nomination. One thing that people reflecting back would say is that you did not have a diverse enough coalition of people behind you. How have you addressed that moving into this? -That's a very fair question. We ended up -- You know, one of the problems with the last campaign is when we began, you know, I come from a very small state. I was not known by a whole lot of people. But as the campaign progressed, we did much better with the African-American community, with the Latino community, and we did better in general. And by the time the campaign ended, what I'm really excited about -- we want to build on -- is that we ended up getting more votes from young people, black, and white, and Latino, Asian American, Native American, than Clinton or Trump combined. That's pretty good. Okay? So, what we -- but your point is right. You know, we started off with a few people from Vermont, and the campaign moved so quickly. We did not put together the kind of diverse campaign that we should have, and this time we will, in fact, do just that. -I'm glad to hear that. I heard you say, you know, one thing you might do is obviously you're running, as you've established, a pathological liar, as we try to establish every night. [ Laughter ] I've heard the joke you're gonna bring a lie detector onstage, at a debate. But in reality, how do you run against someone who -- Obviously, you're very left. You must be aware that Donald Trump would paint you as even farther left than that. -You know, Seth, here's the -- I never use the word left. -Yup. -I don't -- I am. I'm a Democratic socialist. So, that's the way it is. But the issues that we talk about, is it left to say that in this country we should have minimum wage that is a living wage? Is it left to say that everybody should have healthcare as a right, that we should expand Social Security? Because so many of our people can't make it -- elderly people can't make it on $12,000, $13,000 a year. Is it left to say that we have to rebuild our crumbling infrastructure and create millions and millions of jobs? Is it left to say we have to address the crisis of climate change or that we have to deal with criminal justice reform or immigration reform? We have to deal with sexism, racism, and homophobia. I don't think those are left issues. You know, I think sometimes the media makes a bigger deal about it. I think, in fact, on all of those issues and more, sensible gun safety legislation. I think you have the strong majority of the American people saying, "Yeah, I agree with that." And let's have people in Washington who stand with me rather than just wealthy campaign contributors. That's kind of what this campaign is about. [ Cheers and applause ] -You obviously have a very good job. You're trying to get another very good job, but you also had some other jobs. We found a clip. You were in a movie in 1988. [ Laughter ] A real movie. A real movie. -Oh, no. I got to get going here. -No, no, no. [ Laughter ] -It's called "Sweet Hearts Dance." A real cast, Jeff Daniels, Susan Sarandon. -Susan, yeah. -How do you end up in this film? I should notice -- your character's name is Bernie. -Yes. -Are you playing yourself? [ Laughter ] -It wasn't that we did a lot of auditioning for the film. [ Laughter ] it happened to be that the film was shot in Vermont. That helped. And they went -- I was Mayor of the city of Burlington. We helped them out getting some extras and so forth and so on. So I said, "Hey, I'm a good extra. I'll do that." [ Laughter ] That was about it. -Well, we actually have -- we have a clip, and I really think you're great. Let's take a look at Senator Sanders here in "Sweet Hearts Dance." -My acting career. -Hi. -Trick or treat. -How you doing? -Trick or treat, Bernie. -Trick or treat. -Trick or treat. -Okay. -Come on, Bernie. Fill them up there. -Okay, here you go. -And let me just say -- [ Laughter ] -Wait a minute. Wait a minute. [ Cheers and applause ] I think -- I think that's an Oscar award. [ Laughter ] -That was fantastic. [ Applause ] -I think it was great. -And I think that -- I really like that the clip is you distributing out candy fairly. -Free candy. [ Laughter ] Free. Right, absolutely. -No one should have to pay for their candy. [ Applause ] Give it up for Senator Bernie Sanders, everyone.
{ "pile_set_name": "YoutubeSubtitles" }
* >> Andrew: GOOD EVENING, I'M ANDREW CHANG. ADRIENNE IS AWAY. >>> TONIGHT, DAY ONE OF SCHOOL IN ALBERTA AND COVID-19 HAS AN IMPACT ALREADY. >> IT'S A LITTLE UNCOMFORTABLE. I COULD BARELY EVEN BREATHE IN IT. SADLY. >> Andrew: AS OTHER CANADIAN PARENTS WAIT, WHAT'S ON THE MINDS OF TEACHERS? >> President Donald Trump: THEY JUST DON'T WANT US TO COME IN, AND THEN DESTRUCTION IS DONE. >> Andrew: DONALD TRUMP COMES TO KENOSHA, WISCONSIN WITH A MESSAGE OF SUPPORT FOR POLICE. >>> IT'S BEEN AN ALL HANDS ON DECK SO FAR. >> Andrew: A NEW PROPOSAL TO CLEAR BACKLOG OF SURGERY CASES. NOW IS THERE MONEY FOR IT? >>> AND A BALLPARK RETIREMENT FOR THE AGES. >> I CAME DOWN HERE WITH THE KIDS ABOUT THAT HEIGHT, AND I HAVEN'T LEFT SINCE. >> Andrew: A LOCAL LEGEND WITH A STORY EVERY COMMUNITY CAN RELATE TO. THIS IS "THE NATIONAL." * * >>> CANADA IS GOING BACK TO SCHOOL IN A PANDEMIC. ALL THE CONCERNS ABOUT PREPARATIONS, ABOUT TRADE-OFFS BETWEEN HEALTH, SAFETY AND THE EDUCATIONAL NEEDS OF A GENERATION OF STUDENTS, THEY ALL COME TO A HEAD RIGHT NOW. IN QUEBEC AND ACROSS CANADA'S NORTH, CLASSES HAVE ALREADY BEGUN. STUDENTS ARE BACK IN ALBERTA, NOVA SCOTIA AND NEWFOUNDLAND THIS WEEK, AND THE REST ARE STILL PREPARING FOR AN UNUSUAL YEAR. NOW THE COVID-19 SITUATION COULD BE BETTER. NATIONALLY, AVERAGE DAILY NEW CASES ARE TRENDING UP, NOW NEARLY 500 A DAY, AND UNLIKE EARLIER IN THE SUMMER, MORE THAN HALF OF THOSE CASES NOW COME FROM WESTERN CANADA. ALBERTA ALONE IS SEEING THE HIGHEST RATE OF NEW INFECTIONS ALL SUMMER, MATCHING RATES IN EARLY MAY WHEN THE PROVINCIAL LOCKDOWN WAS IN FULL SWING. BUT LIKE THE REST OF CANADA, ALBERTA IS JUMPING IN WITH BOTH FEET. FOR MANY STUDENTS, SCHOOL STARTED TODAY, AND AS CAROLYN DUNN EXPLAINS, THAT'S DESPITE SIGNS OF TROUBLE. >> ARE YOU GOING TO PACK UP YOUR STUFF? >> SURE. >> Reporter: NEW LUNCH KITS, SNEAKERS AND BACKPACKS FOR A NEW SCHOOL YEAR. AUTUMN AND LINCOLN MCCOLLUM ARE EXCITED TO FINALLY GO BACK, RIDER TO START KINDERGARTEN. THE LAST SIX MONTHS HAVE BEEN LONELY. >> I THINK OUR BIGGEST CONCERN IS OUR KIDS' MENTAL HEALTH. I THINK BEING IN THIS PLACE FOR SO LONG WHERE THEY HAVEN'T BEEN ABLE TO HAVE THAT REGULAR SOCIAL INTERACTION TO BUILD WITH OTHER CHILDREN. >> Reporter: SO WITH THEIR FAVOURITE MASKS, THE McCOLLUM'S WILL JOIN WELL OVER 80% OF OTHER ALBERTAN SCHOOL CHILDREN HEADED BACK TO CLASS. NOT THAT IT'S BUSINESS AS USUAL, FROM HAND SANITIZER TO LIMITS ON THE NUMBER OF KIDS ALLOWED IN THE BATHROOM AT ONCE, SCHOOLS HAVE A VERY DIFFERENT LOOK AND FEEL. IN CALGARY, EVERY CHILD IS REQUIRED TO WEAR A MASK, REGARDLESS OF GRADE. >> IT'S A LITTLE UNCOMFORTABLE. I COULD BARELY EVEN BREATHE IN IT, SADLY. >> WELL, IT'S BETTER FOR THE SAFETY OF ELDERLY PEOPLE, AND I THINK THAT'S REALLY RESPONSIBLE, FOR PEOPLE WHO ARE WEARING MASKS ALL AROUND. >> MY OLDER ONE IS VERY EXCITED. MY YOUNGER IS MORE NERVOUS TO GO BACK. >> Reporter: A LITTLE APPREHENSION IS FAIR ENOUGH. POSITIVE CASES AND EXPOSURES HAVE ALREADY THROWN A WRENCH INTO REOPENING PLANS AT TWO SCHOOLS IN SOUTHERN ALBERTA. >> SO IT'S ALWAYS BEEN CLEAR THAT THERE WOULD BE SOME OUTBREAKS, AND FROM TIME TO TIME THERE WILL BE CLASSES OR EVEN SCHOOLS THAT HAD TO SUSPEND OPERATION FOR A WHILE. THE INEVITABILITY OF THAT SHOULD NOT BE A REASON FOR US INDEFINITELY TO KEEP THE SCHOOLS CLOSED. >> Reporter: AND SO THEY OPEN, WITH EXTRAORDINARY MEASURES FOR EXTRAORDINARY TIMES, HOPING GROWING OUTBREAKS DON'T CLOSE SCHOOLS AGAIN. CAROLYN DUNN, CBC NEWS, CALGARY. >> Andrew: IN ONTARIO, CLASSES ARE STILL SEVERAL DAYS AWAY, AND TEACHERS ARE TAKING A CRASH COURSE ON OPENING SCHOOL WITH THE VIRUS LOOMING. THOUGH AS DEANA SUMANAC-JOHNSON SHOWS US, EVEN A CRASH COURSE HITS THEM BIG BUMPS. >> Reporter: AFTER A FEW HOURS OF TRYING WHILE THE SERVER WAS DOWN, TEACHER MATTHEW MOORE HAS FINALLY MANAGED TO LOG ON TO HIS ONLINE TRAINING. HE FOUND SOME FAIRLY OBVIOUS INSTRUCTIONS. >> MAINTAIN A SOCIAL DISTANCE, WEAR A MASK. >> Reporter: INCLUDING SOME HE ISN'T SURE HE'LL BE ABLE TO ENFORCE. >> IT'S VIRTUALLY IMPOSSIBLE TO MAINTAIN A TWO-METRE SOCIAL DISTANCING IN A CLASSROOM THAT I WOULD SAY IS MAYBE 30 BY 50 FEET OFF THE TOP OF MY HEAD WITH 27 KIDS PLUS ME. >> Reporter: THE TRAINING OBJECTIVES HAVE BEEN SET UP BY THE ONTARIO MINISTRY OF EDUCATION. >> WE HAVE 14 LAYERS OF SAFETY. SO IT'S WALKING THEM THROUGH THOSE LAYERS AND HOW THEY WOULD APPLY. >> Reporter: BUT INDIVIDUAL SCHOOL BOARDS HAVE ADAPTED THEM TO THEIR NEEDS. >> WE HAVE BEEN LIVING THIS LIFESTYLE NOW FOR SEVERAL MONTHS AS A SOCIETY, SO IT'S TAKING SOME OF THOSE SKILLS AND TRANSFERRING THEM INTO A SCHOOL SETTING. >> Reporter: SKILLS THAT INCLUDE PROPER USE AND DISPOSAL OF P.P.E. AND SOME MORE SPECIFIC INSTRUCTIONS. >> IF YOU ACTUALLY GIVE THE STUDENTS, LIKE, A PIECE OF PAPER FOR SOME SORT OF SEAT WORK, YOU CAN COLLECT IT, BUT THEN YOU CAN'T TOUCH IT FOR A DAY, AND THEN YOU MARK IT, AND THEN YOU HAVE TO WAIT A DAY BEFORE YOU HAND IT BACK. >> Reporter: THIS TRAINING BEGINS AS A HEATED DEBATE RAGES ON ABOUT HOW AND IF SCHOOL SHOULD BE RETURNING. >> COME ON IN. >> Reporter: ONTARIO'S PREMIER AND MINISTER OF EDUCATION HAD A SAFE SCHOOL PHOTO OP. >> I SEE YOU HAVE YOUR MASK. I'M GOING TO INVITE YOU TO CLEAN YOUR HANDS. >> Reporter: BUT JUST YESTERDAY, FOUR MAJOR TEACHER UNION BOARDS FILED A LABOUR BOARD COMPLAINT ABOUT THE SAFETY OF THE PROVINCE'S PLAN. >> I'D LIKE TO SEE THE TRAINING BE ACTUALLY INTERACTIVE AT LEAST FOR A PORTION OF IT WITH THE ABILITY TO GET FURTHER ELABORATIONS WHERE THERE'S SOME LACK OF CLARITY. >> Reporter: FOR NOW IT LOOKS LIKE A LOT OF THAT CLARIFICATION WILL HAVE TO HAPPEN AFTER ONTARIO'S SCHOOLS REOPEN OVER THE NEXT TWO WEEKS. TEACHERS' TRAINING CONTINUES TOMORROW IN SCHOOL AND WITH A FOCUS ON NOT ONLY COVID BUT ANTI-RACISM TRAINING AND THE NEW MATH CURRICULUM. DEANA SUMANAC-JOHNSON, CBC NEWS, TORONTO. >> Andrew: TORONTO HEALTH OFFICIALS ARE INVESTIGATING FOUR RECENT CASES OF COVID-19 AT TWO MALLS. TWO INFECTIONS WERE REPORTED AT SHERWAY GARDENS, ANOTHER TWO AT YORKDALE MALL, AT POPULAR RESTAURANTS AND ATHLETIC STORES. THE COMPANIES SAY THEY'VE PUT SAFETY PROTOCOLS IN PLACE, INCLUDING DEEP CLEANING. >>> A KARAOKE BAR IN QUEBEC CITY IS BEING BLAMED FOR A RECENT SPIKE IN COVID-19 CASES. MORE THAN 30 INFECTIONS NOW LINKED TO THE BAR, WHICH WILL STAY CLOSED UNTIL SEPTEMBER 10. HEALTH OFFICIALS SAY PATRONS AND STAFF COULD BE FINED FOR NOT FOLLOWING PUBLIC HEALTH GUIDELINES. >>> TODAY I'M PLEASED TO REPORT THAT WE HAVE NO NEW CASES OF COVID-19 IN P.E.I. AND ALL 44 CASES OF COVID-19 ARE NOW RECOVERED. >> Andrew: SO THAT MEANS THERE ARE CURRENTLY NO ACTIVE CASES IN P.E.I. OFFICIALS ALSO ANNOUNCED THE PLAN TO FURTHER EASE RESTRICTIONS. STARTING NEXT MONTH, LARGER ORGANIZED GATHERINGS WILL BE ALLOWED IN THE PROVINCE. >>> NOW ALONG WITH EVERYTHING ELSE COVID-19 DISRUPTED, IT BROUGHT ROUTINE SURGERIES TO A FULL STOP. EVEN THOUGH DOCTORS ARE OPERATING AGAIN, THERE ARE BIG BACKLOGS ACROSS THE COUNTRY. SO TODAY A NEW STUDY POINTED A POSSIBLE WAY FORWARD FOR ONTARIO. CHRISTINE BIRAK EXPLAINS. >> MY TUMOUR IS RIGHT HERE. >> Reporter: 23-YEAR-OLD MELODIE CYR WAS TOLD HER TUMOUR MIGHT BE CANCEROUS. SHE NEEDS A BIOPSY TO FIND OUT, BUT THE SURGERY'S BEEN CANCELLED TWICE. >> THE BIOPSY NEVER HAPPENED, AND I CRIED A LOT. AND I ALMOST YELLED AT THE SURGEON. >> Reporter: IN ONTARIO ALONE, CLOSE TO 150,000 PEOPLE ARE WAITING FOR SURGERIES PUT ON HOLD BY THIS PANDEMIC. NOW SOME DOCTORS SAY THEY'VE GOT A PLAN TO GET THOSE PATIENTS INTO OPERATING ROOMS. >> IT'S BEEN ALL HANDS ON DECK SO FAR, AND WHAT WE'RE SEEING IS WE CAN'T LOSE FOCUS HERE. >> Reporter: COMPUTER MODELLING SHOWS IT WILL TAKE MORE THAN A YEAR AND A HALF TO CLEAR ONTARIO'S BACKLOG IN SURGERIES. TO DO THAT, STAFF AND SURGEONS MUST TREAT OVER 700 PATIENTS A WEEK, AND THEY'LL NEED 265 OPEN BEDS. >> I THINK A LOT OF SUPPORT IS GOING TO BE REQUIRED. >> HOLD ON THERE FOR A SEC. >> Reporter: SURGEON JORY SIMPSON SAYS HE'S WILLING TO WORK OVERTIME. THE MODEL RECOMMENDS OPERATING ROOMS BE SET UP AHEAD OF TIME, ALLOWING DOCTORS TO MOVE QUICKLY FROM ONE PATIENT TO THE NEXT. >> THIS COULD ALLOW FOR AN ADDITIONAL THREE TO FIVE PATIENTS TO BE OPERATED ON THAT DAY BY THAT SURGEON. >> BUT IN REALITY WE HAVEN'T RECEIVED MORE RESOURCES IN ORDER TO ADDRESS THIS BACKLOG IN SURGERY. >> Reporter: ANY PLAN WOULD REQUIRE ADDED HEALTH CARE FUNDING, AND HOSPITALS COULD STILL SEE A SURGE IN COVID-19 PATIENTS. >> AND IT'S QUITE LIKELY WE WILL. THEN WE'RE GOING TO HAVE BACKLOGS THAT BUILD ON BACKLOGS IN THE WORLD OF SURGERY. >> Reporter: B.C. HAD ABOUT 30,000 PATIENTS STEP ASIDE DURING THIS PANDEMIC. HALF HAVE NOW HAD THEIR SURGERIES. THE REST WERE ADDED TO A PRE-EXISTING WAIT LIST OF 93,000 PEOPLE. MANITOBA RECENTLY SPENT $2.5 MILLION. ITS PLAN IS TO SEND WAITING PATIENTS TO PUBLIC AND PRIVATE CLINICS FOR CARE. >> IT CAN GO FROM A STAGE ONE TO A STAGE FOUR. >> Reporter: CYR JUST WANTS TO KNOW IF SHE HAS CANCER OR NOT. WHILE THERE ARE STILL HOSPITAL BEDS AVAILABLE. CHRISTINE BIRAK, CBC NEWS, TORONTO. >> Andrew: WELL, TO THE U.S. NOW WHERE TODAY DONALD TRUMP VISITED KENOSHA, WISCONSIN. THAT'S WHERE THE POLICE SHOOTING OF JACOB BLAKE HAS LED TO PROTESTS, DESTRUCTION, EVEN DEATH IN THE STREETS. AS SUSAN ORMISTON SHOWS US, IT WAS A POLITICAL OPPORTUNITY FOR TRUMP TO HAMMER HOME HIS MAIN RE-ELECTION MESSAGE. [CROWD NOISE] >> Reporter: THE PRESIDENT'S VISIT BROUGHT WHAT YOU'D EXPECT, DEEP-SEATED DIVISION IN A CITY ALREADY CLEAVED BY RACIAL TENSION. KENOSHA SHUT DOWN ITS STREETS, SECURED THE ROUTE. IT DIDN'T ASK FOR THIS VISIT, ADVISED AGAINST IT, BUT TRUMP CAME ANYWAY. [CROWD NOISE] TO TRUMPET HIS LAW-AND-ORDER CAMPAIGN MESSAGE AND GET A PHOTO OP WITH A BUSINESS THAT BURNED, BLAMING THE MAYOR AND THE GOVERNOR. >> President Donald Trump: THEY DIDN'T WANT TO HAVE US COME IN. THEY JUST DON'T WANT US TO COME IN AND THEN DISRUPTION IS DONE. >> Reporter: OVER MULTIPLE NIGHTS VANDALISM AND ARSON LEFT THIS CITY SCARRED. THE DOWNTOWN, A FOCUS OF ANGRY RIOTS AND OUTSIDE ARMED AGITATORS WHO CAME TO KENOSHA, SAY POLICE, TO WREAK HAVOC. TRUMP CLAIMS CREDIT FOR SENDING IN THE NATIONAL GUARD, BUT THE STATE GOVERNOR DID THAT. STILL, TRUMP'S GOT PLENTY OF SUPPORT HERE. >> I THINK IT WAS GOOD TO SHOW THE PEOPLE THAT WE'RE GOING TO HAVE TO TAKE UP MILITIA ANYWAYS THAT HE'S GOT OUR BACK. WE'RE NOT JUST GOING TO STAND AND LET SOMEBODY BURN DOWN OUR CITY. >> Reporter: THE PRESIDENTIAL MOTORCADE PASSED BY MUCH OF THE DAMAGE, LIKE THIS MOBILE PHONE SHOP, CLEANED OUT IN THE RIOTS. >> THEY BROKE THE WINDOWS AS YOU SEE THERE, THE GLASS ON THE FLOOR, THEY USED A BRICK. THEY WANT JUSTICE, AND I THINK THEY SHOULD HAVE JUSTICE. >> Reporter: BUT PEOPLE LIKE JAMAL HAVE LOST THEIR LIVELIHOODS. >> NO WORK, AND I HAVE A WIFE AND FOUR KIDS. I'M JOBLESS RIGHT NOW. >> Reporter: LOTS OF SUPPORT, TOO, FOR JACOB BLAKE, THE BLACK MAN NOW PARALYZED AFTER POLICE SHOT HIM SEVEN TIMES IN THE BACK. NO CHARGES YET, AND TRUMP DID NOT MENTION HIS NAME. BLAKE FAMILY SUPPORTERS STAGED A NEIGHBOURHOOD PARTY RATHER THAN BE NEAR TRUMP TODAY. >> IF HE LOVES CHAOS, WE ARE NOT GOING TO CREATE THE BACKDROP FOR THE VIOLENT CHAOS HE WANTS TO SEE. >> Reporter: NEIGHBOURS UNHAPPY THAT THE PRESIDENT BROUGHT HIS SPECTACLE TO TOWN. >> I DON'T THINK IT'S HELPFUL. NO, WE KIND OF HIT THE CALM, WE HIT THE CALM, WE GONNA BOUNCE BACK, BUT LET US BOUNCE BACK ON OUR OWN. >> Reporter: NOT IN THE SPOTLIGHT OF A HARD-HEARTED CAMPAIGN FOR PRESIDENT. >> Andrew: SO, SUSAN, WHAT DID DONALD TRUMP ACCOMPLISH IN THIS CONTROVERSIAL VISIT? >> Reporter: WELL, ANDREW, THIS PLACE WHERE HE ACTUALLY TOURED TODAY WAS HIS STAGE FOR AN UNVARNISHED SUPPORT OF LAW ENFORCEMENT. REPUBLICANS HAVE PUT PUBLIC SAFETY ON THE BALLOT THIS NOVEMBER, SAYING THEY'LL PROTECT COMMUNITIES INSTEAD OF THE CHAOS AND FEAR THAT DEMOCRATS ARE STOKING. AND KENOSHA PLAYS INTO THAT. WHAT'S REMARKABLE IS NOT THAT HE CAME TO APPLAUD POLICE AND OTHER STATE GUARD, WHO WELCOME HIS SUPPORT. IT'S THAT HE DIDN'T EVEN MENTION THE SHOOTING, THE ACTUAL EVENT, NOR JACOB BLAKE'S NAME, WHICH GAVE RISE TO ALL OF THE FURY AND MUCH OF THE PAIN AND MUCH OF WHAT HAPPENED IN PLACES LIKE THIS, ANDREW. >> Andrew: OKAY, THANKS, SUSAN. SUSAN ORMISTON IN KENOSHA, WISCONSIN TONIGHT. >>> WELL, TONIGHT WE HAVE DETAILS ABOUT THE OFFICIAL INVESTIGATION INTO THE OFFICE OF GOVERNOR GENERAL OF JULIE PAYETTE. AN INVESTIGATION INTO ISSUES UNCOVERED BY OUR REPORTING. BACK IN JULY, ASHLEY BURKE BROKE THE STORY ABOUT AN ALLEGEDLY TOXIC WORKPLACE AT RIDEAU HALL. NOW SHE HAS THIS LATEST CHAPTER. >> I, DOMINIC LEBLANC. >> Reporter: THE SON OF A FORMER GOVERNOR GENERAL HIMSELF, JUST WEEKS AGO HE WAS SWORN INTO HIS NEW MINISTERIAL ROLE BY THE CURRENT OCCUPANT OF RIDEAU HALL. NOW DOMINIC LEBLANC, WHO'S ALSO PRESIDENT OF THE PRIVY COUNCIL, IS OVERSEEING A REVIEW INTO WHETHER JULIE PAYETTE VERBALLY ABUSED AND MISTREATED HER STAFF. >> SHE REPRESENTS THE CANADIAN PEOPLE AND HAS TO MEET THE HIGHEST STANDARDS, AND THESE ALLEGATIONS ARE DEEPLY CONCERNING. >> Reporter: THE PRIVY COUNCIL OFFICE HAS HIRED QUINTET CONSULTING TO CONDUCT THE QUARTER FINAL REVIEW, THIS AFTER A -- CONFIDENTIAL REVIEW, THIS AFTER A CBC NEWS STORY IN JULY. IT SUFFERED A DOZEN SOURCES SAYING JULIE PAYETTE BELITTLED, BERATED AND PUBLICLY HUMILIATED EMPLOYEES AND THAT HER SECOND-IN-COMMAND, A LONG-TIME FRIEND, ASSUNTA DI LORENZO BULLIED STAFF TOO. CBC CHANGED SOURCES' VOICES TO PROTECT THEIR IDENTITY. >> THIS HAS GONE FROM BEING ONE OF THE MOST COLLEGIAL AND ENJOYABLE WORK ENVIRONMENTS FOR MANY OF THE STAFF TO A HOUSE OF HORRORS. >> I THINK I LEFT DEVASTATED ALMOST EVERY DAY. >> Reporter: THIS FORMER EMPLOYEE LEFT BECAUSE OF THE TREATMENT. >> AND I WOULD SAY IN ALMOST EVERY MEETING SOMEONE WAS BERATED. >> Reporter: QUINTET'S JOB IS TO SPEAK TO ALL CURRENT AND FORMER STAFF WHO WORKED UNDER JULIE PAYETTE AND WANT TO PARTICIPATE, AND TO HEAR PAYETTE AND DI LORENZO'S SIDE OF THE STORY. >> IT'S POSSIBLE THAT OUT OF THIS WILL COME A CHANGE AND THAT IT IS -- BECAUSE THE CASE IS HIGH PROFILE, THE CHANGES THAT MAY COME OUT OF THIS MAY CASCADE THROUGH GOVERNMENT ORGANIZATIONS. >> Reporter: EVEN SO, IT'S NOT KNOWN IF THE FINDINGS WILL BE MADE PUBLIC. THE N.D.P. SAYS THEY SHOULD BE. >> I WANT TO KNOW THAT MINISTER LEBLANC IS GOING TO REPRESENT THE INTERESTS OF THE CANADIAN PEOPLE FIRST AND FOREMOST AND NOT TO TRY AND SLIP THIS UNDER THE CARPET. >> Reporter: THE CONSULTANTS' REPORT WILL DETAIL THE NATURE OF THE ALLEGATIONS AND ANY CONCLUSIONS ON WHETHER THERE WAS HARASSMENT OR TOXIC WORK ENVIRONMENT. THE PRIVY COUNCIL OFFICE EXPECTS THE RESULTS LATER THIS FALL. ASHLEY BURKE, CBC NEWS, OTTAWA. >> Andrew: WELL, THE GOVERNMENT ANNOUNCED TODAY THAT A SHAMEFUL CHAPTER IN THIS COUNTRY'S STORY IS NOW DEEMED A HISTORIC EVENT OF NATIONAL SIGNIFICANCE. FOR MORE THAN A CENTURY THE RESIDENTIAL SCHOOL SYSTEM SOUGHT TO ASSIMILATE INDIGENOUS CHILDREN AND WAS OFTEN HOME TO ABUSE AND DEPRAVATION. OLIVIA STEFANOVICH SHOWS US HOW THAT HISTORY IS BEING PRESERVED. >> Reporter: INSIDE THE FORMER PORTAGE LA PRAIRIE RESIDENTIAL SCHOOL, SURVIVORS WATCH AS THE BUILDING IS DESIGNATED A NATIONAL HISTORIC SITE. >> MIXED FEELINGS, ONE BEING THAT WE HAVE A DARK HISTORY. >> Reporter: ERNIE DANIELS FIRST WENT TO THE INSTITUTION WHEN HE WAS SIX, A MEMORY HE'S NEVER BEEN ABLE TO SHAKE. >> TODAY WHEN I WALK IN THROUGH THAT BUILDING, I STILL SMELL THAT CHLORINE. CHLORINE WAS USED TO WASH US DOWN AS DIRTY LITTLE INDIANS. >> Reporter: DESPITE THE BRUTALITY OF HIS EXPERIENCE HERE, DANIELS WANTS THE SITE PRESERVED. >> IT'S IMPORTANT THAT CANADA KNOWS AND ITS PEOPLE BECAUSE OF THE CURRENT SITUATION TO DO WITH RACISM, DISCRIMINATION. >> Reporter: THE BUILDING, OWNED BY LONG PLAIN FIRST NATION, WILL BECOME A MUSEUM. >> IT COULD ALSO BRING, I THINK, FOR THE FUTURE GENERATIONS SOME CLOSURE. >> Reporter: IN NOVA SCOTIA, NOTHING REMAINS OF THE FORMER SHUBENACADIE RESIDENTIAL SCHOOL, REPLACED NOW BY A PLASTICS FACTORY. >> I THINK IT'S REALLY IMPORTANT THAT THE SITE IS MARKED. >> Reporter: DORENE BERNARD CAMPAIGNED MORE THAN 20 YEARS FOR THIS MOMENT AND WELCOMES THE PLAQUE THAT WILL MARK THE SITE. >> TO HAVE IT ACKNOWLEDGED AS A HISTORIC SITE I THINK TO ME IT MEANS THE STORY, THIS HISTORY WILL NEVER BE FORGOTTEN. >> Reporter: SURVIVORS LIKE BERNARD HOPE CANADIANS WILL BETTER UNDERSTAND THE RESIDENTIAL SCHOOL ERA WITH A DESIGNATION OF THESE NATIONAL HISTORIC SITES. OTHER SCHOOLS CAN STILL BE ADDED TO THE LIST, BUT IT'S UP TO INDIVIDUAL COMMUNITIES TO CHOOSE WHAT TO REMEMBER. >> THERE WILL BE NOTHING ERECTED, NOTHING PUT UP IN THE COMMUNITY WITHOUT THAT COMMUNITY'S CONSENT AND WITHOUT THAT COMMUNITY'S FULL INVOLVEMENT. >> Reporter: THAT'S IN STARK CONTRAST TO THE RESIDENTIAL SCHOOL ERA, WHEN CONSENT WAS NOT REQUESTED. OLIVIA STEFANOVICH, CBC NEWS, OTTAWA. >> Andrew: THE CANADIAN FORCES SNOWBIRDS JETS ARE LEAVING KAMLOOPS, B.C. THEY'LL BE FLOWN BACK TO HOME BASE IN MOOSE JAW, SASKATCHEWAN. TWO JETS WILL TAKE OFF TOMORROW, THE REST NEXT WEEK. THEY HAVE BEEN GROUNDED FOR THREE MONTHS AFTER A FATAL CRASH IN MAY, WHICH TOOK THE LIFE OF CAPTAIN JEN CASEY, AND SERIOUSLY INJURED HER PILOT. INVESTIGATORS BELIEVE A BIRD STRIKE WAS A PROBABLE CAUSE. [CROWD NOISE] >>> IN BELARUS, THOUSANDS OF STUDENTS BOYCOTTED THE START OF THE SCHOOL YEAR TO PROTEST AGAINST PRESIDENT ALEXANDER LUKASHENKO, WHO HAS BEEN IN POWER FOR 26 YEARS. DEMONSTRATORS ACCUSED HIM OF CHEATING IN LAST MONTH'S ELECTION, A RESULT WHICH LED TO WIDESPREAD INTERNATIONAL CRITICISM AND THE THREAT OF WESTERN SANCTIONS. >>> WELL, WHEN A DEVASTATING BLAST KILLED NEARLY 200 PEOPLE IN BEIRUT, FRANCE'S PRESIDENT PAID TRIBUTE IN PERSON. TODAY, EMMANUEL MACRON WAS BACK, THIS TIME WITH A MUCH HARDER MESSAGE FOR LEBANON, CLEAN UP CORRUPTION OR FACE SANCTIONS. MARGARET EVANS IS THERE. >> Reporter: NEARLY A MONTH ON FROM BEIRUT'S DEADLY EXPLOSION, THE RETURN OF THE FRENCH PRESIDENT, BLOWN IN, OPTIMISTS WOULD HAVE YOU BELIEVE, ON WINDS OF CHANGE FOR LEBANON. HIS VISIT COINCIDES WITH THE COUNTRY'S CENTENARY AND THE NOMINATION OF A LITTLE-KNOWN NEW PRIME MINISTER, NOW TASKED WITH FORMING A GOVERNMENT PEOPLE WILL TRUST. IT'S UNLIKELY. PROTESTERS DEMANDING THE FALL OF LEBANON'S POLITICAL ELITES FOR MONTHS NOW WERE BACK ON THE STREETS TODAY. >> MAINTAIN ANY GOVERNMENT WHO IS NOT TECHNOCRAT. >> EITHER YOU SHUT DOWN THE SECTARIAN SYSTEM OR THE STATE OR IT'S LIKE THIS. >> Reporter: EMMANUEL MACRON'S FIRST ACT ON ARRIVING LAST NIGHT WAS TO VISIT THE ICONIC LEBANESE SINGER FAIRUZ. SHE'S ONE OF THE FEW UNIFYING SYMBOLS IN A COUNTRY DEFINED BY ITS SECTARIAN FISSURES, THE SAME ONES BLAMED FOR THE CORRUPTION AND MISMANAGEMENT MANY SAID LED TO THE BEIRUT EXPLOSION. TODAY MACRON FLOATED THE POSSIBILITY OF SANCTIONS AGAINST LEBANON'S RULING CLASSES IF CORRUPTION ISN'T ADDRESSED BY ALL PARTIES. BUT EXCEPTIONALISM IS ALREADY CREEPING IN. THIS IS A RALLY BY THE LEBANESE PRESIDENT MICHEL AOUN'S FREE PATRIOTIC MOVEMENT YESTERDAY. GOD, LEBANON AND AOUN ONLY, THEY'RE CHANTING. >> WE LEARN THROUGH THE YEARS AND THROUGH ALL THE EXPERIENCES WE PASSED THROUGH TO TRUST HIM. >> Reporter: DISTRUST IS A FAR MORE PROFOUND EMOTION IN BEIRUT NEIGHBOURHOODS DEVASTATED BY THE AUGUST BLAST. ORDINARY PEOPLE AND VOLUNTEERS TAKING CARE OF EACH OTHER, THEY SAY, IN THE ABSENCE OF THE STATE. >> WE ARE TAKING THE PLACE OF THE GOVERNMENT WHO ARE THE BUILDINGS, THE HOUSES, WHO ARE GIVING FOOD BOXES. WE'RE DOING EVERYTHING. >> Reporter: AS WELL INTENTIONED AS THE STREET, AS THEY CALL IT, MAY BE, THE CRITICISM IS THAT IT'S STILL A LONG WAY OFF FROM FORMING A CREDIBLE, UNITED AND ELECTABLE OPPOSITION CAPABLE OF BREAKING THROUGH THE OLD SECTARIAN LINES. MARGARET EVANS, CBC NEWS, BEIRUT. >> Andrew: WELL, TENSIONS OVER CANADA'S RETURN TO THE CLASSROOM HAVE MADE NEW TARGETS OF SOME OF CANADA'S TOP DOCTORS. >> I THINK I'VE LOST A BIT OF MY TRUST BECAUSE I FEEL LIKE AT THE MOMENT THEY ARE JEOPARDIZING THE KIDS' HEALTH FOR THE ECONOMY. >> Reporter: UP NEXT, PROVINCIAL MEDICAL HEALTH OFFICERS HAVE GUIDED CANADIANS THROUGH THIS PANDEMIC. NOW CRITICS WORRY THAT POLITICS HAS CREPT IN. >>> PLUS, THEY'VE SMASHED RECORDS, SOLD MILLIONS OF ALBUMS, AND NOW A NEW LEVEL OF SUPERSTARDOM FOR B.T.S. * DEBUTING AT THE TOP OF THE BILLBOARD CHART, THAT'S NEXT. >>> AND AFTER UMPIRING BASEBALL GAMES FOR 53 YEARS, THE NEWFOUNDLAND LEGEND HANGS UP HIS CLEATS. >> THIS, THIS IS MY HOME. >> Andrew: WE'RE BACK IN TWO. >> Andrew: AFTER MONTHS OF BEING THE TRUSTED VOICES IN THIS PANDEMIC, SOME OF CANADA'S TOP PUBLIC HEALTH OFFICIALS ARE FACING SOME PUBLIC CRITICISM. AS SUSANA DA SILVA EXPLAINS, IT'S ROOTED IN CONTENTIOUS PROVINCIAL BACK-TO-SCHOOL PLANS. >> TO BE KIND AND TO BE CALM AND TO BE SAFE. >> Reporter: FOR MONTHS, DR. BONNIE HENRY HAS HAD NEAR HERO STATUS IN THIS PANDEMIC, GUIDING B.C. THROUGH THE FIRST WAVE IN HER SIGNATURE CALM STYLE, BUT WITH COVID CASES CLIMBING AND BACK TO SCHOOL JUST AROUND THE CORNER, SHE'S NOW BEING CRITICIZED IN PART FOR THIS. >> WE'RE GOING TO WASH OUR HANDS A LOT. >> Reporter: IT'S A GOVERNMENT AD PROMOTING B.C.'S PLAN IN A CLASSROOM WITH LOTS OF SPACE AND VERY FEW CHILDREN. >> I THINK THEY'VE LOST A BIT OF MY TRUST BECAUSE I FEEL AT THE MOMENT THEY'RE JEOPARDIZING THE KIDS' HEALTH FOR THE ECONOMY. >> Reporter: DR. HENRY AND THE PROVINCIAL GOVERNMENT SAY IT WAS NEVER MEANT TO SHOW WHAT ACTUAL CLASSROOMS WILL LOOK LIKE. >> PUBLIC HEALTH IS SUPPOSED TO BE OUTSIDE OF THIS KIND OF POLITICKING. >> Reporter: THIS EXPERT IN PUBLIC TRUST SAYS HENRY MAY HAVE STEPPED TOO FAR. >> HELPING SELL A POLITICAL IMAGE OF BACK TO SCHOOL, AND THAT'S WHERE THE POLITICS AND THE SCIENCE SEEM TO GET TOO CLOSE TOGETHER. >> Reporter: ALBERTA'S DR. DEANNA HINSHAW IS BEING CRITICIZED FOR A WEEKEND HEALTH ORDER SAYING PHYSICAL DISTANCING IS NOT REQUIRED IN THE CLASSROOM. THE TEACHERS ASSOCIATION CALLED IT A STUNNING REVERSAL. HINSHAW SAYS THE MESSAGE HASN'T CHANGED AND THE TIMING WASN'T MEANT TO HIDE IT. >> Premier Jason Kenney: I THINK IT'S UNFORTUNATE THAT SOME POLITICAL ACTORS ARE TRYING CONSTANTLY TO SCORE POLITICAL POINTS AGAINST OUR HIGHLY QUALIFIED PUBLIC SERVANTS. >> PART OF THE PROBLEM IS WE PUT HEALTH AUTHORITIES LIKE BONNIE HENRY UP ON A PEDESTAL, AND IF YOU'RE GOING TO PUT THEM UP ON A PEDESTAL, YOU'RE INEVITABLY GOING TO BE DISAPPOINTED. >> Reporter: ANOTHER FACTOR, FATIGUE OVER MESSAGES HEARD FOR MONTHS, BUT MANY SAY IT IS CRUCIAL NOT TO LOSE PUBLIC TRUST NOW. >> IT'S GOING TO BE HARD TO EARN THAT BACK LATER ON WHEN SHE NEEDS A LOT OF PUBLIC BUY-IN, FOR EXAMPLE, THE FUTURE COVID VACCINE. >> Reporter: ESPECIALLY MOVING INTO THE FALL WHEN HEALTH OFFICIALS HAVE SAID ALL ALONG THINGS COULD GET MORE CHALLENGING. SUSANA DA SILVA, CBC NEWS, VANCOUVER. >> Andrew: WHEN WE COME BACK, WE HEAR FROM ONTARIO TEACHERS GETTING READY FOR A SCHOOL YEAR LIKE NO OTHER, AND THEY'RE NERVOUS ABOUT IT. >> THEY HAD OVER FOUR MONTHS TO PLAN FOR SCHOOL OPENING. >> REALLY TO ME IS A NON-PLAN. >> I WISH THAT THERE WOULD HAVE BEEN EARLIER ACTION. >> Andrew: A FEW DAYS TO GO AND SOME TEACHERS IN THE TORONTO AREA TELL US THEY STILL FEEL LIKE THEY'RE IN THE DARK ABOUT A SAFE RETURN TO SCHOOL. THEIR CONCERNS FOR THE STUDENTS AND THEMSELVES, NEXT. >>> PLUS, THE DOCTOR BLAMED FOR A COVID OUTBREAK IN NEW BRUNSWICK SPEAKS OUT. SUSPENDED, SHAMED AND SUBJECT TO RACIST ATTACKS, HIS STORY COMING UP. >> Andrew: ACROSS THE COUNTRY, THE RETURN TO SCHOOL IS UNDER WAY. KIDS ARE HEADING BACK TO CLASS, AND MANY OF THEM CAN'T WAIT. >> I AM VERY EXCITED! >> I'M REALLY EXCITED FOR A LOT OF PEOPLE I KNOW, IT'S LIKE ALL YOU CAN THINK ABOUT. >> I'M HAPPY! >> Reporter: WHY? >> BECAUSE I LOVE GOING TO KINDERGARTEN. >> Andrew: WAITING FOR THEM INSIDE, NEW RULES, NEW PROTOCOLS, AND OF COURSE THEIR TEACHERS. NOW THOSE TEACHERS WILL ALSO HAVE NEW RULES TO GET USED TO. SOME OF THEM STILL BEING WORKED OUT, WHICH ALL MAKES HEADING BACK TO SCHOOL REALLY ANXIOUS TIME. WE SPOKE TO FOUR TEACHERS FROM THE TORONTO AREA. >> HI, I'M MICHELLE APTEKAR, A PREP COVERAGE TEACHER. I LOVE BEING A TEACHER. I LOVE BEING WITH ALL THE KIDS AT SCHOOL, SEEING PARENTS. WHEN THEY ARE GRATEFUL AND YOU'VE ACHIEVED SOMETHING WITH THEIR CHILD, THERE'S NO BETTER FEELING. >> HI, MY NAME IS DIANA WANG-MARTIN AND I'M A CHEMISTRY TEACHER. WHAT I LIKE MOST ABOUT BEING A TEACHER IS WORKING WITH THE STUDENTS, TEACHING THEM NOT JUST CHEMISTRY BUT TEACHING THEM SKILLS THAT WILL BENEFIT THEM IN THEIR FUTURE. >> HI, MY NAME IS RACHEL LUKE, AND I TEACH ENGLISH AND DRAMATIC ARTS IN ESL. I LOVE CREATING LESSON PLANS AND INTERESTING AND ENGAGING THINGS, AND I LOVE TO SEE STUDENTS ACHIEVE SUCCESS. I THINK THAT'S THE BEST THING ABOUT TEACHING. >> I'M AARON CAPPEL. I'M A VOCAL MUSIC TEACHER AT AN ELEMENTARY SCHOOL. * * BUT I WON'T BACK DOWN I LOVE MAKING MUSIC WITH OTHER PEOPLE. IT IS, LIKE -- IT'S AMAZING FOR THE SPIRIT AND FOR THE SOUL, AND I GET TO DO THAT FOR MY JOB. I'M SO LUCKY. I MISS IT. I'D LIKE TO GET BACK TO IT. >> I'M WORRIED ABOUT GOING BACK TO WORK FOR MANY REASONS. FIRST BEING MY HEALTH AND THE HEALTH OF MY FAMILY. I'M AN ASTHMATIC. I'M SCARED TO BE EXPOSED TO SO MANY CHILDREN. SUPPOSED TO BE TEACHING NINE CLASSES WITH ABOUT 200 CHILDREN. I HAD PNEUMONIA A FEW TIMES IN THE LAST FIVE YEARS, SO IT'S VERY SCARY. IT'S NERVE-WRACKING. >> IN MY SITUATION, I'M VERY WORRIED ABOUT MY FAMILY HEADING BACK TO SCHOOL. MY HUSBAND AND I ARE BOTH TEACHERS, AND WE HAVE A SON IN ELEMENTARY SCHOOL. SO THE THREE OF US ARE ALL HEADING BACK TO SCHOOL. WE'RE WORRIED ABOUT THE VENTILATION SYSTEM. SOME PARTS OF THE SCHOOL IN THE PAST, BEFORE PANDEMIC EVEN, WAS REALLY COLD AND SOME PARTS WERE REALLY HOT. I'M WORRIED ABOUT MY CLASSROOM. MY SCHOOL RIGHT NOW IS UNDERGOING RENOVATIONS, AND SO I AM VERY CONCERNED THAT THE SCHOOL, WHICH IS ALREADY SMALL, WILL HAVE OVER A THOUSAND STUDENTS WALKING IN THE SPACE, 85 TEACHERS, AND NOW THAT WE HAVE RENOVATIONS, IT'S ABOUT HALF THE SIZE, AND WE'RE ALL GOING TO BE MOVING AROUND IN THAT SPACE. >> I'M WORRIED ABOUT BRINGING THE VIRUS BACK HOME TO MY FAMILY. I'M ALSO WORRIED ABOUT SPREADING THE VIRUS AMONGST THE COMMUNITY. MY NUMBER ONE JOB AS A TEACHER SO TO MAKE SURE THAT THEY'RE -- STUDENTS ARE SAFE, AND I TAKE THAT RESPONSIBILITY VERY SERIOUSLY, AND IT'S VERY ANXIETY-PROVOKING TO BE THIS CLOSE TO THE START OF THE SCHOOL YEAR AND NOT BE CONFIDENT THAT WE CAN DO THAT. >> I WISH THE GOVERNMENT WOULD MANDATE SMALLER CLASS SIZES. SOCIAL DISTANCING AS IT IS OUTSIDE OF SCHOOL, SO NOT ONE METRE. THE KIDS SHOULD BE TWO METRES APART. ALL CHILDREN SHOULD BE IN MASKS, BUT THEY ARE WEARING MASKS OUTSIDE OF THE SCHOOL, SO LET'S TRY TO BRING THAT INTO SCHOOL. IT PROTECTS ME. >> THEY HAD OVER FOUR MONTHS TO PLAN FOR SCHOOL OPENING, AND WE'RE THREE WEEKS AWAY WITH VERY LITTLE PLANNING. I WISH IT WERE PROPERLY FUNDED SO THAT EACH CLASS HAS NO MORE THAN 15 STUDENTS. I DON'T UNDERSTAND WHY CHILDREN AS YOUNG AS TWO, THREE YEARS OLD HAVE TO WEAR MASKS IN INDOOR PUBLIC SPACES BUT DON'T HAVE TO WEAR MASKS WHEN THEY ARE IN SCHOOL ALL DAY LONG. >> WE NEED TIME TO BE IN THE SCHOOL AND TO TAKE A LOOK AT EVERYTHING AND MAKE SOME DECISIONS ABOUT OUR CLASSROOMS, ABOUT THE SPACE, ABOUT HOW THIS IS GOING TO WORK. I FEEL LIKE A DECISION WAS JUST MADE. IT REALLY TO ME IS A NON-PLAN. >> I WISH THAT THERE WOULD HAVE BEEN EARLIER ACTION SO THAT BOARDS WOULD HAVE HAD MORE TIME TO PLAN, AND THEN THE INFORMATION COULD COME FILTER DOWN TO THE STAFF EARLIER BECAUSE WE STILL DON'T HAVE ANY INFORMATION ABOUT HOW THE SCHOOL YEAR IS GOING TO LOOK. >> EMOTIONALLY, THIS HAS BEEN REALLY DRAINING. IT'S BEEN VERY CONSUMING. IT FEELS LIKE I DON'T KNOW MY LEFT FROM MY RIGHT. I DON'T KNOW WHERE I'M GOING, WHAT I'M DOING. I DON'T KNOW WHAT MY SEPTEMBER LOOKS LIKE. >> IT'S BEEN VERY STRESSFUL THINKING ABOUT SCHOOL OPENINGS. I HAVE NOT BEEN ABLE TO SLEEP. I'VE BEEN WAKING UP MULTIPLE TIMES A NIGHT JUST VERY ANXIOUS, VERY STRESSED OUT. >> IT'S UNBELIEVABLE. I'M VERY, VERY STRESSED. I FEEL VERY ANXIOUS. ANY TIME I SPEAK TO MY COLLEAGUES, I FEEL MYSELF GETTING HEART PALPITATIONS. >> IT'S BASICALLY ALL-CONSUMING. WHAT I'M REALLY TRYING TO DO IS NOT THINK ABOUT IT, UNFORTUNATELY, SO I'M NOT PLANNING FOR SCHOOL BECAUSE WHEN I SIT DOWN TO START THINKING ABOUT WHAT TO DO FOR MY SCHOOL YEAR, IT MAKES ME SICK TO MY STOMACH. >> I'M VERY TORN ABOUT GOING BACK TO SCHOOL. I REALLY WANT MY NORMAL BACK. I WANT TO BE WITH THE KIDS THAT I TEACH. I WANT TO BE WITH MY COLLEAGUES. I WANT TO BE PART OF THAT COMMUNITY AGAIN. BUT ON THE OTHER HAND, MY HEALTH PLAYS A HUGE ROLE IN IT. >> WE DON'T REALLY HAVE A CHOICE. WE HAVE TO GO BACK. NOT HAVING THE CHOICE MAKES US VERY ANXIOUS, BUT THERE'S NOT MUCH WE CAN DO. >> SO MY PARENTS LIVE WITH ME AND I'M THE PRIMARY CAREGIVER, SO MY WORST FEAR IS TO GET MY PARENTS SICK. IF I'M A CARRIER AND I BRING IT HOME TO THEM, THAT WOULD BE MY WORST FEAR. I HAVE FRIENDS IN THE UNITED STATES THAT BROUGHT IT HOME TO THEIR PARENTS AND UNFORTUNATELY THAT RESULTED IN DEATH. SO I HAVE A LOT OF FEAR ABOUT WHAT COULD HAPPEN, AND I DON'T WANT TO HAVE TO CARRY GUILT WITH ME IF THAT IS THE CASE. >> I SEE 18 DIFFERENT CLASSES EVERY WEEK. IF THE NUMBERS STAY WHAT THEY ARE, THE GOVERNMENT HAS SAID THE CLASS SIZES ARE GOING TO REMAIN THE SAME, THAT'S ABOUT 450 TO 500 DIFFERENT STUDENT CONTACTS EVERY WEEK. * * I GOT JUST ONE LIFE * THAT'S REALLY HARD FOR ME TO WRAP MY HEAD AROUND RETURNING TO AFTER RESTRICTING MY SOCIAL INTERACTION IN NINE PEOPLE FOR THE PAST FEW MONTHS. * * AND I WON'T BACK DOWN >> Andrew: WELL, NEXT ON "THE NATIONAL," A DOCTOR'S STORY. >> IT'S NOT BASED IN FACTS. IT'S ALSO NOT BASED IN FAIRNESS. >> Andrew: WHAT HAPPENED AFTER A DOCTOR WAS BLAMED FOR A COVID-19 OUTBREAK IN NEW BRUNSWICK. HE SPEAKS TO "THE FIFTH ESTATE" RIGHT AFTER THIS. >> Andrew: IN APRIL, NEW BRUNSWICK BECAME THE FIRST PROVINCE TO EMERGE FROM THE STRICT LOCKDOWNS OF COVID-19. BY LATE MAY, IT HADN'T HAD A CASE FOR TWO WEEKS, BUT ALL THAT CHANGED WHEN A DOCTOR IN A SMALL TOWN TESTED POSITIVE. THAT UNLEASHED AN AVALANCHE OF ANGER HIS WAY, SOME OF IT RACIST. NOW THE CBC'S "FIFTH ESTATE" HAS HIS STORY. IN HIS FIRST TELEVISION INTERVIEW, DR. NGOLA TELLS JUDY TRINH WHAT HAPPENED. >> Reporter: IN THIS BORDER TOWN, THE RESTIGOUCHE RIVER SEPARATES NEW BRUNSWICK FROM QUEBEC. THIS IS CAMPBELLTON. SEVEN YEARS AGO IT EMBRACED THIS IMMIGRANT DOCTOR FROM THE DEMOCRATIC REPUBLIC OF CONGO. >> YOU CAN GO TO CAMPBELLTON TO ASK WHAT KIND OF PHYSICIAN IS DR. NGOLA. I LOVE THIS POPULATIONS, BUT IN ONE DAY EVERYTHING WAS DESTROYED. >> THEY PUT THIS PHOTO ALREADY ON THE INTERNET. >> Reporter: EVERYTHING CHANGED ON MAY 27, THE DAY HIS COVID TEST CAME BACK POSITIVE. WITHIN AN HOUR, NGOLA'S NAME WAS LEAKED ONLINE, BLAMED FOR SPREADING THE VIRUS, AND THEN SUBJECTED TO RACIST ATTACKS ON SOCIAL MEDIA FOR WEEKS, LIKE THIS ONE, CALLING FOR HIS LYNCHING. >> THAT ATTACK, YOUR PICTURES, EVERYWHERE, ON PEOPLE BECOME THIS GUY, HE'S A SOMALI REFUGEE, HE COME HERE, HE BRING THE DISEASE TO SPREAD EVERYWHERE. >> Reporter: THREE HOURS LATER, THE PREMIER POINTED TO THE DOCTOR AS A SOURCE OF A NEW OUTBREAK IN CAMPBELLTON. >> A MEDICAL PROFESSIONAL WHO TRAVELLED TO QUEBEC FOR PERSONAL REASONS WAS NOT FORTHCOMING ABOUT THEIR REASONS FOR TRAVEL UPON RETURNING TO NEW BRUNSWICK, AND THEY DID NOT SELF-ISOLATE AS A RESULT. >> Reporter: THE PREMIER DID NOT NAME NGOLA DIRECTLY IN HIS NEWS CONFERENCE, BUT TWO HOURS AFTER HIS REMARKS THE DOCTOR WAS SUSPENDED WITHOUT PAY FROM HIS JOB AT THE CAMPBELLTON HOSPITAL. THEN AROUND SUPPERTIME HE WAS NOTIFIED THAT HIS 4-YEAR-OLD DAUGHTER ALSO TESTED POSITIVE FOR COVID-19. HIS LIFE WAS IN TATTERS WITHIN SIX HOURS. >> MEDICINE FOR ME IS MY LIFE. I LOVE MEDICINE. I LOVE MEDICINE. BUT TO BE SEPARATED WITH MY PATIENTS, IT WAS ALSO A SHOCK FOR ME. >> Reporter: SOON NGOLA WAS UNDER A POLICE INVESTIGATION, ALL BECAUSE HE TRAVELLED TO MONTREAL TO PICK UP HIS DAUGHTER AFTER HER MOTHER FLEW TO AFRICA TO ATTEND A FUNERAL. BEFORE LEAVING CAMPBELLTON, NGOLA CALLED THE PROVINCIAL COVID HOTLINE. HE SAYS HE WAS TOLD HE DIDN'T HAVE TO SELF-ISOLATE WHEN HE RETURNED BECAUSE HE WAS AN ESSENTIAL WORKER. >> THEY TOLD ME THAT YOU ARE A PHYSICIANS. THERE IS NO PROBLEM. >> Reporter: JOEL ETIENNE IS NGOLA'S LAWYER. HE SAYS THE DOCTOR WAS SCAPEGOATED FOR THE OUTBREAK AND WILL SUE. >> CALLING ON THE CRIMINALIZATION OF SOMETHING THAT IS NOT CRIMINAL, MAKING ACCUSATIONS, SINGLING OUT WITHOUT ANY EVIDENCE. THE PROVINCE DECIDED TO ACT IN A FASHION THAT WAS COMPLETELY CONTRARY TO HOW IT SHOULD HAVE BEEN ACTING WITH RESPECT TO EVERY OTHER CITIZEN. >> Reporter: THE CAMPBELLTON OUTBREAK GREW TO MORE THAN 40 CASES AND SPREAD TO A LONG-TERM CARE HOME WHERE TWO RESIDENTS DIED. NGOLA'S LEGAL TEAM HIRED A FORMER RCMP OFFICER TO DO THEIR OWN CONTACT TRACING. THE PROCESS TOOK 30 DAYS. >> IT'S VERY, VERY UNLIKELY THAT HE'S PATIENT ZERO. THERE'S SO MANY OTHER POSSIBILITIES FOR THAT, AND IT DOESN'T APPEAR TO ME THAT ANY OF THESE POSSIBILITIES HAVE BEEN EXAMINED UNTIL DR. NGOLA RETAINED HIS COUNSEL. >> Reporter: THE INVESTIGATOR RE-TRACED NGOLA'S ROAD TRIP ON MAY 12 FROM CAMPBELLTON TO MONTREAL. HE SPENT THE NIGHT AT HIS BROTHER'S HOUSE THEN LEFT THE NEXT MORNING WITH HIS DAUGHTER. HE BROTHER WOULD LATER TEST NEGATIVE FOR THE VIRUS. SHORTLY BEFORE NOON, NGOLA STOPS IN TROIS-RIVIÈRES AND MEETS WITH TWO LOCAL DOCTORS TO TALK ABOUT JOINING THEIR PRACTICE. THEY SPEAK FOR ABOUT 20 MINUTES. >> THE MEETING IN TROIS-RIVIÈRES, YOU'RE PHYSICALLY DISTANCED. >> PHYSICALLY DISTANCED AND MASK AND GLOVES. >> AFTER THAT THEY STOP TO BUY GAS AND FOOD. BY 6 P.M. THEY'RE AT THE BORDER IN EDMUNDSTON AND HOME BY NINE. AND HOME BY NINE. EPIDEMIOLOGISTS SAY IT'S UNLIKELY NGOLA WAS INFECTED. >> OVERALL, I MEAN, IT'S A SHORT TIME. HE WASN'T IN CONTACT WITH A VERY SMALL NUMBER OF PEOPLE. IT WOULD SEEM THAT THE RISK WOULD BE REASONABLY LOW OF HAVING ACTUALLY BEEN IN CONTACT WITH COVID-19 AND CONTRACTED IT DURING THAT TIME, BUT NOT IMPOSSIBLE. >> WE DO NOT KNOW IF HE'S PATIENT ONE, ZERO, FOUR OR FIVE. WE DON'T -- WE'RE NOT PRIVY TO THAT INFORMATION. >> Reporter: GERMAN TANG WAS NGOLA'S BOSS, THE CEO OF THE VITALITÉ HEALTH NETWORK SUSPENDED THE DOCTOR FROM WORKING IN THE CAMPBELLTON HOSPITAL. HE SAYS IT WAS BECAUSE NGOLA BROKE THE COVID PROTOCOL, NOT BECAUSE OF POLITICAL PRESSURE. >> I WOULD SAY THAT THINGS HAPPENED VERY QUICKLY AND THAT, YOU KNOW, FROM OUR ANGLE, THE SITUATION WAS THAT DR. NGOLA WAS SUPPOSED TO INFORM US IF HE WAS LEAVING THE PROVINCE. >> Reporter: NGOLA BELIEVES HE GOT THE VIRUS FROM WORKING IN THE EMERGENCY ROOM. 90 CAMPBELLTON HOSPITAL WORKERS OR 10% OF STAFF LIVE IN QUEBEC AND CROSS OVER DAILY. THE HOSPITAL DEPENDS ON THE HELP OF MORE THAN 20 DOCTORS FROM OUTSIDE THE PROVINCE TO PROVIDE SERVICES. THESE DOCTORS DON'T ISOLATE, AND 20% OF THE HOSPITAL'S PATIENTS ARE FROM QUEBEC. >> NOT BASED IN FACTS. IT'S ALSO NOT BASED IN FAIRNESS. THIS IS BEYOND THE CONTROL OF HUMAN MEASURE. >> Reporter: PLANNING FOR RE-ELECTION, THE PREMIER IS UNAPOLOGETIC. >> I HAD NO KNOWLEDGE OF THE INDIVIDUAL UNTIL IT APPEARED IN SOCIAL MEDIA. SO THE CONCERN THAT I'VE HAD THROUGHOUT THIS PANDEMIC IS THAT WE HAVE TO BE CAUTIOUS. >> Reporter: IN THE MEANTIME, NGOLA IS FOCUSED ON BUILDING A PRACTICE IN A DIFFERENT SMALL TOWN, THIS TIME IN LOUISEVILLE, QUEBEC WHERE AS A DOCTOR HE DOESN'T HAVE TO CROSS BORDERS TO SEE HIS DOCTOR. -- SEE HIS DAUGHTER. JUDY TRINH, CBC NEWS, GATINEAU. >> Andrew: A NEW BRUNSWICK RCMP SAY IT HAS CLOSED ITS INVESTIGATION INTO DR. NGOLA. HE WON'T BE CHARGED BUT COULD STILL FACE A HEFTY FINE FOR VIOLATING THE PROVINCIAL EMERGENCY SERVICES ACT. THAT COULD BE AS MUCH AS $10,000. >>> WELL, NEXT ON "THE NATIONAL," A NEW B.T.S. BREAKTHROUGH, DEBUTING THEIR NEW SINGLE AT THE TOP OF THE BILLBOARD CHART. >> AN ENGLISH SONG SUNG BY PEOPLE WHO SPEAK KOREAN AS A FIRST LANGUAGE, AND TO HAVE THAT HIT THE TOP OF THE CHARTS, THAT'S THE BEAUTY OF IT. * >> Andrew: "DYNAMITE" BLOWS UP RIGHT AFTER THIS. * >> I'M JOSH BLOCH. TOMORROW ON CBC'S DAILY NEWS PODCAST, "FRONT BURNER," THOUSANDS OF STUDENTS IN QUEBEC HAVE RETURNED TO SCHOOL. WE'LL TALK ABOUT WHAT THAT MIGHT TEACH US ABOUT CHALLENGES AHEAD FOR THE REST OF THE COUNTRY. SUBSCRIBE WHEREVER YOU GET YOUR PODCASTS. * * >> Andrew: WELL, YOU HEARD IT. IT'S CALLED "DYNAMITE" BY B.T.S. THE K-POP GROUP'S NEWEST SINGLE, ALL IN ENGLISH, JUST RELEASED AND ALREADY A HISTORY MAKER. IT'S THE FIRST SONG BY AN ALL SOUTH KOREAN GROUP TO TOP THE BILLBOARD'S HOT 100 CHARTS IN THE U.S. AS ELI GLASNER EXPLAINS, THAT INSTANT SUCCESS IS THE PRODUCT OF YEARS OF HARD WORK. * * >> Reporter: CALL IT A BOP OR A JAM, WHAT "DYNAMITE" IS IS A RECORD-BREAKER, SMASHING THE RECORD FOR THE MOST YouTube VIEWS IN 24 HOURS BEFORE MAKING A DEBUT AT THE TOP OF THE BILLBOARD HOT 100 CHART, A FIRST FOR A SOUTH KOREAN BAND. >> I PERSONALLY REALLY ENJOYED IT. I'M STILL WAITING TO COVER IT MYSELF. >> Reporter: THIS FAN MAKES HER OWN K-POP PARITY VIDEOS. SHE SAYS "DYNAMITE" IS ALREADY CREATING CONVERTS. >> I PLAYED IT FOR MY NON-K POP FRIENDS, AND THEY ARE LIKE, OH, WOW, WHAT SONG IS THIS? IT'S SO CATCHY, AND I'M GONNA GO SEARCH IT UP, AND ONE OF MY FRIENDS COULDN'T STOP WATCHING THE MUSIC VIDEO, AND SHE'S A NON-FAN. >> Reporter: THIS MUSIC WRITER SAYS IT'S ALL PART OF THE B.T.S. BLUEPRINT FOR SUCCESS. >> BEFORE THE TRACK WAS EVEN RELEASED THEY PUT OUT A TEN-SECOND TEASER AND THERE WAS ALREADY, LIKE, A DANCE CHALLENGE ON TIKTOK ABOUT "DYNAMITE," AND PEOPLE SPECULATING THE CHOREOGRAPHY. >> Reporter: "DYNAMITE" IS JUST THE LATEST SMASH FOR THE KOREAN SUPERGROUP WHO SOLD OVER 20 MILLION PHYSICAL ALBUMS IN SEVEN YEARS. LAINEY LUI IS A B.T.S. BELIEVER. SHE CREDITS THE FAN BASE, BUT ALSO SAVVY PLANNING. >> VERY FEW ARTISTS RELEASE THIS MUCH NEW MUSIC IN ONE YEAR, BUT THEY TOOK ADVANTAGE OF "DYNAMITE," THE FACT THAT THEY HAD NEVER RELEASED AN ALL-ENGLISH SONG. THEY FELT LIKE THE WORLD NEEDED A POSITIVE SONG RIGHT NOW. * >> Reporter: SHE ADMITS HAVING A LITTLE TREPIDATION ABOUT THEM SINGING IN ENGLISH, BUT NOT AFTER SHE HEARD IT. >> THEY'RE SINGING IN ACCENTS. THEY ARE SINGING IN NOT WHATEVER, WHATEVER PERFECT SOUNDING ENGLISH IS SUPPOSED TO LOOK LIKE, THAT IS NOT THE QUEEN'S ENGLISH. * FOR ME PERSONALLY, I'M NOT KOREAN, I'M CHINESE. MY PARENTS SPEAK WITH ACCENTS, SO IT'S SO RELATABLE ON THAT LEVEL, BUT IT'S SO MEANINGFUL AND POWERFUL ON THAT LEVEL. >> Reporter: POWER TO CHANGE THE VERY SOUND OF POP MUSIC ITSELF. ELI GLASNER, CBC NEWS, TORONTO. * >> Andrew: IT IS KIND OF CATCHY. >>> NEXT ON "THE NATIONAL," HANGING UP HIS CLEATS AFTER DECADES ON THE DIAMOND. >> ST. PAT'S BALLPARK HERE IS BASICALLY MY SUMMER HOME SINCE 1958. >> Andrew: A NEWFOUNDLAND SPORTS LEGEND UMPIRES HIS LAST BASEBALL GAME RIGHT AFTER THIS, BUT FIRST . . . >> GOOD EVENING, SEÑORES. [Speaking Foreign Language] >> Andrew: COVID-19 MAY BE -- MAY HAVE DISRUPTED MANY THINGS, BUT NOTHING CAN STOP THE DANCE OF LOVE. PP THIS IS THE 2020 WORLD TANGO CUP. NORMALLY HELD IN A BUENOS AIRES STADIUM, THIS YEAR HELD VIRTUALLY FROM SUBMISSIONS SENT FROM STUDIOS, BALLROOMS AND LIVING ROOMS AROUND THE WORLD. >> Andrew: BUT THE HOPE IS THIS WAS THE LAST VIRTUAL COMPETITION. AFTER ALL, THERE'S ONLY SO MUCH DANCE PASSION A TINY APARTMENT FLOOR CAN TAKE. >> Andrew: WE WANT TO SHOW YOU ST. PAT'S BALLPARK IN ST. JOHN'S. NOW TO YOU IT MIGHT SEEM LIKE A REGULAR OLD BASEBALL DIAMOND, BUT FOR THIS LOCAL SPORTS LEGEND, IT'S ANYTHING BUT REGULAR. IT IS A TRUE FIELD OF DREAMS. TONIGHT CARL LAKE RETIRES FROM HIS LIFELONG CAREER AS A LOCAL UMPIRE. HIS FAREWELL TO THE JOB HE LOVES IS OUR "MOMENT." * >> THIS IS MY HOME. >> Andrew: CARL LAKE IS A LEGEND IN NEWFOUNDLAND. HE'S BEEN CALLING GAMES AT ST. PAT'S FIELD FOR 53 YEARS. >> IT'S THE ST. PAT'S BALLPARK HERE, IT'S BASICALLY MY SUMMER HOME SINCE 1958. I CAME DOWN HERE WITH THE KIDS ABOUT THAT HEIGHT, CAME DOWN TO WATCH A BASEBALL GAME, AND I HAVEN'T LEFT SINCE. >> Andrew: HIS HEART CAPTURED, HE STARTED OFF HAWKING HOTDOGS IN THE STANDS. DECADES LATER, THE MAGIC STILL THERE. >> IT'S THE MYSTIQUE OF BEING HERE, THE PEOPLE YOU'VE MET, THE PEOPLE YOU'VE KNOWN OVER THE YEARS. YOU CAN HEAR THE GHOSTS OF PEOPLE DOWN HERE WHEN THEY PLAY. >> Andrew: OFF THE DIAMOND, CARL HAS DEDICATED HIS LIFE TO LOCAL SPORTS, COVERING JUST ABOUT EVERY SPORT FOR JUST ABOUT EVERY OUTLET. HE NOW RUNS A WEBSITE THAT COVERS LOCAL GAMES AT ALL LEVELS. >> THAT IS LOVE OF SPORTS, TRYING TO PROMOTE THE LOCAL TEAM. YOU CAN GET NATIONAL ANYWHERE, BUT LOCAL HAS ALL OF A SUDDEN BEEN SUBSIDIZED. >> Andrew: TONIGHT HIS LIFE-LONG LABOUR OF LOVE AT ST. PAT'S PARK COMES TO AN END. CARL MADE HIS LAST CALL. HIS DOCTORS TOLD HIM IT WASN'T SAFE TO KEEP UMPIRING, BUT HE WANTED TO DO ONE LAST GAME. >> IT MEANS A LOT TO ME, MEANS A LOT TO MY FAMILY, AND TO MY UMPIRE FRIENDS. IT'S HOME, IT'S ALMOST LIKE HAVING -- I WAS INTENDED TO BE HERE. I DON'T KNOW WHY, BUT I'M INTENDED TO BE AT ST. PAT'S. >> Andrew: YEAH, AND FOR THAT REASON, I DON'T BUY IT. I DON'T THINK IT'S HIS LAST -- PEOPLE LIKE HIM, THEY JUST KEEP GOING AND I TRUST THAT HE WILL FIND A WAY. MAYBE HE'LL THROW A FIRST PITCH OUT NEXT YEAR'S SEASON. THAT'S "THE NATIONAL" FOR THIS TUESDAY, SEPTEMBER 1. GOOD NIGHT. * *
{ "pile_set_name": "YoutubeSubtitles" }
[cheering] MAN: We begin this half an hour with one of the hottest scenes in music, thousands of people coming out for the Coachella Music Festival. As far as the lineup goes, it will include artists like Beyoncé, The Weekend, and Post Malone. Coachella has the tradition of having classic performers. Madonna's been there, Paul McCartney played Coachella. WOMAN: Some of the biggest names in music, of course, uh, Radiohead, the Black Keys. Many, many, many others. ALL: [chanting] Billie, Billie, Billie... BILLIE EILISH: I was very nervous about it. which I've never felt, ever, from a show. And I was trying to think about why I was, and I was, like, because it's a big deal, Billie, that's why. Everybody knows what Coachella is. Even if you don't care about music, you know. The Coachella Valley Music and Arts Festival wrapped up yesterday. It's a huge concert, goes over two weekends. A right of passage for any Millennial is attending Coachella. This is not a rock concert. This is not Coachella. RK for the chaos, Coachella! [cheering] ♪♪ We'd like to make an announcement that we just booked another show. We will be doing Sunday Service at Coachella. [cheering] ♪♪ ICE CUBE: The biggest artists in the world do Coachella, so, you know, the pressure's there to bring it. WOMAN: You cannot escape it, and it became Beychella. Beyoncé took it over this weekend. ♪♪ More people talkin' about your performance. You know, you open up the paper the next day, see 'em talkin' about what you did, not what three acts before you did. This morning, the most talked about concert on the planet was a weekend performance from someone who's been dead for 15 years. Make some noise for Tupac! [cheering] You're gonna be judged, man, when you hit Coachella's stage. And it's gonna be talked about for the rest of the year. So you better get your shit right. ♪♪ MAN: Make some noise for Post Malone! [cheering] KASKADE: Coming from my world, they've always been extremely welcoming. I think the programming's always been extremely progressive. They put everything on from Rock or Hip Hop to electronic music. Coachella has been able to facilitate a space for all of these styles of music to exist. You know where you are? You in the jungle, Coachella! ♪♪ MOBY: I played '99. 1999, which I think was the first Coachella. I remember Paul Tollett, who was one of the guys who started Coachella, told me he had this idea of starting a festival in the middle of the desert. And it seemed like a remarkable idea, but I didn't expect it to actually work. ♪♪ Coachella, y'all ready? [cheering] HUELL HOWSER: Tell everybody where we are. ROBERT DEL MAS: We are at the Empire Polo Club in Indio, California. HUELL HOWSER: Okay, now, this polo club is where it all happens, right here. That's where the main stage would be, right there. This whole area was just teeming -with people. -Yes. HUELL HOWSER: It's hard to believe it. PASQUALE ROTELLA: Some people see Coachella now and they think, oh, that's a no-brainer. Coachella's beautiful, right? It's a beautiful venue. It's easy. It was difficult. I took the concert promoter, Goldenvoice, several years to make it happen. And if it wasn't for Goldenvoice's roots, I don't think that Coachella would be what it is today. ♪♪ [static] MAN: Ladies and gentlemen... "I Fought the Law and I Won." ♪♪ ♪ Drinkin' beer in the hot sun ♪ ♪ I fought the law and I won ♪ ♪ I fought the law and I won ♪ STEVE APPLEFORD: Everything that Coachella is is rooted in the early days of Goldenvoice. and the punk rock shows that Gary Tovar did. WOMAN: Hey, Gary! This is Gary Tovar, a great promoter of the punk scene. Do you have something to say? Oh, well, I hope this venue survives tonight. GARY TOVAR: When I started doing concerts, the punk rock that I did, it was too wild for a lot of people. They-- They couldn't handle it. [static] MALE REPORTER: Punk's roots began in England in the 1970's, appealing to a group of lower income teens who were out of work and out of hope. Now, a new wave of punk is coming to the affluent middle class, and that trend is beginning here in Hollywood. ♪♪ It was the time when it was dangerous to book events like that. They would break up the place, there'd be fights. GARY TOVAR: I didn't like violence, but there was a lot of violence in the '80s, and a lot of slam dancing, and a lot of stage diving. You had to have a certain commitment to the music and the scene to be involved, and Gary Tovar, you know, he had resources and interest, and a passion for it, and became a folk hero of the punk scene. GARY TOVAR: I think the music speaks for itself, and, um, I don't take anything to the point of where I'm going to be judgmental. And I don't think anybody else should, either. ♪♪ PAUL TOLLETT: My brother Perry and I were promoting SKA shows in Pomona at small halls, pizza places, things like that, and we'd heard that Goldenvoice was gonna start doing shows in Pomona. So we drove down to Long Beach to tell them, you know, stay out of here, you know, give 'em a piece of our mind. So they came over thinking, oh, this guy's a big promoter, he's coming to take over Pomona, or somewhat, right? PAUL TOLLETT: But we met Gary, and he was just the coolest. We hit if off instantly. We talked all night, and he gave me a box of fliers that night to pass out. and that was the first day I worked at Goldenvoice. ♪♪ You know, the punk scene really changed by '87 or '88. It kind of had waned off. Then there was acts like Jane's Addiction, Fishbone, Chili Peppers, really helped Goldenvoice still remain relevant. ♪♪ [cheering] PERRY FARRELL: Back in those days, Los Angeles was the epicenter for young, up and coming music. People would go out to see groups that weren't even signed. ♪ Jane says ♪ ♪ I'm done with Sergio ♪ ♪ He treats me like a rag doll ♪ ♪ She hides... ♪ PAUL FARRELL: Jane's Addiction, when we were coming up, we started in the underbelly of Los Angeles. And I would go to Goldenvoice and I'd say, "Look, fellas, I want to work with you guys as promoters." They were, first and foremost, fans themselves. DANI LINDSTROM: Our offices were upstairs at the Hollywood Palladium. It was literally just five people... booking shows, a-- all my favorite bands, getting to watch the sound check for any bands playing at the Palladium. It was, like, the dream job. MIKE ROCCHIO: Goldenvoice was in a prime position to seize that alternative rock scene where the big promoter in town was clueless of it. You know, they were still booking Janet Jacksons or something. And that really helped fuel the growth of Goldenvoice from a small punk promoter into a real player. [cheering] [indistinct chatter] PAUL TOLLETT: In the early '90s, we were doing all these bands, you know, Nirvana and Chili Peppers, and it looked like we were doing great, but we were really struggling financially. These shows weren't making money, but, uh, Gary had a business on the side selling weed. GARY TOVAR: I involved myself with a group of people, we were all marijuana smokers and surfers at the beach. We didn't want to just go get marijuana from the border, which was terrible. We wanted to bring the highest quality, and it came from the other side of the world, so that's what I did. It was the "Just Say No" period. Last year alone, over 10,000 drug criminals were convicted, and nearly $250 million of their assets were seized by the DEA. GARY TOVAR: The federal government investigated me for four years. And then things started happening and I knew I was gonna get an indictment. PAUL TOLLETT: In March of '91, he got arrested, and from then on, he was out of the business. We bought the company from Gary, and didn't use the Goldenvoice name for a while. Thought maybe the cops would call us, but they never did. GARY TOVAR: After I went away, all I hoped was they could keep it going. And they did. Next week, Congress is going to hold hearings on ticket pricing. The hearings come at a time when the nation's top rock band is accusing the biggest ticket distributor in the business of unfair practices and price gouging. MALE REPORTER: Ticketmaster refused to reduce its fees low enough to suit Peal Jam. The band cancelled its tour. Our main concern is are we entitled to use a different company other than Ticketmaster, and right now, so far we haven't been able to, you know, find an alternative that's viable. MIKE ROCCHIO: Ticketmaster had a lock on all the largest venues in southern California to be able to perform at. And I think Pearl Jam approached Paul and said something like, you guys can land the gig if you can put us in a place that isn't a Ticketmaster venue. PAUL TOLLETT: So Pearl Jam was gonna skip Los Angeles, and we talked them into maybe Palm Springs. And so we drove up to Palm Springs, couldn't find anyplace, but someone told us there's a polo field out in Indio. It was even further. MIKE ROCCHIO: We were just, like, first off, where-- Indio, California, and what are you talkin' about? And we've gotta drive east and not west to a show? PAUL TOLLETT: We drove out to Indio. It really felt far. You know, farther than it does now. So how was the drive? [cheering] PAUL TOLLETT: We put it on sale, and sold, I think, 25,000 tickets. It was super low budget, just a stage in the middle of the field, but it was still special. ♪♪ MIKE ROCCHIO: Of course, the lure of that whole show was that there was this phenomenon of shoes coming on stage. I mean, 100 pairs of shoes at least, and one of them hit Eddie Vedder in the head. So the band went behind the thing and played behind their equipment, and came back out. Me and Jeff are gonna go to the front gate... and when you guys exit, we're gonna beat the shit out of every barefoot person here. [cheering, applause] PAUL TOLLETT: In the 90s, the bands we were close to, Pearl Jam, Nirvana and Chili Peppers, the started to explode. But they grew too fast. We couldn't afford, really, to do the-- the arenas where they could sell out. So I started paying attention to the rave scene as it was starting to bubble up. WOMAN: Rave is a British import that caught on here within the last two years. A typical rave party usually takes place in an abandoned warehouse. ♪♪ MAN: This very rapidly changing subculture even has its own voice in the form of a monthly magazine publication known as URB. Raymond Roker, editor of URB magazine, explains his views on the strengths and progressions of rave culture. Well, I mean, I-- I started just going to clubs like, you know, everybody else did, uh, the clubs that just started to break off the mainstream, you know, path. ♪♪ RAYMOND ROKER: Early '90s was a really interesting time. You had underground music, you had, uh, underground club culture, and also this electronic sound. PAUL TOLLETT: I'd been hanging out a lot with Raymond Roker, and I just loved his magazine so much. Every issue was just jammed pack full of things I'd never heard of. It was just mind blowing. ♪♪ Like punk rock, the rave scene had its own world. And it was just so different than everything that we were doing. ♪♪ RAYMOND ROKER: You know, I don't know how many events he got involved with, but he invested in some. He invested in Organic, which was like, you know, this incredible outdoor electronic music concert. ♪♪ Here we are in the lovely Snow Valley ski resort, and we're not going to ski. We're here for the biggest rave event that's ever taken place in the northern hemisphere. This is truly the first, you know, all night festival or rave that is similar to what happens in the U.K., and they haven't really had that here in Los Angeles. PAUL TOLLETT: Organic was different than any of the other raves. This was almost like bands-- Chemical Brothers, Orb, Orbital. I remember hearing Rez from Underworld about 6:00 a.m. in the morning. It was just a feeling I never had. ♪♪ PAUL TOLLETT: All these things are seeds for the future. It's like everything along the way you pick up these little tips, you know, from the early Goldenvoice days, and then you see electronic raves going on, then you're at Organic and you thought, I want to do something that has a combination of the rock bands that we're close to, and also all these new artists that are popping up. so set out to, uh, put on an event that married all of this together. MIKE ROCCHIO: The Paul at some point in the summertime went to all the U.K. festivals and European festivals, then came back and I remember sitting in his office one time and he was, like, hey, I'm thinking about starting a music festival out at that venue we did Pearl Jam at, and I'm thinking about calling it Coachella, and I remember thinking, Coachella? That's an awful name. ♪♪ DAVE RAT: I remember Paul coming up to me, and he said, "I got this idea. "We want to do a big festival in the desert, and we want to have all these bands play." We talked about all kinds of stuff, even the name. He said, "Well, I'm gonna call it Coachella," and I remember arguing against the name. I said, "Ah, don't call it Coachella. That's a terrible idea." Yeah, mo-- most people said, you know, just don't call it Coachella. Especially Coachella Valley Music and Arts Festival. It's a little clunky. MOBY: As far as I knew, the idea of, like, a European style festival in the United States was sort of unprecedented. So when Paul first started Coachella, I thought it was-- it was really a little baffling. DAVE RAT: In the U.S., the concept or the thinking is that it just doesn't work. The American public is not compatible with gathering in a large group without beating the shit out of each other. FEMALE REPORTER: Woodstock '99, a weekend of rock and roll in upstate New York ended with fire and vandalism late last night. KURT LODER: This is a very dangerous situation. Everyone is trying to get out of here. I think we're going to go. [police radio chatter] FEMALE REPORTER: As the three-day concert ended Sunday night, bonfires blazed out of control, and looters battled police. We announced Coachella the Monday after Woodstock cause it was all pre-prepped, and it was just a total disaster. People laughed, like, why would you do this right now? Woodstock is on the news on CNN, how terrible everything was, all the riots. Trying to sell tickets when everyone is saying how bad festivals are, it was pretty much impossible. ♪♪ The city wanted to cancel it, and they just thought, "How can you bring a version of Woodstock '99 to our desert?" And we weren't even thinking it was related. We had never thought about Woodstock at the time, we were just caught up in our southern California scene. And in our mind, we wanted to be in the tradition of the California festivals. ♪ All the leaves are brown ♪ ♪ All the leaves are brown ♪ PAUL TOLLETT: We wanted to have the feeling of Monterey Pop, Cal Jam, Us Festival, the whole California laid back vibe. The reputation for festivals at that point was not-- was not very good. It was a dirty experience, it was a muddy experience, you had to wear Wellies up to your knees. I think Paul was trying to create a southern California version. ♪ If I was in L.A. ♪ ♪ California dreamin' ♪ MOBY: Some European festivals have this amazing energy, but a lot of times they're really cold, they're really muddy, and pouring down with rain. Whereas, you go to Coachella, and like, it's a polo field. RAYMOND ROKER: So Goldenvoice invited some friends to come see the space. and the instant I saw it, I just said, "This cracks the code. "This is something special. This is going to be something special." ♪♪ ♪♪ ♪ Sleep on and ♪ ♪ Dream of love ♪ ♪ Because it's the closest you will get ♪ ♪ To love ♪ ♪ Poor ♪ ♪ Twisted child ♪ ♪ Oh, hug me ♪ ♪ Please hug me ♪ ♪ One November ♪ Z-TRIP: Coachella was just starting that year, and the thing that I loved about it is it was culturally and sonically and musically a hub where all of these people came together. ♪♪ There really weren't festivals at the time that were bringing in rock, electronic, hip hop, and mixing them all together. You know, there's this cross polinization that happens, you can't help but walk by a tent and hear something and it draws you in and you just get exposed to new music. ♪♪ ♪ So sleep and ♪ ♪ Dream of love ♪ RAYMOND ROKER: I think the first Coachella had roughly 35, 40,000 people that came over the two days. The event looked terrific. Everybody was excited by it. MIKE ROCCHIO: We liked the vastness of the field and the different stages, and the fact that you could walk around the field barefoot at the time was something that you just didn't experience very often at a concert. The heat was a little unbearable that year, but the vibe of everyone who was there, I think, everyone was pretty happy with the whole situation. We all saw the potential. Thank you. [cheering] RAYMOND ROKER: From the outside, it looked like an amazing success. But the math didn't work. It lost a lot of money. And Goldenvoice was an independent company at the time, so there wasn't anybody to, like, bail it out. Well, it was dicey because we had no money to begin with, and then we lost $850,000 or a million, we don't know. You know? We didn't have accounting, but it was-- it was nasty. So bad that I got kicked out of the bank. Personally. Like, not even just the company, I was on the something called Check Guard. I wasn't allowed to cash a check anymore. RAYMOND ROKER: But, like, Goldenvoice could have died a few times. But definitely could have died when Gary went to prison. GARY TOVAR: I could have filed for bankruptcy when I left. I didn't do that. We paid our bills instead. You know, my lawyer was-- was thinking what-- what's wrong with you. You know, you-- keep your money and let-- let everybody hanging, but no, I didn't want to do that, and I think it was a wise choice 'cause when they needed help, after the first Coachella, the people stepped forward and said that we were always good to them. PAUL TOLLETT: The only reason we even were able to keep going is we had a good reputation. Rage Against the Machine and Beck, you know, they gave us money off. Don Muller and Marc Geiger, the producers of Lollapalooza, really helped us financially. Everyone one of 'em, it was, like, "Oh, pay us later, you're good for it." And it's weird, at the time I thought, like, uh, it's-- you know, we're not really a good loan. I'm not so sure you should do this. At the same time, AEG built Staples Center, and they were looking to get in the concert business. We cut a deal with them. They came to us and said, "Why don't you find shows for us at the Staples Center, and become a concert promoter for us?" We're, like, sure, no problem. They said, "And you should do Coachella again." We're, like, "Really? It lost a lot of money. Are you sure?" ♪♪ Yes, we lost the first time. Now we're coming back, we've got a partner, and we start looking for bands, kind of the last minute because we cut our deal pretty late. ♪♪ Struggling for headliners, there's no one out there. I mean, having no headliner means you have no show. We're like, what about Jane's Addiction? ♪♪ PERRY FARRELL: After Lollapalooza, I was done. I just ripped all my clothes off, signifying I was gonna be like a newborn baby when I got home. RAYMOND ROKER: Rick Van Santen, who was Paul's partner, came to Paul and said, "I think I can reach out to everybody, and we might be able to get them back together to perform. So Rick was, I guess, put in charge to kind of try to get me to do it, and, uh, I would do almost anything Rick wanted me to. ♪♪ ♪ You know, oh, oh, oh, oh, oh ♪ MIKE ROCCHIO: And so they were able to do another show, but I don't think 2001, the next year, the second year of Coachella, necessarily made a ton of money. PAUL TOLLETT: We did that show, that was great, but it was just one day, we couldn't find anyone else. So it was just a one-day show. And it was fun but we made dumb mistakes. We forgot trashcans. Just really rookie stuff, you know? ♪♪ 2002... I feel that the year we didn't make a mistake. Didn't really make any money financially, but didn't lose that much. All the artists were on time, no one's equipment melted down, it was just really-- really a good thing. ♪ A blueprint ♪ ♪ Of the pleasure ♪ STACY VEE: I started in 2002. I remember watching Bjork just so beautifully pregnant. Up there in the wind and she just, like, looked so glamorous and exquisite. ♪ A secret code carved ♪ ♪ In me ♪ PAUL TOLLETT: That's when music changed a little bit. There was a little bit more of an indie rock scene. You know, the New York scene started coming through. ♪♪ ♪ Get so scared of ♪ ♪ Get so scared of ♪ ♪ Shake, shake, shake, shake, shake, shake, shake, shake ♪ ♪ Shake, shake, shake, shake, shake, shake, shake, shake ♪ STACY VEE: Coachella was just, like, really heating up. All these, like, indie New York darling bands came around, and it was so exciting for everybody. ♪ Out of the righteous and onto the... ♪ PAUL TOLLETT: Like, you love that world. An the U.K. bands, and the NME bands, LCD and-- and, uh, Strokes and White Stripes and these things for the next few years was just ruling everything. It was awesome. ♪ Thirty notes in the mailbox ♪ ♪ Will tell you that I'm comin' home ♪ ♪ And I think I'm gonna stick around ♪ ♪ For a while so you're not alone ♪ ♪ For a while so you're not alone ♪ ♪♪ STACY VEE: Goldenvoice was still a really small company, so it was just like hands-on everything, everybody does everything. ♪♪ PAUL TOLLETT: 2004, that was the first year we turned a profit. It was Radiohead, Pixies, Kraftwerk. It was just this combo that was just too good. And everyone wanted to buy a ticket. ♪♪ DANI LINDSTROM: We didn't do one in 2000 to kind of recover, and then '01, '02, '03, it's just getting bigger, bigger, bigger, and then '04 just seemed like we can't get any bigger than this, this is crazy. ♪♪ PHILIP BLAINE: It was not until 2004 with Radiohead, finally, it was like fully attended and fully realized as this is what it looks like with a lot of people here. ♪♪ PAUL TOLLETT: So now we felt like there's gonna be a future for the show. It was always on the chopping block up until then. It was always, every time we did one, we thought it was gonna be the last. [indistinct chatter] All rightey. -Can we go on now? -Yeah. MAN: Are we goin' on now? [cheering] PAUL TOLLETT: Jane's Addiction was the beginning, Pixies was like, okay, this is a thing that people like. Getting a band that hasn't played in a long time back together. ♪♪ RAYMOND ROKER: The Pixies, I think, were as surprised as anybody that there was this level of interest. So to be brought out of that, to be put on the stage, and then have people receive it so warmly, and to do such a good show. ♪ You're into your Japanese fast food ♪ ♪ And I drop you off with your Japanese lover ♪ ♪ You're going to the beach all day ♪ ♪ You're so pretty when you're unfaithful to me ♪ RAYMOND ROKER: It was now the new kind of benchmark. ♪ You're lookin' like you've got some sun ♪ It was such a big moment for the band and for us just to be part of them getting back together, and pulling off this big moment. ♪ Uh-oh, uh-oh, uh-oh, uh-oh ♪ ♪ Your bones got a little machine ♪ PERRY FARRELL: Paul seeks 'em out. I mean, like, he runs around in his head, "Who can I bring back together?" And I don't know if it started by accidentally asking us if we would do it because he was our friend, but whatever for whatever reason, man, he's got a good thing going. ♪♪ DANIEL ASH: Bauhaus is so long ago to me now. I remember the first time around, we were just beginning to get really big, and, uh, we quit. Boom. And it stayed-- we don't-- we just-- we quit, and it's-- You know, it's a very English thing to do. DAVID J: I remember very clearly the phone call from Paul Tollett to do Coachella. I played it cool and simple. That's very interesting, Paul. I'll have a word with the others and, uh, I'll get back to you. Put the phone down, I was like-- Yes! The opening features Peter hanging upside-down, which was Peter's brilliant idea. I knew that I had to physically practice because there's a time limit of something like 15 minutes, I think, before you pass out, and it's a long song. DAVID J: The original idea was to release bats, hundreds of bats, into the audience at dusk, but they looked into and you cannot have a bird release after 5 p.m. for some reason, and bats, apparently, are considered to be birds under these circumstances, um, and, uh, it was also the-- the twin peril of, uh-- of rabies and bat shit. ♪ White on white translucent black capes ♪ ♪ Back on the rack ♪ ♪ Bela Lugosi's dead ♪ ♪ The bats have left the bell tower ♪ ♪ The victims have been bled ♪ ♪ Red velvet lines the black box ♪ ♪ Bela Lugosi's dead ♪ ♪♪ NIC ADLER: I had a lot of friends working on the show. Goldenvoice, at that time, they were building Coachella, would come to the Roxy and drop off-- Here's a pack of 20 tickets. Please come out to this place called Indio. We were like, "Yeah, we might go to that." And then I remember, like, year six or seven, we're like, "That's weird. Goldenvoice didn't come by and drop any tickets off." And there was that switch in the festival where you literally saw it turn into something that you had to do, you had to be at. [cheering] PAUL TOLLETT: Madonna, I was friends with her manager... ♪ Time goes by ♪ ♪ So slowly ♪ I was like, what about Madonna for Coachella? I'm like, wow, that's crazy, I mean, my headliners are booked. Well, what about the dance tent? I'm like, that's incredible. It's so different for Coachella, so when we put the poster out, I made sure it said "in the tent" to really set the pace for what that show was gonna be. [cheering] ♪♪ ♪ Every little thing that you say or do ♪ ♪ I'm hung up ♪ ♪ I'm hung up on you ♪ ♪ Waiting for your call, baby, night and day ♪ ♪ I'm fed up ♪ ♪ I'm tired of waitin' on you ♪ ♪ Time goes by so slowly ♪ STACY VEE: It was packed. There are so many people who love Madonna, but might not buy a ticket to go to a Madonna concert, but since she's like right over there, everybody went. ♪ Time goes by ♪ ♪ So slowly ♪ RAYMOND ROKER: It was a sign that the show was growing up, that there was, like-- there were stars here. ♪ Time goes by ♪ I would argue that she was the first star to play the show. ♪ Every little thing, every little thing ♪ ♪ I'm fed up ♪ [cheering] BECK: If I'm in town, I usually go as a fan. because it's, you know, the state of music. It's the, pretty much, everything that's happening in music at the-- at the moment. AMY WINEHOUSE: I'm really excited to be here. Oh. I'm so excited to be here, like, um-- like, I'm not a very organized person, but this is one thing that everybody has said to me, wait until you get to Coachella. [cheering] I-- I'm so excited to be here. ♪ Well, sometimes I go out by myself ♪ ♪ And I look across the water ♪ ♪ And I think of all the things ♪ ♪ Of what you're doing ♪ ♪ In my head I paint a picture ♪ STACY VEE: I just remember that being, like. a super energetic time where the appetite for people, they just wanted in everything, new music, new music, new music. then, like, the most popular things on the poster were the things they didn't know. ♪ Won't you come on over ♪ ♪ Stop making a fool out of me ♪ ♪ Oh, why don't you come on over, Valerie ♪ ♪ Valerie ♪ STACY VEE: Everybody was just so into music discovery. SHEPARD FAIREY: Coachella, when you look at it, there's no-- there's no one cohesive genre, it's just more cohesive in the idea that good is good. You know? That you don't define it by category. ♪ All the good people wanna rescue ♪ ♪ All the smart people wanna talk to you ♪ ♪ All the clever people wanna tell you ♪ ♪ All the little people wanna dance, it's true ♪ ♪ Cloud, block out the sun ♪ ROSANNA ARQUETTE: For the first years of Coachella, I would always go as a fan and see the great bands, and I asked Paul if I could, you know, interview people, and I-- I think I could get really good interviews, and they said, yeah, let's do that, and we-- we did. Hey, everybody, it's Rosanna Arquette. I'm here backstage with Calvin Harris. Here with Norman Cook live from Coachella. And we are with Justice. Roger Waters. Sir Paul McCartney. The Specials. It was my most favorite job I ever had in my life. The guys from Portishead, Geoff and Adrian. Nobody said no. And it would be like a joke, like, well, you're never gonna get Lauryn Hill. It's just not gonna happen. Thank you so much. Who inspires you? I'm inspired by beauty. I'm inspired by love, I'm inspired by things that I see come together. ♪ Us ♪ ♪ V. them ♪ ♪ Over and over again ♪♪ [cheering] RZA: The one thing you guys did that was more special than anything to me, you guys brought Rage Against the Machine back. And when that happened, y'all, that's when it-- you know, I always said to myself Wu-Tang will play Coachella one day. Good evening, we are Rage Against the Machine from Los Angeles, California. [cheering] RZA: Now it's exactly a year ago when I saw him, he didn't seem very keen on the industry or what it stood for. So for a guy like that to come out, okay, it's something serious, I-- it's-- it's a more-- he didn't come out for no money. You can't get him out his house for money. -Right. Right, right, right. -You know what I mean? ♪ Uh! ♪ ♪ The movie ran through me ♪ ♪ The glamour subdue me ♪ CHUCK D: Rage Against the Machine is self explanatory, man. The songs-- especially when they speak to some truth and freedom, man-- you really can't fuck with that. PERRY FARRELL: They're one of the great groups to ever come out of Los Angeles, so everybody waits until the day that they're ready to play again. ♪ And it's right outside the door ♪ ♪ Now testify! ♪ ♪ Now testify! ♪ ♪ It's right outside the door ♪ ♪ Testify! ♪ PERRY FARRELL: And the next time they do, we're gonna be back on our hands and knees beggin' 'em, because they turn the crowd on that much. ♪ Mass graves for the pump when the price is set ♪ ♪ When the price is set ♪ ♪ Mass graves for the pump when the price is set ♪ ♪ When the price is set ♪ PERRY FARRELL: There's not that many groups in the world, man, that can do that, and less and less and less. ♪♪ ♪ Who controls the past now ♪ ♪ Controls the future ♪ ♪ Who controls the present now ♪ ♪ Controls the past ♪ ♪ Who controls the past now ♪ ♪ Controls the future ♪ ♪ Who controls the present now ♪ ♪ Now testify! ♪ ♪♪ ♪ Now testify! ♪ ♪ It's right outside the door ♪ ♪ Testify! ♪ ♪♪ ♪ Now testify! ♪ ♪ The war is right outside your door ♪♪ [cheering] ♪♪ ♪ All along the western front ♪ ♪ People line up to receive ♪ A-TRAK: During the mid 2000s, Coachella really established itself as, like, the ultimate indie festival. ♪ Ooh, ooh ♪ ♪ Shock me like an electric eel ♪ ♪ Baby girl ♪ ♪ Turn me on with your electric feel ♪ A-TRAK: In popular understanding, Coachella became kind of this sacred indie temple. ♪ Baby girl ♪ ♪ Turn me on with your electric feel ♪ A-TRAK: And then through the years, the DJ presence at Coachella became more and more of a thing. And then the Sahara tent became almost like a party unto itself. I think it's important to remind people that in 1999, festivals didn't have the huge LED panels that we know now, and the-- the huge stage production. ♪♪ MOBY: You know, I felt like for most of the '90s, electronic music existed in a place where, if you weren't an electronic music fan, you generally didn't pay that much attention to it. One of the things that I thought was kind of amazing but odd about the first Coachella was that it was very electronic music oriented at a time, you know, when electronic music really was very, very underground. ♪♪ SEN. JOSEPH BIDEN: If I were governor of my state or mayor of my town, I would be passing new ordinances relating to stiff criminal penalties for anyone who held a rave; The promoter, the guy who owned the building. I would put the son of a gun in jail. PASQUALE ROTELLA: So 2001, 2002 was a really tough time for dance music. The DEA created the Crack House Law and went after not only venues but event producers. MAN: All right, you're gonna have to clear this area. PASQUALE ROTELLA: The venues didn't want to rent their facilities to you and some of the producers weren't even willing to produce anymore. [indistinct chatter] The culture was almost destroyed completely. And you could have not had dance music at a festival at one point. PAUL TOLLETT: So the whole rave scene, at that point, was on trial. And law enforcement wanted us to drop that type of music. ♪♪ PASQUALE ROTELLA: In the early 2000s, the scene was struggling, but Coachella, they kept... doing it. And it was so great for dance music. ♪♪ PASQUALE ROTELLA: I am so happy Coachella didn't jump on the bandwagon, because when the events are healthy, that pushes the music forward. ♪♪ PAUL TOLLETT: We had Sahara tent, and we Dew Lab. When Dew Lab started out, it was just an art piece. We barely were even paying attention to 'em. They were DJ-ing in there. They've been an institution for us ever since. So we felt like we were doing good with electronic music. ALL [chanting]: Daft Punk, Daft Punk, Daft Punk, Daft Punk... PASQUALE ROTELLA: Then Coachella 2006, Daft Punk plays. And people's minds get blown. It, like, changed people's lives, including mine. Forever. [cheering] JASON BENTLEY: We didn't know what to expect. And the first thing that you hear is the "Close Encounters" melody. ♪ Do, do, do, do, doo ♪ And it was, like-- Ohhh. [cheering] And then you hear it again. ♪ Do, do, do, do, doo ♪ It's, like-- Ohhhh. And then the curtain slowly parts to reveal this fucking pyramid with these robots on top. And you're like, they are aliens. They are not from planet Earth. ♪ Television ♪ ♪ Rules the nation ♪ ♪ Television ♪ ♪ Rules the nation ♪ ♪ Around the world ♪ ♪♪ [cheering] ♪♪ JASON BENTLEY: It was just such a mind-blowing performance. It was kind of the birth of EDM right there. ♪♪ From that point on, dance music needed to have a giant spectacle on stage. And so you could love it or you could hate it. I mean-- [chuckles] But the fact is that nothing was the same after that performance. ♪ Rules the nation ♪ ♪♪ STEVE AOKI: And from that-- that moment, it was like-- I mean, it's all what DJs would be playing all across the country. Wherever I was playing, it was like, Daft Punk, Daft Punk, Daft Punk. Then we would always be doing, like, the pyramid that they did at Coachella. ♪♪ [cheering] CARL COX: As headliners here today, it was just absolutely amazing. And how they got embraced by what they are as-- as a group, as an art-- as artists. By the end of the day, they brought, brought the funk kind of sound and the house music to the table, and-- and the new electronic sound. They're the ones that were there first before anyone else, so for me to hear them today was amazing. ♪♪ [cheering] I think it's good. We're gonna have some good shows now. ♪♪ 12TH PLANET: Technologically speaking, it's always new ideas and new concepts coming from the Sahara tent. ♪♪ DAVE RAT: The new technology shows up, and the artists with the creativity will utilize that technology to push the limits ♪♪ Just on an audio/visual level, regardless of who's performing in there, it's incredible. PAUL VAN DYK: I'm not scared of technology. For me, this is always something that I use like a tool to bring across what I have in my head. DAVE RAT: It's the same thing as having a muscle car. Getting a V8 engine, 450 horse power, it's big power. When we get those big subs in there and light those things up, it could blur your vision. You could stand in front and everything turns fuzzy. One day, someone's gonna bring in too many subs and someone's just gonna, like-- their stomach is gonna explode. Ugh! ♪♪ [cheering] ♪♪ TIESTO: Social media made a big difference. Like, as soon as Facebook and Instagram blew up, EDM blew up, because for years it was held down by people who control the radio and television, who control the media. A-TRAK: It was big, it was, you know, felt like you could tell that the bands were starting to break, that this festival culture, this electronic music youth festival culture was... you know, like, pushing other genres out of the way, like, we are here. ♪♪ Tiesto on the main stage changed the game. And Paul Tollett, hats off for that booking because I think that was-- that was a controversial choice. TIESTO: People were pretty, uh, shocked that I played Coachella, main stage. And they were, like-- they didn't know what to expect. KASKADE: 'Cause a lot of bands and, like, traditional musicians are, like, you're not us, man. Like, what, 'cause I don't sit behind the drum and play the drum? Like it or not, Tiesto's here and he's gonna play on the main stage. ♪♪ A-TRAK: And that proved a point that large scale DJ culture was becoming a real thing. ♪♪ [cheering] PASQUALE ROTELLA: No one had done that at that time at a multi-genre music festival. Taking a dance act and having him play to that large of an audience was unbelievable and something that... pushed things forward for the industry that I love so much, and the culture that I love so much. ♪♪ STEVE ANGELLO: At first, we felt that the main stage was a little big for us, but we were like, eh, you know what? Let's try it and let's do our best and pushed for it. ♪♪ KASKADE: But it definitely changed the sound going from night clubs to these big stages that made everything bigger, louder, more grand, and now we've graduated to where there's a pop element to it. ♪♪ DAVE IRELAND: I think that happens with any genre, from hip hop to, you know, to indie rock to whatever. There's always just layers. There's an underground, more independent sound that's more cultured, and, I guess, takes a little more digging to get to, and there's the stuff that's on the radio that's more accessible. [cheering] PASQUALE ROTELLA: People need not be afraid of big dance acts that have success, because you can always go find your house music or your techno. ♪♪ JASON BENTLEY: Yuma is a really interesting innovation because it's just about the music. It's more of the intimate club experience but on a larger scale and at a festival. ♪♪ ♪♪ The Yuma stage is very much, you know, sort of like the quintessential heads, you know, they know what they want. That's my favorite type of vibe. There's no screens, it's just music. NINA: It's around connecting to people. JASON BENTLEY: As we track the growth of electronic music, there doesn't seem any end in sight. People just seem to have the drive to have the time of your life. ♪ One, two ♪ ♪ Everybody jump ♪ [cheering] ♪♪ DIPLO: I remember, like, the second Major Lazer show, and it was, like, the most epic-- Sunset is sort of the best time to play at Coachella. Nobody can tell you differently. Whether they say it's headlining, whatever, as long as it's sunset. ♪♪ A-TRAK: EDM became a thing, and through that, I think, more and more people in North America finally got accustomed to the sonics of electronic music, 'cause it used to be foreign. It used to be exotic and crazy. ♪♪ KASKADE: I knew it was gonna be a big moment in my career; first time on the main stage at Coachella. This is the festival the whole world looks at. ♪ Look into my eyes ♪ ♪ Eyes ♪ ♪ Are the windows to the soul ♪ KASKADE: I walked off stage that first week, and the guys who'd flown the drone, they walk up, and they're like, "Dude, oh, my gosh," and they're freakin' out. And they whip out an iPad and it has the drone footage on it. And I'm just like-- Ahh! We're all, like, screaming looking at this thing, like rewinding it, like-- What?! How far back does the crowd go? ♪ Look into my eyes ♪ ♪♪ And there's a big red blast on the screen, and you can see it just lights the whole crowd up red. ♪ Look into my eyes ♪ ♪♪ Whether the radio wants to admit it or whatever, the TV, I don't know what's goin' on, but there's a movement, and it's solidified, and guess what? It's been 20 years in the making. ♪ Eyes ♪ ♪♪ ♪♪ [record scratching] A-TRAK: At the end of the day, and I've said this all throughout the commotion of EDM, I've always said this, hip hop is, like, the generational music of North American youth. ♪♪ RAYMOND ROKER: Early Coachella definitely had hip hop. You had hip hop DJs, you had, like, the Invisibl Skratch Piklz, which A-Trak was part of at the time. [record scratching] And that was like the height of turntablism in terms of, like, what Echelon and those guys were playing at. ♪♪ [cheering, applause] But I think it was what you would have expected at the time, it was the festival friendly versions of what was going on in hip hop. ♪ Well, I'd like to know ♪ ♪ If you got the notion ♪ ♪ 'Cause we're number one ♪ ♪ I'm not tryin' to say my style is better than yours ♪ ♪ I'm just on some other shit ♪ ♪ I'm all about the beats and the lyrics ♪ ♪ So when you hear it you can feel it ♪ ♪ The vibe is energized... ♪ RAYMOND ROKER: And there was all this alternative or underground or backpack hip hop or, you know, really like college hip hop. ♪ 'Cause we take it back like Robbin Loxly ♪ ♪ Rockin' from country sides to spots ♪ ♪ Where hard rocks be ♪ RAYMOND ROKER: If you really were to get into, like, culture and groups, the fans of that hip hop were-- I don't know if there was majority white, but it was largely white. Um, and way more over represented than... southern hip hop or like, you know, Wu Tang inspired, like, east coast hip hop, uh, and gangster rap and everything. That hip hop had a large black fan base. ♪ Motherfucker comin' straight outta Compton ♪ ♪ Crazy motherfucker named Ice Cube ♪ ♪ From the gang called Niggaz With Attitudes ♪ ♪ When I'm called off ♪ It wasn't that Goldenvoice didn't have history doing hip hop. You know, Goldenvoice had done early NWA concerts. ICE CUBE: It was a situation where you know, rap music was getting a black eye, you know, everywhere you looked. Like, nobody wanted to have anything to do with rap. PAUL TOLLETT: Yeah, I mean, hip hop in Southern California in the '80s was hard to place. Uh, there was some violence associated with it, and many venues didn't want to book it, so that is code for call Goldenvoice. RAYMOND ROKER: So the festival promoters had a history with doing hip hop, but the festival setting itself and festival culture was-- you know, was not as multicultural as it is today. ♪♪ I mean, what's the template for music festivals? Woodstock. There were not many people of color at that show. There were a handful, but if you see the movie, it's white girls with flower crowns and white guys with long hair. So when you think festival, that's what you think, and, you know, you could lose sight about how important that iconography is to people in determining what they do and how they celebrate music. ♪♪ So it took a while for culture to merge. And over time, it took, like, early acts to kind of break through, so if you look at the evolution of hip hop early days, it was everybody that fit into that indie realm. And then mid 2000s you had the flirtations with some of those bigger acts, and ones that offered a bit of crossover, uh, the biggest one, of course, being Kanye. ♪♪ A-TRAK: I was at Coachella that year, 'cause I played with Kanye. The Kanye performance was kind of hilarious because he showed up at least 20 minutes late-- 20 to 30 minutes late. So we were onstage-- myself, the string section. And it's show time, and we knew Kanye was on his way. I don't think he knew about the traffic between L.A. and Indio, specifically during a day of Coachella. ♪♪ ♪ Please believe... ♪ [crowd cheering] A-TRAK: And long story short, he showed up halfway into the set. And at a festival like Coachella, there's no wiggle room. It can't be like, "Okay, well, you can go over a half hour." 'Cause someone else has a set right after. So he played a shortened set. ♪ Throw your diamonds in the sky if you feel the vibe ♪ ♪ Forever ♪ ♪ The Roc is still alive every time I rhyme ♪ ♪ Forever ever, forever ever, ever ever ♪ I mean, Kanye was always Kanye, right, but when he first came out, he was considered in that more backpack realm. ♪ After debris settles and the dust gets swept off ♪ ♪ Big K pick up where young Hov left off ♪ ♪ Right when magazines wrote Kanye West off ♪ ♪ I dropped my new shit, it sound like the best of ♪ ♪ A&R lookin' like, "Pssh, we messed up ♪ ♪ Grammy night, damn right, we get dressed up ♪ ♪ Bottle after bottle till we get next, uh ♪ ♪ Yeah, he next up ♪ ROKER: It took artists like that that were kind of, like, the testing grounds for hip-hop at the festival. You couldn't have just jumped forward and put-- I mean, Lil Wayne was big in the mid-2000s. Jay-Z was big in the mid-2000s. It was too early for that. ♪♪ [rapping continues] ♪ Power to make a diamond with his bare hands ♪ ♪ ...if you feel the vibe ♪ ♪ Come on, come on ♪ ♪ Roc is still alive every time I rhyme ♪ ♪ Forever ever ♪ ♪ Ever ever ♪ ♪ Ever ever, ever ever, ever ever ♪ ♪ Ever ever, ever ever ♪ ♪ Ever ever, ever ever ♪ ♪ Ever ever, ever ever, ever ever ♪ [crowd roars] I look at every demographic, like, man, hopefully I get the college kids, I wanna get the girls, the little kids, the older people, the niggas from the streets, backpackers. -All that. -You know? [crowd cheering] CROWD [chanting]: Kanye! Kanye! Kanye! -We gotta go? -Yeah. -We gotta go? -Yeah, man. -We can't sing one more? -[crowd chanting] A-TRAK! A-TRAK! He can't do it, man. I'm sorry, brother. Well, it was the time when, you know, we had these artists that were just blowing up pretty quick. ♪♪ TOLLETT: M.I.A., she was great, because she worked up the stages. And every stage was crazy every time. ♪♪ First time I ever played a festival was Coachella. That's my first festival ever. ♪♪ From my recollection, the next big thing was probably Jay-Z. TOLLETT: Well, what happened is, we were promoting a festival back in New York, and Beastie Boys were headlining it. And we'd already had Beasties at Coachella before. And it was just so good. ♪ Well, now, don't you tell me to smile ♪ ♪ You stick around I'll make it worth your while ♪ ♪ My number's beyond what you can dial ♪ ♪♪ [continues] TOLLETT: Some could say that's the first hip-hop headliner. But others, they were rock, they were punk rock, they were all these different genres. ♪ I run the marathon to the very last mile ♪ They certainly paved the way for future hip-hop headliners. ♪ You've got gall, you've got guile ♪ ♪ Step to me, I'm a rap-o-phile ♪ So we had Beastie Boys on this festival in New York, but they had to cancel. So we got Jay-Z to fill in. And when he came out, he went straight into "No Sleep Till Brooklyn." ♪ No sleep till ♪ ♪♪ ♪ Foot on the pedal, never ever false metal ♪ ♪ Engine running hotter than a boiling kettle ♪ ♪ My job ain't a job, it's a pretty good time ♪ ♪ City to city, I'm running out of rhymes ♪ ♪ On location, tour around the nation ♪ ♪ Beastie Boys never on vacation ♪ TOLLETT: And it was awesome. ♪ Do what I do 'cause I'm willing and able ♪ I'm like, wow, Jay-z is that-- is that good live? ♪ Allow me to reintroduce myself ♪ ♪ My name is Hov ♪ ♪ H to the O-V ♪ ♪ I used to move snowflakes by the O-Z ♪ TOLLETT: So we grabbed him for Coachella. ♪ CEO of the R-O-C ♪ ♪ Fresh out the fryin' pan, into the fire ♪ ♪ I be the music biz number one supplier ♪ ♪ Flyer than a piece of paper bearing my name ♪ ♪ Got the hottest chick in the game wearing my chain, that's right ♪ 2010, Jay-z, that was like a big breakout. Fans were totally ready for it. They were ready for it musically. They were ready for his presence. ♪♪ [rap continues] They were ready for the show to take on hip-hop at that scale. ♪ Let me tell you dudes what I do to protect this ♪ ♪ I shoot at you actors like movie directors ♪ I think it was only a matter of time because everybody just thinks that rap is cool. Rap is cool. There's nothing cooler than rap. Rap is the coolest music ever. Any kid that you catch walking down the street or driving down the street, whatever, they know Lil Wayne records, they know Jay-Z records, they know Kanye records. BLAINE: Kanye came back in 2011 with an incredible theater of a performance. Broke yet new ground. RZA: First time I went to Coachella, Kanye had invited me the first time to Coachella. And I went, and I had a great night. It was-- When I seen his show, actually-- At that time, that was the best hip-hop show I ever seen in my life. [crowd cheering] ♪♪ ["Power" plays] ♪ I'm living in that 21st century ♪ ♪ Doing something mean to it ♪ ♪ Do it better than anybody you ever seen do it ♪ ♪ Scream from the haters, got a nice ring to it ♪ ♪ I guess every superhero need his theme music ♪ ♪ No one man should have all that power ♪ ♪ The clocks ticking, I just count the hours ♪ ROKER: Just the way he took that stage and took over that stage, it was hip-hop as art. ♪ And they say ♪ ♪ And they say ♪ ♪ And they say ♪ ♪ And we say ♪ ♪ And they say ♪ ♪ And they say ♪ ♪ And they say ♪ ♪ 21st Century schizoid man ♪ [crowd roars] To do it in that festival setting was just one more step in that march towards just the unstoppable beast that would become, like, the headliners. ♪♪ BLAINE: That year we had Arcade Fire which did the incredible ball drop. Awesome concept, beautifully executed. But there are few bands that can even, like, bring that. The rock headliners of those years had a harder time keeping up. TOLLETT: That was the first year where we started livestreaming on YouTube. That was the thing that got us across the world. It really was shocking. You know, now all these different countries are coming. There was so much demand that year. More than 100,000 people were shut out. Thought about all these people who didn't get to go to Coachella. VEE: You know, he has a lot of ideas. And I remember when he said to me, "What's the only thing better than Coachella? Two Coachellas." ROKER: It was just such an unprecedented move. No one had a two-weekend event like that. And people thought that that was just a selfish money grab... which I can understand. But it also made tons of sense, 'cause a lot of people that wanted to go to the show that couldn't go to the show. TOLLETT: I always thought about doing two weekends. But we thought, "I'm gonna run out of headliners. if it's two different sets of music." So it hit me, like, "Every single artist needs to repeat." "Wait a second. The same artists come back and play a second time a week later? That's just weird." I didn't even know how they were gonna pull that off. -♪ California love ♪ -Come on! ♪ Put your motherfuckin' dubs in the air ♪ Sing this shit! ♪ California ♪ -♪ Knows how to party ♪ -What you say? ROKER: It was hard to explain the two-weekend concept to Dre, 'cause he didn't really know a lot about Coachella to begin with. ♪♪ But he knew about Burning Man, because him and Tupac bumped into it when they were filming that video. It was the funniest thing. ♪ The city of Compton ♪ SNOOP: Hey, yo, Dre, I think you should welcome everybody. ♪ Now, let me welcome everybody to the wild, wild west ♪ ♪ A state that's untouchable like Eliot Ness ♪ The track hits your eardrum like a slug to your chest ♪ ♪ Pack a vest for your Jimmy in the city of sex ♪ TOLLETT: We lay out what we wanna do with him headlining Coachella. He said, "I'd like to do it, but I got this idea about like a 3-D thing or a hologram, or-- I got this art thing." I hope this ain't people's first show seeing a concert. After this one, you probably don't want to see it. It's kind of unfair what Dre is doing to the whole Coachella lineup on Sunday. It's all I gotta say. What's the surprises? Any surprises? Everybody gonna come out, that's all I gotta say. -People are gonna cry? -Yeah, people are gonna fuckin' boo-hoo. GREGG GILLIS: A hologram came up, and it was, like, "Are we supposed to celebrate this? "Or be sad? "Or is this disrespectful? Or is this cool? Or, like--" It was complex. It was a really complicated thing that they did. I felt like it didn't get enough credit for being, like, so crazy. ♪♪ ♪ Yeah ♪ ♪ Do you know who the fuck this is? ♪ -What up, Dre? -I'm chillin'. What's up, Pac? -What up, Snoop? -What's up, my nigga? What the fuck is up, Coachella? Throw up a motherfucking finger! ICE CUBE: Only Dre would take it to this level. Makaveli in this. Every artist looks for one of those moments that people are never gonna forget, and he was able to pull it off. I was happy for him, and also happy for Tupac. Being able to get on-- be onstage with those people. ♪ Come with me ♪ ♪ Hail Mary ♪ ♪ Come quick see ♪ ♪ What do we have here now ♪ ♪ Do you want to ride or die ♪ ♪ La dada lala ♪ We're stepping out into territory that hasn't really been stepped into. So we just wanted to do it right. Obviously, respectful of the family. Respectful of the fans, too. There was a version of Tupac that would look even less like Tupac than that. You can see kind of, like, progressively become more and more Tupac over time. ♪ Now pay attention, mister ♪ We made this, like, key chart of all these different Tupac looks, where we, like, call this one "eyebrow raise." And you can see the way his eyebrows raise. And it doesn't-- It doesn't seem like, you know, this matters that much. But when you make a model, it's totally inert. So then you have to find these signature moments that represent who he was in his essence. ♪♪ [rap] ♪ But Mama told me never stop until I bust a nut ♪ ROKER: I didn't go first weekend. And it was the first year of two weekends. Thank you, Coachella. So I came the second weekend. I knew exactly what was going to occur. And yet there were more people there the second weekend. And then you had all the special guests come back again and do it again. ♪ Come with me ♪ ♪ Hail Mary, run quick see ♪ ♪ What do we have here now ♪ ♪ Do we wanna ride or die ♪ ♪ La dada lada la la la ♪ SNOOP: Gangsta shit. [crowd cheering] This morning, the most talked about concert on the planet was a weekend performance from someone who's been dead for 15 years. I don't know what the big deal is. My hologram has been hosting this show since December. The audience there at Coachella suddenly see someone who is dead. It's the technology that has some of us unable to believe our eyes. It kind of bums me out that he's been dead for 16 years, he's still in much better shape than I am. WOMAN: Tupac Shakur has set Twitter ablaze. This was done strictly for Coachella 2012, baby. Just for you. ROKER: There were big points before that. Daft Punk, Pixies, things like that, that were really monumental. But they were monumental for fans... insular fans. For mainstream people that started to know Coachella as synonymous with festival, it was definitely Tupac. -What is that? -Tupac. No matter what we think, it's not just a passing trend. We need to realize that the new generation of entertainment is here. It was the single most popular thing that ever happened at Coachella. ROKER: That was the moment where people understood the power of that performance, that stage, watching it online. Like, all those things that culminated. The genie was never going back to the bottle. It just established the show as, like, part of popular culture. -ALEX TREBEK: Kerry. -Who is Tupac? -Correct. -Coachella for 400. [audio fades] ROKER: So this was... It must have been, like, 2011 or something... long before Tyler came to play the show. He shows up with Odd Future crew. But they got Super Soakers with them. They just kind of roll on the field. Start walking around. I happen to be in the area. I had my camera. You know, I knew who they were. I didn't really know them. I started snapping some pictures. And, you know, this girl jumps up on Tyler, and he starts making out with her. WOMAN: No, Gina! Oh, my God! ROKER: It was just some random girl that just, like, kind of, jumps into his arms and kisses him. Oh, shit! Shut the fuck up! ROKER: And then he takes his Super Soaker out and sprays her and everybody else. And later on, I heard that Tyler got kicked out of the show. [laughs] Because I think they took the Super Soaker a little too far. Soaked a security officer, and found themselves ejected from the show. By that evening, though, they were back in. You saw the kids that were going to be the headliners through them. ♪ Turn that light ♪ ♪ Oh, turn that light ♪ ♪ Oh, turn that light ♪ ♪ Oh, turn that light ♪ ROKER: Young and confident and could say entitled, but colorful and fun and talented, irreverent at the same time. ♪ How much wood could a woodchuck chuck ♪ ♪ If a woodchuck could ever give a fuck? ♪ To see those artists now, it's the third, kind of, evolution. ♪ I get those goose bumps every time ♪ ♪♪ ♪ I get those goose bumps every time ♪ ♪ When you're not ♪ ROKER: I mean, I remember it just stood out to me when I was watching Travis Scott. Outdoor Theater. It was watching the fans and how into it they were. I remember talking to the stage manager and he said this is the biggest crowd he's seen at that stage, and he's been at that stage since Coachella One. [vocalizing, indistinct] That's probably been the bitterest pill to swallow for some of the old fans, because the artists are so young and they're coming with fashion, wealth, and with bravado, and this carefree aggression. I want to see the fuckin' rage, Coachella. [crowd roars] If you're not trying to mosh, if you're not trying to crowd surf, if you're not trying to lay it on the ground tonight, get the fuck out! -[crowd cheering] -I started to get that understanding, that chatter, and feel it from both people that worked the show and just, kind of, the-- the, kind of, perception in the air. It was like, "Damn, this is like the GV shows of the early '80s." ♪ My left stroke just went viral ♪ ♪ Right stroke put the baby in the spiral ♪ ♪ Soprano C, we like to keep it on the high note ♪ ♪ There's levels to it, you and I know ♪ ♪ Bitch, be humble ♪ ♪ Hold up, bitch, sit down ♪ ROKER: The misconception, the dismissal, the derision. -Coachella! -♪ Bitch, sit down ♪ ♪ Little bitch, be humble ♪ ROKER: All those things that are put at these performers is very similar to punk. -♪ Be humble ♪ -♪ Bitch ♪ Hip-hop has similar roots, but because it's black-rooted, you got a little bit more of that shit that goes with it, you know, when it's really angry. ♪ Holla, holla, holla ♪ ♪ I'm so fucking sick and tired of the Photoshop ♪ ♪ Show me something natural like afro on Richard Pryor ♪ ♪ Show me something natural like ass with some stretch marks ♪ In a way, when it comes to punk rock, there's, like, the form of punk rock and the function of punk rock. ♪♪ Let's go! ♪ One summer night I was drinking with my dad ♪ ♪ He tried to give me love that he never had ♪ MOBY: And, of course, the form is easy to identify. It's, like, shaved heads, loud guitars, white guys yelling really loud. ♪ Here it is, here I am ♪ ♪ Turn it up fucking loud ♪ ♪ Radio, radio, radio, radio, radio, radio ♪ ♪ When I got the music, I got a place to go ♪ And the function of punk rock is more... an independent questioning. [crowd cheering] MOBY: Clearly, Paul Tollett and the people at Goldenvoice come from punk rock... ...because the way they've always approached scheduling acts at Coachella it's very eclectic, very open-minded, but there's also this third part of punk rock which is a little provocation. ♪ Seasons change ♪ ♪♪ [continues] MOBY: And it's one of the things I love about the choice of bands and artists at Coachella. Sometimes you feel challenged by it. ♪ The seasons change ♪ ♪ But I've spent time trying to change ♪ It's just fascinating to see how things change. ♪♪ Things move so fast nowadays. What happened five years ago, ten years ago, maybe isn't today anymore. So what do you do? Do you stay with your original '99 type of music you were doing, or do you say it's 2018, let's go 2018... with a nod to the past? And so you kind of just go with both of it. ♪ And I've been waiting on you ♪ [crowd cheering] [whistle blowing] ♪♪ [drum line plays] TOLLETT: You had all these combinations in year one. There was hip-hop, there was indie, there was DJs. But in the beginning, we wouldn't have ever thought of booking a pop act. ♪♪ But as the years go by, all the dance music getting so big, and then hip-hop, and then pop not being a bad word among the indie rock people anymore. It just started feeling like this is something that Coachella really needs. ♪♪ ROKER: She's a woman on a mission. She came there with a script. ♪♪ Her performance was the state of the union for her, and she was gonna deliver it. ♪♪ Beyoncé could have played Madison Square Garden or Staples Center or any massive celebrated venue. That performance would not have been as important as Coachella. Thank you for allowing me to be the first black woman to headline Coachella. ROKER: You know, that was the beacon. ♪♪ VEE: I don't think anybody could have expected what we saw, but the moment she stepped out, you're just like, "Oh, my God." ♪ Crazy right now ♪ ♪ I look and stare so deep in your eyes ♪ ♪ I touch on you more and more every time ♪ ♪ When you leave, I'm begging you not to go ♪ ♪ Call your name two or three times in a row ♪ ♪ Such a funny thing for me to try to explain ♪ ♪ How I'm feeling and my pride is the one to blame ♪ ♪ I still don't understand ♪ ♪ Just how your love can do what no one else can ♪ TOLLETT: She had some big ideas, and she pulled them all off. Just people were-- Their minds were blown on so many levels. I feel fortunate that we were able to deliver everything she needed that story and that show told. ♪ Drop it ♪ ♪♪ ROKER: She was expressing artistry within the black community. But the timing of that was really phenomenal. She got pregnant. She couldn't play at 2017. Conversation shifted over that year. The election of Donald Trump. Me Too. [crowd chanting] It got even heavier. ♪ When I talk to my friends so quietly ♪ ♪ Who he think he is? ♪ ♪ Look at what you did to me ♪ ♪ Tennis shoes, don't even need to buy a new dress ♪ ♪ If you ain't there, ain't nobody else to impress ♪ TOLLETT: It's a rare artist that can bring that to the widest swath of people on the biggest stage with the biggest production. She's just one of those talents. ♪ Just how your love can do what no one else can ♪ WOMAN: The Internet buzzing about the one and only Beyoncé. Even this morning, Beychella is still top trending. The first time that an African-American woman headlined Coachella. She did more for recruitment of HBCUs in that performance, that's historically black colleges, than anybody could have done. That shit last night? Spectacular. WENDY WILLIAMS: She performed for nearly two hours and did five costume changes. And, yeah, and Jay-Z made an appearance. And Solange was there, and so was Destiny's Child. Beyoncé is the greatest performer of all time, living or dead. People are now saying that Beyoncé is a greater performer than Michael Jackson. [gasps] ♪♪ ROKER: That opened the door so wide. I mean, she is now the biggest performance Coachella's ever had. A black woman. [crowd cheering] That script could not have been conceived 15 years ago. ♪♪ ♪ Blackpink ♪ ♪ Oh, yeah, oh, yeah ♪ ♪ Blackpink ♪ ♪ Oh, yeah, oh, yeah ♪ NADESKA ALEXIS: Beyoncé's headlining performance really opened up the doors for a lot of people who maybe didn't think they would have a shot previously. You know what I mean? Now it feels like there's space for everyone. ♪♪ [vocalizing] We didn't expect anybody to even, you know, know our music or anything, but we came in, and everybody started screaming, "Blackpink in the area." -That's just blowing our mind. -Yeah. ♪♪ I love what you guys are doing. I love it so much. Nice to meet you. You're the best. Thank you so much. Congrats on being, like, the biggest female k-pop debut. Oh, my God. This is, like, the beginning. ♪♪ I'm excited, yeah. Well, I can't wait to hear the-- -[vocalizing] -Ah! ♪ Get you with that ♪ [vocalizing] ♪ Oh yeah, oh yeah ♪ ROKER: What's really exciting is different people are feeling they're represented at Coachella in a big way now. ♪ I like it like that ♪ ♪♪ [vocalizing] ♪♪ ALEXIS: More and more, we're gonna continue to see diversity. I want to practice my English with you, okay? ALEXIA: Really, it just is an incredible thing, and I can't even imagine five years from now, what the lineup and the crowds are gonna look like at Coachella. ♪♪ DIPLO: It's always been a festival for discovery anyway. So we're just reaching, sort of, a global cusp. I mean, every year, it's like-- It's a metamorphosis. Coachella make some noise! ROKER: The artists are evolving. The show and the community is evolving. The fact that it represents a more fuller picture of culture, like, that's the bottom line. That's what I'm most happy about when I see the lineup this year and recent years. [crowd cheering] ROKER: I think the sense of discovery on the music side is really where we are as a culture and how we ingest music. ♪ And you're quiet when ♪ ♪ The party's over ♪ ♪ Quiet when I'm coming home ♪ ♪ And I'm on my own ♪ ROKER: Beyond that, I think there's still a romance with, like, gathering at some field and having this, sort of, cultural connection. ♪ I could lie, say I like it like that ♪ ♪ I like it like that ♪ Hope for something amazing to happen. Could be romantic. It could be just hanging with your friends. and just having, kind of, like, that time, that great time. Festivals hold the promise of that. And so Coachella, for many people, I think, it's just like that beacon. It's part of their year where they know that all that is possible. ♪ Let me let you go ♪ I'm grateful for Coachella and everything that it's done for the festival culture in America. I'm sure eventually something would have took off, but not as rapidly as it did. and not the way it did, not without Coachella. ♪ I could lie and say I like it like that ♪ ♪ Like it like that ♪ [crowd cheers] Happy Coachella! Happy Coachella. Happy Coachella. LINDSTROM: I remember it seemed to get so big so fast. Every year that it's grown, I can't believe that we've had room to grow. I feel so, so lucky that I got to be involved in the project since it started and to still be involved. It's just striking when you compare '99 to 2019. ♪♪ LINDSTROM: I don't have kids, but I imagine that's what its like for a parent watching their kid grow and grow and grow, and getting so big, and you can't believe how big they've grown. Coachella, the festival, is like a person. It's like family, and it's off to college now. ♪♪ RIVERS CUOMO: When Weezer started, there was nothing like this. You always looked forward to going abroad to play the big festivals. That's where the legendary shows were. And now the biggest one is right here in Southern California. ♪♪ MAN: I come because I genuinely love music. I've done Coachella since 2007. So it's, like, 13 years. I've only skipped Weekend Two two times. Like, I can't not do Two at this point. I've seen more music in a few weekends here than I've seen in my entire life in other places. ♪♪ Yeah, I see acts here that I will never see at the other festivals all over. ♪♪ So Kanye had been confirmed for three or four months prior, and on January 1, we were having a production called Jason and I about Kanye's stage plans for the show. And he let us know that the stage we had didn't match up with what was in his head. We went back and forth a little bit. We realized we're not gonna be able to pull this off. ♪♪ And then about a month before the show, I get a call from Paul, and he says, "Kanye's back on." ♪ 'Cause you're the only power ♪ ♪ Power ♪ ♪ That can save this world ♪ ♪ Power ♪ Paul was out at his house in Indio, and he went out to a hill in camping and took a video to show Kanye's team a possible performance area. ♪ You're the only power ♪ ♪ Power ♪ TOLLETT: We get the first rendering from their team, and that's the game plan, it's moving along quite nicely. And then probably two weeks prior to the actual show, we get a second drawing sent over to us, and there's a second mountain on it. Their vision had changed. They wanted us collectively to build another mountain. ♪♪ The mountain that we're building is out in the middle of where all the campers are for Weekend One, so we have to wait for the show to be done and the campers to leave on Monday. And then come Tuesday, in comes 500 trucks of dirt. ♪♪ And then Friday, three semi-trucks of grass. ♪♪ Compact it, water it... and get ready to go. ♪ I never knew ♪ ♪ I could be so happy ♪ ♪ I never knew ♪ When the choir and everyone started singing, the whole crowd just... was in shock of, like, what they were experiencing. And then it continued with the dancers sprinkled throughout. ♪♪ There were so many different elements of, "Look over here, look over there. "Oh, my gosh, who's that? Who's that? Who's that?" ♪♪ Kanye was not front and center. His team was very particular about wanting to make sure that it was not about him. ♪♪ WHITMORE: It was about the choir. It was about the music. It was about the songs and the experience of what Sunday service was. ♪♪ Which is literally my childhood every Sunday. MAN: Come on, Coachella, put your hands together! WHITMORE: Going to church and singing spiritual hymns. -♪ I never knew ♪ -♪ I never knew ♪ ♪ Oh, I could be so happy ♪ I don't think anyone understood the full magnitude of what was going to take place. But to have it on that scale, it was just a very, very magical and powerful experience. ♪ Brighter day, brighter day ♪ ♪ Brighter day ♪ [cheering] TOLLETT: Last year, I was in Indio, and I get a call from a friend that says you have to go watch Black Panther right now. So I told him, "I'll catch it someday." He says, "No, you have to go right now." So I go to a local theater and I watch it, thinking all the way through the movie, "Why did he tell me to see it?" Then right at the end of the movie, they mention Coachella. When you said you would take me to California for the first time, I thought you meant Coachella or Disneyland. They mentioned Coachella in the same sentence as Disneyland. And I'm like, "Wow, that's heavy." Now we just don't wanna make a mistake for the people that like the show. And that changes. Who likes the show changes. In the beginning, I thought people would go forever. I didn't realize there would be a whole new set of people who went and loved the show. I didn't realize there'd be new styles of music, new sounds. So the show has to keep up. ♪♪ TOVAR: When I started doing concerts, it was a gathering of people enjoying music and having a good time. And then that's what they carried on. That's what Coachella's about. ♪♪ TOLLETT: Rene started going to the Glass House when he was 14, and started promoting shows here. and I just have always liked the music that he likes. So when I thought I needed a new tent with a new outlook, he was the obvious choice. CONTRERAS: I was in econ class in school, and, uh, I get a text. And Paul was like, "Can you come to the office?" I was like, "I'm in class, dude. I can't go to the office right now." And, uh, he waited for me. I-- I got there, and he-- he pitched the idea of starting a new stage at Coachella. To have a space for not just, like, the bigger established musician, but also for, like, the up and coming artist. Sonora represents who I am and how I grew up, but in a way also how-- how Gary and-- and Paul-- Paul T-- how they were brought up, and how the company sprouted. I feel like that's the beauty of it, like, back to the roots. [laughter] -Two minutes. -All right. Yeah. Later. ♪♪ [buzzing] [buzzing] Much like a kazoo. It's Coachella, baby. ♪♪ [crowd cheering] Coachella! [crowd cheers] I am here! Prince was always on the list, but seemed impossible. He never played any of these things. Brett met with him, talked everything out, he had me come back to the house, bring my artist, uh, to make the poster. We talked money, talked everything. I said to him, "Look, are we done? Are we confirmed?" And he said, "No. I'm not playing Coachella. Why would I play Coachella?" When they asked me to come work this place, I said I can't come work no place. [crowd cheers] TOLLETT: I was sad. I thought I had it. And, uh, three weeks before the show, he calls out of the blue. He says, "Do I have to split the money if I put the Coachella logo and the Prince symbol together?" I said, "Are you playing Coachella?" And he says, "Yeah, Saturday night." Like, we'd been on sale-- Like, we were three weeks before the show. And I'm like, "Okay." I will come to party. Is that all right with y'all? [crowd cheering] In the spirit of that, you're in the coolest place on earth right now. ♪ If you don't like ♪ ♪ The world you're living in ♪ ♪ Take a look around ♪ ♪ At least you got friends ♪ ♪ Called my old lady ♪ ♪ For a friendly word ♪ ♪ Picked up the phone dropped it on the floor ♪ ♪ Ah, ah, was all I heard ♪ ♪ Are we gonna let the elevator bring us down? ♪ ♪ Oh, no, let's go ♪ ♪ Let's go crazy ♪ ♪ Let's get nuts ♪ ♪ Look for the purple banana ♪ ♪ Till they put us in the truck ♪ ♪ Let's go ♪ Coachella! Y'all wanna be crazy one more time? Somebody! ♪♪ ♪ Let's go crazy ♪ ♪ Are we gonna let the elevator bring us down? ♪ ♪ Oh, no, let's go ♪ Somebody say "Go crazy!" CROWD: Go crazy! PRINCE: Say go, go, go! Go, go, go! ♪ Are we gonna let the elevator bring us down? ♪ ♪ Oh, no, let's go ♪ Thank you, Coachella! ♪♪ [ends] [crowd roars]
{ "pile_set_name": "YoutubeSubtitles" }
English: Capitalism, socialism and communism are all political and economic models. In capitalist societies, products and services are provided by the individual. These individuals employ workers and are allowed to keep the profit from the excess production the workers create. This system incentivises individuals to come up with ways of generating wealth for themselves. Competition between rival businesses occurs naturally, this leads to more productivity which in turn generates wealth and advancement for the rest of society. Karl Marx - a German Philosopher - identified that the capitalist model created a sharp divide between the wealthiest citizens and the poorest. He felt the system exploited the worker and he promoted the socialist model which he hoped would later develop into communism. Spanish: El capitalismo, el socialismo y el comunismo son todos modelos políticos y económicos. En las sociedades capitalistas, los productos y servicios son proporcionados por el individuo. Estas personas emplean trabajadores y se les permite conservar las ganancias del exceso de producción. Los trabajadores crean. Este sistema incentiva a los individuos a encontrar formas de generar riqueza para ellos mismos. La competencia entre negocios rivales ocurre naturalmente, esto lleva a una mayor productividad que a su vez genera riqueza y avance para el resto de la sociedad. Karl Marx, un filósofo alemán, identificó que el modelo capitalista creó un fuerte dividir entre los ciudadanos más ricos y los más pobres. Sintió que el sistema explotaba al trabajador y promovió el modelo socialista que esperaba luego se convertiría en comunismo. Modern Greek (1453-): Ο καπιταλισμός, ο σοσιαλισμός και κομμουνισμός είναι και τα τρία πολιτικά και οικονομικά μοντέλα. Στις καπιταλιστικές κοινωνίες, τα προϊόντα και οι υπηρεσίες παρέχονται από το κάθε άτομο μεμονωμένα. Αυτά τα άτομα απασχολούν εργαζόμενους και μετά κρατούν το κέρδος από την επιπλέον παραγωγή που οι εργαζόμενοι δημιουργούν. Αυτό το σύστημα ενθαρρύνει τα άτομα να βρουν τρόπους να δημιουργήσουν πλούτο για τον εαυτό τους. Έτσι, ο ανταγωνισμός μεταξύ επιχειρήσεων αποτελεί ένα "φυσικό" γεγονός που τελικά οδηγεί σε μεγαλύτερη παραγωγικότητα η οποία με τη σειρά της δημιουργεί πλούτο και πρόοδο για την υπόλοιπη κοινωνία. Ο Karl Marx - ένας Γερμανός φιλόσοφος - αναγνώρισε ότι το καπιταλιστικό σύστημα δημιούργησε μια τεράστια διαφορά ανάμεσα στους πλουσιότερους και τους φτωχότερους πολίτες. Ένιωθε ότι το σύστημα εκμεταλλευόταν τον εργαζόμενο και προώθησε το σοσιαλιστικό μοντέλο που ήλπιζε ότι αργότερα θα οδηγούσε στον κομμουνισμό. English: In socialist societies it is the government who own and operate the means for production, i.e land, natural resources, factories etc. The citizens earn a wage but only receive what they need. The aim of the game is equality between all people and the elimination of social classes. Marx envisioned that a successful socialist model would morph into communism. In communism it is the working class who own everything and what the collective produces as a whole is shared out according to need. When socialist models are applied in countries some fundamental issues with the system come to light. As socialism does not reward the individual to produce more than anyone else there is no incentive to think outside the box and find ways of creating more production and therefore more wealth. Modern Greek (1453-): Στις σοσιαλιστικές κοινωνίες είναι η κυβέρνηση που κατέχει και λειτουργεί τα μέσα παραγωγής, πχ. γη, φυσικούς πόρους, εργοστάσια κλπ. Οι πολίτες κερδίζουν μισθό αλλά λαμβάνουν μόνο ό,τι χρειάζονται. Στόχος του συγκεκριμένου "συστήματος" είναι η ισότητα μεταξύ όλων των ανθρώπων και η εξάλειψη των κοινωνικών τάξεων. Ο Μαρξ οραματίστηκε ότι ένα επιτυχημένο σοσιαλιστικό μοντέλο θα μεταμορφωνόταν αργότερα σε κομμουνισμό. Στον κομμουνισμό είναι η εργατική τάξη που κατέχει τα πάντα και αυτά που παράγουν συνολικά οι πολίτες μοιράζεται ανάλογα με τις ανάγκες. Όταν εφαρμόστηκαν τα σοσιαλιστικά μοντέλα σε κάποιες χώρες, εμφανίστηκαν διάφορα ζητήματα . Καθώς ο σοσιαλισμός δεν ανταμείβει το άτομο να παράγει περισσότερο από οποιονδήποτε άλλο (ανταγωνισμός) , δεν υπάρχει κανένα κίνητρο για να χρησιμοποιεί κανείς το μυαλό του προκειμένου να βρει τρόπους να δημιουργήσει περισσότερη παραγωγή και άρα περισσότερο πλούτο. Spanish: En las sociedades socialistas es el gobierno quien posee y opera los medios de producción, es decir, tierra, recursos naturales, fábricas, etc. Los ciudadanos ganan un salario pero solo reciben lo que necesitan. El objetivo del juego es la igualdad entre todas las personas y la eliminación de las clases sociales. Marx imaginó que un modelo socialista exitoso se transformaría en comunismo. En el comunismo, es la clase trabajadora la que posee todo y lo que el colectivo produce en su conjunto. se reparte según necesidad. Cuando los modelos socialistas se aplican en los países. Algunos problemas fundamentales con el sistema salen a la luz. Como el socialismo no recompensa al individuo para que produzca más que nadie no hay incentivo para pensar fuera de la caja y encontrar formas de crear más producción y Por lo tanto, más riqueza. Modern Greek (1453-): Αυτό στη συνέχεια οδηγεί σε χαμηλή παραγωγή που στη συνέχεια δημιουργεί μαζική φτώχεια. Καμία χώρα δεν έχει αναπτυχθεί ποτέ σαν κομμουνιστική χώρα (υπό την αυστηρή έννοια του τι σημαίνει ο κομμουνισμός). Οι χώρες που έχουν υιοθετήσει τον σοσιαλισμό παρατήρησαν υψηλά ποσοστά διαφθοράς σε ανθρώπους που βρίσκονταν στην εξουσία εκμεταλλευόμενοι τις θέσεις τους. Αντί να εργάζονται προς μια κοινωνία όπου να μην χρειάζεται η εξουσία, αντιθέτως εργάζονταν για να την εδραιώσουν. Ωστόσο, υπάρχουν χώρες που έχουν γνωρίσει την επιτυχία συνδυάζοντας τόσο τα καπιταλιστικά όσο και τα σοσιαλιστικά ιδανικά. Για παράδειγμα, οι χώρες της Βόρειας Ευρώπης ανταμείβουν το άτομο για την υπερβολική παραγωγή, αλλά ένα αυστηρό σύστημα φορολογίας βοηθά στην αναδιανομή του πλούτου μεταξύ των πολιτών έτσι ακόμα κι αν δεν είναι όλοι ίσοι, να υπάρχει ένα ορισμένο βιοτικό επίπεδο με βάση το οποίο όλοι οι πολίτες θα περνούν καλά και οι κοινωνικές ανισότητες δεν θα είναι τόσο μεγάλες. Και αυτό με λίγα λόγια είναι ο καπιταλισμός, ο σοσιαλισμός και ο κομμουνισμός. Όπως πάντα, το περιεχόμενο σε αυτό το βίντεο αποτελεί μια απλοποιημένη εξήγηση, σχεδιασμένη έτσι ώστε να αποτελέσει εφαλτήριο για περαιτέρω μελέτη. English: This then leads to low production which then creates mass poverty. No country has ever developed into a communist country in the strict sense of what communism means. Countries which have adopted socialism has seen rampant corruption with people in power abusing their positions. Instead of working toward a society where they can give up their power they instead work to consolidate it. However there are countries who have seen success combining both capitalist and socialist ideals. For example Northern European countries reward the individual for excess production but a heavy system of taxation helps redistribute wealth amongst the collective so even though everyone may not be equal there is a certain standard of living that all citizens will enjoy and social and class differences are not so extreme. And that in a nutshell is capitalism, socialism and communism explained. As always this is a simplified explanation, designed to be a springboard for further study. Spanish: Esto lleva a una baja producción que luego crea pobreza masiva. Ningún país se ha convertido en un país comunista en el sentido estricto de lo que significa el comunismo. Los países que han adoptado el socialismo han visto una corrupción rampante con las personas en el poder. abusando de sus posiciones. En lugar de trabajar hacia una sociedad donde puedan renunciar a su en su lugar trabajan para consolidarlo. Sin embargo, hay países que han tenido éxito combinando ideales capitalistas y socialistas. Por ejemplo, los países del norte de Europa recompensan al individuo por el exceso de producción, pero El pesado sistema de impuestos ayuda a redistribuir la riqueza entre el colectivo, aunque puede que no todos sean iguales, existe un cierto nivel de vida que todos los ciudadanos tendrán disfrutar y las diferencias sociales y de clase no son tan extremas. Y en pocas palabras se explica el capitalismo, el socialismo y el comunismo. Como siempre, esta es una explicación simplificada, diseñada para ser un trampolín para futuros estudios. Modern Greek (1453-): English: I hope enjoyed this video and remember to subscribe to LondonCityGirl for more interesting and educational videos from me. Spanish: Espero que hayan disfrutado este video y recuerden suscribirme a LondonCityGirl para más interesantes y videos educativos de mi parte.
{ "pile_set_name": "YoutubeSubtitles" }
English: One of the things that separates confident from diffident people is their approach to history. Broadly-speaking, the unconfident believe that history is over; the confident trust that it's still in the process of being made – one day possibly by themselves. The way we enter the world carries with it an inherent bias towards an impression that change has finished, and history has been settled. Everything around us conspires to give off a sense that the status quo is is entrenched. We're surrounded by big people who follow traditions that have been in place for decades, perhaps centuries. The house we live in appears as immutable as an ancient temple; the school we go to looks as though it has been performing the same rituals since the earth began. We're constantly told why things are the way they are and encouraged to accept that reality is not made according to our wishes. Turkish: Çeviri: Cansu Sarı Kendine güvenenleri diğer insanlardan ayıran şeylerden biri, onların tarihe olan yaklaşımlarıdır. Genellikle, kendine güveni olmayan tarihin geride kaldığına inanırken kendinden emin olan tarihin halen yazılmakta olduğunu, bir gün muhtemelen kendisi tarafından yazılacağına inanır. Dünyaya gelme şeklimiz, değişimin bittiğine dair bir izlenime yönelik doğal bir ön yargıyı beraberinde getirir, ve tarih sona erdirilir. Çevremizdeki her şey, statükonun yerleşmiş olduğu yönünde bir izahat vermek için çalışır. Onlarca hatta yüzyıllarca yıldır süregelen gelenekleri takip eden büyük insanlarla çevrelendik. Yaşadığımız ev, antik bir tapınak kadar sabit; gittiğimiz okul dünyanın başlangıcından beri aynı ritüelleri uyguluyormuş gibi görünüyor. Bizlere sürekli neden her şey olması gerektiği gibi olduğu anlatılıyor ve gerçekliğin, isteklerimize göre şekillenemeyeceğini kabul etmemiz teşvik ediliyor. Chinese: 可以用人看待歷史的方式區別有自信和心虛的人 廣義來說,沒自信的人認為歷史已結束 有自信者相信歷史還在進行,而有一天是由自己創造 我們進入世界的方式暗示的改變的過程似乎結束 歷史發展也已停止 周圍的每件事都使我們認為現在的狀態已定 周遭的大老們已經遵守著幾十、幾百年的傳統 我們居住的地方感覺像是古老廟宇一樣悠遠 學校感覺在地球開始之初就已經一貫運作 我們不斷被教導為什麼事情是這個樣子 並被鼓勵相信現實不是我們想怎樣就怎樣 Arabic: أحد أهم الفروق بين الأشخاص الواثقين بأنفسهم وغير الواثقين يكمن في تعاطيهم مع التاريخ. بشكلٍ عام، يعتقد الأشخاص غير الواثقين بأن التاريخ انتهى، بينما يكون الواثقون على يقين بأن التاريخ لا يزال طور الصنع ربما، على أيديهم يومًا ما. تحمل الطريقة التي ندخل بها إلى هذا العالم ميلاً فطرياً للاعتقاد بعدم إمكانية التغيير وأن التاريخ قد اكتمل. يتآمر كل ما حولنا ليوحي لنا بأن الوضع الراهن عصيٌ على التغيير، فنحن محاطون بأشخاصٍ كبار يتّبِعون تقاليداً تعود إلى عقودٍ من الزمن أو بالآحرى قروناً. يبدو لنا المنزل الذي نعيش فيه راسخاً كمعبدٍ عتيق، وتبدو المدرسة التي نرتادها وكأنها تقيم نفس الطقوس منذ بدأ الوجود. وبشكلٍ مستمر، نتعلم لماذا تكون الأشياء كما تبدو لنا، ونُدعى لتقبل أن ما يحدث بالواقع قد يتعارض مع رغباتنا، Japanese: 自信のある人とそうでない人、その違いの一つは、歴史に対しての考えだ。 おおまかに言うと、自信の無い人は、歴史はもう終わっていると思っている 自信のある人は、現在も歴史は作られ続けていると考え、 もしかするとそれは自分自身によってかもしれないとも考える。 多くの人は物心がつく頃には、この世界の変化というのはもう終わった事であるという印象を持ち、歴史というのはもう確立したものと考える。 身の回りのもの全てが、現状はもう固定したものだと訴える 何十年、何世紀もの伝統を守り続ける偉大な人々に囲まれ、 私たちの住む家は太古の寺院のように変化に乏しい。 学校で教わる内容はまるで地球が始まった時から同じ儀式を繰り返しているかのようだ 私たちは、物事の成り様を繰り返し教えられ、現実は私たちの思う通りに作られないという事実を受け入れるように強いられる。 Finnish: Eräs itsevarmat epävarmoista ihmisistä erottava tekijä on heidän suhtautumisensa historiaan. Yleisesti ottaen, epävarmat uskovat historian päättyneen. Itsevarmat luottavat, että sen teko on yhä kesken ja että kenties kerran heistä on sen tekijöiksi. Maailmaantulotapamme sisältää sisäänrakennetun vaikutelman, että muutos olisi jo päättynyt ja historia olisi jo tullut valmiiksi. On kuin kaikki ympärillämme oleva puoltaisi vallitsevan olosuhteen lopullisuutta. Olemme vuosikymmenien ja jopa vuosisatojen perinteitä noudattavien aikuisten ympäröiminä. Asuintalomme vaikuttaa yhtä muuttumattomalta kuin muinainen temppeli. Käymämme koulu näyttää kuin siellä olisi suoritettu samoja rituaaleja aikojen alusta asti. Meille kerrotaan jatkuvasti miksi asiat ovat kuin ovat ja meitä kannustetaan hyväksymään, ettei todellisuus noudata toiveitamme. Spanish: Una de las cosas que separa a las personas seguras de las inseguras es cómo enfocan la historia. En términos generales, quienes no se tienen confianza tienden a creer que la historia ya se acabó. Los que confían en sí mismos confían que la historia todavía se está escribiendo, y un día, posiblemente, la escriban ellos. La forma en que entramos al mundo conlleva una visión parcial inherente: que el cambio ha terminado y la historia ya se ha reposado. Todo a nuestro alrededor conspira para que tengamos esta sensación de que el status quo está estancado. Estamos rodeados por personas grandes que siguen tradiciones que llevan décadas, y tal vez siglos, establecidas. La casa en que vivimos se ve inmutable como un antiguo templo. La escuela a la que asistimos parece seguir haciendo los mismos rituales desde que el mundo es mundo. Se nos dice constantemente porqué las cosas son como son y se nos alienta a aceptar que la realidad no está hecha según nuestros deseos. French: Une chose séparant les personnes confiantes des personnes timides est leur approche à l'hisoire. Généralement, les personnes manquant de confiance pensent que l'histoire est terminée. Les confiants pensent qu'elle est toujours en cours de réalisation, ce qui un jour en tiendra possiblement à eux-mêmes. La manière dont on vient au monde déterminera ce parti pris que le changement est terminé et l'histoire établie. Tout ce qui nous entoure cherche à nous persuader que le statu quo est entranché. On est entouré de personnes qui suivent de vieilles voir d'anciennes traditions. La maison dans laquelle on vit semble aussi immuable qu'un temple sacré; l'école qu'on fréquente semble avoir procédé au même rituels depuis la nuit des temps. On nous explique constamment pourquoi les choses sont de la sorte et encouragés à accepter que la réalité n'est pas en accord avec nos désirs. Vietnamese: Một trong những điều mà tách biệt sự tự tin của những con người khác nhau là cách tiếp cận của họ đối với lịch sử. Nói theo nghĩa rộng, những người không tự tin tin rằng lịch sử đã kết thúc, Niềm tin tự tin mà vẫn đang trong quá trình thực hiện - một ngày tự có thể hiện hữu. Cái cách mà chúng ta bước vào thế giới mang theo cùng với một sự thiên vị vốn có hướng tới một ấn tượng rằng sự thay đổi đã kết thúc, và lịch sử đã được ổn định. Mọi thứ xung quanh chúng ta âm mưu để cho ra một cảm giác rằng hiện trạng đã được bảo vệ. Chúng ta bị bao quanh bởi những người to lớn, những người mà theo tuyền thống được áp dụng từ nhiều thập kỷ qua, có lẽ là hàng thế kỷ. Căn nhà chúng ta sống xuất hiện đủ bất biến như một ngôi đền cổ; trường học chúng ta đến trông như thể nó đã được thực hiện các nghi lẽ tương tự kể từu khi trái đất bắt đầu. Chúng ta liên tục nói với mọi người về những điều họ đang có và khuyến khích chấp nhận rằng thực tế không phải là thực hiện theo mong muốn của chúng ta. Malay (macrolanguage): Salah satu perkara yang memisahkan orang yakin dan orang yang tidak ambil peduli ialah pendekatan mereka akan sejarah. Secara umumnya, orang yang tidak peduli menganggap bahawa sejarah telah berakhir. Orang yang yakin percaya bahawa sejarah masih sedang dicipta. Mungkin pada suatu hari, oleh diri mereka sendiri. Kaedah kita sampai ke dunia ini, membawa bias tersirat dengan anggapan bahawa perubahan telah tamat. Dan Sejarah telah menjadi malar. Semua perkara di sekeliling kita 'bekerjasama' memberi tanggapan bahawa semuanya telah termeterai. Kita dikelilingi orang-orang tua yang mengikuti tradisi yang telah diwarisi untuk berdekad, mungkin berkurun lamanya. Rumah yang kita diami, nampak tidak terubahkan seperti sebuah kuil purba. Sekolah yang kita hadiri, seperti mengamalkan ritual yang sama semenjak Bumi bermula! Kita sentiasa diberitahu kenapa sesuatu terjadi seperti itu dan diajar untuk menerima bahawa realiti tidak dicipta menurut kehendak kita. Portuguese: Uma das coisas que separa as pessoas inseguras das confiantes é a sua abordagem para a história. De maneira geral, o inseguro acredita que a história acabou o confiante acredita que ela está em processo de construção - possivelmente, por si mesmo. A forma como somos inseridos no mundo traz um viés inerente de que a mudança tenha terminado, e história já tenha sido construída Tudo à nossa volta conspira para nos dar a sensação de que o status quo já é algo enraizado Estamos cercados por pessoas que seguem tradições que estão em vigor há décadas, talvez séculos. A casa em que vivemos parece tão imutável como um antigo templo; a escola que vamos parece que vem realizando os mesmos rituais desde que a terra começou. Escutamos com frequência porque as coisas são do jeito que são e encorajados a aceitar que a realidade não é feita de acordo com nossos desejos. Spanish: Una de las cosas que separa a las personas seguras de las inseguras, es su manera de abordar la historia. De manera general, las personas inseguras creen que la historia ha terminado. Las personas seguras creen que aún está en proceso de ser creada, algún día, incluso, por ellos mismos. La manera en la que entramos en el mundo conlleva un prejuicio inherente: la impresión de que el cambio ha terminado. y la historia se ha asentado. Todo lo que nos rodea conspira para darnos la sensación de que el status quo está firmemente establecido. Estamos rodeados por grandes personas, que siguen tradiciones que han estado allí por décadas, incluso siglos. La casa en la que vivimos nos parece tan inmutable como un templo antiguo; la escuela a la que asistimos se ve como si hubiese estado representando los mismos rituales desde el principio de la Tierra. Constantemente nos dicen por qué las cosas son como son y nos animan a aceptar que la realidad no está hecha de acuerdo a nuestros deseos. Indonesian: Salah satu hal yang membedakan orang yang percaya diri dan tidak adalah tanggapan mereka terhadap sejarah pada umumnya bagi mereka yang tidak percaya diri menganggap sejarah telah selesai bagi yang percaya diri mengerti bahwa prosesnya sedang dibuat - suatu saat mungkin oleh mereka sendiri Saat kita hadir di dunia membawa bias atas impresi bahwa perubahan telah selesai dan sejarah telah berlalu segala hal di sekeliling kita berpadu untuk memberi kesan bahwa kita telah memasuki status quo kita dikelilingi oleh tokoh besar yang mengikuti tradisi yang telah dilakukan selama beberapa dekade, mungkin abad Rumah yang kita tinggali terlihat kokoh bagai sebuah kuil kuno; Sekolah yang kita hadiri juga tentu terlihat melakukan kegiatan yang sama sejak bumi dibentuk kita memang sudah dijelaskan tentang kenapa semua harus begini semestinya dan diajarkan untuk menerima bahwa kenyataan tidak akan mengikuti keinginan kita Spanish: Llegamos a confiar que los seres humanos ciertamente han colmado el abanico de lo posible. Si algo no ha pasado es porque no puede pasar o porque no debería pasar. El resultado puede ser un profundo cansancio al imaginar si se puede cambiar el mundo. No tiene sentido empezar un nuevo negocio, el mercado ya debe estar saturado. O ser pionero de una nueva forma de comprender el arte, todo ya se ha dicho según un patrón establecido. O comprometerse con una idea nueva, ya existe o es desquiciada. Cuando estudiamos la historia en una cierta forma, sin embargo, el panorama cambia radicalmente. Una vez que se acelera el tiempo y subimos una montaña de minutos y revisamos siglos, el cambio se hace constante de forma evidente. Se descubren nuevos continentes, se usan por primera vez métodos alternativos para gobernar naciones, se transforman las ideas sobre qué vestir y a quién adorar. Una vez las personas usaban extraños abrigos y trabajaban la tierra con instrumentos torpes. Hace mucho tiempo le cortaron la cabeza a un rey. Hace mucho tiempo atrás la gente se movilizaba en barcos frágiles, comían los ojos de las ovejas, usaban bacinicas y no sabían cómo arreglar dientes. Chinese: 我們相信人類已經把可能的事情都做過 沒發生的事情不是因為它不可能,就是因為不應該發生 這都導致想像改變世界看來如此困難 幹嘛創業呢 市場一定早就飽和了 在人文領域創立新模式? 每件事都已經成形啦 或是實踐一個新想法 肯定有人想過或點子太瘋狂 但當我們研讀歷史,一切都會改觀 時間加速之後,仔細衡量每個世紀,改變變成常態 新大陸被發現,新統治制度被實施 如何打扮和該崇拜誰都在轉變 以前人們穿著奇怪的斗篷並用看似奇怪的工具耕種 很久以前,他們把國王的頭砍斷 以前,人們乘著破船出海 靠羊眼睛維生、使用便壺還不知道怎麼補牙 Vietnamese: Chúng ta tin tưởng rằng con người đã vẽ nên bản đồ đầy đủ phạm nhất vi có thể. Nếu điều gì đó không xảy ra, đó là vì chúng không thể xảy ra hay không nên xảy ra. Kết quả có thể là một sự cảnh giác sâu sắc xung quanh sự tưởng tượng thay đổi thế giới. Không có điểm bắt đầu một doanh nghiệp mới (thị trường đã phải đầy rồi) tiên phong một cách tiếp cận mới đối với nghệ thuật (mọi thứ đã được sắp đặt trong một hình mẫu cố định) hay mang sự trung thành với một ý tưởng mới (nó cũng đã tồn tại hoặc là dở hơi). Khi chúng ta học lịch sử theo một cách nhất định, hình ảnh thay đổi rõ ràng. Một khi thời gian được tăng tốc và chúng ta leo lên một ngọn núi vài phút, và khảo sát hàng thế kỷ, sự thay đổi xuất hiện không đổi. Những nội dung mới được khám phá, thau thế những cách quản lý quốc gia đã được tiên phong, những ý kiến về cách ăn mặc như thế nào và người được tôn thờ bị biến đổi. Một khi người ta mặc những cái áo choàng lạ và cấy đất bằng những dụng cụ vụng về. Một thời gian dài trước đây, họ chém đầu của nhà vua. Quay trở lại, người dân xung quanh trên những con tàu mỏng manh, ăn mắt cừu, dùng những cái chậu lớn và không biết làm thế nào để sửa răng. French: On en vient à croire que les hommes ont cartographié l'ensemble du possible. Si quelquechose ne s'est jamais encore produit, c'est soit parce que ça ne peut pas, soit que ça ne doit pas se produire. Il en résulte une profonde méfiance de tout changement du monde. Quel intérêt de commencer une nouvelle entreprise (le marché est déjà saturé), être pionnier d'une nouvelle approche aux arts (tout est déjà fixé dans un certain modèle) ou donner sa chance à une nouvelle idée (si elle n'est pas déjà en pratique c'est qu'elle est folle). Or, en étudiant l'histoire d'une autre manière, le tableau change considérablement. En prenant de la distance du temps à l'échelle humaine pour adopter une perspective des siècles, le changement semble constant. On découvre de nouveaux continents, des nouvelles manières de gouverner, de s'habiller, à qui prier se transforment. Il était un temps où les gens portaient d'étranges capes et labouraient la terre avec des instruments incommodes. Il y a très longtemps, ils coupèrent la tête du roi. D'antan, on voyageait dans de fragiles bateaux, mangeait des yeux de moutons, utilisait des pots de chambres et on ne savait pas comment arranger les dents. Japanese: 人類はあらゆる可能性を図り切ったと信じ、 まだ起こっていない現象があれば、そんな可能性など無いか、あるいは起こるべきで無いからと考える。 その結果、世界を変えようと思いを馳せるなど非常に疲れるだけになってしまった。 経済市場はすでに一杯なのだから起業など考える意味が無い。 すでに決まったルールがあるのに、新しい芸術への挑戦などしない。 新しい発想に真摯に向き合ったって、どうせすでにどこかに存在するか、ただの狂気かだ。 ところが、歴史の勉強の仕方を少し変えると、そういった味方がコロっと変わる。 ひとたび時間のスピードを速め、分秒の山を登って何世紀をも見渡すと、変化は常に存在していた。 新しい大陸が発見され、国家の統治方法は開拓されていき 服の着方や崇拝するものも形を変えていく その昔人々はおかしな服を着て 、使い勝手の悪い器具で大地を耕していた。 そのまた昔には、彼らは王様の首をちょん切ったりもした。もっと昔には、頼りない船でおそるおそる旅をし、 羊の目玉を食べたり、寝室用便器などを設け、虫歯の治し方など知りもしなかった。 English: We come to trust that human beings have fully mapped the range of the possible. If something hasn’t happened, it’s either because it can’t happen – or it shouldn’t. The result can be a deep wariness around imagining changing the world. There's no point starting a new business (the market must be full already) pioneering a new approach to the arts (everything is already set in a fixed pattern) or giving loyalty to a new idea (it either exists or is mad). When we study history in a certain way, however, the picture changes sharply. Once time is speeded up and we climb up a mountain of minutes, and survey the centuries, change appears constant. New continents are discovered, alternative ways of governing nations are pioneered, ideas of how to dress and whom to worship are transformed. Once people wore strange cloaks and tilled the land with clumsy instruments. A long time ago, they chopped the king’s head off. Way back, people got around in fragile ships, ate the eyeballs of sheep, used chamber pots and didn’t know how to fix teeth. Turkish: İnsanoğlunun olasılık aralığında tamamen eşlenmiş olduğuna bel bağladık. Eğer bir şey gerçekleşmezse, bu ya mümkün olmadığından ya da olmaması gerektiğinden kaynaklanır. Sonuç, dünyayı değiştirmenin hayal edilmesi etrafında derin bir uyanıklık olabilir. Yeni bir işe başlamanın hiç bir anlamı yok (piyasa çoktan dolmuştur) sanata yeni bir yaklaşıma öncülük etmenin (her şey zaten sabit bir biçimde desenlenmiştir) ya da yeni bir fikre bağlılık duymanın (ya çoktan vardır ya da delicedir). Ancak, tarihi belirli bir şekilde incelediğimizde, resim keskin bir şekilde değişir. Bir defaya mahsus zaman hızlansa ve biz birkaç dakikada bir dağa çıkıp yüzyılları incelersek, değişim sürekli olarak görünürdü. Yeni kıtalar keşfedilir, yönetim uluslarına alternatif yollar öncülük eder, nasıl giyinilmesi ve kime tapınılması düşüncesi dönüşüm geçirirdi. Önceden insanlar garip pelerinler giyer ve toprağı biçimsiz aletlerle işlerlerdi. Uzun zaman önce, kralın kellesini uçururlardı. Eskiden, insanlar sağlam olmayan gemilerle dolaşıp, kuzuların göz bebeklerini mideye indirip, lazımlık kullanıp, dişlerin nasıl düzeltileceğini bilmiyorlardı. Spanish: Llegamos a creer que los humanos han cubierto todo el espectro de las posibilidades. Si algo no ha sucedido aún, debe ser porque no puede suceder, o porque no debería. El resultado puede ser un profundo cansancio ante la posibilidad de imaginar cómo de cambiar el mundo. No tiene sentido empezar un nuevo negocio. (el mercado ya debe estar saturado). Emprender un nuevo enfoque de las artes (todo ya se ha asentado en un patrón definido) o darle nuestra lealtad a una nueva idea (o existe ya, o es una locura). Aún así, cuando estudiamos la historia de cierta manera, el panorama cambia de inmediato. Una vez que el tiempo se acelera; y subimos sobre una montaña de minutos; y estudiamos detalladamente los siglos: el cambio se nos devela constante Nuevos continentes son descubiertos, maneras alternativas de gobernar naciones son exploradas ideas sobre cómo vestirnos y a quién rendimos culto son transformadas. Alguna vez las personas utilizaron extrañas capas y araron la tierra con instrumentos torpes. Hace mucho tiempo, cortaron la cabeza de un rey. Más atrás, las personas se movían en barcos frágiles comían ojos de ovejas, usaban orinales y no sabían como arreglar los dientes. Arabic: فنميل للتصديق بأن البشر قد رسموا خريطةً مكتملةً لتحديد المستحيل واللامستحيل. إن لم يحدث أمرٌ ما، فإما لأنه غير ممكن، أو لأنه لا يجب حدوثه. سيقودنا هذا الاعتقاد إلى ضجرٍ مفرط عندما نتخيل إمكانية تغيير العالم فنقول: لا فائدة من البدء بمشروع تجاري. (فلا بدّ أن السوق ممتلئ بالفعل بالمتنافسين) يمكنني ابتكار منهاج جديد للفن. (ولكن كل شيء محدد في نمطٍ ثابت) يمكنني تبني فكرةٍ جديدة. (لكنها ستبدو موجودة من قبل أو مجنونة) عندما ندرس التاريخ بشكل معين، تتغير الصورة بحدة لوهلة، ومن ثم تسرع أكثر فكأننا متسلقين جبلاً من الدقائق لنستكشف القرون، فيظهر لنا التغيير كأمرٍ مستمر. اُكتشِفت قارات جديدة، وابتكار طرقٍ بديلة لحكم الأمم، وحدثت تحولات لطرق اللِبس، ومستحقي العبادة. في زمنٍ ما، كان الناس يلبسون ثياباً غريبة ويحرثون الأرض بآلاتٍ بدائية. وفي زمنٍ أبعد، قطع الناس رقبة الملك. وفي الماضي أيضاً، تجول الناس بسفنٍ ضعيفة، وأكلوا أعين الغنم، واستخدموا القصرية ولم يعرفوا تطبيب الأسنان. Finnish: Alamme uskoa, että ihmiset ovat läpikäyneet jo kaiken mahdollisen. Jos jotain ei ole tapahtunut, niin se johtuu siitä, ettei se ole mahdollista - tai sen ei pitäisi tapahtua. Seurauksena voi olla niin syvä ennakkopelko, että se estää jopa ajattelemasta maailman muuttamista. Ei ole mitään mieltä perustaa uutta yritystä ( markkinoillahan ei ole enää tilaa ) taiteen alalla ei ole mitään mahdollisuuksia ( kaikkihan menee vanhan mallin mukaan ) uusiin ideoihin ei ole luottamista ( niitä ei ole tai ne ovat pähkähulluja ). Muuttamalla suhtautumistamme historiaan, näkemyksemme avartuu ratkaisevasti. Aikaa nopeuttamalla me kiipeämme minuuttien vuorille ja vuosisatoja tarkastellessamme muutos on jatkuvaa. Uusia mantereita löydetään, vaihtoehtoisia vallankäyttötapoja kokeillaan, pukeutumistapoja kehitellään ja uskonnolliset toimintatavat muuttuvat. Aikoinaan ihmiset käyttivät outoja kaapuja ja muokkasivat maata kömpelöin työvälinein. Kauan sitten he hakkasivat kuninkaalta pään irti. Tuolloin ihmiset liikkuivat huterilla laivoilla, söivät lampaiden silmiä, käyttivät pottia, eivätkä tienneet miten korjaisivat hampaansa. Portuguese: Chegamos a acreditar que os seres humanos já mapearam todas as possibilidades Se alguma coisa não aconteceu, é porque não pode acontecer - ou não deveria. O resultado pode ser um excesso de cautela somente imaginando mudar o mundo. Não faz sentido iniciar um novo negócio (O mercado já deve estar cheio) explorar uma nova abordagem para as artes (Tudo já está definido por um padrão) ou ser leal a uma nova ideia (Isto já existe ou é insano). Quando estudamos a história, no entanto, o quadro muda drasticamente. Uma vez que o tempo é acelerado e subimos uma montanha de minutos, e avaliamos os séculos, a mudança parece constante. Novos continentes são descobertos, formas alternativas de governo são pioneiras, ideias de como se vestir e quem venerar são transformadas. No passado as pessoas usavam capas estranhas e cultivavam a terra com instrumentos bizarros Há muito tempo atrás, eles cortavam a cabeça do rei. As pessoas viajavam em a bordo de navios frágeis, comiam olhos de ovelhas, usavam penicos e não sabiam como consertar dentes. Malay (macrolanguage): Kita pun mula menerima bahawa manusia telah memetakan sepenuhnya semua perkara yang mungkin. Jikalau sesuatu belum terjadi, sama ada ia tidak boleh terjadi, atau ia tidak patut terjadi. Hasilnya, boleh wujud dalam diri kita, penentangan impian untuk merubah dunia. Tiada gunanya memulakan perniagaan baru, pasaran mestilah sudah penuh. Mengorak langkah mencipta pendekatan baru kepada seni. Semuanya telah ditetapkan dalam corak yang malar. Atau, memberi kesetiaan kepada idea yang baru. Ia sama ada wujud, atau adalah gila! Namun, apabila kita mendalami sejarah dengan kaedah tertentu, Gambarannya berubah mendadak. Apabila masa telah dilajukan, dan kita mendaki gunung-gunung minit dan melihat kurun-kurun, perubahan rupanya sentiasa berlaku! Benua baru ditemui, keadah lain untuk menadbir negara dimulakan, idea berkenaan apa untuk dipakai dan siapa yang harus disembah berubah, Zaman dahulu, orang mengenakan jubah ganjil dan bertani menggunakan alatan cemerkap. Suatu masa dahulu, mereka memenggal kepala seorang raja! Dahulu juga, orang berlayar menggunakan kapal rapuh, memakan mata kambing biri-biri, membuang air besar dalam mangkuk bilik, dan tidak mahir membaiki gigi! Indonesian: Kita datang dengan keyakinan bahwa manusia sudah sampai batas kemampuannya Jika ada sesuatu yang tidak terjadi, itu hanya karena itu tidak bisa - atau tidak mungkin hasilnya adalah rasa gelisah mengenai usaha untuk merubah dunia tidak ada gunanya memulai sebuah bisnis (pasar sudah pasti penuh) menemukan pendekatan baru dalam seni (segalanya sudah diatur dalam pola khusus) atau setia pada pandangan ide baru (itu memang ada atau hanya hal gila) Saat kita mempelajari sejarah dengan cara yang tepat, rupanya, gambaran itu berubah drastis. Saat waktu dipercepat dan kita melangkah menit demi menit, dan memeriksa sejarah, perubahan nampak konstan benua baru ditemukan, cara baru untuk memerintah negara ditemukan ide bagaimana berpakaian dan siapa yang disembah berubah Adanya orang yang mengenakan jubah aneh dan membajak ladang dengan alat yang janggal Dahulu kala, mereka memenggal kepala sang Raja semakin kebelakang, orang berkeliling dengan kapal yang rapuh memakan bola mata domba menggunakan kuali, dan tidak mengetahui cara merapikan gigi Portuguese: Hoje estamos longe de tudo isso, sabendo - pelo menos em teoria - que as coisas mudam, mas na prática - quase sem perceber - tendemos a nos distanciar e distanciar a sociedade da crença de que estamos todos juntos nesta história turbulenta que está em curso. e são, atualmente, os principais personagens História - nós sentimos - é o que costumava acontecer; ela não pode ser o que está acontecendo ao nosso redor - aqui e agora. As coisas têm - pelo menos em nossa vizinhança - que estar estabelecidas Para que sejamos mais ousados sobre a ideia de mudar as coisas como estão hoje podemos recorrer a algumas linhas marcantes do poema, os Quatro Quartetos de TS Eliot: Assim, enquanto a luz declina Numa tarde de inverno, numa capela reclusa A História é agora e Inglaterra. Tardes de inverno, cerca de 16h, costumam estar resolvidas e estabelecidas French: De tout ça on peut retenir qu'en théorie les choses changent, mais en pratique, et presque sans s'en apercevoir, on tend à se distancier (la société et soi-meme) de la croyance pragmatique qu'on appartient à une narrative turbulente et continue dont on est présentement les acteurs centraux. On prétend que l'Histoire est ce qui se passait auparavant; ça ne peut pas vraiment être ce qui se passe ici et maintenant. Les choses se sont établies, du moins dans notre voisinage. Pour se rendre plus brave face à l'idée que les choses continuent de changer, on peut se recueillir dans les lignes du poème saisissant de T.S.Eliot "Les Quatres Quatuors" Les après-midi d'hiver, vers 4h, se font habituellement sentir comme particulièrement résolues et établies, Indonesian: Kita telah melalui hal itu, mengetahui lewat teori, hal itu membuat perubahan tapi dalam prakteknya - hampir tanpa sadar - kita cenderung menjauhinya dan lingkungan kita sekarang dari hari ke hari percaya bahwa kita melalui gejolak narasi yang sama dan dengan begitu, sekarang, merekalah pemeran utamanya Sejarah, kita anggap, adalah yang memang telah terjadi itu tak mungkin terjadi di sekitar kita sekarang semua hal - di sekitar kita - setidaknya telah ditentukan Untuk memberanikan kita tentang ide dalam mengubah sesuatu sekarang, kita bisa mengutip sedikit bait dari puisi T.S.Elliot, sang Empat kuartet : Jadi, sementara cahaya sore di musim dingin meredup, di kapel terpencil, sejarah adalah sekarang dan di Inggris Sore di musim dingin, antara jam 16.00, biasanya memiliki nuansa yang tenang dan tegas Finnish: Käytyämme läpi kaiken tämän, tiedämme ainakin teoriassa, että maailma muuttuu, mutta käytännössä etäännytämme itsemme ja yhteiskuntamme tietoisuudesta, että mekin kuulumme tuon jatkokertomuksen pyörteisiin ja että juuri nyt me olemme sen päähenkilöitä. Historia on mielestämme menneisyyttä, eikä sitä voi tapahtua meidän ympärillä tässä ja nyt. Kehitys on, ainakin meidän alueellamme, jo päättynyt. Saadaksemme rohkeutta muutoksen kohtaamiseen, voimme lukea niin osuvasti asian ilmaisevia T.S. Elliotin säkeitä hänen runokokoelmastaan Neljä kvartettoa: "Hämärän hiipiessä iltaan talven, kaukaisen kappelin. Historia on nyt ja Englanti." Talvi-iltaisin, noin neljän aikoihin, meillä on taipumuksena tuntea olomme erityisen seesteiseksi, Spanish: Salimos de todo esto sabiendo, al menos en teoría, que las cosas sí cambian. Pero en la práctica, casi sin darnos cuenta, tendemos a distanciarnos, en nuestras propias sociedades, de la creencia cotidiana acerca de nuestra pertenencia continua a la misma narrativa turbulenta, y ahora en el presente somos sus actores centrales. Sentimos que la historia es lo que solía pasar, no puede ser lo que nos esté pasando en el aquí y en el ahora. Las cosas, por lo menos alrededor nuestro, se han calmado. Para tener más valentía sobre la idea de cambiar las cosas hoy en día, podríamos referirnos a unas impresionantes líneas que se encuentran en el ciclo de poemas de T. S Eliot "Cuatro Cuartetos": Entonces, mientras la luz se desvanece en una tarde de invierno, en una capilla recóndita la historia es ahora e Inglaterra Las tardes de invierno alrededor de las 4 de la tarde tienen el hábito de hacerse sentir particularmente resueltas y establecidas, especialmente en calladas capillas inglesas, Japanese: そんな時代からここまで来た。少なくとも理論上は物事は変化すると知っていた。 しかし実際には、ほとんど気づかないうちに私たちは、そして社会は、距離を置いていた。 終わる事無く荒々しい物語の中に自分達が存在しているという事を日常的に信じる事から、 そして私たち自身がいま現在、その中心に居る主人公だという事から。 歴史とは昔に起きた出来事だ。今ここで起きる私たちの身の回りの出来事が歴史になどなれない。 少なくとも私たちの周囲の世界はもう固定している。 「今日、物事を変える」という事に対しての私たちの考えをもっと勇気付ける為に、 イギリスの詩人T.S.エリオット の「詩の周期 : 四重奏」 の印象的な文に目を向けてみよう。 「冬の午後に光が落ちていく時、人里離れた礼拝堂の中で、歴史は今、そしてイギリスだ。」 冬の午後、それも夕方4時頃というのは、どうも決心の強い確立したような雰囲気を持つクセがある。 特にイギリスの静かな田舎の礼拝堂では。 Vietnamese: Chúng ta đã xa khỏi tất cả những điều này, ít nhất là trong lý thuyết, rằng mọi thứ sẽ thay đổi, nhưng trên thực tế - hầu như không nhận thấy - chúng ta thường có khoảng cách và xã hội của chúng ta từ một niềm tin qua ngày rằng chúng ta thuộc về cùng một câu chuyện hỗn loạn đang diễn ra và hiện tại, là các nhân vật trung tâm. Chúng ta cảm nhận lịch sử là những gì đã từng thường xảy ra, nó không thưicj sự là những gì xảy ra xung quanh chúng ta ở đây và hiện tại. Những điều đó - ít nhất tring vùng lân cận của chúng ta - đã ổn định. Để khiến chúng ta dũng cảm hơn về các ý tưởng thau đổi thế giới ngày nay, chúng ta sẽ chuyển đến một số dòng nổi bật trong chu trình bài thơ của T.S.Eliot, Bốn Khúc Tứ Tấu: Vậy, trong khi những ánh đèn phai mờ Vào một buổi chiều mùa đông, trong một giáo đường hẻo lánh Lịch sử là hiện tại và nước Anh. Những buổi chiều mùa đông, khoảng 4 giờ, thói quen của cảm giác cụ thể được giải quyết và thiết lập, Chinese: 從那裏看來,我們知道一切真的會改變 但實務上,我們不自覺的疏遠自我於現實 說服自己活在一程不變的混亂世界舞台上 而我們是演員 我們覺得歷史是發生過的事 不是現在正在發生的事 貼近我們的事情似乎塵埃落定 為了使我們對於改變更勇敢 可以參見 T.S. Eliot的詩集四個四重奏: 所以,當光線在冬天下午的夜晚灑在僻靜的教堂上,歷史是現在和英國 下午四點做佑的冬天,會使人感到特別有完成感和滿足 Turkish: Bütün bunlardan uzaklaştık, en azından teoride biliyoruz ki, bunlar değişir ama pratikte, neredeyse farkına varmadan, kendimizi uzaklaştırmaya eğiliyimliyizdir ve bizim kendi toplumumuz günden güne, aynı süregelen başıboş hikayeye ait olduğumuza inanır ve tam şu anda, baş oyuncuları olduğumuza. Tarih, bizim hissettiğimiz, gerçekleşmiş olandır; gerçekten tam burada ve şu anda etrafımızda gerçekleşenler olamaz. En azından çevremizdeki şeyler yerleşti. Bugün bizi değişim fikri konusunda daha cesur yapan T. S. Eliot'un şiir döngüsünde, Dört Dörtlüler'de göze çarpan bazı satırlara dönersek: Böylece, ışık zayıflarken Bir kışın öğleden sonrasında, tecrit edilmiş bir şapelde Tarih şimdidir ve İngiltere. Kışın öğleden sonraları, dört gibi, özellikle kararlı ve yerleşik hissetmek gibi bir alışkanlığa sahip olmak, Arabic: نستخلص من هذا كله على الأقل نظرياً بأن الأشياء تتغير، ،لكن عملياً ـ تقريباً بدون ملاحظتنا- نحن نميل لإبعاد أنفسنا ومجتمعنا، عن الاعتقاد اليومي بأننا ننتمي لنفس السرد التاريخي المضطرب والمستمر، ونعتقد بأننا في الوقت الحاضر نقوم بدور الممثلين الرئيسيين. نشعر بأن التاريخ هو ما حدث بالماضي فقط، ولا يمكن أن يكون التاريخ مايحدث حولنا الآن هنا وهناك، فتبدو لنا الأمور - بجوارنا على الأقل- مستقرة ومنتهية. لنكون اليوم أكثر شجاعةً للإيمان بفكرة التغيير، ينبغي لنا ربما تذكر بعض الأبيات الآسرة من "سلسلة قصائد ت.س.إليوت" ،تحديداً “الرباعيات الأربع”: "إذاً، بينما يخبو الضوء في وقت أصيل الشتاء في كنيسةٍ صغيرةٍ منعزلة التاريخ هو الآن، التاريخ هو انجلترا." في أصيل الشتاء، أي في الرابعة مساءاً تقريباً نشعرعادةً في هذا الوقت بالسكون والاستقرار، Spanish: Venimos de todo eso, sabiendo que al menos en teoría, las cosas sí que cambian. Pero en la práctica -casi sin notarlo- tendemos a distanciarnos a nosotros mismos y a nuestras sociedades de la creencia de que pertenecemos a la misma narrativa turbulenta. y somos, en el presente, sus actores centrales. Sentimos que la historia es lo que solía suceder y realmente no puede ser lo que pasa a nuestro alrededor aquí y ahora. Las cosas, al menos a nuestro alrededor, se han asentado. Para hacernos más valientes sobre la idea de cambiar las cosas hoy podríamos recurrir a algunas frases de la antología de poemas de T.S. Elliot: "Los Cuatro Cuartetos". Así, mientras se desvanece la luz Sobre un anochecer invernal, en una aislada capilla, La historia es ahora e Inglaterra. Las tardes de invierno, sobre las 4:00 p.m. se sienten particularmente resueltas y establecidas Malay (macrolanguage): Kita berlalu dari semua ini, mengetahui sekurangnya secara teori, bahawa semua perkara berubah. Tapi dalam hidup, hampir tanpa sedar, kita cenderung memisahkan diri dan masyarakat kita dengan kepercayaan sehari-hari bahawa kita tergolong dalam situasi bergolak dan berterusan yang sama. dan buat masa ini, penggerak-penggerak utamanya. Sejarah, kita merasai, ialah apa yang pernah terjadi, ia tidak boleh menjadi apa berlaku kepada kita di sini dan sekarang! Perkara-perkara, sekurangnya yang hampir dengan kita, telah pun malar. Untuk memberanikan diri kita akan idea untuk mengubah perkara pada hari ini, Kita boleh menoleh ke arah bait-bait yang menarik perhatian dalam kitaran puisi The Four Quartets, oleh T.S Elliot. "Maka, apabila fajar berakhir/ pada petang musim sejuk/ dalam sebuah gereja terpencil/ Sejarah ialah Sekarang dan England" Petang musim sejuk sekitar 4 petang cenderung mempunyai sifat termeterai dan termaktub, terutamanya dalam gereja luar bandar yang terpencil di England. English: We come away from all this, knowing at least in theory, that things do change, but in practice – almost without noticing – we tend to distance ourselves and our own societies from a day-to-day belief that we belong to the same ongoing turbulent narrative and are, at present, its central actors. History, we feel, is what used to happen; it can’t really be what is happening around us in the here and now. Things have – in our vicinity at least – settled down. To make us braver about the idea of changing things today, we might turn to some striking lines in T. S. Eliot’s cycle of poems, the Four Quartets: Winter afternoons, around 4pm, have a habit of feeling particularly resolved and established, Malay (macrolanguage): kebanyakannya wujud semenjak Zaman Pertengahan. Udara dalam gereja tersebut adalah malar dan lembap, batuan berat yang menjadi lantai gereja lambat laun semakin haus oleh geselan kaki pelawatnya. Sini bukanlah tempat dan masa untuk berfikir tentang mengubah dunia. Semuanya menandakan kita akan menjadi lebih bijak untuk menerima perkara seadanya. Berjalan merentas ladang-ladang, menyalakan unggun api, dan bersiap untuk petang yang senyap. Justeru, baris ketiga Elliot adalah amat mengejutkan. Penegasannya, "Sejarah ialah Sekarang dan England". Dalam erti kata lain, apa yang kita anggap sebagai sejarah, cuban takbur oleh orang yang agung, perubahan mendadak dalam nilai hidup, penanyaan berani akan kepercayaan yang lama dipegang, penggulingan aturcara hidup yang lama, semua ini masih berlaku, walaupun pada masa kini, di tempat-tempat yang nampaknya aman, seperti tidak berubah, contohnya perkampungan Shamley Green di Surrey, tempat di mana Elliot Green menulis puisinya. Kita tidak menyedarinya, hanya kerana kita berdiri terlalu hampir. Dunia sedang dibuat dan dibuat semula dalam setiap detik. Spanish: especialmente en las capillas rurales inglesas, muchas de las cuales pertenecen a la edad media. El aire en esas capillas está detenido y enmohecido. Los pesados pisos de piedra se han ido gastando lentamente con las pisadas de los creyentes. Estos no son lugares ni tiempos para pensar en cambiar el mundo todo parece indicar que sería mejor aceptar la manera en la que son las cosas caminar de vuelta a casa a través de los campos, encender un fuego y acomodarnos para una tarde tranquila. De allí la sorpresa de la tercera línea de Eliot, su resonante: "La historia es ahora e Inglaterra". En otras palabras, todo lo que asociamos con historia la impetuosa valentía de grandes personas, la dramática alteración de los valores. el revolucionario cuestionamiento de antiguas creencias, la revolución del viejo orden... Y todo esto sigue pasando. Incluso en este mismo momento, en tranquilos lugares sin cambio aparente como el área rural cerca de Shamley Green en Surrey, donde Eliot escribió su poema. No lo vemos porque estamos demasiado cerca. El mundo se está creando y recreando en cada instante. Chinese: 特別是在英國國家級教堂,許多都是從中世紀開始 裡面的空氣靜謐充滿霉味 厚實的石板地悄悄地因虔誠者的踩踏剝蝕 這不是思索改變世界的地方 似乎隱含著應該接受事情本身的樣子 沿著田地走回家、生火,享受寧靜的傍晚 所以艾略特的第三行看起來才令人驚訝: 歷史是現在和英國 換句話說,所有與歷史相關的東西 偉人的膽量、價值觀的劇變 對於長期信仰的質疑,對舊有秩序的顛覆 這些都持續發生著 即使是現在這一刻,看似祥和沒有改變的地方 像是近Shamley Green的鄉村,也是艾略特寫這首詩的地方 我們看不見改變因為我們身在其中 每個片刻世界都在重新塑造 Turkish: özellikle sessiz İngiliz şapellerinde, çoğu orta çağlara uzanan. Böyle şapellerdeki hava durgun ve küf kokulu. Ağır taş tabanları, yavaş yavaş vefalı olanların ayaklarıyla yıpranmıştı. Bunlar dünyayı değiştirmeyi düşünmenin ne yeri ne de zamanı, her şey, her şeyi olduğu gibi kabul etmemizin bizi daha akıllı yapacağını ima ediyor, çayırlardan eve geri yürüyünce, bir ateş yak ve sessiz bir akşam için sakinleş. Dolayısıyla, Eliot'un üçüncü dizesinin sürprizi, rezonansı: ‘Tarih şimdidir ve İngiltere.’ Diğer bir deyişle, tarihle ilişkilendirdiğimiz herşey büyük insanların fevri cüretkarlılığı, değerlerindeki belirgin değişim, uzun süredir devam eden inançların devrimsel sorgulanması, eski düzenin yeniden düzenlenmesi bütün bunlar hala meydana geliyor, şu anda bile, dışarıdan barışçıl, görünüşte değişmeyen yerlerde Eliot'un şiirini yazdığı Surrey'deki Shamley Green yakınlarındaki kırsal alanda olduğu gibi. Biz sadece çok yakında durduğumuz için onu görmüyoruz. Dünya her an yapılanıyor ve yeniden oluşuyor. Arabic: خاصةً في كنائسٍ صغيرة في قرية إنجليزية هادئة معظمها يعود إلى القرون الوسطى. الهواء في مثل هذه الكنائس ساكنٌ ونَتـن، تبلى الأرضية الحجرية الثقيلة ببطء من وقع أقدام الزوار المخلصين، هذه ليست أماكن أو أوقات للتفكير بتغيير العالم. يلمح كل شيء حولنا إلى مقدار ما سنكون عليه من حكمة إن تقبلنا الأمور كما هي عليه. عُد ماشياً للمنزل عبر الحقول، أشعل الضوء وأجلس ساكناً لليلة هادئة، وهنا نتذكر مفاجأة السطر الثالث الرنان لإليوت: “التاريخ هو الآن، التاريخ هو انجلترا” وبصيغة أخرى، كل الأمور التي نربطها بالتاريخ، كجرأة الأشخاص العظماء المتهورة وتبدل القيم بطريقة درامية، التساؤلات الثورية حول المعتقدات القديمة، وانقلاب النظم القديمة، كل هذا ما زال مستمراً. حتى في هذه اللحظة، في الأماكن التي تبدو هادئة من الخارج وغير المتغيرة ظاهرياً، مثل الريف بقرب “شاملي قرين” في “سوري” حيث كتب إليوت قصيدته، نحن لا نرى الأمر لأننا نقف على مقربة كبيرة منه. يُصنع العالم ويعاد صنعه في كل لحظة، Japanese: 中世の時代では、そういった礼拝堂の中の空気はしんとしていてカビ臭く、 重い石で出来た床は信仰心のもたらす足によってゆっくりとすり減っていく。 それはとても世界を変えるなどと考える時と場所ではなかった。 そのままの物事を受け入れる事が賢い事だと全てが訴えるかのようだ。 それならば野原を歩いて家路に着き、暖炉に火を着け静かな夜に落ち着いていく それゆえにエリオットの3行目の衝撃、彼の「歴史は今とイギリスだ」が深く共鳴してゆく。 つまり、私たちが歴史と関連付ける全ての事柄 衝動的で大胆な偉大な人々、劇的な価値観の変化、 長い間信じられてきたものへの革命的な問い、 塗り替えられた古い秩序、これら全ては、今この瞬間にもいまだに起き続けている。 エリオットが詩を書いたシャムリーグリーンやスリーのような一見平和で変化の無い田舎でも。 私たちは近すぎて見えていないだけだ。 世界はすべての瞬間に作られ、また作り直され、 Spanish: muchas de las cuales datan de la Edad Media. El aire en tales capillas está quieto y húmedo. Los pasos de los fieles lentamente han gastado los pesados suelos de piedra. Estos no son momentos ni lugares para pensar en cambiar el mundo. Todo nos sugiere que lo más sabio es aceptar las cosas como son. Caminar de vuelta a casa a través de los prados, encender la chimenea y prepararse para una velada tranquila. He aquí la sorpresa de la tercera línea de Eliot, su resonante: la historia es ahora e Inglaterra. En otras palabras, todo lo que asociamos con la historia, el ímpetu atrevido de los grandes hombres, la alteración dramática en los valores, el cuestionamiento revolucionario de antiguas creencias, el establecimiento de un nuevo orden. Todos esto sigue sucediendo, incluso en este momento, en lugares que se ven pacíficos, que aparentemente no cambian, como la pradera cerca de Shamley Green en Surrey, donde Eliot escribió su poema. No lo vemos solamente porque estamos demasiado cerca. El mundo se arma y se desarma en cada instante, English: especially in quiet English country chapels, many of which date back to the middle ages. The air in such chapels is still and musty. The heavy stone floors have been slowly worn away by the feet of the faithful. These are not places and times to think about changing the world, everything hints that we would be wiser to accept the way things are, walk back home across the fields, light a fire and settle down for quiet evening. Hence the surprise of Eliot’s third line, his resonant: ‘History is now and England.’ In other words, everything that we associate with history – the impetuous daring of great people, the dramatic alterations in values, the revolutionary questioning of long-held beliefs, the upturning of the old order – all this is still going on, even at this very moment, in outwardly peaceful, apparently unchanging places like the countryside near Shamley Green, in Surrey, where Eliot wrote his poem. We don’t see it only because we are standing far too close. The world is being made and remade at every instant. Portuguese: especialmente em tranquilas capelas inglesas, muitass das quais remontam à Idade Média. O ar em tais capelas é calmo e mofado Os pisos pesados de pedra foram lentamente desgastados pelos pés dos fiéis. Estes não são os lugares e momentos para pensar em mudar o mundo, tudo sugere que seria mais sensato aceitar a forma como as coisas são, caminhar de volta para casa pelos campos, acender uma fogueira e se estabelecer para a noite tranquila. Daí a surpresa da terceira linha de Eliot, seu ressonante: "A história é agora e Inglaterra. Em outras palavras, tudo o que nós associamos com a história - a ousadia impetuoso de gente grande, as alterações drásticas nos valores, o questionamento revolucionária de crenças de longa data, o mudança na antiga ordem tudo isso ainda está em curso, mesmo neste momento, em locais aparentemente pacíficos, aparentemente imutáveis como o campo perto de Shamley Green, em Surrey, onde Eliot escreveu seu poema. Nós não o vemos só porque estamos aqui parados bem próximos O mundo está sendo feito e refeito a cada instante. Finnish: aivan erityisesti rauhallisissa englantilaisissa maalaiskappeleissa, joista monet ovat jo keskiajalta. On kuin ilma ja aika olisivat pysähtyneet. Raskaat kivilattiat ovat kuluneet hiljalleen uskovien askeleista. Nämä eivät ole paikkoja, joissa maailman muutos tulisi helpolla mieleen, koko ympäristö huokuu että asiat olisi viisaampi hyväksyä sellaisinaan, palata kotiin läpi talvisten peltojen, sytyttää takkaan tuli ja asettua rauhallisen koti-illan viettoon. Näin ollen onkin yllättävää, miten sointuisasti tuo Elliotin värssy päättyy: "Historia on nyt ja Englanti." Toisin sanoen, kaikki minkä me miellämme historiaksi - suurmiesten ja -naisten pelottomuus, arvojen dramaattiset muutokset, iänaikaisten uskomusten kyseenalaistaminen ja vanhan järjestyksen uudeksi vaihtuminen - tuo kaikki on edelleen meneillään, jopa juuri tällä hetkellä, ulkoisesti rauhallisissa, selvästikin muuttumattomissa paikkoissa, kuten maaseudulla Shamley Greenin lähellä, Surreyssa, missä Elliot kirjoitti runonsa. Me emme näe sitä, sillä olemme liian lähellä sitä. Maailmaa luodaan ja sitä uusitaan joka ikinen hetki. French: surtout dans les chapelles de la calme campagne anglaise, qui datent souvent du Moyen-Age. L'air dans ces chapelles est dormant et renfermé. Les lourdes dalles du sol ont été doucement érodées par les pas des fidèles. Ce ne sont ni des moments ni des endroits où songer à changer le monde, tout ici suggère qu'il serait plus sage d'accepter l'ordre des choses, de rentrer à travers les champs, allumer un feu et s'installer pour une tranquille soirée. Ceci explique la surprise résonnante d'Eliot, à la 3ème ligne: "L'Histoire est maintenant et l'Angleterre". C'est à dire que tout ce qu'on associe à l'histoire le courage impétueux de héros, le changement spectaculaire des valeurs, le questionnement de croyances de longues dates, le renversement d'ordres établis - tout ça continue, même aux fins fonds de la campagne paisible comme à Shamley Green, dans le Surrey, où Eliot écrit son poème. On ne s'en rend pas compte car on le regarde de bien trop près. Le monde est entrain d'être fait et refait à chaque instant. Indonesian: terutama di kapel pedesaan Inggris, digambarkan saat abad pertengahan Suasana di dalamnya terasa kedap dan lembap Lantai dari batu besar sudah terlihat terkikis oleh kaki para hamba Ini bukanlah tempat yang tepat untuk memikirkan cara merubah dunia semuanya membuat kita nampak terlihat lebih bijak jika kita menerima segalanya memang semestinya terjadi berjalan pulang melewati lapangan, menyalakan lentera dan menikmati malam yang tenang Namun demikian, mengejutkan dengan bait ketiga Elliot, yang berkata : Sejarah adalah sekarang dan di Inggris dengan kata lain, segala yang kita yankini mengenai sejarah Tokoh pemberani yang dikuasai nafsu, perubahan moral yang dramatis pertanyaan revolusioner terhadap agama yang telah lama dipercaya, pembelotan terhadap perintah leluhur semuanya masih berlangsung bahkan saat sekarangpun, yang terlihat damai, dengan semu tanpa terlihat seperti di pinggiran desa Shamley Green, Surrey, dimana Elliot menulis puisinya. Kita tidak melihatnya karena kita memandangnya terlalu dekat Dunia sedang berubah dan berlangsung sangat cepat Vietnamese: đặc biệt trong những nơi cầu nguyện yên tĩnh của người Anh trên đất nước, rất nhiều trong số chúng có từ thời Trung Cổ. Không khí trong những nhà cầu nguyện vẫn như vậy và ẩm mốc. Các sàn đá nặng nề đã dần dần bị mòn bởi bàn chân của các tín hữu. Chúng không phải là nơi thích hợp và dành thời gian để nghĩ về việc thay đổi thế giới, mọi thứ gợi ý rằng chúng ta sẽ khôn ngoan hơn để chấp nhận mọi thứ đang diễn ra, đi bộ trở về nhà qua các cánh đồng, đốt lửa và dọn dẹp yên tĩnh cho buổi tối. Do đó sự ngạc nhiên của dòng thứ ba của Eliot, tiếng vọng lại của ông: ''Lịch sủe là hiện tại và nước Anh.'' Theo cách khác, mọi thứ mà chúng ta liên kết với lịch sử sự dũng cảm bốc đồng của những người vĩ đại, những thay đổi mạnh mẽ trong các giá trị, cuộc cách mạng đặt câu hỏi về niềm tin lâu năm, sự đảo ngược của trật tự cũ - tất cả vẫn còn đang tiếp diễn, thậm chsi ở thời điểm hiện tại, ở những nơi yên tĩnh bên ngoài, dường như không thay đổi giống như vùng quê gần Shamley Green, tại Surrey, nơi mà Eliot đã viết vài thơ của ông. Chúng ta không thấy nó chỉ bởi vì chúng ta đang đứng quá xa để gần lại. Thế giới được làm nên và làm lại tại mỗi thời điểm. Arabic: ولهذا لدى كل واحدٍ منا الفرصة المجردة ليكون عميلاً مشاركاً في التاريخ، سواءً على مستوىً كبير أو ضئيل، يسمح لنا زماننا ببناء مدينة جديدة كل ما فيها جميل كجمال فينيسيا، وتغيير الأفكار بطريقة جذرية كطريقة عصر النهضة، وبدء حركاتٍ ثقافية مجلجلة كالحركات البوذية. لوقتنا الحاضر كل مصادفات واحتمالات الماضي، لكنه أكثر طواعيةً بكل جزء فيه، لا يجب أن يخيفنا. كيف نحب، ونسافر، ونتذوق الفنون، ونحكم، ونعلّم أنفسنا، وندير تجارةً، نعمّر ونموت. كل هذه الأمور قابلة للتطور بالمستقبل. ربما تظهر وجهات النظر الحالية وكأنها مُحكمة لكن هذا فقط لأننا نبالغ في إحكامها وثباتها. معظم الأمور الموجودة حولنا ماهي إلا اعتباطية ،ليست حتمية أو صحيحة، ببساطة هي نتيجة فوضى وأحداث عَرَضية. يجب علينا، حتى بفترة غروب الشمس بعد أصيل الشتاء، أن نتحلى بالثقة في قدرتنا على الانضمام إلى مجرى التاريخ، وتغيير مجراه ودورته ولو بشكلٍ بسيط. ترجمة: فريق أترجم @autrjim Spanish: y por tanto, cualquiera de nosotros tiene, teóricamente, la oportunidad de ser un agente en la historia, ya sea a una escala pequeña o grande. Está disponible en nuestra época el construir una nueva ciudad tan hermosa como Venecia, de cambiar de ideas tan radicalmente como en el Renacimiento, comenzar un movimiento intelectual con tanta repercusión como el budismo. El presente tiene toda la contingencia del pasado, y es igual de maleable. No debería intimidarnos. Cómo amamos, viajamos, vemos las artes, gobernamos, nos educamos, hacemos negocios, envejecemos y morimos, todo eso puede desarrollarse más. Las visiones contemporáneas se pueden ver firmes, pero eso es porque exageramos su inmovilidad. La mayoría de lo que existe es arbitrario, no es inevitable ni tampoco correcto, es simplemente el resultado de la confusión y la coincidencia. Debemos tener confianza, incluso en los atardeceres de invierno, en nuestro poder para unirnos a la corriente de la historia, y, aunque sea de forma modesta, cambiar su rumbo. French: De ce fait, chacun d'entre nous à en théorie le potentiel d'être un acteur de l'histoire sur la grande et petite échelle. Il en tient à notre présent de construire de nouvelles villes aussi somptueuses que Venise, de changer les idées aussi radicalement qu'à la Renaissance, de lancer un courant intellectuel qui retentisse autant que le Bouddhisme. Le présent contient le même potentiel d'éventualité que passé - et est tout aussi malléable. Ca ne devrait pas nous initimider. Notre façon d'aimer, de voyager, d'apprécier l'art, de gouverner, de s'éduquer, de gérer une entreprise, de vieillir et de mourrir seront tous amenés à changer. Les visions actuelles semblent stables mais seulement parce qu'on exaggère leur fixité. La majorité de ce qui existe est arbitraire, ni inévitable ni juste, mais le simple résultat d'un hasard désordonné. Même au crépuscule d'après-midi d'hiver, nous devrions avoir confiance en notre pouvoir de participer au courant de l'hisoire et à le changer, même modérément. Japanese: つまり私たち誰もが大なり小なり歴史を作る理論的なチャンスを持っている。 隅から隅までベニスの様に美しい新しい街を作る事も、ルネッサンスの様に発想を急進的に変える事も、 仏教の様に知的活動を鳴り広める事も、私たちの時代にもその扉は開いている。 現在も、過去の持っていた全ての偶然性を秘めている。どんな事でも可能性がある。 その事実は恐れられるべき事では無い。 どの様に愛し、旅をし、美術に向き合い、政治を行い、学び、経営を行い、 年を重ね、死にゆくかは、全てさらなる進化への意欲だ。 今現在の視界は固定している様に見えるかもしれないが、ただ私たちが大げさにその不変性をとらえるからだ。 存在するものほとんどが必然的でも正しいわけでもなく、勝手に作られている。 単純に支離滅裂な混乱と偶然だ。 私たちは自信を持つべきだ。たとえ冬の夕暮れ時でも 歴史の流れに参加する私たちの力に、 どんなにつつましくとも、歴史の流れを変えて行ける事に。 English: And therefore any one of us has a theoretical chance of being an agent in history, on a big or small scale. It is open to our own times to build a new city every bit as beautiful as Venice, to change ideas as radically as the Renaissance, to start an intellectual movement as resounding as Buddhism. The present has all the contingency of the past – and is every bit as malleable. It shouldn't intimidate us. How we love, travel, approach the arts, govern, educate ourselves, run businesses, age and die are all up for further development. Current views may appear firm, but only because we exaggerate their fixity. The majority of what exists is arbitrary, neither inevitable nor right, simply the result of muddle and happenstance. We should be confident, even at sunset on winter afternoons, of our power to join the stream of history – and, however modestly, change its course. Vietnamese: Và vì vậy bất cứ ai trong số chúng ta có một cơ hội lý thuyết thay đổi để trở thành một tác nhân trong lịch sử, trên những thước đo to hoặc nhỏ. Đó là mở cửa cho thời đại của chúng ta để xây dựng một thành phố mới mỗi chút đẹp như Venice, để thay đổi những ý tưởng triệt để như thời kỳ Phục Hưng, để bắt đầu một phong trào trí thức vang dội như Phật giáo. Hiện tại có tất cả các sự kiện của quá khứ - và là mỗi một chút rất dẻo dai. Không nên đe dọa chúng ta. Làm thế nào chúng ta yêu thích, du lịch, tiếp cận nghệ thuật, cai trị, giáo dục bản thân, kinh doanh, tuổi tác và chết, tất cả dựng lên cho một sự phát triển xa hơn nữa. Những quan điểm hiện tại có vẻ công khai, nhưng chỉ vì chúng ta phóng đại sự cố định của chúng. Phần lớn những gì tồn tại là tùy tiện, không thể tránh khỏi hay đúng đắn, chỉ đơn giản là kết quả của sự lộn xộn và tình cờ xảy ra. Chúng ta nên tự tin, ngay cả khi hoàng hôn vào buổi chiều mùa đông, về quyền lực của chúng để tham gia dòng lịch sử và, tuy nhiên bằng cách khiêm tốn, thay đổi khóa học của mình. Spanish: Y en ese sentido cada uno de nosotros tiene la posibilidad de ser un agente de cambio en la historia en mayor o menor escala. Está abierto a nuestros propios tiempos construir una ciudad tan bella como Venecia cambiar ideas, tan radicalmente como el Renacimiento. empezar un momiviento intelectual tan resonante como el budismo. El presente tiene todas las contingencias del pasado, y es igual de maleable. No debería intimidarnos. Como amamos, viajamos, nos acercamos al arte, gobernamos, nos educamos, llevamos negocios, envejecemos y morimos. Siguen en posición de ser desarrollados. Las visiones actuales pueden parecer firmes, pero sólo porque exageran su firmeza. La mayor parte de lo que existe es arbitrario, pero no es inevitable, ni correcto. Simplemente el resultado de la confusión y la casualidad. Deberíamos sentirnos confiados, incluso al final de las tardes de invierno, de nuestro propio poder de unirnos a la corriente de la historia. y, tan modestamente como podamos, cambiar su curso. Malay (macrolanguage): Maka, setiap daripada kita mempunyai peluang untuk menjadi pemangkin sejarah, sama ada dalam skala kecil atau besar. Ia terbuka dalam waktu kita, untuk membina sebuah bandar baru yang secantik Venice, untuk mengubah idea kepada yang sama radikalnya dengan Renaissance, untuk memulakan perubahan intelektual yang sama berpengaruh dengan ajaran Buddha. Zaman sekarang mempunyai prasyarat yang sama dengan zaman dahulu, dan boleh diubah sepertinya. Ia tidak patut menakutkan kita, cara kita mencintai, meneroka, menghampiri seni, menadbir, mendidik diri, menguruskan perniagaan, meniti usia, dan meninggal, semuanya boleh diperkembang. Pandangan sekarang mungkin kelihatan tetap, tetapi hanya kerana kita terlebih menjangka ketetapan ia. Kebanyakan yang wujud adalah tidak tetap. Bukanlah tidak boleh dielak atau benar, semata-mata kerana keadaan berbaur dan kebetulan. Kita sepatutnya yakin, walaupun ketika matahari sedang terbenam pada petang musim sejuk, akan kuasa kita untuk menyertai aliran sejarah, dan walau sekecil mana pun, mengubah haluannya. Finnish: Siksipä jokaisella meistä on teoreettinen mahdollisuus tehdä historiaa, suuressa tai pienessä mittakaavassa. Omalla ajallamme on täydet mahdollisuudet rakentaa kauneudeltaan Venetsian kaltaisia kaupunkeja, muuttaa ajatustapojamme yhtä perusteellisesti kuin renessanssin aikana, laittaa alulle jopa buddhalaisuuden veroisia älyllisiä liikkeitä. Nykyajalla on samat mahdollisuudet kuin ennenkin - se on läpeensä muokattavissa. Sen ei pitäisi estää meitä. Miten me rakastamme, matkustamme, suhtaudumme taiteisiin, hallitsemme ja sivistämme itseämme, yritämme, vanhenemme ja kuolemme ovat kaikki avoimia edelleen kehitettäviksi. Nykynäkemykset saattavat vaikuttaa vankoilta, mutta vain siksi että liioittelemme niiden pysyvyyttä. Valtaosa olemassaolevasta on keinotekoista, ei välttämätöntä tai oikein, vaan sekasotkun ja sattuman tulosta. Meidän kannattaa luottaa, jopa auringonlaskun aikaan ja talvi-iltaisin, omiin mahdollisuuksiimme heittäytyä historian virtaan ja vaikka kuinka vaatimattomasti, muuttaa sen kulkua. Indonesian: dan karena itu setiap orang dari kita punya kesempatan teoritis dalam menjadi pelaku sebuah sejarah, dalam skala yang besar maupun kecil itu terserah pada kita untuk membangun kota baru secantik Venesia untuk mengubah pandangan seradikal masa Renaisans untuk memulai gerakan intelektual sebaik Buddhisme Masa sekarang punya hubungan dengan kemungkinan di masa lampau - yang setiap detilnya, dapat dilakukan itu seharusnya tidak menjatuhkan kita bagaimana kita menyayangi, berkelana, menghargai seni, memimpin, belajar mengenai diri sendiri, menjalankan bisnis, berumur dan meninggal semuanya untuk pengembangan di masa depan kelihatannya sekarang semua telah ditetapkan, tapi itu hanya karena kita melebih-lebihkan keadaan segalanya yang ada itu sementara, bisa diterima atau tidak, tinggal dari hasil kegagalan dan kebetulan kita harus percaya, bahkan pada matahari yang terbenam di sore musim dingin, kemampuan kita untuk menyelami arus sejarah dan, bagaimanapun, dengan rendah hati, menentukan jalan kita. Portuguese: E, portanto, qualquer um de nós tem uma chance teórica de ser um agente na história, em uma escala grande ou pequena. Está aberto para nós, no tempo atual para construir uma nova cidade tão bonita quanto Veneza, para mudar ideias tão radicalmente quanto a Renascença, para iniciar um movimento intelectual como o budismo. O presente tem toda a contingência do passado - e é tão maleável. Ele não deve intimidar-nos. A forma que amamos, viajamos, nos aproximamos das artes, governamos, educamos, gerenciamos empresas, envelhecemos e morremos estão todos lá para serem desenvolvidos. visões atuais podem parecer fixas, mas só porque nós exageramos em sua solidez. A maior parte do que existe é arbitrária, nem inevitável nem certa, simplesmente o resultado de confusão e casualidade. Devemos estar confiantes, mesmo ao pôr do sol nas tardes de inverno, do nosso poder de juntar-nos à história - e, no entanto modestamente, mudar o seu curso. Chinese: 因此每個人都是改變世界的一員 不管程度大或小 現在我們可以建造像維也納一樣美的城市 或是像文藝復興大幅改變想法 像佛教興起一樣散播思潮 現在和過去一切的情況相當可鑄造 它不應當使我們感到畏懼 我們如何去愛、旅行、看待藝術、管理、教育自己、做生意、成長與死亡 都很有未來發展性 目前的價值觀看似穩固,但這個穩固性被我們誇飾了 現存的東西大部分屬於隨機,並非不可避免也不一定正確,一切只是碰巧發生的結果 我們應保持自信參與歷史改變的洪流,即使是在冬季下午的黃昏 而,不管多麼微弱地,改變它的方向 Turkish: Ve bu yüzden, herhangi birimiz, tarihte büyük ya da küçük ölçekte bir ajan olma ihtimaline sahiptir. Venedik kadar güzel, her seferinde yeni bir şehir inşa etmek kendi zamanlarımızda olasıdır, Rönesans gibi fikirleri radikal olarak değiştirmek, Budizm gibi çınlayan entelektüel bir hareket başlatmak. Günümüz, geçmişin bütün olasılıklarına sahiptir ve onun kadar her türlü şekle girebilir. Bu gözümüzü korkutmamalı. Nasıl sevdiğimiz, nasıl seyahat ettiğimiz, sanata nasıl yaklaştığımız, kendimizi nasıl kontrol ettiğimiz, eğittiğimiz, işlerimizi yürüttüğümüz, yaşlandığımız ve öldüğümüz hepsi gelişmektedir. Mevcut görüşler, ancak sabitliklerini abarttığımız için sağlam görünebilir. Var olanların çoğu rastlantısal, ne kaçınılmaz ne de doğrudur, basitçe karmaşanın ve tesadüfün sonucudur. Bir kış öğleden sonrası gün batımında bile, tarihin akışına katılma gücümüzden emin olmalıyız. ve ancak tevazuyla, onun rotasını değiştirin. Japanese: "オンラインショップで私たちの本、文具、ギフトなど幅広い商品をご覧になれます" ”100万を超えた私たちのフォロワーに参加しチャンネル登録しませんか”
{ "pile_set_name": "YoutubeSubtitles" }
this example says that the liquid shown in figure in the two arms, of this u tube are mercury and water. we are also given the specific gravity of mercury. and it is saying the difference in heights of mercury column is two centimeter. we are required to find the height of the water column. let us consider the height of water column is h . and in solution we can simply find. first, pressure. at point ay, if we find out the pressure at ay this can be directly calculated as p-atmospheric plus h. ro of water into g as density of water, will take because of , gawge pressure due to the weight of, water column of height h. similarly in the other side of tube we can find. pressure at point b, this can be given as p-b. which is equal to p-atmospheric plus, as the, length of mercury column above the point b is two centimeter we can directly , write it as , h 1 ro of mercury into g. where this 2 centimeter i am taking as h-1. and we know well that, ay and b both are , at the level of mercury . so we can write, we can use , p-ay is equal to p-b if we substitute the values this p-atmospheric gets cancelled out . it is h ro-water into g is equal to h-1 ro of mercury into g, here g again gets cancelled out . and ro mercury by ro-water can be substituted as 13 point 6. so here i can write h is equal to h-1 multiplied by. 13 point 6 . and in this situation, h-1, we are give as 2 centimeter so, we can directly substitute it two into 13 point 6 that will be 27 point 2 centimeter, that is the answer of this problem, this is the height of the water column above point ay in the left arm of u tube.
{ "pile_set_name": "YoutubeSubtitles" }
(calm intro) - I'm on Highway 26, which is also known as Main Street. This is Jefferson. (sprightly music) - Look at that, look at that. Oh! (applause) - So, John said meet me on the west side of the Rock River, right by the dam in view of the island, there's the island, there's the dam, and here's John Gurda. Hi John! - Hey John! - How are you? - Pretty good. - So lets talk about how did this happen, Jefferson? - It's another river story. When the first Yankees arrived here back in 1836 they saw the confluence of the Crawfish and the Rock Rivers and they said, water power. So, pretty soon they built a low rise dam that powered first a sawmill, then a flour mill, then a woolen mill building still here. And that helped Jefferson become kind of a small scale industrial center over the years. They made everything from shoes to chairs, and also kind of a trading center for the rural farming area. - [John M.] It's a story that sounds familiar, we've heard it before! - We've heard it before lots of times, including on the Rock River. Just for our show, we have been to Mayville, Horicon, Watertown, Fort Atkinson, and Beloit. All on the Rock River and all brought to life because the river offered both water power and transportation. - [John M.] What's different about the Jefferson history? - A couple of things, one was that there was a motorcycle factory here back in the early 1900's run by an engineer who used to work for Harley Davidson, and they manufactured a cycle here called The Jefferson, and it was one of the fastest on the road, and the company folded in 1919, so the company's long gone, now it's kind of a vintage collector's item. But bigger difference is ethnic, Germans began to arrive in Jefferson back in the 1840's, and before long they were the majority of the population, that meant beer, among other things. By 1880, when there were not even 2000 people there they had three breweries. - Says it all! - Including one that had a big hall for what they called theatrical entertainments. So, the Germans were elsewhere up and down the river, the difference in Jefferson was the depth and durability of German pride. In 1971, they began to hold Gemuetlichkeit Days for the first time, and it's still the town's main event held every September. - Say that again? - Gemuetlichkeit, Gemuetlichkeit! - Gemuetlichkeit! What is that? - It's a German word that means something like coziness or contentment. When I think of Gemuetlichkeit, I think of the feeling you get after a full meal surrounded by family and friends when dessert's still coming and there's still cold beer in the fridge. - That's a good feeling - It is. - [John M.] So, John, what do they do at Gemuetlichkeit Days? - [John G.] At Gemuetlichkeit Days they have a parade, they have a dance, they have lots of lederhosen, lots of dirndl dresses, and lots of contests. Everything from best beard to best costume, to best homemade bratwurst, to the fastest sauerkraut eater, they used to have a beer drinking contest, that's gone, but now they have a beer stein carrying contest for kids. - [John] Really? - They do. - [John M.] They call it G Day, don't they? - [John G.] I think they do, they do. - [John M.] What else happens here? - [John G.] Still a lot of industry in the area, they lost the Tyson pepperoni plant right here across the river back in 2016, which meant the loss of around 400 jobs, but others have stepped up and Jefferson has this great location just off the freeway, about halfway between Milwaukee and Madison so people do commute in both directions and think they have kinda the best of both worlds, they have city jobs and rural homes. - [John M.] Population? - [John G.] About 8000, and still just a slight majority German, but also 12% Latino, so more diversity. - [John M.] And location? - [John G.] It's about six square miles, halfway between Milwaukee and Madison at the confluence of the Rock and Crawfish rivers as it was in the beginning. - It may have been a familiar story, but it's got its own real specifics doesn't it? - It does, and it still a very gemuetlich feeling. - That's good! Thanks, John! - See you John! - I am in front of Generac, which is one of the biggest employers here in Jefferson. They are in the power business, they make portable generators, which are used in every disaster relief effort around North America. Generac, right here in Jefferson. This place is called Basin Precision Machining, what does a precision machining shop do? - [Man] We make parts that're difficult to make, so we'll start with a piece of bar stock or a casting, and we will take the metal off in a way that provides the customer with the most precise professional product they can have. - [John M.] How much does that weigh? - [Man] 922 pounds! - [John M.] What's it weigh when it comes out? - [Man] 328. - [John M.] Is that right? - [Man] Yes. - So, for Harley we make transmission parts. For Frank Henry Equipment we make oil field safety products, so big precise parts. - [John M.] We're standing in a new part of your business, why did you need this? - [Erik] Hydraulic business is booming, we're growing rapidly, we've more than doubled in size since 2015 when we were acquired, we intend to be a hundred million dollar company by 2020. The cool thing here is that we bought this system it's got a 120 fixtures in the line, it's got 2088 individual cutting tools, each machine holds 348, a normal machining center holds about 40 tools, just to give you an idea. So, what we're able to do is put tools in for all the jobs we run, put the fixtures in for all the jobs we run, and never do a set-up again, because setting these up jobs up can take two days. The place that was making this for us while we were acquiring the machines does the part in six operations and it takes them 55 days to get from blank to delivered product. We'll start one today, we'll have a finished part at the end of the shift. The upside to the automated jobs is we're still at the jobs, they just pay better. So, it's better for everybody. - [John M.] How many people work here? - [Erik] About 200. It's not a physical job, it's a very mental job, we have an 18 pound lifting limit. - And there's job openings? - There are. - There are? - There are job openings, absolutely. Please, put that on the final copy! There are job openings! - He needs it on TV that there're job openings! - [John M.] So in eight seasons, we've never been to this kinda place. - [Sara] It's quite an honor, since this is the first humane society you've ever visited. - [John M.] And it's beautiful, it's a beautiful humane society. Is it brand new? - We've been here since March of 2015, we live in an extremely generous community, they really stepped up and donated money, time, things, - Speaks to supportive mission, doesn't it? - Absolutely, we've got well over a hundred volunteers, it's awesome. - [John M.] In a community of 8000 people? - [Sara] Yep. This is our outside dog area, the dogs have things to climb on, they have shade, they do get a lot of exercise throughout the day from Volunteers, staff. These are our community cat rooms, right now we have a lot of cats, this is what we call kitten season. - Oh, I think she's having another one. - Yep, she having babies. We have a small animal room, and that can change day to day, currently we have rabbits, guinea pigs, and domesticated rats. These are our shelter ambassadors. We've had hedgehogs, we've had chinchillas, we've had snakes, other reptiles. Kids come to the shelter just to visit Dory and Coral. It's crazy. - [John M.] Do you have a number of how many on a yearly basis? - [Sara] I think we typically take in about a thousand a year. - [John M.] A thousand a year. - [Sara] I think everybody's mission is to find good homes for the animals who don't have them. We see a lot of neglected animals, of course a lot of strays, we work really hard to find the right home, not just any home. You know, I think the cats know, and of course the dogs too, but I think they know that they're safe here and that they're gonna be well taken care of, and that we're looking out for them. (whispering) There, it just came out! - Wanna hear a secret? About this island? It's not a real island! It's a manmade island, because they dredged the river, created that island, they used to mow the island, but no more, you know why? Goats. And the fence is there because one fell in. You will find that on YouTube, goat saved by Chicken, because there's a guy in town whose name is Chicken! Perfect! (goat bleats) (laughs) - [John M. Voiceover] This is Simone McKinney, she is the ESL teacher. - [Simone] ESL, ELL, yes. - So, I have one question. - Okay. - (speaks foreign language) - (replies in foreign language) - Both? - Yes. (laughs) - How long have you been doing this? - Its been eight years at the Jefferson High School. - [John M.] So you have 600 kids in this high school. - [Simone] Yes, about 600 kids. - [John M.] And ESL students, how many do you have? - Right now, about 60. So I've had Albanian in the past and Indian, but right now my case load's just Spanish. - It's just Spanish, and your responsibility on a daily basis is what? - Well, there are so many. I teach them vocab comprehension, help them with their core classes, help with the math and English and social studies, all that stuff. - Clock? Reloj? - [John M. Voiceover] So you give the class an English. - [Simone Voiceover] Yes, and some modification if necessary, because they're learning language, the English language, plus having all the core classes in English, their second language. So, they're doing double the work. - [John M.] Right, is there anything you think is really important to know about this program, or about this community? - We have a Latino club in here, which I'm the advisor and we have about 40 students, not all Latinos but 80% Latinos, and they do so much for the school and so much for the community. They help out there with volunteer programs like Christmas Neighbors and bake sale and translating for the families. Because we're trying to bring school and community together. - [John M.] So, what's the difference between a Latino and a Hispanic? - So, Latino comes from Latin background, you know, Spanish speakers, Portuguese speakers, Italian speakers. Hispanic are only those who speak Spanish. - [John M.] Oh, okay - So it has a different, I'm Latina, but I'm not Hispanic because, - [John M.] You don't speak Spanish? - It's not my first language. - [John M.] Right. - That's the difference. - [John M.] Oh, okay So all Hispanics are Spanish speakers. - Correct. - And Latinos speak Italian, Portugeuse, - Yes. - [John M.] I am old and I just learned something today. - [Simone] Hey, we learn things every day, right? - [John M.] Don't we learn something every day? - We're in Jefferson. It's the, that kinda city. Ge-meut-lich-keit city. The Gemuetlichkeit City! So glad we're here! Can't wait to hear what a Gemuetlichkeit is, just so y'know! People of Jefferson, they know what this is, for the rest of you this is a Mecki. This thing is hidden every year, and on Gemuetlichkeit Days, this is found by one person, so there's only two people this year who're gonna touch it; the person who finds it and me. And guess what, I'm gonna hide it. Right now. Look where it's going. So, this is rare that we're talking to five people today, and they're all dressed so well, and they're queens, just so you know. They're queens of G-Day, which is Gemuetlichkeit Days, and Gemuetlichkeit means what? - [Woman] It's a word of many meanings, it's good fellowship and fun, and time to relax. (singing in German) - [John M. Voiceover] And the actual festival is in September? - [Woman Voiceover] September. - [John M. Voiceover] That's called G Days? Is that a good time? - [Woman Voiceover] It's a lot of fun, it's a lot of work. - [John M. Voiceover] And food and drink is out there? (chanting in German) - [Woman Voiceover] The three days of the festival is food, music. - I don't know - I'm Irish! And May Ball is when you're crowned? - [Woman Voiceover] Yes. - [John M. Voiceover] And then you stay Queen until the festival, is that it? - [Woman Voiceover] The whole year. - [John M. Voiceover] The whole year. Are there any responsibilities around that? - You're in parades. - Parades. - Almost every week. - You are? - During the whole Summer. - And how that comes about is there's a nomination committee, and you're nominated, but you don't know it, you and your husband are nominated, and then the past three kings and queens pick who they think would be the best suited, and it's all secret. - [John M.] So you know before the actual event? - We know before May Ball, but no one else knows except the past... - And you can't tell anybody? - No. - (laughs) Did you see her look? (laughter) - Not even your best friend when you work with your best friend! - Not even your best friend! (laughter) - And it's a responsibility, isn't it? - It is. - It really is. - It's a time commitment, it's something you do for your community, and you're very proud of it, we all were very proud of it. - Talk about a community gathering place, this is Rotary Park, downtown Jefferson. It's of course on the Rock River. Mecki was so much smaller when I put him in my pocket. - This is the old Carnegie Library, that's the old Episcopal Church, this has gotta be my favorite corner, and there's buildings like these all over town! - This is a real good example of Queen Anne architecture, with that big bay window coming out, [John M] You're involved with the redevelopment authority. Has that always been a drug store, Bill? - Yes. - Can we talk about that? - Sure. We work on trying to redevelop every area of town. The credit union restored the building, it's got gorgeous architecture, beautiful brickwork, but one of our particular interests is the downtown historic district here. There'd been a fire, all of Jefferson's downtown was wood, and there'd been a fire and so Stoppenbach started rebuilding using brick. I think the oldest building is what's called the Tea Tree now, which was built by Charles Stoppenbach. Three story building, one of our skyscrapers, It was built in 1869. - [John M.] And I love that they gave us the year. - [Bill] I do too, it's an easy way to remember it. This was early in the 1900's. [John M] We're standing in front of Huntington, which used to be farmers and merchants. - Very historical, very nice, And then on this corner, from where this white block is, that was the opera house, Stoppenbach Opera House. And then the bank wanted to expand, and so instead of preserving that wonderful old opera house, they tore it down. We've really worked hard never to let that happen again. - [John M.] Right. - [Bill] What we're trying to do is get people to fix their buildings up, to make them look, the outside of the building look more historical, back in character of what it was when it was built. - [John M.] Sure. - [Bill] We make available two types of help, one is a facade grant, the Tea Tree was done using the grants, and then we also make available very low interest loans, lot of people taking advantage of that, which is great. - [John M.] It speaks to the commitment and to the importance of bringing it back to what it was. Look at this historical part of Jefferson, it's really incredible. What exactly is this domed brick thing that we're looking at? - [Bill] Well, this is an old beer tunnel, to ease delivery of beer and have more space to keep beer. - So, they had their own road really, is what they had. - Yes, private highway. (laughter) - Yeah, that was great, I'm glad we got to see this. If I were standing here on June 19th 2008, I would be in almost chest-deep water. Why? Because that's the day, because of huge storms that the Rock River flooded. In fact, there were people canoeing down Main Street. We saw clouds today and I got nervous. - This is a milestone, because this is the first time in the United States that people with disabilities were allowed to receive the sacrament through St. Coletta's. - [John M.] Your order began this school, or began this institution is what it was called, and to this day the mission of this place continues. It actually started with a parent coming and asking if we could teach their child and the sister said yes. So, it is to help people with special needs to develop into the best person that they can be. - [John M.] When we talk about special needs, what are those needs, and who do you serve population-wise? - It's kind of a mix, and sometimes that can be Down Syndrome, it can be cerebral palsy, we see a lot right now on the autism spectrum, so we see a lot of Aspergers and other types of disorders. And we also serve folks that are either traumatic brain injury. In our Golden Options program we do a lot with dementia and Alzheimer's as well. - [Grace] When I first came we took children from six years old on up. - [John M.] And the school was where they lived and were taught before? - Correct. - And now they're educated by public education. - Yeah, kids with disabilities go to high school now until they're 21, and then after that there's kind of a transitioning point, and it's really where are they gonna go from there? And that's where we come into play. Some people live in their homes with their families and they only use our day programs, and sometimes they live in our residential facilities and they attend our day programs as well. - [John M.] Where are we standing right now? - [Robin] We are standing on the lawn of what was once home to Rosemary Kennedy. - This was her home? - This was, and she passed in 2005, and then after that this home was renovated to be a four bedroom group home for women, and we call it St. Claire now. - St. Claire? - [Robin] They have probably the best view, and the best place to be, because it's right in the heart and home of St. Coletta. - We have some thirty homes within the cities of Jefferson and Fort, nine homes in Northern Illinois, and six homes in Waukesha. - And all of that makes up St. Coletta's? - [Grace] St. Coletta's around three hundred clients, yes. - Michael, we're in Jefferson, and they're the Eagles! - Home of the Eagles! - What's going on? - We're talking cross country, John, boys and girls cross country. But they are here as a team, really helping the torch run to help the residents from St. Coletta. - [John M.] This is a Special Olympic game? - [Mike] It is called the Torch Run, part of the Special Olympics run throughout the state, and they have it in different communities and today it's in Jefferson. And this cross country team in big numbers came out to help us. - [John M.] So what you're talking really about is the spirit of the Eagles of Jefferson. - Exactly. But the team is really good. When Megan took over, and she's the head coach for the boys and the girls, they had taken last place in the Rock Valley Conference for 10 years in a row. And they're competing, they've either won or taken first, second, or third in their conference since 2012. When she took over 10 kids total, in the boys and girls cross country team, total. They're now up to 50. 2017's the best year they ever had, both the boys and the girls qualified for state, which never happens. - [John M.] And forty out of the fifty are out today. - [Mike] They are. - [John M.] You know what you say to them? - [Mike] What? - [John M.] Go Eagles. - [Mike] Go Eagles! - [John M.] Thanks Mike! - [Mike] Thanks John! - When the outdoor movie theater industry was at its peak here in the state of Wisconsin there were close to 60 of them. Now there's 10, and one of them's right here in Jefferson. It's called Highway 18 Outdoor Theater, built in 1953. I wish it was dark. Let's first talk about the Arts Alliance of Greater Jefferson, what is it, what do they do? - It is an organization of local individuals who want to help promote the arts within the community. We focus on the visual arts. - [John M.] You do, and you're the ones who put on the plein air? - [Ellen] That's right. - [John M.] Let's define what that is. - [Ellen] It's a French term that means in open air. - [John M.] In open air? - [Ellen] Yes, so the artists come out of their studios and come into the natural light and paint outside and capture the beauty in the area. - Do you enjoy the whole plein air experience? - Oh, I love it. - You do? - Yeah, a lot of times art, if you're in your studio, can be kind of working in a vacuum, but I think being an artist, it calls to you. (laughs) - [John M.] How many painters come? - [Ellen] This year we have 31. - [John M.] 31, so it's about painting now. - [Ellen] Yes. - [John M.] Outside, with exactly what you got in front of you. - [Ellen] Yep. - [John M.] And wherever they're painting, and wherever they're set up, the community is invited to come and take a look? - [Ellen] Yes, yes, and then hopefully people will drive by, stop and chat with them. - [John M.] It's really a picturesque community. and they paint how many paintings? - [Ellen] Well, they can submit three, because they are judged as well, so they are trying to earn some money. - [John M.] It's nice. - [Ellen] We actually set up a gallery on Saturday morning, we have three judges come in and award several prizes, and then the paintings go up for sale. And then you're gonna have on your wall a picture that becomes history. - [John M.] It's really great, isn't it? - [Ellen] Our tagline for our event is see Jefferson through the eyes of an artist. - [John M.] There you go. - [Ellen] And that, I think, is the exciting part. - [John M.] Did you make that up? We're at Bon Ton Bakery, you've been here a while? - At the age of six I was bringing paper out of the basement.. chocolate pershings... stocking the shelves up in the front and that kinda stuff. Before I went to kindergarten. When you were six years old, your dad owned this place? - My grandparents owned it. - Your grandparents owned it. And are those recipes grandpa's recipes? - [John R.] The recipes go all the way back to 1917. What keeps us busy today, basically the buns, the bread, we do an awful lot of catering. - Pies? What's this? - That's strawberry rhubarb. - Strawberry rhubarb! - Yep. - [John M.] Apple? And I love the individual cherry. What're you making? - [Woman] I'm making banana cream pies. - And are you ever surprised that all of that that was successful back then is still successful today? - I think that's why it's successful today, people remember it and a lot of our repeat customers are, of course, family customers that've grown up coming here, and it's repeat. Jefferson's version of kringles. It's not round like you see in Racine. And are they crazy over the holidays? - Yes. - Hi, Verla! - Hi. - So, it's still a family business. - [John R.] Yes it is. - Is it your turn to decorate? - Uh, okay. Look at this, it's really good! There. - [Woman] And now lay it on the cake. Perfect! (Laughter) - And so he came in when when he was six to start working? - Yes. - How old were you? - [Man] She was in a box. She was in a cake box, - They put me in a cake box. - [Man] came to work with us. - What do you still enjoy coming in to get? - I do enjoy coming in to get anything. - To get anything? - I love everything we make. - [John M.] It's nice, and it's nice that you're the generation after him that's gonna continue. - [Woman] Yeah, fifth generation. - Fifth generation? - Fifth generation. - That's amazing. - [John M.] Bon Ton, where did it come from? - My great grandfather, it's French, Cajun, means good times. - [John M.] Good times? - Yes. - [John M.] Oh, I had no idea. - This is what people come here for, this is called the chocolate pershing, it's been here for as long as this business has been going, over 100 years. I thought I would give a taste. Ummm! I'll have dozen, please! - I'm on the Rock River, which separates the east side from the west side, and on either side great places to eat. Heron's Landing on the west side, Rock Bottom express on the east side. Eating in downtown Jefferson, either side of the river! - [John M.] Did it used to be called Peterson's? - [Rick] Decker's Hamburgers. - [John M.] Decker's. - You want any onions? - And then it was Armstrong's, then Bill Peterson had it for six years and now we've had it for eleven years. - [John M.] Eleven years. Can you talk about how they're made? - [Woman] What we do is, we start with our fresh ground meat. - [Rick] We grind all our seasons in there. - [John M.] Every morning? - [Woman] Every single morning, fresh. - This was passed down to us, so, this is basically the same recipe they've used for a hundred years. - [Woman] Then we put them into little balls, - [John M.] Okay. - [Woman] Put 'em on the nice seasoned griddle with some lard, and smash 'em. nice and thin. - [John M.] Yeah, it's a single, a double, and a triple you sell? - [Woman] Correct. - [John M.] So how many people fit in this booth? - [Woman] Usually three to four. - [Rosie] You gotta synchronize your moves. - I bet you it's like a dance in there, isn't it? And in there is where all the burgers come from, where all the fries come from, and it's really burgers and fries is what you sell. - [Rosie] Yeah. - [Man] It's amazing the amount of meat we go through a day, during the week we average between 70 and 80 pounds a day, and then on the weekends it's nothing to have 100, 120, sometimes 140 pounds a day we go through. - What do you sell outta here? - Outta here we sell the burgers and the french fries. - [John M.] On the inside you can get other stuff, you can get onion rings? - [Woman] Onion rings, ice cream. - [John M. Voiceover] Chocolate malt, this is childhood right here, isn't it? It's seasonal, right? - Correct, we open mid-March until about the end of October. - [John M.] What do you love about this? - The family, and the tradition. The tradition that is in this town, people identify Jefferson with this. Double Cheeseburger and fried onions. - I always think about, like if an alien came down and wanted to know what all-American life was like? - Here you are. - You'd come to Jefferson. - [Rick Voiceover] It's crazy where the people come from. - [Shandell Voiceover] Yes, all over, Chicago, Iowa, all over. - [Rick Voiceover] Just for burgers, it's crazy. We have 'em lined up past here, it's nothin' to wait an hour. It's been this way for 102 years. - Now I get it! The Gemuetlichkeit City, and I felt it all week, here in Jefferson! We're here with the mayor of Jefferson, you know the drill. - I do! - Good, you have thirty seconds to tell us why Jefferson, Wisconsin is the best place in the world to live, work, and play. And Mayor Dale, you can start now. - Jefferson is great because we're located right between Madison and Milwaukee, you enjoy all the comforts of small-town living, easy access to big city amenities. You got this beautiful Rock River that runs through the community, we have lots of boating, fishing, and paddle sports opportunities. We have big, great bike trails in Jefferson, we have one of the last outdoor drive-in theaters in Wisconsin, how cool is that? We've got the original Gemuetlichkeit Days German heritage festival in Jefferson, and we're going outside, come visit us! - [John M.] Thanks, mayor! Gemuetlichkeit, Gemeatlichkeit, Gah-mute-lick-kite. The (stumbles over words, laughs) Gahmit, what're you saying? Gah-mute-lick-kite city. - Gemuetlichkeit. - Okay, well you tell me. (calm music) - [Narrator] The Greater Milwaukee Foundatain's Ernest C. And Florence M. Schocke Fund, and by the David A. And Nancy E. Putz Fund, the Greater Milwaukee Foundation: inspiring philanthropy, serving donors, and strengthening communities now and for the future. And by, - [Narrator] Michels Corporation, serving the energy, transportation, telecommunications, and utility industries. Michels, constructing North America's infrastructure for our future. - [Narrator] We Energies Foundation and Wisconsin Public Service Foundation are proud to support public television. Together we create a brighter future for the communities we serve. - ATC moves electricity from where it's generated to communities where it's needed. American Transmission Company. Helping to keep the lights on, businesses running, and communities strong.
{ "pile_set_name": "YoutubeSubtitles" }
A hit Korean reality TV program is headed to America. Korean entertainment giant CJ E&M says "Grandpas over Flowers," which features older celebrities backpacking in foreign lands,... has been sold to U.S. broadcast company NBC. "Better Late than Never," as it will be called in the U.S., will follow the exact format of its Korean predecessor, albeit... with American celebrities doing the traveling. It′s expected to debut early next year. Wednesday′s news comes on the heels of another announcement last week, that the hit Korean drama "Good Doctor" will be remade in the U.S. on the CBS television network.
{ "pile_set_name": "YoutubeSubtitles" }
JF MUSIAL: McLaren is a brand synonymous with motor racing. Formula One is the most obvious connection. But McLaren was also involved with Can-Am racing as well as IndyCar. Founded in 1963 by Bruce McLaren, a former racer himself, it's one of the few brands in the world that invests itself so heavily into racing. JOHN ALLERT: It wouldn't surprise you to know when you come to a building like this that everything we do is about attention to detail. But it's not just attention to detail for detail's sake. It's always with an objective in mind. And 9 times out of 10, that objective is winning. We have other businesses where winning isn't necessarily being first across the line-- it's about being the best. But at the end of the day, everything we do is about being better than our peers, better than our competitors. JF MUSIAL: I have to ask though. You look at Bruce McLaren's vision and actually what Ron Dennis-- how has McLaren transpired at after all these years to be what it is, from those initial idea? JOHN ALLERT: I think it's because it's the shared value systems that Bruce had and that Bruce imparted on his team. And then when Ron took over, he had very much those same values, but then just took them to a whole new level, was able to bring in greater finance. And that gave us the muscle to then develop that vision and take it into other areas. JF MUSIAL: What I love, though, is that you stay close to your racing history. This is incredible. JOHN ALLERT: Well, how can we not stay close to our racing history? I mean, our racing history is phenomenal. And we've won 1 in 4 of every Formula One race we've ever competed in. JF MUSIAL: Unheard of. JOHN ALLERT: We've been on the podium for 50% of every race we've ever competed in. So it's a pedigree and a heritage that we are obviously very proud of. We're not an extrovert business, but we feel very, very proud inwardly of that success. And it's that success that inspires the current generation of people at McLaren to try and take it to another level. How do people feel about all of this heritage? JF MUSIAL: Yeah. JOHN ALLERT: They feel enriched by it. You can't help but feel inspired by it. And it's one of the key reasons that we have it all on display. Your reaction when you walked in here is no different than anybody's reaction. Which is, wow, there's a Senna car, or there's a Prost car, or whatever it is. Everybody has their particular era that they get excited about. And for me just as one person, to actually see some of the cars here every day that I've actually stood on the other side of the wire from when I was 12 or 13 years old, I get tingles. I get goosebumps just thinking about it. We've had people break down in tears seeing some of the cars that you've walked past today. JF MUSIAL: Walking into the MTC, it's as if you're walking into a science fiction movie-- long corridors with highly metallic surfaces. You walk through hallways thinking Trent Reznor should score a soundtrack for all the guests to listen to as they enter the place for the first time. Everything is spotless. Everything is clean. You can tell everything is designed obsessively. And I'm not saying that in a cold way. In fact, the architecture allows for so much natural light into the work spaces it makes you feel awake, alive. JOHN ALLERT: This building was a vision conceived in the kind of mid to late '90s. JF MUSIAL: OK. JOHN ALLERT: Ron Dennis always wanted to bring the kind of the federation of companies together under one roof. We'd grown exponentially over a period of 20, 25 years. And we really were wanting the benefits of being back as one kind of collective. JF MUSIAL: Mm-hmm. JOHN ALLERT: We then wanted a showpiece both for commercial reasons, so that we could explain to people the vision of what we're all about and hopefully elicit their investment in us either as sponsors, or partners, or in some cases, investors, but also to make sure that we could recruit the best people, and get the best people to come and share in what it was that we were trying to build. And this facility really does inspire the people who work here. And I think that Ron really was ahead of time in creating something that people would just want to be in, want to be part of, as well as well as the success of the business itself. To actually come to a place like this is-- it's an awe-inspiring environment in which to work. And it's a little like going on stage. You really feel like you have to up your game when you arrive here every morning. JF MUSIAL: It is an inviting experience, which makes sense. The MTC opened in 2003. And Ron Dennis was very influential in its design. Inside, you not only have McLaren Racing but also McLaren Automotive and the not so well known McLaren Electronics. Walking in here, you look at this, this is not what I was expecting at all. JOHN ALLERT: No, this looks-- JF MUSIAL: This looks like a scientific laboratory. JOHN ALLERT: I was just going to say it looks like a laboratory. But it's not. This is part of McLaren Electronics. JF MUSIAL: Got it. JOHN ALLERT: So this is where ECUs are actually being physically created. I mean, we're printing circuit boards in there. That's high-end stuff. It's not the sexy end of the business. But it's very high-end. JF MUSIAL: Ron Dennis wanted the building to attract the best engineers and designers. But more importantly, he wanted to keep them there. Walking the hallways, you can tell everyone who works there has a sense of pride to be working within those walls. JOHN ALLERT: It's actually-- it's a very selfless culture. I think we attract like-minded people here who ultimately want to win and what to do the best they can possibly do in whatever role they have. But they're selfless people who want to come together as a team. And understand that actually the old cliche of 1 plus 1 equals 3, that if they can all come together and be the best in their particular discipline, chances are that we're more likely to succeed or to win. And we have a lot to live up to. We have 49 years of success. In the time that we've been in Formula One, for example, there have been over 100 Formula One teams have failed-- have come and gone, left Formula One. So this is no place for the weak or the meek. And we're reminded of those sorts of statistics every year when people either leave the automotive sector or they leave Formula One. And that's part of that pressure to make sure that we're being the best. Because it's a slippery pole. Either in supercars or in Formula One, it's a slippery pole. And those that aren't near the top have a real struggle. [INAUDIBLE] JF MUSIAL: Now, past the wind tunnel and the Formula One work bays, we walk down a long hallway, all underground, very James Bond-like. You then hit a set of stairs. You go up. And then you walk into what is called the McLaren Production Center. This is McLaren Automotive. This is the future of McLaren. LEE BOYCE: So right now, this is the north end of the MPC. This is a VIP area. This is a hosting suite. So this is basically where potential customers, or dignitaries, or any type of VIP can come to this area. And from this area, we lead directly out onto the production facility, just around this corner here. JF MUSIAL: OK. LEE BOYCE: And I think you need to see that. JF MUSIAL: Let's go check it out. So how old is this place? LEE BOYCE: So we've been operating in here now for-- JF MUSIAL: Whoa! Look at this! LEE BOYCE: --eight months. JF MUSIAL: And you're in full production at this point. That is incredible. LEE BOYCE: We are flat-out production. And we have been now since the turn of the year. We have been at full capacity in terms of our planning requirements for this year. And for sure, everything, from a production point of view is going absolutely beautifully at this moment. JF MUSIAL: This is surreal. LEE BOYCE: Yes. JF MUSIAL: It's almost a [INAUDIBLE] room. And it mimics the MTC but on a different level. Prior to the MP4-12C, McLaren built my favorite hypercar, the F1, then after that, the SLR, which was built right alongside the F1 cars. But now, for the new MP4-12C, it's an entirely new building. The first thing I noticed there was that there was a lot of unused space. McLaren has been around for about 50 years. But McLaren Automotive is essentially an entirely new company. They built the McLaren Production Center knowing they would be building other models besides the MP4-12C. LEE BOYCE: Actually, what you're looking at now is the best part of 20,000 square meters of floor space on which we want to produce the vehicle. We worked really hard to make sure that we could integrate all of the processes that were absolutely critical to ensuring that the assembly of this vehicle was felt on absolute personal level from an operator's point of view, but also gave the customer a really good feeling that actually, his ownership experience didn't start when he took the car. It actually started at the placement of order. And therefore, if he wanted to visit this facility, he could actually come and see his vehicle being birthed. All of the technicians feel as though they're involved in making that person's car. So it's not just a vehicle. They accept that there behind that is a customer, and a valued customer. And we wanted to make sure that his ownership experience started right here from the moment we first loaded any components into the facility. If we keep taking a look down here-- JF MUSIAL: So this is Phase 1 right here. LEE BOYCE: So this is absolutely the start of the process. JF MUSIAL: OK. So this is the MP4-12C monococque right here. LEE BOYCE: We didn't want any feel of industrialization in the facility. We wanted it to be a theater. JF MUSIAL: [CHUCKLES] LEE BOYCE: It was really important to us that we create an environment where everything felt special and everything felt personal. And I think we've achieved that. So what you don't see is you don't see any significant levels of automation. You don't see clunking-- JF MUSIAL: You almost see none. LEE BOYCE: --chains. You don't see any conveyors. You won't see air lines or anything like this. It's all very quiet. It's all very composed. And it's all very simple in its execution. If we take a look at some of the racking and what have you, there are a number of components such as fastenings and such as brackets and that where we can clearly hold quite a decent level of stock holding lineside. And as you can see with things like these front long [INAUDIBLE], we've designed some bespoke stillaging to allow us to-- JF MUSIAL: Just for these parts? LEE BOYCE: Just for these particular parts. And we have bespoke stillaging all around the facility. But I think what's a really good, tactile thing about what you're looking at right now is if you look at the diameter and the radius of the bespoke stillaging, it's absolutely the same as the radius and the diameter of the racking. As you could see, this is where the vehicle's being more and more progressed through its build assembly phase. So the windscreen surround is going on there. And the B-pillar carting is going on here. So even though we have 100% confidence in the facilities, and the equipment, and the whole process with these guys-- and we are 100% confident-- that doesn't stop us taking every single body, and it is every single body, and processing them into the Geometric and Surface Validation station. So this is Geometric and Surface Validation. So basically, every single body-- even though we're 100% confident it's in a good place, we still want to measure it just to ensure that we don't get any quality drift in the overall body's vehicle assembly status. JF MUSIAL: So this whole rig here is just for measurement. LEE BOYCE: So everything that you're seeing here is absolutely for measurement. So if we take a lot of surface points. We take hundreds of surface points. We take hundreds of geometric points on the vehicle to ensure that we know that the car is in a really good place dimensionally. The body would exit these double doors here. JF MUSIAL: Got it. LEE BOYCE: Which are closed at the moment. Then it will go into-- this is the paint facility now. In essence, the vehicle through this paint facility is processed across two skids. The body goes on one particular skid and all of the other supplementary panels go onto another. This is the single biggest piece of investment in terms of equipment in the whole of MPC. And so we've pushed all of the potential suppliers-- with regard to paint facilities-- hard in terms of making sure that in their thinking, they've got absolutely what we were all about in terms of an installation. So whilst all of them could have satisfied us technically-- that's not a problem-- we wanted to make sure that this was right as well. This was really important for us to make sure that they understood our philosophies, our methodologies, and they clearly understand that from a brand augmentation point of view, whatever they install absolutely complemented them. Because what it creates is it creates a completely different mindset of thinking for the technician. What it demonstrates to the technician is that we've thought about their working environment as much as we have the product and the customer. Because if we create a perfect work environment for them, they can only ever give their best of themselves. And I actually think you get that natural transfer into the vehicle there. And you get an uplift of in-built vehicle processing quality. I'm absolutely convinced of that. So what you're seeing here now is worth seeing. This is what we call Skid 2. And it's just had its base coat applied. That won't go forward until they put the clear coat on those particular booths here. The whole facility-- even though we designed the facility such that if we wanted to put robots in here, we could. And whilst robots have got great dexterity-- and they have-- and you can put all sorts of convoluted and complicated programs into them, there's nothing more dexterous than the human. And what a robot doesn't have as well, he doesn't have the eye as well. It's an application process. There's nothing emotional about it. It's very clinical. It's just application. Here, these guys can take a view on when they think they've done something absolutely the right way or not. And they've got an opportunity to do a level of reparation in the booth should a mistake have been made or should they see something on the vehicle, then they think, oh, that doesn't look quite right, there's an opportunity here to do that reparation. So [INAUDIBLE] this is an audit line. And so basically, when the vehicle has had its clear coat put on, it goes into the oven through those glass doors there. There's exits here. And this is the first point we do some inspection. Every single vehicle gets a full surface quality inspection. The great thing about this facility is we have enough flexibility in here to always do a fix the same day such that it doesn't disrupt our output requirements for the process. So it comes all the way down this particular facility here, shuffles across again, and then goes into the polishing and final finishing site. Every single car gets a full flat and polish so that we raise the optical aspect of the vehicle. So we create a far greater level of depth on the color itself. So you can actually look into the color. And you're not just looking at surface. You're actually looking into the color. FRANK STEPHENSON: Everything you see on the car, we like to say it is done for a reason. Which means that everything that you see has an effect on the overall performance of the car. And more so also, when they do say form follows function, that sounds nice and everything. But with this car, pretty much, it's form equals function. What looks right works. What we've done is, of course, you have the two main intakes on the front which are for your inner coolers. They specifically have to get a lot of very air in there very efficiently and do the job of cooling. But also, we have what we call a splitter right here in the front. And that creates a lot of downforce, creates the right feel for the road with the car. This area is very critical underneath. If you rub your hand underneath, you'll feel some, what we call diblets. They're little-- JF MUSIAL: Oh, yeah. FRANK STEPHENSON: --pumps that actually straighten out the airflow underneath, things that you don't even see, but they're on the car. I mean, every detail is really taken to the max on this car. This is what we called biomimicry. There's a lot of influence from what really works. Some organisms in the world use this type of design feature for purpose basically. We have had a little bit of freedom with the headlights. This is where you can really start to give the car a little bit of a unique look. It's almost as if it's the eyes of the person. Eyes do give people a lot of character. So we're not really influencing too much technology here. We are using high-tech Xenon lamps. But you can see that the actual form of your daytime running lamps sort of creates the feel of the McLaren logo. JF MUSIAL: Uh-huh. FRANK STEPHENSON: We let the light bleed through these three little slots here which are almost like fins or gills-- JF MUSIAL: Gills-- that's exactly what I was going to-- FRANK STEPHENSON: --of a shark. JF MUSIAL: --going to describe as gills. FRANK STEPHENSON: And that sort of-- when you're in the front, you look back and you see that, it really gives the car its own unique look to it. Another thing that we've really concentrated on is keeping the cowl, the back of the hood, as low as we can for full optimal forward visibility. So we pushed it quite far down. That gives us a great viewing angle from the driver's position. And one of the funny things that you would not really notice unless you're actually sitting in the car-- it's very interesting-- is that the center point of the wheel is directly under the highest point of the fender. Which means when you're actually sitting down, you know where your wheels are placed to hit the apex. JF MUSIAL: Because you see it. FRANK STEPHENSON: Because you know that the farthest point you're looking-- or the highest point-- is actually the center of the wheel. So you can really place it-- JF MUSIAL: Interesting. FRANK STEPHENSON: --precisely that way. Really important is actually this blade that we have here on the side. And although it looks kind of like an element that we sat down and designed and had fun with, it really came out of the computer, out of what we call CFD, Computational Fluid Dynamics. And in our intent to make the car as small as possible and center all the weight towards the center of the car, we've actually turned the radiators parallel to the direction of the car to get the weight, the mass, all towards the middle. This blade here has been done on the computer such that it generates or actually keeps the air attached to it. And it throws it in on an accelerated curve. So you get plenty of coin that way. So this blade is [INTERPOSING VOICES] very necessary. Of course, it adds flavor to the car and makes it more unique. But it's there for a reason, as I said. Another element that I really like on the car is what we call the air brake on the back of the car. And we don't consider it a spoiler. It's not even used as a spoiler. It's basically a way of adjusting the braking on the car. So anytime you break in anger-- JF MUSIAL: In anger-- I like that. [LAUGHTER] FRANK STEPHENSON: Well, with intent to break, I guess, to slow down-- it goes 90 degrees. And what happens then is that the center of gravity actually moves back towards the back of the car and puts more weight on the back wheels so that you can actually use the breaks in the rear a little bit more. A lot of the action is actually done by the wind itself, not by pushing it up but releasing it. And then lift-- go up on its own. One of the design words that we use a lot on the car is to actually-- for the language-- is actually to almost, like, shrink-wrap the surface. Whereas a lot of cars add volume, what we're trying here to do is take away volume. So you're almost, like, shrink-wrapping the metal over the hard points, which are suspension mounts, or vision angles, or head clearance angles, whatever. So we're trying to minimize, take weight out of the car, by reducing the amount of surface area we have running. JF MUSIAL: Got it. LEE BOYCE: So this is basically the start of the trim and final part of the process. This is where we start layering the car and installing it ready for us to take it to a point of-- JF MUSIAL: No wiring harness? Wiring harness? LEE BOYCE: Wiring harness--it's as simple as that. JF MUSIAL: Yeah. LEE BOYCE: So we have the opportunity of being able to produce the same amount of cars in this facility as any of our competitors with their levels of industrialization. You don't actually need that. And we wanted to create a different blueprint for how to build cars. And if we take a look at these vehicle ramps here, these are a standard vehicle ramp. But we wanted to make sure that we put some nice architectural cladding around it. And we made sure that we set all of the services underneath the tiles as well. So you do not see any lines. And that's why everything is really clean. And it was really important to us that we didn't trailing air lines, and we didn't see trailing cables. This is a really interesting feature in the facility. Again, same diameter, same radius, but what's really interesting here is that all of the services are in a trench here. JF MUSIAL: Got it. LEE BOYCE: So we have this trench that runs the full length of the building. We have those in three or four places across the building. All of the services actually go feed up through the back of these tool cabinets there, so that all of the IT functionality is fed up through here as well. So you don't see any cables here. And if you need to use compressed air or you need to use single phase electrics, it's all embedded within the facility. And you just don't see any cabling. Every single operator is accountable for his work. They work with what we call-- we have this little access swipe system. So when the car comes into the facility, every single operator has to swipe his card. If we take a look here-- I won't do it because it means I'll have to start assembling parts of the car. But he would swipe his card across the reader there. And then that locks him personally into that particular vehicle to undertake a certain amount of work on that particular car. JF MUSIAL: He's responsible. LEE BOYCE: He's absolutely 100% responsible. Now, we're getting into the final stages of-- JF MUSIAL: I'm seeing a bunch of grease pen on here. So 248, 248-- so that's how you identify [INAUDIBLE] LEE BOYCE: That's how we identify-- JF MUSIAL: [INAUDIBLE] LEE BOYCE: Absolutely. So this particular panel was painted with this particular body. So that we absolutely make sure we don't get any inconsistencies with color matching or anything like this. JF MUSIAL: Got it. LEE BOYCE: And not only that-- we want to make sure that this particular component is going to be reset with this particular door, so we get a really good fit and finish from a gap and profile point of view as well. LEE BOYCE: JF MUSIAL: Got it. So what we're doing here now on this particular station-- this is the geometry setup lift. This is basically where we do toe, camber, ride heights, and all of that sort of thing in readiness for when we go into the dynamic rig. JF MUSIAL: Cool. LEE BOYCE: [INAUDIBLE] This is where we put the car through its first real dynamic load. So we do an engine fire-up further upstream in the process. And this is where we put the car through some dynamic load here now. So basically, we bring the car up to temperature, check most of the electrical systems are working, and all of the brains in the vehicle are communicating with each other. We do some brake activity. We do some acceleration, deceleration. But just generally, put the car through some immediate dynamic loads. JF MUSIAL: Yeah. LEE BOYCE: So in essence, vehicle goes through a dynamic rig into the Monsoon where we give it a full saturation of water. I don't know-- 16,000 liters in about 6 or 7 minutes-- it's a huge amount of water. Car exits there. It then gets prepared, ready for external drive appraisal. They all leave through that door there. JF MUSIAL: OK. LEE BOYCE: Goes out on its external drive appraisal where we put it through some more aggressive loads. One of things-- when we were landscaping the whole exterior, the outside of the facility, what was really important to us was to try and optimize the land around us as well. So we've got cobbled sections of roadway out there which allow us to shake and rattle the car a little bit just to loosen anything. Go before we actually take it on the highways and byways. JF MUSIAL: Ah. LEE BOYCE: Obviously, during the wetter seasons in the year, the car could come back with some muck and what have you on them. And that's why we just have this wash down rig here now. So we just give the underside a quick wash down and just make sure that the vehicle is fully cleaned before it exits here. It would sit normally on here for 45 minutes, just to have a final drip-dry. We take a look at the vehicle after its been out on an external drive. And what we do is we're basically checking to make sure that nothing has worked loose, there are no weeps, or leaks, or anything like that from any of the joints. JF MUSIAL: Yeah. LEE BOYCE: There's been no displacement of any harness clips or anything like this. And everything [INAUDIBLE] is absolutely how we want it to be-- a very, very critical station. We're getting ourselves ready to hand the car over to the auditors with what we perceive to be a car that is acceptable for the customer. The auditors then give it a really thorough investigation, an interrogation. And again, they go to the nth degree of checking service quality, checking fit and finish, checking functionality of all of the systems. JF MUSIAL: So that's it. These cars go to the customers, right? LEE BOYCE: These cars are ready to go to the customer. JF MUSIAL: So where's-- LEE BOYCE: [INAUDIBLE] JF MUSIAL: Where's the car I'm driving? LEE BOYCE: Unfortunately, it's not one of these. But just for you, we have one back at the base. JF MUSIAL: Cool. LEE BOYCE: OK. JF MUSIAL: Thank you.
{ "pile_set_name": "YoutubeSubtitles" }
It's hard to believe, but this wind swept patch of desert was once the site of not only Utah's but perhaps the world's largest volcanic eruption. About six thousand cubic kilometers magma erupted in a catastrophic event 30 million years ago. Then it turns out it's one of the largest super eruptions that we are aware of in the world. any age, anywhere. Right now We're sitting in the middle of this caldera that's right here on the Nevada-Utah border. From north to south, that's about 30 miles. The largest eruptions on earth have been called super volcanoes and in order to be a supervolcano, it has to be over a thousand cubic kilometers in mass. Take, for comparison, the eruption of Mount Saint Helens that occurred in 1980, omitted one cubic kilometer of volcanic material. The eruption we're looking at here errupted six thousand times that amount of material. Most people, when they think of a volcano, they think of a conical edifice with a single vent. Super volcanoes, they don't stand as high combed. Instead, they for large holes in the ground. At the heart of the supervolcano is a large collapse. As a super volcano forms, a massive pool of magma builds up and domes the surface. Eventually, the roof breaks, starting a huge eruption and emptying the magma chamber to form a bowl-shaped impression a few miles deep. The hot magma rips violently as clouds of ash and ground-hugging pyroclastic flows rapidly spread hundreds of miles across the landscape and fill the newly formed caldera. The ash would have cut out the sun and it would've been total darkness. This would have been a catastrophic event. It took many many years for us to fully realize that we have a super volcano here in western Utah and it took so long because remnants of this caldera were found in five mountain ranges. For years, we've been looking for the source of this very widespread pyroclastic deposit. It's so old that it's been completely eroded, completely obliterated so the only way that we know that it's here is by looking at the rocks. In these 250 drawers, there are thousands of rock samples that were collected over about a 30 year period with the help of hundreds of students. The basis of all our work, of course, is in the field. A lot of the time is actually spent in the lab. Many hours are spent at a microscope trying to find out the details of the minerals. Many other hours are spent with analytical instruments to find out the composition of the grains of the rocks. As we accumulated the data and verified the arial extent of the Wal Wal Springs, we found that indeed it was a super eruption from a supervolcano. In the news, you may have heard of other super volcanoes. Some of them are still active and still churning away. The Yellowstone Caldera is a super volcano and it's still an active system. If this is one of Earth's largest super volcanoes, do the people in western Utah need to worry about an eruption here as well? The answer is no. The tectonic setting is different. The caldera has been ripped apart. This volcano erupted 30 million years ago and there's no threat of that style, the large super eruption here in western Utah, today. One of the things that geologists are always trying to piece together is the history of the Earth. The history of the Earth has been punctuated by catastrophic events, and identifying one of those that occurred here in western Utah will help us piece together the long chain of events that are part of Earth's history.
{ "pile_set_name": "YoutubeSubtitles" }
Greetings to everyone. Welcome to the 'Youth Week' of 'Crime Patrol Dial 100.' Every third person in India comes under the category of youth. Youth has the strength to change thinking, sovereignty society, country and the power to change anything. But if the upbringing is not right a child can lose track of right and wrong. And children who gets used to bad habits and the habit of being stubborn don't appreciate advices. And someone who doesn't want to listen.. People stop making attempts to make them understand after a while. But if our own child is on the wrong path.. If they don't listen to even their parents owing to their stubbornness.. Is it right to leave them to their own devices? Guys, cheers! - Cheers! - Cheers! I didn't even realise that my life became empty like this last peg. My hearts wishes that this peg lasts forever and so does this celebration. But the truth stares back at you saying that your life is no more than the last sip and so is this celebration. Singh, keep everyone at a distance. Yadav? Yes? - Go and check for evidence over there. Go back! Sir, I didn't find any identity, mobile purse or anything. Fine. Check around. Take everyone's name and number. Sure. - All right? Sir she was shot in the head and killed. The state in which the corpse is suggests that she was forced upon. But we didn't find anything near the corpse through which she could be identified. The person who killed her is smart hence he didn't leave any trace to identify her. The wound doesn't seem fresh. I think she was killed around 12 hours ago. It means, she was killed somewhere else and the corpse was dumped here. Send her photo to all the police stations around. Check if someone lodged a missing complaint. Sir, sure. Take this file and go there in the evening Ask them to keep me updated and also call me. Sir, the corpse of the girl that we found.. We have circulated her photos to all the police stations in Agra. But there is no missing complaint for her until now. Tripathi, there are chances that she might not be from Agra. Send her photo to all the police stations in the state and publish her corpse's photo in the newspaper. Someone might identify her. Sir. Hello. The corpse has been found but I think, she hasn't been identified yet. The girl was gang raped before she was murdered. As per post-mortem report the girl died on 22nd June at around midnight. She was shot point-blank with a .315 bore country made pistol. And later the bullet wound was gaped by a knife. So maybe she was raped at gunpoint. And the knife was pierced in the bullet wound in order to remove the bullet so that no connection can be made between the murder and the murder weapon. Sir, but her blood had high volume of alcohol. She might've been raped at gunpoint but so much alcohol.. She wasn't forced to drink it. Apart from that, food traces were found in her stomach. It is a possibility that she was with people she knew before she died. So you are saying that she drank with her murderers. But who all were with her? We will know that only after she's been identified. I think she is a strange even for her own people. She died a week ago and no one has reported a missing complaint yet. And the morgue is asking permission for her cremation. Preserve her DNA sample and cremate her body. And enquire at all the hotels and liquor kiosks near the highway. May be she was seen with someone there on the night of the murder. Post her photos on social media. We might get information about her identity. 'If someone asks me who I am' 'I will smile and say that' 'this weepy painful journey is my identity.' And the destiny of this journey is His house. And to reach at His house daily and return with disappointment is my habit. But I fear that my life might just end in this journey. And my identity might vanish. No one is an orphan amongst us. Everyone has someone. But what went so wrong with that girl that no one came to identify her. And her last rites were done, considering her an orphan. In the farewell to her soul, her name was not read out So were her parents not alive? Did her friends, enemies, relatives and close ones took her life? Hence no one came to identify her till now. Cops were trying out all possibilities to identify her. But they couldn't find any lead. Listen. The cops have become very active. You all just go away from here immediately. Got it? Sir, her name is Hema Taneja. Where does she live? Sir, I wouldn't know that as we were friends on internet. You claim to be her friend and you say that you don't know anything about her. Sir, this is what happens on social media sites. She seemed beautiful, hence I sent the friendship request. She even accepted my friend request after two days. Sometimes we used to greet each other online. Apart from that, I don't know her personally. Tripathi, take the permission to access Hema's profile. Get her address as soon as you get her phone number. - Sir! Sir, I got Hema's phone number from her social media which is registered at Indrapuram in Ghaziabad. Does Hema Taneja stays here? She used to stay as a tenant in the first floor. But it's been 3-4 months she has moved. - Where? Any idea? No, sir. I don't know. Who else used to stay here with her? Her mother used to stay with her. Initially, her father used to stay with her but a couple of years back her father passed away. What's the matter, sir? We've found Hema Taneja's dead body. She has been murdered. - What! - Yes. Do you've the phone number of Hema's mother? No, sir. I don't have but Hema used to work in a bar in Vijaynagar. In a bar? - Yes. What is the name of the bar? - I'm not aware of it but it's a 'hookah' bar. Sir, the photos which Hema had posted on social media it seems the name of that bar is High N End. But she has posted a lot of romantic poems on the social media wall. 'I don't know who I am. I am no one.' 'No one at all.' 'You the world to me.' 'Everything is with you.' 'I am made for you. You are mine.' 'Your existence is my identity.' Seeing her posts, it seems she was in deeply in love with someone. But it's not clear with whom was she in love with. Sir, if she had loved someone so much and also she has a mother.. Why didn't anybody file a missing complaint of her? Cheers, guys! 'I didn't know how life drained slowly' 'like an empty glass of liquor.' 'I yearn for an unending party and your company for life.' 'But the truth shows, my life is on the brink' 'and this party's going to end.' Tripathi, look. These are her last photos which she had posted on 22nd June, 10:30 pm. On the same night, she was ravaged and murdered around 12 midnight and 1 am. Seeing her photos, it seems she is in some restaurant. Maybe when she posted these photos she must've been with assailants. Sir, it is possible that the boy she loved.. Maybe she was with him that night. There is a possibility. But if she had loved someone so much and if he was really with Hema then why was her honour ravaged? That too, many people ravaged her. Love inspires us to sore the skies but some uncouth people tries to label their disgusting acts as love. Hema Taneja's mass violation and murder case was going to be linked up with her lover who was also been considered the murderer. But was Hema's lover a bad guy? Or was his relationship with Hema was wrong? Or was someone else was wrong? Come here. Does Hema Taneja works here? Yes, sir. - What's the matter, sir? Why is the police here? Who are you? Sir, I'm Riddhi.. The manager of this bar. What's the matter, sir? Does Hema Taneja works in this bar? - Yes, sir. Hema works here but it's been days she didn't turn up. Sir, may I ask, what's the matter? Sir, I'm not able to imagine that such a heinous incident happened with Ms. Hema. Sir, she was a naive girl. We build up a good rapport. She was liked by every customer. Where did Hema used to stay? She used to stay near Sahidabad. Ms. Riddhi must be knowing her address. Are you all right? Yes, sir. Who do you think could do such a thing with Hema? Hema was a jovial girl. Who can be her enemy? Who was Hema's friend? I mean, with whom did she have an affair? Sir, she didn't tell me but there was a boy whom she loved very much. She liked poems. Every now and then, she used to pen poems. I fell in love with you. But I've no remorse. Because I'm also in love with this remorse. My name is always linked with you. Excuse me. You always write poems. This is a bill book and not your diary. Come on. Get back to work. Sir, Hema was quite a good girl but she had a habit of drinking. She used to go with anyone to drink. Bye. - Bye. Listen. Come tomorrow on time. All right? - Sure. Okay, bye. Who was with her on the night of 22nd June? Sir, she left for home early on 22nd June. But four boys used to come here regularly for the last few months. They used to come here for Hema. They used to spend lots of money. What are their names? - Sir, I don't know their names. Since you don't know their names.. Do one thing. The CCTVs installed in this hall must have captured their footage. Show me the footage. I was talking about these four boys. Did they use to pay bill through card or in cash? Sometimes, they used to pay in cash. Sometimes, they used to pay through card. Give me their bills, debit card and credit card slips. Okay, sir. Sir, Ms. Hema's behaviour was good with everyone. But she.. What? Why have you stopped? Tell me everything. Actually, Ms. Hema's post was lower than Ms. Riddhi's post. But she was very popular in this bar. Okay. Hi. What a pleasant surprise! Please come. Let me order something for you. Hi. - I will be back. Hi - Hi. - How are you? You have come here after a long time. Hi.. What would you like to drink? I think Ms. Riddhi was jealous of Ms. Hema since the later was more popular than her. Why do you think so? Tell me everything. Sir, I am not suspecting Ms. Riddhi. But I am telling you what I felt. Please don't inform Ms. Riddhi about this. My job.. Tripathi, as per the employees of this bar Hema had an outgoing personality. I think she died because of her outgoing nature. Perhaps, Hema's lover took her long with him. He made her drink alcohol and tried to get intimate with her. When Hema opposed him he raped her with his friends in the heat of the moment and murdered her later. But no one knows who Hema's boyfriend was. Sir I have got this information from a waiter. Rohit, Shamim, Karan and Ashish were close to Hema. And they come here to enjoy their drinks. I have checked the CCTV footage too. They have been spotted with Hema. But they visited here just a couple of times after Hema's murder. It's possible they have connections with Hema's rape and murder. Get their details. Tripathi, let's go and meet Hema's mother. Maybe, she will be able to tell us about Hema's lover. Yes. Are you Hema Taneja's mother? - Yes, but she is not at home. She has gone to Delhi for official purpose. What's the matter? Is everything all right? They could have just raped her. Why did they kill her? What's my daughter's fault? Who was with her on the fateful night? I don't know, sir. She is not in condition to speak. We should give her some time. - Sir. We have got the addresses of those four boys who use to visit that bar regularly. Okay, Jadhav. Sir, Rohit and Ashish are absconding. Shamim and Karan have been detained. Jadhav is bring them to the police station. Where were you on the night of 22nd June between 10 p.m. to 1 a.m.? Speak up! Sir.. Sir, I don't remember. You don't remember, right? - Yes, sir. Ali. - Yes, sir. Beat him up until he regains his memory. Sir.. Perhaps, I was at home. I am speaking the truth. You were on Delhi-Agra highway. You raped and murdered Hema Taneja, right? No, sir. What are you saying? I am innocent. - Don't lie to us. I am speaking the truth. And your friends were with you. Speak up. Who all were with you? I wasn't there. Please believe me. I am innocent. You committed a heinous crime. First, you drank alcohol with Hema. Later, you raped and killed her along with your friends. Am I right? Sir, I didn't even know her properly. You and your friends used to party with her. Are you enjoying? Yes! I agree we used to party with her. But only few times. - Tell me the truth. You used to love Hema. But your friends were dirty and so was your friendship. No, sir. Nothing like that. She was just a casual friend of mine. If you were the casual friend then who among you was the special one? I don't know who that is, but it's not me. Sir, I thought of her to be my sister, sir. Honestly.. Scoundrel. Now she is your sister. - Sir.. Did she tie rakhi on your wrist while getting drunk? Thrash him, until he tells the truth. Sir.. 'It's difficult to think of myself of this world' 'in your love.' 'When the world fails to shackle me in bonds' 'they say that I'm the bad one.' 'How do I explain these idiots' 'that I don't belong to this world anymore.' Sir, Karan and Shameen aren't saying anything. And the other two, Ashish and Rohit. We have sent a look out notice for them at all stations. Sir, what if the guy Hema loved was one of Ashish and Rohit? There are a lot of guy friends in Hema's social media account. But when I checked her chat history turns out she doesn't talk to a lot of boys. She used to live in an ordinary house. But her lifestyle was not ordinary. We'll have to understand her character better to take this case forward. 'There is longing even in relations which we don't want' 'the longing to not want the relation.' Sir, tea. No, sir. I don't recognise any of them. Ms. Neeta, we think that the guy whom Hema loved may have something to do with her death. Do you have any idea whom she used to love? No, sir. I don't know if she even loved anyone. Didn't Hema ever tell you anything? No, sir. Hema used to post romantic verses on her social media. These posters and cards in her room. Did you never think that she might be in love with someone? Hema was missing since so many days and her phone was also switched off. Then you didn't even worry about your daughter enough to file a missing person's complaint. Sir, she used to stay out of the house days at a time. And even when she used to be at home we didn't used to talk a lot. In spite of being mother and daughter we had become strangers for one another. Hema didn't like it when I nagged her. So I started to overlook her mistakes. But I shouldn't have given up. If she didn't listen when I was nice then I should have been stricter with her. Had I done that then my relationship with her wouldn't have been so bad. Sir, it's so strange. Hema used to express the smallest details of her life on social media. But she barely even talked to her own mother at home. Tripathi, these days a lot of youngsters like Hema maintain a social relationship with the outer world but fall out of contact with their own family. Social media is a great way to bring people closer who live far away. But the side effect of this is also that we are getting far away from our near and dear ones. We may spend hours at a time to like pictures of other people but we don't get the time to appreciate the food that our mom makes. We post verses and quotes full of knowledge but fail to say a few words of appreciation to our soul mates. Sir, according to Hema's call records on the 22nd of June. she didn't talk to Rohit, Ashish Karan or Shameem from her phone. But she did talk to these two numbers. The last call to her phone was from one Kashif Khan. And she also talked to one Amaan Khan in the evening. She used to talk to these numbers occasionally. Kashif and Amaan. Interrogate them as well. - Yes, sir. Yes. - Amaan Khan? - Yes. That's me. Tell me. Do you know Hema Taneja? Yes. I do know her. A few days back I read about her in the newspaper. A call was made from your phone to Hema on 22nd June. I called her from his number. - Why? I had to make a reservation in the hookah bar. But she said that she was going out somewhere. That's why we cancelled our program. Are you her friend? - No. I'm not that close to her. But sometimes we used to meet at the hookah bar. Get the call records of the marked numbers. - Okay, sir. Sir, Amaan Khan is married. Amaan and his wife used to visit the hookah parlour. And Amaan's wife had called Hema on 22nd June regarding that. Yes, Yadav. - Sir, Kashif's house is locked. On interrogating the neighbours we got to know that the house is locked from a long time. Even Kashif's number is switched off. Even Kashif is missing along with Ashish and Rohit. And these three are related to Hema. Tripathi, get me Kashif's call records. And find out did Kashif have a connection with Rohit and Ashish. And find them out at any cost. Okay, sir. Even Kashif emerged as a prime suspect after Rohit and Ashish. The police were looking for all three of them and very soon they got a lead on Ashish and Rohit and they finally got arrested. Sir, I was in Ghaziabad on 22nd of June. Neither did I go to Agra that night nor did I meet Hema. We have your laptop with us. Tell us the truth. Didn't Hema love you? No, sir. I don't fall prey to these things. I keep myself far away from all these. Was she in love with your friend Rohit then? No, sir. We were just good friends. A lot of other people were her friends as well. I know that. Even Kashif Khan is a name in that list. Where is he hiding? Who's this Kashif, sir? The one with whom you gang-raped Hema and then killed her. Sir, I don't know Kashif. I haven't done anything, sir. Then why did you run away if you weren't guilty? Sir, I didn't run away.. I went to visit my aunt. We checked your phone. All the data has been deleted from it. What was there in it? Sir.. Nothing wrong was there in it. There was a virus in the phone.. That's why I had to delete everything. First you killed Hema and went to your aunt's place. Then there came virus in your phone. Let me help you get rid of few of your problems. Get rid of the virus in him. - Sir.. Even Ashish isn't saying anything like Karan and Shameem. And even Rohit isn't saying anything. But I think, Rohit is the one whom Hema used to love. But Rohit was always involved in fun activities. And when he realised Hema is madly in love with him. Then he teamed up with his friends and did this act. Sir, even Kashif is missing and he's the one to speak to Hema for the last time. What if Kashif is involved with these people? Tripathi, Hema was shot dead. Find out again about all these boys. See if they have a connection with an illegal arms dealer from where that pistol was bought. Okay, sir. - Sir, we found no clue of Kashif having a connection with those four But a few days ago, we got to know that Rohit used to book rooms in low budget hotels. And he often used to visit them with Hema. Sir, these are the hotel bills. You all share a very strong bond of friendship, right? But Rohit has admitted that he ganged up with you three raped Hema and later you all murdered her. We haven't done anything, sir. He's trying to frame us. Yes, sir. Rohit himself was the one closest to Hema. And these two were in a relationship as well. What about Kashif? - Sir, we don't know any Kashif. Rubet Lodge, Temptation Blue Moon Lodge and Ekaant Niwas. There are a lot of such places where you had spent a lot of quality time with Hema. Listen to me, Rohit. There's no use staying quiet. Your friends have revealed your secret. They told us about your relationship with Hema. Sir, I do accept we were in a relationship. But I haven't done anything wrong to her, sir. Again a lie. - Sir.. Sir, I'm not lying. I was scared then so I lied to you. Hema used to love you. And you killed her. Sir, I haven't killed Hema. Sir, we were in a relationship but we were only physically connected to each other. We never came emotionally close to each other. Really? Sir, I still don't understand Hema. And whenever we used to be together.. It seemed like she was living her life for someone else. Hema. Sir, Hema used to stay a lot depressed. But whenever I enquired about her problems she used to reply in poems. Sir, after sunset she used to consume alcohol attend parties and recite poems in order to get rid of her depression. Riddhi told me about this, sir. - Riddhi? The manager of her bar? Yes, sir. Sir, Riddhi was the one to introduce me to Hema. And she even told me a number of times that Hema would destroy my life. And today, I'm getting assaulted by you because of her. It means you're still the same. No.. Sir. You may assault me as much as you want to. But I have told you the truth, sir. Sir, I think, she has fallen prey to somebody else's enmity. But I have not done anything, sir. Sir, I agree Rohit was my good friend. But Hema was friendly with many other boys apart from Rohit. I don't know whom she used to spend time with. That is why, you warned Rohit to stay away from Hema. Your silence proves that you were very well aware that Rohit and Hema had an affair and you were not happy about this. This is not true, sir. Tell us right now if you are hiding anything. Otherwise, you may have to repent later. Sir, I have not committed any crime. So, please stop talking to me like this. I hope you are right. Otherwise, we'll meet you next time in the lockup. Update me as soon as you receive Riddhi's call records. Check her activities on the night of Hema's murder. She might be involved in Hema's murder and rape. Sir. Sir, I just received an information from Indirapuram Police Station. Hema was married. As per Indirapuram Police Station Hema's real name is Hema Taneja Khan. Sir, Hema had filed a complaint against her husband, Amaan Khan, seven months ago because Amaan had married again without giving her a divorce. But Hema withdrew the case after that. Tripathi, arrest Amaan Khan. In the meantime, I'll find out from Hema's mom whether she knew about Hema's marriage or not. Call Amaan. Amaan is not at home. Where has he gone? He has gone out for some work. Yes, sir. Hema had a love marriage with Amaan around two years ago. You didn't inform us that she was married. Sir, you never asked me about the marriage. You asked me whom Hema was in love with. I don't think she loved Amaan. She had left him one year ago. Why did she leave Amaan? I don't know, sir. She got married as per her wish. And she returned home as per her wish too. She never shared her pain with me. But I am sure that her habits would have been the reason for her separation with Amaan. Yes, Tripathi? Sir, Amaan is not at home. Get him anyhow. Okay, sir. Sir, one second. Singh, make them sit in the cabin. Sir, Amaan himself has come to the station. Amaan. - Yes, sir. Why didn't you inform us earlier that you were married to Hema? Sir, actually.. Sir, he wanted to tell you the truth. But I was scared after seeing Hema's dead body's photo in the newspaper. That is why, we hid the fact about the marriage. The story behind a phone call was also a lie. So, Amaan had called Hema the night she was murdered. Yes, sir. Hema's certificates were at my place after our separation. She had called up many times and asked for it. But I was not finding those certificates. I found it finally and informed her to collect it. Sir, these.. These are the certificates. Why didn't she come to collect the certificates? I don't know, sir. She told me that she'll collect it. But.. I heard that Hema and you had a love marriage. Why did you separate then? Sir, it was a love marriage. But falling in love with her was the biggest mistake of my life. I was attracted to her beauty. And I mistook the attraction for love. I fought with my parents and married her. Few days after marrying her I realised that drinking and partying were not her habits. Instead, she was addicted to drinking. I wanted her to stop drinking. But she left me. But Hema had filed a case against you for cheating around seven months ago for marrying again without divorcing her. Sir, the truth is I couldn't see my future with Hema. So, I decided to marry Shahida in agreement with my parents after I separated from Hema. But she couldn't digest this fact. She even filed a case against me. But me and my parents made her understand and she understood the situation. And she withdrew her case. Do you know Kashif Khan? Yes, sir. He is my cousin brother. But what about him? Kashif Khan's phone is switched off from the day Hema was murdered. Where has he disappeared? Sir, I have no idea. I don't talk to him regularly. But Hema was in touch with Kashif. Why was she in touch with your cousin brother after separating from you? She might have had an affair with him. That is why, I used to avoid talking to him. Are you trying to say that Hema and Kashif had an affair? Yes, sir. There is a possibility. She used to drink with him. Sir, Kashif is not a decent boy either. He is a spoilt brat. I think, she left me because of him. Can you tell me where can we find Kashif? I have no idea, sir. But it is unfortunate that Hema had to suffer such a drastic end due to the habits which she could not change. According to an article around 30 per cent of the love marriages end up in divorce. Perhaps the reason is, lovers don't reveal their true nature to their partners. And their true self is revealed after the marriage. This was the reason behind Hema and Amaan's separation. But Amaan was Hema's past and Amaan's statement made it clear that Kashif was her present who had ruined Hema's life. But Hema's gang-rape and murder's news were accusing her lifestyle too. Hema's lifestyle became the poison in her life. It is believed that drinking and partying were the reason behind her murder and gang-rape. The police investigation is going on. But there is no clue about her murderer yet. The police was in search of Kashif but they didn't get any lead about him. Apart from Kashif the police were trying to find Kashif's connection with the rest of the suspects. We asked everyone who was related to Rohit or Siddhi but nothing came out of it. And they don't seem to be related to Kashif either. Sir, on the night of Hema's murder Kashif's phone was active on the Delhi-Agra highway. And sir, there is a number in Kashif's phone which is switched off from the night of Hema's death. This number belongs to Vikas Singh who used to live with Kashif. Sir, on the night of Hema's murder Hema, Kashif, and Vikas' phones were active at the same location. But, sir, there were no phone calls between Hema and Vikas. Sir, according to the call records it seems that Kashif was Hema's lover. He got together with Vikas, raped her, and then killed her. It's not necessary that there were only two rapists. Maybe there were more men with them. Send a look out notice for Kashif and Vikas all over the country. And ask your informers if Vikas has any connection to the pistol. Sir. Okay. We have information that Kashif and Vikas were seen in Mumbai. Share the information with Mumbai Police and prepare to leave for Mumbai. Sir. Sir, Vikas and Kashif have escaped from where they were hiding in Mumbai. It's possible that they are hiding somewhere else in Mumbai. Find them both any way you can. Yes, sir. Sir, while I was checking Vikas' call records I found that Hema's husband, Amaan also used to be in contact with Vikas. Yes. - Where is Amaan? He isn't home. He is out with some job. Check every corner of the house. - Where are you going? Yes, sir. - You go upstairs. Check inside. Where are you going, sir? I just told you no one is home. Where is he then? - He's gone to Kanpur. 'The number you're trying to reach' 'is currently switched off.' Why is his number switched off? Yes, Yadav. - Sir, Amaan is missing too. His wife said that he went to Kanpur two days back. But his number is also switched off. Sir, three days before Hema's murder Amaan had called a man named Billa. Informers told me that Billa lives in Meerut. He deals in illegal arms. Sir. Sir, Amaan was spotted near a bus stop near the mosque in Noida. Contact Noida police. And raid the area he was seen at. - Okay, sir. Speak.. Tell me. You killed her, right? No.. I haven't done anything. Yadav! - I didn't do anything. Sir, I.. It's not my fault, sir. She never let me live peacefully when she was alive and now that she is dead she still won't let me live. Sir, please understand. I didn't want to run, sir. I was afraid that you might put me in prison along with Vikas and Kashif. You are not leaving here anytime soon. Tell me the truth. Where are Vikas and Kashif? I don't know where they are, sir, I'm telling the truth. I was in touch with them but I have nothing to do with Hema's murder, sir. I'm telling you the truth. - The pistol from Billa. You bought it. Kashif and Vikas were just your pawns. You are the mastermind behind this entire case. Sir, I haven't done anything please.. Listen, we have all the information about you. Most of the calls after you got separated from Hema were from Hema's side. She wanted you back after you left her and so she was doing drugs. And, you were tired of her. On the day of murder you called her and she was ready to meet you. You picked her up from the highway. Vikas and Kashif's phone travelled towards Palvel. So, according to the plan you picked up Kashif and Vikas from Palvel. And then 25 kilometres before Agra you sat to drink with Hema Kashif and Vikas at a restaurant. For an hour you talked about your problems and complaints while consuming alcohol. 'What are you doing, Kashif?' 'Kashif?' 'Amaan!' 'Kashif!' 'Let me go.' 'Amaan!' 'Amaan..' 'Let go of me. Amaan.' 'Amaan!' 'Amaan.' And then your friends crossed all limits of heinous acts in your presence. And you did nothing. According to your plan.. 'You are such a leech, Amaan.' 'I loved you so much.' 'Today I don't even feel like looking at you.' 'Hey! Shut up!' 'Don't act all innocent.' 'Did you forget who you are?' 'You would lay with a guy for alcohol.' 'That is all because of you.' 'You are responsible for this.' 'The person who I thought to be the saviour of my life' 'is the biggest danger to my life.' 'Hey, get away. I want to get away from you.' Then you stashed Hema's body in the trunk of your car along with your friends. And then dumped her body a few kilometres away from the crime scene to confuse the police. Isn't that what happened that night? Say it! Speak up. I didn't do anything, sir. I didn't do anything. Thrash him until he speaks the truth. Sir, it's not my fault. Sir, please. Amaan still hadn't confessed to the theory of Hema Taneja's murder and rape. However, circumstantial evidence is against Amaan. But the police is still looking for Kashif and Amaan to close the case. But it was pretty clear that Hema was so desperate in a search, in which she lost herself in that time that she spent with Amaan when they were in love. But even after being cheated on by Amaan why did she still commit the mistake of think of him as her life? Maybe this question was that one thing in her life which had made her life dependent on something worse than that of a poison. Accepting the truth with a positive approach in life is the biggest test of our lives. The people who cannot accept the truth spend their entire lives chasing after mirages. I, Anup Soni, take your leave. We'll meet again in the next episode with another shocking case. Until then take care of yourself and your family and keep watching 'Crime Patrol Dial 100.' A punishment to one, a lesson to all. 'Jai Hind!'
{ "pile_set_name": "YoutubeSubtitles" }
Hey Mr Stark sorry to bother you again but my web shooter that you gave me the other day, it is not working again. Can you please help me fix it? Got it, kid, now go do your homework. Okay, thanks Mr Stark! Hey Banner! I’ve got something for you. Wait what? Spidey’s web shooter? It’s broken, fix it for me, will you? I’m kinda busy here. Oh, alright. Seems like an easy job. I’ll get it fixed. Okay, stay calm. This is harder than I thought. I just have to focus, and I can get it done. Arghhh!!! What is it!!! WHY CAN’T I FIX IT!!! Man! I’m inspired, tonight I’m touching myself too! Wakanda dance is this? Perfect! BRUCE BANNER!! Am I not good enough for you!! Hey kid! Thanks, Mr Stark!
{ "pile_set_name": "YoutubeSubtitles" }
When you are moving through life, and you have a plan or dream ,and it shatters, you know, someone dies, or relationship breaks apart or you have a terrible upset in your career you become ill in ..some unexpected way then everything around you falls apart and you plunge into a chaotic underworld ( the belly of the whale) that's exactly right, exactly that. And then maybe you stay there, because it is not necessarily the case that people get out people die, people are in despair permanently but, frequently, something tragic and terrible befalls you, and you fall apart and you learn something profound that 's the consequences and you put yourself back together and when you come back out you are more than you were when you went in, and that' s happening at a small scale, everything you learn something if you have already learned something, it's usually painful it usually means that you have to recognise that you are wrong in some important way, you have to let that part of you what is wrong die then you have to let a new part of you Ok, so the self, imagine that you undergo a series of transformations in your life, then they are collapsed into a chaotic underworld and than mini resurrection that happens continually and that's what molds your character the self is this thing that manages the transformations across all those, it manages all those transformations so you could say.. heres another way of thinking about it
{ "pile_set_name": "YoutubeSubtitles" }
Hola amigos seguimos con nuestra serie sobre áreas de figuras planas hoy nos toca hablar del área del triángulo que es una figura que tiene... ...exactamente tres ángulos y tres lados queremos deducir una fórmula que dependa de dos longitudes por una parte la longitud de uno de sus lados al que llamaremos base y por otra parte la distancia entre este lado y el vértice opuesto a la que llamaremos altura para deducir esta fórmula vamos a utilizar una nueva herramienta: ¡pegamento! ¿como utilizaremos esta herramienta? Consideremos un triángulo igual que el que ya tenemos lo giramos y lo encajamos sobre el nuestro si lo pegamos con nuestro pegamento obtendremos una figura plana cuyo área es el doble del área del triángulo pero la figura que nos ha quedado la conocemos es el paralelo gramos y el área del paralelogramo como vimos en el vídeo anterior es justamente base por altura así que el área del triángulo que es la mitad será base por altura partido por 2. Así de sencilla es la fórmula para el ÁREA del TRIÁNGULO ¡Hasta luego! 👋🏻👋🏻👋🏻
{ "pile_set_name": "YoutubeSubtitles" }
English: Music by Colby Griffin and Ethan Pawlak Hello and welcome to The Screen Chronicles! I'm Colby and with me as always is Steve and if you're listening to us you will know our special guest today as Lord Aethelred of Mercia from The Last Kingdom. you may also recognize him as King Francis II from Reign and his Young Albus Dumbledore from Harry Potter and the Deathly Hallows Part One and Fantastic Beasts Crimes of Grindlewald. Toby Regbo, welcome to The Screen Chronicles! [Toby] hello thank you for having me. how are you doing today? [Toby] yeah I'm pretty good. I'm pretty good. I got some good news this morning but I can't... I'm already saying something I can't talk about but I've got some good good news for future acting projects. Arabic: موسيقى كولبي جريفين وإيثان بافلاك أهلا ومرحبا بكم في The Screen Chronicles! أنا كولبي ومعي كالعادة هو ستيف وإذا كنت تستمع إلينا فستفعل تعرف على ضيفنا الخاص اليوم باسم اللورد أثيلريد ميرسيا من المملكة الأخيرة. قد تتعرف عليه أيضًا على أنه الملك فرانسيس الثاني من عهد وصغيره ألبوس دمبلدور من هاري بوتر والأقداس المهلكة الجزء الأول وجرائم الوحوش الرائعة لجريندلوالد. توبي ريجبو ، مرحبًا بك في The Screen Chronicles! [توبي] مرحبًا ، شكرًا لاستضافتي. كيف حالك اليوم؟ [توبي] أجل ، أنا جيد جدًا. أنا جيد جدا. تلقيت بعض الأخبار السارة هذا الصباح لكن لا يمكنني ... أنا بالفعل أقول شيئًا لا يمكنني التحدث عنه ولكن لدي بعض الأخبار الجيدة لمشروعات التمثيل المستقبلية. Russian: Музыка Колби Гриффина и Итана Павляка Привет и добро пожаловать в The Screen Chronicles! Я Колби и как всегда со мной это Стив, и если вы слушаете нас, вы будете знает нашего особого гостя сегодня как лорда Этельреда из Мерсия из "Последнего царства". вы также можете узнать его как короля Франциска II из Reign и его Молодой Альбус Дамблдор из Гарри Поттер и Дары смерти, часть первая и Преступления Фантастических Зверей Гриндельвальда. Тоби Регбо, добро пожаловать в « Хроники экрана »! [Тоби] привет, спасибо, что пригласили меня. как у тебя сегодня дела? [Тоби] Да, я довольно хорош. Я весьма хорош. Сегодня утром у меня хорошие новости, но я не могу ... Я уже говорю то, о чем не могу говорить, но У меня есть хорошие новости для будущих актерских проектов. Spanish: Música de Colby Griffin y Ethan Pawlak ¡Hola y bienvenido a The Screen Chronicles! Me llamo Colby y conmigo como siempre es Steve y si nos escuchas lo harás conoce a nuestro invitado especial hoy como Lord Aethelred de Mercia de El último reino. también puede reconocerlo como el rey Francisco II de Reign y su joven Albus Dumbledore de Harry Potter y las reliquias de la muerte, primera parte y Animales fantásticos Crímenes de Grindlewald. Toby Regbo, ¡bienvenido a The Screen Chronicles! [Toby] hola gracias por invitarme. ¿Cómo estás hoy? [Toby] sí , soy bastante bueno. Soy bastante bueno. Recibí buenas noticias esta mañana, pero no puedo ... Ya estoy diciendo algo de lo que no puedo hablar pero Tengo buenas noticias para futuros proyectos de actuación. Chinese: Colby Griffin和Ethan Pawlak创作的音乐 您好,欢迎使用“屏幕 纪事”!我是Colby,一如既往 是史蒂夫 ,如果您在听我们的话, 知道我们的特邀嘉宾今天主 的Aethelred 来自最后王国的梅西亚。您可能 也认识他为弗朗西斯二世国王 来自Reign 和他的Young Albus Dumbledore来自 哈利·波特与死亡圣器 第一部分 和 格林德尔瓦尔德的神奇动物犯罪。 Toby Regbo,欢迎来到《屏幕 纪事》![托比]你好,谢谢你有我。 今天过得好吗?[Toby]是的, 我很好。 我很好。我 今天早上有个好消息,但我不能... 我已经说了我 无法谈论的事情,但是 对于 未来的表演项目,我有一些好消息。 French: Musique de Colby Griffin et Ethan Pawlak Bonjour et bienvenue dans The Screen Chronicles! Je suis Colby et avec moi comme toujours est Steve et si vous nous écoutez, vous le ferez connaissez notre invité spécial aujourd'hui en tant que Lord Aethelred de Mercia du dernier royaume. vous pouvez également le reconnaître comme le roi François II de Reign and his Young Albus Dumbledore de Harry Potter et les reliques de la mort, première partie et Fantastic Beasts Crimes of Grindlewald. Toby Regbo, bienvenue dans The Screen Chronicles! [Toby] bonjour merci de m'avoir invité. Comment ça va aujourd'hui? [Toby] ouais je suis plutôt bon. Je suis assez bon. J'ai de bonnes nouvelles ce matin mais je ne peux pas ... Je dis déjà quelque chose dont je ne peux pas parler mais J'ai de bonnes nouvelles pour les futurs projets d'acteur. Hungarian: Colby Griffin és Ethan Pawlak zenéje Üdvözlünk és üdvözlünk a The Screen Chronicles-ban! Colby vagyok, és velem van, mint mindig Steve, és ha ránk hallgat, akkor meg is fogja ismerje meg a mai különleges vendégünket Lord Aethelred néven Mercia az Utolsó Királyságból. akkor is ismeri őt, mint Ferenc király II Reign-től és fiatal Albus Dumbledore-tól Harry Potter és a halál ereklyéi első rész és Grindlewald fantasztikus vadállati bűncselekményei . Toby Regbo, üdvözöljük a The Screen Chronicles-ben! [Toby] szia köszönöm, hogy megvoltál. hogy vagy ma? [Toby] igen nagyon jó vagyok. Elég jó vagyok. Jó híreket kaptam ma reggel, de nem tudom ... Már mondok valamit, amiről nem tudok beszélni, de Van egy jó jó hírem a jövőbeli színészi projektekhez. German: Musik von Colby Griffin und Ethan Pawlak Hallo und willkommen bei The Screen Chronicles! Ich bin Colby und wie immer bei mir ist Steve und wenn du uns zuhörst, wirst du es tun kennen unseren besonderen Gast heute als Lord Aethelred von Mercia aus dem letzten Königreich. Sie können ihn auch als König Franz II. erkennen von Reign und seinem jungen Albus Dumbledore von Harry Potter und die Heiligtümer des Todes Teil Eins und Fantastic Beasts Verbrechen von Grindlewald. Toby Regbo, willkommen bei The Screen Chronicles! [Toby] Hallo, danke, dass du mich hast. wie geht es dir heute? [Toby] Ja, ich bin ziemlich gut. Ich bin ziemlich gut. Ich habe heute Morgen gute Nachrichten bekommen, aber ich kann nicht ... Ich sage schon etwas, über das ich aber nicht sprechen kann Ich habe gute Nachrichten für zukünftige Schauspielprojekte. Portuguese: Música de Colby Griffin e Ethan Pawlak Olá e bem-vindo ao The Screen Chronicles! Eu sou colby e comigo como sempre é Steve e se você está nos ouvindo, conheça nosso convidado especial hoje como Lord Aethelred de Mércia do Último Reino. você também pode reconhecê-lo como o rei Francisco II de Reign e seu Jovem Albus Dumbledore de Harry Potter e as Relíquias da Morte - Parte Um e Crimes de Animais Fantásticos de Grindlewald. Toby Regbo, bem-vindo ao The Screen Chronicles! [Toby] Olá, obrigado por me receber. como vai você hoje? [Toby] sim , estou muito bem. Eu estou muito bem. Recebi boas notícias esta manhã, mas não posso ... Já estou dizendo algo que não posso falar, mas Tenho boas notícias para futuros projetos de atuação. Arabic: كان هذا لطيفا. [ستيف] نعم ، يجب أن يكون هذا لطيفًا بعد الحجر الصحي بشكل خاص وعدم القدرة على التورط في أي شيء وكل حالة عدم اليقين. نعم ، شعرت بالتأكيد أنه ربما لن تكون هناك صناعة أفلام مرة أخرى. أنا أعتقد أنهم مضطرون للتكيف والعثور جديدة طرق جديدة ل الالتفاف حول الفيروس وإجراء الاختبارات و تحاول التباعد الاجتماعي ولكنك تعلم أن الأشياء تتكيف وهو أمر رائع لذلك سوف نعيش بشكل مطلق. حتى كيف كانت الأمور أين أنت الآن بقدر الفيروس وكل شيء؟ كيف هي الان؟ أعني بالنسبة لي شخصيًا لأنني كنت كذلك في شقتي معظم الوقت شعرت بأنها بعيدة نوعا ما. قرأت الكثير من الاخبار لكن تجربتي في ذلك كانت فقط في الواقع الوقت ليكون مجبرا على أن تكون وحيدا في الأساس و للإبطاء خاصة مع ذلك. يشعر التمثيل في كثير من الأحيان Spanish: eso estuvo bien. [Steve] sí, eso debe ser bueno después de la cuarentena y simplemente no poder involucrarme con nada y toda la incertidumbre. sí, definitivamente sentí que tal vez no volverá a haber industria cinematográfica. yo piensan que tienen que adaptarse y encontrar nuevas formas nuevas de trabajar alrededor del virus y tener pruebas y tratando de distanciarse socialmente pero sabes que las cosas se adaptan lo cual es genial así que sobreviviremos absolutamente. entonces como han ido las cosas ¿Dónde estás ahora en cuanto al virus y todo? ¿cómo está ahora? Me refiero a mí personalmente porque estaba en mi piso la mayor parte del tiempo se sentía un poco remoto. Leí muchas noticias pero mi experiencia fue simplemente que encontré el momento de verse obligado a estar solo básicamente y para reducir la velocidad especialmente con eso. actuar a menudo se siente English: that was nice. [Steve] yeah that's got to be nice after especially the quarantine and just not being able to get involved with anything and all the uncertainty. yeah I definitely felt like like maybe there will be no film industry again. I think like they're having to adapt and find new new ways to work around the virus and have testing and trying to social distance but you know things adapt which is great so we will survive absolutely. so how have things been where you are right now as far as the virus and everything? how is it now? I mean for me personally because I was in my flat for most of the time it felt kind of remote. I read a lot of news but my experience of it was just I actually found the time to be forced to be alone basically and to slow down especially with that. acting often feels Chinese: 很好 [史蒂夫]是的, 特别是隔离后,情况一定会很好 只是无法参与 任何事情和所有不确定性。 是的,我绝对感觉好像 不再有电影业了。一世 认为 他们必须适应并找到 新的 新方法 解决病毒并进行测试 并 尝试与人保持距离, 但是你知道事情会适应,这很棒 因此我们将绝对生存。所以情况 如何 就 病毒和一切而言,您现在在哪里?现在怎么样 我个人的意思是因为 我曾经 大部分 时间都在我的公寓里 感觉有点遥远。我读了很多 新闻 但我的经历只是 我实际上发现了 基本被迫独处的时间, 减缓 与特别。经常感到 Portuguese: Aquilo foi legal. [Steve] sim, isso deve ser bom, especialmente depois da quarentena e simplesmente não poder se envolver com nada e todas as incertezas. sim, eu definitivamente senti que talvez não houvesse indústria cinematográfica novamente. Eu pense que eles estão tendo que se adaptar e encontrar novas maneiras de contornar o vírus e ter testes e tentando distância social, mas você sabe que as coisas se adaptam, o que é ótimo então vamos sobreviver absolutamente. então como vão as coisas onde você está agora no que diz respeito ao vírus e tudo mais? Como está agora? Quero dizer para mim pessoalmente porque eu era no meu apartamento a maior parte do tempo parecia meio remoto. Eu leio muitas notícias mas minha experiência foi apenas que eu realmente descobri o tempo de ser forçado a ficar sozinho basicamente e desacelerar especialmente com isso. agir frequentemente parece French: c'était bien. [Steve] ouais ça doit être sympa après surtout la quarantaine et simplement ne pas pouvoir s'impliquer dans quoi que ce soit et toute l'incertitude. ouais, j'avais vraiment l'impression qu'il n'y aurait peut -être plus d'industrie cinématographique. je penser comme s'ils doivent s'adapter et trouver de nouvelles façons de contourner le virus et faire des tests et essayer de prendre une distance sociale mais vous savez que les choses s'adaptent, ce qui est génial donc nous survivrons absolument. alors comment ça s'est passé où en êtes-vous actuellement en ce qui concerne le virus et tout? comment est-ce maintenant? Je veux dire pour moi personnellement parce que j'étais dans mon appartement la plupart du temps c'était un peu éloigné. J'ai lu beaucoup de nouvelles mais mon expérience était juste que j'ai trouvé le temps d'être obligé d'être seul fondamentalement et ralentir surtout avec ça. agir se sent souvent Hungarian: ez szép volt. [Steve] igen, szépnek kell lennie, különösen a karantén után és csak azért, mert nem tud semmibe és minden bizonytalanságba keveredni. igen határozottan úgy éreztem, hogy talán már nem lesz filmipar. én gondolkodj, mintha alkalmazkodniuk kellene és megtalálniuk új, új módszerek keresse meg a vírust, tesztelje és megpróbál társadalmi távolságra jutni, de tudja, hogy a dolgok alkalmazkodnak, ami nagyszerű tehát abszolút túl fogjuk élni. hát hogy álltak a dolgok hol vagy éppen a vírusig és mindenig? hogy van most? Mármint nekem személy szerint, mert voltam a lakásomban az idő nagy részében amolyan távoli érzés volt. Sok hírt olvastam de az a tapasztalatom, hogy valóban megtaláltam az az idő, amikor alapvetően egyedül kell kényszerülni és különösen azzal lassítani . a színjátszás gyakran érzi German: das war toll. [Steve] Ja, das muss besonders nach der Quarantäne schön sein und einfach nicht in der Lage zu sein, sich auf irgendetwas und all die Unsicherheit einzulassen. Ja, ich hatte definitiv das Gefühl, dass es vielleicht wieder keine Filmindustrie geben wird. ich Denken Sie, als müssten sie sich anpassen und finden neue neue Wege zu Umgehen Sie den Virus und lassen Sie ihn testen und versuchen, soziale Distanz zu schaffen, aber Sie wissen, dass sich die Dinge anpassen, was großartig ist also werden wir absolut überleben. so wie die Dinge gewesen Wo bist du gerade so weit wie der Virus und alles? wie ist es jetzt? Ich meine für mich persönlich, weil ich war die meiste Zeit in meiner Wohnung es fühlte sich irgendwie abgelegen an. Ich habe viele Neuigkeiten gelesen aber meine Erfahrung damit war nur, dass ich tatsächlich gefunden habe die Zeit gezwungen zu sein, im Grunde genommen allein zu sein und vor allem damit zu verlangsamen . Schauspielerei fühlt sich oft an Russian: это было хорошо. [Стив] Да, это должно быть хорошо после карантина. и просто не иметь возможности связываться ни с чем и со всей неопределенностью. да, я определенно чувствовал, что, может быть, киноиндустрии больше не будет. я думаю, что им нужно адаптироваться и найти новые новые способы обойти вирус и пройти тестирование и пытается дистанцироваться от общества, но вы знаете, что вещи адаптируются, и это здорово так что мы выживем абсолютно. так как дела где ты щас до вируса и все такое ? как сейчас? Я имею в виду лично для меня, потому что я был в моей квартире большую часть времени это казалось далеким. Я читаю много новостей но мой опыт был просто я действительно нашел время быть вынужденным побыть одному в основном и тормозить особенно с этим. игра часто чувствует Spanish: así, ya sabes, una carrera de ratas que puede causar muchos ansiedad de ser como si supieras que necesito trabajar, tengo que trabajar y de hecho tener este tipo de gobierno sancionado tiempo a solas es como si no pudieras trabajar fue en realidad para mí personalmente Excelente. Sé que fue obviamente también al mismo tiempo algo realmente horrible, pero solo para poder reenfocarme y ver que está bien, no tengo que hacerlo no sé forzarme dentro de esto. en este trabajo perpetuo máquina que en realidad era buena para yo. Básicamente hice mucho arte. se metió en el dibujo. si no puedes verlo pero toda mi cocina ha sido superado por los materiales de arte. [Colby] eso es increíble, eso es increíble ¿eras tú? en él antes o es algo que acaba de recoger durante la cuarentena? no realmente quiero decir que hice arte en la escuela pero no lo había hecho en años y me dediqué Chinese: 像这样,你知道 老鼠赛跑会导致很多 就像 你知道我需要工作的焦虑,我必须工作 并且实际上有这种 政府独处的时间 就像你不能工作 实际上是我个人的 大。我知道那是 同时 确实是非常可怕的事情, 但仅仅是为了能够 重新聚焦, 然后看到没问题,我不必 是我不知道强迫自己 到这个。 从事这项永恒的工作 机器 真的很适合 我。我基本上做了很多艺术。 进入图纸。是的,你看不到它 但是我整个厨房都 被美术用品所取代。 [Colby]太棒了,那你很棒 是之前进入的还是 隔离期间刚捡到的东西? 不是真的,我是说我在学校做过美术, 但是我没有 年 ,我有点奉献 Arabic: مثل هذا تعرف أن سباق الفئران يمكن أن يسبب الكثير القلق من أن أكون مثلك تعرف أنني بحاجة إلى العمل ، يجب أن أعمل وفعلا معاقبة هذا النوع من الحكومة بمفرده يبدو الأمر وكأنك لا تستطيع العمل كان في الواقع بالنسبة لي شخصيًا عظيم. أعلم أنه من الواضح أنه كان كذلك في نفس الوقت إنه أمر مروع حقًا ولكن لمجرد التمكن من القيام بذلك أعد التركيز وشاهد ذلك جيدًا ، لست مضطرًا لذلك لا أعرف إجبار نفسي في هذا. في هذا العمل الدائم الآلة التي كانت في الواقع جيدة نوعًا ما أنا. لقد فعلت الكثير من الفن في الأساس. دخلت في الرسم. نعم لا يمكنك رؤيته لكن مطبخي كله كان كذلك تجاوزتها اللوازم الفنية. [كولبي] هذا رائع ، هذا رائع كنت أنت في ذلك من قبل أم أنه شيء التقطته للتو أثناء الحجر الصحي؟ لا أعني حقًا أنني قمت بالفن في المدرسة لكنني لم أفعل ذلك سنوات وأنا مكرسة نوعًا ما Portuguese: assim, você conhece uma corrida desenfreada que pode causar muitos ansiedade de ser apenas como você sabe que preciso trabalhar, tenho que trabalhar e ter esse tipo de governo sancionado sozinho é como se você não pudesse trabalhar, era realmente para mim pessoalmente ótimo. Eu sei que era, obviamente, também ao mesmo tempo uma coisa realmente horrível, mas apenas ser capaz de reorientar e ver assim, ok, não preciso ser eu não sei me forçando nisso. neste trabalho perpétuo máquina que na verdade era boa para mim. Eu fiz muita arte basicamente. começou a desenhar. sim, você não pode ver isso mas toda a minha cozinha tem sido ultrapassado por materiais de arte. [Colby] isso é incrível, isso é incrível, você antes ou é algo que você acabou de pegar durante a quarentena? não, quero dizer, eu fazia arte na escola, mas não tinha feito na anos e eu meio que me dediquei Russian: как это вы знаете, крысиные бега, которые могут вызвать много беспокойство быть таким, как ты знаешь, мне нужно работать, мне нужно работать и на самом деле, когда такое правительство санкционировано в одиночку как будто ты не можешь работать было лично для меня здорово. Я знаю, что это было очевидно в то же время действительно ужасная вещь, но просто чтобы иметь возможность перефокусируйся и увидишь, что ладно, мне не нужно быть, я не знаю, заставляю себя в это. в эту вечную работу машина, которая на самом деле была хороша для меня. В основном я много занимался искусством. попал в рисование. да, ты этого не видишь но вся моя кухня была настигает художественные принадлежности. [Колби] Это было здорово, было здорово, если бы ты в него раньше или это вы только что подобрали во время карантина? не совсем я имею в виду, что я занимался рисованием в школе, но я не делал этого в лет, и я вроде как посвятил French: comme ça, vous connaissez la race de rats qui peut causer beaucoup de anxiété d'être comme tu sais que j'ai besoin de travailler, je dois travailler et en fait avoir ce genre de gouvernement sanctionné seul le temps c'est comme si tu ne pouvais pas travailler était en fait pour moi personnellement génial. Je sais que c'était évidemment aussi en même temps une chose vraiment vraiment horrible mais juste pour pouvoir en quelque sorte recentrer et voir ça comme ça je n'ai pas à le faire être je ne sais pas me forcer dans cela. dans cette œuvre perpétuelle la machine qui était en fait était bonne pour moi. J'ai fait beaucoup d'art en gros. s'est mis au dessin. ouais tu ne peux pas le voir mais toute ma cuisine a été dépassé par les fournitures artistiques. [Colby] c'est génial, c'est génial si vous étiez dedans avant ou est-ce quelque chose que vous venez de ramasser pendant la quarantaine? pas vraiment je veux dire que j'ai fait de l'art à l'école mais je ne l'avais pas fait ans et je suis en quelque sorte dédié English: like this this you know rat race that can cause a lot of anxiety of just being like you know I need to work, I've got to work and actually having this kind of government sanctioned alone time it's like you cannot work was actually for me personally great. I know it was it's obviously also at the same time a really really horrible thing but just to be able to sort of refocus and and see that like okay I don't have to be I don't know forcing myself into this. into this perpetual work machine which was actually kind of was good for me. I did a lot of art basically. got into drawing. yeah you can't see it but my whole kitchen has been overtaken by art supplies. [Colby] that's awesome, that's awesome were you into it before or is that something you just picked up during the quarantine? not really I mean I did art at school but I hadn't done it in years and I kind of dedicated Hungarian: így tudod a patkányversenyt, amely sok mindent okozhat szorongás, hogy csak olyan vagyok, mint amilyennek tudod, hogy dolgozni kell, dolgoznom kell és valójában egy ilyen kormány egyedül szankcionálta az időt mintha nem dolgozhatna, valójában nekem szólt nagy. Tudom, hogy nyilvánvalóan egyszerre volt igazán szörnyű dolog, de csak azért, hogy képes legyen rendezni fókuszáljon újra, és látja, hogy oké, nem kell legyek nem tudom kényszeríteni magam ebbe. ebbe az örök munkába gép, aminek valójában jó volt nekem. Alapvetően sokat műveltem. belefogott a rajzba. igen, nem látod de az egész konyhám az volt művészeti kellékek utolérték. [Colby] ez fantasztikus, te fantasztikus voltál azelőtt, vagy valami, amit most vettél fel a karantén alatt? valójában nem azt értem, hogy művészetet csináltam az iskolában, de még nem csináltam év, és én valahogy odaadó vagyok German: so kennst du Rattenrennen, die viel verursachen können Angst, so zu sein, wie du weißt, dass ich arbeiten muss, ich muss arbeiten und tatsächlich diese Art von Regierung allein Zeit sanktionieren zu lassen Es ist, als ob du nicht arbeiten kannst, war eigentlich für mich persönlich großartig. Ich weiß, es war offensichtlich auch zur gleichen Zeit eine wirklich sehr, sehr schreckliche Sache, aber nur um irgendwie in der Lage zu sein neu fokussieren und sehen, dass okay, ich muss nicht Ich weiß nicht, ob ich mich zwingen soll das mögen. in diese ewige Arbeit Maschine, die eigentlich irgendwie war, war gut für mich. Ich habe im Grunde viel Kunst gemacht. fing an zu zeichnen. Ja, du kannst es nicht sehen aber meine ganze Küche war von Kunstbedarf überholt. [Colby] das ist großartig, das ist großartig, wo du warst vorher oder ist das etwas, das Sie gerade während der Quarantäne aufgenommen haben? Nicht wirklich, ich meine, ich habe Kunst in der Schule gemacht, aber ich hatte es nicht gemacht Jahre und ich irgendwie engagiert Hungarian: magamat hozzá ilyen harcias módon, mintha ez nem lenne túl művészi Gondolom, de van egy dolog, amit Újnak hívnak Masters Akadémia, amely egy weboldal , amelyen megtalálhatók ezek a tanárok. éppen video oktatóanyagok, de néhány igazán nagyon jó olyan művészek, mint Steve Houston és más életrajzolók, anatómia ismeri az oktatóanyagokat, és én is feliratkoztam erre az oroszra akadémia rajz tanfolyam, olyan mintha tudnád, hogy ez az az orosz balett megfelelője, de a művészet számára, úgy, mintha rajzolna tudod, rajzold meg a koponyát minden egyes szögből, húzd meg százszor, húzd meg amíg álmában nem láthatja az álmaiban, ilyesmit tud és nagyon lassan haladsz keresztül a testen keresztül az anatómia, igen nagyszerű. te magadnak tartod ... Úgy értem, hogy néhány ember természetes fiók, úgy tűnik ők csak felvehetnek egy ceruzát, és bármit jól kinézhetnek Valaki vagyok, aki nem, tudom, hogy Steve nagyon jó mit tartasz magadnak? te voltál? [Toby] Nem tudom, szerintem van határozottan különbség a dolog között , hogy valamiféle birkózás volt French: moi-même de cette manière militante comme si ce n'était pas très artistique Je suppose mais il y a une chose qui s'appelle le Nouveau Masters Academy qui est un site Web qui a tous ces professeurs. juste tutoriels vidéo mais certains vraiment vraiment très bons des artistes comme Steve Houston et d' autres Life Drawers, anatomie vous connaissez des tutoriels et et je l'ai fait je me suis inscrit à ce russe cours de dessin de l'académie , c'est comme si vous saviez que c'est le équivalent du ballet russe mais pour l' art donc c'est comme si vous dessinez tu sais dessiner le crâne sous tous les angles, le dessiner 100 fois, le dessiner jusqu'à ce que vous puissiez le voir dans votre sommeil dessiner dans vos rêves, vous savez un genre de chose et vous vous déplacez très très lentement à travers le corps à travers l'anatomie, ouais c'est génial. vous considérez-vous ... je veux dire que certaines personnes sont des tiroirs naturels, il semble ils peuvent simplement prendre un crayon et faire en sorte que tout soit beau Je suis quelqu'un qui n'est pas, je sais que Steve est plutôt bon que vous considérez-vous? étiez-vous? [Toby] Je ne sais pas je pense qu'il y a vraiment une différence entre ce que je luttais en quelque sorte Portuguese: eu a isso dessa forma militante como se não fosse muito artística Eu suponho, mas há uma coisa chamada de Novo Masters Academy que é um site que tem todos esses professores. somente tutoriais em vídeo, mas alguns realmente muito bons artistas como Steve Houston e outros desenhistas, anatomia você conhece tutoriais e eu conheci me inscrevi para este russo curso de desenho da academia , então é como se você soubesse que é o equivalente ao balé russo, mas para a arte, é como desenhar você sabe desenhar o crânio de todos os ângulos, desenhe 100 vezes, desenhe até que você possa ver em seu sono desenhe em seus sonhos você sabe tipo de coisa e você se move muito lentamente através do corpo através a anatomia, sim, é ótimo. você se considera ... quero dizer, algumas pessoas são gavetas naturais, parece que eles podem simplesmente pegar um lápis e fazer qualquer coisa parecer boa Eu sou alguém que não é, eu sei que Steve é muito bom o que você se considera? você estava? [Toby] Não sei, acho que há definitivamente uma diferença entre o que eu estava lutando Spanish: Yo mismo a él de esta manera militante como si no fuera muy artístico Supongo que hay algo llamado Nuevo Masters Academy, que es un sitio web que tiene todos estos profesores. sólo tutoriales en video pero algunos realmente realmente buenos artistas como Steve Houston y otros dibujantes de la vida, anatomía, sabes tutoriales y yo lo hice, me inscribí en este ruso curso de dibujo de la academia , así que es como si supieras que es el equivalente al ballet ruso, pero para el arte, es como dibujar ya sabes dibujar el cráneo desde todos los ángulos, dibujarlo 100 veces, dibujarlo hasta que puedas verlo mientras duermes dibujar en tus sueños sabes algo y te mueves muy, muy lentamente por el cuerpo a través de la anatomía, sí, es genial. te consideras a ti mismo ... quiero decir que algunas personas son cajones naturales, parece que ellos pueden simplemente tomar un lápiz y hacer que cualquier cosa se vea bien Soy alguien que no lo es, sé que Steve es bastante bueno que te consideras a ti mismo eras tu [Toby] No sé, creo que hay definitivamente una diferencia entre lo que estaba luchando German: ich dazu auf diese militante Weise, als wäre es nicht sehr künstlerisch Ich nehme an, aber es gibt ein Ding namens Neu Masters Academy, eine Website mit all diesen Lehrern. gerade Video-Tutorials, aber einige wirklich sehr, sehr gut Künstler wie Steve Houston und andere Lebensschubladen, Anatomie Sie kennen Tutorials und und ich habe mich für diesen Russen angemeldet Akademie-Zeichenkurs, also ist es so, als ob Sie wissen, dass es der ist Entspricht dem russischen Ballett, aber für die Kunst ist es so, als würde man zeichnen Sie wissen, zeichnen Sie den Schädel aus jedem Winkel, zeichnen Sie ihn 100 Mal, zeichnen Sie ihn Bis du es im Schlaf sehen kannst, zieh deine Träume an, du weißt so etwas und du bewegst dich sehr sehr langsam durch den Körper durch Die Anatomie, ja, es ist großartig. Betrachten Sie sich selbst ... Ich meine, einige Leute sind natürliche Schubladen, wie es scheint Sie können einfach einen Bleistift nehmen und alles gut aussehen lassen Ich bin jemand, der nicht weiß, dass Steve ziemlich gut ist Was betrachtest du selbst? warst du? [Toby] Ich weiß nicht, ob ich das glaube definitiv ein Unterschied zwischen der Sache, die ich Wrestling war Chinese: 我自己以这种 好战的方式喜欢它,不是很艺术 我想,但是有一个 叫做“新”的东西 大师学院是一个 拥有所有这些老师的网站。只是 视频教程, 但有些真的真的非常好 史蒂夫·休斯顿(Steve Houston)和 其他生活抽屉等艺术家, 解剖学,您知道教程, 而我确实注册了此俄语 学院制图 课程,所以就像您知道这是 相当于俄罗斯芭蕾舞,但对于 艺术来说就像画 你知道从每个 角度绘制头骨,绘制100次,绘制 直到你可以 在梦中看到它,然后在梦中画出你知道的东西 你会非常非常缓慢地 穿过身体 解剖学,是的,这 很棒。 你认为自己...我的意思是有些 人似乎是天然的抽屉 他们可以拿起铅笔, 使任何东西看起来都不错 我是人谁不是我知道史蒂夫的 不错 您认为自己如何?是吗 [托比]我 不知道我认为 绝对是 我摔跤之间的区别 Arabic: لنفسي بهذه الطريقة المتشددة وكأنها ليست فنية للغاية أفترض ولكن هناك شيء يسمى الجديد أكاديمية الماجستير وهو موقع إلكتروني به كل هؤلاء المعلمين. مجرد مقاطع فيديو تعليمية ولكن بعضها جيد حقًا فنانين مثل ستيف هيوستن وأدراج الحياة الأخرى ، علم التشريح تعلمون الدروس وقد قمت بالتسجيل في هذا الروسي دورة الرسم بالأكاديمية كما لو كنت تعرف أنها ما يعادل الباليه الروسي ولكن بالنسبة للفن فهو يشبه الرسم تعلم رسم الجمجمة من كل زاوية ، ارسمها 100 مرة ، ارسمها حتى تتمكن من رؤيته في نومك ، ارسم في أحلامك نوعًا من الأشياء وأنت تتحرك ببطء شديد عبر الجسم علم التشريح ، نعم إنه رائع. هل تعتبر نفسك ... أعني أن بعض الناس أدراج طبيعية على ما يبدو يمكنهم فقط التقاط قلم رصاص وجعل أي شيء يبدو جيدًا أنا شخص لا أعرف أن ستيف جيد جدًا ماذا تعتبر نفسك هل أنت؟ [توبي] لا أعرف أعتقد أن هناك بالتأكيد فرق بين الشيء الذي كنت أصارعه نوعًا ما English: myself to it in this militant way like it's not very artistic I suppose but there's a there's this thing called the New Masters Academy which is a website that has all these teachers. just video tutorials but some really really really good artists like Steve Houston and other life drawers, anatomy you know tutorials and and I did I signed up for this Russian academy drawing course so it's like you know it's the equivalent of the Russian ballet but for art so it's like you draw you know draw the skull from every single angle, draw it 100 times, draw it until you can see it in your sleep draw in your dreams you know kind of thing and you you move very very slowly through the body through the anatomy, yeah it's great. do you consider yourself... I mean some people are natural drawers it seems like they they can just pick up a pencil and make anything look good I'm somebody who's not I know Steve's pretty good what do you consider yourself? were you? [Toby] I don't know I think there's definitely a difference between the thing that I was kind of wrestling Russian: я так воинственно, как будто это не очень артистично Я полагаю, но есть вещь под названием Новый Masters Academy, веб-сайт, на котором есть все эти учителя. просто видеоуроки, но некоторые действительно действительно действительно хорошие таких художников, как Стив Хьюстон и других деятелей жизни, анатомия вы знаете уроки и я подписался на этот русский академический курс рисования, чтобы вы знали, что это эквивалент русского балета, но для искусства так это как ты рисуешь вы знаете, нарисуйте череп под каждым углом, нарисуйте его 100 раз, нарисуйте пока вы не увидите это во сне, рисуйте во сне, вы кое-что знаете а вы очень-очень медленно двигаетесь по телу через анатомия, да, это здорово. ты считаешь себя ... я имею в виду некоторые люди естественные ящики кажется они могут просто взять карандаш и заставить все выглядеть хорошо Я тот, кто не такой, я знаю, что Стив довольно хорош что ты считаешь собой? ты был? [Тоби] Не знаю, думаю, есть определенно разница между тем, что я боролся French: avec était comme je pense que je peux copier tout à fait eh bien j'ai comme un œil analytique donc moi mais il y a une différence entre entre copier et communiquer quelque chose comme le genre de ... je ne sachez que vous pouvez apprendre une phrase phonétiquement mais cela ne veut pas dire que vous communiquez une idée à travers elle si vous ne comprenez pas vraiment ce cela semble vouloir dire d'accord alors essayer d' essayer de développer un style où vous communiquez réellement quelque chose plutôt que juste en copiant ce que vous voyez, je pense que c'est la différence. Je pense que ça vient juste avec le temps parce que je pratique donc on sait votre autre côté artistique. comment êtes-vous devenu acteur? Je suppose que je suis tombé un peu dedans quand j'étais Je pense que quand j'avais 12 ou 13 ans, j'ai commencé à Chinese: 就像 我想我可以复制 好吧,我有分析的眼光,所以 我但是 在复制和传达 类似的东西之间...我不 知道您可以通过 语音学习句子,但这并不意味着 如果您真的不了解什么,则是通过它传达想法 这听起来不错,所以尝试 尝试发展一种风格 您实际上在 交流的东西,而不仅仅是 复制您看到的内容, 我认为那是不同的。 我认为那是随着时间的流逝, 因为我在练习 所以 我们知道 另一个艺术方面。您是如何 参与演戏的? 我想我 大概在那时候掉进去了 我想,当我是12或13,我开始 去 Spanish: con fue como creo que puedo copiar bastante bueno, tengo un ojo analítico , pero hay una diferencia entre entre copiar y comunicar algo como el tipo de ... no saber que puedes aprender una oración fonéticamente, pero eso no significa que estás comunicando una idea a través de él si realmente no entiendes qué esto suena bien, así que tratando de desarrollar un estilo donde en realidad estás comunicando algo en lugar de solo copiando lo que ves creo que esa es la diferencia. Creo que llega con el tiempo porque estoy en práctica para que sepamos tu otro lado artístico. ¿Cómo te involucraste en la actuación? Supongo que me enamoré un poco cuando estaba a punto de Creo que cuando tenía 12 o 13 años comencé a ir a Russian: было похоже, что я могу скопировать вполне у меня как аналитический глаз, так что я, но есть разница между между копированием и сообщением чего-то вроде ... я не знаете, как будто вы можете выучить предложение фонетически, но это не значит, что через него вы передаете идею, если не понимаете, что это звучит означало хорошо, поэтому пытаюсь разработать стиль где вы на самом деле что-то говорите, а не просто копирование того, что вы видите, я думаю, в этом разница. Я думаю, это приходит со временем, потому что я практикуюсь так что мы знаем ваша другая художественная сторона. как вы стали играть? Думаю, я немного попал в это, когда был Я думаю, что когда мне было 12 или 13 лет, я начал ходить Arabic: مع كان كما أعتقد يمكنني نسخه تمامًا حسنًا ، لدي مثل العين التحليلية لذا فأنا لكن هناك فرق بينهما بين نسخ وإيصال شيء مثل هذا النوع من ... لا أفعل تعرف أنه يمكنك تعلم جملة صوتيًا ولكن هذا لا يعني ذلك أنت تنقل فكرة من خلاله إذا كنت لا تفهم حقًا ما هذا يبدو يعني حسنًا ، لذا تحاول محاولة تطوير أسلوب حيث تقوم بالفعل بتوصيل شيء ما بدلاً من مجرد التواصل نسخ ما تراه أعتقد أن هذا هو الفرق. أعتقد أن هذا يأتي مع الوقت لأنني في الممارسة العملية لذلك نحن نعلم الجانب الفني الآخر الخاص بك. كيف دخلت في التمثيل؟ أعتقد أنني وقعت في ذلك قليلاً عندما كنت على وشك أعتقد أنني عندما كان عمري 12 أو 13 عامًا بدأت بالذهاب Hungarian: volt olyan, mint azt hiszem, eléggé le tudom másolni Nos, olyan vagyok, mint egy elemző szem, így van , de van különbség olyasmi másolása és közlése között , amilyen ... én nem Tudd, hogy fonetikusan megtanulhatsz egy mondatot, de ez nem azt jelenti azon keresztül kommunikálsz egy ötletet, ha nem igazán érted, hogy mit ez úgy hangzik, hogy rendben van, ezért megpróbálunk kialakítani egy stílust ahol valójában valamit közöl, nem csak a látottak másolása szerintem ez a különbség. Azt hiszem, ez csak idővel jön, mert gyakorlatban vagyok tehát tudjuk másik művészi oldalad. hogyan kapcsolódott be a színjátszásba? Azt hiszem, egy kicsit beleestem, amikor kb Azt hiszem, amikor én voltam a 12. vagy 13. Elkezdtem fog English: with was like I think I can copy quite well I've got like an analytical eye so I but there's a difference between between copying and communicating something like the kind of... I don't know like you can learn a sentence phonetically but it doesn't mean that you're communicating an idea through it if you don't really understand what this sounds mean okay so trying to trying to develop a style where you're actually communicating something rather than just copying what you see I think that's the difference. I think that just comes with time because I'm in practice so we know your other artistic side. how did you become involved in acting? I guess I fell into it a little bit when I was about I think when I was 12 or 13 I started going to Portuguese: com era como se eu acho que posso copiar bastante bem, eu tenho um olho analítico, mas há uma diferença entre entre copiar e comunicar algo como o tipo de ... eu não sabe como se você pudesse aprender uma frase foneticamente, mas isso não significa que você está comunicando uma ideia por meio dele, se não entender realmente o que isso soa bem, então tentar desenvolver um estilo onde você está realmente comunicando algo em vez de apenas copiando o que você vê eu acho que é a diferença. Acho que isso vem com o tempo porque estou praticando então nós sabemos seu outro lado artístico. como você se envolveu em atuar? Acho que caí um pouco nisso quando estava prestes Acho que quando tinha 12 ou 13 anos comecei a German: mit war wie ich denke ich kann ganz kopieren Nun, ich habe wie ein analytisches Auge, also gibt es einen Unterschied zwischen zwischen dem Kopieren und Kommunizieren so etwas wie ... ich nicht Ich weiß, dass man einen Satz phonetisch lernen kann, aber das bedeutet das nicht Sie kommunizieren eine Idee dadurch, wenn Sie nicht wirklich verstehen, was Das klingt in Ordnung, also versuchen Sie , einen Stil zu entwickeln wo Sie tatsächlich etwas kommunizieren und nicht nur Kopieren, was Sie sehen Ich denke, das ist der Unterschied. Ich denke, das kommt mit der Zeit, weil ich in der Praxis bin so wissen wir es Ihre andere künstlerische Seite. Wie bist du zur Schauspielerei gekommen? Ich glaube, ich bin ein bisschen reingefallen, als ich unterwegs war Ich glaube, als ich 12 oder 13 war, habe ich angefangen zu gehen French: un groupe dramatique appelé la Young Blood Theatre Company à Londres. beaucoup de mes amis y sont allés. c'était mes samedis matins, j'y suis allé chaque semaine un samedi était étaient terrifiants. ils étaient à la base de des cours où l'on vous donnait un mot dans un groupe et vous auriez dix minutes pour trouver quelque chose. tu devrais juste venir avec quelque chose et inventer un morceau comme ça et ensuite le jouer alors ouais donc mes années d'adolescence d'environ 13 ans à 16 ou 17 chaque samedi étaient juste remplis avec effroi mais c'était je le veux dire tu sais juste avoir à trouver quelque chose mais c'était génial et c'était vraiment un vraiment super d'apprendre jeune. pensez à votre pieds créatifs et Andrew Bradford qui a dirigé ce groupe de théâtre avait une agence ou a un l'agence a appelé l'agence BWH et toute personne qu'il voulait German: eine Theatergruppe namens Young Blood Theatre Company in London. Viele meiner Freunde gingen. es war Meine Samstagmorgen waren im Grunde genommen jede Woche an einem Samstag waren erschreckend. Sie waren mit der Basis von In den Klassen wurde Ihnen ein Wort in einer Gruppe gegeben und Sie hätten zehn Minuten Zeit, um sich etwas auszudenken. du müsstest einfach kommen Mach dir etwas vor und entwerfe ein solches Stück und führe es dann so aus, ja so meine Teenagerjahre ab ca. 13 bis 16 oder 17 jeden Samstag waren nur gefüllt mit Furcht, aber ich meine, Sie wissen , dass Sie sich nur etwas einfallen lassen müssen etwas, aber es war großartig und es war wirklich wirklich toll , jung zu lernen. Denken Sie an Ihre Füße kreativ und Andrew Bradford wer lief diese Dramagruppe hatte eine Agentur oder hat eine Agentur rief die BWH Agentur und jeden, den er wollte Chinese: 一个叫做 伦敦年轻血液剧院公司的戏剧团体。 我的很多朋友去了。它是 我的星期六早上基本上 每周我去一个星期六 太恐怖了 他们 的基础是 班级中的 一个单词 而且您将有十分钟的时间提出 一些建议。你只需要来 用某种东西来设计这样的作品 ,然后执行它,是的 所以我十几岁的时候 16或17的每个周六刚刚 填补 带着恐惧,但这是我的意思是,你知道 只需要拿出 的东西, 但这是伟大的,这是一个真正的 学习年轻人真的很棒。考虑你的 有 创造力的脚和安德鲁·布拉德福德(Andrew Bradford) 那个 话剧团有一家经纪公司或一家 机构称为BWH机构, 以及任何他想要的人 Arabic: مجموعة درامية تسمى شركة Young Blood Theatre في لندن. ذهب الكثير من أصدقائي. كانت كانت صباحاتي يوم السبت أساسًا ذهبت كل أسبوع يوم السبت كانت مرعبة. كانوا مع أساس من الفصول الدراسية كان سيتم إعطاؤك كلمة في مجموعة ولديك عشر دقائق لتفكر في شيء ما. عليك أن تأتي للتو ابتكر شيئًا ما وابتكار قطعة من هذا القبيل ثم أديها جيدًا لذا فإن سنوات مراهقتي من حوالي 13 عامًا إلى 16 أو 17 كل يوم سبت كانت مجرد شغل مع الرهبة ولكن هذا كان يعني أنك تعرف فقط أنه يتعين عليك الخروج شيء ما ولكنه كان رائعًا وكان حقًا حقا شيء عظيم لتعلم الشباب. فكر في قدم بشكل خلاق وأندرو برادفورد الذي كان يدير تلك المجموعة الدرامية وكالة أو لديه اتصلت الوكالة بوكالة BWH وأي شخص يريد ذلك Spanish: un grupo de teatro llamado Young Blood Theatre Company en Londres. muchos de mis amigos fueron. era mis sábados por la mañana básicamente fui todas las semanas los sábados eran eran aterradoras. estaban con la base de de las clases fue que te darían una palabra en un grupo y tendrías diez minutos para pensar en algo. tendrías que venir con algo e idear una pieza como esa y luego ejecutarla, así que sí así que mi adolescencia a partir de los 13 a 16 o 17 todos los sábados se acaban de llenar con pavor, pero lo digo en serio, sabes que solo tienes que pensar algo, pero fue genial y fue realmente una algo realmente genial para aprender joven. piensa en tu pies creativamente y Andrew Bradford que Dirigió que el grupo de teatro tenía una agencia o tiene una agencia llamó a la agencia BWH y cualquiera que quisiera Hungarian: drámacsoport a londoni Young Blood Theatre Company néven. sok barátom ment. ez volt szombat reggelenként alapvetően minden héten jártam egy szombaton félelmetesek voltak. voltak az alapján az osztályok közül kapna egy szót egy csoportban és tíz perced lenne arra, hogy kitalálj valamit. csak el kellene jönnie dolgozzon fel valamivel, és dolgozzon ki egy ilyen darabot , majd hajtsa végre tehát tizenéves korom kb. 13-tól minden szombaton 16-ig vagy 17-ig töltötték rettegéssel, de én arra gondoltam, hogy tudod, hogy csak elő kell állnod valami, de nagyon jó volt, és tényleg nagyon nagyszerű dolog fiatalon megtanulni. gondolj a láb kreatívan és Andrew Bradford aki vezetett, hogy a drámacsoportnak volt ügynöksége vagy van felhívta a BWH ügynökséget és bárkit, akit csak akart Russian: драматическая группа под названием « Театральная труппа молодой крови » в Лондоне. пошло много моих друзей. это было в субботу утром я ходил каждую неделю по субботам, были ужасающими. они были на основе классов, вам дали слово в группе и у вас будет десять минут, чтобы что-нибудь придумать . тебе нужно просто прийти Придумай что-нибудь и придумай такую ​​пьесу , а потом исполни ее, так что да так что мои подростковые годы примерно с 13 до 16 или 17 каждую субботу просто заполнялись со страхом, но это я имел в виду, вы знаете, просто нужно было придумать что-то, но это было здорово, и это было действительно действительно здорово учиться молодым. подумай о своем ноги творчески и Эндрю Брэдфорд, который у этой драматической группы было агентство или агентство позвонило в агентство BWH и всем, кому он хотел English: a drama group called the Young Blood Theatre Company in London. a lot of my friends went. it was my Saturday mornings basically I went every week on a Saturday were were terrifying. they were with the the basis of of the classes was you'd be given a word in a group and you'd have ten minutes to come up with something. you'd have to just come up with something and devise a piece like that and then perform it so yeah so my teenage years from about 13 to 16 or 17 every Saturday were just filled with dread but it was I mean it you know just having having to come up with something but it was great and it was a really really great thing to learn young. think on your feet creatively and Andrew Bradford who ran that drama group had an agency or has an agency called the BWH agency and anyone that he wanted to Portuguese: um grupo de teatro chamado Young Blood Theatre Company em Londres. muitos dos meus amigos foram. isso foi minhas manhãs de sábado, basicamente, eu ia todas as semanas no sábado eram foram assustadores. eles estavam com a base de das aulas era que você receberia uma palavra em um grupo e você teria dez minutos para pensar em algo. você teria que vir invente algo e invente uma peça como essa e a execute então sim então minha adolescência de cerca de 13 para 16 ou 17 todos os sábados eram apenas preenchidos com pavor, mas foi, quero dizer, você sabe, apenas tendo que inventar algo, mas foi ótimo e foi realmente coisa realmente ótima para aprender jovem. pense no seu pés criativamente e Andrew Bradford que dirigiu aquele grupo de teatro tinha uma agência ou tem um agência chamou a agência BWH e qualquer pessoa que ele quisesse Chinese: 从小组中代表他将 提供代表,所以在那里 进入专业表演是一个不错的举动,因此 我 想通过安德鲁找到第一份工作 14或15。 这很有趣,是Sharpe的 挑战也是 Bernard Cornwell 撰写的。是的,这样 是我的, 因为我的意思是很多人问我 那你就知道我 该如何参与其中,我该如何参与演戏 我怎样才能找到代理,而我真的 不知道 它是这样的 ,我不知道我founda很 非常特别的大道 [科尔比] 你特别年轻 与其他人相比。 你什么时候知道自己想加入 演戏吗 还是在你之前就知道 开始了吗? [托比]不,我 在我开始之前不知道 那不是 就像 我很小的时候的童年梦。 我认为是在舞台上还是 我们在戏剧中的舞台版本 German: vertreten aus der Gruppe würde er so dort vertreten anbieten war ein schöner Einstieg in die professionelle Schauspielerei Ich habe meinen ersten Job durch Andrew bekommen, denke ich, als ich ungefähr war 14 oder 15. was lustigerweise Sharpes war Herausforderung, die auch von Bernard Cornwell geschrieben wurde . ja so das war mein, weil ich meine, viele Leute fragen mich das und du weißt wie ich dazu komme , wie ich zur Schauspielerei komme Wie kann ich einen Agenten bekommen und ich weiß es wirklich nicht Es ist so ein ich weiß nicht , Founda ich sehr ganz besondere Allee. [Colby] Du hast besonders jung angefangen im Vergleich zu einigen anderen Menschen. Wann wussten Sie, dass Sie sich darauf einlassen wollten? Schauspielkunst? oder wusstest du schon vor dir gestartet? [Toby] nein ja ich Ich wusste es nicht, bevor ich anfing , war es nicht wie ein Kindheitstraum aus meiner Kindheit . Ich denke, auf der Bühne zu stehen oder unsere Version einer Bühne im Drama Spanish: representar del grupo que ofrecería representación para que no fue un buen paso hacia la actuación profesional, así que Conseguí mi primer trabajo a través de Andrew, creo que cuando estaba a punto 14 o 15, que curiosamente fue el de Sharpe Challenge que también fue escrito por Bernard Cornwell. si para que fue mi porque me refiero a mucha gente me pregunta eso y sabes cómo me meto , cómo me meto en la actuación ¿Cómo puedo conseguir un agente y realmente no sé como es tal que no se que encontré muy avenida muy particular. [Colby] empezaste bastante joven especialmente en comparación con otras personas. ¿Cuándo supiste que querías entrar? ¿interino? o sabias incluso antes que tu ¿empezado? [Toby] no si yo no sabía antes de empezar que no era como un sueño de la infancia de cuando era muy joven. Creo que estar en el escenario o nuestra versión de un escenario en el drama English: represent from the group he would offer representation so there was a nice move into professional acting so I got my first job through Andrew I think when I was about 14 or 15. which funnily enough was Sharpe's Challenge which was written by Bernard Cornwell as well. yeah so that was my because I mean lots of people ask me that and you know like how do I get into it, how do I get into acting how can I get an agent and I genuinely don't know like it's such a I don't know I founda very very particular avenue. [Colby] you started pretty young especially compared to some other people. when did you know you wanted to be get into acting? or did you know even before you started? [Toby] no yeah I didn't know before I started it wasn't like a childhood dream from when I was very very young. I think being on being on stage or the our version of a stage in the drama Hungarian: képviselje a csoportból, képviseletet kínálna ott volt szép beköltözik hivatásos színészi így Első munkámat Andrew-n keresztül kaptam, azt hiszem, amikor kb 14 vagy 15. ami elég jópofa volt Sharpe-é Kihívás, amelyet Bernard Cornwell is írt . igen úgy azért volt, mert úgy értem, sokan kérdezik tőlem és tudod, hogyan jutok bele , hogyan kezdjek bele a színjátszásba hogyan szerezhetek ügynököt, és valóban nem tudom, hogy tetszik ez egy olyan nem tudom, hogy nagyon megtaláltam nagyon sajátos sugárút. [Colby] különösen fiatalon kezdtél néhány emberhez képest. mikor tudtad , hogy be akarsz kerülni ható? vagy még előtted tudtad elkezdődött? [Toby] nem, igen nem tudta, mielőtt elkezdtem , nem az volt mint egy gyermekkori álom, amikor nagyon fiatal voltam. Szerintem a színpadon vagy a dráma színpadának változata Arabic: يمثل من المجموعة أنه سيقدم التمثيل هناك كانت خطوة لطيفة في التمثيل المحترف حصلت على وظيفتي الأولى من خلال أندرو أعتقد عندما كنت على وشك 14 أو 15. ما يكفي من المرح كان شارب التحدي الذي كتبه برنارد كورنويل أيضًا. نعم ذلك كان لي لأنني أعني الكثير من الناس يسألونني هذا وأنت تعرف كيف يمكنني الدخول فيه ، كيف أدخل في التمثيل كيف يمكنني الحصول على وكيل وأنا حقا لا أعرف مثل انها مثل هذا وأنا لا أعرف founda جدا طريق خاص جدا. [كولبي] لقد بدأت في سن صغيرة خاصة مقارنة ببعض الأشخاص الآخرين. متى عرفت أنك تريد الدخول التمثيل؟ أو هل كنت تعلم من قبل بدأت؟ [توبي] لا نعم أنا لم أكن أعرف قبل أن أبدأ لم يكن كذلك مثل حلم طفولتي عندما كنت صغيرًا جدًا. أعتقد أن أكون على خشبة المسرح أو نسختنا من المسرح في الدراما Portuguese: representar do grupo, ele ofereceria representação então lá foi uma boa mudança para atuação profissional, então Consegui meu primeiro emprego através de Andrew, acho que quando estava prestes 14 ou 15. que curiosamente foi o de Sharpe Desafio que foi escrito por Bernard Cornwell também. sim então isso era meu porque quero dizer muitas pessoas me perguntam isso e você sabe como eu entro nisso, como eu começo a atuar como posso conseguir um agente e realmente não sei como é um tal eu não sei eu achei muito avenida muito particular. [Colby] você começou muito jovem, especialmente em comparação com algumas outras pessoas. quando você soube que queria entrar atuando? ou você sabia antes mesmo de você começado? [Toby] não sim eu não sabia antes de começar , não era como um sonho de infância de quando era muito jovem. Acho que estar no palco ou a nossa versão de um palco no drama Russian: представлять из группы, которую он предлагал, так что там было хорошим шагом к профессиональному актерскому мастерству, так что Я получил свою первую работу через Эндрю, я думаю, когда я был 14 или 15 лет, что, как ни странно, принадлежало Шарпу. Challenge, который также написал Бернард Корнуэлл. да так что был моим, потому что многие люди спрашивают меня это и вы знаете, как я вхожу в это, как я вхожу в игру как я могу найти агента, а я действительно не знаю, как это такое я не знаю я нашел очень очень особенный проспект. [Колби] Вы начали довольно молодыми, особенно по сравнению с некоторыми другими людьми. когда ты знал, что хочешь попасть в действующий? или ты знал еще до тебя началось? [Тоби] нет да я не знал, прежде чем я начал, это не было как детская мечта, когда я был очень маленьким. Я думаю, что быть на сцене или наша версия сцены в драме French: représenter du groupe il offrirait une représentation donc là était un bon passage dans le théâtre professionnel alors J'ai obtenu mon premier emploi grâce à Andrew, je pense que quand j'étais 14 ou 15, ce qui était curieusement celui de Sharpe Challenge qui a également été écrit par Bernard Cornwell. ouais pour que était mon parce que je veux dire que beaucoup de gens me demandent ça et tu sais comment puis-je entrer , comment puis-je devenir acteur comment puis-je trouver un agent et je ne sais vraiment pas comme c'est un tel je ne sais pas j'ai trouvé un très avenue très particulière. [Colby] vous avez commencé assez jeune surtout par rapport à d'autres personnes. quand saviez - vous que vous vouliez entrer agissant? ou saviez-vous même avant vous commencé? [Toby] non ouais je je ne savais pas avant de commencer ce n'était pas comme un rêve d'enfance quand j'étais très très jeune. Je pense être sur scène ou notre version d'une scène dans le drame English: group when I was 13 or 14 sort of there was a interest there. like in you know that this I really really enjoyed the thrill of creating and responding and especially being with an audience even though the audience was just like a bunch of teenagers who were my mates you know I think that's where I was like oh yeah I think I want to do this. I think it's tougher even to more like express yourself in front of people you know at least for me. then you have to show maybe a different side that you've been showing them all this time. [Toby] yeah I know what you mean. yeah for sure yeah it's kind of easier to be anonymous but when the people that you want to like the people that you want to like you in real life having to be vulnerable. totally so then from there how did you get into The Last Kingdom then? German: Gruppe, als ich 13 oder 14 Jahre alt war, gab es eine Interesse dort. wie in dir weißt das das ich wirklich wirklich genoss den Nervenkitzel des Schaffens und Reagierens und besonders des Seins mit einem Publikum, obwohl das Publikum genau wie war Ein Haufen Teenager, die meine Freunde waren , weißt du, ich glaube, dort bin ich war wie oh yeah ich denke ich will das machen . Ich denke, es ist noch schwieriger, sich vor Leuten auszudrücken, die man ist weiß zumindest für mich. Dann musst du Zeigen Sie vielleicht eine andere Seite, die Sie ihnen die ganze Zeit gezeigt haben. [Toby] Ja, ich weiß was du meinst. Ja sicher, ja, es ist irgendwie einfacher anonym zu sein aber wenn die Leute, die Sie mögen wollen die Menschen, die Sie im wirklichen Leben mögen wollen Atomen sein verwundbar. Wie bist du dann von dort in das letzte Königreich gekommen? Chinese: 当我13岁或14岁时, 有兴趣。就像你知道 我真的 享受创造 和回应的快感,尤其是 与观众在一起,即使 观众就像 一群十几岁的人是我的伴侣, 你知道我认为那是我的所在 就像是,是的,我想我想这样做 。 我认为更喜欢 在自己面前表达自己的想法更困难 至少对我知道。那你必须 展现另一面,你一直都 在向他们展示。[托比]是的,我 知道你的意思。 是的,肯定是的 更容易匿名,但 当人们要 喜欢 你想 在现实生活中喜欢你的人 必须 脆弱。 完全如此,那么您是如何从那里 进入《最后的王国》的呢? Portuguese: grupo quando eu tinha 13 ou 14 anos, havia uma espécie de interesse lá. como em você sabe que isso eu realmente realmente gostei da emoção de criar e responder e especialmente de ser com um público, embora o público fosse apenas como um bando de adolescentes que eram meus amigos, você sabe, eu acho que é onde eu foi tipo oh sim, acho que quero fazer isso. Acho que é mais difícil ainda se expressar na frente das pessoas sabe pelo menos para mim. então você tem que mostre talvez um lado diferente que você tem mostrado a eles todo esse tempo. [Toby] sim eu sabe o que você quer dizer. sim com certeza sim é meio mais fácil ser anônimo, mas quando as pessoas que você quer gostar as pessoas que você quer que gostem de você na vida real ter que ser vulnerável. totalmente então a partir daí como você entrou no Último Reino então? French: groupe quand j'avais 13 ou 14 ans il y avait une sorte de intérêt là-bas. comme dans tu sais que c'est vraiment vraiment apprécié le plaisir de créer et de répondre et surtout d'être avec un public même si le public était comme un groupe d'adolescents qui étaient mes potes tu sais je pense que c'est là que je était comme oh ouais je pense que je veux faire ça. Je pense que c'est encore plus difficile de t'exprimer devant les gens sais au moins pour moi. alors tu dois montrez peut-être un côté différent que vous leur avez montré tout ce temps. [Toby] ouais je sais ce que tu veux dire. ouais c'est sûr ouais c'est un peu plus facile d'être anonyme mais quand les gens que tu veux aimer les gens que tu veux aimer dans la vraie vie devoir être vulnérable. tout à fait alors à partir de là, comment êtes- vous entré dans The Last Kingdom alors? Arabic: المجموعة عندما كان عمري 13 أو 14 عامًا كان هناك نوع من هناك مصلحة. كما في تعلمون أن هذا حقا أنا حقا استمتعت بإثارة الإبداع والاستجابة وخاصة الوجود مع الجمهور على الرغم من أن الجمهور يشبه تمامًا حفنة من المراهقين الذين كانوا رفاقي كما تعلمون أعتقد أن هذا هو المكان الذي أنا فيه كان مثل أوه نعم أعتقد أنني أريد أن أفعل هذا. أعتقد أنه من الأصعب حتى التعبير عن نفسك أمام الناس تعرف على الأقل بالنسبة لي. ثم عليك أن أظهر ربما جانبًا مختلفًا كنت تعرضه لهم طوال هذا الوقت. [توبي] أجل اعرف ما تقصد. نعم بالتأكيد نعم هذا نوع من أسهل أن تكون مجهول الهوية ولكن عندما الناس التي تريد أن تحب الأشخاص الذين تريدهم في الحياة الواقعية يجب أن تكون عرضة للخطر. إذاً تمامًا إذن من هناك كيف دخلت The Last Kingdom بعد ذلك؟ Hungarian: csoport 13 vagy 14 éves koromban volt egy érdeklődés ott. mint benned, tudod, hogy ezt tényleg nagyon élvezte az alkotás és a válaszadás, különösen a lét izgalmát közönséggel, pedig a közönség éppen olyan volt egy csomó tinédzser, akik a párom voltak , tudod, azt hiszem, ott vagyok én olyan volt, hogy igen, azt hiszem, ezt akarom csinálni . Szerintem még ennél is keményebb, ha inkább kifejezed magad az emberek előtt tudja legalább nekem. akkor muszáj mutasd meg talán egy másik oldalát, amit egész idő alatt nekik mutattál. [Toby] igen tudja, mire gondol. igen biztosan igen igen könnyebb névtelen lenni, de amikor az emberek szeretni akarják az emberek, akiket szeretnél megkedvelni a való életben sebezhetőnek kell lennie . teljesen onnan, akkor onnan hogyan kerültél akkor az Utolsó Királyságba? Spanish: grupo cuando tenía 13 o 14 años había una especie de interés allí. como si supieras que esto realmente realmente disfruté de la emoción de crear y responder y especialmente de ser con una audiencia a pesar de que la audiencia era como un grupo de adolescentes que eran mis compañeros , sabes, creo que ahí es donde fue como oh sí, creo que quiero hacer esto. Creo que es más difícil incluso expresarse frente a personas que saber al menos para mí. entonces tienes que muestre quizás un lado diferente que les ha estado mostrando todo este tiempo. [Toby] si yo se a lo que te refieres. sí, seguro, sí, es una especie de más fácil ser anónimo pero cuando la gente que te quiere gustar las personas que quieres agradarles en la vida real tener que ser vulnerable. Totalmente entonces desde allí, ¿cómo entraste en The Last Kingdom entonces? Russian: группа, когда мне было 13 или 14 лет, там была интерес там. как будто ты знаешь, что это я действительно правда наслаждался острыми ощущениями от творчества и ответов и особенно от того, с аудиторией, хотя публика была такой же группа подростков, которые были моими друзьями, вы знаете, я думаю, что именно здесь я было похоже на о да, я думаю, что хочу это сделать . Я думаю, что еще труднее выразить себя перед людьми, которых ты знаю по крайней мере для меня. тогда ты должен покажите, может быть, другую сторону, которую вы показывали им все это время. [Тоби] да, я знаете, что вы имеете в виду. да, конечно да это вроде проще быть анонимным, но когда люди, которых ты хочешь любить люди, которым вы хотите нравиться в реальной жизни быть уязвимым. Совершенно так, как тогда вы попали в The Last Kingdom? Spanish: solo audiciones regulares, sí, hice una audición en Londres ¿Eras fan del programa? porque llegaste en la segunda temporada. ¿Conocías la primera temporada antes? Lo sabía pero no lo había visto, así que una vez que conseguí el trabajo volví y vio el programa. vio la primera temporada y esa es la primera vez, el la única vez que me uní a algo así eso es preexistente y fue genial porque fue realmente realmente genial ver un programa que realmente te gusta con el pensamiento en el fondo de tu mente como si pudiera estar en esto pronto. sí , tuve una primera vez realmente extraña o tal vez me refiero a uno de mis primeros días me sentí como si estuviera en el más increíblemente realista experiencia de realidad virtual de ver un programa de televisión porque Había visto el programa anteriormente y luego, de repente, estaba en el set. y que David Dawson le hiciera una pregunta interpretando al Rey Alfred y solo el pensamiento de mi mente estaba como wow este programa es realista oh mierda no Portuguese: apenas testes regulares sim, eu fiz o teste em Londres você era fã do show? Porque você veio na segunda temporada. você conhecia a primeira temporada antes? Eu sabia, mas não tinha visto, então, quando consegui o emprego, voltei e assisti ao show. assisti a primeira temporada e essa é a primeira vez, o única vez que entrei em algo assim isso é pré-existente e foi ótimo porque era realmente muito legal assistir um programa que você realmente gosta com o pensamento no fundo de sua mente como se eu chegasse a isso em breve. sim, eu tive um primeiro muito estranho ou talvez eu queira dizer um dos meus primeiros dias parecia que eu era o mais incrivelmente realista experiência de realidade virtual de assistir a um programa de televisão porque Eu tinha visto o show antes e de repente estava no set e sendo perguntado por David Dawson interpretando Rei Alfred e apenas o pensamento da minha mente eu estava tipo uau, esse show é realista oh merda não Hungarian: csak rendszeres meghallgatás, igen, Londonban meghallgattam rajongtál a műsorért? mivel a második évadban jöttél be. ismerte korábban az első évadot? Tudtam róla, de még nem láttam, és így miután megkaptam a munkát, visszamentem és nézte a műsort. nézte az első évadot, és ez az első alkalom, a csak egyszer csatlakoztam ilyesmihez ez már létezett, és nagyon jó volt, mert csak nagyon volt igazán klassz nézni egy olyan műsort, ami nagyon tetszik azzal a gondolattal a fejedben, mintha hamarosan rátérnék erre. igen, először nagyon furcsa volt vagy talán az egyik első napomra gondolok olyan érzés volt, mintha csak a leghihetetlenebbül élnék televíziós műsor nézésének virtuális valóság élménye, mert Korábban láttam a műsort , majd hirtelen a forgatáson voltam és David Dawson feltette neki egy kérdést , aki Alfred királyt és csak az agyam gondolata voltam olyan, hogy wow ez a műsor reális oh szar nem Chinese: 只是定期试镜, 是的,我在伦敦试镜 您是该节目的粉丝吗?因为 您是第二季来的。你知道第一 季吗? 我知道这件事,但我没看过, 所以一旦找到工作,我就回去了。 看了节目。看了第一个 赛季,那是第一次, 只有当我 加入这样的事情 那是预先存在的,这很棒, 因为那真的是真的 很酷的观看您真正 喜欢的节目 有了我的想法, 就像我很快就会加入。 是的, 我第一次真的很奇怪 也许我是说我 第一天的其中一个 感觉就像我只是最 现实的现实 观看 电视节目的虚拟现实体验,因为 我以前看过这个节目 ,然后突然间我进入了这集 并问一个问题 由大卫·道森打国王阿尔弗雷德和 只是我的想法,我就像 哇,这个节目很现实,哦,不 French: juste des auditions régulières ouais j'ai auditionné à Londres étiez-vous fan de l'émission? car vous êtes venu dans la saison deux. connaissiez-vous la première saison? J'étais au courant mais je ne l'avais pas vu et donc une fois que j'ai eu le poste, je suis retourné et regardé le spectacle. regardé la première saison et c'est la première fois, le la seule fois où j'ai rejoint quelque chose comme ça c'est préexistant et c'était génial parce que c'était vraiment vraiment cool de regarder une émission que tu aimes vraiment avec la pensée dans le fond de votre esprit comme je vais bientôt être là-dessus. Ouais j'ai eu une première vraiment vraiment étrange ou peut-être que je veux dire l'un de mes premiers jours c'était comme si j'étais juste dans le plus incroyablement réaliste expérience de réalité virtuelle de regarder une émission de télévision parce que J'avais déjà vu la série et puis soudainement j'étais sur le plateau et se faisant poser une question par David Dawson jouant le roi Alfred et juste la pensée de mon esprit j'étais comme wow ce spectacle est réaliste oh merde non Arabic: مجرد تجربة أداء منتظمة ، نعم قمت بتجربة الأداء في لندن هل كنت من محبي العرض؟ لان جئت في الموسم الثاني. هل تعلم الموسم الاول من قبل؟ علمت بالأمر لكنني لم أره ولذا بمجرد حصولي على الوظيفة عدت و شاهد العرض. شاهد الموسم الأول وهذه هي المرة الأولى ، فقط الوقت الذي انضممت فيه إلى شيء من هذا القبيل كان هذا موجودًا مسبقًا وكان رائعًا لأنه كان حقًا حقًا رائع لمشاهدة عرض يعجبك حقًا مع التفكير في الجزء الخلفي من عقلك كما لو كنت سأفكر في هذا قريبًا. نعم كان لدي أمر غريب حقًا أولاً أو ربما أعني أحد الأيام الأولى لي شعرت وكأنني كنت في أكثر واقعية بشكل لا يصدق تجربة الواقع الافتراضي لمشاهدة برنامج تلفزيوني لأن لقد رأيت العرض من قبل ثم فجأة كنت في موقع التصوير وسأله ديفيد داوسون وهو يلعب دور الملك ألفريد و مجرد التفكير في ذهني كنت مثل نجاح باهر هذا العرض واقعي يا إلهي لا English: just regular auditioning yeah I auditioned in London were you a fan of the show? because you came in in season two. did you know season one before? I knew of it but I hadn't seen it and so once I got the job I went back and watched the show. watched the first season and that's the first time, the only time that I've joined something like that that's pre-existing and it was great because it was just really really cool to watch a show that you really like with the thought in the back of your mind like I get to be on this soon. yeah I had a really really strange first or maybe I mean one of my one of my first days it felt like I was just in the most incredibly realistic virtual reality experience of watching a television show because I'd seen the show previously and then suddenly I was on the set of it and being asked a question by David Dawson playing King Alfred and just the thought of my mind I was like wow this show is realistic oh shit no German: Nur regelmäßiges Vorsprechen Ja, ich habe in London vorgesprochen Warst du ein Fan der Show? weil Du bist in der zweiten Staffel reingekommen. Wussten Sie schon die erste Staffel? Ich wusste davon, aber ich hatte es nicht gesehen und als ich den Job bekam, ging ich zurück und sah die Show. habe die erste Staffel gesehen und das ist das erste Mal, die Nur das eine Mal, dass ich mich so etwas angeschlossen habe Das ist schon vorhanden und es war großartig, weil es einfach wirklich wirklich war cool, eine Show zu sehen, die du wirklich magst mit dem Gedanken im Hinterkopf , als würde ich bald darauf eingehen. Ja, ich hatte zuerst eine wirklich sehr, sehr seltsame oder vielleicht meine ich einen meiner ersten Tage Es fühlte sich so an, als wäre ich einfach unglaublich realistisch Virtual-Reality-Erfahrung beim Anschauen einer Fernsehsendung, weil Ich hatte die Show schon einmal gesehen und war dann plötzlich am Set und eine Frage von David Dawson gestellt zu bekommen, der König Alfred und spielt Nur der Gedanke an meinen Verstand, ich war wie wow, diese Show ist realistisch, oh Scheiße, nein Russian: просто регулярное прослушивание да я прослушивался в лондоне Вы были фанатом шоу? так как ты появился во втором сезоне. ты знал первый сезон раньше? Я знал об этом, но не видел этого, поэтому, получив работу, я вернулся и смотрел шоу. смотрели первый сезон и это впервые, только раз, когда я присоединился к чему-то вроде этого это уже существовало, и это было здорово, потому что это было действительно действительно круто смотреть шоу, которое тебе действительно нравится с мыслью в глубине души, как будто я скоро буду об этом. да, сначала у меня было действительно очень странное или, может быть, я имею в виду один из моих первых дней мне казалось, что я был просто невероятно реалистичен опыт виртуальной реальности просмотра телешоу, потому что Я видел это шоу раньше, а потом внезапно оказался на съемочной площадке. и когда Дэвид Доусон задал вопрос , играя короля Альфреда и просто мысль в моем уме, я был как вау, это шоу реалистично, черт возьми, нет Chinese: 等等我在里面。 我是在说 这就像一个非常现实的 选择自己的冒险。 哦,这太酷了,您现在是 那种时期作品的粉丝吗?因为 你去过统治时期,这是另 一段时期 是那种吗?[Toby]是的,我的意思是 基本上我要做的就是 在那一刻,我只是 全盘做舞台剧,实际上 节目越来越早了, 是的,我就像我 是的,我无法谈论 我将要做的事情 好吧,不要告诉我们。[托比]另一个时期 它的东西 做的,我认为它的东西与我 头发。 我很好,你确实很老 头发,绑起来。[Colby]我要说的 是当你成为Aethelred时 甚至像 我见过的其他东西一样 与我所看到的相比,它们似乎对您的头发没有任何作用 屏幕外。[Toby]是的, 我觉得我基本上是一样的 文艺复兴时期的头发, 以便有所帮助。不是 German: warte ich bin drin Ich soll ja reden Es war wie eine wirklich sehr realistische Wahl Ihres eigenen Abenteuers. Oh, das ist jetzt so cool. Bist du ein Fan dieser Art von historischen Stücken? weil Sie waren in Reign, einem weiteren historischen Stück ist das so? [Toby] Ja, ich meine, es ist im Grunde alles, was ich tue Im Moment mache ich nur Periodendramen auf der ganzen Linie und eigentlich meine Shows wurden immer früher ja ich war wie ich bin Ja, ich kann nicht über das reden, was ich tun werde Okay, sag es uns nicht. [Toby] eine andere Periode Es ist etwas zu tun. Ich denke, es hat etwas mit meinem zu tun Haar. Ich habe nur gut, Sie haben altmodisch Haare, es ist zusammengebunden. [Colby] Ich wollte sagen, dass es nicht so aussieht, als ob du Aethelred bist oder sogar wie die anderen Sachen, in denen ich dich gesehen habe Es scheint nicht so, als würden sie irgendetwas mit deinen Haaren machen, verglichen mit dem, was ich sehe außerhalb des Bildschirms. [Toby] Ja, es ist im Grunde das gleiche, von dem ich glaube, dass ich es habe Renaissance-Haare, damit das hilft. es ist nicht French: attends, je suis dedans. Je suis censé parler ouais C'était comme un choix vraiment réaliste de votre propre aventure. oh c'est tellement cool maintenant êtes-vous fan de ce genre de pièces d'époque? car vous avez été dans Reign qui est une autre pièce d'époque est ce genre de? [Toby] ouais je veux dire, c'est fondamentalement tout ce que je fais à la minute où je fais juste des drames d' époque à tous les niveaux et en fait mon les émissions devenaient de plus en plus tôt ouais j'étais comme si j'étais Ouais je ne peux pas parler de ce que je suis sur le point de faire ok ne nous dis pas. [Toby] une autre période c'est quelque chose à faire je pense que c'est quelque chose à voir avec mon cheveux. J'ai juste bien que tu as du vieux temps les cheveux, ils sont attachés. [Colby] J'allais dire que ça n'a pas l'air d'être quand tu es Aethelred Ou même dans les autres trucs dans lesquels je t'ai vu il ne semble pas qu'ils fassent quoi que ce soit à tes cheveux comparé à ce que je vois hors écran. [Toby] ouais c'est fondamentalement la même chose je pense que j'ai cheveux renaissance pour que cela aide. ce n'est pas Hungarian: várj, amíg benne vagyok. Úgy értem, hogy igenis beszélek Olyan volt, mint egy igazán reális választani a saját kalandját. ó, ez így klassz most rajongsz az efféle korabeli darabokért? mivel a Reign-ben voltál, ami egy másik korabeli darab ilyen? [Toby] igen, úgy értem, alapvetően csak ezt csinálom abban a pillanatban, hogy korszakos drámákat csinálok az egész fórumon, és valójában az én a műsorok egyre előrébb voltak, és igen, olyan voltam, mint én igen, nem beszélhetek arról a dologról, amelyet tenni fogok oké, ne mondd el nekünk. [Toby] egy másik időszak ez valami tennivaló szerintem valami köze az énemhez haj. Csak jól tudom, hogy van időid haj, meg van kötve. [Colby] Azt akartam mondani, hogy nem úgy tűnik, amikor Aethelred vagy vagy akár a többi dolog, amiben láttalak úgy tűnik, nem tesznek semmit a hajaddal, mint ahhoz képest, amit látok képernyőn kívül. [Toby] igen, alapvetően ugyanaz, azt hiszem, megvan reneszánsz haj , hogy ez segítsen. ez nem Portuguese: espere, estou nisso. Eu deveria estar falando sim Foi realmente muito realista escolher sua própria aventura. oh isso é tão legal agora você é um fã desse tipo de peças de época? Porque você esteve em Reign, que é outra peça de época é esse tipo de coisa? [Toby] sim, quero dizer, é basicamente tudo que faço no minuto eu apenas faço dramas de período em todo o quadro e, na verdade, meu os shows estavam ficando cada vez mais cedo, sim, eu estava como se estivesse sim, eu não posso falar sobre o que estou prestes a fazer ok, não nos diga. [Toby] outro período tem algo a ver, acho que tem a ver com meu cabelo. Eu apenas tenho o bem, você tem os velhos tempos cabelo, está amarrado. [Colby] Eu ia dizer que não parece quando você está Aethelred ou mesmo em outras coisas que eu vi você não parece que eles fazem nada com o seu cabelo em comparação com o que eu vejo fora da tela. [Toby] sim, é basicamente o mesmo , acho que tenho cabelo renascentista para que isso ajude. não é Arabic: انتظر انا فيه. أنا من المفترض أن أتحدث ، نعم كان الأمر وكأنه واقعي حقًا اختر مغامرتك الخاصة. أوه ، هذا رائع جدًا الآن ، هل أنت من محبي هذا النوع من قطع الفترة؟ لان لقد كنت في عهد وهي قطعة فترة أخرى هل هذا نوعا ما؟ [توبي] أجل ، أعني أنه كل ما أفعله في اللحظة التي أقوم فيها فقط بأعمال درامية في جميع المجالات وفي الواقع كانت العروض تتقدم في وقت أبكر وقبل ذلك ، نعم كنت مثلي نعم ، لا يمكنني الحديث عن الشيء الذي سأفعله حسنا لا تخبرنا. [توبي] فترة أخرى إنه شيء أفعله وأعتقد أنه شيء يتعلق بي شعر. أنا فقط حسنًا ، لديك وقت قديم الشعر مقيد. [كولبي] كنت سأقول أن الأمر لا يبدو كما لو كنت Aethelred أو حتى في الأشياء الأخرى التي رأيتك فيها لا يبدو أنهم يفعلون أي شيء لشعرك مقارنة بما أراه خارج الشاشة. [توبي] نعم إنه نفس الشيء كما أعتقد نهضة الشعر بحيث يساعد. ليست كذلك Russian: подождите, я в этом. Я должен говорить да Это было похоже на действительно действительно реалистичный выбор собственного приключения. о, это так круто, ты фанат таких старинных произведений? так как Вы были в Reign, что является еще одним историческим произведением это что-то вроде? [Тоби] Да, я имею в виду, это в основном все, что я делаю в данный момент я просто снимаюсь в исторических драмах по всем направлениям, и на самом деле мои шоу были раньше и раньше, да, я был как я да, я не могу говорить о том, что собираюсь сделать хорошо, не говори нам. [Тоби] еще один период это что-то, чем я думаю, это как-то связано с моими волосы. Я просто хорошо, что у тебя старый волосы, это связано. [Колби] Я собирался сказать, что это не похоже на то, что ты Этельред Или даже в том, что я видел тебя в не похоже, что они что-то делают с твоими волосами по сравнению с тем, что я вижу вне экрана. [Тоби] Да, в основном то же самое, что я думаю волосы эпохи Возрождения, так что это помогает. это не English: wait I'm in it. I'm meant to be talking yeah It was like a really really realistic choose your own adventure. oh that's so cool now are you a fan of those sort of period pieces? because you've been in Reign which is another period piece is that sort of? [Toby] yeah I mean it's basically all I do at the minute I just do period dramas across the board and actually my shows were getting earlier and earlier yeah I was like I'm yeah I'm I can't talk about the thing that I'm about to do okay don't tell us. [Toby] another period it's something to do I think it's something to do with my hair. I just have well you do have old-timey hair, it's tied up. [Colby] I was gonna say it it doesn't seem like when you're Aethelred or even in like uh the other stuff I've seen you in it doesn't seem like they do anything to your hair like compared to what I see off screen. [Toby] yeah it's basically the same I think I've got renaissance hair so that that helps. it's not Spanish: espera estoy en eso. Se supone que estoy hablando, si Fue como elegir tu propia aventura realmente muy realista . oh, eso es genial ahora, ¿eres fanático de ese tipo de piezas de época? porque has estado en Reign, que es otra pieza de época es ese tipo de? [Toby] sí quiero decir que es básicamente todo lo que hago en el momento en que hago dramas de época en todos los ámbitos y en realidad mi Los espectáculos se estaban haciendo cada vez más temprano, sí, era como si fuera sí, no puedo hablar de lo que estoy a punto de hacer Está bien, no nos lo digas. [Toby] otro período es algo que hacer, creo que es algo que ver con mi cabello. Solo tengo bien, tienes viejos tiempos cabello, está atado. [Colby] Iba a decir que no parece que cuando estés Aethelred o incluso en las otras cosas en las que te he visto no parece que le hagan nada a tu cabello comparado con lo que veo fuera de la pantalla. [Toby] sí, es básicamente lo mismo , creo que tengo cabello renacentista para que eso ayude. no es English: through anything that I'm choosing on purpose okay but I do really enjoy it like there's a bunch of things that come with doing period dramas that are really fun like battles and yeah and horse riding and really really really good costumes and usually a kind of like heightened emotion and heightened drama where things are really you know life or death that you don't get in the kitchen sink drama as much cool so yeah all the things, all the things that surround being on a period drama are really really great. there's usually just like fire and smoke or people on fire. somebody running for a field on fire there's always something cool to look at when you get to work. [Steve] jumping off of that then uh this season was your first I guess big battle you were in. you were Arabic: من خلال أي شيء أختاره عن قصد ، حسنًا ولكني أستمتع به حقًا هناك مجموعة من الأشياء التي تأتي معها القيام بأعمال درامية ممتعة حقًا مثل المعارك ونعم وركوب الخيل والأزياء حقا جيدة حقا وعادة ما يكون نوعًا من التشابه العاطفة والدراما المتزايدة حيث الأشياء موجودة حقًا أنت تعرف الحياة أو الموت الذي لا تدخله في المطبخ إغراق الدراما بقدر ما هو رائع حتى نعم كل الأشياء ، كل شيء الأشياء التي تحيط بفترة دراما هي حقًا رائع حقا. هناك عادة مثل النار والدخان أو الناس على النار. شخص ما يركض من أجل حقل يحترق ، هناك دائمًا شيء رائع للنظر إليه عندما تذهب إلى العمل. [ستيف] القفز من ذلك ثم أه كان هذا الموسم أول معركة كبيرة تخوضها على ما أعتقد Russian: через все, что я выбираю нарочно хорошо, но мне это действительно нравится, как есть много вещей, которые идут с делать исторические драмы, которые действительно забавны, как сражения и да, и верховая езда, и действительно действительно хорошие костюмы и обычно вроде как усиленный эмоции и обостренная драма там, где на самом деле вы знаете жизнь или смерть , которых вы не получите на кухне тонуть драма так же круто, так что да, все, все то, что окружает историческую драму, на самом деле действительно здорово. обычно бывает просто огонь и дым или люди в огне. кто-то бежит в горящее поле , всегда есть на что посмотреть когда вы приступите к работе. [Стив] спрыгнул с этого, тогда э-э этот сезон был вашим первым большим сражением, в котором вы участвовали. Hungarian: bármi által , amit választok szándékosan oké, de nagyon élvezem, mint van egy csomó dolog, hogy jön Ennek időszak drámák, amelyek valóban szórakoztató , mint a csaták, igen és lovaglás, és tényleg nagyon jó jelmezek és általában egyfajta felfokozott érzelem és fokozott dráma ott, ahol a dolgok valóban vannak ismered az életet vagy a halált , amit nem kapsz meg a konyhában elsüllyed dráma annyira menő, hogy igen, minden dolog, minden azok a dolgok, amelyek egy korabeli drámában vannak, valóban Nagyon jó. ott általában olyanok, mint a tűz és a füst vagy az emberek. valakinek, aki lángoló mezőre fut, mindig van valami jó dolog amikor munkába áll. [Steve] leugrott erről, akkor uh ebben a szezonban volt az első gondolom, hogy nagy csatát folytattál Chinese: 通过 我选择的任何东西 故意吧,但我真的 很喜欢 有事情一大堆的 配 做古装剧是很有趣的 像 战斗,是的,骑马的 ,真的非常非常好的服装 通常是一种像 真正的情感和戏剧性 你知道 你不会在厨房里生死 沉沉的戏剧 是如此的酷,是的,所有的事情,所有的 一段时期戏剧周围的东西真的 非常好。通常就像 火和烟或人着火一样。 有人在田野上奔跑, 总有一些好看的东西 上班的时候 [史蒂夫]从那跳下来然后 这个赛季是你的第一个, 我想你参加了一场大战。 Spanish: a través de cualquier cosa que elija a propósito, está bien, pero realmente lo disfruto como hay un montón de cosas que vienen con haciendo dramas de época que son realmente divertidos como batallas y sí y montar a caballo y disfraces realmente realmente buenos y por lo general una especie de aumento emoción y drama intensificado donde las cosas están realmente sabes la vida o la muerte que no consigues en la cocina hundir el drama tanto como genial, así que sí, todas las cosas, todas las cosas que rodean estar en un drama de época son realmente realmente grandioso. generalmente hay fuego y humo o gente en llamas. alguien corriendo por un campo en llamas siempre hay algo genial para mirar cuando llegues al trabajo. [Steve] saltando de eso entonces uh esta temporada fue la primera , supongo, gran batalla en la que estuviste. German: durch alles , was ich wähle absichtlich okay, aber ich genieße es wirklich gerne Es gibt eine Menge Dinge, die damit einhergehen tun Zeitraum Dramen , die wirklich Spaß sind wie Schlachten und ja und Reiten und wirklich sehr, sehr gute Kostüme und normalerweise eine Art wie erhöht Emotionen und gesteigertes Drama, wo die Dinge wirklich sind Sie kennen Leben oder Tod , die Sie nicht in der Küche bekommen Sink Drama so viel cool, also ja all die Dinge, alle Die Dinge, die es umgeben , in einem historischen Drama zu sein, sind wirklich echt super. Es gibt normalerweise nur Feuer und Rauch oder Menschen in Flammen. Jemand, der auf ein brennendes Feld rennt , hat immer etwas Cooles zu sehen wenn du zur Arbeit kommst. [Steve] springt dann davon ab Diese Saison war deine erste, ich denke große Schlacht, in der du warst. Du warst es Portuguese: através de qualquer coisa que eu esteja escolhendo de propósito ok, mas eu realmente gosto disso há um monte de coisas que vêm com fazendo dramas de época que são realmente divertidos como batalhas e sim e passeios a cavalo e fantasias realmente muito boas e geralmente uma espécie de como intensificado emoção e drama intensificado onde as coisas são realmente você conhece a vida ou a morte que você não consegue na cozinha afundar drama muito legal então sim todas as coisas, todas as coisas que envolvem estar em um drama de época são realmente muito bom. geralmente há apenas fogo e fumaça ou pessoas pegando fogo. alguém correndo para um campo em chamas há sempre algo legal para se olhar quando você começar a trabalhar. [Steve] pulando disso então uh esta temporada foi sua primeira, eu acho que grande batalha em que você esteve. French: à travers tout ce que je choisis exprès d'accord, mais j'aime vraiment ça il y a un tas de choses qui viennent avec faire des drames d'époque qui sont vraiment amusants comme batailles et ouais et équitation et vraiment vraiment très bons costumes et généralement une sorte de l'émotion et le drame intensifié où les choses sont vraiment tu connais la vie ou la mort que tu n'as pas dans la cuisine couler le drame aussi cool alors oui toutes les choses, toutes les choses qui entourent un drame d'époque sont vraiment vraiment super. il y a généralement du feu et de la fumée ou des gens en feu. quelqu'un qui court pour un champ en feu, il y a toujours quelque chose de cool à regarder quand vous arrivez au travail. [Steve] saute de ça alors euh cette saison a été votre première grande bataille, je suppose, dans laquelle vous étiez. Portuguese: no final da segunda temporada, mas desta eu me lembro quando vimos o trailer da temporada pela primeira vez , começamos a ver você andando a cavalo com você. [Toby] isso foi tão legal. [Colby] isso nos deixa muito animados. Eu pensei que Aethelred parece que ele pode ser legal nesta temporada Eu sei, estou feliz que eles me deram essas cenas ou deixe-me fazer parte do batalha porque na segunda temporada parecia estar estabelecido que eu estava ruim em lutar. Eu tive como um momento na batalha e sou quase imediatamente empurrado para o terra. [Colby] você estava indo contra Sigefrid. [Steve] sim, você estava vou pegar Bjorn embora. [Colby] sim Sigefrid então sim, é uma partida difícil. sim, quem ele não iria derrubar, quero dizer. nesta temporada quando eu estava fazendo meus ensaios de dublês Ainda tenho vídeos seus no meu telefone basicamente fazendo isso e como caras enormes de 2,10 apenas deixando você matá-los que é bastante satisfatório eles apenas correrem até você, você faz um pouco mova-se e você está como morto, morto, você está morto. aquela cena a cavalo Spanish: al final de la segunda temporada, pero esta la recuerdo cuando vimos por primera vez el tráiler de la temporada, te vemos montar a caballo contigo. [Toby] eso fue genial. [Colby] nos emociona tanto. Era como si Aethelred pareciera que podría ser genial esta temporada Lo sé, sí, me alegro de que me hayan dado esas escenas o déjame ser parte del batalla porque quiero decir en la segunda temporada parecía estar establecido que yo estaba malo peleando. Tuve como uno momento en la batalla y casi inmediatamente me golpean en el suelo. [Colby] ibas contra Sigefrid. [Steve] sí, estabas aunque vaya a buscar a Bjorn. [Colby] sí, Sigefrid, así que sí, es un partido difícil. Sí, ¿a quién no derribaría? en esta temporada cuando estaba haciendo mis ensayos de acrobacias Todavía tengo los videos en mi teléfono de ti básicamente haciendo esto y como tipos masivos de siete pies simplemente dejándote matarlos, lo que es bastante satisfactorio , solo corren hacia ti, haces un poco muévete y estás como muerto, muerto, estás muerto. esa escena a caballo Arabic: في نهاية الموسم الثاني لكنني أتذكر هذا عندما رأينا المقطع الدعائي للموسم لأول مرة نراكم تركب على ظهور الخيل معك. [توبي] كان ذلك رائعًا. [كولبي] يدفعنا إلى ذلك. كنت مثل Aethelred يبدو أنه قد يكون رائعًا هذا الموسم أعلم نعم أنا سعيد لأنهم أعطوني تلك المشاهد أو اسمحوا لي أن أكون جزءًا من المعركة لأنني أعني في الموسم الثاني أنه من المؤكد أنني كذلك سيء في القتال. كان لدي مثل واحد لحظة في المعركة وسرعان ما طرقت على الفور أرض. [كولبي] كنت تسير ضد Sigefrid. [ستيف] نعم كنت سوف تحصل على بيورن رغم ذلك. [كولبي] نعم Sigefrid لذا نعم هذه مباراة صعبة. نعم من لا يطرق أقصد. في هذا الموسم عندما كنت أقوم بتدريبات حيلة ما زلت أحصل على مقاطع الفيديو على هاتفي لك بشكل أساسي القيام بذلك ومثل الرجال الهائل من سبعة أقدام فقط مما يسمح لك بقتلهم يرضي تمامًا أنهم يركضون عليك قليلاً تحرك وأنت ميت ، ميت ، أنت ميت. هذا المشهد على ظهور الخيل Chinese: 在第二季结束时, 但我记得这个 当我们第一次看到这个 季节的预告片时,我们会看到你骑 和你一起骑马。[托比] 那太酷了。[Colby]让我们如此兴奋。 我就像艾赛德(Aethelred) 似乎本赛季可能很酷 我知道是的,我很高兴 他们给了我 这些 场景,或者让我成为其中的一部分 之所以参加战斗,是因为我在第二季中 似乎已经确定我是 不善于战斗。 我有一个 在战斗的那一刻,我几乎 立即就被击倒了 地面。[Colby] 你要反对Sigefrid。[史蒂夫]是的,你是 要去比约恩。 [Colby]是的Sigefrid,是的,这是一场艰难的比赛。 是的,他不会打倒我的意思。 在这个季节,我正在做 特技彩排 基本上,我的手机上仍然有视频 这样做,就像巨大的七英尺 花花公子,只是让你杀死他们 令 他们满意的是他们只是冲着你 移动,你就像死了,死了,你 死了。 骑马的那一幕 English: at the end of season two but this one I remember when we first saw the trailer for the season we get to see you riding in on horseback with you. [Toby] that was so cool. [Colby] it gets us so pumped. I was like Aethelred seems like he might be cool this season I know yeah I'm glad that they gave me those scenes or let me be a part of the battle because I mean in season two it seemed to be established that I was bad at fighting. I had like one moment in the battle and I'm almost immediately immediately knocked to the ground. [Colby] you were going against Sigefrid. [Steve] yeah you were going to get Bjorn though. [Colby] yeah Sigefrid so yeah that's a tough match. yeah who wouldn't he knock down I mean. in this season when I was doing my stunt rehearsals I still got the videos on my phone of you just basically doing this and like massive seven foot dudes just letting you kill them which is quite satisfying they just run at you you do a little move and you're like dead, dead, you're dead. that scene on the horseback Russian: в конце второго сезона, но этот я помню когда мы впервые увидели трейлер сезона, мы увидим, как вы едете с тобой верхом. [Тоби] это было так круто. [Колби] это нас так взволновало. Мне показалось, что Этельред может быть крутым в этом сезоне Я знаю, да, я рада, что мне дали эти сцены или позвольте мне быть частью битва, потому что во втором сезоне, казалось, было установлено, что я плохо борется. У меня был такой момент в битве, и я почти сразу попал в земля. [Колби] Вы шли против Сигефрид. [Стив] да, ты был Я собираюсь получить Бьорна. [Колби] да, Сигефрид, так что да, это тяжелый матч. да, кого бы он не сбил, я имею в виду. в этом сезоне, когда я репетировал свои трюки У меня все еще есть видео на моем телефоне , просто в основном делая это и как массивные семифутовые чуваки, просто позволяя вам убить их, которые довольно приятно они просто бегают на тебя ты немного двигайся, и ты как мертв, мертв, ты мертв. та сцена на коне Hungarian: a második évad végén, de erre emlékszem amikor először láttuk a szezon utánfutóját , találkozunk veled lóháton veled. [Toby] ez nagyon klassz volt. [Colby] annyira felpumpál minket. Úgy voltam vele, hogy Aethelred úgy tűnik, hogy jó lehet ebben a szezonban Tudom, hogy örülök, hogy adtak nekem azokat a jeleneteket, vagy hagyjak, hogy részese lehessek a csata, mert úgy értem, a második évadban úgy tűnt, bebizonyosodott, hogy én vagyok rossz a harcban. Nekem volt ilyen pillanatban a csatában, és szinte azonnal bekapcsolódom a talaj. [Colby] Sigefrid ellen mentél. [Steve] igen mégis megkapja Bjornt. [Colby] igen, Sigefrid, igen, ez kemény meccs. igen, kit ne ütne le, mármint. ebben az évadban, amikor mutatványos próbáimat végeztem Még mindig kaptam a videókat a telefonomról, amelyek rólad szóltak ezt csinálva, és mint a hatalmas, hét lábú haverok, csak hagyja, hogy megölje őket elég kielégítő , csak neked futnak, te egy kicsit mozogj és olyan vagy, mint halott, halott, halott vagy . az a jelenet a lóháton French: à la fin de la saison deux mais celle-ci je me souviens quand nous avons vu la bande-annonce de la saison pour la première fois, nous vous voyons rouler à cheval avec toi. [Toby] c'était tellement cool. [Colby] ça nous excite tellement. J'étais comme Aethelred semble qu'il pourrait être cool cette saison Je sais ouais je suis content qu'ils m'ont donné ces scènes ou laissez-moi faire partie de la bataille parce que je veux dire dans la saison deux, il semblait être établi que j'étais mauvais au combat. J'avais comme un moment de la bataille et je suis presque immédiatement frappé au sol. [Colby] vous alliez contre Sigefrid. [Steve] ouais tu l'étais va avoir Bjorn cependant. [Colby] ouais Sigefrid alors oui c'est un match difficile. ouais qui ne ferait-il pas tomber je veux dire. en cette saison quand je faisais mes répétitions de cascades J'ai toujours les vidéos de vous sur mon téléphone en gros faire cela et comme d'énormes mecs de sept pieds vous laissant simplement les tuer est assez satisfaisant, ils courent juste vers toi tu fais un peu bougez et vous êtes comme mort, mort, vous êtes mort. cette scène à cheval German: am Ende der zweiten Staffel, aber an diese erinnere ich mich Als wir den Trailer für die Saison zum ersten Mal sahen, sahen wir dich reiten mit dir zu Pferd. [Toby] das war so cool. [Colby] es bringt uns so auf Trab. Ich war wie Aethelred scheint in dieser Saison cool zu sein Ich weiß ja, ich bin froh, dass sie mir gegeben haben diese Szenen oder lassen Sie mich ein Teil der sein Kampf, weil ich meine, in der zweiten Staffel schien es etabliert zu sein, dass ich war schlecht im Kämpfen. Ich hatte wie einer Moment in der Schlacht und ich bin fast sofort sofort an die geklopft Boden. [Colby] Du warst gegen Sigefrid. [Steve] Ja, das warst du Ich werde Björn bekommen. [Colby] Ja, Sigefrid, ja, das ist ein hartes Spiel. Ja, wen würde er nicht niederschlagen? in dieser Saison, als ich meine Stuntproben machte Ich habe immer noch die Videos von dir auf meinem Handy Tun Sie dies und wie massive sieben Fuß Jungs, die Sie nur töten lassen, welche ist ziemlich befriedigend, dass sie nur auf dich losrennen, du machst ein wenig bewege dich und du bist wie tot, tot, du bist tot. diese Szene auf dem Pferderücken Russian: Возможно, мне не следует раскрывать тайну этого, но то, как мы снимали это был я и Джейми Блэкли, который играет Эардвульфа Я думаю, это просто из-за логистики и Не потому, что у нас плохая езда, да, но они тебя надели механические лошади. да они положили тебя они положили ваши механические лошади, которые прикреплены к трейлер и прикреплен к камере, так что я думаю, это просто для того, чтобы они могли сохраняйте дистанцию ​​между вами и камерой, которую вы знаете, на одинаковом расстоянии одинаковое расстояние по всему кадру, чтобы то, что смотрели в камеру, было абсолютно круто. Я чувствовал себя крутым, как ты знаешь, бросился в бой То, как мы снимали, было довольно езда , довольно медленно проезжая по венгерскому полю с криками на вершинах лошадей с помощью механических Вы знаете, в основном, как Meccano внизу просто пытаюсь казаться глупым и вести себя так, как будто я крутой Arabic: ربما لا ينبغي علي الكشف عن الغموض الذي يكتنفه ولكن الطريقة التي صورنا بها ذلك كنت أنا وجيمي بلاكلي الذي يلعب دور Eardwulf أعتقد أنه فقط بسبب الشيء اللوجستي و ليس لدينا ركوب سيء نعم ولكن وضعوا لك على خيول ميكانيكية. نعم وضعوك على وضع الخيول الميكانيكية المرفقة بها مقطع دعائي ومرفق بالكاميرا لذا أعتقد أنه فقط حتى يتمكنوا من ذلك حافظ على المسافة بينك وبين الكاميرا التي تعرفها في نفس الوقت نفس المسافة خلال اللقطة بأكملها ، هكذا التي بدت على الكاميرا كانت سيئة للغاية . شعرت وكأنني بدس وكأنك تعلم تدخل المعركة الطريقة التي أطلقنا بها النار كانت الركوب تمامًا ، القيادة ببطء شديد عبر حقل مجري وهو يصرخ فقط على قمم الخيول مع ميكانيكي فقط أنت تعرف أساسًا مثل Meccano تحتها فقط أحاول أن أشعر بالسخافة وأن أكون مثل أنا بدس Spanish: tal vez no debería revelar la mística de esto, pero la forma en que filmamos eso Fuimos Jamie Blackley y yo que interpretamos a Eardwulf Creo que es solo por la logística y no porque nuestra conducción sea mala, sí, pero te ponen caballos mecánicos. si te ponen tus caballos mecánicos que están unidos a un tráiler y conectado a la cámara, así que creo que es solo para que puedan mantenga la distancia entre usted y la cámara que conoce al mismo tiempo la misma distancia durante todo el plano, de modo que que miró a la cámara fue absolutamente rudo. Me sentí como un rudo como si supieras cargando en la batalla la forma en que filmamos fue bastante, conduciendo muy despacio por un campo húngaro gritando carga solo en la parte superior de los caballos con solo mecánica sabes básicamente como Meccano debajo Solo trato de sentirme tonto y ser como si fuera un rudo English: maybe I shouldn't reveal the mystique of it but the way that we shot that was me and Jamie Blackley who plays Eardwulf I think it's just because of the logistics thing and not because our riding is bad yeah but they put you on mechanical horses. yeah they put you on they put your mechanical horses that are attached to a trailer and attached to the camera so it's I think it's just so that they can keep the distance between you and the camera you know at the same at the same distance through the whole shot so the way that that looked on camera was absolutely badass. I felt like a badass like you know charging into battle the way the way we shot it was riding quite, driving quite slowly across a Hungarian field shouting charge on just the tops of horses with just mechanical you know basically like Meccano underneath just trying to feel silly and being like I am a badass German: Vielleicht sollte ich nicht die Mystik davon enthüllen , sondern die Art und Weise, wie wir das gedreht haben war ich und Jamie Blackley, der Eardwulf spielt Ich denke es liegt nur an der logistischen Sache und Nicht weil unser Reiten schlecht ist, aber sie haben dich angezogen mechanische Pferde. Ja, sie haben dich angezogen Ihre mechanischen Pferde, die an befestigt sind ein Trailer und an der Kamera befestigt, so denke ich, es ist nur so, dass sie können Halten Sie den Abstand zwischen Ihnen und der Kamera, die Sie kennen, gleich die gleiche Entfernung durch den ganzen Schuss so, dass das sah vor der kamera absolut badass aus. Ich fühlte mich wie ein Arsch, wie Sie wissen , in die Schlacht zu stürmen Die Art und Weise, wie wir es gedreht haben, war ziemlich reitend . ziemlich langsam über ein ungarisches Feld fahren und Anklage erheben nur auf den Spitzen von Pferden mit nur mechanischen Sie wissen im Grunde wie Meccano darunter Ich versuche nur, mich albern zu fühlen und zu sein, als wäre ich ein Arsch Portuguese: talvez eu não deva revelar a mística disso, mas a maneira como filmamos fui eu e Jamie Blackley que interpreta Eardwulf Acho que é apenas por causa da questão da logística e não porque nossa pilotagem é ruim, sim, mas eles colocam você cavalos mecânicos. sim, eles colocaram você, eles colocaram seus cavalos mecânicos que estão ligados a um trailer e anexado à câmera, então acho que é só para que eles possam mantenha a distância entre você e a câmera que você conhece ao mesmo tempo a mesma distância em toda a cena, de modo que que olhou na câmera foi absolutamente foda. Eu me senti um fodão como você sabe, indo para a batalha a forma como a filmamos foi bastante, dirigindo bem devagar em um campo húngaro gritando carga apenas no topo dos cavalos com apenas mecânica você sabe basicamente como Meccano embaixo apenas tentando me sentir bobo e parecer um fodão French: Peut-être que je ne devrais pas en révéler la mystique mais la façon dont nous avons tourné ça c'était moi et Jamie Blackley qui joue Eardwulf Je pense que c'est juste à cause de la logistique et pas parce que notre circonscription est mauvaise ouais mais ils vous mettent chevaux mécaniques. ouais ils t'ont mis vos chevaux mécaniques qui sont attachés à une remorque et attaché à la caméra, donc je pense que c'est juste pour qu'ils puissent gardez la distance entre vous et la caméra que vous connaissez en même temps la même distance sur tout le plan, de sorte que qui regardait la caméra était absolument dur à cuire. Je me sentais comme un dur à cuire comme tu sais charger dans la bataille la façon dont nous avons tourné roulait assez, conduisant assez lentement à travers un champ hongrois en criant une charge sur juste le dessus des chevaux avec juste mécanique vous savez fondamentalement comme Meccano en dessous J'essaie juste de me sentir idiot et d'être comme si j'étais un dur à cuire Hungarian: talán nem a misztikáját kellene feltárnom, hanem azt, ahogyan ezt lelőttük én és Jamie Blackley voltam, aki Eardwulfot játszik Azt hiszem, csak a logisztikai dolog miatt, és nem azért, mert a mi lovas rossz igen, de ők beveszünk mechanikus lovak. igen felraktak téged A mechanikus lovak kapcsolódnak a egy pótkocsit és a kamerához csatolva, úgy gondolom, hogy csak azért, hogy tudják tartsa ugyanabban a távolságban a közte és az Ön által ismert kamerát ugyanolyan távolságon keresztül az egész lövés úgy, hogy hogy a kamerára nézett, abszolút rossz volt. Olyan rossz embernek éreztem magam, mint amilyennek ismered a csatát ahogyan lőttük, eléggé lovagolt , elég lassan halad át egy magyar mezőn, kiabálva a töltetet csak a lovak tetején, csak mechanikusan tudod alapvetően, mint Meccano alatta csak megpróbál butaságnak érezni magam, és olyan vagyok, mintha rossz ember lennék Chinese: 也许我不应该透露 它的奥秘,而是我们拍摄的方式 是我和扮演 Eardwulf的Jamie Blackley 我认为这仅仅是因为 物流问题 不是因为我们的骑行不好,而是 他们让您穿上 机械马。是的,他们把你放在他们的身上 你的机器马挂接 到 拖车并连接到相机,所以 我认为这是为了让他们可以 保持您 和您知道的相机之间的距离相同 整个镜头的距离相同 在相机上看那绝对是 坏蛋。 我感觉就像一个坏蛋,就像你知道要 加入战斗 我们的射击方式 相当顺畅 缓慢驶过匈牙利 战场 仅仅在 机械上的马匹上 你知道基本上像 下面的麦卡诺 只是觉得自己很傻,就像 我是个坏蛋 Spanish: esto se verá rudo pero no desde este ángulo. Creo que sí demostraron que, desde detrás de escena, eran solo para no lastimar a los caballos que eran como tirar como un gran muñeco caballos en los pozos y esas cosas y era como estos grandes caballos ficticios que acaban de entrar al pozo pero como cuando miras como hombre como no mataron como 100 caballos ahí mismo? [Toby] sí, ningún caballo resultó herido, lo juro así que imagino que probablemente por eso lo hicieron ahí también. [Colby] pero solo ver los detrás de escena también de la producción de esa batalla. estuviste en el programa desde la temporada dos, ¿cómo ha cambiado eso como el valor de producción desde entonces? de tus ojos? [Toby] sí, quiero decir que es constantemente tienes que mejorar tu juego básicamente, ¿verdad? tú quieres siempre tiene que verse más y más grande y mejor yo creo que tiene lo que quiero decir Chinese: 只是从这个 角度来看,这看起来很糟糕。 我认为他们确实从 幕后证明了他们 只是这样他们才不会伤害马匹 ,就像扔大假人一样 马进坑和东西 ,就像 这些大的假马刚进 坑 但是就像当你像男人一样观看 时他们怎么不会像 那里有100匹马?[托比]是的,没有马 受伤,我发誓 所以我想这可能 就是他们这样做的原因 还有。[Colby]但也只是看到 幕后花絮 那场战斗。 你从赛季开始就参加演出 从那以后,两个像产值如何变化 从你的眼睛?[Toby]是的,我是 说 您必须不断提高游戏水平, 对吗?你想要 它总是必须看起来 越来越大,我更好 认为它 是我的意思 Russian: это будет выглядеть круто, только не с этой точки зрения. Я думаю, они показали это из- за кулис, что они чтобы они не травмировали лошадей, их как бросали, как большую манекен лошадей в ямы и прочее, и это было как эти большие манекены просто уходят в яму Но когда ты смотришь, как человек, как они не убивали, как 100 лошадей прямо там? [Тоби] Да, лошади не пострадали, клянусь так что я полагаю, вероятно, поэтому они это сделали там тоже. [Колби], но я просто смотрю на то, что происходит за кулисами производства. этой битвы. ты был на шоу с сезона два, как изменилась стоимость производства с тех пор из твоих глаз? [Тоби] Да, я имею в виду, что это вам постоянно нужно улучшать свою игру, верно? ты хочешь он всегда должен выглядеть все больше, больше и лучше. думаю, что это я имею в виду Portuguese: isso vai parecer foda, mas não desse ângulo. Eu acho que eles mostraram isso nos bastidores que eles eram só para não machucar cavalos, eles eram como jogar fora como um grande boneco cavalos para dentro dos fossos e coisas e era como esses grandes cavalos falsos entrando no fosso mas como quando você está assistindo como homem como eles não mataram como 100 cavalos aí? [Toby] sim, nenhum cavalo se machucou, eu juro então eu imagino que provavelmente é por isso que eles fizeram isso lá também. [Colby], mas também vendo os bastidores da produção dessa batalha. você estava no programa desde a temporada dois como o valor da produção mudou desde então de seus olhos? [Toby] sim, quero dizer , é você constantemente tem que melhorar seu jogo, basicamente certo? você quer sempre tem que parecer cada vez maior e melhor eu acho que tem o que quero dizer Arabic: سيبدو هذا بدس ليس من هذه الزاوية. أعتقد أنهم أظهروا ذلك من وراء الكواليس فقط حتى لا يصيبوا الخيول كانوا مثل رميها مثل الدمية الكبيرة الخيول في الحفر والأشياء وكان الأمر كذلك هذه الخيول الوهمية الكبيرة تدخل الحفرة لكن عندما تشاهد مثل الرجل كيف لم يقتلوا مثل 100 حصان هناك حق؟ [توبي] نعم لم يصب أي خيل ، أقسم لذلك أتخيل أن هذا هو السبب على الأرجح في قيامهم بذلك هناك ايضا. [كولبي] ولكن مجرد رؤية من وراء الكواليس من الإنتاج لتلك المعركة. كنت في العرض منذ الموسم الثاني كيف تغير ذلك مثل قيمة الإنتاج منذ ذلك الحين من عينيك [توبي] أجل ، أعني ذلك عليك باستمرار رفع مستوى لعبتك بشكل أساسي ، أليس كذلك؟ اتريد يجب أن تبدو دائمًا أكبر وأكبر وأفضل أعتقد أنه يحتوي على ما أعنيه English: this will look badass just not from this angle. I think they did show that from behind the scenes that they were just so they didn't injure horses they were like throwing out like big dummy horses into the pits and things and it was just like these big dummy horses just going into the pit but like when you're watching like man how did they not kill like 100 horses right there? [Toby] yeah no horses were hurt, I swear so I imagine that's probably why they did it there as well. [Colby] but just seeing those behind the scenes too of the production of that battle. you were on the show since season two how has that like the production value changed since then from your eyes? [Toby] yeah I mean it's you constantly have to up your game basically right? you want to it always has to look bigger and bigger and better I think it has which is I mean French: cela semblera dur à cuire mais pas sous cet angle. Je pense qu'ils ont montré que dans les coulisses qu'ils étaient juste pour ne pas blesser les chevaux, ils étaient comme jeter comme un gros mannequin chevaux dans les fosses et les choses et c'était juste comme Ces gros chevaux factices vont juste dans la fosse Mais comme quand tu regardes comme un homme, comment n'ont-ils pas tué comme 100 chevaux là-bas? [Toby] ouais aucun cheval n'a été blessé, je le jure alors j'imagine que c'est probablement pourquoi ils l'ont fait là aussi. [Colby] mais juste voir les coulisses de la production de cette bataille. tu étais dans l'émission depuis la saison deux comment la valeur de la production a-t-elle changé depuis de vos yeux? [Toby] ouais je veux dire que c'est vous devez constamment améliorer votre jeu, n'est-ce pas? tu veux il doit toujours paraître plus grand et plus grand et meilleur je pense que c'est ce que je veux dire Hungarian: ez rosszul fog kinézni, csak nem ebből a szempontból . Azt hiszem, a kulisszák mögül megmutatták , hogy voltak csak azért, hogy ne sértsék meg azokat a lovakat, mintha kidobták volna őket , mint egy nagy bábut lovakat a gödrökbe és a dolgokba, és olyan volt, mint ezek a nagy dummy lovak csak mennek a gödörbe de mint amikor emberként nézed, hogyan nem öltek meg hasonlóan 100 ló ott? [Toby] igen, egyetlen lovat sem bántottak, esküszöm úgyhogy képzelem, valószínűleg ezért tették ott is. [Colby], de csak a produkció kulisszatitkait látva annak a csatának. évad óta voltál műsoron kettő hogyan változott azóta az ilyen termelési érték a szemedből? [Toby] igen én értem ez állandóan fel kell emelned a játékodat, igaz? akarsz mindig nagyobbnak és nagyobbnak és jobbnak kell lennie gondolom, hogy van , amire gondolok German: Das wird schlecht aussehen, nur nicht aus diesem Blickwinkel. Ich denke, sie haben das hinter den Kulissen gezeigt, dass sie es waren Nur damit sie keine Pferde verletzten, warfen sie wie eine große Puppe raus Pferde in die Box und Sachen und es war einfach so Diese großen Dummy-Pferde gehen gerade in die Grube aber wie wenn du wie ein Mann zuschaust, wie haben sie nicht so getötet? 100 Pferde genau dort? [Toby] Ja , ich schwöre, es wurden keine Pferde verletzt Ich stelle mir also vor, dass sie es wahrscheinlich deshalb getan haben dort genauso. [Colby] aber nur die hinter den Kulissen der Produktion zu sehen dieser Schlacht. Sie waren seit der Saison in der Show Zweitens, wie hat sich der Produktionswert seitdem verändert? aus deinen Augen? [Toby] Ja, ich meine es ist Sie müssen Ihr Spiel im Grunde ständig verbessern, oder? du möchtest es muss immer größer und größer und besser aussehen ich denke es hat was ich meine Hungarian: nem azért, mert a költségvetés megduplázódott. Szerintem csak gyakorlással, finomhangolással és tartással, és tudod, hogy mi alapvetően minden évszakban ugyanazokkal az emberekkel dolgozom, és én gondolkodnak kaszkadőrök és mutatványkoordinátorok és a rendezők is akar valami újat hozni és trükköt találni hüvelyük, vagy hasonló húzás és húzás , amit tudnak egy új lépés, vagy tudod, hogy több tüzet, több testégést használsz vagy ilyesmire mindig van esély szeretem, ha tudod, hogy igazán nagyon klassz érdekes lövés, de azt hiszem, még mindig Jamie Donahue-ra gondolok lövés, hogy ő ... Jamie Donahue rendezett pár részt a második évadban Nem emlékszem, hogy epizód volt-e hat vagy hét, ahol az epizód végén a dánok bejárnak egy táborba, és olyan, mint egy lövés és az egész első személy igen és Spanish: no es porque el presupuesto se haya duplicado. Creo que es solo a través de la práctica y el ajuste fino y sosteniéndolo y sabes que trabajo con la misma gente básicamente cada temporada y yo Piense en especialistas y coordinadores de especialistas y directores también todos quiero traer algo nuevo y tener un truco su manga o como tirar y tirar un movimiento que ellos saben un nuevo movimiento o sabes usar más fuego, más quemaduras en el cuerpo o cosas así siempre hay una posibilidad como si supieras que tienes una experiencia realmente genial tiro interesante, pero quiero decir, creo que todavía pienso en Jamie Donahue disparó que él ... Jamie Donahue dirigió un par de episodios en la temporada dos No recuerdo si fue un episodio seis o siete donde al final del episodio los daneses entran en un campamento y es como un solo disparo y todo es en primera persona, sí y Portuguese: não é porque o orçamento dobrou. Eu acho que é só através da prática e do ajuste fino e segurando e você sabe que trabalho com as mesmas pessoas basicamente a cada temporada e eu pense em dublês e coordenadores de dublês e diretores também todos eles quero trazer algo novo e ter um truque a manga ou como puxar e puxar um movimento que você conhece um novo movimento ou você sabe usar mais fogo, mais queimaduras ou coisas assim , sempre há uma chance para gostar de saber, ter um muito, muito, muito legal foto interessante, mas acho que ainda penso na foto de Jamie Donahue tiro que ele ... Jamie Donahue dirigiu alguns episódios na segunda temporada Não lembro se foi episódio seis ou sete onde no final do episódio os dinamarqueses entram em um acampamento e é como um único tiro e a coisa toda é primeira pessoa sim e Chinese: 这不是因为预算 增加了一倍。我认为只是 通过练习,微调 和持有,您知道我们 基本上每个季节都和同一个人一起工作 认为 特技演员和特技协调员 还有导演们 想要带来 新的东西并且有技巧 他们的袖子,或者像是拉着拉 ,你知道 一个新举动,或者 您知道使用更多的火,更多的身体烧伤 或类似的事情 总是有机会 就像你知道的那样, 真的很酷 有趣的镜头,但我想我 仍然想起杰米·多纳休(Jamie Donahue)的 拍摄他...杰米·多纳休(Jamie Donahue) 在第二季导演了几集 我不记得是不是情节 剧集结尾处的六个或七个 丹麦人骑进营地,就像 一枪 整个事情是第一人耶 和 Russian: это не потому, что бюджет увеличился вдвое. Я думаю это просто через практику, настройку и удержание, и вы знаете, что мы практически каждый сезон работаю с одними и теми же людьми, и я думаю каскадеры и координаторы трюков и директора все они хочу привнести что-то новое и развлечься их рукав или как тянуть и тянуть движение, которое они знают новый ход или вы знаете, что использовать больше огня, больше ожогов тела или тому подобное всегда есть шанс быть действительно действительно крутым интересный кадр, но я думаю, что все еще думаю о Джейми Донахью выстрелил, что он ... Джейми Донахью снял пару серий во втором сезоне Я не могу вспомнить, была ли это серия шесть или семь, где в конце эпизода Датчане въезжают в лагерь и это как единственный выстрел и все это от первого лица да и Arabic: ليس لأن الميزانية تضاعفت. أعتقد أنه مجرد من خلال الممارسة والضبط والإمساك بها وأنت تعلم أننا أعمل مع نفس الأشخاص في كل موسم وأنا اعتقد حيلة ومنسقي حيلة والمخرجين كذلك جميعهم تريد إحضار شيء جديد والحصول على خدعة كمهم أو ما شابه ذلك من سحب وسحب حركة تعرفها حركة جديدة أو استخدام المزيد من النار ، المزيد من حروق الجسم أو أشياء من هذا القبيل ، هناك دائمًا فرصة لتعلم أنها رائعة حقًا حقًا لقطة مثيرة للاهتمام لكنني أعتقد أنني ما زلت أفكر في لقطة جيمي دوناهو أطلق النار على أنه ... أخرج جيمي دوناهو بضع حلقات في الموسم الثاني لا أتذكر ما إذا كانت حلقة ستة أو سبعة حيث في نهاية الحلقة يركب الدنماركيون في معسكر ويشبهون طلقة واحدة وكل شيء هو أول شخص نعم و French: ce n'est pas parce que le budget a doublé. Je pense que c'est juste grâce à la pratique, au réglage fin et au maintien et vous savez que nous travailler avec les mêmes personnes pratiquement chaque saison et je pense cascadeurs et coordinateurs de cascades et les directeurs aussi ils tous veux apporter quelque chose de nouveau et avoir un tour leur manche ou comme tirez et tirez un mouvement qu'ils connaissent un nouveau mouvement ou vous savez utiliser plus de feu, plus de brûlures corporelles ou des choses comme ça, il y a toujours une chance pour aimer tu sais avoir un vraiment vraiment vraiment cool photo intéressante mais je veux dire je pense que je pense encore à Jamie Donahue tourné qu'il ... Jamie Donahue a réalisé quelques épisodes de la saison deux Je ne me souviens pas si c'était un épisode six ou sept où à la fin de l' épisode les Danois montent dans un camp et c'est comme un seul coup et le tout est à la première personne ouais et German: Das liegt nicht daran, dass sich das Budget verdoppelt hat. Ich denke es ist einfach durch üben und feinabstimmen und halten und du kennst uns arbeite grundsätzlich jede Jahreszeit mit den gleichen Leuten und ich Denken Sie an Stuntmen und Stuntkoordinatoren und auch die Direktoren Ich möchte etwas Neues bringen und einen Trick haben ihren Ärmel oder wie ziehen und ziehen Sie eine Bewegung, die sie kennen ein neuer Zug oder Sie wissen, mit mehr Feuer, mehr Körperverbrennungen oder solche Dinge gibt es immer eine Chance zu wissen, dass Sie wissen, haben eine wirklich sehr, sehr cool interessanter Schuss, aber ich meine, ich denke immer noch an Jamie Donahues erschossen, dass er ... Jamie Donahue hat in Staffel zwei ein paar Folgen gedreht Ich kann mich nicht erinnern, ob es eine Episode war sechs oder sieben wo am Ende der Episode Die Dänen reiten in ein Lager und es ist wie ein einziger Schuss und das ganze ist erste person ja und English: it's not because the budget has doubled. I think it's just through practice and fine-tuning and holding it and you know we work with the same people basically every season and I think stuntmen and stunt coordinators and directors as well they all want to bring something new and have a trick up their sleeve or like pull and pull a move that they you know a new move or you know using more fire, more body burns or things like that there's always a chance to like you know have a really really really cool interesting shot but I mean I think I still think about Jamie Donahue's shot that he... Jamie Donahue directed a couple of episodes in season two I can't remember if it was episode six or seven where at the end of the episode the Danes ride into a camp and it's like a single shot and the whole thing is first person yeah and French: des choses comme ça je veux dire. [Colby] nous avions Chas Bain et nous en avons parlé largement ouais c'était. quel tir. [Toby] J'étais tellement impressionnant, j'étais tellement impressionné par cela la première fois que je l'ai vu et ce genre de chose où un le réalisateur aimera utiliser l'ingéniosité pure pour créer quel est le mot pour le faire paraître gros budget vous savez? ouais oh totalement ouais à l'écran, oh mon dieu ouais scène incroyable. Donc alors dans la bataille alors aussi vous en avez vraiment bien bat aussi. [Colby] ça avait l'air super. [Steve] comment était-ce cette masse géante de gens et de combats et tout ça? Comment était-ce pour vous? [Toby] était vraiment chaud. [Colby] c'est la raison tout le monde dit quand nous le demandons. [Toby] ouais ouais je veux dire que c'est vraiment vraiment inévitable, comme inévitablement chaud comme moi Je ne savais pas vraiment ça de la Hongrie avant mon départ et juste Arabic: أشياء من هذا القبيل أعني. [كولبي] كان لدينا تشاس باين وتحدثنا عنه على نطاق واسع نعم كان. ما رصاصة واحدة. [توبي] كنت مبهرًا جدًا ، لقد تأثرت كثيرًا بذلك في المرة الأولى التي رأيته فيها وهذا النوع من الأشياء حيث أ سيحب المخرج استخدام البراعة الخالصة في الإبداع ما هي الكلمة لجعلها تبدو كبيرة الميزانية كما تعلم؟ نعم ، نعم تمامًا على الشاشة ، يا إلهي ، نعم مشهد رائع. وماذا بعد في المعركة أيضًا لديك بالفعل بعض الأشياء الجيدة حقًا يدق كذلك. [كولبي] بدت رائعة. [ستيف] كيف كان الأمر في ذلك تلك الكتلة الهائلة من الناس والقتال وكل ذلك؟ كيف كان ذلك بالنسبة لك؟ [توبي] كان الجو حارًا حقًا. [كولبي] هذا هو السبب الجميع يقول عندما نسأل عنها. [توبي] نعم ، أعني أنه حقًا لا مفر منه ، مثل حار لا مفر منه مثلي لم أكن أعرف حقًا ذلك عن المجر قبل أن أذهب وفقط Spanish: cosas así me refiero. [Colby] teníamos a Chas Bain y hablamos de eso extensamente, sí lo fue. Qué disparo. [Toby] Estaba tan impresionante, estaba tan impresionado por eso la primera vez que lo vi y ese tipo de cosas donde un Al director le gustará usar el ingenio puro para crear cual es la palabra para que parezca de gran presupuesto, ¿sabes? sí, oh, totalmente sí en la pantalla, oh Dios mío, sí, escena increíble. por lo que entonces en la batalla, entonces también tienes algo realmente bueno late también. [Colby] se veía genial. [Steve] ¿Cómo te fue en eso? esa masa gigante de gente y peleando y todo eso? ¿Cómo fue eso para ti? [Toby] estaba realmente caliente. [Colby] esa es la razón todo el mundo dice cuando preguntamos al respecto. [Toby] sí sí quiero decir que es realmente realmente inevitable, como inevitablemente caliente como yo realmente no sabía eso de Hungría antes de irme y Russian: я имею в виду такие вещи. [Колби] у нас был Час Бейн, и мы говорили об этом в значительной степени да, это было. какой выстрел. [Тоби] Я был так впечатлен, так впечатлен к тому времени я впервые это увидел и тому подобное, где режиссеру понравится использовать чистую изобретательность для создания что за слово чтобы это выглядело большим бюджетом, понимаете? да, о, да, на экране, о боже, да, невероятная сцена. так тогда в битве у вас тоже есть действительно хорошие бьет тоже. [Колби] это выглядело великолепно. [Стив] каково было в этом эта гигантская масса людей, борьба и все такое? как это было для тебя? [Тоби] было действительно жарко. [Колби] вот в чем причина все говорят, когда мы спрашиваем об этом. [Тоби] да, я имею в виду, что это действительно правда неизбежно, как неизбежно жарко, как я не знал этого о Венгрии до того, как уехал, и просто English: things like that I mean. [Colby] we had Chas Bain on and we talked about it extensively yeah it was. what a shot. [Toby] I was so impressive, I was so impressed by that the first time I saw it and that kind of thing where a director will like use pure ingenuity to create what's the word to make it look big budget you know? yeah oh totally yeah on screen, oh my god yeah incredible scene. so then in the battle then too you actually have some really good beats as well. [Colby] it looked great. [Steve] how was it being in that that giant mass of people and fighting and all that? how was that for you? [Toby] hot it was really. [Colby] that's the reason everybody says when we ask about it. [Toby] yeah yeah I mean it's really really unavoidable, like unavoidably hot like I didn't really know that about Hungary before I went and just German: solche Dinge meine ich. [Colby] Wir hatten Chas Bain an und haben darüber gesprochen ausgiebig ja war es. was für ein Schuss. [Toby] Ich war so beeindruckend, ich war so beeindruckt das das erste mal, als ich es sah und so etwas wo a Regisseur wird gerne reinen Einfallsreichtum verwenden, um zu schaffen Was ist das Wort? damit es wie ein großes Budget aussieht, weißt du? yeah oh total yeah auf dem Bildschirm, oh mein Gott ja unglaubliche Szene. also dann Auch in der Schlacht hast du tatsächlich einige wirklich gute schlägt auch. [Colby] es sah toll aus. [Steve] wie war es dabei? diese riesige Masse von Menschen und Kämpfen und all das? Wie war das für dich? [Toby] heiß war es wirklich. [Colby] das ist der Grund Jeder sagt, wenn wir danach fragen. [Toby] Ja, ja, ich meine, es ist wirklich wirklich unvermeidlich, wie unvermeidlich heiß wie ich Ich wusste das nicht wirklich über Ungarn, bevor ich ging und einfach Portuguese: coisas assim, quero dizer. [Colby] tínhamos Chas Bain e conversamos sobre isso extensivamente sim, foi. que tiro. [Toby] Eu fui tão impressionante, fiquei tão impressionado por isso a primeira vez que vi e aquele tipo de coisa onde um o diretor vai gostar de usar pura engenhosidade para criar qual é a palavra para parecer um grande orçamento, sabe? sim, totalmente, sim na tela, meu Deus, sim, cena incrível. Então na batalha, você também tem algumas boas batidas também. [Colby] parecia ótimo. [Steve] como foi estar naquele aquela massa gigante de gente e luta e tudo mais? como foi isso para você? [Toby] foi realmente quente. [Colby] esse é o motivo todo mundo diz quando perguntamos sobre isso. [Toby] sim, quero dizer, é realmente muito inevitável, como inevitavelmente quente como eu realmente não sabia sobre a Hungria antes de ir e apenas Chinese: 我的意思是 [Colby]我们加入了Chas Bain ,我们谈到了 是的,是的。真是一枪。[托比] 我印象深刻,印象深刻 到我第一次看到它 的时候 导演 会喜欢用纯粹的创造力 什么 意思 使它看起来很大的预算,您知道吗? 是的,在屏幕上完全是这样, 哦,天哪,是令人难以置信的一幕。所以那 在战斗中,你实际上也有 一些非常好的 节拍也是如此。[Colby]看起来很棒。[史蒂夫] 那是怎么回事 如此庞大 的人员和战斗以及所有这些? 那你呢 [托比] 很热。[Colby]这就是原因 当我们问这个问题时,每个人都会说。[Toby]是的, 我的意思是真的 不可避免, 像我一样不可避免 在我去之前真的不了解匈牙利 Hungarian: ilyen dolgokra gondolok. [Colby] volt nálunk Chas Bain , és beszéltünk róla igen igen. micsoda lövés. [Toby] Annyira lenyűgöző voltam, annyira lenyűgözött ekkor láttam először, és ilyesmi, ahol a A rendező szeretni fogja a tiszta ötletességet az alkotáshoz mi a szó hogy nagy költségvetésűnek tűnjön, tudja? igen, ó, igen, igen a képernyőn, ó, istenem, igen hihetetlen jelenet. így aztán a csatában akkor is van igazán jó veri is. [Colby] remekül nézett ki. [Steve] hogy volt ebben az az óriási tömeg és harcok, meg minden? hogy volt ez neked? [Toby] meleg volt igazán. [Colby] ez az oka mindenki mondja, amikor rákérdezünk. [Toby] igen, igen, úgy értem, tényleg nagyon elkerülhetetlen, mint elkerülhetetlenül forró, mint én nem igazán tudtam ezt Magyarországról, mielőtt elmentem és csak German: Ich dachte, oh, es ist in Europa, es wird nicht so sein Sie wissen, 40 Grad, aber es ist 40 Grad. Ich weiß nicht, was das in Fahrenheit ist wie 180 Grad Fahrenheit. [TSC] Ja, genau das ist es. das ist es. es wird wirklich sehr, sehr, sehr heiß, aber sobald du darüber hinweg bist und einfach die Art von allgemeinem Unbehagen, sich zu fühlen Du trägst einen Neoprenanzug oder einen Trainingsanzug Ja, es ist eine wirklich ganz besondere Art von mentaler Raum. Ich denke nicht, denn wenn du einmal denkst, denke ich, ist es das Gleiches gilt für alle Sportarten und die meisten körperlichen Aktivitäten Wenn du einmal darüber nachdenkst, ist es ruiniert, weißt du, oder du wirst es nicht sein in der Lage, die Bewegung so zu tun und es gibt den gleichen Drang denken wollen, weil du so bist wie ich will, wenn ich darüber nachdenke, wenn ich es wirklich tue denke dann wird es wirklich sein genau und wirklich toll und ja wirklich präzise, ​​aber eigentlich darüber nachzudenken hilft nicht. was eigentlich irgendwie Russian: Я подумал, что в Европе это не будет похоже вы знаете 40 градусов, но это 40 градусов, я не знаю, что это по Фаренгейту как 180 градусов по Фаренгейту. [TSC] Да, именно так. Это оно. становится очень-очень-очень-очень жарко, но как только вы это преодолеете и просто своего рода общий дискомфорт от ощущения вы в гидрокостюме или спортивном костюме, это да, это действительно особенный вид ментальное пространство. Я не думаю, потому что, как только вы думаете, я думаю, что это то же самое со всеми видами спорта и большинством физических нагрузок, которые Как только вы думаете об этом, он испорчен, вы знаете, или вы не будете в состоянии сделать ход так и есть желание хочу думать, потому что ты такой же, как я, если я думаю об этом, если я действительно думаю, тогда это будет действительно точный и действительно отличный и да действительно точный, но на самом деле думать об этом не помогает. что на самом деле вроде English: I was like oh it's in Europe it won't be like you know 40 degrees but it is 40 degrees I don't know what that is in Fahrenheit like 180 degrees Fahrenheit. [TSC] yeah that's exactly it. that's it. it gets really really really really hot but once you get over that and just the kind of general discomfort of feeling like you're in a wetsuit or a sweatsuit it's a yeah it's a really really particular kind of mental space. I'm not thinking because once you think I think it's the same thing with all sports and most physical activities that like once you think about it it's ruined you know or you won't be able to do the move so and there's the like the urge to want to think because you're like I want to if I think about this if I really think then it'll be really accurate and really great and yeah really precise but actually thinking about it doesn't help. which actually kind of French: J'étais comme oh c'est en Europe ce ne sera pas comme tu sais 40 degrés mais il fait 40 degrés je ne sais pas ce que c'est en Fahrenheit comme 180 degrés Fahrenheit. [TSC] ouais c'est exactement ça. c'est tout. il fait vraiment vraiment vraiment très chaud mais une fois que vous avez surmonté cela et juste le genre d' inconfort général de se sentir comme vous êtes en combinaison ou en survêtement c'est un ouais c'est un genre vraiment vraiment particulier de espace mental. Je ne pense pas parce qu'une fois que tu penses, je pense que c'est le même chose pour tous les sports et la plupart des activités physiques comme une fois que vous y pensez c'est ruiné vous savez ou vous ne serez pas capable de faire le mouvement ainsi et il y a comme l'envie avoir envie de penser parce que tu es comme je veux si j'y pense si je pense alors que ce sera vraiment précis et vraiment génial et ouais vraiment précis mais en fait y penser n'aide pas. qui en fait un peu Hungarian: Úgy voltam vele, hogy ó Európában van , nem olyan lesz tudsz 40 fokot, de ez 40 fok , nem tudom, mi van Fahrenheitben mint 180 Fahrenheit fok. [TSC] igen, pontosan ez az. ez az. nagyon igazán nagyon meleg lesz, de ha már túljutsz ezen és csak amilyen általános kényelmetlenség érzése nedvesruhában vagy pulóverben vagy, ez a igen, ez egy igazán igazán különleges fajta mentális tér. Nem gondolkodom, mert ha egyszer úgy gondolja, hogy szerintem ez az minden sporttal és a legtöbb fizikai tevékenységgel ugyanaz mint ha egyszer belegondolsz , tönkrement, tudod, vagy nem leszel képes megtenni a lépést , és hasonló a késztetés gondolkodni, mert olyan vagy, mint én , ha erre gondolok, ha igazán gondolkodj akkor tényleg az lesz pontos és nagyon nagyszerű, és igen pontosan, de valójában ezen gondolkodás nem segít. amelyek valójában olyanok Arabic: كنت مثل أوه إنه في أوروبا لن يكون الأمر كذلك أنت تعرف 40 درجة لكنها 40 درجة ولا أعرف ما هو ذلك بالفهرنهايت مثل 180 درجة فهرنهايت. [TSC] نعم هذا هو بالضبط. هذا هو. يصبح الجو حارًا حقًا حقًا ولكن بمجرد تجاوز ذلك وفقط هذا النوع من الانزعاج العام من الشعور كنت ترتدي بذلة غطس أو بدلة رياضية إنها أ نعم ، إنه نوع خاص حقًا الفضاء العقلي. أنا لا أفكر لأنه بمجرد أن تعتقد أنني أعتقد أنها نفس الشيء مع جميع الألعاب الرياضية ومعظم الأنشطة البدنية مثل بمجرد أن تفكر في الأمر ، فقد تدمر كما تعلم أو لن تكون كذلك قادرة على القيام بهذه الخطوة وهناك مثل الرغبة أريد أن أفكر لأنك مثلي أريد أن أفكر في هذا إذا كنت حقًا أعتقد أنه سيكون حقًا دقيق ورائع حقًا ونعم دقيق حقًا ولكن في الواقع التفكير في الأمر لا يساعد. وهو نوع من Chinese: 我就像是在欧洲, 不会像 你知道40度,但是40度 我不知道华氏温度是多少 像是华氏180度 [TSC]是的,就是这样。而已。 真的真的真的真的很热, 但是一旦克服了, 那种 一般的不适感 你穿着潜水服 或运动服, 是的,这是一种非常 特别的 心理空间。我没有考虑, 因为一旦您认为我认为这是 所有运动和 大多数体育活动都具有相同的特征 就像一旦您想到它就 毁了,您就会知道,否则您将不会 能够做到这 一点,并且有这样的冲动 想想,因为 如果我真的想过,你就像我想的那样 认为 那会是真的 准确且非常好, 是的,但确实准确 考虑它没有帮助。 实际上是 Spanish: Yo estaba como, oh, está en Europa , no será como sabes 40 grados pero son 40 grados no sé qué es eso en Fahrenheit como 180 grados Fahrenheit. [TSC] sí, eso es exactamente. Eso es. se pone realmente muy muy muy caliente, pero una vez que superas eso y simplemente el tipo de malestar general de sentirse como estás en un traje de neopreno o un chándal es un sí, es un tipo de espacio mental. No estoy pensando porque una vez que piensas, creo que es el lo mismo con todos los deportes y la mayoría de las actividades físicas que como si una vez que lo piensas está arruinado, sabes o no lo estarás capaz de hacer el movimiento así y existe la necesidad de querer pensar porque eres como yo quiero si pienso en esto si realmente piensa que entonces será realmente exacto y realmente genial y sí realmente preciso pero en realidad pensar en ello no ayuda. que en realidad una especie de Portuguese: Eu estava tipo, oh, é na Europa, não será como você sabe 40 graus, mas está 40 graus, eu não sei o que é isso em Fahrenheit como 180 graus Fahrenheit. [TSC] sim, é exatamente isso. é isso aí. fica muito, muito, muito quente, mas quando você supera isso e apenas o tipo de desconforto geral de sentir como você está em uma roupa de neoprene ou moletom, é um sim, é um tipo muito particular de espaço mental. Não estou pensando porque uma vez que você pensa, eu acho que é o a mesma coisa com todos os esportes e atividades físicas que tipo, uma vez que você pensa sobre isso , está arruinado, você sabe ou não será capaz de fazer o movimento e há o tipo de desejo querer pensar porque você é como eu quero, se eu pensar sobre isso, se eu realmente pense então será realmente preciso e muito bom e, sim, muito preciso, mas na verdade pensar sobre isso não ajuda. que na verdade meio que German: übersetzt sich in in Handeln und allgemeines Denken nicht ist nicht wo du sein willst. [Colby] Ja, nicht wenn du es tust. [Toby] richtig wie Ja, du willst es einfach im Grunde tun Also ja, in dem Moment, in dem du darüber nachdenkst, ist es irgendwie weg. Das war also meine erste echte Streifzug in eine koordinierte Reihenfolge. Ich habe eine gemacht ein bisschen, aber das war meine erste Art von Kampf. [Colby] Also, was war das? Vorbereitung darauf? [Toby] du hast nur eine einige Tage. ein paar Stunt-Probentage Aber tatsächlich passiert es, sobald Sie und so ist es immer Sobald Sie fertig sind, gibt es etwas, das es nicht gegeben hat Wenn Sie berücksichtigen, wissen Sie, dass Sie es in einer großen Sporthalle proben und wann du kommst dorthin du bist wie oh eigentlich weil Sie wissen, dass der Boden hier so hoch ist oder die Kamera hier sein muss, wir müssen Ändern Sie den Zug, sodass normalerweise eine Änderung in letzter Minute erfolgt du probst gerne drei Tage lang etwas und dann sind sie eigentlich in Ordnung Kannst du es einfach und rückwärts machen? Sie wissen, schneiden Sie das bisschen English: translates over into into into acting as well thinking generally doesn't is not where you want to be. [Colby] yeah not when you're doing it. [Toby] right like yeah you want to just be doing it basically so yeah the moment you think about it it's kind of gone. so that was my first real foray into a coordinated sequence. I've done a little bit but that was my first kind of bit of battling. [Colby] so what was the preparation like for it? [Toby] you just you have a couple of days. a couple of stunt rehearsal days but actually what happens is as soon as you and this is always the way it's like once you get set there's some thing that hasn't been factored into you know you rehearse it in a big sports hall and then when you get there you're like oh actually because you know the ground here is this high or the camera has to be here we need to change the move so usually there's a last minute change you like rehearse something for three days and then they're like okay actually can you just do it and do it backwards? you know cut that bit Spanish: se traduce en actuar y pensar en general no es donde quieres estar. [Colby] sí, no cuando lo estás haciendo. [Toby] justo como Sí, básicamente quieres hacerlo. así que sí, en el momento en que lo piensas, desaparece. entonces ese fue mi primer real Incursión en una secuencia coordinada. He hecho un un poco, pero ese fue mi primer tipo de batalla. [Colby] entonces, ¿cuál fue el preparación como para eso? [Toby] solo tienes un par de días. un par de días de ensayo de acrobacias pero en realidad lo que pasa es tan pronto como tú y siempre es así una vez que te preparas hay algo que no ha sido factor en que sabes que lo ensayas en un gran pabellón de deportes y luego cuando llegas ahí estás como oh en realidad porque sabes que el suelo aquí es tan alto o la cámara tiene que estar aquí, necesitamos cambiar el movimiento por lo que normalmente hay un cambio de último minuto te gusta ensayar algo durante tres días y luego están bien en realidad ¿Puedes hacerlo y hacerlo al revés? sabes cortar ese pedacito French: se traduit par en agissant ainsi en pensant généralement n'est pas là où vous voulez être. [Colby] ouais pas quand tu le fais. [Toby] juste comme Ouais tu veux juste le faire fondamentalement alors oui, au moment où vous y pensez, c'est un peu parti. donc c'était mon premier vrai incursion dans une séquence coordonnée. J'ai fait un un peu mais c'était ma première sorte de combat. [Colby] alors quel était le préparation comme pour ça? [Toby] vous avez juste un quelques jours. quelques jours de répétition de cascades mais en fait, ce qui se passe est dès que vous et c'est toujours comme ça une fois que vous êtes prêt, il y a quelque chose qui n'a pas été pris en compte, vous savez que vous le répétez dans une grande salle de sport et ensuite quand vous y arrivez, vous êtes comme oh en fait parce que vous savez que le sol est si haut ou la caméra doit être là, nous devons changer le mouvement donc généralement il y a un changement de dernière minute tu aimes répéter quelque chose pendant trois jours et ensuite ils sont comme bien en fait pouvez-vous simplement le faire et le faire à l'envers? tu sais couper ce morceau Russian: переводится в действие, а также мышление в целом не там, где вы хотите быть. [Колби] Да, когда ты это делаешь. [Тоби] прямо как да, ты хочешь просто делать это в основном так что да, в тот момент, когда вы думаете об этом, это как бы ушло. так что это был мой первый настоящий набег в согласованной последовательности. Я сделал немного, но это была моя первая битва. [Колби] так что это был за подготовка как к этому? [Тоби] у тебя просто есть пару дней. пара дней репетиций трюков но на самом деле то, что происходит, происходит, как только вы, и так всегда бывает как только вы настроитесь, есть кое-что, чего не было Вы знаете, что репетируете это в большом спортивном зале, а затем, когда ты попадаешь туда, ты как на самом деле, потому что вы знаете, что земля здесь такая высокая или камера должна быть здесь, нам нужно изменить ход, так что обычно происходит изменение в последнюю минуту ты любишь репетировать что-то три дня, а потом все в порядке вы можете просто сделать это и сделать это наоборот? ты знаешь, отрезай это Arabic: يترجم إلى التمثيل وكذلك التفكير بشكل عام ليس حيث تريد أن تكون. [كولبي] نعم عندما تفعل ذلك. [توبي] حق مثل نعم ، تريد أن تفعل ذلك بشكل أساسي لذا ، في اللحظة التي تفكر فيها في الأمر ، انتهى الأمر نوعًا ما. لذلك كان هذا أول حقيقي لي غزوة في تسلسل منسق. لقد فعلت قليلًا ولكن هذا كان نوعي الأول من القتال. [كولبي] فماذا كان التحضير مثل ذلك؟ [توبي] أنت فقط لديك يومان. بضعة أيام بروفة حيلة ولكن في الواقع ما يحدث هو بمجرد أن يحدث ذلك دائمًا وهذا هو الحال دائمًا بمجرد أن تصبح جاهزًا ، هناك شيء ما لم يكن في الاعتبار أنك تعلم أنك تتدرب في قاعة رياضية كبيرة ومتى وصلت إلى هناك كما لو كنت في الواقع لأنك أنت تعلم أن الأرض هنا بهذا الارتفاع أو يجب أن تكون الكاميرا هنا نحتاج إليها تغيير الحركة لذلك عادة ما يكون هناك تغيير في اللحظة الأخيرة كنت ترغب في التمرين على شيء ما لمدة ثلاثة أيام وبعد ذلك سيكونون على ما يرام في الواقع هل يمكنك أن تفعلها وتفعلها بشكل عكسي؟ تعلمون قطع تلك القطعة Hungarian: átfordul színjátszássá, valamint általában gondolkodássá nem ott van, ahol szeretnél lenni. [Colby] ja nem, ha csinálod. [Toby] igaza van igen, csak azt akarod, hogy alapvetően csináld szóval igen, abban a pillanatban, amikor belegondolsz, ez valahogy elmúlt. szóval ez volt az első igazi koordinált sorrendbe keveredni . Megcsináltam a kicsit, de ez volt az első fajta csata. [Colby] hát mi volt az felkészülés, mint ez? [Toby] csak neked van egy Pár nap. pár mutatványos próba nap de valójában az történik, amint te vagy, és ez mindig így van ha beállít, van valami, ami még nem volt beleszámítva tudod, hogy egy nagy sportcsarnokban gyakorolsz , majd mikor odaérsz, olyan vagy, mint ó, valójában azért tudod, hogy ilyen magas a talaj, vagy a kamerának itt kell lennie változtassa meg a lépést, így általában van egy utolsó pillanatban változás szeretsz három napig próbálni valamit, aztán igazából rendben vannak csak megteheti és visszafelé? tudod, vágd ezt a kicsit Portuguese: se traduz em agir e pensar em geral não está onde você quer estar. [Colby] sim, não quando você está fazendo isso. [Toby] certo como sim, você quer apenas estar fazendo basicamente então, sim, no momento em que você pensa sobre isso , já se foi. então esse foi meu primeiro real incursão em uma sequência coordenada. Eu fiz um um pouco, mas esse foi meu primeiro tipo de batalha. [Colby] então qual foi o preparação gosta para isso? [Toby] você só tem um alguns dias. alguns dias de ensaio de dublês mas na verdade o que acontece é assim que você e é sempre assim que é uma vez que você está pronto, há algo que não foi fatorado em você sabe que você ensaia em um grande salão de esportes e então quando você chega lá, você fica tipo, na verdade, porque você sabe que o terreno aqui é tão alto ou a câmera tem que estar aqui, precisamos mude o movimento, então geralmente há uma mudança de última hora você gosta de ensaiar algo por três dias e então eles estão bem, na verdade você pode simplesmente fazer isso e voltar? você sabe cortar esse pedaço Chinese: 转化 为一般的思考方式 不是不是您想要的地方。[Colby] 是的,当您这样做时。[托比]像 是的,您 基本上只想做 所以是的,当您想到这一刻, 它就消失了。 所以那是我的 第一个真实 进入 协调的顺序。我已经做了 一点点,但这是我的第一种 战斗方式。[Colby]那是什么 准备怎么样?[托比] 你只是你有一个 几天 几天的特技表演 但是实际上发生的事情是你一经发生 ,这总是这样 一旦设置好 ,有些事情就不会发生了 考虑到您知道您 在一个大型体育馆排练,然后 你到达那里就像是 因为 你知道这里的地面这么高,或者 相机必须在这里,我们需要 改变动作, 所以通常会有最后一刻的改变 你喜欢排练 三天,然后他们真的还可以 你能做到并向后 做吗?你知道切那一点 Portuguese: para fora ou, na verdade, eles virão desta forma, e não da esquerda então você só tem que pensar em seus pés ou sem pensar em seus pés. [Colby] é interessante e você mencionou sobre como você não quer pensar sobre isso. Eu acho que cenografia o figurino faz um bom trabalho pelo menos pelo que ouvimos de outros atores também, de colocar vocês lá no mundo e você mencionou antes sobre como você é meio ... [Toby] sim, é isso. sim, meu treinador de atuação diz que muito parecido com você não tem que agir. você não precisa. tudo isso é feito para você, então você não precisa, eu não sei às vezes, se você quiser entrar no personagem ou como se você tivesse parte disso é que você tem que explicar tudo que você sabe? Eu sou dos anos 900, então devo ser como Eu sou dos anos 900, mas não vai se parecer com os anos 900, você sabe tudo você tem que fazer é ficar lá e vai parecer certo para que um muito do trabalho já está feito para você e se você tentar e faça essas coisas, então você acabará sendo um ator amador. Hungarian: vagy valójában inkább erről az útról érkeznek , mintsem balról szóval csak valahogy gondolkodnia kell a talpán vagy gondolatlan a lábadon. [Colby] érdekes, és már említetted hogy nem akarsz gondolkodni rajta. Azt gondolom, hogy a díszlet a jelmeztervezés olyan jó munkát végez legalábbis abból, amit más színészektől is hallottunk , hogy önöket helyezik el ott a világon, és korábban említetted arról, hogy milyen vagy ... [Toby] igen. igen a színészedzőm mondja hogy sok, mint te, nem kell cselekedned. nem kell. ezek a dolgok érted készültek, így nem kell, nem tudom néha, ha kedved támad karakterbe kerülni vagy mint neked van egy része az, hogy meg kell magyaráznod mindent, amit tudsz? A 900-as évekből származom, úgy kell lennem, mint A 900-as évekből származom, de az, hogy nem, úgy fog kinézni, mint a 900-asok, akiket mind tud meg kell tennie, hogy ott áll, és jól fog kinézni, hogy a sok munka már megtörtént , már megtörtént az Ön számára, és ha megpróbálja és tedd ezeket a dolgokat, akkor végül hammy színész leszel. English: out or actually they're going to be coming from this way rather than the left so you just have to kind of think on your feet or unthink on your feet. [Colby] it's interesting and you mentioned about how you don't want to think about it. I think the set design the costume design do such a good job at least from what we've heard from other actors as well, of putting you guys there in the world and you mentioned earlier about how you're kind of... [Toby] yeah is it. yeah my my acting coach says that a lot like you don't have to act it. you don't have to. all this stuff is done for you so you don't have to I don't know sometimes if you feel like getting into character or like you have part of it is that you have to explain everything you know? I'm from the 900's so I must be like I'm from the 900's but is that no it will look like the 900's you know all you have to do is stand there and it will look right so that a lot of the job is already, is already done for you and if you try and do those things then you'll end up being a hammy actor. Russian: или на самом деле они будут идти с этой дороги, а не с левой так что вам просто нужно думать на ногах или бездумно на ногах. [Колби] это интересно, и вы упомянули о как ты не хочешь об этом думать. Я думаю декорации дизайн костюма проделал такую хорошую работу по крайней мере, из того, что мы слышали и от других актеров, о том, что вы, ребята, там в мире, и вы упомянули ранее о том, как ты ... [Тоби] Да, это так. да, мой тренер по актерскому мастерству говорит это очень похоже на то, что вам не нужно действовать. вам не обязательно. все это сделано для вас, так что вам не нужно я не знаю иногда, если вы хотите стать персонажем или, как будто у вас есть часть этого, вы должны объяснить все, что ты знаешь? Я из 900-х, поэтому я должен быть похож Я из 900, но это не будет похоже на 900, вы все знаете вы должны стоять там, и он будет выглядеть правильно, чтобы большая часть работы уже сделана за вас, и если вы попытаетесь и сделаешь это, тогда ты станешь хрупким актером. Spanish: o en realidad van a venir de esta manera en lugar de la izquierda así que solo tienes que pensar en tus pies o pensar en tus pies. [Colby] es interesante y mencionaste sobre cómo no quieres pensar en eso. Creo que el escenografía el diseño de vestuario hace un buen trabajo al menos por lo que hemos escuchado de otros actores, de ponerlos a ustedes hay en el mundo y mencionaste antes sobre cómo eres una especie de ... [Toby] sí. sí, mi entrenador de actuación dice que mucho como si no tuvieras que actuar. no tienes que hacerlo. todo esto está hecho para ti para que no tengas que hacerlo, no lo sé a veces si te apetece meterte en el personaje o como si tuvieras parte es que tienes que explicar todo lo que sabes Soy de los 900, así que debo ser como Yo soy de los 900 pero es que no se parecerá a los 900 ya lo sabes todo lo que tienes que hacer es pararte ahí y se verá bien para que un gran parte del trabajo ya está, ya está hecho para ti y si lo intentas y haz esas cosas, terminarás siendo un actor tonto. Chinese: 或实际上他们将以 这种方式而不是左侧 所以你只需要思考 一下 或想不到你的脚。[Colby] 有趣,您提到 您不想怎么想。我 认为 布景设计服装设计做得这么 好 至少从我们从 其他演员那里得到的信息来看, 有 在世界上和你前面提到的 关于你的感觉... [托比] 是的。是的,我的代理教练说 就像您不必 采取行动一样。您不必。 所有这些东西都是为您完成的, 所以您不必不知道 有时候, 如果您想融入角色 或就像你有 一部分要解释 你知道的一切吗? 我来自900年代,所以我一定喜欢 我来自900年代,但不是 吗,看起来就像900年代 您要做的就是站在那儿 ,它看起来会正确,这样 许多工作 已经完成,已经为您完成,如果您尝试 然后做那些事,那么你最终会 成为一个笨拙的演员。 German: raus oder tatsächlich werden sie eher von diesem Weg als von links kommen Man muss also nur auf den Beinen denken oder nicht an deine Füße denken. [Colby] es ist interessant und du hast darüber gesprochen wie du nicht darüber nachdenken willst. Ich denke das Bühnenbild Das Kostümdesign macht so einen guten Job Zumindest von dem, was wir auch von anderen Schauspielern gehört haben, von euch dort auf der Welt und Sie haben bereits erwähnt darüber, wie du irgendwie bist ... [Toby] Ja, das ist es. Ja, mein mein Schauspieltrainer sagt so sehr wie du es nicht tun musst . du musst nicht. Das ganze Zeug ist für dich erledigt, also musst du es nicht. Ich weiß es nicht manchmal, wenn Sie Lust haben, in den Charakter einzusteigen oder wie Sie einen Teil davon haben, ist, dass Sie erklären müssen alles was du weißt Ich bin aus den 900ern, also muss ich so sein Ich bin aus den 900ern, aber nein, es wird so aussehen wie die 900er, die Sie alle kennen Sie müssen dort stehen und es wird richtig aussehen, so dass a Ein Großteil der Arbeit ist bereits erledigt , ist bereits für Sie erledigt und wenn Sie es versuchen und mach diese Dinge, dann wirst du ein Hammy-Schauspieler. Arabic: أو أنهم في الواقع سيأتون من هذا الطريق وليس من اليسار لذلك عليك أن النوع من التفكير على قدميك أو لا تفكر في قدميك. [كولبي] إنه ممتع وقد ذكرت عنه كيف لا تريد أن تفكر فيه. أنا أعتقد أن مجموعة تصميم تصميم الأزياء القيام بعمل جيد على الأقل مما سمعناه من الممثلين الآخرين أيضًا ، عن وضعكم هناك في العالم وقد ذكرتها سابقًا حول كيف أنت نوع من ... [توبي] نعم هو كذلك. نعم ، يقول مدربي بالوكالة أنه ليس عليك فعل ذلك كثيرًا. ليس عليك ذلك. كل هذه الأشياء يتم إجراؤها من أجلك حتى لا تضطر إلى ما لا أعرفه في بعض الأحيان إذا كنت ترغب في الدخول في الشخصية أو كما لو كان لديك جزء منه هو أنه عليك أن تشرح كل ما تعرفه أنا من القرن التاسع عشر لذا يجب أن أكون مثل أنا من القرن التاسع عشر ولكن هذا لا يعني أنها ستبدو مثل 900 كما تعلمون جميعًا ما عليك القيام به هو الوقوف هناك وسيبدو صحيحًا بحيث أ الكثير من العمل قد تم بالفعل ، تم بالفعل من أجلك وإذا حاولت وتفعل هذه الأشياء ثم ينتهي بك الأمر إلى أن تكون ممثلًا هامًا. French: ou en fait ils viendront de cette façon plutôt que de la gauche Alors tu dois juste penser à tes pieds ou impensable sur vos pieds. [Colby] c'est intéressant et vous avez mentionné comment vous ne voulez pas y penser. Je pense que le la conception des décors la conception des costumes fait un si bon travail au moins d'après ce que nous avons entendu d' autres acteurs aussi, de vous mettre là-bas dans le monde et tu l'as mentionné plus tôt sur la façon dont vous êtes en quelque sorte ... [Toby] ouais est-ce. ouais mon entraîneur dit cela ressemble beaucoup à ce que vous n'avez pas à agir. vous n'êtes pas obligé. tout ce truc est fait pour toi donc tu n'as pas à le faire je ne sais pas parfois si vous avez envie d'entrer dans le personnage ou comme vous en avez une partie, c'est que vous devez expliquer tout ce que tu sais? Je viens des années 900 alors je dois être comme Je suis du 900 mais est-ce que non ça ressemblera au 900 tu sais tout vous devez faire est de rester là et cela aura l'air bien pour qu'un une grande partie du travail est déjà, est déjà fait pour vous et si vous essayez et faites ces choses alors vous finirez par être un acteur martelé. Spanish: entonces te empujan hacia abajo esta zanja. [Toby] sí, me abandonaron, sí. [Colby] obtienes abandonado y bromeamos, creo que bromeamos en uno de nuestros podcasts, alguien debería haber Aethelred en la parte posterior de la cabeza hace mucho tiempo. [Toby] sí, tardó mucho en llegar. No , fue una especie de accidente, quiero decir, fue simplemente sucede. [Colby] sí, estaba yendo duro en la batalla y simplemente fue empujado a la zanja y no había nada allí, así que se cayó atrás, pero sí, háblenos un poco sobre Ese tipo de escena de shock que hiciste desde la caída y luego volver a levantarse, ¿cómo fue eso para disparar? lo recuerdo siendo bastante técnico en términos de latidos y cuánto tiempo debían durar, así que eso fue casi, eso estaba en mi mente cuando lo estábamos filmando, solo creo que traté de hacer es como sacar la actuación de la ecuación por realmente me enrollo básicamente lo sabes porque te caes al suelo al revés Portuguese: então você meio que é empurrado para baixo esta vala. [Toby] sim, fui dispensado, sim. [Colby] você consegue abandonado e nós brincamos acho que brincamos em um de nossos podcasts que alguém deveria ter acessado Aethelred na parte de trás da cabeça há muito tempo. [Toby] sim, demorou muito. não , foi um tipo de acidente, quero dizer, foi simplesmente acontece. [Colby] sim, ele estava indo muito na batalha e isso meio que foi empurrado para dentro da vala e não havia nada lá, então ele caiu de volta, mas sim fale um pouco conosco sobre aquele tipo de cena de choque que você fez desde o outono e então voltando como foi filmar? eu lembro sendo bastante técnico em termos de batidas e quanto tempo elas precisavam para durar então era quase isso, estava na minha mente quando estávamos filmando, acho que tentei fazer -lo como para tomar agindo fora da equação por apenas genuinamente me enrolando basicamente você sabe porque você realmente cai no chão para trás German: dann wirst du irgendwie hineingedrückt dieser Graben. [Toby] Ja, ich wurde fallen gelassen, ja. [Colby] du bekommst fallen gelassen und wir scherzten Ich denke, wir scherzten in einem unserer Podcasts, den jemand hätte treffen sollen Aethelred im Hinterkopf vor langer Zeit. [Toby] Ja, es hat lange gedauert. Nein, es war eine Art Unfall, ich meine es war einfach passiert es. [Colby] Ja, er hat hart gekämpft und es wurde irgendwie in den Graben geschoben und es war nichts da, also fiel er zurück, aber ja, rede ein bisschen mit uns darüber diese Art von Muschelschockszene , die du vom Herbst und dann gemacht hast wieder aufstehen wie war das zu schießen? Ich erinnere mich daran ziemlich technisch in Bezug auf die Beats und wie lange sie dauern mussten , das war fast, das war in meinen Gedanken Als wir es gedreht haben, habe ich nur versucht, es zu machen es , um das Handeln aus der Gleichung herauszunehmen durch Ich wickle mich im Grunde genommen wirklich auf Sie wissen, weil Sie tatsächlich rückwärts zu Boden fallen Russian: так что тогда вас как бы толкают в эта канава. [Тоби] Да, меня бросили, да. [Колби] вы понимаете бросил и мы пошутили, я думаю, мы пошутили в одном из наших подкастов, кто-то должен был ударить Этельред в затылке давным- давно. [Тоби] Да, это было давно. нет, это была авария, я имею в виду, что это было просто так бывает. [Колби] Да, он тяжело сражался, и это просто как бы столкнули в канаву и там ничего не было так что он упал назад, но да, поговорите с нами немного о та сцена, которую вы сделали после падения, а затем вставая, как это было стрелять? я запомню это довольно технический с точки зрения ударов и как долго они должны длиться, так что это было почти, это было у меня на уме когда мы снимали это, я просто думаю, что просто пытался сделать это как исключить действие из уравнения просто искренне наматываюсь в основном вы знаете, потому что вы упали на землю задом наперед Hungarian: így aztán valahogy lenyomják ez az árok. [Toby] igen, elárasztottak igen. [Colby] kapsz elárasztották és viccelődtünk, azt hiszem, az egyik podcastunkban viccelődtünk, akinek valakinek el kellett volna érnie Aethelred már régen a tarkójába került . [Toby] igen sokáig jött. nem, ez egyfajta baleset volt, úgy értem csak ez történik. [Colby] igen nehéz volt a csatában, és ez valahogy az árokba tolták, és nem volt ott semmi, ezért elesett vissza, de igen, beszéljen velünk egy kicsit az a fajta uh shell sokkjelenet , amit ősszel és akkor csináltál visszaállni, hogy kellett ezt lőni? emlékszem rá mivel meglehetősen technikai a ütemeket és mennyi ideig kellett tartaniuk, ez majdnem ez volt a fejemben amikor forgattuk, azt hiszem, csak megpróbáltam elkészíteni úgy, hogy a színészetet kiveszi az egyenletből csak őszintén tekercselem magam alapvetően tudod, mert egy tényleges zuhanást a földre veszel visszafelé Arabic: ثم يتم دفعك إلى أسفل نوعًا ما هذا الخندق. [توبي] أجل ، لقد هجرت ، أجل. [كولبي] تحصل عليه تخلى ومازحنا ، أعتقد أننا كنا نمزح في أحد ملفات البودكاست التي كان يجب أن يضربها شخص ما ايثيلريد في مؤخرة الرأس منذ زمن طويل . [توبي] نعم لقد مر وقت طويل. لا ، لقد كان نوعًا من الحوادث أعني أنه كان كذلك فقط ما يحدث. [كولبي] نعم ، كان يخوض المعركة بقوة تم دفعه نوعًا ما إلى الحفرة ولم يكن هناك شيء هناك فسقط رجوع ولكن نعم تحدث إلينا قليلاً عن هذا النوع من مشهد اهتزاز الصدفة الذي فعلته من الخريف وبعد ذلك العودة إلى الوراء كيف كان ذلك للتصوير؟ أتذكرها كونها تقنية تمامًا من حيث يدق وكم من الوقت يحتاجون إلى الاستمرار حتى كان ذلك تقريبًا ، كان ذلك في ذهني عندما كنا نطلق النار ، أعتقد أنني فقط حاولت صنعه من أجل إخراج التمثيل من المعادلة بواسطة فقط بصدق لف نفسي بشكل أساسي أنت تعلم لأنك تأخذ السقوط الفعلي على الأرض إلى الوراء Chinese: 所以你会被压低 这个沟。[托比] 是的,我被抛弃了。[Colby]你懂了 沟渠 我们开玩笑了,我想我们在某人 的播客中开玩笑了 很久以前,Aethelred在脑后 。 [托比]是的,这已经很长时间了。不, 这是一种意外,我的意思是 只是发生了。[Colby] 是的,他在战斗中努力奋斗, 有点被推入沟里 ,那里什么也没有,所以他跌倒了 返回, 但是是的,请和我们谈谈 你从秋天开始的那种呃壳震动场景 重新起来 拍摄该如何拍摄?我记得 在技​​术方面 拍子和它们需要持续多长时间, 所以几乎就在我心中 当我们拍摄时, 我只是想 它作为 承购作用方程出来 基本上只是真正地缠绕自己 你知道,因为你实际上倒倒 在地上 French: alors vous êtes en quelque sorte poussé vers le bas ce fossé. [Toby] ouais, j'ai été abandonné ouais. [Colby] vous obtenez abandonné et nous avons plaisanté je pense que nous avons plaisanté dans l'un de nos podcasts que quelqu'un aurait dû frapper Aethelred à l'arrière de la tête il y a longtemps. [Toby] ouais, c'était long à venir. non c'était une sorte d'accident je veux dire que c'était juste ça arrive. [Colby] ouais il allait dur au combat et ça il a juste été poussé dans le fossé et il n'y avait rien alors il est tombé de retour mais ouais parle-nous un peu de ce genre de scène de choc d'obus que tu as faite depuis la chute et ensuite se relever comment était-ce pour tirer? je m'en souviens étant assez technique en termes de battements et combien de temps ils devaient durer pour que c'était presque, c'était dans mon esprit quand on le tournait, je pense juste que j'ai juste essayé de faire comme de retirer l’action de l’équation en juste vraiment m'enroulant fondamentalement vous savez parce que vous prenez une véritable chute au sol à l'envers English: so then you kind of get pushed down into this ditch. [Toby] yeah I got ditched yeah. [Colby] you get ditched and we joked I think we joked in one of our podcasts somebody should have hit Aethelred in the back of the head a long time ago. [Toby] yeah it was a long time coming. no it was a kind of accident I mean it was just it happens. [Colby] yeah he was going hard in battle and it just kind of got pushed into the ditch and there was nothing there so he fell back but yeah talk to us a little bit about that kind of uh shell shock scene that you did from the fall and then getting back up how was that to shoot? I remember it being quite technical in terms of the beats and how long they needed to last so that was almost, that was on my mind when we were shooting it I just I think I just tried to make it as to take acting out of the equation by just genuinely winding myself basically you know because you take an actual fall to the ground backwards Portuguese: não batendo na minha cabeça, mas apenas genuinamente bater no chão que meio que cuida do fisicalidade disso exatamente Eu não sei o que mais eu lembro, eu meio que Eu gosto de ficar na sujeira um pouco você sabe, ok, como ficando realmente muito físico e então acho que machuquei minha perna por um pouco ou algo enquanto estávamos filmando essa sequência, nada importante, mas realmente como obter sujeira sob suas unhas e subindo aquela colina há algo realmente muito satisfatório sobre isso quando você não tem que fingir quando está realmente acontecendo e também há especialmente com batalhas de tiro e coisas como nunca há tempo suficiente para fazer alguma coisa e então ok estou fazendo um monte de tomadas, você sabe, consecutivas e meio que se colocando um pouco no limite, não em qualquer tipo de maneira, mas apenas estressando colocando estresse no corpo por como eu não sei 40 minutos ou algo assim bastante intensamente é bastante satisfatório, Chinese: 没有打我的头,只是 真的 触及地面的那种 照顾 它的肉体 准确 我不知道 我还记得什么 我喜欢 有点像泥土,你知道像 真的变得非常非常的身体 ,所以我觉得我的腿受伤了 拍摄时一点点或某些东西 那个顺序,没什么 大不了,但实际上有点像 指甲下的泥土和 那座小山上的乱石 事情真的很满足大约 是 当你不必假装它 真的发生时 也 有与战斗射击是特别 好像没有足够的时间 做任何事情 好吧,我要花很多时间 背对背知道 并让自己通过 振铃器一点也不严重 方式,但只是 强调把压力放在 像 我不知道40分钟之类的身体 相当强烈 那感觉相当满意, Hungarian: nem a fejemet üti, hanem csak őszintén földet érve az a fajta gondoskodik a fizikussága pontosan Nem tudom, mire emlékszem még Szeretek egy kicsit a piszokba kerülni, és úgy tudja, hogy rendben van tényleg nagyon fizikai, és ezért azt hiszem, megsérült a lábam a egy kicsit, vagy valami ilyesmi, miközben forgattunk ez a szekvencia, semmi nagy, de valójában olyan, mint a megszerzés piszok a körmöd alatt, és felkapargatod azt a dombot ott valami igazán kielégítő ebben amikor nem kell színlelned, amikor ez valóban megtörténik, és ott is van főleg lövöldöző csatákkal és ilyesmi soha nincs elég idő bármire és így oké, rengeteget csinálok, és visszavisz és valamennyire átengeded magad a csengőnek, nem akármilyen komolyan módon, de csak hangsúlyozva, hogy a stressz a olyan, mintha nem tudnék 40 percet, vagy ilyesmi elég intenzíven elégedettnek érzi magát, French: ne pas me frapper la tête mais vraiment frapper le sol qui prend soin de la physicalité de celui-ci exactement Je ne sais pas de quoi je me souviens d'autre J'aime être un peu comme dans la boue, tu sais bien comme devenir vraiment vraiment vraiment physique et donc je pense que je me suis blessé à la jambe un un peu ou quelque chose pendant que nous tournions cette séquence, rien de majeur mais en fait un peu comme obtenir de la saleté sous vos ongles et grimpant sur cette colline il y a quelque chose de vraiment très satisfaisant à ce sujet quand vous n'avez pas à faire semblant quand cela se produit vraiment et il y a aussi surtout avec les batailles de tir Et des trucs il n'y a jamais assez de temps pour faire quoi que ce soit et ainsi ok je fais beaucoup de prises tu sais dos à dos et en quelque sorte vous mettre à travers la sonnerie un peu pas sérieusement moyen, mais juste en insistant sur le stress corps pendant comme je ne sais pas 40 minutes ou quelque chose comme ça assez intensément, c'est assez satisfaisant, English: not hitting my head but just genuinely hitting the ground that kind of takes care of the physicality of it exactly I don't know what else I remember I kind of I like getting like in the dirt a bit you know like okay like getting really really really physical and so I think I hurt my leg a little bit or some something while we were shooting that sequence, nothing major but actually kind of like getting dirt under your fingernails and scrabbling up that hill there's something really really satisfying about that when you don't have to pretend when it is really really happening and also there's especially with shooting battles and stuff there's like never enough time to do anything and so okay I'm doing a lot of takes you know back to back and kind of putting yourself through the ringer a bit not in any kind of serious way but just just stressing putting stress on the body for like I don't know 40 minutes or something quite intensely it feels quite satisfying, German: nicht meinen Kopf treffen, sondern nur aufrichtig Auf den Boden zu schlagen, kümmert sich um die Körperlichkeit davon genau Ich weiß nicht, woran ich mich sonst noch erinnere Ich mag es, ein bisschen wie im Dreck zu werden , wie du weißt Ich werde wirklich sehr, sehr körperlich und denke, ich habe mir das Bein verletzt ein bisschen oder so, während wir drehten Diese Sequenz ist nichts Besonderes, aber eigentlich so etwas wie zu bekommen Dreck unter deinen Fingernägeln und krabbelt den Hügel hinauf, den es gibt etwas wirklich sehr befriedigendes daran wenn Sie nicht so tun müssen, als ob es wirklich wirklich passiert und Auch gibt es vor allem bei Schießschlachten und so, es gibt nie genug Zeit , um irgendetwas zu tun und so Okay, ich mache eine Menge Takes, die du Rücken an Rücken kennst und sich ein bisschen durch den Wecker zu stellen, ohne ernsthaft zu sein Weg, aber nur Stress zu betonen Körper für wie ich weiß nicht 40 Minuten oder so ziemlich intensiv fühlt es sich ziemlich befriedigend an, Arabic: لا تضرب رأسي ولكن فقط بصدق يضرب هذا النوع من الأرض يعتني بـ الجسدية منه بالضبط لا أعرف ما الذي أتذكره أيضًا أنا أحب الحصول على الأوساخ قليلاً كما تعلم مثل حسنًا أصبح جسديًا حقًا حقًا ولذا أعتقد أنني آذيت ساقي أ قليلاً أو شيء ما أثناء التصوير هذا التسلسل ، لا شيء مهم ولكن في الواقع مثل الحصول عليه الأوساخ تحت أظافرك والخربش فوق ذلك التل هناك شيء مرضي حقًا حيال ذلك عندما لا تضطر إلى التظاهر عندما يحدث ذلك حقًا و هناك أيضًا خاصة في معارك الرماية والأشياء لا يوجد وقت كافٍ لفعل أي شيء وهكذا حسنًا ، أنا أفعل الكثير من الأمور التي تأخذك إلى الوراء ونوع من وضع نفسك من خلال المسابقة قليلاً وليس في أي نوع من الجدية الطريقة ولكن مجرد التأكيد على وضع الضغط على الجسد لمثل لا أعرف 40 دقيقة أو شيء من هذا القبيل بشكل مكثف جدًا ، إنه يشعر بالرضا تمامًا ، Russian: не ударился головой, а просто искренне ударяясь о землю, это заботится о физичность этого точно Я не знаю, что еще я помню, я вроде как Мне нравится немного влезать в грязь, ты знаешь, как хорошо, как становится действительно очень физически, и поэтому я думаю, что повредил ногу немного или что-то еще, пока мы снимали эта последовательность, ничего особенного, но на самом деле вроде как получение грязь под ногтями и взбираясь на холм, что-то действительно действительно приятное в этом когда не нужно притворяться, когда это действительно происходит и также есть особенности стрельбы по боям и прочее, времени на что-то никогда не хватает и так хорошо, я делаю много дублей, ты знаешь, спина к спине и как бы немного заговорить о себе, не в чем-то серьезном способ, но просто подчеркивая, тело, как будто я не знаю 40 минут или около того довольно сильно это чувствуется вполне удовлетворительно, Spanish: no golpearme la cabeza, pero de verdad golpear el suelo que se encarga de la fisicalidad de eso exactamente No sé qué más recuerdo, algo así como Me gusta meterme un poco en la tierra , sabes como está bien como ponerme realmente realmente muy físico y por eso creo que me lastimé la pierna un poco o algo mientras estábamos filmando esa secuencia, nada importante, pero en realidad es como obtener suciedad debajo de las uñas y subiendo esa colina hay algo realmente muy satisfactorio sobre eso cuando no tienes que fingir cuando realmente está sucediendo y también hay especialmente en las batallas de tiro y cosas como que nunca hay tiempo suficiente para hacer nada y así Está bien, estoy haciendo muchas tomas, sabes, espalda con espalda y como ponerte en el timbre un poco, no en ningún tipo de seriedad pero solo enfatizando poner estrés en el cuerpo por como no sé 40 minutos o algo así muy intensamente se siente bastante satisfactorio, Spanish: especialmente porque siempre he pasado mucho tiempo sentado en un trono y decir hola, sí. [Colby] definitivamente fue genial para verte en acción y como dijimos antes tú también te ves bien sabes como creo que lo hacen un poquito de cámara lenta pero como tirar la espada hacia arriba y hacia abajo se ve genial, sí, sí, eso resultó bien y luego volvimos a la increíble actuación y no creo que haya visto antes a ningún personaje con tal un cambio como en los últimos momentos de su arco tanto como Aethelred había entrado en el episodio cinco, tal vez solo en general hablar sobre su enfoque en comparación con después te golpearon en la cabeza en comparación con antes. [Toby] sí lo estaba Realmente agradecido a los escritores por dame esas escenas. fue un giro tan agradable y creo que me refiero a que fue cuando estaba trabajando en el Hungarian: különösen azért, mert mindig annyi időt töltöttem, mintha trónon ültem volna és köszönni, igen. [Colby] határozottan klassz volt hogy lássalak az akcióban, és mint korábban mondtuk, te is jól nézel ki tudod, mint azt hiszem, csinálnak egy kicsit lassított felvétel, de akár a kardot is feldobja remekül néz ki igen igen jó lett aztán visszatértünk a fantasztikus színészi játékra és nem hiszem, hogy láttam volna még ilyen karaktert változást, mint az utolsó pillanatokban az ív amennyit Aethelred az ötödik epizódba ment, talán csak általánosságban beszéljen a megközelítéséről a későbbiekhez képest a korábbihoz képest fejbe ütött . [Toby] igen igazán hálás az íróknak add nekem azokat a jeleneteket. olyan szép fordulat volt és azt hiszem, ez valahogy azt jelenti, hogy akkor voltam, amikor a English: especially because I've always spent so much time sort of sitting on a throne and saying hello yeah. [Colby] it was definitely cool to see you in the action and like like we said earlier you look good too you know like I think they do a little bit of slow motion but like throw the sword up slash down it look great yeah yeah that turned out good and then we switched back to the awesome acting and I don't think I've seen any characters before have such a change in like the last moments of their arc as much as Aethelred had going into episode five maybe just generally talk about your approach compared to after you got hit in the head compared to before. [Toby] yeah I was really really grateful for the writers to give me those scenes. it was such a nice turn and I think it kind of I mean that was when I was working on the Russian: особенно потому, что я всегда проводил так много времени, сидя на троне и поздороваться, да. [Колби] это было определенно круто видеть вас в действии и, как мы уже говорили ранее, вы тоже хорошо выглядите ты знаешь, как я думаю, они немного медленного движения, но как бросить меч вверх, разрезать вниз Выглядит отлично, да, получилось хорошо а затем мы вернулись к потрясающей игре и я не думаю, что видел раньше у персонажей такие изменение в последних моментах их дуги столько, сколько Этельред входил в пятый эпизод, может быть, просто расскажите о своем подходе по сравнению с тем, что было после тебя ударили по голове по сравнению с тем, что было раньше. [Тоби] да, я был действительно очень благодарен писателям дай мне эти сцены. это был такой хороший поворот и я думаю, я имею в виду, что это было, когда я работал над French: surtout parce que j'ai toujours passé tellement de temps à m'asseoir sur un trône et dire bonjour ouais. [Colby] c'était vraiment cool pour vous voir dans l'action et comme nous l'avons dit plus tôt, vous avez l'air bien aussi tu sais comme je pense qu'ils font un peu de ralenti mais comme jeter l'épée en haut slash down ça a l'air super ouais ouais ça s'est avéré bien Et puis nous sommes retournés au jeu d' acteur génial et je ne pense pas avoir vu de personnages avant un changement comme les derniers instants de leur arc autant qu'Aethelred était entré dans l' épisode cinq peut-être juste généralement parlez de votre approche par rapport à après vous avez été frappé à la tête par rapport à avant. [Toby] ouais j'étais vraiment très reconnaissant aux écrivains de donne-moi ces scènes. c'était un si beau tour et je pense que c'est un peu je veux dire que c'était quand je travaillais sur le Chinese: 特别是因为我一直花 很多时间坐在宝座上 并打个 招呼 [Colby]绝对很棒 看到你的动作, 就像我们前面说的,你看起来也很好 你知道 我想他们会做一点 慢动作,但喜欢把剑 高高砍倒 看起来很棒,是的,结果 很好 然后我们切换回了不起的 表演 而且我认为我以前没有看过任何 角色 在这样的最后时刻改变 其弧形 与Aethelred进入 第五集一样多 说说 你的方法比事后 与以前相比,您的头部受到打击。[托比]是的,我当时 真的非常 感谢作家们 给我这些场面。 真是个好转 我认为这是 我当时在从事 Arabic: خاصة لأنني كنت دائمًا أقضي الكثير من الوقت في الجلوس على العرش وقول مرحبا نعم. [كولبي] كان رائعًا بالتأكيد لرؤيتك في الحدث ومثلما قلنا سابقًا ، تبدو جيدًا أيضًا أنت تعرف كما أعتقد أنهم يفعلون ذلك قليلاً من الحركة البطيئة ولكن مثل رمي السيف مائل يبدو رائعًا ، نعم ، اتضح أنه جيد ثم عدنا إلى التمثيل الرائع ولا أعتقد أنني رأيت أي شخصيات من قبل لديها مثل هذا تغيير في مثل اللحظات الأخيرة من قوسهم بقدر ما دخلت Aethelred في الحلقة الخامسة ربما بشكل عام التحدث عن نهجك مقارنة بما بعد أصبت في رأسك مقارنة بالسابق. [توبي] نعم كنت حقًا ممتن حقًا للكتاب أعطني تلك المشاهد. لقد كان مثل هذا المنعطف الجميل وأعتقد أن هذا كان نوعًا ما عندما كنت أعمل على German: vor allem, weil ich immer so viel Zeit damit verbracht habe , auf einem Thron zu sitzen und hallo sagen ja. [Colby] es war definitiv cool Um dich in der Action zu sehen und wie wir bereits sagten, siehst du auch gut aus Sie wissen, wie ich denke, dass sie ein bisschen tun von Zeitlupe, aber wie das Schwert nach oben werfen Schrägstrich nach unten es sieht toll aus yeah yeah das hat sich als gut herausgestellt und dann wechselten wir zurück zum großartigen Schauspiel und ich glaube nicht, dass ich jemals zuvor Charaktere gesehen habe eine Veränderung wie in den letzten Augenblicken ihres Bogens so viel wie Aethelred in die fünfte Episode gegangen war, vielleicht nur allgemein Sprechen Sie über Ihren Ansatz im Vergleich zu danach Du wurdest im Vergleich zu früher am Kopf getroffen . [Toby] Ja, das war ich wirklich sehr dankbar für die Autoren Gib mir diese Szenen. Es war so eine schöne Wendung und ich denke, ich meine, das war, als ich an der gearbeitet habe Portuguese: especialmente porque eu sempre passei muito tempo meio que sentado em um trono e dizendo olá, sim. [Colby] foi definitivamente legal para ver você em ação e, como dissemos antes, você também está bonito você sabe como eu acho que eles fazem um pouco de câmera lenta, mas como jogar a espada para cima corte para baixo parece ótimo, sim, ficou bom e então voltamos para a atuação incrível e acho que nunca vi nenhum personagem antes uma mudança como os últimos momentos de seu arco tanto quanto Aethelred tinha entrando no episódio cinco, talvez apenas geralmente fale sobre sua abordagem em comparação com depois você foi atingido na cabeça em comparação com antes. [Toby] sim, eu estava muito, muito grato aos escritores por dê-me essas cenas. foi uma virada tão legal e acho que quero dizer que foi quando eu estava trabalhando no Chinese: 角色 试图弄清楚是什么促使了这一点 男人,我想到 最后你会看到什么 是 我尝试在内部解决的那种内部问题 开始,他 基本上是一个害怕的男孩,害怕 里面的孩子 真的真的很害怕死亡, 所以是的,开始探索 这并不是证明他的行为合理 但这说明 了一个男人是怎么这样的 运作 ,是的,这真的 真的...很高兴结束 真的很安静, 尤其是因为 你要去表演, 那是一种你知道的死亡或 这是 它绝对是终点,它的结束 真实的东西, 你已经工作了很长时间的东西 French: personnage essayant de comprendre ce qui motive cela mec je pense que le tour à la fin ce que tu as voir est le genre de chose interne que j'ai essayé de travailler au début qui est qu'il est fondamentalement un garçon terrifié, terrifié enfant à l'intérieur qui a vraiment vraiment peur de mourir et Alors oui, je commence à explorer que ce n'est pas comme si cela justifiait son comportement mais ça explique un peu comment un mec aime ça fonctionne et oui c'était vraiment vraiment ... c'était vraiment sympa de finir sur un note vraiment calme surtout car quand vous quittez un spectacle c'est une sorte de mort que vous connaissez ou c'est à la fin c'est définitivement, c'est la fin de quelque chose de réel, quelque chose sur lequel vous avez travaillé pendant assez longtemps Portuguese: personagem tentando descobrir o que motiva isso cara, eu acho que vira no final o que você consegue ver é o tipo de coisa interna que tentei trabalhar no começando que é basicamente um menino apavorado, apavorado criança por dentro que está realmente com muito medo de morrer e então sim começar a explorar que não é como se isso justificasse seu comportamento mas explica um pouco como um cara assim opera e sim foi realmente realmente ... foi muito bom terminar em um nota realmente tranquila , especialmente porque quando você está deixando um show , é uma espécie de morte que você conhece ou é o fim é definitivamente, é o fim de algo real, algo em que você trabalhou por muito tempo Hungarian: karakter próbálja kitalálni, mi motiválja ezt ember szerintem a végén forduljon meg, amit meglát az a fajta belső dolog, amelyet megpróbáltam kidolgozni a kezdetben, hogy alapvetően rémült fiú, retteg gyermek, aki tényleg nagyon fél, hogy meghal és szóval igen, egyre jobban felfedezem, hogy nem ez igazolja a viselkedését de egy kicsit megmagyarázza, hogy egy srác hogyan működik, és valóban volt nagyon ... nagyon jó volt a igazán csendes hang, különösen azért, mert mikor otthagysz egy műsort, ez egyfajta halál, amit ismersz vagy ez a végén ez biztosan, ez a vége valamiből valójában, valamiből, amin már régóta dolgoztál Russian: персонаж пытается понять, что движет этим чувак, я думаю, в конце концов, что ты увидишь это та внутренняя вещь, которую я пытался проработать на начало, которое состоит в том, что он в основном напуганный мальчик, напуганный ребенок внутри, который действительно очень боится умереть и так что да, я узнаю, что это не оправдывает его поведение но это немного объясняет, как такой парень работает и да, это было действительно правда ... было действительно приятно закончить действительно тихая нота, особенно потому что когда вы покидаете шоу, это своего рода смерть, которую вы знаете или это в конце, это определенно, это конец чего-то реального, над чем вы работали довольно долгое время English: character trying to figure out what motivates this man I think the turn at the end what you get to see is the kind of internal thing that I tried to work out at the beginning which is that he's basically a terrified boy, terrified child inside who is really really really scared to die and so yeah getting getting to explore that it's not like it justifies his behavior but it explains a little bit of how how a guy like that operates and yeah it was really really... it was really nice to end on a really quiet note especially because when you're leaving a show it is a kind of a death you know or it's at the end it's definitely, it's the end of something for real, something that you've worked on for quite a long time German: Charakter versucht herauszufinden, was dies motiviert Mann ich denke die Wende am Ende was man zu sehen bekommt ist die Art von innerer Sache, die ich versucht habe, an der zu arbeiten Anfang ist, dass er im Grunde ein verängstigter Junge ist, verängstigt Kind im Inneren, das wirklich wirklich wirklich Angst hat zu sterben und Also ja, um herauszufinden, dass es nicht so ist, als würde es sein Verhalten rechtfertigen aber es erklärt ein bisschen, wie so ein Typ so ist arbeitet und ja es war wirklich wirklich ... es war wirklich schön, mit einem zu enden wirklich leise Notiz vor allem, weil wenn Du verlässt eine Show, es ist eine Art Tod, den du kennst oder Es ist am Ende, es ist definitiv das Ende von etwas wirklichem, etwas, an dem Sie schon ziemlich lange gearbeitet haben Arabic: شخصية تحاول معرفة ما الذي يحفز هذا يا رجل أعتقد أن الدور في النهاية ما ستراه هو نوع الشيء الداخلي الذي حاولت العمل به في البداية وهي أنه في الأساس صبي مرعوب ومذعور داخل الطفل الذي هو حقا خائف حقا من الموت و حسنًا ، الحصول على استكشاف أن الأمر لا يبرر سلوكه لكنه يشرح قليلاً كيف رجل مثل هذا يعمل ونعم كان حقًا حقًا ... كان من الجيد حقًا أن ينتهي بـ ملاحظة هادئة حقًا خاصةً لأن متى عندما تغادر عرضًا ، فهذا نوع من الموت الذي تعرفه أو إنها في النهاية إنها بالتأكيد ، إنها النهاية من شيء حقيقي ، شيء عملت عليه لفترة طويلة Spanish: personaje tratando de averiguar qué motiva este hombre, creo que el giro al final es lo que puedes ver es el tipo de cosa interna que traté de resolver en el principio, que es básicamente un niño aterrorizado, aterrorizado niño por dentro que realmente tiene mucho miedo de morir y así que sí, poder explorar que no es como si justificara su comportamiento pero explica un poco cómo un tipo así opera y sí fue realmente realmente ... fue realmente agradable terminar en un nota muy tranquila , especialmente porque cuando estás dejando un programa es una especie de muerte que conoces o es al final es definitivamente, es el final de algo real, algo en lo que has trabajado durante bastante tiempo German: und etwas, von dem du weißt, dass ich jeden liebe Das funktioniert in dieser Show, Besetzung und Crew. Wir haben eine tolle Zeit damit sich auf diese Weise irgendwie verabschieden zu können Ich war wirklich dankbar dafür, dass ich nicht nur wusste, dass wenn wenn ich nur in diesem Graben gestorben wäre und Ich muss mich nicht von allen verabschieden. [Colby] Ja auf jeden Fall und es war definitiv auch wirklich gut gemacht, es fühlte sich organisch an Es fühlte sich nicht so an, als wäre er jetzt nett, weil Es gibt immer noch das Hin und Her zwischen ihm und seiner Frau Aethelflaed und Ja, es war wirklich gut. was war ... Ja, ich glaube nicht, dass er nett war. Ich glaube, er hatte Angst, du weißt, dass er es war vor allem, wenn in dieser Zeit leben Angst vor Feuer und Schwefel nur auf der anderen Seite Seite des Todes kennen Sie das wartende Urteil oder ich meine Ich bin mir eigentlich nicht sicher, was das christliche Verständnis der Hölle ist war, aber ich bin mir sicher, dass es nicht großartig war. [Colby] Ich denke sie Spanish: y algo tu sabes que amo a todos que trabaja en ese programa, elenco y equipo, lo pasamos de maravilla trabajando en él para poder decir adiós de esa manera Estaba muy agradecido por eso , no solo sabías que si si solo muriera en esa zanja y No tengo que decir adiós a todos. [Colby] sí definitivamente y definitivamente fue muy bien hecho también se sintió orgánico no se sentía como oh, él es bueno ahora porque todavía hay ese ida y vuelta entre él y su esposa Aethelflaed y sí, fue realmente bueno. que fue ... sí, no creo que fuera agradable, creo que estaba aterrorizado, sabes que lo estaba especialmente si vive en ese período de tiempo el miedo al fuego y al azufre solo en el otro El lado de la muerte sabes el juicio que aguarda o me refiero En realidad, no estoy seguro de qué es lo que el entendimiento cristiano del infierno fue, pero estoy seguro de que no fue genial. [Colby] Creo que Portuguese: e algo que você sabe que amo a todos que funciona naquele programa, elenco e equipe, nos divertimos muito trabalhando nisso, então para conseguir dizer adeus dessa maneira Eu estava muito grato por isso, eu não só você sabia que se se eu apenas morresse naquela vala e não tenho que dizer tchau a todos. [Colby] sim, definitivamente e foi definitivamente muito bem feito também parecia orgânico não parecia que oh ele é bom agora porque ainda há aquele vai e vem entre ele e sua esposa Aethelflaed e sim, foi muito bom. o que foi ... sim, eu não acho que ele foi legal, eu acho que ele estava apavorado, você sabe que ele era especialmente se viver nesse período de tempo, medo de fogo e enxofre apenas do outro lado da morte você conhece o julgamento à espera ou quero dizer Não tenho certeza de qual é a compreensão cristã do inferno era, mas tenho certeza de que não foi ótimo. [Colby] Eu acho que eles French: et quelque chose que tu sais j'aime tout le monde qui fonctionne sur cette émission, le casting et l'équipe, nous avons un temps incroyable à y travailler alors pour pouvoir dire au revoir de cette façon J'étais vraiment reconnaissant pour ça, je ne savais pas que si si je viens de mourir dans ce fossé et pas eu à dire au revoir à tout le monde. [Colby] ouais définitivement et c'était vraiment très bien fait aussi, c'était organique je n'ai pas l'impression qu'il est gentil maintenant parce que il y a toujours des allers-retours entre lui et sa femme Aethelflaed et ouais c'était vraiment bien. c'était quoi ... ouais je ne pense pas qu'il était gentil, je pense qu'il était terrifié tu sais qu'il l'était surtout si vous vivez pendant cette période peur du feu et du soufre juste de l'autre côté de la mort tu connais le jugement en attente ou je veux dire Je ne sais pas vraiment ce que la compréhension chrétienne de l'enfer était mais je suis sûr que je suis sûr que ce n'était pas génial. [Colby] Je pense qu'ils Arabic: وشيء تعرفه أحبه الجميع الذي يعمل على هذا العرض ، طاقم التمثيل وطاقم العمل لدينا وقت رائع في العمل عليه ليقول وداعا بهذه الطريقة نوعا ما كنت ممتنًا حقًا لأنني لم أكن تعرف ذلك فقط إذا ماتت للتو في تلك الحفرة و لا يجب أن أقول وداعا الجميع. [كولبي] أجل بالتأكيد وكان من المؤكد أنه تم بشكل جيد للغاية وشعرت أنه عضوي لم أشعر أنه لطيف الآن لأنه لا يزال هناك ذهابًا وإيابًا بينه وبين زوجته أثلفليد و نعم كانت جيدة حقًا. ماذا كان ... نعم ، لا أعتقد أنه كان لطيفًا ، أعتقد أنه كان مرعوبًا لأنك تعلم أنه كان كذلك خاصة إذا كنت تعيش في تلك الفترة الزمنية الخوف من النار والكبريت فقط من جهة أخرى جانب الموت تعرف بانتظار الحكم أم يعني لست متأكدًا في الواقع مما يفهمه المسيحيون عن الجحيم لكنني متأكد من أنه لم يكن رائعًا. [كولبي] أعتقد أنهم Russian: и кое-что ты знаешь, я люблю всех который работает в этом шоу, актеры и команда, мы прекрасно проводим время, работая над этим как бы попрощаться таким образом Я был очень благодарен за это, я не просто знал, что если если бы я просто умер в этой канаве и не надо всем прощаться. [Колби] да, конечно и это было определенно, это было просто действительно хорошо сделано, это тоже казалось органичным мне не казалось, что теперь он хороший, потому что есть еще , что назад и вперед между ним и его женой Этельфледом Мерсийской и да, это было действительно хорошо. что было ... да, я не думаю, что он был хорош, я думаю, он был напуган, ты знаешь, что он был особенно если жить в тот период страх огня и серы только с другой сторона смерти вы знаете ожидающий приговор или я имею в виду Я не совсем уверен, что такое христианское понимание ада. было, но я уверен, что было, я уверен, что это было не здорово. [Колби] Думаю, они English: and something you know I love everyone that works on that show, cast and crew we have an amazing time working on it so to kind of get to say goodbye in that way I was really grateful for that I didn't just you know that if if I just died in that ditch and not got to say bye everybody. [Colby] yeah definitely and it was definitely it was just really well done too it felt organic it didn't feel like oh he's nice now because there's still that back and forth between him and his wife Aethelflaed and yeah it was really good. what was... yeah I don't think he was nice I think he was terrified you know he was especially if living in that time period the fear of fire and brimstone just on the other side of death you know the awaiting judgment or I mean I'm not sure actually to the what the what the Christian understanding of hell was but I'm sure there was I'm sure it wasn't great. [Colby] I think they Hungarian: és valami, amit tudsz , mindenkit szeretem ami működik ezen a show-n, a stábon és a stábon, elképesztően sokat dolgozunk rajta hogy milyen get elbúcsúzni, hogy utat Nagyon hálás voltam ezért, nem csak te tudtad, ha ha csak abban az árokban haltam volna meg és nem kell mindenkitől elbúcsúznom. [Colby] Igen határozottan és határozottan csak nagyon jól sikerült, és organikusnak is tűnt nem érezte, hogy ó, most kedves, mert még mindig van ez oda-vissza közte és felesége, Aethelflaed és igen nagyon jó volt. mi volt ... igen, nem hiszem, hogy kedves volt, szerintem megrémült, tudod, hogy ő volt különösen, ha abban az időszakban él a a tûz és a kénfélelem félelme a halál oldalán tudod a várakozó ítéletet vagy úgy értem Nem vagyok biztos benne, hogy valójában mi a mi a keresztény megértés a pokolban volt, de biztos vagyok benne, biztos vagyok benne, hogy nem volt jó. Azt hiszem, ők Chinese: 而且你知道 我爱每个人 在那个节目,演员和 工作人员上工作,我们有一个很棒的时间来工作,所以 用那种 方式说再见 我真的很感激我 不只是你知道 如果我刚在那个沟里死了 不必再说了。[科尔比]耶 绝对 而且绝对是做得 很好,感觉很自然 感觉好像不对,他 现在很好,因为 还是有那来回 他和他的妻子埃塞尔弗莱德之间 是的,这真的很好。什么 ... 是的,我不认为他很好,我认为 他很害怕,你知道他是 特别是如果 住在那个时期 惧怕 火和硫磺 你知道死亡的一面,或者我的意思是 我不确定 到底基督徒对地狱的理解是什么 是,但是我敢肯定 那是不对的。[科尔比]我认为他们 Chinese: 像 牧师一样在节目中提到地狱 是的,所以是恐怖,我绝对是对象 恐怖 显然还有 大脑的肿胀,我敢肯定 一些重要的方面受到压力。 谈到杰米· 布莱克利(Jamie Blackley),Eardwulf进来了,他 实际上因为杀死你而站起来,然后杀死 了你的女儿和Aethelflaed 你老婆 是的,他怎么杀了 你在那里?他喜欢扭曲你的... [托比]到底是什么 他死的原因。[史蒂夫]是 的 在那杀人?就像他喜欢把 你逼死? 就像止血带的效果,我就像哦, 他像止血带一样扭曲 在他的头上。[托比]是的,我的意思是那张 桌子上的所有物品 他选择了流氓选择,你 知道吗?我确定有 我的意思是我想 他想让它看起来像是 意外,虽然这可能是一场 意外,但他不只是想喜欢 Hungarian: pokolra utalott egy csomót a show-ban, mint a papok igen, így igen a terror, abszolút objektum a terror és nyilván az agy duzzanata is , biztos vagyok benne, hogy sok volt nyomás nehezedik néhány fontos bitre. erről szólva Jamie Blackley, bejön Eardwulf és ő valójában megöl, amiért felálltál a lányod és Aethelflaed mellett a feleséged igen, hogyan ölte meg te ott? tetszett neki csavarni a ... [Toby] pontosan mi volt az halálának oka. [Steve] igen, mi volt a mechanizmusa ott gyilkolni? és tetszett neki , hogy halálra csavarja? mint egy tornaeffektus, olyan voltam, mintha ó lenne, mint a tekercs, mint a torna a fején. [Toby] igen , az asztal összes eleméből értem elment a szélhámos választással, amit tud? Biztos vagyok benne Azt hiszem, azt akarta, hogy úgy nézzen ki, mintha egy baleset, bár olyan baleset lehetett, amelyet nem csak szeretett volna Arabic: أشار إلى الجحيم حفنة في العرض مثل الكهنة نعم ، نعم الرعب أنا أعترض على الرعب المطلق ومن الواضح أيضًا تورم الدماغ ، أنا متأكد من وجود الكثير منه يتم الضغط على بعض الأجزاء المهمة. يتحدث عن ذلك أيضًا جيمي بلاكلي ، يأتي إاردولف وهو في الواقع يقتلك لوقوفه ثم لابنتك وثيلفلد نعم زوجتك كيف قتل أنت هناك؟ هل يحب أن يحرف ... [توبي] ما كان بالضبط سبب وفاته. [ستيف] نعم ما كانت آلية القتل هناك؟ حسنًا ، هل أحب أن يلفك حتى الموت؟ مثل تأثير العاصبة كنت مثل يا إنه مثل التواء مثل العاصبة على رأسه. [توبي] نعم أعني من بين كل العناصر الموجودة على تلك الطاولة ذهب مع الخيار المحتال الذي تعرفه؟ أنا متأكد من وجود أعني أعتقد أنه أراد أن يبدو وكأنه كان على الرغم من أنه كان من الممكن أن يكون حادثًا لا يريده فقط German: verwies auf die Hölle ein Haufen in der Show wie die Priester ja so yeah Terror ich absolute Objekt Terror und natürlich auch die Schwellung des Gehirns Ich bin mir sicher, dass es viel gab Druck auf einige der wichtigen Teile. Apropos auch Jamie Blackley, Eardwulf kommt herein und er tötet dich tatsächlich dafür, dass du für deine Tochter und für Aethelflaed aufgestanden bist deine Frau ja, wie hat er getötet? Du da drüben? Hat er es gemocht, deine ... [Toby] zu verdrehen, was genau das war? Ursache seines Todes. [Steve] Ja, was war der Mechanismus von dort töten? Na wie hat er dich gerne zu Tode verdreht? Wie ein Tourniquet-Effekt war ich wie oh, er ist wie ein Tourniquet auf seinem Kopf. [Toby] Ja, ich meine von allen Gegenständen auf diesem Tisch Er hat sich für die Wahl eines Schurken entschieden, weißt du ? Ich bin mir sicher, dass es das gab Ich meine, ich denke, er wollte, dass es so aussieht, als wäre es ein Unfall, obwohl es ein Unfall gewesen sein könnte, den er nicht nur mögen wollte Spanish: hizo referencia al infierno un grupo en el programa como los sacerdotes sí, sí, terror, objeto absoluto, terror y obviamente también la hinchazón del cerebro, estoy seguro de que hubo una gran cantidad de se ejerce presión sobre algunas de las partes importantes. hablando de eso también Jamie Blackley, Eardwulf entra y él en realidad te mata por defender a tu hija y a Aethelflaed tu esposa si que como mato ¿tú allí? ¿Le gustó torcer tu ... [Toby] cuál era exactamente el causa de su muerte. [Steve] sí, ¿cuál fue el mecanismo de matando allí? bueno, ¿le gustaba retorcerte hasta la muerte? como un efecto de torniquete yo estaba como oh él es como retorcerse como el torniquete en su cabeza. [Toby] sí, me refiero a todos los elementos de esa mesa se fue con la elección pícara, ¿ sabes? Estoy seguro que hubo Quiero decir, supongo que quería que pareciera que era un accidente, aunque podría haber sido un accidente, no solo quería que le gustara Russian: упомянул ад кучу в шоу, как священники да, так что да, ужас, я категорически возражаю против террора и, очевидно, также опухоль мозга, я уверен, что было много давление оказывается на некоторые важные части. Кстати, об этом Джейми Блэкли, входит Эардвульф и он на самом деле убивает тебя за то, что ты встаешь тогда за свою дочь и за Этельфлед твоя жена да что как он убил ты там? он любил крутить твои ... [Тоби], что именно было причина его смерти. [Стив] да, каков был механизм убивая там? ну как он любил тебя до смерти закручивать? как эффект жгута, я был похож на то, что он скручивает, как жгут на его голове. [Тоби] Да, я имею в виду из всех предметов на столе он пошел с мошенническим выбором, понимаете? Я уверен был Я имею в виду, я думаю, он хотел, чтобы это выглядело так, как будто это был несчастный случай, хотя это мог быть несчастный случай, он не просто хотел понравиться English: referenced hell a bunch in the show like the priests yeah so yeah terror I absolute object terror and obviously also the swelling of the brain I'm sure there was a lot of pressure being put on some of the important bits. speaking of that too Jamie Blackley, Eardwulf comes in and he actually kills you for standing up then for your daughter and for Aethelflaed your wife yeah what how did he kill you there? did he like twist your... [Toby] what exactly was the cause of his death. [Steve] yeah what was the mechanism of killing there? well like did he like twist you to death? like a tourniquet effect I was like oh he's like twisting like the tourniquet on his head. [Toby] yeah I mean out of all the items on that table he went with the rogue choice you know? I'm sure there was I mean I guess he wanted it to look like it was an accident although it could have been an accident he didn't just want to like Portuguese: referiu um monte de inferno no show como os padres sim, sim, terror, eu, objeto absoluto, terror e obviamente também o inchaço do cérebro, tenho certeza que houve muitos pressão sendo colocada em algumas das partes importantes. falando nisso também Jamie Blackley, Eardwulf chega e ele na verdade mata você por defender sua filha e Aethelflaed sua esposa sim o que como ele matou você aí? ele gostou de torcer seu ... [Toby] o que exatamente era o causa de sua morte. [Steve] sim, qual era o mecanismo de matando lá? bem como se ele gostasse de torcer você até a morte? tipo um efeito de torniquete, eu pensava: oh, ele está se torcendo como o torniquete na cabeça dele. [Toby] sim, quero dizer, de todos os itens da mesa ele foi com a escolha desonesta, sabe? Tenho certeza que havia Quer dizer, eu acho que ele queria que parecesse um acidente, embora pudesse ter sido um acidente que ele não queria apenas gostar French: référencé l'enfer un groupe dans la série comme les prêtres Ouais alors ouais la terreur, la terreur d' objet absolue et évidemment aussi le gonflement du cerveau, je suis sûr qu'il y avait beaucoup de pression étant exercée sur certains des éléments importants. en parlant de ça aussi Jamie Blackley, Eardwulf entre et il vous tue en fait pour avoir défendu votre fille et Aethelflaed ta femme ouais comment a-t-il tué Toi là? A-t-il aimé tordre votre ... [Toby] quel était exactement le cause de sa mort. [Steve] ouais quel était le mécanisme de tuer là-bas? Eh bien, aimait-il vous tordre à mort? comme un effet de garrot j'étais comme oh il se tord comme le garrot sur sa tête. [Toby] ouais je veux dire parmi tous les objets sur cette table il est allé avec le choix escroc tu sais? Je suis sûr qu'il y avait Je veux dire, je suppose qu'il voulait que ça ressemble à un accident alors que cela aurait pu être un accident qu'il ne voulait pas seulement aimer Russian: ударить меня ножом в лицо, что, вероятно, является вариантом Но да, я думаю, это было выдавливание мозга, ты тоже знаешь плотно. слишком напряженный мозг, недостаточно места в его череп да я на самом деле не видел что я не знаю о ... я видел это в ... Я видел это, когда делал ADR для него Я издал много шума, я издал много ужасных звуков да, я не видел его с полным миксом звука, поэтому не знаю Я уверен, что если вы вникнете в подробности, вы можно услышать, что именно, взрывается ли арбуз или ну разве не взорвался арбуз, который мы получили раньше от другого персонажа. [Тоби] да, да, о да, конечно. [Колби] но не могли бы вы поговорить немного о съемках той сцены? потому что это Portuguese: me apunhale na cara, o que provavelmente é uma opção mas sim, acho que foi um aperto no cérebro, você também sabe justa. um cérebro muito apertado, sem espaço suficiente o crânio dele sim, eu realmente não vi aquele pedaço eu não sei sobre o ... eu vi isso no ... eu vi quando estava fazendo o ADR para ele Eu fiz muitos ruídos, fiz muitos sons horríveis sim, eu não vi com a mixagem de som completa , então não sei Tenho certeza que se você entrar em detalhes, pode ouvir exatamente se é uma melancia explodindo ou bem, a melancia não explodiu, nós vimos antes de outro personagem. [Toby] sim sim, sim, claro. [Colby] mas você poderia falar um pouco sobre filmar essa cena? porque isso French: poignardez-moi au visage, ce qui est probablement une option mais ouais je pense que c'était une compression du cerveau tu sais aussi serré. un cerveau trop serré, pas assez d'espace son crâne ouais je n'ai pas vraiment vu ce peu je ne sais pas pour le ... j'ai vu ça dans le ... je l'ai vu quand je faisais l'ADR pour ça J'ai fait beaucoup de bruits, j'ai fait beaucoup de sons horribles ouais je ne l'ai pas vu avec le mixage complet donc je ne sais pas Je suis sûr que si vous y allez en détail, vous peut entendre ce que c'est exactement si c'est une pastèque qui explose ou Eh bien, la pastèque n'a-t-elle pas explosé, nous l'avons eu plus tôt d'un autre personnage. [Toby] ouais ouais oh ouais bien sur. [Colby] mais pouvez-vous parler un peu sur le tournage de cette scène? parce qu'il English: stab me in the face which is probably an option but yeah I think it was a squeezing of the brain you know too tight. too tight a brain, not enough space in his skull yeah I haven't actually seen that bit I don't know about the... I saw it in the... I saw it when I was doing the ADR for it I made a lot of noises, I made a lot of horrible sounds yeah I haven't seen it with the full sound mix so I don't know I'm sure if you go into it in detail you can hear what exactly is whether it's a it's a watermelon exploding or well wasn't the watermelon exploding we got that earlier from another character. [Toby] yeah yeah oh yeah of course. [Colby] but could you talk a little bit about filming that scene though? because it Chinese: 刺我一脸,这可能是一个 选择 但是,是的,我也认为这是 对大脑的挤压 紧。 大脑太紧,空间不足 他的头骨 是的,我实际上还没看过 那一点 我不知道...我看到了 它在... 当我在为其进行ADR时看到了它 我发出很多声音,发出很多 可怕的声音 是的,我还没有看到完整的 混音,所以我不知道 我确定您是否会详细介绍 可以听到到底是 西瓜爆炸还是西瓜爆炸 那不是我们 早先得到的西瓜爆炸了吗 从另一个角色。[托比]是的, 哦,是的,当然。[Colby]但是你能说吗 关于 拍摄那个场景有一点点吗?因为它 Hungarian: szúrjon arcomba, ami valószínűleg egy lehetőség de igen, azt hiszem, ez az agy szorítása volt, amit te is tudsz szoros. túl szoros az agy, nincs elég hely a helyben a koponyáját igen, még nem láttam azt a kicsit nem tudom a ... láttam a ... -ban láttam, amikor az ADR-t csináltam érte Sok zajt adtam ki, nagyon iszonyatos hangokat adtam ki igen, nem láttam a teljes hangkeverékkel, így nem tudom Biztos vagyok benne, hogy ha részletesen belemegy, akkor hallja, mi is pontosan, hogy ez egy görögdinnye felrobban, vagy Nos, a görögdinnye nem robbant fel, amit korábban kaptunk egy másik szereplőtől. [Toby] igen, igen, igen, természetesen. [Colby] de tudnál beszélni egy kicsit a jelenet forgatásáról? azért, mert Arabic: طعني في وجهي وهو على الأرجح خيار لكن نعم أعتقد أنه كان ضغطًا على الدماغ كما تعلمون أيضًا ضيق. دماغ ضيق للغاية ، لا توجد مساحة كافية فيه جمجمته نعم لم أرها بالفعل هذا الشيء لا أعرفه عن ... رأيته إنه في ... رأيته عندما كنت أقوم بإجراء ADR له لقد أحدثت الكثير من الأصوات ، وأصدرت الكثير من الأصوات الرهيبة نعم لم أره مع مزيج الصوت الكامل لذلك لا أعرف أنا متأكد من أنك ستدخلها بالتفصيل يمكن سماع ما هو بالضبط ما إذا كان انفجار بطيخ أم حسنًا ، لم يكن البطيخ ينفجر الذي حصلنا عليه سابقًا من شخصية أخرى. [توبي] نعم نعم نعم بالطبع. [كولبي] ولكن هل يمكنك التحدث قليلا عن تصوير هذا المشهد رغم ذلك؟ لأنه German: steche mir ins Gesicht, was wahrscheinlich eine Option ist aber ja, ich denke es war ein Quetschen des Gehirns, das du auch kennst fest. Ein zu enges Gehirn, nicht genug Platz seinen Schädel ja habe ich eigentlich nicht gesehen das bisschen weiß ich nicht über die ... die ich gesehen habe es in der ... Ich sah es , als ich für den ADR tun Ich habe viele Geräusche gemacht, ich habe viele schreckliche Geräusche gemacht Ja, ich habe es nicht mit dem vollen Soundmix gesehen, also weiß ich es nicht Ich bin sicher, wenn Sie detailliert darauf eingehen kann hören, was genau ist, ob es eine explodierende Wassermelone ist oder gut war nicht die Wassermelone explodiert wir , dass früher bekam von einem anderen Charakter. [Toby] yeah yeah oh yeah natürlich. [Colby] aber könntest du reden? ein bisschen über das Filmen dieser Szene? weil es Spanish: apuñalarme en la cara que probablemente sea una opción pero sí, creo que fue un apretón del cerebro, tú también lo sabes apretado. un cerebro demasiado apretado, no hay suficiente espacio en su cráneo, sí, en realidad no he visto ese poco que no sé sobre el ... vi lo vi en el ... lo vi cuando estaba haciendo el ADR para él Hice muchos ruidos, hice muchos sonidos horribles sí, no lo he visto con la mezcla de sonido completa, así que no lo sé Estoy seguro de que si lo entras en detalle puede oír qué es exactamente si es una sandía explotando o Bueno, ¿no explotó la sandía? Lo conseguimos antes de otro personaje. [Toby] sí sí oh sí por supuesto. [Colby] pero podrías hablar aunque un poco sobre filmar esa escena? porque Chinese: 看着我非常激动, 让我们震惊 是的,我不知道 那天我妈妈是否在那,但是我妈妈实际上 我拍摄的最后两天在布达佩斯 实际上你 知道这有点奇怪 带上你来带你妈妈去工作, 死去的日子有点奇怪。 你想来看你儿子 惨遭杀害吗?[托比]是的 我有点想尝试也许 不应该这么粗暴,因为 你知道我不认为我妈妈不想 看着我的头爆炸。[科尔比]我妈妈还是 即使她知道事情正在发生,也可能会担心。[托比]是的,我 想我是说 我真的死了 我所做的一切 和妈妈都觉得很不高兴 即使我是坏人,我 也想像妈妈一样解释 你知道我绝对应该得到的东西 角色应得的,它已经 存在了很长时间。她就像你真好 很好,这次不是你不是 混蛋 是的,我是说有 一些 实际上,很难将其 拍摄到哪里, Russian: было очень интересно смотреть и шокировать нас да, я не знаю, была ли моя мама там в тот день, но на самом деле моя мама был в Будапеште последние два дня съемок что было немного странно на самом деле вы знаете как принести к вам привести вашу маму на работу и умереть день немного странно. Вы хотите прийти посмотреть, как вашего сына жестоко убивают? [Тоби] да, именно так Я как бы пытался понравиться, может, это не должно быть так грубо, потому что ты знаешь, я не думаю, что моя мама хочет смотреть, как моя голова взрывается. [Колби] моя мама все равно волноваться, наверное, даже если бы она знала, что это действует. [Тоби] да, я думаю, я имею в виду хорошо, я действительно умираю в значительной степени все, что я делаю, и моя мама очень расстраивает даже когда я был плохим парнем, и я пытаюсь объяснить, как мама, это то, что ты знаешь, я определенно заслуживаю, мой персонаж заслуживает этого, он идет уже давно. Она такая же, как ты, такая милая хорошо, не в этот раз ты на самом деле не ублюдок да, я имею в виду, что были некоторые на самом деле было сложно снимать то, что было с этим, Spanish: fue extremadamente intenso de ver e impactante para nosotros sí, no sé si mi mamá estuvo allí ese día, pero mi mamá en realidad Estuve en Budapest durante los dos últimos días de mi rodaje. que fue un poco extraño en realidad sabes como trae para ti trae a tu mamá al trabajo y el día es un poco extraño. ¿Quieres venir a ver cómo asesinan brutalmente a tu hijo ? [Toby] sí exactamente Era como intentar que me gustara, tal vez no debería ser tan asqueroso porque me gusta sabes que no creo que mi mamá quiera ver mi cabeza explotar. [Colby] mi mamá todavía probablemente preocuparse incluso si sabía que estaba actuando. [Toby] si yo creo que quiero decir, bueno, en realidad muero en casi todo lo que hago y mi mamá lo encuentra bastante molesto incluso cuando yo era el malo y trato de explicar como mamá esto es algo que sabes que definitivamente merezco, mi El personaje se merece esto, ha estado viniendo durante mucho tiempo. Ella es como si fueras tan agradable agradable no esta vez no eres en realidad un bastardo si, quiero decir que hubo algunos En realidad, fue un poco difícil filmar que donde estaba con esto, German: war extrem intensiv zu beobachten und schockierend für uns Ja, ich weiß nicht, ob meine Mutter an diesem Tag dort war , aber meine Mutter tatsächlich war die letzten zwei Tage meiner Dreharbeiten in Budapest Das war irgendwie komisch , wie du weißt Bring zu dir Bring deine Mutter zur Arbeit und der Tag ist ein bisschen seltsam. Sie wollen kommen und sehen, wie Ihr Sohn brutal ermordet wird? [Toby] Ja genau Ich war ein bisschen wie der Versuch zu mögen, vielleicht sollte es nicht so eklig sein, weil wie Du weißt, ich glaube nicht, dass meine Mutter meinen Kopf explodieren sehen will . [Colby] meine Mutter würde immer noch Sorgen Sie sich wahrscheinlich, auch wenn sie wusste, dass es sich um eine Schauspielerei handelte. [Toby] Ja, ich Ich denke, ich meine, ich sterbe tatsächlich ziemlich genau Alles, was ich tue und meine Mutter findet es ziemlich ärgerlich Selbst als ich der Böse war und ich versuche zu erklären, wie Mama das ist etwas, von dem du weißt, dass ich es definitiv verdiene, mein Gott Charakter verdient dies, es kommt schon lange. Sie ist einfach so, als wärst du so nett Schön, dass du diesmal nicht wirklich ein Bastard bist ja , ich meine , es gab einige es war tatsächlich ziemlich schwierig, das zu drehen, wo es damit war, Arabic: كانت شديدة للغاية لمشاهدتها وصادمة لنا نعم ، أنا لا أعرف ما إذا كانت أمي موجودة في ذلك اليوم ولكن أمي في الواقع كنت في بودابست في اليومين الأخيرين من التصوير الذي كان نوعًا غريبًا في الواقع الذي تعرفه إحضار والدتك للعمل وموت يوم غريب بعض الشيء. تريد أن تأتي لترى ابنك يقتل بوحشية؟ [توبي] نعم بالضبط كنت أشبه بمحاولة الإعجاب ربما لا ينبغي أن يكون هذا مقززًا بسبب الإعجاب أنت تعلم أنني لا أعتقد أن أمي تريد أن تشاهد رأسي ينفجر. [كولبي] أمي لا تزال ربما تقلق حتى لو كانت تعلم أنه كان يتصرف. [توبي] أجل أعتقد أنني أعني جيدًا أنني أموت كثيرًا كل ما أفعله وأمي تجده مزعجًا للغاية حتى عندما كنت الرجل السيئ وأحاول أن أشرح مثل أمي شيء تعرفه أنا بالتأكيد أستحقه يا شخصية تستحق هذا أنها قادمة لفترة طويلة. إنها تمامًا كما لو كنت لطيفة جدًا جميل ليس هذه المرة أنت لست في الواقع لقيط نعم أعني أنه كان هناك بعض كان من الصعب نوعًا ما تصوير ذلك حيث يوجد مع هذا ، Portuguese: foi extremamente intenso de assistir e chocante para nós sim meu eu não sei se minha mãe estava lá naquele dia, mas minha mãe na verdade esteve em Budapeste nos últimos dois dias de minhas filmagens o que foi meio estranho, na verdade, você sabe como traga para você traga sua mãe para o trabalho e o dia da morte é um pouco estranho. você quer vir ver seu filho ser assassinado brutalmente? [Toby] sim exatamente Eu estava tentando gostar, talvez não devesse ser tão nojento, porque você sabe, eu não acho que minha mãe queira ver minha cabeça explodir. [Colby] minha mãe ainda iria preocupar-se provavelmente mesmo se ela soubesse que estava agindo. [Toby] sim eu acho que quero dizer bem, na verdade eu morro em praticamente tudo que eu faço e minha mãe acha bastante perturbador mesmo quando eu era o cara mau e estou tentando explicar como se fosse uma mãe algo que você sabe que eu definitivamente mereço, meu personagem merece isso, já vem há muito tempo. Ela é como se você fosse tão legal legal não desta vez você não é realmente um bastardo sim, quero dizer, havia algum na verdade, foi meio difícil filmar onde havia isso, French: était extrêmement intense à regarder et choquant pour nous ouais mon je ne sais pas si ma mère était là ce jour-là mais ma mère en fait était à Budapest pendant les deux derniers jours de mon tournage ce qui était un peu bizarre en fait tu sais amener votre mère au travail et le jour de la mort est un peu étrange. tu veux venir voir ton fils se faire assassiner brutalement? [Toby] ouais exactement J'étais un peu comme essayer d'aimer peut-être que ça ne devrait pas être si dégoûtant parce que comme tu sais, je ne pense pas que ma mère veuille regarder ma tête exploser. [Colby] ma mère serait toujours s'inquiéter probablement même si elle savait qu'il agissait. [Toby] ouais je Je pense que je veux dire bien je meurs en fait à peu près tout ce que je fais et ma mère trouve ça bouleversant même quand j'étais le méchant et j'essaye d'expliquer comme maman c'est quelque chose que tu sais que je mérite vraiment, mon le personnage mérite cela, il arrive depuis longtemps. Elle est juste comme tu es si gentille gentil pas cette fois tu n'es pas vraiment un salaud ouais je veux dire il y avait un certain c'était en fait assez difficile de tourner là où il y en avait avec ça, Hungarian: rendkívül intenzív volt nézni és megdöbbentő volt számunkra igen, nem tudom, hogy anyám ott volt-e azon a napon, de anyukám valójában forgatásom utolsó két napján Budapesten volt ami olyan furcsa volt, amit valójában ismersz hozd magaddal hozd anyukádat dolgozni és halj meg egy kicsit furcsa. el akarsz jönni, hogy megnézhesd a fiadat, hogy brutálisan meggyilkolják? [Toby] igen Olyan voltam, mintha megpróbáltam volna tetszeni, talán nem kellett volna ilyen durvanak lennie, mert tetszik tudod, nem hiszem, hogy anyám azt akarja nézni , ahogy felrobban a fejem. [Colby] anyám még mindig aggódj valószínűleg akkor is, ha tudta, hogy színészkedik. [Toby] igen azt hiszem, jól értem, valójában nagyjából belehalok mindent, amit csinálok, és anyám eléggé felkavarónak találja akkor is, amikor rosszfiú voltam, és megpróbálom elmagyarázni, mint anya valamit, amit tudsz, hogy mindenképpen megérdemlem, az enyém karakter ezt megérdemli, már régóta jön . Pont olyan, mintha te ilyen kedves lennél szép, nem, ezúttal nem vagy gazember igen, úgy értem, voltak ilyenek valójában nehéz volt lelőni, hogy ahol ez volt, English: was extremely intense to watch and shocking for us yeah my I don't know if my mom was there on that day but my mom actually was in Budapest for the last two days of my filming which was kind of weird actually you know like bring to you bring your mom to work and die day is a bit odd. you want to come see your son get murdered brutally? [Toby] yeah exactly I was kind of like trying to like maybe it shouldn't be this gross because like you know I don't think my mom wants to watch my head explode. [Colby] my mom would still worry probably even if she knew it was acting. [Toby] yeah I think I mean well I actually die in pretty much everything that I do and my mom finds it quite upsetting even when I was the bad guy and I'm trying to explain like mom this is something that you know I definitely deserve, my character deserves this it's been coming for a long time. She's just like you're so nice nice not this time you're not actually a bastard yeah I mean there was some it was actually kind of difficult to shoot that where there was with this, English: they had to have a stretchy bandage so that my my hair didn't actually and just getting those technical things right took a while. loads of blood yeah I think I had some what did I have I had some kind of pumping system that went through my costume and up into the that someone just quite literally with like a TNT style I want that job yeah the blood guy yeah yeah it was what can I say about that day it was gross, it was really really gross it's quite it's an odd part of your job like dying over and over again yeah over the course of the day making strange sounds and gurgling noises and you know it's kind of I think it's a Arabic: كان يجب أن يكون لديهم ضمادة قابلة للتمدد بحيث لم يكن شعري في الواقع وحصل فقط استغرقت هذه الأشياء الفنية الصحيحة بعض الوقت. الكثير من الدماء ، نعم ، أعتقد أن لدي بعضًا مما لدي نظام الضخ الذي كان يمر عبر زيتي ويصل إلى أن مجرد شخص تماما حرفيا بأسلوب TNT ، أريد هذه الوظيفة ، نعم ، الرجل الدموي نعم ، كان ما يمكنني قوله عن ذلك كان يوم كان مقرفًا ، كان حقًا مقرفًا إنه جزء غريب تمامًا من وظيفتك مثل الموت مرارًا وتكرارًا نعم على مدار اليوم يصدر أصواتًا غريبة وغرغرة الضوضاء وأنت تعلم أنها نوعًا ما أعتقد أنها أ German: Sie mussten einen dehnbaren Verband haben so dass meine meine Haare nicht wirklich und nur bekommen Diese technischen Dinge haben eine Weile gedauert. jede Menge Blut ja, ich glaube ich hatte etwas was ich hatte hatte ich irgendwie Pumpsystem, das durch mein Kostüm ging und in die dass jemand nur ganz wörtlich mit wie einem TNT-Stil will ich diesen Job ja der Blutsverwandte ja ja es war , was soll ich sagen , dass Tag war es eklig, es war wirklich sehr, sehr eklig Es ist ziemlich seltsam, dass man immer wieder stirbt Ja, im Laufe des Tages seltsame Geräusche machen und gurgeln Geräusche und du weißt, es ist irgendwie, ich denke es ist ein French: ils devaient avoir un bandage extensible de sorte que mes cheveux n'ont pas réellement et juste ces choses techniques ont pris un certain temps. beaucoup de sang ouais je pense que j'en avais ce que j'avais, j'avais une sorte de système de pompage qui a traversé mon costume et dans le que quelqu'un juste littéralement avec comme un style TNT je veux ce travail ouais le gars de sang ouais ouais c'était que puis-je dire à ce sujet jour c'était dégoûtant, c'était vraiment vraiment dégoûtant c'est assez étrange dans ton travail comme mourir encore et encore ouais au cours de la journée faisant des sons étranges et gargouillis bruits et vous savez que c'est un peu je pense que c'est un Chinese: 他们必须用 绷带包扎 所以我的头发实际上 并没有 那些 技术问题花了一段时间。 大量的血液,是的,我想我有一些 我拥有的东西 抽水系统 穿过我的服装并进入 那个人只是 字面上的 像TNT风格,我想要那份工作, 是的,血腥的家伙,是的 是啊这是我能说的 是 那天 很惨,真的很惨 这是 你工作中一个很奇怪的部分,就像一次又一次地死去 是的,在一天的过程中 发出奇怪的声音并发出咯咯声 声音,你知道这有点 像 Portuguese: eles tinham que ter uma bandagem elástica de modo que meu cabelo não realmente e apenas conseguindo aquelas coisas técnicas certas demoraram um pouco. muito sangue, sim, acho que tive algum, o que eu tinha, tive algum tipo de sistema de bombeamento que passou pela minha fantasia e subiu para o que alguém literalmente com um estilo TNT, eu quero aquele trabalho, sim, o cara de sangue, sim sim, é o que posso dizer sobre isso dia foi nojento, foi realmente nojento é uma parte estranha do seu trabalho, como morrer uma e outra vez sim ao longo do dia fazendo sons estranhos e gorgolejantes ruídos e você sabe que é meio que eu acho que é um Hungarian: nyújtózkodó kötést kellett használniuk úgy, hogy a hajam valójában nem, és csak egyre azok a technikai dolgok eltartottak egy ideig. rengeteg vér igen, azt hiszem, volt valamim, mi volt, volt valamiféle pumpáló rendszer, amely átment a jelmezemen és fel a hogy valaki csak szó szerint mint egy TNT stílus, azt a munkát akarom, igen, a vérbeli srác igen igen ez volt az, amit mondhatnék , hogy nap durva volt, tényleg nagyon durva eléggé furcsa része a munkájának, mint hogy újra és újra meghaljon igen a nap folyamán furcsa hangokat adva és gügyögve zajokat, és tudod, hogy ez valahogy szerintem a Russian: у них должна была быть эластичная повязка так что мои волосы не на самом деле и просто эти технические вещи потребовали времени. много крови да, я думаю, у меня было кое- что, что у меня было, у меня было какое-то насосная система, которая прошла через мой костюм и поднялась в что кто-то буквально буквально Как в стиле TNT, я хочу эту работу, да, кровавый парень, да да, это было что я могу сказать об этом день это было мерзко, это было действительно очень мерзко это довольно странная часть твоей работы, как умирать снова и снова да в течение дня издает странные звуки и булькает шум, и вы знаете, что это вроде как я думаю, что это Spanish: tenían que tener un vendaje elástico para que mi cabello no lo hiciera en realidad y solo se esas cosas técnicas bien tomaron un tiempo. un montón de sangre, sí, creo que tuve un poco de lo que tuve tuve algún tipo de sistema de bombeo que atravesó mi disfraz y subió al que alguien literalmente con un estilo TNT, quiero ese trabajo, sí, el tipo de sangre, sí Sí, fue lo que puedo decir acerca de que día fue asqueroso, fue realmente asqueroso es bastante, es una parte extraña de tu trabajo como morir una y otra vez sí, en el transcurso del día haciendo sonidos extraños y gorgoteando ruidos y sabes que es un poco, creo que es un Russian: это тонкая грань, что момент смерти на камеру вы знаете, иногда вы видите это в фильмах, где люди идут как Кеовульф в первой сцене ты здесь, когда он просто умирает за обеденным столом это потрясающая сцена, я ничего не забираю у этого парня это период времени, когда люди просто падают, как падают замертво. вы хотите облегчить, вы хотите очень-очень мягко уйти из жизни. выстрел, который они использовали сразу после того, как ты стал Покойный Этельред, как когда это на твоем лице, как да, это был действительно особенный объектив камеры, я никогда видел это раньше, я не знаю, чего не знаю насчет камер, я уверен, Джеймс Норткот мог бы рассказать вам, что это было, но это было действительно очень длинные и тонкие, как большинство линз такие, и это было своего рода телескоп, но так долго, и я не знаю было ли это для того , чтобы получить действительно English: it's a fine line that the the moment of death on camera you know sometimes you see it in films where people go like Ceowulf in the first scene you're in when he just dies at the dinner table it's an awesome scene I'm not taking anything away from that guy it's the time period people just like dropping just like drop dead. you want to ease, you want to ease out of life very very gently. the shot that they used like right after you become late Aethelred like when it's on your face like yeah that was this really really specific camera lens I've never seen it before I don't know what I don't know enough about cameras I'm sure James Northcote could tell you what it was but it was really really long and thin like most lenses are like this and this was like a kind of telescope but but this long and I don't know whether that was to get I guess it's to get a really German: Es ist eine feine Linie, dass der Moment des Todes vor der Kamera Sie wissen, dass Sie es manchmal in Filmen sehen, in die Leute gehen wie Ceowulf in der ersten Szene Du bist dabei, wenn er gerade am Esstisch stirbt Es ist eine großartige Szene, die ich diesem Kerl nichts wegnehme Es ist die Zeitspanne, in der Menschen gerne fallen wie tot umfallen. du willst dich entspannen, du willst dich sehr, sehr sanft aus dem Leben lösen. der Schuss, den sie direkt nach dir verwendet haben spät Aethelred wie wenn es auf deinem Gesicht ist wie Ja, das war dieses wirklich sehr spezifische Kameraobjektiv, das ich noch nie gesehen habe Ich habe es gesehen, bevor ich nicht weiß, was ich nicht genug weiß Über Kameras Ich bin sicher, James Northcote könnte Ihnen sagen, was es war, aber es war wirklich sehr lang und dünn wie die meisten Objektive sind so und das war wie eine Art Teleskop aber doch so lange und ich weiß es nicht ob das zu bekommen war, denke ich, es ist wirklich zu bekommen Hungarian: ez egy szép sor, hogy a halál pillanatát a kamera tudod, hogy néha olyan filmekben látod, ahová az emberek járnak mint Ceowulf az első jelenetben akkor van bent, amikor éppen meghal az ebédlőasztalnál fantasztikus jelenet, nem veszek el semmit ettől a fickótól ez az az időszak, amikor az emberek ugyanúgy szeretnek esni, mint elpusztulni. könnyíteni akarsz, nagyon nagyon finoman akarsz könnyíteni az életen. az a lövés, amelyet nekik tetszett, rögtön azután , hogy te lettél késő Aethelred, mint amikor az arcodon van igen, ez volt az igazán igazán speciális fényképezőgép lencséje, amit még soha láttam, mielőtt nem tudom, mit nem tudok eléggé a kamerákról biztos vagyok benne, hogy James Northcote meg tudná mondani, mi volt, de volt nagyon hosszú és vékony, mint a legtöbb objektív ilyenek, és ez olyan volt, mint egyfajta távcső, de ilyen hosszú, és nem tudom hogy ez vajon megszerezhető-e, azt hiszem, egy igazán French: c'est une ligne fine que le moment de la mort devant la caméra tu sais que parfois tu le vois dans les films où les gens vont comme Ceowulf dans la première scène tu es là quand il meurt à table c'est une scène géniale je n'enlève rien à ce mec c'est la période pendant laquelle les gens aiment simplement tomber comme des morts. vous voulez vous détendre, vous voulez vous sortir de la vie très très doucement. le coup qu'ils ont utilisé juste après que tu sois devenu fin Aethelred comme quand c'est sur ton visage Ouais c'était cet objectif de caméra vraiment très spécifique que je n'ai jamais vu avant je ne sais pas ce que je ne sais pas assez à propos des caméras, je suis sûr que James Northcote pourrait vous dire ce que c'était, mais c'était vraiment très long et fin comme la plupart des lentilles sont comme ça et c'était comme une sorte de télescope mais mais si longtemps et je ne sais pas si c'était pour obtenir, je suppose que c'est pour obtenir un vraiment Spanish: es una línea muy fina que el momento de la muerte en la cámara sabes que a veces lo ves en las películas donde va la gente como Ceowulf en la primera escena estás dentro cuando acaba de morir en la mesa de la cena es una escena increíble, no le quito nada a ese tipo es el período de tiempo que a la gente le gusta caer como si estuviera muerta. quieres relajarte, quieres salir de la vida muy, muy suavemente. la inyección que usaron justo después de que te conviertas en Aethelred tardío como cuando está en tu cara como sí, esa fue esta lente de cámara realmente muy específica que nunca lo he visto antes , no sé lo que no sé lo suficiente sobre las cámaras, estoy seguro de que James Northcote podría decirte qué era, pero realmente muy largo y delgado como la mayoría de los lentes son así y esto fue como una especie de telescopio, pero este tiempo y no sé si eso fue para conseguir , supongo que es para conseguir una Portuguese: é uma linha tênue que o momento da morte na câmera você sabe que às vezes você vê isso em filmes aonde as pessoas vão como Ceowulf na primeira cena você está dentro quando ele acaba de morrer na mesa de jantar é uma cena incrível, não estou tirando nada daquele cara é o período de tempo em que as pessoas simplesmente caem, quase mortas. você quer relaxar, você quer sair da vida com muita suavidade. a foto que eles usaram logo depois que você se tornou tarde Aethelred como quando está em seu rosto como sim, era uma lente de câmera realmente muito específica, eu nunca já vi antes não sei o que não sei o suficiente sobre câmeras, tenho certeza de que James Northcote poderia dizer o que era, mas era realmente muito longo e fino como a maioria das lentes são assim e isso era como uma espécie de telescópio, mas tão longo e eu não sei se isso foi para obter, eu acho que é para realmente Chinese: 这是一条很好的路线,那 就是相机上的死亡时刻 你知道有时候你会在 人们去的电影中看到它 像第一个场景中的Ceowulf 你在 他刚死在饭桌的时候 这是一个很棒的场景,我 什么都没拿走 这是人们就像 掉落一样死掉的时间段。 您想要轻松自在地放松 生活。 他们 成为您之后就使用的镜头 后期的Aethelred就像当它在你的 脸上 是的,这是 我从未真正使用过的非常特别的相机镜头 在 我不了解我所不知道的东西之前就看过 关于相机,我敢肯定James Northcote 会告诉你那是什么,但是那是 真的 像大多数镜片一样长而细 就像这样 ,这就像一种 望远镜, 但是这么长,我不知道 不管是得到 还是得到 Arabic: انها خط رفيع لحظة الموت على الكاميرا أنت تعرف أحيانًا أنك تراه في الأفلام حيث يذهب الناس مثل Ceowulf في المشهد الأول كنت في عندما مات للتو على مائدة العشاء إنه مشهد رائع أنا لا آخذ أي شيء بعيدًا عن هذا الرجل إنها الفترة الزمنية التي يحبها الناس تمامًا مثل السقوط. تريد أن تهدأ ، تريد أن تخفف من الحياة بلطف شديد. اللقطة التي استخدموها مباشرة بعد أن تصبح متأخر Aethelred مثل عندما يكون على وجهك مثل نعم كانت هذه عدسة الكاميرا المحددة حقًا التي لم أقم بها أبدًا رأيته من قبل لا أعرف ما لا أعرفه بما فيه الكفاية حول الكاميرات ، أنا متأكد من أن جيمس نورثكوت يمكنه إخبارك بما كان عليه ولكنه كان كذلك حقا حقا طويلة ورقيقة مثل معظم العدسات مثل هذا وكان هذا نوعًا ما لكن هذا التلسكوب طويل ولا أعرف سواء كان ذلك للحصول على ما أعتقد أنه الحصول على حقًا German: wirklich lange Schärfentiefe denke ich so dass du kann so etwas wie eine Mikro-Nahaufnahme haben Schuss von meinem Auge in der Kamera und dann auch den Rest behalten Die Leute sind dort eigentlich immer noch im Fokus . Ich nehme an, er war im Fokus. [Colby] Ja, er war ja definitiv. Ja, ich habe dieses Kameraobjektiv noch nie gesehen , sie haben es auch benutzt in den Schüssen hinter meinem Kopf Wenn ich mit dem König spreche, ja, sehr, sehr cool. Wann hast du realisiert, dass du in dieser Saison sterben wirst ? [Toby] Ich denke ich war es eigentlich immer Teil meines Vertrages eigentlich. ich wusste das würde ich tun drei Jahreszeiten und ich wusste, dass ich gehen würde stirb wegen der Bücher, aber ja, es ist wie ein bittersüßer Ich liebe es wirklich , zur Arbeit zu gehen, ich habe es geliebt, daran zu arbeiten Arabic: حقا عمق مجال طويل أعتقد ذلك لك يمكن أن يكون لها شيء مثل هذا الصغير المقربة لقطة لعيني في الكاميرا ثم احتفظ بالباقي أيضًا الناس في الواقع لا يزالون في بؤرة التركيز هناك. أفترض أنه كان في بؤرة التركيز. [كولبي] نعم كان نعم بالتأكيد. نعم لم أر قط عدسة الكاميرا هذه من قبل ، لقد استخدموها أيضًا في الطلقات من خلف رأسي عندما أتحدث إلى الملك ، نعم رائع جدًا. متى أدركت أنك ستموت في هذا الموسم؟ [توبي] أعتقد أنني كان دائمًا جزءًا من عقدي في الواقع. كنت أعرف الذي كنت سأفعله ثلاثة مواسم وكنت أعلم أنني سأذهب يموت بسبب الكتب ولكن نعم مثل حلو ومر أنا حقًا أحب الذهاب إلى العمل ، لقد أحببت الذهاب للعمل Portuguese: profundidade de campo realmente longa, acho que você pode ter algo como um micro close-up foto do meu olho na câmera e depois também manter o resto as pessoas ainda estão em foco lá. Presumo que ele estava em foco. [Colby] sim, ele estava sim, definitivamente era. sim, nunca vi aquela lente de câmera antes, eles também usaram nas fotos por trás da minha cabeça quando estou falando com o rei sim, muito legal. quando você percebeu que iria morrer nesta temporada? [Toby] Eu acho que foi sempre parte do meu contrato, na verdade. eu sabia que eu ia fazer três temporadas e eu sabia que iria morrer por causa dos livros, mas sim, é como um agridoce Eu realmente amo ir para o trabalho, adorei ir trabalhar Spanish: una profundidad de campo realmente larga, creo que puede tener algo como un micro primer plano disparo de mi ojo en la cámara y luego también mantener el resto la gente todavía está enfocada allá atrás . Supongo que estaba enfocado. [Colby] sí, sí, definitivamente lo fue. sí, nunca había visto esa lente de cámara antes, también la usaron en los tiros de detrás de mi cabeza cuando hablo con el rey, sí, muy, muy bien. ¿Cuándo te diste cuenta de que ibas a morir en esta temporada? [Toby] creo que fue siempre parte de mi contrato en realidad. yo sabía que iba a hacer tres temporadas y supe que iba a morir por los libros pero sí es como un agridulce Realmente me encanta ir a trabajar, me encantaba trabajar en Chinese: 我认为景深真的很长, 可以有一个 像微型特写镜头这样的东西 用相机拍摄我的眼睛,然后 保持其余部分 人们实际上仍然集中在 那里。 我想他是重点。[Colby]是的,他 绝对是。 是的,我以前从未见过这种 相机镜头,他们也使用过 从我的头后面拍摄 当我与国王交谈时, 是的,非常非常酷。 您什么时候意识到自己 将在这个季节里死去?[托比]我想我 实际上这一直是我 合同的一部分。我知道 我本来要做的 三个季节,我知道我 要去 因为书而死, 是的,就像苦乐参半 我真的很喜欢 上班,也喜欢上班 Russian: действительно большая глубина резкости я так думаю, что ты может быть что-то вроде микро-крупного плана снимок моего глаза в камеру, а затем оставьте остальное люди на самом деле все еще в фокусе . Полагаю, он был в центре внимания. [Колби] Да, он был, да, определенно был. да, я никогда раньше не видел этот объектив камеры, они его тоже использовали в кадрах из-за моей головы когда я разговариваю с королем, да, очень, очень круто. когда ты понял, что умрешь в этом сезоне? [Тоби] Думаю, я на самом деле это всегда было частью моего контракта. я знал что я собирался сделать три сезона, и я знал, что собираюсь умереть из-за книг, но да, это как горько-сладкий Мне очень нравится работать, мне нравилось работать над Hungarian: nagyon nagy mélységélesség, azt hiszem, hogy te lehet valami ilyesmi, mint egy mikro-közelkép lövés a szememről kamerába, majd a többit is tartsa meg az emberek még mindig ott fókuszálnak . Feltételezem, hogy fókuszban volt. [Colby] igen, igen, határozottan az volt. igen, még soha nem láttam azt a kamera lencsét, ők is használták a fejem mögül készült lövésekben amikor a királlyal beszélek, igen nagyon klassz. mikor jött rá, hogy ebben a szezonban meg fog halni? [Toby] Azt hiszem mindig a szerződésem része volt . tudtam hogy meg fogom csinálni három évadot, és tudtam, hogy megyek halj meg a könyvek miatt, de igen, olyan, mint egy keserédes Nagyon szeretek dolgozni menni, szerettem dolgozni English: really long depth of field I think so that you can have something this like a micro close-up shot of my eye in camera and then also keep the rest people actually still in focus back there. I presume he was in focus. [Colby] yeah he was yeah definitely was. yes I've never seen that camera lens before, they used it as well in the shots from behind my head when I'm talking to the king yeah very very cool. when did you realize that you were going to die in this season? [Toby] I think I was it was always part of my contract actually. I knew that I was going to do three seasons and I knew that I was going to die because of the books but yeah it's like a bittersweet I really really love going to work, I loved going to work on French: très longue profondeur de champ je pense pour que vous peut avoir quelque chose comme un micro gros plan photo de mon œil à huis clos, puis garde le reste les gens sont toujours concentrés là-bas. Je présume qu'il était concentré. [Colby] ouais, oui, oui . oui je n'ai jamais vu cet objectif de caméra auparavant, ils l'ont aussi utilisé dans les coups de derrière ma tête quand je parle au roi ouais très très cool. quand avez-vous réalisé que vous alliez mourir cette saison? [Toby] Je pense que je est-ce que cela faisait toujours partie de mon contrat. je savais que j'allais faire trois saisons et je savais que j'allais mourir à cause des livres mais ouais c'est comme un doux-amer J'adore vraiment aller travailler, j'ai adoré travailler sur Chinese: 那份工作。 这是一个非常非常有趣的团体 人, 您知道根本就不喜欢工作吗?你懂 镜头外和镜头上真的 像一个 只是一项有趣的工作。[史蒂夫]是的 ,你真的和 扮演生活的米莉·布雷迪 是的,这样做确实比 您像那些威慑力那样做时容易 场景和 你们两个之间讨厌的场景 像那样?她是你的朋友还是?我知道 我们很奇怪 真的很好,你们 知道我是说我们彼此不认识 完全,我们在演出中见面,所以前 几个...真的真的真的 太可怕了, 你知道我的意思是在 在餐桌上, 我们还没那么接近我 认为如果我们现在必须做那些场景, 那将真的超现实 它 仍然是一样的,但在那里 只是这增加 了它的怪异 Russian: эта работа. это действительно действительно очень веселая группа люди, и это совсем не похоже на работу , понимаете? знаешь вне камеры и на камеру это действительно было похоже на просто веселая работа. [Стив] да, и вы действительно хорошие друзья с Милли Брэди, которая играет жизнь Этельфлед со сцены да, это легче, чем когда вы делаете это запугивание сцены и сцены ненависти между вами двумя как это? она твой друг или? Я знаю, это так странно, мы похожи действительно действительно хорошие друзья, вы знаете, я имею в виду, что мы не знали друг друга вообще, мы встретились на шоу, так что первые несколько ... ужасно , понимаешь, я имею в виду ударить ее по за обеденным столом и тому подобное, мы еще не были так близки, я думаю, если бы нам пришлось снимать эти сцены сейчас, это было бы действительно сюрреалистично и все было бы так же, но было бы Просто будь к этому добавленной странности Spanish: ese trabajo. es un grupo muy divertido de personas y no se siente como un trabajo en absoluto, ¿sabes? ya sabes fuera de cámara y en cámara era realmente como un solo un trabajo divertido. [Steve] sí, y eres muy buen amigo de Millie Brady, quien interpreta a la vida Aethelflaed de la escena Sí, ¿eso lo hace más fácil que cuando estás haciendo como esas intimidaciones? escenas y esas escenas de odio similar entre ustedes dos ¿como eso? ella es tu amiga o? Sé que es tan extraño que estamos como realmente buenos amigos, sabes, quiero decir, no nos conocíamos en absoluto, nos conocimos en el programa, así que los primeros ... los realmente realmente horrible sabes que me refiero a golpearla en el en la mesa de la cena y cosas así , aún no estábamos tan cerca creo que si tuviéramos que hacer esas escenas ahora sería realmente surrealista y seguiría siendo el mismo pero habría solo sé esta rareza añadida German: Dieser Job. Es ist eine wirklich sehr, sehr lustige Gruppe von Menschen und es fühlt sich überhaupt nicht nach Arbeit an, weißt du? Wissen Sie Aus der Kamera und vor der Kamera war es wirklich wie ein einfach ein lustiger Job. [Steve] Ja, und du bist wirklich gut befreundet Millie Brady, die das Leben Aethelflaed von der Szene spielt Ja, macht es das einfacher, als wenn Sie diese Einschüchterung mögen? Szenen und solche Szenen des gleichen Hasses zwischen euch beiden so wie das? Sie ist deine Freundin oder? Ich weiß, es ist so komisch, wie wir sind Wirklich, wirklich gute Freunde, du weißt, ich meine, wir kannten uns nicht überhaupt haben wir uns in der show getroffen also die ersten paar ... die wirklich wirklich wirklich schrecklich du weißt ich meine sie an der zu schlagen Am Esstisch und solchen Dingen waren wir mir noch nicht so nahe Ich denke, wenn wir diese Szenen jetzt machen müssten, wäre es wirklich surreal und es wäre immer noch dasselbe, aber es würde Sei einfach diese zusätzliche Verrücktheit French: ce travail. c'est un groupe vraiment vraiment très amusant de les gens et ça ne ressemble pas du tout au travail tu sais tu sais hors caméra et devant la caméra, c'était vraiment comme un juste un travail amusant. [Steve] ouais et tu es vraiment de bons amis avec Millie Brady qui joue la vie Aethelflaed de la scène ouais ça rend les choses plus faciles que quand tu fais comme ces intimidations scènes et ces scènes de haine entre vous deux comme ça? elle est votre amie ou? Je sais que c'est tellement bizarre que nous sommes comme vraiment très bons potes tu sais je veux dire qu'on ne se connaissait pas du tout, nous nous sommes rencontrés sur le spectacle donc les premiers ... le vraiment vraiment vraiment horrible tu sais que je veux dire la frapper au à la table du dîner et des choses comme ça, nous n'étions pas encore si proches que je Je pense que si nous devions faire ces scènes maintenant, ce serait vraiment surréaliste et ce serait toujours la même chose mais il y aurait être juste cette bizarrerie supplémentaire Arabic: أن وظيفة. إنها مجموعة ممتعة حقًا من الناس ولا تشعر وكأنه عمل على الإطلاق تعرفه؟ أنت تعلم بعيدًا عن الكاميرا وعلى الكاميرا كان الأمر حقًا مثل a مجرد عمل ممتع. [ستيف] نعم وأنتما صديقان حميمان حقًا ميلي برادي الذي يلعب دور Aethelflaed من المشهد نعم ، هذا يجعل الأمر أسهل مما لو كنت تفعل مثل هذا التخويف المشاهد وتلك المشاهد الكراهية بينكما مثل هذا؟ هي صديقتك أم؟ أعلم أنه أمر غريب للغاية أصدقاء جيدين حقًا كما تعلمون ، أعني أننا لم نعرف بعضنا البعض على الإطلاق ، التقينا في العرض لذا أول عدد قليل ... حقًا حقًا فظيع تعلم أنني أعني ضربها على على مائدة العشاء وأشياء من هذا القبيل لم نكن قريبين منها بعد أعتقد أنه إذا كان علينا القيام بهذه المشاهد الآن فسيكون الأمر سرياليًا حقًا وسيكون لا يزال هو نفسه ولكن هناك من شأنه فقط كن هذا الغرابة المضافة إليها Portuguese: Aquele trabalho. é um grupo realmente muito divertido de pessoas e não parece trabalho , sabe? você sabe fora da câmera e na câmera realmente era como um apenas um trabalho divertido. [Steve] sim e você é muito amigo de Millie Brady que interpreta a vida Aethelflaed da cena sim isso torna mais fácil do que quando você está fazendo como aquelas intimidação cenas e aquelas cenas de ódio entre vocês dois Curtiu isso? ela é sua amiga ou? Eu sei que é tão estranho que somos como amigos realmente bons, você sabe, quero dizer, não nos conhecíamos afinal, nos conhecemos no programa, então os primeiros ... realmente, realmente, horrível, você sabe, quero dizer bater nela no na mesa de jantar e coisas assim , não estávamos tão perto ainda eu acho que se tivéssemos que fazer essas cenas agora seria realmente surreal e ainda seria o mesmo, mas haveria apenas ser essa estranheza adicionada a isso Hungarian: azt a munkát. ez egy igazán igazán szórakoztató csoport emberek, és egyáltalán nem érzi magát munkának ? tudod kamerán kívül és kamerán tényleg olyan volt, mint a csak egy szórakoztató munka. [Steve] igen, és nagyon jó barátok vagytok Millie Brady, aki Aethelflaed életét játssza a helyszínről igen, megkönnyíti-e ezt, mint amikor úgy cselekszel, mint a megfélemlítés jelenetek és azok a hasonló gyűlöletű jelenetek kettőtök között mint az? ő a barátod vagy? Tudom, hogy ez olyan furcsa, mint amilyenek vagyunk nagyon jó párok tudod , úgy értem, hogy nem ismertük egymást egyáltalán, találkoztunk a műsorban, így az első néhány ... az igazán igazán szörnyű , tudod, hogy azt értem, hogy megütöm az ebédlőasztalnál és az ilyesmi még nem voltunk olyan közel, én ha most ezeket a jeleneteket kellene elkészítenünk, az valóban szürreális lenne és még mindig ugyanaz lenne, de lenne csak legyen ez a különös furcsaság English: that job. it's a really really really fun group of people and it doesn't feel like work at all you know? you know off camera and on camera it really was like a just a fun job. [Steve] yeah and you are really good friends with Millie Brady who plays life Aethelflaed from the scene yeah does that make it easier than when you're doing like those intimidation scenes and those scenes of like hate between the two of you like that? she is your friend or? I know it's so weird we're like really really good mates you know I mean we didn't know each other at all, we met on the show so the first few... the really really really horrible you know I mean hitting her at the at the dinner table and things like that we weren't that close yet I think if we had to do those scenes now it would be really surreal and it would still be the same but there would just be this added weirdness to it Chinese: 因为我们是如此亲密,但是 是的,我爱米莉·布雷迪。[Colby]是的,这很好 很高兴看到你们有, 再一次您不是很好,但是您 最后肯定 和她有一个救赎的时刻,你告诉她 像我希望你能 找到安慰 并在生活中不受 酷刑折磨 是的,直线喜欢那条线, 完美地传递 是的那一刻怎么样?[托比]我认为 是的,这对我们俩人都很好 因为 我认为我们还没有真正合作过 有一阵子我们的故事情节 分裂了,所以 预订节目真的很棒,然后又回来了 圈出并 拍摄完成 总是 没有足够的时间,但安迪 导演确保 这些场景得到了真正的处理 小心一点, 我只是经常 有一个氛围,就像 每个人都必须得到他们的狗屎 Spanish: porque estamos muy unidos, pero sí, amo a Millie Brady. [Colby] sí, así que es amable Es bueno ver que lo han hecho, de nuevo no estaban siendo amables, pero Ciertamente tuve un momento de redención con ella al final y le dices algo como espero que puedas encontrar consuelo y vivir sin ser amado como torturador sí, la línea recta ama esa línea, entregada perfectamente sí, ¿cómo fue ese momento? [Toby] Creo que sí, fue genial para los dos porque creo que realmente no habíamos trabajado juntos por un tiempo nuestras historias se separaron y así fue realmente agradable para cerrar el espectáculo y volver completo circular y terminar con el rodaje es siempre nunca hay suficiente tiempo pero Andy el director se aseguró de que esas escenas fueran realmente manejadas con cuidado y solo me refiero a menudo Hay una vibra en el set donde es como si todos tuvieran que conseguir su mierda Arabic: لأننا قريبون جدًا ولكن نعم أحب ميلي برادي. نعم ، إنه لطيف من اللطيف أن أراكم يا رفاق ، مرة أخرى لم تكن لطيفًا ، لكنك بالتأكيد كانت هناك لحظة فداء معها في النهاية وأخبرها بذلك شيء مثل آمل أن تجد الراحة والعيش دون أن يُحب المرء كعذاب نعم خط مستقيم أحب هذا الخط ، تسليمه بشكل مثالي نعم كيف كانت تلك اللحظة؟ [توبي] أعتقد أنه كان رائعًا لكلينا لأنني أعتقد أننا لم نعمل معًا حقًا لفترة من الوقت انقسمت قصصنا وهكذا كانت كذلك من الجميل حقًا حجز العرض والعودة بالكامل ضع دائرة وإنهائها بالتصوير دائما ليس هناك ما يكفي من الوقت ولكن آندي حرص المخرج على التعامل مع تلك المشاهد حقًا بعناية وهناك فقط أعني كثيرًا هناك إحساس في المكان حيث يبدو أنه يجب على الجميع الحصول على القرف Portuguese: porque somos tão próximos, mas sim, eu amo Millie Brady. [Colby] sim, é gentil bom ver que vocês fizeram, novamente vocês não estavam sendo legais, mas vocês certamente teve um momento de redenção com ela no final e você diz a ela algo como eu espero que você possa encontrar conforto e viver sem ser amado como um torturador sim, linha reta amo essa linha, entregue perfeitamente sim, como foi esse momento? [Toby] Acho que sim, foi ótimo para nós dois porque acho que não tínhamos trabalhado juntos por um tempo nossas histórias se separaram e assim foi muito bom agendar o show e voltar cheio círculo e terminar com a filmagem é sempre nunca há tempo suficiente, mas Andy o diretor certificou-se de que essas cenas fossem realmente tratadas com cuidado e quero dizer frequentemente há uma vibração no set em que é como se todos tivessem que ver suas merdas Russian: потому что мы так близки, но да, я люблю Милли Брэди. [Колби] да, это так мило Приятно видеть вас, ребята, опять же, вы не вели себя хорошо, но вы определенно был момент искупления с ней в конце, и вы говорите ей что-то вроде я надеюсь, что вы найдете утешение и жить без любви как мучитель да, прямая линия люблю эту линию, доставлена ​​отлично да, как прошел тот момент? [Тоби] Думаю, это было здорово для нас обоих потому что я думаю, что мы действительно не работали вместе на какое-то время наши сюжетные линии разделились, и это было действительно приятно закончить шоу и вернуться полным круг и закончить его съемкой всегда не хватает времени, но Энди Режиссер позаботился о том, чтобы эти сцены были действительно обработаны с осторожностью, и я имею в виду часто на съемочной площадке царит атмосфера, будто каждый должен получить свое дерьмо French: parce que nous sommes si proches mais oui j'aime Millie Brady. [Colby] ouais donc c'est gentil agréable de vous voir les gars, encore une fois vous n'étiez pas gentils, mais vous a certainement eu un moment de rédemption avec elle à la fin et vous lui dites quelque chose comme j'espère que tu peux trouver du réconfort et vivre sans être aimé comme un tortionnaire Ouais la ligne droite aime cette ligne, livrée parfaitement ouais comment était ce moment? [Toby] Je pense que oui, c'était génial pour nous deux parce que je pense que nous n'avions pas vraiment travaillé ensemble pendant un moment, nos intrigues se sont séparées et c'était donc vraiment sympa de réserver le spectacle et de revenir complet cercle et et terminer avec le tournage est toujours il n'y a jamais assez de temps mais Andy le réalisateur s'est assuré que ces scènes étaient vraiment gérées avec soin et il y a juste je veux dire souvent Il y a une ambiance sur le plateau où c'est comme si tout le monde devait avoir sa merde German: weil wir uns so nahe stehen, aber ja, ich liebe Millie Brady. [Colby] Ja, also ist es nett Es ist schön euch zu sehen, wieder seid ihr nicht nett, aber ihr sicherlich hatte ein Erlösungsmoment mit ihr am Ende und du sagst es ihr so etwas wie ich hoffe, dass Sie Trost finden können und zu leben, ohne als Folterer geliebt zu werden Ja, gerade Linie, liebe diese Linie, perfekt geliefert Ja, wie war dieser Moment? [Toby] Ich denke ja, es war großartig für uns beide weil ich denke, wir hatten nicht wirklich zusammengearbeitet für eine Weile spalteten sich unsere Handlungsstränge ab und so war es auch wirklich schön, die Show zu buchen und voll zurück zu kommen Kreis und und beenden Sie es mit Filmen Immer bleibt nie genug Zeit außer Andy Der Regisseur hat dafür gesorgt, dass diese Szenen wirklich gehandhabt wurden mit Sorgfalt und es gibt nur ich meine oft Es gibt eine Stimmung am Set, in der jeder seine Scheiße bekommen muss Hungarian: mert olyan közel vagyunk, de igen, szeretem Millie Bradyt. [Colby] igen, kedves örülök, hogy látom, srácok, megint nem voltatok kedvesek, de önök a végén biztosan volt vele egy megváltási pillanat , és te mondd meg neki olyasmi, mint remélem, hogy megtalálja a kényelmet és úgy élni, hogy kínzóként nem szeretik igen, az egyenes vonal szereti ezt a vonalat, tökéletesen kézbesítve igen milyen volt ez a pillanat? [Toby] Azt hiszem , nagyon jó volt mindkettőnk számára mert szerintem nem igazán dolgoztunk együtt egy ideig szétváltak a történeteink , és így volt nagyon jó, hogy elkönyveltem a műsort, és tele lettem kört és fejezd be a forgatással is mindig nincs elég idő, csak Andy a rendező gondoskodott arról, hogy ezeket a jeleneteket valóban kezeljék körültekintéssel, és csak arra gondolok, hogy gyakran olyan hangulat van beállítva, ahol mindenki megkapta a szart English: because we're so close but yeah I love Millie Brady. [Colby] yeah so it's kind of nice to see you guys have, again you weren't being nice, but you certainly had a redemption moment with her at the end and you tell her something like I hope that you can find comfort and to live without being loved as a torturer yeah straight line love that line, delivered perfectly yeah how was that moment like? [Toby] I think yeah it was great for both of us because I think we hadn't really worked together for a while our storylines split off and so it was really nice to bookend the show and come back full circle and and finish it with filming is always there's never enough time but Andy the director made sure that those scenes were really handled with care and there's just I mean often there's a vibe on set where it's like everyone has got to get their shit German: wie in allen Abteilungen gemacht und so wird viel herumgestürmt einige, aber manchmal, wenn Sie Glück haben Es kann eine Atmosphäre geschaffen werden, an der jeder teilnimmt wenn es sehr sehr leise ist und das zwischen den Bändern keine Art von gibt wie Kakophonie Lärm und wir hatten das für diese Dinge und es macht irgendwie davon verändert die Atmosphäre im Raum und Sie können diese Atmosphäre irgendwie erschließen, ein bisschen klingt a bisschen woo-woo, aber da ist das ... da ist nur ein Gefühl von als ob etwas Sensibles passiert wäre , das wirklich ist Es ist wirklich großartig, dass die Szenen im Grunde immer leiser werden Ich möchte nur die Szenen lang und sehr leise machen und kaum sprechen für alles murmeln. [Colby] Ja, interessant, also haben wir uns jetzt ein bisschen angesprochen In Last Kingdom gibt es einige Szenen, die irgendwie grausam sind, wie wir sehen Menschen werden in die Luft gesprengt. Wir sehen, wie Menschen erstochen werden durch ihren Hals ja die Schienbeine sind besonders schlimm Hungarian: úgy, mint minden osztályon, és így nagy a rohanás néhány, de néha, ha ez szerencsés olyan légkör hozható létre, amelyben mindenki részt vesz amikor nagyon nagyon csendes, és hogy a szalagok között nincs ilyen mint a kakofónia zaj és erre megvolt ezeket a dolgokat, és ez valahogy így van megváltoztatja a szoba légkörét és valamilyen módon megérintheti ezt a légkört kicsit woo-woo, de van ilyen ... csak egy érzés mintha valami érzékeny dolog történt volna , ami valóban nagyon jó, hogy a jelenetek csak halkabbá és alapvetően csendesebbé válnak Csak azt szeretném, hogy a jelenetek hosszúak legyenek és valóban csendesek, alig beszéljenek motyogni mindenért. [Colby] igen érdekes, ezért most csak egy kicsit érintettünk a Last Kingdom-ban vannak olyan jelenetek, amelyek olyan borzalmasak, amilyet látunk az emberek felrobbantják a fejüket, látjuk, hogy az embereket elszúrják a nyakukon keresztül igen a sípcsont különösen rossz Spanish: hecho como en todos los departamentos, por lo que hay muchas prisas algunos pero a veces si tienes suerte se puede crear una atmósfera en la que todos participen cuando está muy, muy tranquilo y que entre cintas no hay una especie de como ruido de cacofonía y lo teníamos para esas cosas y lo hace cambia la atmósfera en la habitación y puede aprovechar esa atmósfera un poco suena un un poco woo-woo pero hay eso ... solo hay una sensación de como si sucediera algo sensible que es realmente es realmente genial las escenas simplemente se vuelven más y más silenciosas básicamente Solo quiero que las escenas sean largas y realmente silenciosas sin apenas hablar. murmurar por todo. [Colby] sí interesante, así que acabamos de tocar un poco ahora en Last Kingdom hay algunas escenas que son un poco horribles que vemos a la gente le explotan la cabeza, vemos que apuñalan a través de su cuello, sí, las espinillas son particularmente malas Russian: сделано как во всех отделах и так много спешки некоторые, но иногда, если вам повезет, может быть создана атмосфера, в которой каждый участвует когда очень тихо и между кассетами нет как шум какофонии, и у нас это было для те вещи, и это вроде как меняет атмосферу в комнате и вы можете немного погрузиться в эту атмосферу, это звучит как немного у-у-у, но есть это ... есть просто ощущение как будто произошло что- то чувствительное, это действительно это действительно здорово, сцены становятся тише и тише в основном Я просто хочу, чтобы сцены были длинными и тихими, почти не разговаривая бормотать за все. [Колби] Да, интересно, поэтому мы только немного коснулись этого в Last Kingdom есть некоторые ужасные сцены, которые мы видим у людей взрывается голова, мы видим, как люди получают ножевые ранения через их шею да голени особенно плохи English: done like in all departments and so there's a lot of rushing around some but sometimes if you're lucky that an atmosphere can be created that everyone partakes in when it's very very quiet and that between tapes there isn't a kind of like cacophony noise and we had that for those things and it does kind of it changes the atmosphere in the room and you can kind of tap into that atmosphere a bit sounds a bit woo-woo but there's that... there's just a feeling of like something sensitive being happened that's really it's really great the scenes just get quieter and quieter basically I just want to make the scenes long and really quiet barely talking mumble for everything. [Colby] yeah interesting so we just touched on a little bit now in Last Kingdom there's some scenes that are kind of they're gruesome we see people get head blown up we see people get stabbed through their neck yeah the shins are particularly bad Arabic: يتم إجراؤه كما هو الحال في جميع الأقسام ، وبالتالي هناك الكثير من التسرع في العمل البعض ولكن في بعض الأحيان إذا كنت محظوظًا يمكن خلق جو يشارك فيه الجميع عندما يكون الجو هادئًا جدًا ولا يوجد نوع من ذلك بين الأشرطة مثل ضجيج نشاز وكان لدينا ذلك تلك الأشياء وهو يفعل نوعًا ما يغير الجو في الغرفة و يمكنك نوعًا من النقر على هذا الجو يبدو قليلاً قليلا woo-woo ولكن هناك ... هناك فقط شعور كأن شيئًا حساسًا حدث بالفعل إنه لأمر رائع حقًا أن تصبح المشاهد أكثر هدوءًا وهدوءًا بشكل أساسي أريد فقط أن أجعل المشاهد طويلة وهادئة بالكاد تتحدث تتمتم على كل شيء. [كولبي] نعم مثير للاهتمام لذا تطرقنا قليلاً الآن في Last Kingdom ، هناك بعض المشاهد المخيفة التي نراها الناس يتم تفجير رؤوسهم ونرى الناس يتعرضون للطعن من خلال أعناقهم ، نعم ، السيقان سيئة للغاية Chinese: 像所有部门一样,所以 有很多工作要做 一些,但有时候如果你很 幸运 可以营造一个 大家都参与的氛围 当它非常安静并且 在磁带之间没有 像 刺耳的噪音, 这些东西 ,它确实有点 改变房间的气氛, 您可以在那种 气氛中一点点听起来 有点呜呜呜,但是 ...有一种感觉 就像发生 了一件敏感的事情 真的很棒,场景 基本上变得越来越安静 我只是想让场景很长,而且 真的很安静,几乎没有说话 抱怨一切。[Colby]是的,很有趣, 所以我们现在谈了一点 在《上一个王国》中, 我们看到了一些令人毛骨悚然的场景 人们被 炸死,我们被刺伤 通过他们的脖子 ,小腿特别糟糕 French: fait comme dans tous les départements et il y a donc beaucoup de précipitation certains mais parfois si vous avez de la chance une atmosphère peut être créée à laquelle tout le monde participe quand c'est très très calme et qu'entre les bandes il n'y a pas une sorte de comme le bruit de la cacophonie et nous l'avons eu pour ces choses et ça le fait en quelque sorte change l'atmosphère dans la pièce et vous pouvez en quelque sorte puiser dans cette atmosphère un peu peu woo-woo mais il y a ça ... il y a juste un sentiment de comme quelque chose de sensible est arrivé, c'est vraiment c'est vraiment génial, les scènes deviennent plus calmes et plus silencieuses en gros Je veux juste faire des scènes longues et vraiment silencieuses à peine parlant marmonner pour tout. [Colby] ouais intéressant alors nous avons juste abordé un peu maintenant dans Last Kingdom, il y a des scènes qui sont un peu horribles, nous voyons les gens se font sauter la tête à travers leur cou ouais les tibias sont particulièrement mauvais Portuguese: feito como em todos os departamentos e então há muita correria alguns, mas às vezes se você tiver sorte pode ser criada uma atmosfera em que todos participem quando está muito quieto e entre as fitas não há uma espécie de como ruído de cacofonia e tínhamos isso para essas coisas e meio que muda a atmosfera na sala e você pode tocar nessa atmosfera um pouco soa um um pouco woo-woo, mas há isso ... há apenas uma sensação de como algo sensível acontecendo que é realmente é realmente ótimo as cenas ficam cada vez mais silenciosas, basicamente Eu só quero fazer as cenas longas e bem quietas mal falando resmungue por tudo. [Colby] é interessante, então apenas tocamos um pouco agora em Last Kingdom há algumas cenas que são meio horríveis, vemos pessoas explodem a cabeça e vemos pessoas sendo esfaqueadas através do pescoço, sim, as canelas são particularmente ruins French: ils sont mauvais, je ne pouvais pas supporter la merde saison un. oh ouais ouais le double achille tranches de tendon. [Colby] ouais nous voyons un tas de ces trucs ouais certaines des scènes les plus inconfortables à regarder sont en quelque sorte les scènes abusives d'Aethelred avec vous et Aethelflaed. pouvez-vous parlez-nous un peu de ce que c'est que de faire une scène comme celle-là ... Ouais je veux dire que c'était assez nerveux à ce sujet parce que je veux dire que je n'ai jamais joué au méchant avant Et je viens juste de sortir d' un spectacle, je suis sorti de Reign où j'étais l'éternel bon gars et très très aimant et attentionné fondamentalement tout le temps donc j'étais un peu comme je J'étais nerveux à ce sujet personnellement, j'étais comme si cela allait affecte-moi tu sais que c'était mais en fait jouer le méchant et Russian: они плохие, я не мог вынести дерьмо в голени первый сезон. о да да двойной ахилл срезы сухожилий. [Колби] да, мы видим кучу всего этого, да некоторые из самых неудобных сцен для просмотра это что-то вроде оскорбительных сцен с Этельредом с вами и Этельфлед. не могли бы вы поговорите с нами немного о том, каково это делать такую ​​сцену, которая ... да, я имею в виду, это было довольно нервно по этому поводу потому что я имею в виду, что я в основном никогда не играл плохого парня раньше И я на самом деле только что закончил шоу, я вернулся из Reign, где я был вечно хороший парень и очень очень любящий и заботливый в основном все время, так что я был вроде как я я нервничал из-за этого лично я думал, что это будет повлиять на меня, ты знаешь, что это было но на самом деле играя плохого парня и German: Sie sind schlecht. Ich konnte die Scheiße nicht ertragen, in der die Schienbeine steckten Staffel eins. oh yeah yeah die doppelten Achilles Sehnenscheiben. [Colby] Ja, wir sehen ein paar davon einige der unangenehmsten Szenen zu sehen sind eine Art der missbräuchlichen Aethelred-Szenen mit dir und Aethelflaed. Könntest du Sprechen Sie mit uns ein wenig darüber, wie es ist , eine solche Szene zu machen, die ... Ja, ich meine, es war ziemlich nervös weil ich meine, ich habe im Grunde noch nie einen Bösen gespielt und ich würde eigentlich gerade von einer Show kommen, ich bin von Reign gekommen, wo ich war der ewige gute Kerl und sehr sehr liebevoll und fürsorglich im Grunde die ganze Zeit, also war ich irgendwie ich Ich war persönlich nervös, als ob das so wäre Beeinflussen Sie mich, Sie wissen, dass es war aber eigentlich den Bösen spielen und Arabic: إنهم سيئون لأنني لم أستطع تحمل الهراء الموسم الاول. أوه نعم نعم العرق المزدوج شرائح الوتر. [كولبي] نعم ، نرى مجموعة من تلك الأشياء ، نعم بعض أكثر المشاهد غير المريحة للمشاهدة هي نوع من مشاهد Aethelred المسيئة معك و Aethelflaed. يمكنك تحدث إلينا قليلاً عما يشبه القيام بمشهد كهذا ... نعم أعني أنه كان متوترًا جدًا حيال ذلك لأنني أعني أنني في الأساس لم ألعب دور الرجل السيئ من قبل وكنت في الواقع قد خرجت للتو من العرض ، لقد خرجت من Reign حيث كنت الرجل الطيب الأبدي جدا جدا المحبة والرعاية في الأساس طوال الوقت لذلك كنت نوعًا ما كنت متوترة بشأنه شخصيًا كنت مثل هل هذا سيحدث يؤثر علي ، تعلم أنه كان ولكن في الواقع تلعب دور الرجل السيئ و English: they're bad I couldn't stand the shit the shins in season one. oh yeah yeah the double achilles tendon slices. [Colby] yeah we see a bunch of that stuff yeah some of the most uncomfortable scenes to watch are kind of the abusive Aethelred scenes with you and Aethelflaed. could you talk to us a little bit about what it's like to do a scene like that that's... yeah I mean it's was pretty nervous about it because I mean I've basically never I've never played bad guy before and I'd actually just come off a show, I've come off Reign where I was the eternal good guy and very very loving and caring basically all the time so I was kind of I was nervous about it personally I was like is this going to affect me you know it was but actually playing the bad guy and Hungarian: rosszak , nem bírtam a szart, amibe belemegyek első évad. ja, igen, a kettős achilles ínszeletek. [Colby] igen, látunk egy csomó ilyen dolgot igen a legkellemetlenebb nézhető jelenetek közül amolyan bántalmazó Aethelred jelenetek veled és Aethelflaeddel. tudnál beszélj velünk egy kicsit arról, milyen egy ilyen jelenetet csinálni, ami ... igen, úgy értem, elég ideges volt emiatt mert úgy értem, hogy soha nem játszottam még soha rosszfiút és valójában csak egy műsorból jöttem volna, a Reign-ből jöttem le, ahol voltam az örök jó srác és nagyon nagyon szeretetteljes és gondoskodó alapvetően állandóan, így kedves voltam személyesen ideges voltam ezért voltam, mint ez hat rám, tudod, hogy volt de valójában a rosszfiút játssza és Portuguese: eles são ruins, eu não pude suportar a merda nas canelas primeira temporada. oh sim sim o duplo Aquiles fatias de tendão. [Colby] sim, vemos um monte dessas coisas sim algumas das cenas mais desconfortáveis ​​de assistir são as cenas abusivas de Aethelred com você e Aethelflaed. você poderia fale conosco um pouco sobre como é fazer uma cena dessas que é ... sim, quero dizer, estava muito nervoso com isso porque quero dizer, eu basicamente nunca interpretei o vilão antes e na verdade acabei de sair de um show, saí de Reign de onde estava o eterno bom rapaz e muito amoroso e atencioso basicamente o tempo todo, então eu era meio que eu estava nervoso com isso pessoalmente, eu pensei se isso iria me afeta você sabe que foi mas na verdade bancando o bandido e Spanish: son malos, no podía soportar la mierda en las espinillas Temporada uno. oh si si el doble aquiles cortes de tendón. [Colby] sí, vemos un montón de esas cosas, sí algunas de las escenas más incómodas de ver son una especie de escenas abusivas de Aethelred contigo y Aethelflaed. Podrías Háblanos un poco sobre cómo es hacer una escena como esa que es ... sí, quiero decir que estaba bastante nervioso por eso porque quiero decir, básicamente nunca , nunca antes había jugado al malo y en realidad acababa de salir de un programa, salí de Reign donde estaba el eterno buen chico y muy muy cariñoso y cariñoso básicamente todo el tiempo, así que era una especie de yo estaba nervioso por eso personalmente, estaba como si esto fuera a me afecta tu sabes que fue pero en realidad jugando al chico malo y Chinese: 他们很糟糕, 我受不了小便 第一季。 哦,是的,双重致命弱点 肌腱片。[Colby] 是的,我们看到了一堆东西 观看一些最不舒服的场景 是 您和Aethelflaed 的虐待性Aethelred场景。您可以...吗 跟我们谈谈 做这样一个场景的感觉是什么... 是的,我是说对此 非常紧张 因为我的意思是我基​​本上 从没玩过坏人 我实际上只是参加 一场表演,我离开了Reign 永恒的好人, 非常非常爱和关怀 基本上 所有的时间,所以我有点我 我个人对此很紧张我想这会是 影响我,你知道那是 但其实玩坏 家伙, Hungarian: az a személy, aki olyan ember, akit szeretsz utálni Úgy értem, hogy kissé megváltozott, mert azok a korai jelenetek olyanok, mint valóban szorongatóak. Aethelred idővel úgy érzem, hogy lettem inkább nem komikus karakter, de volt egy fellángol egyfajta gonosz érzéket, ami elég élvezetes volt eredetileg olyan volt, mintha valóban felidegesített volna és az ilyen jeleneteket csinálni az mint soha semmilyen módon és akkor sem kellemes a rendező Jamie Donahue olyan volt, mintha tudnád, hogy ez valami mindig óvatosan kell bánni azzal , hogy ne dicsőítsen semmit csak azért, mert kamerák teszik dolgok jó, mint csak az a mód, ahogy a dolgokat lövik, gyönyörű és ezért nem tudom néha, hogy belegondoljak Meryl Streep ugyanúgy játssza Margaret Thatchert , mint Margaret Thatchert Meryl Streep csak úgy teszi, hogy Margaret Thatcher jól néz ki German: die Person zu sein, die die Art von Person ist, die du gerne hasst Ich meine, es hat sich ein bisschen geändert, weil diese frühen Szenen sind wie wirklich quälend. Mit der Zeit fühlte ich mich wie geworden eher ein nicht komödiantischer Charakter, aber er hatte einen Fackel eine Art böses Flair für ihn , das sehr angenehm war ursprünglich war es wirklich ärgerlich und diejenigen zu tun, die solche Szenen machen, ist wie nie in irgendeiner Weise angenehm und dann Der Regisseur Jamie Donahue war, als wüssten Sie, dass das etwas ist muss immer mit Sorgfalt behandelt werden , damit Sie nichts verherrlichen Nur weil Kameras Dinge gut aussehen lassen Nur die Art und Weise, wie Dinge gedreht werden, ist wunderschön und so weiß ich manchmal nicht, woran ich denke Meryl Streep spielt Margaret Thatcher genauso wie Margaret Thatcher Nur wenn Meryl Streep das tut, lässt du Margaret Thatcher gut aussehen Russian: быть человеком, которого вы любите ненавидеть Я имею в виду, что это немного изменилось, потому что те ранние сцены действительно огорчены. Этельред со временем, я чувствую, стал больше не комедийный персонаж, но у него был проявить к нему какое-то злое чутье, что было весьма приятно изначально это было похоже на искреннее огорчение и делать те, кто снимает такие сцены, - это как никогда не приятно, а потом режиссер Джейми Донахью был такой, будто ты знаешь, что это что-то всегда нужно обращаться с осторожностью, чтобы вы ничего не прославляли просто потому, что камеры делают все хорошо, как просто то, как все снимают, красиво и поэтому я не знаю, иногда я думаю о Мерил Стрип играет Маргарет Тэтчер так же, как в роли Маргарет Тэтчер только благодаря тому, что Мерил Стрип делает это, вы заставляете Маргарет Тэтчер хорошо выглядеть English: being the person who is the sort of the person you love to hate I mean it changed a bit because those early scenes are like genuinely distressing. Aethelred over time I feel like became more of a not comedic character but he had a flare a kind of an evil flair to him that was quite enjoyable originally it was like genuinely upsetting and doing those doing those kinds of scenes is like never pleasant in any way and then the director Jamie Donahue was like you know that's something that always needs to be handled with care so that you're not glorifying anything just because cameras make things look good like just the way that things are shot is beautiful and so I don't know sometimes I think about Meryl Streep playing Margaret Thatcher just like by playing Margaret Thatcher just by Meryl Streep doing that you make Margaret Thatcher look good like Arabic: كونك الشخص الذي تحب أن تكرهه أعني أنها تغيرت قليلاً بسبب تلك المشاهد المبكرة هي مثل محزن حقا. Aethelred بمرور الوقت أشعر أنني أصبحت أكثر من غير شخصية كوميدية ولكن كان لديه له نوع من الذوق الشرير كان ممتعًا جدًا في الأصل كان الأمر مزعجًا حقًا والقيام بتلك الأنواع من المشاهد هو لم يكن ممتعًا بأي شكل من الأشكال وبعد ذلك كان المخرج جيمي دوناهو وكأنك تعلم أن هذا شيء تحتاج دائمًا إلى التعامل معها بعناية حتى لا تمجد أي شيء فقط لأن الكاميرات تجعل الأشياء تبدو جيدة الطريقة التي يتم بها تصوير الأشياء جميلة ولذا فأنا لا أعرف أحيانًا ما أفكر فيه ميريل ستريب تلعب دور مارغريت تاتشر تمامًا كما تلعب دور مارجريت تاتشر فقط بفعل ميريل ستريب جعل مارجريت تاتشر تبدو جيدة مثل French: être la personne qui est le genre de personne que vous aimez détester Je veux dire que ça a changé un peu parce que ces premières scènes sont comme vraiment angoissants. Aethelred au fil du temps, je me sens comme devenu plus un personnage pas comique mais il avait un flare une sorte de flair maléfique pour lui qui était assez agréable à l'origine c'était vraiment bouleversant et faire ceux qui font ce genre de scènes est comme jamais agréable en aucune façon et puis le réalisateur Jamie Donahue était comme vous savez que c'est quelque chose qui doit toujours être manipulé avec soin pour ne rien glorifier juste parce que les caméras donnent une belle apparence la façon dont les choses sont prises est magnifique et donc je ne sais pas parfois je pense Meryl Streep jouant Margaret Thatcher comme en jouant Margaret Thatcher rien qu'en faisant Meryl Streep, vous donnez à Margaret Thatcher une belle apparence Portuguese: ser a pessoa que é o tipo de pessoa que você ama odiar Quero dizer, mudou um pouco porque aquelas primeiras cenas são verdadeiramente angustiantes. Aethelred com o tempo, sinto que se tornou mais de um personagem não cômico, mas ele tinha um acendeu uma espécie de talento do mal para ele que era bastante agradável originalmente era como realmente perturbador e fazer esse tipo de cena é como nunca agradável de qualquer maneira e então o diretor Jamie Donahue era como se você soubesse que é algo que sempre precisa ser tratado com cuidado para que você não glorifique nada só porque as câmeras fazem as coisas parecerem boas, como apenas a maneira como as coisas são filmadas é linda e então eu não sei às vezes eu penso sobre Meryl Streep interpretando Margaret Thatcher, assim como interpretando Margaret Thatcher apenas por Meryl Streep fazendo isso você faz Margaret Thatcher parecer bem Chinese: 是那种 你喜欢恨的人 我的意思是说它有所改变,因为那些 早期的场景 就像是真正令人痛苦的。 随着时间的流逝,我觉得自己变得 更多的不是喜剧演员,但他 有一个 耀眼对他 来说是一种邪恶的天赋 最初就像是 真正的沮丧 做那些那样的 场景是 从来都不喜欢, 然后 导演杰米·多纳休(Jamie Donahue)就像 你知道的那样 始终需要谨慎处理,以免 造成任何荣耀 只是因为相机使事物看起来 像 拍摄事物的方式 很美 所以 我不知道有时候我在想 梅丽尔·斯特里普(Meryl Streep)扮演玛格丽特·撒切尔 (Margaret Thatcher) 就像梅丽尔·斯特里普(Meryl Streep)所做的那样,就是让 玛格丽特·撒切尔(Margaret Thatcher)看起来像 Spanish: ser la persona que es el tipo de persona que amas odiar Quiero decir que cambió un poco porque esas primeras escenas son como realmente angustiantes. Aethelred con el tiempo siento que me convertí más un personaje no cómico, pero tenía un para él una especie de estilo malvado que fue bastante agradable originalmente era como realmente molesto y hacer esos que hacen ese tipo de escenas es como nunca agradable de ninguna manera y luego el director Jamie Donahue era como si supieras que eso es algo que siempre debe manejarse con cuidado para que no glorifique nada solo porque las cámaras hacen que las cosas se vean bien como la forma en que se filman las cosas es hermosa y entonces no sé, a veces pienso en Meryl Streep interpretando a Margaret Thatcher al igual que interpretando a Margaret Thatcher solo con Meryl Streep haciendo eso, haces que Margaret Thatcher se vea bien como French: parce qu'elle tu es comme oh Meryl Streep est Margaret Thatcher Margaret, c'est Meryl Streep, tu sais? donc juste en mettant quelque chose sur la caméra, c'est presque que vous faites un le choix de vous le savez donc il faut le gérer délicatement pour ne rien glorifier qui Je pense que nous avons fait Et ouais ces scènes ces scènes se sont déroulées comme des citations sans citation bien. mais comme le caractère développé, je sens que son ... il a eu ça genre d'élément comique où c'était plus comme s'il était le comme le ... pas le bouffon mais comme celui d' Aethelred un peu stupide ou du moins il est motivé, il le rend il est motivé ... eh bien il fait des choix terribles constamment et donc c'est amusant comme ça Portuguese: porque ela você é como, oh Meryl Streep é Margaret Thatcher Margaret aquela é Meryl Streep, você conhece? então, apenas por colocar algo na câmera é quase que você está fazendo um escolha de você sabe então tem que ser tratada delicadamente para que você não glorifique nada que Acho que fizemos e sim essas cenas essas cenas saíram como citação, citação bem. mas como o personagem desenvolvido, sinto que seu ... ele entendeu isso tipo de elemento cômico onde era mais como se ele fosse o como o ... não o bobo da corte, mas como o de Aethelred meio burro ou pelo menos ele está motivado, ele o faz ele está motivado ... bem, ele faz escolhas terríveis constantemente e por isso é divertido assim German: weil sie wie du bist, oh Meryl Streep ist Margaret Thatcher Margaret, das ist Meryl Streep, weißt du? Wenn Sie also etwas vor die Kamera stellen , sind Sie fast fertig Wahl von Ihnen wissen, so muss es gehandhabt werden zart, damit du nichts verherrlichst, was Ich denke wir haben es getan und ja diese szenen diese szenen kamen wie quote unquote raus Gut. aber als die Charakter entwickelt Ich fühle, dass sein ... er hat das Art komödiantisches Element, wo es eher so war , als wäre er der wie der ... nicht der Narr, sondern wie er Aethelreds irgendwie dumm oder zumindest ist er motiviert, dass er ihn macht Er ist motiviert ... nun, er trifft schreckliche Entscheidungen ständig und so macht es Spaß Spanish: porque ella eres como oh Meryl Streep es Margaret Thatcher Margaret, esa es Meryl Streep, ¿sabes? así que con solo poner algo en la cámara es casi que estás haciendo una elección de usted sabe, por lo que tiene que ser manejado delicadamente para que no glorifiques nada que Creo que lo hicimos y sí esas escenas esas escenas salieron como entre comillas bien. pero como el personaje desarrollado siento que su ... él consiguió esto tipo de elemento cómico donde era más como si fuera el como el ... no el bufón sino como el de Aethelred un poco tonto o al menos está motivado, lo hace está motivado ... bueno, toma decisiones terribles constantemente y así es divertido English: because she you're like oh Meryl Streep is Margaret Thatcher Margaret that is Meryl Streep you know? so just by putting something on camera is almost you're you're you're making a choice of you know so it has to be handled delicately so that you're not glorifying anything which I think we did and yeah those scenes those scenes came off like quote unquote well. but as the character developed I feel that his... he got this kind of comedic element where it was more like he was the like the... not the jester but like he Aethelred's kind of dumb or at least he's motivated he makes he he's motivated... well he makes terrible choices constantly and so it's fun as that Hungarian: mert olyan vagy, mint Meryl Streep, Margaret Thatcher Margaret, az a Meryl Streep, akit ismersz? szóval csak azzal, hogy valamit fényképezőgépre tesz, már majdnem olyan, mint a választja , ezért tudja kezelni finoman, hogy ne dicsőítsen semmit Azt hiszem, megtettük és igen, azok a jelenetek, ezek a jelenetek idézet nélküli idézetekként jelentek meg jól. hanem mint a alakult ki úgy érzem, hogy az övé ... ezt megkapta amolyan komikus elem, ahol inkább olyan volt , mint ő mint a ... nem a bolond, hanem mint Aethelredé amolyan buta, vagy legalábbis motiválja, hogy csinálja motivált ... hát szörnyen dönt állandóan, és így szórakoztató Chinese: 因为她你 就像哦梅丽尔·斯特里普(Meryl Streep)是玛格丽特(Margaret) 撒切尔 玛格丽特就是梅丽尔·斯特里普,你知道吗? 因此,只要在相机上放一些东西就 可以了 你知道的选择,所以必须处理 精致地使您不 荣耀任何东西 我认为我们 做到了 是的,那些场景 像引用报价一样消失了 好。 但是作为 性格发展了,我觉得他...他明白了 一种喜剧元素, 更像是他 就像...不是小丑,而是像他的 埃塞尔瑞德 有点愚蠢,或者至少是 他有动力,使他 他有动力... 好吧,他做出了可怕的选择 不断 ,所以很有趣 Russian: потому что она такая, как Мерил Стрип, Маргарет Тэтчер Маргарет, это Мерил Стрип, вы знаете? так что просто снимая что-то на камеру, вы почти делаете выбор вы знаете, так что это нужно обработать деликатно, чтобы не прославлять то, что Я думаю мы сделали И да, эти сцены, эти сцены были сняты, как цитата, не цитата хорошо. но как характер развился я чувствую, что его ... он получил это своего рода комедийный элемент, в котором он больше походил на как ... не шут, а как он Этельред тупой или, по крайней мере, он мотивирован, он заставляет он мотивирован ... ну, он делает ужасный выбор постоянно и так это весело Arabic: لأنك مثل يا ميريل ستريب هي مارجريت تاتشر مارجريت هذه ميريل ستريب كما تعلم؟ لذلك بمجرد وضع شيء ما على الكاميرا ، فإنك تقريبًا تقوم بإنشاء ملف اختيارك تعرف لذا يجب التعامل معه بدقة حتى لا تمجد أي شيء أعتقد أننا فعلنا ونعم تلك المشاهد خرجت تلك المشاهد مثل اقتباس غير مقتبس حسنا. ولكن مثل تطورت الشخصية أشعر أنه ... حصل على هذا نوع من العنصر الكوميدي حيث كان أشبه بكونه مثل ... ليس المهرج ولكن مثل Aethelred نوع من الغباء أو على الأقل لديه الدافع الذي يجعله إنه متحمس ... حسنًا يتخذ خيارات رهيبة باستمرار ولذا فهو ممتع على هذا النحو Portuguese: personagem para ser a pessoa que o público vai como não, por favor , não faça isso, você sabe? não faça isso más escolhas, enquanto todos ao seu redor que você conhece estão apenas tentando manter as coisas flutuando então houve uma mudança que eu gostei, acho que ele se desenvolveu ainda mais na quarta temporada onde as cenas ficaram mais engraçadas e melhores. eu realmente Eu estava ... essa foi a única coisa que eu perdi ou que foi uma pena morrer por isso. Eu não consegui prosseguir com isso e ficou ainda pior Eu não sei o quanto pior eu poderia ter tenho, mas sim. [Steve] houve uma cena em que Aethelflaed quando ela voltou com Uhtred e eles na terceira temporada e ela diz, oh, você não parece surpreso que alguém tentou me matar ou algo parecido e você fica tipo e agora? [Colby] falsa surpresa que foi incrível sim Deus, ele é um bastardo. [Steve], mas foi um daqueles engraçados cenas eu vou morrer e rir depois de assistir isso sim Arabic: الشخصية لتكون الشخص الذي يذهب إليه الجمهور مثل لا من فضلك لا لا تفعل هذا كما تعلم؟ لا تجعل هؤلاء اختيارات سيئة ، بينما يحاول كل من حوله الاحتفاظ بالأشياء واقفا على قدميه لذا كان هناك دور أني لقد استمتعت أعتقد أنه تطور نوعًا ما أكثر في الموسم الرابع حيث أصبحت المشاهد أكثر تسلية وأفضل. أنا في الحقيقه كنت ... كان هذا هو الشيء الوحيد الذي فاتني أو أنه هو كان من العار أن أموت من أجل ذلك. لم أسعى إلى أبعد من ذلك وإلى أصبحت أسوأ ، لا أعرف إلى أي مدى يمكن أن يكون أسوأ حصلت ولكن نعم. [ستيف] كان هناك مشهد حيث Aethelflaed عندما عادت معه Uhtred وهم في الموسم الثالث وهي تقول أوه لا يبدو أنك متفاجئ أن شخصًا ما حاول قتلي أو شيء من هذا القبيل وأنت فقط مثل ماذا عن الان؟ [كولبي] مفاجأة مزيفة كانت مذهلة نعم يا إلهي ، إنه لقيط. [ستيف] ولكن هذا كان مثل واحد من هؤلاء مضحك مشاهد سأموت وأضحك بعد مشاهدة ذلك نعم Hungarian: karakter az a személy, akire a közönség jár mint nem, kérem, ne , ne tegye, amit tud? ne csináld ezeket rossz döntések, miközben körülötte mindenki, akit ismer, csak megpróbálja megtartani a dolgokat felszínen, így volt egy fordulat, hogy én élvezte azt hiszem, valahogy még jobban fejlődött a negyedik évadba ahol a jelenetek viccesebbek és jobbak lettek. valóban Én ... ez volt az egyetlen dolog, amit hiányoltam, vagy az kár volt meghalni ezért. Nem folytattam ezt tovább és tovább még rosszabbá válik , nem tudom, mennyivel rosszabb is lehet kaptam, de igen. [Steve] volt egy jelenet, ahol Aethelflaed, amikor visszatér Uhtred és ők a harmadik évadban, és azt mondja, ó, úgy tűnik, nem csodálkozol hogy valaki megpróbált megölni, vagy valami hasonló, és te csak olyan vagy és most? [Colby] ál meglepetés, csodálatos volt igen isten, olyan gazember. [Steve], de ez olyan volt, mint egy ilyen vicces jelenetek csak meghalok és nevetek, miután megnéztem azt English: character to be the person that the audience is going like no please no don't do that you know? don't make these bad choices, while everyone around him you know is just trying to keep things afloat so there was a there was a turn that I enjoyed I think he kind of developed even more into season four where the scenes got funnier and better. I really I was... that was the one thing I missed or that it was a shame to die for that. I didn't get pursue that further and to become even worse I don't know how much worse I could have got but yeah. [Steve] there was a scene where Aethelflaed when she comes back with Uhtred and them in season three and she says oh you don't seem surprised that someone tried to kill me or something like that and you're just like what about now? [Colby] fake surprise that was amazing yeah god he's such a bastard. [Steve] but that was like one of those funny scenes I'll just die and laughing after watching that yeah Russian: персонаж должен быть человеком, которого собирается публика как нет, пожалуйста, не делай этого, ты знаешь? не делай это плохой выбор, в то время как все вокруг него, которого вы знаете, просто пытаются сохранить вещи на плаву, так что был поворот, что я мне понравилось, я думаю, что он развился еще больше в четвертом сезоне где сцены становились веселее и лучше. я действительно Я был ... это было единственное, чего я скучал или это было стыдно умереть за это. Я не стал заниматься этим дальше и стало еще хуже, я не знаю, насколько я мог бы быть хуже получил но да. [Стив] была сцена, где Этельфлаэд возвращается с Утред и они в третьем сезоне, и она говорит, что ты не выглядишь удивленным что кто-то пытался убить меня или что-то в этом роде, а ты такой же что насчет сейчас? [Колби] фальшивый сюрприз, это было потрясающе да боже, он такой ублюдок. [Стив], но это было похоже на одну из тех забавных сцены я просто умру и смеюсь после просмотра этого да French: personnage pour être la personne que le public va comme non s'il vous plaît non ne faites pas que vous savez? ne fais pas ça mauvais choix, alors que tout le monde autour de lui, vous le savez, essaie juste de garder les choses à flot donc il y avait un il y avait un virage que je apprécié, je pense qu'il s'est en quelque sorte développé encore plus dans la saison quatre où les scènes sont devenues plus drôles et meilleures. J'ai vraiment J'étais ... c'était la seule chose que j'avais manquée ou que c'était c'était dommage de mourir pour ça. Je n'ai pas poursuivi cela plus loin et devenir encore pire, je ne sais pas à quel point j'aurais pu être pire obtenu mais ouais. [Steve] il y avait une scène où Aethelflaed quand elle revient avec Uhtred et eux dans la saison trois et elle dit oh tu ne sembles pas surpris que quelqu'un a essayé de me tuer ou quelque chose comme ça et tu es juste comme et maintenant? [Colby] fausse surprise qui était incroyable ouais mon dieu, c'est un salaud. [Steve] mais c'était comme un de ces drôles scènes je mourrai juste en riant après avoir regardé ça ouais German: Charakter, um die Person zu sein, die das Publikum geht wie nein bitte nein tu das nicht weißt du? mach diese nicht schlechte Entscheidungen, während jeder um ihn herum, den Sie kennen, nur versucht, die Dinge zu behalten flott, also gab es eine Wende, die ich genossen Ich denke, er hat sich noch mehr zur vierten Staffel entwickelt wo die Szenen lustiger und besser wurden. Ich [...] wirklich Ich war ... das war das Einzige, was ich vermisst habe oder das es war Es war eine Schande, dafür zu sterben. Ich habe das nicht weiter und weiter verfolgt noch schlimmer werden Ich weiß nicht, wie viel schlimmer ich haben könnte bekam aber ja. [Steve] Es gab eine Szene, in der Aethelflaed, als sie zurückkommt Uhtred und sie in Staffel drei und sie sagt, oh, du scheinst nicht überrascht zu sein dass jemand versucht hat mich zu töten oder so und du bist einfach so Was ist mit jetzt? [Colby] falsche Überraschung, das war unglaublich Ja Gott, er ist so ein Bastard. [Steve] aber das war wie einer dieser lustigen Szenen Ich werde einfach sterben und lachen, nachdem ich das gesehen habe, ja Chinese: 成为 观众要去的人的角色 不 ,不,不,你不知道吗?不要做这些 糟糕的选择,而他周围的每个人都 知道他只是在努力保留事情 漂浮,所以有一个转弯,我 我觉得他很喜欢 第四赛季的成长 场景变得越来越 有趣。我真的 我当时...那是我 想念的一件事 为此而感到遗憾。我没有 继续追求那个 变得更糟, 我不知道我会有多严重 但是,是的。[Steve]有个场景, Aethelflare回来时 Uhtred和他们在第三季, 她说哦,您似乎并不感到惊讶 有人试图杀死我或 类似的东西,而你就像 现在呢?[Colby] 令人惊讶的假惊喜 是的,他真是个混蛋。[史蒂夫] 但这就像那些有趣的人之一 看完这些场面我会死去笑 Spanish: personaje para ser la persona a la que va la audiencia como no, por favor, no , no hagas eso, ¿sabes? no hagas estos malas decisiones, mientras que todos a su alrededor que usted conoce están tratando de mantener a flote, así que hubo un giro en el que disfruté, creo que se desarrolló aún más en la cuarta temporada donde las escenas se volvieron más divertidas y mejores. Yo realmente Yo era ... eso era lo único que extrañaba o eso Fue una pena morir por eso. No logré perseguir eso más y para empeorar , no sé cuánto peor podría haber tengo pero sí. [Steve] hubo una escena en la que Aethelflaed cuando regresa con Uhtred y ellos en la tercera temporada y ella dice oh, no pareces sorprendido que alguien trató de matarme o algo así y estás como ¿Qué te parece ahora? [Colby] sorpresa falsa que fue increíble sí, Dios, es un bastardo. [Steve] pero fue como uno de esos divertidos Escenas me moriré y reiré después de ver eso Arabic: إنه لي ... أشعر أن دوري فيه كان لأن مواضيع العرض تدور حول هذا الشرف والولاء و الأخوة والقدر والقدر والعدل ليكون الشخص من يكره كل ذلك. يجدها كما لو كنت تعرف هذا رائع ، نعم كان هناك بعض الشيء لا أعتقد أنهم استخدموا أيًا من هذه الأشياء أين في الثانية عندما Uhtred العودة إلى خطنا في المعركة المعركة النهائية ويصرخ أحدهم إنها Uhtred وأنا أحصل على كل شيء هذه الأشياء من مجرد كونها مثل "Uhtred؟" يجرى مثل "من هو Uhtred اللعين؟" [كولبي] كان يجب أن يفعل ذلك الخط هناك كان رائعًا ، نعم أن تكون مثل يا إلهي ، نعم صحيح ، نعم إنه Uhtred نعم بالطبع انها سخيف نعم حسنا أنا أحصل عليه Portuguese: é meu ... sinto que meu papel nisso foi porque os temas do programa são sobre esta honra e lealdade e irmandade e destino e destino e apenas ser a pessoa que simplesmente odeia tudo isso. encontra como se você conhecesse isso é legal sim, havia um pouco onde Eu não acho que eles usaram nenhum desses takes onde no segundo quando Uhtred está cavalgando de volta para nossa linha na batalha em a batalha final e alguém grita é Uhtred e eu pego todos essas tomadas de apenas ser como "Uhtred?" ser tipo "quem diabos é Uhtred?" [Colby] ele deveria ter feito isso linha bem ali que foi incrível, sim sendo tipo, oh Deus, claro, é Uhtred sim, claro que é porra, sim, ok, entendi French: c'est mon ... j'ai l'impression que mon rôle est parce que les thèmes de l'émission portent sur cet honneur et cette fidélité et fraternité et destin et destin et juste être la personne qui déteste tout ça. trouve que tu es comme tu sais c'est cool ouais il y avait un il y a un peu où Je ne pense pas qu'ils aient utilisé l'une de ces prises où dans la seconde quand Uhtred revenir à notre ligne dans la bataille de la bataille finale et quelqu'un crie c'est Uhtred et je viens de tout ces prises d'être comme "Uhtred?" étant comme "qui est ce bordel Uhtred?" [Colby] il aurait dû faire ça ligne juste là qui avait été incroyable ouais être comme oh mon dieu ouais bien ouais c'est Uhtred ouais bien sûr c'est putain ouais ok je comprends English: it's my... I feel like my role in it was because the show's themes are about this honor and loyalty and brotherhood and destiny and fate and just to be the person who just hates all that. finds it like you're like you know that's cool yeah there was a there's a bit where I don't think they used any of these takes where in the second when Uhtred's riding back to our line in the battle in the final battle and someone shouts it's Uhtred and I just get all these takes of just being like "Uhtred?" being like "who the fuck is Uhtred?" [Colby] he should have done that line right there that'd been amazing yeah being like oh god yeah right yeah it's Uhtred yeah of course it's fucking yeah okay I get it Chinese: 是我的...我觉得我的角色 是 因为表演的主题是关于 这种荣誉和忠诚的, 兄弟情谊,命运与命运, 只是成为一个人 只是讨厌所有这些。 发现它就像你知道 很好,是的, 那里有一个地方 我认为他们没有使用任何这些 方法 其中, 在当第二Uhtred的 在 战斗中回到我们的行列 最后一战,有人 大叫它Uhtred,我就全部拿走了 这些需要就像 “ Uhtred?” 存在 就像“谁 是该死的人?” [Colby]他应该做到的 就在那边 ,那真是太棒了 就像哦,上帝,是的,是的,它是 Uhtred 是的,当然是他妈的,是的,我 知道了 Russian: это моя ... я чувствую, что моя роль в этом была потому что темы шоу посвящены этой чести, верности и братство и судьба и судьба и просто быть человеком кто просто ненавидит все это. находит это так, как будто ты знаешь это круто, да, было немного, где Я не думаю, что они использовали какие-либо из этих дублей где во втором, когда Утред возвращаясь к нашей линии в битве в финальная битва, и кто-то кричит, что это Утред, и я просто получаю все эти попытки просто быть похожими на Утреда? будучи типа "кто, черт возьми, Утред?" [Колби] он должен был сделать это линия прямо там , это было потрясающе да быть как о боже, да, да, это Утред да конечно это чертовски да ладно я понял Spanish: es mi ... siento que mi papel fue porque los temas del programa son sobre este honor y lealtad y hermandad y destino y suerte y solo ser la persona que odia todo eso. lo encuentra como si fueras como si supieras eso es genial, sí, hay un poco donde No creo que hayan usado ninguna de estas tomas. donde en el segundo cuando Uhtred's cabalgando de regreso a nuestra línea en la batalla en la batalla final y alguien grita que es Uhtred y acabo de recibir todo estas tomas de simplemente ser como "Uhtred?" siendo como "¿quién diablos es Uhtred?" [Colby] debería haber hecho eso línea justo ahí que había sido increíble, sí siendo como oh Dios, sí, sí, es Uhtred sí, por supuesto que está jodidamente, sí, está bien, lo entiendo Hungarian: ez az én ... Úgy érzem, hogy a szerepem az volt mert a műsor témái erről a megtiszteltetésről és hűségről szólnak és testvériség, sors és sors, és csak azért, hogy személy legyek aki csak gyűlöli mindezt. úgy találja, mintha olyan lenne, mint te ez nagyon jó, volt egy kicsit, ahol Nem hiszem, hogy ezek egyikét is használták volna hol a másodikban, amikor Uhtred visszavonulni a sorunkhoz a csatában az utolsó csatát, és valaki azt kiáltja, hogy Uhtred, és én mindent megszerzek ezek csak annyit igényelnek, hogy csak "Uhtred?" lény mint "ki a fasz Uhtred?" [Colby] ezt kellett volna tennie vonal ott volt , ami elképesztő volt, igen olyan, mint ó, istenem, igen, igen, ez Uhtred igen, persze kibaszott igen oké értem German: Es ist meine ... Ich fühle mich wie meine Rolle darin war denn die Themen der Show sind über diese Ehre und Loyalität und Brüderlichkeit und Schicksal und Schicksal und nur um die Person zu sein wer hasst das alles nur. findet es so, als ob du es wüsstest das ist cool ja da war ein da ist ein bisschen wo Ich glaube nicht, dass sie eine dieser Einstellungen verwendet haben wo in der zweiten als Uhtred Reiten zurück zu unserer Linie in der Schlacht in Die letzte Schlacht und jemand schreit, es ist Uhtred und ich bekomme einfach alles Diese Einstellungen sind wie "Uhtred?" Sein wie "Wer zum Teufel ist Uhtred?" [Colby] das hätte er tun sollen Linie genau dort , das war erstaunlich gewesen, ja wie oh Gott sein ja richtig ja es ist Uhtred Ja, natürlich ist es verdammt. Okay, ich verstehe German: das ist lustig das ist lustig jetzt spielst du gerne ein Gegner? [Toby] Ja, ja, ich mag es wirklich eigentlich ja. was soll ich dazu sagen? Das? ziehst du es vor, ein gutes zu spielen? Kerl oder? Was würden Sie lieber tun? [Toby] Ich irgendwie Ja, jetzt wo ich eine habe Probieren Sie es , solange es ist eine Art von Spiel Verspieltheit es wie , wo man sich gerade als Schauspieler sind wie Mein Job ist es, einfach mit allen zu ficken und und ruinieren ihre Pläne, so etwas macht Spaß, du weißt, es ist wie die Art Es spielt sich so, als würde man den Joker spielen, den man kennt Heath Ledgers Joker stört und ruiniert einfach alles also ja kann ich nicht sprechen darüber noch also kann ich nicht darüber reden nein nein ja aber es gibt Hungarian: ez vicces, most vicces, hogy szívesen játszol antagonista? [Toby] igen igen nagyon tetszik tulajdonképpen igen. mit mondjak hogy? jobban szereted, mint a jó játékát srác vagy? mit tennél inkább? [Toby] Valahogy igen most, hogy van egy kóstolja meg , amíg van egyfajta játékbeli játékosság hozzá mint ahol most vagytok, csak mint színész , mint a az a dolgom, hogy szeretek csak baszni mindenkivel és és tönkreteszik a terveiket, ez a fajta dolog szórakoztató A dolog játszik olyan, mint játszani a Joker tudja Heath Ledger Jokerje csak megzavar és mindent elront szóval igen, még nem beszélhetek róla szóval nem beszélhetek róla nem, igen, de van Spanish: eso es gracioso eso es gracioso ahora ¿ disfrutas jugando ¿antagonista? [Toby] sí sí me gusta mucho en realidad sí. que decir sobre ¿ese? lo prefieres a jugar un buen chico o? ¿qué preferirías hacer? [Toby] Yo como sí, ahora que tengo un probarlo mientras tenga una especie de juego lúdico a lo como donde estás como un actor como mi trabajo es simplemente joder con todos y y arruinar sus planes ese tipo de cosas es divertido, sabes que es como el tipo de cosas jugando como jugar al Joker, sabes El Joker de Heath Ledger solo está interrumpiendo y arruinando todo así que sí, no puedo hablar de eso todavía así que no puedo hablar de eso, no, sí, pero hay Russian: это забавно, это забавно, тебе нравится играть в антагонист? [Тоби] да да мне это очень нравится на самом деле да. что сказать о который? ты предпочитаешь это хорошей игре парень или? что бы ты предпочел сделать? [Тоби] Я вроде да теперь, когда у меня есть вкус к нему, пока он есть своего рода игра игривости к ней как , где вы находитесь только в качестве актера , как моя работа - просто трахаться со всеми и и разрушают их планы, это весело, вы знаете, это похоже на Что- то вроде игры в Джокера, которого вы знаете Джокер Хита Леджера просто разрушает и разрушает все так что да я пока не могу об этом говорить поэтому я не могу об этом говорить, нет, да, но есть French: c'est marrant c'est marrant maintenant aimez- vous jouer un antagoniste? [Toby] ouais ouais j'aime vraiment ça en fait ouais. que dire de cette? est-ce que tu préfères ça à jouer un bon mec ou? que préfèrerais-tu faire? [Toby] Je suis en quelque sorte ouais maintenant que j'ai un goûtez-y tant qu'il a une sorte de jeu espièglerie à ce comme où tu en es comme un acteur comme mon travail est d'aimer juste baiser avec tout le monde et Et ruiner leurs plans ce genre de chose est amusant tu sais que c'est comme le genre de quelque chose qui joue un peu comme jouer au Joker tu sais Le Joker de Heath Ledger perturbe et ruine tout alors oui , je ne peux pas parler à ce sujet encore donc je ne peux pas en parler non pas ouais mais il y a Chinese: 那很有趣那很有趣现在您 喜欢玩 对手?[Toby]是的, 我真的很喜欢 其实是的 该说些什么 那? 你喜欢玩一个好东西吗? 家伙还是? 您想做什么?[托比]我有点 是的, 现在我有一个 只要有它的味道 一种游戏趣味性的,以 它 就像你在演员那里 一样 我的工作是喜欢和 所有人在一起 破坏他们的计划,那种 事情很有趣,你知道那就像那种 玩的东西 有点像玩你知道小丑 希思·莱杰的小丑只是在 破坏一切 所以我还不能谈论 它 所以我不能谈论它,不是,但是 有 English: that's funny that's funny now do you enjoy playing an antagonist? [Toby] yeah yeah I really like it actually yeah. what to say about that? do you prefer it over playing a good guy or? what would you rather do? [Toby] I kind of yeah now that I've got a taste for it as long as it's got a kind of play playfulness to it like where you're at just as an actor like my job is to like just fuck with everyone and and ruin their plans that kind of thing is fun you know it's like the kind of thing playing kind of like playing the Joker you know Heath Ledger's Joker is just disrupting and ruin everything so yeah I can't talk about it yet so I can't talk about it no not yeah but there's Portuguese: engraçado, engraçado agora, você gosta de jogar um antagonista? [Toby] sim sim, eu realmente gosto disso na verdade, sim. o que dizer sobre aquele? você prefere isso a jogar um bom cara ou? O que você prefere fazer? [Toby] Eu meio que sim, agora que tenho um experimente enquanto tiver uma espécie de brincadeira para isso como onde você está, apenas como um ator como meu trabalho é apenas foder com todos e e arruinar seus planos, esse tipo de coisa é divertido, você sabe, é o tipo de coisas como jogar o Coringa, você conhece O Joker de Heath Ledger está apenas atrapalhando e estragando tudo então sim, eu não posso falar sobre isso ainda então eu não posso falar sobre isso não, sim, mas há Arabic: هذا مضحك وهذا مضحك الآن هل تستمتع بلعب خصم؟ [توبي] أجل ، أنا معجب به حقًا نعم فعلا. ماذا اقول عن هذا؟ هل تفضله على لعب الخير شاب أم؟ ماذا كنت تفعل بدلا؟ [توبي] أنا نوع من نعم الآن بعد أن حصلت على ملف تذوقها طالما أنها موجودة نوع من اللعب هرج ل ذلك مثل المكان الذي تتواجد فيه تمامًا كممثل مثل وظيفتي هي أن يمارس الجنس مع الجميع وإفساد خططهم ، هذا النوع من الأشياء ممتع تعلمون أنه مثل هذا النوع من الأشياء التي تلعب نوعًا ما مثل لعب Joker الذي تعرفه جوكر هيث ليدجر هو فقط يعطل ويدمر كل شيء لذا ، لا يمكنني الحديث عنها بعد لذلك لا يمكنني التحدث عن ذلك ، ليس نعم ولكن هناك Portuguese: você conhece meu próximo projeto eu estarei jogando um tipo interessante mistura dos dois que você conhece bem e mal colocada em cima de um ao outro de uma forma interessante, é divertido jogar os dois. ambos têm seus próprios desafios e Eu imagino que seja meio catártico também ser capaz de obter muitos aquela coisa negativa em um ambiente onde é suposto estar. [Toby] sim, também é você sabe que eu gosto de esfaquear mensageiro que é muito engraçado. [Colby] sim, nós amamos isso e amamos quando Aldhelm vai, você não pode simplesmente matar todo mundo, é você sei que é 900 DC cara você não pode simplesmente matar, matar pessoas, este é o século 9 oh sim, século IX. raiva e outras coisas é tudo petulante você sabe que é como German: Du kennst mein nächstes Projekt, ich werde eine Art interessant spielen Mischung aus den beiden, von denen du weißt, dass sie gut und schlecht sind auf interessante Weise macht es Spaß, beide zu spielen. beide haben ihre eigenen herausforderungen und Ich würde mir vorstellen, dass es auch irgendwie kathartisch ist, viel davon zu bekommen dass das negative Zeug in einer Umgebung rauskommt, in der es sein soll Sein. [Toby] Ja, du weißt auch , dass ich es mag, die zu erstechen Messenger, das ist ziemlich lustig. [Colby] Ja, wir lieben das und wir lieben wann Aldhelm sagt, du kannst nicht einfach jeden töten, den du bist Ich weiß, es ist 900 n. Chr., Alter Sie können nicht einfach Menschen töten, dies ist das 9. Jahrhundert Oh ja, 9. Jahrhundert. Wut und so ist alles gereizt , wie du weißt Chinese: 你知道我的下一个项目, 我将扮演一种有趣的角色 您知道的好与坏两者的混合物放在 彼此以有趣的方式 玩耍很有趣。 他们都有自己的挑战 , 我想这 也可以带来很多好处 那些负面的东西 应该在应该 是。[Toby]是的, 你也知道我喜欢刺伤你 使者,这很有趣。[Colby] 是的,我们喜欢那个,我们喜欢那个时候 奥尔德海姆(Aldhelm) 你不能杀死所有的人就是你 知道是公元900年 你不能杀人就是 这九世纪 哦,是9世纪。 愤怒和 诸如此类的东西都是令人讨厌的 Spanish: sabes que mi próximo proyecto jugaré una especie de interesante mezcla de los dos que conoces bien y mal colocados encima de entre sí de una manera interesante, es divertido jugar a ambos. Ambos tienen sus propios desafíos y Me imagino que también es un poco catártico poder obtener muchos que esas cosas negativas en un entorno donde se supone que debe ser. [Toby] sí, también sabes que me gusta apuñalar al mensajero que es bastante divertido. [Colby] sí, nos encanta y nos encanta cuando Aldhelm dice que no puedes simplemente matar a todos, eres tú sé que es el 900 d.C. no puedes simplemente matar a la gente este es el siglo noveno oh sí siglo noveno. ira y esas cosas es todo petulante sabes que es como Russian: вы знаете, в моем следующем проекте я буду играть какой-то интересный смесь двух, вы знаете, хорошего и плохого, положенная поверх друг с другом интересно играть обоими. у них обоих есть свои проблемы и Я полагаю, это тоже своего рода катарсис, когда можно получить много что этот негатив в обстановке, где он должен быть. [Тоби] Да, ты тоже знаешь, что мне нравится колоть мессенджер, это довольно забавно. [Колби] Да, мы любим это и любим, когда Альдхельм идет, ты не можешь просто убить всех, это ты знаю, что это 900 г. н.э., чувак нельзя просто убивать людей убивать это 9 век ах да 9 век. гнев и прочее, это все раздражительно, ты знаешь, это как French: tu connais mon prochain projet je jouerai une sorte d'intéressant mélange des deux que vous connaissez bien et mal posé sur de manière intéressante, c'est amusant de jouer les deux. ils ont tous deux leurs propres défis et J'imagine que c'est aussi un peu cathartique de pouvoir obtenir beaucoup de que ce truc négatif dans un cadre où il est censé être. [Toby] ouais c'est aussi tu sais que j'aime poignarder le messager c'est assez drôle. [Colby] oui on aime ça et on aime quand Aldhelm va vous ne pouvez pas tuer tout le monde c'est vous sache que c'est 900 AD mec vous ne pouvez pas simplement tuer tuer des gens c'est le 9ème siècle oh ouais 9ème siècle. de la colère et des trucs tout est pétulant tu sais que c'est comme English: you know my next project I will be playing a kind of interesting mixture of the two you know good and bad laid on top of each other in an interesting way it's fun to play both. they both have their own challenges and I'd imagine it's kind of cathartic too to be able to get a lot of that that negative stuff out in a setting where it's supposed to be. [Toby] yeah it's also you know you I like stabbing the messenger that's quite funny. [Colby] yes we love that and we love when Aldhelm goes you can't just kill everyone it's you know it's 900 AD dude you can't just kill kill people this is the 9th century oh yeah 9th century. anger and stuff it's all petulant you know it's like Hungarian: tudod, hogy a következő projektem egyfajta érdekeset fogok játszani a kettő keveréke, amire jól és rosszul tudsz ráfektetni érdekes módon szórakoztató mindkettőt játszani. mindkettőnek megvannak a maga kihívásai és Elképzelném, hogy ez is egyfajta katartikus, hogy sok mindent el tudjak szerezni hogy ez a negatív dolog olyan körülmények között, ahol kellene lenni. [Toby] igen, te is tudod, hogy szeretek leszúrni messenger, ez nagyon vicces. [Colby] igen, ezt szeretjük, és akkor is, amikor Aldhelm szerint nem lehet mindenkit megölni, csak azt, aki te vagy tudom, hogy 900-as haver nem csak ölni embereket lehet, ez a 9. század ja igen a 9. század. düh és ilyesmi, mindez petyhüdt, tudod, hogy olyan Arabic: أنت تعرف مشروعي التالي الذي سأقوم به بشكل مثير للاهتمام خليط من الاثنين تعرف جيدًا وسيئًا تم وضعه في الأعلى بعضنا البعض بطريقة ممتعة من الممتع أن تلعب كلاهما. كلاهما لديه تحدياته الخاصة و كنت أتخيل أنه نوع من التنفيس أيضًا لتكون قادرًا على الحصول على الكثير أن تلك الأشياء السلبية في مكان حيث من المفترض يكون. [توبي] نعم ، أنت تعلم أيضًا أنني أحب طعن رسول هذا مضحك جدا. [كولبي] نعم نحن نحب ذلك ونحب متى يقول ألدهيلم أنه لا يمكنك قتل كل شخص هو أنت أعلم أنه 900 ميلادي يا صاح لا يمكنك فقط قتل الناس هذا هو القرن التاسع نعم القرن التاسع. الغضب والأشياء كلها نفاذة كما تعلم Chinese: 人们为什么不给我更多的关注, 为什么人们不喜欢我 东西,但你发泄 知道吗?[Colby]是的,现在完全是你 总是像猎鹰 一样在你的左侧 那家伙的意义?[托比] 只是克里斯。[科尔比]他叫什么名字 克里斯,我喜欢 他害怕的想法 而且他总是喜欢尝试... 他想看起来很酷,但他不能 像实际上喂它一样,因为它吓跑了他 我认为是的,完全是 完全 最适合自己的角色,就是 他只想一直有一只鸟 在他身后的猎物。我认为那是他 对自己的看法 也许只是想着 袖口就很好了,但就像它是一种很好 比喻他 ,他认为自己是猛禽 但实际上他戴着一顶特别的帽子 ,使他认为这是晚上 就像 你知道那些鸟像 Arabic: لماذا لا يعيرني ​​الناس المزيد من الاهتمام لماذا لا يحبني الناس نوع من الاشياء ولكن عليك التنفيس هل تعلم؟ [كولبي] نعم تمامًا الآن أنت دائما مثل الصقر مثل على الجانب الأيسر الخاص بك ما هو أهمية ذلك الرجل؟ [توبي] إنه فقط كريس ، أجل. [كولبي] ما اسمه كريس تعجبني فكرة أنه مرعوب منها وأنه يحاول دائمًا أن يحب ... أنه يريد أن يبدو رائعًا لكنه لا يستطيع ذلك مثل إطعامه لأنه يخيفه منه أعتقد نعم هذا تمامًا مثالي لشخصيته أنه يريد فقط أن يكون لديه طائر دائمًا من وراءه فريسة. أعتقد أن هذه هي الطريقة التي يفكر بها في نفسه أعني ربما يكون من الجيد مجرد التفكير في الأمر ولكن كأنه نوع من الخير استعارة له يعتبر نفسه طائرًا جارحًا لكنه في الواقع يرتدي قبعة خاصة تجعله يعتقد أن الوقت قد حان ليلا كما تعلمون ، تُعطى تلك الطيور مثل أ Portuguese: por que as pessoas não prestam mais atenção em mim por que não gostam de mim tipo de coisa, mas você consegue desabafar, sabe? [Colby] sim totalmente totalmente agora você sempre tem como um falcão como do seu lado esquerdo qual é o significado daquele cara? [Toby] é apenas Chris, sim. [Colby] qual é o nome dele Chris, gosto da ideia de que ele tem pavor e que ele está sempre tentando gostar ... que ele quer parecer legal, mas não pode como realmente alimentá-lo porque o assusta pra caralho Eu acho que sim, é totalmente totalmente perfeito para seu personagem que ele só quer sempre ter um pássaro de presa atrás dele. Eu acho que é assim que ele pensa de si mesmo, quero dizer talvez seja bom apenas pensar de improviso, mas como se fosse uma espécie de bom metáfora para ele, ele se considera uma ave de rapina mas na verdade ele tem um chapéu especial que o faz pensar que é noite como você sabe, esses pássaros são dados como um Russian: почему люди не обращают на меня больше внимания, почему я не нравлюсь людям такие вещи, но вы можете выговориться , понимаете? [Колби] Да, полностью, теперь ты всегда имей, как сокол, слева от тебя, что за значение этого парня? [Тоби] Да, это просто Крис. [Колби] как его зовут Крис, мне нравится мысль, что он этого боится и что он всегда пытается любить ... что он хочет выглядеть круто, но не может вроде на самом деле кормить его, потому что это до чертиков пугает его Я думаю, да, это полностью идеально подходит для его персонажа, что он просто хочет, чтобы всегда была птица добычи позади него. Я думаю, он так думает о себе, я имею в виду Может быть, это хорошо просто подумать об этом, но как будто это своего рода хорошо метафора для него он считает себя хищной птицей но на самом деле у него особая шляпа, которая заставляет его думать, что сейчас ночь как вы знаете, эти птицы даны как French: pourquoi les gens ne me prêtent-ils pas plus d'attention pourquoi les gens ne m'aiment pas genre de trucs mais tu arrives à évacuer tu sais? [Colby] ouais totalement totalement maintenant toi ayez toujours comme un faucon comme sur votre gauche quel est le signification de ce gars? [Toby] c'est juste Chris ouais. [Colby] quel est son nom Chris j'aime l'idée qu'il en est terrifié et qu'il essaie toujours d'aimer ... qu'il veut avoir l'air cool mais il ne peut pas comme en fait le nourrir parce que ça lui fait peur Je pense que oui c'est totalement totalement parfait pour son personnage qu'il veut juste avoir toujours un oiseau de proie derrière lui. Je pense que c'est comme ça qu'il pense de lui-même je veux dire peut-être que c'est bien de penser à l'improviste mais comme si c'était une sorte de bien métaphore pour lui, il se considère comme un oiseau de proie mais en fait il a un chapeau spécial qui lui fait penser que c'est la nuit comme tu sais que ces oiseaux sont donnés comme un Hungarian: miért nem figyelnek rám jobban az emberek, miért nem szeretnek engem az emberek? ilyesmi, de szellőzni tudsz? [Colby] igen, teljesen most te vagy mindig olyan, mint egy sólyom, mint a bal oldalán, mi a helyzet annak a fickónak a jelentősége? [Toby] ez csak Chris igen. [Colby] mi a neve Chris Tetszik az ötlet, hogy retteg tőle és hogy olyan, mintha mindig megpróbálná kedvelni ... hogy hűvösnek akar kinézni, de nem tudja mint valójában megetetni, mert megijeszti a szart Szerintem igen, teljesen teljesen tökéletes a karakteréhez, hogy ő csak azt akarja, hogy mindig legyen madara ragadozó a háta mögött. Azt hiszem, hogy így gondolja magát, mármint talán jó, ha csak a mandzsettáról gondolok, de mintha egyfajta jó lenne metafora számára ragadozó madárnak tartja magát de valójában van rajta egy speciális kalap, amely arra készteti, hogy éjszaka legyen mintha tudnád, hogy ezek a madarak olyanok, mint a German: Warum schenken mir die Leute nicht mehr Aufmerksamkeit ? Warum mögen mich die Leute nicht? Art von Sachen, aber Sie können entlüften , wissen Sie? [Colby] ja total total jetzt du Habe immer wie ein Falke wie auf deiner linken Seite was ist das Bedeutung dieses Kerls? [Toby] es ist nur Chris, ja. [Colby] Wie heißt er? Chris Ich mag die Idee, dass er Angst davor hat und dass er immer versucht zu mögen ... dass er cool aussehen will, aber er kann nicht wie es tatsächlich füttern, weil es die Scheiße aus ihm heraus erschreckt Ich denke ja, es ist total total Perfekt für seinen Charakter, dass er nur immer einen Vogel haben will der Beute hinter ihm. Ich denke, so denkt er über sich selbst, meine ich Vielleicht ist es gut, nur an die Manschette zu denken, aber als wäre es eine Art gut Metapher für ihn sieht er sich als Raubvogel aber eigentlich hat er einen besonderen Hut auf , der ihn denken lässt, es sei Nacht Wie Sie wissen, werden diese Vögel wie ein gegeben Spanish: ¿Por qué la gente no me presta más atención? ¿Por qué no le agrado a la gente? tipo de cosas, pero puedes desahogarte, ¿sabes? [Colby] sí, totalmente ahora tú siempre tienes como un halcón como en tu lado izquierdo ¿cuál es el significado de ese tipo? [Toby] es solo Chris, sí. [Colby] como se llama Chris, me gusta la idea de que le aterrorice y que siempre está tratando de gustarle ... que quiere verse bien pero no puede como en realidad darle de comer porque le da un susto de mierda Creo que sí, es totalmente total perfecto para su personaje que el que solo quiere tener siempre un pajarito de presa detrás de él. Creo que eso es lo que piensa de sí mismo, quiero decir tal vez sea bueno pensar en improvisar, pero como si fuera algo bueno metáfora para él, se considera un ave de rapiña pero en realidad tiene un sombrero especial que le hace pensar que es de noche como si supieras que esos pájaros se dan como un English: why won't people pay me more attention why don't people like me kind of stuff but you get to vent you know? [Colby] yeah totally totally now you always have like a falcon like on your left side what's the significance of that guy? [Toby] it's just Chris yeah. [Colby] what's his name Chris I like the idea that he's terrified of it and that he's like always trying to like... that he wants to look cool but he can't like actually feed it because it scares the shit out of him I think yeah it's totally totally perfect for his character that he that he just wants to always have a bird of prey behind him. I think that's how he thinks of himself I mean maybe it's good just thinking of off the cuff but like it's a kind of good metaphor for him he thinks of himself as a bird of prey but actually he's got a special hat on that makes him think it's night time like you know those birds are given like a Russian: специальная маска, да, которая закрывает им глаза, чтобы они не знаю, что это что-то вокруг, и я чувствую, что что так , что Этельред просто вид лечения он как я сокол вроде ладно надень шляпу Сейчас ночь, да, сейчас ночь, у Альдхельма это да, у тебя тоже было много сцен в начале, когда вы начали во втором и третьем сезоне с Альдхельмом, Джеймс Норткот, а потом еще раз, как вы сказали даже Милли Брэди, что вы не видел много в прошлом сезоне, четвертом сезоне, так как я думаю, уйти от него, а потом больше с Джейми Блэкли? [Тоби] Я только что вспомнил, что это сцена, в которой мы оба, в которых находятся Джеймс и Милли где он говорит, что я выгляжу как датчанин, а они смеяться над нами, пока у них есть, а затем у нас есть отличная реплика он говорит, что эта еда невыносима, меня тошнит да, я не знаю, это только что пришло мне в голову English: special mask yeah that covers their eyes so that they don't know that it's that anything's around and I feel like that's the way that Aethelred's just kind of treated he's like I'm a falcon like okay put your hat on it's night time now yes it's night time Aldhelm's got this yeah you also you had a lot of scenes early on when you started out in season two and three with Aldhelm, James Northcote and then again even like how you said even Millie Brady you didn't see a lot of in the last season, season four so how was it I guess getting away from him and then being more with Jamie Blackley? [Toby] I just remembered that that's the scene that we're both that James and Millie are in where he says I look like a Dane and they laugh about us while they're having and then we have a great line he says this meal is intolerable I have to vomit yeah I don't know that just came into my Spanish: mascara especial si que cubre sus ojos para que ellos no sé que es que hay algo alrededor y siento que esa es la forma en que Aethelred solo tipo de tratado él es como si yo fuera un halcón como ok ponte tu sombrero es de noche ahora sí es de noche Aldhelm tiene esto sí, también tuviste muchas escenas al principio cuando empezaste en la temporada dos y tres con Aldhelm, James Northcote y luego de nuevo incluso me gusta cómo dijiste que incluso Millie Brady no vi mucho en la última temporada, la cuarta temporada, entonces, ¿cómo Supongo que fue alejarme de él y luego estar más con Jamie Blackley? [Toby] Acabo de recordar que eso es la escena en la que estamos los dos, en la que están James y Millie donde dice que parezco un danés y ellos se ríen de nosotros mientras están tomando y luego tenemos un gran línea dice que esta comida es intolerable tengo que vomitar sí , no sé que acaba de entrar en mi Portuguese: máscara especial sim, que cobre seus olhos para que eles não sei se é que algo está por aí e eu sinto que é assim que Aethelred é tratado ele é como se eu fosse um falcão, ok, coloque seu chapéu é noite agora sim é noite Aldhelm tem isso sim, você também teve muitas cenas no início quando você começou na segunda e terceira temporada com Aldhelm, James Northcote e, novamente, mesmo como você disse até Millie Brady você não vi muito na última temporada, temporada quatro, então como foi eu acho que ficar longe dele e então estar mais com Jamie Blackley? [Toby] Acabei de lembrar que é a cena em que somos ambos, que James e Millie estão onde ele diz que eu pareço um dinamarquês e eles rir de nós enquanto eles estão tendo e então temos um ótima fala ele diz que esta refeição é intolerável, tenho que vomitar sim, eu não sei isso acabou de entrar no meu German: spezielle Maske ja , die ihre Augen bedeckt, damit sie Ich weiß nicht, dass irgendetwas in der Nähe ist und ich fühle mich wie Auf diese Weise wird Aethelred einfach behandelt Er ist, als wäre ich ein Falke. Okay, setzen Sie Ihren Hut auf Es ist Nachtzeit, ja, es ist Nachtzeit. Aldhelm hat das hier Ja, du hattest auch schon früh viele Szenen Du hast in der zweiten und dritten Staffel mit Aldhelm angefangen. James Northcote und dann noch mehr wie du gesagt hast sogar Millie Brady dich Ich habe in der letzten Staffel nicht viel gesehen , Staffel vier also wie war es, denke ich, von ihm wegzukommen und dann mehr mit Jamie Blackley zusammen sein? [Toby] Ich habe mich nur daran erinnert, dass das so ist die Szene, in der wir beide sind, in der James und Millie sind wo er sagt, ich sehe aus wie ein Däne und sie lache über uns, während sie haben und dann haben wir eine tolle Linie er sagt, diese Mahlzeit ist unerträglich Ich muss mich übergeben Ja, ich weiß nicht, dass das gerade in meine gekommen ist Arabic: نعم قناع خاص يغطي عيونهم حتى يكونوا لا أعرف أن هناك أي شيء موجود وأشعر بذلك هذه هي الطريقة التي تعامل بها Aethelred نوعًا ما إنه مثل أنا صقر مثل حسناً ضع قبعتك حان وقت الليل الآن ، نعم حان وقت الليل لدى ألدهيلم هذا نعم ، لقد كان لديك أيضًا الكثير من المشاهد في وقت مبكر بدأت في الموسم الثاني والثالث مع ألدهيلم ، جيمس نورثكوت ثم مرة أخرى أعجبك كيف قلت حتى ميلي برادي لك لم أشاهد الكثير في الموسم الماضي ، الموسم الرابع ، فكيف أظن أن الابتعاد عنه بعد ذلك أن تكون أكثر مع جيمي بلاكلي؟ [توبي] فقط تذكرت ذلك المشهد الذي يوجد فيه كل من جيمس وميلي حيث يقول إنني أبدو مثل الدانماركي وهم يضحكون علينا أثناء وجودهم ومن ثم لدينا خط رائع يقول أن هذه الوجبة لا تطاق يجب أن أتقيأ نعم ، لا أعلم أن هذا جاء للتو Hungarian: speciális maszk igen, amely eltakarja a szemüket úgy, hogy nem tudom, hogy bármi is van a közelben, és úgy érzem ez az a mód, amellyel Aethelredet csak afféle bánásmódban részesítették olyan, mintha sólyom lennék, mint rendben, tegye a kalapját éjszaka van, most igen, éjjel van Aldhelmnél igen neked is sok jeleneted volt már korán mikor a második és a harmadik évadban kezdtél Aldhelmmel, James Northcote, majd megint még az is tetszik , ahogy mondtad Millie Brady-t nem sokat láttam az elmúlt szezonban, a negyedik évadban, akkor hogyan ez volt azt hiszem, hogy eltávolodtam tőle és akkor inkább Jamie Blackley-vel lenni? [Toby] Csak arra emlékeztem, hogy ez az az a jelenet, amelyben mindketten vagyunk, ahol James és Millie van ahol azt mondja, hogy úgy nézek ki, mint egy dán és ők nevess rajtunk, amíg vannak, és akkor nekünk van egy nagyszerű vonal szerint ez az étkezés elviselhetetlen, hánynom kell igen , nem tudom, hogy ez csak most jött be Chinese: 是的 ,特别的面具遮盖了他们的眼睛,使他们 不知道 周围有什么,我觉得 这就是Aethelred 受到对待的方式 他就像我是猎鹰一样,好吧,戴上 你的帽子 现在是晚上,是的,现在是晚上 Aldhelm有了这个 是的,你也 很早就有很多场景 您在第二季和第三季开始 与Aldhelm合作, 詹姆斯·诺斯科特(James Northcote),然后甚至再次像 你所说的,甚至米莉·布雷迪(Millie Brady) 在上个赛季,第四季,没有看到太多 是我想离开他 然后 和杰米·布莱克利在一起吗?[托比]我 只记得那是 我们都是 詹姆斯和米莉都在的场景 在那里 ,他说我长得像一个丹麦人,他们 当他们在一起的时候嘲笑我们,然后我们有一个 他说这句话很棒, 我必须呕吐 是的, 我不知道那只是进入我的 French: masque spécial ouais qui couvre leurs yeux pour qu'ils Je ne sais pas qu'il y a quelque chose dans les parages et j'ai envie C'est la façon dont Aethelred est juste en quelque sorte traitée Il est comme si j'étais un faucon, d'accord, mets ton chapeau c'est la nuit maintenant oui c'est la nuit Aldhelm a ça ouais toi aussi tu as eu beaucoup de scènes au début quand vous avez débuté dans la saison deux et trois avec Aldhelm, James Northcote et encore une fois comme vous l'avez dit même Millie Brady je n'ai pas beaucoup vu la saison dernière, la saison quatre, alors comment était-ce que je suppose que je m'éloignais de lui et ensuite être plus avec Jamie Blackley? [Toby] Je viens de me rappeler que c'est la scène dans laquelle nous sommes tous les deux dans laquelle James et Millie sont où il dit que je ressemble à un danois et ils rire de nous pendant qu'ils ont et puis nous avons un bonne réplique il dit que ce repas est intolérable je dois vomir ouais je ne sais pas que c'est juste entré dans mon Arabic: رئيس. [كولبي] نعم هذا صحيح بعد أن أخبرته أن يقترب منها أيضًا أوه نعم أعني ما الذي كنت أفكر فيه؟ نعم تحرك غريب نعم وجدت نوعًا ما أحاول إيجاد بديل دقيق لـ الدهيلم. آخر مثل ما أعتقد أنه خادم تحت سيطرتي وهو في الواقع ينسق زوالتي لدي نوع من العلاقة الغريبة مع Eardwulf حيث أكون دائمًا أخبره أنني أحاول النوم مع أخته دائمًا ما يكون ممتعًا بالنسبة له ولا أعتقد أن هذا مثل أنه قد لا يريد أن يسمع أنني سأمارس الجنس مع أختك نعم في الأساس السطر الأول من الموسم الرابع أن أكون سعيدًا جدًا بنفسي ، نعم ، كان من الرائع العمل مع جيمي. أنا صورت معه فيلم عندما كان عمري 19 سنة. "uwantme2killhim؟" الذي حول صيد الأسماك عبر الإنترنت Hungarian: fej. [Colby] igen, rögtön azután mondod neki, hogy kerüljön közel hozzá ja igen, úgy értem, mire gondoltam? igen furcsa lépés igen valahogy találok Megpróbálom megtalálni a pontos helyettesítőt Aldhelm. egy másik, amiről azt gondolom, hogy ez egy lakáj, aki az irányításom alatt áll és valójában a megszűnésemet vezeti egyfajta furcsa kapcsolat Eardwulf- tal , ahol állandóan vagyok mondván neki, hogy megpróbálok lefeküdni a nővérével mindig szórakoztató számára, nem is gondolom, hogy ilyen hogy esetleg nem akarja hallani, hogy szexelni fogok a nővéreddel igen, alapvetően a negyedik évad első sora hogy nagyon elégedett vagyok magammal igen igen nagyon jó volt Jamie-vel dolgozni. én filmet forgattam vele 19 éves koromban. "uwantme2killhim?" ami az internetes macskázásról German: Kopf. [Colby] Ja, das ist gleich nachdem du ihm gesagt hast, er soll auch in ihre Nähe kommen Oh ja, ich meine, was habe ich gedacht? Ja, seltsame Bewegung, ja, ich finde sie irgendwie Ich versuche einen genauen Ersatz für zu finden Aldhelm. Ein anderer, wie ich denke, ist ein Lakai, der unter meiner Kontrolle steht und orchestriert tatsächlich meinen Tod, den ich habe eine seltsame Beziehung zu Eardwulf, wo ich ständig bin Ich sage ihm, dass ich versuche, mit seiner Schwester zu schlafen Immer lustig für ihn Ich denke nicht einmal, dass das so ist dass er vielleicht nicht hören will, dass ich Sex mit deiner Schwester haben werde Ja, im Grunde die erste Zeile der vierten Staffel so zufrieden mit mir zu sein yeah yeah es war großartig mit Jamie zu arbeiten. ich drehte mit ihm einen Film, als ich 19 war. "uwantme2killhim?" welches ist über Internet Catfishing Chinese: 头。[Colby]是的,那是在您告诉 他也要靠近她之后 哦,是的,我是说我在想什么?是的, 奇怪的举动,是的,我找到了 我尝试找到一个确切的替代品 Aldhelm。另一个像我 认为是受我控制的小家伙 实际上是在 安排我的消亡,我有一个 与我一直在与伊德沃夫的关系有点奇怪 告诉他我要 和他妹妹睡觉 总是对他很有趣,我 什至不认为那就像 他可能不想听到我 要和你妹妹发生性关系 耶基本赛季的第一线 4 对自己感到很高兴, 是的,与Jamie一起工作真是太好了。一世 我19 岁时和他一起拍了电影。“ uwantme2killhim?” 这是 关于 互联网cat鱼 French: tête. [Colby] ouais c'est juste après que tu lui as dit de se rapprocher d'elle aussi oh ouais je veux dire à quoi pensais-je? Ouais mouvement étrange ouais je trouve un peu J'essaye de trouver un remplaçant exact pour Aldhelm. un autre comme ce que je pense est un laquais qui est sous mon contrôle et est en train d' orchestrer ma disparition, j'ai un genre de relation étrange avec Eardwulf où je suis constamment lui disant que j'essaye de coucher avec sa soeur toujours amusant pour lui, je ne pense même pas que c'est comme qu'il pourrait ne pas vouloir entendre que je vais coucher avec ta sœur ouais en gros la première ligne de la saison quatre être si content de moi ouais ouais c'était super de travailler avec Jamie. je a tourné un film avec lui quand j'avais 19 ans. "uwantme2killhim?" lequel est à propos de la pêche au chat sur Internet Spanish: cabeza. [Colby] sí, eso es justo después de que le digas que se acerque a ella también oh sí, quiero decir, ¿qué estaba pensando? sí, movimiento extraño, sí, me parece Intento encontrar un reemplazo exacto para Aldhelm. otro como lo que creo que es un lacayo que está bajo mi control y en realidad está orquestando mi desaparición. Tengo una una especie de relación un poco extraña con Eardwulf donde estoy constantemente diciéndole que estoy tratando de acostarme con su hermana Siempre es divertido para él , ni siquiera creo que eso sea como que tal vez no quiera escuchar que voy a tener sexo con tu hermana sí, básicamente la primera línea de la cuarta temporada estar tan satisfecho conmigo mismo, sí, sí, fue genial trabajar con Jamie. yo Grabé una película con él cuando tenía 19 años. "Uwantme2killhim?" cual es sobre la pesca del gato en Internet Russian: глава. [Колби] Да, это сразу после того, как ты сказал ему, чтобы он тоже приблизился к ней о да, я имею в виду, о чем я думал? да странный ход да я вроде нахожу Я пытаюсь найти точную замену Альдхельм. Другой вроде того, что я думаю, это лакей, который находится под моим контролем и на самом деле организовал мою кончину. своего рода странные отношения с Эардвульфом, где я постоянно нахожусь говоря ему, что я пытаюсь переспать с его сестрой всегда весело для него я даже не думаю, что это как что он, возможно, не захочет слышать, что я собираюсь заняться сексом с твоей сестрой да, в основном первая строчка четвертого сезона Я так доволен собой, да, это было здорово работать с Джейми. я снял с ним фильм, когда мне было 19 лет. "uwantme2killhim?" который об интернет-ловле кошек English: head. [Colby] yeah that's right after you tell him to get close to her too oh yeah I mean what was I thinking? yeah odd move yeah I kind of find I try and find an exact replacement for Aldhelm. another like what I think is a lackey who's under my control and is actually orchestrating my demise I've got a kind of odd bit of a relationship with with Eardwulf where I constantly am telling him that I'm trying to sleep with his sister always fun for him I don't even think that that's like that he might not want to hear that I'm going to have sex with your sister yeah basically the first line of season four being so pleased with myself yeah yeah it was great working with Jamie. I shot a movie with him when I was 19. "uwantme2killhim?" which is about internet catfishing Portuguese: cabeça. [Colby] sim, isso é logo depois de você dizer a ele para chegar perto dela também oh sim, quero dizer o que eu estava pensando? sim movimento estranho sim eu meio que acho Eu tento encontrar um substituto exato para Aldhelm. outro como o que eu acho que é um lacaio que está sob meu controle e está orquestrando minha morte, tenho um um relacionamento meio estranho com Eardwulf, onde estou constantemente dizendo a ele que estou tentando dormir com sua irmã sempre divertido para ele eu nem acho que é tipo que ele pode não querer ouvir que vou fazer sexo com sua irmã sim, basicamente a primeira linha da quarta temporada estando tão satisfeito comigo mesmo, sim, foi ótimo trabalhar com Jamie. Eu fiz um filme com ele quando eu tinha 19 anos. "uwantme2killhim?" qual é sobre pesca de gato na internet Hungarian: és ebben is megszúrt. igen hosszú vagyok Jamie története megpróbált megölni. [Colby] a következő dolog, amit vele tartasz tudom, hogy ez lesz az utolsó évadod, vagy bármi, amiben megjelenik. [Toby] igen legyen, mint aki a munka szar, hogyan fogom ezt csinálni idő? igen, nem tette tényleg végezze el a munkát mintha ha azokat a filmeket néznéd, fiú nézné ezeket a jeleneteket hátulról Úgy értem, ez abból fakad, hogy egy sikátorban megszúrtam iskolásként visszamenni az időben, hogy befejezze a munkát, és egészen újszerű módszer a fejem összenyomására a befogóval Igen ez fantasztikus, és még azt hiszem , ez is megy a harmadik évad végén elszúrtad James Northcote-ot . igen, egy nagyon kicsi késsel szúrtam meg, nem egy halálos késsel Nem gondoltam volna, hogy utána visszatér , és igen túlélte. [Toby] igen, úgy értem, ha sejtem, hogy történelmileg teljesen pontos volt-e akkor minden seb olyan, mint egy halálos ítélet tudod, mintha kibaszottul megrándítanád a hüvelykujjad, akkor biztosan meghalsz. Russian: и он тоже ударил меня ножом. да, у меня длинный история Джейми пытается меня убить. [Колби] в следующий раз ты с ним встретишься знаю, что это будет твой последний сезон, или что бы он ни появлялся. [Тоби] да, я будь как он на работе, дерьмо, как я пойду на это время? да он не сделал вполне сделать работу в этом на самом деле Например, если вы посмотрите эти фильмы, мальчик, посмотрите эти сцены подряд Я имею в виду, что это происходит от удара ножом в переулке как школьники, чтобы вернуться в прошлое, чтобы закончить работу и это довольно новый способ разбить мне голову жгутом да это круто, и даже я думаю, что и от этого уйду вы зарезали Джеймса Норткоута в конце третьего сезона. да, я ударил его очень маленьким ножом, да, не смертельным ножом Я не думал, что он вернется после этого и да он пережил это. [Тоби] Да, я имею в виду, если я предполагаю, было ли это исторически достоверным тогда любая рана похожа на смертный приговор Знаешь, если ты, блядь, вывихнешь большой палец, ты точно умрешь. English: and he stabbed me in that as well. yeah I've got a long history of Jamie trying to kill me. [Colby] next thing you're in with him you know that's going to be your last season or whatever he shows up in. [Toby] yeah I'll be like he's on the job shit how will I go this time? yeah he didn't he didn't quite get the job done in that one actually like if you watch those films back boy watch those scenes back to back I mean it goes from stabbing me in an alleyway as school kids to going back in time to finish the job and it's quite a novel way of crushing my head with the tourniquet yes that is awesome and even I guess going off of that too you stabbed James Northcote at the end of season three. yeah I stabbed him with a very small knife yeah not a deadly knife I didn't think he was coming back after that and yeah he survived it. [Toby] yeah I mean if I guess if it was totally historically accurate then any wound is like a death sentence you know like if you fucking sprain your thumb you're like definitely gonna die. Spanish: y me apuñaló en eso también. si tengo un largo historia de Jamie tratando de matarme. [Colby] lo siguiente que estás con él es tu sé que esa será tu última temporada o lo que sea en lo que aparezca. [Toby] sí, Sea como si estuviera en el trabajo, mierda, ¿cómo voy a hacer esto? ¿hora? sí, no lo hizo, no lo hizo bastante hacer el trabajo en ese en realidad como si miras esas películas, chico, mira esas escenas una detrás de la otra Quiero decir que pasa de apuñalarme en un callejón como escolares a retroceder en el tiempo para terminar el trabajo y es una forma bastante novedosa de aplastarme la cabeza con el torniquete si eso es asombroso e incluso supongo que me salgo de eso también apuñalaste a James Northcote al final de la tercera temporada. sí, lo apuñalé con un cuchillo muy pequeño, sí, no un cuchillo mortal No pensé que volvería después de eso y sí lo sobrevivió. [Toby] sí, quiero decir, si supongo que si fuera históricamente exacto entonces cualquier herida es como una sentencia de muerte sabes que si te esguinces el pulgar definitivamente vas a morir. French: et il m'a poignardé aussi. ouais j'ai un long histoire de Jamie essayant de me tuer. [Colby] la prochaine chose que vous êtes avec lui vous Je sais que ça va être ta dernière saison ou tout ce dans quoi il se présente. [Toby] ouais je être comme s'il était au boulot merde comment vais-je faire ça temps? ouais il n'a pas il n'a pas faire le travail dans celui- là en fait comme si tu regardes ces films dos à dos, regarde ces scènes dos à dos Je veux dire que ça va de me poignarder dans une ruelle en tant qu'écoliers à remonter le temps pour terminer le travail et c'est une façon assez originale de m'écraser la tête avec le garrot Oui c'est génial et même je suppose que cela aussi vous avez poignardé James Northcote à la fin de la troisième saison. Ouais je l'ai poignardé avec un tout petit couteau ouais pas un couteau mortel Je ne pensais pas qu'il reviendrait après ça et ouais il y a survécu. [Toby] ouais je veux dire si je suppose que si c'était totalement historiquement exact alors toute blessure est comme une condamnation à mort tu sais que si tu t'entorses le pouce, tu vas vraiment mourir. Arabic: وطعنني في ذلك أيضًا. نعم لدي فترة طويلة تاريخ محاولة جيمي لقتلي. [كولبي] الشيء التالي الذي أنت معه أعلم أن هذا سيكون موسمك الأخير أو أيًا كان ما سيظهر فيه. [توبي] نعم سأفعل كن كما لو كان في العمل القرف كيف سأذهب هذا زمن؟ نعم لم يفعل تماما انجاز هذه المهمة في ذلك واحد في الواقع كما لو كنت تشاهد تلك الأفلام مرة أخرى فتى شاهد تلك المشاهد من الخلف إلى الوراء أعني أنه من طعني في زقاق كأطفال مدرسة للعودة في الوقت المناسب لإنهاء العمل و إنها طريقة جديدة تمامًا لسحق رأسي باستخدام العاصبة نعم هذا رائع وحتى أظن الخروج من ذلك أيضًا لقد طعنت جيمس نورثكوت في نهاية الموسم الثالث. نعم لقد طعنته بسكين صغير جدًا ، نعم ليس بسكين مميت لم أكن أعتقد أنه سيعود بعد ذلك ونعم نجا منها. [توبي] نعم أعني إذا كنت أعتقد أنه كان دقيقًا تمامًا من الناحية التاريخية ثم أي جرح مثل حكم الإعدام أنت تعرف أنه إذا قمت بتواء إبهامك ، فستموت بالتأكيد. Portuguese: e ele também me apunhalou nisso. sim eu tenho um longo história de Jamie tentando me matar. [Colby] próxima coisa que você faz com ele você sei que vai ser sua última temporada ou o que quer que ele apareça. [Toby] sim, eu vou ser como se ele estivesse trabalhando merda, como irei fazer isso Tempo? sim ele não fez ele não fez bastante fazer o trabalho em que uma verdade como se você assistisse aqueles filmes de volta, garoto, assista aquelas cenas de costas Quer dizer, vai desde me apunhalar em um beco como crianças da escola voltando no tempo para terminar o trabalho e é uma maneira bastante nova de esmagar minha cabeça com o torniquete sim isso é incrível e até eu acho que sair disso também você esfaqueou James Northcote no final da terceira temporada. sim, eu o esfaqueei com uma faca muito pequena sim, não uma faca mortal Eu não pensei que ele voltaria depois disso e sim ele sobreviveu. [Toby] sim, quero dizer, se eu acho que foi totalmente historicamente preciso então qualquer ferimento é como uma sentença de morte você sabe que se torcer o polegar, você definitivamente vai morrer. German: und er hat mich auch darin erstochen. Ja, ich habe eine lange Geschichte von Jamie, der versucht mich zu töten. [Colby] Als nächstes bist du bei ihm Ich weiß, dass das deine letzte Staffel sein wird oder in was auch immer er auftaucht. [Toby] Ja, das werde ich Sei so, als wäre er bei der Arbeit, Scheiße, wie soll ich das machen? Zeit? Ja, hat er nicht, er hat nicht Erledige die Arbeit in diesem Fall tatsächlich Zum Beispiel, wenn Sie diese Filme zurückschauen, Junge, schauen Sie sich diese Szenen hintereinander an Ich meine, es geht darum, mich in eine Gasse zu stechen als Schulkinder in die Vergangenheit zurückkehren, um den Job zu beenden und Es ist eine ziemlich neue Art , meinen Kopf mit dem Tourniquet zu zerquetschen Ja das ist großartig und selbst ich denke, das geht auch so Sie haben James Northcote am Ende der dritten Staffel erstochen . Ja, ich habe ihn mit einem sehr kleinen Messer erstochen. Ja, kein tödliches Messer Ich dachte nicht, dass er danach zurückkommen würde und ja er hat es überlebt. [Toby] Ja, ich meine, wenn ich denke, ob es historisch absolut korrekt war dann ist jede Wunde wie ein Todesurteil Du weißt, wenn du dir den Daumen verstauchst, wirst du definitiv sterben. Chinese: 他也用刀刺了我 是的,我已经很长了 杰米试图杀死我的历史。[Colby] 下一件你和他在一起的事 知道那将是你的最后一个赛季, 或者他将要出现的任何内容。[托比]是的,我会 就像 他在工作,该怎么办 时间? 是的,他没有,他没有 确实完成了那 一项工作 就像你看那些电影一样,回头 看那些场景 我的意思是,这是从在 小巷中刺伤我 作为学校的孩子,他们会回到过去以 完成工作, 用止血带压伤我的头是一种很新颖的方法 是 太棒了,甚至我猜 也是这样 您在第三 季结束时刺伤了James Northcote 。 是的,我用 一把小刀刺了他,不是致命的刀 我不认为他之后会回来 ,是的 他幸免于难。[Toby]是的,我的意思是如果我猜 它是否完全历史准确 那么 任何伤口就像死刑 你知道如果你他妈的会扭伤你的 拇指,那肯定会死。 German: Die einzige Medizin, die sie hatten, waren nur Blutegel Das Beste, was sie dir anbieten konnten, waren nur Blutegel, die du kennst. [Colby] stellt sich nur vor Kommen Sie mit wie Ihr Daumen ein wenig verletzt und wie ja Sie weiß nichts wir können nichts tun sorry. [Toby] Ja, das wird sich ausbreiten und Schließlich wird es einen Abszess in Ihrem Gehirn machen Mach Frieden mit deinem Gott. Wie war es, diese Szene zu machen? weil diese Szene bringt man eine gewisse Intensität Mit James Northcote hat sich eine Art Kluft zwischen euch aufgebaut. du hast bemerkte, dass er anfängt, die Treue zu ändern Ja, der Regisseur der Episode Jan, er ist dieser Belgier und er ist einfach nur brillant wie er wirklich ins Spiel wie Verspieltheit am Set, als würde er jeden Tag mit einem Witz wie einer Pantomime beginnen dass es dir gut geht, aber er gibt tatsächlich den Ton an wo er dir einfach gerne eine Zigarette reicht, die nicht da ist Portuguese: o único remédio que eles tinham era apenas sanguessugas, o único a melhor coisa que eles podiam oferecer a você eram sanguessugas, você conhece. [Colby] apenas imaginando entrando com seu polegar um pouco machucado e tipo sim você não sei nada, não podemos fazer nada, desculpe. [Toby] sim, isso vai se espalhar e eventualmente, fará um abcesso em seu cérebro vá fazer as pazes com o seu deus como foi fazer aquela cena? porque aquela cena você traz uma certa intensidade com James Northcote, uma espécie de rixa foi se formando entre vocês. você tem percebeu que ele está começando a mudar de lealdade sim, dirija o diretor naquele episódio Jan, ele é um cara belga e é simplesmente brilhante como se ele fosse realmente em jogo como brincadeira no set como se ele começasse todos os dias como uma piada como um mímico que você está bem, mas ele realmente dá o tom onde ele vai apenas te passar um cigarro que não está lá Russian: единственное лекарство, которое у них было, были пиявки, единственные Лучшее, что они могли вам предложить, это просто пиявки. [Колби] просто представляю входя, как твой большой палец, немного ушиблен и как ты ничего не знаю, мы ничего не можем сделать, извините. [Тоби] Да, это распространится и в конечном итоге это вызовет абсцесс в вашем мозгу иди помирись со своим богом, каково было сниматься в этой сцене? потому что эта сцена вы привносите определенную интенсивность с Джеймсом Норткотом между вами, ребята , возник своего рода раскол . ты заметил, что он начинает менять верность да, режиссер в этом эпизоде Ян, он этот бельгийский парень, и он просто чертовски хорош, как будто он действительно в игре, как игривость на съемочной площадке, как будто он начинает каждый день с шутки, как мим что ты вроде все в порядке, но на самом деле он как бы задает тон где он просто хотел передать вам сигарету, которой нет French: le seul médicament qu'ils avaient était juste des sangsues le seul la meilleure chose qu'ils pouvaient vous offrir était juste des sangsues que vous connaissez. [Colby] imaginant juste venir avec comme ton pouce un peu meurtri et comme ouais toi rien savoir, nous ne pouvons rien faire désolé. [Toby] ouais ça va se répandre et finalement ça fera un abcès dans ton cerveau va faire la paix avec ton dieu comment c'était de faire cette scène? parce que cette scène vous apporte une certaine intensité avec James Northcote, une sorte de rupture s'est établie entre vous les gars. vous avez remarqué qu'il commençait à changer d' allégeance ouais le direct du réalisateur sur cet épisode Jan, c'est ce gars belge et il est juste génial comme s'il était vraiment en jeu comme espièglerie sur le plateau comme il commence chaque jour avec comme une blague comme un mime Que tu es d'accord quoi qu'il en soit mais il donne en fait le ton où il aimera juste te passer une cigarette qui n'est pas là Spanish: la única medicina que tenían eran solo sanguijuelas, la única lo mejor que podían ofrecerte eran sanguijuelas que conoces. [Colby] solo imaginando entrando como tu pulgar un poco magullado y como si tu no sabemos nada podemos hacer nada lo siento. [Toby] sí, eso se extenderá y eventualmente hará un absceso en tu cerebro Ve a hacer las paces con tu dios, ¿cómo fue hacer esa escena? porque esa escena le traes cierta intensidad con James Northcote, se ha estado creando una especie de ruptura entre ustedes. tienes notó que está comenzando a cambiar de lealtad sí, el director en ese episodio Jan, es un tipo belga y es jodidamente brillante como si fuera realmente en juego como la alegría en el set como si comenzara todos los días con una broma como un mimo que estás bien como sea, pero él en realidad marca el tono donde simplemente te pasará un cigarrillo que no está Arabic: كان الدواء الوحيد الذي كان لديهم هو العلق الوحيد أفضل ما يمكن أن يقدموه لك هو العلق الذي تعرفه. [كولبي] مجرد تصوير يأتي مع مثل إبهامك قليلا كدمات ومثلك لا نعرف شيئًا لا يمكننا فعل أي شيء آسف. [توبي] نعم هذا سوف ينتشر و في النهاية سوف يحدث خراج في دماغك اذهب وصالح مع ربك كيف كان ذلك المشهد؟ لأن هذا المشهد يجلب لك حدة معينة مع جيمس نورثكوت ، كان هناك نوع من الخلاف بينكم يا رفاق. كنت أنت لاحظ أنه بدأ في تغيير ولائه نعم المدير المباشر في تلك الحلقة جان ، إنه هذا الرجل البلجيكي وهو رائع مثله حقًا في اللعب مثل المرح في وضع مثل أنه يبدأ كل يوم مثل نكتة مثل التمثيل الصامت بأنك على ما يرام مهما كان ، لكنه في الواقع يحدد النغمة حيث يعجبك فقط سيجارة غير موجودة Chinese: 他们唯一的药只是水 ches 他们可以为您提供的最好的东西就是水 know。[Colby]只是想像 像你的拇指进来 有点瘀伤,像是的你 一无所知,我们 无能为力。[托比]是的,会传播 最终它会在你的 大脑中脓肿 去和你的上帝和睦相处 那场面怎么样? 因为那个场景给你带来一定的 强度 与詹姆斯·诺斯科特(James Northcote) 之间,你们之间已经建立起一种裂痕。你已经 注意到他开始改变 效忠 是的 ,那集的导演直接 Jan,他是这个比利时人,他 像他 真正进入喜欢打 嬉闹 就像他 每天都像笑话一样开玩笑 不管你怎么样,但他实际上定了基调 他会喜欢把 不存在的香烟递给你 English: the only medicine that they had was just leeches the only the best thing that they could offer you was just leeches you know. [Colby] just picturing coming in with like your thumb a little bit bruised and like yeah you know nothing we can do nothing sorry. [Toby] yeah that'll spread and eventually it'll do an abscess in your brain go make peace with your god what was it like doing that scene? because that scene you bring a certain intensity with James Northcote, a kind of rift has been building between you guys. you've noticed that he's starting to change allegiance yeah the direct the director on that episode Jan, he's this Belgian guy and he's just fucking brilliant like he's really into play like playfulness on set like he starts every day with like a joke like a mime that you're like okay whatever but he actually kind of sets the tone where he'll just like pass you a cigarette that isn't there Hungarian: az egyetlen gyógyszer, amely csak a pióca volt, az egyetlen A legjobb dolog, amit felajánlhattak neked , csak a piócák voltak, amelyeket ismersz. [Colby] csak képeket ábrázol úgy jön be, mint a hüvelykujja , kissé megsérülve, és igen nem tudunk semmit, nem tehetünk semmit, sajnálom. [Toby] igen, ez el fog terjedni és végül tályogot fog okozni az agyadban menj békülni az isteneddel, milyen volt az a jelenet? mert az a jelenet bizonyos intenzitást hoz James Northcote-tal egyfajta szakadás alakult ki közöttetek. te vagy észrevette, hogy kezd hűséget váltani igen, az adott epizód közvetlen rendezője Jan, ő ez a belga srác, és baromi zseniális, mint ő valóban játékba, mint a játékosság a forgatáson, mintha minden nap úgy kezdene, mint egy poén, mint egy mimika hogy minden rendben vagy, de valójában ő adja meg a hangot ahol csak tetszik átadni neked egy cigarettát, ami nincs Spanish: y todos los que están como tener una calada en esta cosa que sabes en esta falsificación cigarrillo o le gustará como si fuera a correr hacia mí y Entonces te gusta correr hacia él y luego a él le gusta Will no tirarte sino tirarte al aire y que y luego Sea como wow, le gustaron 20 backflips como si supiera que crea esto realmente infantil como atmósfera. él es realmente en la meditación trascendental. él lo hace todos los días y así lo tiene, está realmente relajado y realmente hacerlo haciendo esas escenas incluso cuando son un poco intensa y estoy apuñalando a las personas que deben ser mis amigos hay una especie de alegría en la forma en que trabaja es difícil decirles a los actores que son buenos y que son malos como no malos pero si si le das un cumplido a alguien, entonces ellos querrán hacer lo mismo que acaban de hacer lo que lo empeorará y si diles que ... dales una crítica, entonces podrían se vuelve muy cohibido, por lo que hace algo diferente donde es Russian: И все, кто любит эту штуку, ты знаешь на этой подделке сигарету или ему понравится, как будто он побежит ко мне и тогда тебе нравится бегать на него, а потом ему нравится будет не бросить тебя, а бросить в воздух и что, а потом будь как вау, тебе понравилось 20 сальто назад, как будто ты знаешь, что это как бы создает это действительно детская атмосфера. он действительно занимается трансцендентной медитацией. он делает это каждый день, так что он как будто действительно расслабился и действительно так делаю эти сцены, даже когда они интенсивно, и я бью людей, которые должны быть моими друзья есть какая-то радость в том, как он работает там, где нравится трудно сказать актерам, что они хороши и что они плохие вроде не плохие, но если вы, если вы сделаете кому-то комплимент, они захотят сделать то же самое что они только что сделали, что будет только хуже, и если вы скажите им, что ... критикуйте их, тогда они могут становится действительно застенчивым, поэтому он делает другое, Arabic: وكل من يعجبك لديه عائق في هذا الشيء الذي تعرفه في هذا المزيف سيجارة أو أنه سوف يحب أن يكون مثل الجري نحوي و ثم تحب الجري عليه ثم يحب الإرادة لا يرميك بل يرميك في الهواء وماذا وبعد ذلك كن رائعًا لأنك أعجبت بـ 20 قلبًا خلفيًا كما تعلم أنه نوع من إنشاء هذا طفل حقا مثل الجو. إنه حقًا يحب التأمل التجاوزي. هو يفعل ذلك كل يوم ولذا فهو يشعر بالهدوء حقًا وفعل ذلك فعلاً فعل تلك المشاهد حتى عندما تكون نوعًا ما شديد وأقوم بطعن الأشخاص الذين من المفترض أن يكونوا لي الأصدقاء هناك نوع من البهجة للطريقة التي يعمل بها حيث يحب من الصعب إخبار الممثلين بأنهم جيدون و أنها سيئة مثل ليست سيئة ولكن إذا إذا جاملت شخصًا ما ، فسيرغب في فعل الشيء نفسه أنهم فعلوا ذلك للتو مما سيزيد الأمر سوءًا أخبرهم أن ... انتقدهم ثم ربما يفعلون يصبح واعيا بذاته حقا حتى يفعل شيئا مختلفا حيث هو Portuguese: e todo mundo que gosta, dê uma tragada nessa coisa que você conhece nesse falso cigarro ou ele vai gostar de correr em minha direção e então você gosta de correr para ele e ele gosta de vontade não te joguei, mas te joguei no ar e o que e então ser tipo uau, você gostou de 20 backflips como se você conhecesse, meio que cria isso realmente criança gosta de atmosfera. ele realmente gosta de meditação transcendental. ele faz isso todos os dias e então ele está realmente relaxado e realmente fazendo essas cenas mesmo quando são intenso e estou apunhalando as pessoas que deveriam ser minhas amigos, há uma espécie de alegria na maneira como ele trabalha, onde é difícil dizer aos atores que eles são bons e que eles são ruins como não são ruins, mas se você se você elogiar alguém, então eles vão querer fazer a mesma coisa que eles acabaram de fazer, o que tornará tudo pior e se você diga-lhes que ... dê-lhes uma crítica, então eles podem fica realmente autoconsciente, então ele faz uma coisa diferente onde é English: and everyone who's like have a drag on this thing you know on this fake cigarette or he'll like like he'll be like run towards me and then you like run at him and then he like will not throw you but throw you into the air and what and then be like wow you did like 20 backflips like you know it kind of creates this really child like atmosphere. he's really into transcendental meditation. he does it every day and so he's got, he's like really chilled out and really so doing doing those scenes even when they're kind of intense and I'm stabbing the people who are meant to be my friends there's a kind of joy to the way that he works where like it's difficult to tell actors that they're good and that they're bad like not bad but if you if you give someone a compliment then they'll want to do the same thing that they just did which will be make it worse and if you tell them that... give them a criticism then they might get really self-conscious so he does a different thing where it's Hungarian: és mindenki, aki kedveli, elhúzza ezt a dolgot, amit tud ezen a hamison cigaretta, vagy tetszeni fog neki, mintha futna felém és akkor szeretsz neki futni, aztán neki tetszik az akarat ne dobj, hanem dobj a levegőbe, és mi és akkor legyen olyan, mint wow, mint 20 visszaütés, mintha tudnád, ez valahogy ezt hozza létre igazán gyermeki hangulat. ő tényleg transzcendentális meditáció. ő mindennap csinálja, és így van, olyan, mintha tényleg kihűlt volna és valóban így csinálva ezeket a jeleneteket, még akkor is, ha ilyenek heves vagyok, és szúrom azokat az embereket, akik az enyémnek szántak barátaimnak egyfajta öröme , hogy ott dolgozik, ahol tetszik nehéz elmondani a színészeknek, hogy jók és hogy rosszak, mint nem rosszak, de ha ha valaki bókot ad valakinek, akkor ugyanezt akarja tenni hogy csak tettek, ami még rosszabbá teszi, és ha te mondd el nekik, hogy ... kritikát adjon nekik, akkor esetleg váljon igazán öntudatosá, így mást csinál, ahol van Chinese: 每个喜欢的人 都会对这个假货有所了解 香烟,或者他会喜欢 他会像奔向我, 然后你喜欢冲他,然后他 喜欢 不扔你,而是把你扔到空中 ,然后什么 就像哇,您确实喜欢20个后空翻, 就像您知道它可以创造出 真的很喜欢孩子的气氛。他 真的很喜欢先验冥想。他 每天都做,所以他得到了,他 就像真的很放松 确实做到了 即使在某些情况下也要这样做 激烈,我刺中 本该做我的人 朋友 ,他的工作方式有种快乐 很难告诉演员 他们很好,而且 他们很坏就像还不错, 但是如果 你,如果你给某人一个夸奖, 那么他们会想做同样的事情 他们只是这样做 会使情况变得更糟,如果您 告诉他们... 给他们批评,然后他们可能 变得真正的自我意识, 所以他在那做另一件事 German: und jeder, der Lust hat, hat eine Anziehungskraft auf dieses Ding, das Sie auf dieser Fälschung kennen Zigarette oder er wird es mögen, als würde er auf mich zu rennen und dann rennst du gerne auf ihn zu und dann mag er den Willen Wirf dich nicht, sondern wirf dich in die Luft und was und dann Sei wie Wow, du hast 20 Backflips gemocht, als wüsstest du, dass es das irgendwie schafft wirklich kindliche Atmosphäre. Er steht wirklich auf transzendentale Meditation. er tut es jeden Tag und so hat er, er ist wie wirklich entspannt und das wirklich, wenn man diese Szenen macht, auch wenn sie irgendwie sind intensiv und ich steche die Leute, die meine sein sollen Freunde, es ist eine Art Freude , wie er arbeitet, wo es gefällt Es ist schwierig, den Schauspielern zu sagen, dass sie gut sind und dass sie schlecht sind wie nicht schlecht, aber wenn Wenn Sie jemandem ein Kompliment machen, wird er das Gleiche tun wollen dass sie gerade getan haben, was es noch schlimmer machen wird und wenn Sie Sag ihnen, dass ... gib ihnen eine Kritik, dann könnten sie werde wirklich selbstbewusst, damit er etwas anderes macht, wo es ist French: et tous ceux qui aiment ont un frein sur cette chose que vous connaissez sur ce faux cigarette ou il aimera comme s'il courrait vers moi et alors tu aimes courir sur lui et ensuite il aime la volonté pas te jeter mais te jeter en l'air et quoi et puis soyez comme wow vous avez fait 20 backflips comme si vous le saviez vraiment enfant comme atmosphère. il aime vraiment la méditation transcendantale. il le fait tous les jours et donc il a, il est vraiment relaxé et vraiment faire ces scènes même quand elles sont en quelque sorte intense et je poignarde les gens qui sont censés être mon amis, il y a une sorte de joie dans la façon dont il travaille où comme il est difficile de dire aux acteurs qu'ils sont bons et qu'ils sont mauvais comme pas mal mais si vous si vous faites un compliment à quelqu'un, il voudra faire la même chose ce qu'ils viennent de faire, ce qui aggravera les choses et si vous dites-leur que ... donnez-leur une critique alors ils pourraient devient vraiment conscient de lui-même alors il fait une chose différente là où c'est Hungarian: mintha az örömről és a felfedezésről és a lényről szólna őszintén izgatott emiatt. szóval nem mintha ó, remekül teljesítettél volna. igazságosabb mint wow mi lenne, ha megpróbálnánk ezt , tudod, és ez egy igazán igazán szórakoztató munkamódszer. amolyan vicces jelenet volt, mert elszúrtad mintha ezt meggyógyítanád, ezt fogod mondani. és én olyan vagyok, mint aki halott kész. [Toby] attól függött, hogy zsebkés. a 900-as volt egyenértékű svájci késsel, tudod , hogy nem halott nem halálos, és biztos vagyok benne, nagyon tiszta te tudod igen az emberek akkor kemények voltak. [Colby] igen most van valami, amit szeretsz Aethelred karakteredben? [Toby] nem. nem oké legtöbbször, amikor felteszem ezt a kérdést, olyan, mint amit szeretsz? French: comme si c'était une question de joie et d'aimer explorer et être vraiment excité à ce sujet. donc ce n'est pas comme si tu t'es bien débrouillé. c'est plus juste comme wow et si on essayait ça tu sais et c'est vraiment un façon vraiment amusante de travailler. c'était une scène drôle parce que tu l'as poignardé comme si vous vous en remettez comme ceci, c'est ce que vous allez dire. et je suis juste comme s'il était mort il a fini. [Toby] dépendait que c'était un couteau de poche. c'était les 900 l'équivalent d'un couteau suisse tu sais ouais pas mort pas mortel et je suis sûr que très propre tu sais ouais les gens étaient durs à l'époque. [Colby] ouais absolument maintenant, y a-t-il quelque chose que vous aimez dans votre personnage Aethelred? [Toby] non. pas d'accord la plupart du temps, quand je pose cette question, c'est comme si tu aimes? Spanish: como si se tratara de alegría y como explorar y ser realmente emocionado por ello. así que no es como si lo hicieras genial. es más justo como wow, ¿y si intentáramos esto? ¿Sabes? una forma muy divertida de trabajar. Esa fue una escena un poco divertida porque lo apuñalas como si te recuperas de esto así es lo que vas a decir. y yo soy como si estuviera muerto como él ha terminado. [Toby] dependía de que fuera una navaja de bolsillo. eran los 900 equivalente a una navaja suiza, sabes que no está muerto no es mortal y estoy seguro que muy limpio, sabes sí, la gente era dura en ese entonces. [Colby] sí absolutamente Ahora, ¿hay algo que te guste de tu personaje Aethelred? [Toby] no. no esta bien la mayoría de las veces cuando hago esa pregunta es como ¿qué amas? Portuguese: como se fosse tudo sobre alegria e como explorar e ser genuinamente animado com isso. então não é como se você tivesse se saído bem. é mais justo tipo uau, e se tentássemos isso, você sabe e é realmente maneira muito divertida de trabalhar. foi uma cena meio engraçada porque você o esfaqueou se você se recuperar disso é o que você vai dizer. e eu sou como se ele estivesse morto como ele está feito. [Toby] era dependente, era um canivete. foi nos anos 900 equivalente a um canivete suíço, você sabe, sim, não está morto não mortal e com certeza muito limpo, você sabe sim, as pessoas eram difíceis naquela época. [Colby] sim, absolutamente agora há algo que você ama sobre seu personagem Aethelred? [Toby] não. não ok na maioria das vezes, quando faço essa pergunta, é como o que você ama? Arabic: كأن الأمر كله يتعلق بالفرح وبالاستكشاف والوجود حقا متحمس حيال ذلك. لذلك ليس الأمر كما لو أنك أبليت بلاءً حسنًا. إنه أكثر عدلاً أعجبني ، ماذا لو جربنا هذا ، فأنت تعلم وهو حقًا حقا طريقة ممتعة للعمل. كان هذا مشهدًا مضحكًا لأنك طعنته كما لو تعافيت من هذا مثل هذا ما ستقوله. وأنا فقط وكأنه ميت مثل فعله. [توبي] كان يعتمد على سكين جيب. كان القرن 900 ما يعادل سكين الجيش السويسري كما تعلمون لم يمت ليس مميتًا وأنا متأكد من أنه نظيف جدًا كما تعلم نعم ، كان الناس قساة في ذلك الوقت. [كولبي] نعم بالتأكيد الآن هل هناك أي شيء تحبه في شخصيتك Aethelred؟ [توبي] لا. لا بأس في معظم الأوقات عندما أطرح هذا السؤال يكون الأمر مثل ماذا تحب؟ Russian: как будто это все о радости и о том, как исследовать и быть искренне взволнован по этому поводу. так что это не похоже на то, что ты отлично справился. это более справедливо как вау, а если бы мы попробовали это , знаете, и это действительно действительно интересный способ работать. это была забавная сцена, потому что ты ударил его ножом как если ты оправишься от этого, вот что ты собираешься сказать. и я такой же, как он мертв, как он закончил. [Тоби] Это был перочинный нож. это были 900-е эквивалент швейцарского армейского ножа, вы знаете, да, не мертв не смертельно и я уверен, что очень чисто, ты знаешь да, тогда люди были крутыми. [Колби] Да, конечно Есть ли что-нибудь, что вам нравится в вашем персонаже Этельреде? [Тоби] нет. нет хорошо большую часть времени, когда я задаю этот вопрос, это похоже на то, что ты любишь? English: like it's all about joy and about like exploring and being genuinely excited about it. so it's not like oh you did great. it's more just like wow what if we tried this you know and it's a really really fun way to work. that was kind of a funny scene because you stab him like if you recover from this like this is what you're going to say. and I'm just like he's dead like he's done. [Toby] it was dependent it was a pocket knife. it was the 900's equivalent of a swiss army knife you know yeah not dead not deadly and I'm sure very clean you know yeah people were tough back then. [Colby] yeah absolutely now is there anything that you love about your character Aethelred? [Toby] no. no okay most of the time when I ask that question it's like what do you love? Chinese: 就像是所有关于 欢乐,以及喜欢探索和存在 对此感到非常兴奋。所以这 不像哦,你做得很好。更公正 像哇,如果我们尝试这个, 您会知道,这真的 真正 有趣的工作方式。 那是一个有趣的场面,因为 你刺了他 如果您从中恢复过来,这 就是您要说的。 我就像 他死了一样 他完成了。[托比]这是取决于它是一把 小刀。那是900年代 相当于瑞士军刀,你 知道吗,没死 不是致命的,我敢肯定很干净,你 知道 是的,那时人们很艰难。[Colby]绝对是 现在有您喜欢 的角色Aethelred吗?[托比]不。 不好 在大多数时候,当我问这个 问题时,就像你爱什么? German: als ob es um Freude geht und um das Erkunden und Sein wirklich aufgeregt darüber. Es ist also nicht so, als hättest du es großartig gemacht. es ist gerechter Wie wow, wenn wir das versuchen würden , wissen Sie, und es ist wirklich eine wirklich lustige Art zu arbeiten. Das war eine lustige Szene, weil du ihn erstochen hast Wenn Sie sich davon erholen, werden Sie sagen. und ich bin wie er tot ist Er ist fertig. [Toby] es war abhängig, dass es ein Taschenmesser war. Es waren die 900er Äquivalent zu einem Schweizer Taschenmesser, von dem Sie wissen, dass es nicht tot ist nicht tödlich und ich bin sicher sehr sauber, weißt du ? Ja, die Leute waren damals hart. [Colby] Ja, absolut Gibt es etwas, das du an deinem Charakter Aethelred liebst ? [Toby] nein. nein okay Die meiste Zeit, wenn ich diese Frage stelle, ist es wie was liebst du? Russian: Мне понравилось, когда я начал это шоу мой тренер по актерскому мастерству и друг Орландо Сил дал мне хороший совет о таких неудобных вещах, как неудобный трон, неудобная корона , платье я буквально ношу неудобное платье или длинную тунику и не делать вид, что им комфортно и не делать вид, что вам комфортно, и на самом деле это довольно весело играть короля или принца или стать лордом король, который не умеет сидеть свой трон, и он не знает как. Всегда пытаюсь любить поправку и быть чертовски наплечники глупые вы знаете как и на самом деле Вы знаете, что не пытаетесь найти крутой способ сидеть, но на самом деле это много гораздо забавнее видеть это, видеть короля, который просто не знает, как сделать это. так что мне это понравилось, потому что когда я получил это Hungarian: Élveztem, amikor elkezdtem a műsort színészedzőm és barátom, Orlando Seale adott néhány jó tanácsot arról, hogy olyan dolgok kényelmetlenek, mint a a trón kényelmetlen, a korona kényelmetlen, a ruha mint szó szerint kényelmetlen ruhát vagy hosszú zubbonyt viselek és nem úgy tesz, mintha kényelmesek lennének és nem úgy tenni, mintha jól éreznéd magad, és valójában az nagyon szórakoztató királyt vagy herceget játszani, vagy lordot ismerni király, aki nem tudja, hogyan kell beülni saját trónját, és nem tudja, hogyan. mindig próbálta szeretni az újrabeillesztést és a kibaszottságot vállpárnák hülye tudod, mint és valójában tudod, hogy nem próbálsz jó módot találni az ülésre, de valójában ez sok sokkal viccesebb látni, olyan királyt látni, akinek egyszerűen fogalma sincs, hogyan megtenni. így élveztem, mert amikor megkaptam German: Ich habe es genossen, als ich mit dieser Show angefangen habe Mein Schauspielcoaching und Freund Orlando Seale gab mir einige gute Ratschläge über Dinge, die unangenehm sind wie die Thron ist unbequem, die Krone ist unbequem, das Kleid Ich trage buchstäblich ein unbequemes Kleid oder eine lange Tunika und nicht so zu tun, als ob sie sich wohl fühlen und nicht so zu tun, als ob du dich wohl fühlst und es tatsächlich ist Es macht ziemlich viel Spaß, einen König oder einen Prinzen zu spielen oder einen Lord zu kennen König , der nicht weiß, wie man sitzt seinen eigenen Thron und er weiß nicht wie. Ich versuche immer, mich neu einzustellen und wie Ficken zu sein Schulterpolster dumm du weißt wie und eigentlich Sie wissen, dass Sie nicht versuchen, eine coole Art zu sitzen zu finden , aber eigentlich ist es viel Es ist viel lustiger, es zu sehen, einen König zu sehen, der absolut keine Ahnung hat, wie es zu tun. Also habe ich das genossen, denn als ich es bekam French: J'ai apprécié quand j'ai commencé ce spectacle mon coach d'acteur et ami Orlando Seale m'a donné de bons conseils à propos de choses inconfortables comme le le trône étant inconfortable, la couronne étant inconfortable, la robe comme littéralement je porte une robe inconfortable ou une longue tunique et ne pas prétendre qu'ils sont à l' aise et ne pas prétendre que vous êtes à l'aise et en fait c'est assez amusant de jouer un roi ou un prince ou devenir vous connaissez un seigneur roi qui ne sait pas comment s'asseoir son propre trône et il ne sait pas comment. essayant toujours d'aimer se réajuster et d' être comme de la baise épaulettes stupides tu sais aimer et en fait tu sais ne pas essayer de trouver une façon cool de s'asseoir mais en fait c'est beaucoup c'est beaucoup plus drôle de le voir, de voir un roi qui n'a absolument aucune idée de comment pour le faire. alors j'ai apprécié ça parce que quand je l'ai eu Portuguese: Eu gostei quando comecei aquele show é meu treinador de atuação e amigo Orlando Seale me deu alguns bons conselhos sobre coisas serem desconfortáveis como trono sendo desconfortável, a coroa sendo desconfortável, o vestido como literalmente eu uso um vestido desconfortável ou uma túnica longa e não fingir que estão confortáveis e não fingir que está confortável e realmente é muito divertido interpretar um rei ou um príncipe ou tornar-se você conhece um senhor rei que não sabe como se sentar seu próprio trono e ele não sabe como. sempre tentando se reajustar e sendo como foder ombreiras idiotas você sabe como e na verdade você não sabe, não tentando encontrar uma maneira legal de sentar, mas na verdade isso é muito é muito mais engraçado ver isso, ver um rei que simplesmente não tem ideia de como para fazer isso. então eu gostei disso porque quando eu peguei Chinese: 当我开始那个节目的时候我很喜欢 我的代理教练兼朋友奥兰多· 锡尔给了我一些很好的建议 事不舒服 ,如 宝座不舒服,冠 不舒服,衣服 就像从字面上看,我穿的衣服不 舒服或长袍 而不假装他们很 舒服 而不是假装 自己很舒服,实际上 扮演国王 或王子或成为你认识的主人很有趣 不知道该怎么坐的国王 他自己的宝座 ,他不知道怎么做。 总是想喜欢重新调整和 喜欢他妈的 肩膀垫愚蠢,你知道喜欢 ,实际上 你知道不是不是想找到一种很酷的 坐姿,但实际上这是很多 看到它真有趣,看到一个 完全不知道怎么做的国王 去做吧。 所以我很喜欢,因为当我得到它 Spanish: Disfruté cuando comencé ese programa es mi entrenador de actuación y amigo Orlando Seale me dio buenos consejos sobre cosas incómodas como el trono incómodo, la corona incómoda, el vestido como literalmente uso un vestido incómodo o una túnica larga y no fingir que están cómodos y no fingir que estás cómodo y en realidad es bastante divertido interpretar a un rey o un príncipe o convertirte en un señor rey que no sabe sentarse su propio trono y no sabe cómo. Siempre intentando que me guste reajustar y ser como follar hombreras estúpidas que sabes como y en realidad sabes que no estoy tratando de encontrar una manera genial de sentarte, pero en realidad esto es mucho es mucho más divertido verlo, ver a un rey que simplemente no tiene ni idea de cómo para hacerlo. así que lo disfruté porque cuando lo conseguí Arabic: لقد استمتعت عندما بدأت هذا العرض أعطاني مدرب التمثيل الخاص بي وصديقي أورلاندو سيل بعض النصائح الجيدة عن الأشياء غير المريحة مثل العرش غير مريح ، والتاج غير مريح ، واللباس مثل حرفيا أرتدي فستانا غير مريح أو سترة طويلة وعدم التظاهر بأنهم مرتاحون وعدم التظاهر بأنك مرتاح في الواقع من الممتع جدًا أن تلعب دور ملك أو أمير أو أن تعرف سيدًا الملك الذي لا يعرف كيف يجلس عرشه ولا يعرف كيف. تحاول دائمًا إعادة ضبط نفسها وأن تكون مثل اللعين وسادات كتف غبية تحبها وفي الواقع أنت لا تعرف أنك لا تحاول إيجاد طريقة رائعة للجلوس ولكن هذا كثير في الواقع من الممتع رؤيتها ، أن ترى ملكًا ليس لديه أي فكرة عن كيفية القيام بذلك للقيام بذلك. لذلك استمتعت بذلك لأنه عندما حصلت عليه English: I enjoyed when i started that show is my acting coaching and friend Orlando Seale gave me some good advice about things being uncomfortable like the throne being uncomfortable, the crown being uncomfortable, the dress like literally I wear a dress being uncomfortable or a long tunic and not pretending that they're comfortable and not pretending that you're comfortable and actually it's quite fun to play a king or a prince or becoming you know a lord king who doesn't know how to sit in his own throne and he doesn't know how. always trying to like readjust and being like fucking shoulder pads stupid you know like and actually you know not not trying to find a cool way to sit but actually this it's much it's much funnier to see it, to see a king who just has absolutely no idea how to do it. so I enjoyed that because when I got it French: J'étais comme oh je vais devoir jouer, je dois jouer ça tu sais mec fort mais en fait juste céder à tout cela comme dieu Où suis-je? que suis-je en train de faire? Je m'ennuie tu sais gentil de chose. apporte-moi des baies ou quelque chose de toi savoir? c'est en fait une façon plus intéressante de joue-le. [Colby] ouais faisant correspondre le langage corporel à Aethelred vous savez un peu que c'est plutôt cool. [Toby] ouais mon mon entraîneur dit comme qu'est-ce que vous obtenez gratuitement? tu sais? que ressentez -vous réellement, comment vous sentez - vous réellement? c'est comme bien j'ai chaud et cette couronne est inconfortable c'est comme parfait mais super, je n'ai pas besoin de jouer. [Colby] une autre scène que j'aime que tu as il faut revenir et dire à Alfred que sa fille est juste été pris et vous essayez de le vendre au mieux, vous pouvez, essayez de le vendre. ouais pourrais-tu parler un peu de faire cette scène? parce que tu te fais gronder comme tout le monde dans la salle. [Toby] ouais David Dawson qui joue le roi Alfred ou Russian: Я подумал, что мне нужно сыграть, я должен сыграть этого, ты знаешь, сильный парень но на самом деле просто уступая всем этим как бог Где я? что я делаю? Мне скучно ты знаешь добрый вещи. принеси мне ягод или что-нибудь, что ты знать? на самом деле это более интересный способ Сыграй. [Колби] Да, язык тела соответствовал Этельреду Вы знаете, что это довольно круто. [Тоби] да, мой мой тренер говорит, что ты получаешь бесплатно? знаешь? что ты на самом деле, как ты на самом деле чувствуешь? это как хорошо, я горячий и эта корона неудобная, она как идеальная но отлично, не нужно играть. [Колби] еще одна сцена, которая мне нравится, что у тебя есть когда тебе нужно вернуться и сказать Альфреду, что его дочь только что был взят, и вы пытаетесь продать его как можно лучше, попробуй продать это. да, не могли бы вы немного поговорить насчет той сцены? потому что тебя ругают лайки все в комнате. [Тоби] Да, Дэвид Доусон, который играет короля Альфреда или Arabic: كنت مثل أوه سأضطر للعب ، يجب أن ألعب هذا الرجل القوي الذي تعرفه ولكن في الواقع مجرد الاستسلام لكل هؤلاء مثل الله أين أنا؟ ماذا افعل؟ أشعر بالملل لأنك تعرف النوع من شيء. أحضر لي بعض التوت أو أي شيء لك أعرف؟ إنها في الواقع طريقة أكثر إثارة للاهتمام العبها. [كولبي] نعم مطابقة لغة الجسد مع Aethelred أنت تعرف شيئًا رائعًا جدًا. [توبي] أجل مدربي يقول مثل ماذا تحصل بالمجان؟ أنت تعلم؟ ما هو شعورك في الواقع ، كيف تشعر بالفعل؟ يبدو الأمر كما لو أنني ساخنة وهذا التاج غير مريح إنه مثل الكمال لكن رائع ، ليس عليك القيام بأي تمثيل. [كولبي] مشهد آخر أحبه لديك عليك القيام به عندما يتعين عليك العودة وإخبار ألفريد أن ابنته عادلة تم أخذها وتحاول بيعها بأفضل طريقة ممكنة ، حاول بيعه. نعم هل يمكنك التحدث قليلا حول القيام بهذا المشهد؟ لأنه يتم توبيخك بالمثل كل من في الغرفة. [توبي] نعم ديفيد داوسون الذي يلعب دور الملك ألفريد أو Spanish: Yo estaba como oh, voy a tener que jugar, tengo que jugar esto, sabes, chico fuerte pero en realidad solo cediendo a todos estos como Dios ¿Dónde estoy? ¿Qué estoy haciendo? Estoy aburrido, sabes tipo de cosa. tráeme algunas bayas o algo que tu ¿saber? en realidad, es una forma más interesante de juegalo. [Colby] sí, haciendo coincidir el lenguaje corporal con Aethelred sabes bastante que es muy bueno. [Toby] si mi mi entrenador dice como ¿qué obtienes gratis? ¿ya sabes? ¿Qué es lo que realmente, cómo se siente realmente? es como si estuviera caliente y esta corona es incómoda es como perfecta pero genial, no tienes que actuar. [Colby] otra escena que me encanta que tienes que hacer es cuando tienes que volver y decirle a Alfred que su hija ha sido tomado y tratas de venderlo lo mejor que puedes, intenta venderlo. sí, podrías hablar un poco sobre hacer esa escena? porque te regañan como todos en la habitación. [Toby] sí, David Dawson, que interpreta al rey Alfred o Chinese: 我就像哦,我将不得不玩, 我必须玩这个,你知道强壮的家伙 但实际上 只是屈服于所有这些像上帝 我在哪里? 我在做什么?我很无聊,你知道那种 的东西。 带些浆果给我 知道? 这实际上是一种更有趣的方式 播放。[Colby] 是的,将肢体语言与Aethelred匹配 你知道 那很酷。[托比]是的,我的 我的教练说你 免费得到什么?你懂? 您实际上是什么, 您实际感觉如何?就像我很热 这个 皇冠不舒服,就像完美 但是很好,不必做任何表演。[Colby] 我爱你的另一个场景 要做的是当你必须回去 告诉阿尔弗雷德他女儿的 被采取 ,您尝试最好地出售它, 尝试出售它。 是的,你能谈一点吗 关于那个场景?因为你 被喜欢骂 房间里的每个人。[Toby]是 扮演Alfred国王的David Dawson还是 German: Ich dachte, oh, ich muss spielen, ich muss das spielen, du kennst einen starken Kerl aber eigentlich nur all diesen wie Gott nachgeben wo bin ich? Was tue ich? Mir ist langweilig, du weißt schon der Sache. Bring mir ein paar Beeren oder was du kennt? Es ist eigentlich ein interessanter Weg Spiel es. [Colby] Ja, die Körpersprache passt zu Aethelred Sie wissen ziemlich viel, das ist ziemlich cool. [Toby] Ja mein Gott Mein Trainer sagt, was bekommst du kostenlos? Wissen Sie? Was fühlst du eigentlich, wie fühlst du dich eigentlich? Es ist gut, ich bin heiß und diese Krone ist unbequem, es ist wie perfekt aber toll, muss nicht schauspielern. [Colby] eine andere Szene, die ich liebe, die du hast zu tun ist, wenn Sie zurückkommen und Alfred sagen müssen, dass seine Tochter gerecht ist wurde genommen und du versuchst es so gut du kannst zu verkaufen, du, versuche es zu verkaufen. Ja, könntest du ein bisschen reden? über diese Szene? weil du von wie gescholten wirst alle im Raum. [Toby] ja David Dawson, der König Alfred spielt oder English: I was like oh I'm going to have to play, I have to play this you know strong guy but actually just giving in to all of these like god where am I? what am I doing? I'm bored you know kind of thing. bring me some berries or something you know? it's actually a more interesting way to play it. [Colby] yeah matching the body language to Aethelred you know quite a bit that's pretty cool. [Toby] yeah my my coach says like what do you get for free? you know? what do you actually, how do you actually feel? it's like well I'm hot and this crown is uncomfortable it's like perfect but great, don't have to do any acting. [Colby] another scene that I love that you have to do is when you have to come back and tell Alfred that his daughter's just been taken and you try to sell it best you can you, try to sell it. yeah could you talk a little bit about doing that scene? because you get scolded by like everybody in the room. [Toby] yeah David Dawson who plays King Alfred or Hungarian: Úgy voltam vele, hogy ó, muszáj lesz játszanom, ezt kell eljátszanod, tudod, erős srác de valójában csak engedni mindezeknek, mint isten Hol vagyok? Mit csinálok? Unom, hogy kedves vagy a dologból. hozz nekem egy kis bogyót vagy valamit tud? valójában egy érdekesebb módja annak játszd. [Colby] igen, a testbeszédet Aethelredhez igazítva elég sokat tudsz , ez nagyon klassz. [Toby] igen az edzőm azt mondja, hogy mit kapsz ingyen? tudod? valójában mit érzel, valójában mit érzel? mintha jól lennék és ez a korona kényelmetlen, olyan, mint a tökéletes de nagyszerű, nem kell színészetet csinálni. [Colby] egy másik jelenet, amit szeretek, ami van meg kell tennie, amikor vissza kell térnie és elmondania Alfrednek, hogy a lánya igazságos vették , és megpróbálja eladni a legjobban tudsz te, próbáld eladni. igen, tudnál beszélni egy kicsit arról a jelenetről? mert szidják a hasonlók mindenki a teremben. [Toby] igen, David Dawson, aki Alfred királyt játszik Portuguese: Eu estava tipo oh, eu vou ter que jogar, eu tenho que tocar isso, você conhece cara forte mas na verdade apenas cedendo a tudo isso como deus Onde estou? O que eu estou fazendo? Estou entediado sabe do tipo de coisa. traga-me algumas bagas ou algo que você conhecer? na verdade é uma maneira mais interessante de Jogue. [Colby] sim, combinando a linguagem corporal com Aethelred você sabe um pouco que é muito legal. [Toby] sim meu meu treinador diz como o que você ganha de graça? você sabe? o que você realmente sente , como você realmente se sente? é como se eu fosse quente e esta coroa é desconfortável é perfeita mas ótimo, não precisa fazer nenhuma atuação. [Colby] outra cena que eu amo que você tem a fazer é quando você tem que voltar e dizer a Alfred que sua filha está apenas foi levado e você tenta vendê-lo o melhor que você pode, tente vendê-lo. sim, você poderia falar um pouco sobre fazer aquela cena? porque você é repreendido por como todos na sala. [Toby] sim David Dawson que interpreta o Rei Alfred ou Russian: Сыгранный король Альфред - невероятно ориентированный на лазерный актер больше, чем, наверное, кто-либо еще, с кем я когда- либо работал. как будто его взгляд действительно сбивает с толку когда он в персонаже, потому что иногда бывает, это похоже на даже несмотря на то, что у вас есть характер, вы как бы знаете, что вы знаете, что вы играете эту сцену и так есть ... однажды разрезанный, называется это ты еще не боишься кого-то, но когда когда Дэвид действительно сосредотачивается на тебе, это искренне сбивает с толку, и он также как будто приносит свою игру за каждый дубль с точки зрения доставки и он такой размеренный и такой отчасти я не знаю, как описать это как раздетый. нет никаких это именно то, что должно быть это заставляет вас как бы отвечать. Portuguese: interpretado King Alfred é um ator incrivelmente focado em laser mais do que provavelmente qualquer outra pessoa com quem já trabalhei. como se o olhar dele fosse genuinamente desconcertante quando ele está no personagem, porque às vezes há tipo, é como mesmo que você esteja no personagem, você está ciente de que você sabe que é uma cena que você está interpretando e então há ... uma vez que é cortado é chamado de você ainda não tem medo de alguém, mas quando quando David realmente se concentra em você, é genuinamente desconcertante e ele também traz seu jogo para cada tomada em termos de entrega e é tão medido e tão tipo de eu não sei como descrever como despojado. não há é exatamente o que precisa ser isso o força a responder. Chinese: 扮演的国王阿尔弗雷德(Alfred King) 是一位非常注重激光的演员 比我 曾经合作过的任何人都多。 就像他的目光或眩光 确实令人不快 当他的性格,因为有时 有喜欢,它像 即使你很有个性, 你还是会意识到 你知道那是 你在玩的场景,所以 那里...一旦被 削减称为 你还不怕 别人 当大卫真的对你置若it闻时,这是 真的 感到不安,他也很喜欢 为每一次比赛带来一场比赛 在交付方面, 它是如此衡量等等 我不知道该如何形容 像脱衣舞一样。没有 正是它所 需要的 它迫使您 做出回应。 Arabic: لعبت دور King Alfred هو ممثل يركز بشكل لا يصدق على الليزر ربما أكثر من أي شخص آخر عملت معه. مثل التحديق أو الوهج أمر مقلق حقًا عندما يكون في شخصية لأنه في بعض الأحيان يكون هناك مثل على الرغم من أنك شخصية ، فأنت تدرك ذلك نوعًا ما أنت تعلم أنه مشهد تلعبه وهكذا هناك ... بمجرد قطعها مرة واحدة تسمى انها أنت لا تزال تخاف من شخص ما ولكن متى عندما يتجاهلك ديفيد حقًا ، فهو حقًا مقلق وهو أيضًا مثل جلب لعبته مثل كل لقطة من حيث التسليم ويتم قياسه وهكذا نوعا ما لا أعرف كيف أصفها وكأنها مجردة. لا يوجد إنه بالضبط ما يجب أن يكون عليه الأمر يجبرك على نوع من الرد. Spanish: interpretado como King Alfred es un actor increíblemente enfocado en el láser más que probablemente cualquier otra persona con la que haya trabajado. como si su mirada o deslumbramiento fuera realmente desconcertante cuando está en el personaje porque a veces hay como, es como aunque estás en el personaje , eres consciente de que sabes que eres que es una escena que estás jugando y así hay ... una vez que se corta una vez se llama todavía no estás aterrorizado por alguien, pero cuando cuando David realmente se enfoca en ti, es genuinamente desconcertante y también es como trae su juego para cada toma en términos de entrega y es tan medido y tan tipo de no sé cómo describirlo como despojado. no hay es exactamente lo que necesita para ser te obliga a responder. English: played King Alfred is an incredibly laser-focused actor more than probably anyone else I've ever worked with. like his stare or glare is genuinely disconcerting when he's in character because sometimes there's like, it's like even though you're in character you're kind of aware that you know that you're that it's a scene that you're playing and so there's... once it's once cut is called it's you're not still terrified of somebody but when when David really zeroes in on you it is genuinely disconcerting and he also is like brings his a game for like every take in terms of delivery and it's so measured and so kind of I don't know how to describe it like stripped back. there's no it's just exactly what it needs to be that it forces you to sort of respond. German: gespielt König Alfred ist ein unglaublich laserfokussierter Schauspieler mehr als wahrscheinlich jeder andere, mit dem ich jemals gearbeitet habe. als ob sein Blick oder seine Blendung wirklich beunruhigend ist Wenn er im Charakter ist, weil es manchmal so ist, ist es so Obwohl du im Charakter bist, bist du dir dessen irgendwie bewusst Sie wissen, dass Sie sind, dass es eine Szene ist , die Sie spielen und so es gibt ... wenn es einmal geschnitten ist, heißt es Du hast immer noch keine Angst vor jemandem, aber wann Wenn David sich wirklich auf dich einlässt, ist es wirklich so beunruhigend und er ist auch wie bringt ihm ein Spiel für wie jede Einstellung in Bezug auf die Lieferung und es ist so gemessen und so Ich weiß nicht, wie ich es als zurückgezogen bezeichnen soll. da ist kein es ist genau das, was es sein muss es zwingt dich, irgendwie zu antworten. Hungarian: Alfred királyt hihetetlenül lézerközpontú színész játszotta jobban, mint valószínűleg bárki más, akivel valaha dolgoztam. mint bámulása vagy tükröződése valóban zavaró amikor karakteres, mert néha van ilyen, olyan annak ellenére, hogy karakteres vagy, tudatában vagy ennek tudod, hogy ez egy olyan jelenet , amelyet játszol, és így van ... ha egyszer kivágták, annak hívják még mindig nem rettegsz valakitől, de mikor amikor David valóban lenulláz benned, az valóban zavarba ejtő és olyan is, mint a minden játékhoz hasonló játék szállítás szempontjából, és annyira kimért és így amolyan nem tudom, hogyan írjam le, mint visszavetve. nincs pont annak kell lennie mintegy válaszra kényszeríti . French: joué King Alfred est un acteur incroyablement focalisé sur le laser plus que quiconque avec qui j'ai travaillé. comme son regard ou son regard est vraiment déconcertant quand il est dans le personnage parce que parfois il y a comme, c'est comme même si vous êtes dans le personnage, vous êtes en quelque sorte conscient que tu sais que tu es que c'est une scène que tu joues et donc il y a ... une fois que c'est une fois coupé s'appelle c'est tu n'es toujours pas terrifié par quelqu'un mais quand quand David se concentre vraiment sur toi, c'est vraiment déconcertant et il est aussi comme apporte son jeu pour chaque prise en termes de livraison et c'est tellement mesuré et donc genre de je ne sais pas comment le décrire comme dépouillé. il n'y a pas c'est exactement ce dont il a besoin pour être ça cela vous oblige à répondre en quelque sorte . English: yeah so anytime that David is scared me I probably am genuinely scared. we were joking the other day we have a presidential election coming up and we were just like can we just have Alfred come over here and David. [Toby] would you prefer him? yeah yeah yeah but yeah you kind of got you kind of got an Aethelred versus a I don't know yeah yeah now your costume you always look pretty regal did you put any input into your own costume or did you kind of let like Molly Rowe, who we had on before, yeah has a lot of great input into people's costumes obviously yeah yeah she mentioned how she dipped your crown in gold I think and... [Toby] yeah I mean I am every time we have a costume fitting it's like a conversation and she brings you know wealth of ideas and then Spanish: Sí, así que cada vez que David me asusta , probablemente estoy realmente asustado. estábamos bromeando el otro día, tenemos unas elecciones presidenciales próximas y eran como si Alfred venga aquí y David. [Toby] lo preferirías? si si si pero sí, tienes una especie de Aethelred versus una No lo se si sí, ahora tu disfraz siempre te ves bastante regio ¿Pusiste alguna entrada en tu propio disfraz o dejaste como Molly Rowe, a quien teníamos antes, sí, tiene un gran aporte en la gente disfraces, obviamente, sí, sí, ella mencionó cómo se sumergió tu corona en oro creo y ... [Toby] si quiero decir lo soy cada vez que tenemos un disfraz es como una conversación y ella te trae una gran cantidad de ideas y luego Arabic: نعم ، في أي وقت يخيفني فيه ديفيد ، ربما أكون خائفًا حقًا. كنا نمزح قبل أيام ، لدينا انتخابات رئاسية قادمة ونحن فقط مثل هل يمكن أن يأتي ألفريد هنا و ديفيد. [توبي] هل تفضله؟ نعم نعم نعم ولكن نعم ، لقد حصلت نوعًا ما على Aethelred مقابل a لا اعرف نعم الآن تبدو زيّك ملكيًا دائمًا هل أدخلت أي مدخلات في زيك الخاص أو هل سمحت بذلك مثل مولي رو ، التي كانت لدينا من قبل ، نعم لديها الكثير من المدخلات العظيمة في الناس الأزياء من الواضح نعم نعم ، ذكرت كيف غطست تاجك من الذهب على ما أعتقد و ... [توبي] نعم أعني أنا في كل مرة يكون لدينا فيها زي مناسب يكون الأمر أشبه بالمحادثة وهي تجلب لك ثروة من الأفكار وبعد ذلك Hungarian: igen, bármikor, amikor David megijed , valószínűleg őszintén félek. viccelődtünk a minap, amikor elnökválasztás van, és mi olyanok voltak, mint tudjuk csak meg Alfred jöjjön ide, és David. [Toby] jobban kedveled őt? igen igen igen de igen, valahogy megszereztél egy Aethelred kontra a Nem tudom, igen igen, most a jelmezed mindig elég királyinak látszol betett valamit a saját jelmezébe, vagy valahogy engedett mint Molly Rowe, akivel korábban volt részünk, igen , nagyon nagy mértékben hozzájárul az emberekhez jelmezek nyilván igen, igen megemlítette, hogyan merült a koronád arany szerintem, és ... [Toby] igen, úgy értem, hogy az vagyok minden alkalommal, amikor van egy jelmezünk, ez olyan, mint egy beszélgetés és akkor rengeteg ötletet tudhat magával French: ouais donc chaque fois que David a peur de moi, j'ai probablement vraiment peur. nous plaisantions l'autre jour, nous avons une élection présidentielle à venir et nous étaient juste comme pouvons-nous simplement faire venir Alfred ici et David. [Toby] le préféreriez-vous? ouais ouais ouais mais Ouais, vous avez en quelque sorte, vous avez un Aethelred contre un Je ne sais pas ouais Ouais maintenant ton costume tu as toujours l'air assez royal avez-vous apporté une contribution à votre propre costume ou avez-vous laissé comme Molly Rowe, que nous avons eue auparavant, oui, a beaucoup de bonnes contributions aux gens costumes évidemment ouais ouais elle a mentionné comment elle a plongé ta couronne en or je pense et ... [Toby] ouais je veux dire je suis chaque fois que nous avons un costume, c'est comme une conversation et elle vous apporte une richesse d' idées et puis German: Ja, jedes Mal, wenn David mir Angst macht, habe ich wahrscheinlich echte Angst. Wir haben neulich Spaß gemacht, wir haben eine Präsidentschaftswahl vor uns und wir waren genau wie können wir nur Alfred hierher kommen lassen und David. [Toby] würdest du ihn bevorzugen? yeah yeah yeah aber Ja, du hast irgendwie einen Aethelred gegen einen Ich weiß es nicht, ja Ja, jetzt, in deinem Kostüm, siehst du immer ziemlich königlich aus Hast du irgendwelche Eingaben in dein eigenes Kostüm gemacht oder hast du es irgendwie gelassen? Wie Molly Rowe, die wir vorher hatten, hat ja eine Menge großartigen Einfluss auf die Menschen Kostüme offensichtlich yeah yeah sie erwähnte, wie sie eintauchte Deine Krone in Gold, denke ich und ... [Toby] Ja, ich meine, ich bin es Jedes Mal, wenn wir ein passendes Kostüm haben, ist es wie ein Gespräch und sie bringt Sie wissen, Fülle von Ideen und dann Chinese: 是的,所以每当戴维害怕 我时,我可能真的很害怕。 前几天我们在开玩笑, 即将举行总统选举,我们 就像我们可以让阿尔弗雷德 来这里, 大卫。[托比]你喜欢他吗?是的,但是 是的,你有点 喜欢Aethelred对 我不知道 是的,现在你的服装看起来总是 富丽堂皇 你有没有把任何投入摆到你 自己的服装中?还是让 就像我们以前曾担任过的莫莉·罗(Molly Rowe)一样,对 人们的 戏服显然 是的,是的,她提到她是如何浸洗的 我认为你的黄金皇冠 ... [Toby]是的,我的意思是 每次我们有合适的服装时,就像谈话 她带给你很多 想法,然后 Portuguese: sim, então sempre que David está me assustando , provavelmente estou genuinamente assustado. estávamos brincando outro dia, temos uma eleição presidencial chegando e nós é como se Alfred viesse aqui e David. [Toby] você prefere ele? sim sim sim mas sim, você meio que tem um Aethelred contra um Não sei sim sim, agora sua fantasia você sempre parece muito real você colocou alguma informação em seu próprio traje ou você meio que deixou como Molly Rowe, que tínhamos antes, sim, tem uma grande contribuição para as pessoas fantasias, obviamente, sim, ela mencionou como ela mergulhou sua coroa em ouro eu acho e ... [Toby] sim, quero dizer, eu sou cada vez que temos uma prova de fantasia é como uma conversa e ela traz para você uma grande variedade de ideias e então Russian: да, так что всякий раз, когда Дэвид пугает меня, я, наверное, искренне боюсь. на днях мы шутили, что скоро выборы президента, и мы мы могли бы просто пригласить сюда Альфреда и Дэвид. [Тоби] вы бы предпочли его? да да да но да, у вас вроде получился Aethelred по сравнению с Я не знаю да да, теперь в твоем костюме ты всегда выглядишь довольно царственно Вы внесли какие-то вклад в свой собственный костюм или позволили как Молли Роу, с которой мы работали раньше, да, она внесла большой вклад в костюмы, очевидно, да, она упомянула, как она окунулась твоя корона в золоте, я думаю и ... [Тоби] да, я имею в виду, что я каждый раз, когда мы примеряем костюм, это как разговор и она приносит вам массу идей, а затем Russian: вы их обсуждаете. То есть я не ... у меня никогда не было были проблемы с или .... Я любил то, что носил. Я думал это было здорово что угодно, но вы знаете меховую отделку и Моя бесполезная броня , это все для галочки ты знаешь, выглядит великолепно, совершенно бессмысленно, ты знаешь, разве ты не знаешь просто как маленькие кусочки кольчуги здесь это я думал, что это было отличным штрихом для его характера что это вроде все для показа, ты знаешь, да, и у меня было у меня было огромное кольцо, я не знаю, когда ты увидеть, насколько ясно вы это видите, но это было похоже на супер чашу вы знаете одного из тех, кого вы знаете, как огромный кусок золота. это тот, который украл Эардвульф? [Тоби] Может быть, да, это будет German: du redest sie über. Ich meine, ich habe nicht ... ich hatte nie welche hatte irgendwelche Probleme mit oder .... Ich habe geliebt, was ich trug. Ich fand es großartig alles mit außer du kennst pelzbesatz und Meine Art von nutzloser Rüstung , die nur zur Schau gestellt wird Sie wissen, sieht großartig aus, völlig sinnlos. Sie wissen, dass Sie es nicht wissen können nur ein bisschen wie kleine Kettenhemden hier Das fand ich eine großartige Sache für seinen Charakter dass es irgendwie alles für die Show ist, weißt du ja und ich hatte Ein riesiger Ring, den ich wie eine Art hatte, ich weiß nicht ob wann sehen Sie es, wie deutlich Sie es sehen können, aber es war wie eine Superschüssel Sie kennen einen von denen, die Sie kennen, wie ein riesiges Stück Gold. ist das derjenige, den Eardwulf stiehlt? [Toby] vielleicht ja ja ja wäre es Portuguese: você fala sobre eles. Quer dizer, eu não ... eu nunca tive nenhum teve algum problema com ou .... Eu amei o que vesti. Eu achei ótimo qualquer coisa com mas você sabe corte de pele e meu tipo de armadura inútil que é tudo para mostrar você sabe que parece ótimo, totalmente sem sentido, você sabe, não poderia saber como pequenos pedaços de cota de malha aqui isso eu achei que foi um ótimo toque para o personagem dele que é meio que é tudo para mostrar, você sabe, sim e eu tive um anel enorme que eu tinha tipo não sei se quando você veja com que clareza você consegue ver , mas era como um super bowl você conhece um daqueles que conhece como uma enorme peça de ouro. é aquele que Eardwulf rouba? [Toby] talvez sim sim, seria English: you talk them over. I mean I didn't... I never had any had any problems with or.... I loved what I wore. I thought it was great anything with but you know fur trim and my kind of like useless armor that's all for show you know looks great totally pointless you know couldn't you know just kind of like little bits of chain mail here this I thought that was a great touch for his character that it's kind of it's all for show you know yeah and I had a huge ring I had like a kind of I don't know if when you get to see it how clearly you get to see it but it was like a super bowl you know one of those you know like huge piece of gold. is that the one Eardwulf steals? [Toby] maybe yeah yeah it would be French: vous en parlez. Je veux dire que je n'ai pas ... je n'en ai jamais eu eu des problèmes avec ou ... J'ai adoré ce que je portais. J'ai pensé que c'était génial quoi que ce soit avec mais vous savez la garniture de fourrure et mon genre d'armure inutile qui est tout pour le spectacle tu sais que ça a l'air super totalement inutile tu sais tu ne peux pas savoir un peu comme de petits bouts de cotte de mailles ici je pensais que c'était une grande touche pour son personnage que c'est en quelque sorte tout pour montrer tu sais ouais et j'ai eu une énorme bague que j'avais comme une sorte de je ne sais pas si quand tu arriver à le voir avec quelle clarté vous pouvez le voir mais c'était comme un super bowl vous connaissez l'un de ceux que vous connaissez comme une énorme pièce d'or. est-ce celui que vole Eardwulf? [Toby] peut-être ouais ouais ce serait Hungarian: átbeszéled őket. Vagyis nem ... soha nem volt bármilyen problémája volt vagy Imádtam, amit viseltem. Azt hittem, hogy a nagy bármi mással, de tudod, hogy a szőrmék és az a fajta haszontalan páncélom , ami csak megmutatásra való tudod, hogy teljesen értelmetlenül néz ki, nem tudhatod olyan, mintha itt apró darabok lennének ezt úgy gondoltam, hogy ez remekül megérinti a karakterét hogy ez a fajta az egész, hogy megmutasd, tudod, hogy igen és nekem is volt egy hatalmas gyűrű volt, mint egyfajta, nem tudom, hogy mikor lássa, milyen tisztán látja , de olyan volt, mint egy szuper tál ismer egyet azok közül, akiket hatalmas aranydarabként ismer . ezt lopja el Eardwulf? [Toby] talán igen, igen Spanish: les hablas. Quiero decir que no ... nunca tuve ninguno tuvo algún problema con o ... Me encantaba lo que vestía. Me pareció que era genial nada con pero usted sabe borde de piel y mi tipo de armadura inútil que es todo para mostrar sabes que se ve muy bien, totalmente inútil , sabes, ¿no podrías saber? como pequeños trozos de cota de malla aquí esto pensé que era un gran toque para su personaje que es como que todo es para demostrar que sabes que sí, y yo tenía un anillo enorme que tenía como una especie de no sé si cuando tu puedes verlo con qué claridad puedes verlo , pero era como un super bowl conoces a uno de los que conoces como una enorme pieza de oro. ¿Es ese el que roba Eardwulf? [Toby] tal vez sí, sí, lo sería Chinese: 你把他们聊完。我的意思是我没有...我 从未有过 或有任何问题。 我爱我穿的衣服。我 以为很棒 任何东西,但你知道皮草修剪 和 我那种毫无用处的盔甲 ,无处不在 你知道看起来很棒,完全没有意义, 你知道吗 有点像 锁链的一点点 我认为这 对他的性格很有帮助 只是 为了表明你知道是的,我有 我喜欢的那种巨大的戒指, 我不知道你什么时候 看到它就很清楚了 ,但是就像一个超级碗 您知道其中一个像 一块巨大的金子。 是那个Eardwulf偷的吗?[托比]也许是的 Arabic: تحدثت معهم. أعني أنني لم أفعل ... لم يكن لدي أي شيء لديه أي مشاكل مع أو .... أحببت ما ارتديته. أنا أعتقد أنه كان عظيما مع أي شيء ولكنك تعرف تقليم الفراء و نوعي مثل درع عديم الفائدة هذا كل شيء للعرض أنت تعلم أن تبدو رائعة تمامًا بلا فائدة وأنت تعرف ألا تعرف مجرد نوع من أجزاء صغيرة من البريد المتسلسل هنا أعتقد أن هذا كان لمسة رائعة لشخصيته هذا نوع من كل شيء لإظهار أنك تعرف نعم وأنا خاتم ضخم كان لدي مثل نوع من لا أعرف متى يمكنك رؤيته بوضوح كيف يمكنك رؤيته ولكنه كان مثل وعاء كبير أنت تعرف أحد أولئك الذين تعرفهم مثل قطعة ضخمة من الذهب. هل هذا هو الذي يسرقه إاردولف؟ [توبي] ربما نعم نعم English: steals my rings. those costume pitchings are just great basically yeah it's always uh just exciting to see what she comes up with. now Steve and I are also pretty big Harry Potter fans and so we got to ask you while you're on about what was it like to kind of take on the young version of Albus Dumbledore because that's pretty sweet. [Toby] yeah it's basically like the best cameo ever. yeah because I mean me and Jamie Bauer who um who played the young Grindelwald are the only two people who are in both film franchises even though we're only in it for like a tiny amount of time but it is like a nice little bragging rights I guess. yeah I mean when I worked on the Harry Potter, on the first deathly hallows film but only for like you know an afternoon just so that they could get this moment and then being asked to French: vole mes bagues. ces présentations de costumes sont tout simplement géniales en gros ouais c'est toujours juste excitant de voir ce qu'elle propose. maintenant Steve et moi sommes aussi de très grands fans de Harry Potter et nous devons donc vous demander pendant que vous êtes sur ce que c'était que de prendre sur la jeune version d'Albus Dumbledore parce que c'est plutôt doux. [Toby] ouais, c'est fondamentalement le meilleur camée déjà. ouais parce que je veux dire moi et Jamie Bauer qui a joué le jeune Grindelwald sont les deux seules personnes qui sont dans les deux franchises de films, même bien que nous n'y soyons que pour une infime quantité de temps mais c'est comme un joli petit droit de se vanter devine. ouais je veux dire quand j'ai travaillé sur le Harry Potter, sur le premier film des reliques de la mort mais uniquement pour comme si tu connaissais un après - midi juste pour qu'ils puissent avoir ce moment puis on lui demande de Hungarian: ellopja a gyűrűimet. ezek a jelmezkiosztások alapvetően nagyszerűek igen mindig izgalmas csak látni, mire készül. most Steve és én is elég nagy Harry Potter rajongók vagyunk és ezért kérdeznünk kellett önöket, hogy közben milyen állapotban van Albus Dumbledore fiatal változatán , mert az nagyon édes. [Toby] igen, alapvetően olyan, mint a legjobb cameo valaha. igen, mert én és Jamie értem Bauer, aki a fiatal Grindelwaldot alakította az egyetlen két ember, aki mindkét film franchise-ban részt vesz bár csak egy apróságért vagyunk benne ideje, de olyan, mint egy szép kis kérkedési jog Találd ki. igen, úgy értem, amikor a Harry Potter, az első halál ereklyefilmjén, de csak azért mint egy délutánt, csak azért, hogy elkapják ezt a pillanatot majd arra kérik German: stiehlt meine Ringe. Diese Kostüm-Pitchings sind einfach großartig Ja, es ist immer nur aufregend zu sehen, was sie sich einfallen lässt. Jetzt sind Steve und ich auch ziemlich große Harry-Potter-Fans und so müssen wir dich fragen, während du dran bist , wie es war, etwas zu nehmen auf der jungen Version von Albus Dumbledore, weil das so ist ziemlich süß. [Toby] Ja, es ist im Grunde wie das beste Cameo je. Ja, weil ich mich und Jamie meine Bauer wer ähm wer spielte den jungen Grindelwald sind die einzigen zwei Personen, die sogar in beiden Film-Franchises sind obwohl wir nur für eine winzige Menge drin sind Zeit, aber es ist wie ein nettes kleines Prahlerrecht ich vermuten. Ja, ich meine, als ich an der gearbeitet habe Harry Potter, über den ersten Heiligtumsfilm, aber nur für wie du einen Nachmittag kennst, nur damit sie diesen Moment bekommen können und dann gebeten zu werden Spanish: roba mis anillos. esos disfraces son geniales básicamente Sí, siempre es emocionante ver lo que se le ocurre. ahora Steve y yo también somos grandes fanáticos de Harry Potter así que tenemos que preguntarte mientras estás hablando sobre cómo fue tomar en la versión joven de Albus Dumbledore porque eso es muy dulce. [Toby] sí, es básicamente como el mejor cameo nunca. sí, porque me refiero a Jamie y a mí Bauer, quien interpretó al joven Grindelwald son las únicas dos personas que están en ambas franquicias cinematográficas, incluso aunque solo estamos en esto por una pequeña cantidad de tiempo, pero es como un pequeño derecho de fanfarronear adivinar. sí, me refiero a cuando trabajé en el Harry Potter, en la primera película sobre las reliquias de la muerte, pero solo para como si supieras una tarde solo para que pudieran tener este momento y luego se le pide que Portuguese: rouba meus anéis. aqueles arremessos de fantasia são ótimos sim, é sempre uh apenas emocionante ver o que ela vem com. agora Steve e eu também somos grandes fãs de Harry Potter e então temos que perguntar a você enquanto você está falando sobre como foi pegar na versão jovem de Alvo Dumbledore porque é muito doce. [Toby] sim, é basicamente a melhor participação especial sempre. sim porque quero dizer eu e Jamie Bauer quem interpretou o jovem Grindelwald são as únicas duas pessoas que estão em ambas as franquias de filmes embora estejamos nisso apenas por uma pequena quantidade de tempo, mas é como um pequeno direito de se gabar acho. sim, quero dizer, quando trabalhei no Harry Potter, no primeiro filme das Relíquias da Morte, mas apenas por como você conhece uma tarde só para que eles pudessem ter este momento e então sendo pedido para Arabic: يسرق حلقاتي. عروض الأزياء هذه رائعة بشكل أساسي نعم ، من المثير دائمًا رؤية ما ستأتي به. الآن أنا وستيف معجبان بهاري بوتر ولذا علينا أن نسألك أثناء تواجدك حول ما كان عليه الأمر على النسخة الشابة من ألبوس دمبلدور لأن ذلك حلو جدا. [توبي] نعم إنه في الأساس مثل أفضل نقش أبدا. نعم لأنني أعني أنا وجيمي باور الذي لعب دور الشاب جريندلفالد هما الشخصان الوحيدان اللذان يوجدان في كلا امتياز الفيلم على الرغم من أننا نشارك فيه فقط مقابل مقدار ضئيل من الوقت لكنه مثل حقوق المفاخرة قليلا لطيف خمن. نعم أعني عندما عملت على هاري بوتر ، في أول فيلم للأقداس المهلكة ولكن فقط من أجل وكأنك تعرف فترة ما بعد الظهيرة فقط حتى يتمكنوا من الاستمتاع بهذه اللحظة ثم طلب منهم ذلك Russian: крадет мои кольца. Те костюмы просто великолепны в основном да, всегда просто интересно смотреть, что она придумывает. Теперь мы со Стивом тоже большие поклонники Гарри Поттера и поэтому мы должны спросить вас, пока вы говорите, каково это было о молодой версии Альбуса Дамблдора, потому что это довольно мило. [Тоби] Да, это похоже на лучшее камео Когда-либо. да, потому что я имею в виду меня и Джейми Бауэр , который играл молодого Гриндевальда - единственные два человека, которые снимаются в обеих франшизах даже хотя мы находимся в нем только для небольшого количества время, но это похоже на маленькое милое хвастовство. угадать. да, я имею в виду, когда я работал над Гарри Поттер в первом фильме о дарах смерти, но только для как вы знаете день, чтобы они могли получить этот момент а затем попросили Chinese: 偷了我的戒指。那些服装的音调 基本上很棒 是的, 看到她的想法总是很令人兴奋。 现在,史蒂夫和我也是 哈利·波特的忠实粉丝 所以我们要问你,当时你在 想些什么 在年轻版本 的阿不思·邓布利多上,因为那是 很甜 [Toby] 是的,基本上就像最好的客串 曾经。 是的,因为我是说我和杰米 鲍尔(Bauer )那个扮演年轻的格林德瓦(Grindelwald)的人 是两个 电影专营权中唯一的两个人 虽然我们 只在其中 时间,但那就像是 我吹牛的权利 猜测。 是的,我是说当我在 哈利·波特(Harry Potter),在 首部死亡圣殿电影中 就像你知道一个下午 ,以便他们能度过这一刻 然后被要求 Russian: вернуться, чтобы сыграть роль фантастических зверей, это было просто здорово. такой набор опыта это похоже на то, о чем я говорил в "Последнем королевстве", но как раз тысяча. как и все, я имею в виду каждая вещь здесь красиво сделана вручную, вы знаете, что просто ... я имею в виду, я не говорю, я сказал это как "Последнее королевство" не делает этого, нет, я просто имею в виду, о, но это просто масштаб такого набора и все усилия, которые вкладываются во все , действительно потрясающие. Я не такой большой как Мне не очень нравится CGI, но такой CGI, фантастический CGI, который они Не знаю, не могу, не знаю, как называется их компания кто также снимал фильмы о медведе Паддингтона, но эта компьютерная графика особенно хороша Arabic: أعود للقيام بالدور بالنسبة للوحوش الرائعة ، كان الأمر كذلك عظيم. هذا النوع من الخبرة المحددة هو مثل ما كنت أتحدث عنه في The Last Kingdom ولكن مثل الأوقات ألف. مثل كل ما أعنيه كل شيء هناك مصنوع يدويًا بشكل جميل وأنت تعرف ذلك فقط ... أعني أنني لا أقول ، لقد جعلت الأمر يبدو مثل The Last Kingdom لا تفعل ذلك ، لا ، أعني فقط مثل أوه ولكن هذا فقط أن حجم مجموعة من هذا القبيل و كل الجهد المبذول في كل شيء مذهل حقًا. أنا لست مثل كبير أنا لا أحب CGI كثيرًا ولكن هذا النوع من CGI ، CGI الخيالية التي هم لا أعرف ، لا أستطيع ، لا أعرف ما اسم شركتهم الذي قام أيضًا بعمل أفلام Paddington Bear لكن CGI جيدة بشكل خاص Spanish: volver para hacer el papel de bestias fantásticas era solo que Excelente. ese tipo de experiencia en el set es como lo que estaba hablando de estar en The Last Kingdom pero como los tiempos mil. como todos los que quiero decir todo lo que hay está hecho a mano maravillosamente, sabes que solo el ... quiero decir, no estoy diciendo, lo hice sonar como The Last Kingdom no hace eso, no, solo quiero decir como oh pero esto solo que la escala de un conjunto como ese y todo el esfuerzo que se hace en todo es realmente asombroso. No soy un gran como Realmente no me gusta mucho el CGI, pero ese tipo de CGI, el fantástico CGI que ellos No lo se, no puedo, no se como se llama su empresa que también hizo las películas de Paddington Bear pero que CGI es particularmente bueno English: come back to do the role for fantastic beasts was just it was great. that kind of set experience is it's like what I was talking about being on The Last Kingdom but like times a thousand. like every I mean every single thing there is handcrafted beautifully you know that just the... I mean I'm not saying, I made it sound like The Last Kingdom doesn't do that, no, I just mean like oh but this just that the scale of a set like that and all the effort that goes into everything is really amazing. I'm not a big like I don't really like CGI that much but that kind of CGI, the fantastical CGI that they I don't know, I can't, I don't know what the name of their company is who also did the Paddington Bear films but that CGI is particularly good Hungarian: gyere vissza, hogy elvégezze a fantasztikus vadállatok szerepét , csak az volt nagy. az a fajta élmény olyan, mint amiről beszéltem, hogy az Utolsó Királyságban vagyok, de mint az idők Ezer. mint mindenre gondolok minden egyes dolog gyönyörűen kézművesen készült, ezt tudja csak a ... vagyis nem azt mondom, hogy hangot adtam neki mint az Utolsó Királyság nem ezt teszi, nem, csak úgy értem, hogy ó, de ez csak hogy egy ilyen halmaz skálája és minden erőfeszítés, ami mindenre kiterjed , valóban csodálatos. Nem vagyok olyan nagy, mint A CGI-t nem nagyon szeretem annyira, de az a fajta CGI, a fantasztikus CGI, amit ők Nem tudom, nem tudom, nem tudom, mi a cégük neve aki a Paddington Bear filmeket is készítette, de ez a CGI különösen jó Chinese: 回来扮演 梦幻般的野兽的角色 大。 那种固定的经验 就像我在谈论 《最后的王国》时一样 一千。 就像我的意思 每一件事情都是 手工精心制作的,您知道 只是... 我的意思是我不是说,我说的很对 就像《最后的王国》那样,不, 我只是说像哦,但这 只是规模 一组这样的, 所有事情所付出的努力 真是太神奇了。我不大喜欢 我不太 喜欢CGI,但 那种 CGI,他们幻想的CGI 我不知道,我不知道,我不知道 他们公司的名字是 他也拍过帕丁顿熊电影, 但CGI特别出色 French: revenir pour jouer le rôle de bêtes fantastiques, c'était juste génial. ce genre d'expérience d'ensemble c'est comme ce dont je parlais dans The Last Kingdom mais comme des fois un millier. comme tout ce que je veux dire chaque chose est fabriquée à la main magnifiquement, vous savez que juste le ... je veux dire, je ne dis pas, je l'ai fait sonner comme The Last Kingdom ne fait pas ça, non, je veux juste dire oh mais ça juste que l'échelle d' un ensemble comme ça et tout l'effort qui va dans tout est vraiment incroyable. Je ne suis pas un grand comme Je n'aime pas vraiment CGI mais ce genre de CGI, le CGI fantastique qu'ils Je ne sais pas, je ne peux pas, je ne sais pas quel est le nom de leur entreprise qui a aussi fait les films Paddington Bear mais que CGI est particulièrement bon Portuguese: voltar para fazer o papel de bestas fantásticas era só isso ótimo. aquele tipo de experiência definida é como eu estava falando sobre estar no Último Reino, mas como em tempos mil. como todos quero dizer cada coisa lá é feita à mão lindamente, você sabe disso apenas o ... quer dizer, não estou dizendo, fiz soar como o Último Reino não faz isso, não, só quero dizer, oh, mas isso apenas que a escala de um conjunto como esse e todo o esforço que vai para tudo é realmente incrível. Eu não sou grande como Não gosto muito de CGI, mas aquele tipo de CGI, o CGI fantástico que eles Não sei não posso, não sei qual é o nome da empresa deles que também fez os filmes do Urso de Paddington, mas que CGI é particularmente bom German: Komm zurück, um die Rolle für fantastische Bestien zu spielen, war es einfach großartig. diese Art von Set-Erfahrung ist es wie das, worüber ich gesprochen habe , auf The Last Kingdom zu sein, aber wie mal eintausend. wie jeder meine ich Jedes einzelne Ding dort ist wunderschön handgefertigt, das weißt du nur das ... ich meine ich sage nicht, ich habe es klingen lassen wie The Last Kingdom macht das nicht, nein, ich meine nur wie oh, aber das nur dass die Skala eines solchen Sets und Die ganze Anstrengung, die in alles fließt, ist wirklich erstaunlich. Ich bin kein großer Fan Ich mag CGI nicht so sehr, aber diese Art von CGI, das fantastische CGI, das sie Ich weiß nicht, ich kann nicht, ich weiß nicht, wie der Name ihrer Firma lautet Wer hat auch die Paddington Bear Filme gemacht, aber das CGI ist besonders gut Hungarian: és azért fényképezik őket digitalizáljon mindent, minden jelmezdarabot, mindent kellék a forgatáson, minden, amit maguk készítenek , én szóval csak állok egy, amit te hívsz? mint kamerák veszik körül, és 360 fokban lőnek, majd létrehozzák a számítógépes modell az Ön számára éppen ilyen részlet hogy ráközelíthetnek az efféle stréber dolgokra. ez a készlet, hogy alapvetően kiboruljon csodálatos, igen, haladj előre, sajnálom. csak azt mondják, hogy megvan a lények osztálya de alapvetően amikor odaértem, hogy valaki egy golfkocsiban olyan volt, mint te csak körbevezetni egy golfkocsival és megnézni a szar szarokat? olyan, mint egyáltalán. figyelembe akkor végig a szervek. Vártalak titeket. ez elképesztő. oh ember, hát kezdetben Harry Potter rajongó vagy ? [Toby] igen, úgy értem, hogy olvastam Portuguese: e sendo fotografados para eles digitalizar tudo, cada peça de roupa, cada suporte no set, tudo o que se define , eu então eu apenas fico em um como você chama isso? gostar cercado por câmeras e eles filmam você em 360 graus e, em seguida, criam um modelo de computador para você exatamente esse tipo de detalhe que eles podem dar zoom nesse tipo de coisa geek. este é o set para nerd basicamente é incrível, vá em frente, desculpe. está apenas dizendo que eles têm o departamento de criaturas mas basicamente quando eu cheguei lá, alguém em um carrinho de golfe disse: quer apenas dirigir por aí em um carrinho de golfe e ver coisas legais? é absolutamente sim. levando você por todos os departamentos. Eu estive esperando por vocês. Fantástico. oh cara então você é um fã de Harry Potter para começar? [Toby] sim, quero dizer, eu li French: et d'être photographiés pour qu'ils tout numériser, chaque pièce de costume, chaque accessoire sur le plateau, tout les décors eux-mêmes, moi donc je me tiens juste dans un comment appelez-vous ça? comme entouré de caméras et ils vous filment à 360 degrés, puis créent un modèle d'ordinateur pour vous juste ce genre de détail qu'ils peuvent zoomer sur ce genre de trucs geek. c'est l'ensemble sur lequel nerd fondamentalement c'est incroyable, allez-y, allez-y désolé. c'est juste dire qu'ils ont le département des créatures mais en gros, quand je suis arrivé, quelqu'un dans une voiturette de golf était comme toi Vous voulez juste conduire dans une voiturette de golf et regarder de la merde cool? c'est comme absolument ouais. vous emmène à travers tous les départements. Je vous attendais les gars. c'est génial. oh mec alors es-tu un fan de Harry Potter pour commencer? [Toby] ouais je veux dire j'ai lu Russian: и их фотографируют, чтобы они оцифровать все, каждую деталь костюма, каждую подпорка на съемочной площадке, все сами наборы , я так что я просто стою в том, как вы это называете? лайк окружены камерами, и они снимают вас на 360 градусов, а затем создают компьютерная модель для вас как раз такая деталь что они могут увеличивать масштабирование таких гиков. это набор для ботаников в основном это потрясающе, да, давай, извини. это просто говорит, что у них есть отдел существ но в основном, когда я добрался туда, кто-то в гольфмаре был похож на тебя хотите просто покататься на гольфмобиле и посмотреть на крутое дерьмо? это как абсолютно да. проводя вас через все отделы. Я ждал вас, ребята. это потрясающе. О, чувак, ты с самого начала фанат Гарри Поттера ? [Тоби] Да, я имею в виду, что читаю Arabic: ويتم تصويرهم لذلك رقمنة كل شيء ، كل قطعة زي ، كل دعم على المجموعة ، كل شيء يضع نفسه ، أنا لذلك أنا فقط أقف في ماذا تسميها؟ مثل محاطًا بالكاميرات ويطلقون عليك 360 درجة ثم يصنعون نموذج كمبيوتر لك فقط هذا النوع من التفاصيل يمكنهم تكبير هذا النوع من الأشياء العبقري غريب الأطوار. هذه هي المجموعة التي يجب أن يتعلمها الطالب بشكل أساسي إنه لأمر مدهش ، نعم تفضل ، تفضل آسف. إنه مجرد قول أن لديهم قسم المخلوقات ولكن عندما وصلت إلى هناك ، كان أحدهم في عربة الغولف مثلك تريد أن تتجول في عربة جولف وتنظر إلى الأشياء الرائعة؟ انها مثل نعم تماما. يأخذك عبر جميع الأقسام. كنت في انتظاركم يا رفاق. هذا رائع. يا رجل هل أنت من محبي هاري بوتر لتبدأ؟ [توبي] نعم أعني قرأت German: und dafür fotografiert zu werden digitalisiere alles, jedes Kostümstück, jedes Requisite am Set, alles was am Set selbst ist, ich also stehe ich einfach in einem wie nennst du es? mögen umgeben von Kameras und sie schießen Sie 360 Grad und erstellen dann eine Computermodell für Sie genau diese Art von Detail dass sie diese Art von geekigem Zeug vergrößern können . Dies ist das Set, auf das man sich im Grunde einlassen kann Es ist erstaunlich, ja, mach weiter, sorry. es heißt nur, dass sie die Kreaturenabteilung haben Aber als ich dort ankam, war jemand in einem Golfwagen so wie du Willst du einfach in einem Golfwagen herumfahren und dir coole Scheiße ansehen? es ist wie absolut ja. Sie durch alle Abteilungen führen. Ich habe auf euch gewartet. Das ist großartig. Oh Mann, bist du von Anfang an ein Harry-Potter-Fan ? [Toby] Ja, ich meine, ich habe gelesen English: and being photographed for so they digitize everything, every piece of costume, every prop on the set, everything the sets themselves, me so I just stand in a what do you call it? like surrounded by cameras and they shoot you 360 degrees and then create a computer model for you just that kind of detail that they can zoom in on that kind of geeky stuff. this is the set to nerd out on basically it's amazing, yeah go ahead go ahead sorry. it's just saying that they have the creatures department but basically when I got there so someone in a golf cart was like do you want to just drive around in a golf cart and look at cool shit? it's like absolutely yeah. taking you through all the departments. I've been waiting for you guys. that's awesome. oh man so are you a Harry Potter fan to begin with? [Toby] yeah I mean I read Chinese: 并被拍照 ,所以他们 数字化一切,每件 服装,每件 道具上的道具,所有道具 本身,我 所以我只是站在一个你怎么称呼它?喜欢 被相机包围,它们会向您拍摄 360度,然后创建一个 计算机模型对你刚才那样的 细节 他们可以放大那种 怪异的东西。 这基本上是书呆子 太神奇了,是的, 对不起。 只是说他们有生物部门 但基本上当我到达那里时 ,高尔夫球车上的某人就像你 是否只想在高尔夫球车中开车兜风 ,看看很烂的狗屎? 绝对是的。带您 遍及所有部门。 我一直在等你们。棒极了。 哦,老兄,您是哈利波特迷 吗?[Toby]是的,我的意思是我读了 Spanish: y ser fotografiado para que digitalizar todo, cada pieza de vestuario, cada utilería en el set, todo el set en sí mismo, yo así que me quedo en un ¿cómo lo llamas? me gusta rodeado de cámaras y te disparan 360 grados y luego crean una modelo de computadora para ti solo ese tipo de detalle que pueden acercarse a ese tipo de cosas geek. este es el set para empollones básicamente es increíble, sí, adelante, adelante, lo siento. solo dice que tienen el departamento de criaturas pero básicamente cuando llegué allí, alguien en un carrito de golf me dijo ¿Quieres simplemente conducir en un carrito de golf y mirar cosas interesantes? es absolutamente sí. llevándolo a través de todos los departamentos. Los he estado esperando chicos. Eso es genial. oh hombre, ¿eres un fan de Harry Potter para empezar? [Toby] sí quiero decir que leo Hungarian: az összes könyv azon a napon, amikor megjelentek, kedves voltam azonos korú, Vagy Daniel Radcliffe idősebb mint én? talán. szóval igen, de úgy értem, hogy valahogy a Harry Potter vele egyidőben öregszik , amikor a könyvek jelentek meg, igen, nagyok voltak azt hiszem, gyermekkorom része . Ők az egyetlen könyvek hogy így olvastam. mint olvasni azon a napon, amelyet családként ismer. [Colby] te annyira izgatott lehetett, hogy Dumbledore-t játszhatta. [Toby] igen Tudom, hogy ez egy ilyen, mert ez egy ilyen kis része, de azt is el kell mondanom, hogy én vagyok Dumbledore azzal. Azt mondom, olyan, mint a legnagyobb cameo. [Colby] és Azt hiszem, hallottam pletykákat egy másik Fantasztikus Szörnyeteg filmről esetleg készül, és tudom, hogy jó lenne, ha tudnád továbbra is vegyenek részt ebben, mert tudom Dumbledore-nak van egy nagyon érdekes fia , akit ismer, fiatal története van Grindelwalddal és a húga igen jó lenne látni a képernyőn. én gondol. [Toby] igen, akarom mondani Spanish: todos los libros el día que salieron fui amable de la misma edad, o Daniel Radcliffe es mayor ¿que yo? tal vez. así que sí, pero quiero decir que era una especie de Harry Potter envejece al mismo tiempo que él cuando el estaban saliendo libros, así que sí, eran un gran parte de mi infancia, supongo. Son los únicos libros que leo así. como leerlo el día que conozcas como familia. [Colby] tú debe haber estado muy emocionado de poder interpretar a Dumbledore. [Toby] si Sé que es así, es porque es tan pequeña parte, pero también puedo decir que soy Dumbledore con ese. Digo que es como el mejor cameo. [Colby] y Creo que escuché rumores de otra película de Fantastic Beast posiblemente se esté haciendo y sé que sería genial si pudieras sigo involucrado en eso porque sé Dumbledore tiene una historia bastante interesante de la que conoces joven con Grindelwald y su hermana, sí, sería genial verla en la pantalla. yo pensar. [Toby] sí, quiero decir que lo haría Chinese: 他们出来的那天所有的书我都很好 年龄相同, 或者Daniel Radcliffe年龄大一点 比我(如何,如何?也许。 所以是的,但我的意思是我有点像 哈利·波特 与他同时年龄的时候 书问世了,是的,它们 很大 我猜是我童年的一部分。他们是唯一的书 我这样读。喜欢 在您一家人在一起的那天读它。[Colby]你 能够玩邓布利多一定很兴奋。[托比]是的 我知道是 因为这样 一小部分,但我 也要说,这就是我是邓布利多 接着就,随即。 我说这就像最伟大的客串。[Colby]和 我想我听说过另一部《 神奇动物》电影的传闻 可能会被制造出来,我知道 如果可以的话会很酷 继续参与其中,因为 我知道 邓布利多有一种很有趣的类型 ,您知道格林德沃的年轻故事 和他的妹妹 是的,很高兴在屏幕上看到。一世 认为。[Toby]是的,我是说我会 Russian: все книги в тот день, когда они вышли, я был добр того же возраста, Или Дэниел Рэдклифф старше чем я? может быть. так что да, но я имею в виду, что я был своего рода Гарри Поттер в то же время, что и он, когда книги выходили так что да они были большие часть моего детства, наверное. Это единственные книги что я читал вот так. как читать его в день, который вы знаете как семья. [Колби] ты должно быть, был так взволнован возможностью сыграть Дамблдора. [Тоби] да Я знаю, что это так, потому что это так небольшая часть, но я также могу сказать, что я Дамблдор с этим. Я говорю, что это похоже на величайшую камео. [Колби] и Я думаю, что слышал слухи о другом фильме о фантастическом чудовище возможно, производятся, и я знаю, что было бы круто, если бы вы могли продолжать участвовать в этом, потому что я знаю У Дамблдора есть довольно интересная история с Гриндельвальдом. и его сестру было бы здорово увидеть на экране. я считать. [Тоби] Да, я бы хотел English: all the books on the day they came out I was kind of the same age, Or is Daniel Radcliffe older than me? maybe. so yeah but I mean I was kind of a Harry Potter age at the same time as him when the books were coming out so yeah they were a big part of my childhood I guess. They're the only books that I read like that. like read it on the day you know as a family. [Colby] you must have been so excited to be able to play Dumbledore. [Toby] yeah I know it's such a it's because it's such a small part but I also get to say that it's that I am Dumbledore with that. I say it's like the greatest cameo. [Colby] and I think I've heard rumors of another Fantastic Beast movie possibly being made and I know that it'd be cool if you could continue to be involved in that because I know Dumbledore has a pretty interesting kind of you know young story with Grindelwald and his sister yeah would be cool to see on screen. I think. [Toby] yeah I mean I would French: tous les livres le jour de leur sortie, j'étais gentil du même âge, Ou Daniel Radcliffe est-il plus âgé que moi? peut être. alors oui mais je veux dire que j'étais un peu Harry Potter âge en même temps que lui lorsque le des livres sortaient alors oui ils étaient un gros une partie de mon enfance je suppose. Ce sont les seuls livres que je lis comme ça. comme le lire le jour où vous connaissez en famille. [Colby] vous devait être tellement excité de pouvoir jouer Dumbledore. [Toby] ouais Je sais que c'est tellement parce que c'est tellement petite partie mais j'arrive aussi à dire que c'est que je suis Dumbledore avec ça. Je dis que c'est comme le plus grand camée. [Colby] et Je pense avoir entendu des rumeurs sur un autre film de Fantastic Beast peut-être en cours de réalisation et je sais que ce serait cool si vous pouviez continuer à être impliqué parce que je sais Dumbledore a un genre assez intéressant de vous savez jeune histoire avec Grindelwald et sa sœur ouais serait cool de voir à l'écran. je pense. [Toby] ouais je veux dire que je le ferais Portuguese: todos os livros no dia em que foram lançados eu fui gentil da mesma idade, ou Daniel Radcliffe é mais velho do que eu? talvez. então sim, mas quero dizer, eu era uma espécie de Harry Potter era ao mesmo tempo que ele quando o livros estavam saindo, então sim, eles eram um grande parte da minha infância, eu acho. Eles são os únicos livros que eu li assim. como ler no dia em que você conhece como uma família. [Colby] você deve ter ficado muito animado para interpretar Dumbledore. [Toby] sim Eu sei que é porque é tão pequena parte, mas também posso dizer que sou Dumbledore com isso. Eu digo que é como o maior cameo. [Colby] e Acho que ouvi rumores de outro filme do Fantastic Beast possivelmente sendo feito e eu sei que seria legal se você pudesse continuar a estar envolvido nisso porque eu sei Dumbledore tem um tipo bem interessante de você sabe uma jovem história com Grindelwald e sua irmã, sim, seria legal de ver na tela. Eu pensar. [Toby] sim, quero dizer, eu iria German: Alle Bücher an dem Tag, als sie herauskamen, war ich nett im gleichen Alter, oder ist Daniel Radcliffe älter als ich? vielleicht. Also ja, aber ich meine, ich war eine Art Harry Potter altert zur gleichen Zeit wie er, als der Bücher kamen heraus, also waren sie groß Ein Teil meiner Kindheit, denke ich. Sie sind die einzigen Bücher dass ich so lese. Lesen Sie es gerne an dem Tag, den Sie als Familie kennen. [Colby] du muss so aufgeregt gewesen sein, Dumbledore spielen zu können. [Toby] Ja Ich weiß, dass es so ist, weil es so ist kleiner Teil, aber ich kann auch sagen, dass ich Dumbledore bin damit. Ich sage, es ist wie das größte Cameo. [Colby] und Ich glaube, ich habe Gerüchte über einen anderen Film von Fantastic Beast gehört möglicherweise gemacht und ich weiß, dass es cool wäre, wenn du könntest weiterhin daran beteiligt sein, weil ich weiß Dumbledore hat eine ziemlich interessante Art von junger Geschichte mit Grindelwald und seine Schwester wäre ja cool auf dem Bildschirm zu sehen. ich denken. [Toby] Ja, ich meine, ich würde Arabic: كل الكتب في يوم صدورها كنت لطيفًا من نفس العمر ، أو دانيال رادكليف أكبر سنًا مقارنة بى؟ يمكن. لذا نعم ولكن أعني أنني كنت نوعا ما عمر هاري بوتر في نفس الوقت الذي كان فيه كانت الكتب تخرج لذا نعم كانت كبيرة جزء من طفولتي على ما أعتقد. هم الكتب الوحيدة التي قرأتها من هذا القبيل. مثل قراءته في اليوم الذي تعرفه كعائلة. [كولبي] أنت يجب أن يكون متحمسًا جدًا لأتمكن من لعب Dumbledore. [توبي] أجل أعلم أنه مثل هذا لأنه مثل جزء صغير ولكن يمكنني أيضًا أن أقول إنني دمبلدور مع ذلك. أقول إنه مثل أعظم نقش. [كولبي] و أعتقد أنني سمعت شائعات عن فيلم Fantastic Beast آخر ربما يتم صنعه وأنا أعلم أنه سيكون رائعًا إذا أمكنك ذلك الاستمرار في المشاركة في ذلك لأنني أعرف دمبلدور لديه نوع مثير للاهتمام من أنك تعرف قصة شابة مع Grindelwald وأخته نعم سيكون من الرائع رؤيته على الشاشة. أنا يفكر. [توبي] نعم أعني سأفعل Russian: люблю делать это, есть больше сцен. Я знаю, что у Дж. К. Роулинг вроде как раскрыл некоторые вещи о Дамблдор за годы, которые не были в фильмы так что да, очевидно, я бы Я бы убил, чтобы получить еще кое-что. [Стив] да, я знаю, что они изначально я думаю, что это было четыре или пять из фильмов, я думаю, анонсированы. [Тоби] Думаю, да пять фильмов. знаете ли вы за кадром, если вы гарантированно окажетесь в каком-либо из тех или чего-нибудь прямо сейчас? [Тоби] Нет, но это звучало так, как будто я, нет нет нет. хорошо да интересно но да это так здорово быть во франшизе о Гарри Поттере, это должно быть так прохладный. [Тоби] Да, это круто, это так круто, но да, было бы круто увидеть хоть немного больше молодого Дамблдора я думаю да, я хочу увидеть, что эта арка с ним и Ариана ее сестра да да, мы вернемся в Последнее Королевство немного, у тебя были какие-нибудь Chinese: 喜欢这样做,有更多场景。 我知道JK罗琳有点像 透露了 一些有关 邓布利多过所没有的几年 中 电影,是的, 我的意思是显然我会 我会杀了 以获得更多的东西。[史蒂夫]是的,我知道他们 我原本以为是四 五个 我猜想宣布的电影。[托比]我 想是的 五部电影。 如果您想保证不在任何地方,您是否知道机外 这些或任何东西中的什么?[托比]不,但这听起来像我一样,不 不,不。 好吧,有趣,但是 加盟哈利· 波特专营权真是太棒了 凉。 [Toby]是的,这很酷,但是很酷 是的,所以 看到一个 我 认为年轻的邓布利多多一点 是的,我想看到 和他在一起的弧线,而Ariana是她的姐姐。 是的,我们会回到最后的王国 ,你有没有 English: love to do that, have more scenes. I know JK Rowling has sort of like revealed some things about Dumbledore over the years that weren't in the films so yeah I mean obviously I would have I'd kill to to get some more stuff. [Steve] yeah i know they had originally I think what was it four or five of the movies I guess announced. [Toby] I think it's yeah five films. do you know off-camera if you are like guaranteed to be in any of those or anything right now? [Toby] No but that made it sound like I do, no no no. okay yeah interesting but yeah that's just so awesome to be in a Harry Potter franchise that's got to be so cool. [Toby] yeah it's pretty cool that's so cool but yeah so it would be cool to see though a little bit more of young Dumbledore I think yeah I want to see that that arc with him and Ariana is her sister yeah yeah we'll go back to Last Kingdom just a little bit did you have any Spanish: Me encanta hacer eso, tener más escenas. Sé que JK Rowling tiene algo así como reveló algunas cosas sobre Dumbledore a lo largo de los años que no estaban en el películas, así que sí, quiero decir, obviamente, habría Mataría por conseguir más cosas. [Steve] sí, sé que ellos originalmente, creo que eran cuatro o cinco de las películas, supongo, anunció. [Toby] Creo que sí cinco películas. ¿Sabes fuera de cámara si tienes la garantía de estar en cualquier de esos o algo en este momento? [Toby] No, pero eso hizo que pareciera que yo sí, no no no. bien si interesante pero si es tan increíble estar en una franquicia de Harry Potter que tiene que ser tan frio. [Toby] sí, es genial, es genial, pero sí, así que sería genial ver a través de un un poco más del joven Dumbledore, creo sí, quiero ver que ese arco con él y Ariana es su hermana, sí sí, volveremos a Last Kingdom solo un poco, ¿tenías algo? Portuguese: adoro fazer isso, ter mais cenas. Eu sei que JK Rowling tem uma espécie de revelou algumas coisas sobre Dumbledore ao longo dos anos que não estavam no filmes então sim quero dizer, obviamente, eu teria Eu mataria para conseguir mais algumas coisas. [Steve] sim, eu sei que eles tinha originalmente eu acho que eram quatro ou cinco dos filmes, eu acho, anunciados. [Toby] Eu acho que sim cinco filmes. você sabe fora da câmera se você tem a garantia de estar em qualquer desses ou qualquer coisa agora? [Toby] Não, mas isso fez parecer que sim, não não não. ok sim interessante mas sim que é tão incrível estar em uma franquia de Harry Potter que tem que ser tão legal. [Toby] sim, é muito legal, é tão legal, mas sim , seria legal ver embora um um pouco mais do jovem Dumbledore, eu acho sim, eu quero ver aquele arco com ele e Ariana é a irmã dela sim sim, vamos voltar ao Último Reino só um pouquinho, você tinha algum Arabic: أحب أن أفعل ذلك ، لديك المزيد من المشاهد. أعلم أن جي كي رولينغ لديها نوع من الإعجاب كشف بعض الأشياء عنه دمبلدور على مر السنين التي لم تكن في أفلام لذا نعم أعني من الواضح أنني سأحصل عليها كنت سأقتل للحصول على المزيد من الأشياء. [ستيف] نعم أعرفهم كان في الأصل أعتقد ما كان أربعة أو خمسة من الأفلام التي أظن أنها أعلنت. [توبي] أعتقد أنه نعم خمسة أفلام. هل تعرف ما هو خارج الكاميرا إذا كنت مضمونًا أن تكون في أي منها من هؤلاء أو أي شيء الآن؟ [توبي] لا ، لكن هذا جعل الأمر يبدو كما أفعل ، لا لا لا. حسنًا ، نعم مثير للاهتمام ولكن نعم إنه أمر رائع أن تكون في امتياز هاري بوتر الذي يجب أن يكون كذلك بارد. [توبي] نعم إنه رائع جدًا ولكن هذا رائع جدًا نعم ، سيكون من الرائع أن نرى على الرغم من وجود ملف أعتقد أن دمبلدور شاب أكثر قليلاً نعم أريد أن أرى أن هذا القوس معه وأريانا هي أختها نعم نعم ، سنعود إلى Last Kingdom قليلًا هل كان لديك أي منها Hungarian: szeretem ezt csinálni, legyen több jelenet. Tudom, hogy JK Rowlingnak van valami hasonlója elárult néhány dolgot Dumbledore az évek során, amelyek nem voltak benne filmek, igen, úgy értem, nyilvánvalóan megtenném Megölném, hogy szerezzek még valami cuccot. [Steve] igen, tudom, hogy vannak eredetileg azt gondoltam, mi volt négy vagy öt a filmek közül azt hiszem bejelentettem. [Toby] Azt hiszem, igen öt film. ismered-e kamerán kívül, ha garantáltan bármelyikben szerepelsz? ezekből vagy bármiből? [Toby] Nem, de ettől úgy hangzott, mint én, nem nem nem. oké igen érdekes de igen ez olyan fantasztikus, ha egy Harry Potter-franchise-ban szerepelsz, aminek így kell lennie menő. [Toby] igen klassz, nagyon klassz, de igen, így jó lenne látni a kicsit több fiatal Dumbledore szerintem igen szeretném látni, hogy ez az ív vele és Ariana a nővére igen igen, visszatérünk az Utolsó Királyságba, csak volt egy kicsit German: liebe es das zu tun, habe mehr szenen. Ich weiß, dass JK Rowling so etwas hat enthüllte einige Dinge über Dumbledore im Laufe der Jahre, die nicht in der Filme also ja ich meine natürlich hätte ich Ich würde töten, um noch mehr Zeug zu bekommen. [Steve] Ja, ich kenne sie Ich hatte ursprünglich gedacht, was war es vier oder fünf von den Filmen habe ich wohl angekündigt. [Toby] Ich denke es ist ja fünf Filme. Kennst du außerhalb der Kamera, ob du garantiert in irgendeiner bist? von denen oder irgendetwas im Moment? [Toby] Nein, aber das klang so wie ich, nein nein nein okay ja interessant aber ja Das ist einfach so großartig, in einem Harry- Potter-Franchise zu sein, das muss es auch sein cool. [Toby] Ja, es ist ziemlich cool, das ist aber so cool Ja, es wäre cool zu sehen, ob a ein bisschen mehr von dem jungen Dumbledore, denke ich Ja, ich möchte sehen, dass dieser Bogen mit ihm und Ariana ihre Schwester ist Ja, wir kehren zurück zu Last Kingdom, nur ein bisschen hattest du welche? French: adore faire ça, avoir plus de scènes. Je sais que JK Rowling a une sorte de a révélé des choses sur Dumbledore au fil des années qui n'étaient pas dans le films alors oui je veux dire évidemment j'aurais Je tuerais pour avoir plus de trucs. [Steve] ouais je sais qu'ils avait à l'origine je pense que c'était quatre ou cinq des films annoncés, je suppose. [Toby] Je pense que c'est ouais cinq films. savez-vous hors caméra si vous êtes comme assuré d'être dans un de ceux-ci ou quoi que ce soit en ce moment? [Toby] Non mais ça a fait sonner comme moi, non non non. ok ouais intéressant mais ouais c'est tellement génial d'être dans une franchise Harry Potter qui doit l'être cool. [Toby] ouais c'est plutôt cool c'est trop cool mais ouais donc ce serait cool de voir si un un peu plus du jeune Dumbledore je pense Ouais je veux voir que cet arc avec lui et Ariana est sa soeur ouais Ouais, nous reviendrons un peu au dernier royaume si vous en aviez French: vos moments préférés depuis le début ou des scènes préférées que vous avez faites? tournage de la scène avec Jamie Blackley où il vient me dire que Mercia a été cette scène en particulier celle où je dis que je vais lui faire tuer cette scène était particulièrement amusant à filmer. Je veux dire que la plus grande partie était, la plupart était assez amusant tu sais surtout les derniers trucs quand je se sentir comme les écrivains ont donné je ne sais pas si c'était une sorte de comme une conversation entre ils ont écrit quelque chose je l'ai fait d'une certaine manière et ensuite ils ont poussé cette chose un peu plus loin et alors j'y suis arrivé , puis à la quatrième saison, il était sorte de caractère plus dynamique. mais ouais la plupart était super et je sais que c'est comme ça que chaque Portuguese: momentos favoritos desde o início ou alguma cena favorita que você fez? filmar a cena com Jamie Blackley onde ele vem me dizer que Mércia tem sido aquela cena em particular aquela em que eu digo que vou tê-lo matado naquela cena foi particularmente divertido de filmar. Quer dizer, a maior parte foi, a maior parte foi muito divertido, você sabe especialmente as coisas mais recentes quando eu sinto como os escritores deram , não sei se foi uma espécie de como uma conversa entre eles escreveram algo eu fiz isso de uma certa maneira e então eles empurraram aquela coisa um pouco mais longe e então eu cheguei lá e então na quarta temporada ele estava tipo de personagem mais dinâmico. mas sim, a maior parte foi ótima e eu sei que é assim que todos Arabic: لحظات مفضلة من البداية أو أي مشاهد مفضلة قمت بها؟ تصوير المشهد مع جيمي بلاكلي حيث يأتي ليخبرني بذلك لقد كانت ميرسيا هذا المشهد خاصة ذلك المنعطف حيث أقول إنني سأذهب هل قتل هذا المشهد كان ممتعًا بشكل خاص للتصوير. أعني أن معظمها كان ، معظمها كان ممتعًا كما تعلم خاصةً أحدث الأشياء عندما أشعر أن الكتاب قدموا لا أعرف ما إذا كان نوعًا ما مثل محادثة بين كتبوا شيئًا فعلته بطريقة معينة ثم دفعوا هذا الشيء بعد ذلك بقليل ، ثم وصلت إلى الأمر وبعد ذلك بحلول الموسم الرابع كان نوع من الطابع الديناميكي. لكن معظمها كانت رائعة وأنا أعلم أن هذا ما يشبه كل شيء Russian: любимые моменты с самого начала или любые любимые сцены, которые вы сняли? снимая сцену с Джейми Блэкли, где он приходит сказать мне, что Мерсия была эта сцена, особенно тот поворот, где я говорю, что собираюсь Если бы он убил эту сцену, снимать было особенно интересно. Я имею в виду, что большая часть этого была, большая часть была довольно забавной, понимаете особенно последние вещи, когда я чувствую, как писатели дали не знаю, было ли это чем-то вроде как в разговоре они написали что-то я сделал определенным образом, а затем они толкнули эту вещь немного дальше, и тогда я дошел до этого, а затем к четвертому сезону он был своего рода более динамичный персонаж. но да, по большей части это было здорово, и я знаю, что это то, что нравится каждому German: Lieblingsmomente von Anfang an oder irgendwelche Lieblingsszenen, die du gemacht hast? Dreh die Szene mit Jamie Blackley, wo er kommt, um mir das zu sagen Mercia war diese Szene, besonders die Wendung, in der ich sage, dass ich gehen werde Ihn diese Szene töten zu lassen war besonders lustig zu filmen. Ich meine, das meiste davon war, das meiste war ziemlich lustig, weißt du? vor allem die neuesten Sachen, wenn ich Ich habe nicht das Gefühl, dass es eine Art war Wie ein Gespräch zwischen ihnen haben sie etwas geschrieben, was ich getan habe auf eine bestimmte Weise und dann schoben sie das Ding ein bisschen weiter und dann kam ich dazu und dann war er es in der vierten Staffel eine Art dynamischerer Charakter. Aber ja, das meiste davon war großartig und ich weiß, das ist wie jeder andere English: favorite moments from onset or any favorite scenes that you did? shooting the scene with Jamie Blackley where he comes to tell me that Mercia has been that scene particularly that turn where I say that I'm going to have him killed that scene was particularly fun to film. I mean most most of it was, most of it was pretty fun you know especially the latest stuff when I feel like the writers gave I don't know whether it was a kind of like a conversation between they wrote something I did it a certain way and then they pushed that thing a bit further and then so I got to it and then so by the fourth season he was kind of a more dynamic character. but yeah most of it was great and I know this is what like every Hungarian: kedvenc pillanatok a kezdetektől, vagy bármilyen kedvenc jelenet, amit csináltál? forgatja a jelenetet Jamie Blackley-vel, ahol eljön, hogy ezt elmondja nekem Mercia volt azt a jelenetet, különösen azt a fordulatot, ahol azt mondom, hogy megyek hogy ezt a jelenetet különösen szórakoztató volt filmezni. Mármint a legtöbb volt, a legtöbb elég szórakoztató volt különösen a legújabb dolgokat, amikor én úgy érzem, mintha az írók adták volna, nem tudom, hogy ez egyfajta volt-e mint egy beszélgetés írtak valamit, én csináltam egy bizonyos módon, aztán lökték azt a dolgot egy kicsit tovább, aztán eljutottam hozzá , majd a negyedik évadra már ő is egyfajta dinamikusabb karakter. de igen nagy része nagyszerű volt, és tudom, hogy ez mindenhez hasonló Spanish: momentos favoritos desde el inicio o alguna escena favorita que hiciste? rodando la escena con Jamie Blackley donde viene a decirme que Mercia ha sido esa escena en particular ese giro donde digo que voy a hacer que matara esa escena fue particularmente divertido de filmar. Quiero decir, la mayor parte fue, la mayor parte fue bastante divertido, ¿sabes? especialmente las últimas cosas cuando siento que los escritores dieron no sé si fue una especie de como una conversación entre ellos escribieron algo yo lo hice de cierta manera y luego empujaron esa cosa un poco más lejos y luego llegué a eso y luego en la cuarta temporada él estaba una especie de personaje más dinámico. pero sí, la mayor parte fue genial y sé que esto es lo que todos Chinese: 发病时喜欢的时​​刻 或您所做的任何喜欢的场面? 与杰米·布莱克利(Jamie Blackley)拍摄现场 ,他来告诉我 梅西娅(Mercia) 那个场景,特别是 那个转弯,我说我要去 让他杀死 那个场景对拍摄特别有趣。 我的意思是大部分都很好, 大部分都很好玩 特别是 当我最新的东西 感觉像作家给的 我不知道这是否是一种 就像他们之间的对话 写的是我做的 以某种方式,然后他们推那 东西 再往前走一点,所以我就到了 ,然后到第四季,他 一种 更加动态特性。 但是,是的,大部分都很棒 ,我知道这就像每个人一样 German: Schauspieler sagt über jeden Job jedes Mal, wenn sie ein Interview machen aber es hat wirklich sehr viel Spaß gemacht, es zu filmen und jeder darauf ist großartig. Ich weiß, es ist wie bei jedem, auch wenn die Leute die schlimmste Zeit haben, die sie noch haben Ich muss sagen, jeder war großartig, aber es ist ehrlich wie das lustigste Gruppe von Menschen, mit denen man arbeiten kann. [Colby] das ist großartig und jetzt früher du Erwähnt, als du zum ersten Mal mit der Schauspielerei angefangen hast Improvisationssache, wo sie dir ein Wort geben und Vielleicht hat es dir geholfen, ein bisschen Improvisation oder Kreativität zu entwickeln Gab es irgendwelche Momente in Last Kingdom, in denen so etwas war? kam das zu Aethelred? [Toby] Ich meine Eigentlich ist das das Einzige an historischen Dramen, dass es nicht viel gibt Improvisation. Nur weil es so eine Geschichte ist gefahren und es ist so eine besondere Art von zu reden, dass es nicht so viel Wackeln gibt Raum zum Improvisieren. Ich habe es ein paar Mal versucht Ich habe es ein paar Mal bei Riegn versucht Spanish: el actor dice sobre cada trabajo cada vez que hacen una entrevista pero fue muy divertido filmarlo y todos son geniales. Sé que es como todo el mundo, incluso cuando la gente pasa el peor momento tengo que decir que todos fueron geniales pero honestamente es como el grupo de personas más divertido para trabajar. [Colby] eso es genial y ahora antes tú mencionado cuando empezaste a actuar haciendo ese tipo de cosa de improvisación donde te dan una palabra y tal vez te ayudó a desarrollar un poco de improvisación o creatividad ¿Hubo algún momento en Last Kingdom donde ese tipo de cosas entró en Aethelred eso? [Toby] quiero decir en realidad, eso es lo único de los dramas de época, si no hay improvisación. solo porque es tan historia impulsado y es una forma tan particular de hablando de que no hay mucho movimiento espacio para improvisar. Lo he probado un par muchas veces, lo probé en Riegn un par de veces Hungarian: színész azt mondja minden munkáról, minden egyes alkalommal, amikor interjút készítenek de nagyon szórakoztató volt filmezni, és mindenki nagyon jó. Tudom, hogy ez olyan, mint mindenkinek, akkor is, amikor az embereknek még mindig a legrosszabb az idő azt kell mondanom, hogy mindenki nagyszerű volt, de őszintén hasonlít a legviccesebb embercsoport, akivel együtt lehet dolgozni. [Colby] ez fantasztikus, és most már korábban te említette, amikor először belefogott a színészi tevékenységbe improvizációs dolog, ahol szót adnak neked és talán segített egy kis improvizáció vagy kreativitás fejlesztésében voltak-e olyan pillanatok az Utolsó Királyságban, ahol ilyenek voltak bejött Aethelredbe? Úgy értem valójában ez az egyetlen dolog a korabeli drámákban, hogy nincs sok improvizáció. csak mert annyira történet hajtott, és ez olyan sajátos módja beszélni, hogy nincs annyi kuncogás improvizációs helyiség . Kipróbáltam párat alkalommal, megpróbáltam azt Riegn pár alkalommal French: l'acteur parle de chaque travail à chaque fois qu'il fait une interview mais c'était vraiment très amusant de le filmer et tout le monde est génial. Je sais que c'est comme tout le monde même quand les gens ont le pire moment je dois dire que tout le monde était super mais c'est honnêtement comme le groupe de personnes le plus amusant avec qui travailler. [Colby] c'est génial et maintenant plus tôt vous mentionné quand tu as commencé à jouer ce genre de quelque chose d'improvisation où ils vous donnent un mot et peut-être que cela vous a aidé à développer un peu d'improvisation ou de créativité y a-t-il eu des moments dans Last Kingdom où comme ce genre de chose est venu à Aethelred cela? [Toby] Je veux dire en fait c'est la seule chose à propos des drames d'époque, c'est qu'il n'y a pas grand-chose improvisation. juste parce que c'est tellement une histoire conduit et c'est une façon si particulière de en parlant qu'il n'y a pas tant de remue-ménage place pour improviser. Je l'ai essayé plusieurs des fois, je l'ai essayé sur Riegn plusieurs fois Russian: актер говорит о каждой работе каждый раз, когда дает интервью но снимать это было действительно весело, и все на нем великолепны. Я знаю, что это похоже на всех, даже когда у людей худшие времена, они все еще должен сказать, что все были великолепны, но это честно как самая забавная группа людей для работы. [Колби] Это круто, а теперь раньше ты упомянул, когда вы впервые начали играть, делая такие импровизационная вещь, где они дают вам слово и возможно, это помогло тебе развить немного импровизации или творчества были ли моменты в Последнем Королевстве, когда подобное пришел к Этельреду что? [Тоби] Я имею в виду на самом деле это единственная особенность исторических драм - их не так много импровизация. просто потому что это такая история управляемый, и это такой особенный способ Говоря, что не так уж много покачивания место для импровизации. Я пробовал пару раз, я пробовал это на Riegn пару раз Portuguese: ator diz sobre cada trabalho toda vez que dá uma entrevista mas foi muito divertido de filmar e todos nele são ótimos. Eu sei que é como todo mundo, mesmo quando as pessoas passam o pior momento, ainda tenho que dizer que todos foram ótimos, mas é honestamente como o o grupo de pessoas mais engraçado para se trabalhar. [Colby] isso é incrível e agora mais cedo você mencionado quando você começou a atuar fazendo esse tipo de coisa improvisada onde eles te dão uma palavra e talvez tenha ajudado a desenvolver um pouco de improvisação ou criatividade houve algum momento no Último Reino em que esse tipo de coisa veio para Aethelred isso? [Toby] Quero dizer na verdade, essa é a única coisa sobre dramas de época é que não há muito improvisação. só porque é tão história dirigido e é uma forma particular de falando que não há muito movimento espaço para improvisar. Eu tentei um par às vezes, eu tentei em Riegn algumas vezes Arabic: الممثل يقول عن كل وظيفة في كل مرة يجرون فيها مقابلة ولكن كان من الممتع حقًا تصويره وكان الجميع رائعين. أعلم أن الأمر يشبه الجميع حتى عندما يمر الناس بأسوأ الأوقات يجب أن أقول أن الجميع كان رائعًا ولكن إنه بصراحة مثل أطرف مجموعة من الأشخاص للعمل معهم. [كولبي] هذا رائع والآن أنت في وقت سابق ذكرها عندما بدأت التمثيل لأول مرة تفعل هذا النوع من شيء ارتجالي حيث يعطونك كلمة و ربما ساعدك في تطوير القليل من الارتجال أو الإبداع كانت هناك أي لحظات في المملكة الأخيرة حيث مثل هذا النوع من الأشياء جاء في Aethelred ذلك؟ [توبي] أعني في الواقع ، هذا هو الشيء الوحيد الذي يتعلق بالدراما التاريخية ، حيث لا يوجد الكثير ارتجال. فقط لأنها قصة مدفوعة وهي طريقة خاصة الحديث أنه ليس هناك تذبذب كبير مجال للارتجال. لقد جربته زوجين في بعض الأحيان ، جربته على Riegn عدة مرات Chinese: 演员每次面试时 都会谈到每项工作 但是拍下来真的很有趣, 而且每个人都很棒。 我知道就像所有人一样,即使 人们在最艰难的时刻 必须说 每个人都很棒,但是 老实说就像 最有趣的一群人一起工作。[Colby] 太棒了,现在更早了 提到当你第一次坐进作用 做这些类型的 即兴的东西,他们给 你一个单词, 也许它可以帮助您发展一些 即兴创作或创造力 在上个 王国有什么时刻 来到 阿瑟尔瑞德那吗?[托比]我的意思是 其实那是关于 时期戏剧的一件事 即兴创作。 只是因为它是如此的故事 驱动 ,这是一种特殊的方式 谈论 没有那么多的摇摆 房间 凑合。我已经尝试了几次 有时,我在Riegn上尝试了 几次 English: actor says about every job every single time they do an interview but it was really really fun to film it and everyone on it is great. I know it's like everyone even when people have the worst time they still have to say everyone was great but it is honestly like the funniest group of people to work with. [Colby] that's awesome and now earlier you mentioned when you first got into acting doing those kind of improvisational thing where they give you a word and maybe it helped you develop a little bit of improvisation or creativity were there any moments in Last Kingdom where like that kind of thing came in to Aethelred that? [Toby] I mean actually that's the one thing about period dramas is there is not much improvisation. just because it's so story driven and it's such a particular way of talking that there isn't that much wiggle room to improvise. I've tried it a couple of times, i tried it on Riegn a couple of times Chinese: 从来没有晋级。 是的,我认为那是 在 现在的是,你可以 与Aethelred 略微偏离了剧本,但没有那么多。 有趣的是,现在我们知道您 提到了一些令人兴奋的事情 快来了,我们不会问你 ,因为你不允许说话 关于这些事,但还有什么 你已经在附近现身 我们可以期待的未来?[托比] 不只是这一件事。[Colby]好的,然后做 作为演员 前进,您有什么目标吗?[托比]是的,我的意思是 是的,我真的很想 写点东西。 我认为几乎每个演员 都这么说 他们正在写一些东西, 我认为关键是 梦想成为现实是不告诉任何人 这件事 因为就像我 多年来要说的话 然后就成为 我的对话 说我要写它,你 知道我的意思吗?它从像 Hungarian: és soha nem hajtotta végre a vágást. igen, azt hiszem, ez az egyetlen előnye a munkának a jelen az, hogy tudsz térjen le egy kicsit a forgatókönyvről, de Aethelreddel nem annyira. érdekes most már tudjuk, hogy megemlítette, hogy van valami izgalmas felérünk, nem fogunk kérdezni tőled , mert nem szabad beszélned erről még, de van még valami , amit a közelben kijöttél jövőben, amelyet várhatunk? [Toby] nem csak ez az egy dolog. [Colby] oké és csináld bármilyen célja van, mint színész, aki halad előre? [Toby] igen, ezt értem igen, nagyon szeretnék írni valamit. Azt hiszem, szinte minden színész ezt mondja és mondja írnak valamit, ami szerintem a kulcsa ennek álom a valóság az, hogy senkinek nem mondok el róla mert hasonlóan azokhoz a dolgokhoz, amiket az évek során mondtam és írok van, akkor csak lesz egy beszélgetés velem mondván, hogy megírom, tudod, mire gondolok? abból származik, mint French: et n'a jamais fait la coupe. ouais je pense que c'est le seul avantage de travailler le présent est que tu peux dévier un peu du script mais pas tellement avec Aethelred. intéressant maintenant nous savons que vous avez mentionné que vous avez quelque chose d'excitant à venir, nous n'allons pas vous interroger parce que vous n'êtes pas autorisé à parler à ce sujet encore, mais y a-t-il autre chose que vous avez sorti dans futur que nous pouvons espérer? [Toby] non seulement cette seule chose. [Colby] d'accord et fais vous avez des objectifs en tant qu'acteur pour aller de l' avant? [Toby] ouais je veux dire ça ouais j'aimerais vraiment écrire quelque chose. Je pense que presque tous les acteurs le disent et le disent ils écrivent quelque chose que je pense que la clé pour en faire rêve une réalité est de ne pas dire à personne à ce sujet parce que comme les choses que j'ai dites au fil des ans que je vais écrire sont alors juste devenus une conversation de moi en disant que je vais l'écrire, savez-vous ce que je veux dire? ça passe d'être comme Spanish: y nunca hice el corte. sí, creo que ese es el único beneficio de trabajar en el presente es que tu puedes Salga del guión un poco, pero no tanto con Aethelred. interesante ahora sabemos que mencionaste que tienes algo emocionante próximamente no te vamos a preguntar porque no tienes permitido hablar al respecto todavía, pero ¿hay algo más de lo que tenga que salir cerca? futuro que podemos esperar? [Toby] no solo esto. [Colby] está bien y haz ¿Tiene algún objetivo como actor en el futuro? [Toby] sí, me refiero a esto sí, realmente me gustaría escribir algo. Creo que casi todos los actores dicen eso y dicen que están escribiendo algo que creo que es la clave para hacerlo sueño en realidad es no decirle a nadie sobre él porque como las cosas que he dicho a lo largo de los años que voy a escribir entonces se ha convertido en una conversación mía diciendo que lo voy a escribir ¿ sabes a qué me refiero? pasa de ser como Portuguese: e nunca fez o corte. sim, acho que esse é o único benefício de trabalhar em o presente é que você pode Desvie-se um pouco do script, mas não tanto com Aethelred. interessante, agora sabemos que você mencionou que tem algo interessante chegando, não vamos perguntar sobre porque você não tem permissão para falar sobre isso ainda, mas há mais alguma coisa que você tem vindo para fora futuro que podemos esperar? [Toby] não, apenas uma coisa. [Colby] ok e faça você tem algum objetivo como ator no futuro? [Toby] sim, quero dizer isso sim, eu realmente gostaria de escrever algo. Acho que quase todo ator diz isso e está dizendo isso eles estão escrevendo algo que acho que é a chave para fazer isso sonhar uma realidade é não contar a ninguém sobre isso porque, como as coisas que eu disse ao longo dos anos que vou escrever então acabou de se tornar uma conversa minha dizendo que vou escrever sabe o que quero dizer? vai de ser como Russian: и никогда не попадал в разрез. да, я думаю, что это единственное преимущество работы в настоящее то, что вы можете немного отклониться от сценария, но не так сильно с Этельредом. интересно теперь мы знаем, что вы упомянули у вас есть что-то захватывающее мы не собираемся вас спрашивать, потому что вам не разрешено говорить об этом еще, но есть ли еще что- нибудь, что вы хотите сказать в ближайшее время? будущее, которое мы можем с нетерпением ждать? [Тоби] нет, только это одно. [Колби] ладно, делай у вас как у актера есть какие-то цели на будущее? [Тоби] да, я имею в виду это да, я бы очень хотел что-нибудь написать. Я думаю, что почти каждый актер так говорит и говорит, что они пишут что-то, что я считаю ключом к этому мечта реальность - это никому об этом не рассказывать потому что, как то, что я сказал за эти годы, что я собираюсь написать тогда просто стали разговором обо мне говоря, что я собираюсь это написать, вы понимаете, о чем я? это происходит от того, чтобы быть похожим Arabic: ولم يقطع قط. نعم أعتقد أن هذه هي الفائدة الوحيدة للعمل فيها الحاضر هو ما تستطيع انحرف عن البرنامج النصي قليلاً ولكن ليس كثيرًا مع Aethelred. مثير للاهتمام الآن نعلم أنك ذكرت أن لديك شيئًا مثيرًا في المستقبل ، لن نسألك عن الأمر لأنه غير مسموح لك بالتحدث حول هذا الموضوع حتى الآن ولكن هل هناك أي شيء آخر خرجت به في القريب المستقبل الذي يمكن أن نتطلع إليه؟ [توبي] ليس فقط هذا الشيء الوحيد. [كولبي] حسنا وافعل لديك أي أهداف كممثل للمضي قدما؟ [توبي] نعم أعني هذا أجل ، أود حقًا كتابة شيء ما. أعتقد أن كل ممثل تقريبًا يقول ذلك ويقول ذلك إنهم يكتبون شيئًا أعتقد أنه المفتاح لتحقيق ذلك الحلم حقيقة هو عدم إخبار أي شخص عنها لأنه مثل الأشياء التي قلتها على مر السنين والتي سأكتبها ثم أصبحت حديثًا معي أقول إنني سأكتبها هل تعرف ما أعنيه؟ من أن تكون مثل German: und nie den Schnitt gemacht. Ja, ich denke, das ist der einzige Vorteil der Arbeit Die Gegenwart ist, dass Sie können weiche ein bisschen vom Drehbuch ab, aber nicht so sehr mit Aethelred. Interessant, jetzt wissen wir, dass Sie erwähnt haben , dass Sie etwas Aufregendes haben Wir werden dich nicht fragen, weil du nicht reden darfst darüber noch, aber gibt es noch etwas, das Sie in der Nähe herauskommen Zukunft, auf die wir uns freuen können? [Toby] nein, nur diese eine Sache. [Colby] Okay und mach Sie haben irgendwelche Ziele als Schauspieler in der Zukunft? [Toby] Ja, das meine ich Ja, ich würde wirklich gerne etwas schreiben. Ich denke, fast jeder Schauspieler sagt das und sagt das Sie schreiben etwas, von dem ich denke, dass es der Schlüssel dazu ist Träume eine Realität ist es, niemandem davon zu erzählen denn wie die Dinge, die ich über die Jahre gesagt habe, die ich schreiben werde bin dann einfach ein gespräch von mir geworden Sagst du , was ich meine? es geht davon aus wie zu sein English: and never made the cut. yeah I think that that's the one benefit of working in the present is that you can veer off script a little bit but not so much with Aethelred. interesting now we know that you you mentioned you have something exciting coming up we're not going to ask you about because you're not allowed to talk about it yet but is there anything else that you have coming out in the near future that we can look forward to? [Toby] no just this one thing. [Colby] okay and do you have any goals as an actor moving forward? [Toby] yeah I mean this yeah I would really like to write something. I think almost every actor says that and is saying that they're writing something I think the key to making that dream a reality is to not tell anyone about it because like the things that I've said over the years that I'm going to write have then just become a conversation of me saying that I'm going to write it do you know what I mean? it goes from being like German: Sie schreiben tatsächlich an etwas und dann, wenn Sie jemandem sagen, dass Sie es sind wie oh ich schreibe dieses Ding sie sind wie oh das ist großartig und dann bist du wie oh danke jetzt muss ich es nicht schreiben weil du gib ihm Lob. so wie du es gerne behalten musst a secret [Colby] oder ich würde mir vorstellen, dass wir das erwähnt haben Bevor wir fortfuhren, haben wir viele Anfragen bekommen verschiedene Leute, aber Sie haben besonders bekommen eine erstaunliche Menge an Anfragen und von Fans an uns, um Sie auf zu haben den Podcast und nochmals vielen Dank, dass Sie sich uns angeschlossen haben Wir freuen uns sehr, Sie zu haben, aber ich würde es mir auch vorstellen Sie wären so, als hättest du das Ding schon geschrieben? hast du es schon geschrieben Ja, ja, ja, ich habe es tatsächlich versprochen, sobald ich erwähnen konnte, dass ich es war Ich werde etwas schreiben, aber ich dachte, ich wäre wie oh, wenn ich Ich muss es tun, aber jetzt, wo ich es versucht habe Jetzt, wo ich es ausprobiert habe, bin ich von allem so beeindruckt das ist allgemein geschrieben, weißt du? es ist Ich meine, ich weiß nicht, dass jeder Prozess anders ist und Einige Leute können schreiben, dass Sie jemanden wie Bernard kennen Portuguese: você realmente escreve para algo e então quando diz a alguém que está tipo oh, estou escrevendo isso, eles são tipo oh, isso é ótimo e então você tipo oh, obrigado agora eu não tenho que escrever porque você elogie-o. então como você tem que gostar de mantê-lo um segredo [Colby] ou imagino que mencionamos isso antes de prosseguirmos, recebemos muitos pedidos de pessoas diferentes, mas você particularmente conseguiu uma quantidade incrível de pedidos e de fãs para nós para tê-lo no o podcast e obrigado novamente por se juntar a nós estamos muito contentes de ter você, mas também imagino eles seriam como você já escreveu isso ? você já escreveu? sim sim sim, na verdade, prometi uma vez que poderia mencionar que estava vou escrever algo, mas pensei: "Oh, se eu vou ter que fazer, mas agora que tentei agora que tentei, estou tão impressionado com qualquer coisa isso é escrito em geral, sabe? Está Quer dizer, não sei se o processo de cada um é diferente e algumas pessoas podem escrever, você conhece alguém como Bernard English: you actually writing to something and then when you tell someone you're like oh I'm writing this thing they're like oh that's great and then you're like oh thanks now I don't have to write it because you give him praise. so like you have to like keep it a secret [Colby] or I would imagine we mentioned this before we went on that we've gotten a lot of requests for different people but you particularly have gotten an amazing amount of requests and from fans to us to have you on the podcast and thank you again for joining us we're very glad to have you but I would imagine too they would be like did you write that thing yet? did you write it yet? yeah yeah yeah I have actually, I promised once I could mention that I was going to write something but I thought I was like oh if I put it out there I'll have to do it but now that I've tried it now that I've tried it i'm so impressed by anything that's written in general you know? it's such I mean, I don't know everyone's process is different and some people can write you know someone like Bernard Arabic: أنت في الواقع تكتب إلى شيء ما ثم عندما تخبر شخصًا ما أنك كأنني أكتب هذا الشيء ، إنهم مثل أوه هذا رائع ثم أنت مثل أوه شكرا الآن ليس علي أن أكتبه لأنك امدحه. لذا ، عليك أن تحب الاحتفاظ بها سر [كولبي] أو أتخيل أننا ذكرنا هذا قبل المضي قدمًا في أن تلقينا الكثير من الطلبات أشخاص مختلفين ولكنك حصلت عليها بشكل خاص قدرًا هائلاً من الطلبات ومن المعجبين إلينا لإضافتك البودكاست وشكرا لك مرة أخرى لانضمامك إلينا نحن سعداء جدًا بوجودك ولكني أتخيل أيضًا سيكونون مثل هل كتبت هذا الشيء بعد؟ هل كتبتها بعد؟ نعم ، نعم ، لقد وعدت بالفعل ، بمجرد أن أذكر أنني كنت سأكتب شيئًا لكنني اعتقدت أنني كنت مثل أوه إذا كنت ضعها هناك سأفعلها ولكن الآن بعد أن جربتها الآن بعد أن جربته ، أنا معجب جدًا بأي شيء هذا مكتوب بشكل عام هل تعلم؟ انها أعني ، لا أعرف أن عملية كل شخص مختلفة و يمكن لبعض الناس أن يكتبوا أنك تعرف شخصًا مثل برنارد French: vous écrivez réellement à quelque chose et ensuite quand vous dites à quelqu'un que vous comme oh j'écris cette chose ils sont comme oh c'est génial et puis tu es comme oh merci maintenant je n'ai pas besoin de l'écrire parce que vous félicitez-le. alors comme tu dois aimer garder ça secret [Colby] ou j'imagine que nous l'avons mentionné avant de continuer, nous avons reçu de nombreuses demandes différentes personnes , mais vous en particulier avoir obtenu une quantité incroyable de demandes et de fans à nous pour vous accueillir le podcast et merci encore de nous rejoindre nous sommes très heureux de vous avoir mais j'imagine aussi ils seraient comme si vous aviez déjà écrit cette chose? l'avez-vous encore écrit? Ouais ouais ouais je l'ai fait, j'ai promis une fois que je pourrais mentionner que j'étais va écrire quelque chose mais je pensais que j'étais comme oh si je je vais devoir le faire mais maintenant que je l'ai essayé maintenant que je l'ai essayé, je suis tellement impressionné par tout c'est écrit en général, vous savez? ses comme je veux dire, je ne sais pas que le processus de chacun est différent et certaines personnes peuvent écrire que vous connaissez quelqu'un comme Bernard Hungarian: valójában írsz valaminek , majd amikor elmondod valakinek, hogy vagy mint ó, ezt a dolgot írom, olyanok, hogy ó, ez nagyszerű, aztán te vagy mint ó, köszönöm, most nem kell írnom, mert te adj neki dicséretet. így tetszik neked megtartani a titkos [Colby], vagy azt képzelném, hogy ezt említettük mielőtt folytattuk volna, sok kérést kaptunk különböző emberek, de ön különösen megszerezte elképesztő mennyiségű kérés és rajongóktól számunkra, hogy továbblépjünk a podcastot, és még egyszer köszönöm, hogy csatlakozott hozzánk nagyon örülünk, hogy van, de én is el tudnám képzelni olyanok lennének, mintha megírtad volna már azt a dolgot? megírta már? igen, igen, valóban van, megígértem, ha egyszer megemlíthetem, hogy az vagyok írok valamit, de azt hittem, olyan vagyok, mintha ó, ha én tedd oda, meg kell csinálnom, de most, hogy kipróbáltam most, hogy kipróbáltam, annyira lenyűgözött minden amit általában írnak, tudod? ez van ilyenre gondolok, nem tudom, hogy mindenkinek más a folyamata és néhány ember írhat, ismer valakit, mint Bernard Chinese: 你实际上在写东西 ,然后当你告诉某人你是 就像哦,我正在写这个东西,他们 就像哦,那太好了,然后你就 喜欢哦,谢谢, 现在我不必写它了,因为你 给他好评。 所以就像你必须喜欢保留它 秘密 [Colby]还是我想我们会提到这个 在我们继续之前, 我们已经收到了很多要求 不同的人,但你特别 有 大量的要求, 从粉丝到我们的要求 播客 ,再次感谢您加入我们 我们很高兴有您,但我也 可以想象 他们会像你写那 东西了吗?你写了吗? 是的,是的,我实际上已经 答应了 要写点东西, 但我想我就像哦,如果我 把它放在那里,我必须做, 但是现在我已经尝试了 现在我已经尝试过 ,任何事都让我印象深刻 那是一般写的,你知道吗?它的 这样的意思是,我不知道 每个人的过程都不同, 有人可以 写信给你,你知道像伯纳德这样的人 Russian: вы действительно что-то пишете, а затем, когда вы говорите кому-то, что вы как о, я пишу эту вещь, они такие, о, это здорово, а потом ты как о, спасибо, теперь мне не нужно писать, потому что ты хвалите его. так, как будто ты должен любить секрет [Колби] или я думаю, мы упомянули об этом прежде чем мы продолжили, мы получили много запросов на разные люди, но вы особенно получили огромное количество запросов от фанатов к нам, чтобы вы подкаст и еще раз спасибо за то, что присоединились к нам мы очень рады видеть тебя, но я тоже могу представить они будут такими, как будто ты уже написал эту вещь? ты это еще не написал? да да да, на самом деле, я пообещал, как только я смогу упомянуть, что я был собирался что-то написать, но я думал, что я типа о, если бы я выложи это там, мне придется это сделать, но теперь, когда я попробовал Теперь, когда я попробовал, я так впечатлен всем это вообще написано знаете? его я имею в виду, я не знаю, что у всех разные процессы и некоторые люди могут написать, что вы знаете кого-то вроде Бернарда Spanish: en realidad estás escribiendo a algo y luego cuando le dices a alguien que estás como, oh, estoy escribiendo esto, ellos son como, oh, eso es genial y luego estás como oh gracias ahora no tengo que escribirlo porque tu alabadle. así que tienes que gustarle mantenerlo secreto [Colby] o me imagino que mencionamos esto antes de continuar , hemos recibido muchas solicitudes de diferentes personas, pero en particular has conseguido una cantidad increíble de solicitudes y de los fans a nosotros para tenerte en el podcast y gracias de nuevo por acompañarnos estamos muy contentos de tenerte pero yo también me imagino serían como si ya escribiste eso ? lo escribiste ya? sí, sí, sí, de hecho, lo prometí una vez que podía mencionar que estaba iba a escribir algo pero pensé que estaba como oh si yo Ponlo ahí tendré que hacerlo pero ahora que lo he probado ahora que lo probé estoy tan impresionado por cualquier cosa que está escrito en general, ¿sabes? sus es decir, no sé que el proceso de todos es diferente y algunas personas pueden escribir, conoces a alguien como Bernard English: Cornwell can write just the sheer amount of writing that he produces is like astounding. yeah but it is quite a slow moving process that that's especially with film making is like what we're trying to trying to write a script is like a house of cards basically trying to keep things making sense and the most the latest thing that I did, the latest advice when I was explaining my idea to somebody who was a writer was just like you know what do they want? because you've just told me a bunch of stuff that's like sure yeah interesting stuff and that's you know that's that's interesting but like what do they want? and if you don't have that then you don't have anything and actually like the more you try and like create around it like I'll add more ideas and put more stuff on top of it's just masking the fact that actually your Russian: Корнуэлл может писать просто количество написанного им поразительно. да, но это довольно медленный процесс, который это особенно касается кинопроизводства, это похоже на то, что мы пытаемся попытка написать сценарий подобна карточному домику, в основном пытаясь чтобы все было осмысленным, и самое последнее, что я сделал, последнее совет, когда я объяснял кому-то свою идею кто был писателем был просто как ты знаешь чего они хотят? потому что ты только что рассказал мне много интересного прочее, и вы знаете, что это интересно, но как они хотят? и если у вас нет что тогда у вас ничего нет и вам нравится больше попробуйте создать вокруг него, как будто я добавлю больше идей и добавлю больше это просто маскировка того факта, что на самом деле ваша German: Cornwell kann nur schiere schreiben Die Menge an Schrift, die er produziert, ist erstaunlich. Ja, aber das ist ein ziemlich langsamer Prozess Das ist besonders beim Filmemachen so, wie wir es versuchen Der Versuch, ein Skript zu schreiben, ist wie ein Kartenhaus , das es im Grunde versucht Halten Sie die Dinge sinnvoll und das Neueste, was ich getan habe, das Neueste Ratschläge, als ich jemandem meine Idee erklärte Wer war ein Schriftsteller war genau wie Sie wissen, was sie wollen? weil du mir gerade ein paar Sachen erzählt hast , die sicher ja interessant sind Zeug und das weißt du, das ist aber interessant wie was wollen sie? und wenn du nicht hast dass du dann nichts hast und tatsächlich magst, je mehr du Versuchen Sie, es zu erstellen , als würde ich mehr Ideen hinzufügen und mehr einfügen Zeug darüber hinaus maskiert es nur die Tatsache, dass tatsächlich Ihre Arabic: يمكن أن يكتب كورنويل فقط المطلق كمية الكتابة التي ينتجها مذهلة. نعم لكنها عملية بطيئة للغاية هذا بشكل خاص مع صناعة الأفلام يشبه ما نحاول القيام به محاولة كتابة سيناريو يشبه بيتًا من البطاقات يحاول أساسًا اجعل الأمور منطقية وأحدث ما فعلته ، الأحدث نصيحة عندما كنت أشرح فكرتي لشخص ما من كان كاتبًا كان مثلك تمامًا تعرف ماذا يريدون؟ لأنك أخبرتني للتو بمجموعة من الأشياء التي من المؤكد أنها مثيرة للاهتمام الأشياء وهذا ما تعلم أنه مثير للاهتمام ولكن مثل ماذا يريدون؟ وإذا لم يكن لديك فهذا يعني أنه ليس لديك أي شيء وفي الواقع يعجبك أكثر حاول وأبدع إعجابك به كما لو أنني سأضيف المزيد من الأفكار وأضع المزيد الأشياء التي تعلوها مجرد إخفاء لحقيقة أن Chinese: 康维尔 只能写纯粹 他 产生的写作数量令人震惊。 是的,但这是一个 缓慢的过程 特别是在电影制作中, 就像我们要尝试的 尝试写脚本就像是一堆 纸牌屋 使事情变得有意义,以及 我所做的最新,最新的事情 当我向 某人解释我的想法时的建议 谁是作家就像你 知道他们想要什么? 因为你刚刚告诉我很多 东西,就像肯定的 东西,那是 你知道的,那很有趣,但是 喜欢他们想要什么? 如果你没有 那你什么都没有 ,实际上喜欢的越多 尝试并喜欢围绕 它创建,就像我将添加更多想法并投入更多 上面的东西只是 掩盖了事实, Spanish: Cornwell puede escribir solo el puro La cantidad de escritura que produce es asombrosa. sí, pero es un proceso bastante lento que eso es especialmente con la realización de películas es como lo que estamos tratando de tratar de escribir un guión es como un castillo de naipes que básicamente intenta mantener las cosas teniendo sentido y lo último que hice, lo último consejo cuando le estaba explicando mi idea a alguien quien era un escritor era como tu sabes que es lo que quieren? porque me acabas de contar un montón de cosas que son interesantes cosas y eso es lo que sabes que es interesante pero como que quieren? y si no tienes que entonces no tienes nada y en realidad te gusta cuanto más te tratar de crear a su alrededor como si agregara más ideas y pusiera más cosas además de enmascarar el hecho de que en realidad Hungarian: Cornwell csak a puszta szót tudja írni az általa készített írások mennyisége megdöbbentő. igen, de ez egy nagyon lassan haladó folyamat ez különösen a filmkészítéshez hasonló, mint amire próbálunk szkript megírása olyan, mint egy kártyaház, amellyel alapvetően próbálkozik hogy a dolgok értelmesek legyenek, és a legfrissebb dolog, amit tettem, a legújabb tanácsot, amikor elmagyaráztam valakinek az ötletemet aki író volt, olyan volt, mint te tudod, mit akarnak? mert most elmondtál nekem egy csomó olyan dolgot, ami biztos, igen érdekes cucc, és ez tudja, hogy érdekes, de mint mit akarnak? és ha nincs hogy akkor nincs semmid és tulajdonképpen tetszik minél jobban próbáld ki, és szeretnél létrehozni körülötte , mintha további ötleteket adnék hozzá, és többet tesznék a tetejére csak elfedi azt a tényt, hogy valójában a Portuguese: Cornwell pode escrever apenas o puro a quantidade de textos que ele produz é surpreendente. sim, mas é um processo lento que isso é especialmente com a produção de filmes é como o que estamos tentando tentar escrever um roteiro é como um castelo de cartas, basicamente, tentar manter as coisas fazendo sentido e o mais recente que fiz, o mais recente conselho quando estava explicando minha ideia para alguém quem era escritor era igualzinho sabe o que eles querem? porque você acabou de me dizer um monte de coisas que com certeza são interessantes coisas e você sabe que é interessante, mas tipo o que eles querem? e se você não tem que então você não tem nada e realmente gosta mais de você tente criar em torno dele como se eu adicionasse mais ideias e colocasse mais em cima disso, está apenas mascarando o fato de que, na verdade, sua French: Cornwell peut écrire tout simplement la quantité d'écriture qu'il produit est stupéfiante. oui mais c'est un processus assez lent qui C'est surtout avec la réalisation de films que nous essayons de essayer d'écrire un script, c'est comme un château de cartes garder les choses sensées et la dernière chose que j'ai faite, la dernière des conseils quand j'expliquais mon idée à quelqu'un qui était un écrivain était comme vous savez ce qu'ils veulent? parce que tu viens de me dire un tas de choses qui sont sûrement intéressantes trucs et c'est vous savez que c'est intéressant mais comme ce qu'ils veulent? et si vous n'avez pas qu'alors tu n'as rien et en fait plus tu aimes essayez de créer autour de lui comme j'ajouterai plus d'idées et en mettrai plus des trucs en plus masquent simplement le fait que votre German: Charakter will nichts und wenn du es magst, kann es sein das einfachste willst du wissen. [Colby] Was würdest du sagen, was Aethelred wollte? König der Welt sein yeah yeah will letztendlich nur König der Welt sein. Aber ja, du brauchst eine Fahrt und dann, wenn das Publikum sie sieht dann sind sie an Bord und wollen sehen, dass du das Ding bekommst, auch wenn es ist so einfach wie ich ein Sandwich haben möchte Sie wissen, aber was bei all den Dingen, die Ihnen im Weg stehen, ist, dass Sie dazu in der Lage sind Haben Sie ein Sandwich, aber wenn Sie alle Ihre Ideen nichts bedeuten ohne das wollen wie verdammt noch mal zurück zum Zeichnen Sie jetzt waren Sie ein Fan des Bernard Cornwell Bücher vor der Show oder hast du sie überhaupt gelesen? Nein, ich habe seine Bücher nie gelesen, aber ich meine, ich habe arbeitete jetzt an zwei seiner Buchreihen als wäre das meine neueste Arbeit, die ich nicht gelesen habe Bücher, nur weil das Skript sie anders machen, gehen sie weiter Ihre eigene Reise, die Sie kennen, und ich denke, Sie können sich an Dinge binden French: le personnage ne veut rien et quand vous l'aimez, il peut l'être le désir le plus simple que vous connaissez. [Colby] que diriez- vous qu'Aethelred voulait? être roi du monde ouais ouais veut finalement être le roi du monde. mais oui, vous avez besoin d'un lecteur et une fois que le public voit qu'alors, ils sont à bord et ils veulent vous voir obtenir cette chose même si c'est aussi simple que je veux avoir un sandwich tu sais mais sur toutes les choses qui se dressent sur ton chemin, tu peux prends un sandwich mais si toutes tes idées ne veulent rien dire sans le vouloir juste comme putain je dois retourner au dessin maintenant étiez-vous fan du Bernard Cornwell livres avant le spectacle ou les avez - vous lus du tout? non je n'ai jamais lu ses livres mais je veux dire a travaillé sur deux de ses séries de livres maintenant comme c'est mon dernier travail, je n'ai pas lu le livres juste parce que le script qu'ils font est différent, ils continuent leur propre voyage tu sais et je pense que tu peux t'attacher à des choses Spanish: el personaje no quiere nada y cuando te gusta puede ser el deseo más simple que conoces. [Colby] ¿Qué dirías que quería Aethelred? ser rey del mundo sí, sí, en última instancia, solo quiere ser el rey del mundo. pero sí, necesitas conducir y una vez que la audiencia ve que luego están a bordo y quieren ver que consigas esa cosa incluso si es tan simple como querer un sándwich ya sabes, pero ¿qué pasa con todas las cosas que se interponen en tu camino? toma un sándwich pero si todas tus ideas no significan nada sin el deseo, como maldita sea, tengo que volver a la dibujando ahora eras fan de Bernard Cornwell libros antes del espectáculo o ¿los leíste? no, nunca he leído sus libros, pero quiero decir que he trabajó en dos de sus series de libros ahora como si fuera mi último trabajo, no leí el libros solo porque el guión lo hacen diferente, continúan su propio viaje, ya sabes, y creo que puedes apegarte a las cosas Portuguese: personagem não quer nada e quando você gosta, pode ser o mais simples quer você sabe. [Colby] o que você diria que Aethelred queria? ser rei do mundo sim sim, em última análise, só quer ser o rei do mundo. mas sim, você precisa de um passeio e depois que o público vê que então eles estão a bordo e querem ver você conseguir isso, mesmo que seja tão simples como eu quero comer um sanduíche você sabe, mas em todas as coisas que estão em seu caminho, você é capaz de coma um sanduíche, mas se todas as suas ideias não significam nada sem o desejo, assim como a porra tenho que voltar para o desenho agora você era fã do Bernard Cornwell livros antes do show ou você os leu? não, eu nunca li seus livros, mas quero dizer que tenho trabalhou em duas de suas séries de livros agora como se fosse meu último trabalho, não li o livros só porque o roteiro é diferente, eles continuam sua própria jornada, você conhece e eu acho que você pode se apegar às coisas English: character doesn't want anything and when you like it does it can be the simplest want you know. [Colby] what would you say Aethelred wanted? to be king of the world yeah yeah ultimately just wants to be king of the world. but yeah you need a drive and then once the audience sees that then they're on board and they want to see you get that thing even if it's as simple as like I want to have a sandwich you know but what on all the things that stand in your way is you being able to have a sandwich but if you all your ideas mean nothing without the want just like damn got to go back to the drawing now were you a fan of the Bernard Cornwell books before the show or did you read them at all? no I've never read his books but I mean I've worked on two of his book series now like that's my latest work I didn't read the books just because the script they do different, they go on their own journey you know and I think you can get attached to stuff Arabic: الشخصية لا تريد أي شيء وعندما ترغب في ذلك يمكن أن تكون كذلك أبسط ما تريد أن تعرفه. [كولبي] ماذا تريد أن تقول أثيلريد؟ ليكون ملك العالم نعم ، في النهاية ، يريد فقط أن يصبح ملك العالم. ولكن نعم أنت بحاجة إلى قيادة وبعد ذلك بمجرد أن يرى الجمهور ثم أنهم على متن الطائرة ويريدون رؤيتك تحصل على هذا الشيء حتى لو كان كذلك كما البساطة وكأنني أريد أن يكون لها شطيرة أنت تعرف ولكن ما الذي يجعلك قادرًا على كل الأشياء التي تقف في طريقك تناول شطيرة ولكن إذا كانت كل أفكارك لا تعني شيئًا دون الحاجة تمامًا مثل اللعنة عليك العودة إلى الرسم الآن كنت من محبي برنارد كورنويل كتب قبل العرض أم قرأتها أصلاً؟ لا ، لم أقرأ كتبه مطلقًا ولكن أعني أنني أقرأها عمل على اثنين من سلسلة كتبه الآن كأن هذا هو آخر عمل لي لم أقرأه الكتب فقط لأن النص الذي يقومون به مختلف ، يستمرون رحلتهم الخاصة كما تعلم وأعتقد أنه يمكنك التعلق بالأشياء Hungarian: karakter nem akar semmit, és amikor tetszik, akkor az is lehet a legegyszerűbb vágy, amit tudsz. [Colby] mit mondana , mit akar Aethelred? hogy a világ királya legyek igen igen végső soron csak a világ királya akar lenni . de igen, szükséged van egy hajtásra , majd ha egyszer a közönség meglátja hogy akkor a fedélzeten vannak, és azt akarják látni, hogy megkapja azt a dolgot, még akkor is, ha van olyan egyszerű, mintha szendvicset szeretnék tudod, de mit tudsz az utadban álló minden dologban van egy szendvicsed, de ha minden ötleted semmit sem jelent a nélkülözéshez , mint a rohadtnak, vissza kell térnie a most rajongottál a Bernard Cornwellért könyveket a bemutató előtt, vagy elolvasta egyáltalán? nem, soha nem olvastam a könyveit, de úgy értem, hogy olvastam két könyvsorozatán dolgozott most mintha ez lenne a legújabb munkám, nem olvastam el könyveket csak azért, mert a forgatókönyv másképp csinálják, folytatják a saját útjukat, és tudod, hogy kötődhetsz a dolgokhoz Russian: персонаж ничего не хочет, и когда вам нравится, это может быть самое простое хочу знать. [Колби] Что , по-твоему, хотел Этельред? быть королем мира да да в конечном итоге просто хочет быть королем мира. но да, вам нужен драйв, а потом, когда публика увидит что тогда они на борту, и они хотят, чтобы вы получили эту вещь, даже если это так просто, как будто я хочу бутерброд вы знаете, но что из всего, что стоит на вашем пути, дает вам возможность есть бутерброд, но если все твои идеи ничего не значат без желания, как черт возьми, нужно вернуться в рисовать сейчас были ли вы поклонником Бернарда Корнуэлла книги перед спектаклем или вы их вообще читали? нет, я никогда не читал его книг, но я имею в виду, что я работал над двумя из своих книжных серий сейчас как будто это моя последняя работа, я не читал книги только потому, что сценарий у них другой, они продолжают их собственное путешествие, вы знаете, и я думаю, вы можете привязаться к вещам Chinese: 角色不需要任何东西 ,当您喜欢时可以 最简单的想知道的。[科尔比]你会 说艾瑟瑞德想要什么? 成为世界之王 是的,最终,他们只是想成为 世界之王。 但是是的,你需要开车 ,然后一旦观众看到 那他们就在船上,他们希望 看到你得到那个东西,即使那是 就像我想要一个三明治一样简单 你知道,但是 阻碍你前进的是什么, 吃三明治, 但是如果你所有的想法都没有意义 没有 该死的想要,就该回到 现在是您的绘画吗,您是Bernard Cornwell的粉丝吗 演出前的书还是 您完全读过的书? 不,我从没看过 他的书,但我是说我 现在从事 他的两本丛书 就像那是 我的最新作品,我没有读过 只是因为脚本 做的不同,所以继续 你知道他们自己的旅程, 我想你可以迷恋东西 Chinese: 那不在里面 ,是的,我的工作只是为了好 很好, 我想问你一本书中有趣的一件事 也许你知道也许不是 Uhtred和Aethelred在书中 实际上表兄弟 在书中。我不知道 背后有东西。似乎不像他们 在表演中详细阐述。 不,那会很酷 其实。[Colby]但是是的,所以我很好奇 有点像 他们在谈论的东西 节目,但在 节目中似乎不像 表演世界中的佳能。[托比]我不喜欢这会是一个很好的接触 知道,你知道他是怎么发现的吗? [Colby]好吧,我想他知道这样,但是 Aethelred的父亲是Uhtred的母亲, Uhtred不知道,他的妈妈 是她的兄弟,并且有一个 在第一本书中的时间,我认为Uhtred 需要在某处寻找避难所时 当你父亲仍然是我的时候,他走了 以为他在那里遇到你 ,书中的Aethelred也没有 English: that isn't in it and my yeah my job was just to okay cool well one thing from the books that was interesting I wanted to ask you maybe you know maybe not is in the books Uhtred and Aethelred are actually cousins in the book. I didn't know if there was something behind it. it didn't seem like they elaborated at all in the show. no that would have been a cool touch yeah actually. [Colby] but yeah so I was curious if that was kind of like something they had talked about on the show but it doesn't seem like in the show that's kind of like canon in the show world. [Toby] it would have been a nice touch I don't know, do you know how he finds out? [Colby] well I think he knows like so but Aethelred's father is Uhtred's mom's, who Uhtred didn't know, his mom that's her brother and there's a time in the first book I think when Uhtred needs to kind of find refuge somewhere and he goes when your father is still lord and I think he meets you there and Aethelred in the book is also not Arabic: هذا ليس فيه ، نعم ، كانت وظيفتي على ما يرام رائع شيء واحد من الكتب كان ممتعًا أردت أن أسألك عنه ربما تعلم أنه ربما لا يوجد في الكتب Uhtred و Aethelred في الواقع أبناء عمومة في الكتاب. لم أكن أعرف إذا كان هناك شيء خلفه. لا يبدو الأمر كذلك مفصلة على الإطلاق في العرض. لا ، كان من الممكن أن تكون لمسة رائعة ، نعم فعلا. [كولبي] ولكن نعم ، كنت أشعر بالفضول إذا كان ذلك كان نوعًا من الأشياء التي تحدثوا عنها في عرض ولكن لا يبدو أنه في العرض يشبه نوعًا ما الكنسي في عالم العرض. [توبي] كانت ستكون لمسة لطيفة لم أفعلها تعرف ، هل تعرف كيف يكتشف؟ [كولبي] حسنًا ، أعتقد أنه يعرف ذلك ولكن والد Aethelred هو والدة Uhtred لم يعرف Uhtred ، والدته هي شقيقها وهناك أعتقد أن الوقت في الكتاب الأول عندما يحتاج Uhtred إلى نوع من البحث عن ملجأ في مكان ما ويذهب عندما لا يزال والدك هو السيد وأنا أعتقد أنه يقابلك هناك و Aethelred في الكتاب ليس كذلك German: das ist nicht drin und mein ja mein job war einfach zu okay cool gut eine Sache aus den Büchern, die interessant war, wollte ich dich fragen Vielleicht weißt du, vielleicht steht es nicht in den Büchern, die Uhtred und Aethelred sind eigentlich Cousins im Buch. Ich wusste nicht ob da war etwas dahinter. es schien nicht so wie sie überhaupt in der Show ausgearbeitet. Nein, das wäre eine coole Sache gewesen tatsächlich. [Colby] aber ja, also war ich neugierig, ob das so ist war wie etwas, über das sie auf der gesprochen hatten Show, aber es scheint nicht wie in der Show, die irgendwie so ist Kanon in der Showwelt. [Toby] Es wäre eine nette Geste gewesen, die ich nicht tue Weißt du, wie er es herausfindet? [Colby] Nun, ich denke er weiß es so aber Aethelreds Vater ist Uhtreds Mutter, die Uhtred wusste es nicht, seine Mutter ist ihr Bruder und es gibt eine Mal im ersten Buch denke ich, wenn Uhtred irgendwo Zuflucht suchen muss und er geht, wenn dein Vater noch Herr und ich ist denke er trifft dich dort und Aethelred im Buch ist es auch nicht Hungarian: ez nincs benne, és igen, a munkám csak rendben volt jó egy dolog a könyvekből, ami érdekes volt, kérdezni akartam tőled Talán tudod, hogy talán nem szerepel az Uhtred és Aethelred könyvekben valójában unokatestvérek a könyvben. Nem tudtam, hogy igen volt valami mögötte. nem tűnt nekik a műsorban egyáltalán kidolgozott. nem, ez hűvös érintés lett volna, igen tulajdonképpen. [Colby], de igen, kíváncsi voltam, hogy ez van-e olyan volt, mint amiről beszéltek a show, de nem tűnik olyannak, mint a show-ban kánon a show-világban. [Toby] szép érintés lett volna, nem tudod, tudod, hogy tudja meg? [Colby] Nos, azt hiszem, tudja, de így van Aethelred apja Uhtred édesanyja, aki Uhtred nem tudta, az anyja a testvére, és van egy idő az első könyvben azt hiszem, amikor Uhtrednek valahogy menedéket kell találnia és akkor megy, amikor apád még mindig úr és én gondolom, hogy ott találkozik veled, és Aethelred a könyvben szintén nem az Russian: это не в этом, и моя работа была просто в порядке круто ну одна интересная вещь из книг я хотела тебя спросить может быть, вы знаете, может, нет в книгах Утреда и Этельреда. на самом деле кузены в книге. Я не знал, если за этим что-то было. не похоже, что они проработано вообще в шоу. нет, это было бы круто, да фактически. [Колби] но да, мне было любопытно, если это было похоже на то, о чем они говорили на показать , но это не похоже на шоу , что вроде как канон в шоу-мире. [Тоби] Было бы неплохо, я не знаю знаете, вы знаете, как он узнает? [Колби] Ну, я думаю, он так знает, но Отец Этельреда - мама Утреда, которая Утред не знал, его мама - это ее брат, и есть время в первой книге, я думаю, когда Утреду нужно где-то найти убежище И он уходит, когда твой отец все еще господин, а я думаю, что он встречает вас там, и Этельред в книге тоже не Portuguese: que não está nele e meu sim, meu trabalho era apenas muito bom legal, bem, uma coisa dos livros que foi interessante eu queria te perguntar talvez você saiba, talvez não esteja nos livros que Uhtred e Aethelred estão na verdade, primos no livro. Eu não sabia se havia algo por trás disso. não parecia que eles elaborado em tudo no show. não, isso teria sido um toque legal sim na realidade. [Colby] mas sim, eu estava curioso se isso era algo que eles conversaram no show, mas não parece que no show é tipo canon no mundo do show. [Toby] teria sido um toque legal, eu não sabe, você sabe como ele descobre? [Colby] bem, eu acho que ele sabe assim, mas O pai de Aethelred é a mãe de Uhtred, que Uhtred não sabia, a mãe dele é irmão dela e há um vez no primeiro livro, eu acho que quando Uhtred precisa meio que encontrar refúgio em algum lugar e ele vai quando seu pai ainda é o senhor e eu acho que ele te encontra lá e Aethelred no livro também não é French: ce n'est pas dedans et mon ouais mon travail était juste de bien cool bien une chose des livres qui était intéressante je voulais te demander peut-être que vous savez que peut-être pas est dans les livres Uhtred et Aethelred sont en fait cousins dans le livre. Je ne savais pas si il y avait quelque chose derrière. il ne semblait pas qu'ils élaboré du tout dans le spectacle. non ça aurait été une touche cool ouais réellement. [Colby] mais oui alors j'étais curieux de savoir si ça était un peu comme quelque chose dont ils avaient parlé sur le montrer mais il ne semble pas que dans la série ce soit un peu comme canon dans le monde du spectacle. [Toby] ça aurait été une bonne idée, je n'ai pas savez-vous comment il le découvre? [Colby] eh bien, je pense qu'il le sait, mais Le père d'Aethelred est la mère d'Uhtred, qui Uhtred ne savait pas, sa maman c'est son frère et il y a un fois dans le premier livre, je pense que quand Uhtred a besoin de trouver un refuge quelque part et il s'en va quand ton père est toujours seigneur et moi pense qu'il vous rencontre là - bas et Aethelred dans le livre n'est pas non plus Spanish: eso no está en eso y mi sí, mi trabajo estaba bien Genial, bueno, una cosa de los libros que fue interesante, quería preguntarte tal vez sepas que tal vez no está en los libros que Uhtred y Aethelred son en realidad primos en el libro. No sabia si había algo detrás. no parecía que ellos elaborado en absoluto en el espectáculo. No, eso hubiera sido un toque genial, sí Realmente. [Colby] pero sí, así que tenía curiosidad si eso era algo así como algo de lo que habían hablado en el programa, pero no parece que en el programa sea como canon en el mundo del espectáculo. [Toby] hubiera sido un buen toque, yo no sabes, sabes como se entera? [Colby] bueno, creo que lo sabe así pero El padre de Aethelred es la madre de Uhtred, quien Uhtred no lo sabía, su madre es su hermano y hay un En el primer libro, creo que cuando Uhtred necesita encontrar refugio en algún lugar y se va cuando tu padre sigue siendo señor y yo Creo que se encuentra contigo allí y Aethelred en el libro tampoco es Spanish: el personaje más agradable, pero no nos hemos metido realmente en él, soy en el tercer libro en este momento, realmente no he profundizado más en lo que Aethelred se vuelve realmente , sabes que no es agradable, es una especie de como molesto ahora mismo en el libro. un pequeño detalle divertido para poner allí. No se como hubiera sido cambió la actuación, pero [Colby] sí , no sé si es tan importante todavía odio sus tripas. [Colby] todavía no se agradan como tanto en los libros es solo porque están tan alejados de ti ¿saber? [Toby] sí, quiero decir que no todos primos en esos días? [Colby] correcto, entonces quiero decir, vamos. los árboles genealógicos se parecen más a los arbustos y una cosa que siempre les pedimos a nuestros huéspedes es que hayan visto algo interesante últimamente que te gustaría compartir o algo? si, que he visto? mis visitas de bloqueo han sido Quiero decir que he visto Succession de nuevo. English: the most likable character but we haven't really gotten into, I'm in the third book right now, I haven't really gotten into more where Aethelred becomes really you know not likeable he's just kind of like annoying right now in the book. a funny little detail to put in there. I don't know how it would have changed the performance but [Colby] yeah I don't know if it's that important still hate his guts. [Colby] they still don't like each other like that much in the books either it's just because they're like so estranged you know? [Toby] yeah I mean wasn't everyone cousins in those days? [Colby] right so I mean come on. family trees look more like bushes and one thing we always ask our guests to um is have you watched anything interesting lately that you'd like to share or anything? yeah what have I seen? my lockdown viewings have been I mean I've watched Succession again. French: le personnage le plus sympathique mais nous n'y sommes pas vraiment entrés, je suis dans le troisième livre en ce moment, je ne suis pas vraiment entré dans plus où Aethelred devient vraiment tu sais pas aimable, il est juste un peu comme ennuyeux en ce moment dans le livre. un petit détail amusant à y mettre. Je ne sais pas comment ça aurait a changé la performance mais [Colby] ouais je ne sais pas si c'est si important déteste toujours ses tripes. [Colby] ils ne s'aiment toujours pas comme tant dans les livres soit c'est juste parce qu'ils sont comme si éloignés de toi savoir? [Toby] ouais je veux dire n'était pas tout le monde cousins ​​à cette époque? [Colby] c'est vrai donc je veux dire allez. les arbres généalogiques ressemblent plus à des buissons et une chose que nous demandons toujours à nos invités est de vous avoir regardé quoi que ce soit intéressant récemment que vous aimeriez partager ou quoi que ce soit? ouais qu'est-ce que j'ai vu? mes visionnements de verrouillage ont été Je veux dire que j'ai de nouveau regardé Succession . Hungarian: a legszimpatikusabb karakter, de nem igazán jöttünk bele, én vagyok a harmadik könyvben most nem igazán kerültem oda, ahová Aethelred került válik igazán tudod, hogy nem szimpatikus, ő csak olyan mint bosszantó most a könyvben. egy vicces kis részlet, amit oda kell tenni. Nem tudom, hogy lett volna megváltoztatta az előadást, de [Colby] igen , nem tudom, hogy ez annyira fontos-e még mindig utálja a belét. [Colby] még mindig nem szeretik egymást ennyit a könyvekben, vagy csak azért, mert olyanok, mintha elidegenítették volna tud? [Toby] igen, nem úgy értettem mindenki unokatestvérek azokban a napokban? [Colby] igaz, úgy értem, gyere. a családfák inkább bokrokra hasonlítanak és egy dolgot mindig arra kérünk a vendégeinktől , hogy figyeltél valamit érdekes mostanában, hogy szeretnél megosztani, vagy bármi? igen mit láttam? lezárt nézeteim voltak Úgy értem, hogy újra megnéztem az utódlást . German: Der sympathischste Charakter , auf den wir uns aber nicht wirklich eingelassen haben, bin ich Im dritten Buch bin ich gerade nicht mehr auf Aethelred eingegangen wird wirklich du weißt nicht sympathisch er ist nur irgendwie wie jetzt im Buch nervig. ein lustiges kleines Detail, das man dort einfügen kann. Ich weiß nicht, wie es gewesen wäre hat die Leistung geändert, aber [Colby] Ja, ich weiß nicht, ob es so wichtig ist hasse immer noch seine Eingeweide. [Colby] Sie mögen sich immer noch nicht so so viel in den Büchern ist es auch nur, weil sie dich so entfremdet haben kennt? [Toby] Ja, ich meine nicht alle Cousins ​​in jenen Tagen? [Colby] Richtig, ich meine, komm schon. Stammbäume sehen eher aus wie Büsche und eine Sache, die wir unsere Gäste immer bitten , ist, dass Sie etwas gesehen haben Interessant in letzter Zeit, die Sie teilen möchten oder so? ja was habe ich gesehen Meine Sperransichten waren Ich meine, ich habe Succession wieder gesehen. Portuguese: o personagem mais simpático, mas ainda não nos demos bem, estou no terceiro livro agora, eu realmente não entrei em mais onde Aethelred torna-se realmente você sabe, não é simpático, ele é apenas uma espécie de como irritante agora no livro. um pequeno detalhe engraçado para colocar lá. Eu não sei como ele teria mudou a performance, mas [Colby] sim , não sei se é tão importante ainda odeio suas entranhas. [Colby] eles ainda não se gostam, gostam tanto nos livros é porque eles estão tão distantes de você conhecer? [Toby] sim, quero dizer não era todos primos naquela época? [Colby] certo, então, vamos lá. árvores genealógicas parecem mais arbustos e uma coisa que sempre pedimos aos nossos hóspedes é se você assistiu a alguma coisa interessante ultimamente que você gostaria de compartilhar ou algo assim? sim o que eu vi? minhas visualizações de bloqueio têm sido Quer dizer, eu assisti Sucessão novamente. Arabic: الشخصية الأكثر إعجابًا ولكننا لم ندخلها حقًا ، أنا في الكتاب الثالث في الوقت الحالي ، لم أذهب حقًا إلى المزيد من حيث Aethelred يصبح حقًا أنك تعرف أنه غير محبوب إنه مجرد نوع من مثل مزعج الآن في الكتاب. تفاصيل صغيرة مضحكة لوضعها هناك. أنا لا أعرف كيف كان يمكن أن يكون غيرت الأداء ولكن [كولبي] نعم لا أعرف ما إذا كان ذلك مهمًا لا يزال يكره شجاعته. [كولبي] ما زالوا لا يحبون بعضهم البعض هذا كثيرًا في الكتب إما لأنهم مثلهم منفردين جدًا أعرف؟ [توبي] نعم أعني لم يكن الجميع أبناء عمومة في تلك الأيام؟ [كولبي] صحيح لذا أعني هيا. تبدو أشجار العائلة أشبه بالشجيرات والشيء الوحيد الذي نطلبه دائمًا من ضيوفنا هو هل شاهدت أي شيء مثيرة للاهتمام مؤخرًا تود مشاركتها أو أي شيء؟ نعم ماذا رأيت؟ لقد كانت مشاهدات تأميني أعني أنني شاهدت الخلافة مرة أخرى. Russian: самый симпатичный персонаж, но мы еще не вникли, я прямо сейчас в третьей книге я особо не углубился в то, что Этельред становится действительно вы знаете не симпатичным он просто отчасти вроде напрягает щас в книжке. забавная маленькая деталь, которую нужно вставить туда. Я не знаю, как бы это было изменил представление, но [Колби] да, я не знаю, так ли это важно все еще ненавижу его кишки. [Колби] они все еще не любят друг друга, как так много в книгах либо потому, что они так отдалились от тебя знать? [Тоби] Да, я имею в виду, не был все кузены в те дни? [Колби] Хорошо, я имею в виду, давай. родословные больше похожи на кусты и мы всегда просим наших гостей спросить, смотрели ли вы что-нибудь интересно в последнее время, чем вы хотели бы поделиться или что-нибудь? да, что я видел? мои просмотры блокировки были То есть я снова смотрел "Наследие" . Chinese: 最讨人喜欢的角色, 但我们还没有真正涉足 在第三本书中,我还没有 真正深入到Aethelred 变得真的, 你知道他不喜欢他,只是 就像书中现在很烦人一样。 一个有趣的小细节,放在那儿。我 不知道会怎么样 改变了性能,但是[Colby]是的, 我不知道这是否重要 仍然讨厌他的胆量。[Colby] 他们仍然不喜欢彼此 书中有那么多,仅仅 是因为它们是如此的疏远了你 知道?[托比] 是的,我不是 那时的每个堂兄? [Colby]对,所以我的意思是加油。 家谱看起来更像灌木丛 我们一直要求客人们 做的一件事是,您是否看过任何东西 您最近想 分享什么有趣的东西? 是的,我看到了什么?我的锁定 观看次数为 我的意思是我 再次看过继承。 English: have you seen it? [Colby] no my sister watches it though oh my gosh she raves about the soundtrack for it. [Steve] what is it? [Colby] she's played me the soundtrack I think for Sucession like the music yeah it's got i mean it's got it's got one kind of motif that it uses. [Colby] yeah yeah she showed me that I like it. [Toby] yeah I mean yeah I'm not watching it for the music. [Colby] oh I know that's the only thing I know about it it's Brian Cox playing a media mogul I mean he's they say it's not Rupert Murdoch but it's kind of like Rupert Murdoch he's got a media empire and his four kids are vying for the succession of that empire and it's written by Jesse Armstrong who made Peep Show and he wrote Four Lions I think which is a hilarious comedy Arabic: هل رأيته؟ [كولبي] لا أختي تشاهده رغم ذلك يا إلهي ، إنها تهتم بالموسيقى التصويرية لها. [ستيف] ما هذا؟ [كولبي] لقد لعبت دور أعتقد أن الموسيقى التصويرية لـ Sucession مثل الموسيقى ، نعم ، أعني ذلك حصلت على نوع واحد من الزخارف التي تستخدمها. [كولبي] نعم نعم هي أظهر لي أنه يعجبني. [توبي] أجل ، أعني نعم أنا لا أشاهده للموسيقى. [كولبي] أعلم أن هذا هو الشيء الوحيد الذي أعرفه حوله إنه براين كوكس يلعب دور قطب إعلامي أعني أنه يقولون إنه ليس روبرت مردوخ لكنه نوع من الإعجاب روبرت مردوخ لديه إمبراطورية إعلامية وأربعة يتنافس الأطفال من أجل خلافة تلك الإمبراطورية وقد كتبه جيسي ارمسترونغ الذي صنع Peep Show وكتب أربعة الأسود أعتقد أنها كوميديا ​​مرحة Russian: ты это видел? [Колби] Нет, моя сестра смотрит это, хотя О, черт возьми, она в восторге от саундтрека к нему. [Стив] что это? [Колби] она сыграла мне саундтрек, я думаю, для Sucession, как музыка, да, она есть, я имею в виду, что это у него есть один вид мотива, который он использует. [Колби] да да она показал мне, что мне это нравится. [Тоби] да, я имею в виду да, я не смотрю это для музыки. [Колби] о, я знаю, это единственное, что я знаю об этом это Брайан Кокс играет медиа-магната Я имею в виду, они говорят, что это не Руперт Мердок, но это вроде как Руперт Мердок, у него есть медиа-империя и его четыре дети борются за наследство этой империи, и это написано Джесси Армстронг, который сделал Peep Show и написал Четыре Львы, я думаю, это веселая комедия German: hast du es gesehen? [Colby] Nein, meine Schwester sieht es sich an Oh mein Gott, sie schwärmt von dem Soundtrack dafür. [Steve] was ist das? [Colby] Sie hat mir das vorgespielt Soundtrack Ich denke für Sucession wie die Musik. Ja, ich meine, es ist Ich habe eine Art Motiv, das ich benutze. [Colby] Ja, ja, sie hat mir gezeigt, dass es mir gefällt. [Toby] Ja, ich meine, ja, ich schaue es mir nicht an für die Musik. [Colby] Oh, ich weiß, das ist das einzige, was ich weiß darüber Es ist Brian Cox , der einen Medienmogul spielt Ich meine, er sagt, es ist nicht Rupert Murdoch, aber es ist irgendwie so Rupert Murdoch hat ein Medienimperium und seine vier Kinder wetteifern um die Nachfolge dieses Reiches und es wurde von Jesse geschrieben Armstrong , der Peep Show machte und Four schrieb Lions Ich denke, das ist eine lustige Komödie Spanish: ¿lo has visto? [Colby] no, mi hermana lo ve Oh, Dios mío, ella se entusiasma con la banda sonora . [Steve] ¿qué es? [Colby] ella me jugó el banda sonora Creo que para Sucession como la música, sí, tiene, quiero decir, es tiene un tipo de motivo que usa. [Colby] si si ella me mostró que me gusta. [Toby] sí, quiero decir, sí, no lo estoy viendo por la musica. [Colby] oh, sé que eso es lo único que sé sobre eso es Brian Cox interpretando a un magnate de los medios Quiero decir, dicen que no es Rupert Murdoch, pero es como Rupert Murdoch tiene un imperio mediático y sus cuatro Los niños compiten por la sucesión de ese imperio y está escrito por Jesse. Armstrong, que hizo Peep Show y escribió Cuatro Leones creo que es una comedia divertidísima French: l'AS tu vu? [Colby] non ma soeur le regarde bien oh mon Dieu, elle s'extasie sur la bande originale de celui-ci. [Steve] qu'est-ce que c'est? [Colby] elle m'a joué le bande-son je pense que pour Sucession comme la musique ouais il a je veux dire c'est il a un type de motif qu'il utilise. [Colby] ouais ouais elle m'a montré que j'aime ça. [Toby] ouais je veux dire ouais je ne le regarde pas pour la musique. [Colby] oh je sais que c'est la seule chose que je sais à propos de ça c'est Brian Cox qui joue un magnat des médias Je veux dire, ils disent que ce n'est pas Rupert Murdoch mais c'est un peu comme Rupert Murdoch il a un empire médiatique et ses quatre les enfants se disputent la succession de cet empire et c'est écrit par Jesse Armstrong qui a fait Peep Show et il a écrit Four Lions je pense que c'est une comédie hilarante Portuguese: você viu isso? [Colby] não, mas minha irmã assiste oh meu Deus, ela delira sobre a trilha sonora para isso. [Steve] o que é? [Colby] ela me jogou o trilha sonora, acho que para Sucession, como a música, sim, tenho, quero dizer, é tem um tipo de motivo que usa. [Colby] sim sim ela me mostrou que eu gosto. [Toby] sim, quero dizer, não estou assistindo para a música. [Colby] oh, eu sei que é a única coisa que eu sei sobre isso é Brian Cox interpretando um magnata da mídia Quero dizer, eles dizem que não é Rupert Murdoch, mas é tipo Rupert Murdoch ele tem um império de mídia e seus quatro crianças estão competindo pela sucessão daquele império e foi escrito por Jesse Armstrong que fez Peep Show e escreveu Four Leões , acho que é uma comédia hilária Hungarian: Láttad? [Colby] nem, a húgom mégis figyeli ó, istenem, a hangsáv miatt dühöng érte. [Steve] mi ez? [Colby] engem játszott filmzene szerintem a Sucession számára, mint a zene, igen, megvan, úgy értem van egyfajta motívuma, amelyet használ. [Colby] igen, igen megmutatta, hogy tetszik. [Toby] igen, úgy értem, igen, nem nézem a zenéhez. [Colby] ó, tudom, hogy csak ezt tudom erről ez Brian Cox játszik médiamagnót Úgy értem, azt mondják, hogy ez nem Rupert Murdoch, hanem hasonló Rupert Murdoch , van egy médiabirodalma és négy gyerekek versengenek annak a birodalomnak a folytatásáért, és Jesse írta Armstrong, aki a Peep Show-t készítette, és ő írta a Négyet Oroszlánok szerintem ez egy vidám vígjáték Chinese: 你见过它么?[科尔比]我姐姐 虽然没看 哦,我的天哪,她 为此大声疾呼。[史蒂夫]这是什么?[科尔比]她在扮演我 我认为Sucession 的音乐就像音乐一样,是的,我的意思是 得到了它使用的一种 图案。[Colby]是的,她 告诉我我喜欢它。[Toby] 是的,我是说,我没看 音乐。[Colby] 哦,我知道那是我唯一知道的 关于它 是布莱恩·考克斯(Brian Cox) 扮演的媒体大亨 我的意思是他是他们说这不是 鲁珀特·默多克(Rupert Murdoch),但有点像 鲁珀特·默多克(Rupert Murdoch), 他有一个媒体帝国和他的四个 孩子们正在争夺 这个帝国的继承权,这是由杰西(Jesse)撰写的 阿姆斯特朗(Armstrong )制作了《窥视秀》(Peep Show),他写了《四》 我认为狮子是一部搞笑的喜剧 Hungarian: és csakugyan igazán nagyon vicces, de olyan, mint a koromsötét vígjáték alapvetően és igen vidám, és néztem a Midnight Gospel-t láttad ezt? [TSC] nem, ezt még nem láttam. [Toby] oh ember mintha olyan lenne a Pendleton Ward készítette, aki a animátor, aki a kalandidőt és az kalandidőt igen kedvelte A kalandidő, ahogy haladt , egyre több volt, mint amire gondolok technikailag gyerekbemutató, de olyan volt, mint egy felnőtt témák futnak át rajta, és ez hasonló a történet kozmikus szálához szóval denevér szar őrült és hogy hívják? Az éjféli evangélium olyan, hogy csak az összes szünetet levették és csak teljesen vad LSD táplált őrület, úgy értem egy része olyan, mintha valójában egy podcast lenne, szerintem Duncan Trussell-lel mintha a hang egy podcast interjú lenne Duncan Russell, aki afféle stand-up humorista Russian: И это действительно очень, очень смешно, но как смоль в основном комедия, и да, это весело, и я видел, как Midnight Gospel ты это видел? [TSC] нет, я этого не видел. [Тоби] Боже, как будто это сделал Пендлтон Уорд , который является аниматор, который сделал "Время приключений" и "Время приключений" так понравилось Время приключений по мере того, как оно прогрессировало, было все больше и больше похоже на то, что я имею в виду Технически это шоу для детей, но оно было похоже на более взрослое темы, проходящие через него, и эта космическая цепочка сюжетной линии была так что дерьмо с ума и Как это называется? Полночное Евангелие похоже на то, что все перерывы сняты из него и просто совершенно дикий ЛСД подпитываемое безумием, я имею в виду, что это отчасти это похоже на подкаст, я думаю, с Дунканом Трасселом это как аудио - это интервью подкаста между Дункан Рассел, он вроде как комик Spanish: y es realmente realmente muy divertido pero como un tono negro comedia básicamente y sí, es divertidísimo y he visto Midnight Gospel tener has visto eso? [TSC] No, no lo he visto. [Toby] oh hombre, es como si fuera un hecho por Pendleton Ward, que es el animador que hizo Adventure Time y Adventure Time sí, así que me gusta Adventure Time a medida que avanzaba tenía cada vez más una especie de es técnicamente un programa para niños, pero tenía un aspecto más adulto temas que lo atraviesan y esta como una hebra cósmica de la historia que fue así que locura y ¿Cómo se llama? Midnight Gospel es así con todos los descansos quitados de él y LSD completamente salvaje locura alimentada quiero decir que es una parte es como si fuera un podcast, creo que con Duncan Trussell es como si el audio fuera una entrevista de podcast entre Duncan Russell, que es una especie de comediante English: and it's just really really really really funny but like pitch black comedy basically and yeah it's hilarious and I've watched Midnight Gospel have you seen that? [TSC] no I haven't seen that. [Toby] oh man it's like it's a made by Pendleton Ward who is the animator who made Adventure Time and Adventure Time yeah so like Adventure Time as it like progressed had more and more kind of like I mean it's technically a kids show but it had like a more adult themes running through it and this like cosmic strand of storyline that was so bat shit crazy and what's it called? Midnight Gospel is like that with just all the breaks taken off of it and just completely wild LSD fueled madness I mean it's a part it's like it's actually a podcast I think with Duncan Trussell it's like the audio is a podcast interview between Duncan Russell who's a kind of he's a stand-up comedian Chinese: 真的真的真的真的 很有趣但就像黑色 基本上是喜剧,是的,这很有趣 ,我看过《午夜福音》有 你看到了吗?[TSC]不,我还没有看到。[托比] 哦,伙计,就像 一个 由彭德尔顿由沃德是谁的 动画师制作了《冒险时间》 和《冒险时间》,就像 我想说的是,《Adventure Time》随着进度的发展而越来越多 从技术上讲这是一个 儿童节目,但它像一个成年人 贯穿其中的主题, 就像故事情节的宇宙线一样, 所以 蝙蝠拉屎疯了, 它叫什么?午夜福音就是这样 ,所有的休息都结束了 它和完全 野生的LSD 加剧了疯狂,我的意思是 我认为与Duncan Trussell一起播出的播客 就像 音频是介于 邓肯·罗素(Duncan Russell)是一种 喜剧演员 French: et c'est vraiment vraiment vraiment vraiment drôle mais comme du noir absolu comédie en gros et ouais c'est hilarant et j'ai regardé Midnight Gospel avoir vous avez vu ça? [TSC] non, je n'ai pas vu ça. [Toby] oh mec c'est comme si c'était un fabriqué par Pendleton Ward qui est le animateur qui a créé Adventure Time et Adventure Time ouais Adventure Time, au fur et à mesure de sa progression, ressemblait de plus en plus à ce que je veux dire c'est techniquement une émission pour enfants mais ça avait comme un adulte thèmes qui le traversent et ceci comme un brin cosmique de l'histoire qui était alors bat merde fou et comment ça s'appelle? Midnight Gospel est comme ça avec juste toutes les pauses enlevées de celui-ci et juste du LSD complètement sauvage alimenté la folie je veux dire que c'est une partie c'est comme si c'était en fait un podcast je pense avec Duncan Trussell c'est comme si l'audio était une interview de podcast entre Duncan Russell qui est en quelque sorte un comédien de stand-up German: und es ist einfach wirklich sehr, sehr, sehr lustig, aber wie pechschwarz Komödie im Grunde und ja, es ist lustig und ich habe Midnight Gospel gesehen hast du das gesehen [TSC] Nein, das habe ich nicht gesehen. [Toby] Oh Mann, es ist wie es ist ein gemacht von Pendleton Ward, der der ist Animator, der Adventure Time und Adventure Time gemacht hat Die Abenteuerzeit, wie sie fortschreitet, hat sich immer mehr so ​​entwickelt, wie ich es meine Es ist technisch gesehen eine Kindershow, aber es war wie bei einem Erwachsenen Themen, die durch sie laufen, und das wie ein kosmischer Strang der Handlung, der war also Fledermaus Scheiße verrückt und wie nennt man es? Das Mitternachtsevangelium ist so, wenn nur alle Pausen eingelegt sind davon und nur ganz wildes LSD angeheizter Wahnsinn, ich meine es ist Ein Teil, als wäre es tatsächlich ein Podcast, den ich mit Duncan Trussell denke Es ist, als wäre das Audio ein Podcast-Interview zwischen Duncan Russell, der eine Art Stand-up-Comedian ist Portuguese: e é realmente muito engraçado, mas como breu comédia basicamente e sim, é hilário e eu assisti Midnight Gospel você viu isso? [TSC] não, eu não vi isso. [Toby] oh cara, é como se fosse um feito por Pendleton Ward que é o animador que fez Adventure Time e Adventure Time, sim, assim O Adventure Time, à medida que avançava, tinha mais e mais tipo de tipo, quero dizer é tecnicamente um programa infantil, mas tinha algo mais adulto temas correndo por ele e isso como uma linha cósmica de enredo que foi então é uma merda louca e como é chamado? O Evangelho da Meia-Noite é assim com todas as pausas tiradas dele e LSD completamente selvagem loucura alimentada, quero dizer, é uma parte é como se fosse um podcast, acho que com Duncan Trussell é como se o áudio fosse uma entrevista de podcast entre Duncan Russell que é uma espécie de comediante stand-up Arabic: وهو أمر مضحك حقًا حقًا ولكنه مثل اللون الأسود الكوميديا ​​في الأساس ونعم هو مضحك وقد شاهدت إنجيل منتصف الليل هل رأيت ذلك؟ [TSC] لا لم أر ذلك. [توبي] يا رجل يبدو الأمر كذلك من صنع Pendleton Ward وهو الرسوم المتحركة الذي جعل وقت المغامرة ووقت المغامرة نعم هكذا كان وقت المغامرة كما هو متقدمًا أكثر فأكثر نوعًا مما أعنيه إنه من الناحية الفنية عرض للأطفال ولكن كان مثل الكبار أكثر المواضيع التي تمر من خلالها وهذا مثل قصة الكونية التي كانت حتى الخفافيش القرف مجنون و ماذا يطلق عليها؟ يشبه إنجيل منتصف الليل ذلك مع خلع جميع فترات الراحة منه و LSD البري تمامًا تأجيج الجنون أعني ذلك جزء يبدو وكأنه في الواقع بودكاست أعتقد مع دنكان تروسيل يبدو أن الصوت عبارة عن مقابلة بودكاست بين Duncan Russell الذي هو نوع من الممثل الكوميدي Arabic: وأجرى مقابلات مع الضيوف حول البوذية أو الحياة بعد الموت أو DMT وكل الأشياء المهلوسة ثم فوقها بندلتون قام وارد بتحريك أكثر الصور جنونًا سبق لك أن رأيته في حياتك ، لذا فإن الأمر يشبه ذلك أيضًا يصعب مشاهدتها لأن مثل الصوت حقًا مثيرة للاهتمام ولكن للرسوم المتحركة على أعلى من ذلك هو مثل الخفافيش تماما مجنون ، نعم أنا حقا كان هذا هو الشيئين ، نعم ، و Devs مذهل. هل رأيت المطورين؟ آسف لا لم أر ذلك أيضًا. [توبي] لديك الكثير من الأشياء لمشاهدتها الآن لدينا قائمة جيدة هنا. [توبي] نعم هذا رائع ما هو له اسم؟ أليكس جارلاند سلسلته التي كتبها وهي تدور حول ماذا أقول دون إفسادها؟ English: and he interviews guests about Buddhism or life after death or DMT and all things hallucinogenic and then just over the top of it Pendleton Ward has animated the most insane visuals you've ever seen in your life so it's almost like too difficult to watch because like the audio is really interesting but the animation over the top of it is like fully bat shit crazy yeah that I really that's been the two things oh yeah and Devs is amazing. Have you seen Devs? sorry no I haven't seen that either. [Toby] you've got plenty of stuff to watch now we got a good list here. [Toby] yeah it's that's wow what's his name? Alex Garland his series that he wrote and it's about what should I say without spoiling it? French: et il interviewe des invités sur le bouddhisme ou la vie après la mort ou DMT et toutes choses hallucinogènes et puis juste au-dessus Pendleton Ward a animé les visuels les plus insensés tu as déjà vu dans ta vie donc c'est presque comme trop difficile à regarder car comme l'audio est vraiment intéressant mais l'animation par dessus C'est comme complètement fou de merde ouais que je vraiment ça a été les deux choses oh ouais et Devs est incroyable. Avez-vous vu des développeurs? désolé non, je n'ai pas vu ça non plus. [Toby] vous avez plein de choses à regarder maintenant nous avons une bonne liste ici. [Toby] ouais c'est wow c'est quoi son Nom? Alex Garland sa série qu'il a écrite et que dois-je dire sans la gâcher? Russian: и он берет интервью у гостей о буддизме, жизни после смерти или ДМТ. и все галлюциногены, а потом просто Пендлетон Уорд оживил самые безумные визуальные эффекты вы когда-либо видели в своей жизни, так что это тоже почти как трудно смотреть, потому что звук действительно интересно, но анимация поверх этого похоже на полное дерьмо летучей мыши, сумасшедшее, да, что я действительно это были две вещи, о да, и Devs великолепны. Вы видели разработчиков? извини, нет, я этого тоже не видел. [Тоби] тебе есть что посмотреть теперь у нас есть хороший список. [Тоби] да, это вау, что его название? Алекс Гарланд его сериал, который он написал, и о чем я должен сказать, не испортив его? Spanish: y entrevista a invitados sobre el budismo o la vida después de la muerte o DMT y todas las cosas alucinógenas y luego un poco más Pendleton Ward ha animado las imágenes más locas alguna vez has visto en tu vida, así que es casi como demasiado difícil de ver porque el audio es realmente interesante, pero la animación en la parte superior es como una mierda completamente loca, sí, que realmente esas han sido las dos cosas, oh sí, y Devs es increíble. ¿Has visto a los desarrolladores? lo siento, no, yo tampoco lo he visto. [Toby] tienes muchas cosas que ver ahora tenemos una buena lista aquí. [Toby] sí, eso es wow, lo que es suyo ¿nombre? Alex Garland su serie que escribió y se trata de ¿qué debo decir sin estropearlo? Chinese: 他采访了有关佛教 或死后或DMT生命的客人 和所有引起幻觉的东西, 然后就在Pendleton的顶部 病房 使最疯狂的视觉效果生动起来 你 在生活中见过,所以几乎就像 很难看, 因为喜欢音频 有趣,但 上方的动画 就像蝙蝠狗屎疯了, 是的,我真的 是这两件事哦, 是的,Devs很棒。你看过开发者吗? 对不起,我也没有看到过。[托比] 你有很多东西要看 现在我们这里有一个很好的清单。[Toby] 是的,哇,他叫什么 名称? 亚历克斯·加兰 他写的他的系列剧,这是关于 我应该说些什么而不破坏它? Hungarian: és interjút készít a vendégekkel a buddhizmusról, a halál utáni életről vagy a DMT-ről és minden hallucinogén, majd a tetején Pendleton Ward a legőrültebb látványokat animálta valaha is láttál az életedben, így majdnem olyan, mint te is nehéz megnézni, mert mint az audió valóban érdekes, de az animáció a tetején olyan, mint teljesen denevér szar őrült igen, hogy én nagyon ez volt a két dolog, igen, és Devs elképesztő. Láttad Devs-et? bocs nem én sem láttam ilyet. [Toby] rengeteg dolgod van, amit megnézhetsz most itt van egy jó lista. [Toby] igen, ez az wow mi az övé név? Alex Garland sorozatát, amelyet írt, és arról szól, mit mondjak, hogy ne rontsam el? Portuguese: e ele entrevista convidados sobre budismo ou vida após a morte ou DMT e todas as coisas alucinógenas e, em seguida, apenas por cima Pendleton Ward animou os visuais mais insanos você já viu em sua vida então é quase como difícil de assistir porque o áudio é realmente interessante, mas a animação por cima dele é totalmente louco, sim, eu realmente essas são as duas coisas, oh sim, e Devs é incrível. Você viu Devs? desculpe não, eu não vi isso também. [Toby] você tem muitas coisas para assistir agora temos uma boa lista aqui. [Toby] sim, isso é wow o que é dele nome? Alex Garland a série que ele escreveu e é sobre o que devo dizer sem estragar? German: und er interviewt Gäste über Buddhismus oder Leben nach dem Tod oder DMT und alles halluzinogen und dann knapp darüber Pendleton Ward hat die verrücktesten Bilder animiert Sie haben jemals in Ihrem Leben gesehen, so ist es fast auch schwer zu sehen, weil wie der Ton wirklich ist interessant , aber die Animation über die oben drauf ist wie voll Fledermaus Scheiße verrückt ja, dass ich wirklich Das waren die beiden Dinge, oh ja, und Devs ist unglaublich. Hast du Devs gesehen? Entschuldigung, nein, das habe ich auch nicht gesehen. [Toby] du hast viel zu sehen Jetzt haben wir hier eine gute Liste. [Toby] Ja, das ist Wow, was ihm gehört Name? Alex Garland seine Serie, die er geschrieben hat und es geht darum, was ich sagen soll, ohne es zu verderben? German: Es geht nur um die Auswirkungen dessen, was ein Quantencomputer tun könnte wie ein Computer, der so leistungsfähig war, dass er viele Dinge vorhersagen konnte. Ich werde nicht mehr sagen, weil es wird, aber es ist großartig, ja, es ist irgendwie wie ein Silicon Valley Ja, wie die Technologiefirma Willy Wonka, die einen Verrückten gemacht hat sehr leistungsfähiger Computer, gespielt von Nick Offerman. Ist das sein Name? von Parks und Rec. [Colby] Ja, Nick Offerman. [Toby] Ja und ja, ein ganz anderer Look Er ist nicht Ron Swanson, er hat einen großen Bart und er ist technisch und verrückt. [Colby] Wow interessant das ist super gut cool cool und Steve hast du noch andere Fragen während wir hat Toby heute an? [Toby] Keine Fragen Steve? nein aber danke danke Sie für das Kommen. Ja, es war großartig. [Toby] mein Vergnügen, Gern geschehen. Ja, und wir verknüpfen all Ihre Inhalte unter Ihren sozialen Medien. Ihr Twitter, Instagram alles andere. [Colby] Ja, und wir werden es auf jeden Fall tun Arabic: يتعلق الأمر فقط بالآثار المترتبة على مثل ما يمكن أن يفعله الكمبيوتر الكمومي مثل جهاز كمبيوتر كان قويًا للغاية بحيث يمكنه التنبؤ بالعديد من الأشياء. لن أقول أكثر من ذلك لأنه سيفعل ذلك ولكنه رائع ، نعم إنه نوع من وادي السليكون نعم مثل شركة التكنولوجيا ويلي ونكا اكتب الرجل المجنون الذي صنع حاسوب قوي جدا يلعبه نيك أوفرمان. هل هذا اسمه؟ من باركس و Rec. [كولبي] نعم نيك أوفرمان. [توبي] نعم ونعم نظرة مختلفة للغاية إنه ليس رون سوانسون ، لديه لحية كبيرة وهو فني ومجنون. [كولبي] واو مثير للاهتمام هذا رائع رائع رائع وستيف هل لديك أي أسئلة أخرى بينما نحن هل لديك توبي اليوم؟ [توبي] لا توجد أسئلة ستيف؟ لا ولكن شكرا لك أنت على القدوم. نعم لقد كان رائعًا. [توبي] يسعدني ، من دواعي سروري. نعم وسنقوم بربط جميع الأشياء الخاصة بك أسفل الوسائط الاجتماعية الخاصة بك ، تويتر الخاص بك ، instagram أي شيء آخر. [كولبي] نعم وسنقوم بالتأكيد French: il s'agit simplement des implications de ce qu'un ordinateur quantique pourrait faire comme un ordinateur si puissant qu'il pouvait prédire beaucoup de choses. Je n'en dirai pas plus parce que ça le fera mais c'est génial ouais c'est un peu comme un Silicon Valley ouais comme la société de technologie Willy Wonka, un fou de type qui a fait un ordinateur très puissant joué par Nick Offerman. C'est son nom? de Parks and Rec. [Colby] ouais Nick Offerman. [Toby] ouais et ouais un look très différent il n'est pas Ron Swanson il a une grosse barbe et il est technicien et fou. [Colby] wow intéressant c'est génial bien cool cool et Steve avez-vous d'autres questions pendant que nous avez Toby aujourd'hui? [Toby] Pas de questions Steve? non mais merci merci vous d'être venu. ouais ça a été génial. [Toby] mon plaisir, mon plaisir. ouais et nous lierons toutes vos affaires en dessous de vos médias sociaux, votre twitter, instagram autre chose. [Colby] ouais et nous allons certainement English: it's just about the implications of like what a quantum computer could do like a computer that was so powerful that it could predict a lot of stuff. I won't say more because it will but it's great yeah it's kind of like a Silicon Valley yeah like tech company Willy Wonka type madman who's made a very powerful computer played by Nick Offerman. Is that his name? from Parks and Rec. [Colby] yeah Nick Offerman. [Toby] yeah and yeah a very different look he's not Ron Swanson he's got a big beard and he's techy and mad. [Colby] wow interesting that's awesome well cool cool and Steve do you have any other questions while we have Toby on today? [Toby] No questions Steve? no but thank you thank you for coming on. yeah it's been great. [Toby] my pleasure, my pleasure. yeah and we'll link all your stuff down below your social media, your twitter, instagram anything else. [Colby] yeah and we'll certainly Portuguese: trata-se apenas das implicações do que um computador quântico poderia fazer como um computador tão poderoso que poderia prever muitas coisas. Não vou dizer mais porque vai, mas é ótimo, sim, é como um Vale do Silício, sim, como a empresa de tecnologia Willy Wonka, tipo louco que fez um computador muito poderoso interpretado por Nick Offerman. É esse o nome dele? de Parques e Rec. [Colby] sim, Nick Offerman. [Toby] sim e sim um visual muito diferente ele não é Ron Swanson, ele tem uma grande barba e ele é técnico e louco. [Colby] nossa interessante isso é incrível bem legal legal e Steve , você tem alguma outra pergunta enquanto nós está com o Toby hoje? [Toby] Sem perguntas Steve? não, mas obrigado, obrigado por ter vindo. sim, tem sido ótimo. [Toby] é um prazer, O prazer é meu. sim e vamos conectar todas as suas coisas abaixo de suas redes sociais, seu twitter, instagram qualquer outra coisa. [Colby] sim e certamente Hungarian: csak annak következményeiről van szó , mint amire egy kvantum számítógép képes mint egy olyan nagy teljesítményű számítógép, amely sok mindent meg tudott jósolni. Nem mondok többet, mert lesz, de nagyon jó, ez olyan, mint egy A Szilícium-völgy igen, mint a technológiai cég, a Willy Wonka típusú őrült, aki a nagyon erős számítógép, amelyet Nick Offerman játszik. Ez a neve? a Parks and Rec. [Colby] igen, Nick Offerman. [Toby] igen és igen más megjelenésű ő nem Ron Swanson, nagy szakálla van és technikus és őrült. [Colby] wow érdekes ez fantasztikus, nagyon jó, és Steve-nek van még kérdése, amíg mi ma van Toby? [Toby] Nincs kérdés Steve? nem, de köszönöm köszönöm te, hogy jöttél. igen nagyszerű volt. [Toby] örömöm, örömöm. igen, és összekapcsoljuk az összes dolgodat a közösségi médiád alatt, a twittered, instagram bármi mást. [Colby] igen, és biztosan megtesszük Spanish: se trata solo de las implicaciones de lo que podría hacer una computadora cuántica como una computadora que era tan poderosa que podía predecir muchas cosas. No diré más porque lo hará, pero es genial, sí, es como un Silicon Valley, sí, como la compañía de tecnología Willy Wonka, un loco tipo que ha hecho un computadora muy poderosa interpretada por Nick Offerman. ¿Ese es su nombre? de Parks and Rec. [Colby] sí Nick Offerman. [Toby] sí y sí una mirada muy diferente no es Ron Swanson, tiene una gran barba y es técnico y está loco. [Colby] guau interesante eso es increíble, bueno, genial, y Steve , ¿tienes alguna otra pregunta mientras ¿Toby tiene hoy? [Toby] Sin preguntas Steve? no pero gracias gracias usted por venir. sí, ha sido genial. [Toby] es un placer, el gusto es mio. sí, y enlazaremos todas tus cosas debajo de tus redes sociales, tu twitter, instagram cualquier otra cosa. [Colby] sí y ciertamente lo haremos Russian: это просто последствия того, что может делать квантовый компьютер как компьютер, который был настолько мощным, что мог предсказывать многое. Я не скажу больше, потому что это будет, но это здорово, да, это вроде как Кремниевая долина, да, как сумасшедший из технологической компании Вилли Вонка, который очень мощный компьютер, которого играет Ник Офферман. Это его имя? от Парков и Рек. [Колби] Да, Ник Офферман. [Тоби] Да и да, совсем другой взгляд он не Рон Свонсон, у него большая борода и он техничный и сумасшедший. [Колби] вау, интересно это круто, ну круто, круто, Стив, у тебя есть еще вопросы, пока мы есть Тоби сегодня? [Тоби] Нет вопросов, Стив? нет но спасибо спасибо вы за то, что пришли. да, это было здорово. [Тоби] с удовольствием, с удовольствием. да, и мы свяжем все ваши материалы под вашими социальными сетями, ваш твиттер, инстаграмм что-нибудь еще. [Колби] Да, и мы обязательно Chinese: 它只是影响 的像什么量子计算机可以做 就像一台功能强大的计算机, 它可以预测很多东西。 我不会说更多,因为它会,但是 很好,是的,就像 硅谷是的,就像科技公司 Willy Wonka型的疯子一样, Nick Provideman玩的非常强大的计算机。那是他的名字吗? 来自Parks and Rec。[Colby]是的,Nick Offerman。[托比] 是的,是的,看起来很不一样 他不是罗恩·斯旺森,他 留着大胡子 而且他脾气暴躁 。[Colby]哇很有趣 太棒了,很酷,史蒂夫 ,您还有其他问题吗? 今天有托比吗?[托比] 没问题,史蒂夫?不,但是谢谢谢谢 你来吧。 是的,这很棒。[托比]我的荣幸, 我的荣幸。是的,我们会将 您所有的内容链接到您的社交媒体下, 您的Twitter,Instagram等 。[Colby]是的,我们一定会 English: miss you, I know season five is is moving forward, we'll certainly miss you moving forward and again it's like it seemed like we were waiting for like Uhtred to kill or Aethelflaed to kill Aethelred and all of a sudden you had a death that wasn't so like hooray. it was like oof. yeah it's kind of cool to see you go out like that too. [Toby] yeah I've got, I think some of the comments that I get that I receive about the show is that it's that turn and just being like why did what did you do? why did you make me like you a tiny bit? yeah I'm really really grateful for those last few scenes. I wish I could tell you about this stuff but I can't. [Colby] we understand but we'll be looking forward to when you can and we'll definitely be keeping track of you because you've definitely earned our respect after we watched Last Kingdom as an actor and then to see you and some of the other stuff we're really excited for your future as well. that's awesome thank you very much yeah so lovely to talk to you yeah it's great to talk to you as well and like Steve said you'll have all your Spanish: te extraño, sé que la quinta temporada está avanzando, ciertamente extrañaremos avanzas y de nuevo es como si pareciera que estábamos esperando como Uhtred para matar o Aethelflaed para matar a Aethelred y todos de repente tuviste una muerte que no fue tan como hurra. fue como uf. sí, es genial verte salir así también. [Toby] sí lo tengo, creo que algunos de los Los comentarios que recibo sobre el programa son que es así de vuelta y simplemente ser como ¿por qué lo hizo ¿Qué hiciste? ¿Por qué me agradas un poquito? sí, estoy realmente muy agradecido por esos últimos escenas. Ojalá pudiera hablarte de estas cosas pero no puedo. [Colby] lo entendemos pero estaremos mirando ansioso cuando puedas y definitivamente estaremos haciendo un seguimiento de ti porque definitivamente te has ganado nuestro respeto después de que vimos Last Kingdom como actor y luego verte a ti y algunas de las otras cosas también estamos muy emocionados por su futuro . eso es increíble, muchas gracias, sí, es un placer hablar contigo sí, es genial hablar contigo también y, como dijo Steve, tendrás todas tus Russian: скучаю по тебе, я знаю, пятый сезон продвигается вперед, мы обязательно пропустим ты двигаешься вперед и опять как будто мы ждали как Утреда убить или Этельфлаеда убить Этельреда и всех остальных внезапно у вас была смерть, которая была не так как ура. это было похоже на уф. да, это круто видеть, как ты выходишь так тоже. [Тоби] Да, я думаю, что некоторые из комментарии, которые я получаю о шоу, заключаются в том, что это тот поворот и просто так, почему сделал что ты сделал? почему ты заставил меня немного понравиться тебе? да, я действительно очень благодарен этим последним сцены. Мне бы хотелось, чтобы я мог рассказать вам об этом, но я не могу. [Colby] мы понимаем, но мы будем искать с нетерпением ждем, когда вы сможете, и мы обязательно будем отслеживать из вас, потому что вы определенно заслужили наше уважение после того, как мы посмотрели Last Kingdom как актер, а затем увидеть вас и кое-что еще мы очень рады вашему будущему . это здорово, спасибо большое, да, так приятно с тобой поговорить да, тоже здорово поговорить с вами, и, как сказал Стив, у вас будет все Chinese: 想念你,我知道第五季 正在前进,我们一定会想念的 你继续前进, 好像我们在等待 应当以杀戮 或以种族歧视来杀死埃塞尔雷德和所有 突然间,您的死亡并非 如此 像万岁。就像是oof。 是的,看到你出去很酷 也一样。[托比] 是的,我想 我 收到的关于演出的评论是 它是转弯,仅仅是喜欢,为什么 做 你做了什么?你为什么让我 有点喜欢你? 是的,我真的非常 感谢这最后的几个 场景。 我希望我能 告诉你这些东西,但我不能。[Colby] 我们了解但我们会寻找 展望何时可以 ,我们一定会保持跟踪 之所以喜欢您,是因为 我们在观看《 Last》之后肯定赢得了我们的尊重 作为演员的王国,然后 去看你和其他一些东西 我们也为您的未来感到非常兴奋 。 太好了,非常感谢 你 是的,也很 高兴与您交谈,就像史蒂夫说的那样,您将拥有所有的 Arabic: أفتقدك ، أعلم أن الموسم الخامس يمضي قدمًا ، وسنفتقد بالتأكيد أنت تمضي قدمًا ومرة ​​أخرى يبدو الأمر كما لو كنا ننتظر إعجابًا Uhtred لقتل أو Aethelflaed لقتل Aethelred والجميع فجأة كان لديك موت لم يكن كذلك مثل الصيحة. كان مثل oof. نعم ، من الرائع أن أراك تخرج مثل هذا أيضًا. [توبي] نعم لدي ، أعتقد أن بعض التعليقات التي أحصل عليها والتي أتلقاها حول العرض هي أن ومن ذلك بدوره وكونها مجرد مثل لماذا فعلت ماذا فعلت؟ لماذا جعلتني معجب بك قليلا؟ نعم ، أنا ممتن حقًا لتلك القليلة الماضية مشاهد. أتمنى لو أستطيع أخبرك عن هذه الأشياء لكني لا أستطيع. [كولبي] نحن نفهم لكننا سنبحث إلى متى يمكنك وسنتابع بالتأكيد منك لأنك حصلت بالتأكيد على احترامنا بعد أن شاهدنا الأخير المملكة كممثل ثم أراك وبعض الأشياء الأخرى نحن متحمسون جدًا لمستقبلك أيضًا. هذا رائع ، شكرًا جزيلاً لك ، نعم من الجميل جدًا التحدث إليك نعم ، من الرائع التحدث إليك أيضًا ، وكما قال ستيف ، ستحصل على كل ما لديك Portuguese: sinto sua falta, eu sei que a quinta temporada está avançando, certamente sentiremos falta você avançando e novamente é como se estivéssemos esperando por Uhtred para matar ou Aethelflaed para matar Aethelred e todos de repente você teve uma morte que não era tão como hooray. era como oof. sim, é legal ver você sair assim também. [Toby] sim, eu tenho, acho que alguns dos comentários que eu recebo sobre o show são que é que por sua vez, e apenas estar como por que fez o que você fez? por que você me fez gostar um pouquinho de você? sim, estou realmente muito grato por aqueles últimos cenas. Eu queria poder falar sobre essas coisas, mas não posso. [Colby] nós entendemos, mas vamos olhar para quando você puder e nós definitivamente estaremos acompanhando de você porque você definitivamente ganhou nosso respeito depois de assistirmos Last Kingdom como ator e depois ver você e outras coisas também estamos muito entusiasmados com o seu futuro . isso é incrível, muito obrigado, sim, é um prazer falar com você sim, é ótimo falar com você também e, como Steve disse, você terá todos os seus German: vermisse dich, ich weiß, dass die fünfte Staffel voranschreitet, wir werden sie sicherlich vermissen Sie bewegen sich vorwärts und wieder ist es so , als ob wir darauf gewartet hätten Uhtred zu töten oder Aethelflaed, um Aethelred und alle zu töten plötzlich hattest du einen Tod, der nicht so war wie Hurra. es war wie oof. Ja, es ist irgendwie cool zu sehen, wie du rausgehst so auch. [Toby] Ja, ich habe einige von ihnen Kommentare, die ich bekomme, die ich über die Show bekomme, sind das es ist , dass wiederum und ist genau wie warum tat Was haben Sie gemacht? Warum hast du mich ein bisschen wie dich gemacht? Ja, ich bin wirklich sehr, sehr dankbar für die letzten paar Szenen. ich wünschte ich könnte Erzähl dir von diesem Zeug, aber ich kann nicht. [Colby] wir verstehen, aber wir werden suchen Ich freue mich darauf, wann Sie können und wir werden auf jeden Fall den Überblick behalten von dir, weil du definitiv unseren Respekt verdient hast, nachdem wir Last gesehen haben Kingdom als Schauspieler und dann dich und einige der anderen Sachen zu sehen Wir freuen uns auch sehr auf Ihre Zukunft . Das ist großartig. Vielen Dank. Ja, so schön, mit dir zu reden Ja, es ist großartig, auch mit dir zu reden und wie Steve sagte, du wirst alles haben Hungarian: hiányzol, tudom, hogy az ötödik évad halad előre, minden bizonnyal hiányozni fogunk te haladsz előre, és megint olyan, mintha úgy tűnt volna, mintha hasonlóra várnánk Uhtred ölni vagy Aethelflaed megölni Aethelredet és mindet hirtelen halála volt, ami nem így volt mint hurrá. olyan volt, mint oof. igen, nagyon jó látni, hogy kimész olyan is. [Toby] igen, megvan, szerintem néhány A show-val kapcsolatos észrevételeim azok ez az a fordulat, és csak úgy, mint hogy miért tette mit csináltál? miért tettél engem egy kicsit? igen, nagyon hálás vagyok azért az utóbbi néhányért jelenetek. Bárcsak megtehetném mesélni erről a dologról, de nem tehetem. [Colby] megértjük, de keresni fogunk előre, amikor tudsz, és mi biztosan nyomon követjük mert feltétlenül kivívta a tiszteletünket, miután megnéztük a Last-ot Királyság színészként, majd látni téged és néhány más dolgot nagyon izgatottak vagyunk a jövődért is. ez fantasztikus, köszönöm szépen, nagyon kedves beszélni veled igen, nagyon jó veled is beszélni, és mint Steve mondta, hogy minden megvan French: tu me manques, je sais que la saison cinq avance, nous allons certainement manquer vous avancez et encore une fois, c'est comme si nous attendions comme Uhtred pour tuer ou Aethelflaed pour tuer Aethelred et tous d'un coup tu as eu une mort qui n'était pas si comme hourra. c'était comme oof. ouais c'est plutôt cool de te voir sortir comme ça aussi. [Toby] ouais j'ai, je pense que certains des les commentaires que je reçois que je reçois à propos de l'émission sont que c'est ce tour et être juste comme pourquoi a fait Qu'est-ce que tu as fait? pourquoi m'as -tu fait un peu comme toi? ouais je suis vraiment très reconnaissant pour ces derniers scènes. SI seulement je pouvais vous parler de tout ça mais je ne peux pas. [Colby] nous comprenons mais nous allons chercher hâte de quand vous le pouvez et nous garderons certainement une trace de vous parce que vous avez définitivement gagné notre respect après avoir regardé Last Kingdom en tant qu'acteur et ensuite pour vous voir et d'autres choses nous sommes également très enthousiastes pour votre avenir . c'est génial merci beaucoup ouais si ravi de te parler ouais c'est super de te parler aussi et comme Steve l'a dit tu auras tout ton Russian: материалы, ссылки на которые указаны ниже всех остальных, пожалуйста, продолжайте проверьте наши переговоры, у нас еще есть в пути и подписывайтесь, лайкайте, подписывайтесь на нас в Instagram, Facebook и всем прочем. мы сейчас в твиттере, но пока прощаемся с The Screen Chronicles и Тоби Регбо Музыка Колби Гриффина и Итана Павляка German: Sachen, die unter allen anderen verlinkt sind , bitte weiter Schauen Sie sich unsere Gespräche an, wir haben mehr auf dem Weg und abonniere, folge uns auf Instagram, Facebook all das Zeug. Wir sind jetzt auch auf Twitter, aber auf Wiedersehen von The Screen Chronicles und Toby Regbo Musik von Colby Griffin und Ethan Pawlak Portuguese: coisas com link abaixo de todo mundo, continue para confira nossas palestras, temos mais a caminho e se inscrever, curtir, nos seguir no Instagram, no Facebook todas essas coisas. estamos no twitter agora também, mas por enquanto adeus de The Screen Chronicles e Toby Regbo Música de Colby Griffin e Ethan Pawlak Chinese: 链接在 其他所有人下方的内容,请继续 查看我们的谈话,我们还有更多 路要走 并订阅,例如在 Instagram,Facebook 上关注我们。 我们现在也在Twitter上,但 现在从The Screen Chronicles和Toby Regbo再见 Colby Griffin和Ethan Pawlak创作的音乐 English: stuff linked below everybody else please continue to check out our talks we have more on the way and subscribe, like, follow us on Instagram, Facebook all that stuff. we're on twitter now as well but for now goodbye from The Screen Chronicles and Toby Regbo Music by Colby Griffin and Ethan Pawlak Hungarian: mindenki alatt linkelt dolgokat, kérjük, folytassa nézze meg a tárgyalásainkat, amelyek még több úton vannak és iratkozzon fel, hasonlóképpen, kövessen minket az Instagramon, a Facebookon, minden ilyesmit. most is a twitteren vagyunk, de egyelőre a The Screen Chronicles és Toby Regbo búcsúztak Colby Griffin és Ethan Pawlak zenéje Arabic: الأشياء المرتبطة أدناه أي شخص آخر الرجاء الاستمرار تحقق من محادثاتنا لدينا المزيد في الطريق واشترك ، مثل ، تابعنا على Instagram و Facebook كل هذه الأشياء. نحن الآن على Twitter أيضًا ولكن الآن وداعًا من The Screen Chronicles و Toby Regbo موسيقى كولبي جريفين وإيثان بافلاك Spanish: cosas vinculadas debajo de todos los demás, continúe mira nuestras charlas tenemos más en camino y suscríbete, síguenos en Instagram, Facebook y todo eso. También estamos en Twitter, pero por ahora nos despedimos de The Screen Chronicles y Toby Regbo. Música de Colby Griffin y Ethan Pawlak French: trucs liés sous tout le monde s'il vous plaît continuer à consultez nos discussions, nous en avons plus sur le chemin et abonnez-vous, aimez, suivez-nous sur Instagram, Facebook tout ça. nous sommes sur Twitter maintenant aussi mais pour l' instant au revoir à The Screen Chronicles et Toby Regbo Musique de Colby Griffin et Ethan Pawlak
{ "pile_set_name": "YoutubeSubtitles" }
[MUSIC PLAYING] SARA ZASKE: Hello. My name's Sara Zaske. And I'm here to talk to you about "Achtung Baby" and how Germans raise their kids for self-reliance. I'm really happy to be here at Google. But before I start, I'd like to ask you a few questions. I know who I'm talking to. So first of all, how many of you here are parents? And it's OK you're not. Oh, a lot. Good. You're in the right place. How many of you have school-aged kids, so ages 6 to 12? Oh, quite a few. So let me ask you this. If you have kids aged 6 to 12 or you had them older, think back to that time. How many of you let them walk places by themselves to the friend's house, to the park-- I see my allies back there-- or to school? So just a couple. As you know, you're very typical American parents. The rest of you-- the dominant style of American parenting today is high on supervision. And not just physical supervision. I don't know about you. But I have this nifty thing back in my home town called power loop where I can watch the grades as they come in in real time. Well, that's a lot of supervision. And we have the best intentions, right? We want our kids to be safe. We want them to succeed. But we exercise so much control in trying to make those two things happen that we've actually become more controlling than German parents, which sounds like an odd thing to say. Because when we think of Germans, what do we think? Strict people, right? Very exacting people, rule following. I had all of those ideas in my head when I moved to Germany. But very quickly, I learned that what I thought was not exactly correct. When I first moved to Germany, my daughter was 2 and 1/2. And we lived there for 6 and 1/2 years. And one of the first things I noticed was how Germans interact or don't interact with their kids on the playground. One story that I tell often, because it was so shocking to me, was I was at the playground with my young daughter. She's was still about two or three. And another kid who was eight or nine had climbed on outside of a playground structure. And it was really high. And he's dangling there by one hand. And there's a good 10 feet below him to the sand. And I stand up, and I go, "achtung," which means attention, watch out. Where is this kid's mom? I'm looking at all the other adults at the edge of the park drinking coffee, not worried at all. And by the time I turn back, the kid drops down, looks at me like I'm crazy, and runs away. And then I thought, huh, there's something going on here that I don't quite understand. And I found myself having many of those kinds of experiences in Berlin, where I'm the one yelling "achtung" and running after the kids or thinking I've got to watch them on every playground. And I started to think, why am I so afraid? Or better yet, why are the Germans not afraid? So I'm not going to talk too much about what's wrong with American parenting because I'm sure we've heard it all, right? Some people call it helicopter parenting. Some people call it overparenting. I think the most precise term that I've heard is from psychologist Peter Gray. And he calls it, protective-directive parenting. And I would add that I think it's primarily based on fear. We're afraid for our kids' safety, so we protect. And a lot of that protection involves restricting. You can't walk alone. You can't play alone. You can't do anything that's vaguely dangerous. The direction part comes in our fear for their future success or failure. So we direct all their academic grades. We watch their grades really closely. And if they start to flounder, we get on the kid or we get on the teacher or we have a meeting with the principal and we make sure they fill out their academic resume with plenty of extracurricular sports or violin or learning a language. And that style of parenting doesn't leave a lot of room for the kids to make choices or mistakes. And taken to its extreme, some American parents protect and direct through adolescence and into young adulthood. And that doesn't leave a lot of opportunity for the kid to become an independent adult. But one place that they don't do this is in Germany. Oh, I forgot this. Pardon me. But for those of you who are parents-- most of you are parents here. I don't think of raising kids as a side issue. This is something that is important for all, all of us. And it sounds cliche, but children are literally the future. When we get older, they're going to be the ones running the economy, making the decisions, hopefully founding the next innovative idea that changes our lives. And so with that bigger perspective in mind and your own personal perspective, I'd like you to consider these two lists. So which is more important to you for children to learn, obedience or self-reliance, if you had to choose between the two? Respect for elders or independence? Being well-behaved or being considerate? Good manners or curiosity? I'll give you a moment just to think about it. And some of you may have seen this list before. It's not mine. It's a list that researchers use to determine how authoritarian you are. So if you chose the first column-- obedience, respect for elders-- if you chose more of those things you're more authoritarian in your worldview. If you chose the second column-- self-reliance, independence, curiosity-- you're less authoritarian. Now, I'm going to take a wild guess. Because we're here at Google in Seattle. Most of you probably took self-reliance, independence, that call. That's great. And those are all very American values. However, if you parrot in that dominant, directive-protective style that I just mentioned, you're actually reinforcing the first column. Because in order to do that, you're asking for a lot of the obedience from your kids, a lot of respect for elders, and good behavior instead of their own initiative. So as I said before, the one place they don't do this, this first column, is Germany. And while I had that stereotype of Germans as being the strict, overbearing parents, that's true in the 1940s. Things have changed a lot in Germany since then. And in fact, World War II prompted a big reaction against that kind of parenting and really against everything the Nazis did. The generation that came after them who were growing up in the 1960s really rebelling against their parents. I mean it was going on here too. But the Germans really had some things to rebel against of course, including how their parents raised their kids. So there was even an anti-authoritarian movement. And some people opened up daycare centers that had absolutely no rules at all. And I've seen some videos of those daycare centers. And they're pretty wild. And things have come back a bit then. German parents are much more moderate than that extreme. However, you would be really hard-pressed to find many German educators or parents would advocate for a strict, controlling way of dealing with kids. And some evidence to that fact is, around 2000, they banned corporal punishment, which means, it is illegal to spank your child in Germany. And when you think about it, that's perhaps the most authoritarian thing you can do to a child is your physical power over them to try to force them to do what you want to do. So while they may be anti-authoritarian, German society is anything but a wild bunch of people just running around in chaos. So how do they do it? How do they manage to raise kids who are not only independent, but responsible? The good news is that you do less, not more. The bad news is that doing less can be really, really hard. Whenever I talk to German parents and say, how can you let your kids walk to school or take the subway by themselves, they say, I'm afraid. I hate it. But I have to. Because if I'm always with them and I'm always hovering over them, they'll never have a chance to learn independence. So they don't just throw their kids out there, give them a subway ticket and say, find your way or go find school. They spend a lot of time preparing their kids to take on each new step of responsibility. And one example of this is walking to school. In first grade, I walked my daughter to school every day about 900 yards through busy city streets of Berlin. There is about 3.5 million people there. And at the end of first grade, they had a little course, her teacher did, on traffic safety. And they showed her the [GERMAN] outside the school, which are like the crosswalks and basically the whole area around the school. And after that, I was supposed to let her try to walk to school on her own. And I thought, hm, she's seven, and I'm American. We are not doing that. And so ashamed to admit, I walked her every day through most of second grade and part of third, while all her other friends were walking to school by themselves. And one day, she finally said to me, you know, mom, I can do this. And I said, well, the traffic. And there's these seedy guys who hang out in the corner in the afternoon. And I don't like that. And she said, mom, all my friends do it and they're fine. Now, I hate the "all my friends" thing. However, she did have a point. While I was walking my daughter to school every day, her best friend was biking from much further away. And every day she would cross a really busy street, Frankfurter Allee. And she still does, as I know, and she has not yet been hit by a car. So there is some evidence there. And then I did eventually let my daughter go walk to school. And when I did, it was transformative, not just for her, but for me. For her, all of a sudden, it was easier to go to school in the morning. She got herself up, got dressed, made a snack, packed her back-- so proud. Said goodbye to mom at the door. And for me it was like, oh, this is really my job. I thought my job was to make you completely safe and to make sure that you succeed. But really my job is to teach you how to do things and then let go. So the German method is to prepare their kids-- instead of trying to keep them 100% safe, but to prepare them to manage risk themselves. Because if we really admit it to ourselves, there is no way that we can make the world 100% safe for our kids. That's just not the nature of the world. The best thing that we can do for them is give them the skills they need to manage risk on their own. And one way Germans do this from an early age is through playgrounds. There we go. And not this playground. This playground is in a typical American playground. Does it look familiar? You could probably find this in any city in America. It's plastic. It's short. The slides are plastic, so they're not very fast. There is not a whole lot of risk to be had here, except for maybe a three-year-old or a four-year-old. After that, it's not even very interesting. This is a more typical German playground. And I say typical. But I have never seen one German playground that was exactly the same as another, which you can't say about American playgrounds unfortunately. But some of the typical elements they have are towers. And they're much taller than ours. And they have different ways of getting to those towers that are sometimes a little dangerous. Here's an example. That's my daughter up there. And you can see from the height that it's at least twice as tall as she is. And she's on a log with just a rope to hang on. So there's a lot of chance to fall there. So she's learning right there how to manage some risk. And not only are they more dangerous or more risky. They're more fun. I mean, what's more fun, this or this? Now, this one's actually in Bavaria. A friend sent it to me. And that kid is up kind of high. This is more of a side view of it. These climbing rope triangles are fairly common. And if you see at the end, that tail-- this whole thing is sort of like a snake. That tail is a slide. So the reward for climbing up there is you get to go down that really fun slide, which might be a little scary. Now, I was lucky enough that, in our neighborhood, we had something called [GERMAN].. And that's the [GERMAN] right there. Now, this dragon has since been torn down. And then they built another one. But it's not only high. It has a scary look to it. It's got these big red teeth. And the kids can actually climb up into those teeth. They can also hang out in this gullet right here. And they're two enormous slides that go down the side-- metal, so they're fast. My daughter was terrified of this thing. She would not go near it. Of course, she was really small. That was her when we first arrived in Berlin. And this is the area in front of the dragon, which has some swings and some other things that you can climb. And for years, she would only play around with the dragon. The most she would do with it would be go up the back and down again, and up and down. And that was it. So flash forward two years, I've got a new baby boy now. And I'm watching him a lot more than I'm watching her. And I hear, mama, mama, mama. And I'm like, ugh, she's hurt herself. I wasn't watching her. Oh, my gosh. But then I look up, and she's in the teeth. And then she comes down the slide. And when she stands on it, you can just see it. She had conquered her fear. I didn't make her do it. She did it all by herself. And I think that's a really important step for a child to take, even when they're five, is to face something that they're afraid of and to overcome it themselves, and in their own way. I mean, she was working up to that point, I think, for a long time. And I'm a little afraid that American kids don't get a chance to conquer a dragon very much anymore, at least outside of a video game. This picture was taken actually several years after that, because you see there's another little face up there. And that's her brother. So I guess if you have a brave older sister, you get pushed to do things a little bit faster. But another really important way that Germans prepare their kids is through using dangerous implements that we normally don't. And there's none that is more stark of an example than fire. What are we taught about fire when we're kids? Don't play with it. Don't play with matches. If you ever seen a lighter, go tell an adult. That's not for kids. That's not the prevailing wisdom in Germany. In fact, my daughter came home from first grade one day, and she said, mom, I would like to light some candles. Because she had learned how to light matches in school. And that was quite shocking for me. But she had the note from her teacher. And the idea behind this is that Germans think it's safer to teach a kid how to use something that's potentially dangerous than to prohibit it. Because when you prohibit, there's a great amount of children, especially when it comes to fire, who will try it in secret. And of course, in secret is dangerous because it's secret. And because they have no capability at it. You actually have to know how to hold a match. A lot of young kids will hold it like this. And the fire burns their fingers. And then they drop it. And then maybe something catches on fire, right? And their first thought, if it's prohibited, is, I'm going to get in trouble. And then they run, or they hide. And that's how a lot of child-started fires happen. Now, there is a man in [INAUDIBLE] who is a pioneer in this area. And he teaches kids who are even younger than seven how to light matches and candles. But not only how to light matches and candles, but how to make bonfires. Now, [INAUDIBLE],, he's kind of an interesting character. Because he used to be a fire artist. And he once burned the Berlin Wall in the 1980s. He has since got a second career as a fire safety instructor. And his idea of fire safety is to teach very young kids, ages 4, 5, and 6-- this is at a [GERMAN],, which is like a daycare center-- how to deal with fire. [VIDEO PLAYBACK] - [SPEAKING GERMAN] [END PLAYBACK] SARA ZASKE: What I love about this video so much is, not only do you see these small kids making fire, but you see them sawing things using an ax, cutting food, and cooking it. And I think it really challenges our notion that kids are incapable and that they need everything done for them. With a little instruction, they seem to manage quite well. Now, these kind of workshops are everywhere in Germany. They're more common in Berlin and Brandenburg. But before you think [INAUDIBLE] is a complete crazy man, he has the backing of insurance agencies, child safety organizations, and the Berlin [GERMAN],, the city fire department. And when I think back to when I saw a firefighter come to my elementary school, they stood at the front of the classroom. And they told me not to play with matches and how to stop, drop, and roll, which are all good things. But never did I make a fire with a fireman, which might be quite an experience. So the German way of dealing with fire is almost the complete opposite of ours. However, I have found no evidence that child-started fires are of any greater number in Germany than they are here where we have a lot of prohibition. So that begs the question then, if we're prohibiting it and it's not working, then why are we doing it? And what is being lost through that prohibition? And I think, if you saw those kids in that video, they were incredibly engaged. Kids are very fascinated with fire. And some people even think we're evolutionary wired to be fascinated by fire because we used to depend upon it for so long. But this is also an opportunity for learning, really intense learning for them. And that's another subject that we are very concerned about, right? We all want to know what makes children succeed. Out here in the US, we have pushed down a lot of conceptual learning into kindergarten and to preschool. And we do worksheets and flash cards with kids. In fact, Americans are famous for trying to push learning earlier and earlier. The psychologist Jean Piaget once called it the "American question" back in the 1970s. And that question was, can we do it faster? How can we do it earlier? And he didn't answer that question, why do you want to do that earlier? And I have to say, I'm guilty of it. Because back in the US before we left Germany, I had this brilliant little daughter who could speak at a really early age. And I thought, she's a genius. I got to help her. And I started to teach her how to spell. I taught her to spell her name while we were swinging. And I would swing her back and forth. And she'd say, S-O-P-H-I-A, Sophia. And I was like, oh, that's great. I'll try something else. OK, Sophia, let's spell mommy. And she would say, S-O-P-H-I-A, mommy! So we may be able to get young kids to repeat back to us a lot of things, including math facts. And you may even be able to get them to read, which, by the way, has very little evidence that it gives them an advantage later on. In fact, there was a study that compared early readers of four or five with later readers of more the traditional seven or eight. By the time both sets got to be 11, the late readers had caught up. So again, if it doesn't give them an advantage, why are we doing it? And more importantly, what are they missing while we are trying to cram reading and math at an early, early age? And I would argue that they're missing play. And play is so essential. All mammals do it, including us. And it's kind of the primary way that we learn. In kindergarten, which was invented in Germany, at least there, Frederick [INAUDIBLE] had the idea that child learning would take place in a kind of Eden. Thus, the "garten" in kindergarten. And that play was essential. And they've had some changes in kindergarten. But they are back to that model. And all they do in preschool and kindergarten is play. And when the ambitious American in me got nervous about that, they would tell me, really, they are learning. They're learning social skills. They're learning how to be creative, how to be leaders, how to have self-control. And a lot of the kindergartens there practice what's called the [GERMAN] or what used to be known here as the observational approach. The teachers would step back and watch what was going on with the kids. And this is one example. Every year in the "garten" at our [GERMAN],, they would have a lot of chestnuts come down from the trees. And the kids love them. They would cram their pockets full of them, take them home, take them in the inside rooms. Rather than fight it, they said, go. Get all of them that you can. And they bring them in to play with them. Now, I'm sure there's some math skills going on here. But they're not very [? formal. ?] The other kinds of things that they would do is they would do projects with the kids, but only projects that kids chose themselves. So they would have a little meeting, and they'd say, OK, what should our next project be? And kids would throw out ideas, and they vote on them. How democratic, right? And then they have the kids throw out all the questions they have about that particular idea. For instance, they did a body project one year. And so kids wanted to know, how do the eyes see? How do the ears hear? The heart beats? What's my skeleton look like? And so after that, for over a period of weeks, they would investigate it. They'd get books. They'd watch videos. They'd bring in an expert like a doctor or go on a field trip to a museum. And through that process, they're learning how to engage their curiosity. And they're really learning how to learn. And this whole emphasis on play and self-directed learning goes on through elementary school, so until third or fourth grade. And if that worries you, consider that German teenagers, by the time they're 15, do much better on the International PISA Test than Americans. That's math, science, and reading. So maybe our emphasis on academics so early might be misplaced and that maybe the kids need more of a foundation of this kind of exploration. Oh, the last method of preparation, I just wanted to touch on briefly, is information. Germans are much more open with difficult topics with their kids than we are. And these are things like sex, religion, death, all of which my daughter had projects on in school by the time of third grade. And of course, for Germany, the darker parts of history is a huge topic. But just to give you one example for sex education, in Germany, it's mandatory. You cannot opt your child out of it for any reason, not even religion. Because they believe the kids have a right to know how their body works, which I don't know how you take that. But when I looked at the statistics, in the end, teenagers in Germany are no more sexually active than American teenagers. In fact, the statistics are almost identical. The big difference, however, are in other very important statistics. Germans have a much lower rate of teen pregnancy, a much lower rate of teen abortion, and a much lower rate of HIV incidence. So no matter what my morality is around sex and my kids having it at a certain point, that information is powerful. And it has the power to help them protect themselves. So then the big question. How do we do any of this here? We have a very different culture, right? And I have to admit there are some things that happen in German society that are society-based. And making changes in our school system or our preschool system or even getting a more exciting playground down the street would take a lot of effort by a group of people. But there are several things that we can do as parents and as citizens. And one of the first ones is what we talked about in the beginning-- letting your kids learn to navigate their own world. A child of seven, eight, or nine is very capable of taking themselves to a place, especially one that they go to often, like a friend's house, the school, or the playground. And if it makes you nervous, try it out the German way. Go with them a lot of times. Teach them traffic. Talk to them about strangers possibly approaching them. Though you should emphasize it doesn't happen very often. And if it still makes you nervous, find them a buddy. Because two kids walking down the street feels a lot safer than one. And it also helps if there are siblings involved, I think. Another thing that we can do as parents is to make time in every day that the kids get to decide what to do with it. And because we have a longer school day now and homework and then extracurricular activities, some kids can go from first thing in the morning to the evening never being able to decide what they want to do. So for us, when I do this with my kids, it usually means playing. And it's very important for them, I think, to play every day as it is to get outside, which is also a German value. And that's not something that's too hard to do either, though it does require a push a little bit. And another idea is to give them some life tasks, even at a young age. My daughter does her own laundry, which means I put a bin in her room. She fills it. When it's full, she does the laundry and has clean clothes. I really like this one because it has very natural consequences. I don't have to nag. When she doesn't do her laundry, she doesn't have clean clothes. And for a while, she didn't care. But now, she really, really does. And it gets done. And other things like this are waking yourself up in the morning. Cooking also has very natural consequences. And they tend to be very engaged, especially if you couch it as teaching you how to take care of yourself. It's not necessarily a chore. It's a bit of a step towards independence. And if we teach our kids these smaller things now at this age, they get to have a growing sense of capability. And as they get older, we can give them more and more responsibility so that it's not such a shock when they become 18. I don't know about you, but I did know some people in college who had never done laundry, who had never made a pot of rice. And they're missing out a lot. They have to catch up really fast. And last, but not least, is the idea I brought up here about being more open with your kids about difficult topics. They can handle it. And I want to tell you a short story about World War II in Germany. You can't avoid the topic of World War II in the Holocaust if you live in Berlin especially because it's everywhere. Your kids are going to ask you. They'll see these little gold [GERMAN] in the street that memorialize people who are taken off to die in concentration camps. And whenever I ask my German friends, the adults, about World War II, they would tell me, I cannot remember a time when I didn't know what my country had done. And that really affected me because, if they couldn't remember when they didn't know-- they must have been five maybe, six when they learned about one of the biggest crimes in modern history that their own culture had done. That's a really heavy issue. And those kids were about as old as those kids you saw making the fire and using the ax. So I think our kids are more capable than we realize or that we give them credit for. They're more capable of handling physical freedom and handling tough, intellectual, and emotional subjects. And that's the idea I'd like to end the presentation with here. I think, if we as parents can get a handle on our fears like the Germans do and step back and give our kids the space they need, then they can grow up to be independent, self-reliant adults. Thank you. [APPLAUSE] AUDIENCE: Hi. SARA ZASKE: Hi. AUDIENCE: Do you have any advice for parents who would like to give their kids more freedom but are concerned about things like your kids getting taken by CPS as happened to that couple in Maryland? SARA ZASKE: Right. Absolutely. I mean, we do have that problem. Germans have a sense of community in the sense that, if their kids gets in trouble that people will help them. And here we've come to a part of society where people tend to call the police on you. The best advice I can give you is to try to know your community and talk to your community. That means talking to your neighbors and the fellow parents. And let them know what you're doing. My kid really would like to try walking to school. I'm going to let them do it tomorrow. And you can get them in on it. If they're a busybody, be like, could you look out your window, make sure they're OK? I think if we start to draw people in to be proactively helpful instead of negative, then perhaps we can start to build that here. AUDIENCE: Thank you. SARA ZASKE: Your welcome. AUDIENCE: How did you get your daughter to start caring about not wearing dirty clothes? SARA ZASKE: It was actually pretty natural. There was a little bit of rebellion. I don't care, for a bit. And then her favorite shirt wasn't washed. And it just kind of happened. Yeah. AUDIENCE: So I've actually been thinking about a lot of these issues for a long time. I have a 3-and-1/2-year-old and I've been trying to introduce her to things that I, as an overprotected kid, wasn't able to do until much later but I feel like she can. What I've been trying to figure out is kind of at what ages to do what things. And it feels like a lot of the resources, especially on the internet-- ugh-- in America for determining when is a reasonable safe time where, like you said, five or six for fire. Can you recommend any resources for figuring out how much earlier than the American very conservative norms different things could be moved? SARA ZASKE: Well, I'm really reluctant to say that any specific age is good for a specific task. It's really important to see when your kid is ready for it. And often, they'll tell you. You can suggest some things, and they'll be like, ugh, no way. And I don't recommend forcing a kid who's reluctant. If you wanted to start with cutting up potatoes together and they don't want to touch the knife, I would wait. They'll come back. And I'll tell you a short story about my son in the first time he wanted to walk to school. He was 6, and we were in America. And he actually wanted to walk home. I had driven that day. And he had no interest in getting in the car. And that first time he ran the whole way. And he was scared. He didn't really tell me he was scared, but I kind of knew. And then he didn't ask again for two or three weeks. Then when he did it the second time, that's when it clicked for him. And today, he walks all the time. So I would think suggesting some things your kids and see if they're into it. And then if they go for it, yeah. But if they don't, back off. Walking to school, the Germans do it at about seven and eight. The Fins do it at four and five. So it's kind of a cultural thing as well. AUDIENCE: Do you have any thoughts, observations of how Germans teach responsibility? So for example, you give an example of kindergarten-- just play all day. But do they get taught like cleaning up. It's not a very natural consequence, like dirty clothes. So just wondering what your thoughts are and observations-- SARA ZASKE: Sure. AUDIENCE: If there's any differences. SARA ZASKE: It was fairly freeform. The kindergarten we went to had very few rules that the kids didn't make themselves. So they actually would sit the kids around and go, what should be the rules for our [GERMAN].. And one kid will say, don't climb on the furniture. And she'd say, why don't you do that? She's like, I don't want your dirty feet on it. Or don't hit other kids. Well, that's a really natural one. Why? Because it hurts. The second answer is always the most powerful. Other kids won't want to play with you. So they learn some responsibility just through the interaction with each other. Now, if you're thinking our parental interactions with them, all this responsibility is rescindable, this freedom. So if they are being allowed to walk to school and instead on the way home they stop at a friend's house, then you say, OK, then maybe we need to take a break from it for a while. And I think kids, in that sense, they get a little bit of freedom and then the accountability for it. So that when they're older, they're not just going out there and going crazy. AUDIENCE: The most amount of [INAUDIBLE] to give my kid is for food. Because if I let him pick what he needs, like if I have grains, vegetables, and fruit, [INAUDIBLE] I'm done. Later in the evening, he'll ask for something else. So I don't know how to manage that, teaching him such control and responsibility [INAUDIBLE]. SARA ZASKE: Food is a hard one. But I've heard that-- if you think about the food you hate most in life. For me, I'm really not a big fan of Brussels sprouts. Not for any particular reason, but because I remember being forced to eat them. And they have that connotation on it forever. So I would urge you not to force them to eat anything. I'm always a big fan of continuing to offer. You only put out on the table what you want them to eat. But then he gets to choose from that. And of course, the sweets are only for treats and not for all the time. The Germans do this a little bit just through the way they do school lunches. Nobody brings their own lunch. So they have two choices usually, a vegetarian and a non-vegetarian. And if you don't like it, you go hungry. So kids tend to eat if they're hungry. AUDIENCE: Thank you for the talk. This is actually really nice. My question is-- so if you look at culture around here in the US. So for example, there was a movie [INAUDIBLE] called "Kidnap" with Halle Berry. SARA ZASKE: Ugh, yeah. AUDIENCE: It was on accord of her taking her eyes off her kid for a second and the kid got kidnapped. And then [INAUDIBLE] and all that stuff. My question is-- so if I see a movie like that, I'm less reluctant to let my kid walk to school or lay on the playground unsupervised for a second. So how do you reconcile with an environment like that? Because I'm assuming, like in Germany, they have a lot more control over their media, or at least that's the perception that I have being here that they can prevent movies like this from coming out. Saying, hey, don't show things like this. [INAUDIBLE] kids walk to school on their own. So how do we reconcile this? Thank you. SARA ZASKE: It is a different media environment. I don't know that they control it so much. But there would not be as much interest in that kind of movie. We like to scare ourselves a lot here. What I really wish would happen in our media is that, whenever they tell us one of the real stories of a kid being kidnapped that they put it in context. And as a formal journalist, I wish we could require this because you're always supposed to put things in context. A little more than 100 kids get kidnapped by strangers every year. Absolutely every story is horrific. It's every parent's nightmare. But we have 77 million kids in this country. Something happening to 100 kids is an aberration, not a thing that happens every day. And if we knew that, if we keep thinking about that, I think we might change our behavior. And one other short story if I may. The far more common scenario of a kid being sexually abused is by someone they know. And it's usually a man. And that man wants to have a relationship with your child. Now, the child that has been very constrained and told to obey adults and respect their elders all the time is much easier prey to a person like that than a kid who's been raised to be independent, is able to say no to adults. So there's a really strong argument right there for making your kid more independent actually protects them. AUDIENCE: OK, I come from a slightly different perspective. [GERMAN] So as you see, I'm from Germany. And when we moved here, the school system here does not really like if your kids have these values that you propagate here. So for your own children and in general, how do you propose that the school system and this kind of education really works together? Because for our kids, it's very interesting. So for example, things like the Pledge of Allegiance in elementary school. This was pretty scary from my perspective. But all this value on secondary virtues like being on time, having all your work done and, well, all this control that you mentioned that does not really go well with this style of education. SARA ZASKE: I've handled it a couple of different ways. I've had teachers who are receptive to it and schools that are. I tell them my kids are allowed to go home. Sometimes I have to write a note, because we're a very litigious culture, saying that they have my permission to do these things. And sometimes I get a little passive aggressive. I have a teacher-- kids do not need to do homework in elementary school. I'll say that there are no grades, especially until third grade. And there's no proof that doing homework helps in elementary school. And I have had arguments with teachers about this. And other times, I've just said to my son, don't do it. You don't have to do the homework. And if you want to do it and you want to bring me the little piece of paper that I'm supposed to sign, which is a really interesting transfer of responsibility, you can. And the moment he does that, he'll probably have passed some bar. But I don't let them make me control him. Does that make sense? AUDIENCE: OK. SARA ZASKE: Yeah. Any other questions? AUDIENCE: Do you have any theories on how American culture developed this way? SARA ZASKE: Yeah. Unfortunately, I only have theories. A lot of it is the media and those scary stories and scary movies. I mean, we have a show. I think it's called "Law and Order-- Special Victims Unit" where every week a child is in some horrific situation. And it gives the impression that this happens often. I also think that we have a very competitive culture and always have. So we are so worried about our kids' success that we think we need to start them on that treadmill early. And it's actually had some very bad results. Because if you're a kid and you're working really hard in kindergarten and in first grade so that you can work really hard in middle school and high school so you can get into a good college and worked really hard to get a good job so you can work really hard, that can be very depressing and anxiety-producing. Where is the moment for enjoyment and the meaning of life really? Is it just to constantly compete and be the best and make money? Or is there something else there that's of value? And I think if we change our view on that and how we communicate with our kids, it could help them out a lot. OK, should we break at this point? SPEAKER 1: Any more questions? AUDIENCE: What's in the book? SARA ZASKE: What's in the book? Some of those stories I told here. It's a research memoir, so it's partly my stories and experiences. And it's partly I talked to a lot of experts and looked at studies as well. And I would say it's part manifesto because I'm trying to make an argument that we should give our kids more independence. SPEAKER 1: Thanks for coming everybody. [APPLAUSE]
{ "pile_set_name": "YoutubeSubtitles" }
how to win in 15 sec a team a death a help a victory
{ "pile_set_name": "YoutubeSubtitles" }
This video is part of a series using the Marvel Cinematic Universe as a lens to learn about the Enneagram and the Enneagram to learn about the MCU! You can watch it in whatever order you want, you’re the boss of you, but if you’d like to start at the beginning, you can find the full playlist at the first link in the description or in the card up here. Today we’re gonna talk about Thor, and we’re gonna talk about Enneagram Type Three, The Achiever Type Three’s basic desire is to feel worthwhile, accepted, and desirable, and their basic fear is of being worthless and without value. This desire for acceptance often leads them to pursue success, however that is defined by their family, peer group, or culture. They tend to be tremendously driven and disciplined people, but since their sense of self-worth is so rooted in other people’s perceptions of them, they can grow to be entirely out of touch with their own interests and desires. And this is where we get to start digging into the really good stuff of how the Enneagram can illuminate a story. Because Thor’s arc is… well, it’s kind of a mess, just, the good kind of mess. We see him at rock bottom, and we see him at something approaching his best, but we don’t get them in that order. Thor gets thrown at the perfect challenge to help him grow right out of the gate, spends some time developing and gets good, and then, when he hits a series of major roadblocks...regresses, even further than where we first met him, and is just starting to put the pieces back together at the point where last, dear reader, we left him. Thor is less like an eagle carving out a straight line from OK to worse to best, than he is like a butterfly flitting around on the changing winds around him. In other words... the MCU’s literal god, is...human. [epic theme music] As a personal gift to me, Thor’s presence in the MCU kicks off in his childhood, with an X-ray of the precise anatomy of the chip on his shoulder and the old block it came off of. And Odin is… not subtle about this. [Odin:] Both of you were born to be kings. For Threes like Thor, this kind of message, even if not so literal or direct, can have a lifelong impact. [NerdSync's Scott Niswander reads the onscreen text] Odin makes it incredibly clear that Thor has a purpose in life, and a duty to live up to that purpose, and a clear metric for success. [Odin:] Only one of you can ascend to the throne. Not only that, he gives him an actual physical manifestation of his worth to society. And so, Thor has a clear blueprint for the rest of his life. Some of this cultivation involves ineffectual and easily exploited egocentric image management, [Laufey:] Run back home, little princess. [Loki:] Damn. but a lot of it is also about genuinely understanding what’s important to people and making it happen. [Thor:] Fandral! Hogan! Who led you into the most glorious battles? [Thor:] And Volstagg? To delicacies so succulent, you thought you'd died and gone to Valhalla? [Thor:] And who proved wrong all who scoffed at the idea that a young maiden could be one of the fiercest warriors this realm has ever known? Just, you know, with at least one eye toward how it reflects on him that he did that, [Sif:] I did. [Thor:] True. But I supported you, Sif. and how to leverage it to get what he needs down the road. In this case, to get his friends’ help with the thing that will make him valuable to his father: saving the kingdom from the frost giants. See, Dad makes a respectable “do as I say, not as I do” effort, [Odin:] A wise king never seeks out war, but, he must always be ready for it. but Thor, like so many children, sees right through to the unspoken message at the heart of his father’s war stories. [Thor:] When I'm king, I'll hunt the monsters down and slay them all, just as you did, Father. [Thor:] My father fought his way into Jotunheim, defeated their armies, and took their casket. Kings are war heroes. I can prove that I am worthy to be king by destroying my kingdom’s enemies. And so, first grownup chance he gets, he tries to. He wages war, and he makes damn sure that he is the hero of this battle, no matter who thinks it’s a bad idea. But, well, dad. Dad thinks it’s a bad idea, and he takes away that toy that manifests his approval, and strands him on a planet full of mortals. Ugh. So Thor spends a good chunk of the movie just trying to get back to the fancy toy - if he has the toy, he is worthy! Done! And since he obviously embodies all of the traits of an admirable, valuable, worthy Asgardian, all he needs to do is find the hammer, head back home, and shove it in dad’s face, and in the meantime he can laugh at all of these silly mortals who think they’re worthy to wield the mighty Mjollnir. But then he finds the hammer and...he can’t lift it. And the fight goes out of him immediately in a way that reveals a major issue for Threes: at their core, they are deeply insecure about their own worth. And, it gets worse. Loki arrives to tell him that his father is dead with the precisely the kind of [Loki:] You mustn't blame yourself. that says, yeah, you definitely should, that his mother absolutely blames him and never wants to see him again, and that the role he has been raised to fill, is now Loki’s. And just like that, we’re looking at a Red Flag. As long as Mjollnir was stuck in a crater somewhere and lifting it was an abstract concept and the fallout of his invasion of Jotunheim was happening off in the distance where he couldn’t see it, Thor was able to convince himself that this was all just a mistake, a misunderstanding, an arbitrary fetch quest, his father being a dick, whatever. But now that he has incontrovertible proof that he really did f*ck everything up for everybody, Thor is forced to confront the possibility, the reality, that his father was right to send him away, that his misguided pursuit of success actually has made him unworthy. With his whole sense of self destroyed and no outline for a new set of goals to take its place, Thor is completely lost. [Thor:] For the first time in my life, I have no idea what I'm supposed to do. But luckily, he isn’t alone in this moment. When Selvig rescues him, and specifically when he pretends that Thor is a researcher on his team, he is unwittingly inviting him into one of Type Three’s most important practices of growth: Finally convinced of his exile from Asgard, Thor says yes to this opportunity to bloom where he’s been re-potted and support the people in front of him. He turns his focus from reclaiming his own accolades to supporting Jane’s work, even getting a little domestic. Even when his friends arrive and want to take him back, even when a uniquely otherworldly threat lands on this mortal planet, he focuses on the tasks he can complete in support of others. [Thor:] I'm just a man. I'll only be in the way, or worse, get one of you killed. But I can help get these people to safety. There’s a quick moment he has with Sif, one that’s easy to toss on the pile of shrinkingly noble moments if you’re not looking for it. [Sif:] I will die a warrior's death. Stories will be told of this day! [Thor:] Live, and tell those stories yourself. This isn’t just a moment of care for his friend’s life - it represents a fundamental shift in his worldview. Where in his first battle with the Frost Giants, he saw death as nothing to be bothered about [Thor:] I have no plans to die today. and retreat as proof of cowardice, [Loki:] We must go! [Thor:] Then go! now he sees failure as a natural potentiality and his friends’ survival as something worth protecting. And his own eventual moment of self-sacrifice comes not out of seeking glory on the field of battle, but accepting responsibility for putting his friends in danger in the first place. [Thor:] Brother, whatever I have done to wrong you, whatever I have done to lead you to do this, [Thor:] I am truly sorry. But these people are innocent. [Thor:] Taking their lives will gain you nothing. So take mine, and end this. In short, he’s actually fighting on a team. Of course, in this case, acclaim does follow. Mjollnir returns to him, and he emerges as the big damn hero of this particular battle. But the work Thor has done doesn’t go by the wayside just because he got what he thought he wanted. By the time he returns to Asgard, the crucial difference between him and Loki is not one of legitimacy, but of compassion. While Loki is still chasing the approval of Odin and of Asgard, no matter who he has to hurt to get it, Thor understands that they are talking about lives, and lives are worth saving, no matter what the political cost. And so, paradoxically, it’s only by abandoning his quest to directly win his father’s approval that Thor finally earns the message he’s been desperately seeking his whole life. [Odin:] You've already made me proud. So our boy has achieved success by the standards as defined. Now the question becomes - are those standards worth upholding? This is Thor’s dilemma in The Avengers, where he is no longer simply representing himself to Asgard, but Asgard to the world. It’s notable that he’s now pretty much able to take threats to his own ego in stride, [Tony:] Uhh, Shakespeare in the Park, doth mother know you weareth her drapes? [Tony:] No hard feelings, Point Break. You've got a mean swing. but is much touchier in moments where the reputation of his home world, specifically, is at stake. [Thor:] Have care how you speak. Loki is beyond reason, but he is of Asgard, and he is my brother. [Natasha:] He killed 80 people in two days. [Thor:] He's adopted. And this increased focus on his place in something larger than himself is a sign that Our Boy is integrating! And this is the point in this series where we can start having a little fun with scope! Because when you hold Okoye up next to Thor in this movie, you can start to see the difference between an average-to-healthy Six and a Three who’s integrating in that direction. In quiet, private-ish moments, Thor’s healthy faith in his own worth and judgement leads him to be able question Asgard as an institution and a set of values without threatening his sense of identity, [Thor:] We pretend on Asgard that we're more advanced, but we come here battling like Bilgesnipes. even as he toes the line hard when it’s a matter of optics. [Thor:] My people want nothing but peace with your planet. This focus on Asgard doesn’t stand in for a lack of faith in his own judgements, the way Okoye’s faith in Wakanda does, but rather represents an extension of his own inherent sense of value to the people who matter to him, a welcoming of their support and an eagerness to use what is good about himself to serve something bigger. And if that means perhaps too generous an opinion of Loki’s potential, [Loki:] It's too late to stop it. [Thor:] No, we can. Together. well, he can walk it off. This is tested even further in Thor: The Dark World, where, when Asgard faces a major existential threat, Thor has to question the values of this institution where he’s begun to find meaning outside of himself, and where he’s always looked for the standards that would define his own worthiness. And...well, it doesn’t look all that great. [Odin:] We will fight, to the last Asgardian breath, to the last drop of Asgardian blood. [Thor:] Then how are you different from Malekith? [Odin:] The difference, my son, is that I will win. Once again, we find Thor facing a major question of identity: does he serve his father and Asgard in pursuit of success and worthiness as it’s always been defined for him, or does he fight to preserve innocent life at all costs as he’s learned from his own journey? The answer leads to a major step of growth. Hmm, OK, put a pin in heart’s desire. But here, Thor chooses to pursue action that reflects his values, even in direct contradiction of his father’s, which are at this point, essentially, Asgard’s, and therefore the ones that represent success and worthiness as they have existed for his whole life. He rejects his value to his society, choosing instead what will make him feel valued in and of himself. And, once again, this rejection of the pursuit of success leads him to success, [Odin:] You once said there would never be a wiser king than me. [Odin:] You were wrong. What can Asgard offer its new king in return? but this time, he rejects makes a different choice. [Thor:] I will protect Asgard and all the realms with my last and every breath, but I cannot do so from that chair. [Thor:] I'd rather be a good man than a great king. And so we find Thor in Age of Ultron, where we can learn an important lesson about the Enneagram, which is that integration does not necessarily mean leaving every average level trait behind. Thor is generally willing to let his friends take a shot at lifting Mjollnir, but it matters to him that no one else is able to succeed. [Thor:] You’re all not worthy! But even as Thor is still living out some of his less healthy habits, [Thor:] Jane's better. the proof of the pudding comes when, again, Scarlet Witch gives everyone’s nightmares legs. I wanna take a second to note Thor’s deepest fear, specifically. [Heimdall:] We are all dead! You're a destroyer, Odinson. See where your power leads. This mirrors the format of a Red Flag almost perfectly. Thor’s deepest fear is not just Asgard’s destruction, but the realization that his relentless pursuit of success has caused it. But unlike we saw with Banner, integrated Thor isn’t distracted by seeing his deepest fear brought to life. He’s able to keep his head on his shoulders, notice what’s in the periphery, and stay focused on what matters. That’s not to say he’s unaffected by Wanda’s f*ckings around in his head, only to point out that he’s built a solid enough foundation that it doesn’t derail his development. No matter how worried Thor seemed at the idea of anyone else being worthy to wield Mjollnir earlier, when Vision is able to pick it up and hand it off like any other silly little hammer, Thor is utterly unaffected, throwing his considerable clout behind the one guy who apparently can literally steal his thunder to make sure the rest of the team accepts and trusts him Thor even welcomes the confusion instigated when more than one worthy soul is running around, embracing that his strength is his ability to hog the spotlight and steal focus [Thor:] I am Thor, son of Odin, and as long as there is life in my breast, I...am running out of things to say, are you ready? even when it means Vision does the actual doing of the deed that only he is supposed to be able to do. Simply put, Thor is in a good-ass place at this point. But progress isn’t permanence. While Thor was able to take his seemingly foundless vision of the destruction of Asgard in stride during Age of Ultron, by the time we catch up with him in Ragnarok two years later, the visions have persisted. To make matters worse, he finds out that Loki is still alive, great, but has been taking full advantage of Thor’s absence to take the throne and shirk all its responsibilities, undoing the work Thor had done and leading the Nine Realms into chaos. So, stuff’s already not great, and then Odin dies, for real this time, and to make matters worse, he leaves his sons with a last-f*cking-second warning that oh, by the way, they’ve got a sister with a legitimate claim to the throne who will one hundred percent destroy Asgard if she gets the chance which she probably will in like thirty seconds, and then she does, breaks Mjollnir, heads for Asgard, and throws Our Boy out alone into the abyss. Heuy. That’s...a lot, and unfortunately it’s the kind of setback that can remind us just how fragile the good habits of personal development can be. So even as Thor remains consciously focused on helping the people of Asgard, his concern with the specifics of his own reputation comes back in hard. Having lost just about everything, Thor obsesses about the specifics of how he appears to others in a way that runs much deeper than good-natured competition. [Thor:] By Odin's beard, you shall not cut my hair, lest you feel the wrath of the mighty Thor. [Thor:] You're embarrassing me, I told them we were friends! [Hulk:] Hulk like fire. Thor like water. [Thor:] Well, we're kind of both like fire. [Computer:] Voice activation required. [Thor:] Strongest Avenger. [Computer:] [beeps] Access denied. [Thor:] Strongest Avenger! [Grandmaster:] It seems that that criminally seductive Lord of Thunder - [Thor:] Seductive GOD of Thunder! And within this, you can see type Three’s cardinal passion for deceit. Average Threes have a tendency to lie to get what they need. This can involve pointedly telling people what they want to hear in order to get what they need, [Thor:] I'm not Banner's friend, I prefer you! [Thor:] I don't even like Banner! He's... I'm into numbers, and science and stuff! [Thor:] No, I don't even like the Hulk! He's all like, ruuuuuh, smash smash! I, I prefer you! but more crucially, it's about lying to themselves to reassure themselves of their own value. [Thor:] You didn't smash anything, I won that fight! [Thor:] You and I had a fight recently. [Banner:] Did I win? [Thor:] No, I won. Easily. At the heart of it, this represents a fundamental regression on Thor’s part: he has lost touch with that intrinsic, unthreatenable sense of his own worth, and is back to relying on external symbols of status. [Thor:] I choose to run towards my problems and not away from them, because that's what heroes do. Not the right thing to do, not the thing that will do the most good in the world, the thing that heroes do. And while ghost dad calls him on this over-reliance on the symbolic, [Odin:] Are you Thor, the God of Hammers? Hmm? our boy is too far gone for it to really sink in. And... Things can get worse. Thor loses his brother, who looked like he was finally gonna shape up and be a decent deity, his best friend, who sacrificed his life to this mission no one involved could fully understand the scope of just yet, and...everyone. This is a crushing blow for the obvious reasons. Thor, having lost so much so recently, loses, essentially, everyone and everything he had left in one fell swoop. But this isn’t just a loss - it’s a failure. The last message he got from his father [Odin:] Asgard is not a place. Never was. Asgard is where our people stand. [Odin:] Right now, those people need your help. isn't just a message about prioritizing lives over buildings. It’s a new metric for success, a definition of how to be a good king, and it’s a definition by which he is now the ultimate failure. So, Thor revisits his father’s last question to him [Odin:] Are you Thor, the God of Hammers? and basically says... Yes. Yes I am. [Thor:] I need a hammer, not a spoon. He spends a whole movie chasing one goal: get a new weapon. [Thor:] The Thanos-killing kind. It becomes desperately important to Thor not just to stop Thanos, but to personally kill him - because that’s what heroes do, and being a hero is literally all that he has left. And, for a second, it looks like it’s gonna work. But it doesn’t. He makes one crucial mistake. [Thanos:] You should have gone for the head. And when he gets the chance, he corrects it, [Rocket:] What did you do? [Thor:] I went for the head. but in letter, not in spirit, and it rings deeply, deeply hollow. Killing Thanos doesn’t un-kill anyone else, and it doesn’t make Thor feel any less like a failure. And now...he truly has nothing left. No family, no kingdom, no aspirations...no hope. Hey, just gotta cut real quick before I show any more footage of Chris Hemsworth in a fat suit to say that weight gain is not inherently funny, and it’s not a sign of personal failure, and it's a real bummer that this movie treats it as both of those things! OK, bye! OK. Disintegration to Nine. Here, again, you can see the difference between Bruce Banner as a Nine, and Thor as a Three at Nine. Where Banner hides from the world around him because he’s uncomfortable being too affected by default, Thor does it to better preserve his self-image as an untouchably worthy hero. As long as he stays in his cottage, drunk out of his mind with friends who won’t challenge him and even give him the opportunity to keep being a little bit of a (drunk, reclusive) hero, [Thor:] N00bmaster, hey, it's Thor again. You know, the God of Thunder? Thor can cling to the truth that he killed Thanos without having to face the lie that it mattered. [Thor:] Why would I be scared of that guy? I'm the one who killed that guy, remember? I also just love looking at this scene with the Enneagram as a lens, because it lends so much to the fact that it’s Banner on this mission. [Banner:] I get it. You're in a rough spot, OK, I've been there myself. He literally has been in this spot before, he recognizes these coping mechanisms because they’re his, too. But he also recognizes the difference in the motivation behind these coping mechanisms, and he absolutely nails what Thor needs to hear to get him off his ass. [[Banner:] Do you wanna know who helped me out of it? [Thor:] Oh, I don't know, was it, uhh, Natasha? [Banner:] It was you. Deep down, Threes want to be valued for themselves, not just for their accomplishments. So the fact that Banner calls, not on something that Thor did in an acclaim-worthy way, but on who he is, as a person, a friend, is crucial. And at first it looks like it might not work, but when Banner’s set him up, Rocket knocks him down. [Rocket:] There's beer on the ship. And sure, that’s a laugh line, but it’s also concealing a truly kind sentiment from someone who has actually come to care for this guy: we want you, in whatever shape you’re in. You can be as drunk and sad and nominally useless as you please, as long as you show up. We need you. So, Thor comes along for the ride, acts all good to go, loses his sh*t entirely and.... finds himself talking to his mother. And the walls come a-tumblin’ down. [Thor:] I am totally from the future. I really need to talk to you. This is one of the hardest things for Threes to do, but one of the most crucial. While friendship is not, in and of itself, something that is difficult for most Threes, their relationships often involve a ton of image management. They are afraid of being truly vulnerable with others because they fear that if they acknowledge the things that make them feel small, then others will see them as small. You can see Rocket trying to chip away at this in Infinity War, [Rocket:] You sure you're up to this particular murder mission? and how Thor shuts it down. [Thor:] Anger, loss, regret, they're all tremendous motivators, they really clear the mind, so I'm good to go. But with his mother, alive again, it comes out. And with her help, he makes a crucial revelation. [Frigga:] Everyone fails at who they're supposed to be, Thor. [Frigga:] The measure of a person, of a hero, is how well they succeed at being who they are. And, HELLO, he’s worthy! But OK, here’s the thing: being worthy of Mjollnir is not the end of Thor’s story here! It’s not like it’s unimportant, of course. That the hammer comes when he calls is a much more meaningful message to his shattered ego than his own empty refrains about having killed Thanos. But if you dig into this moment in context, this is an absolute refutation of the conversation he just had! Frigga tells Thor to stop putting so much weight on who he’s supposed to be and focus instead on who he can be. And Thor turns around and immediately goes back to his old friend, the material symbol that he is who he is supposed to be. Now, in a different video, we could talk about the dissonance of this framing, with so much pathos imbued in this moment that it overshadows what seems like a much more important message. But in this video, we can talk instead about how personal growth and change, doesn’t just happen like that, and Thor, like a person, needs some time for this to sink in. So, the fact that he goes right from his mother to his hammer, shows us that he’s not there yet. He’s got the hammer, he goes back to the present and immediately drops back into blatantly lying about what he’s capable of in order to do something that will prove he is the most worthy!! [Thor:] I'm the strongest Avenger, OK, so this responsibility falls upon me. It's my duty... [Thor:] Shhhh, stop it! Just let me, just let me do something good, something right. But… he’s on the right track! Because even at his healthiest up to this point, Thor would never have been happy to see Cap wield Mjollnir. [Thor:] I knew it! But even that, I don’t think, is the most important hammer moment in this movie. No, I think the one that tells us the most about Thor, what he’s learning and where he’s headed, is this one. [Thor:] No, no, give me that. You have the little one. Like, think about these weapons for a moment. The wonderful Scott over at Nerdsync, whose voice I have co-opted for this video for precisely this reason, thanks Scott, made the excellent observation that Mjollnir is a weapon and a tool of endless possibility, while Stormbreaker has one purpose: kill Thanos. But that’s not all. Mjollnir is a symbol of Thor’s former glory, of his father’s approval and his ascendance to the throne and his value to Asgard. Stormbreaker is a symbol of his failure, a trauma trigger that spent five years as no more than a bottle opener. But Thor’s not actually here to correct the failure that Stormbreaker represents. He doesn’t seem at all bothered by the question of who’s going to go for the head this time. He relishes the fight itself, standing proudly as one member of a team who are in this together, as the man he is today. And the man he is today carries a big old all-caps FAILURE of an axe. In other words... Mjollnir is the weapon the person he is supposed to be wields. Stormbreaker is the weapon the person he is wields. But when the fight is over… life goes on, and our boy still has no family, no kingdom, no metric for success to give his life direction. Or, not quite. There’s New Asgard, a people asking him to crawl out from under his pile of beer bottles and be their king. But now, having come out the other side of this darkest timeline where this pursuit of external seals of approval can lead him, Thor reaches an important revelation: Even at his healthiest up to this point, Thor was still courting success in the eyes of somebody - rejecting the throne specifically, maybe, but seeking honor, moral good, worthiness. He’s never really considered what he might like, enjoy, want, if the approval of others were taken out of the equation. So, he takes it off the table, leaving only his elusive heart’s desire to finally be discovered. [Thor:] Everybody knows who's in charge. [Quill:] Me. ...right? [Thor:] Yes, you! Of course! Of course. Of course. Hopefully. [light, optimistic music] Thank you so much to all of my patrons, with an extra special thank you to Andreas Evans, Kaya, Lizzie Gray, llmilktray, Michelle, and Nickie Miskell. Thanks also to Scott Niswander from Nerdsync for lending his voice to this video. He has also made an excellent video on Thor's journey in the MCU which you should definitely watch if you have not. If you wanna help me make more and better videos, you can support me over at patreon.com/lauracrone or throw me a one-time tip on Paypal.
{ "pile_set_name": "YoutubeSubtitles" }
”It's a beautiful day in the neighborhhod. A beautiful day for a neighbor. Would you be mine? Could you be mine?" Tom Hanks had nothing but praise for everyone's favorite friendly neighbor Mister Rogers while promoting his latest film 'A Beautiful Day in the Neighborhood' at the Toronto Film Festival. On Sunday during a press conference, the academy award winning actor, who plays the children’s tv host in the film, praised the icon for his sincerity and longing to spread positivity in the world. The actor said he was too old to watch Mister Rogers when the TV host debuted in the mid-1960s, but Hanks said he began to appreciate the PBS icon years later when he saw a video of Rogers addressing a child in a wheelchair. Speaking on Rogers desire to put out more positive, genuine content for children, Hanks said, Peter Saraf, a producer on the film, summed up his own admiration for Rogers' positive message to his young viewers. "Every human being has value and deserves to be loved." 'A Beautiful Day in the Neighborhood' follows a jaded journalist played by 'The Americans’ Matthew Rhys who is assigned to write a profile on Fred Rogers. The cynic soon discovers the healing nature of Mr. Rogers' kind spirit, which has shaped the upbringing of generations. The Sony pic is set to hit theaters on Nov. 22. For more on this story, head to THR.com and until next time for The Hollywood Reporter News I’m Neha Joy.
{ "pile_set_name": "YoutubeSubtitles" }
English: Translator: Queenie Lee Reviewer: Rhonda Jacobs I can make diseases disappear. To be more precise, I can make chronic diseases disappear. You see, chronic diseases are the long-term conditions, like type 2 diabetes, high blood pressure, depression or even dementia. There are 15 million people in England who have already been diagnosed with a chronic condition. So that means looking out amongst you now, there are probably about 250 people in here who have one of these long-term conditions. Just one of these alone, type 2 diabetes, is costing the UK 20 billion pounds every single year, Arabic: المترجم: Mostafa Ehab المدقّق: Riyad Almubarak أستطيع أن أجعل الأمراض تختفي من الوجود. لأكون أكثر دقة، أستطيع أن أجعل الأمراض المزمنة تختفي من الوجود. نعلم أن الإصابة بالأمراض المزمنة تستمر لمدة طويلة كداء السكري من النمط الثاني، ارتفاع ضغط الدم، الاكتئاب وحتى الخرف. هناك خمسة عشر مليون مريضًا في انجلترا ممن قد تم تشخيصهم بإصابة مزمنة. مما يعني أنه بالنظر إلى من هم حولك الآن من المحتمل وجود 250 شخص هنا يعانون من أحد هذه الحالات المزمنة. واحد فقط من هذه الأمراض، هو مرض السكري من النوع الثاني يكلف المملكة المتحدة 20 مليار جنيه كل عام، Portuguese: Tradutor: Carina Nugent Revisor: Claudia Sander Eu posso fazer doenças desaparecerem. Para ser mais preciso, posso fazer doenças crônicas desaparecerem. Doenças crônicas são condições de longa duração, como a diabete tipo 2, pressão alta, depressão, ou até mesmo demência. Existem 15 milhões de pessoas na Inglaterra que já foram diagnosticadas com alguma doença crônica. Isso quer dizer que, no meio de vocês, temos aproximadamente 250 pessoas aqui que possuem uma dessas doenças de longa duração. Apenas uma delas, a diabete tipo 2, custa ao Reino Unido 20 bilhões de libras por ano, Arabic: وأنا أقف أمامكم هنا الآن لأخبركم أنني أستطيع جعل هذه الأمراض تختفي. بالطبع أنا لست ساحرًا، أنا، كما يدعونني الأميركيون "ط ب" ليست اختصارًا لطبيب ساحر، ولكن طبيبًا بشريًا أو ما أدعوه مجرد طبيب. السبب الذي يجعلني قادرًا على جعل الأمراض تختفي هو أن الأمراض مجرد وهم الأمراض ليست شيئًا واقعيًا. في الحقيقة، الأمراض ليست موجودة حقًا على الأقل ليست موجودة بالطريقة التي نعتقدها. فمنذ خمسة عشر عامًا، تأهلت للدراسة في كلية الطب وكنت متأهبًا لذلك، كنت مفعمًا بالحماس والشغف، مستعدًا للانطلاق ولمساعدة الناس. لكنني كنت أشعر دائمًا أن هناك شيئًا مفقودًا. فقد بدأت أعمل كاختصاصي ثم انتقلت من اختصاصي إلي ممارس عام، ودائمًا ما يراودني ذلك الشعور المزعج English: and I'm standing here before you saying I can make these diseases disappear. See, I'm not a magician, I'm what the Americans call an MD. That's not a magical doctor, that's a medical doctor or what I call a mere doctor. You see, the reason I can make diseases disappear is because diseases are just an illusion; diseases are not real. In fact, diseases don't really exist, at least not in the way that we think they do. So 15 years ago, I qualified for medical school, and I was ready, I was full of enthusiasm, full of passion, ready to go out and help people. But I always felt like there was something missing. I started off as a specialist. I moved from being a specialist to becoming a generalist, or a GP. And I always got this nagging sense Portuguese: e estou aqui na frente dizendo que posso fazer essas doenças desaparecerem. Não sou um mágico. Sou o que os americanos chamam de DM. Isso não é doutor mágico, é um doutor em medicina ou, simplesmente, médico. Digo que posso fazer as doenças desaparecerem porque elas são apenas ilusões. Doenças não são reais. Na verdade, elas não existem, pelo menos não do jeito que achamos. Há 15 anos, entrei na faculdade de medicina; e eu estava cheio de entusiasmo e totalmente apaixonado, pronto para sair e ajudar as pessoas. Mas sempre senti que faltava alguma coisa. Iniciei carreira como especialista. De especialista mudei para clínico geral. E sempre tive esta sensação irritante English: that I was just managing disease or simply suppressing people's symptoms. And then, just five and a half years ago, came the turning point for me. See, five and a half years ago, my son nearly died. My wife and I, we were on holiday in France with our little baby boy, and she called out to me, said 'He's not moving', so I rushed there, and he was lifeless. I thought he was choking, so I picked him up, I tried to clear his airway. Nothing happened, and I froze. She called out to me and said, 'Come on, we've got to get to hospital'. So we rushed there; we were worried because when we got there, he still wasn't moving. The doctors were worried because they didn't know what was happening. That night he had two lumbar punctures because they thought he might have meningitis, Portuguese: de estar somente gerenciando doenças ou suprimindo os sintomas das pessoas. Então, há cinco anos e meio, o momento decisivo chegou. Há cinco anos e meio, meu filho quase morreu. Eu e minha esposa estávamos de férias na França com o nosso bebezinho. Ela me chamou e disse: "Ele não está se mexendo". Corri lá e ele estava inerte. Achei que ele estivesse sufocando. Peguei-o e tentei limpar suas vias aéreas. Nada aconteceu e eu congelei. Ela gritou: "Vamos, temos que ir para o hospital". Corremos pra lá. E estávamos preocupados, pois ao chegarmos ele ainda não se mexia. Os médicos estavam preocupados porque eles não sabiam o que estava acontecendo. Naquela noite fizeram duas punções lombares nele, porque acharam que ele poderia estar com meningite. Arabic: أنني مجرد متحكم في المرض أو ببساطة أخفف من أعراضه. بعد ذلك، منذ خمس سنوات ونصف، حدثت نقطة التحول بالنسبة لي. منذ خمس سنوات ونصف، كاد ابني أن يموت. كنت أنا وزوجتي في إجازة في فرنسا مع ابننا الرضيع. نادت عليّ زوجتي وقالت "ابننا لا يتحرك" اندفعت نحوها، لقد كان فاقدًا للوعي. اعتقدت أنه مخنوق لا يستطيع التنفس رفعته إليّ وحاولت فتح مجراه التنفسي. لم يستجب، لقد تصلبت مكاني صاحت فيّ زوجتي وقالت، "هيا، علينا أن نذهب إلى المستشفي" فأسرعنا إلى هناك، كنا قلقين لأنه عندما ذهبنا إلى هناك، كان ما زال لا يتحرك. كان الأطباء قلقين لأنهم لا يعلمون ماذا يحدث بالضبط. في هذه الليلة أجري له بزلين قطنيين لاعتقادهم إصابته بالتهاب السحايا، English: and he stayed in a foreign hospital for three days. What actually transpired was my son had a low level of calcium in his blood that was caused by a low level of vitamin D. My son nearly died from a preventable vitamin deficiency and his father, a doctor, knew nothing about it. You see, as a parent that is a harrowing experience that never leaves you. But I was a doctor, I was his dad; and the guilt that stayed with me, and is still here today, that changes you. So I started reading, I started reading about this vitamin deficiency. And as I started reading I started to learn a lot of science - a lot of science that I did not learn in medical school, a lot of science that I thought: 'Hey, this makes lots of sense to me'. Arabic: ظل في مستشفي أجنبية لمدة ثلاثة أيام. في الواقع ما اتضح لنا أن ابني عانى من انخفاض مستوى الكالسيوم في الدم لقد حدث هذا بسبب انخفاض مستوى فيتامين د. كاد ابني أن يموت لشيء يمكن الوقاية منه وهو نقص فيتامين ووالده الطبيب لا يعلم شيئًا عن هذا. كما ترون، كأب تعتبر هذه تجربة مروعة لا يمكن أن تغادر عقلك. لكن لقد كان والده طبيبًا، وهذا ذنب لازمني وما زال يلازمني إلى الآن، وغيّرني. لذلك بدأت القراءة، بدأت القراءة عن نقص ذلك الفيتامين. وبمجرد ما بدأت القراءة بدأت تعلم الكثير من العلم- الكثير من العلم الذي لم أتعلمه في كلية الطب، الكثير من العلم الذي قلت: "مهلًا، هذا مألوفٌ بالنسبة لي" Portuguese: E ele ficou num hospital estrangeiro por três dias. O que realmente aconteceu foi que meu filho estava com nível baixo de cálcio no sangue. Isso foi causado pelo baixo nível de vitamina D. Meu filho quase morreu de uma deficiência evitável de vitamina e o seu pai, um médico, não sabia nada sobre isso. Vejam que, como pai esta é uma experiência angustiante que nunca vou esquecer. Eu era um médico e era o seu pai; e a culpa que carreguei, que está aqui até hoje, me fez mudar. Então comecei a ler; ler sobre esta deficiência de vitamina. E quando comecei a ler, comecei a aprender muita ciência. Ciência que não aprendi na faculdade de medicina. Tanta ciência que pensei: "Ei, isto faz muito sentido para mim". Portuguese: Comecei a praticar esta ciência. Comecei a pôr em prática, primeiramente, no meu filho e pude ver os benefícios surpreendentes. Depois comecei a usar nos pacientes, e sabem o que aconteceu? As pessoas começaram a melhorar, melhorar muito. Eu aprendi a resolver a causa-raiz dos problemas em vez de suprimir os sintomas. Há pouco mais de um ano, tive a oportunidade de fazer uma série de documentários para a BBC 1 nos quais pude mostrar este estilo de medicina. Vou contar sobre uma paciente, Dotti, de 35 anos. Uma senhora adorável, que estava lutando com a saúde. Problemas com o peso, com as juntas e com o sono. Apesar de se esforçar bastante, Dotti não foi capaz de fazer nenhuma mudança sustentável. Então fui à casa dela Arabic: ثم بدأت بتطبيق ذلك العلم. طبّقتهُ أولًا مع ابني، وشاهدت نتائج مدهشة. ثم بدأت تطبيقه بعد ذلك مع مرضايّ، هل تعلمون ماذا حدث؟ لقد بدأ المرضى بالتحسن، حقًا بالتحسن، كما ترون، لقد تعلمت أن أحل جذور مشكلاتهم عوضًا عن مجرد كبح الأعراض الظاهرية. من سنة مضت، امتلكت الفرصة لصنع سلسة من الأفلام الوثائقية لقناة BBC ONE حيث أستعرض هذا النمط من الطب. سأخبركم عن واحد من المرضى- دوتي، صاحبة الخمسة وثلاثين عامًا، سيدة محبوبة حقًا، لكن كانت تعاني من سوء صحتها، مشاكل في الوزن، ومشاكل في المفاصل، ومشاكل في النوم. بالرغم من جهودها الجبارة، كانت لا تستطيع أن تحدث أي تغيير دائم. ذهبت إلى منزل دوتي، English: So I started applying this science. I started applying it, first of all, with my son, and I saw the amazing benefits. So then I started applying it with my patients, and do you know what happened? People started getting better, really better. You see, I learnt how to resolve the root cause of their problems rather than simply suppressing their symptoms. Just over a year ago, I had the opportunity to make a series of documentaries for BBC One where I got to showcase this style of medicine. I'm going to tell you about one of the patients - a 35-year-old, Dotti, lovely, lovely lady, but she was struggling with her health, weight problems, joint problems, sleep problems. See, despite Dotti's best efforts, Dotti was unable to make any sustainable changes. So I went into Dotti's house, Arabic: في الأسبوع الأول قمت بعمل بعض فحوصات الدم، وقمت بتشخيصها كمريضة بالسكري من النوع الثاني. بعد ستة أسابيع عندما غادرت منزل دوتي، لم تعد تعاني من السكري النوع الثاني. كما ترون، لقد اختفى مرضها. لذلك الصحة توجد على سلسة متصلة. حسنًا؟ في أعلى اليمين يوجد المرض، في أسفل اليسار توجد الصحة المثُلى، ونحن دائمًا نتحرك لأعلى ولأسفل هذه السلسة. فلنأخذ عيد الميلاد، السنة الجديدة، كمثال، حسنًا؟ نشرب كثيرًا، نأكل كثيرًا، ما زلنا بعيدين، على الأرجح نحن نتحرك لأعلى هذا المنحنى. لكن، إن أعدنا تقويم أنفسنا في يناير وفبراير، نبدأ بالتحرك للأسفل مجددًا. نحن جزء من الطب وأعطيناك تشخيص لمرض مزمن ... هنا، لكن بدأت الأشياء أن تسير على نحو خاطئ ... لنعد إلى هنا. Portuguese: e na primeira semana fiz exames de sangue e a diagnostiquei com diabete tipo 2. Seis semanas depois, quando saí da casa da Dotti, ela não tinha mais diabete tipo 2. A doença dela tinha desaparecido. A saúde é um processo contínuo. Certo? No topo à direita temos a doença e abaixo à esquerda temos a saúde ideal. Estamos sempre nos movendo para cima e para baixo nesta curva. No Natal e no Ano Novo, por exemplo: bebemos e comemos muito e dormimos tarde. Provavelmente subimos nesta curva. Mas se recalibrarmos em janeiro ou fevereiro, vamos começar a descer novamente. Nós nos envolvemos com a medicina e damos um diagnóstico de doença crônica aqui, mas as coisas começaram a dar errado... aqui. English: and in the first week I did some blood tests, and I diagnosed her with type 2 diabetes. Six weeks later when I left Dotti's house, she no longer had type 2 diabetes. You see, her disease had disappeared. So health exists on a continuum. Okay? At the top right we've got disease, and at the bottom left we've got optimal health, and we are always moving up and down that continuum. Take Christmas, New Year, for example, right? We drink too much, we eat too much, we stay up late; we probably start to move up that curve. But if we recalibrate in January and February, we start to move back down it again. We get involved in medicine and give you a diagnosis of a chronic disease ... here, but things have been starting to go wrong ... back here. English: See, when I met Dotti, she was up here, she had a disease. You see, you can think of it a little bit like a fire that's been burning in Dotti's body for years; it's getting bigger till it's finally raging out of control. At that point, I can say, 'Hey Dotti, you have a disease'. And I told her that, 'You do have a disease.' But what caused it in the first place? The thing we have to understand is that acute disease and chronic disease are two different things. Acute disease is something we're pretty good at as doctors, we're good at this. It's quite simple. Okay? You have something like a pneumonia, that's a severe lung infection. So in your lung you have the overgrowth of some bugs, typically a bacteria. We identify the bacteria, we give you a treatment, typically an antibiotic, and it kills the bacteria. Portuguese: Quando conheci a Dotti, ela estava aqui, ela tinha uma doença. Pensem nisso como um fogo que vem queimando no corpo da Dotti por anos; e vai crescendo até, finalmente, ficar fora de controle. Neste ponto posso dizer: "Ei Dotti, você tem uma doença". E foi isto que lhe falei: "Você tem uma doença". Mas qual foi a causa em primeiro lugar? O que temos que entender é que doença aguda e crônica são duas coisas diferentes. Doença aguda é algo em que nós, médicos, somos muito bons. Somos muito bons nisso. É bem simples. Certo? Você tem algo como pneumonia, uma infecção grave nos pulmões. Você tem o crescimento de alguns germes no seu pulmão, normalmente uma bactéria. Identificamos a bactéria, tratamos, normalmente com um antibiótico, que mata a bactéria. Arabic: عندما قابلت دوتي ، كانت هنا في الأعلى، لذلك كانت مريضة. كما ترون، يمكنكم أن تفكروا في الأمر كأنه حريق استمر في إحراق جسم دوتي لسنوات، ويزيد اشتعالاً حتى يخرج في النهاية عن السيطرة. في هذه النقطة، يمكن أن أقول، "دوتي، أنتِ مريضة". لقد أخبرتها حقًا "أنتِ مريضة". لكن في المقام الأول ماذا الذي سبّب المرض؟ الشيء الذي يجب علينا فهمه أن المرض المزمن والمرض الحاد شيئان مختلفان. المرض الحاد ذلك الشيء الذي نحن بارعون فيه كأطباء، نحن بارعون في ذلك. إنه بسيط جدًا. حسنًا؟ لديك مريض عنده التهاب رئوي، وهي عدوي حادة بالرئة. تُحدث فرط نمو لبعض الجراثيم، عادةً البكتيريا. نتعرف على البكتريا، فنعطيك دواءً، غالبًا مضاد حيوي، وهو يتولى قتل البكتريا. Portuguese: A bactéria morre e pronto. Você não tem mais pneumonia. O problema é que fazemos o mesmo com doenças crônicas e simplesmente não funciona porque doença crônica não aparece do nada. Você não acorda um dia com uma doença crônica. Existem várias causas diferentes para doenças crônicas. No momento em que damos o diagnóstico, as coisas já estavam indo mal há muito tempo. Quando encontrei a Dotti, ela recebeu seu "diagnóstico", o açúcar no sangue dela estava fora de controle. É assim que as pessoas falam. Muitas pessoas falam que diabete tipo 2 é um problema de açúcar no sangue, mas elas não estão entendendo. Existe um problema com o açúcar no sangue na diabete tipo 2, mas diabete tipo 2 não é um problema de açúcar no sangue. O açúcar no sangue é o sintoma e não a causa! Se só tratarmos os sintomas nunca acabaremos com a doença. Encontrando Dotti, disse: "Dotti, você tem um problema com o açúcar no sangue. English: The bacteria dies and hey, presto, you no longer have your pneumonia. The problem is we apply that same thinking to chronic disease and it simply doesn't work, because chronic disease doesn't just happen. You don't just wake up with chronic disease one day and there are many different causes of chronic disease. By the time we give you that diagnosis, things have been going wrong for a long, long time. So when I met Dotti and she had her 'diagnosis', her blood sugar was out of control, because that's what people say, many people say that type 2 diabetes is a blood sugar problem, but they're missing the point. There is a problem with blood sugar in type 2 diabetes, but type 2 diabetes is not a blood sugar problem. The blood sugar is the symptom, it's not the cause! If we only treat symptoms we'll never get rid of the disease. So when I met Dotti, I said, 'Dotti, you've got a problem with your blood sugar. Arabic: تموت البكتريا، وسريعًا نهنيك، لم يعد لديك التهاب رئوي. المشكلة تكمن في أننا نطبق نفس هذا التفكير في الأمراض المزمنة وببساطة لا ينفع الأمر، لأن المرض المزمن لا يحدث بهذه البساطة. فأنت لا تستيقظ ذات يوم وأنت مصاب بمرض مزمن بهذه البساطة فهناك أسباب كثيرة للمرض المزمن. بمجرد أن نعطيك هذا التشخيص، فعندها كانت الأشياء تسير على نحو خاطئ لمدة طويلة. لذلك عندما قابلت دوتي وكانت تعرف تشخيص حالتها، كان مستوى السكر في دمها خارج عن السيطرة، لأن هذا ما يقوله الناس، الكثير من الناس يقولون أن السكري من النوع الثاني هو مشكلة تتعلق بالسكر في الدم، لكن هناك شيئًا لا يفهمونه. هناك مشكلة متعلقة بمستوي السكر في الدم في مرض السكري النوع الثاني، لكن مرض السكري النوع الثاني ليس هو مشكلة مستوي السكر في الدم. السكر في الدم مجرد عرض وليس سببًا، لو أننا فقط عالجنا الأعراض لن نتمكن أبدًا من التخلص من المرض. لذلك عندما قابلت دوتي، قلت، "دوتي، لديكِ مشكلة في مستوى السكر في دمك. Portuguese: Nos últimos anos seu corpo tem se tornado cada vez mais intolerante a certas comidas. Neste momento, o seu corpo não tolera carboidratos refinados ou processados, ou qualquer açúcar. Então você vai ter que cortá-los". E o que isso faz? Para de colocar combustível na fogueira da Dotti. Mas depois temos que descobrir o que fez o fogo começar. E qual combustível fez o fogo queimar por tanto tempo. Na maioria dos casos de diabete tipo 2, é algo chamado resistência à insulina. Insulina é um hormônio muito importante e uma das suas funções principais é manter o nível de açúcar no sangue sob controle. Digamos que você está embaixo à esquerda, com a saúde ideal, como todos aqui, e você come de café da manhã uma tigela de cereal doce. O que acontece é que o açúcar no seu sangue sobe, mas o corpo libera um pouco de insulina Arabic: دوتي، جسدك في السنين القليلة الأخيرة أصبح غير محتمل لأنواع معينة من الأطعمة. الآن، جسدك يا دوتي لم يعد يتحمل على الإطلاق الكربوهيدرات المنقاة والمصنعة. لذلك يجب عليكِ أن تتوقفي عن تناولهم." ماذا سيفعل هذا؟ حسنًا، سيعمل هذا على وقف إضافة الوقود إلى حريق دوتي الملتهب. لكن علينا بعد أن نعمل على ما الذي أشعل هذا الحريق في المقام الأول؟ وما هذا الوقود الذي أشعل هذا الحريق لهذه المدة الطويلة؟ في أغلب حالات مرض السكري النوع الثاني، هناك شيء يسمي مقاومة الأنسولين. الأنسولين هرمون مهم جدًا، وواحدٌ من أهم وظائفه هو المحافظة على مستوي السكر في الدم في نطاق ضيق في جسدك. لذلك، دعنا نقول أننا في أسفل اليسار في صحتنا المثلى، مثل أغلبنا هنا، وتناولنا فطور دعنا نقول، وعاءً من الحبوب السكرية ما يحدث هو ارتفاع مستوى السكر في الدم، لكن جسدك يبدأ إطلاق كمية قليلة من الأنسولين، English: Dotti, for the last few years your body has become more and more intolerant to certain foods. At the moment, Dotti, your body does not tolerate refined or processed carbs or sugar at all. So you've got to cut them out'. So what does that do? Well, it stops putting fuel on Dotti's raging fire. But then we've got to work out what started the fire in the first place? And what was the fuel that caused it to burn for so long? In most cases of type 2 diabetes, this is something called insulin resistance. Now insulin is a very important hormone, and one of its key functions is to keep your blood sugar tightly controlled in your body. So, let's say you're at the bottom left in optimal health, like all of us in here, and you have a breakfast of say, a sugary bowl of cereal. What happens is your blood sugar goes up, but your body releases a little bit of insulin, Portuguese: e o nível volta ao normal. Ao subir nesta curva, você está se tornando mais e mais resistente à insulina. Você precisa de mais insulina para fazer o mesmo trabalho. E por muitos anos antes do diagnóstico esse nível alto de insulina está te causando muitos problemas. Você pode comparar com o álcool. Na primeira vez em que você bebe, o que acontece? Você toma uma taça de vinho, um ou dois golinhos, talvez meia taça. Você se sente tonto, se sente um pouco bêbado. E ao se acostumar a beber, você vai precisar de cada vez mais álcool para sentir os mesmos efeitos. É o mesmo com a insulina. Você precisa de mais para ter o mesmo efeito. Mas a insulina em si é problemática. E quando ela não consegue mais controlar o açúcar, a gente diz: "Você tem uma doença, Arabic: فيعود مستوى السكر في الدم إلى المستوى الطبيعي. كلما تحركت إلي أعلى المنحى، أصبحت مقاومًا أكثر للأنسولين، هذا يعني أنك تحتاج إلى أنسولين أكثر لعمل نفس الوظيفة. وطوال هذه السنين قبل أن تقترب من التشخيص بالمرض، معدل الأنسولين المرتفع هذا يسبب لك العديد من المشاكل. يمكنك أن تفكر به قليلًا كالكحوليات. أول مرة بدأت شرب الكحول، ماذا حدث؟ فلنقل، أنك تملك كوبًا من الخمر، رشفة أو رشفتان، ربما نصف الكأس ستشعر أنك سكران، ستشعر قليلًا أنك مخمور. وبمجرد أن تصبح أكثر تخضرمًا وشاربًا معتادًا، ستحتاج أكثر من الكحول لتجني نفس التأثير فهذا ما يحدث مع الأنسولين. تحتاج أنسولين أكثر وأكثر لتحصد نفس التأثير، لكن الأنسولين في حد ذاته مسببًا للمشاكل. وعندما لم يعد الأنسولين قادرًا على جعل مستوى السكر تحت السيطرة، عند هذه النقطة سنقول، "أنت تعاني من مرض"، English: and it comes back down to normal. As you move up that curve, you are becoming more and more insulin resistant; that means you need more and more insulin to do the same job. And for all those years before you get anywhere near a diagnosis, that raised level of insulin is causing you a lot of problems. You could think of it a little bit like alcohol. The very first time you have a drink, what happens? Say, you have a glass of wine, one or two sips, maybe half a glass; you feel tipsy; you feel a little bit drunk. And as you become a more seasoned and accustomed drinker, you need more and more alcohol to have the same effect; so that's what's going on with insulin. You need more and more insulin to have the same effect, but that insulin itself is problematic. And when the insulin can no longer keep your sugar under control, at that point we say, 'Oh, you've got a disease'; English: at that point, you have type 2 diabetes. So what causes this insulin resistance that then causes type 2 diabetes? Well, there are many different things. It could be your diet. It could be that your diet for the last ten years has been full of processed junk food. That could be a cause. Or there's something else. What if it's the fact that you are chronically stressed? Work stress, emotional stress, perceived stress. For me, just seeing my email inbox sometimes, that's a stress. See, that raises levels of cortisol in your body, and cortisol, when it's up, raises your sugar which causes insulin resistance. What if it's something else? What if it's the fact you have been sleep deprived because you are a shift worker? See, in some people, one night's sleep deprivation can give you as much insulin resistance as six months on a junk food diet. Portuguese: você tem diabete tipo 2". O que causa essa resistência à insulina, que causa a diabete tipo 2? Muitas coisas diferentes. Pode ser a sua dieta. Pode ser que a sua dieta nos últimos dez anos seja cheia de comida que não presta. Esta pode ser a causa. Ou alguma outra coisa. E se for o fato de você estar cronicamente estressado? Estresse no trabalho, emocional, estresse percebido. Para mim, só de ver os meus e-mails é um estresse. Isso aumenta o nível de cortisol no corpo e cortisol, quando sobe, aumenta o açúcar, o que causa resistência à insulina. E se for alguma outra coisa? O fato de você não estar dormindo porque você trabalha em escala? Em algumas pessoas, uma noite de privação de sono pode dar tanta resistência à insulina quanto seis meses de comida ruim. Arabic: عندها، أنت تعاني من مرض السكري النوع الثاني. فما الذي يسبب مقاومة الأنسولين التي تتسبب فيما بعد في مرض السكري النوع الثاني؟ حسنًا، هناك أشياء مختلفة. يمكن أن يكون النظام الغذائي. يمكن أن يكون هذا الغذاء المليء بالأطعمة المصنعة الذي تتناوله منذ عشرة أعوام. يمكن أن يكون هذا هو السبب. أو أن هناك شيئًا أخر. ماذا عن حقيقة أنك دائمًا متوتر؟ توتر العمل، التوتر الانفعالي، التوتر الإدراكي. بالنسبة لي، مجرد مشاهدة صندوق الوارد للإيميل، أحيانًا، يمثل ذلك لي توتر. فهذا يسبب رفع معدلات الكورتيزول بالجسم، وعندما يكون الكورتيزول مرتفعًا يرفع مستوى السكر ومن ثم يسبب مقاومة الأنسولين. ماذا لو أن هناك شيئًا أخر؟ ماذا عن حقيقة أنك محرومٌ من النوم لأنك عاملٌ بالمناوبة؟ في بعض الناس، يوم واحد من الحرمان من النوم يمكن أن يسبب مقاومة للأنسولين أكثر من المداومة على الأطعمة الرديئة لمدة ستة أشهر Portuguese: E se for o fato de você estar envelhecendo e perdendo massa muscular? Isto causa resistência à insulina. E se tiver a ver com o que chamamos de microbioma? Em nosso corpo, vivem trilhões de bactérias. E o equilíbrio dessas bactérias é crítico para nossa saúde geral. Se este equilíbrio for quebrado, você pode ter o crescimento de certas bactérias em cuja membrana externa há algo chamado de lipopolissacarídeo, ou LPS. E quando isso chega no sangue, causa resistência à insulina. O problema é que existem muitas causas para a resistência à insulina e se não tratarmos as causas para um determinado paciente, nunca vamos eliminar a doença. Foi isso que fiz com a Dotti. E por isso, seis semanas depois que a conheci, ela não tinha mais a doença. E se for algo sem relação nenhuma? English: What if it's the fact that as you're getting older, you're losing muscle mass? That causes insulin resistance. Or what if it's something to do with something we call your microbiome? See, inside our body, we have trillions of bugs living there, and the balance of those bugs is critical for our overall health. If you have a disruption to that balance, you can get the overgrowth of certain bacteria, and on their jacket, these bacteria have something called lipopolysaccharide, or LPS. And what that does is when it gets in your blood, it causes insulin resistance. You see, the problem is there are many different causes of insulin resistance, and if we don't address the causes for that particular patient, we will never get rid of the disease. That's what I did with Dotti, and that's why six weeks after I met her, she no longer had a disease. What about something else completely unrelated? Arabic: ماذا عن حقيقة فقدك للكتلة العضلية عندما تكبر في العمر؟ هذا يسبب مقاومة الأنسولين. ماذا لو أن هناك شيئًا يحدث بسبب شيء نسميه ميكروبيوم؟ داخل أجسامنا هناك تريليونات من الجراثيم تعيش فيها، واتزان هذه الجراثيم حساسة لصحتنا العامة. لو أن هناك اضطرابًا لهذا الاتزان، يمكن أن يحدث فرط نمو لهذه البكتريا، وفي معطف هذه البكتريا، تمتلك مادة تسمى دهون متعددة السكر أو LPS وما تفعله هو أنه عندما تتسرب إلى الدم، فإنها تسبب مقاومة الأنسولين. كما ترون فالمشكلة هي أنه هناك أسبابًا كثيرة لمقاومة الأنسولين وأننا إذا لم نتعامل مع الأسباب لهذا المريض تحديدًا، لن نتخلص من المرض أبدًا. هذا ما فعلته مع دوتي، ولهذا السبب بعد ستة أسابيع من مقابلتي معها، لم يعد لديها المرض. ماذا عن شيء آخر ليس له علاقة تمامًا؟ English: What about depression? You see, one in five people are going to get depression at some point in their lives. So what is depression? There's no blood test for depression; there's no scan for depression. Depression is simply the name that we give to a collection of symptoms. But what causes the depression? Well, we know that many cases of depression are associated with something called inflammation. Now this isn't the same inflammation as if you trip up, you sprain your ankle, it gets red, it gets swollen, it gets hot for a few days. But this is entirely different. This is chronic inflammation. This happens when your body thinks it is under constant attack. Now, King's College London three weeks ago published a study on this. This is current up-to-date stuff. Patients with depression, if they had high levels of inflammation in their body, Portuguese: Se for depressão? Uma em cada cinco pessoas terão depressão em algum momento da vida. O que é depressão? Não existe exame de sangue para depressão, ou nenhum exame que a mostre. Depressão é o nome que damos à uma coleção de sintomas. Mas o que causa depressão? Sabemos que muitos casos estão associados ao que chamamos de inflamação. Não é a mesma inflamação de quando tropeçamos e torcemos o tornozelo. Fica vermelho, inchado e quente por alguns dias. Essa é completamente diferente. Essa inflamação é crônica. Isso acontece quando o seu corpo acha que está sendo atacado constantemente. Há três semanas, o King's College em Londres publicou um estudo sobre isso. Isto está bem atualizado. Pacientes com depressão que tinham altos níveis de inflamação no corpo Arabic: ماذا عن الاكتئاب؟ كما ترون، واحد من كل خمسة أشخاص سيصابون بالاكتئاب في مرحلة ما في حياتهم. فما هو الاكتئاب؟ لا يوجد هناك اختبارات دموية للاكتئاب، لا توجد فحوصات للاكتئاب. الاكتئاب ببساطة هو اسم نعطيه لمجموعة من الأعراض. لكن ماذا يسبب الاكتئاب؟ حسنًا، نحن نعلم أن عديدًا من حالات الاكتئاب مرتبطة بشيء يسمى الالتهاب. ليس نفس الالتهاب الذي يحدث إذا تعثرت أو التوى كاحلك فيصبح أحمر اللون، ومتورمًا، وساخنًا لعدة أيام. لكن ما أتحدث عنه مختلف تمامًا. إنها المناعة المزمنة. هذا يحدث عندما يعتقد جسدك أنه تحت مهاجمة مستمرة. نشرت جامعة لندن الملكية دراسة عن هذا من ثلاثة أسابيع. دراسات حديثة. المرضى بالاكتئاب، إذا كانوا يعانون من معدلات عالية من الالتهاب، Arabic: فإنهم لا يستجيبون لمضادات الاكتئاب. فلنرجع خطوة للوراء، يبدو هذا مألوفًا، أليس كذلك؟ لأن مضادات الاكتئاب مصممة لرفع مستوى المواد الكيميائية في مخك. لكن ماذا لو أن سبب هذا الاكتئاب في الواقع يأتي من جسدك والالتهاب الموجود به؟ بالتأكيد، يبدو مألوفًا لأننا نرى هذا. فلنرَ، ماذا يسبب الالتهاب؟ حسنًا، فنظامك الغذائي يلعب دورًا في هذا، مدى توترك يلعب دورًا. الحرمان المزمن من النوم. قلة النشاط. نقص التعرض للشمس التي تمدك بفيتامين د. اضطراب توازن بكتريا الأمعاء. هناك أشياء مختلفة كثيرة. لو لم نتعامل مع السبب، لن نتخلص أبدًا من الأمراض. الأمراض هي مجموعة الأعراض. ماذا عن شيء آخر؟ ماذا عن مرض الزهايمر؟ فلنرَ. Portuguese: não respondiam a antidepressivos. Até que faz sentido, não? Porque um antidepressivo é feito para aumentar o nível de um produto químico no seu cérebro. Mas e se a causa da sua depressão está vindo do seu corpo e da inflamação no seu corpo? Com certeza faz mais sentido tratar isso. O que causa essa inflamação? A sua dieta tem uma parte nisso, seu nível de estresse tem uma parte nisso. Privação crônica do sono. Inatividade física. Falta de exposição à luz solar, que fornece a vitamina D. Desordem no microbioma intestinal. Muitas coisas diferentes. E, se não tratarmos a causa, nunca vamos acabar com as doenças. Doenças são os sintomas. E as outras doenças? Mal de Alzheimer? Estão vendo? English: they did not respond to antidepressants. Take a step back, it sort of makes sense, doesn't it? Because an antidepressant is designed to raise the level of a chemical in your brain. But what if the cause of your depression is actually coming from your body and the inflammation that's in your body? Surely, it makes more sense to address that. See, what causes this inflammation? Well, your diet plays a part in that, your stress levels play a part. Chronic sleep deprivation. Physical inactivity. A lack of exposure to the sun which gives you vitamin D. Disruptions in the gut microbiome. There are many different things. If we do not address the cause, we'll never get rid of diseases. Diseases are the symptom. What about something else? What about Alzheimer's disease? See? Arabic: نحن نعيش أطول، أليس كذلك؟ لكننا مذعورون. نحن نخاف لأنه كلما عشنا أكثر نصبح أكثر عمرًا فربما نضطر أن نعيش بعواقب وخيمة من الأمراض مثل الزهايمر. بالتأكيد الكثير منا هنا لهم تجارب مع هذا، مع عائلتهم. إنها حالة مفجعة، ونحن، الأطباء نتدافع في الأنحاء لنحاول أن نجد العلاج. هناك بروفيسور في سان فرانسيسسكو البروفيسور بريديزن، الذي كان في الواقع يوضح أنك تستطيع أن تعالج الخرف. أوضح أنك تستطيع أن تعكس التدهور الإدراكي في مرضاه المصابين بالخرف، وكيف يفعل هذا؟ حسنًا، الشيء الذي لا يفعله هو أنه لا يقول، "كل هؤلاء المرضي في مكتبي أصيبوا بالخرف، أو الزهايمر، فما العلاج؟" لا، فهو يسلك الطريق الآخر، يقول، في كل هؤلاء المرضى، دعنا نقول عشرة مرضى في مكتبي، فهو يحاول أن يكتشف Portuguese: Estamos vivendo por mais tempo, mas estamos com medo. Porque, como vivemos mais e ficamos mais velhos, poderemos viver com as consequências de doenças como o Alzheimer. Tenho certeza de que muitos aqui já tiveram experiências desse tipo com a familia. É uma condição muito triste, e nós, médicos, estamos lutando tentando encontrar a cura. Tem um professor em San Francisco, professor Bredesen, que estava demonstrando que você pode curar a demência. Ele mostrou que pode reverter o declínio cognitivo nos pacientes com demência; e como ele está fazendo isso? Ele não diz: "Todos estes pacientes no meu consultório têm demência, mal de Alzheimer, qual é a cura?" Não, ele está fazendo de outra forma. Digamos que ele tenha dez pacientes no consultório, English: We're all living longer, aren't we? But we're scared. We're scared that as we live longer and as we live older we may have to live with the devastating consequences of things like Alzheimer's. I'm sure many of us in here have experienced that ourselves, with our family. It's a heart-wrenching condition, and we, the doctors, we're scrambling around, and we're trying to find the cure. There's a professor in San Francisco, Professor Bredesen, who was actually demonstrating that you can cure dementia. He's shown that you can reverse cognitive decline in his patients with dementia; and how is he doing that? Well, one thing he's not doing is he is not saying, 'Well, all these patients in my office have got dementia, Alzheimer's disease, what is the cure?' No, he's going the other way; he's saying, with all these patients, let's say ten patients in my office, he's trying to work out Portuguese: ele está investigando as causas, nos últimos 20 anos, que fizeram estes pacientes expressarem a demência. E ele as identifica e corrige cada uma delas. E ao fazer isso, adivinhem o que acontece? Eles estão revertendo os sintomas. Não estão mais sendo classificados como tendo demência. É uma nova forma de olhar a doença. É procurar o que está causando esta doença neste paciente. É totalmente diferente. Então, quais fatores ele está olhando? A dieta deles, os níveis de estresse, a qualidade do sono, os níveis de atividade física, a exposição a toxinas do ambiente, etcetera, etcetera, etcetera. Isto está soando familiar? English: what have been the triggers for the last 20 years that have ended up with this patient expressing themselves as dementia? And he identifies them, and he corrects every single one of them. And when he does that, guess what's happening? They are reversing their symptoms, they are no longer being classified as having dementia. It's a brand new way of looking at disease. It's looking at what is causing this disease in this individual patient. It's totally different. So what factors is he looking at? Well, he's looking at their diet; he's looking at their stress levels, their sleep quality, their physical activity levels, their exposure to environmental toxins, et cetera, et cetera, et cetera. Is this starting to sound a little bit familiar? Arabic: ما المحفزات في أخر عشرون عامًا التي انتهت بهؤلاء المرضى ليقدموا أنفسهم بأنهم مصابون بالخرف؟ فيتعرف علي كل محفز منهم، ويصلح كل واحد منهم. وعندما يفعل هذا خمن ماذا يحدث؟ ينهي ذلك من أعراض المرض، فلم يعد هؤلاء المرضى يصنفون أنهم مصابون بالخرف. إنها طريقة جديدة للنظر إلي المرض. طريقة تنظر إلى مسببات هذا المرض لكل مريض. إنها مختلفة تمامًا. فما هي العوامل التي ينظر إليها؟ حسنًا، فهو ينظر إلى نظامهم الغذائي، ينظر إلى معدلات توترهم، كفاءة نومهم، معدلات نشاطهم، تعرضهم للسموم البيئية، إلخ، إلخ، إلخ. هل يبدوا ذلك مألوفًا قليلًا؟ Portuguese: E se todas estas doenças que se parecem desconectadas na verdade têm como núcleo causas comuns entre elas? Temos que atualizar o modo de pensar. A nossa genética não é o nosso destino. Os nossos genes carregam a arma, mas é o ambiente que puxa o gatilho. Todos esses fatores estão aqui. E eles interagem com os seus genes e determinam como eles se expressam caso você tenha uma saúde ideal ou tenha uma doença ou esteja no meio. Coletivamente, como sociedade, acredito que podemos e temos que fazer melhor. Somente a diabete tipo 2 está nos custando 20 bilhões de libras por ano. Somente 1% de economia ali seriam 200 milhões de libras. Acho que podemos fazer muito melhor que 1%. Hoje nos Estados Unidos, Arabic: ماذا لو أن هذه الأمراض التي لا علاقة لها ببعضها ظاهريًا في الواقع في جوهرها تشترك في نفس السبب الرئيسي نحن نحتاج أن نحدّث تفكيرنا، فجيناتنا الوراثية ليست مصيرنا المحتوم. جيناتنا تشحن البندقية، لكن البيئة هي التي تضغط الزناد. كل هذه العوامل هنا، هي العوامل التي تتداخل مع جيناتك وتحدد كيف ستعبر الجينات عن نفسها، ستكون بصحة جيدة أو سيصحبك لمرض، أو ربما بين الصحة والمرض. معًا، كمجتمع، أنا بصدق أعتقد أننا نستطيع أن نؤدي بشكل أفضل ويجب علينا ذلك. مرض السكري النوع الثاني مفردًا يكلفنا 20 مليار جنية سنويًا. مجرد توفير واحد بالمائة، سيصبح 200 مليون جنيهًا. أعتقد أنه يمكننا أن نحصل علي أكثر من 1%. اليوم في الولايات المتحدة، English: See, what if all these seemingly separate diseases actually at their core share common root causes? See, we need to update our thinking: Our genetics are not our destiny. Our genes load the gun, but it's our environment that pulls the trigger. All these factors here, these are the factors that basically interact with your genes and determine how your genes are expressed, whether you are in optimal health, whether you have a disease, or whether you are somewhere in between. Collectively, as a society, I genuinely believe we can do better and we have to do better. Type 2 diabetes alone is costing us 20 billion pounds a year. Just a 1% saving there would be 200 million pounds. I think we can do way better than 1%. In the United States today, English: the new generation of kids that are born have a lower life expectancy than the generation before them. Is this evolution or is this devolution? You see, we need to evolve the way that we practice medicine. We need the medicine of aetiology, not symptomatology - the medicine that asks why, not only tells you what. This is personalized medicine, this is precision medicine, this is progressive medicine. And actually, if you take a step back, this is preventative medicine in its purest form. We have got to stop applying 20th century thinking to 21st century problems. We need to take back control, empower ourselves, and re-educate ourselves away from our fear of disease and right back down the curve to optimal health. Because if we do, together, I genuinely believe that we can change not only our health, Arabic: الجيل الجديد من المواليد لديه توقعات أقل في الحياة من الجيل السابق لهم. هل هذا تطور أم انحطاط؟ كما ترون، نحتاج أن نطور الطريقة التي نمارس بها الطب نحتاج طب المسبباب، لا طب الأعراض. الطب الذي يسألك لماذا، لا الذي يخبرك فقط ماذا؟ هذا هو الطب الشخصي، هذا هو الطب الدقيق، هذا هو الطب المتقدم. وفي الواقع لو أخذنا خطوة للوراء، هذا هو الطب الوقائي في نسخته الزاهية. يجب علينا أن نتوقف عن تطبيق أفكار القرن العشرين علي مشاكل القرن الواحد والعشرين. نحتاج أن نستعيد السيطرة، نمنح أنفسنا القوة، ونعيد تعليم أنفسنا بعيدًا عن خوفنا من المرض وأن نعدل المنحنى للأسفل نحو الصحة المثالية. لأنه لو فعلنا هذا، معًا، أؤمن بصدق أننا نستطيع أن نغيّر ليس فقط صحتنا، Portuguese: a nova geração de crianças que nasce tem uma expectativa de vida menor que a geração anterior. Isso é evolução ou involução? Temos que evoluir a forma que praticamos medicina. Precisamos da etiologia médica e não da sintomatologia, da medicina que pergunta os porquês, e não somente fala o quê. Isto é medicina personalizada, medicina de precisão, medicina progressiva. Na verdade, se derem uma olhada, isso é medicina preventiva na forma mais pura. Temos que parar de aplicar o pensamento do século 20 nos problemas do século 21. Temos que tomar as rédeas novamente e nos reeducar para longe do nosso medo de doença e de volta para baixo, para a saúde ideal. Se fizermos isso juntos acredito que podemos mudar não somente a nossa saúde, Portuguese: a saúde das nossas comunidades, mas talvez, somente talvez, poderíamos começar a mudar a saúde do mundo inteiro. Muito obrigado. (Aplausos) (Vivas) Arabic: ليس فقط صحة مجتمعنا، ولكن ربما، ربما نستطيع أن نغيّر صحة العالم أجمع. شكرًا لكم. (هتاف) (تصفيق) English: not only the health of our communities, but maybe, just maybe we could start to change the health of the entire world. Thank you. (Cheers) (Applause)
{ "pile_set_name": "YoutubeSubtitles" }
Hola gente ¿Cómo andan? El día de hoy les traemos una crítica a la famosa película AVENGERS: END GAME. La película más decepcionante de todo Marvel, no cumplió con las expectativas, no brindó el cierre que la saga se merecía , ridiculización de personajes, puro fanservice poser, y lo que se suponía ser una película épica, terminó siendo una PARODIA DEL BANANERO. Es que se basaron en cagar en lo que ellos mismos crearon. Véase: Thor Capitán América, Hulk y Thanos. Tendrá todas las referencias al cine que quieras, pero si la película es una mierda e intentan hacer algo épico, NO SIRVE. Mirá flaco, la verdad yo no voy a ver End Game para reírme. No tiene que ser una película ya que es una mierda la película cómica. LA CONCHA DE TU MADRE, NO VOY A REÍRME. ¿NO ENTENDÉS QUE NO VOY A REÍRME? NO QUIERO CAGARME DE RISAAAAAAAAAAAA. HERMANOS RUSSO Y LA RECONCHA DE TU MADREEEEE. Al público casual le parecerá gracioso ver a THOR GORDO jugando FORTNITE pero porque no entienden nada ¡Manga de posers del orto! La muerte de Black Widow una MIERDA. Lo único que me pareció un poquito bueno fue la escena de la batalla final. Nono, re podrido se fueron al carajo, una negra volando en un caballo, NADA QUE VER. Ahora vamos a pasar a argumentar en los puntos débiles de cada personaje. Primero: THOR. El principal problema de THOR no es que sea un gordo traficante de ravioles, que eso igual está re podrido, pero ese no es el punto. El punto es que Marvel no sabe terminar las jodas. Puede ser gracioso ver al personaje más pija ridiculizado. Está bien lo puedo entender, pero escúchame flaco. Encima va y le deja el reino a una negra re dura, y se hace Guardián de la Galaxia. ¿¡Dónde MIERDA VISTE A THOR GUARDIÁN DE LA GALAXIA!? Y LIIITO. Bueno, prosigamos con Capitán América. Yo no entiendo, el final del arco de Iron Man hasta el nivel, pero lo que le hicieron al Cap. Nono, RE PODRIDOOO. NONO, están re duros. O sea, hicieron que viaje en el tiempo. Crearon toda inconcluencia en el tiempo, porque se creó una línea de tiempo donde el Cap se casa con Agente Carter, que teóricamente no tendría que existir esa línea de tiempo, pero existe igual Después no sabemos cómo un viejo senil PODRIDO hizo para meterse en la máquina del tiempo ¡¿QUÉ?! ¿Se quedó ahí re duro sentado a ver si alguien lo miraba y se daba cuenta de que estaba ahí? Andá a saber cuánto tiempo estuvo. Y en vez de darle el escudo a su amigo de toda la vida, el soldado del invierno, se lo dá a un NEGRO, o sea, UN NEGROOOO. Y bueno, en fin. Esta fue la opinión de Duro's Corp sobre esta cagada de END GAME. Recuerden que esta no es una opinión, sino que es la verdad absoluta. Un saludo, gente. NANATSUNOKōDOBOBO. Suscribite, no seas como el Ender Dragon.
{ "pile_set_name": "YoutubeSubtitles" }
Spanish: Ya nos dejó. Se fue hace horas.. Mi hechicería es tan buena, pero soy incapaz de ayudar a mi niño. Alguien que me conteste. No me engaña. Se donde está. Fue a la laguna mágica de nuevo. El amor es una maldición. Está enamorado. ¿Creen que no lo se? Traté de curarlo. ¿Habré perdido mis habilidades de brujería? No. No, Sybil. ¿Acaso mis hechizos no han curado mordidas de serpiente... sabañones, carbunclos, conjuntivitis, padrastros... y recuerdos tristes? Sí. Sí, Sybil. ¿Entonces cómo puede librar a mi niño de esta fiebre? George es un hombre. Y humano. English: He's gone again. He left home hours ago. What good is my sorcery if I can't help my own boy? Answer me, someone. He's not fooling me. I know where he is. He's at the magic pool again. Love is his curse. He is in love. You think I don't know it? I've tried to cure him of it. Am I losing my skill as a sorceress? No. No, Sybil. Doesn't my witchcraft cure snakebites... chilblains, carbuncles, pinkeye, hangnails... and unhappy memories? Yes. Yes, Sybil. Then why can't I rid the boy of this fever? George is a man. And human. Croatian: Ponovo je otišao... prije nekoliko sati. Šta je dobro u mojoj magiji kad ne mogu pomoći vlastitom dječaku? Odgovorite mi, bilo tko. Ne može mene prevariti. Znam ja gdje je on. Opet je na čarobnoj fontani. Ljubav je njegovo prokletstvo. On je zaljubljen. Mislite da ja to ne znam? Pokušala sam ga izliječiti od toga. Gubim li ja vještinu kao vračara? Ne. Ne, Sybil. Zar moje vračarije ne liječe ugriz zmije... čireve,crvene oči,zanoktice... i nesretna sjećanja? Da. Da, Sybil. Zašto onda ne mogu osloboditi dječaka ove groznice? George je muškarac. I čovjek. Čovjek, da. No, muškarac teško. Prije puki dječak od 20 g. Spanish: Ya nos dejó. Se fue hace horas.. Mi hechicería es tan buena, pero soy incapaz de ayudar a mi niño. Alguien que me conteste. No me engaña. Se donde está. Fue a la laguna mágica de nuevo. El amor es una maldición. Está enamorado. ¿Creen que no lo se? Traté de curarlo. ¿Habré perdido mis habilidades de brujería? No. No, Sybil. ¿Acaso mis hechizos no han curado mordidas de serpiente... sabañones, carbunclos, conjuntivitis, padrastros... y recuerdos tristes? Sí. Sí, Sybil. ¿Entonces cómo puede librar a mi niño de esta fiebre? George es un hombre. Y humano. Spanish: Ya nos dejó. Se fue hace horas.. Mi hechicería es tan buena, pero soy incapaz de ayudar a mi niño. Alguien que me conteste. No me engaña. Se donde está. Fue a la laguna mágica de nuevo. El amor es una maldición. Está enamorado. ¿Creen que no lo se? Traté de curarlo. ¿Habré perdido mis habilidades de brujería? No. No, Sybil. ¿Acaso mis hechizos no han curado mordidas de serpiente... sabañones, carbunclos, conjuntivitis, padrastros... y recuerdos tristes? Sí. Sí, Sybil. ¿Entonces cómo puede librar a mi niño de esta fiebre? George es un hombre. Y humano. Spanish: Ya nos dejó. Se fue hace horas.. Mi hechicería es tan buena, pero soy incapaz de ayudar a mi niño. Alguien que me conteste. No me engaña. Se donde está. Fue a la laguna mágica de nuevo. El amor es una maldición. Está enamorado. ¿Creen que no lo se? Traté de curarlo. ¿Habré perdido mis habilidades de brujería? No. No, Sybil. ¿Acaso mis hechizos no han curado mordidas de serpiente... sabañones, carbunclos, conjuntivitis, padrastros... y recuerdos tristes? Sí. Sí, Sybil. ¿Entonces cómo puede librar a mi niño de esta fiebre? George es un hombre. Y humano. Spanish: Ya nos dejó. Se fue hace horas.. Mi hechicería es tan buena, pero soy incapaz de ayudar a mi niño. Alguien que me conteste. No me engaña. Se donde está. Fue a la laguna mágica de nuevo. El amor es una maldición. Está enamorado. ¿Creen que no lo se? Traté de curarlo. ¿Habré perdido mis habilidades de brujería? No. No, Sybil. ¿Acaso mis hechizos no han curado mordidas de serpiente... sabañones, carbunclos, conjuntivitis, padrastros... y recuerdos tristes? Sí. Sí, Sybil. ¿Entonces cómo puede librar a mi niño de esta fiebre? George es un hombre. Y humano. Spanish: Humano sí. Pero aún no es un hombre Es sólo un niño de 20. Enamorado. George. Hecho un hombre ¿Y enamorado? El debería estar en casa aprendiendo bien el oficio. Como yo. Laguna mágica, obedece mi deseo. Traeme su visión. Está bien. Búscala. Está en el palacio. No, adentro. Quizas en la sala del trono Croatian: Zaljubljen. George. Već muškarac. Zaljubljen? Trebao bi biti kod kuće i učiti zanat. Poput mog. Čarobna fontano. Ispuni mi želju. Prenesi joj viziju mog znaka. Tako je. Pronađi je. Ona je u palači. Ne, unutra. Možda u sobi sa prijestoljem. Spanish: Humano sí. Pero aún no es un hombre Es sólo un niño de 20. Enamorado. George. Hecho un hombre ¿Y enamorado? El debería estar en casa aprendiendo bien el oficio. Como yo. Laguna mágica, obedece mi deseo. Traeme su visión. Está bien. Búscala. Está en el palacio. No, adentro. Quizas en la sala del trono Spanish: Humano sí. Pero aún no es un hombre Es sólo un niño de 20. Enamorado. George. Hecho un hombre ¿Y enamorado? El debería estar en casa aprendiendo bien el oficio. Como yo. Laguna mágica, obedece mi deseo. Traeme su visión. Está bien. Búscala. Está en el palacio. No, adentro. Quizas en la sala del trono Spanish: Humano sí. Pero aún no es un hombre Es sólo un niño de 20. Enamorado. George. Hecho un hombre ¿Y enamorado? El debería estar en casa aprendiendo bien el oficio. Como yo. Laguna mágica, obedece mi deseo. Traeme su visión. Está bien. Búscala. Está en el palacio. No, adentro. Quizas en la sala del trono Spanish: Humano sí. Pero aún no es un hombre Es sólo un niño de 20. Enamorado. George. Hecho un hombre ¿Y enamorado? El debería estar en casa aprendiendo bien el oficio. Como yo. Laguna mágica, obedece mi deseo. Traeme su visión. Está bien. Búscala. Está en el palacio. No, adentro. Quizas en la sala del trono English: Human, yes. But hardly a man. He's a mere boy of 20. In love. George. Already a man. In love? He ought to be at home learning a good trade. Like mine. Pool of magic, obey my wish. Bring her vision into my sight. That's right. Find her. She's at the palace. No, inside. Perhaps the throne room. Croatian: Ne. Probaj u usnulom vrtu unutar dvorca pored Orientalnog bazena. Takoje. Eno je. Eno je. Nadam se da je hladna voda ohladila vašu vrelu narav, moja damo. Ne,samo sam bijesna kao uvijek. Oh, Princezo! Lako je tebi govoriti. Možeš činiti što god želiš. Zaljubiti se, izaći iz ljubavi. English: No. Try the sunken garden in the palace by the Oriental pool. That's right. There she is. There she is. I hope the cold water's chilled your hot temper, my lady. Spanish: No. Trata en el jardín acuático en la laguna oriental del palacio. Está bien.Ahí está. Ahí está. Espero que el agua haya enfriado su genio, mi señora. Spanish: No. Trata en el jardín acuático en la laguna oriental del palacio. Está bien.Ahí está. Ahí está. Espero que el agua haya enfriado su genio, mi señora. Spanish: No. Trata en el jardín acuático en la laguna oriental del palacio. Está bien.Ahí está. Ahí está. Espero que el agua haya enfriado su genio, mi señora. Spanish: No. Trata en el jardín acuático en la laguna oriental del palacio. Está bien.Ahí está. Ahí está. Espero que el agua haya enfriado su genio, mi señora. Spanish: No. Trata en el jardín acuático en la laguna oriental del palacio. Está bien.Ahí está. Ahí está. Espero que el agua haya enfriado su genio, mi señora. Spanish: - No, estoy furiosa como siempre. - Oh, princesa. Es fácil para ti hablar. Puedes hacer lo que gustes. Enamorarte, y volver ha hacerlo. Un escudero un día, un caballerizo al otro. Pero yo por fuerza debo estar prisionera en esta torre. Ni siquiera puedo hablar con un hombre, o estar a solas con él. Es el castigo por ser princesa. Pero aún a una princesa se le debe permitir enamorarse.. - ¿ Cuando lo conoceré ? -¿ A quién, mi señora ? Al que pueda amar. Algun día tendrá su oportunidad. Puedes retirarte. - ¿Quién la vestirá? - Lo haré yo. - Bien,¿Qué hará después? - Lo de siempre. Sentarme y soñar. ¿Princesa Helena? ¿Quién es Ud? Spanish: - No, estoy furiosa como siempre. - Oh, princesa. Es fácil para ti hablar. Puedes hacer lo que gustes. Enamorarte, y volver ha hacerlo. Un escudero un día, un caballerizo al otro. Pero yo por fuerza debo estar prisionera en esta torre. Ni siquiera puedo hablar con un hombre, o estar a solas con él. Es el castigo por ser princesa. Pero aún a una princesa se le debe permitir enamorarse.. - ¿ Cuando lo conoceré ? -¿ A quién, mi señora ? Al que pueda amar. Algun día tendrá su oportunidad. Puedes retirarte. - ¿Quién la vestirá? - Lo haré yo. - Bien,¿Qué hará después? - Lo de siempre. Sentarme y soñar. ¿Princesa Helena? ¿Quién es Ud? Spanish: - No, estoy furiosa como siempre. - Oh, princesa. Es fácil para ti hablar. Puedes hacer lo que gustes. Enamorarte, y volver ha hacerlo. Un escudero un día, un caballerizo al otro. Pero yo por fuerza debo estar prisionera en esta torre. Ni siquiera puedo hablar con un hombre, o estar a solas con él. Es el castigo por ser princesa. Pero aún a una princesa se le debe permitir enamorarse.. - ¿ Cuando lo conoceré ? -¿ A quién, mi señora ? Al que pueda amar. Algun día tendrá su oportunidad. Puedes retirarte. - ¿Quién la vestirá? - Lo haré yo. - Bien,¿Qué hará después? - Lo de siempre. Sentarme y soñar. ¿Princesa Helena? ¿Quién es Ud? Spanish: - No, estoy furiosa como siempre. - Oh, princesa. Es fácil para ti hablar. Puedes hacer lo que gustes. Enamorarte, y volver ha hacerlo. Un escudero un día, un caballerizo al otro. Pero yo por fuerza debo estar prisionera en esta torre. Ni siquiera puedo hablar con un hombre, o estar a solas con él. Es el castigo por ser princesa. Pero aún a una princesa se le debe permitir enamorarse.. - ¿ Cuando lo conoceré ? -¿ A quién, mi señora ? Al que pueda amar. Algun día tendrá su oportunidad. Puedes retirarte. - ¿Quién la vestirá? - Lo haré yo. - Bien,¿Qué hará después? - Lo de siempre. Sentarme y soñar. ¿Princesa Helena? ¿Quién es Ud? English: - No, I'm just as furious as ever. - Oh, Princess. It's easy enough for you to talk. You can do whatever you please. Fall in love, fall out of it again. A squire one day, a stableboy the next. But I might as well be a prisoner in a tower. I can't even speak to a man, let alone have him look at me. It's the penalty of being a princess. But even a princess should be allowed romance. - How will I ever meet him? - Who, my lady? The one I could love. You'll have your chance someday. You run along. - But your gown? - I'll dress myself. - Well, then what will you do? - What I always do. Sit here and dream. Princess Helene? Who are you? Spanish: - No, estoy furiosa como siempre. - Oh, princesa. Es fácil para ti hablar. Puedes hacer lo que gustes. Enamorarte, y volver ha hacerlo. Un escudero un día, un caballerizo al otro. Pero yo por fuerza debo estar prisionera en esta torre. Ni siquiera puedo hablar con un hombre, o estar a solas con él. Es el castigo por ser princesa. Pero aún a una princesa se le debe permitir enamorarse.. - ¿ Cuando lo conoceré ? -¿ A quién, mi señora ? Al que pueda amar. Algun día tendrá su oportunidad. Puedes retirarte. - ¿Quién la vestirá? - Lo haré yo. - Bien,¿Qué hará después? - Lo de siempre. Sentarme y soñar. ¿Princesa Helena? ¿Quién es Ud? Croatian: Štitonoša jedan dan, konjušar slijedeći. Ali ja isto tako mogu biti zatočenica u kuli. Ne mogu čak niti razgovarati sa muškarcem i pustiti mu da me gleda. To je cijena od biti princeza. Ali čak i princezama bi trebala biti dozvoljena romansa. Kako ću ga ikad sresti? Koga, moja damo? Onog kojeg ću moći voljeti. Jednom ćete dobiti svoju priliku. Idi ti sama. Ali vaša haljina? Obući ću se sama. Dobro, i što ćete tada? Kao i obično. Sjediti ovdje i sanjati. Princezo Helene? Tko si ti? Što želiš? Ostani dalje. Da se nisi više približio. Ne, Princezo...ja ću se brinuti o vama. Spanish: ¿Qué desea? Aléjese. - No se acerque. - No, Princesa, yo la cuidaré. ¡Helena! ¿Sybil, donde estás? No necesitas gritar, George, puedo escucharte. Debo irme. Ella está en peligro. ¿De quién en este oscuro mundo estás hablando? De la Princesa Helena. La amo desde el primer momento. A un reflejo en el agua le dices amor, niño tonto. Algo terrible le ha pasado. Déjame ver de que hablas. Croatian: Helene! Sybil, gdje si? Ne moraš vikati, George, Čujem te. Moram otići odavde. Ona je u nevolji. O keme na ovome svijeto ti govoriš? Princeza Helena. Volim je od prvog trena kad sam je ugledao. Odraz na vodi i ti je zoveš ljubav ti luckasto dijete. Nešto strašno joj se dogodilo. Daj da vidim o čemu to govoriš. Čarobno ogledalce, pokaži mi što je uznemirilo mog dječaka. Princeza je nestala, vaša Visosti. Nije u odajama, niti u vrtu... niti pored bazena. Nitko ju nije vidio da napušta palaču. Sve smo pretražili. Spanish: ¿Qué desea? Aléjese. - No se acerque. - No, Princesa, yo la cuidaré. ¡Helena! ¿Sybil, donde estás? No necesitas gritar, George, puedo escucharte. Debo irme. Ella está en peligro. ¿De quién en este oscuro mundo estás hablando? De la Princesa Helena. La amo desde el primer momento. A un reflejo en el agua le dices amor, niño tonto. Algo terrible le ha pasado. Déjame ver de que hablas. Spanish: ¿Qué desea? Aléjese. - No se acerque. - No, Princesa, yo la cuidaré. ¡Helena! ¿Sybil, donde estás? No necesitas gritar, George, puedo escucharte. Debo irme. Ella está en peligro. ¿De quién en este oscuro mundo estás hablando? De la Princesa Helena. La amo desde el primer momento. A un reflejo en el agua le dices amor, niño tonto. Algo terrible le ha pasado. Déjame ver de que hablas. English: What do you want? Stay away. - Don't you come any closer. - No, Princess, I'm going to take care of you. Helene! Sybil, where are you? You needn't shout, George, I can hear you. I must leave here. She's in danger. Who in the netherworld are you talking about? Princess Helene. I loved her from the first moment I saw her. A reflection in the water and you call it love, you silly child. Something terrible has happened to her. Let me see what you're talking about. Spanish: ¿Qué desea? Aléjese. - No se acerque. - No, Princesa, yo la cuidaré. ¡Helena! ¿Sybil, donde estás? No necesitas gritar, George, puedo escucharte. Debo irme. Ella está en peligro. ¿De quién en este oscuro mundo estás hablando? De la Princesa Helena. La amo desde el primer momento. A un reflejo en el agua le dices amor, niño tonto. Algo terrible le ha pasado. Déjame ver de que hablas. Spanish: ¿Qué desea? Aléjese. - No se acerque. - No, Princesa, yo la cuidaré. ¡Helena! ¿Sybil, donde estás? No necesitas gritar, George, puedo escucharte. Debo irme. Ella está en peligro. ¿De quién en este oscuro mundo estás hablando? De la Princesa Helena. La amo desde el primer momento. A un reflejo en el agua le dices amor, niño tonto. Algo terrible le ha pasado. Déjame ver de que hablas. Spanish: Espejo mágico, muéstrame lo que molesta a mi hijo. La Princesa se ha ido, su Majestad. No está en sus dormitorios, ni en el jardín, ni en la laguna. Nadie la vio dejar el palacio. La hemos buscado en todos lados. - Manda a los guardias, Branton. - Ya lo hicimos mi Señor. Hasta que no aparezca nadie podrá entrar o salir del palacio. ¿Quién es este? Lo encontramos merodeando por la ventana, mi Señor. -No quiere hablar. - Hay medios para obligarlo. Sir Branton. Su muy Serena Majestad. Puede detener la búsqueda La Princesa, su hija, está en mi castillo. Encerrada con llave. ¿Quién eres tú? Lodac. ¿El brujo? Croatian: Onda okupi gardu, Brantone. Uradili smo to, moj gospodaru. Dok je ne pronađemo, nitko ne smije niti ući niti izači iz palače. Tko je to? Našli smo ga kako se šulja oko istočnih stražnjih vrata, gospodaru. Ne želi govoriti. Postoje načini da ga se natjera da govori. Sir Branton. Vaše Presvjetlo Visočanstvo. Možete prekinuti potragu. Princeza, vaša kćer, je u mom dvorcu. Zaključana i pod lancima. Tko si ti? Lodac. Čarobnjak? Ja sam polaskan što me prati moja reputacija. Lodac, kažeš da je moja kćer u tvom dvorcu. Ali zašto? Kako sam te povrijedio? Zašto to činiš? Odgovor je vrlo jednostavan. Spanish: Espejo mágico, muéstrame lo que molesta a mi hijo. La Princesa se ha ido, su Majestad. No está en sus dormitorios, ni en el jardín, ni en la laguna. Nadie la vio dejar el palacio. La hemos buscado en todos lados. - Manda a los guardias, Branton. - Ya lo hicimos mi Señor. Hasta que no aparezca nadie podrá entrar o salir del palacio. ¿Quién es este? Lo encontramos merodeando por la ventana, mi Señor. -No quiere hablar. - Hay medios para obligarlo. Sir Branton. Su muy Serena Majestad. Puede detener la búsqueda La Princesa, su hija, está en mi castillo. Encerrada con llave. ¿Quién eres tú? Lodac. ¿El brujo? Spanish: Espejo mágico, muéstrame lo que molesta a mi hijo. La Princesa se ha ido, su Majestad. No está en sus dormitorios, ni en el jardín, ni en la laguna. Nadie la vio dejar el palacio. La hemos buscado en todos lados. - Manda a los guardias, Branton. - Ya lo hicimos mi Señor. Hasta que no aparezca nadie podrá entrar o salir del palacio. ¿Quién es este? Lo encontramos merodeando por la ventana, mi Señor. -No quiere hablar. - Hay medios para obligarlo. Sir Branton. Su muy Serena Majestad. Puede detener la búsqueda La Princesa, su hija, está en mi castillo. Encerrada con llave. ¿Quién eres tú? Lodac. ¿El brujo? Spanish: Espejo mágico, muéstrame lo que molesta a mi hijo. La Princesa se ha ido, su Majestad. No está en sus dormitorios, ni en el jardín, ni en la laguna. Nadie la vio dejar el palacio. La hemos buscado en todos lados. - Manda a los guardias, Branton. - Ya lo hicimos mi Señor. Hasta que no aparezca nadie podrá entrar o salir del palacio. ¿Quién es este? Lo encontramos merodeando por la ventana, mi Señor. -No quiere hablar. - Hay medios para obligarlo. Sir Branton. Su muy Serena Majestad. Puede detener la búsqueda La Princesa, su hija, está en mi castillo. Encerrada con llave. ¿Quién eres tú? Lodac. ¿El brujo? Spanish: Espejo mágico, muéstrame lo que molesta a mi hijo. La Princesa se ha ido, su Majestad. No está en sus dormitorios, ni en el jardín, ni en la laguna. Nadie la vio dejar el palacio. La hemos buscado en todos lados. - Manda a los guardias, Branton. - Ya lo hicimos mi Señor. Hasta que no aparezca nadie podrá entrar o salir del palacio. ¿Quién es este? Lo encontramos merodeando por la ventana, mi Señor. -No quiere hablar. - Hay medios para obligarlo. Sir Branton. Su muy Serena Majestad. Puede detener la búsqueda La Princesa, su hija, está en mi castillo. Encerrada con llave. ¿Quién eres tú? Lodac. ¿El brujo? English: Magic mirror, show me what has upset my boy. The Princess is gone, Your Majesty. She's not in her quarters, not in the garden, not by the pool. Yet no one saw her leave the palace. We've searched everywhere. - Then turn out the guards, Branton. - We have done that, my liege. Until she is found, no one will be permitted in or out of the palace. Who is this? We found him skulking within the eastern postern, my liege. - He won't speak. - There are means to make him speak. Sir Branton. Your Most Serene Majesty. You can call off the search. The Princess, your daughter, is in my castle. Under lock and key. Who are you? Lodac. The sorcerer? Spanish: Me halaga que mi reputación me preceda. Lodac, dices que mi hija está en tu castillo. ¿Pero porqué? ¿En qué te he herido? ¿Porqué me haces esto? La respuesta es muy simple. Tu padre ejecutó a mi hija por brujería cuando sólo tenía 18 años. He esperado hasta que tu hija cumpla esa edad... así mi dragón podrá saborear la carne de la Princesa. - Lodac,te lo ruego. - Rogar nada, mi Señor. ¿Dejará que este brujo come gusanos nos asuste? -Ten cuidado Brandon. -No. Lodac, encontraré tu castillo liberaré a la princesa y te destruiré. Encontrar mi castillo no es mucho trabajo. Es un viaje corto de una semana. Es tan simple como seguir a la estrella amarilla del norte. El truco es ¿Cómo llegar vivo? Lo haré. Spanish: Me halaga que mi reputación me preceda. Lodac, dices que mi hija está en tu castillo. ¿Pero porqué? ¿En qué te he herido? ¿Porqué me haces esto? La respuesta es muy simple. Tu padre ejecutó a mi hija por brujería cuando sólo tenía 18 años. He esperado hasta que tu hija cumpla esa edad... así mi dragón podrá saborear la carne de la Princesa. - Lodac,te lo ruego. - Rogar nada, mi Señor. ¿Dejará que este brujo come gusanos nos asuste? -Ten cuidado Brandon. -No. Lodac, encontraré tu castillo liberaré a la princesa y te destruiré. Encontrar mi castillo no es mucho trabajo. Es un viaje corto de una semana. Es tan simple como seguir a la estrella amarilla del norte. El truco es ¿Cómo llegar vivo? Lo haré. English: I am flattered that my reputation has preceded me. Lodac, you say my daughter is at your castle. But why? How have I hurt you? Why have you done this thing? The answer is very simple. Your father executed my sister for witchcraft when she was only 18 years old. I have waited until your daughter reached that age... so that my dragon could relish the flesh of the Princess. - Lodac, I beseech you. - Beseech nothing, my liege. Will you have this worm-eaten sorcerer frighten us? - Be careful, Branton. - Not I. Lodac, I shall find your castle, free the Princess, and see you destroyed. Finding my castle is no great task. It's a short journey of about a week. You simply follow the yellow star of the north. The trick is, how to get there alive? I shall. Spanish: Me halaga que mi reputación me preceda. Lodac, dices que mi hija está en tu castillo. ¿Pero porqué? ¿En qué te he herido? ¿Porqué me haces esto? La respuesta es muy simple. Tu padre ejecutó a mi hija por brujería cuando sólo tenía 18 años. He esperado hasta que tu hija cumpla esa edad... así mi dragón podrá saborear la carne de la Princesa. - Lodac,te lo ruego. - Rogar nada, mi Señor. ¿Dejará que este brujo come gusanos nos asuste? -Ten cuidado Brandon. -No. Lodac, encontraré tu castillo liberaré a la princesa y te destruiré. Encontrar mi castillo no es mucho trabajo. Es un viaje corto de una semana. Es tan simple como seguir a la estrella amarilla del norte. El truco es ¿Cómo llegar vivo? Lo haré. Spanish: Me halaga que mi reputación me preceda. Lodac, dices que mi hija está en tu castillo. ¿Pero porqué? ¿En qué te he herido? ¿Porqué me haces esto? La respuesta es muy simple. Tu padre ejecutó a mi hija por brujería cuando sólo tenía 18 años. He esperado hasta que tu hija cumpla esa edad... así mi dragón podrá saborear la carne de la Princesa. - Lodac,te lo ruego. - Rogar nada, mi Señor. ¿Dejará que este brujo come gusanos nos asuste? -Ten cuidado Brandon. -No. Lodac, encontraré tu castillo liberaré a la princesa y te destruiré. Encontrar mi castillo no es mucho trabajo. Es un viaje corto de una semana. Es tan simple como seguir a la estrella amarilla del norte. El truco es ¿Cómo llegar vivo? Lo haré. Croatian: Tvoj otac je optužio moju sestru za vještičarenje kada je imala samo 18 godina. Ja sam čekao dok tvoja kćer dosegne njene godine... kako bi moj zmaj mogao okusiti princezino meso. - Lodac, ja te ponizno molim. Ne molite ništa, moj gospodaru. Zar če te dopustiti ovom čarobnjačiću da nas zastraši? Budi oprezan, Brantone. Ja ne. Lodac, pronači ću tvoj dvorac, osloboditi Princezu, i tebe uništiti. Naći moj dvorac nije teško. To je kratko putovanje oko tjedan dana. Jednostavno prati žutu zvijezdu na sjeveru. Trik je u tome, kako stići do tamo živ. Ja hoću. Ja se ne bojim. Sada proklinjem sedam puta ovaj put između ovog dvorca i mojeg. Neka nitko ne ostane živ tko se odluči na ovo mračno putovanje. Spanish: Me halaga que mi reputación me preceda. Lodac, dices que mi hija está en tu castillo. ¿Pero porqué? ¿En qué te he herido? ¿Porqué me haces esto? La respuesta es muy simple. Tu padre ejecutó a mi hija por brujería cuando sólo tenía 18 años. He esperado hasta que tu hija cumpla esa edad... así mi dragón podrá saborear la carne de la Princesa. - Lodac,te lo ruego. - Rogar nada, mi Señor. ¿Dejará que este brujo come gusanos nos asuste? -Ten cuidado Brandon. -No. Lodac, encontraré tu castillo liberaré a la princesa y te destruiré. Encontrar mi castillo no es mucho trabajo. Es un viaje corto de una semana. Es tan simple como seguir a la estrella amarilla del norte. El truco es ¿Cómo llegar vivo? Lo haré. English: I'm afraid not. Now seven times do I curse the road that lies between this castle and mine. Let no one live who dares the Dark Journey. Let no man face my seven curses and reach the dragon's lair. Your curses won't stop me from reaching your castle. The Princess Helene will make a delicate dish for my dragon... in exactly seven days' time. And now, if you will excuse me. Sir Branton, my daughter will die. No, sire, for I will rescue her. You'll risk the seven curses? Spanish: Me temo que no. Maldigo siete veces el camino de aquí a mi castillo. Que nadie viva para enfrentar el oscuro viaje. Que nadie encare las siete maldiciones y encuentre la guarida del dragón. Tus maldiciones no me detendrán de encontrar el castillo. La Princesa Helena será un delicado plato para mi dragón... en exactamente siete días. Y ahora, si me disculpan. Sir Branton, mi hija morirá. No, sire, la rescataré. ¿Te enfrentarás a la siete maldiciones? Croatian: Neka se nitko ne suoči sa mojih sedam prokletstava i ne stigne u zmajev brlog. Tvoja prokletstva me neće zaustaviti da dođem do tvog dvorca. Princeza Helene će biti odličan zalogaj za moga zmaja... za točno sedam dana! A sada, ako bi me izvinili. Sir Brantone, moja kćer će umrijeti. Neće, gospodine, ja ću je spasiti. Reskirat ćeš sedam prokletstava? Za Helene, riskirat ću 70. Čovjek koji spasi Helen dobit će njenu ruku i pola mog kraljevstva, također. Vjerujte mi, gospodine. Ne, ja sam taj koji mora spasiti Princezu... ne Sir Branton. Ja je volim. Da li misliš da se možeš suočiti sa Lodacovim čarolijama? Ja se ne bojim. Spanish: Me temo que no. Maldigo siete veces el camino de aquí a mi castillo. Que nadie viva para enfrentar el oscuro viaje. Que nadie encare las siete maldiciones y encuentre la guarida del dragón. Tus maldiciones no me detendrán de encontrar el castillo. La Princesa Helena será un delicado plato para mi dragón... en exactamente siete días. Y ahora, si me disculpan. Sir Branton, mi hija morirá. No, sire, la rescataré. ¿Te enfrentarás a la siete maldiciones? Spanish: Me temo que no. Maldigo siete veces el camino de aquí a mi castillo. Que nadie viva para enfrentar el oscuro viaje. Que nadie encare las siete maldiciones y encuentre la guarida del dragón. Tus maldiciones no me detendrán de encontrar el castillo. La Princesa Helena será un delicado plato para mi dragón... en exactamente siete días. Y ahora, si me disculpan. Sir Branton, mi hija morirá. No, sire, la rescataré. ¿Te enfrentarás a la siete maldiciones? Spanish: Me temo que no. Maldigo siete veces el camino de aquí a mi castillo. Que nadie viva para enfrentar el oscuro viaje. Que nadie encare las siete maldiciones y encuentre la guarida del dragón. Tus maldiciones no me detendrán de encontrar el castillo. La Princesa Helena será un delicado plato para mi dragón... en exactamente siete días. Y ahora, si me disculpan. Sir Branton, mi hija morirá. No, sire, la rescataré. ¿Te enfrentarás a la siete maldiciones? Spanish: Me temo que no. Maldigo siete veces el camino de aquí a mi castillo. Que nadie viva para enfrentar el oscuro viaje. Que nadie encare las siete maldiciones y encuentre la guarida del dragón. Tus maldiciones no me detendrán de encontrar el castillo. La Princesa Helena será un delicado plato para mi dragón... en exactamente siete días. Y ahora, si me disculpan. Sir Branton, mi hija morirá. No, sire, la rescataré. ¿Te enfrentarás a la siete maldiciones? Croatian: Prije tristo godina, moj otac i brat su bili pojedeni od Lodacovog zmaja... I moja obitelj su bili veliki čarobnjaci i imali su svoje pravo. Ali ne dovoljno dobri kao Lodac. Ni ja mu nisam ravna, priznajem. Bojim ga se gotovo koliko ga i mrzim. Ali, Sybil, ja... Ostat ćeš ovdje kod kuće gdje si siguran. Možeš imati što god poželiš, ali ostaješ ovdje. Samo tražim svoju slobodu kako bi oslobodio djevojku koju volim. Ali ti to ne razumiješ, biti smrtan. Pokušala sam dati sve najbolje od sebe. Znam da jesi, Sybil. Ne možeš me zvati "majko"? Oprosti, majko. Bio si star samo tjedan dana kada su tvoji pravi roditelji umrli od kuge. Ja sam te našla, odgajala kao svog sina. Bio si poseban, i drag... i učinila bih sve za tebe. Spanish: Por Helena, enfrentaría 70. El hombre que salve a Helena tendrá su mano en matrimonio y la mitad de mi reino. Confíe en mí, sire. No, yo debo salvar a la Princesa, no Sir Branton. Yo la amo. ¿Crees que te dejaré enfrentar la magia de Lodac? No tengo miedo. Hace trescientos años mi padre y mi hermano fueron devorados por el dragón de Lodac. Y en familia somos grandes hechiceros por derecho. Pero ellos no se enfrentarían a Lodac. Yo tampoco, lo confieso. - Le temo tanto como lo odio. - Pero Sybil, yo... Tu te quedarás aquí en casa, donde estés seguro. Tendrás todo lo que quieras, pero, debarás quedarte. Sólo quiero libertad para salvar a la mujer que amo. Pero tu no podrías entender eso, no siendo mortal. Trato de hacer lo mejor. English: For Helene, I'd risk 70. The man who saves Helene will have her hand in marriage, and half my kingdom, too. Trust me, sire. No, it is I who must save the Princess, not Sir Branton. I love her. Do you think I'd let you face Lodac's sorcery? I'm not afraid. Three hundred years ago, my father and brother were devoured by Lodac's dragon. And my family were great sorcerers in their own right. But they were no match for Lodac. I am no match for Lodac, I confess it. - I fear him almost as much as I hate him. - But Sybil, l... You will stay right here at home where you are safe. You can have anything you want, but you're staying here. All I want is my freedom so I can save the girl I love. But you wouldn't understand that, not being mortal. I've tried to do my best. Spanish: Por Helena, enfrentaría 70. El hombre que salve a Helena tendrá su mano en matrimonio y la mitad de mi reino. Confíe en mí, sire. No, yo debo salvar a la Princesa, no Sir Branton. Yo la amo. ¿Crees que te dejaré enfrentar la magia de Lodac? No tengo miedo. Hace trescientos años mi padre y mi hermano fueron devorados por el dragón de Lodac. Y en familia somos grandes hechiceros por derecho. Pero ellos no se enfrentarían a Lodac. Yo tampoco, lo confieso. - Le temo tanto como lo odio. - Pero Sybil, yo... Tu te quedarás aquí en casa, donde estés seguro. Tendrás todo lo que quieras, pero, debarás quedarte. Sólo quiero libertad para salvar a la mujer que amo. Pero tu no podrías entender eso, no siendo mortal. Trato de hacer lo mejor. Spanish: Por Helena, enfrentaría 70. El hombre que salve a Helena tendrá su mano en matrimonio y la mitad de mi reino. Confíe en mí, sire. No, yo debo salvar a la Princesa, no Sir Branton. Yo la amo. ¿Crees que te dejaré enfrentar la magia de Lodac? No tengo miedo. Hace trescientos años mi padre y mi hermano fueron devorados por el dragón de Lodac. Y en familia somos grandes hechiceros por derecho. Pero ellos no se enfrentarían a Lodac. Yo tampoco, lo confieso. - Le temo tanto como lo odio. - Pero Sybil, yo... Tu te quedarás aquí en casa, donde estés seguro. Tendrás todo lo que quieras, pero, debarás quedarte. Sólo quiero libertad para salvar a la mujer que amo. Pero tu no podrías entender eso, no siendo mortal. Trato de hacer lo mejor. Spanish: Por Helena, enfrentaría 70. El hombre que salve a Helena tendrá su mano en matrimonio y la mitad de mi reino. Confíe en mí, sire. No, yo debo salvar a la Princesa, no Sir Branton. Yo la amo. ¿Crees que te dejaré enfrentar la magia de Lodac? No tengo miedo. Hace trescientos años mi padre y mi hermano fueron devorados por el dragón de Lodac. Y en familia somos grandes hechiceros por derecho. Pero ellos no se enfrentarían a Lodac. Yo tampoco, lo confieso. - Le temo tanto como lo odio. - Pero Sybil, yo... Tu te quedarás aquí en casa, donde estés seguro. Tendrás todo lo que quieras, pero, debarás quedarte. Sólo quiero libertad para salvar a la mujer que amo. Pero tu no podrías entender eso, no siendo mortal. Trato de hacer lo mejor. Spanish: Por Helena, enfrentaría 70. El hombre que salve a Helena tendrá su mano en matrimonio y la mitad de mi reino. Confíe en mí, sire. No, yo debo salvar a la Princesa, no Sir Branton. Yo la amo. ¿Crees que te dejaré enfrentar la magia de Lodac? No tengo miedo. Hace trescientos años mi padre y mi hermano fueron devorados por el dragón de Lodac. Y en familia somos grandes hechiceros por derecho. Pero ellos no se enfrentarían a Lodac. Yo tampoco, lo confieso. - Le temo tanto como lo odio. - Pero Sybil, yo... Tu te quedarás aquí en casa, donde estés seguro. Tendrás todo lo que quieras, pero, debarás quedarte. Sólo quiero libertad para salvar a la mujer que amo. Pero tu no podrías entender eso, no siendo mortal. Trato de hacer lo mejor. Spanish: - Sé que tratas, Sybil. - ¿Podrías decirme "Mamá"? Lo siento, mamá. Tu sólo tenías una semana cuando tus reales padres murieron por la plaga. Yo te encontré y te crié como si fueras mi hijo. Tu has sido amable y cariñosa y yo haría lo que fuera por tí. Pero no puedo estar aquí para siempre. No soy un niño, ya tengo 20 y amo a Helena. Háblame de amor cuando tengas 420. Cuando eres humano, 20 es suficiente para sentir amor y miseria. Déjame libre. Debo decir que esta noche estás muy molestoso. Oh, bien, niños serán siempre niños. Tendremos que darte más ánimo. Mira a mamá ahora. English: - I know you have, Sybil. - Can't you call me "Mother"? I'm sorry, Mother. You were only a week old when your royal parents died from the plague. I found you, reared you as my own son. You've been kind and loving, and I'd do anything for you. But I can't stay here with you anymore. I'm not a child. I'm 20, and I love Helene. Talk to me of love when you are 420. When you're human, 20 is old enough to feel love and misery. Give me my freedom. I must say you're being very difficult tonight. Oh, well, boys will be boys. We'll have to cheer you up. Watch Mother now. Spanish: - Sé que tratas, Sybil. - ¿Podrías decirme "Mamá"? Lo siento, mamá. Tu sólo tenías una semana cuando tus reales padres murieron por la plaga. Yo te encontré y te crié como si fueras mi hijo. Tu has sido amable y cariñosa y yo haría lo que fuera por tí. Pero no puedo estar aquí para siempre. No soy un niño, ya tengo 20 y amo a Helena. Háblame de amor cuando tengas 420. Cuando eres humano, 20 es suficiente para sentir amor y miseria. Déjame libre. Debo decir que esta noche estás muy molestoso. Oh, bien, niños serán siempre niños. Tendremos que darte más ánimo. Mira a mamá ahora. Spanish: - Sé que tratas, Sybil. - ¿Podrías decirme "Mamá"? Lo siento, mamá. Tu sólo tenías una semana cuando tus reales padres murieron por la plaga. Yo te encontré y te crié como si fueras mi hijo. Tu has sido amable y cariñosa y yo haría lo que fuera por tí. Pero no puedo estar aquí para siempre. No soy un niño, ya tengo 20 y amo a Helena. Háblame de amor cuando tengas 420. Cuando eres humano, 20 es suficiente para sentir amor y miseria. Déjame libre. Debo decir que esta noche estás muy molestoso. Oh, bien, niños serán siempre niños. Tendremos que darte más ánimo. Mira a mamá ahora. Spanish: - Sé que tratas, Sybil. - ¿Podrías decirme "Mamá"? Lo siento, mamá. Tu sólo tenías una semana cuando tus reales padres murieron por la plaga. Yo te encontré y te crié como si fueras mi hijo. Tu has sido amable y cariñosa y yo haría lo que fuera por tí. Pero no puedo estar aquí para siempre. No soy un niño, ya tengo 20 y amo a Helena. Háblame de amor cuando tengas 420. Cuando eres humano, 20 es suficiente para sentir amor y miseria. Déjame libre. Debo decir que esta noche estás muy molestoso. Oh, bien, niños serán siempre niños. Tendremos que darte más ánimo. Mira a mamá ahora. Spanish: - Sé que tratas, Sybil. - ¿Podrías decirme "Mamá"? Lo siento, mamá. Tu sólo tenías una semana cuando tus reales padres murieron por la plaga. Yo te encontré y te crié como si fueras mi hijo. Tu has sido amable y cariñosa y yo haría lo que fuera por tí. Pero no puedo estar aquí para siempre. No soy un niño, ya tengo 20 y amo a Helena. Háblame de amor cuando tengas 420. Cuando eres humano, 20 es suficiente para sentir amor y miseria. Déjame libre. Debo decir que esta noche estás muy molestoso. Oh, bien, niños serán siempre niños. Tendremos que darte más ánimo. Mira a mamá ahora. Croatian: Ali ne mogu više ostati ovdje sa tobom. Nisam više dijete, imam 20 godina i volim Helene. Pričaj mi o ljubavi kad budeš 420. Kad si čovjek, 20 je dovoljno da osjetiš ljubav i patnju. Daj mi moju slobodu. Moram reći da si vrlo težak večeras. Oh, dobro, dječaci će uvijek biti dječaci. Moramo te podići. Gledaj majku sada. Majko, ne opet taj trik. George, nisam te nikada vidjela ovakvog. Gle, ako se želiš podići zaboravi tu djevojku i Zodaca. Pokazat ću ti poklone koje sam ti izabrala za 21 rođendan. Croatian: Kakve poklone, majko? Dođi ovamo. Pokazat ću ti. Sviđa ti se? Veličanstven je. Tvoj je kad napuniš 21. Ime mu je Bayard. On nije obična životinja. On posjeduje moći. To je najbrži konj na cijelom svijetu. Ni jedan ga ne može pobijediti. Spanish: Mamá, no ese truco de nuevo. George, nunca te había visto así antes. Mira, para que te animes, olvida un poco a esa niña y a Lodac... Te mostraré los regalos que elegí para cuando cumplas 21. - ¿Qué clase de relalos, mamá? - Sígueme. Te mostraré. Spanish: Mamá, no ese truco de nuevo. George, nunca te había visto así antes. Mira, para que te animes, olvida un poco a esa niña y a Lodac... Te mostraré los regalos que elegí para cuando cumplas 21. - ¿Qué clase de relalos, mamá? - Sígueme. Te mostraré. Spanish: Mamá, no ese truco de nuevo. George, nunca te había visto así antes. Mira, para que te animes, olvida un poco a esa niña y a Lodac... Te mostraré los regalos que elegí para cuando cumplas 21. - ¿Qué clase de relalos, mamá? - Sígueme. Te mostraré. Spanish: Mamá, no ese truco de nuevo. George, nunca te había visto así antes. Mira, para que te animes, olvida un poco a esa niña y a Lodac... Te mostraré los regalos que elegí para cuando cumplas 21. - ¿Qué clase de relalos, mamá? - Sígueme. Te mostraré. Spanish: Mamá, no ese truco de nuevo. George, nunca te había visto así antes. Mira, para que te animes, olvida un poco a esa niña y a Lodac... Te mostraré los regalos que elegí para cuando cumplas 21. - ¿Qué clase de relalos, mamá? - Sígueme. Te mostraré. English: Mother, not that trick again. George, I've never seen you like this before. Look, if you'll cheer up, forget about that girl and Lodac... I'll let you see the presents I've chosen for you when you're 21. - What sort of presents, Mother? - Come along. I'll show you. Spanish: ¿Te gusta? Es magnífico. Será tuyo cuando tengas 21. Se llama Bayard. No es un animal ordinario. Posee magia. Es el caballo más rápido del mundo Ningún córcel puede vencerlo. ¿Ves esto? Lo usarás cuando montes el caballo. - ¿Estas armas también son mágicas? - Ningún arma las puede enfrentar. Y esta es Ascalon, la espada. Ninguna como ella desde que el mundo existe. Derrota cualquier espada en combate. La magia negra es superada con un toque de la espada. Así es. Spanish: ¿Te gusta? Es magnífico. Será tuyo cuando tengas 21. Se llama Bayard. No es un animal ordinario. Posee magia. Es el caballo más rápido del mundo Ningún córcel puede vencerlo. ¿Ves esto? Lo usarás cuando montes el caballo. - ¿Estas armas también son mágicas? - Ningún arma las puede enfrentar. Y esta es Ascalon, la espada. Ninguna como ella desde que el mundo existe. Derrota cualquier espada en combate. La magia negra es superada con un toque de la espada. Así es. English: Do you like him? He's magnificent. He's yours when you are 21. His name is Bayard. He's no ordinary animal. He possesses magic. This is the fastest horse in all the world. No other steed can beat him. See this? You'll wear it when you ride the stallion. - Does this armor possess magic, too? - No weapon can pierce it. And this is Ascalon, the blade. None like it since the world began. It defies all swords in battle. Black magic is overcome by a touch of the blade. So there. Spanish: ¿Te gusta? Es magnífico. Será tuyo cuando tengas 21. Se llama Bayard. No es un animal ordinario. Posee magia. Es el caballo más rápido del mundo Ningún córcel puede vencerlo. ¿Ves esto? Lo usarás cuando montes el caballo. - ¿Estas armas también son mágicas? - Ningún arma las puede enfrentar. Y esta es Ascalon, la espada. Ninguna como ella desde que el mundo existe. Derrota cualquier espada en combate. La magia negra es superada con un toque de la espada. Así es. Spanish: ¿Te gusta? Es magnífico. Será tuyo cuando tengas 21. Se llama Bayard. No es un animal ordinario. Posee magia. Es el caballo más rápido del mundo Ningún córcel puede vencerlo. ¿Ves esto? Lo usarás cuando montes el caballo. - ¿Estas armas también son mágicas? - Ningún arma las puede enfrentar. Y esta es Ascalon, la espada. Ninguna como ella desde que el mundo existe. Derrota cualquier espada en combate. La magia negra es superada con un toque de la espada. Así es. Croatian: Vidiš ovo? Ovo ćeš nositi kad budeš jahao pastuha. Da li taj oklop posjeduje magije također? Ni jedno oružje ga ne može isjeći. A ovo je Ascalon, mač. Ni jedan nije poput njega od kad je svijeta. Pobjeđuje sve mačeve u borbi. Crna magija nestaje u dodiru sa ovim mačem. Tako. Sve je tvoje kad budeš 21. Tada ću te pustiti za Lodacom... za moju osvetu kao i za tvoju. Uz pomoć njihove magije, mogao bih spasiti Princezu sada. Ne, nisi dovoljno star Ne bi znao kako da ga koristiš. Dopusti mi samo da držim mač. Samo da ga osjetim. Molim te? Samo na tren. U redu. Spanish: ¿Te gusta? Es magnífico. Será tuyo cuando tengas 21. Se llama Bayard. No es un animal ordinario. Posee magia. Es el caballo más rápido del mundo Ningún córcel puede vencerlo. ¿Ves esto? Lo usarás cuando montes el caballo. - ¿Estas armas también son mágicas? - Ningún arma las puede enfrentar. Y esta es Ascalon, la espada. Ninguna como ella desde que el mundo existe. Derrota cualquier espada en combate. La magia negra es superada con un toque de la espada. Así es. English: All yours when you are 21. Then I'll let you go after Lodac, for my revenge as well as your own. With the help of their magic, I could save the Princess now. No, you're not old enough. You wouldn't know how to use them. Just let me hold the sword. Just to get the feel of it. - Please? Just for a while. - Very well. It feels like a part of my own body. - I feel stronger. - Of course. Now come along. It pleases me to show you something else tonight. Who are they? Once, the six most valiant knights in the world. - That's real black magic, Mother. - I wish I could take the credit. I've never been as good as that. No, it was my brother. Spanish: Será todo tuyo cuando tengas 21. Ahí te dejaré ir por Lodac, para que tengamos nuestra venganza. Con la ayuda de esta magia, Podría salvar a la Princesa ahora. No, eres muy joven. No sabrías usarla. Déjame tomar la espada. Para ver como se siente. - ¿Por favor? Sólo un rato. -Muy bien. La siento como parte de mí. - Me siento más fuerte. -Desde luego. Ahora ven. Me complacería mostrarte algo más esta noche. ¿Quienes son? Alguna vez fueron los seis caballeros más valientes del mundo. - Esto es magia negra verdadera, mamá. -Me gustaría tener el crédito. Nunca he sido tan buena como esto. No, fue mi hermano. Spanish: Será todo tuyo cuando tengas 21. Ahí te dejaré ir por Lodac, para que tengamos nuestra venganza. Con la ayuda de esta magia, Podría salvar a la Princesa ahora. No, eres muy joven. No sabrías usarla. Déjame tomar la espada. Para ver como se siente. - ¿Por favor? Sólo un rato. -Muy bien. La siento como parte de mí. - Me siento más fuerte. -Desde luego. Ahora ven. Me complacería mostrarte algo más esta noche. ¿Quienes son? Alguna vez fueron los seis caballeros más valientes del mundo. - Esto es magia negra verdadera, mamá. -Me gustaría tener el crédito. Nunca he sido tan buena como esto. No, fue mi hermano. Spanish: Será todo tuyo cuando tengas 21. Ahí te dejaré ir por Lodac, para que tengamos nuestra venganza. Con la ayuda de esta magia, Podría salvar a la Princesa ahora. No, eres muy joven. No sabrías usarla. Déjame tomar la espada. Para ver como se siente. - ¿Por favor? Sólo un rato. -Muy bien. La siento como parte de mí. - Me siento más fuerte. -Desde luego. Ahora ven. Me complacería mostrarte algo más esta noche. ¿Quienes son? Alguna vez fueron los seis caballeros más valientes del mundo. - Esto es magia negra verdadera, mamá. -Me gustaría tener el crédito. Nunca he sido tan buena como esto. No, fue mi hermano. Spanish: Será todo tuyo cuando tengas 21. Ahí te dejaré ir por Lodac, para que tengamos nuestra venganza. Con la ayuda de esta magia, Podría salvar a la Princesa ahora. No, eres muy joven. No sabrías usarla. Déjame tomar la espada. Para ver como se siente. - ¿Por favor? Sólo un rato. -Muy bien. La siento como parte de mí. - Me siento más fuerte. -Desde luego. Ahora ven. Me complacería mostrarte algo más esta noche. ¿Quienes son? Alguna vez fueron los seis caballeros más valientes del mundo. - Esto es magia negra verdadera, mamá. -Me gustaría tener el crédito. Nunca he sido tan buena como esto. No, fue mi hermano. Croatian: Osjećam ga kao dio svog tijela. Osjećam se jačim. Naravno. Sada pođi. Zadovoljstvo mi je da ti još nešto pokažem večeras. Tko su oni? Nekoć, šest najhrabrijih vitezova na cijelom svijetu. To je prava crna magija, majko. Voljela bih da sam to mogla. Nisam nikada bila tako dobra. Ne, bio je to moj brat. Voliš Ascalona, George? Jednostavno je divan. Jel to učinio mač? Naravno. Jedan dodir mača i on otvara i zatvara podove,vrata,zidove... Kažeš, i zatvara stvari također? Šta je dolje? Spanish: Será todo tuyo cuando tengas 21. Ahí te dejaré ir por Lodac, para que tengamos nuestra venganza. Con la ayuda de esta magia, Podría salvar a la Princesa ahora. No, eres muy joven. No sabrías usarla. Déjame tomar la espada. Para ver como se siente. - ¿Por favor? Sólo un rato. -Muy bien. La siento como parte de mí. - Me siento más fuerte. -Desde luego. Ahora ven. Me complacería mostrarte algo más esta noche. ¿Quienes son? Alguna vez fueron los seis caballeros más valientes del mundo. - Esto es magia negra verdadera, mamá. -Me gustaría tener el crédito. Nunca he sido tan buena como esto. No, fue mi hermano. Spanish: Te gusta Ascalon, George? Es genial. - ¿La espada hizo eso? - Por cierto. Un toque de su filo y abre y cierra pisos, puertas, muros y rejas. ¿Dices que tambien cierra? ¿Qué hay allá abajo? No he bajado en siglos. Solía ser la bodega de seguridad de mi hermano... para embrujos, encantamientos, rituales mágicos y cosas así. ¿Quieres ver? ¿Hay alguna otra manera de salir si la losa se cierra? Depende que tan duro trabajes. A un primo mío le tomó 80 años encontrar el embrujo adecuado... para abrir el cielo. Spanish: Te gusta Ascalon, George? Es genial. - ¿La espada hizo eso? - Por cierto. Un toque de su filo y abre y cierra pisos, puertas, muros y rejas. ¿Dices que tambien cierra? ¿Qué hay allá abajo? No he bajado en siglos. Solía ser la bodega de seguridad de mi hermano... para embrujos, encantamientos, rituales mágicos y cosas así. ¿Quieres ver? ¿Hay alguna otra manera de salir si la losa se cierra? Depende que tan duro trabajes. A un primo mío le tomó 80 años encontrar el embrujo adecuado... para abrir el cielo. Croatian: Nisam bila dolje stoljećima. Nekad je to bila zalagaonica moga brata... za čini,opremu... magične rituale i slično. Želiš pogledati? Ima li koji drugi izlaz u koliko se pod ponovo zatvori? Ovisi o tome koliko si teško radio na tom. Mom rođaku je trebalo 80 godina da otkrije magiju... koja je razbila krov. Ali ne boj se. Mi nećemo zatvoriti pod za sobom. Ne bojim se. Ti idi prva, majko. Dolaziš, dušo? Da. George, što si to uradio? George, pusti me van! English: You like Ascalon, George? It's just great. - Did the sword do that? - Certainly. One touch of the blade, and it opens and shuts floors, doors, walls, and portcullises. It shuts things too, you say? What's down there? I haven't been down there in centuries. It used to be my brother's safe deposit box... for spells, enchantments, magic ritual, and the like. Want to see? Is there any other way out if the crack were closed again? Depends on how hard you work at it. A cousin of mine took 80 years to whomp up a spell... that blew the roof off. Spanish: Te gusta Ascalon, George? Es genial. - ¿La espada hizo eso? - Por cierto. Un toque de su filo y abre y cierra pisos, puertas, muros y rejas. ¿Dices que tambien cierra? ¿Qué hay allá abajo? No he bajado en siglos. Solía ser la bodega de seguridad de mi hermano... para embrujos, encantamientos, rituales mágicos y cosas así. ¿Quieres ver? ¿Hay alguna otra manera de salir si la losa se cierra? Depende que tan duro trabajes. A un primo mío le tomó 80 años encontrar el embrujo adecuado... para abrir el cielo. Spanish: Te gusta Ascalon, George? Es genial. - ¿La espada hizo eso? - Por cierto. Un toque de su filo y abre y cierra pisos, puertas, muros y rejas. ¿Dices que tambien cierra? ¿Qué hay allá abajo? No he bajado en siglos. Solía ser la bodega de seguridad de mi hermano... para embrujos, encantamientos, rituales mágicos y cosas así. ¿Quieres ver? ¿Hay alguna otra manera de salir si la losa se cierra? Depende que tan duro trabajes. A un primo mío le tomó 80 años encontrar el embrujo adecuado... para abrir el cielo. Spanish: Te gusta Ascalon, George? Es genial. - ¿La espada hizo eso? - Por cierto. Un toque de su filo y abre y cierra pisos, puertas, muros y rejas. ¿Dices que tambien cierra? ¿Qué hay allá abajo? No he bajado en siglos. Solía ser la bodega de seguridad de mi hermano... para embrujos, encantamientos, rituales mágicos y cosas así. ¿Quieres ver? ¿Hay alguna otra manera de salir si la losa se cierra? Depende que tan duro trabajes. A un primo mío le tomó 80 años encontrar el embrujo adecuado... para abrir el cielo. English: But don't be afraid. We won't close the crack behind us. I'm not afraid. You go first, Mother. - Coming, dear? - Yes. George, what have you done? George, let me out! - Goodbye, Mother. - George, son, let me out this instant. You can't leave me here. I told you about my cousin. I'll come back and let you out after I've rescued the Princess Helene. What if you can't come back? With a magic armor, magic sword, magic steed, what can stop me now? You don't know Lodac, George. Let me out. Spanish: Pero no temas. Dejaremos la losa abierta. No tengo miedo. Ve tu primero mamá. - ¿Vienes querido? - Sí. ¿George, qué haz hecho? ¡George, déjame salir! - Adios mamá. - George, hijo, abre de inmediato. No me puedes abandonar aquí. Te conté sobre mi primo Volveré y te sacaré después de rescatar a la Princesa Helena. ¿Y si no vuelves? ¿Con una armadura, una espada y un corcel mágicos,qué me detendría? No conoces a Lodac, George. Suéltame. Spanish: Pero no temas. Dejaremos la losa abierta. No tengo miedo. Ve tu primero mamá. - ¿Vienes querido? - Sí. ¿George, qué haz hecho? ¡George, déjame salir! - Adios mamá. - George, hijo, abre de inmediato. No me puedes abandonar aquí. Te conté sobre mi primo Volveré y te sacaré después de rescatar a la Princesa Helena. ¿Y si no vuelves? ¿Con una armadura, una espada y un corcel mágicos,qué me detendría? No conoces a Lodac, George. Suéltame. Spanish: Pero no temas. Dejaremos la losa abierta. No tengo miedo. Ve tu primero mamá. - ¿Vienes querido? - Sí. ¿George, qué haz hecho? ¡George, déjame salir! - Adios mamá. - George, hijo, abre de inmediato. No me puedes abandonar aquí. Te conté sobre mi primo Volveré y te sacaré después de rescatar a la Princesa Helena. ¿Y si no vuelves? ¿Con una armadura, una espada y un corcel mágicos,qué me detendría? No conoces a Lodac, George. Suéltame. Spanish: Pero no temas. Dejaremos la losa abierta. No tengo miedo. Ve tu primero mamá. - ¿Vienes querido? - Sí. ¿George, qué haz hecho? ¡George, déjame salir! - Adios mamá. - George, hijo, abre de inmediato. No me puedes abandonar aquí. Te conté sobre mi primo Volveré y te sacaré después de rescatar a la Princesa Helena. ¿Y si no vuelves? ¿Con una armadura, una espada y un corcel mágicos,qué me detendría? No conoces a Lodac, George. Suéltame. Spanish: Pero no temas. Dejaremos la losa abierta. No tengo miedo. Ve tu primero mamá. - ¿Vienes querido? - Sí. ¿George, qué haz hecho? ¡George, déjame salir! - Adios mamá. - George, hijo, abre de inmediato. No me puedes abandonar aquí. Te conté sobre mi primo Volveré y te sacaré después de rescatar a la Princesa Helena. ¿Y si no vuelves? ¿Con una armadura, una espada y un corcel mágicos,qué me detendría? No conoces a Lodac, George. Suéltame. Croatian: Zbogom, majko. George, sine, pusti me van ovog trena. Ne možeš me ostaviti ovdje. Pričala sam ti o mom rođaku. Vratit ću se i pustiti te van Nakon što oslobodim Princezu Helene. Šta ako se ne uspiješ vratiti? Sa magičnim štitom, magičnim mačem, magičnim čelikom, što me može zaustaviti? Ti ne znaš Lodaca, George. Pusti me van. Kad bih imao šestoricu hrabrih ljudi poput ovih ne bi se imao čega bojati. {Y:i}Gospodine, dugo vam je trebalo da dođete. Spanish: Si tengo seis valientes como estos no tengo nada que temer. Monsieur, ha tardado en venir. Pero en nombre de mis amigos muchas gracias. Su Majestad. Su Majestad, pongo mi espada a su servicio... Spanish: Si tengo seis valientes como estos no tengo nada que temer. Monsieur, ha tardado en venir. Pero en nombre de mis amigos muchas gracias. Su Majestad. Su Majestad, pongo mi espada a su servicio... Spanish: Si tengo seis valientes como estos no tengo nada que temer. Monsieur, ha tardado en venir. Pero en nombre de mis amigos muchas gracias. Su Majestad. Su Majestad, pongo mi espada a su servicio... Croatian: {Y:i}Aliu ime mojih ljudi, hvala. Vaše Visočanstvo, Vaše Visočanstvo, zalažem svoj mač u vašu službu... moj život za našu zajedničku nadu, i svoje srce za Princezu Helene. Dobro rečeno, Brantone. Ali ja ne mogu pomoći osim se osjećati nervozno. I dalje ne želiš uzeti ovih 50 vitezova koji su se ponudili da jašu sa tobom? Ne, gospodine, oni su svi hrabri ljudi, ali jedan čovjek može gdje 50 ne može. Najhrabriji si od svih. Vrati Helene sigurno, i ja ću biti najponosniji otac u Christendomu. To je čudan prsten, Brantone. Nosiš ga za sreću? Sreća ne smije igrati ulogu kad se radi o životu vaše kćeri. Idi, moj prijatelju. Moje najbolje želje neka idu sa tobom. Spanish: Si tengo seis valientes como estos no tengo nada que temer. Monsieur, ha tardado en venir. Pero en nombre de mis amigos muchas gracias. Su Majestad. Su Majestad, pongo mi espada a su servicio... English: If I had six brave men like these, I'd have nothing to fear. Monsieur, you have been a long time to come. But on the behalf of my friends, merci bien. Your Majesty. Your Majesty, I pledge my sword to your service... Spanish: Si tengo seis valientes como estos no tengo nada que temer. Monsieur, ha tardado en venir. Pero en nombre de mis amigos muchas gracias. Su Majestad. Su Majestad, pongo mi espada a su servicio... Spanish: mi vida en nuestra mutua esperanza, y mi corazón a la Princesa Helena. Muy bien dicho, Branton. Pero no puedo evitar estar un poco nervioso. ¿Aun no aceptas los 50 caballeros que se ofrecen para acompañarte? No, sire, son hombres valientes pero un hombre sólo puede lograr lo que 50. Eres el más valeroso. Regresa a Helena safely,a salvo y seré el suegro más orgulloso de Christendom. Es un anillo extraño, Branton. ¿Lo usas para la suerte? No hay lugar para la suerte si la vida de su hija está en juego. Ve mi amigo. Mis mejores deseos para ti. Su Majestad, estos caballeros y yo hemos venido a servirle en su hora de necesidad. English: my life to our mutual hope, and my heart to the Princess Helene. Very well said, Branton. But I can't help but feel a little nervous. You still won't take these 50 knights who have offered to ride with you? No, sire, they are all brave men, but one man can venture where 50 cannot. You are the bravest of all. Return Helene safely, and I'll be the proudest father-in-law in Christendom. That's a strange ring, Branton. Do you wear it for luck? Luck must not play a part when your daughter's life is at stake. Go, my friend. And all my good wishes go with you. Your Majesty, these knights and I have come to serve you in your hour of need. Spanish: mi vida en nuestra mutua esperanza, y mi corazón a la Princesa Helena. Muy bien dicho, Branton. Pero no puedo evitar estar un poco nervioso. ¿Aun no aceptas los 50 caballeros que se ofrecen para acompañarte? No, sire, son hombres valientes pero un hombre sólo puede lograr lo que 50. Eres el más valeroso. Regresa a Helena safely,a salvo y seré el suegro más orgulloso de Christendom. Es un anillo extraño, Branton. ¿Lo usas para la suerte? No hay lugar para la suerte si la vida de su hija está en juego. Ve mi amigo. Mis mejores deseos para ti. Su Majestad, estos caballeros y yo hemos venido a servirle en su hora de necesidad. Spanish: mi vida en nuestra mutua esperanza, y mi corazón a la Princesa Helena. Muy bien dicho, Branton. Pero no puedo evitar estar un poco nervioso. ¿Aun no aceptas los 50 caballeros que se ofrecen para acompañarte? No, sire, son hombres valientes pero un hombre sólo puede lograr lo que 50. Eres el más valeroso. Regresa a Helena safely,a salvo y seré el suegro más orgulloso de Christendom. Es un anillo extraño, Branton. ¿Lo usas para la suerte? No hay lugar para la suerte si la vida de su hija está en juego. Ve mi amigo. Mis mejores deseos para ti. Su Majestad, estos caballeros y yo hemos venido a servirle en su hora de necesidad. Spanish: mi vida en nuestra mutua esperanza, y mi corazón a la Princesa Helena. Muy bien dicho, Branton. Pero no puedo evitar estar un poco nervioso. ¿Aun no aceptas los 50 caballeros que se ofrecen para acompañarte? No, sire, son hombres valientes pero un hombre sólo puede lograr lo que 50. Eres el más valeroso. Regresa a Helena safely,a salvo y seré el suegro más orgulloso de Christendom. Es un anillo extraño, Branton. ¿Lo usas para la suerte? No hay lugar para la suerte si la vida de su hija está en juego. Ve mi amigo. Mis mejores deseos para ti. Su Majestad, estos caballeros y yo hemos venido a servirle en su hora de necesidad. Croatian: Vaše Visočanstvo, ovi vitezovi i ja smo došli služiti vama u ovom trenutku potrebe. To je vrlo ljubazno. Tko ste vi? Ja sam Sir George. Vitez sa vrlinama 400 godina stare loze. Dobrodošao, dobri gospodine. Ovo su moji prijatelji pod naoružanjem {Y:i}- Sir Dennis od Francuske. - Vaše Visočanstvo, čast mi je. {Y:i}- Sir Ulrich od Njemačke. - Mein Kaiser, došli smo da služimo. {Y:i}- Sir Anthony od Italije. - AI servizio. {Y:i}- Sir Pedro od Španjolske. - Su servido, Vaše Visočanstvo. Sir James od Škotske. Naša srca suosjećaju sa vama u vašoj tuzi, Vaše Visočanstvo. Na kraju, Sir Patrick od Irske. Spanish: mi vida en nuestra mutua esperanza, y mi corazón a la Princesa Helena. Muy bien dicho, Branton. Pero no puedo evitar estar un poco nervioso. ¿Aun no aceptas los 50 caballeros que se ofrecen para acompañarte? No, sire, son hombres valientes pero un hombre sólo puede lograr lo que 50. Eres el más valeroso. Regresa a Helena safely,a salvo y seré el suegro más orgulloso de Christendom. Es un anillo extraño, Branton. ¿Lo usas para la suerte? No hay lugar para la suerte si la vida de su hija está en juego. Ve mi amigo. Mis mejores deseos para ti. Su Majestad, estos caballeros y yo hemos venido a servirle en su hora de necesidad. Spanish: eso es muy amable. ¿Quién eres? Soy Sir George. Un virtuoso caballero con 400 años de noble linaje. Bienvenido buen señor. Estos son mis compañeros de armas. - Sir Dennis de Francia. - Su Majestad, es un honor. - Sir Ulrich de Alemania. - Mein Kaiser, venimos a servir. - Sir Anthony de Italia. - A su servicio. - Sir Pedro de España. - Su servidor, su Majestad. Sir James de Escocia. Nuestros corazones lloran por su dolor, su Majestad. Y finalmente, Sir Patrick de Irlanda. Ponemos nuestras vidas a vuestro servicio hasta que la Princesa Helena no está a salvo. Caballeros, hablo por el rey agradecemos su gentil ofrecimiento. Estoy seguro que Uds. harán un gran servicio a su Majestad, mientras yo no estoy. No fue lo que sir Patrick quiso decir, Sir Branton. Me conoces. ¿Nos han presentado? Spanish: eso es muy amable. ¿Quién eres? Soy Sir George. Un virtuoso caballero con 400 años de noble linaje. Bienvenido buen señor. Estos son mis compañeros de armas. - Sir Dennis de Francia. - Su Majestad, es un honor. - Sir Ulrich de Alemania. - Mein Kaiser, venimos a servir. - Sir Anthony de Italia. - A su servicio. - Sir Pedro de España. - Su servidor, su Majestad. Sir James de Escocia. Nuestros corazones lloran por su dolor, su Majestad. Y finalmente, Sir Patrick de Irlanda. Ponemos nuestras vidas a vuestro servicio hasta que la Princesa Helena no está a salvo. Caballeros, hablo por el rey agradecemos su gentil ofrecimiento. Estoy seguro que Uds. harán un gran servicio a su Majestad, mientras yo no estoy. No fue lo que sir Patrick quiso decir, Sir Branton. Me conoces. ¿Nos han presentado? Spanish: eso es muy amable. ¿Quién eres? Soy Sir George. Un virtuoso caballero con 400 años de noble linaje. Bienvenido buen señor. Estos son mis compañeros de armas. - Sir Dennis de Francia. - Su Majestad, es un honor. - Sir Ulrich de Alemania. - Mein Kaiser, venimos a servir. - Sir Anthony de Italia. - A su servicio. - Sir Pedro de España. - Su servidor, su Majestad. Sir James de Escocia. Nuestros corazones lloran por su dolor, su Majestad. Y finalmente, Sir Patrick de Irlanda. Ponemos nuestras vidas a vuestro servicio hasta que la Princesa Helena no está a salvo. Caballeros, hablo por el rey agradecemos su gentil ofrecimiento. Estoy seguro que Uds. harán un gran servicio a su Majestad, mientras yo no estoy. No fue lo que sir Patrick quiso decir, Sir Branton. Me conoces. ¿Nos han presentado? Spanish: eso es muy amable. ¿Quién eres? Soy Sir George. Un virtuoso caballero con 400 años de noble linaje. Bienvenido buen señor. Estos son mis compañeros de armas. - Sir Dennis de Francia. - Su Majestad, es un honor. - Sir Ulrich de Alemania. - Mein Kaiser, venimos a servir. - Sir Anthony de Italia. - A su servicio. - Sir Pedro de España. - Su servidor, su Majestad. Sir James de Escocia. Nuestros corazones lloran por su dolor, su Majestad. Y finalmente, Sir Patrick de Irlanda. Ponemos nuestras vidas a vuestro servicio hasta que la Princesa Helena no está a salvo. Caballeros, hablo por el rey agradecemos su gentil ofrecimiento. Estoy seguro que Uds. harán un gran servicio a su Majestad, mientras yo no estoy. No fue lo que sir Patrick quiso decir, Sir Branton. Me conoces. ¿Nos han presentado? English: That's very kind. Who are you? I am Sir George. A knight by virtue of 400 years of noble lineage. Welcome, good sir. These are my comrades-in-arms. - Sir Dennis of France. - Your Majesty, it is an honor. - Sir Ulrich of Germany. - Mein Kaiser, we come to serve. - Sir Anthony of Italy. - AI servizio. - Sir Pedro of Spain. - Su servido, Your Majesty. Sir James of Scotland. Our hearts grieve for you in your sorrow, Your Majesty. And last, Sir Patrick of Ireland. We pledge our lives to your service and to the Princess Helene until she is safe. Gentlemen, speaking for the King, we are grateful for your offer. I am sure that you can be of immeasurable service to His Majesty while I am away. That is not what Patrick meant, Sir Branton. You know who I am. Have we met? Spanish: eso es muy amable. ¿Quién eres? Soy Sir George. Un virtuoso caballero con 400 años de noble linaje. Bienvenido buen señor. Estos son mis compañeros de armas. - Sir Dennis de Francia. - Su Majestad, es un honor. - Sir Ulrich de Alemania. - Mein Kaiser, venimos a servir. - Sir Anthony de Italia. - A su servicio. - Sir Pedro de España. - Su servidor, su Majestad. Sir James de Escocia. Nuestros corazones lloran por su dolor, su Majestad. Y finalmente, Sir Patrick de Irlanda. Ponemos nuestras vidas a vuestro servicio hasta que la Princesa Helena no está a salvo. Caballeros, hablo por el rey agradecemos su gentil ofrecimiento. Estoy seguro que Uds. harán un gran servicio a su Majestad, mientras yo no estoy. No fue lo que sir Patrick quiso decir, Sir Branton. Me conoces. ¿Nos han presentado? Croatian: Nudimo svoje živote u vašu službu i za Princezu Helene dok ne bude sigurna. Gospodo, govorim u ime Kralja zahvalni smo vam na vašoj ponudi. Siguran sam da ćete biti korisni u službi Njenog Visočanstva dok sam ja odsutan. To nije ono na što je Patrick mislio, Sir Brantone. Ti znaš tko sam ja. Jesmo li se sreli? Ne, često sam vas viđao. Na polju? Ne na polju. I također znam da se želite oženiti za Princezu Helene. Prilično točno. Svi ste dobrodošli da ostanete i plešete na mom vjenčanju. Puno hvala. Ali radije plešem na svom. Govoriš u zagonetkama, mladiću. Ne pokušavaj ih odgonetnuti dok ne spasimo Princezu Helene. "Mi"? Ja ću spasiti Helene. {Y:i}Gospodine, pokušajte razumjeti. Mi smo se svi zakleli spasiti Sir Georgeovu prelijepu damu. Sir Georgeovu damu? Što je Francuz mislio? Samo da je ja volim I da je namjeravam oženiti. Ti, arogantni dječače. Da li znaš opasnosti mračnog putovanja? Znamo, Sir Brantone. Spanish: No, lo he visto a menudo. - ¿En el campo? - No, no en el campo. Y también sé que desea casarse con la Princesa Helena. Absoluta verdad. Los invito a quedarse y bailar en mi boda. Muchas gracias. Pero preferiría bailar en otro lado. Hablas en acertijos jovencito. No trate de resolverlos hasta que rescatemos a la Princesa Helena. ¿"Rscatemos"? Yo salvaré a Helena. Monsieur, trate de entender. Nos juramentamos de rescatar a la bella dama de Sir George. ¿Dama de Sir George? ¿A qué se refiere este francés? Sólo que la amo e intento casarme con ellar. Niño arrogante. ¿Ignoras los peligros del viaje tenebroso? Los conocemos, Sir Branton. Si no comparte nuestro entusiasmo estaríamos felices de partir sin Ud . ¿Se atreverían? Su Majestad,¿Tengo vuestro permiso para dar a este mozuelo una lección en el uso de las armas? No lucharé. Excepto en nombre de la Princesa Helena. English: No, I've often seen you. - In the field? - Not in the field. And I also know you wish to marry the Princess Helene. Quite true. You are all welcome to stay and dance at my wedding. Many thanks. But I'd prefer to dance at my own. You talk in riddles, young man. Don't try to solve them till we've rescued the Princess Helene. "We"? I shall rescue Helene. Monsieur, try to understand. We are all sworn to save Sir George's beautiful lady. Sir George's lady? What does the Frenchman mean? Only that I love her and I intend to marry her. You arrogant boy. Do you know the perils of the Dark Journey? We do, Sir Branton. If you don't share our enthusiasm, we shall be happy to go on without you. How dare you? Your Majesty, have I your permission to give this stripling a lesson in the use of arms? Spanish: No, lo he visto a menudo. - ¿En el campo? - No, no en el campo. Y también sé que desea casarse con la Princesa Helena. Absoluta verdad. Los invito a quedarse y bailar en mi boda. Muchas gracias. Pero preferiría bailar en otro lado. Hablas en acertijos jovencito. No trate de resolverlos hasta que rescatemos a la Princesa Helena. ¿"Rscatemos"? Yo salvaré a Helena. Monsieur, trate de entender. Nos juramentamos de rescatar a la bella dama de Sir George. ¿Dama de Sir George? ¿A qué se refiere este francés? Sólo que la amo e intento casarme con ellar. Niño arrogante. ¿Ignoras los peligros del viaje tenebroso? Los conocemos, Sir Branton. Si no comparte nuestro entusiasmo estaríamos felices de partir sin Ud . ¿Se atreverían? Su Majestad,¿Tengo vuestro permiso para dar a este mozuelo una lección en el uso de las armas? No lucharé. Excepto en nombre de la Princesa Helena. Croatian: Ako ne dijelite naš entuzijazam mi ćemo biti sretni poći bez vas. Kako se usuđeješ? Vaše Visočanstvo, imam li vaše dopuštenje da održim lekciju ovom dječačiću iz korištenja mača? Ja neću izvuči mač. Osim u ime Princeze Helene. Kukavica? Potegni. Dosta! To je dosta! Sir Branton, sviđaju mi se ovi vitezovi. Sigurno im je sigurnost u broju? Ti i sedam dobrih mačeva? Sedam mačeva... i sedam prokletstava. Kada polazimo, Sir Brantone? Sada. Spanish: No, lo he visto a menudo. - ¿En el campo? - No, no en el campo. Y también sé que desea casarse con la Princesa Helena. Absoluta verdad. Los invito a quedarse y bailar en mi boda. Muchas gracias. Pero preferiría bailar en otro lado. Hablas en acertijos jovencito. No trate de resolverlos hasta que rescatemos a la Princesa Helena. ¿"Rscatemos"? Yo salvaré a Helena. Monsieur, trate de entender. Nos juramentamos de rescatar a la bella dama de Sir George. ¿Dama de Sir George? ¿A qué se refiere este francés? Sólo que la amo e intento casarme con ellar. Niño arrogante. ¿Ignoras los peligros del viaje tenebroso? Los conocemos, Sir Branton. Si no comparte nuestro entusiasmo estaríamos felices de partir sin Ud . ¿Se atreverían? Su Majestad,¿Tengo vuestro permiso para dar a este mozuelo una lección en el uso de las armas? No lucharé. Excepto en nombre de la Princesa Helena. Spanish: No, lo he visto a menudo. - ¿En el campo? - No, no en el campo. Y también sé que desea casarse con la Princesa Helena. Absoluta verdad. Los invito a quedarse y bailar en mi boda. Muchas gracias. Pero preferiría bailar en otro lado. Hablas en acertijos jovencito. No trate de resolverlos hasta que rescatemos a la Princesa Helena. ¿"Rscatemos"? Yo salvaré a Helena. Monsieur, trate de entender. Nos juramentamos de rescatar a la bella dama de Sir George. ¿Dama de Sir George? ¿A qué se refiere este francés? Sólo que la amo e intento casarme con ellar. Niño arrogante. ¿Ignoras los peligros del viaje tenebroso? Los conocemos, Sir Branton. Si no comparte nuestro entusiasmo estaríamos felices de partir sin Ud . ¿Se atreverían? Su Majestad,¿Tengo vuestro permiso para dar a este mozuelo una lección en el uso de las armas? No lucharé. Excepto en nombre de la Princesa Helena. Spanish: No, lo he visto a menudo. - ¿En el campo? - No, no en el campo. Y también sé que desea casarse con la Princesa Helena. Absoluta verdad. Los invito a quedarse y bailar en mi boda. Muchas gracias. Pero preferiría bailar en otro lado. Hablas en acertijos jovencito. No trate de resolverlos hasta que rescatemos a la Princesa Helena. ¿"Rscatemos"? Yo salvaré a Helena. Monsieur, trate de entender. Nos juramentamos de rescatar a la bella dama de Sir George. ¿Dama de Sir George? ¿A qué se refiere este francés? Sólo que la amo e intento casarme con ellar. Niño arrogante. ¿Ignoras los peligros del viaje tenebroso? Los conocemos, Sir Branton. Si no comparte nuestro entusiasmo estaríamos felices de partir sin Ud . ¿Se atreverían? Su Majestad,¿Tengo vuestro permiso para dar a este mozuelo una lección en el uso de las armas? No lucharé. Excepto en nombre de la Princesa Helena. Spanish: ¿Un cobarde? Lucha. Suficiente. Esto es suficiente. Sir Branton, me agradan estos caballeros. ¿No es más seguro en números? ¿Ud. y siete buenas espadas? Siete espadas... y siete maldiciones. ¿Cuando partimos, Sir Branton? Ahora. Spanish: ¿Un cobarde? Lucha. Suficiente. Esto es suficiente. Sir Branton, me agradan estos caballeros. ¿No es más seguro en números? ¿Ud. y siete buenas espadas? Siete espadas... y siete maldiciones. ¿Cuando partimos, Sir Branton? Ahora. Spanish: ¿Un cobarde? Lucha. Suficiente. Esto es suficiente. Sir Branton, me agradan estos caballeros. ¿No es más seguro en números? ¿Ud. y siete buenas espadas? Siete espadas... y siete maldiciones. ¿Cuando partimos, Sir Branton? Ahora. Spanish: ¿Un cobarde? Lucha. Suficiente. Esto es suficiente. Sir Branton, me agradan estos caballeros. ¿No es más seguro en números? ¿Ud. y siete buenas espadas? Siete espadas... y siete maldiciones. ¿Cuando partimos, Sir Branton? Ahora. English: I shall not draw. Except in behalf of Princess Helene. A coward? Draw. Enough. That's enough. Sir Branton, I like these knights. Surely there is safety in numbers? You and seven good swords? Seven swords... and seven curses. When do we start, Sir Branton? Now. Spanish: ¿Un cobarde? Lucha. Suficiente. Esto es suficiente. Sir Branton, me agradan estos caballeros. ¿No es más seguro en números? ¿Ud. y siete buenas espadas? Siete espadas... y siete maldiciones. ¿Cuando partimos, Sir Branton? Ahora. Croatian: Ja sam Helene. Znamo. Čule smo kad si jutros dovedena. Ja sam Princeza Laura, a ovo je moja sestra, Grace. Ovo je naš sedmi dan. Sedmi dan? Naš zadnji dan, na žalost... Sigurno ne vjerujete u to o zmaju? Kad smo stigle bile su druge ovdje. Ali sad ih nema. Onda će tvoj otac učiniti nešto da te spasi. Zaštoi, njegova vojska se vjerovatno približava dvorcu svake minute. Zaista misliš tako? Naravno. Bit ćeš na putu kući do jutra. Spanish: Soy Helena. Lo sabemos. Escuchamos cuando te trajeron en la mañana. Soy la Princesa Laura, y esta es mi hermana, Grace. - Este es nuestro séptimo día. - ¿Séptimo día? Nuestro último día, a menos que... ¿Seguro Uds. no creen eso del dragón? Había otras cuando llegamos. Pero ya no están. Entonces su padre hiza algo para salvarlas.. Porque, su ejército debe estar cerca del castillo ahora. ¿Crees eso? Desde luego. Estarán libres por la mañana. Las dos hermanas. Croatian: Dvije sestre. Slobodne smo ići kući? Otac je dogovorio za oslobađanje? Ne idete kući. Sigurno ste morali razgovarati sa njim? Imao sam tri duga, dosadna razgovora sa njim. Ali ništa ga nije moglo uvjeriti da mi da što sam ga tražio. Ne vjerujem vam. Nešto vam je platio. Ništa. Umjesto toga, poslao je cijelu grupu svojih hrabrih vitezova na mračno putovanje. Jadne djevojke, nikad neće dočekati treće prokletstvo. Vodite ih! Hajde. Ne! Ne možete to učiniti. To se jednostavno ne može desiti. Nigdje jednostavno ne može biti nitko tako okrutan i zao poput vas. Zaista, Helene. Ovo nije prvi put da princeza postane zalogaj zmaju. Na kraju, ovdje se to dešava samo jednom tjedno. Osim ako ne dobijete što tražite. Koju otkupninu ste tražili za mene? Žao mi je, ali ti si jedinstven slučaj. English: I'm Helene. We know. We heard you were brought in this morning. I'm Princess Laura, and this is my sister, Grace. - This is our seventh day. - Seventh day? Our last day, unless... Surely you don't believe that about the dragon? There were others here when we arrived. But they're gone now. Then your father will do something to save you. Why, his army is probably approaching the castle this very minute. Do you really think so? Of course. You'll be on your way home by morning. The two sisters. Spanish: Soy Helena. Lo sabemos. Escuchamos cuando te trajeron en la mañana. Soy la Princesa Laura, y esta es mi hermana, Grace. - Este es nuestro séptimo día. - ¿Séptimo día? Nuestro último día, a menos que... ¿Seguro Uds. no creen eso del dragón? Había otras cuando llegamos. Pero ya no están. Entonces su padre hiza algo para salvarlas.. Porque, su ejército debe estar cerca del castillo ahora. ¿Crees eso? Desde luego. Estarán libres por la mañana. Las dos hermanas. Spanish: Soy Helena. Lo sabemos. Escuchamos cuando te trajeron en la mañana. Soy la Princesa Laura, y esta es mi hermana, Grace. - Este es nuestro séptimo día. - ¿Séptimo día? Nuestro último día, a menos que... ¿Seguro Uds. no creen eso del dragón? Había otras cuando llegamos. Pero ya no están. Entonces su padre hiza algo para salvarlas.. Porque, su ejército debe estar cerca del castillo ahora. ¿Crees eso? Desde luego. Estarán libres por la mañana. Las dos hermanas. Spanish: Soy Helena. Lo sabemos. Escuchamos cuando te trajeron en la mañana. Soy la Princesa Laura, y esta es mi hermana, Grace. - Este es nuestro séptimo día. - ¿Séptimo día? Nuestro último día, a menos que... ¿Seguro Uds. no creen eso del dragón? Había otras cuando llegamos. Pero ya no están. Entonces su padre hiza algo para salvarlas.. Porque, su ejército debe estar cerca del castillo ahora. ¿Crees eso? Desde luego. Estarán libres por la mañana. Las dos hermanas. Spanish: Soy Helena. Lo sabemos. Escuchamos cuando te trajeron en la mañana. Soy la Princesa Laura, y esta es mi hermana, Grace. - Este es nuestro séptimo día. - ¿Séptimo día? Nuestro último día, a menos que... ¿Seguro Uds. no creen eso del dragón? Había otras cuando llegamos. Pero ya no están. Entonces su padre hiza algo para salvarlas.. Porque, su ejército debe estar cerca del castillo ahora. ¿Crees eso? Desde luego. Estarán libres por la mañana. Las dos hermanas. Spanish: ¿Nos dejarán ir a casa ahora? ¿Nuestro padre consiguió que nos liberaran? - Uds. no irán a casa. - ¿Seguro haz hablado con él? Tuve tres largas y duras reuniones con él. Pero no pude convercerlo que me diera lo que le pedí. No te creo.El pagaría cualquier cosa. Nada. En vez, envió una compañía de valientes caballeros por el camino tenebroso . Los pobres muchachos apenas llegaron a la tercera maldición. Llevénselas. - Vamos. - ¡No! No puedes hacer esto. Esto no puede estar pasando. No puede haber alguien más cruel y diabólico que tú. De verdad, Helena. Esta no es la primera vez que una princesa alimenta a mi dragón. Y por estos lados eso sucede una vez a la semana. A menos que tengas lo que quieras. ¿Qué rescate pediste por mí? Lo siento, pero tu eres un caso particular. Aún no he pedido rescate. ¿Entonces por qué me trajiste? Spanish: ¿Nos dejarán ir a casa ahora? ¿Nuestro padre consiguió que nos liberaran? - Uds. no irán a casa. - ¿Seguro haz hablado con él? Tuve tres largas y duras reuniones con él. Pero no pude convercerlo que me diera lo que le pedí. No te creo.El pagaría cualquier cosa. Nada. En vez, envió una compañía de valientes caballeros por el camino tenebroso . Los pobres muchachos apenas llegaron a la tercera maldición. Llevénselas. - Vamos. - ¡No! No puedes hacer esto. Esto no puede estar pasando. No puede haber alguien más cruel y diabólico que tú. De verdad, Helena. Esta no es la primera vez que una princesa alimenta a mi dragón. Y por estos lados eso sucede una vez a la semana. A menos que tengas lo que quieras. ¿Qué rescate pediste por mí? Lo siento, pero tu eres un caso particular. Aún no he pedido rescate. ¿Entonces por qué me trajiste? Spanish: ¿Nos dejarán ir a casa ahora? ¿Nuestro padre consiguió que nos liberaran? - Uds. no irán a casa. - ¿Seguro haz hablado con él? Tuve tres largas y duras reuniones con él. Pero no pude convercerlo que me diera lo que le pedí. No te creo.El pagaría cualquier cosa. Nada. En vez, envió una compañía de valientes caballeros por el camino tenebroso . Los pobres muchachos apenas llegaron a la tercera maldición. Llevénselas. - Vamos. - ¡No! No puedes hacer esto. Esto no puede estar pasando. No puede haber alguien más cruel y diabólico que tú. De verdad, Helena. Esta no es la primera vez que una princesa alimenta a mi dragón. Y por estos lados eso sucede una vez a la semana. A menos que tengas lo que quieras. ¿Qué rescate pediste por mí? Lo siento, pero tu eres un caso particular. Aún no he pedido rescate. ¿Entonces por qué me trajiste? English: We're free to go home now? Father arranged for our release? - You're not going home. - Surely you must have spoken to him? I've had three long, dull sessions with him. But nothing could persuade him to give up what I asked for. I don't believe you. He'd pay you anything. Nothing. Instead, he sent an entire company of his bravest knights on the Dark Journey. The poor lads never even reached the third curse. Take them away. - Come on. - No! You can't do this. That just can't be happening. There just couldn't be anybody as cruel and evil as you. Really, Helene. This isn't the first time that a princess has been fed to a dragon. And at least around here, it happens only once a week. Unless you get what you want. What ransom are you asking for me? I'm sorry, but you happen to be a particular case. I'm not asking any ransom for you at all. Then why did you bring me here? Spanish: ¿Nos dejarán ir a casa ahora? ¿Nuestro padre consiguió que nos liberaran? - Uds. no irán a casa. - ¿Seguro haz hablado con él? Tuve tres largas y duras reuniones con él. Pero no pude convercerlo que me diera lo que le pedí. No te creo.El pagaría cualquier cosa. Nada. En vez, envió una compañía de valientes caballeros por el camino tenebroso . Los pobres muchachos apenas llegaron a la tercera maldición. Llevénselas. - Vamos. - ¡No! No puedes hacer esto. Esto no puede estar pasando. No puede haber alguien más cruel y diabólico que tú. De verdad, Helena. Esta no es la primera vez que una princesa alimenta a mi dragón. Y por estos lados eso sucede una vez a la semana. A menos que tengas lo que quieras. ¿Qué rescate pediste por mí? Lo siento, pero tu eres un caso particular. Aún no he pedido rescate. ¿Entonces por qué me trajiste? Spanish: ¿Nos dejarán ir a casa ahora? ¿Nuestro padre consiguió que nos liberaran? - Uds. no irán a casa. - ¿Seguro haz hablado con él? Tuve tres largas y duras reuniones con él. Pero no pude convercerlo que me diera lo que le pedí. No te creo.El pagaría cualquier cosa. Nada. En vez, envió una compañía de valientes caballeros por el camino tenebroso . Los pobres muchachos apenas llegaron a la tercera maldición. Llevénselas. - Vamos. - ¡No! No puedes hacer esto. Esto no puede estar pasando. No puede haber alguien más cruel y diabólico que tú. De verdad, Helena. Esta no es la primera vez que una princesa alimenta a mi dragón. Y por estos lados eso sucede una vez a la semana. A menos que tengas lo que quieras. ¿Qué rescate pediste por mí? Lo siento, pero tu eres un caso particular. Aún no he pedido rescate. ¿Entonces por qué me trajiste? Croatian: Za tebe ne tražim nikakvu otkupninu. Zašto ste me onda doveli ovdje? Moj mali ljubimac će biti ponovo gladan za šest dana. Hajde, idemo gledati. Ne, molim vas, ne. Slušaj. Vjetar nosi dobro. Nemoj okretati glavu. Propustit ćeš svu zabavu. Vidiš? Sve se odigrava vrlo brzo. Sada moj mali ljubimac može spavati. - Oh, to je užasno. Ali to se neće dogoditi meni. Njihov otac šalje nekolicinu. Pa, moj šalje vojsku. A ja te ne želim obeshrabriti. U stvari, prije nekog vremena... tvoj otac je odlučio da pošalje samo jednog viteza da te oslobodi. Ne krivi svog oca. Vitez ga je sam to zamolio. I tko je taj veoma hrabar čovjek? Siguran sam da ga znaš. Sir Branton. - Sir Branton? - Ti ne voliš Sir Brantona? English: My little pet will be hungry again in six days' time. - Come, let's watch. - No, please, no. Listen in. The wind carries well. Don't turn your head away. You'll miss all the fun. See? It all happens very quickly. - Now my little pet can sleep. - Oh, it's horrible. But it won't happen to me. Their father sent a company. Well, mine will send an army. And I hate to disillusion you. Actually, for a while... your father seemed content to let just one knight undertake your rescue. Don't blame your father. The knight talked him into it. And who is this very brave man? I'm sure you know him. Sir Branton. - Sir Branton? - You don't like Sir Branton? Oh, come now. Spanish: Mi pequeña mascota estará hambrienta en seis días. -Vamos, mira. - No, por favor, no. escucha. El viento sopla bien. No voltees tu cabeza. Te perderás la diversión. ¿Ver? Pasó tan rápido. - Ahora mi mascota podrá dormir. - Oh, es horrible. Pero no me pasará a mí. Su padre envió una compañía. El mío enviará un ejército. Odio desilucionarte. De hecho, en este momento... tu padre se ve contento de dejar que un solo caballero te rescate. No culpes a tu padre. El caballero lo convenció. ¿Y quién es el valiente? Estoy seguro conoces a Sir Branton. - ¿Sir Branton? - ¿No te agrada Sir Branton? Oh, ven. Spanish: Mi pequeña mascota estará hambrienta en seis días. -Vamos, mira. - No, por favor, no. escucha. El viento sopla bien. No voltees tu cabeza. Te perderás la diversión. ¿Ver? Pasó tan rápido. - Ahora mi mascota podrá dormir. - Oh, es horrible. Pero no me pasará a mí. Su padre envió una compañía. El mío enviará un ejército. Odio desilucionarte. De hecho, en este momento... tu padre se ve contento de dejar que un solo caballero te rescate. No culpes a tu padre. El caballero lo convenció. ¿Y quién es el valiente? Estoy seguro conoces a Sir Branton. - ¿Sir Branton? - ¿No te agrada Sir Branton? Oh, ven. Spanish: Mi pequeña mascota estará hambrienta en seis días. -Vamos, mira. - No, por favor, no. escucha. El viento sopla bien. No voltees tu cabeza. Te perderás la diversión. ¿Ver? Pasó tan rápido. - Ahora mi mascota podrá dormir. - Oh, es horrible. Pero no me pasará a mí. Su padre envió una compañía. El mío enviará un ejército. Odio desilucionarte. De hecho, en este momento... tu padre se ve contento de dejar que un solo caballero te rescate. No culpes a tu padre. El caballero lo convenció. ¿Y quién es el valiente? Estoy seguro conoces a Sir Branton. - ¿Sir Branton? - ¿No te agrada Sir Branton? Oh, ven. Croatian: Oh, hajde. Siromašne djevojke si nisu mogle priuštiti da biraju. Svejedno, ne brini, sam ili sa svojim kompanjonima nikada neće stići ovdje. Kompanjonima? Mislila sam da si rekao da je Sir Branton sam. Trebao je biti. Ali neki ludo-hrabri mladić po imenu George je inzistirao da pođe sa njim. - George? Naravno, njega ne poznaš. Gdje je on? Stalo ti je da ga vidiš? Da ga vidim? Naravno. Pokazat ću ti mladu budalu. Reci mi, koji od njih je George? Najmlađi. On je na čelu, jaše sa Sir Brantonom. Oni koji su mudri vratit će se odmah. Spanish: Mi pequeña mascota estará hambrienta en seis días. -Vamos, mira. - No, por favor, no. escucha. El viento sopla bien. No voltees tu cabeza. Te perderás la diversión. ¿Ver? Pasó tan rápido. - Ahora mi mascota podrá dormir. - Oh, es horrible. Pero no me pasará a mí. Su padre envió una compañía. El mío enviará un ejército. Odio desilucionarte. De hecho, en este momento... tu padre se ve contento de dejar que un solo caballero te rescate. No culpes a tu padre. El caballero lo convenció. ¿Y quién es el valiente? Estoy seguro conoces a Sir Branton. - ¿Sir Branton? - ¿No te agrada Sir Branton? Oh, ven. Spanish: Mi pequeña mascota estará hambrienta en seis días. -Vamos, mira. - No, por favor, no. escucha. El viento sopla bien. No voltees tu cabeza. Te perderás la diversión. ¿Ver? Pasó tan rápido. - Ahora mi mascota podrá dormir. - Oh, es horrible. Pero no me pasará a mí. Su padre envió una compañía. El mío enviará un ejército. Odio desilucionarte. De hecho, en este momento... tu padre se ve contento de dejar que un solo caballero te rescate. No culpes a tu padre. El caballero lo convenció. ¿Y quién es el valiente? Estoy seguro conoces a Sir Branton. - ¿Sir Branton? - ¿No te agrada Sir Branton? Oh, ven. Spanish: Una damisela en desgracia no puede darse el gusto de elegir. En todo caso no te preocupes. Ni él, ni sus compañeros llegarán acá. ¿Compañeros? Pensé que dijo que venía solo. Podría haber venido. Pero un joven estúpido llamado George insistió en acompañarlo. -¿George? -Por supuesto, no lo conoces. ¿Donde está él? - ¿Te preocupas por él? - ¿Quieres verlo? Seguro. Te mostraré al tonto. - Dime, ¿Cúal es George? - El más joven. El está al mando junto a Sir Branton. Si son listos se devolverán. Spanish: Una damisela en desgracia no puede darse el gusto de elegir. En todo caso no te preocupes. Ni él, ni sus compañeros llegarán acá. ¿Compañeros? Pensé que dijo que venía solo. Podría haber venido. Pero un joven estúpido llamado George insistió en acompañarlo. -¿George? -Por supuesto, no lo conoces. ¿Donde está él? - ¿Te preocupas por él? - ¿Quieres verlo? Seguro. Te mostraré al tonto. - Dime, ¿Cúal es George? - El más joven. El está al mando junto a Sir Branton. Si son listos se devolverán. Spanish: Una damisela en desgracia no puede darse el gusto de elegir. En todo caso no te preocupes. Ni él, ni sus compañeros llegarán acá. ¿Compañeros? Pensé que dijo que venía solo. Podría haber venido. Pero un joven estúpido llamado George insistió en acompañarlo. -¿George? -Por supuesto, no lo conoces. ¿Donde está él? - ¿Te preocupas por él? - ¿Quieres verlo? Seguro. Te mostraré al tonto. - Dime, ¿Cúal es George? - El más joven. El está al mando junto a Sir Branton. Si son listos se devolverán. Spanish: Una damisela en desgracia no puede darse el gusto de elegir. En todo caso no te preocupes. Ni él, ni sus compañeros llegarán acá. ¿Compañeros? Pensé que dijo que venía solo. Podría haber venido. Pero un joven estúpido llamado George insistió en acompañarlo. -¿George? -Por supuesto, no lo conoces. ¿Donde está él? - ¿Te preocupas por él? - ¿Quieres verlo? Seguro. Te mostraré al tonto. - Dime, ¿Cúal es George? - El más joven. El está al mando junto a Sir Branton. Si son listos se devolverán. Spanish: Una damisela en desgracia no puede darse el gusto de elegir. En todo caso no te preocupes. Ni él, ni sus compañeros llegarán acá. ¿Compañeros? Pensé que dijo que venía solo. Podría haber venido. Pero un joven estúpido llamado George insistió en acompañarlo. -¿George? -Por supuesto, no lo conoces. ¿Donde está él? - ¿Te preocupas por él? - ¿Quieres verlo? Seguro. Te mostraré al tonto. - Dime, ¿Cúal es George? - El más joven. El está al mando junto a Sir Branton. Si son listos se devolverán. English: A damsel in distress can't afford to pick and choose. Anyway, don't worry. Neither he nor his companions will ever get here. Companions? I thought you said Sir Branton was alone. He would have been. But some foolhardy young man named George insisted on coming with him. - George? - Of course, you don't know him. Where is he? - Would you care to see him? - See him? Certainly. I'll show you the young fool. - Tell me, which one is George? - The youngest. He's in the lead, riding with Sir Branton. Those who are wise will turn back now. Croatian: Ostanite, svi, on je moj. Spanish: ¡Atrás todos, es mío! Croatian: Taj konj je brz...ne može biti... Šta? Ne, samo glupa pomisao koja mi je prošla kroz glavu. Dakle, konj je brz. Moj ogre će ih ubiti obojicu. Jesi posve siguran? Spanish: ¡Atrás todos, es mío! English: Keep back, all of you, he's mine! Spanish: ¡Atrás todos, es mío! Spanish: ¡Atrás todos, es mío! Spanish: ¡Atrás todos, es mío! Spanish: - Ese caballo es veloz. ¿Podría ser... - ¿Qué? No,sólo una idea tonta que cruzó por mi cabeza. Es rápido ese caballo. Mi ogro los matará a ambos. ¿Estás muy seguro? Spanish: - Ese caballo es veloz. ¿Podría ser... - ¿Qué? No,sólo una idea tonta que cruzó por mi cabeza. Es rápido ese caballo. Mi ogro los matará a ambos. ¿Estás muy seguro? Croatian: Pobjedio je. Pobjedio te u tvojoj vlastitoj igri. Neka je. On će me spasiti. Znam da hoće. Nema šanse. Niko nikad nije pobjedio sedam prokletstava Lodaca. To je bilo samo prvo. Spanish: - Ese caballo es veloz. ¿Podría ser... - ¿Qué? No,sólo una idea tonta que cruzó por mi cabeza. Es rápido ese caballo. Mi ogro los matará a ambos. ¿Estás muy seguro? Spanish: - Ese caballo es veloz. ¿Podría ser... - ¿Qué? No,sólo una idea tonta que cruzó por mi cabeza. Es rápido ese caballo. Mi ogro los matará a ambos. ¿Estás muy seguro? English: - That horse is swift. It couldn't be that... - What? No, just a stupid thought that crossed my mind. So the horse is swift. My ogre will kill them both. Are you quite sure? Spanish: - Ese caballo es veloz. ¿Podría ser... - ¿Qué? No,sólo una idea tonta que cruzó por mi cabeza. Es rápido ese caballo. Mi ogro los matará a ambos. ¿Estás muy seguro? Spanish: El ganó. Te venció en tu propio juego. Sí, lo hizo. -El me salvará. Sé que lo hará. - No tiene chance. Nadie ha sobrevivido las siete maldiciones de Lodac. Esa fue sólo la primera. Spanish: El ganó. Te venció en tu propio juego. Sí, lo hizo. -El me salvará. Sé que lo hará. - No tiene chance. Nadie ha sobrevivido las siete maldiciones de Lodac. Esa fue sólo la primera. Spanish: El ganó. Te venció en tu propio juego. Sí, lo hizo. -El me salvará. Sé que lo hará. - No tiene chance. Nadie ha sobrevivido las siete maldiciones de Lodac. Esa fue sólo la primera. English: He won. He beat you at your own game. So he did. - He'll save me. I know he will. - Not a chance. No one has ever survived the seven curses of Lodac. That was only the first. Spanish: El ganó. Te venció en tu propio juego. Sí, lo hizo. -El me salvará. Sé que lo hará. - No tiene chance. Nadie ha sobrevivido las siete maldiciones de Lodac. Esa fue sólo la primera. Spanish: El ganó. Te venció en tu propio juego. Sí, lo hizo. -El me salvará. Sé que lo hará. - No tiene chance. Nadie ha sobrevivido las siete maldiciones de Lodac. Esa fue sólo la primera. Croatian: Upomoć. Spasite nas. Pustite nas van. Ovamo. Upomoć. Pustite nas van. Spasite nas. Croatian: Pomozite nam. Spasite nas. Oslobodite nas. Idemo natrag u tvoju čeliju, hoćemo li? Spanish: Socorro. Salvenos. Sueltanos. - Por aquí. - Socorro. Sácanos. Sueltanos. Socorro. Salvanos. Liberanos. Croatian: I dalje nema znaka od našeg galantnog komandira, Sir Brantona. Je li čovjek postao pogan... bez da pokaže poštovanje kada su jadni Ulrich i Pedro legli da odmore? Ili je čovjek kukavica, koji ne želi dići svoj mač protiv tog monstruma? Branton nije kukavica. U to sam siguran. Pričaj u đavolje ime. Izgubili smo vas na sahrani, Sir Brantone. Moje žaljenje, gospodo, je duboko kao i vaše vlastito. Ali pošto se svaka minuta računa... Mislio sam da je mudrije za mene da odjašim napred i izvidim. Što si otkrio? Uzjašite svoje konje, gospodo i dođite vidjeti sami. Spanish: Socorro. Salvenos. Sueltanos. - Por aquí. - Socorro. Sácanos. Sueltanos. Socorro. Salvanos. Liberanos. Spanish: Socorro. Salvenos. Sueltanos. - Por aquí. - Socorro. Sácanos. Sueltanos. Socorro. Salvanos. Liberanos. English: Help. Save us. Let us out. - Over here. - Help. Let us out. Save us. Help us. Save us. Free us. Spanish: Socorro. Salvenos. Sueltanos. - Por aquí. - Socorro. Sácanos. Sueltanos. Socorro. Salvanos. Liberanos. Spanish: Socorro. Salvenos. Sueltanos. - Por aquí. - Socorro. Sácanos. Sueltanos. Socorro. Salvanos. Liberanos. Spanish: Vuelve a tu celda. No hay señal de nuestro gallardo comandante, Sir Branton. Es un hombre pagano... que no rinde respeto al descanso de los pobres Ulrich y Pedro. ¿O el hombre es un cobarde que no fue capaz de levantar su espada contra ese monstruo? Branton no es un cobarde, estoy seguro. - Hablando del mismo diablo. - Lo extrañamos en el funeral, Sir Branton. Mis respetos son tan profundos como los vuestros señores. Pero como cada minuto cuenta... Pensé que era más inteligente adelantarse a reconocer. ¿Qué encontró? Monten sus caballos señores, y vean Uds. mismos. Croatian: Hoćete pogledati u to, George? Spanish: Vuelve a tu celda. No hay señal de nuestro gallardo comandante, Sir Branton. Es un hombre pagano... que no rinde respeto al descanso de los pobres Ulrich y Pedro. ¿O el hombre es un cobarde que no fue capaz de levantar su espada contra ese monstruo? Branton no es un cobarde, estoy seguro. - Hablando del mismo diablo. - Lo extrañamos en el funeral, Sir Branton. Mis respetos son tan profundos como los vuestros señores. Pero como cada minuto cuenta... Pensé que era más inteligente adelantarse a reconocer. ¿Qué encontró? Monten sus caballos señores, y vean Uds. mismos. English: Let's go back to your cell, shall we? And still not a sign of our gallant commander, Sir Branton. Is the man heathen... not to pay respects when poor Ulrich and Pedro are laid to rest? Or is the man a coward, not to have lifted his sword against that monster? Branton's no coward, I'm sure of that. - Talk of the devil himself. - We missed you at the burial, Sir Branton. My regrets, gentlemen, are as deep as your own. But since every minute counts... I thought it wiser for me to ride ahead and reconnoiter. What did you find? Mount your horses, gentlemen, and come see for yourselves. Spanish: Vuelve a tu celda. No hay señal de nuestro gallardo comandante, Sir Branton. Es un hombre pagano... que no rinde respeto al descanso de los pobres Ulrich y Pedro. ¿O el hombre es un cobarde que no fue capaz de levantar su espada contra ese monstruo? Branton no es un cobarde, estoy seguro. - Hablando del mismo diablo. - Lo extrañamos en el funeral, Sir Branton. Mis respetos son tan profundos como los vuestros señores. Pero como cada minuto cuenta... Pensé que era más inteligente adelantarse a reconocer. ¿Qué encontró? Monten sus caballos señores, y vean Uds. mismos. Spanish: Vuelve a tu celda. No hay señal de nuestro gallardo comandante, Sir Branton. Es un hombre pagano... que no rinde respeto al descanso de los pobres Ulrich y Pedro. ¿O el hombre es un cobarde que no fue capaz de levantar su espada contra ese monstruo? Branton no es un cobarde, estoy seguro. - Hablando del mismo diablo. - Lo extrañamos en el funeral, Sir Branton. Mis respetos son tan profundos como los vuestros señores. Pero como cada minuto cuenta... Pensé que era más inteligente adelantarse a reconocer. ¿Qué encontró? Monten sus caballos señores, y vean Uds. mismos. Spanish: Vuelve a tu celda. No hay señal de nuestro gallardo comandante, Sir Branton. Es un hombre pagano... que no rinde respeto al descanso de los pobres Ulrich y Pedro. ¿O el hombre es un cobarde que no fue capaz de levantar su espada contra ese monstruo? Branton no es un cobarde, estoy seguro. - Hablando del mismo diablo. - Lo extrañamos en el funeral, Sir Branton. Mis respetos son tan profundos como los vuestros señores. Pero como cada minuto cuenta... Pensé que era más inteligente adelantarse a reconocer. ¿Qué encontró? Monten sus caballos señores, y vean Uds. mismos. Croatian: Ovo izgleda kao nesigurno područje, Sir Branton. Hoćete sada biti sigurni da idemo pravim putem? Ili je to put na kojem smo svi? Magla postaje gušča. Gdje je Dennis? Gdje su James i Anthony? James! Dennis! Anthony! Ja sam ovdje. Dobro onda, drži se nas, budi blizu. Gdje je Anthony? - Anthony! Ja sam ovdje. Kojim ste vi putem? English: Will you look at that, George? This seems to be an unsavory region, Sir Branton. Would you be sure now that we were taking the right road? Or is it a road we're on at all? The fog's getting thicker. Where's Dennis? Where's James and Anthony? James! Dennis! Anthony! I'm over here. Well, then, keep with us, keep close. - Where's Anthony? - Anthony! Spanish: Mira eso George. Parece ser una desagradable región, Sir Branton. ¿Está seguro de haber tomado el camino correcto? ¿O este es el único que hay? La niebla espesa ¿Donde está Dennis? ¿Donde están James y Anthony? ¡James! ¡Dennis! ¡Anthony! Estoy aquí. Bien, júntense y no se separen. - ¿Donde está Anthony? -¡Anthony! Spanish: Mira eso George. Parece ser una desagradable región, Sir Branton. ¿Está seguro de haber tomado el camino correcto? ¿O este es el único que hay? La niebla espesa ¿Donde está Dennis? ¿Donde están James y Anthony? ¡James! ¡Dennis! ¡Anthony! Estoy aquí. Bien, júntense y no se separen. - ¿Donde está Anthony? -¡Anthony! Spanish: Mira eso George. Parece ser una desagradable región, Sir Branton. ¿Está seguro de haber tomado el camino correcto? ¿O este es el único que hay? La niebla espesa ¿Donde está Dennis? ¿Donde están James y Anthony? ¡James! ¡Dennis! ¡Anthony! Estoy aquí. Bien, júntense y no se separen. - ¿Donde está Anthony? -¡Anthony! Spanish: Mira eso George. Parece ser una desagradable región, Sir Branton. ¿Está seguro de haber tomado el camino correcto? ¿O este es el único que hay? La niebla espesa ¿Donde está Dennis? ¿Donde están James y Anthony? ¡James! ¡Dennis! ¡Anthony! Estoy aquí. Bien, júntense y no se separen. - ¿Donde está Anthony? -¡Anthony! Spanish: Mira eso George. Parece ser una desagradable región, Sir Branton. ¿Está seguro de haber tomado el camino correcto? ¿O este es el único que hay? La niebla espesa ¿Donde está Dennis? ¿Donde están James y Anthony? ¡James! ¡Dennis! ¡Anthony! Estoy aquí. Bien, júntense y no se separen. - ¿Donde está Anthony? -¡Anthony! Croatian: Ovamo! Nađite ga! Anthony, gdje si? Gdje si? Ovdje sam! Pomozite mi! Bio sam povučen unutra. Daj mi ruku. English: I'm over here! Which way are you? Here! Find him! Anthony, where are you? - Where are you? - I'm here! Help me! Spanish: ¡Estoy por aquí! ¿Donde están Uds? ¡Aquí! ¡Encuéntrenlo! ¿Anthony, donde estás? - ¿Donde estás? -¡Por aquí! ¡Ayudenme! Spanish: ¡Estoy por aquí! ¿Donde están Uds? ¡Aquí! ¡Encuéntrenlo! ¿Anthony, donde estás? - ¿Donde estás? -¡Por aquí! ¡Ayudenme! Spanish: ¡Estoy por aquí! ¿Donde están Uds? ¡Aquí! ¡Encuéntrenlo! ¿Anthony, donde estás? - ¿Donde estás? -¡Por aquí! ¡Ayudenme! Spanish: ¡Estoy por aquí! ¿Donde están Uds? ¡Aquí! ¡Encuéntrenlo! ¿Anthony, donde estás? - ¿Donde estás? -¡Por aquí! ¡Ayudenme! Croatian: Spasi se! Ili ćeš i ti umrijeti! Ne, gledaj! Moj mač će nas spasiti, kad bih ga barem mogao dokučiti. Spanish: ¡Estoy por aquí! ¿Donde están Uds? ¡Aquí! ¡Encuéntrenlo! ¿Anthony, donde estás? - ¿Donde estás? -¡Por aquí! ¡Ayudenme! Spanish: Me están tirando para abajo. Dame la mano. ¡Sálvate o morirás también! ¡No, mira! Mi espada nos salvará, si pudiera alcanzarla. Spanish: Me están tirando para abajo. Dame la mano. ¡Sálvate o morirás también! ¡No, mira! Mi espada nos salvará, si pudiera alcanzarla. English: I'm being pulled under. Give me your hand. Save yourself, or you'll die too! Spanish: Me están tirando para abajo. Dame la mano. ¡Sálvate o morirás también! ¡No, mira! Mi espada nos salvará, si pudiera alcanzarla. Spanish: Me están tirando para abajo. Dame la mano. ¡Sálvate o morirás también! ¡No, mira! Mi espada nos salvará, si pudiera alcanzarla. Spanish: Me están tirando para abajo. Dame la mano. ¡Sálvate o morirás también! ¡No, mira! Mi espada nos salvará, si pudiera alcanzarla. Croatian: {Y:i}Jeste li vidjeli naše zlo? Gdje je Anthony? Gdje je George? Nastavit ćemo jahati, gospodo. Oni su izgubljeni zauvijek, obojica. Ne obojica, gledajte! Anthony se pridružio Pedru i Ulrichu. Naprijed, gospodo. Spanish: ¿Ha visto a nuestros amigos? - ¿Donde está Anthony? - ¿Donde está George? Seguiremos caminos, caballeros. Ambos se han sacrificado por nosotros. English: No, look! My sword will save us, if only I can reach it. Have you seen nos amis? - Where is Anthony? - Where is George? We will ride on, gentlemen. They are lost for good, both of them. Spanish: ¿Ha visto a nuestros amigos? - ¿Donde está Anthony? - ¿Donde está George? Seguiremos caminos, caballeros. Ambos se han sacrificado por nosotros. Spanish: ¿Ha visto a nuestros amigos? - ¿Donde está Anthony? - ¿Donde está George? Seguiremos caminos, caballeros. Ambos se han sacrificado por nosotros. Spanish: ¿Ha visto a nuestros amigos? - ¿Donde está Anthony? - ¿Donde está George? Seguiremos caminos, caballeros. Ambos se han sacrificado por nosotros. Spanish: ¿Ha visto a nuestros amigos? - ¿Donde está Anthony? - ¿Donde está George? Seguiremos caminos, caballeros. Ambos se han sacrificado por nosotros. Spanish: No ambos, miren. Anthony se ha unido a Pedro y Ulrich. Adelante caballeros. English: Not both, look. Anthony has joined Pedro and Ulrich. Forward, gentlemen. Spanish: No ambos, miren. Anthony se ha unido a Pedro y Ulrich. Adelante caballeros. Spanish: No ambos, miren. Anthony se ha unido a Pedro y Ulrich. Adelante caballeros. Spanish: No ambos, miren. Anthony se ha unido a Pedro y Ulrich. Adelante caballeros. Croatian: Uh, koliko muke da bi se izašlo odavde. Čekaj dok mi ne dođe u ruke. - George? Nakon svega što sam učinila za tog dječaka. Da me prevari. Stavi me pod svoju moć, mene, svoju vlastitu pomajku. Gdje je on? Lodac. George. Njegov život je u opasnosti. Vi ste umorni. Mirujte, mirujte. Neću nikada mirovati dok ne bude siguran. Oh, moj dječače, što si uradio? Magično ogledalce... pokaži mi viziju moga dječačića. Zašto morate inzistirati da se moji kompanjoni vrate, Sir Branton? Ti i ja imamo dobar razlog da nastavimo mračno putovanje! Obojica smo zaljubljeni u istu djevojku, svaki od nas se nada da će je spasiti. Ali koji razlog imaju ostali da se suoče sa Lodacovim prokletstvima? Kao vaš zapovjednik, iskreno vam savjetujem da se vratite dok još imate vremena. Jesi li to čuo, George? Spanish: No ambos, miren. Anthony se ha unido a Pedro y Ulrich. Adelante caballeros. Croatian: Trebali bi se okrenuti i odjahati na sigurno ostavivši vas i Sir Brantona? - Sir Branton govori zdravim razumom. Jesi ti skrenuo sa pameti? Lodacova prokletstva su već počela. Ulrich, Pedro i Anthony. Dok god je ijedan od nas živ, ima nade da će Princeza biti spašena. Ipak, tebe ne mogu okriviti za odlazak. Između Lodacovih prokletstava i Brantonove podmuklosti, trebat ćeš nas. Ti Irski psu, što si mislio sa tom drskosti? -Pas, jesam li, ti licemjeru sa dva lica? Prestani, Pat! Zahtjevam objašnjenje. I dobit ćeš ga! Moji vitezovi vjeruju da želiš nastaviti putovanje sam... ...kako bi me se mogao otarasiti. Kakva besmislica. Ne možeš to poreči. Od početka odbijaš našu pomoć. Pa, naravno, nisam htio da ideš sam. Osim toga, zašto bi se čovjek pridružio svome rivalu? Ali kad je počelo mračno putovanje, prihvatio sam vas u potpunosti. Zavolio sam vas, čak vam se počeo diviti. Ipak će te nas jednom napustiti Sir George. Kakve sumnjičave misli. Samo zbog upletenosti u opasnost. Spanish: Oh, que trabajo salir de ahí. - Esperen que le ponga las manos encima. - ¿George? Después de lo que trabajado por ese niño. Engañarme. Usar mis poderes, contra su propia madre adoptiva. ¿Donde está? Lodac. Spanish: Oh, que trabajo salir de ahí. - Esperen que le ponga las manos encima. - ¿George? Después de lo que trabajado por ese niño. Engañarme. Usar mis poderes, contra su propia madre adoptiva. ¿Donde está? Lodac. English: My, what a job getting out of there. - Wait till I get my hands on him. - George? After all I've done for that boy. To trick me. Put me in his power, me, his own foster mother. Where is he? Lodac. Spanish: Oh, que trabajo salir de ahí. - Esperen que le ponga las manos encima. - ¿George? Después de lo que trabajado por ese niño. Engañarme. Usar mis poderes, contra su propia madre adoptiva. ¿Donde está? Lodac. Spanish: Oh, que trabajo salir de ahí. - Esperen que le ponga las manos encima. - ¿George? Después de lo que trabajado por ese niño. Engañarme. Usar mis poderes, contra su propia madre adoptiva. ¿Donde está? Lodac. Spanish: Oh, que trabajo salir de ahí. - Esperen que le ponga las manos encima. - ¿George? Después de lo que trabajado por ese niño. Engañarme. Usar mis poderes, contra su propia madre adoptiva. ¿Donde está? Lodac. Spanish: George. Su vida está en peligro. Estás cansada, agotada. Reposa, descansa. No descansaré hasta que esté a salvo. Oh, mi niño ¿Donde te has metido? Espejo mágico, da una visión de mi niño. ¿Por qué insiste en que mis compañeros vuelvan, Sir Branton? Nosotros tenemos una buena razón para seguir el camino tenebroso. Ambos estamos enamorados de la misma mujer, y cada cual desea rescatarla. ¿Pero qué razón tienen los otros para enfrentar las maldiciones de Lodac? Como vuestro líder, honestamente les advierto que regresen mientras hay tiempo. ¿Oiste eso, George? ¿Quieres que volvamos abandonándote a ti a a Sir Branton? - Sir Branton habla con sentido. - ¿Enfermaste del cerebro? Las maldiciones de Lodac han tomado a Ulrich, Pedro y Anthony. Mientras uno de nosotros viva, hay esperanza de salvar a la Princesa. Sin embargo, no podría culparlos si se van. English: George. His life is in danger. You're tired, tired. Rest, rest. I'll never rest again until I know he's safe. Oh, my boy, what have you done? Mirror of magic, bring me a vision of my boy. Why must you insist my companions turn back, Sir Branton? You and I have a good reason to continue the Dark Journey. Both of us in love with the same girl, each of us hopes to rescue her. But what reason have the others to face Lodac's curses? As your commander, I honestly advise you to turn back now while there is still time. Do you hear that, George? We should turn heel and ride back to safety, leaving you and Sir Branton? - Sir Branton makes good sense. - Are your wits addled? Lodac's curses have already claimed Ulrich, Pedro and Anthony. As long as there is one of us left alive, there's hope that the Princess can be saved. Nevertheless, I couldn't blame you for leaving. Spanish: George. Su vida está en peligro. Estás cansada, agotada. Reposa, descansa. No descansaré hasta que esté a salvo. Oh, mi niño ¿Donde te has metido? Espejo mágico, da una visión de mi niño. ¿Por qué insiste en que mis compañeros vuelvan, Sir Branton? Nosotros tenemos una buena razón para seguir el camino tenebroso. Ambos estamos enamorados de la misma mujer, y cada cual desea rescatarla. ¿Pero qué razón tienen los otros para enfrentar las maldiciones de Lodac? Como vuestro líder, honestamente les advierto que regresen mientras hay tiempo. ¿Oiste eso, George? ¿Quieres que volvamos abandonándote a ti a a Sir Branton? - Sir Branton habla con sentido. - ¿Enfermaste del cerebro? Las maldiciones de Lodac han tomado a Ulrich, Pedro y Anthony. Mientras uno de nosotros viva, hay esperanza de salvar a la Princesa. Sin embargo, no podría culparlos si se van. Spanish: George. Su vida está en peligro. Estás cansada, agotada. Reposa, descansa. No descansaré hasta que esté a salvo. Oh, mi niño ¿Donde te has metido? Espejo mágico, da una visión de mi niño. ¿Por qué insiste en que mis compañeros vuelvan, Sir Branton? Nosotros tenemos una buena razón para seguir el camino tenebroso. Ambos estamos enamorados de la misma mujer, y cada cual desea rescatarla. ¿Pero qué razón tienen los otros para enfrentar las maldiciones de Lodac? Como vuestro líder, honestamente les advierto que regresen mientras hay tiempo. ¿Oiste eso, George? ¿Quieres que volvamos abandonándote a ti a a Sir Branton? - Sir Branton habla con sentido. - ¿Enfermaste del cerebro? Las maldiciones de Lodac han tomado a Ulrich, Pedro y Anthony. Mientras uno de nosotros viva, hay esperanza de salvar a la Princesa. Sin embargo, no podría culparlos si se van. Spanish: George. Su vida está en peligro. Estás cansada, agotada. Reposa, descansa. No descansaré hasta que esté a salvo. Oh, mi niño ¿Donde te has metido? Espejo mágico, da una visión de mi niño. ¿Por qué insiste en que mis compañeros vuelvan, Sir Branton? Nosotros tenemos una buena razón para seguir el camino tenebroso. Ambos estamos enamorados de la misma mujer, y cada cual desea rescatarla. ¿Pero qué razón tienen los otros para enfrentar las maldiciones de Lodac? Como vuestro líder, honestamente les advierto que regresen mientras hay tiempo. ¿Oiste eso, George? ¿Quieres que volvamos abandonándote a ti a a Sir Branton? - Sir Branton habla con sentido. - ¿Enfermaste del cerebro? Las maldiciones de Lodac han tomado a Ulrich, Pedro y Anthony. Mientras uno de nosotros viva, hay esperanza de salvar a la Princesa. Sin embargo, no podría culparlos si se van. Spanish: George. Su vida está en peligro. Estás cansada, agotada. Reposa, descansa. No descansaré hasta que esté a salvo. Oh, mi niño ¿Donde te has metido? Espejo mágico, da una visión de mi niño. ¿Por qué insiste en que mis compañeros vuelvan, Sir Branton? Nosotros tenemos una buena razón para seguir el camino tenebroso. Ambos estamos enamorados de la misma mujer, y cada cual desea rescatarla. ¿Pero qué razón tienen los otros para enfrentar las maldiciones de Lodac? Como vuestro líder, honestamente les advierto que regresen mientras hay tiempo. ¿Oiste eso, George? ¿Quieres que volvamos abandonándote a ti a a Sir Branton? - Sir Branton habla con sentido. - ¿Enfermaste del cerebro? Las maldiciones de Lodac han tomado a Ulrich, Pedro y Anthony. Mientras uno de nosotros viva, hay esperanza de salvar a la Princesa. Sin embargo, no podría culparlos si se van. Croatian: Lodacova prokletstva će nas sve poubijati, jednog po jednog, prokletstvo po prokletstvo. Bit će kako sam rekao, ostajem sa Georgeom. Do kraja. Mi bi i dalje bili kipovi i buljili bi u onaj razrušeni zid... da nas George nije ponovno pretvorio u ljude. I koja je korist od toga ako ne možeš pomoći pobijediti dalekom prijatelju? Hvala ti, Pat. Svima vama. Evo ti odgovora. Divim se vašoj hrabrosti. Laku noć, gospodo. Negov jezik je kao med iz djetelinog tučka. Ne vjerujem ni riječ od onoga što je rekao. Ako ova igra dokaže prijevaru... Sir Branton će biti onaj koji se neće vratiti sa ovog putovanja. U to se kunem! English: Between the curses of Lodac and Branton's treachery, you'll be needing us. You Irish dog, what do you mean by such insolence? - Dog, am I, you two-faced hypocrite? - Stop it, Pat! - I demand an explanation. - And you shall have one. My knights believe you prefer to continue the journey alone... - so you could get rid of me. - What nonsense. You can't deny that. From the first, you refused our help. Well, of course, I didn't want you coming along. After all, what man wants to join forces with his rival? But once we had begun the Dark Journey, I accepted you completely. - I have come to like you, even admire you. - Yet you would have us leave Sir George. What suspicious minds. Only because of the dangers involved. Lodac's curses are killing us off one by one, curse by curse. Be that as it may, I stay with George. To the end. We'd still be statues staring at that blasted wall... if George hadn't turned us into men again. And what good is it being a man again if you can't help win the fair colleen? Croatian: Zdravo, Brantone. Gdje si? Ovdje sam. O, vidim da si u dobroj formi. U ugovoru, ja sam u divljoj formi.. Ne mogu podnijeti nekompetentnost. Trebao si doći ovdje sam na ovo lažno spašavanje.... Spanish: Entre las maldiciones de Lodac y la traición de Branton,nos necesitarás. Perro irlandés, ¿Qué insinúas con esa insolencia? - Perro, lo soy, hipócrita dos caras. - ¡Para, Pat! - Exijo una explicación. - Y la tendrá. Mis caballeros piensan que prefiere seguir el viaje solo... - para deshacerse de mí. - Que locura. No lo puede negar. Desde un principio rehusó nuestra ayuda. Claro, por supuesto, no quería que vinieran. ¿Después de todo, a qué hombre le gusta andar con su rival? Pero empezado el viaje tenebroso, los acepté plenamente. -He llegado a aceptarte, incluso te admiro. - Sin embargo quería que dejáramos a Sir George. Mentes sospechosas. Sólo por los peligros que involucra. Las maldiciones de Lodac nos matan uno por uno, maldición por maldición. Digan lo que quieran, me quedaré con George. Hasta el fin. Seguiríamos parados como estatuas en ese maldito muro.. si George no nos vuelve hombres nuevamente. Y es bueno ser hombre de nuevo si puedes ayudar a ganar en una causa justa. Gracias, Pat. A todos. Spanish: Entre las maldiciones de Lodac y la traición de Branton,nos necesitarás. Perro irlandés, ¿Qué insinúas con esa insolencia? - Perro, lo soy, hipócrita dos caras. - ¡Para, Pat! - Exijo una explicación. - Y la tendrá. Mis caballeros piensan que prefiere seguir el viaje solo... - para deshacerse de mí. - Que locura. No lo puede negar. Desde un principio rehusó nuestra ayuda. Claro, por supuesto, no quería que vinieran. ¿Después de todo, a qué hombre le gusta andar con su rival? Pero empezado el viaje tenebroso, los acepté plenamente. -He llegado a aceptarte, incluso te admiro. - Sin embargo quería que dejáramos a Sir George. Mentes sospechosas. Sólo por los peligros que involucra. Las maldiciones de Lodac nos matan uno por uno, maldición por maldición. Digan lo que quieran, me quedaré con George. Hasta el fin. Seguiríamos parados como estatuas en ese maldito muro.. si George no nos vuelve hombres nuevamente. Y es bueno ser hombre de nuevo si puedes ayudar a ganar en una causa justa. Gracias, Pat. A todos. Spanish: Entre las maldiciones de Lodac y la traición de Branton,nos necesitarás. Perro irlandés, ¿Qué insinúas con esa insolencia? - Perro, lo soy, hipócrita dos caras. - ¡Para, Pat! - Exijo una explicación. - Y la tendrá. Mis caballeros piensan que prefiere seguir el viaje solo... - para deshacerse de mí. - Que locura. No lo puede negar. Desde un principio rehusó nuestra ayuda. Claro, por supuesto, no quería que vinieran. ¿Después de todo, a qué hombre le gusta andar con su rival? Pero empezado el viaje tenebroso, los acepté plenamente. -He llegado a aceptarte, incluso te admiro. - Sin embargo quería que dejáramos a Sir George. Mentes sospechosas. Sólo por los peligros que involucra. Las maldiciones de Lodac nos matan uno por uno, maldición por maldición. Digan lo que quieran, me quedaré con George. Hasta el fin. Seguiríamos parados como estatuas en ese maldito muro.. si George no nos vuelve hombres nuevamente. Y es bueno ser hombre de nuevo si puedes ayudar a ganar en una causa justa. Gracias, Pat. A todos. Spanish: Entre las maldiciones de Lodac y la traición de Branton,nos necesitarás. Perro irlandés, ¿Qué insinúas con esa insolencia? - Perro, lo soy, hipócrita dos caras. - ¡Para, Pat! - Exijo una explicación. - Y la tendrá. Mis caballeros piensan que prefiere seguir el viaje solo... - para deshacerse de mí. - Que locura. No lo puede negar. Desde un principio rehusó nuestra ayuda. Claro, por supuesto, no quería que vinieran. ¿Después de todo, a qué hombre le gusta andar con su rival? Pero empezado el viaje tenebroso, los acepté plenamente. -He llegado a aceptarte, incluso te admiro. - Sin embargo quería que dejáramos a Sir George. Mentes sospechosas. Sólo por los peligros que involucra. Las maldiciones de Lodac nos matan uno por uno, maldición por maldición. Digan lo que quieran, me quedaré con George. Hasta el fin. Seguiríamos parados como estatuas en ese maldito muro.. si George no nos vuelve hombres nuevamente. Y es bueno ser hombre de nuevo si puedes ayudar a ganar en una causa justa. Gracias, Pat. A todos. Spanish: Entre las maldiciones de Lodac y la traición de Branton,nos necesitarás. Perro irlandés, ¿Qué insinúas con esa insolencia? - Perro, lo soy, hipócrita dos caras. - ¡Para, Pat! - Exijo una explicación. - Y la tendrá. Mis caballeros piensan que prefiere seguir el viaje solo... - para deshacerse de mí. - Que locura. No lo puede negar. Desde un principio rehusó nuestra ayuda. Claro, por supuesto, no quería que vinieran. ¿Después de todo, a qué hombre le gusta andar con su rival? Pero empezado el viaje tenebroso, los acepté plenamente. -He llegado a aceptarte, incluso te admiro. - Sin embargo quería que dejáramos a Sir George. Mentes sospechosas. Sólo por los peligros que involucra. Las maldiciones de Lodac nos matan uno por uno, maldición por maldición. Digan lo que quieran, me quedaré con George. Hasta el fin. Seguiríamos parados como estatuas en ese maldito muro.. si George no nos vuelve hombres nuevamente. Y es bueno ser hombre de nuevo si puedes ayudar a ganar en una causa justa. Gracias, Pat. A todos. Spanish: Ahí está nuestra respuesta. Admiro vuestro corage. Buenas noches, caballeros. Su lengua es tan dulce como una hoja de trebol. No creí una palabra de lo que el hombre dijo. Si probamos su traición... será Sir Branton quien no regrese de este viaje. Lo juro. Spanish: Ahí está nuestra respuesta. Admiro vuestro corage. Buenas noches, caballeros. Su lengua es tan dulce como una hoja de trebol. No creí una palabra de lo que el hombre dijo. Si probamos su traición... será Sir Branton quien no regrese de este viaje. Lo juro. Spanish: Ahí está nuestra respuesta. Admiro vuestro corage. Buenas noches, caballeros. Su lengua es tan dulce como una hoja de trebol. No creí una palabra de lo que el hombre dijo. Si probamos su traición... será Sir Branton quien no regrese de este viaje. Lo juro. Spanish: Ahí está nuestra respuesta. Admiro vuestro corage. Buenas noches, caballeros. Su lengua es tan dulce como una hoja de trebol. No creí una palabra de lo que el hombre dijo. Si probamos su traición... será Sir Branton quien no regrese de este viaje. Lo juro. Croatian: ovako, moram trošiti prokletstva da uništim Georgea i njegove vitezove. Govoreći o nekompetentnosti... za tri dana, morat ćeš uništiti samo trojicu od ovih budala... sa svim svojim magičnim močima. Ne sa svima, Brantone. Daj mi moj prsten i brzo ću ih dovesti u red. Kako bi tebi koristio prsten? Ni jedan smrtnik ne može upravljati njime. Dobit ćeš svoj prsten natrag kada ja dobijem Princezu. Takav je bio naš dogovor. Ne vjeruješ mi? Niti malo! Drzak si! Što ako te začaram i pretvorim u psa, štakora, ili mačku... i uzmem ti prsten ? Samo naprijed! Daj mi moj prsten, odmah! Lodac, ne možeš me povrijediti dok nosim tvoj prsten. Ali kad ga jednom dobiješ natrag što će me spasiti od tvojih prokletstava? Spanish: Ahí está nuestra respuesta. Admiro vuestro corage. Buenas noches, caballeros. Su lengua es tan dulce como una hoja de trebol. No creí una palabra de lo que el hombre dijo. Si probamos su traición... será Sir Branton quien no regrese de este viaje. Lo juro. English: Thank you, Pat. All of you. There's your answer. I have to admire your courage. Good night, gentlemen. His tongue is like the honey from a clover patch. I do not believe a word the man says. If his game proves to be treachery... it will be Sir Branton who does not return from this journey. This I swear. Spanish: - Hola, Branton. -¿Donde estás? Justo aquí. Bien, te veo de buen humor. Al contrario, estoy disgutado. No soporto la incompetencia. Tenías que venir solo en este falso rescate... pero en vez, debo malgastar mis maldiciones en George y sus caballeros. Hablando de incompetencia... en tres días has logrado deshacerte de solo tres de esos tontos entrometidos ... con todos tus poderes mágicos. -No con todos mis poderes, Branton. Spanish: - Hola, Branton. -¿Donde estás? Justo aquí. Bien, te veo de buen humor. Al contrario, estoy disgutado. No soporto la incompetencia. Tenías que venir solo en este falso rescate... pero en vez, debo malgastar mis maldiciones en George y sus caballeros. Hablando de incompetencia... en tres días has logrado deshacerte de solo tres de esos tontos entrometidos ... con todos tus poderes mágicos. -No con todos mis poderes, Branton. Spanish: - Hola, Branton. -¿Donde estás? Justo aquí. Bien, te veo de buen humor. Al contrario, estoy disgutado. No soporto la incompetencia. Tenías que venir solo en este falso rescate... pero en vez, debo malgastar mis maldiciones en George y sus caballeros. Hablando de incompetencia... en tres días has logrado deshacerte de solo tres de esos tontos entrometidos ... con todos tus poderes mágicos. -No con todos mis poderes, Branton. English: - Hello, Branton. - Where are you? I'm right here. Well, I see you're in a good mood. On the contrary, I'm in a savage mood. I can't stand incompetence. You were to come here alone on this phony rescue... but instead, I must waste my curses to destroy George and his knights. Talking about incompetence... in three days, you've only managed to destroy three of these interfering fools... - with all your magic powers. - Not all my magic powers, Branton. Spanish: - Hola, Branton. -¿Donde estás? Justo aquí. Bien, te veo de buen humor. Al contrario, estoy disgutado. No soporto la incompetencia. Tenías que venir solo en este falso rescate... pero en vez, debo malgastar mis maldiciones en George y sus caballeros. Hablando de incompetencia... en tres días has logrado deshacerte de solo tres de esos tontos entrometidos ... con todos tus poderes mágicos. -No con todos mis poderes, Branton. Croatian: Zašto bih te želio povrijediti? Zašto ne bi? Sada mi pomažeš samo zato jer želiš natrag svoj prsten... koji si tako glupo izgubio. Dobro, održat ću svoju riječ. Vratit ću ti ga za pet dana... kada prokletstva budu iza mene i kada dobijem Princezu. Težak si trgovac, Brantone. Obojica znamo što želimo i obojica ćemo to dobiti... dok god budeš držao podalje one vitezove posebno Sir Georgea. Sir George, da. Dva puta je izbjegao tvoje zamke, i mogao bi to ponoviti. Prestani brinuti, Brantone, gori si od stare babe. Ako George i njegovi vitezovine budu mrtvi do kraja tjedna... Umrijet će puno prije toga! I pod okolnostima najgorim od ičega što sam do sada uradio. Jedan od njih dolazi ovamo sada... u svoju smrt! Spanish: - Hola, Branton. -¿Donde estás? Justo aquí. Bien, te veo de buen humor. Al contrario, estoy disgutado. No soporto la incompetencia. Tenías que venir solo en este falso rescate... pero en vez, debo malgastar mis maldiciones en George y sus caballeros. Hablando de incompetencia... en tres días has logrado deshacerte de solo tres de esos tontos entrometidos ... con todos tus poderes mágicos. -No con todos mis poderes, Branton. English: Give me my ring, and I'll dispose of these men in quick order. What use is the ring to you? No mortal can command its magic. You'll get your ring back when I get the Princess. That was our bargain. - Don't you trust me? - Not an inch. You are insolent. What if I cast a spell over you and turn you into a dog or a rat or a cat... and take the ring? - Go ahead. - Give me my ring, now. Lodac, you can't hurt me while I wear your ring. But once you have it back, what's to save me from your curses? Why would I want to hurt you? Why wouldn't you? You're only helping me now because you want to get back this ring... which you so stupidly lost. Spanish: Dame mi anillo y dispondré de esos hombres rápidamente. ¿De qué te sirve el anillo a tí? Ningún mortal puede usar su magia. Tendrás el anillo cuando yo tenga a la Princesa. Ese fue el trato. - ¿No confías en mí? - Ni una pulgada. Insolente. Podría hechizarte y convertirte en perro, rata o gato... ¡Y tomar el anillo! - Adelante. - Dame mi anillo, ahora. Lodac, no puedes herirme si uso el anillo. Pero si lo devuelvo ¿Qué me salvará de tus maldiciones? ¿Porqué querría herirte? ¿Porqué no? Me ayudas sólo,para recuperar este anillo... que estupidamente perdiste. Bien, mantendré mi palabra. Te lo devolveré en cinco días más... Spanish: Dame mi anillo y dispondré de esos hombres rápidamente. ¿De qué te sirve el anillo a tí? Ningún mortal puede usar su magia. Tendrás el anillo cuando yo tenga a la Princesa. Ese fue el trato. - ¿No confías en mí? - Ni una pulgada. Insolente. Podría hechizarte y convertirte en perro, rata o gato... ¡Y tomar el anillo! - Adelante. - Dame mi anillo, ahora. Lodac, no puedes herirme si uso el anillo. Pero si lo devuelvo ¿Qué me salvará de tus maldiciones? ¿Porqué querría herirte? ¿Porqué no? Me ayudas sólo,para recuperar este anillo... que estupidamente perdiste. Bien, mantendré mi palabra. Te lo devolveré en cinco días más... Spanish: Dame mi anillo y dispondré de esos hombres rápidamente. ¿De qué te sirve el anillo a tí? Ningún mortal puede usar su magia. Tendrás el anillo cuando yo tenga a la Princesa. Ese fue el trato. - ¿No confías en mí? - Ni una pulgada. Insolente. Podría hechizarte y convertirte en perro, rata o gato... ¡Y tomar el anillo! - Adelante. - Dame mi anillo, ahora. Lodac, no puedes herirme si uso el anillo. Pero si lo devuelvo ¿Qué me salvará de tus maldiciones? ¿Porqué querría herirte? ¿Porqué no? Me ayudas sólo,para recuperar este anillo... que estupidamente perdiste. Bien, mantendré mi palabra. Te lo devolveré en cinco días más... Croatian: Dakle, galantni Francuz. Pratio me je. Vidio je mog konja. U redu. Nemoj izgubiti glavu. Pustimo ga neka dođe. Bit ćemo spremni za njega. {Y:i}- Malena moja, govoriš li francuski? - Naravno, gospodine. {Y:i}- Tko si ti? - Mignonette, gospodine. Spanish: Dame mi anillo y dispondré de esos hombres rápidamente. ¿De qué te sirve el anillo a tí? Ningún mortal puede usar su magia. Tendrás el anillo cuando yo tenga a la Princesa. Ese fue el trato. - ¿No confías en mí? - Ni una pulgada. Insolente. Podría hechizarte y convertirte en perro, rata o gato... ¡Y tomar el anillo! - Adelante. - Dame mi anillo, ahora. Lodac, no puedes herirme si uso el anillo. Pero si lo devuelvo ¿Qué me salvará de tus maldiciones? ¿Porqué querría herirte? ¿Porqué no? Me ayudas sólo,para recuperar este anillo... que estupidamente perdiste. Bien, mantendré mi palabra. Te lo devolveré en cinco días más... Spanish: Dame mi anillo y dispondré de esos hombres rápidamente. ¿De qué te sirve el anillo a tí? Ningún mortal puede usar su magia. Tendrás el anillo cuando yo tenga a la Princesa. Ese fue el trato. - ¿No confías en mí? - Ni una pulgada. Insolente. Podría hechizarte y convertirte en perro, rata o gato... ¡Y tomar el anillo! - Adelante. - Dame mi anillo, ahora. Lodac, no puedes herirme si uso el anillo. Pero si lo devuelvo ¿Qué me salvará de tus maldiciones? ¿Porqué querría herirte? ¿Porqué no? Me ayudas sólo,para recuperar este anillo... que estupidamente perdiste. Bien, mantendré mi palabra. Te lo devolveré en cinco días más... Croatian: {Y:i}Najdraža Mignonette. Čekao sam na tebe. Konačno, pronašao sam te. {Y:i}Ja sam također čekala. Oh, Dennis, volim te draga. {Y:i}To je predivno. {Y:i}- Poljubi me ponovo. - Ne, moj voljeni. {Y:i}Draga moja, uvijek sam te volio. {Y:i}I ja isto, dragi Dennis, i ja tebe volim. English: Well, I'll keep my word. I'll give it back in five days' time... when these curses are behind me and I've claimed the Princess. You're a tough trader, Branton. We both know what we want, and we're both going to get it... so long as you dispose of these knights, especially Sir George. Sir George, yes. Twice he's squirmed out of your trap, and he could do it again. Stop worrying, Branton, you're worse than an old woman. If George and his knights are not dead by week's end... They'll die long before that. And in circumstances worse than anything I've conjured up yet. One of them is coming here now... to his death. Well, the gallant Frenchman. Spanish: cuando las maldiciones queden atrás y reclame a la Princesa. Eres buen negociante, Branton. Ambos sabemos lo que queremos y lo obtendremos... así que dispón de esos caballeros especialmente de Sir George. Sir George, sí. Dos veces ha escapado de tus trampas y podría volver a hacerlo. Deja de llorar, Branton, eres peor que una anciana. Si George y sus caballeros no han muerto al acabar la semana... Morirán antes de eso. Y si las cosas empeoran usaré mis hechizos. Uno de ellos se acerca... a su muerte. Bien, el galante francés. Spanish: cuando las maldiciones queden atrás y reclame a la Princesa. Eres buen negociante, Branton. Ambos sabemos lo que queremos y lo obtendremos... así que dispón de esos caballeros especialmente de Sir George. Sir George, sí. Dos veces ha escapado de tus trampas y podría volver a hacerlo. Deja de llorar, Branton, eres peor que una anciana. Si George y sus caballeros no han muerto al acabar la semana... Morirán antes de eso. Y si las cosas empeoran usaré mis hechizos. Uno de ellos se acerca... a su muerte. Bien, el galante francés. Spanish: cuando las maldiciones queden atrás y reclame a la Princesa. Eres buen negociante, Branton. Ambos sabemos lo que queremos y lo obtendremos... así que dispón de esos caballeros especialmente de Sir George. Sir George, sí. Dos veces ha escapado de tus trampas y podría volver a hacerlo. Deja de llorar, Branton, eres peor que una anciana. Si George y sus caballeros no han muerto al acabar la semana... Morirán antes de eso. Y si las cosas empeoran usaré mis hechizos. Uno de ellos se acerca... a su muerte. Bien, el galante francés. Spanish: cuando las maldiciones queden atrás y reclame a la Princesa. Eres buen negociante, Branton. Ambos sabemos lo que queremos y lo obtendremos... así que dispón de esos caballeros especialmente de Sir George. Sir George, sí. Dos veces ha escapado de tus trampas y podría volver a hacerlo. Deja de llorar, Branton, eres peor que una anciana. Si George y sus caballeros no han muerto al acabar la semana... Morirán antes de eso. Y si las cosas empeoran usaré mis hechizos. Uno de ellos se acerca... a su muerte. Bien, el galante francés. Spanish: cuando las maldiciones queden atrás y reclame a la Princesa. Eres buen negociante, Branton. Ambos sabemos lo que queremos y lo obtendremos... así que dispón de esos caballeros especialmente de Sir George. Sir George, sí. Dos veces ha escapado de tus trampas y podría volver a hacerlo. Deja de llorar, Branton, eres peor que una anciana. Si George y sus caballeros no han muerto al acabar la semana... Morirán antes de eso. Y si las cosas empeoran usaré mis hechizos. Uno de ellos se acerca... a su muerte. Bien, el galante francés. Spanish: - Me ha seguido. Vió mi caballo. - Bien. No pierdas la cabeza. Deja que venga. Estaremos listos para él. - Pequeña,hablas francés? - Naturalmente, señor. -¿Cómo te llamas? - Mignonette, señor. Croatian: To je bilo blizo. {Y:i}Spasio si mi život, moj prijatelju. Mi Francuzi imamo slabost prema lijepim ženama. Lodac te je začarao. Da. Trebao sam znati da tako lijepo biće ne bi bilo vani tako rano. Ali su mi pokradene sve misli osim jedne. Lodac zna kako Parižani osjećaju. Zašto si došao ovdje? Ne sjećam se. {Y:i}- Čekaj. Moj idolu. - Šta je to? - Branton. - Šta sa njim? On je u toj kolibi. Siguran sam u to. Vidio sam njegovog konja. Još uvijek je tamo. English: - He followed me. He's seen my horse. - All right. Don't lose your head. Let him come in here. We'll be ready for him. - My little one, do you speak French? - Naturally, mister. - Who are you? - Mignonette, mister. Spanish: - Me ha seguido. Vió mi caballo. - Bien. No pierdas la cabeza. Deja que venga. Estaremos listos para él. - Pequeña,hablas francés? - Naturalmente, señor. -¿Cómo te llamas? - Mignonette, señor. Spanish: - Me ha seguido. Vió mi caballo. - Bien. No pierdas la cabeza. Deja que venga. Estaremos listos para él. - Pequeña,hablas francés? - Naturalmente, señor. -¿Cómo te llamas? - Mignonette, señor. Spanish: - Me ha seguido. Vió mi caballo. - Bien. No pierdas la cabeza. Deja que venga. Estaremos listos para él. - Pequeña,hablas francés? - Naturalmente, señor. -¿Cómo te llamas? - Mignonette, señor. Spanish: - Me ha seguido. Vió mi caballo. - Bien. No pierdas la cabeza. Deja que venga. Estaremos listos para él. - Pequeña,hablas francés? - Naturalmente, señor. -¿Cómo te llamas? - Mignonette, señor. English: Dearest Mignonette. I have waited for you. Finally, I have found you. I have also waited. Oh, Dennis, I love you dearly. That's beautiful. - Kiss me again. - No, my beloved. My dear, I have always loved you. Me too, dear Dennis, I love you too. Spanish: Querida Mignonette. He esperado por tí. Y finalmente te encontré. Yo tambien te he esperado. Oh, Dennis, te amo cariño. Eras bellal. -Bésame. - No, mi amado. Cariño, siempre te he amado. Yo tambien, querido Dennis, Te amo. Croatian: {Y:i}- Sir Branton? - Gospodine Branton? Dakle, dobro jutro, gospodo. Je li dobro? Možemo li pitati što radite ovdje? Netko mora da misli za vas. Kao vaš zapovjednik, pomislio sam da bi bilo mudro malo špijunirati... Gornji kat ove kolibe je samo bolji položaj. Posljednji put kad si špijunirao Sir Anthony je umro. Uvijek se možeš vratiti, Sir Dennis. Čuli ste moj odgovor na to. Kako želiš. Hoćemo probuditi ostale i jahati? Gospodo. Spanish: Querida Mignonette. He esperado por tí. Y finalmente te encontré. Yo tambien te he esperado. Oh, Dennis, te amo cariño. Eras bellal. -Bésame. - No, mi amado. Cariño, siempre te he amado. Yo tambien, querido Dennis, Te amo. Spanish: Querida Mignonette. He esperado por tí. Y finalmente te encontré. Yo tambien te he esperado. Oh, Dennis, te amo cariño. Eras bellal. -Bésame. - No, mi amado. Cariño, siempre te he amado. Yo tambien, querido Dennis, Te amo. Spanish: Querida Mignonette. He esperado por tí. Y finalmente te encontré. Yo tambien te he esperado. Oh, Dennis, te amo cariño. Eras bellal. -Bésame. - No, mi amado. Cariño, siempre te he amado. Yo tambien, querido Dennis, Te amo. Spanish: Querida Mignonette. He esperado por tí. Y finalmente te encontré. Yo tambien te he esperado. Oh, Dennis, te amo cariño. Eras bellal. -Bésame. - No, mi amado. Cariño, siempre te he amado. Yo tambien, querido Dennis, Te amo. Spanish: Estuvo cerca. Salvaste mi vida, mon ami. Los franceses tenemos debilidad por las mujeres bonitas. Lodac te embrujó. Sí, debí comprender que una criatura tan bella no andaría por aquí a estas horas. Robó mis pensamientos excepto uno. Lodac sabe como piensa un parisiense. ¿Porqué viniste? No lo recuerdo. -Espera. Mon Dieu. - ¿Qué ocurre? - Branton. -¿Qué hay con él? Está en el molino.Estoy seguro. Vi su caballo. Aún debería estar. English: That was close. You saved my life, mon ami. We Frenchmen, we have a weakness for a pretty woman. Lodac bewitched you. Yes. I should have known that such a pretty creature will not be out this early hour. But I was robbed of all thought except one. Lodac knows how a Parisian feels. Why did you come here? I don't remember. - Wait. Mon Dieu. - What is it? - Branton. - What about him? He's in that mill. I'm sure of it. I saw his horse. He's still there. Spanish: Estuvo cerca. Salvaste mi vida, mon ami. Los franceses tenemos debilidad por las mujeres bonitas. Lodac te embrujó. Sí, debí comprender que una criatura tan bella no andaría por aquí a estas horas. Robó mis pensamientos excepto uno. Lodac sabe como piensa un parisiense. ¿Porqué viniste? No lo recuerdo. -Espera. Mon Dieu. - ¿Qué ocurre? - Branton. -¿Qué hay con él? Está en el molino.Estoy seguro. Vi su caballo. Aún debería estar. Croatian: Bungler! Lodac, umalo sam ga ubila. Pokušala sam. Mogla sam ih ubiti obojicu, ali taj štit, nisam mogla gledati u njega. Taj štit. Da, taj štit. Magični. Naravno da dječak ima magiju. - Sir George? Kako bi inače izbjegao tri prokletstva? Magija! A ja je čak nisam ni vidio. Ta njegova majka, Sybil, radi protiv mene. Magija je jaka, Lodac. Znam to. Kako ćeš je nadjačati? Zar nećeš trebati svoj prsten? Ne za Sybilinu magiju. Ali jednom kad dobijem prsten, to je Brantonov kraj... i Princeza će biti hrana za mog zmaja. Sve što sada moram uraditi je udvostručiti moju magiju. I sve što ti moraš učiniti je uništiti tog Francuza. Bila si prespora. Moraš naučiti lekciju. Ne. Gmiži vještice, gmiži! Za pet, šest, 10 sati. Gmiži dok te ne budem opet trebao. Spanish: Estuvo cerca. Salvaste mi vida, mon ami. Los franceses tenemos debilidad por las mujeres bonitas. Lodac te embrujó. Sí, debí comprender que una criatura tan bella no andaría por aquí a estas horas. Robó mis pensamientos excepto uno. Lodac sabe como piensa un parisiense. ¿Porqué viniste? No lo recuerdo. -Espera. Mon Dieu. - ¿Qué ocurre? - Branton. -¿Qué hay con él? Está en el molino.Estoy seguro. Vi su caballo. Aún debería estar. Spanish: Estuvo cerca. Salvaste mi vida, mon ami. Los franceses tenemos debilidad por las mujeres bonitas. Lodac te embrujó. Sí, debí comprender que una criatura tan bella no andaría por aquí a estas horas. Robó mis pensamientos excepto uno. Lodac sabe como piensa un parisiense. ¿Porqué viniste? No lo recuerdo. -Espera. Mon Dieu. - ¿Qué ocurre? - Branton. -¿Qué hay con él? Está en el molino.Estoy seguro. Vi su caballo. Aún debería estar. Spanish: Estuvo cerca. Salvaste mi vida, mon ami. Los franceses tenemos debilidad por las mujeres bonitas. Lodac te embrujó. Sí, debí comprender que una criatura tan bella no andaría por aquí a estas horas. Robó mis pensamientos excepto uno. Lodac sabe como piensa un parisiense. ¿Porqué viniste? No lo recuerdo. -Espera. Mon Dieu. - ¿Qué ocurre? - Branton. -¿Qué hay con él? Está en el molino.Estoy seguro. Vi su caballo. Aún debería estar. Spanish: - ¿Sir Branton? - ¿Seigneur Branton? Bien, buenos días caballeros. ¿Son buenos? Permítame preguntar que hacía aquí. Alguien tiene que pensar por Uds. Como su comandante, creí sensato venir a revisar. El segundo piso de este molino es un buen punto de observación. La último vez que revisó, Sir Anthony murió. - Aún puede volver, Sir Dennis. - Ya sabe mi respuesta a ello. Como quiera. ¿Despertamos a los otros para seguir? Caballeros. Spanish: - ¿Sir Branton? - ¿Seigneur Branton? Bien, buenos días caballeros. ¿Son buenos? Permítame preguntar que hacía aquí. Alguien tiene que pensar por Uds. Como su comandante, creí sensato venir a revisar. El segundo piso de este molino es un buen punto de observación. La último vez que revisó, Sir Anthony murió. - Aún puede volver, Sir Dennis. - Ya sabe mi respuesta a ello. Como quiera. ¿Despertamos a los otros para seguir? Caballeros. Croatian: Ne, Lodac. Pozdrav, Sybil. Izgledaš starije. Daj da vidim, nismo se sreli, koliko, sto godina? Ne želim razgovarati sa tobom. Ali ja želim sa tobom. Prouzročila si mi puno nevolja. Lodac, ako takneš dlaku sa glave mog sina, borit ću se sa tobom. Nema šanse. Nikad nisi imala pravi talent za vračanje. Uvijek si bio niža klasa. Niža klasa? Prilično si bespomoćna, Sybil. Za četiri dana, Princeza Helene postat će hrana za mog zmaja. A tvoj George će umrijeti i prije toga. Ne možeš ništa učiniti... osim gledati u svoje glupo ogledalo ili čarobni bazen. A sad, moram se pobrinuti za to. Lodac, vrati se. Čarobno ogledalce, prikaži Lodac. mi viziju Lodaca. Spanish: - ¿Sir Branton? - ¿Seigneur Branton? Bien, buenos días caballeros. ¿Son buenos? Permítame preguntar que hacía aquí. Alguien tiene que pensar por Uds. Como su comandante, creí sensato venir a revisar. El segundo piso de este molino es un buen punto de observación. La último vez que revisó, Sir Anthony murió. - Aún puede volver, Sir Dennis. - Ya sabe mi respuesta a ello. Como quiera. ¿Despertamos a los otros para seguir? Caballeros. English: - Sir Branton? - Seigneur Branton? Well, good morning, gentlemen. Is it good? May we ask what you're doing here? Someone has to do the thinking for you. As your commander, I thought it wise to spy out the countryside. The upper floor of this mill was the only vantage point. The last time you spied out the land, Sir Anthony died. - You can always turn back, Sir Dennis. - You have heard my answer to that. As you will. Shall we wake the others and ride on? Gentlemen. Spanish: - ¿Sir Branton? - ¿Seigneur Branton? Bien, buenos días caballeros. ¿Son buenos? Permítame preguntar que hacía aquí. Alguien tiene que pensar por Uds. Como su comandante, creí sensato venir a revisar. El segundo piso de este molino es un buen punto de observación. La último vez que revisó, Sir Anthony murió. - Aún puede volver, Sir Dennis. - Ya sabe mi respuesta a ello. Como quiera. ¿Despertamos a los otros para seguir? Caballeros. Spanish: - ¿Sir Branton? - ¿Seigneur Branton? Bien, buenos días caballeros. ¿Son buenos? Permítame preguntar que hacía aquí. Alguien tiene que pensar por Uds. Como su comandante, creí sensato venir a revisar. El segundo piso de este molino es un buen punto de observación. La último vez que revisó, Sir Anthony murió. - Aún puede volver, Sir Dennis. - Ya sabe mi respuesta a ello. Como quiera. ¿Despertamos a los otros para seguir? Caballeros. Spanish: ¡Mentirosa! Lodac, casi lo maté. Traté. Pude haber matado a los dos, pero el escudo,no pude enfrentarlo Ese escudo. Sí, ese escudo. Mágico. - Lógico, el chico tiene magia. - ¿Sir George? ¿Cómo pudo escapar de tres maldiciones? Magia. Y yo no la vi. Su madre adoptiva, Sybil, trabaja en mi contra. Su magia es fuerte, Lodac. Lo sé. ¿Cómo lo enfrentarás? ¿No necesitas tu anillo? No para la magia de Sybil. Pero cuando tenga mi anillo será el fin de Branton... Y la Princesa alimentará mi dragón. Todo lo que debo hacer es redoblar mi magia. Y todo lo que tú tenías que hacer era matar al francés. Fuiste muy lenta. Necesitas una lección. - No. - ¡Arrástrate, bruja! Spanish: ¡Mentirosa! Lodac, casi lo maté. Traté. Pude haber matado a los dos, pero el escudo,no pude enfrentarlo Ese escudo. Sí, ese escudo. Mágico. - Lógico, el chico tiene magia. - ¿Sir George? ¿Cómo pudo escapar de tres maldiciones? Magia. Y yo no la vi. Su madre adoptiva, Sybil, trabaja en mi contra. Su magia es fuerte, Lodac. Lo sé. ¿Cómo lo enfrentarás? ¿No necesitas tu anillo? No para la magia de Sybil. Pero cuando tenga mi anillo será el fin de Branton... Y la Princesa alimentará mi dragón. Todo lo que debo hacer es redoblar mi magia. Y todo lo que tú tenías que hacer era matar al francés. Fuiste muy lenta. Necesitas una lección. - No. - ¡Arrástrate, bruja! Spanish: ¡Mentirosa! Lodac, casi lo maté. Traté. Pude haber matado a los dos, pero el escudo,no pude enfrentarlo Ese escudo. Sí, ese escudo. Mágico. - Lógico, el chico tiene magia. - ¿Sir George? ¿Cómo pudo escapar de tres maldiciones? Magia. Y yo no la vi. Su madre adoptiva, Sybil, trabaja en mi contra. Su magia es fuerte, Lodac. Lo sé. ¿Cómo lo enfrentarás? ¿No necesitas tu anillo? No para la magia de Sybil. Pero cuando tenga mi anillo será el fin de Branton... Y la Princesa alimentará mi dragón. Todo lo que debo hacer es redoblar mi magia. Y todo lo que tú tenías que hacer era matar al francés. Fuiste muy lenta. Necesitas una lección. - No. - ¡Arrástrate, bruja! English: Bungler! Lodac, I almost killed him. I tried. I could have killed them both, but that shield, I couldn't face it. That shield. Yes, that shield. Magic. - Of course the boy has magic. - Sir George? How else could he have escaped three curses? Magic. And I didn't even see it. That foster mother, Sybil, is working against me. The magic is strong, Lodac. I know it. How will you counter it? Won't you need your ring? Not for Sybil's magic. But once I get my ring, that's the end of Branton... and the Princess will be fed to my dragon. All I have to do now is to redouble my magic. And all you had to do was destroy that Frenchman. You were too slow. You need to be taught a lesson. - No. - Crawl, hag, crawl! Croatian: Niža klasa, jesam li? Bespomoćna, jesam li? Dakle, ne mogu učiniti ništa da pomognem Georgeu. Oh, Lodac, zažalit ćeš zbog ovoga. Iskušaj me. Odavno je prošlo otkad nisam ovo probala. Jel bila jedna žlica ili dvije? Jedna, sigurna sam. Gdje je prah jednoroga? Spanish: ¡Mentirosa! Lodac, casi lo maté. Traté. Pude haber matado a los dos, pero el escudo,no pude enfrentarlo Ese escudo. Sí, ese escudo. Mágico. - Lógico, el chico tiene magia. - ¿Sir George? ¿Cómo pudo escapar de tres maldiciones? Magia. Y yo no la vi. Su madre adoptiva, Sybil, trabaja en mi contra. Su magia es fuerte, Lodac. Lo sé. ¿Cómo lo enfrentarás? ¿No necesitas tu anillo? No para la magia de Sybil. Pero cuando tenga mi anillo será el fin de Branton... Y la Princesa alimentará mi dragón. Todo lo que debo hacer es redoblar mi magia. Y todo lo que tú tenías que hacer era matar al francés. Fuiste muy lenta. Necesitas una lección. - No. - ¡Arrástrate, bruja! Spanish: ¡Mentirosa! Lodac, casi lo maté. Traté. Pude haber matado a los dos, pero el escudo,no pude enfrentarlo Ese escudo. Sí, ese escudo. Mágico. - Lógico, el chico tiene magia. - ¿Sir George? ¿Cómo pudo escapar de tres maldiciones? Magia. Y yo no la vi. Su madre adoptiva, Sybil, trabaja en mi contra. Su magia es fuerte, Lodac. Lo sé. ¿Cómo lo enfrentarás? ¿No necesitas tu anillo? No para la magia de Sybil. Pero cuando tenga mi anillo será el fin de Branton... Y la Princesa alimentará mi dragón. Todo lo que debo hacer es redoblar mi magia. Y todo lo que tú tenías que hacer era matar al francés. Fuiste muy lenta. Necesitas una lección. - No. - ¡Arrástrate, bruja! Spanish: Por cinco, seis , diez horas. Arrástrate hasta que te necesite. No, Lodac. Saludos, Sybil. Te ves vieja. Déjame ver, no nos hemos visto, que, ¿Cien años? No quiero hablarte. Pero yo sí lo deseo. Me has causado muchos problemas. Lodac, si tocas un pelo de la cabeza de mi niño, te combatiré. No tienes opción. Nunca has tenido talento para la magia. - Siempre has sido de segunda categoría. - ¿Segunda categoría? Eres una inútil, Sybil. En cuatro días, la Princesa Helena alimentará mi dragón. Y tu George morirá mucho antes de eso. Nada puedes hacer... excepto mirar en tu estúpido espejo o en tu laguna encantada. Y ahora, me ocuparé de ellos Lodac, vuelve. Spanish: Por cinco, seis , diez horas. Arrástrate hasta que te necesite. No, Lodac. Saludos, Sybil. Te ves vieja. Déjame ver, no nos hemos visto, que, ¿Cien años? No quiero hablarte. Pero yo sí lo deseo. Me has causado muchos problemas. Lodac, si tocas un pelo de la cabeza de mi niño, te combatiré. No tienes opción. Nunca has tenido talento para la magia. - Siempre has sido de segunda categoría. - ¿Segunda categoría? Eres una inútil, Sybil. En cuatro días, la Princesa Helena alimentará mi dragón. Y tu George morirá mucho antes de eso. Nada puedes hacer... excepto mirar en tu estúpido espejo o en tu laguna encantada. Y ahora, me ocuparé de ellos Lodac, vuelve. Spanish: Por cinco, seis , diez horas. Arrástrate hasta que te necesite. No, Lodac. Saludos, Sybil. Te ves vieja. Déjame ver, no nos hemos visto, que, ¿Cien años? No quiero hablarte. Pero yo sí lo deseo. Me has causado muchos problemas. Lodac, si tocas un pelo de la cabeza de mi niño, te combatiré. No tienes opción. Nunca has tenido talento para la magia. - Siempre has sido de segunda categoría. - ¿Segunda categoría? Eres una inútil, Sybil. En cuatro días, la Princesa Helena alimentará mi dragón. Y tu George morirá mucho antes de eso. Nada puedes hacer... excepto mirar en tu estúpido espejo o en tu laguna encantada. Y ahora, me ocuparé de ellos Lodac, vuelve. Spanish: Por cinco, seis , diez horas. Arrástrate hasta que te necesite. No, Lodac. Saludos, Sybil. Te ves vieja. Déjame ver, no nos hemos visto, que, ¿Cien años? No quiero hablarte. Pero yo sí lo deseo. Me has causado muchos problemas. Lodac, si tocas un pelo de la cabeza de mi niño, te combatiré. No tienes opción. Nunca has tenido talento para la magia. - Siempre has sido de segunda categoría. - ¿Segunda categoría? Eres una inútil, Sybil. En cuatro días, la Princesa Helena alimentará mi dragón. Y tu George morirá mucho antes de eso. Nada puedes hacer... excepto mirar en tu estúpido espejo o en tu laguna encantada. Y ahora, me ocuparé de ellos Lodac, vuelve. English: For five, six, 10 hours. Crawl until I need you again. No, Lodac. Greetings, Sybil. You're looking older. Let me see, we haven't met in, what, a hundred years? I don't want to talk to you. But I want to talk to you. You've caused me quite a lot of trouble. Lodac, if you touch a hair of my boy's head, I'll fight you. Not a chance. You never had any real talent for witchcraft. - You were always tenth-rate. - Tenth-rate? You're quite helpless, Sybil. In four days, the Princess Helene will be fed to my dragon. And your George will die even sooner than that. There's nothing you can do... except look in your stupid mirror or magic pool. And now, I'll take care of that. Spanish: Por cinco, seis , diez horas. Arrástrate hasta que te necesite. No, Lodac. Saludos, Sybil. Te ves vieja. Déjame ver, no nos hemos visto, que, ¿Cien años? No quiero hablarte. Pero yo sí lo deseo. Me has causado muchos problemas. Lodac, si tocas un pelo de la cabeza de mi niño, te combatiré. No tienes opción. Nunca has tenido talento para la magia. - Siempre has sido de segunda categoría. - ¿Segunda categoría? Eres una inútil, Sybil. En cuatro días, la Princesa Helena alimentará mi dragón. Y tu George morirá mucho antes de eso. Nada puedes hacer... excepto mirar en tu estúpido espejo o en tu laguna encantada. Y ahora, me ocuparé de ellos Lodac, vuelve. Croatian: Sada, da vidimo. Bila su dva korijena? Što još ide unutra? Oči. Ne, neču imati oči u ovome. Oh, da. Naravno! Grobarska prašina. Spanish: Espejo mágico, muéstrame a Lodac. ¿Yo, de segunda categoría? ¿Yo, una inútil? Así que no puedo hacer nada para ayudar a George. Oh, Lodac,lamentarás esto. Adórame. Hace mucho que probé esto. ¿Eran una o dos cucharadas? Una, estoy segura. ¿Donde está el polvo de unicornio? Spanish: Espejo mágico, muéstrame a Lodac. ¿Yo, de segunda categoría? ¿Yo, una inútil? Así que no puedo hacer nada para ayudar a George. Oh, Lodac,lamentarás esto. Adórame. Hace mucho que probé esto. ¿Eran una o dos cucharadas? Una, estoy segura. ¿Donde está el polvo de unicornio? Spanish: Espejo mágico, muéstrame a Lodac. ¿Yo, de segunda categoría? ¿Yo, una inútil? Así que no puedo hacer nada para ayudar a George. Oh, Lodac,lamentarás esto. Adórame. Hace mucho que probé esto. ¿Eran una o dos cucharadas? Una, estoy segura. ¿Donde está el polvo de unicornio? Spanish: Espejo mágico, muéstrame a Lodac. ¿Yo, de segunda categoría? ¿Yo, una inútil? Así que no puedo hacer nada para ayudar a George. Oh, Lodac,lamentarás esto. Adórame. Hace mucho que probé esto. ¿Eran una o dos cucharadas? Una, estoy segura. ¿Donde está el polvo de unicornio? English: Lodac, come back. Mirror of magic, bring me a vision of Lodac. Tenth-rate, am I? Helpless, am I? So, I can't do anything to help George. Oh, Lodac, you'll be sorry for this. Dear me. It's a long time since I've tried this one. Was it one tablespoon or two? One, I'm sure. Where is the unicorn powder? Croatian: Vještice od Hecate, tamnije od tame... demoni srama, i meso na rašljama... učinite da naš George ne izgubi moći. Udvostruči mu moći i neka pobijedi Lodaca! Pitam se što Sybil sprema. To je krivi recept. Što si učinila, Sybil? Ja sam završila George, to sam napravila Uzela sam njegovu magiju od njega potpuno. George više nema magije.. Spanish: Espejo mágico, muéstrame a Lodac. ¿Yo, de segunda categoría? ¿Yo, una inútil? Así que no puedo hacer nada para ayudar a George. Oh, Lodac,lamentarás esto. Adórame. Hace mucho que probé esto. ¿Eran una o dos cucharadas? Una, estoy segura. ¿Donde está el polvo de unicornio? Spanish: Ahora, veamos. ¿Eran dos raíces de mandrágora? ¿Qué más llevaba? Ojos.No, no llevaba ojos.Oh, sí. De acuerdo. Tierra de cementerio. Spanish: Ahora, veamos. ¿Eran dos raíces de mandrágora? ¿Qué más llevaba? Ojos.No, no llevaba ojos.Oh, sí. De acuerdo. Tierra de cementerio. Croatian: Dennis! James! Gdje ste sada? Tu su tragovi njihovih konja. Ne mogu vjerovat da su ispred nas. Kako mogu podnijeti tu vrućinu? Svakog trena je sve toplije. Nemaš pravo da ih pustiš napred bez nas. Što sam mogao učiniti? Otišli su prije svitanja prema drugoj strani. Sir Dennis je rekao da mi ne može vjerovati da više špijuniram ispred. Trebao si nas probuditi. Zakleli su se da će se vratiti prije svitanja. Ako je vrućina još veća ispred, bit će reš pečeni do sada. Ne mogu disati. Ne mogu micati nogama. Spanish: Ahora, veamos. ¿Eran dos raíces de mandrágora? ¿Qué más llevaba? Ojos.No, no llevaba ojos.Oh, sí. De acuerdo. Tierra de cementerio. Spanish: Ahora, veamos. ¿Eran dos raíces de mandrágora? ¿Qué más llevaba? Ojos.No, no llevaba ojos.Oh, sí. De acuerdo. Tierra de cementerio. English: Now, let's see. Was it two mandrake roots? What else goes in? Eyes. No, I won't have eyes in this one. Oh, yes. Of course. Graveyard dirt. Spanish: Ahora, veamos. ¿Eran dos raíces de mandrágora? ¿Qué más llevaba? Ojos.No, no llevaba ojos.Oh, sí. De acuerdo. Tierra de cementerio. Spanish: Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... vean que a George no le falten poderes. ¡Doblen su magia para combatir a Lodac! Me pregunto que está cocinando Sybil. Me equivoqué de hechizo. ¿Qué hiciste Sybil? He acabado con el pobre George, eso es lo que hice. Le he quitado su magia completamente. English: Witches of Hecate, blacker than black... demons of shame, and flesh on the rack... see that our George no power shall lack. Double his magic and beat that Lodac! I wonder what Sybil's cooking up. It's the wrong recipe. What have you done, Sybil? I've finished poor George, that's what I've done. Spanish: Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... vean que a George no le falten poderes. ¡Doblen su magia para combatir a Lodac! Me pregunto que está cocinando Sybil. Me equivoqué de hechizo. ¿Qué hiciste Sybil? He acabado con el pobre George, eso es lo que hice. Le he quitado su magia completamente. Spanish: Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... vean que a George no le falten poderes. ¡Doblen su magia para combatir a Lodac! Me pregunto que está cocinando Sybil. Me equivoqué de hechizo. ¿Qué hiciste Sybil? He acabado con el pobre George, eso es lo que hice. Le he quitado su magia completamente. Spanish: Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... vean que a George no le falten poderes. ¡Doblen su magia para combatir a Lodac! Me pregunto que está cocinando Sybil. Me equivoqué de hechizo. ¿Qué hiciste Sybil? He acabado con el pobre George, eso es lo que hice. Le he quitado su magia completamente. Croatian: Ne prilazi, idi natrag ovdje vlada smrt. Ostani natrag. Mi smo završili. Idi natrag. Vrati se. Oče sa nebesa! George, jesi li pogledao tog čovjeka? Nije čak ni topao a mi gorimo. Zašto? Da. Zašto, Brantone? To je, gospodo, moja tajna. Spanish: Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... vean que a George no le falten poderes. ¡Doblen su magia para combatir a Lodac! Me pregunto que está cocinando Sybil. Me equivoqué de hechizo. ¿Qué hiciste Sybil? He acabado con el pobre George, eso es lo que hice. Le he quitado su magia completamente. Spanish: George ya no tiene magia. ¡Dennis! ¡James! ¿Donde están ahora? Están las marcas de sus caballos. No puede creer que se adelantaran. ¿Cómo soportarán este calor? Cada vez hay más calor. No tienes derecho a irte sin ellos o nosotros. ¿Qué más puedo hacer? Se despertaron antes del amanecer y con ganas de luchar Sir Dennis dijo que no confiaba en mí para adelantarme y explorar. Nos podría haber despertado. Juraron volver antes del alba. Si el calor empeora, no tardarán en convertirse en ceniza. Spanish: George ya no tiene magia. ¡Dennis! ¡James! ¿Donde están ahora? Están las marcas de sus caballos. No puede creer que se adelantaran. ¿Cómo soportarán este calor? Cada vez hay más calor. No tienes derecho a irte sin ellos o nosotros. ¿Qué más puedo hacer? Se despertaron antes del amanecer y con ganas de luchar Sir Dennis dijo que no confiaba en mí para adelantarme y explorar. Nos podría haber despertado. Juraron volver antes del alba. Si el calor empeora, no tardarán en convertirse en ceniza. English: I've taken his magic away from him completely. George has no more magic. Dennis! James! Where are you now? There are the tracks of their horses. I can't believe they're ahead of us. How could they take this heat? It's getting hotter by the moment. You had no right to let them go on without us. What could I do? They were up before daylight, and belligerent at that. Sir Dennis said that he couldn't trust me to spy out the land any longer. You could have wakened us. They swore they'd be back before daylight. If the heat's any worse up ahead, they'll be burned to a crisp by this time. Spanish: George ya no tiene magia. ¡Dennis! ¡James! ¿Donde están ahora? Están las marcas de sus caballos. No puede creer que se adelantaran. ¿Cómo soportarán este calor? Cada vez hay más calor. No tienes derecho a irte sin ellos o nosotros. ¿Qué más puedo hacer? Se despertaron antes del amanecer y con ganas de luchar Sir Dennis dijo que no confiaba en mí para adelantarme y explorar. Nos podría haber despertado. Juraron volver antes del alba. Si el calor empeora, no tardarán en convertirse en ceniza. Croatian: Konji trebaju vodu, također. Gdje je ovdje đavao? Mora biti ovdje negdje. Misliš, ja sam bio ovdje, George. - Branton. Žao mi je što vas moram napustiti sada. Najdalja točka susreta sa Princezom Helene. I također sa mojim partnerom, Lodacom. Partnerom? Spanish: George ya no tiene magia. ¡Dennis! ¡James! ¿Donde están ahora? Están las marcas de sus caballos. No puede creer que se adelantaran. ¿Cómo soportarán este calor? Cada vez hay más calor. No tienes derecho a irte sin ellos o nosotros. ¿Qué más puedo hacer? Se despertaron antes del amanecer y con ganas de luchar Sir Dennis dijo que no confiaba en mí para adelantarme y explorar. Nos podría haber despertado. Juraron volver antes del alba. Si el calor empeora, no tardarán en convertirse en ceniza. Spanish: George ya no tiene magia. ¡Dennis! ¡James! ¿Donde están ahora? Están las marcas de sus caballos. No puede creer que se adelantaran. ¿Cómo soportarán este calor? Cada vez hay más calor. No tienes derecho a irte sin ellos o nosotros. ¿Qué más puedo hacer? Se despertaron antes del amanecer y con ganas de luchar Sir Dennis dijo que no confiaba en mí para adelantarme y explorar. Nos podría haber despertado. Juraron volver antes del alba. Si el calor empeora, no tardarán en convertirse en ceniza. Spanish: No puedo respirar. No puedo mover mis piernas. No sigan. Vuelvan, la muerte ronda. Quedense. - Estamos acabados. - Vuelvan. Vuelvan. ¡Padre celestial! George, has visto a ese hombre? Ni siquiera suda y nosotros ardemos.¿Porqué? Sí.¿Porqué, Branton? Eso, señores, es mi secreto. Spanish: No puedo respirar. No puedo mover mis piernas. No sigan. Vuelvan, la muerte ronda. Quedense. - Estamos acabados. - Vuelvan. Vuelvan. ¡Padre celestial! George, has visto a ese hombre? Ni siquiera suda y nosotros ardemos.¿Porqué? Sí.¿Porqué, Branton? Eso, señores, es mi secreto. Spanish: No puedo respirar. No puedo mover mis piernas. No sigan. Vuelvan, la muerte ronda. Quedense. - Estamos acabados. - Vuelvan. Vuelvan. ¡Padre celestial! George, has visto a ese hombre? Ni siquiera suda y nosotros ardemos.¿Porqué? Sí.¿Porqué, Branton? Eso, señores, es mi secreto. Spanish: No puedo respirar. No puedo mover mis piernas. No sigan. Vuelvan, la muerte ronda. Quedense. - Estamos acabados. - Vuelvan. Vuelvan. ¡Padre celestial! George, has visto a ese hombre? Ni siquiera suda y nosotros ardemos.¿Porqué? Sí.¿Porqué, Branton? Eso, señores, es mi secreto. Spanish: No puedo respirar. No puedo mover mis piernas. No sigan. Vuelvan, la muerte ronda. Quedense. - Estamos acabados. - Vuelvan. Vuelvan. ¡Padre celestial! George, has visto a ese hombre? Ni siquiera suda y nosotros ardemos.¿Porqué? Sí.¿Porqué, Branton? Eso, señores, es mi secreto. English: I cannot breathe. I cannot move my legs. Don't come. Go back, it's death up here. Stay back. - We are finished. - Go back. Get back. Heavenly Father! George, will you be looking at that man? He's not even hot and we're burning. Why? Yes. Why, Branton? That, gentlemen, is my secret. Croatian: Da, njegov dvorac je preko brda. Ima li tko koju posljednju riječ? Nećeš nam pobjeći, Brantone. Već sam vam pobjegao, George. Što ćemo sada uraditi? Probit ćemo se. Sa Ascalonovom pomoći. - Ascalon? Nista znali da je moj mač čaroban? Otvara podove, zidove, vrata, bilo što. Bio je čaroban. Kao tvoj konj. Možda ga je Lodacova magija nadjačala. Nema koristi. Samo ćeš ga otupiti. Mora postojati drugi izlaz, Patrick. English: The horses want water, too. Spanish: Los caballos necesitan agua, tambien. Spanish: Los caballos necesitan agua, tambien. Spanish: Los caballos necesitan agua, tambien. Spanish: Los caballos necesitan agua, tambien. Spanish: Los caballos necesitan agua, tambien. Spanish: - ¿Donde diablos está? - Por aquí, en alguna parte. - Querrás decir que estuve aquí, George. - Branton. Lamento abandonarlos. Tengo una cita con la Princesa Helena. - Y tambien con mi socio, Lodac. -¿Socio? Sí, su castillo está sobre la colina. ¿Alguna última palabra de su parte? No escaparás, Branton. Ya lo ha hecho, George. ¿Qué haremos? - Escapar. Con la ayuda de Ascalon. - ¿Ascalon? ¿No sabías que mi espada es mágica? Abre pisos, muros, rejas, todo. - Era mágica. - Como tu caballo. Croatian: George, pomozi mi! Spanish: - ¿Donde diablos está? - Por aquí, en alguna parte. - Querrás decir que estuve aquí, George. - Branton. Lamento abandonarlos. Tengo una cita con la Princesa Helena. - Y tambien con mi socio, Lodac. -¿Socio? Sí, su castillo está sobre la colina. ¿Alguna última palabra de su parte? No escaparás, Branton. Ya lo ha hecho, George. ¿Qué haremos? - Escapar. Con la ayuda de Ascalon. - ¿Ascalon? ¿No sabías que mi espada es mágica? Abre pisos, muros, rejas, todo. - Era mágica. - Como tu caballo. Spanish: - ¿Donde diablos está? - Por aquí, en alguna parte. - Querrás decir que estuve aquí, George. - Branton. Lamento abandonarlos. Tengo una cita con la Princesa Helena. - Y tambien con mi socio, Lodac. -¿Socio? Sí, su castillo está sobre la colina. ¿Alguna última palabra de su parte? No escaparás, Branton. Ya lo ha hecho, George. ¿Qué haremos? - Escapar. Con la ayuda de Ascalon. - ¿Ascalon? ¿No sabías que mi espada es mágica? Abre pisos, muros, rejas, todo. - Era mágica. - Como tu caballo. English: - Where the devil is he? - He must be in here somewhere. - You mean I was in here, George. - Branton. I'm sorry I have to leave you now. A longstanding appointment with the Princess Helene. - And also with my partner, Lodac. - Partner? Yes, his castle is just over the hill. Any last words for either of them? You won't escape us, Branton. I already have escaped you, George. What do we do now? - We break out. With Ascalon's help. - Ascalon? Didn't you know my sword was magic? It opens floors, walls, gates, anything. Spanish: - ¿Donde diablos está? - Por aquí, en alguna parte. - Querrás decir que estuve aquí, George. - Branton. Lamento abandonarlos. Tengo una cita con la Princesa Helena. - Y tambien con mi socio, Lodac. -¿Socio? Sí, su castillo está sobre la colina. ¿Alguna última palabra de su parte? No escaparás, Branton. Ya lo ha hecho, George. ¿Qué haremos? - Escapar. Con la ayuda de Ascalon. - ¿Ascalon? ¿No sabías que mi espada es mágica? Abre pisos, muros, rejas, todo. - Era mágica. - Como tu caballo. Spanish: - ¿Donde diablos está? - Por aquí, en alguna parte. - Querrás decir que estuve aquí, George. - Branton. Lamento abandonarlos. Tengo una cita con la Princesa Helena. - Y tambien con mi socio, Lodac. -¿Socio? Sí, su castillo está sobre la colina. ¿Alguna última palabra de su parte? No escaparás, Branton. Ya lo ha hecho, George. ¿Qué haremos? - Escapar. Con la ayuda de Ascalon. - ¿Ascalon? ¿No sabías que mi espada es mágica? Abre pisos, muros, rejas, todo. - Era mágica. - Como tu caballo. Croatian: Kroz zid!! Ponovo je pobjegao. I Sir Patrick,? Ne. Patrick je gotov. Ali Sir George jaše ovamo. Nije bilo izlaza iz te pećine, Lodac. Jel to magija? Ne, nije magija. Kako je onda George pobjegao? Mislim, da, nešto jače od magije. Snaga Patrickove vjere. Spanish: Quizás la magia de Lodac es más fuerte. Es inútil. Quebrarás la hoja. Debe haber otra manera de salir, Patrick. Spanish: Quizás la magia de Lodac es más fuerte. Es inútil. Quebrarás la hoja. Debe haber otra manera de salir, Patrick. Spanish: Quizás la magia de Lodac es más fuerte. Es inútil. Quebrarás la hoja. Debe haber otra manera de salir, Patrick. English: - It was magic. - Like your horse. Perhaps Lodac's magic is a bit stronger. It's no use. You'll only be dulling the blade. There must be some other way out, Patrick. Spanish: Quizás la magia de Lodac es más fuerte. Es inútil. Quebrarás la hoja. Debe haber otra manera de salir, Patrick. Spanish: Quizás la magia de Lodac es más fuerte. Es inútil. Quebrarás la hoja. Debe haber otra manera de salir, Patrick. Croatian: On dolazi. Blizo je. Prolazi kroz vrata zamka. Spanish: ¡George,ayudame! ¡Por el muro! - Volvió a escapar. - ¿Sir Patrick, tambien? Spanish: ¡George,ayudame! ¡Por el muro! - Volvió a escapar. - ¿Sir Patrick, tambien? Spanish: ¡George,ayudame! ¡Por el muro! - Volvió a escapar. - ¿Sir Patrick, tambien? Spanish: ¡George,ayudame! ¡Por el muro! - Volvió a escapar. - ¿Sir Patrick, tambien? English: George, help me! Through the wall! Croatian: Kamo ide? - Helene. - Ne, Lodac, neću to dopustiti. Ne brini! Sve ću riješiti sa zadovoljstvom. Obećajem. Ionako ne zna put do njene ćelije. Ni ne treba. Kletva šestog prokletstva ga je već preuzela. Spanish: ¡George,ayudame! ¡Por el muro! - Volvió a escapar. - ¿Sir Patrick, tambien? English: - He's escaped again. - Sir Patrick, too? No. Patrick is finished. But Sir George is riding this way. There was no way out of that cave, Lodac. Was it magic? - No, not magic. - Then how did George escape? I think, yes, something stronger than magic. The power of Patrick's faith. He's coming. Nearer. He's arriving at the castle gates. Spanish: No. Patrick está acabado. Pero Sir George cabalga hasta acá. No había como escapar de la caverna, Lodac.¿Fue magia? - No, no es magia. - ¿Cómo escapó George? Creo, sí, algo más poderoso que la magia. El poder de la fe de Patrick. Ahí viene. Cerca. Llegó a la reja del castillo. Spanish: No. Patrick está acabado. Pero Sir George cabalga hasta acá. No había como escapar de la caverna, Lodac.¿Fue magia? - No, no es magia. - ¿Cómo escapó George? Creo, sí, algo más poderoso que la magia. El poder de la fe de Patrick. Ahí viene. Cerca. Llegó a la reja del castillo. Spanish: No. Patrick está acabado. Pero Sir George cabalga hasta acá. No había como escapar de la caverna, Lodac.¿Fue magia? - No, no es magia. - ¿Cómo escapó George? Creo, sí, algo más poderoso que la magia. El poder de la fe de Patrick. Ahí viene. Cerca. Llegó a la reja del castillo. Spanish: No. Patrick está acabado. Pero Sir George cabalga hasta acá. No había como escapar de la caverna, Lodac.¿Fue magia? - No, no es magia. - ¿Cómo escapó George? Creo, sí, algo más poderoso que la magia. El poder de la fe de Patrick. Ahí viene. Cerca. Llegó a la reja del castillo. Croatian: Mora da sanjam. Ali ti jesi George. Ili je ovo više od Lodacove magije? Ja sam stvaran baš kao i ti. Kako si me prepoznala? Mislim da bih te prepoznala bilo gdje. Lodac mi te pokazao, samo da bi me mučio. Dolazio si bliže i bliže. Spanish: No. Patrick está acabado. Pero Sir George cabalga hasta acá. No había como escapar de la caverna, Lodac.¿Fue magia? - No, no es magia. - ¿Cómo escapó George? Creo, sí, algo más poderoso que la magia. El poder de la fe de Patrick. Ahí viene. Cerca. Llegó a la reja del castillo. Croatian: Ali se uvijek kunio da nećeš nikada živ stići ovdje. Ali sam ovdje, i odlazimo zajedno. Presretna sam da bi uopće razmišljala. Nemoj razmišljati. Daj mi da te samo zagrlim. Moramo ići dok možemo. Šta se dogodilo sa Sir Brantonom? Bolje pitaj šta će se desiti kada ga dohvatim sa svojim mačem. On je negdje ovdje u dvorcu. Pusti njega. Šta je drugo važno, osim nas i naše slobode, zajedno? Provjerit ću da li je put čist. Tiho. English: Where is he going? - Helene. - No, Lodac, I won't allow that. Don't worry. It will all work out most satisfactorily, I promise. He doesn't know the way to her cell anyway. He doesn't have to. The spell of the sixth curse is already leading him on. Spanish: ¿Donde va? - Helena. - No, Lodac,no lo permitiré. No te preocupes. Todo saldrá bien. Lo prometo. No sabe llegar a su celda. No lo hará. Deberá enfrentar el hechizo de la sexta maldición. Croatian: Dobrodošao, Sir George. Počeo sam misliti da nikad nećeš stići. Ovo tražiš? Moja damo, vrijeme je za nas da krenemo. - Ne, Helene. - Ali ja to želim, George. Nisi li nešto zaboravio, Brantone? Oh, prsten. Ja sam održao riječ. U redu, vodi je, ako je još želiš. Želim je, u redu, i ona želi mene. Uvijek i zauvijek. - Helene. Tko je to? Spanish: ¿Donde va? - Helena. - No, Lodac,no lo permitiré. No te preocupes. Todo saldrá bien. Lo prometo. No sabe llegar a su celda. No lo hará. Deberá enfrentar el hechizo de la sexta maldición. Spanish: ¿Donde va? - Helena. - No, Lodac,no lo permitiré. No te preocupes. Todo saldrá bien. Lo prometo. No sabe llegar a su celda. No lo hará. Deberá enfrentar el hechizo de la sexta maldición. Spanish: ¿Donde va? - Helena. - No, Lodac,no lo permitiré. No te preocupes. Todo saldrá bien. Lo prometo. No sabe llegar a su celda. No lo hará. Deberá enfrentar el hechizo de la sexta maldición. Spanish: ¿Donde va? - Helena. - No, Lodac,no lo permitiré. No te preocupes. Todo saldrá bien. Lo prometo. No sabe llegar a su celda. No lo hará. Deberá enfrentar el hechizo de la sexta maldición. Spanish: Debo estar soñando. Pero tu eres George. ¿O esta es magia de Lodac? Soy tan real como tú. - ¿Cómo me conoces? - Creo que te conocería donde fuera. Para torturarme Lodac me ha mostrado visiones de tí.Venías cerca y más cerca. Pero él siempre juró que tú no llegarías vivo. Pero estoy acá y nos iremos juntos. - Estoy feliz de pensarlo. - No pienses. Sólo déjame sacarte. Debemos irnos mientras podamos. ¿Qué pasó con Sir Branton? Mejor pregunta que le pasará cuando crucemos nuestras espadas. El está en algun lugar del castillo. Spanish: Debo estar soñando. Pero tu eres George. ¿O esta es magia de Lodac? Soy tan real como tú. - ¿Cómo me conoces? - Creo que te conocería donde fuera. Para torturarme Lodac me ha mostrado visiones de tí.Venías cerca y más cerca. Pero él siempre juró que tú no llegarías vivo. Pero estoy acá y nos iremos juntos. - Estoy feliz de pensarlo. - No pienses. Sólo déjame sacarte. Debemos irnos mientras podamos. ¿Qué pasó con Sir Branton? Mejor pregunta que le pasará cuando crucemos nuestras espadas. El está en algun lugar del castillo. Spanish: Debo estar soñando. Pero tu eres George. ¿O esta es magia de Lodac? Soy tan real como tú. - ¿Cómo me conoces? - Creo que te conocería donde fuera. Para torturarme Lodac me ha mostrado visiones de tí.Venías cerca y más cerca. Pero él siempre juró que tú no llegarías vivo. Pero estoy acá y nos iremos juntos. - Estoy feliz de pensarlo. - No pienses. Sólo déjame sacarte. Debemos irnos mientras podamos. ¿Qué pasó con Sir Branton? Mejor pregunta que le pasará cuando crucemos nuestras espadas. El está en algun lugar del castillo. Spanish: Debo estar soñando. Pero tu eres George. ¿O esta es magia de Lodac? Soy tan real como tú. - ¿Cómo me conoces? - Creo que te conocería donde fuera. Para torturarme Lodac me ha mostrado visiones de tí.Venías cerca y más cerca. Pero él siempre juró que tú no llegarías vivo. Pero estoy acá y nos iremos juntos. - Estoy feliz de pensarlo. - No pienses. Sólo déjame sacarte. Debemos irnos mientras podamos. ¿Qué pasó con Sir Branton? Mejor pregunta que le pasará cuando crucemos nuestras espadas. El está en algun lugar del castillo. Croatian: Zar si stvarno mislio da ću održati riječ jednom kad dobijem prsten? Ali ja ne razumijem. Gdje je Helene? Ovdje je. Ona pripada meni. Sklopili smo dogovor. Ja ne pregovaram sa smrtnicima. Ja ih uništavam. Čudovište! U redu, Brantone, vrijeme je da se pobrinem za tebe. Pripremite je za zmaja. Odvedite Sir Georgea u tamnicu. Ne smije odustati, inače je to njegov kraj, kraj od njih oboje. Što ćeš učiniti, Sybil? Moram misliti. Pokušati se sjetiti pravog recepta. I vratiti mu njegovu magiju, Sybil? Naravno. Moram. Gdje sam pogriješila? Vještice od Hecate, tamnije od tame... demoni srama, i meso na kolcu. Spanish: Debo estar soñando. Pero tu eres George. ¿O esta es magia de Lodac? Soy tan real como tú. - ¿Cómo me conoces? - Creo que te conocería donde fuera. Para torturarme Lodac me ha mostrado visiones de tí.Venías cerca y más cerca. Pero él siempre juró que tú no llegarías vivo. Pero estoy acá y nos iremos juntos. - Estoy feliz de pensarlo. - No pienses. Sólo déjame sacarte. Debemos irnos mientras podamos. ¿Qué pasó con Sir Branton? Mejor pregunta que le pasará cuando crucemos nuestras espadas. El está en algun lugar del castillo. English: I must be dreaming. But you are George. Or is this more of Lodac's magic? I'm as real as you are. - How did you know me? - I think I would have known you anywhere. Lodac has shown me visions of you, just to torture me. You coming nearer and nearer. But he always swore that you would never live to get here. But I'm here, and we'll leave together. - I'm too happy to even think. - Don't think. Just let me hold you. We must go while we can. What happened to Sir Branton? Rather ask what will happen when I get him within my sword's length. He's somewhere here in the castle. Croatian: Slijedeći je red, tu sam pogriješila, i rima sa "kolac." Smočiti? Zdrobiti? Odrezak? Ne, ni jedan od tih. Otići ću u Lodacov dvorac, to ću učiniti. Nešto ću smisliti putem. Spasi ga, Sybil. Pokušat ću. Dobro, idemo. Sir George, ovo je prava Helene, kunem ti se. U redu, sada, idemo. Pokaži mi kako se dvoje mladih smrtnika koji su zaljubljeni opraštaju prije smrti. Spanish: Déjalo. ¿Qué más importa que nosotros y nuestra libertad juntos? Veré si hay vía libre. Silencio. Bienvenido, Sir George. Spanish: Déjalo. ¿Qué más importa que nosotros y nuestra libertad juntos? Veré si hay vía libre. Silencio. Bienvenido, Sir George. Spanish: Déjalo. ¿Qué más importa que nosotros y nuestra libertad juntos? Veré si hay vía libre. Silencio. Bienvenido, Sir George. English: Let him go. What does anything matter, except us and our freedom together? I'll see if the way is clear. Quietly. Welcome, Sir George. Spanish: Déjalo. ¿Qué más importa que nosotros y nuestra libertad juntos? Veré si hay vía libre. Silencio. Bienvenido, Sir George. Spanish: Déjalo. ¿Qué más importa que nosotros y nuestra libertad juntos? Veré si hay vía libre. Silencio. Bienvenido, Sir George. Croatian: Vrlo nježno, ali malo kasno, šta ti kažeš? Volim te, George, zapamti to zauvijek. Volim te, Helene. Dođi, Helene. Imat ćeš dobar pogled sa prozora, Sir George. Gozba! Lodac želi gozbu! Brzo, pokupite najbolje male ljude za kuhare! Ti odaberi vino. Ostali znate što morate raditi. Spanish: Empezaba a creer que nunca llegarías. ¿Buscabas esto? Mi señora,es hora de irnos. - No, Helena. - Pero yo lo deseo, George. ¿No olvidas algo, Branton? Oh, el anillo. Mantengo mi palabra. Bien, tómala, si aún la deseas. La deseo, y ella a mi. Siempre y para siempre. - Helena. - ¿Quién es esta? ¿Realmente pensaste que mantendría mi palabra cuando tuviera el anillo? Pero no entiendo. ¿Donde está Helena? - Por ahí. - ¡Me pertenece. Hicimos un trato! -No hago tratos con mortales. Destrúyanlo. - Monstruo. Spanish: Empezaba a creer que nunca llegarías. ¿Buscabas esto? Mi señora,es hora de irnos. - No, Helena. - Pero yo lo deseo, George. ¿No olvidas algo, Branton? Oh, el anillo. Mantengo mi palabra. Bien, tómala, si aún la deseas. La deseo, y ella a mi. Siempre y para siempre. - Helena. - ¿Quién es esta? ¿Realmente pensaste que mantendría mi palabra cuando tuviera el anillo? Pero no entiendo. ¿Donde está Helena? - Por ahí. - ¡Me pertenece. Hicimos un trato! -No hago tratos con mortales. Destrúyanlo. - Monstruo. Spanish: Empezaba a creer que nunca llegarías. ¿Buscabas esto? Mi señora,es hora de irnos. - No, Helena. - Pero yo lo deseo, George. ¿No olvidas algo, Branton? Oh, el anillo. Mantengo mi palabra. Bien, tómala, si aún la deseas. La deseo, y ella a mi. Siempre y para siempre. - Helena. - ¿Quién es esta? ¿Realmente pensaste que mantendría mi palabra cuando tuviera el anillo? Pero no entiendo. ¿Donde está Helena? - Por ahí. - ¡Me pertenece. Hicimos un trato! -No hago tratos con mortales. Destrúyanlo. - Monstruo. Spanish: Empezaba a creer que nunca llegarías. ¿Buscabas esto? Mi señora,es hora de irnos. - No, Helena. - Pero yo lo deseo, George. ¿No olvidas algo, Branton? Oh, el anillo. Mantengo mi palabra. Bien, tómala, si aún la deseas. La deseo, y ella a mi. Siempre y para siempre. - Helena. - ¿Quién es esta? ¿Realmente pensaste que mantendría mi palabra cuando tuviera el anillo? Pero no entiendo. ¿Donde está Helena? - Por ahí. - ¡Me pertenece. Hicimos un trato! -No hago tratos con mortales. Destrúyanlo. - Monstruo. English: I was beginning to think you'd never get here. You're looking for this? My lady, it's time for us to leave. - No, Helene. - But I want to, George. Aren't you forgetting something, Branton? Oh, the ring. I keep my word. All right, take her, if you still want her. I want her, all right, and she wants me. Always and forever. - Helene. - Who is this? Did you really think I'd keep my word once I had the ring? But I don't understand. Where is Helene? - Over here. - She belongs to me. We made a bargain! - I don't bargain with mortals. I destroy them. - Monster. Spanish: Empezaba a creer que nunca llegarías. ¿Buscabas esto? Mi señora,es hora de irnos. - No, Helena. - Pero yo lo deseo, George. ¿No olvidas algo, Branton? Oh, el anillo. Mantengo mi palabra. Bien, tómala, si aún la deseas. La deseo, y ella a mi. Siempre y para siempre. - Helena. - ¿Quién es esta? ¿Realmente pensaste que mantendría mi palabra cuando tuviera el anillo? Pero no entiendo. ¿Donde está Helena? - Por ahí. - ¡Me pertenece. Hicimos un trato! -No hago tratos con mortales. Destrúyanlo. - Monstruo. Spanish: Muy bien, Branton, es hora de ocuparme de tí. Preparenla para el dragón. Lleven a Sir George al calabozo. No me puede rendir, o será su final, el final de ambos. ¿Qué harás, Sybil? Debo pensar. Tratar de recordar el hechizo correcto. - ¿Y devolverle su magia, Sybil? -Por supuesto. Debo hacerlo. ¿Qué hice mal? Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. Es la próxima línea la que dije mal, y rima con "angustiar." ¿Asar? ¿Dorar? ¿Sasonar? No, nada de eso. Iré al castillo de Lodac, eso haré. Spanish: Muy bien, Branton, es hora de ocuparme de tí. Preparenla para el dragón. Lleven a Sir George al calabozo. No me puede rendir, o será su final, el final de ambos. ¿Qué harás, Sybil? Debo pensar. Tratar de recordar el hechizo correcto. - ¿Y devolverle su magia, Sybil? -Por supuesto. Debo hacerlo. ¿Qué hice mal? Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. Es la próxima línea la que dije mal, y rima con "angustiar." ¿Asar? ¿Dorar? ¿Sasonar? No, nada de eso. Iré al castillo de Lodac, eso haré. Spanish: Muy bien, Branton, es hora de ocuparme de tí. Preparenla para el dragón. Lleven a Sir George al calabozo. No me puede rendir, o será su final, el final de ambos. ¿Qué harás, Sybil? Debo pensar. Tratar de recordar el hechizo correcto. - ¿Y devolverle su magia, Sybil? -Por supuesto. Debo hacerlo. ¿Qué hice mal? Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. Es la próxima línea la que dije mal, y rima con "angustiar." ¿Asar? ¿Dorar? ¿Sasonar? No, nada de eso. Iré al castillo de Lodac, eso haré. Spanish: Muy bien, Branton, es hora de ocuparme de tí. Preparenla para el dragón. Lleven a Sir George al calabozo. No me puede rendir, o será su final, el final de ambos. ¿Qué harás, Sybil? Debo pensar. Tratar de recordar el hechizo correcto. - ¿Y devolverle su magia, Sybil? -Por supuesto. Debo hacerlo. ¿Qué hice mal? Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. Es la próxima línea la que dije mal, y rima con "angustiar." ¿Asar? ¿Dorar? ¿Sasonar? No, nada de eso. Iré al castillo de Lodac, eso haré. English: All right, Branton, it's time to take care of you. Prepare her for the dragon. Take Sir George to the dungeon. Mustn't give up, or it's the end of him, the end of them both. What will you do, Sybil? I must think. Try to remember the right recipe. - And give him back his magic, Sybil? - Of course. I have to. Where did I go wrong? Witches of Hecate, blacker than black... demons of shame, and flesh on the rack. It's the next line, that's the one I got wrong, and it rhymes with "rack." Swack? Smack? Snack? Spanish: Muy bien, Branton, es hora de ocuparme de tí. Preparenla para el dragón. Lleven a Sir George al calabozo. No me puede rendir, o será su final, el final de ambos. ¿Qué harás, Sybil? Debo pensar. Tratar de recordar el hechizo correcto. - ¿Y devolverle su magia, Sybil? -Por supuesto. Debo hacerlo. ¿Qué hice mal? Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. Es la próxima línea la que dije mal, y rima con "angustiar." ¿Asar? ¿Dorar? ¿Sasonar? No, nada de eso. Iré al castillo de Lodac, eso haré. English: No, none of those. I'll go to Lodac's castle, that's what I'll do. I'll give it some thought on the way. Save him, Sybil. I'll try. Well, here goes. Sir George, this is the real Helene, I swear it. All right, now, go ahead. Show me how a pair of young mortals in love bid farewell before they die. Very tender, but a little late, wouldn't you say? I love you, George, always remember that. Spanish: Pensaré algo por el camino. Sálvalo Sybil. Trataré. Bien, aquí vamos. Sir George, esta es la real Helena, lo juro. Muy bien, adelante. Muestrenme como unos jóvenes mortales enamorados se despiden antes de morir. Muy tierno, pero un poco tarde, ¿No creen? Te amo, George, recuérdalo. Spanish: Pensaré algo por el camino. Sálvalo Sybil. Trataré. Bien, aquí vamos. Sir George, esta es la real Helena, lo juro. Muy bien, adelante. Muestrenme como unos jóvenes mortales enamorados se despiden antes de morir. Muy tierno, pero un poco tarde, ¿No creen? Te amo, George, recuérdalo. Croatian: Požuri. Molim te, brzo, požuri!. Brzo, presjeci uže oko mojih ruku! Hvala ti. Zahvalan sam ti. Moj mač je izgubio svoju moč, ali je još uvijek mač. Spanish: Pensaré algo por el camino. Sálvalo Sybil. Trataré. Bien, aquí vamos. Sir George, esta es la real Helena, lo juro. Muy bien, adelante. Muestrenme como unos jóvenes mortales enamorados se despiden antes de morir. Muy tierno, pero un poco tarde, ¿No creen? Te amo, George, recuérdalo. Spanish: Pensaré algo por el camino. Sálvalo Sybil. Trataré. Bien, aquí vamos. Sir George, esta es la real Helena, lo juro. Muy bien, adelante. Muestrenme como unos jóvenes mortales enamorados se despiden antes de morir. Muy tierno, pero un poco tarde, ¿No creen? Te amo, George, recuérdalo. Spanish: Pensaré algo por el camino. Sálvalo Sybil. Trataré. Bien, aquí vamos. Sir George, esta es la real Helena, lo juro. Muy bien, adelante. Muestrenme como unos jóvenes mortales enamorados se despiden antes de morir. Muy tierno, pero un poco tarde, ¿No creen? Te amo, George, recuérdalo. English: I love you, Helene. Come, Helene. You'll have a good view from the window, Sir George. A feast! Lodac will want a feast! Hurry, you pick the best of the little people for the stew! You'll pick the wine. The rest of you know what you have to do. Spanish: Te amo, Helena. Vamos, Helena. Tendrás una buena vista desde la ventana, Sir George. ¡Un banquete!¡ Lodac quiere un banquete! ¡De prisa, toma a los mejores enanos para el guisado! Tu traerás el vino. El resto sabe que debe hacer. Spanish: Te amo, Helena. Vamos, Helena. Tendrás una buena vista desde la ventana, Sir George. ¡Un banquete!¡ Lodac quiere un banquete! ¡De prisa, toma a los mejores enanos para el guisado! Tu traerás el vino. El resto sabe que debe hacer. Croatian: Uništi ga! To je moja volja! Spanish: Te amo, Helena. Vamos, Helena. Tendrás una buena vista desde la ventana, Sir George. ¡Un banquete!¡ Lodac quiere un banquete! ¡De prisa, toma a los mejores enanos para el guisado! Tu traerás el vino. El resto sabe que debe hacer. Spanish: Te amo, Helena. Vamos, Helena. Tendrás una buena vista desde la ventana, Sir George. ¡Un banquete!¡ Lodac quiere un banquete! ¡De prisa, toma a los mejores enanos para el guisado! Tu traerás el vino. El resto sabe que debe hacer. Spanish: Te amo, Helena. Vamos, Helena. Tendrás una buena vista desde la ventana, Sir George. ¡Un banquete!¡ Lodac quiere un banquete! ¡De prisa, toma a los mejores enanos para el guisado! Tu traerás el vino. El resto sabe que debe hacer. Spanish: Rápido. Por favor. De prisa. Apúrense. Croatian: Dakle, Sybil, dođi da vidiš Georgeov kraj? Prsten? Da, prsten. Ni jedan čarobnjak me sada ne može pobjediti. Gledaj kako tvoj dječak umire. Kad bi mu samo mogla vratiti njegovu magiju. Vještice od Hecate, tamnije od tame... demoni srama, i meso na kolcu. Slijedeći redak. Kad bi se mogla sjetiti slijedećeg retka. Spanish: Rápido. Por favor. De prisa. Apúrense. Spanish: Rápido. Por favor. De prisa. Apúrense. Spanish: Rápido. Por favor. De prisa. Apúrense. Spanish: Rápido. Por favor. De prisa. Apúrense. Spanish: ¡Rápido, corten las cuerdas de mi muñeca! Gracias. Les estoy agradecido. Mi espada ha perdido su magia, pero aún es una espada. Spanish: ¡Rápido, corten las cuerdas de mi muñeca! Gracias. Les estoy agradecido. Mi espada ha perdido su magia, pero aún es una espada. Spanish: ¡Rápido, corten las cuerdas de mi muñeca! Gracias. Les estoy agradecido. Mi espada ha perdido su magia, pero aún es una espada. English: Hurry. Please, quick, hurry. Quick, cut the ropes from my wrists! Thank you. I'm grateful to you. My sword has lost its magic, but it's still a sword. Croatian: Jadna budala. Izgubio je čak i snagu da napada. To je riječ! Vještice od Hecate, tamnije od tame... demoni srama, i meso na kolcu. dajte mom dečku snagu da napadne. Spanish: ¡Rápido, corten las cuerdas de mi muñeca! Gracias. Les estoy agradecido. Mi espada ha perdido su magia, pero aún es una espada. Spanish: ¡Rápido, corten las cuerdas de mi muñeca! Gracias. Les estoy agradecido. Mi espada ha perdido su magia, pero aún es una espada. Spanish: ¡Destrúyelo!¡Es mi voluntad! Spanish: ¡Destrúyelo!¡Es mi voluntad! Spanish: ¡Destrúyelo!¡Es mi voluntad! English: Destroy him! It is my will! Spanish: ¡Destrúyelo!¡Es mi voluntad! Croatian: Moj prsten. Ne, sada je moj prsten. Spanish: ¡Destrúyelo!¡Es mi voluntad! English: Well, Sybil, come to see the end of George? The ring? Yes, the ring. No sorcerer can cross me now. Watch your boy die. If only I could give him back his magic. Witches of Hecate, blacker than black... demons of shame, and flesh on the rack. The next line. If only I could remember the next line. Spanish: ¿Bien, Sybil, no vas a ver el final de George? ¿El anillo? Sí, el anillo. Ningun hechicero me puede enfrentar. Mira como tu niño muere. Si sólo pudiera devolverle su magia. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. La otra línea. Si pudiera recordar la otra línea. Croatian: Svejedno će umrijeti, oboje. Sada ću ja tebe prokleti sa osudom na pakao, prokletstvom nad prokletstvima. Drski smrtniče, usuđuješ se izazvati mene. Šest prokletstava te nije uništilo, ali sad se moraš suočiti sa sedmim. Samnom, nevidljivim! Sad ću te zdrobiti u prašinu! Sada, sva strašna bića iz pakla... slušajte me kako izgovaram sedmo prokletstvo! Spanish: ¿Bien, Sybil, no vas a ver el final de George? ¿El anillo? Sí, el anillo. Ningun hechicero me puede enfrentar. Mira como tu niño muere. Si sólo pudiera devolverle su magia. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. La otra línea. Si pudiera recordar la otra línea. Spanish: ¿Bien, Sybil, no vas a ver el final de George? ¿El anillo? Sí, el anillo. Ningun hechicero me puede enfrentar. Mira como tu niño muere. Si sólo pudiera devolverle su magia. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. La otra línea. Si pudiera recordar la otra línea. Spanish: ¿Bien, Sybil, no vas a ver el final de George? ¿El anillo? Sí, el anillo. Ningun hechicero me puede enfrentar. Mira como tu niño muere. Si sólo pudiera devolverle su magia. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. La otra línea. Si pudiera recordar la otra línea. Spanish: ¿Bien, Sybil, no vas a ver el final de George? ¿El anillo? Sí, el anillo. Ningun hechicero me puede enfrentar. Mira como tu niño muere. Si sólo pudiera devolverle su magia. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada. La otra línea. Si pudiera recordar la otra línea. Spanish: Pobre tonto. Perdió el poder de atacar. Esa es la palabra. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... den a mi niño el poder de atacar. Spanish: Pobre tonto. Perdió el poder de atacar. Esa es la palabra. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... den a mi niño el poder de atacar. Spanish: Pobre tonto. Perdió el poder de atacar. Esa es la palabra. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... den a mi niño el poder de atacar. English: Poor fool. He's even lost the power to attack. That's the word. Witches of Hecate, blacker than black... demons of shame, and flesh on the rack... give to my boy the power to attack. Spanish: Pobre tonto. Perdió el poder de atacar. Esa es la palabra. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... den a mi niño el poder de atacar. Spanish: Pobre tonto. Perdió el poder de atacar. Esa es la palabra. Brujas de Hecate, más negras que el negro... demonios de vergüenza y carne angustiada.... den a mi niño el poder de atacar. English: - My ring. - No, my ring now. Spanish: - Mi anillo. - No, mi anillo ahora. Spanish: - Mi anillo. - No, mi anillo ahora. Spanish: - Mi anillo. - No, mi anillo ahora. Spanish: - Mi anillo. - No, mi anillo ahora. Spanish: - Mi anillo. - No, mi anillo ahora. English: They will still die, both of them. Now do I curse you with all the damnation of hell, curse upon curse. Defiant mortal, you dared to challenge me. Six curses could not destroy you, but now you must face the seventh. Me, the invincible! Now will I grind you to dust! Now, all you vile creatures of hell... listen to me as I cast the seventh curse! Spanish: Ahora ambos morirán. Ahora te maldeciré con todo el daño infernal maldición sobre maldición. Mortal atrevido, te atreves a desafiarme. Seis maldiciones no te destruyeron, pero ahora enfrentarás la séptima. ¡Yo, el invencible! ¡Ahora te convertiré en polvo! ¡Ahora,todas las creaturas infernales... escuchenme convocar la séptima maldición! Spanish: Ahora ambos morirán. Ahora te maldeciré con todo el daño infernal maldición sobre maldición. Mortal atrevido, te atreves a desafiarme. Seis maldiciones no te destruyeron, pero ahora enfrentarás la séptima. ¡Yo, el invencible! ¡Ahora te convertiré en polvo! ¡Ahora,todas las creaturas infernales... escuchenme convocar la séptima maldición! Spanish: Ahora ambos morirán. Ahora te maldeciré con todo el daño infernal maldición sobre maldición. Mortal atrevido, te atreves a desafiarme. Seis maldiciones no te destruyeron, pero ahora enfrentarás la séptima. ¡Yo, el invencible! ¡Ahora te convertiré en polvo! ¡Ahora,todas las creaturas infernales... escuchenme convocar la séptima maldición! Spanish: Ahora ambos morirán. Ahora te maldeciré con todo el daño infernal maldición sobre maldición. Mortal atrevido, te atreves a desafiarme. Seis maldiciones no te destruyeron, pero ahora enfrentarás la séptima. ¡Yo, el invencible! ¡Ahora te convertiré en polvo! ¡Ahora,todas las creaturas infernales... escuchenme convocar la séptima maldición! Spanish: Ahora ambos morirán. Ahora te maldeciré con todo el daño infernal maldición sobre maldición. Mortal atrevido, te atreves a desafiarme. Seis maldiciones no te destruyeron, pero ahora enfrentarás la séptima. ¡Yo, el invencible! ¡Ahora te convertiré en polvo! ¡Ahora,todas las creaturas infernales... escuchenme convocar la séptima maldición!
{ "pile_set_name": "YoutubeSubtitles" }
French: J'ai donc travaillé sur une vidéo d'achèvement des forces soniques pendant un certain temps maintenant et pendant que je suis en production sur cette vidéo Sega a pris le vent de ça et m'a présenté la bonne opportunité quand j'ai entendu ce que j'étais en fait super excité parce que cela n’a rien à voir avec mes opinions personnelles sur le jeu et Clairement, il a été conçu pour être une façon amusante de parler de forces sonores Sega a fait équipe avec The Tempest Freerunning Jim à Hawthorne pour promouvoir les forces sonores en transformant le gymnase en Green Hill Zone créer une mise en page unique inspirée des forces sonores ils ont également invité moi-même et quelques autres youtubers à descendre à la salle de gym avec des professionnels de l'industrie et des cascadeurs. Tenter de faire certaines des cascades et des exploits que Sonic et ses amis font dans les forces sonores Spanish: Así que he estado trabajando en un video de finalistas de las fuerzas sónicas desde hace bastante tiempo y mientras he estado en producción en ese video Sega se enteró de eso y me ofreció la genial oportunidad cuando escuché lo que era, en realidad era súper emocionado porque no tenía nada que ver con mis puntos de vista personales sobre el juego y Claramente, fue diseñado para ser una forma divertida de hablar sobre las fuerzas sónicas Sega se asoció con The Tempest Freerunning Jim en Hawthorne para promover las fuerzas sónicas al convertir el gimnasio en Green Hill Zone creando un diseño único inspirado en las fuerzas sónicas también me invitaron a mí y a otros youtubers a ir al tren de gimnasia con algunos profesionales de la industria del parkour y especialistas. Intenta hacer algunas de las acrobacias y hazañas geniales que Sonic y sus amigos hacen en las fuerzas sónicas German: Also arbeite ich schon seit geraumer Zeit an einem Sonic Force Completionist-Video und während ich in der Produktion an diesem Video war Sega bekam davon Wind und bot mir die coole Gelegenheit, als ich hörte, was ich eigentlich war Super aufgeregt, weil es nichts mit meinen persönlichen Ansichten über das Spiel zu tun hatte Offensichtlich wurde es entworfen, um eine lustige Art zu sein, über Schallkräfte zu sprechen Sega tat sich in Hawthorne mit The Tempest Freerunning Jim zusammen, um Schallkräfte zu fördern, indem sie das Fitness-Studio in Green Hill Zone verwandelten Erstellen eines einzigartigen Layouts, das von Schallkräften inspiriert wurde Sie luden mich und einige andere youtubers auch ein, mit einigen Industrieparkourprofis und Stuntmen und in den Gymnastikzug zu gehen Versuche, einige der coolen Stunts und Heldentaten zu vollbringen, die Sonic und seine Freunde in Schallkräften machen Spanish: Definitivamente un poco aterrador Ve allí, vete, sí, ahí vas, sigue adelante sigue, sí Es bueno German: Definitiv ein bisschen beängstigend Du gehst dahin du gehst, yeah da du gehst weiter geh weiter geh weiter, ja Das ist gut French: Certainement un peu effrayant Tu vas là-bas tu vas, ouais là tu vas continuer à continuer continue, oui C'est bon French: homme Ok, mec, c’est la partie la plus difficile de ce jour de piscine qui va bien maintenant une fosse de mousse Ouais, tu devrais juste avoir comme une voiture que tu peux la tirer avec le zip. Pas de boulot Tu as ce Gerard nous croyons en toi Oh Dieu chaussette ouais s'arrête sur ses chaussettes tu dois sauver ton petit ami birdie le chaos Spanish: hombre De acuerdo, hombre, esa es la parte más difícil de este día de pool saliendo ahora, ahora un pozo de espuma Sí, deberías tener como un automóvil que puedes jalarlo con cremallera. Ningún trabajo esta tinción de pozo húmedo SS Tienes este Gerard creemos en ti Oh Dios calcea, sí, se para en sus calcetines, tienes que salvar a tu pequeño amigo pajarito Caos German: Mann Okay, Mann, das ist der schwierigste Teil an diesem Pooltag, der jetzt in eine Schaumgrube kommt Ja, du solltest einfach wie ein Auto haben, dass du es mit Reißverschluss ziehen kannst. Keine Arbeit, diesen feuchten Grubenfleck Du hast diesen Gerard, wir glauben an dich Oh God socks on yeah hält an seinen Socken an Du musst deinen kleinen Birdie Freund retten Chaos Spanish: Las fuerzas sónicas te arrojan a un mundo donde Eggman podría ser lo suficientemente malo como para tener éxito en uno de sus esquemas El mundo está en ruinas y depende de Sonic, el clásico Sonic y tu avatar personal, formar equipo y derrotarlo Pero esta vez, Eggman se asoció con un flamante villano que hace que este conflicto sea realmente difícil. Las fuerzas de Sonic están ahora fuera de juego. ps4 Xbox French: Les forces soniques vous plongent dans un monde où Eggman pourrait être assez mauvais pour réussir dans l'un de ses projets Le monde est en ruine et c'est à Sonic classic Sonic et à votre avatar personnel de faire équipe et de l'abattre Mais cette fois-ci, Eggman a fait équipe avec un nouveau méchant qui rend ce conflit vraiment difficile. Les forces Sonic sont maintenant disponibles ps4 Xbox German: Sonic Forces werfen dich in eine Welt, in der Eggman vielleicht böse genug ist, um in einem seiner Pläne Erfolg zu haben Die Welt ist in Trümmern und es liegt an Sonic classic Sonic und Ihrem persönlichen Avatar, sich zusammenzutun und ihn zu erledigen Aber dieses Mal hat sich Eggman mit einem brandneuen Bösewicht zusammengetan, der diesen Konflikt wirklich schwierig macht Sonic Forces ist jetzt draußen PS4 Xbox French: Un commutateur Nintendo et de la vapeur honnêtement faire cet événement était l'une des choses les plus amusantes J'ai eu le plaisir de faire ici sur youtube si vous voulez me voir me faire botter les fesses par d'autres youtubers et Professionnels cliquez ou appuyez sur le lien à l'écran ici maintenant Et hé si vous voulez toujours que je fasse une vidéo sur le clic de Sonic Force que je carte dans le coin Et si vous voulez plus de vidéos en coulisses, assurez-vous de me suivre sur Instagram et Twitter. A plus tard les gars German: Ein Nintendo-Schalter und Dampf, der ehrlich diese Veranstaltung machte, war eine der lustigsten Sachen Ich hatte das Vergnügen, hier auf youtube zu machen, wenn du sehen willst, dass ich von anderen youtubers getreten werde Profis klicken oder tippen auf den Link auf dem Bildschirm gleich hier Und hey, wenn du immer noch willst, dass ich ein Video über Sonic Force's Klick mache, dass ich in der Ecke ablege Und wenn Sie mehr hinter den Kulissen Videos wollen, folgen Sie mir auf Instagram und Twitter. Sehe euch später Spanish: Un interruptor de Nintendo y el vapor honestamente haciendo este evento fue una de las cosas más divertidas He tenido el placer de hacerlo aquí en youtube si quieres ver que otros usuarios de YouTube me pateen el trasero Los profesionales hacen clic o tocan el enlace en pantalla aquí mismo ahora mismo Y si aún quieres que haga un video en Sonic Force, haz clic en esa tarjeta en la esquina Y si quieres más videos detrás de escena, asegúrate de seguirme en Instagram y Twitter. Los veo luego
{ "pile_set_name": "YoutubeSubtitles" }
Hey there. Welcome to BrainStuff. I'm Jonathan Strickland. And the question I have today is why is it that I can play some DVDs as Blu-rays on certain machines I own, but other DVDs and Blue-rays won't play at all? It's a good question. It all comes down to something called region locking and region codes. You see, every DVD and Blu-ray that's authorized has a region code associated with it. And DVD and Blu-ray players have region codes associated with them. So a DVD player and a Blu-ray player will only play the media that matches the region code of that player. All other media with other region codes won't play at all. So why is that? Well, it helps movie studios, and video game companies, other media producers control when and where their content can be viewed. Now, movies can be released on different dates all around the world, and region locking helps control that. So what are the regions? Well, region one is the United States and Canada. Region two, that's Europe and Japan. Region three is Southeast Asia. Region four would be Latin America and Australia. Region five is Russia, the rest of Asia and Africa. But region six is China. And region seven is-- oh, there is no region seven. Right. So in order for you to be able to enjoy these movies, you have to have a player that is also the same code as the film's. Unless you happen to have a region free player-- in which case, movie night at your house. Anyway if you enjoyed this video, make sure you hit the Like button and subscribe to our channel. We've got some amazing questions coming up, and I bet even more amazing answers.
{ "pile_set_name": "YoutubeSubtitles" }
Hi guys, I'm erik bosse, and I think we can all agree that Dr. Strange was just pure ridiculous [cumber] fun But a lot of you guys been asking about the movies ending and yeah the whole movie can be a bit of a mine good [times], but the [Endian] is an especially aggressive [mind] like Dr. Strange enough my brain has to work in the morning, [so] in this video I'm Gonna Explain exactly what went down in that final dark dimension Sequence of the movie and why it was so brilliant when he put it all together with a bunch of little clues that came up throughout the film I'm also Gonna explain Why [wang] revealing the eye of Agamotto as an infinity stone is so important and by the way if you want to know what happens In the post-credits scenes I did another video that covers all [of] that this video is like a pre credit scene Breakdown I know it's crazy someone actually wants to talk about what happens before the credits of a marvel movie What world are we living in here [ok] bear with me as I take a step back, but in order to understand Dr. Strange's ending you have to accept that this entire movie is about time, and yeah, sure it's about a lot of other things, too Broken position trying to heal himself so that he can heal and save others letting go of pride and ego mind over matter hands, but above all this is a story about a man struggling with time controlling his life and that by freeing himself from [time] he Can use time to his advantage so that basically as the beatles put it time? Is a yellow submarine I'm pretty sure that's how it goes throughout the film this idea of time is Represented in the recurring symbol of a clock so like in the early scene doctor strange is operating on a gunshot victim racing against time to remove a bullet from his brain and notice how when he tries to focus he's Distracted by the ticking of Dr. West's Wristwatch And then he snaps at him to cover it up to block the sound now why does this ticking derail strange like this see at This moment strange is at the Peak of his pride He's a brilliant surgeon Nailing this miraculous surgery that only he can do and the best of all he's rubbing it in the face of his rival he feels invincible but the ticking of the watch Reminds him that he's not invincible [he's] mortal his own time is running out strange is kind of like a reverse Captain hook like he's driven mad by a ticking sound that will soon Foreshadow a life changing hand injury strange hates to be reminded how time is controlling his life another clock that keeps showing up throughout doctor strange is the watch given to him by Christine Palmer and remember that shatters when the muggers in Katmandu tried to steal it now notice How [that] break happens right before he meets carl [mordo] and the ancient one and he begins his training and [Kamar] tosh That's a symbolic moment of character growth for strange He's literally breaking time diverging from his old [timeline]. Which was trying to heal his hands and [continue] His [life] the Surgeon and now he's going to this new [timeline] outside of time breaking the laws of Nature and learning the mystic arts Okay now [fast-forwarding] a bit here at the end of his training strange uses the book of cagliostro in the eye of [a] [komodo] to manipulate time which is represented by this apple going back and Forth between Eaten and uneaten and when wang and [mordo] catch them in the Act mordo [warned] strange about paradoxes and time loops with this foreshadowing line Do you want to get stuck reliving the [same] moment over and over forever and then strange is like, huh? You don't say that could [be] useful okay fast-forward him again here while battling Kycilia strange learns that the [dark] [dimension] is a place Beyond time Cai sillies opera strange what he thinks he wants the freedom from Mortality to no longer worry about his time ticking away notice How strange seems to consider this guy sillies tries to drive the point home by saying time and slaves us time as an insult death? Is an insult but then later strange? realizes the truth while talking with the ancient one in the astral plane at the moment of her death her philosophy is the opposite of Cai silius she says death is what gives life meaning? To know your days are numbered [your] time is short so finally arriving at the end here in this final showdown in Hong Kong Strange puts all of this knowledge about time together [he] sees that the sanctum has already fallen and Kycilia says opened the gate [of] the dark dimension How strange knows that he can reverse time to save the city using spells in the eye of agamotto? But he knows that Kycilia is stronger than him and he probably can't feed him so he remembers two things one the [dark] [dimension] is A realm where time does not exist, [so] by introducing time into it that would give strange a huge advantage and then to Tampering with time can result in creating a loop reliving the same moment over and over forever So that's what happens when strange floats up into the dark dimension he creates a time loop starting with him proposing the bargain to dormammu and ending with his [debt] and because Dormammu has no understanding of time. He's trapped in this until strange decides to stop it So just like in movies like groundhog day Or edge of tomorrow [doctor] strange dies and resets over and over I personally counted 12 times and he does this until dormammu goes crazy and strange eventually breaks him and convinces him to leave this room and take high silius and his followers with him and what I love about the sequence is just like bill murray and groundhog day and Tom cruise and edge of Tomorrow it's implied that doctor strange could have died hundreds thousands maybe an infinite number of times Notice how strange invited death regardless of how painful it would be saying pain is an old friend and you gotta imagine that like dormammu would have enjoyed finding new ways to kill him for at least the First couple hundred times until he got bored And then maybe another thousand before it became like Mildly annoying and then thousands infinite number of times more before it became legit torture And it's really satisfying to see doctor strange show that he understands the ancient ones words that death is what gives life meaning? Literally [doctor] strange's death or rather his infinite number of Deaths saves all the lives on Earth Ultimately giving his life meaning once again And then in these final moments wong of course reveals that the eye of agamotto is an infinity stone specifically the time stone and that makes sense given the Godly level power gives strange over time so that makes five out of six infinity stones revealed an McU so far and this officially ties Doctor strange [to] the upcoming Avengers infinity war movies where thanos will try to assemble all of these stones in his infinity gauntlet Basically making him ruler of all the universe we're just gonna have [to] imagine how powerful [Danice] is going to become if he combines the [power] of the tesseract and the ether and [the] mind stone ambitions head and the orb That Ronan used and now this time stone [good] luck avengers But now let's talk about this final shot which connects back to this idea of time strange puts back on [his] broken watch from Christine If you look closely the way the glass is broken on the watch Matches up with the lines in the seal of Vishanti in the Sanctum window also this watch wraps around the wrist Just like the green time spell that we saw so we're seeing that through this broken watch that time is something that no longer in Slave strange now real quick this video was brought to you by the great people at Warby Parker They have a selection of really cool frames for your glasses now if you ever catch me like squinting at the camera it's because I wear And they get super dried out from these hot lights or you know I run out and I have to wear glasses like that one Humiliating time a couple [videos] back [now] I wasn't a huge fan of those frames And it's always hard to shop [for] new ones because the woman at the store is just like standing right there And she's like those make you look cool and they [really] don't you just you know wants to make a sale? And then I fall in love with her and it gets super awkward But Warby parker is great because they offer a home Tryon where they send you frames to try on for free on your own with your friends who will be like brutally honest with you? I love it and since you viewers are my best friends whether you like it or not I need your help deciding which frames to get so head to warby parker comm slash new Rockstars to see my current favorite frames and Get started with your free home try on today You can choose five frames that you'd like to try on mail the frames back choose your favorite pair or pairs to have your prescription Added to and then order where we parker makes your [experience] completely risk-free visit Warby parker comm slash new Rock stars to begin your free home try on Experience today, and when you go to the site comment on which frames that you like best for me? And you'll be entered to win a $50 gift card to warby Parker will shoot it randomly, but you have to comment I need your advice [I'm] an indecisive idiot help me new Rock Star Subscribers. You're my only hope [alright] if you [liked] this video please hit like and subscribe to new Rock stars For more of these videos and remember to check out my breakdown of the doctor strange Post-Credit scenes if you haven't already you can also contribute to new Rock stars on Patreon big Thanks to all of our current patrons. We love you guys, and you aren't currently contributing to us You can start right [now] for as little as $1 a month every little bit helps and getting these videos out faster So thank you guys again [hit] me up on Twitter a ta boss with any thoughts you have on doctor strange [or] any cruel jokes you have about [mandating] classes you also go [in] new Rock stars on Twitter at New Rock Stars And bother them about when our videos are coming out alright. Thanks for watching bye you
{ "pile_set_name": "YoutubeSubtitles" }
(upbeat music) - [Announcer] Joanna Stern is trying to go big on TikTok. If you're tired of not knowing what TikTok is, then you'll love watching this clout-chasing millennial get to the bottom of the world's hottest app. - You're not gonna be famous if you don't do this. - [Announcer] What's a TikTok mean? What's a banger? What's #FYP? Try not to #cringe. - [Joanna] Yeet! - [Announcer] In this installment of "I, a Millennial, Tried to Make a Viral TikTok, a Banger?" (groans) - The reason I'm doing this is because I want to be TikTok famous because if you're not TikTok famous in life, what, really, are you? Old, I guess, which is what I am. A week ago, I set out to make a viral TikTok and discovered the world of TikTok memes. - [Boy] I heard if you give your dog an egg, they know how to be super fragile with it, so, Cash, here you go, want to open your mouth? Wow. - But, before we get to that, TikTok. I wasn't rolling. TikTok is very hard. Browser, don't eat the raw egg, don't, stop. TikTok is the video sharing app killing, sorry, dominating the lives of every teenager right now. It's all about making, watching, and sharing 15 to 60 second videos, most with music. Open the app and you're in the for you feed. This is an endless feed of videos the algorithm thinks you'll like. Keep swiping up and you get more and more and more and more and more and more and more videos. It's incredibly easy to make your own video and add music to it. That means so many dancing and lip-syncing videos. But TikTok is much more than that now. Memes are central to TikTok and I blame them for why I got completely hooked on the app. A meme is really anything that spreads on the internet and that is iterated on or re-interpreted. On TikTok, a meme can be a song, a dance, a filter, even a hashtag that lots of people start to post. But I just had to find out. How do you make a viral TikTok? (phone ringing) Or what the kids call a-- - Be a banger on TikTok. - Absolutely sheer bangers. - Bangers, in my opinion, because they got millions of views and yeah. - A banger is like... It's like-- - It's like a hit. - Yeah, like. - Yo, that's fire, that's a banger. - That's a banger, yeah, like. - [Joanna Voiceover] Just learning what a banger was wasn't enough. I needed to learn how to make one. - See what's trending, like you want to go to the for you page, you want to look at what everyone is doing and see what's popping, what's in. - Honestly, I think that the more relatable it is, the better it is because, yeah, I just think if people relate to it, they're gonna love it, they're just gonna eat it up. - It's the simple stuff that go viral. It's more about what caption you put. The video could be trash, if your caption's good, the video's good (laughs). - So with that, I set out to make som TikToks of my own by joining a couple of different memes. So a thing I think is very funny on TikTok is people are making their own shoes and they're pairing the video with Iggy Azalea's "Work." ♪ Walk a mile in theses Louboutins ♪ - So I'm making AirPod heels with the most advanced tools you could possibly get. All my credibility is going down the drain right now. Now I need to set up the shot of me walking. Okay hit video, hit record. Okay. Okay. I'm gonna strut it. ♪ Walk a mile in these Louboutins ♪ - Feeling really nice with these. I'm thinking about wearing them to the next Apple event. (light music) Within a few hours of posting it, I had a hundred new followers and 600 views. But a far cry from a banger. These ones look nice. Come on. I tried a few other popular memes while I was at it, like where you give your dog a raw egg and another where you put Mentos in Diet Coke. Ah. Those didn't exactly take off. No! How are you supposed to get it in and then close it? I had to try something else. And I'd heard about collabing. He just wants to lick it. So I went to the pros. I headed to Trenton, New Jersey to meet the Splash Twinz, two 17-year-olds who have 2.6 million followers on TikTok. - I'm Shellie. - I'm Ona. - I'm Shellie. - I'm Ona. - I'm Shellie. - I'm Ona. - How often do you TikTok? (laughs) - A lot. That's most of our day. - Yeah. - [Ona] Like, I'll be in class, I'm not doing anything in class, I'll just be in class with my AirPods in, just scrolling through TikTok. - The only time we're not on TikTok is during basketball practice, which is from 2:30 to 4:30. I mean, school, too, in class, we're like, if I've done my work-- - Yeah. - I scroll through TikTok. So we find ideas for lunch so we can make videos at lunch. - [Joanna] You think we can make a banger? - Yeah. - Yeah, we can make a banger. - We can make a banger here, right now, today. - Shellie and Ona told me that the music is core to the dances they pick. (light music) - [Shellie] So the try part, so when you put this leg out, this arm goes like that. (light music) - Okay, whoa, whoa. - So this is like, one, two, and then go back. Yeah, yeah. (girls laughing) - They're so supportive and nice. I just, let's keep repeating it, I'm so sorry. That's repetition of that. After an hour, I finally had it down. (light music) (laughing) I think that was it. - Yeah, me too. - [Joanna] I posted it and thanks to the Splash Twinz's following, I got 500 views in the first hour or so. - [Shellie] That's good. - I hearted already. That tapered off and it hit about 1500 views in the next few days. I also grew my follower count to about 500. It's all one big cycle. A meme takes off, you riff on it and post your own, you keep checking the app for those likes, shares, and views, and then TikTok feeds you more memes in your for you page that you're probably gonna want to join in on next. It's been a week. I made a lot of TikToks. I made zero bangers. But I learned a lot along the way and the biggest thing I think I've learned is that TikTok really perpetuates or accelerates the meme cycle and it hooks you, big time. - [Announcer] That's it for this installment. Tune in next time, where Joanna Stern learns about another thing teens are doing. - Down, yeah. - Yeah. - So ready, set, go. That's the whoa. - That's the whoa. Yeet. (girls laughing) - [Shellie] Great.
{ "pile_set_name": "YoutubeSubtitles" }
Hi, I'm Ralph Baer. Well, I'm usually known as the inventor of the video game, particularly the console video game business. We built a succession of seven models, the last one of which we called the Brown Box because it was covered by brown adhesive paper. And then we went on a two year trek trying to find somebody who would take a license and actually produce something. That turned out to be Magnavox. COMMERCIAL VO: This is Odyssey, the new electronic game simulator. You attach Odyssey to your television set in seconds to create a closed circuit electronic playground. RALPH BAER: The Odyssey sold quite well. About 100,000 were sold the first year in '72. By the end of life in '74, 350,000 Odysseys were in homes. Not a bad start. So several million people played video games by then. COMMERCIAL VO: It's new from Magnavox. Odyssey. RALPH BAER: For the last 30 years I've been doing toys and games, some of which became quite well known like Milton Bradley's Simon game for example. But by and large I'm in the same boat as other inventors. You know, we come up with a lot of stuff, spend a lot of time developing and building things, marketing them, and if we're lucky out of 10 or 15 items we do a year, maybe one or two of them will wind up with a licensing agreement. My measure of success isn't a proper explanation of why I do what I do. First of all, my wife died in 2006. She died on a Friday, on Monday the President of the United States hung a National Medal of Technology around my head. She didn't make it. So here I am. We built this house 53 years ago. I rattle around in it alone. So what do you expect me to do? All my friends, they're all gone. I've outlived them all. I'll be 90 in March of next year. So what am I gonna do? I need a challenge. And I still get a big charge out of making something work. I write the hardware, I push a button, I download it into the microprocessor, and it works. Aah. Beautiful. It's like I'm basically an artist, right? I'm no different from a painter who sits there and loves what he does. Would you ask a guy who's been painting all his life, "Why do you keep painting? Why don't you retire?" Retire to what? I mean, stop painting? This is insane. I mean, why would you want to do that, right? [laughs] So here I am.
{ "pile_set_name": "YoutubeSubtitles" }
Portuguese: Hoje vamos ver o cobre, e algo que olhando o antigo vídeo, é um vídeo curto, e não tem nenhum experimento nele. Então fizemos algo um pouco mais prático. O cobre é um elemento com o qual as pessoas estão muito familiarizadas, pq é um metal com uma cor caracterítica. Tem uma cor avermelhada, que fica escura quando forma-se óxidos. É um metal bem macio, e vc pode cortar ele bem facilmente. Se vc tiver um cortador como este, com lâminas de aço. Vai perfurar o metal e cortar. Quando vc corta o metal, vc consegue esta bela e brilhante superfície renovada. Com uma cor igual à do cobre. - Esta é uma bola de cobre metálico Vc pode imaginar, como bolas de metal são, é bem densa e pesada. Steve me disse esta manhã, se tivessemos uma bola deste tamanho, de plutônio, English: Okay weíre going to be looking today at copper. This is something looking back at the old video, itís a short video and there isnít any experimentation in it so I thought weíd do something a bit practical. Copper is an element which people are very familiar with because itís such a characteristic coloured metal, sort of reddish colour, though it gets darker when oxide forms. But itís quite a soft metal and you can cut it quite easily if you have a cutter like this which has steel blades, it will just dig into the metal and it should just cut off. When you cut the metal you get this very nice, shiny, fresh surface coloured just like copper. This is a ball of copper, copper metal. As you might imagine itís a ball of metal so therefore it is quite dense and heavy. I mean itís not as dense as, I think Steve told me this morning, that if we had a ball this size of plutonium he told me it would weigh Portuguese: ele me disse que teria um quilo e meio. Não é tão pesada quanto isso, mas é bem densa. Esta é uma amostra bem bonita de um fio bem fino de cobre. Qual espessura é isso, é... 0, ... muito pequeno. É 0,1 mm. - Ok, dentro do bequer, temos uma solução chamada de tartarato de sódio e potássio. Ainda não tem cobre, vou introduzir com isso é uma solução de sulfato de cobre. - O cobre é muito popular em uso arquitetônico. Pq se vc colocar isto no telhado das construções ele reage com o dióxido de carbono no ar, para dar uma bela cor verde. Primeiro temos que aquecer isto a 50 oC. E ao tartarato de sódio e potássio precisamos adicionar um peróxido de hidrogênio bem fraco, é somente 3%. English: about a kilo and a half so he thought. So itís not quite as heavy as that but still itís pretty heavy and dense. So this is a very, very nice sample of very fine copper wire. So the copper wire here is, what width is this? This isÖ phew! Point zero, Iím not even going toÖthatís just too small, so itís point one of a millimetre. So inside the beaker weíve got a solution called sodium potassium tartrate, so no copper in there at the moment. Weíre going to introduce that through this. This is a solution of copper sulphate. Copper is very popular for architectural use because if you put it on the roofs of buildings it then reacts, particularly with carbon dioxide in the air, to give a very nice green colour. First of all though we need to heat this to about 50∞C, and to the sodium potassium tartrate we need to add some very weak, hydrogen peroxide so this is only 3% hydrogen peroxide, English: so in it goes. We need to make sure they mix together which is why thereís a stirring bar at the bottom there stirring away. Okay so thatís stirring nicely, so as I said sodium potassium tartrate and hydrogen peroxide and we need to add only one mill so thatís 1cm3 of the copper sulphate. The copper wire here is very, very high grade, this is grade one copper wire and itís point one of a millimetre in diameter and you can see the wonderful copperas lustre coming off the side there. What do you mean by grade one copper? So this is very high purity, this is like 99.99% copper, used for electronics fabrications and high quality research samples. Itís also used for electrical wiring, in fact itís used so much that in a country Portuguese: Vamos lá. Temos que misturar, por isto tem uma barra de agitação, no fundo. Ok, está agitando bem. Então, como eu disse, tartarato de sódio e potássio, e peróxido de hidrogênio, e precisamos adicionar somente um 1ml, 1cm3. Do sulfato de cobre. - O fio de cobre aqui, é bem puro, é um fio de cobre de grau 1, e tem diâmetro de 0,1mm. Vc pode ver o maravilhoso brilho do cobre. - O que quer dizer cobre em grau 1? É de alta pureza, é como 99,99% de pureza, usado em fabricação de eletrônicos, e em amostras com alta pureza para pesquisa. É também usado em fios para eletricidade, de fato é tão utilizado que em um país como a Inglaterra, cada pessoa tem em torno de 175 quilos Portuguese: associado, com cada pessoa; em tubos, em fios, e assim por diante. O problema é, que em muitos outros países, por exemplo, na China, as pessoas tem muito menos cobre associado com elas. Não tem muitos fios para eletricidade nas partes rurais da China. E se todas pessoas na China tivessem a mesma quantidade de cobre associada com elas como na Inglaterra, ou na América, ou Canadá, não existiria cobre suficiente em todos os depósitos conhecidos no mundo. O cobre é necessário para a vida de plantas e animais, usam cobre. Mas tem uma doença, chamada Doença de Wilson, na qual seu corpo não metaboliza bem o cobre, É uma doença hereditária. Pronto? O que está acontecendo ali, é que está produzindo bastante gás, English: like the UK each person has about 175 kilos of copper associated with each person, in the piping, the wiring and so on. The problem is that in many other countries, for example in China, people have very much less copper associated with them, there isnít so much electrical wiring in rural parts of China. And if everybody in China had the same amount of copper associated with them as those in England or America or Canada there wouldnít be enough copper in all the known deposits around the world. Copper is actually necessary for life, plants and animals use copper. But actually you can have a disease called Wilsonís disease which basically your body canít metabolise copper properly, itís actually an inherited disease. Ready? Whatís going on there is itís producing a lot of gas so itís reacting to form a complex. Portuguese: está reagindo para formar um complexo, indo.. em um complexo de tartarato de potássio... Bem, está produzindo dióxido de carbono, e oxigênio, principalmente oxigênio, e é por isso que vc vê o borbulhamento. e gerando óxido cuproso. O cobre é encontrado como um metal, em diversos lugares no mundo. Acho que o nome veio da ilha de Chipre, no meio do Mediterrâneo, Mas o cobre sempre foi conhecido, mesmo na pré-história, quando as pessoas achavam pequenas quantidade de cobre. Mas quando usamos mais e mais cobre, as pessoas precisam cavar minas cada vez mais profundas. A mina no Chile, onde aqueles mineiros heróicos ficaram presos por mais de dois meses, e então resgatados, era uma mina de cobre. E para conseguir o metal que queremos, precisamos ir mais e mais fundo na Terra. English: And itís going from the potassium tartrate complex there to well, its producing carbon dioxide and oxygen, mainly oxygen gas is being produced which is why youíre seeing the fizzing. And itís become copper oxide, cuprous oxide actually. Copper is found as a metal lying around in various places in the world. I believe the name came from the island of Cyprus in the middle of the Mediterranean, but copper has always been know even in pre-historic times people found small amounts of copper. But as we use more and more copper people have had to dig deeper and deeper mines. The mine in Chile where those very brave miners were entombed for more than two months and then rescued was a copper mine. And to get the metal that we need weíre going to have to English: go deeper and deeper and deeper into the earth. So what weíve got in there now is cuprous oxide itís copper 1 oxide. And itís actually gone from what was a kind of clear see-through, all right itís got a colour on it, but see-through solution to something thatís very cloudy. So what weíve got there is a precipitate of copper oxide. Copper is very good because it has very high thermal and electrical conductivity. What that means is that heat flows through it very well and also electricity. If you make wires for electrical transmission out of copper, when the electricity goes through them you get very much less heating than say if you made the wires out of iron, and all this heating is of course lost energy. Youíd do even better if you made the wires out of silver, but silver is too expensive. Portuguese: O que temos ali agora é óxido cuproso, então é óxido de cobre (I). E foi de um solução com cor de azul do mar, para algo bem turvo, e o que temos é um precipitado do óxido de cobre. O cobre é muito bom por ter alta condutividade elétrica e térmica. Isto significa que o calor flui muito bem e também a eletricidade. Se vc fizer fios para transmissão de eletricidade de cobre, quando a eletricidade passa por eles, vc obtém bem menos aquecimento, do que se vc fizer o metal... do que se vc fizer os fios de ferro. E todo este calor é energia perdida. Vc fará ainda melhor se fizer os fios feitos de prata Portuguese: mas a prata é muito cara. Ok. Vamos ver se mudamos esta reação, no momento, iniciamos com 50, está agora em 63, acho que está mais quente do que quando mudou de cor. Vamos ver se podemos inverter, É do Serviço Geológico Britânico, é bem perto daqui é em Keyworth, eu acho. É um presente de Natal do meu marido, e eu peguei. Acho muito legal. - Pq o teu marido pensou em dar isto de presente de Natal? - Ele sabe do que eu gosto! Ele compra essas coisas, ele sabe que sou como pássaro que coleta coisas brilhantes. Este é meu cobre. A cor está mudando gradualmente. Indo do laranja para um amarelo leitoso. Pode ver um um tipo de verde, agora. English: OK. So letís see if we can change this reaction back. So at the moment it started out as being about 50∞C and itís shot up to about 63∞C, I imagine it was even hotter than that when it originally changed colour. So weíll see if we can take it back, Iíll put that back in. I actually bought this from the British Geological Survey which is just down the road from here, I think it is in Keyworth I think. And I just saw this and it was a Christmas present from my husband and I picked it out. I just think itís really cool actually. What did your husband think of getting that as a Christmas present? He knows what Iím like! So he buys these things for me he knows Iím a bit of a magpie, I like to collect shiny things, and pretty things, thatís my copper. So the colour is gradually changing, itís gone from orange and now kind of a murky yellow. Portuguese: É uma mudança gradual, não é mudança repentina e espontânea, de volta ao azul, transparente. Agora voltou para aquela solução clara. Vc pode ver novamente, na barra de agitação, todas as bolhas de oxigênio, e pouco CO2. A maior parte dos organismos, vc e eu, usam ferro no sangue, para transportar oxigênio. É isto o que torna nosso sangue vermelho. Mas em alguns tipos de crustáceos caranguejos e lagostas, eles são diferentes. Eles usam cobre, usam um composto chamado hemocianina, é um composto azul de cobre. O ciano é uma palavra clássica para azul. Então eles realmente tem sangue azul. E esta hemocianina usa dois átomos de cobre em cada molécula para transportar o oxigênio pelo corpo do caranguejo ou lagosta. English: You can see itís kind of green now. And again a gradual change, it wasnít a sudden spontaneous straight back to being blue and see-through, you know clear. Now weíve got back to that clear solution. And again you can see on the stirrer bar all the bubbles of the oxygen, little bit of C02 forming on that. Most organisms, you and me, use iron in our blood to transport oxygen, thatís what makes our blood red. But in some sorts of crustaceans, crabs and lobsters, theyíre different they use copper. They use a compound called hemocyanin, itís a blue compound of copper. Cyanine is some classical word for blue. So they really have blue blood. And these hemocyanin use two atoms of copper in each molecule to transport the oxygen around the body of the crab or English: lobster. But itís not nearly as good as haemoglobin, so if you start running after a crab or lobster it quickly gets tired compared to running after a rabbit or something like that, which can keep going faster than you can. Portuguese: Mas não é tão bom como a hemoglobina, e se vc correr atrás de um caranguejo ou lagosta ele rapidamente fica cansado. Comparado a correr atrás de um coelho ou algo do tipo, que pode ir mais rápido do que vc consegue. Traduzido por Prof. Dr. Luís Brudna
{ "pile_set_name": "YoutubeSubtitles" }
Hello my name is Karina and I'm a dermatology nurse at St John's Institute of Dermatology. In this short video I'm going to talk about scalp psoriasis and some of the techniques you can use to maximise the effectiveness of your prescribed treatments. Psoriasis is a common condition that causes inflammation, scaling and thickening of the skin. It can be harder to treat on the scalp because the hair hides it. The most commonly prescribed treatments for psoriasis are designed to reduce the inflammation in the skin and the overproduction of skin cells. These treatments include topical steroids, coal tar formulations and vitamin D derivatives and these come in different formulations designed to use on the scalp. Always wash and dry your hands thoroughly before applying any treatments, apply treatment to the scalp section by section and gently massage the treatment into the affected areas. If you have long hair it may be helpful to part the hair to facilitate this and if you have someone at home to help that might make it easier. Be careful not to let the treatment run off the scalp onto the forehead or neck and remember to always wash your hands thoroughly afterwards. These treatments are normally used once a day but follow the instructions of your doctor or nurse. If your psoriasis has thick scale on top it can be helpful to soften this to gently remove it before using your prescribed treatments. One way is to apply emulsifying ointment or oil and leave under a shower cap for a few hours or overnight if possible. The emulsifying ointment should be washed out with a medicated shampoo and a flat comb can be used to help manually remove any loose scale avoid picking though as this can make the psoriasis worse. This procedure can be undertaken before applying your prescribed treatment and as frequently as is required. We hope you found this video useful, if you'd like further information please click on the link below for our downloadable leaflet. Thank you.
{ "pile_set_name": "YoutubeSubtitles" }
ELMO: Oh, hi, Norah! NORAH JONES: Hi, Elmo. ELMO: Whoa. What's the matter, Norah? NORAH JONES: Well, I was supposed to meet my friend today, the letter of the day? ELMO: Oh. NORAH JONES: Y never showed up. ELMO: What? Norah's friend is the letter of the day? NORAH JONES: Yes. The letter Y. ELMO: Oh. [MUSIC PLAYING] NORAH JONES: (SINGING) I waited till I saw the sun. I don't know why Y didn't come. I thought we'd meet and have some fun. I don't know why Y didn't come. ELMO: Oh, poor Norah. NORAH JONES: (SINGING) I don't know why Y didn't come. We had great times I won't forget. ELMO: That's good. NORAH JONES: (SINGING) Spelling words like yarn and yet. But now that Y has gone away, how I yearn for yesterday. I don't know what to do. ELMO: Oh, that's not right. Do you see what Elmo sees? NORAH JONES: (SINGING) I can't even spell-- I can't even spell you. Not without him. ELMO: Norah, Norah! The letter Y! NORAH JONES: Oh, yeah. The letter Y. We used to spell great words together. ELMO: But, but, but-- NORAH JONES: We had a lot of fun. We spelled yogurt. ELMO: Yeah, but-- NORAH JONES: Yodel. ELMO: That's good, but-- NORAH JONES: Yarn. ELMO: But-- but I-- NORAH JONES: Now I can't spell anything. I miss him. ELMO: Oh, boy. NORAH JONES: (SINGING) Something had to make him run. I don't know why Y didn't come. And now I'm feeling sad and glum. I don't know why Y didn't come. I don't know why Y I didn't come. I don't know why-- ELMO: But, but-- NORAH JONES: (SINGING) Y didn't come. ELMO: B-but, b-but Norah! Norah, Norah, hello? The Y did come. NORAH JONES: He did? ELMO: Yes! Y: Yoo-hoo! NORAH JONES: Y, you're here. Y: Yep. Oh, I'm sorry I'm late. Can you forgive me? NORAH JONES: Yes. Y: Yippee! ELMO: Yay! NORAH JONES: Yay! You think we can all play together now? Y: Y not? [LAUGHTER] Y: Hey, you want to yodel? NORAH JONES: Sure. ELMO: Yeah, let's yodel! [ALL YODELING] NORAH JONES: I can't yodel, though. Y: I can. Y AND ELMO: [YODELING]
{ "pile_set_name": "YoutubeSubtitles" }
Portuguese: *nota: nesta canção existem algumas expressões idiomáticas sem equivalente 100% adequado em português Vê-te bem no teu enorme sapato de metal A lutar contra tantas crianças, não sabes o que fazer Tens metal pesado, mas ser grande não é ser mau Esta Capuchinho Vermelho é apenas demasiado radical Espelho meu, espelho meu, quem é que vai perder tudo? Chicoteia bem essas crianças, ou o teu berço vai cair Porque estou viva, como uma marioneta com batida de coração Estou em chamas, e a sair fora da escala Vais acabar como aquele passarinho, no teu último piu Estás a caminho de uma queda, e estás perto do fim Spanish: Mírate en tu gran zapato de metal Luchando contra tantos críos que no sabes qué hacer Llevas metal pesado pero grande no significa malo Esta Caperucita simplemente es demasiado radical Espejito, espejito, ¿quién va a perderlo todo? Azota bien a esos niños o tu cuna se caerá Porque estoy viva como una marioneta con un latido Estoy que ardo y echo a volar desde la hoja de tiro Vas a acabar como ese petirrojo con tu último pío Te diriges a una caída y te acercas al final Portuguese: Te vi dentro da sua ''grande perna metálica'' Lutando com tantas crianças que não sabem o que fazem Você tem um metal pesado mas ser grande não dá medo Essa chapeuzinho vermelho é radical demais Espelho, espelho meu, quem vai perder tudo? Chicoteie profundamente essas crianças ou seu berço cairá Porque estou viva Porque eu estou viva como uma marionete com batimento cardíaco Estou em chamas Estou em chamas E estou voando acima das alturas Você vai voar Você vai voar Pra cima como um pássaro em seu último assobio Você está indo pra queda Você está indo pra queda E está próximo do final Spanish: Como una casa hecha de paja, nadie te volverá a levantar Más te vale ser ágil y veloz O te voy a romper los huesos a pedradas y palos Corre, corre, corre, corre tan rápido como puedas Más te vale pedir un deseo igual que el pescador Cenizas, cenizas, adivina quién va a caer Peleando en zapatos de cristal y te acabarás partiendo la coronilla Y estoy al punto como una sopa templada Voy a volar con los cisnes y a mostrar mi belleza Brincaré como una comadreja hasta que te retires El cielo se va a caer Sentirás el dolor Serías grandiosa y terrible pero sólo si tuvieras un cerebro Brinca la comadreja, hora de derrotarte Hickory dickory, victoria absoluta Te cortaré la cola como a tres ratones ciegos Portuguese: Como uma casa de palha, ninguém te vai reparar novamente Mais vale seres ágil, e rapidamente Ou vou partir-te os ossos à pedrada e paulada Corre, corre, corre, corre tão rápido quanto possas É melhor pedires um desejo como o pescador Cinzas, cinzas, adivinhem quem está a cair? A lutar em sapatos de cristal e estás confinado a partir a tua coroa E eu estou no ponto como uma papa de aveia à temperatura perfeita Vou voar com os cisnes e mostrar a minha beleza Vou brincar como uma doninha até que te retires O céu vai cair Tu vais sentir a dor Serias óptimo e terrível, mas só se tivesses um cérebro A brincar vai-se a doninha, está na hora de te derrotar 'Hickory dickhory', vitória perfeita Vou esculpir-te a cauda como três ratos cegos Portuguese: Como uma casa feita de palha Como uma casa feita de palha Ninguém virá colar você novamente Melhor ficar esperta e é bom você ser rápido Ou eu vou quebrar seus ossos com pedras e galhos Corra, corra, corra, corra o mais rápido que puder É melhor você fazer um desejo como o pescador Cinzas, cinzas adivinhe quem está caindo? Lutando em sapatos de cristal e você está perto de quebrar sua coroa E estou certa E estou certa Como um mingau na temperatura certa Eu vou voar Eu vou voar Com os cisnes e mostrar minha beleza Vai se estalar Vai se estalar Como uma doninha até você recuar O céu vai cair O céu vai cair Você estará sentindo a dor Você seria grande e má Você seria grande e má Mas apenas se você tivesse um cérebro O estalo na doninha, hora de te derrotar ''O tempo passa'', vitória perfeita ('hickory, dickory dock', história infantil sobre o tempo) Cinzele sua cauda como três ratos cegos Portuguese: Melhor prestar atenção, não vou dizer de novo Provocando a rosie você não pode me opor ('rosie/[rosa]', pessoa ''extraordinária'' ou ''perfeita'') Vou contar logo Eu vim pra te derrubar Você vai encontrar o seu fim em esplendor Sem mais mentir você me deve essa (cair) Sua estrela não brilha, e você se arrepia É uma cena sangrenta apatia demoníaca A Ponte de Londres caiu, você não fala e nem respira As rodas no seu ônibus, acabaram quebrar Uni duni te, hora de você morrer Pegue eles pelos pés, não deixe que escape Sem tempo para rezar, é o seu último dia A-B-C-D, você não consegue me ver Porque estou viva Porque estou viva Como uma marionete com batimentos cardíacos Estou em chamas Estou em chamas E estou voando acima das alturas Você vai voar Pra cima como um pássaro em seu último assobio Você está indo pra queda E está próximo do final Como uma casa feita de palha Ninguém está te colocando juinto de novo Portuguese: É melhor prestares atenção, não o vou dizer duas vezes Gira, gira a roda, tu não te consegues opôr a mim Vou dizer-te agora, estou aqui para te derrotar Vais encontrar o teu fim em esplendor Acabou-se a farsa, resta a tua queda A tua estrela não brilhará, restará enrugada Ensanguenta a cena - um demónio de pesadelos A ponte de Londres caiu, não podes fazer barulho As rodas to teu autocarro - acabaram de ser esmagadas Um, dó, li, tá: está na hora de morreres Cara de amendoá, nunca te libertarei Não há tempo para rezar, é o teu último dia A-B-C-D, não me podes ver Porque estou viva, como uma marioneta com batida de coração Estou em chamas, e a sair fora da escala Vais acabar como aquele passarinho, no teu último piu Estás a caminho de uma queda, e estás perto do fim Como uma casa de palha, ninguém te vai reparar novamente Spanish: Presta atención, no lo diré dos veces Al corro de la patata, no puedes oponerte a mí Te lo digo ya, estoy aquí para tumbarte Encontrarás tu fin con esplendor Se acabó la farsa, tu caída está pendiente Tu estrella no brillará, te quedarás toda arrugada Ensangrienta la escena, un demonio horripilante El puente de Londres se ha caído, no puedes hacer ruido Las ruedas de tu autobús, aplastados Pito pito gorgorito, hora de que mueras A la era verdadera, pin pan pun fuera Sin tiempo para rezar, es tu último día A-B-C-D, no puedes verme Porque estoy viva como una marioneta con un latido Estoy que ardo y echo a volar desde la hoja de tiro Vas a acabar como ese petirrojo con tu último pío Te diriges a una caída y te acercas al final Como una casa hecha de paja nadie te volverá a levantar
{ "pile_set_name": "YoutubeSubtitles" }
English: Hey everyone Welcome to another episode of 3 Minute Dota Hero Basics I'm your host Shani And today we're looking at one of the tankiest supports in the game Ogre Magi He can make his allies stronger just as much as he can lockdown his enemies. Let's get started >> This way. Thataway. << Ogre's first ability is called Fireblast Ogre stuns and damages his target for a short duration. Remember, a stun prevents your enemy from moving, casting abilities and using items. So, use this when you want to bring a target down or to prevent an enemy from killing an ally. >> One down << Ogre's second ability is called Ignite Ogre throws dangerous chemicals at a target and another random enemy unit in sight. Turkish: Merhaba millet 3 Dakikada Dota Kahraman Temelleri'nin yeni bölümüne hoş geldiniz Ben sunucunuz Shani Bugün oyundaki en dayanıklı desteklerden birini konuşacağız: Ogre Magi Düşmanları etkisiz hale getirmekte de dostlarını güçlendirmekte de iyidir. Haydi başlayalım >> Bu taraftan... Hayır, şu taraftan... << Ogre'ın ilk yeteneği Fireblast Ogre hedefini kısa bir süreliğine sersemleterek zarar verir. Sersemletmek düşmanlarınızı hareket etmekten, yeteneklerini ve eşyalarını kullanmaktan alıkoyar. Bu yeteneğinizi bir düşmanın işini bitirmek için ya da dostlarınızı öldürmelerini engellemek için kullanın. >> Biri gitti << Ogre'ın ikinci yeteneğinin adı Ignite Ogre hedeflediği bir düşmana ve görüş dahilindeki rastgele başka bir düşmana zararlı kimyasallar fırlatır. Turkish: Kimyasallar hedefin hareket hızını düşürür ve ona zamana yayılmış hasar verir. Zamana yayılmış hasar (Damage over Time) ifadesini DoT şeklinde kısaltıyoruz. Yani birinin DoT dediğini duyarsanız anlayın ki birileri zamana yayılmış hasar alıyor. >> Bir tane daha << Ogre'ın üçüncü yeteneği Bloodlust Ogre, dost bir birime ekstra hareket ve saldırı hızı kazandırır. Bloodlust dostlarınızın daha hızlı kasmasına yardımcı olduğu gibi takım savaşlarında karar verici rol oynayabilir. >> Yeniden << Ogre'ın son yeteneği, Multicast adında pasif bir yetenektir. Ogre herhangi bir yeteneğini kullandığında kullanılan yeteneğin tekrarlanma ihtimali var. Bu pasif bir yetenek, bu nedenle eğer Multicast tetiklenirse kullanılan büyü otomatik olarak tekrarlanacaktır. Ogre'ın her yeteneği Multicast ile farklı bir şekilde etkileşir. Fireblast aynı hedef üstünde tekrar eder. Ignite, menzil dahilindeki başka bir çift hedef üzerine uygulanır. Ve Bloodlust, Ogre'ın ilk hedefinin bulunduğu alandaki birden fazla dost kahramanı etkileyebilir. [3 Küçük İpucu:] >> İşte bu, yetenek << English: The chemicals reduce the targets movement speed as well as damages them over time. The damage over time is something we abbreviate as DoT. So if you hear someone say DoT, it just means someone is taking damage over time. >> And another << Ogre's third ability is called Bloodlust Ogre grants and allied unit additional movement speed and attack speed. Bloodlust can help your allies farm faster as well as make the difference in teamfights. >> Again << Ogre's ultimate is a passive ability called Multicast Each time Ogre casts a spell, the spell has a chance of casting again. This is a passive ability, so if Multicast is triggered the spell will just repeat automatically. Each of Ogre's abilities interact a bit differently with Multicast. Fireblast can repeat on the same target. Ignite can be casted to another pair of targets in range. And Bloodlust can be casted on multiple allies in the area of Ogre's initial target. >> Now that's skill << English: As one of the tankies heroes in the game, Ogre can zone his enemies in lane. You can place yourself between the creeps and their tower. Whenever the enemy approaches the creep wave, feel free to hit them since you can often prevent at least one hero from approaching the creep wave. Any damage they deal to you is damage they are not dealing to your ally who is peacefully farming the lane. You can use your bloodlust on towers as well as all allied units. Consider Bloodlust'ing a tower when the enemy is trying to take it down. This will make it significantly tougher for them to break through your defense. You can actually Multicast items as well as spells. It can be a lot of fun to purchase a (Hand of) Midas and watch your gold go up like crazy. Or purchase a Scythe (of Vyse) and turn multiple enemies into easy to kill pigs. It's important to keep in mind that you can only Multicast items on enemy units. So don't worry about Multicast'ing defensive items. Alright ladies and gentlemen That's it for Ogre. Keep your strong heroes Bloodlust'ed and hope you picked up some... Turkish: Ogre, oyundaki en dayanıklı kahramanlardan biri olarak kulvarda düşmanları uzak tutabilir. Yaratıklar ile kule arasında bekleyip düşman, yaratık dalgasına yaklaştığında ona vurun. Çoğu zaman en az bir kahramanı yaratık dalgasına yaklaşmaktan alıkoyabilirsiniz. Size verdikleri zarar, kulvarda huzur içinde kasmaya devam eden dostunuza verilmemiş olacaktır. Bloodlust'ınızı bütün dost birimler ve kuleler üzerinde kullanabilirsiniz. Bloodlust'ı düşmanlarınızın almaya çalıştığı kule üzerinde kullanın. Bu, savunmanızı kırmalarını oldukça zorlaştıracaktır. Aslında, eşyalar da büyüler gibi Multicast'ten etkilenir. Bir (Hand of) Midas alıp deli gibi altın kazanmak eğlenceli olabilir. Ya da bir Scythe (of Vyse) ile birden fazla düşmanı kolayca öldürülebilir domuzlara dönüştürebilirsiniz. Unutmayın ki sadece düşman üzerinde kullanılan eşyalar Multicast'lenebilir. O yüzden savunma eşyalarını Multicast'lemeye uğraşmayın. Evet bayanlar ve baylar Ogre bu kadar Güçlü kahramanlarınızı Bloodlust'lamayı ihmal etmeyin ve umarım biraz şey kazanmışsınızdır... English: >> Expertise! From the experts. << Turkish: >> Uzmanlık. Uzmanlardan. << [Daha fazlası için takipte kalın] [Bir dahaki sefere hangi kahramanı görmek istersiniz?]
{ "pile_set_name": "YoutubeSubtitles" }
Les inondations présentent non seulement une menace pour les maisons et les entreprises, mais aussi pour les services essentiels, comme la distribution de l’eau potable et le traitement des eaux usées. C’est pourquoi j’ai le plaisir d’annoncer aujourd’hui, au nom du gouvernement fédéral, notre appui à deux projets qui aideront la Ville de Montréal à mieux gérer les eaux pluviales et les eaux usées en cas de fortes pluies. Nous verserons plus de 54 millions de dollars pour permettre à la Ville de Montréal de construire un total de cinq ouvrages de rétention des eaux pour diminuer les débordements lors de pluies abondantes et éviter bien évidement, la surcharge des réseaux. Saisissons les occasions qui se présentent d'investir ensemble Mme la Mairesse, pour continuer d'améliorer la qualité de vie des citoyens de la grande région de Montréal. Soyons ambitieux comme nous le sommes aujourd'hui dans nos objectif et nos actions quand on parle d'environnement. Et continuions de travailler ensemble pour bâtir les infrastructures du 21e siècle qui sont modernes, résilientes et vertes. Merci encore Mme la mairesse, plaisir d'être avec vous aujourd'hui.
{ "pile_set_name": "YoutubeSubtitles" }
Wat is het? Het is een paard dat rondliep in het niemandsland. Wat voor paard? Een wonderbaarlijk paard, als je het mij vraagt. Engeland is in oorlog! We zijn in oorlog! Ik beloof dat ik voor hem zal zorgen. Als me dat lukt, geef ik hem terug aan jou. Hij is mijn paard, meneer. 'Geraakt door goedheid' Kan je het je voorstellen om te vliegen over een oorlog? En je weet dat je nooit naar beneden mag kijken. Je moet vooruit kijken, of je raakt nooit thuis. 'Deze Kerst' Het is een eer om naast jullie te rijden. En mag elke man zichzelf en zijn land trots maken! 'Overleeft hoop' Wees dapper!
{ "pile_set_name": "YoutubeSubtitles" }
Professor Dave here, let’s talk about logarithms. As we’ve been learning about different mathematical operations, we’ve come to understand that every operation has an inverse operation. Addition has subtraction. Multiplication has division. But when it comes to exponentiation, it’s not as simple as just taking a particular root, because roots are exponents, they’re just fractional exponents. The square root of X squared is X because of the rules of exponents, which tell us that X to the two to the one half equals X to the two times one half, which equals X to the one, or simply X. In actuality, the inverse operation of raising something to an exponent involves using something called a logarithm. This fact can be demonstrated if we try to find the inverse function of B to the X. If we recall how to do this, we just swap X and Y, and then try to solve for Y. No root will allow us to do this. Even if we took the Y root of both sides, we would still get the Y root of X, and that won’t help at all. That’s where logarithms come in. To solve for Y, we have to take the log base B of both sides. Log base B of X equals log base B of B to the Y. To understand why this works, let’s pause here and quickly define logarithms. Logarithms are different ways of expressing exponential relationships. When we say log base B of X equals Y, we are saying that B to the Y equals X. With logs, the base of the log raised to the power of what’s on the other side of the equals sign, will equal the number that the log is operating on. For example, log base two of eight equals three, because two to the third is eight. Log base five of twenty-five is two, because five squared is twenty-five. So going back to this, taking the log base B of both sides will solve this equation, because it’s as though we are saying that B to the log base B of X equals B to the Y. If B to this power equals B to this power, then these two phrases must be equivalent, and therefore Y equals log base B of X. This is why logarithms are the inverse functions of exponents, we have defined them to be so. The only constraint on logarithmic functions is that X must be positive, because there is no way to raise any number to some power and get a negative number, and B must be positive but not equal to one, because one raised to any exponent can only be one. Now that we know what logarithms are, let’s solve a few simple logarithmic equations. How about log base two of sixteen equals X. What this is asking is, two raised to what power equals sixteen? The answer is four, so X is four. What about the log base four of X equals two. What this is asking is, four squared equals what? The answer is sixteen, so X is sixteen. What if we have log base X of eighty-one equals four. This is asking, what number, raised to the fourth power, equals eighty-one? The answer is three, because we get three, nine, twenty-seven, eighty-one. So we should be able to solve simple logarithmic equations with a variable in any of these three positions. We should also be able to convert between exponential and logarithmic forms of functions. If we have B squared equals nine, we should be able to write this as log base B of nine equals two, because this is the same as this base B being raised to the second power to get this number, nine. Evaluating logs can sometimes seem a little tricky, but you just have to think critically. If you see something like log base seven of one over forty nine, don’t get tripped up, just think, raising seven by what power will give me one over forty nine? This must be negative two, because seven to the negative two is the same as one over seven squared, which gives us one over forty nine. Let’s also quickly look at some graphs of logarithmic equations. We know what two to the X looks like, and we learned earlier that the inverse function of two to the X must be log base two of X. We also know that to graph a function’s inverse, we reflect it across the line Y equals X, so that all the points swap their coordinates, and that means that log base two of X must look like this. Now instead of having a domain that includes all real numbers, it is the range that includes all real numbers, because the base can be raised to any exponent. However, the domain includes only positive real numbers, because raising the base to any exponent will always produce a positive number, so this function stays to the right of the Y axis. Note that just the way two to the X passes through the point zero, one, log base two of X passes through the point one, zero. As we approach this vertical asymptote from the right, the function approaches negative infinity, and as we go towards positive infinity, the function goes towards positive infinity. Then from here, we can apply the transformations we already know. Adding or subtracting a number outside of the log produces a vertical shift. Adding or subtracting a number inside the log will produce a horizontal shift. A negative sign on the whole logarithmic term reflects the function across the X axis, but if it is in here, on the X itself, the function is reflected across the Y axis. And lastly, coefficients outside and inside the log produce vertical and horizontal stretches respectively. Let’s check comprehension.
{ "pile_set_name": "YoutubeSubtitles" }
Portuguese: O que significa "ter" um Bitcoin? Muitos já ouviram falar que é uma moeda completamente virtual sem governo que a controle e que nenhum banco precisa gerenciar contas e verificar transações. e também que ninguém realmente sabe quem a inventou. 'QUEM É ESSE?' e ainda, ninguém sabe a resposta para essa pergunta, pelo menos, não totalmente. Para chegar lá, e ter certeza que os detalhes técnicos por baixo da resposta sejam interessantes O que faremos será ir passo a passo, como você, poderia ter inventado sua própria versão do Bitcoin. Vamos iniciar com você mantendo registro de pagamentos junto de seus amigos usando um registro (livro-caixa) comum, e então, conforme você passa a confiar nos seus amigos e no mundo ao redor cada vez menos, E se você é esperto o bastante para usar algumas ideias da criptografia para tentar contornar a necessidade de confiança você chegará ao que é chamado de Cripto moeda. Bitcoin é apenas o primeiro exemplo implementado de uma cripto moeda Korean: 한글 자막 by [email protected] 비트코인을 *소유*하고 있다는 건 어떤 의미일까? 비트코인은 순전히 디지털로만 만들어진 화폐라는 이야기를 들어본 적이 있을거야. 비트코인은 발행하는 정부 주체도 없고, 계좌를 관리해주고 거래 내역을 확인해 주는 은행조차도 필요 없다고 하지. 사토시 나카모토라는 사람이 만들었다고 되어 있지만, 그가 누구인지는 정확히 알려져 있지 않아. 비트코인을 *소유*하는 것이 어떤 의미인지, 일부라도 아는 사람들은 많지 않아. 그 의미를 이해하고, 그 안에 담긴 기술적인 세부 사항을 확인해보는 것은 쉽지 않은 일이지만, 차례차례 한 번 알아보자구!! 여러분이 직접 비트코인을 만들었다면 어떻게 만들었을까? 먼저 친구들과의 금전 거래 내역을 공동의 장부에 기록해야겠지. 이제부턴 장부를 믿으면 되니까, 친구들과 세상에 대한 신뢰의 필요성은 점점 줄어들거야. 암호학에서 몇 가지 아이디어를 가져와서 그런 신뢰가 없어도 장부로 거래를 운영할 수 있다면, 그 거래에 사용된 화폐를 "암호화 화폐"라고 부르게 되지 않을까? 비트코인은 가장 먼저 만들어진 암호화 화폐야. Czech: Co vlastně znamená "vlastnit" Bitcoin? Spousta lidí slyšela o Bitcoinu, že jde o plně digitální měnu, kterou nevydává žádná vláda, že není potřeba ani banky aby spravovala účty a ověřovala transakce a také, že nikdo pořádně nezná člověka, který Bitcoin vynalezl. Satoshi Nakamoto - Kdo to je? Většina lidí nezná odpověd na tuto otázku, aspoň ne přesnou odpověď. Abychom to osvětlili a zároveň aby vás technické detaily potřebné k vysvětlení neodradily, budeme postupovat krok za krokem a vysvětlíme, jak jste si vy sami mohli vynalézt svou vlastní verzi Bitcoinu. Začneme tím, že si vedete záznamy plateb mezi známými pomocí účetní knihy. Postupně budete svým přátelům a celému světu věřit méně a méně a pokud jste natolik chytrý, že dokážete využít pár nápadů z kryptografie k tomu, aby se dala obejít potřeba prosté důvěry, skončíte u toho, čemu se dnes říká kryptoměna. Víte, Bitcoin je pouze první funkční příklad kryptoměny. Indonesian: Apakah artinya *mempunyai* Bitcoin? Banyak orang telah mendengar Bitcoin bahwa itu adalah mata uang digital yang tidak memperlukan pemerintah untuk mengeluarkannya; dan tidak memerlukan bank untuk mengatur akun dan memverifikasi transaksi; dan juga bahwa tidak ada orang yang tahu siapa yang menciptakannya. Namun, banyak orang tidak tahu jawaban atas pertanyaan ini, setidaknya tidak secara penuh. Untuk kesana, untuk memastikan bahwa rincian teknis yang mendasari jawabannya benar-benar terasa termotivasi, apa yang akan kita lakukan adalah dengan mencari tahu satu demi satu bagaimana Anda mungkin bisa menciptakan Bitcoin versi Anda sendiri. Kami akan mulai dengan Anda melacak pembayaran dengan teman Anda menggunakan buku besar (buku kas) umum. Dan kemudian, saat Anda mulai mempercayai teman Anda, dan dunia di sekitar semakin berkurang mempercayai Anda, dan jika Anda cukup pintar untuk membawa sedikit ide dari kriptografi (ilmu persandian) untuk membantu menghindari kebutuhan akan kepercayaan cara terakhir yang Anda pakai adalah yang bernama "cryptocurrency" (mata uang kripto). Anda lihat, Bitcoin hanyalah contoh mata uang kripto yang pertama kali diimplementasikan. Modern Greek (1453-): Τι σημαίνει η "κατοχή" ενός Bitcoin; Πολλοί άνθρωποι έχουν ακούσει το Bitcoin ως ένα πλήρως ψηφιακό νόμισμα, χωρίς κάποια κυβέρνηση να το εκδίδει και χωρίς τράπεζες για την διαχείριση λογαριασμών και την επαλήθευση συναλλαγών και επίσης, κανένας πραγματικά δεν ξέρει ποιος το εφηύρε Και ακόμα, πολλοί δεν ξέρουν την απάντηση σε αυτή την ερώτηση, τουλάχιστον ολόκληρη Για να φτάσουμε εκεί και για να βεβαιωθούμε ότι οι τεχνικές λεπτομέρειες που διέπουν την απάντηση είναι πραγματικά κίνητρα, αυτό που θα κάνουμε είναι να πάμε βήμα προς βήμα στο πως θα μπορούσατε να δημιουργήσετε την δική σας εκδοχή του Bitcoin Θα ξεκινήσουμε με εσάς, με την καταγραφή των πληρωμών με τους φίλους σας σε ένα κοινόχρηστο βιβλίο Και τότε, όσο αρχίζετε να εμπιστεύεστε τους φίλους σας και τον κόσμο γύρω σας όλο και λιγότερο και αν είστε αρκετά έξυπνος ώστε να φέρετε μερικές ιδέες από την κρυπτογραφία για να ξεπεραστεί η ανάγκη για εμπιστοσύνη καταλήγετε σε αυτό που ονομάζουμε "κρυπτονόμισμα" Βλέπετε, το Bitcoin είναι απλώς ένα υλοποιημένο παράδειγμα ενός κρυπτονομίσματος Hungarian: Mit jelent az, hogy *van* Bitcoinom? Sokan halloták a Bitcoinról hogy ez egy teljesen digitális pénz amit nem egy állam kormánya bocsát ki; és amihez nincs szükség bankokra hogy kezeljék a számlákat és ellenőrizzék a tranzakciókat; és hogy senki sem tudja igazán, hogy ki volt a feltalálója. Sokan nem ismerik a választ erre a kérdésre, legalábbis nem teljesen. Ahhoz, hogy megértsük, és hogy a megoldáshoz vezető technológiai részletek valóban motiváljanak, ahhoz lépésről lépésre végig fogunk menni azon hogy te hogyan találnád fel a te saját változatodat a Bitcoinból. Azzal fogjuk kezdeni hogy nyomonkövetjük az barátaitok közötti pénzmozgásokat egy közösségi főkönyvben. Majd idővel, amikor egyre kevésbé bízol a barátaidban és a körülötted lévő világban, és ha elég okos vagy hogy felhasználj néhány ötletet a kriptográfiából hogy kiküszöbölhesd a bizalom szükségességét, akkor idővel eljutsz ahhoz amit úgy hívunk hogy "kriptopénz". Amint látod, a Bitcoin csak az első megvalósított példája a kriptopénznek. Vietnamese: * Có * được một Bitcoin có nghĩa là gì? Nhiều người đã nghe rằng Bitcoin là một đồng tiền kỹ thuật số mà không được phát hành bởi bất kì một chính phủ nào, và vì vậy không cần đến ngân hàng để quản lí tài khoản và xác minh các giao dịch; thế nên không ai thực sự biết người đã phát minh ra nó. Cho đến bây giờ, có nhiều người không biết câu trả lời đầy đủ cho câu hỏi này. Để trả lời đầy đủ câu hỏi này, và để đảm bảo rằng các chi tiết liên quan đến chuyên môn của câu trả lời thực sự được làm rõ, những gì chúng ta sẽ làm là từng bước tìm hiểu cách bạn có thể đã phát minh ra phiên bản Bitcoin của riêng mình. Ta sẽ bắt đầu với việc ban theo dõi các khoản thanh toán với bạn bè bằng một sổ cái chung. Và sau đó, khi bạn bắt đầu mất niềm tin vào bạn bè và thế giới xung quanh mình. và nếu bạn đủ thông minh để đưa ra một vài ý tưởng về viết mã (cryptography) để gạt bỏ đi sự cần thiết của niềm tin giữa người với người, thì bạn sẽ lập nên được một thứ gọi là "cryptocurrency" (đồng tiền mã hóa). Bạn thấy đó, Bitcoin chỉ là ví dụ thực đầu tiên của một cryptocurrency. Arabic: ما الذي يعنيه أن "تمتلك" بِيتْكُوْيْن؟ لقد سمع الكثير من الناس عن البِيتْكُوْيْن بأنها عملة رقمية بالكامل، دون وجود حكومة لإصدارها، و أنه لا حاجة للبنوك لإدارة الحسابات والتحقق من المعاملات، وأيضًا لا أحد يعرف حقًا من الذي اخترعها. ومع ذلك، الكثير من الناس لا يعرفون الإجابة الكاملة على هذا السؤال. للوصول الى الإجابة، وللتأكد من أن التفاصيل التقنية الكامنة وراء هذه الإجابة مُحفِّزة، ما سنفعله هنا هو السير خطوة بخطوة في كيفية اختراع نسختك الخاصة من بيتكوين. سنبدأ معك بتتبع المدفوعات بين أصدقائك باستخدام سجل مشترك، وبعد ذلك، إذا بدأت ثقتك بأصدقائك وبمحيطك تقل أكثر فأكثر، وإذا كنت ذكيًا كفايةً للمجيء ببعض الأفكار من علم التشفير لتساعدك على التهرب من ضرورة هذه الثقة، سينتهي بك الأمر بِما يُسمَّى "العملة المشفَّرة" كما ترى، البيتكوين هي مجرد أول مثال عمليّ على العملات المشفرة Polish: Co to znaczy mieć 1 Bitcoin? Wszyscy z nas słyszeli, że Bitcoin to waluta cyfrowa, bez wspomagania rządowego, bez kontroli banku co do dokonanych transakcji, oraz to, że nikt właściwie nie wie, kto ją wynalazł. Nadal duża część osób nie zna odpowiedzi na to pytanie, a przynajmniej nie w pełni wyczerpującej. Żeby to zrozumieć i mieć pewność, że techniczne założenia są nieodzowne przejdziemy krok po kroku po tym, jak TY mógłbyś utworzyć własną wersję Bitcoina. Zaczniemy od tego, że zapisujesz wymianę gotówki ze znajomymi w jakiejś księdze opłat. Potem, jak zaczniesz coraz mniej ufać swoim znajomym i światu, a jeśli jesteś na tyle sprytny, aby wprowadzić kilka pomysłów z kryptografii, aby ominąć konieczność zaufania, skończysz z czymś co nazywa się „kryptowalutą”. Widzisz, Bitcoin jest tylko pierwszym zaimplementowanym przykładem kryptowaluty. Italian: Cosa significa "possedere" un Bitcoin? Quello che si sente spesso sul Bitcoin è che si tratta di una moneta completamente digitale, senza un governo che la distribuisca e che nessuna banca ha bisogno di gestire account e verificare transazioni e anche che nessuno sa veramente chi l'ha inventata. Tuttavia, molte persone non sanno la risposta a questa domanda, almeno non completamente. Per arrivare a capire e per assicurarci che i dettagli tecnici siano effettivamente motivati, quello che faremo è procedere passo dopo passo in come potresti aver inventato la tua versione del Bitcoin Iniziando con il tener traccia dei pagamenti con i tuoi amici utilizzando un libro mastro comune. e poi, quando cominci a fidarti dei tuoi amici e del mondo sempre di meno e se sei furbo abbastanza da integrare alcune idea dalla crittografia per aiutare a eludere il bisogno di fiducia quello che ottieni è una criptovaluta Vedi, Bitcoin è solo il primo esempio implementato di criptovaluta German: Was bedeutet es einen Bitcoin zu *haben*? Viele Leute haben von Bitcoins gehört. Dass sie eine komplett digitale Währung sind, ohne Regierung, die sie herausgibt. Dass keine Banken sie verwalten und Transaktionen verifizieren müssen. Und dass niemand so richtig weiß, wer sie erfunden hat. Und dennoch können viele Leute diese Frage nicht beantworten, zumindest nicht vollständig. Um das zu können, und um sicher zu gehen, dass die technischen Details, die der Antwort zugrunde liegen, einleuchtend sind, werden wir Schritt für Schritt durchgehen wie du deine eigene Version der Bitcoins hättest erfinden können. Wir beginnen mit dir und ein paar Freunden. Ihr haltet alle Zahlungen auf einem gemeinschaftlichen Bestandsbuch fest. Wenn du dann deinen Freunden und der Welt um euch herum weniger und weniger vertraust und wenn du clever genug bist ein paar Ideen aus der Kryptografie einzubringen um die Notwendigkeit von Vertrauen zu umgehen dann wirst du bald etwas haben, das man "Kryptowährung" nennt. Bitcoin ist das erste Beispiel einer implementierten Kryptowährung. Lithuanian: Ką reiškia *turėti* bitkoiną? Daugelis žmonių girdėjo apie Bitkoiną, kad tai pilnai skaitmeninė valiuta, kuri neturi centrinės ją leidžiančios valdžios; ir kad jokiems bankams nereikia tvarkyti sąskaitų ir tikrinti transakcijų; ir taip pat, kad niekas tikrai nežino, kas jį iš tikro išrado. Ir visgi, daugelis žmonių nežino atsakymo į šį klausimą, bent jau ne pilnai. Kad tai atsakytume, ir, kad būtume tikri, kad techninės detalės esančios atsakyme jaustųsi motyvuotos, ką mes padarysim, tai praeisime žingnis po žingsnio kaip tu galėjai išrasti savo paties Bitkoino versiją. Pradėsime tuom, kad tu ir tavo draugai sekate savo mokėjimus naudodami bendruomenės apskaitos knygą. Ir tada, kai pradedi pasitikėti savo draugais ir pasauliu aplink tave vis mažiau ir mažiau, ir jei esi pakankamai gudrus pridėti keletą kriptografijos idėjų, kad apeitum pasitikėjimo reikalingumą - tai, ką sukursi, yra vadinama "kriptovaliuta". Matai, Bitkoinas tėra pirmas implemetuotas kriptovaliutos pavyzdys. Spanish: ¿Qúe significa tener un Bitcoin? Mucha gente ha oido del Bitcoin que es una moneda completamente digital sin ningun gobierno que la emite y que no necesita de bancos que administren las cuentas y verifiquen transacciones y también que nadie sabe de verdad quien la inventó Aun así mucha gente no conoce la respuesta a esta pregunta, al menos no en su totalidad Para llegar ahí, y para asegurarnos de que los detalles técnicos subyacentes son entendidos lo que vamos a hacer es hacer un paso de como podrías haber inventado tu propia versión de Bitcoin Empezaremos controlando los pagos con tus amigos usando un libro de cuentas comunitario Y entonces, a medida que empiezas a desconfiar de tus amigos y tu entorno mas y mas, y si eres lo suficientemente listo como para introducir algunos de conceptos de criptografía para ayudar a evitar tener que confiar en ellos terminas con lo que es conocido como una criptomoneda Verás. Bitcoin es solo el primer ejemplo de la implemetación de una criptomoneda Japanese: ビットコインを「持つ」とはどういうことか? 多くの人がビットコインのことを、 政府が発行しないデジタル通貨で、 銀行も一切関与しないものだと理解している。 加えて誰も考案者の正体を知らない。 この疑問に対する、完璧な答えを知っている人は多くない。 完璧な答えとその根底にある技術的な要素を実感してもらうために、 着実に順序立てて説明するので、 ビットコインの変種を自分で作れるレベルにまで頑張って理解してほしい。 元帳を使って友達との支払いの様子を記録することから始まり、 次第に友達を含めた周囲すべてを信じなくなり、 暗号論に準じた解決策をシステムに付け加えることで、 性善説に頼る必要性を減らし、 最終的に暗号通貨と呼ばれるものになる。 承知の通り、ビットコインは最初に運用が始まった暗号通貨であり、 iw: מה זה אומר ש-"יש לך ביטקוין"? ביטקוין התפרסם כמטבע דיגיטלי לגמרי שאף ממשלה לא מנפיקה אותו ושלא נדרש אף בנק כדי לנהל חשבונות ולאשר עסקאות שנעשו בעזרתו וגם, כי אף אחד לא באמת יודע מי המציא את אותו ובכל זאת, הרבה אנשים לא יודעים את התשובה לשאלה זו, לפחות לא במלואה. כדי להגיע לשם, וכדי לוודא כי הפרטים הטכניים שבבסיס התשובה מובנים היטב, אנחנו עומדים לעבור שלב אחר שלב על התהליך בעזרתו הייתם ממציאים גרסא משלכם לביטקוין. נתחיל בתיאור שלכם עוקבים אחר החלפות כספיות בינכם לבין חבריכם בעזרת ספר חשבונות קהילתי. ואז, ככל שהאמון שלכם בחברים שלכם ובעולם מסביבכם הולך ופוחת, ואם אתם חכמים מספיק כדי להביא כמה רעיונות מתחום הקריפטוגרפיה כדי לעזור לעקוף את הצורך באמון, בסוף תקבלו את מה שנקרא "מטבע מבוזר". אתם מבינים, ביטקוין הוא רק הדוגמא המיושמת הראשונה של מטבע מבוזר. Russian: Что это значит — владеть Биткоином? Многие слышали, что Биткоин — это полностью цифровая валюта, не выпускаемая ни одним государством, и что для управления счетами и подтверждения операций не нужен банк; а ещё что никому не известно, кто изобрел его на самом деле. Тем не менее, точно ответить на наш вопрос могут далеко не все. Чтобы прийти к ответу и убедиться, что технические особенности Биткоина и вправду играют важную роль, мы шаг за шагом рассмотрим, как вы могли бы изобрести собственную версию Биткоина. Для начала представьте, что вы с друзьями записываете все платежи в общий журнал. Но потом вы все меньше доверяете друзьям, да и вообще всему миру, и если вы догадаетесь применить некоторые идеи криптографии, чтобы не основываться только на доверии, вы и получите так называемую «криптовалюту». Биткоин — это всего лишь первое воплощение криптовалюты. Turkish: Bitcoine *sahip olmak* ne demek? Bir çok insan Bitcion'in Devletle ilgili sorunlar olmadan tamamen dijital bir para birimi olduğunu; Ve para transferlerini onaylamak için bankalara gerek olmadığını; ayrıca kimsenin gerçekten kimin icat ettiğini bilmediğini duymuştur. Yine de, çoğu kişi bu sorunun cevabını bilmiyor, en azından tam olarak. Buraya gelene kadar ve teknik detayların altında yatan cevapların tatmin edici olduğundan emin olmak için yapacağımız şey adım adım gitmek olacak. Kendi vesiyonunuz olan Bitcoin'i nasıl icat edebilirdiniz Arkadaşlarınla aranızdaki ödemeleri tutan ortak bir defterle başlayalım. Gittikçe arkadaşlarınızın sözlerine ve çevrenize daha az güvenmeye başlarsınız. ve eğer "şifreleme"den bir kaç fikir alabilecek kadar akıllıysanız güvenme ihtiyacınıza çözüm olacak şeye "cyrptocurrency" deniyor Bitcoin cyrptocurrency'nin uygulanmış ilk örneğidir. English: What does it mean to have a bitcoin? Many people have now heard of bitcoin, that’s it’s a fully digital currency, with no government to issue it and no banks needed to manage accounts and verify transactions. That no one actually knows who invented it. Yet many people don’t know the answer to this question, at least not in full. To get there, and to make sure the technical details underlying this answer feel motivated, we’re going to walk through step-by-step how you might have invented your own version of Bitcoin. We’ll start with you keeping track of payments with your friends using a communal ledger. Then, as you trust your friends and the world less and less, and if you’re clever enough to bring in a few tools of cryptography to help circumvent the need for trust, what you end up with what’s called a “cryptocurrency”. French: Que signifie avoir un Bitcoin ? De nombreuses personnes ont entendu parler de Bitcoin que c'est une monnaie entièrement numérique sans aucun gouvernement derrière et qui n'a pas besoin de banque pour gérer les comptes et vérifier les transactions et aussi que personne ne sait vraiment qui l'a inventé Et aujourd'hui encore les gens ne connaissent pas la réponse à cette question Du moins pas complètement Pour entre là dedans et afin de s'assurer que les détails techniques sous-jacents à la réponse apparaissent motivés, ce que nous allons faire c'est d'avancer pas à pas à travers la façon dont vous vous y prendriez pour inventer votre propre version de Bitcoin. Nous commencerons avec vous gardant la trace des paiements avec vos amis utilisant un livre de compte commun. Et ensuite comme vous commencez à avoir de moins en moins confiance en vos amis et au monde autour de vous qui utilise ce livre de compte commun et si vous êtes suffisamment intelligent pour amener quelques idées issues de la cryptographie pour aider à contourner le besoin de confiance alors ce que vous obtenez est ce qu'on appelle une crypto-monnaie Vous voyez Bitcoin est juste le 1er exemple d'implémentation d'une crypto-monnaie. Et maintenant il y en a des Chinese: 「擁有」一枚比特幣究竟意味著什麼? 很多人都聽說過比特幣 它是一種數字貨幣,並不需要特定政府發行 也不依賴銀行來管理帳戶及驗證交易 甚至都沒有人真正知道其發明者 很多人都不知道片頭提及的那個問題的答案 至少不全然瞭解 想要搞清楚,同時也為了讓 比特幣背後的技術細節顯得直觀 我們將從你會如何發明自己的比特幣來一步一步地說明 首先我們從你用於記錄你與好友們交易的公共帳本開始 然而你與好友及世界上的其他人的互信開始逐漸降低 但聰明的你引入了密碼學中的某些概念來解決信任危機 你就創造了一種新事物,叫做「加密貨幣」 比特幣只是第一個被廣泛應用的加密貨幣的例子 Chinese: “拥有”一枚比特币究竟意味着什么? 很多人都听说过比特币 它是一种数字货币,并不需要特定政府发行 也不依赖银行来管理账户及验证交易 甚至都没有人真正知晓其发明者 很多人都不知道片头提及的那个问题的答案 至少不全了解 要想搞明白,同时也为了让 比特币背后的技术细节显得直观 我们将从你会如何建立比特币的过程中一步一步地说明 首先我们从你用于记录你与好友们交易的公共账本开始 然而你与好友及世界上的其他人的互信开始逐渐降低 但聪明的你引入了密码学中的某些概念来解决信任危机 你就创造了一种新事物,叫做“加密货币” 比特币只是第一个被广泛应用的加密货币的例子 Lithuanian: Ir dabar yra tūkstančiai kitų biržose su tradicinėmis valiutomis. Eiti kelią išrandant savo kriptovaliutą gali padėti pagrindus kai kurių visai neseniai pasirodžiusių žaidime veikėjų supratimui, ir kada ir kodėl yra vietos skirtingų dizaino/projektavimo pasirinkimų atpažinimui. Iš tiesų, viena iš priežasčių, kodėl pasirinkau šią temą yra tai, kad per paskutinius metus atsirado didžiulis kiekis dėmesio ir investavimo ir, na, nuoširdžiai nepagrįsto susijaudinimo (hype'o) nukreipto į šias valiutas. Ir aš neketinu komentuoti ar spekuliuoti apie dabartinius ir ateities valiutos kursus, bet manau mes visi galime sutarti, kad bet kas, planuojantis pirkti kriptovaliutą, turėtų iš tikro žinoti, kas tai yra. Ir aš neturiu galvoje supratimo palyginimais, su neaiškiais ryšiais su aukso kasimu; turiu galvoje tikrą tiesioginį aprašymą, ką kompiuteriai daro kai mes siunčiame, gauname ir sukuriame kriptovaliutas. Vienas dalykas vertas pabrėžti, beje, yra tai, kad nors mes čia ir įsigilinsime į detales, ir tai užtruks vertingą laiką, tau iš tikro nereikia žinoti šių detalių, jei tenori naudoti kriptovaliutą, Portuguese: e agora há milhares outras em trocas com moedas tradicionais. Tentar criar a sua própria vai ajudar a mostrar o básico para entender um pouco das moedas mais recentes, e reconhecer quando e por quê há mais espaço para diferentes escolhas. Na verdade, um dos motivos para ter escolhido este tópico foi que no último ano houve uma enorme quantidade de atenção e investimento e, bem, honestamente, 'hype", direcionado às cripto moedas e não vou comentar ou especular no presente ou futuro valor de troca, mas eu acho que todos concordamos que qualquer pessoa querendo comprar cripto moedas deveria realmente saber o que são, e não digo apenas por analogias e vagas conexões a mineração de ouro digo uma descrição real e direta do que os computadores estão fazendo quando nós enviamos, recebemos e criamos cripto moedas. É importante reforçar aliás, que apesar de nós entrarmos nos detalhes aqui e isso requerer tempo significativo você não precisa saber desses detalhes se você só quer usar as cripto moedas Russian: А сейчас тысячи других криптовалют обмениваются на реальные валюты на биржах. Разбор того, как вы могли бы изобрести свою криптовалюту, поможет понять действия новых ключевых игроков рынка и осознать, зачем нужно разнообразие решений в разработке. На самом деле, я выбрал эту тему еще и потому, что в прошлом году эти валюты привлекли много внимания, инвестиций, и, честно говоря, хайпа. Не буду строить догадки о курсах сейчас или в будущем, но, согласитесь, каждый, кто хочет купить криптовалюту, точно должен знать, что она представляет из себя. И я не говорю о сравнениях и смутных отсылках к добыче золота — я имею в виду четкое объяснение конкретных действий компьютеров, когда мы отправляем, получаем и создаем криптовалюты. Кстати, нужно отметить, что даже если мы с вами глубоко уйдем в детали, что займет не так уж мало времени, вам не обязательно знать все это, если вы просто хотите использовать криптовалюту, Italian: E ora, ce ne sono altre migliaia che si scambiano con valute tradizionali Seguire i passi per inventarne una può aiutare a gettare le basi per comprendere alcuni dei più recenti partecipanti al gioco e riconoscere quando e perché c'è spazio per scelte di progettazione differenti infatti, una delle ragioni per le quali ho scelto questo argomento è che nell' ultimo anno, ci sono stati enormi attenzioni e investimenti e, beh, onestamente pubblicità dirette a queste valute e non starò a commentare o speculare sull'andamento della loro quotazione ma penso siamo tutti d'accordo che chiunque voglia comprare una criptovaluta dovrebbe davvero sapere cos'è. E non intendo solamente in termini di analogie e vaghe connessioni con l'estrazione dell'oro nelle miniere, quanto piuttosto una descrizione diretta di cosa effettivamente i computer facciano quando inviamo, riceviamo e creiamo delle criptovalute. Tra l'altro, una cosa su cui vale la pena di porre l'accento, è che anche se qui tu ed io entreremo nei dettagli, cosa che richiederà un certo tempo, non è strettamente necessario che tu conosca questi dettagli per utilizzate le criptovalute, Chinese: 而如今有了更多其他的加密货币并与传统货币发生交易 从你发明你自己的加密货币入手 能帮助我们理解如今几大主流加密货币的理论基础 了解其背后在不同方面存在着不同的设计空间 事实上我选这个选题是因为在过去一年中针对加密货币 有大量的关注、资本投入甚至老实讲还有媒体过分渲染 我并不会对当前及未来的汇率发表评论及预测 但我想任何想要购买加密货币的人都应 搞明白加密货币究竟是怎么一回事 我不会含糊地将其与挖矿作类比 我会直接描述当我们发送、接受、创造加密货币时 计算机内部所发生的事情 我还要强调一点: 虽然我们将花一些时间稍深入地了解背后的原理 仅仅日常使用的话,我们并不需要了解其详细技术原理 Modern Greek (1453-): Και τώρα, υπάρχουν χιλιάδες ακόμα σε ανταλλακτήρια με παραδοσιακά νομίσματα Ακολουθώντας τα βήματα για την δημιουργία του δικού σας (κρυπτονομίσματος), μπορεί να βοηθήσει στην δημιουργία των θεμελίων για την κατανόηση μερικών από τους πιο πρόσφατους παίκτες στο παιχνίδι και την αναγνώριση του πότε και γιατί υπάρχει χώρος και για διαφορετικές υλοποιήσεις. Στην πραγματικότητα, ένας από τους λόγους που επέλεξα αυτό το θέμα είναι ότι τον τελευταίο χρόνο, υπάρχει μία τεράστια κέντριση προσοχής και επενδύσεων και, ειλικρινά, θόρυβος κατευθυνόμενος προς αυτά τα νομίσματα. Και δεν θα σχολιάσω ή προβλέψω την σημερινή και μέλλουσα τιμή αγοραπωλησίας αλλά πιστεύω πως όλο θα συμφωνήσουμε στο ότι όποιος σκέφτεται να αγοράσει ένα κρυπτονόμισμα, θα πρέπει να ξέρει τι είναι Και δεν εννοώ απλά με όρους ανάλογους με την ασαφή σύνδεση του με την εξόρυξη χρυσού Εννοώ μία κυριολεκτική και άμεση περιγραφή του τι κάνουν οι υπολογιστές όταν στέλνουμε, λαμβάνουμε και δημιουργούμε κρυπτονομίσματα Ένα πράγμα που αξίζει να τονιστεί, παρεμπιπτόντως, είναι πως αν και, εσείς και εγώ πρόκειται να εμβαθύνουμε στις λεπτομέρειες εδώ, και αυτό παίρνει ουσιαστικό χρόνο, δεν χρειάζεται να γνωρίζετε όλες αυτές τις λεπτομέρειες, αν θέλετε απλά να χρησιμοποιήσετε το κρυπτονόμισμα Turkish: Ve şu an geleneksel paraları kullanan binden fazla borsa var. Kendi kurumları için kendi para birimlerini icat etmeye çalışıyorlar. Oyuna yeni katılanları daha iyi anlamak ve diğer dizayn seçimleri için ne zaman ve niçin hala yer olduğunu anlamamız gerek Bu konuyu seçmemdeki en büyük sebeplerden biri son yıllarda fazla miktarda ilgi ve yatırım oldu ve doğrusunu söylemek gerekirse bu para birimlerine yöneltilen büyük bir heyecan Gelecekte borsaların ne durumda olduğuyla ilgili yorum yapmayacağım ama sanırım hepimiz şunda hemfikiriz cyrptocurrency almak isteyenler gerçekten tam olarak ne olduğunu bilmeliler ve ben altın madenciliği ile belli belirsiz bağlantılar içeren benzetmeleri kastetmiyorum, Bilgisayarların ne yaptığının gerçek tanımını cryptocurrency'leri gönderdiğimizde, aldığımızda ve oluşturduğumuzdaki anlamını kastediyorum. Bu arada vurgulamam gereken şey şu ki sen ve ben burada detaylara girsek dahi ki bunun anlamlı bir zaman ayırımı eğer sadece cryptocurrency kullanmak istiyorsan bu detayları aslında bilmene gerek yok Vietnamese: Và bây giờ, có hơn ngàn những đồng tiền này, được trao đổi với các loại tiền tệ truyền thống. Đi theo con đường sáng tạo của riêng bạn có thể giúp thiết lập nền móng để hiểu được một số đồng tiền mới gần đây trong cuộc chơi và nhận ra khi nào và tại sao lại có nhiều chỗ đứng cho các loại đồng tiền đến vậy Trên thực tế, một trong những lý do tôi chọn chủ đề này là vì trong năm qua, đã có rất nhiều sự chú ý và đầu tư và cả sự cuồng nhiệt cho các loại tiền tệ này. Và tôi sẽ không bình luận hoặc suy đoán về tỷ giá hối đoái trong hiện tại hay tương lai, nhưng tôi nghĩ chúng tôi sẽ đồng ý rằng bất cứ ai tìm cách để mua một cryptocurrency nên thực sự hiểu nó là gì. Và hiểu ở đây không chỉ là biết những thuật ngữ, liên hệ mơ hồ với việc khai thác vàng, Tôi muốn nói tới một mô tả trực tiếp của những gì các máy tính đang làm khi chúng ta gửi, nhận và tạo ra các Đồng tiền mã hóa. Một điều cần nhấn mạnh nữa là mặc dù bạn và tôi sẽ đi sâu vào chi tiết, và nó sẽ mất kha khá thời gian thì thực sự, bạn không cần phải biết những chi tiết này nếu bạn chỉ muốn sử dụng cryptocurrency, Hungarian: Manapság már több ezer ilyen létezik tőzsdéken a hagyomás pénzek mellett. A saját kriptopénzed feltalálásának útja segíthet téged abban, hogy megfelelő alapokra építve megérthesd az újabb szereplőket a kriptopiacon és hogy felismerd hogy miért van helye a különböző tervezésbeli megoldásoknak. Valójában azért választottam ezt a témát mert tavaly hatalmas figyelem, befektetés és, hát, őszintén szólva hype irányult a kriptopénzek iránt. És nem fogok megjegyzéseket tenni vagy spekulálni a jelenlegi vagy jövőbeni árfolyamokkal kapcsolatban, de azt gondolom hogy mindannyian egyetérthetünk abban, hogy bárki aki kriptopénzt szeretne vásárolni, annak tudnia kellene hogy az mi. És itt most nem csak az aranybányászattal kapcsolatos homályos analógiákra gondolok, hanem egy valódi, közvetlen leírást arról, hogy mit csinálnak a számítógépek amikor elküldjük, fogadjuk, vagy létrehozzuk a kriptopénzeket. Egyébként egy dolgot érdemes leszögezni, hogy habár te és én bele fogunk itt ásni a részletekbe, és ez jelentős időt fog igénybe venni, valójában nincs szükséged arra, hogy részleteiben megismerd ha csak használni szeretnéd a kriptopénzt, iw: ובימינו יש עוד אלפי מטבעות כאלו בבורסות יחד עם מטבעות מסורתיים. לעקוב אחר התהליך של המצאת מטבע מבוזר משל עצמכם יכול לעזור לבסס את היסודות שהכרחיים להבנה של השחקנים החדשים במשחק וכדי להבין מתי ולמה יש מקום, בתחום הזה, לבחירות עיצוביות שונות עבור כל מודל. למעשה, אחת הסיבות שבחרתי בנושא זה היא שבשנה שעברה הייתה כמות עצומה של תשומת לב והשקעה ובכנות, "הייפ", מסביב למטבעות הללו. ואני לא מתכוון להעריך או לתת ספקולציות על הערכים הנוכחיים או העתידיים של המטבע, אבל אני חושב שכולנו מסכימים שמי שמחפש לקנות מטבע מבוזר צריך באמת לדעת מה זה. ואני לא מתכוון רק במונחים של אנלוגיות עם תיאורים מעורפלים של כריית זהב, אני מתכוון לתיאור ישיר בפועל של מה המחשבים עושים כאשר אנו שולחים, מקבלים ויוצרים מטבעות מבוזרים. דבר אחד שראוי להדגיש, דרך אגב, הוא שלמרות שאנחנו הולכים לחפור לתוך הפרטים של הנושא הזה, וזה יקח זמן, אתם לא באמת צריך לדעת את פרטים האלו כדי להשתמש במטבע מבוזר, German: Mittlerweile gibt es tausende anderer Kryptowährungen im Austausch mit traditionellen Währungen. Zu erleben eine eigene Kryptowährung zu erfinden kann eine Basis bilden um einige der neueren Kandidaten zu verstehen und zu erkennen wann und warum es Spielraum für verschiedene Umsetzungen gibt. Einer der Gründe, weshalb ich dieses Thema ausgewählt habe ist, dass diese Währungen im letzten Jahr eine unglaubliche Menge an Aufmerksamkeit bekommen haben. Es gab unglaublich viele Investitionen und, naja, es war ein ziemlicher Hype. Ich werde nichts zu den derzeitigen oder zukünftigen Wechselkursen sagen. Aber ich glaube wir sind uns alle einig, dass jeder der in Kryptowährungen investieren möchte, wissen sollte, was das wirklich ist. Und ich meine keine Analogien mit vagen Anspielungen auf Goldabbau. Ich meine eine tatsächliche Beschreibung dessen, was Computer tun, wenn wir Kryptowährungen senden, erhalten und kreieren. Eine wichtige Sache vorab: Obwohl wir hier in die Details gehen werden und das einiges an Zeit braucht musst du all das nicht wissen um die Kryptowährung zu benutzen. Spanish: Y ahora, hay miles más en intercambio con monedas tradicionales Seguir el camino para inventar la tuya propia puede ayudar a establecer las bases para entender algunas de las incorporaciones más recientes y reconocer por qué y cuando hay mas espacio para diferentes elecciones de diseño De hecho, una de las razones por las que elegí este tema es que en los ultimos años, ha habido una enorme cantidad de atención e inversión y, sinceramente, exageración dirigida a estas monedas Y no voy a comentar o especular con las actuales o futuras tasas de cambio pero creo que todos podemos estar de acuerdo en que cualquiera que quiera comprar una criptomonetad debería saber lo que es Y no lo digo solamente en el sentido de analogías con poca relación con la mineria de oro Quiero decir una descripción real de lo que hacen los ordenadores cuando enviamos, recibimos y creamos criptomonedas Por cierto, una cosa que vale la pena remarcar es que aunque tu y yo vamos a profundizar en los detalles aquí, y esto conlleva un tiempo significativo, en realidad no necesitas saber los detalles si solo quieres usar la criptomoneda Czech: Teď už jich existují tisíce, směnitelné za tradiční měny. Pokud si projdeme způsob vytváření nové měny, pomůže nám to v porozumění některých nových hráčů na scéně a v rozpoznání kdy a proč existuje prostor pro různé typy návrhu měn. Jeden z důvodů, proč jsem se rozhodl zpracovat toto téma je fakt, že v posledním roce se těmto měnám věnovalo mnoho pozornosti, investic a, řekněme, slepého nadšení. Nebudu komentovat nebo spekulovat nad současnými nebo budoucími směnnými kurzy, ale myslím, že se všichni shodneme, že kdokoliv, kdo se chystá do kryptoměn investovat, by měl vědět, co jsou zač. A nemám na mysli jen vzdálené přirovnání k těžení zlata, jde mi o skutečný, přesný popis toho, co počítače dělají, když posíláme, přijímáme a tvoříme kryptoměny. Mimochodem, jednu věc je dobré zmínit: přestože se teď spolu pustíme do detailů, a to nějaký čas zabere, tyto detaily ve skutečnosti nepotřebujete znát, pokud chcete kryptoměnu prostě používat. Arabic: والآن، هناك آلاف أخرى يمكن تداولها مع العملات التقليدية. باتباع مسار اختراع نسختك الخاصة من بتكوين سيؤسسك جيدًا لفهم اللاعبين الجدد في اللعبة ولفهم أسباب وحالات وجود نماذج مختلفة. في الواقع، أحد أسباب اختياري لهذا الموضوع هو أنه في العام المنصرم، كان له قدر كبير من الاهتمام والاستثمار وصراحةً "الضجيج" المُثار حول هذه العملات. وأنا لست بصدد التعليق أو التنبؤ حول أسعار التداول الحالية أو المستقبلية لهذه العملات. ولكنّي أعتقد أننا نتفق جميعًا على أنّ أي شخص يتطلّع لشراء علمة مشفرة يجب عليه أن يعرف ما هي. أنا لاقصد فقط من حيث المقارنات مع الإشارات الغامضة لتعدين الذهب بل أعني الوصف الفعلي والمباشر لما تقوم به أجهزة الحاسوب عندما نقوم بإرسال واستلام وإنشاء العملات المشفرة. هناك أمر يستحق التأكيد، بالمناسبة، وهو بالرغم من أننا سنخوض بالتفاصيل هنا، وهذا سوف يستغرق بعض الوقت، لكنك حقيقةً لست مضطرًا لمعرفة هذه التفاصيل إذا كنت تريد فقط أن تستخدم العملات المشفرة، Chinese: 而如今已多了上千種加密貨幣在與傳統貨幣交易中 從發明你自己的加密貨幣入手 能幫助我們理解如今幾大主流加密貨幣的理論基礎 瞭解其背後在不同方面設計上的取捨 事實上我選這個主題是因為在過去一年中針對加密貨幣 有大量的關注、資本投入甚至老實講還有媒體過分渲染 我並不會對當前及未來的匯率發表評論及預測 但我想任何想要購買加密貨幣的人都應 搞清楚加密貨幣究竟是怎麼一回事 我不會含糊地將其與挖礦作類比 我會直接描述當我們發送、接受、創造加密貨幣時 電腦內部所發生的事情 我還要強調一點: 雖然我們將花一些時間稍深入地瞭解背後的原理 僅僅日常使用的話,我們並不需要瞭解其詳細技術原理 Japanese: 現在では政府発行の一般的通貨よりも多くの変種が生まれている。 変種を自分で作成することは、仮想的取引の上で 相手が試みようとする事の認識と、どの部分で なぜ変種が生まれるのかについて見解を見出すことに繋がる。 なぜこのトピックを選んだのかの理由の一つは、 去年(2016年)ものすごい多くの関心を集め、取引がなされており、 暗号通貨に個人的に興奮したからである。 現在や未来の為替レートについて、計算したり議論するつもりはない。 しかし暗号通貨を購入しようと 考えている人が、その実態を正しく理解するのは当然であろう。 これは別に実際の貴金属採掘と関連があるアナログ的なことではなく、 暗号通貨の転送時に、コンピュータが一体何をしているかの 明瞭で的を射た説明である。 ここで強調しておきたいのは、 この動画で暗号通貨の深い領域まで探る事は、 有意義な時間とはなるが、 ただ暗号通貨を運用したいだけなら、詳細を知る必要はない点である。 English: Bitcoin is just the first implemented example of a cryptocurrency, and there are now thousands more on exchanges with traditional currencies. Walking the path of inventing your own can help set the foundation for understanding some of the more recent players in the game, and recognizing where there’s room for different design choices. In fact, one of the reasons I chose this topic is in response to the unprecedented leap in attention, investment and...well.. hype directed at these currencies in just the last year. I won’t comment or speculate on the current or future exchange rates, but I think we’d all agree that anyone looking to buy a cryptocurrency should really know what it is. Not just in terms of analogies with vague connections to gold-mining, I mean an actual direct description of what computers are doing when sending, receiving and creating cryptocurrencies. One thing worth stressing, by the way, is that even though you and I will dig into the underlying details here, which takes some meaningful time, you don’t actually need Indonesian: Dan sekarang, ada ribuan lagi pertukaran dengan mata uang tradisional. Berjalan menuju ke arah penemuan Anda sendiri dapat membantu untuk mematok fondasi untuk memahami beberapa pemain yang lebih baru dalam permainan dan mengenali kapan dan mengapa ada ruang untuk pilihan desain yang berbeda. Sebenarnya, salah satu alasan saya memilih topik ini adalah bahwa pada tahun lalu, ada banyak perhatian dan investasi yang sangat besar dan, yah, jujur saja, akhirnya trend hype ​​diarahkan pada mata uang - mata uang baru ini. Dan saya tidak akan berkomentar atau berspekulasi mengenai nilai tukar saat ini atau masa depan, tapi kupikir kita semua akan setuju siapa pun yang ingin membeli uang kripto harus benar-benar tahu apa itu. Dan saya tidak hanya bermaksud beranalogi dengan koneksi samar terhadap pertambangan emas, Maksud saya deskripsi langsung sebenarnya dari apa yang komputer lakukan ketika kita mengirim, menerima dan menciptakan mata uang kripto. Omong-omong, satu hal yang patut ditekankan adalah meskipun Anda dan saya akan menggali detailnya di sini, dan membutuhkan waktu yang berarti, Anda sebenarnya tidak perlu mengetahui rinciannya jika Anda hanya ingin menggunakan mata uang kripto, Korean: 지금은 거래소에서 수 천가지의 암호화 화폐를 기존의 통화로 사고 팔 수 있어. 앞에서 여러분의 암호화 화폐를 만든 과정을 되짚어보면 최근에 만들어진 암호화 화폐를 이해할 수 있고 언제, 그리고 왜 새로운 암호화 화폐들이 저마다의 독특한 설계로 만들어지는지 알 수 있어. 사실 내가 이 주제를 다루게 된 이유는, 작년(2016년)에 암호화 화폐에 대한 관심과 투자가 폭증했기 때문이야. 암호화 화폐에 대한 이 정도의 관심은, 솔직히 말해 좀 과장된 면도 있을거라고 봐. 나는 거래소에서 거래되는 암호화 화폐의 가격에 대한 얘기나 예측을 하려는 건 아니야. 하지만 암호화 화폐를 살 생각이 있다면, 먼저 암호화 화폐에 대해 알아야 한다고 생각해. 그렇다고해서 금광 채굴에 비유하면서 모호하게 용어를 설명하려는 것은 아니고, 디지털로 만들어진 암호화 화폐의 이면에서 컴퓨터가 실제로 어떤 일을 하는지 구체적으로 설명하려고 해. 우리가 암호화 화폐를 주고 받고 만들 때 어떤 일이 벌어지는지에 대한 얘기 말이야. 먼저 한 가지 강조하고 싶은 것은 이제부터 세부적인 내용을 심도있게 알아볼 것이고, 알아보는 데 시간도 꽤 걸리겠지만, 그런 것을 모두 알아야만 암호화 화폐를 사용할 수 있는 것은 아니라는 점이야. French: milliers en plus à échanger avec des devises traditionnelles. Parcourir le chemin menant à l'invention de la votre peut aider à définir les fondations pour comprendre les acteurs récents du domaine et reconnaître quand et pourquoi il y a de la place pour différents choix de conceptions. En fait, l'une des raisons qui m'ont poussé à choisir ce sujet est que l'année dernière il y a eu une énorme attention et investissement et, bien honnêtement, une direction "hype" vers ces devises et je ne vais pas commenter ou spéculer sur le taux actuel ou à venir des devises. Mais je pense que nous sommes tous d'accord sur le fait que quiconque achète une crypto-monnaie devrait réellement savoir ce que c'est. Et je ne parle pas seulement en termes d'analogies avec de vagues connections avec le minage d'or. Je veux dire une réelle description directe de ce que les ordinateurs font lorsque nous envoyons, recevons et créons des crypto-monnaies. Une chose qu'il faut souligner en passant est que bien que vous et moi n'allons pas creuser en détails ici et cela prend significativement du temps vous n'avez pas réellement besoin de connaître ces détails si vous souhaitez juste Polish: A teraz, jest ich tysiące więcej na miejscu tradycyjnych walut. Idąc ścieżką wymyślania swojej własnej możesz stworzyć fundamenty dla zrozumienia niektórych nowszych graczy w tej grze i rozpoznania, kiedy i dlaczego jest miejsce dla różnych opcji projektowych. W rzeczywistości, jednym z powodów, dla których wybrałem ten temat jest to, że w ciągu ostatniego roku pojawiła się ogromna ilość zainteresowania i inwestycji i hype na te waluty. I nie zamierzam ich komentować ani spekulować na temat obecnych i przyszłych kursów walutowych, ale myślę, że wszyscy zgadzamy się, że każdy, kto chce kupić kryptowalutę, powinien wiedzieć, co to jest. I nie tylko w kategoriach analogii z niejasnymi powiązaniami z wydobyciem złota, mam na myśli konkretny opis tego, co robią komputery kiedy wysyłamy, odbieramy i tworzymy kryptowaluty. Jedną z rzeczy, którą warto podkreślić, nawiasem mówiąc, jest to, że chociaż ty i ja będziemy zagłębiać się tu w szczegóły a to wymaga czasu, w rzeczywistości nie trzeba znać tych szczegółów, jeśli chcesz po prostu użyć kryptowaluty, Arabic: تمامًا مثل ما أنك لن تحتاج معرفة التفصيل التقنية عندما تمرر البطاقة الإئتمانية مثل أي شكل من أشكال الدفع الرقمي، هناك العديد من التطبيقات سهلة الاستخدام التي تسمح لك بإرسال واستقبال العملات المشفرة دون التفكير في ما يحدث خلف الكواليس. الفرق هنا أن أساس هذه العملات المشفرة هو ليس البنك الذي يتحقق من المعاملات بل هو نظام عبقري من التحقق اللامركزي الغير معتمد على الثقة والذي يعتمد على بعض رياضيات علم التشفير. لكن لكي نبدأ، أريدك أن تضع التفكير بالعملات المشفرة وكل هذه الأمور جانبًا لبضع دقائق قليلة. سنبدأ القصة بشيء أكثر عملية وبساطة: سجلات وتواقيع رقمية. إذا كنت أنت وأصدقاؤك تتبادلون المال بشكل متكرر، -كما تعلم-، دفع جزء من حساب المطعم عند العشاء ومن هذا القبيل قد يكون تبادل المال نقدًا دائمًا ليس بالمريح لذا قد تتخذ سجل مشترك والذي سوف يسجل جميع المدفوعات التي تنوي القيام بها في وقت ما في المستقبل -كما تعلم-، (أليس) ستدفع لـ(بوب) 20 دولار (بوب) سيدفع لـ(تشارلي) 40 دولار، أشياء كهذه. هذا السجل سيكون عام ومتاح للجميع Modern Greek (1453-): όπως δεν χρειάζεται να γνωρίζετε τι συμβαίνει στο παρασκήνιο όταν "περνάτε" μία πιστωτική κάρτα. Όπως κάθε ψηφιακή πληρωμή, υπάρχουν πολλές εφαρμογές φιλικές προς τον χρήστη που σας επιτρέπουν να στείλετε και να λάβετε τα νομίσματα χωρίς να σκεφτείτε τι συμβαίνει. Η διαφορά είναι ότι βάση για όλα αυτά δεν είναι μία τράπεζα που επαληθεύει τις συναλλαγές. Αντίθετα, είναι ένα έξυπνο σύστημα αποκεντρωμένης επαλήθευσης χωρίς εμπιστοσύνη, βασισμένο σε κάποια από τα μαθηματικά που γεννήθηκαν στην κρυπτογραφία. Αλλά για να ξεκινήσουμε, Θέλω να αφήσετε στην άκρη την ιδέα των κρυπτονομισμάτων για μερικά λεπτά. Θα ξεκινήσουμε την ιστορία με κάτι πιο οικείο: βιβλία (συναλλαγών) και ψηφιακές υπογραφές. Εάν εσείς και οι φίλοι σας να ανταλλάσσετε χρήματα αρκετά συχνά, ξέρετε, πληρώνετε το μερίδιό σας από το δείπνο και τέτοια, μπορεί να είναι άβολο να ανταλλάζετε μετρητά όλη την ώρα. Έτσι, μπορείτε να κρατήσετε ένα κοινόχρηστο βιβλίο στο οποίο καταγράφονται όλες τις πληρωμές που σκοπεύετε να κάνετε κάποια στιγμή στο μέλλον. Ξέρετε, η Alice πληρώνει τον Bob 20$, ο Bob πληρώνει τον Charlie 40$, κάτι τέτοιο. Αυτό το βιβλίο θα είναι κάτι δημόσιο και προσβάσιμο σε όλους, Hungarian: épp úgy mint ahogy nincs szükséged arra sem, hogy a részletesen tudd hogy mi történik a motorháztető alatt amikor a bankkártyádat használod. Mint bármely digitális fizetésnél, sok felhasználó-barát alkalmazás létezik amelyekkel anélkül küldhetünk vagy fogadhatunk pénzeket hogy azon kellene gondolkodnun hogy mi történik a háttérben. A különbség itt az, hogy ennek a gerince nem egy bank amely ellenőrzi a tranzakciókat. Hanem egy decentralizált, bizalmat nem igénylő intelligens ellenőrző rendszer amely a kriptográfiában született matematikára alapul. De kezdésképpen azt szeretném, ha egy pár perce valóban félretennéd a kriptopénzek gondolatát. Ennél sokkal földhöz kötöttebb dologgal fogjuk kezdeni a történetünket: főkönyvekkel és digitális aláírásokkal. Hogy ha elég gyakran cseréltek pénzt a barátaiddal, tudod, például ha a vacsoránál ki kell fizetni a számla rádeső részét, akkor kényelmetlenné válhat a készpénz használata. Szóval fenntarthatsz egy közösségi főkönyvet amely tartalmazza az összes fizetést amelyet valaha szeretnél csinálni. Tudod, Alice fizet Bobnak 20$-t, Bob fizet Charlie-nak 40$-t, ilyesmi. Ez a főkönyv bárki számára nyilvános és elérhető lesz, Spanish: al igual que no necesitas saber los detalles de lo que ocurre internamente cuando pasas una tarjeta de credito Como con cualquier pago digital, hay infinidad de aplicaciones que te permiten enviar y recibir las monedas sin pensar en lo que pasa La diferencia está en que la estructura subyacente no es un banco que verifica transacciones. Por contra es un sistema, muy bien pensado, de verificación sin confianza descentralizada basada en algunas de las matmáticas nacidas de la criptografia Pero para empezar, Quiero que dejeis de lado la idea de las criptomonedas y derivados por unos minutos Vamos a comenzarla historia con los pies en la tierra: libros de cuentas y firmas digitales Si tu y tus amigos intercambiais dinero con bastante frecuencia ya sabes, pagar tu parte de la cuenta y así, puede ser molesto intercambiar dinero todo el rato. Así que podeis llevar un libro de cuentas que registra todos los pagos que tienes pensado hacer en un futuro Ya sabes, Alice paga a Bob 20$ Bob paga a Charli 40$, cosas por el estilo Este libro de cuentas va a ser algo público y accesible a los demas, Japanese: クレジットカードを使う際にも、裏で一体何が行われているのか知る必要はないのと同じである。 デジタル的な支払いにおいて、ユーザーフレンドリーなものは多くあり、 取引の最中に何が行われるのかを、全く考えずに通貨を扱える。 両者の違いは、後ろで支えているのが、 銀行か、そうではないかの点である 銀行の代わりに、暗号論上で生み出された数学をベースに、 非中央集権化された認証に信用不要の賢いシステムがある。 実際に暗号通貨の説明に入る前に、数分ほど別の事柄に時間を割く。 これから始めるのは、より現実味がある話、元帳とデジタル署名である。 もし夕食の勘定などにおいて、 友達と頻繁に金銭を交換する場合、 貨幣をその都度交換するのは不便である。 すると元帳という方式が生まれる。 これによって、その後行われる支払いのすべてを記録する。 例えば、アリスはボブに20ドル支払う、 ボブはチャーリーに40ドル支払う、のように。 この元帳は公開されており、ウェブページのように誰でも参照できる。 English: to know those details to use a cryptocurrency, just like you don’t need to know the details of what happens under the hood when you swipe a credit card. Like any other digital payments, there are plenty of user-friendly applications that let you send and receive these currencies very easily. The difference is that the backbone underlying this is not a bank verifying transactions, but a clever system of decentralized trustless verification based on some of the math born in cryptography. To start, set aside the thought of cryptocurrencies for a few minutes. We’re going to start the story with something more down to earth: Ledgers, and digital signatures. If you and your friends exchange money pretty frequently, paying your share of the dinner bill and such, it can be inconvenient to exchange cash all the time. So you might keep a communal ledger that records payments you intend to make in the future. Alice pays Bob $20, Bob pays Charlie $40, things like that. Korean: 카드를 긁을 때 그 안에서 무슨 일이 벌어지는지 몰라도 쓸 수 있는 것처럼 말이지. 다른 디지털 결제수단과 마찬가지로 속에서 무슨 일이 벌어지는지 알지 못해도, 쉽고 편리하게 돈을 주고 받을 수 있게 해주는 사용자 친화적인 애플리케이션이 많이 있어. 차이점이 뭐냐하면, 그런 결제 처리의 중심에 거래 내역을 확인해 주는 은행이 없다는 거지. 은행 대신에, 암호학에서 탄생된 몇 가지 수학 원리를 이용해서 거래 주체들 사이에 신뢰가 필요하지 않은 똘똘한 분산 확인 시스템이 있다고. 하지만 시작하기 전에, 암호화 화폐에 대한 생각은 앞으로 몇 분 동안만 잠시 접어두자고. 암호화 화폐에 앞서, 훨씬 실질적이고 현실적인 '장부'와 '디지털 서명'으로 이야기를 풀어나가려고 해. 여러분이 친구들과 돈을 주고 받는 일이 자주 일어난다면, 예를 들어, 저녁 값을 더치페이로 하는데, 그럴때마다 항상 현금으로 주고 받는 것은 불편하지. 그래서 그냥 공동 장부를 만들어서 더치 페이 내역을 모두 기록해두고, 나중에 한 번에 정산하는 것이 편할거야. 앨리스가 밥에게 20달러를 주고, 팝은 찰리에게 40달러를 주고.. 이런 걸 모두 장부에 기록하는거지. 이 공동 장부는 누구나 볼 수 있어. Indonesian: Sama seperti Anda tidak perlu mengetahui rincian tentang apa yang terjadi di belakang layar saat Anda menggesek kartu kredit. Seperti pembayaran digital lainnya, sudah ada banyak aplikasi yang mudah dipakai yang biarkan Anda hanya mengirim dan menerima mata uang tanpa memikirkan apa yang sedang terjadi. Bedanya adalah tulang punggung yang mendasari ini yaitu bukan bank yang memverifikasi transaksi-transaksi. melainkan adalah sebuah sistem verifikasi yang cerdas, desentralisasi (tidak terpusat), dan tidak terpercaya berdasarkan beberapa matematika yang lahir di kriptografi. Tapi untuk memulai, Saya ingin Anda benar-benar menyisihkan pemikiran tentang mata uang kripto dan semua itu hanya selama beberapa menit. Kita akan memulai ceritanya dengan sesuatu yang lebih sederhana: buku besar dan tanda tangan digital. Jika Anda dan teman Anda sering bertukar uang, Anda tahu, membayar bagian Anda dari tagihan makan malam dan semacamnya, itu bisa merepotkan untuk menukar uang tunai sepanjang waktu. Jadi Anda bisa menyimpan buku besar umum yang mencatat semua pembayaran yang ingin Anda buat beberapa poin di masa depan. Anda tahu, Alice membayar Bob $ 20, Bob membayar Charlie $ 40, hal-hal seperti itu. Buku besar ini akan menjadi sesuatu yang umum dan mudah diakses oleh semua orang, Czech: Stejně jako nepotřebujete znát detaily o tom, co se děje pod pokličkou, když platíte kartou. Stejně jako s digitálními platbami, existuje spoustu přívětivých aplikací, které vám umožní jednoduše posílat a přijímat měnu bez přemýšlení, co se ve skutečnosti děje. Rozdíl je, že na pozadí tohoto typu plateb není banka, která by ověřovala transakce. Místo toho máme chytrý systém decentralizované verifikace, která nevyžaduje slepou důvěru jakékoliv straně, založený na matematice z oboru kryptografie. Ale na začátek chci, abyste na chvíli přestali myslet na kryptoměny. Začneme s něčím jednodušším: účetními knihami a digitálními podpisy. Když si s přáteli často vyměňujete peníze, jako třeba při dělení se o účet v hospodě a podobně, je celkem otrava pořád si měnit hotovost. Takže si vyrobíte společnou "účetní knihu", kde si zapíšete všechny platby, které budete chtít někdy v budoucnu provést. Například, Alice dluží Bobovi $20, Bob dluží Charliemu $40, a tak dál. Tahle kniha bude veřejná, přístupná komukoliv, Italian: così come non è necessario che tu sappia cosa accade "sotto il cofano" quando passi una carta di credito in un lettore. Come per qualunque metodo di pagamento digitale, ci sono molte applicazioni di facile utilizzo che ti permettono di mandare e ricevere le valute senza preoccuparti di cosa stia succedendo. La differenza è che la spina dorsale del sistema non è una banca che verifica le transazioni. È invece un ingegnoso sistema di verifica decentralizzato basato sulla matematica nata nella crittografia. Ma per cominciare, lasciamo da parte le criptovalute per qualche minuto. Cominciamo la storia con qualcosa di più semplice e pratico: libri mastri e firme digitali. Se tu e i tuoi amici vi scambiate soldi piuttosto di frequente, sai, per pagare ognuno la sua parte del conto a cena e così via, può essere sconveniente scambiarsi contanti ogni volta. Così potreste decidere di tenere un libro mastro comune che tenga conto di tutti i pagamenti che intendete fare in futuro. Sai, Alice paga a Bob $20, Bob paga a Charlie $40, cose del genere. Questo libro mastro sarà qualcosa di pubblico e accessibile a tutti, Turkish: tıpkı kredi kartını çektiğinde arka planda neler olduğunu bilmene gerek olmadığı gibi Her dijital ödemeler gibi bir çok kullanıcı-dostu uygulamalar mevcut ki bunlar neler olduğunu anlamadan para göndermemizi ve para çekmemizi sağlar Altında yatan en temel fark ise bir banka para akışını doğrulamaz. Bunun yerine merkezi olmayan güven-sizlik doğrulaması yapan akıllı bu sistem Kriptografiden meydana gelen bir takım matematiğe dayalıdır Ama başlangıç için, Birkaç dakikalığına cryptocurrencies düşüncelerini bir kenara koymanızı istiyorum aslında. Daha sağlam bir şekilde hikayeye başlayacağız : defterler ve dijital imzalar. Eğer siz ve arkadaşınız sıklıkla paranızı değiştirirseniz, bilirsiniz, akşam yemeği ve bu türlü payınızı ödemek, Her zaman nakit alışveriş yapmak zahmetli olabilir. Böylece ortak bir hesap defteri tutabilirsin bu defter, gelecekte bir noktaya varmak amacıyla tüm ödemelerinizi kaydeder. Bilirisiniz, Alice Bob'a $20 öder, Bob Charlie'e $40 öde, bunlar gibi. Bu defter herkes tarafından erişilebilir ve herkese açık olacak, Chinese: 就像你不需要了解你刷信用卡背后所发生的一切一样 与电子支付一样,加密货币也有很多方便易用的应用 用于发送和接受货币而不需要知道是怎么实现的 区别在于加密货币的背后并不是某家银行来验证交易 而是一套基于密码学中某些数学方法的 去中心化的、互不信任的交易验证体系 在开始讲之前,你暂时把加密货币放在一边 我们先从更基本的概念入手:账本和电子签名。 如果你和你的朋友们有很频繁的金钱来往 比如AA支付晚餐的账单等等 用现金总是不方便的 所以可能会用到一个公共账本 它记录了某些未来将会发生的交易信息 如Alice支付Bob 20元,Bob支付Charlie 40元等等 这个账本必须是公开的,每个人都能查阅 Portuguese: assim como você não precisa saber os detalhes do que ocorre por trás quando você utiliza seu cartão de crédito como qualquer pagamento virtual, há vários aplicativos amigáveis que deixam você enviar e receber cripto moedas sem pensar no que está havendo a diferença é que o centro e base de tudo não é um banco que verifica transações. ao invés, é um sistema inteligente, não centralizado de listas de confiança baseado na matemática nascida da criptografia Mas para começar, quero que você esqueça sobre criptomoedas e tudo isso, só por alguns minutos. vamos começar com algo mais fácil de entender. Registros (caixa-livro) e assinatura virtual Se você e seu amigo trocam dinheiro com frequência como dividir a conta do jantar e afins pode ser inconveniente ficar trocando dinheiro o tempo todo então você pode manter um registro comum que grava todos os pagamentos que você pretende fazer em algum momento no futuro. sabe, Alice paga 20USD para Bob, Bob para 40USD para Charlie, coisas assim Esse registro vai ser algo público e acessível para todos, iw: בדיוק כפי שאתם לא צריכים לדעת את הפרטים של מה שקורה מתחת למכסה המנוע כשאתם מעבירים כרטיס אשראי בקופה. כמו כל צורה של תשלום דיגיטלי, ישנן הרבה אפליקציות ידידותיות למשתמש שיתנו לכם לשלוח ולקבל מטבעות מבוזרים בלי לחשוב על מה שקורה מאחורי הקלעים. ההבדל הוא שעמוד השדרה בבסיס התהליך הזה לא הוא בנק שבודק עסקאות. במקום זאת, מדובר במערכת מתוחכמת של אימות חסר-אמון מבוזר אשר מבוסס על חלק מהמתמטיקה שנולדה בתחום הקריפטוגרפיה. אבל כדי להתחיל, אני רוצה דווקא לשים בצד את המחשבות על מטבעות מבוזרים לרגע. אנחנו הולכים להתחיל את הסיפור עם משהו יותר מעשי: ספרי חשבונות וחתימות דיגיטליות. אם אתם וחבריכם מחליפים כסף בתדירות גבוהה, נניח, כדי לשלם את חלקכם בחשבון במסעדה וכאלו, זה יכול להיות לא נוח להחליף כסף במזומן כל הזמן. אז אתם יכולים להחזיק ספר חשבונות קהילתי אשר מתעד את כל התשלומים אשר אתם מתכוונים לעשות מתישהו בעתיד. נניח, אליס משלמת לבוב עשרים דולר בוב משלם לצ'ארלי ארבעים דולר, ודברים כאלו ספר החשבונות הזה הולך להיות משהו ציבורי ונגיש לכולם, French: utiliser les crypto-monnaies. Tout comme vous n'avez pas besoin de connaître les détails de ce qui se passe sous le capot lorsque vous insérez votre carte de crédit Il y a beaucoup d'applications conviviales qui vous permettent d'envoyer et de recevoir les devises sans avoir à penser à comment ça marche. La différence est que la colonne vertébrale sous-jacente à ceci n'est pas une banque qui vérifie les transactions. A la place c'est un système ingénieux de vérifications décentralisées basé sur certaines mathématiques nées de la cryptographie. Mais pour commencer je veux mettre de côté les pensées de crypto-monnaies juste pour quelques minutes. Nous allons commencer l'histoire avec quelque chose de plus terre à terre : Les livres de compte et le signature numériques. Si vous et vos amis échangez de l'argent assez fréquemment, vous savez payer votre part de l'addition du dîner et de telles choses, il peut être inconfortable d'échanger de l'argent liquide à chaque fois. Alors vous pourriez conserver un livre de compte commun qui enregistre tous les paiements que vous comptez faire à l'avenir. Vous savez, Alice paie Bob 20$, Bob paie Charlie 40$, des choses comme ça. Ce livre de compte sera quelque chose de public et accessible à tout le monde comme un site web. Lithuanian: lygiai taip pat, kaip tau nereikia žinoti smulkmenų, kas vyksta po kapotu, kai atsiskaitydamas perbrauki kreditine kortele. Kaip bet koks skaitmeninis apmokėjimas, yra daugybė vartotojui draugiškų aplikacijų, kurios leidžia tau tiesiog siųsti ir gauti valiutas, nereikiant galvoti, kas vyksta. Skirtumas yra tai, kad stuburas, esantis po viskuom, yra ne bankas, kuris tikrina transakcijas. Vietoj to, tai gudri decentralizuota patikrinimo be pasitikėjimo sistema, paremta tam tikros matematika, kilusios iš kriptografijos. Bet prieš pradedant noriu, kad padėtum kriptovaliutas ir visa kita į šalį minutėlei. Pradėsim istoriją su kai kuo daug žemiškesniu: apskaitos įrašais ir skaitmeniniais parašais. Jei tu ir tavo draugai keičiatės pinigais gana dažnai, na žinai, mokat savo dalį už vakarienę ir panašiai, gali būti nepatogu keistis grynais pinigais visą laiką. Tad galbūt turite bendruomeninę apskaitos knygą, kurioje surašyti visi sumokėjimai, kuriuose planuoji padaryti kažkuriuo metu ateityje. Na žinai, Alisa moka Bobui $20, Bobas moka Čarliui $40, tokio tipo dalykai. Ši apskaita bus vieša ir prienama visiems, German: Genau so wie du nicht wissen musst, was hinter den Kulissen passiert, wenn du deine Kreditkarte benutzt. Wie bei allen digitalen Bezahlungsarten gibt es eine Reihe benutzerfreundlicher Apps, die dich Währungen senden und empfangen lassen, ohne darüber nachzudenken was da gerade vor sich geht. Der Unterschied ist, dass hier keine Bank die Transaktionen verifiziert. Stattdessen handelt es sich um ein cleveres System dezentralisierter, vertrauensloser Verifizierung, basierend auf Mathematik aus der Kryptografie. Aber erstmal möchte ich Kryptowährungen und all das noch kurz beiseite legen. Wir beginnen unsere Geschichte mit etwas bodenständigerem: Bestandsbücher und digitale Unterschriften Wenn du und deine Freunde häufig Transaktionen ausführen, also zum Beispiel jeder seinen Teil der Restaurantrechnung zahlt, kann es umständlich werden, ständig Bargeld auszutauschen. Also könntet ihr ein gemeinschaftliches Bestandsbuch führen, in dem alle Zahlungen die ihr in Zukunft tätigen möchtet festgehalten werden. So was wie: Alice zahlt 20$ an Bob, Bob zahlt 40$ an Charlie, so in der Art. Das Bestandsbuch ist öffentlich und für jeden zugänglich. Chinese: 就像你不需要瞭解刷信用卡時背後所發生的事一樣 與電子支付一樣,加密貨幣也有很多方便易用的應用 用於發送和接受貨幣而不需要知道背後是怎麼運作的 差別在於加密貨幣的背後並不是某家銀行來驗證交易 而是一套基於密碼學中某些數學方法、 去中心化、互不信任的交易驗證體系 在開始講之前,你暫時把加密貨幣放在一邊 我們先從更基本的概念入手:帳本和電子簽名。 如果你和你的朋友們有很頻繁的金錢來往 比如AA支付晚餐的帳單等等 總是用現金很不方便 所以可能你們可能會寫一個公共帳本 來記錄某些未來將會發生的交易資訊 如Alice支付Bob 20元,Bob支付Charlie 40元等等 這個帳本必須是公開的,每個人都能查閱 Polish: podobnie jak nie trzeba znać szczegółów tego, co się dzieje pod maską podczas przeciągnięcia kartą kredytową. Jak dla każdej płatności cyfrowej, jest mnóstwo aplikacji przyjaznych dla użytkownika, które pozwalają wysyłać i odbierać waluty bez myślenia o tym, co się dzieje. Różnica polega na tym, że szkieletem tego systemu nie jest bank, który sprawdza transakcje. Zamiast tego, jest to sprytny system zdecentralizowanej weryfikacji ograniczonego zaufania oparty o zasady matematyczne związane z kryptografią. Ale na początek, zostawmy temat kryptowalut na kilka minut. Rozpoczniemy historię z czymś bardziej przyziemnym: księgami i podpisami cyfrowymi. Jeśli Ty i twoi przyjaciele wymieniacie pieniądze dość często, płacąc swoją część rachunku za kolację itp., wymienianie gotówki przez cały czas może być niewygodne. Więc możecie prowadzić wspólną księgę, która rejestruje wszystkie płatności, które zamierzacie zrealizować w pewnym momencie w przyszłości. Wiecie, Alicja płaci Bobowi 20 $, Bob płaci Charliemu $ 40, takie rzeczy. Ta księga ma być publiczna i dostępna dla wszystkich, Russian: как не обязательно знать, что происходит под капотом терминала, когда вы платите кредиткой. Как для любых цифровых платежей, есть множество понятных приложений, которые помогают совершать и получать платежи, не задумываясь о деталях. Разница в том, что в случае криптовалют основа системы — это не банк, одобряющий операции. Это хитрый механизм децентрализованного подтверждения, основанный не на доверии, а на математических принципах, которые берут начало в криптографии. Но для начала давайте на несколько минут отвлечёмся от криптовалют и всего такого. Начнем нашу историю с более приземленных вещей: с реестров и подписей. Если вы с друзьями обмениваетесь деньгами довольно часто, например, платите вашу долю за обед, может быть неудобно постоянно передавать друг другу наличные. Поэтому вы можете завести журнал, или реестр, где будете записывать все суммы, которые планируете заплатить в будущем. Скажем, Алиса платит Бобу $20, Боб платит Чарли $40, и так далее. Этот реестр будет в публичном доступе, Vietnamese: giống như bạn không cần phải biết chi tiết về những gì diễn ra trước dùng bạn quẹt thẻ tín dụng. Giống như bất kỳ loại thanh toán kỹ thuật số nào, có rất nhiều ứng dụng thân thiện với người dùng cho phép bạn chỉ gửi và nhận tiền tệ mà không cần suy nghĩ về những gì đang xảy ra. Sự khác biệt nằm ở chỗ ngân hàng sẽ không ở đằng sau xác minh giao dịch. Thay vào đó là một hệ thống thông minh đảm nhiệm việc xác minh phân cấp, không phụ thuộc vào niềm tin giữa người và người. dựa trên cơ sở toán học sinh ra trong mật mã học. Nhưng để bắt đầu, Tôi muốn để sang một bên các loại đồng tiền mã hóa và những thứ khác trong một vài phút. Chúng ta sẽ bắt đầu câu chuyện với một cái gì đó gần gũi: sổ cái và chữ ký số. Nếu bạn và bạn bè của bạn trao đổi tiền khá thường xuyên, ví dụ là để trả phần của bạn trong hóa đơn bữa tối, việc trao đổi tiền mặt mọi lúc có thể bất tiện. Vì vậy, bạn có thể giữ sổ cái chung ghi lại tất cả các khoản thanh toán mà bạn định thực hiện trong tương lai. Bạn biết đấy, Alice trả cho Bob $20, Bob trả Charlie $40, kiểu như thế. Sổ cái này sẽ là cái gì đó công cộng và mọi người có thể tiếp cận được, Spanish: como una página web, donde cualquiera puede ir y añadir nuevas lineas Y digamos que al final de cada mes os reunís todos, mirais la lista de transacciones y saldais cuentas. Si has gastado más dinero del que has recibido, metes ese dinero en el bote y si recibes mas dinero del que has gastado, sacas ese dinero Así que el protocolo para ser parte de este sistema tan simple podría tener este aspecto: cualquiera puede añadir lineas al libro de cuentas y al final de cada mes todos reunís y saldaís cuentas. Un problema con un libro de cuentas público como este, es que cualquiera puede añadir una linea asi que ¿qué puede evitar que Bob escriba "Alice paga a Bob 100$" sin que Alice lo apruebe? ¿Cómo podemos saber que todas estas transacciones son lo que el emisor queria que fuesen? Bueno, es aquí cuando llega el primer concepto sacado de la criptografia; firmas digitales. Como con las firmas en papel la idea es que Alice pueda añadir algo después de esa transacción que demuestre que ella lo ha visto y lo ha aprobado. Lithuanian: kaip internetinis puslapis, kur bet kas gali nueiti ir pridėti naujas eilutes. Ir sakykim, kad kiekvieno mėnesio gale jūs visi susirenkat, pažiūrit į transakcijų sąrašą ir atsiskaitot. Jei išleidai daugiau, nei gavai, padedi tuos pinigus į bendrą katilą; ir jei gavai daugiau, nei išleidai, tu pasiimi tuos pinigus. Taigi buvimo šios labai paprastos sistemos dalimi protokolas gali atrodyti taip: bet kas gali pridėti eilutes į apskaitą; ir kiekvieno mėnesio gale visi susirenkat ir atsiskaitot. Dabar, viena problema su vieša apskaita yra ta, kad bet kas gali pridėti eilutę. Tai kas trukdo Bobui prirašyti "Alisa sumoka Bobui $100" be Alisos patvirtinimo? Kaip mes turėtume pasitikėti, kad visos šios transakcijos yra tai, ką siuntėjas turėjo galvoje, kad jos yra? Na, štai čia atsiranda pirmasis gabaliukas kriptografijos: skaitmeniniai parašai. Kaip ir su ranka rašytais parašais, idėja čia yra ta, kad Alisa turėtų galėti pridėti kažką prie tos transakcijos, kas įrodo, kad ji ją matė ir ji ją patvirtino. Czech: jako webová stránka, kam může kdokoliv přidávat nové záznamy. A řekněme, že na konci každého měsíce se všichni sejdete, podíváte se na seznam transakcí, a vyrovnáte se. Jestli dlužíte víc, než je dluženo vám, dáte rozdíl do banku; a pokud vám ostatní v součtu dluží víc, než vy jim, peníze si z banku vezmete. Takže pravidla pro tenhle jednoduchý systém vypadají asi takhle: kdokoliv může přidat záznamy do knihy, a na konci každého měsíce se vyrovnáte. No jo, ale problém s takovouhle veřejnou knihou je, že kdokoliv může přidat záznam. Co brání Bobovi napsat "Alice dluží Bobovi $100", aniž by to Alice schválila? Jak máme věřit tomu, že všechny tyhle transakce jsou legitimní? Tady přichází na řadu první kousek kryptografie: digitální podpisy. Stejně jako u klasických podpisů je myšlenka taková, že Alice by měla mít možnost přidat něco k transakci, co dokáže, že ji viděla, a že ji schvaluje. Portuguese: Como um website que qualquer um pode ir e adicionar novas linhas e vamos dizer que no fim do mês, todos se juntam, olham a lista de transações e ajustam as contas. Se gastou mais do que recebeu, coloca dinheiro no pote e se você recebeu mais do que gastou, você pega o dinheiro do pote. Então o protocolo para participar desse sistema simples se parece assim: qualquer um pode adicionar linhas ao registro, e no fim de cada mês vocês se juntam e acertam as contas. Agora, um problema de um registro público como esse é que qualquer um pode adicionar linhas, então, o que previne Bob de escrever 'Alice paga 100USD para Bob', sem a aprovação de Alice? Como podemos confiar que todas as transações são o que o expedidor queria que elas fossem? Bem, aqui é onde a primeira parte da criptografia entra, Assinaturas Digitais Como assinaturas escritas à mão, a ideia aqui é que Alice deveria ser capaz de adicionar algo a essa transação que prove que ela viu, e que ela aprovou Hungarian: mint egy weboldal, ahova bárki odamehet és hozzáadhat új sorokat. És tételezzük fel, hogy minden hónap végén közösen végignézitek a tranzakciós listát és elrendezitek a tartozásaitokat. Hogy ha többet költöttél, mint amennyit kaptál, akkor annyi pénzt kell a közösbe rakod; és ha többet kaptál, mint amennyit költöttél, akkor annyi pénzt vehetsz ki a közösből. Tehát ennek a nagyon egyszerű rendszernek a következőképpen nézhet ki a protokollja: bárki adhat hozzá sorokat a főkönyvhöz; és minden hónap végén elrendezitek a tartozásaitokat. Na már most egy probléma van ezzel a nyilvános főkönyvvel, mégpedig az hogy bárki hozzáadhat sorokat, azaz mi akadályozná meg Bobot hogy beírja azt hogy "Alice fizet Bobnak 100$-t" anélkül hogy Alice ezt engedélyezné? Hogyan tudnánk így megbízni abban, hogy minden tranzakció az aminek a küldője szánta? Nos, ez az első hogy ahol egy kicsit képbe jön a kriptográfia: digitális aláírások. Mint a kézi aláírásoknál, az elgondolás az hogy Alicenak hozzá kell tudnia adni valamit a tranzakció mellé, ami igazolja hogy látta és jóváhagyta azt. Indonesian: seperti situs web, di mana orang bisa pergi dan hanya menambahkan baris baru. Dan katakanlah bahwa pada akhir setiap bulan, Anda semua pergi bersama-sama, melihat daftar transaksi dan menetap. Jika Anda menghabiskan lebih dari yang Anda terima, Anda memasukkan uang itu ke dalam pot; dan jika Anda menerima lebih dari yang Anda habiskan, Anda mengeluarkan uang itu. Jadi protokol untuk menjadi bagian dari sistem yang sangat sederhana ini mungkin terlihat seperti ini: siapapun bisa menambahkan baris ke buku besar; dan pada akhir setiap bulan kalian semua berkumpul dan menetap. Nah, satu masalah dengan buku besar seperti ini adalah siapapun bisa menambahkan satu baris, jadi apa yang mencegah Bob tidak menulis "Alice membayar Bob $ 100" tanpa Alice menyetujui? Bagaimana kita bisa percaya bahwa semua transaksi ini? apa yang dimaksud pengirimnya? Nah, di sinilah bagian pertama dari kriptografi masuk: "digital signatures" (tanda tangan digital). Seperti tanda tangan tulisan tangan, Ide di sini adalah bahwa Alice harus bisa menambahkan sesuatu di samping transaksi itu yang membuktikan bahwa dia telah melihatnya dan dia menyetujui hal itu. Turkish: herkesin girebildiği, birer yeni satırlar ekleyebildiği bir website gibi. Diyelim ki, her ayın sonunda, Siz hep beraber, listedeki parasal işlemlere bakarsınız ve hesaplaşırsınız. Eğer aldığınızdan daha fazla harcarsanız o parayı kumbaraya koyarsınız ve eğer harcadığınızdan daha fazla para alırsanız o parayı alırsınız Böylece bu basit sistemin parçası olmak için protokol şöyle ki; herkes hesap defterine satır ekleyebilir. ve her ayın sonunda hepiniz birlikte hesaplaşırsınız. Şimdi, açık bir deftere herhangi birinin bir satır eklemesi gibi bir sorun var yani Alice'in onayı olmadan, Bob' un "Alice Bob'a $100 öder" yazmasından alıkoyan nedir? Tüm bu alım-satım işlemlerinin gönderenin kendisi için olması gerektiğine nasıl güvenebiliriz? Pekala, bu şifrelemenin ilk göründüğü yer : Dijital imza. El yazısı imzaları gibi, Alice bu işlemlerin yanına bir şeyler ekleyebilme fikri burası ve bu da onun gördüğünü ve onayladığını gösterir. Italian: come un sito web, dove ognuno può aggiungere nuove voci. E supponiamo che alla fine di ogni mese, vi trovate, leggete la lista delle transazioni e saldate i conti Se hai speso più di quanto hai ricevuto, metti i soldi sul tavolo; e se hai ricevuto più di quanto hai speso, prendi i soldi che ti spettano. Il protocollo per far parte di questo semplice sistema potrebbe quindi essere questo: Ognuno può aggiungere linee al libro mastro; e alla fine di ogni mese ci si trova a saldare i conti. Ora, un problema con un libro mastro pubblico come in questo caso è che ognuno più aggiungere una nuova linea, quindi cosa impedisce a Bob di scrivere "Alice paga a Bob $100" senza il consenso di Alice? Come possiamo avere fiducia nel fatto che queste transazioni sono effettivamente quello che il mittente voleva che fossero? Ebbene, qui entra in gioco il primo pezzetto di crittografia: le firme digitali. Come per le firme scritte a mano, l'idea è che Alice aggiunga un testo accanto alla transazione certificando che l'abbia vista e che la approvi. Japanese: 更に誰でも新たな取引記録を追加できる。 月末になると皆が集まり、 リストを見て実際に支払いを行う。 もし受け取った額よりも多くの額を支払ったのなら、ポットに金を置く。 もし支払いよりも多くの受取額があるなら、ポットからその分を取る。 この単純明快なプロトコルの叙述は次のようになる。 誰でも取引記録を元帳に追加できる。 月末に最終的な差し引きを現金で交換する。 このような元帳に関わる一つの問題として、誰もが取引記録を追加できることから、 アリスの了承を得ないまま、「アリスはボブに100ドル支払う」という記録を追加できることである。 元帳にある全ての記録が、送金者の意図があって 行われたものだと信頼するのは難しい。 ここで最初の暗号論的要素が入る、デジタル署名である。 手で書く署名と同じく、 アリスは取引記録の横に何か付随するものを加える。 これによりアリスの意図を持って行われたことを証明する。 Polish: jak strona internetowa, gdzie każdy może wejść i po prostu dodać nowe rekordy. I powiedzmy, że na koniec każdego miesiąca, wszyscy razem siadacie nad listą transakcji i rozliczacie się. Jeśli wydałeś więcej niż otrzymałeś, dodajesz tę różnicę do puli; a jeśli otrzymałeś więcej niż wydałeś, wyciągasz te pieniądze z puli. Więc protokół bycia częścią tego bardzo prostego systemu może wyglądać następująco: każdy może dodać wiersze do księgi; i na koniec każdego miesiąca siadacie wszyscy razem i rozliczacie się. Jednym problemem z publiczną księgą jest taki, że każdy może dodać wiersz, więc czemu Bob miałby nie dopisać „Alicja płaci Bobowi 100 $” bez zatwierdzenia tego przez Alice? Jak mamy wierzyć, że wszystkie z tych transakcji są takie, jakie miały być ? Cóż, tu z pomocą przychodzi kryptografia: podpisy cyfrowe. Jak podpisy odręczne, pomysł jest taki, że Alicja powinna być w stanie dodać coś przy tej transakcji, co udowodni, że ją widziała i zatwierdziła. iw: כמו אתר, שבו כל אחד יכול ללכת ופשוט להוסיף שורות חדשות. ונניח שבסוף כל חודש, כולכם נפגשים להתבונן ברשימת העסקאות ולהסדיר את התשלומים. אם בזבזתם יותר כסף מאשר קיבלתם, אתם שמים כסף בקופה המרכזית ואם קבלתם יותר ממה שהוצאתם, אתם לוקחים את הכסף הזה מהקופה. אז, הפרוטוקול כדי להיות חלק מהמערכת הפשוטה הזו עשוי להיראות כך: כל אחד יכול להוסיף שורות לספר החשבונות ובסוף כל חודש אתם נפגשים כולכם כדי להסדיר חובות. עכשיו, בעיה אחת עם ספר חשבונות ציבורי כזה היא שכל אחד יכול להוסיף שורה, אז מה מונע מבוב מלהוסיף "אליס משלמת בוב מאה דולר" בלי האישור של אליס? איך אנחנו אמורים לסמוך על כך שכל העסקאות הללו הן מה שהשולח התכוון שיהיו? ובכן, כאן נכנסת לתמונה חתיכת הקריפטוגרפיה הראשונה להיום: חתימות דיגיטליות. כמו חתימות בכתב יד, הרעיון כאן הוא שאליס תוכל להוסיף משהו בתיעוד העסקה שמוכיח שהיא ראתה אותה וכי היא מאשרת את קיומה. Russian: как, например, страница в сети, и кто угодно сможет добавлять в него записи. И, допустим, что в конце каждого месяца вы все вместе будете проверять список операций и рассчитываться друг с другом. Если вы потратили больше, чем получили, то добавите деньги в общий запас, а если вы получили больше, чем потратили, то забираете оттуда разницу. Протокол для участия в этой простой системе может быть таким: кто угодно может делать записи в реестре; и в конце каждого месяца все собираются вместе и сводят счета. Только проблема с таким открытым реестром в том, что добавлять записи могут все, и что остановит Боба, если он захочет написать «Алиса платит Бобу $100» без её ведома? Как мы можем быть уверенными, что все операции происходят по воле отправителя? На помощь приходит первое изобретение криптографии - цифровые подписи. Как и в случае с ручными подписями, идея в том, что Алиса должна добавить к операции какое-нибудь доказательство того, что она увидела и одобрила её. Modern Greek (1453-): σαν έναν ιστότοπο, όπου ο καθένας μπορεί να πάει και απλά να προσθέσει νέες γραμμές. Και ας πούμε ότι στο τέλος του κάθε μήνα, μαζεύεστε όλοι μαζί, να δείτε την λίστα των συναλλαγών και να συνεννοηθείτε (σχετικά με το ποιος χρωστάει σε ποιον) Αν ξοδέψατε περισσότερο από ό,τι έχετε λάβει, θα βάλετε χρήματα στο σύνολο και αν έχετε λάβει περισσότερα από όσα ξοδέψει, παίρνετε τα χρήματα αυτά έξω (από το σύνολο). Έτσι, το πρωτόκολλο για να είστε μέρος αυτού του πολύ απλού συστήματος μπορεί να μοιάζει κάπως έτσι: ο καθένας μπορεί να προσθέσει γραμμές στο βιβλίο και στο τέλος του κάθε μήνα συγκεντρώνεστε και συνεννοείστε (σχετικά με το ποιος χρωστάει σε ποιον). Τώρα, ένα πρόβλημα με ένα δημόσιο βιβλίο όπως αυτό είναι ότι ο καθένας μπορεί να προσθέσει μία γραμμή, έτσι τι αποτρέπει τον Bob από το να πάει και να γράψει «η Alice πληρώνει τον Bob 100$», χωρίς την έγκριση της Alice; Πώς θα μπορούσαμε να σιγουρευτούμε πως όλες αυτές οι συναλλαγές είναι αυτές που ο αποστολέας ήθελε να είναι; Λοιπόν, αυτό είναι το πρώτο κομμάτι της κρυπτογραφίας που έχουμε: ψηφιακές υπογραφές. Όπως οι χειρόγραφες υπογραφές, Η ιδέα εδώ είναι ότι η Alice θα πρέπει να είναι σε θέση να προσθέσει κάτι δίπλα σε αυτή τη συναλλαγή που αποδεικνύει ότι την έχει δει και την έχει εγκρίνει. German: Wie eine Website auf der jeder neue Einträge vornehmen kann. Und an jedem Ende eines Monats trefft ihr euch, seht die Liste der Transaktionen an, und rechnet ab. Wenn du mehr ausgegeben hast als du bekommen hast, dann legst du entsprechend viel Geld in den Topf. Und wenn du mehr bekommen als ausgegeben hast, dann nimmst du dir entsprechend viel Geld aus dem Topf. Die Regeln um Teil dieses sehr simplen Systems zu sein könnten in etwa so aussehen: Jeder kann Beiträge zum Bestandsbuch hinzufügen und am Ende des Monats trefft ihr alle und rechnet ab. Ein Problem von so einem öffentlichen Bestandsbuch ist allerdings, dass jeder neue Beiträge hinzufügen kann. Was würde zum Beispiel Bob daran hindern zu schreiben "Alice zahlt 100$ an Bob", ohne dass Alice zustimmt? Wie können wir sichergehen, dass all diese Transaktionen auch wirklich das sind, was der Sender im Kopf hatte? Hier kommt der erste Teil Kryptografie ins Spiel: digitale Unterschriften Genau wie bei handschriftlichen Unterschriften ist die Grundidee, dass Alice etwas neben der Transaktion platziert, das bestätigt, dass sie die Transaktion gesehen hat und mit ihr einverstanden ist. Chinese: 就像一個網站一樣,每個人都能查閱並添加新記錄 而到了每個月底大家對交易記錄都無異議就會一起合計 如果你花的比收到的多,就要向公家交錢 如果你收到的比花的多,就可以從中取錢 所以這個簡單體系的設計大概會是如下所述 每個人都能向帳本添加交易資訊,到月底再統一結算 但公共帳本存在一個問題,正因為每個人都能添加記錄 應該怎樣避免Bob在沒有Alice核准的情況下偷偷記下:Alice給Bob 100元 我們又憑什麼相信帳本中的記錄都準確無誤呢 這裡就需要密碼學中的電子簽名技術 就像手寫簽名一樣,Alice需能在交易資訊邊上留下記錄 以證明她瞭解並且允許這筆交易發生 English: This ledger will be something public and accessible to everyone, like a website where anyone can go and just add new lines. At the end of every month, you all look through the list of transactions and tally everything up. If you’ve spent more than you received, you put that money into the pot, and if you’ve received more than you spent, you take that much money out. So the protocol for being part of this system looks something like this: Anyone can add lines to the ledger, and at the end of every month everyone gets together to settles up with real money. One problem with a public ledger like this is that when anyone can add a line, what’s to prevent Bob from going in and writing “Alice pays Bob $100” without Alice approving? How are we supposed to trust that all these transactions are what the sender meant for them to be? This is where the first bit of cryptography comes in: Digital signatures. Like a handwritten signature, the idea here is that Alice should be able to add something next to a transaction that proves that she has seen it, and approved of it. Vietnamese: giống như một trang web, nơi mọi người có thể truy cập và cần thêm vào những ghi chú mới. Và hãy nói rằng vào cuối mỗi tháng, tất cả các bạn nhìn vào danh sách các giao dịch và giải quyết. Nếu bạn dành nhiều hơn bạn nhận được, bạn đưa tiền vào khoản chung; và nếu bạn nhận được nhiều hơn bạn đã bỏ ra, bạn lấy tiền đó ra ngoài. Vì vậy giao thức trong hệ thống đơn giản này có thể như sau: Bất cứ ai có thể thêm dòng vào sổ cái; Và vào cuối mỗi tháng tất cả các bạn đều tụ lại và thanh toán với nhau. Bây giờ, một vấn đề với một sổ cái chung như thế này là bất cứ ai cũng có thể thêm ghi chú, vì vậy Bob có thể viết "Alice trả Bob $ 100" mà không có sự đồng ý của Alice? Làm thế nào chúng ta tin tưởng rằng tất cả các giao dịch này đúng như sự thật? Mật mã số được ứng dụng ở vấn đề này: chữ ký số. Giống như chữ ký viết tay, ý tưởng ở đây là Alice sẽ có thể thêm một cái gì đó bên cạnh giao dịch đó để chứng tỏ rằng cô đã nhìn thấy nó và rằng cô ấy đã xác nhận nó. French: Où tout le monde pourra aller et ajouter de nouvelles lignes. Disons qu'à la fin du mois vous êtes tous ok ensemble vous regardez la liste de transactions et les réglez. Si vous avez dépensé plus que vous n'avez reçu vous mettez de l'argent dans le pot et si vous avez reçu plus alors vous prenez cet argent. Donc le protocole pour faire partie de ce système très simple pourrait ressembler à ça. Tout le monde peut ajouter des lignes au livre de compte. Régler avec de l'argent réel chaque fin de mois. Maintenant un problème avec un livre de compte public comme ça est que tout le monde peut ajouter une ligne. Alors qu'est-ce qui empêche Bob d'ajouter Alice paie Bob 100$ sans l'accord d'Alice. Comment sommes-nous censés avoir confiance que toutes ces transactions sont ce que l'émetteur signifie qu'elles sont ? Et bien c'est là que le premier morceau de cryptographie arrive : signatures numériques. Comme les signatures manuscrites, l'idée est qu'Alice devrait être capable d'ajouter quelque chose à la suite de la transaction Chinese: 就像一个网站一样,每个人都能查阅并添加新的记录 而到了每个月底大家对交易记录都无异议就会一起合计 如果你入不敷出,就要向公家交钱 如果仍有结余,就可以从中取钱 所以这个简单体系的设计大概会是如下所述 每个人都能向账本添加交易信息,到月底再统一结算 但公共账本存在一个问题,正因为每个人都能添加记录 应该怎样避免Bob在没有Alice核准的情况下偷偷记下:Alice给Bob 100元 我们又凭什么相信账本中的记录都准确无误呢 这里就需要密码学中的电子签名技术 就像手写签名一样,Alice需能在交易信息边上留下记录 以证明她了解并且允许这笔交易发生 Korean: 아무나 접속해서 글을 추가할 수 있는 웹사이트라고 생각해도 돼. 매달 말일에 모두 모여서 거래 내역을 보고 정산을 하는거지. 여러분이 받은 돈보다 쓴 돈이 더 많다면, 정산할 때 돈을 내야돼. 쓴 돈보다 받은 돈이 더 많다면, 정산할 때 돈을 받으면 되겠지. 이 단순한 시스템을 규약으로 정하면 이렇게 될 거야. 누구든 장부에 기록할 수 있다. 매월 말일에 모여서 정산한다. 이런 공동 장부의 문제점은 아무나 기록할 수 있다는 점이야. 예를 들어 밥이 앨리스의 확인도 없이 자기 멋대로 "앨리스가 밥에게 100달러 지불"이라고 기록한다면? 공동 장부에 기록된 내용들이 돈을 보내는 사람의 의도대로 진실되게 기록되어 있다는 것을 어떻게 믿을 수 있을까? 자, 딱 이 지점에서 암호학이 우리를 도와주러 오는거야. 인사해. '디지털 서명' 이라는 친구야. 손으로 서명하는 것처럼, 앨리스는 자기가 돈을 보낸다는 거래 기록에, 서명같은 효과를 가지는 무언가를 추가할 수 있어야 해. 그 무언가는 앨리스가 그 거래 기록을 직접 보고 승인을 했다는 증표가 되겠지. Arabic: مثل موقع الويب، حيث يمكن لأي شخص إضافة أسطر جديدة عليه. ولنفترض أنكم في نهاية كل شهر، تلتقون جميعكم للاطلاع على قائمة المعاملات وتسوّّونها إذا دفعت أكثر مما استلمت، تضع هذا المال في الوسط وإذا استلمت أكثر مما دفعت، تأخذ هذا المال. لذا، القواعد اللازم تطبيقها للانضمام لهذا النظام البسيط قد تبدو كالآتي: بإمكان أي شخص إضافة أسطر على السجل. وفي نهاية كل شهر سوف تجتمعون معًا لتسوية الأمور. الآن، هناك مشكلة في سجل عام كهذا وهي أن أي شخص بإمكانه إضافة أسطر، ما الذي سيمنع (بوب) من كتابة "(أليس) ستدفع لـ(بوب) 100 دولار" دون موافقة (أليس)؟ كيف من المفترض أن نثق بأن كل هذه الصفقات هي ما يريد مستلمها أن تكون؟ حسنًا، هنا حيث يأتي الجزء الأول من التشفير: التواقيع الرقمية. كما التواقيع الورقية، الفكرة هنا أن (أليس) يجب أن تكون قادرة على إضافة شيء ما بجانب تلك العملية و الذي سيثبت أنها رأتها سابقًا وأنها وافقت عليها. Chinese: 而且这个签名不能被他人获取并伪造 乍一思索电子签名似乎不太可能实现 无论电子签名是如何存储的,计算机读取并复制即可 那究竟该如何防止伪造呢 要实现电子签名,每个人都需要生成 一对公共密钥及私人密钥 每一个密钥都是一串比特 私人密钥有时也被叫做“秘密”钥匙以便能够缩写成sk 公共密钥则缩写成pk 正如其名,私人密钥是由你自己保存的 现实生活中,你所签署的所有文件中的签名都是一致的 电子签名则更进一步,它会随着签署的内容变化而变化 它看上去就是一串10代码,通常长度是256位 而内容的轻微变动都会让这串代码看上去几乎完全不同 French: qui prouve qu'elle l'a vu et qu'elle l'approuve. Et cela devrait être invisible pour quiconque d'imiter cette signature. D'abord il pourrait sembler qu'une signature numérique ne pourrait pas être possible. Quelles que soient les données qui constituent la signature elles peuvent être lues et copiées par un ordinateur alors comment empêcher l'imitation ? Et bien, la façon dont ça fonctionne est que tout le monde génère ce qu'on appelle une paire clé publique et clé privée. Chacune d'entre elle ressemble à une chaîne de bits. La clé privée est aussi parfois appelée une clé secrète que nous pouvons abréger en SK (Secret Key) tandis que nous abrégerons la clé publique en PK (Public Key) Maintenant, comme le nom le suggère cette clé secrète est quelque chose que vous voulez garder secret pour vous dans le monde réel. Votre signature manuscrite a l'air identique peu importe le document que vous signez. Mais une signature numérique est en faite plus forte. Parce qu'elle change pour des messages différents. Elle ressemble à des chaînes de caractères de 0 et de 1. Habituellement quelque chose comme 256 bits. Et altérer le message même légèrement change complètement l'apparence de la signature sur ce message. Japanese: 当然、誰もその署名を真似出来ないようにしなければらない。 するとデジタル署名というのは実現不可能のように思える。 どんなに署名が複雑でも、コンピュータがコピーしてしまえばおしまいである。 どうすればこれを防げるか。 そのためには「公開鍵秘密鍵ペア」を全員が作成することで解決する。 各々の鍵はビットの塊のようなものである。 「秘密鍵」は「私有鍵」とも呼ばれる。 秘密鍵(Secret Key)は「sk」と略し、公開鍵(Public Key)は「pk」と略す。 名前が指し示す通り、秘密鍵は本人しか知り得ないものである。 現実世界において、手書きの署名は時と場所にかかわらず、ほぼ同じ形になるが、 デジタル署名はより強力で、 記録ごとに違うものになる。 署名は0と1の連続であり、大体256ビットである。 署名する記録が少しでも異なれば、 その署名は全く異なるものになる。 Indonesian: Dan seharusnya tidak layak bagi orang lain untuk menempa tanda tangan itu. Pada awalnya, sepertinya tanda tangan digital seharusnya tidak mungkin dilakukan. Maksud saya, data apa pun yang membuat tanda tangan itu bisa dibaca dan disalin oleh komputer, jadi bagaimana Anda mencegah pemalsuan? Nah, cara kerjanya adalah semua orang menghasilkan apa yang disebut "kunci publik - pasangan kunci privat", masing-masing terlihat seperti beberapa untaian bit. "Kunci privat" terkadang juga disebut sebagai "kunci rahasia", sehingga kita bisa menyingkatnya sebagai "sk", sementara menyingkat kunci publik adalah "pk". Sekarang seperti namanya, kunci rahasia ini adalah sesuatu yang ingin Anda simpan untuk diri Anda sendiri. Di dunia nyata, tanda tangan tulisan tangan Anda terlihat sama tidak peduli dokumen apa yang Anda tanda tangani. Tapi tanda tangan digital sebenarnya jauh lebih kuat, karena ia berubah tergantung berbagai pesan. Itu sepertinya beberapa untaian dari angka-angka satu dan nol, biasanya seperti 256 bit; dan mengubah pesan sedikit pun akan benar-benar mengubah tanda tangan pada pesan itu. Arabic: و يجب أن يكون غير ممكن لأي شخص آخر أن يزور هذا التوقيع. للوهلة الأولى، قد يبدو أن مفهوم التوقيع الرقمي مستحيل. بمعنى أنه مهما كانت البيانات التي تُشكّل التوقيع، يمكن قراءتها ونسخها بواسطة الحاسب، إذًا، كيف ستمنع التزوير؟ حسنًا، الطريقة التي يعمل بها هي أن ينشئ الجميع ما يسمى "زوج المفتاح العمومي والمفتاح الخاص" كل واحد منها يبدو وكأنه سلسلة من البتّات (bits). يُشار إلى "المفتاح الخاص" أحيانًا على أنه "المفتاح السري" لذا يمكننا اختصاره إلى "SK" (من secret key)، والمفتاح العام إلى "PK" (من public key). كما يوحي الاسم، المفتاح السري هو شيء عليك الاحتفاظ به لنفسك. على أرض الواقع، توقيعك الورقي يأخذ نفس الشكل بغض النظر عن المستند الذي تقوم بالتوقيع عليه. لكن يُعتبر التوقيع الرقمي حقيقةً أقوى بكثير، لأنه يتغير مع تغير الرسالة. هو يبدو وكأنه سلسلة من الأصفار والآحاد، الشائع 256 بت و أي تغيير طفيف في الرسالة الأصلية سيغير التوقيع تمامًا. Vietnamese: Và mục tiêu là không ai có thể giả mạo chữ ký đó. Lúc đầu, có vẻ như chữ ký số là bất khả thi. Dù cái chữ ký đó ở dạng dữ liệu nào thì máy tính đều đọc và sao chép được, vậy làm thế nào để bạn ngăn ngừa giả mạo? Giải pháp là tất cả mọi người tạo ra một "cặp khóa công khai - cá nhân", mỗi cái trông giống như một số chuỗi bit. "Khóa cá nhân" đôi khi còn được gọi là "khoá bí mật" để chúng ta có thể viết tắt nó là "sk", trong khi viết tắt của "khoá công khai" là "pk". Như tên cho thấy, "khóa bí mật" này là cái mà bạn không cho ai biết. Trong thực tế, chữ ký viết tay của bạn sẽ giống nhau cho dù bạn đang ký tài liệu nào. Nhưng một chữ ký số thực sự mạnh hơn, bởi vì nó thay đổi ở các tin nhắn khác nhau. Nó nhìn như một số chuỗi 1 và 0, thường là 256 bit; và việc thay đổi thông điệp thậm chí một chút cũng hoàn toàn thay đổi hình dạng của chữ ký trên thông điệp đó. Czech: A mělo by být nemožné tento podpis zfalšovat. Mohlo by se zdát, že digitální podpis je nesmysl. Vždyť jakákoliv data, která představují podpis, mohou být přečtena a zkopírována, tak jak zabráníme falšování? Způsob, jakým tohle funguje je, že všichni si vygenerují takzvaný pár veřejného a soukromého klíče, oba klíče jsou nějaký řetězec bitů. Soukromý klíč je také někdy nazýván tajný klíč. Soukromý klíč můžeme zkracovat jako "sk" a veřejný klíč jako "vk". Jak už název napovídá, soukromý klíč byste si měli nechat sami pro sebe. Skutečný, ruční podpis, vypadá pořád stejně, nehledě na to, co podepisujete. Ale digitální podpis je mnohem silnější, protože vypadá jinak pro každou podepsanou zprávu. Je to nějaký řetězec jedniček a nul, většinou 256 bitů; a změna zprávy, i o jediné písmeno, kompletně změní podobu vašeho podpisu k této zprávě. Spanish: Y debería ser inviable para los demas falsificar esa firma. Al principio, podría parecer que una firma digital no debería ser siquiera posible Quiero decir, cualesquiera que fuesen los datos que componen la firma podrian ser leidos y copiados por un ordenador, Asi que cómo evitas falsificaciones? Bueno, la forma en que funciona es que todos generan lo que se conoce como un "par clave pública - clave privada" cada uno de los cuales parece una cadena de bits La "clave privada" a veces también se la llama "clave secreta" y la podemos abreviar como "sk" y la clave pública como "pk". (ambas abreviaciones en inglés) Como el nombre sugiere, esta clave privada es algo que te quieres guardar para tí. En el mundo real, tu firma tiene el mismo aspecto sin importar que documento firmes Pero una firma digital es en realidad mucho mas fuerte, porque cambia para cada mensaje Parece una cadena de unos y ceros, comunmente de 256 bits; y alterando el mensaje lo mas mínimo cambia por completo el aspecto que la firma de ese mensaje tendría que tener Hungarian: És ennek az aláírásnak bárki által meghamisíthatatlannak kell lennie. Elsőre úgy tűnhet, hogy egy ilyen digitális aláírás nem is lehetne igazán lehetséges. Ez alatt azt értem, hogy bármely, az aláírást tartalmazó adatot egy számítógép egyszerűen beolvashatja és lemásolhaja, szóval hogyan előződ meg ezt? Nos, ez úgy működik hogy mindenki létrehoz egy úgynevezett "publikus kulcs - privát kulcs párt" amelyek úgy néznek ki mint biteknek egy láncolata. A "privát kulcsot" néha "titkos kulcsnak" (*secret key*) is hívják, tehát lerövidíthetjük úgy mint "sk", míg a publikus kulcsot úgy mint "pk". Ahogy a neve is sugalja, a titkos kulcs egy olyasvalami amit nem akarsz kiadni másoknak. A valós életben, a kézi aláírásod ugyanúgy néz ki attól függetlenül, hogy milyen dokumentumot írsz alá. Ezzel ellentétben a digitális aláírások valójában sokkal erősebbek, mert változik a különböző üzeneteknél. Úgy néz ki mint nullák és egyesek láncolata, amely a leggyakrabban 256 bites; és ha egy kicsit is változtatunk az üzeneten, akkor az azt is teljesen megváltoztatja ahogyan az aláírásnak ki kell néznie. Polish: I podrobienie podpisu powinno być niemożliwe dla każdego innego użytkownika. Na początku wydaje się, że podpis cyfrowy nie powinien być w ogóle możliwy. To znaczy, niezależnie od danych, które tworzą ten podpis, można go po prostu odczytać i skopiować na komputerze, więc jak można uniknąć fałszerstw? Cóż, działa to tak, że każdy generuje coś, co nazywa się „parą klucz publiczny/klucz prywatny” z których każda wygląda jak jakiś ciąg bitów. „Klucz prywatny” jest czasami nazywany również „tajnym kluczem”, tak, że możemy skrócić go do „SK”, podczas gdy skrótem od klucza publicznego jest „PK”. Jak sama nazwa wskazuje, ten tajny klucz jest czymś, co chcesz zachować dla siebie. W realnym świecie, Twój podpis odręczny wygląda tak samo bez względu na to, jaki dokument podpisujesz. Ale podpis cyfrowy jest w rzeczywistości znacznie silniejszy, ponieważ zmienia się dla różnych komunikatów. To wygląda jak jakiś ciąg zer i jedynek, powszechnie jakieś 256 bitów, oraz nawet nieznaczna zmiana wiadomości całkowicie zmienia to, jak powinien wyglądać podpis na tej wiadomości . Modern Greek (1453-): Και θα ήταν αδύνατο (πρακτικά) για οποιονδήποτε άλλον, να πλαστογραφήσει αυτή την υπογραφή. Αρχικά, μπορεί να φαίνεται πως μία ψηφιακή υπογραφή δεν θα έπρεπε καν να είναι δυνατή. Θέλω να πω ότι, τα δεδομένα που αποτελούν την υπογραφή μπορούν μόνο να διαβαστούν και να αντιγραφούν από έναν υπολογιστή, οπότε πως αποτρέπεται η πλαστογραφία; Λοιπόν, ο τρόπος με τον οποίο δουλεύει αυτό είναι ότι ο καθένας δημιουργεί αυτό που ονομάζεται «ζεύγος δημόσιου - ιδιωτικού κλειδιού», που το καθένα από αυτά μοιάζει με κάποια σειρά από bits (0 και 1). Το «ιδιωτικό κλειδί» μερικές φορές ονομάζεται επίσης «μυστικό κλειδί», έτσι ώστε να μπορούμε να το συμβολίσουμε με «sk», ενώ το δημόσιο κλειδί με «pk». Τώρα, όπως υποδηλώνει το όνομα, αυτό το μυστικό κλειδί είναι κάτι που θέλετε να κρατήσετε για τον εαυτό σας. Στον πραγματικότητα, η χειρόγραφη υπογραφή σας φαίνεται το ίδιο σε κάθε έγγραφο που υπογράφετε. Αλλά μια ψηφιακή υπογραφή είναι στην πραγματικότητα πολύ πιο ισχυρή, γιατί αλλάζει για διαφορετικά μηνύματα. Μοιάζει με κάποια σειρά από 1 και 0, συνήθως κάτι σε 256 bits και η ελάχιστη αλλαγή του μηνύματος αλλάζει εντελώς την υπογραφή για αυτό το μήνυμα. Portuguese: e deve ser inviável que alguém falsifique essa assinatura Logo de cara, pode parecer que uma assinatura digital nem mesmo deveria ser possível quero dizer, qualquer dado que faz parte dessa assinatura pode simplesmente ser lido e copiado por um computador, então como evitar falsificações? O jeito que isso funciona é que todo mundo gera o que é chamado de um Par Chave Pública e Chave Privada onde cada um se parece com uma sequência de bits. A chave privada é também chamada de Chave Secreta para que possa ser abreviada 'SK', enquanto se abrevia a Chave Pública como 'PK' Como o nome sugere, essa chave secreta é algo que você deve manter para si só. No mundo real, sua assinatura se parece a mesma não importa o documento que você assine mas uma assinatura digital é na verdade muito mais forte pois ela muda com mensagens dferentes se parece com uma sequência de 1 e 0 normalmente algo como 256 bits e mudando a mensagem mesmo que minimamente completamente muda o que a assinatura daquela mensagem deveria ser Chinese: 而且這個簽名不能被他人獲取並偽造 乍看之下電子簽名似乎不太可能實現 無論電子簽名是如何儲存的,電腦讀取並複製即可 那究竟該如何防止偽造呢 要實現電子簽名,每個人都需要生成 一對公共密鑰及私人密鑰 每一個密鑰都是一串位元 私人密鑰有時也被叫做「秘密」鑰匙以便能夠縮寫成sk 公共密鑰則縮寫成pk 正如其名,私人密鑰是由你自己保存的 現實生活中,你所簽署的所有文件中的簽名都是一致的 電子簽名則更強一些,它會隨著簽署的內容而變化 它看上去就是一串1和0,通常長度是256位 而內容的輕微變動都會讓這串數字看上去完全不同 German: Und natürlich sollte es unmöglich sein, dass jemand anderes diese Unterschrift fälscht. Auf den ersten Blick wirkt es so, als sind digitale Unterschriften überhaupt nicht möglich. Ich meine – völlig egal aus welchen Daten diese Unterschrift besteht, sie kann von einem Computer einfach eingelesen und kopiert werden. Wie verhindern wir also Fälschungen? Das funktioniert, indem jeder ein Paar aus einem sogenannten "öffentlichen Schlüssel" und einem "privaten Schlüssel" generiert, von denen beide aussehen wie eine Bitfolge. Der "private Schlüssel" wird manchmal auch "Geheimschlüssel" genannt, so dass wir ihn mit "sk" abkürzen können. Den öffentlichen Schlüssel kürzen wir mit "pk" ab. [englische Abkürzungen wie im Video verwendet] Wie der Name schon sagt, ist der geheime Schlüssel etwas, was du für dich behalten solltest. In der realen Welt sieht deine manuelle Unterschrift gleich aus, egal welches Dokument du unterschreibst. Aber digitale Unterschriften sind eigentlich noch viel stärker, denn sie verändern sich je nach unterschriebener Nachricht. Sie sehen aus wie eine Folge aus Nullen und Einsen, meist etwas wie 256 Bits. Eine kleine Veränderung der Nachricht verändert das Aussehen der Unterschrift komplett. English: And it should be infeasible for anyone else to forge her signature. At first it might seem like digital signatures shouldn’t even be possible, since whatever data makes up the signature can just be read and copied by any computer, so how do you prevent forgeries? The way this works is that everyone generates what’s called a public key/private key pair, each of which looks like some string of bits. The private key is sometimes also called the “secret” key, so that we can abbreviate it to sk while abbreviating the public key as pk. As the names suggest, the secret key is something you should keep to yourself. In the real world, your handwritten signature looks the same no matter what document you’re signing. A digital signatures is much stronger, because it changes for different messages. It looks like a string of 1’s and 0’s, commonly something like 256 bits, and altering the message even slightly completely changes what your signature on that message should Korean: 그리고 그 증표는 위조가 불가능해야돼. 처음에는 말이야, 디지털 서명이라는 것 자체가 전혀 가능할 것 같지가 않았어. 무슨 말이냐면, 그 디지털 서명을 구성하는 데이터는 컴퓨터로 쉽게 읽고 복사할 수 있을테니 증표로 쓸 수 없을 거라는 얘기지. 쉽게 읽어서 복사할 수 있는데, 위조를 어떻게 막을 수 있겠어? 그런데 '공개키(열쇠)-비공개키(열쇠)'라는 걸 만들면 위조를 막을 수 있어. 공개키와 비공개키는 모두 여러 자리수의 0과 1로 되어 있어. 비공개키는 비밀키라고 부르기도 해. 비밀키를 줄여서 sk라고 하고, 공개키를 줄여서 pk라고 하지. 이름에서 알 수 있는 것처럼, 비밀키는 여러분만 비밀로 가지고 있는 키야. 현실 세계에서 여러분이 직접 손으로 쓴 서명은 어느 문서에 쓰든 똑같아 보이지. 하지만 디지털 서명은 훨씬 더 강력해. 서명하는 문서의 내용에 따라 디지털 서명이 달라진다고. 디지털 서명은 보통 256개의 0과 1의 조합으로 만들어진 하나의 값이야. 문서의 내용 중 단 한 글자만 바뀌어도 256개의 0과 1로 구성된 디지털 서명값은 완전히 달라져. Italian: E dovrebbe essere impossibile per chiunque altro falsificare quella firma. Alla prima occhiata, potrebbe sembrare che una firma digitale sia impossibile da implementare. Voglio dire, qualunque dato crei quella firma può semplicemente essere letto e copiato da un computer, quindi com'è possibile prevenire falsificazioni? Beh, il sistema funzione così: ognuno genera una cosiddetta "copia chiave pubblica - chiave privata", ognuna delle quali è una stringa di bit. La "chiave privata" è a volte anche chiamata "chiave segreta", la abbrevieremo con "sk", mentre la chiave pubblica la abbrevieremo con "pk". Ora, come suggerito dal nome, la chiave privata è qualcosa che non devi divulgare. Nel mondo reale, la tua firma scritta a mano è identica indipendentemente dal documento su cui è apposta. Una firma digitale è invece molto più forte, perché cambia a seconda del messaggio. Assomiglia ad una stringa di 1 e 0, di solito lunga 256 bit; E cambiando anche di poco il messaggio la firma cambia completamente. Russian: И ни у кого не должно быть возможности подделать эту подпись. Сперва может показаться, что цифровая подпись в принципе невозможна. В конце концов, любой компьютер может прочитать и скопировать все данные в ней, но тогда как же предотвратить подделки? Идея в том, что каждый получает свою «ключевую пару» - открытый и закрытый ключ, каждый из которых выглядит как цепочка битов. Закрытый ключ иногда называют секретным, поэтому обозначим его как «sk», а открытый или публичный ключ как «pk». Как понятно из названия, секретный ключ нужно хранить в тайне. В реальном мире ваша ручная подпись выглядит одинаково, что бы вы ни подписывали. Но цифровая подпись намного надежнее, потому что она меняется в зависимости от сообщения. Она выглядит как цепочка из нулей и единиц, чаще всего длиной в 256 бит, и даже малейшее изменение в сообщении полностью перестраивает соответствующую ему подпись. Lithuanian: Ir turėtų būti neįmanoma bet kam kitam padirbti tą parašą. Iš pradžių, gali atrodyti, kad skaitmeninis parašas neturėtų net būti įmanomas. Turiu galvoje, kad ir kokie duomenys sudaro šį parašą, jie gali būti kompiuterio nuskaityti ir nukopijuoti, tad kaip galime užkirsti kelią padirbimui? Na, būdas, kaip tai veikia yra tai, kad visi sugeneruoja kas yra vadinama "viešo rakto - privataus rakto porą", kur kiekvienas raktas atrodo kaip tam tikra bitų eilutė. "Privatus raktas" kartais yra vadinamas "slaptu raktu", tad galime sutrumpinti jį kaip "sk", o viešąjį raktą kaip "pk". Dabar, kaip pavadinimas ir užsimena, šis slaptas raktas yra kažkas, ką tu nori pasilaikyti tik sau pačiam. Realiame pasaulyje, tavo ranka rašytass parašas atrodo taip pat, nesvarbu, kokį dokumentą pasirašai. Bet skaitmeninis parašas iš tikro yra daug stipresnis, nes jis keičiasi su kiekviena skirtinga žinute. Jis atrodo kaip vienetų ir nulių eilutė, paprastai galbūt 256 bitai; ir keičiant žinutę net vos vos visiškai pakeičia kaip parašas ant tos žinutės turėtų atrodyti. iw: וזה צריך להיות בלתי מעשי עבור מישהו אחר לזייף את החתימה הזו. במבט ראשון, זה אולי נראה כי חתימה דיגיטלית היא קונספט בלתי אפשרי. כלומר, המידע שיוצר את החתימה, מה שלא יהיה, יכול להיקרא ולהיות מועתק על ידי מחשב, אז איך מונעים זיופים? ובכן, הדרך שבה זה עובד היא שכולם יוצר מה שנקרא "זוג של מפתח ציבורי ומפתח פרטי", שכל אחד מהם נראה כמו איזה מחרוזת של ביטים. "מפתח פרטי" מכונה לעתים גם "מפתח סודי", כדי שנוכל לקצר את שמו ל-"SK", ואת המפתח הציבורי ל-"PK". כפי שהשם מרמז, מפתח סודי זה משהו שאתם רוצים לשמור לעצמכם. בעולם האמיתי, החתימה (בכתב יד) שלכם נראית זהה לא משנה מה המסמך עליו אתם חותמים. אבל חתימה דיגיטלית היא בעצם הרבה יותר חזקה, כי היא משתנה עבור מסרים שונים. היא נראית כמו מחרוזת של אחדות ואפסים, בדרך כלל 256 סיביות (ביטים) ושינוי של ההודעה המקורית, אפילו במעט משנה לחלוטין את איך שהחתימה על המסר נראית בסוף. Turkish: Ve diğer herkes için taklidi yapılamaz imza olmalı İlk olarak, sayısal imza olanaksız gibi gözükebilir. Yani, imzayı oluşturan herhangi veri bilgisayar tarafından okunup kopyalanabilir, böylece sahtesine nasıl engel olursun? Pekala, bunun işleyişi herkesin "public key - private key pair" üreten ve her birinin belirli bit diziyle olması gibi gözüküyor. "Private key" bazen "secret key" diye de adlandırılır, böylece bunu "sk" olarak ve public key'i ise "pk" olarak kısaltabiliriz. Şimdi isimden de anlaşılacağı gibi "secret(gizli) key" saklamak isteyebileceğin bir şey. Gerçek dünyada, hangi belgeyi imzaladığının önemi olmadan el yazısı imzaların aynı gözükür Ama bir dijital imza aslında çok daha güçlüdür, çünkü farklı mesajlar için değişir. Birler ve sıfırlar dizisi gibi gözükür, genelde 256 bit gibi; ve mesaj çok az değişime dahi uğrasa bu mesajın imzası olması gerekenden tamamen değişir Italian: Parlando un po' più formalmente, produrre una firma coinvolge una funzione che dipende sia dal messaggio stesso che dalla tua chiave privata. La chiave privata assicura che solo tu puoi produrre quella firma, e il fatto che dipenda dal messaggio significa che nessun altro può semplicemente copiare una tua firma e falsificarla in un altro messaggio. Mano nella mano con la prima, c'è una seconda funzione utilizzata per verificare che la firma sia valida. E qui entra in gioco la chiave pubblica. Tutto ciò che fa è rispondere "vero" o "falso" indicando se la firma è stata o meno prodotta dalla chiave privata associata con la chiave pubblica che si sta usando per la verifica. Non entro nei dettagli del funzionamento di queste due funzioni ma l'idea è che sia completamente impossibile trovare una firma valida senza conoscere la chiave segreta. Specificatamente, non c'è alcuna strategia migliore che semplicemente indovinare e provare firme casuali, che puoi testare usando la chiave pubblica che tutti conoscono. Chinese: 正式一点地讲,产生这样的签名需要一个函数 它同时要求所签署的内容以及你的私人密钥 私人密钥确保了只有你本人能产生这个电子签名 这个签名还取决于签署的内容 就意味着其他人不能简单地复制这个签名 并在其他内容上伪造另一个签名 与此同时还有一个验证函数用于验证签名是否真实 而这个函数还需要公共密钥 它的作用是告诉我们这个签名是否是由一个私钥加密 并有一个与之配对的公钥用于验证 这里并不会具体讨论这些函数具体如何实现 它保证了如果你不知道私钥, 你几乎不可能找到一个正确的签名 准确地讲,并不会有比穷举并反复验证更好的办法了 然后用大家都知道的公钥进行验证 English: look like. Formally, producing a signature involves some function that depends both on the message itself, and on your private key. The private key ensures that only you can produce the signature, and the fact that it depends on the message means no one can just copy one of your signatures to forge it on another message. Hand-in-hand with this is a function to verify that a signature is valid, and this is where the public key comes into play. All it does it output true or false to indicate if this was a signature created by the private key associated with the public key you use for the verification. I won’t go into the details how how exactly these functions work, but the idea is that it should be completely infeasible to find a valid signature if you don’t know the secret key. Specifically there is no strategy better than just guessing and checking if random signatures Portuguese: falando um pouco mais formalmente produzir uma assinatura envolve uma função, que depende da mensagem e da chave privada 'SK' A chave privada garante que apenas você possa produzir aquela assinatura e o fato de depender da mensagem significa que ninguém pode simplesmente copiar uma de suas assinaturas e falsificá-la em outra mensagem Junto com isso existe uma segunda função usada para verificar que a assinatura é valida e é aí que a chave pública entra em jogo Tudo que ela faz é resultar em Verdadeiro ou Falso para indicar se a assinatura criada pela chave privada associada com a chave pública que você está usando para verificação. Não vou entrar em detalhes de como exatamente ambas as funções funcionam, mas a ideia é que elas deveriam ser completamente inviável achar uma assinatura válida se você não sabe qual a chave secreta Especificamente, não há estratégia melhor do que simplesmente adivinhar e testar assinaturas aleatórias, que você pode testar usando a chave pública que todos conhecem. Arabic: بصياغة أكثر جدّية قليلًا، لإنشاء توقيع تُستخدم دالة تعتمد على كُلٍّ من الرسالة نفسها والمفتاح الخاص. المفتاح الخاص يُحتِّم على أنك أنت وحدك من يمكنه إنشاء توقيع، و بما أن التوقيع يعتمد على الرسالة فهذا يعني أنه لا يمكن لأي أحد نسخ توقيعك وتزويره في رسالة أخرى. بجانب هذه الدالة، توجد دالة أخرى تتأكد من أن التوقيع صحيح. و هنا يأتي دور المفتاح العام. كل ما تفعله هذه الدالة هو إرجاع نتيجة إما "صح" أو "خطأ" لتحديد ما إذا كان هذا التوقيع هو نفسه المُنشَأ بواسطة المفتاح الخاص المرتبط بالمفتاح العام الذي تستخدمه لعملية التحقق. لن أخوض بتفاصيل كيفية عمل كل من هذه الدالتين، لكن الفكرة هي استحالة إيجاد توقيع صالح إذا لم تكن تعرف المفتاح السري. على وجه التحديد، لا توجد طريقة أفضل من مجرد التخمين والتحقق من التوقيعات العشوائية، حيث يمكنك التحقق باستخدام المفتاح العام الذي هو معروف لدى الجميع Hungarian: Egy kicsit hivatalosabban mondva, az aláírás létrehozása egy olyan függvényt foglal magában amely függ mind az üzenettől, és a privát kulcstól is. A privát kulcs biztosítja azt hogy csak te tudod létrehozni ezt az aláírást, és a tény hogy függ az üzenettől azt jelenti, hogy senki nem tudja csak úgy lemásolni az aláírásodat, hogy meghamisítson vele egy másik üzenetet. Ezzel kéz a kézben jár egy másik függvény amely az aláírás érvényességét hivatott ellenőrizni. És itt jön képbe a publikus kulcs. Mindössze annyit csinál hogy egy "igaz" vagy "hamis" állitást ad vissza hogy jelezze ha ez az aláírás azzal a privát kulcssal készült amelyhez az a publikus kulcs tartozik amit az ellenőrzésre használsz. Nem fogok belemenni annak a részleteiben hogy pontosan hogyan működnek ezek a függvények, de lényeg az hogy lehetetlen legyen találni egy érvényes aláírást ha nem tudod a titkos kulcsot. Pontosabban, nincs jobb stratégia annál, mint hogy véletlenszerűen találunk ki és ellenőrzünk le aláírásokat, amit a mindenki által ismert publikus kulcs használatával ellenőrizhetsz le. Polish: Mówiąc nieco bardziej formalnie, tworzenie podpisu obejmuje funkcję, która zależy zarówno od samej wiadomości jak i od Twojego klucza prywatnego. Klucz prywatny zapewnia, że ​​tylko Ty możesz wygenerować ten podpis, i fakt, że zależy on od komunikatu oznacza, że nikt nie może po prostu skopiować jednego z Twoich podpisów, a następnie podrobić go pod innym komunikatem. Ręka w rękę z tą działa druga funkcja służąca do weryfikacji, czy podpis jest ważny. I tu klucz publiczny wchodzi w grę. Zwraca on tylko komunikat „prawda” lub „fałsz”, aby wskazać, czy był to podpis wygenerowany przez klucz prywatny związany z kluczem publicznym, którego używasz do weryfikacji. Nie będę wchodził w szczegóły tego, jak dokładnie działają obie te funkcje, ale chodzi o to, że znalezienie prawidłowego podpisu powinno być absolutnie niemożliwe bez znajomości tajnego klucza. W szczególności, nie ma lepszej strategii niż zgadywanie i sprawdzanie losowych podpisów, które można sprawdzić przy użyciu klucza publicznego, który zna każdy. German: Etwas formaler: Die Unterschrift wird mit Hilfe einer Funktion erstellt, die von der Nachricht selbst und deinem privaten Schlüssel abhängig ist. Der private Schlüssel stellt sicher, dass nur du die Unterschrift erstellen kannst. Und da die Unterschrift auch von der Nachricht abhängig ist, kann niemand einfach deine Unterschrift kopieren und unter einer anderen Nachricht einfügen. Dieser Prozess läuft Hand in Hand mit einer zweiten Funktion, die prüft ob die Unterschrift gültig ist. Und hier kommt der öffentliche Schlüssel ins Spiel: Alles was er ausgibt, ist ein "Wahr" oder "Falsch", das aussagt ob die Unterschrift mit dem privaten Schlüssel erstellt wurde, der zu dem öffentlichen Schlüssel gehört mit dem du die Gültigkeit der Unterschrift prüfst. Ich werde nicht in die Details dieser beiden Funktionen gehen, aber die Grundidee ist, dass es absolut unmöglich sein sollte, eine gültige Unterschrift zu finden ohne den privaten Schlüssel zu besitzen. Insbesondere gibt es keine bessere Strategie als einfach zufällige Kombinationen auszuprobieren, die man mit dem allen bekannten öffentlichen Schlüssel testen kann. Modern Greek (1453-): Μιλώντας λίγο πιο επίσημα, η παράγωγή μιας υπογραφής εμπλέκει μία συνάρτηση που εξαρτάται τόσο από το ίδιο το μήνυμα όσο και από το ιδιωτικό κλειδί σας. Το ιδιωτικό κλειδί διασφαλίζει ότι μόνο εσείς μπορείτε να δημιουργήσετε αυτή την υπογραφή, και το γεγονός ότι εξαρτάται από το μήνυμα σημαίνει ότι κανείς δεν μπορεί να αντιγράψει μόνο μία από τις υπογραφές σας και στη συνέχεια να την πλαστογραφήσει σε άλλο μήνυμα. Παράλληλα με αυτό, υπάρχει και μία δεύτερη συνάρτηση που χρησιμοποιείται για την επαλήθευση της εγκυρότητας της υπογραφής. Και εδώ το δημόσιο κλειδί μπαίνει στο παιχνίδι. Το μόνο που κάνει είναι να εξάγει "Αληθές" ή "Ψευδές" για να υποδείξει αν αυτή ήταν μία υπογραφή που παράγεται από το ιδιωτικό κλειδί που συνδέεται με το δημόσιο κλειδί που χρησιμοποιείται για επαλήθευση. Δεν θα μπω σε λεπτομέρειες για το πώς ακριβώς λειτουργούν οι δύο αυτές λειτουργίες, αλλά η ιδέα είναι ότι θα πρέπει να είναι εντελώς ανέφικτο να βρεθεί μια έγκυρη υπογραφή αν δεν ξέρετε το μυστικό κλειδί. Συγκεκριμένα, δεν υπάρχει καλύτερη στρατηγική από τον έλεγχο τυχαίων υπογραφών, το οποίο μπορείτε να ελέγξετε χρησιμοποιώντας το δημόσιο κλειδί που όλοι γνωρίζουν. Turkish: Biraz usulüne göre konuşursak bir imza üretimi mesajın kendisine ve "private key" ine bağımlı bir işlevsellik içerir. "Private key" sadece senin imza üretebilmeni garantiler, ve gerçek o ki bu da mesaja göre değişir anlamı, kimsenin senin imzalarından birini kopyalayamaz ve sonra onu başka mesajlarda taklit edemez. Devamında, bu da imzanın geçerli olduğunu doğrulamak için kullanılan ikinci işlevdir Ve burası da "public key" in oynamaya girdiği yer. Tüm yaptığı "true" veya "false" üretmek amacı ise eğer bu imza "private key" tarafından üretildiyse doğrulamak için kullandığın "public key" ile ilişkili olduğunu belirtir. Bu iki işlevin nasıl çalıştığına dair detaylara girmeyeceğim, ama ana fikir, bir geçerli imza bulmak tamamen olanaksız olmalı tabii "secret key(private )" i bilmiyorsan. Özellikle, rastgele imzaları tahmin etme ve kontrol etmekten daha iyi bir taktik yok, ki herkesin bildiği "public key" i kullanarak kontrol edebilirsin. Japanese: より正確に言えば、 署名の生成には記録と秘密鍵を引数とする関数を用い、 この秘密鍵が署名の発行が本人のものであると保証する。 また、署名が記録に依存することは、 他の記録にある署名を単純にコピーすることはできないことを意味する。 二つ目の関数は、これと対になるもので、署名の認証を行う。 ここで公開鍵が威力を発揮する。 戻り値は「真」か「偽」で、 署名が認証に使用した公開鍵に対応する 秘密鍵で生成されたかどうかを示す。 この二つの関数がどのように動作するかの詳細は説明しないが、 秘密鍵がなければ正当な署名を生成するのが事実上不可能というアイデアは、 理解していただけると思う。 つまり署名を偽造するのに、適当に署名を作り出し、すでに知っている公開鍵を使って、 正当性をチェックする以外の方法はない。 Korean: 조금 더 공식적으로 얘기하면, 디지털 서명값은 문서의 내용과 여러분의 비밀키를 조합하는 함수에 의해 만들어져. 비밀키는 오직 여러분만이 알고 있으므로, 여러분의 디지털 서명값은 여러분만 만들 수 있지. 그리고 디지털 서명값을 만들 때 비밀키와 함께 문서의 내용이 포함된다는 것은 누군가가 여러분의 디지털 서명값을 훔쳐도, 그 훔친 디지털 서명값은 다른 문서에 대한 증표로는 사용할 수 없다는 것을 의미하지. 디지털 서명과 관련된 두 번째 함수는 디지털 서명값이 유효한지 확인하는데 사용돼. 그리고 디지털 서명값의 유효성을 확인할 때 비밀키의 짝꿍인 공개키가 사용되지. 두 번째 함수는 단순하게 참 또는 거짓 만을 결과값으로 반환하는데, 디지털 서명값이 공개키와 짝꿍인 비밀키를 이용해서 만들어져 있으면 참을, 그렇지 않으면 거짓을 반환해. 디지털 서명값이 비밀키로 만들어져있다는 사실을, 어떻게 공개키를 이용해서 확인할 수 있는지 그 깊은 상세 내용을 여기에서 정확하게 다룰 필요까지는 없겠지만, 비밀키를 모른다면 유효한 디지털 서명값을 찾아낼 수 없다는 것만은 알고 넘어가자고. 구체적으로 얘기하면, 비밀키를 모르면 그냥 아무 값이나 디지털 서명값으로 정하고, 공개키와 함께 계산해서 디지털 서명값이 유효한지 확인하는 것을 반복 하는 것 외에 다른 방법이 없어. French: Techniquement parlant produire une signature implique une fonction qui dépend à la fois du message lui-même et de votre clé privée. La clé privée assure que vous seul pouvez produire cette signature et le fait qu'elle dépende du message signifie que personne ne peut copier l'une de vos signatures et l'imiter pour un autre message. Main dans la main avec ça il y a une seconde fonction utilisée pour vérifier que la signature est valide. Et c'est là que la clé publique intervient. Tout ce qu'elle fait c'est d'exporter vraie ou faux pour indique si cette signature a été produite par la clé privée associée avec la clé publique que vous utilisez pour la vérification. Je n'entrerais pas dans les détails de comment ces deux fonctions marchent exactement. Mais l'idée est que cela devrait être complètement infaisable de trouver une signature valide si vous ne connaissez pas la clé secrète. En particulier, il n'y a pas de stratégie meilleure que d'essayer de deviner et de vérifier des signatures aléatoires. Que vous pouvez vérifier en utilisant la clé publique que tout le monde connaît. Russian: Говоря немного формальнее, в создании подписи участвует функция, которая зависит и от сообщения, и от закрытого ключа. Благодаря закрытому ключу подпись можете сделать только вы, а из-за того, что ваша подпись зависит от сообщения, никто не сможет просто скопировать её из одного сообщения и подделать на другом. Вместе с этим для подтверждения подписи работает и другая фунция. Здесь в дело вступает открытый ключ. Он просто выдает «true» или «false» в зависимости от того, была ли подпись создана на основе закрытого ключа, который соответствует вашему открытому ключу. Не буду вдаваться в детали работы этих функций, но суть в том, что совсем невозможно подобрать правильную подпись, не имея доступа к секретному ключу. Точнее говоря, лучшая стратегия - это перебор и проверка случайных подписей, используя открытый ключ, который знают все. iw: ובניסוח פורמאלי יותר, הפקת החתימה כוללת פונקציה שתלויה הן בהודעה עצמה והן במפתח הפרטי שלכם. המפתח הפרטי מבטיח שרק אתם יכולים לייצר את החתימה, והעובדה שהיא תלויה בהודעה עצמה אומרת שאף אחד לא יכול פשוט להעתיק את אחת החתימות שלכם ואז לזייף אותה בהודעה אחרת. יד-ביד עם פונקציה זו מגיעה פונקציה שנייה, המשומשת כדי לוודא חתימה שהחתימה תקפה. וכאן המפתח הציבורי נכנס למשחק. כל מה שהפונקציה השנייה עושה היא לפלוט "אמת" או "שקר" כדי לציין אם החתימה נוצרה על ידי המפתח הפרטי הקשור למפתח הציבורי שאתם משתמשים בו לצורך אימות. אני לא אכנס לפרטים של איך בדיוק הפונקציות האלו עובדות, אבל הרעיון הוא שזה צריך להיות לגמרי לא מעשי ליצור חתימה תקפה אם אתה לא יודע את המפתח הסודי. באופן ספציפי, אין דרך טובה יותר לייצר כזו מאשר רק לנחש ולבדוק אוטומטית חתימות אקראיות, שאותן אתם יכולים לבדוק באמצעות המפתח הציבורי שידוע לכולם. Vietnamese: Nói chính xác hơn một chút, việc tạo ra một chữ ký số đòi hỏi một phương trình có biến là (thông điệp, "khoá cá nhân") của bạn. "Khóa cá nhân" đảm bảo rằng chỉ có bạn mới có thể tạo ra chữ ký đó, và việc nó phụ thuộc vào thông điệp nghĩa là không ai có thể sao chép một trong những chữ ký của bạn và giả mạo nó trên một tin nhắn khác. Cùng với đó là một phương trình thứ hai được sử dụng để xác minh rằng một chữ ký là hợp lệ. Và đây là nơi mà "khoá công khai" phát huy tác dụng. Tất cả những gì nó tạo ra kết quả "đúng" hoặc "sai" để cho biết đây có phải là một chữ ký được sản xuất bởi cái "khóa cá nhân" mà được liên kết với "khóa công khai" mà bạn đang sử dụng để xác minh hay không. Tôi sẽ không đi vào chi tiết chính xác cách mà hai phương trình này hoạt động, nhưng ý tưởng là nó phải đảm bảo là không thể tìm được một chữ ký hợp lệ nếu bạn không biết "khóa bí mật". Cụ thể, không có chiến lược nào tốt hơn là chỉ ngẫu nhiên đoán và kiểm tra chữ ký, mà bạn có thể kiểm tra bằng cách sử dụng "khóa công khai" mà mọi người đều biết. Spanish: Formalmente dicho producir una firma conlleva una función que depende tanto del mensaje en si como de tu clave privada. La clave privada asegura que solo tú puedes producir la firma y el hecho de que depende del mensaje significa que nadie puede simplemente copiar una de tus firmas y pegarla en otro mensaje. Junto con esto hay una segunda función que sirve para verificar que una firma es válida. Y es aquí donde entra en juego la clave pública. Todo lo que hace es devolver "verdadero" o "falso" para indicar que es una firma producida por la clave privada asociada con la clave pública que estas usando para la verificación. No entraré en los detalles de cómo funcionan estas funciones exactamente, pero la idea es que debería ser completamente inasquible encontrar una firma válida si no conoces la clave privada. Especificamente, no hay mejor estrategia que intentar adivinarla probando firmas aleatorias que puedes comprobar utilizando la clave pública que todo el mundo conoce Czech: Formálně řečeno, tvorba podpisu zahrnuje funkci, jež je závislá jak na zprávě samotné, tak na vašem soukromém klíči. Soukromý klíč zajišťuje, že jen vy můžete podpis vytvořit a fakt, že podpis závisí na zprávě, znamená, že nikdo nemůže váš podpis prostě vzít a nakopírovat k jiné zprávě. K tomu jde ruku v ruce druhá funkce, která verifikuje, že podpis je pravý. V té se využívá veřejného klíče. Výstup funkce je jednoduše "ano" nebo "ne", což značí, zda byl zkoumaný podpis vyprodukován soukromým klíčem, který je v páru s veřejným klíčem, který právě používáme k verifikaci. Nebudu zabrušovat do toho, jak tyto funkce fungují, ale pointa je v tom, že je výpočetně nemožné najít platný podpis, pokud neznáte soukromý klíč. Neexistuje žádný lepší způsob, než hádání náhodných podpisů, a jejich kontrolování pomocí veřejného klíče, který všichni znají. Chinese: 正式一點地講,產生這樣的簽名需要一個函數 以簽署的內容以及你的私人密鑰作爲參數 私人密鑰確保了只有你本人能產生這個電子簽名 這個簽名還取決於簽署的內容 就意味著其他人不能簡單地複製這個簽名 並在其他內容上偽造另一個簽名 與此同時還有一個驗證函數用於驗證簽名是否真實 而這個函數還需要公共密鑰 它的作用是告訴我們這個簽名是否是由一個私鑰加密 並有一個與之配對的公鑰用於驗證 這裡並不會具體討論這些函數具體如何實現 它保證了如果你不知道私鑰, 你幾乎不可能找到一個正確的簽名 更準確地講,並不會有比隨機猜測簽名 然後用大家都知道的公鑰反覆驗證更好的方法了 Lithuanian: Kalbant truputį formaliau, parašo sukūrime dalyvauja funkcija, kuri priklauso ir nuo pačios žinutės ir nuo tavo privataus rakto. Privatus raktas užtikrina, kad tik tu vienas gali sukurti tą parašą, ir tas faktas, kad parašas priklauso nuo žinutės, reiškia, kad niekas negali tiesiog nukopijuoti vieno iš tavo parašų ir padirbti jį ant kitos žinutės. Kartu su tuo yra antra funkcija, skirta patikrinti, kad parašas yra validus (tikras, nepadirbtas). Ir štai čia dalyvauja viešas raktas. Viskas, ką ši funkcija daro, tai išveda "tiesa" arba "netiesa", kad parodytų, ar šis parašas buvo sukurtas privačiu raktu, asocijuotu su viešu raktu, kurį naudoji patikrinimui. Aš nesismulkinsiu, kaip konkrečiai šios abi funkcijos veikia, bet idėja yra ta, kad turėtų būti visiškai neįmanoma surasti validų parašą, jei nežinai slapto rakto. Specifiškai, nėra geresnės strategijos negu tiesiog spėti ir tikrinti atsitiktinai parašus, kuriuos gali patikrinti viešu raktu, kurį visi žino. Indonesian: Berbicara sedikit lebih formal, Menghasilkan tanda tangan melibatkan fungsi yang bergantung pada pesan itu sendiri dan pada kunci privat Anda. Kunci privat memastikan bahwa hanya Anda yang bisa menghasilkan tanda tangan itu, dan fakta bahwa itu tergantung pada pesannya berarti tidak ada yang bisa menyalin salah satu tanda tangan Anda dan kemudian menempanya di pesan lain. berhubungan dengan ini adalah fungsi kedua yang digunakan untuk memverifikasi bahwa tanda tangan itu valid. Dan di sinilah kunci publik mulai dimainkan. Semua itu menghasilkan "betul" (T) atau "salah" (F) untuk menunjukkan apakah ini adalah tanda tangan yang dihasilkan oleh kunci privat terkait dengan kunci publik yang Anda gunakan untuk verifikasi. Saya tidak akan membahas secara rinci bagaimana sebenarnya kedua fungsi ini bekerja, Tapi idenya adalah bahwa hal itu seharusnya benar-benar tidak layak untuk menemukan tanda tangan yang sah Jika Anda tidak tahu kunci rahasia itu. Secara khusus, tidak ada strategi yang lebih baik daripada hanya menebak dan memeriksa tanda tangan acak, yang bisa Anda periksa menggunakan kunci publik yang semua orang tahu. Arabic: فكر الآن في عدد التوقيعات الموجودة بطول 256 بت، إنه 2 أٌس 256. هذا رقم ضخم جدًا. نحن نبالغ بتضخيم علم الفلك إذا سمينا هذا الرقم بالفلكي. في الحقيقة، قمت بعمل فيديو آخر مخصص فقط لتوضيح مدى ضخامة هذا الرقم. الآن، كل ما سنقوله أنك عندما تتحقق من التوقيع الموجود على الرسالة وظهر أنه صالح يمكنك أن تشعر بثقة كبيرة من أن الطريقة الوحيدة لإنشائه هي أن يعرف المفتاح السري المرتبط بالمفتاح العام الذي استخدَمتَه في عملية التحقق. الآن تأكد أن توقيع الناس على العمليات في السجل فكرة جيدة، لكن هناك ثغرة صغيرة واحدة: إذا وقعت (أليس) على عملية ما، مثل "(أليس) ستدفع لـ(بوب) 100 دولار" وعلى الرغم من أن (بوب) لا يستطيع تزوير توقيع (أليس) على الرسائل الجديدة، لكنه يستطيع نسخ نفس السطر بقدر ما يشاء، وهذا يعني أن هذا الدمج بين الرسالة والتوقيع مايزال صالحًا. Chinese: 現在想想256位元到底有多少可能的簽名 總共有2的256次方個可能的簽名 這是一個天文數字 稱其為天文數字實際上又遠遠高估了天文學的範疇 我還做了另一個補充影片來演示這個數字究竟有多大 現在假設你驗證了一個簽名是真的 你就能相當有把握地認為 這個簽名只能由他本人持有的私鑰加密產生 以及與這個私鑰配對的公鑰驗證 現在確保了每個人都會在交易資訊後面簽名 但仍然存在另一個問題 比如Alice簽署了一條Alice支付Bob 100元的交易記錄 即便Bob不能在Alice的新交易記錄上偽造簽名 他可以乾脆把這整條記錄隨心所欲地複製好幾遍 因爲這些記錄以及它對應的簽名都是正確的 Spanish: Ahora piensa cuantas firmas hay con una longitud de 256 bits, eso es 2^256 Este es un numero ridiculamente largo. LLamarlo astronomicamente largo sería dar demasiado crédito a la astronomía. De hecho, hice un video como suplemento solo para ilustrar lo enorme que es este número. Aquí, solamente digamos que cuando verificas que una firma para un mensaje dado es válido, puedes sentirte extremadamente confiado de que la única forma en que alguien pudiese haberlo producido es conociendo la clave secreta asociada con la clave publica que usaste para la verificación. Asegurarse de que la gente firma las transacciones en el libro de cuentas está bastante bien pero hay una pequeña laguna: si Alice firma una transaccion, como "Alice paga a Bob 100$", aunque Bob no puede falsificar la firma de Alice en un nuevo mensaje, el podría simplemente copiar la misma linea tantas veces como quisiera. Quiero decir, la combinación mensaje-firma sigue siendo válida. Portuguese: Agora pense em quantas assinaturas existem com um tamanho de 256 bits. Isso é 2 elevado a 256 é um número estupidamente enorme chamá-lo de astronomicamente enorme seria dar muito crédito para a astronomia Na verdade, eu fiz um vídeo complementar dedicado só para ilustrar quão enorme ele é aqui vamos só dizer que quando você verifica que uma assinatura de uma certa mensagem é valida você pode ficar extremamente confiante de que a única forma que alguém poderia ter feito ela é se eles soubessem a chave secreta associada com a chave pública usada para a verificação. Agora ter certeza de que as pessoas assinem transações no registro é muito bom, mas há um pequeno problema. Se Alice assinar uma transação como Alice paga 100USD para Bob mesmo que Bob não possa falsificar a assinatura de Alice em uma nova mensagem ele poderia simplesmente copiar aquela linha quantas vezes quisesse afinal a combinação mensagem-assinatura continua válida Hungarian: Most gondolj bele abba hogy hány aláírás lehetséges egy 256 bites hosszúsággal, ez 2^256. Ez egy hülyén nagy szám. Ha csillagászatilag nagy számnak mondanánk akkor azzal túl nagy hitelt adnánk az asztronómiának. Valójában csináltam egy kiegészítő videót amit csak ennek a hatalmas számnak a szemléltetésére szántam. Egyelőre maradjunk csak annyiban, hogy amikor leellenőrizted hogy egy adott üzenethez tartozó aláírás érvényes, akkor egészen biztos lehetsz abban, hogy az egyetlen módja annak, hogy ezt az aláírást elkészítsék az az, hogy ha ismerték az aláírás ellenőrzésére használt publikus kulcsohoz tartozó titkos kulcsot. Namost az elég jó, hogy ha meggyőződhetünk arról, hogy az emberek aláírják a főkönyvben lévő tranzakciókat, de van egy kiskapu: ha Alice aláír egy tranzakciót, például "Alice fizet Bobnak 100$-t", habár Bob nem tudja meghamisítani Alice aláírását egy új üzeneten, de le tudná másolni ugyanazt a sort ahányszor csak szeretné. Úgy értem, hogy az üzenet-aláírás páros érvényes marad. Russian: А теперь подумайте, сколько существует подписей длиной в 256 бит: всего их 2^256. Это безумно большое число. Назвать его астрономически большим польстило бы самой астрономии. Я даже снял отдельное видео, просто чтобы показать, какое это огромное число. Пока давайте просто считать, что как только вы подтвердили подлинность подписи по сообщению, вы можете быть уверены, что её могли сделать лишь зная секретный ключ, который соответствует использованному для верификации открытому ключу. Подписи на записях в журнале - это, конечно, здорово, но есть одна уловка: допустим, Алиса подписывает операцию - например, «Алиса платит Бобу $100». Пусть Боб и не может подделать подпись на другом сообщении, но по крайней мере он мог бы скопировать ту же самую запись столько раз, сколько захочет. То есть сообщение и подпись все еще соответствовали бы друг другу. Italian: Ora pensa a quante firme lunghe 256 bit esistono, sono 2^256. È un numero stupidamente grande. Chiamarlo astronomico darebbe troppo credito all'astronomia. Infatti ho pubblicato un video supplementare solo per illustrare quanto questo numero sia gigantesco. Qui diciamo solo che quando hai verificato che la firma di un documento è valida puoi essere estremamente fiducioso che l'unico modo con cui qualcuno abbia potuto produrla è conoscendo la chiave segreta associata alla chiave pubblica che hai utilizzato per la verifica. Ora, assicurarsi che le persone firmino le transazioni nel libro mastro va bene ma c'è una piccola scappatoia: se Alice firma una transazione come ad esempio "Alice paga a Bob $100", anche se Bob non può falsificare la firma di Alice su un nuovo messaggio, potrebbe semplicemente copiare la stessa linea tutte le volte che vuole. Voglio dire, la combinazione messaggio-firma rimane valida. Turkish: Şimdi kaç tane imzanın 256 bit uzunluğunda olduğunu düşün, ki bu da 2^256 dır. Bu aptalca büyük bir sayı. Bunu astronomik büyüklük olarak adlandırmak astronomiye itibar kazandırırdı. Aslında, sadece büyük sayıların ne olduğunu gösteren bir ek video yaptım Tam burada, diyelim ki verilen geçerli mesaja karşı bir imza doğruladın, bunu üretebilen biri sadece bir şekilde üretebildiği için son derecede kendine güvenebilirsin ki bu da onların "secret key" ile "public key" i doğrulama için ilişkilendirmeleri. Şimdi insanların para işlemlerini imzalamalarından emin olmak oldukça güzel, ama hafif bir boşluk var : eğer Alice "Alice Bob'a $100 ödedi" şeklinde bir işlem imzalarsa, hatta Bob Alice' in imzasını, yeni bir mesajın üzerine taklit edemese bile istediği kadar aynı satırı kopyalayabilir Yani, mesaj-imza kombinasyonu geçerli kalır. Polish: Teraz pomyśl, ile istnieje podpisów o długości 256 bitów. Jest ich 2^256. To głupio duża liczba. Nazwać ją astronomicznie dużą byłoby przecenieniem astronomii. Właściwie, zrobiłem dodatkowy film poświęcony właśnie zilustrowaniu, jak ogromna jest to liczba. Tutaj powiedzmy, że po sprawdzeniu, że podpis pod danym komunikatem jest ważny, możesz czuć się bardzo pewny, że ktoś mógłby go wygenerować tylko wtedy, gdyby znał tajny klucz powiązany z kluczem publicznym, który wykorzystano do weryfikacji. Zatem upewnienie się, że ludzie podpisują transakcje w księdze, jest dość wiarygodne, ale jest jedna niewielka luka: jeśli Alicja podpisuje transakcję, na przykład „Alicja płaci Bobowi 100 $”, mimo że Bob nie może podrobić podpisu Alicji pod nową wiadomością, mógłby po prostu skopiować ten wiersz, tyle razy, ile chce. To znaczy, ta kombinacja komunikat-podpis pozostaje ważna. Lithuanian: Dabar pagalvok, kiek yra parašų su 256 bitų ilgiu. Tai 2^256 (2 pakelta 256 laipsniu). Tai yra durnai didelis skaičius. Vadinti jį astronomiškai dideliu, būtų per didelis garbės priskyrimas astronomijai. Iš tiesų, padariau papildinį video skirtą vien tam, kad iliustruočiau, koks milžiniškas šis skaičius yra. Čia, tiesiog sakykim, kad kai tu patikrinai ar parašas tam tikrai duotai žinutei yra validus, tu gali jaustis visiškai tikras, kad vienintelis būdas, kaip kažkas galėjo jį sukurti, tai yra tik jei jis žinojo slaptą raktą, asocijuotą su viešu raktu, kurį tu naudojai patikrinimui. Dabar užtikrinti, kad žmonės pasirašo transakcijas apskaitoje yra visai gerai, bet yra vienas nedidelis apėjimas: jei Alisa pasirašo transakciją, pavyzdžiui "Alisa sumoka Bobui $100", nors Bobas ir negali padirbti Alisos parašo naujai žinutei, jis tiesiog gali nukopijuoti tą pačią eilutę kiek nori kartų. Turiu galvoje, toji žinutės - parašo kombinacija išlieka validi. Modern Greek (1453-): Τώρα σκεφτείτε πόσες υπογραφές υπάρχουν με μήκος 256 bits, αυτό είναι 2 ^ 256 (2 εις την 256). Αυτό είναι ένα βλακώδες μεγάλο νούμερο. Με το να το αποκαλέσετε αστρονομικά μεγάλο θα ήταν δίνατε πάρα πολύ πίστωση στην αστρονομία. Στην πραγματικότητα, έκανα ένα συμπληρωματικό βίντεο αφιερωμένο μόνο για να απεικονίστει το πόσο τεράστιος αριθμός αυτός είναι. Εδώ, ας πούμε ότι μόλις επιβεβαιώσετε πως μία υπογραφή ενός μηνύματος είναι έγκυρη μπορείτε να αισθάνεστε απόλυτα σίγουροι ότι ο μόνος τρόπος που θα μπορούσε κάποιος να το παράξει είναι αν γνώριζαν το μυστικό κλειδί που σχετίζεται με το δημόσιο κλειδί που χρησιμοποιείται για την επαλήθευση. Τώρα να βεβαιωθούμε ότι οι υπογραφές αυτών του υπογράφουν τις συναλλαγές για το βιβλίο είναι πολύ καλές (έγκυρες), αλλά υπάρχει ένα μικρό παραθυράκι: αν η Alice υπογράψει μία συναλλαγή, όπως "Η Alice πληρώνει τον Bob 100$", ακόμη και αν ο Bob δεν μπορεί να πλαστογραφήσει την υπογραφή της Alice σε ένα νέο μήνυμα, θα μπορούσε να αντιγράψει ακριβώς την ίδια γραμμή όσες φορές θέλει. Θέλω να πω, ότι ο συνδυασμός μήνυμα-υπογραφή εξακολουθεί να ισχύει. English: are valid using the public key until you hit one that works. There are 2^{256} possible signatures with 256 bits, and you’d need to find the one that work. This is a stupidly large number. To call it astronomically large would be giving way to much credit to astronomy. In fact, I made a supplemental video devoted just to illustrating what a huge number this is. Let’s just say that when you verify a signature against a given message and public key, you can feel extremely confident that the only way someone could have produced it is if they knew the secret key associated with the public key. There’s one slight problem here: If Alice signs a transaction like “Alice pays Bob $100”, even though Bob can’t forge Alice’s signature on new messages, he could just copy that same line as many times as he wants, since the message/signature combination is valid. Chinese: 现在想想256位比特到底有多少可能的签名 总共有2的256次方个可能的签名 这是一个天文数字 称其为天文数字实际上又远远高估了天文学的范畴 我还做了另一个补充视频来演示这个数字究竟有多大 现在如果一旦你验证了一个签名是真的 你就能相当有把握地认为 这个签名只能由他本人持有的私钥加密产生 以及与这个私钥配对的公钥验证 现在确保了每个人都会在交易信息后面签名 仍然会存在另一个问题 比如Alice签署了一条Alice支付Bob 100元的交易记录 即便Bob不能在Alice的新交易记录上伪造签名 他还可以把这条记录随心所欲地复制好几遍 这些记录以及它对应的签名都是正确的 German: Versuch dir einmal vorzustellen, wieviele Unterschriften es gibt, die eine Länge von 256 Bits haben. Das sind 2 hoch 256. Das ist eine bizarr große Nummer. Sie "astronomisch" zu nennen würde die Astronomie hoffnungslos überschätzen. Ich habe tatsächlich sogar ein Zusatzvideo gemacht, nur um die Größe dieser Zahl darzustellen. Wichtig für uns hier ist erstmal: Wenn du überprüft hast, dass eine Unterschrift für eine Nachricht gültig ist, dann kannst du dir extrem sicher sein, dass sie nur erstellt werden konnte, wenn der Verfasser den privaten Schlüssel besaß, der zu dem öffentlichen Schlüssel gehört, mit dem du die Unterschrift gerade überprüft hast. Sicherzustellen, dass alle Transaktionen im Bestandsbuch unterzeichnet werden it schonmal ziemlich gut. Es gibt allerdings ein kleines Schlupfloch: Wenn Alice eine Transaktion unterzeichnet, etwa "Alice zahlt Bob 100$.", dann kann Bob zwar nicht Alice' Unterschrift auf eine neue Nachricht kopieren, er könnte aber einfach Nachricht und Unterschrift gemeinsam kopieren, so oft er möchte. Denn diese Nachricht-Unterschrift-Kombination bleibt gültig. Indonesian: Sekarang pikirkan berapa banyak tanda tangan yang ada dengan panjang 256 bit, itu 2 ^ 256 Ini adalah jumlah bodoh yang sangat besar sekali. Mengenalinya secara astronomi besar akan memberi terlalu banyak pujian pada astronomi. Sebenarnya, saya membuat video tambahan yang ditujukan hanya untuk menggambarkan jumlah besar ini. Di sini, katakan saja begitu ketika Anda memverifikasi bahwa tanda tangan terhadap pesan tertentu benar, Anda bisa merasa sangat yakin bahwa satu-satunya cara seseorang bisa memproduksinya adalah jika mereka tahu kunci rahasia yang terkait dengan kunci publik yang Anda gunakan untuk verifikasi. Sekarang pastikan orang menandatangani transaksi di buku besar itu cukup bagus, tapi ada satu celah kecil: jika Alice menandatangani transaksi, seperti "Alice membayar Bob $ 100", meskipun Bob tidak bisa menempa tanda tangan Alice pada sebuah pesan baru, Dia bisa saja menyalin baris yang sama sebanyak yang dia mau. Maksud saya, kombinasi tanda tangan itu tetap valid. Czech: Zamyslete se, kolik různých podpisů existuje, pokud jsou 256 bitů dlouhé. Je jich 2 na 256. Tohle je prasácky velké číslo. Nazývat ho astronomickým by znamenalo dávat astronomii až moc zásluh. Vytvořil jsem pomocné video, ve kterém předvádím, jak velké tohle číslo je. Teď jen řekněme, že když jste ověřili, že podpis nějaké zprávy je platný, můžete si být velmi jisti, že jediný způsob, jakým ho někdo mohl vytvořit je použitím soukromého klíče, párového k veřejnému klíči, kterým podpis ověřujete. Nucení lidí k podepisování transakcí v knize je dobrá věc, má to ale jeden háček: pokud Alice podepíše např. transakci "Alice dluží Bobovi $100", i když Bob nemůže zfalšovat Alicin podpis na nové zprávě, může zkopírovat první řádku kolikrát chce. Kombinace zpráva-podpis bude pořád platná. Vietnamese: Bây giờ suy nghĩ về có bao nhiêu chữ ký với chiều dài 256 bit, 2 ^ 256 đó! Đây là một con số lớn khủng khiếp. Lớn đến không thể tưởng được luôn! Tôi đã làm một video bổ sung chỉ để minh họa con số này lớn như thế nào. Còn bây giờ, có thể nói rằng khi bạn xác minh rằng một chữ ký cho một thông điệp nào đó là hợp lệ, bạn có thể cực kỳ tự tin là cách duy nhất để ai đó có thể tạo ra nó là nếu họ biết "khóa bí mật" liên kết với "khoá công khai" mà bạn đã sử dụng để xác minh. Việc đảm bảo rằng mọi người ký xác nhận giao dịch trên sổ cái là khá tốt, nhưng có một lỗ hổng nhỏ: nếu Alice ký một giao dịch, như "Alice trả Bob $100" mặc dù Bob không thể giả mạo chữ ký của Alice trên một thông điệp mới, anh ta có thể sao chép cùng dòng thông điệp đó bao nhiều lần tùy thích. Ý tôi là, cặp thông điệp-chữ ký đó vẫn còn giá trị. Japanese: さて256ビット長の署名が取りうる値の大きさはどれ位か。 それは2の256乗である。 これはとてつもなく大きな数で、 天文学的数字と呼んでもまだ真の大きさを表していない程である。 これに関して、その大きさを表現する補足動画を作成したので、そちらを参照してほしい。 ここでは、受け取った記録と その署名が正当であると保証されたとき、 その生成に対応する秘密鍵が使われたことを、全く疑いなく 信用することが出来るとだけに留めておく。 皆がこのルールに従って元帳に記録する時、 一つ問題点がある。 アリスが「アリスはボブに100ドル支払う」という記録を付けたとき、 新たな記録にボブは署名を加える事はできないが、 その記録自体を何回もコピーすることはできる。 記録と署名はすでに認証されている。 iw: עכשיו תחשבו על כמה חתימות קיימות באורך של 256 סיביות, זה שתיים בחזקת מאתיים חמישים ושש. זהו מספר גדול בצורה מטופשת. לקרוא למספר הזה אסטרונומי יהיה לתת יותר מדי קרדיט לאסטרונומיה. למעשה, עשיתי וידאו נוסף המוקדש רק כדי להמחיש כמה המספר הזה עצום. כרגע, בואו רק נגיד שכאשר וידאתם עבור הודעה נתונה שהחתימה תקפה, אתם יכול להרגיש בטוחים מאוד שהדרך היחידה מישהו יכל לייצר אותה היא אם הוא ידע את המפתח הסודי המשויך למפתח הציבורי שבו השתמשתם עבור האימות. לוודא שאנשים חותמים על העסקאות שמבוצעות בספר החשבון זה לא רע, אבל יש פירצה קטנה אחת: אם אליס חותמת על עסקה, כמו "אליס משלמת לבוב מאה דולר", למרות שבוב לא יכול לזייף את חתימתה של אליס על הודעה חדשה, הוא יכול פשוט להעתיק את אותה שורה כמה פעמים שהוא רוצה. כלומר, שילוב ההודעה עצמה והחתימה שלה נשאר תקף. French: Maintenant pensez au nombre de signatures qu'il y a avec une longueur de 256 bits C'est 2 à la puissance 256 c'est un nombre incroyablement grand L'appeler un nombre astronomique donnerait beaucoup trop de crédit à l'astronomie En fait, j'ai fait une vidéo supplémentaire uniquement dédiée à l'énormité du nombre que c'est. Disons que lorsque vous vérifiez qu'une signature d'un message est valide vous pouvez vous sentir extrêmement confiant. Le seul moyen pour quelqu'un de la produire est de connaître la clé secrète associée à la clé publique que vous utilisez pour la vérification. Maintenant que s'assurer que les gens qui signent dans le livre de compte est OK il y a une légère faille. Si Alice signe la transaction comme Alice paie Bob 100$ même si Bob ne peut pas imiter la signature d'Alice pour un nouveau message. Il pourrait copier cette même ligne autant de fois qu'il le souhaite. Je veux dire que cette combinaison message signature restera valide. Korean: 256비트 길이의 디지털 서명값을 찍을 수 있는 경우의 수가 몇 개냐 하면 무려 2의 256승 개야. 말도 안 되게 큰 숫자라고. 천문학적인 숫자라고 할 수도 없을만큼 큰 숫자야. 이게 얼마나 큰 숫자인지 보여줄 수 있는 비디오를 내가 따로 만들었단다.(https://youtu.be/S9JGmA5_unY) 어쨌든 경우의 수가 그렇게 많다면, 어떤 디지털 서명값이 유효하다고 확인이 되었다는 것은, 그 디지털 서명값은 찍어서 맞춘 것이 아니라, 유효함을 확인할 때 사용한 공개키와 짝꿍인 비밀키로 만든 진짜 디지털 서명값이라고 충분히 확신해도 될거야. 거래 내역을 장부에 기록하는 것은 꽤 괜찮은 생각 같아. 하지만 거기에도 가벼운 헛점은 있지. 앨리스가 "앨리스가 밥에게 100달러 지불"이라는 거래에 디지털 서명했다면, 밥이 그 메시지에 대한 디지털 서명값을 위조할 수는 없지만 동일한 거래 내역 자체는 여러 번 복사할 수 있지. 유효한 메시지-서명 조합을 복사하면, 복사한 메시지-서명 조합도 유효하다고 받아들여진다고. Japanese: これを防ぐため、記録を付ける度に、 各々特別な符号を作り、その符号を記録に含めることにする。 これにより、もし実際にアリスがボブに複数回100ドル支払ったとき、 各々の記録につく署名は完全に異なるものになる。 素晴らしい。 デジタル署名は、元々のプロトコルにある性善説の考え方を取り除く。 しかし、実際にこの方式を運用すると、 まだ人々の信頼に頼っていることに気づく。 つまり皆が元帳に記録に従って、 月末に現金の交換をすることを信じている。 例えばチャーリーが多額の借金を溜め込んだとして、 そのまま逃げたらどうだろう。 月末の現金のやり取りが破綻する決定的な理由は、 (チャーリーのような)ある人が負債を負った場合である。 保有する金銭よりも多くの額を使わせないように、 そして現金のやり取りをする必要性をなくすために、 iw: כדי לעקוף את זה, מה שאנחנו עושים זה לוודא שכאשר אתם חותמים על עסקה, ההודעה כוללת גם איזשהו מזהה ייחודי שמשויך לעסקה הזו בלבד. בדרך זו, אם אליס משלמת לבוב מאה דולר מספר פעמים, כל אחת מהשורות האלו על ספר החשבונות דורשת חתימה חדשה לחלוטין. בסדר, נהדר! חתימות דיגיטליות מסירות היבט ענק של אמון בעזרת הפרוטוקול הראשוני הזה, אבל עדיין, אם היינו באמת משתמשים בו, היינו צריכים לסמוך על קוד כלשהו של כבוד. כלומר, אתם סומכים על כך שכולם למעשה ישתפו פעולה ויפגשו לשלם במזומן את החובות בסוף כל חודש. מה אם, למשל, צ'רלי צובר אלפי דולרים בחוב ופשוט מסרב להגיע. הסיבה האמיתית היחידה להשתמש במזומן ליישב את החובות היא אם אנשים מסוימים (אני מסתכל עליך, צ'רלי) חייבים הרבה כסף. אז אולי יש לכם רעיון חכם בעזרתו אתם אף פעם לא באמת צריכים ליישב חובות במזומן, כל עוד תהיה לכם דרך כלשהי למנוע מאנשים לבזבז יותר מדי יותר ממה שהם לקחו. Turkish: Bu işi çözmek için, bir işlemi imzaladığında mesaj, ayrıca bu işlemle ilişkilenen bir takım benzersiz ID içermek zorunda . Bu şekilde, eğer Alice Bob'a birçok kez öderse, defterdeki her bir satır tamamen yeni bir imza gerektirir. Pekala, harika! Dijital imzalar başlangıç protokolündeki büyük güven görüşünü ortadan kaldırır, ama hala, bunu hala yaparsan, bir tür onur sistemine güvenirdin. Diğer bir değişle, herkesin baştan sona takip edeceğine ve her ayın sonunda nakite çevireceğine güveniyorsun. Örneğin, Charlie binlerce dolar borç içinde olsaydı ve göstermeyi de reddetseydi. Hesaplaşmak için nakit olarak geri dönmenin tek asıl nedeni eğer bazı insanların (sana bakıyorum Charlie) çok borcu varsa Belki de, nakite çevirmek zorunda olmadığına dair zekice bir fikrin var, eğer tabi, insanların harcadıklarından daha fazlasını harcamaktan kaçınmanın bir yolu varsa. Lithuanian: Kad išspręstume tai, padarome taip, kad, kai transakcija pasirašoma, žinutėje privalo taip pati būti kažkoks unikalus identifikacinis numeris, surištas su ta transakcija. Tokiu būdu, jei Alisa sumoka Bobui $100 keletą kartų, kiekviena iš tų eilučių apskaitoje privalo turėti visiškai naują parašą. Gerai, puiku! Skaitmeniniai parašai panaikina didelį kiekį pasitikėjimo reikalavimo šiame pradiniame protokole, bet visgi, jei tu darytum šitai, tu visvien pasitikėtum tam tikra garbės sistema. Konkrečiai, tu pasitiki, kad kiekvienas iš tikrųjų dalyvaus ir susimokės mėnesio gale grynais pinigais. O kas jei, pavyzdžiui, Čarlis prisirinks tūkstančių dolerių skolą ir tiesiog atsisakys pasirodyti? Vienintelė priežastis, grįžti prie grynųjų pinigų atsiskaitymui yra jei kai kurie žmonės (žiūriu į tave, Čarli) yra skolingi daug pinigų. Taigi galbūt tu turi gudrią idėją, kad jūs iš tikrųjų niekad neatsiskaitot grynaisiais pinigais, tol, kol turit kažkokį būdą užkirsti kelią žmonėms išleisti daug daugiau, nei jie pasiima iš kitų žmonių. Indonesian: Untuk menyiasati hal ini, apa yang kita lakukan adalah membuatnya sehingga ketika Anda menandatangani transaksi, pesan juga harus menyertakan semacam ID unik yang terkait dengan transaksi tersebut. Dengan begitu, jika Alice membayar Bob $ 100 beberapa kali, masing-masing baris pada buku besar memerlukan tanda tangan yang sama sekali baru. Baiklah, hebat Tanda tangan digital menghapus aspek kepercayaan yang besar pada protokol awal ini, Tapi tetap saja, jika Anda benar-benar melakukan ini, Anda akan bergantung pada sistem kehormatan. Yaitu, Anda percaya bahwa setiap orang benar-benar akan menindaklanjutinya dan membayar berupa uang tunai setiap akhir bulan. Bagaimana jika, misalnya, Charlie mengumpulkan ribuan dolar utang dan hanya menolak untuk muncul. Satu-satunya alasan sebenarnya untuk kembali membayar ke uang tunai adalah jika beberapa orang (saya melihat Anda, Charlie) berhutang banyak uang. Jadi mungkin, Anda memiliki gagasan cerdas bahwa Anda tidak pernah benar-benar harus membayar dengan uang tunai, selama Anda memiliki beberapa cara untuk mencegah orang menghabiskan lebih banyak daripada yang mereka ambil. Hungarian: Ahhoz hogy ezt elkerüljük, ahhoz az kell, hogy amikor aláírsz egy tranzakciót, akkor az üzenetnek tartalmaznia kell egy egyedi, tranzakcióhoz köthető azonosítót. Így ha Alice több alkalommal fizet Bobnak 100$-t, akkor minden sornak a főkönyvben egy teljesen új aláírásra van szüksége. Rendben, nagyszerű! A digitális aláírások nagyrészt megszüntetik a bizalom szükségességét ebben a kezdeti protokollban, de még így is, ha tényleg eképp csinálnád, még így is egyfajta becsület rendszerre kellene hagyatkoznod. Pontosabban abban kell megbíznod hogy mindenki ténylegesen rendezi fogja a készpénz tartozásait minden hónap végén. Mi lenne, ha például Charlie többezer dollárnyi tartozást gyüjtene össze, és egyszerűen nem jelenne meg. Az egyetlen igazi oka a készpénzes tartozás rendezésnek az, hogy ha néhány ember (Feléd nézek, Charlie!) egy csomó pénzzel tartozna. Szóval lehet, hogy van egy okos ötleted, hogy soha nem kell készpénzzel rendezni a tartozásokat, egészen addig ameddig meg tudod akadályozni azt, hogy az emberek sokkal többet költhessenek, mint amennyit befizettek. Spanish: Para evitar esto, lo que hacemos es hacer que cuando firmas una transacción, el mensaje también tiene que incluir algun tipo de identificador único asociado a esa transacción. De esa forma, si Alice paga a Bob 100$ multiples veces, cada una de esas lineas en el libro de cuentas requiere de una firma completamente nueva. Muy bien, genial! Las firmas digitales eliminan en gran parte la confianza en este protocolo inicial pero si aun así, si quisieses realmente hacer esto, estarias dependiendo de un codigo de honor, por decirlo así. Es decir, estas confiando en que todos seguiran adelante y saldarán sus cuentas en métalico al final de cada mes. Qué pasaría si por ejemplo. Charlie acumulase miles de dolares en deudas y se niega a aparecer El único motivo real para volver al dinero en efectivo para saldar las cuentas es si algunas personas(te estoy mirando a ti Charlie) deben mucho dinero. Asi que quizás, tienes la brillante idea de que nunca tienes que saldar cuentas en efectivo mientras que tengas una forma de evitar que la gente gaste mucho más de lo que recibe. Modern Greek (1453-): Για να αντιμετωπιστεί αυτό, αυτό που συμβαίνει είναι, όταν υπογράφετε μια συναλλαγή, το μήνυμα πρέπει να περιλαμβάνει επίσης κάποιο είδος μοναδικού αναγνωριστικού που σχετίζεται με την εν λόγω συναλλαγή. Με αυτόν τον τρόπο, αν η Alice πληρώνει τον Bob 100$ πολλές φορές, κάθε μία από αυτές τις γραμμές στο βιβλίο απαιτεί μια εντελώς νέα υπογραφή. Εντάξει, ωραία! Οι ψηφιακές υπογραφές αφαίρεσε το τεράστιο πρόβλημα της εμπιστοσύνης σε αυτό το αρχικό πρωτόκολλο, αλλά ακόμη και τότε, αν ήταν να το κάνετε πραγματικά αυτό, θα πρέπει να βασιστείτε σε ένα σύστημα τιμής ανάλογο του είδους. Δηλαδή, εμπιστεύεστε ότι ο καθένας θα κάνει αυτά που πρέπει να κάνει και τελικά θα διαπραγματευτούν σε μετρητά στο τέλος του κάθε μήνα. Τι θα συμβεί αν, για παράδειγμα, ο Charlie δημιουργήσει χιλιάδες δολάρια χρέους και απλά αρνείται να εμφανιστεί. Ο μόνος πραγματικός λόγος για να διαπραγματεύεστε σε μετρητά είναι αν κάποιοι (κοιτάζω εσένα, Charlie) χρωστάνε πολλά χρήματα. Έτσι ίσως, έχετε μία έξυπνη ιδέα ώστε να μην χρειαστεί ποτέ να διαπραγματευτείτε σε μετρητά εφ 'όσον έχετε κάποιο τρόπο να αποτρέψετε τους ανθρώπους να ξοδεύουν πάρα πολύ περισσότερο από ότι έχουν λάβει. Russian: Чтобы избежать этого, когда вы подписываете операцию, вашему сообщению присваевается уникальный ID, связанный с этой операцией. Получается, если Алиса заплатит Бобу $100 несколько раз, у каждой записи в реестре будет собственная уникальная подпись. Что ж, отлично! С цифровыми подписями роль доверия в протоколе намного слабеет, но даже так, следуя такому протоколу, вы все же надеетесь на честность участников. То есть вы верите, что все на самом деле выполнят обязательства и рассчитаются в конце каждого месяца. Что если, например, некто Чарли накопит долгов на тысячи долларов, а потом просто исчезнет? Возвращаться к наличным для расчетов приходится только потому, что некоторые (как наш друг Чарли) могут влезть в крупные долги. Но наверняка у вас есть хитрая идея: что если, не рассчитываться наличными, а каким-то образом не допустить, чтобы люди тратили намного больше денег, чем получают? French: Pour contourner ça ce que nous faisons est que lorsque vous signez une transaction le message doit aussi inclure une sorte d'identifiant unique associé à cette transaction. De cette manière si Alice paie Bob 100$ plusieurs fois chacune de ces lignes sur le livre de compte requière une signature entièrement nouvelle. Ok, super, les signatures numériques effacent un énorme aspect confiance dans ce protocole initial. Mais même encore si vous étiez réellement en train de faire ça vous devriez compter sur un système de gestion d'honneur de sorte à savoir que vous feriez confiance que tout le monde suivra et réglera en argent liquide à la fin de chaque mois. Que faire si, par exemple, Charlie rajoute des milliers de dollars de dette et juste refuse de se présenter ? La seule vraie raison de revenir à l'argent pour régler est si certaines personnes, je te regarde Charlie, doivent beaucoup d'argent. Alors peut-être que vous avez l'idée ingénieuse vous n'avez en fait jamais à régler en argent liquide tant que vous avez un certain moyen d'empêcher les gens de dépenser plus d'argent qu'ils n'en apportent. Peut-être que ce que vous faites Chinese: 要解决这个问题,你在签署新的交易信息时 交易信息还必须包含一个唯一的编号与之对应 那样如果Alice多次支付Bob 100元的话 账本上的每条记录都会要求一个新的签名 有了电子签名就完美地解决了原本体系中的信任危机 但要真正实现,仍然需要依赖一个类似的信用机构 也就是说你信任每个人到了月底都会出现并用现金结算 万一Charlie欠了很多钱但就是不出来还钱该怎么办 而再次使用现金的唯一原因是其中有人欠了钱 聪明的你想到了一个方法就不需要真正再用现金结算 只要能够避免其中有些人的所得不足以支付其支出 Polish: Aby obejść ten problem, możemy zrobić tak, że podczas podpisywania transakcji komunikat musi również zawierać jakiś unikalny identyfikator związany z tą transakcją. W ten sposób, jeśli Alicja płaci Bobowi wielokrotnie 100$, każdy z tych wierszy w księdze wymaga zupełnie nowego podpisu. Wszystko w porządku, super! Podpisy cyfrowe pozbawiają ogromnego aspektu zaufania w tym wstępnym protokole, ale nawet mimo to, jeśli miałbyś naprawdę to zrobić, polegałbyś na pewnego rodzaju systemie honorowym. Mianowicie, ufasz, że każdy rzeczywiście przestrzega zasad i rozlicza się w gotówce na koniec każdego miesiąca. Co jeśli, na przykład, Charlie zdobędzie tysiące dolarów długu i po prostu odmówi przyjścia ? Jedynym sensownym powodem, aby powrócić do gotówki w celu rozliczenia jest sytuacja, gdy niektórzy ludzie (Patrzę na ciebie, Charlie) są winni dużo pieniędzy. Więc może masz sprytny pomysł, żeby nigdy nie trzeba było rozliczać się w gotówce, tak długo, jak masz jakiś sposób, aby uniemożliwić ludziom wydawanie dużo więcej niż mogą. Portuguese: Para evitar isso, fazemos com que quando você assine uma transação a mensagem tem também que incluir uma espécie de ID único associada com aquela transação Dessa forma, Se Alice pagar 100USD para Bob várias vezes Cada uma dessas linhas no registro requer uma assinatura completamente nova. Certo, ótimo, assinaturas digitais removem um grande aspecto de confiança neste protocolo inicial mas mesmo assim se você fosse realmente fazer isso, iria depender de um sistema de honra ou parecido Isto é, você está confiando que todos irão ajustar as contas e pagar o que deve no final de cada mês. Mas e se, por exemplo, Charlie contrair milhares de dólares em dívida e se recusar a pagar o que deve a única razão real para reverter em dólares para acerto de contas é se alguma pessoa - estou olhando para você Charlie - dever muito dinheiro então talvez você tenha a inteligente ideia de que você nunca tem que realmente acertar as contas em dólares desde que você tenha uma forma de prevenir pessoas de gastar mais do que elas recebem talvez o que você faça, Arabic: وللتغلب على ذلك، ما نفعله هو أنه عندما توقع على عملية، نضع تعريفات فريدة تميز الرسالة ترتبط بالعملية. و بهذه الطريقة، إذا كانت (أليس) ستدفع لـ(بوب) أكثر من مرة، كل سطر من أسطر السجل يتطلب توقيع جديد بالكامل. حسنًا.. هذا رائع التواقيع الرقمية أزالت جانب ضخم من الثقة مع هذا الميثاق المبدئي. و لكن مع هذا، إذا كنت ستستخدمها حقًا، مازال عليك الاعتماد على نوع من الشرف والأمانة. حيث أنك ستثق بالجميع بأنهم سيلتزمون ويجتمعون نهاية كل شهر لتسوية الديون لكن ماذا لو راكم (تشارلي) ديون من آلاف الدولارات مثلًا و بعدها رفض أن يظهر نفسه. السبب الوحيد الذي يجعل الإجتماع لتسوية الديون ضروري هو إذا قام بعض الناس باستلاف الكثير من المال. (أنا أنظر إليك، (تشارلي)) عندها ربما تكون لديك فكرة ذكية لكي لا تضطر في النهاية إلى تسوية الديون نقدًا، طالما لديك طريقة لمنع الناس من الإنفاق فوق حد دخلهم. Chinese: 要解決這個問題,你在簽署新的交易資訊時 交易資訊還必須包含一個唯一的編號與之對應 那樣如果Alice多次支付Bob 100元的話 帳本上的每條記錄都會要求一個新的簽名 有了電子簽名就完美地解決了原本體系中的信任危機 但要真正實現,仍然需要依賴一個類似的信用機構 也就是說你信任每個人到了月底都會出現並用現金結算 萬一Charlie欠了很多錢但就是不出來還錢該怎麼辦 而再次使用現金的唯一原因就是有人欠了錢不還 聰明的你想到了一個方法就不需要真正再用現金結算 只要能夠避免其中有些人的所得不足以支付其支出 Czech: Abychom tohle vyřešili, pokaždé když někdo podepíše transakci, ta musí také obsahovat nějaký unikátní identifikátor dané transakce. Takže pokud Alice dluží Bobovi $100 několikrát, každý takový záznam v knize bude muset být podepsán jinak. Tak jo, dobrý! Digitální podpisy odstraňují potřebu slepé důvěry v našem systému, ale i tak, pokud bychom ho začali používat, museli bychom se spoléhat na jakýsi kodex cti. Konkrétně, věříme tomu, že všichni opravdu dostojí svému slovu, a vyrovnají se v hotovosti na konci každého měsíce. Co když Charlie udělá dluhy za tisíce dolarů a pak se prostě neukáže? Jediný důvod k tomu, vracet se k hotovosti a vyrovnávat se je, pokud někteří lidé (jako ty, Charlie), dluží spoustu peněz. Co kdybychom se nikdy nevyrovnávali v hotovosti, za předpokladu, že by byl způsob jak zabránit lidem utrácet víc, než dostávají? Korean: 이런 문제가 발생하지 않게 하려면, 메시지에 거래별로 유일한 식별자인 ID값을 포함해야 돼. 그렇게 하면 메시지 내용이 서로 다르므로, 디지털 서명값도 모두 달라지게 되어, 메시지-서명 조합을 복사해도 다른 곳에 쓸 수 없게 되지. 이 방법을 쓰면 앨리스가 밥에게 100달러를 여러번 지불하더라도, 각 거래는 서로 다른 새로운 거래로 인식되고, 새로운 디지털 서명값을 가지게 돼. 오! 아주 훌륭한데! 처음에 만든 두 가지 규약에 디지털 서명된 거래만 유효하다는 조항을 추가해서 거래 내용 확인 및 신뢰 확보에 드는 비용을 제거할 수 있게 되었어. 하지만 여전히 거래 참여자에 대한 신뢰에 의지하지 않을 수는 없어. 왜냐하면, 거래 참여자가 모두 규약을 잘 따르고 매월 말일에 현금으로 정산할 거라고 믿고 있는데, 찰리가 수천 달러를 지불한다는 거래 기록을 장부에 남기고 나중에 실제로 정산할 때 나타나지 않고 먹튀할 수도 있기 때문이지. 월 1회 장부기록-사후정산 방식 대신 그때그때 현금으로 주고 받는 방식으로 되돌아가야 하는 유일한 경우는 바로 이렇게 누군가 먹튀할 때야. (찰리 너 걸리면 뒈진다..) 먹튀를 막을 수 있는 좋은 방법은 바로 사람들이 자기들이 미리 적립해둔 금액 이상으로는 지출할 수 없게 하는 거지. German: Um das zu vermeiden richten wir ein, dass wenn du eine Transaktion unterschreiben möchtest die Nachricht außerdem noch eine einmalige ID enthalten muss, die mit dieser Transaktion verbunden ist. Wenn Alice auf diesem Weg mehrere Male 100$ an Bob zahlt, dann benötigt jede einzelne Zeile im Bestandsbuch eine komplett neue Unterschrift. So weit, so gut! Digitale Unterschriften senken die Relevanz von Vertrauen in diesem ersten Plan. Dennoch, wenn du das wirklich machen wolltest würdest du dich immer noch auf eine Art Ehrenkodex verlassen. Du würdest dich nämlich darauf verlassen, dass alle Teilnehmer wirklich am Ende des Monats die Rechnungen begleichen. Was passiert, wenn Charlie beispielsweise ein paar tausend Dollar Schulden anhäuft, und dann einfach nicht auftaucht? Der einzig wirkliche Grund am Ende des Monats auf Bargeld zurückzugreifen ist der Fall, dass jemand (ja Charlie, du bist gemeint) viele Schulden anhäuft. Vielleicht hast du also die clevere Idee, dass es gar nicht nötig ist auf Bargeld zurückzugreifen, solange es eine Möglichkeit gibt Leute davon abzuhalten mehr auszugeben als sie einnehmen. English: To get around that, we make it so that when you sign a transaction, the message has to include some unique id associated with that transaction. That way, if Alice pays Bob $100 multiple times, each transaction requires a completely new signature. Alright, great, digital signatures remove a huge aspect of trust in our initial protocol. But even still, this relies on an honors system of sorts. Namely, you’re trusting that everyone will actually follow through and settle up in cash at the end of each month. But what if, for example, Charlie racked up thousands of dollars in debt, and just refuses to show up? The only real reason to revert to cash to settle up is if some people, I’m looking at you Charlie, owe a lot of money. So maybe you have the clever idea that you never actually have to settle up in cash as long as you have some way to prevent people from spending too much more than they take in. Vietnamese: Để giải quyết vấn đề này, mỗi khi bạn kí một giao dịch thông điệp cũng phải chứa một loại ID duy nhất liên kết đến giao dịch đó. Bằng cách đó, nếu Alice trả cho Bob $ 100 nhiều lần, mỗi một dòng trên sổ cái đòi hỏi một chữ ký hoàn toàn mới. Được rồi! Chữ ký số khiến chúng ta không phải lo lắng nhiều về vấn đề niềm tin nhưng kể cả thế, nếu bạn làm được điều này, bạn sẽ vẫn dựa vào một hệ thống trên nền tảng của sự trung thực Cụ thể, bạn tin tưởng rằng mọi người sẽ thực sự thực hiện theo sổ cái và thanh toán bằng tiền mặt vào cuối mỗi tháng. Điều gì sẽ xảy ra nếu, ví dụ, Charlie nợ hàng ngàn đô la và rồi lặn mất tăm Lý do thực sự duy nhất để giải quyết sau khi quy đổi lại nó về tiền mặt là nếu một số người (tôi đang nói đến anh đó, Charlie!) nợ rất nhiều tiền. Vì vậy, có thể, bạn có ý tưởng thông minh rằng: bạn sẽ không phải giải quyết bằng tiền mặt, miễn là có một số cách để ngăn mọi người chi tiêu nhiều hơn nhiều lần so với lượng tiền họ đưa vào. Italian: Per evitare questo problema, quello che facciamo è fare in modo che quando si firma una transazione, il messaggio debba contenere anche un ID unico associato a quella transazione. In questo modo, se Alice paga a Bob $100 più volte, ognuna di queste linee sul libro mastro necessita di una firma completamente nuova. Bene, fantastico! Le firme digitale tolgono un grosso aspetto della fiducia in questo protocollo iniziale. ma comunque, se utilizzassi davvero questo sistema, faresti affidamento su una sorta di sistema d'onore. Cioè ti fideresti del fatto che ognuno stia alle regole e regoli i conti alla fine di ogni mese. Cosa succederebbe se ad esempio Charlie accumulasse migliaia di dollari di debiti e non si facesse più vedere? L'unico caso in cui c'è una ragione reale per saldare i conti in contanti è quando una persona (penso a te, Charlie) deve molti soldi. Quindi potresti avere la brillante idea che non sia mai necessario saldare i conti in contanti, fintanto che sia possibile impedire alle persone di spendere molto più di quanto ricevono. Korean: 미리 100달러씩 선납해서 적립해두고 장부에는 적립 내역을 기록하는 거야. 앨리스 100달러 적립, 밥 100달러 적립, 찰리 100달러 적립 등 이제 참여자들이 적립해둔 금액 이상으로는 지출할 수 없게 하면, 이제 참여자들이 적립해둔 금액 이상으로는 지출할 수 없게 하면, 예를 들면, 처음 두 거래가 "찰리가 앨리스에게 50달러 지불"과 "찰리가 밥에게 50달러 지불"인 상태에서, "찰리가 네게 20달러 지불"이라는 거래를 기록하려할 때 , 적립한 100달러를 모두 소진한 빈털터리 찰리가 또 20달러를 지불하려는 거래는 무효가 되는거지. 마치 디지털 서명을 하지 않은 거래가 유효하지 않은 것처럼 말이야. 이게 가능하려면 어떤 거래가 발생할 때마다 그 시점까지의 거래 내역 전부를 알아야만 한다는 제약 사항이 생겨. 이는 암호화 화폐에서도 마찬가지야. 다만 암호화 화폐에는 좀더 최적화 할 여지가 있지. 재미있는 것은 이 과정에서 장부와 실제 물리적인 US 달러와의 연결 고리가 끊어진다는 점이야. 이론적으로 세상의 모든 사람들이 이 장부를 사용한다면 Modern Greek (1453-): Ίσως αυτό που κάνετε είναι να ξεκινήσετε από την πληρωμή 100$ σε όλους, από το σύνολο, και στη συνέχεια να έχετε τις πρώτες γραμμές στο βιβλίο "Η Alice παίρνει 100$", "ο Bob παίρνει 100$", "ο Charlie παίρνει 100$", κ.λπ. Τώρα, απλά δεν δέχεστε καμία συναλλαγή όταν κάποιος δαπανά περισσότερα από όσα έχουν ήδη σε αυτό το βιβλίο. Για παράδειγμα, εάν οι δύο πρώτες συναλλαγές είναι "ο Charlie πληρώνει την Alice 50$", και "ο Charlie πληρώνει τον Bob 50$", αν προσπαθούσε να προσθέσει «ο Charlie σας πληρώνει 20$», θα είναι άκυρη, τόσο άκυρη, σαν να μην υπογράφτηκε ποτέ Παρατηρήστε πως αυτό σημαίνει ότι η επαλήθευση μιας συναλλαγής απαιτεί την γνώση όλου του ιστορικού των συναλλαγών μέχρι εκείνο το σημείο. Και αυτό πάνω κάτω ισχύει και για τα κρυπτονομίσματα αν και υπάρχει ένα μικρό περιθώριο για βελτιστοποίηση. Αυτό που είναι ενδιαφέρον εδώ είναι ότι αυτό το βήμα καταργεί τη σύνδεση ανάμεσα στο βιβλίο και τα πραγματικά δολάρια ΗΠΑ. Θεωρητικά, αν όλοι στον κόσμο χρησιμοποιούσαν αυτό το βιβλίο, Italian: Magari si potrebbe iniziare facendo mettere $100 sul tavolo ad ognuno, e scrivere sulle prime linee del libro mastro "Alice riceve $100", "Bob riceve $100", "Charlie riceve $100", eccetera. Ora basterebbe non accettare transazioni da qualcuno che voglia spendere più di quanto non abbia sul libro mastro. Per esempio, se le prime due transazioni fossero "Charlie paga ad Alice $50" e "Charlie paga a Bob $50", se provasse ad aggiungere "Charlie paga a te $20", questo non sarebbe valido, come se non l'avesse mai firmato. Questo significa che per verificare una transazione è necessario conoscere la storia delle transazioni fino a quel momento. E questo è più o meno vero anche per le criptovalute, anche se c'è un po' di spazio per l'ottimizzazione. Ciò che è interessante qui è che questo passaggio rimuove la connessione tra il libro mastro e la moneta fisica. In teoria, se tutti nel mondo stessero usando il libro mastro German: Vielleicht beginnt du indem du jeden bittest 100$ einzuzahlen und dann die ersten paar Zeilen des Bestandsbuchs vorliest. "Alice kriegt 100$.", "Bob kriegt 100$.", "Charlie kriegt 100$.", etc. Und jetzt akzeptiere einfach keine Transaktionen bei denen jemand mehr ausgibt als er bereits laut dem Bestandsbuch hat. Wenn zum Beispiel die ersten beiden Transaktionen lauten "Charlie zahlt 50$ an Alice." und "Charlie zahlt 50$ and Bob." und Charlie dann versucht "Charlie zahlt dir 20$." hinzuzufügen, dann wäre das ungültig. Genauso ungültig, wie wenn er die Transaktion nie unterschrieben hätte. Wichtig ist, dass man, um eine Transaktion auf diese Art und Weise zu verifizieren, die komplette Geschichte aller Transaktionen kennen muss. Und das ist mehr oder weniger der Fall bei Kryptowährungen, obwohl noch ein bisschen Spielraum für Optimierung da ist. Das interessante hieran ist, dass dieser Schritt die Verbindung zwischen dem Bestandsbuch und tatsächlichen, anfassbaren US-Dollar aufhebt. Theoretisch, wenn jeder Mensch auf der Welt dieses Bestandsbuch verwendet, Polish: Może to, co możesz zrobić, to zacząć od konieczności wpłacenia 100$ do puli i kilka pierwszych wierszy księgi zapisać jako "Alicja dostaje 100 $", "Bob dostaje 100 $", "Charlie dostaje 100 $", itd. Dalej, po prostu nie przyjmuj żadnych transakcji, gdzie ktoś wydaje więcej niż ma już w tej księdze. Na przykład, jeśli dwie pierwsze transakcje brzmią „Charlie płaci Alicji 50$” i „Charlie płaci Bobowi 50$”, gdyby spróbował dodać „Charlie płaci Tobie 20$”, ten rekord byłby nieważny, jak gdyby nigdy go nie podpisał. Zauważ, oznacza to, że weryfikacja transakcji wymaga poznania pełnej historii wszystkich transakcji, aż do tego punktu. I to mniej więcej też będzie prawdą w kryptowalutach, choć jest tam mało miejsca na optymalizację. Ciekawe jest to, że ten krok usuwa połączenie między księgą i rzeczywistymi fizycznymi dolarami amerykańskimi. Teoretycznie, jeśli każdy na świecie używałby tej księgi, Japanese: 皆が始めからポットに100ドルを入れるとする。 元帳にその事をまず記録する。 「アリスは100ドルを得る」、「ボブは100ドルを得る」、「チャーリーは100ドルを得る」のように。 ここで各々が元帳において保持している額を超えるような 金額を指定する取引は受け入れないこととする。 例えば、最初の二つの取引が、 「チャーリーはアリスに50ドル支払う」、「チャーリーはボブに50ドル支払う」の時、 更に「チャーリーはあなたに20ドル支払う」と付け足すことはできない。 署名がないのと同様の扱いである。 結果的に取引の認証には、 関連する以前の取引すべての情報が必要となる。 この事は暗号通貨においても、若干適応される。 最適化の余地はまだあるが。 興味深いのは、 これによって元帳と物理的な米ドルとの関係が消えたことである。 理論的には、世界の全員がこの元帳に従えば、 French: c'est de commencer par avoir payé 100$ dans le pot et ensuite avoir les premières quelques lignes du livre de compte lu Alice a mis 100$ Bob a mis 100$, Charlie a mis 100$ etc Maintenant n'acceptez aucune transaction lorsque quelqu'un dépense plus que ce qu'il a sur ce livre de compte. Par exemple, si les deux premières transactions sont Charlie paie Alice 50$ et Charlie paie Bob 50$. Si vous essayiez d'ajouter Charlie vous paie 20$ cela serait invalide. Comme s'il n'avait jamais signé. Notez que cela signifie que vérifier une transaction requiert de connaître l'historique complet de toutes les transactions jusqu'à ce moment. Et cela va plus ou moins être aussi vrai pour les crypto-monnaies bien qu'il y ait un peu de place pour l'optimisation. Ce qui est intéressant ici, c'est que cette étape supprime la connexion entre le livre de compte et des vrais dollars américains physiques. Indonesian: Mungkin yang Anda lakukan adalah memulai dengan meminta setiap orang membayar $ 100 ke dalam panci, dan kemudian memiliki beberapa baris pertama buku besar yang dibaca "Alice mendapat $ 100", "Bob mendapat $ 100", "Charlie mendapat $ 100", dan seterusnya Sekarang, coba jangan menerima transaksi apapun di mana seseorang menghabiskan lebih dari yang mereka miliki di buku besar tersebut. Misalnya, jika dua transaksi pertama adalah "Charlie membayar Alice $ 50" dan "Charlie membayar Bob $ 50", Jika dia mencoba menambahkan "Charlie membayar Anda $ 20", itu tidak valid, tidak sah seolah dia tidak pernah menandatanganinya. Perhatikan, ini berarti memverifikasi transaksi membutuhkan mengetahui riwayat transaksi secara penuh sampai saat itu. Dan ini lebih atau kurang juga akan menjadi kenyataan dalam mata uang kripto, meski ada sedikit ruang untuk optimasi. Yang menarik di sini adalah itu Langkah ini menghapus koneksi antara buku besar dan fisik Dollar AS sebenarnya. Secara teori, jika semua orang di dunia menggunakan buku besar ini, English: What you might do is start by having everyone pay $100 into the pot, and have the first few lines of the ledger will read “Alice gets $100, Bob gets $100, etc. Now, just don’t accept transactions when someone is spending more than they have on the ledger. For example, after starting everyone off with $100, if the first two transaction are “Charlie pays Alice $50” and “Charlie pay Bob $50”, if he were to try to add “Charlie pays You $20”, that would be invalid, as invalid as if he never signed it. Notice, this means you need to know the full history of transactions to verify that a new one is valid. And this is, more or less, going to be true for cryptocurrencies as well, though there is a little room for optimization. What’s interesting here is that this step somewhat removes the connection between the Ledger and physical cash. Lithuanian: Galbūt, ką jūs darot, tai pradedat nuo to, kad kiekvienas sumoka po $100 į bendrą katilą, ir tada turit pirmas kelias eilutes apskaitoje parašytas "Alisa gauna $100", "Bobas gauna $100", "Čarlis gauna $100" ir t. t. Dabar, tiesiog nepriimk jokių transakcijų, kur kažkas išleidžia daugiau, nei turi toje apskaitoje. Pavyzdžiui, jei pirmos dvi transakcijos yra "Čarlis moka Alisai $50" ir "Čarlis moka Bobui $50", jei jis bandytų pridėti "Čarlis moka tau $20", tai būtų nevalidu, taip nevalidu, kaip kad lyg jis nepasirašė tos transakcijos. Pastebėk, kad tai reiškia, kad transakcijos patikrinimui reikia žinoti pilną transakcijų istoriją iki šio momento. Ir tai bus daugmaž teisinga ir kriptovaliutose, nors ten yra truputis vietos optimizavimui. Kas čia yra įdomu yra tai, kad šis žingsnis panaikina bet kokį ryšį tarp apskaitos ir tikro fizinio JAV dolerio. Teoriškai, jei visi pasaulyje naudotų šią apskaitos knygą, iw: אולי מה שאתם צריכים לעשות זה להתחיל את הפרוטוקול בכך שכולם ישימו מאה דולר בקופה הראשית, ואז השורות הראשונות בספר החשבונות יהיו "אליס מקבלת מאה דולר", "בוב מקבל מאה דולר", "צ'רלי מקבל מאה דולר", וכו' וכעת, פשוט לא נקבל עסקאות בהן מישהו מוציא יותר ממה שהם כבר קיבלו על פי ספר החשבונות. לדוגמא, אם שתי העסקות הראשונות הן "צ'רלי משלם לאליס חמישים דולר" ו-"צ'רלי משלם לבוב חמישים דולר" אם הוא היה מנסה להוסיף: "צ'רלי משלם לכם עשרים דולר" זה יהיה לא תקף, לא תקף בדיוק כמו שהיה אילו צ'רלי לא חתם על העסקה מעולם. שימו לב, זה אומר כי בדיקת תקפותה של עסקה דורשת לדעת את ההיסטוריה המלאה של עסקאות עד לאותו המועד. וזה פחות או יותר גם הולך להיות המקרה במטבעות מבוזרים, אם כי יש קצת מקום אופטימיזציה. מה שמעניין כאן הוא שצעד זה מסיר את הקשר בין ספר החשבונות לדולרים הפיסיים והממשיים. בתיאוריה, אם כולם בעולם משתמשים בספר חשבונות זה, Czech: Můžeme začít tím, že všichni dají $100 do banku, a první řádky knihy budou "Alici je dluženo $100", "Bobovi je dluženo $100", "Charliemu je dluženo $100" atd. A navíc, nebudeme akceptovat transakce, ve kterých někdo utrácí víc, než podle knihy mají. Například, pokud jsou první dvě transakce "Charlie dluží Alici $50" a "Charlie dluží Bobovi $50", a pokusil se přidat "Charlie dluží Vám $20", nebylo by to povoleno, stejně jako nepodepsaná transakce. Všimněte si, že ověřování transakce vyžaduje znalost kompletní historie transakcí až do tohoto bodu. A tohle bude více méně platit u kryptoměn, i když existuje trochu prostoru pro vylepšení. Tady je zajímavé, že tento krok odstraňuje propojení mezi účetní knihou a skutečnými dolary. Teoreticky, pokud by všichni na světě používali tuto knihu, Vietnamese: Bạn có thể bắt đầu bằng cách cho mọi người trả $ 100 vào quỹ, và sau đó viết vài dòng đầu tiên của sổ cái: "Alice có được 100 đô la", "Bob có được 100 đô la", "Charlie có được 100 đô la", v.v ... Bây giờ, chỉ cần không chấp nhận bất kỳ giao dịch nào khi ai đó chuẩn bị chi tiêu nhiều hơn lượng họ đã có trên sổ cái đó. Ví dụ: nếu hai giao dịch đầu tiên là "Charlie trả 50 đô la cho Alice" và "Charlie trả 50 đô la cho Bob" nếu anh ta cố thêm "Charlie trả bạn 20 đô", điều đó sẽ không hợp lệ, không hợp lệ như thể anh ta chưa bao giờ ký nó. Chú ý là điều này có nghĩa là việc xác minh một giao dịch đòi hỏi lịch sử các giao dịch đầy đủ cho tới thời điểm đó. Và điều này ít nhiều cũng đúng trong tiền mã hóa, mặc dù chỉ có thêm một chút tối ưu hóa. Điều thú vị ở đây là bước này sẽ loại bỏ mối liên hệ giữa sổ cái và đồng tiền thực tế Theo lý thuyết, nếu mọi người trên thế giới đang sử dụng sổ cái này, Spanish: Quizás lo que haces es empezar por hacer que todo el mundo meta en el bote 100$, y entonces haces que las primeras lineas del libro de cuentas sean "Alice recibe 100$", "Bob recibe 100$", "Charlie recibe 100$", etc. Ahora, simplemente no aceptes ninguna transacción en la que alguien esta gastando mas de lo que ya tiene en el libro de cuentas. Por ejemplo si las primeras dos transacciones son "Charlie paga a Alice $50" y "Charlie paga a Bob $50", Si intentase añadir "Charlie te paga 20$" ,eso sería inválido, tan inválido como si nunca lo hubiese firmado Date cuenta, que esto significa que para verificar una transacción necesitas saber el historial completo de transacciones hasta ese punto. Y esto también va a ser más o menos cierto para las criptomonedas aunque todavía hay espacio para mejoras. Lo que es interesante aquí es que este paso elimina la conexión entre el libro de contabilidad y dolares reales. En teorría, si todas las personas del mundo utilizasen este libro de cuentas, Turkish: Belki de yaptığınız şeye herkesin potaya $100 ödemesiyle başlar, ve sonra defterdeki ilk bir kaç satır "Alice $100 alır" "Bob $100 alır" "Charlie $100 alır" vs. okunur. Şimdi, birisi defterde sahip olduğundan.. ..daha fazla harcama yapmasına dair herhangi bir işlemi kabul etmeyin. Örneğin, eğer ilk iki para işlemleri : "Charlie Alice'e $50 öder" ve "Charlie Bob'a $50" olsaydı, ve eğer Charlie sana $20 öder" satırını ekleseydi, bu geçersiz olurdu, hiç imzalamamış gibi geçersiz sayılır. Dikkat et, bunun anlamı: bir para işlemini doğrulamak bu noktada tüm parasal işlemin hikayesi bilmeyi gerektirir. Ve bu da optimizasyon için küçük bir yer olmasına rağmen., cryptocurrencies de az veya çok da olsa doğru olacaktır. Burada ki ilgi çekici şey ise bu adım defter ve gerçek fiziksel para arasındaki bağlantıyı kaldırır. Teoride, eğer dünyadaki herkes bu defteri kullansaydı, Hungarian: Talán azzal kezded hogy mindenkinek be kell fizetnie 100$-t a közösbe, és azzal kezded a főkönyvet, hogy "Alice kap 100$-t", "Bob kap 100$-t", "Charlie kap 100$-t", stb... Na, most egyszerűen ne fogadj el olyan tranzakciót, ahol valaki többet költ mint amennyije számon van tartva a főkönyvben. Például, ha az első két tranzakció: "Charlie fizet Alice-nak 50$-t" és "Charlie fizet Bobnak 50$-t", ha megpróbálná hozzáadni azt hogy "Charlie fizet neked 20$-t", akkor az érvénytelen lenne, éppúgy érvénytelen mintha soha nem is írta volna alá. Figyeld meg, hogy ez azt jelenti, hogy egy tranzakció leellenőrzéséhez szükséges a teljes tranzakciós történet egészen addig a pontig. És ez többé-kevésbé igaz lesz a kriptopénzekre is, habár lenne még helye egy kis optimizálásnak. Az az érdekes ebben, hogy ez a lépés megszünteti a kapcsolatot a főkönyv és a tényleges fizikai USA dollár között. Elméletben, ha mindenki ezt a főkönyvet használná a világon, Portuguese: seja todos começarem colocando 100 dólares no pote e ter as primeiras linhas do registro escritas Alice recebe 100 USD, Bob Recebe 100 USD, etc. Agora, apenas não aceite transações onde a pessoa gaste mais do que ela tem naquele registro Por exemplo, se as duas primeiras transações são Charlie paga 50 USD para Alice, e Charlie paga 50 USD para Bob Se ele fosse tentar adicionar Charlie paga 20 USD para Você, isso seria inválido tão inválido como se ele nunca tivesse assinado Perceba, isso significa que verificar uma transação requer conhecimento de todo o histórico de transações até aquele ponto e isso será, mais ou menos, também verdade para as cripto moedas embora haja espaço para otimização O que é interessante aqui é que este passo, remove a conexão entre registro e dinheiro físico real Na teoria, se todo o mundo estivesse usando esse registro, Russian: Можно начать с того, что все скидываются по $100, и в реестре делаются первые записи: «Алиса получает $100», «Боб получает $100», «Чарли получает $100», и так далее. Теперь нужно просто отклонять все операции, в которых кто-то тратит больше, чем получил, согласно реестру. Напромер, если в первых двух записях говорится: «Чарли платит Алисе $50» и «Чарли платит Бобу $50», а затем кто-то пытается записать, что «Чарли платит вам $50», это будет недействительно, как будто Чарли никогда не подписывал операции. Заметьте, что для подтверждения любой операции нужно знать полную историю операций до того момента. Примерно так и работают криптовалюты, хотя в нашей системе можно кое-что оптимизировать. Интересно, что этот шаг разрывает связь между реестром и реальными долларами США. В теории, если бы все в мире пользовались этим реестром, Arabic: ربما ما عليك القيام به هو بدء الميثاق بأن يضع كل شخص 100 دولار في الوسط ثم ستكون الأسطر الأولى من السجل "(أليس) لديها 100 دولار"، "(بوب) لديه 100 دولار"، "(تشارلي) لديه 100 دولار"، إلخ... و الآن لا تقبل أيّ من العمليات التي ينفق فيها الشخص أكثر من رصيده المسجل في السجل مثلًا، إذا كانت أول صفقتين: "(تشارلي) سيدفع لـ(أليس) 50 دولارًا" و"(تشارلي) سيدفع لـ(بوب) 50 دولارًا" إذا كان يحاول أن يضيف: "(تشارلي) سيدفع لك 20 دولارًا"، ستكون إضافة غير صالحة غير صالحة تمامًا كما لو أنه لم يوقعها لاحظ أن هذا يعني أن تأكيد عملية ما يتطلب معرفة سجل العمليات السابقة حتى تلك اللحظة. و هذا صحيح نوعًا ما في العملات المشفرة أيضًا، ولو أن هناك مجال صغير للتحسين. المثير هنا أن بهذه الخطوة، أُزيل الارتباط بين السجل والدولار الحقيقي الملموس. نظريًا، لو استخدم كل الناس هذا السجل؛ Chinese: 所有人开始就往账上支付100元, 账本上最先记录几条: Alice获得100元,Bob获得100元,Charlie等等 现在只需要拒绝在账本上记录某些人入不敷出的交易 举个例子,如果前两条交易记录是 Charlie支付Alice 50元, Charlie支付Bob 50元 如果他想记录Charlie支付你20元, 那将是不合法的,和他没有签名一样不合法 因此这就意味着验证一条交易 就需要了解截至当前所有的历史交易信息 这在加密货币中同样如此,并且仍有待优化 有趣的是,这个设计真正去掉了账本和真实货币的联系 理论上如果世界上所有人都是用这个账本 Chinese: 所有人開始就往帳上支付100元, 帳本上最先記錄幾條: Alice獲得100元,Bob獲得100元,Charlie等等 現在只需要拒絕在帳本上記錄某些人入不敷出的交易 舉個例子,如果前兩條交易記錄是 Charlie支付Alice 50元, Charlie支付Bob 50元 如果他想記錄Charlie支付你20元, 那將是無效的,和他沒有簽名一樣 因此這就意味著驗證一條交易 就需要瞭解截至當前所有的歷史交易資訊 這在加密貨幣中同樣如此,雖然仍有待優化 有趣的是,這個設計真正去掉了帳本和真實貨幣的連結 理論上如果世界上所有人都是用這個帳本 Chinese: 你可以終其一生都在這個帳本上收付款 根本不需用到真實的貨幣 為了強調這一點,我們把帳本上的貨幣單位稱之為帳元,並簡稱為LD 你當然也可以將帳元自由地兌換成真的美元 舉個例子,Alice在現實中給了Bob 100元 同時Bob在公共帳本上記上Bob支付Alice 100元 但這樣的兌換並不在這套系統的設計初衷之內 這樣的兌換與美元和歐元或市場上其他的貨幣兌換類似 但那就是題外話了 這是理解比特幣和其他加密貨幣的最重要的資訊了 它實際上就是一個帳本 所有的歷史交易總和就是當下的貨幣 當然就比特幣而言 Italian: potresti vivere la tua intera vita solamente mandando e ricevendo soldi su questo libro mastro senza mai bisogno di convertirli in dollari reali. Infatti, per enfatizzare questo punto, cominciamo a riverirci alle quantità su questo libro mastro come " dollari del libro mastro" o abbreviato "LD". Sei ovviamente libero di scambiare LD con veri dollari americani. Per esempio, Alice dà a Bob una banconota da 10$ nel mondo reale e lui in cambio aggiunge e firma la transazione "Bob paga ad Alice 10 LD" sul libro mastro comune. Ma scambi di questo tipo non saranno garantiti dal protocollo. È più analogo a come scambieresti dollari per euro, o qualunque altra valuta sul mercato, è solo una cosa indipendente. Questa è la prima cosa importante da capire a proposito dei Bitcoin o qualunque altra criptovaluta: è un libro mastro, la storia delle transazioni è la moneta stessa. Ovviamente, nel Bitcoin Indonesian: Anda bisa menjalani seluruh hidup Anda hanya mengirim dan menerima uang di buku besar ini tanpa harus mengkonversi ke Dolar AS riil. Sebenarnya, untuk menekankan hal ini, mari kita mulai mengacu pada jumlah pada buku besar sebagai "buku besar dolar", atau "LD" untuk memperpendek. Anda tentu saja bebas menukarkan buku besar dolar untuk dolar AS yang sesungguhnya. Misalnya, mungkin Alice memberi Bob uang $ 10 di dunia nyata sebagai gantinya dia menambahkan dan menandatangani transaksi "Bob membayar Alice 10 LD" ke buku besar umum ini. Tapi pertukaran seperti itu, mereka tidak akan dijamin oleh protokol. Sekarang lebih mirip dengan bagaimana Anda bisa menukarkan dolar untuk Euro, atau mata uang lainnya di pasar terbuka, itu hanya hal tersendiri. Ini adalah hal penting pertama yang harus dipahami tentang Bitcoin atau uang kripto yang lain: apa itu buku besar, sejarah transaksi adalah mata uangnya. Tentu saja, dengan Bitcoin, Czech: mohli byste celý život posílat a přijímat peníze jen skrze ni, a nikdy byste nemuseli měnit na skutečné dolary. Ke zdůraznění tohoto faktu začněme nazývat hodnoty v knize "knižní dolary", nebo zkráceně "LD". [Ledger Dollars] Máte samozřejmě možnost vyměnit si knižní dolary za skutečné Americké Dolary. Například, Alice dá Bobovi $10 bankovku za to, že on přidá a podepíše transakci "Bob dluží Alici 10 LD" do účetní knihy. Ale tyto výměny nebudou zajišťované a garantované naším systémem. Je to podobná situace, jako kdybyste měnili dolary za eura, nebo jakoukoliv jinou měnu na světovém trhu, je to nezávislá věc. Tohle je první důležitá věc, kterou je třeba pochopit u Bitcoinu, nebo kterékoliv jiné kryptoměně: je to účetní kniha - historie transakcí je samotná měna. Samozřejmě, s Bitcoinem English: In theory, if everyone in the world used this Ledger, you could live your whole life just sending and receiving money on this ledger without ever converting to real US. To emphasize this point, let’s start referring to quantities on the ledger as “LedgerDollars”, or LD for short. You’re of course free to exchange LedgerDollars for real US dollars, for example maybe Alice gives Bob a $10 bill in the real world in exchange for him adding and signing the transaction “Bob pays Alice 10 LedgerDollars” to the communal ledger. But exchanges like this are not guaranteed in the protocol. It’s now more analogous to how you might exchange Dollars for Euros or any other currency on the open market, it’s just its own independent thing. This is the first important thing to understand about Bitcoin, or any other cryptocurrency: What it is is a ledger; the history of transactions is the currency. Polish: mógłbyś żyć całe życie tylko wysyłając i odbierając pieniądze w tej księdze bez konieczności konwersji na prawdziwe dolary amerykańskie. Aby podkreślić ten punkt, zacznijmy odnosić się do ilości w księdze jako „dolarów księgi głównej” lub w skrócie „LD”. Możesz oczywiście swobodnie wymieniać dolary księgi głównej na prawdziwe dolary amerykańskie. Na przykład, może Alicja wystawia Bobowi czek na 10$ w realnym świecie w zamian za to, że on doda i podpisze transakcję „Bob płaci Alicji 10 LD” do tej księgi wspólnej. Ale takie wymiany nie będą gwarantowane przez protokół. Teraz jest to bardziej analogiczne do tego, jak można wymieniać dolary na euro, lub jakąkolwiek inną walutę na wolnym rynku. To jest działanie niezależne od księgi. Jest to pierwsza ważna rzecz do zrozumienia na temat Bitcoin lub innej kryptowaluty: jest to pewna księga główna, historia transakcji jest walutą. Oczywiście, z Bitcoin German: dann könntest du dein ganzes Leben leben und Geld nur auf diesem Bestandsbuch senden und empfangen, ohne es jemals in echte US Dollar umtauschen zu müssen. Und um das nochmal zu betonen, lass uns ab jetzt die Mengen auf dem Bestandsbuch als "Ledger Dollars", oder kurz "LD" bezeichnen. [englische, im Video verwendete Abkürzung] Du kannst natürlich jeder Zeit Ledger Dollars in echte US Dollar umtauschen. Vielleicht gibt zum Beispiel Alice Bob in der echten Welt eine 10$-Note und er fügt im Ausgleich die Transaktion "Bob zahlt Alice 10 LD." hinzu und unterzeichnet sie. Aber ein Tausch wie dieser hier wird nicht garantiert sein. Das ist jetzt mehr so als ob man Dollars in Euros oder irgendeine andere Währung auf dem offenen Markt umtauschen würde. Es ist eine eigene, unabhängige Sache. Das ist die erste wichtige Sache, die man über Bitcoins und andere Kryptowährungen wissen und verstehen muss: Sie sind im Endeffekt ein Bestandsbuch. Der Verlauf aller Transaktionen in dieser speziellen Währung. Bei Bitcoins kommt Geld natürlich nicht auf das Bestandsbuch Turkish: tüm hayatını bu defter üzerinden sadece para gönderip para almakla yaşardın hiç gerçek paraya çevirmeden hem de. Aslında, bu noktayı vurgulamak için, defterdeki miktarlara kısaca "LD" olan defter üzerindeki "ledger dolarları" atayalım. Sen tabii ki de ledger dolarlarını gerçek dolarlarla değiştirmekte özgürsün. Örneğin, gerçek hayatta Alice Bob'a $10 lık bir fatura verebilir parasal işlemin eklenmesi ve imzalanması karşılığında "Bob Alice'e 10 LD öder" bu açık deftere. Ama bunun gibi değişimler, protokol tarafından garanti altına alınmazlar. Dolarlarını Euro karşılığında nasıl değiştireceğin şimdi daha da benzer ya da açık pazar üzerinde herhangi bir para birimi, bu sadece kendi bağımsızlığına dayalı. Bu Bitcoin veya herhangi cryptocurrency hakkında anlaması en önemli ilk şey: bir defterin ne olduğu, parasal işlemlerin geçmişi para birimidir. Tabii ki, Bitcoin ile , Russian: вы могли бы всю жизнь просто отправлять и получать деньги через него, безо всякой надобности переводить их в реальную валюту. Чтобы подчеркнуть эту мысль, давайте измерять суммы в реестре в «лог-долларах», или коротко «LD». Конечно, вы можете обменять их на реальные доллары США. Например, Алиса дает Бобу в руки 10 реальных долларов в обмен на запись и подпись операции «Боб платит Алисе 10 LD» в общем реестре. Но такие сделки не будут защищены протоколом. Можно провести параллель с обменом долларов на евро или любую другую валюту на рынке, это просто независимые операции. Вот и первая идея о Биткоине и других криптовалютах, которую важно усвоить: по сути это и есть реестр, история операций - это и есть валюта. Конечно, в случае с Биткоином Japanese: 実際の米ドルに両替することなく、 元帳の上での取引だけで人生を過ごすことができる。 この事実をより明確に強調するため、 元帳での額の量を元帳ドル(LD)としよう。 もちろん元帳ドルと米ドルの両替は自由である。 例えば、アリスがボブに10ドルを現実世界で渡し、 その対価として、「ボブはアリスに10元帳ドル支払う」を、 ボブは元帳に署名付きで追加する。 しかしこの様な両替はプロトコルによって保証されていない。 米ドルをユーロに替えたりするのと同じく、 アナログ的である。 これは別の領域の問題である。 ビットコインや、その他暗号通貨に関して最初に理解する必要がある事は、 その実態は元帳であり、取引の歴史自体が通貨である事である。 ビットコインの仕組みの中では、 Vietnamese: bạn có thể sống cả cuộc đời của bạn chỉ cần gửi và nhận tiền vào sổ cái này mà không bao giờ phải chuyển đổi sang đô la Mỹ thực. Trong thực tế, để nhấn mạnh điểm này, chúng ta hãy bắt đầu đề cập đến giá trị tiền trên sổ cái là "đô la sổ cái", hoặc "LD" cho ngắn. Tất nhiên, bạn đang tự do trao đổi "đô la sổ cái" cho "đô la Mỹ thật". Ví dụ, có thể Alice đưa cho Bob một tờ $10 trong thế giới thực để đổi lấy anh ta thêm và ký kết giao dịch "Bob trả Alice 10 LD" vào sổ cái chung này. Nhưng những trao đổi như vậy, chúng sẽ không được bảo đảm bởi các giao thức. Nó dường như giống với cách bạn có thể đổi đô la cho Euro, hoặc bất kỳ loại tiền tệ khác trên thị trường mở, Nó như một "thứ" riêng. Đây là điều quan trọng đầu tiên để hiểu về Bitcoin hoặc bất kỳ đồng tiền mã hóa nào khác: Nó là một sổ cái. Lịch sử của giao dịch chính là loại tiền tệ này. Tất nhiên, với Bitcoin, Portuguese: você poderia viver a sua vida toda só enviando e recebendo dinheiro nesse registro sem precisar converter para dinheiro físico real De fato, para enfatizar esse argumento, vamos passar a chamar as quantidades desse registro como 'Ledger Dollars' (Dólares do Registro) ou 'LD' abreviado Você é claro livre para trocar LDs por dinheiro físico real Por exemplo, talvez Alice dê uma nota de 10 USD para Bob no mundo real em troca por ele adicionar e assinar a transação Bob paga 10 LD para Alice, neste registro comum mas trocas como essa não serão garantidas pelo protocolo agora é mais análogo a como você pode trocar Dólares por Euros ou qualquer outra moeda no mercado regular é apenas a sua própria coisa independente essa é a primeira coisa importante a entender sobre Bitcoin ou qualquer outra criptomoeda O que ela é, é um registro, o histórico de transações é a moeda Arabic: سيكون بإمكانك أن تكمل حياتك كلها وأنت ترسل وتستلم الأموال عن طريق هذا السجل دون أن تضطر إلى تحويلها إلى دولار أمريكي مطلقًا. في الواقع، لنؤكّد على هذه النقطة، دعنا نشير إلى إلى القيم التي على السجل على أنها "دولار السجل" أو للاختصار "LD" (من ledger dollars) لديك كامل الحرية طبعًا بالتحويل بين دولار السجل والدولار الأمريكي مثلًا، ربما (أليس) تعطي (بوب) 10 دولارات على أرض الواقع مقابل أن يضيف ويوقع لها العملية: "(بوب) سيدفع لـ(أليس) 10 LD" على السجل العام. ولكن تحويلات كهذه لن يضمنها الميثاق، إنها أشبه بكيفية تبادل الدولار باليورو، أو أي عملة أخرى في السوق، إن هذا الأمر مستقل بذاته. هذا هو أول شيء مهم لفهم بيتكوين أو أي عملة مشفرة أخرى: هي في الواقع مجرد سجل، وسجل العمليات هو العملة. بالطبع، في بيتكوين، Modern Greek (1453-): θα μπορούσατε να ζήσετε ολόκληρη την ζωή σας στέλνοντας και λαμβάνοντας χρήματα με αυτό το βιβλίο χωρίς ποτέ να χρειαστούν μετατροπή σε πραγματικά δολάρια ΗΠΑ. Στην πραγματικότητα, για να τονίσουμε αυτό το σημείο, ας ξεκινήσουμε αναφερόμενος στις ποσότητες στο βιβλίο ως «δολάρια βιβλίου», ή «LD» για συντομία. Μπορείτε, φυσικά, να ανταλλάξετε δολάρια βιβλίου για πραγματικά δολάρια ΗΠΑ. Για παράδειγμα, ίσως η Alice δίνει στον Bob 10$ στον πραγματικό κόσμο ως αντάλλαγμα για την προσθήκη και την υπογραφή της συναλλαγής «ο Bob πληρώνει την AIice 10 LD» σε αυτό το κοινόχρηστο βιβλίο. Αλλά ανταλλαγές, όπως αυτές, δεν πρόκειται να είναι εγγυημένες από το πρωτόκολλο. Ανάλογα θα μπορούσατε να ανταλλάσσετε δολάρια για Ευρώ, ή για οποιοδήποτε άλλο νόμισμα στην ελεύθερη αγορά, είναι απλώς ένα ανεξάρτητο πράγμα. Αυτό είναι το πρώτο σημαντικό πράγμα που πρέπει να καταλάβετε για το Bitcoin ή για οποιοδήποτε άλλο κρυπτονόμισμα: αυτό που είναι, είναι ένα βιβλίο, το ιστορικό των συναλλαγών είναι το νόμισμα. Φυσικά, με το Bitcoin, Lithuanian: galėtum gyventi savo visą gyvenimą tiesiog siųsdamas ir priimdamas pinigus šioje apskaitoje nereikiant konvertuoti į tikrus JAV dolerius. Iš tiesų, kad pabrėžtume šią mintį, pradėkime vadinti kiekius apskaitoje apskaitos doleriais arba trumpiau "LD". Žinoma, tu gali laisvai keisti apskaitos dolerius į tikrus JAV dolerius. Pavyzdžiui, galbūt Alisa duoda Bobui $10 tikrame pasaulyje už tai, kad jis pridėjo ir pasirašė transakciją "Bobas moka Alisai 10 LD" į šią bendruomeninią apskaitos knygą. Bet tokie mainai, jie nebus užtikrinti protokolo. Dabar tai yra labiau lygintina kaip doleriai iškeičiami į eurus, arba bet kurią kitą valiutą atviroje biržoje, tai tiesiog yra savo paties nepriklausomas dalykas. Tai yra pirmas svarbus dalykas, kurį reikia suprasti apie Bitkoiną arba bet kurią kitą kriptovaliutą: kas tai yra, tai - apskaita; transakcijų istorija yra valiuta. Žinoma, Bitkoine, Chinese: 你整个一生都可以在这个账本上支付并获得钱财中度过 根本不需要真实的货币 为了强调这一点,我们把账本上的货币单位称之为账元,并简称为LD 你也可以将账元自由地兑换成真的美元 举个例子,Alice在现实中给了Bob 100元 同时Bob在公共账本上记上Bob支付Alice 100元 但这样的兑换并不在这套系统的设计初衷之内 这样的兑换与美元和欧元或市场上其他的货币兑换类似 那是另外一个事情了 这是理解比特币和其他加密货币的最重要的信息了 它实际上就是一个账本 所有的历史交易总和就是当下(current)的货币(currency) 当然就比特币而言 iw: אתם יכולים לחיות כל חייכם רק על ידי שליחה וקבלה של כסף על אותו ספר חשבונות מבלי להמיר את החובות בשום שלב לדולרים אמיתיים. למעשה, כדי להדגיש את הנקודה הזו, בואו נתחיל להתייחס לתשלומים על ספר החשבונות בתור "דולרי לדג'ר", או "LD" בקיצור. אתם, כמובן, חופשיים להחליף דולרי לדג'ר בדולרים אמיתיים. לדוגמא, אולי אליס נותנת לבוב שטר של עשרה דולר בעולם האמיתי תמורת כך שבוב יוסיף ויחתום על העסקה בספר החשבונות "בוב משלם לאליס עשרה LD" אבל חילופים כאלו לא הולכים להיות מובטחים על ידי הפרוטוקול. זה יותר דומה לאופן שבו מחליפים דולרים עבור יורו, או בכל מטבע אחר בשוק הפתוח, זה פשוט דבר עצמאי ולא קשור לנושא. זהו הדבר החשוב הראשון שיש להבין על ביטקוין או כל מטבע מבוזר אחר: המטבע המבוזר הוא למעשה ספר חשבונות, ההיסטוריה של העסקאות היא המטבע. כמובן, בביטקוין, Spanish: podrías vivir toda tu vida mandando y recibiendo dinero en este libro de cuentas sin tener que convertir a dolares reales. De hecho, para enfatizar este punto, vamos a empezar a llamr a las cantidades en este libro de cuentas como "dolares de cuenta", o "LD" para abreviar Por supuesto eres libre de intercambiar dolares de cuenta por dolares reales. Por ejemplo, quizas Alice da a Bob un billete de 10$ en el mundo real a cambio de que el añada y firme la transacción "Bob paga a Alice 10LD" a el libro de cuentas. Pero intercambios como ese, no van a estar garantizados por el protocolo. Ahora esto es análogo a como podrías cambiar dolares por euros, o a cualquier otra moneda en el mercado, es ahora una cosa independiente. Este es el primer punto importante a entender sobre Bitcoin o cualquier criptomoneda: Lo que es, es un libro de cuentas, el historial de transacciones es la moneda Por supuesto, con Bitcoin, Hungarian: akkor az egész életedet leélhetnéd úgy hogy csak ezen a főkönyvön keresztül küldenél és fogadnál pénzt anélkül hogy valaha igazi USA dollárra kellene váltanod. Igazából, ahhoz hogy hangsúlyozzuk ezt a pontot, kezdjünk el "főkönyv dollárként" (*ledger dollar*-ként) hivatkozni rá, vagy röviden "LD". Természetesen szabadon válthatsz főkönyv dollárt (LD) igazi USA dollárra. Például, talán Alice ad Bobnak egy 10$-os bankjegyet a való világban, cserébe azért, hogy hozzááadja és aláírja azt a tranzakciót a főkönyvben, hogy "Bob fizet Alice-nak 10 LD-t". De az ilyen a cseréket nem fogja tudni garantálni a protokoll. Ez már inkább hasonlít arra ahogyan euróra, dollárra, vagy bármely más pénzre váltanál a szabad piacon, ez egyszerűen egy saját különálló dolog. Ez az első fontos dolog amit meg kell érteni a Bitcoinról és bármely más kriptopénzről, hogy mi ez valójában: egy főkönyv, a pénz maga a tranzakciók története. Természetesen, a Bitcoinnál Korean: 여러분은 이 장부 상에서 수입을 올리고 지출하는 것만으로도 살아갈 수 있어. 장부상의 돈을 US 달러로 환전하지 않고도 살아갈 수 있다는 얘기야. 자 이 부분을 더 강조하기 위해, 장부상의 금액을 "장부달러", 줄여서 "LD"라고 하자. 여러분은 장부달러를 실물 US 달러로 자유롭게 환전할 수 있어. 예를 들어, 앨리스가 실제로 밥에게 10 US 달러를 줬다면 장부에 다음과 같이 기록하고 디지털 서명할 수 있지. "밥이 앨리스에게 10 장부달러 지불" 하지만 10 US 달러와 10 장부달러의 환전은 장부의 규약에 의해 보증되지는 않아. 이 부분을 이해하기 위해 달러를 유로나 다른 통화로 환전하는 것을 떠올려보자. 이 부분을 이해하기 위해 달러를 유로나 다른 통화로 환전하는 것을 떠올려보자. 환전 자체는 그저 독립적인 사건이잖아. 바로 그게 비트코인이나 다른 암호화 화폐를 이해하는데 가장 중요한 점이기도 해. 뭐냐하면 장부는 해당 통화의 모든 거래 이력만을 가지고 있을뿐, 환전을 기록하지는 않는다는거야. 비트코인에서도, French: En théorie, si tout le monde dans le monde était en train d'utiliser ce livre de compte vous pourriez vivre toute votre vie juste en envoyant et en recevant de l'argent sur ce livre de compte sans avoir à les convertir en dollars américains réels. En fait pour insister sur ce point commençons par nous référer aux quantités sur ce livre de compte comme Ledger Dollars ou LD pour faire court. Vous êtes bien sûr libre pour échanger des Ledger Dollars pour des dollars américains réels. Par exemple, peut-être qu'Alice donne 10$ à Bob dans le monde réel et en échange pour lui d'ajouter et de signer la transaction Bob paie Alice dix Ledger Dollars à ce livre de compte commun. Mais des échanges comme celui-ci ne seront pas garantis par le protocole. C'est maintenant plus une analogie sur comment échanger des dollars contre des euros ou n'importe qu'elle devise sur le marché ouvert. C'est juste sa propre chose indépendante. Ceci est la première chose importante à comprendre à propos de Bitcoin ou à propos de n'importe qu'elle crypto-monnaie. Ce que c'est, c'est un livre de compte. L'historique des transactions est la devise. Czech: se peníze do účetní knihy nedostávají od lidí, kteří by dávali reálné peníze do banku. K tomu, jak se do knihy peníze dostávají, se dostanu za chvíli. Předtím se ale zmíníme o důležitém rozdílu mezi naším systémem knižních dolarů a tím, jak fungují kryptoměny. Doposud jsme uvažovali, že kniha je na nějakém veřejném místě, jako např. webové stránce, kam může kdokoliv přidávat záznamy. Ale to by znamenalo důvěru v centrální bod, konrétně "kdo provozuje ty webové stránky?", "kdo kontroluje pravidla přidávání nových transakcí?". Abychom se zbavili závislosti na centrální autoritě, budou si u sebe všichni držet vlastní kopii knihy. Když budete chtít provést transakci, např. "Alice dluží Bobovi 100 LD", tak tu transakci vyšlete do světa, ostatní ji uslyší, a zapíšou ji do jejich kopií účetní knihy. Ale, pokud neuděláte ještě něco navíc, je tenhle systém k ničemu. Jak se všichni shodnou na tom, která z knih je ta správná? Když Bob obdrží zprávu o transakci "Alice dluží Bobovi 10 LD", Portuguese: Claro, com Bitcoin dinheiro não entra no histórico com pessoas comprando por meio de dinheiro físico real Vou explicar como o dinheiro entra em alguns minutos Mas antes disso, há na verdade uma diferença ainda mais significativa entre nosso sistema de Ledger Dollars, e como cripto moedas funcionam Até então, eu disse que esse registro está em um local público como um website que qualquer um pode adicionar novas linhas mas para isso seria preciso confiar em um local centralizado como, quem hospeda o website, quem controla as regras para adicionar novas linhas para remover essa parte de confiança, vamos fazer com que cada um mantenha sua própria cópia do registro Então quando quiser fazer uma transação, como Alice paga 100 LD para Bob o que você faz é transmitir isso para o resto do mundo para as pessoas ouvirem e gravarem no seu próprio registro privado Mas, a menos que faça algo a mais este sistema é absurdamente ruim como você poderia fazer com que todos concordassem sobre qual o registro correto é? Quando Bob recebe uma transação como, Alice paga 10 LD para Bob Indonesian: Uang tidak masuk buku besar dengan orang-orang membeli menggunakan uang tunai. Saya akan mengerti bagaimana uang baru masuk ke buku besar hanya dalam beberapa menit, Tapi sebelumnya, sebenarnya ada perbedaan yang jauh lebih signifikan antara sistem buku besar dollar kita saat ini dan bagaimana kerja mata uang kripto Sejauh ini, saya telah mengatakan bahwa buku besar ini ada di tempat umum, seperti situs web, di mana setiap orang dapat menambahkan baris baru. Tapi itu perlu mempercayai lokasi sentral, yaitu "siapa yang menyediakan website?", "siapa yang mengontrol aturan menambahkan baris baru?". Untuk menghapus sedikit kepercayaan itu, kita akan meminta semua orang menyimpan salinan buku besar mereka sendiri. Kemudian ketika Anda ingin melakukan transaksi, seperti Alice membayar Bob 100 LD, apa yang Anda lakukan adalah menyiarkannya keluar ke dunia agar orang bisa mendengar dan mencatat di buku besar pribadi mereka sendiri. Tapi, kecuali jika Anda melakukan sesuatu yang lebih, sistem ini sangat tidak masuk akal. Bagaimana Anda bisa membuat semua orang setuju dengan buku yang benar? Saat Bob menerima transaksi, seperti Alice membayar Bob 10 LD, French: Bien sûr avec Bitcoin, l'argent n'entre pas dans le livre de compte avec les gens l'achetant en utilisant l'argent liquide. J'expliquerais comment l'argent entre dans le livre de compte dans quelques minutes. Mais avant cela, il y a en fait une différence encore plus importante entre notre système actuel de Ledger Dollar et comment les crypto-monnaies fonctionnent. Jusqu'à présent j'ai dit que ce livre de compte était dans un endroit public comme par exemple un site web où tout le monde peut ajouter de nouvelles lignes. Mais cela nécessite de faire confiance à un emplacement central, à savoir qui hébergerait le site web contrôle les règles d'ajout de nouvelles lignes. Pour supprimer ce peu de confiance, nous ferons en sorte que tout le monde conserve sa propre copie du livre de compte. Alors lorsque vous voulez faire une transaction comme Alice paie Bob 100 LD. Ce que vous faites, c'est diffuser cela dans le monde entier pour que les gens entendent et enregistrent sur leur propre livre de compte privé. Mais à moins que vous fassiez quelque chose de plus, ce système est absurdement mauvais. Comment pouvez vous obtenir le consensus sur ce que le bon livre de compte est ? Lorsque Bob reçoit une transaction comme Alice paie Bob 10 LD. Comment pouvez-vous être sûr que personne d'autre Hungarian: nem az emberek készpénzes bevásárlásaival kerül pénz a főkönyvbe. Egy pár perc múlva eljutunk oda is hogyan kerül új pénz a főkönyvbe, de azelőtt, van egy még lényegesebb különbség a mi mostani "főkönyv dollar" (*ledger dollar*) rendszerünk és aközött ahogyan a kriptopénzek működnek. Eddig annyit mondtam, hogy ez a főkönyv valamilyen publikus helyen van, például egy weboldalon, ahol bárki hozzá tud adni újabb sorokat. De ez megköveteli, hogy megbízzunk egy központi helyben, nevezetesen abban, hogy "ki weboldal üzemeltetője?", "ki irányítja az új sorok hozzáadásának a szabályait?". Ahhoz, hogy megszüntessük a bizalom efféle szükségességét, mindenki tartani fog magánál egy saját másolatot a főkönyből. Azután amikor egy tranzakciót szeretnél csinálni, például "Alice fizet Bobnak 100LD-t", akkor azt közvetíted mindenkinek a világban, hogy az emberek az alapján elmenthessék a saját privát főkönyvjükben. De ha nem teszel még valamit, ez a rendszer abszurd módon rossz. Hogyan tudna mindenki meggyőződni arról, hogy melyik a helyes főkönyv? Amikor Bobnak küldenek egy tranzakciót, például "Alice fizet Bobnak 10LD-t", English: Of course, with Bitcoin money doesn’t enter the Ledger with people buying into using cash, I’ll get to how new money enters the ledger in just a few minutes. Before that, there’s an even more significant difference between our current system of LedgerDollars how cryptocurrencies works. So far, I’ve said that this ledger is some public place, like a website where anyone can add new lines. But this requires trusting a central location. Namely, who hosts that website? Who controls the rules of adding new lines? To remove that bit of trust, we’ll have everyone keep their own copy of the ledger. Then to make a transaction, like “Alice pays Bob 100 LedgerDollars”, you broadcast into the world for people to hear and record on their own private Ledgers. But unless we do something more, this system would absurdly bad. How can you get everyone to agree on what the right ledger is? When Bob receives the transaction “Alice pays Bob 10 LedgerDollars”, how can he be Arabic: لا تُضاف الأموال إلى السجل عبر أشخاص يشترون بالنقد (الكاش). سوف أقوم بشرح كيفية دخول الأموال إلى السجل خلال دقائق، ولكن قبل ذلك، هناك فرق أكثر أهمية بين نظام "دولار السجل" الحالي وبين طريقة عمل العملات المشفرة. حتى الآن، لقد قلت أن السجل متواجد بمكان عام، مثل موقع ويب ما، حيث يمكن لأي شخص إضافة أسطر جديدة. ولكن هذا سيتطلب الوثوق بجهة مركزية، بمعنى آخر، "من يملك موقع الويب هذا؟" "من يتحكم في قواعد إضافة أسطر جديدة؟" للتخلص من هذا الجزء المعتمد على الثقة، سيحتفظ كل شخص منا بنسخته من السجل. ثم عندما تريد إنشاء صفقة، مثل (أليس) ستدفع لـ(بوب) 100 LD. عليك أن تبث هذه العملية للجميع حتى يتمكن الآخرون من سماعها وتسجيلها في سجلاتهم الخاصة. ولكن، مالم تقم ببعض التعديلات، فإن هذا النظام سيء للغاية. كيف ستجعل الجميع يتفقون على إحدى هذه النسخ أنها هي الصحيحة؟ عندما يستلم (بوب) صفقة، مثلًا (أليس) ستدفع لـ(بوب) 10 LD، iw: כסף לא נוצר בספר החשבונות על ידי כך שאנשים מכניסים כסף מזומן לקופה ראשית. אני אגיע לאיך כסף חדש נכנס לספר החשבונות בתוך מספר דקות, אבל לפני כן, יש באמת הבדל משמעותי אף יותר בין המערכת הנוכחית שלנו של דולרי לדג'ר ואיך מטבועת מבוזרים עובדים. עד כה, הצהרתי כי ספר החשבונות הזה נמצא באיזה מקום ציבורי, כמו אתר, שבו כל אחד יכול להוסיף שורות חדשות. אבל זה דורש אמון במיקום המרכזי הזה, כלומר - "מי בעל האתר?" "מי שולט בכללים להוספת שורות חדשות לספר?" כדי להיפטר מהחלק דורש האמון הזה, נצטרך כולנו לשמור עותק משלנו של ספר החשבונות. ואז, כאשר אתם רוצים לבצע עסקה, כמו אליס משלמת לבוב מאה LD, מה שאתם צריכים לעשות זה לשדר את העסקה הזו לעולם כדי שאנשים אחרים יוכלו לשמוע ולתעד אותה בספרי החשבונות הפרטיים שלהם. אבל, אלא אם כן מוסיפים משהו, מערכת זו היא רעה באופן אבסורדי. איך אפשר לוודא שכולם מסכימים על מה היא הגרסא הנכונה של ספר החשבונות? כאשר בוב מקבל עסקה, כמו אליס משלמת עשרה LD לבוב, Turkish: insanların nakitle satın aldıkları para deftere girmez Yeni paranın deftere nasıl girdiğine birkaç dakika içinde geleceğim, ama ondan önce, daha önemli bir farklılık var bu fark; bizim ledger dolarlarımızın şuan ki sistemi ve cryptocurrencylerin çalışmasıyla arasında. Şimdiye kadar, bu defterin halka açık bir yerde olduğuydu, herkesin yeni bir satır ekleyebildiği bir websitesi gibi. Ama bu merkezi bir yere güven gerektirir, diğer bir deyişle "bu websitesinin sahibi kim?" "yeni bir satır eklemenin kuralını kim kontrol ediyor?". Bu güven unsurunu kaldırmak için, herkese kendi defter kopyasını saklarız. Sonra da " Alice Bob'a 100 LD öder" gibi parasal işlem yapmak istediğinde, yaptığın şey; dünyaya yayın yapmak.. ..insanların duymasını ve kendi özel defterlerine kaydetmesi için. Ama, daha fazla şey yaptıkça, bu sistem absürt bir şekilde kötü. Herkes doğru defterin ne olduğunu kabul etmesini nasıl sağlardın? "Alice Bob'a 10 LD öder" gibi Bob bir parasal işlem alırsa, Korean: 사람들이 현금으로 비트코인을 사더라도, 장부에 실질적인 돈이 들어오는 것은 아니라고. 장부에 새로운 돈이 어떻게 들어오는지는 몇 분 후에 설명해줄게. 일단 지금은, 현재의 장부달러 체계와 암호화 화폐가 작동하는 체계는 큰 차이가 있다는 점이 중요해. 지금까지, 장부는 일종의 공용 장소라고 얘기했잖아? 아무나 새로운 내용을 추가할 수 있는 웹사이트 같다고 얘기했지. 하지만 웹사이트는 어떤 중앙의 통제소를 필요로 해. 즉, 그 웹사이트를 "(중앙의)누군가"가 호스팅하고 있다는거지. 그럼 장부에 새로운 내용을 추가하는 것도 중앙의 누군가가 통제하는 걸까? 중앙의 누군가에 의존하지 않으려면, 모든 사람들이 장부의 복사본을 가지고 있어야 돼. 그리고 "앨리스가 밥에게 100 장부달러 지불"이라는 거래를 기록하려면 장부를 가지고 있는 모든 사람들에게 이 거래를 알려야 하지. 그래야 사람들이 그 거래 정보를 듣고 자기들이 각자 보유한 장부에 기록할 수 있을테니까. 하지만 여기에 추가적인 조치를 하지 않는다면, 각자 복사본을 보유하는 이런 체계는 매우 안 좋아. 수많은 장부 중에서 어떤 장부가 올바른 장부인지 어떻게 알 수 있겠어? 밥이 "앨리스가 밥에게 10 장부달러 지불"이라는 거래 정보를 수신받았다면, Chinese: 用現金購買比特幣不會在帳本上記錄 新的比特幣如何產生我待會再細說 但在此之前,我們的LD體系和當前加密貨幣還有一大不同 我剛提到這個公共帳本存在於某個公共地點 比如一個網站,所有人都能登入並添加記錄 那樣的話我們就必須信任這一中心機構 那究竟誰來管理這個網站,誰來控制添加記錄的規則呢 讓所有人都能獲取這份帳本也就不需要信任中心機構了 當產生交易,如「Alice支付Bob 100元」 你就將這個訊息廣播給網絡中所有的人 他人收到了這個訊息都在自己那份帳本上記下這條交易 但是除非有更多相應的措施,這樣的設計相當糟糕 你要如何確保所有人手裡都是正確的那份帳本呢 當Bob收到了如「Alice支付Bob10帳元」的交易, German: indem Leute Bitcoins mit Bargeld kaufen. Wie das Geld auf das Bestandsbuch kommt erkläre ich in ein paar Minuten. Aber vorher gibt es noch einen anderen, eigentlich noch wichtigeren Unterschied zwischen unserem Währungssystem, den Ledger Dollars, und der Funktionsweise von Kryptowährungen. Bisher habe ich gesagt, dass dieses Bestandsbuch ein öffentlicher Ort ist. Wie eine Website auf der jeder neue Zeilen eintragen kann. Aber das würde voraussetzen einem zentralen Ort zu vertrauen. Nämlich: "Wer hostet die Website?" "Wer bestimmt die Regeln für das Hinzufügen neuer Zeilen?" Um dieses Stück Vertrauen zu entfernen lassen wir jeden seine eigene Kopie des Bestandsbuchs haben. Wenn du dann eine Transaktion durchführen möchtest, beispielsweise "Alice zahlt Bob 100 LD.", dann sendest du diese Nachricht in die Welt hinaus, damit die Leute sie hören und auf ihren eigenen, privaten Bestandsbüchern vermerken. Aber, solange du nicht noch einen Schritt weiter gehst ist dieses System grauenhaft schlecht. Wie kriegst du die Leute dazu zu entscheiden, welches das richtige Bestandsbuch ist? Wenn Bob eine Zahlung empfängt, "Alice zahlt Bob 10 LD.", Modern Greek (1453-): τα χρήματα δεν εισέρχονται στο βιβλίο απλά με ανθρώπους που αγοράζουν με χρήση μετρητών. Θα φτάσω στο πώς νέο χρήμα εισέρχεται στο βιβλίο μέσα σε λίγα λεπτά, αλλά πριν από αυτό, υπάρχει στην πραγματικότητα μια ακόμη πιο σημαντική διαφορά μεταξύ του τωρινού συστήματος δολαρίων βιβλίου και του πώς τα κρυπτονομίσματα λειτουργούν. Μέχρι στιγμής, έχω πει ότι αυτό το βιβλίο είναι σε κάποιο δημόσιο χώρο, σαν έναν ιστότοπο, όπου ο καθένας μπορεί να προσθέσει νέες γραμμές. Αλλά αυτό θα απαιτούσε εμπιστοσύνη σε μία κεντρική τοποθεσία, δηλαδή «ποιος φιλοξενεί τον ιστότοπο;», «Ποιος ελέγχει τους κανόνες για την προσθήκη νέων γραμμών;». Για να αφαιρεθεί εκείνο το κομμάτι της εμπιστοσύνης, θα πρέπει ο καθένας να κρατήσει το δικό του αντίγραφο του βιβλίου. Στη συνέχεια, όταν θέλετε να κάνετε μια συναλλαγή, όπως η Alice πληρώνει τον Bob 100 LD, αυτό που κάνουμε είναι να το εκπέψουμε σε όλους τους άλλους τους ανθρώπους ώστε να το "ακούσουν" και να το καταγράψουν στο δικό τους ιδιωτικό βιβλίο Αλλά, αν δεν κάνουμε κάτι περισσότερο, αυτό το σύστημα είναι παράλογα κακό. Πώς θα μπορούσαν όλοι να συμφωνήσουν στο ποιο είναι το σωστό βιβλίο; Όταν ο Bob λαμβάνει μια συναλλαγή, όπως η Alice πληρώνει τον Bob 10 LD, Italian: i soldi non entrano nel libro mastro con le persone che comprano in contanti. Spiegherò come i soldi entrano nel libro contabile tra qualche minuto, ma prima c'è una differenza ancora più significativa tra come il nostro sistema bastato sui "dollari del libro mastro" funziona e le criptovalute. Finora ho detto che il libro mastro è in un qualche posto pubblico, come un sito web, a cui ognuno può aggiungere nuove linee. Ma questo necessiterebbe di fidarsi di una posizione centralizzata, ossia, "chi è il proprietario del sito web?", "chi controlla le regole per aggiungere nuove linee?". Per rimuovere questa fiducia, ognuno dovrà mantenere la sua propria copia del libro mastro. Quindi quando vuoi fare una transazione come "Alice paga a Bob 100 LD", quello che fai è trasmetterlo al mondo così che le altre persone possano sentirlo e aggiungerlo al proprio libro mastro. Ma, a meno di migliorarlo, questo sistema non funziona per nulla bene. Come fai a mettere tutti d'accordo su quale sia il giusto libro mastro? Quando Bob riceve una transazione, come "Alice paga a Bob 10 LD", Vietnamese: tiền không vào sổ cái khi mọi người mua bằng tiền mặt. Lát nữa, tôi sẽ nói tới việc làm thế nào để tiền mới nhập vào sổ cái, nhưng trước đó, thực sự có một sự khác biệt đáng kể giữa hệ thống "đồng sổ cái" của ta và cách đồng tiền mã hóa vận hành. Cho đến nay, tôi đã nói rằng sổ cái này là công cộng, giống như một trang web, nơi mọi người có thể thêm dòng mới. Nhưng điều đó đòi hỏi sự tin tưởng vào vị trí trung tâm này, cụ thể là " ai là chủ trang web", "ai kiểm soát các quy tắc của việc thêm dòng mới". Để loại bỏ yếu tố niềm tin đó, chúng ta sẽ cho mọi người giữ bản sao riêng của sổ cái. Sau đó, khi bạn muốn thực hiện giao dịch, như "Alice trả cho Bob 100 LD", bạn phát thông tin ra cho thế giới để mọi người nghe và ghi lại vào sổ cái riêng của họ. Nhưng, trừ khi bạn thêm vào yếu tố gì đó, hệ thống này rất tệ. Làm thế nào bạn có thể làm cho mọi người đồng thuận về một sổ cái chính xác? Khi Bob nhận được một giao dịch, như "Alice trả cho Bob 10 LD", Lithuanian: pinigai neateina į apskaitą žmonėms tiesiog susimokant grynais pinigais. Aš prieisiu prie to, kaip nauji pinigai įeina į apskaitą po kelių minučių, bet prieš tai, iš tikro yra dar didesnis skirtumas tarp mūsų dabartinės apskaitos sistemos dolerių ir kaip kriptovaliutos veikia. Kolkas, aš sakiau, kad ši apskaita yra kažkokioje viešoje vietoje, kaip interneto puslapis, kur bet kas gali pridėti naujas eilutes. Bet tam reiktų pasitikėti centrine vieta, konkrečiai "kam priklauso interneto puslapis?", "kas kontroliuoja taisykles, kaip pridėti naujas eilutes?". Kad pašalintume tą gabaliuką pasitikėjimo, mums reikės, kad visi turėtų savo pačių apskaitos kopiją. Tada, kai tu nori padaryti transakciją, kaip Alisa sumoka Bobui 100 LD, ką Tu darai, tai transliuoji šitai į pasaulį, kad žmonės išgirstų ir įsirašytų į savo asmenines apskaitas. Bet, nebent padarysi kažką dar, ši sistema yra absurdiškai bloga. Kaip padarysi, kad visi sutartų, kuri apskaita yra teisinga? Kai Bobas gauna transakciją, kaip Alisa moka Bobui 10 LD, Russian: деньги не попадают в реестр потому, что их кто-то купил за наличные. Я обьясню, как они попадают туда, через несколько минут, но перед этим нам нужно отметить еще более важную разницу между нашей системой LD и настоящими криптовалютами. Я говорил, что реестр находится в открытом доступе, как, например, сайт, и кто угодно может добавлять в него записи. Но это означало бы, что нужно доверять какой-то центральной организации. На чьём сервере он размещен? Кто следит за правилами, по которым добавляются записи? Чтобы не было необходимости в доверии, у каждого будет храниться своя копия реестра. Когда нужно совершить операцию, например, Алиса захочет заплатить Бобу 100 LD, это просто нужно сообщить всему миру, чтобы каждый записал это в своем личном реестре. Но если больше ничего не предпринимать, система просто ужасна. Как всем согласиться, чей реестр верный? Когда Боб получает платеж, например, Алиса платит Бобу 10 LD, Spanish: el dinero no entra al libro de cuentas cuando la gente compra usando dinero real para entrar ya llegaré a como nuevo dinero entra al libro de cuentas en unos minutos, pero antes de eso, hay en realidad una diferencia aun más importante entre nuestro sistema actual de dolares de cuenta y cómo las criptomonedas funcionan-- Hasta el momento, he dicho que el libro de cuentas esta en algún espacio público, como una página web. donde cualquiera puede añadir nuevas líneas. Pero eso requeriría confiar en una ubicación central, a saber "quién aloja la página"? "quién controla las reglas para añadir nuevas líneas"? Para eliminar la confianza de la ecuación, haremos que todo el mundo guarde su propia copia del libro de cuentas. Entonces cuando quieres hacer una transacción, como Alice paga a Bob 100 LD. lo que haces es emitirla al resto de participantes para que la reciban y almacenen en su copia privada del libro de cuentas. Pero, a no ser que hagas algo más este sistema es ridiculamente malo. ¿Cómo podrías conseguir que todos estén de acuerdo en cual es el libro de cuentas correcto? Cuando Bob recibe una transacción, como Alice paga a Bob 10 LD, Polish: pieniądze nie wchodzą do księgi od osób kupujących przy użyciu gotówki. Przejdę do tego, jak nowe pieniądze dostają się do księgi w ciągu zaledwie kilku minut, ale przed tym, jest faktycznie jeszcze bardziej istotna różnica między naszym obecnym systemem dolarów księgi głównej i tego, jak działają kryptowaluty. Do tej pory mówiłem, że księga jest w jakimś miejscu publicznym, na przykład na stronie internetowej, gdzie każdy może dodać nowe wiersze. Ale to wymagałoby ufania centralnej lokalizacji, mianowicie tego, „kto jest gospodarzem strony?”, „kto kontroluje zasady dodawania nowych wierszy?”. Aby usunąć tę kwestię zaufania, niech każdy ma swoją własną kopię księgi. Wtedy, gdy chcemy dokonać transakcji, jak "Alicja płaci Bobowi 100 LD", trzeba to wyemitować w świat aby ludzie to usłyszeli i zarejestrowali we własnych prywatnych księgach. Ale, dopóki nie zrobimy czegoś więcej, system ten jest absurdalnie zły. Jak można dostać zgodę wszystkich, jaka księga jest właściwa? Kiedy Bob odbiera transakcję, jak "Alicja płaci Bobowi 10 LD", Chinese: 人们只有用现金购买和使用比特币才会在账本上记录 但新的比特币如何产生我一会儿再细说 但此之前,我们的LD体系和当前加密货币还有一大不同 我刚提到这个公共账本存在于某个公共地点 比如一个网站,所有人都能登陆并添加记录 那样的话我们就必须信任这一中心机构 那究竟谁来管理这个网站,谁来控制添加记录的规则呢 让所有人都能获取这份账本也就不需要信任中心机构了 当你需要发生交易,如Alice支付Bob 100元 你需要将这个信息广播给网络中所有的其他人 他人收到了这个信息都在自己那份账本上记下这条交易 想法虽然简单,但这样的设计相当糟糕 如何确保所有人手里都是正确的那份账本呢 当Bob收到了如Alice支付Bob10账元的交易, Japanese: 当然の事ながら、現実の貨幣が元帳と一切関わっておらず、 暗号通貨のみで完結している。 その説明に入る前に、元帳ドルと暗号通貨の間には 大きな違いがあることを示しておく。 先程、この元帳はウェブページのように公開されており、 誰でも記録を追加できると説明した。 しかしこれでは信頼できる中心機関が必要となる。 問題は「誰が保管するのか?」 「誰が記録のルールを管理するのか?」である。 信頼の必要性を消すため、皆が元帳のコピーを持つこととする。 これでアリスがボブに100元帳ドル支払うなどの取引を追加したら、 そのことを世界全体に伝えて、 人々が各々の持つ元帳を更新できるようにする。 しかしこれでは、システム全体が簡単に崩壊する。 今現在正しい元帳がどれかを確かめるすべがない。 ボブが、アリスがボブに10元帳ドル支払うなどの取引記録を受け取ったとき、 iw: איך הוא יכול להיות בטוח שכולם קיבלו את המידע אודות אותה העסקה כפי שהיא נכתבה כדי שהוא יוכל, בהמשך, ללכת לצ'רלי ולהשתמש באותם עשרה LD כדי לעשות עסקה אחרת? נסו לדמיין את עצמכם יושבים ומקשיבים לעסקאות משודרות, איך אתם יכולים להיות בטוחים שכולם תיעדו את אותן העסקאות, ובאותו הסדר? זהו בעצם לב לנושא. זו היא בעייה מעניינת. האם אתם יכולים להמציא פרוטוקול כדי לקבל או לדחות עסקאות ובאיזה סדר, כך שתוכלו להרגיש בטוחים שכל אחד אחר בעולם אשר עוקב אחרי אותו פרוטוקול יש ספר חשבונות שנראה זהה לשלכם? זוהי הבעיה אשר מקבלת מענה במאמר המקורי אודות הביטקוין. באופן כללי, הפתרון שהביטקוין מציע הוא לבטוח כי ספר החשבונות הנכון הוא זה אשר הושקעה בו הכי הרבה עבודה חישובית. אני אקח רגע להסביר בדיוק מה זה אומר, זה כרוך בדבר שנקרא "פונקצית hash קריפטוגרפית". Chinese: 他如何確保其他人也都同樣收到並且相信這個訊息 讓他在今後可以用這10帳元支付給Charlie做交易? 試著想想是你自己收聽著來自外界的交易資訊廣播 你怎麼確定其他人和你一樣以相同的順序記錄著相同的交易資訊 這才是關鍵所在,也是一個有趣的難題 你能想出一個規則來決定接受或拒絕收到的交易資訊 同時確信其他人在這個規則下 都能以同樣的順序接受交易資訊 並最終形成同樣的一份個人帳本嗎? 這就是比特幣原始論文處理的問題 簡單地講,比特幣的解決辦法是 選擇信任消耗最多計算資源的那份帳本 我會花一些時間解釋這到底代表什麼意思 它涉及「加密雜湊函數」這個概念 Spanish: cómo puede estar seguro de que todos los demás han recibido y se creen esa transacción para que más tarde pueda ir a Charlie y usar esos mismos 10 LD para hacer una transacción? De verdad, imaginate recibiendo transacciones emitidas cómo puedes estar seguro de que todos los demás están anotando las mismas transacciones y en el mismo orden? Este es realmente el meollo del asunto. Es un problema interesante. ¿Puedes pensar en un protocolo para aceptar o rechazar transacciones y en qué orden, para que puedas estar seguro de que todos los demás que están utilizando ese protocolo tengan un libro de cuentas personal idéntico al tuyo? Este es el problema abordado en el artículo original de Bitcoin. A un alto nivel, la solución que ofrece Bitcoin es confiar en el libro de cuentas que ha llevado el mayor trabajo computacional. Haré un pequeño inciso para explicar exactamente lo que siginifica esto, tiene que ver con una cosa llamada "función criptográfica hash". Czech: jak si může být jistý, že všichni ostatní ji také obdrželi a věří jí? Jak ví, že později bude moct jít za Charliem a použít těchto 10 LD pro svou vlastní transakci? Jen si to představte sami. Posloucháte jak vám chodí transakce, jak si můžete být jisti, že všichni ostatní si zaznamenávají ty samé transakce v tom samém pořadí? Tohle je to jádro pudla. Tohle je zajímavý problém. Dokážete vymyslet sadu pravidel o tom, jak přijímat nebo odmítat transakce a ve správném pořadí, abyste si mohli být jisti, že všichni, kteří hrají podle stejných pravidel, budou u sebe mít knihu, která bude vypadat stejně, jako ta vaše? Tohle je problém řešený v původním článku o Bitcoinu. Jednoduše řečeno, řešení které Bitcoin nabízí je věřit té verzi knihy, do které bylo vloženo nejvíc výpočetní námahy. Na chvilku se zastavím u vysvětlení, co to znamená. Zahrnuje to tzv. "kryptografickou hash funkci". Portuguese: Como ele pode ter certeza de que todos receberam e acreditam nessa transação? que ele vai poder, depois, ir até o Charlie e usar os mesmo 10 LD para fazer uma transação? Sério, imagine você mesmo ouvindo transações sendo transmitidas como você pode ter certeza de que todos estão gravando as mesmas transações, e na mesma ordem? Este é realmente o coração do problema, um quebra-cabeça interessante Você consegue criar um protocolo para como aceitar ou rejeitar transações e em que ordem para que você possa estar seguro de que qualquer outra pessoa no mundo que está seguindo o mesmo protocolo tem um registro pessoal igual ao seu? Este é o problema tratado no ensaio original do Bitcoin. No alto nível, a solução que Bitcoin oferece é confiar no registro que possui o maior trabalho computacional utilizado Vou usar um momento para explicar exatamente o que isso significa, envolve essa coisa chamada Função Hash Criptográfica Lithuanian: kaip jis gali būti tikras, kad visi kiti gavo ir pasitiki ta pačia transakcija, kad jis galės vėliau nueiti pas Čarlį ir panaudoti tuos pačius 10 LD, kad padarytų naują transakciją? Rimtai, įsivaizduok save tik besiklausant transakcijų, kurios transliuojamos, kaip gali būti tikras, kad visi kiti užfiksuoja tas pačias transakcijas tokia pat tvarka? Šitai iš tikro ir yra problemos esmė. Tai įdomus galvosūkis. Ar gali sugalvoti protokolą kaip priimti ar atmesti transakcijas ir kokia tvarka, taip, kad jaustumeisi tikras, kad bet kas kitas pasaulyje, kuris laikosi to paties protokolo turi asmeninę apskaitą, kuri atrodo taip pat kaip tavo? Tai yra problema, spręsta pirminiame Bitkoino straipsnyje. Aukštame lygyje, sprendimas, kurį Bitkoinas siūlo yra pasitikėti ta apskaita, kuri yra įdėjusi daugiausiai skaičiuojamojo darbo. Aš paskirsiu laiko paaiškinti, ką tai reiškia. Su tuom susijęs toks dalykas kaip "kriptografinės hešo (smulkinimo ir maišymo) funkcijos". Italian: come fa ad essere sicuro che tutti gli altri abbiano ricevuto e credano alla stessa transazione così che possa andare più tardi da Charlie e usare questi stessi 10 LD per fare una nuova transazione? Davvero, immaginati ad ascoltare le transazioni che vengono trasmesse, come puoi essere sicuro che tutti gli altri stiano registrando le stesse transazioni e nello stesso ordine? Questo è proprio il cuore del problema. Questo è un puzzle interessante. Puoi immaginarti un protocollo per come accettare o rifiutare una transazione e in che ordine, così che ti possa fidare del fatto che tutti gli altri nel mondo che stanno seguendo lo stesso protocollo abbiano il proprio libro mastro uguale al tuo? Questo è il problema affrontato sulla pubblicazione originale sul Bitcoin. Ad alto livello, la soluzione offerta dal Bitcoin è di fidarsi del libro mastro che contiene più "lavoro computazionale". Prendo un momento per spiegare cosa significa esattamente, coinvolge le cosiddette "funzione crittografica di hash". Modern Greek (1453-): πώς μπορεί να είναι σίγουρος ότι όλοι οι άλλοι έλαβαν και πίστεψαν ότι η ίδια συναλλαγή ότι θα είναι σε θέση να πάει αργότερα στον Charlie και να χρησιμοποιήσει τα ίδια αυτά 10 LD για να κάνει μια συναλλαγή; Πραγματικά, φανταστείτε τον εαυτό σας μόνο να "ακούτε" (παρακολουθείτε) τις συναλλαγές που εκπέμπονται πώς μπορείτε να είστε σίγουροι ότι όλοι οι άλλοι καταγράφουν τις ίδιες συναλλαγές και με την ίδια σειρά; Αυτή είναι πραγματικά ο πυρήνας του ζητήματος. Αυτό είναι ένα ενδιαφέρον παζλ. Μπορείτε να καταλήξετε σε ένα πρωτόκολλο για την αποδοχή και απόρριψη των συναλλαγών και με ποια σειρά, έτσι ώστε να μπορείτε να αισθάνεστε σίγουροι ότι οποιοσδήποτε άλλος στον κόσμο που παρακολουθεί το ίδιο πρωτόκολλο έχει ένα προσωπικό βιβλίο που φαίνεται ίδιο με το δικό σας; Αυτό είναι το πρόβλημα που διορθώνεται στο αρχικό έγγραφο Bitcoin (την αρχική εργασία). Σε υψηλό επίπεδο, η λύση που προσφέρει το Bitcoin είναι να εμπιστεύονται όποιο βιβλίο έχει τη μεγαλύτερη υπολογιστική εργασία Θα πάρω μια στιγμή για να εξηγήσω τι ακριβώς σημαίνει αυτό, περιλαμβάνει αυτό το πράγμα που ονομάζεται «κρυπτογραφική συνάρτηση κατακερματισμού». Vietnamese: làm thế nào anh ta có thể chắc rằng mọi người khác đã biết về và tin tưởng giao dịch đó rằng sau đó, anh ta sẽ có thể sử dụng cùng 10 LD đó để thực hiện giao dịch với Charlie? Thật vậy, hãy tưởng tượng chỉ nghe được các giao dịch đang được phát sóng, sao bạn có thể chắc rằng người khác đang ghi lại các giao dịch tương tự và theo cùng một thứ tự? Đây thực sự là tâm điểm của vấn đề. Đây là một câu đố thú vị. Sao bạn có thể đưa ra một giao thức cho việc chấp nhận hoặc từ chối giao dịch và theo thứ tự nào để bạn có thể cảm thấy tự tin rằng bất cứ ai trên thế giới đang tuân theo cùng một giao thức có một sổ cái cá nhân trông giống như của bạn? Đây là vấn đề được chỉ ra trong bản gốc của bài nghiên cứu Bitcoin. Ở cấp độ cao, giải pháp mà Bitcoin cung cấp là: đặt niềm tin vào sổ cái nào có nhiều sự tính toán nhất trong đó. Tôi sẽ dành một chút thời gian để giải thích chính xác điều đó có ý nghĩa gì, nó liên quan đến "hàm băm mật mã học" (hàm hash). Turkish: diğer herkesin aynı parasal işlemini aldığından ve inandığından nasıl emin olur ki o daha sonra aynı parasal işlemi yapmak için 10 LD yi kullanıp daha sonra Charlie'e gidebilir Gerçekten, kendini parasal işlemlerin yayınlarını dinlerken hayal et, herkesin aynı düzenle içinde aynı işlemi kaydettiğinden nasıl emin olabilirsin? Bu gerçekten sorunun kalbi. Bu ilgi çekici bir bulmaca. Parasal işlemleri kabul eden veya reddeden bir protokol bulabilir misin, ki bu bulduğun düzende kendini güvende hissedip dünyadaki herkesin aynı protokolü takip eden ve.. ..seninkinin aynısı olan bir kişisel defter daha var mıdır? Esas Bitcoin makalelerinde ele alınan sorun budur. Yüksek düzeyde, Bitcoin'in sunduğu çözüm.. ..hangi defter olursa olsun en hesaplama işi olana güvenmektir. Aslında bunun ne demek olduğunu açıklama için bir dakikanızı alacağım, bu "Kriptografik (şifreleyici ) hash fonksiyonunu " denen şeyi içerir. Japanese: ボブ以外の全員が同じ記録を受け取ったかどうか確かめられない。 これではその10元帳ドルを使ってチャーリーと取引することも難しい。 ただ取引記録を聞くだけの立場にいると想像してほしい。 自分以外の全員が全く同じ順序で全く同じ取引を記録しているか確信できない。 これは深刻な問題で、 解決しがいがある。 取引の認証と拒否をしながらも、同じプロトコルの使用者全員が、 常に同様の元帳のコピーを持っていることを、 保証してくれるようなプロトコルの設計を、 どの様にすれば出来るだろうか。 これは最初のビットコインの提案書で肝心となっていた点である。 ビットコインが提供する精錬された解決方法は、 最も計算量の多いワークが含まれている元帳を信用するというものである。 これが何を意味するかの説明には少し時間がいる。 まず「暗号論的ハッシュ関数」の知識が必要になる。 German: wie kann er dann sicher sein, dass alle anderen diese Transaktion empfangen haben und sie für glaubwürdig halten? Woher weiß er sicher, dass er später zu Charlie gehen kann, und genau diese 10 LD in einer Transaktion verwenden kann? Stell dir wirklich mal vor einfach nur zuzuhören wie Transaktionen gesendet werden. Wie kannst du sicher sein, dass alle anderen dieselben Transaktionen in derselben Reihenfolge aufzeichnen? Das ist das Kernstück des Problems und ein interessantes Puzzle. Hast du eine Idee wie man Transaktionen akzeptiert oder ablehnt? Und in welcher Reihenfolge? Kannst du sichergehen, dass jeder, der derselben Regel folgt, ein persönliches Bestandsbuch hat, dass genau so aussieht wie deins? Das ist das Problem um das es im original Bitcoin-Paper geht. Grob gesagt, die Lösung, die Bitcoin bietet, ist immer dem Bestandsbuch zu trauen, in das am meisten rechnerische Arbeit investiert wurde. Lass mich kurz erklären, was das genau bedeutet. Es hat mit etwas zu tun, dass sich "kryptografische Hash-Funktion" nennt. Chinese: 他如何确保并相信其他所有人也同样收到了这一信息 能让他在今后可以用这10账元支付给Charlie做交易? 试着想想是你自己收听着来自外界的交易信息广播 该如何确保其他人和你一样以相同的顺序接受交易信息 这才是关键所在,也是一个有趣的难题 你能想出一个方法来决定接受或拒绝收到的交易信息 而且你确信其他所有人在这个方法下 能以同样的顺序接受交易信息 最终形成同样的一份账单 这也是比特币原始论文中详述的部分 简单地讲,比特币的解决办法是 选择信任消耗最多计算资源的那份账本 我会花一些时间详细讲是什么意思 它涉及到“加密散列函数”这个概念 Polish: jak on może mieć pewność, że wszyscy otrzymali i wierzą w prawdziwość tej samej transakcji, że on będzie mógł później udać się do Charliego i używać tych samych 10 LD, aby dokonać transakcji? Naprawdę, wyobraź sobie tylko słuchanie nadawania transakcji. W jaki sposób można mieć pewność, że wszyscy rejestrują te same transkacje i w tej samej kolejności? To jest naprawdę główny problem tej kwestii. Jest to ciekawa zagadka. Można wymyślić protokół, jak zaakceptować lub odrzucić transakcje i w jakiej kolejności, dzięki czemu można mieć pewność, że ktokolwiek inny na świecie, kto realizuje ten sam protokół ma prywatną księgę, która wygląda tak samo jak twoja? Jest to pytanie otwarte w oryginalnych dokumentach Bitcoin. Na wysokim poziomie, Bitcoin oferuje rozwiązanie polegające na tym, aby ufać księdze, która ma najwięcej wykonanej pracy obliczeniowej. Poświęcę chwilę, aby dokładnie wyjaśnić, co to znaczy. Wiąże się to z czymś o nazwie „kryptograficzna funkcja skrótu”. French: reçoive et croit cette même transaction ? Qu'il sera capable d'aller voir Charlie plus tard et d'utiliser ces mêmes 10 LD pour faire une transaction. Vraiment, imaginez-vous juste écoutant les transactions qui ont été diffusées. Comment pouvez-vous être sûr que tous les autres sont en train d'enregistrer la même transaction dans le même ordre ? Ceci est vraiment le coeur du problème. C'est une énigme intéressante. Pouvez-vous arriver avec un protocole pour comment accepter ou rejeter une transaction ? Et dans quel ordre ? Alors vous vous pouvez vous sentir sûr que personne d'autre dans le monde qui suit le même protocole a un livre de compte personnel qui a la même apparence que le votre. Ceci est le problème adressé au papier original du Bitcoin. A un haut niveau la solution que le Bitcoin offre est de faire confiance au livre de compte qui a le plus de travail de calcul en son sein. Je prendrais un moment pour expliquer ce que cela signifie exactement. Cela implique cette chose appelée fonction de hash cryptographique. English: sure that everyone else received and believes that same transaction? That he’ll be able to later use those 10 LedgerDollars to make a trade with Charlie. Really, imagine yourself just listening to transactions being broadcast. How can you be sure that everyone else is recording the same transactions in the same order? Now we’ve hit on an interesting puzzle: Can you come up with a protocol for how to accept or reject transactions and in what order so that you can feel confident that anyone else in the world following the same protocol has a personal ledger that looks the same as yours? This is the problem addressed in the original Bitcoin paper. At a high level, the solution Bitcoin offers to trust whichever ledger has the most computational work put into it. I’ll take a moment to explain what exactly that means, which involves this thing called a “Cryptographic hash function”. Indonesian: bagaimana dia bisa memastikan bahwa semua orang menerima dan percaya bahwa transaksi yang sama bahwa dia akan bisa kemudian pergi ke Charlie dan menggunakan 10 LD yang sama untuk melakukan transaksi? Sungguh, bayangkan diri Anda hanya mendengarkan transaksi yang disiarkan, bagaimana Anda bisa yakin bahwa orang lain mencatat transaksi yang sama dan dalam urutan yang sama? Ini benar-benar inti permasalahannya. Ini adalah teka-teki yang menarik. Bisakah Anda membuat sebuah protokol untuk menerima atau menolak transaksi dan dalam urutan apa sehingga Anda bisa merasa yakin bahwa siapa pun di dunia yang mengikuti protokol yang sama memiliki buku besar pribadi yang terlihat sama dengan milikmu? Inilah masalah yang dibahas dalam makalah Bitcoin yang asli. Pada tingkat tinggi, solusi yang ditawarkan Bitcoin adalah untuk mempercayai buku besar mana pun yang memiliki kary komputasi paling banyak yang dimasukkan ke dalamnya. Saya akan luangkan waktu untuk menjelaskan dengan tepat apa artinya itu, Ini melibatkan hal ini yang disebut "fungsi hash kriptografi". Korean: 다른 모든 사람들도 똑같은 거래 정보를 수신 받고 그 거래 정보를 신뢰해서, 밥이 앨리스에게 받은 그 10 장부달러를 찰리에게 지불할 수 있다는 것을 밥은 어떻게 확신할 수 있을까? 자 실제로 여러분이 브로드캐스팅 되는 거래 정보를 수신하고 있다고 상상해보자. 여러분뿐아니라 다른 모든 사람들도 똑같은 거래를 똑같은 순서로 그들의 장부에 기록해서 모든 사람들의 장부 내용이 언제나 완전히 똑같다는 것을 확신할 수 있을까? 이게 바로 문제의 핵심이야!! 이건 진짜 재미있는 퍼즐이라고. 거래 내용을 접수하거나 거절하는 기준이 되고, 거래 내용 기록의 순서를 정하는 기준이 될 수 있는 규약을 만들 수 있을까? 그래서 모든 사람이 그 규약을 따르기만 하면 모든 사람들의 장부가 여러분의 장부와 완전히 똑같다는 것을 확신할 수 있게 해주는 규약이 있을까? 비트코인 논문에는 바로 그 문제에 대한 해답이 담겨 있어. 좀 추상적인 수준에서 살펴보면, 비트코인이 제시한 해법이라는 것은 가장 많은 계산 작업을 포함하고 있는 장부가 신뢰할 만한 올바른 장부라는 것이야. 이게 무슨 뜻인지 더 자세히 설명해줄게. 그건 "암호화 해쉬 함수"라는 것과 관련이 있어. Hungarian: hogyan győződhet meg arról, hogy mindenki más is megkapta és elhiszi ugyanazt a tranzakciót, ha majd később odamegy Charlie-hoz, hogy felasználja ugyanazt a 10LD-t egy tranzakcióhoz? De tényleg, gondolj csak bele, hogy ha a szétküldött tranzakciókat figyeled, hogyan győződhetsz meg arról, hogy mindenki más is ugyanazokat a tranzakciókat ugyanabban a sorrendben menti el? Ennek a problémának valójában ez a lényege. Ez egy érdekes feladvány. Ki tudsz-e találni egy olyan protokollt, amivel úgy tudsz fogadni vagy elutasítani tranzakciókat, és milyen sorrendben, ahhoz, hogy meggyőződhess arról, hogy ha bárki a világban aki ezt a protokollt követi, annak ugyanúgy nézzen ki az ő saját személyes főkönyve, mint a tiéd? Az eredeti Bitcoin tanulmány ezt a problémát oldja meg. Egy magasabb szinten, a megoldás amit a Bitcoin kínál az az, hogy abban a főkönyvben bízunk, amelyikbe a legtöbb számítási munkát tették. Most röviden elmondom, hogy mit jelent ez pontosan, egy olyan dolgot foglal magában amit úgy nevezünk hogy "kriptográfiai hasítófüggvény" (*cryptographic hash function*). Russian: как он может быть уверен, что все знают и верят, что операция произошла, и что потом он сможет прийти к Чарли и потратить те самые 10 LD на другую операцию? Серьёзно, представьте, что вы слушаете поток сообщений об операциях, тогда как вы можете быть уверены, что все записывают то же самое в том же порядке? Как раз в этом вся загвоздка. А задача интересная. Можно ли придумать протокол, по которому принимать или отклонять операции, и в каком порядке это делать, чтобы точно знать, что у всех, кто следует этому протоколу, реестр выглядит точно так же, как ваш? Изанчальный документ о Биткоине как раз описывает эту проблему. В общих словах, решение, которое предлагает Биткоин - доверять тому реестру, над которым проводилось больше вычислительной работы. Уделю пару минут, чтобы объяснить, что это значит. Речь о так называемой криптографической хеш-функции. Arabic: كيف سيتأكد من أن الجميع حصل على المعلومات المتعلقة بهذه الصفقة كما تمت كتابتها لكي يستطيع بعد ذلك أن يذهب إلى (تشارلي) ويستخدم هذه الـ10 LD لإبرام صفقة أخرى؟ حقًا، تخيل نفسك جالسًا وتستمع إلى العمليات التي يتم بثها ونشرها، كيف ستتأكد من أن الجميع قام بتسجيل نفس العمليات وبنفس الترتيب؟ وهذا حقيقةً هو لُب المشكلة. هذه المشكلة مثيرة للاهتمام. هل يمكنك ابتكار مثياق لقبول أو رفض العمليات وتحديد ترتيبها، لكي تتمكن بعدها من الشعور بالثقة بأن كل الأشخاص الذين يتبعون نفس الميثاق لديهم نُسَخهم من السجل والتي تتطابق مع سجلك؟ هذه هي المشكلة التي تم عرضها في المقالة الأصلية حول البيتكوين. بشكل عام، الحل الذي أتت به البيتكوين هو أن تثق بالسجل الذي أُجريت عليه حسابات أكثر. سآخذ لحظة لأشرح ما الذي يعنيه هذا بالضبط، المقالة تتضمن ما تُسمى "دالّة التّهشير التشفيرية"* Lithuanian: Bendra idėja, kuria remsimės yra tai, kad jei naudoji skaičiuojamąjį darbą kaip pagrindu pasitikėjimui, gali padaryti taip, kad apgaulingoms transakcijoms ir konfliktuojančioms apskaitoms reiktų atlikti neįmanomai didelius skaičiavimus. Vėlgi, priminsiu, kad lendame giliai į detales, kurių tikrai nereiktų žinoti tiesiog norint naudoti tokią valiutą, bet tai tikrai kieta idėja! Ir jei supranti ją, supranti Bitkoino ir kitų valiutų esmę. Taigi, visų pirma, kas yra hešo funkcija? Įvestys vienai iš šių funkcijų gali būti bet kokio tipo žinutė arba failas, specifika tikrai nėra svarbi. O išvestis yra bitų eilutė su fiksuotu ilgiu, pavyzdžiui 256 bitai. Ši išvestis yra vadinama tos žinutės "hešu" arba "santrauka". Ir esmė yra ta, kad ši eilutė atrodo atsitiktinė. Ji nėra atsitiktinė - funkcija visada duos tą pačią išvestį tai pačiai duotai įvesčiai. Bet idėja yra ta, kad jei tu truputį pakeisi įvestį, galbūt pakeisdamas tik vieną simbolį, Spanish: La noción general a la que queremos llegar es que si usas trabajo computacional como base para decidir en queéconfiar, puedes hacerlo de tal forma que las transacciones fraudulentas y los libros de cuentas distintos requeririan una cantidad inviable de computaciones para llevar a cabo. De nuevo, te recuerdo que estamos entrando en la maleza mas allá de lo que cualquiera necesita saber para usar una moneda como esta, pero es una idea muy interesante! Y si la entiendes, entiendes el núcleo de Bitcoin y todas las demas criptomonedas. Pero lo primero es lo primero, qué es una función hash? La entrada para una de estas funciones puede ser cualquier tipo de mensaje o archivo no importa en realidad. Y la salida es una cadena de bits de longitud fija, como 256 bits. Esta salida se llama el "hash" o la "digestion" del mensaje. Y la intención es que parezca aleatorio. No es aleatorio- siempre da la misma salida para una entrada dada. Pero la idea es que si cambiases lo más mínimo la entrada, quizás editando uno de los carácteres French: L'idée générale que ça va construire est que si vous utilisez du travail de calcul comme base de confiance vous pouvez faire en sorte que les transactions frauduleuses et les conflits de livres de compte requerraient une quantité de calcul infaisable. A nouveau je vous rappellerai que cela va bien au-delà de ce que quiconque a besoin de savoir pour utiliser une devise comme celle-là. Mais c'est une idée rafraichissante et si vous comprenez cela vous comprenez le coeur de Bitcoin et d'autres crypto-monnaies. Alors les premières choses d'abord. Qu'est-ce qu'une fonction de hash ? Les entrées pour ce type de fonctions peuvent être n'importe quel sorte de message ou fichier. Cela importe peu. Et la sortie est une chaîne de bits avec une sorte de longueur fixe comme 256 bits. Cette sortie est appelée le hash ou le résumé du message. Et l'intention est que ça ait l'air aléatoire. Ce n'est pas aléatoire. Cela donne toujours la même sortie pour une entrée donnée. Mais l'idée est que si vous changez légèrement l'entrée peut-être en éditant juste un des caractères le hash résultant Indonesian: Gagasan umum yang akan kita bangun adalah jika Anda menggunakan pekerjaan komputasi sebagai dasar untuk dipercaya, Anda bisa membuatnya sehingga transaksi penipuan dan buku besar yang saling bertentangan akan membutuhkan hitungan perhitungan yang tidak layak. Sekali lagi, saya akan mengingatkan Anda bahwa ini sudah masuk ke dalam gulma melebihi apa yang orang perlu tahu hanya untuk menggunakan mata uang seperti ini, tapi itu ide yang sangat keren! Dan jika Anda memahaminya, Anda memahami intisari Bitcoin dan semua mata uang kripto yang lain. Jadi hal pertama dulu, apa itu fungsi hash? data masukan ke salah satu fungsi ini bisa berupa pesan atau file apa pun, itu tidak masalah Dan hasilnya adalah untaian beberapa bit dengan panjang tetap, seperti 256 bit. Hasil hitungan ini disebut "hash" atau "digest" dari pesan. Dan maksud dari ini adalah untuk terlihat acak. Ini tidak acak - selalu memberikan hasil yang sama untuk masukan yang diberikan. Tapi idenya adalah itu Jika Anda sedikit mengubah masukan, mungkin hanya mengedit salah satu karakternya, Chinese: 基本的思路如下: 如果你要將計算資源的消耗作為你信任的基礎, 那麼偽造交易記錄 將需要不可能達到的計算能力才可行。 再提醒大家一次,這裡我們將會繼續深入討論 大多數僅僅只是使用比特幣的用戶並不需瞭解 但這個想法實在是太酷了! 如果你懂了,你就會理解比特幣和其他加密貨幣的核心 那麼首先,什麼是雜湊函數? 這些函數的輸入可以是任何資訊或文件 它們會輸出一個固定長度的比特字符串,如256位 這個輸出值叫做這個資訊的雜湊值,或者稱其為「指紋」 它被設計成看似隨機的亂數 但它並非隨機的,對給定的資訊總是輸出相同的數 但如果你將輸入稍作修改, 也許僅僅只是修改了其中一個字母, English: The general idea we’ll build to is that if you use computational work as a basis for what to trust, you can make it so that fraudulent transactions and conflicting ledgers would require an infeasible amount of computation. Again, this is getting well into the weeds beyond what anyone would need to know just to use a currency like this. But it’s a really cool idea, and if you understand it, you understand the heart of bitcoin and other cryptocurrencies. A hash function takes in any kind of message or file, and outputs a string of bits with a fixed length, like 256 bits. This output is called the “hash” or “digest” of the message, and it’s meant to look random. It’s not random; it always gives the same output for a given input. But the idea is that when you slightly change the input, maybe editing just one character, Korean: 이제부터 알아볼 아이디어는 무엇을 신뢰할 것인가를 판단하는 기준을 계산 작업에 둔다면, 거래 내역을 속이거나 장부의 충돌을 유발하기 위해서는 정해진 시간 내에 처리가 불가능할만큼 엄청난 양의 계산이 필요하게 만들수 있다는 거야. 다시 말하지만, 그저 화폐를 사용하기만 하는 입장에서는 이런 내용까지 알아야 할 필요는 없어. 하지만 이건 완전 기발한 아이디어라고. 그리고 이 부분을 이해한다면, 비트코인과 다른 모든 암호화 화폐의 핵심을 이해할 수 있어. 자 차례차례 알아보자. 해쉬 함수가 뭘까? 어떤 종류의 메시지나 파일도 해쉬 함수의 입력값이 될 수 있어. 입력값의 종류는 중요하지 않아. 해쉬 함수의 결과값은 256비트처럼, 고정된 길이의 연속된 비트값이야. 결과값을 그 입력값의 "해쉬" 또는 "다이제스트"라고 해. 기본적인 의도는 난수처럼 보이게 해서 쉽게 알아볼 수 없게 하는 거지만, 실제로는 그냥 난수가 아니야. 입력값이 같다면 결과 해쉬값은 언제나 똑같아. 그리고 입력값 중에서 단 한 글자만 바꾸더라도 Chinese: 基本的思路如下: 如果你将计算资源的消耗作为你的信任之基, 那么伪造交易记录 将会需要不可能达到的计算能力才有可能。 在提醒大家一次,这里我们将会继续深入讨论 对大多数仅仅只是使用比特币的用户并不需了解 但这个想法实在是太酷了! 如果你懂了,你就会理解比特币和其他加密货币的核心 那么首先,什么是散列函数? 这些函数的输入可以是任何信息或文件 它们会输出一个固定长度的比特字符串,如256位 这个输出值叫做这个信息的散列值,或者称其为“指纹” 它故意设计成会输出看似相当随机的内容 但并不是随机的,对给定的信息总是输出相同的内容 但如果你将输入稍作修改, 也许仅仅只是修改了其中一个字母, Turkish: Yapacağımız genel fikir hesaplamayı kullanmak için bir temel olarak neye güveniriz, Hileli parasal işlemleri ve sahte defterleri yapabilirsin ki bu da uygulanamaz miktarda hesaplama gerektirir. Tekrar hatırlatayım ki burası yabani otların içine gidiyor Herhangi birinin bir para biriminin nasıl kullanılacağını bilmenin de ötesinde, bu harika bir fikir! Ve eğer bunu anlarsan, Bitcoin ve diğer tüm şifreli para birimlerin özünü anlarsın. Yani ilk başta, bir hash fonksiyonu nedir? Bu fonksiyona girişler herhangi bir mesaj veya dosya olabilir, bunun gerçekten bir önemi yok. Ve çıkış ise 256 bit gibi değişmez uzunlukta bitlerdir Bu çıkışa "hash" veya mesajın "özeti" denir. ve bu amaç rastgele gözükür. Rastgele değildir - verilen bir giriş için her zaman aynı çıkışı verir. Ama buradaki fikir eğer girişte küçük değişiklikler yaparsan, belki de sadece karakterlerin birinde Modern Greek (1453-): Η γενική ιδέα που θα βασιστούμε είναι ότι αν χρησιμοποιείτε την υπολογιστική εργασία ως βάση για το τι πρέπει να εμπιστεύεστε, μπορείτε να το κάνετε, έτσι ώστε δόλιες συναλλαγές και αντικρουόμενα βιβλία θα απαιτούσαν ένα ανέφικτο ποσό υπολογισμών Και πάλι, εγώ θα σας υπενθυμίσω πως αυτή είναι πολύ μεγάλη εμβάθυνση (σε ελεύθερη μετάφραση) πέρα από ότι ο καθένας θα πρέπει να γνωρίζει ακριβώς για να χρησιμοποιήσει ένα νόμισμα όπως αυτό, αλλά είναι μια πραγματικά καλή ιδέα! Και αν το καταλάβετε, θα καταλάβετε τον πυρήνα του Bitcoin και όλων των άλλων κρυπτονομισμάτων. Έτσι, αρχικά, τι είναι μία συνάρτηση κατακερματισμού; Οι είσοδοι για μία από αυτές τις συναρτήσεις μπορεί να είναι οποιοδήποτε είδος μηνύματος ή αρχείου, δεν έχει σημασία. Και η έξοδος είναι μια συμβολοσειρά δυαδικών ψηφίων ένα είδος σταθερού μήκους, όπως 256 bits. Η έξοδος αυτή ονομάζεται «hash» ή «σύνοψη» του μηνύματος. Και η πρόθεση είναι ότι φαίνεται τυχαία. Δεν είναι τυχαίο - δίνει πάντα την ίδια έξοδο για μία δεδομένη τιμή εισόδου. Αλλά η ιδέα είναι ότι εάν αλλάξει ελαφρώς η είσοδος, η επεξεργασία μόνο ενός από τους χαρακτήρες, Japanese: このアイデアの目的は、 信頼性の確認するため、計算量の多いワークを使うことで、 不正な取引や元帳の競合を起こさせるのを、 極めて困難にすることである。 しつこいようだが、ただ暗号通貨を使う分には、 全く理解する必要のない仕組みである。 ただこのアイデアは面白い。 理解できれば、ビットコインやその他すべての暗号通貨の根幹を理解できたことになる。 まず始めに、ハッシュ関数とは何か。 関数の入力は如何なる値も取る事ができる。 そこに問題はない。 出力は256ビットのような一定の長さを持つビット列である。 この出力結果を「ハッシュ」または記録の「要約値」と呼ぶ。 出力はランダムに見える。 実際にはランダムではなく、同じ入力に対して常に同じ出力を返す。 重要なのは、 入力をほんの少しだけでも変えたときには、 Italian: L'idea generale è che se si usasse il "lavoro computazionale" come base per decidere a cosa dare fiducia, si potrebbe fare in modo che le transazioni fraudolente e i libri mastri in conflitto richiedessero una quantità di computazione non praticabile per essere considerati validi. Di nuovo, ti ricordo che questo va ben oltre quanto sia necessario sapere per solamente utilizzare una valuta come questa, ma è una gran bella idea! E se la capisci, capisci il cuore del Bitcoin e di altre criptovalute. Quindi per prima cosa, cos'è una funzione crittografica di hash? Gli argomenti per una di queste funzioni possono essere ogni sorta di messaggi o file, è davvero irrilevante. E restituisce una stringa di bit di lunghezza fissa, ad esempio 256 bit. Quanto restituito dalla funzione è detto "hash" o "digest" del messaggio. E l'intento è che sembri casuale. Non è random, restituisce sempre la stessa stringa per lo stesso argomento. Ma l'idea è che anche cambiando un solo carattere all'argomento, Vietnamese: Ý tưởng chung của chúng ta là là nếu bạn sử dụng công tính toán làm cơ sở để đặt niềm tin, bạn có thể xây dựng nó sao cho các giao dịch gian lận và sổ cái xung đột do không thể tạo ra được một phép tính nào đáp ứng được. Một lần nữa, tôi sẽ nhắc nhở bạn rằng đây là phần đi vào chi tiết, sâu hơn những gì mọi người cần biết để sử dụng một loại tiền tệ như thế này, nhưng nó là một ý tưởng thực sự thú vị! Và nếu bạn hiểu nó, bạn sẽ hiểu được cái cốt lõi của Bitcoin và tất cả các tiền mã hóa khác. Vì vậy, đầu tiên, một hàm băm (hash function) là gì? Các đầu vào cho những hàm này có thể là bất kỳ loại thông điệp hoặc tập tin, nó thực sự không quan trọng. Và đầu ra là một chuỗi các bit với một chiều dài nhất định, như 256 bit. Đầu ra này được gọi là "băm" hoặc "sản phẩm tiêu hóa" của thông điệp. Và mục đích là để cho nó nhìn rất ngẫu nhiên. mặc dù nó không phải ngẫu nhiên - nó luôn cho kết quả tương ứng cho một đầu vào nhất định. Nhưng ý tưởng là nếu bạn hơi thay đổi đầu vào, có thể chỉ chỉnh sửa một kí tự nào đó, iw: הרעיון הכללי שנתקדם אליו הוא שאם אתם משתמשים בעבודה חישובית כבסיס לעל מה לסמוך, אפשר להגיע למצב בו יצירת עסקאות מזויפות וספרי חשבונות סותרים תדרוש כמות בלתי סבירה של חישובים. שוב, אני אזכיר לכם כי זו בהחלט כניסה מדוקדקת לפרטים מעבר למה שמישהו צריך לדעת רק כדי להשתמש במטבע כזה, אבל זה רעיון ממש מגניב! ואם אתם מבינים את זה, אתם מבינים את הלב של הביטקוין ושל כל מטבע מבוזר אחר. אז דבר ראשון, מהי פונקציית hash? הקלט לפונקציה כזו יכול להיות כל הודעה או קובץ, זה באמת לא משנה. והפלט הוא מחרוזת של ביטים עם איזה אורך קבוע, נניח 256 סיביות. פלט זה נקרא "hash" או "digest" של ההודעה. והכוונה היא שהוא יראה אקראי. הוא לא אקראי - הפונקציה תמיד נותנת את אותו פלט עבור קלט נתון. אבל הרעיון הוא שאם אתם תשנו את הקלט אפילו קצת, נניח אם תערכו רק אחת מהאותיות, Polish: Ogólna idea jest taka, że jeśli używasz pracy obliczeniowej jako podstawy do decyzji, czemu możesz ufać, można zrobić to tak, że fałszywe transakcje i sprzeczne księgi wymagałyby niewykonalnych ilości obliczeń. Znowu, przypominam, że to wykracza daleko poza to, co musisz wiedzieć, aby użyć takiej waluty, ale to naprawdę fajny pomysł! A jeśli go zrozumiesz, zrozumiesz serce Bitcoin'a i wszystkich innych kryptowalut. Więc po kolei, co to jest funkcja skrótu? Danymi wejściowymi jednej z takich funkcji może być dowolny rodzaj wiadomości lub pliku, to naprawdę nie ma znaczenia. A danymi wyjściowymi jest ciąg bitów pewnej stałej długości, na przykład 256 bitów. Ta dana wyjściowa jest nazywana „hashem” lub „skrótem” wiadomości. Zamiar jest taki, że ma ona wyglądać na przypadkową. Nie jest przypadkowa - zawsze daje taki sam efekt dla tych samych danych. Ale chodzi o to, że jeśli nieznacznie zmienisz dane, nawet zmieniając tylko jeden znak, Czech: Myšlenka, na které budeme stavět je: pokud budete používat výpočetní námahu pro určení čemu věřit, dá se zařídit, že podvodné transakce a protichůdné knihy budou vyžadovaly provedení prakticky nemožného množství výpočtů. Ještě jednou připomínám, že se dostáváme do detailů, které nikdo nepotřebuje znát, pokud chce měnu jenom používat. Je to ale fakt cool myšlenka! A jestli ji pochopíte, budete rozumět podstatě Bitcoinu a všech ostatních kryptoměn. Pěkně od začátku, co je to hash funkce? [též hashovací funkce] Do takové funkce vstupuje jakákoliv zpráva, soubor, na tom nesejde. Výstup je řetězec bitů s pevně danou délkou, jako třeba 256 bitů. Tento výstup se nazývá "hash" nebo "otisk" vstupní zprávy. A z principu vypadá náhodně. Není náhodný - pro stejný vstup vždy dostaneme stejný výstup. Ale funkce se chová tak, že když jen malinko změníte vstup, třeba změnou jediného písmene, German: Die generelle Idee ist, dass wenn du rechnerische Arbeit als Basis dafür benutzt, wem du vertrauen kannst, dann kannst du das System so einrichten, dass betrügerische Transaktionen und widersprüchliche Bestandsbücher mit einem nicht zu bewältigendem Aufwand verbunden wären. Nochmal der Hinweis, dass das hier weit mehr ist, als man bräuchte um Kryptowährungen einfach nur zu benutzen. Aber es ist eine echt coole Idee! Und wenn du sie verstehst, dann verstehst du das Herzstück von Bitcoins und all den anderen Kryptowährungen. Also eins nach dem anderen – was ist eine Hashfunktion? Die Eingabe für eine dieser Funktionen kann irgendeine Art Nachricht oder Datei sein, das spielt wirklich keine große Rolle. Die Ausgabe ist eine Bitfolge mit einer bestimmten Länge, zum Beispiel 256 Bits. Diese Ausgabe wird der "Hashwert" der Nachricht genannt. Und die Absicht ist, dass es vollkommen willkürlich aussieht. Aber es ist nicht willkürlich – die Ausgabe für eine bestimmte Eingabe ist immer dieselbe. Aber die Grundidee ist, dass wenn du die Eingabe leicht verändert, also vielleicht nur einen Buchstaben änderst, Portuguese: a ideia geral que vamos construir é que se você usar trabalho computacional como base para o que confiar você pode fazer com que transações fraudulentas e registros conflitantes requiram uma quantidade de trabalho computacional inviável para surgirem. Novamente, lembre-se que estamos chegando nos pequenos detalhes bem além do que alguém precisa saber só para usar uma moeda como essa. Mas é uma ideia muito legal e se você a entende você entende o núcleo do Bitcoin e de outras cripto moedas Então, antes de tudo, o que é uma função Hash? O valor de entrada dessas funções pode ser qualquer tipo de mensagem ou arquivo, realmente não importa e o resultado é uma sequência de bits com algum tipo de comprimento fixo como 256 bits Esse resultado é chamado de Hash ou resumo da mensagem e o objetivo é que ele pareça aleatório. Não é aleatório, sempre gera o mesmo resultado para uma certa entrada (mensagem ou arquivo). Mas a ideia é que se você levemente mudar a entrada talvez alterando apenas um dos caracteres Hungarian: Arra az általános elképzelésre építünk, hogy ha számítási munkát használsz a bizalom alapjaként, akkor el tudod érni azt, hogy a csalárd tranzakciókhoz és egymással ellentétes főkönyvekhez megvalósíthatatlanul sok számítás kelljen ahhoz, hogy azok megvalósulhassanak. Ismét szeretnélek emlékeztetni téged arra, hogy ez kezd jóval túlmutatni azon amit bárkinek tudnia kell ahhoz, hogy csak használhasson egy ilyen pénzt, de ez egy nagyon jó ötlet! És hogy ha ezt érted, akkor megérted azt is, hogy mi a lelke a Bitcoinnak és az többi kriptopénznek. Kezdjük az elején, mi az a hasító függvény (*hash function*)? Ezeknek a függvényeknek a bemente egy tetszőleges üzenet vagy fájl, ez valójában mindegy. A kimenete pedig bitek egy meghatározott hosszúságú láncolata, pl. 256 bit. Ezt a kimenetét "hash"-nek, vagy "digest"-nek hívjuk. (magyarul: *hasítás*, *kivonat*, a továbbiakban "hash", kiejtve: *hes*) És a szándék az hogy ez véletlenszerűnek látszik. De nem véletlenszerű - azonos bemenetre mindig azonos kimenetet ad. De az itt az ötlet, hogy ha egy picit is megváltoztatod a bemenetet, akár csak az egyik betűt megváltoztatva is, Arabic: الفكرة العامة التي نحاول تقريبها هي أنك إذا استخدمت الحسابات الحاسوبية كأساس لما تثق به، يمكنك تصميمها بحيث أن العمليات الاحتيالية والسجلات المتضاربة تتطلب كمية غير معقولة من الحوسبة. مجددًا، سأذكركم بأننا ندخل بالتفاصيل أكثر مما قد يحتاج أي شخص معرفته لاستعمال العملات المشفرة فقط، ولكنها حقًا فكرة رائعة! وإذا استوعبت الفكرة، فستكون قد استوعبت لُب فكرة البيتكوين وكل العملات المشفرة الأخرى. أولًا، ما هي وظيفة دالّة التّهشير؟ مدخلات إحدى هذه الدوال ممكن أن تكون أي نوع من الرسائل أو الملفات، ذلك لا يهم، ومخرجات هذه الدالة ستكون سلسلة من الأرقام الثنائية بطول محدد ما، مثل 256 بت. المخرجات تُسمى بـ"الهاش" أو بـ"خلاصة" الرسالة. والهدف أن يبدو عشوئيًا هو ليس عشوائي، ستعطيك الدالة نفس المخرجات لنفس المدخلات دائمًا. و لكن الفكرة هي أنك إذا غيرت أي تغيير حتى لو طفيف جدًا، ربما تعديل حرف واحد فقط؛ Russian: Основная идея, которую мы будем развивать, состоит в том, что если использовать вычислительную работу как основы доверия, можно сделать так, что поддельные операции и реестры с несоответствиями потребуют практически неосуществимых по времени вычислений. Напоминаю: мы углубляемся в такие вещи, знать которые совсем необязательно для простого использования таких криптовалют, но это очень любопытная мысль! И если вы её понимаете, то вы понимаете суть Биткоина и всех остальных криптовалют. Прежде всего, что же такое хеш-функция? Аргументом такой функции может быть сообщение или файл, и вообще что угодно. А значение - цепочка битов определенной длины, например, 256 бит. Выходное значение функции называется «хэшем» или «дайджестом» сообщения Это значение, по идее, должно выглядеть случайным. Оно не совсем случайное - значение всегда одно и то же для определенного аргумента. Но план такой, что если хотя бы один символ в аргументе изменится, Turkish: hash sonucu tamamen değişir. Aslında, burada gösterdiğim hash fonksiyonları için, SHA256 denir, girişte küçük değişiklikler yaparken çıkışı tahmin etmek önceden kestirilemez Bakın, bu sadece herhangi bir hash fonksiyonu değil, bir şifrelenmiş hash fonksiyonu. Bu ters yönde hesaplamanın imkansız olduğu anlamına gelir. Eğer ben sana bir ve sıfırlardan oluşan bir dizi gösterseydim ve senden bir girişi bulmanı istesem böylece SHA256 hash fonksiyonun girişi bu bit dizisini verir tahmin ve kontrol etmekten daha iyi bir yöntemin yok. Ve tekrardan, 2^256 için ne kadar hesaplama gerektiğini sezmek istersen ilave video ya bir göz at. Aslında böyle bir şeyi yazarken baya eğlendim. Bu fonksiyonların gerçekten nasıl çalıştığına dair detayları düşünebilirsin uygun giriş ile tahmin ve kontrol yapmadan ters mühendislik yapabilirsin Modern Greek (1453-): το παραγόμενο hash αλλάζει εντελώς. Στην πραγματικότητα, η συνάρτηση κατακερματισμού που παρουσιάζω εδώ, ονομάζεται SHA256, ο τρόπος που η έξοδος αλλάζει με την παραμικρή αλλαγή της εισόδου είναι τελείως απρόβλεπτος. Βλέπετε, αυτό δεν είναι μία οποιοδήποτε συνάρτηση κατακερματισμού, είναι μια κρυπτογραφική συνάρτηση κατακερματισμού. Αυτό σημαίνει ότι είναι ανέφικτο (πρακτικά αδύνατο) να υπολογιστεί προς την αντίθετη κατεύθυνση. Αν σας δείξω κάποια σειρά από 1 και 0, και σας ζητήσω να βρείτε μία είσοδο έτσι ώστε η "σύνοψη" SHA256 της εν λόγω εισόδου να δίνει αυτή την συγκεκριμένη σειρά από bits, δεν θα έχετε καμία καλύτερη μέθοδο από το να μαντεύετε και να ελέγχετε. Και πάλι, αν θέλετε να καταλάβετε το πόσοι υπολογισμοί θα χρειαστούν για όλες τις 2^256 μαντεψιές, απλά ρίξτε μια ματιά στο συμπληρωματικό βίντεο. Είχα υπερβολική χαρά με την δημιουργία αυτού (του βίντεο) Μπορεί να σκεφτείτε ότι αν θέλετε πραγματικά να εμβαθύνετε στις λεπτομέρειες για το πως αυτή η συνάρτηση λειτουργεί, θα μπορούσατε να "αντιστρέψετε μηχανικά" την κατάλληλη είσοδο χωρίς να μαντέψετε και να ελέγξετε English: the resulting hash changes completely. In fact, for the hash function I’m showing here, called SHA256, the way that output changes as you slightly change the input is entirely unpredictable. You see, this is not just any hash function, it’s a cryptographic hash function. That means it’s infeasible to compute in the reverse direction. If I show you some specific string of 1’s and 0’s and ask you to find an input message so that the SHA256 hash of that message gives this exact string of bits, you will have no better method than to guess and check. Again, if you want a feel for just how much computation would be needed to go through 2256 guesses, take a look at the supplement video. I actually had way too much fun writing that thing. You might think you could reverse engineer the desired input by really digging through Japanese: 出力が全く別物になることである。 いま紹介しているのはSHA256というハッシュ関数である。 入力の違いによる出力の相違点は完全に予測不能である。 これはハッシュ関数の特徴ではなく、 暗号論的ハッシュ関数の特徴である。 つまり、逆の計算をコンピュータがするのが不可能という意味である。 もし適当なゼロとイチの列を見せられて、 SHA256で計算すると、 出力がその列と完全に一致するような、入力を特定しろと言われたとき、 ただ予想して確認するのを繰り返す以外の解き方はない。 先に述べた通り、2の256乗分の1の確率というのが一体どれくらい想像を絶する物なのかは、 補足動画で確認してほしい。 とても楽しい動画に仕上がっている。 更に深い領域に進んで、この関数の中身を正確無比に完全理解すれば、 予想と確認を繰り返さずに、出力を得る方法が見つかるかもしれない。 French: change complètement. En fait, pour la fonction de hash que je vous montre ici, appelée SHA256, la façon dont la sortie change si vous modifiez légèrement son entrée est entièrement imprévisible. Vous voyez ce n'est pas juste n'importe qu'elle fonction de hash c'est une fonction de hash cryptographique. Cela signifie que c'est infaisable de calculer la réciproque. Si je vous montre une chaîne de 1 et de 0 et que je vous demande de trouver une entrée de sorte que le hash SHA256 de cette entrée donne exactement cette chaîne de bits vous n'auriez pas de meilleure méthode que de juste deviner et vérifier. Et de nouveau, si vous voulez sentir quelle puissance de calcul serait nécessaire pour aller à travers les 2 puissances 256 devinettes juste jetez un oeil à la vidéo supplémentaire. En fait je me suis beaucoup amusé à écrire ce truc. Vous pourriez penser que si vous vous plongiez réellement dans les détails de comment fonctionne réellement cette fonction vous pourriez faire de l'ingénierie inversée iw: ה-hash שתקבלו יהיה שונה לחלוטין. למעשה, עבור פונקצית ה-hash שאני משתמש בה כאן, שנקראת SHA256, הדרך בה הפלט משתנה כתוצאה משינוי קטן מאוד של הקלט היא בלתי צפויה לחלוטין. אתם מבינים, זו לא סתם איזו פונקציית hash, זו פונקציית hash קריפטוגרפית. כלומר, זה אומר שזה לא מעשי לחשב את התוצאה בכיוון ההפוך. אם אני מראה לכם איזו מחרוזת של אחדות ואפסים, ואבקש מכם למצוא קלט כך שתוצאת ה-SHA256 של הקלט תהיה המחרוזת המדויקת הזו של ביטים, לא תהיה לכם שום שיטה טובה יותר למצוא קלט כזה מאשר סתם לנחש ולבדוק. ושוב, אם אתם רוצים לקבל תחושה של כמה חישובים דרושים כדי לעבור על שתיים בחזקת מאתיים חמישים ושישה ניחושים, פשוט תסתכלו על הוידאו הנוסף. האמת היא שהיה לי הרבה יותר מדי כיף לכתוב את אותו הוידאו. אתם עשויים לחשוב שאם אתם רק תתעמקו בפרטים של איך בדיוק הפונקציה הזו פועלת, אתם יכולים להנדס לאחור את הקלט המתאים מבלי לנחש ולבדוק. Polish: wynikowy hash zmieni się całkowicie. W rzeczywistości, dla funkcji skrótu, którą tu pokazuje, zwanej SHA256, sposób zmiany danych wyjściowych, po nieznacznej zmianie danych wejściowych, jest całkowicie nieprzewidywalny. To nie jest tylko jakaś funkcja skrótu, to kryptograficzna funkcja skrótu. Oznacza to, że jest niemożliwe, aby obliczyć ją w odwrotnym kierunku. Jeśli pokażę ci ciąg zer i jedynek, i poproszę, aby znaleźć dane wejściowe takie, że funkcja SHA256 dla tych danych daje dokładnie ten ciąg bitów, nie będzie lepszego sposobu niż zgadywać i sprawdzać. Przypominam, jeśli chcesz lepiej poczuć, ile obliczeń byłoby potrzebnych, aby przeprowadzić 2^256 prób, spójrz na dodatkowe wideo. Właściwie miałem zbyt dużo zabawy pisząc o tym. Można by pomyśleć, że jeśli zagłębić się w szczegóły, jak dokładnie ta funkcja działa, można znaleźć odpowiednie dane wejściowe bez konieczności zgadywania i sprawdzania. Spanish: el hash resultante cambia por completo. De hecho, para el hash que estoy enseñando aquí, llamado SHA256, La forma en que la salida cambia a medida que alteras un poco la entrada es completamente impredecible. Verás, esta no es cualquier función hash, es una función criptográfica hash. Esto significa que es inviable calcularla en el sentido contrario. Si yo te enseño una cadena de unos y ceros y te pido que encuentres una entrada tal que el hash SHA256 de esa entrada devuelva exactamente esta cadena de bits, no tendrás mejor método que adivinar y comprobar. Y de nuevo, si quieres hacerte una idea de cuanta computación seria necesaria para recorrer 2^256 intentos, echale un vistazo al video extra. De hecho, me lo pasé demasiado bien escribiéndolo. Podrías pensar que si simplemente profundizases en los detalles de cómo funciona exactamente esta función, podrías mediante ingeniería inversa encontrar la entrada correcta sin tener que adivinar y comprobar. Chinese: 最终的散列值会变得面目全非 事实上,我这里做演示的散列函数叫做“SHA256” 输入的轻微修改,输出就会完全不同,毫无规律可言 明白了吧,这不是普通的散列函数, 这是加密散列函数 这就意味着逆向计算是不可能的 如果告诉你一串1,0的字符串然后问你 哪一个输入经过SHA256函数计算后会得到同样的结果 没有比一个一个尝试更好的办法了 如果你想感受一下2的256次方个尝试究竟需要计算多久 可以看看这个补充视频 你会想如果知道了这个函数的运作细节 是不是就可以不用瞎猜而是可以倒过来推断这个输入呢 Russian: то полученный хэш будет совершенно другим. На самом деле, для хеш-функции SHA256, о которой я говорю, невозможно предсказать, как именно изменится результат при малейшем изменении аргумента. Дело в том, что эта хеш-функция не простая, а криптографическая. Это значит, что её расчёт в обратном направлении требует невыполнимых вычислений. Допустим, я покажу вам цепочку из нулей и единиц и попрошу вас найти такой аргумент, для которого значение SHA256-хеш-функции точно совпадет с этой цепочкой. У вас не останется лучшего метода кроме подбора и проверки. Опять же, если вы хотите осознать, какого объема вычислений потребует подбор из 2^256 вариантов, просто посмотрите моё дополнительное видео. Мне было жутко интересно работать над ним. Возможно, вы думаете, что если хорошо разобраться, как именно работает эта функция, можно путем обратной разработки получить нужный аргумент и ничего не подбирать. Vietnamese: các kết quả thay đổi hoàn toàn. Trên thực tế, đối với hàm băm mà tôi đang trình bày ở đây, được gọi là SHA256, cách đầu ra thay đổi khi bạn thay đổi đầu vào một ít là hoàn toàn không thể đoán trước được. Bạn thấy, đây không chỉ là bất kỳ hàm băm nào, đó là một hàm băm mật mã. Điều đó có nghĩa là không thể tính theo chiều ngược lại. Nếu tôi chỉ cho bạn một chuỗi những số 1 và 0, và yêu cầu bạn tìm một đầu vào để băm SHA256 cho ra chính cái chuỗi các bit đó, bạn sẽ không có phương pháp tốt hơn ngoài chỉ đoán và kiểm tra. Và một lần nữa, nếu bạn muốn nắm được cần bao nhiêu công tính toán để đoán 2 ^ 256 lần, chỉ cần đi xem video bổ sung. Viết cho video đó thực sự đã rất thú vị. Bạn có thể nghĩ rằng nếu bạn thực sự đào sâu vào các chi tiết về cách hàm này hoạt động, bạn có thể lần ra được đầu vào thích hợp mà không cần phải đoán và kiểm tra. Korean: 결과 해쉬값은 약간만 달라지는게 아니라 전체적으로 완전히 다른 값이 나와. 내가 여기에서 보여주는 해쉬 함수는 SHA256이라는 해쉬 함수인데, 입력값에 따라 결과 해쉬값이 어떻게 달라지는지 예측하는 것이 불가능해. 그래서 이 SHA256 함수는 그냥 해쉬 함수가 아니라, 암호화 해쉬 함수라고 부르지. 암호화 해쉬 함수는 결과값에서 역산을 통해 입력값을 알아내는 것이 현실적으로 불가능하다고. 내가 0과 1로된 숫자를 여러분에게 보여주고, "SHA256함수로 계산해서 이런 해쉬값이 나오려면 입력값은 무엇일까요?" 하고 묻는다면, 답을 찾는 방법은 그저 찍어서 맞추는 수 밖에 없어. 그리고 그 찍을 수 있는 가지수가 2의 256승이나 돼. 2의 256승 개 중에서 여러분이 찍어서 맞출 수 있겠어? 2의 256이 얼마나 큰 수인지는(https://youtu.be/S9JGmA5_unY)를 보면 알 수 있을거야. 그 비디오를 만들때 개인적으로 엄청 재미있었어. SHA256 함수가 어떻게 동작하는지 깊게 파들어가서 연구하면 그냥 찍기가 아니라 역산을 통해서 입력값을 맞출 수 있을거라고 생각할 수도 있을 거야. German: dann verändert sich der ausgegebene Hashwert vollkommen. Bei der Hashfunktion die ich dir hier zeige, genannt SHA256, ist die Veränderung der Ausgabe, bei einer minimalen Veränderung der Eingabe, vollkommen unvorhersagbar. Denn das hier ist nicht einfach irgendeine Hashfunktion, sondern eine kryptografische Hashfunktion. Das bedeutet es ist unmöglich in die andere Richtung zu rechnen. Wenn ich dir eine Folge Nullen und Einsen zeige, und dich auffordere, eine Eingabe zu finden, mit der SHA256 genau diese Folge Nullen und Einsen ausgibt. Dann hast du keine bessere Möglichkeit als einfach zu raten und zu überprüfen. Und wie gesagt, wenn du ein Gefühl dafür entwickeln möchtest, wieviel rechnerische Arbeit vonnöten ist um 2 hoch 256 Vermutungen zu überprüfen, dann schau dir einfach das Zusatzvideo an. Dessen Erstellung mir übrigens einen Wahnsinnsspaß bereitet hat. Vielleicht denkst du, dass wenn du dich wirklich durch die Details dieser Funktion wühlst, du einen Weg finden könntest von einer Ausgabe auf die entsprechende Eingabe zu schließen. Chinese: 最終的雜湊值會變得完全不一樣 事實上,我這裡做演示的雜湊函數叫做「SHA256」 輸入的輕微修改,輸出就會完全不同,毫無規律可言 明白了吧,這不是普通的雜湊函數, 這是加密雜湊函數 這就意味著逆向計算是不可能的 如果告訴你一個1和0的字符串然後問你 什麼輸入經過SHA256函數計算後會得到同樣的字符串 沒有比一個一個嘗試更好的辦法了 如果你想感受一下2的256次方個嘗試究竟需要計算多久 可以看看這個補充影片 我其實做那部影片做的很開心 你可能會想如果知道了這個函數的運作細節 是不是就可以不用瞎猜而可以倒過來推算出這個輸入呢 Czech: výsledný otisk se změní celý. Pro hash funkci, kterou tu ukazuji, SHA256, je způsob, kterým se změní výstup na základě změny vstupu, naprosto nepředvídatelný. Tohle totiž není ledajaká hash funkce, je to kryptografická hash funkce. To znamená, že je prakticky nemožné vypočíst ji v opačném směru. Pokud vám dám řetězec jedniček a nul, a budu po vás chtít najít vstup tak, aby SHA256 otisk vašeho vstupu vrátil původní řetězec jedniček a nul, nezbyde vám nic lepšího než jen hádat a kontrolovat. Ještě jednou, pokud chcete vědět, jakou práci by dalo projít 2^256 pokusů, podívejte se na pomocné video. Psaní toho videa mě bavilo možná až moc. Možná si říkáte, že když se opravdu porochníte v detailech toho, jak tahle funkce funguje, tak budete schopni sestavit odpovídající vstup aniž byste museli hádat. Lithuanian: iš to sekantis hešas visiškai pasikeis. Iš tiesų, hešo funkcijoje, pavadinimu SHA256, kurią čia rodau, tai, kaip išvestis keičiasi, kai truputį pakeičiama įvestis, yra visiškai nenuspėjama. Matai, tai ne bet kokia hešo funkcija, tai kriptografinė hešo funkcija. Tai reiškia, yra neįmanoma skaičiuoti atvirkštine kryptimi. Jei parodysiu tau kažkokią vienetų ir nulių eilutę ir paprašysiu tavęs surasti įvestį taip, kad tos įvesties SHA256 hešas duotų būtent šią bitų eilutę, tu neturėsi geresnio metodo nei tiesiog spėti ir patikrinti. Ir vėl, jei nori pajausti kiek skaičiavimo reikėtų, kad praeitum per 2^256 spėjimų, tiesiog pažiūrėk į papildinį video. Man iš tiesų buvo tikrai per daug linksma kurti tą dalyką. Tu gali pagalvoti, kad jei rimtai pasiknisi po detales, kaip tiksliai ši funkcija veikia, galėsi atbulom suprojektuoti tinkamą įvestį, išvengiant spėjimo ir tikrinimo. Italian: il risultato cambi completamente Infatti, per la funzione di hash che sto mostrando qui, chiamata SHA256, il modo in cui il risultato cambia al minimo cambiamento dell'argomento è completamente imprevedibile. Vedi, questa non è una qualunque funzione di hash, è una funzione crittografica di hash. Questo significa che è impossibile da invertire. Se ti mostrassi una stringa di 1 e 0, e ti chiedessi di trovare un argomento per cui la funzione SHA256 restituisse esattamente quella stringa di bit, non avresti miglior sistema che tirare ad indovinare. E di nuovo, se vuoi avere una sensazione di quanta computazione sarebbe necessaria per provare 2^256 possibili combinazioni, dai un'occhiata al video di supplemento. Mi sono veramente divertito con quel video. Potresti pensare che se analizzassi nel dettaglio il funzionamento di questa funzione, potresti essere in grado di trovare l'argomento appropriato senza bisogno di provare ogni combinazione. Indonesian: perubahan hash yang dihasilkan berubah keseluruhannya. Sebenarnya, untuk fungsi hash yang saya tunjukkan di sini, yang disebut SHA256, Cara bagaimana hasilnya bisa berubah saat Anda sedikit merubah data masukan, adalah sama sekali tidak dapat diprediksi. Anda lihat, ini bukan sembarang fungsi hash, Ini adalah fungsi hash kriptografi. Itu berarti tidak mungkin menghitung dalam arah sebaliknya. Jika saya menunjukkan beberapa string angka dan angka nol, dan meminta Anda untuk mencari tahu data masukan sehingga hash SHA256 dari masukan tersebut memberikan rangkaian bit yang tepat ini, Anda tidak akan memiliki metode yang lebih baik daripada hanya menebak dan memeriksa. Dan lagi, jika Anda ingin merasakan berapa banyak perhitungan yang dibutuhkan untuk melewati 2^256 terkaan, coba lihat saja video pelengkapnya. Sebenarnya aku terlalu suka menulis hal itu. Anda mungkin berpikir bahwa jika Anda benar-benar menggali detail bagaimana sebenarnya fungsi ini bekerja, Anda bisa memutar balik masukan yang sesuai tanpa harus menebak dan mengeceknya. Hungarian: az eredményezett hash teljesen megváltozik. Igazából ez a hasító függvényt (*hash function*-t), a SHA256-ot (ejtsd: *sá 256*), amit itt mutatok, úgy változik a kimenet ahogy egy picit is megváltoztatod a bemenetet, hogy az teljesen kiszámíthatatlan. Ahogy látod, ez nem csak egy akármilyen hasító függvény, ez egy kriptográfiai hasító függvény. Ez azt jelenti, hogy az ellenkező irányban kiszámíthatatlan. Hogy ha mutatok neked néhány egyes és nullás láncolatát, és megkérlek arra hogy keresd meg azt a bemenetet, amely bemenetre a SHA256 hash-e pontosan ugyanazt a bitek láncolatát adja, akkor nem lenne jobb módszered annál, mint hogy találgass és leellenőrizd. Ha szeretnéd ismét átérezni, hogy mennyi számításra lenne szükséged ahhoz, hogy végigmenj 2^256-ik találgatáson, akkor csak nézd meg az erről szóló videónkat. Valójában túlzottan nagyon is élveztem megírni azt a dolgot. Gondolhatnád azt, hogy ha csak mélyen tanulmányozod azt ahogyan működik ez a függvény (*hashing function*), akkor visszafejthetnéd a megfelelő bemenetet anélkül hogy próbálgatnál és ellenőrizgetnél. Portuguese: O Hash resultante muda completamente. Na verdade, para a função Hash que estou mostrando aqui chamada de SHA256 a forma que o resultado muda conforme você levemente altera a entrada é completamente imprevisível Veja, ela não é só uma função Hash qualquer é uma função Hash criptográfica significa que é inviável calcular na direção inversa se eu te mostrar uma sequência de 1 e 0 e pedir para achar o valor de entrada, para que o Hash SHA256 dessa entrada resulte nesta exata sequência de bits você não terá método melhor do que adivinhar e testar E novamente, se você quer imaginar quanto trabalho computacional seria necessário para verificar 2 elevado a 256 tentativas apenas assista ao vídeo complementar eu me diverti demais fazendo ele. Você pode imaginar que se pesquisar os detalhes de como exatamente essa função funciona você poderia através da engenharia reversa descobrir a entrada sem ter que adivinhar e testar Arabic: سيتغير الهاش النهائي بالكامل. في الواقع، دالّة التّهشير المعروضة هنا اسمها SHA256، الطريقة التي تتغير بها المخرجات عندما تغير المدخلات تغيير طفيف غير متوقعة أبدًاً. كما ترى، هذه ليست أي دالة تهشير، بل هي دالّة تّهشير تشفيرية. هذا يعني أنه من غير الممكن أن يتم حسابها من الاتجاه المعاكس. إذا أعطيك سلسلة من الآحاد والأصفار، و طلبت من إيجاد المدخلات التي إن أدخلتها إلى الدالة SHA256 ستعطيك نفس السلسلة من الآحاد والأصفار، ليس لديك طريقة أفضل من التخمين والتحقق. ومجددًا، إذا كنت تريد أن تدرك كمية الحوسبة التي تحتاجها لتخمين 2 أس 256 قيمة؛ فقط قم بالاطلاع على الفيديو الملحق. بالحقيقة لقد استمتعت كثيرًا بكتابة ذلك الفيديو. ربما تعتقد أنك إذا قمت بالخوض بتفاصيل كيفية عمل هذه الدالة قد تتمكن من أن تُهندس المدخلات المتوافقة عكسيًا دون اللجوء إلى التخمين والتحقق. Chinese: 但目前没有人可以做到 有趣的是,目前还没有严格的证明逆向计算是困难的 目前大量的安全行业和加密需求都取决于 加密散列函数以及它的这个性质 如果你细看浏览器和youtube建立的加密连接 背后的加密算法 或浏览器连接银行网站时 你很可能会看到SHA256算法 但现在,我们的关注点会是 这样的函数如何证明一个账单 它所需要的计算力 想想如果有人给你一份交易记录并说 “嘿!我发现了一个特殊的数字 你把这个数字放在这份交易记录后面 整体信息进行SHA256函数计算后 前面30个数字都会是0!” 你想想找到这样的一个数字有多难? 对于一个随机的信息, Modern Greek (1453-): Αλλά κανένας δεν έχει βρει τρόπο για να το κάνετε αυτό. Ωστόσο, ενδιαφέρον είναι ότι, δεν υπάρχει απόδειξη ότι είναι δύσκολο να υπολογιστεί προς την αντίθετη κατεύθυνση. Και όμως, ένα τεράστιο ποσό της σύγχρονης ασφάλειας εξαρτάται από την κρυπτογραφική συνάρτηση κατατεμαχισμού και την ιδέα ότι έχουν αυτή την ιδιότητα. Εάν πρόκειται να δείτε τι αλγόριθμοι αποτελούν τη βάση της ασφαλούς σύνδεσης που το πρόγραμμα περιήγησής σας κάνει με το YouTube αυτή τη στιγμή, ή ότι κάνει με την τράπεζά σας, κατά πάσα πιθανότητα θα δείτε το όνομα SHA256 να εμφανίζεται εκεί. Για τώρα, η εστίασή μας θα είναι μόνο για το πως μια τέτοια συνάρτηση μπορεί να αποδείξει μία συγκεκριμένη λίστα συναλλαγών συνδέεται με ένα μεγάλο ποσό υπολογιστικών προσπαθειών. Φανταστείτε κάποιον που σας εμφανίζει μια λίστα συναλλαγών, και λένε «Γεια! Βρήκα έναν ειδικό αριθμό έτσι ώστε όταν βάζετε αυτόν τον αριθμό στο τέλος αυτής της λίστας συναλλαγών και να εφαρμόσετε SHA256 σε όλο το πράγμα, τα πρώτα 30 bits της εξόδου είναι όλα 0!» Πόσο δύσκολο πιστεύεις πως ήταν γι' αυτούς να βρουν τον αριθμό αυτό? Λοιπόν, για ένα τυχαίο μήνυμα, Spanish: Pero nadie ha encontrado una forma de hacerlo. Es interesante mencionar, que no hay una prueba dura y rigurosa de que es difícil de computar en sentido contrario. Y aun asi, una enorme cantidad de la seguridad moderna depende de funciones criptográficas hash y de la idea de que tienen esta propiedad. Si buscases que algoritmos subyacen bajo la conexión segura que tu navegador está realizando con YouTube ahora mismo, o que realiza con tu banco, lo más seguro es que vieses aparecer el nombre SHA256. De momento, nuestra atención estará en cómo dicha función puede probar que una lista de transacciones en particular está asociado con un gran esfuerzo computacional. Imagina que alguien te enseña una lista de transacciones, y te dicen "Eh! He encontrado un número especial tal que cuando lo pones al final de esta lista transacciones y le aplicas SHA256 al archivo entero los primeros 30 bits de la salida son ceros! ¿Cómo de dificil piensas que fue para ellos encontrar ese número? Bien, para un mensaje aleatorio, Czech: Ale nikdo zatím nevymyslel, jak tohle udělat. Zajímavé je, že neexistuje žádný tvrdý rigorózní důkaz, že je těžké provést výpočet v opačném směru. A přesto, obrovská část moderní počítačové bezpečnosti stojí na kryptografických hash funkcích a jejich vlastnostích. Kdybyste se podívali na to, jaké algoritmy využívá šifrované spojení kterým jste právě teď připojeni k YouTube, nebo spojení do internetového bankovnictví, nejspíš byste tam SHA256 našli. My se teď budeme věnovat jen tomu, jak můžeme takovou funkci použít k důkazu, že seznam transakcí je spjat s velkou výpočetní námahou. Představte si, že vám někdo ukáže seznam transakcí a řekne "Hele, našel jsem speciální číslo, které když přidáš na konec seznamu, a celý to zahashuješ SHA256, prvních 30 bitů výsledného otisku budou nuly!" Co myslíte, jak těžké pro ně bylo tohle číslo najít? Pro náhodnou zprávu German: Aber bisher hat niemand einen Weg gefunden, das zu schaffen. Interessanterweise gibt es keinen rigorosen Beweis dafür, dass es schwierig ist in die andere Richtung zu rechnen. Und dennoch basiert ein gewaltiger Teil moderner Sicherheitstechnologien auf diesen kryptographischen Hashfunktionen und darauf, dass sie diese Eigenschaft haben. Wenn du dir anschauen würdest mit welchen Algorithmen dein Browser gerade die sichere Verbindung zu YouTube oder zu deiner Bank aufbaut, dann wirst du ziemlich wahrscheinlich auf den Namen SHA256 stoßen. Für jetzt konzentrieren wir uns erstmal darauf wie eine solche Funktion beweisen kann, dass eine bestimme Liste Transaktionen mit einer hohen Menge an rechnerischer Arbeit verbunden ist. Stell dir vor jemand zeigt dir eine Liste an Transaktionen und sagt: "Hey, ich habe eine besondere Zahl gefunden. Wenn du diese Zahl ans Ende der Liste an Transaktionen schreibst, und SHA256 auf die Liste anwendest, dann sind die ersten 30 Bits der Ausgabe alles Nullen!" Wie schwer glaubst du war es für diese Person, eine solche Nummer zu finden? Für irgendeine zufällige Nachricht ist die Wahrscheinlichkeit, Hungarian: De soha senki nem jött rá hogyan lehetne ezt megcsinálni. Érdekes, hogy szigorúan véve nincs konkrét bizonyíték arra, hogy nehéz kiszámítani a fordított irányban. És mégis, korszerű biztonságtechnika hatalmas mértékben függ a kriptográfiai hasító függvényektől (*cryptographic hash functions*), és az elgondolástól hogy ezzel a tulajdonsággal rendelkeznek. Ha belenéznél, hogy milyen algoritmusokon alapszik az a titkos kapcsolat, amely a böngésződ és a Youtube között jött most létre, vagy amelyet a bankoddal létesít, akkor valószínűleg felbukkanna a SHA256 név. Egyelőre azon lesz a fókusz, hogy hogyan tudja bizonyítani egy ilyen függvény, hogy egy bizonyos tranzakciós listához egy nagy mennyiségű számítási erőfeszítés tartozik. Képzeld el, hogy valaki mutat neked egy tranzakciós listát, és azt mondják: "Hé! Találtam egy különleges számot, amit hogy ha a tranzakciós lista végére illesztek, és SHA256-ot alkalmazok az egészre, akkor a kimement első 30 bitjének nullásnak kell lennie." Szerinted milyen nehéz volt nekik megtalálni ezt a számot? Nos, egy véletlenszerű üzenettel, Chinese: 但目前沒有人可以做到 有趣的是,目前還沒有嚴格的證明逆向計算是困難的 目前大量的安全行業和加密需求都取決於 加密雜湊函數以及它的這個性質 如果你看瀏覽器和YouTube建立的加密連接 或連上銀行網站時 它背後的加密演算法 你很可能會看到「SHA256演算法」 但現在,我們的關注點會是 如何證明這樣的函數代表一個帳單 需要非常大量的計算資源 想想如果有人給你一份交易記錄並說 「嘿!我發現了一個特殊的數字 你把這個數字放在這份交易記錄後面 整體資訊進行SHA256函數計算後 前面30個數字都會是0!」 你想想找到這樣的一個數字有多難? 對於一個隨機的訊息, English: the details of how the function works, but no one has ever found a way to do that. Interestingly, there’s no proof that it’s hard to compute in the reverse direction, yet a huge amount of modern security depends on cryptographic hash functions. If you were to take a look at what algorithms underlie the secure connection that your browser is making with YouTube right now, or that it makes with a bank, you will likely see a name like SHA256 in there. For right now, our focus will just be on how such a function can prove that a particular list of transactions is associated with a large amount of computational effort. Imagine someone shows you a list of transactions, and they say “I found a special number so that when you put this number at the end of list of transactions, and apply SHA256 the entire thing, the first 30 bits of the output are zeros”. How hard do you think it was for them to find that number? Japanese: しかし誰も達成できていない。 面白いのは、逆の計算が非常に難しいという事を厳密には証明できていないという点である。 しかし現代のセキュリティは、 暗号論的ハッシュ関数の特性に深く依存している。 銀行のサイトにアクセスしているときや、 今YouTubeとブラウザの間で行われているセキュア通信の 中身を探れば、 SHA256という名前が見受けられると思う。 これからフォーカスを当てていく部分は、 このような関数がどのようにして、特定の取引の記録列が、 莫大な計算量の結果としれ生まれたものだと保証するかである。 想像してほしい。誰かが記録列を見せて来て、次のように言う。 「すごい数値を見つけたぞ。 この数値を記録列の最後において、 SHA256を全体に適用すると、 出力の最初の30桁が全てゼロになる。」 その数値を探り出すのにどれくらいの労力が必要だろうか。 記録はランダムだから、 Arabic: لكن لم يحدث أن وجد أحد طريقة لفعل هذا سابقًا. ومن المثير للاهتمام أنه لا يوجد دليل صارم على أنه من الصعب حقًا الحساب في الاتجاه المعاكس. رغم ذلك، كمية هائلة من الأمن الاكتروني الحديث تعتمد على دوال التهشير التشفيرية وفكرة أن لديهن تلك الميزة. إذا اطلعت على الخوارزميات التي يعتمد عليها الاتصال الآمن بين المتصفح الذي تتصفح منه وبين اليوتيوب الآن، أو التي يعتمد عليها البنك الذي اشتركت به، غالبًا قد تجد الاسم SHA256 موجود هناك. ولكن الآن، لنركّز على كيف يمكن لدالة كهذه أن تثبت أن قائمة مُعَيّنة من العمليات مرتبطة بكمية كبيرة من الحوسبة المجهدة. تخيل أن شخص ما أراك قائمة من العمليات، وقال: "انظر! لقد وجدت رقم مميز عندما أضعه في نهاية قائمة العمليات و أنفذ الدالة SHA256 على كل هذا، ستكون أول 30 خانة من المخرجات كلها أصفار!" ما مقدار الصعوبة التي واجهها في إيجاد هذا الرقم برأيك؟ حسنًا، بالنسبة لرسالة عشوائية، French: et obtenir l'entrée appropriée sans avoir à deviner et vérifier... Mais personne n'a découvert de moyen de faire ça. Curieusement il n'y a pas de preuve rigoureuse qu'il est difficile de calculer l'image réciproque. Et encore une énorme quantité de sécurité moderne dépendent des fonctions de hash cryptographiques. Et l'idée qu'elles ont cette propriété. Si vous voulez voir les algorithmes sous-jacents à la sécurité de connexion que votre navigateur crée avec YouTube maintenant ou avec votre banque vous trouverez le même nom SHA256 Pour maintenant nous allons nous concentrer sur comment une telle fonction peut prouver qu'une liste particulière de transactions est associée avec une grande quantité d'effort de calcul. Imaginez quelqu'un vous montrant une liste de transactions, et vous disant : "Hey, j'ai trouvé un nombre spécial de sorte que lorsque vous mettez ce nombre spécial à la fin de cette liste de transactions et appliquez SHA256 à l'ensemble les 30 premiers bits de cette sortie sont tous des 0." Combien pensez-vous qu'il était difficile pour eux de trouver ce nombre ? Lithuanian: Bet niekas šito dar nesugalvojo. Kas įdomu, nėra jokio šalto, tvirto įrodymo, kad yra sudėtinga suskaičiuoti atbuline tvarka. Ir visgi, milžiniškas modernaus saugumo kiekis priklauso nuo kriptografinių hešo funkcijų ir nuo idėjos, kad jos turi tokią savybę. Jei pažiūrėtum, kokiais algoritmais grįstas saugus sujungimas, kurį tavo naršyklė sukuria su YouTube dabar, arba sukuria su tavo banku, tu tikriausiai pamatysi SHA256 pavadinimą kažkur. Dabar, mūsų dėmesys bus sutelktas tik į tai, kaip tokia funkcija gali įrodyti, kad tam tikras transakcijų sąrašas yra susijęs su didelio skaičiavimo kiekio pastangomis. Įsivaizduok, kažkas parodo tau transakcijų sąrašą ir sako: "Ei! Atradau specialų skaičių, kurį pridėjus prie transakcijų sąrašo ir praleidus visą dalyką per SHA256, gausi išvestį, kurios pirmi 30 bitų visi nuliai!" Kaip manai, kaip sunku jam buvo surasti tą skaičių? Na, atsitiktinei žinutei, Vietnamese: Nhưng chưa ai từng tìm ra cách để làm điều đó. Kì lạ là không có phép chứng minh nào nói rằng tính theo hướng ngược lại là rất khó. Tuy nhiên, một lượng lớn hệ thống an ninh ngày nay phụ thuộc vào các hàm băm mật mã và tin tưởng rằng chúng có thuộc tính này. Nếu bạn đã nhìn vào những thuật toán được dùng hỗ trợ kết nối an toàn mà trình duyệt của bạn đang thực hiện với YouTube ngay bây giờ, hoặc là cho kết nối mà nó thực hiện với ngân hàng của bạn, bạn có thể sẽ thấy cái tên SHA256 xuất hiện. Bây giờ, chúng ta sẽ chỉ tập trung vào làm thế nào hàm hash có thể chứng minh rằng một danh sách cụ thể các giao dịch được liên kết với một lượng lớn công tính toán. Hãy tưởng tượng ai đó cho bạn xem một danh sách các giao dịch, và họ nói "Này! Tôi tìm thấy một số đặc biệt để khi bạn đặt số đó vào cuối danh sách các giao dịch này và áp dụng SHA256 cho tất cả các chi tiết này, cho đầu ra với 30 bit đầu tiên của nó là tất cả các số không! " Bạn nghĩ tìm ra con số đó khó khăn đến thế nào? Đối với một thông điệp ngẫu nhiên, Portuguese: mas ninguém descobriu uma forma de fazer isso curiosamente, não há prova de que seja difícil fazer esse cálculo inverso e ainda assim, uma enorme quantidade de segurança moderna depende das funções Hash criptográficas e a ideia de que elas têm essa propriedade Se você fosse olhar quais algoritmos são a base para a conexão segura que seu navegador está utilizando ou que ele faz com o seu banco provavelmente você vai ver o nome SHA256 em algum local Neste momento, nosso foco será em como essa função pode provar que uma certa lista particular de transações está associada com uma enorme quantidade de trabalho computacional imagine que alguém lhe mostre uma lista de transações e diz "Ei, eu encontrei um número especial que quando você coloca ele no fim da lista de transações e aplica SHA256 em tudo, os primeiros 30 bits do resultado serão todos zeros. Quão difícil você acha que foi para eles acharem esse número? iw: אבל אף אחד מעולם לא חשב על דרך לעשות את זה. באופן מעניין, אין הוכחה ריגורוזית שבאמת קשה לחשב בכיוון ההפוך. ובכל זאת, כמות עצומה של ביטחון דיגיטלי מודרני תלוי בפונקציות hash קריפטוגרפיות והרעיון שיש להן את התכונה הזו. אם הייתם בודקים אילו אלגוריתמים מנצאים בבסיס החיבור המאובטח שלכם שהדפדפן שלכם עושה עם YouTube עכשיו, או שהוא עושה עם הבנק שלכם, סביר שתראו את השם SHA256 מופיע שם. אבל כעת, ההתמקדות שלנו תהיה רק ​​על איך פונקציה כזו יכולה להוכיח שלרשימה מסוימת של עסקאות מזוהה עם כמות גדולה של מאמץ חישובי. תארו לעצמכם שמישהו היה מראה לכם רשימה של עסקאות, והוא היה אומר "היי! מצאתי מספר מיוחד כך שכאשר אתה מכניס את המספר הזה בסוף רשימה זו העסקאות ומפעיל SHA256 על כל הספר, 30 הסיביות הראשונות של הפלט הן אפסים!" כמה קשה אתם חושבים שזה יהיה להם למצוא את המספר הזה? ובכן, עבור הודעה אקראית, Italian: Ma per ora nessuno ha mai trovato il modo di farlo. È interessante notare che nessuno ha dimostrato in maniera rigorosa che sia effettivamente difficile calcolare l'argomento partendo dal risultato. Tuttavia, una gran parte della moderna sicurezza dipende da funzione crittografiche di hash e dall'idea che abbiano questa proprietà. Se dovessi guardare quale algoritmo sta alla base della connessione sicura che il tuo browser utilizza con YouTube in questo momento o che utilizza con la tua banca, vedresti probabilmente il nome SHA256 sbucare da qualche parte. Per ora ci concentreremo solo su come una di queste funzioni possa provare che una particolare lista di transazioni sia associata con una gran quantità di sforzo computazionale. Immagina che qualcuno ti mostri una lista di transazioni e dica "Hey! Ho trovato un numero speciale che se messo alla fine della lista di transazioni e SHA256 viene applicata al tutto, i primi 30 bit del risultato sono zeri!" Quanto pensi sia stato difficile trovare quel numero? Ebbene, per un messaggio casuale, Indonesian: Tapi tidak ada yang tahu cara untuk melakukan itu. Menariknya, tidak ada bukti keras yang sulit untuk dihitung dalam arah sebaliknya. Namun, sejumlah besar keamanan modern tergantung pada fungsi hash kriptografi dan gagasan bahwa mereka memiliki sifat ini. Jika Anda melihat algoritma apa yang mendasari koneksi aman yang dibuat oleh browser Anda dengan YouTube sekarang ini, atau itu terjadi dengan bank Anda, Anda mungkin akan melihat nama SHA256 muncul di sana. Untuk saat ini, fokus kita hanya akan terus berlanjut bagaimana fungsi semacam itu bisa membuktikan bahwa daftar transaksi tertentu dikaitkan dengan sejumlah besar usaha komputasi. Bayangkan seseorang menunjukkan daftar transaksi, dan mereka mengatakannya "Hei, saya menemukan nomor khusus sehingga ketika Anda memasukkan nomor itu di akhir daftar transaksi ini dan menerapkan SHA256 untuk keseluruhannya, 30 bit pertama dari hasil itu semuanya nol! " Seberapa sulit menurut Anda untuk menemukan nomor itu? Nah, untuk pesan acak, Polish: Ale nikt nigdy nie wymyślił, jak to zrobić. Co ciekawe, nie ma twardego dowodu na to, że trudno jest to obliczyć w odwrotnym kierunku. A jednak, ogromna ilość nowoczesnych zabezpieczeń zależy od kryptograficznych funkcji skrótu i ​​idei, że mają one tę właściwość. Jeśli zobaczyłbyś algorytmy, na których opierają się bezpieczne połączenia Twojej przeglądarki z YouTube'm albo z Twoim bankiem, prawdopodobnie zobaczysz nazwę SHA256. Teraz naszym celem będzie tylko zrozumienie, jak taka funkcja może udowodnić, że dana lista transakcji jest związana z dużą ilością zabiegów obliczeniowych. Wyobraź sobie, że ktoś pokazuje Ci listę transakcji i mówi: „Hej! Znalazłem specjalny numer taki, że kiedy umieścisz go na końcu tej listy transakcji i zastosujesz do wszystkiego SHA256, pierwsze 30 bitów tego, co otrzymamy będą zerami!” Sądzisz, że jak ciężko było znaleźć ten numer? Cóż, dla losowej wiadomości Russian: Только пока ещё никто не догадался, как это сделать. Любопытно, что нет строгого доказательства того, что обратные вычисления слишком сложны. И всё равно современная защита основательно полагается на криптографические хеш-функции и представление об этом их свойстве. Если бы вы взглянули на алгоритмы, которые обеспечивают безопасное соединение, и которые ваш браузер сейчас выполняет на Youtube или когда взаимодействует с вашим банком, вы наверняка где-нибудь заметили бы SHA256. Но пока сосредоточимся на том, как такая функция может доказать, что определенный список операций потребует колоссальных вычислительных усилий. Представьте, что кто-то показывает вам список операций и говорит: «Смотри, я нашел такое число, что если его поставить в конец этого списка операций, а потом применить ко всему этому функцию SHA256, то все первые 30 бит результата будут нулями!» Как думаете, им было трудно найти это число? Для произвольного сообщения Korean: 하지만 지금까지 아무도, 그 방법을 알아내지 못했지. 재미있는 사실은, 역산으로 입력값을 계산해 낼 수 없다는 확실한 증명도 없다는 거야. 현대 보안의 많은 부분은 이처럼 역산이 실질적으로 불가능하다는 암호화 해쉬 함수의 특성에 기반을 두고 있어. 지금 여러분의 브라우저와 유튜브 사이에 맺어져 있는 보안 연결이 어떤 알고리듬으로 되어 있는지 지금 여러분의 브라우저와 유튜브 사이에 맺어져 있는 보안 연결이 어떤 알고리듬으로 되어 있는지 또는 여러분과 은행 사이트 사이의 보안 연결이 어떤 알고리듬으로 되어 있는지 알아보다 보면 아마도 SHA256 함수와 반드시 마주치게 될 거야. 일단 지금은 그런 암호화 해쉬 함수가 어떤 방식으로, 일정한 수의 거래들이 상당히 많은 양의 계산 작업과 연결되어 있다는 것을 증명할 수 있는가에 집중해보자고. 누군가 여러분에게 일정한 갯수의 거래 내역을 보여주고, "이봐!! 내가 매직넘버를 찾아냈어!!" "이 매직 넘버를 거래 내역 목록의 마지막에 추가한 다음에" "그 값을 입력값으로 해서 SHA256 함수로 계산하면," "결과 해쉬값의 첫 30비트는 모두 0이야!!" 라고 말했다고 해보자. 그 매직 넘버를 알아내는데 도대체 얼마나 많은 계산을 한 걸까? 그냥 난수로 만들어진 메시지에서 Turkish: Ama kimse bunu nasıl yapılacağının bir yolunu bulamadı İlginç bir şekilde bu ter hesaplamayı yapabilecek bir titiz ve sıkı bir kanıtta yok. Ve hal böyleyken, modern güvenliğin büyük bir kısmı şifrelenmiş hash fonksiyonlarına ve sahip oldukları varlıklara bağlıdır. Güvenlik bağlantısının altında yatan algoritmalara bakarsan Şuan için tarayıcın YouTube çalıştırıyor, ya da banka ile yaptığınız, büyük ihtimalle SHA256 ismi görünecektir. Şuan için, odaklanma noktamız nasıl bir fonsiyon belirli para işlemleri listesiyle büyük bir hesaplama eforu ile ilişkili olduğunu ispatlayabilir. Birinin sana para işlemleri listesini gösterdiğini hayal et, ve diyorlar ki "Hey! özel bir sayı buldum bu sayıyı para işlemleri defterinin sonuna koyduğun zaman ve tamamına SHA256 uyguladığında çıkışların ilk 30 biti tamamen sıfır!" Sence onların bu sayıyı bulması ne kadar zordu? Pekala, rastgele bir mesaj için, Hungarian: az esélye annak hogy egy olyan hash forduljon elő ami 30 egymást követő nullással kezdődik 1 a 2^30-hoz, ami nagyjából egy az egy milliárdhoz. És mivel a SHA256 egy kriptográfiai hasító függvény (*cryptographic hash finction*), az egyetlen módja, hogy találjunk egy ilyen különleges számot, az az ha csak találgatunk és leellenőrizzük. Tehát ennek az illetőnek biztosan végig kellett mennie körülbelül egy milliárd különböző számon ahhoz, hogy találjon egy ilyen különleges számot. És onnantól hogy tudod ezt a számot, nagyon gyorsan le lehet ellenőrizni - csak lefuttatod a hash-t és megnézed hogy van-e 30 nullásod. Más szavakkal, le tudod ellenőrizni, hogy véghezvittek nagy mennyiségű munkát, anélkül, hogy ugyanazokon az erőfeszítéseken kelljen végigmenned saját magad. Ezt "proof of work"-nek hívják. (~*bizonyíték az elvégzett munkáról*, a továbbiakban "proof of work") És ami nagyon fontos, hogy mindez a munka elválaszthatatlanul kötve van az adott tranzakciós listához. Ha megmásítod az egyik tranzakciót, akár csak egy kicsit is, az teljesen megváltoztatná a hash-edet, tehát végig kellene menned egy újabb milliárd találgatáson ahhoz, hogy újra bizonyítani tudd az elvégzett munkát, azaz hogy egy újabb "proof of work"-ot találj, egy új számot, amely azt eredményezi, Portuguese: Bem, para uma mensagem aleatória, a probabilidade que um Hash ocorre de iniciar com 30 bits 0 consecutivos é 1 em 2 elevado a 30, o que dá aproximadamente 1 em 1 bilhão. e por SHA256 ser uma função Hash criptográfica, a única forma de achar um número como aquele é adivinhar e testar então essa pessoa quase certamente teve que passar por cerca de 1 bilhão de números diferentes antes de achar aquele especial E quando você sabe qual esse número, é muito rápido verificar você só executa o Hash, e procura pelos 30 zeros Em outras palavras, você pode verificar que eles passaram por um trabalho enorme mas sem precisar fazer o mesmo trabalho você mesmo isso é chamado Prova de Trabalho E importante, todo esse trabalho é intrinsecamente ligado à lista de transações se você mudar uma dessas transações, mesmo minimamente você mudaria o Hash completamente, então teria que fazer mais um bilhão de tentativas para achar uma nova Prova de Trabalho um novo número, para o qual o resultado Hash da lista alterada junto com esse novo número Lithuanian: tikimybė, kad hešas prasidės su 30 iš eilės einančių nulių yra 1 iš 2^30, kas yra apie vienas iš milijardo. Ir kadangi SHA256 yra kriptografinė hešo funkcija, vienintelis būdas surasti tokį specialų skaičių yra spėliojimas ir tikrinimas. Taigi šis asmuo beveik garantuotai turėjo praeiti apie milijardą skirtingų skaičių prieš atrandant šį specialųjį. Ir kai žinai tą skaičių, yra labai greita patikrinti: tiesiog praleidi hešo funkciją ir pamatai, kad yra 30 nulių. Taigi, kitais žodžiais, gali patikrinti, kad jis praėjo per didelį darbo kiekį, bet tau pačiam nereikia įdėti tiek pat pastangų patikrinimui. Tai yra vadinama "darbo įrodymu" Ir labai svarbiai, visas šis darbas iš esmės susijęs su transakcijų sąrašu. Jei pakeisi vieną iš transakcijų, netgi vos vos, tai visiškai pakeistų hešą, tad tau reiktų praeiti dar vieną milijardą spėjimų, kad atrastum naują darbo įrodymą, naują skaičių, kuris padaro taip, Polish: prawdopodobieństwo, że skrót zaczyna się 30 zerami wynosi 1 do 2^30, co stanowi około jeden na miliard. A ponieważ SHA256 jest kryptograficzną funkcją skrótu, jedynym sposobem, aby znaleźć taką specjalną liczbę jest po prostu zgadywanie i sprawdzanie. Więc ta osoba prawie na pewno musiała przejść przez około miliard różnych liczb zanim znalazła ten właściwy. A gdy już znasz tę liczbę, naprawdę szybko można to sprawdzić - wystarczy uruchomić hash i zobaczyć, że jest 30 zer. Więc innymi słowy, możesz zweryfikować, że ktoś przeszedł dużą ilość pracy, ale bez konieczności przechodzenia przez to samo samodzielnie. Nazywa się to „dowód pracy”. I najważniejsze, cała ta praca jest nierozerwalnie związana z listą transakcji. W przypadku zmiany jednej z tych transakcji, nawet nieznacznie, całkowicie zmieniłby się hash, więc musiałbyś przejść przez kolejne miliardy domysłów, aby znaleźć nowy dowód pracy, nową liczbę, która sprawia, że Spanish: la probabilidad de que un hash empiece con 30 ceros sucesivos es 1 de cada 2^30, aproximadamente 1 en 1000 millones. Y como SHA256 es una función criptográfica, la única forma de encontrar un número especial como ese es adivinando y comprobando. Asi que esta persona casi seguro que ha tenido que comprobar 1000 millones de números distintos antes de encontrar este número especial. Y una vez que concoes este número, se puede verificar bastante rápido, simplemente aplicas y compruebas que tiene 30 ceros. Así que en otras palabras, puedes verificar que les ha llevado una gran cantidad de trabajo, pero sin tener que realizar ese mismo esfuerzo tu mismo. Esto se conoce como una "prueba de trabajo". Y lo más importane, todo este trabajo esta intrinsecamente conectado a la lista de transacciones. Si modificas ligeramente una de esas transacciones, alteraría por completo el hash, asi que tendrías que comprobar otros 1000 millones de números para encontrar una nueva "prueba de trabajo" un nuevo número French: Bien, pour un message aléatoire la probabilité qu'un hash commence par 30 zéros successifs est de 1 sur 2^30, ce qui est environ 1 sur 1 milliard. Et parce que SHA256 est une fonction de hash cryptographique, la seule façon de trouver ce nombre spécial est juste deviner et vérifier. Donc cette personne a presque certainement dû aller jusqu'à un milliard de nombres différents avant de trouver. Et une fois que vous connaissez ce nombre C'est vraiment rapide de vérifier. Vous lancez juste le hash et voyez qu'il y a 30 zéros. Donc en d'autres termes, vous pouvez vérifiez qu'il vient d'une grande quantité de travail, mais sans avoir à passer par cette même quantité de travail vous-même. Ceci s'appelle une "preuve de travail". Et d'une façon importante, tout ce travail est intrinsèquement lié à liste de transactions. Si vous changez l'une de ces transactions, même de façon minime, cela changera complètement le hash. Alors vous devrez aller jusqu'à un autre milliard de devinettes pour trouver une nouvelle preuve de travail, un nouveau nombre qui fait en Arabic: احتمالية أن يبدأ الهاش بـ30 صفر متتالية هي 1 من (2 أس 30) والذي يعني حوالي واحد من مليار. وبما أن SHA256 هي دالّة تّهشير تشفيرية؛ الطريقة الوحيدة لإيجاد رقم كهذا هي التخمين والتحقق. لذا، هذا الشخص غالبًا اضطر لتجربة مليارات الأرقام المختلفة قبل أن يجد هذا الرقم المميز. وعندما تجد هذا الرقم؛ سيتم التحقق بسرعة، ضع الهاش في الدالة ونفذها وانظر إذا ظهر 30 صفر أم لا. لذا، بمعنى آخر، يمكنك التأكد أن ذلك الشخص اجتهد كثيرًا، ولكن دون الاضطرار للمرور بنفس الإجهاد بنفسك. و هذا يسمى "إثبات العمل" ومن المهم أن نفهم أن كل هذا العمل مرتبط جوهريًا بقائمة العمليات. إذا عدّلت أي من هذه العمليات حتى لو بشكل طفيف سوف يتغير الهاش بالكامل، لذا عليك أن تجرب مليارات التخمينات حتى تتمكن من إيجاد رمز إثبات العمل. والرقم الجديد الذي ينتجه Japanese: 30のゼロの列が始めに来る確率は、2の30乗分の1であり、 10億分の1に近似できる。 SHA256は暗号論的ハッシュ関数なので、 この様なすごい数値を求めるには、予想と確認を繰り返すしかない。 よってこの人はこの数値を発見するのに10億に近い数値を相手に、 努力したと言える。 だが一度その数値を知ってしまえば、 確認するのは非常に簡単である。ハッシュ関数を使って、30のゼロがあることを見れば良い。 言い換えれば、大変多くのワークを行ったことを確かめる時、 同じ努力をせずに検証できる。 これを「プルーフ・オブ・ワーク」と呼ぶ。。 覚えておきたいのは、このワークは記録列に強烈に依存しており、 記録列のごく一部でも変えてしまえば、 ハッシュも完全に変わってしまう。 こうなってしまえば、新たなプルーフ・オブ・ワークを見つけるために、 再び億単位の作業を行って、 iw: ההסתברות שתוצאת ה-hash תתחיל עם שלושים אפסים רצופים היא אחד לשתיים בחזקת שלושים שזה בערך אחד למיליארד. וכיוון ש-SHA256 היא פונקציה hash קריפטוגרפית, הדרך היחידה למצוא מספר מיוחד כזה הוא רק ניחוש ובדיקה. אז האדם הזה כמעט בוודאות היה צריך לעבור על כמיליארד מספרים שונים לפני שמצא אחד מיוחד שכזה. וברגע שאתם יודעים את המספר הזה, זה באמת מהיר לאמת - אתם יכולים פשוט להפעיל את ה-hash ולראות שישנם שלושים אפסים. אז במילים אחרות, אתם יכולים לוודא שאותו אדם ביצע כמות גדולה של עבודה, מבלי להשקיע אותו מאמץ בעצמכם. זה נקרא "הוכחה של עבודה". וחשוב להבין - כל העבודה הזו קשורה באופן מהותי לרשימת העסקאות. אם תשנו את אחת העסקאות הללו, אפילו במעט, היא תשנה את ה-hash לחלוטין, כך שהייתם צריכים לנחש עוד מיליארד ניחושים כדי למצוא הוכחה חדשה של עבודה, מספר חדש שבעזרתו Indonesian: kemungkinan bahwa hash terjadi dengan memulai 30 angka nol berturut-turut adalah 1 banding 2^30, yang sekitar satu banding satu miliar. Dan karena SHA256 adalah fungsi hash kriptografi, satu-satunya cara untuk menemukan nomor spesial seperti itu hanya menebak dan mengecek. Jadi orang ini hampir pasti harus melalui sekitar satu miliar nomor yang berbeda sebelum menemukan yang spesial ini. Dan begitu Anda tahu nomor itu, itu benar-benar cepat untuk memverifikasi - Anda hanya menjalankan hash dan melihat bahwa ada 30 nol. Jadi dengan kata lain, Anda dapat memverifikasi bahwa mereka menjalani sejumlah besar pekerjaan, tapi tanpa harus melalui usaha yang sama itu sendiri. Ini disebut "proof of work"(bukti kerja). Dan yang terpenting, semua pekerjaan ini secara intrinsik terkait dengan daftar transaksi. Jika Anda mengubah salah satu transaksi tersebut, bahkan sedikit pun, itu benar-benar akan mengubah hash, jadi Anda harus melewati satu miliar tebakan lagi untuk menemukan bukti kerja baru, sebuah nomor baru yang membuatnya Turkish: bu olasılık bir hash fonksiyonun peş peşe 30 tane sıfırla ile başlama olasılığı 2^30 da 1 ki bu da milyarda bir ihtimal demek. Ve çünkü SHA256 şifrelenmiş bir hash fonksiyonudur, bu şekilde bir sayıyı bulmanın tek yolu tahmin ve kontrol etmektir. Yani bu kişi neredeyse bir milyar farklı sayıyı geçmek zorundaydı ta ki bu özel olanı buluncaya dek. Ve bu sayıyı bir kere biliyorsan doğrulaması gerçekten hızlıdır - sadece hash fonksiyonunu çalıştırırsın ve 30 tane sıfırı görürsün. Bir başka deyişle, onların yaptığı büyük miktardaki işini sen doğrulayabilirsin, ama aynı eforu da kendin için sarfetmeden. Buna "çalışma ispatı" denir. Ve en önemlisi, tüm bu işler özünde parasal işlemler listesiyle bağımlı eğer bu parasal işlemlerin birinde küçük değişikler yapsan dahi, hash'i tamamen değiştirecektir, yani yeni bir çalışma ispatı bulmak için bir başka bir milyar tahmine daha gitmek zorunda olurdun, onu yapan yeni bir sayı German: dass der Hashwert mit 30 Nullen beginnt 1 zu 2^30. Also in etwa eins zu einer Milliarde. Und weil SHA256 eine kryptografische Hashfunktion ist, ist die einzige Möglichkeit eine solche Nummer zu finden schlicht und ergreifend immer wieder zu raten. Das heißt diese Person musste ziemlich sicher ungefähr eine Milliarde Zahlen ausprobieren, bevor sie diese besondere gefunden hat. Sobald du die Zahl weißt, ist es leicht sie zu überprüfen. Du wendest einfach die Hashfunktion an und siehst die 30 Nullen. Mit anderen Worten: Du kannst überprüfen, dass jemand eine ganze Menge Arbeit geleistet hat, ohne dir selbst den Aufwand zu machen. Das nennt man den "Ausführungsnachweis". Wichtig ist, dass all diese Arbeit intrinsisch mit der Liste an Transaktionen verbunden ist. Wenn du nur eine der Transaktionen ein kleines bisschen veränderst, würde sich der Hashwert komplett verändern. Du müsstest also nochmal eine Milliarde Zahlen ausprobieren um dienen Ausführungsnachweis zu finden. Eine neue Zahl mit der der Hashwert der veränderten Liste Modern Greek (1453-): η πιθανότητα ότι ένα hash συμβαίνει να ξεκινήσει με 30 διαδοχικές μηδενικά είναι 1 σε 2 ^ 30, που είναι περίπου ένα σε ένα δισεκατομμύριο. Και επειδή η SHA256 είναι μία κρυπτογραφική συνάρτηση κατακερματισμού, ο μόνος τρόπος για να βρείτε έναν ειδικό αριθμό όπως αυτόν, είναι απλά μαντεύοντας και ελέγχοντας. Έτσι, αυτό το άτομο έπρεπε σχεδόν σίγουρα να περάσει από περίπου ένα δισεκατομμύριο διαφορετικούς αριθμούς πριν από την εύρεση αυτού του ιδιαίτερου (αριθμού). Και από τη στιγμή που γνωρίζετε αυτόν τον αριθμό, είναι πραγματικά γρήγορο το να τον επαληθεύσετε - απλά εκτελέστε το hash και θα δείτε ότι υπάρχουν 30 μηδενικά. Έτσι, με άλλα λόγια, μπορείτε να επιβεβαιώσετε ότι πέρασε από μια μεγάλη προσπάθεια (για να βρει αυτόν τον αριθμό) αλλά χωρίς να χρειάζεται να εκτελέσετε εσείς ο ίδιος ανάλογη προσπάθεια. Αυτό ονομάζεται «απόδειξη εργασίας». Και το σημαντικότερο, όλη αυτή η εργασία είναι άρρηκτα συνδεδεμένη με τη λίστα των συναλλαγών. Εάν αλλάξετε μία από αυτές τις συναλλαγές, έστω και λίγο, θα αλλάξει εντελώς το hash, έτσι θα πρέπει να περάσουν από άλλες δισεκατομμύρια μαντεψιές για να βρουν μια νέα απόδειξη εργασίας, μια νέα σειρά (νέο αριθμό) που κάνει, Czech: je pravděpodobnost, že její hash bude začínat 30 nulami jedna ku 2^30, což je asi jedna ku miliardě. A protože je SHA256 kryptografická hash funkce, jediná možnost jak takové číslo najít je hádat a kontrolovat výsledky. Takže museli nejspíš projít zhruba miliardu čísel, aby to speciální našli. Když už tohle číslo máte, je jednoduché ověřit, že je správné - prostě to proženete hash funkcí a zkontrolujete, že je tam 30 nul. Jinými slovy, můžete si ověřit, že k nalezení tohoto čísla muselo být vykonáno hodně práce, aniž byste ji museli sami vykonat. Tomu se říká "důkaz práce". A co je důležité, tahle práce je spojená se seznamem transakcí. když změníte kteroukoliv transakci, jakkoliv málo, kompletně se změní hash, takže byste museli projít další miliardu čísel, abyste našli nový důkaz práce, tj. nové číslo, které po přidání Italian: la probabilità che un hash inizi con 30 zeri è 1 su 2^30, che è circa una su un miliardo. E visto che SHA256 è una funzione crittografica di hash, L'unico sistema per trovare un numero speciale come quello è di tirare ad indovinare. Per cui questa persona molto probabilmente ha dovuto provare circa un miliardo di numeri differenti prima di trovare quello speciale. E una volta che conosci questo numero, è davvero veloce da verificare - lo inserisci nella funzione di hash e controlli che ci siano i 30 zeri. In altre parole, puoi verificare che hanno lavorato molto, ma senza dover fare il loro stesso sforzo. Questa è chiamata "proof of work". E soprattutto, tutto questo lavoro è intrinsecamente legato alla lista delle transazioni. se cambiassi una di queste transazioni, anche di poco, cambierebbe completamente l'hash, quindi dovresti tentare di nuovo un milione di combinazioni per trovare una nuova "proof of work", un nuovo numero che faccia in modo Russian: вероятность того, что хеш начинается с 30 нулей, составляет 1 из 2^30, то есть примерно из миллиарда. И потому, что SHA256 - криптографическая функция, единственный способ найти такое особенное число - это подбирать и проверять. Так что вполне возможно, что этому человеку пришлось перебрать где-то миллиард чисел, перед тем как прийти к своей находке. Но когда это число известно, его очень легко проверить: нужно просто подставить его в хэш-функцию и посчитать количество нулей. Другими словами, вы сможете подтвердить, что человек сделал невероятно сложные вычисленния, но вам не нужно будет повторять их. Это называется доказательством выполнения работы (англ. proof of work). Важно, что вся эта работа неразрывно связана с самим списком операций. Если вы хоть немного подредактируете одну из операций, это полностью изменит хеш, и вам опять придется перебирать миллиард чисел, чтобы найти доказательство выполнения работы, то есть новое число, Korean: 이처럼 처음 30자리가 모두 0일 확률은 2의 30승 분의 1 이야. 대략 10억 분의 1 이지. SHA256 해쉬 함수는 암호화 해쉬 함수이므로 매직 넘버를 찾아낼 수 있는 유일한 방법은 아무 값이나 넣고 계산해서 결과를 비교하는 수밖에 없어. 그러니 그 사람은 답을 찾아내기 위해 아무값이나 넣고 계산하는 일을 대략 10억번 반복했다는 얘기지. 그러니 그 사람은 답을 찾아내기 위해 아무값이나 넣고 계산하는 일을 대략 10억번 반복했다는 얘기지. 하지만 그 매직 넘버가 정말 맞는 답인지 확인해 볼 때는 단 한 번만 계산해보고 그 결과값이 정말로 30개의 0으로 시작하는지 쉽게 알 수 있지. 정리하면, 매직 넘버를 찾아내는 데는 엄청난 양의 계산이 필요하지만 그 매직 넘버가 맞는 값인지 확인해 보는 일에는 별로 많은 양의 계산이 필요하지 않다는 거야. 이를 "작업 증명"이라고 해. 중요한 것은 이런 "작업"에는 내부적으로 일정한 수의 거래 내역이 포함되기 때문에 그 거래 정보를 아주 조금만 변경하더라도 결과 해쉬값은 완전히 달라질 것이고, 새로운 매직 넘버를 찾아내는 작업 증명을 완수하기 위해 10억번의 계산을 다시 해야돼. 새로운 매직 넘버를 찾아내는 작업 증명을 완수하기 위해 10억번의 계산을 다시 해야돼. Vietnamese: xác suất rằng một hash sẽ bắt đầu với 30 số 0 liên tiếp là 1 trong 2 ^ 30, đó là khoảng một trên một tỷ. Và bởi vì SHA256 là một hàm băm mật mã, cách duy nhất để tìm ra một số đặc biệt như thế chỉ là đoán và kiểm tra. Vì vậy, người này hầu như chắc chắn phải trải qua khoảng một tỷ số khác nhau trước khi tìm ra dãy số đặc biệt này. Và một khi bạn biết được số đó, nó thực sự nhanh chóng để xác minh - bạn chỉ cần chạy qua hash và thấy rằng có 30 số 0 hay không. Nói cách khác, bạn có thể biết chắc rằng rằng họ đã phải thực hiện một lượng lớn "công việc", nhưng chính bạn không phải trải qua những nỗ lực tương tự. Đây được gọi là "proof of work" (bằng chứng công việc) Và quan trọng là, tất cả "công việc" này gắn liền với danh sách giao dịch. Nếu bạn thay đổi một trong những giao dịch, thậm chí một chút, nó sẽ hoàn toàn thay đổi mã băm, vì vậy bạn phải đoán hơn một tỷ lần để tìm một proof of work mới một dãy số mới làm cho Chinese: 其散列值前30位都是0的概率是2的30次方分之一 差不多是十亿分之一 而且因为SHA256是一个加密散列函数 找到这个特殊数字的唯一方法只能是穷举验证 所以刚才那个人基本上已经尝试了十亿次 才找到了这个特别数字 而你知道了这个数字, 很快计算一下散列值发现开头确实是30个0 换言之,你能很快地验证他们确实经过了大量的计算 而你不需要亲自付出这么多重复劳动。 这叫做“工作量证明” 重要的是,这个工作量证明和这份交易记录紧密相关 如果你更改了其中一条交易信息,即便是轻微的改动 也会完全改变最终的散列值 所以就又需要经过十亿次尝试才能找到新的工作量证明 即找到那个特别数字 Chinese: 其雜湊值前30位都是0的機率是2的30次方分之一 差不多是十億分之一 而且因為SHA256是一個加密雜湊函數 找到這個特殊數字的唯一方法只能是窮舉驗證 所以剛才那個人基本上已經嘗試了十億次 才找到了這個特別數字 而你知道了這個數字, 很快計算一下雜湊值發現開頭確實是30個0 換言之,你能很快地驗證他們確實經過了大量的計算 而你不需要親自付出這麼多重複勞動。 這叫做「工作量證明」 重要的是,這個工作量證明和這份交易記錄緊密相關 如果你更改了其中一條交易資訊,即便是輕微的改動 也會完全改變最終的雜湊值 所以就又需要經過十億次嘗試才能找到新的工作量證明 找到一個新的那個特別數字 English: For a random message, the probability that the hash happens to start with 30 successive zeros is 1 in 230, which is about 1 in a billion. Because SHA256 is a cryptographic hash function, the only way to find a special number like this just guessing and checking. So this person almost certainly had to go through about a billion different numbers before finding this special one. And once you know the number, you can quickly verify that this hash really does start with 30 zeros. In other words, you can verify they they went through a large amount of work without having to go through that same effort yourself. This is called a “proof of work”. And importantly, all this work is intrinsically tied to that list of transactions. If you change one of the transactions, even slightly, it would completely change the hash, so you’d have to go through another billion guesses to find a new proof of work, a new number that makes it so that the hash of the altered list together with this new number Hungarian: hogy a megváltoztatott lista hash-e ezzel az új számmal együtt 30 darab nullással kezdődjön. Tehát akkor most gondoljunk vissza az elosztott főkönyv helyzetére: mindenki ott van szórni a tranzakciókat, és azt szeretnénk, ha meg tudnának egyezni azon, hogy mi a helyes főkönyv. Ahogy mondtam, az eredeti Bitcoin tanulmány mögött megbúvó alapvető ötlet az, hogy mindenki abban a főkönyvben bízik meg, amelyikbe a legtöbb munkát fektették. Ez úgy működik, hogy először blokkokba rendezzük az adott főkönyvet, ahol a blokkok a tranzakciók egy listáját tartalmazzák egy "proof of work"-kel együtt, ami egy különleges szám, amivel az egész blokk hash-e egy csomó nullással kezdődik. Egy pillanatra mondjuk azt, hogy 60 darab nullással kell kezdődnie, de később majd vissza fogunk térni ennek a számnak a kiválasztásának egy sokkal szisztematikusabb módjára. Ugyanazon a módon ahogy egy tranzakciót csak akkor tekintük érvényesnek, hogy ha az alá van írva a küldő fél által, egy blokk csak akkor tekinthető érvényesnek, hogy ha a belefektett munkának van bizonyítéka, azaz, hogy ha érvényes "proof of work"-je. Továbbá ahhoz, hogy meggyőződhessünk arról, hogy szabványos sorrendben vannak ezek a blokkok, ahhoz bele kell tennünk minden blokk fejlécébe az előző blokk hash-ét. French: sorte que le hash de la liste altérée avec ce nouveau nombre démarre avec 30 zéros. Alors maintenant revenons à notre situation de livre de compte distribué. Tout le monde est en train de diffuser des transactions. Et nous voulons une façon de se mettre d'accord sur le bon livre de compte. Comme je l'ai dit l'idée principale du papier Bitcoin est de faire confiance à chacun selon le plus grand nombre de livres dont le plus grand nombre La façon dont cela fonctionne est d'organiser d'abord un grand livre en blocs, où chaque bloc comprend une liste de transactions avec une preuve de travail, c'est un nombre spécial afin que le hash de l'ensemble du bloc commence par un tas de zéros. Pour le moment, disons qu'il doit commencer avec 60 zéros. Mais plus tard, nous reviendrons de manière plus systématique, vous voudrez peut-être choisir ce nombre. De la même manière qu'une transaction n'est considérée comme valide que lorsqu'elle est signée par l'expéditeur, un bloc est seulement considéré comme valide s'il a une preuve de travail. Et aussi, pour s'assurer qu'il existe un ordre standard pour ces blocs, nous allons le faire de Italian: che l'hash della lista alterata assieme a questo nuovo numero inizi con 30 zeri. Ora ritorniamo alla situazione del libro mastro distribuito: ognuno sta trasmettendo transazioni, e vogliamo un modo per mettere tutti d'accordo su quale sia il libro mastro corretto. Come ho detto, l'idea centrale dietro la pubblicazione originale sul Bitcoin è che ognuno si fidi del libro mastro contenente più lavoro. Il modo in cui questo funziona è organizzando un dato libro mastro in blocchi, dove ogni blocco consiste in una lista di transazioni assieme ad una "proof of work", che è un numero speciale per il quale l'hash dell'intero blocco inizi con un serie di zeri. Per il momento, diciamo che debba iniziare con... 60 zeri, ma più tardi torneremo su un modo più sistematico per scegliere questo numero. Allo stesso modo in cui una transazione è considerata valida solo se firmata dal mittente, un blocco è considerato valido solo se ha una "proof of work". E anche, per essere sicuri che ci sia un ordine standard per i blocchi, facciamo in modo che un blocco debba contenere l'hash del blocco precedente come intestazione. Turkish: değiştirilmiş listenin hash'i 30 tane sıfırla başlamasını sağlayan yeni sayıyla birlikte yapar. Şimdi bizim paylaştırılmış defter durumunu hatırla herkes orada para işlemlerini yayınlıyor ve biz de onlara anlaşmaları için doğru defterin ne olduğu üzerine bir yol arıyoruz. Dediğim gibi, Bitcoin makalelerinin arkasındaki çekirdek fikir herkes en çok hangi deftere katkıda bulunduysa ona güvenmektir. Bunun işleyişi; ilk olarak verilen defteri bloklar halinde düzenlemektir, burada her blok çalışma işi ile birlikte bir para işlemleri listesinden oluşur, bu da özel bir sayıdır böylece tüm blokların hash 'i bir grup sıfır ile başlar. Şimdilik, diyelim ki 60 tane sıfır ile başlamak zorunda olsun, ama sonra da sayıyı seçmek isteyeceğiniz için daha sistematik bir şekilde geriye döneceğiz. Aynı şekilde sadece gönderici tarafından imzalandığında para işlemi geçerli sayılır, eğer ki bir çalışma prensibi varsa bir blok geçerli sayılır. Ve ayrıca, bu blokların oluşumunda standart düzen olduğundan emin olmak için bir blok bir önceki bloğun hash'ini başlığında içermek zorunda olduğu şekilde yaparız. Modern Greek (1453-): ώστε το hash της τροποποιημένης λίστας μαζί με τη νέα αυτή σειρά ξεκινά με 30 μηδενικά. Έτσι, τώρα σκεφτείτε την περίπτωση του κοινόχρηστου βιβλίου: όπου όλοι εκεί εκπέμπουν συναλλαγές, και θέλουμε έναν τρόπο για να συμφωνήσουν ποιο είναι το σωστό βιβλίο. Όπως είπα, η βασική ιδέα πίσω από το αρχικό έγγραφο Bitcoin (την αρχική εργασία) είναι να έχουμε όλοι εμπιστοσύνη σε όποιο βιβλίο έχει την περισσότερη δουλειά. Ο τρόπος με τον οποίο αυτό λειτουργεί είναι με την οργάνωση του βιβλίου σε μπλοκ (κομμάτια) όπου κάθε μπλοκ αποτελείται από μία λίστα συναλλαγών μαζί με την απόδειξη της εργασίας, αυτό είναι ένας ειδικός αριθμός, έτσι ώστε το hash του συνόλου μπλοκ ξεκινά με ένα μάτσο μηδενικά. Προς το παρόν, ας πούμε ότι πρέπει να ξεκινήσει με ... 60 μηδενικά, αλλά αργότερα θα επιστρέψουμε σε ένα πιο συστηματικό τρόπο για την επιλογή του αριθμού αυτού. Με τον ίδιο τρόπο που μια συναλλαγή είναι μόνο θεωρείται έγκυρη όταν είναι υπογεγραμμένη από τον αποστολέα, ένα μπλοκ θεωρείται έγκυρο μόνο αν έχει μια απόδειξη δουλειάς. Και επίσης, για να βεβαιωθούμε ότι υπάρχει ένα πρότυπο ώστε να αυτά τα μπλοκ, θα το κάνουμε έτσι ώστε ένα μπλοκ πρέπει να περιέχει το hash του προηγούμενου στην επικεφαλίδα του Chinese: 和它对应的交易记录的散列值会以30个0开头 现在回过头来考虑我们的分布式账本的情形: 每个人都在广播交易信息, 我们想找到一个方法能让所有人都确认一份正确的账单 我前面说过比特币原始论文的核心点就是 每个人都信任需要最多计算能力的那份账单 要实现这个想法首先需要将账单整理成区块 这些区块包含了一系列交易信息以及其工作量证明 也即有一个特别数字满足其散列值以一系列0开头 我们暂时先定60个0开头吧, 一会儿我们会回头来看如何系统地确定这些0的个数 类比于交易信息要经过发送方签名才被认定为有效 一个区块只有当它有工作量证明时才被认定为有效 而且为了确保这些区块有一定的顺序 我们规定前一区块的散列值必须加入到当前区块的头部信息中 Portuguese: comece com 30 zeros Agora voltando para nossa situação de registros distribuídos todos estão transmitindo transações e procuramos uma forma para que todos concordem sobre qual é o registro correto como eu disse, a ideia principal do ensaio original do Bitcoin é para confiarmos no registro com maior trabalho computacional A forma que isso funciona é primeiro organizar um certo registro em blocos Em que cada bloco corresponde a uma lista de transações junto com uma Prova de Trabalho Isto é, um número especial no qual o Hash do bloco comece com vários zeros Por enquanto, vamos dizer que deve começar com 60 zeros mas depois vamos retornar a uma forma mais sistemática que você possa querer escolher esse número Da mesma forma que uma transação só é considerada válida quando ela está assinada pelo expedidor um bloco só é considerado válido se possuir uma Prova de Trabalho E também, para garantir que haja uma ordem padrão nesses blocos faremos com que o bloco precise conter o Hash do bloco anterior no seu cabeçalho Korean: 그렇게 새로 찾아낸 매직 넘버와 변경된 거래 내역을 통해 계산한 해쉬값은 30개의 0으로 시작하게 되지. 자 이제 앞에서 살펴봤던 분산 장부로 다시 돌아가보자. 모두가 거래 정보를 브로드캐스팅 하고 있어. 장부를 가진 다른 사람들이 어느 장부가 올바른 장부인지 모두 동의하려면, 다시 말해, 비트코인 논문에 담겨 있던 그 핵심 아이디어는 "장부를 가진 모든 사람들은 가장 많은 계산 작업이 포함된 장부를 믿으면 된다." 라는 거야. 장부는 블록 단위로 나누어서 구성되어 있고, 블록에는 일정한 수의 거래 내역이 작업 증명(매직 넘버)과 함께 담겨 있으며, 그 블록의 해쉬값은 정해진 만큼의 여러 자리수의 0으로 시작하겠지. 먼저 블록의 해쉬값이 60자리의 0으로 시작해야 한다고 해보자. 나중에는 이 60이라는 값을 결정하는데도 어떤 체계가 있다는 것을 알게될 거야. 거래는 지불하는 송금자의 디지털 서명이 있어야만 유효한 거래로 인식되는 것처럼 블록도 마찬가지로 작업 증명이 있어야만 유효한 블록으로 인식될 수 있어. 더 나아가서 블록들의 순서까지 보장하려면 각 블록이 자기보다 앞에 있는 이전 블록의 해쉬값을 포함하게 하면 돼. German: wieder mit 30 Nullen beginnt. Erinnre dich an unsere Situation mit dem Bestandsbuch: Alle senden Transaktionen in die Welt und wir wollen eine Möglichkeit finden uns einig zu sein welches Bestandsbuch das richtige ist. Wie gesagt, die Grundidee hinter dem ursprünglichen Bitcoin-Paper ist dass alle dem Bestandsbuch vertrauen, in dem die meiste rechnerische Arbeit steckt. Das funktioniert indem man zuerst ein bestimmtes Bestandsbuch in Blöcke unterteilt. Jeder dieser Blöcke besteht aus einer Liste an Transaktionen zusammen mit einem Ausführungsnachweis, der eine besondere Zahl ist, durch die der Hashwert des Blocks mit einer Anzahl Nullen beginnt. Lass uns einfach mal festlegen, dass der Hashwert mit…60 Nullen beginnen muss. Wir kommen später nochmal zu einem systematischeren Weg die Anzahl der Nullen auszuwählen. Genau so wie eine Transaktion nur gültig ist, wenn sie vom Sender unterzeichnet wurde, so ist auch ein Block nur gültig, wenn er einen Ausführungsnachweis hat. Und um sicherzugehen, dass die Blöcke eine vorgegebene Reihenfolge haben, legen wir fest, dass ein Block den Hashwert des vorhergehenden Blocks an seinem Beginn stehen haben muss. iw: ה-hash של הרשימה ששונתה יחד עם המספר חדש יתחיל בשלושים אפסים. אז עכשיו היזכרו בסיטואציה שלנו עם ספר החשבונות המבוזר: כולם שם משדרים פרטים של עסקאות, ואנחנו מחפשים דרך עבורם להסכים על מה הוא ספר החשבונות הנכון. כפי שאמרתי, הרעיון המרכזי מאחורי מאמר הביטקוין המקורי הוא שכולם יסמכו על ספר החשבונות שדרש את הכי הרבה עבודה. הדרך שבה זה עובד היא קודם כל לחלק ספר חשבונות נתון לבלוקים, כאשר כל בלוק מורכב מרשימת עסקאות יחד עם הוכחת העבודה, שהיא מספר מיוחד שמוודא שה-hash של הבלוק כולו מתחיל עם חבורה של אפסים. לעת עתה, נניח שיש להתחיל עם ... שישים אפסים, אך מאוחר יותר נחזור באופן שיטתי יותר לאיך כדאי לבחור את המספר הזה. באותו אופן שבו עסקה נחשבת תקפה רק אם מצורפת לה חתימה של השולח, בלוק נחשב תקף רק אם יש לו הוכחה של עבודה. וגם, כדי לוודא שיש סדר סטנדרטי לבלוקים האלה, אנחנו נדאג שבלוק יהיה צריך להכיל את ה-hash של הבלוק הקודם בכותרת שלו (לפני הכל). Vietnamese: "băm" của danh sách mới cùng với dãy số mới này bắt đầu với 30 số 0. Vậy, giờ hãy suy nghĩ lại về vấn đề phân phối sổ cái của chúng ta: mọi người đều phát sóng các giao dịch, và ta muốn có một cách để họ đồng ý về sổ cái nào là chính xác. Như tôi đã nói, ý tưởng cốt lõi đằng sau bài nghiên cứu Bitcoin đầu tiên là: làm cho mọi người tin vào bất cứ sổ cái nào chứa nhiều công tính toán nhất. Việc này đòi hỏi việc đầu tiên: sắp xếp một sổ cái thành các khối, mỗi khối gồm một danh sách các giao dịch cùng với một proof of work, đó là một dãy số đặc biệt để "băm" của toàn bộ khối bắt đầu với một số lượng số 0 nhất định. Bây giờ, giả sử rằng nó phải bắt đầu với ... 60 số 0, nhưng sau đó chúng ta sẽ trở lại và nói về một cách chọn số số 0 có hệ thống hơn. Tương tự như cách một giao dịch chỉ được coi là hợp lệ khi nó được ký bởi người gửi, một khối chỉ được coi là có giá trị chỉ khi nó có proof of work. Thêm nữa, để đảm bảo rằng có một trình tự tiêu chuẩn cho các khối này, ta sẽ làm cho một khối phải chứa, ở tiêu đề của nó, các "băm" của khối trước đó. English: starts with 30 zeros. So now think back to our distributed ledger situation. Everyone is broadcasting transactions, and we want a way for everyone to agree on what the correct ledger really is. As I said, the core idea behind the original bitcoin paper is to have everybody trust whichever ledger has the most work put into it. The this works is to first organize a given ledger into blocks, where each block consists of a list of transactions, together with a proof of work. That is, a special number so that the hash of the whole block starts with a bunch of zeros. For the moment let’s say it has to start with 60 zeros, but later I’ll return back to how you might choose that number. In the same way that a transaction is only considered valid if it is signed by the sender, a block is only considered valid if it has a proof of work. Also, to make sure there is a standard way to order of these blocks, we’ll make it Czech: na konec seznamu způsobí, že hash bude začínat 30 nulamit. Vraťme se teď k naší situaci s distribuovanou účetní knihou: všichni rozesílají své transakce, a chceme, aby se byli schopni dohodnout na tom, která kniha je ta správná. Jak jsem již řekl, hlavní myšlenka v původním Bitcoin článku je o tom, že všichni budou věřit té verzi knihy, která má za sebou největší množství práce. Způsob, kterým tohle funguje je, že se kniha rozdělí do bloků, každý z nich obsahuje nějakou část transakcí a důkaz práce, to speciální číslo které způsobí, že hash bloku bude začínat několika nulami. Pro teď řekněme, že musí začínat 60 nulami, ale k tomu se později vrátíme a vymyslíme systematičtější způsob, jakým požadovaný počet nul zvolit. Stejně jako je transakce platná pouze pokud je podepsaná odesílatelem, blok je validní pouze pokud obsahuje důkaz práce. A abychom zajistili, že máme pevné pořadí bloků, dáme do hlavičky každého bloku hash bloku, který mu předchází. Chinese: 讓和它對應的交易記錄的雜湊值會以30個0開頭 現在回過頭來考慮我們的分散式帳本的情形: 每個人都在廣播交易資訊, 我們想找到一個方法能讓所有人都確認一份正確的帳單 我前面說過比特幣原始論文的核心點就是 每個人都信任需要最多計算能力的那份帳單 要實現這個想法首先需要將帳單整理成區塊 這些區塊包含了一系列交易資訊以及其工作量證明 也就是說有一個特別的數字滿足其雜湊值以一系列0開頭 我們暫時先定60個0開頭吧, 待會我們再來看如何系統地決定這些0的個數 就像交易資訊要經過發送方簽名才被認定為有效 一個區塊只有當它有工作量證明時才被認定為有效 而且為了確保這些區塊有一定的順序 我們規定前一區塊的雜湊值必須加到當前區塊的頭部資訊中 Polish: hash zmienionej listy wraz z nowym numerem rozpoczyna się 30 zerami. Więc teraz wróćmy do naszej sytuacji z księgą: każdy nadaje transakcje i chcemy znaleźć sposób, jak wszyscy się zgodzą, która księga jest prawidłowa. Jak powiedziałem, ideą stojącą za Bitcoin'em jest mieć zaufanie każdego co do tego, w którą księgę włożono najwięcej pracy. Działa to w ten sposób, żeby najpierw zorganizować daną księgę na bloki, gdzie każdy blok składa się z listy transakcji wraz z dowodem pracy, który jest specjalną liczbą, taką że hash całego bloku rozpoczyna się zerami. Na razie powiedzmy, że ma się zacząć ... 60 zerami, ale później wrócimy do bardziej systematycznego sposobu, w którym możesz wybrać ten numer. W ten sam sposób jak transakcja jest uważana za ważną tylko wtedy, gdy jest podpisana przez nadawcę, blok jest uważany za ważny tylko, jeśli ma dowód pracy. A także, aby upewnić się, że istnieje standardowy porządek tych bloków, zrobimy to tak, że blok musi zawierać skrót poprzedniego bloku w swoim nagłówku. Arabic: بحيث يكون هاش القائمة المعدلة وهذا الرقم الجديد يبدأ بـ30 صفر. و الآن لنعد إلى حالة السجل الموزَّع: كل شخص يبث وينشر الصفقات والعمليات، ونحن نريد طريقة تجعلهم يتفقون على السجل الصحيح، وكما ذكرت سابقًا، الفكرة الأساسية خلف ورقة البيتكوين البحثية هي أن تجعل الجميع يتفقون على السجل الذي به عمليات أكثر. والطريقة التي تعمل بها هي أن تُنظم السجلات في "كُتَل" حيث أن كل كتلة مكوّنة من قائمة من العمليات مع رمز إثبات العمل والذي هو رقم مميز، بحيث أن يبدأ الهاش الخاص بالكتلة بسلسلة من الأصفار. الآن، دعنا نقول أنه يجب أن يبدأ بـ ... لنقل 60 صفرًا ولكننا سنعود لاحقًا لشرح طريقة أكثر منهجيةً لاختيار هذا العدد. بالطريقة نفسها التي تعتبر فيها العملية صالحة فقط عندما تُوقع من المُرسِل، تعتبر الكتلة صالحة فقط إذا كان لديها رمز إثبات العمل. وأيضًا، للتأكد من أن هذه الكتل لها ترتيب معياري محدد، سنجعل الكتلة تحتوي في الترويسة الخاصة بها على الهاش الخاص بالكتلة التي تسبقها. Lithuanian: kad pakeisto sąrašo ir to naujo skaičiaus hešas prasidėtų 30 nulių. Taigi dabar pagalvok vėl apie mūsų išplatintą apskaitą: kiekvienas ten transliuoja transakcijas, ir norim surasti būdą, kad jie sutartų, kuri apskaita yra teisinga. Kaip ir sakiau, principinė idėja pirminiame Bitkoino straipsnyje yra pasikliauti ta apskaita, kuri turi daugiausia įdėta darbo į ją. Būdas, kaip šitai veikia, yra pirma suorganizuoti duotą apskaitą į blokus, kur kiekvienas blokas susideda iš transakcijų sąrašo kartu su darbo įrodymu, tai yra specialiu skaičiumi, tokiu, kad viso bloko hešas prasideda su nulių rinkiniu. Šiam kartui, sakykim, kad jis turi prasidėti su... 60 nulių, bet vėliau sugrįšim prie labiau sistematiško būdo, kaip galėtum pasirinkti tą skaičių. Taip pat, kaip transakcija yra laikoma validžia, tik kai ji yra pasirašyta siuntėjo, blokas yra laikomas validžiu, tik kai jis turi darbo įrodymą. Ir taip pat, kad užtikrintume, jog būtų standartinė blokų tvarka, padarysim taip, kad blokas turėtų savy ankstesnio bloko hešą savo antraštėje. Russian: которое вместе с измененным вами списком операций дает хеш, начинающийся с 30 нулей. А теперь вернемся к нашему распределенному реестру: все транслируют друг другу сообщения об операциях, и нам нужен какой-то способ прийти к согласию насчёт правильного реестра. Как я говорил, основная идея изначального документа о Биткоин - это доверие реестру, над которым было проведено больше всего вычислений. Это работает так: сначала реестр делится на блоки, каждый из которых состоит из списка операций и доказательства выполнения работы, то есть числа, вместе с которым хеш блока начинается с какого-то количества нулей. Сейчас допустим, что он должен начинаться с 60 нулей, но позже мы вернемся к более последовательному способу выбора этого числа. По аналогу с операцией, которая подтверждается, только если её подписывает отправитель, блок действителен, только если в нём есть доказательство выполнения работы. И ещё, чтобы упорядочить блоки, мы сделаем так, что каждый блок должен содержать хеш предыдущего блока в заголовке. Indonesian: sehingga hash dari daftar yang diubah bersamaan dengan nomor baru ini dimulai dengan 30 angka nol. Jadi sekarang pikirkan kembali situasi buku besar kami yang terdistribusi: semua orang ada transaksi penyiaran, dan kami ingin sebuah cara bagi mereka untuk menyetujui buku besar yang benar. Seperti yang saya katakan, inti ide di balik kertas Bitcoin asli adalah agar semua orang percaya buku besar mana yang paling banyak dimasukkan ke dalamnya. Cara kerjanya adalah dengan terlebih dahulu mengatur buku besar yang diberikan ke dalam blok, dimana setiap blok terdiri dari daftar transaksi bersama dengan bukti kerja, Itu adalah bilangan khusus sehingga hash dari keseluruhan blok dimulai dengan sekelompok angka nol. Untuk saat ini, katakanlah bahwa itu harus dimulai dengan ... 60 angka nol, Tapi kemudian kita akan kembali ke cara yang lebih sistematis sehingga Anda mungkin ingin memilih nomor itu. Dengan cara yang sama bahwa transaksi hanya dianggap valid saat ditandatangani oleh pengirim, blok hanya dianggap sah jika memiliki bukti kerja. Dan juga, untuk memastikan bahwa ada perintah standar untuk blok ini, kita akan membuatnya sehingga blok harus berisi hash dari blok sebelumnya di headernya. Spanish: tal que el hash de la lista alterada junto con este nuevo número comienza con 30 ceros. Ahora volvamos a nuestro problema con los libros de cuentas distribuidos: todo el mundo esta emitiendo transacciones, y queremos una forma para que todos esten de acuerdo en cual es libro de cuentas correcto. Como he dicho, la idea principal tras el artículo de Bitcoin es hacer que todos confien en el libro de cuentas que tenga el mayor trabajo detrás. La forma en que esto funciona es primero organizar un libro de cuentas dado en bloques, donde cada bloque consiste de una lista de transacciones junto con una prueba de trabajo, este es un numero especial tal que el hash de todo el bloque comienza con unos cuantos ceros. Por el momento, digamos que tiene que empezar con... 60 ceros, pero más tarde volveremos con una forma más sistemática que podrías querer utilizar para elegir ese numero. De la misma forma que una transaccion solo es considerada válida cuando está firmada por el emisor, un bloque solo es considerado válido si contiene una prueba de trabajo. Y también, para asegurarnos que estos bloques siguen un orden estandar, lo haremos de tal forma que un bloque tiene que contener el hash del bloque anterior como encabezamiento. Japanese: ハッシュの始めが30のゼロになるようにしなければならない。 分散型元帳の話に戻ろう。 皆が取引記録を配信する際、 今現在正しい元帳とは何かを定める手段がいる。 先に述べたとおり、最初のビットコインの提案書に書かれた解決策は、 最も計算量の多いワークを持つ元帳を信頼するということである。 この仕組を成り立たせるため、元帳をブロック列と見立て、 各ブロックには一連の取引記録と、その末尾にプルーフ・オブ・ワークを入れる。 プルーフ・オブ・ワークの定義から、全てのブロックのハッシュは長いゼロの列で始まる。 暫くの間、必要な連続するゼロの数は60としよう。 後に適切なゼロの数を選ぶための、より系統的な方法について説明する。 個別の取引記録は、送信者による署名によって妥当性が確認され、 ブロックは、プルーフ・オブ・ワークによって妥当性が確認される。 このブロック列の正当な順番を定めるために、 各ブロックの先頭に前のブロックのハッシュを入れる事とする。 Czech: Tím zajistíme, že kdyby někdo šel zpět do hotových bloků a některý změnil, nebo prohodil pořadí dvou bloků, změnilo by to blok, který po něm následuje, což změní hash bloku, což změní blok, který po něm následuje, a tak pořád dokola. To by znamenalo nutnost přepracování veškeré práce, tedy nalézt speciální číslo pro každý dotčený blok, díky kterému bude jeho hash začínat 60 nulami. Protože jsou bloky takto zřetězené, tak budeme historii transakcí nazývat blok-řetěz [blockchain] místo "účetní kniha". Do našeho seznamu pravidel zavedeme, že kdokoliv může blok vytvořit. To znamená, že budou poslouchat vysílané transakce, shromáždí je do nějakého bloku, a potom vykonají spoustu práce, aby našli to speciální číslo, které zařídí, že hash bloku bude začínat 60 nulami. Jakmile tohle číslo najdou, vyšlou nový zkompletovaný blok do světa. Aby z toho tvůrce bloku něco měl, když platný blok vytvoří, může si na jeho začátku zapsat jednu speciální transakci, Spanish: De esa forma si quisieses retorceder y cambiar cualquiera de esos bloques o intercambiar el orden de dos bloques, cambiaría el bloque que viene despues de él, lo que cambiaría el hash de ese bloque, lo que cambiaria el hash del que viene a continuación así sucesivamente. Eso requeriría rehacer todo el trabajo, encontrar un nuevo numero especial para cada uno de esos bloques que hace que su hash empiece por 60 ceros. Debido a que los bloques estan encadenados de esta forma, en vez de llamarlo libro de cuentas, es comúnmente llamado "cadena de bloques" Como parte de nuestro protocolo actualizado, permitiremos a cualquier persona del mundo ser un creador de bloques. Lo que eso significa es que van a estar escuchando transacciones siendo emitidas, las recogeran en un bloque, y a continuación llevar a cabo una gran cantidad de trabajo para encontrar un número especial que haga que el hash de ese bloque empiece por 60 ceros. Y una vez que lo han encontrado, emiten el bloque que han encontrado. Para recompensar a un creador de bloques por todo este trabajo, cuando elabora un bloque, le permitieremos incluir una transaccion muy especial al principio de este, Korean: 이렇게 하면 과거로 돌아가서 어떤 블록의 내용을 변경하거나 어떤 두 블록의 순서를 바꾼다면, 변경한 블록에 대한 해쉬값이 바뀌므로, 그 다음에 이어져 있는 블록들의 내용도 바뀌고 결과적으로 다음에 이어지는 블록들의 해쉬값도 바뀌게 되지. 그 변경은 그 이후의 모든 블록에서 연쇄적으로 발생하게 돼. 결국 이후의 모든 블록마다 해쉬값이 60 자리의 0으로 시작하게 하는 작업 증명을 다시 해야만 변경이 발생한 이후의 모든 블록들이 유효한 블록이 될 수 있겠지. 블록은 이렇게 앞의 블록의 해쉬값을 통해 앞뒤가 연쇄적으로 연결되어 있기 때문에 그냥 장부라고 부르지 않고 "블록체인"이라고 부르지. 체인을 이루도록 변경된 규약에 의해, 이제는 누구든지 블록을 생성할 수 있게 되었어. 무슨 얘기냐 하면 누구든지 브로드캐스팅 되는 거래 정보를 접수하고 접수한 거래 정보를 모아서 블록을 만들고 그 블록의 해쉬값이 60개의 0으로 시작하게 하는 매직 넘버를 찾기 위해 엄청난 양의 계산 작업을 수행하고 마침내 그 매직 넘버를 찾아내서 그 블록을 브로드캐스팅하면 블록의 생성자가 되는거야. 이 모든 작업을 수행한 블록 생성자에게 보상을 주기 위해서는 거래 정보를 모아서 블록을 구성할 때 블록 생성자에게 예를 들어 10 장부달러를 지급한다는 아주 특별한 거래를 Chinese: 这样的话,如果你回头想改变其中某个区块的内容 或交换两个区块的顺序 你就会改变它后一个区块的内容 也就改变了那个区块的散列值 然后又影响到再下一个区块 那将会需要重新计算所有这些区块的散列值, 重新寻找每个特别数字使得区块的散列值以60个0开头 因为区块以这种方式相互链接 与其称其为账本,不如称其为“区块链” 在这个新的体系之下, 我们现在允许世界上的每个人都能成为区块的建立者 意思是说他们都将收听网络中的交易信息, 整理这些信息生成区块, 然后花大量的计算能力 寻找特别数字使得区块的散列值以60个0开头 一旦找到了这个数字,他们就将这个区块广播出去 为了奖励这个区块建立者的工作付出, 当她建立了一个区块, 我们规定她可以把一笔特别的交易信息放在账单开头, Modern Greek (1453-): Με αυτόν τον τρόπο, εάν επρόκειτο να πάτε πίσω και να αλλάξετε οποιοδήποτε από τα μπλοκ ή να ανταλλάξετε τη σειρά δύο μπλοκ, θα αλλάξει το μπλοκ που έρχεται μετά από αυτό, που αλλάζει το hash αυτού του μπλοκ, που αλλάζει αυτό που έρχεται μετά από αυτό, και ούτω καθεξής. Αυτό θα απαιτούσε να επαναληφθεί όλη η εργασία, βρίσκοντας ένα νέο ειδικό αριθμό για κάθε ένα από αυτά τα τμήματα που κάνει τα hashes τους να ξεκινήσουν με 60 μηδενικά. Επειδή τα μπλοκ είναι δεμένα κατ' αυτόν τον τρόπο, αντί να το αποκαλούμε βιβλίο, είναι σύνηθες να το αποκαλούμε «blockchain» (αλυσίδα μπλοκ) Στο πλαίσιο της ενημέρωσης του πρωτοκόλλου μας, τώρα θα επιτρέψουμε σε οποιονδήποτε στον κόσμο να είναι ένας δημιουργός μπλοκ. Αυτό σημαίνει ότι θα πάμε να ακούσουμε για τις συναλλαγές που μεταδίδονται, θα τους συγκεντρώσουμε σε κάποιο μπλοκ, και στη συνέχεια να κάνουμε ένα σωρό εργασία για να βρούμε έναν ειδικό αριθμό που κάνει το hash αυτού του μπλοκ να ξεκινήσει με 60 μηδενικά. Και από τη στιγμή που κάποιος το βρει, θα μεταδώσει το μπλοκ που βρήκε (σαν αποτέλεσμα της εργασίας). Για να ανταμειφθεί ο δημιουργός μπλοκ για όλο αυτό το έργο, όταν βάζει μαζί ένα μπλοκ, θα του επιτραπεί να συμπεριλάβει μια πολύ ιδιαίτερη συναλλαγή στην κορυφή του, Japanese: これでもしブロックの何処か一部の内容を変えたり、 順番を変えようとすれば、 そのブロックのハッシュが変わり、 後ろのハッシュと合わなくなり、 そのブロックのハッシュも変わり、これが最後まで続く。 つまり全てのワークをやり直すことになる。 各々のブロックにおいてハッシュが60のゼロの列で始まるような値を再び探す。 このようなブロック列はチェーン(鎖)の様に見える事から、 元帳と呼ぶ代わりに「ブロックチェーン」と呼ぶことにする。 強化されたプロトコルの実現のため、 ブロックの作成者という、誰にでも出来る立場を用意する。 作成者は送られてくる取引記録を集めて、 ブロックに収納する。 そしてワークを行う。 ハッシュの始めが60のゼロの列で始まるような値が見つかれば、 そのブロックを配信する。 作成者にはワークの報酬として、 ブロックの作成時、 記録の先頭に自身を主語に特別な記録をつけることを許可する。 Indonesian: Dengan begitu, jika Anda harus kembali dan mengubah salah satu blok atau untuk menukar urutan dua blok, itu akan mengubah blok yang datang setelah itu, yang mengubah hash blok itu, yang mengubah yang datang setelah itu, dan seterusnya. Itu akan membutuhkan pengulangan semua pekerjaan, menemukan nomor khusus baru untuk masing-masing blok yang membuat hash mereka dimulai dengan 60 angka nol. Karena blok dirantai sama seperti ini, alih-alih menyebutnya buku besar, biasanya kita menyebutnya "blockchain" Sebagai bagian dari protokol terbaru kami, sekarang kami mengizinkan siapa pun di dunia ini menjadi pembuat blok. Artinya, mereka akan mendengarkan transaksi yang disiarkan, mengumpulkan mereka ke beberapa blok, dan kemudian melakukan sejumlah besar pekerjaan untuk menemukan nomor khusus yang membuat hash dari blok itu dimulai dengan 60 angka nol. Dan begitu mereka menemukannya, mereka menyiarkan blok yang mereka temukan. Untuk memberi penghargaan pada pembuat blok untuk semua pekerjaan ini, Saat dia mengumpulkan satu blok, kami akan mengizinkannya memasukkan transaksi istimewa di bagian atasnya, French: sorte qu'un bloc contienne le hash du bloc précédent dans son en-tête. De cette façon, si vous deviez revenir en arrière et changez l'un des blocs ou pour échanger l'ordre de deux blocs cela modifierait le bloc qui vient après, ce qui changerait le hash de ce bloc, ce qui changerait le bloc qui vient après et ainsi de suite. Cela nécessiterait de refaire tout le travail. Trouver un nouveau nombre spécial pour chacun de ces blocs qui fait que leurs hash commencent avec 60 zéros. Parce que les blocs sont chaînés ensemble comme ceci, au lieu d'appeler ça un livre de compte il est usuel de l'appeler la chaîne de blocs (blockchain). Dans le cadre de notre protocole mis à jour nous allons maintenant permettre à quiconque dans le monde d'être un créateur de blocs. Ce que cela signifie, c'est qu'ils vont écouter les transactions diffusées, les collecter dans certains blocs, et ensuite faire tout un tas de travail pour trouver un nombre spécial qui fera que le hash de ce bloc commencera par 60 zéros. Et une fois qu'ils l'auront trouvé ils diffuseront le bloc. Pour récompenser les créateurs de blocs pour tout ce travail, lorsqu'elle met les blocs ensemble nous l'autoriserons à inclure une transaction très spéciale au dessus, iw: ככה, אם היינו חוזרים ומשנים איזשהו בלוק או מחליפים את הסדר של שני בלוקים, זה ישנה את הבלוק שמגיע אחריו, שמשנה את ה-hash של הבלוק הזה, שמשנה את האחד שמגיע אחריו, וכן הלאה. זה ידרוש לבצע מחדש את כל העבודה, ולמצוא מספר מיוחד חדש לכל אחד מהבלוקים האלו שיגרום ל-hash השונים שלהם להתחיל בשישים אפסים. מכיוון בלוקים משורשרים זה לזה ככה, במקום לקרוא לזה ספר חשבונות, זה נפוץ לקרוא לזה "שרשרת בלוקים" ("בלוקצ'יין") במסגרת הפרוטוקול המעודכן שלנו, נאפשר כעת לכל אחד בעולם להיות יוצר בלוקים. המשמעות של זה היא שהם הולכים להקשיב לעסקאות המשודרות, לאסוף אותן לתוך בלוק כלשהו, ואז לעשות הרבה עבודה כדי למצוא מספר מיוחד שגורם לכך שה-hash של הבלוק יתחיל עם שישים אפסים. וברגע שהם מוצאים אותו, הם משדרים את הבלוק שהם מצאו. כדי לתגמל יוצרי בלוקים על כל העבודה הזאת, כשהם מרכיבים בלוק, אנו נאפשר להם לכלול עסקה מיוחדת מאוד בחלק העליון של הבלוק, English: so that a block has to contain the hash of the previous block. That way, if you change any block, or try to swap the order of two blocks, it would change the block after it, which changes that block’s hash, which changes the next block, and so on. That would require redoing all the work, finding a new special number for each of these blocks that makes their hashes start with 60 zeros. Because blocks are chained together like this, instead of calling it a ledger, this is commonly called a “Blockchain”. As part of our updated protocol, we’ll now allow anyone in the world to be a “block creator”. What this means is that they’ll listen for the transactions being broadcast, collect them into a block, then do a whole bunch of work to find the special number that makes the hash of this block start with 60 zeros, and broadcast out the block they found. To reward a block creator for all this work, when she puts together a block, we’ll allow Russian: Таким образом, если вам захочется изменить какой-то блок или поменять порядок нескольких блоков, от этого изменится блок, который следует за ними, а также его хеш, что, в свою очередь, меняет блок, следующий за этим, и так далее. Для этого потребовалось бы проделать всю работу заново и для каждого блока найти особое число, с которым хеш блока начинался бы с 60 нулей. Из-за того, что блоки выстроены в такую цепочку, вместо слова «журнал» чаще всего говорят «блокчейн». По нашему обновленному протоколу мы разрешаем кому угодно по всему миру создавать блоки. Это значит, что люди будут следить за трансляцией операций, собирать их в блок, а затем проделывать над ним вычисления, чтобы найти число, с которым хеш начинается с 60 нулей. И как только они найдут его, они транслируют полученный блок. Чтобы наградить создателя блока за всю его работу, когда он создаст блок, мы разрешим ему добавить к блоку специальную операцию, Polish: W ten sposób, jeśli miałbyś wrócić i zmienić jeden z bloków lub zamienić kolejność dwóch bloków, zmieniłoby to następny blok, co z kolei zmieniłoby hash tego bloku, co zmienia blok kolejny, i tak dalej. Wymagałoby to powtórzenia całej pracy, znalezienia nowego numeru specjalnego dla każdego z tych bloków, który sprawi, że ​​ich hashe rozpoczynają się 60 zerami. Ponieważ bloki są połączone w ten sposób, zamiast nazywając je księgą, często nazywa się je „Block Chain”. Jako część naszego zaktualizowanego protokołu, każdy na świecie będzie teraz upoważniony do bycia twórcą bloku. Znaczy to, że będą oni słuchać emitowanych transakcji, zbierać je do jakiegoś bloku, a następnie wykonywać całą masę pracy, aby znaleźć specjalny numer, który sprawi, że ​​hash tego bloku rozpocznie się 60 zerami. A kiedy go znajdą, będą nadawać ten blok. Aby nagrodzić twórcę bloków za całą tę pracę, kiedy postawi blok, pozwolimy jej dodać na samej górze bardzo szczególną transakcję, Arabic: بهذه الطريقة، إذا غيرت أي من الكتل السابقة أو غيرت ترتيب كتلتين، سوف تتغير الكتلة التي تليها، والتي تغير الهاش الخاص بهذه الكتلة، والذي سيتسبب بتغيير الكتلة التي تليها ... وهكذا دواليك. وهذا سيتطلب إعادة كل العمل مرة أخرى، وإيجاد رقم مميز جديد لكل كتلة من هذه الكتل بحيث يكون الهاش الخاص بها يبدأ بـ60 صفرًا. ولأن الكتل مقيدة مع بعضها بهذا الشكل، بدلًا من وصفه بأنه سجل، من الشائع أن نسميه "سلسة الكتل" كجزء من ميثاقنا المُحدَّث، سنسمح لأي شخص بالعالم بأن ينشأ كتل جديدة، وهذا يعني بأنهم سيستمعون للصفقات التي يتم بثها، ثم يجمعونهم في كتلة ما، ثم يقومون بكل العمل اللازم لإيجاد رقم مميز يجعل الهاش الخاص بتلك الكتلة يبدأ بـ60 صفرًا. وحالما يعثرون على هذا الرقم، يقومون ببث هذه الكتلة التي وجدوها. ولمكافأة مُنشئ الكتلة على كل هذا العمل، عندما يصنعون كتلة، سنسمح له بتسجيل عملية خاصة في بداية الكتلة، Vietnamese: Bằng cách đó, nếu bạn lùi về trước và thay đổi bất kỳ một trong các khối hoặc tráo đổi thứ tự của hai khối, nó sẽ thay đổi khối mà đi liền sau nó, dẫn đến thay đổi "băm" của cái khối đó, dẫn đến thay đổi cái "băm" sau đó, và liên tục như vậy. Điều đó sẽ đòi hỏi phải làm lại tất cả "công việc", để tìm ra một số đặc biệt mới cho mỗi khối đó, đảm bảo "băm" của chúng bắt đầu với 60 số 0. Bởi vì các khối được xích lại với nhau như thế này, thay vì gọi nó là một sổ cái, nó thường được gọi là một "blockchain" Một phần của giao thức mới của chúng ta, chúng ta bây giờ sẽ cho phép bất kỳ ai trên thế giới trở thành "người tạo ra khối". Điều đó có nghĩa là họ sẽ nhận các giao dịch được phát ra, thu thập chúng vào một khối nào đó, và sau đó bỏ công ra để tìm một dãy số đặc biệt mà làm cho "băm" của khối đó bắt đầu với 60 số 0. Và một khi họ tìm thấy nó, họ phát sóng khối của họ ra. Để thưởng cho người tạo khối đã bỏ công, khi cô ấy hoàn thành một khối, chúng ta sẽ cho phép cô ấy viết vào khối đó một giao dịch rất đặc biệt ở trên cùng của nó, Chinese: 這樣的話,如果你回頭想改變其中某個區塊的內容 或交換兩個區塊的順序 你就會改變它後一個區塊的內容 也就改變了那個區塊的雜湊值 然後又影響到再下一個區塊 那將會需要重新計算所有這些區塊的雜湊值, 重新尋找每個特別數字使得區塊的雜湊值以60個0開頭 因為區塊以這種方式相互鏈接 與其稱其為帳本,不如稱其為「區塊鏈」 在這個新的體系之下, 我們現在允許世界上的每個人都能成為區塊的建立者 意思是說他們都將收聽網絡中的交易資訊, 整理這些資訊生成區塊, 然後花大量的計算能力 尋找特別數字使得區塊的雜湊值以60個0開頭 一旦找到了這個數字,他們就將這個區塊廣播出去 為了獎勵這個區塊建立者的工作付出, 當她建立了一個區塊, 我們規定她可以把一筆特別的交易資訊放在帳單開頭, Turkish: Bu şekilde, geriye dönseydin ve herhangi bir bloğu değiştirseydin ya da iki bloğun sırasını yer değiştirseydin sonra gelen bloğu değiştirirdi, ki bu da blok hash'lerini değiştirir aynı şekilde sonradan geleninde değişirdi vs. Lithuanian: Tokiu būdu, jei grįžtum atgal ir pakeistum bet kurį iš blokų, ar pakeistum dviejų blokų eilės tvarką, tai pakeistų po jo sekantį bloką, kas pakeistų to bloko hešą, kas pakeistų bloką, einantį po jo, ir t. t. Tam reiktų padaryti visą tą darbą: surasti naują specialų skaičių kiekvienam iš tų blokų, taip, kad hešai prasidėtų 60 nulių. Kadangi blogai yra šitaip sujungti lyg grandine, vietoj to, kad visa tai būtų vadinama apskaita, dažnai tai vadinama "blokų grandine" (blockchain). Mūsų atnaujintame protokole, dabar leisim bet kam pasaulyje būti blokų kūrėju. Ką tai reiškia, tai, kad jie gali klausyti transliuojamų transakcijų, surinkti jas į kažkokį bloką, ir tada atlikti daugybę darbo, kad rastų specialų skaičių, kuris to bloko hešą priverčia prasidėti 60 nulių. Ir kai jie suranda jį, jie transliuoja tą bloką, kurį atrado. Kad apdovanotume blokų kūrėjus už visą ši darbą, kai kūrėjas sukuria bloką, leisim jam pridėti labai specialią transakciją sąrašo viršuje, German: Wenn du jetzt etwas an einem der früheren Blöcke verändern oder die Reihenfolge zweier Blöcke tauschen würdest, dann würde das den Block, der als nächstes kommt, verändern, was den Hashwert dieses Blocks verändert, was wiederum den Block danach verändert, und so weiter. Die ganze Arbeit müsste nochmal erledigt werden. Man müsste für jeden Block eine neue Nummer finden, mit der sein Hashwert mit 60 Nullen beginnt. Weil die Blöcke so aneinander gekettet sind, nennt man das ganze nicht Bestandsbuch, sondern "Blockkette". Im Rahmen unserer erweiterten Regeln erlauben wir jetzt allen Menschen auf der Welt Urheber eines Blocks zu sein. Das bedeutet, dass sie auf versendete Transaktionen achten, sie in einem Block sammeln, und dann eine ganze Menge Arbeit verrichten, um eine spezielle Zahl zu finden, mit der der Hashwert ihres Blocks mit 60 Nullen beginnt. Und sobald sie sie finden, senden sie den gesamten Block in die Welt hinaus. Um solche Blockerschaffer für ihre Arbeit zu belohnen erlauben wir ihnen eine ganz besondere Transaktion am Anfang ihres Block hinzuzufügen. Hungarian: Ilyen módon, hogy ha visszamennél hogy megváltoztass egy blokkot, vagy hogy kicseréld két blokk sorrendjét, akkor az megváltoztatná azt a blokkot is, ami utána jön, ami megváltoztatja annak a blokknak a hash-ét, ami megváltoztatja a következő blokk hash-ét, és így tovább. Az megkövetelné azt, hogy újra elvégezzék az összes munkát, hogy megtaláljanak egy újabb különleges számot az összes blokknak, hogy azoknak a hash-ei is 60 darab nullással kezdődjenek. Mivel a blokkol ilyen módon össze vannak láncolva, ezért ahelyett, hogy főkönyvnek hívnánk, gyakran úgy hívjuk, hogy "blokklánc" (*blockchain*). A frissített protokollunk részeként, mostantól bárkinek megengedjük, hogy blokkokat hozhasson létre. Ez azt jelenti, hogy figyelni fognak a hálózatra kiszórt tranzakciókra, összegyűjtik őket blokkokba, aztán elvégeznek egy csomó munkát, hogy találhassanak egy különleges számot, amellyel annak a blokknak a hash-e 60 darab nullással kezdődik. És ha egyszer megtalálják, akkor kiszórják a talált blokkot a hálózatra. Ahhoz, hogy megjutalmazzuk a blokk létrehozóját mindezért a munkáért, amikor összerak egy blokkot, akkor megengedünk neki egy speciális tranzakciót a legtetején, Italian: In questo modo, se dovessi tornare indietro e cambiare uno qualunque dei blocchi o cambiare l'ordine di due blocchi, cambierebbe il blocco che vene dopo che cambierebbe la sua hash che cambierebbe il blocco che viene dopo e così via. Questo necessiterebbe di rifare tutto il lavoro, trovare un nuovo numero speciale per ognuno di questi blocchi che faccia cominciare il loro hash con 60 zeri. Visto che i blocchi sono "incatenati" tra loro in questo modo invece di chiamarlo "libro mastro", di solito viene chiamata "blockchain" Nel nostro protocollo aggiornato, permettiamo a chiunque nel mondo di diventare un creatore di blocchi. Questo significa che ascolteranno le transazioni trasmesse, le raccoglieranno in blocchi, e quindi faranno un sacco di lavoro per trovare un numero speciale per il quale l'hash di quel blocco cominci con 60 zeri. E una volta che l'avranno trovato, trasmetteranno il blocco. Per ricompensare una creatrice di blocchi per tutto questo lavoro, quando mette assieme il blocco, le permettiamo di includere una transazione molto speciale in cima, Portuguese: dessa forma, se você voltasse e mudasse qualquer um dos blocos ou trocasse a ordem de dois blocos você mudaria o bloco que vem depois o que muda o Hash daquele bloco o que muda aquele que vem depois desse e assim por diante Para isso seria preciso refazer todo o trabalho, achando o número especial para cada um dos blocos que faz seu Hash iniciar com 60 zeros Pelos blocos serem encadeados juntos dessa forma ao invés de chamá-los de registro, é comum chamá-los de Cadeia de Blocos. como parte do nosso protocolo atualizado, vamos agora permitir que qualquer pessoa do mundo seja um criador de blocos Isso quer dizer que eles irão ouvir transações sendo transmitidas juntá-las em um bloco e então fazer todo o trabalho de achar o número especial que faz o Hash daquele bloco iniciar com 60 zeros e assim que acharem, eles vão transmitir o bloco que acharam Para recompensar um criador de blocos por todo esse trabalho, quando eles completarem um bloco, vamos permitir que incluam uma transação muito especial no topo Spanish: en la que recibe, digamos 10 LD, de la nada. Esto se llama "recompensa por bloque", y es una excepción a nuestras reglas habituales sobre si aceptar o rechazar transacciones. No viene de nadie, así que no tiene que estar firmada. Y también significa que el número total de dolares de cuenta en nuestra economía aumenta con cada nuevo bloque. Crear bloques se conoce comunmente como "minear", dado que requiere realizar un montón de trabajo e introduce nuevos fragmentos de moneda en la economía. Pero cuando oyes o lees sobre los "mineros", ten en cuenta que lo que están haciendo en realidad es recibiendo transacciones, creando bloques, emitiendo esos bloques, y siendo recompensados con dinero nuevo por hacerlo. Desde la perspectiva de los mmineros, cada bloque es como una loteria en miniatura, donde todo el mundo esta adivinando numeros lo más rápido que pueden hasta que un afortunado encuentra un número especial que hace que el hash del bloque comience con tantos ceros y son recompensados. Japanese: 例えば10元帳ドル得るなど。 これを「ブロック報酬」と呼ぶ。 これについては、議論していた一般的な取引記録と異なる例外であり、 取引元がないので、署名の必要がない。 また、これは新たなブロックが作成される毎に、体系全体の元帳ドルの数が増加する事を意味する。 ブロックの作成は、沢山のワークが必要で、 新たな利益をもたらす事から、 「採掘」とも呼ばれる。 採掘者に関して承知しておきたいのは、 採掘者が実際にしている事は、 取引記録を集め、ブロックを作り、 そのブロックを配信して、その過程で報酬を得ているという事である。 採掘者の視点からすれば、ブロックは小型宝くじのような物であり、 皆が要件を満たすの数を探すのを競い、 誰かが運良く一連のゼロの列を作り出すような、 特殊な数を見つければ、その採掘者には 報酬が得られる。 Turkish: Korean: 블록의 맨 처음 거래로 포함하게 하면 돼. 이 특별한 거래를 "블록 보상"이라고 불러. 이 특별한 블록 보상에는 일반적으로 거래를 받아들이거나 거절하는데 적용되는 기준이 예외적으로 적용되지 않아. 그리고 보상액을 지급하는 주체가 없으므로 디지털 서명이 필요하지 않지. 이는 블록이 새로 생성될 때마다 보상에 의해 장부달러의 총액이 증가한다는 얘기야. 블록을 생성하고 보상을 받는 것을 "채굴"이라고 부르기도 하지. 블록을 생성할 때 많은 작업을 해야하고 실물 경제에 새로운 화폐를 도입하게 하므로 채굴이라고 부르는 것도 나쁘지 않은 것 같아. 하지만 이제부터 비트코인 채굴자에 대한 얘기를 듣거나 읽을 때는 채굴자들이 실제로 하는 일은 브로드캐스팅 되는 거래 정보를 수집하고, 블록을 새로 생성해서, 생성한 새 블록을 다시 브로드캐스팅하고 보상을 받는 일이라는 것을 잊지 말자고. 채굴자의 입장에서는 각 블록이 미니 로또나 마찬가지야. 모든 채굴자들이 서로 먼저 매직 넘버를 찾기 위해 경쟁하고 결국 매직 넘버를 가장 먼저 찾아내는 단 한 채굴자가 결국 매직 넘버를 가장 먼저 찾아내는 단 한 채굴자가 보상을 받게 되거든. Chinese: 即:她获得10账元。 这叫做“区块奖励”, 这是我们接受或拒绝交易信息规则的一个例外情况 它并不来自于其他人,所以也并不需要签名。 也意味着整个网络中的账元会随着新区块的产生而增加 建立区块通常叫做“挖矿”, 因为它会需要大量的计算力 挖矿会为整个经济中引入新的货币量 所以当你听到或看到矿工时 你现在明白他们所做的其实就是 收听交易信息,建立区块,广播区块 并获得新货币的奖励 而在矿工眼中,每个区块就像是一个小型的彩票, 每个人都想尽可能快得猜数字 直到其中有一个幸运儿找到了那个特别数字 能让区块的散列值以很多0开头,然后他们就得到奖励 Czech: skrze kterou mu vyčarujeme, řekněme, 10 LD. Tomu se říká "odměna bloku", a je to výjimka z našich pravidel, ve kterých určujeme jestli přijmout nebo nepřijmout transakci. Tahle nemusí od nikoho přicházet, nikým nemusí být podepsaná. A také to znamená že celkové množství knižních dolarů v naší ekonomice narůstá s každým novým blokem. Tvoření bloků se často nazývá "dolování" [mining], jelikož to vyžaduje velké množství práce a generuje nové oběživo do ekonomiky dané měny. Když ale slyšíte nebo čtete o těžařích (minerech), pamatujte, že ve skutečnosti jenom poslouchají zprávy o nových transakcích, tvoří bloky, posílají je ostatním a dostávají za svou snahu peníze. Z pohledu minera je každý blok v podstatě miniaturní loterie, ve které všichni najednou co nejrychleji hádají čísla, dokud nějaký šťastlivec nenajde to speciální, které způsobí, že hash celého bloku bude začínat spoustou nul, a dostane odměnu. Polish: w którym dostaje ona, powiedzmy 10 LD, z powietrza. Jest to tak zwana „nagroda za blok” i jest to wyjątek od naszych zwykłych zasad dotyczących akceptowania transakcji. Nie pochodzi ona od nikogo, więc nie musi być podpisana. A to oznacza, że ​​całkowita liczba dolarów księgi głównej w naszej gospodarce wzrasta z każdym nowym blokiem. Tworzenie bloków jest często nazywane „wydobywaniem”, ponieważ wymaga to dużej ilości pracy i wprowadza nowe kawałki waluty do gospodarki. Ale kiedy słyszysz lub czytasz o górnikach, należy pamiętać, że zajmują się oni naprawdę odbieraniem transakcji, tworzeniem bloków, nadawaniem tych bloków, i byciem nagradzanym nowymi pieniędzmi za ich pracę. Z punktu widzenia górnika, każdy blok jest czymś w rodzaju miniaturowej loterii, gdzie każdy zgaduje liczby tak szybko, jak to możliwe, aż jakiś szczęściarz nie znajdzie specjalnego numeru, który sprawia, że ​​hash bloku zaczyna się wieloma zerami i dostanie nagrodę. Hungarian: amiben kap mondjuk 10 LD-t, a semmiből. Ezt hívjuk "blokk jutalom"-nak (*block reward*-nak), és ez egy kivétel a szokásos szabályainkhoz képest, amik a tranzakciók elfoadásáról szólnak. Nem számazik senkitől, ezért nem is kell senkinek sem aláírnia. És ez azt is jelenti, hogy a gazdaságunkban forgó összes "ledger dollar" száma növekszik minden egyes új blokkal. A blokkok létrehozását gyakran "bányászat"-nak (*mining*-nak) hívjuk, mivel sok munkát igényel, és újabb pénzdarabokat vezet be a gazdaságba. De amikor a bányászokról hallasz vagy olvasol, tartsd észben, hogy amit valójában csinálnak az az, hogy új tranzakciókra figyelnek, blokkokat hoznak létre, amiket szétszórnak a hálózaton, hogy ezért jutalmat kapjanak új pénz formájában. A bányászok szemszögéből minden egyes blokk olyan, mint egy kisméretű lottó, ahol mindenki olyan gyorsan találgat számokat, amilyen gyorsan csak tud, amíg egy szerencsés nem talál egy különleges számot, amivel a blokk hash-e sok nullással kezdődik, és ezért jutalmat kapnak. French: dans laquelle elle obtient 10 LD à partir de rien. Cela s'appelle le "bloc de récompense". Et c'est une exception à nos règles habituelles concernant l'acceptation ou non de transactions. Elle ne vient de personne, donc elle n'a pas à être signée. Et cela signifie également que le nombre total de ledger dollars de l'économie augmente avec chaque nouveau bloc. La création de blocs est souvent appelée "minage", puisque cela nécessite beaucoup de travail et que cela introduit de nouvelles "pièces" dans l'économie. Mais lorsque vous entendez ou lisez à propos des mineurs, gardez à l'esprit que ce qu'ils font vraiment est écouter les transactions, créer des blocs, diffuser ces blocs, et obtenir des récompenses avec l'argent créé en faisant cela. Du point de vue des mineurs, chaque bloc est une sorte de loterie miniature, où tout le monde essaie de deviner des nombres aussi vite qu'ils le peuvent jusqu'à ce qu'un individu chanceux trouve un nombre spécial qui fait que le hash du bloc commence avec de nombreux zéros, et obtienne la récompense. Indonesian: di mana dia mendapatkan, katakanlah 10 LD, dari udara yang tipis. Ini disebut "block reward", dan ini pengecualian terhadap peraturan biasa kami tentang apakah akan menerima transaksi atau tidak. Itu tidak datang dari siapapun, jadi tidak harus ditandatangani. Dan itu juga berarti bahwa jumlah total dolar ledger dalam perekonomian kita meningkat dengan setiap blok baru. Membuat blok sering disebut "mining", karena membutuhkan banyak pekerjaan dan memperkenalkan bit baru mata uang ke dalam ekonomi. Tapi saat Anda mendengar atau membaca tentang para penambang, Ingatlah bahwa apa yang sebenarnya mereka lakukan adalah mendengarkan transaksi, menciptakan blok, menyiarkan blok tersebut, dan mendapatkan imbalan dengan uang baru untuk melakukannya. Dari perspektif penambang, masing-masing blok itu seperti undian miniatur, di mana setiap orang menebak nomor secepat mungkin sampai satu orang beruntung menemukan nomor khusus yang membuat hash blok dimulai dengan banyak angka nol, dan mereka mendapatkan pahala. Lithuanian: kurioje jis gauna, sakykim, 10 LD tiesiog iš oro. Tai vadinama "bloko atpildu/apdovanojimu" (block reward), ir tai yra išimtis mūsų įprastoms taisyklėms apie tai ar priimti transakcijas. Ši transakcija neateina iš niekieno, tad jos nereikia pasirašyti. Ir tai taip pat reiškia, kad pilnas mūsų apskaitos dolerių kiekis mūsų ekonomikoje didėja sulyg kiekvienu nauju bloku. Naujų blokų kūrimas dažnai vadinamas "kasimu" (mining), nes tam reikia atlikti daug darbo ir tai introdukuoja naujus valiutos kiekius į ekonomiką. Bet kai išgirsi ar skaitysi apie kasėjus, turėk galvoje, kad tai, ką jie iš tikro daro, yra klausosi transakcijų, kuria blokus, transliuoja tuos blokus, ir būna apdovanojami naujais pinigais už tą darbą. Iš kasėjo perspektyvos, kiekvienas blokas yra tarsi mažytė loterija, kur kiekvienas spėlioja skaičius taip greitai, kaip gali tol, kol vienam laimingam žmogui pavyksta rasti specialų skaičių, kuris padaro taip, kad bloko hešas prasidėtų daugybe nulių, ir jie yra apdovanojami. Italian: in cui lei riceve, diciamo 10 LD, dal nulla. Questa è chiamata "block reward", ed è un'eccezione alla nostra regola usuale per quanto riguarda l'accettare o meno transazioni. Non proviene da nessuno, quindi non deve essere firmata. E significa anche che il numero totale di "dollari del libro mastro" nella nostra economia aumenta ad ogni nuovo blocco. Creare blocchi è spesso chiamato "mining", visto che richiede molto lavoro e introduce un po' di nuova moneta nell'economia. Ma quando senti o leggi a proposito di "minatori", tieni a mente che quello che stanno effettivamente facendo è ascoltare transazioni, creare blocchi, trasmettere questi blocchi e ricevere una ricompensa con della nuova moneta per fare tutto questo. Dalla prospettiva del "minatore", ogni blocco è una specie di lotteria in miniature, dove ognuno sta provando numeri il più velocemente possibile finché un fortunato trova un numero speciale per cui l'hash del blocco inizi con molti zeri, e viene ricompensato. English: her to include a special transaction at the top in which she gets, say, 10 LedgerDollars out of thin air. This is called the block reward. It’s a special exception to our usual rules about whether or not to accept transactions; it doesn’t come from anyone, so it doesn’t have to be signed. It also means that the total number of LedgerDollars in our economy increases with each new block. Creating blocks is often called “mining”, since it requires a lot of work, and it introduces new bits of currency into the economy. But when you hear or read about miners, keep in mind that what they’re really doing is creating blocks, broadcasting those blocks, and getting rewarded with new money for doing so. From the miners perspective, each block is like a miniature lottery, where everyone is guessing numbers as fast as they can until one lucky individual finds one that makes the hash of the block start with many zeros, and gets rewarded for doing so. Chinese: 例如:她獲得10帳元。 這叫做「區塊獎勵」, 這是我們接受或拒絕交易資訊規則的一個例外情況 它並不來自於其他人,所以也並不需要簽名。 也意味著整個網絡中的帳元會隨著新區塊的產生而增加 建立區塊通常叫做「挖礦」, 因為它會需要大量的計算力 挖礦會為整個經濟中引入新的貨幣量 所以當你聽到或看到礦工時 你現在明白他們所做的其實就是 收聽交易資訊,建立區塊,廣播區塊 並獲得新貨幣的獎勵 而在礦工眼中,每個區塊就像是一個小型的彩票, 每個人都想盡可能快得猜數字 直到其中有一個幸運兒找到了那個特別數字 能讓區塊的雜湊值以很多0開頭,然後他們就得到獎勵 Vietnamese: trong đó cô ấy nhận được, ví dụ 10 LD, chẳng từ ai cả. Đây được gọi là "phần thưởng khối", và đó là ngoại lệ đối với các quy tắc của chúng ta về việc chấp nhận giao dịch hay không. Nó không đến từ bất cứ ai, vì vậy nó không cần phải được ký. Và điều đó cũng có nghĩa là tổng số "đô la sổ cái" trong nền kinh tế của chúng ta gia tăng với mỗi khối mới. Việc tạo khối thường được gọi là "đào", vì nó đòi hỏi phải bỏ ra rất nhiều công và nó cho ra các bit tiền tệ mới vào nền kinh tế. Nhưng khi bạn nghe hay đọc về thợ đào, hãy ghi nhớ rằng những gì họ đang thực sự làm là hóng các giao dịch, tạo ra khối, phát sóng các khối đó, và nhận thưởng với một lượng tiền mới. Từ quan điểm của người thợ đào, mỗi khối giống như một xổ số thu nhỏ, nơi mọi người đoán được dãy số nhanh nhất có thể cho đến khi một cá nhân may mắn tìm thấy một dãy số đặc biệt mà làm cho "hash" của khối bắt đầu với một số số 0, và họ nhận được phần thưởng. Portuguese: no qual eles ganhem, digamos, 10 LD do nada isso é chamado de recompensa do bloco e é uma exceção para nossas regras regulares sobre aceitar ou não transações Não vem de ninguém, então não precisa ser assinado e também quer dizer que o número total de LD na nossa economia cresce com cada novo bloco Criar blocos é comumente chamado "mineirar", já que requer muito trabalho e introduz pequenas quantidades de moeda na economia Mas quando você ouve ou lê sobre mineradores, tenha em mente que o que eles estão realmente fazendo é escutar por transações, criar blocos, transmitir esses blocos e sendo recompensados com novas moedas por isso. Pela perspectiva dos mineradores, cada bloco é como uma loteria em miniatura onde cada um está adivinhando números o mais rápido que podem, até um indivíduo sortudo encontrar o número especial que faz o Hash do bloco iniciar com muitos zeros, e ganham a recompensa. Russian: в которой он получит, скажем, 10 LD как бы из воздуха. Это называется наградой за блок, и такая награда - исключение из наших обычных правил подтверждения транзакций. Её никто не выплачивает, поэтому операцию не нужно подписывать. Это значит, что с каждым новым блоком количество денег в нашей экономике растёт. Создание блоков часто называют «майнингом», потому что оно требует огромной работы и добавляет новые деньги в экономику. Так что когда вы читаете или слышите о майнерах, не забывайте, что в действительности их занятие - следить за операциями, создавать блоки, транслировать их и получать за это награды. С точки зрения майнера, каждый блок - это маленькая лотерея, в которой все наперегонки подбирают числа, пока одному счасливчику не попадется особенное число, которое позволяет получить хеш с большим числом нулей в начале, и за это счастливчик получает награду. iw: אשר בה הם מקבלים, נניח עשרה LD, יש מאין. זה נקרא "גמול הבלוק", וזו החרגה לכללים הרגילים שלנו לגבי השאלה אם לקבל או לא לקבל עסקאות. זה לא בא מאף אחד, אז זה לא חייב להיות חתום. וזה גם אומר כי המספר הכולל של דולרי הלדג'ר במשק שלנו גדל עם כל בלוק חדש. יצירה בלוקים נקראת לעתים קרובות "כרייה", מאחר שהיא דורשת עושה הרבה עבודה ומוסיפה מטבעות חדשים לכלכלה. אבל כשאתם שומעים או קוראים על כורים, יש לזכור כי מה שהם באמת עושים הוא האזנה לעסקאות, יצירת בלוקים, שידור של הבלוקים האלה, וקבלה של כסף חדש עבור עשייה זו. מנקודת מבטו של הכורה, כל בלוק הוא כמו סוג של הגרלת לוטו מיניאטורית, כאשר כולם מנחשים מספרים מהר ככל שביכולתם עד שבר מזל אחד מוצא מספר מיוחד שדואג שה-hash של הבלוק יתחיל באפסים רבים, והוא מקבלים את הפרס. German: In der sie beispielsweise 10 LD einfach so aus dem Nichts bekommen. Das nennt man die "Blockbelohnung". Sie ist eine Ausnahme was unsere Regeln für das Akzeptieren oder Ablehnen von Transaktionen angeht. Sie hat keinen Urheber, muss also auch nicht unterzeichnet werden. Und sie bedeutet auch, dass die absolute Anzahl an Ledger Dollars in unserer Wirtschaft mit jedem neuen Block steigt. Blocks zu kreieren wird oft als "Mining" bezeichnet [dt.: "abbauen" im Bergbau], da es sehr viel Arbeit erfordert und neues Geld in die Wirtschaft einbringt. Aber wenn du etwas über Miner hörst oder liest, für dir immer vor Augen, dass sie letztendlich nur auf Transaktionen achten, Blocks kreieren, diese Blocks senden, und dafür mit neuem Geld belohnt werden. Aus der Sicht eines Miners ist jeder Block wie eine Art Minilotto, bei dem jeder so schnell wie er kann Zahlen rät, bis jemand Glück hat und eine besondere Nummer findet, mit der der Hashwert des Blocks mit vielen Nullen beginnt. Und der bekommt dann die Belohnung. Modern Greek (1453-): στην οποία παίρνει, ας πούμε 10 LD, από το πουθενά. Αυτό ονομάζεται «ανταμοιβή μπλοκ», και είναι μια εξαίρεση στους σύνηθες κανόνες σχετικά με το αν πρέπει ή όχι να δέχονται συναλλαγές. Δεν έρχεται από κανέναν, γι 'αυτό δεν πρέπει να υπογραφεί. Και αυτό σημαίνει, επίσης, ότι ο συνολικός αριθμός των δολαρίων βιβλίου της οικονομίας μας αυξάνεται με κάθε νέο μπλοκ. Η δημιουργία μπλοκ συνήθως αποκαλείται «εξόρυξη», δεδομένου ότι απαιτεί πολλή δουλειά και εισάγει νέα κομμάτια του νομίσματος στην οικονομία. Αλλά όταν ακούτε ή διαβάζετε για ανθρακωρύχους, να έχετε κατά νου ότι αυτό που πραγματικά κάνουν είναι να ακούν για συναλλαγές, να δημιουργούν μπλοκ, να μεταδίδουν αυτά τα μπλοκ, και να ανταμείβονται με νέα χρήματα για κάτι τέτοιο. Από την πλευρά του ανθρακωρύχου, κάθε μπλοκ είναι κάτι σαν μια μικρή λαχειοφόρο, όπου ο καθένας είναι μαντεύει αριθμούς όσο πιο γρήγορα μπορεί μέχρι ένας τυχερός να βρει έναν ειδικό αριθμό που θα κάνει το hash του μπλοκ να ξεκινήσει με πολλά μηδενικά, και θα πάρουν την ανταμοιβή. Arabic: وهي أنه حصل على .. لنقل 10 LD من لاشيء. وهذا ما يسمى بـ"مكافأة الكتلة"، وهذا استثناء لقواعدنا المعتادة بشأن قبول أو عدم قبول العمليات. وهذه العملية ليس لها مُرسِل، لذا فهي لا تحتاج لتوقيع. وهذا يعني أيضًا أن إجمالي عدد دولارات السجلات الموجودة لدينا في ازدياد مع كل كتلة جديدة. إنشاء الكتل يسمى عادةً بـ"التعدين". حيث أنها تتطلب الكثير من العمل، وتضيف عملات جديدة للنظام الاقتصادي. ولكنك عندما تقرأ أو تسمع عن المُعَدِّنين، ضع في اعتبارك أن ما يقومون به هو استقبال العمليات، إنشاء كتل، نشر هذه الكتل، والحصول على بعض الأموال لقاء هذا. بالنسبة للمعُدِّن، كل كتلة تمثل له شيء مثل اليانصيب المصغر. حيث أن الجميع يخمنون أرقام بكل طاقتهم إلى أن يجد محظوظٌ ما الرقمَ المميز الذي يجعل الهاش الخاص بالكتلة يبدأ بعدة أصفار، ثم يحصل على المكافأة. Polish: Dla każdego, kto tylko chce korzystać z systemu do dokonywania płatności, zamiast słuchać transakcji, wszyscy zaczynają słuchać tylko bloków nadawanych przez górników i aktualizują swoje własne kopie Block Chain. Teraz kluczowym dodatkiem do naszego protokołu jest to, że jeśli usłyszysz dwa odrębne Block Chain'y sprzeczne z historią transakcji, bierzesz najdłuższy z nich, z największą pracą w niego włożoną. Jeśli jest remis, poczekaj, aż usłyszysz dodatkowy blok, który sprawia, że ​​jeden z nich jest dłuższy. Więc pomimo tego, że nie ma centralnego autorytetu i każdy zachowuje swoją własną kopię Block Chain'a, jeśli wszyscy zgadzają się, aby dać pierwszeństwo Block Chain'owi, w który włożono najwięcej pracy, mamy sposób, aby dojść do zdecentralizowanego konsensusu. Aby zrozumieć, dlaczego to sprawia, że ​​system jest godny zaufania, i zrozumieć, w jakim momencie możesz ufać, że płatność jest legalna, bardzo pomocne będzie przejście przez dokładnie to, co trzeba zrobić, aby oszukać kogoś przy użyciu tego systemu. Może Alicja próbuje oszukać Boba przy użyciu sfałszowanego bloku, Indonesian: Bagi orang lain yang hanya ingin menggunakan sistem untuk melakukan pembayaran, alih-alih mendengarkan transaksi, mereka semua mulai mendengarkan hanya untuk blok yang disiarkan oleh para penambang, dan memperbarui salinan pribadi blockchain mereka sendiri. Sekarang tambahan kunci untuk protokol kita adalah itu jika Anda mendengar dua benturan yang berbeda dengan sejarah transaksi yang saling bertentangan, Anda tunduk pada yang terpanjang, yang paling banyak bekerja di dalamnya. Jika ada kesamaan, tunggu sampai Anda mendengar blok tambahan yang membuat salah satunya lebih panjang. Jadi meskipun tidak ada otoritas pusat dan setiap orang memelihara salinan blockchain mereka sendiri, jika semua orang setuju untuk memberi preferensi pada blockball mana pun yang paling banyak dimasukkan ke dalamnya, kita punya cara untuk sampai pada konsensus terdesentralisasi. Untuk melihat mengapa hal ini membuat sistem yang dapat dipercaya, dan untuk memahami pada titik mana Anda harus percaya bahwa pembayaran itu sah, itu benar-benar sangat membantu untuk berjalan melalui apa yang diperlukan untuk membodohi seseorang yang menggunakan sistem ini. Mungkin Alice sedang mencoba menipu Bob dengan blok curang, Arabic: أما بالنسبة للآخرين الذين يريدون استخدام النظام للمعاملات مالية فقط بدلًا من أن يستقبلون العمليات، هم يبدؤون باستقبال العمليات التي نشرها المعدِّنون، ويحدثون نسخهم الخاصة من سلسلة الكتل. الآن الإضافة الرئيسية لميثاقنا هي أنك إذا استقبلت سلسلتي كتل مختلفة بسجلات عمليات متعارضة، فيجب أن تُقر بالسلسلة الأطول، التي أُجريَ عليها عمل أكثر. إذا كانتا متساوتي الطول، فانتطر حتى تستقبل كتلة أخرى والتي ستجعل إحدى السلسلتين أطول. لذا حتى لو لم تكن هناك سلطة مركزية والجميع لديه نسخته الخاصة من سلسلة الكتل، إذا اتفق الجميع على اعتماد السلسلة التي أجري عليها عمل أكثر، فسنصل إلى طريقة تُحقِّقُ اتفاقًا لامركزيًّا. لتفهم لما بهذا سينشأ نظام موثوق، ولتستوعب إلى أي مرحلة عليك أن تثق بأن الدفع شرعي، من المفيد جدًا اتباع العملية الدقيقة اللازمة لخداع شخص ما مع هذا النظام. ربما كانت (أليس) تحاول خداع (بوب) باستخدام كتلة مزيفة، Vietnamese: Đối với bất kỳ ai khác mà chỉ muốn sử dụng hệ thống để thanh toán, thay vì lắng nghe các giao dịch, tất cả đều chỉ lắng nghe các khối được phát sóng bởi các thợ đào, và cập nhật vào các bản sao blockchain của riêng mình. Bây giờ một bổ sung mang tính quyết định cho giao thức của chúng ta là: Nếu bạn nghe được hai blockchain khác biệt với lịch sử giao dịch mâu thuẫn nhau, bạn nên tin vào blockchain dài nhất, cái mà chứa nhiều "công" tính toán nhất. Nếu hòa nhau, chỉ cần đợi cho đến khi bạn nghe được một khối bổ sung mà làm cho một dãy dài hơn. Vì vậy, dù không có cơ quan trung ương và mọi người đang duy trì một bản sao blockchain riêng, nếu mọi người đều ưu tiên cho bất kỳ blockchain nào chứa nhiều "công" nhất, chúng ta có một cách để đạt được sự đồng thuận trong hệ thống phân tán. Để hiểu tại sao điều này làm cho một hệ thống đáng tin cậy, và để hiểu tại thời điểm nào bạn nên tin rằng một khoản thanh toán là đáng tin cậy, ta nên xem các bước để ai đó có thể lừa người khác trong cái hệ thống này. Có lẽ Alice đang cố đánh lừa Bob bằng một khối chứa thông tin lệch, Chinese: 而对于其他只是想利用这个系统做交易的人而言, 并不需要收听交易记录, 他们只需要收听被矿工广播的区块即可, 然后更新自己的那一份区块链 现在我们新体系的关键点来了 如果我们收到了两份完全不同的区块链, 我们倾向于选择最长的那一个,也就是需要最多的工作量的那一份。 如果暂时难分上下,等待下一个区块的广播, 总有一个会形成更长的区块链 所以即便没有中心机构, 所有人也都自己维护自己的那份区块链 但如果每个人都信任最多工作量的那个区块链, 我们就达到了一个去中心化的共识 为什么这样能够建立一个可信的系统, 并理解这个系统里的交易到底有多可信, 我们尝试在这个系统中伪造信息欺骗他人到底有多难 也许Alice想要用一个伪造的区块欺骗Bob Czech: Ti, kteří chtějí systém používat jen pro platby nečekají na nové transakce, ale jenom bloky, které jim dodávají mineři, a aktualizují si svoji lokální verzi blokového řetězu [blockchainu]. Důležitý nový bod v našich pravidlech je ten, že když dostanete dva různé řetězy, které mají každý jinou historii transakcí, budete věřit tomu nejdelšímu, na kterém bylo vykonáno více práce. Pokud je to remíza, prostě počkáte, až do některého z nich přijde nový blok. Takže i přesto, že neexistuje centrální autorita a všichni si drží vlastní verzi řetězu, pokud se všichni shodnou na upřednostňování řetězu, na kterém bylo vykonáno nejvíc práce, máme způsob, jak se decentralizovaně dohodnout. Abychom si ukázali, proč tohle tvoří důvěryhodný systém, a abyste pochopili v jakou chvíli můžete věřit, že je nějaká platba legitimní, je dobré říct si, co by obnášela snaha někoho v tomhle systému podvést. Řekněme, že se Alice snaží napálit Boba podvodným blokem, Lithuanian: Bet kam kitam, kas tenori naudotis sistema atlikti mokėjimams, vietoj transakcijų klausymosi, jie visi klausosi tik kasėjų transliuojamų blokų, ir atnaujina savo asmenines blokų grandinės kopijas. Dabar esminė mūsų protokolo dalis yra tai, kad jei išgirsti dvi skirtingas blokų grandines su konfliktuojančiomis transakcijų istorijomis, tu pasirenki ilgiausią - tą, kurioje yra įdėta daugiausiai darbo. Jei yra lygiosios, tiesiog palauk, kol išgirsi dar vieną bloką, kuris padaro vieną iš grandinių ilgesnę. Taigi, nors ir nėra centrinio autoriteto ir kiekvienas palaiko savo blokų grnadinės kopiją, jei visi sutaria duoti pirmumą tai grandinei, kuri turi daugiausia darbo įdėta į ją, mes turim būdą surasti decentralizuotą konsensusą. Kad pamatytum, kodėl tai sukuria patikimą sistemą, ir kad suprastum, kuriuo momentu gali pasitikėti, kad apmokėjimas yra tikras, yra iš tikro naudinga praeiti per kelią, norint apgauti kažką, kas naudoja šią sistemą. Galbūt Alisa bando apgauti Bobą su klastotu bloku. Hungarian: Mindenki másnak aki csak fizetésre szeretné használni a rendszert, ahelyett, hogy új traznakciókra figyelnének, elkezdenek csak a bányászok által a hálózatra szórt blokkokra figyelni, és frissíteni a saját személyes másolatukat a blokkláncból. Namost egy kulcsfontosságú kiegészítés a protokollunkhoz az, hogy ha két egymástól eltérő blokkláncot hallasz amiben egymással ellentmondó tranzkciós történet szerepel, akkor a leghosszabbat követed, azt, ameybe a legtöbb munkát fektették. Ha holtverseny alakulna ki, akkor csak várnod kell addig, amíg nem hallasz egy újabb blokkot, amitől az egyik hosszabb lesz. Szóval annak ellenére, hogy nincs központi hatóság és mindenki a saját blokklánc példányát tartja karban, ha mindenki megegyezik abban, hogy azt a blokkláncot részesítik előnyben, amelybe a legtöbb munkát fektették, akkor ezzel lett egy módszerünk arra, hogy eljussunk a decentralizált konszenzushoz. Ahhoz, hogy lássuk hogy miért lesz ettől megbízható ez a rendszer, és hogy megértsük hogy melyik ponttól kezdve tekintheted megbízhatónak azt, hogy egy fizetés legitim, ahhoz valójában nagyon hasznos az, ha végigmegyünk azon, hogy pontosan mi szükségeltetik ahhoz, hogy becsapjunk valakit ebben a rendszerben. Talán Alice meg szeretné próbálni becsapni Bobot egy csalárd blokkal, Russian: А все остальные, кто просто хочет использовать систему для платежей, не следят за каждой операцией, а просто получают от майнеров трансляцию о блоках и обновляют собственные копии блокчейна. Вот ключевое дополнение к нашему протоколу: если вы получили информацию о двух блокчейнах и их истории операций не совпадают, вы выбираете самый длинный, то есть тот, над которым проводилось больше вычислений. Если они одинаковые по длине, дождитесь нового блока, который сделает одну цепочку длиннее. Так что несмотря на то, что центра управления нет и у всех своя копия блокчейна, если все соглашаются выбирать блокчейн с наибольшим объёмом работы, мы приходим к децентрализованному консенсусу. Чтобы понять, почему из этого получается надежная система, и в какой момент стоит верить в подлинность платежа, полезно рассмотреть, как именно можно обвести кого-то вокруг пальца с помощью этой системы. Например, Алиса пытается обмануть Боба с помощью поддельного блока, Portuguese: Para todo mundo que só quer usar o sistema para fazer pagamentos ao invés de ouvir transações eles passam a ouvir os blocos sendo transmitidos pelos mineradores e atualizando sua cópia pessoal da cadeia de blocos. Agora a adição chave do nosso protocolo é que se você ouvir 2 cadeias de blocos distintas com histórico de transações conflitantes você inclina para o maior, com maior trabalho computacional presente se houver empate, apenas, espere até você ouvir um bloco adicional que faz um deles maior então mesmo que não haja autoridade central e todo mundo mantém sua própria cópia da cadeia de blocos se todo mundo concordar em dar preferência para a cadeia de blocos que possuir maior trabalho presente nós temos uma forma de chegar a um consenso decentralizado para ver como isso gera um sistema confiável e entender em qual ponto você deve confiar que um pagamento é legítimo é útil vermos exatamente o que seria necessário para enganar alguém usando esse sistema Talvez Alice queira enganar Bob com um bloco fraudulento English: The way our protocol will now work for someone using this system is that instead of listening for transactions, you listen for new blocks being broadcast by miners, updating your own personal copy of the blockchain. The key addition is that if you hear of two distinct blockchains with conflicting transaction histories, you defer to the longest one, the one with the most work put into it. If there’s a tie, wait until you hear of an additional block that makes one longer. So even though there is no central authority, and everyone is maintaining their own copy of the blockchain, if everyone agrees to give preference to whichever blockchain has the most work put into it, we have a way to arrive at decentralized consensus. To see why this makes for a trustworthy system, and to understand at what point you should trust that a payment is legitimate, it’s helpful to walk through what it would take to fool someone in this system. French: Pour tous les autres qui veulent juste utiliser ce système pour effectuer des paiements, au lieu d'écouter les transactions, ils commencent tous par écouter juste les blocs diffusés par les mineurs, et mettant à jour leur propre copie personnelle de la chaîne de blocs. Maintenant le supplément clé à notre protocole est que si vous entendez deux blockchains avec des historiques de transaction conflictuels, vous vous rapportez à la plus longue avec le plus de travail mis dedans. Si c'est serré, attendez juste jusqu'à ce qu'un bloc supplémentaire fasse que l'une soit plus longue que l'autre. Donc bien qu'il n'y ait aucune autorité centrale et que tout le monde maintienne sa propre copie de la blockchain, si tout le monde s'accorde à donner la préférence à la blockchain qui a le plus de travail en son sein, nous avons un moyen de parvenir à un consensus décentralisé. Pour voir pourquoi cela fait un système fiable et pour comprendre à quel point vous devriez avoir confiance que c'est un paiement honnête, il est vraiment utile de parcourir exactement ce qu'il faudrait pour tromper quelqu'un en utilisant ce système. Peut-être qu'Alice essaie de tromper Bob avec un bloc frauduleux, Turkish: Chinese: 而對於其他只是想利用這個系統做交易的人而言, 並不需要收聽交易記錄, 他們只需要收聽被礦工廣播的區塊即可, 然後更新自己的那一份區塊鏈 現在我們新體系的關鍵點來了 如果我們收到了兩份完全不同的區塊鏈, 我們傾向於選擇最長的那一個,也就是需要最多的工作量的那一份。 如果暫時難分上下,等待下一個區塊的廣播, 總有一個會形成更長的區塊鏈 所以即便沒有中心機構, 所有人也都自己維護自己的那份區塊鏈 但如果每個人都信任最多工作量的那個區塊鏈, 我們就達到了一個去中心化的共識。 爲了理解爲什麼這樣能夠建立一個可信的系統 和這個系統裡的交易到底有多可信, 我們嘗試看看在這個系統中偽造資訊欺騙他人到底有多難 也許Alice想要用一個偽造的區塊欺騙Bob iw: כשמדובר במישהו אחר שרק רוצה להשתמש במערכת כדי לבצע תשלומים, במקום להקשיב לעסקאות, הם כולם מקשיבים רק לבלוקים מוכנים שכורים משדרים לעולם, ומעדכנים את העותק האישי שלהם של הבלוקצ'יין. עכשיו התוספת המרכזית לפרוטוקול שלנו היא שאם אתם שומעים שני בלוקצ'יינס שונים עם היסטורית עסקאות סותרת, אתם מאמינים לארוך יותר, האחד שבעבורו הושקעה יותר עבודה. אם יש תיקו, פשוט תחכו עד שאתם שומעים בלוק נוסף שגורם לאחת מהן להפוך לארוכה יותר. אז למרות שאין סמכות מרכזית וכולם שומרים עותק משלהם של הבלוקצ'יין, אם כולם מסכימים לתת עדיפות לבלוקצ'יין שהושקעה בו את הכמות הגדולה ביותר של עבודה, יש לנו דרך להגיע לקונצנזוס מבוזר. כדי להבין מדוע זה יוצר מערכת אמינה, וכדי להבין באיזה שלב ראוי שתסמוך על תשלום כלגיטימי, זה מאוד עוזר לעקוב אחר התהליך המדויק שנדרש כדי לרמות מישהו בעזרת המערכת הזו. אולי אליס מנסה לשטות בבוב עם בלוק מזויף, Korean: 채굴자가 아닌, 그러니까 비트코인을 결제 수단으로만 사용하는 사람들은 브로드캐스팅 되는 모든 거래 정보를 수집하는 대신에 채굴자가 브로드캐스팅하는 블록 정보만 수집해서 각자의 블록체인 복사본을 업데이트 하면 돼. 이제 규약에 핵심적인 내용이 추가되는데, 여러분에게 서로 충돌되는 이력을 가진 두 개의 서로 다른 블록체인 정보가 들어왔다면 여러분은 둘 중에서 더 많은 계산 작업이 포함된 더 긴 블록체인만을 유효한 블록체인으로 받아들여야 한다는 거야. 두 개의 블록체인의 길이가 같다면, 더 긴 블록체인 정보가 들어올 때까지 어느 한 쪽을 선택하지 말고 기다려야 돼. 따라서 모두가 각자의 블록체인 복사본을 각자 따로 가지고 있더라도 가장 많은 계산 작업을 포함하고 있는 가장 긴 블록체인만 유효한 블록체인으로 인정하는데 동의한다면, 우리는 중앙의 통제 기관에 의지하지 않고도 분산된 합의에 도달할 수 있어. 이런 방식이 어떻게 신뢰할 수 있는 체계를 만들어내는지 알아보려면 그리고 어떤 지불이 유효하다는 것을 어느 시점에 신뢰해도 되는 건지 이해하려면, 이 체계를 이용하는 누군가가 다른 누군가를 속이는 사례를 검토해보는 것이 효과적이야. 앨리스가 거짓 블록으로 밥을 속이려 한다고 해보자. Japanese: ただ支払いの手段として活用しようとしている人からすれば、 取引記録を集める代わりに、 採掘者から送られたブロックを集めれば事足りる。 あとは個人でブロックチェーンを更新すれば良い 更に重要なプロトコルの更新点として、 もし競合する取引履歴を持つ二つの異なるブロックチェーンがあった時、 より長い、より計算量の多いワークを持つ方に従うという点である。 長さが同じならば、片方がより長くなる様な追加ブロックを待てば良い。 このシステムには中心機関がなく、皆が個人でブロックチェーンのコピーを持っている。 そして皆が、最も計算量の多いワークを持つブロックチェーンに従うことを認めれば、 総意に基づく非中央集権的な体系が完成する。 このシステム体系が信頼に値するものである事と、 支払いが正当と見なせるのはどのタイミングなのかを理解するために、 逆にこのシステムを使って悪事を働くことが出来るか試してみよう。 アリスがボブに嘘のブロックを送りつけるとする。 German: Alle anderen, die das System einfach nur für Zahlungen benutzen wollen, achten nicht auf Transaktionen, sondern auf Blöcke, die von Minern versendet werden, und aktualisieren ihre eigene, persönliche Kopie der Blockkette. Ein wichtiger Zusatz für unsere Regelung ist, dass wenn du zwei verschiedene Blockketten aufschnappst, deren Transaktionsverlauf sich widerspricht, dann hörst du auf die längere der beiden. Die, in der die meiste rechnerische Arbeit steckt. Wenn beide gleich lang sind, dann warte einfach bis du einen weiteren Block hörst, der eine der beiden länger macht. Das heißt obwohl es keine zentrale Autorität gibt, und jeder seine eigene Kopie der Blockkette aktuell hält, haben wir einen Weg uns alle einig zu sein, indem wir abmachen die Blockkette anzuerkennen, in der die meiste rechnerische Arbeit steckt. Um zu sehen, warum man diesem System vertrauen kann und um zu verstehen, wann man davon ausgehen kann, dass eine Zahlung authentisch ist, ist es am besten einmal zu überlegen was genau jemand tun müsste um dieses System zu überlisten. Vielleicht versucht Alice Bob zu betrügen, Italian: Per tutti gli altri che vogliono semplicemente usare il sistema per fare pagamenti, invece di ascoltare transazioni, ascoltano i blocchi trasmessi dai "minatori", e aggiornano la loro copia personale della "blockchain". Ora l'aggiunta chiave al nostro protocollo è che se senti due "blockchains" distinte in conflitto tra loro, tieni in considerazione la più lunga, quella contenente più lavoro. Se c'è un pareggio, aspetta semplicemente finché non senti ulteriori blocchi che ne rendano una più lunga. Così anche se non c'è un'autorità centrale e ognuno mantiene la propria copia della "blockchain", se tutti sono d'accordo di dare la preferenza alla "blockchain" contenente più lavoro, abbiamo la possibilità di raggiungere un consenso decentralizzato. Per vedere perché questo è un sistema affidabile, e per capire a che punto puoi essere sicuro che un pagamento sia legittimo, è davvero utile capire cosa sia necessario fare per ingannare qualcuno che utilizzi questo sistema. Magari Alice sta cercando di ingannare Bob con un blocco fraudolento, Modern Greek (1453-): Για οποιονδήποτε άλλον που απλά θέλει να χρησιμοποιήσει το σύστημα για να κάνει τις πληρωμές, αντί να ακούει για τις συναλλαγές, αρχίζει να ακούει μόνο για τα πεδία που εκπέμπονται από τους ανθρακωρύχους, και την ενημέρωση του δικού τους προσωπικού αντίγραφου του blockchain (της δικιάς τους αλυσίδας μπλοκ) . Τώρα η προσθήκη-κλειδί στο πρωτόκολλο μας είναι ότι αν ακούσετε δύο διαφορετικά blockchains με αντικρουόμενες ιστορίες συναλλαγής, θα αναφέρεστε στην μεγαλύτερη (αλυσίδα μπλοκ), αυτή με την περισσότερη εργασία. Αν υπάρχει ισοπαλία, απλά περιμένετε μέχρι να ακούσετε ένα επιπλέον μπλοκ που καθιστά ένα από αυτά μεγαλύτερο. Έτσι, ακόμη κι αν δεν υπάρχει κεντρική εξουσία και ο καθένας διατηρεί το δικό του αντίγραφο του blockchain, αν όλοι συμφωνούν να δώσουν προτεραιότητα σε όποιο blockchain έχει την περισσότερη εργασία, έχουμε έναν τρόπο για να καταλήξουμε σε αποκεντρωμένη συναίνεση. Για να δείτε γιατί αυτό το κάνει ένα αξιόπιστο σύστημα, και για να κατανοήσετε σε ποιο σημείο θα πρέπει να πιστέψετε ότι η πληρωμή είναι πραγματική, είναι πραγματικά πολύ χρήσιμο να δούμε ακριβώς τι θα χρειαζόταν για να ξεγελαστεί κάποιος που χρησιμοποιεί αυτό το σύστημα. Ίσως η Alice προσπαθεί να ξεγελάσει τον Bob με δόλια μπλοκ, Spanish: Para los demás que solo quieren usar el sistema para hacer pagos, en vez de recibir transacciones, lo que hacen es recibir bloques emitidos por los mineros, y actualizar sus propias copias personales de la cadena de bloques. Ahora el añadido clave a nuestro protocolo es que si recibes dos cadenas de bloques con historiales de transacciones que difieren eliges el más largo, el que más trabajo halla conllevado. Si hay un empate, simplemente espera hasta que recibas un bloque adicional que haga uno de los dos más largo. Así que, aunque no haya una autoridad central y todos poseen su propia copia de la cadena de bloques, si todo el mundo se pone de acuerdo en dar preferencia a la cadena que tenga más trabajo dedicado, tenemos una forma de llegar a un consenso descentralizado. Para ver por que esto es un sistema digno de confianza, y para entender en que momento deberías confiar en que un pago es legal, ayuda bastante seguir paso a paso exactamente lo que haría falta hacer para engañar a alguien utilizando este sistema. Quizás Alice esta intentando engañar a Bob con un bloque fraudulento, English: If Alice wants to fool Bob with a fraudulent block, she might try to send him one that includes a her paying him 100 LedgerDollars, but without broadcasting that block to the rest of the network. That way everyone else thinks she still has those 100 LedgerDollars. To do this, she’d have to find a valid proof of work before all other miners, each working on their own block. And that could happen! Maybe Alice wins this miniature lottery before anyone else. But Bob will still be hearing broadcasts made by other miners, so to keep him believing the fraudulent block Alice would have to do all the work herself to keep adding blocks to this special fork in Bob’s blockchain that’s different from what he’s hearing from the rest of the miners. Remember, as per the protocol Bob always trusts the longest chain he knows about. Alice might be able to keep this up for a few blocks if just by chance she happens to find blocks more quickly than all of the rest of the miners on the network combined. Chinese: 也就是說她給Bob一個區塊包含她支付Bob 100帳元的資訊 但她沒有把這個區塊廣播給網絡中的其他人 那樣的話,其他人會認爲她仍然持有那100帳元 她要比其他所有礦工先找到工作量證明才能欺騙所有人 他們都在獨立計算區塊 而這確實是有可能發生的! 有可能Alice剛好比其他所有人都先找到了這個證明 但Bob也還會收到來自其他礦工的區塊廣播 所以為了讓他相信她那份偽造的區塊, Alice後面都要重新計算 她那份偽造給Bob的區塊後面的所有區塊 這些區塊和Bob收到了來自其他礦工的區塊都不同 但系統規定Bob總是信任他所指的最長的那一個區塊鏈 Alice在前幾個區塊還有可能保持領先 如果剛好碰巧她比其他所有礦工都先找到那個區塊 Chinese: 也即她给Bob一个区块里包含里她支付Bob 100账元的信息 但她没有把这个区块广播给网络中的其他人 那样的话,其他人还会人会她仍然持有那100账元 她要比其他所有矿工先找到工作量证明才能欺骗所有人 他们都在独立计算区块 而这确实是有可能发生的! 有可能Alice刚好比其他所有人都先找到了这个证明 但Bob也还会收到来自其他矿工的区块广播 所以为了让他相信她那份伪造的区块, Alice后面都要重新计算 她那份伪造给Bob的区块后面的所有区块 这些区块和Bob收到了来自其他矿工的区块都不同 但系统规定Bob总是信任他所指的最长的那一个区块链 Alice在前几个区块还有可能保持领先 如果刚好碰巧她比其他所有矿工都先找到那个区块 Turkish: Korean: 앨리스는 밥에게 100 장부달러를 지불한다는 거짓 거래가 포함된 블록을 밥에게 보내고 그 블록을 블록체인 네트워크 상의 다른 사람들에게는 브로드캐스팅하지 않는다고 해보자. 이러면 밥을 제외한 다른 사람들은 앨리스가 여전히 100 장부달러를 가지고 있는 걸로 알지. 이게 가능하려면, 앨리스는 각자의 블록을 채굴하고 있는 다른 모든 채굴자들보다 먼저 그 거짓 블록의 매직 넘버를 찾아내야 돼. 실제로 앨리스가 먼저 찾아낼 수도 있지!! 앨리스가 운좋게 다른 사람들보다 먼저 이 미니 로또를 맞출 수도 있는 거니까. 하지만 밥은 앨리스 뿐아니라 다른 채굴자들이 브로드캐스팅하는 블록 정보도 수집하고 있어. 따라서 그 거짓 블록을 밥이 계속 신뢰하게 하려면 앨리스는 그 거짓 블록이 포함된 밥의 블록체인에 블록을 추가하는 일을 혼자서 계속 해야 돼. 앨리스는 그 거짓 블록이 포함된 밥의 블록체인에 블록을 추가하는 일을 혼자서 계속 해야 돼. 그 블록체인은 밥이 다른 채굴자들로부터 수집하고 있는 블록체인과는 내용이 다른 블록체인이겠지. 다시 떠올려보자. 규약에 따르면, 밥은 항상 가장 긴 블록체인을 유효한 것으로 인정해야돼. 앨리스의 거짓 블록이 포함된 블록체인이 밥이 가진 가장 긴 블록체인으로 계속 남을 수도 있어. 앨리스가 운좋게도 네트워크에 있는 다른 모든 채굴자들이 생성해내는 블록보다 더 많은 블록을 생성할 수 있다면 말이지. Russian: а именно отправляет ему блок, согласно которому она платит Бобу 100 LD. Только Алиса не транслирует этот блок для всей остальной сети. Так остальные участники будут думать, что у нее еще есть эти 100 LD. Тогда ей нужно найти правильное доказательство выполнения работы вперёд остальных майнеров, которые работают над собственными блоками. И это вполне может случиться! Может, Алисе просто повезёт в этой маленькой лотерее раньше всех. Только Боб будет получать трансляции и от других майнеров, поэтому, чтобы Боб поверил в этот поддельный блок, Алисе пришлось бы проделать всю работу самой, чтобы добавлять блоки в это отдельное ответвление блокчейна Боба. Оно отличается от трансляций других майнеров. Помните, что по протоколу Боб доверяет самой длинной цепочке? Алисе, может, и удалось бы поддерживать ответвление длиной в несколько блоков, если ей повезёт найти их быстрее, чем все остальные майнеры в сети вместе взятые. Vietnamese: cụ thể là cô ấy cố gắng gửi cho anh ta một khối có ghi cô ấy "trả cho anh ta 100 LD" nhưng không phát sóng khối đó cho mọi ai khác trong mạng lưới. Bằng cách đó, mọi người vẫn nghĩ rằng cô ấy vẫn có 100 LD. Để làm điều này, cô sẽ phải tìm một proof of work hợp lệ trước tất cả các thợ mỏ khác, mà mỗi người thợ mỏ đều làm việc trên khối của họ. Và điều này chắc chắn có thể xảy ra! Có lẽ Alice có thể giành chiến thắng mỗi vòng xổ số nhỏ này trước mọi người khác. Nhưng Bob vẫn đang nghe các thợ mỏ khác phát sóng, vì vậy để giữ cho anh ta tin vào cái khối chứa thông tin lệch này, Alice sẽ phải tự bỏ ra tất cả "công" tính toán để tiếp tục thêm các khối trên cái dãy đặc biệt này trong blockchain của Bob. Nó khác với những gì anh ta nghe được từ những thợ mỏ còn lại. Hãy nhớ rằng, theo giao thức, Bob luôn tin tưởng vào chuỗi dài nhất mà anh ta biết. Alice có thể kịp cho thêm một vài khối nếu, cô ấy may mắn tìm ra các khối nhanh hơn phần các thợ mỏ còn lại trên mạng hợp lại. Modern Greek (1453-): δηλαδή προσπαθεί να του στείλει ένα (μπλοκ) που περιλαμβάνει την πληρωμή 100 LD σε αυτόν. αλλά χωρίς να το μεταδίδει στο υπόλοιπο δίκτυο. Με αυτόν τον τρόπο, όλοι οι άλλοι εξακολουθούν να πιστεύουν ότι έχει αυτά τα 100 LD. Για να γίνει αυτό, θα έπρεπε να βρει ένα έγκυρο αποδεικτικό εργασίας πριν από όλους τους άλλους ανθρακωρύχους, όπου ο καθένας εργάζεται για το δικό του μπλοκ. Και αυτό θα μπορούσε σίγουρα να συμβεί! Ίσως η Alice τυχαίνει να κερδίσει αυτή μικρή αυτή "κλήρωση" πριν από όλους τους άλλους. Αλλά ο Bob πρόκειται να ακούσει και τις εκπομπές από άλλους ανθρακωρύχους, έτσι, για να τον κρατήσει να πιστεύει σε αυτό το δόλιο μπλοκ, η Alice θα πρέπει να κάνει όλο το έργο μόνη της για να συνεχίζει να προσθέτει μπλοκ σε αυτή την ειδική "έκδοση" του blockchain του Bob. Που είναι διαφορετικό από ότι ακούει από τους υπόλοιπους ανθρακωρύχους. Να θυμάστε, σύμφωνα με το πρωτόκολλο, ο Bob εμπιστεύεται πάντα τη μεγαλύτερη αλυσίδα που ξέρει. Η Alice μπορεί να είναι σε θέση να τον κρατήσει σε αυτό για μερικά μπλοκ αν, μόνο κατά τύχη, συμβεί να βρει μπλοκ πιο γρήγορα από το όλο το υπόλοιπο των ανθρακωρύχων στο δίκτυο. Arabic: بعبارة أخرى، كانت تحاول أن ترسل له كتلة تتضمن مدفوعات بقيمة 100 LD، ولكن دون بث هذه الصفقة لباقي الشبكة. بهذه الطريقة، سيظن الآخرون أنها لازالت تملك هذه الـ100 LD. ولكي تتمكن من ذلك، عليها أن تجد رمز إثبات عمل صالح قبل كل المعدّنين، وكلٌّ يعمل على كتلته. وهذا بالتأكيد قد يحدث! ربما تفوز (أليس) بهذا اليانصيب قبل الآخرين. ولكن (بوب) سيستمر باستقبال ما يبثه الآخرون، لذا لكي يستمر بالإقرار بهذه الكتلة المزيفة، على(أليس) أن تقوم بكل العمل لوحدها أي أن تستمر بإضافة كتل على هذا الفرع المتفرع من سلسلة الكتل الخاصة بـ(بوب). إنها مختلفة عمّا يستقبله من الآخرين. تذكر، وفقًا للميثاق، فإن (بوب) يثق دائمًا بأطول سلسلة يعرفها. قد تنجح (أليس) بالاستمرار بهذا لبضع كتل أخرى إذا حدث بالحظ ووجدت (أليس) الكتل أسرع مما يجده كل المعدنون الآخرون على الشبكة مجتمعين. Hungarian: azaz megpróbál küldeni neki egy olyat amiben fizet neki 100 LD-t, anélkül, hogy azt a blokkot kiszórta volna a hálózat többi résztvevőjének. Ilyen módon a mindenki más még mindig azt hiszi, hogy megvan neki az a 100 LD. Ahhoz, hogy ezt megtegye, ahhoz találnia kell egy érvényes "proof of work"-öt mindenki más előtt, akik a saját blokkjukon dolgoznak. És ez biztosan megtörténhet! Talán épp úgy adódik hogy Alice megnyeri ezt a mini-lottót mindenki más előtt. De Bob még mindig hallani fogja azokat, amiket többiek kiszórnak, tehát ahhoz, hogy továbbra is elhitethessük vele ezt a csalárd blokkot, Alicenak egymagának kellene elvégeznie az összes munkát ahhoz, hogy továbbras is tudjon blokkokat hozzáadni Bob blokkláncának ezen speciális elágazásán. Ez különbözik attól, amit a többi bányásztól hall. Emlékezz, hogy a protokoll szerint Bob mindig a leghosszabb láncban bízik meg, amiről tudomása van. Alice talán tudja ezt folytatni néhány blokk erejéig, ha, pusztán szerence alapon, hamarabb találja meg a blokkokat, mint az összes többi bányász a hálózaton együttvéve. German: indem sie ihm einen Block schickt in dem sie ihm 100 LD zahlt, ohne aber diesen Block an den Rest des Netzwerks zu schicken. Auf diese Weise denken alle anderen, dass sie diese 100 LD noch selbst besitzt. Um das zu tun, müsste sie einen gültigen Ausführungsnachweis vor allen anderen Minern finden, die alle an ihrem eigenen Block arbeiten. Und das könnte definitiv passieren! Vielleicht gewinnt Alice diese Minilotterie einfach vor allen anderen. Aber Bob hört dennoch die Nachrichten aller anderen Miner. Damit er also Alice fehlerhaftem Block glaubt, müsste Alice die ganze Arbeit also selbst machen. Immer mehr Blocks an Bobs spezielle Blockkette hängen, die anders ist als das, was er von den anderen Minern hört. Denk dran, laut unserer Regelung vertraut Bob immer der längsten Kette, von der er weiß. Alice mag das vielleicht ein paar Blöcke lang schaffen. Solange sie durch Zufall Blöcke schneller findet als alle anderen Miner im Netzwerk zusammen. Portuguese: como tentar enviar um bloco que inclui Alice paga 100 LD para Bob mas sem transmitir esse bloco para o resto do mundo dessa forma, todo o resto acha que ela ainda tem esses 100 LD Para fazer isso, ela teria que achar uma Prova de Trabalho válida antes dos outros mineradores cada um trabalhando no seu próprio bloco e isso poderia acontecer talvez Alice simplesmente ganhe essa loteria em miniatura antes de todo mundo Mas Bob ainda vai estar ouvindo transmissões dos outros mineradores então para que ele continue acreditando nesse bloco fraudulento Alice teria que fazer todo esse trabalho ela mesma, para continuar adicionando blocos nessa cadeia especifica do Bob que é diferente do que ele está ouvindo do resto dos mineradores Lembre-se, pelo protocolo, Bob sempre confia na cadeia de blocos mais longa que ele conhece Alice pode manter isso por alguns blocos, mesmo que por pura sorte ela consiga os blocos de forma mais rápida do que todos os mineradores combinados Lithuanian: Konkrečiai, ji bando jam išsiųsti bloką, kuriame yra 100 LD mokestis jam iš jos, bet be to bloko transliavimo likusiam tinklui. Tokiu būdu, visi kiti galvoja, kad ji vis dar tebeturi tuos 100 LD. Kad šitai padarytų, jai reikėtų surasti validų darbo įrodymą anksčiau, nei visi kiti kasėjai, kur kiekvienas kasėjas dirba ties savo bloku. Ir tai tikrai gali įvykti! Galbūt Alisai tiesiog pasiseka laimėti šią mini loteriją prieš visus kitus. Bet Bobas visvien tebegirdės kitų kasėjų transliacijas, tad, kad priverstų jį tikėti šiuo klastotu bloku, Alisai reiktų ir vėl daryti visą darbą pačiai, kad vis pridėtų papildomai blokus ant savo specialios šakos Bobo blokų grandinėje. Tai skiriasi nuo to, ką jis girdi iš kitų kasėjų. Prisimink, pagal protokolą, Bobas visada pasitiki ilgiausia, kurią žino, grandine. Alisa galbūt šitai palaikys kelis blokus, jei, tiesiog atsitiktinai, jai pasiseks rasti blokus greičiau negu visiems kitiems tinklo kasėjams, kartu sudėjus. Indonesian: yaitu dia mencoba mengiriminya satu yang termasuk dia membayarnya 100 LD tapi tanpa menyiarkan blok itu ke jaringan lainnya. Dengan begitu, semua orang masih berpikir bahwa dia memiliki 100 LD tersebut. Untuk melakukan ini, dia harus menemukan bukti kerja yang benar sebelum semua penambang lainnya, masing-masing bekerja di blok mereka sendiri. Dan itu pasti bisa terjadi! Mungkin Alice kebetulan menang lotre miniatur ini sebelum orang lain. Tapi Bob masih akan mendengar siaran yang dibuat oleh penambang lainnya, Jadi agar dia percaya blok curang ini, Alice harus melakukan semua pekerjaan itu sendiri untuk terus menambahkan blok pada cabang khusus ini di blockchain-nya Bob. Ini berbeda dengan apa yang dia dengar dari sisa penambang. Ingat, sesuai protokolnya, Bob selalu mempercayai rantai terpanjang yang dia ketahui. Alice mungkin bisa menyimpan ini beberapa blok Jika, kebetulan saja, dia kebetulan menemukan blok lebih cepat dari sisa penambang di jaringan semua digabungkan. Japanese: そのブロックには、アリスはボブに100元帳ドル支払うと付け加える。 ここでネットワーク全体に配信しない限り、 他の人から見れば、アリスはまだ100元帳ドルを持っていると考える。 この作業を遂行するためには、他の採掘者よりも早くプルーフ・オブ・ワークを 見つけ出さなければならない。 有り得ない事ではない。 アリスは運良く小型宝くじに最速で当選したのである。 しかしボブはその後も他の採掘者からの配信を注視し続ける。 ボブにこの嘘のブロックを本物と思わせるために、 アリスはその後のワーク全てを一人で行い、 ボブの持つブロックチェーンの内、偽の方のブロック列を続けさせる必要がある。 このブロック列は、他の採掘者から送られるブロック列とは全く異なる。 思い出してほしい、プロトコルの仕組みから、ボブは最も長いチェーンを信用する。 アリスは数ブロック位なら追いつけるかもしれない。 ネットワーク上の全ての採掘者よりも、 たまたま早くブロックを作れればの話だが。 French: à savoir qu'elle tente de lui en envoyer un qui l'inclut en lui payant 100 LD mais sans diffuser ce bloc au reste du réseau. De cette façon, tous les autres penseront encore qu'elle a encore ces 100 LD. Pour faire ça, elle devrait trouver une preuve de travail valide avant tous les autres mineurs, chacun travaillant sur leur propre bloc. Et cela pourrait certainement arriver. Peut-être qu'Alice vient juste de gagner cette mini loterie avant tous les autres. Mais Bob sera encore en train d'écouter les diffusions faites par les autres mineurs, alors pour le maintenir dans la croyance en ce bloc frauduleux, Alice devrait faire tout le travail elle-même pour continuer d'ajouter des blocs sur ce fork spécial de la blockchain de Bob. C'est différent de ce qu'il entend du reste des mineurs. Souvenez-vous, en tant que protocole pair-à-pair, Bob fait toujours confiance à la chaîne la plus longue qu'il connaît. Alice pourrait être capable de maintenir ça pour quelques blocs si, juste par hasard, elle arrive à trouver des blocs plus rapidement que le reste des mineurs du réseau réunis. Italian: cerca cioè di inviargliene uno che includa un suo pagamento di 100 LD verso di lui ma senza trasmettere quel blocco al resto della rete. In questo modo tutti gli altri pensano che lei abbia ancora quei 100 LD. Per fare questo, lei dovrebbe trovare una "proof of work" valida prima di tutti gli altri "minatori", ognuno di quali che lavora al proprio blocco. E questo potrebbe certamente succedere! Magari capita semplicemente che Alice vinca questa lotteria in miniature prima di chiunque altro. Ma Bob continuerà comunque a sentire le trasmissioni degli altri "minatori", quindi per continuare a fargli credere a questo blocco fraudolento, Alice dovrebbe fare tutto il lavoro da sola e continuare ad aggiungere blocchi a questa "biforcazione" speciale nella "blockchain" di Bob. È differente da quanto sente dal resto dei "minatori". Ricorda, come da protocollo, Bob si fida sempre della catena più lunga di cui è a conoscenza. Alice potrebbe forse riuscire a resistere per qualche blocco se, per caso, trovasse i blocchi più velocemente che il resto dei "minatori" nella rete messi assieme. Spanish: digamos que intenta enviarle un bloque que incluye un pago en el que le paga 100 LD pero sin enviar ese bloque al resto de la red. De esa forma, el resto piensa que todavía tiene esos 100 LD. Para hacer esto, tendría que encontrar una prueba de trabajo válida antes que el resto de mineros, cada uno trabajando en su propio bloque. Y realmente, eso podría pasar! Quizás Alice tiene la suerte de ganar esta mini loteria antes que todos los demas. Pero Bob va a seguir escuchando las emisiones del resto de mineros, así que para que siga creyendo en este bloque fraudulento, Alice tendría que hacer todo el trabajo sola, y seguir añadiendo bloques en esta segunda cadena que Bob iba a tener. Esta es differente de lo que esta recibiendo del resto de mineros. Recuerda que, debido al protocolo, Bob siempre confia en la cadena más larga que reciba. Alice podría continuar manteniendo el engaño durante unos pocos bloques si, por casualidad, encontrase los bloques mas rápido que el resto de mineros de la red combinados. iw: כלומר היא מנסה לשלוח לו בלוק הכולל תשלום שהיא משלמת לו על סך מאה LD אבל בלי לשדר את פרטי העסקה הזו לשאר הרשת. ככה, כולם עדיין חושב שיש לה את המאה LD הללו. כדי לעשות זאת, היא תצטרך למצוא הוכחת עבודה תקפה לפני כל הכורים האחרים, כאשר כל אחד מהם עובד על בלוק משל עצמו. וזה בהחלט יכול לקרות! אולי אליס פשוט זוכה בלוטו מיניאטורי במקרה, לפני כולם. אבל בוב עדיין הולך לשמוע את מה שכורים אחרים משדרים, אז כדי לדאוג שבוב עדיין יאמין בבלוק המזויף, אליס תצטרך לעשות את כל העבודה בעצמה כדי להמשיך להוסיף בלוקים חדשים על אותו הענף בבלוקצ'יין של בוב. זה שונה ממה שהוא שומע משאר הכורים. זכרו, על פי הפרוטוקול, לבוב תמיד יש אמון בשרשרת הארוכה ביותר שהוא יודע עליה. אליס אולי תוכל להמשיך כך לעוד מספר בלוקים אם, רק במקרה, היא תצליח למצוא בלוקים מהר יותר מאשר כל שאר הכורים ברשת יחדיו. Czech: konkrétně se snaží poslat mu blok, ve kterém je zahrnuta transakce, kde mu posílá 100LD, ale aniž by tenhle blok posílala do světa. Tímhle způsobem si budou ostatní myslet, že oněch 100LD pořád má. Bude muset najít platný důkaz práce rychleji, než všichni ostatní mineři, kteří pracují na vlastních blocích. A to se rozhodně může stát! Alice může tuhle miniloterii vyhrát. Bob ale pořád uslyší to, co ostatní mineři posílají, takže aby věřil podvodnému bloku, Alice by musela práci všech minerů dohromady vykonat sama, aby na speciální Bobovu "větev" řetězu přidávala nové bloky. Budou to jiné bloky, než jaké ostatní mineři vysílají. Pamatujte, podle našich pravidel Bob věří nejdelšímu řetězu o kterém ví. Alici se může dařit balamutit Boba po dobu několika bloků pokud, čirou náhodou, najde důkazy práce rychleji než všichni ostatní mineři dohromady. Polish: mianowicie próbuje wysłać mu blok, który zawiera zapłacenie przez nią Bobowi 100 LD, ale bez nadawania tego bloku do reszty sieci. W ten sposób wszyscy nadal uważają, że ​​ma ona nadal te 100 LD. Aby to zrobić, musiałaby znaleźć ważny dowód pracy przed wszystkimi innymi górnikami, każdym pracującym na własnym bloku. A to może się w końcu zdarzyć! Może Alicja właśnie wygra tę małą loterię przed wszystkimi. Ale Bob nadal będzie słuchał audycji innych górników, więc, aby utrzymać go w wierze w prawdziwość tego bloku, Alicja musiałaby zrobić całą pracę sama, dodając bloki w tym szczególnym rozwidleniu Block Chain'a Boba. To różni się od tego, co on słyszy od reszty górników. Pamiętaj, że zgodnie z protokołem, Bob zawsze ufa najdłuższemu łańcuchowi, o którym wie. Alicja może być w stanie robić to przez kilka bloków jeśli tylko, przez przypadek, znajdzie bloki szybciej niż wszyscy górnicy w sieci. Russian: Но если только в её руках не половина всех вычислительных мощностей сети, то будет несравнимо вероятнее, что блокчейн остальных майнеров вырастет быстрее, чем поддельный блокчейн, который Алиса подсовывает Бобу. Так что через некоторое время Боб откажется от блокчейна Алисы в пользу более длинной цепочки, над которой работают все остальные. Заметьте, это значит, что доверять новому блоку, как только вы его получили, нельзя. Лучше дождаться, когда к нему добавится несколько новых блоков. Если вы так и не получите более длинного блокчейна, то можете верить, что этот блок - часть цепочки, которую вычисляют все. Так мы и пришли к основным идеям. Система распределенного реестра, основанная на доказательстве выполненной работы, и есть механизм работы протокола Биткоина и других криптовалют. Осталось прояснить лишь несколько деталей. До этого, я упоминал, что доказательством работы является число, Turkish: Indonesian: Tapi kecuali jika ia memiliki hampir 50% sumber daya komputasi di antara semua penambang, kemungkinannya menjadi luar biasa bahwa blockchain yang dikerjakan oleh semua penambang lainnya tumbuh lebih cepat daripada blockchain curang tunggal yang Alice berikan pada Bob. Jadi, setelah cukup lama, Bob hanya akan menolak apa yang dia dengar dari Alice mendukung rantai yang lebih panjang yang sedang dikerjakan orang lain. Perhatikan, itu berarti bahwa Anda seharusnya tidak mempercayai blok baru yang Anda dengar segera; Sebagai gantinya, Anda harus menunggu beberapa blok baru ditambahkan di atasnya. Jika Anda masih belum pernah mendengar tentang rantai blok lagi, Anda dapat mempercayai bahwa blok ini adalah bagian dari rantai yang sama dengan yang digunakan orang lain. Dan dengan itu, kita telah mencapai semua gagasan utama. Sistem buku besar terdistribusi ini berdasarkan bukti kerja dimana kurang lebih menggambarkan bagaimana protokol Bitcoin dan mata uang kripto lainnya bekerja. Masih ada beberapa detail untuk memperjelas. Sebelumnya, saya mengatakan bahwa bukti kerja mungkin untuk menemukan nomor khusus Polish: Ale dopóki ona ma blisko 50% zasobów obliczeniowych wśród wszystkich górników, przytłaczające staje się prawdopodobieństwo, że Block Chain, na którym pracują wszyscy inni górnicy rośnie szybciej niż pojedynczy oszukańczy Block Chain, który Alicja wysyła Bobowi. Tak więc, po wystarczającej ilości czasu, Bob po prostu odrzuci to, co słyszy od Alicji na rzecz dłuższego łańcucha, nad którym wszyscy pracują. Zauważ, to oznacza, że ​​nie należy koniecznie zaufać nowemu blokowi od razu, kiedy go usłyszysz. Zamiast tego, należy odczekać aż kilka nowych bloków zostanie dodanych na górze. Jeśli jeszcze nie słyszałeś o jakichkolwiek dłuższych łańcuchach blokowych, możesz zaufać, że ten blok jest częścią tego samego łańcucha, z którego wszyscy korzystają. A z tym, spełniliśmy wszystkie główne idee. Ten rozproszony system księgi oparty na dowodzie pracy mniej więcej obrazuje działanie protokołu Bitcoin i wielu innych kryptowalut. Jest tylko kilka szczegółów, które trzeba wyjaśnić. Wcześniej powiedziałem, że dowodem pracy może być znalezienie specjalnego numeru Arabic: ولكن ما لم يكن لديها ما يقرب من 50 ٪ من موارد الحوسبة بين جميع المعدنين، فإن الاحتمالية ستصبح شبه مؤكدة أن سلسلة الكتل التي يعمل عليها جميع المعدنون تنمو أسرع من سلسلة الكتل المزيفة التي تحاول (أليس) غش (بوب) بها. لذا، بعد فترة، (بوب) ببساطة سيرفض ما يستقبله من (أليس) لصالح السلسلة الأطول التي يعمل عليها الجميع. لاحظ، هذا يعني أنه ليس عليك بالضرورة أن تثق بكل كتلة تستقبلها فورًا؛ بدلاً من ذلك، عليك انتظار بضع كتل إضافية ليتم إضافتها على نفس المجموعة. إذا كنت لاتزال لا تستقبل أي سلسلة كتل أخرى أطول؛ يمكنك حينها أن تثق بأن هذه الكتلة هي جزء من السلسلة الموجودة لدى الجميع. وبهذا، نكون قد مررنا بجميع الأفكار الرئيسية. إن نظام السجل الموزع هذا الذي يعتمد على إثبات العمل بشكل أو بآخر، هو الطريقة التي تعمل بها البتكوين والعديد من العملات المشفرة الأخرى. لا يوجد سوى بعض التفاصيل القليلة لتوضيحها. لقد قلت سابقًا أن إثبات العمل يكون عن طريق إيجاد رقم مميز Vietnamese: Nhưng trừ khi cô ấy có gần 50% tài nguyên tính toán của tất cả các thợ mỏ, thì xác suất chắc chắn sẽ nghiêng về bên blockchain mà tất cả các thợ mỏ khác đang đổ "công" tính toán vào phát triển nhanh hơn so với blockchain sai lệch duy nhất mà Alice đang đổ "công" vào cho Bob. Nên sau một khoảng thời gian, Bob sẽ từ chối những gì anh ấy nghe từ Alice và thiên về chuỗi dài hơn mà mọi người khác đang đổ "công" vào. Chú ý là điều này có nghĩa là bạn không nên tin ngay vào một khối mới mà bạn nghe được; Thay vào đó, bạn nên chờ một số khối mới được thêm vào sau nó. Nếu bạn vẫn chưa nghe được chuỗi nào dài hơn, bạn có thể tin tưởng rằng khối này là thuộc cùng một chuỗi mà mọi người khác đang sử dụng. Và với điều đó, chúng tôi đã đi qua được tất cả những ý tưởng chính. Hệ thống sổ cái phân phối dựa trên proof of work này ít nhiều chính là cách các giao thức Bitcoin và các đồng tiền mã hóa khác hoạt động. Chỉ còn một vài chi tiết để làm rõ. Vừa rồi, tôi đã nói rằng proof of work có thể là việc tìm một số đặc biệt Modern Greek (1453-): Αλλά αν έχει κοντά στο 50% των υπολογιστικών πόρων μεταξύ όλων των ανθρακωρύχων, η πιθανότητα γίνεται συντριπτική ότι το blockchain που όλοι οι άλλοι μεταλλωρύχοι εργάζονται αυξάνεται ταχύτερα από ότι το μοναδικό δόλιο blockchain που η Alice δίνει στον Bob. Έτσι, μετά από αρκετό καιρό, ο Bob θα απορρίψει ό,τι έχει ακούσει από την Alice υπέρ της μεγαλύτερης αλυσίδας που όλοι οι άλλοι εργάζονται. Ωστόσο, αυτό σημαίνει ότι δεν πρέπει να εμπιστεύεστε απαραιτήτως ένα νέο μπλοκ που θα ακούσετε αμέσως Αντ 'αυτού, θα πρέπει να περιμένετε για πολλά νέα μπλοκ να προστεθούν πάνω του. Αν ακόμα δεν έχετε ακούσει για τις μακρύτερες αλυσίδες μπλοκ, μπορείτε να εμπιστευθείτε ότι αυτό το μπλοκ είναι μέρος της ίδιας αλυσίδας που όλοι οι άλλοι χρησιμοποιούν. Και με αυτό, έχουμε λύσει όλες τις βασικές ιδέες. Αυτό το κατανεμημένο σύστημα βιβλίου που βασίζεται σε αποδεικτικά στοιχεία εργασίας είναι πάνω κάτω το πώς λειτουργεί το πρωτόκολλο Bitcoin και πως λειτουργούν πολλά άλλα κρυπτονομίσματα Υπάρχουν μόνο μερικές λεπτομέρειες να ξεκαθαρίσω. Νωρίτερα, είπα ότι η απόδειξη εργασίας μπορεί να είναι για να βρείτε έναν ειδικό αριθμό German: Aber solange sie nicht fast 50% aller Rechenressourcen im Netzwerk hat ist die Wahrscheinlichkeit unglaublich hoch, dass die Blockkette an der alle anderen Miner arbeiten, schneller wächst als die gefälschte Blockkette, die Alice an Bob weitergibt. Das heißt nach einer gewissen Zeit wird Bob ablehnen, was er von Alice hört und stattdessen der längeren Kette vertrauen, an der alle anderen arbeiten. Das bedeutet, dass du einem neuen Block, den du hörst, nicht sofort vertrauen solltest. Du solltest warten bis ein paar Blöcke an ihn hinzugefügt wurden. Wenn du dann noch immer von keiner längeren Blockkette gehört hast, dann kannst du davon ausgehen, dass dieser Block Teil der Kette ist, die alle anderen auch nutzen. Und damit hätten wir die wichtigsten Punkte geklärt. Dieses auf Ausführungsnachweisen basierende Bestandsbuchsystem ist mehr oder weniger die Funktionsweise von Bitcoins und anderen Kryptowährungen. Es gibt nur noch ein paar Details zu klären. Ich habe zum Beispiel gesagt, dass der Ausführungsnachweis eine spezielle Zahl sein kann, Japanese: それでも、全採掘者の計算能力の半分以上をアリスが持っていない限り、 その可能性は減少する。 他の採掘者が作業しているブロックチェーンは、 アリスの嘘のブロックチェーンよりも早く伸びるからである。 十分な時間が過ぎた後に、ボブはアリスから送られたブロック列を切り捨て、 他の採掘者が伸ばしていた方を信用する。 この事から、新たに追加されたブロックをその地点ですぐに信用する必要はない。 その代わりに、暫くその後ろに新たに続くブロックを見守って、 もしより長いブロックチェーンが見つからなければ、 その時にはそのブロックを、他の人が持つ同じブロックチェーンの一部と信用して良い。 主要なアイデアが出揃った。 プルーフ・オブ・ワークを基盤にした分散型元帳システムは、 ビットコインやその他多くの暗号通貨の基本となる仕組みである。 まだ少しばかり追記する部分がある。 先程、プルーフ・オブ・ワークとは60のゼロの列が先頭に来る iw: אבל אלא אם כן יש לה קרוב ל-50% ממשאבי המחשוב בקרב כל הכורים, ההסתברות הופכת להיות כמעט וודאית שהבלוקצ'יין שכל הכורים האחרים עובדים עליו גדל מהר יותר מאשר הבלוקצ'יין המזויף שאליס מזינה לבוב. אז, אחרי מספיק זמן, בוב פשוט הולך לדחות את מה שהוא שומע מאליס לטובת השרשרת הארוכה יותר שכל השאר עובדים עליה. שימו לב, זה אומר שאתם לא צריך לסמוך בהכרח בלוק חדש שאתם שומעים בואפן מידי, במקום, אתם צריכים לחכות לעוד מספר בלוקים חדשים שיתווספו על גבי אותו בלוק. אם עדיין לא שמעתם על בלוקצ'יין ארוך יותר, אתם יכולים להיות בטועים שבלוק זה זה הוא חלק מאותה שרשרת שכולם משתמשים בה. וכך, עברנו על כל הרעיונות המרכזיים. מערכת של ספר חשבונות שמופץ לכולם, המבוססת על הוכחת עבודה היא פחות או יותר איך שהפרוטוקול של הביטקוין, ומטבעות מבוזרים אחרים, עובדים יש רק כמה פרטים להבהיר. מוקדם יותר, אמרתי שהוכחה של עבודה יכולה להיות מציאה של מספר מיוחד Italian: Ma a meno di avere intorno al 50% delle risorse computazionali dell'intero gruppo di "minatori" la probabilità diventa travolgente che la "blockchain" alla quale tutti gli altri "minatori" stanno lavorando cresca più veloce della "blockchain" fraudolenta che Alice manda a Bob. Così, dopo un tempo sufficiente, Bob rifiuterà semplicemente ciò che proviene da Alice in favore della "blockchain" più lunga alla quale tutti gli altri stanno lavorando. Nota che non devi necessariamente fidarti immediatamente di un nuovo blocco che senti; piuttosto, dovresti aspettare diversi nuovi blocchi che vi si aggiungano. Se non hai ancora sentito nessun'altra "blockchain" più lunga, puoi essere sicuro che questo blocco fa parte della stessa catena che tutti gli altri stanno usando. E con questo, abbiamo toccato tutte le idee principali. Questo sistema di libro mastro distribuito basato sulla "proof of work" è più o meno come il protocollo Bitcoin originale e quello di altre criptovalute funzionano. Ci sono solo un paio di dettagli da chiarire. Prima, ho detto che la "proof of work" potrebbe essere trovare un numero speciale English: But unless Alice has close to 50% of the computing resources among all miners, the probability becomes overwhelming that the blockchain that all the other miners are working on grows faster than the single fraudulent blockchain that Alice is feeding Bob. So in time Bob will reject what he’s hearing from Alice in favor of the longer chain that everyone else is working on. Notice that means you shouldn’t necessarily trust a new block that you hear immediately. Instead, you should wait for several new blocks to be added on top of it. If you still haven’t heard of any longer blockchains, you can trust that this block is part of the same chain everyone else is using. And with that, we’ve hit all the main ideas. This distributed ledger system based on a proof of work is more or less how the Bitcoin protocol works, and how many other cryptocurrencies work. There’s just a few details to clear up. Korean: 하지만 앨리스가 모든 채굴자들의 컴퓨팅 자원의 50%에 근접하는 자원을 보유하지 못하면 그런 일이 실제로 발생할 가능성은 매우 낮아. 다른 모든 채굴자들이 생성해내는 블록들로 구성되는 블록체인이 결국에는 앨리스가 밥을 속이기 위해 혼자 만들어가고 있는 블록체인보다 더 빨리 길어질 것이기 때문이지. 그래서 결국 충분한 시간이 지나면, 밥은 앨리스에게 받는 블록체인 정보를 기각하게 돼. 앨리스에게 받는 블록체인보다 다른 사람들로부터 받는 블록체인이 더 길기 때문이지. 새로 생성되어 브로드캐스팅 된 블록을 접수하자마자 신뢰할 필요는 없다는 점에 유의하라고. 대신에 새 블록 몇 개가 더 추가될 때까지 기다린 후에 신뢰해야돼. 기다린 후에도 더 긴 블록체인 정보를 접수하지 못했다면 그때서야 여러분은 그 블록이 다른 사람들이 모두 신뢰하고 사용하고 있는 블록체인에 있는 유효한 블록이라고 신뢰할 수 있게 되는거야. 이제 핵심 아이디어는 모두 알아봤어. "작업 증명"에 기반한 이 분산 장부 시스템은 비트코인 규약이 동작하는 방식과 다른 많은 암호화 화폐가 동작하는 방식의 근간이야. 정확하게 정리하고 넘어가야 할 세부 내용들도 몇 가지 있어. 아까 작업 증명이란 블록의 해쉬값이 60개의 0으로 시작하게 하는 매직 넘버를 찾는 일이라고 얘기했는데, Czech: Ale pokud nevlastní kolem 50% veškeré výpočetní kapacity, kterou mineři disponují, je ohromující pravděpodobnost, že skutečný řetěz, na kterém pracují všichni ostatní, bude růst rychleji než podvodný řetěz, kterým Alice krmí Boba. Časem Bob zavrhne to, co slyší od Alice a začne věřit delšímu řetězu, na kterém pracují všichni. Všimněte si, z toho plyne, že byste neměli hned věřit každému bloku, který slyšíte; měli byste počkat, až se za něj navěsí několik nových bloků. Pokud do té doby nezaregistrujete žádný delší řetěz, můžete věřit tomu, že přijatý blok je součástí řetězu, který používají i ostatní. A s tím jsme pokryli všechny hlavní myšlenky. Tenhle distribuovaný účetní systém založený na důkazu práce je víceméně to, jak Bitcoin a spoustu dalších kryptoměn funguje. Zbývá vyjasnit jen pár detailů. Řekl jsem, že důkaz práce může spočívat v nalezení speciálního čísla, Portuguese: mas a menos que ela tenha cerca de 50% do poder computacional de todos os mineradores combinados a probabilidade fica esmagadora de que a cadeia de blocos que todos os outros mineradores estão trabalhando cresça mais rápido do que a cadeia de blocos fraudulenta que Alice está enviando ao Bob Então, depois de um certo tempo, Bob vai passar a rejeitar o que está recebendo de Alice em favor da cadeia de blocos mais longa que todo o resto do mundo está trabalhando Note, isso significa que você não deve necessariamente confiar em um novo bloco que você ouve imediatamente, ao invés você deve esperar que vários outros blocos sejam adicionados a esse Se você ainda não ouviu outras cadeias de blocos maiores você pode confiar que este bloco faz parte da mesma cadeia que todo mundo está usando E com isso, falamos sobre todas as ideias principais Esse sistema de registros distribuídos baseado na Prova de Trabalho é mais ou menos como o protocolo Bitcoin funciona e como muitas outras cripto moedas funcionam só há alguns detalhes para esclarecer Spanish: Pero a no ser que tenga cerca de el 50% de los recursos computacionales de toda la red, la probabilidad de que la cadena de bloques en que están trabajando el resto de mineros crezca más rapido, que la otra cadena que Alice esta enviando a Bob, juega en su contra. Así que despues de un tiempo, Bob empezará a rechazar lo que esta recibiendo de Alice en favor de la cadena más larga en que está trabajando el resto.A Date cuenta, de que esto siginifica que, no es necesario que confies en un bloque nuevo al momento; en cambio, puedes esperar a que lleguen nuevos bloques conectados con este. Si todavía no has recibido ninguna cadena más larga, puedes estar seguro de que ese bloque es parte de la misma cadena que la que usan los demás. Y con esto, ya hemos atacado todas las ideas principales. Este sistema de libro de cuentas distribuido basado en una prueba de trabajo es más o menos como el protocolo Bitcoin funciona y como muchas otras criptomonedas funcionan. Quedan todavía unos pocos detalles que cerrar. Antes dije que la prueba de trabajo podría ser encontrar un número especial Chinese: 但除非她拥有接近所有矿工的计算资源的50% 所以更可能发生的是 所以其他矿工计算的区块 会比Alice伪造给Bob的区块形成的区块链更长更快 所以经过足够长的时间,Bob会放弃他收到的来自Alice的区块链 而选择其他所有人都在计算的那一份区块链 所以你一开始并不会立即信任收听到的新的区块 而要等到后面有新的区块添加后 如果你还没收听到更长的区块链, 你就能信任这个区块和其他人的区块链中是一致的 到此,我们讲解了所有主要内容 这个基于工作量证明的分布式账本系统 多多少少和比特币还有其他加密货币一样 再讲讲更多的细节 刚我讲到工作量证明是寻找那一个特别数字 Hungarian: De hacsak nincs közel 50%-os számítási erőforrása az összes többi bányász között, elsöprővé válik annak a valószinűsége, hogy az a blokklánc, amin az összes többi bányász dolgozik az gyorsabban növekedjen, mint az egyedüli csalárd blokklánc, amivel Alice eteti Bobot. Így kellő idővel után Bob csak el fogja utasítani azt, amit Alice-tól hall a hosszabb blokklánc javára, amelyen mindenki más is dolgozik. Figyeld meg, hogy ez azt jelenti, hogy nem feltétlenül bízhatsz meg azonnal egy új blokkban, amelyet hallasz; ehelyett érdemes várnod hogy néhány új blokk épüljön rá. Ha továbbra sem hallasz semmilyen hosszabb blokk láncolatról, akkor megbízhatsz abban, hogy ez a blokk ugyanannak a láncnak a része, amelyet mindenki más is használ. És ezzel meg is valósítottuk az fő ötleteinket. Ez, az "elvégzett munka bizonyítékára" (*proof of work*-re) épülő az elosztott főkönyv rendszer ez többé-kevésbé az ahogyan a Bitcoin protokoll és a legtöbb kriptopénz működik. Vanegy pár apróság amit tisztáznunk kell. Korábban azt mondtam, hogy a "proof of work" lehet az, hogy találni kell egy speciális számot, French: Mais à moins qu'elle n'ait environ 50% des ressources de calcul parmi tous les mineurs, la probabilité devient accablante que la blockchain sur laquelle tous les autres mineurs travaillent grossisse plus vite que la simple blockchain frauduleuse qu'Alice fournit à Bob. Donc, après un temps suffisant, Bob rejettera juste ce qu'il entend d'Alice en faveur de la chaîne la plus longue sur laquelle tous les autres travaillent. Notez que cela signifie que vous ne devriez pas nécessairement avoir confiance en un nouveau bloc que vous entendez immédiatement, à la place, vous devriez attendre que plusieurs nouveaux blocs soient ajoutés par dessus. Si vous n'avez pas encore entendu parler d'une blockchain plus longue vous pouvez avoir confiance que ce bloc fait partie de la même chaîne que tous les autres utilisent. Et avec ça, nous avons atteint toutes les idées principales. Ce système de livre de compte distribué basé sur une preuve de travail est plus ou moins la façon dont le protocole Bitcoin fonctionne et de nombreuses autres crypto-monnaies. Il y a juste quelques détails à éclaircir. Plus tôt, j'ai dit Chinese: 但除非她擁有接近所有礦工的計算資源的50% 不然更可能發生的是 所以其他礦工計算的區塊 會比Alice偽造給Bob的區塊形成的區塊鏈更長更快 所以經過足夠長的時間,Bob會放棄他收到的來自Alice的區塊鏈 而選擇其他所有人都在計算的那一份區塊鏈 所以你一開始並不會立即信任收聽到的新區塊 而要等到後面有新的區塊添加 如果沒收聽到更長的區塊鏈, 你就能信任這個區塊和其他人的區塊鏈是一致的 到此,我們講解了所有主要內容 這個基於工作量證明的分散式帳本系統 多多少少和比特幣還有其他加密貨幣運作原理一樣 只剩一些細節要解釋 剛剛我講到工作量證明是尋找那一個特別數字 Lithuanian: Bet, nebent ji turi arti 50% visų kasėjų skaičiavimo resursų, tikimybė tampa nepaprastai didelė, kad blokų grandinė, prie kurios dirba visi kiti kasėjai, auga greičiau nei viena suklastota blokų grandinė, kurią Alisa maitina Bobui. Taigi, po pakankamo laiko tarpo, Bobas tiesiog atmes tai, ką girdi iš Alisos, rinkdamasis ilgesnę grandinę, prie kurios dirba visi kiti. Pastebėk, kad tai reiškia, kad tu neturėtum iš karto pasitikėti nauju bloku, kurį kątik išgirdai. Vietoj to, turėtum laukti, kol keletas naujų blokų bus pridėti ant viršaus. Jei vis dar negirdėjai jokių ilgesnių blokų grandinių, gali pasitikėti, kad šis blokas yra dalis grandinės, kuria naudojasi ir visi kiti. Ir su tuom, aptarėme visas pagrindines idėjas. Ši išdalinta apskaitos sistema, paremta darbo įrodymu yra daugiau ar mažiau kaip Bitkoino protokolas veikia ir kaip dauguma kitų kriptovaliutų veikia. Yra tik keletas dalykų, kuriuos reiktų paaiškinti. Anksčiau, sakiau, kad darbo įrodymas gali būti specialaus skaičiaus suradimas Modern Greek (1453-): έτσι ώστε το hash του μπλοκ ξεκινά με 60 μηδενικά. Λοιπόν, ο τρόπος που το πραγματικό πρωτόκολλο Bitcoin δουλεύει είναι να αλλάξει περιοδικά ο αριθμός των μηδενικών έτσι ώστε να πρέπει να παίρνει κατά μέσο όρο 10 λεπτά για να βρεθεί ένα νέο μπλοκ. Έτσι, δεδομένου ότι υπάρχουν όλο και περισσότεροι ανθρακωρύχοι στο δίκτυο, η πρόκληση γίνεται όλο και πιο δύσκολη, με τέτοιο τρόπο που αυτή η μικρή κλήρωση έχει μόνο έναν νικητή κάθε 10 λεπτά. Πολλά νεότερα κρυπτονομίσματα έχουν στην πραγματικότητα πολύ μικρότερους χρόνους μπλοκ από αυτό. Και όλα τα χρήματα σε Bitcoin έρχονται τελικά από κάποια ανταμοιβή μπλοκ. Στην αρχή, οι ανταμοιβές ήταν 50 Bitcoin ανά μπλοκ. Υπάρχει πραγματικά μια πολύ καλή ιστοσελίδα μπορείτε να πάτε που ονομάζεται «Block Explorer» που καθιστά εύκολο να κοιτάξετε μέσα στο blockchain του Bitcoin. Και αν δει κανείς τα πρώτα λίγα μπλοκ της αλυσίδας, δεν περιέχουν συναλλαγές, εκτός από εκείνη την αμοιβή των 50 Bitcoin στον ανθρακωρύχο. Αλλά κάθε 210.000 μπλοκ, το οποίο είναι περίπου κάθε 4 χρόνια, ότι η ανταμοιβή κόβεται στο μισό. Portuguese: Antes, eu disse que a Prova de Trabalho poderia ser achar o número especial para que o Hash do bloco comece com 60 zeros, Bem, a forma que o verdadeiro protocolo Bitcoin funciona é periodicamente mudar esse número de zeros para que demore, em média, 10 minutos para achar um novo bloco. Então, quanto mais e mais mineradores são adicionados na rede, o desafio fica mais e mais difícil de forma que essa loteria em miniatura só tenha um vencedor a cada 10 minutos Muitas novas cripto moedas possuem tempos de bloco bem menores que esse E todo o dinheiro do Bitcoin, no fim vem de alguma recompensa de bloco No início, essa recompensa eram 50 Bitcoin por bloco há um ótimo website chamado Block Explorer que deixa fácil olhar a cadeia de blocos do Bitcoin e se você olhar os primeiros blocos da cadeia de blocos não há transação alguma além dos 50 Bitcoin de recompensa para o minerador mas a cada 210 blocos, o que demora cerca de 4 anos essa recompensa é cortada pela metade Czech: díky kterému bude hash bloku začínat s 60 nuly. Způsob, jakým skutečný Bitcoin funguje spočívá v tom, že pravidelně mění počet nul tak, aby nalezení nového bloku trvalo cca 10 minut. S tím, jak do systému přibývají noví mineři je práce těžší a těžší tak, aby tahle miniaturní loterie měla vítěze průměrně každých 10 minut. Mnoho nových kryptoměn má mnohem kratší intervaly nalezení bloku. Veškeré peníze v Bitcoin systému pochází z blokových odměn. V počátku byly odměny ve výši 50 Bitcoinů za každý blok. Existuje webová stránka "Block Explorer", kde se můžete podívat na celý Bitcoin řetěz. A když se podíváte na prvních pár bloků řetězu, neobsahují žádné transakce, kromě odměn 50 Bitcoinů pro minera. Každých 210000 bloků, což je každé cca 4 roky se bloková odměna zmenší na polovinu. Spanish: tal que el hash del bloque empiece con 60 ceros. Bueno, la manera en que funciona con Bitcoin es cambiando periodicamente el numero de ceros de tal forma que debería llevar de media 10 minutos encontrar un bloque nuevo. Entonces a medida que más y más mineros entran a la red, el reto se vuelve más y más dificil, de tal forma que la mini loteria solo tiene un ganador cada 10 minutos. Muchas criptomonedas más modernas tienen de media tiempos más cortos que este. Y todo el dinero en Bitcoin en un comienzo viene de la recompensa por bloque. Al principio, estas recompensas eran 50 Bitcoins por bloque. De hecho hay una muy buena página a la que puedes ir llamada "Block Explorer" que facilita visualizar la cadena de Bitcoin. Y si miras a los primeros bloques en la cadena, no contienen otra transacción que los 50 Bitcoin de recompensa al minero. Pero cada 210.000 bloques, cada 4 años aproximadamente, esa recompensa se reduce a la mitad. iw: כך שה-hash של הבלוק מתחיל בשישים אפסים. ובכן, פרוטוקול הביטקוין בפועל משנה מעת לעת את המספר הזה של אפסים כך שיקח עשר דקות בממוצע למצוא בלוק חדש. כך שככל שיש יותר ויותר כורים ברשת, האתגר בעצם נהיה קשה יותר ויותר, בצורה שבה בלוטו המיניאטורי הזה יש רק מנצח אחד כל עשר דקות. להרבה מטבעות מבוזרים יש למעשה זמן מציאת בלוק קצר יותר מזה וכל הכסף בביטקוין מגיע בסופו של דבר מתגמולי בלוק בהתחלה, התגבול הזה היה חמישים ביטקוין לכל בלוק. יש למעשה אתר אינטרנט גדול שאתם יכולים ללכת אליו שנקרא "Block Explorer" שמקל על החיפוש של בלוקצ'יינס של ביטקוין ואם אתם מסתכלים על כמה הבלוקים הראשונים בכל השרשרת, הם אינם מכילים עסקאות חוץ מגמול של חמישים ביטקוין לכורה. אבל כל 210,000 בלוקים, שזה בערך כל 4 שנים, הגבול נחתך בחצי. French: que la preuve de travail était de trouver un nombre spécial de sorte que le hash du bloc commence par 60 zéros et bien, la façon dont le vrai protocole Bitcoin fonctionne est que ce nombre de zéros change périodiquement de sorte que cela devrait prendre en moyenne 10 minutes pour trouver un nouveau bloc. Donc comme il y a de plus en plus de mineurs dans le réseau, le défi est de plus en plus dur, de telle sorte que cette mini loterie ait uniquement un vainqueur toutes les 10 minutes. De nombreuses nouvelles crypto-monnaies ont des temps de création de blocs plus courts que ça. Et tout l'argent dans Bitcoin vient de certains blocs de récompenses. Au début, ces récompenses étaient de 50 bitcoins par bloc. Il y a en fait un super site web sur lequel vous pouvez aller appelé "Block Explorer" qui rend les choses faciles pour parcourir la blockchain Bitcoin. Et si vous regardez les tous premiers blocs de la chaîne ils ne contiennent aucune autre transaction que les 50 BTC de récompenses des mineurs. Mais tous les 210 000 blocs, ce qui équivaut à peu près à 4 ans, la récompense est divisée par 2. German: mit der der Hashwert eines Blocks mit 60 Nullen beginnt. Eigentlich funktioniert es so, dass die Anzahl dieser Nullen regelmäßig geändert wird, so dass im Durchschnitt alle 10 Minuten ein neuer Block gefunden wird. Das heißt wenn mehr und mehr Miner mitmachen wird die Herausforderung schwerer und schwerer. So dass die Minilotterie nur einen Gewinner alle 10 Minuten hat. Viele neue Kryptowährungen haben deutlich kürzere Blockzeiten als 10 Minuten. Und all das Geld in Bitcoins kommt letztendlich von Blockbelohnungen. Am Anfang lag diese Belohnung bei 50 Bitcoin pro Block. Es gibt eine gute Website auf die du gehen kannst, der "Block Explorer", auf der du dir die Bitcoin-Blockkette ansehen kannst. Und wenn du dir die ersten paar Blocks in der Kette anschaust, dann siehst du, dass sie keine Transaktionen enthalten, außer den 50 Bitcoins Belohnung für die Miner. Aber alle 210.000 Blocks, also in etwa alle vier Jahre, wird diese Belohnung halbiert. Korean: 아까 작업 증명이란 블록의 해쉬값이 60개의 0으로 시작하게 하는 매직 넘버를 찾는 일이라고 얘기했는데, 정확하게는 비트코인은 그 0의 갯수를 주기적으로 조절하는 규약을 가지고 있어. 그래서 새 블록을 생성하는데 드는 시간이 평균적으로 10분이 되도록 주기적으로 0의 갯수를 조절해. 그래서 더 많은 채굴자가 비트코인의 블록체인 네트워크에 참여하면 0의 갯수를 늘려서 매직 넘버를 찾아내기 더 어렵게 만들지. 이 방식을 통해 미니 로또 당첨자는 대략 10분 마다 탄생되는거야. 많은 새로운 암호화 화폐들은 대개 10분보다 훨씬 더 짧은 블록 생성 시간을 갖고 있어. 비트코인에서의 모든 코인은 이 블록 보상에서 만들어지는거야. 처음에는 블록 하나 당 50 비트코인이 보상으로 주어졌어. "Block Explorer"라는 웹사이트에 가면 비트코인 블록체인 정보를 쉽게 살펴볼 수 있어. 맨 처음 몇 블록을 살펴보면 채굴자에게 50 비트코인을 보상으로 주었다는 블록 보상 거래만 보일거야. 21만 블록마다, 시간적으로는 약 4년 마다 보상액은 절반으로 줄어들어. Turkish: Italian: così che l'hash del blocco inizi con 60 zeri. Ebbene, la maniera in cui il protocollo Bitcoin funziona è cambiando periodicamente il numero di zeri così che in media trovare un nuovo blocco richieda 10 minuti. Così più "minatori" si aggiungono al network più la sfida diventa difficile, in maniera che questa lotteria in miniatura abbia circa solo un vincitore ogni 10 minuti. Molte nuove criptovalute hanno un "tempo di blocco" molto più corto. E alla fine tutti i soldi nel Bitcoin arrivano dalla ricompensa per ogni nuovo blocco. All'inizio questa ricompensa ammontava a 50 Bitcoin per blocco. C'è un bel sito web che puoi visitare chiamato "Block Explorer" che rende semplice scorrere la "blockchain" del Bitcoin. E se guardi i primi blocchi della catena, non contengono alcuna transazione oltre alla ricompensa di 50 Bitcoin per il "minatore". Ma ogni 210000 blocchi, circa ogni 4 anni, la ricompensa viene dimezzata. Chinese: 滿足其區塊的雜湊值以60個0開頭 而現實的比特幣體系中這些0的長度規律地變化 以保證平均每10分鐘產生一個新的區塊 所以當有越來越多的礦工加入其中 計算也變得越來越難,來維持這個「樂透」大約每10分鐘只有一個人中獎 很多新的加密貨幣有更短的區塊時間 比特幣體系中所有的比特幣最初都來自於生成新區塊的獎勵 在一開始,是每區塊50個比特幣 還有一個叫做「Block Explorer」的網站你可以去看看 上面能輕鬆地看到比特幣區塊鏈中的資訊 如果你看區塊鏈最開始的那幾個區塊 它們除了獎勵給礦工的50個比特幣之外並沒有其他交易 但每過210000個區塊,差不多每4年, 區塊獎勵就會減半 Polish: takiego, że hash bloku zaczyna się 60 zerami. Cóż, rzeczywisty protokół Bitcoin działa w ten sposób, że liczba zer jest okresowo zmieniana, tak, że powinno zająć średnio 10 minut, aby znaleźć nowy blok. Tak więc, jak przybywa coraz więcej górników w sieci, wyzwanie staje się coraz trudniejsze, w taki sposób, że ta mini loteria ma tylko około jednego zwycięzcę co 10 minut. Wiele nowszych kryptowalut ma znacznie krótsze czasy blokowe niż ta. I wszystkie pieniądze w Bitcoin ostatecznie pochodzą z pewnego bloku nagrody. Na początku, te nagrody wynosiły 50 Bitcoin na blok. Jest świetna strona internetowa , którą możesz odwiedzić, „Block Explorer”, na której można łatwo przejrzeć Block Chain Bitcoin. A jeśli spojrzysz na kilka pierwszych bloków na łańcuchu, one nie zawierają żadnych transakcji innych niż 50 Bitcoin nagrody dla górnika. Ale co 210000 bloki, czyli około co 4 lata, ta nagroda zostaje pomniejszona o połowę. English: Earlier I said that the proof of work might be to find a special number so that the hash of the block starts with 60 zeros. The way the actual bitcoin protocol works is to periodically change that number of zeros so that it should take, on average, 10 minutes to find a block. So as there are more and more miners on the network, the challenge gets harder and harder in such a way that this miniature lottery only has about one winner every 10 minutes. Many newer cryptocurrencies have much shorter block times. All of the money in Bitcoin ultimately comes from some block reward. These rewards 50 Bitcoin per block. There’s a great site called “block explorer” where you can look through the bitcoin blockchain, and if you look at the very first few blocks on the chain, they contain no transactions other than the 50 Bitcoin reward to the miner. Every 210,000 blocks, which is about every 4 years, that reward gets cut in half. Arabic: بحيث يبدأ الهاش بـ60 صفرًا. حسنًا، الطريقة التي تعمل بها البيتكوين الحقيقية هي أن عدد الأصفار هذا يتغير من وقت لآخر بحيث تستغرق بالمتوسط 10 دقائق لإيجاد كتلة جديدة. لذا مع زيادة عدد المعدنين المنضمين إلى الشبكة، التحدي حقيقةً يزداد صعوبة أكثر فأكثر بطريقة يكون في هذا اليانصيب فائز واحد كل 10 دقائق. في الواقع، العديد من العملات المشفرة الآخرى تحتاج وقت أقصر من هذا لاكتشاف كتلة جديدة. وكل الأموال في بيتكوين تأتي نهايةً من المكافآت. في البداية، كانت المكافأة 50 بتكوين لكل كتلة. في الواقع، يوجد موقع ويب رائع يمكنك زيارته يسمى "Block Explorer" والذي يجعل الاطلاع على سلسلة كتل البيتكوين سهل. وإذا اطلعت على الكتل الأولى من السلسلة، فستجد أنه ليس هناك أي عمليات غير الـ50 بيتكوين التي اكتسبها المعدن. ولكن، كل 210000 كتلة، أي ما يعادل 4 سنوات تقريبًا، تقل هذه المكافأة إلى النصف. Indonesian: sehingga hash blok dimulai dengan 60 angka nol. Nah, cara kerja protokol Bitcoin sebenarnya adalah mengubah jumlah angka nol secara berkala sehingga harus memakan waktu rata-rata 10 menit untuk menemukan blok baru. Jadi karena semakin banyak penambang ditambahkan ke jaringan, tantangan itu sebenarnya semakin sulit, sedemikian rupa sehingga undian miniatur ini hanya memiliki satu pemenang setiap 10 menit. Banyak uang kripto yang lebih baru sebenarnya memiliki banyak blok waktu yang lebih pendek dari itu. Dan semua uang di Bitcoin pada akhirnya berasal dari beberapa block reward. Pada awalnya, penghargaan ini adalah 50 Bitcoin per blok. Sebenarnya ada situs web hebat yang bisa Anda kunjungi "Block Explorer" yang membuatnya mudah untuk melihat melalui blokir Bitcoin. Dan jika Anda melihat beberapa blok pertama pada rantai itu, Mereka tidak mengandung transaksi selain pemberian imbalan 50 Bitcoin kepada penambang. Tapi setiap 210000 blok, yaitu sekitar setiap 4 tahun, Imbalan itu terbelah dua. Vietnamese: để "băm" của khối bắt đầu với 60 số không. Vâng, cách mà giao thức Bitcoin thực tế hoạt động là định kỳ thay đổi số lượng số 0 để việc tìm một khối mới phải mất trung bình 10 phút. Vì vậy, khi ngày càng có nhiều thợ mỏ được thêm vào mạng, việc tìm thực sự càng trở nên khó khăn hơn, theo cách mà mỗi vòng xổ số thu nhỏ này chỉ có một người chiến thắng mỗi 10 phút. Nhiều đồng tiền mã hóa mới hơn có thời gian tạo khối ngắn hơn nhiều. Và tất cả số tiền trong Bitcoin cuối cùng là bắt nguồn từ phần thưởng khối. Ban đầu, những phần thưởng này là 50 Bitcoin mỗi khối. Có một trang web thú vị mà bạn có thể ghé thăm, tên là "Block Explorer", nó giúp ta xem xét các blockchain của Bitcoin một cách dễ dàng. Và nếu bạn nhìn vào vài khối đầu tiên trên chuỗi, chúng không chứa các giao dịch nào ngoài phần thưởng 50 Bitcoin cho người khai thác mỏ. Nhưng cứ mỗi 210000 khối, hay là khoảng mỗi 4 năm, phần thưởng đó bị cắt giảm một nửa. Lithuanian: taip, kad bloko hešas prasidėtų 60 nulių. Na, tai, kaip tikrasis Bitkoino protokolas veikia, yra periodiškai pakeisti nulių skaičių taip, kad vidutiniškai užtruktų dešimt minučių surasti naują bloką. Taigi, kai prie tinklo prisideda vis daugiau ir daugiau kasėjų, sudėtingumas darosi vis sunkesnis ir sunkesnis; tiek, kad ši mini loterija turi maždaug vieną laimėtoją kas dešimt minučių. Dauguma naujų kriptovaliutų iš tiesų turi daug trumpesnius blokų laikus nei tiek. Ir visi pinigai Bitkoine galiausiai atsiranda iš kažkurio bloko apdovanojimo. Pradžioje, šie apdovanojimai buvo 50 bitkoinų už bloką. Iš tiesų yra geras internetinis puslapis, pavadinimu "Blokų tyrinėtojas", kuris lengvai padeda peržiūrėti Bitkoino blokų grandinę. Ir jei pažiūrėsi į pirmuosius kelis blokus grandinėje, juose nėra jokių transakcijų, išskyrus 50 bitkoinų apdovanojimus kasėjams. Bet kas 210 000 blokų, kas yra maždaug 4 metai, tas atlygis sumažinamas per pusę. Chinese: 满足其区块的散列值以60个0开头 而现实的比特币体系中这些0的数字规律的变化 以保证平均每10分钟产生一个新的区块 当有越来越多的矿工加入其中 为了赢得每10分钟开奖的彩票,计算也变得越来越难 很多新的加密货币有更短的区块时间 比特币体系中所有的比特币都来自于生成新区块的奖励 在一开始,是每区块50个比特币 还有一个叫做“Block Explorer”的网站你可以去看看 上面能轻松地看到比特币区块链中的信息 如果你看区块链最初识的那几个区块 它们除了奖励给矿工的50个比特币之外并没有其他交易 但每过210000个区块,差不多每4年, 区块奖励就会减半 Russian: которое при подстановке в хэш функцию выдаёт первые 60 нулей. Но протоколу Биткоина требуемое число нулей меняется периодично, таким образом, чтобы в среднем потребовалось 10 минут для создания нового блока То есть, чем больше "майнеров" приходит в сеть, тем задача становится сложнее и сложнее, для того чтобы эта мини-лоттерея в среднем выдавала одного победителя каждые 10 минут Многие новые криптовалюты имеют меньшее среднее время нахождения нового блока И все биткоины в обращении являются ничем другим, как наградами за нахождение новых блоков Сначала эти награды имели размер в 50 биткоинов Есть отличный сайт, который называется BlockExplorer Он позволяет легко путешествовать по истории транзакций в блокчейне И если посмотреть на первые найденные блоки в цепочке, можно убедиться, что они не содержали никаких транзакций, кроме награды майнеру за нахождение блока Но каждые 210 000 блоков, что примерно соответствует 4 годам Награда уменьшается в 2 раза Hungarian: amivel a blokk hash-e 60 darab nullával kezdődik. Nos, a Bitcoin protokoll valójában úgy működik, hogy időközönként megváltoztatják a nullák számát, hogy így átlagosan 10 perc szükségeltessen ahhoz, hogy megtaláljanak egy új blokkot. Tehát ahogy egyre több bányász csatlakozik a hálózatra, úgy egyre nagyobb lesz a kihivás, olyan módon, hogy ennek a mini-lottónak 10 percenként átlagosan egyetlen nyertese lehessen. Számos újabb kriptopénz valójában ennél sokkal rövidebb blokkidőkkel rendelkeznek. És végső soron minden pénzegység a Bitcoinban valamilyen blokk jutalomból származik. A kezdetben ez a jutalom 50 bitcoin volt blokkonként. Igazából van egy nagyszerű weboldal amit "Block Explorer"-nek hívnak, ami segít átlátni a Bitcoin blokkláncot. És hogy ha megnézed az első néhány blokkot a láncon, akkor azt láthatod, hogy nincs benne más tranzakció mint az 50 bitcoinos jutalom a bányásznak. De minden 210 000-ik blokknál, ami nagyjából 4 évente van, ez a jutalom megfeleződik. Japanese: ハッシュを作り出す値を探す事だと説明した。 実際のビットコインのプロトコルでは、必要なゼロの数は変動する。 それで新たなブロックの生成にかかる時間を平均10分になるよう調整する。 もしより多くの採掘者がネットワーク上にいた場合、 要件はより厳しくなる。 これで大体10分の間に一人、小型宝くじに当選する人がいる様にする。 後発の暗号通貨はもっと短い期間を採用している場合が多い。 ビットコイン上にある通貨は全てブロック報酬によって生まれている。 最初のブロック報酬は1ブロックにつき50ビットコインであった。 これに関して「Block Explorer」という素晴らしいサイトがあり、 ビットコインのブロックチェーンの成り行きを簡単に閲覧できる。 一番最初のブロックを参照してみると、 取引記録が無く、50ビットコインの報酬だけが記録されている。 実は21万ブロックごとに、得られる報酬は半減する。 大体4年ごとである。 French: Donc maintenant, la récompense est de 12,5 BTC par bloc. Et parce que cette récompense diminue géométriquement à travers le temps, cela signifie qu'il n'y aura jamais plus que 21 000 000 de BTC en circulation. Cependant, cela ne signifie pas que les mineurs ne gagneront plus d'argent. En supplément des blocs de récompenses, les mineurs peuvent aussi percevoir des frais de transactions. La façon dont ça marche est qu'à chaque fois que vous faites un paiement, vous pouvez de façon totalement optionnelle (mais recommandée) inclure des frais de transaction avec qui iront au mineur qui inclura ce bloc de paiement. La raison pour laquelle vous pourriez faire cela est d'encourager les mineurs pour inclure réellement la transaction que vous transmettez dans le prochain bloc. Vous voyez, dans Bitcoin, chaque bloc est limité à environ 2 400 transactions. De nombreux critiques disent que cette restriction n'est pas nécessaire. En comparaison, VISA procède en moyenne à environ 1700 transactions par seconde, et ils sont capable d'en manipuler plus de 24 000 par seconde. Ce traitement relativement lent sur Japanese: 2017年現在、報酬は12.5ビットコインである。 この報酬の減少は永久に続いていくわけだから、 2100万ビットコインが存在できる上限である事が分かる。 ただし、採掘者が通貨を獲得できなくなるという事は無い。 ブロック報酬に加えて、採掘者は取引手数料を徴収することができる。 よって実は取引をした時はいつも、 手数料を追加で含める事ができる。 この手数料によって、採掘者はブロックにどの取引記録を入れるかを決める。 手数料を入れれば、採掘者に自分の取引記録を 次のブロックに入れてもらうように催促できる。 ビットコインにおいては、各ブロックが保持できる記録数の上限は2400であり、 これには批判も多々ある。 比較として、VISAは一秒につき約1700の取引を平均で完了させている。 さらに一秒に2万4千の取引を完了させる能力も持っている。 Modern Greek (1453-): Έτσι, αυτή τη στιγμή, η ανταμοιβή είναι 12,5 Bitcoin ανά μπλοκ. Και επειδή αυτή η ανταμοιβή μειώνεται γεωμετρικά την πάροδο του χρόνου, αυτό σημαίνει ότι δεν θα υπάρξουν ποτέ πάνω από 21.000 000 Bitcoin. Ωστόσο, αυτό δεν σημαίνει ότι οι ανθρακωρύχοι θα σταματήσουν να κερδίζουν χρήματα. Εκτός από την ανταμοιβή μπλοκ, οι ανθρακωρύχοι μπορούν επίσης να παραλαμβάνουν τέλη συναλλαγής. Ο τρόπος που δουλεύει αυτό είναι ότι κάθε φορά που κάνετε μια πληρωμή, μπορείτε να εντελώς προαιρετικά να συμπεριλάβετε μια μικρή αμοιβή συναλλαγής που πρόκειται να πάει στον ανθρακωρύχο που συμπεριέλαβε την πληρωμή (στο μπλοκ του). Ο λόγος που γίνεται αυτό είναι να δοθούν κίνητρα στους ανθρακωρύχους για να συμπεριλάβουν την συναλλαγή που μεταδίδετε, στο επόμενο μπλοκ. Βλέπετε, στο Bitcoin, κάθε μπλοκ περιορίζεται σε περίπου 2400 συναλλαγές, το οποίο πολλοί επικριτές υποστηρίζουν είναι αδικαιολόγητα περιοριστικό. Για λόγους σύγκρισης, η VISA επεξεργάζεται κατά μέσο όρο περίπου 1.700 συναλλαγές το δευτερόλεπτο, και είναι σε θέση να χειρίζεται πάνω από 24.000 ανά δευτερόλεπτο. Arabic: والآن، تبلغ المكافأة 12.5 بيتكوين لكل كتلة. وبما أن المكافأة تتناقص بشكل هندسي فهذا يعني أن عملات البيتكوين لن تزيد مطلقًا عن 21 مليون بيتكوين. ولكن هذا لا يعني أن المعدنين لن يجنوا المال مجددًا. فبالإضافة للمكافآت، بإمكان المعدنين الحصول على رسوم العمليات. والطريقة التي يستطيعون ذلك بها هي أنه في كل مرة تقوم فيها بالدفع، يمكنك بشكل طوعي تمامًا تضمين رسوم عمليات قليلة مع نفس الدفعة والتي ستذهب لحساب المعدّن الذي عدن الكتلة التي تحتوي على تلك العملية. السبب الذي سيدفعك لفعل هذا هو تحفيز المعدنين ليضموا عملياتك التي تبثها في الكتلة التالية. كما ترى، كل كتلة تقتصر على 2400 عملية والتي يناقش العديد من النقاد على أنها قيود غير ضرورية. وعلى سبيل المقارنة، تقوم VISA بالمتوسط بمعالجة 1700 معاملة في الثانية، وقادرة على التعامل مع أكثر من 24000 في الثانية. Russian: Сейчас, награда за блок составляет 12.5 биткоинов Поскольку в течение времени награда уменьшается в геометрической прогрессии Число биткоинов в обращении не может быть больше 21 миллиона Но это не значит, что майнеры перестанут останутся без хлеба Помимо награды за нахождение, майнеры могут получать плату за включение транзакций в свой блок Это работает так: всякий раз, совершая транзакцию Ты можешь опционально добавить небольшую плату вместе с ней, которая уйдёт майнеру, включившему её в свой блок Это делается для того, чтобы мотивировать майнеров добавить транслируемые транзакции в следующий блок побыстрее В биткоине каждый блок может включить в себя примерно 2400 транзакций и многие критикуют за это биткоин, считая это число слишком ограничивающим Для сравнения: VISA в среднем проводит 1700 операций в секунду и способна проводить более 24 тысяч операций в секунду Italian: Ora la ricompensa è di 12.5 Bitcoin per blocco. E visto che questa ricompensa decresce nel tempo come una serie geometrica, significa che non esisteranno mai più di 21000000 Bitcoin. Questo però non significa che i "minatori" smetteranno di guadagnare soldi. Oltre alla ricompensa per ogni blocco, i "minatori" possono anche ricevere delle "commissioni di transazione". Il modo in cui questo funziona è che ogni volta che tu fai un pagamento, puoi, in maniera totalmente volontaria" includere una piccola "commissione di transazione" che andrà al "minatore" del blocco che la include. Questo può servire ad incentivare i "minatori" ad includere la transazione che stai trasmettendo nel prossimo blocco. Vedi, nel Bitcoin, ogni blocco è limitato a circa 2400 transazioni, cosa che molti critici trovano inutilmente restrittiva A titolo di paragone, VISA elabora in media 1700 transazioni al secondo e sarebbero in grado di gestirne 24000 al secondo. Korean: 그래서 지금(2017년 7월)은 블록 당 12.5 비트코인이 보상으로 지급되고 있어. 보상액이 시간이 지남에 따라 기하급수적으로 줄어들게 되므로 비트코인의 총 개수가 2,100만개가 되면 보상액은 0이 되고 코인 수는 더 이상 늘어나지 않아. 하지만 보상액이 0이 된다고 해서 채굴자들이 채굴을 멈추지는 않아. 왜냐하면 채굴자들은 블록 보상 외에도 일정량의 거래 수수료를 챙길 수 있기 때문이지. 여러분이 비트코인으로 지불할 때 옵션으로 소액의 거래 수수료를 포함할 수 있어. 그럼 그 지불이 포함된 블록의 생성자가 그 거래 수수료를 가져가게 돼. 거래 수수료를 포함하면 채굴자들이 수수료가 포함된 그 거래를 다른 거래보다 먼저 블록에 포함시키도록 동기부여가 되겠지. 비트코인에서는 약 2,400개까지의 거래만 하나의 블록에 포함될 수 있도록 제한하고 있어. 이 부분은 사실 불필요한 제약이라며 많은 비판을 받고 있기도 해. 다른 것과 비교를 해보자면, VISA 카드사는 초당 평균 1,700개의 거래를 처리한다고 해. 초당 최대 24,000개의 거래도 처리할 수 있다고 하네. Polish: Więc teraz, nagroda wynosi 12.5 Bitcoin na blok. A ponieważ ta nagroda zmniejsza się geometrycznie w czasie, to oznacza, że ​​nigdy nie będzie więcej istniejących Bitcoin niż 21000000. Jednak nie oznacza to, że górnicy przestaną zarabiać pieniądze. Oprócz nagrody za blok, górnicy mogą również podnieść opłaty transakcyjne. Działa to w taki sposób, że kiedykolwiek dokonujesz płatności, możesz opcjonalnie zawrzeć w niej niewielką opłatę transakcyjną, która trafi do górnika, którego blok zawiera tę płatność. Możesz to robić po to, żeby zachęcić górników, aby włączali transakcję, którą nadajesz do następnego bloku. Widzisz, w Bitcoin, każdy blok jest ograniczony do około 2400 transakcji, co wielu krytyków uważa za niepotrzebnie restrykcyjne. Dla porównania, VISA przetwarza średnio około 1700 transakcji na sekundę i są w stanie obsługiwać więcej niż 24000 na sekundę. German: Im Moment liegt diese Belohnung bei 12,5 Bitcoins pro Block. Und weil diese Belohnung geometrisch verringert wird, bedeutet das, dass es nie mehr als 21 Millionen Bitcoins geben wird. Das bedeutet aber nicht, dass Miner kein Geld mehr verdienen. Zusätzlich zu den Blockbelohnung können Miner auch Transaktionsgebühren einnehmen. Das funktioniert indem du, jedes Mal wenn du eine Zahlung vornimmst, freiwillig eine kleine Transaktionsgebühr mitschickst die an den Miner geht, dessen Block deine Zahlung beinhaltet. Deine Motivation dahinter könnte sein, Miner dazu zu bringen, deine Zahlung im nächsten Block mitaufzunehmen. Bei Bitcoins ist jeder Block auf circa 2400 Transaktionen beschränkt, laut vieler Kritiker unnötig einschränkend. Zum Vergleich: Visa bearbeitet circa 1700 Transaktionen pro Sekunde und kommt theoretisch mit mehr als 24000 pro Sekunde klar. Portuguese: então agora, a recompensa são 12,5 Bitcoin por bloco Por essa recompensa diminuir geometricamente pelo tempo, significa que não existirão mais do que 21 milhões de Bitcoin Entretanto, isso não significa que mineradores deixarão de ganhar recompensas Além da recompensa de bloco, mineradores também podem receber taxas de transações O jeito que funciona é, quando você faz um pagamento, você pode puramente opcional incluir uma taxa de transação que vai para o minerador responsável pelo bloco que inclua aquela transação a razão que você pode querer fazer isso é para incentivar os mineradores a incluir a transação que você transmitiu já no próximo bloco Entenda, no Bitcoin, cada bloco é limitado a cerca de 2400 transações o que muitos críticos consideram ser desnecessariamente restritivo Para comparação, Visa processa uma média de 1700 transações por segundo e são capazes de suportar mais do que 24000 por segundo Este comparativamente lerdo processamento de Bitcoin Vietnamese: Vì vậy, ngay bây giờ, phần thưởng là 12,5 Bitcoin mỗi khối. Và bởi vì phần thưởng này giảm dần theo cấp số nhân theo thời gian, sẽ không bao giờ có hơn 21000000 Bitcoin tồn tại. Tuy nhiên, điều này không có nghĩa là thợ mỏ sẽ ngừng được thưởng tiền. Ngoài phần thưởng từ việc làm khối, các thợ mỏ cũng có thể nhận các khoản phí giao dịch. Nghĩa là bất cứ khi nào bạn thực hiện thanh toán, bạn hoàn toàn có thể chọn bao gồm một khoản phí giao dịch nhỏ với nó khoản đó sẽ đi vào các thợ mỏ của bất kỳ khối chứa thanh toán đó. Lý do bạn có thể làm điều đó là để khuyến khích các thợ mỏ bao gồm các giao dịch (mà bạn phát sóng) vào khối kế tiếp. Bạn thấy đó, trong Bitcoin, mỗi khối bị giới hạn trong khoảng 2400 giao dịch, mà nhiều nhà phê bình lập luận là không cần thiết. Để so sánh, VISA xử lý trung bình khoảng 1700 giao dịch mỗi giây, và họ có khả năng xử lý hơn 24000 mỗi giây. Chinese: 現在,每個區塊的獎勵是12.5個比特幣 也因為這個獎勵隨著時間等比減少 也就意味著最終可獲取的比特幣不會超過21000000 但這並不是說礦工最終不能再賺錢 除了區塊獎勵外,礦工還可以獲得交易費 每當你支付時,你可選擇一小筆交易費一起支付 這筆交易費最終會給包含這筆記錄的區塊建立者 你這麼做能夠激勵礦工們 在下個區塊中包含你這筆交易資訊 在比特幣中,每個區塊包含約2400筆交易記錄 很多批判家認為這個限制過於嚴格 與VISA比較,VISA每秒平均處理約1700筆交易 每秒最多能處理24000筆交易 iw: אז עכשיו, הפרס הוא 12.5 ביטקוין לכל בלוק. ומכיוון שהגמול הזה קטן באופן גיאומטרי לאורך זמן, זה אומר שלא יהיה יותר מ-210 מיליון ביטקוין קיימים, אי פעם. עם זאת, זה לא אומר שכורים יפסיקו להרוויח כסף. בנוסף גמול הבלוק, כורים יכולים גם לקבל דמי עסקה. הדרך שבה זה עובד היא שבכל פעם שאתם מבצעים תשלום, אתם יכולים (לגמרי בהתנדבות) לכלול דמי עסקה קטנים לאותו תשלום שהולכים אל הכורה אשר יכלול את התשלום הזה בבלוק שלו. הסיבה שאתם עלולים לעשות זאת היא לתמרץ הכורים לכלול את העסקה ששידרתם בבלוק הבא שלהם. אתם מבינים, בביטקוין, כל בלוק חדש מוגבל לבערך 2,400 עסקאות מה שמבקרים רבים טוענים שהוא הגבלה מיותרת. לשם השוואה, ויזה מעבדים בממוצע 1,700 עסקאות בשנייה ומסוגלים להתמודד עם יותר מ-24,000 לשנייה. Lithuanian: Taigi, dabar, atlyginimas yra 12.5 bitkoino už bloką. Ir kadangi šis atlyginimas mažėja geometriškai su laiku, tai reiškia, kad niekada nebus daugiau nei 21 000 000 bitkoinų egzistavime. Visgi, tai nereiškia, kad kasėjai nustos gauti pinigus. Neskaitant blokų apdovanojimų, kasėjai taip pat gauna transakcijų mokesčius. Tai veikia taip, kad kiekvieną kartą tau sumokant, tu gali visiškai savo nuožiūra pasirinkti pridėti mažą transakcijos mokestį kartu su pačia transakcija, kuris nukeliaus to bloko, kuriame atsiras transakcija, kasėjui. Priežastis, kodėl tu gali norėti taip padaryti, tai suteikti motyvacijos kasėjams pridėti tą transakciją, kurią tu transliuoji, į sekantį bloką. Matai, Bitkoine, kiekvienas blokas yra apribotas iki 2 400 transakcijų, ką daugelis kritikų vadina nereikalingai ribota. Palyginimui, VISA apdoroja vidutiniškai apie 1 700 transakcijų per sekundę, ir jie gali dirbti su daugiau nei 24 000 transakcijų per sekundę. Czech: Teď je odměna 12.5 Bitcoinu za blok. A protože odměna klesá geometricky, znamená to, že nikdy nebude existovat víc než 21.000.000 Bitcoinů. To ale neznamená, že by mineři přestali vydělávat. Spolu s blokovou odměnou mohou mineři také účtovat transakční poplatky. Ty fungují tak, že kdykoliv někdo udělá platbu v Bitcoinu, může k ní volitelně nabídnout transakční poplatek, který se vyplatí tomu, jehož blok bude tuto transakci zahrnovat. Důvod, proč byste k transakci nabízeli peníze navíc je, abyste motivovali minery k zahrnutí vaší vyslané transakce do jejich bloku. V Bitcoinu je každý blok omezen na cca 2400 transakcí, což je často kritizováno jako příliš omezující. Pro porovnání, VISA zpracuje v průměru asi 1700 transakcí za vteřinu, a jsou schopni zvládnout až 24.000 za vteřinu. Hungarian: Tehát a jutalom most 12,5 bitcoin blokkonként. És mivel ez a jutalom geometrikusan csökken az idő múlásával, ez azt jelenti, hogy soha nem fog több mint 21 000 000 Bitcoin létezni. Ez azonban nem jelenti azt, hogy a bányászok egyszercsak nem fognak több pénzt keresni. A blokk jutalom mellett a bányászok a tranzakciós díjakat is megkaphatják. Ez úgy működik, hogy amikor csak fizetni szeretnél, tisztán opcionálisan hozzáadhatsz vele együtt egy kis tranzakciós költséget, ami annak a bányásznak fog menni, aki kibányássza azt a blokkot, amiben a te tranzakciód is van. Ezt azzal az indokkal tennéd meg, hogy ösztönözd a bányászokat, hogy valóban adják hozzá a következő blokkban azt a tranzakciót, amit kiküldtél a hálózatra. Látod, a Bitcoinban minden blokk körülbelül 2400 tranzakcióra van limitálva, amelyet sokan kritikus vitat, hogy szükségtelenül korlátozó. Összehasonlításképpen a VISA átlagosan körülbelül 1700 tranzakciót dolgoz fel másodpercenként, és összesen 24 000-et is képesek kezelni másodpercenként. Indonesian: Jadi saat ini, imbalannya adalah 12,5 Bitcoin per blok. Dan karena penghargaan ini menurun secara geometris seiring berjalannya waktu, Artinya tidak akan ada lebih dari 21.000.000 Bitcoin yang ada. Namun, ini tidak berarti bahwa penambang akan berhenti menghasilkan uang. Selain bonus blok, penambang juga bisa mengambil biaya transaksi. Cara kerjanya adalah setiap kali Anda melakukan pembayaran, Anda bisa secara sukarela memasukkan sedikit biaya transaksi dengannya itu akan pergi ke penambang blok mana pun termasuk pembayaran itu. Alasan Anda mungkin melakukannya adalah dengan memberi insentif kepada para penambang untuk benar-benar memasukkan transaksi yang Anda tayangkan ke blok berikutnya. Anda lihat, di Bitcoin, setiap blok dibatasi sekitar 2.400 transaksi, Banyak kritikus berpendapat tidak perlu membatasi. Sebagai perbandingan, VISA memproses rata-rata sekitar 1.700 transaksi per detik, dan mereka mampu menangani lebih dari 24.000 per detik. English: So right now, the reward is at 12.5 Bitcoin per block, and because this reward decreases geometrically over time, there will never be more than 21 million bitcoin in existence. However, this doesn’t mean miners will stop earning money. In addition to the block reward, miners can also pick up transactions fees. The way this works is that whenever you make a payment, you can optionally include a small transaction fee with it that will go to the miner of whatever block includes that payment. The reason you might do this is to incentivize miners to actually include the transaction you broadcast into the next block. You see, in Bitcoin, each block is limited to about 2,400 transactions, which many critics argue is unnecessarily restrictive. For comparison, Visa processes an average of around 1,700 transactions per second, and Chinese: 现在,每个区块的奖励是12.5个比特币 也因为这个奖励随着时间等比减少 也就意味着最终可获取的比特币不会超过21000000 但这并不是说矿工最终赚不到钱 除了区块奖励外,矿工还可以获得交易费 每当你支付时,你可选择一小笔交易费一起支付 这笔交易费最终会给包含这笔记录的区块建立者 你这么做能够激励矿工们 将包含你这笔交易信息的区块广播给网络中的其他人 在比特币中,每个区块包含约2400笔交易记录 很多批判家认为这个限制过于严格 与VISA比较,VISA每秒平均处理约1700笔交易 而它每秒能够处理多达24000笔交易 Spanish: De tal forma que, ahora mismo la recompensa por bloque es 12,5. Y debido a que esta recompensa desciende geometricamente en el tiempo, significa que nunca habrá más de 21.000.000 de BItcoins. En cualquier caso, esto no significa que los mineros dejarán de recibir dinero. Aparte de las recompensas por bloque, los mineros también pueden recibir cuotas por transacciones. Esto funciona asi, cuando realizas un pago, si quieres puedes añadir un pequeño extra a la transacción que va a recibir el minero que haya descubierto el bloque en que vaya esa trasacción. La razón por la que podrías hacerlo es para incentivar a los mineros a incluir la transaccion que estas emitiendo en el siguiente bloque. Verás, en Bitcoin, el limite por bloque es de unas 2400 por bloque, algo quemuchos críticos argumentan que es demasiado restrictivo. Como comparación, VISA procesa una media de 1.700 transacciones por segundo, y son capaces de manejar mas de 24.000 por segundo. Turkish: Korean: 이처럼 상대적으로 느린 비트코인 처리 시간은 놓은 수수료를 지불하게 되는 원인이 되기도 하지. 왜냐면 채굴자가 어떤 거래를 선택해서 블록에 포함할지 결정하는 기준이 바로 거래 수수료이기 때문이야. 지금까지 다뤘던 주제들이 암호화 화폐의 전부는 결코 아니야. 암호화 화폐에는 더 다양한 주제 및 뉘앙스와 설계 대안들도 많이 있어. 하지만 지금까지 다룬 주제들이 "잠깐만 근데 왜.." 같은 생각의 뿌리가 될 수 있기를 진심으로 바라는 마음이야. 그래서 다른 자료들을 읽으면서 더 많은 생각의 가지로 자라나기를 바라고. 처음에 얘기했던 것처럼, 이걸 만든 이유는, 많은 돈이 암호화 화폐 분야로 흘러들어가고 있기 때문이야. 그게 좋은 투자인지 나쁜 투자인지를 내가 평가할 일은 아니지만, 사람들이 어떤 게임에 참가하려면, 그 기술의 기초에 대해서는 알고 참가하는 것이 건전한 방식이라고 생각해. 언제나처럼, 이 채널을 만들어가는 Patreon과 그 멤버들에게 진심으로 감사 말씀 전하고 싶어. 모든 사람들이 공헌할 수는 없다는 것은 나도 알고 있어. 하지만 여러분이 여전히 어떻게든 도와주고 싶다면 가장 좋은 방법은 여러분이 재미있다고 생각하거나 다른 사람들에게 도움이 될 것 같은 비디오를 여러 곳에 공유해 주는 거야. 그렇게 해주면 실제로 정말 많은 도움이 된다고. Hungarian: A Bitcoinnak ez a viszonylag lassú feldolgozása magasabb tranzakciós költségeket eredményez, hiszen ez az ami eldönti, hogy mely tranzakciókat választják a bányászok hogy belerakják egy új blokkba. Mindez messze nem fedi le olyan széleskörűen a kriptopénzeket; még mindig vannak olyan árnyalatok és alternatív tervezési lehetőségek, amelyeket még nem is érintettem. De az abban reménykedem, hogy ezzel tudtam adni egy stabil "várj, de miért?" szerű megértéshez egy vázat bárkinek, aki további olvasással szerteágazóbban utánanézne. Ahogy az elején mondtam, az egyik motiváció emögött az, hogy sok pénz kezdett áramlani a kriptopénzek felé. És habár nem szeretnék állást foglalni abban, hogy ez egy jó vagy rossz befektetés-e vagy sem, én valóban azt gondolom, hogy egészséges azoknak az embereknek a számára akik belefolynak a játékba, hogy legalább ismerjék a technológia alapjait. Chinese: 相比而言比特币较慢的交易速度使得它的交易费用更高 正是交易费用让矿工更倾向将其交易收入到新的区块中 除了以上这些加密货币的基础知识 还有其他许多不同的加密货币的系统设计尚未涉及 我希望这个视频能够让大家在今后遇到新概念时 能有一个理性的思考 正如我开头所说, 我做此视频的初衷是目前有大量的资金涌入加密货币中 是好是坏我并不过多评价 但我认为想要进入这一领域的人 如果懂一些基本内容是有所裨益的 最后,我衷心感谢在Patreon支持这个频道的你们 我理解并不是每个人都能支持到这个地步 但你如果仍想支持我, 最好的方式之一就是 将这个视频分享给你认为对其有益的人们 这对我是莫大的支持 English: they’re capable of handling more than 24,000 per second.Slower processing on Bitcoin means higher transactions fees, since that’s what determines which transactions miners choose to include in new blocks. This is far from a comprehensive coverage of cryptocurrencies. There are many nuances and alternate design choices I haven’t touched here, but hopefully this can provide a stable Wait-but-Why-style tree trunk of understanding for anyone looking to add a few more branches with further reading. Like I said at the start, one of the motivations behind this video is that a lot of money has started flowing towards cryptocurrencies, and even though I don’t want to make any claims about whether that’s a good or bad investment, I do think it’d be healthy for people getting into this game to at least know the fundamentals of the technology. As always, my sincerest thanks those of you making this channel possible on Patreon. I understand not everyone is in a position to contribute, but if you’re still interested in helping out, one the best ways to do that is simply to share videos that you think might be interesting or helpful to others. Chinese: 相比而言比特幣較慢的交易速度使得它的交易費用更高 因爲正是交易費用讓礦工更傾向將其交易記錄在新的區塊中 以上這些絕非完整的加密貨幣知識 還有其他許多細微差異和加密貨幣的系統設計尚未涉及 我希望這個影片能夠讓大家有個紮實的基礎知識 之後能自行閱讀再學習新觀念 正如我開頭所說, 我做此影片的初衷是目前有大量的資金湧入加密貨幣中 是好是壞我並不過多評價 但我認為想要進入這一領域的人 如果能至少懂一些基本技術背景是有所裨益的 最後,我衷心感謝在Patreon支持這個頻道的你們 我理解並不是每個人都能支持到這個地步 但你如果仍想支持我 最好的方式之一就是 將這個影片分享給你認為對此感興趣或對其有益的人 你也知道,這對我是莫大的支持 Polish: To stosunkowo powolne przetwarzanie na Bitcoin skutkuje wyższymi opłatami transakcyjnymi, ponieważ to decyduje o tym, które transakcje górnicy zdecydują się zawrzeć w nowym bloku. Wszystko to jest dalekie od kompleksowego zobrazowania kryptowalut. Nadal istnieje wiele niuansów i alternatywnych wyborów projektowych, z którymi nawet nie miałem do czynienia. Ale mam nadzieję, że może to zapewnić stabilne podstawy do dalszego dociekania dla każdego, kto chce dowiedzieć się jeszcze więcej z dalszego czytania. Tak jak mówiłem na początku, jednym z motywów za tym filmem jest to, że dużo pieniędzy zaczęło płynąć w kierunku kryptowalut. I mimo, że nie chcę orzekać, czy to dobra czy zła inwestycja, naprawdę sądzę, że dołączenie do gry jest zdrowym posunięciem, żeby przynajmniej poznać podstawy technologii. Jak zawsze, moje najszczersze podziękowania dla tych, którzy czynią ten kanał dostępnym na Patreon. Rozumiem, że nie każdy jest w stanie się do tego przyczynić, ale jeśli nadal jesteś zainteresowany pomocą, jednym z najlepszych sposobów, aby to zrobić jest po prostu udostępnianie filmów, które uważasz za interesujące i pomocne dla innych. Wiem, że to wiesz, ale to naprawdę pomaga. French: Bitcoin permet des frais de transaction plus élevés puisque c'est ce qui détermine les opérations que les mineurs choisissent d'inclure dans un nouveau bloc. Tout ceci est loin d'être une couverture complète des crypto-monnaies; il y a encore beaucoup de nuances et de choix de conception alternatifs que je n'ai même pas évoqué. Mais mon espoir est que cela peut fournir une base de tronc commun de compréhension stable pour quiconque voudrait rajouter des branches pour une lecture plus approfondie. Comme je l'ai dit au début, l'une des motivations derrière ça est que beaucoup d'argent a commencé à être investi dans les crypto-monnaies. Et même si je ne veux pas clamer quant à savoir si c'est un bon ou un mauvais investissement. Je pense vraiment qu'il est sain pour les gens qui entrent dans le jeu de connaître au moins les fondamentaux de la technologie. Comme toujours, mes sincères remerciements à vous qui rendez cette chaîne possible sur Patreon. Je comprends que tout le monde n'est pas en position de contribuer mais si vous êtes intéressés pour aider, l'une des meilleures façons de le faire est simplement de partager ces vidéos aux personnes que vous pensez qui pourraient être intéressées. Je sais que vous savez ça mais ça aide vraiment. Turkish: Modern Greek (1453-): Αυτή η σχετικά αργή επεξεργασία στο Bitcoin οδηγεί σε για υψηλότερες αμοιβές συναλλαγής, δεδομένου ότι αυτό είναι που καθορίζει ποιες συναλλαγές οι ανθρακωρύχοι θα επιλέξουν να συμπεριλάβουν σε ένα νέο μπλοκ. Όλα αυτά είναι αρκετά μακριά από μια ολοκληρωμένη κάλυψη των κρυπτονομισμάτων εξακολουθούν να υπάρχουν πολλές αποχρώσεις και σχεδιαστικές επιλογές που δεν έχω καν αγγίξει. Αλλά ελπίζω πως αυτό μπορεί να παρέχει ένα σταθερό "περίμενε, μα γιατί" στιλ δέντρου τρόπου κατανόησης για όποιον θέλει να προσθέσει μερικά ακόμα κλαδιά, με περισσότερο διάβασμα Όπως είπα και στην αρχή, ένα από τα κίνητρα πίσω από αυτό είναι ότι πολλά χρήματα έχει αρχίσει να ρέουν προς τα κρυπττονομίσματα. Και ακόμα κι αν δεν θέλω να κάνω καμία αξίωση για το αν αυτό είναι μία καλή ή κακή επένδυση, Πραγματικά πιστεύω ότι είναι καλό για αυτούς που θέλουν να μπουν στο παιχνίδι τουλάχιστον γνωρίζουν τις βασικές αρχές της τεχνολογίας. Όπως πάντα, τις ειλικρινείς μου ευχαριστίες σε όλους εσάς, για την ύπαρξη του καναλιού με την υποστήριξή σας στο Patreon Καταλαβαίνω ότι δεν είναι όλοι σε θέση να συμβάλουν, αλλά εάν ακόμα ενδιαφέρεστε να μας βοηθήσετε, ένας από τους καλύτερους τρόπους για να το κάνετε αυτό Είναι απλά για να μοιραστείτε τα βίντεο που νομίζετε ότι μπορεί να είναι ενδιαφέροντα και χρήσιμα για τους άλλους. Ξέρω ότι ξέρετε, αλλά πραγματικά βοηθά. Japanese: ビットコインの取引完了の遅さは、より早く採掘者に自分の取引記録を ブロックに入れてもらう様に、より多くの手数料を含める傾向に繋がる。 今回紹介した内容は、暗号通貨の全貌の一部分であり。 カバーしきれていない所や、全く言及していない領域もある。 しかしこの動画が、より深く探究しようとしている人に対して、 基礎となる思考を提供できていたなら幸いである。 初めに述べた通り、 この動画作成の動機の一つは、大量の金銭が暗号通貨に流れ始めたからである。 その事について良し悪しを主張するつもりはないが、 もしこのゲームに足を踏み入れようとするならば、 技術的な基礎知識は持っておくべきである。 恒例だが、Patreonでこのチャンネルを支えてくれている人達に感謝する。 誰もがこの様な形で貢献できる訳ではないのは理解している。 もしそれでも支援をしたいと思っているならば、 一番良い方法として、 他に興味を持ってくれそうな人にこの動画をシェアしてほしい。 実際強力な支援になる。 Russian: Эта сравнительная медлительность биткоина выливается в более высокие комиссии, поскольку именно они определяют очередность включения транзакций майнерами в блоки. Всё изученное далеко от глубокого освоения криптовалют Есть ещё много нюансов и альтернативные доказательства работы, которые я даже не упомянул Но я надеюсь, что это может Arabic: هذا البطء النسبي في معالجة البيتكوين يجعل رسوم العمليات مرتفعة، لأن هذا هو ما يحدد ما سوف يقرر المعدنون وضعه في كتلهم الجديدة. كل هذا لا يعتبر تغطية شاملة للعملات المشفرة؛ لا تزال هناك العديد من الفروق الدقيقة وخيارات التصميم البديلة التي لم أتطرق إليها حتى. لكن أملي هو أن أستطيع تقديم تفسير مستقر لـ"ولكن لماذا؟" لأي شخص يتطلع للتوسع والقراءة أكثر. كما ذكرت في البداية، أحد الدوافع وراء هذا هو أن الكثير من المال بدأ يتدفق إلى العملات المشفرة. وعلى الرغم من أنني لا أريد أن أقول أي شيء حول ما إذا كان هذا استثمارًا جيدًا أو سيئًا، أنا أعتقد حقًا أنه من المفيد للناس أن يفهموا ما هي اللعبة، على الأقل لمعرفة أساسيات التقنية. كما الحال دائمًا، أنا ممتن جدًا لأولئك الذين يجعلون استمرار هذه القناة ممكن عبر Patreon أتفهم أنه ليس كل شخص في وضع يمكنه من المساهمة، ولكن إذا كنت لا تزال تريد المساعدة، واحدة من أفضل الطرق للقيام بذلك فقط مشاركة مقاطع الفيديو التي تعتقد أنها قد تكون مثيرة أو مفيدة للآخرين. أعلم أنك تعرف ذلك، لكن هذا يساعد كثيرًا حقًا. Italian: Questa lentezza nell'elaborazione rende le "commissione di transazione" nel Bitcoin più alte visto che determinano quali transazioni i "minatori" includeranno in un nuovo blocco. Tutto questo è lungi dall'essere una spiegazione completa delle criptovalute ci sono ancora molte sfumature e scelte di design alternative che non ho nemmeno toccato. Ma la mia speranza è che questo possa fornire un "tronco" di comprensione in stile "aspetta ma perché" per chiunque volesse aggiungere qualche ulteriore "ramo" con ulteriori letture. Come ho detto all'inizio, uno dei motivi per questo, è che molti soldi hanno cominciato a scorrere verso le criptovalute. E anche se non voglio affermare se sia o meno un buon investimento, penso che sia davvero salutare per le persone che vogliono entrare in gioco almeno conoscere le fondamenta di questa tecnologia Come sempre, i miei sinceri ringraziamene a coloro i quali rendono possibile questo canale su Patreon. Capisco che non tutti sono nella posizione di poter contribuire, ma se sei interessato da dare una mano, uno dei modi migliori per farlo è semplicemente di condividere video che pensi possano essere interessanti o d'aiuto per altre persone. So che lo sai, ma aiuta davvero. Indonesian: Pengolahan lambat pada Bitcoin ini membuat biaya transaksi lebih tinggi, karena itulah yang menentukan penagih transaksi mana yang memilih untuk disertakan dalam blok baru. Semua ini jauh dari penjelasan menyeluruh mata uang kripto; Masih banyak hal-hal kecil dan pilihan desain alternatif yang bahkan belum saya sentuh. Tapi harapan saya adalah bahwa ini bisa memberikan penjelasan gaya "wait but why" yang stabil (lihat website waitbutwhy.com) bagi siapapun yang ingin menambahkan beberapa cabang penjelasan lagi dengan bacaan lebih lanjut. Seperti yang saya katakan di awal, Salah satu motif di balik ini adalah bahwa banyak uang mulai mengalir menuju mata uang kripto. Dan meskipun saya tidak ingin membuat klaim tentang apakah itu investasi yang baik atau buruk, Saya benar-benar berpikir bahwa itu sehat bagi orang yang masuk ke dalam permainan setidaknya mengetahui dasar-dasar teknologi. Seperti biasa, terima kasih saya yang tulus kepada Anda yang membuat saluran ini memungkinkan Patreon. Saya mengerti bahwa tidak semua orang dalam posisi untuk berkontribusi, Tapi jika Anda masih tertarik untuk membantu, Salah satu cara terbaik untuk melakukannya hanya untuk berbagi video yang menurut Anda mungkin menarik atau bermanfaat bagi orang lain. Saya tahu Anda tahu itu, tapi itu benar-benar membantu. iw: העיבוד האיטי הזה (בהשוואה) של הביטקוין גורם לדמי העסקה להיות גבוהים יותר כיוון שזה מה שקובע אלו עסקאות כורים יחליטו להכניס לבלוקים החדשים שלהם כל זה רחוק מלהיות כיסוי מקיף של מטבעות מבוזרים ישנם עדיין ניואנסים רבים ואפשרויות עיצוב חלופיות שאפילו לא נגעתי בהם. אבל התקווה שלי היא שזה יוכל לספק הסבר "מה, אבל למה?" יציב עבור כל מי שמחפש להרחיב עם קריאה נוספת. כמו שאמרתי בהתחלה, אחד המניעים מאחורי זה הוא שהרבה כסף החל לזרום למטבעות מבוזרים. ואף על פי שאני לא רוצה לטעון שום דבר לגבי השאלה האם זו השקעה טובה או רעה, אני באמת חושב שזה בריא לאנשים שרוצים להיכנס למשחק לפחות לדעת את יסודות הטכנולוגיה. כמו תמיד, תודתי הכנה לאלה מכם עושה את הערוץ הזה לאפשרי בעזרת תרומות ב-Patreon. אני מבין שלא כולם נמצאים בעמדה לתרום, אבל אם אתם עדיין רוצים לעזור, אחת הדרכים הטובות ביותר לעשות את זה היא פשוט לשתף סרטונים שאתם חושבים שאולי יהיו מעניינים או מועילים לאחרים. אני יודע שאתם יודעים את זה, אבל זה באמת עוזר מאוד. Spanish: Este proceso , lento en comparación de Bitcoin, hace que las cuotas por transacción aumenten, dado que estas determinan que transacciones los mineros eligen incluir. Todo esto esta lejos de ser una cobertura extensa de las criptomonedas; todavia quedan muchos matices y decisiones de diseño alternativas que ni siquiera he tocado. Pero espero que este video provea de un tronco estable de conocimiento para todo el mundo que quiera añadir más ramas profundizando en el tema. Como he dicho al comienzo, uno de los motivos tras este video es que una gran cantidad de dinero ha empezado a fluir hacia las criptomonedas. Y aunque no quiero hacer declaraciones sobre si son una buena o mala inversión, realmente creo que es bueno que la gente que quiera entrar al juego al menos sepa los fundamentos de la tecnología. Como siempre, mis más sinceros agradecimientos van a todos aquellos que haceis este canal posible en Patron. Entiendo que no todo el mundo tiene la posibilidad de contribuir, pero si aun estas interesado en ayudar, una de las mejores formas de hacerlo es simplemente compartir los videos que creas que pueden ayudar o ser interesantes para otros. Ya se que lo sabes, pero realmente ayuda. Portuguese: gera custos maiores de transações já que isso determina quais transações mineradores preferem colocar nos novos blocos Tudo isso é longe der ser uma cobertura completa sobre cripto moedas há ainda muitos nuances, e escolhas de design alternativos que nem mencionei mas eu espero que este vídeo sirva como uma base estável, simples, como uma árvore para quem quiser adicionar mais galhos com leitura subsequente como disse no início um dos motivos por trás disto é que muito dinheiro passou a fluir para as cripto moedas, e mesmo que eu não queira dizer se é um investimento bom ou ruim, eu realmente acho que seja saudável para pessoas interessadas em entrar no jogo pelo menos conheceram o fundamental da tecnologia. Como sempre, meu sincero obrigado a todos que fazem este canal possível via Patreon Eu entendo que nem todos estão em uma posição favorável para contribuir mas se você ainda estiver interessado em ajudar, uma das melhores formas de fazer isso é simplesmente compartilhar os vídeos que você considera interessantes ou úteis a outras pessoas Eu sei que você sabe, mas realmente ajuda Vietnamese: Việc xử lý tương đối chậm trên Bitcoin làm cho phí giao dịch cao hơn, vì đó sẽ quyết định những giao dịch nào sẽ được những người khai thác mỏ cho vào trong một khối mới. Video này vẫn còn xa mới giúp bạn hiểu toàn bộ về đồng tiền mã hóa; vẫn còn nhiều những đặc tính và thể loại thiết kế mà tôi chưa đề cập. Nhưng tôi hy vọng là video có thể cung cấp một nền móng ban đầu vững chắc cho việc hiểu sâu hơn cho bất cứ ai muốn đọc thêm và hiểu sâu hơn nữa. Như tôi đã nói từ đầu, một trong những động cơ làm video này là đã có rất nhiều tiền bắt đầu đổ vào đồng tiền mã hóa. Và mặc dù tôi không muốn đưa ra bất kỳ nhận xét nào, rằng đó là sự đầu tư tốt hay xấu, Tôi thực sự nghĩ rằng đối với mọi người tham gia vào trò chơi, nên ít nhất biết các nguyên tắc cơ bản của công nghệ đằng sau tiền mã hóa. Như mọi khi, tôi chân thành cảm ơn những người ủng hộ kênh youtube này trên Patreon. Tôi hiểu rằng không phải ai cũng có thể đóng góp, nhưng nếu bạn vẫn quan tâm đến việc giúp đỡ, một trong những cách tốt nhất để làm điều đó chỉ đơn giản là chia sẻ các video mà bạn nghĩ có thể thú vị hoặc hữu ích cho người khác. Tôi biết bạn biết điều đó, nhưng nó thực sự có ích. German: Diese verhältnismäßig langsame Verarbeitung bei Bitcoins zeiht höhere Transaktionsgebühren mit sich. Denn die entscheiden letztendlich welche Transaktionen die Miner in ihre Blöcke aufnehmen. All das ist bei weitem keine allumfassende Erklärung von Kryptowährungen. Es gibt noch viele Nuancen und andere Funktionsweisen, die ich nicht erwähnt habe. Aber ich hoffe, dass ich eine Art "Aber warum...?"-Basis geschaffen habe auf der man weiter aufbauen kann. Wie ich bereits am Anfang gesagt habe, ein Hauptmotiv für dieses Video ist, dass viel Geld begonnen hat in Kryptowährungen zu fließen. Und obwohl ich keine Aussage dazu machen möchte, ob das eine gute oder schlechte Investition ist, glaube ich, dass es eine gute Startvoraussetzung für Leute ist zumindest die Grundlagen der Technologie zu kennen. Wie jedes Mal geht mein außerordentlicher Dank an diejenigen von euch, die diesen Kanal über Patreon möglich machen. Ich verstehe, dass nicht jeder in der Lage ist, etwas beisteuern zu können. Aber wenn du dennoch mithelfen möchtest, dann ist einer der besten Wege das zu tun, einfach die Videos, von denen du glaubst, das sie für andere nützlich sein könnten, zu teilen. Ich weiß, dass du das weißt. Aber es hilft wirklich. Czech: Poměrně pomalé zpracování plateb v Bitcoinu pak znamená vyšší transakční poplatky, jelikož to je faktor, který určuje, jaké transakce budou zahrnuty v dalším bloku. Tohle byl krátký úvod do přehledu kryptoměn; zbývá spoustu nuancí a alternativních designů, o kterých jsem se ani nezmínil. Doufám ale, že jsem poskytl stabilní základ porozumění pro všechny, kteří si budou dále chtít doplnit zbývající mezery. Jak jsem řekl na začátku, jedním z důvodů vypracování tohoto videa je množství peněz, které se do kryptoměn začínají sypat. Aniž bych chtěl dělat soudy o tom, jestli je to dobře nebo špatně, opravdu si myslím, že je správné znát alespoň základy této technologie. Jako pokaždé, mé upřímné díky všem z Patreonu, kteří umožňují tomuto kanálu stát se realitou. Rozumím tomu, že ne všichni mají možnost přispět, ale pokud byste i tak kanálu chtěli pomoct, jeden z nejlepších způsobů je sdílet videa, o kterých si myslíte, že by mohla být zajímavá nebo poučná. Vím, že to víte, ale stejně - opravdu to pomáhá. Lithuanian: Šis sąlyginai lėtas apdorojimas Bitkoine sukuria aukštesnius transakcijų mokesčius, nes tai nulemia, kurias transakcijas kasėjai pasirenka pridėti į naują bloką. Visa tai toli gražu nėra pilna kriptovaliutų apžvalga. Tebėra daug niuansų ir alternatyvių dizaino/projektavimo pasirinkimų, kurių aš net nepaliečiau. Bet mano viltis yra, kad tai suteiks stabilų "palauk, bet kodėl" stiliaus medžio kamieno supratimą bet kam, kas nori pridėti dar kelias šakas su tolimesniu skaitymu. Kaip ir sakiau pradžioje, vienas iš viso šito motyvų yra tai, kad daug pinigų pradėjo judėti link kriptovaliutų. Ir nors ir nenoriu daryti jokių pareiškimų, ar tai geras ar blogas investavimas, aš tikrai manau, kad žmonėms, įsitraukiantiems į žaidimą yra sveika žinoti bent jau technologijos fundamentų pagrindą. Kaip visada, mano nuoširdžiausia padėka tiems jums, kurie leidžia šiam kanalui egzistuoti per Patreon. Aš suprantu, kad ne kiekvienas gali prisidėti, bet jei vis dar esi suinteresuotas padėti, vienas iš geriausių būdų tai padaryti yra paprasčiausiai pasidalinti mano video, kurie manai gali būti įdomūs ar naudingi kitiems. Žinau, kad žinai tai, bet tai tikrai padeda. Russian: Lithuanian: Aš taip pat norėčiau padėkoti Protocol Labs už jų paramą šiam video. Tai organizacija, kuri dirba prie keleto skirtingų tyrimų ir kūrimo projektų. Ir jei seksi kai kuriomis nuorodomis, kurias palikau aprašyme, kad pasiskaitytum apie tų projektų smulkmenas, pastebėsi stiprias paraleles su koncepcijomis, apibūdintomis šiame video. Decentralizacijos iššūkiai ir nauda nėra jokiais būdais apribota vien tik valiutomis ir transakcijų istorijomis. Ir kriptografijos įrankių nauda, kaip hešo funkcijos ir skaitmeniniai parašai taip pat yra daug bendriau naudojami. Pavyzdžiui, keletas Protocol Labs projektų, tokie kaip IPFS ir Filecoin, centruojasi ties išdalintu failų saugojimu, kuris atveria visiškai naują įdomių iššūkių ir galimybių lauką. Bet kuriems programuotojams tarp jūsų, Protocol Labs labai vertina atvirą kodą. Tad jei susidomėjai, gali prisijungti prie to, kas ir taip yra stipri bendradarbių bendruomenė. Bet jie taip pat ieško pasamdymui pilno etato programuotojų. Taigi, jei manai, kad tiktum ten, tikrai pabandyk gauti ten darbą. Japanese: また、Protocol Labsにもこの動画のサポーターとして感謝の意を表する。 Protocol Labsは多くの研究開発プロジェクトを遂行している機関で、 動画の説明文に載せたリンク先を、 よく査読していただくと、このビデオの内容に 強い結び付きがあるのが理解していただけると思う。 非中央集権化の考え方と効果は、 通貨や取引履歴に限った話ではない。 また、ハッシュ関数やデジタル署名といった暗号論上の道具は、 より広範囲で役に立つ。 例を挙げると、Protocol Labsのプロジェクトの中で、IPFSやFilecoinなどは、 分散型ファイルストレージを研究対象としており、 技術全体とその技術の持つ可能性を広げる。 Protocol Labsはオープンソースの考えに重点を置いており、あなたが開発者で、 興味があれば、既に存在する大きなコミュニティに参加できる。 またフルタイムの開発者も募集している。 もし開発環境がマッチしていると思ったならば、問い合わせてみてほしい。 Modern Greek (1453-): Θέλω επίσης να ευχαριστήσω την Protocol Labs για την υποστήριξή τους από αυτό το βίντεο. Αυτή είναι μια οργάνωση που τρέχει έναν αριθμό διαφορετικών έργων έρευνας και ανάπτυξης. Και αν ακολουθήσετε μερικές από τις συνδέσεις που έχω αφήσει στην περιγραφή για να διαβάσετε τις λεπτομέρειες των εν λόγω έργων, θα παρατηρήσετε κάποια ισχυρή ομοιότητα με τις έννοιες που καλύπτονται σε αυτό το βίντεο. Οι προκλήσεις και τα οφέλη της αποκέντρωσης σε καμία περίπτωση δεν περιορίζεται σε νόμισμα και ιστορικό συναλλαγών. Και η χρησιμότητα των εργαλείων από την κρυπτογραφία, όπως συναρτήσεις κατακερματισμού και ψηφιακές υπογραφές, είναι επίσης πολύ πιο γενικό. Για παράδειγμα, μερικά από τα έργα της Protocol Labs, όπως το IPFS και το Filecoin, κέντρο στην ιδέα της κατανεμημένης αποθήκευσης αρχείων, η οποία ανοίγει έναν ολόκληρο τομέα της ενδιαφέρουσες προκλήσεις και δυνατότητες. Για προγραμματιστές ανάμεσά σας, η Protocol Labs δίνει πολύ μεγάλη αξία στον ανοικτό κώδικα. Έτσι, αν σας ενδιαφέρει, μπορείτε να συμμετέχετε σε αυτό που είναι ήδη μια πολύ ισχυρή κοινότητα συνεισφερόντων. Αλλά είναι επίσης ψάχνει να προσλάβει προγραμματιστές πλήρους απασχόλησης. Έτσι, αν νομίζετε ότι ταιριάζετε εκεί, αιτηθείτε άμεσα. Korean: 이 동영상을 만드는데 도움을 준 Protocol Labs에도 감사 말씀을.. Protocol Labs는 여러가지 다양한 연구 개발 프로젝트를 진행하는 조직인데 내가 설명에 남긴 링크를 따라가면 다양한 프로젝트의 세부 내용을 볼 수 있을 거야. 다양한 프로젝트들이 이 동영상에서 다룬 개념들과 많은 관계가 있다는 걸 알게 될 거야. 분산화를 통해 얻을 수 있는 장점은 결코 통화나 거래 이력에만 국한되지 않아. 그리고 해쉬 함수나 디지털 서명 같은 암호화 도구들도 분산화와 마찬가지로 통화나 거래 뿐 아니라 더 많은 영역에 일반적으로 적용될 수 있어. 예를 들어 Protocol Labs의 프로젝트인 IPFS나 Filecoin은 분산 파일 저장소에 대한 아이디어에 중점을 두고 있고, 다양한 분야의 흥미로운 도전과 가능성에 활짝 문을 열고 있다능.. 여러분 중에 개발자가 있다면, Protocol Labs는 개발자 여러분에게 아주 소중한 가치를 오픈 소스로 선사해 줄 거야. 그래서 관심이 있다면, 이미 많은 공헌자들로 구성된 강력한 커뮤니티에 참여해 보라고. 그리고 Protocol Labs에서는 풀타임 개발자도 찾고 있다고 하니, 관심있다면 지원해 봐!! Turkish: Chinese: 我还想感谢Protocol Labs对此视频的支持 这是一家运营着众多不同研究和开发项目的机构 如果你点击我留在视频描述中的链接 进一步了解这些项目的细节 你会发现有些项目有与这个视频中相似的理念 去中心化的挑战和好处 并不仅限于货币和交易历史 密码学中的工具如散列函数和数字签名 有更广泛的应用 比如Protocol Labs上的有些项目,如IPFS和Filecoin 将文件的分布式存储作为其研究中心 由此将会展开一个全新的充满机遇和挑战的领域 对开发者而言,Protocol Labs非常注重开源 所以如果你感兴趣,就可以加入其中 而他们也招募全职的开发者 如果你有信心胜任,大胆申请吧 French: Je veux aussi remercier Protocol Labs pour leur soutient pour cette vidéo. Il s'agit d'une organisation qui gère un certain nombre de projets de recherche et de développement différents. Et si vous suivez certains des liens que j'ai laissé dans la description pour lire dans les détails de ces projets vous remarquerez des parallèles très forts avec les concepts couverts par cette vidéo. Les défis et avantages de la décentralisation ne sont pas limités à l'argent et à l'historique de transactions. Et l'utilité des outils issus de la cryptographie, comme les fonctions de hash et les signatures numériques, sont également beaucoup plus généraux. Par exemple, quelques projets de Protocol Labs tels que IPFS et Filecoin, sont centrés sur l'idée de stockage décentralisé de fichiers. Ce qui ouvre un champ entier de défis et de possibilités intéressants. Pour les développeurs parmi vous, Protocol Labs accorde une valeur importante au code ouvert. Alors si vous êtes intéressés, vous pouvez rejoindre ce qui est déjà une très forte communauté de contributeurs. Mais ils cherchent aussi des développeurs à plein temps. Donc, si vous pensez que vous pourriez être un bon ajustement, postulez. Italian: Voglio anche ringraziare Protocol Labs per il loro supporto a questo video. È un'organizzazione che gestisce una serie di differenti ricerche e progetti di sviluppo. E se segui alcuni dei link che ho lasciato nella descrizione per leggere i dettagli di questi progetti, noterai diversi forti parallelismi con i concetti trattati in questo video. Le sfide e i benefici della decentralizzazione non sono assolutamente limitati alle valute e ai registri di transazioni. E l'utilità degli strumenti provenienti dalla crittografia, come le funzioni di hash e le firme digitali, sono probabilmente anche più generali. Per esempio, un paio di progetti di Protocol Labs, come l'IPFS e il Filecoin, si basano sull'idea di un'archiviazione distribuita dei file, cosa che apre ad un intero campo di interessanti sfide e possibilità. Per ogni sviluppatore tra di voi, Protocol Labs tiene particolarmente all'open source. Quindi se sei interessato, puoi unirti a quella che è già una forte comunità di contributori. Ma stanno anche cercando sviluppatori da assumere a tempo pieno. Se pensi che potrebbe fare al caso tuo, candidati. Polish: Chcę również podziękować Protocol Labs za ich wsparcie dla tego filmu. Jest to organizacja, która prowadzi wiele różnych projektów badawczych i rozwojowych. A jeśli odwiedzisz linki, które zamieściłem w opisie, aby zapoznać się ze szczegółami tych projektów, zauważysz silne analogie z pojęciami, które omówiłem w tym filmie. Wyzwania i korzyści decentralizacji nie są w żaden sposób ograniczone do waluty oraz historii transakcji. I użyteczność narzędzi z kryptografii, takich jak funkcje skrótu i podpisy cyfrowe, są również bardziej ogólne. Na przykład, kilka projektów Protocol Labs, takich jak IPFS i Filecoin, koncentrują się na idei rozproszonego przechowywania plików, który otwiera całe pole ciekawych wyzwań i możliwości. Dla wszystkich developerów wśród was, Protocol Labs kładzie bardzo duży nacisk na open source. Więc jeśli jesteś zainteresowany, możesz dołączyć do bardzo już silnej społeczności użytkowników. Chcą oni też zatrudnić developerów w pełnym wymiarze godzin. Więc jeśli myślisz, że możesz tam pasować, koniecznie zaaplikuj. iw: אני גם רוצה להודות ל-Protocol Labs עבור תמיכתם בוידאו זה. זהו ארגון שמפעיל מספר פרויקטי מחקר ופיתוח שונים. ואם אתם תיכנסו לחלק מהקישורים שהשארתי בתיאור כדי לקרוא את הפרטים של פרויקטים האלה, תוכלו להבחין כמה הקבלות חזקות יש שם עם רעיונות שכיסינו בסרטון הזה. האתגרים והיתרונות של ביזור הם בהחלט לא מוגבלים למטבעות ולהיסטוריות של עסקאות. וגם השימושיות של כלים מן קריפטוגרפיה, כמו פונקציות hash וחתימות דיגיטליות, הם הרבה יותר כלליים. לדוגמה, כמה פרויקטים של Protocol Labs, כגון IPFS ו Filecoin, סובבים סביב הרעיון של אחסון קבצים מבוזר, אשר פותח שדה שלם של אתגרים ואפשרויות חדשים. עבור כל מפתחים שביניכם, מעבדות פרוטוקול שמה דגש חזק מאוד על קוד פתוח. אז אם אתם מעוניינים, אתם יכולים להצטרף לקהילה הכבר מאוד חזקה של תורמים. אבל הם גם מחפשים לשכור מפתחים במשרה מלאה. אז אם אתם חושבים שאתם יכול להתאים שם, שלחו קורות חיים. Arabic: أود أيضًا أن أشكر Protocol Labs على دعمهم لهذا الفيديو. وهي منظمة تدير عددًا من مشاريع البحث والتطوير. وإذا قمت بزيارة بعض الروابط التي تركتها في الوصف؛ لقراءة تفاصيل هذه المشاريع، ستلاحظ مدى التشابه القوي مع الأفكار التي تناولناها في هذا الفيديو. إن تحديات وفوائد اللامركزية بالتأكيد لا تقتصر على العملات وتاريخ العمليات. وإن فوائد أدوات التشفير، مثل دوال التشويش والتواقيع الرقمية، تعتبر أمور أكثر عمومية، على سبيل المثال، العديد من مشاريع Protocol Labs، مثل IPFS وFilecoin تدور فكرتها حول تخزين الملفات الموزعة التي تفتح مجالًا كاملاً من التحديات والإمكانيات الجديدة. بالنسبة إلى المطورين بينكم، لدى Protocol Labs الكثير من الاهتمام حول المصادر المفتوحة لذلك إذا كنت مهتمًا، يمكنك الانضمام إلى المنتدى المساهمين النشط جدًا. ولكنهم يتطلعون أيضًا إلى تعيين مطورين بدوام كامل. Czech: Dále bych chtěl poděkovat Protocol Labs za jejich podporu při tvorbě tohoto videa. Je to organizace, která zaštiťuje řadu výzkumných a vývojových projektů. A pokud si rozkliknete některé z odkazů, které jsem nechal v popisu videa a přečtete si detaily o těchto projektech, všimnete si podobností s koncepty, o kterých bylo tohle video. Výzvy a výhody decentralizace nejsou vůbec omezeny jen na měny a historie transakcí. A přínos nástrojů z kryptografie, jako hash funkce a digitální podpisy, je taktéž mnohem obecnější. Například, některé Protocol Labs projekty, jako IPFS a Filecoin, jsou založeny na myšlence distribuovaného uložiště souborů, což přináší řadu zajímavých možností. Pro vývojáře mezi vámi, Protocol Labs si vysoce cení open source. Pokud máte zájem, můžete se přidat do již velmi silné komunity přispěvovatelů. Také hledají full-time vývojáře. Takže pokud si myslíte, že byste se k nim hodili, určitě se přihlaste. Portuguese: Agradecimentos ao Protocol Labs pelo suporte. Spanish: También quiro agradecer a Protocol Labs por su apoyo a este video. Es una organización que tiene varios proyectos de investigación y desarrollo. Y si sigues algunos de los enlaces que he dejado en la descripción para leer los detalles de esos proyectos, te daras cuenta de varios paralelismos con los conceptos cubiertos en este video. Los beneficios y desafios de la descentralización no estan bajo ningún concepto limitados a monedas e historiales de transacciones. Y la utilidad de las herramientas provenientes de la criptografía como funciones hash y firmas digitales, son igualmente mucho más generales. Por ejemplo un par de proyectos de Protocol Labs, como IPFS y FIlecoin, están basados en la idea de almacenamiento de archivos distribuidos, lo que abre todo un nuevo campo de posibilidades y desafios interesantes. Para cualquiera de los desarrolladores entre vosotros, Protocol Labs, da un gran valor al codigo abierto. Así que si estás interesado, puedes unirte a lo que ya es una gran comunidad de colaboradores. Aunque también están interesados en dar trabajo a desarrolladores. Así que si piensas que podría ser lo tuyo, no lo dudes y solicita trabajo. German: Ich möchte mich außerdem bei Protocol Labs für ihre Unterstützung bei diesem Video bedanken. Protocol Labs ist eine Organisation, die eine Reihe verschiedener Forschungs- und Entwicklungsprojekte betreiben. Und wenn du einigen der Links in der Beschreibung folgst um dir die Details dieser Projekte anzuschauen, dann wirst du einige starke Parallelen zu den Konzepten aus diesem Video bemerken. Die Vorteile und Herausforderungen von Dezentralisierung beschränken sich bei weitem nicht auf Währungen und Transaktionsverläufe. Und der Nutzen von angewandter Kryptographie, also Hashfunktionen, digitale Unterschriften und so weiter, ist ebenso viel allgemeiner. Ein Beispiel: Ein paar der Projekte von Protocol Labs (u.a. IPFS und Filecoin) drehen sich um die Idee von verteilter Datenspeicherung. Das eröffnet ein ganzes Feld an interessanten Herausforderungen und Möglichkeiten. Für die Entwickler unter euch: Protocol Labs legt sehr hohen Wert auf Open Source. Also wenn ihr Interesse habt, dann könnt ihr die bereits sehr starke Community an Mitwirkenden verstärken. Protocol Labs sucht aber auch nach Vollzeit-Entwicklern. Wenn du glaubst du könntest gut in das Team passen, dann bewirb dich auf jeden Fall. Chinese: 我還想感謝Protocol Labs對此影片的支持 這是一家做著眾多不同研究和開發項目的機構 如果你點擊我留在影片描述中的連結 進一步瞭解這些項目的細節 你會發現有些項目有與這個影片中相似的理念 去中心化的挑戰和好處 並不僅限於貨幣和交易歷史 密碼學中的工具如雜湊函數和數字簽名的用處 有更廣泛的應用 比如Protocol Labs上的有些項目,如IPFS和Filecoin 著重在文件分散式儲存的研究 由此將會展開一個全新充滿有趣挑戰和可能的領域 假如你是開發者的話,Protocol Labs非常注重開源 所以如果你感興趣,可以加入這已經很興盛的開源社群 而他們也招募全職的開發者 如果你覺得那裡很適合你的話,一定要去申請! English: I know you know that, but it really does help. I also want to thank Protocol Labs for their support of this video. This is an organization that runs a number of research and development projects, and if you follow the links I’ve left in the description to read into the details of these projects, you’ll notice some strong parallels with the concepts covered in this video. The challenges and benefits of decentralization are by no means limited to currency and transaction histories, and the usefulness of tools from cryptography like hash functions and digital signatures are likewise much more general. For example, a couple of Protocol Lab’s projects, such as IPFS and Filecoin, center on distributed filestorage, which opens a whole field of interesting challenges and possibilities. For any developers out there, Protocol labs places a high value on open source, so if you’re interested you can join what’s already a very strong community of contributors. They’re also looking to hire more full-time developers, so if you think you might be a good fit for some of these projects, definitely apply. Indonesian: Saya juga ingin mengucapkan terima kasih kepada Protokol Lab atas dukungan mereka terhadap video ini. Ini adalah organisasi yang menjalankan sejumlah proyek penelitian dan pengembangan yang berbeda. Dan jika Anda mengikuti beberapa tautan yang tertinggal di deskripsi untuk membaca rincian proyek-proyek tersebut, Anda akan melihat beberapa kesamaan yang kuat dengan konsep yang tercakup dalam video ini. Tantangan dan manfaat desentralisasi sama sekali tidak terbatas pada mata uang dan sejarah transaksi. Dan kegunaan alat dari kriptografi, seperti fungsi hash dan tanda tangan digital, juga jauh lebih luas. Sebagai contoh, beberapa proyek Protokol Labs, seperti IPFS dan Filecoin, berpusat pada ide penyimpanan file terdistribusi, yang membuka seluruh bidang tantangan dan kemungkinan yang menarik. Untuk pengembang di antara Anda, Protocol Labs menempatkan nilai yang sangat tinggi pada open source. Jadi jika Anda tertarik, Anda bisa bergabung dengan komunitas kontributor yang sangat kuat. Tapi mereka juga ingin mempekerjakan pengembang penuh waktu. Jadi jika Anda pikir Anda mungkin cocok di sana, pasti berlaku. Vietnamese: Tôi cũng muốn cảm ơn Protocol Labs cho sự hỗ trợ của họ đối với video này. Đây là một tổ chức điều hành một số dự án nghiên cứu và phát triển khác nhau. Và nếu bạn ghé thăm một số các liên kết tôi chia sẻ trong phần Description để đọc về các chi tiết của những dự án đó, bạn sẽ nhận ra một số điểm rất tương đồng với các khái niệm được đề cập trong video này. Những thách thức và lợi ích của hệ thống phi tập trung không chỉ giới hạn trong tiền tệ và lịch sử giao dịch. Và tính hữu ích của các công cụ từ khoa học mật mã, như các hàm băm và chữ ký số, cũng tương đối rộng hơn. Ví dụ: một vài dự án của Protocol Labs, chẳng hạn như IPFS và Filecoin, xoay quanh ý tưởng lưu trữ tập tin trong cách tổ chức phi tập trung, mở ra những thách thức và khả năng thú vị. Cho các kĩ sư tin học trong số các bạn, Protocol Labs rất đề cao mã nguồn mở. Vì vậy, nếu bạn quan tâm, bạn có thể tham gia một cộng đồng cộng tác viên lớn mạnh. Nhưng họ cũng đang tìm kiếm để thuê các nhà phát triển tiềm năng. Vì vậy, nếu bạn nghĩ rằng bạn có thể phù hợp ở đó, đăng kí thôi! Arabic: لذا إذا كنت تعتقد أنك ستكون مناسب هناك، تقدم إليهم.
{ "pile_set_name": "YoutubeSubtitles" }
Thanks to curiosity stream for supporting PBS Digital Studios. We've been failing to detect dark matter for decades but finally the latest failure to detect Dark Matter may have actually proved its existence one of these is true either most of the matter in the universe is invisible and formed by something not explained by modern particle physics or our understanding of gravity is completely broken the debate over which is true has raged for decades but may finally have been resolved in an unlikely way the proof that Dark Matter exists and really is an exotic unknown substance may have come from the discovery of two galaxies that appear to have no dark matter at all today on spacetime journal Club we'll look at the papers that reveal this discovery the effect of dark matter who was first noticed in 1933 when the legendary Swiss astrophysicists Fritz Zwicky noticed that the galaxies in the Coma Cluster were moving too quickly to remain gravitationally bound within that cluster he guessed the presence of Dunkel materia a dark matter invisible to the telescope but whose gravitational effect held the cluster together as with many of his wiki's predictions like the existence of neutron stars and gravitational lensing this wasn't taken seriously until decades later the hunt for dark matter began in earnest after the early 70s when Vera Rubin discovered that the rotation rates of spiral galaxies were too fast given the mass of their visible stars alone they should throw themselves to pieces spinning that quickly that is unless a gravitational force of unseen origin was holding them together since the 1970s generations of astronomers have searched for the origin of dark matter gradually ruling out the possibilities if it were dust or gas we'd see it's obscuring effect on light passing through it if it were dark compact bodies like failed stars or stellar corpses or primordial black holes then we'd see the warping of of more distant stars in their gravitational fields in other words we'd see their gravitational lensing all known particles of the standard model of particle physics have likewise been ruled out if dark matter really is a type of matter then it must be an unknown type generations of experiments to find this particle have also failed to locate the exotic dark matter particle so far this troubled quest has inspired theorists to explore another possibility what if the discrepancies in the orbits within galaxies and clusters is not due to an unknown source of gravity but due to a failure of gravitational theory itself the first such proposal was Mons modified Newtonian dynamics proposed by Mordecai Milgram in the early 80s the idea is the Newton's law of universal gravitation might change between short distances like within the solar system and large distances like entire galaxies and clusters such a proposal doesn't just modify Newton's gravity but also requires modification of Einstein's general relativity over the years various efforts have been made to refine and justify such a modification and new proposals keep popping up like the quantized inertia and dark fluid that last one is something we covered recently but no consistent theory has appeared a few points have come out in favor of the dark matter as mater hypothesis versus the modified gravity schemes there's gravitational lensing the warping of light from more distant objects and due to the gravitational fields of galaxies and clusters this has given us an independent measure of the mass of those objects and those masses were the same as measured from the orbits the Cosmic Microwave Background fluctuations also give us a measurement of the relative amount of dark matter in the early universe compared to atoms once again roughly consistent with what we measure from other methods modified gravity theories had to hard to keep up with the mounting evidence that dark matter looks like actual physical stuff but still we have an impasse astronomers and particle physicists can't find the matter that dark matter is made of while those who would like to overthrow the underlying theory of gravity struggle to make their models fit all the observational evidence but there's one feature common to almost all modified gravity models that could falsify all of them they pin gravity on the baryons they say that most of the gravity in the universe comes from normal stuff like stars and gas in particular the protons and neutrons they contain their baryons that gravity then follows different rules at different distances giving the illusion of there being more baryonic matter than there really is in this scheme baryons on galactic size scales should always produce the effect of dark matter dark matter and baryons should never be observed separately the first piece of evidence that baryons and dark matter can actually be separated came with the bullet cluster this is a pair of clusters that recently collided because galaxies are relatively small compared to the space between the galaxies in these clusters mostly he passed right through each other on the other hand the gas in these clusters collided and ended up left at the location of the collision while the galaxies moved on so where is the dark matter if modified gravity models are correct you'd expect it to be wherever most of the baryons are in this case that's the gas there's about twice as much mass in that trainwreck of gas in the middle compared to the stars in the galaxy clusters on either side the true mass distribution of the bullet cluster was mapped using gravitational lensing this time the warping of life of galaxies behind that cluster it turns out that most of the mass here's a invisible it's not stars or gas but rather dark matter and be it hanging out with the stars and not the gas the Dark Matter also appears to have passed straight through the collision site which is exactly what you'd expect if dark matter is what we think it is some exotic weakly interacting particle but not what you'd expect if dark matter were just a modification of gravity produced by the baryons then the mass should be exactly where we see it hanging out with the gas some modified gravity proposals have claimed they are still consistent with the observation of the bullet cluster so apparently we need more evidence cue the new discovery a galaxy that may have no dark matter whatsoever this weird object is a so-called ultra diffuse galaxy or udg these can be the size of the Milky Way but maybe with 1% of the number of stars sister Milky Way Peter van dokkum and Shani Danieli of Yale University and their team were studying one of these UD G's in the neighborhood of the elliptical galaxy NGC 1052 and this udg is charmingly named and you see 1052 / d f2 but today we're gonna call it fritz to understand how Fritz formed the team measured the motions of stars within that galaxy first some bright lots of stars globular clusters then did a few stars of the rest of the galaxy remember that Ricky and Rubin discovered dark matter in the first place by observing that the velocities were too fast in clusters and in galaxies indicating an unseen source of mass to hold those things together well this team found the velocities were extremely small at least compared to similar you DG's discovered in the past from the stellar orbits they inferred a mass for Fritz of 130 million times that of our Sun although with an error bar of 18 million solar masses the comparison our galaxy has a mess around ten thousand times greater with the vast majority of which is dark matter this was intriguing to determine the ratio of stars to dark matter the team calculates in Fritz's still a mess based on the amount of light received from the galaxy this is actually pretty straightforward because we have an excellent understanding of how much and what type of light stars of different masses produce they got a stellar mass of a hundred million suns that's basically the same mass from the stellar orbits that told the researchers that we don't even need dark matter to account for the mass of this galaxy and most Fritz should have about the same mass in dark matter as it doesn't stars but even that would be bizarre because normally in a galaxy like this the dark matter would outweigh the stars by a factor of 400 the team has since found a second galaxy in the same group that also appears to be missing dark matter and they have several more candidates for which they still need to measure velocities it seems it is possible for a galaxy to be missing dark matter which is an ironically powerful argument in favor of the existence of dark matter if dark matter isn't a substance but rather a modification of the laws of gravity then it shouldn't be possible to separate it from the galaxy yet in this case that seems to be exactly what happened the authors have some ideas of how this could have happened but they emphasize that these are just guesses for the moment perhaps these UD G's form from gas and stars ejected in a past collision with the nearby elliptical galaxies while perhaps that elliptical galaxy once harbored a quasar its central black hole underwent a feeding frenzy that blasted enough gas out of the galaxy to form a new mini galaxy but without the dark matter or perhaps those same quasar winds landed some gas exterior to the elliptical galaxy triggering it to collapse into stars even without the dark matter that would normally be needed to start that process obviously more work is needed to understand these dark metal light galaxies then document team are honored and no doubt many other astronomers will be racing to investigate this weird new class of object hopefully if we can understand how a galaxy can form without dark matter we can learn more about the nature of dark matter itself which be nice I mean it only makes up 80% of all matter in space-time thank you to curiosity stream for supporting PBS Digital Studios curiosity stream is a subscription streaming service that offers documentaries and nonfiction titles from a variety of filmmakers including curiosity stream originals for example you can watch the hunt for dark matter which looks at how CERN and the University of California Santa Barbara are working to uncover just exactly how dark matter works and what it may actually be you can learn more at curiosity stream comm slash space-time so you all seem to have completely understood the holographic universe video on first watch so there's nothing to say here well you fan did request a new video the explanation of the holographic universe explained point taken any further explanations will get their own entire videos today we're just going to use the response section to address your humorous comments and also to show some of the incredible artwork you came up with depicting Roger Penrose dressed as Gandalf with a lightsaber and a TARDIS okay maybe just one science one from Tony face who muses the whole information stored on the surface of a volume idea had got me thinking pick a sphere that encompasses whatever you define of as me so everything about me can be encoded on the outside of that surface could you say that everything I could possibly measure about the outside universe is also encoded on the inside of that same sphere and thus every closed 2d surface in 3d space is essentially a limit of the know ability of one region about the other Tony face consider a career switch this is indeed a reasonable interpretation of the universe beyond our cosmic horizon as a hologram living in the light bill quite reach us trapped at the expanding horizon and that sounds like another entire episode okay to the face mollify shares with us they're tuning in to that video randomly was like Oh bleep I just walked into the final exam without ever going to class so you're saying our videos are like a nightmare to you well at least they're free cook for 20 informs is that while we may feel that we live in a three spatial dimension universe serve up down left right forward back we're actually in a higher dimensional universe of up up down down left right left right B a B a select start that's right you already have all the power-ups you just don't know it bailed agust points out that Roger Penrose is a Time Lord in four-dimensional space but looks like a Jedi in a three-dimensional surface infinitely far away fleam notes that this is a form of Jedi Time Lord duality try RT guys try allottee he's also a wizard as our Roger Penrose fan out reveals here we have a brilliant one from over decks on Twitter I see a soldier of ministereth in the background there but wasn't he Gandalf the White not the gray by the time the fellowshipped reached the tower of watch oh yeah TARDIS he time traveled and also from Twitter we have Steven Halliday's brilliant drawing in which the lightsaber blade is the matrix mathematics of the more penrose conditions truly an elegant weapon for a more civilized age and finally Roger Penrose as dr. Gandalf the White on Shadowfax by David surely no fun is here just wow David I'm gonna just go ahead and replace Ian McKellen with Roger Penrose in my mental image of Gandalf [Music]
{ "pile_set_name": "YoutubeSubtitles" }
hi friends in this video we are going to see one more important parameter of AC voltage waveform and that is average value lets see the definition of average value the average value of an alternating quantity is defined as that value which is obtained by averaging all the instantaneous values over a period of half cycle now one half cycle is required for calculation of average value because AC waveform we have seen that it is a sinusoidal in nature it has two positive as well as a negative off cycles which are identical one so thing is that if I average or if I add all the instantaneous values in positive as well as negative off cycle ultimately it sums up towards 0 so you can say average value is 0 but that is not a case whenever we calculate average value of a such waveform we need to take only half cycle because it is understood remaining half is identical to the first half only sine is changing so in order to avoid this problem we always take half cycle while calculation of average value so every value can be calculated by two way one is a graphical and second is analytical so what graphical method is I am considering a half cycle and in this half cycle I have consider so many instances so let us look at 12 instances I have calculated and for every instant I calculate the instantaneous value of a current or a voltage and simply I will add them and divided by number of instances we are taken so that gives rise to this formula for 12 instances I have V average as v1 plus v2 plus v3 up to Whitwell divided by 12 in general suppose I am having n number of points so I will get V average as v1 plus v2 plus v3 up to VN / n same way instead of a voltage if I want to get average current it is given by I average equal to i1 plus i2 plus i3 up to In divided by n so this is a one way of a calculation of average value let us go to the second way and that is analytical method so what do we do in an analytical method we just consider the area covered by this half cycle so what I will consider a small element I will consider and then I integrate over a half cycle I will get a average value so lets solve so the average value can be obtained by taking the ratio of area under the curve or a half cycle to length of base of half cycle so I average is equal to area under curve for half cycle and we have seen that it is integral 0 to PI I dtheta because I D theta is that small element which we need to integrate to complete area of the half cycle and length of half cycle is PI so 1 over PI I can take it out integral 0 to PI by ID theta if I solve instead of I I need to substitute IM sine theta I am I can take it out as it is constant so IM by PI integral 0 to PI sine theta D theta sine theta integral a is the minus cos theta and if I apply the limits I will get value 2IM 75 00:03:50,090 --> 00:03:58,130 by PI 2 by PI is a constant and if we solve you will get that constant number 0.637 so I can say I average is nothing but 0.637 IM similarly V average I can say 0.637 VM so every value is nothing but 63.7% of the maximum value for AC quantity what is the advantage of this average value we have seen that whenever required this AC can be converted into a DC so whenever we are converting this AC into DC what value exactly we can pass while applying a DC supply and that is given by this average value so average value is nothing but whenever I convert AC into DC and without any filteration if I check the voltage that voltage is nothing but average value thank you
{ "pile_set_name": "YoutubeSubtitles" }
Hi, Billy Mays here. This is the new commercial for Tom Humps the movie starring Tom Humps with Tom Humps in the role as Tom Humps in Tom Humps the movie, Tom Humps the movie is sponsered by Tom Humps productions. Buy now at tomhumps.com
{ "pile_set_name": "YoutubeSubtitles" }
English: Imagine that your friend comes over one day and brings a Ouija board with him. You both sit and start to try to contact evil spirits, your skeptical eye watching every move the planchette makes and trying to figure out if your friend's pulling your leg. Suddenly the planchette starts moving from the letter Z to the letter O, over and over again rapidly, and after making its presence known, this 'spirit' starts answering questions about relatives of yours with incredible accuracy. Creeped out, the next day you get curious and google the name Zozo, only to discover thousands of similar accounts written across various message boards online. Hello and welcome to another special episode of The Infographics Show's Greatest Mysteries: The Zozo Demon. You don't have to imagine the preceding scenario, because it has in fact happened to thousands of people around the world. Whether using ouija boards, automatic writing, or various other spiritual contact techniques, people all around the world have reported contacting an entity calling itself “Zozo”. Italian: Immagina che un giorno arrivi il tuo amico e che porti con sè una tavola Ouija. Vi sedete entrambi e tentate di contattare spiriti maligni, i tuoi occhi scettici che guardano ogni movimento che fa la lente e cercano di capire se il tuo amico ti sta tirando la gamba. All'improvviso la lente inizia a muoversi dalla lettera Z alla lettera O ripetutamente, di nuovo, rapidamente e dopo aver palesato la sua presenza, questo "spirito" inizia a rispondere a domande riguardo i tuoi parenti con incredibile accuratezza. Rabbrividito, il giorno dopo ti incuriosisci e cerchi su google il nome Zozo per poi scoprire migliaia di account simili scritti su varie bacheche online. Ciao e benvenuto su un altro episodio speciale di "The Infographics Show's Greatest Mysteries": Il Demone Zozo. Non c'è bisogno di immaginare lo scenario precedente perchè, di fatto, è accaduto a migliaia di persone nel mondo. Che sia stato usando tavole Ouija, scrittura automatica o varie altre tecniche di contatto spirituale, persone da tutto il mondo riportarono di aver contattato un'entità che si faceva chiamare "Zozo". English: With the advent of the internet, people began to share their stories online, each person shocked to discover that hundreds, if not thousands of others had had the same experiences as they did. Possibly more terrifying though is the fact that stories about Zozo have been around for hundreds of years, with one of the oldest accounts coming from Collin de Plancy's demonic encyclopedia, the Dictionnaire Infernal. According to de Plancy, a young girl claimed to be constantly harassed by three evil spirits: Mimi, Crapoulet, and Zozo. The demons would torment the girl and force her to walk on her hands, or act indecent in the company of others. Eventually she was exorcised successfully, although the priest performing the rite was warned not to attempt another exorcism by the police. It's easy to discount old tales as mere superstition, or even to discount modern testimony as simply flights of fancy that appropriate old legends or scary stories. It's not so easy however to explain the massive amount of collaborative testimony available Italian: Con l'avvento di internet, la gente iniziò a condividere le loro storie online, ogni persona sconvolta di scoprire che centinaia, se non migliaia di altri, hanno avuto la stessa esperienza che hanno avuto loro. Ancor più terrificante forse è il fatto che le storie su Zozo erano in circolazione già da centinaia di anni, con uno dei più vecchi resoconti provenire dall'enciclopedia demoniaca di Collin de Plancy: il Dictionnaire Infernal. Secondo de Plancy, una giovane sostenne di essere tormentata di continuo da 3 spiriti maligni: Mimi, Crapoulet e Zozo. I demoni tormentavano la ragazza e la obbligavano a camminare sulle sue mani o a comportarsi in modo indecente in compagnia degli altri. Fu eventualmente esorcizzata con successo, anche se il prete che praticò il rito venne avvertito di non tentare un altro esorcismo dalla polizia. E' facile dare per scontato le vecchie favole come mere superstizioni o anche considerare le moderne testimonianze come semplici voli pindarici caratteristici delle vecchie leggende o delle storie di paura. Tuttavia non è così facile spiegare l'enorme ammontare di testimonianze collaborative disponibili English: online, specially from people surprised to discover so many others allegedly having contact with the same entity. Encounters with Zozo tend to go the same way- contactees will be using a Ouija board or other spirit contact technique, and Zozo will make its presence known by spelling out its name. Typically it will then answer questions that would be difficult for other people around you to know the answers to in an effort to gain your trust. Other times it will simply start to spell out expletives. Contact with Zozo typically results in something tragic happening shortly after- one man claims that his wife left his daughter in the bath tub and stepped out for a moment, which was long enough for his daughter to begin drowning. After rescuing her she was struck ill by a mysterious infection days later. Another woman claims that on the same day as her contact with Zozo she was hit by a drunk driver. People differ on what exactly Zozo is, but whatever it is it's clearly got a bad temper. Some say that Zozo is a demon, possibly even the ancient Mesopotamian king of wind demons, Italian: in rete, specialmente da persone sorprese di aver scoperto così tanti altri che hanno presumibilmente avuto contatto con la stessa entità. Gli incontri con Zozo tendono ad andare nello stesso modo: quelli che contattano usano una tavola Ouija o altre tecniche di contatto spirituale e Zozo rende nota la sua presenza rivelando il suo nome. Di solito poi risponde a domande che risulterebbero difficili da saper rispondere per le altre persone così da guadagnare la tua fiducia. Altre volte inizia semplicemente a sillabare imprecazioni. Il contatto con Zozo risulta tipicamente in qualcosa di tragico accadere subito dopo, come ad un uomo che sostenne che sua moglie lasciò sua figlia nella vasca e si allontanò per un momento che era abbastanza lungo da permettere a sua figlia di affogare. Dopo averla salvata venne colpita da una malattia da una misteriosa infezione giorni dopo. Un'altra donna sostenne che nello stesso giorno del suo contatto con Zozo venne investita da un guidatore ubriaco. Le persone hanno diverse opinioni su cosa sia Zozo esattamente ma qualsiasi cosa sia ha chiaramente un brutto carattere. Alcuni dicono che Zozo sia un demone, possibilmente anche l'antico re Mesopotamiano dei demoni del vento, Italian: Pazuzu. Altri credono che Zozo sia semplicemente un'entità malevola che si sia appropriata di tale nome a causa della crescente paura di esso. Altri ancora credono che Zozo non sia una singola entità ma piuttosto un nome che vari spiriti maligni o maliziosi usano per spaventarci, sapendo quanto spaventati siamo diventati nel contattare l'irritabile Zozo. Queste persone pensano che gli spiriti possano semplicemente divertirsi un po' usando tale nome mentre spiriti più malvagi se ne appropriano per spaventarci e -ritengono- che la paura dia il potere agli spiriti. Qualunque sia la sua origine, alcune caratteristiche di Zozo implicano un'attrazione per il genere femminile preferendo il contatto con le donne che con gli uomini. Zozo inoltre sembra essere attratto da persone con tendenze suicide, depressione e altri disordini psicologici. I ricercatori sostengono che queste persone sono più vulnerabili a influenze demoniache dando al demone più potere su di loro e rendendo più facile spingerle a fare cose estreme come il suicidio o ferire e spaventare gli altri. English: Pazuzu. Others believe Zozo is simply a malevolent entity that appropriated the name because of growing fear around it. Yet others believe that Zozo is not a single entity, but rather a name that various evil or mischievous spirits use to scare us, knowing how scared we have become of contacting the ill-tempered Zozo. These people think that spirits may simply be having a bit of fun with us by using the name, while more evil spirits appropriate it in order to scare us- and fear, they believe, gives the spirits power. Whatever its origin, some of Zozo's characteristics involve an attraction to the female sex, preferring contact with women over men. Zozo also seems to be attracted to people with suicidal tendencies, depression, or other psychological disorders. Researchers claim that these people are more vulnerable to demonic influence, giving a demon more power over them and making it easier to push them to do extreme things such as suicide or hurting or scaring others. English: Those who claim to have come in contact with Zozo describe sudden and intense feelings of anger, fear, depression, or generally black thoughts as they talk with Zozo. Their encounters are typically followed by seemingly bad luck. Others though are more severely affected, with some claiming to have suffered physical symptoms such as headaches, sleepwalking, and the appearance of marks and bruises on their bodies. This is all quite terrifying- if true. Along with the host of believers, there are just as many skeptics however, and the preferred tool of contact with Zozo, the Ouija board, is itself fraught with doubts. For starters, it's a game manufactured by a major toy company, and many skeptics have a hard time swallowing the fact that spirits and demons are immediately accessible with a simple board game. There may be some merit to that point, but then again, if the world of spirits and demons is real then who says they need some special, archaic and mysterious method to contact us? But that's hardly the only criticism leveled at the Ouija board. Italian: Quelli che sostengono di avere avuto contatti con Zozo descrivono delle improvvise e intense sensazioni di rabbia, paura, depressione o generalmente brutti pensieri durante il dialogo con Zozo. I loro incontri sono tipicamente seguiti da apparentementi casi di sfortuna. Altri tuttavia sono influenzati in modo più critico, con alcuni che sostengono di aver sofferto sintomi fisici come mal di testa, sonnambulismo, e la comparsa di segni e lividi in corpo. Se è vero, questo è alquanto terrificante. Ci sono numerosi credenti tanti quanti i molti scettici, e lo strumento di contatto preferito di Zozo, la tavola Ouija, è esso stesso carico di dubbi. Per iniziare, è un gioco creato da una grande compagnia di giochi e molti scettici fanno fatica a digerire il fatto che gli spiriti e i demoni siano consultabili con un semplice gioco da tavola. Ci potrebbero essere alcuni meriti su questo punto ma, ancora, se il mondo degli spiriti e dei demoni è reale allora chi dice che hanno bisogno di uno speciale metodo arcaico e misterioso per contattarci? Ma questa è difficilmente l'unica critica a livello della tavola Ouija. Italian: Nel 1972 gli psicologi fecero un esperimento per vedere se le persone potessero avere esperienze di contatti paranormali con gli spiriti tramite la sola volontà umana, in pratica volevano vedere se fosse tutto dentro la nostra testa. Per lo studio inventarono un personaggio fittizio di nome Philip Aylesford e poi invitarono un gruppo di persone per una seduta spiritica per evocare il suo fantasma. Il gruppo ebbe eventualmente un contatto con l'entità, convincendosi che potevano sentire la presenza di Philip, udendo bussare dal tavolo, sentirono il tavolo vibrare fisicamente e ad un certo punto videro il tavolo piegarsi su due gambe. Per tutto il tempo non avevano idea che Philip fosse una finzione. Lo studio provò quindi quanto siamo suscettibili al credere nel paranormale con solo il più piccolo stimolo. Ma ancora, se il mondo degli spiriti e dei demoni fosse reale, chi ci dice che uno spirito malizioso o un demone malvagio non abbia semplicemente risposto alla seduta, sapendo per certo cosa stava succedendo e approfittandosi della frustrazione che avrebbe causato l'intera faccenda quando ai partecipanti sarebbe stato detto che non c'era nessuna persona come quella a cui sostenevano di parlare? English: In 1972 psychologists ran an experiment to see if people could have paranormal spirit contact experiences through nothing more than human will- basically they wanted to see if it was all just in our heads. For the study, they made up a fictional person named Philip Aylesford and then invited a group of people to run a séance in order to summon his ghost. The group eventually made contact with the entity, becoming convinced that they could feel Philip's presence, hearing knocking sounds coming from the table, felt the table physically vibrate, and at one point saw the table tilt up onto two legs. All the while, they had no idea that Philip had been completely made up. The study proved just how susceptible we can be to believing in the paranormal with just the smallest amount of prodding. Yet, if the world of spirits and demons is real, what's to say that a mischievous spirit or evil demon didn't simply respond to the séance, knowing full well what was taking place, and reveling in the frustration the entire affair would cause when the participants were told there was no such person as the one they claimed to be speaking to? English: Why would spirits and demons be any different than we are- basically, why wouldn't a spirit troll a scientific study way back in 1972? Other skeptics point at the ideomotor effect as an explanation for 'contact' with Zozo and other paranormal entities. The ideomotor effect is the subconscious and involuntary movement of muscles, typically to a very small and likely imperceptible degree. This effect has been well documented, most famously by the famed Michael Faraday who built a device to show how the ideomotor effect was responsible for the 'table-turning' fad that swept supernatural-believing London. Today, skeptics claim that ouija board communications are nothing more than the subconscious mind using the ideomotor effect to push the planchette around and give us the answers we are seeking. Zozo may well be simply a product of our own subconscious pushing a planchette on a ouija board with movements so imperceptible that even we ourselves are fooled into believing a supernatural explanation. Yet that doesn't explain the global internet phenomenon which has seen thousands of people Italian: Perchè gli spiriti e i demoni sarebbero diversi da noi- in pratica, perchè non dovrebbe uno spirito trollare uno studio scientifico nel lontano 1972? Altri scettici puntano all'effetto idiomotorio come una spiegazione per il "contatto" con Zozo e altre entità paranormali. L'effetto idiomotorio è un movimento inconscio e involontario dei muscoli, tipicamente su una piccolissima e impercettibile scala. Questo effetto è stato documentato a lungo, per fama, dal famoso Michael Faraday che costruì un dispositivo per mostrare come l'effetto idiomotorio fosse responsabile del tipico effetto del "tavolo che si muove" che spazzò la Londra che credeva nel sovrannaturale. Oggi gli scettici sostengono che le comunicazioni con la tavola ouija non siano altro che il subconscio che che usa l'effetto idiomotore per spingere la lente e darci le risposte che cerchiamo. Zozo potrà semplicemente essere frutto del nostro subconscio che spinge la lente su una tavola ouija con movimenti così impercettibili che perfino noi stessi siamo ingannati a credere a una spiegazione sovrannaturale. Ancora, questo non spiega il fenomeno globale di internet il quale ha assistito a migliaia di persone Italian: sostenere un contatto con la stessa entità. Gli scettici puntano alla possibilità di una tendenza psicologica di massa tra i credenti o che ognuno di loro stia potenzialmente inventando una grande bufala. Entrambe le risposte potrebbero essere vere ma per quanta evidenza valida ci sia per entrambe le risposte quanta ce ne sia per Zozo -ovvero zero- è un tipo di ironia speciale che la credenza della non esistenza di Zozo richiede, tanta quanta la fede senza fatti di quella credenza stessa. English: all claiming contact with the exact same entity. Skeptics point out the possibility of a mass psychological trend amongst all these believers, or that potentially every single one of them is simply making up a tall tale. Both answers could be true, but with just as much hard evidence for either those two answers as there is for Zozo- that being zero- it's a special kind of irony that the belief Italian: Pensi che Zozo sia reale? Hai mai incontrato questa entità? Raccontaci la tua storia nei commenti! Inoltre, assicurati di dare un'occhiata all'altro nostro video "Scariest Ghost Stories". Grazie per la visione e come sempre, non dimenticarti di mettere like, condividere ed iscriverti. Alla prossima. English: Zozo is not real requires just as much fact-less faith as the belief that it is. Do you think Zozo is real? Have you ever encountered this entity? Tell us your story in the comments! Also, be sure to check out our other video Scariest Ghost Stories. Thanks for watching, and as always, don’t forget to like, share and subscribe. See you next time.
{ "pile_set_name": "YoutubeSubtitles" }
This is Simerjeet Singh back again with the #QuotesThatInspire series. My desire is to share with you words of inspiration from different parts of the world, from different thinkers. Words which provoke you, which inspire you, which force you to slow down and think again about life and your priorities. I think today's videos like two different quotations rolled into one from two different masters, from two different parts of the world, from two different eras or together differently. One is from the famous psychologist Carl Jung and the other one is from the Sufi master Jalaluddin Rumi. And the beauty of these two very different set of words is how similar they are and their intent. Coming from two people who probably would have never met each other, probably came from very different cultures but yet the essence of what they had to say remains the same and that's what I love because it all connects, all these great thinkers, all these great minds, you know they probably all tuned into a super conscious mind and derive their wisdom from that. So let's start with the first one coming from Carl Jung who wrote "The shoe that fits one person pinches another." "The shoe that fits one person pinches another; there is no universal recipe for living." And I think I've found this quotation by Carl Jung very apt at times when people send emails or ask experts about the ideal life. There is no ideal path that anyone else can tell you. There is no set path that you must walk on in order to qualify as a life that was lived well or in order to qualify being called successful. Because what works for one person might not work for another and therefore it is the utmost responsibility of every human being to figure out your own way, to figure out that path which is meant for you, which utilizes your strengths and which will enable you to flourish and will give you most peace and harmony. If you are an entrepreneur, perhaps you would feel suffocated working for someone else or living on a salary because that's who you're, that's your path, that is your recipe for living. If you're an entrepreneur you must unleash that entrepreneurial instinct and do something on your own and if you suffocate yourself into a job just because you did not have the courage to follow your own path you're going to lead a life of misery. However not everyone's meant to be an entrepreneur. You know, some people find life more comfortable and more appealing and they're able to handle it better when they when they're working for someone else, when they're drawing a salary and working for a corporation and a person like that would find it very hard to survive as an entrepreneur. You know he might find it very difficult on a day-to-day basis to figure out everything for himself or herself. They'd be better off being part of a system, of an ecosystem where a lot of things are taken care off by someone else and they can focus on the work they need to do. So "the shoe that fits one person pinches another; there is no your universal recipe for living." Which means figure out your own recipe. Experiment, think and take a few wrong steps in order to arrive to the truth but please please please figure out your own path, the one that pleases you the most. The second one coming from the Sufi master Jalaluddin Rumi. Again ties into this one. Rumi writes "Don't be satisfied with the stories how things have gone for others. Unfold your own myth." "Don't be satisfied with stories how things have gone with others. Unfold your own myth." And I think the beauty about this, second set of words from Jalaluddin Rumi is once someone becomes successful, suddenly there's a huge amount of interest in how did this person get there, what's his life story, what sort of actions did he take, what sort of steps on his journey. In the desire to replicate that journey, in the desire to follow those four steps, in the desire to recreate that success and that is where precisely Rumi is asking you not to do it. And he's saying okay fine learn and be inspired and you know gather information if you have to. But learn to unfold your own myth and I think that is one of our primary responsibilities to ourselves, to leading a fulfilling life: is to have the courage to unfold our own myth, is the it is to have the courage to walk into the unknown and not always seek out a step-by-step description of what someone else has done before you. So I leave you in summary with these two thoughts once again, with the only intent that after you finish this video. Pause and spend some time on figuring out your own journey and with the desire to unfold your own myth. "The shoe that fits one person pinches another; there is no Universal recipe for living." Curl Jung: "Do not be satisfied with the stories how things have gone for others. Unfold your own math." Jalaluddin Rumi. So I hope this gives you food for thought, to figure out your very own specific path - unfolding the beautiful gifts that you arrived with on this planet. Thank you for watching! Bye bye! you
{ "pile_set_name": "YoutubeSubtitles" }
in most people's minds anarchy summons up visions of a lawless hellscape where only the strongest and most brutal people can survive. Something like the Purge. In fact, the second Purge movie literally has the subtitle Anarchy. But I don't want that! It's obvious that in a world where only the strong survive I'd be burned for fuel on day one! How could I want something so incongruous with my effete, soft-boi lifestyle? What I want is socialism, but like, without a state. Also it'd be mad decentralized. We call this framework anarcho-communism. Hey, real quick, here's the definition of socialism I use so we can be on the same page. Common ownership of the means of production. Which is to say that the stuff needed, to make the stuff needed to survive, so like factories tools and farms and that kind of thing, are owned and controlled by everyone that depends on them rather than privately owned by whatever ding dong had the money to buy them. Sounds pretty good, right? But if you ask centrists and right-wing goofballs about it, "Oh it works on paper, but it'll never work in real life!" There's just one little thought terminating cliche that prevents socialism from ever working in the real world... Attila the Hun, Elizabeth Báthory, Mozart, Andy Dick, Marie Curie, Camus, Tilda Swinton ,Napoleon, Octomom, Nelson Mandela, Sonic the Hedgehog... All human. All possessing the same mercurial essence. The unseen, irreducible, inalienable, quality of human nature... that makes their actions and behaviors exactly the same if you think about it! Socialism can't work because people are simultaneously too greedy and too lazy. That may seem like an oxymoron but it isn't because...(long silence). Well anyway that's a pretty dim view of humanity if you ask me I happen to think that mutual aid is a factor of evolution! The assumption wieners make is that socialism is somehow based on everyone sharing stuff, with no protections in place if somebody tries to take all this stuff, because it's all based on the honor system I guess. All the stuff is just put in a big pile and people can come and take whatever they want so one person could take everything and everyone else would be hosed. But socialism doesn't just mean everybody sharing things! It means that if everyone in the community needs something, nobody gets to own it privately, and as a consequence of that people kind of have to share things. Let's look at a very realistic example I've cooked up with my good good anarchist brain: Say we have some rich pervert... let's call him "Dave the capitalist". Because of his inherent rational self-interest, he covets material wealth. In his village the greatest producer of this wealth is a big fidget spinner Factory. All the rest of the people in his village need those fidget spinners to soothe their nervous energy. Under capitalism Dave gets to buy the factory, assuming he has the capital to do, so then he owns the fidget spinners and everybody has to pay him to get one.. and since they have no other wayto self-soothe he can charge whatever he wants! That's called "inelastic demand." He can bilk the poor fidgety peasants for everything they have, and live high off the hog on his fidget throne. Under socialism, Dave doesn't get to keep the factory if everyone else needs it. Sucks for Dave right? How's he gonna feed his capitalist family? Oh wait it's fine, because all of the things necessary for survival, like farms and shelter, are owned in common. So he has just as much right to food as anyone else, presuming that he shares in the labor of producing it. But how would the peasants take away the factory? They'd just walk in and take it because the police and military wouldn't back up Dave's property claims because property claims wouldn't exist... and ideally neither with the police or military. Socialism doesn't break down if people refuse to share, because you can't hoard things from people if nobody respects or, critically, defends with force your right to privately own things if other people need them to survive. Human greed isn't a big problem for socialism because the economic system doesn't incentivize it or protect i,t but it's a big problem for capitalism though! Oops!1% of the global population owns 50% of the total wealth on the planet (sad slide whistle noise). A lot of the jobs people do now would be completely irrelevant in an an-com society. We wouldn't need anyone to work in advertising, or finance, we wouldn't need managers, middle managers, presidents, vice presidents, executives, account managers, brand specialists, thought leaders, lobbyists or any of the other parasites that capitalism makes essential nowadays. A lot of jobs just straight up don't need to be done... At all. David Graeber writes about what he calls "bullshit Jobs": "In the year 1930 john maynard key- keen... Keynes! predicted that by the century's end technology would have advanced sufficiently that countries like Great Britain or the United States would have achieved a 15 hour work week. There's every reason to believe he was right. In technological terms we are quite capable of this. And yet it didn't happen. Instead technology has been marshaled, if anything, to figure out ways to make us all work more. In order to achieve this jobs have had to be created that are, effectively, pointless. Huge swathes of people in Europe and North America in particular spend their entire working lives performing tasks they secretly believe do not really need to be performed. The moral and spiritual damage that comes from this situation is profound. It is a scar across our collective soul." There's a whole lot of human energy that could be redirected to more useful purposes... and that's not even touching people who want to work and be productive but can't find a job or the idle rich who literally do nothing. But granted, there are a lot of jobs that are difficult and require specialized training... here's the thing though, I really don't want those jobs being done by people who are just cashing a cheque. I want my doctor to genuinely care about my health and be passionate about learning and practicing medicine. There are probably a lot of very caring intelligent and fastidious people who can't become doctors under capitalism because they can't afford the training. And imagine, just imagine, the way specialized fields could be revolutionized if everyone with the necessary drive and talent was able to participate in those fields, and those without those qualities didn't feel compelled to participate in them and junk everything up just to get a paycheque. Every doctor that's ever pushed pills on you because they had a sweetheart deal with the manufacturer, every therapist has ever stalled to bill more hours, every lawyer who defends exxon-valdez when they have an oil spill, every cab driver who took the long way to your destination, every salesperson who tried to push a useless extended warranty... They all did it because the point of their job is to make money, not to help people, not to service human need. But what about crappy jobs? Well I guarantee for literally every job, no matter how difficult, dangerous, or disgusting there are passionate people who genuinely want to do it and plenty of competent people who would be willing to do it if it needed to get done. And sure, maybe you say, "Not me I'll just sit around playing video games"... you cannot do the labor necessary to have everything you need to live a life of leisure playing video games on your own. You can't. Making your own food alone would be so much effort that you wouldn't have much time left over to research how to solar power your X-box. At some point, you're going to require someone else's help and why would people give it to you if you're not willing to help others when they need it? But if everyone works just a little bit we can all blow the rest of the time doing anything we want to do! You could spend a lot of time playing video games or you could stay the course in capitalism generating endless reports that nobody reads to justify the salary that you need to pay rent to your landlord who literally does nothing but sit on their butt and collect cheques from you. Your choice I guess. Ultimately I can't prove what human nature is I can't prove people are fundamentally good or hard-working, but even if we weren't I think it's worth challenging the assumption that the way people behave now is intractable and unchangeable. I don't believe there's such thing as human nature, we're flexible animals. Human beings are really, really good at adapting to new ways of doing things, we need to get better at the reverse: Adapting the way we do things to be better for human beings. We're good enough to live in a better world. We need to fix the mess that capitalism has made of our lives. We can fix it, and we will fix it because humans have the capacity to be compassionate and hard-working, and compassion and hard work are all that is required. If you think humanity is defined by selfishness and cruelty let me ask you this... If people are so fundamentally crooked that they cannot be trusted with freedom because they will abuse it, how can they be trusted with authority over someone else? Charlie! Look at me. Look at me! hey tell people to LIKE and subscribe tell them tell them to LIKE and subscribe to thought slime on YouTube.com Charlie, Charlie I don't ask you for much please man please Charlie I put so much work into this video
{ "pile_set_name": "YoutubeSubtitles" }
I think I was drawn particularly to Odell just because it is one of the more livelier residence halls in SOA just because you do get a lot of first years, as well as a lot of second years, but then also just like people looking for all different sorts of things. So it's kind of more of an eclectic mix. We've started in specifically Odell this year is Odell brunches, which is like every other Saturday. It happens before brunch for the people who get up earlier than 11 so like 10 to noon. That's been super fun most of the hall comes and you just get to have like whatever kind of food you want and cook it yourself or usually I cook it for them. That's been a fun thing that we do. We have Waffle Wednesday every Wednesday at 9pm so it's a great late night snack break from studying and stuff like that. I mean the main thing is just helping people get to know each other because life gets really really busy, but we had a lot of events where we talked about race and gender and the different ways that people identify and being really respectful of that and acknowledging that we all play a role in this. We've done a lot of events like that and I think that's been something that's helped our hall get to know each other in a little less superficial way than you would at maybe a Waffle Wednesday or something like that. I guess the most recent event we've had is an event on gratitude. It was really fun. I just baked a bunch of things and got a bunch of art supplies and we all were down in the Odell lounge and so people were like just painting things that they're grateful for or writing letters to people that they wanted to say thank you to. Everyone seemed to enjoy it a lot.
{ "pile_set_name": "YoutubeSubtitles" }
Good morning guys, welcome to Saint Seiya awakening: KOTZ Today we are going to watch some of the fights we've doing last 2 days. Using our new Milo repaired cloth. Finally we completed him last monday with a lot of effort and sweat. We collected the pieces slowly i sold all my Algol and Tetis cloth that i found in my boxes. So i could buy Orichalcum and we got SUPER LUCKY Saturday at night i think, i bought 1 box. With 300 coupons and i got the LAST piece i needed which was the chest! An enourmous amount of luck that, from 6 pieces that was the last one so thank you so much Athena and grand pope These are his stats right now: with a good amount of damage, low crit chance, just like Seiya divine cloth and Milo. It's really hard to get a good amount of crit because we are building them with speed. By the way my Milo it's not using Cristal Fire, so that's why he has low PATK. This set of New Moon was in my Seiya DC before we got Cristal Fire So this set of New Moon, upgraded and refined i gave it to Milo. In a future when i found a new set of Cristal Fire. Or if i'm not using Seiya DC definitely i'm switching cosmos to that set. For now he is gonna keep this, these are not bad stats, also he does SO MUCH DAMAGE he doesn't need a lot of stats. His skills are: Basic attack in 2 and Antares in 3! I'm waiting for just 1 milo so i can upgrade that one! Let's watch some fights i've done today and yesterday in Galactic Duel Obviosuly these are some i won. But also we lost some with some stupids team composition i tried and didn't work So here are the best! And that's it guys! Hopefully you enjoyed the fights! As you can see june it's a bit weaker With the amout of damage that can do Milo. Still a bit annoying but with a good amount of damage Finally we can kill those team of june, Ikki DC and Jamian Like you have seen in my channel i don't band Ikki DC. I kill them! Obviously we lose some fights but it's funnier My ikki dc it's always banned so I kill enemy chickens! That's it for today guys. If you haven't done it yet please leave a like, Subscribe and turn on the Bell. Bye!
{ "pile_set_name": "YoutubeSubtitles" }
Interviewer: How has your work affected you personally? It's made me a deeply cynical bastard! I grew up in Ireland, a country that has been deeply affected by terrorism. As a child, it seemed that the people who devote their lives to this kind of behavior they've got to be mentally ill or– or psychopathic. In college, I found myself taking a class in social psychology. My professor was this terrorism expert. His argument was: All we ever really see is the end result of when... ...the people that we call terrorists do what they do. We don't see the long and winding road that they take. As a result, we look for a neat, simple explanation and typically we say... "They must be just evil in some way." That idea changed my life. I wanted to become a psychologist who studied terrorism. When I sit down and interview a former terrorist, I'm trying to understand the motivations for becoming involved in terrorism, With all of its complexity and with all of its nuance. Nobody wants to hear that this is complicated. My challenge is to try to convey just how complex this issue is. Terrorism is a strategy. We can engage it with military solutions, but it's not going to stop terrorism. What we really ought to be doing is figuring out how we can make that strategy less appealing, how we can engage it without actually making it worse. We need to move beyond these simplistic questions, that currently I think just prevent us from actually doing something really meaningful. It's difficult not to have a sense of profound disillusionment with the world and with humanity. I've been visiting Pakistan, and I've had an extraordinary opportunity to visit de-radicalization facilities that are aimed at young kids, who are recruited into the Taliban. These kids are then rescued by the Pakistan Army and are given a second chance at life. I sat down with a failed suicide bomber. And he was an 11-year-old boy, who decided very bravely at the last minute he didn't want to go through with this operation and he gave himself up. And I thought to myself how selfish I am, to be so deeply cynical, when here we have an extraordinary example of people who can and do change. There’s always hope, and it sounds so cliché, it sounds so hokey, But those are the kinds of success stories we should never ever lose sight of.
{ "pile_set_name": "YoutubeSubtitles" }
más tras las se ha trasladado lo más loco te
{ "pile_set_name": "YoutubeSubtitles" }
German: Die ICU der Akutmedizin-Abteilung in der Tokyo University Hospital. Die Behandlung, die stattfand hier etwa ein Jahr und einen halben Tag war in der Welt beispiellos. Er ist Dr. Kazuhiko Maekawa. Er ist seit über 30 Jahren in der Notfallversorgung beteiligt. Es war das erste Mal, dass er einen Patienten begegnet, die eine große Menge an Strahlung erhalten hatte. Bei dem Unfall, die im Tokaimura Werk von JCO aufgetreten ist, wurden drei Arbeiter einer Strahlung ausgesetzt ... Die Kritikalität Unfall ereignete sich bei der Kernbrennstoffverarbeitungsanlage in Tokai Dorf und zwei Arbeiter wurden durch eine schwere Strahlenexposition getötet. French: L'unité de soins intensifs du service de médecine aiguë à l'hôpital universitaire de Tokyo. Le traitement qui a eu lieu ici environ un an et demi auparavant, était sans précédent dans le monde. Il est le Dr Kazuhiko Maekawa. Il a été impliqué dans les soins d'urgence pendant environ 30 ans. Ce fut la première fois qu'il a rencontré un patient qui avait reçu une énorme quantité de rayonnement. Dans l'accident survenu à l'usine Tokaimura de JCO, trois travailleurs ont été exposés à des radiations ... L'accident de criticité a eu lieu à l'usine de traitement du combustible nucléaire dans le village de Tokai et deux travailleurs ont été tués par une forte exposition au rayonnement. English: The ICU of the Acute Medicine department in the Tokyo University Hospital. The treatment that took place here about a year and a half ago was unprecedented in the world. He is Dr. Kazuhiko Maekawa. He has been involved in the emergency care for about 30 years. It was the first time that he encountered a patient who had received a massive amount of radiation. In the accident that occurred at the Tokaimura plant of JCO, three workers were exposed to radiation... The criticality accident occurred at the nuclear fuel processing facility in Tokai village and two workers were killed by a heavy exposure to radiation. German: Er ist Hisashi Ouchi, das erste Opfer der Atomunfälle in Japan. Er wurde einer Strahlung ausgesetzt, die etwa 20.000-mal mehr als die zulässige jährliche Obergrenze für die einfachen Menschen waren. Dieses Team war verantwortlich für die Behandlung von Ouchi. Sie wendeten die neuesten Medizintechnik auf die Behandlung, die die Welt noch nie gesehen hatte. Jedoch wurden sie jeden Tag durch die schrecklichen Folgen der Strahlenbelastung überwältigt. Einfach unser Stolz wie Medizinern setzen, wurde in Stücke gebrochen. Ich denke, um ihn am Leben, so lange wie möglich zu halten wie ein Qual für ihn war. Ich will nicht, dass er uns danken. Ich würde seinen Groll akzeptieren. French: Il est Hisashi Ouchi, la première victime des accidents nucléaires au Japon. Il a été exposé à un rayonnement qui était d'environ 20.000 fois plus que la limite annuelle admissible pour les gens ordinaires. Cette équipe est en charge du traitement des Ouchi. Ils ont appliqué toutes les dernières technologies médicales au traitement que le monde avait jamais vu auparavant. Cependant, ils ont été submergés chaque jour par les horribles effets de l'exposition aux radiations. Autrement dit, notre fierté en tant que professionnels de la santé a été brisé en morceaux. Je pense le garder en vie aussi longtemps que possible était comme une agonie pour lui. Je ne veux pas qu'il nous remercier. J'accepte son ressentiment. English: He is Hisashi Ouchi, the first victim of nuclear accidents in Japan. He was exposed to radiation that was about 20,000 times more than the permissible annual limit for ordinary people. This team was in charge of the treatment of Ouchi. They applied all the latest medical technology to the treatment that the world had never seen before. However, they were overwhelmed every day by the horrible effects of radiation exposure. Simply put, our pride as medical professionals was broken into pieces. I think keeping him alive as long as possible was just like an agony for him. I don't want him to thank us. I would accept his resentment. English: All I want is the answer whether we did the right thing. These are the 83-day records of Ouchi's treatment. The records are disclosed for the first time because his family hopes his death should be of help to someone else. You can see the medical team's anguish as well as his family's desperate hope for his recovery. We are going to follow Ouchi's 83 days with his medical records and the interviews of his medical staff. Dr. Maekawa, who specialized in emergency care, first heard of the accident early afternoon on that day. French: Tout ce que je veux est la réponse que nous avons fait la bonne chose. Ce sont les dossiers de 83 jours de traitement de Ouchi. Les dossiers sont présentés pour la première fois parce que sa famille espère que sa mort devrait être utile à quelqu'un d'autre. Vous pouvez voir l'angoisse de l'équipe médicale, ainsi que désespérée espoir de sa famille pour son rétablissement. Nous allons suivre 83 jours de Ouchi avec ses dossiers médicaux et les interviews de son personnel médical. Dr Maekawa, spécialisé dans les soins d'urgence, d'abord entendu parler de l'accident début d'après midi ce jour-là. German: Alles was ich will ist die Antwort, ob wir das Richtige getan haben. Dies sind die 83-Tage-Aufzeichnungen von Ouchi der Behandlung. Die Datensätze werden zum ersten Mal offenbart, weil seine Familie hofft, dass sein Tod Hilfe jemand anderes sein sollte. Sie können die medizinischen Teams Angst sowie seine Familie verzweifelte Hoffnung für seine Genesung sehen. Wir werden Ouchi der 83 Tage mit seinen medizinischen Aufzeichnungen und Interviews seines medizinischen Personals folgen. Dr. Maekawa, die in der Notfallversorgung spezialisiert, gehörte zunächst den Unfall am frühen Nachmittag an diesem Tag. English: I heard something had apparently happened in Tokai village and I watched TV to see something terrible had actually happened there. While I was watching TV news, I noticed the staff of the NIRS wore protective suits and masks. Therefore I suspected the degree of the contamination might have been quite high. Because of his massive exposure to radiation, Ouchi was transferred to the Tokyo University Hospital in order to receive the most up-to-date treatments. Dr. Maekawa became the leader of the medical team German: Ich gehört hatte, was offenbar in Tokai Dorf geschah und ich sah TV zu sehen, etwas Schreckliches war es wirklich passiert ist. Während ich TV-Nachrichten sah, bemerkte ich die Mitarbeiter der NIRS trugen Schutzanzüge und Masken. Daher vermutete ich das Ausmaß der Kontamination könnte recht hoch gewesen. Wegen seiner massiven Strahlenbelastung wurde Ouchi an der Tokyo University Hospital übertragen um die meisten up-to-date-Behandlungen zu erhalten. Dr. Maekawa wurde der Leiter des medizinischen Teams French: J'ai entendu quelque chose avait apparemment passé dans le village de Tokai et je regardais la télévision pour voir quelque chose de terrible était en réalité passé là-bas. Alors que je regardais la télévision de nouvelles, j'ai remarqué le personnel du NIRS portait des vêtements de protection et des masques. Par conséquent, je soupçonnais le degré de la contamination aurait pu être assez élevé. En raison de son exposition massive aux radiations, Ouchi a été transféré à l'hôpital universitaire de Tokyo afin de recevoir les traitements les plus mises à jour. Le Dr Maekawa est devenu le chef de l'équipe médicale French: en raison de son rôle central dans un groupe professionnel de la médecine d'urgence radiologique. La quantité de rayonnement que M. Ouchi avait sans doute reçu était fatale. Cela était évident pour tout le monde dans l'équipe. Cependant, M. Ouchi avait l'air très bien à ce moment-là et nous n'avons pas eu l'impression qu'il avait été exposé à un haut niveau de rayonnement. Par conséquent, nous avons décidé de faire tout ce que nous pouvions. Le premier patient qui avait eu une exposition aux radiations était tout à fait différent de ce que les infirmières avaient imaginé. Le médecin l'a élevé, sur la civière comme d'habitude, à la salle privée dans l'unité de soins intensifs, comme un malade ordinaire. German: Aufgrund seiner zentralen Rolle in einer Berufsgruppe der Strahlung Notfallmedizin. Die Menge an Strahlung, die Herr Ouchi vermutlich erhalten hatte, war tödlich. Das war offensichtlich für alle im Team. Allerdings sah Herr Ouchi sehr gut an diesem Punkt und wir haben nicht den Eindruck haben, dass er auf ein so hohes Niveau der Strahlung ausgesetzt worden war. Deshalb stellten wir fest, alles, was wir konnten zu tun. Der erste Patient, der eine Strahlenexposition hatte war ganz anders, als die Schwestern vorgestellt hatte. Der Arzt brachte ihn auf, auf der Bahre wie üblich, auf den privaten Raum auf der Intensivstation, wie ein gewöhnlicher Patient. English: due to his central role in a professional group of the radiation emergency medicine. The amount of radiation that Mr. Ouchi had presumably received was fatal. That was obvious to everyone in the team. However, Mr. Ouchi looked very well at that point and we didn't have an impression that he had been exposed to such a high level of radiation. Therefore we determined to do everything we could. The first patient who had had a radiation exposure was quite different from what the nurses had imagined. The doctor brought him up, on the stretcher as usual, to the private room in the ICU, like an ordinary patient. English: I met him there. His skin was reddish as if he had got a terrible sunburn. His arm was badly swollen and he said he had a pain in that area. I thought at that time that he wouldn't have to die, I mean, he would be well enough to leave the hospital. This is Ouchi's right arm which received the highest radiation exposure. At this time, the arm was only slightly reddened and swollen. On the day of the accident, Ouchi was handling radioactive materials according to the company's instructions. The task was to enrich uranium using a bucket. German: Ich traf ihn dort. Seine Haut war rötlich, als hätte er einen schrecklichen Sonnenbrand bekommen hatte. Sein Arm war stark geschwollen und er sagte, er in diesem Bereich einen Schmerz hat. Ich dachte damals, dass er nicht sterben würde, ich meine, würde er gut genug sein, um das Krankenhaus zu verlassen. Dies ist Ouchi rechten Arm, der die höchste Strahlenbelastung erhalten. Zu diesem Zeitpunkt wurde der Arm nur leicht gerötet und geschwollen. Am Tag des Unfalls wurde Umgang Ouchi radioaktive Stoffe gemäß den Anweisungen des Unternehmens. Die Aufgabe bestand darin, Uran mit einem Eimer zu bereichern. French: Je l'ai rencontré là-bas. Sa peau était rouge comme s'il avait eu un terrible coup de soleil. Son bras était très enflé et il a dit qu'il avait une douleur dans cette région. Je pensais à ce moment-là qu'il ne serait pas mourir, je veux dire, il serait assez bien pour quitter l'hôpital. C'est le bras droit de Ouchi qui a reçu l'exposition au rayonnement le plus élevé. A cette époque, le bras a été légèrement rougi et enflé. Le jour de l'accident, Ouchi a été la manipulation de matières radioactives conformément aux instructions de la société. La tâche était d'enrichir l'uranium en utilisant un seau. French: Il n'a jamais été dit sur la possibilité de criticité. Son collègue versait solution d'uranium et Ouchi tenait un entonnoir avec sa main droite. Sur la septième coulée de solution d'uranium, un éclair bleu a été soudainement émis. Une critique ou une réaction nucléaire en chaîne, se sont produits. Le rayonnement qui a pénétré les chromosomes de ses cellules. Chromosomes sont les plans d'un corps humain qui contiennent toutes les informations génétiques. German: Er war nie über die Möglichkeit der Kritikalität erzählt. Seine Mitarbeiter strömen Uranlösung und Ouchi wurde einen Trichter mit seiner rechten Hand hält. Am siebten von Uranlösung Gießen wurde ein blauer Blitz plötzlich emittiert. Eine Kritikalität oder eine nukleare Kettenreaktion, stattgefunden hatte. Die Strahlung die Chromosomen seiner Zellen eingedrungen. Chromosomen sind die Pläne eines menschlichen Körpers, die alle genetischen Informationen enthalten. English: He was never told about the possibility of criticality. His co-worker was pouring uranium solution and Ouchi was holding a funnel with his right hand. On the seventh pouring of uranium solution, a blue flash was suddenly emitted. A criticality, or a nuclear chain reaction, had occurred. The radiation penetrated the chromosomes of his cells. Chromosomes are the blueprints of a human body that contain all the genetic information. German: Jedes Paar von Chromosomen hat eine Nummer und kann angeordnet sein, um. Es war jedoch unmöglich, Ouchi die bestrahlte Chromosomen zu arrangieren. Sie wurden aufgebrochen und einige von ihnen wurden aneinander geklebt. Die Zerstörung der Chromosomen dazu geführt, dass neue Zellen würden nicht danach erzeugt werden. Im Moment der Strahlenexposition, verloren Ouchi die Pläne seines Körpers. Aus der Tatsache, dass seine Chromosomen so katastrophale Schäden erlitten, wir gefolgert, dass seine Leberzellen und Darmschleimhautzellen wurden ebenfalls schwer beschädigt und sie könnten nicht in der Lage sein, sich selbst zu regenerieren. English: Each pair of chromosomes has a number and can be arranged in order. However, it was impossible to arrange Ouchi's irradiated chromosomes. They were broken apart and some of them were stuck to each other. The destruction of the chromosomes meant that new cells would not be generated thereafter. At the moment of the radiation exposure, Ouchi lost the blueprints of his body. From the fact that his chromosomes suffered such catastrophic damage, we inferred that his liver cells and bowel mucosal cells were also severely damaged and they might not be able to regenerate themselves. French: Chaque paire de chromosomes a un certain nombre et peut être agencé. Cependant, il était impossible d'organiser des chromosomes irradiés de Ouchi. Ils ont été rompues, et certains d'entre eux ont été collés les uns aux autres. La destruction des chromosomes signifie que les nouvelles cellules ne seraient pas générés par la suite. Au moment de l'exposition aux radiations, Ouchi a perdu les plans de son corps. Du fait que ses chromosomes ont subi de tels dommages catastrophiques, nous avons déduit que ses cellules du foie et les cellules de la muqueuse de l'intestin ont également été gravement endommagés et ils pourraient ne pas être en mesure de se régénérer. German: Die ersten anormalen Symptome aufgrund der Chromosom Zerstörung erschienen in seiner Blutzelle. Die Zahl seiner weißen Blutkörperchen, die als Abwehrmechanismus des Körpers handelte, wurde abnimmt dramatisch. Er war in einem gefährlichen Zustand, in der viralen und bakteriellen Infektionen wahrscheinlich auftreten würden. Ouchi wurde zu einem sterilisierten Raum übertragen, um eine Infektion zu verhindern. Die Zahl seiner weißen Blutkörperchen war auf ein Zehntel verringert im Vergleich zu gesunden Menschen. Dr. Maekawa und sein Ärzteteam diskutierte die Behandlungsstrategie. Der einzige Weg, um diese Situation zu handhaben war zu Transplantationszellen, die weißen Blutkörperchen zu produzieren. French: Le premier symptôme anormal en raison de la destruction des chromosomes est apparu dans ses cellules sanguines. Le nombre de ses globules blancs, qui a agi comme un mécanisme de défense du corps, diminuait considérablement. Il était dans une situation périlleuse où les infections virales et bactériennes sont susceptibles de se produire. Ouchi a été transféré dans une chambre stérile afin de prévenir l'infection. Le nombre de ses globules blancs a diminué à un dixième par rapport aux personnes en bonne santé. Dr Maekawa et son équipe médicale ont discuté de la stratégie de traitement. La seule façon de gérer cette situation était de transplanter des cellules qui produisent des globules blancs. English: The first abnormal symptom due to the chromosome destruction appeared in his blood cells. The number of his white blood cells, which acted as a defense mechanism of the body, was decreasing dramatically. He was in a perilous condition where viral and bacterial infections were likely to occur. Ouchi was transferred to a sterilized room in order to prevent infection. The number of his white blood cells had decreased to one tenth as compared with healthy people. Dr. Maekawa and his medical team discussed the treatment strategy. The only way to handle this situation was to transplant cells that produce white blood cells. English: To perform the transplantation, they had to look for a person whose white blood cell type matched with that of Ouchi. They found that Ouchi's sister was the person. Using this apheresis system, they immediately began collecting blood from her. The white-blood-cell-producing cells were extracted from her blood. The blood collection took more than nine hours over two days. Her cells were transplanted into Ouchi. German: Um die Transplantation durchzuführen, mußten sie für eine Person, deren weißen Blutzelltyp mit der Ouchi abgestimmt suchen. Sie fanden heraus, dass Ouchi Schwester die Person war. Mit diesem Apheresesystems, begannen sie sofort Blut aus ihr zu sammeln. Die weißen Blutzellen-produzierenden Zellen wurden aus ihrem Blut extrahiert. Die Blutentnahme dauerte mehr als neun Stunden über zwei Tage. Ihre Zellen wurden in Ouchi transplantiert. French: Pour effectuer la greffe, ils ont dû chercher une personne dont le type de globule blanc assorti à celui de Ouchi. Ils ont constaté que la sœur de Ouchi était la personne. L'utilisation de ce système d'aphérèse, ils ont immédiatement commencé à recueillir le sang de son. Les cellules-cellules sanguines productrices blanches ont été extraites de son sang. La collecte de sang a pris plus de neuf heures sur deux jours. Ses cellules ont été transplantées dans Ouchi. French: Son état futur dépendait de savoir si les cellules de sa sœur pourraient produire des globules blancs dans son corps. Il faudrait dix jours pour obtenir le résultat. A cette époque, Ouchi a pu parler avec sa famille et les infirmières. Je lui ai demandé comment il était marié à sa femme. Il m'a dit qu'ils se connaissaient depuis le lycée et ils étaient mariés après une assez longue ... environ sept ans ... relation. J'ai été impressionné par son histoire et dit: «Tu as épousé un amour passionné! ou quelque chose comme ça. German: Seine Zukunft Zustand hing davon ab, ob seine Schwester Zellen weiße Blutzellen in seinem Körper erzeugen können. Es würde 10 Tage dauert das Ergebnis zu erhalten. Um diese Zeit war Ouchi der Lage, mit seiner Familie und den Krankenschwestern zu sprechen. Ich fragte ihn, wie er zu seiner Frau geheiratet hatte. Er sagte mir, dass sie seit der High School einander gekannt hatte und sie geheiratet hatte nach einer ziemlich langen ... etwa sieben Jahren ... Beziehung. Ich war beeindruckt von seiner Geschichte und sagte, ‚Mit einer leidenschaftlichen Liebe verheiratet!‘ oder sowas ähnliches. English: His future condition depended on whether his sister's cells could produce white blood cells in his body. It would take ten days to get the result. Around that time, Ouchi was able to talk with his family and the nurses. I asked him how he had got married to his wife. He told me that they had known each other since high school and they had married after quite a long ... about seven years ... relationship. I was impressed by his story and said, 'You married with a passionate love!' or something like that. French: Dr Maekawa a expliqué à la famille de Ouchi sur son état et le traitement chaque jour. Ceci est la salle de réception où l'explication a eu lieu. Dr Maekawa dit candidement la famille de Ouchi que son état devait empirer à l'avenir. J'ai essayé de sa famille accepte la vérité par au moins les laisser le voir tous les jours. Je ne veux pas être idéaliste. Cependant, il a subi des dommages du rayonnement énorme et son apparence changeait radicalement, English: Dr. Maekawa explained to Ouchi's family about his condition and treatment every single day. This is the reception room where the explanation took place. Dr. Maekawa candidly told Ouchi's family that his condition was expected to get worse in the future. I tried to have his family accept the truth by at least letting them see him every day. I don't mean to be idealistic. However, he suffered damage from enormous radiation and his appearance was changing drastically, German: Dr. Maekawa erklärte Ouchi Familie über seinen Zustand und die Behandlung an jedem einzelnen Tag. Dies ist der Empfangsraum, wo die Erklärung stattfand. Dr. Maekawa erzählte freimütig Ouchi Familie, dass sein Zustand wurde erwartet in Zukunft noch verschärfen. Ich habe versucht, seine Familie zu haben, die Wahrheit zu akzeptieren, indem zumindest ließ sie ihn jeden Tag sehen. Ich meine nicht, idealistisch zu sein. Aber er litt Schaden von enormer Strahlung und sein Aussehen drastisch veränderte, French: donc j'avais sa famille voir son état afin pour eux d'accepter la vérité. Les dégâts d'irradiation est également apparue sur la surface de son corps. Environ une semaine après l'accident, les cicatrices de la suppression du sparadrap ne se sont plus en mesure de guérir. Dans un premier temps, nous avons utilisé sparadrap comme d'habitude. Cependant, il est devenu de plus en plus fréquent que sa peau a été arrachée avec la bande enlevée. Finalement, nous ne pouvions plus utiliser du sparadrap. les cellules de la peau saine cellules se divisent rapidement et de nouvelles remplacent les anciennes. English: so I had his family see his condition in order for them to accept the truth. The radiation damage also appeared on the surface of his body. About a week after the accident, scars from removing surgical tape became no longer able to heal. At first, we used surgical tape as usual. However, it became more and more frequent that his skin was ripped off along with the removed tape. Eventually, we couldn't use surgical tape anymore. Healthy skin cells divide rapidly and new cells replace old ones. German: so hatte ich seine Familie seinen Zustand, um zu sehen für sie, die Wahrheit zu akzeptieren. Die Strahlenschäden erschienen auch auf der Oberfläche seines Körpers. Etwa eine Woche nach dem Unfall, von Narben -Verband entfernt wurden nicht mehr in der Lage zu heilen. Zunächst haben wir -Verband wie gewohnt. Allerdings wurde es immer häufiger, dass seine Haut wurde zusammen mit dem entfernten Band gerissen. Schließlich konnten wir -Verband nicht mehr verwenden. Gesunde Hautzellen teilen sich schnell und neue Zellen zu ersetzen alte. German: Doch in Ouchi der bestrahlten Haut wurden neue Zellen nicht mehr erzeugt. Seine alte Haut wurde herunterfallen. Starke Schmerzen in seiner Haut. Der Kampf gegen die Infektion. Er hatte Flüssigkeitsretention in der Lunge entwickelt und er begann, Schwierigkeiten beim Atmen zu erleben. Dies sind Ouchi Worte in seiner Pflegedokumentation. (Ich kann es nicht ertragen!) (Ich will nach Hause gehen!) (Hör auf!) (Mama!) Das medizinische Team hielt ihn an ein Beatmungsgerät setzen, ihm zu helfen, leichter zu atmen. English: However, in Ouchi's irradiated skin, new cells were no longer generated. His old skin was falling off. Intense pain in his skin. The battle against infection. He had developed fluid retention in his lungs and he began to experience difficulty in breathing. These are Ouchi's words in his nursing records. (I can't stand it!) (I wanna go home!) (Stop it!) (Mom!) The medical team considered putting him on a respirator to help him breathe easier. French: Cependant, dans la peau irradiée de Ouchi, de nouvelles cellules ne sont plus générés. Sa vieille peau se détachait. Une douleur intense dans sa peau. La lutte contre l'infection. Il avait développé la rétention d'eau dans ses poumons et il a commencé à éprouver des difficultés à respirer. Ce sont les paroles de Ouchi dans ses dossiers de soins infirmiers. (Je ne peux pas le supporter!) (Je veux aller à la maison!) (Arrête ça!) (Maman!) L'équipe médicale considéré le mettre sur un respirateur pour l'aider à mieux respirer. French: Cela signifiait qu'il deviendrait incapable d'avoir des conversations avec sa famille. Ouchi a parlé à sa femme qui lui a rendu visite. À ce moment-là, M. Ouchi se sentait sans doute la fatigue et la lourdeur, et il semblait avoir besoin de rassembler la force juste pour parler. Malgré cela, il était souriant légèrement et dit à sa femme « Je t'aime » un ton tendre. En voyant ce genre de scènes fait notre mal de cœur. Il est vrai que personne ne savait que ce qui allait lui arriver, German: Das bedeutete, dass er nicht in der Lage sein würde, Gespräche mit seiner Familie zu haben. Ouchi sprach mit seiner Frau, die ihn besuchten. Damals fühlte sich Herr Ouchi wahrscheinlich Müdigkeit und Schwere, und er schien Kraft zu brauchen nur zu sammeln, zu sprechen. Trotz alledem war er zu seiner Frau ein wenig und sagte lächelnd ‚Ich liebe dich‘ in einem zarten Ton. Sehen Sie diese Art von Szenen unser Herz schmerzte. Es war richtig, dass niemand genau wusste, was mit ihm geschehen würde, English: That meant he would become unable to have conversations with his family. Ouchi talked to his wife who visited him. At that time, Mr. Ouchi was probably feeling weariness and heaviness, and he seemed to need to gather strength just to speak. In spite of that, he was smiling slightly and said to his wife 'I love you' in a tender tone. Seeing that kind of scenes made our hearts ache. It was true that nobody knew for sure what would happen to him, English: but we were able to imagine that his condition would get worse and worse. I guess he himself was also aware of that. In that situation, he told his family of his love. I wonder how he felt when he said to his wife 'I love you.' I think it was a heartwarming moment, but ... I don't know what to say ... I think his words represented what he wanted to tell his family. Next day, Ouchi became unable to breathe. German: aber wir waren in der Lage, sich vorzustellen, dass sein Zustand würde immer schlimmer. Ich glaube, er selbst war auch bewusst. In dieser Situation, sagte er zu seiner Familie von seiner Liebe. Ich frage mich, wie er sich fühlte, als er zu seiner Frau sagte: ‚Ich liebe dich.‘ Ich denke, es war ein herzerwärmende Moment, aber ... ich weiß nicht, was ich sagen soll ... Ich denke, seine Worte repräsentiert, was er wollte, dass seine Familie erzählen. Am nächsten Tag wurde Ouchi nicht in der Lage zu atmen. French: mais nous avons pu imaginer que son état serait qu'empirer. Je suppose qu'il était lui-même aussi au courant de cela. Dans cette situation, il dit à sa famille de son amour. Je me demande comment il se sentait quand il a dit à sa femme « Je t'aime ». Je pense que ce fut un moment chaud au cœur, mais ... Je ne sais pas quoi dire ... Je pense que ses paroles représentaient ce qu'il voulait dire à sa famille. Le lendemain, Ouchi est devenu incapable de respirer. English: Endotracheal intubation was immediately performed. That is, a tube was inserted into his windpipe. Ouchi's silent battle began. His family visited him every day. In this room, his wife, son, parents, and brothers waited to see him. When I came to see them for some reason, they were intent on folding paper cranes. That made a strong impression on me. German: Intubation wurde sofort durchgeführt. Das heißt, dass ein Rohr in seine Luftröhre eingeführt. Ouchi Stumm Schlacht begann. Seine Familie besuchte ihn jeden Tag. In diesem Raum, seine Frau, Sohn, Eltern und Brüder warteten, ihn zu sehen. Als ich kam, um sie aus irgendeinem Grund zu sehen, waren sie darauf bedacht Papierkraniche zu falten. Das machte einen starken Eindruck auf mich. French: L'intubation endotrachéale a été immédiatement effectuée. Autrement dit, un tube a été inséré dans sa trachée-artère. bataille silencieuse Ouchi a commencé. Sa famille lui a rendu visite tous les jours. Dans cette salle, sa femme, ses fils, les parents et les frères attendaient de le voir. Quand je suis venu les voir pour une raison quelconque, ils avaient l'intention de plier des grues en papier. Cela a fait une forte impression sur moi. German: Dies sind Kraniche aus Papier, die Ouchi Familie gefaltet. Sie wollten, dass sie mindestens einen Kran an seinem Bett setzen könnten. Es wurde jedoch nicht wegen der Ansteckungsgefahr zu bringen eines in dem sterilisierten Raum erlaubt. Seine Familie fortgesetzt Papierkraniche falten. Ouchi Blut wurde getestet, um zu sehen, ob die weißen Blutzellen-produzierenden Zellen von seiner Schwester in seinem Blut lebten. Es gab zwei rote Punkte in einer Zelle. Die Punkte angegeben, die Existenz der weiblichen Chromosomen. English: These are paper cranes that Ouchi's family folded. They wished that they could put at least one crane by his bedside. However, it was not allowed to bring one in the sterilized room due to the risk of infection. His family continued to fold paper cranes. Ouchi's blood was tested to see whether the white-blood-cell-producing cells from his sister were living in his blood. There were two red dots in a cell. The dots indicated the existence of female chromosomes. French: Ce sont des grues en papier que la famille de Ouchi plissées. Ils souhaitaient qu'ils pourraient mettre au moins une grue à son chevet. Cependant, il n'a pas permis d'apporter un dans la chambre stérile en raison du risque d'infection. Sa famille a continué à plier des grues en papier. Le sang de Ouchi a été testé pour voir si les cellules de cellules sanguines productrices blanche de sa sœur vivaient dans son sang. Il y avait deux points rouges dans une cellule. Les points indiquent l'existence de chromosomes féminins. English: His sister's cells were living in his blood. Everyone felt relieved at the result. We managed to get over the first hurdle, even if only temporarily. I thought we would be able to keep going because his white blood cells had increased significantly. It was the first time that the transplantation of white-blood-cell-producing cells had succeeded in the treatment of radiation injuries. French: Les cellules de sa sœur vivaient dans son sang. Tout le monde se sentait soulagé par le résultat. Nous avons réussi à franchir le premier obstacle, même temporairement. Je pensais que nous serions en mesure de continuer parce que ses globules blancs ont augmenté de manière significative. Ce fut la première fois que la transplantation de cellules de cellules sanguines productrices blanc avait réussi dans le traitement des blessures de rayonnement. German: Seine Schwester-Zellen wurden in seinem Blut leben. Jeder fühlte sich das Ergebnis entlastet. Wir haben es geschafft über die erste Hürde zu nehmen, wenn auch nur vorübergehend. Ich dachte, wir würden in der Lage zu gehen zu halten, weil seine weißen Blutkörperchen deutlich erhöht hatte. Es war das erste Mal, dass die Transplantation von weißen Blutzellen-produzierenden Zellen hatte bei der Behandlung von Strahlenschäden gelungen. English: The number of his white blood cells increased at a good rate and recovered to the same level as that of healthy people. Ouchi responded to his family's calls with his whole body even though he couldn't speak. A week later, however, subtle mutations were observed in his blood cells. These are the chromosomes from his sister's cells that just took root in his body. In some of them, abnormalities were found. The chromosomes were damaged. The medical team presumed that the radiation was also responsible for the damage. When penetrated by the radiation, substances in his body were mutated to emit radiation on their own. French: Le nombre de ses globules blancs a augmenté à un bon taux et récupéré au même niveau que celui des personnes en bonne santé. Ouchi a répondu à tout son corps appels de sa famille, même si il ne pouvait pas parler. Une semaine plus tard, cependant, les mutations subtiles ont été observées dans ses cellules sanguines. Ce sont les chromosomes de cellules de sa sœur qui vient de se racine dans son corps. Dans certains d'entre eux, des anomalies ont été trouvées. Les chromosomes ont été endommagés. L'équipe médicale présumé que le rayonnement a également été responsable du dommage. Lorsque pénétré par le rayonnement, les substances dans son corps ont été mutés pour émettre un rayonnement sur leur propre. German: Die Zahl seiner weißen Blutkörperchen erhöht zu einem guten Preis und erholte sich auf das gleiche Niveau wie die von gesunden Menschen. Ouchi reagierte auf seine Familie Anrufe mit seinem ganzen Körper, auch wenn er nicht sprechen kann. Eine Woche später jedoch subtile Mutationen wurden in den Blutzellen beobachtet. Dies sind die Chromosomen von seiner Schwester-Zellen, die nur Wurzel nahm in seinem Körper. In einigen von ihnen wurden Anomalien gefunden. Die Chromosomen wurden beschädigt. Das medizinische Team vermutet, dass die Strahlung für den Schaden verantwortlich war. Wenn sie durch die Strahlung durchdrungen, Substanzen in seinen Körper Strahlung auf eigene Faust zu emittieren wurden mutiert. German: Es wurde gefolgert, dass die Strahlung aus dem Inneren seines Körpers die Chromosomenschäden verursacht hatte. Es gibt eine Menge von Patienten, die Blutkrankheiten und erhalten ein Knochenmark oder periphere Blutstammzell-Transplantation haben. Es wurde jedoch nie beobachtet worden, dass für die Patienten transplantierten Zellen haben diese Art von Anomalie. Wir waren von den nach der Transplantation Chromosomenschäden schockiert und wir erkennen, noch einmal die Schrecke der Strahlenexposition. Wir diskutierten lebhaft die möglichen Ursachen des Schadens. Allerdings konnten wir keine Schlussfolgerung gelangen, weil es keine Beweise dafür. Die Verschlimmerung seines Zustandes wurde sein Blut und die Haut nicht darauf beschränkt. French: Il en a été déduit que le rayonnement à l'intérieur de son corps avait causé le dommage chromosomique. Il y a beaucoup de patients qui ont des maladies du sang et reçoivent une greffe de moelle osseuse ou périphérique greffe de cellules souches du sang. Cependant, il n'a jamais été observé que les cellules transplantées aux patients ont ce genre d'anomalie. Nous avons été choqués par les dégâts du chromosome post-greffe et nous avons réalisé une nouvelle fois l'horreur de l'exposition aux radiations. Nous avons discuté vivement les causes possibles du dommage. Cependant, nous ne pouvions pas parvenir à une conclusion parce qu'il n'y avait aucune preuve. L'aggravation de son état ne se limite pas à son sang et la peau. English: It was inferred that the radiation from inside his body had caused the chromosome damage. There are a lot of patients who have blood diseases and receive a bone marrow or peripheral blood stem cell transplant. However, it has never been observed that cells transplanted to the patients have that kind of abnormality. We were shocked by the post-transplant chromosome damage and we realized once again the horror of radiation exposure. We keenly discussed the possible causes of the damage. However, we couldn't reach any conclusion because there was no evidence. The aggravation of his condition was not limited to his blood and skin. German: Dies ist ein endoskopisches Bild von Ouchi Darm. Die toten Schleimhäuten weiß geworden und senkten sich nach unten. Voluminöse Durchfall begann. Es wird gesagt, dass Strahlenschäden Patienten häufig zu Störungen des Verdauungstraktes durch sterben. Dr. Maekawa schlimmste Angst geschehen war. Prüfpräparate wurden mit Zustimmung von Ouchi Familie verwaltet. Allerdings erhöhte sich die Menge an Durchfall Tag für Tag mehr als drei Liter pro Tag. Drei Wochen nach der Durchfall begonnen hatte, seine Eingeweide blutete. French: Ceci est une image endoscopique des intestins Ouchi. Les muqueuses mortes blanchirent et pendaient. la diarrhée a commencé Volumineux. On dit que les patients atteints de lésions dues aux rayonnements meurent souvent en raison de troubles de l'appareil digestif. pire crainte du Dr Maekawa était arrivé. nouveaux médicaments expérimentaux ont été administrés avec le consentement de la famille Ouchi. Toutefois, le montant de la diarrhée a augmenté de jour en jour à plus de trois litres par jour. Trois semaines après la diarrhée avait commencé, ses intestins ont commencé à saigner. English: This is an endoscopic image of Ouchi's intestines. The dead mucous membranes turned white and drooped down. Voluminous diarrhea began. It is said that radiation injury patients often die due to digestive tract disorders. Dr. Maekawa's worst fear had happened. Investigational new drugs were administered with the consent of Ouchi's family. However, the amount of diarrhea increased day by day to more than three liters per day. Three weeks after the diarrhea had begun, his intestines started bleeding. English: His intestines were filled with blood that oozed from the wound where mucous membranes had fallen off. This is the record of Ouchi's blood transfusions. One blue sticker corresponds to one transfusion. There were days when more than ten transfusions were performed in half a day. It was almost impossible to provide a scientific basis for the treatment of him who had received such a high level of radiation. We tried every possible treatment and medicine. French: Ses intestins étaient remplis de sang qui suintait de la plaie où les muqueuses étaient tombés. Ceci est le compte rendu des transfusions sanguines de Ouchi. Un autocollant bleu correspond à une transfusion. Il y avait des jours où plus de dix transfusions ont été réalisées dans une demi-journée. Il était presque impossible de fournir une base scientifique pour le traitement de lui qui avait reçu un tel haut niveau de rayonnement. Nous avons essayé tous les traitements possibles et la médecine. German: Seine Därme wurden mit Blut gefüllt, die aus der Wunde sickerte wo Schleimhäute heruntergefallen war. Dies ist die Aufzeichnung von Ouchi der Bluttransfusionen. Ein blauer Aufkleber entspricht eine Transfusion. Es gab Tage, an denen mehr als zehn Bluttransfusionen wurden in einem halben Tag durchgeführt. Es war fast unmöglich, eine wissenschaftliche Grundlage für die Behandlung von ihm zu schaffen die hatte ein so hohes Maß an Strahlung erhalten. Wir haben versucht, jede mögliche Behandlung und Medizin. French: Je pense que, même avec le recul, nous ne pouvions guère prendre de nouvelles mesures contre le saignement dans le tube digestif. Ouchi a été transféré à un lit pour les patients gravement malades. Le lit inclinable à 55 degrés. Il était destiné à améliorer la circulation systémique et de réduire la pression sur sa peau. Son état a été continué de se dégrader. Ces images montrent son traitement à ce moment-là. Son sang et le liquide ont été suinte de la zone où la peau avait été perdue. Son corps presque toute devait être recouvert de gaze. Jour après jour, il y avait beaucoup d'exsudat dans sa peau. German: Ich denke, auch im Nachhinein, wir konnten kaum weitere Maßnahmen gegen die Blutung nehmen im Verdauungstrakt. Ouchi wurde für kritisch kranke Patienten auf einem Bett übertragen. Das Bett kippt 55 Grad. Es war beabsichtigt, systemische Zirkulation zu verbessern und den Druck auf seiner Haut zu reduzieren. Sein Zustand verschlechterte sich weiter. Das Filmmaterial zeigt seine Behandlung zu diesem Zeitpunkt. Sein Blut und Flüssigkeit wurden Nass aus der Gegend, wo seine Haut verloren hatte. Seine fast den ganzen Körper hatte mit Gaze abgedeckt werden. Tag für Tag, gibt es in seiner Haut viel Exsudat. English: I think, even in hindsight, we could hardly take further measures against the bleeding in the digestive tract. Ouchi was transferred to a bed for critically ill patients. The bed tilts 55 degrees. It was intended to improve systemic circulation and to reduce pressure on his skin. His condition was further deteriorating. This footage shows his treatment at that time. His blood and fluid were oozing from the area where his skin had been lost. His almost entire body had to be covered with gauze. Day after day, there was a lot of exudate in his skin. English: It took almost half a day to treat it. He was surrounded by many doctors to receive skin treatment, but he seemed to feel severe pain. We administered large doses of narcotics to put him to sleep, but he looked very painful. His eyes were easy to dry and bleed. He was bleeding from his eyes. It looked like blood tears. Ouchi's body was covered with a lot of gauze. From the area whose exposure level was high, the damage spread throughout his body. German: Es dauerte fast einen halben Tag, sie zu behandeln. Er wurde von vielen Ärzten umgeben Hautbehandlung zu erhalten, aber er schien starke Schmerzen zu empfinden. Wir verabreichten hohe Dosen von Betäubungsmitteln ihn einzuschläfern, aber er sah sehr schmerzhaft. Seine Augen waren leicht zu trocknen und bluten. Er blutete aus den Augen. Es sah aus wie Blut Tränen. Ouchi Leiche wurde mit vieler Gaze bedeckt. Aus dem Bereich, dessen Expositionsniveaus war hoch, der Schaden im ganzen Körper verteilt. French: Il a fallu près d'une demi-journée pour le traiter. Il était entouré par de nombreux médecins pour recevoir un traitement de la peau, mais il semblait ressentir une douleur sévère. Nous avons administré de fortes doses de stupéfiants pour le mettre à dormir, mais il avait l'air très douloureux. Ses yeux étaient faciles à sécher et saigner. Il saignait de ses yeux. Il avait l'air comme des larmes de sang. Le corps de Ouchi a été couvert avec beaucoup de gaze. Dans la zone dont le niveau d'exposition était élevé, les dégâts se propager dans tout son corps. French: Il était en train de perdre environ 10 litres de liquide par jour à travers sa peau et les intestins. Il fallait reconstituer en permanence la même quantité de fluide. L'équipe médicale a décidé de faire une greffe de peau afin d'éviter suintement fluide. Ceci est un morceau de peau cultivée préparée en cultivant des cellules de peau humaine in vitro. La transplantation de la peau cultivée, qui a été l'un des derniers traitements pour les blessures de brûlure, a été menée presque tous les jours. Il avait déjà perdu sa propre peau, de sorte que nous frotté la surface de son corps avec de la gaze pour exposer la couche de saignement et de mettre la peau en culture sur la région. English: He was losing about 10 liters of fluid a day through his skin and intestines. It was necessary to constantly replenish the same amount of fluid. The medical team decided to do skin transplantation in order to prevent fluid oozing. This is a piece of cultured skin prepared by cultivating human skin cells in vitro. The transplantation of cultured skin, which was one of the latest treatments for burn injury, was conducted almost every day. He had already lost his own skin, so we rubbed the surface of his body with gauze to expose the bleeding layer and put the cultured skin on the area. German: Er verlor etwa 10 Liter Flüssigkeit pro Tag durch seine Haut und Darm. Es war notwendig, ständig die gleiche Menge an Flüssigkeit aufzufüllen. Das medizinische Team entschied Hauttransplantation zu tun, um Flüssigkeit Nass zu verhindern. Dies ist ein Stück kultivierter Haut, die durch menschliche Hautzellen in vitro zu kultivieren. Die Transplantation von kultivierter Haut, die eine der neuesten Behandlungen für Brandverletzungen war, wurde fast jeden Tag durchgeführt. Er hatte bereits seine eigene Haut verloren, so rieben wir die Oberfläche seines Körpers mit Gaze die Blutung Schicht und legen die kultivierte Haut auf dem Gebiet zu belichten. German: Das war nicht so umfangreich Behandlung. Wir haben die Transplantation, sobald wir einige Stücke von kultivierter Haut bekamen. Doch leider das gezüchtete Haut nicht an seinem Körper haften. Ich denke, es könnte sein, wegen seiner allgemeinen Zustand. Dies ist die rechte Arm ein Monat nach dem Unfall des Ouchi. Die Strahlung zerstört seine Chromosomen und seine Zellen wurden einer nach dem anderen verloren. In den Sitzungen über den Verlauf der Behandlung hatten die Ärzte Bemerkungen immer weniger geworden. French: Cela n'a pas été si vaste traitement. Nous avons fait la transplantation dès que nous avons eu quelques morceaux de peau cultivée. Cependant, malheureusement, la peau cultivée n'a pas adhéré à son corps. Je suppose que ce serait peut-être à cause de son état général. C'est le bras droit de Ouchi un mois après l'accident. Le rayonnement détruit ses chromosomes et ses cellules à se perdre un après l'autre. Lors des réunions sur le cours du traitement, les remarques des médecins étaient devenus de moins en moins. English: That was not so extensive treatment. We did the transplantation as soon as we got some pieces of cultured skin. However, unfortunately, the cultured skin did not adhere to his body. I guess it might be because of his general condition. This is Ouchi's right arm one month after the accident. The radiation destroyed his chromosomes and his cells were being lost one after another. At the meetings about the course of treatment, the doctors' remarks had become fewer and fewer. German: Dr. Maekawa entschied immer den Verlauf der Behandlung. Nach der erfolgreichen Transplantation der weißen Blutkörperchen Zellen produzierenden, gab es keine sichtbaren Fortschritte erzielt worden. Es war offensichtlich für jedermann, dass die Chance auf sein Überleben sehr schlank war. Niemand hätte nicht gesagt, dass laut, aber ich denke, dass jeder das gleiche Gefühl geteilt. wenn jemand gesagt hatte, aber, dass laut, wenn jemand hatte Zweifel an der aktiven Intervention in seinem Leben French: Dr Maekawa toujours décidé au cours du traitement. Après la transplantation réussie de cellules productrices blanc sang cellule, il n'y avait pas eu de progrès visibles. Il était évident pour tout le monde que la chance de sa survie était très mince. Personne n'a pas dit à haute voix, mais je pense que tout le monde a partagé le même sentiment. Cependant, si quelqu'un avait dit à haute voix que, si quelqu'un avait des doutes au sujet de l'intervention active dans sa vie English: Dr. Maekawa always decided the course of treatment. After the successful transplantation of the white-blood-cell -producing cells, there had been no visible progress. It was obvious to everybody that the chance of his survival was very slim. Nobody didn't say that aloud, but I think everybody shared the same feeling. However, if somebody had said that aloud, if somebody had had doubts about the active intervention in his life French: et les doutes souffla sur toute l'équipe, nous avons perdu de vue notre but. Qu'est-ce que nous faisons? Pour qui? Pour quoi? Je suppose que nous avions peur d'avoir ce genre de pensée. Après son état a commencé à empirer, A ... German: und die Zweifel hatten über das Team verteilt, würden wir die Augen verlieren unseren Zweck. Was zum Teufel tun wir? Für wen? Für was? Ich denke, wir hatten Angst, diese Art des Denkens zu haben. Nach seinem Zustand begann schlimmer und schlimmer werden, A ... English: and the doubts had spread across the team, we would have lost sight of our purpose. What the hell are we doing? For whom? For what? I guess we were afraid of having that kind of thought. After his condition began to get worse and worse, Um... German: Ich fragte mich, was diese Person war, und nicht, wer diese Person war. Er war in einem solch schrecklichen Zustand. A ... Es gab einen Körper vor uns. Der Körper war nicht aus der Ferne gesund, aber war stark angeschlagen und von vielen Geräten umgeben. Das war wie ein kontinuierlicher Kampf um den Körper zu bewahren. Wir mussten seine Hornhaut vor dem Austrocknen bewahren. Wir hatten seinen Körper zu bedecken, seine Haut zu verhindern ablöst. Diese Art der Behandlung fortgesetzt endlos. English: I wondered WHAT this person was, rather than WHO this person was. He was in such a terrible condition. Um... There was a body in front of us. The body was not remotely healthy but was severely battered and surrounded by a lot of equipment. That was like a continuous battle to preserve the body. We had to keep his corneas from drying out. We had to cover his body to prevent his skin from coming off. That kind of treatment continued endlessly. French: Je me demandais ce que cette personne était, plutôt que l'OMS était cette personne. Il était dans un état terrible. A ... Il y avait un corps devant nous. Le corps n'a pas à distance, mais en bonne santé a été sévèrement battu et entouré par un grand nombre d'équipements. Ce fut comme une bataille continue pour préserver le corps. Nous avons dû garder ses cornées de sécher. Nous avons dû couvrir son corps pour empêcher sa peau de se détacher. Ce type de traitement a continué sans cesse. French: Nous avons presque perdu de vue ce que nous luttions pour. Notre but était de ne pas protéger ses cornées. Je ne pouvais pas supporter de faire le traitement si je n'avais pas la conviction que je faisais pour protéger sa vie. Près de deux mois se sont écoulés depuis le début du traitement. la perte de sang massive et répétée transfusion sanguine. Le cœur de Ouchi battait la chamade pour pomper le sang dans tout son corps. English: We almost lost sight of what we were striving for. Our purpose was not to protect his corneas. I couldn't have endure doing the treatment if I hadn't had the conviction that I was doing it to protect his life. Nearly two months had passed since the treatment started. Massive blood loss and repeated blood transfusion. Ouchi's heart was beating wildly to pump blood throughout his body. German: Wir verloren fast aus den Augen, was wir für das Streben. Unser Ziel war es nicht seine Cornea zu schützen. Ich konnte es nicht ertragen, die Behandlung zu tun, wenn ich die Überzeugung nicht gehabt hätte, dass ich tat es, sein Leben zu schützen. Fast zwei Monate waren vergangen, seit der Behandlung begonnen. Massiver Blutverlust und wiederholte Bluttransfusion. Ouchi Herz schlug wild Blut durch seinen Körper zu pumpen. English: His heart rate was over 120 beats per minute. His heart was working as hard as when running a marathon. On this day, Dr. Maekawa started making rounds about seven a.m. as usual. Right after that, he saw the monitor and rushed into Ouchi's room. Ouchi's heart had suddenly stopped. I hastily rushed into his room and the medical team immediately started cardiopulmonary resuscitation, that is, cardiac massage. French: Son rythme cardiaque était plus de 120 battements par minute. Son cœur travaillait aussi dur que lors de l'exécution d'un marathon. Ce jour-là, le Dr Maekawa a commencé à faire des rondes sur les sept heures comme d'habitude. Juste après, il a vu le moniteur et se précipita dans la chambre de Ouchi. Le cœur de Ouchi avait soudainement arrêté. Je lance précipitamment dans sa chambre et l'équipe médicale réanimation cardio-pulmonaire a commencé immédiatement, c'est un massage cardiaque. German: Seine Herzfrequenz war über 120 Schläge pro Minute. Sein Herz arbeitet so hart wie bei einem Marathonlauf. An diesem Tag begann Dr. Maekawa Runden um 07.00 Uhr wie üblich zu machen. Gleich darauf sah er den Monitor und stürzte in Ouchi Zimmer. Ouchi Herz hatte plötzlich gestoppt. Ich hastig in sein Zimmer stürmte und das medizinische Team sofort Herz-Lungen-Reanimation begonnen, die, Herzdruckmassage ist. English: Ouchi's heart started beating again, but stopped again. His heart repeated start and stop three times. The medical team performed cardiac massages and administered cardiotonic drugs minute by minute. I had no idea what had happened. I got all the team members together and we massaged his heart hoping that his heart would start beating again. About an hour later, Ouchi's heart started beating again on its own. German: Ouchi Herz begann wieder zu schlagen, aber wieder gestoppt. Sein Herz wiederholt starten und dreimal stoppen. Das medizinische Team durchgeführt Herzmassagen und verwalten cardiotonischen Drogen von Minute zu Minute. Ich hatte keine Ahnung, was passiert war. Ich habe die alle Teammitglieder zusammen und wir massiert sein Herz der Hoffnung, dass sein Herz wieder zu schlagen beginnen würde. Etwa eine Stunde später, Herzen Ouchi begann wieder auf seinem eigenen zu schlagen. French: Le cœur de Ouchi a commencé à battre de nouveau, mais à nouveau arrêté. Son cœur répété démarrer et arrêter trois fois. L'équipe médicale effectue des massages cardiaques et administrés médicaments cardiotoniques minute par minute. Je ne savais pas ce qui était arrivé. Je suis tous les membres de l'équipe ensemble et nous avons massé son cœur en espérant que son cœur commençait à battre. Environ une heure plus tard, le cœur de Ouchi a commencé à battre de nouveau sur lui-même. German: Ich war so erleichtert, als er zurückkommen. Ich konnte zu diesem Zeitpunkt nicht an nichts denken. Ich war verzweifelt gehofft, seine zurückzukommen. Als er zurückkam, fühlte ich mich erleichtert, dass er noch am Leben war. Allerdings hatte der Stillstand seines Herzens ernsthafte Auswirkungen auf die verschiedenen Organe im ganzen Körper, wie das Gehirn und die Nieren. Ouchi Zustand verschlechterte sich rapide. Ouchi nicht reagierte mehr seiner Familie telefonieren. French: J'étais tellement soulagé quand il est revenu. Je ne pouvais pas penser à quoi que ce soit à ce moment-là. J'espérais désespérément son retour. Quand il est revenu, je me suis senti soulagé qu'il était en vie. Cependant, l'arrêt de son cœur a eu des effets graves sur divers organes tout au long de son corps, comme le cerveau et les reins. L'état de Ouchi se détériorait rapidement. Ouchi ne répondait plus aux appels de sa famille. English: I was so relieved when he came back. I couldn't think of anything at that time. I was desperately hoping his coming back. When he came back, I felt relieved that he was alive. However, the stoppage of his heart had serious effects on various organs throughout his body, such as the brain and the kidneys. Ouchi's condition was deteriorating rapidly. Ouchi no longer responded to his family's calls. German: Sein Leben wurde von medizinischen Geräten und Medikamenten unterstützt. English: His life was supported by medical equipment and medicines. French: Sa vie a été soutenue par des équipements médicaux et des médicaments. English: After a long period of treatment, some of the staff members, including me, Um... had a feeling that we shouldn't continue the treatment anymore. However, Mr. Ouchi's family didn't give up hope for his recovery until the very end. I think that was the main driving force that supported us. These are his family's words at his bedside. His mother called his name. German: Nach einer langen Zeit der Behandlung, mir einige der Mitarbeiter, darunter, A ... hatte das Gefühl, dass wir nicht mehr die Behandlung nicht fortgesetzt werden sollten. Allerdings Familie Herr Ouchi ist nicht aufgeben Hoffnung für seine Genesung bis zum Ende. Ich denke, dass die treibende Kraft war, die uns unterstützt. Es handelt sich um seine Familie Worte an seinem Bett. Seine Mutter nannte seinen Namen. French: Après une longue période de traitement, certains des membres du personnel, y compris moi, A ... avait le sentiment que nous ne devrions pas poursuivre le traitement plus. Cependant, la famille de M. Ouchi n'a pas abandonné l'espoir pour son rétablissement jusqu'à la fin. Je pense que c'était la principale force motrice qui nous a soutenus. Ce sont les paroles de sa famille à son chevet. Sa mère a appelé son nom. German: (Hisashi, festhalten.) Sein Vater sprach in seinem Ohr. (Gib nie auf!) Eine neue Situation entstand in Ouchi Blut. Diese ameba artige Dinge sind seine Immunzellen. Immunzellen zu bekämpfen Bakterien und Viren und loszuwerden von ihnen. Seine Immunzellen wurden abnormal und greifen seine normalen weißen Blutzellen und andere Zellen. English: (Hisashi, hold on.) His father spoke in his ear. (Never give up!) A new situation arose in Ouchi's blood. These ameba-like things are his immune cells. Immune cells fight bacteria and viruses and get rid of them. His immune cells became abnormal and were attacking his normal white blood cells and other cells. French: (Hisashi, tiens). Son père a parlé à l'oreille. (N'abandonnez jamais!) Une nouvelle situation est survenue dans le sang de Ouchi. Ces choses amibes comme sont ses cellules immunitaires. Les cellules immunitaires combattent les bactéries et les virus et se débarrasser d'eux. Ses cellules immunitaires sont devenues anormales et attaquaient ses globules blancs normaux et d'autres cellules. German: Bluttransfusionen und hematinic Medikamente wurden wiederholt verabreicht. Die Zahl seiner weißen Blutkörperchen wurde schnell abnimmt. Schließlich sank die Zahl auf fast Null zurück. Unter diesen Umständen war es nichts mehr konnten wir tun. Wir waren irgendwie in einer Sackgasse stecken. Ich weiß nicht, wie mein Gefühl zu beschreiben, zu dieser Zeit. Wir konnten weder vorwärts noch rückwärts bewegen. Es gab keine praktikable Lösungen. Mein ehrliches Gefühl war, dass wir in einem kompletten Stillstand waren. French: Les transfusions sanguines et des médicaments ont été administrés hématiniques à plusieurs reprises. Le nombre de ses globules blancs diminuait rapidement. Finalement, le nombre a diminué de nouveau à presque zéro. Dans ces circonstances, il n'y avait rien que nous pouvions faire à gauche. Nous étions en quelque sorte coincé dans une impasse. Je ne sais pas comment décrire mon sentiment à ce moment-là. Nous pourrions aller ni en avant ni en arrière. Il n'y avait pas des solutions viables. Mon honnête sentiment était que nous étions dans une impasse totale. English: Blood transfusions and hematinic drugs were administered repeatedly. The number of his white blood cells was decreasing rapidly. Eventually, the number decreased back to almost zero. Under those circumstances, there was nothing left we could do. We were sort of stuck in a stalemate. I don't know how to describe my feeling at that time. We could move neither forward nor backward. There were no workable solutions. My honest feeling was that we were in a complete deadlock. English: Ouchi's abnormal immune cells were attacking even the white blood cells that were produced by his sister's cells. On the 81st night after the radiation accident, Dr. Maekawa called Ouchi's all family members together. Dr. Maekawa told them that even if Ouchi's heart stopped again, any further resuscitation attempts shouldn't be made. His family agreed to my suggestion, and I gave the medical team strict instructions French: les cellules immunitaires anormales de Ouchi attaquaient même les globules blancs qui ont été produites par les cellules de sa sœur. Dans la nuit 81e après l'accident de rayonnement, le Dr Maekawa a appelé tous les membres de la famille Ouchi ensemble. Dr Maekawa leur a dit que même si le cœur de Ouchi arrêté à nouveau, ne devrait pas y avoir de nouvelles tentatives de réanimation. Sa famille a accepté de ma suggestion, et je donnai l'équipe médicale des instructions strictes German: Ouchi die abnormalen Immunzellen greifen auch die weißen Blutkörperchen daß wurden von seiner Schwester-Zellen produziert. Am 81. Nacht nach dem Strahlenunfall, genannt Dr. Maekawa Ouchi die alle Familienmitglieder zusammen. Dr. Maekawa sagte ihnen, dass selbst wenn Ouchi Herz wieder gestoppt, alle weiteren Wiederbelebungsversuche sollten nicht vorgenommen werden. Seine Familie vereinbart, meinen Vorschlag, und ich habe die medizinische Team strenge Anweisungen German: nicht kardiopulmonalen Reanimation durchführen, wenn sein Herz wieder gestoppt. Seine Familie verließ leise das Zimmer. Am nächsten Tag, Ouchi Frau sprach mit ihm. Sie wollte mit ihm im neuen Jahr schellen. Seine Familie fortgesetzt Papierkraniche im Warteraum falten. Die Zahl der Krane war fast zehntausend. French: de ne pas effectuer la réanimation cardio-pulmonaire si son cœur a cessé de nouveau. Sa famille a quitté la salle tranquillement. Le lendemain, la femme de Ouchi lui a parlé. Elle voulait sonner dans la nouvelle année avec lui. Sa famille a continué à plier des grues en papier dans la salle d'attente. Le nombre des grues était presque dix mille. English: not to perform cardiopulmonary resuscitation if his heart stopped again. His family left the room quietly. Next day, Ouchi's wife spoke to him. She wanted to ring in the new year with him. His family continued to fold paper cranes in the waiting room. The number of the cranes was almost ten thousand. English: On the 83rd day after the radiation accident, his wife visited him with his son. They saw him without gauze covering his face. His son, who was an elementary school student, spoke to him. (Dad, hang in there.) His wife cried for the first time. French: Le jour 83e après l'accident de rayonnement, sa femme lui a rendu visite avec son fils. Ils l'ont vu sans gaze couvrant son visage. Son fils, qui était un élève de l'école élémentaire, lui a parlé. (Papa, accrochez-vous.) Sa femme a pleuré pour la première fois. German: Am 83. Tag nach dem Strahlenunfall, seine Frau besuchte ihn mit seinem Sohn. Sie sahen ihn ohne Gaze bedeckte sein Gesicht. Sein Sohn, der ein Grundschüler war, sprach mit ihm. (Dad, hängen dort.) Seine Frau rief zum ersten Mal. French: Pour autant que je pouvais voir, ce fut la seule fois où elle a pleuré. Apparemment, elle essayait de réprimer un cri. Je pensais qu'elle n'a pas eu à le faire. Cette nuit, Ouchi est décédé. English: As far as I could see, that was the only time she cried. Apparently, she was trying to suppress a cry. I thought she didn't have to do that. That night, Ouchi passed away. German: Soweit ich sehen konnte, war, dass das einzige Mal, dass sie weinte. Offenbar versuchte sie einen Schrei zu unterdrücken. Ich dachte, sie nicht zu tun hat. Diese Nacht, Ouchi verstorben. English: The 83-day battle of Ouchi, his family, and the medical team ended. Radiation exposure destroys human body from the inside. The effects of radiation spread throughout Ouchi's body. This photograph shows his muscle tissue. German: Die 83-Tage-Schlacht von Ouchi, seiner Familie und das medizinische Team beendet. Die Strahlenexposition zerstört menschliche Körper von innen. Die Auswirkungen der Strahlung verbreitete sich in Ouchi des Körpers. Dieses Foto zeigt seine Muskeln. French: La bataille de 83 jours de Ouchi, sa famille et l'équipe médicale terminée. L'exposition aux radiations détruit le corps humain de l'intérieur. diffuser les effets du rayonnement dans tout le corps de Ouchi. Cette photographie montre son tissu musculaire. German: Muskelgewebe wird als die am wenigsten anfällig für Strahlenschäden sein. Allerdings sind die meisten der Muskelfasern wurden durch eine massive Menge an Strahlung verloren. Unter denen, blieb nur ein Organ intakt, ohne seine Muskelgewebe beschädigt. Herz. Nur war sein Herzmuskel nicht durch Strahlung zerstört. Natürlich gibt es Unterschiede zwischen dem Herzmuskel und anderen Muskeln. Ich studierte verschiedene medizinische Literatur, aber jetzt, Ich bin mir nicht ganz sicher, warum sein Herz im Gegensatz zu anderen Muskeln überlebt. Wir diskutierten, ob das war eine Wirkung der Strahlung oder eine Wirkung verschiedener Behandlungen wie Medikamente. Beide Meinungen sind plausibel und ich habe noch nicht zum Abschluss gekommen. French: Le tissu musculaire est considéré comme des dommages de rayonnement les moins vulnérables. Cependant, la plupart des fibres musculaires ont été perdus par une énorme quantité de rayonnement. Parmi ceux-ci, un seul organe est resté intact sans son tissu musculaire endommagé. Cœur. Seul son muscle cardiaque n'a pas été détruit par le rayonnement. Bien sûr, il y a des différences entre le muscle cardiaque et d'autres muscles. J'ai étudié diverses littérature médicale, mais pour l'instant, Je ne suis pas tout à fait sûr pourquoi son cœur a survécu contrairement à d'autres muscles. Nous avons discuté si cela était un effet de rayonnement ou un effet de divers traitements tels que les médicaments. Les deux opinions sont plausibles et je n'ai pas encore abouti à une conclusion. English: Muscle tissue is considered to be the least vulnerable to radiation damage. However, most of the muscle fibers were lost by a massive amount of radiation. Among those, only one organ remained intact without its muscle tissue damaged. Heart. Only his heart muscle was not destroyed by radiation. Of course, there are differences between heart muscle and other muscles. I studied various medical literature, but for now, I'm not quite sure why his heart survived in contrast to other muscles. We discussed whether that was an effect of radiation or an effect of various treatment such as medicines. Both opinions are plausible and I haven't yet reached a conclusion. German: Um jedoch die Tatsache, dass sein Herz angesichts überlebte die Strahlenexposition, Ich denke, dies ist eines der Probleme ist, dass wir, Mediziner, in Zukunft ansprechen sollen. Ouchi Herz blieb am Leben, obwohl alle anderen Zellen in seinem Körper zerstört wurden. Ärzte und Krankenschwestern fortgesetzt, sich in dieser ICU auf die Behandlung von Ouchi zu widmen. Diese Zeiten tiefe Fragen offen, die in jedem Teammitglied Geist noch bleiben. English: However, considering the fact that his heart survived the radiation exposure, I think this is one of the issues that we, medical professionals, should address in the future. Ouchi's heart stayed alive even though all other cells in his body were destroyed. Doctors and nurses continued to devote themselves to the treatment of Ouchi in this ICU. Those days left profound questions that still remain in each team member's mind. French: Toutefois, compte tenu du fait que son coeur a survécu à l'exposition aux rayonnements, Je pense que c'est l'un des problèmes que nous, professionnels de la santé, devrait répondre à l'avenir. Le cœur de Ouchi est resté en vie, même si toutes les autres cellules de son corps ont été détruits. Les médecins et les infirmières ont continué de se consacrer au traitement des Ouchi dans cette unité de soins intensifs. Ces jours ont laissé de profondes questions qui restent encore dans l'esprit de chaque membre de l'équipe. English: This case made me painfully aware that the system made by human beings could cause terrible disasters with one wrong move. There is nothing mere doctors like us can do about that. With any latest technology and equipment, we have no chance against the catastrophic effects of radiation. We learned that the hard way. His encounter with Ouchi was a major turning point for Dr. Maekawa. French: Cette affaire m'a fait douloureusement conscience que le système fait par des êtres humains pourrait provoquer des catastrophes terribles avec un faux mouvement. Il n'y a rien de simples médecins comme nous peuvent faire à ce sujet. Avec toute dernière technologie et de l'équipement, nous avons aucune chance contre les effets catastrophiques de rayonnement. Nous avons appris que la dure. Sa rencontre avec Ouchi a été un point tournant majeur pour le Dr Maekawa. German: Dieser Fall hat mich schmerzlich bewusst, dass das System von Menschen gemacht das dazu führen könnte schreckliche Katastrophen mit einer falschen Bewegung. Es gibt nichts, nur Ärzte wie wir dagegen tun können. Mit jeder neuesten Technologie und Ausrüstung, haben wir keine Chance gegen die katastrophalen Auswirkungen von Strahlung. Wir erfuhren, dass die harte Weise. Seine Begegnung mit Ouchi war ein wichtiger Wendepunkt für Dr. Maekawa. English: This spring, Dr. Maekawa reached retirement age and left the hospital. He has decided to work on establishing medical systems for treatment of radiation exposure. "People who passed away will never come back again. There will be no next time for people who passed away." This is a letter from Ouchi's wife to Dr. Maekawa. "Maybe I'm too pessimistic, but I can't help but think that a similar accident would occur again German: In diesem Frühjahr, Dr. Maekawa das Rentenalter erreicht und das Krankenhaus verlassen. Er hat sich entschieden, auf die Schaffung medizinischer Systeme für die Behandlung von Strahlenexposition zu arbeiten. „Die Menschen, die verstorben werden nie wieder zurückkommen. Es wird kein nächstes Mal für Menschen, die verstorben.“ Dies ist ein Brief von Ouchi Frau Dr. Maekawa. „Vielleicht bin ich zu pessimistisch, aber ich kann mir nicht helfen, aber, dass ein ähnlicher Unfall wieder auftreten würde, French: Ce printemps, le Dr Maekawa a atteint l'âge de la retraite et a quitté l'hôpital. Il a décidé de travailler sur la création de systèmes médicaux pour le traitement de l'exposition aux radiations. « Les gens qui sont décédés ne reviendront jamais à nouveau. Il n'y aura pas de prochaine fois pour les gens qui sont décédés « . Ceci est une lettre de l'épouse de Ouchi au Dr Maekawa. « Peut-être que je suis trop pessimiste, mais je ne peux pas empêcher de penser qu'un accident semblable se produirait à nouveau French: aussi longtemps que l'énergie nucléaire est inséparable de notre vie quotidienne. Ma méfiance à l'égard de l'énergie nucléaire ne disparaîtra jamais car elle est gérée par des êtres humains. Si les gens qui sont impliqués dans l'industrie nucléaire ne peuvent pas se protéger, le domaine médical doit apprendre les leçons enseignées par mon mari et son collègue au sacrifice de leur vie. J'espère que misérables victimes, comme mon mari, peuvent être sauvés dans l'avenir « . German: solange die Kernenergie ist untrennbar mit unserem täglichen Leben. Mein Misstrauen gegenüber der Kernenergie geht nie weg, weil sie von den Menschen umgegangen wird. Wenn Menschen, die in der Atomindustrie beteiligt sind, nicht selbst schützen können, im medizinischen Bereich soll die Lektionen gelehrt von meinem Mann und seinem Kollegen am Opfer ihres Lebens erfährt. Ich hoffe, dass elende Opfer, wie mein Mann, können in Zukunft gerettet werden.“ English: as long as nuclear energy is inseparable from our daily lives. My distrust of nuclear energy will never go away because it is handled by human beings. If people who are involved in the nuclear industry cannot protect themselves, the medical field should learn the lessons taught by my husband and his colleague at the sacrifice of their lives. I hope that wretched victims, like my husband, can be saved in the future."
{ "pile_set_name": "YoutubeSubtitles" }
Slovenian: Doooooooooobro jutro igralci! Še en dan v Minecraftu Ali ni tako, vsi? ow. prekleto nisem AAAAAAAH Zakaj si blizu moje mesne kroglice ??? (😏) Pojdi stran! Ljubim te, mesnate kroglice, toda mAN, zdi se, da privablja veliko slabih ljudi kaj je z mesnimi kroglicami in slabimi ljudmi? (smeh v švedščini) Ikea Tower je videti lepa. Moo krava - poskušate pobegniti? Boat Cow? Prosim. Kakorkoli že, danes imamo veliko stvari, ki jih moramo storiti * zvoni zvonjenje * (btw, če zazvonite zvonjenje med napadom, ki vam pomaga) (Vrže lubenico v Joergenov zlati grob) Imamo veliko misij za dokončanje. ni dat RighT, svEn (bruh zvočni učinek) Hočem zgraditi hišo za mojega malega konja Da, čutim, da ne dobi ljubezni in pozornosti, ki si jo zasluži. Sedi tukaj s temi ... Drugimi gnusnimi ... Stvari. Joergen (drugi) si zasluži * možganske celice umrejo *, svojo hišo! Desno Sven ?? (da pewds) Tako kot imaš svojo hišo. Joergen vsaj, vsaj, Japanese: GOOOOOOOOOOOOOODDDDDDD 朝のゲーマー! Minecraftのもう1つの素晴らしい日です。 そうじゃない、みんな? おお。私はしなかった AAAAAAAH 何故お前は俺のミートボール付近にいるんだ? (クエスト) どこかに行って! ミートボール、愛してる あなたはたくさんの悪い人々を魅了しているようです - ミートボールや悪い人たちにとってそれは何ですか? (スウェーデン語で笑います) もちろん綺麗に見えるイケアタワー。 ムー牛 - あなたは脱出しようとしていますか? ボート牛?お願いします。 とにかく、今日 *ベルを鳴らす*(襲撃中にベルを鳴らした場合は助けになります)(bro tip) (Joergenの黄金の墓でスイカを投げます) 私たちには完成するべきたくさんの使命があります。 dat RighT、svEnではありません(bruh sound effect) 基本的に私はしたい 小さな家を建てる 私の小さな馬のために はい、私は彼が彼が値する愛と注意を得ていないように私は感じます。 彼はこれらと共にここに座っています...他の嫌なこと...物事。 Joergen(2番目)は*脳細胞が死ぬ*に値する、 彼自身の家! 右スヴェン? (はいpewds) あなたがあなた自身の家を手に入れたように。 少なくともJoergen、 English: GOOOOOOOOOOOOOODDDDDDD morning gamers! It's another bEaUtIfUl day in Minecraft isn't that right, everyone? ow. dammit I didn- AAAAAAAH Why are you near my meatball??? (😏 😏 ) Go away! I love you, meatball, but mAN, you seem to attract a lot of bad people- what is it with meat balls and bad people? (laughs in swedish) Ikea Tower looking beautiful of course. Moo Cow- are you trying to Escape? Boat Cow? Please. anyway, today we have a lot of things to do *rings bell* (btw if you ring the bell during a raid it helps you out)(bro tip) (Throws Watermelon at Joergen's golden grave) We have a lot of missions to complete. isn’t dat RighT, svEn (bruh sound effect) Basiclly I wanna build a little house for my little horse 😁 Yes, I feel like he's not getting the love and attention that he deserves. He’s sitting in here with these... Other disgusting... Things. Joergen (the second) deserves a *brain cells die*, his own house! Right Sven?? (yes pewds) Just like you got your own house. Joergen at least, at least, Arabic: صبااااااح الخير ايها اللاعبين ! إنه يوم آخر رائع في ماين كرافت ليس هذا صحيح ، الجميع؟ آه. اللعنة أنا لم - لماذا أنت بالقرب من بلدي اللحم المفروم ؟؟ (😏 😏) ابتعد أو ارحل! أنا أحبك ، اللحم المفروم ، ولكن الرجل يبدو أنك تجذب الكثير من الناس السيئين ما هو كرات اللحم والأشرار؟ ههههه برج ايكيا يبدو جميلا بالطبع. مو البقرة ، هل تحاول الهرب؟ بقرة البقرة؟ رجاء. على أي حال ، اليوم لدينا الكثير من الأشياء التي يجب القيام بها (راجع للشغل إذا رنت الجرس أثناء غارة فإنه يساعدك على الخروج) (نصيحة إخوانه) (رميات البطيخ في قبر يورغن الذهبي) لدينا الكثير من المهام لإكمالها. Basiclly أريد بناء منزل صغير لحصاني الصغير 😁 نعم ، أشعر أنه لا يحصل على الحب والاهتمام اللذين يستحقهما. إنه يجلس هنا مع هؤلاء ... أشياء أخرى مثيرة للاشمئزاز ... أشياء. منزله الخاص! الحق سفين؟ (نعم بيوود) مثلك تماما حصلت على منزلك. يورغن على الأقل ، على الأقل Chinese: 早安各位游戲玩家 又是一個在Minecraft的美好一天 又是一個在Minecraft的美好一天 又是一個在Minecraft的美好一天 不是嗎?各位? 凹嗚 該死的,他沒有... 啊啊啊啊 你為什麼靠近我的肉球 走開 我愛你肉球 可是兄弟 你看起來似乎困在壞人之中 可是如果肉球也是壞的呢 IKEA塔看起來依舊不合理的完美 船牛你是在試圖逃脫嗎? 船牛? 拜託不要 無論如何 今天我們有很多事情要做 (敲 有許多任務要去完成 不是嗎 Sven? bruh 基本上.. 我想要為我的愛馬們 蓋個小愛巢 我覺得他似乎感覺他沒有得到它應有的愛和照顧 他在住在這 和一些其他的噁心的......東西們... Joergen值得擁有他自己的房子 對吧!Sven 像你就擁有自己的房子 Joergen至少 "至少" Portuguese: Bom dia, gamers! É outro lindo dia no Minecraft, né gente? Droga eu não- AAH Por que você está perto da minha almôndega?! Vai embora!! Eu te amo, Almôndega, mas, cara, você parece atrair muita gente ruim O que tem aver almôndegas com gente ruim? Torre Ikea está linda, obvio Vaca Moo, você está tentando escapar? Vaca do barco? Por favor De qualquer forma, hoje nós temos muitas coisas a fazer Temos muitas missões para completar, não é mesmo, Sven? Basicamente, eu quero construir uma casinha para o meu cavalinho Eu sinto como se ele não estivesse recebendo o amor e a atenção que ele merece Ele está sentado aqui com essas coisas … repugnantes Joergen merece sua propria casa, né Sven? Igual a você que tem sua própria casa Vietnamese: Chào buổi sáng gamers! Lại là một ngày đẹp trời khác trong Minecraft. Đúng không các bruh Ow Đm không- AAAAAH Tại sao mi ở gần cục thịt khổng lồ của mị?!! Cút xéo! Mị yêu em thịt viên nhưng giời em có vẻ như đang gọi mấy người xấu tới. Có gì sai giữa thịt viên và người xấ- WHEEZE Tháp Ikea trông đẹp như mọi ngày tất nhiên MOO-COW mi đang định trốn à? Ngươi định trốn hả? Làm ơn. Dù gì thì hôm nay, chúng ta có nhiều việc quan trọng để làm. (CC : Maw#7146) Chúng ta có nhiều nhiệm vụ để hoàn thành. Đúng không Sven? (Rờ) Việc là mị muốn xây một căn nhà nhỏ cho con ngựa nhỏ của mị. Đúng ra là mình cảm thấy như em ấy không được sự quan tâm và chú ý em ấy đáng nhận. Em ấy ngồi trong đây với mấy con... Vật ghớm ghiết. Joergen đáng nhận nhà riêng của em ấy! Đúng không Sven? Cũng như em có nhà riêng của em. Spanish: Buenos dias, Gamers! hijos de la chingada Es otro nuevo y hermoso día en Minecraft Eso es correcto chicos! AU Demonios, hice- AAAAH ¿Por qué estas cerca de mi albóndiga? Aléjate! Te amo albóndiga, pero tu parces atraer mucha gente mala Qué pasa si nosotros albóndigamos malas personas? (wtf) *no sé qué dijo ni qué quiso decir* (risas) La torre IKEA luciendo hermosa, por supuesto BoatCow, estas tratando de escapar? subtitulos hechos por Lujii la mass pro De todas formas Hoy, tenemos muchas cosas que hacer . . . Tenemos muchas misiones que completar no es cierto eso Sven? Básicamente Quiero construir una pequeña casa para mi pequeño caballo Si, siento que él no está recibiendo la atención y amor que él merece Él se está sentando aquí con estas otras . . . desagradables . . . cosas Joergen merece una- Su propia casa! Verdad Sven? Así como tu tienes la tuya. Joergen al menos al menos! Russian: ДОБРОЕ УТРО, ГЕЙМЕРЫ! Очередной прекрасный день в майнкрафте! Разве это не так? Ау! Черт, я... А-А-А! Почему ты у моей Фрикадельки?! Уходи! Я люблю тебя, фрикаделька, но чел Ты кажется привлекаешь слишком много плохишей. Что это всё значит, фрикаделька? Башня ИКЕЯ как всегда прекрасна Корова в лодке, ты пыталась сбежать? Эй? Корова в лодке, пожалуйста. Тем не менее, сегодня мы должны сделать много вещей У нас много миссий, которые должны быть выполнены. Разве это не так, Свен? (BRUH) В принципе, я хочу построить маленький домик для моей маленькой лошадки Да, я чувствую, как будто он не получает любви и внимания, которых он заслуживает Он сидит тут вместе с этими другими отвратительными... ...штуками Йорген заслуживает свой собственный дом. Да, Свен? Прямо как ты имеешь свой собственный домик Polish: WITAAAAJCIE GRACZE! To kolejny przepiękny dzień w Minecrafcie Czyż nie mam racji? Auć Cholera, ja... Aaaaaa! Dlaczego jesteś blisko mojego klopsika? Idź sobie! Kocham cię klopsiku! Ale, zdajesz się przyciągać sporo złych ludzi Co jest z tymi klopsikami i złymi ludźmi *śmiech* Wieża IKEI wygląda oczywiście pięknie Łódkokrówko próbujesz uciec? Łódkorówko, proszę... Tak czy inaczej dzisiaj mamy wiele rzeczy do zrobienia, mamy wiele misji do wykonania... Mam rację, Sven? W zasadzie to chcę zbudować mały domek dla mojego małego konia Tak, czuję że nie otrzymuje miłości i uczuć na które zasługuję Siedzi tutaj z innymi obrzydliwymi... stworami... Joergen zasługuje na... swój własny dom! Prawda, Sven? Tak jak ty dostałeś swój, Turkish: Günaydın Oyuncular! Minecraft'ta yine harika bir gün. Değil mi? Ah Lanet olsun ben sadec... Aah! Neden köftemin etrafındasın? Git Buradan! Seni seviyorum Köfte, adamım kötüleri etrafına çekiyorsun. Köfte ve kötü insanların arasında ne var? :D IKEA Kulesi çok güzel gözüküyor tabi ki de. Möö inek, kaçmaya mı çalışıyorsun? Bot İneği, Lütfen! Neyse.. Bugün yapmamız gereken pek çok şey var. Tamamlamak için bir sürü görevimiz.. Değil mi Sven? Breh! İlk olarak küçük atım için bir ev yapmak istiyorum. O.. Onun hak ettiği sevgi ve ilgiyi alamadığını hissediyorum. O diğer değişik tiplerle birlikte burada oturuyor. Joergen kendi evini hakediyor Değil mi Sven? Azerbaijani: Minecraft'ta başqa bir gün var hər kəs bu doğru deyil? ow. dəlilik AAAAAAAH Niyə köfte yaxınlaşırsınız? (😏 😏) Çıx get! Mən səni sevirəm, köftə, amma mən, bir çox pis insanları cəlb edirsiniz - ət topları və pis insanlarla nədir? (İsveçcə gülür) Ikea Tower əlbəttə gözəl görünür. Moo Cow - xilas etməyə çalışırsan? Boat İnək? Xahiş edirik. Hər halda, bu gün bizdə bir çox şey var * zənglər zəngi * (btw əgər zəng çaldığınız zaman bir basqın zamanı) (Joergen'in qızıl məzarında Qarpız atır) Tamamlamaq üçün bir çox missiyamız var. RatT, svEn (bruh səs effekti) Əsasən istərdim kiçik bir ev qurmaq kiçik atım üçün 😁 Bəli, özünə layiq olan sevgini və diqqətini ala bilməyəcəyini hiss edirəm. Bu yerlərlə oturur ... Digər iyrənc şeylər. Joergen (ikinci) bir beyin hüceyrəsi ölmək layiqdir * öz evini! Sağ Sven ?? (bəli pewds) Öz eviniz olduğu kimi. Ən azı Joergen, ən azı, Japanese: 馬小屋に値する。 私の神よ、私の家から出てください。 よし、逃げないで、Jorgen。 逃げないでください。 安全にする必要があります。 Joergenが二度と消えないように。 私の心はそれを扱うことができないので、 もう。 そうではありませんスヴェン? Svenを心配しないでください、それはあなたの家のように空想ではありませんそれはちょうど安定しているでしょう。 それを乗り切るには、どれくらいの高さがなければなりませんか。 はい。 おお、私の神、これは最も迷惑な場所です 構築する!あなたたちは私の顔の中にいます! あなたは匂いがします。 Joergenがあなたと一緒に好きではないのも不思議ではありません... ああ私の神Joergen noooooo! 私は大丈夫ですよ! その安定性は最高です あなたは今までにあなたの人生の中で見たことがあります。 私はその文を終わらせることさえできなかった。 笑う*自分の文章を笑う* ああ、神。 スヴェンと... 彼の倒錯した方法。 フェンスはありますか?柵があります。 そこに行きます。 Portuguese: Joergen pelo menos, PELO MENOS, merece um estábulo Ai meu Deus, saia da minha casa! Ok, não escape, Joergen. Não escape Eu preciso fazer isso mais seguro para que o Joergen nunca desapareça de novo porque o meu coração não consegue aguentar mais Não é, Sven? Não se preocupe, Sven. Não vai ser tão bonito quanto a sua casa Vai ser apenas um estábulo O quão alto tem de ser para eu sair? Ok.. Ai meu Deus, esse é o lugar mais irritante de construir Vocês estão na minha cara Vocês fedem Nem me pergunto porquê o Joergen não quer ficar com vocês Meu deus, Joergen nãão! Eu to tentando construir aqui! Vai ser o melhor estábulo que você ja viu na vida Eu não pude nem terminar essa frase sem Ai, Deus Sven e seus jeitos pervertidos Eu tenho cercas? Sim, tenho. Aí sim Turkish: Tıpkı sizin evinizin olduğu gibi, Joergen en azından bir ahırı hak ediyor. Aman Tanrım evimden defol! Tamam kaçma Joergen Joergen bir daha asla kaybolmasın diye bunu daha güvenli yapmalıyım. Çünkü kalbim buna artık dayanamaz. Değil mi Sven? Merak etme Sven senin evin kadar güzel olmayacak. Sadece bir ahır olacak. Dışarıya gidebilmem için bunun ne kadar uzun olması gerekiyor? Aman Tanrım burası inşaat için en sinir bozucu yer! Siz çocuklar yüzümdesiniz resmen Kokuyorsun Joergen'ın sizinle takılmayı sevmemesine şaşmamalı. Aman Tanrım Joergen hayır! İnşa etmeye çalışıyorum şurada! Hayatında gördüğün en güzel ahır olacak. (?) Ah Tanrım Sven ve sapıklıkları Çitim var mı, var. Chinese: 該擁有一個馬廄 我的天 離我的房子遠一點 別逃跑Joergen 別逃跑 我必須讓這更安全點以防止Joergen再消失一次 因為我的心臟可不能再承受一次 ”再多一次“ 對吧! Sven 放心吧Sven,這不會比你的房子更漂亮 這只會是一個馬廄而已 需要多高才不會讓我騎著它跳出去 OK... 我 的 天 這是這世界上最吵的建築地點 你們這些傢伙粘在我的臉上 你很臭 不意外Joergen討厭你們這些傢伙 我 的 天 Joergen不~~ 我嘗試著在這裡蓋房子啊 這會是你這輩子看過最好的馬廄了 我甚至沒辦法完成那句話如果沒有 (笑 天哪 在沒有Sven...和他的反常 我有籬笆嗎?我有嗎?喔..我有 看這個 Slovenian: zasluži stabilno. O moj bog, pojdi iz moje hiše. V redu, ne pobegni, Jorgen. Ne pobegni. Moram narediti to varnejše, tako da Joergen nikoli več ne izgine. Ker moje srce ne more ravnati, več. Ali ni to prav Sven? Ne skrbi Sven, ne bo tako domišljijsko kot tvoja hiša, ampak bo stabilna. Kako visok mora biti, da se odpravim iz nje? V redu. O moj Bog, to je najbolj nadležno mesto zgraditi! Vi ste v mojem obrazu! Smrdiš. Ni čudno, da se Joergenu ne marate z vami ... Oh moj bog Joergen noooooo! Jaz sem tryna bUILD hERe! Najboljša bo stabilna ste jih kdaj videli v vašem LIFe. Nisem mogel niti dokončati tega stavka smeh * se smeji na lastni stavek * Oh bog. Sven in ... Njegove sprevržene poti. Ali imam ograjo? Imam ograjo. No pa gremo. Arabic: يستحق مستقرة. يا إلهي ، اخرج من منزلي. حسنا ، لا تهرب ، يورغن. لا تهرب. أحتاج إلى جعلها أكثر أمانًا بحيث يختفي يورجين أبدا مرة أخرى. لأن قلبي لا يستطيع التعامل معها أي أكثر من ذلك. أليس هذا صحيح سفين؟ لا تقلق سفين ، لن يكون خيالي مثل منزلك سيكون مجرد مستقر. ما طول القامة التي يجب أن أعود بها؟ حسنا. يا إلهي هذا هو المكان الأكثر مزعج لبناء! يا رفاق في وجهي! رائحتك كريهة. لا عجب أن يورغن لا يعجبك يا رفاق ... يا إلهي يورجين noooooo! أنا tryna bUilD هيري! ستعمل يكون أفضل مستقرة سبق لك أن رأيت في حياتك. لم أستطع حتى إنهاء هذه الجملة بدون يضحك * يضحك في الجملة الخاصة به * يا إلهي.. سفين و ... طرقه المنحرفة. هل لدي سياج؟ لدي سياج. هناك نذهب. Russian: Йорген, как минимум, КАК МИНИМУМ заслуживает стойло О боже, убирайся из моего дома Хорошо, не убегай Йорген, не убегай Мне нужно сделать стойло более безопасным, так что Йорган больше не пропадал Потому что мое сердце больше не справится с этим никогда. Так ведь, Свен? Не волнуйся, Свен, он не будет таким классным, как твой домик, это будет просто стойлом. Какой высоты должно быть стойло для меня, чтобы я мог выезжать? Окей... О боже, это самое раздражающее место, чтобы строить Вы, ребята, прямо у моего лица! От вас воняет! Я не удивлен, почему Йоргену не нравится сидеть тут с вами. О боже, Йорген, нет! Я пытаюсь строить тут! Это будет лучшее стойло, которое вы когда-либо видели в своей жизни Я даже не смог закончить это предложение без...(Смех) О боже, Свен и... его развратные мысли... У меня есть забор? Да, есть. Погнали Azerbaijani: stabildir. Oh mənim Allahım, evimdən çıxın. Alright, qaçma, Jorgen. Qaçma. Bunu daha təhlükəsiz etmək lazımdır, Yorgen yenidən bir daha yox olur. Çünki ürəyim onu ​​idarə edə bilməz, artıq. Sven bu doğru deyilmi? Sven narahat olmayın, evinizdə olduğu kimi xeyirli olmayın, o, sabit olacaq. Mənim üçün çıxmaq üçün nə qədər uzun olmalıdır? Tamam. Oh mənim Tanrım bu ən canlanıcı bir yerdir tikmək! Sizlər mənim üzümdəyəm! Kokuyorsun. Heç bir təəccüb doğurmur ki, Joergen sizinlə uşaqları sevmir ... Oh my God Joergen noooooo! TƏRCÜMƏLƏRİMİZ Ən yaxşı stabil olacaq HƏR HƏYATININ HƏYATINDA gördünüz. Hətta bu cəzanı da bitirməmişdim gülür * öz cəzasına gülür * Allahım .. Sven və ... Onun sapqın yolları. Çardam varmı? Çit var. Gedirik. English: deserves a stable. Oh my God, get out of my house. Alright, don't escape, Jorgen. Don't escape. I need to make it safer, so that Joergen never disappears again. Because my heart can not handle it, anymore. Isn't that right Sven? Don't worry Sven, it wont be as fancy as your house it will just be a stable. How tall does it have to be for me to ride out of it? Okay. Oh my God this is the most annoying place to build! You guys are in my face! You smell. No wonder Joergen doesn’t like it with you guys... Oh my God Joergen noooooo! I'm tryna bUilD hERe! Its gonna be the best stable you have EVER seen in your LIFe. I couldn't even finish that sentence without laughing *laughs at his own sentence* Oh God.. Sven and... His perverted ways. Do I have fence? I do have fence. There we go. Vietnamese: Joergen đáng nhận ít nhất một căn nhà ngựa. Đờ mờ cút ra khỏi nhà bố! Được rồi, đừng có trốn Joergen. Đừng trốn. Mình cần làm cái này an toàn hơn để Joergen không biến mất lần nào nữa. Vì tim mị không thể chịu nổi nữa. Thêm nữa Đúng hông Sven? Đừng lo Sven nó sẽ không xịn hơn nhà em đâu. Nó sẽ như 1 cái chuồng thôi/Mị sẽ xây nó cao bao nhiêu đây OMG cái chỗ này là chỗ phiền phức nhất các ngươi đang ở ngay cái bản mặt mị bốc mùi quá joergen không giống với các ngươi đâu/joergen nô!! t đang cố xây nhà cho m nèeeeee nó sẽ là cái chuồng xịn nhất trong đời m Mị còn chưa kết thúc câu nói của mình Oh chúa Sven và người bạn dâm dục :/ Mị có rào không yeah có đây/ngon rồi đây mị luôn tìm mấy cái khóa dễ thương như này Polish: Joergen przynajmniej, przynajmniej, zasłużył na stajnię. Jeeezuuu, wynocha z mojego domu! Ok, nie uciekaj Joergen... ...nie uciekaj Muszę wprowadzić zabezpieczenia, aby Joergen już nigdy nie zniknął, ponieważ moje serce tego nie zniesie już dłużej. Mam rację, Sven? Nie martw się Sven, nie będzie tak wypasiony jak twój, to będzie tylko stajnia. Jak wysokie musi to być, abym wyjechał? Ok... O mój Boże, to jest najgorsze miejsce do budowania! Wchodzicie mi w twarz! Śmierdzicie! Nic dziwnego, że Joergen nie lubi tu być z wami... Joergen, nieeee!!! Próbuję tu budować! To będzie najlepsza stajnia, jaką widziałeś w swoim życiu Nie mogłem nawet dokończyć tego zdania bez... *śmiech* O Boże... Sven i... Jego zboczone zwyczaje... Mam płot? Mam płot. No i proszę. Spanish: Merece su (idk wtf he said here) Oh dios mío, vete de mi casa Ok, no te escapes Joergen, no te escapes necesito hacer esto mas seguro para que Joergen no desaparezca otra vez es mi corazón no puedo manejar no puedo soportarlo mas ¿no es así Sven? no te preocupes Sven, no será tan elegante como tu casa Simplemente será menos estable ¿Qué tan alto tiene que ser para mí ahora mismo? de acuerdo ¡OH DIOS MIO! este es el lugar más molesto y ustedes están en mi cara huele, a que Joergen no quiere estar con ustedes chicos Oh dios mio Joergen NOOO! *suspiro* Estoy tratando de construir Slovenian: Mislim, že videti nizko-tip srčkan. To je AdOrAbLe ^ ∇ ^ Ne, osupljiv si, Joergen. Vi ste brea * Smeji se na lastno šalo AGAIN * Oh! Morali bi prižgati svetilko! To bi bilo tako srčkano. Res ne potrebujem toliko. Uhhhhhhh lahko naredim te nazaj ??? To je za dober razlog. To je za dober namen in boli mojo dušo. To je za Joergena, prav? To je za Joergena. Kupite majico, da si lahko privoščim to. OH MOJ GOD, KI JE TAKO KIT! Krava, kaj je frickie. OH MOJ Bog mi ni vedel, da bi jih ti lahko HANG! To je čudovito! (✿◠‿◠) * smeje se potem glasno vzdihne * Da .. Se šališ? Jaz sem kratek. DAMMIT !!! To je za Joergena. To je za Joergena. Naredi za Joergena. Smurgan Purgan. OH MOJ BOG Jaz sem eden SHOR- oh nikamor * smeh * Odlično! Oh moj bog, jaz ... tukaj so vrata. Veš, kaj bi bilo srčkano? Vietnamese: Nhìn yêu ghê Giờ m nhìn hấp dẫn đấy joergen ồ chúng ta sẽ thắp sáng bằng đèn lồng nó sẽ rất là dễ xương Mị không cần nhiều thế/Mị có thể hoàn lại không Nó là cho điều tốt x2/Linh hỒN của Mị nó là cho joergen oke ? x2 Mua áo của Mị để mị có khả năng nuôi joergen :>>>>>> OMG dat soo cute (nó dễ thương qquá x3.14) bò m muốn gì dude OMG Mị không biết là có thể treo nó dat ADORABLE (siêu cute) Yes M đùa mị à không lẽ mị là một người thấp chết tiệt Turkish: Hadi bakalım. Yani şimdiden şirin görünüyor. Çok güzel! Nefes kesicisin Joergen :D Fenerle aydınlatmalıyız. Bu çok şirin olurdu. O kadar çok fenerim yok Bunları geri dönüştürebilir miyim? İyi bir neden için! Aah canımı yakıyor! Joergen için tamam mı? Tişörtümü alın ki parasını ödeyebileyim. (merch) Aman Tanrım çok tatlı! Onların asılabileceğini bilmiyordum! Bu çok güzel! Şaka mı yapıyorsun bir tane eksiğim var Yarragım yok Lanet olsun! Joergen için, Joergen için. Onun için yapıyorum Smergen Pergen Bir bloğum eksik! Her neyse. Mükemmel!! Aman Tanrım, oh tamam. Ne yapsam tatlı olurdu biliyor musunuz? Russian: Я имею в виду, уже выглядит вполне мило. Это восхитительно!!! Нет, ты потрясающий, Йорган, ты... *хихикает* О, мы должны зажечь фонарь. Это будет так мило. Мне не нужно так много. Могу я превратить их обратно? Это для благой цели, для благой цели. Это ранит мою душу. Это для Йоргена, ладно? Это для Йоргена. Покупайте футболки, чтобы я смог себе это позволить. О мой бог, это так мило!!! Кава-чёрт-ии, чел О боже, я не знал, что их можно вешать! Это восхитительно! *имитирует Дарта Вейдера* дааа Ты шутишь? Только я низкий. ЧЁРТТТ Это для Йоргена. Это для Йоргена. Сделай это для Йоргена. Смёрген. Пёрген. О БОЖЕ Я СЛИШКОМ НИЗКИЙ а, неважно. ХаАхаха идеально о господи, я- ох, калитка на месте О, ты знаешь, что было бы мило? Polish: Znaczy, już teraz wygląda całkiem dobrze To jest przesłodkie! Nie, to ty zapierasz dech w piersiach Joergen, ty... Powinniśmy podświetlić latarnią... To byłoby super Nie potrzebuję dużo, eee... Mogę z nich zrobić z powrotem? To szczytny cel, to szczytny cel! Aaaa, to rani moją duszę! To dla Joergena, jasne? To dla niego. Kupujcie koszulki, żeby było mnie stać. BOŻE JAKIE TO PIĘKNE! Nie wiedziałem, że można je wieszać! To jest śliczne! Taaak! Żartujecie sobie ze mnie? brakuje mi jednego CHOLERA! To dla Joergena To dla Joergena. Zrobię to dla Joergena Smurgan Purgan O BOŻE BRAKUJE MI JEDNE...- nieważne *śmiech* Idealnie! O boże- o jest brama. wiecie co byłoby słodkie? Chinese: 我的意思是.這看起來已經..算是有低調的可愛 這真可愛 現在你很驚嘆吧!Joergen 你很.... 我們該點些燈籠 那會非常可愛 我沒需要那麼多 呃呃呃呃呃呃呃呃呃呃 我可以讓這復原嗎?? 這花的是值得的 這花的值得 啊...它傷害了我的靈魂 這是為了Joergen好嗎 為了Joergen 買件T-shirt讓我付得起這個 我 的 天 它太太太可愛了 他太kawaiiiiii了 老兄 我的天 我不知道你還可以掛它們 這真的很可愛 yess 你在開玩笑嗎..我只差一個 該死!! 為了Joergen 只為了 Joergen做這件事 sOmErGEN PoERgEn??? 我的天又差一個?? 喔..別介意... 完~美 喔喔這裡有個門 你知道什麼會更可愛嗎?? English: I mean, already looking low-key kind of cute. That’s AdOrAbLe (^∇^) No, YOU’RE breathtaking, Joergen. You’re brea- *Laughs at his own joke AGAIN* Oh! We should lit up with a lantern! That would be so cute. Right I don’t need that many. Uhhhhhhh can I make these back??? It’s for a good cause. It’s for a good cause and it hurts my soul. It’s for Joergen, okay? It’s for Joergen. Buy a T-Shirt so I can afford this. OH MY GOD THAT’S SO CUTE!!! Cow what the frickie dude. OH MY GOD I DIDN’T KNOW YOU COULD HANG THEM! That’s adorable!!! (✿◠‿◠) *laughs then sighs loudly* Yes.. Are you kidding me? I’m one short. DAMMIT!!! It’s for Joergen. It’s for Joergen. Do it for Joergen. Smurgan Purgan. OH MY GOD I’M ONE SHOR- oh never mind *laughs* Perfect! Oh my god I- oh there’s the gate. Oh you know what would be cute? Arabic: أعني ، تبحث بالفعل نوع من مفتاح لطيف. ذلك AdOrAbLe (^ ∇ ^) لا ، أنت لالتقاط الأنفاس ، يورغن. أنت تتنفس * يضحك من مزاحه مرة أخرى * يا! يجب أن أضاءت مع فانوس! من شأنه أن يكون لطيف جدا. صحيح أنني لست بحاجة إلى الكثير. Uhhhhhhh يمكنني جعل هذه الظهر ؟؟ إنه لسبب وجيه. إنه لسبب وجيه يؤلمني. إنه لجورغن ، حسناً؟ إنها لجورغن. شراء تي شيرت حتى أتمكن من تحمل هذا. يا إلهي هذا لطيف !!! بقرة ما المتأنق frickie. يا إلهي لم أكن أعرف أنك قد علقتهم! هذا محبب!!! (✿◠‿◠) * يضحك ثم يتنهد بصوت عال * نعم .. هل تمزح معي؟ أنا واحد قصير. اللعنة! إنها لجورغن. هل لأنها ليورغن. سمورجان بورغان. يا إلهي أنا شور واحد - لا مانع * يضحك * في احسن الاحوال! يا إلهي أنا هناك البوابة. يا أنت تعرف ما سيكون لطيف؟ Japanese: つまり、控えめな種類の可愛さがもう見えています。 それはAdOrAbLe(^∇^) いいえ、あなたは息をのむようです、Joergen。 あなたはbrea-だ*自分の冗談で笑うAGAIN * ああ!私たちはランタンでライトアップするべきです! それはとてもかわいいでしょう。 それほど多くは必要ありません。 Uhhhhhhh私はこれらを取り戻すことができますか? それは正当な理由です。 それは正当な理由のためであり、それは私の魂を傷つけます。 Joergenのためです、大丈夫ですか? Joergenのためです。 私はこれを買う余裕ができるようにTシャツを買う。 おお、私の神はとてもかわいい! 牛は何フリッキー男。 OH MY GOD私はあなたがそれらをつかむことができなかったことを知らなかった! それは愛らしいです! (✿◠‿◠) *笑って大声でため息をつく*はい.. 私をからかってるの?私は1人短いです。 ダム! Joergenのためです。 Joergenのためです。 Joergenのためにそれをしなさい。 スマーガン・プルガン OH MY GOD私は1つのSHO-だよああ気にしない *笑う* パーフェクト! ああ私の神よ - ああ、門があります。 あああなたは何がかわいいだろうか知っていますか? Portuguese: Quero dizer, já está um pouco fofo É adorável! Não, você é de tirar o fôlego, Joergen Ah! A gente deveria iluminar com lanternas Isso seria tão fofo. Eu não preciso desse tanto Uhhhhh, eu posso faze-los de volta? É por uma boa causa! É por uma boa causa! Dói a minha alma. É pelo Joergen, ok? É pelo Joergen Compre uma camisa para eu bancar isso. AI MEU DEUS, ISSO É MUITO FOFO!! Kawaii pra caramba, cara Meu Deus, eu não sabia que podia as pendurar! É adorável! Você tá brincando? Eu fiz um nível mais baixo Droga! É pelo Joergen, é pelo Joergen Faça pelo Joergen Ah meu Deus, um mais baixo-.. deixa pra lá Perfeito Ah meu deus, eu estou- ah tem um portão Azerbaijani: Demək istəmirəm ki, artıq zərif əsaslı şirin bir görünüş. Bu AdOrAbLe (^ ∇ ^) Xeyr, siz nəfəs alacaqsınız, Joergen. Siz özünüzü gülürsünüz * Öz qəribəsində gülürlər * Oh! Bir fənərlə işıqlandırmalıyıq! Bu qədər şirin olardı. Doğrudan da çoxlarıma ehtiyac yoxdur. Uhhhhhhh bu geri edə bilərəmmi? Yaxşı bir səbəbdir. Yaxşı bir səbəbdir və bu mənim canımı incidir. Joergen üçün, tamam mı? Joergen üçün. T-shirt satın ala bilərsiniz. ÇOX CUTE OLAR! Fruktu nəvəsini inəyin. ONUNUN MƏHKƏMƏSİNDƏN İSTƏMİŞ OLMAMAĞINDAN BİLMİŞDİ! Bu gözəl! (✿◠‿◠) * Gülür sonra yüksək səslənir * Bəli. Zarafat edirsən? Mən bir qısa idim. DAMMİT !!! Joergen üçün. Joergen üçün. Joergen üçün bunu. Smurgan Purgan. OYUN HÖKMƏSİ BİR ŞƏRƏFƏSİM - O, heç vaxt ağla * gülür * Mükəmməl! Oh mənim tanrım - oh qapı var. Nə yaxşı olardı bilirsən? Japanese: ちょっとしたCA UL DRONが好き コールドロン彼らは高価ですか? ああ、私はそれを作っていません - ああそれはJoergenのためです。 私はこれらの石を持っています。 *笑う* *うめき声*みんな。 大丈夫 私は今入ることはできません:/ ああっ! それはかわいいではないでしょうか... もし彼がこれを持っていたら、もうそこには水がある。 完璧です。 見て、そう彼は飲み物を飲むことができる:) だから彼は丸呑みを丸呑みにすることができます! ラマに乗ることはできますか?できません。 (あなたはできる) はい 我々がするつもりです トランス 私はあなたに乗りたくない! ああ 大丈夫私はあなたをプッシュしますもう。 でる! いいえ! どんな牛でも神になることはできないこれは神である Joergenはすでに* whEEZE *をエスケープしました 取り出す! はい! これはJoergen専用です! Joergen Smurgen o-これは何ですか? 戻ってはいけません! ごきげんよう。 English: Having like a little C A UL D R O N Cauldron. Are they expensive? AHHHH I’m not making that- Oh it’s for Joergen though. I have these stones. *laughs* *groans* Guys. Alright. I can’t enter now :/ ahhhh! Like wouldn’t it be cute... If he had this littl- oh there’s already water in it. Perfect. Look, so he can make a drinky drink :) So he can make slurp slurp! Can I ride the Llamas? I can’t. (you can) Okay We’re gonna have to Trans- I DON’T WANNA RIDE YOU!! AHH Alright I’ll push you then. Geez. Out! No! No cows can en- oh god this is an- oh god Joergen has already escaped *whEEZE* GET OUT! Yes! This is for Joergen only! Joergen Smurgen o- What is this? DON’T GO BACK IN!! Gosh. Polish: Mieć taki mały kociołek Kociołek. Jest drogi? AAAAAAAH nie zamierzam tego zrobić-ale to dla Jurgena Mam trochę kamieni. *śmiech* *jęki* ludzie Okej nie mogę teraz wejść :( aaaaaa Czyż nie byłoby słodkie... gdyby miał taką małą-oo w tym już jest woda Idealnie :) Patrzcie, żeby mógł sobie siorbać... ... żeby mógł sobie pochlipać Mogę ujeżdżać lamy? Nie mogę Dobra, będziemy musieli przetrans... Nie chcę cię ujeżdżać! Dobra, po prostu cię popchnę. Jezu. Wyjdź Nie! Krowy nie mogą... O Boże to nie je... O Boż... Joergen już uciekł *śmiech* Wynoś się! Tak... To jest tylko dla Joergena Joergen Smorgen Co to je... Nie wracaj tu! Vietnamese: Slovenian: Tako kot malo UL UL DRON Kotliček. So drage? AHHHH Tega ne delam. Oh, to je za Joergena. Imam te kamne. * smeh * * Stoka * Fantje. Vredu. Ne morem vstopiti zdaj: / ahhhh! Kot da ne bi bilo ljubko ... Če je imel to malo vode, je v njej že voda. Odlično. Poglej, da bi naredil pijačo pijačo :) Tako lahko naredi slurp slurp! Lahko jaz vozim Lame? Ne morem. (ti lahko) v redu Morali bomo Trans- Ne želim te voziti !! AHH V redu, potem te bom potisnil. Bog. Out! Ne! Nobene krave ne morejo boga, da je to- oh bog Joergen je že ušel * whEEZE * POJDI VEN! Da! To je samo za Joergena! Joergen Smurgen o- Kaj je to? Ne pojdite nazaj! Presneto. Azerbaijani: Bir az CA UL DRON kimi Quldur. Onlar bahalı mı? AHHHH bunu yapmıyorum - Oh, bu Joergen üçün olsa. Bu daşlar var. * gülür * * groans * Uşaqlar. Alright. İndi daxil edə bilmirəm: / ahhhh! Sevgilim olmasaydı ... Əgər o, bu çölə çıxsaydı, artıq orada su var. Mükəmməl. Baxın, o, içkisi bir içki içsin :) Beləliklə, o slurp slurp edə bilər! Llamaları gəzdirə bilərəmmi? Mən edə bilmirəm. (bacararsan) Tamam Bilmək lazımdır Trans- SİZİN RİA UĞURMAYIN! AHH Alright sonra səni itələyəcəyəm. Geez. Out! Yox! Heç bir inək Allahı tanrı edə bilməz, ancaq Allahdır Joergen artıq qaçdı * whEEZE * RƏDD OL! Bəli! Bu yalnız Joergen üçün! Joergen Smurgen o- Bu nədir? GERİ GƏLƏCƏK! Gosh. Turkish: Küçük bir kazanın olması. Kazan. Pahalılar mı? Bunu yapmıyorum. Ama Joergen için. Taşlarım var?? Millet... Pekala. Giremiyorum şimdi de. Tatlı olmaz mıydı.. Küçük bir kazanın olması. Zaten burada su varmış, mükemmel. Burada su içebilir. Lamaları sürebilir miyim, süremem. Tamam. Şey yapmamız gerekecek. Seni sürmek istemiyorum! Seni iteceğim o halde. Dışarı! İnekler giremez! Joergen kaçtı bile. Çık dışarı! Evet, burası sadece Joergen için! ... ne bu? Chinese: 放一個小鍋釜 鍋 釜 喔..這很貴貴 啊啊啊啊啊~ 我才不要做那個鬼東東 雖然是為了 Joergen 但我有這些小石頭 大家 好了 我現在能進去了 啊 它現在不會可愛 如果它有這個小小的... 喔原來下面已經有水了...完美 看 他現在可以自己喝喝水了 可以吸吸水 我可以騎草尼馬嗎?? 喔..不行 我們必須.. 我才不想騎你 啊 好吧 我只能推他們 老天 不 牛不能進 喔..天哪 這是...喔天哪 Joergen已經嚇跑了 滾邊啦!! 對 這只給Joergen而已 Joergen smorergen 噢 這是... 別回來這裡 天哪.. 這是為什麼在Minecraft沒好事 Arabic: وجود مثل القليل من C A UL D R O N مرجل. هم باهظة الثمن؟ AHHHH أنا لا أفعل ذلك - أوه إنه لجويرن رغم ذلك. لدي هذه الحجارة. * يضحك * * الآهات * الرجال. حسنا. لا يمكنني الدخول الآن: / ahhhh! مثل لن يكون لطيف ... إذا كان لديه هذا الصغر ، فهناك بالفعل ماء فيه. في احسن الاحوال. انظر ، حتى يتمكن من شرب مشروب :) حتى يتمكن من جعل كرته كردي! هل يمكنني ركوب اللاما؟ لا استطيع (يمكنك) حسنا يجب علينا القيام بذلك عبر- أنا لا أريد ركوبك !! آه حسنا سأدفعك بعد ذلك. الجيز. خارج! لا! لا يمكن للأبقار أن الله هذا إله نجا Joergen بالفعل * whEEZE * اخرج! نعم فعلا! هذا لجورن فقط! يورغن سمورجين o- ما هذا؟ لا تتراجع !! يا الهي. Russian: Небольшой котёл кооотёл Он дорогой? ААА! Я НЕ ТО СДЕЛАЛ! Охх, это для Йоргана, хотя.. У меня есть камень *хихикает* Всё в порядке, парни а, я не могу зайти сейчас ААА Будет ли мило, если здесь будет маленький.. Оу, здесь уже есть вода, идеально. Смотрите, теперь вы можете пить. Могу ли я оседлать ламу? Не могу. Нам нужно попытаться.. Я не хочу кататься на тебе! Хорошо, я протолкну их отсюда. Нет! Коровам нельзя- О, боже, это просто, о, боже, Йорген уже сбежал. Уходите! Да. Это только для Йоргена! Йорген-Сморген.. оу.. Что это за- Не заходи сюда! Господи. Вот поэтому мы не можем делать что-то прикольное в майнкрафте. Portuguese: Turkish: Geri girme! İşte bu yüzden Minecraft'ta güzel şeyler yaşanmıyor. Çık dışarı. İşte şimdi işe yarıyor. Oraya git işte. Sen de. Tenderbone sen kalabilirsin. Bakın ne tatlı, Joergen'ın küçük bir arkadaşı var! Bir daha asla Joergen'la konuşma. Aynen öyle Maya, oh bakın küçük bir yeri var. Artık suyunu içebilirsin. Bu harika Diğerlerinin dediği umurumda değil Niye burada çirkin bir duvar var diye merak edebilirsiniz. Bir şey denemek istedim Gizli bir kapı gibi. Çünkü artık Joergen'la gezmeye çıktığım zaman işe yaramıyor. Kapıyı yapamadım. Hayır Joergen için çok darlar bu yüzden piston kapısı tarzında bir şey yapmaya çalışıyorum çünkü pistonlar eğlenceli. Çık buradan! yani Joergen ve ben maceraya çıktığımız zaman Slovenian: Zato ne moremo imeti lepih stvari v Minecraftu! Pojdi ven. Oh, zdaj deluje! Pojdimo tja Ti tudi Večerja, lahko ostaneš. Oh poglej! Poglej kako luštna. Joergen ima malo prijatelja tukaj. Ne pripadate! Nikoli znova ne govori z Joergenom! * woof * Tako je Maya. Poglej, ima malo srčkano - zdaj lahko piješ vodo. V redu, to je čudaška adorbs! Ne zanima me, kaj kdo pravi! V redu, lahko se vprašate, zakaj imam tu grdo steno? Želel sem poskusiti Če bi lahko gradil kot ... skrita vrata. Stvar je kot ... Ker zdaj, Ko jaz AHHH Zdaj, ko sem se odpravil z Joergenom Smurgenom Ne deluje! Ne deluje Lahko naredim vrata s podobnim Ne, preveč so premajhni za Joergena. Torej želim narediti kot ... Kot... Mislim, da so vrata z batom. Ker so bati zabavni. GLEJ OD TUKAJ! Torej ... Torej, ko jaz in Joergen gremo na pustolovščino, Pritisnemo gumb, Portuguese: English: This is why we can’t have nice things in Minecraft! Get out. Oh NOW it works! Let’s go there You too Dinnerbone, you can stay. Oh look! Look how cute. Joergen has a little friend in here. YOU DON’T BELONG!!! Don’t EVER speak to Joergen again! *woof* That’s right Maya. Look he has a cute little- you can drink water now. Okay that’s freaking adorbs! I don’t care what anyone says! Okay so you may wonder ‘why do I have this ugly wall here?’ Well I wanted to try out If I could build like a... hidden door. The thing is like... ‘Cause now, When I AHHH Now when I ride out with Joergen Smurgen It doesn’t work! It doesn’t work I could make a door with like No, they’re too sm- They’re too small for Joergen. So I want to make like a... Like a... A piston door, I think. Because pistons are fun. GET AWAY FROM HERE! So- So when me and Joergen go out on adventure, We hit button, Azerbaijani: Buna görə Minecraft'ta gözəl şeylərimiz olmaya bilər! Rədd ol. NOW bu işləyir! Gəlin oraya gedin Sən də Dinnerbone, qala bilərsən. Oh gözləyin! Baxın nə qədər cute. Joergen burada bir az dostu var. SİZİN MÜQƏDDƏSİZ! Heç bir daha Yorgen ilə danışma! * woof * Bu doğru Maya. Bax, o, bir az şirin var - indi su içə bilərsiniz. Tamam ki, bəzən çaşqınlıq yaradır! Hər kəsin nə dediklərinə heç bir maraq yoxdur! Tamam 'şüurlu bir duvara niyə buradayam?' Yaxşı cəhd etmək istərdim Gizli qapı kimi qurulsaydım. Şey kimi ... Çünki indi, Mən də AHHH İndi Joergen Smurgen ilə çıxdığımda Bu işləmir! Bu işləmir Mən bir qapıya bənzəyirəm Xeyr, onlar çox istəyirlər - Onlar Joergen üçün çox kiçik. Beləliklə, mən istəyirəm kimi ... Kimi... Məncə bir piston qapısıdır. Pistonlar əyləncəli olduğundan. BURADA BURAXMA! Beləliklə, mən və Joergen macəraya çıxanda, Biz düyməni vurduq, Arabic: هذا هو السبب في أننا لا نستطيع الحصول على أشياء لطيفة في Minecraft! اخرج. أوه الآن أنها تعمل! فلنذهب إلى هناك و انت ايضا عشاء العشاء ، يمكنك البقاء. انظر! انظروا كيف لطيف. يورغن لديه صديق صغير هنا. أنت لا تنتمي !!! لا تتحدث مع يورجن مرة أخرى! * اللحمة * هذا صحيح مايا. تبدو لديه القليل لطيف ، يمكنك شرب الماء الآن. حسنًا ، هذا رائع! انا لا اهتم بما يقوله اي احد! حسنًا ، لذا قد تتساءل "لماذا لدي هذا الجدار القبيح هنا؟" حسنا أردت أن أجرب إذا كنت أستطيع بناء مثل ... الباب الخفي. الشيء يشبه ... now السبب الآن عندما أهه الآن عندما أركب مع يورغن سمورجن إنه لا يعمل! إنه لا يعمل أنا يمكن أن تجعل الباب مع مثل لا ، إنهم أكثر من اللازم ، فهم أصغر من أن يورغن. لذلك أريد أن أجعل مثل ... مثل ... باب مكبس ، على ما أعتقد. لأن المكابس ممتعة. إبتعد عن هنا! لذا ، عندما خرجت أنا وجورجن في مغامرة نحن ضرب زر Russian: Проваливай. О, теперь это работает. Иди суда. Ты тоже. Диннербоун встань здесь. О, посмотрите как мило! У Йоргена появился маленький друг здесь)) *звуки убийства*(О_О) Больше никогда не разговаривай с Йоргеном. Майя: *гав* Ты права, Майя. Посмотрите, теперь у него есть маленький милый.. Ты можешь теперь пить воду! Окей, это просто великолепно. И мне всё равно, что кто-либо скажет. Хорошо, ты наверное не понимаешь, что здесь делает эта уродливая стена? Чтож, я хочу попытаться построить что-то вроде скрытой двери. Я хочу это, потому что сейчас.. Когда я... ААаа Сейчас, когда я попробую выехать на Йоргене-Сморгене это будет невозможно! Это не работает. Я мог бы сделать дверь, типа.. Нет((, она слишком маленькая для Йоргена Ну, я хочу сделать что-то вроде раздвигающихся с помощью поршней дверь. Я сделаю так, потому что поршни прикольные. Уйди от отсюда! Чтобы, когда я и Йорген отправимся в приключение Vietnamese: Polish: To właśnie dlatego nie możemy mieć fajnych rzeczy w Minecraft Wyjdź O teraz to działa Chodźmy tam Ty też Ty możesz zostać O! Zobaczcie jak słodko, Joergen znalazł tu sobie nowego przyjaciela uwu Zdychaj! Nigdy więcej nie odzywaj się do Joergena *sczek* ... prawda Maya (pies PewDiePie) Popatrzcie, ma tu słodki... możesz teraz pić wodę Dobra, to jest cholernie słodziaśne I nie obchodzi mnie co mówią inni Możecie się zastanawiać dlaczego mam tu tę brzydką ścianę... chciałem po prostu sprawdzić, czy mogę zbudować tu takie ukryte drzwi Chodzi o to... bo teraz, kiedy... Teraz kiedy wyjeżdżam z Joergenem To nie działa! Mógłbym zrobić drzwi z... nie, są za m... są za małe dla Joergena Więc chciałem zrobić takie... drzwi z pistonów Bo pistony są fajne Odejdź stąd! Więc kiedy ja z Joergenem wyruszamy na przygodę, naciskamy przycisk Japanese: だからこそ、Minecraftでは素晴らしいことができません。 取り出す。 ああ今それは動作します! 行ってみよう 君も ディナーボーン、あなたは滞在できます。 おお、見て!可愛いね。 Joergenはここに小さな友達がいます。 あなたは見逃すな! 二度とJoergenに話しかけないでください。 *横糸* そうです、Mayaです。 彼がかわいい子を持っているのを見てください - あなたは今水を飲むことができます。 さて、おかしくなりそうです。 誰かが言っても構いません。 さて、あなたは「なぜ私はここにこの醜い壁を持っているのですか?」と不思議に思うかもしれません。 まあ試してみたかった 私が隠れたドアのように建てることができれば。 事はのようなものです... 今すぐ原因 ときに ああ 今私はJoergen Smurgenと一緒に出かけるとき うまくいきません。 うまくいかない 私はのようにドアを作ることができます いいえ、彼らは小さすぎます - 彼らはJoergenには小さすぎます。 だから私はのように作りたい... のような... ピストンドアだと思います。 ピストンは楽しいからです。 ここから離れてゲット! だから私とJoergenが冒険に出かけたとき、 ボタンを押して、 Chinese: 滾開 喔...現在又可以了.. 你就滾去那 你也是 dinnerbone你可以留下 快看 超可愛 Joergen有位好朋友在這 你沒資格!!(((激動 永遠別想和Joergen講話 對的 Maya 看它有一個可愛的小.... 你現在可以喝水了 好的 那真的 超級可愛 我才不管其他人說啥 所以.. 你也許在想為什麼這裡有個醜醜的牆 呃.. 我想試試.. 蓋個隱藏門?? 我想法就像.. 因為現在.. 當我 當我想騎著Joergen出去時 這行不通 出不去 我能做個門但會像.. 對Joergen來說太小 所以我想做像.. 像個.. 活塞門..我想 因為活塞很好玩 滾開這裡 所以當我跟Joergen出去冒險時 Japanese: ドアが開いて、外に出て、それは壮大な楽しい時間です。 さて、それをしましょう。 その方法がわかりません。 それを理解しましょう、右スヴェン? 私たちのおしっこうんちうんち脳を使用しましょう はい。さてそれで最初にしなければならないことはステーキを調理しなければならないことです。 私は欲しい- 私は知っている - わかりました私は3つの粘着性があるピストンがあります。 もっと必要かもしれないと思います。 私はこれらが必要です、そして私はてこが必要です。 おそらく新しい斧です。 私は私のアンビルがどのように壊れたのか知りません、そして私は鋼がとても少ないです! いいですね。何だ?これは素晴らしいです ロッタダイヤモンドはありますか? 私は思う - 私は斧を作るために暇があると思う。 私のレベルは? 27 ???私はrich'a'frickyをおかしくしています 大丈夫、エンチャントタイム! 私たちは何を得ましたか? 私たちは何を得ましたか?私たちは何を得ましたか? 効率3!さて、私はそれを取るつもりだと思います。 おい、私は私が完全にダイヤモンドである方法について話すことができますか? それについて話すことができますか?あなたはそれについて話をしたいですか? あなたは私がどれほど金持ちであるかを話したいですか? 私はダイヤモンドがたくさんありますがスチールはありませんか? これはどのように機能しますか? 中立的な状況で試してみましょう。 Chinese: 我們按按鈕.. 門打開然後我們出去 然後就是史詩級的玩樂時間 我們開始做唄 我不知道怎麼做這東西 讓我們搞清楚 對吧~Sven 讓我們用霹霹噗噗腦想 好的~ 首先... 我們先來煮牛排 我需要... 我知道我有很多... 我有三個黏性活塞 我想我應該需要更多 我需要這個 然後還有操縱桿 大概還需要一支新斧頭 我的鐵鉆壞了... 我的鐵礦快沒了 好吧..你知道嗎?..好吧 我有很多鑽石的(+3+) 我覺得我可以用一些去做斧頭 我現在幾等?? 2 7 ?? 我超有錢的餒 好的..附魔時間!!! 我們能附魔什麼呢?? 有什麼?有什麼呢?? 效率三!! 我想我們就附魔這個 兄弟們~我想我們可以討論我為何有超多的鑽石 我們能聊嗎?? 你們想聊嗎?? 你們想聊我有多有錢嗎?? 我為何有那麼多鑽石但沒有鐵 這會怎麼運作...? 我們在這個地面試試 English: Door open, and we go out and it’s epic fun time. Okay let’s do that. I don’t know how to do that. Let’s figure it out, right Sven? Let’s use our pee-pee poo-poo brain Okay. Okay so first what we have to do is we have to cook a steak. I need- I know I have- Okay I have three sticky pistons. I think I might need more. I need these, and I need lever. Probably a new axe. I don’t know how my anvil broke and I’m so low on steel! Fine. Y’know what? Fine this is- I have a lotta diamonds, okay? I think- I think I can spare to make an axe. What level am I? 27??? I’m freaking rich’a’fricky Alright, enchantment time! What did we get? What did we get? What did we get? Efficiency 3!! Okay I guess I’ll take it. Dude, can we talk about how I’m fully diamond? Can we talk about that? You guys wanna talk about that? You wanna talk how rich I am? I have so much diamond but no steel? How will this work? Let’s test it out on neutral ground. Russian: Мы нажали кнопку, двери распахнулись, и мы вышли наружу И начнётся эпично-весёлое время. Окей, давайте сделаем это. Я без понятия как это делать, поэтому давайте разбираться, да, Свен? Давайте используем наш пипи-пупу мозг. Хорошо, хорошо. Итак, первое, что нам нужно сделать, это приготовить стейк Мне нужно.. Я знаю, у меня есть три липких поршня Я думаю, мне может понадобиться больше Мне нужно это, и мне нужен рычаг и вероятнее новый топор. Я не против, что моя наковальня сломалась У меня так мало железа! Хорошо, знаешь, я в порядке, у меня есть много алмазов, окей? Я думаю, я могу сэкономить на топоре Какой у меня уровень? Двадцать седьмой!? Я офигенно богат. Отлично, время зачарований. Что же мы получим? х3 Эффективность - III Окей, я думаю, я возьму это. Чувак, мы можем поговорить о том, что я весь в алмазах? Мы можем поговорить об этом? Вы, парни, хотите поговорить об этом? Я собираюсь говорить о том, какой я богатый. Почему у меня есть так много алмазов, не железа? Ладно, как это работает? Давайте протестим это. Portuguese: Arabic: الباب مفتوح ، ونخرج و حان وقت المرح الملحمي. حسنًا ، دعنا نفعل ذلك. لا أعرف كيف أفعل ذلك. هيا بنا ، سفين؟ دعنا نستخدم عقلك poo-poo poo-poo حسنا. حسنًا ، أولاً ما يتعين علينا القيام به هو أننا نطهو شريحة لحم. احتاج- أعلم أنني قد حسنا لدي ثلاثة مكابس لزجة. أعتقد أنني قد أحتاج أكثر من ذلك. أحتاج هذه ، وأنا بحاجة إلى رافعة. ربما الفأس الجديد. لا أعرف كيف تحطم السندان الخاص بي ، وأنا شديد الانخفاض على الفولاذ! غرامة. هل تعرف ماذا؟ حسنا هذا لدي ماس لوتا ، حسنا؟ أعتقد - أعتقد أنني يمكن أن تدخر لصنع الفأس. ما هو المستوى أنا؟ 27 ؟؟؟ أنا أغنياء. أنا خائف حسنا ، وقت السحر! ماذا حصلنا عليه؟ ماذا حصلنا عليه؟ ماذا حصلنا عليه؟ الكفاءة 3! حسنًا ، أعتقد أنني سآخذها. المتأنق ، هل يمكن أن نتحدث عن كيف أكون الماس بالكامل؟ هل يمكننا التحدث عن ذلك؟ يا رفاق تريد التحدث عن ذلك؟ تريد التحدث كيف أنا غنية؟ لدي الكثير من الماس ولكن لا الصلب؟ كيف سيكون هذا العمل؟ لنختبرها على أرض محايدة. Azerbaijani: Qapı açıqdır, biz çıxırıq və epik əyləncə zamanıdır. Tamam bunu edək. Bunu necə edəcəyimi bilmirəm. Sven deyə bilərəmmi? Bizim pee-pee poo-poo beynindən istifadə edək Tamam. Əvvəla bir şey etmək lazımdır ki, bir biftek pişirməyimiz lazımdır. Mənə ehtiyac var - Mən bilirəm ki, Tamam, məndə üç yapışqan piston var. Daha çox ehtiyac duyacağımı düşünürəm. Bunlara ehtiyacım var, mənə qolu lazımdır. Yəqin ki, yeni bir baltadır. Mən anvilin necə qırıldığını bilmirəm və mən poladda belə aşağı qaldım! Gözəl. Nə bilirsən? Gözəl - bu, Çoxlu almazım var, tamam mı? Hesab edirəm ki, mən baltalar etmək üçün ehtiyatlı olmağı düşünürəm. Nə səviyyəm? 27 ??? Mən zəngin bir qəhrəmanıyam Alright, sehrləmə vaxtı! Nə getdik? Nə getdik? Nə getdik? Verimlilik 3 !! Tamam, mən onu alacağam. Dostum, tamamilə almaz olduğumu necə danışa bilərik? Bu barədə danışa bilərikmi? Sizlər bu barədə danışmaq istərdiniz? Nə zəngin olduğumu danışmaq istəyirsiniz? Çox almazım var amma heç bir polad varmı? Bu necə işləyəcək? Neytral yer üzərində test edək. Vietnamese: Slovenian: Vrata odprta in gremo ven, in to je epski zabavni čas. Ok, naredimo to. Ne vem, kako naj to naredim. Ugotovimo, Sven? Izkoristimo naše možgane V redu. V redu, zato moramo najprej kuhati zrezek. Rabim- Vem, da imam ... Ok imam tri lepljive bate. Mislim, da bi potreboval več. Potrebujem te in potrebujem vzvod. Verjetno nova sekira. Ne vem, kako je prišlo do mojega nakovala in sem tako nizko na jeklu! V redu. Veš kaj? Dobro je to- Imam veliko diamantov, prav? Mislim, da mislim, da lahko delam sekire. Na kateri ravni sem? 27 ??? Prebrisan sem V redu, čas očaranosti! Kaj smo dobili? Kaj smo dobili? Kaj smo dobili? Učinkovitost 3 !! Ok, mislim, da ga bom vzel. Stari, lahko govorimo o tem, kako sem popolnoma diamant? Lahko govorimo o tem? Hočete govoriti o tem? Hočeš govoriti, kako bogat sem? Imam toliko diamantov, ampak jekla? Kako bo to delovalo? Preizkusimo ga na nevtralnem terenu. Turkish: düğmeye basıyoruz, kapı açılıyor ve dışarı çıkıyoruz ve epik eğlence zamanı Tamam hadi yapalım. Nasıl yapıldığını bilmiyorum. Hadi şimdi çözelim değil mi Sven? Beynimizi kullanalım. tamam, tamam. Şimdi yapmamız gereken bir biftek pişirmek. şimdi ihtiyacım olan... pekala üç yapışkan pistonum var sanırım biraz daha ihtiyacım olabilir. Şunlara... ve bir kaldıraca ihtiyacım var muhtemelen yeni bir baltaya da. baltam kırıldı... Çok az çeliğim var! peki tamam Çok fazla elmasım var, tamam mı? sanırım bir balta yapmak için harcayabilirim. kaçıncı seviyedeyim... Yirmi yedi mi?! Çok zenginim Tamamdır büyü zamanı... Neyimiz var, neyimiz var... Üçüncü seviye yeterlilik! Alacağım galiba. Ne kadar elmasla dolu olduğumdan bahsedebilir miyiz? Bunun hakkında konuşabilir miyiz? Konuşalım mı? Ne kadar da zengin olduğumdan bahsetmek ister misiniz? Neden bu kadar çok elmasım var da hiç çeliğim yok? Bu nasıl çalışıyor? Hadi doğada Polish: Drzwi się otwierają i wyruszamy I jest świetna zabawa Dobra, zróbmy to Nie wiem jak to zrobić Wymyślimy coś, prawda Sven? Użyjmy naszego ptasiego móżdżku Dobrze więc, na początku musimy upiec stek Dobra, mam trzy lepkie pistony Będę potrzebował więcej ... dźwignia Moje kowadło się zepsuło Dobra, wiecie co? Dobra mam dużo diamentów okej? Myślę *śmiech* Myślę że mogę je wydać żeby zrobić siekierę Jaki mam level? 27?! Jestem cholernie bogaty No dobra, czas zaklinania, Co dostaniemy? x3 Wydajność 3! Okej myślę że to wezmę Gościu, czy możemy porozmawiać o tym jak jestem wypełniony diamentami? Czy możemy o tym porozmawiać? Chcecie o tym porozmawiać? Chcecie porozmawiać o tym jaki jestem bogaty? Dlaczego mam tyle diamentów a żadnego żelaza? :D Okej, to jak to działa? Przetestujmy to na neutralnej powierzchni Russian: Я не знаю, как работает липкий поршень, Но я думаю, что он будет работать если мы поставим.. Поставим блок и.. Послушайте, я ветеран майнкрафта, мне кажется, я знаю лучше тебя. Так что не надо мне тут, Стивен-Смиден. Как это работает? Он возращает, он возращает! Это грандиозно! Так..Идея в том, что Йорген..Ты просто остаёшься здесь О, боже, это будет раздражительно. Никому не подходить к Йоргену! Никому не подходить к Йор- ООХ ПОЧЕМУ ВЫ НЕ МОЖЕТЕ ОСТАВИТЬ НАС В ПОКОЕ? Нет, тебе нельзя входить, тебе не следует делать этого. Боже, я ненавижу вас всех. Оставьте нас в поко- оставьте нас! ОТСТАНЬ ОТ НАС ! ОТСТАНЬ! Ну, ты напросился, ты напросился Не подходите, я вас раскромсаю Окей, один, два, три НЕЕТ НЕЕЕЕТ Аа! Я убью всех вас. О боже мой, ты чудак Просто офигеть какие надоедливые. Polish: Nie wiem jak przyklejające-pistony działają Ale myślę że będą trzymać, będą trzymać eee, blok który... Słuchaj, jestem weteranem minecrafta myślę że wiem lepiej niż ty. Więc nawet nie, Steven Smeden Jak to działa? Aha, to wraca? To wraca! To jest epickie! Więc pomysł wtedy, Joergen jeżeli mógłbyś Stanąć tutaj O boże, to będzie denerwujące NIKT NIE PODCHODZI DO JOERGENA! NIKT NIE PODCHODZI DO JOER, ohhh Dlaczego nie możecie nas zostawić samych? Nie, nie możesz wejść, YOU SHELL NOT PASS (z władcy pierścieni) Boże, nienawidzę was wszystkich Zostaw nas samych, zostaw nas. ZOSTAW NAS! ZOSTAW NAS! Prosiłeś się o to, prosiłeś się o to, prosiłeś. Nie podchodź tutaj, zostaniesz skrępowany. (xD) Okej 1,2,3 NIE! NIE! Zabije wszystkie z was O mój boże, ty dziwadle, Aktualnie, ekstremalnie denerwujące. Arabic: لا أعرف كيف يعمل المكبس اللاصق. لكنني أعتقد أن ما يمكنهم فعله هو أنهم إنهم يحملون الكتلة التي ... اسمع أنا محارب قديم في ماين كرافت ، وأعتقد أنني أعلم أفضل منك. حتى لا ... ستيفن سميدين. كيف يعمل هذا؟ هل يأتي با - يأتي مرة أخرى! هذه ملحمة! لذا ، الفكرة ... ثم ، يورغن إذا كان يمكن فقط البقاء هنا. اللهم هذا سيصبح مزعج. لا أحد يذهب بالقرب من JOERGAN! لا أحد يذهب بالقرب من JOERGAN! لماذا لا يمكنك تركنا وشأننا؟ لا! لا يمكنك الدخول ، لن تمر. الله اكرهكم جميعا اتركنا - اتركنا. اتركنا! اتركنا! أوه أنت تطلب ذلك. أنت تطلب ذلك. أنت تسأل! لا تقترب منك فسوف تنخدع. حسنا. واحد اثنين ثلاثة. لا!! لا! آه! سوف أقتل جميعكم. يا إلهي ، أنت متعب. بالفعل منزعج للغاية. انتظر لحظة ، هل يمكننا حتى المرور عبر هذا؟ English: I don’t know how sticky piston work. But I think what they can do is they hol- They hold the- The block that it’s... Listen I’m a Minecraft veteran, I think I know better than you. So don’t even... Steven Smeden. How does this work? Does it come ba- IT COMES BACK! That’s epic! So, the idea... Then, Joergen if could just stay over here. Oh god this is gonna be annoying. NO ONE GOES NEAR JOERGAN! NO ONE GOES NEAR JOERGAN! Why can’t you leave us alone? No! You cannot enter, you shall not pass. God I hate you all. Leave us al- leave us. LEAVE US! LEAVE US! Oh you’re asking for it. You’re asking for it. You’re asking! Don’t come near you’ll get fricked. Okay. One, two, three. NO!! NO! AHH! I’ll kill all of you. Oh my god, you frick. Already extremely annoyed. Wait a minute, can we even go through this? Portuguese: Slovenian: Ne vem, kako lepljivi bat deluje. Ampak mislim, da lahko storijo, da so Imajo Blok, ki je ... Poslušaj, jaz sem veteran Minecrafta, mislim, da vem bolje od tebe. Torej sploh ne ... Steven Smeden. Kako to deluje? Ali je prišlo nazaj? To je epsko! Torej, ideja ... Potem, Joergen, če bi lahko ostal tukaj. Oh bog bo to nadležno. KOT JOERGANA NI MNOGO NEGO! KOT JOERGANA NI MNOGO NEGO! Zakaj nas ne pustiš pri miru? Ne! Ne morete vstopiti, ne boste mimo. Bog vas vse sovražim. Pustite nas - pustite nas. Pustite nas! Pustite nas! Oh, prosiš za to. Prosiš za to. Sprašujete me! Ne približujte se, saj se boste prevarali. V redu. Ena, dva, tri. NE !! NE! AHH! Vse vas bom ubil. O, moj bog, ti se pretiravaš. Že zelo zoprna. Počakaj malo, ali lahko sploh gremo skozi to? Chinese: 我不知道黏性活塞怎麼運作的 但我想它們能黏著.. 能黏著方塊 聽著 我是Minecraft老手我覺得我知道的比你多 所以別... steven smegen 這怎麼運作... 他會回來ㄇ...會回來!!真是歷史性一刻 所以我的想法是.. Joergen你就在這吧~ 我的老天這一定會很吵 沒人能靠近Joergen 你們不能靠近Joergen 喔.. 你們為什麼不能離我們遠一點 你不能進來 你不能通過 討厭你們全部 離我們遠點..離開我們!! 滾開!!!! 滾開!!!!( /0A0)/ 你逼我的 ..是你逼我的 你自己活該 別靠近這裡你會嚇死 一..二...三...不!!! 不!!!!(0皿0)/ 啊!!我會殺光光你們 我的天..你這怪咖 已經吵到爆炸了 等一下.. 我們能過得去嗎? Turkish: test edelim. Yapışkan pistonun nasıl çalıştığını bilmiyorum. Ama sanırım ordaki bloğu tutuyorlar... Dinleyin ben Minecraft emektarıyım bence sizden daha iyi biliyorum bunu. O yüzden tavsiye vermeye bile çalışmayın. Bu nasıl çalışıyor? Geri geliyor mu? Geri geliyor! Efsane! O zaman yapılacak şey... Joergen eğer... burada kal sadece. Tanrım sinir bozucu olacak bu. Kimse Joergen'a yaklaşmıyor! x2 Niye bizi rahat bırakmıyorsunuz Hayır giremezsiniz! Geçemezsiniz! Hepinizden nefret ediyorum. Bırakın. Bizi yalnız bırakın. Bırakın! Bırakın! Kaşınıyor musun, kaşınıyorsun ama. Yaklaşmayın Tamam bir, iki, üç... Hayır! Hepinizi öldüreceğim! Tanrım seni .. Şimdiden aşırı sinir bozucu. Burayı geçebiliyor muyuz? Azerbaijani: Yapışqan pistonun necə işlədiyini bilmirəm. Amma düşünürəm ki, onlar nə edə bilərlər, Onlar, Bu blokun ... Dinləyin Mən bir Minecraft veteran olduğumu düşünürəm, səndən daha yaxşı bilirəm. Yəni belə deyil ... Steven Smeden. Bu necə işləyir? Bəli, gəlirmi? Bu epikdir! Beləliklə, fikir ... Bundan sonra, Joergen yalnız burada qalmağı bacardı. Aman Tanrım bu zəhlətökən olacaq. JOERGAN yaxınlığında heç kimə gedir! JOERGAN yaxınlığında heç kimə gedir! Niyə bizi tək buraxmırsınız? Yox! Giremezsiniz, keçməyəcəksiniz. Allah sizə hamıdan nifrət edirəm. Bizi tərk edin, bizi tərk edin. ABŞ-ı tərk edin! ABŞ-ı tərk edin! Xahiş edirəm bunu soruşur. Bunun üçün xahiş edirik. Siz soruşursunuz! Yaxınlaşmayın ki, siz fəvvarə alacaqsınız. Tamam. Bir iki üç. YOX!! YOX! AHH! Hamınızı öldürəcəyəm. Oh mənim tanrım, sən kölgə. Artıq çox narahat. Bir dəqiqə gözləyin, hətta bu yoldan keçə bilərikmi? Japanese: 粘着性のあるピストンがどのように機能するかわかりません。 しかし、私は彼らができることは彼らが聖なることだと思います 彼らは それがブロックだ... 私はMinecraftのベテランだと聞いて、私はあなたよりもよく知っていると思う。 そうでもいけない…スティーブン・スメデン。 これはどのように作動しますか? それは戻ってくるのですか?それは叙事詩です! だから、アイデア... それなら、Joergenがここにいるだけでいいのです。 おお、これは迷惑になるつもりです。 誰もが近寄りません! 誰もが近寄りません! なぜあなたは私たちを一人にしておくことができないのですか? いいえ! あなたは入ることができず、あなたは通り過ぎてはならない。 神よ、私はあなた全員が嫌いです。 お任せください。 私たちを残します! 私たちを残します! ああ、あなたはそれを求めています。あなたはそれを求めています。あなたが聞いている! 近くに来ないでください、あなたはきらめくでしょう。 はい。一二三。いいえ! いいえ! ああ!私はあなた全員を殺します。 おお、私の神よ、あなたはフリックします。 すでに非常に腹が立つ。 ちょっと待ってください、我々もこれを通過することができますか? Vietnamese: Azerbaijani: * ağrısı * Joergan çox yağlıdır. Üzr istəyirik Joergan. Bəli, bəli. İndi yalnız yola çıxırsınız, yalnız yola çıxırsınız. Demək ki, biz daha üç yapışqan piston lazımdır. Dəmir! Mən kasıbam. Sükan arxasında narahat olmayın, Sven. Sözün Pappy işdə çətin bir gün var. NİYƏ İSTƏYƏCƏK? Aman Tanrım! Pistons, bəli. Bu, yalnız bir poladdır, buna görə də biz onu ödəyə bilərik. Hesab edirəm ki, mənim sümüyüm var. Bəli. Limon və kireç sıxaraq. Tamam, sillə-yox! Piston. Yapışqan piston. Biri. Tamam, sonra bir, iki. Bu daha yaxşı olsun! Bu daha yaxşı flippin 'dippin', cılız dippin ', top pippin '... Ondan uzaqlaşın Joergen! O, pisdir. Tamam, beləliklə ... Bu buraya gedəcək ... Bütün bu kontrasepsiyanın daha da geridə qalması lazım olduğunu başa düşdüm. Allah sarsıdırsan! Əgər Su Qoyun olmasaydı, hamınızı qurtardı. Russian: Подожди-ка минуту, мы даже не можем пройти через это? Йорген слишком толстый, прости Йорген. Тебе бы лучше.. Оо, ты просто сейчас хвастаешься перед нами. Что ж, это значит нам нужно больше липких поршней. Чёрт подери, я бедняк! Не волнуйся об этих воплях, Свен, у щенка буквально тяжёлый рабочий день(?). Как ты это терпел!? Поршни..Да. Это только один. Остался только один. Так что, мы не можем себе позволить это. Я думаю, у меня есть слизь. Да, есть. С соком лимона и лайма Окей, сли- нет! Поршень. Липкий поршень. Один. Окей, тогда один, два Это лучше, чем круто это лучше, чем флиппин, диппин (что это за слово???) скинни диппин мяч пиппин ОТВАЛИ ОТ НЕГО, ЙОРГЕН он злой! окей, так... оно будет здесь Arabic: * آهات * Joergan هو الدهون جدا. آسف جورغان. نعم ، أنت أفضل. أنت تظهر فقط الآن ، أنت تعرض فقط. هذا يعني أننا بحاجة إلى ثلاثة مكابس لزجة. اللعنة! أنا فقير. لا تقلق بشأن الصراخ ، سفين. إنه حرفيا بابي لديه يوم صعب في العمل. كيف حصلت من خلال ؟؟؟ يا إلهي! بيستونز ، نعم. إنه فولاذ واحد فقط حتى نتمكن من تحمله. مع ضغط من الليمون والجير. حسنًا ، لا! مكبس. مكبس لزجة. واحدة. حسنا ، ثم واحد ، اثنان. هذا أفضل أن يكون بارد! هذا flippin أفضل "dippin" نحيف dippin " الكرة بيبين ... الابتعاد عنه يورغن! إنه شرير. حسنًا ، ... سوف يذهب هنا ... أدركت أن هذا الانتهاك كله يحتاج إلى العودة. الله انت مزعج !!! إذا لم يكن الأمر مع Water Sheep ، فسأخلص منك جميعًا. Japanese: *うめき声* Joerganは太りすぎです。 ごめんなさいJoergan。 ええ、あなたは間違いないです。 あなたは今披露しているだけで、披露しているだけです。 だから私たちはさらに3つの粘着性のあるピストンが必要であることを意味します。 ダミット!私はかわいそうです。 叫びについて心配しないで、スヴェン。それは文字通りパピーは仕事で厳しい一日を過ごしています。 どのようにあなたは巧みになったか。 何てことだ! ピストン、はい。それはただ一つの鋼鉄なので、私たちは実際にそれを買うことができます。 スライムがあると思います。はい、そうです。 レモンとライムを絞ります。 さて、スライム - いいえ!ピストン。 粘着性のあるピストン1。 それでは、1、2。 これはもっとカッコイイ! このより良いフリッピン 'dippin'、 スキニーディピン '、 ボールピッピン 彼から離れてJoergen! 彼は悪だ。 わかりました、そう…これはここに行きます… 私はこの全体の解釈がさらに戻ってくる必要があることに気づきました。 迷惑な神様! それがWater Sheepのためではなかったら、私はあなた全員を取り除きます。 English: *groan* Joergan is too fat. Sorry Joergan. Yeah, you bette- aw. You’re just showing off now, you’re just showing off. So that means we need three more sticky pistons. Dammit! I’m poor. Don’t worry about the yelling, Sven. It’s literally Pappy has a tough day at work. HOW DID YOU GET THROUGH??? Oh my god! Pistons, yes. It’s only one steel so we actually can afford it. I think I have slime. Yes I do. With a squeeze of lemon and lime. Okay, slime- no! Piston. Sticky piston. One. Okay, then one, two. This better be cool! This better flippin' dippin', skinny dippin', ball pippin'... Get away from him Joergen! He's evil. Okay, so... This will go here... I realised this whole contraption needs to come further back. God you're annoying!!! If it wasn't for Water Sheep, I would get rid of all of you. Portuguese: Slovenian: * jecanje * Joergan je predebel. Oprosti, Joergan. Ja, pravzaprav. Sedaj se samo razkazujete, samo se razmetavate. To pomeni, da potrebujemo še tri lepljive bate. Prekleto! Reven sem. Ne skrbi za kričanje, Sven. Dobesedno ima Pappy težek dan na delu. KAKO STE DOBILI? O moj bog! Pistons, ja. To je samo eno jeklo, da si ga lahko privoščimo. Mislim, da imam sluz. Ja. S stiskanjem limone in limete. Ok, sluz-ne! Piston. Lepljiv bat. Ena. V redu, potem eno, dve. Bolje, da je kul! To je boljše, da zavržem, skinny dippin ', žogica ... Pojdi stran od njega Joergen! Zlo je. Ok, torej ... To bo šlo tukaj ... Spoznal sem, da je treba celotno napravo nadaljevati. Bog ti je nadležen! Če ne bi bilo Water Sheep, bi se jaz vse rešil. Polish: Poczekajcie minutę, czy my w ogóle możemy przez to przejść? ooohh Joergen jest za gruby. Wybacz Joergen Tak, ty lepiej ohh teraz to po prostu się wykazujesz, teraz to się wykazujesz To znaczy że potrzebujemy jeszcze 3 przyklejające-pistony Cholera! Jestem biedny! Nie martw się krzykami, Sven To po prostu Papcio ma trudny dzień w pracy JAK SIĘ TU DOSTAŁEŚ? O mój boże! Pistony, tak to tylko jedna sztabka żelaza więc właściwie możemy tyle wydać Myślę że mam szlam, tak mam. W tłoku cytryny i limonki??? Okej, Szlam nie Piston! Przyklejające-pistony Jedna, okej Druga, Lepiej żeby było fajne Lepiej żeby było. - flimi-dipin skini-dipin boo-dipin ODEJDŹ OD NIEGO JOERGEN! On jest zły. Okej, czyli to będzie tutaj, zrozumiałem że że cała konstrukcja powinna być trochę z tyłu BOŻE JESTEŚCIE DENERWUJĄCY! Jeżeli to nie było dla Wodnej-Owcy pozbędę się was wszystkich Chinese: Joergen太胖了 抱歉 Joergen 對 ..你最好..喔(=_=) 你現在只是在炫耀 你在炫耀.. 所以這代表我們還需要三個黏性活塞 該死 我很窮 別在意那個尖叫聲 Sven 那是拔比今天在工作上有點難熬 你是怎麼過來的!!?? 活塞... 只需要一個... 只需要一個鐵而已所以我們其實做得出來 我記得我有史萊姆....對我有 和一些擠壓檸檬和萊姆 好的 史萊ㄇ... 不 活塞 黏性活塞 一個 然後一 二 這最好能很酷 這最好 flipbendipen skinnydipben ballhipben Joergen離他遠一點 他很邪惡.. 好的..所以..這個放這裡 我意識到這玩意兒需要後退一格 天哪 你們很吵(=_=) 如果不是為了水羊 我會把你們全趕走 Vietnamese: Turkish: Joergen çok şişman, üzgünüm Joergen Gösteriş yapıyorsun şimdi de! Bu üç tane daha yapışkan pistona ihtiyaç var demek. Lanet olsun çok fakirim! Bağırmalara aldırış etme Sven baban zor bir iş günü geçirdi. Sen nasıl geçtin buraya! Tanrım! Pistonlar... evet. Sadece bir adet... sadece bir çelik bunu karşılayabiliriz. Sanırım slime'ım var, evet var. tamam, slime... Hayır, piston, yapışkan piston. Bir tane. Tamam, şimdi bir, iki. Bu güzel olsa iyi olur güzel olsa iyi olur. Uzaklaş ondan Joergen! o iblis! Pekala, bu buraya... fark ettim de tüm yapının tekrarlanması gerek. Çok sinir bozucusunuz! Su koyunu için yapıyor olmasaydım hepinizden kurtulurdum. English: All of you would go bye bye. Just so you know. Just so you know. Ahhh... I think I fricked up again. For the third time. It's my frick day. Birthday I mean. Today... Thanks for all the birthday wishes. Why did I said that, that's a lie. Okay, Did I frick up again? I cannot frick up three times. I've never fricked up three times. One, two, three. And then.. It will go here. And then... One, two... Two... Two, three. You will pee in my... Skiis. That sucks. We gotta get rid of lantern. Okay so, This is how it looks like when the doors are open. Now I just need to wire it somehow. I got your... Thankyou. Thankyou. Keep telling them to leave. Hopefully I can make it as clean as possible. I don't really get how... Redstone works. Slovenian: Vsi bi šli na zdravje. Toliko da veš. Toliko da veš. Ahhh ... Mislim, da sem se spet zagrabil. Tretjič. Danes je moj frik. Mislim na rojstni dan. Danes ... Hvala za vse rojstne želje. Zakaj sem to rekel, to je laž. V redu, Sem se spet zagledal? Ne morem trikrat. Nikoli se nisem trikrat spravil. Ena, dva, tri. In potem ... Tukaj bo šlo. In potem ... Eden, dva ... dva ... Dva, tri. Lulat boš v moji ... Skiis. To je zanič. Moramo se znebiti luči. V redu, tako izgleda, ko so vrata odprta. Sedaj ga moram nekako speljati. Imam tvoje ... Hvala vam. Hvala vam. Povej jim, naj odidejo. Upam, da ga lahko naredim čistega. Ne razumem kako ... Redstone deluje. Turkish: hepiniz giderdiniz. Bilin diye söylüyorum. Üçüncü kez batırdım galiba. Bugün doğum günüm. Tüm doğum günü dilekleriniz için teşekkürler. Niye dedim ki bunu, yalan bu. Yine mi batırdım? Bir kez daha batıramam. Berbat oldu, fenerden kurtulmamız gerek. Pekala bu kapı açıkken görünüşü. Bunu şimdi bir şekilde döşemem gerek. Teşekkürler, teşekkürler. Onlara gitmelerini söylemeye devam et. Mümkün olduğunca dolambaçsız yapabiliirim umarım. Kızıltaş nasıl çalışıyor anlamıyorum cidden. Azerbaijani: Hamınız yanına gedəcəksiniz. Biləsən ki. Biləsən ki. Ahhh ... Mən bir daha bükülmüş hesab edirəm. Üçüncü dəfədir. Bu mənim köküm günümdür. Ad gününü qeyd edirəm. Bu gün ... Bütün doğum günləri üçün təşəkkür edirəm. Niyə dedim ki, bu yalandır. Tamam, Yenə qaynadın mı? Mən üç dəfə əylənə bilmirəm. Mən heç vaxt üç dəfə möhkəmlənməmişəm. Bir iki üç. Və sonra .. Bura gedir. Və sonra ... Bir, iki ... İki ... İki, üç. Siz mənim işimdə çalışırsınız ... Skiis. Bu sucks. Fənərdən xilas olmalıyıq. Tamam, Belə ki, bu qapıları açıq olduğu kimi görünür. İndi yalnız elə bir şəkildə telaşlamalıyam. Mən səni aldım ... Çox sağ ol. Çox sağ ol. Onlara ayrılmasını izah edin. İnşallah mümkün qədər təmiz hala gətirə bilərəm. Mən həqiqətən necə aldım ... Redstone işləyir. Arabic: كلكم سيذهبون إلى اللقاء. كما تعلم. كما تعلم. آه ... أعتقد أنني خدعت مرة أخرى. للمرة الثالثة. انه يوم بلدي frick. عيد ميلاد أعني. اليوم... شكرا لجميع رغبات عيد ميلاد. لماذا قلت ذلك ، هذه كذبة. حسنا هل قاتلت مرة أخرى؟ لا أستطيع أن أفيق ثلاث مرات. لم يسبق لي أن خدعت ثلاث مرات. واحد اثنين ثلاثة. وبعد ذلك .. سوف يذهب هنا. وبعد ذلك ... واحد اثنان ... اثنان ... اثنين ثلاثة. سوف يتبول في بلدي ... تزلج. أن تمتص. يجب أن نتخلص من الفانوس. حسنًا ، هكذا يبدو الأمر عندما تكون الأبواب مفتوحة. الآن أنا فقط بحاجة إلى توصيله بطريقة أو بأخرى. حصلت على ما لديك... شكرا جزيلا. شكرا جزيلا. استمر في إخبارهم بالمغادرة. آمل أن أتمكن من جعله نظيفًا قدر الإمكان. أنا لا أفهم كيف ... ريدستون يعمل. Vietnamese: Portuguese: Japanese: みなさん、さようなら。 ちょうどあなたが知っているので。 ちょうどあなたが知っているので。 ああ...私は再びフリックアップしたと思います。 三度目です。 私のフリックデーです。 お誕生日今日... すべての誕生日の願いをありがとう。 なぜ私はそれを言ったのですか、それは嘘です。 はい、 私はまたフリックアップしましたか。 私は3回フリックアップすることはできません。 私は三度フリックアップしたことがない。 一二三。 そしてそれはここに行きます。 そして…… 2 ... 2 ... 二、三。 あなたは私の...おしっこでおしっこするでしょう。 それは吸います。私たちはランタンを取り除かなければならない。 さて、これはドアが開いているときの様子です。 今、私はそれをどうにかして配線する必要があります。 私はあなたに… ありがとうございました。ありがとうございました。 彼らに去るように言い続けなさい。 できればできるだけきれいにしてください。 私は本当にどうしてもわからない… Redstoneが機能します。 Polish: Wszyscy powiecie Bye-Bye Tak żebyście wiedzieli x2 Myślę że pomyliłem się znowu, po raz trzeci. To mój pomyłkowy dzień, Urodzinowy dzień znaczy. Dzisiaj Dziękuje za wszystkie życzenia urodzinowe. Dlaczego ja to powiedziałem? To kłamstwo. Okej? Czy znowu się pomyliłem? Nie mogę się pomylić trzeci raz. Nigdy się nie mylę za trzecim razem Eee, to będzie tutaj. Raz, dwa trzy. Będziesz sikać w moim *coś po szwedzku* To ssie, będziemy musieli pozbyć się latarni. Okej, więc tak to wygląda kiedy jest otwarte. Chinese: 你們全部都會掰掰 我只這樣跟你說讓你知道 我只是讓你們知道 呃...我想我又蓋錯了 第三次 今天是搞砸的一天 生日我想... 今天...謝謝所有的生日願望 為啥我要說這個~這是謊話 我又搞砸了一次嗎?? 我可不能搞砸三次 我永遠不會搞砸第三次 然後 它會往這裡走 你 會 尿 尿 在 我 的 滑 雪 板 (? 這很糟糕..我們要移除燈籠 好的所以...這是門打開看起來的樣子 現在我只需要...一些線連接之類的 我抓到你的.... 感恩感恩你 繼續跟他們說叫他們滾 希望我能讓它看起來越簡單越好 我實在還是無法理解..... 紅石的運作方式 Slovenian: Še vedno sem, ne vem. Naj naredim, da gredo pod ali nad? Ali oboje? To ga ne aktivira. Kaj? Mogoče je bolje, če grem pod. Samo me je udaril z vrati? Ne more me udariti z vrati! V redu. Skoraj sem končal. Skoraj sem končal! Če me pustite pri miru. Naj pomislim. Kaj? Kako je to povezano? Ali obstaja kot Kaj? Ta igra nima smisla. Poglej koliko prostora je. Vsi ste ... Oh moj bog! Vrata so nazaj! Se šališ? Ne razumem Redstone. Kako V redu, ne razumem redblok jasno. Ampak, deluje. Ne! Noooooo !!! Moje ožičenje! * Arghhh * aaaaaaaaAAAAAAAA Oh moj bog .. Yahaaha. Ampak zakaj ... Turkish: Üstten mi döşeyeyim alttan mı? Aktive olmadı, ne? Alttan döşesem daha iyi olur belki. Bana kapıyla mı vurdu o? Tamam, neredeyse bitti, neredeyse bitti. Eğer beni rahat bırakırsanız... Bir düşüneyim... Ne? Nasıl bağlı o? Yani şimdi... ne? Çok mantıksız. Bakın ne kadar boş alan var! Kapıyla vuran geri döndü! Nasıl... Kızıltaşı anlayamıyorum. Kızıltaş bloğunu anlamıyorum görüldüğü gibi, ama işe yarıyor. Hayır, hayır! Döşemelerim! Japanese: 私はまだ好きです、私は知りません。 私はそれを上下に動かすべきですか? または両方? それはそれを活性化しません。 何? 私が下に行けば多分それは良いです。 彼はただゲートで私を襲った? 彼は私を門で殴ることはできない! ごきげん、大丈夫。もう終わりです。 もう終わりだ! あなたが私を一人にしておくだけなら。 考えさせて。 何? それはどのようにつながっていますか? an-のようなものはありますか 何? このゲームは意味がありません。 どのくらいのスペースがあるか見てください。 あなたはすべてだ - ああ私の神よ! 門が帰ってきた! 私をからかってるの? 私はレッドストーンを理解していません。 どうやって さて、私は明らかにredblockを理解していません。 しかし、それはうまくいきます。 いやー! Noooooo !!! 私の配線! *アーグ* aaaaaaaaAAAAAAAA ああ、私の神よ。 しかし、どうして…… English: I'm still like, I don't know. Should I make it go under or above? Or both? That does not activate it. What? Maybe it's better if I go under. He just hit me with a gate? He can't hit me with a gate! Gosh, okay. I'm almost done. I'm almost done! If you just leave me alone. Let me think. What? How is that connected? Is there like an- What? This game makes zero sense. Look how much space there is. You're all- Oh my God! The gate is back! Are you kidding me? I don't understand redstone. How does th- Okay, I don't understand redblock clearly. But, It works. Nooo! Noooooo!!! My wiring! *Arghhh* aaaaaaaaAAAAAAAA Oh my God.. Yahaaha. But why does.... Arabic: ما زلت مثل ، لا أعرف. هل يجب أن أجعله يمضي أو أقل؟ او كلاهما؟ هذا لا ينشطه. ماذا؟ ربما من الأفضل إذا ذهبت. لقد ضربني فقط مع بوابة؟ لا يستطيع أن يضربني ببوابة! يا الهي ، حسنا. لقد انتهيت تقريبا. لقد انتهيت تقريبا! إذا كنت مجرد ترك لي وحدي. دعني أفكر. ماذا؟ كيف يتم ذلك متصل؟ هل هناك مثل ماذا؟ هذه اللعبة لا معنى لها. انظروا كم مساحة هناك. أنت كل شيء - يا إلهي! البوابة عادت! هل تمزح معي؟ أنا لا أفهم ريدستون. كيف ال حسنا ، أنا لا أفهم redblock بوضوح. ولكنه يعمل. نوو! Noooooo !!! بلدي الأسلاك! * * Arghhh aaaaaaaaAAAAAAAA يا إلهي .. ياحها. ولكن لماذا لا .... Russian: Я думаю Я не уверен, но надеюсь это будет работать Неет, неет! Мой бассейн! Ах... аХ...а..ААА! О боже Ха-ха..! Он широкий Portuguese: Vietnamese: Azerbaijani: Mən hələ də bəyənmirəm, bilmirəm. Mən bunu altında və ya yuxarıya getməliyəmmi? Və ya hər ikisi? Bu onu aktivləşdirmir. Nə? Bəlkə də altında olsam yaxşı olar. O yalnız bir darvazamla vurdu? Mənə bir darvaza çarptı! Gosh, tamam. Mən demək olar ki, bitmişəm. Mən demək olar ki, bitmişəm! Yalnız məni tək buraxarsan. Qoy fikirləşim. Nə? Bu necə bağlıdır? Bir- Nə? Bu oyun sıfır mənada edir. Baxın nə qədər yer var. Sən hamımsan, ey Allahım! Qapısı geri döndü! Zarafat edirsən? Redstone'ı anlamıram. Necədir th- Tamam, redblock'ı aydın anlamıram. Amma işləyir. Nooo! Noooooo !!! Mənim kabellərim! * Arghhh * aaaaaaaaAAAAAAAA Oh mənim Allahım .. Yahaaha. Amma nə üçün .... Chinese: 我還是像...我不知道? 我應該要讓他往下還是上 還是都要?? 這沒讓它動 啥 也許往下會更好 它剛是用籬笆打我嗎??! 你不能用籬笆打我啊啊 好的 我幾乎快完成了 我幾乎快完成了!! 如果你離我遠點 讓我自己想想 這東東是如何連接的?? 這是像....啥?? 這個遊戲零道理 看這裡有多少空間 你們全都...我的天 這個籬笆殭屍回來了?? 你在開玩笑嗎? 我不理解紅石 這是如何.... 好吧我很明顯完全不懂這個紅色的磚塊 但它能運作 我的線路!!! 啊 啊啊啊啊啊啊 啊啊啊 啊 啊啊啊啊啊啊啊啊啊啊啊啊啊啊 我的天 但為何這個.. Portuguese: Russian: Это не убийство Ладно, давайте попробуем еще раз Это уродливо... Хорошо, Ёрген, мы выезжаем Я думаю, это надо закрыть О боже, нужно быть тихими Х) Овцы такие обманчивые.. Возращаемся обратно Надеюсь все было нормально пока меня не было Это особенное время...О боже! Спускайся от туда! Спускайся с загона!! Они сбегают! Ххах.. ты такой наивный Т-Т Круто, и там одна корова слева Ёрген!!! Ты возращаешься Хорошо Так, это прекрасно работает Иии... Я слез *громкие опладисменты* И мы снова возращаемся Это прикольно, и Ёрген в целости и сохраности Chinese: 這沒殺死.. 你知道的 好唄 我們現在來試試這個 我來嘗試藏起這個醜醜的地放 好的Joergen 我們現在要騎出去 我猜我需要這個會關閉 我的天..和平和安靜... 我已經聽太久那些羊們叫聲了 我想 .我好像失去了一點審美觀 或許我需要 花點時間 我的老天 給我從那滾下來 我討厭你!!!!! 他們在逃跑!!! 你們很吵... 酷 只有一隻牛離開了 Joergen!!!!! 你不是 所以..它運作起來像這樣 嘣~我們出來 然後就這樣 這就是我在蓋的東西 然後我們回來 按開關 Joergen會安安全全還有水水可以喝 Vietnamese: Japanese: これは殺さないの? あのね? 大丈夫 今それを試してみましょう。 そうそう、醜いものを隠してみてください。 さて、Joergen ...乗っています。 私もそれを閉じるためにそれが必要だと思います。 私だけです。 私の神よ、平和で静かです。 私はずっとずっと羊を聞いています。 *ため息* つまり、私は少し美的感覚を失いました。 たぶん私は... しばし時間をすごす。 何てことだ!!! そこから降りて! 大嫌い!!! 彼らは脱出している! *泣く* あなたはうるさいです。 クール、文字通り1頭の牛が残っています。 ヨルゲン! あなたもね! はい、 だからそれはこのように動作します: ブーム、我々は出ている。 以上です。それは私が作ったものでした。 *拍手* そして戻ってきます。 スイッチを押してください。 Joerganは安全で健全で、水を持っています。 Turkish: Tamamdır Joergen! Dışarıya çıkıyoruz! Sanırım kapamam gerek. Tanrım huzur ve sükunet... Sabahtan beri koyun sesi dinliyorum. Yani biraz estetiğini mahvettim, belki de biraz vakit ayırmalıyım buna. Tanrım in aşağı nefret ediyorum senden!! çok sinirimi bozuyorsun. harika, sadece bir koyun içeride. Joergen! sen de gitme. Tamam, şimdi şu şekilde çalışacak ve bum! Dışarıdayız. Ve... Bu kadar, bunu tasarladım. Sonra geri döneceğiz düğmeye basacağız, Joergen güvende ve huzurlu. Slovenian: To ni ubilo? Veš kaj? Vredu. Poskusimo zdaj. Oh ja, poskusimo skriti grdo ... Ok Joergen ... jahamo. Mislim, da ga potrebujem, da ga zaprem. Jaz samo. O moj Bog, mir in tišina. Tako dolgo poslušam ovce. * Vzdihi * Mislim, izgubil sem malo estetike. Mogoče bi moral ... Preživite nekaj časa. O moj bog!!! Spusti se od tam !!! Sovražim te!!! Pobegnili so! * Klici * Tako si nadležna. Cool, dobesedno ena krava je ostala. Joergen !!! Tudi ti ne! V redu, Tako bo delovalo tako: Boom, izginili smo. In to je to. To je bilo to. * Aplavz * In potem se vrnemo. Pritisnite stikalo. Joergan je varen in ima vodo. Azerbaijani: Bu öldürmür? Nə bilirsən? Alright. İndi yalnız cəhd edək. Bəli, gəlin çirkinliyi sınayın və gizlədək ... Okay Joergen ... Biz binicilik edirik. Mənə yaxınlaşmaq lazım olduğunu düşünürəm. Mən indicə. Ey Allahım, sülh və sakitlik. Uzun müddət qoyunlara qulaq asıram. * Sıxır * Demək istərdim ki, estetik bir az itirmişəm. Bəlkə də ... Bir az vaxt sərf et. Aman Tanrım!!! Oradan çıxın! Sənə nifrət edirəm!!! Onlar qaçdılar! * Cries * Siz çox cansıxıcısınız. Sərin, tam bir inək qalır. Joergen !!! Siz də deyilsiniz! Tamam, Beləliklə, belə olacaq: Boom, biz buradayıq. Və bu qədər. Bu idi - Mən inşa etdiyim şey idi. * Alqışlar * Və sonra geri qayıdırıq. Şəbəkəyə basmayın. Joergan təhlükəsiz və səslidir və su var. Arabic: هذا لا يقتل؟ أتعلم؟ حسنا. دعنا فقط جربه الآن. أوه نعم ، دعونا نحاول فقط إخفاء القبيح ... حسنا يورغن ... نحن نركض. أعتقد أنني في حاجة إليها لإغلاق aswell. أنا فقط. يا إلهي السلام والهدوء. لقد كنت أستمع إلى الأغنام لفترة طويلة. * التنهدات * أعني ، لقد فقدت قليلا من الجمالية. ربما ينبغي ان... قضاء بعض الوقت. يا إلهي!!! إنزل من هنا!!! أنا أكرهكم!!! انهم يهربون! * صرخات * انت مزعج جدا. بارد ، بقيت حرفيا بقرة واحدة. يورغن !!! ليس انت ايضا! حسنا لذلك سوف يعمل مثل هذا: ازدهار ، نحن خارج. وهذا كل شيء. كان ذلك - وهذا ما بنيته. *تصفيق* ثم عدنا. ضرب التبديل. جورغان آمن وسليم ولديه ماء. English: This not kill? You know what? Alright. Let's just try it out now. Oh yeah, let's just try and hide the ugly... Okay Joergen... We are riding off. I guess I need it to close aswell. I just. Oh my God, peace and quiet. I've been listening to the sheeps for so long. *Sighs* I mean, I did loose a little bit of the aesthetic. Maybe I should... Spend some time. Oh my god!!! Get down from there!!! I hate you!!! They're escaping! *Cries* You're so annoying. Cool, literally one cow is left. Joergen!!! Not you too! Okay, So it will work like this: Boom, we're out. And that's it. That was- That was what I built. *Applause* And then we come back. Hit the switch. Joergan is safe and sound and he has water. Slovenian: Popolno je. Ali vam je všeč Joergen? Obožuje ga. Rekel je, da ga ima rad. Slišal sem ga. Oh ne, Boat Cow! Sven !!! * Klici * Prekleto!!! Poskušal sem se rešiti čolna. Moj Bog! Prosim, ne opravljajte veliko s kravo na ladji. Prosim, samo To je prav, Sven, pravzaprav gremo na avanturo. Ker ko sem šel po vsem Sven !!! Uh, odkril sem džunglo. In nikoli nisem šel, V njem. Ampak čas je, da gremo. Mislim, da vem ... Kam gremo - Najdi. V redu, gremo. Wooohooo! Jahh! Pridi Sven in Joergen, to je pustolovščina. Kot vedno sem pozabil na povodcu. Moram prinašati povodec. V Minecraftu je treba premisliti o toliko stvari. Vsaj, če vas skrbi za svoje živali, postane popolnoma drugačen vidik igre. Ker ne moreš iti brez ... ah. Azerbaijani: Mükəmməldir. Joergen xoşunuza gəlirmi? O sevir. O, sevdiyini söylədi. Mən onu eşitdim. Oh no, Boat Cow! Sven !!! * Cries * Allahdamnit !!! Mən qayıdan xilas olmaq üçün çalışırdım. Allahım! Xahiş edirik qayıq inəkdən böyük bir şey etməyin. Xahiş edirik, Doğrudan da Sven biz macəraya çıxırıq. Çünki bütün f- Sven !!! Uh, bir jungle tapdım. Mən heç vaxt getmədim, İçəridə. Amma getmək vaxtı gəldi. Bilirəm ki ... Getmək harada - tapın. Tamam, gedək. Wooohooo! Yeahhh! Sven və Joergen'e gəl, bu macəra. Həmişə olduğu kimi, mən bir boşqab unutdum. Bir qarışdırma gətirməliyəm. Minecraft'ta düşünmək lazım olan çox şey var. Ən azı, əgər heyvanlarınıza qayğı varsa, oyunun tam fərqli bir forması olur. Çünki sənsiz gedə bilməzsən. Arabic: انها مثالية. هل يعجبك يورغن؟ يحبها. قال إنه أحبها. سمعت عنه. أوه لا ، بقرة قارب! سفين !!! * صرخات * لعنها الله!!! كنت أحاول التخلص من القارب. ربي!!! من فضلك لا تجعل صفقة كبيرة من بقرة القارب. من فضلك فقط هذا صحيح سفين نحن نتجه في الواقع في المغامرة. لأنه عندما ذهبت في جميع أنحاء و- سفين !!! أه اكتشفت غابة. وأنا لم أذهب مثل داخله. ولكن حان الوقت للذهاب. أعتقد أنني أعرف... إلى أين أذهب- ابحث عنه. حسنا دعنا نذهب. Wooohooo! Yeahhh! هيا سفين وجويرن ، إنها مغامرة. كما هو الحال دائما ، لقد نسيت المقود. أحتاج إلى إحضار المقود. هناك أشياء كثيرة تحتاج إلى التفكير بها في Minecraft. على الأقل ، إذا كنت تهتم بالحيوانات الخاصة بك ، فإنها تصبح جانبًا مختلفًا تمامًا من اللعبة. 'السبب لا يمكنك الذهاب دون آه. Japanese: パーフェクトだ。 あなたはそれが好きですか? 彼はそれが大好きです。彼はそれが好きだと言った。私は彼を聞いた。 ああ、ボートカウ! スヴェン! *泣く* ゴッドダムニット! 私はボートから逃げようとしていた。 我が神よ!!! ボート牛から大したことをしないでください。 ちょうどしてください - そうです、Svenは実際に冒険に出かけています。 何故なら、私はf-を一周したからです。 スヴェン! ええと、私はジャングルを発見しました。 そして私は決して行きませんでした、 その中。 しかし、それは行く時間です。私は知っていると思います... どこへ行く - それを見つける。では行きましょう。 ウーホー! うん! SvenとJoergenに来てください、それは冒険です。 いつものように、私はひもを忘れていました。 ひもをつける必要があります。 Minecraftには、考えるべきことがたくさんあります。 少なくとも、あなたがあなたの動物を気にかけているのなら、それはゲームの全く異なる側面になります。 'あなたはああなしで行くことはできません原因。 Russian: И да вода, это замечательно Тебе нравится, Йорген? Он сказал что ему нравится, я слышал ^^ *еще одно убийство, ну сколько можно?((* *грустная музыка* О нет! Водная Корова! Свен! О боже... Черт! Я просто хотел убрать лодку! О боже.. Прошу, не поднимайте шум из-за коровы в лодке. Прошу, просто... Все верно, Свен, сегодня мы отправляемся На ПрИкЛюЧеНиЯ! Потому что, когда я переходил через... Свен!!! Я нашел джунгли! Я никогда не был там, внутри. Но пора идти, я думаю, я знаю... Куда идти...Хорошо, пошли! Юху! Еее! Давай, Свен И Йорген! Это приключение, как обычно, и я забыл поводок Я забыл взять поводок... В Майнкрафте столько вещей, о которых надо помнить! Разве что, если вы беспокоитесь о своих животных. Они становятся совершено другим аспектом во всей игре. Ведь без этого идти нельзя... эх.. Portuguese: Chinese: 這很完美 你喜歡嗎?Joergen 牠超愛 牠說牠超愛 我聽到了 不..船牛! Sven!!! 天哪!! 我只是嘗試把船打掉 拜託別大肆宣傳船船牛 拜託.. 對的Sven 我們實際上是要出去探險的 因為當我在穿越那個 Sven!!!! 我發現了叢林 然後我從沒走去像... 叢林深處 但是時候該去了!我覺得我知道 去從哪裡找到它 我們走吧 走吧Sven和Joergen 這是場和平常一樣的冒險 我忘了套索 我需要帶個套索 有太多事情是你在玩Minecraft時你必須想到 至少..如果你在意你的動物 那又是另一個不同的方面 因為你沒辦法走... English: It's perfect. Do you like it Joergen? He loves it. He said he loved it. I heard him. Oh no, Boat Cow! Sven!!! *Cries* Goddamnit!!! I was trying to get rid f the boat. My God!!! Please don't make a big deal out of boat cow. Please just- That's right Sven we're actually heading out on adventure. Because when I went all across the f- Sven!!! Uh, I discovered a jungle. And I never went like, Inside it. But it's time to go. I think I know... Where to go- Find it. Okay, let's go. Wooohooo! Yeahhh! Come on Sven and Joergen, it's adventure. As always, I forgot a leash. I need to bring a leash. There's so many things you need to think about in Minecraft. At least, if you care about your animals it becomes a whole different aspect of the game. 'Cause you can't go without- ah. Vietnamese: Turkish: Suyu da var, mükemmel. Beğendin mi Joergen? Çok sevdi, sevdiğini söyledi duydum. Olamaz bot ineği! Sven! Lanet olsun! Bottan kurtulmaya çalışıyordum! Lütfen bot ineğini çok büyütmeyin. Bu doğru Sven, bugün aslında maceraya çıkıyoruz! Çünkü ben Minecraft'ı gezdiğimde... Sven! Bir orman buldum içine daha girmedim ama artık girme vakti. Nerede olduğunu biliyorum galiba. Tamam, hadi gidelim! Gel Sven! ve Joergen macera zamanı! Tasmayı unuttum. Bir tasma getirmeliyim. Minecraft'ta hayvanınızı umursuyorsanız eğer çok şey düşünmelisiniz. Çünkü sen tasmasız gidemezsin. Russian: Я правда рад, что потратил полсерии на постройку гребаного красного камня... Это весело! Мне нравится это! Посмотри... Это круто! Это определенно круто Я бы хотел быть лучше в проходке... в том, чтобы прятать проводку и все такое. Если у вас есть советы, ребята, дайте знать. С нами Свен. Я бы хотел, чтобы Свен мог ездить на лошади... Йоргене, это было бы круто. Итак, отличное время, чтобы поблагодарить represent.com/pewdiepie Теперь у нас есть Майнкрафтовый мерч. Да-да! Поддерживайте серию, поддержите Свена, поддержите Йоргена... По... Будете при этом выглядеть эпически круто. Ага? Чего еще надо от жизни? Итак, джунгли находятся очень далеко на севере отсюда Должен убедиться, что Свен все еще тут. Рыба фугу в ведре, у нее все отлично. Выглядишь отлично сегодня, рыба фугу в ведре. Свену не нравится рыба фу...фу *смеется* Свену не нравится рыба фугу Из-за нее он вспоминает о временах, когда сам сидел в ведре. Много кто говорил, что в ведро можно посадить Дракона Края. А еще много кто - кучка... лживых... сссслизней. Japanese: エピソードの半分を荒っぽい赤い石にしようとしていて本当にうれしいです... 楽しいですよ。私はそれが好きです。 見て、かっこいいです。 かっこいいと思います。 私は配線を隠すことで - を雇うのが上手だったことを望みます。 私に知らせてください。 Svenは一緒にいます。 私はSvenが馬に乗れるように願っています。 Joergan上では、それはとてもかわいいでしょう。 大丈夫これは私が叫ぶのに最適な時間です Represent.com/pewdiepie Minecraftの商品があります。 そのとおり。 シリーズを支え、スヴェンを支え、 Joergenをサポートします。 Get-同時に壮観に格好いいでしょう。 大丈夫ですか?あなたは人生で他に何が欲しいですか? それで、このようにジャングルは本当にはるか北にあります。 Svenがまだそこにあることを確認してください。 今日はフグのバケツがすごく元気です。 今日は本当に美味しそうなフグのバケツ。 Svenは蛹が好きではありません - *笑う* Svenはフグが嫌いです。 それは彼がバケツに入ったときのことを彼に思い出させます。 Ender Dragonを実際にバケツに入れることができると多くの人が言っています。 そして多くの人々はまた、たくさんの嘘つきのsssssnevilsです。 Turkish: Bölümün yarısını lanet olası bir kızıltaş döşemesi yapmakla geçirdiğim için çok mutluyum. Eğlenceliyid ama! Sevdim! Bakın, havalı! Bence havalı. Keşke döşemeyi saklamakta daha iyi olsaydım eğer taktikleriniz varsa yazın. Sven de bizimle. Keşke Sven ata binebilse çok tatlı olurdu. Şimdi reklam için iyi bir zaman artık Minecraft merchimiz var. Bu doğru seriye destek olun, Sven'e ve Joergen'a destek olun. Orman çok uzak kuzeyde bu tarafta. Sven'in hala burada olduğundan emin olmalıyız. Bir kova kirpi balığı, bugün iyi görünüyorsun kirpi balığı. Sven kirpi balığını sevmedi. O ona kendisinin kovada olduğu zamanları anımsatıyor. Birçok kişi ender ejderhasını kovaya koyabilirsin diyor aynı zamanda birçok kişi de yalan söylüyor sürekli. English: I'm really glad I spent half the episode trying to build a frickn' redstone... It's fun! I like it. Look, it's cool. I think it's cool. I wish I was better at hiring the- At hiding the wiring. If you guys have any tips, like let me know. Sven is with us. I wish Sven could on the horse. On Joergan, that would be so cute. Alright well this is a good time for me to shoutout represent.com/pewdiepie We now have Minecraft merch. That's right. Support the series, support Sven, support Joergen. Get- Will look epically cool at the same time. Alright? What else could you want in life? So the jungle's like really far north this way. Gotta make sure Sven is still there. Bucket of pufferfish is doing great today. You look really good today bucket of pufferfish. Sven doesn't like pu- pa- *Laughs* Sven doesn't like pufferfish. It reminds him of when he was in a bucket. A lot of people have been saying that you can actuallly put the Ender Dragon in a bucket. And a lot of people are also a bunch of lying sssssnevils. Arabic: أنا سعيد حقًا لأنني أمضيت نصف الحلقة في محاولة لبناء حجر رمزي ... انه ممتع! احب ذلك. انظر ، إنه رائع. أعتقد أنه رائع. كنت أتمنى لو كنت أفضل في توظيف - في إخفاء الأسلاك. إذا كان لديك أي نصائح ، مثل اسمحوا لي أن أعرف. سفين معنا. أتمنى سفين يمكن على الحصان. على Joergan ، سيكون ذلك لطيفًا جدًا. حسناً ، هذا وقت مناسب لي لأصرخ represent.com/pewdiepie لدينا الآن Minecraft merch. هذا صحيح. دعم هذه السلسلة ، ودعم سفين دعم يورغن. Get- سوف تبدو باردة ملحمة في نفس الوقت. حسنا؟ ماذا يمكن أن تريد في الحياة؟ لذلك فإن الغابة مثل الشمال البعيد حقا بهذه الطريقة. فلدي تأكد من سفين لا يزال هناك. دلو من السمكة المنتفخة يقوم بعمل رائع اليوم. أنت تبدو جيدة حقا اليوم دلو من السمكة المنتفخة. سفين لا يحب pu- * يضحك * سفين لا يحب السمكة المنتفخة. هذا يذكره عندما كان في دلو. يقول الكثير من الناس أنه يمكنك فعلاً وضع لعبة Ender Dragon في دلو. والكثير من الناس أيضا مجموعة من الكذب sssssnevils. Vietnamese: Portuguese: Azerbaijani: Mən, həqiqətən, sevinirəm, yarım epizodu bir frickn 'redstone qurmağa çalışıram ... Əyləncəli! Mənim bundan xoşum gəlir. Baxın, bu sərindir. Məncə, bu, sərindir. İstəyirəm ki, işə qəbul etmək mənə daha yaxşıdır - kabellərin gizlənməsində. Uşaqlarınızın hər hansı bir ipucu varsa, mənə bildirin. Sven bizimlədir. Svenin ata gələ biləcəyini diləyirəm. Joergan'da, bu qədər şirin olardı. Əlbəttə ki, bu, mənim üçün səsləndirmək üçün yaxşı bir vaxtdır represent.com / pewdiepie İndi Minecraft merch var. Düzdür. Seriyası dəstəkləyən Sven, Joergen'i dəstəkləyin. Get-eyni zamanda epical sərin baxmaq. Tamam mı? Həyatda başqa nə istəyirsiniz? Beləliklə, ordu həqiqətən uzaq şimala bənzəyir. Sven hələ də orada olduğundan əmin olun. Buğda yağı kovası bu gün böyükdür. Bu gün balqabaq kovası həqiqətən yaxşı görünür. Sven pu-pa- * Laughs * Sven pufferfish kimi deyil. O, bir kovada olduğunda onu xatırladır. Bir çox insanlar, Ender Dragonu bir kovada aktuallly qoya biləcəyinizi söyləyirlər. Və bir çox insanlar da yalançı sssssnevils bir dəstədir. Slovenian: Res sem vesel, da sem porabil polovico epizode, ko sem poskušal zgraditi frikn ... To je zabavno! Všeč mi je. Poglej, kul je. Mislim, da je kul. Želim si, da bi bil boljši pri najemanju. Če imate kakšne nasvete, mi sporočite. Sven je z nami. Želim si, da bi Sven na konju. Na Joerganu bi bilo tako srčkano. V redu, to je dober čas za mene represent.com/pewdiepie Zdaj imamo Minecraft merch. Tako je. Podpora seriji, podpora Sven, podporo Joergenu. Get-bo videti epično kul ob istem času. Vredu? Kaj bi še želeli v življenju? Torej je džungla tako zelo severna. Moram se prepričati, da je Sven še vedno tam. Žlica pufferfish je danes odlična. Zgledaš zelo dobro danes vedro pufferfish. Sven ne mara * Smeh * Sven ne mara pufferfisha. Spominja ga, ko je bil v vedru. Veliko ljudi je govorilo, da lahko dejansko postavite Enderjevega Zmaja v vedro. In veliko ljudi je tudi skupina ležečih sssssnevil. Chinese: 我真開心我花了一半的影片去嘗試蓋個紅石門 這很好玩 我喜歡 看 它很酷 我覺得很酷 我希望我能把那個線路藏得更好 如果你們有更好的建議讓我知道 Sven正跟著我們 我真希望Sven能坐上馬 騎著Joergen 那會很可愛 >工商時間< 我們現在有麥塊的商品啦~ 對的~~ 支持這系列 支持Sven 支持Joergen 你還可以在同時看起來很cool 好嗎? 你們還想要什麼能出現在你們的生活中?? 所以...叢林在遙遠的北方那 必須確認Sven還跟著我們 桶子裡的河豚寶貝還是保持棒棒的 你今天看起來很棒呦桶子河豚 Sven不喜歡河ㄊ Sven不喜歡河豚 那讓他想起來牠還在桶子裡時 許多人都跟我說其實可以把終界龍放進桶子裡 然後我知道很多人都用邪惡的想法在欺騙我 Turkish: Pekala şu lanet orman nerede? Suyu sevmiyorum! Joergen, Sven gelin maceraya atılıyoruz. Ormanı arıyoruz. Ormanda ne mi bulacağız? Bilmiyorum! Minecraft'ın eğlenceli yanı da bu. Daha karlı yerlere gelmedim bile. Koca ayak Minecraftta var mı Sven? Bir ara tilkiler gördüğümü hatırlıyorum. Su mu var? Ah! Hatırlamıyorum, sadece kuzeyde olduğunu hatırlıyorum. Orman bu mu? Ormanı bulduk Sven! İşte! Ve kaplumbağalar! Bakireler mi? Merhaba kaplumbağalar, çocuklarınız nerede? Onlara zarar vermeyeceğim tamam sanırım artık Joergen'a tasma takmamız gerek. Bence papağanlar ve diğer birçok hayvan olacak Arabic: حسنا ، أين هذه الغابة fickin. أنا لا أحب الماء. 360 فوق الماء. آه ، لا يعمل مع 360s حسنا ، هنا ، تعال هنا. Cippin chomg ، chim chin chomg. chim chim chim chomg. هيا. هيا يورغن ، سفين ، لدينا مغامرات. نحن نبحث عن الادغال. ما الذي سنجده في الغابة؟ لا أدري، لا أعرف؟ هذا هو متعة Minecraft. لم أكن حتى في أماكن الثلوج حتى الآن. هل هناك مثل yetis؟ غاس * هل فوت في ماين كرافت سفين؟ أتذكر أنني رأيت الثعلب لمثل ، نصف ثانية. وكنت مثل- Ahhhhh! هناك ماء. * الآهات * لا أتذكر ، أنا فقط أتذكر الشمال. اه. هل نستطيع إنجازها؟ لا لا نستطيع. هل هذا الغاب؟ * * اللهيث وجدنا الغابة سفين. ذلك هو. * اللحظات * والسلاحف. هل هم عذراء؟ مرحبا السلاحف. اين اطفالك؟ لن أؤذيهم ، أريد فقط أن يحترسوا. حسنًا ، يجب أن نضع المقود على يورغن. لنذهب. أعتقد أنك يمكن أن تجد مثل الببغاوات ، ومثل الحيوانات الأخرى. * الغناء * إنه عالم جديد بالكامل. English: Alright, where's this fickin' jungle. I don't like water. 360 over the water. Ah, never works with 360s Alright fine, here, come here. Cippin chomg, chim chin chomg. Chim chim chim chomg. Come on. Come on Joergen, Sven, we have adventures. We looking for jungles. What are we going to find in the jungle? I don't know? That's the fun of Minecraft. I haven't even been in snow places yet. Are there like yetis? *Gasp* Is bigfoot in Minecraft Sven? I remember I saw a fox for like, half a second. And I was like- Ahhhhh! There's water. *Groans* I don't remember- i just remmber North. Uh. Can we do it? No we can't. Is that the jungle? *Gasp* We found the jungle Sven. There it is. *Gasp* And turtles. Are they virgin? Hello turtles. Where are your children? I will not harm them, I just want to their scutes. Alright, we're gonna have to put the leash on Joergen. Let's go. I think you can find like, parrots, and like other animals. *Singing* It's a whole new world. Vietnamese: Russian: ТАк, где эти чертовы джунгли? Не люблю воду. 360 над водой! А, никогда не работает с 360. Ну ладно, сюда иди. Прыг-скок прыг прыг скок Прыг-прыг-прыг скок. Давайте! Вперед, Йорген, Свен, у нас приключение! Мы ищем джунгли! И что же мы найдем в джунглях? Я не знаю! В этом прелесть Майнкрафта! А я еще не был в снежных местах. А там есть, типо, йети? *драматичный вздох* В Майкрафте Бигфут, Свен? Помню, что видел лисицу всего на секунду. И я такой... АААА! Там вода? Я и не помню... помню, что север. Ух. У нас получится? Нет, не получится. Там джунгли? *вздох* МЫ НАШЛИ ДЖУНГЛИ СВЕН Вот они! *Еще вздох* И черепашки! Они девственники? Здравствуйте, черепашки, где ваши дети? Я не причиню им вреда, мне нужны их щитки. Окей, нам придется одеть поводок на Йоргена. Пойдем, я думаю, там мы найдем... попугаев и других зверей. Portuguese: Azerbaijani: Alright, bu fickin 'jungle harada. Mən suyu sevmirəm. Suyun üzərində 360. Ah, 360'larla heç vaxt işləmir Tamam, bura gəl. Cippin chomg, chim chin chomg. Çim çim çim. Hadi. Gəlin Joergen, Sven, macəralarımız var. Biz jungles axtarır. Jungle'da nə tapacağıq? Bilmirəm? Minecraft əyləncəsi. Hələ qar yerlərində olmadım. Yetis kimi varmı? * Gasp * Minecraft Sven-də böyük foot mi? Xatırladım ki, yarım saniyə bir tülkü görmüşəm. Və mənim kimi idi - Ahhhhh! Su var. * Groans * Mən xatırlamıram - yalnız Şimalı xatırlayıram. Uh. Bunu edə bilərikmi? Xeyr biz edə bilmərik. Bu ormanda mı? * Gasp * Biz orda Sven tapdıq. Orada var. * Gasp * Və kaplumbağalar. Bakirəlik edirlərmi? Salam bağları. Uşaqlarınız haradadır? Onlara zərər verməyəcəyəm, yalnız onların səthlərini istəyirik. Tamam, biz Joergen'e qoymaq məcburiyyətindəyik. Gedək. Hesab edirəm ki, papağanlar və digər heyvanlar kimi. * Singing * Bu yeni bir dünya var. Chinese: 好的 那個叢林在哪 我不喜歡水 360度下水~~ 呃...360度下水從沒成功過 好吧 就這樣 這裡 來這裡 卿卿鏘 卿卿鏘 卿卿卿鏘 過來Joergen.Sven我們要冒險 我們在找叢林 我們要怎麼 找到叢林?? 我不知道~這就是玩Minecraft的樂趣 我也從沒去過雪地 那裡看起來像雪人嗎 Minecraft裡有大腳怪嗎???Sven?? 我記得我曾看過狐狸大概只有..半秒鐘... 然後我就像....啊!! 又是水.. 我不記得..我只記得在北邊 喔...我們能做到嗎??不 ..不能 那是叢林嗎??? 我們找到叢林了Sven!!! 在這裡 還有烏龜 他們是處女嗎?? ((=-=)啥??) 嗨烏龜 你們的小孩呢?? 我不會傷害牠們 我只想要牠們的鱗甲 好的 我們現在要用繩索帶Joergen 走吧.. 我想你能找到像 鸚鵡..和其他動物之類的 是一個新世界~~~ Japanese: さて、この気まぐれなジャングルはどこにあります。 私は水が嫌いです。 水の上の360。 ああ、360年代では決して動かない 大丈夫、ここで、ここに来る。 Cippin chomg、chim chin chomg。 チムチムチムチョム。 いい加減にして。 Sven、Joergenに来てください、私たちは冒険をしています。 私たちはジャングルを探しています。 私たちはジャングルの中で何を見つけるつもりですか? 知りません?それがMinecraftの楽しさです。 私はまだ雪の場所にさえいなかった。 yetisのようなものはありますか? * Gas​​p * Minecraft Svenには足が大きいのか? 私は、キツネが好きで、半秒間見たのを覚えています。 そして私は ああっ! 水があります。 *うめき声* 私は覚えていません - 私は北を覚えているだけです。 ええと。できますか?いいえ、できません。 それはジャングルですか? *あえぎ* 私たちはジャングルのSvenを見つけました。 そこにそれがある。 *あえぎ*そしてカメ。 彼らは処女ですか? こんにちはカメ。 あなたの子供はどこ? 私は彼らに害を与えることはないでしょう、私はただ彼らの評判に従いたいのです。 さて、私たちはひもをJoergenに置かなければならないつもりです。 行こう。私はあなたがのように見つけることができると思います、 オウム、そして他の動物のように。 *歌う*それはまったく新しい世界です。 Slovenian: V redu, kje je ta peklenska džungla. Ne maram vode. 360 nad vodo. Ah, nikoli ne dela s 360s V redu, tukaj, pridi sem. Cippin chomg, chimg chimg. Chim chim chim chomg. Pridi. Pridi Joergen, Sven, imamo avanture. Iščemo džungle. Kaj bomo našli v džungli? Nevem? To je zabava Minecrafta. Še nikoli nisem bil na snegu. Ali so še kakšni? * Gasp * Je bigfoot v Minecraft Sven? Spomnim se, da sem videla lisico za pol sekunde. In jaz sem bil kot ... Ahhhhh! Tam je voda. * Groans * Ne spomnim se - sem samo zapomnil Sever. Uh. Lahko to naredimo? Ne, ne moremo. Je to džungla? * Vdihnite * Našli smo džunglo Sven. Tukaj je. * Udih * In želve. So device? Pozdravljeni, želve. Kje so vaši otroci? Ne bom jim škodoval, hočem samo njihove spise. V redu, Joergenu bomo morali dati povodec. Pojdimo. Mislim, da lahko najdete kot, kot druge živali. * Petje * To je popolnoma nov svet. Turkish: yepyeni bir dünya. Joergen ve Sven efsane zaman geçiriyor. Sven aşırı dikkatli olmalıyız bu eşsiz bir yer Bu ne? Ne bu? Wow! Bambu mu? Artık şampuan yapabilirim. Tırmanabiliyor muyum bunlara? Aman Tanrım! Tırmanabiliyorum! En üste çıkmam lazım. En üste- a peki. Aaa anlıyorum olmuyor. Joergen. Teşekkürler, teşekkürler. Lanet olsun bu havalı. Bu bambularla Japon evimi dekore edebilirim. Bu çok tatmin edici. Tanrım burası çok sık dostum. Kendimi bile göremiyorum. Bu da neydi? Korkma Joergen. Ormanda ne var bilmiyorum Arabic: يورغن وسفين يواجهان أوقاتًا ملحمية. سفين ، علينا أن نكون حذرين للغاية. هذا غير معروض ... ما هذا؟ هناك- WOAH. واه ، ووه ، ووه. الخيزران؟ فريك نعم ، يمكنني صنع الشامبو الآن يا إلهي. هناك شامبو في Mine- هل يمكنني تسلق هذه؟ يا إلهي. آه. يا إلهي ، أستطيع الصعود. الشفة ، الشفة ، الشفة. حصلت على الذهاب ontop الرجل. حصلت - آه. جيد. حسناً ، أرى ، أرى. لا تذهب يورغن. يا إلهي. شكرا شكرا. اللعنة هذا رائع. يمكنني تزيين منزلي الياباني بهذه الخيزران. Prrrrr. هذا مرض للغاية. Prrrrr. يا إلهي ، إنها سميكة هنا يا صاحبي. لا أستطيع حتى أن أرى نفسي. آه! ماذا كان هذا؟ لا تخافوا يورغن. أنا تقريبا خنق نفسي. أنا لا أعرف ما هو موجود في الغابة؟ مثل ، هذا لا يبدو الغابة جدا. Vietnamese: Japanese: JoergenとSvenは壮大な時代を送っています。 それでも、私たちは特別な注意を払う必要があります。 これは禁止されていません... これは何ですか? これは何ですか?あります - うーん。 ああ、ああ、ああ。竹? フリックええ、私は今シャンプーを作ることができます、 何てことだ。私のシャンプーがあります - 私はこれらを登ることができますか? 何てことだ。 おお。 私の神よ、私は登ることができます。 blip、blip、blip 私は男の上に行くようになった。 ああ。 いいね。 ああ、わかりました、わかりました。行きません - Joergen おお、神よ。 ありがとうありがとう。 くそーこれはクールです。 これらの竹で私の家を飾ることができました。 プリル。それはとても満足です。 プリル。 私の神、それはここの男で厚いです。 私も自分自身を見ることができません。 ああ!何だって? Joergenを怖がらないでください。 私はほとんど首を絞めました。 私はジャングルの中に何があるのか​​わからない? のように、これは非常にジャングルには見えません。 Russian: ♫ Это целый новый миииир~♫ ♫ Йорген и Свен эпично проводят время ♫ Свен, нам нужно быть крайне осторожными - это не...обжитая... Это что такое? Что это? Это... Ого! Ого ого ого Бамбук? Черт да, я могу теперь делать шампунь. Госпади, шампунь в Майнкрафте? Я могу залезть сюда? О. Госпади. Ай. Боже мой, я могу залезать. *блип блип блип* Мне надо.. мне надо наверх, чел Мне на... ааа. А, ок. О, ок, я понял, понял, нет пути... Йорген... Госпади. Спасибаспасиба Блин, тут круто. Я бы мог украсить мой японский дом бамбуком. Пррр, так приятно. *издает звуки падающего бамбука* Госпади, тут так густо, чел Я сам себя не вижу. А! Это что было? Не бойся, Йорген. Я чуть не придушил себя Я прям не знаю, что там в джунглях. Не похоже на джунгли. English: Joergen and Sven is having epic times. Sven, we have to be extra careful. This is unexhibited... What is this? What is this? There's- Woah. Woah, woah, woah. Bamboo? Frick yeah, I can make shampoo now, Oh my god. There's shampoo in Mine- Can I climb these? Oh, my, God. ow. Oh my God, I can climb. Blip, blip, blip. I got to go ontop man. I got- ah. Oh fine. Oh okay, I see, I see. It doesn't go- Joergen. Oh God. Thankyou, thankyou. Damn this is cool. I could decorate my Japanese house with these bamboo. Prrrrr. That's so satisfying. Prrrrr. My God, it's thick in here dude. I can't even see myself. Ah! What was that? Don't be scared Joergen. I nearly chocked myself. I don't know like what's in the jungle? Like, this doesn't look very jungley. Azerbaijani: Joergen və Sven epik dəfə yaşayır. Sven, biz daha diqqətli olmalıyıq. Bu qeyri-mümkündür ... Bu nədir? Bu nədir? Orada- Woah. Woah, woah, woah. Bamboo? Frick evet, indi şampun edə bilərəm, Aman Tanrım. Mine- Bunlara dırma bilərəmmi? Aman Tanrım. ow. Oh mənim Allahım, dırmaşam. Blip, blip, blip. Mən ontop adama getməliyəm. Mən aldım. Gözələm Tamam, mən görürəm, görürəm. Bu, Joergen. Ey Allah. Təşəkkürlər təşəkkürlər. Lanet olsun bu sərin. Bu bambu ilə yapon evimi bəzəyəcəyəm. Prrrrr. Bu çox razıdır. Prrrrr. Tanrım, burda dostum var. Hətta özümü görə bilmərəm. Ah! Nə idi o? Joergen'i qorxmayın. Mən özümü sıxışdırdım. Jungle içərisində olan kimi bilmirəm. Kimi, bu çox jungley baxmaq deyil. Portuguese: Chinese: Joergen 和 Sven有個棒棒的時光 Sven 我們必須非常小心 這是不受控制的... 這是什麼?? 這是?? 哇哇哇..竹子?? 喔耶 我能做洗髮精了 有洗髮精在我的... 這我能爬這個嗎?? 我的天 啊 我的天 我能爬~ 嗶 嗶 嗶 我必須到樹頂各位 我要...啊 喔 沒事 喔 我看到了它沒有連接到樹頂.. Joergen?? 謝謝..謝謝... 哇...這真的很酷 我能用這些竹子裝飾我的日式房屋 這真讓人愉悅 它卡在這裡了兄弟們 我甚至沒辦法看到我自己.. 哇..那是什麼?? 別怕Joergen 我差點掛了我自己 我不知道有什麼在叢林裡 Slovenian: Joergen in Sven imata epske čase. Sven, moramo biti zelo previdni. To je nepričakovano ... Kaj je to? Kaj je to? Obstaja- Woah. Woah, woah, woah. Bambus? Frick ja, zdaj lahko naredim šampon, O moj bog. V Mine je šampon Lahko vzamem te? O moj bog. ow. O moj bog, lahko se povzpnem. Blip, blip, blip. Moram iti na vrh človeka. Imam ... ah. Dobro. Oh v redu, vidim, vidim. Ne gre Joergen. O Bog. Hvala hvala. Prekleto, to je kul. S tem bambusom bi lahko okrasil svojo japonsko hišo. Prrrrr. To je tako zadovoljivo. Prrrrr. Moj bog, tukaj je debelo. Ne morem niti sebe videti. Ah! Kaj je bilo to? Ne boj se Joergena. Skoraj sem se zagozdil. Ne vem, kaj je v džungli? Kot, to ne izgleda zelo jungley. Russian: Думаю... О там арбузы в... То есть, кактусы. Да что ж я так лагаю? Ахаха, хочешь немного? Окей, берем небольшой перерыв на кактус. Держи, Свен. Держи, Йорген. Так, нам придется... Делать по старинке... Я знаю, ты этого не любишь, Йорген... Во, побудь тут с рыбой фугу Балин, скоро стемнеет. Ох нееет. Надо было... мне надо было принести... Ты там в порядке, Йорген? Надо было принести с собой постель. А теперь придется остаться в джунглях на ночь. О, я слышу их! Хватай их, Йорген (Свен)! Свен: *Гав* Вот, мой мальчик! Эйэйэйэйэйэй ага, правильно! Банда костей! Хорошая работа, Свен. Это то, что я думаю? Видишь это, Свен? Неть, не арбузик. Воу! *ле гасп* Попугайчик! И храм одновременно! Slovenian: Predvidevam- oh, tam so melone Mislim kaktusi. Zakaj toliko zaostajam? Awww. Hočeš nekaj? Dobro, vzeli bomo majhen kaktus. Tukaj greš Sven. Tukaj si Joergen. V redu, morali bomo Naredite staro tehniko. Vem, da ti ni všeč ta Joergen. Tu lahko ostanete s Pufferfishom. Čudovito, kmalu bo postalo temno. Oh ne. Moral bi ... Moral bi imeti Si v redu, Joergen? Moral bi priti s posteljo. Zdaj bomo ponoči v džungli. Oh, slišal sem jih. Spravi Joergena! Sven. To je moj fant. Ay, ay, ay, ay, ay Ja, tako je. Bone Gang! Dobro delo Sven. Je to tisto, kar mislim, da je? Ali vidiš ta Sven? Ne, ne melono. Woah. * Udih * Papagaj! In tempelj hkrati! Sven poglej. Chinese: 像這個...這看起來沒有很叢林 我想...喔 有西瓜 我說仙人掌 為什麼我這麼當 哈哈 你想要西瓜嗎?? 好吧 我們拿一些仙人掌(西瓜)打碎 給你吧 Sven 給你 Joergen 我們現在要... 用些老技巧 我知道你不喜歡這個 Joergen 給你.你能跟河豚寶貝待一起 很快就要天黑了.. 我應該..我應該要帶一個.. Joergen你在那裡好嗎? 我應該要帶一個床的 現在我們必須在叢林裡待上一晚 喔..我聽到他們了.. 殺了他們Joergen(口誤) Sven!!! 這才是我的乖狗狗 對 ..對的 臭骷髏 做得好Sven 這是我想的那個嗎?? 你看到這個了嗎Sven?? 不 不是西瓜 哇哇!!!!!鸚鵡!! 還有叢林遺跡同時出現 Sven看!! Azerbaijani: Hesab edirəm ki, oh, Mən kaktuslar demək. Niyə bu qədər uzanıram? Awww. Bəziləri istəyirsiniz? Gözəl, bir az kaktus ara verək. Sven'e get. Burada Joergen'e gedirsən. Alright, Köhnə texnika edin. Bu Joergen'i sevmədiyini bilirəm. Burada Pufferfish ilə qalmaq olar. Əzab, qısa müddətdə qaranlıq olur. Oh no. Mənə lazımdır - Yorgeren yaxşı deyirsən? Mən bir yataq gətirməmişdim. İndi gecə ormanda olacağıq. Oh, eşitdim. Joergen'i alın! Sven. Bu mənim oğlan. Ay, ay, ay, ay, ay Bəli, bu doğru. Bone Gang! Yaxşı İş Sven. Budur məncə bu nədir? Sven'i görürsənmi? Xeyr, qovun deyil. Woah. * Qasp * Pasxa! Eyni zamanda bir məbəd! Sven bak. Portuguese: Vietnamese: English: I assume- oh, there's melons in- I mean cactuses. Why am I lagging so much? Awww. You want some? Fine, we take a little cactus break. Here you go Sven. Here you go Joergen. Alright, we're gonna have to- Do the old technique. I know you don't love this Joergen. Here, you can stay with Pufferfish. Oh, gosh, it's getting dark soon. Oh no. Should have- I should have broght a- Are you okay there Joergen? I should have brought a bed. Now we're gonna be in the jungle at night. Oh, I hear them. Get em Joergen! Sven. That's my boy. Ay, ay, ay, ay, ay Yeah, that's right. Bone Gang! Good Job Sven. Is that what I think it is? Do you see this Sven? No, not the melon. Woah. *Gasp* The parrot! And a temple at the same time! Sven look. Turkish: burası pek ormansı durmuyor. Sanırım- burada karpuzlar var, yani kaktüsler. Neden bu kadar çok lagtayım İster misin biraz? Tamam bir kaktüs molası verelim. Al bakalım Sven. Al bakalım Joergen. Tamam eski taktiği yapmamız gerekiyor. Biliyorum sevmiyorsun Joergen. Kirpi balığıyla kalabilirsin. Tanrım yakında hava kararacak, hayır. Bir şey getirmeliydim- iyi misin Joergen? Yatak getirmeliydim. Şimdi gece ormanda dolaşacağız. Duydum onları. Hakla onları Joergen- Sven! İşte benim oğlum! Tayfa kemik! Aferin Sven. Bu düşündüğüm şey mi? Gördün mü Sven? Hayır karpuzu değil. Papağanı! Ve aynı zamanda bir tapınak! Arabic: أفترض - أوه ، هناك البطيخ في أعني الصبار. لماذا أنا متخلفة كثيرا؟ أوو. هل تريد قليلا؟ حسنًا ، نأخذ استراحة الصبار قليلاً. هنا تذهب سفين. هنا تذهب يورغن. حسنا ، نحن بحاجة إلى هل التقنية القديمة. أعلم أنك لا تحب هذا يورغن. هنا ، يمكنك البقاء مع Pufferfish. أوه ، يا إلهي ، سيصبح الظلام قريبًا. لا لا يجب أن يكون - يجب أن يكون لديك هل أنت بخير هناك يورغن؟ الآن سنكون في الغابة في الليل. أوه ، أسمعهم. الحصول على م Joergen! سفين. هذا هو ولدي. آي ، آي ، آي ، آي ، آي نعم هذا صحيح. عصابة العظام! عمل جيد سفين. هل هذا ما أعتقد أنه؟ هل ترى هذا سفين؟ لا ، ليس البطيخ. WOAH. * اللحظات * الببغاء! ومعبد في نفس الوقت! سفين نظرة. Japanese: 私は - ああ、メロンが - 私はサボテンを意味します。 なぜ私はそんなに遅れているのですか? Awww。いくつか欲しいですか? さて、私たちは少しサボテン休憩を取ります。 ここであなたはSvenに行きます。 ここでJoergenに行きます。 さて、私たちはしなければならないつもりです - 古いテクニックをやりなさい。 私はあなたがこのJoergenを愛していないのを知っています。 ここでは、フグを利用できます。 おお、まあ、もうすぐ暗くなってきた。 あらいやだ。 持っているべきです - 私はaを裂いたはずです - あなたはそこに大丈夫ですか? 私はベッドを持ってきたはずです。 今、私たちは夜ジャングルにいるつもりです。 ああ、聞こえます。 em Joergenをゲット! スヴェン それは私の男の子です。 アイ、アイ、アイ、アイ、アイ はい、そのとおり。 骨ギャング! グッドジョブスヴェン それが私がそれだと思うものですか? あなたはこのスヴェンを見ますか? いいえ、メロンではありません。 うーん。 *あえぎ*オウム! そして同時に寺! スヴェン Slovenian: To je bloop, modra. Modra je. Sven. Sven, Sven. * Šepetanje * Pridi sem. Pozdravljeni, jaz sem tvoj prijatelj. Pripeljali te bomo domov. Kako ... Kako lahko ukrotim papiga? O moj bog, tako je srčkan. Ljubim te. O moj bog. ARGHHHHHH !! Jej !!!!!!! * Znamenitosti * O moj Bog. Sedel bo na tvojo ramo!?!?!?! O moj bog. Jaz sem frik- Imam nekaj semen. Tukaj ti bom dal svoje seme. Oh. Vam je všeč? V redu, všeč mu je. Kako ti je torej ime? Klaus? Klaus. Ok Klaus. V redu, na srečo so tu melone. Kar naredi ... bling, blang, bling, bling, blong. Seme melone, vam je všeč semena melone? Sven se sreča z Klausom Delaš grozljive zvoke. Oh, on me ljubi. Ali to pomeni, da sem to storil? Ali pa ti je všeč? * Vdihnite * Sedi! Japanese: それは大したことではなく、青いものです。 それは青いです。 スヴェンスヴェン、スヴェン。 *ささやき*ここに来てください。 こんにちは、私はあなたの友達です 私たちはあなたを家に持って帰ります。 どうすればいいの?どうやってオウムを飼い慣らすの? 私の神よ、とてもかわいいです。 わたしは、あなたを愛しています。 何てことだ。 ARGHHHHHH !!!! 食べる!!!!!!! *光景*ああ、私の神よ。 それはあなたの肩の上に座るでしょう!?!?!?! 何てことだ。 私はフリックです - 私はいくつかの種があります。 ここで、私はあなたに私の種をあげます。ああ。 あなたは好きですか? さて、彼はそれが好きです。 あなたの名前は何ですか? クラウス? クラウス。 そうクラウス。 さて、幸運にもここにメロンのようなものがあります。 それは…キラキラ、blang、キラキラ、キラキラ、blongになります。 メロンの種、あなたはメロンの種が好きですか? Sven meet Klaus あなたは不気味な音を立てています。 ああ、彼は私を愛しています。 それは私がやったということですか? それともあなたはそれが好きですか? *あえぎ* 彼は座っている! Russian: Свен, глянь! Он голу... синенький! Он синий! свенсвенсвенсвен Иди, иди сюда. Привет, я твой друг. Мы заберем тебя домой. А как... как приручить попугая? Госпади, он такой миленький. Я люблю тебя. Боже мой. ААААААААААААА!!! (НЕТ СВЕН) ЕЕЕШЬ!! О Господи. Он сядет на плечо?????!!! О мой бог. У меня... у меня есть семечки. На, держи мои семечки. О... Тебе нравится? О, ему нравится. Как тогда тебя будут звать? КЛАУС?? Клаус. Окей, Клаус, окей. Повезло, что тут много арбузов. Получается... *звуки создания семечек* Арбузные семечки, любишь арбузные семечки? Свен, знакомься: Клаус! Ты издаешь криповые звуки. Ого, он любит меня! То есть, у меня получилось? Или тебе просто понравилось... *ле гасп (х2)* Он сидит! Portuguese: Arabic: إنه bloop ، إنه أزرق. انها واحدة زرقاء. سفين. سفين ، سفين. * يهمس * تعال هنا. مرحبا انا صديقك نحن نقدم لك المنزل. كيف يمكنني - كيف يمكنني ترويض الببغاء؟ يا إلهي ، إنه لطيف للغاية. أحبك. يا إلهي. ARGHHHHHH !!!! تأكل!!!!!!! * مشاهد * يا إلهي. سوف تجلس على كتفك!؟!؟!؟! يا إلهي. أنا frick - لدي بعض البذور. هنا ، سوف أعطيك بذري. يا. يعجبك ذلك؟ حسنًا ، يحبها. ما اسمك إذن؟ كلاوس؟ كلاوس. حسنا كلاوس. حسنًا ، لحسن الحظ ، هناك مثل البطيخ هنا. مما يجعل ... بلينغ ، بلانج ، بلينغ ، بلينغ ، بلونج. بذور البطيخ ، هل تحب بذور البطيخ؟ سفين يجتمع كلاوس أنت تُحدث ضوضاء زاحفة. أوه ، يحبني. هل هذا يعني أنني فعلت ذلك؟ * * اللهيث انه جالس! Chinese: 是藍的.是藍的鸚鵡 Sven Sven Sven過來這裡 哈囉 我是你的朋友 我們會帶你回家 我們要怎麼訓服鸚鵡?? 真的很可愛 我愛你 我的天....啊啊啊啊啊 吃 東 西!!!!! 啊...我的天... 他會坐在肩上???!! 我有一些種子 我給你我的種子 你喜歡嗎?? 喔...他喜歡 你要叫什麼名字? claus?? claus~~ 好的claus 很幸運的..這裡就有西瓜 能做出... 嗶啷噗鈴啷啷 西瓜子 你喜歡西瓜子嗎?? Sven來認識Klaus 你發出詭異的聲音 牠愛我 這代表我成功了嗎?? 還是你只是喜歡這個?? 牠坐著! Turkish: Sven bak! Mavilerinden! Mavilerinden! Sven Sven gel buraya Merhaba ben senin dostunum seni eve götürüyoruz. Bir papağanı nasıl eğitirim? Aman tanrım çok şirin. Seni seviyorum. Aman Tanrım. Ye! Tanrım. Omzuna mı oturacak?! Aman Tanrım- biraz tohumum var. Sana tohumumu vereyim. Beğendin mi? Evet beğendi. Adın ne peki? Clause? Clause! Tamam Clause tamam. Şansımıza burada karpuzlar var ve karpuzlar karpuz tohumları yapar karpuz tohumlarını seviyor musun? Sven, Clause ile tanış. Garip sesler çıkarıyorsun. Beni sevdi! Bu eğittim mi demek yoksa sadece beğendin mi? Oturuyor! English: It's a bloop, it's a blue one. It's a blue one. Sven. sven, sven. *Whispering* Come here. Hello, I am your friend. We're bringing you home. How do I- How do I tame a parrot? Oh my God, it's so cute. I love you. Oh my God. ARGHHHHHH!!!! EAT!!!!!!! *Sights* Oh my God. It will sit on your shoulder!?!?!?! Oh my God. i'm frick- I have some seeds. Here, I'll give you my seed. Oh. You like that? Okay, he likes it. What's your name then? Klaus? Klaus. Okay Klaus. Okay, luckily there's like melons here. Which makes... bling, blang, bling, bling, blong. Melon seeds, you like melon seeds? Sven meet Klaus You're making creepy noises. Oh, he loves me. Does that mean I did it? Or that you just like it? *Gasp* He's sitting! Vietnamese: Azerbaijani: Bu bir bloop, bu mavi bir. Bu mavi bir. Sven. Sven, Sven. * Fısıltı * Buraya gəl. Salam, mən sənin dostum. Biz sizi evə gətirdik. Necə edirəm - bir tutuquşu necə təmizləyə bilərəm? Oh mənim Allahım, bu qədər şirin. Mən səni sevirəm. Aman Tanrım. ARGHHHHHH !!!! Eat !!!!!!! * Görməli yerlər * Oh my God. Çiyininizə oturacaq!!!!?!?! Aman Tanrım. Mən dəfələrdəyəm - bəzi toxumlarım var. Burada mənim toxumunu verəcəyəm. Oh. Bunu sevirsən? Tamam, onu sevir. O zaman adın nədir? Klaus? Klaus. Okay Klaus. Yaxşı, xoşbəxtlikdən burada bostan kimi var. Hansı ... bling, blang, bling, bling, blong edir. Qovun toxumu, siz qovun toxumlarını sevirsən? Sven Klausla görüşür Siz ürpertici səslər edirsiniz. Oh, məni sevir. Mən bunu etdiyimi bildirirəmmi? Yoxsa yalnız bunu xoşlayırsınız? * Gasp * O oturdu! Japanese: Sven、彼は私たちと一緒にいます! (?) 私の神よ、私は頭がおかしいように遅れています。 フリックオフ 彼は私の変態に座っていますか - 彼は座っています - 彼は座っていますか? *あえぎ* *ワオ* 彼も青いです。 イェス! イェス! はい。それはとても素晴らしいです。 私たちはSvenというゲームで勝ちます。 耳を傾け、私はジャングルのために遅すぎる。 私は獣のコンピュータが好きですが... Minecraftは多すぎる。 これを見てください、Sven。 これを見て、クラウス私は言います。 あなたは頭がおかしい、彼は頭がおかしい。ここに。 ちょっとちょっと待って 入り口はどこですか? それは怖くないですか? ある必要があります - うーん、それを見つけた。 いいゲーマー、 君がここに座れば。 クラウス、ええと…あなたはセクシーに見え続けます。 うーん、私は緑を手に入れた。 ああこれは素晴らしいです。私はこれを営むことができます。 さて、これは罠になるかもしれない、私はこれが好きではない。 うん、うん、うん、あなたはそこに座る。あなたはそこに座ります みんな、ただ座って。 Felixを死なないでください。あなたがここでやらなければならないことはそれだけです。 死なないでください。 私は本当にこの苔状のものが欲しいです。私はクールなもののように作ることができます。 Vietnamese: English: Sven, he's closes with us! (?) My god, I'm lagging like crazy. Frick off. Is he sitting on my fickin'- Is he sitting- Is he sitting? *Gasp* *Wow* He's blue too. Yesss! Yesss! Yess. That's so awesome. We win at games Sven. Listen, I'm too laggy for a jungle. I have like a beast computer but... Minecraft is just too much. Look at this, Sven. Look at this, Klaus I mean. You crazy, he's crazy. Here. Have a little meo- No. Where's the entrance? Doesn't that look scary? There's gotta be an- Woah, found it. Okay gamers, Sven you sit here. Klaus, you uh... You keep looking sexy. Woah, I got the green. Oh this is awesome.I could farm this. Okay, this could be a trap, I don't like this. yeah, yeah, yeah, you sit there. You sit there. Everyone, just sit. Don't die Felix. That's all you gotta do here. Don't die. I really want this mossy stuff. I can make like cool stuff. Chinese: Sven牠親近我們!! 我的天..我當的可怕 滾開 牠是坐在我的..? 坐在我的?? 牠坐在?? 牠也是藍的 這超棒棒!! 我們贏了這場遊戲了Sven 聽著我在叢林真的很當 我有一台很強的電腦但... Minecraft就是太多東西了 看這個Sven 看這個.Klaus我想 你瘋了 牠瘋了..這裡 給你一些西瓜ㄗ..不要 入口在哪? 不覺得這看起來很可怕嗎?? 這裡一定有入.. 找到了~~ 好的 兄弟們 Sven你坐在這裡 Klaus 你...繼續保持性感 哇..我得到綠色的 喔這很棒 我能種這個 這可能是個陷阱 我不喜歡這個 對對對..你坐在這 你坐在那 大家都坐著 別死Felix.這是你唯一的任務 別死 我真的很想要這個長青苔的東西 我能做許多酷東西 Slovenian: Sven, on se zapre z nami! (?) Moj bog, zaostajam kot nor. Odklonite se. Ali sedi na moji fikini? Ali sedi? * Vdihnite * * Wow * Tudi on je modra. Yesss! Yesss! Jess. To je tako super. Zmagali smo na igrah Sven. Poslušaj, jaz sem preveč lagal za džunglo. Imam kot računalnik zver, toda ... Minecraft je preveč. Poglej to, Sven. Poglej to, mislim Klaus. Nori, nor je. Tukaj. Malo ne. Kje je vhod? Ali ni videti strašljivo? Mora obstajati Woah, našel sem ga. Ok igralci, Sedite tukaj. Klaus, ti ... Zgledaš seksi. Woah, dobil sem zeleno. Oh, to je super. Ok, to je lahko past, ne maram tega. Ja, ja, ja, sedite tam. Sedite tam. Vsi sedite. Ne umri Felixa. To je vse, kar moraš storiti tukaj. Ne umri. Resnično hočem te mossy stvari. Lahko naredim kul stvari. Russian: Свен, он сблизился с нами! Блин, ненормально лагает! Пшол вон! Он сидит на моем гребаном... он сидит? Он сидит? *ле гасп (х3)* *ВАААААААУ* *Звуки радости* И он синенький. Даааа! Даааа! Это так круто! Мы побеждаем в играх, Свен. Знаете, я слишком лагаю в джунглях. Мой компьютер - зверь, но Майнкрафт - это слишком. Посмотри сюда, Свен. В смысле, посмотри сюда, Клаус. Ты больной, он больной. Вот. Держи немного ар... не будет. А где вход? Разве не страшно? Тут должен быть вх... Воу, нашел. Итак, геймеры. Свен, ты сидишь тут. Клаус, а ты... продолжай быть секси. Ух ты, я нашел зелень. О, это круто, я посажу это. Так, это может быть ловушка, мне это не нравится. дадада, сиди там. Ты сидишь там. Все, просто, сидите. Не умирай, Феликс. У тебя есть одно задание. Не умирай. Мне правда нужен этот мох. Из этого можно создать крутые штуки. Arabic: سفين ، إنه يغلق معنا! (؟) يا إلهي ، أنا متأخرة مثل الجنون. فريك قبالة. هل هو جالس على قضيبي؟ هل هو جالس؟ هل هو جالس؟ * * اللهيث *رائع* إنه أزرق أيضًا. YESSS! YESSS! YESS. هذا رائع جدا. فزنا في مباريات سفين. الاستماع ، أنا laggy جدا عن الغابة. لدي مثل كمبيوتر الوحش ولكن ... ماين كرافت هو أكثر من اللازم. انظروا الى هذا ، سفين. انظر إلى هذا ، كلاوس أعني. أنت مجنون ، إنه مجنون. هنا. لديك القليل ميو رقم أين المدخل؟ لا يبدو ذلك مخيفا؟ يجب أن يكون هناك واه ، وجدت ذلك. حسنا اللاعبين سفين تجلس هنا. كلاوس ، أنت اه ... واصلت النظر مثير. واه ، حصلت على الأخضر. أوه هذا رائع. أستطيع أن أزرع هذا. حسنًا ، قد يكون هذا فخًا ، لا أحب هذا. نعم ، نعم ، نعم ، أنت تجلس هناك. أنت تجلس هناك. الجميع ، مجرد الجلوس. لا تموت فيليكس. هذا كل ما عليك فعله هنا. لا تموت. اريد حقا هذه الاشياء المطحلبه يمكنني أن أجعل مثل الأشياء الرائعة. Turkish: Sven Clause bizimle Çok fazla lagleniyorum aman Tanrım. Defol! Omzumda mı? Omzumda mı oturuyor şu an? Mavi bir de. Yaşasın! Evet! Bu çok güzel! Oyunlarda hep galibiz Sven. Şuna bak Sven. Şu Clause'a bak. Al. biraz karpuz- hayır mı? Girişi nerede bunun? Korkunç görünmüyor mu? Buralarda bir giriş olmalı. Buldum. Tamam gamerlar. Sven sen burada otur. Clause sen de- seksi görünmeye devam et. Yeşil şey aldım- bu harika bunu kazabilirim. Pekala bu bir tuzak olabilir sevmedim burayı Evet otur orada, otur. Herkes otursun. Ölme Felix. Yapman gereken tek şey bu. Ölmemek. Bu şeyleri istiyorum cidden, havalı şeyler yapabilirim bunlarla. Azerbaijani: Sven, o bizimlə bağladı! (?) Tanrım, mən dəli kimi gecikirəm. Frick off. O, mənim fickin üzərində otururmu? Oturur mu? * Gasp * *Heyrət! Vay* O da mavi. Yesss! Yesss! Yess. Bu qədər zəhmli. Sven oyunlarında qazanırıq. Dinləyin, bir ormanda çox laggy. Mən bir heyvan kompüterim var, amma ... Minecraft çoxdur. Buna baxın, Sven. Buna baxın Klaus. Siz deli, o, deli. Burada. Bir az meo-yoxdur. Giriş harada? Qorxulu görünmür mu? Anna- Woah, tapdı. Tamam oyunçu, Sven burada oturursunuz. Klaus, siz uh ... Seksual axtarırsınız. Woah, mən yaşıldım. Oh bu zəhmli. Tamam, bu bir tələ ola bilər, mən bunu sevmirəm. Bəli, bəli, bəli, orada oturursunuz. Siz orada oturursunuz. Hər kəs, yalnız otur. Feliks ölməyin. Burada etdiyiniz hər şey var. Ölməyin. Mən, həqiqətən, bu moss şeylər istəyirəm. Mən sərin şeylər kimi edə bilərəm. Portuguese: Arabic: حسنا ، هناك بالتأكيد الفخاخ هنا. أنا أعرف كيف تعمل هذه اللعبة. مرحبا. أوه ، سلندرمان. مرحبا نحيلة. آسف هل هذا منزلك؟ يتحدث اليابانية * حسنًا ، سأعمل على الشيبة ليبا. لا بأس بهدوء ، معرفة لطيفة ، يا إلهي ، هناك شيء آخر. مثل ما أنت يا رفاق- إلى اين ذهب؟ يا الله ، هناك العتلات؟ * شيطاني الضوضاء * ماذا؟ أين هو؟ يا الله ، إنه غاضب. أنت مجنون. يا. أنت تخدع * يتحدث اليابانية * توقف ، أنا متخلفة! اسمع ، أنا بحاجة لآلئك. تحدثنا عن هذا. المتأنق ، أنت تمتص. آه لطيف. واه ، ووه ، ووه. انهم جميعا تتعثر في الخيزران. لا. سفين !!! هل تصنع- هل هو صنع سفين الضوضاء؟ ذلك لطيف جدا. حسنا. حسنا ، نحن يجب أن نكون حذرين هنا توخي الحذر. هناك العتلات. حسنًا ، أشعر حقًا أن هذا يجب أن يكون شيئًا. Vietnamese: English: Alright, there's definetly traps in here. I know how this game works. Hello. Oh, slenderman. Hello slender. Sorry is this your house? *Speaking Japanese* Okay, I'm gonna have to sheiba leiba him. Alright cool, nice knowing- oh, god, there's another one. Like what are you guys- Where did he go? Oh God, there's levers? *Demonic Noise* What? Where is he? Oh God, he's agnry. You mad. Oh. You fricking *Speaks Japanese* Stop, I'm lagging! Listen, I need your pearls. We talked about this. Dude, you suck. Oh, nice. Woah, woah, woah. They all get stuck in the bamboo. No. Sven!!! Are you making- Is he making Sven noises? That's so cute. Okay. Alright, we gotta be careful here, practice caution. There's levers. Okay, I really feel like this has to be something. Chinese: 好的 這裡絕對有陷阱 我知道這遊戲會怎麼做的 哈囉 喔 是安德(終界使者) 嗨 安德 抱歉這是你的房子嗎? (日文)*抱歉呦~真的很抱歉* 好的 我必須噓吧唎吧牠 喔酷喔 很棒的噪音 喔天那 這裡還又另一隻 你們為何... 牠去哪了?? 這裡有開關?? 啥?牠在哪? 喔 他很生氣 你很生氣~ 你這詭異的東西 停止..我很當!! 聽著 我需要你的珍珠 我們談過這個 老兄你很廢 他們全被卡在竹林裡 Sven!!! 你是在製造.. 牠是在學Sven的聲音嗎?? 真的很可愛 我們必須在這裡小心一點 謹慎小心 這裡有開關 我真的覺得這裡面大概有什麼 Japanese: さて、ここには絶対的な罠があります。 このゲームのしくみを知っています。 こんにちは。ああ、スレンダーマン。 こんにちは細身。すみません、これはあなたの家ですか? *日本語を話す* さて、私はsheiba leiba彼に持っているつもりです。 わかりました、いい知っている - ああ、神、もう一つあります。 あなたたちみんなのように - 彼はどこに行ったの? 神よ、レバーはありますか? *悪魔のようなノイズ* 何? 彼はどこにいますか? おお神よ、彼は愚痴です。 怒っている。 ああ。 あなたはフリック *日本語を話します* やめなさい、私は遅れている! 聞いて、私はあなたの真珠が必要です。 これについて話しました。 おい、あなたは吸う。 いいね。 ああ、ああ、ああ。 彼ら全員は竹で立ち往生します。 いいえ スヴェン! あなたは作っていますか - 彼はスヴェンの音を立てていますか? かわいいね。 はい。 さて、私たちはここで注意しなければならない、 注意してください。 レバーがあります。 さて、私はこれが何かでなければならないように本当に感じます。 Portuguese: Slovenian: V redu, tukaj so definitivno pasti. Vem, kako deluje ta igra. Zdravo. Oh, slenderman. Zdravo vitko. Oprostite, je to vaša hiša? * Govorjenje v japonščini * Ok, moram mu povedati sheiba leiba. V redu, kul, lepo vedenje ... oh, bog, tam je še ena. Kot, kaj ste vi fantje Kam je šel? Oh Bog, tam so vzvodi? * Demonski hrup * Kaj? Kje je on? Oh Bog, on je agnry. Si jezen. Oh. Prekleti * Govori japonsko * Ustavi, zaostajam! Poslušaj, potrebujem tvoje bisere. O tem smo govorili. Stari, ti si zanič. O lepo. Woah, woah, woah. Vsi se zataknejo v bambusu. Ne. Sven !!! Ali vi delate Je on Svenov zvok? To je tako ljubko. V redu. V redu, tukaj moramo biti previdni, previdno. Obstajajo vzvodi. V redu, resnično se počutim, da je to nekaj. Russian: Так, там точно есть ловушки. Я знаю, как работают эти игры. Привет. О, слендермен. Приветик, слендер. Прости, это твой дом? *прости, прошу прощения* Окей, я его зарубабаю. Так, отлично, приятно было... ох, нет, еще один. Чего вы там...? Куда он ушел? Ой нет. Боже мой, там, рычаги? Azerbaijani: Alright, buradakı tələlər var. Bu oyunun necə işlədiyini bilirəm. Salam. Oh, slenderman. Salam. Bağışlayın, bu sizin eviniz? * Yapon danışan * Tamam, mən ona şeybanın leibasına sahib olacağam. Alright sərin, gözəl bilirik - oh, tanrım, başqa bir var. Nədir uşaqlar kimi - O hara getdi? Ey Allah, qolu var? * Demonik səs-küy * Nə? O haradadır? Aman Allah, o, acınacaqlıdır. Sən dəlisən. Oh. Siz fricking * Yapon danışır * Dur, mən gecikirəm! Dinləyin, incilərinizə ehtiyacım var. Bu barədə danışdıq. Dostum, sən əminsən. Oh, gözəl. Woah, woah, woah. Hamısı bambuza sıxılırlar. Yox. Sven !!! Sizcə, Sven səsləri mi edir? Bu qədər şirin. Tamam. Alright, burada diqqətli olmalıyıq, praktikaya diqqət yetirin. Əlaqələr var. Tamam, həqiqətən, bu bir şey olmalı kimi hiss edirəm. Turkish: Tamam burada kesinlikle tuzak var bu oyun nasıl işliyor biliyorum. Merhaba- Slenderman! Merhaba Slender. Pardon burası senin evin mi? Girebilir miyim? Tamam şey yapmam gerekecek- harika. bir tane daha var. Nereye gittin? Tanrım kaldıraç da mı var? Ne? Nerede? Tanrım sinirlendi. Dur! Lage giriyor! Dinle, incilerin lazım. Berbatsın. Güzel! Hepsi bambuların arasında sıkışıyor. Sven! Taklit mi- Sven'i mi taklit ediyor? Bu çok şirin. Pekala burada dikkatli olmamız gerek. Dikkatli olun. Kaldıraçlar var burada! Bu başka bir şey gibi hissediyorum. Turkish: Ya da rastgele bir şey mi Öyleyse burada kesinlikle bir şeyler var. Neden üç tane kaldıraç var? Tanrım korkuyorum! Merhaba? Bu dağitıcı Vuracaklar- bu da ne? Tuzak bu! Aman Tanrım! Tuzağı nasıl geçeceğim? Bu ne? Merhaba bir şey mi yaptım? Merhaba? Nereye gitti? Soru işareti Burada gibi. Tuzağı nasıl atlatacağım? Dikkatli ol. Sanırım etkisiz hale getirdim. Elmaslar! Ve çelik. Gerçekten çelik lazım ve Sven için de kemikler. Portuguese: Arabic: أم أن هذا مثل عشوائي ولدت ... Schepecle. أنه؟ يمكن؟ نعم فعلا. حسنا. ثم هناك بالتأكيد شيء ... هنا. لماذا هناك ثلاثة العتلات؟ يا الله ، أنا خائف. مرحبا. هذا موزع. هناك سيطلقون النار. ما هذا؟ هذا فخ! يا إلهي. كيف يمكنني تجاوز المصيدة؟ ما هذا؟ مرحبا؟ هل فعلت شيء ما؟ Helloooo؟ يا. أين ذهب هذا؟ علامة استفهام. بدا وكأنه هنا. حسنا ، دعنا نحافظ عليه. كيف أفعل؟ كيف أفعل الفخ؟ WOAH! يا هو. حسنا ، كن حذرا. أوه ، أعتقد أنني قمت بإلغاء تنشيطه. * * اللهيث اه لا! جيز. * الضحك. الماس!!!!! والصلب ، أنا حقا بحاجة الصلب. وعظام سفين. Azerbaijani: Və ya təsadüfi yaradılan bu kimi ... Schepecle. Bu? Ola bilər? Bəli. Tamam. Sonra müəyyən bir şey var ... Burada. Niyə üç qolu var? Ey Allah, mən qorxuram. Salam. Bu bir dağıtıcıdır. Çölə atacağam. Bu nədir? Bu bir tələ var! Aman Tanrım. Tələbi necə ala bilərəm? Bu nədir? Salam? Bir şey mi etdim? Helloooo? Oh. Nə getdi? Sual işarəsi. Buradakı kimi səsləndi. Tamam, tutaq. Necə edirəm? Tuzağı necə edə bilərəm? Woah! Oh ho. Tamam, diqqətli olun. Oh, mən - mən onu ləğv etdiyimi düşünürəm. * Gasp * Ah, yox! Jeez. * Laughing. DIAMONDS !!!!! Çelik, həqiqətən polad lazımdır. Və Sven üçün sümüklər. Japanese: またはこれはランダムに生成されたようなものです... Schepecle それ?多分? はい。 はい。 それから確かに何かがあります... ここに。 なぜ3つのレバーがありますか? 神よ、私は怖いです。 こんにちは。 それはディスペンサーです。 撃つつもりだ それは何ですか? それは罠です! 何てことだ。 どうやって罠を乗り越えることができますか? これは何ですか? こんにちは?私は何かしましたか? こんにちは ああ。 それはどこに行きましたか? 疑問符。 ここのように聞こえた。 さて、それを続けましょう。 どうやって? どうやって罠をするの? うーん! おお。 さて、注意してください。 ああ、私はそれを無効にしたと思います。 *あえぎ* ああ、いや! そうねえ。 *笑い。 ダイヤモンド!!!!! そして鋼鉄、私は鋼鉄が本当に必要です。 そしてSvenの骨。 Slovenian: Ali je to naključno ustvarjeno ... Schepecle. Je? Mogoče? Da. V redu. Potem je definitivno nekaj ... Tukaj. Zakaj so trije vzvodi? Oh Bog, strah me je. Zdravo. To je razdeljevalec. To bo ustrelil. Kaj je to? To je past! O moj bog. Kako naj pridem mimo pasti? Kaj je to? Zdravo? Sem kaj naredil? Helloooo? Oh. Kje je šlo? Vprašaj. Zvenelo je kot tukaj. V redu, obdržimo ga. Kako? Kako naj naredim past? Woah! Oh ho. Ok, bodite previdni. Mislim, da sem ga deaktiviral. * Vdihnite * Ah, ne! Jezus. * Smeh. DIAMANTI !!!!! In jeklo, res potrebujem jeklo. In kosti za Svena. Russian: Chinese: 或者就只是隨機生成的而已 ???? 是嗎?也許? 對 那這裡一定有什麼 為什麼有三個開關? 我很害怕 哈囉? 那是一個發射器 它會射... 那是什麼? 那是陷阱!!! 我的天 我要怎麼通過那個陷阱? 這可以幹嘛? 我有觸發了什麼嗎?? 這通去哪裡?? 問號問號?? 聽起來是這裡 好吧 我們留著 我要怎麼...怎麼處理陷阱 好的..小心 喔..我想我關閉了這個陷阱 啊 不 !!!!鑽石!!!!(+3+) 還有鐵 我真的很需要鐵 還有給Sven的骨頭 Vietnamese: English: Or is this like a random generated... Schepecle. It is? Maybe? Yes. Okay. Then there's definetly something... Here. Why are there three levers? Oh God, i'm scared. Hello. That's a dispenser. Thery're gonna shoot. What is that? That's a trap! Oh my God. How do I get past the trap? What is this? Hello? Did I do something? Helloooo? Oh. Where did that go? Question mark. Sounded like over here. Alright, let's keep it. How do I? How do I do the trap? Woah! Oh ho. Okay, be careful. Oh, I- I think I deactivated it. *Gasp* Ah, no! Jeez. *Laughing. DIAMONDS!!!!! And steel, I really need steel. And bones for Sven. Azerbaijani: Xoşbəxt gün. ARGH !! Mən deaktivasiya düşündüm! Bəli, indi səni vura bilərsən, indi səni vura bilərsən. Amma məni ata bilməzsən. Yox. Bu IKEA Bird. Bu IKEA Bird, Sven. Bəli. Bir az daha araşdırmaq istəyirəm. Nə tapa biləcəyimizə baxın. Quş kimi mi? Quş necə sürətlidir? Çox sürətli deyil. Oh, nədir? * Gasp * Kakao fasulyəsidir. Kakao pococs. NOOO !!!! SVEN! Bu frikiklərin çoxu gonnna ... Mən fışqırma səsini edən quş olduğunu düşünürdüm. Düşüncə bu adam kimi idi, mənə trolls. Tamam, mən də aldım, toxumları asılı olaraq vermişəm. Cənabın sağlamlığını necə tanıyıram ...... Melon Man. Tamam, o gözəl görünür. Frickin 'qovunlu dostum. Dostum, English: Happy day. ARGH!! I thought I deactivation! Yeah, you can shoot me now, you can shoot me now. But you can't shoot me nee. No. It's IKEA Bird. It's IKEA Bird, Sven. Yes. I want to explore a little bit more. See what we can find. Is the bird like- How fast is the bird? Not very fast. Oh, what is that? *Gasp* That's the cocoa beans. The cocoa pococs. NOOO!!!! SVEN! How many of these frickers are gonnna... I thought it was the bird that made the frickin' noise. Thought it was like dude, he trolls me. Okay, I got, I gotta give seeds away aswell. How do I know the health of Mr...... Melon Man. Okay, he seems fine. Frickin' melons dude. Dude, Russian: Slovenian: Vesel dan. ARGH! Mislil sem, da bom deaktiviral! Ja, lahko me ustreliš, lahko me ustreliš. Ampak ne moreš me ustreliti. Ne. To je IKEA Bird. To je IKEA Bird, Sven. Da. Želim raziskati malo več. Poglejte, kaj lahko najdemo. Je ptica všeč ... Kako hitro je ptica? Ne zelo hitro. Oh, kaj je to? * Vdihnite * To je kakavova zrna. Kakav čokolada. NOOO !!!! SVEN! Koliko od teh frickers je gonnna ... Mislil sem, da je ptica tista, ki je ustvarila hrup. Mislil sem, da je kot človek, trol me. Prav, moram dati semena. Kako poznam zdravje g. Melon Man. Ok, zdi se, da je v redu. Prekleti meloni, stari. Stari, Chinese: 開心的一天 啊!! 我還以為我關掉了 你現在可以射我了*2 但你射不到了 是IKEA鳥 是IKEA鳥啊 Sven 我想再繼續探險更多 看看我們能找到什麼 那鳥是像... 看那鸚鵡能飛多快 沒有很快.. 那是什麼?? 那是可可豆 是可可 POCO 不!!!!!! Sven!! 到底還有多多的怪物要... 我以為是鳥鳥在製造這個奇怪的聲音 想說..它在耍我 喔..我必須我必須 把種子丟掉 我要怎麼知道這位的生命值 這位...西瓜人先生 喔好...它看起來很正常 詭異的西瓜 老兄 老兄.. Arabic: يوم سعيد. أرغ !! اعتقدت أنني تعطيل! نعم ، يمكنك إطلاق النار لي الآن ، يمكنك إطلاق النار لي الآن. ولكن لا يمكنك اطلاق النار لي ني. لا. انها ايكيا الطيور. انها ايكيا الطيور ، سفين. نعم فعلا. أريد أن أستكشف أكثر قليلاً. انظر ماذا يمكننا أن نجد. هل يشبه الطائر - ما مدى سرعة الطائر؟ ليس سريع جدا ما هذا؟ * * اللهيث هذا هو حبوب الكاكاو. pococs الكاكاو. NOOO !!!! SVEN! كم من هؤلاء المقاتلون سوف ... اعتقدت أنه كان الطائر الذي جعل الضوضاء frickin. اعتقد انه كان مثل المتأنق ، وقال انه المتصيدون لي. حسنًا ، لقد حصلت ، يجب أن أعطي البذور بعيدًا. كيف أعرف صحة السيد ...... البطيخ مان. حسنًا ، يبدو جيدًا. Frickin البطيخ المتأنق. يا صديق Vietnamese: Japanese: 幸せな一日。 ARGH !! 私は失活したと思った! ええ、あなたは今私を撃つことができます、あなたは今私を撃つことができます。 しかし、あなたは私を撃つことはできません。いいえ イケアバードです。 イケアバード、スヴェンです。 はい。 もう少し探検したいです。 私たちが見つけられるものを見てください。 鳥は好きです - 鳥はどのくらい速いですか? 速くはありません。 ああ、それは何ですか? *あえぎ* それがカカオ豆です。 ココアpococ NOOO !!!! SVEN! これらのフリッカーのうちどれくらいがつもりですか... 私はそれがfrickinの音を立てたのは鳥だと思った。 それは男のようだと思った、彼は私をトロール。 さて、私は得た、私も種を譲ることを得た。 どうやって氏の健康状態を知ることができますか...... メロンマン。 さて、彼は元気そうです。 フリッキンメロン おい、 Turkish: Mutlu gün! Etkisizleştirdim sanmıştım! Şimdi vurabilirsin tabi ama daha sonra vuramayacaksın. IKEA kuşu bu! IKEA kuşu Sven. Evet. Biraz daha keşfetmek istiyorum burayı Bakalım neler bulabiliriz. Kuş ne kadar hızlı? Çok da hızlı değil. Bu da ne? Kakao! Sven! Daha ne kadar creeper- Sesi kuş çıkardı sanmıştım. Kandırıyor sanmıştım. Pekala tohumları atmam lazım. Kuşun sağlık durumunu nasıl bileceğim? Tamam iyi görünüyor. Karpuzlar dostum. Dostum havalı Portuguese: Portuguese: Azerbaijani: Bilirsən, bəli. Sizcə, Sərin. Ağac evləri və əşyalar. Hərəkət etməyin - ona zərər verməyin. Beləliklə, uh, kakao fasulye ilə düşünürsən, həqiqətən edə bilərsiniz, uh ... Qəhvəyi boya. Bu, faktiki jungle kimi. Otur, otur. Ey Tanrım, mən IKEA Quşunun öldüyünü düşündüm. Yaxşı bir idman var, deyim. Frickin 'sürünənləri, niyə ormanda sürünənlər var? İndi cavab verin. Niyə? Eyni məbəd və ya başqa məbəd mi? Ormanda kənd varmı? Ola bilər. Bu sərin olardı. Buradakı bir şəhər kimi tapmaq. Oh mənim Allahım, mən əsl bir uşaqam. Jungle kəndliləri kimi idi, əgər bu sərin olmaz? * Laughs * Zəhmli Sven ola bilməz mi? Və IKEA Sven. * Laughs * Klaus. Onun adı Klausdur. Sağ Oyunçuları alın. Cani b- Ow. Ow. Eybi yoxdur. Siz yılan! Gid, bu, sinir bozucu naviqasiya. Aman Tanrım. Onlar, ey Allahım, onlardan ikisi. Belə düşünməyin. Ooooo. Bu olsa da vurdu. Russian: Turkish: ağaç ev tarzı şeyler tasarlayabilirsin burada. Vurma ona. Sanırım kakaolarla kahverengi boya yapabilirsin. Gerçek orman gibi burası. Sen. Otur. Tanrım IKEA kuşu öldü sandım. Lanet creeperlar. Creeperlar neden ormanda? Cevabını verin. Neden? Bu aynı tapınak mı başka tapınak mı? Ormanda köylüler var mı? Bu havalı olurdu. Burada kasaba tarzı bir yer bulmak falan. Çocuk gibiyim resmen. ''Havalı olmaz mıydı...'' harika olmaz mıydı Sven? Ve IKEA Sven? Clause! Onun adı Clause millet. Bambunun üzerinde- her neyse. Seni yılan! Tanrım navigasyon sinir bozucu. Tanrım. Her yerdeler- İki tane. Hiç zannetmiyorum. İsabet etti! Japanese: ええ、できます。あなたはのように構築することができます - クール。 木の家ともの。 ヒットしないで - 彼を傷つけないでください。 だから、私はええと、カカオ豆、あなたが実際に作ることができる、ええとと思う... 褐色の染料。 実際のジャングルのようです。 あなた、座って おお神よ、私はIKEA Birdが死んだと思った。 彼はいいスポーツだよ。 フリッキンのクリーパー、なぜジャングルの中にクリーパーがあるのですか? 今私にこたえて。 どうして? それは同じ寺院ですか、それとも別の寺院ですか? ジャングルに村はありますか? 多分。それはクールだよ。 ここで町のように見える。 私の神よ、私は実子です。 ジャングルの中に村人のような人がいたとしたら、クールではないでしょうか。 *笑う* それは素晴らしいSvenではないでしょうか。 そしてIKEA Sven。 *笑う* クラウス。彼の名前はクラウスです。正しいゲーマー Caniはb-の上に立ちます わ。わ。 気にしないで。 あなたは蛇だ! Gid、ナビゲートが面倒です。 何てことだ。 彼らは - 私の神よ、2人です。 そうは思わないでください。 おおー。しかしそれは撃った。 Vietnamese: English: you could, uh, yeah. You could build like- Cool. Tree houses and stuff. Don't hit- Don't hurt him. So I think with uh, cocoa beans, you can actually make, uh... Brown dye. It's like an actual jungle. You, sit. Oh God, I thought IKEA Bird died. He's a good sport, I gotta say. Frickin' creepers, why are there creepers in the jungle? Answer me now. Why? Is that the same temple or another temple? Are there villages in the Jungle? Maybe. That'd be cool. Finding like a town in here. Oh my God, I'm an actual child. Wouldn't it be cool if there was like villagers in the jungle? *Laughs* Whouldn't that be awesome Sven? And IKEA Sven. *Laughs* Klaus. His name is Klaus. Get it right Gamers. Cani stand on the b- Ow. Ow. Nevermind. You snake! Gid, it's annoying navigating. Oh my God. They're- Oh my God, two of them. Don't think so. Ooooo. That shot though. Chinese: 你可以..對 你可以像這樣 """冷靜""" 樹屋和東西 別攻擊 別攻擊它 所以我想有了可可豆 你其實能做出..呃.. 咖啡色染料 這看起來就像真正的叢林 你..坐著 我還以為IKEA鳥掛了 它真的挺不錯的 我必須說 又是苦力帕 為什麼苦力帕為在叢林裡 現在回答我! 為什麼?? 是一樣的遺跡還是另一個 叢林裡有村莊嗎?? 也許..那會很酷 找到一個在這裡的城鎮 我真的變成一個小孩了 如果叢林裡有村莊一定會很酷酷的呦 Sven你覺得會恨棒棒嗎?? 還有IKEA Sven??((笑 claus 牠的名字是claus 講正確你們 我能站在竹..... 凹嗚.. 當我沒說.. 你 潛伏 真是個惱人的怪物 我的天有兩個 別想靠過來 Slovenian: Lahko bi, uh, ja. Lahko bi zgradil podobne- Cool. Drevesne hiše in ostalo. Ne udari- Ne poškoduj ga. Torej mislim, da lahko, kakava, dejansko narediš, uh ... Rjava barva. To je kot prava džungla. Ti, sedi. Oh Bog, mislil sem, da je IKEA Bird umrla. Dober je šport, moram reči. Prekleti plazilci, zakaj se v džungli pojavijo vzpenjače? Odgovori mi zdaj. Zakaj? Je to isti tempelj ali drug tempelj? Ali obstajajo vasi v džungli? Mogoče. To bi bilo kul. Tukaj najdeš mesto. O moj bog, jaz sem pravi otrok. Ali ne bi bilo kul, če bi v džungli živeli kot vaščani? * Smeh * Kaj ne bi bilo to super Sven? In IKEA Sven. * Smeh * Klaus. Ime mu je Klaus. Spravi se prav Gamers. Cani stojijo na b- Ow. Ow. Pozabi. Kača! Gid, to je nadležno navigacijo. O moj bog. Oni so ... O moj Bog, dva izmed njih. Ne misli tako. Ooooo. Tisti strel. Arabic: يمكنك ، اه ، نعم. يمكنك بناء مثل رائع. شجرة المنازل والاشياء. لا تضرب - لا تؤذيه. لذا أعتقد مع أه حبوب الكاكاو ، يمكنك فعلاً صنعها ، اه ... صبغة براون. انها مثل الغابة الفعلية. اجلس. يا إلهي ، اعتقدت أن إيكيا بيرد مات. إنه رياضة جيدة ، كما قلت. Frickin 'الزواحف ، لماذا هناك الزواحف في الغابة؟ أجبني الان. لماذا ا؟ هل هذا هو نفس المعبد أو معبد آخر؟ هل هناك قرى في الغابة؟ يمكن. سيكون ذلك رائعًا. العثور على مثل مدينة هنا. ألن يكون الجو باردا إذا كان هناك مثل القرويين في الغابة؟ * يضحك * ألن يكون ذلك رائعًا سفين؟ و IKEA سفين. * يضحك * كلاوس. اسمه كلاوس. احصل عليه بشكل صحيح يقف كاني على ب آه. آه. لا يهم. أنت ثعبان! دائرة المخابرات العامة ، انها مزعجة التنقل. يا إلهي. انهم - يا إلهي ، اثنان منهم. لا أعتقد ذلك. OOOOO. تلك اللقطة. Japanese: しかしそれは撃った。いい加減にして。 クリーパーが私たちのようなものであればどうなりますか? 私は間違った方向に歩いていますか? なぜクラウスは好きですか? 彼はよりクリーパーな音を立てます! それとも彼は私にそれを警告していますか? 初めて私を混乱させました。 私は彼が私に警告するためにそれをすると思います。 それはとても素晴らしいです。クラウスは素晴らしいです。 さて、私たちはただJoergenを見つけてバウンスしなければなりません。 *あえぎ* パンダ。 パンダおしっこおしっこ。 こんにちは。 こんにちは。 こんにちは。 なんでしょう?羽毛?いいえ? 種? 彼は何が好きですか? pandsはどんな感じですか? 竹?彼らは竹が好きです。 あなたは竹が好きですか? おお、私の神よ、それはそんなにかわいいのです! ああ、ハハハハ。 *笑い* 私たちは新しい友達を作っています、これはすごいです。 ダンあなたは本当にそれを元気づけました。 パンダを飼い慣らすこともできますか? Turkish: İsabet etti! Ya creeper da bizim gibiyse... Yanlış yöne mi gidiyorum? Neden Clause hayır diyor gibi? Creeper sesleri çıkartıyor! Yoksa beni uyarıyor mu? Bu çok işime yarayabilir! Sanırım beni uyarmak için yapıyor. Bu harika. Clause harika. Pekala şimdi Joergen'ı bulup gitmeliyiz. Panda! Merhaba? Merhaba? Ne istersin? Tüy? Hayır mı? Tohum? Ne sever? Pandalar ne sever? Bambu. Bambu severler. Bambu sever misin? Aman Tanrım bu çok şirin! Yeni arkadaşlar ediniyoruz millet bu harika. Cidden çiğniyorsun ha? Panda evcilleştirebiliyor muyum? English: That shot though. Come on. What if creeper is just like us? I'm walking in the wrong direction? Why does Klaus sound like- No. He makes creeper noises! Or does he warn me for it? It confused me so much the first time. I think he does it to warn me. That's so awesome. Klaus is awesome. Alright, we just gotta find Joergen and bounce. *Gasp* Panda. Panda pee pee. Hello. Hello. Hi. What do you want? Feathers? No? Seeds? What does he like? What do pands like? Bamboo? They like bamboo. You like bamboo? OH MY GOD, THAT'S SO CUTE!!! Ahhh ha ha ha ha. *Laughing* We're making new friends guys, this is awesome. Dang. You really chugged that down huh. Can I even tame a panda? Arabic: تلك اللقطة. هيا. ماذا لو كان الزاحف مثلنا تمامًا؟ أنا أمشي في الاتجاه الخاطئ؟ لماذا يبدو كلاوس مثل- رقم انه يجعل الضوضاء الزاحف! أم هل حذرني من ذلك؟ لقد أربكتني كثيراً في المرة الأولى. أعتقد أنه يفعل ذلك لتحذيري. هذا رائع جدا. كلاوس رائع. حسنا ، نحن فقط سنجد يورغن وترتد. * * اللهيث الباندا. الباندا تبول بول. مرحبا. مرحبا. مرحبا. ماذا تريد؟ الريش؟ لا؟ بذور؟ ماذا يحب؟ ماذا تحب العصابات؟ الخيزران؟ هم يحبون الخيزران. تحب الخيزران؟ يا إلهي ، هذا لطيف! Ahhh ها ها ها ها ها ها. * يضحك * نحن نبني صداقات جديدة ، هذا رائع. دانغ. أنت حقا متعب ذلك أسفل هاه. هل يمكنني حتى ترويض الباندا؟ Vietnamese: Azerbaijani: Bu olsa da vurdu. Hadi. Sürünənlər bizə bənzəyir? Yanlış istiqamətdə gedirəm? Niyə Klaus səslənir? Sürünən səslər edir! Yoxsa bunun üçün məni xəbərdar edir? Bu, ilk dəfə məni çox qarışdırdı. Hesab edirəm ki, məni xəbərdar etsin. Bu qədər zəhmli. Klaus zəhmli idi. Yox, yalnız Joergen və sıçrama tapmalıyıq. * Gasp * Panda. Panda pee pee. Salam. Salam. Salam. Nə istəyirsən? Lələkləri? Yox? Toxumlar? O nə xoşlayır? Lands nədir? Bamboo? Bambuku sevirlər. Bambukdan xoşunuza gəlirmi? OH MY GOD, BU CUTE OLAR! Ahhh ha ha ha ha. * Laughing * Yeni dostlar uşaqlar edirik, bu zəhmli. Dang. Siz, həqiqətən, aşağı huh. Hətta bir panda ala bilərəmmi? Portuguese: Chinese: 射到了齁 射到了齁 來啊 如果苦力怕只是喜歡我們呢 我走錯邊了??! 為什麼Klaus聽起來像.... 他在學苦力帕的聲音 還是牠在警告我?? 牠第一次讓我那麼困惑 我想牠真的在警告我 那真的很棒棒 Klaus真的很棒棒 我們現在只需要找到Joergen和彈跳 熊貓!! 熊貓 嗶 嗶 哈囉 哈囉 嗚 嗚 嗚~~ 你想要什麼??羽毛?? 不要?? 種子?? 牠會喜歡什麼??熊貓會喜歡什麼?? 竹子? 他們喜歡竹子 超~可~愛~ 啊 哈哈哈哈哈哈哈哈哈 我們在交新朋友各位 這超棒棒 哇 你真的嚼的很開心是吧 我能訓練熊貓嗎?? Russian: Slovenian: Tisti strel. Pridi. Kaj pa, če je gmaz je kot mi? Hodim v napačno smer? Zakaj Klaus zveni kot - Ne. On ustvarja šumenje! Ali me opozarja? Tako me je prvič zmedlo. Mislim, da me to opozori. To je tako super. Klaus je super. V redu, samo moramo najti Joergena in bounce. * Vdihnite * Panda. Panda pee pee. Zdravo. Zdravo. Zdravo. Kaj hočeš? Perje? Ne? Semena? Kaj ima on rad? Kakšni so pandi? Bambus? Všeč jim je bambus. Ti je všeč bambus? Oh moj Bog, to je tako lepo! Ahhh ha ha ha. * Smeh * Ustvarjamo nove prijatelje, to je super. Dang. To si res uničil. Lahko celo ukrotim pando? Japanese: それはとても理にかなっています。 大丈夫、ちょうどそれを終えなさい。 何てことだ。 あなたは本当にダウンが屋ではないことを抱きしめていますか? ちょっと待って、パンダの人格は違うよ。 彼らは怠け者、心配、遊び心のある、そして攻撃的、弱い、または褐色です。 何? それはとてもクールです。 だから私たちは実際にそれを飼い慣らすことができるとは思わない。 だから、私は頭を上げてこれをやるつもりです。 彼は私をフォローしますか?私が竹を持っていれば彼は後に続く牛のようですか? どうやって彼をフォローさせるのですか? ここで、もう一つ持ってください。 だから、私は間違いなくパンダの怠惰なバージョンを手に入れました。 我が神よ。 あなたは動いていませんか? だから、ひもをhiimに置くことはできません。 どうやって彼をやらせるのですか。 動けますか? まったく?それとも彼は立ち往生していますか? たぶん彼は竹で立ち往生している。 私はあなたを家の仲間までずっと押し戻します。 彼は今私をフォローしていますか? ああ! それとも彼は実際に動いているだけなのでしょうか。 ここで、私は竹を手に入れました。 あなたはこれを求めている? 彼に乗れますか。 私は何ができますか - 私はあなたと何ができますか? Vietnamese: English: It makes so sense. Alright, just finish it. Oh my God. You're really chugging that down aren't ya? Wait, panda's have different personalities. They can be lazy, worried, playful and agressive, weak, or brown. What? That's so cool. So I don't think we can actually tame it. So, I'm just gonna go a head and do this. Does he follow me? Is he like a cow that follows if I have bamboo? How do I make him follow me? Here, have another one. So, I definetly got the lazy version of the panda. My God. You are not moving are you? So I can't put the leash on hiim. How do I make him come. Can you move? At all? Or is he stuck? Maybe he's stuck in the bamboo. I'll push you all the way back home buddy. Is he following me now? Ahhhh! Or is he just actually moving now? Here, I got Bamboo. You want this? Can I ride him? What can I do- What can I do with you? Arabic: هذا منطقي جدا. حسنا ، مجرد الانتهاء منه. يا إلهي. كنت حقا الأزيز هذا أليس كذلك؟ الانتظار ، الباندا لها شخصيات مختلفة. يمكن أن تكون كسولة أو قلقة أو مرحة أو عدوانية أو ضعيفة أو بنية اللون. ماذا؟ ذاك لطيف جدا. لذلك لا أعتقد أننا نستطيع ترويضه بالفعل. لذلك ، أنا فقط سأذهب رأسًا ونفعل ذلك. هل يتبعني؟ هل هو مثل بقرة تتبع إذا كان لدي خيزران؟ كيف أجعله يتبعني؟ هنا ، لديك واحدة أخرى. لذلك ، بالتأكيد حصلت على النسخة البطيئة من الباندا. ربي. أنت لا تتحرك أنت؟ لذلك لا أستطيع وضع المقود على him. كيف أجعله يأتي. هل تستطيع التحرك؟ على الاطلاق؟ أم أنه عالق؟ ربما هو عالق في الخيزران. سوف أدفع لك طوال الطريق إلى المنزل الأصدقاء. هل هو يتبعني الآن؟ Ahhhh! أم أنه يتحرك بالفعل الآن؟ هنا ، حصلت على الخيزران. انت تريد هذا؟ هل يمكنني ركوبه؟ ماذا يمكنني أن أفعل - ماذا يمكنني أن أفعل معك؟ Portuguese: Slovenian: To je tako smiselno. V redu, samo dokončaj. O moj bog. Ti to resnično pomešaš, kajne? Počakaj, panda ima različne osebnosti. Lahko so leni, zaskrbljeni, razigrani in agresivni, šibki ali rjavi. Kaj? To je tako kul. Zato mislim, da je ne moremo ukrotiti. Torej, šel bom samo glavo in to naredil. Ali me sledi? Je kot krava, ki sledi, če imam bambus? Kako naj ga prisilim, da me spremlja? Tukaj, še eno. Torej, definitivno sem dobil leno različico pande. Moj Bog. Vi se ne premikate? Ne morem postaviti povodec na hiim. Kako ga prisilim, da pride. Lahko se premaknete? Nasploh? Ali je obtičal? Mogoče je obtičal v bambusu. Potisnil vas bom do doma. Ali me zdaj spremlja? Ahhhh! Ali pa se zdaj dejansko premika? Tukaj imam Bamboo. Hočeš to? Lahko ga jaz vozim? Kaj lahko storim ... Kaj lahko storim s tabo? Turkish: Çok saçma. Pekala bitir sadece. Aman Tanrım Çiğniyorsun cidden öyle mi? Bekle pandaların farklı kişilikleri mi var? ''Tembel, endişeli oyuncul, agresif, zayıf, kahverengi...'' Kahverengi mi?! Ne? Bu çok havalı. Evcilleştirebileceğimizi düşünmüyorum o yüzden bunu yapacağım. Beni takip ediyor mu? İnek gibi mi, elimde bambu tutsam takip eder mi? Beni nasıl takip edecekler? Al bakalım bi tane daha. Sanırım tembel olan pandaya rastlamışım Tanrım hareket etmiyorsun değil mi? Bu yüzden ona tasma takamıyorum. Nasıl gelmelerini sağlayacağım? Hareket ediyor mu yoksa sıkışmış mı? Belki de bambuların arasında sıkışmıştır. Seni eve kadar ittireceğim dostum. Takip ediyor mu şimdi? Yoksa şu an hareket mi ediyor? Bak, bambum var. İster misin? Binebilir miyim üstüne? Azerbaijani: Bu mənada çox məna verir. Tamam, onu bitir. Aman Tanrım. Həqiqətən, səninlə deyil, səninlədir. Gözləyin, panda müxtəlif şəxsiyyətlərə sahibdir. Onlar tənbəl, narahat, oynaq və agressiv, zəif və ya qəhvəyi ola bilər. Nə? Bu qədər sərindir. Budur, biz əslində onu ala biləcəyimizi düşünmürəm. Beləliklə, mən yalnız başımla gedəcəyəm və bunu edirəm. O məni təqib edirmi? Bambuka sahib olsaydı o bir inək kimi mi? Onu necə təqib etməliyəm? Burada başqa bir var. Beləliklə, mən, həqiqətən, panda'nın tənbəl versiyasını aldım. Allahım. Siz hərəkət etmirsinizmi? Buna görə də hiim üzərinə büzüşməyim mümkün deyil. Onu necə gətirəcəyəm? Tərtib edə bilərsənmi? Bütün? Yoxsa vurulmuş mu? Bəlkə bambukda qaldı. Mən səni ev dostumun bütün yolunu itələyəcəyəm. İndi məni izləyirmi? Ahhhh! Yoxsa o, həqiqətən indi hərəkət edir? Burada Bamboo aldım. Bunu istəyirsən? Onu gəzməyə bilərəmmi? Nə edə bilərəm? Mən sizinlə nə edə bilərəm? Chinese: 這會一點道理都沒有 好的 .就吃完它 你真的嚼的很認真 對吧 等一下..熊貓有不同的人格特質 牠們可以有懶惰.擔憂.調皮和有侵略性的.弱的.或棕色 啥??? 這很酷 所以我想我們不能真的訓練牠 所以我們就只能直接來了 他有跟著我們嗎?? 如果我的手上有竹子的話他會像牛一樣跟著我們嗎?? 我要怎麼讓他跟著我?? 給你另外一個竹子 所以我大概遇到的是懶惰特性的熊貓 你不會動吧你? 所以我不能用繩索帶牠 我要怎麼讓牠過來 你能動嗎? 一點??還是牠卡住了?? 也許牠卡在竹子裡 我會一路推著你回家呦老弟 牠現在跟著我了嗎?? 還是牠只是動牠自己的 這裡 我有竹子 你想要嗎?? 我能騎牠嗎?? 我能做...我能對你做什麼?? Portuguese: Japanese: ラメ!!! さて、私はそれらを飼い慣らすことはできない、とにかく。 本物のパンダが家にあっても大丈夫です。偽のパンダはいりません。 Joergenを今見つけよう。彼はどこかの穴にいます。 うーん... おお、神よ。 私はどこに彼を置いたのですか? ああ、鳥を見なさい。 クラウス。 そこに彼はいます! Joergen *笑う* こんにちはJoergen。 ここで、ここで御馳走です。 ああ、決して気にしないで、彼はそれを望んでいない。はい。 さて、どうやってここから出るの? これはおそらく… 最も簡単な方法です。 彼らはこれまでにテレポートすることができますか? おお、神よ。 大丈夫 なんてことだ。 私は思います…そうではありません。 ああ。 ああ、彼はまた私に警告している。何てことだ。 Joergenはそこに行かないでください。 私はそうは思いません! ああ。 彼は斧を使っています。 Turkish: Seninle ne yapacağım? Ezik! Onları evcilleştiremiyorum galiba, her neyse. Evde gerçek pandamız var, tamam mı? Sahte pandalara gerek yok. Joergen'ı bulacağım şimdi. Buralarda bir delikte. Tanrım, nereye bıraktım onu? Kuşa bak! Clause! İşte burada! Joergen! Merhaba Joergen! Al, işte ödülün. Her neyse, istemiyor, pekala. Nasıl çıkacağım buradan? Bu muhtemelen en kolay yol. Bu kadar uzağa ışınlanabilirler mi? Pekala. Aman Tanrım! Hiç zannetmiyorum. Ah, beni tekrar uyarıyor, Tanrım. Gitme oraya Joergen. Hiç zannetmiyorum. Hile mi yapıyor?! Tanrım! Chinese: 廢.. 我想我真的不能訓服牠 隨便啦 我們有真的熊貓在家對吧 我們不需要假的 現在只需要找到Joergen 他在某處的一個洞裡 我把牠放去哪了.. 喔 看那個鳥鳥 Klaus 牠在這裡!Joergen 哈囉Joergen 這裡 給你的獎勵 喔 好吧 牠不想要 那我現在要怎麼離開 這或許.. 是最簡單的方法 他們可以傳送那麼遠嗎?? 我想....不! 他又再提醒我了 別過去那裏Joergen 我覺得不行! 牠在用外挂! Slovenian: LAME !!! V redu, mislim, da jih ne morem ukrotiti. Pravo pando imamo doma. Ne potrebujemo ponaredkov. Sedaj moram najti Joergena. Nekje je v luknji. Ummm ... O Bog. Kje sem ga dal? Oh, poglej si ptico. Klaus. Tukaj je!!! Joergen. * Smeh * Pozdravljeni Joergen. Tukaj, tukaj je poslastica. Oh, nikogar ne želi. V redu. Kako naj grem od tu? To je verjetno ... Najlažji način. Lahko teleportirajo tako daleč? O Bog. Vredu. O moj bog. Mislim, da ne. Oh. Spet me opozarja. O moj bog. Ne hodite tja, Joergen. Mislim, da ne! oh. Uporablja sekiro. Arabic: عرجاء! حسنا ، أعتقد أنني لا أستطيع ترويضهم ، أيا كان. لدينا الباندا الحقيقية في المنزل بخير. نحن لسنا بحاجة الباندا وهمية. فقط فلدي تجد يورغن الآن. انه في حفرة في مكان ما. يممم ... يا إلهي. أين وضعته؟ أوه ، انظر إلى الطائر. كلاوس. ها هو!!! يورغن. * يضحك * مرحبا يورغن. هنا ، وهنا متعة. أوه ، فما باللك ، فهو لا يريد ذلك. حسنا. الآن ، كيف أخرج من هنا؟ ربما هذا ... أسهل طريقة. هل يمكنهم النقل الفضائي بعيدًا؟ يا إلهي. حسنا. يا الهي. لا أعتقد ذلك. يا. أوه ، لقد حذرني مرة أخرى. يا إلهي. لا تذهب هناك يورغن. لا أعتقد ذلك! يا. انه يستخدم الفأس. Vietnamese: English: LAME!!! Alright, I guess i can't tame them, whatever. We have a real panda at home okay. We don't need fake pandas. Just gotta find Joergen now. He's in a hole somewhere. Ummm... Oh God. Where did I put him? Oh, look at the bird. Klaus. There he is!!! Joergen. *Laughs* Hello Joergen. Here, here's a treat. Oh, nevermind, he doesn't want it. Okay. Now, how do I get out of here? This is probably... The easiest way. Can they teleport this far? Oh God. Alright. Oh my gosh. I think... Not. Oh. Oh, he's warning me again. Oh my God. Don't go in there Joergen. I think not! oh. He's using an axe. Azerbaijani: LAME! Alright, məncə, onları nə qədər aldatmayacağam. Evimizdə tam bir panda var. Saxta pandalara ehtiyacımız yoxdur. İndi Joergen'i tapmalıyam. Bir yerdə bir deşik var. Umm ... Ey Allah. Onu harada qoydum? Quşa baxın. Klaus. Budur o!!! Joergen. * Laughs * Salam Joergen. Burada bir müalicə var. Oh, nevermind, istəmir. Tamam. İndi necə buradan çıxa bilərəm? Bu ehtimal ki ... Ən asan yol. Bu qədər teleport edə bilərəmmi? Ey Allah. Alright. Mənim gözətçim. Düşünürəm ... Xeyr. Oh. Oh, yenə xəbərdarlıq edir. Aman Tanrım. Orada Joergenə getmə. Mən düşünmürəm! oh. Balta istifadə edir. Japanese: なんてことだ。 うーん。 それはトライデントな男です、私たちはそれをするつもりです。 私たちはそれに行きます。 彼らはフリックとして危険です。 スヴェン、私は今あなたが穴にいる必要があります。 あ、ごめんなさい。 何てことだ。 私は少しです - スヴェンくそー、野蛮人。 Joergenをフィードしてください。 私は彼を百万のように襲った うーん、彼は陸にいます。 ジーバ それはいいですね。 はい。 彼はそれを落としましたか? 畜生! Svenを入手してください。 Svenを入手してください。 殺しなさい。 殺しなさい。 スヴェンを殺しなさい。 あなたがSvenを手に入れたものを見せてください。 フリックエムアップリアルスヴェン。 良い仕事スヴェン。 かっこいい、雨が降っている、 しかしここではありません。 Minecraftは意味がありません。 Vietnamese: Slovenian: O moj bog. Woah. To je trizobec, greva za to. Greva za to. Nevarni so kot frick. Sven, zdaj te potrebujem v luknji. Oh oprosti. O moj bog. Malce sem Sven. Prekleto, divji. Nahrani Joergen. Udaril sem ga kot milijon- Woah, on je na kopnem. Jeeba. To pa je dobro. Da. Ga je spustil? Prekleto! Spravi jih v Sven. Spravi jih v Sven. Ubij jih. Ubij jih. Ubij jih Sven. Pokaži jim, kaj imaš Sven. Razbij se resnično dober Sven. Dobro delo Sven. Kul, zato dežuje, ampak ne tukaj. Minecraft nima smisla. English: Oh my gosh. Woah. It's a trident guy, We're going for it. We'r going for it. They're dangerous as frick. Sven, I need you in the hole right now. Oh, sorry. Oh my God. I'm a little- Sven. Damn, savage. Feed Joergen. I hit him like a million- Woah, he's on land. Jeeba. That's good though. Yes. Did he drop it? Damnit! Get 'em Sven. Get 'em Sven. Kill 'em. Kill 'em. Kill 'em Sven. Show 'em what you got Sven. Frick 'em up real good Sven. Good job Sven. Cool, so it's raining here, but not here. Minecraft makes no sense. Portuguese: Chinese: 我的天 是那個三叉戟傢伙 我們去打牠 我們打牠 他們危險得跟鬼一樣 Sven我需要你現在待在洞裡 喔..抱歉 我有一點... Sven 哇.. 野蠻 餵Joergen 我打了他大概上百次 哇嗚.牠上岸了 ?? 那招棒棒喔 牠有掉嗎? 該死沒有 掛了他們Sven 掛了他們 殺了他們 殺了他們 殺了他們Sven 展現給他們看Sven 掛翻他們Sven 做得好Sven 這裡在下雨 但這裡沒有 Minecraft沒道理 Azerbaijani: Mənim gözətçim. Woah. Bu bir trident oğlan, biz bunun üçün gedirik. Bunun üçün gedirik. Onlar frikik kimi təhlükəlidirlər. Sven, indi sənə çuxurda ehtiyacım var. Üzr istəyirik. Aman Tanrım. Mən bir az- Sven. Lanet olsun, vahşi. Yöreni yemi. Ona bir milyonluq kimi vurdum, Woah, torpaqda. Jeeba. Bu olsa yaxşıdır. Bəli. Buraxdı mı? Lənət olsun! Sven olsun. Sven olsun. Öldür. Öldür. Sven'i öldür. Sven etdiyin şeyi göstər. Frick, həqiqətən yaxşı Sven. Yaxşı iş Sven. Sərin, buna görə yağış yağır, lakin burada deyil. Minecraft heç bir məna vermir. Turkish: Mızraklı adam! Bunun için gidiyoruz. Bunun için. Çok tehlikeliler. Sven sana delikte ihtiyacım var şu an. Üzgünüm, üzgünüm. Sven, lanet olsun! Vahşi! Milyon kez vurdum resmen. (Joergen) Karaya çıkmış! İyi bir şey ama. Evet! Düşürdü mü? Lanet olsun! Hakla onu Sven. Hakla onu Sven. Öldür. x2 Öldür onu Sven, hünerlerini göster. İyi hakla onu Sven. Aferin Sven. Yağmur yağıyor. Burada yağıyor ama orada yağmıyor. Minecraft çok saçma. Arabic: يا الهي. WOAH. انه رجل ترايدنت ، نحن ذاهبون لذلك. نحن ذاهبون لذلك. انهم خطرون مثل frick. سفين ، أحتاجك في الحفرة الآن. أه آسف. يا إلهي. انا قليلا سفين. اللعنة ، وحشية. تغذية يورغن. أنا ضربته مثل مليون واه ، إنه على الأرض. Jeeba. هذا جيد رغم ذلك. نعم فعلا. هل أسقطها؟ عليك اللعنة! الحصول على م سفين. الحصول على م سفين. اقتله. اقتله. قتل م سفين. عرض ما حصلت عليه سفين. Frick 'em up سفين جيد حقيقي. عمل جيد سفين. بارد ، لذلك تمطر هنا لكن ليس هنا. ماين كرافت لا معنى له. Vietnamese: Chinese: 太陽能趕快升上來嗎 拜託 是村莊各位 Klaus你為什麼倒著飛我看到了 高跳 小貓!! 該死我沒有魚 有天我一定會訓服一隻貓 我會訓服基努李維((+_+)??) 26個馬鈴薯?!你瘋了 從我的眼前滾開 給我這個 我想要這個 我想我們要開始為了終局之戰準備 想準備箭和其他像那樣的東西 因為我想我們非常接近它 沒再騙你 砍倒樹木 要怎麼製作陶製品?? 我能直接偷走鐵巨人嗎?? 問號問號?? 這村莊頗爛 我們離開吧 喔抱歉Sven 這世界發生什麼事了? 我能偷.... 你要跟我走了 我們今天交到了許多新朋友呀 為什麼要自己做鐵巨人勒 他們太貴了就直接偷一個就好了呀 English: Can the sun come up please? Woah. There's a village guys. Klaus, were you flying backwards? I saw that. High Jump. Oh yeah. *Gasp* Kitty. Damnit. I don't have- I don't have fish. One day I will take a kitty. Urgh. I will take Keanu Reeves. 26 potatoes, you're cray. Get out of my face. Give me this. I want this. I think we're gonna have to start preparing for the endgame. Like getting arrows and stuff like that. Because i think we're getting pretty close. Not gonna lie. Knock on wood. How do you make terracotta stuff? Can I just steal an Iron Golem? Question mark. I mean, this village kinda sucks, let's get real here. Oh, sorry Sven. What in the world happened here. Can I steal- *Gasp* Cou're coming with me. Oo, we got a lot of new friends today. Okay. Why make an Iron Golem, they're expensive, you can just steal them. Turkish: Güneş doğabilir mi artık? Bir kasaba millet! Clause geriye doğru mu uçuyordun? Gördüm. Yüksek atlayış! Kedicik! Lanet olsun balığım yok. Bir gün bir kediyi- Keanu Reeves'i evcilleştireceğiz. 28 patates mi?! Çıldırmışsın. Çekil gözümün önünden. Bunu ver bunu istiyorum. Artık oyunun sonuna hazırlanmaya başlamalıyız galiba. Oklar ve onun gibi şeyler edinmeye falan. Çünkü yalan söylemiyorum sona yaklaştık. Odunlara saldırı. Iron golem çalabilir miyim? Soru işareti? Bu kasaba berbatmış. Hadi kaçalım buradan. Pardon Sven. Ne oluyor? Çalabilir miyim- Benimle geliyorsun. Bugün bir sürü yeni arkadaş edindik, pekala. Niye bir iron golem yapasın ki, baya masraflılar. Onun yerine çal. Azerbaijani: Günəş xahiş edə bilərmi? Woah. Bir kənd uşaqları var. Klaus, geriyə doğru uçurdun? Bunu gördüm. Yüksək atla. Bəli. * Gasp * Kitty. Lənət olsun. Bilmirəm - məndə balıq yoxdur. Bir gün bir kitty alacağam. Urgh. Keanu Reeves'i götürəcəyəm. 26 kartof, sən qarışıyorsun. Üzümdən çıxın. Mənə bu verin. Mən bunu istəyirəm. Hesab edirəm ki, biz endgame üçün hazırlaşmağa başlamalıyıq. Oxlar və kimi şeylər əldə etmək kimi. Çünki düşünürəm ki, biz olduqca yaxınlaşırıq. Yalan söyləmək olmaz. Taxta toxun. Terrakotta məhsulları necə edirsiniz? Bir Iron Golem'i yalnız oğurlaya bilərəm? Sual işarəsi. Demək istəyirəm ki, bu kənd kinayədir, gəlin burada olsun. Üzr, Sven. Dünyada nə oldu. Mən oğurluq edə bilərəmmi? * Gasp * Mənimlə birlikdə gəlin. Bu gün bir çox yeni dostumuz var. Tamam. Niyə Iron Golem etmək, onlar bahadır, yalnız onları oğurlaya bilərsiniz. Portuguese: Slovenian: Ali lahko pride sonce, prosim? Woah. Tam je vaška družina. Klaus, ste leteli nazaj? To sem videl. Visoki skok. Oh ja. * Vdihnite * Kitty. Prekleto. Nimam - nimam rib. Nekega dne bom vzel mucko. Urgh. Vzela bom Keanua Reevesa. 26 krompirja. Izgini mi izpred oči. Daj mi to. Hočem to. Mislim, da se bomo morali začeti pripravljati na končnico. Kot da bi dobili puščice in podobne stvari. Ker mislim, da postajamo zelo blizu. Ne bom lagal. Udari na les. Kako narediš izdelke iz terakote? Lahko ukradem železni Golem? Vprašaj. Mislim, ta vas je nekako zanič, da postanemo resnični tukaj. Oprosti, Sven. Kaj se je zgodilo tukaj. Lahko ukradem * Vdihnite * Prihajajo z mano. Oo, danes imamo veliko novih prijateljev. V redu. Zakaj bi naredili Iron Golem, saj so drage, lahko jih samo ukradete. Arabic: يمكن أن تأتي الشمس من فضلك؟ WOAH. هناك شباب القرية. كلاوس ، هل كنت تطير للخلف؟ رأيت ذلك. الوثب العالي. آه أجل. * * اللهيث كيتي. عليك اللعنة. ليس لدي - ليس لدي سمك. يوم واحد سوف آخذ كيتي. Urgh. سآخذ كيانو ريفز. 26 بطاطا ، أنت تبكي. اغرب عن وجهي. اعطني هذا. اريد هذا. أعتقد أننا سنعمل على البدء في الاستعداد لمباراة النهاية. مثل الحصول على السهام وأشياء من هذا القبيل. لأنني أعتقد أننا نقترب جدا. لن تكذب. دق على الخشب. كيف تجعل الاشياء الطين؟ هل يمكنني فقط سرقة Golem Iron؟ علامة استفهام. أعني ، هذه القرية تمتص كيندا ، هيا بنا هنا. أوه ، آسف سفين. ما في العالم حدث هنا. هل يمكنني سرقة * * اللهيث كنت قادم معي. يا ، لدينا الكثير من الأصدقاء الجدد اليوم. حسنا. لماذا صنع Golem Iron ، إنها غالية الثمن ، يمكنك فقط سرقتها. Japanese: 太陽が昇ってきますか。 うーん。 村の人たちがいます。 クラウス、あなたは後ろに飛んでいましたか?私はそれを観た。 高跳び。 そうそう。 *あえぎ* キティ 畜生。持っていない - 魚がいない。 ある日、私は子猫を連れて行きます。うーん。 私はKeanu Reevesを取ります。 26のじゃがいも、あなたは泣いている 私の顔から出てください。 これをください。これ欲しい。 私たちは終盤の準備を始めなければならないと思います。 矢やそのようなものを手に入れるのが好きです。 私たちはかなり近づいていると思うので。 うそをつくつもりはありません。 木をたたきなさい。 どのようにテラコッタのものを作りますか? アイアンゴーレムを盗むだけでもいいですか? 疑問符。 つまり、この村はちょっと吸い込んでしまいます。 ああ、すみませんスヴェン。 ここで何が起こったのでしょう。盗むことはできますか *あえぎ* Couが私と一緒に来ています。 Oo、今日はたくさんの新しい友達ができました。 はい。 なぜアイアンゴーレムを作る、彼らは高価です、あなたはそれらを盗むことができます。 Turkish: Bu iyi bir şey mi kötü mü anlayamıyorum ama seni eve götürüyoruz orada yaşayacaksın falan. iyi şeylerimiz var. İki tane sizden yaptım ama ikisi de kaçtı yani... tamam mı? Onlara tasma takmam gerektiğini bilmiyordum. Bu sefer bir köprü inşa etmemiz gerekecek. Çünkü suya girdiğini sanmıyorum (iron golem) Joergen Smergen. Iron golem ne kadar hızlı gidebilir? Görmek isitiyorum bunu. Koşsan iyi olur! Ben ve o! Nereye gitti? Tanrım Ah hayır Ne yaptın? Geri gel hemen Tasman nerede? Tasman gerek- işte burada. Gel buraya, geri gel. Dostum PewDiePie tayfasındasın kardeşler tayfasındasın. Neyini duymadın?! Portuguese: Japanese: これが悪いのか良いのかわからないけど 私たちはあなたを家に連れて帰ります。あなたはすてきなものを生きるつもりです。 私たちは好きです、私たちはものを持っています。 聞きなさい、私はあなたのうちの二人を建てた。あなたのうちの2人はとても大丈夫です。 私はあなたが彼らに鎖をつける必要があることを知りませんでした。 今回は、次のことを行う必要があります... 私たちは橋を架ける必要があるでしょう。 「原因私は彼が水に入るとは思わない。 Joergen Smergen。 アイアンゴーレムはどれくらい速く行くことができますか? あれを見たい。 *笑い* こんにちは! そのとおり。あなたは男の子を走らせるほうがいいです。 とっとと逃げろ。私と男の子 ああ、彼はどこに行きましたか? 何てことだ。こんにちは。 *うめき声* おお、今やった、そこから戻ってきなさい。 どこにあなたの鎖はどこにありますか? おい、私は必要だ - ああ、そこにある。 ここに来て。ここに戻って。 あなたはPewdiepieギャングにいます。あなたは仲間の一員です。 何?あなたはフリックではありませんでしたか? 私はあなたが発言を持っていないかどうかを気にしません。 Vietnamese: Slovenian: Ne morem ugotoviti, če je to slabo ali dobro Pripeljali te bomo domov. Lepo boš živela in ostalo. Mi imamo, imamo stvari. Poslušaj, zgradil sem dva od vas. Dva od vas sta tako v redu. Nisem vedel, da jih moraš povzdigniti. Tokrat bomo morali ... Morali bomo zgraditi most. Ker ne mislim, da gre v vodo. Joergen Smergen. Kako hitro lahko grelec? To bi rad videl. * Smeh * OW !!! Tako je. Bolje, da zaženete fanta. Bolje tecite. Jaz in fant. Oh, kam je šel? O moj bog. Pridi ... Oh ne. * Groans * Oh, zdaj si to naredil, od tam se vrni. Kje ... Kje je povodec? Stari, potrebujem ... Oh, tam je. Pridi sem. Pridi nazaj. Ti si v bandi Pewdiepie. V bratovski tolpi si. Kaj? Ali nisi me poslušal, stari. Vseeno mi je, da nimaš besede. English: I can't tell if this is bad or good but- We're bring you home. You're gonna live nice and stuff. We have like, we have stuff. Listen, I built two of you. Two of you are out there so okay. I didn't know you had to put a leash on them. This time, we're gonna have to... We're gonna have to build a bridge. "Cause I don't think he goes in water. Joergen Smergen. How fast can the Iron Golem go? I want to see that. *Laughing* OW!!! That's right. You better run boy. You better run. Me and the boy. Oh, where'd he go? Oh my God. Come- Oh no. *Groans* Oh you've done it now, get back from there. Where's- Where's your leash? Dude, I need- Oh, there it is. Come here. Come back here. You're in the Pewdiepie gang. You're in the bro gang. What? Did you not frickin' hear me dude. I don't care you don't have a say. Chinese: 我不能跟你們說這是好還是壞 我們要帶你去新家 你會離開.你會活得開心充足 我們有很多東西 聽著 我做了兩個你 兩個都離開了 我不知道你需要用繩索套住他們 這次..我們就必須... 必須蓋個橋了 因為我覺得它不能泡水 Joergen SMoergen 鐵巨人能走多快?? 我想看看 你最好跑快點男孩 你最好跑~我和男孩 不 牠去哪了 你玩完沒..回來這裡 你的繩索呢?老兄我需要 喔 在這裡 過來這裡 回來這裡 你在Pewdiepie幫 你在兄弟幫 你沒在聽嗎?老兄 我才不在意你不用說了 Azerbaijani: Bu pis və ya yaxşı olub olmadığını deyə bilmərəm. Biz sizi evə gətirdik. Gözəl və təvazökarlıqla yaşayacaqsan. Bizə bənzəyir ki, bizdə şeylər var. Dinləyin, ikinizdən birini qurdum. İkinizdən çox yaxşıyıq. Bilmirəm ki, onlara bir şey qoymağınız lazım idi. Bu dəfə, biz ... Bir körpü qurmaq məcburiyyətindəyik. "Çünki suda gedir deyə düşünmürəm. Joergen Smergen. Iron Golem nə qədər sürətli gedə bilər? Bunu görmək istəyirəm. * Laughing * OW !!! Düzdür. Siz daha yaxşı bir oğlan qaçarsınız. Daha yaxşı işləsən. Mən və oğlan. Oh, harada getdi? Aman Tanrım. Gəl * Groans * İndi bunu etdin, oradan qayıdın. Harada olursunuz? Dostum, mənə lazımdır - Oh, var. Bura gəl. Buraya qayıdın. Siz Pewdiepie şəbəkəsindəsiniz. Bro çetesindesin. Nə? Sən məni eşitməmişdin mi? Bilmirəm sənə bir söz deyilmir. Arabic: لا يمكنني معرفة ما إذا كان هذا سيئًا أم جيدًا نأتي بك إلى المنزل. أنت ستعيش لطيفًا والأشياء. لدينا مثل ، لدينا الاشياء. اسمع ، لقد بنيت اثنين منكم. اثنان منكم هناك بخير. لم أكن أعلم أنه كان عليك وضع مقود عليها. هذه المرة ، علينا أن ... نحن ذاهبون لبناء جسر. "السبب لا أعتقد أنه يذهب في الماء. يورغن سميرغن. كيف يمكن أن تذهب سريع Golem الحديد؟ اريد ان ارى ذلك. * يضحك * OW !!! هذا صحيح. أنت أفضل تشغيل الصبي. أنت تدير أفضل. أنا والصبي. أوه ، أين ذهب؟ يا إلهي. تعال - لا لا. * الآهات * لقد قمت بذلك الآن ، عد من هناك. أين - أين مقودك؟ المتأنق ، أنا في حاجة ، أوه ، هناك. تعال الى هنا. عد إلى هنا. أنت في عصابة Pewdiepie. أنت في عصابة إخوانه. ماذا؟ ألم تسمعني يا فريكين. لا يهمني ليس لديك رأي. Turkish: Umurumda değil Bu demokrasi ortamı değil. Bir önemin yok! Su koyununun suçlarının bedelini sen ödeyeceksin. Biri ödemeli. Ben ve çocuklar 51. Bölgeye hücum ediyoruz. Clause'u getirebilir miyim? Onu ben patronlarla falan savaşırken yanımda getirebilir miyim? Sana koşmayı bırak dedim mi? İhtişamlı köfte! IKEA kulem nerede? İşte burada. Ve içeri giriyoruz. Kapıyı kapıyoruz. Harikaydı bu. Tasma nerede? Kimse bilmiyor. Hey su koyunu! Görmeni istediğim biri var. Bu senin yeni- sen burada kal. Su koyununu koru. Görevin bu. Duymadın mı? Su koyununu koru dedim! Slovenian: To ni demokracija. Ti ni pomembno. To pravim. Plačal boš za zločine ... Ovčje vode. Nekdo mora. Jaz in fantje napadamo območje 51. Ohhhh! Ow! Lahko prinesem ... Klausa? Lahko ga pripeljem s seboj, ko se borim s šefi in podobnimi stvarmi? Sem ti rekla, da nehaš teči? Ah, veličastno meso. Kje je moj IKEA stolp? Ona je tukaj. In mi... Vozimo se ... In smo blizu. To je bilo neverjetno. Oh, ja. Kje je bil povodec? nihče ne ve. Hej vodne ovce? Nekaj ​​želim, da vidiš. To je tvoj novi ... Ay! Ostani tukaj. Zaščitite ovčjo vodo. To je vaša dolžnost. Me ne slišiš? Rekel sem PROTECT WATER SHEEP! Japanese: これは民主主義ではありません。 あなたは関係ありません。 私が言っていることです。 あなたは犯罪の支払いをするでしょう... 水の羊の。 誰かがする必要があります。 私と男の子がエリア51を襲撃しました。 うーん! わ! 持ってきてもいいですか…クラウス? 私が上司やそのようなものと戦うとき、私は彼を私と一緒に連れて行くことができますか? 走りを止めるように言いましたか? ああ、素晴らしいミートブル。 私のIKEAタワーはどこにありますか? 彼女はそこだ。 そして、私たちは... 私たちは乗る... そして私達はクローズアップします。 それは最高でした。 そうそう。 ひもはどこに行きましたか。誰も知らない。 ちょっと水羊? あなたに見てほしいものがあります。 これはあなたの新しいAyです。 あなたはここにいてください。 水羊を守ります。 それはあなたの義務です。 聞こえないの?私はプロテクトウォーターシープを言った! Vietnamese: Arabic: هذه ليست ديمقراطية. لا يهم هل ما أقوله. سوف تدفع ثمن الجرائم ... من الماء الأغنام. شخص ما لديه ل. أنا والأولاد اقتحام المنطقة 51. أوههه! آه! هل يمكنني إحضار ... كلاوس؟ هل يمكن أن أحضره معي عندما أحارب الزعماء وأشياء من هذا القبيل؟ هل قلت لك أن تتوقف عن الجري؟ آه ، اللحم المجيد. أين برج IKEA الخاص بي؟ ها هي ذا. و نحن... نحن ركوب في ... ونحن عن قرب. كان هذا رائعا. آه أجل. أين ذهب المقود؟ لا أحد يعلم. يا خروف الماء؟ هناك شيء أريدك أن تراه. هذا هو الجديد الخاص بك آي! أنت ابقى هنا. حماية الماء الأغنام. هذا هو واجبك. لا يمكنك سماعي؟ قلت حماية الأغنام المياه! Portuguese: English: This is not a democracy. You don't matter. Is what I'm saying. You will pay for the crimes... Of Water Sheep. Someone has to. Me and the boys storming Area 51. Ohhhh! Ow! Could I bring... Klaus? Could I bring him with me when I fight bosses and stuff like that? Did I tell you to stop running? Ah, glorious meatbll. Where's my IKEA tower? There she is. And we... We ride in... And we close up. That was awesome. Oh, yeah. Where did the leash go? no one knows. Hey Water Sheep? There's something I want you to see. This is your new- Ay!. You stay here. Protect Water Sheep. That is your duty. You can't hear me? I said PROTECT WATER SHEEP! Azerbaijani: Bu demokratiya deyil. Fərq etmirsən. Mən dedim. Cinayətlərə görə ödəyəcəksiniz ... Su Qoyunlarından. Biri var. 51 yaşa qədər məni və oğlanları vurdular. Ohhhh! Ow! Klaus gətirə bilərəmmi? Bossları və buna bənzər şeylərlə mübarizə apararkən onu mənimlə gətirə bilərmı? Mən sizə yayınmağı dayandırmanı söylədinizmi? Ah, şərəfli ət balığı. Mənim IKEA qala haradadır? Orada var. Və biz... Biz gəzirik ... Və biz yaxınlaşırıq. Bu möhtəşəm idi. Oh, evet. Yarma nereden çıxdı? heç kim bilmir. Hey su quzu? Görməyiniz üçün bir şey var. Bu sizin yeni - Ay !. Burada qalma. Su Qoyunu qoruyun. Bu sizin vəzifəmizdir. Məni eşitdinizmi? PROTECT WATER SHEEP dedim! Chinese: 這是不民主的 你沒意見 那就是我在說的 你要為這個罪付出... 水綿羊 某人必須 我和男孩們攻陷51區 我能帶...Klaus 我能帶著牠去打Boss戰之類的嗎?? 我有叫你停止跑步嗎? 壯麗的肉球 我的IKEA塔呢? 她在這 然後我們.. 進去.... 關起來 這超棒 繩索去哪了??沒人知道 嘿 水綿羊 我想讓你看看一些東西 這是你的新...欸 你待這裡 保護水羊 那是你的任務 你能聽到我說的嗎????我說保護水羊!! Azerbaijani: Su qorumaq qorxmazsınız! Su Qoyun kimdir? Aman Tanrım. İdiot. * Yapon danışır * Alright Gamers, Minecraft Let'sPlay başqa bir epizod seyr etdiyiniz üçün təşəkkür edirik Sizlər əyləndiniz. Bu gün bəzi yeni dostlar etdik, bu zəhmli. Bütün sevgi və dəstək üçün təşəkkür edirik. Yoxlamaq istəsəniz, bu link təsvirdədir. Və bu mənim üçün indi. Siqaret çəkmək, və abunə olun. Bəli. * Cat oynayır * Nə? Nə? Tuber simulyatorunu heç oynamadın mı? Bilirsən, bu əyləncəli, doğrudurmu? Mənim fikrimi verməyim lazım deyil, lakin bir cəhd verin və sonra yaxşı və ya olmasın mənə deyə bilərsiniz. Hələ əmin deyil? Tamam. Bir razılaşmanı kəsəcəyəm? Oyun pulsuzdur. Və bu, böyük bir qiymətdir. English: You can't- PROTECT WATER SHEEP! Who's Water Sheep? Oh my God. Idiot. *Speaks Japanese* Alright Gamers, Thanks for watching another episode of Minecraft Let'sPlay Hope you guys had fun. We made some new friends today, that's awesome. Thanks for all the love and support. If you want yo check out the merch, link is in the description. And that's it from me for now. Smash like, and subscribe. Oh yeah. *Cat Plays* What? What? You've never played Tuber Simulator? You know it's fun, right? I'm not supposed to give my opinion, but give it a try and then you can tell me if it's good or not. Not convinced yet? Okay. I'll cut you a deal? The game's available for free. And that's a great price. Arabic: لا يمكنك حماية أغنام المياه! من هو غنم الماء؟ يا إلهي. الأبله. * يتحدث اليابانية * حسنا اللاعبين نشكرك على مشاهدة حلقة أخرى من Minecraft Let'sPlay اتمنى انكم استمتعتم. لقد صنعنا بعض الأصدقاء الجدد اليوم هذا رائع. شكرا على كل الحب والدعم. إذا كنت تريد أن تحقق من الميرتش ، فسيكون الرابط في الوصف. وهذا كل شيء مني الآن. تحطيم مثل والاشتراك. آه أجل. * القط يلعب * ماذا؟ أنت تعرف أنها ممتعة ، أليس كذلك؟ ليس من المفترض أن أعطي رأيي ولكن جرّبها ، ثم يمكنك أن تخبرني ما إذا كانت جيدة أم لا. غير مقتنع حتى الآن؟ حسنا. سوف أعقد صفقة؟ اللعبة مجانية. هذا سعر رائع. Chinese: 你不能..保護水羊!! 誰是水羊?我的老天 笨蛋 好的各位 感恩收看又一集的Minecraft 希望你們看的開心 我們今天交了新朋友 那超棒棒 感恩所有的愛與支持 如果想看看商品 可以到下方資訊欄查看 我們今天就到這了謝謝大家 按讚和訂閱 stomjacki翻譯 /////工商時間//// Portuguese: Turkish: Su koyununu koru! Tanrım. Salak. Pekala gamerlar, Minecraft'ın başka bir bölümünü daha izlediğiniz için teşekkür ederim. Umarım eğlenmişsinizdir. Bugün yeni arkadaşlar edindik, harika! Tüm sevgi ve destek için teşekkürler, eğer merchlere bakmak isterseniz linki açıklamada ve bu kadar. Beğenin ve abone olun! Oo eveet. NeE? Ne? Daha önce hiç Tuber Simulator oynamadınız mı? NeE? Ne? Daha önce hiç Tuber Simulator oynamadınız mı? Eğlenceli olduğunu biliyorsunuz, değil mi? Fikrimi vermemem gerekiyor ama oyunu bir deneyin. Ondan sonra oyunun iyi olup olmadığını bana söyleyebilirsiniz. İkna olmadınız mı? Tamam... Size bir teklif yapıyorum. Oyun bedava olsun. Size bir teklif yapıyorum. Oyun bedava olsun. Size bir teklif yapıyorum. Oyun bedava olsun. Bu harika bir fiyat! Vietnamese: Slovenian: Ne morete- ZAŠČITI VODE! Kdo je vodna ovca? O moj bog. Idiot. * Govori japonsko * Dobro, igralci, Hvala, ker si gledal še eno epizodo Minecrafta Upam, da ste se zabavali. Danes smo naredili nekaj novih prijateljev, to je super. Hvala za vso ljubezen in podporo. Če želite, da jo pregledate, je povezava v opisu. In to je zdaj od mene. Smash kot, in se naročite. Oh ja. * Predvajanje mačke * Kaj? Kaj? Še nikoli nisi igral Tuber Simulator? Veš, da je zabavno, kajne? Ne bi smel dati svojega mnenja, ampak poskusite in potem mi lahko poveste, če je dobro ali ne. Še niste prepričani? V redu. Sestavil vas bom? Igra je na voljo brezplačno. In to je odlična cena. Japanese: あなたはできません - ウォーターシープを守れ! 水羊は誰ですか?何てことだ。 馬鹿。 *日本語を話します* 大丈夫ゲーマー、 Minecraft Let'sPlayの別のエピソードを見てくれてありがとう あなたたちみんなが楽しんだことを願っています。今日は何人かの新しい友達を作りました、 それは素晴らしいです。 すべての愛とサポートをありがとう。 あなたは商品をチェックアウトしたい場合は、リンクが説明にあります。 そしてそれは今のところ私からのものです。スマッシュ、 そして購読する。 そうそう。 猫の遊び 何? 何?あなたはチューバーシミュレータをプレイしたことがない? 楽しいですね。 私は私の意見を述べることになっていません、 それを試してみると、それが良いかどうか私に言うことができます。 まだ納得していませんか?はい。 私はあなたに取り引きをするつもりですか? ゲームは無料で利用可能です。 そしてそれは素晴らしい価格です。
{ "pile_set_name": "YoutubeSubtitles" }
THE STEPS FOR APPROVAL IN OUR VACCINE WATCH. >>> NEWLY RELEASED AUDIO, OUT OF THE FORMERS OFFICERS -- CLAIMING HE WANTED TO ROLL FLOYD ONTO HIS SIDE WHILE HE SAYS DEREK CHAUVIN TOLD THEM TO KEEP HOLDING HIM DOWN. >>> DROWNING IN DEBT. DEEP DIVE INTO THE STUDENT LOAN CRISIS, YOUNGER GENERATIONS UNABLE TO GET AHEAD, WHILE SOME ARE RETHINKING HIGHER EDUCATION ALL TOGETHER. >>> FLOWER POWER, HOW YOU CAN GROW SOME LIFE AND COLOR IN YOUR SPACES. >>> GOOD EVENING, EVERYONE, I'M LINSEY DAVIS. THANKS SO MUCH FOR STREAMING WITH US. WE ARE NOW IN THE HOME STRETCH, THE THIRD NIGHT OF THE DEMOCRATIC NATIONAL CONVENTION IS ABOUT TO BEGIN SHORTLY. LAST NIGHT THE PARTY OFFICIALLY NOMINATED JOE BIDEN TO TAKE ON PRESIDENT TRUMP. AND TONIGHT HIS HISTORIC VICE PRESIDENTIAL PICK SENATOR KAMALA HARRIS SET TO ADDRESS THE NATION AND MAKE A CASE FOR THE BIDEN/HARRIS TICKET AND SHE IS COMING WITH LOTS OF BACKUP, LOCKED AND LOADED WITH NANCY PELOSI, ELIZABETH WARREN, HILLARY CLINTON AND FORMER PRESIDENT OBAMA, ALL PART OF THE NIGHT'S LINEUP, AND MARY BRUCE LEADS US OFF. >> Reporter: JUST HOURS FROM NOW FORMER PRESIDENT BARACK OBAMA SPEAKING FROM PHILADELPHIA, THE BIRTHPLACE OF AMERICAN DEMOCRACY, WILL ARGUE THAT VERY DEMOCRACY IS ON THE LINE IN THIS ELECTION. OBAMA EXPECTED TO ATTACK HIS SUCCESSOR IN SEARING, UNPRECEDENTED TERMS. EXCERPTS OF HIS SPEECH CHARGE PRESIDENT TRUMP HAS NEVER TAKEN THE JOB SERIOUSLY. QUOTE, HE'S SHOWN NO INTEREST IN PUTTING IN THE WORK, NO INTEREST IN FINDING COMMON GROUND, NO INTEREST IN USING THE AWESOME POWER OF HIS OFFICE TO HELP ANYONE BY HIMSELF FROM HIS SPRENDS. OBAMA WILL SAY THE QUOTE CONSEQUENCES OF THAT FAILURE ARE SEVERE, 170,000 AMERICANS DEAD, MILLIONS OF JOBS GONE, OUR WORST IMPULSES UNLEASHED. OUR PROUD REPUTATION AROUND THE WORLD, BADLY DIMINISHED. AND OUR DEMOCRATIC INSTITUTIONS THREATENED LIKE NEVER BEFORE. AND SOON AFTER OBAMA SPEAKS KAMALA HARRIS WILL BECOME THE FIRST BLACK WOMAN IN THE FIRST ASIAN-AMERICAN NOMINATED TO BE VICE PRESIDENT, DEMOCRATS TONIGHT EAGER TO SHOWCASE THIS MOMENT IN HISTORY. >> WHEN SHE SAYS FOR THE PEOPLE IT IS WITH EVERY OUNCE OF WHO SHE IS. >> Reporter: ALSO TONIGHT A BITTERSWEET RETURN FOR HILLARY CLINTON WHO ACCEPTED THE DEMOCRATIC PRESIDENTIAL NOMINATION AT THE LAST CONVENTION. IN EXCERPTS OF HER SPEECH SHE DELIVERS A WARNING. FOR FOUR YEARS PEOPLE HAVE SAID TO ME I DIDN'T REALIZE HOW DANGEROUS HE WAS. I WISH I COULD GO BACK AND DO IT OVER, OR WORST, I SHOULD HAVE VOTED. WELL, THIS CAN'T BE ANOTHER WOULD HAVE, COULD HAVE, SHOULD HAVE ELECTION. MOST AFTER OWALL, NO MATTER WHA VOTE. >> HILLARY CLINTON TRYING TO ENCOURAGE PEOPLE TO GET OUT TO THE POLLS. MARY BRUCE JOINS US FROM WILMINGTON, DELAWARE WHERE KAMALA HARRIS WILL GIVE HER SPEECH LATER ON TONIGHT. STRONG WORDS FROM PRESIDENT OBAMA AND PRESIDENT TRUMP, ALSO MAKING THE CASE FOR JOE BIDEN. WHAT'S HE PLANNING TO SAY? >> HE WILL DESCRIBE JOE BIDEN AS A BROTHER WHO MADE HIM A BETTER PRESIDENT. HE NOT ONLY WILL, OF COURSE, MAKE A FORCEFUL CASE AGAINST PRESIDENT TRUMP BUT HE WILL ARGUE WHY JOE BIDEN IS THE BEST LEADER TO TAKE THE COUNTRY FORWARD. THE FORMER PRESIDENT WILL MAKE A DIRECT PLEA TO VOTERS, HE WILL SAY, QUOTE, TONIGHT I'M ASKING YOU TO BELIEVE IN JOE AND CAMILLA'S ABILITY TO LEAD THIS COUNTRY OUT OF DARK TIMES, AND BUILD IT BACK BETTER. >> TONIGHT'S LINEUP WILL BE FILLED WITH LOTS OF FEMALE SPEAKERS, WHAT'S THE BIDEN CAMPAIGN SAYING ABOUT WHAT THEY'RE HOPING TO SHOWCASE TONIGHT AND WILL WE ALSO START HEARING MORE SPECIFICS ON THEIR AGENDA? >> THIS IS A NIGHT TO HIGHLIGHT SOME TRAIL BLAZING WOMEN, IN ADDITION TO KAMALA HARRIS WE WILL BE HEARING FROM HILLARY CLINTON AND HOUSE SPEAKER NANCY PELOSI BUT THIS IS ALSO A CHANCE FOR THE BIDEN CAMPAIGN TO HIT ON SOME OF THE PIVOTAL ISSUES IN THIS ELECTION. YOU'LL BE HEARING ABOUT CLIMATE CHANGE, GUN REFORM, HEALTH CARE, A LOT OF ISSUES THAT ARE TOP OF MIND FOR SO MANY VOTERS. IT IS A CHANCE FOR THIS CAMPAIGN TO HIGHLIGHT JOE BIDEN'S RECORD, HIS EXPERIENCE, TO CONTINUE TO ARGUE WHY THEY THINK THE CURRENT PRESIDENT IS FAILING IN THESE AREAS, AND TO PRESENT, AGAIN, THAT UNITED FRONT FROM THE DEMOCRATIC PARTY, THAT BROAD COALITION THAT THEY'VE BEEN TRYING TO PRESENT IN THE PREVIOUS NIGHTS AND WHY THEY FEEL THAT JOE BIDEN AND HIS AGENDA IS A WAY TO TURN THE PAGE IN THIS COUNTRY. >> MARY BRUCE, AND WE WILL BE CHECKING BACK IN WITH YOU LATER TONIGHT. THANKS, MARY. >>> HE WAS PART OF THE DNC'S FIRST ALL-VIRTUAL ROLL CALL LAST NIGHT. >> SOUTH CAROLINA'S 64 VOTES AS FOLLOWS, 15 FOR BERNIE SANDERS, AND 49 FOR OUR NEXT PRESIDENT OF THE UNITED STATES, JOE BIDEN. >> AND HE'S ALSO TRYING TO UNSEAT LONGTIME REPUBLICAN SENATOR AND TRUMP ALLY LINDSEY GRAHAM IN SOUTH CAROLINA. LATELY POLLS HAVE SHOWN IT IS A TIGHT RACE IN THIS DEEP RED STATE. JOINING US NOW, JAMIE HARRISON, THANKS SO MUCH FOR YOUR TIME, JAMIE. >> THANKS SO MUCH FOR HAVING ME. >> SO FIRST OFF LET'S LOOK AHEAD TONIGHT THREE OF THE DNC CONVENTION, WHAT DOES IT MEAN TO YOU TO SEE THE FIRST BLACK WOMAN ACCEPT A MAJOR PARTY'S NOMINATION FOR VP TONIGHT AND HOW IMPORTANT WAS IT FOR JOE BIDEN TO PICK A BLACK WOMAN RUNNING MATE? >> WELL, YOU KNOW, I'M SO PROUD OF KAMALA HARRIS. SHE'S A FRIEND, AND SHE'S A STRONG, SMART, VERY POWERFUL AFRICAN-AMERICAN WOMAN. AND IT MEANS SO MUCH TO ME PERSONALLY BUT IT ALSO MEANS A LOT TO OUR COMMUNITY, PARTICULARLY HERE IN SOUTH CAROLINA. YOU KNOW, WHEN SHE WAS RUNNING FOR PRESIDENT THERE WERE A LOT OF FOLKS HERE THAT WERE REALLY PUSHING AND PULLING FOR HER. AND, YOU KNOW, IT'S JUST A TREMENDOUS THING. AND I THINK A LOT OF FOLKS ARE VERY APPRECIATIVE OF THE VICE PRESIDENT FOR SELECTING HER AS HIS NOMINEE, AND RUNNING MATE. >> A DEMOCRATIC PRESIDENTIAL TICKET HAS NOT WON IN SOUTH CAROLINA SINCE JIMMY CARTER, THE SEAT THAT YOU'RE RUNNING FOR HAS BEEN IN REPUBLICAN HANDS FOR NEARLY 60 YEARS AND YOU'RE FACING AN INCUMBENT WITH DEEP TIES BOTH IN WASHINGTON AND SOUTH CAROLINA. HOW DO YOU PERSONALLY CONVINCE VOTERS WHO HAVE SUPPORTED LINDSEY GRAHAM FOR YEARS, NOW IS THE TIME TO CHANGE COURSE? >> ONE OF THE FIRST OLD ADAGES I LEARNED IN POLITICS WHICH WAS ALL POLITICS ARE LOCAL. MAKING SURE YOU AS A PUBLIC SERVANT ARE ACTUALLY SERVING THE PUBLIC. ADDRESSING THE ISSUES THAT PEOPLE CARE ABOUT ON A DAY-TO-DAY BASIS. AND LINDSEY GRAHAM HAS BEEN A MISSING IN ACTION SENATOR. THIS IS A GUY WHO -- IN-PERSON TOWN HALL IN ALMOST THREE THREE YEARS BUT YOU CAN FIND HIM ON SEAN HANNITY AND FOX NEWS EVERY OTHER NIGHT AT 9:00. THE PEOPLE HERE IN SOUTH CAROLINA ARE -- UNDERSTAND THAT AND THEY SEE IT AND FEEL IT. WE HAVE A SENATOR WHO, WHERE IN A STATE WHERE WE HAVE ALMOST 700,000 PEOPLE WHO HAVE FILED FOR UNEMPLOYMENT AND IT WAS OUR SENATOR WHO HELD UP THE CARES ACT INITIALLY AND THEN SAID OVER OUR DEAD BODIES WILL WE ALLOW AN EXTENSION OF THE FEDERAL BENEFIT, $600 BENEFIT TO THOSE WHO ARE UNEMPLOYED. THAT WAS BRINGING $120 MILLION INTO THE SOUTH CAROLINA ECONOMY EVERY WEEK AND RIGHT NOW WE'RE ON THE VERGE OF SCHOOLS OPENING BACK UP, PARENTS WONDERING HOW THEY'RE GOING TO GET SCHOOL SUPPLIES AND THINGS FOR THEIR KIDS, WONDERING HOW TO PAY THE RENT OR MORTGAGE. OUR SENATOR IS NOW ON VACATION INSTEAD OF GOING AND DOING THE THINGS THAT ARE NEEDED IN ORDER TO ADDRESS THE NEEDS OF THE PEOPLE HERE IN SOUTH CAROLINA. AND THAT'S WHY I AM IN THIS RACE. THAT IS WHY THIS RACE IS SO CLOSE BECAUSE PEOPLE ARE FED UP WITH THE POLITICS, THE WASHINGTON, D.C. POLITICAL GAMES THAT LINDSAY'S PLAYING AND THEY'RE READY FOR SOMEBODY THAT'S GOING TO ROLL UP THEIR SLEEVES AND FOCUS ON THEM. >> I'M TOLD ON YOUR DESK YOU KEEP A QUOTE FROM BEN PITCHFORK TILLMAN, A FORMER SOUTH CAROLINA GOVERNOR WHO LED A WHITE GANG THAT MURDERED SIX INNOCENT AFRICAN-AMERICANS, IN 1876 TILLMAN SAID ON THE STATE'S EFFORT TO DISENFRANCHISE VOTERS WE HAVE SCRATCHED OUR HEADS TO FIND OUT HOW WE COULD ELIMINATE THE LAST ONE OF THEM, WE STUFFED BALLOT BOXES, WE ARE NOT ASHAMED. ALL THESE YEARS LATER ARE YOU CONFIDENT THERE WON'T BE A NUMBER OF HURDLES FOR SOUTH CAROLINA VOTERS CASTING THEIR BALLOTS THIS FALL AND WHAT'S YOUR CAMPAIGN DOING TO BOOST TURNOUT? >> IT'S REALLY, REALLY IMPORTANT. GOING INTO THIS CAMPAIGN IT WAS IMPORTANT FOR ME TO UNDERSTAND THE HISTORY OF THE SEAT I WAS VYING FOR. AND I UNDERSTAND THE HISTORY OF SOUTH CAROLINA, A STATE THAT I LOVE SO DEARLY. SO WE ARE GOING EYES WIDE OPEN. WE ARE BEING PROACTIVE TO MAKE SURE THAT EVERY PERSON IN THE STATE THAT'S ELIGIBLE TO VOTE GETS AN OPPORTUNITY TO DO SO, EVEN IF THEY'RE NOT VOTING FOR ME. THE GREATEST RIGHT THAT WE HAVE AS AMERICAN CITIZENS IS OUR RIGHT TO VOTE AND NOBODY SHOULD STAND IN THE WAY OF ANYBODY EXERCISING THAT RIGHT. I DON'T CARE IF IT'S A DEMOCRAT OR REPUBLICAN, NOBODY HAS THAT POWER. AND SO WE'RE WORKING WITH OUR FAIR FIGHT, AND WE'RE WORKING WITH OUR STATE PARTY, THE DNC AND OTHER ENTITIES TO MAKE SURE THAT WE HAVE ATTORNEYS ON THE GROUND IN EVERY COUNTY IN SOUTH CAROLINA TO PROTECT THE RIGHT TO VOTE FOR ALL FOLKS. AS I SAID FROM THE START OF THIS CAMPAIGN THIS IS ABOUT CLOSING A CHAPTER ON THE OLD SOUTH, AND STARTING A WHOLE BRAND NEW BOOK CALLED A NEW SOUTH, A NEW SOUTH THAT IS BOLD, THAT IS INCLUSIVE AND DIVERSE. AND WHERE EVERYBODY HAS A ROLE TO PLAY AND EVERYBODY HAS VALUE. >> LAST MONTH YOU PENNED AN OP-ED ON B.E.T..COM WITH TWO OTHER BLACK SENATE CANDIDATES AND IN IT YOU SAID REPRESENTATION MATTERS AND FOR ITS ENTIRE HISTORY THE U.S. SENATE HAS FAILED TO REPRESENT THE RACIAL DIVERSITY OF OUR NATION. OUT OF THE ROUGHLY 2,000 MEN AND WOMEN WHO HAVE SERVED IN THE SENATE ONLY TEN HAVE BEEN BLACK. CONSIDERING THIS COUNTRY'S RACIAL RECKONING ARE YOU OF THE BELIEF THAT WILL CHANGE SOON? >> I DO, WE'RE GOING TO WIN THIS RACE. SOUTH CAROLINA, THE FIRST SAID THAT SECEDED FROM THE UNION IN THE CIVIL WAR, IN A SEAT THAT WAS OCCUPIED BY JOHN C. CALHOUN, A SEAT OCCUPIED BY BEN TILLMAN, A SEAT OCCUPIED BY STROM THURMAN, YOU'RE GOING TO GET AN AFRICAN-AMERICAN SENATOR AND SOUTH CAROLINA WILL BECOME THE VERY FIRST STATE WITH TWO AFRICAN-AMERICAN SENATORS SERVING AT THE VERY SAME TIME, ONE DEMOCRAT AND ONE REPUBLICAN. >> YOU'VE DESCRIBED SOUTH CAROLINA REPRESENTATIVE JIM CLYBURN AS YOUR POLITICAL FATHER AND MANY WOULD SAY THE CLYBURN'S ENDORSEMENT SINGLE HANDEDLY SAVED JOE BIDEN'S CAMPAIGN IN FEBRUARY. WHAT'S THE MOST IMPORTANT ADVICE HE'S GIVEN TO YOU AND HOW WILL YOU USE THAT IF YOU GET ELECTED? >> CONGRESSMAN CLYBURN AND DR. EMILY CLYBURN, HIS LATE WIFE AND I WAS SO HONORED TO MENTION HER LAST NIGHT WHEN I GAVE THE PRESENTATION BECAUSE THEY'VE BEEN TREMENDOUS FORCES IN MY LIFE. YOU KNOW, ONE OF THE THINGS HE TOLD ME WHEN I WAS A STAFFER IN HIS OFFICE, HE SAID, JAMIE, ON THE HILL, ON CAPITOL HILL, MEMBERS OF CONGRESS THAT ARE SHOW HORSES AND THERE ARE WORKHORSES. HE SAID YOU ALWAYS WANT TO BE A WORKHORSE. AND THAT'S MY AIM. I'M GOING TO ROLL UP MY SLEEVES AND I'M GOING TO GO TO WASHINGTON, D.C. AND WORK MY BEHIND OFF FOR THE PEOPLE OF SOUTH CAROLINA. BECAUSE THEY DESERVE IT. THEY NEED SOMEBODY THAT'S GOING TO FOCUS AND FIGHT FOR THEM. >> JAMIE HARRISON, WE APPRECIATE YOU COMING ON THE SHOW. THANK YOU FOR YOUR TIME. >> THANK YOU SO MUCH FOR HAVING ME. >>> AND NEXT TO NEWS TONIGHT OVER THE BATTLE AT THE POST OFFICE, AFTER THE POSTMASTER GENERAL SAID THAT HE WOULD SUSPEND COST CUTTING MEASURES UNTIL AFTER THE ELECTION. SPEAKER NANCY PELOSI SAYS THAT'S NOT ENOUGH, INSISTING THAT HE AGREE TO REVERSE THE CUTS THEY'VE ALREADY MADE AS AMERICANS ACROSS THE COUNTRY SAY THEY'VE NOTICED A CHANGE. HERE'S ABC'S JONATHAN KARL. >> ABC NEWS HAS OBTAINED PHOTOGRAPHS OF WHAT APPEAR TO BE DISMANTLED SORTING MACHINES AT A POSTAL FACILITY IN PORTLAND. THE POSTAL WORKER WHO TOOK THE PHOTOS SAYS THE MACHINES WERE DISMANTLED OVER THE PAST MONTH. ACROSS THE COUNTRY SIMILAR IMAGES AT A POSTAL FACILITY IN GAITHERSBURG, MARYLAND FROM ABC AFFILIATE WJLA, THE POSTMASTER GENERAL HAS AGREED TO PAUSE COST CUTTING MEASURES DEMOCRATS CALL AN ATTEMPT TO SABOTAGE THE UPCOMING ELECTION BY SLOWING DOWN THE DELIVERY OF MAIL-IN BALLOTS. >> I DON'T FRANKLY TRUST THE POSTMASTER GENERAL AND WHAT HE SAID. >> HOUSE SPEAKER NANCY PELOSI SAYS THE PAUSE IS NOT ENOUGH, AND, QUOTE, DOES NOT REVERSE THE DAMAGE ALREADY REAPED. SHE SAYS SHE SPOKE WITH THE POSTMASTER GENERAL AND TRUMP MEGA DONOR LOUIS DeJOY AND HE FRANKLY ADMITTED HE HAD NO INTENTION OF REPLACING THE SORTING MACHINES, BLUE BOXES AND OTHER MAIL INFRA STRUCTURE THAT HAD BEEN REMOVED. COAST-TO-COAST, THERE HAVE BEEN REPORTS OF DELAYS IN THE MAIL. >> I'M HEARING FROM OUR MEMBERS THAT MAIL ARE BEING LEFT UNWORKED, SITTING ON THE WORK ROOM FLOORS. >> TO LAURA GOLDBERG IN MIAMI, SHE'S SEEN A CLEAR CHANGE AT HER MAILBOX. >> I PUT MAIL OUT INTO MY MAILBOX TUESDAY NIGHT AND I PUT MY FLAG UP. EXPECTING THAT MY BILLS WOULD BE PICKED UP WEDNESDAY AND I CAME OUT WEDNESDAY AFTERNOON AND MY MAIL STILL HADN'T PICKED UP. >> PRESIDENT TRUMP INSISTS HE ISN'T DOING ANYTHING TO SLOW DOWN THE MAIL. AND HAS EVEN RELEASED VIDEO OF HIMSELF FILLING OUT HIS OWN ABSENTEE BALLOT. >> WE HAVE TO MAKE SURE EVERYTHING'S -- >> PRESIDENT TRUMP HAS LONG SAID HE RELIES ON MAIL-IN VOTING ALONG WITH MANY MEMBERS OF HIS FAMILY AND CABINET. JONATHAN KARL JOINS US NOW. CONGRESS IS STALLED ON MORE FUNDING FOR THE POST OFFICE AS PART OF THOSE STIMULUS NEGOTIATIONS. WHAT'S THE LATEST THERE? >> WELL, NANCY PELOSI HAS BROUGHT BACK THE HOUSE, PLAN A VOTE ON SATURDAY ON A BILL THAT WOULD PROVIDE $25 BILLION IN ADDITIONAL FUPNDING TO THE POST OFFICE AND ALSO WOULD INSTRUCT THE POSTAL SERVICE TO UNDO THE CHANGES THAT WERE PUT IN PLACE, THOSE COST CUTTING CHANGES THAT WERE PUT IN PLACE BY THE POSTMASTER GENERAL. >> WHAT'S THE OTHER NEWS THAT THE PRESIDENT MADE DURING HIS AFTERNOON PRESS CONFERENCE? >> OH, WOW, THIS IS -- THIS IS SOMETHING ELSE. HE WAS ASKED ABOUT QANON, YOU KNOW THAT FAR RIGHT CONSPIRACY THEORY THAT ALLEGES ESSENTIALLY THAT PRESIDENT TRUMP'S ENEMIES, HIS OPPONENTS INCLUDE THIS CA BOLL OF SATAN WORSHIPPING PEDOPHILES AND CANNIBALS, INCLUDING TOP OFFICIALS IN THE UNITED STATES GOVERNMENT AND IN GOVERNMENTS AROUND THE WORLD. THE PRESIDENT WAS ASKED ABOUT THAT. AND HE SAID, QUOTE, THAT -- HE SAID HE DIDN'T KNOW MUCH ABOUT IT BUT THAT, QUOTE, I UNDERSTAND THEY LIKE ME VERY MUCH, WHICH I APPRECIATE. HE ALSO SAID THESE ARE PEOPLE WHO LOVE OUR COUNTRY. NOW, LINSEY, ANOTHER FACT ABOUT QANON IS THAT THE FBI NOT LONG AGO PUT OUT A BULLETIN WARNING THIS GROUP POSES A POTENTIAL DOMESTIC TERROR THREAT, THAT'S THE GROUP THE PRESIDENT JUST SAID THESE ARE PEOPLE WHO LOVE OUR COUNTRY. >> INTERESTING DEVELOPMENT THERE, JONATHAN KARL, THANKS SO MUCH. >> TO BREAKING NEWS IN THE WEST, A STATE OF EMERGENCY DECLARED IN CALIFORNIA AS DOZENS OF WILDFIRES THERE BURN, LIGHTNING STRIKES TRIGGERING SCENES LIKE THIS, DRIVING THROUGH THE FLAMES NEAR THE BIGGEST CLUSTER OF FIRES IN THE BAY AREA. OUR CLAYTON SANDELL HAS THE LATEST. >> Reporter: THE GOLDEN STATE A FIERY EXPLOSION OF RED, ORANGE AND BLACK. THOUSANDS ORDERED TO EVACUATE IN THE DARKNESS, FAMILIES RACING TO ESCAPE FLAMES PUSHED BY HEAT ASK WIND. UP AND DOWN THE STREET THERE'S QUITE A FEW HOMES AND STRUCTURES BURNING RIGHT NOW. NEAR VACAVILLE, MULTIPLE FIRES ARE TEARING THROUGH COMMUNITIES, MORE THAN 46,000 ACRES SCORCHED, THE TRAFFIC ON FIRE RADIOS PAINTING A GRIM PICTURE OF THE INJURIES AND A LOSING BATTLE. >> AN AMBULANCE FOR BURN INJURIES, TWO VICTIMS EN ROUTE. >> THESE WILDFIRES ARE MOVING INCREDIBLY FAST, TURNING THIS ENTIRE MOBILE HOME PARK INTO AN APOCALYPTIC WASTE LAND. MANY GOT OUT WITH JUST SECONDS TO SPARE. >> IT WAS LIKE THE ENTIRE WALL OF THE FOREST WAS JUST COMING AT USA DOWN THE ROAD. IT WAS SO SCARY. >> HOW MUCH TIME DID YOU HAVE? WHEN -- >> 30 SECONDS. I LOOKED UP AND THE BACK OF MY HOUSE WAS ON FIRE. >> JUDY AND MARCIA HAVE BEEN NEIGHBORS FOR 13 YEARS. BOTH THEIR HOMES ARE GONE. >> I LOST MY CATS. AND EVERYTHING. I HAVE NO INSURANCE. I HAVE LOST EVERYTHING. >> NOW VOLMER'S MOST VALUABLE POSSESSION IS A VERY SPECIAL FLOWER POT PULLED FROM THE ASHES. >> MY GRAND BABIES MADE THIS FOR ME, THEIR HAND PRINTS. >> THEY'RE GROUPED INTO WHAT THEY CALL COMPLEXES, FOUR BURNING ACROSS THE STATE. SUPERCHARGED BY THE WEATHER. >> OVER THE PAST 72 HOURS CALIFORNIA HAS EXPERIENCED EXTREME LIGHTNING. >> Reporter: THE NUMBER OF EXTREME FIRE WEATHER DAYS IN CALIFORNIA HAS DOUBLED, WITH SO MANY GROWING BLAZES, PLANES, CHOPPERS AND FIREFIGHTERS ARE STRETCHED THIN. >> WE HAVE NO MORE TO GIVE ON THE FRONT LINES. >> Reporter: WE HAVE JUST LEARNED OF A FIRE FIGHTING TRAGEDY HERE IN CALIFORNIA. WE UNDERSTAND THAT A PRIVATE HELICOPTER THAT WAS CONTRACTED TO FIGHT A BLAZE NEAR FRESNO THAT HAS CRASHED. WHEN IT WENT DOWN IT SPARKED A NEW BRUSH FIRE, A 50 ACRE BRUSH FIRE. AUTHORITIES TELL US, HOWEVER, THAT IS NOT A THREAT TO ANY HOMES OR STRUCTURES. WE ALSO UNDERSTAND THAT THE PILOT, THE ONLY PERSON ON BOARD, DID NOT SURVIVE. NOW THE OTHER BIG PROBLEM HERE, YOU CAN SEE BEHIND ME, IT'S ALL THIS SMOKE IN THE AIR. IT IS VERY THICK. THERE ARE FIRES BURNING IN EIGHT OF THE NINE BAY AREA COUNTIES HERE. AND THAT IS A HUGE PROBLEM FOR PEOPLE WITH RESPIRATORY HEALTH PROBLEMS, ESPECIALLY IN THE AGE OF COVID-19. LINSEY? >> OUR THANKS TO YOU, CLAYTON. >>> NOW TO THE COVID CRISIS AND THE BATTLES OVER SCHOOL REOPENINGS. CASES NOW SPREADING ON COLLEGE CAMPUSES, SCENES LIKE THIS, A PACKED PARTY AT THE UNIVERSITY OF CONNECTICUT CAUSING AN UPROAR AND THE SCHOOL IS TAKING DRASTIC ACTION AS MORE COLLEGES REVERSE COURSE ON IN-PERSON CLASSES AND GO VIRTUAL HERE IN NEW YORK CITY TEACHERS IN THE NATION'S LARGEST SCHOOL SYSTEM ARE THREATENING TO STRIKE IF THEIR SCHOOLS ARE NOT SAFE. ABC'S STEPHANIE RAMOS HAS THIS REPORT. >> THE NEW WARNING TONIGHT, THE YOUNG PEOPLE ARE RAPIDLY SPREADING COVID-19. SCHOOL OFFICIALS INVESTIGATING SCENE AFTER SCENE AFTER LARGE COLLEGE PARTIES POSTED TO SOCIAL MEDIA. AUTHORITIES SAYING THIS HAS TO STOP. THE UNIVERSITY OF CONNECTICUT TONIGHT TAKING DRASTIC ACTION AFTER SEEING THIS VIDEO OF A PACKED PARTY INSIDE A DORM ROOM. THE SCHOOL NOW KICKING THOSE STUDENTS OFF CAMPUS. >> I'M REALLY GLAD THAT THEY'RE PUTTING THEIR FOOT DOWN. ENFORCING THESE RULES. >> Reporter: NATIONWIDE AT LEAST 22 STATES REPORTING CASES ON COLLEGE CAMPUSES, MORE THAN 220 STUDENTS TESTING POSITIVE AT THE UNIVERSITY OF NOTRE DAME. A 20% JUMP IN CASES. THE SCHOOL JOINING A GROWING LIST OF UNIVERSITIES SWITCHES TO REMOTE LEARNING. >> THERE WAS A CERTAIN FRACTION OF THE STUDENTS THAT THOUGHT THEY WERE KIND OF INVINCIBLE, I THINK. >> LATE TODAY THE PRESIDENT WEIGHING IN ON HOW SCHOOLS CAN REOPEN SAFELY. >> STUDENTS WHO FEEL SICK SHOULD IN THE ATTEND CLASS AND SHOULD LIMIT SOCIAL INTERACTION, AND UNIVERSITIES SHOULD IMPLEMENT MEASURES TO PROTECT THE HIGH RISK STUDENTS, OR PROFESSORS, AND TEACHERS. >> Reporter: IT'S NOT JUST UNIVERSITIES. >> THERE HAVE BEEN SOME STUDIES TO SHOW THAT CHILDREN FROM 10 TO 19 CAN TRANSMIT TO ADULTS AS EASILY AS ADULTS TRANSMIT TO ADULTS. >> Reporter: TEACHERS IN NEW YORK CITY KNOW ONE SICK CHILD CAN EMPTY A CLASSROOM. >> THIS CITY WENT THROUGH HELL AND CAME BACK AND WE ARE NOT GOING BACK TO HELL BECAUSE OF SHORT-SIGHTED POLITICAL AGENDAS. >> Reporter: THE TEACHERS UNION THREATENING LEGAL ACTION AND EVEN A STRIKE SAYING IT'S NOT SAFE TO REOPEN. THEY'RE DEMANDING ALL SCHOOLS MUST HAVE PPE, PROPER VENTILATION, AND A MASSIVE TESTING AND TRACING PROGRAM, BEFORE STUDENTS RETURN TO CLASS. AND IN FLORIDA AN EMOTIONAL DAY IN COURT. >> NOW I'M GOING TO -- I'M -- I'M NOT GOING TO CHOOSE -- I MEAN, I'VE CHOSEN MY KIDS, MY STUDENTS OVER SO MANY DIFFICULT THINGS. BUT I CAN'T PUT MY FAMILY AT RISK. >> THE STATE'S LARGEST TEACHERS UNION SUING TO STOP IN-PERSON LEARNING. >> JUST SUCH A TOUGH SITUATION FOR SO MANY, AND STEPHANIE RAMOS JOINS US NOW. WHAT CAN YOU TELL US ABOUT THE OTHER BIG HEADLINE TODAY ABOUT BLOOD PLASMA TREATMENT? >> Reporter: TOP FEDERAL DOCTORS, INCLUDING DR. FAUCI, SAY THEY DON'T HAVE ENOUGH DATA FROM CLINICAL TRIALS THAT PROVES PLASMA CAN HELP PEOPLE FIGHT THE VIRUS. NOW, PLASMA HAS BEEN BENEFICIAL TO SOME BUT MORE CLINICAL TRIALS ARE REQUIRED BEFORE THE FDA AUTHORIZES ITS USE. >> STEPHANIE RAMOS, THANKS SO MUCH. >>> AND NOW TO A HATE CRIME INVESTIGATION IN HOLLYWOOD, CALIFORNIA, POLICE NOW REVIEWING VIDEO WHICH APPEARS TO SHOW THREE TRANSGENDER WOMEN BEING ROBBED AND ASSAULTED AS BYSTANDERS LAUGH AND MOCK INSTEAD OF TRYING TO HELP. A WARNING, THIS VIDEO IS DISTURBING, ABC'S MATT GUTMAN AS MORE. >> Reporter: TONIGHT THE LAPD IS CLOSING IN ON THE SUSPECT IN THIS VICIOUS APPARENT HATE CRIME. THIS VIDEO, A 26-MINUTE CHRONICLE OF HARASSMENT OF THREE TRANSGENDER WOMEN RIGHT ON THE HOLLYWOOD WALK OF FAME. THE INCIDENT AND THAT MOCKERY -- >> I THINK THAT'S A DUDE. >> Reporter: IGNITING A FIRE STORM ON -- HE STOLE HER PHONE. >> INITIALLY WE ALL CHASE AFTER HIM TO RETRIEVE MY PHONE. BUT BYSTANDERS AROUND US STARTED TO MAKE FUN OF US AND SURROUNDED US, AND STARTED THROWING ROCKS, LIGHTERS, STARTED CALLING US MEN. >> Reporter: POLICE SAY THE SUSPECT ARMED WITH A METAL BAR ROBBED ALLEN AND LATER STRUCK LUCINETTE IN THE HEAD WITH A BOTTLE. HATE CRIMES DIRECTED AT TRANSGENDER INDIVIDUALS INCREASED 42% IN ONE YEAR. >> BECAUSE WE'RE TRANS, NOBODY CARES. >> FOR MORE LET'S BRING IN MATT GUTMAN. WHERE DOES THE INVESTIGATION STAND AND ARE HATE CRIME CHARGES BEING CONSIDERED? >> Reporter: THEY ARE. THE LAPD IS SAYING IT'S GOING TO INVESTIGATE IT AS A ROBBERY, BUT ALSO AS A HATE CRIME. AND WITH THE HELP OF A TREMENDOUS AMOUNT OF SOCIAL MEDIA SLEUTHING ON TWITTER, INSTAGRAM, TIKTOK, THEY BELIEVE THEY'VE IDENTIFIED THE SUSPECT, DETECTIVES SAY THAT THEY'RE NARROWING IN THE FOCUS ON HIM. HE'S NOT YET IN CUSTODY. BUT THAT COULD HAPPEN AT SOME POINT IN THE NEAR FUTURE. >> MATT GUTMAN, THANKS FOR YOUR REPORTING, AS WULS. >>> WHEN WE COME BACK, THE SCENE THAT NO ONE EVER WANTS TO SEE OUTSIDE THEIR WINDOW. LOOK AT THAT. AND REMEMBER THIS MOMENT WHEN A BILLIONAIRE WIPED AWAY THE GRADUATION CLASS'S DEBT? TONIGHT WE FOLLOW UP HOW THAT MOMENT CHANGED THEIR LIVES, WHILE SO MANY OTHERS ARE CRUSHED WITH UNMANAGEABLE STUDENT LOAN DEBT. >>> THE AUDIO REVEALING WHAT ONE OFFICER SAYS HE TRIED TO DO TO GEORGE FLOYD WHILE HE WAS HANDCUFFED AND HOW ANOTHER OFFICER NOW CHARGED WITH MURDER. >> DANCING PREMIERS LIVE MONDAY, SEPTEMBER 14th. >>> WELL, THIS IS SOMETHING YOU CERTAINLY DON'T WANT TO SEE OUTSIDE OF YOUR WINDOW, TAKE A LOOK AT THIS MASSIVE WATER SPOUT NEAR THE TOWN OF AVENTURA, OUTSIDE OF MIAMI. NO MAJOR DAMAGE WAS REPORTED. THIS STORM COMES AS PEOPLE IN THAT PART OF THE COUNTRY ARE BEGINNING TO KEEP AN EYE ON THE TROPICS. ONE STORM HAS A 90% CHANCE OF DEVELOPING. >>> NOW TO THE GEORGE FLOYD MURDER INVESTIGATION, AND A NEWLY RELEASED AUDIO RECORDING, WHAT FORMER MINNEAPOLIS POLICE OFFICER THOMAS LANE TOLD INVESTIGATORS ABOUT THOSE MOMENTS WHEN FLOYD BEGGED FOR HIS LIFE. ABC'S ALEX PEREZ HAS THE LATEST. >> Reporter: TONIGHT WE'RE HEARING FROM ONE OF THE FORMER COPS CHARGED IN THE KILLING OF GEORGE FLOYD IN HIS OWN WORDS. >> IT'S THOMAS LANE, IS THAT CORRECT? >> YES, SIR. >> Reporter: HE WAS ONE OF THE FIRST OFFICERS ON THE SCENE, THE COURT RELEASING LANE'S 90-MINUTE AUDIO INTERVIEW WITH INVESTIGATORS. THE ROOKIE COP SAID THE OFFICERS THOUGHT FLOYD WAS ON DRUGS AND THE MORE VETERAN OFFICER DEREK CHAUVIN DIRECTED HOW FLOYD WAS RESTAINED. >> I THINK I SAID, AGAIN, I THINK WE SHOULD ROLL HIM ONTO HIS SIDE, AND I BELIEVE CHAUVIN SAID, WE HAVE HIM, THERE'S AN AMBULANCE COMING, WE GOT HIM, WE'RE JUST GOING TO HOLD HERE. >> Reporter: FLOYD AT LEAST TWO DOZEN TIMES BEGGED FOR AIR AND SAID HE COULDN'T BREATHE BEFORE LOSING CONSCIOUSNESS. >> IT SEEMS LIKE YOUR GUT REACTION WAS SOMETHING'S NOT RIGHT HERE AND WE NEED TO RETHINK HOW WE ARE RESTRAINING MR. FLOYD? >> YEAH, I WOULD SAY I FELT LIKE IT MAYBE COULD HAVE BEEN HANDLED DIFFERENTLY OR WE SHOULD BE REASSESSING WHAT WE'RE DOING. >> Reporter: INVESTIGATORS ALSO ASKED LANE WHY HE DREW HIS GUN ON FLOYD MOMENTS AFTER ENCOUNTERING HIM. >> I ASKED TO SEE HIS OTHER HAND AND HE KEPT HIS HAND LIKE THIS. HE HAD HIS ONE HAND UP AND HE KEPT HIS HAND DOWN HERE AND I SAID LET ME SEE YOUR OTHER HAND, LET ME SEE YOUR HAND, AND HE DIDN'T. I DON'T KNOW IF HE'S GOT A GUN. >> THAT OFFICER TRYING TO EXPLAIN HIS ACTIONS. FOR MORE NOW LET'S BRING IN ALEX PEREZ. THAT FORMER OFFICER THOMAS LANE, HE HAS ARGUED THAT HE ACTUALLY DIDN'T DO ANYTHING WRONG. >> Reporter: YEAH, HIS ATTORNEY SAID THOSE EXACT WORDS, IN A 21-PAGE FILING IN COURT, A MOTION TO DISMISS THOSE CHARGES. HE'S TRYING TO SHIFT ANY RESPONSIBILITY FOR WHAT HAPPENED TO FORMER OFFICER DEREK CHAUVIN. IT'S A STRATEGY THE OTHER OFFICERS THAT HAVE BEEN CHARGED ARE USING AS WELL. THE NEXT COURT HEARING WHERE THAT MOTION TO DISMISS WILL BE HEARD IS COMING UP ON SEPTEMBER 11th. >> ALEX PEREZ, THANKS SO MUCH FOR YOUR REPORTING. >>> AND WE STILL HAVE LOTS MORE TO GET TO HERE ON PRIME. THE BODY CAM, WHICH SHOWS THE NBA TEAM PRESIDENT BEING SHOVED BY A GUARD MOMENTS AFTER HIS TEAM WON THE NBA FINALS, THE GUARD ORIGINALLY CLAIMED HE WAS PUNCHED. WHAT THE NBA EXECUTIVE IS SAYING TONIGHT. >>> AND WITH NEWS OF RUSSIA CREATING THE VERY FIRST COVID VACCINE, WHAT WOULD IT TAKE FOR THE TRIALS HERE IN THE UNITED STATES TO MAKE IT OVER THE FINISH LINE? >>> AND BETWEEN COLLEGE STUDENTS DEFERRING, SCHOOLS OPENING AND SHUTTING BACK DOWN, ALL OF THIS IS CREATING ECONOMIC CHAOS IN HIGHER EDUCATION. WE'LL TAKE A LOOK BY THE NUMBERS. BUT FIRST, OUR POST OF THE DAY. THE TEACHERS TRYING TO HAVE SOME FUN DESPITE THE SURREAL SCHOOL YEAR. >> I'M NUMBER ONE -- ♪ RE FUN THAN THIS. >>> WELCOME BACK, EVERYBODY, WE TURN NOW TO HIGHER EDUCATION, LATER ON IN THE SHOW WE'RE GOING TO TAKE A LOOK AT THE STUDENT LOAN CRISIS, BUT NOW WE EXAMINE BY THE NUMBERS HOW THE PANDEMIC IS DRIVING MORE STUDENTS TO DEFER OR RETHINK THEIR COLLEGE PLANS AND WHAT THIS MEANS PER HARD HIT SCHOOLS NOW ON THE BRINK. 22% OF COLLEGE STUDENTS ARE NOW PLANNING NOT TO ENROLL THIS FALL ACCORDING TO AXIOS, INCOMING FRESHMAN ARE EVEN MORE LIKELY TO DEFER OR CHANGE COURSE. 40% WHO WERE HOPING TO BEGIN A FOUR-YEAR RESIDENTIAL COLLEGE THIS FALL SAY THEY'LL LIKELY DELAY OR CANCEL PLANS. HARVARD UNIVERSITY, WHICH WILL BE ALL VIRTUAL FOR UNDERGRADS THIS FALL ANNOUNCED MORE THAN 20% OF ITS WOULD BE FRESHMAN HAVE NOW DEFERRED. AT THIS .33% OF COLLEGES ARE PLANNING TO REOPEN OR MOSTLY OR FULLY ONLINE. 15% WILL LIKELY TAKE A HYBRID APPROACH AND 24%, LIKE ALL OF US, STILL FIGURING IT OUT. ACCORDING TO THE COLLEGE CRISIS INITIATIVE. MANY SCHOOLS ARE STRUGGLING, AMERICAN COLLEGES AND UNIVERSITIES ARE PROJECTED TO LOSE MORE THAN $120 BILLION FROM LOST REVENUES AND ADDED EXPENSES RELATED TO THE CORONAVIRUS. THAT'S ACCORDING TO THE AMERICAN COUNCIL ON EDUCATION. AND SOME MAY NOT SURVIVE. STILL AHEAD HERE ON PRIME OUR COMPREHENSIVE LOOK AT HOW STUDENT LOAN DEBT HAS ALTERED SO MANY LIVES. WHAT HAPPENED TO THE STUDENTS WHO HAD MILLIONS OF DEBT WIPED CLEAR BY A BILLIONAIRE AND THE QUESTION IS A DEGREE WORTH WHAT IT USED TO BE? AND IT'S THE FIRST COMPANY VALUED AT $2 TRILLION. CAN YOU GUESS WHICH ONE? BUT FIRST, HERE'S SOME OF THE TRENDING STORIES ON ABCNEWS.COM. >>> THE DEMOCRATIC CONVENTION IS AT ITS MIDPOINT AND WITH JOE BIDEN OFFICIALLY NOMINATED -- >> THANK YOU VERY, VERY MUCH, FROM THE BOTTOM OF MY HEART. >> SOME POLITICAL HEAVY WEIGHTS WILL BE HIGHLIGHTED TONIGHT. SENATOR ELIZABETH WARREN AND HILLARY CLINTON WILL SPEAK, KAMALA HARRIS, IF FIRST BLACK WOMAN TO ACCEPT A MAJOR PARTY'S NOMINATION FOR VICE PRESIDENT, AND FORMER PRESIDENT BARACK OBAMA WILL ALSO TAKE CENTER STAGE. >> JOE, I'M SO PROUD TO STAND WITH YOU AND I DO SO MINDFUL OF ALL THE HEROIC AND AMBITIOUS WOMEN BEFORE ME. >> HARRIS'S TEAM SAYS SHE HOPES VOTERS WILL BE ABLE TO SEE THEMSELVES IN HER SPEECH. SHE'S EXPECTED TO SET OUT HER VISION FOR THE NATION AND MAKE A CASE FOR ELECTING JOE BIDEN PRESIDENT LAST NIGHT THE SENATOR WATCHED AS DELEGATES AROUND THE COUNTRY PLEDGED THEIR SUPPORT FOR BIDEN'S PRESIDENCY. >> 119 VOTES FOR OUR NEXT PRESIDENT, JOE BIDEN. >> PRIOR TO COMING ON THE HILL. SO WE ARE LEAVING. >> TENS OF THOUSANDS OF PEOPLE ARE UNDER EVACUATION ORDERS ACROSS CALIFORNIA AS OVER TWO DOZEN WILDFIRES ENGULF THE NORTHERN AND CENTRAL PARTS OF THE STATE. THE MOST URGENT OF WHICH IS IN THE CITY OF VACAVILLE, SOUTHWEST OF SACRAMENTO, WHERE RESIDENTS WERE TOLD TO LEAVE IN THE MIDDLE OF THE NIGHT. >> I WENT OUTSIDE IN THE FRONT YARD AND I SAW THE RED GLOW OVER THE MOUNTAINS. >> WITH FIRES IN EIGHT OF THE NINE BAY AREA COUNTIES ITS AIR QUALITY IS NOW THE WORST IN THE WORLD. BY TUESDAY AFTERNOON CALIFORNIA GOVERNOR GAVIN NEWSOM DECLARED A STATEWIDE EMERGENCY DUE TO THE EXTREME WEATHER CONDITIONS. >>> NEWLY RELEASED VIDEO OF A CONFRONTATION BETWEEN A SECURITY GUARD AND A AN NBA TEAM PRESIDENT. SECURITY AND BODY CAM VIDEO SHOWING THE GUARD SHOVING TORONTO RAPTORS PRESIDENT MOMENTS AFTER HIS TEAM HAD WON THE NBA FINALS AGAINST GOLDEN STATE LAST YEAR. ALLEN STRICKLAND PREVIOUSLY SUING CLAIMING HE WAS PUNCHED. THE PRESIDENT IS NOW COUNTERSUING, SAYING THE VIDEO SHOWS STRICKLAND WAS THE AGGRESSOR. >>>st IT'S A MILESTONE FOR ANY COMPANY AT ANY TIME BUT APPLE HAS MANAGED TO BECOME THE FIRST AMERICAN COMPANY TO PULL IT OFF THIS YEAR, AFTER SHUTTERING RETAIL STORES AND FACTORIES DURING THE CORONAVIRUS OUTBREAK. >> APPLE HAS BECOME THE FIRST AMERICAN COMPANY TO HIT A VALUATION OF MORE THAN $2 TRILLION TWO YEARS AFTER THE iPHONE MAKER REACHED THE $1 TRILLION MARK. >> APPLE SHARES HAVE GAINED 60% THIS YEAR. >> UBER AND LYFT DRIVERS, PREPARING FOR A SHUTDOWN OF SERVICE. >> CALIFORNIA'S ATTORNEY GENERAL HAS FILED A LAWSUIT OVER THE CLASSIFICATION OF UBER AND LYFT DRIVERS AS INDEPENDENT CONTRACTORS. SHE WANTS THEM MOVED INTO THE EMPLOYEE CATEGORY, MAKING THEM ELIGIBLE FOR UNEMPLOYMENT BENEFITS IF THEY LOSE THEIR JOBS. THAT WOULD COST THE COMPANIES HUNDREDS OF MILLIONS OF DOLLARS. BOTH LYFT AND UBER SAY THAT IF THEIR APPEALS OF THE RECLASSIFICATION ARE UNSUCCESSFUL THEY'LL BE FORCED TO SHUT DOWN IN CALIFORNIA. AS EARLY AS TOMORROW. >>> WELCOME BACK, THIS MONTH RUSSIA BECAME THE FIRST NATION TO TOUT A COVID-19 VACCINE BUT MANY ARE SKEPTICAL AS THEY HAVEN'T FOLLOWED THE RIGOROUS TRIAL PROCESS MOST NATIONS FOLLOW. HERE IN THE U.S., FOR EXAMPLE, EVEN AFTER SUCCESSFUL TRIALS ARE COMPLETED THERE'S ANOTHER LAYER OF APPROVAL BY THE FDA TO MAKE SURE A VACCINE IS SAFE TO USE. BOB WOODRUFF EXPLAINS IN THIS WEEK'S VACCINE WATCH. >> LAST WEEK IN RUSSIA, A SUDDEN, UNEXPECTED ANNOUNCEMENT -- OFFICIALS INSISTING THE COUNTRY HAS DEVELOPED A SAFE AND EFFECTIVE CORONAVIRUS VACCINE. >> WE EXPECT REGISTRATION OF THE -- OF THE WORLD. WE WILL VACCINATE MEDICAL WORKERS AND TEACHERS FIRST. MASSIVE VACCINATION WILL START IN OCTOBER. >> IN THE WORLD OF HEALTH AND SCIENCE THERE'S DEEP SKEPTICISM. >> WERE I RUSSIA RIGHT NOW I WOULD NOT ROLL UP MY SLEEVES AND GET THIS VACCINE BECAUSE IT HASN'T BEEN ADEQUATELY TESTED. IT MAY BE SAFE AND IT MAY WORK BUT WHY TAKE THAT CHANCE. WHY DO YOU HAVE TO LUCKY? >> WHAT HAS HAPPENED IN RUSSIA COULD NEVER HAVE HAPPENED HERE IN THE U.S. WHERE APPROVAL COMES ONLY AFTER SAFETY AND EFFECTIVENESS IS PROVEN IN WHAT'S COMMONLY KNOWN AS PHASE THREE HUMAN TRIALS. THIS CAN REQUIRE UP TO 30,000 VOLUNTEERS. >> THEY'VE DONE ONE SMALL PHASE ONE TRIAL OF 38 PEOPLE, GIVING THEM A DOSE OF THE VACCINE AND THAT'S IT. THE PROOF IS IN THE PUDDING, THE PUDDING IS IN THE PHASE THREE TRIAL. >> EVEN WITH A SUCCESSFUL PHASE THREE TRIAL THE NEXT STOP IS TO PROVE THAT THE VACCINE IS SAFE TO THE GOVERNMENT. THE FDA AND ITS OUTSIDE EXPERT, ITS VACCINE ADVISORY COMMITTEE. >> THE FDA VACCINE ADVISORY PANEL IS COMPOSED MOSTLY OF B K ACADEMICS IN THE BROADER COMMUNITY, NOT FDA OFFICIALS. IN THIS CASE I SUSPECT WE MAY BE ADVISING THE FDA ON WHETHER WE THINK IT SHOULD BE APPROVED BUT EMERGENCY USE AND AUTHORIZATION. >> THE U.S. WON'T OUTPACE RUSSIA BUT THE FDA SAYS IT WILL DO ALL IT CAN TO GET A SAFE VACCINE APPROVED AFTER REVIEWING FINAL STAGES OF HUMAN TRIALS. >> ONE OF THE THINGS WE'RE GOING IS A ROLLING REVIEW. WE'RE LOOKING AT THE DATA OF THE PHASE THREE EVERY WEEK. >> ACROSS THE GLOBE SIX VACCINE CANDIDATES ARE IN PHASE THREE. TWO IN THE U.S. AND COMPANIES ARE LOOKING FOR VOLUNTEERS. >> WE'RE LOOKING AT WHO'S BEING ENROLLED, DO YOU HAVE ELDERLY VOLUNTEERS, DO YOU HAVE RACIAL AND ETHNIC MINORITIES, VOLUNTEERS IN THE TRIALS. >> ONE RECENT VOLUNTEER, ABC NEWS PRODUCER GINA SINCERI. >> APPARENTLY I PASSED THE INITIAL EXAM BUT THEY REALLY WANT PEOPLE TO GO TO BARS, GO TO BEACHES. THE FACT THAT I WORK OUTSIDE THE HOME AND TRAVEL, THAT MAKES ME VERY DESIRABLE FOR THIS TEST. >> Reporter: SHE IS NOW A PART OF PFIZER'S PHASE THREE TRIALS, RECEIVING HER INJECTION LATE LAST WEEK. >> I'M HERE IN THE WAITING ROOM. I'VE GOTTEN A COVID-19 TEST. I'VE NOW GIVEN A LOT OF BLOOD. NEXT UP IS THE INJECTION. >> Reporter: WE DON'T KNOW IF GINA RECEIVED THE VACCINE OR A PLACEBO BUT WE WILL BE WATCHING AS GINA TRACKS HER PROGRESS. >>> THERE ARE NOW GROWING CALLS FOR A STUDENT LOAN BILL OF RIGHTS, SOME SET OF NATIONWIDE PROTECTIONS FOR THE MILLIONS BUCKLING UNDER CRUSHING DEBT. THE HIGHER COSTS OF HIGHER EDUCATION IS CREATING A STRANGLE HOLD ON MOBILITY FOR SOME. AND MANY SAY IT'S ONLY GETTING WORSE. SO TONIGHT WE WANTED TO TAKE A COMPREHENSIVE LOOK AT THE CRISIS. OUR TREVOR ALT BEGINS HIS LOOK WITH WHAT HAPPENED WITH ONE GROUP OF STUDENTS AND THE SURPRISE GIFT FROM A BILLIONAIRE THAT CHANGED THEIR LIVES. >> TO CELEBRATE -- >> Reporter: 396 GRADUATING SENIORS AT MOREHOUSE COLLEGE SAT LISTENING TO BILLIONAIRE ROBERT SMITH LAST MAY. >> WE'RE GOING TO PUT A LITTLE FUEL IN YOUR BUS. >> MANY IN THE CROWD DIDN'T KNOW WHO SMITH WAS BUT HE WAS ABOUT TO CHANGE THEIR LIVES. >> THIS IS MY CLASS, 2019. AND MY FAMILY IS MAKING A GRANT TO ELIMINATE THEIR STUDENT LOANS. >> WITH THAT GESTURE $34 MILLION IN STUDENT DEBT WAS WIPED AWAY, INCLUDING THAT OF ELI KIRKLAND. >> I'M NOT GOING TO LIE THERE WAS PART OF ME THAT WAS LIKE, MAN, I REALLY DON'T EVEN WANT TO BE HERE BUT I'M NOT MAD NO MORE. >> Reporter: ELI WASN'T EVEN SUPPOSED TO BE THERE THAT DAY, FINANCIAL AID ISSUES HAD KEPT HIM FROM GRADUATING THE YEAR BEFORE AFTER GETTING BEHIND ON CREDIT CARD PAYMENTS AND HIS PARENTS TAKING LOANS TO HELP, HE WAS READY TO LEAVE WITH MORE THAN 100,000 IN STUDENT LOANS. INSTEAD HE LEFT WITH ZERO. >> WAIT, YOU'RE DEBT FREE DEGREE? >> DEBT FREE DEGREE. >> THAT HAPPENED, MY CREDIT SCORE WENT UP TREMENDOUSLY. I HAVE SO MUCH MORE FREEDOM. I'M NOT HANDICAPPED TO THAT BAD CREDIT. >> CONGRATS. I WISH I WAS IN YOUR POSITION. >> JORDAN RANDLE, CLASS OF 2020 DID NOT GET A BILLIONAIRE COMMENCEMENT SPEAKER, DIDN'T EVEN GET A COMMENCEMENT. WITH CORONAVIRUS SENDING EVERYONE HOME HIS FAMILY PUT TOGETHER THIS HUMBLE SOCIALLY DISTANCED GATHERING IN THE BACKYARD, AND WHILE JORDAN IS STILL GRATEFUL FOR WHAT HE HAS, DEBT COLLECTORS DON'T TAKE GRATITUDE AS PAYMENT FOR HIS STUDENT LOANS. >> IT'S DEFINITELY OVER 30,000. I ALMOST FEEL BAD SAYING THAT BECAUSE I'VE LITERALLY SAID THAT AND SOME STUDENTS HAVE LAUGHED AT ME AND SAID I WISH I HAD YOUR CASE, WHICH IS SAD. MOVING IN, GETTING MY NEW CAR, TRYING TO APPLY FOR ANOTHER CREDIT CARD, DOING THESE TYPICAL ADULT THINGS HAVE BEEN A LOT HARDER. >> BOTH ELI AND JORDAN, FRESH INTO THE WORKFORCE, SAY THE SYSTEM OF HIGHER EDUCATION NEEDS TO BE RE-EXAMINED. THAT EXORBITANT COLLEGE COST MAY BE PUTTING THOSE WHO WANT A DEGREE IN A POSITION WHERE THEY CAN ONLY GET AHEAD IF THEY'RE BAILED OUT BY A BILLIONAIRE. >> THERE ARE A LOT OF PEOPLE WHO ARE STRUGGLING OR, YOU KNOW, WHO HAVE THAT DEGREE AND CAN'T FIND WORK, THEY'RE USING EVERY PENNY TO PAY OFF THAT DEBT. >> A LOT OF PEOPLE ARE STUCK IN SO MUCH DEBT THAT THEY CAN'T EVEN DO WHAT THEY STUDIED FOR. SO IT'S LIKE WHAT'S THE POINT? >> IN THE MIDST OF THE PANDEMIC JORDAN AND THE MILLIONS PAYING STUDENT LOANS HAVE SOME TEMPORARY RELIEF. IN MARCH THE CONGRESSIONAL RELIEF PACKAGE SUSPENDED FEDERAL STUDENT LOAN PAYMENTS AND COLLECTIONS AND WAIVED INTEREST -- >> TO HELP OUR STUDENTS AND THEIR FAMILIES, I'VE WAIVED INTEREST ON ALL STUDENT LOANS HELD BY FEDERAL GOVERNMENT AGENCIES. >> PRESIDENT TRUMP HAS SINCE EXTENDED THAT THROUGH THE END OF THE YEAR. BUT THAT RELIEF IS NOT GOING TO LAST FOREVER. AND SEEING THE RAPIDLY INFLATING STUDENT LOAN TOTALS CURRENTLY $1.7 TRILLION NATIONWIDE, RESE RESEARCHERS ARE EXAMINING THE QUESTION, IS AN INCREASINGLY EXPENSIVE COLLEGE EDUCATION EVEN WORTH IT? >> THIS IS OUTPACED INFLATION, AND OTHER GROWTH IN PRICES AND WAGES FOR MANY AMERICANS. AND SO IT KIND OF GIVES A SENSE OF CRISIS. >> Reporter: THE FED CENTER FOR FINANCIAL STABILITY, HE SAYS, YES, COLLEGE IS STILL A WORTHY INVESTMENT YOU HAVE TO BE SMART ABOUT IT BECAUSE THE PAYOFF ISN'T NEARLY AS GUARANTEED AS IT WAS A GENERATION AGO. >> THE RETURNS RELATIVE TO THE GENERATIONS THAT CAME BEFORE ARE STARTING TO WEAKEN. WHEN IT COMES TO WEALTH -- >> Reporter: IT'S EVEN MORE STRIKING FOR GRADUATES OF COLOR. ACCORDING TO DATA FOR BLACK AMERICANS BORN AS EARLY AS THE 1960s HAVING A COLLEGE OR POST GRADUATE DEGREE WAS INSIGNIFICANT TO THEIR WEALTH THAT ON AVERAGE, EVEN WITH ALL THAT EXTRA SCHOOLING THEY BASICALLY BROKE EVEN. >> IT POINTS TO SOME OF THE FUNDAMENTAL WEALTH GAP SOURCES AS BEING DEEPLY ENTRENCHED IN OUR HISTORY. AND SHOWS THAT HOW DIFFICULT IT IS FOR ANY ONE FAMILY OR AN INDIVIDUAL TO ESCAPE FROM SOME OF THE SYSTEMIC GAPS IN WEALTH ACCUMULATION THAT WE SEE BASED ON RACE AND ETHNICITY IN THE U.S. >> THE MILLIONS OF AMERICANS TAKING ON THESE GIANT STUDENT LOANS ARE BETTING ON THEMSELVES AND THE OPPORTUNITIES A DEGREE CAN PROVIDE. MAKE NO MISTAKE, HIGHER EDUCATION STILL PLAYS AN ENORMOUS ROLE IN UPWARD SOCIAL MOVEMENT FOR A HUGE PERCENTAGE OF AMERICANS BUT COLLEGE EDUCATION HAS CERTAINLY NEVER COST MORE. SINCE 1998 THE PRICE OF COLLEGE TUITION HAS RISEN 183%, MORE THAN THREE TIMES FASTER THAN OVERALL INFLATION. FROM 1989 TO 2016 THE COLLECTIVE BALANCE OF OUTSTANDING STUDENT LOAN DEBT FOR AMERICAN FAMILIES ROSE FROM 8.9% TO 22.4%. NEARLY SEVEN IN TEN MEMBERS OF THE CLASS OF 2019 TOOK OUT SOME FORM OF STUDENT LOAN GRADUATING WITH AN AVERAGE DEBT OF NEARLY $30,000. THEY JOIN THE 44 MILLION AMERICANS WITH STUDENT DEBT AND MORE THAN1% OF THOSE STUDENT LOANS ARE 90 DAYS DELINQUENT OR IN DEFAULT. FOR SOME THE DREAMS OF A COLLEGE DEGREE CAN SOON TURN INTO A NIGHTMARISH BURDEN. >> WHEN I FINISHED COLLEGE I WAS STILL WORKING AT STARBUCKS. I WAS WORKING AT A CALL CENTER. AND I WAS ALSO DELIVERING MAIL ON SATURDAYS. AND I STILL COULDN'T AFFORD THE LOANS WHEN THEY CAME IN AT $700 A MONTH. >> KATRINA WILLIAMS FOUND HERSELF WITH MORE THAN $100,000 IN STUDENT LOAN PAYMENTS AND SHE COULDN'T GET A BETTER PAYING JOB. SHE WAS CAUGHT IN A VICIOUS VIKELE, BREAKING OUT IN HIVES FROM THE STRESS, TOO BROKE TO BUY GAS TO GO TO WORK. >> EVEN IF I WORKED THREE JOBS UNTIL I PAID NOTHING BUT MY STUDENT LOAN DEBT, SOLD EVERY BELONGING I HAD I STILL WOULDN'T BE ABLE TO PAY IT OFF WITHIN THE NEXT 30 YEARS. I CAN'T. >> KATRINA MOVED TO JAPAN TO TEACH AND DECIDED SHE JUST WOULDN'T PAY HER LOANS. SHE SAYS ALMOST IMMEDIATELY THE STRESS WAS LIFTED, BUT THE HORROR SHE FEELS TOWARDS WHAT SHE SAYS IS A RIGGED SYSTEM HASN'T GONE AWAY. >> WHEN I WAS 18 YEARS OLD AND MY EYES WERE FULL OF STARS, I'M GOING AWAY TO COLLEGE. I HAD NO IDEA THIS WAS THE FUTURE. I HAD NO IDEA WHAT THOSE GIANT NUMBERS MEANT. I WAS A KID. PEOPLE ARE STARTING TO REALIZE, THOSE MILLENNIALS AREN'T JUST EATING AVOCADO TOAST AND BEING LAZY, THEY'RE IN CRIPPLING DEBT. OVER $100,000 IN DEBT. >> NO FINANCIAL OR LEGAL EXPERT WOULD RECOMMEND DEFAULTING ON YOUR LOANS AND LEAVING THE COUNTRY. THE FOUNDER OF ED MITT WHICH HELPS STUDENTS -- >> A COLLEGE DEGREE IS STILL WORTH IT. THE AVERAGE COLLEGE GRADUATE EARNS NEARLY A MILLION DOLLARS MORE OVER THE COURSE OF THEIR LIFETIME THAN A COMPARABLE HIGH SCHOOL GRADUATE WITHOUT A DEGREE, SO IT'S WORTH IT. >> HE SAYS IT'S ESSENTIAL TO KNOW THE FINANCIAL IMPLICATIONS AHEAD OF TIME, JUST AS YOU WOULD FOR BUYING A HOUSE OR A CAR. AND IF YOU'RE ALREADY IN MOUNTING DEBT, EXHAUST EVERY AVAILABLE OPTION, LIKE INCOME-DRIVEN REPAYMENT TO MINIMIZE THE BURDEN IF YOU CAN. >> MAKE SURE YOU UNDERSTAND WHAT OPTIONS ARE AVAILABLE WITH RESPECT TO ADDRESSING YOUR STUDENT DEBT. I'D ALSO SAY THAT THEY'RE NOT A LOAN. THERE'S A LOT OF UNFORTUNATELY OTHER STUDENTS THAT HAVE AN AWFUL LOT OF STUDENT DEBT AND THERE ARE COMMUNITIES ONLINE THAT THEY CAN FIND AND MEET OTHERS WHO HAVE BEEN CHIPPING AWAY AT THAT DEBT. >> OF COURSE FOR THE MOST RECENT GRADUATES THAT MAY NOT SOUND VERY PROMISING AND EVEN JORDAN WHO ALREADY HAS A JOB AND IS WORKING TO PAY OFF HIS DEBTS SAYS IT'S TIME FOR A MAJOR OVERHAUL. >> I THINK THE ISSUE WITH THE STUDENT LOAN SYSTEM IS NOW IT'S BASICALLY COME BUSTING. THERE DOES NEED TO BE A CHANGE IN OUR, YOU KNOW, ACADEMIC SYSTEM, IN GENERAL. AND, YOU KNOW, BECAUSE I DO FEEL LIKE IT STILL BENEFITS PEOPLE WHO COME FROM WEALTH, BECAUSE THAT'S WHO IT WAS MADE FOR. >> TREVOR ALT, ABC NEWS, NEW YORK. >>> AND WHEN WE RETURN, WHAT WE'RE TRACKING WITH THE CONVENTION'S LESS THAN AN HOUR AWAY. STAY WITH US. >>> AND THE ONLINE INFLUENCER, TRYING TO BRIGHTEN UP OUR MOODS DURING THESE TURBULENT TO HAPPI LISTEN TO THE 10% HAPPIER PODCAST FREE ON APPLE PODCASTS. >>> WELCOME BACK, HERE'S SOMETHING YOU MAY NOT HAVE HEARD JUST YET BUT QUARANTINE HAS APPARENTLY GIVEN MANY OF US A CRAVING FOR MORE COLOR IN OUR HOMES. ERIELLE RESHEF SPEAKS TO AN INFLUENCER. >> I WANT TO TALK ABOUT ROSES. >> HE'S THE FLORAL DESIGN SENSATION BLOOMING ON INSTAGRAM. KRISTEN GRIFFITH'S DEVOTED FOLLOWING HAS BLOSSOMED TO MORE THAN 65,000. >> IT'S ALL ABOUT THE BLOW AND TWIST. I THINK OUR BODIES ARE NATURALLY REACTING TO BEING STUCK IN OUR HOUSES ALL DAY. SO WE'RE LOOKING TO CONNECT IN ANY WAY THAT WE CAN. IT ALLOWS YOU TO BREATHE BETTER AND EXPERIENCE LIFE IN A MORE FULL WAY BECAUSE IT'S CONNECTING YOU WITH THE OUTSIDE. BUT YOU'RE JUST BRINGING IT INSIDE AND HAVING SOMETHING PRETTY TO LOOK AT AS WELL. >> WITH ALL OF US SPENDING MORE TIME AT HOME THE HASHTAGS PLANT DAD AND PLANT MOM ARE TRENDING. >> THERE'S SOMETHING VERY THERAPEUTIC AND COMFORTING ABOUT WATCHING THINGS GROW, AND FEELING LIKE YOU WERE A PART OF THAT. AND I THINK THAT THAT'S FUELED A LOT OF THIS FOR PEOPLE, EVEN IF YOU'RE JUST DIGGING IN A POT ON YOUR BALCONY. THERE'S SOMETHING VERY SATISFYING AND HOPEFUL ABOUT THAT. >> TO MAKE YOUR HOME GARDEN GROW WE WENT TO THE EXPERT FOR ADVICE. >> I HAVE A QUESTION REGARDING MY TOMATO PLANTS. I SEEM TO FIND BLACK ACCO CATERPILLARS ON THEM TO SEEM TO APPEAR OVERNIGHT. >> NUMBER ONE THING I DO IS YOU HAVE TO USE AN ORGANIC PESTICIDE. THERE'S SOMETHING CALLED -- OIL, WHICH COMES FROM THE TREE, COMES FROM THE SEEDS OF THE TREE WHICH I BELIEVE IS NATIVE TO SOUTHEAST ASIA. THAT OIL ACTS AS A NATURAL PESTICIDE. AND IT TASTES AWFUL. IT HAS THIS REALLY DISGUSTING, BITTER TASTE, THAT PESTS AND BUGS REALLY DISLIKE. >> I WANT TO KNOW, HOW CAN I CREATE A FLOWER ARRANGEMENT WITH ONLY USING DARK COLORS, LIKE BLACK OR MAYBE A DEEP PURPLE? >> I SAY EMBRACE THE MOOD, THERE'S NOTHING DEPRESSING ABOUT DARK FLOWERS AND THAT IS A REALLY GREAT WAY TO BRING IN SOMETHING SORT OF DARK AND A LITTLE BIT SEXY INTO YOUR SPACE. >> WHAT IF YOU'RE LIKE ME AND WANT HOME FLORALS WITHOUT THE FUSS. >> THIS IS EXTREMELY HELPFUL FOR ME. >> KRISTEN SAYS A SUCCULENT IS ALWAYS A SAFE CHOICE. >> IF YOU HAVE A MURDER THUMB, IT'S PERFECT FOR THAT. >> THAT WOULD BE ME. >> OUR THANKS TO ERIELLE FOR THAT. >>> WE'LL CONTINUE OUR COMPLETE COVERAGE WITH OUR POWER HOUSE POLITICAL TEAM HERE ON ABC NEWS LIVE BUT FOR A PREVIEW OF WHAT WE CAN EXPECT FOR TONIGHT LET'S BRING IN ABC NEWS DEPUTY POLITICAL DIRECTOR MARY ALICE PARKS. THE WHOLE NIGHT WILL HAVE A HUGE FOCUS ON FEMALE SPEAKERS. GIVE US THE HIGHLIGHTS. >> Reporter: SENATOR KAMALA HARRIS, FRONT AND CENTER TONIGHT, THE FIRST TIME WE WILL HEAR FROM JOE BIDEN'S HISTORIC PICK. BUT SHE IS NOT THE ONLY TRAIL BLAZING FEMALE DEMOCRAT THAT WILL BE HIGHLIGHTED TONIGHT. THE FIRST FEMALE SPEAKER OF THE HOUSE NANCY PELOSI, ELIZABETH WARREN SPEAKING TONIGHT, OBVIOUSLY A POWERFUL FEMALE VOICE IN THE DEMOCRATIC PARTY AND HILLARY CLINTON, THE DEMOCRATIC FEMALE NOMINEE LAST TIME, ALL OF THESE HISTORY MAKING WOMEN BECAUSE, LOOK, BIG PICTURE, DEMOCRATS HAVE ALWAYS KNOWN THAT WOMEN ARE THE BACKBONE OF THEIR PARTY. AND IN THE ERA OF TRUMP IT'S MORE THAN THAT. THEY'RE THE GUTS, BRAINS, THE ENTIRE OPERATION OF THE DEMOCRATIC PARTY. AND IT'S VERY CLEAR THAT DEMOCRATS WANT TO REMIND VOTERS THAT THEY'RE THE ONES WITH THE HUGE EDGE WITH WOMEN. >> THE GUTS, THE BRAINS, THE BACKBONE, ALL THAT, AND OF COURSE KAMALA HARRIS HAS HER BIG MOMENT TONIGHT. WHAT ARE YOU EXPECTING IN HER REMARKS? >> SHE BASICALLY HAS TO DO TWO THINGS, SHE NEEDS TO REINTRODUCE HERSELF ON THIS NATIONAL STAGE, NO LONGER JOE BIDEN'S COMPETITOR, SHE NOW NEEDS TO SHOW SHE'S HIS TEAMMATE AND THAT THEY'RE WORKING TOGETHER. BUT THERE'S ALSO A LOT OF PRESSURE FOR HER TO START TO SHOW WHAT A BIDEN/HARRIS ADMINISTRATION WOULD EVEN LOOK LIKE. THE LAST FEW DAYS WE'VE SEEN THESE GLOWING SPEECHES ABOUT JOE BIDEN BUT THEY'VE REALLY BEEN ABOUT HIS CHARACTER. BUT THEY'RE NOT EXACTLY SPEECHES ABOUT BIG CHANGE. THAT'S PARTLY THE BENEFIT OF RUNNING AGAINST A SITTING PRESIDENT, DEMOCRATS CAN PARTLY SAY THAT CHANGING ADMINISTRATIONS WOULD BE CHANGE ENOUGH BUT THE BIDEN TEAM KNOWS THAT'S NOT REALLY ENOUGH. THEY NEED TO START LAYING OUT THE CASE TO VOTERS WHAT EXACTLY AN ADMINISTRATION WOULD LOOK LIKE, WE'RE EXPECTING SOME BIG POLICY SPEECHES. HARRIS WILL TAKE THE CHARGE ON THAT, ENVIRONMENTAL CHANGE, IMMIGRATION REFORM, GUN CONTROL, ISSUES THAT JOE BIDEN REALLY WANTS TO LEAD ON. >> AND OF COURSE WE CANNOT FORGET PRESIDENT OBAMA IS ALSO SPEAKING TONIGHT. WHAT DO YOU HAVE YOUR EYE ON THERE? >> YEAH, IT IS REMARKABLE, WE WERE JUST TALKING ABOUT THESE POWER HOUSE WOMEN BUT IT IS REALLY POSSIBLE THAT BARACK OBAMA, THE FORMER PRESIDENT, REALLY STEALS THE SHOW IN THE END. YOU KNOW, HE'S NOT JUST GOING TO BE TALKING AS JOE BIDEN'S FORMER BOSS. HE'S TALKING AS A FORMER PRESIDENT AND THE CAMPAIGN JUST PUT OUT SOME EXCERPTS OF HIS PREPARED REMARKS, I HAVE TO TELL YOU THEY ARE STUNNING, IT IS REALLY SOMETHING. HE IS HOLDING ABSOLUTELY NOTHING BACK. IT'S REALLY RARE FOR A FORMER PRESIDENT TO GO DIRECTLY AFTER A SITTING PRESIDENT. BUT IT SEEMS LIKE THAT'S EXACTLY WHAT BARACK OBAMA PLANS TO DO. HE DOESN'T NORMALLY CALL IT OUT DONALD TRUMP BY NAME BUT IN THESE PREPARED REMARKS HE REALLY DOES. HE SAYS THAT DONALD TRUMP HAS SHOWN NO INTEREST IN PUTTING IN THE WORK. FINDING COMMON GROUND, USING THE AWESOME POWER OF HIS OFFICE TO HELP ANYONE BUT HIMSELF AND HIS FRIENDS. JUST PRETTY REMARKABLE LANGUAGE, TAKEN ALL TOGETHER THESE EXCERPTS I'M LOOKING AT IT LOOKS LIKE PRESIDENT OBAMA PLANS TO SAY THAT HE REALLY BELIEVES PRESIDENT TRUMP IS A THREAT TO DEMOCRATIC INSTITUTIONS. AND THAT'S QUITE THE CLAIM. >> PEOPLE WILL BE ALL EARS TONIGHT, FOR SURE. MARY ALICE, THANKS SO MUCH. >> THANKS, LINSEY. >>> AND BEFORE WE GO TONIGHT OUR IMAGE OF THE DAY. A WORKER GETTING THE STAGE READY IN WILMINGTON, DELAWARE WHERE SENATOR KAMALA HARRIS IS SET TO DELIVER HER SOCIALLY DISTANT SPEECH TONIGHT. MUCH OF THE FANFARE OF PAST CONVENTIONS IS GONE, HISTORY WILL NONETHELESS BE MADE. AND THAT IS OUR SHOW FOR TONIGHT. I'M ABOUT TO SWITCH SETS AND BE JOINED BY OUR POWER HOUSE POLITICAL TEAM. BE SURE TO STAY TUNED TO ABC NEWS LIVE AS WE BEGIN NIGHT THREE OF COVERAGE FOR THE DEMOCRATIC NATIONAL CONVENTION. I'M LINSEY DAVIS. THANKS SO MUCH FOR STREAMING WITH US AND GOOD NIGHT. . >>> THIS IS AN ABC NEWS SPECIAL. TONIGHT, THE MOST POWERFUL WOMEN IN THE DEMOCRATIC PARTY TAKE UP THE FIGHT FOR JOE BIDEN. NANCY PELOSI, ELIZABETH WARREN, HILLARY CLINTON, AND HIS NEW RUNNING MATE, KAMALA HARRIS. PLUS, PRESIDENT BARACK OBAMA HOPES TO DELIVER A KNOCKOUT BLOW FOR HIS FRIEND, JOE BIDEN. LIVE FROM NEW YORK CITY AND ACROSS THE COUNTRY, HERE NOW, LINSEY DAVIS, TOM LLAMAS, AND THE ABC NEWS POWERHOUSE POLITICAL TEAM. >> GOOD EVENING. THANK YOU FOR JOINING US ON ABC NEWS LIVE TONIGHT. I'M TOM LLAMAS JOINED WITH LINSEY DAVIS. TONIGHT IS SENATOR KAMALA HARRIS' BIG NIGHT, ADDRESSING IN PRIME TIME FOR THE FIRST TIME, THE DEMOCRATIC PARTY AS THE NOMINEE FOR THE DEMOCRATS AS VICE PRESIDENT. >> SENATOR HARRIS JOINS AN ELITE GROUP TONIGHT AS ONLY THE THIRD WOMAN TO BE NOMINATED FOR VICE PRESIDENT ON A MAJOR PARTY TICKET. AND OF COURSE, THE FIRST WOMAN OF COLOR. TONIGHT SHE'S GOT ONE JOB TO MAKE A STRONG PITCH FOR JOE BIDEN AS PRESIDENT. THAT'S KIND OF A HARD LEFT TURN FROM THE JOBS SHE ONCE THROUGH DURING THE DEMOCRATIC DEBATE EARLIER THIS YEAR. >> THIS EVENING THE LINEUP IS ANCHORED BY THE MOST POWERFUL WOMEN IN THE PARTY, SOME OF THE MOST POLARIZING AS WELL. SPEAKER NANCY PELOSI, SENATOR ELIZABETH WARREN, SPECKING ONCE AGAIN TO JOE BIDEN. ALSO ON TAP, HILLARY CLINTON, WHO KNOWS ALL TOO WELL WHAT A FIGHT AGAINST DONALD TRUMP LOOKS LIKE. >> PRESIDENT OBAMA PROTESTANT AND CENTER TONIGHT. MOST RECENTLY TAKING JABS AT PRESIDENT TRUMP'S LEADERSHIP AT THE MEMORIAL SERVICE FOR REPRESENTATIVE JOHN LEWIS. IN THIS ARENA WHERE THE GLOVES ARE OFF, HOW HARD WILL PRESIDENT OBAMA SWING TONIGHT? >> OUR POWERHOUSE ROUNDTABLE IS WITH US IN NEW YORK, D.C., AND ACROSS THE COUNTRY. WE START WITH MARY BRUCE IN WILMINGTON, DELAWARE, TONIGHT. MARY, SO GREAT TO HAVE YOU HERE TONIGHT. KAMALA HARRIS IS ON THE BIGGEST STAGE OF HER LIFE RIGHT NOW. THIS IS A HIGH-STAKES MOMENT. WHAT IS SHE GOING TO SAY TONIGHT AND WHAT DO DEMOCRATS WANT TO HEAR FROM HER? >> TOM, KAMALA HARRIS IS GOING TO OUTLINE HER VISION FOR THE FUTURE AND THIS COUNTRY AND EXPLAIN WHY SHE FEELS THAT HER STORY, THE AMERICAN STORY, A VISION OF A COUNTRY WHERE EVERYONE BELONGS IS SOMETHING THAT SHE SAYS NOW FEELS LIKE A DISTANT PAST UNDER PRESIDENT TRUMP. SHE'S GOING TO OUTLINE WHY SHE FEELS THAT JOE BIDEN IS THE BEST LEADER TO BRING BACK THAT VISION. SHE IS THE DAUGHTER OF IMMIGRANTS A JAMAICAN FATHER AND INDIAN MOTHER. SHE HAS BROKEN BARRIERS. WE'RE SEEING A BLACK WOMAN, AN ASIAN-AMERICAN ACCEPTING THE PARTY'S NOMINATION TO BE VICE PRESIDENT. YOU KNOW, IN SPEAKING WITH VOTERS OVER THE LAST WEEK OR SO, I HAVE BEEN STRUCK BY HOW MANY PEOPLE HAVE SAID IN HEARING JOE BIDEN'S PICK FOR VICE PRESIDENT, HIS DECISION TO PICK KAMALA HARRIS THAT THEY FELT IT WAS A SIGN OF REAL PROGRESS , THAT IN THESE DIVISIVE TIMES THAT HOPE WAS SOMETHING THAT WAS STILL POSSIBLE, ESPECIALLY IN TALKING TO BLACK WOMEN WHO SAY THEY SEE THIS AS A SIGN THAT JOE BIDEN HEARS THEM. OF COURSE BLACK VOTERS IN MANY WAYS SAVED HIS STRUGGLING CAMPAIGN OR MADE THIS NIGHT POSSIBLE. THEY FEEL THAT JOE BIDEN IS INCLUDING THEM IN THE FUTURE OF THE PARTY GOING FORWARD. IT WILL BE QUITE A THING TONIGHT TO SEE HER MAKE HISTORY. IT SENDS SUCH A POWERFUL MESSAGE TO WOMEN ACROSS THIS COUNTRY, TO WOMEN OF COLOR, ESPECIALLY TO YOUNG GIRLS. >> TRULY HISTORIC. THANK YOU SO MUCH, MARY. LET'S BRING IN TERRY MORAN IN PHILADELPHIA. MICHELLE ELECTIFIED DEMS ON MONDAY. WHAT ARE YOU EXPECTING TONIGHT? >> I EXPECT SOMETHING WE HAVEN'T SEEN IN A LONG TIME, LINSEY. HERE IN PHILADELPHIA WHERE THE COUNTRY WAS BORN AND INDEPENDENCE HALL BEHIND ME, FORMER PRESIDENT OBAMA SPEAKING FRONT OF THE MUSEUM OF THE AMERICAN REVOLUTION IS GOING TO LAUNCH A BLISTERING ATTACK AGAINST HIS SUCCESSOR. MAYBE HARRY TRUMAN DID THE SAME THING TO EISENHOWER. HE'S GOING TO FLAY THE POLITICAL SKIN OFF DONALD TRUMP. TRUMP HAS TRASHED OBAMA AND HIS PERFORMANCE IN OFFICE AGAIN AND AGAIN. IT SOUNDS LIKE IT'S PAY-BACK TIME TONIGHT. THE PRESIDENT THE GOING TO SAY AT A DONALD TRUMP SEES THE OVAL OFFICE ONLY AS A REALITY ♪SHOW THAT HE CAN USE TO GET THE ATTENTION HE CRAVES, AND HE'S GOING TO SAY ALSO DONALD TRUMP HASN'T GROWN INTO THE JOB BECAUSE HE CAN'T. NOW, ALL THESE INSULTS AND CRITICISM OF THE CURRENT PRESIDENT BY THE FORMER PRESIDENT AREN'T JUST THIS PERSONAL BATTLE. WHAT BARACK OBAMA IS TRYING TO DO WITH THESE EXCERPTS AND THE SPEECHES IS RAISE THE STAKES, IF YOU CAN IMAGINE IT, FOR THE AMERICAN PEOPLE. HE'S TRYING TO SAY THAT DEMOCRACY ITSELF, THE LEGACY OF THE COUNTRY'S DEMOCRACY THAT BEGAN HERE IN PHILADELPHIA IS ON THE BALLOT BECAUSE OF DONALD TRUMP'S PERFORMANCE IN OFFICE AND HIS ATTITUDE, HIS AUTHORITARIAN ATTITUDE IN THE EYES OF BARACK OBAMA TOWARDS POWER. SO WE'RE GOING TO SEE A KNOCKDOWN, DRAG 'EM OUT, HAY-MAKING SPEECH FROM THE FORMER PRESIDENT TO THE CURRENT PRESIDENT. SHOULD BE WILD. >> ALL RIGHT, TERRY, STAND BY. MORE ON PRESIDENT OBAMA'S SPEECH. I WANT TO BRING IN RACHEL SCOTT AT THE WHITE HOUSE. WE KNOW PRESIDENT TRUMP HAS HIT SOME SWING STATES. HE'S TRYING TO SWAY VOTERS AND STEAL SOME OF THOSE HEADLINES DURING THIS DEMOCRATIC NATIONAL CONVENTION, BUT WE HAVE RELEASED EXCERPTS FROM FORMER PRESIDENT OBAMA'S SPEECH AND WE KNOW NOW PRESIDENT TRUMP HAS WEIGHED IN ON THE EXCERPTS. >> YES, TOM. HE DEFINITELY HAS. HE IS RAILING AGAINST PRESIDENT OBAMA, CALLING HIM INEFFECTIVE, SAYING HE WOULDN'T HAVE THE JOB THAT HE HAS NOW IN THE OVAL OFFICE IF PRESIDENT OBAMA DID HIS JOB FIRST. THE PRESIDENT WAS ASKED DIRECTLY ABOUT SOME OF THOSE PREPARED REMARKS. IT IS CLEAR THAT THE PRESIDENT IS TUNING INTO WHAT IS HAPPENING ON THE OTHER SIDE OF THE AISLE HERE AT THE DEMOCRATIC NATIONAL CONVENTION. PINNED ON HIS TWITTER FEED RIGHT NOW IS A MESSAGE TO OBAMA SAYING SEE YOU ON THE FIELD OF BATTLE, TOM. >> RACHEL, I ALSO WANT TO ADDRESS ANOTHER HEADLINE OUT OF THE WHITE HOUSE TONIGHT. THE PRESIDENT DURING HIS BRIEFING TODAY ADDRESSED SUPPORTERS OF THE QANON CONSPIRACY THEORY. IF YOU CAN EXPLAIN TO YOUR VIEWERS FIRST WHAT EXACTLY QANON IS AND WHAT THE PRESIDENT SAID TONIGHT? >> YEAH, THAT WAS QUITE THE MOMENT IN THE WHITE HOUSE PRESS BRIEFING ROOM. THE PRESIDENT WAS ASKED ABOUT THE QANON CONSPIRACY THEORY WHICH AT THE CRUX OF THIS PEOPLE BELIEVE THAT THE PRESIDENT'S OPPONENTS ARE PART OF SOME SECRET SOCIETY OF PEDOPHILES AND THERE ARE THOSE OUT TO GET THE PRESIDENT. THE PRESIDENT WAS ASKED TO RESPOND TO THIS AND SAID HE KNOWS NOTHING ABOUT THE MOVEMENT, HASN'T KNOWN ANYTHING ABOUT IT EXCEPT FOR THE FACT THAT SOME OF ITS BELIEVERS SUPPORT HIM, WHICH HE APPRECIATES. HE THEN WENT ON TO SAY SOME OF THE BELIEVERS OF THIS CONSPIRACY THEORY LOVE OUR COUNTRY. TONIGHT THE BIDEN CAMPAIGN IS FIRING BACK, TOM, SAYING THAT THE PRESIDENT IS LEGITIMIZING A CONSPIRACY THEORY THAT THE FBI HAS LABELED A POTENTIAL DOMESTIC TERRORIST THREAT. TOM? >> RACHEL SCOTT, I'LL TAKE THAT BACK. THANK YOU SO MUCH. WE'RE JOINED BY GOVERNOR GRETCHEN WHITMER OF MICHIGAN, OR AS SHE JOKED ON MONDAY NIGHT , THAT WOMAN FROM MICHIGAN AS PRESIDENT TRUMP CALLED HER. THANK YOU SO MUCH FOR JOINING US, GOVERNOR. >> GLAD TO BE WITH YOU. >> TONIGHT WE'LL SEE A MOSTLY FEMALE SPEAKING LINEUP AHEAD OF KAMALA HARRIS OFFICIALLY ACCEPTING THE VP NOMINATION. JUST REFLECT ON THIS MOMENT FOR A MOMENT AS FAR AS WHAT YOU HOPE TO HEAR TONIGHT. >> OH, I GOT TO TELL YOU, I'M SO EXCITED. I THINK THAT TONIGHT IS GOING TO HAVE A PHENOMENAL IMPACT. IT'S A HISTORIC MOMENT TO HEAR FROM KAMALA HARRIS. I AM SO EXCITED. I'M GOING TO BE WATCHING IT WITH MY DAUGHTER. WE REMEMBER FOUR YEARS AGO WE WENT -- MICHELLE OBAMA SPEAK AT A HILLARY CLINTON -- THIS IS THE MOMENT WHERE WE WILL LOOK BACK AND THINK THIS CHANGED THE ELECTION. THIS PUTS NOT JUST MICHIGAN BUT THE WHOLE COUNTRY -- COVERING THE COVID-19, PULLING BACK OUR ECONOMY STRONGER THAN EVER -- AND REALLY EXCITED ABOUT THIS -- >> GOVERNOR, THERE IS A LOT OF PRESSURE ON YOU TONIGHT AND OTHER DEMOCRATIC LEADERS IN YOUR STATE. MICHIGAN TURNED BLUE IN 1992. IT STAYED IN THE DEMOCRATIC WIN COLUMN FOR 24 YEARS. AND THAT ALL CHANGED FOUR YEARS AGO WHEN 2016. YES, IT WAS A RAZOR THIN MARGIN, BUT PRESIDENT TRUMP WON YOUR STATE. WHAT ARE YOU DOING RIGHT NOW AND WHAT CAN YOU TELL DEMOCRATS TONIGHT THAT YOU AND OTHER LEADERS ARE WORKING OVERTIME TO MAKE SURE YOU CAN DELIVER MICHIGAN FOR THE DEMOCRATS? >> WELL, THERE'S NO QUESTION THE ROAD TO THE WHITE HOUSE GOES THROUGH THE GREAT STATE OF MICHIGAN. IN 2016 TRUMP WON MICHIGAN BY 11,000 VOTES. WHEN I WON JUST TWO YEARS LATER, I WON BY OVER 400,000 VOTES. ALL THAT BEING SAID -- I THINK -- I DON'T BUY IT FOR A SECOND -- WORK ALL THE WAY THROUGH THE LAST VOTE BEING -- THAT WE CAN TAKE NOTHING FOR GRANTED. JUST TODAY WE SAW THAT THE POST OFFICES ACROSS THE MICHIGAN WE SAW A LOT OF VERY CONCERNING PICTURES AND REPORTS COMING OUT THAT -- WHITE HOUSE -- THEY ARE -- SO TINKERING WITH OUR US POSTAL SERVICE -- THAT'S WHAT WE GOT -- TAKE THIS SERIOUSLY. >> GOVERNOR GRETCHEN WHITMER, THANK YOU IF YOU ARE YOUR TIME. UNFORTUNATELY WE HAD A LITTLE TECHNICAL DELAY WITH THE ZOOM CALL, BUT I THINK WE GOT THE GIST OF WHAT YOU'RE SAYING. YOU'RE GOING TO WORK HARD TO TRY TO DELIVER YOUR STATE BACK FOR DEMOCRATS COME NOVEMBER. ALL RIGHT, GOVERNOR, THANK YOU FOR YOUR TIME. >>> WHEN WE COME BACK, THE FORMER PROSECUTOR AND PRESIDENTIAL CANDIDATE WHO BECAME THE FIRST BLACK WOMAN TO BE NOMINATED TO BE A VICE PRESIDENT, SENATOR KAMALA HARRIS. STAY WITH US. "ONE OF A KIND TO AN OUTER BANKS" AT 9:00 ON NATIONAL GEOGRAPHIC. >>> BY CHOOSING A WOMAN TO RUN FOR OUR NATION'S SECOND HIGHEST OFFICE, YOU SEND A POWERFUL SIGNAL TO ALL AMERICANS. THERE ARE NO DOORS WE CANNOT UNLOCK. [ CHEERS ] >> AMERICANS EXPECT US TO GO TO WASHINGTON FOR THE RIGHT REASONS, THE RIGHT REASON IS TO CHALLENGE THE STATUS QUO, TO SERVE THE COMMON GOOD AND TO LEAVE THIS NATION BETTER THAN WE FOUND IT. [ CHEERS ] >> THOSE ARE THE TWO WOMEN WHO WALKED IN KAMALA HARRIS' FOOTSTEPS BEFORE, THE FIRST TWO WOMEN AS CANDIDATES FOR VICE PRESIDENT NOW TONIGHT SENATOR HARRIS JOINS THAT VERY EXCLUSIVE CLUB. >> LINSEY, ALTHOUGH SHE HAS BEEN ON THE NATIONAL STAGE AS A PRESIDENTIAL CANDIDATE AND HIGH-PROFILE SENATOR, HER PATH TO THIS MOMENT IS VERY DIFFERENT THAN THE WOMEN AND MEN WHO HAVE SERVED AS RUNNING MATES BEFORE HER. OUR BYRON PITTS EXPLAINS. >> I AM NOT PERFECT. LORD KNOWS I AM NOT PERFECT. BUT I WILL ALWAYS SPEAK WITH DECENCY AND MORAL CLARITY AND TREAT ALL PEOPLE WITH DIGNITY AND RESPECT. [ CHEERS ] >> KAMALA HARRIS, THE 55-YEAR-OLD STEPMOTHER AND WIFE, THE DAUGHTER OF IMMIGRANTS, A JAMAICAN FATHER AND INDIAN MOTHER, WHO WAS HER GUIDING FORCE GROWING UP IN THE CALIFORNIA BAY AREA. >> OUR MOTHER WAS FIERCE IN HER BELIEF THAT YOU WILL BE JUDGED BASED ON YOUR ACTIONS, NOT YOUR WORDS. OUR MOTHER ALSO, YOU KNOW, SHE WAS ALL OF FIVE FEET TALL, BUT YOU EVER MET HER, YOU PROBABLY ONE OF YOU THOUGHT SHE WAS 7 TO 10 FEAT TALL. >> A LAWYER BY TRAINING, SHE WORKED UP AS DEPUTY DISTRICT ATTORNEY IN OAKLAND IN THE 1990s, PROSECUTING DRUG TRAFFICKING AND ABUSE. THE FIRST PERSON OF COLOR TO HOLD ATTORNEY GENERAL OF CALIFORNIA. SHE WOULD FACE CRITICISM OVER HER STANCE ON POLICE PROSECUTIONS, BUT HER STAR CONTINUED TO RISE IN THE DEMOCRATIC PARTY. EASILY WINNING HER RACE FOR U.S. SENATE IN 2016. >> DO YOU SOLEMNLY SWEAR -- >> THE FORMER PROSECUTOR BECAME MORE WIDELY KNOWN WITH WHEN HER NOTABLE MOMENTS IN SENATE HEARINGS WENT VIRAL, INCLUDING IN THE 2018 SUPREME COURT CONFIRMATION HEARINGS OF BRETT KAVANAUGH. >> CAN YOU THINK OF ANY LAWS THAT GIVE GOVERNMENT POWER TO MAKE DECISIONS ABOUT THE MALE BODY? >> I'M HAPPY TO ANSWER A MORE SPECIFIC QUESTION. >> MALE VERSUS FEMALE. >> THERE ARE MEDICAL PROCEDURES. >> HER FIERCE GRILLING DEPLOYED AGAIN DURING THE MUELLER INVESTIGATION. >> ATTORNEY GENERAL BARR, HAS THE PRESIDENT OR ANYONE AT THE WHITE HOUSE EVER ASKED OR SUGGESTED THAT YOU OPEN AN INVESTIGATION OF ANYONE? >> I WOULDN'T -- I WOULDN'T -- >> YES OR NO? >> COULD YOU REPEAT THAT QUESTION? >> AS A DEMOCRATIC CANDIDATE FOR PRESIDENT HERSELF LAST YEAR, HER FIERY DEBATE STYLE OFTEN FLATTENING HER COMPETITORS. >> AMERICA DOESN'T WANT TO WANS FOOD FIGHT. THEY WANT TO KNOW HOW WE'RE GOING TO PUT FOOD ON THE TABLE. >> RESERVING SOME OF HER HARSHEST CRITICISM FOR JOE BIDEN. CONFRONTING HIM FOR TOUTING HIS ABILITY TO WORK WITH ANYONE, EVEN SEGREGATIONIST SENATORS. >> IT'S PERSONAL. IT WAS HURTFUL TO HEAR YOU TALK ABOUT THE REPUTATIONS OF TWO UNITED STATES SENATORS WHO BUILT THEIR REPUTATIONS AND CAREER ON THE SEGREGATION OF RACE IN THIS COUNTRY. >> SHE WENT ON TO ATTACK BIDEN'S PAST POSITION ON SCHOOL BUSSING. >> THERE WAS A LITTLE GIRL IN CALIFORNIA WHO WAS PART OF THE SECOND CLASS TO INTEGRATE HER PUBLIC SCHOOLS, AND SHE WAS BUSSED TO SCHOOL EVERY DAY. AND THAT LITTLE GIRL WAS ME. >> CAROL PORTER, KAMALA'S CHILDHOOD FRIEND WATCHING THAT MOMENT AT HOME UNDERSTOOD THE EMOTION BEHIND KAMALA'S FIERY RESPONSE. >> WHEN SHE BROUGHT UP THE BUSSING IN BERKELEY, IT MADE ME EMOTIONAL. I HAVE TO BE CAREFUL NOW SO I DON'T GET EMOTIONAL. AND THAT'S WHEN I RECALL LEANED IN. I WAS, LIKE, OKAY. AT THAT MOMENT I THINK SHE LIFTED UP COMMUNITIES OF PEOPLE, YOU KNOW, ESPECIALLY PEOPLE OF COLOR WHO WENT THROUGH THAT SAME EXPERIENCE WITH HER. >> HER ABILITY TO GET TOUGH WITH BIDEN GARNERED HEADLINES THROUGHOUT THE VEEPSTAKES PROCESS, MAKING SOME WONDER IF THE TWO COULD GET PAST THEIR TENSE MOMENTS. AS EXPLANATION MOUNTED ABOUT WHO WOULD BE HIS RUNNING MATE, BIDEN WAS SEEN AT A PRESS CONFERENCE WITH NOTES SHOWING HARRIS' NAME AND THE TALKING POINTS DO NOT HOLD GRUDGES. HARRIS' RELATIONSHIP WITH THE BIDENS BEGAN WITH SON, BEAU. THE TWO SERVED ADD ATTORNEYS GENERAL BEFORE HE DIED OF BRAIN CANCER. >> I WILL ALWAYS FEEL STRONGLY ABOUT THE GREATNESS OF WHO BEAU BIDEN WAS, AND I GOT TO KNOW JOE IN LARGE PART THROUGH BEAU'S RELATIONSHIP WITH HIS FATHER. >> ACKNOWLEDGING HIS SON'S BOND SAYING SHE WORKED CLOSELY WITH BEAU, I WAS PROUD THEN AND I'M PROUD NOW TO HAVE HER AS MY PARTNER IN THIS CAMPAIGN. THREE MONTHS AFTER DROPPING OUT OF THE PRESIDENTIAL RACE, HARRIS THREW HER SUPPORT BEHIND BIDEN. >> I'VE DECIDED THAT I AM WITH GREAT ENTHUSIASM GOING TO ENDORSE JOE BIDEN FOR PRESIDENT OF THE UNITED STATES. >> I INTRODUCE THE NEXT -- >> SHE BEGAN APPEARING AT FUNDRAISERS. >> LOOK, I VIEW MYSELF AS A BRIDGE, NOT AS ANYTHING ELSE. THERE'S AN ENTIRE GENERATION OF LEASHING YOU SAW STAND BEHIND ME. THEY ARE THE FUTURE OF THIS COUNTRY. >> ONE OF THOSE YOUNGER LEADERS NOW HIS RUNNING MATE, THE WOMEN REPORTED TO BE HER COMPETITION THROWING SUPPORT BEHIND HER. SENATOR ELIZABETH WARREN TWEETING THROUGHOUT HER CAREER SHE HAS BEEN UNAFRAID AND AN INSPIRATION TO MILLIONS OF WOMEN WHO SEE THEMSELVES IN HER. SUSAN RICE CALLING HER A AT THE NATION AND TRAIL BLAZING LEADER. FROM CONGRESSWOMAN VAL DEMOCING TO SEE A BLACK WOMAN RENEWS MY FAITH THAT PEOPLE CAN SUCCEED NO MATTER WHO THEY ARE. >> FROM A CHILDHOOD FRIEND A MESSAGE OF HOPE. >> IT MEANS SOMETHING TO WOMEN. IT MEANS SOMETHING FOR PEOPLE OF COLOR. IT MEANS SOMETHING FOR LITTLE GIRLS WITH THE OPPORTUNITY TO LOOK AT HER AND SEE WHERE SHE CAME FROM. KAMALA DIDN'T GET ANYTHING SPECIAL. SHE DID THE WORK, PROBABLY MORE WORK THAN MANY WHO HAVE PROCEEDED HER HAVE DONE TO BE WHERE SHE IS. AND IT'S JUST, YOU KNOW, FILLED OUR COMMUNITY WITH PRIDE AND I KNOW THAT SHE'S GOING TO FILL AMERICA WITH PRIDE. >> OUR THANKS TO BYRON PITTS FOR THAT STORY. THERE IS SO MUCH TO TALK ABOUT WHEN IT COMES TO SENATOR KAMALA HARRIS. WE START WITH ABC NEWS DEPUTY POLITICAL DIRECTOR MARY ELLIS PARKS. WHY KAMALA? >> POLITICO REPORTERS AND DEMOCRATIC ACTIVISTS WHO ARE CLOSELY FOLLOWING ALL OF THIS WEREN'T REALLY SURPRISED BY THE OUTCOME. KAMALA HARRIS HAD BEEN THE ODDS FAVORITE IN THIS PROCESS ALL ALONG. IT'S SIMPLE. SHE'S INCREDIBLY POPULAR. SO EVEN THOUGH THE PICK WAS EXPECTED, IT WAS STILL HUGELY EXCITING TO DEMOCRATS. ACCORDING TO ABC NEWS' LATEST POLL, I LIVE OF DEMOCRATS APPROVE OF THIS PICK. 25% OF REPUBLICANS APPROVE OF KAMALA HARRIS. 1 IN 4 REPUBLICANS. I MEAN, THAT'S REALLY REMARKABLE. SO SHE'S INCREDIBLY WELL LIKED, EXTREMELY WELL LIKED WITH OLDER WOMEN, WOMEN IN GENERAL. AND I THINK TONIGHT IT'S GOING TO BE THIS INCREDIBLE OPPORTUNITY FOR HER TO START TO PIVOT THE CONVERSATION TO WHAT A BIDEN AND HARRIS ADMINISTRATION WILL REALLY LOOK LIKE. SHE'S GOING TO DO WELL IF SHE CAN SAY CONCRETELY THESE ARE MY GOALS FOR DAY ONE. >> YVETTE SIMPSON, CEO FOR DEMOCRACY FOR AMERICA, I WANT TO BRING YOU INTO THIS. OKAY, SO THE LAST DEBATE BIDEN GUARANTEES AMERICA I'M GOING TO CHOOSE A WOMAN AS MY RUNNING MATE. SHORTLY AFTER THAT YOU HAD BLACK WOMEN, YOU HAD BLACK MEN, HUNDREDS OF THEM PUTTING A LOT OF PRESSURE ON BIDEN IN OP-EDS SAYING PICK ONE OF THOSE. >> I WAS ONE OF THOSE WOMAN. I SIGNED ON THE ORIGINAL LETTER WITH A BUNCH OF OTHER BLACK WOMEN LEADERS SAYING THIS IS THE MOMENT WE MUST DO THIS. YOU CANNOT CONTINUE TO DISREGARD THE BLACK WOMEN WHO'VE BEEN THE BACKBONE OF THIS PARTY AND WE KNOW WHERE OUR COUNTRY IS RIGHT NOW. AND SO, YES, I THINK HE MADE THE RIGHT CHOICE CHOOSING HER PARTICULARLY. SO I THINK THE BIG QUESTION IS WHAT IS SHE GOING TO CARRY FOR THE TICKET? WE KNOW THAT SHE IS HIS COMPLEMENT. WE KNOW SHE BRINGS MORE ENERGY TO THE TICKET. WE KNOW SHE'S GOT A LOT OF EXPERIENCE. WE KNOW SHE'S SHARP, STRONG, MAMA LA. WE KNOW HE'S GOING TO USE HER A LOT OUT THERE, PARTICULARLY WITH SUBURBAN WOMEN AND OTHER BLACK WOMEN TO ENERGIZE. WILL SHE TALK ABOUT THE VISION FOR THE FUTURE? WHICH IS WHAT PROGRESSIVES ARE GOING TO BE LOOKING FOR. ARE YOU GOING TO TALK SPECIFICS ABOUT WHAT YOU'RE GOING TO BRING AND DO? I THINK SHE CAN CARRY THAT. >> IT'S A LOVE FEST NOW BUT IT WITHIN THE ALWAYS. ZOHREEN SHAH COVERED HER PRESIDENTIAL CAMPAIGN FOR US HERE AT ABC NEWS. THIS IS REALLY INTERESTING. DEMOCRATS MAY BE EXCITED BY SENATOR HARRIS NOW, BUT MONTHS AGO THEY WERE NOT. SHE HAD SERIOUS TROUBLE RUNNING THE CAMPAIGN. SHE HAD SOME ROUGH DEBATES, INCLUDING A VERY TOUGH QUESTION FROM OUR OWN LINSEY DAVIS, WHICH SHE DIDN'T HANDLE TOO WELL. SHE DIDN'T EVEN MAKE IT IOWA. SO THE QUESTION IS WAS SHE ESSENTIALLY CAMPAIGNING FOR THIS JOB FROM THE GET-GO? >> HI, TOM. I CAN TELL YOU THAT SHE WAS DEFINITELY NOT CAMPAIGNING FOR THIS JOB FROM THE GET-GO. SHE WAS SERIOUS ABOUT RUNNING FOR PRESIDENT OF THE UNITED STATES. IT DID NOT WORK OUT FOR HER, THOUGH. BUT THERE WERE MOMENTS IN HER CAMPAIGN, ONE OF THE REASONS WHY IS THIS IDEA OF, QUOTE, KAMALA BEING A COP REALLY HAUNTED HER. YOU REMEMBER BACK WHEN SHE WAS DISTRICT ATTORNEY, SHE THREATENED TO PUT PARENTS BEHIND BARS IF THEIR KIDS WERE TRUANT. SHE CALLED FOR MORE POLICE AND RAISING CASH BAIL FOR GUN CHARGES. WHEN SHE WAS RUNNING FOR ATTORNEY GENERAL OF CALIFORNIA, WHEN A REPORTER ASKED HER ABOUT LEGALIZING MARIJUANA, SHE LAUGHED IN HIS FACE. THERE WAS A WHOLE LIST OF OTHER ISSUES. SHE'S INVOLVED ON ALL OF THEM. IN A RECENT ABC POLL WHEN PEOPLE WERE ASKED ABOUT HER PAST AS A PROSECUTOR, 32% OF AMERICANS SAID THEY VIEWED HER MORE FAVORABLE WHEN THEY THOUGHT ABOUT HER PAST VERSUS 16% WHO VIEWED HER LESS FAVORABLY. WHEN YOU ISOLATE JUST DEMOCRATS, IT'S 52 VERSUS 6. SHE THINKS KAMALA HARRIS HAD EVOLVED. SHE STILL FACES TOUGH KWERKSZ PEOPLE STILL WONDER WHAT SHE TALKS ABOUT REIMAGINING THE POLICE. BUT OVERALL THE BIG TAKEAWAY IS SHE'S EVOLVED ON THOSE CRITICAL ISSUES AND THE DEMOCRATIC PARTY HAS REALLY COME AROUND THE TICKET AT THIS POINT. >> I WANT TO BRING IN REPUBLICAN STRATEGIST SARA FAGEN. SARAH, I HAVE A QUESTION FOR YOU BECAUSE IT SEEMS LIKE IT'S TOUGH FOR REPUBLICANS TO NAIL DOWN AN ATTACK ON KAMALA HARRIS. YOU KNOW, WE HEAR THAT SHE'S MORE PROGRESSIVE THAN BERNIE SANDERS WHEN IT COMES TO HER VOTING RECORD IN THE SENATE. YET THE FAR LEFT SAYS SHE WAS TOO TOUGH OF A PROSECUTOR. SO WHAT CAN REPUBLICANS DO TO REALLY TAKE A SHOT AT HER? >> I THINK THERE ARE TWO ISSUES. I MEAN, FIRST OF ALL, TONIGHT IS A HISTORIC MOMENT AND ALL AMERICANS SHOULD CELEBRATE IT. THAT SAID, IT DOESN'T MEAN SHE SHOULD BE THE VICE PRESIDENT. SHE HAS TWO FLAWS, WHAT KAMALA HARRIS IS GOING TO SHOW UP TONIGHT TO THE CONVENTION? IS IT GOING TO BE THE TOUGH PROSECUTOR? OR IS IT GOING TO BE THE PERSON WHO VOTED WITH ELIZABETH WARREN AND BERNIE SANDERS AND IS FAR TO THE LEFT OF JOE BIDEN? JOE BIDEN, UNLIKE PREVIOUS PRESIDENTIAL NOMINEES, ALL WHO HAVE PICKED A VP MORE CONSERVATIVE THAN THEMSELVES IN MODERN HISTORY, HE PICKED SOMEBODY MORE LIBERAL. THIS IS A SIGN THAT THE DEMOCRATIC PARTY IS MOVING TO THE LEFT. AND I THINK WHAT STANDS BETWEEN JOE BIDEN AND THE WHITE HOUSE IS THE ABILITY TO CONTAIN THAT PROGRESSIVE MOVEMENT BECAUSE IT'S NOT WHERE AMERICA GOES. IF THE BIDEN CAMPAIGN WAS SMART, THEY WOULD HAVE KAMALA HARRIS TALKING ABOUT HER TOUGH CRIME RECORD BECAUSE THE MIDDLE OF AMERICA IS NOT FOR DEFUNDING THE POLICE. >> LET'S NOW BRING IN AMANDA RENTERIA WHO WORKED WITH THE CONFLICT CAMPAIGN. HILLARY CLINTON ENERGIZED WOMEN BUT NOT ENOUGH TO GAIN OVERWHELMING SUPPORT. SOME OF THEM SAID PART OF THAT IS HILLARY CLINTON WAS SUCH A POLARIZING FIGURE. DO YOU THINK THAT KAMALA HARRIS MIGHT BE ABLE TO ACHIEVE A SUCCESS WITH THE FEMALE VOTE THAT CLINTON WAS NOT ABLE TO? WHAT DO YOU WANT TO HEAR IN YOUR FORMER BOSS TONIGHT? >> I THINK WE'VE COME A LONG WAY IN 3 1/2 YEARS. WHEN YOU THINK ABOUT IT, THE DAY WHEN TRUMP CAME INTO OFFICE, THE NEXT DAY, A HUGE MARCH HAPPENED. EVER SINCE THEN FOR THREE AND A HALF YEARS, YOU'VE SEEN WOMEN BASICALLY MARCH INTO LEADERSHIP ROLES, BREAKING BARRIERS. WE'VE SEEN FIRST NATIVE AMERICAN WOMAN, SO MANY FIRSTS IN CONGRESS, SO MANY FIRSTS ACROSS THE COUNTRY. AND THIS HAS BEEN THE CULL MINI CULMINATION. AND I THINK WHAT YOU'RE GOING TO HEAR FROM SECRETARY CLINTON IS WE GOT TO RUN ALL THE WAY TO THE END. DO NOT BE SURPRISED. SHE STILL IS THE PERSON WHO RAN AGAINST TRUMP, WHO KNOWS WHAT THIS IS LIKE, WHAT IT'S LIKE TO BE A WOMAN ON THE STAGE. AND I THINK THAT GOES A LONG WAY TO REMINDING THE DEMOCRATIC PARTY THAT THIS IS A TOUGH ELECTION, THAT WE'RE GOING TO HAVE TO BE READY, UNITED AND MOVE FORWARD TOGETHER. MAN, TONIGHT IS A BIG NIGHT FOR WOMEN, WOMEN OF COLOR WHERE HER TO SEE WHAT IS HAPPENING ON THAT STAGE. >> SENATOR HEITKAMP, HILLARY CLINTON HAS TALKED ABOUT THAT GLASS CEILING. IT'S STILL NOT BEEN CRACKED AT MULTIPLE LEVELS. HOW DO YOU THINK SHE'S GOING TO EMBRACE THIS MOMENT THAT SHE'S NOT THE ONE DOING THE CRACKING? >> I THINK SHE'S GOING TO TALK A LOT ABOUT HER PERSONAL STORY. ONE THING WE HAVEN'T TALKED ABOUT IS SHE'S THE FIRST ASIAN-AMERICAN NOMINEE. AND THAT'S BIG. THAT'S A GROWING BASE FOR THE DEMOCRATIC PARTY. IT'S ONE THAT SHE EMBRACES. I KNOW VERY MANY ASIAN AMERICANS WHO ARE SO EXCITED, ESPECIALLY WOMEN, TO SUPPORT KAMALA. BUT LET'S NOT LOSE SIGHT OF THE FACT THAT JOE BIDEN IS AT THE TOP OF THE TICKET, AND JOE BIDEN IS GOING TO BE SUPPORTED BY KAMALA. HE IS GOING TO BE -- SHE'S GOING TO BE HIS BASE. SHE'S GOING TO BE OUT THERE AS A PLUS MULTIPLIER, AND I THINK WHEN WE TALK WAY TOO MUCH ABOUT VICE PRESIDENT, WE FORGET THAT THE PRESIDENT, THE PERSON WHO'S AT THE TOP OF THE TICKET IS SIGNIFICANT. NOW, WHAT I DO ALSO WANT TO SAY BECAUSE KAMALA IS A GREAT FRIEND OF MINE IS THAT SHE IS SO QUALIFIED TO BE PRESIDENT OF THE UNITED STATES DAY ONE. AND SO WHEN WE LOOK AT THE SINGLE MOST IMPORTANT QUALIFICATION FOR VICE PRESIDENT, SHE IS THERE, SHE'S READY TO SERVE, AND I ALSO WANT TO SAY FOR HISPANIC AMERICANS, TAKE A LOOK AT HER RECORD ON CHALLENGING THIS ADMINISTRATION, ON PUTTING CHILDREN IN CAGES AND SEPARATING CHILDREN. I SERVED ON THE HOMELAND SECURITY COMMITTEE WITH KAMALA, AND I CAN TELL YOU NO ONE WAS MORE TENACIOUS IN THEIR ATTITUDE AND IN THEIR QUESTIONING OF DHS THAN KAMALA. WHEN IT COMES TO KIDS, SHE PUTS THEM NUMBER ONE AND SHE'S GOING TO BE A GREAT ASSET. ALONG WITH THE FACT THAT WE ARE SO PROUD THAT THE DEMOCRATIC PARTY ONCE AGAIN IS THE PARTY OF OPPORTUNITY AND EQUAL OPPORTUNITY FOR ALL. >> MARY ELLIS, LET'S BRING YOU BACK. TONIGHT WE HAVE NANCY PELOSI, ELIZABETH WARREN, HILLARY CLINTON ALL SPEAKING TONIGHT ON JOE BIDEN'S BEHALF. HOW WOULD YOU SAY THE ME TOO MOVEMENT HAS CHANGED THE DYNAMIC OF THE 2020 RACE? >> OH, I THINK IT'S CHANGED IT HUGELY. YOU KNOW WHAT'S NOTICEABLE TO ME THAT DURING THE VP VETTING PROCESS, WHEN QUOTES WOULD START TO SNEAK INTO STORIES ABOUT WHETHER SENATOR HARRIS WAS TOO AMBITIOUS OR WHETHER SHE WAS WELL LIKED ENOUGH. WOMEN'S GROUPS AND HER COLLEAGUES SHUT THAT DOWN. IT COULD NOT GO ON. THAT REPRESENTED A HUGE CULTURAL SHIFT TO ME. SOME OF THAT SUDDENLY SEXIST LANGUAGE WAS JUST NOT GOING TO FLY ANYMORE. LIKE I SAID, IT'S A BIG SHIFT IN POLITICS, BUT NOTHING HAS SHIFTED NEEDLE LIKE PRESIDENT TRUMP. THE FACT IS REPUBLICANS AND THIS PRESIDENT HAVE BEEN HEMORRHAGING WOMEN SINCE HE TOOK OFFICE. BIDEN IS UP 16% OVER THE PRESIDENT AMONG WOMEN. I COVERED THE 2018 MIDTERMS CLOSELY WHEN ALL THOSE FEMALE CANDIDATES JUST SHATTERED RECORDS. THEY CAME INTO CONGRESS IN RECORD NUMBERS. BUT IT WASN'T JUST THE CANDIDATES. IT WAS THE VOLUNTEERS, THOSE PEOPLE MAKING PHONE CALLS, THE CAMPAIGN MANAGERS. ON THE DEMOCRATIC SIDE, IT IS SHOCKING. IT IS A WOMEN-RUN OPERATION. >> SPEAKING OF THAT, SARAH, YOU KNOW, EARLIER IN THE WEEK THERE WERE SOME DEMOCRATS IN THE FAR LEFT WHO WERE A LITTLE CONCERNED ABOUT THE REPUBLICANS SPEAKING. THERE'S BEEN TALK ABOUT NOT ENOUGH HISPANICS SPEAKING IN THE PRIME TIME SLOTS. TONIGHT WE'LL HEAR FROM SENATOR ELIZABETH WARREN. WE TALK ABOUT A BIG TENT FOR THE DEMOCRATS. IS THIS A SMART PLAY BY THE DEMOCRATS OR DO YOU THINK THIS OPENS THEM UP TO THE ATTACKS WE HEARD FROM PRESIDENT TRUMP ABOUT THIS BEING FAR LEFT AND THE LEFT-WING RADICALS ARE GOING TO TAKE OVER THE PARTY? >> THE DIVERSITY OF THEIR FEMALE LEADERSHIP IS A STRONG POINT, AND THE ELECTION IS LIKELY TO BE DECIDED BY WOMEN VOTERS, THE LAST TWO PRESIDENTIAL WOMEN HAVE PLAYED THE MOST IMPORTANT ROLE IN ELECTING THE PRESIDENT AND THE MOST IMPORTANT SWING ROLE, I SHOULD POINT OUT. YOU KNOW, HAVING SAID THAT, WE'VE SEEN A LOT OF GREAT MOMENTS IN THIS CONVENTION, FEEL-GOOD MOMENTS, HAPPY, LOVE, JOY, A LOT OF THAT HAS COME THROUGH. WE'VE SEEN VERY LITTLE POLICY, ALMOST NONE. THE ONLY TWO PEOPLE WHO SPOKE IN-DEPTH ON POLICY IN THE LAST TWO NIGHTS WERE BERNIE SANDERS AND CONGRESSWOMAN OCASIO-CORTEZ, THE PROGRESSIVES. THE DNC, THE MODERATES RUNNING THE DEMOCRATIC PARTY, THEY DON'T WANT THE PROGRESSIVE VOICE IN THIS CONVENTION. THEY ARE ON THE PATH TO VICTORY RIGHT NOW. THEY ARE UP SIX TO EIGHT POINTS. DOESN'T MEAN THEY'RE GOING TO WIN, BUT TODAY CERTAINLY THEY HAVE A LEAD AND THEY DON'T WANT THAT VOICE COMING FORWARD. >> I KNOW IT'S THE LOVE FEST. DO YOU THINK THAT'S TRUE? YOU REPRESENT THE PROGRESSIVE WING OF THE PARTY. >> I WOULD SAY WE ARE VERY FRUSTRATED BY THE FACT THAT PROGRESSIVES ARE THE ONLY ONES TALKING ABOUT ISSUES BECAUSE WE KNOW AMERICANS ARE REALLY CONCERNED RIGHT NOW IN THE MIDST OF A PANDEMIC ABOUT WHAT WE'RE GOING TO DO ABOUT HEALTH CARE. WE NEED TO MAKE SURE THAT WE HAVE, YOU KNOW, MAKING SURE WE HAVE UBI FOR FOLKS WHO ARE NOT WORKING. WE NEED TO MAKE SURE WE GOT SUPPORT FOR SMALL BUSINESSES. WHY IS THE DEMOCRATIC PARTY, THE PARTY OF THE PEOPLE, NOT USING THEIR CONVENTION TO TALK ABOUT HOW WE'RE GOING TO SERVE ALL PEOPLE? AND I DON'T THINK IT'S A PARTISAN ISSUE BECAUSE WE KNOW THE REPUBLICANS, INDEPENDENTS, AND DEMOCRATS HAVE BEEN IMPACTED BY THIS PANDEMIC. AND SO I THINK -- WE'LL TALK ABOUT IT MORE. I THINK IT'S A MISTAKE THE ONLY PEOPLE TALKING ABOUT POLICY ARE PROGRESSIVES. BUT WHAT'S WHAT WE ARE. I THINK IT'S FEAR. PART OF THE IS WE KNOW THE DEMOCRATIC ESTABLISHMENT IS WORRIED ABOUT RUFFLING THE FEATHERS OF INDEPENDENTS AND REPUBLICANS BECAUSE THEY THINK THEY'RE GOING TO LOSE THAT BASE. I THINK THAT'S NOT TRUE. I THINK THIS PANDEMIC HAS BEEN AN EQUALIZER AND WE THINK PEOPLE PARTICULARLY ON THE MARGINS WHO ARE REPUBLICANS AND INDEPENDENTS WHO ARE GETTING IMPACTED. >> YOU HAVE TO GET THOSE VOTERS FIRED UP SO THEY SHOW UP. >> I THINK THAT'S RIGHT. IF DEMOCRATS DON'T DO IT, WHO'S GOING TO DO IT. DONALD TRUMP IS NOT TALKING ABOUT HOW WE'RE GOING TO PROTECT PEOPLE IN THIS PANDEMIC. SO I THINK IT'S A MISTAKE. I THINK IT'S A MISCALCULATION. WE'LL SEE. >> THANKS TO YOU, YVETTE, AND THE ENTIRE TEAM. >>> WHEN WE COME BACK, SOME CALLED IT A BROMANCE, SOME CALLED IT AN EFFECTIVE WORKING RELATIONSHIP. A CLOSER LOOK AT THE OBAMA/BIDEN DCHLKT STA"DCHLKT" STAY WITH US♪ >> THANK YOU, THE INCREDIBLE DR. POLL SATURDAYS ON NATGEO WILD. >> EVEN AS WE SPEAK, THERE ARE THOSE PREPARING TO DIVIDE US, THE NEGATIVE AD PEDALERS WHO EMBRACE THE POLITICS OF ANYTHING GOES. WELL, I SAY TO THEM TONIGHT, THERE IS NOT A LIBERAL AMERICA AND A CONSERVATIVE AMERICA. THERE IS THE UNITED STATES OF AMERICA. >> THAT WAS THEN-SENATOR BARACK OBAMA DELIVERING THE KEYNOTE ADDRESS TO THE DEMOCRATIC NATIONAL CONVENTION BACK IN BOSTON 2004, HIS BREAKOUT MOMENT INTO NATIONAL POLITICS AND, OF COURSE, JUST FOUR YEARS LATER HE WOULD TAKE OFFICE AS PRESIDENT. >> HIS RIGHT-HAND MAN IN THE WHITE HOUSE AND SOMEONE WHO KNEW WASHINGTON, D.C., INSIDE AND OUT, JOE BIDEN. NOW THE DYNAMIC BETWEEN THE TWO OF THEM IS SHIFTING. PRESIDENT BARACK OBAMA OUT THERE FIGHTING FOR HIS FRIEND, JOE. DAVID WRIGHT EXPLAINS. >> THEY WERE ALWAYS SORT OF AN ODD COUPLE, THE FUSSY YOUNG PERFECTIONIST WHO CHOSE EVERY WORD WITH CARE, AND THE OLD-SCHOOL POLITICIAN WHO COULD BE VERBALLY MESSY. >> FIRST SORT OF MAINSTREAM AFRICAN-AMERICAN WHO IS ARTICULATE AND BRIGHT AND CLEAN AND A NICE-LOOKING GUY. >> BIDEN WAS OSCAR MADISON TO OBAMA'S FELIX UNGER. POLITICALLY IT WORKED. THE DIFFERENCE IN AGE AND ETHNICITY BALANCED THE 2008 TICKET BUT WITH THE OLDER WHITE GUY CAST IN THE ROLE OF THE SIDE KICK. >> I'M PROUD TO STAND FIRM FOR THE NEXT PRESIDENT OF THE UNITED STATES, BARACK OBAMA. >> AT THE TIME HE APPEARED TO BE A THING OF THE PAST. THAT MAY HAVE MADE HIM A MORE NATURAL RIGHT-HAND MAN. HIS OWN AMBITIONS DIDN'T GET IN THE WAY. >> HAVING THOSE PERSONAL AMBITIONS TO JUST LITERALLY DEVOTING YOURSELF, DEVOTING ALL OF YOURSELF TO MAKING THAT PRESIDENT THE MOST SUCCESSFUL POSSIBLE, NOT EVERYBODY CAN DO THAT. BUT THAT'S WHAT HE WAS. >> OBAMA PROMISED BIDEN HE WOULD BE THE LAST PERSON IN THE ROOM BEFORE ANY BIG DECISIONS WERE MADE. THE TWO ENJOYED THE CLOSEST RELATIONSHIP OF ANY PRESIDENT AND VICE PRESIDENT IN MODERN TIMES. >> IT WAS JUST AN EXTRAORDINARY RELATIONSHIP THAT DEEPENED INTO A DEEP, DEEP FRIENDSHIP OVER TIME. >> BY ALL ACCOUNTS, THE RELATIONSHIP DEEPENED AS BIDEN SUFFERED THE ILLNESS AND DEATH OF HIS SON, BEAU. DURING HIS EULOGY, OBAMA FOR THE FIRST TIME PUBLICLY EXPRESSED THE DEPTH OF HIS AFFECTION FOR HIS NUMBER TWO. >> MICHELLE AND I THANK GOD YOU ARE IN OUR LIVES. TAKING THIS RIDE WITH YOU IS ONE OF THE GREAT PLEASURES OF YOUR LIVES. JOE, YOU ARE MY BROTHER. I'M GRATEFUL EVERY DAY THAT YOU GOT SUCH A BIG HEART AND A BIG SOUL AND THOSE BROAD SHOULDERS. I COULDN'T ADMIRE YOU MORE. >> I WAS THERE AT THAT SERVICE. WE ALL WERE. THAT WAS DEAD HONEST. THESE WERE TWO DEVOTED FATHERS STRUGGLING WITH THE HARDEST THING IN LIFE, WHICH IS THE DEATH OF YOUR OWN CHILD. >> THAT EXPERIENCE ALSO PUT A PERSONAL STAMP ON THE BIGGEST POLICY DRIVER OF THE VICE PRESIDENT'S TENURE, THE CANCER MOONSHOT. >> LAST YEAR VICE PRESIDENT BIDEN SAID WHEN THE NEW MOON SHOT, AMERICA CAN CURE CANCER. SO TONIGHT I'M ANNOUNCING A NEW NATIONAL EFFORT TO GET IT DONE, BECAUSE HE'S GONE TO THE MAT FOR ALL OF US ON SO MANY ISSUES OVER THE PAST 40 YEARS, I'M PUTTING JOE IN CHARGE OF MISSION CONTROL. >> BY THE END OF EIGHT YEARS IN OFFICE, THE AFFECTION BETWEEN THESE TWO MEN WAS CLEAR. >> THE BEST VICE PRESIDENT'S AMERICA'S EVER HAD, MR. JOE BIDEN. >> THEIR BROMANCE WELL DOCUMENTED AS OBAMA HIMSELF PROVE. >> IT GIVES THE INTERNET ONE LAST CHANCE TO TALK ABOUT OUR BROMANCE. >> IN ONE OF HIS LAST ACTS AS PRESIDENT, OBAMA HAD A SURPRISE FOR BIDEN. >> FOR THE FINAL TIME AS PRESIDENT, I AM PLEASED TO AWARD OUR NATION'S HIGHEST CIVILIAN HONOR, THE PRESIDENTIAL MEDAL OF FREEDOM. [ APPLAUSE ] >> BIDEN FOUGHT BACK THE TEARS. >> THANK YOU. YOU'RE FIRED. >> THE ADMIRATION OF ONE FOR THE OTHER SINCERE AND ENTIRELY MUTUAL. >> I NEVER ONCE DOUBTED THAT YOUR JUDGMENT WAS -- NOT ONCE. NOT ONCE. WE DISAGREED AND ARGUED AND RAISED OUR VOICES, WE MADE A DEAL WE'D BE COMPLETELY OPEN LIKE BROTHERS WITH ONE ANOTHER. BUT MR. PRESIDENT, I WATCHED YOU UNDER INTENSE FIRE. >> BEHIND THE SCENES, JOE'S CANDID, HONEST COUNSEL HAS MADE ME A BETTER PRESIDENT AND COMMANDER IN CHIEF. FROM THE SITUATION ROOM TO OUR WEEKLY LUNCHES, TO OUR HUDDLES AFTER EVERYBODY ELSE HAS CLEARED OUT OF THE ROOM, HE'S BEEN UNAFRAID TO GIVE IT TO ME STRAIGHT, EVEN IF WE DISAGREED. >> OBAMA DID NOT PUBLICLY ENCOURAGE BIDEN TO RUN BACK IN 2016 WITH HILLARY CLINTON WAITING IN THE WINGS. HE ALSO DID NOT ENDORSE BIDEN THIS YEAR UNTIL EVERYONE ELSE HAD DROPPED OUT OF THE PRIMARIES. THAT WAS AT BIDEN'S REQUEST. >> VICE PRESIDENT BIDEN NEEDED TO, YOU KNOW, WIN THIS ON HIS OWN, ON HIS OWN MERITS AS HIS OWN MAN. DOWN DEEP, DOINK PRESIDENT OBAMA IS UNBELIEVABLE PLEASED AND EVEN PROUD? YEAH, I THINK SO. I THINK SO. >> SOCIAL DISTANCING FOR THE GOOD OF THE PARTY, THE FRIENDSHIP TAKING A BACKSEAT TO OTHER PRIORITIES UNTIL TONIGHT. FOR ABC NEWS, I'M DAVID WRIGHT. >> WE THANK DAVID WRIGHT FOR THAT COMPREHENSIVE LOOK AT THAT RELATIONSHIP. >>> NOW, FORMER VICE PRESIDENT JOE BIDEN HOPING TO BE THE FIRST VICE PRESIDENT TO HAVE HIS BOSS' FORMER JOB. I WANT TO BRING BACK A ROUNDTABLE. TERRY, WHETHER YOU LIKE PRESIDENT OBAMA OR YOU DON'T, YOU HAVE TO RESPECT HIM AS A POLITICIAN. HE HAD SO MANY TOOLS. HE CAN BE A UNITER IN CHIEF GLERKSD ALSO BE A FIGHTER. AND I WONDER WHAT YOU THINK HIS TONE WILL BE LIKE TONIGHT BECAUSE WE'VE SEEN THE FIGHTER SORT OF CREEP OUT OVER THE LAST FEW MONTHS AS THIS RACE HAS GOTTEN CLOSER TO ELECTION DAY. >> ABSOLUTELY, TOM. WE'VE SEEN BARACK OBAMA ALMOST AS A BEHIND-THE-SCENES LEADER OF THE OPPOSITION OF THE DEMOCRATIC PARTY OVER THE PAST FEW YEARS. HE'S COME OUT FULL FORCE AND WE CAN EXPECT HIM TO SEE HIM ON THE CAMPAIGN TRAIL JUST TRYING TO FLAY THE POLITICAL SKIN OFF HIS SUCCESSOR. THERE'S NO LOVE LOST THERE. BUT WHAT'S FASCINATING ABOUT TONIGHT IS A COUPLE THINGS. CHRONOLOGICALLY, WHEN JOE BIDEN RAN FOR SENATE, BARACK OBAMA WAS 11 YEARS OLD. NOW HE'S THE SENIOR POLITICIAN ENDORSING HIS WOULD-BE SUCCESSOR AFTER TRUMP. THAT'S WHAT THEY HOPE. THE OTHER IS THAT THIS IS A MOMENT OF VINDICATION OF SORTS FOR JOE BIDEN. YOU HEARD DAVID WRIGHT THERE SAY THAT IN 2016 BARACK OBAMA BACKED HILLARY CLINTON AND TACITLY DISCOURAGED BIDEN FROM RUNNING. AND YOU HEARD ALSO THAT FOR BARACK OBAMA, JOE BIDEN IS ABOUT HEART AND SOUL, AND THOSE BROAD SHOULDERS, EMOTIONAL STRENGTHS. OBAMA, LIKE HILLARY CLINTON, MUCH MORE CEREBRAL. WHAT THIS IS IS AN OPPORTUNITY AS THIS MOTORCYCLE GROUP GOES BY IN PHILADELPHIA. IT'S AN OPPORTUNITY FOR BARACK OBAMA MAYBE TO MAKE GOOD ON SOMETHING THAT HAPPENED IN 2016 AND CERTAINLY TO PLAY UP ONCE AGAIN THE GREAT STRENGTHS OF THE TRADITIONAL POLITICIAN, THE INSTINCTUAL POLITICIAN WHO CONNECTS WITH THE PUBLIC EMOTIONS BECAUSE THEY MATCH HIS OWN LIFE OBAMA WENT TO HARVARD LAW. HILLARY WENT TO YALE LAW. BIDEN WENT TO SYRACUSE LAW AND HE DIDN'T LIKE IT. HE SAID IT WAS BORING. HE IS A VERY DIFFERENT POLITICIAN, AND TONIGHT WE'LL HEAR BARACK OBAMA PRAISE HIM IN A WAY MAYBE HE APPRECIATES MORE NOW. >> MATT DOWD, PRESIDENT OBAMA DIDN'T NECESSARILY ENCOURAGE HIS VP TO RUN IN 2016. HE DIDN'T EVEN ENDORSE HIM UNTIL HE WAS THE LAST MAN STANDING. IT APPEARS HE'S A LOT MORE INVOLVED THIS TIME AND SHIFTING INTO HIGH GEAR. >> WELL, I THINK JOE BIDEN AND BARACK OBAMA HAVE SUCH A CLOSE RELATIONSHIP THAT THE STRATEGY THAT PLAYED OUT THIS YEAR WAS IN BOTH OF THEIR BENEFITS. I THINK ERNIE DUNCAN SAID IT WELL, AND JOE BIDEN KNEW AND BARACK OBAMA I'M SURE AGREED THAT JOE BIDEN HAD TO SEPARATE HIMSELF A BIT AND WIN IT ON HIS OWN. NOW HE CAN GO ALL IN, BARACK OBAMA CAN BE THERE. LET'S NOT FORGET, I MEAN, A LOT OF PEOPLE TALKING ABOUT BARACK OBAMA. BARACK OBAMA IS THE SECOND MOST POPULAR POLITICAL LEADER IN AMERICA AFTER MICHELLE OBAMA. AND BARACK OBAMA ENDED HIS PRESIDENCY WITH A NEAR 60% APPROVAL, WHICH DONALD TRUMP WOULD PROBABLY GIVE HIS RIGHT LEG, LEFT LEG, RIGHT ARM AND LEFT ARM TO GET CLOSE TO BARACK OBAMA'S FAVORABILITY RATING. REPUBLICANS ARE MAKING A MISTAKE AND THE PRESIDENT CAN'T HELP HIMSELF TO DO WHAT IS WRONG POLITICAL, WHICH IS I DON'T UNDERSTAND WHY THEY THINK ATTACKING BARACK OBAMA W.H.O. WHO'S EXCEEDINGLY POPULAR IS GOING TO HELP. I DON'T THINK ATTACKING SENATOR HARRIS IS A SMART THING BECAUSE THIS RACE IS FUNDAMENTALLY ABOUT JOE BIDEN. AND GOING ON ATTACKS ON SOMEBODY THAT'S POPULAR LIKE SENATOR HARRIS, SOMEBODY POPULAR LIKE BARACK OBAMA WHO'S VERY CLOSE TO JOE BIDEN DOES THEM ANY GOOD IN THIS RACE. THEY WOULD BE BETTER OFF AIMING THEIR ATTACKS, WELCOMING THE OTHER IN THE RACE AND SAYING THEY'RE FINE WITH THEM AND GO AFTER JOE BIDEN. BUT FOR SOME REASON THE PRESIDENT AND THE REPUBLICANS CAN'T HELP THEMSELVES BUT TO ATTACK EVERYBODY THAT'S IN THE LINE WHEN THEIR MAIN AMMUNITION OUGHT TO BE AIMED AT JOE BIDEN. >> BUT THERE IS A GAMBLE HERE. SUCCESSFUL CAMPAIGNS ARE ABOUT THE FUTURE AND NOT THE PAST. AND PRESIDENT TRUMP SAID SOMETHING VERY TRUTHFUL AND SMART THIS WEEK WHEN HE RESPONDED TO MICHELLE OBAMA'S SPEECH. HE SAID THE OBAMA PRESIDENCY IS THE REASON WHY I'M IN THE WHITE HOUSE, AND THAT'S TRUE FOR A LOT OF REPUBLICANS. THAT'S WHY A LOT OF REPUBLICANS WENT TO PRESIDENT TRUMP BECAUSE HE WAS FEEDING THEM THAT RED MEAT AFTER THE OBAMA PRESIDENCY. IS THERE A DANGER HERE WITH JOE BIDEN? I EVEN THINKING ABOUT WHEN AL GORE WAS RUNNING OR EVEN WHEN REPUBLICAN CANDIDATES WERE RUNNING AFTER PRESIDENT BUSH. NO ONE REALLY PUT THEIR ARMS AROUND SORT OF THE INCUMBENT LIKE WE ARE NOW SEEING WITH JOE BIDEN AND BARACK OBAMA. >> I MEAN, LOOK, ON SOME LEVEL, YOU KNOW, HE WANTS TO RUN AS THE, YOU KNOW, SORT OF THIRD OBAMA TERM BECAUSE HE HEARKENS BACK TO A COUNTRY THAT'S PRE-TRUMP WHERE THE COUNTRY HAD LESS PANDEMIC AND CRISIS. BUT HAVING SAID THAT, BARACK OBAMA IS MORE CONSERVATIVE THAN JOE BIDEN'S PARTY. AND SO HE PRESIDED OVER A RECOVERY. IT WAS A RELATIVELY SHALLOW RECOVERY. GOING BACK AND TALKING ABOUT THOSE POLICIES AS A SOLUTION TO THE ECONOMIC CRISIS WE'RE IN NOW, I DON'T THINK IT'S BEEN VERY FAR. THEY NEED A MORE DIFFERENT, ROBUST PLAN, AND WE HAVE HEARD NOTHING YET OUT OF THE VICE PRESIDENT. WE WILL PROBABLY HEAR IT TOMORROW NIGHT, HIS PLAN FOR THE FUTURE, BUT WE HAVEN'T HEARD IT IN THIS CONVENTION OR IN THIS CAMPAIGN YET AT ALL. >> YVETTE, I WANT TO GO BACK TO 2008. BARACK OBAMA HAD BLACK VOTERS ENERGIZED, ENTHUSIASTIC TO VOTE. WHY DO YOU THINK THAT KAMALA HARRIS IS NOT ABLE TO GET THAT SAME KIND OF REACTION? >> YOU KNOW, A COUPLE THINGS. BARACK OBAMA WAS THE HOPE AND CHANGE. HE WAS THE INSURGENT CANDIDATE. HE WAS NEW TO POLITICS, OR AT LEAST TO NATIONALIT POLITICS. HE TALKED ABOUT HIS FATHER, HIS DREAMS, YOUNG MEN, HE CAME INTO COMMUNITIES. HE WAS FROM CHICAGO. AND THESE ARE ALL THINGS HE REALLY SPOKE ABOUT BOLDLY. I REMEMBER BEING ON THE VOTER PROTECTION TEAM IN OHIO IN 2008. I TALKED ABOUT THIS A COUPLE TIMES, AND WATCHING YOUNG BLACK MEN WAIT IN LINE ALL DAY TO VOTE FOR BARACK OBAMA, TALKING ABOUT HOW PROUD THEY WERE TO CAST THEIR VOTE FOR BARACK OBAMA. THE HOPE IS THAT THAT CARRIES OVER WITH KAMALA HARRIS. SHE HAS CERTAINLY THAT ENERGY WITH BLACK WOMEN. I THINK THE QUESTION IS WHAT DOES THAT MEAN FOR YOUNG BLACK MEN, AND WE GOT TO TALK ABOUT HOW WE ENGAGE YOUNG BLACK MEN IN THE CONVERSATION ABOUT HOW THEY'RE GOING TO VOTE FOR THIS TICKET. BUT HE WAS ONCE IN A LIFETIME. >> I DO THINK HAVING THE PRESIDENT ACTIVELY CAMPAIGNING FOR JOE BIDEN IS REALLY HELPFUL. THIS PANDEMIC HAS MADE CAMPAIGNING A REAL CHALLENGING PROPOSITION IN THE MODERN AGE, ONE THAT RELIES ON EVENTS AND RALLIES AND FUNDRAISERS AND DOOR KNOCKS. DEMOCRATS ARE DOING VERY LITTLE LIKE THAT, SO HAVING A PRESIDENT THAT'S GETTING ON ZOOM TO RALLY THE BASE, THAT'S SOMETHING REPUBLICANS ARE GOING TO RELY SO SOLELY ON THE TRUMP FAMILY FOR. JOE BIDEN HAS A BIGGER BENCH >> ON THAT WHAT IS THE RELATIONSHIP LIKE RIGHT NOW WITH PROGRESSIVE VOTERS AND PRESIDENT BARACK OBAMA AND THE LEGACY? RECENTLY PRESIDENT OBAMA HAS HAD SOME VERY TOUGH WORDS FOR PROGRESSIVES, ESPECIALLY YOUNG PROGRESSIVES AND SOME OF THEIR ACTIVISTS. >> I THINK HE'S STILL ONE OF THE MOST SIGNIFICANT UNIFIERS. HE SAYS WE COULD HAVE DONE MORE. I WISH WE HAD DONE MORE. WHEN HE TALKED ABOUT AT JOHN LEWIS' FUNERAL, THAT WAS A BIG MOMENT FOR PROGRESSIVES WHERE WE SAID THAT'S THE GUY, THAT'S THE GUY WE ALL RALLIED IN AND AROUND 2008. HE'S BACK. HE'S NOT CONSTRAINED TO BE ABLE TO TALK ABOUT A VISION FOR THE FUTURE AND HE TALKED ABOUT THE VOTING RIGHTS ACT AND GOING FURTHER AND MAKING ELECTION DAY A HOLIDAY. AND HE TALKED ABOUT ENDING THE FILIBUSTER. AND IT REALLY RALLIED US, AND I HOPE THAT HE TAKES THAT POSITION BECAUSE I THINK HE'S GOT THE ABILITY TO DO IT BECAUSE HE'S NOT CONSTRAINED BY POLITICS AT THIS POINT. >> YVETTE, THANK YOU. NIGHT THREE OF THE DEMOCRATIC NATIONAL CONVENTION BEGINS IN JUST MOMENTS. BARACK OBAMA, HILLARY CLINTON, AND KAMALA HARRIS ALL COMING UP. PLUS, GEORGE STEPHANOPOULOS AND DAVID MUIR JOIN OUR COVERAGE. IT IS NIGHT THREE, A BIG NIGHT TONIGHT. STAY WITH US HERE ON ABC NEWS LIVE. >>> YOU COULD SHOP AROUND, BUT IT DOESN'T GET ANY MORE FUN THAN THIS. >> WE CAN PERFORMANCE. AFTER ALL, GINGER ROGERS DID EVERYTHING THAT FRED ASTAIRE DID, SHE JUST DID IT BACKWARDS AND IN HIGH HEELS. >> PRETTY IMPRESSIVE, BACKWARDS AND IN HIGH HEELS, ANN RICHARDS, TREASURER. ONLY THE SECOND WOMAN IN 160 LIGHT YEARS TO DELIVER THE KEYNOTE ADDRESS AT HER PARTY'S CONVENTION. TONIGHT A FULL SLATE OF WOMEN READY TO SPEAK WE'RE GOING TO GO AND HAVE SOME FINAL THOUGHTS HERE. MATT DOWD, WHAT ARE YOU LOOKING FOR TONIGHT? >> THE MOST IMPORTANT TONIGHT IS SENATOR HARRIS' SPEECH, THE BIGGEST MOMENT OF HER CAREER. I THINK IT'S REALLY IMPORTANT TO JOE BIDEN HOW SHE DOES AND WHAT SHE GOES THROUGH. I THINK THE FASCINATING THING ABOUT THIS CONVENTION SO FAR IS THE WEIGHT OF IMPRESSIVENESS HAS FALLEN ON WOMEN EVERY SINGLE NIGHT. FIRST NIGHT, MICHELLE OBAMA, SECOND NIGHT, JILL BIDEN, TONIGHT IN MY MIND, SENATOR HARRIS, WHICH IS A FASCINATING CONVENTION TO HAVE WHERE WOMEN WILL LIKELY DOMINATE UP UNTIL JOE BIDEN SPEAKS. I'M LOOKING AT SENATOR HARRIS' BIGGEST SPEECH OF HER CAREER TONIGHT. >> YVETTE, WHAT ARE YOU LOOKING FOR? >> I'M LOOKING TO HEAR FROM KAMALA HARRIS ABOUT EXACTLY WHAT SHE PLANS TO DO IN THE ROLE. I THINK PEOPLE WANT HER TO BE OUT FRONT. SHE'S GOT TO BE PRESIDENT ON DAY ONE. WE KNOW SHE CAN. I HOPE SHE INTRODUCES HERSELF AND BRINGS EVERYBODY INTO THE ROOM, BRING WOMEN, LATINX, BLACK PEOPLE AS ONLY SHE CAN DO. AND I HOPE SHE GAIFSZ VISION WITH CLEAR DIRECTION ABOUT HOW THE WORLD IS GOING TO LOOK DIFFERENT ON JANUARY 20th WHEN WE ELECT HER AND JOE BIDEN. >> SARAH? >> A COUPLE THOUGHTS. I'M CURIOUS WHAT THE BALANCE IS IN BARACK OBAMA'S SPEECH BETWEEN ATTACKS ON TRUMP AND RELITIGATING THE OBAMA/BIDEN POLICIES. >> WE'RE GOING TO WRAP UP. SORRY TO CUT YOU OF THERE. BENNY THOMPSON OF MISSISSIPPI LEADINGS US OFF. LET'S LISTEN IN. >> CAMPAIGNING FOR THE UNITED STATES HOUSE OF REPRESENTATIVES. IT'S THE PARTY THAT TAUGHT ME THAT PUBLIC SERVICE SHOULD SERVE THE PUBLIC, EVEN IF YOUR OPPONENTS CALL YOU NAMES LIKE NASTY. TODAY IT'S THE PARTY THAT CALLS US TO STAND UP FOR WHAT'S RIGHT AND TO GET IN GOOD TROUBLE. S ON BEHALF OF THIS GREAT PARTY, IT'S MY PLEASURE TO WELCOME ONCE AGAIN, DELEGATES, AMOUNTS, AND FELLOW AMERICANS, MEMBERS OF THE MEDIA AND GUESTS FROM AROUND THE WORLD. I NOW CALL THIS THIRD SESSION OF THE 48th QUADRENNIAL NATIONAL CONVENTION OF THE DEMOCRATIC PARTY TO OUTDOOR. [ GAVEL POUNDS ] NOW LET'S GET THIS SHOW STARTED. >> AND NOW, LIVE IN WISCONSIN, PLEASE WELCOME GOVERNOR TONY EVERS. >> GOOD EVENING, FOLKS. I'M TONY EVERS, AND I'M INCREDIBLY PROUD TO BE THE 46th GOVERNOR OF THE GREAT STATE OF WISCONSIN. WE WERE REALLY LOOKING FORWARD TO HAVING YOU HERE IN AMERICA'S DAIRY LAND. UNFORTUNATELY, THE PANDEMIC MEANS WE CAN'T DO THAT THIS YEAR. BUT WHATIT UNITES US IS FAR GREATER THAN WHAT DIVIDES US. I KNOW WE HAVE A SHARED SENSE OF PURPOSE. THAT IS TO ELECT JOE BIDEN AND KAMALA HARRIS. THIS NOVEMBER IS ABOUT RETURNING KINDNESS, RESPECT, EMPATHY, AND CIVILITY BACK TO THE WHITE HOUSE. AND THAT'S WHOI JOE AND KAMALA ARE, BECAUSE THEY KNOW, ESPECIALLY DURING CHALLENGING TIMES LIKE THESE, THE PROBLEMS WE FACE CAN ONLY BE SOLVED BY ALL OF US TOGETHER. HOLY MACKEREL, FOLKS, LET'S GET TO WORK. ♪ RISE UP ♪ >> HELLO, MY NAME IS TERRY WILLIAMS AND I'VE BEEN A REPUBLICAN FOR ALL MY ADULT LIFE. >> A LIFELONG REPUBLICAN. >> REPUBLICAN. >> A LIFELONG REPUBLICAN. >> I'VE BEEN A LONG-STANDING REPUBLICAN AND I'M TELLING YOU, YOU GOT TO VOTE FOR JOE BIDEN. >> I HAVE VOTED AND CAMPAIGNED FOR REPUBLICANS SINCE THE REAGAN YEARS. BUT I WON'T BE VOTING FOR DONALD TRUMP IN NOVEMBER. >> I'M SUPPORTING JOE BIDEN FOR PRESIDENT. >> WE NEED A POSITIVE LEADER, SOMEONE WHO CAN WORK WITH BOTH SIDES, REPUBLICANS AND THE DEMOCRATS. >> I DON'T THINK WE CAN DEAL WITH THE TYPE OF PERSON WE HAVE IN THE WHITE HOUSE ANY LONGER. >> VOTE, AMERICA. THAT'S THE ONLY WAY TO GET OUT OF THIS. AND JOE BIDEN IS JUST THE PERSON TO ENSURE WE GET OUR LIVES BACK TO NORMAL. >> J BIDEN IS A DECENT MAN WITH A LONG HISTORY OF PUBLIC SERVICE TO AMERICA. >> HE WILL RESTORE ORDER AND INTEGRITY TO THE EXECUTIVE BRANCH. >> I WOULD STRONGLY ENCOURAGE ALL OF US TO COME TOGETHER. >> AND HOPEFULLY RETURN OUR COUNTRY'S POLITICAL DISCOURSE BACK TO SOME MEASURE OF NORMALCY AND DECENCY. >> I'M SURE, I'M ABSOLUTELY SURE HE'S GOING TO HELP US. >> LIVE FROM NEW YORK CITY AND ACROSS THE COUNTRY, THE DEMOCRATIC NATIONAL CONVENTION. NOW REPORTING, CHIEF ANCHOR, GEORGE STEPHANOPOULOS. >> GOOD EVENING AND WELCOME TO DAY THREE OF THE DEMOCRATIC NATIONAL CONVENTION. WE WANT TO GET RIGHT TO THE VIRTUAL CONVENTION FLOOR. JOE BIDEN'S RUNNING MATE KAMALA HARRIS IS OPENING UP THE PROGRAM WITH KERRY WASHINGTON AHEAD OF HER FORMAL AND HISTORICAL SPEECH TONIGHT. >> I PLEDGE ALLEGIANCE TO THE FLAG. >> TO THE UNITED STATES OF AMERICA. WITH LIBERTY AND JUSTICE FOR AL ALL. >> HEY, EVERYBODY. I'M ME KAMALA. I WANT TO TALK ABOUT THE IMPORTANCE OF VOTING. I KNOW MANY OF YOU PLAN TO VOTE THIS YEAR BUT WITH THE EXCITEMENT EX AND ENTHUSIASM , HEARD ABOUT OBSTACLES. I THINK WE NEED TO ASK OURSELVES WHY DON'T THEY WANT US TO VOTE? THE ANSWER IS BECAUSE WHEN WE VOTE, THINGS CHANGE. WHEN WE VOTE, THINKING GET BETTER. WHEN WE VOTE, WE ADDRESS THE NEED TO BE TREATED WITH DIGNITY AND RESPECT IN OUR COUNTRY SO EACH OF US NEED A VOTING PLAN. JOE EXAND I WANT TO MAKE SURE YOU'RE PREPARED. TEXT VOTE TO 30330 WE'LL HELP YOU COME UP WITH A PLAN AND REMEMBER DEADLINES AND GET READY TO VOTE SEND THE TEXT. LET'S ENJOY ANOTHER NIGHT OF INSPIRATION FROM AROUND OUR COUNTRY. I'LL SEE YOU A LITTLE LATER TONIGHT AND UNTIL THEN, I TURN IT OVER TO MY DEAR FRIEND AND TONIGHT'S MODERATOR KERRY WASHINGTON. >> NEVER SEEN A CONVENTION OPEN LIKE THAT. TO P NO PODIUM STARTING WITH MICHELLE OBAMA ON MONDAY NIGHT. GO OUT AND VOTE. 30330. A SOBER KAMALA HARRIS. LET ME GO TO MARY BRUCE. A SURPRISE THERE. >> A BIT OF A PUBLIC SERVICE ANNOUNCEMENT AT THE TOP BUT MAKE NO MISTAKE SHE'S A WOMAN ON THE CUSP OF MAKING HISTORY. WE'RE GOING TO SEE SOMETHING THAT WE'VE NEVER SEEN BEFORE. A BLACK WOMAN AND THE FIRST ASIAN AMERICAN EVER TO ACCEPT A PARTY'S NOMINATION TO BE VICE PRESIDENT AND TONIGHT KAMALA HARRIS WILL TELL HER STORY HOW THE DAUGHTER OF IMMIGRANTS WENT ON TO BREAK BARRIERS AND OUTLINE HER VISION FOR THE COUNTRY THAT MADE HER STORY POSSIBLE. SHE WILL DESCRIBE AN AMERICA WHERE ALL PEOPLE FEEL WELCOME, WHERE AMERICANS LOOK OUT FOR EACH OTHER AND THAT VISION FEELS DISTANLTS AND ARGUE THAT JOE BIDEN IS THE LEADER WHO CAN BRING THAT AMERICA BACK. GEORGE. >> MARY BRUCE, THANKS VERY MUCH. DAVID MAUER IS HERE, AS WELL. WE SEEN A LOT OF DIFFERENT KAMALA HARRIS. WE CAN SEE HER GO BEFORE A CONGRESSIONAL HEARING AND THIS IS CONVERSATIONAL AND POINTED. >> VERY POINTED. >> IT'S LIKE BEFORE A DEBATE BACK STAGE AND WE RUN INTO CANDIDATES. KAMALA HARRIS AND MAYBE PART OF THE STRATEGY OF LOOSING UP NERVES BEFORE HISTORY MAKING. THERE IS STRATEGY. THEY HAVE TO HAVE A CALL WITH VOTING. LATER TONIGHT SHE'LL MAKE THE CASE FOR HERSELF BUT MAKE THE CASE FOR JOE BIDEN. >> YOU'RE RIGHT. I THINK IT'S POSSIBLE THAT PRESIDENT OBAMA COULD STEAL THE SHOW TONIGHT AND NANCY PELOSI AND HILLARY CLINTON, CAHK CAK HAR HARRIS, HILLARY CLINTON HAS SAID IN THE PAST THAT THE HARDEST HIGHEST GLASS CEILING FOR A WOMAN IS THE WHITE HOUSE AND IN HER 2016 CONCESSION SPEECH, SHE EXPRESSED REGRET SHE WAS THE WOMAN ABLE TO SHATTER IT. WE'LL SEE A PASSING OF THE TORCH AND KIND OF VOUCHING FOR KAMALA SHE'S THE ONE WHO IS CAPABLE OF SHATTERING IT AND SHATTER IT. >> TONIGHT SHE'LL TELL US. >> WANT TO BRING IN RON EMANUEL. WILL BARACK OBAMA STEAL THE SHOW IS A QUESTION THERE? YOU WORKED FOR HIM AS CHIEF OF STAFF IN THE WHITE HOUSE AND ONE OF THE THINGS YOU'VE SEEN SOME EXCERPTS FROM HIS SPEECH ALREADY BUT YOU SAW THAT JOHN LEWIS FUNERAL A COUPLE WEEKS AGO A MUCH TOUGHER, MUCH MORE OUTSPOKEN BARACK OBAMA THAN BEFORE. >> FIRST OF ALL, TO THE FIRST PART OF THE QUESTION, I ACTUALLY THINK IT'S INTERESTING THEY DIDN'T DO ANY EXCERPTS FROM PRESIDENT OBAMA'S SPEECH. I THINK THE TWO WILL BE COMPLEMENTARY. IT WILL BE A DOUBLE BARREL. FROM SOMEBODY THAT WORKED ALONGSIDE AND SAW A PERSON IN AN INTIMATE WAY AND ANOTHER PERSON SELECTED. SHE'S ACHIEVED THE FIVE GOALS. SHE'S MADE HISTORY. SHE'S EXCITED THE BASE. REASSURED SWING VOTERS AND RILED UP TRUMP AND DRAWN FIRE AWAY FROM BIDEN AND RETURNED FIRE FOR BIDEN. SHE'S ACCOMPLISHED WHAT A VICE PRESIDENT CAN DO. THE PRESIDENT HAS BEEN HOLDING BACK. HE BELIEVES WHAT PRESIDENT GEORGE BUSH 43 YOU DON'T SAY ANYTHING ABOUT YOUR SUCCESSOR AND PREDECESSOR BUT HAS A LOT ON HIS PLATE HE WANTS TO GET OFF. THERE WILL BE A LINE AND HE'S GOT -- THE ONE THING THAT DEMOCRATS HAVE TO DO IS WE THINK THE PRESIDENT HAS MADE A MESS OF THINGS AND HIS STYLE IS A MESS. THEY HAVE GOT TO RELATE THAT STYLE TO YOUR LIFE AND WHY YOUR LIFE IS A MESS NOW. JUST THE MESS ISN'T GOOD ENOUGH. >> CHRIS CHRISTIE WENT TO THE PODIUM AROUND 5:30, 5:45 AND SAID HE WOULDN'T HAVE RUN FOR PRESIDENT PROBABLY IF BARACK OBAMA HADN'T BEEN A FAILURE. >> LISTEN, THAT'S HIS THEME ALL ALONG. HE STARTED OUT REALLY WITH MITT ROMNEY AND THE RACE IN '12 AND YOU REMEMBER HIS REACTION AFTER ROMNEY LOST AND WAS VERY VISUAL AND THOUGHT THAT WAS A WINNABLE RACE AND ROMNEY SHOULD HAVE WON IT. THAT WAS HIS VIEW AND HE GOT OUT THERE TODAY AS WE TALKED ABOUT ON MONDAY, HE WAS GOING TO BE A PRESENCE EVERY DAY THIS WEEK HIMSELF BECAUSE THAT'S WHAT HE DOES. HIS OWN CHIEF STRATEGISTS AND THE PRESIDENT. AND THAT'S WHAT HE'S DOING. I DON'T KNOW IT'S BEEN THAT EFFECTIVE. IT WILL BE INTERESTING TO SEE TONIGHT WHAT HE DOES AFTER IT OVER. I'M NOT SURPRISED THAT'S WHAT HE'S DOING AND DID TODAY. HE DOESN'T LIKE BARACK OBAMA AND I'LL TELL YOU WHY. BECAUSE ALL THE WAY BACK TO THE WHITE HOUSE CORRESPONDENCE DINNER, THAT IS WHAT TURNED ALL OF IT AROUND FOR DONALD TRUMP AND HE WAS VERY ANGRY THAT NIGHT AND IN THE AFTERMATH AND HE HAS NOT FORGIVEN BARACK OBAMA FOR THAT YET AND PART OF WHAT DRIVES WHAT HE'S DOING TODAY. >> I THINK YOU AND I WERE AT THE SAME TABLE THAT NIGHT. HE WAS ONE TABLE OVER AND YOU COULD SEE IT ON HIS FACE. >> I'VE NEVER SEEN HIM THAT VISIBLY ANGRY WHEN HE WASN'T SPEAKING HIMSELF. TO HAVE HIM TAKE THAT IN THAT NIGHT, HE WAS HAVE VISIBLY ANGRY. DIDN'T CHUCKLE ONCE AT SOME OF THE THINGS THAT WERE FUNNY AND IN THE END HE'S NOT FORGIVEN OBAMA AND PART OF HIS ANGER IS DRIVEN BY THAT. >> KAMALA HARRIS NOT ALWAYS A FAVORITE TO THE PROGRESSIVE WING BUT TALK ABOUT WHAT IT MEANS TO SEE A WOMAN OF COLOR ACCEPTING THE VICE PRESIDENTIAL NOMINEE NATION. >> IT MEANS EVERYTHING. BLACK WOMEN, I WAS ONE OF THEM TO MAKE SURE A BLACK WOMAN WAS ON THE TICKET AND FEEL SATISFIED BY THAT. WHAT THAT'S DOING IS GOING TO BRING BACK THE ORGANIZERS AND MOBILIZERS. I SAY BLACK WOMEN BRING A WHOLE COMMUNITY WITH THEM. WE BRING FAMILY MEMBERS AND CHURCHES AND COMMUNITY AND THEM WITH US AND HE'S GOING TO DO THAT. WE BELIEVE IN DIVERSITY. EVERYBODY TALKS ABOUT THE SQUAD. WE LOVE THE SQUAD BECAUSE THEY ARE DIVERSE WOMEN AND SO WE'RE REALLY EXCITED AND WE WORK WITH HER AND JOE BIDEN KNOWS SHE'S GOT TO GIVE HIM. >> HE PROMISED SHE WOULD BE THE LAST PERSON IN THE ROOM FOR BARACK OBAMA. ONE OTHER QUESTION ON THAT THE VICE PRESIDENT MADE A POINT OF INTERVIEWING GRETCHEN WHITMER AND TALKING TO ELIZABETH WARREN BUT DO YOU THINK THIS PICK WAS BAKED IN THE CAKE? >> I THINK THAT'S RIGHT. HE NEEDED SOMEBODY THAT WOULD COMPLIMENT HIM AND NEEDED SOMEONE TO TAKE IT TO TRUMP AND SHE MADE HER CASE ON THE PRESIDENTIAL TICKET ABOUT MAKING THE CASE AGAINST DONALD TRUMP AND MIKE PENNSYLVANCE AND HE NE TO BE A FIGHTER. I THINK THAT WAS EXPECTED. WE KNEW SHE COULD BRING US TOGETHER. HE KNEW THAT AND THAT WAS THE REASON HE MADE THE CHOICE. >> GOING BACK TO 2008, MANY DIDN'T KNOW WHO SARAH PALIN WAS. THE NIGHT SHE GAVE THE SPEECH PROBABLY THE HIGH POINT FOR HER OF THE CAMPAIGN. >> THAT'S FOR CERTAIN AND THAT WAS A MISTAKE TO PUT HER ON THE TICKET. SHE WASN'T READY FOR THE PRIME NATIONAL STAGE. KAMALA HARRIS IS. THERE IS NO QUESTION SHE'S QUALIFIED BUT SHE DOES HAVE TWO THINGS THAT REPUBLICANS ARE GOING TO CONTINUE TO POINT OUT IN THIS CAMPAIGN. THE FIRST IS THAT YOU DON'T KNOW WHICH KAMALA HARRIS IS GOING TO SHOW UP AT THE PODIUM. IS IT THE PROSECUTOR, TOUGH COP OR A WOMAN WHO HAS VOTED WITH BERNIE SANDERS ELIZABETH WARREN? WE'LL SEE TONIGHT. >> WE'LL SEE TONIGHT. THANKS VERY MUCH. >>> ANOTHER BIG FOCUS, GUN CONTROL. COMING UP GABBY GIFFORDS OF COURSE THE VICTIM OF A SHOOTING SO MANY YEARS AGO WILL ADDRESS THE CONVENTION. LET'S CHECK IT OUT. >> SHOT IN THE HEAD FROM LESS THAN THREE FEET AWAY. SHE SURVIVED. WHEN TRAGEDY STRIKES, WE SEEK COMFORT IN KNOWING WE AREN'T ALONE. >> JOIN US IN THIS FIGHT. >> WE SEEK STRENGTH TO KEEP FIGHTING, TO KEEP MOVING FOR D FORWARD. WE TURN TO LEADERS WHO SHARE OUR PAIN. >> THE MOST DIFFICULT TIMES WE STAND CLOSEST TOGETHER. IT OUT OF TRAGEDY THAT WE GROW STRONGER. >> HE WAS THERE FOR ME, HE'LL BE THERE FOR YOU, TOO. >> WE ARE A NATION READY TO END GUN VIOLENCE, A SAFER AMERICA IS POSSIBLE BUT FROM THIS POINT FORWARD, WE MUST CHOOSE COURAGE. >> I'VE KNOWN THE DARKEST OF DAYS, DAYS OF PAIN AND RECOVERY. BUT CONFRONTED BY THIS SOMEONE'S HOPE CONFRONT D ED BY PARALYSIS RESPOND WITH DETERMINATION. I PUT ONE FOOT IN FRONT OF THE OTHER. I'VE FOUND ONE WORD AND THEN I FOUND ANOTHER. MY RECOVERY IS A DAILY FIGHT BUT FIGHTING MAKES ME STRONGER. WORDS ONCE CAME EASILY. TODAY I STRUGGLE TO SPEAK. BUT I HAVE NOT LOST MY VOICE. AMERICA NEEDS ALL OF US TO SPEAK OUT EVEN WHEN YOU HAVE TO FIGHT TO FIND THE WORDS. WE ARE AT A CROSS ROADS. WE CAN'T LET THE SHOOTING CONTINUE OR WE CAN ACT. WE CAN PROTECT OUR FAMILIES, OUT FUT FUTURE AND WE CAN VOTE. WE CAN BE ON THE RIGHT SIDE OF HIST HISTORY. AND IN THIS FIGHT, VOTE, VOTE, VOTE. THANK YOU VERY MUCH. >> SHE'S THE CORRESPONDENT MANY YEARS AGO IN THE LAST COUPLE YEARS YOU'VE SEEN THIS ENTIRE MOVEMENT OF GUN CONTROL SWEEP ACROSS THE COUNTRY IN THE WAKE OF THE SCHOOL SHOOTINGS. >> GEORGE, SEEING HER TONIGHT IS STRIKING. WE REMEMBER THE DIFFICULT SATURDAY IN JANUARY OF 2011 WHEN SHE WAS SHOT. ONE OF 13 PEOPLE INJURED. SIX PEOPLE DIED THAT DAY AND YOU SEE HER NOW FIGHTING TO REGAIN NORMALCY IN HER LIVE BUT SHOWING A LOT OF GRIT. SADLY, GEORGE, THE KIND OF MASS SHOOTING THAT WE SAW THAT DAY IS MUCH MORE PREVALENT. SHE'S FIGHTING BECAUSE WHILE WE HAVE A NEW PLAGUE IN THIS NEW PANDEMIC, WE HAVE AN ON GOING CHRONIC EPIDEMIC OF GUN VIOLENCE. >> THANKS SO MUCH. WE'LL TA ABC NEWS. >> WE'RE BACK WITH DAY THREE OF THE DEMOCRATIC CONVENTION. FOCUSSING ON CLIMATE CHANGE. GOVERNOR OF NEW MEXICO IS SUPPOSED TO BE COMING UP. WAY TO I WANT TO GO TO JOHN CARL, THE WHITE HOUSE HOPING TO MAKE THE GREEN NEW DEAL PUSHED BY DEMOCRATS, THE HEART OF THEIR ATTACK ON THE CLIMATE PLAN. >> NO QUESTION ABOUT THAT GEORGIA THE GREEN NEW DEAL IS SOMETHING AND THE ISSUE OF CLIMATE CHANGE AND ALSO GIVING A BOOST TO A NEW LEVEL ECONOMY A GREEN ECONOMY BUT THE TRUMP ADMINISTRATION DONALD TRUMP HIMSELF PORTRAYED IT AS SOCIA SOCIALISM, AN EFFORT TO UNDUE SOMETHING WHICH TRUMP SEES AS A SIGNATURE OF HIS ADMINISTRATION DOING AWAY, GUTTING THE ENVIRONMENTAL REGULATIONS PUT IN PLACE BY BARACK OBAMA AND OTHERS AND MAKING THE UNITED STATES A NET OF ENERGY. >> THIS IS SOMETHING EVERY SINGLE DEMOCRAT ON THIS DAY IS PUSHING HARD. >> CHANGE AND THIS CONVENTION, THIS IS GOING TO BE SOMETHING BIDEN AND HARRIS CONTINUE TO SAY THAT THEY'RE GOING TO WORK ON FAR MORE THAN THE TRUMP ADMINISTRATION HAS. WE REPORTED THIS WEEK ON DRILLING OFF OF ALASKA BUT THEY WILL CONTINUE TO PUSH. IT MIGHT NOT MAKE PROGRESSIVES HAPPY WITH TALK OF A GREEN NEW DEAL BUT JOE BIDEN MADE THE CASE HE WILL FIGHT FOR CLIMATE CHANGE. >> COMING UP RKT THE , THE GOVE OF NEW MEXICO AND CONSIDERING A RUNNING MATE FOR A POLITICIAN GOVERNOR GRESHAM. ♪ ♪ >>> GOOD EVENING AMERICA. I'M MICHELLE GRESHAM, GOVERNOR OF THE GREAT STATE OF MEXICO. I'M PROUD OF MY HOME STATE EVERY SINGLE DAY ESPECIALLY HOW WE HAVE PUNCHED ABOVE OUR SUCCESSFUL RESPONSE TO COVID-19. I'M PROUD OF NEW MEXICOENS THAT STEPPED UP AND SACRIFICED IN SO MANY INCREDIBLE WAYS THIS PAST HALF YEAR. I'M PROUD OF HOW WE EMBRACE OUR MULTI CULTURAL IDENTITY AS OUR GREATEST STRENGTH AND PROUD NEW MEXICO HAS SHOWN WHAT CLIMATE LEADERSHIP HAS LOOKED LIKE AND THE TLURUMP ADMINISTRATION IS ELIMINATING ENVIRONMENTAL PROTECTIONS, WE EXPANDED THEM AND THEY ARE ROLLING BACK REGULATIONS ON OIL AND GAS, WE HAVE TAKEN ON POLLUTERS AND HELD THEM ACCOUNTABLE. WE'VE COMMITTED TO A RENEWABLE ENERGY FUTURE FOR WORKERS ALL ACROSS OUR BEAUTIFUL STATE INCLUDING RIGHT HERE IN THE HEART OF NORTHERN NEW MEXICO. WE'RE LAYING A ROAD MAP HERE FOR WHAT AMERICA CAN AND SHOULD LOOK LIKE IN THE 21st CENTURY AND AMERICA WHERE WE LEAD AGAIN, WHERE WE BUILD SAFER, CLEAR ENAND MORE AFFORDABLE CITIES AND COMMUNITIES WHERE WE PROVIDE MEANINGFUL OPPORTUNITIES FOR WORKERS AND FAMILIES TO THRIVE AND BUILD BETTER LIVES. AS PRESIDENT, JOE BIDEN WILL REJOIN THE INTERNATIONAL CLIMATE AGREEMENT AND THE QUITE WILL ONCE AGAIN LEAD ON THIS CRITICAL ISSUE. AT HOME, HE'LL INVEST IN ENERGY WORKERS AND DELIVER FOR WORKING FAMILIES ACROSS THE U.S. HELPING THEM BUILD MEANINGFUL CAREERS WHILE ACCELERATING OUR NATION AND WORLD INTO A CLEAN, GREEN 21st CENTURY AND WELL BEYOND. WE KNOW TIME IS RUNNING OUT TO SAVE OUR PLANET. WE HAVE THE CHANCE THIS NOVEMBER TO END TWO CRISIS. THE TRUMP PRESIDENCY AND THE ENVIRONMENTAL ANNIHILATION HE REPRESENTS. WE HAVE THE CHANCE THIS NOVEMBER TO ATTACK THE CLIMATE CRISIS, INVEST IN GREEN 21st CENTURY JOBS AND EMBRACE THE CLEAN ENERGY REVOLUTION OUR COUNTRY, OUR YOUNG PEOPLE ARE CRYING OUT FOR AND THE LEADERSHIP THE REST OF THE WORLD IS WAITING FOR. THE CHOICE IS CLEAR. THE CHOICE IS JOE BIDEN. THANK YOU, AMERICA. >>> HARD WORK. RISING TO THE CHALLENGE. THE AMERICAN WAY. GOING TO THE MOON WAS ALL THREE. MANY ASTRONAUTS RETURNED HOME AND REPORTED A SHIFT IN THEIR AWARENESS. THE VIEW THEY SAW OF EARTH FROM SPACE WAS PROFOUND. THE WORLD LOOKED BEAUTIFUL, TINY, FRAGILE. OUR ATMOSPHERE IS ALL THAT SEPARATES US FROM OCHO BLIF YIN. >> OUR COMMUNITIES FACED THE BURDEN OF POLLUTION AND ADDRESSING CLIMATE CHANGE GIVES US AN OPPORTUNITY TO CORRECT SOME WRONGS AND TO ALSO INVEST IN OUR VULNERABLE COMMUNITIES. >> MAYBE YOU'VE READ SYSTEM OF THE MILLIONS OF PAGES OF SIGN TICK -- SCIENTIFIC EVIDENCE OF CLIMATE CHANGE OR FELT IT AS YOU WALKED THE NEIGHBORHOOD. FOR MOST PEOPLE, IT'S OVERWHELMING. >> ALL OF THIS WITH THE GLOBAL WARMING AND A LOT OF IT IS A HOAX. IT'S A HOAX. >> I SPENT FIVE YEARS WORKING ON THIS REPORT. THE TRUMP ADMINISTRATION STARTED TO REMOVE ANY MENTION THAT HU HUMANS WERE THE CAUSE OF CLIMATE CHANGE. >> I WROTE MY RESIGNATION LETTER SIX MONTHS INTO ADMINISTRATION. THEY WERE HANDING THE KEYS OF PUBLIC LAND TO PRIVATE INTEREST. THE TRUMP ADMINISTRATION HAS GONE ALL OUT TO NEGLECT IT BUT REVERSE THEM. >> WE HAVE ABOUT A DECADE BEFORE IT'S TOO LATE. >> I'M A KID AND GOING TO SAY TO THE ADULTS WATCHING THIS NOW, WHY DON'T YOU GET UP AND DO SOMETHING? >> FIRST CLIMATE CHANGE WAS BY A SENATOR OF DELAWARE. >> DONALD TRUMP THINKS ABOUT CLIMATE CHANGE, THE ONLY WORD HE CAN MUSTER IS HOAX. >> AMERICA IS FACED WITH A CHALLENGE BUT IF WE FACE IT TOGETHER, WE'LL RISE TO THE A OCCASION AND BUILD BACK BETTER. >> WHEN I THINK OF CLIMATE CHANGE, I THINK ABOUT JOBS. >> THAT'S JOE'S PLAN TO CREATE MILLIONS OF NEW GOOD PAYING JOBS. MANY UNION LIKE MINE. INVEST IN CRITICAL IN INFRASTRUCTURE AND PRECISION AGRICULTURE. A CLEAN ENERGY FUTURE THAT ACHIEVES NET ZERO EMISSIONS BY 2050 BECAUSE WE CAN'T POWER THE ECONOMIES OF THE FUTURE WITHOUT INVESTING IN THE TECHNOLOGIES OF THE FUTURE. >> WHAT IS IMPORTANT IS 40% OF THE INVESTMENT WILL GO TO VULNERABLE COMMUNITIES. >> WE KNOW HOW TO DO THIS. WE'LL DO IT AGAIN BUT THIS TIME BIGGER AND FASTER AND SMARTER. >> JOE WON'T IGNORE THE CRISIS. WE'RE SEEING WHAT HAPPENS WHEN WE DO THAT. HE WON'T SER RURRENDERER TO THE FIGHT. JOE'S AMERICA WILL LEAD THE WORLD ON CLEAN ENERGY AND JOB CREATION AND AMERICA WILL LEAD THE WORLD AGAIN ONE CLIMATE. >> I WAS 13 WHEN THE CAMPFIRE, THE MOST DESTRUCTIVE WILDFIRE IN CALIFORNIA'S HISTORY BROKE OUT. WE WERE VISITING FAMILY NEARLY 100 MILES AWAY BUT MY ASTHMA FLARED BADLY. I COULD HARDLY BREATHE. I'M ALEXANDRIA AND I'VE BEEN ORGANIZING YOUNG PEOPLE AROUND CLIEPTD CHANGE SINCE 2018. CLIMATE CHANGE IS IMPACTING US NOW AND IT'S ROBBING MY GENERATION OF A FUTURE. FOR YOUNG PEOPLE MY AGE, EVERY ASPECT OF OUR LIVES FROM WHERE WE GO TO SCHOOL TO WHAT KIND OF CAREERS WE'LL HAVE TO WHETHER OR NOT WE CAN RAISE A FAMILY DEPENDS ON US TAKING CLIMATE CHANGE SERIOUSLY RIGHT NOW. JOE BIDEN WON'T SOLVE THIS CRISIS IN FOUR YEARS. NO ONE CAN. BUT HE WILL PUT US BACK ON TRACK SO MY GENERATION CAN HAVE A FIGHTING CHANCE. I'M ASKING YOU TO JOIN US. DON'T LET OUR FUTURE GO UP IN FLAMES. >> THERE IS A SAYING, NEHI BY THE FOURTH OF JULY. WE'RE LUCKY IF THE CORN IS EVEN PLANTED. I STUDIED AT NORTHERN MICHIGAN UNIVERSITY. US FARMERS CAN SEE THE EFFECTS OF CLIMATE CHANGE IN FRONT OF US. WE'VE BEEN TRYING TO DO OUR PART. WE'RE ADOPTING SUSTAINABLE SOLUTIONS ON MY FAMILY'S FARM USINGLESS LAND AND RESOURCES TO GROW FOOD. WE'RE ELIMINATING BY MIMICKING NA NATURAL ECOSYSTEMS. TODAY WE ALL CAN GROW OUR OWN FUTURE BUT NEED LEADERS TO BE PART OF THE SOLUTION AS WELL INSTEAD OF PART OF THE PROBLEM. WE NEED THEM TO COMMIT TO SCIENCE, NOT IGNORE IT. WE NEED THEM TO PUT REAL PLANS ON THE TABLE RATHER THAN ROLLBACK. THAT'S WHAT JOE BIDEN IS DOING WITH THE CLEAN ENERGY REVOLUTION INSTEAD OF BEING LEFT BEHIND, WE COULD LEAD THE WORLD AGAIN. >> I SPEND A LOT OF TIME TALKING ABOUT CLIMATE CHANGE WITH DIFFERENT COMMUNITIES HERE IN NEVADA AND THE ONE HE I GET ASKED OVER AND OVER AGAIN IS WHAT ARE YOU DOING HERE? NOT A LOT OF CLIMATE ACTIVISTS LOOK LIKE ME. I'M A LATINA AND ACTIVESTS. POLLUTION RATES ARE OFTEN HIGHER AND A LOT OF KIDS HAVE ASTHMA. SWITCHING TO RENEWABLE ENERGY MEANS CLEANER AIR, BETTER HEALTH AND A STEADIER INCOME FOR FOLKS IN NEIGHBORHOODS LIKE MINE BECAUSE SOLAR PD INSTALLERS ARE SOME OF THE FASTEST GROWING JOBS IN THE COUNTRY AND JOE BIDEN'S TIME IS TRANSFORMATIVE. HE KNOWS SAVING THE PLANET ISN'T JUST A CHALLENGE TO OVERCOME, IT'S AN OPPORTUNITY FOR A BETTER WAY OF LIFE. >> SO WHAT'S IT GOING TO BE AMERICA? >> ARE YOU READY TO VOTE FOR JOE BIDEN? >> ARE YOU READY TO SOLVE THE CLIMATE CRISIS? >> OUR FUTURES DEPEND ON IT. >> THERE WE SEE THE CLIMATE CHANGE. LET GO BACK TO KERRY WASHINGTON INTRODUCING BILLIE EILISH. >> NOT TO MENTION AN IMMENSELY TALENTED ARTIST. SHE WORKED TO ENSURE THAT HER MOST RECENT CONCERT TOUR WAS GREEN AND SUSTAINABLE URGING FANS TO TAKE SIMILAR ACTIONS IN THEIR DAILY LIVES AND EVEN BEFORE SHE HERSELF WAS OLD ENOUGH TO VOTE, SHE HELD REGISTRATION DRIVES BEFORE HER SHOWS SIGNING UP THOUSANDS OF VOTERS. SHE'S A VOICE FOR HER GENERATION IN BOTH HER MUSIC AND HER ACTIVISM. HERE TO PERFORM "MY FUTURE" PUBLICLY FOR THE FIRST TIME, BILLIE EILISH. >> YOU DON'T NEED ME TO TELL YOU THINGS ARE A MESS. DONALD TRUMP IS DESTROYING OUR COUNTRY AND EVERYTHING WE CARE ABOUT. WE NEED LEADERS WHO WILL SOLVE PROBLEMS LIKE CLIMATE CHANGE AND COVID, NOT DENY THEM. LEADERS WHO WILL FIGHT AGAINST SYSTEMIC RACISM AND THAT STARTS BY VOTING FOR SOMEBODY THAT UNDERSTANDS HOW MUCH IS AT STAKE AND BUILDS A TEAM THAT SHARES OUR VALUES. IT STARTS WITH VOTING AGAINST DONALD TRUMP AND FOR JOE BIDEN. SI SILENCE IS NOT AN OPTION AND WE CAN'T SIT THIS OUT. WE HAVE TO VOTE LIKE OUR LIVES AND THE WORLD DEPEND ON IT BECAUSE THEY DO. THE ON WAY TO BE CERTAIN OF THE FUTURE IS TO MAKE IT OUR SEVERALS. PLEASE REGISTER, PLEASE VOTE. ♪ I CAN'T SEEM TO FOCUS, SEEM TO NOTICE I'M NOT HERE SFOET I'M JUST AMI MIRROR. ♪ YOU CHECK YOUR COME PROPLEXIO FIND YOUR REFLECTIONS ALL ALONE ♪ ♪ CAN'T YOU HEAR ME ♪ ♪ I'M NOT COMING THROUGH ♪ ♪ DO YOU UNDERSTAND I'VE CHANGED MY PLANS BECAUSE I, I'M IN LOVE WITH MY FUTURE ♪ ♪ CAN'T WAIT TO MEET HER ♪ ♪ AND I, I'M IN LOVE ♪ ♪ JUST WANT TO GET TO KNOW MYSELF ♪ ♪ ♪ ♪ ♪ ♪ I KNOW BETTER THAN TO DRIVE YOU HOME ♪ ♪ ♪ ♪ ♪ >> BILLIE EILISH PERFORMING THE SONG "MY FEATURE." A YOUNG ACTIVIST FOR CLIMATE CHANGE AND VOTING RIGHTS AS THE CONVENTION PREPARES TO SWITCH TO IMMIGRATION, ANOTHER HOT BUTTON ISSUE IN THIS CAMPAIGN. I WANT TO BRING IN TOM FOR MORE. WE SPOKE ABOUT PRESIDENT TRUMP AND YOU IN ARIZONA TALKING ABOUT IMMIGRATION. WHEN HE TALKS ABOUT IMMIGRATION, WE WANTS TO TALK ABOUT THE WALL. DEMOCRATS WANT TO TALK ABOUT THE FAMILY SEPARATION POLICY. >> RIGHT, AND DEALING WITH IMMIGRATION FOR ANY POLITICIAN GEORGE YOU KNOW IS DIFFICULT AND GOING TO BE HARD FOR JOE BIDEN. IN A FEW MOMENTS WE'LL HEAR POWERFUL STORIES WHAT WE HEAR A POWERFUL STORY ABOUT FAMILIES, AMERICAN FAMILIES AFFECTED BY THE TRUMP POLICY. AS YOU MENTIONED, YESTERDAY TRUMP PRESIDENT WENT BACK TO 2015 USING THE TOUGH LANGUAGE ON IMMIGRATION SAYING IF DEMOCRATS ARE ELECTED IN HIS WORDS ALIENS WITH CRIMINAL RECORDS WILL RUN RAM RAMPED. JOE BIDEN HAS SOMETHING TO DEAL WITH. ON THE OTHER END, HE HAS THE FAR LEFT CALLING TO ABOLISH ICE. JOE BIDEN IS NOT CALLING TO ABOLISH ICE. THE DEMOCRATIC PLATFORM DOES POT CALL FOR THAT. WHAT THEY DO SAY ARE THESE ARE THEIR WORDS, CALLOUS CRUEL AND RECKLESS. HE SAYS THAT IF HE'S ELECTED, HE'LL STOP THE NATIONAL EMERGENCY FUNDING TO THE WALL AND CREATE A PATHWAY TO CITIZEN SHIP BUT EVEN JOE BIDEN'S LEGACY IS TOUGH ON THIS ONE, GEORGE. AS YOU KNOW BECAUSE THE OBAMA BIDEN TICKET DEPORT FOR THE AMERICANS THAN ANY OTHER PRESIDENCY IN THE HISTORY. OBAMA WAS KNOWN AS A DEPORTER IN CHIEF. HE'LL HAVE TO RECKON WITH THAT LEGACY, AS WELL. THERE IS A LOT OF ISSUES AND IT WON'T BE EASY AS WE GET CLOSER TO ELECTION DAY. >> HE'S WALKING A FINE LINE. WE'LL HEAR FROM 11-YEAR-OLD ESTELLA, HER FATHER SERVED AS A MARINE AND VOTED FOR TRUMP. >> NOW MORE THAN EVER BEFORE. >> TELL ME WHEN I START READING. DEAR DONALD TRUMP. MY NAME IS ESTELLA. I AM 11 YEARS OLD. MY MOM IS MY BEST FRIEND. SHE CAME TO AMERICA AS A TEENAGER OVER 20 YEARS AGO WITHOUT PAPERS IN SEARCH OF A BETTER LIFE. SHE MARRIED MY DAD WHO SERVED OUR COUNTRY AS A MARINE IN SOUTH AMERICA, AFRICA AND IRAQ. MY MOM WORKED HARD AND PAID TAXES AND THE OBAMA ADMINISTRATION TOLD HER SHE COULD STAY. MY DAD THOUGHT YOU WOULD PROTECT MILITARY FAMILIES SO HE VOTED FOR YOU IN 2016, MR. PRESIDENT. HE SAYS HE WON'T VOTE FOR YOU AGAIN AFTER WHAT YOU DID TO OUR FAMILY. >> THE WIFE OF A U.S. MARINE VETERAN WAS DEPORTED TO MEXICO. >> INSTEAD OF PROTECTING US, YOU TORE US APARTMENT. >> MY MOM IS A GOOD PERSON. SHE'S NOT A CRIMINAL. >> NOW MY MOM IS GONE AND SHE'S BEEN TAKEN FROM US FOR NO REASON AT ALL. EVERY DAY THAT PASSES YOU DEPORT MORE MOMS AND DADS AND TAKE THEM AWAY FROM KIDS LIKE ME. >> YOU WILL BEGIN MOVING THEM OUT DAY ONE. >> YOU SEPARATED THOUSANDS OF CHILDREN FROM THEIR PARENTS AND YOU PUT THEM IN CAGES. SOME OF THOSE KIDS ARE NOW OR PA -- ORPHANS BECAUSE OF YOU. >> MR. PRESIDENT, MY MOM IS AN AMERICAN OF TWO CHILDREN. WE ARE AMERICAN FAMILIES. WE'RE A PRESIDENT THAT BRING PEOPLE TOGETHER, NOT TEAR THEM APART SINCERELY, ESTELLA. >> WITH HER LETTER TO PRESIDENT TRUMP. WE'LL TAKE A QUICK BREAK. COMING UP, HILLARY CLINTON. >>> THE DEMOCRATIC NATIONAL COP VEN -- CONVENTION. >> DAY THREE OF THE DEMOCRATIC CONVENTION FEATURING SO MANY HIGH PROFILE PROMINENT DEMOCRATIC LEADERS. WANT TO BRING IN A FORMER SENATOR FROM THE DEMOCRATIC PARTY HEIDI AND ONE OF THE THINGS WE'RE SEEING TONIGHT OF COURSE WITH KAMALA HARRIS IS THE FIRST WOMAN OF COLOR, TONIGHT NAN NANCY PELOSI, THE TOP WOMEN HEARDS IN LEADERS IN THE DEMOCRATIC PARTY. >> NO DOUBT. THERE IS A HUGE GENDER GAP AND WOMEN WANT TO SEE HEROES AND LEADERS AND THAT'S WHEN WE'LL SEE TONIGHT. I THINK GABBY GIFFORDS STARTING THIS OFF WITH HER COURAGE AND THAT'S THE COURAGE OF DEMOCRATIC WOMEN AND YOU SAW THIS YOUNG GIRL READING HER LETTER. I THINK GEORGE, WHAT'S REALLY REMARKABLE ABOUT THIS CONVENTION, WE'VE HAD THESE HIGHLIGHTS OF, YOU KNOW, JILL BIDEN AND MICHELLE OBAMA BUT ORDINARY CITIZENS STEP UP TO THE PLATE AND SAY THIS IS WHY THIS ELECTION MATTERS TO ME AND THIS CONNECTION. WHAT DOES THIS MEAN FOR ME? HOW DOES THIS IMPACT MY FAMILY? I THINK ALL OF THESE WOMEN WILL SPEAK ABOUT CHILDREN AND THEY WILL SPEAK ABOUT WHY THEY HAVE GOTTEN INVOLVED IN POLITICS AND IT WILL BE FOCUSED AROUND FAMILIES. >> THANKS VERY MUCH. WOMEN ARE THE BASE IN THE DEMOCRATIC PARTY. >> YES. YOU KNOW, IF YOU LOOK AT -- TAKE BARACK OBAMA SPEAKING TODAY. COLLEGE WOMEN IN 2012, HE GOT 46% OF THE VOTE. IN 2018 THE CONGRESSIONAL DEMOCRATS GOT 59 AND JOE BIDEN IS TRENDING CLOSE TO 63%. THAT IS A 20% MOVEMENT AND IF YOU COMPARE WOMEN WITH A COLLEGE DEGREE TO HISPANIC VOTERS, THEY'RE AT OR JUST SLIGHTLY ABOVE BY A HAIR HISPANIC VOTERS. THEY ARE A KEY COMPONENT OF THE DEMOCRATIC PARTY BASE. I WANT TO SAY ONE OTHER THING WITH THE WOMEN SPEAKERS AND BARACK OBAMA, HE'S BEEN INVITED TO A SORORITY PARTY AND DOESN'T KNOW HOW HE GOT THERE. HOW DID THIS HAPPEN? [ LAUGHTER ] AND ALSO WOMEN WITHOUT A COLLEGE DEGREE. THEY ARE A FORMITT NL FORCE IN THE DEMOCRATIC PARTY VIS-A-VIS KAMALA HARRIS. >> IT SEEMS PRESIDENT TRUMP IS AWARE. HE BRINGS ON HIS LAW AND ORDER CAMPAIGN AND TALKS ABOUT SUBURBAN HOUSEWIVES. I WONDER IF THAT LANGUAGE ENDS UP WORKING AGAINST HIM. >> I THINK IT DOES TO SOME DEGREE BUT AT THE SAME TIME, HIS BIGGEST DROP, YOU KNOW, HAS BEEN COLLEGE EDUCATED WOMEN. NON-COLLEGE EDUCATED WOMEN THAT VOTED FOR HIM OVERWHELMINGLY IN THE LAST ELECTION ALSO HAVE DROPPED MAYBE TEN POINTS SINCE THE BEGINNING OF THE PANDEMIC. THESE ARE PEOPLE THAT LIKE HIS POLICIES. THEY DON'T NECESSARILY LIKE HIS PERSONA. HIS PERSONA IS MORE FRONT AND CENTER. HE'S GOT TO GET BACK TO TALKING ABOUT THINGS LIKE IMMIGRATION, NOT FAMILY SEPARATION BUT THE FACT THAT WE DON'T WANT TO DECRIMINALIZE THE BORDER. THE COUNTRY CAN'T AFFORD HEALTH CARE AND EDUCATION FOR ANYBODY THAT WANTS TO COME HERE WITH NEW NO RULES. PEOPLE AGREE WITH THAT. THEY AGREE WITH HIM ON THAT ISSUE. HE NEEDS TO SOFTEN HIS TONE. >> THAT DID SEEM TO BE WHEN YOU GO BACK TO THE BEGINNING OF THE DEMOCRATIC PRIMARY, IT SEEMS LIKE IT WAS MOVING MUCH MORE IN THAT DIRECTION BUT EVERY DEBATE, HEALTH CARE FOR ILLEGAL IMMIGRANTS AND JOE BIDEN TRIED TO SOFTEN THAT A BIT. >> I DON'T KNOW WHY. A BIG PART OF THE REASON WHY PROGRESS ZIIVES PUSHED THAT IS SAW WHAT CAN HAPPEN WHEN THE SYSTEM GOES UNCHECKED. WE'VE SEEN FAMILIES BE SEPARATED AND PEOPLE, ICE GO INTO FAMILIES AND TO COMMUNITIES AND TAKING CHILDREN OUT WHILE THEIR PARENTS ARE AT WORK. WE'VE SEEN THE WORST OF IT. PART OF THE REASON PROGRESSIVES WANTED TO PUSH BACK, WE DON'T WANT THIS AUTHORITY TO BE IN THE HANDS OF ANY PRESIDENT. WE WANT TO PULL BACK. WE WANT TO REMEMBER WHAT THIS COUNTRY IS ABOUT, THIS COUNTRY PROTECTS ALL PEOPLE. WE ARE THE NATION OF IMMIGRANTS. THAT'S A REALLY IMPORTANT THING. AGAIN, PROGRESSIVES HAVE BEEN PUT ON THE BACK BURNER TO SAY WE CAN'T GO THAT FAR AND WE WILL GO WITH THE DEMOCRATIC PARTY TO MAKE SURE WE GET THROUGH THIS NEXT STAGE BUT THERE WILL BE A CONVERSATION ABOUT HOW WE MAKE SURE THAT PEOPLE WHEN THEY COME TO THIS COUNTRY ARE VALUED HOW WE MAKE SURE THAT I.C.E. DOESN'T GET TO ABUSE THEIR AUTHORITY THE WAY THEY HAVE BEFORE AND DO WE REALLY NEED I.C.E.? I.C.E. CAME AS A RESULT OF THE 2001 -- >> I GOT TO INTERRUPT YOU THERE. I SAW CHRIS CHRISTIE LICK HIS LIPS WHEN YOU SAID DO WE NEED I.C.E.? >> I DON'T NEED TIME. I YIELD MY TIME. >> I LOVE WE'RE HAVING THIS DEBATE. WE'VE SEEN I.C.E. DO DAMAGING THINGS AND ABUSE KIDS IN THESE FACILITIES. WE HAVE SEEN THEM RIP FAMILIES APART WITH ABANDON. THE QUESTION IS CAN AN ENTITY LIKE THAT BE REFORMED AND DO WE NEED TO LOOK AT IT DIFFERENTLY. >> YOU HIT THE POLLS. THE PRESIDENT'S TOUGH POLICIES DO HAVE A FOLLOWING BUT THE FAMILY SEPARATION IS PROBABLY ONE OF THE MOST DAMAGING THINGS HE'S HAD TO LIVE WITH. >> LET'S INJECT A FEW MORE FACTS INTO THIS DISCUSSION. THE OBAMA ADMINISTRATION HAD A VERY AGGRESSIVE DEPORTATION. >> AS TOM SAID. >> VERY AGGRESSIVE DEPORTATION PROGRAM. SECONDLY, THE CAGES THEY'RE TALKING ABOUT WERE BUILD EVER BUILT BY THE OBAMA ADMINISTRATION. THEY WEREN'T BUILT BY THE TRUMP ADMINISTRATION, THEY WERE BUILT BY THE OBAMA ADMINISTRATION AND IF DOWN GO BACK AND LISTEN TO BARACK OBAMA THAT HAILED TONIGHT AND OTHER NIGHTS ON THIS PROGRAM, YOU KNOW, HIS RHETORIC ON IMMIGRATION WAS PRETTY TOUGH. IT WASN'T TRUMP TOUGH BUT PRETTY TOUGH. THE REASON IT WAS WAS BECAUSE BARACK OBAMA IS A SMART POLITICIAN. AND HE KNEW THAT'S WHERE A MAJORITY OF THE COUNTRY WAS AND STILL IS. NOW SARAH SAID DONALD TRUMP HAS TO SOFTEN HIS RHETORIC. AMEN. RIGHT? WE ONLY COULD WISH AS REPUBLICANS THAT'S WHAT HE'LL DO BECAUSE THE CORE OF THE POLICY BILL CLINTON HAS AGREED WITH, GEORGE BUSH 43 AGREED WITH AND SO HAS BARACK OBAMA. THIS IS NOTHING NEW AT ALL AND I THINK THE REASON THAT PROGRESSIVES HAVE BEEN PUT AS I THINK YOU SAID IN THE BACKSEAT ON THIS IS BECAUSE THEY ARE WRONG. AND THE SECOND THING YOU'RE GOING TO SEE IN THIS CAMPAIGN, GEORGE, YOU'LL SEE THAT DEBATE WHEN EVERY ONE OF THE DEMOCRATS RAISED THEIR HAND ON THIS IMMIGRATION QUESTION. >> WE ARE GOING TO SEE THAT. WE'LL SEA HER IN A FEW MINUTES IS HILLARY CLINTON GIVING HER SPEECH. I WANT TO BRING IN TERRY MORAN. WE TALKED ABOUT BILL CLINTON. THE SPEECH WILL BE LIVE BUT SHE STILL IS IN A DIFFICULT POSITION AT THIS CONVENTION. >> SHE IS. YOU DON'T SEE AL GORE SPEAKING AT THESE CONVENTIONS BECAUSE HE LOST IN 2000 AS DID SHE. HER LOSS IS SEEN AS VERY DIFFERENT IN PART IT IS SEEN AS ILLEGITIMATE AMONG SOME PEOPLE WHO SUPPORTED HER AND PARTLY BECAUSE SHE WAS A WOMAN AND SHE'S STILL A STANDARD FOR SO MANY WOMEN IN THE COUNTRY. THAT SAID, JOE BIDEN NEEDS HER SUPPORT, NEEDS THE SUPPORT OF THE WOMEN THAT DO FOLLOW HER. THAT'S WHY WE'RE HEARING FROM HER. >> DEMOCRATS TALKING ABOUT THE WOMEN'S VOTE. LET LET'S LISTEN IN. ♪ ♪ GOT TO UNDERSTAND WHAT HAPPENS FROM HERE. >> SHOW WAS CALLED AN INSTIGATOR, A RULE BREAKER, A RAVEL ROUSER AND SHE IS CALLED THING A E ING A T A AGITATI. THE ONE WITH ATTITUDE. >> NOW IS THE TIME FOR ALL OF US TO STAND UP AND SAY ENOUGH IS ENOUGH. FROM THE BALLOT BOX FROM HER LIVING ROOM TO THE E.R. SHE MAKES TROUBLE THE GOOD KIND. SHE IS THE MOTHER WHO CRIES OUT FOR SENSIBLE GUN LAWS. THE DAUGHTER THAT BELIEVES EQUAL JUSTICE MEANS JUSTICE FOR ALL. >> WE ARE AMERICA. >> THE CHILD THAT KNOWS BLACK LIVES MATTER. SHE IS OUR WARRIOR ON THE FRONT LINES. CHALLENGING AUTHORITY TO MAKE THE WORLD SAFE. >> NOBODY IS ABOVE THE LAW. >> REFUSING TO BE TOLD WHO MAKES DECISIONS ABOUT HER BODY OR ANYONE ELSE'S. >> THESE WOMEN AND MEN OF ALL AGES, RACES AND BACKGROUNDS DON'T COME TO PLANNED PARENT HAD TO MAKE A POLITICAL STATEMENT, THEY COME TO GET QUALITY AFFORDABLE HEALTH CARE. >> YOU ARE DISADVANTAGING HER BECAUSE OF HER SEX. ♪ ♪ >> THIS IS THE TIME. >> AND SHE KNOWS TO CHANGE THE WORLD, YOU NEED TO CHANGE THE IDEA OF POWER. >> PROTESTERS IN FEDERAL GOVERNMENT. >> MY TIME AND I CONTROL IT. >> WE ARE FIGHTING FOR YOU EACH AND EVERY SINGLE DAY. >> AND SHE KNOWS HER VOICE IS HEARD AND AMPLIFIED BY THE WOMEN SHE ELECTS TO PUBLIC OFFICE. >> IF WE WANT FAMILIES TO SUCCEED, WE START BY EMPOWERING WOMEN. >> WHEN I FIRST GOT ELECTED, I CAME TO WASHINGTON D.C. TO FIGHT FOR THE ISSUES IN OUR COMMUNITY. >> WE LOOK FORWARD TO MAKING SURE THIS DISTRICT IS WELL REPRESENTED. >> THE THINGS WE RAN ON GOING INTO NOVEMBER, WE'RE DOING THAT. >> WOMEN DON'T JUST FIGHT FOR WOMEN. THEY FIGHT FOR FAMILIES AND FAIRNESS, INCLUSION, JUSTICE. >> TO MAKE OUR NATION A MORE PERFECT UNION ESPECIALLY FOR THOSE PEOPLE WHO ARE THE MOST MARGINAL. >> IF WE JUMP START THE MIDDLE CLOSE, WE'VE GOT TO ENSURE THAT COLLEGE IS AFFORDABLE, SEPARATION OF FAMILIES AND CHILDREN ARE DETRIMENTAL TO THEIR HEALTH. >> GIVE THE VICTIMS A GENDER BIAS IN THE WORKPLACE, THE TOOLS THEY NEED TO SEEK JUSTICE. >> WOMEN ARE THE MOST IMPORTANT POLITICAL FORCE IN THE QUITE OF AMERICA. >> SHE REPRESENTS HER VIEWS ON EDUCATION. >> WE GOT TO PAY EDUCATORS MORE AND WE'VE GOT TO HIRE MORE EDUCATORS. >> THE PROFILE OF TEACHERS AND CELEBRATE AND GIVE THEM BETTER PAY. >> SHE REPRESENTS HER CONCERNS ABOUT HEALTH CARE. >> HEALTH CARE IS THE NUMBER ONE ISSUE EVERY DAY. EVERY DAY. >> SHE SPEAKS OUT ON EQUAL PAY. >> VERY FRUSTRATING FOR WOMEN EVERYWHERE TO BE FEELING LIKE THEY ARE GETTING PAID WHAT THEY SHOULD BE. >> AND FOCUSES ON PROTECTING OUR CHILDREN. >> LET GIVE PARENTS THE PEACE OF MIND THAT THEIR KIDS ARE SAFE AND ARE BEING SETUP FOR SUCCESS. >> CARING FOR OUR SENIORS AND THE PEOPLE WHO CARE FOR THEM. >> SHE KEEPS THIS NATION GOING EVEN IN CHALLENGING TIMES. AND WHILE RUNNING FOR OFFICE IS NOT EASY. >> WHAT'S WRONG WITH THE PRESIDENT OF THIS COUNTRY? >> NEVER THELESS, SHE PERSISTS. >> WE LEARNED ALONG TIME AGO YOU DON'T GET WHAT YOU DON'T FIGHT FOR. >> AND PERSEVERES. >> THIS IS OUR TIME. >> AND PREVAILS. >> ALTHOUGH WE WEREN'T ABLE TO SHATTER THAT GLASS CEILING THIS TIME, IT GOT ABOUT 18 MILLION CRACKS IN IT. >> A RECORD-BREAKING NUMBER OF WOMEN RAN IN THE MIDTERMS AND WON. >> SHE BILLS COLLISIONS AND SHE KNOWS WHO HER ALLIES ARE. FROM THE FIGHT FOR HEALTH CARE TO OFFERING THE VIOLENCE AGAINST WOMEN'S ACT TO BUILDING A SOCIETY WHERE FAIRNESS AND EQUALITY AND OPPORTUNITY APPLIES TO EVERYONE. >> THE MORNING AFTER THE LAST ELECTION I SAID WEST OWE DONALD TRUMP AN OPEN MIND AND A CHANCE TO LEAD. I MEANT IT. EVERY PRESIDENT DESERVES THAT AND TRUMP CAME IN WITH SO MUCH SET UP FOR HIM A STRONG ECONOMY, PLANS FOR MANAGING CRISIS INCLUDING A PANDEMIC. YES, WE DEMOCRATS WOULD HAVE DISAGREES WITH HIM ON MANY THINGS. BUT IF HE HAD PUT HIS OWN INTEREST AND EGO ASIDE, SEEING THE HUMANITY IN A CHILD RIPPED FROM HER PARENTS AT THE BORDER OR A PROTESTER CALLING FOR JUSTICE OR A FAMILY WIPED OUT BY NATURAL DISASTER, THAT WOULD HAVE BEEN A GOOD THING FOR AMERICA AND THE WORLD. I WISH DONALD TRUMP KNEW HOW TO BE A PRESIDENT BECAUSE AMERICA NEEDS A PRESIDENT RIGHT NOW. THROUGHOUT THIS TIME OF CRISIS AMERICANS KEEP GOING CHECKING ON NEIGHBORS, SHOWING UP TO JOBS AS FIRST RESPONDERS, HOSPITALS, GROCERY STORES, NURSING HOMES, YES, IT STILL TAKING A VILLAGE AND WE NEED LEADERS EQUAL TO THIS MOMENT OF SACRIFICE AND SERVICE. WE NEED JOE BIDEN AND KAMALA HARRIS. EVERYONE HAS A STORY ABOUT JOE'S CARING AND EMPATHY. I REMEMBER HIM CALLING AFTER MY MOTHER DOROTHY DIED AND WE TALKED ABOUT BEING RAISED BY STRONG WOMEN. THE BEST TESTAMENT TO JOE IS HOW HE'S CARED FOR HIS FAMILY AND HOW GREAT IS IT THAT DR. JOE BIDEN PLANS TO KEEP TEACHING AS FIRST LADY? AND JOE PICKED THE RIGHT PARTNER IN KAMALA. SHE'S RELENTLESS AND KIND. WHEN HER PRESS SECRETARY TYRONE GAIL WAS DYING OF CANCER, SHE DROPPED EVERYTHING TO BE WITH HIM IN HIS FINAL MOMENTS. I KNOW SOMETHING ABOUT THE SLINGS AND ARROWS SHE'LL FACE AND BELIEVE ME, THIS FORMER DISTRICT ATTORNEY AND ATTORNEY GENERAL CAN HANDLE THEM ALL. SO THIS IS THE TEAM TO PULL OUR NATION BACK FROM THE BRINK BUT THEY CAN'T DO IT WITHOUT US. FOR FOUR YEARS PEOPLE TOLD ME I DIDN'T REALIZE HOW DANGEROUS HE WAS. I WISH I COULD DO IT ALL OVER OR WORSE. I SHOULD HAVE VOTED. LOOK, THIS CAN'T BE ANOTHER WOULD HAVE, COULD HAVE, SHOULD HAVE ELECTION. IF YOU VOTE BY MAIL, REQUEST YOUR BALLOT NOW AND SEND IT BACK RIGHT AWAY. IF YOU VOTE IN PERSON, DO IT EARLY. BECOME A POLL WORKER. MOST OF ALL, NO MATTER WHAT VOTE. AS MICHELLE OBAMA AND BERNIE SANDERS WARNED US, IF TRUMP IS REELECTED THINGS WILL GET EVEN WORSE. THAT'S WHY WE NEED UNITY NOW MORE THAN EVER. REMEMBER BACK IN 2016 WHEN TRUMP ASKED WHAT DO YOU HAVE TO LOSE? WELL, NOW WE KNOW. OUR HEALTH CARE, OUR JOBS, OUR LOVED ONES. OUR LEADERSHIP IN THE WORLD AND EVEN OUR POST OFFICE. LET SET OUR SIGHTS HIGHER THAN GETTING ONE MAN OUT OF THE WHITE HOUSE. JOE BIDEN AND KAMALA HARRIS ARE GOING TO GIVE US SO MUCH TO VOTE FOR. LET'S VOTE FOR THE JOBS THAT JOE'S PLAN WILL CREATE, CLEAN ENERGY JOBS AND CARE GIVING JOBS AND SAVES PEOPLE FROM FORECLOSURES AND HEVICTIONS. BILLIONAIRES GOT H HOUNDREDS OF MILLIONS AND MANY LOST THEIR EXTRA $600 A WEEK. VOTE FOR PARENTS AND TEACHERS STRUGGLING TO BALANCE EDUCATION AND SAFETY AND FOR HEALTH CARE WORKERS FIGHTING COVID-19. VOTE FOR PAID FAMILY LEAVE AND HEALTH CARE FOR EVERYONE. FOR SOCIAL SECURITY, MEDICARE AND PLANNED PARENTHOOD. VOTE FOR DREAMERS AND THEIR FAMILIES. VOTE FOR LAW ENFORCEMENT PURGED OF RACE BIAS THAT KEEPS ALL OUR STREETS SAFE. VOTE FOR JUSTICE, FOR GEORGE FLOYD, BREONNA TAYLOR AND AHMAUD ARBERY BECAUSE BLACK LIVES MATTER. VOTE FOR HONEST ELECTIONS SO WE, NOT A FOREIGN ADVERSARY CHOOSE OUR PRESIDENT. VOTE FOR THE DIVERSE HOPEFUL AMERICA WE SAW IN THE ROLE CALL JOE AND KAKAMALA CAN WIN BY VOT AND STILL LOSE BECAUSE TRUMP CAN'T SNEAK OR STEAL HIS WAY TO VICTORY. TEXT VOTE 30330 TO GET STARTED. 100 YEAR ACE GO IT TOOK SWITCH DECADES TO MARCH, PICKET AND GO TO JAIL TO PUSH US CLOSER TO A MORE PERFECT UNION. 55 YEARS AGO JOHN LEWIS MARCHED AND THAT WORK WAS UNFINISHED. A BLACK INDIAN IMMIGRANTS AND OUR NOMINEE FOR VICE PRESIDENT. THIS IS OUR COUNTRY'S STORY BREAKING DOWN BARRIERS AND EXPANDING POSSIBILITY TO THE YOUNG PEOPLE WATCHING, DON'T GIVE UP. EXCITEMENT OUR FLAWS AND PROBLEMS. WE CAN STILL BE A MORE JUST EQUAL COUNTRY WITH OPPORTUNITIES GENERATIONS COULD NEVER HAVE IMAGINED. THERE IS HEARTBREAK AND MANY THINGS WERE BROKEN. HE KNOWS HOW TO KEEP GOING. UNIFY AND LEAD. HE'S DONE THAT FOR HIS COUNTRY. COME NOVEMBER, IF WE'RE STRONG TOGETHER, WE'LL HEAL TOGETHER. WE'LL REDEEM THE SOUL AND THE PROMISE OF OUR COUNTRY LED BY PRESIDENT JOE BIDEN AND VICE PRESIDENT KA MMALA HARRIS. >> HILLARY CLINTON WRAPPING UP HER CONVENTION SPEECH SAYING WE CAN'T HAVE ANY MORE WOULD HAVE, COULD HAVE, SHOULD HAVE. SHE WAS NOT WEARING THAT V-O-T-E NECKLACE LIKE MICHELLE OBAMA. >> IT WAS WARNING SHOTS ABOUT THE DANGERS OF REELECTING DONALD TRUMP AND CO-SIGNING ON KAMALA HARRIS SAYING SHE'S RELENTLESS IN THE PURSUIT OF JUSTICE AND WARNING I WISH DONALD TRUMP KNEW HOW TO BE A PRESIDENT, THE PRESIDENT THAT WE NEED RIGHT NOW. >> DAVID, YOU WONDER WHAT IS GOING THROUGH SOMEONE'S MIND, HILLARY CLINTON TALKED ABOUT SPEAKING THE DAY AFTER THE ELECTION FOUR YEARS AGO AND THE POPULAR VOTE SHE WON BY 3 MILLION VOTES. FOUR YEARS AGO SHE WAS IN THAT CROWD ACROSS THE COUNTRY HAVING TO GIVE A DIFFERENT SPEECH. RUNNING AGAINST WHAT WE'VE SEEN WITH THE TRUMP ADMINISTRATION PEOPLE CAN DECIDE WHETHER OR NOT THEY LIKE WHAT THEY HAVE SEEN BUT IN THIS PARTICULAR SPEECH, VERY EVEN. ONE THING THAT STRUCK ME IS SHE SAID REMEMBER WHEN TRUMP ASKED WHAT DO YOU HAVE TO LOSE AND WE SAID WE ALMOST TOLD YOU SO WITHOUT SAYING THAT. I THINK HER TONE WILL ALLOW PEOPLE AT HOME TO DECIDE WHETHER SHE'LL DECIDE WHETHER OR NOT SHE DID DECIDE TO WARN US. I REMEMBER A NEW YOR"NEW YORK T ARTICLE ARTICLE THE ON THING BETWEEN AN APOCALYPSE AND ME. YOU CAN BE REST ASSURED HILLARY IS THINKING I TRIED TO WARN YOU. >> AND THERE IS NO QUESTION DEMOCRATS ARE CONCERNED ABOUT EVERYTHING HAPPEN TLG IN THE POSTAL SERVICE WITH MAIL IN BALLOTING. >> I WANT TO SAY THERE SAY PHD IN CLINTONOLOGY. SHE'S MOST EFFECTIVE ADVOCATING FOR SOMEBODY ELSE. HERE SHE DID A -- I THINK A VERY, VERY GOOD JOB. I WOULD SAY EVERYBODY IS SAYING YOU HAVE TO DO VOTE -- AS WE SAY IN CHICAGO, VOTE OFTEN, VOTE EARLY. THAT'S THE MESSAGE IN THIS PROCESS. >> THE NIGHT JUST GETTING STARTED HERE. KCAMILLEAKAMALA HARRIS IS COMIN BARACK EVERYWHERE RIGHT TO YOU. >> ABC >>> THIS IS AN ABC NEWS SPECIAL. >> READY TO GO TO WORK? >> OH MY GOD, I'M SO READY TO GO TO WORK. >> TONIGHT, THE BATTLE FOR THE WHITE HOUSE CONTINUES. PARTY LEADER ELIZABETH WARREN TAKES THE STAGE. BUT CAN THE DEMOCRATS SEIZE THE MOMENT? PRESIDENT BARACK OBAMA HOPES TO DELIVER A KNOCKOUT BLOW FOR HIS FRIEND, JOE BIDEN. AND VICE PRESIDENTIAL NOMINEE KAMALA HARRIS TAKES UP THE FIGHT FOR THE TICKET. LIVE FROM NEW YORK CITY AND ACROSS THE COUNTRY, THE DEMOCRATIC NATIONAL CONVENTION. NOW REPORTING, CHIEF ANCHOR GEORGE STEPHANOPOULOS. >> GOOD EVENING. WELCOME TO NIGHT THREE OF THE DEMOCRATIC NATIONAL CONVENTION. TONIGHT THE DEMOCRATS WILL ROLL OUT THEIR BIGGEST GUNS YET. BARACK OBAMA SET TO EMBRACE THE VICE PRESIDENT HE CALLS A BROTHER AND LAUNCH A BLISTERING ATTACK ON THE PRESIDENT HE CORN DE CONDEMNING FOR ENDANGERING OUR DEMOCRACY. ONE MORE SIGN OF WHAT A BATTLE THIS WILL BE, DONALD TRUMP FIRED BACK FROM THE WHITE HOUSE DECLARING HE RAN FOR PRESIDENT SIMPLY BECAUSE OBAMA FAILED. THE DEMOCRATS ARE ALSO SHINING A LIGHT ON SOME OF THEIR MOST PROMINENT WOMEN TONIGHT, NANCY PELOSI, ELIZABETH WARREN, HILLARY CLINTON AND THE SENATOR BREAKING A NEW BARRIER, KAMALA HARRIS. SHE'LL FORMALLY ACCEPT THE NOMINATION FOR VICE PRESIDENT LATER TONIGHT AND BROKE WITH TRADITION BY KICKING THE EVENING OFF, HERSELF. >> I KNOW MANY OF YOU PLAN TO VOTE THIS YEAR, BUT AMIDST THE EXCITEMENT AND ENTHUSIASM FOR THIS ELECTION YOU'VE HEARD ABOUT OBSTACLES AND MISINFORMATIONHAR TO CAST YOUR BALLOT. I THINK WE NEED TO ASK OURSELVES WHY DON'T THEY WANT US TO VOTE? WHY IS THERE SO MUCH EFFORT TO SILENCE OUR VOICE VOICES? AND THE ANSWER IS BECAUSE WHEN WE VOTE, THINGS CHANGE. >> KAMALA HAR FRISRIS FROM WILMINGTON, DELAWARE. WE ARE OUTSIDE THE CHASE SCEPTER. THIS IS HER NIGHT. >> Reporter: GEORGE, KAMALA HARRIS IS MOMENTS AWAY FROM MAKING HISTORY. THIS A HUGE MOMENT OF SIGNIFICANCE FOR WOMEN, FOR WOMEN OF COLOR AND ESPECIALLY FOR YOUNG GIRLS ACROSS THIS COUNTRY. KAMALA HARRIS TONIGHT WILL SPEAK ABOUT THE COUNTRY THAT MADE HER STORY POSSIBLE. HER AMERICAN DREAM. A COUNTRY WHERE THE DAUGHTER OF IMMIGRANTS CAN GO ON TO BECOME THE FIRST BLACK WOMAN. THE FIRST ASIAN-AMERICAN. TO BE NOMINATED TO BE THE VICE PRESIDENT. BUT SHE WILL SAY THAT THAT COUNTRY NOW FEELS DISTANT UNDER PRESIDENT TRUMP AND KAMALA HARRIS WILL BE BLUNT IN ARGUING THAT BOTTOM LINE, THIS COUNTRY IS AT A KEY INFLECTION POINT AND SHE WILL SAY THAT JOE BIDESON THE LEADER WHO CAN BRING BACK THE COUNTRY THAT MADE HER STORY POSSIBLE. >> MARY BRUCE, THANKS VERY MUCH. DAVID MUIR, WE'VE SEEN KAMALA HARRIS IN DEBATES, SEEN KAMALA HARRIS IN THE SENATE, IN SENATE HEARINGS, NEVER IN A MOMENT QUITE LIKE THIS. >> THAT'S ABSOLUTELY RIGHT, GEORGE. IN FACT, SHE'LL GET AN OPPORTUNITY TONIGHT AS SHE MAKES HISTORY TO REINTRODUCE HERSELF TO THE AMERICAN PEOPLE. WE WATCHED HER IN THE PRIMARY, RISING STAR OF THE DEMOCRATIC PARTY FOR SOME TIME NOW. TONIGHT SHE'LL TELL HER STORY AND IN DOING SO ALSO PUSH HER PARTNER NOW, JOE BIDEN. WE HAVE A HINT OF WHAT SHE'LL ATONIGHA SAY TONIGHT TALKING ABOUT THE CONSTANT CHAOS, THE CALLOUSNESS THAT MAKES US FEEL ALONE. WE SCCAN DO BETTER, WE MUST ELE JOE BIDEN. SHE HAS THE UNENVIABLE TASK OF GOING AFTER FORMER PRESIDENT BARACK OBAMA TONIGHT. ABC NEWS HAS LEARNED HE WAS INITIALLY SUPPOSED TO END THE EVENING BUT HE ASKED THAT SHE GO LAST SO THAT HE CAN SYMBOLICALLY PASS THE TORCH TO THE RISING STAR OF THE DEMOCRATIC PARTY. >> MAKE IT CLEAR IT IS HER NIGHT AS SHE CLOSES IT OUT. KAMALA HARRIS IS A PROSECUTOR AS WELL. WE MIGHT SEE A FLASH OF THAT. >> I IMAGINE WE WILL. AS MUCH AS THIS NIGHT IS ABOUT HISTORIC AND HOW THE BIDEN/HARRIS TICKET IS GOING TO TACKLE THESE CRISES OF IMMIGRATION, GUN CONTROL, HEALTH CARE, IN THIS COUNTRY, I THINK THAT IT'S ALSO, YOU KNOW, THERE WAS AN AWFUL LOT OF PRESSURE ON BIDEN TO PICK A BLACK WOMAN AS HIS RUNNING MATE. NOW WE'RE GOING TO GET A CHANCE TO GET A SENSE MORE OF WHO SHE IS. THIS IS SOMEONE WHO AS A STUDENT WORKED AT McDONALD'S, FRIES AND THE ICE CREAM, SOMEBODY WHO SAID SHE EATS NO FOR BREAKFAST. SHE SAYS YOU HAVE TO TELL HER AT LEAST FIVE TIMES BEFORE SHE EVEN HEARS IT. I THINK THAT'S PART OF WHAT MADE HER. SHE'S SUCH A HISTORY MAKER, MULTIPLE POSITIONS WHERE SHE WAS THE FIRST WOMAN OF COLOR. >> SHE WILL MAKE HISTORY TONIGHT. FOUR YEARS AGO HILLARY CLINTON MADE HISTORY WHEN SHE BECAME THE FIRST WOMAN TO BE NOMINATED FOR PRESIDENT OF THE UNITED STATES FOR THE DEMOCRATIC PARTY. SHE SPOKE EARLIER TONIGHT. >> IT TOOK SEVEN DECADES OF SUFFRAGISTS MARCHING, PICKETING AND GOING TO JAIL TO PUSH US CLOSER TO A MORE PERFECT UNION. 55 YEARS AGO JOHN LEWIS MARCHED AND BLED IN SELMA BECAUSE THAT WORK WAS UNFINISHED. TONIGHT, I'M THINKING OF THE GIRLS AND BOYS WHO SEE THEMSELVES IN AMERICA'S FUTURE BECAUSE OF KAMALA HARRIS. A BLACK WOMAN, THE DAUGHTER OF JAMAICAN AND INDIAN IMMIGRANTS AND OUR NOMINEE FOR VICE PRESIDENT. THIS IS OUR COUNTRY'S STORY. BREAKING DOWN BARRIERS AND EXPANDING THE CIRCLE OF POSSIBILITY. AND TO THE YOUNG PEOPLE WATCHING, DON'T GIVE UP ON AMERICA. DESPITE OUR FLAWS AND PROBLEMS, WE'VE COME SO FAR. WE CAN STILL BE A MORE JUST, EQUAL, COUNTRY, WITH OPPORTUNITIES PREVIOUS GENERATIONS COULD NEVER HAVE IMAGINED. THERE'S A LOT OF HEARTBREAK IN AMERICA NOW. AND THE TRUTH IS, MANY THINGS WERE BROKEN BEFORE THE PANDEMIC, BUT AS THE SAYING GOES, THE WORLD BREAKS EVERYONE AND AFTERWARD, MANY ARE STRONG AT THE BROKEN PLACES. THAT'S JOE BIDEN. HE KNOWS HOW TO KEEP GOING, UNIFY, AND LEAD BECAUSE HE'S DONE THAT FOR HIS FAMILY AND COUNTRY. SO COME NOVEMBER, IF WE'RE STRONG TOGETHER, WE'LL HEAL TOGETHER. WE'LL REDEEM THE SOUL AND THE PROMISE OF OUR COUNTRY LED BY PRESIDENT JOE BIDEN AND VICE PRESIDENT KAMALA HARRIS. >> LITTLE CATCH THERE IN HILLARY CLINTON'S VOICE AS SHE TALKED ABOUT JOE BIDEN. HERE WITH RAHM EMANUEL. YOU'VE KNOWN HILLARY CLINTON A LONG TIME, WORKED WITH HILLARY CLINTON. A VERY DIFFERENT KIND OF SPEECH FROM FOUR YEARS AGO. WEARING THE SAME WHITE BUT TONIGHT SPEAKING ON BEHALF OF SOMEONE ELSE. >> YEAH. I THINK, YOU KNOW, SOMEBODY WHO STUDIED BOTH CLINTONS, WORKED FOR BOTH CLINTONS, UNDERSTUDY, I HAVE A MASTER'S DEGREE IN CLINTONOLOGY, SHE IS THE BEST ADVOCATE FOR SOMEBODY ELSE. AND YOU SAW IT HERE. SHE KNOWS JOE PERSONALLY FROM NOT ONLY SENATORS, SITUATION ROOM, TEAMMATES, TRYING TO PASS HEALTH CARE, TRYING TO DO STUFF ON FOREIGN POLICY, TAKING ON A LOT OF ASSIGNMENTS. I THINK SHE DID AN INCREDIBLE JOB HERE AND POUNDED HARD WITH AN AUTHENTICITY, YOUR VOTE COUNTS, THIS IS NOT FRIVOLOUS. WITHOUT BEING TOO MUCH, THIS IS NOT A GAME ANYMORE AND YOU KNOW THE CONSEQUENCES OF IT. I THINK SHE WAS VERY EFFECTIVE ON WHAT AN ELECTION CAN MEAN, WHAT IT CAN -- THE CONSEQUENCES OF IT. >> CAN'T HAVE ANY MORE. COULD HAVE, COULD HAVE, SHOULD HAVE, ELECTION. SHE SAID, IT'S CLEAR, AS YOU'RE WATCHING THE DEMOCRATS OVER THESE THREE NIGHTS, THEY ARE STUNNED BY WHAT THEY CONSIDER KIND OF STATISTICAL FLUKE FOUR YEARS AGO, WINNING THE POPULAR VOTE BY 3 MILLION THEN LOSING THE ELECTORAL COLLEGE BY 77,000 VOTES. >> YEAH, THAT'S STILL VERY RAW FOR HER. YOU CAN TELL. SHE BELIEVES SHE SHOULD HAVE BEEN THE PRESIDENT. SHE WON THE POPULAR VOTE. WHAT STRUCK ME ABOUT THESE LAST COUPLE NIGHTS IS THE FEMALE STARS OF THE DEMOCRATIC PARTY HAVE BEEN SUBTLE IN THEIR ATTACKS ON DONALD TRUMP. MICHELLE OBAMA WAS A LITTLE MORE DIRECT THAN HILLARY CLINTON. >> SAID HIS NAME. >> RIGHT. SHE WAS A LITTLE MORE DIRECT. BUT IT'S BEEN PRETTY EFFECTIVE. WE TALK SO MUCH IN POLITICS ABOUT SUBURBAN WOMEN AND THEY'RE THE KEY TO THE ELECTION. IT'S ALMOST LIKE THEY'RE SAYING, IT'S TOO BAD HE'S NOT UP FOR THE JOB. YOU KNOW, I WANTED HIM TO BE UP TO THE JOB. HE JUST CAN'T GET US THERE. AND WHAT THEY'RE SAYING TO THOSE WOMEN IS WE KNOW YOU DON'T AGREE WITH OUR PROGRESSIVE BASE, BUT STYLISTICALLY, HE CAN'T BE ELECTED AGAIN. AND I THINK IT'S BEEN PRETTY EFFECTIVE. >> EVETTE SIMPSON, COMING INTO THIS CONVENTION, JOE BIDEN HAD AN ENTHUSIASM GAP WITH DONALD TRUMP. CERTAINLY SOMEWHAT OF AN ENTHUSIASM GAP INSIDE THE PARTY, PEOPLE MUCH MORE FOCUSED ON DEFEATING DONALD TRUMP THAN SUPPORTING JOE BIDEN. IS THAT PROBLEM GETTING SOLVED? >> I THINK IT IS. I THINK THE ANNOUNCEMENT OF KAMALA HARRIS REALLY DID EXCITE QUITE A BIT OF PEOPLE. PARTICULARLY BLACK WOMEN WHO AS WE KNOW HOLD COMMUNITIES, HOLD FAMILIES, HOLD NEIGHBORHOODS, HOLD CHURCHES SO THEM MOBILIZING AND GETTING EXCITED ABOUT THIS IS REALLY EXCITING FOR A LOT OF PEOPLE. I THINK THE OTHER THING IS SHE BALANCES HIM IN WAYS, HE EVEN SEEMED MORE EXCITED WITH HER AT THE ANNOUNCEMENT THAN HE'S EVER BEEN. HE SEEMED MORE SHARP. HE SEEMED MORE ON IT. SO I THINK THIS GIVES PEOPLE SOMETHING TO BE EXCITED ABOUT. SHE'S THE FUTURE OF THE PARTY. WE WERE CONCERNED ABOUT HIS ABILITY TO LEAD THE PARTY AT THIS SAME OF HIS LIFE. WHETHER OR NOT HE WAS GOING TO BE BRINGING THE PAST WITH HIM. SHE REPRESENTS THE FUTURE. AND SO I THINK THE FACT THAT THEY PLAY OFF SO WELL TOGETHER I THINK IS PART OF THE REASON WHY THE GAP IS GETTING FILLED HERE WITH HER ON THE TICKET. >> CHRIS CHRISTIE, SUPPORTER OVER PRESIDENT TRUMP, HEADING INTO THE THIRD NIGHT, WHAT ARE THE DEMOCRATS DOING RIGHT, WHAT CAN REPUBLICANS TAKE AWAY FROM IT? >> I THINK TONIGHT TONE HAS BEEN GOOD. AND I THINK THAT THERE'S BEEN SOME REAL INTERESTING CONTRASTS WITH THE WAY THE PRESIDENT APPROACHES HIS BUSINESS. AND THAT IS MELLOWER TONE. THAN WE HAVE FROM MICHELLE OBAMA. I WOULD ARGUE SHE WAS AN ATTACK DOG ON MONDAY NIGHT. SHE DID IT VERY WELL, BUT SHE WAS AN ATTACK DOG. THAT WAS VERY, VERY DIRECT LANGUAGE. YOU DON'T SEE THAT TONIGHT FROM HILLARY CLINTON. YOU HAVEN'T SEEN IT FROM SOME OF THE OTHERS. YOU MAY SEE IT FROM ELIZABETH WARREN IN A COUPLE MINUTES, BUT I THINK THAT WHAT THE REPUBLICANS CAN LEARN FROM WATCHING THIS IS THAT IF THEY DON'T WANT THIS TO BE A REFERENDUM ON THE PRESIDENT, THEY BETTER START TALKING ABOUT ISSUES FAST NEXT WEEK. MAKE THE CONTRAST ON ISSUES. THE PROGRESSIVE MOVEMENT OF THE DEMOCRATIC PARTY LEFT AND CONTRAST IT WITH WHAT DONALD TRUMP WANTS TO DO OVER THE NEXT FOUR YEARS. THAT IS THEIR ONLY WAY TO GET SUBURBAN WOMEN BACK IS TO MAKE THEM THINK, YOU KNOW WHAT, I DON'T LIKE HIM, BUT I, BOY DO I NOT LIKE MY TAXES BEING RAISED $3 TRILLION. BOY, I DON'T WANT MEDICARE FOR ALL AND I DON'T WANT A GREEN NEW DEAL. >> THAT IS NEXT WEEK. WE IHAVE A LOT MORE COMING UP HERE. ELIZABETH WARREN IS NEXT. WE'LL BE RIGHT BACK. YOU, THE INCREDIBLE DR. PAUL. NEW EPISODES SATURDAY AT 9:00 ON NATGEO WILD. ♪ WHEN THE NIGHT HAS COME ♪ ♪ OH AND THE LAND IS DARK ♪ ♪ >> 31 YEARS OLD, DOMINICAN AMERICAN BORN IN THE BRONX SINGING "STAND BY ME" PART OF THE ENTERTAINMENT AT THE DEMOCRATIC CONVENTION TONIGHT. COMING UP NEXT, ELIZABETH WARREN, SHE'S GOING TO BE GIVING HER SPEECH FOCUSED ON COVID AND THE ECONOMY. I WANT TO BRING IN CHIEF WHITE HOUSE CORRESPONDENT JOHN CARL FOR MORE ON THIS. THE ECONOMY STILL ONE OF THE ISSUES WHERE DONALD TRUMP IS HOLDING ADVANTAGE OVER JOE BIDEN. >> OH, IT IS IN THE POLLS AND IT WAS GOING TO BE THE CENTERPIECE OF HIS CAMPAIGN BEFORE THE COVID-19 SLOWDOWN. AND PROBABLY STILL WILL BE. AND IF YOU, YOU KNOW, ELIZABETH WARREN IS SOMEBODY THAT HE TALKED ABOUT, I THINK, GEORGE, MORE THAN ANY OF THE DEMOCRATS OVER THE COURSE OF THE DEMOCRATIC PRIMARY. HE HAD A PET NICKNAME FOR HER. PLAYING ON HER CLAIMS THAT SHE HAD SOME NATIVE AMERICAN ANCESTRY. AND PORTRAYED HER AS A FAR-LEFT EXTREMIST IN THE DEMOCRATIC PARTY. I THINK THAT HE WANTED TO RUN AGAINST ELIZABETH WARREN OR BERNIE SANDERS. SOMEBODY ON THE LEFT. INSTEAD, HE'S GOT JOE BIDEN. ELIZABETH WARREN'S GOT A PROMINENT ROLE HERE IN THE CONVENTION, BUT HE'S RUNNING AGAINST THE CANDIDATE HE HASN'T QUITE FIGURED OUT HOW TO RUN AGAINST. YOU KNOW, GEORGE, IF YOU LOOK AT THE FIRST, THE ONLY REAL RALLY WE'VE HAD AFTER IT BECAME CLEAR BIDEN WAS THE NOMINEE WAS IN TULLSA AND SAW ALL KINDS OF MEM BA MEMORABILIA FOR CRITICIZING HILLARY CLINTON, BARACK OBAMA, NOTHING REALLY FROM ANY OF THOSE TRUMP SUPPORTERS, NO SIGNS, NOTHING TALKING ABOUT JOE BIDEN. HE HASN'T QUITE COME UP WITH A WAY TO GO AFTER HIM. >> SO THERE HE'S GOING TO BE ARGUING THAT PEOPLE LIKE ELIZABETH WARREN ARE GOING TO BE REALLY CONTROLLING -- >> YES. >> -- JOE BIDEN. >> THAT'S EXACTLY THE CASE. HE'S GOING TO SAY, HE HAS BEEN SAYING THAT BIDEN IS JUST A PAWN, THAT HE'S BEEN CONTROLLED BY THE FAR LEFT OF THE PARTY, AOC, BERNIE SANDERS, ELIZABETH WARREN. THAT'S GOING TO BE -- THAT'S GOING TO BE THE GAME BOOK. >> ELIZABETH WARREN NOW ABOUT TO TAKE THE VIRTUAL STAGE OF THE DEMOCRATIC NATIONAL CONVENTION. LET'S LISTEN IN. >> TONIGHT, WE'VE HEARD FROM THE PEOPLE WHO MAKE AMERICA WORK. PEOPLE WHO PUT THEIR LIVES ON THE LINE TO KEEP OUR COUNTRY GOING AND SINCE COVID-19 HIT, THEY'VE TAKEN ONE GUT PUNCH AFTER ANOTHER. AND WHAT HAS THE COVID FALLOUT DONE TO OUR BABIES? WELL, I'M HERE AT THE EARLY CHILDHOOD EDUCATION CENTER IN SPRINGFIELD, MASSACHUSETTS, WHICH HAS BEEN CLOSED FOR MONTHS. CHILDCARE WAS ALREADY HARD TO FIND BEFORE THE PANDEMIC, AND NOW PARENTS ARE STUCK, NO IDEA WHEN SCHOOLS CAN SAFELY RE-OPEN AND EVEN FEWER CHILDCARE OPTIONS. THE DEVASTATION IS ENORMOUS AND THE WAY I SEE IT, BIG PROBLEMS DEMAND BIG SOLUTIONS. NOW, I LOVE A GOOD PLAN, AND JOE BIDEN HAS SOME REALLY GOOD PLANS. PLANS TO BRING BACK UNION JOBS AND MANUFACTURING AND CREATE NEW UNION JOBS IN CLEAN ENERGY. PLANS TO INCREASE SOCIAL SECURITY BENEFITS, CANCEL BILLIONS IN STUDENT LOAN DEBT AND MAKE OUR BANKRUPTCY LAWS WORK FOR FAMILIES INSTEAD OF THE CREDITORS WHO CHEAT THEM. THESE PLANS REFLECT A CENTRAL TRUTH. OUR ECONOMIC SYSTEM HAS BEEN RIGGED TO GIVE BAILOUTS TO BILLIONAIRES AND KICK DIRT IN THE FACE OF EVERYONE ELSE. BUT WE CAN BUILD A THRIVING ECONOMY BY INVESTING IN FAMILIES AND FIXING WHAT'S BROKEN. JOE'S PLAN TO BUILD BACK BETTER INCLUDES MAKING THE WEALTHY PAY THEIR FAIR SHARE. HOLDING CORPORATIONS ACCOUNTABLE. REPAIRING RACIAL INEQUITIES. AND FIGHTING CORRUPTION IN WASHINGTON. LET ME TELL YOU ABOUT ONE OF JOE'S PLANS THAT'S ESPECIALLY CLOSE TO MY HEART. CHILDCARE. AS A LITTLE GIRL GROWING UP IN OKLAHOMA, WHAT I WANTED MOST IN THE WORLD WAS TO BE A TEACHER. I LOVED TEACHING. AND WHEN I HAD BABIES AND WAS JUGGLING MY FIRST BIG TEACHING JOB DOWN IN TEXAS, IT WAS HARD, BUT I COULD DO HARD. THE THING THAT ALMOST SANK ME, CHILDCARE. ONE NIGHT MY AUNT BEE CALLED JUST TO CHECK IN AND I THOUGHT I WAS FINE BUT THEN I JUST BROKE DOWN AND STARTED TO CRY. I HAD TRIED HOLDING IT ALL TOGETHER, BUT WITHOUT RELIABLE CHILDCARE, WORKING WAS NEARLY IMPOSSIBLE. AND WHEN I TOLD AUNT BEE I WAS GOING TO QUIT MY JOB, I THOUGHT MY HEART WOULD BREAK. AND THEN SHE SAID THE WORDS THAT CHANGED MY LIFE, "I CAN'T GET THERE TOMORROW BUT I'LL COME ON THURSDAY." AND SHE ARRIVED WITH SEVEN SUITCASES AND A PEKONESE NAMED BUDDY AND STAYED FOR 16 YEARS. I GET TO BE HERE TONIGHT BECAUSE OF MY AUNT BEE. I LEARNED A FUNDAMENTAL TRUTH. NOBODY MAKES IT ON THEIR OWN. AND, YET, HERE WE GO TWO GENERATIONS OF WORKING PARENTS LATER AND IF YOU HAVE A BABY AND DON'T HAVE AN AUNT BEE, YOU'RE ON YOUR OWN. AND HERE'S WHY THAT IS WRONG. WE BUILD INFRASTRUCTURE LIKE ROADS AND BRIDGES AND COMMUNICATIONS SYSTEMS SO THAT PEOPLE CAN WORK. THAT INFRASTRUCTURE HELPS US ALL BECAUSE IT KEEPS OUR ECONOMY GOING. IT'S TIME TO RECOGNIZE THAT CHILDCARE IS PART OF THE BASIC INFRASTRUCTURE OF THIS NATION. IT'S INFRASTRUCTURE FOR FAMILIES. JOE AND KAMALA WILL MAKE HIGH-QUALITY CHILDCARE AFFORDABLE FOR EVERY FAMILY, MAKE PRESCHOOL UNIVERSAL AND RAISE THE WAGES OF EVERY CHILDCARE WORKER. NOW, THAT'S JUST ONE PLAN, BUT IT GIVES YOU AN IDEA OF HOW WE GET THIS COUNTRY WORKING FOR EVERYONE. DONALD TRUMP'S IGNORANCE AND INCOMPETENCE HAVE ALWAYS BEEN A DANGER TO OUR COUNTRY. COVID-19 WAS TRUMP'S BIGGEST TEST. HE FAILED MISERABLY. TODAY, AMERICA HAS THE MOST COVID DEATHS IN THE WORLD AND AN ECONOMIC COLLAPSE AND BOTH CRISES ARE FALLING HARDEST ON BLACK AND BROWN FAMILIES. MILLIONS OUT OF WORK, MILLIONS MORE TRAPPED IN CYCLES OF POVERTY. MILLIONS ON THE BRINK OF LOSING THEIR HOMES. MILLIONS OF RESTAURANTS AND STORES HANGING BY A THREAD. THIS CRISIS IS BAD AND IT DIDN'T HAVE TO BE THIS WAY. THIS CRISIS IS ON DONALD TRUMP AND THE REPUBLICANS WHO ENABLE HIM. ON NOVEMBER 3rd WE WILL HOLD THEM ALL ACCOUNTABLE. SO, WHETHER YOU'RE PLANNING TO VOTE WEARING A MASK OR VOTE BY MAIL, PLEASE, TAKE OUT YOUR PHONE RIGHT NOW AND TEXT "VOTE" TO 30330. WE ALL NEED TO BE IN THE FIGHT TO GET JOE AND KAMALA ELECTED, AND AFTER NOVEMBER WE ALL NEED TO STAY IN THE FIGHT TO GET BIG THINGS DONE. WE STAY IN THIS FIGHT SO THAT WHEN OUR CHILDREN AND OUR GRANDCHILDREN ASK WHAT WE DID DURING THIS DARK CHAPTER IN OUR NATION'S HISTORY, WE WILL BE ABLE TO LOOK THEM SQUARELY IN THE EYE AND SAY, WE ORGANIZED, WE PERSISTED, AND WE CHANGED AMERICA. >> YOU CAN BOIL DOWN THE MESSAGE OF THIS DEMOCRATIC CONVENTION TO ONE WORD, YOU HEARD IT THERE AGAIN, "VOTE," FROM ELIZABETH WARREN. >>> COMING UP, BARACK OBAMA AND KAMALA HARRIS. -- >> GET THROUGH THIS TOGETHER. >>> FORMER PRESIDENT BARACK OBAMA IS UP NEXT AT THIS NIGHT THREE OF THE DEMOCRATIC CONVENTION. WANT TO BRING IN "NIGHTLINE'S" ANCHOR FOR MORE ON THIS. IF THE SPEECH TONIGHT IS ANYTHING LIKE WHAT WE SAW AT THE EULOGY FOR JOHN LEWIS JUST A COUPLE WEEKS AGO, WE KNOW THAT BARACK OBAMA IS COMING TO THIS CONVENTION READY TO PLAY. >> YEAH, GEORGE, IT WILL BE ELOQUENT BUT ALSO HAVE EDGE. EARLIER GOVERNOR CHRISTIE TALKED ABOUT HOW MUCH PRESIDENT TRUMP DOESN'T LIKE PRESIDENT OBAMA. THE FEELING IS MUTUAL. WE WILL HEAR SOME OF THAT TONIGHT. I'M ALSO MINDFUL, THINKING ABOUT TONIGHT, I REMEMBER THE NIGHT THAT HE ACCEPTED THE NOMINATION FROM THE PARTY. WHAT I SAID TO MY MOTHER, A BLACK WOMAN. I THINK NOW, THIS HISTORIC NIGHT, HIS PRESENCE, WHAT IT SAYS ABOUT HIS TENURE, ALSO WHAT IT POTENTIALLY SAYS ABOUT KAMALA HARRIS, WHAT THIS SAYS ABOUT AMERICA. >> THEN SHE WILL CLOSE THE NIGHT OUT. NOW WE WILL HEAR FROM FORMER PRESIDENT BARACK OBAMA. >> GOOD EVENING, EVERYBODY. AS YOU'VE SEEN BY NOW, THIS ISN'T A NORMAL CONVENTION. IT'S NOT A NORMAL TIME. SO TONIGHT I WANT TO TALK AS PLAINLY AS I CAN ABOUT THE STAKES IN THIS ELECTION. BECAUSE WHAT WE DO THESE NEXT 76 DAYS WILL ECHO THROUGH GENERATIONS TO COME. I'M IN PHILADELPHIA WITH OUR CONSTITUTION WAS DRAFTED AND SIGNED. IT WASN'T A PERFECT DOCUMENT. IT ALLOWED FOR THE INHUMANITY OF SLAVERY AND FAILED TO GUARANTEE WOMEN AND EVEN MEN WHO DIDN'T OWN PROPERTY THE RIGHT TO PARTICIPATE IN THE POLITICAL PROCESS. BUT EMBEDDED IN THIS DOCUMENT WAS A NORTH STAR THAT WOULD GUIDE FUTURE GENERATIONS. A SYSTEM OF REPRESENTATIVE GOVERNMENT, A DEMOCRACY, TO WHICH WE COULD BETTER REALIZE OUR HIGHEST IDEALS. THROUGH CIVIL WAR AND BITTER STRUGGLES, WE IMPROVED THIS CONSTITUTION TO INCLUDE THE VOICES OF THOSE WHO'D ONCE BEEN LEFT OUT. AND GRADUALLY WE MADE THIS COUNTRY MORE JUST AND MORE EQUAL AND MORE FREE. THE ONE CONSTITUTIONAL OFFICE ELECTED BY ALL OF THE PEOPLE IS THE PRESIDENCY. SO AT A MINIMUM, WE SHOULD EXPECT A PRESIDENT TO FEEL A SENSE OF RESPONSIBILITY FOR THE SAFETY AND WELFARE OF ALL 330 MILLION OF US REGARDLESS OF WHAT WE LOOK LIKE, HOW WE WORSHIP, WHO WE LOVE, HOW MUCH MONEY WE HAVE OR WHO WE VOTED FOR. BUT WE SHOULD ALSO EXPECT A PRESIDENT TO BE THE CUSTODIAN OF THIS DEMOCRACY. WE SHOULD EXPECT THAT REGARDLESS OF EGO, AMBITION, OR POLITICAL BELIEFS, THE PRESIDENT WILL PRESERVE, PROTECT, AND DEFEND THE FREEDOMS AND IDEALS THAT SO MANY AMERICANS MARCHED FOR, WENT TO JAIL FOR, FOUGHT FOR AND DIED FOR. I HAVE SAT IN THE OVAL OFFICE WITH BOTH OF THE MEN WHO ARE RUNNING FOR PRESIDENT. I NEVER EXPECTED THAT MY SUCCESSOR WOULD EMBRACE MY VISION OR CONTINUE MY POLICIES. I DID HOPE FOR THE SAKE OF OUR COUNTRY THAT DONALD TRUMP MIGHT SHOW SOME INTEREST IN TAKING THE JOB SERIOUSLY. THAT HE MIGHT COME TO FEEL THE WEIGHT OF THE OFFICE AND DISCOVER SOME REVERENCE FOR THE DEMOCRACY THAT HAD BEEN PLACED IN HIS CARE. BUT HE NEVER DID. FOR CLOSE TO FOUR YEARS NOW, HE HAS SHOWN NO INTEREST IN PUTTING IN THE WORK. NO INTEREST IN FINDING COMMON GROUND. NO INTEREST IN USING THE AWESOME POWER OF HIS OFFICE TO HELP ANYONE BUT HIMSELF AND HIS FRIENDS. NO INTEREST IN TREATING THE PRESIDENCY AS ANYTHING BUT ONE MORE REALITY SHOW THAT HE CAN USE TO GET THE ATTENTION HE CRAVES. DONALD TRUMP HASN'T GROWN INTO THE JOB BECAUSE HE CAN'T. AND THE CONSEQUENCES OF THAT FAILURE ARE SEVERE. 170,000 AMERICANS DEAD. MILLIONS OF JOBS GONE. WHILE THOSE AT THE TOP TAKE IN MORE THAN EVER. OUR WORST IMPULSES UNLEASHED. OUR PROUD REPARATION AROUND THE WORLD BADLY DIMINISHED. AND OUR DEMOCRATIC INSTITUTIONS THREATENED LIKE NEVER BEFORE. NOW, I KNOW THAT IN TIMES AS POLARIZED AS THESE MOST OF YOU HAVE ALREADY MADE UP YOUR MIND. BUT MAYBE YOU'RE STILL NOT SURE WHICH CANDIDATE YOU'LL VOTE FOR. OR WHETHER YOU'LL VOTE AT ALL. MAYBE YOU'RE TIRED OF THE DIRECTION WE'RE HEADED BUT YOU CAN'T SEE A BETTER PATH YET. OR YOU JUST DON'T KNOW ENOUGH ABOUT THE PERSON WHO WANTS TO LEAD US THERE. SO LET ME TELL YOU ABOUT MY FRIEND, JOE BIDEN. 12 YEARS AGO WHEN I BEGAN MY SEARCH FOR A VICE PRESIDENT, I DIDN'T KNOW I'D END UPINDING A BROTHER. JOE AND I COME FROM DIFFERENT PLACES, DIFFERENT GENERATIONS, BUT WHAT I QUICKLY CAME TO ADMIRE ABOUT JOE BIDEN IS HIS RESILIENCE, BORN OF TOO MUCH STRUGGLE, HIS EMPATHY, BORN OF TOO MUCH GRIEF. JOE'S A MAN WHO LEARNED EARLY ON TO TREAT EVERY PERSON HE MEETS WITH RESPECT AND DIGNITY, LIVING BY THE WORDS HIS PARENTS TAUGHT HIM, "NO ONE'S BETTER THAN YOU, JOE, BUT YOU'RE BETTER THAN NOBODY." THAT EMPATHY, THAT DECENCY, THE BELIEF THAT EVERYBODY COUNTS, THAT'S WHO JOE IS. WHEN HE TALKS WITH SOMEONE WHO LOST HIS JOB, JOE REMEMBERS THE NIGHT HIS FATHER SAT HIM DOWN TO SAY THAT HE'D LOST HIS. WHEN JOE LISTENS TO A PARENT WHO'S TRYING TO HOLD IT ALL TOGETHER RIGHT NOW, HE DOES IT AS A SINGLE DAD WHO TOOK THE TRAIN BACK TO WILMINGTON EACH AND EVERY NIGHT SO HE COULD TUCK HIS KIDS INTO BED. WHEN HE MEETS WITH MILITARY FAMILIES WHO'VE LOST THEIR HERO, HE DOES IT AS A KINDRED SPIRIT. THE PARENT OF AN AMERICAN SOLDIER. SOMEBODY WHOSE FAITH HAS ENDURED THE HARDEST LOSS THERE IS. FOR EIGHT YEARS JOE WAS THE LAST ONE IN THE ROOM WHENEVER I FACED A BIG DECISION. HE MADE ME A BETTER PRESIDENT. AND HE'S GOT THE CHARACTER AND THE EXPERIENCE TO MAKE US A BETTER COUNTRY. AND IN MY FRIEND, KAMALA HARRIS, HE'S CHOSINGE IN N AN IDEAL PA WHO'S MORE THAN PREPARED FOR THE JOB, SOMEONE WHO KNOWS WHAT IT'S LIKE TO OVERCOME BARRIERS AND WHO'S MADE A CAREER FIGHTING TO HELP OTHERS LIVE OUT THEIR OWN AMERICAN DREAM. ALONG WITH THE EXPERIENCE NEEDED TO GET THINGS DONE, JOE AND KAMALA HAVE CONCRETE POLICIES THAT WILL TURN THEIR VISION OF COUNTRY, INTO REALITY. THEY WILL GET THIS PANDEMIC UNDER CONTROL. LIKE JOE DID WHEN HE HELPED ME MANAGE H1N1 AND PREVENT AN EBOLA OUTBREAK FROM REACHING OUR SHORES. THEY'LL EXPAND HEALTH CARE TO MORE AMERICANS LIKE JOE AND I DID TEN YEARS AGO. WHEN HE HELPED CRAFT THE AFFORDABLE CARE ACT AND NAIL DOWN THE VOTES TO MAKE IT THE LAW. THEY'LL RESCUE THE ECONOMY, LIKE JOE HELPED ME DO AFTER THE GREAT RECESSION. I ASKED HIM TO MANAGE THE RECOVERY ACT, WHICH JUMP-STARTED THE LONGEST STRETCH OF JOB GROWTH IN HISTORY, AND HE SEES THIS MOMENT NOW NOT AS A CHANCE TO GET BACK TO WHERE WE WERE BUT TO MAKE LONG OVERDUE CHANGES SO THAT OUR ECONOMY ACTUALLY MAKES LIFE A LITTLE EASIER FOR EVERYBODY. WHETHER IT'S THE WAITRESS TRYING TO RAISE A KID ON HER OWN OR THE SHIFT WORKER ALWAYS ON THE EDGE OF GETTING LAID OFF, OR THE STUDENT FIGURING OUT HOW TO PAY FOR NEXT SEMESTER'S CLASSES. JOE AND KAMALA WILL RESTORE OUR STANDING IN THE WORLD AND AS WE'VE LEARNED FROM THIS PANDEMIC, THAT MATTERS. JOE KNOWS THE WORLD AND THE WORLD KNOWS HIM. HE KNOWS THAT OUR TRUE STRENGTH COMES FROM SETTING AN EXAMPLE THAT THE WORLD WANTS TO FOLLOW. A NATION THAT STANDS WITH DEMOCRACY, NOT DICTATORS. A NATION THAT CAN INSPIRE AND MOBILIZE OTHERS TO OVERCOME THREATS LIKE CLIMATE CHANGE AND TERRORISM. POVERTY AND DISEASE. BUT MORE THAN ANYTHING, WHAT I KNOW ABOUT JOE, WHAT I KNOW ABOUT KAMALA, IS THAT THEY ACTUALLY CARE ABOUT EVERY AMERICAN. AND THAT THEY CARE DEEPLY ABOUT THIS DEMOCRACY. THEY BELIEVE THAT IN A DEMOCRACY THE RIGHT TO VOTE IS SACRED AND WE SHOULD BE MAKING IT EASIER FOR PEOPLE TO CAST THEIR BALLOTS, NOT HARDER. THEY BELIEVE THAT NO ONE, INCLUDING THE PRESIDENT, IS ABOVE THE LAW. AND THAT NO PUBLIC OFFICIAL INCLUDING THE PRESIDENT SHOULD USE THEIR OFFICE TO ENRICH THEMSELVES OR THEIR SUPPORTERS. THEY UNDERSTAND THAT IN THIS DEMOCRACY THE COMMANDER IN CHIEF DOES NOT USE THE MEN AND WOMEN OF OUR MILITARY, WHO ARE WILLING TO RISK EVERYTHING TO PROTECT OUR NATION, AS POLITICAL PROPS TO DEPLOY AGAINST PEACEFUL PROTESTERS ON OUR OWN SOIL. THEY UNDERSTAND THAT POLITICAL OPPONENTS AREN'T UN-AMERICAN JUST BECAUSE THEY DISAGREE WITH YOU. FREE PRESS ISN'T THE ENEMY BUT THE WAY WE HOLD OFFICIALS ACCOUNTABLE. THAT OUR ABILITY TO WORK TOGETHER TO SOLVE BIG PROBLEMS LIKE A PANDEMIC DEPEND ON A FIDELITY TO FACTS AND SCIENCE AND LOGIC AND NOT JUST MAKING STUFF UP. NONE OF THIS SHOULD BE CONTROVERSIAL. THESE SHOULDN'T BE REPUBLICAN PRINCIPLES OR DEMOCRATIC PRINCIPLES. THEY ARE AMERICAN PRINCIPLES, BUT AT THIS MOMENT THIS PRESIDENT AND THOSE WHO ENABLE HIM HAVE SHOWN THEY DON'T BELIEVE IN THESE THINGS. TONIGHT, I'M ASKING YOU TO BELIEVE IN JOE AND KAMALA'S ABILITY TO LEAD THIS COUNTRY OUT OF THESE DARK TIMES AND BUILD IT BACK BETTER. BUT HERE'S THE THING, NO SINGLE AMERICAN CAN FIX THIS COUNTRY ALONE. NOT EVEN A PRESIDENT. DEMOCRACY WAS NEVER MEANT TO BE TRANSACTIONAL. YOU GIVE ME YOUR VOTE, I MAKE EVERYTHING BETTER? IT REQUIRES AN ACTIVE AND INFORMED CITIZENRY. SO I'M ALSO ASKING YOU TO BELIEVE IN YOUR OWN ABILITY TO EMBRACE YOUR OWN RESPONSIBILITY AS CITIZENS, TO MAKE SURE THAT THE BASIC TENETS OF OUR DEMOCRACY ENDURE BECAUSE THAT'S WHAT'S AT STAKE RIGHT NOW. OUR DEMOCRACY. LOOK, I UNDERSTAND WHY A LOT OF AMERICANS ARE DOWN ON GOVERNMENT. THE WAY THE RULES HAVE BEEN SET UP AND ABUSED IN CONGRESS MAKE IT EASIER FOR SPECIAL INTERESTS TO STOP PROGRESS THAN TO MAKE PROGRESS. BELIEVE ME. I KNOW IT. I UNDERSTAND WHY A WHITE FACTORY WORKER WHO'S SEEN HIS WAGES CUT OR HIS JOB SHIPPED OVERSEAS MIGHT FEEL LIKE THE GOVERNMENT NO LONGER LOOKS OUT FOR HIM. AND WHY A BLACK MOM MIGHT FEEL LIKE IT NEVER LOOKED OUT FOR HER AT ALL. I UNDERSTAND WHY A NEW IMMIGRANT MIGHT LOOK AROUND THIS COUNTRY AND WONDER WHETHER THERE'S STILL A PLACE FOR HIM HERE. WHY A YOUNG PERSON MIGHT LOOK AT POLITICS RIGHT NOW, THE CIRCUS OF IT ALL, THE MEANNESS, LIES, CONSPIRACY THEORIES, AND THINK, WHAT IS THE POINT? WELL, HERE'S THE POINT. THIS PRESIDENT AND THOSE IN POWER, THOSE WHO BENEFIT FROM KEEPING THINGS THE WAY THEY ARE, THEY ARE COUNTING ON YOU. THEY KNOW THEY CAN'T YOIN OVER WITH THEIR POLICIES SO THEY'RE HOPING TO MAKE IT AS HARD AS POSSIBLE FOR YOU TO VOTE AND TO CONVINCE YOU THAT YOUR VOTE DOES NOT MATTER. THAT'S HOW THEY WIN, HOW THEY GET TO MAKE DECISIONS THAT AFFECT YOUR LIFE AND THE LIVES OF PEOPLE YOU LOVE. IT'S HOW THE ECONOMY WILL KEEP GETTING SKEWED TO THE WEALTHY AND WELL CONNECTED. HOW OUR HEALTH SYSTEMS WILL LET MORE PEOPLE FALL THROUGH THE CRACKS. THAT'S HOW A DEMOCRACY WITHERS. UNTIL IT'S NO DEMOCRACY AT ALL. AND WE CANNOT LET THAT HAPPEN. DO NOT LET THEM TAKE AWAY YOUR POWER. DO NOT LET THEM TAKE AWAY YOUR DEMOCRACY. MAKE A PLAN RIGHT NOW FOR HOW YOU ARE GOING TO GET INVOLVED AND VOTE. DO IT AS EARLY AS YOU CAN AND TELL YOUR FAMILY AND FRIENDS HOW THEY CAN VOTE, TOO. DO WHAT AMERICANS HAVE DONE FOR OVER TWO CENTURIES WHEN FACED WITH EVEN TOUGHER TIMES THAN THIS. ALL THOSE QUIET HEROES WHO FOUND THE COLONEL TO KEEP MARSHALING, KEEP PUSHING IN THE FACE OF HARDSHIP AND INJUSTICE. LAST MONTH, WE LOST A GIANT OF AMERICAN DEMOCRACY IN JOHN LEWIS. SOME YEARS AGO I SAT DOWN WITH JOHN AND A FEW REMAINING LEADERS OF THE EARLY CIVIL RIGHTS MOVEMENT. ONE OF THEM TOLD ME HE NEVER IMAGINED HE'D WALK INTO THE WHITE HOUSE AND SEE A PRESIDENT WHO LOOKED LIKE HIS GRANDSON. THEN HE TOLD ME THAT HE HAD LOOKED IT UP AND IT TURNED OUT THAT ON THE VERY DAY THAT I WAS BORN, HE WAS MARCHING INTO A JAIL CELL TRYING TO END JIM CROW SEGREGATION IN THE SOUTH. WHAT WE DO ECHOS THROUGH GENERATIONS. WHATEVER OUR BACKGROUNDS, WE ARE ALL THE CHILDREN OF AMERICANS WHO FOUGHT THE GOOD FIGHT. THE GREAT-GRANDPARENTS WORKING IN FIRETRAPS AND SWEATSHOPS WITHOUT RIGHTS OR REPRESENTATION. FARMERS LOSING THEIR DREAMS TO DUST. IRISH AND ITALIANS AND ASIANS AND LATINOS TOLD GO BACK WHERE YOU COME FROM. JEWS AND CATHOLICS, MUSLIMS AND SIKHS MADE TO FEEL SUSPECT FOR THE WAY THEY WORSHIPPED. BLACK AMERICANS CHAINED AND WHIPPED AND HANGED, SPIT ON, FOR TRYING TO SIT AT LUNCH COUNTERS. BEATEN FOR TRYING TO VOTE. IF ANYONE HAD A RIGHT TO BELIEVE THAT THIS DEMOCRACY DID NOT WORK AND COULD NOT WORK, IT WAS THOSE AMERICANS. OUR ANCESTORS. THEY WERE ON THE RECEIVING END OF A DEMOCRACY THAT HAD FALLEN SHORT ALL THEIR LIVES. THEY KNEW HOW FAR THE DAILY REALITY OF AMERICA STRAYED. AND YET INSTEAD OF GIVING UP, THEY JOINED TOGETHER. AND THEY SAID, SOMEHOW, SOMEWAY, WE ARE GOING TO MAKE THIS WORK. WE ARE GOING TO BRING THOSE WORDS IN OUR FOUNDING DOCUMENTS TO LIFE. I HAVE SEEN THAT SAME SPIRIT RISING THESE PAST FEW YEARS. FOLKS OF EVERY AGE AND BACKGROUND WHO PACKED CITY CENTERS AND AIRPORTS AND RURAL ROADS SO THAT FAMILIES WOULDN'T BE SEPARATED. SO THAT ANOTHER CLASSROOM WOULDN'T GET SHOT UP. SO THAT OUR KIDS WON'T GROW UP ON AN UNINHABITABLE PLANET. AMERICANS OF ALL RACES JOINING TOGETHER TO DECLARE IN THE FACE OF INJUSTICE AND BRUTALITY AT THE HANDS OF THE STATE THAT BLACK LIVES MATTER. NO MORE, BUT NO LESS. SO THAT NO CHILD IN THIS COUNTRY FEELS THE CONTINUING STING OF RACISM. TO THE YOUNG PEOPLE WHO LED US THIS SUMMER, TELLING US WE NEED TO BE BETTER, IN SO MANY WAYS YOU ARE THIS COUNTRY'S DREAMS FULFILLED. EARLIER GENERATIONS HAD TO BE PERSUADED THAT EVERYONE HAS EQUAL WORTH. FOR YOU, IT'S A GIVEN. A CONVICTION. AND WHAT I WANT YOU TO KNOW IS FOR ALL ITS MESSINESS AND FRUSTRATIONS, YOUR SYSTEM OF SELF-GOVERNMENT CAN BE HARNESSED TO HELP YOU REALIZE THOSE CONVICTIONS. FOR ALL OF US. YOU CAN GIVE OUR DEMOCRACY NEW MEANING. YOU CAN TAKE IT TO A BETTER PLACE. YOU'RE THE MISSING INGREDIENT. THE ONES WHO WILL DECIDE WHETHER OR NOT AMERICA BECOMES THE COUNTRY THAT FULLY LIVES UP TO ITS CREED. THAT WORK WILL CONTINUE LONG AFTER THIS ELECTION. BUT ANY CHANCE OF SUCCESS DEPENDS ENTIRELY ON THE OUTCOME OF THIS ELECTION. THIS ADMINISTRATION HAS SHOWN IT WILL TEAR OUR DEMOCRACY DOWN IF THAT'S WHAT IT TAKES FOR THEM TO WIN. SO WE HAVE TO GET BUSY BUILDING IT UP BY POURING ALL OUR EFFORTS INTO THESE 76 DAYS AND BY VOTING LIKE NEVER BEFORE FOR JOE AND KAMALA AND CANDIDATES UP AND DOWN THE TICKET SO THAT WE LEAVE NO DOUBT ABOUT WHAT THIS COUNTRY THAT WE LOVE STANDS FOR. TODAY AND FOR ALL OUR DAYS TO COME. STAY SAFE. GOD BLESS. >> RESTRAINED PASSION THERE FROM BARACK OBAMA CALLING ON A NEW GENERATION OF AMERICANS TO ECHO THE ANCESTORS WHO MADE OUR DEMOCRACY WORK AND DRAWING A STARK, STARK CONTRAST BETWEEN JOE BIDEN WHO HE SAYS BELIEVES EVERYBODY COUNTS AND THE PRESIDENT OF THE UNITED STATES WHO'S SHOWN NO INTEREST IN USING THE AWESOME POWER OF HIS OFFICE TO HELP ANYONE BUT HIMSELF. NOW THE NOMINATION OF KAMALA HARRIS. >> GROUNDBREAKING IDEAS TO PROTECT FAMILIES AND KEEP THEM TOGETHER BY REDUCING RECIDIVISM. I AM SO THRILLED FOR HER TO BECOME THE VICE PRESIDENT OF THE UNITED STATES. NOW PLEASE WELCOME OUR CONVENTION CHAIR, CONGRESSMAN -- >> AUTOMATIC DELEGATES WOULD NOMINATE THE DEMOCRATIC CANDIDATE FOR VICE PRESIDENT. IN ACCORDANCE WITH OUR RULES, VICE PRESIDENT BIDEN HAS NOMINATED SENATOR KAMALA HARRIS AS HIS VICE PRESIDENTIAL CANDIDATE. OUR RULES FURTHER PROVIDE THAT IF ONLY ONE CANDIDATE IS NOMINATED FOR VICE PRESIDENT THE CHAIR IS AUTHORIZED TO DECLARE THE NOMINEE THE DEMOCRATIC CANDIDATE FOR VICE PRESIDENT. AS SUCH, WITH ONLY ONE NOMINATION RECEIVED AND PURSUANT TO OUR RULES, I HEREBY DECLARE THAT KAMALA HARRIS IS ELECTED AS THE DEMOCRATIC CANDIDATE FOR VICE PRESIDENT. I'M PLEASED TO REPORT THAT VICE PRESIDENTIAL CANDIDATE KAMALA HARRIS HAS BEEN INVITED TO DELIVER AN ACCEPTANCE SPEECH. >> KAMALA HARRIS IS MY AUNTIE. >> MY STEPMOM. >> MY BIG SISTER. >> WHICH MEANS YOU'LL ALWAYS BE MY OLDER SISTER. >> THERE'S SOME THINGS WE'D LIKE TO SHARE WITH YOU. TO MY BROTHER AND MANY, YOU'LL ALWAYS BE MOMALA, THE WORLD'S GREATEST STEP MOM. >> YOU'RE MY ROLE MODEL. WHO TAUGHT ME I CAN DO ANYTHING I WANTED. >> MY VERY BEST FRIEND, MY CONFIDANT, MY PARTNER IN MISCHIEFJUSTICE. >> YOU'RE A ROCK, NOT ONLY FOR MY DAD BUT GENERATIONS OF A BLENDED FAMILY. >> YOU MADE SURE I GREW UP SURROUNDED BY SMART, STRONG, AMBITIOUS WOMEN EVERY DAY. >> GROWING UP, HEAVEN HELP THE POOR KID WHO PICKED ON ME BECAUSE MY BIG SISTER WOULD BE THERE IN A FLASH READY TO HAVE MY BACK. WELL, NOW, WE'VE GOT YOUR BACK. AS YOU AND JOE FIGHT TO PROTECT OUR DEMOCRACY. >> AND THERE'S NO UNION MORE PERFECT THAN THE ONE THAT BRINGS US ALL TO YOUR KITCHEN TABLE EVERY SUNDAY NIGHT FOR STIR FRY, FETA CHICKEN OR SPAGHETTI AND MEATBALL FAMILY DINNERS. >> NOW THAT I'M A MOM, YOU'RE SHOWING MY DAUGHTERS AND SO MANY GIRLS AROUND THE WORLD WHO LOOK LIKE THEM WHAT'S POSSIBLE AND WHAT IT'S LIKE TO MOVE THROUGH THE WORLD AS FIERCE, FORMIDABLE, PHENOMENAL, WOMEN IN THEIR OWN UNIQUE WAY. >> I LOVE YOU. I ADMIRE YOU. I AM SO PROUD OF YOU. AND EVEN THOUGH MOMMY'S NOT HERE TO SEE HER FIRST DAUGHTER STEP INTO HISTORY, THE ENTIRE NATION WILL SEE IN YOUR STRENGTH, YOUR INTEGRITY, YOUR INTELLIGENCE, AND YOUR OPTIMISM, THE VALUES THAT SHE RAISED US WITH. >> WE LOVE YOU, MOMALA. >> WE'RE SO PROUD OF YOU, AUNTIE. >> YOU MEAN THE WORLD TO US, KAMALA. >> WE COULD NOT B MORE EXCITED -- >> TO SHARE YOU WITH THE WORLD. >> AS THE NEXT -- >> AS THE NEXT. >> VICE PRESIDENT. >> VICE PRESIDENT OF THE UNITED STATES. >> JOE BIDEN HAS SELECTED KAMALA HARRIS AS HIS RUNNING MATE. >> SHE IS THE FIRST BLACK WOMAN, FIRST SOUTH-ASIAN WOMAN, TO BE NAMED ON THE DEMOCRATIC TICKET. >> THIS IS A HISTORIC PICK. >> LET'S GO! >> SOMEONE WHO LOOKS LIKE US ON A PRESIDENTIAL TICKET. THAT'S CRAZY. >> KAMALA HARRIS IS US. SHE WAS BORN IN OAKLAND. >> A DAUGHTER OF IMMIGRANTS. >> THE DAUGHTER OF SHAMLA. >> BIG SISTER AND PROTECTOR. >> SHE IS AN HBCU GRAD. >> SHE IS A WOMAN OF MANY FIRSTS. >> SHE'S A HARD WORKER. A REALLY HARD WORKER. >> SHE'S BRILLIANT. SHE'S SMART. SHE'S TOUGH. SHE'S GOT A BIG FUTURE. >> PROBABLY ONE OF THE BEST ROLE MODELS. >> KAMALA HARRIS IS, LIKE, A DREAM TO ME. >> SENATOR HARRIS CARES ABOUT PEOPLE. THERE'S NO DOUBT ABOUT IT. >> WHEN SHE SAYS FOR THE PEOPLE, IT IS EVERY OUNCE OF WHO SHE IS. SHE'S FOR US. SHE'S FOR US. >> SHE FIGHTS FOR WOMEN'S RIGHTS. SHE FIGHTS TO END MASS INCARCERATION. >> SHE IS A FEARLESS ADVOCATE FOR THE VOICELESS. >> THE LITMUS TEST FOR AMERICA IS HOW WE TREAT BLACK WOMEN. >> I'M TALKING ABOUT SOMEONE WHO CAN FIGHT FOR BLACK PEOPLE. BROWN PEOPLE. UNDOCUMENTED PEOPLE. LGBT PEOPLE. DISABLED PEOPLE. YOUNG PEOPLE. OLD PEOPLE. ALL OF AMERICA. >> IT'S ABOUT ALL OF US KNOWING OUR POWER, EACH OF US TO LIFT PEOPLE UP, RIGHT? AND TO REMIND THEM THAT WE SEE THEM AND WE HEAR THEM AND THAT THEY MATTER. ♪ ♪ ♪ [ CHEERING ] ♪ >> YOU'RE GOING TO BE VICE PRESIDENT OF THE UNITED STATES? >> GREETINGS, AMERICA. IT IS TRULY AN HONOR TO BE SPEAKING WITH YOU TONIGHT. THAT I AM HERE TONIGHT IS A TESTAMENT TO THE DEDICATION OF GENERATIONS BEFORE ME. WOMEN AND MEN WHO BELIEVE SO FIERCELY IN THE PROMISE OF EQUALITY, LIBERTY, AND JUSTICE FOR ALL THIS WEEK MARKS THE 100th ANNIVERSARY OF THE PASSAGE OF THE 19th AMENDMENT AND WE CELEBRATE THE WOMEN WHO FOUGHT FOR THAT RIGHT. YET, SO MANY OF THE BLACK WOMEN WHO HELPED SECURE THAT VICTORY WERE STILL PROHIBITED FROM VOTING LONG AFTER ITS RATIFICATION, BUT THEY WERE UNDETERRED. WITHOUT FANFARE OR RECOGNITION, THEY ORGANIZED AND TESTIFIED AND RALLIED AND MARCHED AND FOUGHT NOT JUST FOR THEIR VOTE BUT FOR A SEAT AT THE TABLE. THESE WOMEN AND THE GENERATIONS THAT FOLLOWED WORKED TO MAKE DEMOCRACY AND OPPORTUNITY REAL IN THE LIVES OF ALL OF US WHO FOLLOWED. THEY PAVED THE WAY FOR THE TRAIL BLAZING LEADERSHIP OF BARACK OBAMA AND HILLARY CLINTON. AND THESE WOMEN INSPIRED US TO PICK UP THE TORCH AND FIGHT ON. WOMEN LIKE MARY CHURCH TERRELL, MARY CLOYDE BETHUNE, FANNIE LOU HAMER AND THE GREAT SHIRLEY CHRISOLM. WE'RE NOT OFTEN TAUGHT THEIR STORIES BUT AS AMERICANS WE ALL STAND ON THEIR SHOULDERS. AND THERE'S ANOTHER WOMAN WHOSE NAME ISN'T KNOWN, WHOSE STORY ISN'T SHARED. ANOTHER WOMAN WHOSE SHOULDERS I STAND ON. AND THAT'S MY MOTHER, SHAMALA GOPALIN HARRIS. SHE CAME HERE FROM INDIA AT AGE 19 TO PURSUE HER DREAM OF CURING CANCER. AT THE UNIVERSITY OF CALIFORNIA BERKELEY, SHE MET MY FATHER, DONALD HARRIS, WHO HAD COME FROM JAMAICA TO STUDY ECONOMICS. THEY FELL IN LOVE IN THAT MOST AMERICAN WAY WHILE MARCHING TOGETHER FOR JUSTICE IN THE CIVIL RIGHTS MOO S MOVEMEN 1960s. IN THE STREETS OF OAKLAND AND BERKELEY, I GOT A STROLLER'S-EYE VIEW OF PEOPLE GETTING INTO WHAT THE GREAT JOHN LEWIS CALLED GOOD TROUBLE. WHEN I WAS 5, MY PARENTS SPLIT AND MY MOTHER RAISED US MOSTLY ON HER OWN. LIKE SO MANY MOTHERS, SHE WORKED AROUND THE CLOCK TO MAKE IT WORK. PACKING LUNCHES BEFORE WE WOKE UP. AND PAYING BILLS AFTER WE WENT TO BED. HELPING US WITH HOMEWORK AT THE KITCHEN TABLE AND SHUTTLING US TO CHURCH FOR CHOIR PRACTICE. SHE MADE IT LOOK EASY, THOUGH IT NEVER WAS. MY MOTHER INSTILLED IN MY SISTER, MAYA, AND ME, THE VALUES THAT WOULD CHART THE COURSE OF OUR LIVES. SHE RAISED US TO BE PROUD, STRONG, BLACK WOMEN AND SHE RAISED US TO KNOW AND BE PROUD OF OUR INDIAN HERITAGE. SHE TAUGHT US TO PUT FAMILY FIRST. THE FAMILY YOU'RE BORN INTO AND THE FAMILY YOU CHOOSE. FAMILY IS MY HUSBAND, DOUG, WHO I MET ON A BLIND DATE SET UP BY MY BEST FRIEND. FAMILY IS OUR BEAUTIFUL CHILDREN, COLE AND ELLA, WHO CALL ME MOMALA. FAMILY IS MY SISTER. FAMILY IS MY BEST FRIEND. MY NIECES AND MY GODCHILDREN. FAMILY IS MY UNCLES, MY AUNTS. FAMILY IS MRS. SHELTON, MY SECOND MOTHER WHO LIVED TWO DOORS DOWN AND HELPED RAISE ME. FAMILY IS MY BELOVED ALPHA KAPPA ALPHA, OUR DIVINE NINE, AND MY HBCU BROTHERS AND SISTERS. FAMILY IS THE FRIENDS I TURN TO WHEN MY MOTHER, THE MOST IMPORTANT PERSON IN MY LIFE, PASSED AWAY FROM CANCER. AND EVEN AS SHE TAUGHT US TO KEEP OUR FAMILY AT THE CENTER OF OUR WORLD, SHE ALSO PUSHED US TO SEE A WORLD BEYOND OURSELVES. SHE TAUGHT US TO BE CONSCIOUS AND COMPASSIONATE ABOUT THE STRUGGLES OF ALL PEOPLE. TO BELIEVE PUBLIC SERVICE IS A NOBLE CAUSE AND THE FIGHT FOR JUSTICE IS A SHARED RESPONSIBILITY. THAT LED ME TO BECOME A LAWYER. A DISTRICT ATTORNEY. ATTORNEY GENERAL. AND A UNITED STATES SENATOR. AND AT EVERY STEP OF THE WAY, I'VE BEEN GUIDED BY THE WORDS I SPOKE FROM THE FIRST TIME I STOOD IN A COURTROOM. "KAMALA HARRIS FOR THE PEOPLE." I'VE FOUGHT FOR CHILDREN AND SURVIVORS OF SEXUAL ASSAULT. I FOUGHT AGAINST TRANSNATIONAL CRIMINAL ORGANIZATIONS. I TOOK ON THE BIGGEST BANKS AND HELPED TAKE DOWN ONE OF THE BIGGEST FOR-PROFIT COLLEGES. I KNOW A PREDATOR WHEN I SEE ONE. MY MOTHER TAUGHT ME THAT SERVICE TO OTHERS GIVES LIFE PURPOSE AND MEANING. AND, OH, HOW I WISH SHE WERE HERE TONIGHT, BUT I KNOW SHE'S LOOKING DOWN ON ME FROM ABOVE. I KEEP THINKING ABOUT THAT 25-YEAR-OLD INDIAN WOMAN, ALL OF 5 FEET TALL, WHO GAVE BIRTH TO ME AT KAISER HOSPITAL IN OAKLAND, CALIFORNIA. ON THAT DAY SHE PROBABLY COULD HAVE NEVER IMAGINED THAT I WOULD BE STANDING BEFORE YOU NOW AND SPEAKING THESE WORDS. I ACCEPT YOUR NOMINATION FOR VICE PRESIDENT OF THE UNITED STATES OF AMERICA. I DO SO COMMITTED TO THE VALUES SHE TAUGHT ME. TO THE WORD THAT TEACHES ME TO WALK BY FAITH AND NOT BY SIGHT. AND TO A VISION PASSED ON THROUGH GENERATIONS OF AMER S AMERICANS, ONE THAT JOE BIDEN SHARES. A VISION OF OUR NATION AS A BELOVED COMMUNITY. WHERE ALL ARE WELCOME NO MATTER WHAT WE LOOK LIKE, NO MATTER WHERE WE COME FROM OR WHO WE LOVE. A COUNTRY WHERE WE MAY NOT AGREE ON EVERY DETAIL, BUT WE ARE UNITED BY THE FUNDAMENTAL BELIEF THAT EVERY HUMAN BEING IS OF INFINITE WORTH, DESERVING OF COMPASSION, DIGNITY, AND RESPECT. A COUNTRY WHERE WE LOOK OUT FOR ONE ANOTHER. WHERE WE RISE AND FALL AS ONE. WHERE WE FACE OUR CHALLENGES AND CELEBRATE OUR TRIUMPHS TOGETHER. TODAY, THAT COUNTRY FEELS DISTANT. DONALD TRUMP'S FAILURE OF LEADERSHIP HAS COST LIVES AND LIVELI LIVELIHOODS. IF YOU'RE A PARENT STRUGGLING WITH YOUR CHILD'S REMOTE LEARNING, OR YOU'RE A TEACHER STRUGGLING ON THE OTHER SIDE OF THAT SCREEN, YOU KNOW WHAT WE'RE DOING RIGHT NOW IS NOT WORKING. AND WE ARE A NATION THAT IS GRIEVING. GRIEVING THE LOSS OF LIFE. THE LOSS OF JOBS. THE LOSS OF OPPORTUNITIES. THE LOSS OF NORMALCY. AND, YES, THE LOSS OF CERTAINTY. AND WHILE THIS VIRUS TOUCHES US ALL, WE GOT TO BE HONEST, IT IS NOT AN EQUAL-OPPORTUNITY OFFENDER. BLACK, LATINO, AND INDIGENOUS PEOPLE ARE SUFFERING AND DYING DISPROPO DISPROPORTIONATELY. AND THIS IS NOT A COINCIDENCE. IT IS THE EFFECT OF STRUCTURAL RACISM. OF INEQUITIES AND EDUCATION AND TECHNOLOGY, HEALTH CARE AND HOUSING, JOB SECURITY, AND TRANSPORTATION. THE INJUSTICE IN REPRODUCTIVE AND MATERNAL HEALTH CARE. IN THE EXCESSIVE USE OF FORCE BY POLICE. AND IN OUR BROADER CRIMINAL JUSTICE SYSTEM. THIS VIRUS, IT HAS NO EYES. AND YET, IT KNOWS EXACTLY HOW WE SEE EACH OTHER AND HOW WE TREAT EACH OTHER. AND LET'S BE CLEAR. THERE IS NO VACCINE FOR RACISM. WE HAVE GOT TO DO THE WORK. FOR GEORGE FLOYD, FOR BREONNA TAYLOR, FOR THE LIVES OF TOO MANY OTHERS TO NAME, FOR OUR CHILDREN AND FOR ALL OF US. WE'VE GOT TO DO THE WORK TO FULFILL THAT PROMISE OF EQUAL JUSTICE UNDER LAW BECAUSE HERE'S THE THING, NONE OF US ARE FREE UNTIL ALL OF US ARE FREE. SO WE'RE AT AN INFLECTION POINT. THE CONSTANT CHAOS LEAVES US ADRIFT. THE INCOMPETENCE MAKES US FEEL AFRAID. THE CALLOUSNESS MAKES US FEEL ALONE. IT'S A LOT. AND HERE'S THE THING. WE CAN DO BETTER AND DESERVE SO MUCH MORE. WE MUST ELECT A PRESIDENT WHO WILL BRING SOMETHING DIFFERENT, SOMETHING BETTER, AND DO THE IMPORTANT WORK. A PRESIDENT WHO WILL BRING ALL OF US TOGETHER. BLACK, WHITE, LATINO, ASIAN, INDIGENOUS. TO ACHIEVE THE FUTURE, WE COLLECTIVELY WANT. WE MUST ELECT JOE BIDEN, AND I WILL TELL YOU, I KNEW JOE AS VICE PRESIDENT. I KNEW JOE ON THE CAMPAIGN TRAIL. AND I FIRST GOT TO KNOW JOE AS THE FATHER OF MY FRIEND. SO JOE'S SON, BEAU, SERVED AS ATTORNEYS GENERAL OF OUR STATES, DELAWARE AND CALIFORNIA. DURING THE GREAT RECESSION, HE AND I SPOKE ON THE PHONE NEARLY EVERY DAY. WORKING TOGETHER TO WIN BACK BILLIONS OF DOLLARS FOR HOMEOWNERS FROM THE BIG BANKS THAT FORE CLOSED ON PEOPLE'S HOMES AND BEAU AND I, WE WOULD TALK ABOUT HIS FAMILY, HOW AS A SINGLE FATHER JOE WOULD SPEND FOUR HOURS EVERY DAY RIDING THE TRAIN BACK AND FORTH FROM WILMINGTON TO WASHINGTON. BEAU AND HUNTER GOT TO HAVE BREAKFAST EVERY MORNING WITH THEIR DAD. THEY WENT TO SLEEP EVERY NIGHT WITH THE SOUND OF HIS VOICE READING BEDTIME STORIES. WHILE THEY ENDURED AN UNSPEAKABLE LOSS, THOSE TWO LITTLE BOYS ALWAYS KNEW THAT THEY WERE DEEPLY, UNCONDITIONALLY, LOVED. AND WHAT ALSO MOVED ME ABOUT JOE IS THE WORK THAT HE DID AS HE WAS GOING BACK AND FORTH. THIS IS THE LEADER WHO WROTE THE VIOLENCE AGAINST WOMEN ACT AND ENACTED THE ASSAULT WEAPONS BAN, WHO AS VICE PRESIDENT IMPLEMENTED THE RECOVERY ACT, WHICH BROUGHT OUR COUNTRY BACK FROM THE GREAT RECESSIONS. HE CHAMPIONED THE AFFORDABLE CARE ACT, PROTECTING MILLIONS OF AMERICANS WITH PRE-EXISTING CONDITIONS. WHO SPENT DECADES PROMOTING AMERICAN VALUES AND INTERESTS AROUND THE WORLD. JOE, HE BELIEVES WE STAND WITH OUR ALLIES AND STAND UP TO OUR ADVERSARIES. RIGHT NOW, WE HAVE A PRESIDENT WHO TURNS OUR TRAGEDIES INTO POLITICAL WEAPONS. JOE WILL BE A PRESIDENT WHO TURNS OUR CHALLENGES INTO PURPOSE. JOE WILL BRING US TOGETHER TO BUILD AN ECONOMY THAT DOESN'T LEAVE ANYONE BEHIND. WHERE A GOOD-PAYING JOB IS THE FLOOR, NOT THE CEILING. JOE WILL BRING US TOGETHER TO END THIS PANDEMIC AND MAKE SURE THAT WE ARE PREPARED FOR THE NEXT ONE. JOE WILL BRING US TOGETHER TO SQUARELY FACE AND DISMANTLE RACIAL INJUSTICE, FURTHERING THE WORK OF GENERATIONS. JOE AND I BELIEVE THAT WE CAN BUILD THAT BELOVED COMMUNITY. ONE THAT IS STRONG AND DECENT. JUST AND KIND. ONE IN WHICH WE CAN ALL SEE OURSELVES. THAT'S THE VISION THAT OUR PARENTS AND GRANDPARENTS FOUGHT FOR. THE VISION THAT MADE MY OWN LIFE POSSIBLE. THE VISION THAT MAKES THE AMERICAN PROMISE, FOR ALL ITS COMPLEXITIES AND IMPERFECTIONS, A PROMISE WORTH FIGHTING FOR. SO MAKE NO MISTAKE, THE ROAD AHEAD IS NOT EASY. WE MAY STUMBLE. WE MAY FALL SHORT. BUT I PLEDGE TO YOU THAT WE WILL ACT BOLDLY AND DEAL WITH OUR CHALLENGES HONESTLY. WE WILL SPEAK TRUTHS AND WE WILL ACT WITH THE SAME FAITH IN YOU THAT WE ASK YOU TO PLACE IN US. WE BELIEVE THAT OUR COUNTRY, ALL OF US, WILL STAND TOGETHER FOR A BETTER FUTURE. AND WE ALREADY ARE. WE SEE IT IN THE DOCTORS, THE NURSES, THE HOME HEALTH CARE WORKERS, AND FRONT LINE WORKERS, WHO ARE RISKING THEIR LIVES TO SAVE PEOPLE THEY'VE NEVER MET. WE SEE IT IN THE TEACHERS AND TRUCK DRIVERS, THE FACTORY WORKERS AND FARMERS, THE POSTAL WORKERS AND POLL WORKERS. ALL PUTTING THEIR OWN SAFETY ON THE LINE TO HELP US GET THROUGH THIS PANDEMIC. AND WE SEE IT IN SO MANY OF YOU US THROUGH OUR CURRENT CRISIS BUT TO SOMEWHERE BETTER. THERE'S SOMETHING HAPPENING ALL ACROSS OUR COUNTRY. IT'S NOT ABOUT JOE OR ME. IT'S ABOUT YOU. AND IT'S ABOUT US. PEOPLE OF ALL AGES AND COLORS AND CREEDS WHO ARE, YES, TAKING TO THE STREETS AND ALSO PERSUADING OUR FAMILY MEMBERS, RALLYING OUR FRIENDS, ORGANIZING OUR NEIGHBORS, AND GETTING OUT THE VOTE. AND WE HAVE SHOWN THAT WHEN WE VOTE, WE EXPAND ACCESS TO HEALTH CARE AND EXPAND ACCESS TO THE BALLOT BOX AND ENSURE THAT MORE WORKING FAMILIES CAN MAKE A DECENT LIVING. AND I'M SO INSPIRED BY A NEW GENERATION. YOU, YOU ARE PUSHING US TO REALIZE THE IDEALS OF OURUAT NATION. PUSHING US TO LIVE THE VALUES WE SHARE. DECENCY AND FAIRNESS, JUSTICE, AND LOVE. YOU ARE PATRIOTS WHO REMIND US THAT TO LOVE OUR COUNTRY IS TO FIGHT FOR THE IDEALS OF OUR COUNTRY. IN THIS ELECTION WE HAVE A CHANCE TO CHANGE THE COURSE OF HISTORY. WE'RE ALL IN THIS FIGHT. YOU, ME, AND JOE. TOGETHER. WHAT AN AWESOME RESPONSIBILITY. WHAT AN AWESOME PRIVILEGE. SO, LET'S FIGHT WITH CONVICTION. LET'S FIGHT WITH HOPE. LET'S FIGHT WITH CONFIDENCE IN OURSELVES AND A COMMITMENT TO EACH OTHER. TO THE AMERICA WE KNOW IS POSSIBLE. THE AMERICA WE LOVE. AND YEARS FROM NOW, THIS MOMENT WILL HAVE PASSED AND OUR CHILDREN AND OUR GRANDCHILDREN WILL LOOK IN OUR EYES AND THEY'RE GOING TO ASK US, WHERE WERE YOU WHEN THE STAKES WERE SO HIGH? THEY WILL ASK US, WHAT WAS IT LIKE? AND WE WILL TELL THEM, WE WILL TELL THEM NOT JUST HOW WE FELT, WE WILL TELL THEM WHAT WE DID. THANK YOU. GOD BLESS YOU. AND GOD BLESS THE UNITED STATES OF AMERICA. >> KAMALA HARRIS, THE PAGEANTRY MAY BE MISSING BUT MAKE NO MISTAKE THAT WAS A MOMENT OF HISTORY RIGHT THERE. THE FIRST WOMAN OF COLOR TO ACCEPT THE NOMINATION FOR PRESIDENT OR VICE PRESIDENT ON A NATIONAL TICKET. SHE SPOKE PERSONALLY. THERE'S SOME APPLAUSE RIGHT THERE. ABOUT HER FOUR WOMEN IN THE CIVIL RIGHTS MOVEMENT. FANNIE LOU HAMER. SHIRLEY CHISOLM. ABOUT HER MOM FROM INDIA. SHE SPOKE PLAINLY, QUOTE, I KNOW A PREDATOR WHEN THERE IS ONE, NO VACCINE FOR RACISM. TALKED ABOUT STRUCTURAL RACISM. WE NEVER HEARD THAT BEFORE. INEQUITIES HITTING MINORITY COMMUNITIES ALL ACROSS THE COUNTRY DURING THIS COVID CRISIS. SHE'S ALL SMILES NOW AS SHE PREPARES TO MEET HER FAMILY. ♪ THEY'LL NEVER BE HAPPY BECAUSE THEY'RE NOT HAPPY WITH THEMSELVES ♪ HER RUNNING MATE JOE BIDEN RIGHT THERE, SOCIALLY DISTANCED HUG. DAVID MUIR, IT REALLY -- YOU GET THE FEELING HERE AFTER SEEING THE SPEECH, THIS KIND OF, AGAIN, HOW DIFFERENT EVERYTHING IS THIS YEAR. >> EVEN WITH THE SMILES AND THE TRACK THAT THEY'RE PLAYING NOW WITH THE APPLAUSE, YOU DO FEEL THE HEAVINESS OF THIS MOMENT IN AMERICA. THIS PANDEMIC WE'RE LIVING THROUGH. 170,000 AMERICAN LIVES. FAMILY'S NOW COMING OUT. >> A BLIND DATE SET UP BY HER BEST FRIEND. OF COURSE, DR. JILL BIDEN WHO AMERICA SAW LAST NIGHT AS WELL. HE'S AN ENTERTAINMENT LAWYER IN LOS ANGELES, BUSINESS LAWYER. HE'S NOW TAKING A LEAVE FROM HIS LAW FIRM TO AVOID ANY CONFLICTS OF INTEREST. DR. JILL BIDEN WE SAID LAST NIGHT DID KEEP HER JOB WHILE JOE BIDEN WAS VICE PRESIDENT AS AN EDUCATOR. AND, OF COURSE, THIS IS ALL SETTING THE STAGE NOW FOR JOE BIDEN'S BIG SPEECH TOMORROW NIGHT WHERE HE WILL ACCEPT DEMOCRATIC NOMINATION FOR PRESIDENT OF THE UNITED STATES. WE'RE GOING TO RETURN NOW TO OUR REGULAR PROGRAMMING. FOR MANY OF YOU GUYS, LATE LOCAL NEWS. AND "NIGHTLINE" WILL COME UP LATER. I'LL SEE YOU ALL TOMORROW MORNING ON "GMA." ♪ "ABC NEWS LIVE." >> STREAMING EVERYWHERE RIGHT TO YOU. >> "ABC NEWS LIVE." >>> WE ARE JOINED NOW BY CHRIS CHRISTIE, FORMER GOVERNOR OF NEW JERSEY, RAHM EMANUEL, FORMER MAYOR OF CHICAGO. ABC NEWS CONTRIBUTOE EOR YVETTE SIMP SIMPSON. TONIGHT WAS HISTORIC. KAMALA HARRIS, ON A MAJOR PARTY TICKET. SHE JUST FINISHED UP WITH HER SPEECH. TALK TO US ABOUT FIRST OF ALL YOUR IMPRESSIONS AND ALSO THE MAGNITUDE OF THIS MOMENT. >> I WANT TO START WITH THE MAGNITUDE. IS A BIG, BIG MOMENT. I THINK AS A BLACK WOMAN LEADER I HAVE TO SAY WE CAN'T UNDERESTIMATE THE MAGNITUDE OF THE MOMENT AND I THINK SHE DID WHAT SHE NEEDED TO DO TODAY. ONE OF THE THINGS THAT I PREDICTED THAT SHE WOULD DO THAT SHE DID WAS TO BRING EVERYBODY IN THE ROOM. I MEAN, SHE REALLY DID TALK ABOUT BLACK AND BROWN PEOPLE IN A WAY WE HAVE NOT SEEN THIS CONVENTION DO. SHE TALKED ABOUT HB KRU CUs. DIVINE NINE. TALKED ABOUT HER STOIP. STORY. THE FACT WE MUST DO THE WORK. TALKED ABOUT THE FACT SHE'S PART OF THE FUTURE AND THEY'RE BUILDING SOMETHING. THAT'S SOMETHING WE'VE BEEN WAITING FOR. SHE GOT THAT DIG IN ON DONALD TRUMP SAYING I KNOW A PREDATOR WHEN I SEE ONE. PROBABLY ONE OF THE MOST POINTED I THINK CRITICISMS OF DONALD TRUMP WE'VE SEEN TO DATE. AND SO IF YOU THINK ABOUT THE THREE THINGS THAT WE EXPECTED HER TO DO, INTRODUCE HERSELF TO AMERICA, MOMALA, MAKE SURE THAT SHE TALKS ABOUT THE VISION FOR THE FUTURE. SHE DID THAT. AND ALSO BRING IT TO TRUMP, I THINK SHE DID IT ALL REALLY WELL AND HAD A SMILE ON HER FACE. SHE LOOKED EXCITED. SHE LOOKED COMFORTABLE. I THINK KAMALA HARRIS IS AT HER BEST WHEN SHE'S JUST HERSELF AND COMFORTABLE. >> GOVERNOR CHRISTIE, YOUR THOUGHTS. >> I ACTUALLY WAS KIND OF DISAPPOINTED. I THOUGHT IT WAS KIND OF FLAT. I THINK SHE WAS TRYING TOO HARD. I THINK THERE'S A LOT OF FAKE SMILES IN THERE AND A LOT OF, YOU KNOW, PRACTICED HAND GESTURES AND I THNK IINK IT'S RY HARD TO FOLLOW SOMEBODY AS COMPELLING AS BARACK OBAMA. I THINK THEY SHOULD HAVE LEFT IT THE WAY IT WAS. BARACK OBAMA SHOULD HAVE LEFT HIS NOSE OUT OF IT, LET HER GO FIRST AND OBAMA GO LAST. I THOUGHT OBAMA WAS COMPELLING AND THOUGHT HARRIS WAS OKAY AND IT SHOULDN'T BE THAT WAY. IT SHOULD BE THE OTHER WAY AROUND. LET HER GO AND LET THE NIGHT FINISH WITH THE PRESIDENT BECAUSE OF WHO HE IS. I'LL SAY ONE THING ABOUT HIS SPEECH, WHICH I THINK WAS REALLY TOP NOTCH. BUT EVERY GREAT POLITICIAN HAS ONE BLIND SPOT, AT LEAST. SOMETIMES MORE THAN ONE. HE HAS A LINE IN THERE, HE SAID, "THEY KNOW THEY CAN'T WIN YOU WITH YOUR POLICIES SO THEY'RE GOING TO TRY TO MAKE SURE YOU DON'T VOTE." THAT MEANS HE STILL MISUNDERSTANDS WHAT HAPPENED IN 2016. HE STILL MISUNDERSTANDS IT. HE STILL BELIEVES THAT SOMEHOW THE AMERICA LOST ITS MIND AND VOTED FOR DONALD TRUMP. WHAT THEY SAID WAS, WE DON'T LIKE WHAT HILLARY CLINTON'S SELLING. WE DON'T NECESSARILY LOVE EVERYTHING YOU'VE DONE THE LAST EIGHT YEARS, MR. PRESIDENT. AND WE'RE GOING TO VOTE FOR ANOTHER DIRECTION. AND SO WHILE I GIVE OBAMA AN "A" FOR WHAT HE DID, HE'S STILL GOT THE ONE BLIND SPOT AND IT'S THE DEMOCRATS' BLIND SPOT AND WHY THE PRESIDENT NEXT WEEK SHOULD EXPLOIT THAT BLIND SPOT AND GET TO THE ISSUES OF THIS RACE AND STOP WITH THE PERSONA STUFF. IT'S NOT WORKING FOR HIM. IT'S NOT GOING TO WORK FOR HIM. AND I THINK OBAMA SHOWED HIM THAT OPENING TONIGHT IF HE WAS PAYING ATTENTION. >> YOU SAID IT DEPENDS ON WHICH KAMALA HARRIS SHOWS UP. WHICH ONE SHOWED UP? >> I THINK THE ONE THAT SHOWED UP IS THE MODERATE KAMALA HARRIS. SHE WASN'T TALKING ABOUT DECRIMINALIZING THE BORDER. SHE WASN'T TALKING ABOUT MEDICARE FOR ALL. SHE WASN'T TALKING ABOUT A GREEN NEW DEAL WHICH SHE CO-AUTHORED. SHE REALLY FOCUSED MOSTLY ON HERSELF AND HER STORY WHICH IS APPROPRIATE IN THIS SPEECH. AND THEN SHE DID TAKE IT TO DONALD TRUMP I THOUGHT PRETTY HARD. I AGREE WITH YVETTE, THAT WAS A VERY HARD LINE. >> RAHM, WHAT DOES KAMALA BRING TO THE TICKET THAT BIDEN DOESN'T HAVE ON HIS OWN? >> WELL, I THINK THAT PACKAGE, YOU GOT TO LOOK AT THEM TOGETHER AND I THINK SHE HAS AN ENERGY, A VIVACIOUSNESS AND JUST A LUST OF LIFE THAT IS THERE. I DO WANT TO, THOUGH, RETURN TO ONE THING ABOUT OBAMA'S SPEECH. WHEN YOU LOOK AT THE TWO DIFFERENT SETTINGS. ONE WAS STARK. THE OTHER ONE HAS RICH HISTORY AND EMOTION TO IT. THERE'S A CRITICAL MOMENT IN HEALTH CARE, THIS IS WHAT REMINDED ME, WE'RE OVER IN THE CABINET ROOM, THE DEMOCRATS, HOUSE AND SENATE, WERE IN A TOUGH, TOUGH MOMENT, NEGOTIATING THE RACE IN MASSACHUSETTS, HAPPENED TO REPLACE TED KENNEDY. PRESIDENT AND I GO BACK INTO THE OVAL, SAYS, GIVE ME THE BALL. WE GOT THREE SECONDS. GIVE ME THE BALL. AND HE BROUGHT HIS THREE SHOT TO THIS. I THOUGHT IT WAS -- I'VE SEEN A LOT OF HIS SPEECHES. ONE OF THE BEST HE HAS GIVEN. IT WAS CONTROLLED. IT WAS CONCISE. LAID OUT THE CONSEQUENCES OF THIS ELECTION. WHAT THE MEANING OF OUR HISTORY IS AND ALL OF US IN THE PROCESS. I THINK HE MADE A VERY COMPELLING CASE. WHY DONALD TRUMP HAS FAILED ALL OF US AND WE HAVE A RESPONSIBILITY, NOT JUST TO BLAME HIM, BUT OUR RESPONSIBILITY TO ACT AND THAT'S VOTING AND AFTER THAT. I THINK SHE DID A GREAT JOB FOR THE TICKET. I DON'T WANT TO QUIBBLE HERE. SHE WAS LEFT WITH TRYING TO EXPLAIN HER HISTORY. SHOULD HAVE BEEN ABOUT IN THE MOVIE. OTHER PIECES SHOULD HAVE BEEN THERE IN THAT. I THINK SHE DID A GREAT JOB FOR THE TICKET AND INTRODUCED AS I THINK SARAH SAID, THE AGENDA THAT SHE AND JOE AS A PACKAGE WILL PURSUE. >> DID SHE ENERGIZE THE BASE? >> WELL, THERE'S NO DOUBT THE BASE -- AS I SAID EARLIER, I THINK SHE BRINGS FIVE THINGS, NOT ONE THING. THIS IS WHY THIS IS A GREAT TICKET. SHE MAKES HISTORY. SHE EXCITES THE BASE. THAT'S VERY CLEAR. YOU CAN SEE IT BY THE FU FUND-RAISING AS ONE MEASURE OF THAT. REASSURING MODERATE STRING VOTERS ESPECIALLY IN THE SUBURBS AND OTHER WOMEN, SHE RILES UP TRUMP AND SHE DRAWS TRUMP'S FIRE AWAY FROM BIDEN. REMEMBER, WHAT HAS HAPPENED, BIDEN'S ATTACKING OBAMA, HE'S ATTACKING KAMALA HARRIS. I MEAN, TRUMP IS. AS LONG AS HE LEAVES BIDEN WITH VERY LITTLE NEGATIVES, UNLIKE WHAT HILLARY HAD, BIDEN HAS A REALLY GOOD CHANCE. YOU KNOW IT. EVERYBODY KNOWS THAT IF YOU GET VERY LOW NEGATIVES WHICH IS -- HE'S -- DONALD TRUMP IS ATTACKING EVERYBODY BUT THE ONE PERSON HE'S RUNNING AGAINST SO SHE'S ALREADY SERVING THE POLITICAL STRATEGIC PURPOSE OF DRAWING AND CONFUSING DONALD TRUMP WITH WHO HE'S RUNNING AGAINST. >> SHE MISSED AN OPPORTUNITY, THOUGH, AS WELL. SHE HAS A BACKGROUND AS A PROSECUTOR. YOU KNOW, THIS IS SOMETHING THAT APPEALS TO MOST AMERICANS. SOMEBODY WHO IS -- CAN BE TOUGH ON CRIME WHEN IT'S NECESSARY. IT'S SOMETHING SHE'S CHAMPIONED FOR A BIG PART OF HER CAREER. SHE DIDN'T SAY IT TONIGHT BECAUSE IT'S NOT POPULAR. THE DEMOCRATIC FACE. I DO THINK, YOU KNOW, WE CRITICIZE TRUMP FOR BEING DIVISIVE. SEE IT ALL THE TIME EVERYWHERE. PEOPLE CRITICIZE DONALD TRUMP FOR BEING DIVISIVE. SHE HAD AN OPPORTUNITY TONIGHT TO TALK ABOUT RACISM AND LAW ENFORCEMENT AND BRINGING AMERICANS TOGETHER. THESE EXCLUSIVE. WE CAN FIGHT RACISM, POLICE REFORMS BUT COPS AREN'T BAD PEOPLE. YOU KNOW, WE HAVEN'T SEEN A LOT OF -- WE HAVEN'T SEEN ANYTHING IN THIS DEMOCRATIC CONVENTION ABOUT POLICE OFFICER AND LAW ENFORCEMENT. >> THE ONE THING I WAS -- I GOT TO KNOW JOE BIDEN WHEN I WAS WORKING FOR PRESIDENT CLINTON WHEN HE WAS DOING THE VIOLENCE AGAINST WOMEN ACT. WE WORKED ON THAT TOGETHER JOINTLY. CAME OUT WHEN WE OPENED UP IN CHICAGO FIRST NEW DOMESTIC VIOLENCE SHELTER. I WAS SURPRISED GIVEN HOW MANY WOMEN WERE SPEAKING TODAY THAT HIS WORK ON THE VIOLENCE AGAINST WOMEN'S ACT WAS REALLY NOT CENTRAL TO THEIR VALIDATION OF HIS CANDIDACY GIVEN ALL THE WOMEN. I THINK IT WAS A MISSED OPPORTUNITY. IT WAS SO ESSENTIAL TO HIS RECORD. >> THAT SHOWS DIVISION IN THE PARTY. >> NO. >> THE PARTY -- >> I DON'T BUY THAT. >> THERE'S A LARGE SWATHS OF THIS PARTY THAT ARE NOW ANTI-LAW ENFORCEMENT AND IT IS VOGUE RIGHT NOW. IN LARGE PARTS OF THE DEMOCRATIC PARTY TO BE ANTI-LAW ENFORCEMENT. THEY BETTER BE CAREFUL ABOUT THAT BECAUSE IF THAT'S THE DIRECTION THEY GO IN, A LOT OF THOSE INDEPENDENT VOTERS WE'VE BEEN TALKING ABOUT TONIGHT, THEY BELIEVE IN POLICE REFORMS LIKE WE DID IN CAMDEN WHEN I WAS GOVERNOR, RAHM DID WHEN HE WAS MAYOR. THEY STILL SUPPORT THE MEN AND WOMEN IN UNIFORM IN THE MAIN AND IF THEY GET THEMSELVES OUT ON THAT TRACK, IT'S GOING TO GIVE TRUMP ANOTHER OPENING. >> I DISAGREE WITH ALL OF THAT. I MEAN, WE HAVE TO THINK ABOUT WHERE WE ARE IN COUNTRY TODAY. BIGGEST MULTIRACIAL GLOBAL MOVEMENT AROUND THE MURDER OF GEORGE FLOYD. MOMS, SUBURBAN PEOPLE, WHITE PEOPLE, BLACK PEOPLE, ALL OVER THE WORLD. WE'RE ALL TALKING ABOUT RACISM. HER STATEMENT WHERE SHE SAYS, "THERE IS NO VACCINE FOR RACISM, WE GOT TO DO THE WORK," WAS UP OF THE MOST UNIFYING STATEMENTS IN A TIME LIKE TODAY. SHE DOESN'T HAVE TO MENTION POLICE OFFICERS. SHE HAS TO MENTION GEORGE FLOYD AND BREONNA TAYLOR WHICH I BELIEVE MOST AMERICANS AGREE SHOULD NOT HAVE BEEN MURDERED BY THE POLICE THE WAY THAT THEY WERE. >> ALL AMERICANS -- >> SHE HAS -- JOE BIDEN'S RECORD OF VIOLENCE AGAINST WOMEN ACT. >> ALL NIGHT, UNFORTUNATELY, WE'RE OUT OF TIME. >> WE'RE STAYING. >> THANK YOU SO MUCH. THANK YOU FOR JOINING US. WE'LL SEE YOU RIGHT BACK HERE TOMORROW NIGHT STARTING AT 7:00 P.M. FOR COVERAGE OF THE FINAL NIGHT OF THE DIGITAL DNC CONVENTION. GOOD NIGHT.
{ "pile_set_name": "YoutubeSubtitles" }
The presidency of Thomas Jefferson began on March 4, 1801, when he was inaugurated as the third President of the United States, and ended on March 4, 1809. Jefferson assumed the office after defeating incumbent President John Adams in the 1800 presidential election. The election was a realigning election in which the Democratic-Republican Party swept the Federalist Party out of power, ushering in a generation of Democratic-Republican dominance in American politics. After serving two terms, Jefferson was succeeded by Secretary of State James Madison, also of the Democratic-Republican Party. Jefferson took office determined to roll back the Federalist program of the 1790s. His administration reduced taxes, government spending, and the national debt, and repealed the Alien and Sedition Acts. In foreign affairs, the major developments were the acquisition of the gigantic Louisiana Purchase from France in 1803, an embargo against trade with both Great Britain and France, and worsening relations with Britain as the United States tried to remain neutral in the midst of the Napoleonic Wars that engulfed Europe. He established a military academy, used the Navy to protect merchant ships from Barbary pirates in North Africa, and developed a plan to protect U.S. ports from foreign invasion by the use of small gunboats (a plan that proved useless when war came in 1812). He also authorized the Lewis and Clark expedition to explore the Louisiana Territory and the Pacific Northwest. During his second term, Jefferson's attention was focused on the trial of then former Vice President Burr for treason, which resulted in an acquittal, and on the issue of slavery, specifically the importation of slaves from abroad. In 1806, he denounced the international slave trade as a "violation of human rights" and called upon Congress to criminalize it. Congress responded by approving the Act Prohibiting Importation of Slaves the following year. Rising tensions between the United States and Britain dominated the final years of Jefferson's second term, as the Royal Navy began impressing sailors from American ships and attacking American shipping. Jefferson rejected war and instead used economic threats and embargoes that ultimately hurt the U.S. more than Britain. The disputes with Britain continued after Jefferson left office, eventually leading to the War of 1812. Jefferson, whose reputation has ebbed and flowed through the years, has been memorialized in numerous ways. He is, as a result of his contribution in shaping the nation's republican political philosophy, consistently ranked—in surveys of academic historians and political scientists or popular opinion—as one of the nation's most esteemed presidents. == Election of 1800 == Jefferson ran for president in the 1796 election as a Democratic-Republican, but finished second in the electoral vote to Federalist John Adams; under the rules then in place, Jefferson's second-place finish made him the Vice President of the United States. Jefferson strongly opposed the Federalist program, including the Alien and Sedition Acts, and the nation became increasingly polarized. Jefferson and Adams were once again the major presidential candidates of their respective parties in the 1800 presidential election, and Aaron Burr was the Democratic-Republican Party's vice presidential nominee. Adams's campaign was weakened by unpopular taxes and vicious Federalist infighting over his actions in the Quasi-War. The Democratic-Republicans accused the Federalists of being secret monarchists, while the Federalists charged that Jefferson was a godless libertine in thrall to the French.Under the election system in place at the time, the members of the Electoral College were permitted to vote for two names for president; any tie would be decided in a contingent election in the United States House of Representatives. Jefferson and Burr each received 73 electoral votes, while Adams finished in third place with 65 votes. The House of Representatives, still controlled by the Federalists, held a contingent election in February 1801 to decide whether Jefferson or Burr would accede to the presidency. Though some Federalists preferred Burr, Federalist leader Alexander Hamilton strongly preferred Jefferson. On the thirty-sixth ballot of the contingent election, enough Federalists congressmen abstained from the vote to allow Jefferson to win the presidency. Jefferson regarded his victory as "America's Second Revolution," and he hoped to transform the country by limiting government and weakening the power of elites. == Inauguration == Jefferson's first inauguration, on March 4, 1801, was the first to be held in the nation's new capital, Washington, D.C. That morning an artillery company on Capitol Hill had fired shots to welcome the daybreak, and in a first for a newspaper, Jefferson gave a copy of his speech to the National Intelligencer for it to be published and available right after delivery. He delivered a 1721 word speech in the United States Capitol's Senate Chamber. He was not a strong speaker, and the audience could barely catch his words, which called for national unity. The speech was widely reprinted and celebrated by Democratic-Republicans across the country as a clear statement of the party's principles. The presidential oath of office was administered by Chief Justice John Marshall. Outgoing President Adams had left the capital earlier that day, and did not attend the ceremony. == Administration == === Cabinet === By July 1801, Jefferson had assembled his cabinet, which consisted of Secretary of State James Madison, Secretary of the Treasury Albert Gallatin, Secretary of War, Henry Dearborn, Attorney General Levi Lincoln Sr., and Secretary of the Navy Robert Smith. After his decision to pursue the presidency in the contingent election, Burr was excluded from any role in the Jefferson administration. Jefferson sought to make collective decisions with his cabinet, and each member's opinion was elicited before Jefferson made major decisions. Gallatin and Madison were particularly influential within Jefferson's cabinet; they held the two most important cabinet positions and served as Jefferson's key lieutenants. === Patronage and the Federalists === When Adams took office in 1797, he carried many of outgoing President George Washington's supporters over into his new administration. As a result, there was little change in the federal government during the transition between Washington and Adams, the first presidential transition in U.S. history. With Jefferson's election in 1800, there was a transfer of power between parties, not simply a transition between presidents. As president, Jefferson had the power of appointment to fill many government positions that had long been held by Federalists. Jefferson resisted the calls of his fellow Democratic-Republicans to remove all Federalists from their appointed positions, but he felt that it was his right to replace the top government officials, including the cabinet. He also replaced any lower-ranking Federalist appointees who engaged in misconduct or partisan behavior. Jefferson's refusal to call for a complete replacement of federal appointees under a "spoils system" was followed by his successors until the election of Andrew Jackson in 1828. == Judiciary == In the final days of his presidency, Adams had appointed numerous federal judges to fill positions created by the Judiciary Act of 1801. Democratic-Republicans were outraged by the appointment of these "midnight judges," almost all of whom were Federalists. Jefferson and his allies sought to reverse the Judiciary Act of 1801, partly because they did not believe the new judicial positions were necessary, and partly to weaken Federalist influence on the courts. Federalists vehemently opposed this plan, arguing that Congress did not have the power to abolish judicial positions that were occupied. Despite these objections, the Democratic-Republicans passed the Judiciary Act of 1802, which largely restored the judicial structure that had prevailed prior to the Judiciary Act of 1801. The Jefferson administration also refused to deliver judicial commissions to some Adams appointees who had won Senate confirmation but had not yet formally taken office. One such appointee, William Marbury, sued Secretary of State Madison to compel him to deliver the judicial commissions. In the 1803 Supreme Court case of Marbury v. Madison, the court ruled against Marbury, but also established the precedent of judicial review, thereby strengthening the judicial branch.Still unhappy with Federalist power on the bench even after the passage of the Judiciary Act of 1802, the Democratic-Republicans impeached district court Judge John Pickering and Supreme Court Justice Samuel Chase. Federalist congressmen strongly opposed both impeachments, criticizing them as attacks on judicial independence. Pickering, who frequently presided over cases while drunk, was convicted by the Senate in 1804. However, the impeachment proceedings of Chase proved more difficult. While serving on the Supreme Court, Chase had frequently expressed his skepticism of democracy, predicting that the nation would "sink into mobocracy," but he had not shown himself to be incompetent in the same way that Pickering had. Several Democratic-Republican senators joined the Federalists in opposing Chase's removal, and Chase would remain on the court until his death in 1811. Though Federalists would never regain the political power they had held during the 1790s, the Marshall Court continued to reflect Federalist ideals until the 1830s.Jefferson appointed three people to the Supreme Court during his presidency. The first vacancy of Jefferson's presidency arose due to the resignation of Alfred Moore. Determined to appoint a Democratic-Republican from a state unrepresented on the Court, Jefferson selected William Johnson, a young attorney who had previously served as an appellate judge in South Carolina. After the death of William Paterson in 1806, Jefferson appointed Henry Brockholst Livingston, a justice of the New York Supreme Court. After Congress added another seat to the Supreme Court with the Seventh Circuit Act of 1807, Jefferson asked individual members of Congress for their recommendations on filling the vacancy. Though Representative George W. Campbell of Tennessee emerged as the most popular choice in Congress, Jefferson was unwilling to appoint a sitting member of Congress. Jefferson instead appointed Thomas Todd, another individual popular among members of Congress, and who served as the chief justice of the Kentucky Court of Appeals. Jefferson hoped that his appointments would weaken Chief Justice Marshall's influence on the Court, but, with the partial exception of Johnson, his Supreme Court appointments tended to support Marshall's decisions. Jefferson also appointed seven United States circuit court judges and nine United States district court judges. == Domestic affairs == === Jeffersonian democracy === After the American Revolution, many Federalists hoped that society would remain largely as it had been during the colonial era, but Jefferson wanted to upend the social order. He advocated a philosophy that historians would later call Jeffersonian democracy, which was marked by his belief in agrarianism and strict limits on the national government. In a world in which few believed in democracy or egalitarianism, Jefferson's belief in political equality for white men stood out from many of the other Founding Fathers of the United States, who continued to believe that the rich and powerful should lead society. Under pressure from Jeffersonian Republicans, states achieved universal white manhood suffrage by eliminating property requirements. Expanding suffrage and the mobilization of ordinary people ensured that individuals outside of the elite class had the opportunity to become government officials, especially in the North. Prior to the 1790s, campaigning was considered an interference on each citizen's right to think and vote independently. Without competition for office, voter turnouts were often low, sometimes fewer than 5 percent of eligible men. With the rise of the two-party system, many regions saw voter participation rise to approximately 20 percent in the 1790s and to 80 percent during Jefferson's presidency. Wood writes, "by the standards of the early nineteenth century America possessed the most popular electoral politics in the world."The egalitarianism of the age extended beyond voting rights, as the practice of indentured servitude declined and traditional hierarchies in employment and education were challenged. In a reflection of his own belief in egalitarianism, Jefferson broke with many of the precedents set by Adams and Washington. Jefferson accepted visitors without regard to social status, discontinued the practice of delivering speeches to Congress in person, and enforced a less formal protocol at White House events.In reaction to the expansion of the franchise, even Federalists began to adopt partisan techniques, such as party organization, newspapers, and the establishment of auxiliary societies. The Federalists peacefully accepted the transfer of power to the Democratic-Republicans in 1800, but most party leaders hoped that it would be just a temporary anomaly. Many Federalists continued to serve in state or local office, though prominent Federalists like John Jay and Charles Cotesworth Pinckney retired from public life. Reflecting the fears of other ambitious young Federalists, John Quincy Adams wrote that the Federalist Party had been "completely and irrevocably abandoned....it never can and never will be revived." As Jefferson's presidency continued, Adams's prediction proved accurate, and the Federalists struggled to compete outside of New England. === Fiscal policy === Much of Jefferson's early agenda focused on undoing the Federalist program of the 1790s. Upon taking office, he repealed the remaining provisions of the Alien and Sedition Acts and pardoned all ten individuals who had been prosecuted under the acts. He also began dismantling Hamilton's fiscal system with help from Secretary of the Treasury Gallatin. Jefferson's administration eliminated the whiskey excise and other taxes after closing "unnecessary offices" and cutting "useless establishments and expenses". After the repeal of these taxes, over 90 percent of federal revenue came from import duties. Despite Jefferson's earlier opposition to the national bank, Gallatin persuaded Jefferson to retain the First Bank of the United States. With the repeal of the Federalist program, many Americans had little contact with the federal government, with the exception of the postal service.Jefferson's ultimate goal was to abolish the national debt, which he believed to be inherently dangerous and immoral. Though Gallatin and Jefferson did not find as much Federalist governmental waste as they had expected, their fiscal cuts and the benign economic conditions that persisted for much of Jefferson's presidency allowed them to run budget surpluses. Jefferson shrank the army and the navy, deeming them largely unnecessary in peacetime. He transformed the navy into a fleet consisting of inexpensive gunboats used only for defense, with the idea that they would not provoke foreign hostilities. His administration discharged numerous soldiers, leaving the army with 3,350 officers and enlisted men. At the end of his two terms, Jefferson had lowered the national debt from $83 million to $57 million. In 1806, believing that the country would soon abolish its national debt, Jefferson proposed enlarging the army and passing a constitutional amendment to explicitly allow Congress to spend funds on internal improvements and education, but these proposals were not acted on by Congress. That same year, Congress authorized the construction of the National Road, a route designed to connect the East Coast to St. Louis, although construction on the road did not begin until 1811. === Yazoo controversy === In the early 1800s, much of the American frontier was subject to the competing claims of settlers, land speculators, and Native Americans. The Yazoo lands of western Georgia were no exception, and they emerged as point of major tension during Jefferson's administration. In what became known as the Yazoo land scandal, Georgia had engaged in a massive real estate fraud by selling large tracts of Yazoo land before passing a law retroactively invalidating the grants. With the Compact of 1802, the federal government purchased western Georgia (now the states of Alabama and Mississippi), agreed to seek to extinguish all Native American claims in the region, and also agreed to settle all claims against the land from those who had been defrauded in the scandal. In 1804, Jefferson sought to compensate those defrauded in the Yazoo land scandal by giving them some of the lands acquired in the compact, but Congressman John Randolph successfully mobilized opposition to the proposal, castigating it as a giveaway to land speculators. The incident marked the start of a factionalism within the Democratic-Republican Party that would prove problematic for Jefferson and his successors, as Randolph's "tertium quids" freely criticized presidents of their own party. Controversy over the Yazoo lands would continue until 1814, when Congress finally agreed to compensate the claimants. === Lewis and Clark and other expeditions === Even before the 1803 purchase of the Louisiana Territory, Jefferson had begun planning for an expedition to the lands west of the Mississippi River. Jefferson considered it important for the United States to establish a claim of "discovery" to Oregon Country by documenting and establishing an American presence there before Europeans could establish strong claims. Jefferson also hoped the expedition would discover the long-sought-for Northwest Passage to the Pacific Ocean, which would greatly promote commerce and trade for the country. In 1804, he appointed his personal secretary Meriwether Lewis, along with William Clark, as the leaders of a western expedition, dubbing it the Corps of Discovery. Jefferson chose Lewis to lead the expedition rather than someone with only the best scientific credentials because of Lewis' military experience in the woods and "familiarity with the Indian manners and character." Jefferson possessed the largest collection of books in the world on the subject of the geography and natural history of the North American continent, and before the expedition he tutored Lewis in the sciences of mapping, botany, natural history, mineralogy, astronomy, and navigation. In May 1804, the Corps of Discovery, consisting of about 40 men, departed from St. Louis and traveled up the Missouri River. Guided by Sacagawea and various Native American tribes along the way, the expedition, traveling on the Columbia River, reached the Pacific Ocean by November 1805. After the winter thaw the expedition began their return trip on March 22, 1806, and returned to St. Louis on September 23 that year, adding a wealth of scientific and geographical knowledge of the vast territory, along with knowledge of the many Indian tribes. Two months after the expedition's end, Jefferson made his first public statement to Congress giving a one sentence summary about its success before asserting the justification for the expenses involved. The American Philosophical Society ultimately became the repository for many of the expedition's findings, including seeds, fossils, plant, and other specimens. In 1808, businessman John Jacob Astor established a transcontinental fur trading company, and in 1811 his company established Fort Astoria, the first American settlement on the Pacific Coast.In addition to the Corps of Discovery, Jefferson organized other western exploration expeditions, some of which traveled through Spanish territory. William Dunbar and George Hunter led an expedition on the Ouachita River, Thomas Freeman and Peter Custis led the Red River Expedition, and Zebulon Pike led the Pike Expedition into the Rocky Mountains and the Southwest. All of the exploration expeditions sent out under Jefferson's presidency produced valuable information about the American frontier. === National military academy === Jefferson strongly felt the need for a national military university that could produce a competent officer engineering corps that would not have to rely on foreign sources for top grade engineers. An academy would also help to replace many of the Federalist officers who Jefferson dismissed when he took office. Jefferson signed the Military Peace Establishment Act on March 16, 1802, thus founding the United States Military Academy at West Point. The Act documented in 29 sections a new set of laws and limits for the military. === Twelfth amendment === In reaction to the Electoral College tie between Jefferson and Burr in 1800, Congress approved an amendment to the United States Constitution providing a new procedure for electing the president and vice president, and submitted it to the state legislatures for ratification in December 1803. The Twelfth Amendment was ratified by the requisite number of states (then 13) to become part of the Constitution in June 1804. === Admission of Ohio === One new state, Ohio, was admitted to the Union while Jefferson was in office. The exact date upon which Ohio became a state is unclear. On April 30, 1802 the 7th Congress had passed an act "authorizing the inhabitants of Ohio to form a Constitution and state government, and admission of Ohio into the Union." On February 19, 1803 the same Congress passed an act "providing for the execution of the laws of the United States in the State of Ohio." Neither act, however, set a formal date of statehood. An official statehood date for Ohio was not set until 1953, when the 83rd Congress passed a Joint resolution "for admitting the State of Ohio into the Union", which designated March 1, 1803, as that date. It was the first state created from the Northwest Territory. == Foreign affairs == === Barbary War === For decades prior to Jefferson's accession to office, the Barbary Coast pirates of North Africa had been capturing American merchant ships, pillaging valuable cargoes and enslaving crew members, demanding huge ransoms for their release. Before independence, American merchant ships were protected from the Barbary pirates by the naval and diplomatic influence of Great Britain, but that protection came to end after the colonies won their independence. In 1794, in reaction to the attacks, Congress had passed a law to authorize the payment of tribute to the Barbary States. At the same time, Congress passed the Naval Act of 1794, which initiated construction on six frigates that became the foundation of the United States Navy. By the end of the 1790s, the United States had concluded treaties with all of the Barbary States, but weeks before Jefferson took office Tripoli began attacking American merchant ships in an attempt to extract further tribute.Jefferson was reluctant to become involved in any kind of international conflict, but he believed that force would best deter the Barbary States from demanding further tribute. He ordered the U.S. Navy into the Mediterranean Sea to defend against the Barbary Pirates, beginning the First Barbary War. The administration's initial efforts were largely ineffective, and in 1803 the frigate USS Philadelphia was captured by Tripoli. In February 1804, Lieutenant Stephen Decatur led a successful raid on Tripoli's harbor that burned the Philadelphia, making Decatur a national hero. Jefferson and the young American navy forced Tunis and Algiers into breaking their alliance with Tripoli which ultimately moved it out of the war. Jefferson also ordered five separate naval bombardments of Tripoli, which restored peace in the Mediterranean for a while, although Jefferson continued to pay the remaining Barbary States until the end of his presidency. === Louisiana Purchase === Jefferson believed that western expansion played an important role in furthering his vision of a republic of yeoman farmers. By the time Jefferson took office, Americans had settled as far west as the Mississippi River, though vast pockets of land remained vacant or inhabited only by Native Americans. Many in the United States, particularly those in the west, favored further territorial expansion, and especially hoped to annex the Spanish province of Louisiana. Jefferson believed that weak Spanish rule in the region made it just a matter of time until the United States gained control of the region, so long as the British did not seize the Spanish territories. U.S. expansionary hopes were temporarily dashed when Napoleon pressured Spain to transfer the province to France in the 1801 Treaty of Aranjuez. Though French pressure played a role in the conclusion of the treaty, the Spanish also believed that French control of Louisiana would help protect New Spain from American expansion. Napoleon's dreams of a re-established French colonial empire in North America threatened to reignite the tensions of the recently concluded Quasi-War, but the continued insurrection in Saint-Domingue and renewed hostilities between France and Britain eventually convinced Napoleon to relinquish his imperial plans in North America.In 1802, Jefferson sent James Monroe and Robert Livingston to Paris in hopes of purchasing the city of New Orleans and adjacent coastal areas. To the surprise of the American delegation, Napoleon offered to sell the entire territory for $15 million. Most contemporaries thought that this was an exceptional opportunity, apart from any constitutional reservations. Secretary of State James Madison gave his assurances that the purchase was well within even the strictest interpretation of the Constitution, the Senate quickly ratified the treaty, and the House immediately authorized funding. The purchase, concluded in December 1803, marked the end of French ambitions in North America and ensured American control of the Mississippi River. The purchase nearly doubled the size of the United States, and Treasury Secretary Gallatin was forced to borrow from foreign banks to finance the payment to France. Though the Louisiana Purchase was widely popular, some Federalists criticized it; Congressman Fisher Ames argued that "we are to spend money of which he have too little for land of which we already have too much." The === Burr conspiracy === Having been dropped from the 1804 Democratic-Republican ticket, Burr ran for the position of Governor of New York in an April 1804 election. Following his defeat in that election, Burr challenged Federalist Party leader Alexander Hamilton, whom he accused of having made defamatory remarks, to a duel. On July 11, 1804, Burr mortally wounded Hamilton in a duel at Weehawken, New Jersey. Hamilton had been a key factor in Burr's defeat in running in the 1804 New York gubernatorial election. Hamilton had made callous remarks regarding Burr. Believing his honor had been offended, Burr had challenged Hamilton to a duel in which Hamilton was mortally wounded. Burr was indicted for Hamilton's murder in New York and New Jersey causing him to flee to Georgia, although he remained President of the Senate during Supreme Court Justice Samuel Chase's impeachment trial. The two Burr indictments were "quietly allowed to die".After Aaron Burr was disgraced in the duel of 1804 and his own presidential ambitions were ended, he was reported by the British ambassador as wanting to "effect a separation of the western part of the United States [at the Appalachian Mountains]". Jefferson believed that to be so by November 1806, because Burr had been rumored to be variously plotting with some western states to secede for an independent empire, or to raise a filibuster to conquer Mexico. At the very least, there were reports of Burr's recruiting men, stocking arms, and building boats. New Orleans seemed especially vulnerable, but at some point, the American general there, James Wilkinson, a double agent for the Spanish, decided to turn on Burr. Jefferson issued a proclamation warning that there were U.S. citizens illegally plotting to take over Spanish holdings. Though Burr was nationally discredited, Jefferson feared for the very Union. In a report to Congress January 1807, Jefferson declared Burr's guilt "placed beyond question". By March 1807, Burr was arrested in New Orleans and placed on trial for treason in Richmond, Virginia, with Chief Justice John Marshall presiding. On June 13, Jefferson was subpoenaed by Burr to release documents that favored Burr's defense. Jefferson stated he had no loyalty to Burr and only released a few documents Burr had requested having invoked executive privilege. Jefferson refused to appear at Burr's trial. The weak government case led to Burr's acquittal, but with his reputation ruined he was never able to mount another adventure. Burr later died on his Staten Island residence in October 1836. === Florida and Haiti === After early 1802, when he learned that Napoleon intended to regain a foothold in Saint-Domingue and Louisiana, Jefferson proclaimed neutrality in relation to the Haitian Revolution. The U.S. allowed war contraband to "continue to flow to the blacks through usual U.S. merchant channels and the administration would refuse all French requests for assistance, credits, or loans." When Jefferson's concerns related to the balance of power in the Caribbean, the "geopolitical and commercial implications" of Napoleon's plans outweighed his fears of a slave-led nation. After the rebels in Saint-Domingue proclaimed independence from France in the new republic of Haiti in 1804, Jefferson refused to recognize Haiti as the second independent republic in the Americas. In part he hoped to win Napoleon's support over the acquisition of Florida. American slaveholders had been frightened and horrified by the slave massacres of the planter class during the rebellion and after, and a southern-dominated Congress was "hostile to Haiti." They feared its success would encourage slave revolt in the American South. Historian Tim Matthewson notes that Jefferson "acquiesced in southern policy, the embargo of trade and nonrecognition, the defense of slavery internally and the denigration of Haiti abroad." According to the historian George Herring, "the Florida diplomacy reveals him [Jefferson] at his worst. His lust for land trumped his concern for principle." Jefferson's non-recognition of Haiti did little to advance his goal of acquiring East Florida and West Florida, which remained under the control of Spain. Jefferson argued that the Louisiana Purchase had extended as far west as the Rio Grande River, and had included West Florida as far east as the Perdido River. He hoped to use that claim, along with French pressure, to force Spain to sell both West Florida and East Florida. In 1806, he won congressional approval of a $2 million appropriation to obtain the Floridas; eager expansionists also contemplated authorizing the president to acquire Canada, by force if necessary. In this case, unlike that of the Louisiana Territory, the dynamics of European politics worked against Jefferson. Napoleon had played Washington against Madrid to see what he could get, but by 1805 Spain was his ally. Spain had no desire to cede Florida, which was part of its leverage against an expanding United States. Revelations of the bribe which Jefferson offered to France over the matter provoked outrage and weakened Jefferson's hand, and he subsequently gave up on Florida. === Native American relations === In keeping with his Enlightenment thinking, President Jefferson adopted an assimilation policy towards American Indians known as his "civilization program" which included securing peaceful U.S. – Indian treaty alliances and encouraging agriculture. Jefferson advocated that Indian tribes should make federal purchases by credit holding their lands as collateral for repayment. Various tribes accepted Jefferson's policies, including the Shawnees led by Black Hoof and the Creek. However, Jefferson dreamed of a transcontinental nation, and he became increasingly skeptical of assimilation efforts. As his presidency continued, Jefferson prioritized white settlement of the western territories over peaceful assimilation.When Jefferson assumed power, the Shawnee leader Tecumseh and his brother Tenskwatawa were leading raids against American settlements in the Ohio Valley, with munitions provided by British traders in Canada. Attempting to form a confederation of Indian people in the Northwest Territory, the two brothers would be a continual source of irritation to westward settlers. The Indian Nations followed Tenskwatawa (the Shawnee Prophet and the brother of Tecumseh) who had a vision of purifying his society by expelling the "children of the Evil Spirit" (the American settlers). The success of the Indians gave Britain hope that it could create an Indian satellite nation in parts of the American territory. The raids became a major cause of the later War of 1812. === Slave trade === In the 1790s, many anti-slavery leaders had come to believe that the institution of slavery would become extinct in the United States in the foreseeable future. These hopes lay in part on the enthusiasm for the abolition of slavery in the North, and in the decline of the importation of slaves throughout the South. The Constitution had included a provision preventing Congress from enacting a law banning the importation of slaves until 1808. In the years before Jefferson took office, the growing fear of slave rebellions led to diminished enthusiasm in the South for the abolition of slavery, and many states began to enact Black Codes designed to restrict the behavior of free blacks. During his presidential term, Jefferson was disappointed that the younger generation was making no move to abolish slavery; he largely avoided the issue until 1806. He did succeed in convincing Congress to block the foreign importation of slaves into the newly purchased Louisiana Territory.Seeing that in 1808 the twenty-year constitutional ban on ending the international slave trade would expire, in December 1806 in his presidential message to Congress, he called for a law to ban it. He denounced the trade as "violations of human rights which have been so long continued on the unoffending inhabitants of Africa, in which the morality, the reputation, and the best interests of our country have long been eager to proscribe." Jefferson signed the new law and the international trade became illegal in January 1808. The legal trade had averaged 14,000 slaves a year; illegal smuggling at the rate of about 1000 slaves a year continued for decades. "The two major achievements of Jefferson's presidency were the Louisiana Purchase and the abolition of the slave trade," according to historian John Chester Miller. === Relations with European Powers and the Embargo Act === American trade boomed after the outbreak of the French Revolutionary Wars in the early 1790s, in large part because American shipping was allowed to act as neutral carriers with European powers. Though the British sought to restrict trade with the French, they had largely tolerated U.S. trade with mainland France and French colonies after the signing of the Jay Treaty in 1794. Jefferson favored a policy of neutrality in the European wars, and was strongly committed the principle of freedom of navigation for neutral vessels, including American ships. Early in his tenure, Jefferson was able to maintain cordial relations with both France and Britain, but relations with Britain deteriorated after 1805. Needing sailors, the British Royal Navy seized hundreds of American ships and impressed 6,000 sailors from them, angering Americans. The British began to enforce a blockade of Europe, ending their policy of tolerance towards American shipping. Though the British returned many seized American goods that had not been intended for French ports, the British blockade badly affected American commerce and provoked immense anger throughout the nation. Aside from commercial concerns, Americans were outraged by what they saw an attack on national honor. In response to the attacks, Jefferson recommended an expansion of the navy, and Congress passed the Non-importation Act, which restricted many, but not all, British imports.To restore peaceful relations with Britain, Monroe negotiated the Monroe–Pinkney Treaty, which would have represented an extension of the Jay Treaty. Jefferson had never favored the Jay Treaty, which had prevented the United States from implementing economic sanctions on Britain, and he rejected the Monroe–Pinkney Treaty. Tensions with Britain heightened due to the Chesapeake–Leopard affair, a June 1807 naval confrontation between an American ship and a British ship that ended in the death or impressment of several American sailors. Beginning with the Napoleon's December 1807 Milan Decree, the French began to seize ships trading with the British, leaving American shipping vulnerable to attacks by both of the major naval powers. In response to attacks on American shipping, Congress passed the Embargo Act in 1807, which was designed to force Britain and France into respecting U.S. neutrality by cutting off all American shipping to Britain or France. Almost immediately the Americans began to turn to smuggling in order to ship goods to Europe. Defying his own limited government principles, Jefferson used the military to enforce the embargo. Imports and exports fell immensely, and the embargo proved to be especially unpopular in New England. In March 1809, Congress replaced the embargo with the Non-Intercourse Act, which allowed trade with nations aside from Britain and France.Most historians consider Jefferson's embargo to have been ineffective and harmful to American interests. Even the top officials of the Jefferson administration viewed the embargo as a flawed policy, but they saw it as preferable to war. Appleby describes the strategy as Jefferson's "least effective policy", and Joseph Ellis calls it "an unadulterated calamity". Others, however, portray it as an innovative, nonviolent measure which aided France in its war with Britain while preserving American neutrality. Jefferson believed that the failure of the embargo was due to selfish traders and merchants showing a lack of "republican virtue." He maintained that, had the embargo been widely observed, it would have avoided war in 1812. == Election of 1804 == Like both of his predecessors, Jefferson ran for a second term. The election of 1804 was the first to be held after the ratification of the Twelfth Amendment, which instituted the current electoral system in which separate electoral votes are cast for the presidency and vice presidency. With Burr having little chance at re-nomination, the party's congressional nominating caucus chose Governor George Clinton of New York as Jefferson's running mate. The Federalists nominated Charles Cotesworth Pinckney for president and Rufus King for vice president. The Federalists made attacks on Jefferson's alleged atheism, his support for democratization, and his affair with Sally Hemings the centerpiece of their campaign, arguing that Jefferson's affair with an enslaved woman was hypocritical given his continuing support for slavery. The Democratic-Republicans enjoyed a marked advantage in party organization, while the Federalists and their ethos of government-by-the-elite were becoming increasingly unpopular. Jefferson won every state except for Connecticut and Delaware, taking 162 of the 174 electoral votes. == Election of 1808 == Jefferson, who believed that incumbents should not serve indefinitely, followed the two-term tradition precedent established by Washington, and declined to seek a third term. Instead, he endorsed his advisor and friend James Madison for the presidency. Jefferson's assertive foreign policy created intra-party criticism from the tertium quids, led by Randolph. Randolph and other powerful Democratic-Republican leaders opposed to Madison, including Samuel Smith and William Duane, rallied around the potential candidacy of James Monroe. Additionally, Vice President Clinton, who had accepted the vice presidential nomination again, announced his own candidacy for President. It took all of Jefferson's prestige and charm to convince dissident Democratic-Republicans not to bolt from the party out of disdain for Madison. In the end, Madison, headed off the intra-party challenges and defeated Federalist nominee Charles Cotesworth Pinckney, winning 122 of the 176 electoral votes in the 1808 election. == Historical reputation == Meacham opines that Jefferson was the most influential figure of the democratic republic in its first half century, succeeded by presidential adherents James Madison, James Monroe, Andrew Jackson, and Martin Van Buren. Jefferson's reputation declined during the Civil War due to his support of states' rights. In the late 19th century, his legacy was widely criticized; conservatives felt his democratic philosophy had led to that era's populist movement, while Progressives sought a more activist federal government than Jefferson's philosophy allowed. Both groups saw Hamilton as vindicated by history, rather than Jefferson, and President Woodrow Wilson even described Jefferson as "though a great man, not a great American".In the 1930s, Jefferson was held in higher esteem; President Franklin D. Roosevelt and New Deal Democrats celebrated his struggles for "the common man" and reclaimed him as their party's founder. Jefferson became a symbol of American democracy in the incipient Cold War, and the 1940s and '50s saw the zenith of his popular reputation. Following the civil rights movement of the 1950s and '60s, Jefferson's slaveholding came under new scrutiny, particularly after DNA testing in the late 1990s supported allegations he had a relationship with Sally Hemings. Noting the huge output of scholarly books on Jefferson in recent years, historian Gordon Wood summarizes the raging debates about Jefferson's stature: "Although many historians and others are embarrassed about his contradictions and have sought to knock him off the democratic pedestal ... his position, though shaky, still seems secure."Polls of historians and political scientists generally rank Jefferson as one of the best presidents, often just outside the top three. The Siena Research Institute poll of presidential scholars, begun in 1982, has consistently ranked Jefferson as one of the five best U.S. presidents, and a 2015 Brookings Institution poll of the American Political Science Association members ranked him as the fifth greatest president. Though historians tend to think highly of Jefferson's overall performance as president, a 2006 poll of historians ranked the Embargo Act of 1807 as the seventh-worst mistake made by a sitting president
{ "pile_set_name": "YoutubeSubtitles" }
Om engineering works keshod Contact number : +918866030560/+918200063796
{ "pile_set_name": "YoutubeSubtitles" }