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hello everybody welcome to my youtube
channel
in this video i will be talking about
how i scored a 525
on the mcat which is 100th percentile
in three months of course watching this
video won't
magically get you to a 520 but
i thought it might be useful to share
some of the resources i used
and just some general tips when
preparing for the mcat
first for some background info i'm going
into my third year pursuing a bachelor's
of science in anatomy and cell biology
and i took my mcat exam on july 31st at
12 15
pm so before starting my mcat prep i
already took science courses like
physics and organic chemistry and i also
have ap chem and ap
bio credits from high school so keep
this in mind when you are making
a schedule because you might come from a
different academic background and you
will have to focus on different topics
than i did
starting in may i spent around six weeks
on content review using the kaplan books
because i believe that a good content
base is necessary
if you really want that high score on
the mcat
some people might say that just doing a
bunch of practice questions will also
get you there but
i personally prefer to build my test
taking skills on top of a strong
content base every day i would go
through three chapters of different
subjects for example
one day i might do chapter 7 of
behavioral sciences
physics and organic chemistry and the
next day
i will do chapter 7 of biochemistry
general chemistry and biology
i also read over the cars book but
i didn't think their tips were too
useful for me
i do know some people who would just
focus on one subject at a time
but i personally chose this type of a
schedule because
i was scared i would start forgetting
once i pick up a new book
when going through the chapter i would
usually try to read through it
twice during my first run-through
i would read while highlighting key
terms focusing on really
understanding the concepts and problems
presented in the book
during my second read i would only take
notes on the highlighted portions to
stop myself from being too obsessed with
the little details
my notes are not aesthetic at all
and i actually never went back to them
however
writing down the key points of the
chapter really helps me with
memorization
and i have been doing this throughout
university as well
when i'm done i would do the discrete
questions at the end of the chapter to
make sure i actually understood what i
just learned
i usually score around 13 to 15 out of
15
on these questions but sometimes they
would ask some very
random details so i wouldn't be too
worried about your scores for these
around three weeks in i did the first
kaplan exam to
kind of build my stamina and to see
where i was at
and i received 508 i thought this was a
pretty good score considering that i was
only halfway through my content review
i also bought a UWorld subscription
around this time
so i would sprinkle in some practice
questions between the content review
as for cars i mainly use daily jack
westin passages to work on my timing
and to make me feel better for
practicing cars
when i was done with content review i
shifted my focus over to uworld for the
next two weeks
even though uworld is pretty pricey
i would still recommend it for practice
problems if you can afford it
for my schedule i would do around 170 to
200 questions each day
because i wanted to reserve my last
month for aamc material only
i did all the questions on tutor mode
and i reviewed my answers right after
i made sure that i fully understood the
explanations and the mistakes i made
before moving on to the next question
i also did all the uworld cars questions
although i didn't think they were too
useful for me
however if you need the cars practice
and have the time i would say
go for it during this time i also
finished
the rest of the kaplan exams and i
scored a 516
516 and a 513. i think the Kaplan
exams are definitely hard
but they're also really good for content
review and to make sure that you know
those little details
finally for my last month i stopped all
third party material and focused only
on the aamc online bundle i first
did the official guide and the flash
cards
to kind of ease my way into aamc
i then moved on to the question packs
while leaving the section banks for last
because those are the hardest questions
one tip i would suggest during this time
is to really
really plan out your cars schedule and to
space out those two
question packs because those are the
most valuable resources for cars
why am i saying this well i finished all
the cars questions in two weeks
so for my last two weeks other than the
full-length exams i had
absolutely no cars practice because i
also didn't want to use
third-party cars in case it messes with
my logic
i also did all of the aamc full length
exams
so around 1 per week in the order sample
and then fl 1 to 4. i made sure to do
these in test-like conditions and at
the same time of my actual exam
so starting at 12:15 and only taking 10
minute breaks
i did not shorten the exams because i
wanted to build up my stamina
but i always made sure i finished 48
questions within the shortened time
frame
my scores for fl's 1 to 4 were
520 523 524
and 523 my subsection scores were always
relatively stable except for cars
which range from 127 to 130.
as you can probably tell i'm not a huge
fan of cars
even though your last month should be
focused on practice
you still need to review content areas
that you are unfamiliar with
for example i watched some khan academy
videos to help me understand
some topics i was having troubles with
for
my last month i also wanted to boost my
p/s
score so i used the 86 page khan academy
document
and i also downloaded some pre-made anki
decks
from reddit for some extra content
review however
it is important for you to identify your
own weaknesses and to tailor your
schedule to match your needs
so you are able to improve the most
during your mcat prep
my last tip for you is to really really
be confident in yourself
walking into that exam i think not being
nervous
and telling myself oh it's okay we can
always do it again
really helped me reach my full potential
on test day
trust that you have prepared well and
just try your best
the mcat is a hard exam and i think
just having the courage to push yourself
is already extremely admirable
and that concludes how i studied for the
mcat exam
if you have any questions feel free to
comment down below
and please subscribe if you would like
to see more content like this
see you next time bye it's like ending
a zoom meeting
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uh hi
i just wanna say
happy borphday
LILYYYYYYYYYYYYYYYYYYYYYYY
oki bai
| {
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well i have some good news and some bad
news
but we'll start out with the good news
first for those of you who aren't up to
date last week i made a video debunking
q anon covid conspiracies
a channel by the name of destroying the
illusion has over 35
000 views on a video where he's actively
telling people
to not wear masks and he's also
an anti-vaxxer within days of putting
out the right information
youtube took down my video and gave my
channel a warning
which leads to a channel strike the
offense you may ask
impersonation and when i appealed it the
appeal
was rejected so basically they're saying
that they upheld their decision that i
am impersonating myself
now you're probably asking where's the
good news chris
well recently i feel like i've been
screaming into the void with nobody
listening
but the other night the community came
out to help it was truly a beautiful
thing
i've seen creators that don't
necessarily always get along
but at this time they all came together
to help dispute the faulty youtube
system
as many of you know markiplier and most
critical had their videos reversed
but i don't have a combined 30 million
subscribers like they do
so the first glimpse of hope came from
some ordinary gamers
when he retweeted my tweet about what
happened
next other big creators joined in like
atozy
and destiny big accounts on twitter like
comment comp
also retweeted it and i also received
support from creators like john swan
and nicholas diorio most notably shannon
from the channel
creepshow art made an entire video about
the situation
for those of you who don't know about
the history between shannon and i
i truly have a ton of respect for her
for speaking up about this
issue that affects all of us and no i
don't just mean that it affects
us creators we're talking about q anon a
group who is giving
dangerous advice amidst a global
pandemic
all of us who are practicing social
distancing and wearing masks
are hoping for this pandemic to end
sometime soon
but people like destroying the illusion
are telling people to do things
that can continue to spread the virus as
i write this the united states has over
6.3
million confirmed cases and we're
closing in
on 200 000 total deaths right now
my son and millions of other kids
are having to adapt to doing school from
home due to the spread of this
potentially fatal virus
so the good news is that the community
came together the other night
but what's the bad news the bad news is
that not only
is my video still down but i just found
out another creator by the name of
thunderfoot
had his video taken down as well
thunderf00t has almost
1 million subscribers and he also
debunks conspiracies
he's a lot smarter than me and his video
diving into the science of why these
code
conspiracies are wrong was taken down
meanwhile the video from destroying the
illusion is still
up and that's why we need the help of dr
mike
now i'll explain why i'm encouraging all
of you to use
help us dr mike on twitter
so i've known about dr mike for quite
some time but i never really watched him
i figured he was just some doctor who
also happened to be
extremely attractive and that was the
only reason he was so popular
but one day i watched some of his videos
talking about the links between mental
and physical health he explained the
importance of doctors being trained to
discuss depression anxiety
and mental illnesses with patients to
make sure they're diagnosing the right
problems
he also encourages doctors to refer
people to mental health professionals
but they first need to recognize the
signs and symptoms
of mental health issues then to learn
more about what dr mike was about i
watched his ted talk that was titled
the epidemic of the i know all expert
in the talk he discusses how even
experts need to humble themselves
and admit when they don't have all the
answers this is an important message for
all of us because we should all continue
learning throughout the entirety of our
lives
finally dr mike sealed the deal for me
in june of 2019
when he releases video titled three
books that will dramatically improve
your life
in this video he recommended two of my
now favorite books
the cuddling of the american mind by
jonathan height and thinking in bets by
annie duke
he was absolutely right too these books
absolutely
improved my life fast forward to early
2020 when the news of kova began to
spread
as someone who has a generalized anxiety
disorder i needed to make sure
i wasn't freaking out too much but i
also needed to make sure that i was
freaking out the right amount
to stay safe i'm an overweight smoker
and even though i'm
eight years sober my former drug
addiction led to congestive heart
failure
so i'm someone who wouldn't do too well
if i got infected
from day one dr mike has been covering
the latest news and
updates about kovid and his motto has
been
and i feel like we're approaching these
stories with a lot of irrationality
a lot of panic remember my mantra from
the beginning of covet 19 has been stay
alert not
anxious with so many mainstream news
outlets sensationalizing headlines to
get clicks
dr mike has been my go-to resource for
all kovid news and updates
whenever the world health organization
or cdc makes updates i wait to hear what
dr mike has to say
because sometimes these organizations
have given really confusing information
and as many of you know donald trump has
been at war with dr
falchi throughout this entire pandemic
and dr mike was able to speak to dr
fauci a couple months ago
to help spread the correct information
although dr mike has over 6 million
subscribers he's only one person
there are much smaller creators like
myself trying to do our part
to help debunk misinformation about this
virus
not long ago remember people were
burning down
5g cell phone towers due to the
conspiracy theory
that these towers were spreading the
virus dr mike
only has the bandwidth to make one or
two videos a week
so we need more small creators to be
able to
debunk this information the channel
thunderfoot that i mentioned earlier in
this video has close to a million
subscribers
but his recent video debunking kovic
conspiracies
was also wrongfully taken down now i
want to make it very clear that i think
the topic of free speech is a tricky one
and i don't want to get into the debate
about whether or not
q anon should be able to post their
videos but we're running into a major
issue when their videos are allowed to
remain up while videos like those from
myself and thunderfoot are taken down
so what can we do as a community
personally i want to give youtube the
benefit of the doubt
as markiplier discussed in his video
many of us are well aware that youtube
receives so much
content that is virtually impossible to
manually check
each video but something needs to be
done when videos debunking covet
conspiracies
are wrongfully taken down especially
when youtube manually rejects an appeal
for quote unquote impersonation and then
responds on twitter by saying
we review appeals very carefully if
yours is rejected there's nothing more
we can do
thanks for understanding and yes this is
actually a reply that team
youtube gave to me on twitter and this
is why we need the help of creators like
dr mike this week we just saw what
happened
when two creators with a combined 30
million subscribers
made some noise they made so much noise
that arguably the biggest independent
news channel on youtube
covered it thursday philip defranco
covered the story of what happened with
markiplier
and most critical and in it he said this
what followed is you had mark and
critical both saying they appreciated
the reversal critical adding that he
hopes we can all have more open dialogue
about issues like this in the future
also uploading another video to youtube
recapping everything that happened
thanking everyone for their support
still there were a number of people
concerned by this whole ordeal you know
because while things worked out for
these very large creators you also have
people noting that smaller creators
don't usually get this type of
resolution they don't have the voice the
ability the contacts
i will say i'm very happy that
everything got resolved here but i
understand why this receives so much
attention and outrage and we can all
hope that this situation sparked change
within youtube that they're more aware
of these issues but what i'll say as a
creator on this platform for 14 years
now
i do have doubts i am hopeful but i have
doubts that's because during that time
span the only thing that i've seen
consistent
for creators that stuff doesn't get done
it does not change
unless people openly complain and
complain constantly now i love philip
defranco
but we need big creators like himself to
use their voices for change
while i think it's a stretch to get
philip defranco to cover this story
i think dr mike is the perfect person to
help us reach youtube
to resolve this specific issue and don't
forget
dr mike is friends with philip defranco
so maybe we can at least get a retweet
if you're like me you want this pandemic
to end sooner rather than later
and you also want to minimize the
climbing death toll here in the united
states as well as around the world
with youtube being one of the largest
social media platforms in the world
it's of the utmost importance that we
have the ability to debunk the bad
information
about covid from channels like
destroying the illusion
and the rest of q anon so if you want to
help please use hashtag helpusdoctormike
on twitter
and you can tag him at realdoctormike
although i'm not a fan of tactics like
this under normal circumstances
i believe our ability to debunk covet
conspiracies
is a justifiable reason to get the
attention of people like dr mike and
others
all right everybody that's all i got for
this video so don't forget to wear a
mask
keep social distancing and use
help us dr mike so in dr mike
fashion i'm gonna do a fade to blur and
kind of dance to some stock music as we
end this video
you
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|
Arabic:
بحلول 12 سبتمبر،
تدفّقت مجموعات من الفلاحين إلى نيكوبوليس،
بعد أن فرّوا من العديد من المدن
المنهوبة إلى الغرب، في إمارة فيدين.
وكان وراءهم العمود الصليبي
تم إنشاء المخيم الرئيسي شرق المدينة، بالقرب من ضفة نهر الدانوب،
مع معسكر منفصل للسجناء في مكان قريب.
تبعه نصف أسطول الإمداد عن
قرب والذين كان متجها لإغلاق الميناء
فيما بدأت القوات بالانتشار
لتطويق المدينة.
كان الخوف يسود السكان،
لكن القائد أمر
حاميته المتدرّبة جيدًا بالتوجه
إلى مراكزهم على الجدران.
Turkish:
12 Eylül'de köylüler Nigbolu'ya girdi
Yağmalanmış birkaç şehirden kaçtı ve batıya, Vidin Despotluğuna doğru yola çıktı.
Onlara yakın olanlar Haçlılardı.
Ana kamp şehrin doğu kesiminde, Tuna Nehri kıyısına yakın bir yerde kuruldu
5
00:00:35,840 --> 00:00:39,079
ve bu kampın yakınında başka bir esir kampı vardı.
Yedek filonun bir kısmı, limanı kuşatmak için yakınlarda takip ediyordu.
Bu noktada askerler şehri kuşatmak için harekete geçmeye başladı.
Yerliler çok korkmuştu, ancak komutan
iyi eğitimli garnizona gitmesini emretti.
English:
By September 12th, groups of peasants
trickled into Nicopolis,
fleeing from the several pillaged towns to the west,
in the Despotate of Vidin.
Following close behind
was the Crusader column.
The main camp was established just east of the city, close to the Danube riverbank,
with a separate camp for prisoners nearby.
Half of the supply fleet followed close-by,
moving to blockade the port,
while the troops started deploying
to encircle the city.
The inhabitants were gripped with fear,
but the commander ordered
his well-drilled garrison
to their stations on the walls.
Spanish:
Para Septiembre 12, grupos de campesinos
entraron en Nicopolis,
huyendo de los varios pueblos saqueados al oeste,
en el despotado de Vidin.
Siguiéndolos de cerca
estaba la columna de los cruzados.
El campamento principal estaba establecido justo al este de la ciudad, cerca de la ribera del río del Danubio,
con un campamento separado para los prisioneros cerca.
La mitad de la flota de suministros los seguía de cerca,
moviendoze para bloquear el puerte,
mientras las tropas empezaron a desplegarse
para rodear la ciudad.
Los habitantes estaban apoderados con miedo,
pero el comandante ordenó
a su bien entrenada guarnición
que fueran a sus estaciones en los muros.
Turkish:
Kuşatma başlamıştı!
Arabic:
بدأ الحصار...
English:
The siege had begun…
Spanish:
El asedio había comenzado....
Turkish:
Önümüzdeki iki hafta boyunca, Hıristiyanların Nigbol kuşatması devam etti.
İyi tahkim edilmiş şehir doğrudan saldırıları püskürttü.
Garnizon teslim olmanın bir seçenek olmadığına karar verdi.
Nehir yakınında, Venedik ve Ceneviz gemileri ek insan gücü ve yedeklerle durdu
Tuna çayının ağzından 12 gün boyunca taşındılar
Birlikler nehrin kuzey yakasından ilerlemek için bu konuma doğru ilerledi.
Arabic:
على مدى الأسبوعين التاليين، كان الحصار المسيحي
لنيكوبوليس مستمرًا.
كانت المدينة المحصّنة منيعة بشكل
كبير أمام الهجمات المباشرة،
وقررت الحامية
أن الاستسلام ليس خيارًا.
ظهرت سفن البندقية وجنوة على مصب النهر مع رجال وإمدادات إضافية،
بعد الإبحار لمدة 12 يومًا من
على مصب نهر الدانوب،
منتقلة إلى موقع لنقل القوات
من الضفة الشمالية للنهر.
Spanish:
Durante las próximas dos semanas, el asedio cristiano
de Nicopolis estaba transcurriendo.
La bien fortificada ciudad era mayormente
impasible a asaltos directos,
y la guarnición determinói que
el rendirse no era una opción.
Río abajo, las naves venecianas y genoveses aparecieron con hombres y suministros adicionales,
después de navegar por 12 días desde
la boca del Danubio,
moviéndose en posición para transferir las tropas
desde el banco norte del río.
English:
Over the next two weeks, the Christian siege
of Nicopolis was ongoing.
The well-fortified city was largely
impervious to direct assaults,
and the garrison determined
that surrender was not an option.
Downstream, Venetian and Genoese ships appeared with additional men and supplies,
after sailing for 12 days from
the mouth of the Danube,
moving into position to transfer the troops
from the northern bank of the river.
Arabic:
ثم لفت صوت المشاة المجريين انتباه سيغيسموند.
أرسل الملك 500 فارس
في مهمة استطلاعية مكثفة،
على مدى أكثر من 100 كيلومتر إلى الجنوب.
وذكر الكشافة
أن الأتراك قد تجمّعوا.
نصح سيغيسموند
بمناقشة خطة العمل، لكنه اضطر إلى الإذعان
للقادة الفرانكو البورغنديون،
الذين لم تأثّر فيهم تقارير الكشافة.
في الواقع، كان الفرسان الغربيون من النخبة المقاتلة
وكانوا من قدامى المحاربين المجهزين تجهيزًا جيدًا
فقد خاضوا العديد من المعارك، وكانوا يؤمنون
إيمانا راسخا بقدراتهم القتالية الفائقة،
وكانوا واثقين من أنهم سيقاتلون
ويهزمون العدو إذا ظهر.
لكن التقارير عن الوجود التركي أثارت قلق فويفود
ميرسيا واللورد كوسي، النبيل الإفرنجي المخضرم.
قاموا بتجميع 500 فارس
و 500 من رماة السهام،
وانطلقوا لاكتساح
الضواحي الجنوبية للمدينة.
ثبت أن حدسهم كان صحيحا...
English:
Then, the sound of Hungarian riders,
drew Sigismund’s attention.
The King had sent 500 horsemen
on an extensive reconnaissance mission,
over 100km to the south.
And the scouts reported
that the Turks have gathered.
Sigismund advised that a plan of action be
discussed, but was forced to acquiesce to
the Franco-Burgundian commanders,
who were unmoved by the reports.
Indeed, the Western knights were the elite
and well-equipped grizzled veterans
of many battles, who firmly believed
in their superior fighting abilities,
confident that they will fight and defeat
the enemy, should he appear.
But, reports of the Turkish presence alarmed Voivode Mircea and Lord Coucy, a veteran French noble.
They assembled 500 knights
and 500 mounted archers,
and rode out to sweep
the southern outskirts of the city.
Their hunch proved correct…
Turkish:
Ardından Macar süvarilerinin sesi Sigismund'un dikkatini çekti.
Kral, büyük bir keşif görevi için 100 km güneye 500 süvari gönderdi.
19
00:03:05,300 --> 00:03:08,120
500 süvari gönderdi.
Ve casuslar Türklerin toplandığını bildirdi.
Sigismud, eylem planını tartışmayı tavsiye etti, ancak
haberlerden alarma geçmeyen Franco-Burgundy komutanlarına taviz vermek zorunda kaldı.
23
00:03:22,580 --> 00:03:27,140
Aslında, Batılı şövalyeler aristokrattı ve varlıklı, kıvırcık saçlı
savaş gazileri, olağanüstü dövüş becerilerine sıkı sıkıya ikna olmuşlar,
25
00:03:32,120 --> 00:03:37,500
düşmanla savaşmaya ve ortaya çıkar çıkmaz onları geri püskürtmeye hazır olduklarına ikna olmuşlardı.
Ancak, Türk askerlerinin ortaya çıktığı söylentileri Mircea ve kıdemli Fransız asilzadesine yayıldı.
Kral Couchy çok korkmuştu.
27
00:03:46,420 --> 00:03:50,680
500 şövalye ve 500 süvari okçusu toplayarak
28
00:03:50,680 --> 00:03:54,680
şehrin güney kısmına yürüdüler.
Sezgileri güçlüydü!
Spanish:
Luego, el sonido de los jinetes húngaros,
llamó la atención de Sigismund.
El rey había enviado 500 jinetes
en una extensiva misión de reconocimiento,
más de 100km al sur.
Y los exploradores reportaron
que los turcos se habían reunido.
Sigismund aconsejó que se discutiera un
plan de acción, pero fue forzado a aceptar
a los comandantes franco-borgoñeses,
que estaban impasibles por los reportes.
Sin duda, los caballeros del oeste eran los veteranos
de élite y bien equipados
de muchas batallas, quienes firmemente creían
en sus habilidades superiores de combate,
confiados en que lucharían y derrotarían
al enemigo, si es que aparecía.
Pero, reportes de la presencia turca alarmaron al voivoda Mircea y al señor Coucy, un noble veterano francés.
Reunieron a 500 caballeros
y 500 arqueros montados,
y cabalgaron para recorrer
las afueras del sur de la ciudad.
Su corazonada resultó ser correcta...
Arabic:
شق رسول عثماني طريقه عبر
الأرض باتجاه نيكوبوليس، متسللًا عبر
خطوط الحصار المسيحي لإيصال
رسالة من بايزيد تقول:
"تمسّكوا بشجاعة، لن أتخلى عنكم."
ابتهج سكان نيكوبوليس واعتلت زغاريد المرح طوال اليوم.
فجأة رصدت كشافة ميرسيا وكوسي...
العناصر الأمامية للجيش العثماني.
عندما رأى الأتراك فرقة الأفلاق
الصغيرة، اندفعوا نحوها.
تظاهر ميرسيا مع فرسانه بالتراجع،
مشيرًا للإفرنجة إلى التفرق
وبالإختباء قبل أن يتمّ رصدهم.
عندما طاردت الطليعة العثمانية العدو
،تم توجيههم عبر فجوة ضيقة في
الغابة، وكانت حريصة على مطاردة
فويفود الأفلاق.
English:
An Ottoman messenger weaved his way across
the land towards Nicopolis, sneaking past
the Christian siege lines, to deliver
a message from Bayazid that said:
“Hold on bravely,I will not abandon you.”
The inhabitants of Nicopolis rejoiced, cheering
and blowing horns throughout the day.
Soon… Mircea’s and Coucy’s
scouting party
spotted the forward elements
of the Ottoman army.
Seeing the smaller Wallachian mounted contingent,
the Turks galloped forward.
With his horsemen Mircea feigned retreat,
signalling to the French to disperse
and conceal themselves
before they were seen.
As the Ottoman vanguard pursued the enemy
they were funnelled through a narrow gap in
the forest, eager to chase down
the Wallachian voivode.
Turkish:
Osmanlı kuryesi Niğbolu'ya doğru ilerledi,
Hıristiyanların kuşatılmış yerlerinden gizlice geçmişti,
Bayezid'den şu haberi getirdi:
Cesur ol, seni bırakmayacağım.
Nigbolu halkı gün boyunca sevinçle karşıladı, tezahürat yaptı ve trumpet çalıyorlardı
Yakında Mircea ve Couchy'nin keşif ekibi
Osmanlı ordusunun ana unsurlarını keşfetti.
Küçük Eflak süvarilerini gören Türkler hızla ilerledi.
Mircea süvarileriyle birlikte kurnazca Fransızlara çekildi.
dağılmaları
ve saklanmaları için işaret verdi.
39
00:04:46,260 --> 00:04:50,840
Osmanlılar düşmanın peşine düşerken,
ormanda dar bir boşluk yaratarak Eflak seferini ele geçirmek istediler.
Spanish:
Un mensajero otomano hizo su camino a través
del territorio rumbo a Nicopolis, escabulléndose más allá
de las líneas de asedio cristianas, para entregar
un mensaje de Bayazid que decía:
“Aguanten valientemente, no los abandonaré.”
Los habitantes de Nicopolis se regocijaron, vitoreando
y soplando cuernos a lo lardo del día.
Pronto... el grupo de exploración de
Mircea y Coucy
avistó a los elementos delanteros
del ejército otomano.
Viendo al pequeño contingente valaco montado,
los turcos galoparon adelante.
Con sus jinetes Mircea fingió una retirada,
haciendo señas a los franceses de dispersarse
y ocultarse antes
de que fueran vistos.
Conforme la vanguardia otomana perseguía al enemigo
eran pasados por una brecha angosta en
el bosque, ansiosos de perseguir
al voivoda valaco.
Spanish:
¡Pero una vez que llegaron con el contingente oculto
de Coucy, el señor francés dió la señal!
No se dio tregue en el combate que se sucedió,
con muchos de la vanguardia otomana cayendo
en minutos,
mientras el resto huyó poco después.
Mientras tanto, las celebraciones contínuas en Nicopolis
enojaron a algunos de los prominentes caballeros franceses.
quienes creían que esto era una treta para forzar
a los cruzados a aflojar el asedio y disponerse para la batalla,
insistiendo en que el sultán no
se atrevería a atacar a una fuerza concentrada tal
de caballeros cristianos, superiores en equipamiento,
entrenamiento y experiencia.
Más aún, los nobles franceses amenazaron con cortar
los oídos de cualquiera que discutiera rumores
de la venida de Bayazid, alegando que podría
dañar la moral de los cruzados.
Pero el regreso del grupo de exploración
despejó todas las dudas…
Bayezid estaba en camino.
Turkish:
Ama Couchy'nin gizli ekibine düşer düşmez, Fransa Kralı işaret verdi!
Ardından gelen göğüs göğüse savaşta onlara yer verilmedi, Osmanlı generallerinden biri
birçok personel
dakikalar içinde imha edilirken, diğerleri hızla kaçtı.
Bu arada, Nigboy'da devam eden şenlikler birkaç ünlü Fransız Şövalyesini kızmasına
neden oldu.
bunun Haçlıların kuşatmayı aşmaları ve savaşa hazırlanmaları için bir bahane olduğuna inanıyorlardı.
46
00:05:26,920 --> 00:05:32,160
Sultan Bayezid'de ısrar etti
Silahlı, deneyimli bir Hıristiyan şövalye ordusuna saldırmaya cesaret edemeyecek.
Ayrıca Fransız aristokrasisi, Bayazid'in yakınlaşması söylentilerini dinledi.
kesmekle tehdit etti
Bunun Haçlıların moraline büyük zarar verebileceğini söyledi.
Ancak keşif ekiplerinin dönüşü tüm şüpheleri ortadan kaldırdı!
Beyazid geliyor.
Arabic:
ولكن بمجرد أن وصلوا بين
كتيبة كوسي الخفية، أعطى اللورد الإفرنجي الإشارة!
بالاشتباك الذي أعقب ذلك، لم يبق أحد على
قيد الحياة، حيث سقط العديد من الطليعة العثمانية
في غضون دقائق،
بينما فرّ الباقون بعد فترة وجيزة.
بينما أثارت الاحتفالات الجارية في نيكوبوليس
غضب بعض فرسان الإفرنجة البارزين،
الذين اعتقدوا أن هذه حيلة لإجبار
الصليبيين على تخفيف الحصار والاستعداد للمعركة،
وأصرّوا على أن السلطان لن
يجرؤ على مهاجمة مثل هذه القوة الكبيرة
المتكونة من الفرسان المسيحيين المتفوقين
في المعدات والتدريبات والخبرة.
علاوة على ذلك، هدّد النبلاء الإفرنجة بقطع
آذان كل من يتحدّث عن الشائعات
التي تقول باقتراب بايزيد، بحجة أن هذا
يمكنه أن يضر بمعنويات الصليبيين.
لكن فريق الكشافة العائد
بدّد كل الشكوك...
بايزيد قادم.
English:
But once they came in-between Coucy’s hidden
contingent, the French Lord gave the signal!
In the ensuing melee, no quarter was given,
with many in the Ottoman vanguard falling
within minutes,
while the rest fled soon after.
Meanwhile, the ongoing celebrations in Nicopolis
angered some of the prominent French Knights,
who believed this to be a ruse to force the
Crusaders to loosen the siege and array for battle,
insisting that the Sultan would not
dare attack such a large concentrated force
of Christian knights, superior in equipment,
training, and experience.
Furthermore, French nobles threatened to cut
off the ears of anyone who discussed rumours
of Bayazid’s approach, arguing that it could
damage the morale of the crusaders.
But the returning scouting party
dispelled all doubts…
Bayezid is coming.
Turkish:
Hayal kırıklığına uğrayan Kral Sigismund, askeri konsey talep etti.
Toplantı gürültü ve bağırışlarla geçti.
Ama sonra Sigismund ayağa kalktı.
Eflak'ın piyadesinin ön cephede olmasını önerdi.
Türklerle savaşta geniş deneyime sahip oldukları için orduyu yönetecekler.
ve dağılması talimatı verildi
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00:06:21,920 --> 00:06:25,680
ya da en azından bir yıl boyunca Osmanlıların ilk hattını yok etmek zorunda kaldılar.
Ağır Fransız süvarileri ikinci sırada durmalı,
doğru zamanı beklemeli, Bayazid'in birliklerine girip onları yok etmeliydi.
Bu arada, Macarlar ve diğer birleşik personel saldırıyı desteklemeli
kendilerini Sipahi süvarilerinin yan saldırılarından korumak zorundaydılar.
Türklerin savaştığını bilen Mircea, bunun doğru hareket olduğu konusunda hemfikirdi.
Ancak plan kesin çelişkilerle karşılaştı!
Fransız personelinin önde gelen üyeleri öfkeliydi!
English:
In frustration, King Sigismund demanded a
War Council.
The meeting was a loud and shouty affair.
But then, Sigismund stood up.
He suggested that the Wallachian infantry
should form the first line.
Having experience in fighting the Turks, they
would lead the attack and be tasked with dispersing,
or at least softening the first Ottoman line.
The elite French heavy cavalry would form
the second line, waiting for the right time
to rush in and punch through Bayezid’s ranks.
Meanwhile, Hungarians and other allied contingents would support the attack
and protect the flanks from
the sipahi cavalry attacks.
Knowing how the Turks fight, Mircea agreed
that this was the right course of action.
But the plan faced stiff opposition…
Prominent representatives of the French contingent
were outraged!
Spanish:
Con frustración, el rey Sigismund demandó
un concejo de guerra.
El encuentro fue un asunto ruidoso y con gritos.
Peroluego, Sigismund se levantó.
Sugirió que la infantería valaca
debería formar la primera linea.
Teniendo experiencia en luchar con los turcos, ellos
liderarían el ataque y se les daría la tarea de dispersar,
o al menos suavizar la primera linea otomana.
La caballería pesada de eélite formaría
la segunda linea, esperando el momento oportuno
de apresurarse y golpear a través de las filas de Bayezid.
Mientras tanto,los húngaros y otros contingentes aliados apoyarían el ataque
y protegerían los flancos de
los ataques de la caballería sipahi.
Sabiendo como pelean los turcos, Mircea estuvo de
acuerdo en que este era el rumbo de acción correcto.
Pero el plan enfrentó una oposición firme....
¡Representantes prominentes del contingente francés
estaban indignados!
Arabic:
طالب الملك سيجيسموند المستاء بمجلس حرب.
كان الاجتماع مليئا بالخصام والصراخ.
ولكن بعد ذلك، وقف سيجيسموند.
واقترح أن تشكّل مشاة الأفلاق
الصف الأول.
وبما أنهم على علم بطريقة محاربة الأتراك،
سيقودون الهجوم ويكلّفون بتفريق صفوف العدو،
أو على الأقل تخفيف وطأة الخط العثماني الأول.
سيشكّل سلاح الفرسان الثقيل الإفرنجي الصف
الثاني، وسينتظرون الوقت المناسب
للاندفاع نحو صفوف بايزيد.
في غضون ذلك، سيدعم المجريون والوحدات المتحالفة الأخرى الهجوم
وسيحمون الأجنحة من
هجمات سلاح الفرسان السباهي.
بما أنه يعرف كيفية قتال الأتراك، وافق ميرسيا على
أن هذه هي المنهجية الصحيحة للقتال.
لكن الخطة واجهت معارضة شديدة...
كان ممثلو الكتيبة الإفرنجية البارزة غاضبون!
Spanish:
Ellos tenían la opinión de que, al pedirseles
tomar la retaguardia los deshonrraba grandemente,
insistiendo en liderar ellos el ataque.
Se hicieron acusaciones contra Sigismund y Mircea de que querían robarse toda la gloria.
John of Nevers, comandante del elemento franco-borgoñes, se levanto y dio su apoyo
a los nobles franceses,
convencido por su seguridad.
El asunto fue resuelto.
Y con el ejército otomano a sólo horas de distancia,
era hora de prepararse para la batalla...
Conforme se desplegaron al amanecer, los cruzados
dejaron una fuerza simbólica para continuar el asedio,
antes de ejecutar sumariamente a los casi miles
de prisioneros tomados en Rahovo, temiendo un posible
intento de rescate de la guarnición en Nicopolis
durante el ataque a la posición de Bayezid.
Ningún ejército gozaba de
superioridad numérica.
En el lado cristiano, los caballeros franceses
fuertemente armados se alinearon al frente,
Turkish:
Geri dönmeleri söylendiğinde tamamen rezil olabileceklerini düşündüler.
saldırıyı kendilerinin yönetmesi konusunda ısrar etti.
İtibarlarını mahvetmek istedikleri için tüm suç Sigismund ve Mircea'ya düştü.
Franco-Burgundy komutanı John Nevers ayağa kalktı ve desteğini ifade etti.
Fransız asillerine verdi ve onlara güvendi.
Sorun çözüldü.
Ve Osmanlı ordusu sadece birkaç saat uzaklıkta olduğu için savaşa hazırlanma zamanı gelmişti.
Yıkım sırasında seferber olur olmaz, Haçlılar kuşatmaya devam etmek için sahte bir saldırı başlattılar
ve Rahovo'da binlerce veya yakın tutsağı öldürmeden önce
Bayazid'in konumuna hızla saldırdılar.
korkmuşlardı.
Sayılardan hiçbir ordu memnun değildi.
Hıristiyan tarafında, tepeden tırnağa silahlanmış Fransız şövalyeleri ön planda durdu.
Arabic:
وكانوا يرون أن تمركزهم في المؤخرة يعتبر عارا،
وأصروا على قيادة الهجوم.
اتّهم الإفرنجة سيغيسموند و ميركيا بأنهم يريدون سرقة كل المجد.
قدّم جون نيفيرز، قائد العنصر الفرانكو-بورغندي، دعمه
للنبلاء الإفرنجيين الذين كانوا على ثقة بإمكانياتهم.
تمّ تسوية الأمر.
بينما كان الجيش العثماني على بعد ساعات فقط،
حان وقت الاستعداد للمعركة...
عندما انتشارهم عند شروق الشمس
ترك الصليبيون قوة رمزية لمواصلة الحصار،
تمّ إعدام ألف أو نحو ذلك من السجناء المحتجزين
من مدينة راهوفو، خوفًا من حدوث
محاولة إنقاذ من الحامية في نيكوبوليس
أثناء الهجوم على موقع بايزيد.
لم يتمتع أي من الجيشين
بالتفوق العددي.
على الجانب المسيحي،
اصطف فرسان الإفرنجة المدرعون بشدة في المقدمة،
English:
They were of the opinion that, by being asked
to take up the rear dishonoured them greatly,
insisting they will lead the attack.
Accusations were laid against Sigismund and Mircea that they wanted to steal all of the glory.
John of Nevers, commander of the Franco-Burgundian element, stood up and gave his support
to the French nobles,
convinced by their confidence.
The matter was settled.
And with the Ottoman army only hours away,
it was time to array for battle…
As they deployed at daybreak, the Crusaders
left a token force to continue the siege,
before summarily executing the thousand or
so prisoners taken at Rahovo, fearing a possible
rescue attempt by the garrison in Nicopolis
during the attack on Bayezid’s position.
Neither army enjoyed
numerical superiority.
On the Christian side, the heavily armored
French knights lined up in the front,
Arabic:
تشكّل المجريون في المؤخرة،
وكان جند الأفلاق على الجانب الأيسر،
واصطفّت قوات ترانسلفانيا على اليمين.
بينما نشر بايزيد مجموعة من
سلاح الفرسان الخفيف من الأقنجي في المقدمة،
وكان المشاة العاديين في السطر الثاني
ووحدة من حوالي ألف من المشاة من
النخبة الإنكشارية في الخلف،
بينما كان سلاح الفرسان الروميلي
والأناضولي على الأجنحة.
في عمق الخلف على اليمين والوسط
كانت نخبة كابيكولو سيباهيس،
اشتهر سلاح الفرسان الثقيل
العثماني بانضباطهم،
على الرغم من أنه كان أقل تسليحا من
الفرسان الأوروبيين في هذه الفترة.
على اليسار، كان الفرسان الصربيون، الذين يرتدون
دروعا متقدّمة، هم الوحدة الوحيدة
في جيش بايزيد يمكن أن تواجه
فرسان الإفرنجة وجهاً لوجه.
أعلم سيغيسموند نيفيرز بأن الكشافة
سيعودون قريبًا بمعلومات استخبارية عن
Spanish:
con los húngaros en la retaguardia,
los valacos en el flanco izquierdo,
y tropas transilvanas a la derecha.
Bayezid,mientras tanto, depslegó una pantalla de caballería
ligera akinji al frente,
con infantería regular en la segunda linea,
y un contingente de cerca de
1000 infantería de élite janizaría en la retaguardia,
mientras la caballería sipahi rumeliana y anatoliana
estaba en los flancos.
Más atrás en la derecha y centro estaban
los sipahis Kapikulu de élite,
la versión otomana de caballería pesada,
renombrada por su disciplina,
aunque menos armada que los
caballeros europeos de esta periódo.
Más a la izquierda los caballeros serbios,vestidos
con avanzada armadura de placa, eran el único contingente
en el ejército de Bayezid que podía enfrentar a los caballeros
franceses de frente.
Sigismund aconsejó a Nevers que sus exploradores
estarían pronto de regreso con inteligencia,
Turkish:
Macarlar solda, Eflaklar solda
ve Transilvanya sağda idi.
Bu arada Bayezid Akıncı hafif süvarilere önderlik etti,
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00:08:11,840 --> 00:08:14,580
ikinci sıraya sıradan piyade yerleştirildi
ve arkada yaklaşık 1.000 Yeniçeri,
yanlarda Rumeli ve Anadolu süvarileri vardı.
Eskiden sağda ve merkezde aristokrat Kapıkulu Sipahiler,
Osmanlı ağır süvarileri disiplinleriyle tanınırdı,
ancak o zamanlar Avrupalı şövalyelerden daha az silahlıydılar.
Sol kanadı tutan zırhlı Sırp Şövalyeleri,
Beyazid ordusunda Fransız şövalyeleriyle karşı karşıya gelen tek personeldi.
Sigismund, Nevers'e düşman kuvvetlerinin
English:
with the Hungarians in the rear,
Wallachians on the left flank,
and Transylvanian troops on the right.
Bayezid, meanwhile, deployed a screen of akinji
light cavalry in the front,
with regular infantry in the second line,
and a contingent of around
1000 elite Janissary infantry in the rear,
while the Rumelian and Anatolian sipahi cavalry
were on the flanks.
Further back on the right and center were
the elite Kapikulu Sipahis,
the Ottoman version of heavy cavalry,
renowned for their discipline,
though less armored than the
European knights of this period.
Further left the Serbian Knights, clad in
advanced plate armor, were the only contingent
in Bayezid’s army that could face the French
knights head-on.
Sigismund advised Nevers that his scouts will
be returning soon with intelligence on the
Arabic:
أعداد وتمركز قوات العدو وطالبوا
بتأجيل الهجوم لمدة ساعتين.
نظّم نيفيرس مجلسًا بسرعة، حيث خلص
الفرسان الأكبر سنًا والأكثر خبرة،
بأنه من الحكمة إطاعة
رغبات الملك المجري،
أما الفرسان الأصغر اعتقدوا أن
سيغيسموند يريد مجد الإنتصار لنفسه،
وفي نفس الوقت اتهموا
فرسان الإفرنجة المخضرمين
أن نصيحتهم لم تكن وليدة الحكمة بل كانت وليدة الخوف...
من هناك، انقلب النقاش بسرعة
إلى مشاجرة.
ثم فجأة علت صرخة قتالية
في الأفق: "إلى الأمام، باسم الرب!"
ذهل سيغيسموند من
القرار المفاجئ للتقدم،
ولكنه أعطى إشارة لدعم
الهجوم الإفرنجي.
بما أن معظم قواته في الوسط كانت من
المشاة ولم تستطع مواكبة الإفرنجيين،
منع الملك المجري
سلاح الفرسان من الهجوم،
من أجل الحفاظ على خط متين.
Turkish:
sayısını ve konumunu en kısa sürede yeniden gözden geçirmelerini ve saldırıyı iki saat geciktirmelerini tavsiye etti.
Nevers, yaşlı, daha deneyimli şövalyelerin
Macarlara itaat etmenin daha iyi olacağını düşündükleri acil bir toplantı düzenledi
ve genç olanlar, Sigismund'un zaferleri için savaşı istediğini düşündüler,
ancak daha iyi Fransız şövalyelerini suçladılar
ve tavsiyelerinin faydasız olduğunu söylediler. onlar sadece bunun korku getirdiğini vurguladılar!
Böylece tartışma kısa sürede çığlık atan bir toplantıya dönüştü.
Sonra birdenbire savaş çığlığı havada yayıldı: Tanrı aşkına, devam edin! "
Bu ani ilerleme kararıyla tamamen kafası karışan Sigismund,
Fransızları savunmak için işaret verdi.
Merkezdeki birliklerin çoğu piyade olduğundan ve sessiz kalamadığından,
Macar Kralı süvarilerin ilerlemesini durdurdu
ve düz bir çizgiyi korumak için bunu yaptı.
Spanish:
cifras y posicionamiento de las fuerzas enemigas, pidiendo
que el ataque se pospusiera por dos horas.
Nevers convocó a un concejo apresurado, donde los caballeros más experimentados, más viejos
pensaron que era sabio obedecer
los deseos del rey húngaro,
mientras que los polluelos más jóvenes presumían que Sigismund quería los honores de la batalla para si mismo,
acusando al mismo tiempo,
a los caballeros franceses más viejos,
de que su consejo no mostraba sabiduría,
sino temor...
De ahí, la discusión rápidamente se volvió
un concurso de gritos.
Luego,de repente un grito de guerra perforó
el aire: "¡Adelante,en el nombre de dios!"
Sigismund, desconcertado por
la repentina decisión de avanzar,
dio la señal de apoyar la
carga francesa.
Ya que la mayoría de sus tropas al centro
eran infantería y no podían mantener el paso,
el rey húngaro evito
que su caballería cargase,
a fin de mantener una linea sólida.
English:
numbers and positioning of enemy forces, asking
that the attack be postponed for two hours.
Nevers summoned a hasty council, where the older, more experienced knights,
thought it wise to obey
the wishes of the Hungarian king,
while the younger hawks presumed that Sigismund wants the battle honours for himself,
at the same time accusing
the older French knights,
that their advice didn’t show wisdom,
but fear…
From there, the discussion rapidly devolved
into a shouting match.
Then, all of a sudden a battle cry pierced
the air: “Forward, in the name of God!"
Sigismund, bewildered by
the sudden decision to advance,
gave the signal to support the
French charge.
Since most of his troops in the center were
infantry and couldn’t keep pace,
the Hungarian king kept
his cavalry from charging,
in order to maintain a solid line.
English:
Up the field, thousands of knights
and their horses, fully armored,
trotting forward in unison,
must’ve been a terrifying sight.
On battlefields such as Nicopolis, where dense
forest and sloped terrain didn’t allow room
for cavalry maneuvers beyond the flanks, their
shock charge was at its’ deadliest.
Arrow volleys simply bounced off, and the
akinjis were only able to string a few shots
before the violent armored charge
swept them aside.
Those that faced the French charge directly
suffered heavy casualties, but managed to
retreat back towards the infantry line, while
the rest retreated towards the flanks.
Soon, however, the knights encountered a line
of sharpened stakes, fixed into the ground
to drive into the breast of the charging horses.
This slowed down the Crusader advance, as
some of the knights had to maneuver their
horses through the hedge of stakes, while
others dismounted and continued the attack
Arabic:
في الميدان، آلاف الفرسان
وخيولهم المدرعة بالكامل،
هرعوا إلى الأمام في انسجام تام، لقد
كان مشهدًا مرعبًا.
في ساحات القتال مثل نيكوبوليس،
لا تسمح الغابات الكثيفة والتضاريس المنحدرة
للفرسان بالقيام بالمناورات خارج الأجنحة،
وكانت شحنة الصدمة في أشد حالاتها الدموية.
ارتدّ وابل السهام، ولم يتمكن
الأقنجي من تسديد إلا بضع تسديدات
قبل أن يجتاحهم مقاتلون مدرعون بكل عنف.
أولئك الذين واجهوا الهجوم الإفرنجي
عانوا من خسائر فادحة، لكنهم تمكنوا من
التراجع مرة أخرى نحو خط المشاة، بينما
تراجع البقية نحو الأجنحة.
ومع ذلك، سرعان ما واجه الفرسان خطًا
من الأوتاد الحادة، مثبتة في الأرض
التي اخترقت صدور الخيول المهاجمة.
أدى هذا إلى إبطاء تقدم الصليبيين، حيث
اضطر بعض الفرسان إلى المناورة
بخيولهم عبر سياج الأوتاد، بينما
ترجّل آخرون واستمروا في الهجوم
Turkish:
Savaş alanında, tamamen zırhlı
binlerce at ve şövalye korkmuş görünüyordu.
Nigbolu gibi yoğun ormanları ve dik yamaçları ile savaş alanlarında
süvarilerin kanatlardan manevra yapması çok zordu ve darbeleri acımasızdı.
Oklar yağdı ve akıncılar
öfkeli zırhlı lider onları kenara çekmeden önce oku birkaç kez ayarlayabildiler.
Fransız liderle karşılaşanlar ağır kayıplar verdiler ama
Piyadelere doğru çekildiler, diğerleriyse cinahlara doğru çekildi.
Ancak, şövalyeler kısa süre sonra keskin, topraklanmış kazıklarla karşılaştı.
bu keskin kazıkları atın göğüslerine batırmak istediler
Bu, haçlıların hareketini durdurdu, bazı şövalyeler
atlarını keskin kazıkların arasından geçirmek zorunda kaldılar,
Spanish:
En el campo, miles de caballeros
y sus caballos, completamente armados,
trotaban adelante al unísono,
debe haber sido una vista aterradora.
En campos de batalla tales como Nicopolis, donde el espeso
bosque y terreno con laderas no daba espacio
para maniobras de caballería más allá de los flancos, su
carga de shock resultaba de lo más mortal.
Ondas de flechas rebotaron, y los
akinjis sólo fueron capaces de acertar unos cuantos disparos
antes de que la violenta carga armada
los hiciera de lado.
Aquellos que enfrentaron la carga francesa directamente
sufrieron graves pérdidas, pero lograron
retirarse hacía la linea de infantería, mientras
el resto se retiro hacia los flancos.
Pronto, sin embargo,los caballeros encontraron una linea
de afiladas estacas, fijas en el suelo
para encajarse en el pecho de los caballos en carga.
Esto ralentizó el avance cruzado, ya que
algunos de los caballeros tuvieron que maniobrar a sus
caballos a través del arbusto de estacas, mientras
otros desmontaron y continuaron el ataque
Spanish:
a pie, quitando las estacas conforme pasaban.
Una continua lluvia de flechas
poco hacía contra la gruesa armadura,
¡y los franceses protno alcanzaron
la linea enemiga principal!
De inmediato Bayezid ordeno a los sipahis
en los flancos que se unieran a la lucha, viendo
que su formación en el centro empezaba
desmoronarse casi inemdiamente después del impacto.
En combate cuerpo a cuerpo, la infantería regular turca estaba siendo masacrada por los caballeros a pie,
cuya armadura parecía impenetrable.
Los janizarios de élite sólo podían luchar con
el pie de atrás,abrumados por el número
de caballeros enfrentándolos,aunque empezaron
a inflingir pérdidas en los cristianos.
No obstante,el avance continuó
e incluso Bayezid estaba soprendido
por la ferocidad del asalto cruzado.
A pesar de que la mitad iba a pie, los caballeros armados ahuyentaron a la caballería sipahi,
maltratando todo enfrente de ellos.
Arabic:
مشيا على الأقدام، واقتلعوا الأوتاد وهم يتقدّمون.
لم يؤثّر وابل السهام المستمر على الدروع السميكة،
وسرعان ما وصل الإفرنج إلى
خط العدو الرئيسي!
على الفور أمر بايزيد السيباهي
بالانضمام إلى القتال على الاجنحة ولكنه رأى
أن تشكيله في الوسط بدأ
ينهار تقريبًا فور الاصطدام.
في قتال متلاحم، تم القضاء على المشاة الأتراك
النظاميين على يد الفرسان المترجّلين
الذين بدت دروعهم منيعة.
لم يكن بإمكان الإنكشاريين أيضًا القتال
في وضع دفاعي، وكانوا غارقين في عدد
من الفرسان الذين يواجهونهم رغم أنهم
بدأوا في إلحاق الخسائر بهم.
ومع ذلك، استمرّ التقدّم
وحتى بايزيد فوجئ
من ضراوة الهجوم الصليبي.
على الرغم من أن نصفهم كانوا مترجّلين، إلا
أن الفرسان المدرعين طردوا فرسان السباهي،
مدمّرين كل شيء يقف أمامهم.
Turkish:
diğerleri ise kazıkları yerden çekip yayan saldırmaya devam etti.
Ağır konumdaki zırhlı desteğe ok yağmuru aralıksız ateş etti
Birkaç engel vardı
ve Fransızlar kısa sürede ana düşmanın saflarına ulaştı.
Bayazid, aniden yanlardaki askerlere savaşa katılmalarını emretti.
saldırı anında merkezdeki konumunun neredeyse paramparça olduğunu fark etti.
Çatışmalarda Türk piyadeleri attan inmiş şövalyeler tarafından katledildi
ve bu şövalyelerin zırhları nadirdi.
Soylu Yeniçeriler bile sadece bir köşede savaşabilirlerdi
ve karşılaştıkları sayısız şövalye kafalarını karıştırdı.
ancak Hıristiyanları tehlikeye atmaya başladılar.
Ancak saldırı devam etti
ve Haçlıların acımasız ayaklanmasının ardından Bayezid bile geri çekildi.
Bazıları yaya olmasına rağmen, zırhlı süvari süvarileri geri püskürtmeyi başardı
ve düşmanın önündeki her şeyi yok etti.
English:
on foot, uprooting the stakes as they went.
A continuous rain of arrows
did little against the thick armor,
and the French soon reached
the main enemy line!
Straight away Bayezid ordered the sipahis
on the flanks to join the fighting, seeing
that his formation in the center began falling
apart almost immediately upon impact.
In close combat, the regular Turkish infantry was getting slaughtered by the dismounted knights,
whose armor seemed impervious.
The elite Janissaries too could only fight
on the back foot, overwhelmed by the number
of knights facing them, although they started
inflicting losses on the Christians.
Nevertheless, the advance continued
and even Bayezid was taken aback
by the ferocity of the Crusader assault.
Despite half of them being on foot, the armored knights drove off the sipahi cavalry,
mauling everything in front of them.
English:
Bayezid ordered the remnants of his akinjis, infantry, and sipahi cavalry to reform the
line in order to slow down
the incoming Hungarians,
who were approaching to reinforce
the crusader vanguard.
At this point, some of the older French commanders wanted to stop the advance,
to consolidate the line
and link up with Sigismund.
But the young knights
urged the men on…
Convinced that the battle was almost won,
they were eager to continue forward
in the hope of plundering
the Ottoman camp.
The Sultan sent in the Kapikulu Sipahis, realizing
that the battle had reached a critical point.
The elite Ottoman cavalry descended upon the
Crusaders, gradually surrounding their position.
In the desperate fight that ensued,
John of Nevers, commander
of the French contingent, was captured.
Turkish:
Bayezid, geri kalan akıncılara, piyadelere ve süvarilere
yaklaşan Macarları yavaşlatmak için sıraya girmelerini emretti.
Macarlar, Haçlıları güçlendirmek için geldi.
Bu noktada, bazı eski Fransız komutanlar saldırıyı durdurmak,
böylece hattı güçlendirmek ve Sigismund'a katılmak istedi.
132
00:12:22,500 --> 00:12:25,420
Ama genç şövalyeler orduyu ileriye doğru itiyordu!
Savaşı neredeyse kazandıklarına inanarak
134
00:12:30,380 --> 00:12:33,600
Osmanlı kampını yağmalamak umuduyla saldırıya devam etmek istediler.
Sultan Kapıkulu, savaşın önemli bir noktaya geldiğini anlayan Sipahis'lerini gönderdi.
Asil Osmanlı süvarileri Haçlılara saldırdı ve yavaş yavaş mevzilerini kuşattı.
Sona eren bu şiddetli savaşta
Fransız ordusunun komutanı John Nevers ele geçirildi.
Spanish:
Bayezid ordenó a lo que quedaba de sus akinjis, infantería y caballería sipahi reformar la
linea a fin de ralentizar
a los húngaros que se aproximaban,
quienes venían a reforzar
la vanguardia cruzada.
En este punto, algunos de los comandantes franceses más viejos querían detener el avance,
para consolidar la linea
y enlazarse con Sigismund.
Pero los caballeros jóvenes
urieron a los hombres a avanzar....
Convencidos de que la batalla ya estaba casi ganada,
estaban ansiosos de continuar hacia adelante
con la esperanza de saquear
el campamento otomano.
El sultán envió a los sipahis Kapikulu,dandose cuenta
de que la batalla había alcanzado un punto crítico.
La caballería otomana de élite descendió hacia los
cruzados, rodenando gradualmente su posición.
En la deseperada lucha que tomó lugar,
John of Nevers, comandante
del contingente francés,fue capturado.
Arabic:
أمر بايزيد فلول الأقنجي والمشاة وفرسان السباهي بتهذيب
العمود العثماني من أجل
إبطاء المجريين القادمين،
الذين كانوا يقتربون لتعزيز
الطليعة الصليبية.
في هذه المرحلة، أراد بعض القادة المخضرمين من الإفرنج وقف التقدم،
لتوحيد الخط
وربطه مع سيغيسموند.
لكن الفرسان الصغار
حثوا الرجال على التقدم...
بما أنهم كانوا مقتنعين بأن المعركة قد اكتملت
تقريبًا، كانوا حريصين على المضي قدمًا
على أمل نهب
المعسكر العثماني.
أرسل السلطان كابيكولو سيباهيس، مدركًا
أن المعركة قد وصلت إلى نقطة حرجة.
هاجمت نخبة سلاح الفرسان العثماني
الصليبيين، وأحاطوا بموقفهم تدريجياً.
في المعركة اليائسة التي تلت ذلك،
تمّ القبض على جون نيفيرز، قائد الوحدة الإفرنجية.
Spanish:
Esto fue un golpe a la moral, pero no obstante,
los cruzados siguieron luchando,
previniendo carga tras carga de
la élite Kapikulu.
Viendo caer el estandarte de John, Sigismund
ordenó una carga completa, en un atento desesperado
de establecer contacto con los caballeros
en la vanguardia.
Sin embargo, las tropas valaquias y transilvanas
se retiraron, elegiendo preservar sus fuerzas,
precoupados de que un desastre
hubiera caído sobre ellos.
Pero la batalla no había terminado...
Al dispersar las pantallas de los akinjis, los húngaros
cayeron ante la reformada,
pero muy agotada línea otomana.
Los maltrechos turcos a pie no podían soportar
a las tropas frescas, y se rompieron poco después.
La caballería sipahi presionó al frente, deseperada
por detener el avance de Sigismund.
¡Los akinjis lanzaron otro ataque!
Sin inmutarse, el rey húngaro siguió presionando.
Arabic:
كانت هذه ضربة للروح المعنوية، لكن مع ذلك،
واصل الصليبيون القتال،
متجنبين هجمات نخبة كابيكولو.
عند رؤية راية جون تتساقط،
أمر سيغيسموند بهجوم كاسح، في محاولة يائسة
للاتصال بالفرسان في الطليعة.
ومع ذلك، انسحبت قوات الأفلاق وترانسيلفانيا
واختارت الحفاظ على سلامة قواتها،
متخوفين من حدوث كارثة
لكن المعركة لم تنته بعد...
عند تفريق خط الأقنجي، وجد المجريون
أنفسهم أمام الخط العثماني
المنظّم ولكنه كان مستنزفا.
لم يتمكن المشاة الأتراك المنهزمين من الصمود أمام
القوات الجديدة، وتم القضاء عليهم بعد فترة وجيزة.
تقدّم فرسان السيباهي إلى الأمام،
لوقف تقدم سيغيسموند بكل يأس.
شن الأقنجي هجوماً آخر!
لم ينثني الملك المجري من المضي قدمًا.
English:
This was a blow to the morale but, nevertheless,
the Crusaders fought on,
staving off charge after charge
of the elite Kapikulu.
Seeing John’s banner falling, Sigismund
ordered a full charge, in a desperate attempt
to establish contact with the knights
in the vanguard.
However, Wallachian and Transylvanian troops
withdrew, choosing to preserve their forces,
apprehensive that a disaster
has befallen them.
But the battle was not over…
Upon dispersing the screen of akinjis, the
Hungarians fell upon the reformed,
but much depleted Ottoman line.
The battered Turkish footmen could not withstand
the fresh troops, and were broken soon after.
Sipahi cavalry pressed forward, desperate
to stop Sigismund’s advance.
Akinjis launched another attack!
Undeterred, the Hungarian king pushed on.
Turkish:
Fransız personelinin komutanı John Nevers yakalandı.
asil Kapıkulu'nun saldırısını püskürttüler.
John'un bayrağının yere düştüğünü gören Sigismund,
müfrezedeki şövalyelerle temas kurmak için tam bir saldırı emri verdi.
Ancak Eflak ve Transilvanya birlikleri birliklerini savunmaya karar verdiler ve geri çekildiler.
büyük bir felaketten korktular.
Ama savaş bitmemişti!
Akıncıların dağılmasının ardından Macarlar, biçimlenmiş
ancak bitkin bir Osmanlı çizgisiyle karşı karşıya kaldı.
Ezilen Türk piyadeleri bu yeni orduya dayanamadı
ve yakında parçalandı
Sipahi süvarileri hızla ilerledi, Sigismund'un saldırısını umutsuzca da olsa durdurmaya çalıştı.
Akıncılar yine saldırdı!
Kararlı Macar ordusu ilerliyordu.
English:
Getting ever closer, it seemed that the tired
Ottoman troops could not stop Sigismund.
If he could link up with the knights in the
front, the battle would be won.
But then…
Bayezid played his trump card, sending the
Serbian knights forward!
Seeing that the overwhelmed Ottoman line could break at any moment, Stefan spurred his horse on,
leading the charge towards
the Hungarian flank.
The shock of the charge was devastating.
Serbian knights ploughed through the enemy,
causing Sigismund’s right flank to collapse
within minutes, stopping the Hungarian attack
dead in its’ tracks.
Soon, remnants of the line routed towards
the safety of their fleet on the Danube.
King Sigismund reportedly said: “We lost the battle by the pride and vanity of those French!”
Turkish:
Yaklaştıkça belli oldu ki, yıpranmış Osmanlı askerleri
Sigismundu durduramayacak.
Önündeki şövalyelerle birleşebilirse. savaşı kazanacaktı.
Ama sonra!
Beyazid, elindeki kozu oynadı ve Sırp şövalyelerini öne gönderdi!
Yorgun Osmanlı ordusunun her an yok edilebileceğini anlayan Stefan, atına binerek
saldırıyı Macarlara yöneltti.
Saldırının darbesi yıkıcıydı.
Sırp şövalyeleri düşmanın yanından geçerek Sigismund'un sağ kanadını birkaç dakika yok ederek
Macar saldırısını engelledi.
Kısa süre sonra ordunun geri kalanı Tuna Nehri üzerinde güvenli bir filoya doğru ilerliyordu.
Kral Sigismund şöyle dedi: Fransızların gururu ve hırsı yüzünden savaşı kaybettik.
Spanish:
Acercandose aún más, parecía que las cansadas
tropas otomanas no podrían detener a Sigismund.
Sí el lograba enlazarse con los caballeros al
frente, la batalla sería ganada.
Pero entonces..
¡Bayezid jugó su as bajo la manga, enviando a los
caballeros serbios al frente!
Viendo que la abrumada linea otomana podría romperse en cualquier momento, Stefan apuró su caballo,
liderando la carga hacia
el flanco húngaro.
El shock de la carga fue devastador.
Los caballeros serbios cargaron a través del enemigo,
causando que el flanco derecho de Sigismund colapsase,
en minutos, deteniendo el ataque húngaro
en seco.
Pronto, restos de la línea se enrutó hacia
la seguridad de su flota en el Danubio.
El rey Sigismund se dice que dijo: "¡Perdimos la batalla por el orgullo y la vanidad de esos franceses!"
Arabic:
بالاقتراب أكثر، بدا أن القوات العثمانية
المتعبة لم تستطع إيقاف سيغيسموند.
إذا تمكن من الارتباط بالفرسان في
المقدمة، فسيتم كسب المعركة.
لكن...
لعب بايزيد بطاقته الرابحة، مرسلا
الفرسان الصربيين إلى الأمام!
عند إدراكه أن الخط العثماني يمكن أن
ينكسر في أي لحظة، دفع ستيفان جواده إلى الأمام،
وقاد الهجوم نحو الجناح المجري.
كانت صدمة الهجوم مدمرة.
اندفع الفرسان الصرب نحو العدو،
مما تسبّب في انهيار الجناح الأيمن لسيغيسموند
في غضون دقائق، أوقفوا الهجوم المجري
سرعان ما توجهت بقايا الخط نحو
أسطولهم على نهر الدانوب.
ورد أن الملك سيغيسموند قال: "لقد خسرنا
المعركة بسبب تكبّر وغرور هؤلاء الإفرنجة!"
Arabic:
استمرّ فرسان الإفرنجة المعزولون
في القتال، لكن تضاءلت أعدادهم ببطء،
وكانت مسألة وقت فقط
قبل أن تخرّ قواهم ...
تم تدمير أو أسر الجزء
الأكبر من القوات الصليبية.
تم إحضار 3000 سجين أمام السلطان
وتم إعدامهم على الفور انتقامًا من
مجزرة الألف
أسير عثماني قبل المعركة،
بينما تم فدية أو استعباد البقية.
هرب جزء صغير من الجيش، بما في ذلك سيغيسموند.
كانت خسائر العثمانيين عالية أيضًا، لا سيما
المشاة، التي لقت عدة آلاف منها حتفها.
لكن انتصار بايزيد اكتمل في أبهى صوره.
ذكريات نيكوبوليس من شأنها أن تثبّط أي
تدخل أوروبي غربي ضد
العثمانيين لقرون قادمة، بينما
واصل المجريون والأفلاق النضال،
إلى جانب جيوب المقاومة اليونانية المتبقية.
Spanish:
Los ahora aislados caballeros franceses siguieron luchando, pero sus números disminuyeron lentamente.
y era sólo cuestión de tiempo
antes de que se les agotase la fuerza...
El grueso de las tropas cruzadas fueron destruidas
o capturadas.
3000 prisoneros fueron llevados ante el sultán
y ejecutados en el acto, como venganza por
la masacre de 1000 otomanos
prisoneros anteriormente a la batalla,
mientras se esclavizo al resto o se pidió rescate por ellos.
Una pequeña porción del ejército, incluyendo a
Sigismund,escaparon. escaped.
Las bajas otomanas fueron altas también, particularmente
en infantería, varios miles de los cuales perecieron.
Pero la victoria de Bayezid estaba completa.
Los recuerdos de Nicopolis desalentarían cualquier
intervención europea del oeste contra los
otomanos por siglos venideros, mientras que los
húngaros y valacos continuaban la lucha,
junto con los restos de resistencia griega.
English:
The now isolated French knights kept fighting, but their numbers slowly dwindled,
and it was only a matter of time
before their strength gave out…
The bulk of the Crusader troops were destroyed
or captured.
3000 prisoners were brought before the Sultan
and executed on the spot, as revenge for the
massacre of 1000 Ottoman
prisoners prior to the battle,
while the rest were ransomed or enslaved.
A small portion of the army, including
Sigismund, escaped.
Ottomans losses were also high, particularly
in infantry, several thousand of which perished.
But Bayezid’s victory was complete.
Memories of Nicopolis would discourage any
Western European intervention against the
Ottomans for centuries to come, while the
Hungarians and Wallachians continued the struggle,
along with remaining pockets of Greek resistance.
Turkish:
Şimdi izole edilmiş Fransız şövalyeleri savaşmaya devam ettiler, ancak sayıları azalıyordu,
sadece an meselesiydi, yorulmuşlardı.
Haçlılar bozguna uğradı ve yakalandı.
3.000 esrpadişahın huzuruna çıkarıldı ve derhal idam edildi.
Savaştan önce 1.000 Osmanlı esirinin katledilmesinin intikamıydı
bu tutuklulardan bazıları rehin alındı ve bazıları köleleştirildi.
Ordunun küçük bir kısmı ve Sigismund kaçıb kurtuldular
Osmanlılar da çoğu piyade olmak üzere ağır kayıplar verdi ve yaklaşık bin kişi öldürüldü.
Ancak Bayazid tam bir zafer kazandı.
Nigbolu'nun hatıraları Batı Avrupa'nın Osmanlıları yüzyıllarca işgal etmesini engelledi
Macarlar ve Efrasitler,
kalan Yunan direnişiyle savaşmaya devam etti
Arabic:
أنهت الهزيمة المطلقة للصليبيين في
نيكوبوليس أيّ فرصة لدحر العثمانيين
من التوسّع في أوروبا، فواصل العثمانيون الضغط على
القسطنطينية، وشددوا سيطرتهم على
البلقان، وسيصبحون
تهديدًا كبيرًا لأوروبا الوسطى...
Translated by Ahmed "The-Gass" Gassama
Spanish:
La completa y total derrota de los Cruzados en at Nicopolis
terminó con cualquier oportunidad de echar atrás la marea
otomana en Europa, quienes mantuvieron presión en
Constantinopla, apretaron su control sobre
los balkanes, y se convertirían en una gran
amenaza para europa central…
English:
The utter defeat of the Crusaders at Nicopolis
ended any chance of rolling back the Ottoman
tide in Europe, who maintained pressure on
Constantinople, tightened their control over
the Balkans, and would go on to become a great
threat to Central Europe…
Turkish:
Haçlıların Nigbol'da tamamen yenilgiye uğraması Osmanlıların
Avrupa'yı işgal etmesini engelledi, Avrupa Konstantinopolis'e baskı yaptı,
Balkanlar üzerindeki hakimiyetini güçlendirdi ve Orta Avrupa için büyük bir tehdit olmaya devam etti.
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It's an emotional meeting.
These people from all over the country
all suffer from a baffling disease,
including the youngest patient, this little three year old.
Everything about this is not normal,
it's gonna be really hard.
Mother and daughter
say they are both afflicted.
I'm just scared, very scared.
It's called Morgellons disease.
The origin is unknown.
What's truly bizarre?
The disease produces strange fibers
that emerge from the skin.
The X-Files, it's nothing short of that.
The symptoms are painful and even creepy.
The itching was so bad that it was painful.
Stinging, biting, crawling.
Using magnifying devices
they comb their bodies,
examining what they say are outbreaks of the disease.
There's one.
You sit and you wonder, "What one Earth could cause this?"
And that's the big question about Morgellons disease.
You see, most doctors don't recognize it
as a disease at all.
They say people who claim to have it are delusional,
conjuring up parasites, scratching themselves,
even planting textiles like cotton on themselves
to feed the delusion.
I've had 17 visits with doctors over the past three years,
all of 'em except one have basically laughed at me.
Nicole says doctors first thought
her daughter Ashley had severe diaper rash
until the lesions spread to her face.
She constantly thinks that there are bugs on her,
and that's what it feels like.
It feels like things are crawling underneath your skin.
I don't think these patients are crazy.
At Oklahoma State University in Tulsa,
Dr. Rhonda Casey believes Morgellons is a genuine illness
and takes precautions when examining Morgellons patients.
We don't know yet whether it's contagious.
Dr. Casey says all her patients
exhibit the same types of lesions and scars.
She says they are definitely not self-inflicted.
They all appeared to be eruptions
more than scratched areas on their skin.
Dr. Casey has taken numerous fiber samples
and says they're unlike anything she's ever seen.
They are not textile, they are not any known substance.
Dr. Casey was amazed by the mysterious fiber
on Brian's hand and decided to have it tested.
She tugs on it, but the fiber holds firm.
Finally, it comes loose.
We took the whole plug of skin with it.
Dr. Casey and her colleague, Dr. Randy Wymore,
take the samples to Tulsa's crime lab.
Morgellons fibers are not any known textile.
Cotton or rayon or nylon, not any of those.
What's more, the fibers don't burn
when exposed to high heat.
Have you ever done a fiber that didn't vaporize completely
other than the Morgellons fiber?
No.
Many in the medical community
are nonetheless skeptical,
but people who say they have Morgellons are desperate.
Look at the evidence, that's all we ask.
Look at the evidence.
(dramatic instrumental music)
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Kind thanks go to Brilliant for Sponsoring today’s Episode
Today amongst other thing’s I’ll explain to you, what SpaceX’s Starship has to do with the number
553 and how SpaceX might be able to fund raising the number.
My name is Felix and I am your host for today’s Episode of What about it!?
And as always, there has been a lot going on in the Space Industry lately, so let’s dive right in!
Starship Updates We’re on the final stretch to 100.000 subscribers for the channel and I am extremely excited that there are so many others out there,
interested in what SpaceX is doing.
If the plan works and Starship takes off, it will most likely not only change the world of those already following the progress but also
many of those, who might still not be aware of what’s happening down in Boca Chica Texas.
If it turns out to be a working solution, Starships will change one fundamental aspect of space flight. For the first time in human history,
they will make it cheap, affordable, maybe most importantly feasible for different other things than science missions. Right now,
the ISS is a very expensive undertaking with a price tag of around
150 billion dollars. The people onboard are the best of the best, handpicked from a very fortunate and very small elite.
Highly trained specialists.
Growing up in the Space Shuttle era, the term Astronaut for me and many others might be slightly misleading.
I grew up thinking, that you need to be one of those highly trained people to actually be able to do the trip.
That you need to be that sort of super scientist slash heroic soldier to be able to get access to space.
That’s true even today with very few exceptions.
What can be easily misunderstood though is the fact, that you don’t need to be that kind of person to do a trip to Space.
The real reason, why we’re only sending athletic super geniuses is because we still need to make it count.
Every minute spent up there is extremely expensive with the cost of a seat into orbit ranging from
$55 million to almost $100 million dollars. So naturally you’d only send those, who can make the most of it.
553. What does the number stand for? That’s all the astronauts.
That’s every single person, who ever made it into orbit since Juri Alexejewitsch Gagarin. Since April 12th
1961. If If Starships make it into orbit and if the program keeps up with the set goals, this number will double every few months.
Not every 60 years like in the past. And in return this will open up space for normal people. For us.
For construction workers, nurses, prospectors, engineers. All of them not having to be some kind of a superhero,
because there will be plenty of seats and the tickets will be much cheaper. Now, that you know
the reason, why Starships are so important for all of us, let’s look at what’s happened since the last episode!
At the Construction site, one project is dominating everything else right now.
The giant high bay, to be 81 meters tall when finished, is growing further and further. As seen on LabPadre’s stream here,
SpaceX has so far finished 4 levels and is now on what seems to be the final stretch.
It probably won’t take much longer to finish the construction. Maybe another week?
Maybe another two weeks?
This in theory of course would mean, that we could see first Super Heavy segments to be produced and stacked
inside the high bay as soon
as end of September. This in return could mean, that we can see first super heavy prototypes on the test stands by the
end of the year. At least for pressure testing. That would be quite the Christmas present!
Mary aka BocaChicaGal has taken a beautiful picture of the final stint of high bay construction for NASASpaceflight.com.
Here we can get a good estimate, of how much taller the new high bay is compared to the older mid bay.
It will not only be perfect for Super Heavy, but also for full assembly of Starships.
They will easily fit in and this gives SpaceX the perfect environment to go for the next level of quality needed for orbital flights.
If we zoom in a bit closer on the top of the high bay, we can see the last half level being installed right now.
After this, SpaceX will finish it with a roof. Another great picture out of Mary’s camera shows the back side of the construction. Here
we can see large scaffolding going up.
SpaceX is closing the walls. Respect for the SpaceX workers who are up there as if it was nothing.
Yet another awesome picture, this time from Carlos Nunez for Space Intelligence
shows a close up view of what looks like possible window frames.
SpaceX is fleshing out the mammoth building, getting it ready for use. Close by the high bay construction site, in front of the large
construction tents, SpaceX is working on segments for Starship Serial number 9 already,
while Serial Number 8 is still being stacked. Just the usual fast SpaceX progress.
What’s interesting about Starship Serial Number 9’s forward dome segment, besides just
visually looking much cleaner and built better again, are the little dots on the right side of the hull segment.
Looking much closer,
we can see, that those actually are little pins and they’re intended to hold heat shield tiles. Three for each tile.
We’ve seen the use of heat tiles on Starship prototypes before, but never at such a scale.
It looks like half the side will be covered with them and the pins have been placed with great precision
too. Mary was lucky to take this shot through an open door of one of the large construction tents.
It shows a robot placing the pins.
What’s interesting about this robot is that it’s almost exactly the same model
manufacturing Tesla Model 3’s. Yet again SpaceX is using proven tech from Tesla and combines it with Starship construction.
If mass production is to be achieved, SpaceX will have to build Starships this way as already theorized on Episode 78
if you want to get deeper into the subject. What you’re looking at here, is a nose cone segment.
It’s unknown which Starship it is for or if it’s even going to be used for any prototype, but there’s one feature that sticks out immediately.
Triangular clamps. It’s one of those pictures I’ve been staring at for quite some time and I can’t really come up with anything.
So, maybe you can help me find out, what those clamps are for!
Tell me in the comments, what your idea is! Let’s figure it out together!
Like the update so far?
Then click the like button, subscribe to the channel and maybe even consider becoming a Patron to give some vital support!
Link is in the description. The team is working relentlessly to provide you with updates twice a week.
Thanks to SpaceX's mind-boggling speed and with your support, it will be much easier in the future. Thank you!
Next, let’s do our flight down from the Shipyard to the launch site. Awesome job by Alex Rex again.
Thank you for lending it to me, Alex! Much appreciated! Follow him on Twitter and make sure to subscribe to his channel for more 3D flyby’s!
We’re following Highway 4 down to the beach, where SpaceX has entered the flight phase of Starship prototype development by now.
Serial Number 6 is sitting on the Pad, waiting for its flight and it recently received a mass simulator.
Basically just two rolls of stainless steel on top of the prototype, simulating the
approximately 22 tons of extra mass a Nose cone would add to the prototype. A crude and cheap construction.
But it does the job. The new Test stand sitting next to Serial Number 6 recently received a thrust simulator.
Consisting of large hydraulic presses,
it simulates Raptor engine thrust under a prototype, while pressure tests are conducted. My guess right now
is that the
7.1 test tank to test the new 304L stainless steel alloy will be put under pressure here right after the Serial Number 6 hop.
It might also test a new thrust puck design, which for the first time includes the methane outlets on the puck itself.
Before, the CH4 outlets were located on the dome and Musk stated, that he was not happy with up to 4 layers of
reinforcement in some areas of the puck. Speaking of the Serial Number 6 hop.
There are some changes with the currently announced test dates. As of recording the Episode, August 28th,
today’s primary test date for a Serial Number 6 hop, was cancelled. The two backup dates are still in place though.
Fingers crossed, we might see another Starship hop on August 29th or 30th!
SpaceX is progressing full steam ahead into a new age of spaceflight. Remember the Number I talked about in the beginning? 553.
If all goes well the next few years will double or even triple this number changing the world in the process.
Starlink Update
Next up I want to talk about SpaceX’s Starlink project. What’s the status? How will it work? When can we expect service?
Let’s tackle some open questions together. On August 18th, SpaceX launched yet another batch of Starlink satellites into orbit,
raising the total number of the mega constellation up to 653
satellites. We’re still far away from the proposed 12.000 satellites to be in orbit, when the constellation is finished,
but it’s already the biggest satellite constellation ever constructed by far.
Not to speak of a possible extension to 42000 satellites later on. When talking about SpaceX projects, the word
revolutionary is always part of the topic. Basically, nothing they do is completely traditional. The same goes for Starlink Satellites.
Erik
Corshammar was so kind to make some 3D renders of Starlink
satellites for today’s Episode. Go check him out on Twitter and make sure to give him a follow for his awesome contribution!
So, this is it. A Starlink satellite. A very basic construction for a reason.
It’s supposed to be very cheap. Manufacturing one costs SpaceX round about 300.000
dollars. That might sound like a lot, especially when considering the number of satellites,
but it actually isn’t. Let’s compare it to a typical internet communication satellite.
Let’s take The Telesat Anik G1 for this comparison, as it’s one of the latest additions to space satellites.
Weight:
4905 kilograms Estimated price:
450 million dollars Operational life: 15 years Position Geostationary
Average Latency:
638 milliseconds
Max Uplink: 3 mbit per second Max Downlink: 30 mbit per second Average service cost per month: Round about 100
dollars Now, let’s see some numbers for Starlink. Weight:
260 kilograms Estimated Price: 300000 dollars
Operational life: 5 years Position: Low earth orbit Now for average speeds,
we’ll use some speed tests that recently surfaced. Average Latency,
if we take the 8 ping numbers and calculate the average would be almost precisely 50 milliseconds.
That’s more than 12 times faster than traditional sat based internet and even suitable for online gaming as Musk stated before.
Average uplink using the same method would be
12.47 mbit. To put it into perspective, that’s more than 4 times the uplink bandwidth of Viasat, one
of the largest Satellite internet providers. Average Downlink then would be 45.19 mbit,
which is again about
1.5 times the bandwidth of Viasat.
Average service cost, according to Gwynne Shotwell, COO of SpaceX will be around 80 dollars per month. These numbers leave
no doubt about the
superiority of Starlink pretty much in every way. Besides being much cheaper to launch with much faster internet speed and latency,
Starlink will also be able to cover almost the entire planet once fully deployed.
Right now, SpaceX is massively ramping up the number of satellites in orbit.
Three more launches are planned for the next 4 weeks, getting the numbers up by roughly another
180 satellites.
This is, what a Starlink Antenna looks like. It’s a so called phased array antenna, meaning, that it’s not just one antenna, but
hundreds in an array, capable of focusing the beam on moving satellites in the night sky without moving at all. So, it won’t have to
mechanically track passing satellites.
As long as there is a satellite in line of sight, the system has reception.
Combined with an end user terminal, a Starlink router
so to speak, the system will be extremely easy to set up as well. Place the antenna anywhere
it has a view of the sky. Plug in cables and connect to terminal. Done.
The rest is done internally by the system and you’re good to go. Starlink won’t just be interesting for home use though.
It will be available anywhere on the planet, remember? Ships, Planes, remote locations, military.
All of them will be able to get a very cheap and easy to utilize broadband internet connection
almost anywhere on the planet. And all of it ties into the Starship program as well.
If Elon Musk and SpaceX want to turn their plan of colonizing Mars into reality,
they will need funding. Lots of funding. Starlink is supposed to play a major role in this. Forbes for example
estimated a market value by
2025 of around 30 billion dollars with a revenue of around
10.4 billion dollars. That’s an insane amount of money available for Starship development and production.
Feeling a bit more confident, that SpaceX can actually get the Mars Colony going?
553. Musk and SpaceX have a very detailed and smart plan of raising that number. And with a little luck,
we’re in for a heck of a ride in the next few decades.
If you want to tackle great things, you need to work on more than one side of the problem.
You need to have multiple talents and know more than just one topic.
But how to do it yourself? How to know all of it to get your own great dream done?
Today’s sponsor might be able to help you here.
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One brand new course on Brilliant for example tackles the topic of uncertainty.
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And we’re at the Patreon and YouTube member shout out again! Today I want to give a special shout out to Decula03,
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These people give their money for something completely free and in return enable me and my team to go that step further every time.
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and don’t forget to link your Discord accounts in the Patreon account settings for Patrons
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Last but most certainly not least, here’s my shout to the most awesome team of people in the world. My team!
Thank you all so much for research, script proof reading, animations,
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In today's workshop we talked about the issue of Augmented Reality
related to the development of applications for smart glasses.
The workshop consists of a first part purely theoretical
in which we outlined what the technology is and what the possible applications and developments are.
This was followed by a second practical part
where we split the participants in different groups
in such way that in each group there was present a programmer, a designer, a project manager and a marketing manager,
and then where we described the guidelines to follow for the design of these applications.
Then we asked the groups to create their own applications,
by starting with the initial concept going all the way
to the realisation of a graphical mock up.
The groups studied the application’s UX and realised the interfaces
which then had to be uploaded to the Epson Moverio smart glasses.
2014 is so important for Augmented Reality
because finally we managed to get new devices that allow us
to offer an innovative overview where the Augmented Reality will be the key
and the aggregation point of services such as Internet of Things, geolocation algorithms
and predictive algorithms about upcoming needs for the users.
JoinPad was founded four years ago with a strong expertise on the Augmented Reality.
Unlike our competitors, we are focused on solutions for the industrial sector.
We are the first company in the world that offers to the industry a product
targeted to maintenance services and logistics functions.
Smart glasses are part of the wearable technology that have increasingly spread in the last years
as they meet the user’s specific needs:
to have the chance to experience a new way of interacting with technology,
that does not look only at what you can do today with mobile devices such as smartphones and tablet,
but they aim to something more; the 3D, for example, and augmented reality,
meaning the ability to have information added to the reality that we see;
being able to access a wide range of functions without using the hands,
so simply using the new methods of interaction.
In my opinion, another thing that helps the spread of this technology is that
it is takes into account privacy issues: when you use a smart glass, no one else,
apart from the person who is using it, can see the contents displayed.
Augmented Reality for Smartglasses is part of a series of events,
meetings and workshops dedicated to technology and design, that Frontiers of Interaction organized.
We are very happy about the results of this workshop, the quality of the ideas that came up,
the concept and the design of the developed apps. We are very grateful to Epson Italy and JoinPad.
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(light music)
- Why is it that some brands
scale and some brands fail?
Or some brands break through
all of the noise in the market,
while other ones just peter
along and don't see the success
that they're looking for.
Well this video, I'm going to share seven,
seven (chuckling)
seven psychological
principals that you can apply
to your brand to break through the noise,
to attract more of your ideal clients
and to scale your business.
My name is Kaye Putnam,
I'm the psychology-driven
brand strategist and
I help entrepreneurs change
the world with what they know.
Thanks so much for
hanging out with me today.
If you're enjoying this video contact,
please press the subscribe
button, and then the little bell
will tell you every
time I post a new video.
And I've lots of really
really great content
coming your way soon.
All about scaling and growing your brand.
So definitely press the button.
(light music)
Right, first of all, what
is brand psychology, right?
So let's start by reading
just a few definitions
of what a brand is and
then what psychology is
because there are so
many definitions of both.
So let's kind of come to
a common understanding,
and then I'm gonna give
you those seven secrets
that you can apply to your brand.
So the American Marketing
Association says that
a brand is a name, term, design
symbol or any other feature
that uniquely identifies one
seller's goods or services
from other ones.
So it's basically the
things that make you,
you in the market.
And that can be all sorts
of different symbols.
So it can be like your logo,
which is what everybody thinks of,
down to your catch phrases
or even a specific scent,
if you have a brick and mortar business.
I mean, think about walking by
an Abercrombie store in the mall.
They're branding, and they're
becoming recognizable,
just through that insane amount of cologne
that they spray in their store.
Father of advertising, David Ogilvy,
I am so ashamed.
I don't know if I'm pronouncing
his last name right,
but he says a brand is an intangible sum
of a product's attributes.
And then from businessdictionary.com says
brands help harried consumers
in a crowded and complex
market place by standing
for certain benefits
and virtues, or values.
My definition is that a
brand is this intentional
alignment over time.
So you're continually shaping the way
that your ideal client perceives you,
through all of those different
triggers and symbols.
So it's shaped by all of the
touchpoints with your brand,
and also by the cultural
context that you're living in.
So intentional alignment over time.
Now the psychology side
of things, let's see,
a really simple and useful one is from the
American Psychology Association who say,
it's the study of how the mind works
and how it affects behavior.
So I think it's obvious why
psychology is so important
in branding, right, because
if we're selling to humans,
we have to know what makes
them act in a specific way.
We have to appeal to
their human instincts,
whether they're conscious
of them or not, right?
So let's get into the seven
brand psychology strategies
that you can apply to make
your brand even more amazing.
And this isn't a conclusive list,
but these are some of
my favorites that I use
when I'm working with
my clients one-on-one
or in my brand new brand program.
(light music)
The first secret is that
you have to understand
that humans make decisions
emotionally first.
Then they back it up with logic.
So your brand has to meet
them at that emotional level.
I have another video that explains ways
that you can add emotion into your brands,
so watch that one next if
you want some more tricks
and tactics to do that.
But essentially, we want to
convey a specific personality,
we want to tell stories, use
images, everything that's going
to hit your ideal client
at the heart and gut level,
as oppose to just
appealing to their brain,
as in what is going to make
them ultimately choose you.
And then we'll also need to
back things up with logic.
So why logically should somebody choose
your product or service?
You can't just have a purely
emotional plea or argument,
that'll get you so far
but you have to back it up
with that logic so that
once that buyer's remorse
kicks in, they can rationalize
why they bought your
brand in the first place.
(light music)
The second secret psychological key
is to understand that humans are social.
We're constantly paying
attention to the people
and things that influence us.
And we're building our identity
within that social construct.
Like so our base brain, like
our reptile brain doesn't
ever want us to be cast
out from the tribe.
This goes back to our caveman
and hunter gatherer days.
It would be dangerous to
just completely stand alone.
So we're being influenced
by everybody around us.
Think about the restaurant that has
like a line out the door.
That one's automatically more appealing,
even if there's one right next door
that is completely open and
ready to serve you food.
Logically, that doesn't make sense.
But because humans are social animals,
our psychology supports that.
We want to show ways that ...
We wanna create that social
safety within our own brands.
We can do this by using testimonials,
by showing how many people
follow us on social media,
by having case studies, or
just by even interacting
with other influential peers.
It shows that other people trust us,
so they can trust us too.
(light music)
Secret number three is
to connect your brand
with some universal human values.
I love doing this with brand archetypes.
Because it tells us that we
need to like bring our message
down again to that like
heart and gut level.
We don't wanna just talk
about our product's features
or benefits or whatever.
We need to connect to their
human universal values
if we want people to truly pay attention
and to value us.
So things like love, community,
achievement, individuality,
all of these things are
connected to the different 12
archetypes that I use with my clients
as we're defining their brand's stories.
And if you'd want to know
what your brand archetype is
to help connect to one of
those deeper universal values,
definitely check out the brand archetype,
the brand personality quiz on my site.
It's been taking over 80,000
times and that number is
growing so quickly,
we're almost to a 100k.
But I'll save that announcement for later.
(chuckles)
(light music)
The fourth secret
psychological hack or trick
or technique, strategy,
whatever word best suits
your temperament that we can tap into
is understanding how
human attention works.
So we need to first get
people to pay attention to us,
to notice us, before they're
going to stick around
for any length of time.
Like our attention spans
are ridiculously short,
and there's a few different
ways that we can do that.
Let me just share with you two
techniques that you can use
here in this video to get you started.
So first is by giving people context.
Like being a mirror to them.
So for example, if you're
at a cocktail party,
and you hear your name, it
doesn't matter if somebody's
talking about you,
like, your ears perk up.
So if you can identify
with your ideal client
to show that you understand them
and that you're talking about them,
specifically in your brand,
that's gonna get them to
like perk up and to notice.
Even within the sea of sameness.
(light music)
Alright, psychological
number five is to understand
that the brain always works
in making connections.
It's always looking for
patterns to understand
that the world around you.
So you can create
shortcuts to understanding
that your clients or
ideal clients or audience
can pick up on to understand
like what your deeper
message is, in a very very quick way.
So an example of this, again
going back to the brand
archetypes, is that there're associations
that we make based on what
fonts a brand is using,
what images they're using, what archetype
they're primarily
associating their brand with,
all of those things that
build up this very clear
set of associations in your clients' minds
that help them understand you.
So you don't have to write a novel
about what your brand stands for.
You can use some of those
psychological triggers
to communicate that to them.
(light music)
Psychological number six is a weird one.
(laughs)
So the more that we see something,
a person's face, a logo, anything,
the more that we see something,
the more that we like it.
It's going back to that reptile brain
that's trying to keep us safe, right?
Anything that's new or novel is exciting
but maybe it's dangerous,
like strangers. (giggles)
Stranger, danger.
Careful, this person
might be trying to harm me
or trick me or whatever.
But if I see somebody a lot,
I begin to like them a lot.
And you can play into this by
just consistently showing up.
Even if you're not doing
anything else right.
If you're just showing up
where your ideal clients are,
and where they can see you,
that consistency is gonna
build trust over time.
(light music)
Alright, the seventh psychological secret
that you can tap into is to
understand the reward system
in your ideal client's brain.
So we're constantly looking
for hits of dopamine,
the distraction hormone in our brain.
So if you can provide content
that isn't just factual
or useful, but also really
entertaining or novel
or exciting or just something
that's fun to watch,
you're going to be lighting
up those pleasure systems
in people's minds.
You're giving those
people the ah ha moment
that give them that hit of dopamine
that just feel good
hormone that's in the brain
that makes people wanna keep coming back
again and again to your brand.
So import one, import all,
but understand the fact
that psychology is a
core determining factor
if your brand is going
to be a success or not.
So it makes sense to pay
attention to how our brains work.
'Cause we're all selling to humans.
If you found this content interesting,
you wanna learn more,
you want more specific examples,
check out some of my other videos
and then also subscribe to this channel.
I have lots more coming for you.
(light music crescendo and ending)
| {
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} |
- So I'm going to begin,
I've cut my panels out of a cotton muslin,
four pieces for the inside
and the outside of the filter.
(gentle music)
I'm gonna start with
a 1/4" straight stitch
on the curve of both
the front and the back,
or the inside and outside.
The next thing I'm gonna do
is I'm gonna use my pinking shears,
and I am going to remove the excess bulk,
so that we have a nice flush curve,
on that curved seam.
I'm gonna open it up
and with my fingers I'm gonna
give it a little finger press.
I'm using my foot there to
hold my fabric panel in place.
And with the right sides together,
I'm gonna line up the center seams,
pressing one seam to the right
and one seam to the left.
I don't think that there's
any need to pin here,
cotton muslin is very easy to work with.
I'm just gonna line everything up here
and I'm gonna stitch across the top,
and then also across the bottom,
leaving the left and the right sides open.
Again I'm gonna stitch at a 1/4" inch.
If you're more comfortable,
you could also do 3/8" of an inch.
I find that a quarter inch
it usually runs right
alongside the presser foot.
So just to make sure that my
right and left center seam
is going different directions,
I'm using my pointer to help
me keep everything in place.
And as I pull away,
I am going to use my pinking
shears to trim everything
and to remove any bulk
from those top and bottom seams.
You can pink your pattern
pieces when you cut them.
I'm also going to trim
these edges on each,
the left and the right side,
I'm gonna trim those with
the pinking shears as well.
You can cut your pattern pieces
with pinking shears to start,
but I prefer getting in
close to my stitch seam,
just makes for a nicer piece.
And I'm gonna do my least favorite thing,
and that's turning things right side out.
(laughing)
We're gonna speed it up for you.
But look at how beautifully
my seams came together,
where the center seam
and the side seams meet.
And now I'm just gonna
do a little finger press,
I'm going to use my pointer to help me.
Same thing on the opposite side.
And now I'm gonna just tuck
in that left or right side
at about three eighths of an inch,
quarter inch,
three eighths of an inch is about right,
and I'm gonna just
straight stitch that down.
I'm gonna continue to straight stitch
across the top or the
bottom of the filter.
And I'm prepping the opposite
side by tucking that in,
nice and flat,
three eights of an inch.
The pattern is a little
longer for the filter,
so you've got plenty of room to work with.
And I'm using my pointer
to keep everything
nice and flat and flush,
as I'm sewing a straight
stitch at an eighth of an inch.
Going slowly where it's thick.
There we go.
And again, flattening
it out with my pointer.
It's such a great tool.
It's my third hand.
And here we go,
we're gonna pivot and turn
and go across the bottom,
same thing I'm using that pointer
just to keep everything nice and flat.
And since I've already
finger pressed those seams,
this should just sew up very quickly,
longer because it's a tutorial,
but it's actually
probably under two minutes
to make these filters.
This is cotton muslin,
but you could use whatever
cotton that you prefer.
I like having the knit
mask for a better fit
with a cotton filter,
and making this hybrid mask,
because this way
the kids can change their
filters throughout the day,
they can change them, when they come home,
they can take out their dirty filter,
it can go right into the laundry.
It's just a more functional piece
and it fits so much better.
Like it's got lycra spandex in it,
it's made to fit,
it's made to hug the curves
and contours of your body.
The cotton muslin in the center also helps
to keep a cup there so that the children,
when they're wearing the masks,
they're not eating the fabric.
My next video is going to be
how to make the mini knit mask.
And as you can see, Kennedy
is here modeling it.
If you like this video,
to learn anything,
give us a thumbs up,
subscribe to our channel,
ring the little bell,
so that you'll be notified
when we post a new video.
Everyone, thank you so
much for joining me.
Be well, take care, God bless,
and keep sewing, it's good for the soul.
| {
"pile_set_name": "YoutubeSubtitles"
} |
Thanks for being here for Lecture 5, uh, of CS230.
Um, today we have,
uh, the chance to, to host, uh,
a guest speaker Pranav Rajpurkar,
who is a PhD student, um,
in computer science advised by, uh,
Professor Andrew Ng and Professor Percy Liang.
So Pranav is, uh,
[NOISE] is working on, um,
AI and high impact projects, uh,
specifically related to health care and natural language processing.
And today he's going to, to present, um,
an overview of AI for healthcare and he's going to dig into some projects he has led,
uh, through case studies.
So, uh, don't hesitate to interact,
I think we have a lot to learn from Pranav, and, um,
he's really an industry expert for AI for health care,
um, and I, I lent you the mic Pranav. Thanks for being here.
Thanks, Kian. Thanks for inviting me.
Uh, can you hear me at the back, is the mic on?
All right, fantastic.
Well really glad to be here.
Um, so I wanna cover three things today.
The first is give you a sort of broad overview
of what AI applications in healthcare look like.
[NOISE] The second is bring you three case studies from the lab that I'm in,
ah, as demonstrations of AI and health care research.
[NOISE] And then finally, ah,
some ways that you can get involved if you're interested in applying AI
to high impact problems in health care or if you're from a healthcare background as well.
Let's start with the first [NOISE].
So one way we can decompose the kinds of things AI can do in healthcare is
by trying to formulate levels of questions that we can ask from data.
At the lowest level are
what are descriptive questions.
Here, we're really trying to get at what happened.
Then there are diagnostic questions where we're asking why did it happen?
If a patient had chest pains, I took their,
[NOISE] x-ray, what does that chest x-ray show?
If they have palpitations,
what does their ECG show?
Then there are predictive problems.
Here, I care about asking about the future,
what's going to happen in the next six months?
[NOISE] And then at the highest level, are prescriptive problems.
Here, I'm really trying to ask, okay,
I know this is the patient,
this is the symptoms they're coming in with, this is how, ah,
their trajectory will look like in terms of,
um, in terms of things that may happen that they're at risk of, what should I do?
And this is the real action point.
And that's I would say the,
the gold mine but,
ah, to get there requires a lot of data and a lot of steps.
And we'll talk a little bit more about that.
So in CS230 you're all well aware,
ah, of the paradigm shift of, of deep learning.
And if we look at machine-learning in,
um, healthcare literature,
we see that it has a very similar pattern is that we
had this feature extraction engineer who was responsible for,
um, getting from the input to a set of features that a classifier can understand,
and the deep learning paradigm is to combine
feature extraction and the classification into one step,
ah, by automatically extracting features, which is cool.
Here's what I think will be the next paradigm, ah,
shift for AI in healthcare,
but also more generally.
Is, ah, we still have a deep learning engineer up here,
ah, that's you, that's me, ah,
that are designing the networks,
that are making decisions like
a convolutional neural network is the best architecture for this problem,
this specific type of architecture.
There's an RNN and CNN and whatever NN you can throw on there.
But, what if we could just replace out the ML engineer as well?
Ah, and I find this quite funny,
because everyone, you know,
in AI for healthcare, a question that I get asked a lot is,
are we going to replace doctors with all these AI solutions?
And nobody actually realizes that we might replace
machine-learning engineers faster than we might replace doctors if this,
er, is to be the case.
And a lot of research is, ah,
developing algorithms that can automatically learn architectures,
some of which you might go through in this class.
Great. So that's the general overview.
Now I wanna talk about three case studies in the lab
[NOISE] of AI being applied to different problems.
And because healthcare is so broad I thought I'd focus in on one narrow vertical,
and let us go deep on that and that's medical imaging.
So I've chosen three problems, um,
and one of them is a 1D problem,
the second is a 2D problem is, and the third is a,
is a t- 3D problem, so
I thought we could- we can walk through [NOISE] all the different kinds of data here.
Ah, so this is some work that was done early last year in
the lab where we showed that we were
able to detect arrhythmias at the level of cardiologists.
Um, so arrhythmias are an important problem,
affect millions of people, ah,
this has especially come to light recently with the, ah,
devices, like the Apple Watch which now have a ECG monitoring.
Ah, and, ah, the thing about this is that
sometimes you might have symptoms and know that you have arrhythmias,
but other times, ah,
you may not have symptoms and still have arrhythmias that can be addressed with,
ah, with, ah, if,
if you were to do an ECG.
An ECG's test is basically showing the heart's electrical activity over time.
The electrodes are attached to the skin,
safe tests and it takes over a few minutes,
and this is what it looks like when you're hooked up to all the different electrodes.
Ah, so this test is often done for a few minutes in the hospital,
[NOISE] and the finding is basically that, uh,
in a few minutes you can't really capture a person's abnormal heart rhythms.
So let's send them home for 24 to 48 hours with a Holter monitor,
and let's see what we can find.
Um, there are more recent devices such as the Zio Patch, which let, um,
let patients be monitored for up to two weeks,
and [NOISE] it's, it's quite convenient.
You can use it in the shower or while you're sleeping,
so you really can capture, ah,
a lot of what- what's happening in the hearts,
uh, uh, ECG activity.
But if we look at the amount of data that's generated in two weeks,
it's 1.6 million heartbeats.
That's a lot, and there are very few doctors who'd be
willing to go through two weeks of ECG reading for each of their patients.
And this really motivates why we need automated interpretation here.
But automated detection comes with its challenges.
One of them is, you know,
you have in the hospital several electrodes,
and in more recent devices we have just one.
Ah, and the way one can think of several electrodes is sort
of th- the electrical activity of the heart is 3D, and, um,
each one of the electrodes is giving a different 2D perspective into the 3D perspective,
um, but now that we'll have only one lead,
we only have one of these perspectives available.
Ah, and the second one is that the differences between the heart rhythms are very subtle.
This is what a cardiac cycle looks like,
and when we're looking at, ah,
[NOISE] arrhythmias or abnormal heart rhythms, ah,
one's going to look at the substructures within the cycle and then,
ah, this structure between cycles as well.
And the differences are, are quite subtle.
So when we started working on this problem,
oh, maybe I should share this story.
So, uh, we started working on this problem and then it was, uh,
me, my, my collaborator Awni and,
uh, and Professor Ng.
And one of the things that he,
that he mentioned we should do he said,
"Let's just go out and read ECG books and let's do the exercises."
And if you're in med school,
there are these, uh,
books where, where you can, uh,
where you can learn about ECG interpretation and
then there are several exercises that you can do to test yourselves.
Uh, so I went to the med school library,
uh, you know, they have those,
uh, uh, hand-cranked, uh,
shelves at the bottom so you have to move them and then grab my book.
And then we went for two weeks and did, uh, learned,
so did go through two books and learned ECG interpretation and it was pretty challenging.
And if we looked at previous literature to this,
I think they were, sort of,
drawing upon some domain knowledge here and that here we are looking at waves.
How can we extract specific features from waves that doctors are also looking at?
So there was a lot of feature engineering going on.
And if you're familiar with wavelet transforms, they were the,
sort of, um, they were the most common approach,
uh, with a lot of, sort of, like,
different mother wavelets etc., etc.,
pre-processing band pass filters.
So everything you can imagine doing with signals was done.
And then you fed it into your SVM and you called it a day.
With deep learning, we can change things up a bit.
So on the left, we have an ECG signal and on the right as just, uh,
three heart rhythms, we're gonna call them A, B,
and C. And we're gonna learn a mapping to go straight from the input to the output.
And here's how we're gonna break it out.
We're gonna say that every label,
labels the same amount of the signal.
So if we had four labels and the ECG would be split into these four,
sort of, this rhythm is labeling this part.
And then we're gonna use a deep neural network.
So we built a 1D convolutional neural network,
uh, which runs over the time dimension of the input.
Because remember, we're getting one scalar,
uh, over, over time.
And then this architecture is 34 layers deep.
Um, so I thought I'd talk a little bit about the architecture.
Have you seen ResNets before?
Okay. Uh, so should I go into this?
I think you can go- they are going to learn about this next, next week.
Okay. Cool. Here's my one-minute spiel of ResNet then,
is that you're going deeper in terms of
the number of layers that you're having in a network.
You should be able to represent a larger set of functions.
But when we look at the training error for these very deep networks,
what we find is that it's worse than a smaller network.
Now this is not the validation error,
this is the training error.
That means even with the ability to represent a more complex function,
we aren't able to represent the training data.
So the motivating idea of residual networks is to say, "Hey,
let's add shortcuts within the network so as to
minimize the distance from the error signal to each of my layers."
Uh, this is just mapped to say the same thing.
So further work on ResNet showed that, okay,
we have the shortcut connection,
how should we make information flow through it the best?
And, uh, the finding was basically that anything you,
you add to the shortcut, to the highway,
think of these as stop signs or,
um, or, or signals on a highway.
And it's basically saying the fastest way on the
highway is to not have anything but addition on it.
[NOISE] And then there were a few advancements on top of that, um,
like adding dropout and
increasing the number of filters in the convolutional neural network,
um, that we also add it to this network.
Okay. So that's the convolutional neural network.
Let's talk a little bit about data.
So one thing that was cool about this project was that we got to partner up with a- uh,
with a start-up that manufactures these hardware patches and we got
data off of patients who were wearing these patches for up to two weeks.
And this was from around 30,000 patients.
Um, and this is 600 times bigger than the largest data set that,
that was out there before.
And for each of these ECG signals,
what happens is that each of them is annotated by a clinical ECG expert who says,
"Here's where rhythm A starts and here is where it ends,
so let's mark the whole ECG that way."
Obviously, very time intensive but a good data source.
And then we had a test set as well.
And here we used, um,
here we used a committee of cardiologists.
So they'd get together sit in a room and decide, okay,
we disagree on the specific point, let's try to,
let's try to discuss which one of us is right or what this rhythm actually is.
So they arrive at a ground truth after discussion.
And then we can, of course, test cardiologists as well.
And the way we do this, is we have them do it individually.
So there's not the same set that did the ground truth,
there's a different set of cardiologists coming in one at a time,
you tell me what's going on here and we're gonna test you.
[NOISE] So when we compared the performance of our algorithm to cardiologists,
uh, we found that we were able to surpass them,
um, on the F1 metrics.
This is precision and recall.
And when we looked at where the mistakes were made,
uh, we can see that sort of the,
the biggest mistake was between distinguishing two rhythms, which look very,
very similar, um, but actually don't have a difference in, um, in treatment.
Here's another case where the model is not making a mistake which the experts are making.
Um, and turns out this is a costing mistake.
This is saying a benign heart rhythm, uh,
or what experts thought was a benign heart rhythm,
was actually a pretty serious one.
Um, so that's, that's one beauty of automation,
is that we're able to catch these,
um, catch these misdiagnosis.
[NOISE] Um, here are three hard blocks, uh,
which are clinically relevant to catch on which the model outperforms the experts,
and on atrial fibrillation which is probably
the most common serious arrhythmia the same pulse.
So one of the things that's neat
about this application and a lot of applications in healthcare,
is what automation, uh, with deep learning,
machine learning enables, is for us to be able to continuously monitor patients.
And this is not something we've been able to do before,
so a lot of even science of understanding how patients, uh,
risks factors, uh, what they are,
or how they change hasn't been done before.
And this is an exciting opportunity to be able to advance science as well.
And the Apple Watch has recently,
um, released a- their ECG monitoring.
Um, and it'll be exciting to see what new things
we can find out about the health of our hearts from,
uh, from these inventions.
Okay. So that was our first- yeah, a question.
Uh, how big of a problem did you find, uh,
data privacy should be in confidence among this dataset, which is awesome, by the way.
Yeah. Uh, so I repeat the question,
how, uh, how difficult was it it to, uh, to,
uh, sort of, um,
deal with data privacy and sort of keep patients',
[NOISE] uh, pri- information private.
So in, in this case,
we do not- we had completely de-identified data,
so it was just, um,
someone's ECG signal without any extra information about their,
uh, clinical records or anything like that.
So it's, it's very, it's very de-identified.
Um, sorry. I guess I had to ask that how did you
get approval for that and were there problems in getting approval?
Um, because, um, you know,
there's a lot of teachers that have concerns.
So did you have to like get it like signed off by some credible authority or,
what were the obstacles of getting that to be there?
Oh, sure. And I think we can,
we can take this question offline as well.
But one of the beauties of working at Stanford is that there's a lot of, uh,
industry research collaborations and,
uh, we have great infrastructure to be able to work with that.
Uh, so which brings me on to my,
uh, second case study.
Sorry, yeah go for it.
[inaudible]
[NOISE] [inaudible] So how do you actually find that?
That's a good question. So just to repeat the question,
how did we define the gold standard when we have experts setting the gold standard?
Uh, so here's how we did it.
So one, one way to come up with a gold standard is to say, okay,
if we looked at what a consensus would say, what would they say?
And so we got three cardiologists in a room to set the gold standard,
and then to compare the performance of experts.
Uh, these were individuals who were separate from those groups of cardiologists,
who sat in another room and said what they thought of the,
um, of the ECG signals.
So that way there's, there's
some disagreement where the gold standard's set by the committee.
[NOISE] Great.
So here we looked at how we can detect pneumonia off of chest X-rays.
Uh, so pneumonia is an infection that affects,
uh, millions in the, uh, US.
Uh, its big global burden is actually in,
um, in kids.
Uh, so that's where it's really useful to be able to,
uh, detect that automatically and well.
So to detect pneumonia,
there's a chest X-ray exam.
Uh, and chest X-rays are the most common,
uh, imaging procedure, uh,
with two billion chest X-rays done per year.
And the way abnormalities are detected in chest X-rays is they
present as areas of increased density.
Uh, so where things should appear dark,
they appear brighter or vice versa.
And here's what characteristically pneumonia looks like,
where it's like a fluffy cloud.
Uh, but this is an oversimplification, of course,
because, uh, pneumonia is when the alveoli fill up with pus,
but the alveoli can fill up with a lot of other things as well,
which lead to very different interpretations
and diagnoses for the patients and treatment for the patient.
So it's quite confusing which is
why radiologists trained for years to be able to do this.
Um, the setup is we'll take an input image of someone's chest X-ray and
output the binary label 01 which indicates the presence or the absence of pneumonia.
And here we use a 2D convolutional neural network,
uh, which is pre- pre-trained on ImageNet.
Okay. So we looked at shortcut connections earlier and, uh,
DenseNets had this, um,
idea to take shortcut connections to the extreme.
It says what happens if we connect every layer to every other layer instead
of just connecting sort of one-
instead of having just one shortcut which is what ResNet had.
And, uh, DenseNet beat the previous state of the art, um,
and has generally lower error and fewer parameters on the ImageNet challenge.
So that's what we used.
Uh, for the dataset,
when we started working on this project, uh,
which was around October of last year, uh,
there was this large dataset that was released by the NIH of 100,000 chest X-rays.
And this was the largest public dataset at the time.
And here each X-ray is annotated with up to 14 different pathologies.
And the way this annotation works is there is an NLP system which reads a report,
and then outputs for each of several pathologies,
whether there is a mention,
whether there is a negation like not pneumonia,
for instance, um, and then annotates accordingly.
And then for our test set, uh,
we had four radiologists here at Stanford,
independently annotate and tell us what they thought was going on in those X-rays.
So one of the questions that comes up often in medical imaging,
is we have, we have a model,
we have several experts,
but we don't really have a ground truth.
And we don't have a ground truth for several reasons sometimes.
One of them is just that it's difficult to tell whether someone had pneumonia or
not without additional information like their clinical record,
or even once you gave them antibio- antibiotics, did they get treated?
Uh, so really one way to evaluate whether a, uh,
model is better than a radiologists or as well- doing,
as well as the radiologist, is by saying,
do they agree with other experts similarly?
So that's what we use here, that's the idea.
We say, okay, let's have one of the radiologists be the,
the, the prediction model we're evaluating.
And let's set another radiologist to be ground truth.
And now we're gonna compute the F1-score once,
uh, change the ground truth,
do it the second time,
change it again, third,
and then also use the model as the ground truth and do it again.
And we can use a very symmetric evaluation scheme.
But this time having the model be evaluated against each of the four experts.
So we do that and then we get a score for both of them.
Well, for all of the experts and for the model.
And we showed in our work that we were able to,
uh, do better than the average radiologist at this task.
Um, two ways to extend this in the future is to
be able to look at patient history as well,
and look at, uh,
lateral radiographs and be able to improve upon this diagnosis.
Um, at the time at which we released our work, um,
on all 14 pathologies,
we were able to outperform the previous state of the art.
Okay. So model interpretation.
Model interpretation.
Yes, there's a question.
Going back to that slide that you had on future work.
So one more slide, please, yeah.
So, uh, if you have pneumonia and you present it to the doctor and you have like fever,
you're coughing, your ribs hurt from coughing too much, can't sleep,
all of those issues, that's not included in the model.
So I think my question is that if you go to a dataset and
you're trying to determine does this person have pneumonia or not?
Like that's one thing but you don't- it's not that you just don't have that data,
but you're not looking at other images,
let's say does that person have cancer,
or does that person have like, other infections of the body because they feel cold [inaudible].
And so all those are,
um, images that you're not really looking at.
So let's say in a tough situation,
so the obvious situation isn't really giving much to do it, right?
But in a tough situation that you get
a patient that has a fever and he's coughing violently,
you don't know if it's cancer or pneumonia or Lachlan disease.
Then how do you- how do you get your algorithm to work in that condition?
And also if you're not including all those other cases,
then it's not just that, what's the use of it?
But, like you know what I'm saying?
Yeah.
Well, so I'm trying to keep this technical since it's a technical class. What, is there
a neural network architecture that you would use to be able to solve problem number one?
Is it multi-task learning? Is it like-
Sure, sure. Okay, so let me try to boil those sort of sets of questions down.
Uh, so one is patients are coming in,
we're not getting access to their, uh, clinical histories.
So how are we able to make this determination at all?
So one thing is that when we're training the algorithm,
we're training the algorithm on,
on, uh, pathologies extracted from radiology reports.
And these radiology reports are written with
understanding a full clinical history and understanding of,
uh, sort of what the patient presented with in terms of symptoms as well.
So we're training the model on,
on these radiology reports,
which had access to more information.
And the second is that the utility of this is
not as much in being able to compare a patient's x-rays day-to-day,
as much as there is a new patient, uh,
with a set of symptoms,
and can we identify things from their chest X-rays?
Which brings us to model interpretation.
So if you were a end user from model, um,
oh I- so when I was back in undergrad,
um, and I was in the lab,
we were working on autonomous cars.
Um, and I thought about this a lot,
how many of you've been in an autonomous car?
How many of you would trust being in an autonomous car?
[NOISE] [LAUGHTER] All right.
Cool. Yeah, I thought about this as well.
Would I trust being in an autonomous car?
And I thought it would be pretty sweet if the algorithm that was,
that was in the car would tell me whatever decision it was going to make in advance.
I know that's not possible at high speeds, so that, you know,
just in case I disagreed with a particular decision,
uh, I could say, no abort.
And, uh, and have the model sort of,
you know, uh, remake its decision.
And I think the same holds true in healthcare as well.
Though one advantage that happens in healthcare is rather than having to
make decisions within seconds like in the case of the autonomous car,
there is often a larger time frame like minutes or hours that we have.
And, and here it's,
it's useful to be able to inform the clinician that's treating the patient to say,
hey, here's what my model thought and why.
So here's the technique we use for that
class activation maps which you may cover in another lecture.
Uh, so I'll just,
I'll just leave it at saying that there are ways of being able to look
at what parts of the image are most evident of a particular pathology,
uh, to generate these, these heat-maps.
Uh, so here's a heat map that's generated for, uh, pneumonia.
So this X-ray has pneumonia and I can, ah, and, and, um, uh,
and the algorithm in the red is able to highlight
the areas where it thought was most problematic for that.
Uh, here's one in which ab- it's able to do a collapsed right lung.
Here's one in which able- it's able to find a small cancer.
And here the goal is to be able to improve healthcare delivery,
where, um, in the developed world,
one of the things that's useful for is to be able to prioritize the workflow,
make sure the radiologists are getting to the patients most in need of
care before ones whose X-rays look more normal.
Uh, but the second part which I'm, ah,
quite excited about is to increase the access of medical imaging expertise globally.
Uh, where right now, the,
the World Health Organization estimates that about two-thirds
of the world's population does not have access to diagnostics.
Um, and so we thought, "Hey,
wouldn't it be cool if we just made an app that was able to, uh,
allow users to upload images of their,
um, of X-rays and be able to give its diagnosis?"
Ah, so this is still in the works,
so I'll show you what we've got running locally.
And so here, I'm presented with a screen that asks me to upload an X-ray.
And so I have,
I have several X-rays here,
um, and I'm gonna pick the one that says, ah, cardiomegaly.
So cardiomegaly refers to the enlargement of the heart.
[NOISE] So I uploaded it,
now it's running, the model is running in the back end.
And within a couple of seconds,
it's outputted its diagnoses on the right.
So you'll see the 14 pathologies that the model is trained on being listed,
and then next to them a bar.
Uh, and at the top of this list is cardiomegaly,
which is, um, what this patient has the,
the heart is sort of extending out.
And if I hover on cardiomegaly,
I can see that the probability,
ah, is displayed on there.
And now we talked about interpretation.
How do I believe that this model is actually
looking at the heart rather than looking at something else?
And so if I click on it,
um, I get the class activation map for this,
which shows that indeed it is focused on the heart,
uh, to be able to,
um, and, and is looking at the right thing.
So I guess you can say the algorithms- heart's in the right place.
[LAUGHTER] Cool.
Uh, but I thought- so this is an image that I got from the,
the dataset that we were using NIH.
But it's pretty cool if an algorithm is able to generalize to populations beyond.
And so I thought what we'd do is we could just look up,
um, [NOISE] look up an image of cardiomegaly, uh,
and download it and just see if our model's able
to- this one looks pretty large, so is this.
I don't want an annotated one.
All right. That's good.
So we can do that, save it, desktop.
And now we can upload it here.
And it's already re-done its thing and on the top is cardiomegaly once again.
[NOISE] So it's able to generalize to- and there's the highlight.
So it's able to generalize to populations beyond just the ones it was trained on.
So I'm very excited by that.
And what I got even more excited by is, uh,
we're thinking of deploying this out in,
um, out in different parts of the world,
and when we got an image, uh,
that showed how X-rays are read in, uh,
this hospital that we're working with in Africa,
uh, this is what we saw.
And so the idea that one could snap a picture and upload it,
seems- and get a diagnosis seems very powerful.
Um, so the third case study I wanna take you through is,
um, being able to look at MR.
So we've talked about 1D,
a 1D setup where we had an ECG signal.
We've talked about a 2D set-up with an X-ray.
How many of you thinking of working on a 3D problem for your project?
Okay. A few. Well, that's good.
Cool. Um, so here we looked at knee MR.
So MR's of the knee is the standard of care to evaluate knee disorders,
and more MR examinations are performed on the knee than any other part of the body.
Um, and the question that we sought out to answer was,
can we identify knee abnormalities?
Um, two of the most common ones include an ACL tear and
a meniscal tear at the level of radiologists.
Now with the 3D problem,
one thing that we have that we don't have in a 2D setting
is the ability the he loo- to look at the same,
same thing from different angles.
And so when radiologists do this diagnosis,
they look at three views;
the sagittal, the coronal, and the axial,
which are, [NOISE] which are three ways of,
uh, looking through, uh,
the 3D structure of the knee.
And in an MR you get different types of series, ah,
based on the magnetic fields,
and so here are three different,
um, series that are, that are used.
And what we're gonna do is output for a particular knee MR examination,
the probability that it's abnormal,
the probability of an ACL tear,
and the probability of a meniscal tear.
The important thing to recognize here is this not a multiclass problem,
and that I could have both types of tears and it's a multi-label problem.
[NOISE] So we're gonna train a, uh,
convolutional neural network for every view-pathology pair.
So that's nine convolutional networks,
and then combine them together,
uh, using a logistic regression.
So here's what each convolutional neural network looks like.
I have a bunch of slices within a view.
I'm gonna pass each of them to a feature extractor,
I'm gonna get an output probability.
So we had 1,400 knee MR exams from,
uh, the Stanford Medical Center, and, uh,
we tested on 120 of them,
where the majority vote of three,
uh, subspecialty radiologists established the, the ground truth.
And we found that we did pretty well on,
on the three tasks,
and had the model be able to pick up the different abnormalities pretty well.
And one can extend these,
these methods of interpretive- interpretability,
uh, to, uh, to 3D,
3D inputs as well.
So that's what we did here.
Okay. So, uh, I, I saw this,
I saw this cartoon a few,
a few weeks ago and I thought it was,
it was pretty funny, uh,
which is a lot of machine learning engineers think,
uh, that they don't need to externally validate,
which is to find out how my model works on, uh,
works on data that's not my- where my original data set came from,
so there's, uh, there's a difference in, in distributions.
Uh, but it's really quite, uh,
exciting when a model does generalize to,
to datasets that it's not seen before.
And so we got this dataset that's,
that's public from a hospital in Croatia.
And here's how it was different.
So it was a different,
it was a different kind of series,
with different magnetic properties.
Uh, it's a different scanner and it was a different institution in a different country.
And we asked, "Okay,
what happens when we run this model off-the-shelf that was trained on
Stanford data but tested on that kind of data?"
And we found that it did relatively well without any training at all.
[NOISE] But then when we trained on it,
we found that we were able to outperform the
previous lead best-reported result on the dataset.
So there's still some work to be done in being able to generalize, um,
sort of my network here that was trained on my data
to be able to work on datasets from different institutions,
different countries as well,
but we're making some steps along that way,
it remains a very open problem for taking.
[NOISE]
And it, and it is a very [inaudible] in hospital that has some sort of the [inaudible]
Yeah. So we did the best we could in terms of processing.
So we had- so one of the preprocessing steps that's important is being able to, uh,
get the mean of the,
of the input data to be as close to the mean of the input data that you trained on.
Uh, so that was one preprocessing step we tried,
but we were trying to minimize that to say out of the box, how would this work?
If we had never seen this data before,
how would it work on that population?
So one big topic in across,
uh, a lot of applied fields is asking the question, okay,
we're talking about models working automatically autonomously,
how would these models work in- when working together with experts in different fields?
And here we asked that questions about radiologists and about imaging models.
Would it be possible to be able to boost
the performance if the model and the radiologists work together?
And so that's really the set-up.
A radiologist with model,
is that better than the radiologists by themselves?
And here's how we set it up.
We set- let's have experts read the same case twice separated by a certain set of weeks,
um, and then see how they would perform on the same set of cases.
And what we found, that we were able to increase the performance generally with
a signifant- significant increase in specificity for ACL tears.
That means if someone- if a patient came in, uh, without a,
uh, without an ACL tear,
I'd be able to, uh, find it better.
So in the future- yes, question?
Would you have any bias,
the opinion of the radiologist,
or is that the intended thing that you wanna kind of
bias in the opinion for that it actually looks at the patient's health?
Yeah. So that's a good question, and I,
and I think how- so, uh,
sort of automation bias captures a lot of this,
and that once we have sort of models working with, um, experts together,
can we expect that the experts will sort of take it less seriously because that's,
that's a big concern,
and start relying on what the model says and says,
"I won't even look at this exam.
I'm just gonna trust what the model says blindly."
Um, that's absolutely possible in a very open area of research.
Some of the ways that people have tried to address it is to say,
"You know what I'm gonna do from time to time?
I'm gonna pass in an exam to the radiologist for which
I'm gonna to flip the answer and I'll know the right one.
And if they get that wrong, I'll alert them,
that you're relying too much on the model, uh, stop."
Uh, but there are a lot of more sophisticated ways to go about addressing automated bias.
And as far as I know, it's a very open field of research,
especially as we're getting into deep learning assistance.
And one utility of this is to say
basically that the set of patients don't need a follow-up,
let's not send them for unnecessary surgery.
Great. So I shared,
uh, three case studies from the lab.
The final thing I wanna do is to talk a little bit about how you can
get involved if you're interested in applications of AI to healthcare.
Uh, so the first is, uh,
the ability for you to just get your hands dirty with,
uh, datasets and, and be able to try out your own model.
So we have, uh,
from our lab, released,
uh, the MURA dataset,
which is a large dataset of,
uh, uh, bone X-rays,
and the task is to be able to tell if it's, um,
if the X-rays are normal or not,
and they come from different,
um, parts of the- of the upper body,
um, and that's- that's what the dataset X-rays look like.
And this is a pretty interesting setup because you have more than one view,
uh, so more than one angle for the same body part,
for the same study,
for the same patient,
and the goal is to be able to combine these well, uh,
into convolutional neural network and,
and be able to output the probability of an abnormality.
And one of the interesting things here for transfer learning as well is,
do you wanna train the models differently per body part or do you wanna train them,
uh, train the same model for body parts or combine certain models?
Uh, so a lot of design decisions there.
And this is what trai- some trained models look like.
This is a model baseline that we released that's able to
identify a fracture here and a piece of hardware on the right.
Um, and you can download the dataset off our website.
So if you Google, uh,
MURA dataset or go on our website stanfordmlgroup.github.io,
you should be able to find it.
Um, the second way to get involved is through the AI for Healthcare Bootcamp,
which is a two-quarter long program that our lab runs, um,
which provides, um, students coming out of, uh,
classes like 230, an opportunity to get,
uh, involved in research.
And here's, uh, students receive training from, uh,
PhD students in the lab and medical school faculty,
um, to work on structured products over two quarters.
Um, and if you have a background in sort of, uh,
AI, which you do, uh,
then you're encouraged to apply.
And we're working on a wide set of problems across radiology,
uh, EHR, public health,
and pathology right now.
Um, this is what the lab looks like. We have a lot of fun.
Um, and the applications for the bootcamp starting in the winter are now open.
So the early applications deadline is November 23rd,
and you can go on this link and,
um, and, and apply.
Uh, so that's my time.
Thank you so much for having me and thanks for having me, Kian.
[APPLAUSE]
[NOISE] Let me set up the microphone. [NOISE].
Do you wanna take one or two questions?
Yes, I'll take a couple of questions.
All right. Let me ask- I'll ask a question about the privacy concerns,
uh, and further other ethics concerns.
What about compensation for
the medical experts that you're potentially putting out of business, uh,
with the free tool like the one that you're,
you're developing or, you know, in just in general?
Because their, their knowledge is being used to train these models, it's not free.
Uh-huh. Yeah. So the question was we're having these, uh,
automated AI models trained with the knowledge of medical experts, um,
and what are ways in which we're thinking of compensating these medical experts,
uh, right now or in the future when we have,
uh, possibly automated models?
Um, I think a lot of people are thinking about
these problems and working on them, uh, right now.
There are a variety of approaches, uh,
that people are thinking about in terms of economic incentives and there's a lot of, uh,
fear about sort of will AI actually work
with or augment experts in whatever field they're working on.
I don't have a great,
uh, silver bullet for this,
uh, but I know there's,
there's a lot of work going on in there.
[NOISE]
I just wanted to know, um,
when you're looking through, uh, MRIs,
we should have- looking at four or five category of issues like we used there,
one of them is the most likely.
Uh, it's possible that a human looking at it could point
out something that was not being looked at by the AI model at that time?
Yeah.
So how do you address it?
Yeah. That's a great question.
So the- just to repeat the question, it's, uh,
we ha- we're looking at MR exams and we're saying for these three pathologies,
we're able to output the probabilities,
what happens if there's another pathology that we haven't looked at?
Uh, so I have a couple of answers for that.
The first is that one of the- one of
the categories here was simply to tell whether it was normal or abnormal.
So the idea here is that
the abnormality class will capture a lot of different pathologies there,
at least the ones seen at Stanford.
Uh, but it's often the case that we're building for one particular pathology,
and then there's obviously a, um,
a burden on the,
the model and the model developers to be able to convey, "Hey look,
our algorithm model only does this and
you really need to watch out for everything else that the model doesn't cover."
Maybe that's the- unless there's one more question?
No. All right. That's the last question we'll take then. Thank you once again.
Thanks, man.
[APPLAUSE]
So now you've got, you've got the,
the perspective. Is the microphone working?
Yeah. Now you've got the perspective of
an AI researcher working in healthcare.
Now you are going to be the AI researcher,
researcher working in healthcare.
We're going to go over a case study,
and that is targeted at skin disease.
So, you know, uh,
in order to detect skin disease,
sometimes you take pictures,
microscopic pictures of cells on your skin,
and then analyze those pictures.
So that's what we're going to talk about today.
So let me talk about the problem statement.
You're a deep learning engineer and
you've been chosen by a group of healthcare practitioners,
uh, to determine which parts of a microscopic image corresponds to a cell.
Okay. So here is how, how it looks like.
Um, on the, the, the black and white,
it's not a black and white image,
it's a color image but looks black and white.
The input image is the,
the one that is closer to me, um,
and the yellow, um,
one is the ground truth that has been labeled by a doctor, let's say.
So what you're trying to do is to segment the cells on this image,
and we didn't talk about segmentation yet or a little bit.
Segmentation is, uh, is about producing,
uh, value- a class for each of the pixels in our image.
So in this case, each pixel would correspond to either no cell or cell, zero or one.
And once we output a matrix of zero's and one's
telling us which pixels corresponded to a cell,
we should get hopefully a mask like the yellow mask
that I overlapped with the input image.
Does that make sense? Yeah.
Isn't there a third category that's the boundary,
because in the colored image,
the yellow one you don't have the boundaries for the cell.
Yeah, we'll talk about the boundary later.
But right now, assume it's a binary segmentation,
so zero and one, no cell and cell.
Okay? So uh, it's going to be very interactive, uh,
and I think we're going to use Menti for
several question and group you guys into groups of three.
So here are other examples of images that were segmented with a mask.
Now, doctors have collected 100,000 images coming from microscopes,
but the images come from three different microscopes.
There is a type A,
type B, and type C microscope,
and the data is splitted between these three as 50 percent for type A,
25 percent for type B,
25 percent for type C. Um,
the first question I'll have for you is,
given that the doctors want to be able to use
your algorithm on images from the microscope of type C,
this microscope is the latest one,
it's the one that is going to be used widely in the field,
and they want your, your network to work on this one.
How would you split your dataset into train,
dev, and test set? That's the question.
And please group in teams of two or three and discuss it for a minute,
uh, on how you would split this dataset.
[NOISE]
[OVERLAPPING]
You can start going on Menti and,
and write down your answers as well.
[NOISE].
[OVERLAPPING]
Okay. So take, uh,
30 seconds to input your,
your insights on, on Menti.
You can do one per team,
and we'll start going over some of the answers here.
Okay. Dev test least split C train on A plus B,
20k in train, 2.5 in dev and test.
Training 80 all A, all B,
5KC dev, 10KC test 10KC.
95-5 where test and dev is from population we care about.
I think these are good answers.
I think there's no perfect answer to that,
but two things to take into consideration.
You have a lot of data so you probably wanna split
it into 95-5 closer to that than to 60-20-20.
And most importantly, you want to have
C images in the des- dev and test set to have the same distribution among these two.
That's what you've seen in the third course, uh,
and we would prefer to have actually C images in the train set.
You wanted your algorithm to have C images.
So I would say a very good answer is, is this one.
95-5 where the 5-5 are exclusively from C,
and you also have C images in the 90 percent of training images.
Any other insights on that?
Whatever is- yeah.
[NOISE] How do we type that, like microscopes A and B dataset doesn't have some, like, hidden,
you know, feature that will mess up the training.
Yeah. So, there is much more thing we didn't talk about here.
One is how do we know what's the distribution of microscope A
images and microscopy B images versus microscope C. Do they look like each other?
If they do, all good.
If they don't, how can we,
how can we make sure the model doesn't get bad hints from these two distributions.
Uh, another thing is data, data augmentation.
We could augment this dataset as well,
and try to get as much as C-distribution images as possible.
We're going to talk about that.
Okay. Split has to roughly be 95-5 not 60-20-20,
distribution of dev and test sets has to be the same,
containing images from C, and there also- should also be C image in the training set.
Now, talking about data augmentation.
Uh, do you think you can augment these data?
And if yes, give only three distinct method you would use.
If no, explic- explicate- er,
explain why you cannot.
You wanna take 30 seconds to talk about it with your neighbors? Yeah.
[OVERLAPPING]
Okay.
[NOISE].
Okay. Guys, let's
go over some of the answers.
So rotation, zoom, blur.
I think looking at the images that we have from the cells,
this might work very well.
Uh, rotation, zoom, blur, translation, uh,
combination of those, stretch,
symmetry, like, probably a lot of those work.
One follow-up question that I'll have is,
can you, can someone give an example of, uh,
a task where data augmentation might hurt the model rather than helping it.
[NOISE] Yeah.
If I wanna overfit on the test set.
If you want to overfit on the test set.
Can you be more precise? [NOISE].
Like, and you don't wanna generalize too much.
Oh, you don't want your model to generalize too much?
Okay. [NOISE] Yeah, that, there,
there are some cases where you don't want the mo- model to generalize too much,
especially, you know, doing encoding,
but any, any other ideas?
You're doing like face detection,
you wouldn't want the face to be,
like, upside down or, like, either side.
I see. So if you do face detection,
you probably don't want the face to the upside down,
although we never know depending on the use.
[LAUGHTER] but, uh, it's,
it's not gonna help much if the camera is always like
that and it's filming humans that are not upside down.
Any, but I don't think it's gonna hurt the model.
It's probably going to not help the model, I guess. Yeah.
Anything [NOISE] if you like,
stretch the image then that will be inaccurate.
Yeah, good point. So, there are, there are algorithms like maybe, you know, FlowNet.
It's an algorithm that- that's used for, uh,
on videos to detect the speed of a car, let's say.
Uh, if you stretch the images,
you, probably you cannot detect the speed of the car anymore.
Any other examples?
[NOISE] Yeah.
Character recognition.
Character recognition I think is a good example.
So, let's say, you're, you're trying to detect [NOISE] what this
is and you do symmetry flip and you get that,
you know, like you- you're, you're labeling as
B everything that was D and as D everything that was B.
For nine and six it's the same story.
So these data augmentations are actually hurting
the model because you don't relabel when you data,
when you augment your data, all right?
Okay. [NOISE] Okay. So yeah,
many augmentation methods are possible: cropping,
adding random noise, um, changing contrasts.
I think data augmentation is super important.
I remember a story of,
um, of a company that was working on,
uh, self-driving cars and,
and also, uh, virtual assistants in cars,
you know what, like, this type of interaction you have
with someone in your car, a virtual assistant,
and they noticed that the speech recognition system [NOISE] was
actually not working well when the car was going backwards.
Like, no idea why, like, why.
It just doesn't seem related to the speech recognition system of the car.
And they test it out and they, they,
they looked and they figured out that people,
uh, were putting their hands in
the passenger seat looking back and talking to the virtual assistant.
And because the microphone was in the front,
the voice was very different when you were talking to,
to, to the back of the car rather than the front of the car.
And so they used data augmentation in order to augment their current data.
They didn't have data on that type of,
of people talking to the back of the car.
So by augmenting smartly,
you can change the voices so that they look like they were
used by someone who was talking to the back of the car and that solved the problem.
Okay. Um, small question.
Uh, we can do it quickly.
What is the mathematical relation between nx and ny?
So remember we have an RGB image [NOISE] and we can,
we can flatten it into a vector of size nx,
and the output is a mask of size ny.
What's the relationship between nx and ny?
Someone wants to go for it?
[NOISE]
They're equal.
They're equal. Who thinks they're equal?
Who thinks they are not equal and why?
[NOISE]
Based on why, because you have RGB on this side and you just have one color [inaudible].
Exactly. Ny would be 3nx, uh, sorry,
nx would be 3ny because you have RGB images and for each RGB pixel,
you would have one output zero or one.
Okay. That was a question on one of the midterms.
It was a complicated question.
Uh, what's the last activation of your network?
Sigmoid. You want probably an output zero and one.
Uh, and if you had several classes,
so later on we will see we can also segment per disease,
then you would have a softmax.
Uh, what loss function should we use?
[NOISE] I'm gonna give it to you to go quickly because we don't have too much time.
You're going to use, uh,
[NOISE] a binary cross-entropy loss over all the output and the entries of,
of the output of your network.
Does that makes sense? So always think,
that thinking through the loss function is interesting.
[NOISE] Okay.
So you, you have a first try and,
and you've coded your own neural network that you've, uh,
that you've named model M1,
M1 and you've trained it for 1000 epochs.
It doesn't end up performing well. So it looks like that.
You give it the input image through the model and get
an output that is expected to be the following one but it's not.
So one of your friends tells you about transfer learning and they, they,
they tell you about another labeled data set of one million microscope images,
that have been labeled for skin disease classification,
which are very similar to those you wanna work with from microscope C. So
a model M2 has already been trained by another research lab
on these new data sets on a 10-class disease classification.
And so here is an example of input/output of the model.
You have an input image that probably looks very similar to the ones you're working on.
The network has a certain number of layers and a softmax classification
at the end that gives you the probability distribution over
the disease that seems to correspond to this image.
So they're not doing segmentation anymore,
right? They're doing classification.
Okay. So the question here is going to be,
you want to perform transfer learning from M2 to M1,
what are the hyper parameters that you will have to tune?
It's more difficult than it looks like.
So think about it,
discuss with your neighbors for a minute.
Try to figure out what are the hyper parameters
involved in this transfer learning process.
[NOISE]
Okay, take 15 more seconds to wrap it up.
[NOISE] Okay.
Let's see what you guys have.
Learning rates. It is a hyperparameter.
I don't know if it's specific to the,
to the transfer learning,
weights of the last layers.
So I don't think that's, ah,
a hyperparameter.
Weights are parameters.
New cost function for additional output layers.
I think that's a hyper- the choice of the loss you might count it as a parameter.
I don't think it's specifically related to transfer learning.
You will have to train with the loss you've used on your model M1.
Number of new layers,
yeah, weights of the new, another hyperparameter.
Okay. Last one or two in the layers of M2.
So do we train, what do we fine tune?
There's a lot about layers actually.
Size of added layers, not sure.
[LAUGHTER] Okay, let- let's,
let's go over it together because it seems that there's a lot of different answers here.
Um, [NOISE] I'm trying to write it down here.
So let's say we have, we have the model M2.
[NOISE] Is it big enough for the back?
We have the model M2, and so we give it an input image.
[NOISE] Okay input.
[NOISE] And the model M2 gives us a probability distribution, softmax.
So we have a softmax here.
[NOISE] Yo- you will agree that we probably don't need the softmax layer.
We don't want it, we want to do some segmentation.
So one thing we have to choose is,
how much of this pre-trained network?
Because it's a pre-trained network.
How much of this network do we keep?
Let's say, we keep these layers.
Because they probably know the inherent salient features
of the dataset like the edges of th- the cells that we're very interested in.
So we take it. So we have it here.
[NOISE] And you agree that here we have a first hyper-parameter.
That is L. The number of layers from M2 that we take.
Now, what other hyperparameters do we have to choose?
This is L. We probably have to add a certain number of layers here,
in order to produce our segmentation.
So there's probably another hyperparameter.
[NOISE] Which is L_0.
How many layers do I stack on top of this one?
And remember, these layers are pre-trained.
[NOISE] But these ones are randomly initialized.
[NOISE] That makes sense.
So two hyperparameters.
Anyone sees a third one?
[NOISE] The third one comes when you decide to train this new network.
You have the input image.
[NOISE] Give it to the network.
Get the output segmentation mask.
Segmentation mask let's say seg mask.
[NOISE] And what you have to decide is how many of these layers will I freeze?
How many of the pre-train layers I freeze?
Probably, if, if you have a small dataset,
you prefer keeping the features that are here freezing
them, and focusing on retraining the last few layers.
So there is another hyperparameter which is,
how much of this will I freeze L_f.
What does it mean to freeze?
It means during training,
I don't train these layers.
I assume that they've been seeing a lot of data already.
They understand very well the edges and less complex features of the data.
I'm going to use my new- my small dataset to train the last layers.
So three hyperparameters.
[NOISE] L, L_0, and L_f.
Does that makes sense? [NOISE] Okay.
So this is for transfer learning.
So it looks more complicated than the
question- the question was more complicated than it looked like.
Okay. Let's move, where am I?
Okay. Let's go over another question.
Okay. So this, we did it.
Now it's interesting because, ah,
here we have an input image,
and in the middle,
we have the output that the doctor would like.
But on the right, you have the output of your algorithm.
So you see that there is a difference,
between what they want and what we're producing.
And it goes back to someone mentioned it earlier. There is a problem here.
How do you think you can correct the model,
and/or the dataset to satisfy the doctor's requests?
So the issue with, with this image is that,
they want to be able to separate the cells among them,
and they cannot do it based on your algorithm,
its still a little hard.
There is, there is something to add.
So can someone come up with the answer.
Or do you want to explain actually you mentioned one of
the answers so that we, we can finish this slide, yeah?
Ah, you wanna add boundaries because now it looks like
you could have like three cells on the bottom left blurring in together.
And so if you answer adding boundaries,
it makes the cells more well-defined.
Good answer. So one way is when you label your datasets,
originally you labeled with zeros and ones, for every pixel.
Now, instead you will label with three classes, zero, one or boundary.
Like let's say zero, one, two,
for boundary or even the best method I would say is that for each pixel,
for each input pixel,
the output will be [NOISE] the corresponding- okay,
this one is not good.
[NOISE] The corresponding label,
like this is a cell picture.
[NOISE] P of cell,
P of boundary [NOISE] and P of no cell.
What you will do is that instead of having
a sigmoid activation you will use a softmax activation.
Okay, and the softmax will be for a pixel.
Um, one other way to do that,
if it still doesn't work,
doesn't work even if you labeled the boundaries.
What is another way to do that?
You relabel your datasets by taking into account the boundaries.
The model still doesn't perform well.
I think it's all about the weighting of the loss function.
It's likely that the number of pixels that are boundaries are going to
be fewer than the number of pixels that are cells or no cells.
So the network will be biased towards predicting cell or no cell.
Instead, what you can do is,
when you compute your loss function,
your loss function should have three terms.
One, binary cross-entropy let's say for no cell,
one for cell, [NOISE] and one for boundary.
[NOISE] Okay, and this is going to be summed over,
i equals 1 to n_i.
The whole output pixel values.
What you can do is to attribute a coefficient to each of those;
alpha, beta or one.
And by tweaking these coefficients,
if you put a very high- a very low number here and there,
it means you're telling your model to focus on the boundary.
You telling th- the model that if you miss the boundary, it's a huge penalty.
We want you to train by figuring out all the boundaries.
That's another trick that you could use. One question on that. Yeah.
When you say you're relabeling your dataset you- so like you do that manually or is that [inaudible]
Good question. What do I mean by rela- relabeling your dataset?
This, this- last Friday's section has been be labeling bounding boxes,
you know, for the YOLO algorithm.
So the same tools are available for segmentation where you have an image,
and you would draw the different lines.
Ah, in practice, if the more- if the tool that you were using,
the line used will just count as a cell,
everything including the line with,
with- everything inside what you draw.
Plus the boundary we count as cell and the rest has no cell,
it's just a line of code to make it different.
The line you drew will count as boundary.
Everything inside will count as cell,
and everything outside will count as no cell.
So it's the way you use your labeling tool. That's all.
So do we make alpha and beta static or do we make
alpha and beta variable parameters like we fit in other, you know, in-between.
I think it's not learnable parameters.
It's more hyperparameters to tune.
[NOISE] So the same way you tune lambda for your regularization,
you would tune alpha and beta.
So when you make a distinction like if that becomes an attention mechanism,
how do you combine those two terms?
So this is not an attention mechanism because it's just
a training trick. I would say.
You cannot know, ah, how much attention we tell you for each image,
how much the model is looking at this part versus that part.
This is not going to tell you that,
it's just a training trick.
[NOISE]
What's the advantage to doing it this way as opposed to
like object detection like detecting each cell?
So the question is what's the advantage of doing segmentation rather than detection?
Yeah.
Yeah, so detection means you want to output a bounding box.
If you output the bounding box,
what you could do is output the bounding box,
crop it out, and then analyze the cell and try to find the contour of the cell.
But if you want to separate the cells,
if you want to be very precise,
segmentation is going to work well.
If you want to be very fast, bounding boxes would work better,
I think that's the general way.
Segmentation is not working as fast as the YOLO algorithm works for object detection.
Yeah. I would say that.
But it's more- much more precise.
Okay. So modify the datasets in order to label the boundaries,
on top of that you can change the loss function to give more weight
to boundaries or penalize false positives.
Okay. Ah, we have one more slide I think.
Ah, so let's go over it.
So now th- the doctors,
they give you a new dataset that contain images similar to the previous ones.
Uh, the difference is that each linked image now is labeled with zero and one.
Zero meaning, there are no cancer cells on that image,
and one means there is at least a cancer cell on this image.
So we're not doing segmentation anymore.
It's a binary classification;
image, cancer or no cancer.
Okay. So you easily build the state-of-the-art model
because you're you're a very strong person in classification,
uh, and you achieve 99 percent accuracy.
The doctors are super happy,
and they ask you to explain the network's prediction.
So given an image classified as one,
how can you figure out based on which cell the model predicts one?
So Pranav talked a little bit about that.
There are other methods that you should be able to figure out right now.
Even if you don't know class activation maps.
[NOISE] So to sum it up.
[NOISE] We have an image,
[NOISE] input image, [NOISE] put it in your new network that is a binary classifier.
[NOISE]
And the network says one.
You wanna figure out why the network says one,
based on which pixels, what do you do?
Visualize the weights.
[NOISE]
Visualize the weights.
Uh, what do you visualize in the weights?
The edges.
So I think visualizing the weights,
uh, is not related to the input.
The weights are not gonna change based on the input.
So here you wanna know why this input led to one.
So it's not about the weights.
[NOISE]
Do you mark the gradients on each pixel of the input and see which one [inaudible].
Good idea. So you know,
after you get the one here,
this is Y hat, basically.
It's not exactly one, let's say it's 0.7 probability.
What you gotta remember is that this number derivative of
Y hat with respect to X, is what?
It's a matrix of shapes same as X,
you know, it's a matrix.
And each entry of the matrix is telling you how much moving this pixel influences Y hat.
Do you agree?
So the top left number here is telling you how much X1 is impacting Y hat. Is it or not?
Maybe it's not. If you have a cat detector and the cat is here,
you can change this, this pixel is never gonna change anything.
So the value here is going to be very small, closer to zero.
Let's assume the cancer cell is here,
you will see high number in this part of the matrix because these,
these pi- these are the pixel that if we move them, it will change Y hat.
Does it make sense? So quick way to interpret your network.
It doesn't- it's not too, too good,
like, you're not gonna have tremendous results.
But you should see these pixels have
higher derivative values than the others. Okay. That's one way.
And then we will see in two weeks, uh,
how to interpret neural networks,
visualizing the weights included and all the other methods.
Okay. So gradient with respect to- your model detects
cancer cells from the test set images with 99 percent accuracy,
while a doctor would on average perform 97 percent on the same task.
Is this possible or not?
Who thinks it's possible to have a network
that achieves more accuracy on the test set than the doctor?
Okay. Can someone, can someone say why?
Do you have an explanation?
You can look at complex things that possibly you didn't get from your training.
Okay, the network probably looks at complex things that doctor didn't see,
they didn't see. That's what you're saying.
Possibly. I think there is a more rigorous explanation.
Human error is an approximation for base error but we don't have
to know what it is so theoretically we can get better.
Yeah. So here we're talking about base error, human level performance and all that stuff.
That's when you should see it.
So one thing is that there are many concepts that you will see in
course three that are actually implemented in the industry.
But it's, it's not because you know them that you're going
to understand that it's time to use them and that's what we want you to get to.
Like, now, when I ask you this question,
you have to talk- think about base error, human level accuracy and so on.
So the question that you should ask here is;
what was the data set labeled?
Wh- what were the labels coming from?
If the data set was labeled by individual doctors,
I think that looks weird.
Like, if it was labeled by individual doctors,
I think it's very weird that the model performs
better on the test set than what doctors have labeled,
because- simply because the labels are wrong,
three percent of the time on average the labels are wrong.
So you're, you're te- teaching wrong things to your model three percent of the time.
So it's surprising that it gets better,
could happen, but surprising.
But if every single image of the data that has
been labeled by a group of doctors as Pranav talked about it,
then, the average accuracy of this group of doctor is probably higher than one doctor.
Maybe it's 99 percent,
in which case it makes sense that the model can beat one doctor. Does it make sense?
So you have base error, you're trying to approximate with,
with, like, the best error you can achieve.
So regrouping- grouping a cluster of doctors,
probably better than one doctor.
This is your human level performance and then you should be able to beat one doctor.
Okay. [NOISE] So you want to build a pipeline that goes from image taken by
the front of your car to steering direction for autonomous driving.
What you could do, is that you could send this image to a car detector,
that detects all the cars,
a pedestrian detector, that detects all the pedestrians.
And then you can give it to a path planner,
let's say, that plans the path and outputs the steering direction, let's say.
So it's not end-to-end.
End-to-end would be, I have an input image and I give it an ou- I want this output.
So a few other disadvantages of this is,
is, uh, something can go wrong anywhere in the model, you know.
How do you know which part of the model went wrong?
Can you tell me which part?
I give you [NOISE] an image,
the steering direction is wrong.
Why?
Yes.
Look at the different components and try to isolate it.
Good idea, looking at the different components.
So what you can do is look what happens here and there.
Loo- look what's happening here and there.
You think, based on this image,
the car detector worked well or not?
You can check it out. Do you
think the pedestrian detector works well or not? You can check it out.
If there is something wrong here,
it's probably one of these two items.
It doesn't mean this one is good,
it just means that these two items are wrong.
How do you check that this one is good?
You can label ground-truth images and give them here as input to this one,
and figure out if it's figuring out the steering direction or not.
If it is, it seems that the path planner is working well.
If it is not, it means there's a problem here.
Now, what if every single component seemed to work properly,
like let's say these two work properly,
but there is still a problem.
It might be because what you selected as a human was wrong.
The path planner cannot detect,
cannot get the steering direction correct based
on only the pedestrians and the car detecti- and,
and the cars, probably need the stop signs and stuff like that as well, you know.
And so because you made hand engineering choices here,
your model might go wrong. That's another thing.
And another advantage of, of, uh,
of this type of pipeline is that data is
probably easier to find out at end for every algorithm,
rather than the, for the whole end-to-end pipeline.
If you want to collect data for the entire pipeline,
you would need to take a car,
put a camera in the front, like,
like, build a, kind of,
steering wheel angle detector that will measure
your steering wheel at every step, while you're driving.
So you need to drive everywhere,
basically, with a car that has this feature.
It's pretty hard. You need a lot of data, a lot of roads.
While this one, you can collect data of images anywhere and label it,
uh, and label the pedestrians on it.
You can detect cars by the same process, okay?
So these choices also depend on what data can you
access easily or what data is harder to acquire.
Any questions on that?
You're going to learn about convolutional neural networks now.
We're going to get fun with a lot of imaging.
You have a quiz and two programming assignments for the first module.
Second module same.
Midterm, next Friday, not this one.
Everything up to C4M2 will be included in the midterm.
So up to the videos you're watching this week.
Includes TA sections and a next one- and every in-class lecture including next Wednesday.
And this Friday you have a TA section.
Any questions on that?
Okay. See you next week, guys.
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O Halloween nesta época do ano, em
outubro, é uma época quando as pessoas
frequentemente usam velas.
Então, nós temos aqui uma bela vela
de Halloween.
Que podemos acender.
Fui ensinado a fazer experimento em
duplicata. Então, tenho outra vela aqui.
A Química das Velas
A química das velas é realmente
muito interessante.
É, de fato... o famoso cientista Michael
Faraday
escreveu um livro sobre, chamado ´A História
Química De Uma Vela´.
Aqui é uma versão em japonês, do mesmo livro,
um pouco menor, mas é a mesma,
Nós temos o combustível que é a cera.
Que é um composto com uma longa cadeia
de grupos CH2.
Um carbono e 2 hidrogênios.
A cera funde, para fazer um líquido,
e o líquido é sugado para cima pelo pavio.
que é só um pedaço de... tipo um
pedaço de barbante,
e queima, e existe muita energia
armazenada nas moléculas de cera
Existe mais energia numa molécula de cera,
do que em uma molécula de TNT.
Quando a cera queima, vc pode imaginar que existe
material queimando
com oxigênio aqui fora, e no meio
da chama,
não existe muito oxigênio, pq ele tem que
chegar até o interior,
e, a cor da chama, vem de partículas
muito quentes de carbono.
Vc pode ver isso muito facilmente se vc pega
uma colher e colocan na chama da vela,
Bem assim...
vc pode ver então,
uma bela camada de partículas
pretas de carbono.
Vc vê luz pela mesma razão que se vc
aquece um pedaço de fio
quando ele fica mais e mais quente,
a vibração dos átomos produz luz
E é pq as partículas de carbono
estão literalmente ´pegando fogo´.
Existem duas outras coisas que são
muito interessantes sobre a vela,
uma é que o pavio está no meio da chama
e é mantido longe do oxigênio
e antigamente o pavio ficava mais e mais
longo
e as velas emitiam mais e mais
fumaça.
Agora o que ocorre é que existe um
design muito interessante,
o pavio é feito como uma folha de papel,
quando fica comprido, o topo se entorta.
Vc pode ver aqui, o pavio se entortou,
então o fim dele, está na
borda da chama,
e como está na boda da chama,
ele se queima,
quando a vela se consome,
automaticamente consome a ponta da vela,
então, no século XVIII, antes disso ter
sido inventado, as pessoas
tinham tesouras especiais, e toda vez,
a cada poucos... minutos,
talvez 15 minutos, vc tinha que
aparar a vela, para evitar a fumaça,
mas agora isso acontece
automaticamente.
Agora, a outra coisa que é interessante
sobre as velas, é o que ocorre
quando vc as apaga. Então, quando eu
assopro, observe cuidadosamente,
e vc vera algo parecido com fumaça,
isto não é fumaça, são pequenas
partículas de cera,
que, pq o vapor da cera repentinamente
ficou frio,
ele solidifica, nestas particulas
be bem pequenas,
menores do que um milionésimo
de um metro
Agora eu vou tentar fazer novamente, mas
desta vez, quando a cera está subindo,
eu vou te mostrar que é cera,
re-acendendo ela com o fósforo,
Está pronto?
Observe cuidadosamente!
Quando eu seguro o fósforo aqui,
vc pode ver que o pavio está aqui,
e a chama pulou toda esta distância,
para acender a vela novamente,
e esse pulo ocorreu pq
desceu pelo caminho da cera que estava
flutuando para longe do pavio,
e, claro, o pavio continuava quente, pq
estava queimando, e uma vez que vai ao pavio
não precisa de muito calor para
acender novamente
- Muito bom, obrigado.
-Ok, certo.
Translation provided by
Prof. Dr. Luís Brudna.
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Dear friends welcome to another video!
In this video, we are going to take a first
look at this small e-paper display I just
received.
There is a lot to cover so let’s get started!
Hello, guys, I am Nick and welcome to educ8s.tv
a channel that is all about DIY electronics
projects.
In this channel, I share everything about
the projects I build to help you develop similar
projects or inspire you to start making things
because it is easy, fun and creative.
Subscribe to the channel now if you do not
want to miss any future video.
In this video, we are going use this small
e-paper display with Arduino for the first
time and talk about its advantages and disadvantages.
This display is small, it is 1.54inch, and
it is relatively inexpensive.
It costs around 15$.
I will post a link to it in the description
below.
I can hear you ask, is it really inexpensive?
It costs 15$ and it is so small!
You are right, it is very expensive for a
tiny display like this, but you have to take
in consideration that it is an e-paper display,
and e-paper displays are expensive.
For example this 4.3-inch e-paper display
I reviewed a few years ago costs around $50!
For the first time, we now have access to
smaller and cheaper e-paper displays.
So, we can now build low-cost projects which
will use e-paper displays!
I am really excited about this.
But why use an e-paper display in a project?
E-Paper or Electronic paper are displays that
unlike traditional LCD or OLED displays does
not emit light but reflect light.
It is like the ink on the paper.
This characteristic makes e-paper displays
very comfortable to read, and they have excellent
readability under direct sunlight.
Another great thing about e-paper displays
is that they can hold static text and images
for months without electricity!
Yes, that’s correct, the display can show
text and images even when it is off!
That makes e-paper displays ideal for low
powered projects!
Unfortunately there are some disadvantages
as well.
The price of e-paper display is still very
high.
Another significant disadvantage is that e-paper
displays take a lot of time to update, as
much as 2-3 seconds.
So, they are only helpful for static text
and images and not animations.
Let’s now see how to use this small e-paper
display with Arduino.
The display offers a resolution of 200x200
pixels which is great and it uses the SPI
interface.
It is a 3.3V display so Vcc must be connected
to the 3.3V output of the Arduino Uno.
The other pins of the display are 5V tolerant.
The next pin is GND and it goes to GND.
The third pin is named DIN and it goes to
Digital Pin 11.
The fourth pin is CLK and it goes to Digital
Pin 13.
The fifth pin (CS) goes to digital pin 10,
the 6th pin to digital pin 9, the 7th pin
to digital pin 8 and the last pin to digital
pin 7.
That’s it, we are now ready to load a sketch
to the Arduino and watch the display in action.
At first I am going to use the example the
company that produces this display offers.
As you can see, this demo sketch uses 65%
of the RAM memory of the Arduino Uno.
The demo sketch displays some graphics and
text, but in my opinion, the most important
thing that it demonstrates is that it can
update part of the display, without updating
the whole display.
This is very useful, because updating the
whole display takes about 2 seconds and requires
a lot of current.
In contrast, updating part of the display
is fast and it does not require a lot of current.
The biggest problem I face with this library
is that it only supports a few fonts with
very small size.
This is the biggest font size we can use.
So if we need to use a bigger font size we
are out of luck since I haven’t found any
way to design my own fonts yet.
There is another library available though,
which uses the popular Adafruit GFX library
which offers many great features like custom
fonts.
I developed a simple sketch using this library
which displays a small poem of Cavafy, my
favorite Greek poet.
You can find a link to the code of this example
in a link in the description below.
As you can see, even a small project like
this one which only displays a few lines of
text consumes 94% of the memory of the Arduino
Uno.
This library needs a lot of memory, so for
bigger projects, we need to use another board
with more memory like the ESP8266, the ESP32
or the STM32 board.
Another disadvantage of this library is that
the partial screen update does not work very
well, yet.
It seems like the hardware is great, but it
needs some time for the software for it to
mature.
Let’s now measure the power consumption
of the display.
When the display is updating it needs a lot
of current, but I was not able to measure
exactly how much with this Multimeter.
I think it peaks around 7-8 mAs for a few
seconds but this might be wrong.
When the display is not updating it draws
around 0.02mAs.
This is so impressive!
This is the display with the lowest power
consumption I have ever seen.
For comparison, the Nokia 5110 LCD display,
my favorite low power display, uses around
0.4mA of current to operate.
Of course, the Nokia 5110 does not need 2
seconds to update, and it does not require
a lot of current to update.
But, if we want a display that is going to
be updated once every few minutes, this e-paper
display is the best low-power solution we
have right now!
As a final thought, I think this display is
great!
The impressive low power consumption it offers
will enable us to build impressive battery
powered projects.
Imagine projects that can run on batteries
for years!
How cool is that?
There were no displays like these in the past
in the market.
The big e-paper display that was available
so far had an ARM processor in the back to
drive it, so it needed around 4mAs of current
when it was not updating.
It was not battery friendly.
Now, that we have a really low power e-paper
display we can build some amazing projects.
I am going to try to use it with the more
advanced ESP32 board soon, and I will post
another video, so stay tuned!
I would love to hear your opinion about this
e-paper display.
Are you going to use it in any of your projects?
Do you think it is expensive for what it offers?
Please post your ideas in the comments section
below; I love reading your thoughts!
If this is your first time here, I would love
to have you subscribed.
In this channel, I post videos about DIY projects
twice a month.
I love making things, and I believe that anyone
can make things, anyone can become a maker.
That’s why I created this channel, to share
my knowledge with the community and learn
from the community.
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I will see you in the next video!
[ Translating these subtitles? Add your name here! ]
| {
"pile_set_name": "YoutubeSubtitles"
} |
>> ♪
>> WELCOME MY FRIENDS, YOU
ARE LISTENING TO THE VOICE
OF THE ETERNAL GOSPEL.
A PROGRAM BROUGHT TO YOU
BY THE ETERNAL GOSPEL
MINISTRY.
FOUNDED IN 1992 BY
SEVENTH-DAY ADVENTIST
BELIEVERS.
THIS IS A CHRISTIAN
PROGRAM DEDICATED TO
BRINGING YOU THE PROPHETIC
FULFILLMENT, THE WARNING
AND THE REVELATION OF THE
END TIMES AND TO PROMOTE
THE ADVANCEMENT OF CHRIST
IN YOUR LIFE.
>> ♪
>> ♪
>> ♪
>> ♪
>> ♪
>> WELCOME MY FRIENDS,
AGAIN, TO THE VOICE OF THE
ETERNAL GOSPEL.
TODAY WE ARE GOING TO BE
STUDYING THE BOOK OF
REVELATION WHICH I BELIEVE
IS ONE OF THE MOST
IMPORTANT BOOKS IN THE
BIBLE.
AND I'VE GOT MISTER AND
MRS. JONES HERE WITH ME,
SO, WHY DON'T WE GO AHEAD
AND BEFORE WE STARTED
READING THE BOOK, AND
LET'S HAVE A WORD OF
PRAYER WOULD YOU AGREE?
>> LET'S HAVE PRAYER.
FATHER IN HEAVEN, WE THANK
YOU FOR YOUR PROMISE FOR A
BLESSING AS WE READ THESE
WORDS AND WE PRAY FOR THAT
BLESSING ON US HERE AND ON
THOSE THAT ARE LISTENING
AT HOME, IN JESUS NAME WE
PRAY.
AMEN.
>> AMEN.
AMEN.
MY SISTER, CAN YOU, CAN
YOU PLEASE READ CHAPTER 1
VERSE ONE, OF THE BOOK OF
REVELATION?
BECAUSE THAT WOULD BE THE
BOOK THAT WE WILL BE
STUDYING FOR SEVERAL
WEEKS, AND WE WILL SEE WHY
THE BOOK OF REVELATION IS
SUCH AN IMPORTANT BOOK.
AS WE BEGIN TO READ IT.
GO AHEAD.
>> REVELATION: 1-1, THE
REVELATION OF JESUS CHRIST
WHICH GOD GAVE UNTO HIM TO
SHOW UNTO HIS SERVANTS THE
THINGS THAT A SHORTLY COME
TO PASS AND HE SENT AND HE
SIGNIFIED IT BY HIS ANGEL
UNTO HIS SERVANT JOHN.
>> OKAY, OVER HERE, WE
SEE, AND WE SEE OUR
FRIENDS, THAT IS MESSAGE,
IT IS SO IMPORTANT THAT
JESUS HIMSELF WAS CARRYING
THE MESSAGE TO JOHN.
AND I KNOW, BROTHER
PATRICK, YOU MENTIONED
BEFORE, THE MESSAGE WAS
GIVEN TO JESUS BY GOD THE
FATHER.
>> AMEN.
>> SO, TO ME, AND TO ALL
OF US, IT SHOULD BE LIKE
TELLING US, HOW IMPORTANT
ALL OF THE PROPHECIES ARE
GOING TO BE.
ISN'T IT?
>> YES.
>> YES?
>> THE FATHER IS INVOLVED,
HE GIVES IT THE MESSAGE,
THE REVELATION, OF CHRIST,
TO JESUS, AND JESUS, IT
SAYS HE GIVES IT TO THE
ANGELS, AND THE HOLY
SPIRIT IS INVOLVED WITH
THE ANGELS, AND THE ANGEL
GIVES IT TO JOHN.
AND WE SEE INTO THE
LETTERS TO THE CHURCHES
THAT JESUS IS TALKING TO
EACH CHURCH BUT AT THE END
HE SAYS, LET HIM THAT HAS
THE SPIRIT HEAR WHAT THE
SPIRIT SAYS TO THE
CHURCHES.
>> RIGHT.
SO WE SEE THE HEAVENLY
TRIO, THEY ARE WORKING IN
THIS
>> IN PERFECT HARMONY.
>> OKAY.
ALSO IT SAYS, MY SISTER,
AND SHE READ CHAPTER 1 AND
VERSE ONE, AND HE GOES,
AND THOSE WOULD BE THE
THINGS THAT HAVE BEEN SAID
AND WHAT DOES THAT MEAN
WHEN THEY SAY THEY SIGNIFY
IT?
>> SIGNIFY MEANS, THE
SIGN-NI-FY.
>> OH, YES
>> AND PUTTING THINGS INTO
SYMBOLS AND SIGNS.
>> SO CAN WE SAY, AND THAT
THE BOOK OF REVELATION,
AND THAT GOD AND GOD'S
INTENTION WAS, SO FOR ALL
OF US TO UNDERSTAND IT,
AND TO UNDERSTAND THIS SO
CLEARLY, THAT HE PUT THIS
INTO THE SIGNS AND THE
SYMBOLS, IT WOULD BE
BETTER THAN 1000 WORDS AS
THE PEOPLE SAY.
>> WELL IT SAYS IN VERSE
ONE, THAT HE GAVE IT TO
SHOW UNTO HIS, HIS
SERVANTS.
>> WHO ARE HIS SERVANTS?
>> IT WOULD NOT BE FOR
EVERYONE BUT IT WOULD BE
FOR GOD'S PEOPLE TO KNOW
THROUGH THE SCIENCE AND
THE WORD OF GOD, THAT
WOULD EXPLAIN EACH SIGN BY
IT SELF AND BY THE WORD OF
GOD.
>> OKAY.
THAT WOULD BE GOOD TO
KNOW.
THAT YOU WOULD AGREE WITH
ME, THAT THIS BOOK SHOULD
NOT BE ONLY FOR SOME TYPE
OF PEOPLE IN THE SOCIETY,
AND FOR THE REST OF THE
PEOPLE THEY SHOULD NOT
UNDERSTAND IT, AND MAYBE
THEY COULD NOT KNOW ABOUT
IT.
>> IT IS FOR EVERYONE.
BUT, GOD HAS IN A MEANS IN
THIS WORLD AND IF THIS WAS
NOT IN SCIENCE, THE BOOK
OF REVELATION WOULD NOT BE
EXISTING TODAY.
>> THEY WOULD TRY TO WELL,
AND WE KNOW INTO THE
HISTORY, THAT EVEN AND
EVEN THE BOOK THAT THEY
HAD BEEN PUT INTO THE WAY
THAT IT WAS, AND THE
PEOPLE, AND THE CHURCHES
AND THEY WOULD TRIED TO
DESTROY THE BIBLE AND NOT
TO MAKE IT AVAILABLE.
TO THE PEOPLE.
AND WE KNOW THAT PART OF
THE HISTORY, AND MY
BROTHER AND MY SISTER,
YES.
AND HE SAYS OVER HERE,
THAT THERE WERE THINGS AND
YES, THEY WILL SHORTLY
TAKE PLACE.
CAN WE MENTION AND
ASCENDING, INTO THE
INTRODUCTION AND I WANT TO
OPEN UP THE APPETITE FOR
OUR FRIENDS, OUT HERE, TO
LISTEN TO THE PROGRAM AND
TO TAKE NOTES ON ALL OF
THIS PRESENTATION, THAT WE
ARE DOING.
CAN WE MENTION AND THE
HISTORY, CAN WE SEE IN THE
HISTORY, THE THINGS THAT
GOD THAT JESUS CHRIST HAS
SHOWN TO JOHN THAT IS BEEN
TAKING PLACE THROUGH THE
VERY LETTER?
>> ONE THING, THAT WOULD
BE, THAT WOULD BE--THE
APOSTASY THAT WOULD HAPPEN
AFTER JOHN AND ALL OF THE
DISCIPLES HAD DIED.
THAT WOULD BE A FALLING
AWAY FROM THE TRUTH.
>> YES, THE BOOK OF
REVELATION WAS WRITTEN
ABOUT WHAT YOU'RE?
95 OR 96?
AT THE END OF THE FIRST
CENTURY?
>> RIGHT.
AND CLOSE TO JOHN'S DEATH.
>> AND CERTAINLY
AFTERWARDS?
AFTER HIS DEATH, AFTER
JOHN DIE?
RIGHT?
AND HE WAS THE ONE THAT
WROTE IT?
SO AND WHAT WE WOULD SAY
BROTHER PATRICK, AND WE'RE
SAYING AND ONE OF THE
THINGS THAT WE CAN SEE,
THAT CERTAINLY WAS TAKING
PLACE IT WAS THE APOSTASY,
CAN WE, AND CAN WE TAKE A
COUPLE OF SECONDS TO
IDENTIFY THE APOSTASY?
>> THAT MEANS, APOSTASY,
IT MEANS, SIN ENTERING
INTO THE CHURCH AND THE
CHURCH FALLING AWAY FROM
THE TRUTH.
>> FALLING AWAY FROM THE
TRUE, THE BIBLE?
>> THE PLATFORM OF TRUTH.
AND THIS WOULD BE SEEN IN
THE, IN THE VISION OF THE
SEALS, WHERE, YOU HAVE THE
WHITE HORSE AND THE RED
HORSE AND THE BLACK HORSE
AND THE PALE HORSE, JESUS
TAPS INTO THE APOSTASY
THAT HAPPEN INTO THE
CHURCH.
>> WE WOULD BEGINNING AND
ALL OF THIS, TOO.
AND THIS IS SO INTERESTING
TO SEE THAT EACH ONE OF
THE SEALS, IT REPRESENTS
SOMETHING THAT WOULD BE
IMPORTANT FOR
CHRISTIANITY.
AMEN?
>> AND THE PEOPLE KNEW
WHERE THEY WERE IN HISTORY
FROM THOSE VISIONS.
>> OKAY, AND WE HAVE THE
SAME THINGS, THAT WILL
CERTAINLY AND THEY WERE
TAKING PLACE, AND THE
THINGS THAT WOULD BE
TAKING PLACE AROUND THE
CENTURIES.
>> THAT WOULD BE A VERY
IMPORTANT POINT, AND THAT
JOHN'S VISIONS, THEY WOULD
BE INTERPRETED
HISTORICALLY FROM THE TIME
OF JOHN, ALL THE WAY TO
CHRIST AND HIS SECOND
COMING.
NOT ALL THE WAY IN THE
FUTURE AND NOT EVERYTHING
IN THE FUTURE AND NOT
EVERYTHING IN THE PAST.
>> THAT WOULD BE
IMPORTANT.
BECAUSE MANY PEOPLE TRY TO
PUT THE BOOK OF REVELATION
WAY, AND EVERYTHING ON THE
BACK, AND THE PAST.
AND MOST OF THE PEOPLE PUT
THESE BOOKS OF REVELATION
IN THE FUTURE, AFTER THE
CHURCH HAS BEEN TAKEN YOU
KNOW, UP TO HEAVEN.
AND OF COURSE, THAT WOULD
NOT BE THE WAY THAT THE
BOOK OF REVELATION SHOULD
BE READ OR SHOULD BE
STUDIED.
OKAY?
ALL RIGHT, AND WHY DON'T
WE READ, MY SISTER, AND
ROBIN, AND WOULD YOU READ
VERSE TWO AND VERSE THREE,
PLEASE?
>> OKAY, SO, THE
REVELATION CAME TO JOHN,
AND IN VERSE TWO IT
SAYS--WHO BORE RECORD OF
THE WORD OF GOD AND OF THE
TESTIMONY OF JESUS CHRIST
AND OF ALL THE THINGS THAT
HE SAW.
BLESSED IS HE THAT READS
THIS AND THOSE THAT HEAR
THE WORDS OF THE PROPHECY,
AND KEEP THOSE THINGS
WHICH ARE WRITTEN THEREIN
FOR THE TIME IS AT HAND.
>> OKAY, AND THE TIME IS
NEAR AND SOME BIBLE SAY.
AND THE TIME IS NEAR.
NOW, AND THERE WOULD BE
SOME BLESSINGS THAT THE
BIBLE IS TELLING US AND
THAT GOD THE FATHER, TO
HIS SON JESUS, HE IS
TELLING US, THAT THIS IS
IN STORE FOR THOSE OF US
WHO GET INTO THE BOOK OF
REVELATION.
CAN YOU ELABORATE A LITTLE
BIT MY BROTHER JOHN,
PATRICK, I HAVE HEARD, AND
EVEN I USED TO ATTEND AN
INSTITUTION WHERE THEY
WOULD PITCH US, THAT THE
BOOK OF REVELATION WAS
SOMETIME OF A MYSTERIOUS
BOOK, THAT EVEN, AND IF
YOU WOULD STUDY IT BY
YOURSELF, YOU WOULD GO
CRAZY.
AND WE WOULD SAY AND WELL
YES, I HAVE BEEN CRAZY
BECAUSE I LOVE THE BOOK, I
LOVE THE WHOLE BIBLE WITH
THE BOOK OF REVELATION,
AND I LOVE THE PROPHECY.
AND I LOVE, AND WHY?
BECAUSE THROUGH THE
PROPHECY, IT WOULD BE THAT
WE CAN SEE, HOW CLOSE WE
ARE TO THE END.
AND HOW GOD HAS
INTERVENED, AND HE IS
INTERVENING IN HUMANITY.
RIGHT?
SO, CAN WE ELABORATE A
LITTLE BIT ON THE
BLESSING?
AND WHO READS THE BOOK?
AND WE ARE BLESSED TO READ
THE BOOK BUT NOT ONLY US,
BUT OUR FRIENDS OUT THERE
THEY WOULD BE BLESSED, AND
THEY WILL BE ABLE TO AND
FOR THOSE WHO HEAR THE
WORD OF THE LORD.
RIGHT?
OF THE PROPHECY.
SO, AND WOULD THIS BE FAIR
TO SAY THAT OUR FRIENDS
OUT THERE, AND WILL THEY
BE BLESSED LISTEN TO THE
PROGRAM?
>> THE PURPOSE OF THE
PROPHECY WOULD BE THE SAME
AS THE PURPOSE OF THE
GOSPEL, AND THAT WOULD BE,
THAT JESUS WANTS TO SAVE
US FROM OUR SINS.
THAT WOULD BE THE WHOLE
PURPOSE OF THE BOOK OF
REVELATION AND WE CAN LOOK
AT ONE OF THE BLESSINGS IN
REVELATION 22:14 AND WHERE
JESUS SAYS, BLESSED ARE
THEY THAT DO HIS
COMMANDMENTS THAT THEY MAY
HAVE THE RIGHT TO THE TREE
OF LIFE AND THEY MAY ENTER
IN THROUGH THE GATES INTO
THE CITY AND WHAT A
WONDERFUL BLESSING THAT IS
FOR THOSE WHO WILL KEEP
THE COMMANDMENTS OF GOD BY
FAITH IN JESUS THROUGH THE
POWER OF THE INDWELLING
HOLY SPIRIT.
>> AMEN.
AMEN.
AND NEITHER, I MEAN, AND
WE KNOW, THAT FOR PETER
AND HE SPOKE ABOUT THE
IMPORTANCE OF THE
PROPHECY.
THE SECOND BOOK OF PETER,
AND MAYBE WE COULD GO
THERE QUICKLY.
AND THAT TIME IS GOING SO
QUICKLY AND FAST, AS WE GO
ON THE AIR, AND THE SECOND
PETER, AND THE SECOND BOOK
OF PETER AND CHAPTER 1:19.
AND SINCE THAT BOOK OF
REVELATION IS A BOOK OF
PROPHECY, WE WOULD BE
BETTER OFF LISTENING TO
PETER AND WHAT HE SAYS.
GO AHEAD, READ IT PLEASE,
MY SISTER.
>> WE HAVE ALSO A MORE
SURE WORD OF PROPHECY
WHERE UNTO YOU DO WELL
THAT YOU WOULD TAKE HEED
AS UNTO A LIFE THAT WOULD
SHINE IN A DARK PLACE,
UNTIL THE DAY DAWNS, AND
THE DAYSTAR ARISES IN YOUR
HEART.
>> SO, IF THE WORD OF GOD
IS TELLING US THAT WE
SHOULD PAY ATTENTION TO
THE PROPHECIES, THE BOOK
OF REVELATION, JESUS IS
SAYING, THAT WE WILL BE
BLESSED IF WE WILL READ IT
AND IF WE WOULD LISTEN,
SO, AND THE LEAST THAT WE
COULD DO WAS SIMPLY TO
FOLLOW THE CONCEPT OF
JESUS.
SO HE WOULD WANT US TO BE
SAVED?
AND IT SAYS WILL BE HERE,
TO SHINE INTO THE DARK
PLACE.
WE ARE LIVING IN THE DARK
WORLD.
ISN'T IT?
TODAY?
AND WE NEED THE LIGHT OF
JESUS AND THAT WOULD GO
ACROSS THE WORLD.
FOR THE KINGDOM.
>> I WAS THINKING, THAT
THE PROPHECY, IT HAS MUCH
TO DO WITH THE THINGS THAT
WILL SHORTLY, TO PASS AND
SO, WE DO NOT KNOW ON OUR
OWN ANYTHING THAT WOULD BE
COMING TO PASS SHORTLY
THAT WOULD BE A DARK
PLACE, AND THAT WOULD BE A
MORE SURE WORD OF PROPHECY
THAT WOULD LIGHT UP, IT
WILL SHOW EACH STEP THAT
WE MUST TAKE AND THE
PURPOSE AGAIN, THAT THE
DAYSTAR WOULD ARISE IN OUR
HEARTS, AND THAT IS
DAYSTAR WOULD BE JESUS
CHRIST, THE MORNING STAR.
>> AMEN.
WE WILL BE RIGHT BACK.
>> TOP SCHOLARS AND
THEOLOGIANS FROM AROUND
THE COUNTRY COME TOGETHER
TO REVEAL THE HIDDEN
HISTORY OF THE BOOK OF
REVELATION.
WITH POWERFUL REENACTMENTS
AND INCREDIBLE VISUAL
EFFECTS THIS 95 MINUTE
MASTERPIECE BRINGS TO LIFE
THE BOOK OF REVELATION
LIKE NEVER BEFORE,
REVELATION IS NO LONGER A
MYSTERY GET YOUR COPY
TODAY.
>> CRESCENDO
>> [BOOM]
>> OKAY, AND WE ARE BACK.
MY BROTHER PATRICK, ON
VERSE FOUR, OF CHAPTER 1
OF REVELATION, IT TALKS
ABOUT THE SEVEN CHURCHES,
AGAIN, AND NUMBER SEVEN
MEANING, COMPLETELY, AND
FULLNESS, AND SO, AND THE
MESSAGE, AND THIS IS, AND
GOD'S INTENTION WAS TO
BRING TO EVERYBODY INTO
ALL OF THE CHURCHES, AND
TO HAVE THE HISTORY?
ISN'T THAT RIGHT?
>> WELL, IT ALSO APPLIES
TO THE SEVEN CHURCHES IN
JOHN'S DAY.
>> OKAY.
>> BUT, YOU ARE RIGHT AND
THEY DO HAVE THAT
APPLICATION WERE THE FIRST
CHURCH WAS FOR THE FIRST
ERA, FOR THE FIRST TIME OF
CHRISTIANITY AND THE SEVEN
THE CHURCH WOULD BE THE
LAST, AND THE TIME THAT WE
ARE LIVING IN NOW.
>> RIGHT.
I BELIEVE THAT WE COULD BE
ABLE TO PROVE WITH, YOU
KNOW, AND WITH THE
PROPHECIES AND FOR THESE
EVENTS, AND THE THINGS OF
THE NEWS, AND EVERY DAY,
AND EVERYDAY LIFE WE ARE
SEEING, THAT THE SIGNS,
AND THEY ARE FOLLOWING
WHAT THE BIBLE SAYS AND
THE SIGNS THAT WILL BE
GIVEN AND FOR THE BIBLE
THESE THINGS HAVE BEEN
GIVEN, AND THERE SEEN
TODAY IN THE WORLD.
NOW, SO, THE VERSE FOUR
AND FIVE, OF THE VERSE
FOUR, AND CAN YOU READ
THAT, PLEASE?
>> WELL, AT VERSE FOUR
SAYS, JOHN TO THE SEVEN
CHURCHES WHICH ARE IN
ASIA, GRACE BE UNTO YOU
AND PEACE FROM HIM WHO IS,
AND WHICH WAS, AND WHICH
IS TO COME.
THAT WOULD BE GOD THE
FATHER AND FROM THE SEVEN
SPIRITS ARE BEFORE HIS
THRONE AND FROM JESUS
CHRIST WHO IS THE FAITHFUL
WITNESS AND THE FIRST
BEGOTTEN OF THE DEAD AND
THE PRINCE OF THE KINGS OF
THE EARTH.
>> OKAY, SO, CAN WE SAY,
THAT THE HEAVENLY THREE
LIKE YOU WERE SAYING,
>> YES.
>> ALL RIGHT.
>> THREE DISTINCT AND
ETERNAL BEINGS, WORKING IN
PERFECT HARMONY, TO SAVE
US FROM OUR SINS.
>> AND LET ME ASK ROBIN,
IF I WOULD SAY, WHAT WOULD
BE THE MAIN PURPOSE FOR
THE GODHEAD AND FOR THE
HEAVENLY TRIO?
FOR GOD THE FATHER, JESUS
CHRIST, AND THE HOLY
SPIRIT?
WHAT WOULD BE THE MAIN
PURPOSE OF THAT?
FOR US?
>> THEY ARE SELF EXISTENT,
THEY WOULD BE OUR CREATOR,
THEY CREATED US.
AND THEY LOVE US SO MUCH
THAT THEY SENT JESUS TO
DIE FOR US, AND SO THAT
WOULD BE THE HOLY NAME OF
JESUS, HE SHALL SAVE HIS
PEOPLE FROM THEIR SINS.
>> RIGHT.
AND THEN YOU KNOW, AND SO
MUCH, AND THEY HAVE GIVEN
TO US ALL OF THE WARNINGS,
AND ALL OF THE PROPHECIES
AND WE WILL BELIEVE IN THE
THINGS THAT THEY'VE BEEN
TELLING US.
WOULD THAT BE TRUE?
>> YES.
>> AND IT SAYS GRACE AND
PEACE FROM EACH ONE OF
THEM.
>> OKAY.
SO, IT COMES ON THE VERSE
SEVEN, IN VERSE SEVEN OF
CHAPTER 1, AND WE ARE
SPEAKING ABOUT THESE
THINGS, THAT WERE
PROPHESIED AND WE HAVE
BEEN SEEING ALREADY IN
HISTORY, BUT THE GREATEST
EVENT, AND THAT
CHRISTIANITY HAS BEEN
WAITING FOR, AND WHAT IS
THAT?
>> THE SECOND COMING OF
CHRIST.
>> THE SECOND COMING?
AND THAT WOULD BE ONE OF
THE MAIN REASONS THAT WE
WOULD CALL OURSELVES THE
SEVENTH-DAY ADVENTIST, AND
WE ARE THE ADVENTIST, WE
ARE THE BELIEVERS.
BECAUSE WE WANT TO LET THE
WHOLE WORLD KNOW THAT WE
ARE WAITING AND WE WANT TO
BE READY FOR THAT EVENT.
AND WHEN JESUS WOULD COME
AND PUT AN END TO ALL OF
THE SUFFERINGS AND THE
PAINS AND THAT WOULD BE SO
MANY I'M SURE THAT WOULD
BE LISTING TO US, YOU
KNOW, AND MOST OF OUR
FRIENDS, AND MANY OF OUR
FRIENDS, AND YOU KNOW, AND
FOR THE HOSPITALS, AND
THOSE WHO ARE SICK, AND
THOSE THAT MIGHT GO
THROUGH A DIVORCE, AND GOD
AND GOD IS TELLING US HEY,
YOU KNOW WHAT, AND VERY
SOON I WILL PUT IN INTO
ALL OF THIS, AND THAT
WOULD BE A CONDITION AND
WE NEED TO MAKE OURSELVES
READY FOR HIS COMING.
AND, AND VERSE SEVEN, AND
CHAPTER 1 OF REVELATION
AND I SAY, WOULD YOU BE
THAT?
>> 1:7 SAYS, BEHOLD, HE
COMES WITH THE CLOUDS AND
EVERY EYE SHALL SEE HIM.
AND THEY ALSO WHO PIERCED
HIM AND ALL OF THE
KINDREDS OF THE EARTH
SHALL WAIL BECAUSE OF HIM,
EVEN SO AMEN.
>> SO, JESUS IS TELLING
US, THE WORD OF GOD IS
TELLING US, THAT HE, AND
TALKING ABOUT JESUS, HE IS
COMING WITH THE CLOUDS.
AND WHAT ELSE?
AND EVERY AND HOW MANY
EYES WILL SEE HIM?
WHEN HE COMES?
>> EVERY EYE.
>> EVERY EYE WILL SEE HIM.
SO, AND WHEN THE BIBLE
SAYS EVERY EYE WILL SEE
HIM, CAN THAT MEAN, AND
MORE, AND MORE CLEAR, AND
MAYBE IN LANGUAGE WHATEVER
YOU MIGHT USE, AND ALL OF
THE GUYS AND THE REASON I
SAY THIS, AND I AM SURE,
AND YOU WOULD BE FAMILIAR
AND WITH THAT THEORY, THAT
ONLY A FEW SELECT WILL BE
ABLE TO TAKE A NOTICE WHEN
HE WILL COME BACK.
AND ONLY THOSE FEW PEOPLE
ARE GOING TO BE YOU KNOW,
KIND OF CAUGHT UP WITH
JESUS AND IT WOULD GO UP
INTO HEAVEN.
>> JESUS IN MATTHEW 24, HE
WARNS US AGAINST THIS AND
HE SAYS, IF THEY SAY THAT
HE WOULD BE IN THE SECRET
CHAMBERS, DO NOT GO
FORWARD, BUT HE WOULD BE
IN THE DESERT, DO NOT GO
FOR, BUT JESUS HIMSELF
SAYS THIS, OUT OF HIS OWN
LIPS, TO THE DISCIPLES
BEFORE HE WAS CRUCIFIED SO
THAT THEY WOULD KNOW NOT
TO BE DECEIVED.
>> SO JESUS UNDERSTOOD, HE
KNEW THAT THE ENEMY WOULD
BE DECEIVING SO MANY
PEOPLE IN RELATIONSHIP TO
HIS COMING?
>> YES.
ABSOLUTELY AND HE SAYS, IN
MATTHEW 24
>> ABOUT THREE OR FOUR
TIMES?
IN RELATIONSHIP TO HIS
COMING?
AND WE WOULD GET INTO
THIS.
AND LET US SEE, HOW WE
CAN.
>> JOHN 3:16 SAYS FOR GOD
SO LOVED WHAT?
>> THE WORLD.
>> THE WORLD.
JESUS CAME TO THE FIRST
TIME TO SAVE EVERYONE IN
THE WORLD FROM THEIR SINS.
AND HE WAS THE MESSIAH AT
HIS FIRST ADVENT, BUT HE
IS COMING AGAIN FOR HIS
SECOND COMING AND THE
SECOND ADVENT, AND HE IS
COMING FOR THE ENTIRE
WHOLE WORLD, HE WANTS THE
WHOLE WORLD TO BE SAVED,
BUT HE GIVES US FREE
CHOICE.
SO HERE IN VERSE SEVEN IT
SAYS EVERY EYE WILL SEE
HIM BECAUSE EVERYONE IS
GOING TO HAVE A CHANCE TO
MAKE A DECISION ABOUT
BEING PREPARED FOR THE
COMING OF CHRIST.
>> AND I CANNOT THINK OF
AGAIN, AND SINCE WE ARE
STUDYING THIS AND WE ARE
STARTING TO GET INTO THE
BOOK OF REVELATION, THAT
WOULD BE NO OTHER BOOK OF
THE BIBLE THAN THE BOOK OF
REVELATION, THAT WILL IT
WILL PRESENT TO US, OR IT
WILL EXPOSE TO US, THE
DECEPTION OF SATAN.
OF THE ENEMY?
>> THAT WOULD BE RIGHT.
AND THAT WOULD BE THE
REASON AND THAT WOULD BE
ONE OF THE MAIN REASONS
THAT WE SHOULD BE STUDYING
THE BOOK.
OKAY?
AND HE WILL COME, AND IT
SAYS OVER HERE, ON THE
SAME IN VERSE SEVEN, AND
IN ALL OF THE TRIBES WITH
A WILL DO WHAT?
ALL OF THE TRIBES OF THE
EARTH THEY WILL DO WHAT?
>> WAIL.
>> THEY WILL MOURN.
AGAIN, IT WOULD NOT JUST
BE, IT WILL NOT JUST BE
COMING, AND A GROUP OF
PEOPLE, AND THAT WOULD BE
NOTICING IS COMING, BUT
EVERYBODY.
THE MAJORITY WILL DO WHAT?
MOURNING.
THEY WILL BE SUFFERING,
BUT WHY?
AND WHY OF THE MAJORITY OF
THE PEOPLE WOULD BE
SUFFERING?
AND WHY WOULD THEY NOT
REJOICE WHEN JESUS COMES
BACK?
WHY?
>> I THINK BECAUSE THEY
HAVE SET THEIR AFFECTIONS
ON THE THINGS ON THE EARTH
RATHER THAN ON THE THINGS
ABOVE.
COLOSSIANS SAYS THAT WE
SHOULD SET OUR AFFECTIONS
ON THINGS ABOVE AND NOT ON
THE EARTH, AND THIS SHOWS
THAT ALL OF THE KINDREDS
OF THE EARTH SHALL WILL
BECAUSE OF HIM, GOD WILL
HAVE PEOPLE THAT ARE SAVED
FROM ALL OF THE KINDREDS
OF THE EARTH, BUT THE
MAJORITY OF ALL OF THE
CLASSES OF PEOPLE WILL
REFUSE TO LOOK TO JESUS.
AND WE CAN GET INTO THIS
IN THE BOOK OF REVELATION,
YOU KNOW AND WE CAN'T GET
INTO THIS DEEPER, FOR
REVELATION CHAPTER 14 AND
FOR INSTANCE THIS COMES TO
MY MIND, AND FOR THOSE
THAT WILL RECEIVE THE MARK
OF THE BEAST THEY WILL NOT
ENTER AND IT WILL NOT GO
WITH JESUS.
UNFORTUNATELY AND FOR
THAT.
AND THAT WOULD BE THE
REASON THAT WE WILL SEE
THIS AND WE SHOULD BRING
ALL OF THE PROPHECIES, AND
ALL OF THE MESSAGES TO THE
PEOPLE SO THAT THEY WILL
BE, THEY WILL KNOW WHAT TO
CHOOSE, AND THEY WILL KNOW
THEIR DECISION THAT THEY
ARE MAKING AND WE TALK
ABOUT THE SECOND COMING OF
THE BOOK OF REVELATION
6:16, AND LET'S AND LET'S
READ THAT, PLEASE?
AND BECAUSE, AND AGAIN AND
JESUS HE IS COMING FOR HIS
PEOPLE AND EVERYBODY WILL
SEE HIM AND HE SAYS THIS
MEANS, AND THAT WOULD MEAN
THAT HE WOULD NOT, LIKE
VERY QUIETLY, HE WOULD NOT
LIKE SOME PEOPLE MIGHT
BELIEVE, BUT IT SAYS RIGHT
HERE FOR THE BOOK OF
REVELATION, CHAPTER 6:16.
>> AND READ VERSE 15.
>> OKAY
>> AND THE KINGS OF THE
EARTH AND THE GREAT MEN
AND THE RICH MEN AND THE
CHIEF CAPTAINS AND THE
MIGHTY MEN AND EVERY
BONDMAN, AND EVERY FREEMAN
HID THEMSELVES IN THE DENS
AND IN THE ROCKS OF THE
MOUNTAINS AND THEY SAID
UNTO THE MOUNTAINS AND THE
ROCKS, FALL UPON US AND
HIDE US FROM THE FACE OF
HIM WHO SITS ON THE THRONE
AND FROM THE WRATH OF THE
LAMB.
>> OKAY, SO, AND FOR THE
NEXT VERSE, AND 17?
>> FOR THE GREAT DAY OF
HIS WRATH HAS, AND WHO
SHALL BE ABLE TO STAND?
>> SO, AGAIN, AND THIS HAS
BEEN DESCRIBED AGAIN FOR
THE DAY OF JESUS COMING,
AND THIS IS OVER HERE, THE
RICH MAN AND THE POOR MAN,
THE FREEMAN, THE BONDMAN,
AND IT DOES NOT MATTER.
AND IF A PERSON DOES NOT
MAKE PREPARATION THEY WILL
BE LAMENTING THAT DAY.
>> YES.
>> IS THAT, IS THAT WHAT
GOD WANTS US TO DO?
>> NO.
>> OF COURSE NOT.
>> JESUS DID NOT WANT THAT
AT ALL.
>> NO.
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Die Fische und ich - wir fliegen.
Das ist Virtual Reality.
Und das bin ich. Zusammen mit einer Schamanin.
Meine Aufpasserin in der virtuellen Welt.
Ich werde Menschen treffen, die plötzlich jemand sein können, der sie in der echten Welt nicht sind.
Letztendlich kennt man sich nicht, man ist
anonym, hat keine Vorurteile.
Man will eigentlich nur noch in dieser technischen Traumwelt, die ich mir bauen kann,
wie ich sie möchte, leben.
Was wird aus mir in der virtuellen Welt?
Bin ich noch ich?
Berlin. Hier wohnt die Schamanin.
Um VR zu erleben, muss ich mindesten 8 Stunden drin sein. Hat sie mir gesagt.
Ich mache 12.
Das ist Jurek.
Ich soll etwas Vertrautes mitbringen.
Habe ich. Mein Kissen.
Das ist Sara. Sie ist die erste Virtual Reality Schamanin.
Was auch immer das sein soll - ich werde es herausfinden.
Eigentlich ist sie Game-Designerin.
Okay, ich hab alles.
Dann kann ich meinen Kaffee noch kurz holen.
Und ich habe auch geiles Wasser, so gefiltertes,
energetisiertes, gesquirltes Wasser.
Ja?
Was kann das?
Ja das ist geil, das ist energetisiert.
Das hat quasi so einen Wasserfilter und dann
so einen Verwirbler, der das Wasser auflädt.
Was warst du denn zuerst?
Warst du zuerst VR-begeistert oder warst du
zuerst Schamanin?
Hmm, ich glaube das kann man nur schwer sagen,
mit dem Schamanen-sein oder -werden.
Ich glaube, man hat so ein Gefühl dafür.
Ich würde sagen, ich hatte schon immer so
einen emphatisches Vermögen und ich habe
mich auch immer schon gerne um Dinge gekümmert
oder dafür interessiert, die ein bisschen
weiter gingen als jetzt nur
die materialistische Welt.
Wenn ich gleich die Brille aufsetze, passt Sara auf mich auf.
Ich soll sie möglichst nicht abnehmen. Muss ich aufs Klo, kommt sie mit.
Ist das stink normales Holz?
Ne, das ist Palo Santo - Holz, kennst du?
Weg mit dem Gedanken. Erstmal ein Hölzchen anzünden.
Das riecht ganz geil.
Und das ist gut für die Energie im Raum.
Ihr merkt, VR hat bei ihr etwas mit Spiritualität zu tun.
Sie glaubt, VR kann den Menschen zurück zur Natur bringen.
Eine kleine Stimme in mir ruft "Hokus Pokus". Aber ich versuche, mich auf alles einzulassen.
Jetzt: Qi Gong.
Hungrig.
Also ich merke, dass ich so ein bisschen zittrig
werde in den Beinen und ich sollte auf jeden
Fall noch etwas essen,
bevor ich in die virtuelle Welt gehe.
Dieses Gefühl wird mich noch
eine ganze Weile begleiten.
Nüsse und Gemüsesticks - Meine
einzige Stärkung in den nächste 12 Stunden.
Ich fühle mich wie vor einer Narkose.
Der Gedanke daran, gleich 12 Stunden
weg zu sein, macht mich nervös.
12 Stunden!!
Bis später.
Viel Spass.
Meine Erwartungen an die VR sind riesig.
Das soll doch die Zukunft sein.
Alles ist möglich.
Und dann sind die da.
What?
Bis jetzt fühlt sich das nicht an wie ein Trip. Eher als ob ich direkt vor einem Fernseher stehe.
Das war jetzt sozusagen so ein schamanischer
Tanz, der dich ein bisschen abgeholt hat.
Das waren twerkende animierte Katzen, hätte
ich jetzt gesagt.
Die erste Welt hat mich nicht begeistert.
Vielleicht wird’s ja gleich besser.
Im Spiel Deep kann ich, was in der Realität
nicht möglich ist: Fliegen.
Mit meiner Atmung und den beiden Controllern
steuere ich meine Bewegungen.
Das fühlt sich auf jeden Fall
ziemlich trippy an.
Oh no.
Da geht’s ziemlich weit nach unten.
Ich würde echt gerne jetzt schon eine Pause
machen irgendwie.
Ich bin erst eine Stunde drin
und mir wird schon übel.
Schamanismus hin oder her: Ich bin echt froh,
dass Sara da ist und sie so ruhig bleibt.
Man kann Bewegungsübelkeit, also Motion Sickness
auch damit vergleichen wie mit einer Vergiftung.
Dein Gehirn reagiert mit der Übelkeit, weil
es denkt, dass dein Körper vergiftet wird.
Sara ist gut vorbereitet, der Ingwer soll
gegen die Übelkeit helfen.
Schmeckt scheiße.
Ich fühle mich wie in einem schlechten Traum,
mit dem einzigen Unterschied, dass ich genau
weiss, dass ich wach bin.
Vorher war ich echt so kurz davor, die Brille
abzuziehen, habe schon so gemacht und dann
irgendwas in mir hat wieder losgelassen und
meinte: Nö, jetzt bleibst du einfach noch
ein bisschen drin, schließt die Augen und
atmest tief durch.
Ich versuch’s mal mit Pornos, obwohl ich
eigentlich nicht drauf stehe.
Wer weiss, vielleicht ändert sich das in
der Virtualität ja gleich.
Ich glaube, die steht auf mich.
Ist das die Erotik der Zukunft?
Oh God, Jesus, No!
Ja, ne.
Mega eklig.
Abgeleckt.
Ich frage mich, woher sich die beiden kennen.
Klar, mit einem Kameramann daneben, kommt
man nicht wirklich in Stimmung.
Trotzdem habe ich das Gefühl, vor echten
Männern zu liegen und frage mich: Sind VR-Pornos
schon betrügen?
Geh ich hier fremd?
Auf zur nächsten sozialen Interaktion.
In Recroom treffe ich gleich Nicole.
Ich habe sie in einem Forum kennen gelernt,
im echten Leben aber nie gesehen.
Vor dem Spiel
ploppt ein Verhaltenskodex auf.
Warum, werde ich später merken.
Seid lieb miteinander, keine sexistische,
rassistische diskriminierende oder beleidigende
Sprache, Symbole oder Verhalten.
Es wird schon oft davon berichtet, dass vor
allem mit Frauen komisch umgegangen wird.
Und es ist auch so eine Sache, du kannst ja
ganz nahe an den Avatar rangehen und kannst
dem halt auch irgendwo hinfassen, wo derjenige,
der den Avatar anhat, das nicht möchte.
Ich denke mir nicht viel dabei, möchte lieber
einen eigenen Avatar aussuchen.
Die Charaktere überzeugen mich nicht, trotzdem
suche ich nach einer Figur, die mir möglichst
ähnlich sieht.
In Recroom bewege ich mich durch beamen.
Ich merke, dass das meinem Gleichgewichtssinn
nicht geheuer ist.
Mein automatisch generierter Name ist übrigens
AromaticOstrich – aromatischer Strauss.
Nope.
Schnell weg hier.
Ich merke auch, dass ich wie
in der echten Welt reagiere.
Sobald ich komisch angequatscht werde, schaue ich einfach weg oder tu so, als wären sie nicht da.
Obwohl diese Halle nicht real ist, fühle
ich mich hier ziemlich unwohl und setze mich
soweit wie möglich weg von den anderen Avataren.
Nicole ist auch noch nicht da.
HI!
Ich hab dich, juhu!
Es hat geklappt, sehr gut.
Sitze ich eigentlich?
Allgemein sitze ich während des Trips am
liebsten auf dem Boden, das gibt mir irgendwie
Sicherheit.
Und jetzt werde ich gleich verstehen, wieso es
hier einen Verhaltenskodex braucht.
WHAT?
Was hat er gerade gesagt?
Cock. Penis. Eine unangenehme Situation. Nicole und ich entfliehen in den Park.
Das ist nicht in VR nur so, das ist auch generell
in Spielen so, dass man, gerade wenn sie eine
weibliche Stimme hören, dass man da dann
doch oft angesprochen wird.
Ja?
Wie reagierst du denn da?
Weil ich habe jetzt einfach immer weggeschaut.
Ja, ich sage halt auch hallo.
Okay.
Fange irgendwie ein Gespräch an und dann
ist die Sache erledigt.
Für sie ist die Sache gegessen, für mich
nicht so wirklich.
Wir spielen erst mal was.
Ist das ganz normales Tennis?
Das Spiel und die Grafik in Recroom begeistern
mich nicht.
Aber die Vorstellung, dass irgendwo in Deutschland
zwei Menschen rumhampeln um hier zusammen
zu spielen, finde ich ganz witzig.
Nicole erzählt mir, dass Virtual Reality
für sie ein Hobby ist – nicht mehr, nicht weniger.
Was mich halt fasziniert ist, dass man sich
einfach zusammenfindet und sagt, komm wir
spielen miteinander das Spiel.
Weil letztendlich kennt man sich nicht, man
ist anonym.
Man hat keine Vorurteile dem anderen gegenüber.
Ja, da kann so ein Miteinander entstehen,
dass im echten Leben vermutlich gar nicht
zustande kommen würde, weil man sich nie
kennen lernen würde.
Wenn man jemanden auf der Strasse sieht und
dann denkt, oh der ist viel älter als ich,
würde man niemals ansprechen.
Aber im Spiel ... man hört nur die Stimme,
man sieht den Charakter, so wie wir uns jetzt
sehen, aber alles andere - es spielt keine
Rolle, wie jemand aussieht, wie alt, welches
Geschlecht, nix.
Alles klar.
Dann noch einen schönen Abend und gute Nacht.
Ja, gleichfalls.
Tschüss!
Ich bin jetzt seit 9 Stunden in Virtual Reality,
es ist anstrengend.
Psychisch, weil ich mich ständig auf neue
Welten einlassen muss und physisch, weil mein
Körper reagiert, als hätte ich Grippe.
Ich fühle mich fiebrig.
Würdest du sagen, VR ist eine Art von Eskapismus?
Klar hat es die Züge.
Vor allem diese Vision von: Die Welt wird
immer dreckiger und unbewohnbarer und man
will eigentlich nur noch in dieser technischen
Traumwelt, die ich mir bauen kann, wie ich
sie möchte, nach meinen
eigenen Vorstellungen, leben.
Das ist ja fast so wie Pippi Langstrumpf nur
halt ein bisschen auf Steroiden.
Ich komme in die nächste Welt und bin direkt
wieder überfordert.
Was ist bitte der richtige Satz
um einen Gecko zu begrüßen?
Wir sind in 114 Harvest. Einer Sansar-Welt.
Shyla und Cody habe ich über den Macher dieser
Nachbarschaft kennen gelernt.
Er hat sie für Menschen gebaut, die körperlich
oder geistig beeinträchtig sind.
Hier können sie sich treffen und austauschen.
Cody führt uns zu seinem Haus, das er gerade
noch einrichtet.
Eine surreale Situation.
Im echten Leben sind wir in
Berlin, Kalifornien und Ilinois.
Und hier sitze ich in einem Wohnzimmer mit
einem Jungen und einem Gecko.
Shyla erzählt mir von ihrer Osteoarthritis,
die starke chronische Schmerzen verursacht.
Virtuelle Welten helfen ihr, mit Menschen
in Kontakt zu treten und Beziehungen aufzubauen.
Cody und Shyla haben sich in der Virtualität
kennen gelernt.
Im echten Leben aber noch nie getroffen.
Weil Cody nur sehr undeutlich reden kann,
übersetzt Shyla.
Vor unserem Treffen hatten wir nur Kontakt
über Email.
Und jetzt sieht Cody nur meinen Avatar, hat
keine Ahnung wie ich aussehe oder wie ich
wirklich bin.
Ich bin überrascht, wie offen er mit mir ist.
Das Treffen mit Shyla und Cody macht mir klar,
dass Virtual Reality einigen Menschen neue
Welten eröffnet.
Zum ersten Mal vergesse ich, dass ich bei
Sara zu Hause auf dem Boden sitze und nehme
die Virtualität komplett an.
Die beiden wollen mir noch ein Haus zeigen,
aber als ich diese Treppe runtergehe, wird
mir wieder übel und ich bin raus.
Kannst dich auf die Seite drehen, vielleicht ne?
12 Stunden, geschafft.
Ich kann nicht mehr.
Sara holt mich schrittweise in die Realität
zurück.
Aber: Plötzlich will ich nicht mehr zurückkommen.
Habe ein bisschen Angst, die Augen zu öffnen.
Und ich habe hier noch was für dich.
Etwas für den erfolgreichen VR-Nauten.
Okay.
Wow.
Also es ist ein bisschen so, als wäre ich
gerade aufgewacht.
Nach einer sehr, sehr anstrengenden Nacht
irgendwie.
Mein Herz schlägt auch ziemlich heftig gerade.
Und ich bin müde, aber jetzt merke ich auch, wie viel abfällt von mir und glücklich bin.
Irgendein Glückshormon
wird ausgeschüttet, jedenfalls.
Ich habe dich jetzt heute eigentlich viel
mehr über deine Stimme kennen gelernt, ist
ein bisschen weird, dich jetzt zu sehen.
Ja, same.
Der ist cool.
Ich bin ziemlich fertig, ehrlich gesagt.
Der Trip liegt jetzt schon eine ganze Weile zurück, aber ich muss sagen in den ersten Tagen danach
hatte ich ziemlich oft Flashbacks, d.h. die Bilder und die Erfahrungen die ich da gesammelt habe
sind mir wieder hochgekommen und
ich habe ziemlich oft davon geträumt.
Mir ist bewusst, dass das nicht die normale Art ist Virtual Reality zu nutzen, deswegen würde es mich
interessieren, wie ihr das normalerweise macht.
Schreibt's mir gerne in die Kommentare, ich freue mich mit euch zu diskutieren.
Falls ihr jetzt noch Bock habt auf einen weiteren Film dann empfehle ich euch einen über E-Sports,
der ist auch vom Y-Kollektiv.
Und sonst schaut gern auf unserem Zweitkanal Y-zwei vorbei.
Da kommt nächste Woche auch das Q&A zu diesem Film.
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Hier sind die heise online News mit Isabel
Grünewald
Kritische Lücken in WPA2 gefunden
Schwachstellen im WPA2-Protokoll führen dazu,
dass Angreifer eigentlich geschützten Datenverkehr
mitlesen könnten.
Davon sind im Grunde alle Geräte mit WLAN-Chip
bedroht.
Das WLAN-Passwort ist aber nicht gefährdet.
Bis Patches verfügbar sind, muss man davon
ausgehen, dass Dritte mitlesen können.
Man sollte bei der Übertragung von persönlichen
Informationen darauf achten, dass eine Extra-Verschlüsselung
wie HTTPS zum Einsatz kommt.
US Supreme Court wird über US-Zugriff auf
EU-Daten entscheiden
Die US-Regierung will Microsoft zwingen, in
der EU gespeicherte Daten in die USA zu holen
und preiszugeben.
Bislang vergeblich.
Nun widmet sich der US-Supreme-Court dem Fall.
Ausgangspunkt ist das seit 2013 laufende Verfahren
USA v.
Microsoft.
Damals hatte ein New Yorker Bundesbezirksgericht
einen Durchsuchungsbeschluss erlassen, der
Microsoft verpflichtete, E-Mails eines Kunden
herauszugeben.
Der Konzern überreichte einen Teil der Nachrichten,
weigerte sich aber, auch auf Servern in Irland
gespeicherte Daten auszuhändigen.
Forscher beobachten erstmals direkt Quelle
von Gravitationswellen
Die größten Detektoren haben schon mehrmals
Gravitationswellen als Zeugnisse extremster
Ereignisse im All registriert.
Nun konnten sie dank ihnen erstmals direkt
die Verschmelzung zweier Neutronensterne beobachten.
Weltweit blickten 70 Teleskope auf die sich
rasch wandelnde Kilonova, darunter auch das
Weltraumteleskop Hubble der NASA.
Für Astronomen beginnt damit eine neue Ära.
20.
Hannah-Arendt-Tage werden eröffnet
Am heutigen Dienstagabend werden um 19 Uhr
in der Galerie Herrenhausen in Hannover die
20.
Hannah-Arendt-Tage eröffnet.
In ihrem Eröffnungsvortrag will die Juristin
und Essayistin Yvonne Hofstetter der Frage
nachgehen: "Wissen – Macht – Meinung:
Wie demokratisch wird das digitale Jahrhundert?"
Die Eröffnungsveranstaltung wird im Livestream
auf heise online übertragen.
Diese und alle weiteren aktuellen Nachrichten
finden sie auf heise.de
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Hi everyone, this is a video to show you how
to make a SMaSH ale with this particular one
I've made it from Maris Otter and a new hop
to us which is called Jester. Recently we
were at the SIBA conference in Liverpool and
Charles Faram were there with all their different
selections of hops and one of them was Jester
and it smelt amazing the aroma was fantastic
so I thought right I want to make a beer out
of that one and get it in as well so that
it's available for you lot to buy. This is
a test batch as it were to see what kind of
flavour Jester brings to a beer, which is
why I've chosen to do the single malt single
hop option just to allow that flavour to come
through. This is the finished product at the
moment it's an experimental beer so I'm looking
forward to trying it and see what it tastes
like and then we can also let you guys know
what it's like as well. The rest of the video
is using the brew in a bag method it will
take you through that method step by step.
Now to formulate the recipe, because I haven't
done this one before I used Brewer's Friend
so this is my recipe here that I've printed
out from there and you just pop in all your
parameters, you know your set up efficiency,
your boil amount, batch amount things like
that and it will work everything out for you.
You can also play around with the hop additions
that you want in there and it will alter the
IBU accordingly. You can just play around
with it, it's a fantastic tool to us. I'm
using the Crafty Fox Kettle so this is the
BIAB method of brewing. I've got my mashing
bag in there which is connected by these syphon
tube clips, so multiple uses for syphon tube
clips. I've heated the water to 71 degrees
C and to let you know it's filled to 26 litres,
this has a 30 litre capacity. For this I've
filled it to 26. Now you heat it to 71 and
I've used the Inkbird to do that. Once at
71 turn it off then add the malt because the
mashing temp we are aiming for is 65 degrees
C. So the temperature will slowly be going
down, yeah it's still at 71 but it will gradually
go down and it will hit the target mashing
temp. It depends what temp you are mashing
at as to what temp you start at but for example
with a Stout I made recently I started the
temp at 75 and then that dropped down to,
I think, 68 degrees, so that just gives you
an idea there. Today we're at 71 dropping
down to 65. I may just leave this a tiny bit
longer before adding the grain and then I
let it just get to 70 add the grain and then
it will come down further. Adding 4 kg of
Maris Otter and then as you, as you're adding
just make sure that you get rid of any dough
balls. All the grain in there you can now
remove the clips so that you can pop the lid
on. Just got the Inkbird controlling the temp
again making sure that it stays at 65. There
is a version of this available with the Inkbird
on the website so it's one worth considering.
This particular one I'm using doesn't come
with it which is why it's just sat in there.
Pop the lid on and just keep monitoring the
temp, you've got your thermometer here as
well and you check that temp there and with
this one now mash for an hour at 65 degrees
and we're mashing at that lower temp so that
it gets more simple sugars for the yeast to
then break down in the ferment so that you
just get that higher attenuation. With this
one we've got the thermometer on the outside
here and I've got the probe from the Inkbird
in the mash so I'm just going to monitor the
temp between each one to make sure it's staying
at around 65 however you can get a Crafty
Fox Kettle that has a thermawell which you
pop the probe into and then that will monitor
the temperature far more accurately. Ten minutes
before the end of the mash you need to do
mash out so you need to increase the temperature
to 78 degrees. Now this is a good and cheap
way of brewing however your efficiency is
lower in this case it's around 60% but I'm
going to check it later on and calculate that
to make sure. With the temperature if you
don't have the one with the thermawell you
can check the thermometer at the front but
also in order to get a better idea of what
the temperature is you can just test different
locations in the grain bed to get an overall
view of the temperature. If you're brewing
something like the Grainfather or the Braumeister
they have a system that increases the efficiency
so it circulates the wort through the mash
therefore helping the enzymes in the mash
convert the starch to sugars. But this is
a lot cheaper and you still produce fantastic
beers with it. It's a good starting point
for the all grain hobbyist. The mash out to
give you an explanation of why you do that.
Increasing the temp to 78 stops the enzymes
in there from converting the starches to sugars
therefore preserving the sugar profile. It's
especially useful with things like Stouts
where you'll want a sweeter sugar profile.
Right,so after the mash out you can remove
the bag and because I've only got 4 kgs of
grain in here, it's going to be easier than
it is normally, hopefully. Lift it out and
it just let the liquid or the wort flow out
of the bottom. Just give it a squeeze. I've
got this pan here ready just so that I can
pop this in here once I've finished. So now
we've got all the wort in there, got a preboil
amount of 22 litres which has worked out fantastic
because that's what I put into the recipe
calculator. Now it just needs to get up to
a rolling boil and then I'll start adding
my hop additions. So in order to help it get
to boiling point or to the rolling boil, just
going to add the lid and just keep an eye
on it. Take the lid off when it gets to 95
degrees just so that you don't get any boil
over then once it's achieved a nice rolling
boil add the first hop addition. 15 grams
at the 60 min mark and then the next hop addition
after this at 40 minutes. Finished the boil
and we've just had it cooling you can see
this is the wort chiller in here. If you would
like to pan to the pipes camera man, pan to
pipes! Like it! Brilliant! So this part has
been attached to the tap, then there's the
other part here where water flows out. There
we go that's what we're on at the moment which
is, yeah, 24ish. Now what we need to do is
transfer this to the vessel. With this one
I'm going to split it into two because I'm
quite interested to add some Grapefruit zest
to one of them 'cause I've never done anything
like that before, so splitting it into two.
One will be dry hopped with Grapefruit zest
as it were and the other will be dry hopped
with Jester. Get my stuff for that. The Crafty
Fox comes with this hop screen, which, silly
me I forgot to attach before I started the
process. Not to worry though because, by the
way this is a solution of Starsan it's been
sat in just to sanitise everything. Can pop
the pipe on there, get my vessel and then
pop that onto there. Got my hop screen on
there so that will catch all the bits as it's
coming out of the kettle. Our post boil amount
in here is just over 20 litres, we'll probably
get 17/18 in here. Well, actually I'm splitting
it up we won't get 17 or 18 in there because
I'm going to put a gallon of it into this
demijohn here and that's the gallon I'm going
to add the Grapefruit zest to. When you are
transferring the wort to your fermenter it's
a good idea to get some splashing going on
to oxygen in there that is what the yeast
needs at the this stage for a healthy ferment.
It's later when oxygen becomes the enemy of
the yeast, right now it really likes it. Both
vessels now have some of the wort in, this
one I'm going to dry hop with Jester, this
one I'm going to add some Grapefruit zest
to. The start hydrometer reading is 1050 which
is a fantastic reading. Now it's time to add
the yeast, I've had the yeast in a Starsan
solution so that no bacteria gets into the
wort. Scissors have also been cleaned, well
sanitised should I say. Sprinkle it in. Using
US-05 just to allow the flavours of the malt
and the hops to come through. Lid on. Right
so I've just put a bit of solution in the
airlock as well, that in there and then that
can ferment for 7 days and I will also add
a hop addition 4 days into it. I'll add a
dry hop addition 4 days into the ferment,
what I'll do as well is have a tasting video
so that we can let you know how the Jester
works in here and already it smells fantastic,
looking forward to the results.
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Hola a todos.
Bienvenidos a recetas fáciles con twist punto com
Mi nombre es Victoria
y hoy vamos ha hacer tomates en escabeche
En salmuera
Si eres de Europa del Este, o has estado allí, probablemente
ya conozcas el proceso
Y si no, vamos a ello
Para esta receta necesitaremos tomates pequeños
Vinagre
Sal, azucar
y hierbas aromáticas que puedes usar si quieres. Si no quieres, no las uses
A mí me gusta usar eneldo
Una cabeza de ajo, (muy no se qué) y apio
El apio cortado en pequeños trozos para que den sabor a la salmuera
y frascos de cristal o jarras para hacer el fermentado
Para empezar necesitamos echar tres cucharadas de sal
Una cucharada de azucar
si quieres que quede más dulce, echa más azucar
y hecho esto lo pones al fuego para cocer
Ahora vamos con las hierbas aromáticas. El ajo lo cortamos en trozos...
Unas ramitas a cada frasco
Estupendo
y el precioso eneldo
y una cucharada de vinagre en cada jarra
esto es para la conservación y no para dar sabor
Ahora vamos cogiendo los tomates y les hacemos una incisión a cada uno de ellos con el tenedor, e incluso haz dos incisiones
Una vez llenos los frascos, y habiendo pasado algo de tiempo para que se enfríe la salmuera
cubre los tomates con ella
sinceramente, aquí no sé qué dice...
aquí parece que ha hervido las tapas y ahora procede a cerrar cada jarra...
y hacemos lo mismo con las otras jarras
Este es el final de la tarea
Mira, debes esperar algunas semanas antes de consumirlos
y te aseguro que se conservan durante más de un año
confía en mí en que en unas pocas semanas podrás consumirlos...creo
y lo habitual, que te suscribas y todo eso...
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[intro music]
>>What’s up guys
>>Not sure if you noticed, but 2015 was a
huge year for minimalism
>>I noticed there was a huge trend in people
talking about minimalism, people discovering
it, and a lot of people read The Life Changing
Magic of Tidying Up, myself included, which is
pretty awesome because it’s changed a lot
of our lives I’m sure
>>So today I just wanted to revisit this topic
because I know a lot of you guys came from
my minimalism videos and I appreciate that
and I just want to celebrated minimalism,
where I am right now in my journey, and where
everybody is in this movement
Minimalism Revisited
[music]
>>So to me minimalism means that you are mindful
of everything that you have
>>Meaning that everything you own is something
that you love, something that brings you joy,
or it’s something that you really, absolutely,
honestly need
>>Minimalism means that you are more aware
and conscious of the choices you make in
what you keep in your life and what you discard
in your life
>>Once you clear out that physical space,
you also clear out your mental space so you’ll
notice that your mind is more clear and you’re
more at peace
Advice for New Minimalists
[music]
>>As more and more people are getting into
minimalism, one thing that I want to tell
everyone is don’t feel obligated to stick
to any strict rules because minimalism is
just a concept, it’s an idea, and you should
just really use it as a guideline to your
lifestyle
>>Don’t feel like you have to follow everything
rule by rule, line by line
>>At the end of the day, you are the boss
of your life
>>You can control what you want to do with
your life, how you want to life it
>>So just take the parts of minimalism that
you like and if there’s anything that you
don’t like, then don’t feel obligated
to use that
>>Minimalism is not about having a limited
number of things
>>It’s not about having a set number of
items in your closet or having one shelf of
books
>>It’s less about the quantity of what you
have, it’s more about the mindset you have
toward your things
>>So as long as you are fully aware of your
things and you actively made a decision to
keep those things in your life, then you can
be considered a minimalist
My Year of Minimalism
[music]
>>2015 was the year minimalism changed my
life
>>So to recap, at the beginning of the year
I just getting into minimalism, and in April,
I read the life changing magic of tidying
up
>>And I started to tidy my things through the
KonMari categories so it took me 6 months
to get through all of my stuff, but that was
a huge accomplishment because I’m just proud
of myself for going through every single thing
with my own two hands
>>Now I can say that I know everything that
I have, everything that I own, and everything
makes me happy, everything is something that
I want to keep
>>I’ve gotten rid of a lot of clothes, gotten
rid of a lot of stuff, and now moving forward
I am just more coincious of the things that
I buy, making sure that they are things that
I really really like, things that will last
a long time, and I am just more tidy as a
person in general
>>So, in the past, my room has been always
messy and I never really bothered to clean,
but now I really enjoy tidying and it’s
so nerdy, but I just find joy in organizing
and keeping my things in order, keeping my
things clean,
>>The reason I say that is that I notice a
real difference in my mindset, when I have
a tidy place versus when I have a really messy
place
>>When my place is messy and my things are
not put away, things are out of order, I feel
more jumbled, like my mind is jumbled and
I’m less productive, I’m less creative,
but once my things are in their right place
and everything is nice and clean I just feel
like, like at peace, I’m calm, I can now
do my thing, I can my work, I can do whatever
I need to get done
>>So, that’s where minimalism has taken
me this year. I’m still learning and I’m
still growing with it, and I’ll see where
it goes from here
>>At this point, I still feel lazy folding
clothes, I don’t like folding clothes and
put them away even though I made a bunch of
KonMari folding videos, the work is like tedious,
but I really enjoy having an organized closet.
I love it.
Final Thought On Minimalism
[music]
>>Thanks to 2015, I’ve embraced minimalism
and I’m sure a lot of you out there have
too. So my final thought about this is to just
do it at your own pace. Don’t feel like
you have to compare yourself to other people
out there who call themselves minimalists
as well, just live your life the way you can
live it, the way you want to live it, and
really just be more mindful about your choices
>>I think that’s the most important thing
about minimalism, to be more mindful of the
things you have. Be more mindful of everything
in your life, be mindful of the things that
you watch, be mindful of the things that you
eat, be mindful of the people you keep around
you.
>>So this whole concept can be applied to
other areas of life. Do it the way you want
to do it and don’t judge anyone else for
doing it a different way.
>>That is so important, do not judge someone
else for the way that they embrace minimalism
because we’re all on our own journeys
Minimalism, Thank You! <3
>>So here’s to minimalism. Thank you for
helping us in our life. Alright, thank you
you guys so much for watching and being a
part of this minimalism movement. I will see
you guys in the next one. Bye!
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Irgendwo ist die Handelsblatt Gruppe in Zukunft auch ein Bildungs-Unternehmen.
Trifft es das?
Ja. Also, Sie sind fast im Geburtssaal.
Ada kommt auf die Welt – unsere neue Marke.
Warum eigentlich?
So ähnlich wie das Format von Zeitungen wie noch vor 350 Jahren ist,
ist auch das Erlösmodell.
Medien denken allen Ernstes immer noch,
es ist Informationsvorsprung.
Wo du denkst, Information in der Zeit von großer Informationsüberflutung
... seid ihr irre? In jedem Markt,
wo es zuviel davon gibt, ist es nichts mehr wert.
Wenn es Information nicht mehr ist,
was ist es denn dann? Dann haben wir gesagt,
vielleicht ist die nächst höhere Aggrationsstufe das Wissen.
Ich habe es nicht nur gehört, sondern mir auch hinter die Löffel geschrieben.
Aber Wikipedia und so ... auch nicht so schlecht. Dann haben wir gedacht,
okay, wenn es nicht Wissen ist, was ist es denn dann?
Vielleicht verstehen. Okay, da hab ich es nicht nur gehört und auswendig gelernt.
Ich kann es auf mich, meinen Job,
mein Leben, mein Unternehmen übertragen.
Und noch wertvoller als verstehen ist Handeln.
Wenn ich es nicht nur auswendig gelernt und verstanden habe,
sondern was damit tue.
Und die große Aufgabe der gesamten Agenturgruppe ist,
von Informieren, über Wissen zu Verstehen zum Handeln zu kommen.
Und jetzt haben wir gemerkt: Die technologische
Entwicklung hat die eigenen Mitarbeiter abgehängt.
Also bei uns im Unternehmen, aber fast in jeder Branche,
in jedem Unternehmen. Wie versuchen eigentlich Unternehmen diese Lücke zu schließen?
Mit Lernmethoden aus dem letzten Jahrhundert.
Zwei Tage Offsite-Meting, mittelmäßiges Hotel, scheiß Kaffee,
schlechtes Flipchart, durchschnittlicher Moderator.
Genauso geht es nicht.
Wir brauchen ein ganz neues Lernsystem.
Und dann haben wir uns angeguckt: Sag mal, der Markt der Weiterbildung in Deutschland ist
34 Milliarden Euro groß. Gewaltig.
Jetzt nur professionelle Weiterbildung? Also Firmen ...
Inklusive VHS, wenn wir die jetzt mal mit dazurechnen.
34 Milliarden Euro groß. Total atomisiert.
Es gibt keine Medienmarke,
die das professionell macht. Alle bieten auch ein bisschen was an.
Aber zu sagen berufliche Weiterbildung ...
Wir haben aber journalistische Kompetenz in der Art der Aufbereitung der Inhalte,
der Dramaturgie, der Aktualität. Hoppala, das ist aber interessant.
Sollen wir nicht in diesen Markt gehen? Ja.
Und das machen wir. Angeführt vom Professor Miriam Meckel.
Wie der Name schon sagt, ist sie der Bildung sehr verhaftet,
der digitalen Zeit auch. Sie sagt: Wir müssen heute schon das Morgen verstehen.
Was brauchen wir, um diese Lücke zu schließen?
Und wir machen das gehirngerecht.
Wir machen große, inspirierende Themen,
Veranstaltungen. Wir brauchen Deep Dive,
wo du handwerklich was lernst. Du kriegst jede Woche Schularbeiten auf und wir machen ein
Inspirationsmagazin, wo du denkst, oh, das sind tolle Themen,
interessante Leute, da will ich mitmachen. Und: Wir machen es ein Jahr lang.
Und deshalb haben wir Ada aus der Taufe gehoben.
Ada Lovelace, die erste Programmiererin der Welt.
Da gab es noch keine Computer,
aber sie konnte das schon denken, um zu sagen: Wir gehen mit zehn Partnerunternehmen,
die jeweils 30 Leute stellen,
nächstes Jahr mal an den Start, zwölf Monate und berichten darüber.
Funktioniert das gut, was funktioniert nicht so gut?
Haben wir ein paar Learnings? Und wenn wir dieses Jahr Erfahrung hinter uns haben,
dann öffnen wir das für die gesamte deutsche Wirtschaft.
Weil wir glauben, wenn wir diese Lücke nicht schließen,
kriegt der Wirtschaftsstandort Deutschland ein Problem.
Und zahlen soll am Ende der, der sich bilden lässt?
Ja.
Und Sie gehen nicht an Einzelpersonen, sondern sie haben jetzt erst mal zehn große Firmen?
Genau. Jeder schickt 30 Leute da rein.
Das sind so Pioniere, die probieren es am eigenen Leib aus sozusagen,
ob es funktioniert. Wir messen das um zu sagen, haben wir mehr Impact gemacht als andere?
Wie ist der Impact im Unternehmen?
Die sind dann natürlich auch ein bisschen Vorreiter.
Und wenn wir dann handlungssicher sind,
ist es wie ein offenes System, wo jeder mitmachen kann und dann können sich
irgendwann vielleicht auch mal Einzelpersonen ...
Und ich habe gedacht, Ada wäre eine Vierteljahres-Zeitschrift?
Ist sie auch. Aber eben auch.
Ada findet nicht am Kiosk statt,
sondern im Gesamtleben. Wir wollen Weiterbildung mit allen Sinnen machen und
am Kiosk muss es deshalb sein, um die Begehrlichkeit zu schaffen,
um zu sagen, das ist interessant das ist draußen im Markt,
das behauptet sich auch. Und ich bin Teil eines ganz exklusiven Programms.
Die Erlöszukunft von Ada liegt nicht am Kiosk.
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Serbian:
Trenutno se suočavamo sa ogromnom
klimatskom, ekonomskom, socijalnom, ekološkom
krizom.
Postizanje održivosti nije samo korisna stvar,
kao što neodrživost nije samo
nepovoljna okolnost. To je suštinska pretnja
za opstanak naše vrste.
Moramo da preduzmemo ozbiljne korake da to rešimo inače nas više neće biti.
Nema tu stvarnih problema.
Možemo da rešimo svaki od njih.
Probudila sam se jednog jutra, iskočila iz kreveta i,
još uvek ne potpuno svesna, rekla:
"Pokrenuću lokalnu valutu!"
Sticajem okolnosti počeo sam da se bavim sakupljanjem organskog otpada.
Umesto da sve to završi u nekoj rupi,
vraća se nazad zemlji.
Japanese:
現在、大規模な問題に直面しています
気候、経済、社会、環境
危機
持続可能であることは、
単に良いことではありません。
持続不可能であることは、少し不幸なことではなく、我々の種にとっての実存的な脅威なのです。
実際に何か行動しないと
私たちはいなくなるしかありません
本当の問題はないのです
すべて解決できます
ある朝、目が覚めベッドから飛び起き
意識もせずに
「現地通貨を始めよう!」と言いました
必要に迫られてこのオーガニックの廃棄物の回収を始めました。
その代わりにすべてが穴に捨てられるのではなく
土に戻されます
Italian:
Attualmente stiamo affrontando enormi crisi
climatiche, economiche, sociali e ambientali
Essere sostenibili non è solamente una buona cosa da fare
non essere sostenibili non è solamente spiacevole, è una minaccia per la nostra specie.
Dobbiamo affrontarlo in qualche modo, o per noi è finita.
Non esistono veri problemi, possiamo risolverli tutti.
Una mattina mi sono alzata e senza neanche essere cosciente ho detto
"Voglio creare una valuta locale!"
Ho iniziato questo recupero di rifiuti organici per necessità.
Invece di buttare tutto in una fossa, ritorna al terreno.
Hungarian:
We're currently facing massive
climate, economic, social, environmental crises
Fenntarthatóságra törekedni
nem csak egy kedves gesztus.
Ami fenntarthatatlan, az nem simán kellemetlen,
hanem a fajunk számára életveszélyes!
Valamit kezdeni kell ezzel, vagy végünk van.
Nincs kifogás, mindent meg lehet oldani!
Egy reggel arra ébredtem, hogy még
magamhoz sem térek,
de kiugrok az ágyból és ezt kiáltom:
"Létrehozok egy helyi pénzt!"
A szükség szülte,
hogy elkezdtem szerves hulladékot gyűjteni.
Ahelyett, hogy egy szeméttelepre kerülne,
így visszakerül a talajba.
Croatian:
Trenutno se suočavamo s velikom
klimatskom, ekonomskom, socijalnom, i ekološkom
krizom.
Održivost nije samo korisna, kao što
neodrživost nije samo
nepovoljna okolnost, to je
egzistencijalna prijetnja našoj vrsti.
Mi zapravo trebamo učiniti neke korake ili ćemo nestati.
Ne postoje stvarni problemi.
Sve možemo riješiti.
Probudila sam se jedno jutro i skočila iz kreveta, a da nisam ni bila svjesna
"Pokrenut ću lokalnu valutu!"
Iz neke vrste nužde sam počeo
prikupljati organski otpad.
Umjesto da sve završi u nekoj rupi,
vraća se natrag u tlo.
Spanish:
En el presente estamos enfrentándonos a masivas crisis climáticas, económicas, sociales y medioambientales
Viviendo el Cambio (2018) - Trailer Oficial
Ser sustentable no significa sólo "hacer algo bonito"
El no ser sustentable no sólo implica que somos desafortunados pero,
es una amenaza existencial a nuestras especies
La realidad es que necesitamos hacer algo al respecto o estamos liquidados
No hay reales problemas, nosotros podemos solucionar todos y cada uno de ellos
Me desperté una mañana, salté de mi cama y sin siquiera estar consciente aun me dije:
Voy a empezar un nuevo tipo de cambio local
A partir de sentir una necesidad empecé esta campaña de colectar restos orgánicos
En vez de que toda esta basura se deposite en un hoyo en el suelo,
por el contrario, se devuelve a la tierra.
Czech:
V současné době čelíme masivním
klimatickým, ekonomickým, sociálním a environmentálním
krizím.
Být udržitelní není jen hezká věc
na dělání. Být neudržitelný není
jen trochu problematické, je to
existenční hrozba pro náš živočišný druh.
Musíme s tím něco udělat, nebo je
po nás.
Neexistují žádné skutečné problémy, můžeme je totiž všechny vyřešit.
Jednou ráno jsem se probudila a vyskočila z postele, aniž jsem si uvědomovala, že ještě neříkám
"Začnu místní měnu!"
Nějak tak z nutnosti jsem začal sbírku organického odpadu.
Místo toho aby všechno šlo na skládku,
vrátíme to zpět do půdy.
German:
Nachhaltigkeit ist nicht nur eine nette Geste. Nicht nachhaltig zu leben ist nicht nur
etwas schade, es ist eine existentielle Bedrohung für unsere Spezies.
Wir müssen etwas tun, sonst war's das mit uns.
Es gibt keine wahren Probleme, wir können sie alle lösen.
Eines morgens bin Ich aufgewacht, sprang verschlafen aus dem Bett und sagte:
Ich werde eine lokale Währung einführen!
Aus der Notwendigkeit heraus startete Ich eine Bioabfall-Abholung.
Anstatt alles in ein Loch zu schütten, wird es der Erde wieder zugeführt.
Portuguese:
Ser sustentável não é apenas uma coisa boa para se fazer. Ser insustentável não é
ser um pouco infeliz, é uma
ameaça existencial à nossa espécie.
Nós realmente precisamos fazer algo a respeito ou será o nosso fim.
Não há problemas reais, podemos resolver todos eles.
Eu acordei uma manhã e pulei da cama sem sequer estar consciente ainda, dizendo
"Eu vou começar uma moeda local!"
Mais ou menos por necessidade,
comecei esta coleta de lixo orgânico.
Ao invés disso ser colocado em um buraco no chão, tudo é devolvido ao solo.
English:
We're currently facing massive
climate, economic, social, environmental
crises
Being sustainable is not just a nice
thing to do. Being unsustainable isn't
just a bit unfortunate, it is an
existential threat to our species.
We actually need to do something about it or we're gone.
There are no real issues, we can solve
all of them.
I woke up one morning and jumped out of bed without even being conscious yet saying
"I'm gonna start a local currency!"
Sort of out of necessity
I started this organic waste collection.
Instead of that all going into a hole in
the ground it gets returned back to the soil.
Czech:
Udělali jsme šílenou věc kdy jsme si předsevzeli nevyprodukovat žádný odpad po celý rok.
Učíme děti jak sami všechno vypěstovat
a pak sklízíme co vypěstovali a uvaříme z toho oběd.
Před 23 lety jsme se začali rozvíjet potravinový les.
Při posledním sčítání jsme měli 480 různých druhů rostlin.
Velkou věcí je to, že s regeneračním zemědělstvím to dokážeme nejen
potraviny produkovat v hojnosti, ale můžeme zároveň zregenerovat půdu,
která zachycuje uhlík, který podporuje biologickou rozmanitost.
Ekologická krize pochází z toho
že zacházíme se Zemí jako kdyby to byla jen další věc. Kdybychom doopravdy milovali
tuhle planetu zapracovali bychom tu lásku
do všech našich systémů,
neměli bychom teď ekologickou krizi.
Tohle bývala jen pastvina, byla to jen tráva,
Japanese:
私たちはこのクレイジーなことをしました
一年中ゴミを出さないようにしようと思っていました
私たちは子供たちに植物を育てる方法を教え
すべてを収穫し
ランチとして食べます
23年前からここで
食の森システムの開発を始めました
ついに480種の植物を手に入れました
パワフルなのは再生農業で豊富な食糧を生産するだけでなく
土地を再生することによって炭素を隔離し
生物多様性を育みしサポートすることができます
生態学的危機は地球をまるでもののように
扱うことによっておきます
もし私たちが本当に地球を愛し
その愛をシステム全体に織り込んでいたら
生態学的危機を起こっていません
ここは以前は砂漠で、ただの草でしたが
これが人々ができることです
Serbian:
Došli smo na tu ludu zamisao da probamo da ne proizvedemo nikakvo smeće tokom godinu dana.
Učimo decu kako da sami gaje hranu.
Beremo to što su odgajili i pravimo od toga ručak.
Pre 23 godine počeli smo da razvijamo
šumski sistem gajenja hrane.
Trenutno imamo 480 različitih vrsta biljaka.
Moćna stvar je to što, uz pomoć regenerativne poljoprivrede, ne samo da možemo
da proizvedemo izobilje hrane, već možemo to da uradimo na način koji regeneriše zemlju,
izoluje ugljen-dioksid i neguje i podržava biodiverzitet.
Ekološka kriza je nastala zato što tretiramo
planetu kao nešto odvojeno od nas, kao gomilu stvari. Kada bismo zaista voleli planetu
i uključili tu ljubav u sve naše sisteme funkcionisanja,
ne bismo imali ekološku krizu.
Ovde je nekada bilo pusto, svuda je bila samo trava,
German:
Wir hatten die verrückte Idee, ein Jahr bestmöglich keinen Müll zu produzieren.
Wir bringen den Kindern bei,
alles selbst anzubauen. Die Ernte verwandeln wir anschließlich in das Mittagessen.
Vor 23 Jahren begannen wir unseren Food Forest zu entwickeln.
Bei unserer letzten Zählung fanden wir 480 verschiedene Pflanzenarten.
Es ist beeindruckend, dass wir mit regenerativer Landwirtschaft nicht nur
einen Überfluss an Essen herstellen können, sondern auch währenddessen die Natur erhalten. Der Boden
kann Kohlenstoff aufnehmen, die Artenvielfalt wird versorgt und unterstützt.
Weil wir die Erde als etwas Anderes, von uns
Getrenntes wahrnehmen haben wir eine ökologische Krise. Würden wir unseren Planeten wirklich
lieben und all diese Liebe in unser Sein einfließen lassen, hätten wir
jetzt keine ökologische Krise.
All das war einmal eine Wüste, einfach nur Gras
Hungarian:
Belevágtunk ebbe az őrültségbe,
hogy elhatározzuk: megkíséreljük a teljesen szemétmentes évet!
Tanítjuk a gyerekeknek,
hogyan termeszthetnek mindent maguknak
aztán betakarítjuk és ezt kapják ebédre.
23 éve kezdtük az erdőkert rendszert kiépíteni itt.
Utoljára 480 különböző fajt számoltunk.
A talajmegújító gazdálkodással
nem csak bőséges termést érünk el,
hanem eközben a környezetet is újjáélesztjük.
És egy ilyen környezet szédioxidot köt meg,
és a biodiverzitást segíti.
Az ökológiai válság abból ered,
hogy a földre, a talajra
csak egy adag nyersanyagként tekintünk.
Ha valóban szeretnénk a bolygót, és ezt a szeretetet minden rendszerbe beiktatnánk,
akkor nem lenne válsághelyzet.
Ez egy puszta legelő volt.
Tulajdonképp csak fű termett.
Croatian:
Došli smo na ludu ideju da pokušamo ne proizvoditi smeće tijekom cijele godine.
Učimo djecu kako da sami uzgajaju hranu
i nakon što uberu što su uzgojili, od toga skuhamo ručak.
Prije 23 godine ovdje smo započeli
razvijati jestivu šumu.
Trenutno imamo 480 različitih vrsta biljaka.
Moćna stvar je da obnovljiva poljoprivreda ne samo
proizvodi obilje hrane, već se
na taj način i obnavlja zemlja,
koja upija ugljik, što njeguje i podržava biološku raznolikost.
Ekološka kriza dolazi zbog tretiranja
Zemlje kao još jedne hrpe
stvari. Da smo doista zaljubljeni
u našu planetu i da tu ljubav uključimo
u sve naše sustave, ne bismo
imali ekološku krizu.
Nekad je ovdje bilo pusto, rasla je samo trava,
Spanish:
Nosotros empezamos con esta idea loca de "no generar nada de basura por un año entero"
Nosotros enseñamos a los niños a plantar todo lo que comen.
Luego cosechamos esa comida y la convertimos en nuestros almuerzos.
Hace 23 años empezamos a desarrollar el sistema de comida del bosque
Nuestro último conteo nos dice que tenemos 480 especies de plantas
Es muy poderoso que con agricultura regenerativa,
podemos no sólo producir abundante comida pero también, estaremos regenerando la tierra
lo estamos haciendo de una forma que secuestra carbono,
y que nutre y cuida la biodiversidad.
La crísis ecológica que hoy vivimos, es una consecuencia de nuestra forma de tratar la tierra como cualquier cosa
Si realmente estuviéramos enamorados de nuestros planeta y,
si incluyéramos ese amor en todos nuestros sistemas,
no tendríamos una crísis ecológica en el presente.
Este ecosistema que se ve aquí, parecía un desierto.
Si, era sólo pasto.
English:
We did this crazy thing where
we thought right we're gonna try and make no rubbish for the entire year.
We teach the children how to grow
everything themselves and we harvest
what they've grown and turn it into lunch.
23 years ago we started developing
the food forest system here.
We've got 480 different species of plants at last count.
The powerful thing is that with regenerative agriculture we can not only
produce an abundance of food but we can do it in a way that regenerates the land,
that sequesters carbon, that nurtures and supports biodiversity.
The ecological crisis comes from treating
the earth as an other as just a bunch
of stuff. If we really were in love with
the planet and incorporated that love
into all of our systems we would not
have an ecological crisis.
This used to be a postural desert, it was just grass,
Italian:
Abbiamo fatto questa pazzia, abbiamo pensato di provare a non creare rifiuti per un anno.
Insegniamo ai bambini come coltivare
ogni cosa loro stessi, raccogliamo ciò che hanno coltivato e lo trasformiamo nel nostro pranzo.
23 anni fa abbiamo iniziato a sviluppare un sistema alimentare basato sulla foresta.
Abbiamo all'incirca 480 specie diverse di piante.
Una cosa magnifica è che con l'agricoltura rigenerativa noi possiamo non solo
produrre una grande quantità di cibo, ma possiamo farlo in modo che rigeneri la terra,
che sequestri carbone, che nutra e supporti la biodiversità.
La crisi ecologica nasce dal trattare
la terra come un "altro", come un insieme di cose. Se amassimo veramente
il pianeta e incorporassimo quell'amore in tutti i nostri sistemi, non avremmo
una crisi ecologica.
Questo terreno era un deserto pastorale, era solamente erba,
Portuguese:
Nós fizemos essa coisa louca onde
pensamos corretamente, onde iriamos tentar não produzir lixo por um ano inteiro.
Nós ensinamos as crianças a cultivar
tudo eles mesmos e nós colhemos
o que eles cultivaram e transformamos em almoço.
23 anos atrás começamos a desenvolver um sistema agroflorestal aqui.
Temos 480 espécies diferentes de plantas na última contagem.
O poderoso é que, com a agricultura regenerativa, podemos não apenas
produzir uma abundância de comida, mas podemos fazê-lo de uma forma que regenera a terra,
que sequestra carbono, que nutre e apóia a biodiversidade.
A crise ecológica vem do tratamento
que damos a Terra, como outro, como apenas um monte de coisas. Se nós realmente estivéssemos apaixonados pelo
planeta e incorporasse esse amor
em todos os nossos sistemas, nós não
teríamos uma crise ecológica.
Isso costumava ser um deserto de pasto, era apenas grama,
Spanish:
Y esto es lo que la gente puede hacer: "puedes crear el cielo en la tierra"
Probablemente has tenido esos momentos de desesperación donde sientes que no hay esperanza,
y que el mundo siempre será así
pero también hay un corazón que entiende y nos dice que un mundo mejor si es posible.
Viviendo el Cambio: Historias que nos inspiran a alcanzar un futuro más sustentable.
Estreno Marzo 2018
Ve la película en livingthechangefilm.com
German:
und sieh was Menschen schaffen können: Einen Himmel auf Erden.
Wir alle kennen diese verzweifelten Momente, in denen alles hilflos erscheint:
Die Welt wird immer so bleiben. Aber womöglich wissen wir tief
in unserem Herzen, dass eine bessere, schönere Welt möglich ist.
Czech:
a tohle je to co s tím můžete dělat. Můžete vytvořit nebe na zemi.
Možná jste měli ty chvíle zoufalství, kdy jste si mysleli, že je to prostě beznadějné
a svět už takhle zůstane,
ale možná
také od srdce víte, že lepší svět je možný.
Serbian:
i evo šta su ljudi u stanju da urade.
Možete da stvorite raj na zemlji.
Verovatno ste imali one trenutke očaja kada vam
se sve čini beznadežno i kao da će
svet uvek biti ovakav, ali ja negde u sebi osećam
da je mnogo lepši svet moguć.
Italian:
e questo è ciò che le persone possono realizzare. Puoi creare il paradiso in terra.
Probabilmente hai avuto quei momenti di crisi in cui hai pensato che tutto fosse inutile
e che il mondo sarà sempre così, ma, forse, il nostro cuore
capisce che un mondo più bello è possibile.
Portuguese:
e isso é o que as pessoas podem fazer. Você pode criar o paraíso na terra.
Você provavelmente já teve aqueles momentos de desespero onde você acha que não há esperança e
o mundo sempre vai ser assim
mas também há talvez mais de um coração
que sabe e que entende que
um mundo mais bonito é possível.
Hungarian:
És ezt lehet belőle kihozni:
Teremthetsz egy földi paradicsomot.
Biztos voltak pillanatok, amikor kétségbeestél,
amikor azt hiszed reménytelen,
és a világ már csak ilyen marad.
De biztos többször érezted, a szíved mélyén,
hogy egy sokkal szebb világ is elképzelhető.
Living the Change: Inspiring Stories for a Sustainable Future
Croatian:
i evo što su ljudi u stanju učiniti.
Možete stvoriti raj na zemlji.
Vjerojatno su vam poznati trenuci očaja kada vam se sve čini beznadno,
i da će svijet uvijek biti ovakav
ali postoji onaj unutrašnji osjećaj
koji kaže da je puno
ljepši svijet moguć.
Japanese:
あなたは地球に天国を作ることができるのです
あなたはおそらく絶望の瞬間を経験したことでしょう
世界はいつもこんな風だろうと
もっと美しい世界が可能だと
ハートでは理解しているのかもしれません
English:
and this is what people can do. You
can create heaven on earth.
You've probably had those moments of despair where you think it's just hopeless and
the world is always gonna be this way,
but there's also maybe more of a heart
knowing that understands that a more
beautiful world is possible.
| {
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English:
[MUSIC PLAYING]
DAVID J. MALAN: This is CS50.
And today, we transition from the
world of C and, with it, pointers
Arabic:
[MUSIC PLAYING]
ديفيد ج. مالان: هذه هي دورة CS50.
واليوم، ننتقل من عالم
لغة C، ومؤشراتها،
Arabic:
وبعض المعاناة التي قد شعرت بها
خلال الأسابيع القليلة الماضية
إلى عالم مألوف أكثر،
من برمجة الويب.
سأستخدم متصفحات الويب وأجهزة الهاتف
المحمول وأجهزة الكمبيوتر المحمولة وأجهزة كمبيوتر سطح المكتب
وسأنشىء تجربة
بيانية وتفاعلية أكثر
من تلك التي أتاحتها لنا النوافذ الطرفية
التقليدية لسطر الأوامر.
ومع ذلك، سنرى على طول الطريق
أن الكثير من الأفكار التي كنا
نكتشفها خلال الأسابيع القليلة الماضية
ستظل معنا.
وسنراها
بطرق مختلفة.
سنراها في شكل
اللغات والصيغ الأخرى.
لكن الأفكار ستبقى
تذكرنا قليلاً بما
فعلناه سابقًا في الأسبوع 0.
إذن قد تكون TCP/IP
هي أكثر الطرق التقنية
وذات مستوى منخفض للغاية يمكننا من خلالها جعل
الويب أمرًا غير مثير للاهتمام.
ولكن من المحتمل أنكم، على الأقل،
رأيتم هذا الاختصار في مكان ما، ربما
على جهاز Mac، جهاز الكمبيوتر الشخصي،
ربما إعداد ما ذات مرة.
وهذا، في الواقع، يشير فقط
إلى بروتوكول
أو، في الحقيقة، إلى زوج من
البروتوكولات، أنواع اللغات
التي يتحدث بها الكمبيوتر من
أجل إرسال المعلومات
من جهاز كمبيوتر إلى آخر.
وهذا ما يجعل معظم
شبكات الإنترنت تعمل اليوم.
في الواقع يمكنك إيقاف جهاز الكمبيوتر
المحمول وكمبيوتر سطح المكتب
English:
and some of the struggles that you
might have felt over the past few weeks
to a more familiar world,
that of web programming.
I'm using web browsers and mobile
devices and laptops and desktops
and creating more graphical
and more interactive experience
than our traditional command-line
terminals have allowed.
And we'll see, though, along the way
that a lot of the ideas that we've
been exploring over the past few weeks
are still going to remain with us.
And we're going to see
them in different ways.
We're going to see them in the form
of other languages and other syntax.
But the ideas will remain
quite reminiscent of what
we did back in week 0.
So TCP/IP is perhaps
the most technical way
and the most low-level way we can
quickly make the web uninteresting.
But you've probably, at least,
seen this acronym somewhere, maybe
on your Mac, your PC, some
setting maybe once upon a time.
And this, actually, just
refers to a protocol
or, really, a pair of
protocols, languages of sorts
that computers speak in
order to transmit information
from one computer to another.
And this is what makes most
of the internet today work.
The fact that you can pull
up your laptop and desktop
English:
and talk to any computer on the
internet is because of these protocols,
conventions that humans decided
shall exist some years ago.
And they just dictate how
computers intercommunicate.
But let's make it a lot more familiar.
In our human world, you've probably, at
some point, sent or received a letter.
These days, it's
perhaps more electronic.
But, at least, you've
gotten one such letter
from probably a human, maybe
a grandparent or the liked,
or sent something yourself.
But before you can actually send
that message to the recipient
and put it through the US mail or
the international mail services,
what needs to go on the envelope?
AUDIENCE: Address.
DAVID J. MALAN: Yeah--
so some kind of address.
And what does an address consist of?
AUDIENCE: Name.
DAVID J. MALAN: Name.
AUDIENCE: Where they are.
DAVID J. MALAN: Where they are.
AUDIENCE: [INAUDIBLE]
DAVID J. MALAN: So where they are might
include a street address and a city,
a state, a ZIP code in the US,
or a postal code, more generally,
and the country, if you
really want to be specific.
And so all of that goes on
the front of the envelope,
generally in the center of the envelope.
And then what often goes on the top
left-hand corner in most countries?
AUDIENCE: The return.
DAVID J. MALAN: Yeah.
Arabic:
والتحدث إلى أي كمبيوتر على الإنترنت
بسبب هذه البروتوكولات،
وهي تقاليد قرر البشر
وجودها منذ بضع سنوات.
وتحدّد فقط كيفية
التواصل البيني بين أجهزة الكمبيوتر.
ولكن دعونا نجعلها مألوفة أكثر.
في عالمنا البشري، من المحتمل أن تقوم،
في مرحلة ما، بإرسال رسالة أو استلامها.
هذه الأيام، ربما يكون
الأمر إلكترونيًا أكثر.
ولكن، على الأقل،
استلمت رسالة كهذه
ربما من شخص، ربما
من جد أو ما شابه ذلك،
أو أرسلت شيئًا بنفسك.
ولكن قبل أن تتمكّن بالفعل من إرسال
تلك الرسالة إلى المستلم
ووضعها خلال البريد الأمريكي أو
خدمات البريد الدولي،
ما الذي نحتاج إلى كتابته على الظرف؟
الجمهور: العنوان.
ديفيد ج. مالان: نعم--
شيء يشبه العنوان.
وما الذي يتكون منه العنوان؟
الجمهور: الاسم.
ديفيد ج. مالان: الاسم.
الحضور: أين يسكُن.
ديفيد ج. مالان: أين يسكُن.
الجمهور: [INAUDIBLE]
ديفيد ج. مالان: إذن حيث يتم تضمين
عنوان الشارع والمدينة،
الولاية، أو الرمز البريدي في الولايات المتحدة،
أو الرمز البريدي، بشكل عام،
والبلد، إذا أردت
حقًا أن تكون محددًا.
ولذا كل ذلك يُكتب
على الجهة الأمامية من الظرف،
بشكل عام في منتصف الظرف.
ومن ثم ماذا يُوضع غالبًا في أعلى
الزاوية اليسرى في معظم البلدان؟
الجمهور: عنوان المُرسِل.
ديفيد ج. مالان: أجل.
English:
So the return address-- so
that if something goes wrong,
albeit infrequently, that letter
can get-- make its way back to you,
and also the recipient knows just
immediately who actually sent them
the no.
So that is enough information
to get a letter from point A
to point B because these
addresses, these postal addresses
in our human world, uniquely identify
houses or buildings or people,
in some sense, in the world.
So right now, we're at 45 Quincy Street,
Cambridge, Massachusetts, 02138, USA.
That is probably enough
specificity for anyone in the world
to mail us a postcard saying
"Hello world" in written form
and get it to this building.
Meanwhile, if we wanted to send
something to the Science Center,
1 Oxford Street, Cambridge, Mass,
02138, USA, that's its unique address.
So it stands to reason that computers,
including our own Macs and PCs
and Android phones and
iPhones and the like,
all have unique addresses, as
well, because, after all, they
want to communicate.
And they need to get bits, zeros
and ones, from point A to point B.
But they're not quite as verbose
as those kinds of addresses.
Arabic:
إذن عنوان المُرسِل-- بحيث
إذا حدث خطأ ما،
وإن كان ذلك نادرًا ما يحدث، تتم إعادة هذه الرسالة--
يمكن إرجاعها إليك،
ويعرف المستلِم أيضًا
على الفور مَن الذي أرسل إليه بالفعل
الرقم.
إذن هذه معلومات كافية
للحصول على رسالة من النقطة أ
إلى النقطة ب لأن هذه
العناوين، هذه العناوين البريدية
في عالمنا البشري، تحدد بشكل فريد
المنازل أو المباني أو الأشخاص،
بشكل منطقي، في العالم.
لذا الآن، نحن في 45 Quincy Street،
كامبريدج، ماساشوستس، 02138، الولايات المتحدة الأمريكية.
من المحتمل أن هذا تحديد كافٍ
لأي شخص في العالم
ليقوم بإرسال بطاقة بريدية لنا تقول
"Hello world" في شكل خطي
ونقلها إلى هذا المبنى.
وفي الوقت نفسه، إذا أردنا إرسال
شيء إلى مركز العلوم،
1 Oxford Street، كامبريدج، ماساشوستس،
02138، الولايات المتحدة الأمريكية، فهذا هو عنوانه الفريد.
لذلك من المنطقي أن أجهزة الكمبيوتر،
بما في ذلك أجهزة Mac وأجهزة الكمبيوتر الشخصية
وهواتف Android
وiPhone وما شابه ذلك،
تحتوي جميعها على عناوين فريدة،
أيضًا، لأنها، بعد كل شيء، تريد
التواصل.
وتحتاج إلى الحصول على وحدات البت، الأصفار
والواحدات، من النقطة أ إلى النقطة ب.
لكنها ليست أكثر إطنابًا نوعًا ما
كأنواع العناوين تلك.
Arabic:
تحتوي أجهزة الكمبيوتر على ما
قد تعرفونه باسم عناوين IP،
عناوين بروتوكول الإنترنت.
وهذا يعني فقط أن
البشر قرروا منذ سنوات
أن كل جهاز كمبيوتر موصل
بالإنترنت سيحتوي
على رقم فريد لتحديده.
وهذا الرقم هو بشكل عام بصيغة
شيء ما نقطة شيء ما نقطة شيء ما
نقطة شيء ما.
وكما تبين، كل هذه
الأشياء بين النقاط
عبارة عن رقم من 0 إلى 255.
والآن، بعد كل هذه الأسابيع
من دورة CS50، من الممكن أن
يصل عقلك على الأرجح إلى إجابة سريعة.
كم عدد وحدات البت التي يجب
أن تأخذها كل هذه الأرقام
إذا كان النطاق من 0 إلى 255؟
ثمانية.
إذن ثمانية-- ولماذا هي ثمانية؟
إذن كان 256 سمةً متكررة.
وإذا لم تتذكروا ذلك، فلا بأس.
ولكن نعم، هذه هي ثماني وحدات بت،
ثماني وحدات بت، ثماني وحدات بت، ثماني وحدات بت،
مما يعني أن الأرقام التي نحن البشر
استخدمناها لتحديد أجهزة الكمبيوتر لدينا بشكل فريد
على الإنترنت هي 32 وحدة بت في المجمل.
حسنًا، ربما هناك رقم
آخر قد يتبادر إلى عقلنا تقريبًا.
English:
Computers have what you
probably know as IP addresses,
Internet Protocol addresses.
And this just means that
humans decided years ago
that every computer in
the internet is going
to have a unique number identifying it.
And that number is generally of the form
something dot something dot something
dot something.
And, as it turns out, each of
these somethings between the dots
is a number from 0 to 255.
And now, after all these
weeks of CS50, your mind
can probably jump to a quick answer.
How many bits must each of
these numbers be taking up
if the range is from 0 to 255?
Eight.
So eight-- and why is that eight?
So 256 has been a recurring theme.
And if you don't recall, that's fine.
But yes, this is eight bits, eight
bits, eight bits, eight bits,
which means the numbers that we humans
use to uniquely identify our computers
on the internet are 32 bits in total.
Well, there's probably another
number that can roughly come to mind.
Arabic:
إذا كنت قد حصلت على 32 وحدة بت، فإلى أي مدى
يمكنك العدّ، بشكل عام، من 0 إلى--
سمعت همهمة--
الجمهور: أربعة مليارات.
ديفيد ج. مالان: أربعة مليارات.
إذن، إنها أربعة مليارات تقريبًا.
وقد ذكرنا ذلك في الأسبوع 0
باستخدام دليل هاتف المكوّن من أربعة مليارات صفحة،
تخيلوا ذلك.
إذن أربعة مليارات هي تقريبًا ما
يمكنك عدّه باستخدام 32 وحدة بت.
لذا هذا يعني أن هناك أربعة
مليارات جهاز كمبيوتر، أو أجهزة، أو أي شيء
على الإنترنت، تم تحديدها
بشكل فريد-- كذبة
بيضاء صغيرة لأن هذا ليس كافيًا في الواقع
هذه الأيام مع جميع الأجهزة
وجميع البشر في العالم.
لكننا وجدنا حلولاً بديلة لذلك.
أي سؤال؟
الجمهور: [INAUDIBLE]
ديفيد ج. مالان: ولكن فقط
نصفهم في ذلك الوقت.
لا.
إذن نعم، إذا خطط البشر
بحلول عام 2023 أو أيًا كان العام
لتكون الأجهزة بالكامل تقريبًا
على شبكة الإنترنت، وتوجد
بضعة-- مليارات ومليارات
من الأشخاص، ثمانية مليارات أو ما يقاربها،
إذن سيمثل هذا مشكلة لهذا النظام.
ولحسن الحظ، منذ 20 عامًا
أدرك فيها الأشخاص أن،
هذا، بشكل حسابي،
سيشكل مشكلة.
English:
If you've got 32 bits, how high can you
count, roughly speaking, from 0 to--
I heard a murmur--
AUDIENCE: Four billion.
DAVID J. MALAN: Four billion.
So it's roughly four billion.
And we brought that up in week 0
with a four billion-page phone book,
imagining that.
So four billion is roughly what
you can count up to with 32 bits.
So that means there can be four
billion computers, devices, or anything
on the internet, uniquely
identified-- small white
lie because that's actually not quite
enough these days with all the devices
and all the humans in the world.
But we found workarounds for that.
Question?
AUDIENCE: [INAUDIBLE]
DAVID J. MALAN: But only
half of them at the time.
No.
So yes, if by 2023 or whatever
year humans are projected
to be almost entirely
online, and there's
some-- billions and billions
of people, eight billion or so,
then that's a problem for this system.
Thankfully, as long ago as 20
years ago did people realized,
mathematically, this was
going to be a problem.
English:
And so there's actually a newer
version of IP, Internet Protocol.
This is version 4 we're
talking about, which is still
pretty omnipresent in the world.
Version 6 actually uses not 32 bits,
but 128 bits, which is massive.
And I can't even pronounce
how big of a number that is.
So we're thinking about it.
And the biggest companies
of the world have already
transitioned to using bigger addresses
rather than these 32-bit addresses.
But these are still pretty common in
almost any device you might own or see
on campus or elsewhere.
So if you have a unique
address, that's enough to put
on the front of the envelope.
And it turns out that if you're
sending an email or a chat message
or whatever, you, too-- your Mac,
PC, or phone-- has an IP address.
So that's enough to put in the top
left-hand corner, conceptually.
But you need one more
piece of information.
It turns out that on the internet,
there are servers, computers,
that are just constantly
listening for people to connect
to them, like us, checking our
email and visiting Facebook
and Gmail and other such websites.
And those servers, though,
can do multiple things.
Google has lots of businesses.
Arabic:
ولذا يتوفر بالفعل إصدار أحدث
من IP، بروتوكول الإنترنت.
هذا هو الإصدار 4 الذي
نتحدث عنه، وهو ما يزال
موجودًا بشكل كبير في العالم.
لا يستخدم الإصدار 6 في الواقع 32 وحدة بت،
ولكن 128 وحدة بت، وهو رقم كبير.
ولا يمكنني حتى نطق
مدى كبر الرقم.
إذن نحن نفكر في الأمر.
وأكبر الشركات
في العالم قد انتقلت
بالفعل إلى استخدام عناوين أكبر من
عناوين وحدات البت 32 هذه.
ولكن هذه ما تزال شائعة نوعًا ما في
أي جهاز تقريبًا قد تمتلكه أو تراه
في الحرم الجامعي أو في أي مكان آخر.
لذلك إذا كان لديك عنوان
فريد، فهذا يكفي لوضعه
على الجهة الأمامية من الظرف.
ويتبين أنك إذا كنت
تقوم بإرسال رسالة بريد إلكتروني أو رسالة دردشة
أو أيًا كانت، فأنت، وأيضًا-- جهاز Mac أو
الكمبيوتر الشخصي أو الهاتف لديك-- لديكم عنوان IP.
لذا هذا أمر كافٍ لوضعه في أعلى
الزاوية اليسرى، من الناحية النظرية.
لكنك بحاجة إلى جزء واحد
آخر من المعلومات.
تبين أنه يوجد على الإنترنت،
خوادم، أجهزة كمبيوتر،
تستمع فقط
باستمرار للأشخاص للاتصال
بهم، مثلنا، والتحقّق من
البريد الإلكتروني لدينا وزيارة Facebook
و Gmail ومواقع الويب الأخرى المماثلة.
وهذه الخوادم، على الرغم من ذلك،
يمكنها القيام بأشياء متعددة.
لدى Google الكثير من الشركات.
Arabic:
والتي تمنحك البريد الإلكتروني وخدمات
الويب ومؤتمرات الفيديو
والعديد من الخدمات الأخرى
القائمة على الإنترنت.
وهكذا قرر البشر أيضًا، منذ
سنوات، تحديد
جميع هذه الخدمات الممكنة
على الإنترنت باستخدام أرقام فريدة فقط--
أسماء أيضًا، ولكنها أيضًا أرقام فريدة من نوعها.
وتبين أن البشر
قرروا منذ سنوات
أنك عند زيارتك أحد مواقع الويب، فهناك
جزء آخر من المعلومات
تمت كتابته على هذا الظرف، وليس
فقط عنوان IP الخاص بالخادم
الذي تحاول الاتصال
به، ولكن أيضًا بالرقم 80
لأن 80 يعادل HTTP، الاختصار
الذي يعد مألوفًا لكم الآن.
وهذا يدل فقط على أن هذا
هو طلب ويب.
إذن فقد قال، بدلاً من ذلك، شيئًا مثل
25، هذا هو SMTP، وهو البريد الإلكتروني.
حتى يشير ذلك إلى أنه توجد
داخل هذا الظرف الافتراضي
بالفعل رسالة بريد إلكتروني
مرسلة إلى Gmail أو ما شابه.
وتوجد الكثير من الأرقام.
لكن المغزى هو أنه توجد
أرقام تقوم بالتعريف بشكل فريد.
لذلك عندما يحصل Google على ظرف افتراضي،
مجرد مجموعة كاملة من وحدات البت، أصفار
وواحدات، بطريقة ما، يحتوي على
عنوان IP عليه كالوجهة،
كما يعرف أيضًا، أوه، هل هذا بريد إلكتروني
أو هل هذه رسالة مؤتمر فيديو
English:
They give you email and web
services and video conferencing
and lots of other
internet-based services.
And so humans also decided,
years ago, to identify
all of these possible internet
services with just unique numbers--
names also, but also unique numbers.
And it turns out that
humans decided years ago
that when you visit a website, there's
one more piece of information that's
got to go on this envelope, not
just the server's IP address
that you're trying to connect
to, but also the number 80
because 80 equals HTTP, acronym
you're surely familiar with by now.
And that just denotes
this is a web request.
If, instead, it said something like
25, that's SMTP, which is email.
So that might mean inside
of this virtual envelope
is actually an email message
going to Gmail or the like.
And there's bunches more numbers.
But the point is that there are
numbers that uniquely identify.
So when Google gets a virtual envelope,
just a whole bunch of bits, zeros
and ones, that, in some way, has an
IP address on it as the destination,
it also knows, oh, is this an email
or is this a video conference message
English:
or is this a chat message
or something else.
So just to make this
more real then, if I'm
going to go ahead and write
this down, my IP address to whom
I'm sending something might be 1.2.3.4.
Generally, then, I'm going
to send it to, say, port 80.
Maybe my IP address is 5.6.7.8.
And so an envelope--
I'll be at [INAUDIBLE]---- and it's
really just going to have those pieces
of information-- the
destination address, colon,
and then the number of the service
you care about, HTTP or whatever,
and then your own IP address,
and more information.
But the point is both sender
and recipient in dresses--
that's enough to get data from one
computer in the world to another.
And there's so much more complexity.
This is a whole field in
computer science of networking,
if you like this kind of stuff.
But that's how, in a nutshell, the
internet gets data from point A
to point B. And this
envelope just represents
a whole bunch of zeros and ones.
But what's inside of that envelope?
And that's where we'll focus
today and in the weeks to come.
Arabic:
أو هل هذه رسالة دردشة
أو أي شيء آخر.
إذن فقط لجعل هذا
واقعيًا أكثر، فإذا كنت
سأمضي قدمًا وأدوّن
هذا، عنوان IP الخاص بي الذي
سأرسل إليه شيئًا ما ربما يكون 1.2.3.4.
بشكل عام، سأقوم، بعد ذلك،
بإرساله إلى، مثلاً، المنفذ 80.
ربما عنوان IP الخاص بي هو 5.6.7.8.
ولذا ظرف--
سأكون عند [INAUDIBLE]----
وسيحصل هو فقط بالفعل على تلك الأجزاء
من المعلومات-- عنوان
الوجهة، نقطتين،
ومن ثم رقم الخدمة
الذي يهمك، HTTP أو أيًا كان،
ثم عنوان IP الخاص بك،
والمزيد من المعلومات.
لكن المغزى هو أن كلاً من المُرسِل
والمستلِم في العناوين--
هذا كافٍ للحصول على بيانات من
جهاز كمبيوتر واحد في العالم إلى آخر.
وهناك الكثير من التعقيدات الأخرى.
هذا مجال كامل في
علوم الكمبيوتر للشبكات،
إذا كنتم تحبون هذه الأشياء.
ولكن هكذا، وباختصار، يحصل الإنترنت
على بيانات من النقطة أ
إلى النقطة ب. ويمثل هذا الظرف
فقط
مجموعة كاملة من الأصفار والواحدات.
ولكن ماذا بداخل هذا الظرف؟
وهذا ما سنركز عليه
اليوم وفي الأسابيع المقبلة.
English:
It's actually content.
It's the email you care about
or the web page you care about.
And how do we actually decide
what server we're connecting to?
Well, typically, you might go to
a so-called URL, Uniform Resource
Locator.
A URL is just the address of a server.
And that's going to be the-- really,
the ultimate recipient of that envelope
that we're trying to send.
But this, of course,
is not an IP address.
This does not follow the
pattern something dot
something dot something dot something.
So if all of us humans are
constantly typing stuff like this
into our browsers, yet
the whole story just
told is about numbers and port
numbers and low-level stuff,
where's the connection?
Does anyone already know
how you get from typing this
to a bunch of zeros and ones that
are somehow addressed with numbers?
DNS, I heard.
What's DNS?
Yeah.
So it turns out there's a technology
in the world-- domain name system,
in fact.
And DNS, Domain Name System, is just
a type of service on the internet
that Harvard maintains
and Yale maintains,
Arabic:
إنه المحتوى في الواقع.
إنها الرسالة الإلكترونية التي تهتم بها
أو صفحة الويب التي تهتم بها.
وكيف يمكننا بالفعل أن نقرر
أي خادم نتصل به؟
حسنًا، عادة، قد تنتقل إلى
ما يسمى بـ URL، محدد مواقع الموارد
المُوحّد.
عنوان URL هو مجرد عنوان خادم.
وسيكون-- بالفعل،
هو المستلِم النهائي لهذا الظرف
الذي نحاول الإرسال إليه.
لكن هذا، بالطبع،
ليس عنوان IP.
فهذا لا يتبع نمط
شيء ما نقطة
شيء ما نقطة شيء ما نقطة.
لذا إذا كنا نحن البشر جميعًا
نكتب باستمرار أشياء من هذا القبيل
في متصفحاتنا، على الرغم من أن
القصة الكاملة التي أخبرنا بها فقط
عن الأرقام وأرقام المنفذ
والأشياء ذات المستوى المنخفض،
فأين هو الاتصال؟
هل يعرف أحد بالفعل
كيف تصل من كتابة هذا
إلى مجموعة من الأصفار والواحدات التي
تتم معالجتها بطريقة أو بأخرى باستخدام الأرقام؟
DNS، لقد سمعت ذلك.
ما هو DNS؟
نعم.
إذن تبين أن هناك تقنية
في العالم-- نظام أسماء المجالات،
في الواقع.
وDNS، نظام أسماء المجالات، هو مجرد
نوع من أنواع الخدمات على الإنترنت
التي تحتفظ بها جامعة هارفارد
وجامعة ييل،
Arabic:
وشركتا كومكاست وفيرايزون
والعديد من كبار المشغّلين
في العالم،
هدفهم في الحياة هو تشغيل
الخوادم التي تقوم بتحويل ما يسمى
بأسماء المجالات إلى عناوين IP،
والعكس، حتى عندما نكتب نحن البشر
www.example.com في متصفح،
إنه جهاز Mac أو جهاز الكمبيوتر الشخصي أو الهاتف الذي
يتصل بخادم محلي، خادم DNS،
في الحرم الجامعي أو الجامعة
أو في شقة محلية أو أيًا كان،
ويطلب عنوان IP الخاص
بـ www.example.com.
ثم ما يفعله جهاز Mac
أو الكمبيوتر الشخصي أو الهاتف
هو كتابة ذلك
العنوان على الظرف.
ولكنه يضع طلبًا لصفحة
ويب محددة داخل الظرف.
وعندما تستقبل
استجابة من ذلك الخادم،
سيكون عبارة عن عنوانك
الموجود في الجزء الأمامي من الظرف.
وسيكون ما بداخل
الظرف
هو صفحة الويب أو البريد الإلكتروني
أو رسالة الدردشة
أو أيًا كان الذي كنتم
تحاولون الوصول إليه بالفعل.
لذلك دعونا نقسّم هذا
إلى بعض مكوناته.
أولاً وقبل كل شيء، هذا الشيء
المظلل باللون الأصفر هنا
هو رسميًا اسم المجال.
من المحتمل أنكم جميعًا قد استخدمتم
هذا المصطلح من قبل.
عادةً ما يكون شيء نقطة شيء.
يشير "Com" عادة إلى التجارة
أو تجاري، على الرغم من أنه يمكن لأي شخص،
English:
and Comcast and Verizon and
a lot of the big players
in the world, whose
purpose in life is to run
servers that convert what are
called domain names to IP addresses,
and vice versa, so that when we humans
type in www.example.com into a browser,
it's our Mac or PC or phone that
contacts a local server, a DNS server,
on the local campus or university
or apartment or whatever,
asks what is the IP address
for www.example.com.
And then what your Mac
or PC or phone does
is it writes that
address on the envelope.
But it puts a request for specific
web page inside of the envelope.
And when you get back a
response from that server,
it's going to be your address
that's on the front of the envelope.
And inside of the
envelope is going to be
the web page or the
email or the chat message
or whatever it is you were
trying to actually access.
So let's tease this apart
into some of its components.
First of all, this thing
here highlighted in yellow
is officially the domain name.
You've probably all
used this term before.
It's usually something dot something.
"Com" typically refers to commerce
or commercial, although anyone,
English:
for any purpose, can use .com.
Back in the day, very popular were
.com, .net, .org, .edu, .gov, .mil.
And these were all very
US-centric because it
tended to be the United
States that really kicked off
this use of the internet and DNS.
But now it's certainly spread globally.
And so there's hundreds now of what
are called TLDs, Top-Level Domains.
They tend to be three or more
characters if they denote a word.
And they tend to be two characters
if they denote a country,
like US is United
States, JP is Japan, UK--
United Kingdom, and so forth.
Those are just country codes
that do the same thing.
But what's this at the front?
Worldwide web, or www, here, more
generally, is an example of what,
technically speaking?
What is this?
What does this mean?
Yeah?
AUDIENCE: Subdomain.
DAVID J. MALAN: It's a subdomain--
is one way of thinking about it.
In fact, all of you, many
of you here, probably
Arabic:
استخدام .com لأي غرض.
في وقت سابق، كانت
com. ،net. ،org. ،edu. ،gov. ،mil. مألوفة للغاية.
وكانت تعد كل هذه الاختصارات مرتكزة جدًا على
الولايات المتحدة لأنها
اتجهت لأن تكون الولايات
المتحدة هي البلد التي بدأت بالفعل
في هذا الاستخدام من الإنترنت وDNS.
لكن الآن من المؤكد أنها تنتشر عالميًا.
وبالتالي توجد المئات الآن مما يسمى
بمجالات TLD، مجالات المستوى الأعلى.
وتتجه لأن تكون من ثلاثة أحرف
أو أكثر إذا كانت تدل على كلمة.
وتميل إلى أن تكون من حرفين
إذا كانت تدل على بلد،
مثل US هو اختصار الولايات
المتحدة، وJP اليابان، وUK--
المملكة المتحدة، وهكذا.
هذه مجرد رموز للبلدان
وهي تفعل الشيء نفسه.
لكن ما هذا الذي يوجد في المقدمة؟
شبكة الويب العالمية، أو www، هنا،
بشكل عام أكثر، هي مثال على ماذا،
من الناحية الفنية؟
ما هذا؟
ما الذي يعنيه ذلك؟
أجل؟
الجمهور: مجال فرعي.
DAVID J. MALAN: إنه مجال فرعي--
إحدى طرق التفكير في ذلك.
في الواقع، جميعكم،
الكثير منكم هنا، من المحتمل
English:
have email addresses of the form
college.harvard.edu or g.harvard.edu
or the like.
Those are subdomains.
Harvard's such a big
place that they actually
put everyone in different categories of
domains, otherwise known as subdomains.
And that might be a word or a phrase
that comes before the domain name here.
But it can also just mean
the name of a server.
So if example.com is the company or
business whose website you're trying
to visit, their domain is example.com.
And they bought that
domain name some years ago.
And they spent a few dollars every year,
probably, renewing the fee for that.
And they have at least one
server whose name is www.
And that exists within their domain.
They might have dozens or
hundreds or just one server.
Each of them can have a name.
So this is generally
called the hostname.
So when it's an email address,
it often implies a subdomain,
like a category of addresses.
But when it's in a URL like this,
it means probably a specific machine
or a specific set of
machines-- conventionally,
the web servers that the company runs--
doesn't have to be called www.
For historical purposes, MIT
tends to use web.mit.edu.
Arabic:
أن يكون لديه عناوين بريد إلكتروني بالصيغة
college.harvard.edu أو g.harvard.edu
أو ما شابه ذلك.
هذه هي المجالات الفرعية.
جامعة هارفارد هي
مكان كبير حيث تقوم بالفعل
بوضع الجميع في فئات مختلفة من
المجالات، والمعروفة باسم المجالات الفرعية.
وقد تكون كلمة أو عبارة
تأتي قبل اسم المجال هنا.
ولكنها قد تشير أيضًا إلى
اسم الخادم.
لذا إذا كانت example.com شركة أو
أعمال تجارية تحاول زيارة
موقع الويب الخاص بها، مجالها هو example.com.
وقاموا بتسمية اسم المجال
منذ بضعة أعوام.
وأنفقوا بضعة دولارات كل عام،
على الأرجح، وجددوا الرسوم لذلك.
ولديها على الأقل
خادم واحد اسمه هو www.
وهذا موجود داخل المجال الخاص بها.
قد يكون لديها العشرات أو
المئات أو خادم واحد فقط.
كل واحد منها يمكن أن يكون لديه اسم.
إذن هذا هو بشكل عام ما
يسمى اسم المُضِيف.
لذلك عندما يتوفر عنوان البريد الإلكتروني،
فإنه غالبًا ما يشير إلى مجال فرعي،
مثل فئة من العناوين.
ولكن عندما يكون في عنوان URL كهذا،
وهو ما يشير إلى آلة محددة على الأرجح
أو مجموعة محددة من
الآلات-- بشكل تقليدي،
خوادم الويب التي تديرها الشركة--
لا يجب أن يُطلق عليها www.
ولأغراض تاريخية، يميل MIT
إلى استخدام web.mit.edu.
English:
But almost everyone else in the
world uses www or nothing at all.
It's not required.
You can actually just visit many
websites without visiting any hostname.
And it just works, as well, thanks
to DNS giving you the IP address.
But what about the file
you're actually requesting?
What does it actually
mean to visit this URL?
Well, on many servers, this
implicitly means, hey, web server,
give me a file, just a text
file, called index.html.
That's the name of
the file, a text file,
that you could create with CS50
IDE or even Notepad or TextEdit
on your own Mac or PC that
contains a language called HTML.
And we'll take a look at
that language in just a bit.
And some of you might
have seen it before.
But the language in which web
pages are written is HTML.
And we'll give you the building
blocks, conceptually and practically,
for that today.
You'll use it over the coming
weeks in many different contexts.
But we'll use it, ultimately, to
create the contents of websites.
But today, we'll focus
first on this, HTTP.
Anyone know what that stands for?
Yeah?
Arabic:
لكن يستخدم الجميع تقريبًا في العالم
www أو لا شيء على الإطلاق.
لأنه ليس مطلوبًا.
في الواقع يمكنكم زيارة فقط العديد من
المواقع دون زيارة أي اسم مُضِيف.
وتعمل فقط، أيضًا، بفضل
DNS الذي يمنحكم عنوان IP.
ولكن ماذا عن الملف
الذي تطلبه بالفعل؟
ما الذي تعنيه في الواقع
زيارة عنوان URL هذا؟
حسنًا، على العديد من الخوادم، يعني هذا
ضمنيًا، مرحبًا، خادم الويب،
أعطني ملفًا، فقط ملفًا
نصيًا، اسمه index.html.
هذا هو اسم
الملف، ملف نصي،
يمكنك إنشاؤه باستخدام CS50
IDE أو حتى Notepad أو TextEdit
على جهاز Mac أو الكمبيوتر الشخصي الذي
يحتوي على لغة تسمى HTML.
وسنلقي نظرة على
تلك اللغة بعد قليل.
والبعض منكم قد
رأوها من قبل.
ولكن اللغة التي تتم كتابة
صفحات الويب بها هي HTML.
وسنقوم بمنحكم كتل
البناء، من الناحية النظرية والعملية،
لهذا اليوم.
ستستخدمونها خلال الأسابيع
القادمة في العديد من السياقات المختلفة.
لكننا سنستخدمها، في النهاية، لإنشاء
محتويات مواقع الويب.
ولكن اليوم ، سنركز
على هذا أولاً، HTTP.
هل يعرف أي شخص ما الذي يعنيه؟
أجل؟
Arabic:
الجمهور: النص التشعبي.
ديفيد ج. مالان: أجل.
بروتوكول نقل النص التشعبي.
وبصراحة، في معظم
التقنيات، حيث
لا تمثل الاختصارات
كل هذه الأهمية،
بل، في الحقيقة، ما تقوم به التقنية.
وفي هذه الحالة، بروتوكول
نقل النص التشعبي--
سنرى النص التشعبي في غضون لحظات.
هذه طريقة أخرى لقول HTML.
بروتوكول النقل-- P لبروتوكول
هذه كلمة طنانة أخرى.
إذن البروتوكولات ليست
لغات البرمجة، في حد ذاتها.
هي تقاليد.
ونحن البشر لدينا تقاليد أيضًا.
على سبيل المثال، إذا كنتُ سأقابل
شخص للمرة الأولى،
ربما لن أقف على المسرح
وأنحني على هذا النحو للقيام بذلك.
لكني قد أقول، مرحبًا، أنا ديفيد.
الجمهور: مرحبًا.
أنا ستيفان.
ديفيد ج. مالان: ستيفان،
سررت بلقائك.
ولدينا هذه المصافحة الغريبة
التي تم إجهاضها بشكل سابق لأوانه هناك--
حيث لدينا هذا التقليد الغريب--
نحن البشر، على الأقل في الولايات المتحدة،
من تحية شخص ما بمصافحته.
وعلم ستيفان فقط كيفية
القيام بذلك، ولكن بصعوبة.
ثم قام بالفصل لأن
المعاملة اكتملت.
وهذا لا يبدو مختلفًا عن
ما يفعله خادم الويب.
عندا تطلب صفحة ويب،
فأنت تقوم بإرسال طلب إلى شخص
كما لو كنت تمد إليه يدك.
أنت تتوقع شيئًا في المقابل.
لكن في حالة
جهاز الكمبيوتر، بالطبع،
English:
AUDIENCE: HyperText.
DAVID J. MALAN: Yeah.
HyperText Transfer Protocol.
And honestly, in most
of technology, it's
not so much what the acronyms
represent that's all that important,
but, really, what the technology does.
And in this case, HyperText
Transfer Protocol--
we'll see hypertext in a moment.
That's another way of saying HTML.
Transfer Protocol-- P for
Protocol-- that's another buzzword.
So protocols are not
programming languages, per se.
They are conventions.
And we humans have conventions, too.
For instance, if I were to meet
someone for the first time,
I probably wouldn't stand on stage
and lean down like this to do it.
But I might say, hi, I'm David.
AUDIENCE: Hi.
I'm Stephan.
DAVID J. MALAN: Stephan,
nice to meet you.
And we have this weird handshake
that was aborted prematurely there--
that we have this weird convention--
us humans, at least in the US,
of greeting someone with a handshake.
And Stephan just knew to
do that, however awkwardly.
And then he disengaged because
the transaction was complete.
And that's not unlike
what a web server does.
When you request a web page,
you're sending a request to someone
as though you're extending your hand.
You're expecting something in return.
But in the case of a
computer, of course,
English:
it's like the web page itself coming
back in an envelope from point B
to point A.
So that's what a protocol is.
We just have been
programmed to know what
to do when we want to request
a greeting or information
and get something back in return.
It's like a client-server
relationship in a restaurant.
A customer requests
something off the menu.
The server, the waiter or
waitress, brings it to them
and, thus, completes
that transaction as well.
And that's what the internet is, too--
clients and servers, browsers
and servers, computers
and other computers, ultimately.
So with that relationship
in mind, let's take a look
at what's actually
inside of this envelope.
In the case of Stephan's and my
greeting, it was more visual.
But in the case of a computer, it's
going to be more textual, literally.
So inside of the envelope
the, virtual envelopes,
so to speak, that your
browser sends to a server
when trying to request
a web page, is actually
a message that looks like this.
Thankfully, it's not terribly
cryptic, although the dot, dot, dot
implies there's more contents
inside of the envelope.
Arabic:
إنه يبدو مثل صفحة الويب نفسها التي تأتي
مجددًا في ظرف من النقطة ب
إلى النقطة أ.
إذن هذا هو البروتوكول.
لقد قمنا بالبرمجة
فقط لمعرفة ما
الذي سنفعله عندما نريد طلب
تحية أو معلومات
والحصول على شيء في المقابل.
إنها مثل علاقة
العميل ومقدم الخدمة في مطعم.
يطلب العميل
شيئًا من القائمة.
يحضرها مقدم الخدمة، النادل أو
النادلة، له
وبالتالي، يُنهي
هذه المعاملة أيضًا.
وهذا هو الإنترنت، أيضًا--
العملاء والخوادم، المتصفحات
والخوادم، أجهزة الكمبيوتر
وأجهزة الكمبيوتر الأخرى، في نهاية المطاف.
إذن مع وضع تلك العلاقة
في الاعتبار، دعونا نلقي نظرة
على ما هو بالفعل
داخل هذا الظرف.
في حالة إلقائي التحية مع
ستيفان، كان الأمر مرئيًا بصورة أكبر.
لكن في حالة الكمبيوتر، سيكون
الأمر نصيًا أكثر، حرفيًا.
إذن داخل
الأظرف، الأظرف الافتراضية،
إذا جاز التعبير، حيث يرسل
المتصفح الخاص بك إلى خادم
عند محاولة طلب
صفحة ويب، في الواقع
هو عبارة عن رسالة تبدو هكذا.
لحسن الحظ، أنها ليست مشفرة
للغاية، رغم أن نقطة، نقطة، نقطة
توضح أن هناك محتويات أكثر
داخل الظرف.
Arabic:
ولكن الكلمة الأساسية هنا
هي احصل على، وهي فعل.
وهناك أفعال أخرى
يمكن للمتصفح استخدامها.
وهذا يعني حرفيًا،
انتقل إلى الصفحة الرئيسية التالية.
ما هي الصفحة الرئيسية التي تريد الانتقال إليها؟
حسنًا، الصفحة الافتراضية.
هذا الخط المائل الأمامي، كما يُطلق عليه،
فقط يمثل صفحة الويب الافتراضي
على موقع الويب.
وفي كثير من الحالات، هذا يعني ضمنيًا
أن هناك ملف بالفعل يُسمى index.html، مجرد
تقليد.
يمكن أن يُطلق عليه أشياء
أخرى وغير موجودة على الإطلاق.
لكن في كثير من الحالات، هذا
يعني، ضمنيًا،
أعطني ملفًا باسم index.html.
وسنرى ما يبدو عليه
في غضون لحظات.
يشير Http/1.1 فقط إلى، مرحبًا،
ستيفان، أنا أتحدث إلى HTTP الإصدار 1.1.
آمل، أن تنفذوا هذا أيضًا.
يمكن أن تكون هناك إصدارات أخرى وإصدارات أحدث
وإصدارات أقدم من الشيء نفسه.
لاحظوا في الأسفل هنا، على الرغم من--
معذرة-- لاحظوا الآن هنا، على الرغم من أن
اسم المُضِيف هو
أيضًا في هذا الظرف
لأنه تبين أن خوادم الويب
يمكنها القيام بأشياء متعددة في وقت واحد.
ويمكنهم أن يخدموا مجالات متعددة.
لا تحتاج إلى الخادم الشخصي الفريد من نوعه
الخاص بك من أجل خدمة موقع الويب.
هل يمكن أن يكون لديك العشرات، المئات،
الآلاف من مواقع ويب مختلفة
جمعيها على الخادم نفسه.
English:
But the keyword here
literally is gets, a verb.
And there's other verbs
that the browser can use.
And this one literally means,
get me the following home page.
What home page you want to get?
Well, the default one.
This forward slash, as it's called,
just represents the default web page
on a website.
And in many cases, that implicitly means
an actual file called index.html, just
a convention.
It can be called other
things and not exist at all.
But in many cases,
that means, implicitly,
get me a file called index.html.
And we'll see what that
looks like in a moment.
Http/1.1 just means, hey,
Stephan, I speak HTTP version 1.1.
Hopefully, you do as well.
There can be other and newer and
older versions of the same thing.
Notice down here, though--
whoops-- notice now here, though,
that the hostname is
also in this envelope
because it turns out that web servers
can do multiple things at once.
And they can serve multiple domains.
You don't need your own personal
unique server to serve a website.
You can have tens, hundreds,
thousands of different websites
all on the same server.
Arabic:
وإذا كان أي منكم قد دفع لاسم
مجاله الخاص أو الصفحة الرئيسية الشخصية الخاصة
به أو ما شابه، فمن المحتمل أنك
تدفع إلى شخص ما
من أجل مساحة مشتركة على خادم
واحد أو أكثر من الخوادم،
وليس من أجل المساحة الشخصية المُخصصة لك.
ولكن مجددًا، قد يعني هذا ضمنيًا
الشيء نفسه كهذا.
أعطني index.html.
فما هو الأمر الذي يعود بالفعل
من الخادم؟
لحسن الحظ، يستجيب الخادم،
لرسالة تبدو هكذا.
يستجيب لتأكيد الإصدار
من البروتوكول الذي يتحدث به.
وهذا مثل ستيفان عندما يقول،
نعم، أنا أتحدث إلى HTTP 1.1 أيضًا.
200 هو التعليمة البرمجية الرقمية
التي تدل حرفيًا على موافق.
كل شيء على ما يرام.
لقد فهمتك.
ها هي المعلومات التي طلبتها.
ونوع المحتوى، أسفلها، هو
وسيلة فنية أكثر لقول،
نوع المحتوى الذي أقوم
بإرجاعه لك في الظرف الخاص بي
من النقطة ب إلى النقطة أ،
أو من ستيفان إليّ،
بلغة تسمى HTML
التي تصادف أن تكون نصًا.
لماذا تبدو هكذا؟
قرر البشر،
منذ سنوات، فقط أن هذا
سيكون تسلسل
الأحرف التي حرفيًا سترسلها
أجهزة الكمبيوتر لتوصيل تلك المعلومات.
English:
And if any of you ever paid for your own
domain name or your own personal home
page or the like, you are
probably paying someone
for shared space on one
server or more servers,
not for your own personal dedicated one.
But again, this might implicitly
mean the same thing as this.
Give me index.html.
So what is it that actually
comes back from the server?
The server, hopefully, responds
with a message that looks like this.
It responds with confirmation of the
version of the protocol it speaks.
That's like Stephan saying,
yes, I speak HTTP 1.1 as well.
200 is a numeric code that
signifies literally OK.
All is well.
I understood you.
Here is the information you requested.
And Content-Type, below it, is
a more technical way of saying,
the type of content I'm handing
back to you in my own envelope
from point B to point A,
or from Stephan to me,
is in a language called HTML
that happens to be text.
Why does it look like this?
Humans, years ago,
just decided that this
would be the sequence of
characters that computers literally
send to communicate that information.
English:
So let's actually try this in one case,
maybe, for instance, with harvard.edu,
and see what actually happens
to see what else we might see.
So let me go ahead and open
up Chrome, or any browser,
for that matter, that supports some
kind of debugging and diagnostics.
And I'm going to do this.
And you can access this
in different places.
I'm going to go up to View,
Developer, and View Developer Tools.
This is something that
comes with Chrome.
You sometimes have to enable it
in Safari and other browsers.
But almost every browser these
days has this capability.
And you'll notice that this just
opened up a whole bunch of tabs
at the bottom of my
screen here that I'm going
to be able to use to
actually explore what is--
did I kick something else?
Apologies.
It's back-- won't step on there.
So what is this going to allow us to do?
Well, notice there's a
lot of features here.
It's overwhelming at first glance.
But there's a tab here called Network.
And it turns out that one of the
features Chrome gives to developers,
Arabic:
لذلك دعونا بالفعل نجرب ذلك في حالة واحدة،
ربما، على سبيل المثال، باستخدام harvard.edu،
ونرى ما يحدث بالفعل
لمعرفة ما الذي قد نراه أيضًا.
إذن دعوني أمضي قدمًا وأفتح
Chrome أو أي متصفح،
لهذا الأمر، الذي يدعم
تصحيح الأخطاء وعمليات التشخيص.
وسأقوم بفعل ذلك.
ويمكنك الوصول إلى هذا
من أماكن مختلفة.
سأنتقل للأعلى إلى عرض،
المُطوِّر، ثم عرض أدوات المُطوِّر.
هذا هو شيء الذي يأتي
في Chrome.
يجب عليك أحيانًا تمكينه
في Safari والمتصفحات الأخرى.
لكن تقريبًا كل متصفح هذه
الأيام لديه هذه القدرة.
وستلاحظون أن هذا فقط
قام بفتح مجموعة كاملة من علامات التبويب
في الجزء السفلي من
الشاشة لدي هنا والتي سأكون
قادرًا على استخدامها
بالفعل لاستكشاف ما هو--
هل نقرت فوق شيء آخر؟
المعذرة.
لقد عاد-- لن أنتقل إلى هناك.
إذن ما الذي سيتيحه لنا هذا للقيام به؟
حسنًا، لاحظوا أن هناك
العديد من الميزات هنا.
تبدو زاخمة للوهلة الأولى.
لكن هناك علامة تبويب هنا تسمى الشبكة.
وتبين أن إحدى الميزات
التي يمنحها Chrome للمُطورين،
Arabic:
التي تعرفونها جميعًا الآن--
كمُطوِّري برامج--
هي القدرة على رؤية
الأمور غير الظاهرة بمتصفح،
لمعرفة ما بداخل
تلك الأظرف الافتراضية
التي يحتوي عليها المتصفح طوال
تلك السنوات التي يتم فيها الإرسال
منها إلى خوادم في مكان آخر.
إذن سأمضي قدمًا وأفعل هذا.
سأمضي قدمًا وسأزور
في الواقع http://harvard.edu وأضغط على Enter.
وسترون مجموعة
كاملة من الأشياء التي تحدث،
بما في ذلك صفحة الويب التي تظهر
في الجزء العلوي من الشاشة.
سأتجاهل جميع
هذه الأمور في الجزء السفلي
باستثناء فقط الطلب الأول.
إذا قمت بتكبير هذا، لاحظوا
هذا الشيء الذي تم تمييزه باللون الأزرق
هنا هو الطلب
الأول، harvard.edu.
وإذا قمت بالنقر فوق ذلك، فسوف أرى
المزيد من المعلومات على اليمين.
وإذا قمت بالتمرير
للأسفل إلى ما يُطلق عليها
رؤوس الطلب، سطور
النص التي كانت داخل الرسالة
التي أرسلها المتصفح الخاص بي،
وهذا حرفيًا ما
أرسله المتصفح الخاص بي داخل
الظرف، دون علمي،
عندما قمت بزيارة harvard.edu.
لحسن الحظ، إنه يؤكد
توقعي في وقت سابق، get/http/1.1،
English:
which you now all are--
is software developers--
is the ability to see what's going
on underneath the hood of a browser,
to see what is inside of
these virtual envelopes
that your browser has all
those years been sending
from itself to servers elsewhere.
So I'm going to go ahead and do this.
I'm going to go ahead and actually
visit http://harvard.edu and hit Enter.
And you'll see a whole
bunch of stuff happens,
including the web page appearing
at the top of the screen.
I'm going to ignore all of
this stuff at the bottom
except for the very, very first request.
If I zoom in on this, notice
that highlighted in blue
here is the very first
request, harvard.edu.
And if I click on that, I'm going to
see a little more information at right.
And if I go scroll
down to what are called
request headers, the lines of
text that were inside the message
that my browser sent,
this is literally what
my browser sent inside the
envelope, unbeknownst to me,
when I visited harvard.edu.
Thankfully, it confirms my
prediction earlier, get/http/1.1,
English:
because I requested
harvard.edu's home page.
Host is harvard.edu.
Then there's the dot, dot, dot, the
stuff that we don't particularly
care about today.
But let me go ahead and
look at the response.
So this was my request.
This was my hand going out to Stephan.
Let's see what his or
the server's response
is by scrolling up to this,
which is called response headers.
Harvard's server, fortunately,
does speak the same protocol
as me, 1.1 of HTTP.
But apparently, Harvard
moved permanently.
What does that mean?
I went to http://harvard.edu, not there.
Where is it?
Well, there's a little
more information here.
There's a lot of dot, dot, dot,
things we don't care about.
But if we focus on one
that-- oh, location--
where is Harvard now, apparently?
Yeah, say--
AUDIENCE: [INAUDIBLE]
DAVID J. MALAN: Yeah.
Arabic:
لأنني طلبت الصفحة الرئيسية
الخاصة بـ harvard.edu.
المُضِيف هو harvard.edu.
ومن ثم هناك النقطة، النقطة، النقطة،
والأشياء التي لا نهتم
بها تحديدًا اليوم.
ولكن دعوني أمضي قدمًا
وألقي نظرة على الرد.
إذن كان هذا طلبي.
هذه كانت يدي التي سأسلم بها على ستيفان.
دعونا نرى رده أو
استجابة الخادم
عن طريق التمرير إلى هذه،
وهي ما يُطلق عليها رؤوس الاستجابة.
خادم هارفارد، لحسن الحظ،
يتحدث بالبروتوكول نفسه
مثلي، 1.1 من HTTP.
ولكن على ما يبدو، انتقلت
هارفارد بشكل دائم.
ما الذي يعنيه ذلك؟
انتقلتُ إلى http://harvard.edu، وليس هناك.
أين هي؟
حسنًا، يوجد المزيد من
المعلومات هنا.
هناك العديد من نقطة، نقطة، نقطة،
أشياء لا نهتم بها.
لكن إذا ركزنا على الذي هنا--
أوه، الموقع--
أين هي هارفرد الآن، على ما يبدو؟
أجل، تحدث--
الجمهور: [INAUDIBLE]
ديفيد ج. مالان: أجل.
English:
It looks like Harvard "moved"
permanently from http://harvard.edu to,
and let me highlight it,
https://www.harvard.edu,
with two notable changes.
One, there's the www.
And two, there's also what
that might catch your eye?
S, which most of you probably
know these days means secure,
and which implies encryption in
the spirit of Caesar and Vigenere,
but much more secure than
those simple ciphers.
The information is somehow
scrambled now when I'm communicating
between myself and harvard.edu.
So there's two decisions there.
Harvard has decided that they
want to allow and, indeed, require
users to visit their website
securely so that no one--
no company, no government,
no family members--
can necessarily see what is being
requested of Harvard's website
because that is scrambled
information, much like using something
like Caesar or Vigenere.
And Harvard also, probably
for branding reasons,
but also partly for
technical reasons, decided,
Arabic:
يبدو أنه "تم نقل" هارفرد
بشكل دائم من http://harvard.edu إلى،
ودعوني أظلله،
https://www.harvard.edu،
مع تغييرين ملحوظين.
الأول، هناك www.
والثاني، يوجد أيضًا هذا الأمر الذي
قد يثير انتباهك؟
S، الذي من المحتمل أن يعرفه معظمكم
هذه الأيام أنه يعني آمن،
والذي يشير إلى التشفير ضمنيًا
بشفرة قيصر وفيجينير،
ولكنها أكثر أمانًا بكثير من
تلك الشفرات البسيطة.
تكون المعلومات إلى حد ما
الآن مشوشة عندما أقوم بالاتصال
بيني وبين harvard.edu.
إذن يوجد قراران هناك.
قررت جامعة هارفارد أنها
تريد أن تتيح، بالفعل، وتطلب
من المستخدمين زيارة موقع الويب الخاص بها
بشكل آمن بحيث لا يمكن بالضرورة لأي شخص--
أو شركة، أو حكومة،
أو أفراد عائلة--
رؤية ما الذي يتم
طلبه من موقع جامعة هارفارد على الويب
لأن هذه المعلومات
مشوشة، تشبه إلى حد كبير استخدام شيء
مثل شفرة قيصر أو فيجينير.
ولقد قررت هارفارد أيضًا، ربما
لأسباب تتعلق بالعلامة التجارية،
لكن جزئيًا أيضًا
لأسباب فنية،
Arabic:
أننا نريد منك أن تعتقد أن موقعنا على
الويب هو www.harvard.edu.
وهو مزيج من التسويق
والتقنيات لعدة أسباب مختلفة،
أحد هذه الأسباب هو www
نحن البشر جميعًا نعرفه فقط وهو يشير إلى موقع ويب.
وإذا رأيتم harvard.edu--
وهذا صحيح بدرجة أقل هذه الأيام--
قد لا يشير بالضرورة كما هو موضح إلى
أن هذا هو عنوان URL الخاص بمواقع الويب.
بصراحة، ليس منذ زمن بعيد، حتى أن
الدعايا والإعلانات التليفزيونية والإعلانات
المطبوعة وما شابه ذلك ستعرض http://
للتوضيح بالفعل للمشاهدين أن
هذا هو عنوان ويب.
ولكن تدريجيًا، مع دخول أشخاص أكثر
وأكثر على الإنترنت
واستيعابهم للتقنية
وعناوين URL وما شابه ذلك،
يمكننا تجاهل الأشياء
التي تعد فوضى غير ضرورية لأن
جميعنا الآن نعرف بشكل حدسي،
أوه، harvard.edu-- هذا
ربما يكون عنوان ويب يمكنني
فقط كتابته في متصفح.
وسيُنهي المتصفح
أو الخادم فكرتي
وسيقوم في الواقع بإعداد عنوان URL
الآمن أو www أو ما شابه ذلك.
إذن في الواقع لم
نجد هارفارد بعد، على ما يبدو.
إذن دعونا نقوم بهذا بدلاً من ذلك.
دعوني أمضي قدمًا وأقوم بالتصغير
وأزور عنوان URL مختلف.
دعوني أمضي قدمًا، مجددًا، وانتقل
إلى عرض، المُطوِّر، أدوات
English:
we want you to think of our
website as www.harvard.edu.
And it's a mix of marketing and
technical for a few different reasons,
one of which is www we humans
just all know means website.
And if you see harvard.edu--
this is less true these days--
might not necessarily imply as
obviously that this is a websites URL.
Frankly, not too many years ago, even
advertisements and TV ads and printed
ads and the like would even show http://
to really make clear to viewers that
this is a web address.
But gradually, as more and
more people get on the internet
and understand technology
and URLs and the like,
we can just start dropping the stuff
that is unnecessary clutter because all
of us now know intuitively,
oh, harvard.edu-- it's
probably a web address that I
can just type into a browser.
And the browser or the server
will finish my thought for me
and actually prepend the secure
URL or the www or the like.
So we still haven't actually
found Harvard, it seems.
So let's do this instead.
Let me go ahead and zoom out
and visit a different URL.
Let me go ahead and, again, go
to View, Developer, Developer
English:
Tools, Network Tab.
And now let me visit that more verbose
URL, more precise URL, and hit Enter.
Again, a whole bunch of
stuff gets requested--
more on that some other time.
But now, if I click on
the first such request
and look at my response
headers, you'll actually
see, albeit in a different format now,
that the status of this request is 200,
which, recall, meant--
AUDIENCE: OK.
DAVID J. MALAN: OK.
OK.
So now these are two numbers
that, honestly, you've
probably not really seen or cared
all that much about, 200 and 301.
But odds are you've seen at least
one other number when visiting URLs.
For instance, besides actually seeing
200 and 301, you've probably seen 404.
Now, it apparently refers to Not Found.
But more in real terms,
what does that mean?
How do you induce that error?
AUDIENCE: The site doesn't exist.
DAVID J. MALAN: The site doesn't exist.
You mistyped a URL.
The web page doesn't exist.
A system administrator just changed the
name on something or it's an old URL.
Any number of reasons can mean
that the file was not found.
Arabic:
المُطوِّر، علامة تبويب الشبكة.
والآن دعوني أزور عنوان URL أكثر إطنابًا،
وعنوان URL أكثر دقة، ثم أضغط على Enter.
مجددًا، مجموعة كاملة من
الأشياء يتم طلبها--
والمزيد حول ذلك في وقت آخر.
ولكن الآن، إذا قُمت بالنقر فوق
أول طلب من هذا القبيل
ونظرت إلى رؤوس
الاستجابة، فسأرى،
بالفعل، وإن كان في تنسيق مختلف الآن،
أن حالة هذا الطلب هي 200،
التي، كما تذكرون، تشير إلى--
الجمهور: حسنًا.
ديفيد ج. مالان: حسنًا.
حسنًا.
إذن حتى الآن هذان هما الرقمان
اللذين، بصراحة، من المحتمل
أنكم لم تراهما أو تهتمون بهما
كثيرًا بالفعل، 200 و301.
لكن الاحتمالات هي أنكم قد رأيتم
رقمًا واحدًا آخر على الأقل عند زيارة عناوين URL.
على سبيل المثال، بجانب رؤية
200 و301 بالفعل، من المحتمل أنكم رأيتم 404.
الآن، من الواضح أنه يشير إلى أنه غير موجود.
ولكن المزيد بقيم فعلية،
ماذا يعني ذلك؟
كيف تستنج هذا الخطأ؟
الجمهور: الموقع غير موجود.
ديفيد ج. مالان: الموقع غير موجود.
لقد أخطأت في كتابة عنوان URL.
صفحة الويب غير موجودة.
قام مسؤول النظام للتو بتغيير الاسم على
شيء أو إنه عنوان URL قديم.
يمكن أن يشير أي عدد من الأسباب إلى
أنه لم يتم العثور على الملف.
English:
That file might have been
index.html or any other URL.
But all this time when you visited
a website and you've seen 404,
it's not clear, frankly, why servers
have been bothering to tell us 404.
Most people don't need
that level of information.
But it derives from that HTTP
response, that first line
of text inside the envelope coming
back from Stephan or the web server,
more generally, that
says 404, Not Found.
And that means the user
probably did something wrong
or if the data has simply
disappeared from the server.
And there's so many more
of these things as well.
And in fact, you might get
responses, like we just
did from Harvard, supporting not
just 1.1, but version 2 of HTTP.
So just realize if you tinker
with your own Mac or PC,
the messages might
look a little different
based on your browser and the website.
And that's just because
things are evolving over time.
And versions are changing.
But there's so many others of these.
And this is just a
short, abbreviated list.
200 and 301 we saw.
404 you yourselves have probably seen.
401 and 403 generally refer
to you haven't logged in
Arabic:
قد يحتوي هذا الملف على
index.html أو أي عنوان URL آخر.
ولكن طوال هذا الوقت الذي قمت فيه بزيارة
موقع ويب ورأيت 404،
هذا ليس واضحًا، بصراحة، لماذا تتحمل
الخوادم العناء لتقول لنا 404.
لا يحتاج معظم الأشخاص
إلى هذا المستوى من المعلومات.
لكنه مشتق من استجابة HTTP،
هذا السطر الأول
من النص الموجود بداخل الظرف العائد
من ستيفان أو خادم الويب،
بشكل عام أكثر، ذلك
يقول 404، غير موجود.
وهذا يعني أن المستخدم
ربما أرتكب شيئًا خاطئًا
أو أن البيانات قد اختفت
ببساطة من الخادم.
وهناك الكثير
من هذه الأشياء أيضًا.
وفي الواقع، قد تحصل على
استجابات، مثلما حدث معنا
للتو في جامعة هارفارد، من دعم ليس
فقط 1.1، ولكن أيضًا الإصدار 2 من HTTP.
إذن فقط أعلم أنه إذا قمت بالعبث في
جهاز Mac أو الكمبيوتر الشخصي الخاص بك،
قد تبدو الرسائل
مختلفة قليلاً
بناءً على متصفحك وموقع الويب.
وهذا فقط لأن
الأشياء تتطور مع مرور الوقت.
والإصدارات تتغير.
لكن هناك العديد من الإصدارات الأخرى من هذه.
وهذه مجرد
قائمة قصيرة، ومختصرة.
رأينا 200 و301.
404 الذي من المحتمل أنكم رأيتموه بأنفسكم.
يشير 401 و403 بشكل عام إلى
أنك لم تقم بتسجيل الدخول
English:
or you're just not authorized
to access information
because it doesn't belong
to you, for instance.
500 you're all going to
experience before long--
that 500 is Internal
Server Error, which is not
so much the server's error
as your fault and my fault
when we've written buggy code.
So in the weeks to come,
not this week, but when
we start writing Python code
and SQL to talk to databases,
we're all going to
screw up at some point.
And a browser will often see
a 500 error from a server
if, indeed, there's a problem with code.
418 doesn't actually exist.
This was a April Fools' joke,
I think, in, like, 1988,
where some people with
a lot of free time
wrote up a whole formal specification
for an HTTP status code, a 418,
I am a teapot.
And it's still kind of exists
in lore, internet lore.
So those are just some of
the numbers you might see.
But they're not all that technical if
you just know where to look for them
and you know, as a developer
now, what they signify for you.
Yeah?
AUDIENCE: [INAUDIBLE]
Arabic:
أو أنك غير مُخوّل فقط
للوصول إلى المعلومات
لأنها لا تخصك،
على سبيل المثال.
500 ستقومون جميعًا
بتجربته قبل--
500 هو خطأ
داخلي في الخادم، وهو ليس
خطأ الخادم بشكل كبير
مثلما هو خطأك وخطأي
عندما كتبنا التعليمة البرمجية الخاطئة.
إذن في الأسابيع المقبلة،
وليس هذا الأسبوع، ولكن عندما
نبدأ بكتابة تعليمة Python البرمجية
وSQL للتحدّث إلى قواعد البيانات،
سنخفق جميعًا
في مرحلة ما.
وغالبًا ما سيشاهد متصفح
خطأ 500 من خادم
في الواقع، إذا كانت هناك مشكلة بتعليمة برمجية.
418 غير موجود بالفعل.
كانت هذه دعابة كذبة أبريل،
أعتقد، أنه، في، على سبيل المثال، 1988،
عندما كتب بعض الأشخاص ممن لديهم
الكثير من وقت الفراغ
مواصفات رسمية كاملة
لتعلمية حالة HTTP البرمجية، 418،
I am a teapot.
وهى ما تزال نوعًا ما موجودة
في العلم، علم الإنترنت.
إذن هذه فقط بعض الأرقام
التي قد تروها.
لكنها ليست جميع تلك التقنيات إذا
علمت فقط أين تبحث عنها
وأنت تعلمون، الآن كمطوِّرين،
ما تعنيه بالنسبة لكم.
أجل؟
الجمهور: [INAUDIBLE]
English:
DAVID J. MALAN: Good question.
What's the difference
between 200 OK and 302 Found?
So 302, if you read
into the documentation,
would actually tell you
that this also induces
a redirect, whereby, just like 301,
when the browser gets a 301 or a 302,
the browser should be redirected to
the new URL that we saw in the header,
so to speak, called location,
colon, whatever it was.
The difference is that
Moved Permanently means
that the browser should remember
that this redirection is happening
and stop bothering the server
with the same original quest.
Just remember what the new URL is.
302 means found it,
but don't rely on this.
Keep asking me again and again.
So it's just a performance
optimization so you
don't annoy the server unnecessarily
in the case of 301s, which just
costs time and money, in some sense.
So you might have heard
about this before--
can only get away with this
Cambridge, not so much New Haven.
Has anyone ever visited
safetyschool.org?
AUDIENCE: Hey.
DAVID J. MALAN: You're welcome
to on your laptop or your phone.
Arabic:
ديفيد ج. مالان: سؤال جيد.
ما هو الفرق
بين 200 موافق و302 موجود؟
إذن 302، إذا قرأت
الوثائق،
ستخبرك في الواقع
أن هذا أيضًا يحث على
إعادة توجيه، حيث، تمامًا مثل 301،
عندما يحصل المتصفح على 301 أو 302،
فيجب إعادة توجيه المتصفح إلى
عنوان URL الجديد الذي رأيناه في الرأس،
إذا جاز التعبير، الذي يُطلق عليه موقع،
نقطتين، أيًا كان.
الفرق هو أن
عبارة "تم النقل بشكل دائم" تعني
أن المتصفح يجب أن يتذكر
أن عملية إعادة التوجية تلك تحدث
وتوقف تحمل الخادم لعناء
المهمة الأصلية نفسها.
فقط تذكر ما هو عنوان URL الجديد.
302 يعني موجود،
ولكن لا يعتمد على ذلك.
استمر في سؤالي مرارًا وتكرارًا.
إذن هو مجرد تحسين
للأداء لذا
لا تزعج الخادم دون داعٍ
في حالة 301، وهي فقط
تستهلك الوقت والمال، بشكل منطقي.
إذن ربما قد سمعتم
عن هذا من قبل--
يمكن فقط أن القيام بذلك
في كامبريدج، وليس كثيرًا في نيو هافن.
هل قام أي شخص بزيارة
safetyschool.org؟
الجمهور: مرحبًا.
ديفيد ج. مالان: أنت مرحب بك
على جهاز الكمبيوتر المحمول أو الهاتف الخاص بك.
English:
So some very clever Harvard students,
I think, years ago bought this domain.
Frankly, they've probably
been paying, like, $10 or more
per year ever since just
to keep this joke alive.
But it's wonderfully illustrative
because if we go back
to Chrome or any browser--
and let me go ahead and open up a
browser tab and go to safetyschool.org,
Enter.
Oh, interesting.
Where did I get redirected?
AUDIENCE: Hey.
DAVID J. MALAN: Hey.
So the more interesting question
for us is, how are they doing that?
Well, let me go back
into the IDE for a--
or actually, let me go into my
browser and open up a new tab--
View, Developer, Developer Tools.
Look at the Network tab.
And now let me go ahead--
whoops-- let me go ahead and
visit http://safetyschool.org.
Enter.
Scroll back up to the top,
where I see the first request.
And you can see, more technically,
if this doesn't take the fun out
of the joke, all these
Harvard students did
years ago was configure this
domain name to return a 301,
Arabic:
لذا قام بعض طلاب جامعة هارفارد الأذكياء للغاية،
أعتقد، منذ سنوات بشراء هذا المجال.
بصراحة، ربما دفعوا،
على سبيل المثال، 10 دولارات أو أكثر
في السنة منذ ذلك الوقت
فقط لإبقاء تلك الدعابة.
لكنها موضحة بشكل رائع
لأنه إذا عدنا
إلى Chrome أو أي متصفح--
ودعوني أمضي قدمًا وأفتح
علامة تبويب متصفح وأنتقل إلى safetyschool.org،
Enter.
أوه، هذا أمر مثير للاهتمام.
إلى أين تمت إعادة توجيهي؟
الجمهور: مرحبًا.
ديفيد ج. مالان: مرحبًا.
إذن السؤال المثير للاهتمام بشكل أكبر
بالنسبة لنا هو، كيف يفعلون ذلك؟
حسنًا، دعوني أعود
إلى IDE--
أو في الواقع، دعونى أنتقل إلى
المتصفح وأفتح علامة تبويب جديدة--
عرض، المُطوِّر، أدوات المُطوِّر.
انظروا إلى علامة تبويب الشبكة.
والآن دعوني أمضي قُدمًا--
معذرة-- دعوني أمضي قدمًا
وأقوم بزيارة http://safetyschool.org.
Enter.
وأقوم بالتمرير مجددًا إلى الأعلى،
حيث أرى الطلب الأول.
ويمكنكم رؤية، من الناحية الفنية،
إذا كان هذا لا يجعل
المزحة مرحة، كان كل ما قام به
طلاب جامعة هارفارد
منذ سنوات هو تكوين اسم
هذا المجال لإرجاع 301،
Arabic:
تم النقل بشكل دائم إلى جامعة ييل.
الآن، يبدو أن الأمر جيد فقط، وخاصة
عندما يشاهد طلاب ييل
هذا البث المباشر الآن من نيو هافن--
دعونا نلقي نظرة على موقع آخر
يسمى harvardsucks.org.
إذن هذا المجال، موجود، أيضًا.
دعوني أمحو ما على الشاشة
وانتقل إلى http://harvardsucks.org.
Enter.
وهذا هو موقع ويب فعلي.
لذا لم يقم طلاب جامعة
ييل المغامرون بشراء اسم المجال فقط،
ولكن لقد كانوا يستضيفون
الموقع أيضًا منذ سنوات.
يوجد فيديو رائع على اليوتيوب هناك
يتحدث في الواقع عن الاختراق المضحك للغاية
الذي قاموا به منذ بضعة أعوام في مباراة
هارفارد وييل، مباراة كرة القدم.
ولكن يمكنكم رؤية ذلك هنا، أوه، هذا--
إذن هذه مسألة ثانوية.
إذن في الواقع يقوم harvardsucks.org الآن
ببث مباشر على www.harvardsucks.org.
لكنكم في الواقع تبقون هناك.
ولذلك فإنني أشجعكم على الانتقال إلى هذا
الموقع، وكذلك المواقع الأخرى، لتلبية جميع
احتياجات التسوق في هارفارد وييل.
إذن هذا هو HTTP.
English:
Moved Permanently to Yale University.
Now, it's only fair, especially
since the Yale students are watching
this live right now from New Haven--
let's take a look at one other
site called harvardsucks.org.
So this domain, too, does exist.
Let me clear that screen and
go to http://harvardsucks.org.
Enter.
And this is an actual website.
So not only did these enterprising
Yale students buy the domain name,
they've also been hosting
the website for years since.
There's a wonderful YouTube video there
that actually speaks to a very fun hack
that they did some years ago at
Harvard-Yale, the football game.
But you can see here, oh, that--
so there's a minor one.
So harvardsucks.org actually now
lives at www.harvardsucks.org.
But then you actually stay there.
And so I encourage you to go to this
site, as well as the other, for all
your Harvard and Yale shopping needs.
So that is HTTP.
Arabic:
وHTTP هو البروتوكول، مجموعة
من التقاليد، التي تستخدمها
المتصفحات عند التحدث إلى خوادم الويب.
وهو البروتوكول
الذي يتحكّم في كيفية استجابة
خوادم الويب هذه للمتصفحات.
لقد قمنا بتحديد كمية هذا في شكل
الأظرف الافتراضية تلك، وهي عبارة عن
تجسيد مادي فقط للأصفار
والواحدات التي تنتقل من الناحية الفنية
ذهابًا وإيابًا عبر الإنترنت.
لكنها تتجسد في مصافحتي
لستيفان، في ما يحدث حقًا.
بادرت بالتحية.
فاستجاب.
وتبدو مثل نوع علاقة
العميل والخادم.
فكيف يمكنكم في الواقع
الآن القيام بعمل إبداعي؟
كيف تقومون بإنشاء yale.edu؟
كيف تقوم بإنشاء harvardsucks.org؟
كيف تقومون بإنشاء موقع ويب خاص بدورة CS50
أو Google أو Facebook؟
حسنًا، ما يهم الآن حقًا هو--
ما هو موجود بشكل أعمق داخل
هذا الظرف.
بالإضافة إلى هذه الرؤوس،
هذه المعلومات النصية،
مثل 200 موافق أو 301
تم النقل بشكل دائم، توجد
لغة أخرى مُضمنة داخل
هذا الظرف، بشكل أعمق في الأسفل،
تسمى HTML، لغة ترميز النص التشعبي.
هذه هي اللغة، التي تعد نصًا
أيضًا، حيث تتم كتابة صفحات الويب بها.
ولذا إذا قمتم بزيارة موقع ويب
على شبكة الإنترنت،
English:
HTTP is the protocol, the set
of conventions, that browsers
use when talking to web servers.
And it's the protocol
that governs how those web
servers respond to the browsers.
We've quantized this in the form of
these virtual envelopes, which is just
a physical incarnation of the zeros
and ones that are technically going
back and forth across the internet.
But it's embodied in my handshake
with Stephan, what's really happening.
I initiate.
He responds.
And it's like a client-server
type relationship.
So how do you actually
now do creative work?
How do you make yale.edu?
How do you make harvardsucks.org?
How do you make CS50's own
website or Google or Facebook?
Well, what really matters now what's--
is what's deeper inside
of that envelope.
In addition to these headers,
this textual information,
like 200 OK or 301 Moved
Permanently, there's
another language embedded inside
of that envelope, deeper down,
called HTML, HyperText Markup Language.
This is the language, which is also
text, in which web pages are written.
And so if you've ever visited
a website on the internet,
English:
and I just noticed that Erin is doing
that on repeat, isn't she, what's--
you're looking at is a
browser's rendering of HTML.
So HTML is just text.
And we're going to see it in a moment.
The browser reads that text top to
bottom, left to right, much like Clang
reads your C code top to
bottom, left to right.
But rather than convert your text to
zeros and ones, what a browser does
is interpret it line by line by line.
And it does what you say.
So if you say, hey, browser,
put Erin's photo on the screen,
it is going to do that.
If you say, hey, browser, write the
words "staff" in big black text,
the browser's going to do that.
If you tell the browser to lay out
a whole menu, it's going to do that.
And we'll see, in just a moment,
how you convey those terms.
HTML is not a programming language.
It is, indeed, a markup language,
which means it just lays things
out structurally and aesthetically.
So the website here that we're looking
at has a bunch of images, all of which
are what are called
animated GIFs, which are
very much in vogue these days on Reddit
and phones and iMessage and the like.
Arabic:
ولاحظت فقط أن إرين تفعل
هذا بشكل متكرر، أليست هي، الشيء--
الذي كنت تبحث عنه هو تقديم
متصفحات من HTML.
إذن HTML مجرد نص.
وسنرى ذلك في غضون لحظات.
يقرأ المتصفح هذا النص من الأعلى إلى
الأسفل، من اليسار إلى اليمين، مثلما يقرأ
Clang تعليمة C البرمجية من الأعلى
إلى الأسفل، من اليسار إلى اليمين.
ولكن بدلاً من تحويل نصك إلى
أصفار وواحدات، ما يقوم به المتصفح
هو تفسيرها سطرًا بسطر بسطر.
ويفعل ما تقوله.
لذا إذا قلت، مرحبًا، أيها المتصفح،
ضَع صورة إرين على الشاشة،
سيقوم بتنفيذ ذلك.
إذا قلت، مرحبًا، أيها المتصفح، اكتب
كلمة "طاقم العمل" بنص أسود كبير،
سينفذ المتصفح ذلك.
إذا أخبرت المتصفح أن يقوم بوضع
قائمة كاملة، سينفذ ذلك.
وسنرى، فقط في غضون لحظات،
كيف يقوم بتحويل تلك المصطلحات.
HTML ليست لغة برمجة.
إنها، في الواقع، لغة ترميز،
مما يعني أنها تضع الأشياء
على نحو بنائي و جمالي.
لذلك فإن موقع الويب هنا الذي نبحث عنه
يحتوي على مجموعة من الصور، جميعها
يُطلق عليها صور
GIF المتحركة، الرائجة
إلى حد كبير جدًا هذه الأيام على ريديت
وأجهزة الهاتف وiMessage وما شابه ذلك.
Arabic:
لكن هذه مجرد صور، ملفات،
يتم نقلها بالفعل
من خادم CS50 إلى متصفحك.
ولكن إذا صعدت إلى View، والمُطوِّر،
والآن إلى عرض المصدر، ويمكنكم--
يمكنكم القيام بهذا
طوال هذه السنوات--
يمكنكم بالفعل رؤية ما يُطلق عليها
HTML التي تُشغِّل موقع CD50 على الويب.
إذن هذا كل شيء عن
HTML، وسأقوم بالتمرير
سريعًا بشكل متعمد خلالها، وهي
تقوم بتنفيذ صفحة طاقم عمل CS50.
وإذا قمنا بالتمرير على
طول الطريق إلى الأسفل،
سترون لاحقًا أن السطور 1,008
هي صفحة الويب التي تم تنفيذها.
لكنها مجرد نص.
وفي الواقع، دعوني أقوم بالتمرير
لأعلى مجددًا وأشير فقط
إلى بعض التفاصيل البارزة.
سترون أنماطًا
مألوفة في الأمثلة
نحن على وشك البدء في النظر فيها.
السطر الأول من المحتمل
هو ذلك، DOCTYPE HTML، والذي
يشبه تلميحًا صغيرًا إلى
المتصفح الذي يقول،
بصراحة جدًا، مرحبًا، أيها المتصفح،
نوع المستند الذي على وشك أن تراه
هو في الواقع HTML.
لكن يتبع باقي صفحة الويب
نمطًا بنائيًا.
وسترون أنها
موضوعة بشكل جيد بالفعل،
حتى لو كانت بعض هذه السطور
طويلة قليلاً ومغلّفة.
ولكنكم سترون هذا التقليد، وهو عبارة عن قوس
مفتوح، وهو قوس بزاوية،
English:
But those are just images, files,
that are actually being transferred
from CS50 server to your browser.
But if I go up to View, Developer,
and now View Source, and you can--
could have been doing
this all these years--
you can actually see the so-called
HTML that drives CD50's website.
So this is all of the
HTML, and I'm deliberately
scrolling fast through it, that
implements that CS50 staff page.
And if we scroll all
the way to the bottom,
you'll see that 1,008 lines
later is the web page done.
But it's just text.
And, in fact, let me scroll back
up to the top and just point
out a few salient details.
You'll see familiar
patterns in the examples
we're about to start looking at.
The very first line probably
is that, DOCTYPE HTML, which
is like a little hint to
the browser that says,
quite explicitly, hey, browser, the
document type you're about to see
is indeed HTML.
But the rest of the web page
follows a structural pattern.
And you'll see that it's
already nicely indented,
even though some of these lines
are a little long and are wrapping.
But you'll see this convention, an open
bracket, which is an angled bracket,
English:
like a less than sign, the keyword
html, maybe some pattern like this,
lang equals en-us--
this sounds like language--
a US English, maybe--
more on that in a bit-- and then this
close bracket, or a greater than sign,
that completes the thought.
Then inside of that HTML tag, so
to speak, indented beneath it,
is this, the head of the web page.
The head of the web page something
that you mostly can't see.
It generally refers to the tab
at the top of the page and just
invisible information.
And if I scroll down further, we'll
see, really, the guts of the web page,
which are in the so-called
body of the web page.
So these things that I've
just been highlighting,
albeit in a very big context
of a big, 1,000-line web page,
are just called HTML tags.
HTML is a tag-based language,
a markup-based language,
where you just say what you want to
appear where you want it to appear.
So what does that actually mean?
Well, let's take a look
at a simpler example
in the form of this slide, which
is perhaps the simplest web page
Arabic:
مثل علامة أصغر، الكلمة الرئيسية
html، ربما بعض الأنماط كهذه،
lang تساوي en-us--
هذا يبدو مثل اللغة--
هي الإنجليزية الأمريكية، ربما--
أكثر بشأن ذلك وإن كان-- ومن ثم هذا
القوس المغلق، أو علامة أكبر من،
التي تُنهي الفكرة.
ثم داخل علامة HTML تلك، إذا جاز
التعبير، الموضوع أسفلها،
هو هذا، رأس صفحة الويب.
رأس صفحة الويب هو شيء
لا يمكنك رؤيته غالبًا.
يشير بشكل عام إلى علامة التبويب
في الجزء العلوي من الصفحة
وإلى معلومات غير مرئية فقط.
وإذا قمت بالتمرير لأسفل أكثر، فنرى،
حقًا، محتوى صفحة الويب،
والتي توجد في ما يُسمى
ببنية صفحة الويب.
وبالتالي فإن هذه الأشياء
التي أقوم بتظليلها فقط،
وإن كانت في سياق كبير جدًا
من صفحة ويب كبيرة تتكون من 1000 سطر،
يُطلق عليها فقط علامات HTML.
HTML عبارة عن لغة قائمة على علامة،
لغة قائمة على الترميز،
حيث يمكنكم فقط قول ما تريدون أن يظهر
حيثما تريدونه أن يظهر.
إذن ماذا يعني هذا بالفعل؟
حسنًا، دعونا نلقي نظرة
على مثال أبسط
في شكل هذه الشريحة، والتي ربما تكون
أبسط صفحة ويب
Arabic:
يمكنك إعدادها، هذه الصفحة هنا.
من المحتمل أن تكون هذه صفحة الويب الصحيحة بشكل أكثر
بساطة، أو من حيث الصياغة
والتي يمكنكم كتابتها لقول، مرحبًا،
أيها المتصفح، نوع الوثيقة هو HTML.
مرحبًا أيها المتصفح، ها هي بداية
صفحة HTML الخاصة بي.
مرحبًا، أيها المتصفح، ها هي
رأس صفحة الويب الخاصة بي.
مرحبًا، أيها المتصفح، ها هو
عنوان صفحة الويب الخاصة بي.
مرحبًا، أيها المتصفح، سيكون عنوان هذه
الصفحة، من أجل المناقشة،
هو "مرحبًا، أيها العنوان."
ولكن يمكنكم حرفيًا
قول أي شيء تريدونه.
لكن الآن أصبحت هذه الأشياء مثيرة للاهتمام.
وقد شاهد البعض منكم بالتأكيد
HTML من قبل، ولم يقم بعضكم بذلك.
ولكن من المحتمل أن تتمكنوا من
الاستنتاج فقط، حتى لو لم
تروا HTML، ما الذي تقوم به هذه العلامة
لأنها تبدو مماثلة،
ولكن مختلفة قليلاً.
لذلك إذا قال هذا، مرحبًا،
أيها المتصفح، ها هو العنوان،
ما الذي يقوله هذا
على الأرجح، بشكل حدسي؟
الجمهور: إنه يُنهي ذلك فقط.
ديفيد ج. مالان: أجل.
هذا كل شيء بشأن العنوان.
مرحبًا، أيها المتصفح، هذا كل شيء بشأن العنوان.
لذلك قد تقومون بتسمية هذه
علامة البدء وتلك علامة الانتهاء،
أو علامة فتح وعلامة إغلاق.
فكّروا في الأمر كما تريدون.
ولكن في HTML، يوجد
بشكل عام هذا التماثل الرائع.
بمجرد أن تبدأ بشيء،
تنهيه في نهاية المطاف.
وتنفذه بالترتيب الصحيح.
لذا فأنت تقوم-- تبدأ بعلامات في ترتيب واحد.
English:
that you can make, this one here.
This is perhaps the simplest
correct, syntactically correct, web
page you can write that's saying, hey,
browser, the type of document is HTML.
Hey, browser, here's the
start of my HTML page.
Hey, browser, here's
the head of my web page.
Hey, browser, here comes
the title of my web page.
Hey, browser, the title of this page
shall be, for the sake of discussion,
"hello, title."
But you could say literally
anything there that you want.
But now things get interesting.
And some of you have certainly seen
HTML before, and some of you haven't.
But you can probably
just infer, even if you
haven't seen HTML, what this tag
is doing because it looks the same,
but yet a little different.
So if this is saying, hey,
browser, here comes the title,
what is this probably
saying, intuitively?
AUDIENCE: Just ends.
DAVID J. MALAN: Yeah.
That's it for the title.
Hey, browser, that's it for the title.
So you might call this a
start tag and this an end tag,
or an open tag and a close tag.
Think about it however you want.
But in HTML, there's
generally this nice symmetry.
Once you start something,
you eventually finish it.
And you do it in the right order.
So you do-- you start tags in one order.
English:
And then you close them in reverse order
so that everything is nicely symmetric.
And indeed, the
indentation, just like in C,
technically doesn't matter at all.
You could have a really, really ugly
web page with no whitespaces whatsoever.
And it would still work fine for the
browser because it doesn't care--
just much harder for us humans to read.
So this convention is to
indent, just like in C,
just so it's more clear what
the hierarchy or the nesting
is, so to speak.
This line here means, hey,
browser, that's it for the head.
It's another close tag.
Hey, browser, here comes
the body of the page.
So much like head here, body
here, most of the page's content
is, indeed, in the body of the web page.
That's what you, the
humans, actually see.
And mostly in the head, we'll
just see things like the title
and just a couple of other
things in a little bit.
The message inside this web page
is apparently, "hello, body,"
then close body, close html.
And that's it.
So when I said earlier that
inside of these envelopes
is just a whole bunch of
text, all I meant was this.
This is what's inside of
this envelope just below
the protocol information, the HTTP
information, that just said 200 OK
Arabic:
ومن ثم تقوم بإغلاقها في ترتيب عكسي
بحيث يكون كل شيء متناسقًا بشكل جيد.
وفي الحقيقة، المسافة
البادئة، تمامًا كما في لغة C،
لا تهم على الإطلاق من الناحية الفنية.
يمكن أن يكون لديك حقًا، صفحة ويب قبيحة جدًا
دون أي مسافات على الإطلاق.
وستظل تعمل بشكل جيد
للمتصفح نظرًا لأنه لا يهتم--
بالقراءة بصعوبة للغاية مثلنا نحن البشر.
إذن هذا التقليد يبدو جيدًا،
تمامًا كما هو الحال في لغة C،
فقط لتوضيح ما هو
التسلسل الهرمي أو البناء،
إذا جاز التعبير.
هذا السطر هنا يعني، مرحبًا،
أيها المتصفح، هذا كل شيء بشأن الرأس.
إنها علامة إغلاق أخرى.
مرحبًا، أيها المتصفح، ها هي
بنية الصفحة.
تبدو بشكل كبير مثل الرأس هنا،
البنية هنا، يوجد معظم محتوى الصفحة،
في الواقع، في بنية صفحة الويب.
هذا ما نراه، نحن
البشر، في الواقع.
وغالبًا في الرأس، سنرى فقط أشياء
مثل العنوان
وبضعة أشياء
أخرى بعد قليل.
ومن الواضح أن الرسالة الموجودة داخل صفحة
الويب هذه، هي "مرحبًا، أيتها البنية"
ثم إغلاق البنية، إغلاق html.
وهذا كل شيء.
إذن عندما قلت في وقت سابق أن
ما بداخل هذه الأظرف
هو مجموعة نص كاملة
فقط، كل ما عنيته هو هذا.
هذا هو ما بداخل
هذا الظرف فقط أسفل
معلومات البروتوكول، معلومات
HTTP، التي قالت للتو 200 موافق
English:
or any of those other messages.
So when the browser receives
this envelope, it opens it up.
It reads it top to
bottom, left to right.
And then it literally interprets
that file top to bottom,
doing exactly what you tell it to do.
So how do we go about
actually doing this?
You can write HTML on any text program.
You can write it in TextEdit,
on a Mac, on Notepad, on a PC.
You can, technically, use
Microsoft Word or Google Docs.
But that's out of context and bad.
Those give you features you don't want.
But you generally want a text editor.
And we, of course, have a
text editor in CS50 IDE.
So let me actually go there.
I'm going to go into CS50 IDE.
And I'm going to go up to File, New.
And I'm going to go and preemptively
just save the file with the only file
name I remember from earlier,
which was index.html.
Just like C programs end in
files called something .c,
HTML files often end in .html,
sometimes .htm, but often .html.
So let me go ahead and click Save there.
And now I'm going to go ahead and
do a-- type exactly that same code--
Arabic:
أو أيًا من تلك الرسائل الأخرى.
لذلك عندما يتلقى المتصفح
هذا الظرف، يفتحه.
يقرأه من الأعلى إلى
الأسفل، من اليسار إلى اليمين.
ومن ثم يفسر حرفيًا
هذا الملف من الأعلى إلى الأسفل،
يفعل بالضبط ما تقوله ليقوم به.
إذن، كيف نقوم في الواقع
بفعل هذا؟
يمكنكم كتابة HTML على أي برنامج نصي.
يمكنكم كتابته في TextEdit،
على جهاز Mac، على Notepad، على جهاز الكمبيوتر الشخصي.
يمكنكم، من الناحية الفنية،
استخدام Microsoft Word أو Google Docs.
لكن هذا أمر خارج السياق وسيء.
هذه تتيح لكم ميزات لا تريدونها.
لكنكم تريدون محرر نص بشكل عام.
ونحن، بالطبع، لدينا
محرر نص في CS50 IDE.
إذن دعوني في الواقع أنتقل إلى هناك.
سأمضى قدمًا وأنتقل إلى CS50 IDE.
و سأنتقل للأعلى إلى ملف، جديد.
وسأمضى قدمًا وبشكل استباقي
فقط سأحفظ الملف باسم الملف الوحيد
الذي أتذكره من وقت سابق،
وهو index.html.
تمامًا مثل برامج C التي تنتهي
بملفات يُطلق عليها شيء ما .c،
تنتهي ملفات HTML غالبًا بـ .html،
وأحيانًا بـ .htm، ولكن غالبًا بـ .html،.
إذن دعوني أمضي قُدمًا و أضغط على حفظ هناك.
والآن سأمضي قُدمًا وأقوم-- بكتابة
هذه التعليمة البرمجية نفسها بالضبط--
English:
so open bracket, exclamation point.
And that's the only
exclamation point we'll expect.
The first line is, unfortunately, a
little different from all the others.
Then I'm going to do open
bracket, html, close bracket.
And you'll notice that, just like with
C, the IDE tries to be a little helpful
and finish your thought.
So it already closed the tag for me.
Now it's just on me to hit
Enter to move it into place.
Now I'm going to-- what
came next inside the--
uh-oh.
What came next?
The head-- so open bracket,
head, close bracket.
Inside of head was--
yeah, title.
And then I think it just
said, "hello, title,"
though I could call
that anything I want.
Then below the head, but inside
the html tag still, was my body.
So let me type that here.
And I think I said, "hello, body."
So-- bdoy, boday.
OK, body-- save.
So now I have a text file in the IDE.
It seems to match up with what we
showed as a canonical page before.
Now we need to load it in a browser.
Arabic:
إذن فتح قوس، علامة تعجب.
وهذه هي علامة التعجب الوحيدة
التي سنتوقعها.
السطر الأول، لسوء الحظ،
مختلف قليلاً عن جميع السطور الأخرى.
ثم سأمضى قُدمًا وأقوم بفتح
قوس، html، أغلق القوس.
وستلاحظون ذلك، تمامًا مثل
استخدام C، تحاول IDE أن تكون مفيدة قليلاً
و تنهي فكرتي.
إذن لقد أغلقت من أجلي علامة التبويب بالفعل.
الآن عليّ فقط أن أنقر فوق
Enter ليتم نقله إلى موضعه.
الآن سأمضي قُدمًا-- ما الذي يحدث
بعد ذلك داخل--
أوه.
ما الذي يحدث بعد ذلك؟
الرأس-- إذن أفتح القوس،
رأس، أغلق القوس.
كان داخل الرأس--
نعم، عنوان.
ومن ثم أعتقد أنه قال فقط،
"مرحبًا، أيها العنوان"
على الرغم من أنه يمكنني أن أطلق عليه
أي شيء أريده.
ثم أسفل الرأس، ولكن كانت ما تزال داخل
علامة HTML، البنية الخاصة بي.
إذن دعوني أكتُب ذلك هنا.
وأعتقد أنني قلت، "مرحبًا، أيتها البنية."
إذن-- bdoy، boday.
حسنًا، بنية-- حفظ.
إذن الآن لدي ملف نصي في IDE.
يبدو أنه مُتطابق مع ما عرضناه
كصفحة متعارف عليها من قبل.
الآن نحن بحاجة إلى تحميله في متصفح.
English:
And this is a little
paradoxical because I'm,
obviously, writing
this text in a browser,
and yet I need the browser to read it.
So this is just because the IDE,
Integrated Development Environment,
that we've been using
is, itself, web-based.
That's just an incidental detail.
The fact that I have written this code
in a file now is what's important.
It could be in the cloud as it is.
It could be on my Mac.
It could be on my PC.
It could be on any other
server on the internet.
The point is I need to
access this file somehow.
And so it turns out that
we're not going to compile it.
There are no zeros and
ones involved anymore.
There is no machine code.
We're going to leave it just like this.
HTML is interpreted, literally,
line by line, top to bottom--
no zeros and ones needed.
But I am going to need to run my
own web server, not the IDE itself.
I want to run, as the
developer, my own web server.
What is a web server?
It's like Stephan.
It's just a program sitting
there, waiting and waiting
and waiting for something to happen.
And that's something is, presumably, a
request from a browser, at which point
Arabic:
وهذا الأمر متناقض
قليلاً لأنني،
من الواضح، أكتب
هذا النص في متصفح،
ومع ذلك أحتاج إلى أن يقرأه المتصفح.
إذن هذا فقط لأن IDE،
بيئة التطوير المتكاملة،
التي قمنا باستخدامها
هي، نفسها، قائمة على الويب.
هذه مجرد تفصيل عرضي.
في الواقع لقد كتبتُ التعليمة البرمجية هذه
في ملف الآن وهذا ما يهُم.
يمكن أن يكون في السحابة كما هو.
أو قد يكون على جهاز Mac الخاص بي.
أو قد يكون على جهاز الكمبيوتر الشخصي.
أو قد يكون على أي خادم
آخر على الإنترنت.
المغزى هو أنني بحاجة إلى
الوصول إلى هذا الملف بطريقة ما.
إذن يتضح أننا
لن نقوم بتحويله برمجيًا.
لا تُوجد أصفار
أو واحدات متضمنة بعد الآن.
لا تُوجد تعليمة برمجية آلية.
سندع الأمر هكذا فقط.
يتم تفسير HTML، حرفيًا،
سطر بسطر، من الأعلى إلى الأسفل--
لا توجد أصفار وواحدات مطلوبة.
ولكنني سأحتاج إلى تشغيل
خادم الويب الخاص بي، وليس IDE نفسه.
أريد أن أُشغل، كمُطوِّر،
خادم الويب الخاص بي.
ما هو خادم الويب؟
إنه مثل ستيفان.
إنه مجرد برنامج هناك،
وينتظر وينتظر
وينتظر حدوث شيء ما.
ويُعد هذا الشيء، بشكل افتراضي، طلبًا
من متصفح، عند هذه النقطة
English:
it will respond with a handshake or,
more specifically, with this file.
So how do I do this?
Well, in the IDE, we actually include
a free program called http-server.
All of the software in CS50
IDE is free and open source.
So we've simply chosen some of the
most popular packages, one of which
is called, literally, http-server.
And if I go ahead and hit Enter,
you'll see somewhat cryptic information
at first.
But let's see.
It's starting up the http-server.
It's serving dot slash.
Well, what does dot mean?
This folder.
So just serve up the contents of
this current folder that I'm in.
Now it's saying it's
available on this URL.
And this URL's going to
vary by who is running this.
If you're running it, you're
going to see a different URL.
But what is interesting is the number--
turns out that, because this is
my little own personal web server,
it's not using port 80, which I
claimed earlier was the default.
It's using a different convention, 8080.
8080 is just a human convention.
It's not standardized in the same way.
But this way, I can serve
files separate from the IDE
because the IDE itself is
actually listening on port 80,
Arabic:
التي فيها سيستجيب بمصافحة أو،
بشكل أكثر تحديدًا، بهذا الملف.
إذن كيف يُمكنني فعل هذا؟
حسنًا، في IDE، نقوم في الواقع بتضمين
برنامج مجاني يُطلق عليه http-server.
جميع البرامج الموجودة في CS50
IDE مجانية ومفتوحة المصدر.
إذن ببساطة اخترنا بعض الحزم
الأكثر شيوعًا، ويُطلق على إحدى هذه الحزم،
حرفيًا، http-server.
وإذا مضيتُ قدمًا وضغطتُ على Enter،
سترون معلومات مشفرة بطريقة ما
في البداية.
ولكن لنرى ذلك.
إنها تبدأ بتشغيل http-server.
إنها تقدم نقطة خط مائل.
حسنًا، ما الذي تعنيه النقطة؟
هذا المجلد.
إذن تقوم فقط بتقديم محتويات
هذا المجلد الحالي الذي أنا فيه.
الآن إنها تقول أنه
متاح على عنوان URL هذا.
وسيختلف عنوان URL هذا
بناء على مَن سيقوم بتشغيل هذا.
إذا قمتم بتشغيله، فسترون
عنوان URL مختلف.
لكن الأمر المثير للاهتمام هو الرقم--
تبين أنه، لأن هذا هو
خادم الويب الشخصي الصغير الخاص بي،
إنه لا يستخدم المنفذ 80، الذي كنت
أزعم أنه في وقت سابق هو الافتراضي.
إنه يستخدم تقليدًا مختلفًا، 8080.
8080 هو مجرد تقليد بشري.
إنه ليس مُوحّد بالطريقة نفسها.
ولكن بهذه الطريقة، يمكنني أن أقدّم
ملفات منفصلة من IDE
لأن IDE نفسها
في الواقع تستمع عبر المنفذ 80،
English:
or, technically, 443,
because it's using HTTPS.
And I don't want to confuse my
files with CS50 IDE's own files,
the actual user interface
that you're all familiar with.
So, just like Stephan can hear from--
say hello to multiple people and Google
servers can handle multiple services,
so can my own IDE listen on
multiple ports, as they're called--
80, 25, 443, or, in this case, 8080.
So what does this all mean?
I'm going to go ahead and
literally click on this URL,
open it in another tab on my browser,
and you'll see somewhat cryptic output.
But this is just a succinct way of
saying, here is the index, the listing,
of slash, which is now the
default area of my website.
I've got two folders, source 5,
which is on the course's website--
it's all of today's files in case we
want to look them up without writing
them from scratch--
and then the file I just
created, index.html.
So if I go ahead now and click on
index.html, there we have it-- hello,
body.
Arabic:
أو، من الناحية الفنية، 443،
لأنها تستخدم برتوكولات HTTPS.
وأنا لا أريد الخلط بين
ملفاتي وملفات CS50 IDE،
واجهة المستخدم الفعلية
التي أصبحت مألوفة لكم جميعًا.
إذن، تمامًا مثلما يمكن أن يسمع ستيفان من--
قول مرحبًا لعدة أشخاص وكما يمكن أن تتعامل خوادم Google
مع خدمات متعددة،
يمكنأن تستمع أيضًا IDE الخاصة بي عبر
منافذ متعددة، كما يُطلق عليها--
80، أو 25، أو 443، أو، في هذه الحالة، 8080.
إذن ما الذي يعنيه كل هذا؟
سأمضي قدمًا
وأنقر حرفيًا فوق عنوان URL هذا،
أفتحه في علامة تبويب أخرى على المتصفح الخاص بي،
وسترون مخرجات مشفرة بطريقة ما.
لكن هذه مجرد طريقة موجزة
لقول، ها هو الفهرس، القائمة،
من الخط المائل، وهي الآن
المساحة الافتراضية لموقع الويب الخاص بي.
لقد حصلت على مجلدين، المصدر 5،
الموجود بموقع الدورة على الويب--
وهي جميع ملفات اليوم في حالة
أردنا البحث عنها دون كتابتها
من سكراتش--
ومن ثم الملف الذي قمت بإنشائه
للتو، index.html.
إذن إذا مضيت قدمًا الآن ونقرت فوق
index.html، فلدينا هنا- مرحبًا،أيتها
البنية.
Arabic:
ونحن لا نرى علامة التبويب فقط
لأنني قمت بفتح Chrome في وضع ملء الشاشة.
ولكن إذا قُمت بالفعل بإنهاء
وضع ملء الشاشة
وقمت بالتكبير في أعلى علامة
التبويب، سترون "مرحبًا، أيها العنوان" هناك.
وإذا عدتُ إلى هذا الملف،
في الوقت نفسه، وقلتُ،
"مرحبًا، أيتها البنية، سررتُ
بلقائك"-- أصبح هذا الشيء غريبًا--
الآن سأمضي
قدمًا وأنقر فوق إعادة التحميل.
والآن ترون هذا.
دعونا نمضي قدمًا ونأخذ
استراحة لمدة خمس دقائق
عاجلاً وليس آجلاً، حتى
نتمكّن من معالجة مشكلة جهاز العرض.
وسنعود بعد قليل.
إذن الخلاصة، توجد علامات أكثر من
html فقط والرأس والعنوان والبنية.
توجد أشياء تعطينا
صور وأصوات، بالتأكيد،
والعديد، العديد، العديد من الأشياء الأخرى.
إذن دعونا نُلقي نظرة بشكل يدوي أكثر
في مثال واحد فقط أو اثنين من الأمثلة الأخرى
ومن ثم نتعرّف على القائمة الكاملة من
من العلامات التي قد تكون متوفرة.
دعوني أمضي قدمًا
وأقوم بإنشاء ملف جديد.
سأمضي قدمًا
وأطلق على هذا image.html.
والآن تحسبًا لتقديم
إثبات أنه
يتضمن صورة،
توفيرًا للوقت، سأمضي قدمًا فقط
وأقوم بلصق المحتويات
من الملف السابق.
ولكن سأمضي قدمًا
وأتخلص من البنية هذه المرة
وسأبدأ بالفعل
بتضمين صورة هنا.
English:
And we don't see the tab just
because I full-screened Chrome.
But if I actually remove
that full screening
and zoom up to the top of the
tab, you see "hello, title" there.
And if I go back into this
file, meanwhile, and I say,
"hello, body, nice to meet
you"-- this one got weird--
now I'm going to go
ahead and click reload.
And now you see this.
Let's go ahead and take
a five-minute break
sooner, rather than later, so that
we can address the projector issue.
And we'll be right back.
So to recap, there are more tags than
just html and head and title and body.
There's things that give us
images and sounds, certainly,
and many, many, many other things.
So let's take a look more manually
at just one or two other examples
and then get a sense of the whole
menu of tags that might be available.
Let me go ahead and
create a new file now.
And I'll go ahead and
call this image.html.
And in anticipation of
making a demonstration now
that has an image, to
save time, I'm just
going to go ahead and paste the
contents of the previous file.
But I'm going to go ahead and
get rid of the body this time
and start to actually
embed an image in here.
English:
Now, in advance, I've downloaded an
image of Yale's own bulldog, Handsome
Dan, in a file called dan.jpeg.
And I've uploaded it to
the IDE in the same folder
that index.html is in and
now that image.html is in.
And you can include an
image by using an img tag.
But you have to specify to the
browser what the image you actually
want to embed is.
And so to do this, as you
may know, we have attributes.
So just like the html tag, as we saw
earlier and can now see in the example
here, has a language attribute
specifying English as the default
language for this page to help things
like Google Translate and the like,
so does the image tag get modified
by this attribute called source.
It's just src and img because
those are more succinct
representations of "image" and
"source"-- saves us some keystrokes.
And now I can type in here dan.jpeg.
And then, just for good measure--
well, rather, I can then close the
tag using the corresponding angle
bracket, the greater than sign.
But whereas all of the
other tags thus far
Arabic:
حاليًا، قُمت مسبقًا بتحميل صورة
كلب بولدوغ خاصة بجامعة ييل، هانسوم
دان، في ملف يُطلق عليه dan.jpeg.
وقمت بتحميلها إلى
IDE في المجلد نفسه
الذي يحتوي على index.html
والآن يحتوي على image.html هذا.
ويمكنكم تضمين صورة
باستخدام علامة img.
ولكن يجب أن تحددوا للمتصفح
ما هي الصورة التي
تريدون تضمينها بالفعل.
ولكي تقوموا بذلك، كما تعلمون،
لدينا سمات.
إذن تمامًا مثل علامة html، كما رأينا
في وقت سابق ويمكننا أن نرى ذلك الآن في المثال
الموجود هنا، إنه يحتوي على سمة لغوية
تُحدد اللغة الإنجليزية كاللغة الافتراضية
لهذه الصفحة لمساعدة الأشياء
مثل Google Translate وما شابه ذلك،
إذن علامة image تم تعديلها
بواسطة هذه السمة التي يُطلق عليها مصدر.
إنها فقط src وimg لأن هاتين هما
التمثيلات الأكثر إيجازًا
من "image"
و"source"-- توفر لنا بعض ضغطات المفاتيح.
والآن يمكنني كتابة dan.jpeg هنا.
ومن ثم، فقط لتدبر الأمور جيدًا--
حسنًا، بدلاً من ذلك، يمكنني غلق العلامة بعد ذلك
باستخدام القوس بزاوية المتوافق،
علامة أكبر من.
لكن في حين أن جميع العلامات
الأخرى حتى الآن
English:
have a notion of starting and
stopping or opening and closing,
the image tag doesn't because the
image is either there or it's not.
There's really no conceptual
notion of starting an image
and then eventually stopping an image.
But let's add one other detail.
It turns out that there's
yet other attributes.
So you can have zero or more on any tag.
For folks who have trouble
seeing content on web pages
and, indeed, rely on
tools like screen readers,
there's actually attributes that
can help in cases like that--
turns out there's an alternative tag,
or alt, where you can actually say,
"photo of Handsome Dan," which is a
textual description of whatever it
is you're embedding in the web page.
This way, someone who's
not sighted but who
has a screen reader that
can read that to them
can actually understand what
it is that's on the web page.
So most folks wouldn't see that
unless you actually hover over it
or have it spoken to you.
So let me go ahead and save this file,
go back to the index of the web server
that I ran earlier with
http-server, and now click on image.
And voila.
You'll see dan.jpeg
embedded in the web page.
Arabic:
تحتوي على فكرة البدء
التوقف أو الفتح والإغلاق،
لا تحتوي علامة image على ذلك لأن الصورة
إما موجودة أو غير موجودة.
لا توجد في الواقع فكرة نظرية
لبدء صورة بالفعل
ومن ثم في النهاية وقف صورة.
لكن دعونا نضيف تفصيلاً واحدًا آخر.
اتضح أنه توجد
سمات أخرى بعد.
إذن يمكنكم الحصول على صفر أو أكثر على أي علامة.
بالنسبة لمَن لديهم مشكلة في
رؤية المحتوى على صفحات الويب
ويعتمدون بالفعل على أدوات
مثل أجهزة قارئ الشاشة،
توجد في الواقع سمات يمكن أن تساعدهم
في حالة من هذا القبيل--
يتضح أن هناك علامة بديلة،
أو alt، حيث يمكنك أن تقول في الواقع،
"صورة هانسوم دان"، وهي عبارة عن وصف نصي
لها أيًا كان
ما تقوم بتضمينه في صفحة الويب.
بهذه الطريقة، يمكن أن يفهم الشخص
الذي لم يتمكّن من رؤية ذلك ولكن
لديه قارئ شاشة يمكنه
قراءة ذلك له
بالفعل ما هو
موجود على صفحة الويب.
لذلك معظم الأشخاص لن يروا ذلك
ما لم تقوموا بالتمرير فوقها بالفعل
أو قامت بالتحدّث إليكم.
إذن دعوني أمضي قدمًا وأحفظ هذا الملف،
وسأعود إلى فهرس خادم الويب
الذي قمت بتشغيله في وقت سابق مع http-server،
والآن سأنقر على الصورة.
و ها هي ذا.
سترون dan.jpeg
مُضمّنة في صفحة الويب.
Arabic:
بالطبع، لا تقوم صفحة الويب هذه
في الواقع بكل ذلك حتى الآن.
ولذا لنفترض أننا أردنا فعلاً
أن نقوم بربط صفحة واحدة أو أكثر.
حسنًا، يمكننا القيام بذلك أيضًا.
دعوني أعود إلى IDE، وأنسخ هذه التعليمة البرمجية نفسها،
فقط كنقطة انطلاق،
وأقوم بإنشاء ملف جديد باسم link.html.
ومن ثم في هذا الملف،
سنبدأ بالمحتويات نفسها.
لكن دعوني أتخلص من
هذه البنية وأقول ببساطة،
على سبيل المثال-- دعونا نقول
أن الأشخاص يزورون جامعة هارفارد.
لذا يمكنني أن أقول visit https،
للأمان، www.harvard.edu/،
أو ربما بدون الخط المائل-- لا يهم
للصفحة الافتراضية--
نقطة.
دعوني أقوم بحفظ هذا.
دعوني أعود إلى
فهرس خادم الويب،
إعادة التحميل حتى يمكننى رؤية الملف
الجديد، link.html، الذي أنشأته،
والآن أقوم بالنقر فوق link.html.
و ها هو ذا.
إذن ها هو عنوان URL بشكل مرئي.
ولكنه ليس قابلاً للنقر فوقه في الواقع.
لكن هذا لأن المتصفح
سيقوم فقط بما أخبره أن يفعله.
وكل ما أخبرته ضمنيًا به أن يفعله
هو عرض النص الأسود هذا هنا.
إذا كنت فعلاً أريد أن أجعله
تفاعلي، سأحتاج إلى علامة تبويب أخرى.
English:
Of course, this web page doesn't
actually do all that much yet.
And so suppose we actually wanted
to link to one page or another.
Well, we can do that as well.
Let me go back to the IDE, copy this
same code, just as a starting point,
create a new file called link.html.
And then in this file, we'll
start with the same contents.
But let me get rid of
that body and simply say,
for instance-- let's have
people visit Harvard.
So I could say visit https,
for secure, www.harvard.edu/,
or maybe even without the slash-- it
doesn't matter for the default page--
period.
Let me save this.
Let me go back to the
index of the web server,
reload so that I can see the new
file, link.html, that I created,
and now click link.html.
And voila.
So it's a URL visually.
But it's not actually clickable.
But that's because the browser's only
going to do what you told it to do.
And all I've implicitly told it to
do is display this black text here.
If I actually want to make it
interactive, I need another tag.
English:
Well, it turns out in HTML, there's an
anchor tag, somewhat cryptically named.
And it's also succinctly
written as a, for anchor.
And with the anchor tag can you
anchor at this point in the page
a link, or a hyper-reference, as it
was once called, to that specific URL.
So that attribute, by convention,
is called href, hyper-reference.
That is the destination
to which you want to link.
I can now close that tag.
But I now need to tell the
user where they're going.
So I could just say Harvard, for
instance, and put my period out there.
Save the file.
Go back to the tab here.
Click Reload.
And now you'll see the dichotomy.
I'm seeing one thing, Harvard.
But if you hover over it,
and it's super small here,
you can actually see, as a safety
check, in the bottom left-hand corner,
typically, the URL that
you'll actually be led to.
Now, as an aside, with this very,
very simple feature of HTML,
you can actually
socially engineer people,
as is commonly done with phishing
attacks, P-H-I-S-H-I-N-G.
Arabic:
حسنًا، لقد اتضح أنه في HTML، توجد
علامة ربط، تم تسميتها بطريقة ما بشكل مشفر.
وهى أيضًا مكتوبة بإيجاز
حيث a، اختصار ربط.
وباستخدام علامة الربط، يمكنكم ربط
عند هذه النقطة في الصفحة
رابط، أو مرجع فائق، كما أطلقنا عليه
من قبل، لعنوان URL المحدد هذا.
لذلك هذه السمة، حسب التقليد،
تُسمى href، مرجع فائق.
هذه هي الوجهة
التي تريدون الربط بها.
يمكنني الآن إغلاق هذه العلامة.
لكن الآن أحتاج إلى أن أخبر المستخدم
إلى أين سينتقل.
لذا يمكنني فقط أن أقول هارفارد،
على سبيل المثال، وأقوم بوضع النقطة هناك.
حفظ الملف.
أعود إلى علامة التبويب هنا.
أنقر فوق إعادة التحميل.
والآن سترون التفرع الثنائي.
أنا أرى شيئًا واحدًا، هارفارد.
لكن إذا قمتم بالتمرير فوقها،
وهي هنا صغيرة للغاية،
يمكنكم أن ترون بالفعل، كفحص الأمان،
في أسفل الزاوية اليسرى،
تمامًا، عنوان URL
الذي سيتم توجيهكم إليه بالفعل.
الآن، كملاحظة جانبية، باستخدام تلك الميزة الصغيرة
للغاية من HTML،
يمكنكم بالفعل أن
تصمموا مواقع لأشخاص بشكل اجتماعي،
كما يحدث عادة بهجمات التصيد الاحتيالي،
P-H-I-S-H-I-N-G.
Arabic:
إذا تلقيت بعض الرسائل غير المرغوب فيها من قبل، إما
في البريد الوارد أو مجلد الرسائل غير المرغوب فيها،
فالاحتمالات هي أن شخصًا ما حاول طلب
اسم المستخدم وكلمة المرور الخاصة بك
أو أموالك أو
حساب باي بال الخاص بك.
باي بال بشكل خاص
هي هدف مشترك هنا.
لكن يمكنكم أن تروا كيف يمكنكم بسهولة،
لسوء الحظ،
خداع وتضليل الأشخاص،
خاصةً إذا لم يفهموا بالضرورة
بعض هذه الأساسيات.
دعوني أعود إلى هنا، على
سبيل المثال، وأقول هنا--
حسنًا، لا يوجد شيء يمنعني من
القيام بهذه الخدعة المزعجة قليلاً.
يمكنني تغيير href الخاص بجامعة
ييل، ولكن النص إلى هارفارد،
وبالتالي سيتم خداع شخص ما.
ها ها ها.
ستنتقلون في الواقع إلى
موقع جامعة ييل على الويب بدلاً من ذلك.
ولكن بطريقة أكثر ضررًا، وفي رسائل البريد الإلكتروني
الخاصة بالتصيد الاحتيالي أو الرسائل غير المرغوب فيها
التي من المحتمل أنك كنت تتلاقاها
خلال العديد من السنوات الماضية،
يمكنكم أن تتخيلوا كتابة أي شيء
تريدونه هنا، مثل paypal.com.
ومن ثم هنا يمكن أن يكون
www.SomeMaliciousWeb
siteThatWantsYourMoney--
آمل أنه غير موجود-- .com.
حفظ.
إعادة تحميل الصفحة.
English:
If you've ever gotten some spam, either
in your inbox or your spam folder,
odds are someone's tried to ask
you for your username and password
or for your money or
for your PayPal account.
PayPal is especially
a common target here.
But you can see how you can
very easily, unfortunately,
trick and mislead people,
especially if they don't necessarily
understand some of these fundamentals.
Let me go back here, for
instance, and say here--
well, there's nothing stopping me from
doing this little mischievous trick.
I can change the href to
Yale, but the text to Harvard,
thereby tricking someone.
Ha ha.
You're actually going to
Yale's website instead.
But more maliciously, and in
these phishing emails or spams
that you might have been getting
over the past several years,
you could imagine typing anything
you want here, like paypal.com.
And then here could be
www.SomeMaliciousWeb
siteThatWantsYourMoney--
hopefully, that does not exist-- .com.
Save.
Reload the page.
Arabic:
وبصراحة، معظم
الأشخاص، وأنا واحد منهم،
لن يتحققوا دائمًا وبشكل جنوني
إلى أين سأنتقل بالفعل.
سأنقر فقط فوق الرابط.
و ها هو ذا.
قد لا تلاحظون تغيير شريط
عنوان URL لأنه يتم
نقلكم إلى بعض مواقع الويب.
وبصراحة، لا تُعد إعادة إنشاء
مواقع الويب جميعًا أمرًا صعبًا.
في الواقع، فقط لتوضيح هذه
النقطة حقًا، دعوني أنتقل إلى paypal.com.
وباستخدام بدائيات
اليوم، لاحظوا أنه
يمكنكم الانتقال إلى عرض، المُطوِّر، عرض المصدر.
هذه هي HTML تقوم
بتنفيذ موقع باي بال على الويب--
يبدو الأمر جيدًا.
دعوني أنسخ هذا وألصقه في،
لنقل، ملف جديد يسمى paypal.html.
دعوني أحفظ هذا هنا.
والآن دعوني أعود إلى خادم الويب
الخاص بي، إعادة التحميل، فتح paypal.html.
و ها هو ذا.
لقد قمت بإنشاء باي بال.
إذن، محاكاة الموقع الذي يعتقد الأشخاص
أنهم سينتقلون إليه ليست أمرًا صعبًا.
الآن، لندع قضايا الملكية الفكرية
جانبًا، لقد قمت فقط بنسخ موقع
شخص آخر ولصقه،
ومن الواضح أنه
غير فعّال بالكامل لأن ما
لا يمكنني الوصول إليه هو قاعدة البيانات الخاصة بهم
English:
And honestly, most
people, myself included,
are not going to always paranoically
check where I'm actually going.
I'm just going to click on a link.
And voila.
You might not notice the URL
bar changing because you're
being whisked away to some website.
And honestly, it's not all
that hard to recreate websites.
In fact, just to really hammer this
point home, let me go to paypal.com.
And using today's
primitives, notice that you
can go to View, Developer, View Source.
This is the HTML implementing
PayPal's website--
looks good.
Let me copy and paste that into,
say, a new file called paypal.html.
Let me save that here.
Now let me go back to my web
server, reload, open paypal.html.
And voila.
I have made PayPal.
So it's not even that hard to mimic
where people think they are going.
Now, intellectual property issues
aside, that I just copied and pasted
someone else's website,
this is clearly not
fully operational because what I
don't have access to their database
Arabic:
وتعليمتهم البرمجية على الخادم وجميع
الملكية الفكرية ومنطق
الأعمال التجارية، إذا جاز التعبير، وهذا
بالفعل ما يجعل موقع باي بال ما هو عليه.
لكن HTML، المغزى أنه، يمكن الوصول إليها من
قِبل أي شخص ببساطة وبصورة واضحة.
هي ليست مشفرة.
ليست أصفارًا وواحدات.
لكنها تميل إلى أن تكون جمالية
وبنائية بطبيعتها وهذا ليس
الأمر المهم حقًا في العمل التجاري.
ولكن يمكن بالتأكيد إساءة استخدام هذه التقنية
بهذه الطريقة.
إذن لنمضي للأمام، فقط لكي نكون مدركين أكثر
لهذا الأمر لأن معظم رسائل البريد الإلكتروني
التي تتلقونها هذه الأيام عبر
Gmail أو أي أداة
يتم تنفيذها في HTML.
حتى عندما تكتب
رسالة Gmail
ولم تفكر حتى
في HTML، حيث يتم إرسال رسالة البريد الإلكتروني
بالفعل
بشكل غير ظاهر كلغة HTML.
لماذا-- حسنًا، إذا استخدمتم
قائمة ذات تعداد نقطي أو قائمة مرقمة،
إذا قمتم بالكتابة بخط غامق أو خط مائل أو أي
من تلك الميزات الجمالية في Gmail
أو البرامج الأخرى، يتم تنفيذها
كلغة HTML،
ولكن فقط باستخدام،
واجهات لطيفة سهلة الاستخدام.
لذلك يمكنكم فقط النقر فوق الرموز.
لا يجب أن تفكروا بشأن فتح قوس،
شيء ما، قوس مغلق.
لكن يمكننا القيام بذلك.
على سبيل المثال، إذا مضينا قدمًا
وألقينا نظرة على بعض الأمثلة الأخرى--
English:
and their code on the server and all of
the intellectual property and business
logic, so to speak, that
actually makes PayPal what it is.
But HTML, the point is, is purely
openly accessible by anyone.
It's not encrypted.
It's not zeros and ones.
But it tends to be so aesthetic and
structural in nature that that's not
really the juicy stuff in a business.
But this technique can
certainly be abused in this way.
So moving forward, just be more
mindful of this because most emails
you get these days by
a Gmail or any tool
are themselves implemented in HTML.
Even when you're typing
out a Gmail message
and have never even thought
about HTML, that email
is actually being sent
underneath the hood as HTML.
Why-- well, if you've ever used a
bulleted list or a numbered list,
if you do boldfacing or italics or any
of those aesthetic features in Gmail
or other programs, those
are implemented as HTML,
but just using nice,
user-friendly interfaces.
So you can just click icons.
You don't have to think about open
bracket, something, close bracket.
But we could do that.
For instance, if we go ahead and
look at a few other examples--
English:
let me go ahead here and actually go
back to our very first one, index.html.
And suppose I just want to
really draw attention to "hello."
I can actually use the strong tag,
which implies bold, typically.
Save that.
Let me go back to the web server
that I had open a moment ago.
Click on index.html after reloading it.
And now it's a little
subtle because it's small.
But you can probably see that
"hello" is indeed boldfaced now.
So if you've ever clicked the B icon
in Gmail, that's all it's doing.
Underneath the hood, Gmail is
taking your word, hello, and
secretly putting open bracket, strong,
close bracket, and then the opposite,
the close tag, after it.
And that's what it's sending to
the recipient of that message.
So what else can you do?
Well, let me go ahead and do this.
Let me go ahead and open up, say, a
few files that I created in advance.
One is called paragraphs.html.
And let me point this out first.
So in paragraphs, I just have
three paragraphs of Latin text.
And they are rendered,
for instance, as follows.
Arabic:
دعوني أمضي قدمًا هنا وأعود بالفعل
إلى مثالنا الأول، index.html.
ولنفترض أنني فقط أريد حقًا
جذب الانتباه إلى "مرحبًا."
يمكنني بالفعل استخدام Strong علامة،
وهي ما تشير إلى اللون الغامق، عادة.
حفظ ذلك.
دعوني أعود إلى خادم الويب
الذي فتحته منذ لحظة.
وأنقر فوق index.html بعد إعادة تحميله.
والآن يبدو
دقيقًا قليلاً لأنه صغير.
ولكن يمكنكم على الأرجح رؤية
أنه تمت كتابة "مرحبًا" بخط غامق بالفعل الآن.
لذلك إذا نقرتم فوق رمز B
في Gmail، فهذا كل ما يقوم به.
بشكل غير ظاهر، يأخذ Gmail
كلمتك، مرحبًا،
ويقوم بشكل سري بفتح قوس، Strong،
قوس مغلق، ثم العكس،
علامة إغلاق، بعده.
وهذا ما يرسله إلى
مُتلقي هذه الرسالة.
إذن ما الذي يمكنكم فعله أيضًا؟
حسنًا، دعوني أمضي قدمًا وأقوم بذلك.
دعوني أمضي قدمًا وأفتح، لنقل،
بضعة ملفات قمت بإنشائها مسبقًا.
أحد هذه الملفات يُسمى paragraphs.html.
ودعوني أشير إلى ذلك أولاً.
إذن في paragraphs، لدي فقط
ثلاث فقرات من نص لاتيني.
وتم تقديمها،
على سبيل المثال، على النحو التالي.
English:
If I go into source 5 and
I go into paragraphs.html--
looks nice-- don't know what it says.
And, in fact, it's
pretty much gibberish.
But it's nice, three nice paragraphs.
But notice how pedantic HTML is.
I actually had to use another tag
to achieve those paragraphs, even.
If I only had, very reasonably,
written these three paragraphs
like you might in Google
Docs or Microsoft Word,
it's just three paragraphs.
Indent each.
Hit Enter, Enter in
between them-- looks good.
It's wrapping because it's a really
long paragraph off to the right.
But that's fine.
And I save this.
And I go to paragraphs and reload.
Notice that it all bunches together.
Intuitively, why is
that happening, though?
What's the logic behind this bug
now, albeit an aesthetic bug?
Yeah?
AUDIENCE: [INAUDIBLE]
DAVID J. MALAN: Yeah.
Those additional spaces are
not being accounted for.
They're just being
pushed together because
even though HTML does
respect one space--
Arabic:
إذا انتقلت إلى المصدر 5
وانتقلت إلى paragraphs.html--
يبدو لطيفًا-- لا أعرف ماذا يقول.
وفي الواقع، إنها
عبارة عن هراء إلى حد كبير.
لكنها جيدة، ثلاث فقرات لطيفة.
لكن لاحظوا مدى دقة HTML.
وتعين عليّ استخدام علامة أخرى
لتحقيق هذه الفقرات.
إذا كنت قد كتبت، بشكل معقول جدًا،
هذه الفقرات الثلاث
مثلما قد فعلتم في Google
Docs أو Microsoft Word،
إنها مجرد ثلاث فقرات.
المسافة البادئة قبل كل فقرة منها.
أضغط على Enter، يتم الإدخال
فيما بينها-- تبدو جيدة.
إنها مغلّفة لأنها فقرة طويلة
حقًا باتجاه اليمين.
لكن هذا جيد.
وأحفظ هذا.
وأنتقل إلى الفقرات وأعيد تحميلها.
لاحظوا أن جميع المجموعات معًا.
بشكل حدسي، لماذا
يحدث هذا، على الرغم من ذلك؟
ما هو المنطق وراء هذا الخطأ
الآن، وإن كان خطأ جمالي؟
أجل؟
الجمهور: [INAUDIBLE]
ديفيد ج. مالان: أجل.
لم يتم حساب هذه
المسافات الإضافية.
يتم فقط
جمعها معًا لأنه
على الرغم من أن HTML
تتقيد بمسافة واحدة--
Arabic:
وبخلاف ذلك، سيتم لصق كل شيء
ببعضه تمامًا--
إنها تتجاهل المسافات المتعددة،
سواء كان ذلك سطورًا أو علامات تبويب جديدة
أو ضغطات متعددة على شريط المسافة.
وفي النهاية، تقوم بتنفيذ،
ما كنت تخبرها أن تفعله.
إذن، ما لم تقل بشكل صريح، باستخدام العلامات
في HTML، أعطيني فقرة جديدة،
هذا كل شيء عن هذه الفقرة،
أعطيني فقرة جديدة
غير هذه-- الآن هذا كل
شيء للفقرة،
وستبدأ فقط بتجميع
الكل معًا،
ربما تقوم بالفصل باستخدام مسافة واحدة،
ومن الواضح أنه ليس التأثير
نريده.
إذن فقط تذكروا أن لغة HTML في الواقع صعبة
عندما يتعلق الأمر بذلك.
وتمامًا مثل ما هو في C، لن تتحول تعليمتك البرمجية
برمجيًا إذا لم تكن صحيحة تمامًا.
في HTML، سيتم عرضها.
لكنها لن تعرض
بشكل صحيح--
الكلمة الرئيسية هناك.
حسنًا، ما هي الميزات الأخرى التي
توجد في لغة HTML هذه؟
الحقيقة أننا-- سنقدم لكم
نظرة عامة نظرية عن HTML
اليوم.
سنعطيكم نبذة
عن بعض العلامات.
ولكن الحقيقة أيضًا هي،
نوع اللغة
التي يمكنكم حقًا أن تتعلموها
عن طريق تنفيذها والنظر
في المراجع أو النصوص عبر الإنترنت التي
تقوم في الواقع بتلخيص العلامات المختلفة.
لكن على الأقل دعونا ننظر في بعض منها.
الآن دعوني أنتقل إلى headings.html.
والآن سترون هذا--
English:
otherwise, everything would
be completely smushed--
it ignores multiple spaces,
whether it's new lines or tabs
or multiple hits of the space bar.
And it only does, ultimately,
what you tell it to do.
So unless you explicitly, with tags
in HTML, say, give me a new paragraph,
that's it for this paragraph,
give me a new paragraph,
else that's-- now that's
it for the paragraph,
it's just going to
clump them all together,
maybe separating with a single space,
which is clearly not the effect we
want.
So just remember that HTML is really
nit-picky when it comes to that.
And much like in C, your code won't
compile if it's not quite right.
In HTML, it will display.
But it's not going to
display quite right--
is the key there.
Well, what other features
does this HTML have?
The reality is-- we'll give you a
general conceptual overview of HTML
today.
We'll give you a taste
of some of the tags.
But the reality is this,
too, is the sort of language
that you can really learn
by doing and by looking
at online references or texts that
actually summarize the various tags.
But let's look at least a few more.
Let me go into now headings.html.
And you'll see this--
English:
turns out that there are tags
called h1, h2, h3, h4, h5, h6.
These are very commonly
used on websites that
have different headings, like big
and bold, a little smaller and bold,
a little smaller and bold to do,
like, chapter and section headings.
CS50's website is very hierarchical.
If you look through the syllabus,
you'll see lots of different font sizes
and boldfacing and the like.
That derives from our using
these built-in heading tags.
If I go ahead and open this in my
browser, we will see the effect.
By default, h1 is big and bold.
H2 is big, but not as big and bold.
H3 is a little smaller.
H4, 5, and 6--
and this follows the paradigm
in academic papers and books
that have chapters and sections
and subsections and the like.
You just get this feature
for free from HTML.
Well, what else is there?
Well, if you actually
have tabular data, things
you want to lay out in
rows and columns, well, it
turns out that HTML supports tables.
Let's glimpse at this, too.
And if I go into table.html, in
my browser, we'll see this effect.
It's not all that interesting.
Arabic:
يتضح أنه توجد علامات
تُسمى h1، h2، h3، h4، h5، h6.
هذه هي الأمور شائعة الاستخدام
جدًا على مواقع الويب التي
تحتوي على عناوين مختلفة،
بخط كبير وغامق، أصغر قليلاً وغامق،
أصغر قليلاً وغامق للقيام بذلك، على سبيل المثال،
رؤوس القسم والفصل.
موقع ويب CS50 هرميّ للغاية.
إذا نظرتم عبر المنهج،
سترون الكثير من أحجام الخطوط المختلفة
والخط الغامق وما شابه ذلك.
التي تُشتق من استخدامنا
لعلامات الرأس التي تم إنشاؤها.
إذا مضيتُ قدمًا وفتحت هذا في
المتصفح، سنرى التأثير.
افتراضيًا، يكون h1 بخط كبير وغامق.
H2 بخط كبير، لكنه ليس كبيرًا وغامقًا بالقدر نفسه.
H3 بخط أصغر قليلاً.
H4، و5، و6--
وهذا يتبع النموذج
في الكتب والأبحاث الأكاديمية
التي تحتوي على فصول وأقسام
وأقسام فرعية وما شابه ذلك.
ستحصلون على هذه الميزة
مجانًا من HTML فقط.
حسنًا، ماذا يوجد هناك أيضًا؟
حسنًا،في الواقع إذا كان
لديكم بيانات مُجدولَة، أشياء
ترغبون في وضعها في
صفوف وأعمدة، حسنًا،
يتضح أن HTML تدعم الجداول.
دعونا نُلقي نظرة على هذا، أيضًا.
وإذا انتقلتُ إلى table.html، في
متصفحي، سنرى هذا التأثير.
لا يستحق الأمر كل هذا الاهتمام.
Arabic:
أنا أحاول تقليد فكرة لوحة الهاتف إلى حد ما،
حيث تظهر هذه الأرقام
في أعمدة وصفوف.
لكن بطريقة غير مرئية، تم وضع هذا الشيء
مع علامات بالفعل.
إذا انتقلتُ إلى IDE
وألقيتُ نظرة هنا،
سترون بعض ما تم نسخه ولصقه سابقًا--
html، ورأس، وبنية.
لكن بعد ذلك لاحظوا هنا.
مرحبًا، أيها المتصفح، ها هو جدول.
وترون، وإن كانت محاطة بعلامات
غير مألوفة، على الأرجح، 1، 2، 3، 4،
5، 6، 7، 8، 9، ومن ثم
الرموز بالأسفل هناك.
إذن دعونا فقط نستنتج، لأن في الواقع
ما تعلمتموه يعد جزءًا كبيرًا من تعلُمِكم للغة HTML
وقريبًا لغة أخرى، سنرى--
سيكون الأمر فقط بشكل غير مباشر.
إذا كنتم تشعرون بالفضول بشأن كيفية تنفيذ
صفحة ويب ما لميزة ما،
في الواقع تنظرون إلى تعليمة المصدر البرمجية الخاصة بها.
ويمكنكم الاستنتاج، من خلال المثال،
كيف يمكنكم فعل الشيء نفسه.
إذن خمّنوا.
إذا كانت هذه العلامة، على نحو فعّال، تقول،
مرحبًا، أيها المتصفح ها هو الجدول،
هذه العلامة هنا، حتى لو لم يسبق لكم
رؤية HTML، من المحتمل أن تعني صف الجدول.
مرحبًا ،أيها المتصفح، ها هو
صف في جدولي.
لكن هذا أقل وضوحًا.
لكن td ،td ،td يرمز لبيانات الجدول
أو خلية الجدول.
إذن، مرحبًا، أيها المتصفح، ها هي خلية،
وخلية أخرى، وخلية أخرى،
ثلاث خلايا في المجمل.
English:
I kind of mimic the idea of a phone
pad, where these numbers are lining up
in columns and in rows.
But invisibly, this thing is
actually laid out with tags.
If I go to the IDE
and look down in here,
you'll see some copy-paste of before--
html, head, and body.
But then notice here.
Hey, browser, here comes a table.
And you see, albeit surrounded by
unfamiliar tags, probably, 1, 2, 3, 4,
5, 6, 7, 8, 9, and then
the symbols down there.
So let's just infer, because the
reality is much of your learning of HTML
and soon another language, we'll
see-- it will just be indirectly.
If you're curious as to how some web
page is implementing some feature,
you actually look at its source code.
And you infer, by example,
how you could do the same.
So take a guess.
If this tag, effectively, says,
hey, browser here comes the table,
this tag here, even if you've never
seen HTML, probably means table row.
Hey, browser, here
comes a row in my table.
This one's less obvious.
But td, td, td stands for
table data or table cell.
So, hey, browser, here comes a
cell, another cell, another cell,
three of them in total.
Arabic:
مرحبًا، أيها المتصفح، هذا كل شيء بشأن هذا الصف.
ومن ثم تكرار النمط.
إذن، هنا تصبح HTML فقط
مملة قليلاً بعد فترة.
ولكن بمجرد رؤية اسم العلامة
وبمجرد معرفة السمات،
إن وجدت، التي تدعمها، تتبعون فقط
هذا النمط.
هذا كل شيء عن HTML.
هناك علامات بدء.
وهناك علامات انتهاء.
وأحيانًا لا توجد علامات انتهاء،
إذا لم تكن هناك حاجة إليها.
وهناك سمات.
وهذه هي لغة HTML.
الآن، إذا كنتم تريدون التأكد من أن
تعليمتكم البرمجية صحيحة،
فلديكم بعض الخيارات.
دعوني أمضي قدمًا وأفتح بالفعل،
على سبيل المثال، hello.html من وقت سابق،
فقط لديّ مثال بسيط--
أو index.html من وقت سابق.
دعوني أنتقل إلى validator.w3.org--
يتضح أن هناك أدوات من شأنها أن تساعدكم فقط
بتقديم ملاحظات لكم إن كانت
سواء كانت HTML
صالحة أم لا، صحيحة.
وهذا مفيد لأن أحيانًا،
قد تبدو لكم على ما يرام على Chrome.
لكن بصراحة، إذا قام صديق أو فرد
من العائلة بزيارة الصفحة نفسها بالضبط
على Edge أو IE أو Safari
أو Firefox، قد لا
تبدو هي نفسها لأن الشركات التي
تقوم بإنشاء هذه المتصفحات في بعض الأحيان
لا تتفق بشأن كيفية تقديم HTML.
English:
Hey, browser, that's it for this row.
And then repeat the pattern.
So here's where HTML just gets
a little mundane after a while.
Once you see the name of the tag
and once you know what attributes,
if any, it supports, you
just follow this pattern.
That's it for HTML.
There's start tags.
There's end tags.
And sometimes, they're not even
end tags, if they're not needed.
And there's attributes.
And that's HTML.
Now, if you want to be sure
that your code is correct,
you have a few options.
Let me actually go ahead and open up,
for instance, hello.html from earlier,
just so I have a simple example--
or index.html from earlier.
Let me go to validator.w3.org--
turns out there's tools out there that
will just help give you feedback on
whether or not your HTML
is valid, is correct.
And this is useful because sometimes,
it might look OK to you on Chrome.
But honestly, if your friend or family
member visits the exact same page
on Edge or IE or Safari
or Firefox, it might not
look the same because the companies
that make those browsers sometimes
disagree on how to render HTML.
English:
And so if it's not 100%
correct, you're only
incurring more risk that something
might render incorrectly.
I went ahead and clicked Check
after pasting my code in.
And this is good--
document checking complete,
no errors or warnings to show.
So when it comes time for Pset5
and you're dabbling with HTML,
know that there are tools
out there, this one included,
and we'll point you at it in the
spec, that just helps give you
feedback on whether something is broken
so that you can, with more confidence,
know that it's going to work OK.
Well, let's make something a
little more interesting now.
Let's re-implement Google, and not
by this little copy-paste trick,
where we just copy their
HTML and use it ourselves.
Let's actually now make a user
interface that uses Google, in some way.
So Google, of course,
in all of its forms,
ultimately has a text box into
which you can type information.
And if I go ahead and
do this, it turns out
that Google is generally going
to redirect me to a certain URL.
If I search for "cats"
and hit Enter, notice
I got redirected to a
pretty cryptic-looking URL.
There's a lot of metadata in there.
There's a lot of advertising
information these days and all that.
Arabic:
إذن إذا لم تكن 100% صحيحة،
فأنتم فقط
تتحملون خطر أكبر بتقديم
شيء بشكل غير صحيح.
لقد مضيتُ قدمًا وقمتُ بالنقر فوق فحص
بعد لصق تعليمتي البرمجية فيه.
وهذا جيد--
اكتمل فحص المستند،
لا توجد أي أخطاء أو تحذيرات لعرضها.
إذن عندما يحين وقت Pset5
وأنتم تمارسون مهاراتكم باستخدام HTML،
أعلموا أن هناك أدوات،
هذه متضمنة فيها،
سنوجهكم إليها في المواصفات،
بحيث تساعدكم فقط في تقديم
ملاحظات على ما إذا كان هناك شيء مُعطّل
حتى يمكنكم، وبثقة أكبر،
معرفة أنه سيعمل بشكل جيد.
حسنًا، دعونا نقوم بشيء
مثير للاهتمام أكثر الآن.
لنعيد تنفيذ Google، وليس
من خلال خدعة النسخ واللصق الصغيرة هذه،
حيث ننسخ فقط HTML الخاصة بهم
ونستخدمها بأنفسنا.
دعونا الآن نقوم بإنشاء واجهة مستخدم
تستخدم Google، بطريقة ما.
إذن بالطبع، Google،
في جميع أشكاله،
في نهاية المطاف يحتوي على مربع للنص
يمكنك كتابة المعلومات بداخله.
وإذا مضيتُ قدمًا
وفعلت هذا، يتضح أن
Google بشكل عام يقوم بإعادة
توجيهي إلى عنوان URL مُعين.
إذا بحثت عن "قطط"
وضغطت على Enter، لاحظوا أنه
تمّت إعادة توجيهي إلى
عنوان URL يبدو مشفرًا إلى حد ما.
يوجد الكثير من بيانات التعريف هناك.
هناك الكثير من معلومات
الدعاية هذه الأيام وكل ذلك.
Arabic:
ولكن يتضح أنه، وأنا أعلم
هذا من خبرتي فقط،
يُمكنني استخلاص عنوان URL هذا في ذلك.
وسينجح الأمر.
دعوني أمضي قدمًا وأنقر فوق Enter.
عذرًا.
دعوني أمضي قدمًا وأضغط على Enter بعد
تبسيط هذا إلى علامة استفهام q
يساوي قطط.
Enter.
وفي الواقع، سأحصل على
نفس صفحة القطط مجددًا.
إذن ما الذي يحدث؟
إذن عنوان URL نفسه
ليس ملحوظًا للغاية.
لقد رأينا www من قبل.
من المؤكد أنكم استخدمتم google.com من قبل.
هذا يعني أنه آمن.
ويدعم HTTPS.
أصبح كل هذا أمرًا قديمًا الآن.
إنه لا يطلب index.html
لأن Google ديناميكي.
يتغير المحتوى باستمرار.
لا يوجد أشخاص مهمتهم هي
تحديث صفحة Google الرئيسية كل يوم
باستخدام HTML.
لذا لديهم بدلاً من ذلك، مجموعة برنامج
قيد التشغيل،
مكتوبة بلغة Python أو ++C أو Java أو مَن يعرف
ما هو غير ظاهر وهو فقط
يستمع عبر هذا العنوان.
إذن لا يجب أن تكون ملفات نصية
قام بإنشائها الأشخاص.
في الواقع يُمكن أن تكون برنامج.
يُطلق على هذا البرنامج بحث.
وفي أسبوع واحد فقط أو
أسبوعين، ستقومون أيضًا،
English:
But it turns out, and I know
this just from experience,
I could distill this URL into this.
And it will still work.
So let me go ahead and hit Enter.
Whoops.
Let me go ahead and hit Enter after
simplifying this to question mark q
equals cats.
Enter.
And indeed, I get the
same page of cats back.
So what's going on?
So the URL itself is
not all that remarkable.
We've seen ww before.
You've certainly used google.com before.
This means it's secure.
It's speaking HTTPS.
All of this now is old hat.
It's not requesting index.html
because Google is dynamic.
The content is constantly changing.
There's not some human whose job it is
to update Google's home page every day
with HTML.
So they, instead, have a
piece of software running,
written in Python or C++ or Java or who
knows underneath the hood that is just
listening at this address.
So it doesn't have to be text
files that humans created.
It can actually be a program.
This one is called Search.
And in just a week or
two's time, you, too,
Arabic:
بكتابة البرامج بلغة تُسمى
Python ويُمكنها القيام بالشيء نفسه.
ولكن في الوقت الحالي، سندع
Google يقوم بالعمل الشاق.
ولاحظوا علامة الاستفهام.
إذا رأيتم علامة استفهام من قبل في
عنوان URL، فهذا يعني للمتصفح أن،
ها هي بعض مدخلات المستخدم،
التي من المحتمل أن المستخدم
قد كتبها في الشكل، مثلما
كتبتُ "قطط" منذ لحظة.
ومن ثم سترون
شيئًا يساوي
شيئًا، مما يشير إلى
ما كتبه الشخص.
حاليًا، فقط لأن لاري وسيرغي،
قبل 20 عامًا،
قد قررا باستخدام google.com أن مربع النص هذا
الذي رأيناه منذ قليل،
هذا المربع الكبير الذي وُضِع الآن هنا--
قررا منذ سنوات أن
اسم مربع النص هذا
سيكون q لـ query--
ويمكنكم تسميته بأي شيء تريدونه.
من الواضح، أن "قطط"، هي ما كتبته.
تربط علامة يساوي فقط
الاثنين معًا.
إذن يشير عنوان URL هذا إلى Google فقط،
مرحبًا، Google، قُم بتشغيل برنامج بحث،
مع تمرير اسم مدخل المستخدم من
q بحيث تكون قيمته "cats."
وبهذه الطريقة يعرف Google ما الذي
يبحث عنه، لأي منا.
وبصراحة، يُمكنني البحث
عن "كلاب"، ليس فقط
عن طريق كتابة الكلمة "كلاب" هنا.
يمكنني أن أكون دقيقًا أكثر
وأكتبها في هذا السؤال
لأنني أعرف الآن تنسيق عنوان URL الخاص بـ Google.
English:
will write programs in a language called
Python that can do the same thing.
But for now, we'll let
Google do the heavy lifting.
And notice the question mark.
If you ever see a question mark in
a URL, this means to the browser,
here comes some user input,
something that the user probably
typed into the form, just like
I did "cats" a moment ago.
And then you're going
to see something equals
something, which indicates
what the human typed in.
Now, just because Larry and
Sergey, some 20 years ago,
decided with google.com that this
text box that we saw a moment ago,
the big box that's now positioned here--
they decided years ago that
the name for that text box
is going to be q for query--
but you can call it anything you want.
"Cats" is, obviously, what I typed in.
The equal sign is just
associating the two together.
So this URL just means to Google,
hey, Google, run the search program,
passing in a user input name of
q whose value shall be "cats."
And that is how Google knows what
to search for, for any of us.
And frankly, I can search
for "dogs," not even just
by typing the word "dogs" in here.
I can be a little more precise
and type it into this query
because I now know Google's URL format.
English:
And voila.
Now I get search results
for "dogs" instead.
But that's it.
That's the basic building block
that's been happening all this time.
And even though the URL a moment
ago was longer and uglier,
that was just uninteresting detail.
It's not the core business that
the search is actually providing.
So what does this mean?
I can actually now make my
own user interface for Google
by using a few new tags as well.
Let me go ahead and copy
this, as a starting point.
Let me go ahead and create a
new file called search.html.
Just to save time, I'll
type that in there.
And I'll call this search.
And I'm going to get
rid of the "hello" body.
So I just have a starting point.
That's just the same HTML I'm
copying and pasting every time.
Well, it turns out in
HTML, there is a tag
called form that will give
you a form for user input.
And it turns out that inside of a form,
you can have different tags as well--
specifically, an input.
And inputs have names.
So I can say name equals "q" to mimic
Larry and Sergey's decision years ago,
the founders of Google.
The type of this input is text.
Arabic:
و ها هو ذا.
حصلت الآن على نتائج البحث
عن "كلاب" بدلاً من ذلك.
لكن هذا كل شيء.
هذه هي الكتلة البنائية الأساسية
التي كانت تحدث طوال هذا الوقت.
وعلى الرغم من أن عنوان URL كان
منذ قليل أطول وأقبح،
فهذا مجرد تفصيل غير مثير للاهتمام.
وفي الواقع هذا ليس العمل الأساسي
الذي يوفره البحث.
إذن ما الذي يعنيه هذا؟
الآن يمكنني بالفعل أن أقوم بإنشاء
واجهة المستخدم الخاصة بي في Google
عن طريق استخدام بعض العلامات الجديدة أيضًا.
دعوني أمضي قدمًا وأنسخ
هذا، كنقطة انطلاق.
دعوني أمضي قدمًا وأقوم بإنشاء ملف
جديد يُسمى search.html.
لتوفير الوقت فقط، سأكتُب ذلك هناك.
وسأطلق عليه search.
وسأقوم بالتخلص
من "مرحبًا" أيتها البنية.
إذن لديّ نقطة انطلاق فقط.
هذه هي لغة HTML نفسها التي
أنسخها وألصقها كل مرة.
حسنًا، يتضح أنه في
HTML، توجد علامة
تُسمى شكل وهي تعطيكم
شكل لمدخل المستخدم.
ويتضح أنه داخل الشكل،
يمكن أن تكون هناك علامات مختلفة أيضًا--
تحديدًا، مدخل.
وتحتوي المدخلات على أسماء.
إذن يمكنني أن أقول اسم يساوي "q" لأحاكي
قرار لاري وسيرغي منذ سنوات،
وهما مؤسسا Google.
يعد نوع هذا المدخل نصًا.
Arabic:
لذا هو ليس زرًا أو مربع اختيار
أو شيئًا من هذا القبيل.
تلك الأشياء موجودة أيضًا.
لكنها نص فقط.
ثم أريد زر Submit.
وأنا أعرف فقط أنه،
بما أنني قمت بهذا مسبقًا،
يمكنني الحصول على زر Submit
عن طريق كتابة النوع يساوي تقديم.
ومن ثم ستكون قيمة
هذا هي Search،
وهي الكلمة التي
سأراها على الشاشة.
ستعرفون هذا
فقط عندما يراها
شخص آخر يقوم بذلك،
وعند النظر في تعليمة مصدر برمجية خاصة بشخص ما،
عند قراءة برنامج تعليمي على الإنترنت.
ليس بالضرورة أن تكون واضحة.
لكن النمط هو نفس-- اسم العلامة،
سمة تساوي شيئًا،
سمة تساوي
شيئاً، وهكذا.
حسنًا، الآن دعوني أمضي قدمًا
وأحفظ هذا، وأنتقل إلى خادم الويب،
وأُعيد تحميل الفهرس.
إذن هناك search.html.
ولكنه ليس جميلاً
تمامًا مثل الخاص بـ Google.
دعوني أقوم بالتكبير ليظهر بخط أكبر.
لكن لديّ مربع نص.
ولديّ زر
يُسمى Search.
لكنني لا أعرف إلى أين سأرسلها حتى الآن.
أحتاج إلى سمة أخرى أو اثنتين هنا.
يتضح أنني أريد هذا الشكل
لأقوم بإرسال هذه
المعلومات إلى www.google.com/search،
برنامج البحث على خادم Google.
English:
So it's not a button or a check
box or something like that.
Those exist, too.
It's just text.
And then I want a Submit button.
And I just know, from
having done this before,
that I can get a Submit button
by doing type equals submit.
And then the value of that
is going to be Search,
which is the word I'm
going to see on the screen.
You would only know
this by having seen it
by someone else doing it,
looking at someone's source code,
reading an online tutorial.
It's not necessarily obvious.
But the pattern is the same-- tag
name, attribute equals something,
attribute equals
something, and so forth.
Well, now let me go ahead and
save this, go into the web server,
and reload the index.
So there's my search.html.
And it's not quite as
pretty as Google's.
Let me zoom in so it's bigger.
But I do have a text box.
And I have a button
whose label is Search.
But I don't know yet where to send it.
I need one more attribute or two here.
It turns out that I want this form
to take the action of sending this
information to www.google.com/search,
the search program on Google's server.
English:
But I want it to use that
special verb we saw a moment ago.
And again, this was
deeper in the envelope.
The method I wanted to use is
get, in lowercase in this case--
so a little low-level and technical now.
But this just means that's the verb
you should use inside the envelope
to get the web page.
But that's it.
I've told the web page
the action you should take
is submit this form to this URL
using get, the method we saw earlier.
Submit a parameter,
as it's called, called
q, with whatever the human typed in.
And then have it give
us a Search button here.
So let me save this, go
back to my page, reload.
And now let's go ahead and search for
"mice" this time and click Search.
And voila.
There we have a whole lot
of mice search results.
But why, is the question?
Well, all I've done is,
using HTML and an HTML form,
is I've generated the
prescribed format of a URL,
calling Google's Search program
with a input of q equals mice.
And now, as an aside, if
I did take more inputs,
they would be something like this--
Arabic:
ولكنني أريد استخدام ذلك
الفعل الخاص الذي رأيناه منذ قليل.
ومجددًا، كان هذا موجودًا
بشكل أعمق في الظرف.
الطريقة التي أردت استخدامها هي get،
بأحرف صغيرة في هذه الحالة--
إذن هذا الآن أمر فني وذو مستوى منخفض قليلاً.
لكن هذا فقط يعني أن هذا هو الفعل
الذي يجب أن تستخدموه داخل الظرف
للحصول على صفحة الويب.
ولكن هذا كل شيء.
لقد أخبرتُ صفحة الويب
بالإجراء الذي يجب اتخاذه
وهو تقديم هذا الشكل إلى عنوان URL هذا
باستخدام get، الطريقة التي رأيناها في وقت سابق.
تقديم معلمة،
كما يُطلق عليها، تُسمى
q، أيًا كان ما يكتبه الشخص.
ومن ثم تعطينا
زر Search هنا.
إذن دعوني أحفظ هذا، وأعود إلى
صفحتي، إعادة التحميل.
والآن دعونا نمضي قدمًا ونبحث عن
"فئران" هذه المرة وأنقر فوق Search.
و ها هي ذا.
يوجد لدينا نتائج
كثيرة جدًا مننتائج البحث عن فئران.
لكن لماذا، هذا هو السؤال؟
حسنًا، كل ما قمت به،
باستخدام HTML وشكل HTML،
هو أنني قمت بإنشاء
تنسيق مُحدّد من عنوان URL،
واستدعيت برنامج Search من Google
باستخدام مدخل q يساوي فئران.
والآن، كملاحظة جانبية، إذا
أخذت المزيد من المدخلات،
ستكون بمثابة شيء كهذا--
Arabic:
شيء يساوي قيمة علامة عطف
شيء يساوي قيمة.
تقوم علامات العطف فقط بفصل
أزواج القيم الرئيسية
إذا كانت لديكم مدخلات متعددة على الصفحة.
لكن المبدأ في نهاية
المطاف هو نفسه.
إذن هو فعّال للغاية.
لم أقم بتنفيذ Google، في حد ذاته.
لكنني قمت بتنفيذ واجهة
التطبيق، واجهة المستخدم.
وفي المستقبل، ربما يمكننا أن نبدأ
بالعمل على المنطق خلف الكواليس.
إذن أي أسئلة حول HTTP
وتقاربها مع HTML الآن؟
هل تشعرون بالاعتياد على HTML، لأننا
على وشك الانتقال إلى لغة أخرى؟
أجل؟
إذن بدت جميع أمثلتي
حتى الآن قبيحة، باستثناء باي بال.
لقد بدا جيدًا.
لكنني قمت فقط بنسخه ولصقه.
إذن كيف يمكننا البدء بتصميم
المواقع بطريقة جذابة أكثر؟
تُستخدم HTML، في نهاية المطاف،
غالبًا لإنشاء بنية صفحة ويب،
فقط عبر وضع البيانات التي تهتمون بها،
والكلمات التي تهمكم،
والصور التي تهتمون بها.
لكن الجماليات التي
تدوم أميالًا، إذا جاز التعبير،
من الألوان الجميلة جدًا وأحجام
الخطوط المناسبة والموضع
أشياء بالضبط حيث تريدون أن يكونوا--
English:
something equals value ampersand
something equals value.
Ampersands just separate
these key-value pairs
if you have multiple inputs on the page.
But the principle is
ultimately the same.
So it's pretty powerful.
I've not implemented Google, per se.
I've implemented the front
end, the user interface.
And in future, we can we maybe start
to work on the logic behind the scenes.
So any questions then on HTTP and
now the convergence with HTML?
You feel comfy with HTML, because we're
about to move on to another language?
Yeah?
So all of my examples have looked
ugly thus far, except for PayPal.
That looked pretty nice.
But I just copied and pasted it.
So how do we begin to style our
websites in a more compelling way?
HTML, at the end of the day, is mostly
used for structure of a web page,
just laying out the data that you care
about, the words that you care about,
the images that you care about.
But the aesthetics that
last miles, so to speak,
of the really pretty colors and the
right font sizes and positioning
things exactly where you want them--
English:
that is the job of another language
called CSS, Cascading Style Sheets.
This, too-- not a programming language.
It's entirely aesthetic in its nature.
So let's go ahead and
take a look at an example.
Let me go ahead and open up
the same web server as before,
open up an example I saw early--
that I made earlier called css0.html.
Suppose that this is the home page
that I want to create for John Harvard.
And notice I've got his name,
big and bold, at the top.
And I've got a slightly smaller font in
the middle and a slightly smaller font
below it.
But these are just minor
font size differences.
It's all centered in the page here.
How would I actually make this website?
Well, let me go ahead and
go into a new file here.
I'll call it css0.html.
Let me go ahead and paste my
starting point, as before.
And I'll call this css0.
And then in the body
of this page is where
I'm going to go ahead
and lay out that content.
So as I recall, I had John Harvard.
And then below that, it was
"Welcome to my home page!
Arabic:
هي وظيفة لغة أخرى
تُسمى CSS، أوراق الأنماط المتسلسلة.
هذه، أيضًا-- لا تُعد لغة برمجة.
إنها أمر جمالي تمامًا بطبيعتها.
إذن دعونا نمضي قدمًا
ونلقي نظرة على مثال.
دعوني أمضي قدمًا وأفتح
خادم الويب نفسه كما في السابق،
أفتح مثالًا رأيته في وقت سابق--
الذي أعددته في وقت سابق الذي يُطلق عليه css0.html.
لنفترض أن هذه هي الصفحة الرئيسية
التي أريد إنشاؤها لجون هارفارد.
ولاحظوا أن لدي اسمه،
مكتوب بخط كبير وغامق، في الأعلى.
وبخط أصغر قليلاً في
المنتصف وخط أصغر قليلاً
أسفل منه.
ولكن هذه مجرد اختلافات
صغيرة في حجم الخط.
كل ذلك موجود في منتصف الصفحة هنا.
كيف يمكنني بالفعل إعداد موقع الويب هذا؟
حسنًا، دعوني أمضي قدمًا
وأنتقل إلى ملف جديد هنا.
سأسميه css0.html.
دعوني أمضي قدمًا وألصق نقطة
الانطلاق الخاصة بي، كما فعلتُ في السابق.
وسأسمي هذا css0.
ومن ثم في بنية
هذه الصفحة حيث
سأمضي قدمًا
وأضع ذلك المحتوى.
إذن على ما أذكر، أنه كان لديّ جون هارفارد.
ومن ثم أسفل ذلك، كان
"مرحبًا بكم في صفحتي الرئيسية!
Arabic:
حقوق الطبع والنشر،" ورمز غريب--
لذلك سأفعل هذا في الوقت الحالي--
"جون هارفارد."
حفظ.
إذن هذا هو css0.html.
دعوني أمضي قدمًا وأعيد
تحميلها مجددًا من الخادم.
و ها هو ذا.
إذن ما هو الخطأ، من الناحية الجمالية؟
من الواضح، جميعها على سطر واحد.
لكن لماذا؟
كيف أصلح هذا، كما كان من قبل؟
أجل؟
الجمهور: [INAUDIBLE]
ديفيد ج. مالان: أجل.
حتى يمكنني إضافة علامات
الفقرة، فقط لوضع كل
هذه في فقرات فردية.
وقد تكون IDE أحيانًا
مزعجة بعض الشيء
لأنني الآن سأنتقل إلى
الخلف وسأضيف هذه الأشياء.
إذن إنها تحاول أن تكون مفيدة.
ولكن بعد ذلك يجب أن أحذفها.
إذن في بعض الأحيان، قد يتعطل
الإكمال التلقائي هذا.
ولكن إصلاحه سهل بما فيه الكفاية-- أفتح p.
دعوني أنقل هذا إلى هنا
وأحرك هذا إلى هنا.
حفظ.
أعود إلى المتصفح.
لن يتغير الأمر من تلقاء نفسه.
أحتاج إلى النقر فوق إعادة تحميل.
والآن-- هذا أفضل.
إنه قبيح بعض الشيء-- توجد
مسافات أكثر مما أريد.
لكنها متقاربة، بالتأكيد.
دعونا نزيل رمز حقوق الطبع والنشر هذا.
تبين أن هناك بعض المفاتيح التي
لا يمكنك كتابتها فقط باستخدام لوحة المفاتيح الخاصة بك.
يمكنك بالتأكيد
نسخها ولصقها من مكان آخر.
English:
Copyright," and funky symbol--
so I'll just do that for now--
"John Harvard."
Save.
So that's css0.html.
Let me go ahead and reload
it back from my server.
And voila.
So what's wrong, aesthetically?
It's, obviously, all on one line.
But why?
How do I fix this, as before?
Yeah?
AUDIENCE: [INAUDIBLE]
DAVID J. MALAN: Yeah.
So I could add the paragraph
tags, just to put these
all on individual paragraphs.
And the IDE sometimes
can be a little annoying
because now I'm going in
retroactively and adding this stuff.
So it's trying to be helpful.
But then I have to delete it.
So sometimes, this autocomplete
can get in the way.
But it's an easy enough fix-- open p.
Let me move this over here
and move this over here.
Save.
Go back to the browser.
It's not going to change on its own.
I need to click Reload.
And now-- better.
It's a little ugly-- more
whitespace than I want.
But it's closer, certainly.
Let's clean up that copyright symbol.
It turns out there's some keys you
just can't type on your keyboard.
You could certainly
copy-paste it from elsewhere.
Arabic:
لكن HTML، كملاحظة جانبية، تدعم
ما تسمى بالكيانات.
وهذه هي التعليمات البرمجية
الرقمية التي تُكتب في بعض الأحيان
بنظام السداسيّ العشريّ، وأحيانًا تُكتب
بالأرقام العشرية، اعتمادًا
على تفضيلاتك.
وهو مجرد رقم غريب
يمثل رمزًا.
وإلا لا يمكنكم كتابتها.
شاهدوا ذلك بينما أعيد تحميله الآن.
إذن ما الذي يحدث
لرمز حقوق الطبع النشر هذا؟
الآن هذا هو الشيء الذي قد تتوقعونه--
تفصيل صغير جدًا.
لا يستحق الأمر كل هذا الاهتمام.
ولكن هذه موجودة،
أيضًا، لأغراض جمالية.
لكن هذا ليس تمامًا ما أريده.
وهنا يأتي دور CSS.
يمكنني وضع البنية من
هذه الصفحة.
نعم، لديّ فقراتي
الثلاث المنفصلة.
لكنها ليست في المنتصف.
حجم الخط الخاص بها هو نفسه.
وتوجد فراغات غريبة هناك.
وهنا يمكن للغة CSS تقديم المساعدة.
إذن دعوني أقدّم
بعض العلامات الجديدة بدلاً من ذلك.
هذه ليست فقرات على وجه التحديد.
إنها ليست جُملاً
وجُملاً من النص.
إنها تشبه رأس
الصفحة الخاصة بي إلى حد ما.
إذن دعوني في الواقع
أعيد تسمية هذا إلى رأس.
هذا ربما هو الجزء الرئيسي من صفحتي.
إذن دعوني أعيد تسمية هذا إلى main.
وهذا مثل تذييل
الصفحة الخاصة بي، التي سأزعم وجوده.
الآن، إنه موقع ويب فائق البساطة.
لكن هذه العلامات موجودة.
وفي الإصدار الأخير
من HTML الذي يُطلق عليه HTML5،
English:
But HTML, as an aside, supports
what are called entities.
And these are numeric
codes that are sometimes
written in hexadecimal, sometimes
written in decimal, depending
on your preference.
And it's just a weird number
that represents a symbol.
You couldn't, otherwise, type.
Watch as I reload now.
So what happens to
that copyright symbol?
Now it's the one you might expect--
so minor detail.
It's not all that interesting.
But those do exist, as
well, for aesthetics.
But this isn't quite what I want.
And here is where CSS comes in.
I can lay out the
structure of this page.
Yes, I have my three
separate paragraphs.
But they're not centered.
Their font sizes are all the same.
And there's weird gaps there.
This is where CSS can help.
So let me introduce a
few new tags instead.
These aren't strictly paragraphs.
It's not sentences
and sentences of text.
This is kind of like
the header of my page.
So let me actually
rename this to header.
This is maybe the main part of my page.
So let me rename this to main.
And this is like the footer
of my page, I would claim.
Now, it's a super simple website.
But these tags exist.
And in the most recent
version of HTML called HTML5,
Arabic:
بدأ العالم بالابتعاد عن
العلامات العامة، مثل p للفقرة،
واستخدام المزيد من العلامات الدلالية التي هي
أكثر وصفًا قليلاً التي وتقول،
مرحبًا، أيها المتصفح، ها هي رأس
الصفحة الخاصة بي، وعلى نحو قاطع،
لا يجب أن تخلطها مع رأس
صفحتك، وهي، مثل، العنوان.
ومرحبًا، أيها المتصفح، ها هو
الجزء الرئيسي من صفحتي.
وها هو تذييل صفحتي.
وسنرى لماذا تُعد هذه
مفيدة، حتى لو كان ذلك فقط
لأنها تصف صفحتي
بطريقة مقنعة أكثر.
ولكن تبين أن أي
علامة من HTML يمكن أن تحتوي على سمة
نمط، ولم نرها من قبل.
وإذا كنت أريد تغيير حجم خط
هذه العلامة، فيمكنني قول، اجعلي هذا الخط أكبر.
وفي الأسفل هنا، يمكنني القول أن، النمط
يساوي حجم الخط، لنقل، متوسط.
ومن ثم في الأسفل هنا، يمكنني القول أن النمط
يساوي حجم الخط صغير.
ودعوني أحفظ ذلك، وأعود
مجددًا إلى المتصفح، وأعيد تحميله.
ولم تظهر في المنتصف بعد.
لكنها الآن بخط أكبر ومتوسط إلى حد ما--
كبير ومتوسط وصغير، وهو ما
أردته في المرة الأولى.
إذن كيف يمكنني إضافة التمركز؟
English:
the world has started moving away from
generic tags, like p for paragraph,
to more semantic tags that are a
little more descriptive that say,
hey, browser, here's the
header of my page, annoyingly,
not to be confused with the head of
your page, which is, like, the title.
And, hey, browser, here's
the main part of my page.
Here's the footer of my page.
And we'll see why this
is useful, if only
because it describes my page
a little more compellingly.
But it turns out that any
HTML tag can have a style
attribute, which we've not seen before.
And if I want to alter the font size of
this tag, I can say, make this large.
And down here, I can say, style
equals font-size, let's say, medium.
And then down here, I can say
style equals font-size small.
And let me save that, go
back to the browser, reload.
And it's not centered yet.
But now it's kind of big, medium--
large, medium, and small, which
is what I intended the first time.
So how can I actually add centering?
Arabic:
حسنًا، يتضح أنه
داخل علامات الاقتباس تلك،
يمكنكم استخدام الفاصلة المنقوطة
للفصل بين العديد من الأفكار.
إذا وضعتُ فاصلة منقوطة هنا،
يمكنني القول الآن، محاذاة النص في المنتصف.
ودعوني أمضي قدمًا وأنسخ
وألصق هذا هنا وهنا.
حفظ.
ولاحظوا النمط.
توجد كلمة رئيسية،
ونقطتين، وقيمة.
تفصل بينهم فاصلة منقوطة.
وبعد ذلك توجد كلمة رئيسية،
ونقطتين، وقيمة.
هذا هو النمط نفسه
الذي سنراه.
لو عدتُ إلى المتصفح،
وقمتُ بإعادة تحميله الآن، نحن في طريقنا الآن.
الآن إنه يبدو تمامًا مثلما
كنت أريده أن يبدو.
وبذلتّ مجهودًا أكبر قليلاً.
ولكن بفضل CSS، تمكنتُ من فعل ذلك.
إذن ما ضللته هنا
وما ظللته IDE باللون الأخضر
هو ما يُسمى بخصائص CSS،
أوراق الأنماط المتسلسة.
CSS تتيح لكم التعامل مع أشياء
مثل التمركز وأحجام الخطوط
والألوان والموضع وكل الجماليات
التي أشرت إليها في وقت سابق.
وأنتم يجب أن تعرفوا فقط
ماهية تلك القيم الرئيسية.
بصراحة، أنا لا أعرفها
جميعًا، بالتأكيد.
أنا أستخدم Google دائمًا عندما
أريد أن أعرف كيف يمكنني
القيام بشيء ما باستخدام هذا النوع من العلامات.
هذا لأن هناك الكثير
من المراجع المجانية عبر الإنترنت
التي تعرض لكم ذلك.
English:
Well, it turns out
inside of these quotes,
you can use semicolons to
separate multiple ideas.
If I put a semicolon here, I
can now say, text-align center.
And let me go ahead and copy
and paste that here and here.
Save.
And notice the pattern.
There's a keyword, a
colon, and then a value.
A semicolon separates it.
Then there's a keyword,
a colon, and a value.
That's the same pattern
we're going to see.
If I go back to the browser,
reload now, now we're on our way.
Now it looks more like what
I intended it to look like.
It took a little more effort.
But thanks to CSS, I was able to do it.
So what I've highlighted here and
what the IDE has highlighted in green
is what are called CSS properties,
Cascading Style Sheets.
CSS lets you deal with things
like centering and font sizes
and colors and positioning and all
the aesthetics I alluded to earlier.
And you just have to know
what these key values are.
Honestly, I don't know
all of them, certainly.
I always Google when I
want to know how could I
do something with this type of tag.
That's because there's a lot
of online free references
that just shows you this.
Arabic:
ولكنها جميعًا تتبع النمط نفسه--
كلمة رئيسية، نقطتين، قيمة-- ربما فاصلة منقوطة--
كلمة رئيسية، نقطتين، قيمة وهكذا.
ولكن حتى لو لم تكتبوا
HTML من قبل،
فقد يمكنكم القول
أنني لا أقوم--
بتصميم ذلك بشكل رائع.
في لغة C، أيضًا، قد وجدتم خطأ
في أي وقت وكان حدسي هو النسخ واللصق.
ما هو الأمر المتكرر في هذا المثال؟
الجمهور: [INAUDIBLE]
ديفيد ج. مالان: أجل.
أنا أقوم بتمركز تلك السطور الثلاثة، وهذا
بصراحة، يبدو أمرًا غبيًا قليلاً.
تم نسخ هذا حرفيًا ولصقه.
وهذا دائمًا ما يوجهك
إلى الطريق الخاطئ.
إذن أوراق الأنماط المتسلسلة--
الحرف C الأول في Cascading Style Sheets،
أو الحرف C الوحيد
في أوراق الأنماط المتسلسلة،
تشير إلى متسلسلة،
وهو يشير إلى تسلسل هرمي له، أيضًا.
إذن دعوني، في الواقع، أقدم مثالاً جديدًا.
دعوني أسمي هذا css1.html.
دعوني ألصق هذه التعليمة البرمجية نفسها بالضبط.
لكن تبين لي أن الرأس والجزء الرئيسي
والتذييل هم جميعًا عبارة عن أجزاء في البنية،
إذا صح التعبير.
إنهم بالتأكيد داخلها.
ويمكنكم-- يمكنكم فعلاً
استخدام مراجع شجرة العائلة
English:
But they all follow the same pattern--
key, colon, value-- maybe semicolon--
key, colon, value, and so forth.
But even if you've never
written HTML before,
you could probably argue
that I am not making--
designing this very well.
In C, too, you might have found fault
any time my instinct was to copy-paste.
What is redundant in this example?
AUDIENCE: [INAUDIBLE]
DAVID J. MALAN: Yeah.
I'm centering all three, which
honestly, it just looks a little stupid.
It literally was copied and pasted.
And that should always
rub you the wrong way.
So Cascading Style Sheets--
the first C in Cascading
Style Sheets, or the only C
in Cascading Style Sheets,
stands for Cascading,
which implies a hierarchy to it, too.
So let me, actually, make a new example.
Let me call this css1.html.
Let me paste that same exact code.
But it occurs to me that header and main
and footer are all children of body,
if you will.
They're indented inside.
And you can-- you actually
can use family tree references
Arabic:
في سياق HTML،
حيث الرأس جزء من
البنية كما هي موجودة بداخلها،
مطوية، موجودة، بداخلها.
حتى إذا كانوا جميعًا
لهم نفس الأب، إذا جاز التعبير،
دعوني أمحو
هذا من جميع العلامات الثلاث بالفعل.
ودعوني أطبق ذلك
على العلامة الأب بالفعل، قائلاً،
النمط يساوي محاذاة النص
في الوسط لأن
أوراق الأنماط المتسلسة، بالتأكيد، تقوم بالتسلسل.
لذلك إذا طبقت خاصية واحدة، مثل
المحاذاة في المنتصف، على الأب،
فستتسلسل لأسفل على جميع الأبناء
المتداخلين بها.
إذن دعوني أمضي قدمًا وأحفظ
ذلك، وأعود إلى القائمة،
وأفتح css1.html.
وها هي ذا-- لا يوجد اختلاف جمالي.
لكنه فقط مصمم بشكل أفضل،
كأنه 5 من أصل 5 في للتصميم
الآن، لكن ليس بالضرورة لأن
ذلك قبيح قليلاً، بصراحة.
ونحن لم تسنح لنا فرصة
القيام بذلك حتى الآن في C
لأن لدينا فقط لغة واحدة
في C. ويُعد، بشكل عام،
الأمر مرفوضًا أن تجمع لغة واحدة،
مثل CSS، مع لغة آخرى، مثل HTML.
English:
in the context of HTML,
where header is a child
of body insofar as it's inside of
her, tucked, indented, inside of it.
So if these all have the
same parent, so to speak,
let me actually erase
this from all three tags.
And let me actually apply it
to the parent tag, saying,
style equals text-align
center because cascading
style sheets, indeed, cascade.
So if you apply one property, like
aligning in the center, to the parent,
it's going to cascade down on all
of the children nested inside.
So let me go ahead and save
this, go back to the listing,
and open up css1.html.
And voila-- no aesthetic difference.
But it's just better designed,
like 5 out of 5 for design
now, but not necessarily because
this is a little ugly, honestly.
And we've not had occasion
to do this yet in C
because we only had one
language in C. It, generally,
is frowned upon to combine one language,
like CSS, with another, like HTML.
English:
And they might look very similar.
And they're all in the same context.
But this gets annoying.
And especially in the
real world, some people
might be better with
aesthetics than others.
Clearly, from my examples,
I'm not among those people.
And so I might want to work with
a colleague or a friend who's
much better at design and
colors and fonts than I am.
And so I might want them to
work independently of me.
I'll work on the structure of the web
page or, if you will, my final project,
and let them actually contribute
more of the aesthetics.
So how can we begin to
decouple these things?
Much like in C, we, at
least, had header files.
We could factor out commonalities.
Well, it turns out we can do this
a little differently from before.
Let me go ahead and open up an example
2 that I made earlier called css2.html.
And let's scroll through
this for just a moment.
Notice now that in the body of this web
page, I've introduced a different tag--
rather, a different
attribute called "class."
So it turns out that you don't have
to just copy and paste or type out
manually all of these nit-picky
font size changes and text alignment
changes.
Arabic:
وقد تبدو اللغتان متشابهتين للغاية.
وكلتاهما في نفس السياق.
لكن يصبح هذا الأمر مزعجًا.
وبشكل خاص في العالم الحقيقي،
قد يكون بعض الأشخاص
أفضل باستخدام الجماليات
من الآخرين.
ومن الواضح، من أمثلتي،
أنني لست ضمن هؤلاء الأشخاص.
ولذا قد أرغب في العمل مع
زميل أو صديق
أفضل مني بكثير في التصميم
والألوان والخطوط.
ولذا قد أريد منه أن
يعمل بشكل مستقل عني.
سأعمل على بنية صفحة الإنترنت
أو، إذا صح التعبير، مشروعي النهائي،
وأدعه في الواقع يساهم
في الجماليات بشكل أكبر.
إذن كيف يمكننا أن نبدأ بفصل
هذه الأشياء؟
تمامًا مثل ما هو في C، نحن، على الأقل،
لدينا ملفات رأس.
يمكننا فصل القواسم المشتركة.
حسنًا، اتضح أنه يمكننا فعل ذلك
بشكل مختلف قليلاً عن ما سبق.
دعوني أمضي قدمًا وأفتح مثال 2 الذي قمت
بإعداده في وقت سابق ويُسمى css2.html.
ودعونا نقوم بالتمرير خلال
هذا لبضع لحظات فقط.
لاحظوا الآن في بنية صفحة الويب،
أنني قدمتُ علامة مختلفة--
بالأحرى، سمة
مختلفة تُسمى "فئة."
لذا اتضح أنه لا يجب أن تقوموا فقط
بنسخ ولصق أو كتابة
كل هذه التغييرات الصعبة في حجم الخط
وتغييرات محاذاة النص
يدويًا.
Arabic:
يمكنكم منحها
أسماء وصفية أكثر.
ويمكن القول، أنه يمكنني وشريكي
قراءتها بشكل جيد أكثر
لقراءة كلمة "في المنتصف"
و"كبير" و"متوسط" و"صغير"
وعدم رؤية جميع علامات النقطتين
والفاصلة المنقوطة الغبية وتشتيت الذهن.
هذه الأشياء التي لا تثير الاهتمام
عند كتابة أي نوع من التعليمة البرمجية.
إذن من أين جاءت هذه الكلمات--
في المنتصف وكبير ومتوسط وصغير؟
حسنًا، لاحظوا أنها جميعًا قيم
لسمة الفئة، وهي--
تسمح بالتعديل.
دعوني أقوم بالتمرير إلى
رأس صفحة الويب الخاصة بي.
وسترون، غالبًا
مسافة بيضاء لأنني قمت فقط
بالضغط باستمرار على Enter لإزالتها--
لاحظوا أن داخل علامة html، كما في السابق،
توجد علامة الرأس الخاصة بي.
إذا قمت بالتمرير لأسفل،
تظل أيضًا علامة العنوان هناك.
لكن هناك علامة جديدة
أشرتُ إليها في وقت سابق ضمن العلامات القليلة
التي يمكنكم وضعها هناك باسم "النمط."
يمكنكم نقل إلى
أعلى الصفحة
كل الأنماط
التي تهتمون بها.
ويمكنكم القيام بذلك على النحو التالي.
لاحظوا هنا أنني كتبت حرفيًا
كلمة "في المنتصف" بنقطة
قبلها، كلمة "كبير"
بنقطة قبلها،
كلمة "متوسط" بنقطة،
"صغير" بنقطة.
English:
You can give them more
descriptive names.
And arguably, it's a lot more
readable to me and my partner
to read the word "centered" and
"large" and "medium" and "small"
and not see all the stupid colons and
the semicolons and the distractions.
That's the stuff that's not interesting
when writing any sort of code.
So where did these words come from--
centered, large, medium, and small?
Well, notice that they're all
values of a class attribute, which
is-- allows for customization.
Let me scroll up to the
head of my web page.
And you'll see, and it's mostly
whitespace because I just
kept hitting Enter to clean it up--
notice that inside of my html
tag is, as before, my head tag.
If I scroll down, there's
also still a title tag.
But there's a new tag that I
alluded to earlier among the few
you can put up there called "style."
You can factor out to
the top of your page
all of the stylizations
that you care about.
And you can do it as follows.
Notice here that I've literally written
the word "centered" with a dot in front
of it, the word "large"
with a dot in front of it,
the word "medium" with a
dot, "small" with a dot.
English:
Those define classes.
So CSS lets you define
your own collections
of configuration properties.
And you can give them names,
just so it's a little more
descriptive and user-friendly.
So you can define class,
class, class, class.
And then inside the curly braces, which
I've lined up here, just like in C,
you can have one property, two
properties, 100 properties.
But you can keep them nice and
orderly, away from all of your HTML, so
that someone else can work on them
or just you can keep the aesthetics
separate from the contents of your page.
It's the notion of
separation of concerns.
Keep the data separate from
the presentation thereof.
AUDIENCE: [INAUDIBLE]
DAVID J. MALAN: Is there a library
you can use that's done this for you?
Yes.
And we'll see a little teaser
for that in just a bit.
So where are I using
these words, to be clear?
Here, I'm saying give me
a class called centered,
a class called large, medium,
and small, each of which
have these respective
properties associated with them.
And then down here, I
can just use those words.
And I don't have to
get into the business
Arabic:
تلك تحدد الفئات.
لذا CSS تتيح لك تحديد
مجموعاتك الخاصة
من خصائص التكوين.
ويمكنكم أن تطلقوا عليها أسماء،
فقط لتكون وصفية أكثر
وسهل الاستخدام.
إذن يمكنك تحديد فئة،
فئة، فئة، فئة.
ومن ثم داخل الأقواس المتعرجة، التي
وضعتها هنا، تمامًا كما في C،
يمكنكم الحصول علي خاصية واحدة،
خاصيتن، 100 خاصية.
لكن يمكنكم الاحتفاظ بها بشكل جيد
ومنظم، بعيدًا عن كل HTML، حتى
يتمكّن شخص آخر من العمل عليها
أو فقط يمكنكم الحفاظ على الجماليات
منفصلة عن محتويات صفحتكم.
إنها فكرة لفصل
المخاوف.
إبقاء البيانات منفصلة عن
عرضها التقديمي هناك.
الجمهور: [INAUDIBLE]
ديفيد ج. مالان: هل توجد مكتبة
يمكنك استخدامها لتقوم بهذا من أجلك؟
أجل.
وسنرى قليلاً من التشويق لهذا
خلال لحظات.
إذن أين أستخدم
هذه الكلمات، لتكون واضحة؟
هنا، أنا أقول أعطني
فئة تسمى في المنتصف،
فئة تُسمى كبير، ومتوسط،
وصغير، تحتوي كل فئة من هذه
على هذه الخصائص
المعنية المرتبطة بها.
ومن ثم في الأسفل هنا،
فقط يمكنني استخدام هذه الكلمات.
ولا يجب أن
أبدأ بكتابة
English:
of the semicolons, curly braces,
and all of that in my actual HTML.
But it turns out I can do
this even more fancily.
Let me open up css3.html,
another example.
In this case, notice what I've done.
Now my code is really getting
pretty, relatively speaking,
or from one person's perspective.
Now I don't have any attributes.
This is just tighter.
I'm using fewer characters,
fewer words, fewer lines of code.
This is just, generally, a good thing.
It's less work.
It's less to maintain, fewer
opportunities for mistakes.
But I've gotten rid of, it
seems, all of the aesthetics,
but not necessarily, because
CSS, this second language,
also lets you apply properties
not to tags by way of classes,
but to the actual tags themselves.
So if you only have one body, it is safe
to say, OK, CSS, apply to the body tag
this or these properties.
Hey, browser, apply to the header
tag this or these properties--
to the main tag, the
footer tag, and so forth.
Arabic:
الفواصل المنقوطة، والأقواس المتعرجة،
وكل علامات الترقيم تلك في HTML الفعلية.
ولكن اتضح أنه يمكنني فعل هذا
بشكل رائع أكثر.
دعوني أفتح css3.html،
مثال آخر.
في هذه الحالة، لاحظوا ما قمت به.
الآن تصبح تعليمتي البرمجية
جميلة، بشكل نسبي،
أو من وجهة نظر شخص واحد.
الآن ليست لدي أي سمات.
هذا الأمر هو أكثر إحكامًا فقط.
أنا أستخدم أحرف أقل،
كلمات أقل، سطور أقل من التعليمة البرمجية.
هذا فقط، وبشكل عام، شيء جيد.
إنه عمل أقل.
انه عمل أقل للحفاظ على،
فرص أقل لحدوث خطأ.
لكنني تخلصتُ، على ما يبدو،
من كل تلك الجماليات،
لكن ليس بالضرورة، بسبب
CSS، هذه اللغة الثانية،
إنها تتيح لك أيضًا تطبيق الخصائص
ليس على العلامات عن طريق الفئات،
ولكن على العلامات الفعلية نفسها.
إذن إذا كانت لديكم بنية واحدة فقط، فإنه من الآمن
قول، حسنًا، CSS، طبّقي على علامة البنية
هذه الخاصية أو هذه الخصائص.
مرحبًا، أيها المتصفح، قم بتطبيق على علامة
الرأس هذه الخاصية أو هذه الخصائص--
على العلامة الرئيسية،
وعلامة التذييل، وهكذا.
Arabic:
لذلك لا أحتاج حتى إلى تعقيد
عالمي بشأن صغير، متوسط، كبير،
وهكذا.
يمكنني فقط تطبيق تلك
الخصائص الموجودة في أعلى الملف الخاص بي
على أسماء العلامات
المعنية، أيًا كانت.
ويمكنني استخدام علامة p.
يمكنني استخدام علامة image،
علامة a، أيًا من هذه.
يمكنني تصميمها بطرق مختلفة.
في الواقع، إذا كنتم تتسألون أو بدأتم
بالتساؤل عن الكيفية التي يمكنكم تغيير حجم صورة بها،
فيمكنكم تطبيق CSS على
علامة image وقول،
اجعلي هذا وحدات بكسل عديدة أو هذا وحدات
بكسل عديدة أو شيء من هذا القبيل.
نعم؟
الجمهور: هل هو تصميم سيء
للاستمرار بعد ذلك في دفع [INAUDIBLE]
ديفيد ج. مالان: نعم.
إنه ليس تصميمًا سيئًا لنستمر فقط
في إضافة المزيد من الأشياء إلى الأعلى
ودفع المحتوى الفعلي
الخاص بك إلى أسفل وإلى أسفل
وإلى أسفل وتضخيم الملف فقط؟
أجل-- وهو تحول سلس لمثالنا
الرابع والأخير هنا، والذي
هو css4.html.
هذا المثال-- دعوني فقط أقوم بالتصغير.
هكذا.
يحتوي css4.html هذا على عدد أقل من سطور
التعليمة البرمجية، وبالفعل لا توجد فيه CSS
على الإطلاق.
English:
So I don't even need to complicate
my world with small, medium, large,
and so forth.
I can just apply those
properties at the top of my file
to the respective tag
names, whatever they are.
And I could use the p tag.
I could use the image tag,
the a tag, any of those.
I can style them in different ways.
In fact, if you wondered or started to
wonder how could you resize an image,
you can apply CSS to
the image tag and say,
make it this many pixels or this
many pixels, or something like that.
Yeah?
AUDIENCE: Is it bad design to
then keep pushing [INAUDIBLE]
DAVID J. MALAN: Yes.
Is it not bad design to just
keep adding more stuff to the top
and pushing your actual
content down and down
and down and just bloating the file?
Yes-- which is a wonderful segue to our
fourth and final example here, which
is css4.html.
This example-- let me just zoom out.
That's it.
This css4.html has even fewer lines
of code and, indeed, no CSS in it
whatsoever.
English:
This is just the website I care about,
the words and the data I care about.
All of the aesthetic
stuff, while important,
is relegated to a separate file that you
can probably infer is called css4.css.
Unfortunately, and this was a stupid
design decision by humans years ago,
the way you include CSS
from a separate file
is, paradoxically, to use
a link tag, not the a tag,
which probably should have
been called the link tag.
But you have a relationship
of style sheet.
So sometimes, humans
make poor decisions.
This is one of them, I would say.
But if you just copy-paste and
trust that this means, hey, browser,
open up this file and use those
features from the file in this file,
it's similar, in spirit, to
C's hash include mechanism.
It just looks a little different.
So what's in that file?
Well, you can probably
guess, if I go into css4.css,
it's just that same content.
But I factored it out, as you notes--
wasn't the best design to keep it
all together.
So I can simply put it there instead.
Arabic:
هذا فقط موقع الويب الذي يهمني،
الكلمات والبيانات التي تهمني.
قد أحيلت كل الأشياء
الجمالية، على الرغم من أنها أهميتها،
إلى ملف منفصل يمكنك استنتاجه
وهو يُسمى css4.css.
لسوء الحظ، وكان هذا قرار تصميم غبي
أعدّه البشر منذ سنوات،
الطريقة التي تقوم بها بتضمين CSS
من ملف منفصل
هي، بشكل متناقض، استخدام
علامة رابط، وليس علامة a،
والتي ربما يجب أن يُطلق
عليها علامة الرابط.
ولكن لديكم علاقة
من ورقة النمط.
إذن أحيانًا، يتخذ البشر
قرارات ضعيفة.
هذا القرار إحداها، كما كنت أقول.
ولكن إذا قمتم بنسخ هذا ولصقه
ووثقتم أن هذا يعني، مرحبًا، أيها المتصفح،
افتح هذا الملف واستخدم هذه الميزات
من الملف في هذا الملف،
إنها متشابهة، في جوهرها، لعلامة
التجزئة من C بما في ذلك الآلية.
إنها تبدو مختلفة قليلاً.
إذن ما الذي يوجد في هذا الملف؟
حسنًا، ربما يمكنكم
التخمين، إذا انتقلتُ إلى css4.css،
إنه فقط ذلك المحتوى نفسه.
لكنني استبعدته من تقديراتي، كما تلاحظون--
لم يكن التصميم الأفضل لكي نحفتظ به
معًا.
لذلك يمكنني ببساطة وضعه هناك بدلاً من هنا.
Arabic:
أية أسئلة؟
أجل؟
الجمهور: في اللغة الآخرى،
اللغة الرابعة المثالية، وأفضلها،
ما هى وظيفة "ورقة النمط"؟
ديفيد ج. مالان: سؤال جيد.
ما هى وظيفة ورقة النمط في هذا المثال؟
الإجابة المختصرة هي أنها
توضح فقط للمتصفح
العلاقة بين هذا الملف،
css4.css، وهذا الملف،
الذي هو ملف HTML، هي
من"ورقة نمط."
إذن CSS، أوراق الأنماط المتسلسلة--
عبارة عن كلمات كثيرة
فقط لتحويل فكرة الجماليات.
لكن هذه هي ورقة النمط الخاصة بك، حرفيًا.
إنه ملف فعلي ينتهي في .css
والذي يجب تطبيقه على لغة HTML هذه.
أجل؟
الجمهور: [INAUDIBLE]
ديفيد ج. مالان: تصميم أفضل لماذا؟
الجمهور: [INAUDIBLE]
ديفيد ج. مالان: إنه
سؤال جيد حقًا.
لذا خلاصة القول، هل هو-- أليس كذلك--
أليس هذا تصميم أفضل، للحصول على
ملف واحد باستخدام HTML وCSS،
English:
Any questions?
Yeah?
AUDIENCE: In the other one, the
fourth perfect one, the best one,
what does "stylesheet" do?
DAVID J. MALAN: Good question.
What does stylesheet do in this example?
Short answer is that just
makes clear to the browser
that the relationship between this
file, css4.css, and this file,
which is the HTML file, is
that of a "style sheet."
So CSS, Cascading Style
Sheets-- it's a lot of words
just to convey the idea of aesthetics.
But that is your style sheet, literally.
It's an actual file that ends in .css
that should be applied to this HTML.
Yeah?
AUDIENCE: [INAUDIBLE]
DAVID J. MALAN: Better design why?
AUDIENCE: [INAUDIBLE]
DAVID J. MALAN: It's
really good question.
So to summarize, is it-- isn't it--
wouldn't that be better design, to have
one file with your HTML and your CSS,
English:
rather than two because
things can get misplaced?
Now they're decoupled.
There's not the same inherent link.
Maybe, honestly.
That is a reasonable concern.
Reasonable people will disagree.
Generally, I would say
that the programming
world has decided that separation
of concerns is a good thing.
So keep your HTML in one file,
your CSS in another file.
Keep them in the same folder.
And, frankly, if you go losing your
files in a folder all the time,
the problem is probably a--
is human problem, not a technical one.
But you make a good point, too.
And you could argue, quite credibly,
that you're just over-engineering this
now.
I like it better altogether.
And you'll see in CS50's website
and Facebook and Google and others--
sometimes, you do see
CSS together with HTML
because humans decided
this does make more sense.
But there are these mechanisms in
place to facilitate collaboration,
to facilitate separation, so that you
can keep things a little more organized
in separate files.
Any questions then?
So to recap where we're at,
because this is a lot quickly,
HTTP is this protocol via which
you can just exchange information
Arabic:
بدلاً من اثنين لأن
الأشياء قد تكون في غير موضعها؟
الآن هما منفصلين.
لا يوجد الرابط المتأصل نفسه.
ربما، بصراحة.
هذا قلق منطقي.
لن يوافق الأشخاص المنطقيون.
بشكل عام، أنا أقول
أن عالم البرمجة
قرر أن الفصل
بين الأمور المقلقة أمر جيد.
لذا احتفظوا بلغة HTML في ملف واحد،
CSS في ملف آخر.
احفظهم في المجلد نفسه.
وبصراحة، إذا فقدت
ملفاتك في مجلد طوال الوقت،
ربما تكون المشكلة--
مشكلة بشرية، وليست مشكلة فنية.
لكنك أثرتَ نقطة جيدة، أيضًا.
ويمكنك القول، بدرجة معقولة من المصداقية،
أنك فقط تبالغ في تصميم هذا
الآن.
أنا أفضل ذلك تمامًا.
وسترى في موقع CS50 على الويب
وFacebook وGoogle وغيرها--
في بعض الأحيان، ترى
CSS مع HTML
لأن البشر قرروا أن ذلك
أكثر منطقية.
لكن توجد هذه الآليات في مكانها
لتسهيل التعاون،
لتسهيل الفصل، حتى يمكنك
أن تحتفظ بالأشياء منظمة أكثر
في ملفات منفصلة.
أية أسئلة أخرى؟
إذن لنلخص ما توصلنا إليه،
لأن ذلك سريع جدًا،
HTTP هو هذا البروتوكول الذي من خلال
يمكنك فقط تبادل المعلومات
English:
from A to B and B to A. HTML is
the language in which web pages are
written, that structure of the web
page, and actually have your data.
And CSS lets you fine-tune it.
Now, I didn't fine-tune
it all that much.
I just centered it and
changed the font size.
But honestly, we can very quickly
get into the weeds of colors
and positioning and all of that.
But that we'll do in sections and
in Psets and in googling and looking
at online references
that we'll point you
to because it just all follows the
same patterns of tags with attributes
and then CSS properties.
So even though you've not seen the
whole vocabulary of CSS and HTML,
you have seen the entire structure,
the fundamental concepts.
So let's introduce then one
final piece of the puzzle
and bring back to bear
some of our programming
capabilities of the past several weeks.
So it turns out that in
the world of HTML and CSS,
you can actually introduce a
programming language, as well,
to make your websites even more dynamic
using something called JavaScript.
Arabic:
من A إلى B وB إلى A.
HTML هي اللغة التي تتم كتابة صفحات الويب
بها، بنية صفحة الويب تلك،
والتي تحتوي بالفعل على بياناتك.
وتتيح لك CSS ضبطها.
الآن، لم أقم بضبطه
كله بشكل دقيق كثيرًا.
أنا فقط قمت بوضعه في المنتصف
وقمت بتغيير حجم الخط.
لكن بصراحة، يمكننا بسرعة
الحصول على تعقيدات الألوان
والموضع وكل ذلك.
ولكن هذا ما سنفعله في الأقسام
وفي Psets و في البحث على Google والنظر
في المراجع الموجودة على الإنترنت
التي سنرشدك إليها
لأنها جميعًا تتبع فقط
نفس أنماط العلامات ذات السمات
ومن ثم خصائص CSS.
لذا على الرغم من أنكم لم تروا
جميع مفردات CSS وHTML،
لكنكم رأيتم البنية بأكملها،
المفاهيم الأساسية.
لذلك دعونا نقدم بعد ذلك القطعة
النهائية من اللغز
ونعود لنسترجع
بعض قدرات
البرمجة الخاصة بنا من الأسابيع القليلة الماضية.
لذلك يتضح أنه في
عالم HTML وCSS،
يمكنكم في الواقع تقديم
لغة برمجة، أيضًا،
لجعل مواقعكم على الويب ديناميكية أكثر
باستخدام شيء يُسمى JavaScript.
English:
Many of you have taken
APCS and know Java--
no relation.
JavaScript was just a
marketing decision to them--
call it something similar to
an already popular language.
So JavaScript is a language
used in browsers, typically,
to give you more control
over the users' experience.
For instance, when you visit Gmail
these days and you get a new mail,
it just appears magically
as a new row in your inbox.
You don't have to reload or keep
clicking Refresh to see your new mail.
It just appears magically.
When you're using Google
Maps or something,
you can just click and drag
and see more of the map.
Back in my day, you have
to click a right arrow
to go this way, a left
arrow to go that way.
And the whole web page
would actually reload.
But JavaScript gives you logic
and programming capabilities
in your users' Macs and PCs and phones
that gets executed not on your server,
but on their browser, which means you
can do many more things by running code
on their computers.
So what does this actually mean?
Well, in JavaScript,
fortunately, we have
Arabic:
الكثير منكم قد درسوا
APCS ويعرفون Java--
لا توجد علاقة بينهما.
JavaScript مجرد قرار
تسويق لهم--
يُطلق عليه شيء مشابه
للغة شائعة بالفعل.
لذا، فإن JavaScript هو لغة
مستخدمة في المتصفحات، عادة،
لتمنحكم المزيد من التحكم
على تجربة المستخدمين.
على سبيل المثال، عندما تزورون Gmail
هذه الأيام وتحصلون على بريد جديد،
فإنه يظهر بطريقة سحرية
كصف جديد في البريد الوارد.
لا يجب أن تعيد التحميل أو تستمر في الضغط
على تحديث لرؤية البريد الجديد.
إنه يظهر فقط بطريقة سحرية.
عندما تستخدم خرائط Google
أو شيء ما،
يمكنك فقط النقر والسحب
ومشاهدة المزيد من الخرائط.
في أيامي، كان يجب أن
تنقر فوق السهم الأيمن
للانتقال إلى هذا الاتجاه، وسهم
أيسر للانتقال إلى ذلك الاتجاه.
وتقوم صفحة الويب بأكملها
بإعادة التحميل في الواقع.
لكن JavaScript تمنحك المنطق
وقدرات البرمجة
في أجهزة Mac وأجهزة الكمبيوتر الشخصي والهواتف
التي يتم تنفيذها ليس على خادمك فقط،
ولكن على المتصفح، مما يعني أنه يمكنك أن
تقوم بالكثير من الأشياء عن طريق تشغيل التعليمة البرمجية
على أجهزة الكمبيوتر.
إذن ما الذي يعنيه كل هذا بالفعل؟
حسنًا، في JavaScript،
لحسن الحظ، لدينا
Arabic:
لغة متشابهة جدًا للغة C.
ولكن يتم تفسيرها من الأعلى
إلى الأسفل، من اليسار إلى اليمين.
يقرأ المتصفح الإرشادات فقط
في JavaScript ويقوم بها فقط.
لا يوجد تحويل برمجي لك.
لا يوجد أصفار وواحدات.
وبهذا المعنى، فإنه
أسهل فقط من C.
أيضًا، ليس لديها مؤشرات، والتي هي
أيضًا أسهل من C.
ولكنه يعطينا
القدرة على تغيير صفحة ويب
بمجرد تسليمها إلى مستخدم.
وسنرى ما يمكننا
القيام به بالفعل باستخدام تلك القدرة.
لكن أولاً، دعونا نقارن ونباين.
ستتذكرون منذ بضعة أسابيع،
في الأسبوع 1، عندما قدمنا C،
سحبنا بعض من سكراتش وسحبنا
بعض من C، فقط لإظهار
أن الأفكار ما تزال هي نفسها.
لنفعل نفس الأمر بسرعة هنا.
لذا انتقلنا من سكراتش إلى C. دعونا
الآن ننتقل إلى JavaScript باستخدام المتغيرات.
لذا في C، إذا أردت تعيين
عداد إلى 0 مثل سكراتش،
يمكنك القول حرفيًا أن
العداد يساوي 0، فاصلة منقوطة.
لكنك ستحصل على
نوع البيانات إلى اليسار.
في JavaScript، تكون التعليمة البرمجية
هي نفسها تقريبًا.
ولكنك في الواقع لا تحدد
أنواع البيانات.
لا تقلق، كمبرمج، بشأن
الأعداد الصحيحة أو القيم الكسرية أو السلاسل
أو كل ذلك.
قمتَ بتعريف المتغير.
والكلمة الرئيسية للاستخدام، على الرغم من
أن هناك العديد من الخيارات
English:
a language that's super similar
to C. But it's interpreted top
to bottom, left to right.
The browser just reads the instructions
in JavaScript and just does them.
There's no compilation for you.
There's no zeros and ones.
And so in that sense,
it's just easier than C.
Also, it has no pointers, which
also makes it easier than C.
But it gives us the
ability to alter a web page
once it's been delivered to a user.
And we'll see what we can
actually do with that capability.
But first, let's compare and contrast.
You'll recall a few weeks ago,
in week 1, when we introduced C,
we pulled up some Scratch we
pulled up some C, just to show
that the ideas are still the same.
Let's do the same real quick here.
So we went from Scratch to C. Let's
now go to JavaScript with variables.
So in C, if you wanted to set
a counter to 0 a la Scratch,
you would literally say
counter equals 0, semicolon.
But you would have the
data type to the left.
In JavaScript, the code
is almost the same.
But you actually don't
specify data types.
You, the programmer, don't worry
about ints or floats or strings
or all of that.
You do define the variable.
And the keyword to use, though
there's several options that
English:
do slightly different things, is let.
Add the thinking is let the counter
equal 0, please, if you will.
But you don't specify the type,
even though JavaScript supports
numbers and strings, and so forth.
You just don't have to care
about them as much anymore.
Suppose you want to update a variable.
In Scratch, you would just
change the counter by one.
In C, you would do counter
equals counter plus 1, semicolon.
In JavaScript, you would
do the exact same thing.
Code is identical.
In C, you could also
write this more succinctly
as counter plus equals 1,
semicolon, if you recall.
If you don't, that's fine.
This is just shorthand notation.
In JavaScript-- same exact thing.
In C, you could also
do counter plus, plus,
semicolon to increment the value--
in JavaScript, same.
So this is what's nice about JavaScript.
You already know much
of it just by nature
of having spent so many
weeks in the weeds with C.
Suppose you had an if condition,
like this-- is if x is less than y.
In C, we would write
it like this at right.
JavaScript syntax is the same.
Arabic:
التي تفعل أشياء مختلفة قليلاً، هو يسمح.
والتفكير هو ما يسمح للعداد
أن يساوي 0، من فضلك، إذا صح التعبير.
لكنك لا تحدد النوع،
على الرغم من أن JavaScript تدعم
الأرقام والسلاسل، وما إلى ذلك.
فقط لا يجب أن تهتم
بهم كثيرًا بعد الآن.
لنفترض أنك تريد تحديث متغير.
في سكراتش، تقوم فقط
بتغيير العداد إلى واحد.
في C، ستقوم بإعداد
العدّاد ليكون مساويًا للعدّاد زائد 1، فاصلة منقوطة.
في JavaScript، ستقوم
بنفس الشيء بالضبط.
التعليمة البرمجية متطابقة.
في C، يمكنك أيضًا
كتابة هذا بإيجاز
حيث العداد زائد يساوي 1،
فاصلة منقوطة، إذا كنتم تتذكرون ذلك.
إذا لم تفعلوا، فلا بأس.
هذا مجرد تدوين شديد الاقتضاب.
في JavaScript-- نفس الشيء بالضبط.
في C، يمكنك أيضًا القيام
بعدّاد زائد، زائد
فاصلة منقوطة لزيادة القيمة--
في JavaScript، نفس الشيء.
هذا هو الشيء اللطيف حول JavaScript.
أنت تعرف الكثير عنه
بالفعل حسب طبيعة
قضاء عدة
أسابيع في تعقيدات لغة C.
لنفترض أن لديك حالة إذا،
هكذا-- إذا كانت x أقل من y.
في C، نكتبها
هكذا على اليمين.
صيغة JavaScript هي نفسها.
Arabic:
إذا كانت لديك ماذا لو أخرى،
فإن الصيغة هي نفسها.
ماذا لو أخرى، ماذا لو أخرى--
فإن الصيغة هي نفسها.
إذا كنت ترغب في إجراء تكرار حلقي للأبد،
فستكون الصيغة هي نفسها، في حالة إذا كانت صحيحة.
إذا كنت ترغب في إجراء تكرار حلقي،
فإن الصيغة هي نفسها تقريبًا.
يسمح بحاجة إلى أن يتم استخدامه بدلاً من ذلك.
إذن هذا هو C لأنه يقول أن
int i يساوي 0، وهكذا.
هذا هو نوع البيانات.
أJavaScript-- أنا فقط
أزعم لا تقلقوا--
لا داعي للقلق
بشأن أنواع البيانات هذه.
لذا في JavaScript، ستقول
بدلاً من ذلك "يسمح" بدلاً من ذلك.
ولكن بخلاف ذلك، فإن الصيغة هي نفسها.
لذا هذه نقطة انطلاق
جيدة لأنه لا يوجد
أي شيء جديد لتعلمه من الناحية البنائية.
نحتاج فقط لتطبيق نفس المنطق
الذي رأيناه في الأسبوع 0 و1
منذ HTML.
إذن إذا كانت هذه صفحة ويب ممثلة،
وإن كانت بسيطة جدًا--
هذا ما أعددته في وقت سابق--
كيف يمكننا الآن البدء في
التفكير حول صفحة الويب هذه
بطريقة مواتية
لبرمجة ذلك
وتغييره في الواقع بشكل ديناميكي؟
حسنًا، دعوني أقترح أنكم تفكرون في
صفحة الويب نفسها باعتبارها مجرد شجرة.
English:
If you had an if-else,
syntax is the same.
If else, if else--
syntax is the same.
If you want a forever loop,
syntax is the same, while true.
If you want a for loop,
syntax is almost the same.
Let needs to be used instead.
So this is C because it says
int i equals 0, and so forth.
That's a data type.
JavaScript-- I just
claim doesn't worry--
you don't need to worry
about those data types.
So in JavaScript, you would
instead say "let" instead.
But otherwise, the syntax is the same.
So that's a nice starting
point because there's
nothing new to learn syntactically.
We just need to apply the same
logic that we saw in week 0 and 1
since to HTML.
So if this is a representative
web page, albeit super simple--
this is the one I brought up earlier--
how can we now start
thinking about this web page
in a way that is conducive
to programming it
and actually changing it dynamically?
Well, let me propose that you think
of this same web page as just a tree.
English:
And we introduced trees just a week
ago, albeit in the context of C.
And frankly, in C, they're
a headache because you
have to wire things together using
pointers and nodes and all of that.
Don't worry about that now.
It's the browser's job to build
this in memory or RAM for you.
And indeed, when I keep saying
that a browser, upon receiving
an envelope with HTML, reads it
top to bottom, left to right,
I haven't said what it does with it.
What it essentially does with it
is it creates this data structure
in memory for you.
And it is Chrome or Edge or Firefox
or whatever browser you're using that
itself is written in probably C
or C++ or some other language.
Some other human at those
companies wrote the code
that builds all of the
pointers and/or whatever is
used to build this structure in memory.
But this is what the browser has
in mind once it's read your HTML.
And now that it's a data
structure in memory,
you can make changes to
it, just like last week,
we were inserting humans into our linked
list, changing the data structure.
The browser can add more nodes or
more tags to the page, dynamically.
Arabic:
وقدمنا الأشجار منذ أسبوع فقط،
وإن كان ذلك في سياق لغة C.
وبصراحة، في C، إنها
تعد أمرًا مزعجًا لأنه
يجب أن تربط الأشياء معًا باستخدام
مؤشرات وعُقد وكل ذلك.
لا تقلق بشأن ذلك الآن.
إنها مهمة المتصفح لبناء
هذا في الذاكرة أو ذاكرة الوصول العشوائي من أجلك.
وبالفعل، عندما أستمر في القول
للمتصفح، عند استلام
ظرف باستخدام HTML، أن يقرأه من
الأعلى إلى الأسفل، ومن اليسار إلى اليمين،
لم أقل ما يفعله به.
ما يفعله به بشكل أساسي
هو أنه يقوم بإنشاء بنية البيانات هذه
في الذاكرة من أجلك.
وهو Chrome أو Edge أو Firefox
أو أي متصفح تستخدمه
هو نفسه مكتوب على الأرجح في C
أو C ++ أو بعض اللغات الأخرى.
كتب بعض الأشخاص الآخرون في
تلك الشركات التعليمة البرمجية
التي تبني كل
المؤشرات و/أو أيًا كان
ما يتم استخدامه لبناء هذه البنية في الذاكرة.
لكن هذا ما يضعه المتصفح
في الاعتبار بمجرد قراءته للغة HTML الخاصة بك.
والآن هذه بنية البيانات
في الذاكرة،
يمكنك إجراء تغييرات عليها،
تمامًا مثلما كان في الأسبوع الماضي،
كنا نقوم بإدراج الأشخاص في
القائمة المرتبطة، لتغيير بنية البيانات.
يمكن أن يضيف المتصفح عُقد أكثر أو
علامات أكثر إلى الصفحة، بطريقة ديناميكية.
English:
So if you run with
this in your mind, when
you get a new email in
Gmail, what is happening?
Well, the web page, when
you first load it in Gmail,
has a whole bunch of td tags, probably,
or tr tags, rather, for table row--
table row, table row-- each of
which represents an email, perhaps.
When you get a new email, the browser
is probably just adding another tr node
to this tree because
notice the words here.
Html lines up with this tag.
Head lines up with this tag.
Body lines up with this tag.
So it stands to reason that when
you get another row in your inbox
with another email, someone is
just adding a node to that tree.
And that someone is
JavaScript, the language
in which you can control the users'
browser even after they've loaded
your web page for the first time.
So what can we actually do with this?
Let's start simple, as follows.
Let me go ahead and just whip up, really
quickly, a file called hello0.html.
Arabic:
لذلك إذا قمتَ بالتفكير
بهذا داخل عقلك، عندما
تحصل على بريد إلكتروني جديد في
Gmail، ما الذي يحدث؟
حسنًا، صفحة الويب، عندما تقوم
بتحميلها أول مرة في Gmail،
تحتوي على مجموعة كاملة من علامات td، على الأرجح،
أو علامات tr، بدلاً من ذلك، لصف جدول--
صف جدول، صف جدول-- من المحتمل أن كل منها
تمثل رسالة بريد إلكتروني.
عندما تستلم رسالة بريد إلكتروني جديدة، فمن
المحتمل أن يضيف المتصفح عقدة tr أخرى
لهذه الشجرة لأنه
لاحظوا الكلمات هنا.
تتطابق Html مع هذه العلامة.
تتطابق الرأس مع هذه العلامة.
تتطابق البنية مع هذه العلامة.
لذا فهي ترمز إلى السبب وراء أنه عندما
تحصل على صف آخر في بريدك الوارد
باستخدام بريد إلكتروني آخر، فإن شخص
يضيف فقط عقدة إلى تلك الشجرة.
وهذا الشخص هو
JavaScript، اللغة
التي يمكنك بها التحكم في متصفح المستخدمين
حتى بعد تحميل
صفحة الويب الخاصة بك لأول مرة.
إذن ما الذي يمكننا فعله بهذا في الواقع؟
دعونا نبدأ ببساطة، على النحو التالي.
دعوني أمضي قدمًا وأُعِد فقط، بسرعة،
ملف يُسمى hello0.html.
English:
And we'll do it, as before,
with our DOCTYPE html--
my html tag here, my head tag here.
My title here will be hello0.
And notice I've been moving
these to separate lines.
You don't strictly need to do
that-- just to keep the hierarchy.
The whitespace, again doesn't matter.
But I'll be consistent there.
And in my body here, I'll say this
time just "hello, world" by default.
So that's a pretty
simple web page as well.
Let's, actually, now
make it interactive.
All of my web pages thus far
have been static content,
except for the Google one.
But even that wasn't so much interactive
as it was the moment I hit Submit,
it made the problem Google's
problem to deal with.
Let's keep the user with me this time.
Let me go ahead and do this.
Let me get rid of this form here.
Let me create a new file now
called hello1 as my next version.
And let me go ahead and
paste that same code.
But this time, let me have the
browser be a little interactive.
Let me go ahead and have a form here
because what I want is a text box--
type equals text.
I'm not going to bother
giving it a name yet.
Arabic:
وسنقوم بذلك، كما قمنا من قبل،
مع DOCTYPE html--
علامة html الخاصة بي هنا، علامة الرأس الخاصة بي هنا.
سيكون عنواني هو hello0 هنا.
ولاحظوا أنني نقلت
هذه لسطور منفصلة.
لا تحتاج على وجه التحديد إلى القيام
بذلك-- فقط للحفاظ على التسلسل الهرمي.
المسافة، مجددًا لا تهم.
لكنني سأكون منسقًا هناك.
وفي بنيي هنا، سأقول
هذ المرة فقط "مرحبًا، أيها العالم" بشكل افتراضي.
هذه صفحة ويب بسيطة
للغاية أيضًا.
دعونا، بالفعل، الآن
نجعلها تفاعلية.
كانت جميع صفحات الويب الخاصة بي حتى الآن
عبارة عن محتوى ثابت،
باستثناء صفحات Google.
لكن حتى تلك لم تكن تفاعلية كثيرًا
كما كانت في اللحظة التي ضغطت فيها على Submit،
لقد جعل المشكلة مشكلة
Google ليتم التعامل معها.
دعونا نحتفظ بالمستخدم معي هذه المرة.
دعوني أمضي قُدمًا وأقوم بذلك.
دعوني أتخلص من هذا الشكل هنا.
دعوني أقوم بإنشاء ملف جديد الآن
يُسمى hello1 كإصداري التالي.
ودعوني أمضي قدمًا
وألصق تلك التعليمة البرمجية نفسها.
لكن هذه المرة، دعوني أجعل
المتصفح تفاعليًا قليلاً.
دعوني أمضي قدمًا وأحصل على شكل هنا
لأن ما أريده هو مربع نص--
سأكتب يساوي نص.
أنا لن أزعج نفسي
بإطلاق اسم عليه حتى الآن.
Arabic:
ودعوني أحصل على واحد آخر
يُسمى النوع يساوي تقديم.
حفظ.
ودعوني أمضي قدمًا وأفتح
الخادم الخاص بي حتى أتمكن من رؤية هذا الملف.
هذا، قلت أنه، لقد كان-- hello1.html.
لذا إنه فقط شكل بسيط.
ولكن لا يوجد اتصال
بـ Google هذه المرة.
دعوني أبدأ باستخدام
هذا الشكل بشكل تفاعلي
لأنه إذا كانت لدي
القدرة على البرمجة،
أراهن أنه يمكنني أخذ مدخلات المستخدمين
والقيام بشيء ما باستخدامها.
إذن كيف يُمكنني فعل هذا؟
حسنًا، دعوني أقترح أولاً
أنني أريد أن يكتب الأشخاص
أسمائهم في هذا الشكل.
ومن ثم عندما يضغطون
فوق Submit، أريده
أن يقول "مرحبًا، ديفيد" أو "مرحبًا،
فيرونيكا" أو "مرحبًا، براين،"
أيًا كان الاسم في الواقع،
مثل بعض أمثلة C الخاصة بنا.
إذن أتعلمون ماذا؟
دعوني أكتب هذه الدالة أولاً.
يتضح أنه في
أعلى صفحة الويب الخاصة بك،
لا يمكنك الحصول فقط على العنوان
ولا يمكنك الحصول فقط على النمط،
ولكن أيضًا علامة تُسمى script
لـ JavaScript، على سبيل المثال.
وفي هذه العلامة، يمكنني
فعلاً كتابة التعليمة البرمجية.
وهناك شيء مختلف
قليلاً في JavaScript.
بدلاً من كتابة تحية باطلة
كاسم الدالة الخاصة بي
English:
And let me have another one
called type equals submit.
Save.
And let me go ahead and open up
my server so I can see this file.
This, I said, was what-- hello1.html.
So it's just a simple form.
But there's no connection
to Google this time.
Let me start to use
this form interactively
because if I have the
ability to program,
I bet I could take the users'
input and do something with it.
So how do I do this?
Well, let me propose first
that I want the human to type
their name into this form.
And then when they
click Submit, I want it
to say "hello, David" or "hello,
Veronica" or "hello, Brian,"
whatever the name actually is,
like some of our C examples.
So you know what?
Let me write that function first.
It turns out that in the
head of your web page,
you can have not just the
title and not just style,
but also a tag called script
for JavaScript, for instance.
And in this tag, I can
actually write code.
And there's something a little
different in JavaScript.
Instead of writing void greet
as the name of my function
English:
and then writing the body
of my function here and then
saying void here, for instance,
JavaScript's a little looser.
If you don't want to
take any arguments, just
don't mention them-- no mention of void.
If you don't have a--
and actually, don't even
mention a return type.
Just call it a function--
so slight difference
from C. It's a little lazier.
You don't worry about input types.
You don't worry about output types.
You just say, give me a
function called greet.
Well, what do I want
this function to do?
Turns out in JavaScript,
there's a function called alert
that's just going to pop up a
window that says something in it.
And I can pass, as an argument
to this JavaScript function,
whatever it is I want it to say.
So let's go ahead and say
"hello, world," semicolon.
It's almost identical to C,
again, except that I'm saying
function instead of a return type.
And alert, apparently, exists.
And there's no sharp include or any
of that that we typically had in C.
It's just literally in
my browser right now.
So let me go ahead and save that
and go down to the form tag here.
And it turns out, on
the form tag, there's
a special attribute called onsubmit.
Arabic:
ومن ثم كتابة بنية
الدالة الخاصة بي هنا وبعد ذلك
قول void هنا، على سبيل المثال،
JavaScript أكثر مرونة قليلاً.
إذا كنت لا تريد أن تأخذ
أي وسيطات، فقط
لا تذكرها-- لا تذكر void.
إذا لم تكن لديك--
وفي الواقع، لا
تذكر حتى نوع الإرجاع.
أطلق عليها فقط دالة--
فرق طفيف للغاية
عن C. أنها أكثر كسلاً قليلاً.
لا تقلق بشأن أنواع المدخلات.
لا تقلق بشأن أنواع المخرجات.
أنت فقط تقول، أعطني
دالة تُسمى تحية.
حسنًا، ماذا أريد
من هذه الدالة أن تفعل؟
يتضح أنه في JavaScript،
هناك دالة تُدعى تنبيه
إنها فقط تنبثق في
نافذة تقول شيئًا ما فيها.
ويمكنني المرور، كوسيطة
إلى دالة JavaScript هذه،
أيًا كان ما أريد منها قوله.
لذلك دعونا نمضي قدمًا ونقول
"مرحبًا، أيها العالم،" فاصلة منقوطة.
إنها تقريبًا مطابقة للغة C،
مجددًا، باستثناء أنني أقول
دالة بدلاً من نوع الإرجاع.
ويبدو أن هناك تنبيه.
وليس هناك تضمين حاد أو أي
من تلك التي كانت لدينا عادة في C.
إنها موجودة حرفيًا فقط في
المتصفح الخاص بي الآن.
إذن دعوني أمضي قدمًا وأحفظ هذا
وأنتقل إلى علامة الشكل هنا.
ويتضح أنه، في علامة
الشكل، هناك
سمة خاصة تُسمى onsubmit.
Arabic:
وكما تشير الكلمة،
إنها تقول عندما يتم تقديم
الشكل،
امضي قدمًا وقم بتنفيذ هذا، تحية.
لذا يمكنني في الواقع إخبار المتصفح،
عند تقديم هذا الشكل،
لاستدعاء الدالة التي كتبتُها.
والآن دعوني فقط
بشكل استباقي أكتب إرجاع
خطأ لأسباب سنتطرق
إليها بعد قليل،
لنتأكد فقط من أن هذا يعمل بالفعل.
الآن دعوني أمضي قدمًا وأحفظ هذا،
وأنتقل إلى hello1.html، وأفتح هذا.
ودعوني أقوم فقط بتغيير العنوان،
من أجل التناسق--
إذن hello1.html.
ودعوني أمضي قدمًا
وأقول ديفيد، Submit--
مرحبًا، أيها العالم-- لست متأكدًا بالفعل
ما المغزى من كتابة اسمي.
ولكنه، على الأقل، يبدو
أنه يعمل كما تمت برمجته.
لكن من الواضح، ما أتطلع إليه بفعل
هذا هو أنني أريد عرض اسمي.
لذا عندما يكتب الأشخاص
أسمائهم في المربع وينقروا فوق Submit،
الذي يُشغّل تقديم
الشكل.
لكن انتظروا.
عند تقديم الشكل،
سأقوم باستدعاء تحية.
لذلك تبدو أنها مهمة
تحية لمعرفة ما
English:
And as the word implies,
it says when the form
is submitted, on the submission of this
form, go ahead and execute this, greet.
So I can actually tell the browser,
on submission of this form,
to call a function that I wrote.
And now let me just
preemptively write return
false for reasons we'll
come back to in a moment,
just to make sure this actually works.
Now let me go ahead and save this,
go to hello1.html, open that up.
And let me just change the
title, for consistency--
so hello1.html.
And let me go ahead
and say David, Submit--
hello, world-- not really sure what
the point of typing my name was.
But it, at least, seems
to work as programmed.
But obviously, where I'm going with
this is I want to display my name.
So when the human has typed in their
name to the box and clicked Submit,
that's triggering a
submission of the form.
But wait.
When the form is submitted,
I'm calling greet.
So it sounds like it's
greet's job to figure out what
Arabic:
هي الكلمة التي كتبها الشخص.
إذن كيف يمكنني القيام بذلك؟
إنها مشفرة قليلاً.
وهذا هو المكان المُحدّد الآن
لـ JavaScript
وليس C. دعوني أمضي قدمًا
وأحدد متغير يُسمى اسم.
ودعوني أستخدام هذه التقنية
الرائعة، document.querySelector.
ومن ثم هنا،
سأحتاج إلى تحديد
أي عقدة في الشجرة أريد اختيارها.
لذا أنا بالفعل أمضي قدمًا بنفسي.
دعونا ننظر في لغة HTML.
في هذه اللحظة، لديّ علامة شكل
وعلامتا إدخال، ولم تحصل أي منها
على اسم.
ويمكنني إصلاح ذلك.
لكن دعوني أقوم
بالفعل بتقنية أخرى.
تدعم HTML أيضًا المعرّفات الفريدة.
ويمكنك إعطائها
حرفيًا، معرّفات فريدة.
يمكنكم تسميتها
الاسم الذي تريدونه-- foobar، baz، xyz.
سأجعلها وصفية
أكثر وأطلق عليها
المعرّف يساوي اسم
لأن ما يمكنني فعله الآن هنا
في querySelector هو
في الواقع تحديد ما
أريد اختياره من الشجرة.
تُسمى تلك الشجرة DOM، أو
نموذج كائن المستند، بشكل مطنب.
English:
the word is that the human typed in.
So how can I do this?
It's a little cryptic.
And this is where now it
becomes JavaScript-specific
and not C. Let me go ahead and
define a variable called name.
And let me use this fancy
technique, document.querySelector.
And then in here, I'm
going to need to specify
what node in the tree I want to select.
So I'm actually getting ahead of myself.
Let's look at the HTML.
At the moment, I've got a form tag
and two input tags, neither of which
has a name.
And I could fix that.
But let me actually do
a different technique.
HTML also supports unique identifiers.
And you can give them
literally that, unique IDs.
You can call it whatever
you want-- foobar, baz, xyz.
I'm going to make it more
descriptive and call it
ID equals name because
what I can now do up here
in querySelector is
actually specify what
it is I want to select from the tree.
That tree is called a DOM, or
Document Object Model, verbosely.
English:
And I need to do one
last thing-- turns out,
and you would only know
this from experience,
that if "name" is the unique
identifier of an element
and not the name of a tag, I actually
need to prefix it with a hash,
unrelated to C's hash.
But otherwise, this
function, querySelector,
is going to think that
there's a tag called "name."
So this means an ID
whose value is "name."
It's a bit of a mouthful.
But here we go.
Once I select that node from the tree,
I want to get its value and set it--
I want to get its value, semicolon.
What is going on?
First, recall from this tree here
that whenever the browser loads HTML,
it has some HTML.
It builds a tree structure therein.
Each of those nodes is selectable via
this function called querySelector.
What is document?
Well, it turns out in
JavaScript, there's
this special global
variable called document
that refers to the whole
document, the whole web page.
Built into that is a function
called querySelector.
Arabic:
وأنا بحاجة لفعل أمر
أخير-- يتضح أنه،
وستعرف هذا فقط
من خلال التجربة،
أنه إذا كان "اسم" هو معرّف
العنصر الفريد
وليس اسم العلامة، أنا بالفعل
بحاجة إلى بدأها باستخدام علامة تجزئة،
لا علاقة لها بعلامة تجزئة C.
لكن بخلاف ذلك، هذه
الدالة، querySelector،
ستعتقد أن هناك
علامة يُطلق عليها "اسم."
هذا يعني أن المعرّف
قيمته "اسم."
إنه صعب بعض الشيء.
لكن ها نحن ذا.
بمجرد أن أحدُد تلك العقدة من الشجرة،
أريد الحصول على قيمتها ووضعها--
أريد الحصول على قيمتها، فاصلة منقوطة.
ما الذي يجري؟
أولاً، تذكرون أنه من هذه الشجرة هنا
كلما يقوم المتصفح بتحميل HTML،
فهو يحتوي على بعض من لغة HTML.
إنه يبني بنية شجرة هناك.
كل تلك العقد قابلة للتحديد عن طريق
هذه الدالة التي تُسمى querySelector.
ما هو المستند؟
حسنًا، يتضح أنه في
JavaScript، يوجد
هذا المتغير العالمي الخاص
الذي يُدعى مستند
والذي يشير إلى المستند
بأكمله، صفحة الويب بأكملها.
المُدمج في ذلك وهو دالة
تُسمى querySelector.
English:
That dot notation is reminiscent
of C's struct syntax.
So you can think of document as a
struct that represents the whole page.
Inside of it is a
function, not just data,
but a function, called querySelector.
You're going to see this all over
the place in JavaScript, dots,
because people-- the JavaScript
world is much more voluminous than C.
So there's lots of functions inside
of other containers or structures.
So with that said, this is
just saying, hey, browser,
let me have a variable
called name and store
the value of the node that has
a unique identifier of name
and get that by using
this function, select it.
That grabs the rectangle
from the picture
and gives me access to the
value that the human typed in.
Now, I'm not done with this.
I need to actually display that value.
And it's not going to
be correct to do this.
Otherwise, I'm just going
to see "hello, name."
So there's not this convention,
which we had in C. There's
another way to do this.
But I'm going to go ahead
and do it as follows.
I'm just going to use concatenation.
Arabic:
هذا التدوين النقطي يذكرنا
بصيغة struct في C.
لذا يمكنكم التفكير في المستند كـ struct
التي تمثل الصفحة بأكملها.
بداخله دالة،
وليس فقط بيانات،
ولكن دالة، تُسمى querySelector.
سترون هذا في كل
مكان في JavaScript، نقط،
لأن الأشخاص-- عالم JavaScript
هو أكبر بكثير من C.
لذلك هناك الكثير من الدالات داخل
الحاويات أو البنيات الأخرى.
لذلك مع هذا الذي قاله، هذا فقط
يقول، مرحبًا، أيها المتصفح،
دعني أحصل على متغير
يُسمى اسم وقم بتخزين
قيمة العقدة التي تحتوي على
معرّف فريد للاسم
واحصل على ذلك
باستخدام هذه الدالة، وحددها.
هذا يسحب المستطيل
من الصورة
ويمنحني حق الوصول إلى القيمة
التي كتبها الشخص.
الآن، أنا لم أنتهي من هذا.
أحتاج لعرض هذه القيمة بالفعل.
ولن يكون أمر
القيام بهذا صحيحًا.
وإلا سأرى فقط
"مرحبًا، أيها الاسم."
لذلك لا يوجد هذا التقليد،
الذي كان لدينا في C. هناك
طريقة أخرى للقيام بذلك.
سأمضي قدمًا
وأقوم بذلك على النحو التالي.
سأستخدم فقط تسلسلاً.
Arabic:
لذا هذا غير ممكن في
C. لكن في JavaScript،
إذا كانت لديك سلسلة
على اليسار وسلسلة على اليمين،
فإن استخدام زائد لن يجمعهم
معًا، وهو أمر غير منطقي.
سيعمل على تلسلسهم،
مثل لاصق واحد مع الآخر.
في C، كيف ستقومون بهذا؟
إنه كابوس مطلق.
في C، كيف ستقومون بهذا؟
ستكون هذه مصفوفة من
الأحرف على اليسار
التي تحتوي على حرف فارغ في النهاية.
هذه ستكون مصفوفة أخرى
من الأحرف
على اليمين باستخدام حرف
فارغ في النهاية.
وليست أي منها كبيرة بما يكفي لتناسب
الأخرى أيضًا.
لذا عليك أن تقوم بتخصيص
مصفوفة جديدة من الأحرف،
انسخوا هذه في، تخلصوا من الخط المائل العكسي 0،
انسخوا هذه في، حافظوا على الخط المائل العكسي 0،
تخلصوا من هذه.
ومن ثم ستكون لديكم سلاسل متسلسلة.
هذه خطوات كثيرة
لعينة في C. ولهذا
لا أحد يحب البرمجة في C.
ولا يجب أن تقوموا بذلك بعد الآن.
في JavaScript، استخدم
فقط مُشغل زائد.
وهي ستفعل كل ذلك من أجلك.
لكن آمل، أن لديكم
التقدير الكامن لما يقوم به مُشغل زائد
بالفعل بشكل غير ظاهر
لأن الكمبيوتر
ما يزال يقوم بالعمل نفسه.
English:
So this is not possible
in C. But in JavaScript,
if you have a string on the
left and a string on the right,
using plus will not add them
together, which would make no sense.
It will concatenate them,
like glue one to the other.
In C, how would you do this?
It is an utter nightmare.
In C, how would you do this?
This would be an array of
characters on the left that
has a null character at the end.
This would be another
array of characters
on the right with a null
character at the end.
Neither is big enough to
fit the other as well.
So you'd have to allocate
a new array of characters,
copy these in, get rid of the backslash
0, copy these in, keep the backslash 0,
throw those away.
And then you have concatenated strings.
That is so many damn
steps in C. And this
is why no one likes programming in C.
And you don't have to do it anymore.
In JavaScript, just
use the plus operator.
That does all of that for you.
But hopefully, you do have an
underlying appreciation of what the plus
operator is actually
doing underneath the hood
because the computer is
still doing the same work.
Arabic:
الاختلاف هو أننا في هذا الأسبوع فصاعدًا،
نحن، البشر، نقوم بأقل من ذلك العمل
بأنفسنا.
إذن زائد هو تجريد
لكل هذا التعقيد.
إذن لو لم أكن قد أخطأت في ذلك،
دعوني أمضي قدمًا وأحفظه الآن.
سأنتقل إلى المتصفح، إعادة تحميل،
وأكتب اسمي، ديفيد.
Submit.
وهناك نحصل عليه--
مرحبًا، ديفيد.
دعونا نقوم باختبار واحد آخر.
سنحاول، لنقل، فيرونيكا.
Submit.
و ها هي ذا.
ستلاحظون أن متصحفي يحاول
أن يكون مفيدًا الآن.
إذا كتبت D، فسيقوم
بالإكمال التلقائي، أو V--
حسنًا، يبدو أنه نسي أمر فيرونيكا.
فيرونيكا-- دعونا نرى إذا قمنا بإعادة التحميل.
V-- هذا غريب.
لا تخبروا فيرونيكا أن
Chrome لا يتذكرها.
لكن يمكننا إيقاف تلك الميزة--
هذا هو المغزى--
في الواقع من خلال فعل أشياء كهذه.
وستعرفون هذا
من الدليل على الإنترنت.
الإكمال التلقائي يساوي
إيقاف هذه الميزة.
يقوم الضبط التلقائي أيضًا بشيء مفيد.
لو انتقلتم في أي وقت إلى صفحة ويب
ويمكنكم فقط البدء بكتابة شيء،
سيقوم Chrome وMacOS بتظليله باللون الأزرق.
هذا يعني فقط تقديم ضبط.
ضَع المؤشر هناك.
إذا لم يكن لديك ذلك،
ستبدأ صفحة الويب هكذا.
English:
The difference is this week onward,
we, the human, do less of that work
ourselves.
So plus is an abstraction
for all of that complexity.
So if I didn't mess this up,
let me go ahead and save now.
I'll go to the browser, reload,
and type in my name, David.
Submit.
And there we have it--
hello, David.
Let's do one more test.
We'll try, say, Veronica.
Submit.
And voila.
You'll notice that it's trying
to be helpful now, my browser.
If I start D, then it
sees autocomplete, or V--
well, forgot about Veronica, apparently.
Veronica-- let's see if we reload.
V-- that's weird.
Don't tell Veronica Chrome
doesn't remember her.
But we can turn that
feature off-- is the point--
by actually doing things like this.
And you would know this
from the online manual.
Autocomplete equals off
turns off that feature.
Autofocus also does something handy.
If you've ever been to a web page
and you can just start typing,
Chrome and macOS highlights it in blue.
That just means give focus.
Put the cursor there.
If you don't have that, the
web page starts like this.
English:
And we've all visited websites, and
I think my.hardvard's among them,
where you have to
stupidly click there just
to start interacting with the page.
That is not necessary.
That's bad programming.
Just using the tags can
fix that kind of thing.
Questions?
AUDIENCE: What if we have
two IDs with the same name?
DAVID J. MALAN: What if we have
two IDs with the same name?
You should not.
That is human error.
An ID, by definition, must be unique.
And if you have two by the
same name, the human messed up.
And what it does--
I don't know what the behavior is.
It's probably unofficially not
documented or maybe it picks the first.
Maybe it picks the last.
I don't know.
But you shouldn't rely on it, anyway.
Good question.
Good corner case.
Other questions?
Let me jump ahead to one example.
And then we'll come back to
a fancier version of this.
Let me open up a program
that's in today's source 5
directory called background.html.
It's got some familiar letters, which
probably stand for red, green, blue,
probably.
These are three buttons.
And we've seen buttons.
Arabic:
وقد زرنا جميعًا مواقع ويب،
وأعتقد أن موقعي هارفارد ضمن هذه المواقع،
حيث يجب عليكم بغباء أن تنقروا
هناك فقط
لبدء التفاعل مع الصفحة.
ذلك ليس ضروريًا.
هذه برمجة سيئة.
فقط باستخدام العلامات يمكنك
إصلاح هذا النوع من الأشياء.
أي أسئلة؟
الجمهور: ماذا إذا كان لدينا
معرّفان بنفس الاسم؟
ديفيد ج. مالان: ماذا إذا كان لدينا
معرّفان بنفس الاسم؟
لن يحدث ذلك.
هذا خطأ بشري.
حسب التعريف، يجب أن يكون المعرّف فريدًا.
وإذا كان لديك معرفان بنفس الاسم،
إذن لقد قام الشخص بخطأ.
وما الذي--
أنا لا أعرف ما هو التصرف.
من المحتمل أنه غير موثق بشكل غير رسمي
أو ربما يختار الأول.
ربما يختار الثاني.
لا أعرف.
لكن لا يجب أن تعتمد على ذلك، على أي حال.
سؤال جيد.
حالة أساسية جيدة.
أية أسئلة أخرى؟
دعوني أنتقل إلى مثال آخر.
ومن ثم سننتقل إلى
نسخة رائعة من هذا.
دعوني أفتح برنامج
في المصدر 5 اليوم
دليل يسمى background.html.
لقد حصل على بعض الأحرف المألوفة، التي
ربما تشير للون الأحمر، الأخضر، الأزرق،
من المحتمل.
هذه ثلاثة أزرار.
ولقد رأينا الأزرار.
English:
We saw the Search button and the Submit
buttons that I've created before.
But using JavaScript, I can
do fun things like this.
If I click on R, the
web page just changed.
G, B, R, G, B-- this is now interactive.
If you were just writing HTML and CSS,
you'd have to pick one of those colors
and stick with it.
But with JavaScript, you can respond.
And that's because a
browser has lots and lots
of events happening all the time.
Events include clicks or mice moving
or dragging or, in a mobile device,
touching.
So there's lots of things that a
human can be doing with a web browser.
And you can write code that responds
to all of those kinds of events.
And so let me actually go ahead
and open up background.html
and show how this is working.
So for the most part,
it's just HTML at first.
Here's the html tag, the head tag,
the body tag, and three new tags.
This is another way of creating buttons.
And again, this isn't interesting.
You learn this in the
online reference or manual.
And it just tells you,
here's how to use a button.
Arabic:
لقد رأينا زر البحث وأزرار التقديم
التي قمت بإنشائها من قبل.
لكن باستخدام JavaScript، يمكنني أن
أقوم بأشياء ممتعة مثل هذه.
إذا قمت بالنقر فوق R، فإن صفحة الويب
قد تغيرت للتو.
G، B، R، G، B-- الآن هذا تفاعلي.
لو قمنا فقط بكتابة HTML وCSS،
فسيكون عليكم اختيار لون واحد من هذه الألوان
والتشبث بها.
لكن باستخدام JavaScript، يمكنكم إجراء استجابة.
وهذا لأن متصفح
لديه الكثير والكثير
من الأحداث التي تتم طوال الوقت.
تتضمن الأحداث النقرات أو تحريك الفأرة
أو السحب، أو في جهاز محمول،
اللمس.
إذن هناك الكثير من الأشياء التي يمكن أن يفعلها الشخص
باستخدام متصفح الويب.
ويمكنكم كتابة التعليمة البرمجية التي تستجيب
لكل هذه الأنواع من الأحداث.
وإذن دعوني أمضى قدمًا بالفعل
وأفتح background.html
وأعرض كيف يعمل هذا.
إذن بالنسبة للجزء الأكبر،
هو مجرد HTML في البداية.
ها هي علامة html، وعلامة الرأس،
وعلامة البنية، و3 علامات جديدة.
هذه طريقة أخرى لإنشاء الأزرار.
ومرة أخرى، هذا ليس أمر مثيرًا للاهتمام.
أنتم تتعلمون ذلك من المرجع
أو الدليل على الإنترنت.
وهو يخبركم فقط،
بكيفية استخدام زر.
Arabic:
وهو يتبع النموذج نفسه--
اسم علامة، سمة تساوي قيمة.
ستكون التسمية فقط
R، وG، وB.
والآن هذا هو المكان الذي تبدو فيه الأشياء
مخيفة قليلاً في البداية.
ولكن هذا كل شيء.
هي فقط سطور من التعليمية البرمجية
هنا داخل صفحة الويب.
الآن، دعونا ننتقل خلال هذا
سطرًا بسطر،
حتى لو كانت تبدو أكثر إطنابًا
قليلاً في البداية.
إذن هذا السطر الأول هنا
يقول، مرحبًا، أيها المتصفح،
أعطني متغيرًا يسمى بنية.
وقم بتخزينه في ذلك المتغير، العقدة--
المستطيل، إذا جاز التعبير--
الذي يُسمى بنية.
حتى، تقتلع هذا
المستطيل من الصورة
حتى يمكنني الوصول المباشر إليه.
لماذا-- لأنني سأقوم
بمعالجتها في غضون لحظات.
هذا هو الشكل المخيف أكثر والذي
ستبدو عليه JavaScript الآن.
Document.querySelector
علامة التجزئة الحمراء-- هل يمكن لأحد منكم
ترجمة ذلك إلى الإنجليزية فقط؟
ما الذي يفعله هذا من أجلي؟
الجمهور: إعطاء المعرّف
من الأحمر أنك فقط--
ديفيد ج. مالان: أجل.
كن أكثر إطنابًا قليلاً.
شخص آخر؟
English:
It follows the same paradigm--
tag name, attribute equals value.
The label is just going
to be R, G, and B.
And now this is where things get
a little scary-looking at first.
But that's it.
There's just lines of code
here inside of the web page.
Now, let's walk through
this line by line,
even though it's a
little verbose at first.
So this first line here
says, hey, browser,
give me a variable called body.
And store, in that variable, the node--
the rectangle, so to speak--
that has the name body.
So that is, pluck that
rectangle out of the picture
so that I have direct access to it.
Why-- because I'm going to
manipulate it in just a moment.
This is the scariest the
JavaScript will look for now.
Document.querySelector
hash red-- could someone
translate that into just English?
What's that doing for me?
AUDIENCE: Giving the ID
of red that you just--
DAVID J. MALAN: Yeah.
Be a little more verbose.
Someone else?
Arabic:
مرحبًا، أيها المتصفح، حدّد لي عقدة
يكون معرّفها الفريد باللون الأحمر.
هذا جيد.
أعطني حق الوصول إلى تلك العقدة،
البنية في الذاكرة.
وهنا تكون غريبة قليلاً.
إذن تبين أن كل علامة
في صفحة ويب أو عقدة في شجرة--
شجرة DOM، إذا جاز التعبير--
نموذج كائن المستند-- يمكن أن يحتوي
على مستمعي حدث مرتطبين به.
وستعرفون هذا فقط
من خلال الوثائق.
ولكن إذا قلت حرفيًا،
امضي في هذه البنية،
هذه العقدة، التي
تمثل الزر الأحمر
واحصل على قيمة on-click،
والأمر الرائع باستخدام JavaScript،
على الرغم من أن الصيغة
تبدو مخيفة قليلاً،
هو أنه يمكنك ربط
دالة ما مع هذا الحدث.
إذن سيقول هذا، مرحبًا، أيها المتصفح،
عندما يتم النقر فوق الزر الأحمر،
استدعي الدالة التالية.
والأمر الجديد في JavaScript هنا
هو هذه الوظيفة، في الوقت الحالي،
ليس لديها اسم، وهذا غريب.
يمكنكم أن تفعلوا ذلك من الناحية الفنية في C.
لكننا دائمًا نطلق على وظائفنا أسماء.
ولكنكم لا تحتاجون حقًا
إلى إطلاق اسم على وظيفة
إذا كنتم لا تحتاجون
لذكرها مرة أخرى.
English:
Hey, browser, select for me the
node whose unique ID is red.
That's fine.
Give me access to that node,
the structure in memory.
And this is where it's a little weird.
So it turns out that every tag
in a web page or node in a tree--
the DOM tree, so to speak--
Document Object Model-- can have
event listeners associated with it.
And you would only know
this from the documentation.
But if you literally say,
go into this structure,
this node, that
represents the red button
and get its on-click value,
what's cool with JavaScript,
even though the syntax is
a little scary-looking,
is you can associate a
function with that event.
So this is saying, hey, browser,
when the red button is clicked on,
call the following function.
And what's new in JavaScript here is
that this function, at the moment,
has no name, which is weird.
You could technically do this in C.
But we always gave our functions names.
But you don't really need
to give a function a name
if you don't need to
mention it ever again.
Arabic:
والتفصيل الذي يحدث لنا هنا
هي تلك.
إنه يقول، مرحبًا، أيها المتصفح، عند
النقر، استدعي هذه الدالة.
ماذا يعني ذلك بقيم فعلية؟
مرحبًا، أيها المتصفح، استدعي جميع
سطور التعليمة البرمجية
بين هذا القوس المتعرج المفتوح
وهذا القوس المتعرج المغلق.
إذن حتى لو لم تكونوا
معتادين على الصيغة،
فإنها تعني حرفيًا تنفيذ
السطور التالية من التعليمة البرمجية
عندما يتم النقر فوق هذا الزر.
هذا ما يعرف كدالة
مجهولة طالما ليس لها اسم.
إنها مجرد دالة،
قوس مفتوح، قوس مغلق.
إذن من المحتمل أنه يمكنكم أن تستنتجوا ما
تقوم به على هذا السطر هنا.
دعوني أقوم بتظليل هذا السطر باللون الأزرق.
إنه مشفر قليلاً.
ومجددًا، أعدكم أنكم
سترون الكثير من هذه النقاط.
ولكن هذا يقول، مرحبًا،
أيها المتصفح، قم بتعديل البنية،
أو على وجه التحديد، نمط
البنية، وخاصة،
لون خلفية نمط
البنية، ليكون، باللون الأحمر، بالطبع.
وتم نسخ ولصق باقي التعليمة البرمجية
في الوقت الحالي باللون الأخضر والأزرق كذلك.
إذن ما الذي يحدث؟
في كل مرة تنقرون فيها فوق
أي هذه الأزرار--
R أو G أو B--
English:
And the detail that's
happening here for us is this.
This says, hey, browser, on
click, call this function.
What does that mean in real terms?
Hey, browser, call all
of the lines of code
in between this open curly brace
and this close curly brace.
So even if you're not
comfy with the syntax,
it just literally means execute
the following lines of code
when this button is clicked.
This is what's known as an anonymous
function insofar as it has no name.
It's just function,
open paren, close paren.
So you can probably infer what
it's doing on this line here.
Let me highlight this line in blue.
It's a little cryptic.
And again, I promise that you're
going to see lots of these dots.
But this is saying, hey,
browser, modify the body,
or specifically, the style of
the body, and specifically,
the background color of the style
of the body, to be, of course, red.
And the rest of the code is copy-paste
for now for green and blue as well.
So what is happening?
Every time you click on
one of those buttons--
R or G or B--
Arabic:
حرفيًا، ويتم تنفيذ هذا السطر
من التعليمة البرمجية الذي قمت بتظليله للتو
أو يتم تنفيذ هذا السطر من التعليمة البرمجية
أو يتم تنفيذ هذا السطر
من التعليمة البرمجية.
إذن على الرغم من أن الصيغة
بالفعل، باعتراف الجميع، هي
أكثر تعقيدًا بكثير مما رأيناه حتى الآن،
لكن الفكرة بسيطة نسبيًا.
حدّد الزر.
أخبره، عند النقر،
لاستدعاء هذه الدالة.
وكان الأمر جيدًا في وقت سابق إذا كنتم
تقومون فقط بنسخ ولصق هذا.
ولكن بالنسبة لـ Pset5، فلن تضطروا
إلى استخدام أي من التعليمة البرمجية هذه.
هذا في-- وبشكل استباقي
نظرة على ما يمكنكم
فعله عند النظر إلى ميزات رائعة،
مثل المشاريع النهائية وما بعدها.
إذن أي أسئلة على
مثال الخلفية هذا؟
أجل؟
الجمهور: لماذا استخدمنا رمز الشباك
للون الأحمر والأخضر والأزرق، وليس
للبنية؟
ديفيد ج. مالان: سؤال جيد.
لماذا نستخدم رمز الشباك
للأحمر، والأخضر، والأزرق، ولكن ليس للبنية؟
إذا نظرتم في HTML،
سترون ما يلي.
من الواضح، أن البنية هي اسم العلامة.
ولهذا السبب، اخترنا "بنية"
مع سطر التعليمة البرمجية هذا هنا.
ومع ذلك، لا يعد الأحمر،
والأخضر، والأزرق أسماء العلامات.
هم فقط المعرّفات الفريدة،
مجرد قيم توصلت إليها للتو.
English:
literally, this line of code is getting
executed that I've just highlighted
or this line of code is getting
executed or this line of code
is getting executed.
So even though the syntax
is, yes, admittedly, way
more complicated than we've seen thus
far, the idea is relatively simple.
Select the button.
Tell it, on clicking,
to call this function.
And it's fine early on if
you just copy and paste this.
And for Pset5, you won't
have to use any of this code.
This is in-- preemptive
look at what you can
do with an eye toward fancier features,
like final projects and beyond.
Any questions then on
this background example?
Yeah?
AUDIENCE: Why did we use the pound
symbol for red, green, blue, and not
for body?
DAVID J. MALAN: Good question.
Why do we use the pound symbol for
red, green, and blue, but not for body?
If you look at the HTML,
you'll see the following.
Body is, apparently, the name of a tag.
So that's why we just selected "body"
with that line of code around here.
However, red, green, and blue
are not the names of tags.
They are the unique identifiers,
values that I just came up with.
English:
I could have called it x, y, z.
But I chose more descriptive terms.
So whenever you want
to reference or select
a node who-- that has an identifier,
you use the hash instead.
That's all.
These are just human conventions
that are non-obvious unless you
were told what they all mean.
Let's try one other
example with JavaScript.
It's not uncommon on news
websites to have the ability
to change the font size,
which you can, actually,
do on your Mac and PC sometimes
using keyboard shortcuts.
But sometimes, it's built
into the web page itself.
Let me go into, for instance, size.html.
And here's some Latin
text or Latin-like text.
And notice that it has
a little select menu.
Normally, when you have a select
menu, you select something.
And then you click Submit.
And then the server deals with it.
The information goes somewhere.
But you don't need to do that.
You can actually make little menus
interactive, just like text boxes.
Suppose I want to make
this text a little smaller.
I can do that.
I can choose extra small.
I can do extra-extra small or
I can do extra-extra large.
And so what's going on here?
Well, just like there are
click events in a browser,
Arabic:
كان من الممكن أن أسميها x، أو y، أو z.
لكنني اخترت مصطلحات وصفية أكثر.
إذن عندما تريدون القيام
بالإشارة إلى أو تحديد
عُقدة-- تحتوي على معرّف،
فاستخدموا علامة التجزئة بدلًا من ذلك.
هذا كل شيء.
هذه مجرد تقاليد بشرية
غير واضحة إلا إذا تم
إخباركم ما الذي تعنيه جميعها.
لنجرب مثالًا واحدًا آخر
باستخدام JavaScript.
من الشائع أن تمتلك
مواقع الويب الإخبارية القدرة
على تغيير حجم الخط،
الذي يمكنكم، في الواقع،
فعله على جهاز Mac وجهاز الكمبيوتر الشخصي أحيانًا
باستخدام اختصارات لوحة المفاتيح.
ولكن في بعض الأحيان، يتم إنشاؤها
في صفحة الويب نفسها.
دعوني أنتقل إلى، على سبيل المثال، size.html.
وهنا بعض النص اللاتيني
أو ما يشبهه.
ولاحظوا أنه يحتوي على
قائمة اختيار صغيرة.
بشكل طبيعي، عندما تكون لديكم قائمة
اختيار، ستحددون شيء ما.
ومن ثم تنقروا فوق Submit.
ومن ثم يتعامل الخادم معها.
تنتقل المعلومات إلى مكان ما.
لكن لا تحتاجون إلى القيام بذلك.
في الواقع يمكنكم جعل القوائم الصغيرة
تفاعلية، تمامًا مثل مربعات النص.
لنفترض أنني أريد أن أجعل
هذا النص أصغر قليلاً.
يمكنني فعل ذلك.
يمكنني تحديد نص صغير جدًا.
يمكنني تحديد نص صغير جدًا جدًا
أو كبير جدًا جدًا.
إذن ما الذي يحدث هنا؟
حسنًا، تمامًا مثلما توجد
أحداث نقر في متصفح ما،
Arabic:
هناك أيضًا أحداث تغيير
أو أحداث تحديد.
فقط أي شيء يمكن أن يحدث على
صفحة الويب ويمكنكم الاستماع إليها.
إذن دعونا نُلقي نظرة على
هذه التعليمة البرمجية، على سبيل المثال.
لم نرى هذه العلامة من قبل.
لكننا رأينا الفقرة.
وهناك فقرة باللغة اللاتينية.
ثم هناك علامة تحديد،
والتي تعطيكم قائمة اختيار.
يُطلق على القائمة المنسدلة
قائمة تحديد في HTML.
وها هي كيفية حصولكم على
جميع الخيارات.
الآن، يوجد قليل من الازدواجية هنا.
هناك ما يراه الإنسان، وهو موجود
بين علامة فتح وعلامة إغلاق.
ثم هناك هذه القيمة، التي يراها
الكمبيوتر-- ولكن المزيد حول ذلك
في وقت آخر، عندما نصل إلى Python.
ولكن هذا فقط يمنحني
قائمة كاملة من خيارات الحجم.
وإذا قمت الآن بالتمرير للأسفل، لاحظوا
أن لدي علامة نص هنا.
وفي علامة النص هذه، لدي
document.querySelector "تحديد"
لأنني أرغب في تحديد الاسم،
العلامة التي تُسمى select.
ثم هناك هذا الحدث، onchange.
وستعرفون هذا فقط
من خلال الوثائق.
لكن مثل onsubmit، يتم استدعاء onchange في
أي وقت تقومون فيه بتغيير تلك القائمة.
ما هي الدالة التي يجب استدعاؤها؟
حسنًا، هذه هنا، والتي تُعد
مجهولة بمعنى
أنها ليس لديها اسم.
وامضوا قدمًا وقوموا بذلك.
English:
there are also change
events or selection events.
Just anything that can happen on
the web page you can listen for.
So let's take a look at
this code, for instance.
We've not seen this tag before.
But we have seen paragraph.
And there's a paragraph of Latin.
And then there's a select tag,
which gives you a select menu.
A dropdown menu is called
a select menu in HTML.
And here's how you have
all of the options.
Now, there is a bit of duality here.
There's what the human sees, which is
between the open tag and close tag.
And then there's this value, which
the computer sees-- but more on that
another time, when we get to Python.
But this just gives me that
whole menu of size options.
And if I scroll down now, notice
I have a script tag down here.
And in this script tag, I have
document.querySelector "select"
because I want to select the name,
the tag whose name is select.
And then there's this event, onchange.
And you'd only know this
from the documentation.
But like onsubmit, onchange is
called any time you change that menu.
What function should get called?
Well, this one here, which
is an anonymous in the sense
that it has no name.
And go ahead and do this.
Arabic:
قوموا بتحديد علامة البنية من المستند.
قوموا بالوصول إلى نمطه.
ثم قوموا بتغيير حجم الخط،
إلى هذه القيمة وهذا أمر غريب هنا.
إذن ما الذي قمت بفعله هنا؟
دعوني أفعل هذا، ولا أقصد التورية.
تشير هذه إلى أي عنصر
في صفحة الويب
الذي نتج عنه استدعاء هذه الدالة.
إذن تعد هذه-- يمكنكم التفكير فيها كمتغير،
متغير خاص، الذي
يشير دائمًا إلى أي عنصر
تستمع إليه.
وهكذا فإن هذه القيمة فقط توفر لي بعض
ضغطات المفاتيح لأنني لا-- تحتاجون إلى
استخدام document.querySelector
للوصول إلى هذه القائمة المحددة.
لكننا سنرى هذا مجددًا،
ربما، على طول الطريق.
أي أسئلة؟
ودعوني أشير إلى
شيء واحد يبدو غبيًا.
يبدو حجم الخط، هنا،
مختلفًا عن CSS.
في CSS، ماذا نسمي هذا؟
English:
Select from the document the body tag.
Get access to its style.
And change its font size to, and
this is funky here, this.value.
So what did I do here?
Let me do this, no pun intended.
This refers to whatever
element in the web page
induced this function to be called.
So this is-- you can think of as a
variable, a special variable, that
always refers to whatever
element you are listening to.
And so this.value just saves me some
keystrokes because I don't-- you need
to use document.querySelector
to get at this select menu.
But we'll see this again,
perhaps, down the road.
Questions?
And let me point out
one thing that's stupid.
This here, fontSize,
looks different from CSS.
In CSS, what did we call this?
Arabic:
هل تتذكرون؟
قمنا بإعداد حجم الخط صغير، ومتوسط، وكبير.
لقد كان حجم الخط.
إذن كان هذا أن اليد اليسرى
لا تتحدث إلى اليد اليمنى
عندما تم اختراع هذه الأشياء.
تبين أن هذه الشرطة
هي JavaScript، ماذا تعني، ربما؟
ناقص أم طرح.
وبالتالي، فإن هذه الصيغة تم
تقسمها فقط في سياق JavaScript.
إذن ما الذي فعله البشر؟
قرروا أنه في أي وقت يكون
لديكم خاصية CSS هذه الكلمة،
شرطة، شيء، تخلصوا من الشرطة.
واكتبوا الكلمة التالية بأحرف كبيرة.
وسيكون هذا هو الربط في
JavaScript-- إذن هذا مجرد مُعطى بسيط
هناك ربما يمكنك وضعه في الاعتبار.
دعونا نلقي نظرة، ربما،
على قيمة واحدة أخيرة--
أوه، ماذا عن قيمتين أخيرتين؟
دعونا نمضي قدمًا ونفعل هذا
باستخدام blink.html.
إذن في وقت سابق من اليوم،
عندما تم أولاً اختراع الويب
وكانت HTML في مراحلها الأولى،
كانت هناك علامة رائعة
وهي من المحتمل أن تكون على
صفحتي الرئيسية الشخصية
وتُسمى blink وحرفيًا قامت بذلك.
يمكن أن تكون لديكم علامة
كانت فتح قوس، B-Li-N-K، قوس مغلق،
English:
Do you remember?
We did font size small, medium, large.
It was font-size.
So this was left hand
not talking to right hand
when these things were invented.
It turns out that dash is
JavaScript means what, maybe?
Minus or subtraction.
And so this syntax just breaks
in the context of JavaScript.
So what did humans do?
They decided that any time you
have a CSS property that's word,
dash, something, get rid of the dash.
Capitalize the next word.
And that's now the mapping in
JavaScript-- so just a simple heuristic
there that you can perhaps keep in mind.
Let's take a look, perhaps,
at one final value--
oh, how about two final values?
Let's go ahead and do
this with blink.html.
So back in the day, when the
web was first being invented
and HTML was in its infancy,
there was a wonderful tag
that was probably on my
own personal home page
called blink that literally did that.
You could have a tag that was open
bracket, B-L-I-N-K, close bracket,
English:
put some words, then close the tag, and
then your web page would just do this
to all visitors, which humans
eventually realized, well,
this is dumb and really annoying to
look at-- bad user experience, or UX.
And so they took it away.
It's one of the few tags, I think,
from HTML that was actually removed
by committee, as opposed to added.
There was also marquee at the time, too,
that-- like a theater sign would just
scroll words across your page.
So you've probably seen websites like
this that recreate them in some way.
But you can do this with JavaScript.
Think about this logically.
We know how, in code, we can
change the style of an element.
We've not seen how to do this yet.
But you can make an element
show or hide, show or hide.
Turns out in JavaScript,
you can use a timer.
You have access to a clock.
And you could actually write
code that says, you know what?
Every half-second, call this function.
Call this function.
Call this function.
Call this function.
And what that function does is
it changes the style of the page
to hide or show, hide or show.
Now, this used to be
built into browsers.
Arabic:
ضَع بعض الكلمات، ومن ثم أغلق العلامة،
ومن ثم ستقوم صفحتك على الويب بذلك
لجميع الزوار، الأمر الذي أدركه
البشر، في النهاية، حسنًا،
هذا أمر سخيف ومزعج حقًا
أن ننظر إلى-- تجربة المستخدم السيئة، أو قرينتها.
ولذا قاموا بالتخلص منها.
إنها إحدى العلامات القليلة، على ما أعتقد،
من HTML التي تمت إزالتها بالفعل
من قِبل لجنة، بدلاً من إضافتها.
كانت هناك شاشة اسمية في ذلك الوقت، أيضًا،
وهي-- مثل علامة المسرح كانت فقط
تقوم بتمرير الكلمات عبر صفحتك.
لذلك من المحتمل أن تكون قد شاهدتَ مواقع ويب مثل
هذا الذي يعيد إنشاؤهم بطريقة ما.
ولكن يمكنكم القيام بذلك باستخدام JavaScript.
فكروا في هذا بطريقة منطقية.
نحن نعرف كيف، في التعليمة البرمجية، يمكننا
تغيير نمط عنصر ما.
لم نرى كيفية فعل ذلك حتى الآن.
ولكن يمكنكم جعل العنصر
يظهر أو يختفي، يظهر أو يختفي.
تبين أن في JavaScript،
يمكنكم استخدام مؤقِت.
لديكم حق الوصول إلى الساعة.
ويمكنكم بالفعل كتابة التعليمة
البرمجية التي تقول، أتعرفون ماذا؟
كل نصف ثانية، استدعي هذه الدالة.
استدعي هذه الدالة.
استدعي هذه الدالة.
استدعي هذه الدالة.
وما تفعله هذه الدالة هو
تغيير نمط الصفحة
لتظهر أو تختفي، لتظهر أو تختفي.
الآن، من المعتاد أن يتم إنشاؤها
في المتصفحات.
Arabic:
ولكن الآن يمكنكم إعادة إنشاؤها
باستخدام شيء من هذا القبيل.
ولن أتطرق إلى ما هي
التعليمة البرمجية.
لكن هذه ميزة واحدة فقط هناك.
دعونا نلقي نظرة على مثال واحد أخير،
على الرغم من أنه مخيف بعض الشي.
ها هي التعليمة البرمجية الأولى.
وتُسمى تحديد الموقع الجغرافي.
هذا هو الأمر الذي يثير الغضب الآن في
التطبيقات مثل Uber وWaze
وFind My Friends على
هاتف iPhone وما شابه ذلك.
ها هي تعليمة برمجية بشكل نسبي
ستكشف
عن مكان وجود مستخدمك في العالم.
الآن، هذا الأمر صعب بعض الشيء هنا.
لكنها تقريبًا هذا الملف،
html مع علامة نص.
ولكن يوجد هناك هذا
المتغير العالمي المتميز الآخر.
ولن نستخدمه كثيرًا.
وبالفعل، قد لا تستخدمونه أبدًا
إذا كنتم لا تهتمون بهذه الميزة.
لكنه يُسمى متصفح،
لأسباب تاريخية.
ويحتوي المتصفح على ميزة
تُسمى تحديد الموقع الجغرافي.
وميزة تحديد الموقع الجغرافي، ترمز إلى
تحديد موقع الناس جغرافيًا،
ويحتوي على دالة تُسمى
getCurrentPosition.
وذلك لأسباب لن
نتطرق إليها حقًا،
تأخذ دالة كوسيطة.
وهذا هو نموذج
JavaScript الشائع جدًا،
ولكن المزيد حول هذا
في المشاريع النهائية، ربما.
ستتم كتابة هذا السطر من التعليمة البرمجية
بالمستند خط العرض الخاص
English:
But now you can recreate it
with something like that.
And I'll wave my hand
at what the code is.
But that's just one feature there.
Let's look at one final example,
though, that's a little creepy.
Here's the code first.
And this is called geolocation.
This is all the rage now
with apps like Uber and Waze
and Find My Friends on
iPhone and the like.
Here is relatively little
code that will figure out
where your user is in the world.
Now, it's a bit of a mouthful here.
But it's mostly this file,
html with a script tag.
But there's this other
special global variable.
And we won't use this much.
And indeed, you might not ever use it
if you don't care about this feature.
But it's called navigator,
for historical reasons.
And navigator has a
feature called geolocation.
And geolocation, which stands
for locate people geographically,
has a function called
getCurrentPosition.
And for reasons we
won't really get into,
it takes a function as an argument.
This is a very common
JavaScript paradigm,
but more on this toward
final projects, perhaps.
This line of code is going to
write to the document the user's
English:
latitude and, if we scroll to
the right, their longitude.
So this is where it gets creepy.
So if you were to use this code in
your websites and a user were to visit,
like I will now, and they click
the link, they will be prompted,
do you want the website
to know your location?
Sometimes, you might say yes.
Sometimes, you might say no.
Frankly, most of us probably
just click Allow instinctively
without really thinking about this.
But there's where I am, apparently.
Let me go ahead and highlight that.
Let me go to maps.google.com because
whatever website you just visited,
whether it's Facebook or CNN or--
a lot of news websites
want to know where you are.
If you go to like, what, fandango.com
or the like for movie tickets,
they might want to know where you are.
Well, you're giving them
very precise information.
If I go ahead and search for
these GPS coordinates on Google,
that's not where I am.
What the hell?
[LAUGHTER]
Why are we in Oklahoma?
[LAUGHTER]
Arabic:
بالمستخدم، وإذا انتقلنا إلى
اليمين، خط الطول الخاص بها.
إذن هكذا فهمنا لماذا تصبح مريعة.
إذا كنت ستستخدم هذه التعليمة البرمجية في
مواقع الويب الخاصة بك وكان المستخدم يزور،
مثلما سأفعل الآن، وينقر فوق
الرابط، سيُطلب منه،
هل تريد أن يعرف
موقع الويب موقعك؟
أحيانًا، قد تقول نعم.
وأحيانًا، قد تقول لا.
بصراحة، ربما ينقر معظمنا
فقط فوق Allow بشكل حدسي
دون التفكير حقًا في ذلك.
ولكن من الواضح، أنني هنا.
دعوني أمضي قدمًا وأظلل ذلك.
دعوني أنتقل إلى maps.google.com لأنه
أيًا كان موقع الويب الذي انتقلت إليه للتو،
سواء كان Facebook أو CNN أو--
الكثير من المواقع الإخبارية
التي تريد أن تعرف أين أنت.
إذا انتقلتم مثلاً، إلى، fandango.com
أو ما شابه ذلك من أجل الحصول على تذاكر السينما،
فقد يريدون معرفة مكانك.
حسنًا، أنت تمنحهم
معلومات دقيقة جدًا.
إذا مضيت قدمًا وبحثت عن
إحداثيات GPS هذه على Google،
هذا ليس مكان تواجدي.
ما هذا الهراء؟
[LAUGHTER]
لماذا نحن في أوكلاهوما؟
[LAUGHTER]
Arabic:
أنا لا أفهم ما الذي يحدث.
لم يكن هذا جزءًا من الإثبات.
سيكون هذا مُعضِلة كبيرة.
دعونا نوقف تشغيل
الإنترنت السلكي هنا.
وعلى ما يبدو، أننا سننتقل
من أوكلاهوما اليوم.
لنقم بتشغيل Wi-Fi،
الذي سيمنحني فقط
عنوان IP مختلف، وهو
طريقة رائعة لربط
بداية المحاضرة معًا.
إذا انتظرت ثانية، يجب أن يكون باللون الأخضر.
هيا-- لا يوجد عنوان IP.
الآن قد تكون هذه
الكلمات منطقية أكثر.
هيا.
أعطني عنوان IP.
هيا.
هارفارد-- ها نحن ذا.
يوجد عنوان IP الخاص بي.
دعونا نعيد التحميل.
[LAUGHTER]
سنقوم بإرسال رسالة بريد إلكتروني إلى موظفي
تكنولوجيا المعلومات عن ذلك لاحقًا.
لكن كل الإنترنت--
ما يعنيه هذا هو--
لا، هذا غريب حقًا.
لدينا الكثير من اللقطات
لقصها من فيديو اليوم.
إذن ما يفعله هذا،
مع احتمالية منخفضة،
هو إخبارك بمكان المستخدمين من
حيث خطوط الطول والعرض
English:
I don't understand what's going on.
This was not part of the demonstration.
This was going to be the big climax.
Let's turn off the
wired internet in here.
And apparently, we're going
through Oklahoma today.
Let's turn on the Wi-Fi,
which will just give me
a different IP address, which
is a wonderful way to tie
the start of the lecture together.
If I wait a second, it should go green.
Come on-- no IP address.
Now these words might
make a little more sense.
Come on.
Give me an IP address.
Come on.
Harvard-- there we go.
There's my IP address.
Let's reload.
[LAUGHTER]
We'll email the IT
people about this later.
But all of my internet--
what this means is my--
no, this is really weird.
We have a lot of footage to
cut out of today's video.
So what this does is,
with low probability,
tell you where your users are in
terms of latitude and longitude
Arabic:
حتى يمكنكم أن تحددوا مواقعهم الجغرافي،
واكتشاف ما هي دور السينما المحلية
أو ما هي الأوقات
التي تبدأ فيها بالتخزين،
أعطهم الاتجاهات إلى
الأماكن، وما شابه ذلك.
وعلى الرغم من أن ذلك كان من المفترض
أن تكون النهاية الحتمية الكبيرة،
فعلى ما يبدو، لم ينجح أي شيء من هذا.
كان اليوم خاطئًا بالكامل.
نحن في أوكلاهوما.
لكن لنتوقف هنا اليوم.
سأبقى هنا لبعض الوقت من أجل الأسئلة.
سأراكم في المرة القادمة.
English:
so that you could geolocate them, figure
out what the local movie theaters are
or what the starting
times of stores are,
give them directions to
places, and the like.
And while that was supposed to
be the big climactic finish,
apparently, none of this works.
Today was completely wrong.
We're in Oklahoma.
But let's end here today.
I'll stick around for questions.
We'll see you next time.
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Timeline in Description
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Ciao e benvenuto nel mio nuovo video!
Protagonista di oggi: Yotobi!
Internet è un posto magico
NON HO CAPITO
Che bellezze
Eh birbantella
Che bella la vita a volte!
The Lady, lei è la donna che tutti vorrebbero avere
e che vorrebero essere
Potere, controllo, bellezza
due stanze diverse per vestirsi..
E' un sogno!
E' un sogno!
E ohibo!
NON HO CAPITO
Caricare video su Youtube? E chi cazzo ve li guarda?
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This is not my real face …
What’s that do? Oh my god! My chin is so small right now!
This is very strange.
This is the face I’ve sculpted on the Korean selfie app SNOW, which has 200 million users worldwide. Selfies
are actually changing how we see ourselves and what we see as beautiful.
I’d always do this in pictures, or do this. I always use filters and Photoshop. I cannot post one
picture without any filter.
But at what point do we decide to make our selfies a
reality with plastic surgery? And what is the impact?
It's unhealthy. Physically unhealthy.
And plastic surgery threatens, sometimes your life.
In this episode of Untold America, I’m looking at why Americans are traveling to South Korea
for plastic surgery. And how an American doctor is partly responsible for Korea’s massive industry.
This is where our patients come to recover. So if you can
see a little bit beyond here, this is where we have our hospital beds.
This is Allison. She works at JK Plastic Surgery here in Seoul. She’s also American.
What percentage of people are coming from foreign countries at the clinic?
-It's well over half. So it's even up to 80% is our foreign clients.
Up to 80%?
-Korea is now known for plastic surgery and with K-pop and with dramas and everything. People really like that
aesthetic. So people are coming to Korea to get plastic surgery.
As many as one in three Korean women under 30 have had plastic surgery. And now Korea is a popular
destination for all-inclusive plastic surgery retreats, especially for foreigners.
They gain what they want. If they want more bigger eye, then we can make them a bigger eye.
-How have you seen K-pop affect beauty standards?
Plastic surgery among K-pop groups has
been an open secret for a while. But now groups like SixBomb are publicly
celebrating their plastic surgery in music videos.
K-pop stars are even doing commercials for their favorite clinic.
So here is where we have CT scan and X-ray as
well. So this is, for example, for facial bone contouring. We need to take scans
and make sure that we take off the safe amount of bone rather than just blindly
make it as small as possible.
Allison is talking about V-line jaw surgery.
You can get an idea of how this procedure changes the shape of your face
in this Korean selfie app, SNOW.
So go into beauty, and there’s a sculpt option. Here we go!
There are actually a lot of things you can do to your jawline, but in
real life this surgery is not so easy. It involves sawing or breaking your jaw. So
this is a pretty intense surgery procedure.
How has the culture of selfie apps like SNOW affected plastic surgery demands?
Historically, the most popular surgery in Korea has been double eyelid surgery. It
was actually popularized after the Korean War by an American surgeon
stationed with the U.S. Marines. He mostly worked on children with cleft palates,
but also performed the double eyelid surgery. His first patient was a Korean
translator who wanted to look more trustworthy to other Americans.
Dr. Millard is largely credited with starting the plastic surgery industry in
South Korea. Today it’s Americans seeking out Korean plastic surgeons for their
expertise. Jenni is an American vlogger who traveled to
Korea for V-line surgery. She was sponsored by a clinic in Seoul and received a discount on her procedures.
We caught up with her over video chat.
So when I was in middle school, or early
high school, you know how the kids are. They take pictures of themselves, you know,
like selfies. When I looked at those selfies, I couldn’t stand how my nose
looked. So I just kept thinking, “Oh my god, I’m so ugly.” I actually went to my
parents and I wanted them to help me get surgery for my nose. At 14 years old, yes.
Learning the Korean culture, and starting from K-pop, I was able to find
plastic surgery, and how good it was in Korea versus here. And I was able to discover,
like, “Oh, you can actually do your jaw and shave it? Like, wow!”
So that was a new plan for me.
Jenni vlogged her entire surgery experience in Korea, from her consultation to recovery.
I can’t wash my face or take a shower
for like seven days. And then I can take this off too. I have to wear this for three months. Oh god.
The plastic surgery industry is huge. As a feminist I am ashamed of that because
the society is forcing women to look perfect.
This is Summer. She’s part of Escape the Corset, a movement against Korea’s pop
beauty standards including the plastic surgery industry.
So women are refusing to keep their long hair, to wear makeup, wear feminine clothes, also high heels.
All those kinds of things, we call it “corsets.”
It's dangerous to be a feminist in Korea. Because we literally get punched in the streets.
Because of such threats of violence, Summer asked us not to use her real name.
I think the beauty standard is the result of patriarchy and the capitalism. Patriarchy
creates the standard. The industries create stuff to give women an illusion
that they can achieve this standard. The medical industry is taking benefit out
of that. You can never be perfect, no matter what you do, how much plastic surgery you apply.
Today is one month post-operation.
I can 100 percent say I’ve got body dysmorphia.
Plastic surgery, it’s not going to fix everything. It’s just going to
fix you for a short amount of time. It’s a temporary fix. Like, I’m already finding
more things that’s wrong with me. You can see a little bit of fat here after surgery. Whenever I
take pictures now it’s like … You can definitely see this a lot more than before when I had surgery.
Jenni is planning to go back to Korea in a few months to have liposuction on her neck and cheek reduction.
Every time I save money, I’m thinking about it.
Every time I look in the mirror, every time I open up that Facetune app, there it is.
I do feel a lot happier now though. Cause it’s like three less things that I have to worry about.
The same clinic that had given her a heavily discounted rate
has offered to give her another deal. But she’s still coping with nerve damage from her V-line jaw surgery.
I still have numbness like right here and here. When I’m like scrubbing my lips I
cannot feel this. So sometimes I scrub a little too hard and it starts bleeding. That’s kind of frustrating. When
I’m putting on lip balm, I can’t feel that. It’s OK, it’s just minimum. I can live with it. So it’s OK.
Plastic surgery mishaps in Korea are hard to track,
but from 2008 to 2012, the number of patients seeking compensation for botched procedures tripled.
Are you worried about plastic surgery’s effects
on young women's sense of self or their mental health or how they can feel about their body image?
Are you worried about things like K-pop or K-beauty exporting these standards globally?
Yes, so much. I'm so worried about the K-pop industry
becoming so huge. They sing like young girls, they act like young girls. The girl
groups, they don't look like adult women. The power that you get from beauty, that
disappears as soon as you remove your makeup or as soon as you get old and
wrinkly. That's not power. That doesn't last.
I’ll take a picture. That’s really creepy. That’s not me.
Hey, thanks for watching. Have you ever felt
pressured to change the way you look? Talk to us in the comments below. And if you
want more stories like this, please turn on your notifications and don't forget to subscribe.
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Please like and subcribe
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Greetings and welcome to the
Introduction to Astronomy.
One of the things
that I like to do
in each of my introductory
astronomy classes
is to begin the class with the
Astronomy Picture of the Day.
From the NASA website.
that is APOD.NASA.GOV/APOD.
And today's picture for
August the 23rd of 2020.
Well it is titled The Helix
Nebula from Blanco and Hubble.
So what do we see here?
Well, this is the
planetary nebula
known as the Helix Nebula.
A planetary nebula
is what occurs
at the end of the life of a
star much like our own sun
and what happens when a star
reaches the end of its life
is at the core compacts down
to a very dense object called
a white dwarf at the
center of the helix here
and the outer layers are
expelled out into space.
So the core ends up
being a very compact
object extremely massive
still but that compressed down
to about the size of the earth.
The remaining material
at the outer layers
are then expelled
out into space.
And because that white
dwarf star is so hot
it energizes and
excites all the gases
and causes them to glow for a
short time maybe only 10,000
years or a few tens of
thousands of years or so.
So it's a relatively
short period
of a star's life
at the very end.
Eventually all that
will be left behind
is the white dwarf star itself.
Now one of the things
that's interesting to study
is that planetary nebulae come
in a wide variety of shapes.
So how did something
like this form
from a single star and
single ordinary stars.
So this could be
something like what
our sun will look like
in five six billion years
or so when it ends its life.
We see not just the
helix with the spirals
but we do see a couple
of different disks
that are perpendicular
to each other as well
as all sorts some other
features within this
that are very hard to explain
from just a single star.
Now we do know, of course,
that it happened because we
can see that it exists here.
But understanding
exactly why it happens
is still a topic of
research by astronomers
to try to understand how
things like this can form.
So astronomers look at all
sorts of planetary nebulae
and in this case, looking
at it with two objects
the Hubble Space
Telescope up in orbit
above the earth and a
telescope down in Chile
about four meters inside known
as the size known as the Blanco
telescope.
So looking at those two and able
to put all of that information
together helps us to understand
a little better maybe
what will happen at the end
of the life of our own sun.
So not something that we
know for sure and looking
at different planetary nebula
we don't completely understand
that process yet we can see what
happens but we don't understand
exactly what goes into it.
And what happens
within the star that
causes all of the different
shapes of planetary nebulae
that we see.
So that was our picture of
the day for August the 23rd
of 2020.
It was titled The Helix
Nebula from Blanco and Hubble.
We'll be back again tomorrow
for the next picture previewed
to be A Rounder Moon.
So we'll see what that
is about tomorrow.
And until then have
a great day everyone.
And I will see you in class.
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3! 2! 1! GO!
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Now you can't change your past.
But you can determine your destiny by deciding for Christ.
But Christ can change your past.
He died on the cross
so that all the sins you've ever committed
all the things you've ever done wrong
are forgiven.
What do you have to do?
You have to repent of your sins.
That means to be willing to change your way of living.
You may have no power to do it.
You may not have power to give up some of those habits you know are wrong.
You may not have power to fall in love with your wife again.
You may not have power to change your whole life that you know needs to be changed.
But if you surrender to Christ, he'll give you the power.
You say, "Well Billy, I don't know what else to do."
I've been baptized, I joined the church and so forth.
But I don't really have peace and joy and power in my life
all that you're talking about.
How do I get it?
Jesus Christ said, "I am the Way."
Come to Christ!
He will give you a new strength and a new power,
and a new joy and a new peace and a purpose for living.
Every person that ever lived has to make the same choice.
It's either the world and its pleasures and its gods,
or it's Christ.
Which is it for you?
Who are you choosing, who are you voting for?
Choosing rather to suffer the affliction with the people of God than to enjoy the pleasures of sin for a season.
Oh yes...there's pleasure in sin for a short time.
But it's soon over.
The hangover comes.
And there's nothing you can do about it.
It's going to be there.
Choose Christ!
And there will never be a hangover, except joy and peace
And it's an urgent decision because to delay makes the right decision harder.
Indecision in itself is a choice.
Not to decide is to decide not to.
If you have a ticket for a flight to Atlanta tonight and can't decide whether to go or not,
if you wait past the departure time, the choice will have been made.
The plane will take off without you.
Decisions are made whether we make them or not.
Time decides if you will not.
And time always decides against you.
There's a lonely arena in the depths of your heart where the greatest battle of life must be fought alone.
That's your decision about Christ.
Your parents can't make it for you, the church can't make it for you,
your friends can't make it for you, your girlfriend, your boyfriend can't make it for you.
You have to make it yourself.
And you must decide tonight.
There are hundreds of people here tonight that have to decide tonight
and your decision tonight, yes or no,
will decide where you'll be a hundred years from now.
If you're not sure that you're ready to meet God,
if you're not sure you're going to heaven, and you're not sure that your sins are forgiven,
you come and make sure tonight.
I believe that none of you are here by accident tonight.
I believe that you're here on this particular night because this is the night that you are to meet God in a new way,
and receive him into your heart.
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>>> LOOK AT THAT NAME FOR ONE
>>> LOOK AT THAT NAME FOR ONE
SECOND.
SECOND.
JAMES DENTON.
JAMES DENTON.
HE BECAME A HOUSEHOLD NAME AFTER
PLAYING MIKE DELFINO WHOME AFTER
PLAYING MIKE DELFINO WHO
SERVICED ALL THE
SERVICED ALL THE
THE DESPERATE HOUSEWIVES.
THE DESPERATE HOUSEWIVES.
>> NOW HE IS SAM GOODRICH.
TONE THEY PLAN THEIR WEDDING.
TONE THEY PLAN THEIR WEDDING.
>> WELCOME TO THE PARTY.
>> WELCOME TO THE PARTY.
>> THANK YOU.
>> THANK YOU.
>> WE LOVE HAVING YOU FOR A
>> WE LOVE HAVING YOU FOR A
BUNCH OF REASONS.
BUNCH OF REASONS.
ONE IS YOURE LIKE THE OPPOSITE
ONE IS YOURE LIKE THE OPPOSITE
OF HOLLYWOOD.
OF HOLLYWOOD.
WHEN YOU COME IN THIS PLACE, WE
WHEN YOU COME IN THIS PLACE, WE
FEEL SOMETHING GOING ON.
FEEL SOMETHING GOING ON.
YOU ACTUALLY LIVE IN
YOU ACTUALLY LIVE IN
MINNEAPOLIS, AND THATS WHERE
MINNEAPOLIS, AND THATS WHERE
YOUR FAMILY IS, AND YOU WORK
YOUR FAMILY IS, AND YOU WORK
ELSEWHERE.
ELSEWHERE.
>> YEAH, AND THANK YOU, YOUVE
>> YEAH, AND THANK YOU, YOUVE
BEEN REALLY GREAT TO US TO HELP
PROMOTE THE SHOW AND ITS SUCH A
PROMOTE THE SHOW AND ITS SUCH A
GREAT, FEEL-GOOD -- EVERYTHING
GREAT, FEEL-GOOD -- EVERYTHING
HALLMARK IS DOING IS SO MUCH
HALLMARK IS DOING IS SO MUCH
FUN.
FUN.
YEAH, I GOT OUT OF THERE WITH
YEAH, I GOT OUT OF THERE WITH
THE KIDS AND WENT TO MINNEAPOLIS
THE KIDS AND WENT TO MINNEAPOLIS
WHERE MY WIFE GREW UP.
WHERE MY WIFE GREW UP.
IT IS A DIFFERENT LIFESTYLE, BUT
IT IS A DIFFERENT LIFESTYLE, BUT
WE SHOOT IN TORONTO.
WE SHOOT IN TORONTO.
THE MOVIES IVE DONE HAVE BEEN
THE MOVIES IVE DONE HAVE BEEN
IN PUERTO RICO AND LOUISIANA.
IN PUERTO RICO AND LOUISIANA.
>> YOU SEEM LIKE YOURE JUST
>> YOU SEEM LIKE YOURE JUST
LIKE US, JUST LIKE A REGULAR
LIKE US, JUST LIKE A REGULAR
GUY.
GUY.
ARE YOU?
ARE YOU?
>> IM VERY REGULAR, I CAN TELL
YOU THAT.Y REGULAR, I CAN TELL
YOU THAT.
I GREW UP IN TENNESSEE.
I STARTED ACTING REALLY LATE.
I STARTED ACTING REALLY LATE.
I FELL IN LOVE WITH THEATER IN
I FELL IN LOVE WITH THEATER IN
MY LATE 20s.
MY LATE 20s.
SO I STARTED JUST DOING THEATER
SO I STARTED JUST DOING THEATER
AND NEVER INTENDED TO GET IN
AND NEVER INTENDED TO GET IN
FRONT OF THE CAMERA.
FRONT OF THE CAMERA.
SO I WAS LATE TO IT AND I THINK
SO I WAS LATE TO IT AND I THINK
I WAS ABLE TO APPRECIATE HOW
I WAS ABLE TO APPRECIATE HOW
FORTUNATE I WAS AND DONT TAKE
FORTUNATE I WAS AND DONT TAKE
IT FOR GRANTED.
IT FOR GRANTED.
>> YOU BRING CALM TO THE STUDIO.
SPEAKING OF CALM, I WAS WATCHING
SPEAKING OF CALM, I WAS WATCHING
THE SHOW THIS MORNING, AND YOU
THE SHOW THIS MORNING, AND YOU
KNOW THE SONG "EASY LIKE A
KNOW THE SONG "EASY LIKE A
SUNDAY MORNING"?
SUNDAY MORNING"?
>> LOVE IT.
>> LOVE IT.
>> THATS THE WAY IT FEELS WHEN
>> THATS THE WAY IT FEELS WHEN
YOU WATCH THIS SHOW.
YOU WATCH THIS SHOW.
ITS EASY TO WATCH.
ITS EASY TO WATCH.
THERES STILL THE PLOT, THERES
THERES STILL THE PLOT, THERES
STILL THE ACTION, BUT IT JUST
STILL THE ACTION, BUT IT JUST
FEELS GOOD.
FEELS GOOD.
>> THANK YOU, AND THATS A
CREDIT TO EVERYBODY INVOLVED.
CREDIT TO EVERYBODY INVOLVED.
YOU SEE SARA POWER AND BAILEE
YOU SEE SARA POWER AND BAILEE
MADISON AND KATHERINE BELL.
MADISON AND KATHERINE BELL.
ITS A FUN ATMOSPHERE AND I
ITS A FUN ATMOSPHERE AND I
THINK PEOPLE CAN FEEL IT.
THINK PEOPLE CAN FEEL IT.
HALLMARK IS THE PLACE PEOPLE ARE
HALLMARK IS THE PLACE PEOPLE ARE
TURNING FOR HAPPY ENDINGS AND
TURNING FOR HAPPY ENDINGS AND
PEOPLE TREATING EACH OTHER WELL.
PEOPLE TREATING EACH OTHER WELL.
ITS SORT OF A BASTION OF THAT,
ITS SORT OF A BASTION OF THAT,
AND PEOPLE ARE RESPONDING SO
AND PEOPLE ARE RESPONDING SO
WERE HAPPY FOR THAT.
WERE HAPPY FOR THAT.
>> SO IF YOURE TURNING ON YOUR
>> SO IF YOURE TURNING ON YOUR
SHOW AND YOU HAVENT SEEN IT
SHOW AND YOU HAVENT SEEN IT
BEFORE, GIVE ME THE CLIFFNOTES.
BEFORE, GIVE ME THE CLIFFNOTES.
>> SHES NOT A WITCH, BUT WERE
>> SHES NOT A WITCH, BUT WERE
NOT SURE WHAT SHE IS.
NOT SURE WHAT SHE IS.
SHE HAS SOME REALLY FASCINATING
SHE HAS SOME REALLY FASCINATING
INTUITION, IS ABLE TO STEER
INTUITION, IS ABLE TO STEER
PEOPLE IN A DIRECTION THAT MAKES
PEOPLE IN A DIRECTION THAT MAKES
THEM HAPPY.
THEM HAPPY.
SHES ABLE TO ANTICIPATE THINGS,
SHES ABLE TO ANTICIPATE THINGS,
SO WE LIKE TO IMPLY THE MAGIC OF
SO WE LIKE TO IMPLY THE MAGIC OF
IT, WHICH IS FUN, AND THAT WHOLE
IT, WHICH IS FUN, AND THAT WHOLE
BUNCH OF WOMEN HAVE THAT GIFT.
BUNCH OF WOMEN HAVE THAT GIFT.
BUT ITS MORE OF INTUITION THAN
BUT ITS MORE OF INTUITION THAN
TWITCH YOUR NOSE AND THINGS
TWITCH YOUR NOSE AND THINGS
DISAPPEAR.
DISAPPEAR.
BUT ITS FUN BECAUSE IT MAKES
BUT ITS FUN BECAUSE IT MAKES
PEOPLE HAPPY, SO YOURE GOING TO
GET THAT FUN, HAPPY ENDING.G TO
GET THAT FUN, HAPPY ENDING.
>> YOURE OBVIOUSLY A DAD
>> YOURE OBVIOUSLY A DAD
YOURSELF.
YOURSELF.
AND EVA LONGORIA WALKING THE RED
AND EVA LONGORIA WALKING THE RED
CARPET, SHES ABOUT TO HAVE A
CARPET, SHES ABOUT TO HAVE A
BABY.
BABY.
DO YOU HAVE ANY ADVICE FOR HER?
DO YOU HAVE ANY ADVICE FOR HER?
>> I WOULD NEVER GIVE MOTHERS
>> I WOULD NEVER GIVE MOTHERS
ADVICE.
ADVICE.
EXPECTING FATHERS, YES.
EXPECTING FATHERS, YES.
THERES ONLY SO MUCH YOU CAN DO
IN THE MIDDLE OF THE NIGHT WHEN
IN THE MIDDLE OF THE NIGHT WHEN
THE BABY HAS TO BE FED.
THE BABY HAS TO BE FED.
JUST GET UP AND OFFER.
JUST GET UP AND OFFER.
AS LONG AS YOU OFFER --
AS LONG AS YOU OFFER --
>> USUALLY ILL SAY NO.
>> USUALLY ILL SAY NO.
>> YOU HAVE TO OFFER --
>> YOU HAVE TO OFFER --
>> IF YOURE SNORING THROUGH IT,
>> IF YOURE SNORING THROUGH IT,
ITS NO BUENO.
ITS NO BUENO.
>> YOU HAVE TO OFFER AND
>> YOU HAVE TO OFFER AND
NORMALLY THEYLL SAY, NO, IVE
NORMALLY THEYLL SAY, NO, IVE
GOT IT, AND EVERYBODY IS IS
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Portuguese:
"Requerimento de Zinco para Vegetarianos"
(nota: em Portugal, "oleaginosas" são
"frutos secos", no Brasil, são "castanhas")
E antes de sairmos do assunto...
assim como os
requerimentos de ferro
para as mulheres menstruando
são mais altos que para os homens,
porque algum ferro é perdido
todos os meses no fluxo menstrual,
o requerimento de zinco para os homens
é maior do que para as mulheres
porque algum zinco
é perdido no sêmen.
Como o zinco dos
alimentos vegetais
não é absorvido tão bem
como o zinco da carne,
um estudo publicado
no início deste ano
descobriu níveis relativamente baixos
de zinco no sangue de vegetarianos.
Então, quem se alimenta a base
de vegetais - homens ou mulheres -
deve certificar-se de comer grãos integrais,
feijões e oleaginosas todos os dias.
Mas alguns homens podem simplesmente
precisar mais do que outros.
iw:
"דרישות אבץ בצמחוניים"
ולפני שאנחנו עוזבים את הנושא ...
בדיוק כמו שהדרישה לברזל
בתקופת הווסת לנשים גבוהה יותר מלגברים,
כי ברזל ברמה כלשהי הולך לאיבוד
מדי חודש בזרם הווסת,
דרישות האבץ אצל גברים
גבוהות יותר מאשר אצל נשים
כי אבץ אובד בזרע.
בגלל שהאבץ במזונות צמחיים
אינו נספג טוב כמו אבץ במזונות בשריים,
מחקר שפורסם מוקדם יותר השנה
מצא רמות נמוכות יחסית
של אבץ בדם של צמחונים.
אז, כל אחד האוכל דיאטות
מבוססות צמחים - גברים או נשים -
צריך לוודא שהוא אוכל דגנים מלאים,
שעועית ואגוזים בכל יום.
אבל חלק מהגברים אולי צריכים יותר מאחרים.
Spanish:
"Requerimientos Vegetarianos de Zinc”
Y antes de dejar el tema, así como el
requerimiento de hierro en la mujer
menstruando es mayor que el del hombre,
ya que se pierde algo en el flujo, el del zinc en el
hombre es mayor pues pierde algo en el semen.
Ya que el zinc en los alimentos vegetales no se
absorbe tan bien como el de las carnes, un
estudio publicó en este año que hay muy poco
zinc en los glóbulos de los vegetarianos.
Así es que cualquiera que coma una dieta basada en plantas–hombre o mujer- debería asegurarse de comer grano integral, legumbres, y nueces diario.
Pero algunos hombres requieren más zinc que otros.
English:
"Vegetarian Zinc Requirements"
And before we leave the topic…
just as the iron requirements
in menstruating women
are higher than in men,
because some iron is lost every
month in the menstrual flow,
the zinc requirements in men
are higher than in women
because some zinc is lost in semen.
Because the zinc in plant foods
isn't absorbed as well as
the zinc in flesh foods,
a study published earlier this year
found relatively low blood
zinc levels in vegetarians.
So, anyone eating plant based
diets -- men or women --
should make sure they eat whole
grains, beans and nuts every day.
But some men might just
require more than others.
Czech:
„Požadavky vegetariánů na příjem zinku“
A ještě než opustíme téma...
stejně jako mají menstruující ženy
vyšší požadavky na příjem železa než muži,
protože menstruačním krvácením
každý měsíc o část železa přicházejí,
tak mají zase muži vyšší požadavky na zinek.
Důvodem je to, že o část
zinku přicházejí při ejakulaci.
Protože se zinek z rostlinných potravin
nevstřebává stejně dobře jako z masa,
studie zveřejněná dříve tohoto roku zjistila
u vegetariánů relativně nízké hladiny zinku.
A proto by si každý, kdo jí převážně/zcela
rostlinnou stravu, bez ohledu na pohlaví,
měl dát záležet na tom, aby každý
den jedl celozrnné obiloviny, luštěniny
a ořechy. Někteří muži však zkrátka
mohou zinku potřebovat více než jiní.
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English:
So Californium is another element which was
first prepared at the
Berkeley labs in California. It’s got quite
a few military applications,
usually involving the word ‘nuclear’.
But what most people don’t realise is
it’s actually used in various types of machines
for detecting metal fatigue
and stress in airplanes, so obviously it’s
pretty important our planes don’t
fall to bits in mid-air and they are used
in the kind of instruments which
scan for this and can spot any problems long
before they become a
serious issue.
It’s also probably the only other actinide
which has possibly routinely got
its way into households which is that it’s
also used in metal detectors.
Portuguese:
O califórnio é outro elemento que foi primeiro
preparado nos laboratório de Berkeley,
na Califórnia. Tem poucas aplicações militares.
Normalmente envolvendo o mundo nuclear.
Muitas pessoas não percebem o uso em vários
tipos de máquinas para detectar fadiga metálica
e stress, em aviões. É muito importante que
nossos aviões não se despedacem no ar.
Eles usam vários instrumentos para detectar
qualquer problema antes de ficar grave.
Também, provavelmente, é o único outro actinídeo
que possivelmente tem seu lugar em domicílios
e também usado em detectores de metais.
Traduzido por Prof. Dr. Luís Brudna
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Pegunungan Alpen
yang spektakuler.
Es yang memesona di
langit biru yang cerah.
Dani Arnold dan temannya adalah
pendaki gunung yang ekstrem -
di sini mereka mencari
sensasi yang luar biasa.
Mereka mendaki Piz Palü,
ketinggian puncaknya
hampir 4000 meter.
Ketika kita
memosisikan kapak es,
kita dapat merasakan
ketegangannya.
Retakan dan suara mendesis
ketika memecah balok es,
benar-benar keren!
Tetapi semakin banyak ilmuwan
memperingatkan bahwa petualangan
seperti itu mungkin segera
menjadi hal yang tidak mungkin.
Pemanasan global
mencairkan gletser.
Dani Arnold dapat
melihat sendiri
dampak perubahan iklim.
Hari-hari ketika
kita benar-benar
bisa mendaki di musim dingin.
10 tahun yang lalu, ada
lebih banyak lagi.
Para pakar mengatakan kami
berada pada titik balik.
Salju, es, dan gletser
semakin berkurang.
Tidak akan lama sebelum
Pegunungan Alpen
sebagaimana kita tahu,
tidak akan ada lagi.
ALPEN MENUJU SENJA
Eropa Tanpa Gletser
- Yuk foto!
- Cheese!
Pada musim semi 2018,
suasana di resor ski Glacier
3000 di Swiss sangat ceria,
bahkan di kalangan ilmuwan.
Sebuah tim yang dipimpin oleh
pakar gletser Matthias Huss,
dari Institut Teknologi
Federal Swiss di Zurich,
mengunjungi pegunungan
itu dua kali setahun,
sekali di musim semi dan
lagi di musim gugur,
ketika musim dimulai.
Mereka menyelidiki berapa banyak
salju yang turun di musim dingin
dan ketebalan salju
yang menutupi es.
Semakin banyak salju, semakin
baik kondisi gletser.
Hari ini - tanggal
25 April 2018 -
kondisinya lebih baik
daripada sebelumnya.
Lebih dari lima meter salju
turun di musim dingin.
Kami telah mengukur setara air
salju di tujuh gletser di Swiss.
Pengukuran kami menunjukkan
bahwa pada tahun 2018,
tutupan salju jauh
di atas rata-rata.
Tidak ada kedalaman
salju yang cukup banyak
di mana-mana di Swiss
seperti di sini,
tetapi sepertinya ada
sebanyak 50 persen
lebih banyak dari
tahun-tahun normal.
Matthias Huss akan
kembali di musim gugur.
Ada banyak orang
yang melihat hujan
salju adalah hal yang ‘sehat'
sebagai bukti bahwa perubahan
iklim adalah mitos.
Tetapi di pegunungan
tinggi Eropa,
buktinya terpampang
di sekitar itu.
Di Italia, Swiss, Austria,
Slovenia - dan di Jerman.
Stasiun penelitian lingkungan
Schneefernerhaus terletak tepat
di bawah puncak Zugspitze.
Ini adalah pos penelitian
ketinggian tertinggi di Jerman.
Bagi Profesor Annette Menzel
dan para mahasiswanya,
dari Universitas Teknik
di Munich atau München,
ini adalah titik awal untuk
ekspedisi Alpen atau Alpina.
Dia mengatakan kepada
mereka bahwa mereka dapat
melihat tanda-tanda pemanasan
global setiap hari.
Serbuk sari tingkat
tinggi, misalnya ....
....yang dapat
berpotensi mengancam
jiwa bagi orang-orang
yang alergi.
Salah satu akibat
dari pemanasan global
adalah musim serbuk sari
dimulai lebih awal -
tetapi tidak
berakhir lebih awal.
Ada banyak serbuk
sari tentang bahkan
di musim gugur karena
invasi spesies.
Dan peningkatan kadar
karbon dioksida di udara
juga meningkatkan
produksi serbuk sari.
Para siswa eko-klimatologi
akan bertemu puluhan
pakar dalam perjalanan
studi di Alpen.
Dimulai dengan Michael
Krautblatter,
seorang ilmuwan
terkenal internasional.
Bidang keahliannya
adalah permafrost dan
tanah longsor, erosi,
dan bencana alam,
Sekarang peningkatan suhu berarti
permafrost di Pegunungan
Alpen mulai mencair,
sehingga risiko
longsornya bebatuan
semakin besar.
Gunung-gunung itu
tidak sedingin dulu,
demikian dijelaskan
Krautblatter.
Selanjutnya, tim ini berangkat
untuk melihat ke
dalam Zugspitze.
Mengukur ketebalan
permafrost sedikit
seperti melakukan operasi
jantung terbuka.
Sangat menginspirasi dan intens.
Terowongan ini tingginya
hanya 50 sentimeter.
Para ilmuwan harus merangkak.
Permafrost di dalam Zugspitze
berada di antara dua puncak,
dan beberapa puluh
meter ketebalannya,
tergantung pada suhu luar.
Saat ini dimungkinkan untuk
mengukurnya dengan tepat.
Batuan itu diterangi
dengan
sensor listrik yang tak
terhitung jumlahnya.
Semakin sedikit batu
di dalam gunung
yang membeku secara permanen.
Bahkan di sini di puncak
tertinggi Jerman,
lapisan es tampak mencair.
Kami telah mengamati pengurangan
permafrost dengan jelas
sejak Februari 2007, lebih
dari satu dekade lalu.
Musim dingin yang kadang-kadang
dingin dapat
memperlambat prosesnya
sedikit tetapi selama
bertahun-tahun
kita telah melihat pencairannya.
Puing-puing dan batu
menstabilkan es
di daerah kritis
di mana mencairnya es,
tetapi kita harus berhati-hati,
jika terjadi ketidakstabilan.
Ketidakstabilan Alpen.
Penduduk desa Bondo
yang kecil di kawasan
Graubünden, Swiss tahu
betul apa artinya itu.
Elvira Salis mengucapkan selamat
tinggal, pada rumah
orangtuanya -
rumah tempat dia menghabiskan
seluruh hidupnya.
Rumah itu harus dihancurkan.
Saat melihat rumahku sekarat
karena proses kematian
yang lambat ini, hal itu
membuat saya sangat sedih.
Tetapi saya siap untuk
pergi sekarang.
Di musim panas 2017,
tanah longsor besar di
Piz Cengalo membawa
tiga juta meter kubik
batu jatuh ke lembah.
Tiba-tiba saya mendengar
suara mengerikan ini.
Saya memandang ke atas
gunung dan saya melihat
bongkahan batu besar
berjatuhan di sisinya.
Tampak seperti lava,
tetapi bergerak sangat
lambat dan tanpa suara.
Terdiri dari es, air dan tanah.
Kamera pengintai di
tempat bisnis pertukangan
kayu lokal merekam
gambar-gambar ini.
Delapan pendaki tewas.
Sebagian desa hancur.
Tanah longsor adalah hasil
dari perubahan iklim.
Dulu ada rumah di sini.
Sekarang, hanya ada puing-puing.
Rumah Elvira Salis penuh dengan
batu-batuan raksasa
dan bebatuan kecil.
Itu ada di daerah
terlarang di desa, tempat
orang tidak lagi
diizinkan untuk tinggal.
Elvira Salis yang berusia 82
tahun harus meninggalkan Bondo.
Dia pindah dengan putranya
ke desa tetangga.
Rumahnya berumur 345 tahun.
Kakek buyutnya yang
dulu membelinya.
Awalnya saya sangat sedih.
Saya sering menangis.
Saya senang saya ada di
sana ketika dirobohkan.
Itu sama saja
dengan orang-orang,
Anda tidak membiarkan
orang mati sendirian.
Saya tidak ingin rumah
saya mati sendirian.
200 penduduk Bondo masih
dalam risiko bahaya.
tiga juta meter kubik
batu jatuh dari Piz
Cengalo bisa menghantam
desa kapan saja.
"La Montagne ha la febbre".
Gunung itu sedang demam,
demikian kata mereka di sini.
Apakah tanah longsor
menghancurkan Bondo
dalam satu kali terjangan?
Atau apakah bencana seperti
itu semakin sering terjadi?
Untuk menjawab
pertanyaan-pertanyaan ini,
Profesor Michael Krautblatter
telah membentuk tim ilmuwan.
Hari ini mereka menuju ke tempat
yang mereka yakini sebagai
salah satu tempat paling menarik
di seluruh Pegunungan Alpen.
Helikopter itu hampir
tidak memiliki
ruang untuk mendarat
di Hochvogel.
Perbatasan antara Jerman
dan Austria melintasi
puncak, yang tidak
jauh dari Oberstdorf.
Pada tahun 2014, retakan muncul
di gunung yang
sejak itu melebar.
Ada risiko akut longsoran batu.
Salah satu dari dua jalur menuju
puncak gunung telah ditutup.
Pandangan dari udara
mengungkapkan bahaya sepenuhnya.
Beberapa ratus
ribu ton batu bisa
meluncur dengan cepat ke lembah.
Mengumpulkan data pada
ketinggian 2.600 meter
adalah pekerjaan yang berisiko.
Apa yang bisa terjadi
jika puncak runtuh,
sungguh tidak
terbayangkan ngerinya.
Ada sekitar 260.000 meter
kubik massa batuan.
Kami mulai melakukan pengukuran
di sini pada tahun 2014
dan sejak saat itu
bergerak 30 sentimeter.
Saat ini bergerak beberapa
milimeter sebulan.
Deformasi yang
sedang berlangsung
sangat kuat dan dapat berubah
dalam waktu yang singkat
sehingga tidak akan lama lagi.
Itu semua bisa runtuh tahun
ini atau tahun depan.
Tidak bisa diabaikan
begitu saja.
Pegunungan Alpen secara efektif
disatukan oleh lapisan es.
Tidak hanya di sini di Allgäu,
Jerman, dan Bondo, Swiss,
tapi dimana-mana.
Retaknya terlihat jelas
- secara harfiah –
di keindahan alam Alpen.
Hari ini para siswa mengunjungi
lereng yang longsor.
Belum lama ini area
tersebut masih
tertutup salju sepanjang tahun.
Daerah pegunungan
tinggi Eropa sangat
sensitif terhadap
perubahan iklim.
Pegunungan ini bereaksi terhadap
kenaikan suhu sekecil apa pun -
bahkan sepersepuluh
derajat pada
periode yang panjang
tanpa hujan,
untuk setiap gangguan di alam,
dengan konsekuensi dramatis.
Suhu meningkat dan
kemudian ada banyak
kegiatan yang akan
merugikan kita.
Jadi pada dasarnya
perbuatan kita yang akan
membawa situasi kita lebih
buruk di masa depan.
Misalnya jika Anda
akan menggunakan
bahan bakar fosil di
seluruh planet ini,
akibatnya tidak akan
mempengaruhi hanya
satu negara tetapi
secara global.
Penting bagi saya karena
berpengaruh pada masa depan
saya, masa depan anak-anak
saya, dan seluruh ekosistem.
Saya suka alam, saya
suka berada di luar.
Itu sebabnya saya ingin
mempelajari semua ini dan mencari
tahu apa yang terjadi di masa
depan di daerah pegunungan.
Saya telah melihat
banyak hal di sini
dan kemudian jika
dapat mentransfer teknologi
atau pengetahuan yang
saya peroleh di sini, maka saya
percaya kita bisa
menurunkan suhu iklim,
meski tidak bisa lebih
rendah lagi tetapi
kita bisa memitigasi dan
beradaptasi dengan
perubahan iklim yang terjadi.
Dengan tutupan salju
sepanjang tahun,
gunung tertinggi di Jerman ini
adalah objek wisata utama.
Gletser Zugspitze
tidak lagi bertumbuh.
Esnya mencair.
Paling lambat pada tahun 2040,
puncak ini akan makin mencair.
Bajak salju mengikis salju
musim dingin yang terakhir.
Salju itu disimpan
di depot salju.
Pada awal musim ski yang
baru, simpanan salju itu
akan digunakan untuk
menyiapkan jalur ski.
Dengan begitu, musim ski
bisa dimulai sedini mungkin.
Tetapi kurangnya salju
menjadi semakin bermasalah.
Pada tahun 2018, bahkan
dengan 'snow-farming',
musim ski tidak dapat
dimulai pada bulan November
karena suhu di Zugspitze
terlalu hangat.
Bahkan resor di dataran tinggi
sekarang mengandalkan
salju buatan -
yang menggunakan air dan
energi secara intensif.
Permintaannya sangat besar
sehingga operator ski lift
terkadang membeli
salju dari pemasok swasta.
Hampir setiap desa di Pegunungan
Alpen bergantung pada
pariwisata - dan
tentunya pada salju.
Membuat pengunjung senang
adalah yang terpenting -
berapa pun ongkosnya.
Tidak ada yang ingin
pestanya segera usai.
Di musim panas, biaya
semua kesenangan
itu ‘termaktub‘
ke dalam lanskap.
Resor Silvretta terletak
di atas Ischgl: lerengnya
dipenuhi mesin salju yang
tak terhitung jumlahnya.
Menjaga resor adalah investasi
keuangan yang sangat besar.
Kerusakan yang ditimbulkan
oleh pariwisata sangat besar.
Ahli hidrologi, Carmen de Jong
dari Universitas Strasbourg
meneliti efek salju buatan
di Pegunungan Alpen.
Bahkan dia terkejut
dengan tingkat erosi
yang disebabkan oleh
olahraga musim dingin.
Kanal ini sangat
lebar, hampir dua meter.
Amati dari tempat saya berdiri;
kanal ini sangat dalam.
Tanah terkikis sepenuhnya.
Ada saluran di seluruh lereng,
yang besar, yang kecil.
De Jong ingin memastikan apakah
tanahnya masih
bisa menyerap air.
Dia mengukur kepadatan tanah.
Truk salju dan salju
buatan yang tebal
telah membuat tanah
jadi sangat padat.
Ini adalah perjuangan untuk
menempatkan tongkat pengukur.
Dia belum pernah melihat hasil
seperti ini sebelumnya.
Air akan mengalir
dari permukaan.
Akibatnya, jalur ski
akan sepenuhnya kedap air.
Air yang mengalir di
sini tidak terserap,
hanya mengalir
dari permukaan dan
menyebabkan erosi yang luas.
Biasanya ini adalah padang
rumput yang sangat cantik dengan
tanah yang dapat ditembus
kemampuan batuan menyerap air.
Namun mesin salju
baru sedang dipasang
di seluruh Pegunungan Alpen -
seperti di sini di St. Moritz,
tempat pemasangan pipa
sepanjang dua kilometer.
Jalur ski dibuat di
ketinggian yang lebih tinggi.
Bagi banyak resor,
itu satu-satunya
cara mereka dapat
bertahan hidup.
Tetapi biaya meledak dan pada
akhirnya, banyak
operator ski lift
tidak akan mampu bertahan
dalam bisnis mereka.
Industri olahraga
musim dingin sedang
dikalahkan oleh perubahan iklim.
Produksi salju buatan
membutuhkan sejumlah besar air.
Waduk buatan manusia
diberi pasokan
dengan sungai dari
gletser dan gunung.
Air yang dibutuhkan
di tempat lain.
Bentang alam yang unik
berubah secara dramatis
tak bisa dikenali lagi dan
hancur secara bertahap.
Resor ski ini tidak diasuransikan
terhadap perubahan iklim.
Jika ada kenaikan suhu
satu atau dua derajat
maka tidak ada jaminan
salju di sini.
Dan kemudian tidak ada
musim ski yang tepat lagi.
Menurut penelitian terbaru, kita
mungkin melihat peningkatan
suhu empat derajat celsius
pada akhir abad ini.
Sampai saat ini, ada 630
resor ski di seluruh
Pegunungan Alpen - dari
Slovenia hingga Prancis.
Pada tahun 2085, 80 persen
kemungkinan tidak akan memiliki
lapisan salju yang lebih terjamin
dan karenanya akan ditutup.
Sebuah studi yang dilakukan oleh
Institut Teknologi Federal Swiss
di Zurich
memperkirakan bahwa
hanya akan ada lapisan
salju alami di atas
ketinggian 2.400 meter.
Tetapi meskipun ada
pandangan suram ini,
banyak operator ski
lift gagal bereaksi.
Banyak pekerjaan bergantung pada
industri olahraga musim dingin.
Sementara mereka
punya pandangan lain,
kealamian unik pegunungan Alpen
perlahan tapi pasti
makin berkurang.
Para ahli iklim sekarang
sedang dalam perjalanan
menuju pembangkit
listrik Danau Walchen.
Airnya mengalir melalui
jaringan pipa 200 meter
di lereng gunung
ke Danau Kochel,
dan memberi kekuatan
pada turbin.
Meningkatnya kelangkaan
air yang berasal
dari sumber-sumber
ketinggian tinggi
adalah pertanda
potensi penggurunan
di bagian-bagian
Pegunungan Alpen.
Air yang mencair sangat
sedikit yang tersedia
di tepi Alpen di bagian
atas Bavaria atau Bayern.
Di masa lalu, ketinggian
air di Danau Walchen
harus dikurangi dengan sengaja.
Ada risiko
banjir karena
banyaknya air lelehan
di musim semi.
Dulu ada begitu banyak salju
yang mencair sehingga
kami harus membuat ruang
untuk itu di danau.
Tapi untuk sementara
sekarang ini jauh lebih sedikit.
Danau bisa menyerapnya,
jadi kita tidak perlu
mengurangi ketinggian air.
Semua yang ada di sini, di
Alpen saling terhubung:
pembangkit listrik
dan pasokan air;
meningkatnya suhu
dan meningkatnya
insiden longsornya batu;
lapisan es yang mencair dan
kegersangan yang meluas.
Selama bertahun-tahun,
eko-klimatolog
Annette Menzel telah
membawa siswa dalam perjalanan
studi ke Pegunungan Alpen.
Seberapa banyak perubahan
situasi di sini pada waktu itu?
Yah, kita pasti perlu khawatir.
Di wilayah Alpen, suhu sudah
naik dua derajat celsius.
Itu peningkatan yang lebih
besar daripada di dataran
rendah dan lebih besar
daripada rata-rata global.
Prakiraan cuaca mendukung fakta ini.
akan semakin tinggi
kenaikan suhu di sini
dibanding daerah sekitarnya,
dan itu sebabnya
ada perubahan
besar-besaran di alam -
dari gletser ke hutan, dari
hidrologi ke pasokan air.
Sebagai contoh: semua
pohon membutuhkan
suhu khusus untuk berkembang.
Ketika suhu meningkat,
habitat pohon yang ideal
sekarang berada di ketinggian
yang lebih tinggi.
Maksudnya, untuk
berada di tempat yang
sesuai dengan suhunya,
pohon sebenarnya
harus berada di
ketinggian 500 meter
lebih tinggi dari
yang seharusnya.
Itu termasuk spesies pohon yang
cocok dengan puncak gunung,
tapi masalahnya adalah pohon tak
bisa mencapai
ketinggian 500 meter,
karena jelas mereka
sudah berada di puncak.
Jadi kemana mereka pergi?
Tidak ada kekurangan bukti bahwa
lingkungan Alpen berubah.
Di sini, di Austria,
tim spesialis bekerja
tanpa lelah untuk
mencegah tanah longsor.
Bencana menjadi semakin
sering terjadi.
Tidak hanya tanah
longsor, tetapi
juga hujan lebat dan banjir.
Perubahan iklim juga
menyebabkan periode
kekeringan dan panas
yang berkelanjutan,
yang menyebabkan
kebakaran hutan,
misalnya di Piedmont, Italia
pada Oktober 2017.
Diperburuk oleh angin kencang,
cuaca panas dan kekeringan,
kebakaran hutan
berkobar di seluruh
wilayah selama berminggu-minggu.
Sekitar 1.000 orang
dievakuasi dari rumahnya
termasuk 200
pemukim rumah pensiun.
Renato Bruno bertanggung jawab
atas puluhan petugas pemadam
kebakaran dari seluruh wilayah
yang memerangi kobaran api.
Salah satu daerah
yang paling terpukul
adalah di luar kota
kecil Mompantero.
Api berkobar hingga seratus
meter, kenang Bruno.
Banyak rumah hancur lebur,
bahkan bagian besi meleleh
dalam kobaran api.
Bagaikan neraka. Sudah cukup
buruk bagi orang-orang
di lembah yang bisa melihat
betapa api mengamuk,
tetapi lebih buruk bagi
orang-orang yang di dekatnya,
dan bagi mereka yang terlibat
dalam upaya memadamkannya.
Ada beberapa momen
yang sangat kritis.
Situasinya berbahaya
karena tiupan angin.
Anda merasa posisi Anda
aman, tetapi kemudian angin
akan berbalik dan tiba-tiba
Anda dikelilingi oleh api.
Jumlah hutan yang dihancurkan
oleh api liar di
Italia pada 2017
adalah tiga kali lebih besar
dari tahun sebelumnya.
Dalam periode panas
yang ekstrem,
satu percikan kecil api bisa
memicu kebakaran besar.
Bruno mengatakan bahwa 70
persen Mompantero hancur.
Hutan ini tidak akan
pernah tumbuh kembali.
Tidak, pohon-pohon ini
tak dapat diselamatkan.
Mereka bukan pohon gugur
yang dapat pulih.
Benar-benar hangus.
Tidak ada yang bisa Anda
lakukan selain menebangnya.
Kehancuran pada skala
ini belum pernah
terjadi sebelumnya
di wilayah ini.
Bahkan petugas pemadam
kebakaran yang lebih senior
tidak pernah melihat
kebakaran yang seburuk itu.
Jika perubahan iklim
berlangsung pada tingkat ini
dan ada periode kering yang
lebih lama di musim panas
dan semakin sedikit
salju di musim dingin,
maka situasinya hanya
akan menjadi lebih buruk.
Orang-orang di Engadin
di Swiss juga
berjuang dengan
kondisi pengering.
Selama berabad-abad,
petani lokal mengandalkan
air lelehan untuk
mengairi ladang mereka.
Tetapi air lelehan telah menjadi
sumber daya yang terbatas.
Reto Dünser sementara itu
bergantung pada air hujan.
Antara Februari dan Agustus,
hujan hampir tidak ada.
Padang rumputnya
benar-benar kering.
Seperti yang Anda lihat, rumput
menjadi kering seperti jerami.
Tiada yang tumbuh sejak Mei.
Rumput seharusnya setinggi
lutut pada saat ini -
dan sapi akan segera turun
dari padang rumput gunung.
Sapi-sapinya masih merumput di
padang rumput
setinggi 1.900 meter.
Tapi di sana juga,
tanahnya terlalu kering.
Dan sapi tidak
mendapatkan cukup minum.
Di musim panas 2018,
pasokan mereka
hampir sepenuhnya mengering.
Setiap tetes air berharga.
Reto Dünser memeriksa
ternak secara teratur.
Dia mengkhawatirkan masa depan
padang rumput di Alpen.
Saya punya 90 ekor
sapi dan anaknya.
Dan air di sini bahkan tidak
cukup untuk satu anak sapi.
Jika tidak ada cukup
air, sapi lebih sedikit
merumput dan menghasilkan
lebih sedikit susu.
Awan berkumpul.
Sepertinya mau hujan.
Tapi tidak - ini
hari yang kering.
Petani harus bergantung
pada sumber air alternatif:
Saat ini, inilah
satu-satunya cara untuk
memastikan persediaan
air di padang rumput.
Helikopter mengantarkan 700
liter per perjalanan -
dibutuhkan beberapa perjalanan
untuk mengisi sumur.
Dengan biaya 1.300 euro.
Hanya cukup untuk empat
hingga lima hari.
Bagi petani seperti Reto Dünser,
air telah menjadi
masalah kritis.
Tidak cukup bagi hewan
mereka untuk minum dan
tidak cukup untuk menjaga
padang rumput tetap hijau.
Dan itu berarti pakan
ternak tak mencukupi.
Bakal tak cukup pakan ternaknya
sampai musim dingin mendatang.
Jadi kita bisa membeli pakan,
yang harganya sangat mahal,
atau kita mengurangi
jumlah ternak kita.
Reto Dünser tidak punya
pilihan selain untuk
menyembelih beberapa
hewannya tahun ini.
Petani, resor ski, turis, alam -
semua orang dan segalanya
membutuhkan air.
Tapi air semakin langka.
Ahli hidrologi Carmen
de Jong sedang mengukur
penguapan alami. Hasilnya
mengkhawatirkan.
Dia mengatakan iklim
telah mengering
seperti di wilayah
Sahel di Sahara.
HUjan makin jarang dan
penguapan skala besar.
Distribusi air yang adil
akan menjadi tantangan
yang semakin meningkat di
lembah Alpen yang kering.
Pihak berwenang harus melakukan
yang terbaik yang mereka bisa.
Di masa depan jumlahnya
akan semakin sedikit.
Tidak akan ada cukup air untuk
mengairi semua padang rumput.
Harus ada pembagian
lebih ketat
seperti di negara-negara
kering di Afrika.
Turun ke dunia bawah tanah.
Pendaki es Dani Arnold
menjelajah di dalam
gletser Plaine Morte di
kawasan Bern di Swiss.
Jauh di dalam
celah, ia menemukan
formasi batu dan es
yang spektakuler.
Tidak banyak orang
yang pernah ke sini.
Dani dapat mencapai
bagian paling
bawah hanya karena
esnya cukup padat.
Permafrost ini berusia
ribuan tahun.
Ini adalah pendakian yang
curam dan berbahaya.
Pengalaman unik.
Mungkin tidak mungkin untuk
melakukan ini di masa mendatang.
Hal itu membuat saya berpikir.
Jika Anda ingat bahwa para
peneliti mengatakan bahwa
semua ini tidak akan ada lagi
dalam 90 tahun ke depan.
Tidak ada lagi gletser!
Itu sangat tragis, bukan?
Gletser Aletsch
di Valais, Swiss,
adalah yang terbesar
di Pegunungan Alpen.
Panjangnya 20 kilometer
di bagian wilayah itu,
tebalnya hampir satu kilometer.
Guillaume Jouvet dari Institut
Teknologi Federal
Swiss di Zurich
sedang meneliti keajaiban
alam yang sangat besar ini.
Apakah ini akan bertahan?
Dalam waktu dekat
kita tidak bisa
melakukan apa-apa
karena sekarang
gletser bereaksi terhadap
perubahan iklim,
peningkatan suhu
yang kita alami pada 1990-an.
Apa pun yang terjadi
di masa depan
dalam hal iklim,
gletser akan terus
mundur sekitar lima kilometer.
Dan apa yang akan terjadi
jika suhu naik empat
derajat, seperti yang
diprediksi para ahli?
Guillaume Jouvet
telah menghitung
bahwa pada akhir abad ini,
gletser Aletsch akan hampir
sepenuhnya menghilang.
Jadi jika kita mengasumsikan
jika skenario iklim ini benar,
kemungkinan besar
akan ada sangat
sedikit es pada tahun 2100.
Jelas bahwa di sini
dalam lanskap ini tidak
akan ada lagi es
pada akhir abad ini.
Pondok Konkordia
di Alpen terletak
beberapa kilometer lebih tinggi.
Selama beberapa tahun
terakhir ini pondokan itu
dikelola oleh Christoph
Sager dan keluarganya.
Hari ini dia sedang
bersiap-siap untuk musim panas.
Pondokan itu dapat
menampung 155 tamu -
penggemar hiking, pemain ski,
dan penggemar gletser
dari seluruh dunia.
Berkat pemandangannya
yang indah,
pondok Konkordia
adalah salah satu
hostel di Alpen paling
populer di Eropa.
Ini adalah tempat paling indah
di dunia untuk bekerja.
Saya tahu banyak pondok
lain di Alpen yang indah ...
tetapi bagi saya
inilah tempat paling
menakjubkan di dunia
untuk melakukan sesuatu.
Tapi pondokan itu
di bawah ancaman.
Di tengah tangga
logam yang curam,
Christoph Sager
menunjukkan bukti
bahwa Aletsch sedang sekarat.
Pondok ini awalnya dibangun di
tempat ini pada tahun 1877.
Saat itu, gletser mencapai
kira-kira di titik kita berdiri.
Jadi selama 140 tahun,
segala sesuatu di luar
titik itu telah meleleh.
Kemundurannya sekitar 150 meter.
150 meter dalam 140 tahun.
Sekitar satu meter per tahun.
Es mencair lebih cepat:
kadang-kadang dua,
kadang tiga meter setahun.
Hari-hari gletser di
Aletsch tak lama lagi.
Pariwisata di Pegunungan
Alpen perlu diubah
dan menjadi lebih lembut
dan berkelanjutan.
Di beberapa daerah,
pergeseran ini sudah terjadi.
Di Slovenia, misalnya.
Arung jeram di Lembah
Logar yang indah.
Pedesaan di sini sangat indah.
Slovenia tidak selalu
ada di peta wisata.
Namun popularitasnya
semakin meningkat,
sebagai tujuan bagi
para wisatawan
pegunungan yang
menghormati lingkungan.
Jennifer dan Josh
berasal dari Alaska.
Ini adalah liburan ketiga
mereka di Slovenia.
Mereka menyukai
alamnya yang murni.
Dan ada air yang
mengalir di atas lereng.
Kami cenderung mencari beberapa
tempat yang terisolasi.
Itulah yang kami suka.
Jadi kami melakukan
sedikit riset dan kami
memutuskan bahwa ini
akan menjadi tempat
yang baik untuk dijelajahi.
Tiga tahun lalu.
Dan kami datang
dan merasa senang.
Negara ini kecil tetapi tampaknya
memiliki hampir semua hal
yang Anda ingin temukan di
mana saja di seluruh Eropa.
Seperti Jennifer dan Josh,
semakin banyak turis
mencari pemandangan dari
kawasan terpencil yang
berkembang secara alami.
Tempat yang tidak membutuhkan
mesin salju di musim dingin,
dan dibiarkan gersang
di musim panas.
Slovenia persis seperti
apa yang mereka cari,
Memancing di perairan
jernih Danau Savinja.
400 kilometer barat laut
di Rissbach, Tirol,
di perbatasan ke
Bayern bagian atas.
Di sinilah perjalanan empat hari
mahasiswa klimatologi berakhir.
Mereka tidak benar-benar di sini
untuk belajar cara
menangkap ikan -
tetapi tentang bagaimana
air yang semakin
hangat mempengaruhi
pasokan ikan.
Banyak spesies tidak
dapat bertahan hidup.
Dampak perubahan iklim
di Pegunungan Akpen
tidak mungkin tidak terlihat.
Saya perhatikan sangat
mencemaskan...
banyak orang tampaknya
tidak percaya
hal itu terjadi -
atau tidak peduli
meskipun terlihat di sekitarnya.
Tanpa gletser lagi
di pegunungan Alpen,
kita tidak akan memiliki
banyak air yang mengalir
ke hilir dan masuk ke
sungai seperti ini di sini.
Jadi akan ada banyak
dampak lingkungan tanpa
mencairnya gletser
selama musim panas.
Jadi hal itu akan
menjadi masalah besar.
Kelihatannya tidak
terlihat bagus.
Tapi tidak ada
gunanya pesimistis.
Lebih konstruktif
jika kita optimistis
dan mengambil pelajaran yang
telah kita pelajari di sini,
dan memanfaatkannya secara
personal dan profesional
untuk melakukan apa
yang kita bisa,
dan untuk memerangi
perubahan iklim
sebanyak yang kita bisa,
dan mencoba untuk
menghentikannya.
Selalu ada icampur tangan
manusia di Pegunungan Alpen.
Kawasan sudah ditanami;
jalur dan jalan
telah dibangun di lereng;
desa-desa di lembah
telah berkembang.
Terkadang di tempat yang
sekarang berisiko tinggi.
Orang-orang yang tinggal
di sini harus beradaptasi
dengan kondisi yang lebih
kering dan panas -
dan masa depan tanpa gletser.
Pada pertengahan September,
pakar gletser Matthias Huss
dan timnya melakukan kunjungan
lagi ke Glacier 3000.
Temuan mereka pada bulan
April adalah positif.
Bagaimana keadaannya sekarang?
Tanah berderak dan
mendesis ketika para
peneliti menuju ke
alat ukur mereka.
Itu bukan pertanda baik.
Gletser yang mereka
lewati sedang sekarat.
Semua salju yang seharusnya
menutupinya - hilang.
Hanya dalam waktu
beberapa bulan.
Ketika kami di sini bulan April
ada lapisan salju
yang luar biasa
sedalam lima meter.
Saljunya tebal dan padat.
Coba pikirkan: Lima meter salju,
3000 meter di atas
permukaan laut,
telah mencair
selama musim panas.
Kami berpikir hal
itu tidak mungkin terjadi.
Salju setinggi lima meter.
Dan 1,3 meter gletser.
Pencairan gletser tidak
dapat dipulihkan.
Matthias Huss menyaksikan
gletser yang dicintainya mati.
Sungguh sebuah tragedi.
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- When it comes to video marketing
and YouTube for business,
my number one tip is
to hire a video editor.
Now, of you're like most people,
a bunch of excuses have
already started popping up,
all of them leading to, "I'm not ready."
Do yourself a favor and keep watching,
because in this video, I'm
gonna put all of that to bed
and step through how you
can hire a video editor
fast and easy and without
breaking the bank,
so that you can focus on
growing your business instead.
(upbeat dance music)
Hey, it's Justin Brown
here from Primal Video,
where we help you amplify your business
and brand with video.
If you're new here,
make sure you click that subscribe button
and all the links to everything
we mention in this video,
you can find linked in
the description box below.
So let's jump into it.
Now, if you're creating regular
video and marketing content,
or you're looking to grow your
business online with video,
one of the biggest mistakes
that you could be making
is editing your content yourself.
Now, I'm a professional video editor,
and I no longer edit our YouTube videos,
and I put this off for
myself for way too long
for our YouTube content,
but now that we've
refined the hiring process
and the onboarding process down,
it's easily one of the
best decisions we've made.
In fact, outsourcing is the number one way
that you can easily 10X your video output,
improve the quality, and
do it all in less time.
Now, before you switch off,
because I know you're thinking
that it's too expensive,
or it's too difficult, or
you don't have the time,
or, "I'm just not ready,"
or "There is no one better to
edit my videos down than me,"
then, I used to think
the exact same thing,
and I'm here to tell you that
you can call BS on all of those.
Outsourcing can be super
simple, can be low-cost,
think between 3 and $7 U.S. per hour,
and can can also free
up a ton of your time
to allow you to focus
on growing your business
instead of editing your videos.
So in this video, we're gonna step through
how you can hire a
video editor fast, easy,
and without breaking the bank.
I'm gonna run through
our recommended sites
for hiring both locally and overseas,
and make sure to stick
around 'til the end,
'cause I'll also share
with you a link to download
a free copy of the exact
job descriptions templates
that we use to recruit both our video team
in the Philippines and Australia.
Okay, so the first thing you need to do,
or the first decision you need to make,
is decide on either a local video editor
or an online video editor.
And obviously, there's differences
and advantages of both.
Someone local to you is
probably gonna cost you
a little bit more per hour,
but you can physically sit in with them,
or get them to come into your house,
or your place of business
to work with you on edits.
You also probably don't need
to worry about things like
internet speeds, because you
could physically hand over
a hard drive or a USB drive
with all of your video footage
on it for them to edit.
An overseas or an online editor
is usually gonna cost you less per hour,
but you do have things like
time zones and time differences
that could come into play,
and usually because you are transferring
video files over the internet,
that you will need to make
sure that you're allowing
enough time for jobs to come back to you.
So if you've got something that is
super fast turnaround time,
then maybe an online editor
might not be the best solution for you.
But that's where planning comes in.
If you plan ahead of time,
you're gonna give it to them
in enough time to edit your content down.
So for us, we actually have a mix,
but for most people, you'll
be be able to do just fine
with a single outsourced
or overseas video editor.
Now as for where you actually
post your job description
to find your editors,
if you're looking for someone local,
the best bet would be
your local classifieds.
So if you're in the U.S.,
it could be something like Craigslist.
If you're in Australia,
that could be something like Gumtree,
but whatever your local classifieds are
for wherever you live.
If you're looking for someone online,
the one that we have consistently had
the best experience with is onlinejobs.ph,
and again, there will be
links in the description.
Now, as for the actual job description,
there's a few things that
you'll wanna put in there
to get best results.
The first one is a bit of an overview
on what you're looking for,
or the person that you're looking for,
the types of edits that
you're going to be doing,
and the sort of turnaround times
that you're expecting from that person.
From there, we'll usually ask
them a series of questions,
and we'll number each
one of these questions
to make it easier for them to respond,
but they'll be things like,
"What is your Skype address?"
"What video editing software do you use?"
"What is your hourly rate?"
We'll also ask them to provide links
to their three favorite
videos that they've edited,
and depending on whether we're
hiring locally or online,
we might also ask them
to provide the results
from running an internet speed test,
so that we can gauge how
fast their internet is.
Now, if you do want to grab a copy
of our exact job descriptions,
I'm gonna share a link
at the end of this video
to where you can download it,
so you can copy and
paste it and tweak it up
for your own business.
Now, after you've posted
your job description,
you're likely gonna have people applying
for your editing role.
So the next step then is to
start refining those applications
down into a short list.
Now, the two biggest things
that we're looking for
when we're assessing
all of the applications
is what video editing
software are they using,
and have they actually
followed the instructions
and done what we'd asked them
to do in the job application?
So, with the video editing software,
if they've listed iMovie,
that's probably too basic.
I mean, they could be awesome in iMovie,
and that's good for them.
But what we're looking for is
a professional video editor.
So someone that lists something
like Adobe Premiere Pro,
Final Cut Pro, or even something
like Avid or Sony Vegas,
they're all more professional
video editing software,
which means that our editor
is generally gonna be
more skillful than someone that's just
listed something like iMovie.
And in regards to the application itself,
if they haven't followed the instructions,
and they haven't answered
any of the questions
that we've asked,
then we won't look any
further at that application.
It goes straight in the
scrap heap at that point.
Next, you want to give your
top three to five applicants
a test job.
Now, a lot of your success
here is really gonna depend on
the quality of the brief
that you're giving them,
so you really want to get specific
and get really, really
clear on what you're after.
We have a really detailed editing
checklist that we provide,
along with a really clear project brief
that we use for each applicant,
and we make these plug and play templates
available to all of our Primal
Video Accelerator members.
Now, using those templates,
we're able to get most
brand-new editors up to speed
editing YouTube-ready
content in just one project.
So investing the time
to build these templates and processes
pays of big time in the long run.
Now, if you're not a Primal
Video Accelerator member
and you don't have your
own editing checklists
or your own templates ready to go,
you could start by linking to
some of your existing videos
on YouTube or on some other platform,
and advise them to watch an
hour or so back of your content,
so that they can pick up on your style
and the things that
you like in your videos
and the way that you've previously been
editing your videos down.
If you don't have any content up yet
or anything that you
want them to replicate,
you could choose some examples
of other people that you like
the style and flow of their videos,
and use those as examples instead.
From there, when you get
those editing projects back,
obviously, you're going to
assess which is the best one,
how fast did the people come back through,
who asked the best
questions if there are any,
and you'll be able to pick
your top editor from there.
So that's it, super simple.
Now, if you do want to grab a
copy of our job description,
then there is a link on screen now,
and also below in the description,
click that, and you'll get
our exact job description
that we use to hire both online editors
and editors that are local in
the area that we live as well.
I'll see you soon.
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Time to tackle a topic that's been banned in China and loved by Rebecca
Even she doesn't play games
Welcomo to WatchMojo.com
And today we're counting down our picks for Top 10 time travel videogames
For this list, we picked games where the ability to travel through time is either a major gameplay mechanic
or a crucial part of the game's plot or story
So, games that bring a last-minute time travel element
Such as Earthbound or Bioshock Infinite (SPOILER ALERT) are out
And finally, altogether now, one per franchise
"This is the first time I ever try it on people"
To play the WatchMojo drinking game take a sip everytime we say the word "time"
"I like you, you're my new best friend"
Number 10: "Singularity"
"You must use it to go back to 1955 and stop Demichev from killing Varisov"
When Captain Nathaniel Ranko inadvertenly goes back to 1955 and saves Nikolai Demichev
who goes on to take over the world
Ranko must use it's time manipulation to defeat the mad russian to fix one hell of a screw up
"I think you'll find that impossible for a number of reasons"
"Our embassy, right no..."
By using the time manipulation device
Ranko can alter the time of specific things
like restoring ancient and old objects to brand new
or even reducing people to nothing but dust
For Ranko, time is literally on his side
"For all our sakes, I hope you got the TMD"
Number 9: "Braid"
At a glance, you may pass this off as a Mario ripoff
and while the plot involving a princess who was kidnapped by an evil monster sure supports that claim
Tim's ability to wind back time is what sets Braid apart from the plumber platformer
What's interesting about this game time traveling feature is that the rules of time-travel change in each world
One moment, time will always go forward and backwards when you move forward or backwards
then later you can travel back and see your past self help you with certain puzzles
Number 8: "Teenage Mutant Ninja Turtles: Turtles in Time"
The evil Shredder has stolen the Statue of Liberty
So it's up to our favourite teenage reptile ninjas to stop him and get it back
In this classic arcade beat'em up, as the title would imply
The turtles battle the evil Foot Clan across various periods
Like the prehistoric jurassic, the wild west and the distant future just to name a few
The battles won't be easy but the turtles always manage to pull through
COWABUNGA!!!
Number 8: "Ratchet & Clank Future: A Crack In Time"
Ratchet and Clank are back and using the power of time to defeat their enemies
Clank wields the Chronoscepter
Which allows him to alter time around him and fight his enemies by changing the time around to Clank's advantage
With this new power and proper teamwork
Ratchet and Clank must fight to stop Doctor Nefarious from ruining The Great Clock
Which balances all time in the Universe
It's time to gear up because the fate of the Universe is on the line here
Number 6: "Back To The Future: The Game"
"Hey Trixie, look over there!"
"Why?"
Time travel and Marty McFly seem to go hand in hand
And in this Telltale Games point-and-click episodic series
Which takes place after the movie trilogy
Marty has to go back to prohibition-era Hill Valley to Rescue Doc Brown (voiced by Christopher Lloyd)
"It will be fine!"
Who will be killed if Marty doesn't intervene
"Great Scott, I'm going to be gunned down by gangsters on the steps of the courthouse!"
Along the way Marty will meet a variety of interesting characters
Like his granparents, the sister of his highschool principal and Biff's father
Who just so happens to be a mafia boss
"Make like a tree and die, rat!"
Cheer up, Marty, maybe things won't be so bad this time
Just kidding, it's gonna be bonkers
"Geez, we've been back together for five minutes Doc and you're already talking about the end of the universe"
"I've missed that"
Number 5: "Day Of The Tentacle"
The title of the game alone should warrant a look
But thankfully the rest of the actual game lives up to it
When an evil purple tentacle with a mind for world domination is born from toxic waste
Bernard and his friends are sent back in time to stop the tentacle
When the time machine breaks and leaves the characters stranded in different time periods
The heroes must interact with their environments and famous characters within them
To help each other in their various time periods return home and stop the purple menace
Number 4: "Time Splitters 2"
Considered a spiritual succesor to Goldeneye
Timsplitters sees aliens using time travel to take over the Earth by ruining the planet's past
And you've got to stop them
Sargent Cortez must journey to various places in time
Like 2019 Neo Tokyo (yeah we see what you did there)
19th century Notredame
And the good ol' Wild West to just name a few
Cortez must take back the time crystals and save his world's future from the aliens that plague it
Number 3: "Prince of Persia: The Sands Of Time"
When the people of the Kingdom of Asad are turned into horrible creatures by the Sands of Time
It's up to the unnamed Prince of Persia to save his kingdom using the Dagger of Time
With the dagger the prince can alter time in various ways
Such as reversing it to make up for failures in the platforming challenges
Stopping time to avoid hazards and obstacles
and many other things
Between the wicked rewind mechanics and the never before seen parkour system
This one was hell of a - oh boy- time
Number 2: "The Legend of Zelda: Majora's Mask"
Link is certainly no stranger to time travel
With four of its games utilizing the trope
but we went with Majora's Mask
As it makes the best use of the concept
Essentially an apocaliptic Groundhog Day on steroids
By using his ocarina, Link can relive the same three days again and again
To ensure that he has enough time to save the land of Termina from the falling Moon
He can also help others by altering their fates through trial and error
By doing things as varied as stopping a girl from being abducted by aliens
To helping out a young couple that are in love
Before we unveil our number one pick
Here are a few honorable mentions
Number 1: "Chrono Trigger"
A timeless epic -pun fully intended-
That was worthy enough to make our top ten games of all time list
Chrono Trigger starts off inocently enough with a time traveling accident
Before your party realizes their future is rot with despair
After an interstellar parasite has devastated the planet
On top of all that, the parasite's evolution is linked to their world's biggest moment in history
With a memorable cast, multiple endings and an amazing soundtrack
This RPG is one that'll stand the test of, ahh, time - that's the last one -
If anything else was number one of this list it would be videogame heresy
Do you agree with our choices?
"Go away!"
Would you have turn back the clock and change our ranking?
For more timeless top ten videos released daily
be sure to suscribe to WatchMojo.com
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- Welcome to Carl and Jinger channel.
We're gonna play a fun family game.
Well, we're gonna build
apocalypse survival weapons
and self fortresses.
This time it's on the attack.
- Look out!
Look out!
(whooshing)
(crowd exclaiming)
(wooshing)
- The rules you guys, we have one hour
to construct our apocalypse weapons
and they have to be safe and functional.
And they also have to work
through the different challenges.
The teams are simple and straightforward.
I'm gonna go by myself.
Luke and Gauge are also gonna go alone
and then Jinger and
Kyle are gonna team up.
Are you guys ready?
- [Crowd] Yeah!
- All right, we have one hour.
The time starts now!
(whooshing)
My idea is really
straightforward, you guys.
I actually only have a couple of items
that I need to gather together
but I already built most of
it in the previous video.
Do you have something in mind?
- [Luke] Yeah, I do.
(upbeat music)
- [Carl] (laughing) All right.
(upbeat music)
Everybody's rummaging
through the garage out here.
We have so many epic
supplies back in here.
- [Jinger] Also, I'm
gonna say is we just found
the lawn and garden torch.
- [Carl] That looks cool.
(fire scorching)
Wait.
What bin are you looking in there?
That looks like..
- [Luke] Fireworks!
- [Carl] Gauge, do you
have a strategy in place?
- [Gauge] I think so.
I have a old rusty axe that I'm trying
to sharpen up and I want
to attach some nails
at the back of it.
- [Carl] Luke is building some kind of
a firework contraction crossbow thing,
- [Luke] Yeah.
- is that what's happening?
(object clattering)
I think we could put those two together.
I found where Gauge is working right now
but I don't see Gauge anywhere inside.
Looks like he has bale rusty
axe, just like he said.
And then, he's got like a
giant nail or some kind.
So, I wasn't feeling very confident
with this short-handled
shovel being safe enough.
So, I went ahead and
got this big garden hoe
and I'm attaching it right now.
So, you get the idea
of what I'm going for.
What's going on back here, guys?
- [Jinger] Secret projects, Carl!
- [Carl] Holy smoke, you guys!
It's actually the next day
and talking about
surviving the apocalypse.
We're building apocalypse
weapons right now
and there's a whole pandemic going on
and then, there's even a
5.7 earthquake in Utah.
So, if this was ever relevant,
the time is right now.
We got rained out last night,
we survive the earthquake
and now we're gonna test out
our apocalypse weapons in the rain.
We have a surprise too.
You guys wanna see, what's
inside this little mystery door?
Listen.
(lock pounding)
Everybody be quiet.
(chicks chirping)
(Carl exclaiming)
- [Crowd] Baby chickens!
- [Carl] (exclaiming) It looks all red
because they have a warming lamp in here,
isn't that adorable?
(chicks chirping)
Okay, back to the apocalypse!
- [Kyle] (zombie mimicking)
It's time for everybody to refill
their apocalypse survival weapons.
Luke, why don't you show
us what you got first?
- [Luke] Okay.
So, I have this handmade crossbow here
with a little compound bow,
has a pretty good force
and it's on a gunrail here.
It's all tied up and it looks pretty cool.
I think it will work.
- [Carl] For apocalypse challenge
number one, its accuracy.
We have infective,
contagion bags hanging here.
And Luke, are you ready?
We're gonna test this all out
and see how accurate this are.
Let's see how this goes.
- [Gauge] (exclaiming)
He's gonna go straigh--
(bow clattering)
- [Carl] (exclaiming) Okay.
That was crazy.
Okay, that was a good shot.
We've reset with a better,
more, fair contraption
and Luke's gonna get a second shot.
- [Luke] Okay, ready?
- [Carl] Ready.
(upbeat music)
I noticed that you have customized ammo
that you have made too after this round.
- [Luke] Yup.
- [Carl] Save 'em for later.
- [Jinger] Come on, Luke.
(arrow clashing)
(upbeat music)
- [Crowd] (exclaiming)
- [Carl] It's stuck into the door.
Look at that.
(upbeat music)
(upbeat music)
Wow!
It went through the back
of the door and everything.
Look at that.
- [Luke] (exclaiming)
- [Carl] Holy smokes.
- [Luke] (murmurs)
- [Carl] Luke's already pass round two
which was breaking through to the door.
But we're gonna let him compete now
'cause he's got
- [Luke] Oh yeah.
customize arrows for the next one.
Next stop is Gauge.
- [Gauge] I like to call
my weapon "Oh Rusty"!
'Cause he got the rusty
nail and the rusty blade.
I use the nail on top
for precision strikes
against my enemies, have
the nails on the back,
and then I have the axe
for more tactical purposes.
- [Carl] Ready, three, two, one, go!
- [Luke] Go Gauge go!
(slow motion smashing)
- [Crowd] (exclaiming)
- [Carl] Oh my gosh!
- [Guage] Oh no!
- [Carl] Look at that, it totally--
You totally broke the whole thing.
We've set it up one more time.
We've put the slime ball on top of a log.
Are you ready?
- [Gauge] Yeah.
- [Carl] Let's go.
(upbeat music)
(upbeat music)
(axe smashing)
- [Crowd] (exclaiming)
- [Gauge] Oh yeah.
- [Carl] Oh gosh.
(exclaiming)
It's in--
It's stayed in there.
- [Gauge] You could see it.
You could see it leaking.
- [Crowd] (exclaiming)
- [Carl] (exclaiming)
- [Jinger] (laughing)
- [Carl] (exclaiming) Look at that.
(murmurs) and it's leaking out
bile and toxins everywhere.
Oh my gosh.
Pandemic is spreading now.
Look at that.
(whooshing)
Gauge's was pretty awesome
but mine is RC car powered
apocalypse (mumbles) weapon.
Are you guys ready for this?
- [Crowd] Yeah.
- [Carl] I've got it
attached to a garden hole
but it actually goes forward and reverse.
Here we go.
(machine whirring)
(machine whirring)
(machine whirring)
(Crowd exclaiming)
- [Jinger] (laughing)
- [Carl] That was easy.
I'm like ready to go straight to the door
so, we just (murmurs).
- [Jinger] Yes, go straight
to the door.
(machine whirring)
(upbeat music)
(machine whirring)
(upbeat music)
(machine whirring)
(upbeat music)
(Carl shouting)
(upbeat music)
- [Carl] Yeah, that was awesome.
It totally sawed all the way through it.
Did it go through to the backside?
- [Jinger] (exclaiming) It did.
- [Carl] (exclaiming)
- [Jinger] That was so awesome.
- [Carl] Jinger!
You and Kyle are next, right?
- [Jinger] Oh yeah.
- [Carl] Let's see what you guys got.
It is raining and pouring out here.
Look at this balloon we've got set up.
I can hear an ATV.
Let's see what Jinger and Kyle have made.
- [Kyle] Yeah!
- [Carl] Oh my gosh.
Look at that!
They have a flame thrower?
This is epic, you guys.
They built a quad mounted
canister flame thrower.
Let's see if we could fire it up
and if it works on this water balloon.
Oh my gosh, here we go!
- [Jinger] Flame thrower
apocalypse weapon.
- [Carl] Go.
- [Jinger] Go!
(upbeat music)
(Crowd exclaiming)
(upbeat music)
- [Carl] That totally work.
That worked so well.
I think we should do a drive by one
we'll set another balloon up.
Let's see if we can do it.
(ATV engine whirring)
Well, see they've got
a mobile flame thrower.
- [Jinger] (screaming)
- [Carl] (laughing)
- [Jinger] Oh no!
We lost our flame!
- [Carl] They lost their flame.
Oh, there's one flaw.
If you voted for Jinger and Kyle,
that might--
I don't know if that
affects your vote or not.
- [Jinger] That has to, right?
- [Carl] That's pretty
epic looking though.
(flame thrower whirring)
Oh yeah!
We're back in business.
Fire it up, Kyle.
- [Jinger] Here we go!
(ATV engine whirring)
(Crowd shouting)
- [Carl] Go, go, go, go, go!
You gotta get away!
(Crowd shouting)
(Carl laughing)
- [Jinger] Kyle, we nailed it!
- [Kyle] Yeah!
(engine whirring)
- [Jinger] Here we go!
- [Carl] Oh my gosh, here they go.
They're going to assault
the door right now.
Let's see if they can burn through it all.
(flame thrower whirring)
(Crowd shouting)
- [Carl] You guys burning it up?
That's awesome.
(flame thrower whirring)
It's totally on fire, check it out.
(flame thrower whirring)
(upbeat music)
(Crowd exclaiming)
- [Carl] Yeah.
That's pretty awesome.
- [Jinger] (shouting)
- [Carl] (exclaming)
Let's see, check it out.
It's still smoldering and
smoking, look at this.
If I was on the other side of that door,
I guess I would definitely be intimated.
That's for sure.
- [Kyle] (mumbles) if you just
punch it, it'll just cave in.
- [Carl] I don't know.
Let's see if Gauge and Luke
can punch through this.
Let's see if Luke, he's
got some surprise there.
Let's see what you got.
Luke is all set up with a firecracker!
- [Luke] Oh, yeah!
- [Carl] He's got a firecracker
tip on his crossbow.
- [Jinger] It's always important to help
your friends during an apocalypse.
- [Carl] Here we go, you
just gotta light the fuse
without mounting everything else.
Let's see what happens.
- [Jinger] 'Kay, here we go.
- [Carl] 'Kay, ready?
Wait for it to start goin'
and then we'll see.
- [Jinger] There, go!
- [Carl] Wait.
Wait, wait.
(firecracker whirring)
Go!
(Crowd exclaiming)
(Crowd exclaiming)
Let's see what happened here.
Holy smokes!
- [Gauge] (exclaiming)
- [Carl] You totally
landed a flaming arrow--
- [Luke] If that was a giant,
it would have hit it
right in the (murmurs)
- [Carl] I know (laughing).
If it wasn't raining outside,
you might've actually started a fire.
- [Luke] Yeah!
Yeah, high five!
That was so fun.
- [Carl] That was epic.
Did it go through the back side?
- [Luke] Yeah, I think it did.
- [Carl] Look at that, it did.
Look, it penetrated the back side.
This is like a sparkler
multi-colored trident arrow.
- [Luke] Yeah.
- [Carl] Look at this thing.
- [Luke] I don't know about this one.
- [Carl] Oh my gosh.
- [Jinger] I feel like
there should be alien invasion weapon.
I'm all for it.
- [Carl] This--
This is awesome.
- [Jinger] All right, here we go.
- [Carl] Here we go.
(flame thrower whirring)
There they go, there
they go, there they go.
Kyle, look out, look out, look out!
(upbeat music)
(Crowd exclaiming)
- [Carl] It bounced back.
Let's see.
Wow, look at that.
It's totally burning down.
If that would've stuck in there--
- [Luke] If that was like
a carpet or anything,
(explosion mimicking)
- [Carl] If it was like
a monster or zombie,
it would have totally penetrated
and cut their clothes on.
- [Luke] Totally.
- [Carl] That was pretty
awesome idea, dude.
(whooshing)
- [Luke] Let's see what you guys got.
- [Carl] Go Gauge, go!
(Gauge grunting)
(Crowd exclaiming)
(Crowd exclaiming)
(machine whirring)
(Crowd exclaiming)
- [Carl] We're surviving apocalypse.
(machine whirring)
(Crowd laughing)
Get it Gauge!
(door parts scattering)
- [Jinger] (shouting)
(axe smashing)
(Jinger laughing)
(Gauge grunting)
(Carl grunting)
(machine whirring)
- [Carl] Get it Gauge, get it!
(axe smashing)
- [Gauge] Yeah.
- [Luke] Oh no, the nails gave out.
(upbeat music)
(axe pounding)
(Crowd laughing)
- [Gauge] Yeah.
(upbeat music)
(door smashing)
(upbeat music)
(Crowd shouting)
(Crowd shouting)
(upbeat music)
- [Carl] We survive the apocalypse.
(upbeat music)
If you guys like this video,
you're gonna love the other one
that you see on screen.
Make sure to check them out (grunting).
I'm out of breath.
And subscribe, if you haven't already.
See you in the next one.
- [Everyone] Bye!
(upbeat music)
- [Luke] Yes!
- [Carl] We did it.
Dude, that was epic.
(upbeat music)
All right.
(upbeat music)
(upbeat music)
(upbeat music)
(upbeat music)
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Lloyd Pye 🎤 Starchild Skull DNA Ancient Alien Reality Intervention Theory 👽 Evening With Lloyd Pye
| {
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notelex: IRL stream?
c252: hi
tanoshiizo: PogChamp
yoyo_brobro: hey
Scyned: hey!
serhejenos: I thought you would never stream again
coProof: Tom my pal
khalifornia420: Nice burly beard, what language did you grow that in?
PhoenixLuffy: DansGame
lefse: Bear grylls?
serhejenos: hi
yoyo_brobro: test
radeon04: camera hacking irl
notelex: hello
pipecork: hi
shekel_gobblin: Remeber no talking about comma ai or logang will come get you. Sub to pewdiepie
prafaeltsantos: OMG............GEO is streammmmming........fckkkkk
Scyned: where are u?
lihfts: BibleThump BibleThump BibleThump
kljok: Did you build a better vision system that mobile eye in 3 months
Not_Alex_Archer: STREAM
yoyo_brobro: missed your streams
nihonzera: hey
c252: how are you today George?
tanoshiizo: "1st day living on the streets of LA"
PhosphoricAcid: weird flex but ok
tanoshiizo: Kappa
EventHorizonxD: love the beanie champ
coProof: You’re in LA duh
teahappyboi: I LOVE YOU GEOHOTZ!!!! hack the fucking world
serhejenos: where are you gonna stream coding?
twiggy_io: Big booty la
Not_Alex_Archer: homeless Hotz
Jeppelelle: Are you homeless now?
notelex: when is 10 hours streams coming?
tanoshiizo: LUL
PhosphoricAcid: Kappa
rns621: you need a gimbal :)
shekel_gobblin: new house
notelex: LUL
tanoshiizo: stream fortnite Kappa
notelex: nice
shafiemukhre: “Sort of homeless”
oX333: CoolStoryBob CoolStoryBob CoolStoryBob
ristego: you are dead to me
c252: wat
GenBurnside: GEORGE HAS A DREAM!
robotboy987: PunchTrees PunchTrees PunchTrees PunchTrees
serhejenos: FailFish FailFish
joker2k999: Bro, is this about Microsoft mimicking slack ?
tanoshiizo: NotLikeThis
robotboy987: FailFish FailFish FailFish
c252: NotLikeThis
robotboy987: f
s0prano22: @tomcr00s3 hello from Russia
shafiemukhre: 2019 dream is to be on instagram celebrity
teahappyboi: F
Not_Alex_Archer: INFLUENCER
shekel_gobblin: I have 1.4 mil on insta hahahaha
notelex: go back to coding
tanoshiizo: @LilRopz
jeromez: FailFish
tanoshiizo: Kappa
GenBurnside: His 'I have a dream speech'
notelex: Kapp
ristego: should we go to the next fyre festival?
shafiemukhre: geohotz
coProof: I like it George
serhejenos: Kappa Kappa Kappa Kappa
teahappyboi: aren't you trolling???!!
Jeppelelle: Whats up with the datacenter bondage on your Instagram avatar?
480i: Omg
eduardoadf1: show boobs
slimpimp007: woah beard
tanoshiizo: are you ok, George?
tanoshiizo: LUL
PhoenixLuffy: You’re trolling
coProof: Lol jailbreak simulation? Tell me more
teahappyboi: watch serial experiments lain!!!!
Not_Alex_Archer: George is always serious
serhejenos: you look like Dorsey btw
shafiemukhre: Hey, Hotz, what will be your strategy to be a instagram celebrity?
notelex: he's probably trolling
shekel_gobblin: i work for zuckaburger
thodeann: where is he
soad188: make bots to get followers LUL
irishyogashirt: Why don't you work at facebook and do this all from the inside
twiggy_io: That’s me
thomasbakp: sarcasm
teahappyboi: watch serial experiments lain
twiggy_io: Nah bro
eduardoadf1: show boobs.
Not_Alex_Archer: O damn
notelex: NotLikeThis
slimpimp007: damn son
c252: was this the point of the whole stream?!
EventHorizonxD: yes show boobs
tanoshiizo: What's your ig handle?
ristego: def a joke
slimpimp007: mans went on a full spiritual journey
eduardoadf1: hack instagram
alluxua: Where are you, geohot?
serhejenos: stream code
tanoshiizo: this is your IG @georgehotz ?
c252: wait your not going to stream programming anymore :(
eduardoadf1: why should i
shafiemukhre: Monetize personal brand
thomasbakp: pewdiehotz
notelex: funny joke LUL
shafiemukhre: Hotz
olajens: LUL
cmmeur01: no one wants a geohot t-shirt, we want cars that drive themselves
EventHorizonxD: ur a fucking clown dude
c252: oh dear god...
Not_Alex_Archer: influencer confirmed
480i: "lots of money"
serhejenos: no
tanoshiizo: Are you going to start playing fortnite and apex legends aswell?
MrBankster: yooo
MrBankster: been so long
tanoshiizo: and don't forget about ASMR
robotboy987: emacs vs vim??
lefse: You can instagram live stream coding PogChamp
slimpimp007: yeah aight
rns621: you should get a dog
olajens: i wanna see red switches on that keyboard
MrBankster: bro im' unemployed! give me job!
shafiemukhre: Lol
serhejenos: play apex
coProof: Is tai Lopez involved?
titanus07: I built a super powerful and evil GAI and will release it upon the world soon. MUHAHAHA. ok. jk. LUL
eduardoadf1: hack google
thomasbakp: what's going on hotz?
thecameroncobb: #getgeoverified
MrBankster: LUL
tanoshiizo: Can i be your manager?
EventHorizonxD: do you carry ?
tanoshiizo: Kappa
eduardoadf1: no
Not_Alex_Archer: I've missed the scopies
MrGwopz: geohot how did u manage to jailbreak the PS3 plz answer I really wanted to know for years
serhejenos: what are you smoking?
480i: Are you on comma.ai's discord?
GenBurnside: you should buy a semi truck, you could live in it
thomasbakp: comma ai dead?
peatmoss2: light it up bro, become a rapper
twiggy_io: Let me be your manager
alluxua: Hi, geohot, a serious question: dorkmo and I sent you gift card for donuts. Did you get it?
evoxrocks: how can i start codin?
slimpimp007: become an Instagram rapper
PhoenixLuffy: Become a rapper
eduardoadf1: is that california
olajens: terry davis 2.0
soad188: make bots to get followers
coProof: Crowd source your management
480i: Make an announcement on discord so more people see the stream
MrGwopz: how did u manage to jailbreak the PS3?
farresito: You look like you just came out of a cave. Looking hot though.
tanoshiizo: terry davis LUL
480i: You can add a bot that'll announce your twitch streams
PhoenixLuffy: Run for President
serhejenos: you should stop smoking pot
480i: Oh ok.
PhosphoricAcid: george just wants to get with the times :D
PhoenixLuffy: !!! George hotz 2020
Zipzipcekirge: will you train your ai with instagram followers? busted
eduardoadf1: we know you are hiding terry davis
coProof: Georgehotz.com/shop?
alluxua: Doekmo and I sent you gift hard for donuts. Send to comma office . Did you get it?
thecameroncobb: Don't know terry davis!?!
EventHorizonxD: i miss the old geohot
tanoshiizo: LUL
olajens: HAHAH, Terry davis created a operative system named TempleOS
Mr_Pol_Pot: lol
c252: yeah he made TempleOS
luhartt: he dead
GenBurnside: build automated farming equipment
c252: the holiest OS
serhejenos: Kappa Kappa Kappa Kappa Kappa
slimpimp007: is this your hippy phase
painsmake: Do you like Chinese food?
coProof: Is this the new double rainbow?
480i: George, will you do the Joe Rogan podcast?
c252: maybe its a second puberty?
eduardoadf1: you could do what you are doing on twitter
480i: Elon did the podcast.
thomasbakp: comma ai...???
Bombapil0t: hey there litguy :)
EventHorizonxD: elon is low tiwer
EventHorizonxD: tier*
aunnsteinsson: love u duze
thecameroncobb: Geo, you can request verification on Instagram now
GenBurnside: later dawg, you're the best
PhosphoricAcid: get a guy do post pics for you btw
KyleUE: everyone go submit a request for him to go on Joe rogan
coProof: You da man George we down with the brand
480i: Thanks for answering my weird questions.
c252: bye
serhejenos: buy
olajens: LUL
slimpimp007: adios
msclaireabella: HIIIIIIIIII
MrBankster: bye love!
Wonfline: u are the best
thomasbakp: comma ai
eduardoadf1: what actually is your instagram i forgot
tanoshiizo: are you trespassing someon's house?
robotboy987: PhD vs working?
Jeppelelle: This was.....well....hmmm. okej....well....someone bodyswapped this dude
thomasbakp: what's going on
olajens: create a operative system, then you become terry davis 2.0
480i: Yeah how can we get you on Joe Rogan
aunnsteinsson: when will commaia be for smartphones
joker2k999: That beard tho bro
msclaireabella: are you at griffith?
dorkmo: theres something you might npt know about me joe rogan... i smoke rocks!
480i: Which topic would you talk about
joker2k999: Nice
serhejenos: stream coding
Guscles: !twitter
PhoenixLuffy: Will you run for president??
mounnrocc: dead
PhosphoricAcid: in the ground
GenBurnside: how's california?
Guscles: Whats his Twitter?
eduardoadf1: at george hotz instagram profile
KyleUE: theres a website to submit guests for JRE
joker2k999: I thought u didn’t do podcast bro? Lol
480i: Link us Kyle.
serhejenos: who is the next president?
Zvezdas21: is he homeless now?
coProof: Doing a cartwheel
tanoshiizo: LUL
olajens: RIP
danielku98: twitter
msclaireabella: LULW
Jeppelelle: So when the singularity is happening we should all be instagram famous?
Jeppelelle: okej
tanoshiizo: this is going to be interesting
olajens: DDOS
radeon04: SeriousSloth SeriousSloth
prafaeltsantos: RIP TWITCH
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Spanish:
Hace unos 2.500 años, un grupo de pensadores
revolucionarios cambió la forma en que pensamos
acerca de las matemáticas.
Los antiguos griegos demostraron que las matemáticas
no consisten sólo en realizar cálculos,
sino en una manera de entender y testar la
realidad del mundo que nos rodea .
Se dice que en el letrero de la Academia de
Platón se leía: no permitas que un ignorante
de la geometría entre aquí.
Y el gran Arquímedes fue incluso asesinado
por un soldado porque se negó a dejar una
demostración inacabada.
Pero, ¿qué es una demostración?
En pocas palabras, una demostración es un
argumento convincente para comprobar si algo
es verdadero o falso.
Por ejemplo, si todos los perros tienen cuatro
patas, entonces: ¿ésto es un perro?
Eso es fácil de demostrar porque todos los
perros tienen cuatro patas, pero no todo aquello
Arabic:
[موسيقى]
منذ حوالي ٢٥٠٠ عامًا، مجموعة من المفكرين الثوريين
غيروا الطريقة التي نفكر بها حول الرياضيات.
بإستخدام فكرة البرهان،
أظهر اليونانيون القدامى أن الرياضيات ليست مجرد القيام بالحسابات،
ولكنها طريقة لإدراك واختبار
واقع العالم من حولنا.
يقال أن أكاديمية أفلاطون كانت تحمل لافتة
بعنوان : لا تدعوا أي جاهل بالهندسة
يدخل هنا.
كما أن أرشيميدس العظيم قتل على يد جندي
بسبب رفضه لترك برهانًا غير مكتمل
ولكن، ما هو ال "برهان" ؟
ببساطة، البرهان هو حجة مُقنِعة
لإثبات صحة شىء أو خطأه.
على سبيل المثال، إذا كانت كل الكلاب تمتلك أربع أرجل، إذن: هل هذا الشىء كلب ؟
من السهل اثبات أنه ليس لمجرد أن كل الكلاب تمتلك أربع أرجل
فإن كل شىء بأربع أرجل يكون كلبًا.
ماذا عن " البرهان الرياضي" ؟
على الأرجح انك سمعت عن مبرهنة فيثاغورث،
وهي حقيقة رياضية حول أضلع
English:
[MUSIC]
Around 2,500 years ago, a
group of revolutionary thinkers
changed the way we
think about mathematics.
Through the idea of
proof, the ancient Greeks
showed that maths isn't just
about performing calculations,
but a way of
understanding and testing
the reality of the
world around us.
The sign above
Plato's Academy was
said to have read: let no
one ignorant of geometry
enter here.
And the great Archimedes
was even killed by a soldier
because he refused to
leave a proof unfinished.
But, what is a proof?
Simply put, a proof is
a convincing argument
to demonstrate whether
something is true or false.
For example, if all dogs have
four legs, then: is this a dog?
It's easy to prove that just
because all dogs have four
legs, not everything
with four legs is a dog.
How about a mathematical proof?
You've probably heard
of Pythagoras's theorem,
a mathematical fact
about the sides
Japanese:
[音楽]
約2500年前、革命的な思想家のグループが
数学に関する私たちの考えを変えました。
数学による証明という考えを通して、
古代ギリシャ人は
数学は計算するためだけのもの
ではないことを示しました。
数学は私たちの世界の真実を
理解したり、試すことにも使えるのです。
プラトーアカデミーに掲げてあるサインにはこのような標語があります。
「すべての人が幾何学に
関心を持つようになるだろう。
このアカデミーに入学しなさい。」
古代ギリシャの偉大な物理学者であるアルキメデスは
証明を未完成のままにすることを拒絶したために、
兵士に殺されました。
いったい、証明とはなんなのでしょうか?
簡単に言うと、
証明とは何が正しくて何が間違っているのか
判断するために、
証拠を挙げて明らかにしていくことです。
たとえば、すべての犬が4本の足を持つのなら、
これは犬でしょうか?
これを証明するのは簡単です。
すべての犬が4本の足を持っていたからといって
4本の足を持つものがすべて犬とは限りません。
数学的証明はどうでしょうか?
皆さんはおそらくピタゴラスの定理については
ご存知でしょう。
直角三角形の3辺の長さの
English:
of a right-angled triangle.
Here's one demonstration
of the theorem.
Does it convince you?
Good proofs are undeniably true.
200 years after
Pythagoras was around,
another Greek
mathematician called
Euclid perfected the
way to write proofs.
With just a few basic
assumptions known as axioms,
Euclid was able to prove many
other mathematical results.
He compiled these results into
one remarkable book called
The Elements, and his
proofs are as true today as
when it was first
written and have
formed the foundations
of modern mathematics.
From proofs about infinite
prime numbers used
internet encryption to
mathematical formulae used
in engineering,
the ancient Greeks
have provided scientists,
economists, lawyers,
architects, and well,
just about everyone,
with a new mathematical
understanding of our world.
Japanese:
関係を表す数学的な定理です。
これはその定理の1つの説明です。
あなたはこの説明に納得できますか?
よい証明は、非の打ち所のない真実を示します。
ピタゴラスが活躍していた時代から200年後、
ユークリッドという名の他のギリシャ人数学者が
証明を書く手法を考え付きました。
自明の理として知られるいくつかの基本的な仮定を
組み合わせることで
ユークリッドは他の数学的結果を
証明することに成功しました。
彼はこれらの成果を1冊の「原論」というタイトルの
優れた本にまとめました。
彼の証明は今日でも正しいとされています。
彼がこの世で初めて書いたその証明は
現代数学の基礎を作り上げました。
無限数の証明は
インターネットの暗号化に使われています。
数学的公式はエンジニアリングにも使われています。
古代ギリシャ人は、科学者、エコノミスト、弁護士、
建築家、そしてすべての人に
数学を使った新しい世界の理解の仕方を
提供したのです。
Arabic:
المثلث قائم الزاوية.
ها هو اثبات للمبرهنة.
هل أقنعك هذا ؟
البرهاين الصالحة حقائق لا يمكن انكارها.
٢٠٠ عامًا بعد زمان فيثاغورت،
رياضي يوناني آخر يدعى
إقليدس، أتقن طريقة كتابة البراهين.
بإستخدام بعض الافتراضات الأساسية التي تعرف بإسم "المسلمات" ،
تمكن إقليدس من إثبات العديد من النتائج الرياضية.
ثم أجمع تلك النتائج في كتاب عظيم يدعى
"العناصر"، وهذا البراهين حقيقية اليوم كما
كانت عند كتابتها لأول مرة ،
لقد شكلت أساسيات الرياضيات الحديثة.
من براهين حول لانهائية الأعداد الأولية التي استخدمت
في تشفير البيانات الإلكترونية، إلي الصيغ الرياضية
المستخدمة في حرف الهندسة، وهب قدامى اليونانين
العلماء والإقتصاديين والمحاميين
والمعماريين ، وكل شخص تقريبًا ،
بفهم رياضي جديد لعالمنا.
Spanish:
con cuatro patas es un perro.
¿Qué es una demostración matemática?
Probablemente habrás oído hablar del teorema
de Pitágoras, un hecho matemático sobre
los lados de un triángulo rectángulo.
He aquí una demostración del teorema.
¿Te convence?
Las buenas demostraciones son innegablemente
verdaderas.
200 años después de Pitágoras, otro matemático
griego llamadoEuclides perfeccionó la forma
de escribir las demostraciones.
Con sólo unos pocos supuestos básicos conocidos
como axiomas, Euclides fue capaz de probar
muchos otros resultados matemáticos.
Recopiló los resultados en un libro llamado
"Los Elementos" y sus demostraciones son hoy
tan ciertas como cuando fueron escritas por
primera vez y han establecido los fundamentos
de las matemáticas modernas.
Desde demostraciones sobre los números primos
infinitos utilizados en el cifrado de Internet
a fórmulas matemáticas utilizadas en ingeniería,
los antiguos griegos han proporcionado a los
científicos, economistas, abogados,
arquitectos, a casi todo el mundo, una nueva
comprensión matemática de nuestro mundo.
English:
[MUSIC]
Japanese:
[音楽]
Arabic:
[موسيقى]
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In their sophomore year at JMU, any student
who is in the class called Prowess will be
working in a paid position on campus for Aramark.
Aramark is our dining facility. They're a
Fortune 250 company. So our students have
that opportunity to work. So as you look at
these 600 hours of related experience, students
will have their work experience from what
they're bringing, they will also get the Aramark
experience which will deal with food service,
and then all students prior to completion
of this 600-hour requirement, will be working
for 25 hours at the Hotel Madison.
We work very closely with the Hotel Madison
in trying to provide our students with an
opportunity for real life experience.
Because the hotel is only 10 months old, our
students have been involved with a variety
of events, helping them from their grand opening
to a variety of tours as well as other activities
that the hotel has been involved with.
Prior to their junior year, they've had immersion
into a hotel, they know that they've had some
food service experience plus all the other
hours that they bring in. Then, in between
their junior and senior year, this is when
students will do a formal internship. What
we try to do in that formal internship is
really work with students to say, are you
more interested in the lodging side, are you
more interested in the food side, or the events
side, or private clubs, or cruise lines or
whatever it is, because what we've learned
is that two out of three students who intern
will get a full-time job offer from that experience.
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Oh guys so, um, my only alt might put a link in description down below, is it a fellow concert creator today?
Yeah, I was planning on playing for tonight right and just cooling it all day
And he told me that I need to record as soon as I open up the game now, I'm I've rushed everything
Everything it's recording now as you can clearly see it on the screen. I still got a black hole
He said the intro was fired. It better not be
but I
Can't hear nothing
I got a I
know this is a bit different from what I usually do but it is imperative and
I watched this
That latest rather
Look at the map
You fish for weapons or it's just a cinematic
Bro, it looks so different I can record it pay it is
Wait you have flasks you can
You can shield up to a flow when we're done. I'm gonna calm down
Maybe it's not as crazy as I think it is. Okay. This is freaking just pretty freakin crazy
Battle bus
Or don't get in Coos pose because hey hey
Different game oh
my god
Look, no one played themselves. Am I in the game? What? Oh, my don't go off one better go up boys. Good up
Hold on. Hold on. I'm in but you can kill it. I'm about to freakin killing. Em, I'm about to
Hold up my first game mana always like first game on it's all good. I
Think I'm hello loud. Hold on bro. First of all it always does this it always puts me at lowers
Bro wait put that away. Stop it. Stop it. What are you doing bro? My controls are all freaked, bro
Alright, we are far from the circle. This is kind of crazy. Dude. I'm not gonna lie. I watch this try to catch a body
Nope. Any second gotta catch this body real quick done
Alright, I'm not gonna be playing for tonight that often on the channel, dude
But if I do I'm gonna have to see some gosh darn support watch this. Is that better swimming wait
Wait a minute. I know that brother wasn't swimming that monkey-looking Brotherhood. Oh no wicked or you can swim swim
Go through that shot. Even me that shot me that shotty I just go come here boy. Come here boy. Aah
Get off the water. Get off the freaking Almighty. I'm like a buck
I'm stupid. It's freaking bot you
Dude I cannot aim. Oh my god, bro, I get from a freaking SMG garbage return to lobby. All right
We trapped
We trust I don't know what that was. I got spray. I got mowed down
I got moldy. I got mosey go down aisle saw the edits your boys. Not a casual. I'm gonna have to change my mother
Look at look look at k0. Yes. Here we go and look at a zero
Say look a hero. Yep, we out here playing for at night
Yes, I do it every night and not enough to drink on sprite
I'm about to do a so bright got my girl on the screen there. You know we so clean. Yes
I got the white jeans on and we kidding me better hop into the discord cuz we squat in it
What you even saying bro? I'm about to kill yo. Everybody knows that this might be my last video
Why am I so extra these days I need to relax, you know, we gotta get as he's in love
You
Came come behind. I think I might have to leave quick this move. Ooh, I think I might have to
Oh, dude. Oh, I can't even say mrs. Greg ain't playing bro. Okay, he's not definite pumpkin
All right
Now y'all better see what you know, your boy quiche ear open up to me where I've been putting my hours in you know
Why your boy is naughty casual at this game may know casuals out here. Look at this
I'm double crouching while I pop in minis who you know, does it all know about all eh, I'm average
I'm just be real with you. I'm average. Is that efficient? What the hell is this for? Oh, no, no no, no, no
No, we can actually fish for weapons
Wait the door there's no door on the other side. What am I doing?
Let's go fishing Bois, so is it like do we let you gotta wait for like, oh, maybe I got a wait
What hood Oh baby as soon as I see it splash
Yeah, this is what do you see the splash breath? Oh, I'm catching fish
I'm a Fisher man woman, you know for a feminist out there
Oh, yeah, so super summer summer swimming upstream. Yo, who's this? Crackhead? No, those are fish, huh? Well, can we use this?
No, we can't use it. Ah
don'tdon't
Fight fight
Oh, wait yours, yes
Come on buddy, come here boy. Wait, did I oh boy. I mean whole ordeal without please grab the pool
I'm trash bro. He's right here
Oh
My god, oh my gosh, he's like I can't I can't
If you need help just call
Me up I'm about to get sued please wait
Pick up bodies
How did he freaking hit me bro, I got a plea I got
I'm not I'm not comfortable with this game, bro
You're just chilling on this bus, you know just chillin, you know eating peanut butter but then sandwich
Let's shoot for the same building baby yo Keisha, I'm not gonna make it to you what I'm not gonna make it to you
Um, I'm in the face blade. I'm broke. I have 50 buddy. Go shoot for that shotgun, dude. Oh my god
Shoddy shoddy crap. I don't want to fight this dude. I'm gonna try getting
I
Heard that I'm not to get a couple more Matt
Eliminated
Freaking gold. I got in my lobby. I'm sorry guys. I'm not this toxic. But today I'm toxic. Let's freakin go
Let me pop this freaking big pot
These BOTS out of my lobby room. Oh, yeah. We got a green shotty. Give me that give me all of that
I need all that
Skin though, I seen
a
Nissan Honda what?
Yet dude, he's probably coming out towards rain now I hear him breaking something
Ooh
These are yep, which is bring it
Wow, let's go over maybe oh they were named on the same thing dude, they're not nope, haha
Iam saying yo, yo, you're outside distance. Oh
Yeah, I hit him I hit him for a 19 wait, I'm big shopping behind Southwest I'll come a shot from behind
25 white Hey, obviously, I want me to kill myself. I would see that
All right, bro, we got six buys the tea y'all we are P
Whoa, whoa. Whoa. Whoa. Whoa whoa whoa, whoa, but
Let's just relax
Okay, y'all in the fight and you decide to shoot at me. Oh my gosh, can I get there in time? Yeah. Oh
That's crazy. I'm getting this fight
Oh, yeah, let's go baby. I'm like
We're gonna shot down he shot down a big shot down, dude
This was that crackhead shooting this from holy Stallone's having a mountain where we just came from
what a weirdo and for
1900 what how many days you have? Pick me up bro, please please. I got you
Okay, you should build cover you build pumpkin, but we can be
They really got to sit up there and shut me bro, that's kind of sickening bro, you're the best carry yeah. Oh
My god, it's due to the right. There's a mountain to the right
Don't do it see the same one that downs you or not. That's the dude that I shot
That's the guy
What's this burrito doing I don't know
Oh my gosh, is he gonna like
What
Let's go bro. Oh my gosh what your car hurt? Oh my gosh
He liked it really had to do all that in
Nonsense where I should is one for your car trying to be in there like swimwear, whoa
Let's go before. He kills a Viking
Everybody here for 11. Uh-huh. Uh-huh
Bro, what did you feel that drop it down?
Okay
I need to get
100
All right guys so well, this was for tonight chapter 2 alright season 1 news story new beginnings
We all enjoy this and you want to see more views like this. Yeah, I didn't know to do please be sure
It's a credit shop that like button comment never goes in which you described today
if you knew it's being part of shinobi and like I said before though if we get
Forget about 50 50 likes or something like that, you know saying like, you know, maybe maybe maybe I'm making overcome combos
That's why I just said combos fortnight content. Alright until next time I'll catch you boo boo faces in the next video. Peace
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(water splashing)
- Hey.
(upbeat music)
- Mr. Avie Cado here and I are
back again for another video.
Sir, we're very happy to
have you on the channel.
He has been a great source
of pride and joy in my life.
Since I bought him in July,
we've become fast friends.
He sleeps with me and my
boyfriend every night.
My boyfriend is a big
supporter of Avie Cado.
He loves him just as much as I do.
And so did you guys, when I
introduced Avie to the world,
you guys also fell in love.
I'm very excited to share that
Sir Avie Cado has, in fact,
inspired my new collection of merch.
I don't just love my avocado stuffy.
I love avocado everything.
Avocado toast, guacamole,
avocado on its own, whatever.
I love it all.
So, hey, even avocado ice cream is good,
don't knock it till you try it, okay?
That's all I'm saying.
So, anyways, new merch, out
now, it came out on August 28th.
So you can now purchase it.
Boom. Here it is.
We got this adorable pink tee.
It is a unisex fit.
My amazing best friend
Bradon rocks it all the time.
So don't be afraid to rock this
no matter what gender identity you have.
It says, hi, I'm Avie Cado and it has him
with little hands up
waving and all the outline
of the avocado is puffy
and the writing is puffy.
So it's kind of fun and textured.
We also have, boom,
this lavender phone case
that says the same thing.
Hi, I'm Avie Cado with the avocado.
And we have a pink notebook.
We also released something else
that is not Avie Cado themed
in case anybody wanted new merch
that isn't repping Avie so proudly.
So you can go to fanjoy.co/mollyburke
to shop the whole new
collection right now.
I really hope you love it.
I just thought it was a bit of fun.
I do have another collection
coming out late September
with more fun pieces.
So keep an eye out for that.
We have this cropped top,
which is about to sell out.
It is from my original merch launch
and it will not be coming out.
So once this top is sold
out, it's gone for good.
We also have this shirt
over here, one of a kind,
which is also about to sell out
and I will not be bringing back.
So, if you like, either of those pieces,
check those out right now,
before they are gone for good.
All right, now the reason
we're all actually here.
So a little while back, in early August,
I posted this video right here.
Where I talked about
how since going blond,
I am experiencing damage
for the first time ever
in my two year hair dying journey.
I have been bleaching
my hair for two years,
but this is the lightest
I've ever bleached it.
And it caused me to experience breakage
just on my baby hairs.
The rest of my hair is fine.
But all around my
hairline, all around here,
you can see here, I
have a lot of breakage.
This is the bulk of my
breakage, is right along here,
but I do have some on this side as well.
Right here I have quite
a bit of short breakage
and then around my baby hairs
back here I have some breakage.
All of my breakage is
happening on my baby hairs
all around my hairline.
So I'm really trying to give my hair
a break from any treatments.
I don't heat style my hair at all.
I also pretty much always
let my hair air dry.
Not pretty much, I exclusively
let my hair air dry.
And I use lots of really hydrating,
really healing products on my hair
to try to just be as good as I can be
to this hair 'cause she
has been so good to me.
And so my friend, Fernanda
who owns a beauty salon
in Boston, sent me some instructions
and sent me some products
to do an at home reparative
Olaplex treatment.
And she said I should do this
every single week, once a week.
So today is my first time trying to do
an at home Olaplex reparative
treatment to myself.
I believe this is
something that really like,
you would typically go to a salon
and a professional would do it for you.
But I'm just a girl in my
bedroom who's gonna give it a go
and take you guys on the journey,
the experience, the ride.
I'm not gonna lie, I'm
a little bit nervous.
I'm hoping there's no way I can damage
my hair more by doing this.
I don't think there is, but you know,
I'm pretty clueless when
it comes to this stuff.
So we'll see, she sent detailed
instructions over text,
and I'm just going to give it a try.
And hopefully by the end of this,
my hair is feeling really
soft and silky and hydrated.
Obviously it's not going to
like cure my damage breakage.
You know, it has to just grow back.
And I know that if she's saying
I have to do one treatment a week,
it's not gonna like change my life
to do his treatment today.
But, we're gonna give a try
and just share the journey with you,
see what the results are like.
And maybe this will help some of you
find new things to try
for your hair damage.
So, let's give it a go
and head to the bathroom.
So I have all the products here.
First product I'm supposed
to use is this shampoo
that Fernanda sent by Mizani.
I've never heard of this company,
but she had given me
a hair mask from them.
And it's honestly like my
Holy Grail of hair product.
So, I'm guessing this is gonna be good.
It definitely smells delightful.
And she said that I am supposed
to shampoo three times,
which girl, this hair
is so in need of a wash.
Last night was hair washing night.
But, because I knew I was
filming today, I didn't wash it.
So, it's a day overdue, okay.
She needs to be cleaned.
Especially because I've
been putting so many,
like a lot of different hair oils in,
it's like extra, extra grease ball today.
So, I'm supposed to shampoo
three times and not condition.
But before I get in
the shower and do that,
she said to detangle my hair
because I'm not going to be
able to comb through after.
And she said that when I'm
in the shower doing this
to not like suds it up to
where my hair will get knotted.
But to just kind of like
smooth the shampoo down,
three full rinses, zero conditioner.
And that'll update you with the next step.
By the way, I'm going to go pop
and put a swimsuit on for modesty sake.
But, obviously when I'm
doing this on my own,
I don't usually wear a
swimsuit in the shower,
just to be clear.
All right, my shower is heating
to the right temperature.
It takes a long time.
So I'm just letting it heat up,
I'm going to brush through all my hair.
By the way, if you notice
my armpits aren't shaved.
That's all.
Just calling it out
before anybody else can.
I'm gonna shave 'em when I'm
in the shower, all right?
See, I've brushed through
all of my hair, now.
There's no knots.
So I'm gonna hop in here and do the thing.
In I go.
(water splashing)
I am out of the shower.
I just did exactly how Fernanda said.
I smoothed the shampoo down and through,
instead of scrubbing.
I did it three times.
My hair is very, very
drenched, soaked wet.
Also, probably have
makeup all over my face
because that's what happens
when you shower with makeup on.
But I just have it clipped up right now.
And then what I'm supposed to do,
is blow dry it without detangling.
And once it is dry, she said
it is gonna be like bone dry,
like scary, scary, dry.
Not a nice feeling because
there's zero conditioner in it,
and we cleansed three times.
But that's the point because
apparently it helps open
the hair cuticle so that when I put
the Olaplex treatment in,
it really soaks into the hair shaft.
And so that's what I'm gonna do now.
And I'll see you in a bit.
I've been blow-drying for a while.
So I decided to bring
one of my kitchen chairs
into my bathroom and
that's what we're doing.
(upbeat music)
So my hair is now fully dry, and clean,
and honestly feels really soft.
I don't know.
It doesn't feel dry to me.
Feel it Mom.
- [Niamh] Ooo, yeah, it feels delicious.
- It feels like I used conditioner.
I'm like, very impressed with that shampoo
because it really does feel very soft.
- [Niamh] And this is
not a sponsored video.
- Oh, God, no. Not sponsored.
So here we have this bowl
of our Olaplex mix that we created.
So what was that mix again, Niamh?
- [Niamh] It was, I think,
I'd have to look it up,
- Fourteen ounces,
- [Niamh] Four ounces, was it four or six,
of the Olaplex number
1, and then 16 ounces
of Olaplex number 2, but I
have to double check that.
We can always write on the screen.
- I thought it was 14
and 16, not four and 16,
- [Niamh] I thought it was four.
- Well, you're the one
who read the instructions
and did it, so hopefully.
- ` [Niamh] let's double check on that.
- As per usual, mama bee is correct.
It was four ounces of
Olaplex 1, 16 of Olaplex 2.
I have two clippies here.
I have my shower cap and
I'm now supposed to take
this very liquidy substance
and really drench my hair.
So get it root tip,
clip it up, put this on.
And then she said any heat source will do,
like a blow dryer.
So I'll blow dry through this.
So, I'm just really not sure
how I'm supposed to do this.
I think I'm gonna section my hair out,
but because of the,
- [Niamh] I think you should almost
put your head in the bowl.
- I don't think I can do that
cause I have to get it evenly distributed.
- [Niamh] Right.
- I can't just stick my head in and hope.
- [Niamh] Yeah, hope for the best.
- Hope for the best.
- [Niamh] (laughing)
It's pretty small bowl.
Yeah, I don't know what
you're expecting me
to do here Niamh.
- [Niamh] You gonna be a long time
getting all that on your head.
- I'm so hungry.
- [Niamh] Do you want a snack?
- So hungry, time for snack.
Olaplex can wait, Molly needs to eat.
- [Niamh] What are you having?
- Tuna.
- [Niamh] Mm, looks delish.
- Okay, so snack break's over,
Molly's feeling nice and fulfilled.
Took my vitamins for the
day, feeling good, okay.
It's like, I don't know if I'm allowed
to touch it with my hands.
- [Niamh] I was wondering about that.
- So I only have one proper
glove and one cleaning glove.
I'm lefthanded, so this one I feel like
will allow me to feel a bit
more, which is important for me.
I hate wearing gloves.
I truly do because it
takes away my sensation
and I can't just like look in the mirror
and see what I'm doing.
So, we'll see how this goes.
♪ Do, do, do ♪
Okay.
(upbeat music)
- Okay, to be honest,
it did drip a little bit
like on down the side of my ear
and like a little bit around my back.
But not as much as I thought I would
for how liquidy it is and
how I was trying to apply it.
I still have quite a lot
left here in the bowl.
So, I'm gonna like, bottle that up
and have it for the next time
I do this treatment next week.
But, for now, I try to really focus
on saturating all around my root line.
So, all around those baby hairs
and all around under here.
And then I also tried to make sure
the tips of the hair were super saturated.
So I did actually like
dip the end right into it
and squeeze that out.
But, I feel like I'm pretty
well saturated throughout.
So, I'm gonna remove
these, pop a shower cap on,
and get going.
I figured because I'll be
blow drying for half an hour
under this little heated blow dryer,
I'll put it on extra hot,
I should just chill in bed.
Make myself comfy, put on a podcast.
I'm going to be listening
to "The Thing About Pam"
in case anybody's wondering.
I'm gonna set an alarm for 30 minutes,
which is how long I have to do this for.
And I will check in with you then.
(upbeat music)
I am hot after half an hour.
Thank God I thought to put a podcast on
and that made time go by faster.
Highly recommend that podcast.
Comment down below what podcasts
you guys are listening to
'cause I'm definitely a podcast fanatic.
Anyways, I'm gonna jump in.
Fernanda said to just rinse thoroughly,
the Olaplex out, but not
with shampoo or anything.
Just rinse it out with water.
And then I use this Mizani hair mask
that I said earlier is like
one of my Holy Grail products.
So I'm gonna do that.
Once I get out, I'll put this
Brazilian blowout product
on all the baby hairs around the edges,
and I'll see you then.
Clearly my hair is wet once again.
I rinsed it out with water, did the mask.
Then I just put the
Brazilian blow out treatment
around my little baby hairs.
And I'm gonna leave it
to just air-dry tonight.
You can probably tell that
the lighting's pretty dark,
it's after seven o'clock and I have to run
to a medical appointment.
So I'm gonna go do that.
And then tomorrow I will check in with you
when it's all dry and
show the final results.
On Wednesdays, we wear pink.
Right, Gallup?
Are you wearing pink? Yes.
Cause real men wear pink.
Anyways, welcome back.
It's the next day.
My hair is really nice.
It's really soft.
I mean, to be honest, this is what's crazy
about my breakage, is the rest of my hair
has remained really soft this whole time.
It's just the breakage
around all the roots,
around the,
- [Niamh] Perimeter?
- Hairline, the hairline.
- [Niamh] The hairline.
(Siri talking quietly)
- Oh, my phone's talking.
So yeah, I will definitely
keep doing this.
It is a lot of work, but
I feel like the first time
is always the hardest, right?
'Cause you've never done it before,
so I'm gonna keep doing it, might as well.
If I'm told it's good for
my hair, girl, I'll do it.
And you know, the reality is,
no one hairdresser is
at fault for the damage
that I have in my hair.
You know, that's how I feel about it.
And that's why I'm not upset about it.
You know, like in my first video
where I talked about having damage,
this one right here, I
wasn't upset about it.
In this video, you see,
I'm not upset about it.
Like, this is a choice I made.
I've been choosing to bleach my hair.
And you know that eventually, you know,
I knew the reality is I
have extra strong hair.
You are Fernanda say it in the last video,
I have very strong hair.
But I knew, eventually, the day would come
when it would get damaged.
And I kept making the choice to dye it.
This is on me.
I don't blame any one hairdresser
over the last two years,
I've seen about four
different hairdressers
and all of them played a part in
where my hair is today, right?
So, I'm not like mad
at any specific person.
This is all my life choice.
So, I just want to mention that.
Nobody's like attacking any
of the hairdressers I've seen.
I just wanted to put it out there.
Like, at the end of the day,
you might be surprised
that I don't seem like,
more upset about my hair damage.
I've said from day one, it's hair,
it will grow back.
There are things that I can do.
So, such is life.
see you next time.
| {
"pile_set_name": "YoutubeSubtitles"
} |
English:
-Wow.
Wow.
-What?
-Was that an earthquake or
did you just rock my world?
Hi, Kong.
-Sorry, do you have a band-aid?
-No, I don't.
I'm sorry.
-Oh, that's okay.
I just scraped my
knee falling for you.
-Oh, my god.
-Oh, my god!
-Did you really just say that?
Did you really just say that?
Do you want my number?
-Fuck yeah, I do.
-Kiss me if I'm wrong, but
dinosaurs still exist, right?
-No.
-Well, that sucks for me.
-No.
No.
-Did you just fart?
-No, maybe that was you.
-Because you blew me away.
-That was funny.
-Come on.
Give it back.
-What?
-Give it back.
-What are you talking about?
-My heart.
-Shut up.
Get out of here.
-What?
-Here, write it down, babe.
-Let me write on your tits.
Portuguese:
Uau, uau
O quê?
Isso foi um terremoto?
Ou você que balançou o mundo?
Oi, Kong.
Desculpe, você tem um curativo?
Não, não tenho. Desculpe.
Ah tudo bem, é que eu acabei de
ralar o meu joelho caindo por você.
Ah, meu deus!
Você realmente disse isso?
Você quer o meu número?
Claro que eu quero!
Me beije se eu estiver errado.
Mas dinossauros ainda existem, certo?
Não.
- Bom, que ruim para mim.
- Não, não.
Você peidou?
Não, talvez foi você.
É porque você tirou o meu ar.
Essa foi engraçada.
Qual é. Me devolve.
O que?
Me devolve.
Do que você está falando?
Meu coração.
- Cala boca. Sai fora daqui.
- O que?
- Aqui, escreve isso, baby. Qual o seu nome?
– Deixa eu escrever nos seus peitos.
English:
-How am I going to see this?
Karen, you have to tell
me what this number is.
He's literally writing on my
chest and I'm letting him.
What's your name?
-See, I'm dating someone so
I don't think he'd really--
[SHUSHING]
-Okay.
What is your number?
-My number is 3-1-0.
-3-1-0.
-Can I get your picture
to prove to all my friends
that angels really do exist?
-Oh, that's so cute.
Sure.
-Do you mind taking our picture?
-There you go.
-Cool.
Thank you.
-That's really sweet.
I'm Hannah.
-Very nice to meet you.
I'll put it on Facebook.
I'll tag you.
-For sure.
-Hashtag, angel.
-Can I borrow your
phone real quick?
-Like the calling--
-Oh, yeah.
Give me the phone.
Thanks.
-Yeah.
Hi, mom.
Yeah.
I think I just met
the girl of my dreams.
Yeah. she's standing
right in front of me.
-Oh, my gosh.
-Hey.
Can I get directions?
-I am not familiar.
Portuguese:
Como eu vou ver isso?
Karen, você vai ter que me falar
qual é o número dele.
Ele está literalmente escrevendo nos meus peitos
e eu estou deixando. Qual o seu nome?
Olha, eu estou namorando uma pessoa
e eu não acho que ele realmente...
Certo.
- Qual é o seu número?
- Meu número é 3-1-0
3-1-0
Posso tirar uma foto sua para
provar para todos os meus amigos
que anjos realmente existem?
Oh, isso é tão fofo.
Claro.
- Você se importa em tirar nossa foto?
– Aqui está.
- Legal.
- Obrigado.
- Isso foi muito doce. Sou Hannah
Prazer em conhecê-la.
Vou por esta foto no facebook e te marcar.
- Claro.
– Hashtag, anjo.
Posso pegar seu celular emprestado
bem rápido?
- Pra ligar pra alguém?
- Sim, me dê ele. Obrigado.
Oi, mãe? Sim.
É. Eu acho que encontrei a garota
dos meus sonhos.
- Sim, ela está na minha frente agora.
- Ai meu deus
Ei. Hmm.
Pode me dar uma direção?
Não sou familiar.
English:
-Well, I need directions
to your heart.
-Oh, what is your number?
-Oh, 7-6-0.
-7-6-0.
-I have to stop you
because I actually
forgot the pick up line
I'm supposed to use.
Are you a parking ticket?
-No.
-Because you've gotten
fine written all over you.
-If I had $0.05 for
every time I saw someone
as beautiful as you,
I would have $0.05.
-Thanks.
-Hi.
Question-- I have to say my
love for you is like diarrhea.
I just can't hold it in.
-Nice pick up line.
-Give me a hug.
All right.
Now, give me your number.
-No, I'm going to class.
-Why?
Excuse me.
Do you have the time?
It is 12--
-No, no, no-- the time for
me to take your number down.
-Oh.
-What race are you, by the way?
-I'm white.
Portuguese:
Bem, eu preciso de direção para
o seu coração.
- Qual é o seu número?
- 7-6-0.
7-6-0.
Eu tenho que parar você, porquê...
eu na verdade esqueci qual era
a cantada que eu deveria usar.
Você é uma multa de estacionamento?
- Não.
- Porquê você tem “boa” escrito em você inteira.
Se eu ganhasse 5 centavos cada vez que eu visse
alguém tão linda quanto você.
Eu teria 5 centavos.
Obrigada.
Oi. Pergunta.
Eu preciso dizer que meu amor por
você é como diarreia.
Eu simplesmente não consigo conter.
Bela cantada.
Me dê um abraço.
- Certo, agora me dê seu número.
- Não, eu estou indo para a aula.
Por que?
Com licença. Você tem tempo?
São doze.
Não, não, não... tempo para eu anotar o teu número.
- Qual a sua raça, a propósito?
- Sou branca.
English:
I'm German, Swedish,
Czechoslovakian.
-Really?
Mm-hmm.
-I would have thought
you were Jamaican.
-Really?
What would have
made you think that?
-Because you're making me crazy.
-Excuse me.
Do You know if there's
an airport nearby?
-An airport nearby?
-Yeah, or was that just
my heart taking off
because you walked past?
-Oh, my gosh.
-If you are words on a
page, you'd be fine print.
-Hey, that was a good one.
-Yeah?
Now, what is your number?
-9-1-6.
-9-1-6.
-Mm-hmm.
-All right.
What is it?
-8-0-5.
-8-0-5.
-Okay, what is your number?
-3-2-3.
-3-2-3.
-5-5-9.
-5-5-9.
-It's 6-6-1.
-Hi.
I have to ask, I love
this rolling backpack.
And I felt like if--
let me ask you question.
Did you fall?
Did it hurt?
What do
-You mean?
Portuguese:
Sou alemã, sueca e tchecoslovaquiana.
- Sério?
- Aham.
- Eu pensei que você fosse jamaicana.
Sério?
O que te teria feito pensar isso?
Porque você está me deixando louco.
Certo.
Com licença. Sabe existe um aeroporto por perto?
Um aeroporto por perto?
- Sim, ou será que foi apenas o meu
coração decolando porque você passou?
- Ah, meu deus.
Se você fosse palavras numa página.
você seria uma bela impressão.
- Ei, essa foi boa.
- É?
- Agora, qual o seu número?
- 9-1-6.
Aham.
- Certo, qual é?
- 8-0-5.
8-0-5.
- Certo, qual é o seu número?
- 3-2-3.
3-2-3.
- 5-5-9.
- 5-5-9.
É 6-6-1.
Oi. Eu preciso perguntar.
Eu amo essa mochila de rodinha.
E, hum.
Eu senti que se, hum.
Deixe-me fazer uma pergunta.
Você caiu? Machucou?
O que você quer dizer?
Portuguese:
Quando você caiu do...
- Do céu. Machuca.
- Não.
Uau, isso foi uma falha gigante. Merda.
Então, nós estamos fazendo cantadas bregas
para as pessoas e filmando.
- Você se importa se usarmos isto?
- Não mesmo.
- Não, eu acho isso super fofo.
- Obrigado.
- Eu gostaria que mais caras fosse, assim para
frente e fofos desse jeito.
- É?
Então agora, nós estamos provando para rapazes que
É possível usar cantadas bregas.
Com certeza, vocês podem.
Caras não tem mais coragem para fazer nada hoje,
eles são horríveis.
Exatamente.
English:
-When you're fell from the sky.
-No.
-Hurts.
Wow, that was a
huge fail-- shit.
-So we're doing cheesy lines say
to people and we're filming it.
Do you mind if we use that?
-Not at all.
-No, I think it's super cute.
Like, I wish more guys
were actually forward
and cute like that.
-Yeah.
-So now, we're here
to prove to guys
that you can use
cheesy pickup lines.
-Hell yeah, you can.
Guys don't have the guts
for anything anymore.
They suck.
-Exactly.
[MUSIC PLAYING]
| {
"pile_set_name": "YoutubeSubtitles"
} |
[dramatic, jazzy music]
| {
"pile_set_name": "YoutubeSubtitles"
} |
Spanish:
- Oye, escucha, ¡no puedo entender una palabra de lo que dices !!
- No hablo idioma campana!
- Bueno, qué es lo que tenemos aquí...
- Esto vale la pena, Ahhh...!!
- ¿De dónde salió esa luz graciosa?
Tu necesitas..
- Así no es como lo imaginé ...
- ¡Oye!
- Un gusto conocerte!
- Vamos, gran amigo.
- Salgamos de aqui.
- ¡Bueno!
- Fue un wisp que me metió en este lío ...
- ¿Un qué?
- ¡Vamos al norte!
- No, al sur!
- Y esto que es ...
- Oh, vamos, ¿EN SERIO?
- ¡Y otra vez! ¡Y otra vez!
- ¡¡Eres libre!!
Chinese:
嘿,你可以听吗,你说的话我什么都不明白!
我不讲你废话语言!
哦,这到底是什么呢?
你别浪费我的时间
哪奇怪光灵到底从哪里来的?
你应该 —
我没想到会变到这样。。。
嘿!
很高兴见到了你!
同伴,快走啦。
我们快逃走吧。
说得好!
全部的困难都是哪一个奇怪灯球引起的。。。
一个什么?
- 快去北!
- 错了,去南!
【欸】
可以发光吗?
来这儿!
好。
这到底是什么意思?他们在做什么?
我碎。
什么?
你开玩笑吗?真的这样??!
多一次!多一次!
你瘨了。瘨!
你自由了!
English:
- Oy, listen, I can't understand a word you just said!
- I don't speak chimey bell talk!
- Well, what have we here...
- This better be worth the...
- Where'd that funny light come from?
- You need to—
- This ain't how I pictured it...
- Hey!
- Pleased to meet ya!
- Come on, big fella.
- We'll get ourselves out.
- Okay!
- It was a wisp that got me into this mess...
- A what?
- Let's go north!
- No, south!
[exasperated groan]
- Can we get a light?
- This way!
- Okay.
- What does that even mean...
- Squish.
- WHAT?!
- Oh, come on, REALLY?!
- And again! And again!
- You're mental, son. Mental!
- You're free!!
French:
- Hé, écoute, j'ai pas compris un seul mot !
- Les sons de cloche, je connais pas ça comme langue !
- Tiens, c'est intéressant, ça...
- Ça a intêret à en valoir la peine—
- Et elle venait d'où cette drôle de lumière ?
- Il faut que tu—
- Je m'imaginais pas ça...
- Hé !
- Content de te rencontrer !
- Viens avec moi, le costaud.
- On trouvera la sortie.
- Ok !
- C'est une sorte de feu follet qui m'a entraîné ici...
- Un quoi ?
- Vers le nord !
- Non, le sud !
[soupir exaspéré]
- On peut faire de la lumière ?
- Par ici !
- D'accord.
- Mais à quoi ça rime, tout ça...
- Squish.
- QUOI ?!
- Oh, mais t'es sérieux là ?
- Et encore un ! Et encore un !
- T'es dingue, toi. Dingue !
- Tu es libre !!
Russian:
- Хой, слушай, я не могу понять ни единого слова что ты сказал!
- Я не разговариваю как колокольчик!
- Что-же, что у нас здесь...
- Лучше бы было...
- Откуда этот забавный светящийся шарик?
- Тебе нужно-
- Это не то как я представлял...
- Хэй!
- Рады видеть тебя!
- Ладно, гигантик.
- Мы вытащим друг друга отсюда.
- Окей!
- Это был Висп который меня столкнул сюда...
- Эмм.. Что?
- Пошли на север!
- Нет, на юг!
[раздраженный стон]
- Может огоньку?
- Туда!
- Окей.
- Что-же это значит...
- Бам.
- ЧТО?!
- Ах, ты серьёзно?!
- Опять! И опять!
- Ты псих, дружок. Псих!
- Ты свободен!
Turkish:
- Bak dinle, söylediğin hiçbir şeyi anlamıyorum.
- Konuştuğun dili konuşamıyorum.
- Ne varmış burada?
- Buna değse iyi...
- O komik ışık nerden çıktı?
- Senin ihtiyacın olan—
-Tahmin ettiğim şey bu değildi...
- Hey!
- Tanıştığıma memnun oldum!
- Hadi ilerle koca oğlan.
- Buradan çıkmamız gerekiyor.
- Tamamdır!
- Beni bu saçmalığa sokan o minnak ışıktı...
- Aa şimdi ne var?
- Hadi kuzeye gidelim.
- Hayır güneyden!
[Bıtkınlık içinde iç çekme]
- Işık yakabilir miyiz?
- Bu taraftan.
- Tamam.
- Bu ne anlama geliyor?
- Ezmek.
- NE!?
- Siz ciddi olamazsınız?
- Ve diğeri! Ve diğeri!
- Siz hastasınız oğlum. HASTA!
- Sen özgürsün!!
Turkish:
- Sanmıyorum. Bence o öldü.
- Ah, hadi ama...
[Teklenmekten sinirlenen bir yaratığın hırıltısı]
- Hey!
- Selam!
- İhtiyacımız yoktu am—
- Çeneni kapat ve teşekkür et.
- Bir saniye bekle...
- [Sahne dışı gülüşmeler]
- Aha Wisp,
senin iğneleyici zekan çimenler üzerinde berbat ediliyor.
- [Tehlike biplemesi]
- Ne?
- DUR!
- [Gülüşmeler]
- Bekleyin, Bundan ister misiniz ha?!
Spanish:
- Nah, creo que está muerto.
- Ohh, vamos ...
- ¡Oye!
- ¡Hola!
- No necesitamos-
- Cállate y di gracias.
- Espera un minuto...
- [Puck riendose]
- Ah, Wisp,
tu ingenio, se desperdicia en estos seres burdos.
- ¿Huh?
- ¡DETENTE!
- Oh, quieres algo de esto, ¿eh?
Russian:
- Не, я думаю он мёртв.
- Ах, давай же!
[рык злобного существа, который получил удар в колено]
- Хэй!
- Привет!
- Нам не нужн-
- Заткнись и скажи спасибо.
- Подожди-ка...
- Ах, Висп,
твой мерзкий ум впустую тратится на этих мерзких существ.
- Мм?
- ОСТАНОВИСЬ!
Ох, тебе хочется получить, а?!
English:
- Nah, I think he's dead.
- Ah, come on...
[growling of an angry creature that got kicked in the knee]
- Hey!
- Hi!
- We didn't need—
- Shut up and say thank you.
- Hold on a minute...
- [off-screen laughter]
- Ah, Wisp,
your mordant wit is wasted on these gross beings.
- [alarmed beeping]
- Huh?
- STOP!
- [laughter]
- Oh, you want some of this, eh?!
Chinese:
自由?我认为他已经死了。
啊啊,又困难。。。
【生气地咆哮】
嘿!
你好!
我们其实不需要 —
快闭嘴说谢谢吧。
等一等。。。
【隐形的玩笑】
啊啊,小球。
你在这些作呕生物前,你真的浪费你媒染剂智力。
【慌张地蜂鸣】
啊啊??
住手!
【笑声】
哇,你要打架啊?
French:
- Non, je crois qu'il est mort.
- Ah, bon sang...
[grondement menacant d'une très grosse créature qui vient de se prendre un coup de pied dans le genou]
- Hé !
- Salut !
- On avait pas besoin—
- Tais-toi et dis merci.
- Attends une seconde...
- Ah, Wisp,
c'est dommage de gâcher un sens de l'humour aussi sophistiqué sur des bêtes aussi primitives que ça.
Hein ?
- STOP!
- [rires]
- Quoi, vous en voulez, vous aussi?
| {
"pile_set_name": "YoutubeSubtitles"
} |
[MUSIC PLAYING]
Good morning to everybody again.
We start now the second session
of this exciting meeting.
And we are going to talk about
stem cells and gene therapy.
We like to call stem
cell and gene therapy
definitive therapy,
because we want
that this is one-time
therapy for our patients.
And the goal is indeed
to cure diseases
that today are really incurable.
So when we think about gene
therapy and stem cell therapy,
we heard today
that we can use it
to treat many
diseases, including
damage after brain cancer.
But in reality, today
we will focus mostly
on genetic diseases and what we
call monogenic diseases, which
is one mistake in one gene.
And this mistake in one
gene leads to disease.
These kinds of diseases are
fortunately relatively rare.
But when you take
them all together,
they really affect many millions
of people, and mostly children.
And when I started to
work with genetic diseases
a few years ago, we had
approximately identified 3,000
monogenic diseases.
And today, we are over
10,000, and it's still rising.
Every day, we characterize as
monogenic diseases, diseases
that until yesterday we
thought were acquired diseases.
So the field is
really expanding.
And today, what we can
do for our patients
is a therapy to
alleviate the symptoms.
But in reality, this
is not our goal.
Our goal is to cure
this patient for life.
And, indeed, the next
frontier for curing
these patients is
regenerative medicine--
stem cell therapy, gene
therapy, tissue engineering.
And our contribution
to precision medicine
is really to establish
successful therapies which
are tailored to that
specific disease
and to that specific
patients population.
And again, we want one
therapeutic intervention
to take care of the
problem for the rest
of the life of the child.
So you have to start to
think of this session
as a session in which we use
cells and genes as drugs.
So stem cells can regenerate
and replace damaged tissue
and really cure or
treat a condition.
And genes can be
inserted in the cells
to reestablish a function
which is missing.
And with this approach, using
cells and genes as drugs,
we can treat many diseases in
addition to genetic diseases.
We can treat cancer,
neurodegenerative diseases,
heart diseases.
But you can ask-- and
actually, I get this question
many times-- if stem
cell and gene therapy
is such a tremendous potential
for so many diseases, why
it's not on the market?
Why our doctor cannot prescribe
stem cell and gene therapy
to me as a patient, if I
need it, or to my child,
or to my relatives,
if they need it?
Well, there are many
reasons for that.
But the bottom line is
that we are not there.
We had tremendous acceleration
in the field in the last 10
years.
But still, today, we
have only a couple
of drugs that are registered
and marketed for gene therapy
and for stem cell therapy.
And we have a handful of
diseases that we can cure.
And one of the major reasons why
we are still working and really
want to accelerate
the field, but we
were stuck for many
years, if you wish,
is because there was really what
we call "the valley of death"
between basic research
and clinical practice.
But fortunately, although
this valley of death
stayed there for many years,
and we had academic scientists
working on basic
problems to solve,
and then the industry to develop
drugs for clinical practice,
in the last five years,
and more to come,
we really see an acceleration
towards translational research.
And many institutions,
and Stanford Medicine
is the forefront of
translational research,
really invest in translational
research to close this gap
and to bring discoveries to
the bad side of the patients.
So we want to translate our
discoveries into new medicines
for our patients.
And with that, I want
to introduce, really,
the speakers of this session.
The first speaker comes from
industry, Martin Andrews.
He will give you the perspective
of the industry for stem cell
and gene therapy.
Then we have an academic leader
in the field, Nadia Rosenthal,
will give you the perspective
of an academic scientist that
devotes her career
to stem cell therapy.
And finally, we will have a
panel of four Stanford Medicine
speakers, Hiro Nakauchi, Sean
Wu, Matt Porteus, and Tony Oro.
And I want to recognize that
they're not the only scientists
working in stem cell and
gene therapy at Stanford.
We have been really lucky to
have an institute for stem cell
biology and regenerative
medicine directed
by Irv Weissman.
And in this institute,
really, there
is a critical mass of
excellent scientists
working on the problems
we try to address today.
And also, for gene therapy,
we have the Division
of Human Gene Therapy
directed by Mark
Kay and many excellent
scientists in gene therapy.
Some are today in the audience.
So I hope that with
the four speakers,
you will have a
flavor of what we
are doing at Stanford Medicine.
And if you want to
learn more about that,
we are at your disposal.
So without further
ado, I would like
to introduce Martin Andrews.
Martin Andrews
started his career
in a pharmaceutical company
in 1985, in the Beecham Group.
He joined
GlaxoSmithKline in 1992,
and he worked his
successful career
in many different disease
areas, including neurology,
gastroenterology, vaccine.
And we have been very fortunate
to have him as the senior vice
president of GlaxoSmithKline and
responsible for orphan disease
globally since 2013.
So Martin's team
really is pushing hard
to bring gene therapy and
cell therapy to the market.
And without further ado, Martin,
thank you for being here.
Thank you.
[APPLAUSE]
Thank you.
Well, good morning,
ladies and gentlemen.
Thank you, Professor
Roncarolo and Dean Minor
for this fabulous opportunity
to talk with you today
at this inaugural
Child X conference.
It's a real privilege to
be here for me, actually.
But it's also somewhat
of a daunting privilege,
especially when I'm addressing
many great minds in the area
of maternal and child health.
And it's a somewhat daunting
privilege in respect
it feels a bit like being asked
to talk about your golf swing
to Tiger Woods or Arnold Palmer.
So anyway, it also
feels a bit daunting
in the sense of the
format we've got.
It's like being asked to do
that but from Martha Stewart's
Living room at the same time.
But anyway, I'll do
what I can to give you
an industry perspective.
What you're not going
to hear from me today
is any original research
about cell and gene therapy.
I'm going to leave that to
everybody else, the experts.
I'm not a treating physician.
I'm not a research scientist.
But I spent my whole
career in industry.
And therefore, what
I'm going to try and do
is to give you an
industrial perspective,
if you like, on the
potential application
and what we're really doing
in cell and gene therapy
at GlaxoSmithKline.
Now, first of all, you may
ask the question, well,
what's a company like GSK
even doing in rare diseases?
And there's really three reasons
why we're present in this area.
The first reason is
that it's absolutely
consistent with our
mission as a company.
We are here to help people do
more, feel better, and live
longer.
That's the core mission of GSK.
It's in our DNA to do that.
But secondly, it
also, by working
in orphan diseases with
very, very high unmet need,
allows us to apply
cutting edge science
to solving these problems.
And I'll give you a
couple of examples.
The use of oligonucleotides
for gene silencing
or for exon skipping is
a good example of that.
The use of ex vivo autologous
gene therapy, which
is what I'll talk
about more today,
gives us an opportunity
to do that as well.
And doing these in
high unmet need areas
is far more tractable
to take something
from the bedside to the
clinic and hopefully
one day to the marketplace.
But there's a third reason.
I think this is arguably
one of the most important.
And that is because
researching and developing
medicines for
ultra-rare diseases
gives us a window
into human biology.
The biggest single reason why
medicine development fails
is usually because of a
poor target validation.
And in studying and applying
medicine development
to rare diseases,
it usually allows
us to look at a very exquisitely
precise mechanism that
underlies the disease.
And in the case of
monogenic genetic disorders,
that's very, very
exquisitely precise.
And here, one of the reasons why
this is beneficial for us is it
allows us to look at interacting
with a fundamental pathway that
causes the disease may
well teach us things
that we can apply
either upstream
or downstream or at the same
point in that pathway for more
common diseases.
And, I think, as previous
speakers this morning
have alluded to, the science is
generating at such a huge pace
here.
And as the
bioinformatics revolution
untangles all the strands
of the human genome,
it's very likely that
common disease populations
will be segmented and
subsegmented and substratified,
such that personalized medicine
is not going to be desirable.
It's going to be
essential in the future.
So these baby steps
we take today,
as science and
technology matures,
and we learn to apply that
science and technology,
we really see that
as a huge benefit.
So that's why GSK is
involved in rare diseases,
and specifically,
cell and gene therapy.
But what about myself?
Well, I've actually been in the
industry for over 30 years now.
In fact, when I started, I had
a beautiful, thick head of hair
which has disappeared
over the years.
And actually, 10 of
those 30 years, I
spent in the field of vaccines.
Now, many people ask me, why are
you moving from vaccines, where
everything is done on such a
vast scale, where public health
impact is truly global, where
hundreds of millions of people
every year receive vaccines?
And, in fact, GSK alone
manufacture almost a billion
doses of vaccine every year.
And you're moving to an area
where you can count patients
sometimes on one
hand or both hands,
or at least in the
tens and hundreds.
And the answer really
is the patient.
Now, even though the context
and the scale is very different,
the unmet need is equally raw.
Now, in vaccination, if you
look at the consequences
of not being able
to vaccinate kids
against infectious
disease, there
are really profound
consequences.
Now, there are
many, many occasions
in my previous life
in vaccines where
you know that if you
do not deliver vaccines
where they're needed, there
are significant consequences.
I'll give you an example with
pneumococcal vaccination, where
for every million doses of
pneumococcal vaccine that we
deliver to Sub-Saharan
Africa, it's
about 3,000 children
under five will
be spared a premature death
from pneumococcal pneumonia.
So it's a very, very
binary, if you like,
cause and effect
on the impact you
can have on people's health.
And actually, in
respect to the scale,
the same is true
with rare diseases.
We know that a child
diagnosed with a rare disease
will have about a one in
three chance of seeing
their fifth birthday.
So the unmet need, despite
the scale, is equally raw.
And that's the thing that
attracts me to this area.
To be able to make even a small
difference to a child's life
is profound.
I remember, actually,
we had a patient seminar
on patients who had successfully
been treated with gene therapy.
And there was a lad there
with his mother and father.
He was an early teenager,
typically miserable and sullen,
but very healthy.
And his mother was
describing his journey
through therapy, their
journey through therapy.
And she described how all
the things we take for
granted for our children
when they're healthy,
they had had to adjust
to dramatically,
so things like,
swimming, playing
soccer, skateboarding, being
glued to their gaming machines,
I guess.
But the one thing that
really caught my attention
was the lack of
social interaction
and how on his
first day at school,
he said that he'd never
seen so many kids.
He didn't realize that kids got
together in such big groups.
Because until that point,
he'd had pretty much
an isolated, almost
aseptic existence.
And that's what we think about
transformational medicine.
So when we looked
at this at GSK,
it really felt like
the very first page
of a new chapter of a new
book that has the potential
to transform medicine.
And it's a book that's being
written almost as fast,
I think, as you can read it.
And if we look at all
of the progression
of scientific
research now, going
beyond ex vivo autologous
gene therapy and stem therapy,
but also the discovery
of new vectors,
synthetic vectors,
the application
of gene editing through
nucleases, transposons.
And every day, there seems
to be something new to learn.
And actually, it's
rather a challenge,
because all these
things are great ideas
unless we can actually
apply them and give access
to patients on a global scale.
And that's really what
we're aiming to do at GSK.
So imagine, I'll go back
to my vaccine analogy,
in 1952, when Jonas Salk
created his first polio vaccine,
could you imagine or
could anyone imagine then,
that in a lifetime, it
would be possible to be
on the brink of eradicating
polio worldwide?
Could anyone imagine
that it would
be possible to prevent
hepatocellular carcinoma
as a result of hepatitis?
Or protect a child from
six infectious diseases
with one injection?
Or prevent women from cervical
cancer through immunizations?
All of these things
are tractable
and have been developed
by the confidence
and the continual
application of giving
the immune system a helping
hand through immunization.
And that's, in a
way, I think, how
we're seeing this whole area
of gene and cell therapy.
So let me talk a little
bit now about what we're
trying to do here and how
we're trying to do it.
And I want to give you an
example of a genetic disorder.
Imagine a child who's born
with a single gene defect,
and that gene is
responsible for enabling
the creation of a protein which
is essential for metabolizing
toxic waste in cells that
would otherwise accumulate.
And when it
accumulates, it actually
degrades the ability
of cell division.
Imagine that it's going to be
T and B cells in this case,
so the child rapidly progresses
to immune deficiency.
And so you have a very
profound immune deficiency
on their hands.
They're prone to
and very susceptible
to common infections that
most kids can fight off.
And they may well never
see their first birthday.
Or if they do, if they've
been successfully treated
to a degree with
enzyme replacement,
then they may get
into their teens
but not have a great
quality of life.
That's the kind of patient
that we're thinking about here.
So if you will forgive me
dramatically oversimplifying
what is literally decades
of scientific research
and development, I just want
to walk you through the process
that a patient like that,
with an immune deficiency,
would follow.
So first of all, the patient
would have bone marrow
stem cells extracted.
These cells, in this case, if
it was an immune deficiency,
we are thinking about
CD34 positive cells.
They would be
selected and purified.
And through a multi-step
cell processing process
that happens, obviously
outside the body,
the cells would be mixed
with a viral vector.
So this is a
non-pathogenic virus
which has inserted the
correct human genome sequence.
And that acts as a vector by
transducing those stem cells.
In other words, by
attaching to the cells,
inserting into the
nucleus of the stem cells
the corrected gene
sequence in an, albeit,
fairly indiscriminate fashion.
And with those transduced
cells, clearly the patient
who's going to be
the recipient will
have to undergo a
period of conditioning
to allow-- to make
room for the cells
by removing some of the
uncorrected stem cells that
exist in the child's
immune system.
Now there's a really critical
step that comes here as well,
and that is the quality
assurance release.
Now, somebody in
this process has
to make the decision
to release the product
for readministration
or reinfusion
back into the child from
which the cells came.
Now that's a very
important step,
and I'll come onto
this in a second.
Now clearly, this is an
irreversible procedure.
It's integrative gene therapy.
So once you've done
it, you've done it.
And therefore,
patients are going
to need very long-term
followup, because clearly,
whilst there's the
potential for cure,
there's also the
potential for harm.
So that in a nutshell
is really the process
that we're following
in the gene therapy.
And as we became interested
in this, certainly,
as I became interested
in this, you
start to see the limitations
quite dramatically, which
I think Professor Roncarolo
actually expressed
at the very beginning.
And that is really that
from a geoscape perspective,
once we are used to making
vaccines, biological products,
monoclonal antibodies,
small molecules,
we're not at all experts in the
area of selling gene therapy.
So this really drove
our whole strategy here
to partner with
clinical academia.
Because all of the
research was and still is
being done in clinical
academia, so the basic science,
the translational medicine,
the medical management
of the patient that
surrounds the whole area.
And that's one of
the limitations
that clearly we saw and
drove our partnership
with, in this case,
the Telethon Institute
for Gene Therapy in Milan,
and the Ospedale San
Raffaele in Milan, and the
colleagues of Professor
Roncarolo, and
others in the unit.
And we also see that
there were limitations
that all of the clinical
academics in the area
were also facing, and
that is really the ability
to create a process that is
robust, scalable, predictable,
and controllable,
which allows the filing
under regulatory
scrutiny to take this
from bedside
experimental medicine
into something that
has the right levels
to be considered as a medicine.
And clearly, there's also the
whole manufacturing and control
area which is crucial.
Because if we're
going to do anything,
we need to make sure that
patients can access this,
and it's affordable, and it's
also accessible geographically.
Now, clearly there's a
number of considerations
when we do this, a
number of real learnings
that have been quite hard
for us, and they still are.
So some of the hurdles
we have here are,
first of all,
you're dealing with
an inherently and infinitely
variable starting material,
and that's the patient.
Everybody is different.
Their physiology is different,
even though a lot of the basics
are similar.
The second thing is that we are
also dealing with fresh cells
throughout the whole process.
Now this is quite unusual for
us in a manufacturing sense,
because you cannot
sterilize them.
So in a way, you would be giving
back a non-sterile product
to a patient who's actually
profoundly immune-suppressed.
And that creates
its own challenges.
The third thing is the
release specifications.
I mentioned that somebody
has to make the decision,
from a quality
assurance point of view,
to release a batch of medicine
to treat the sick child.
And that is quite an
issue, because there
are no standard consistently
validated assays
that we'd normally be used to.
How many cells is too little?
How many cells are too much?
How potent do they need to be?
What time window do they need to
be readministered or reinfused?
So quite a lot of issues on the
release aspect of the medicine.
And then, of course, there's the
whole issue of the shelf life.
They're fresh cells.
They don't have
an infinite life.
They lose potency, just
like many vaccine antigens
lose potency with time.
And therefore, there's a
narrow window of opportunity
to reinfuse the cells
into the patient
before they lose potency or
decrease in the quantity.
Then there's the whole
area of disease selection.
So we're thinking
about which diseases
do we really believe are
tractable with cell and gene
therapy.
And there's multiple
considerations here too.
So how strong is the
biological rationale
in the preclinical data?
Is there a really strong
cause relationship
between the metabolic defect
and the gene correction?
Is the preclinical
model really likely
to be predictive of
success in the clinic?
When we're thinking about
the diseases themselves,
how much damage is done
before the child is born?
How rapidly does the
disease progress?
I mean, if the disease
progresses very,
very rapidly after
birth, then can you
really design a study
that will show a treatment
difference rapidly enough
after the therapies had
been initiated?
Or conversely, if it's a very
slowly progressing disease,
you may have to do unfeasibly
long clinical studies
to detect the difference.
So quite a lot of
considerations purely
on the nature of the condition.
And then, of course,
there's the feasibility
from a delivery perspective.
So how realistic is it to
expect the transduced progeny
of the stem cells
to actually reach
the target organs that may be
affected by a rare disease?
So it could be the
heart valve or the eye,
which are inherently
difficult areas
to be precise in
delivering the medicine to.
So a whole range
of difficult issues
that need to be overcome.
Now, in our
partnership with TIGET,
we are targeting a whole
range of different conditions.
So first of all,
there's ADA-SCID,
a primary immune deficiency.
This is where children
lack the ability
to make a single enzyme,
which is adenosine-deaminase.
That creates a difficulty
in cell division.
It's very similar to
what I was describing
on the patient side leading
to profound immune deficiency
and usually an early death.
But there are also
other areas that
are in the scope of
our collaboration.
So Wiskott-Aldrich syndrome,
again, in this syndrome
you've got a single
enzyme defect
which prevents the creation
of the WASP protein,
leading to severe bleeding
disorders and also leukemia.
And then chronic
granulomatous disease,
where again, there's enzyme
deficiencies that preclude
the ability to fight infection.
Now these are all in the primary
and immune deficiency sphere.
But as part of
the collaboration,
we're also looking at a cluster
of lysosomal storage disorders,
so metachromatic
leukodystrophy being one.
And this is, again,
a single gene defect
where the gene that codes for
production of arylsulfatase A
is missing and you get an
accumulation of GAG and fat
in the brain, which results
in very dramatic and quite
horrific reduction
in gross motor
function in children
affected with MLD.
And then, of course, the
mucopolysaccharidosis,
in this case MPS I
or Hurler syndrome.
And here we can see how this
technology can lend itself
very well to MPS I, or
indeed, MPS II or MPS III
And last but not least,
globoid cell leukodystrophy.
So a whole range of disorders in
the lysosomal storage disorder
category.
And last but not least,
globinopathies, in this case,
beta thalassemia.
So what you can see from
this cluster of indications
is the partnership
we have with TIGET
and San Raffaele is going
to allow us to explore
not just different diseases
but actually a range of tissue
compartments and a range
of prevalence of illness
going from the ultra-rare,
such as ADA-SCID or WAS,
through to a still rare
but far more prevalent
condition like beta thalassemia.
So this is really a very, very
significant learning exercise
in how to apply the
technology across this range
of different conditions.
Now, there's also a real
challenge here as well,
and that is to get from
a single center of origin
to being able to manufacture on
a scale that is A, affordable,
because remember, each
patient is its own batch
here and also accessible.
And if we really want to
make the leap from going
from ultra-orphan very, very
specialist treatment to more
common diseases-- and there's
some encouraging science
evolving looking
at CCR5 and HIV-1,
for example, and other such
more common diseases-- then
we really need to make sure
that we can get the medicine
to the patients who need it.
Now this sounds rather easy,
but it involves a hugely complex
technology transfer approach.
So right now, the
center of excellence
that we're working with
is in Milan, in Italy.
And through tech
transfer, we have
to make sure that the process
and everything is transferred
to other centers.
And in transferring
that technology,
the results that come from
the transfer of the technology
are predictable and
reproducible compared
to what the outcomes that were
derived at the original source.
Now it sounds rather
easy, but actually, it's
a little bit like cookery,
rather than chemistry.
And the reason I
say that is it's
a little bit like if I
tried to cook a Michel Roux
dish from one of his cookbooks.
And I can use exactly
the same ingredients.
I can follow the recipe.
But I can guarantee you that
my dish won't taste anything
like the one that
he or his chefs
produce in their restaurant.
So a lot of this is
not just about process.
It's not just about
technology transfer.
It's about know-how
and the ability
to translate know-how
to different centers
in an exquisitely
precise fashion.
Now clearly, in order to extend
the life of the medicine,
we're going to have to work
hard on self-preservation
through chemical preservation
and cryopreservation.
Now we can do this today
with the viral vector.
That can be deep frozen and
shipped pretty much anywhere
in the world.
But ultimately,
the cell processing
or the movement of
transduced cells
presents many, many other issues
that we have to contend with.
So ultimately, we see this as
pretty much an inevitable route
towards automation.
Now, the technology
exists today.
It's certainly used
in cell selection,
but it needs to go further.
It needs to go further in
respect to not just cell
selection or cell purification
but also transduction itself.
So you can make this a
reproducible, consistent,
scalable process
that can actually
take place in the
treating center,
rather than have to have
everybody going to highly
specialized centers and
actually spending months there
in order to go through
the whole treatment cycle.
So that's the vision.
And if we can do
this, then clearly we
can not only make this
medicine approach more
accessible to people
by reducing the cost,
but also increasing the
usability and the proximity
of the medicine.
But it also means that it would
open the door to more prevalent
diseases, so whether it's
HIV, whether it's hepatitis,
it could be many
other mechanisms.
And so what we're trying
to really do within GSK
is to form partnerships.
And that's why I want to
recognize the partners that we
do have in this area today.
I've mentioned already
the Telethon Institute
for Gene Therapy in Milan.
But critically, the
manufacturing partner,
MolMed, who undertake
highly specialized cell
processing and cell
selection and transduction.
And without them, it'd be really
impossible to take the steps
that we need to do
to try and shape
the whole pathway of medicine.
And more recently, we
formed collaboration
with a company
called Adaptimmune,
looking at TCRs in
the field of oncology,
in the intracellular space,
as well as the cell therapy
Catapult in the UK.
So what we're looking for here
is a virtuous partnership where
the basic science, the
translational medicine,
the discovery is really
undertaken where it's best,
in clinical academia.
And what we try to
do is to partner
early enough in order to
make sure that what comes out
of that can be manufactured,
registered, and scaled,
and importantly, that we find
a way of getting paid for doing
all this at the same time
so that we can really
push the boundaries further and
further as the science matures.
So with that, I just
wanted to say a very big
thank you for listening.
And really, thank
you on behalf of all
of these institutions for
the groundbreaking research
that you're doing that
really helps us further
the science but the
application of that science.
Thank you.
[APPLAUSE]
Thank you so much.
Thank you.
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Portuguese:
- Você pode ter ouvido a frase,
"O sionismo é racismo".
Embora muitas pessoas pensem que é apenas
uma maneira provocante e controversa
para criticar as políticas
do governo israelense,
a história desta ideia que,
"Sionismo é igual a racismo"
é na verdade muito mais sombrio e complexo.
Mas onde exatamente
esta ideia se origina?
Como evoluiu para uma campanha de
ataque diplomático para desafiar
Legitimidade subjacente de Israel
como um estado soberano?
E o que a União Soviética
tem a ver com tudo isso?
Vamos olhar mais de perto
na Resolução 3379 da ONU.
(música funky)
Em 10 de novembro de 1975, as Nações Unidas
votou para declarar que,
"O sionismo era uma forma de racismo
"e discriminação racial".
Foram exatamente 37 anos
depois da Kristallnacht,
a noite dos quebrados
Vidro, na Alemanha nazista,
que foi um dos primeiros
grandes eventos do Holocausto.
Desde o início, o
proposta da Resolução 3379
estava envolvido em controvérsia.
Isso ficou claro em um
discurso poderoso dado por
então embaixador dos EUA
para as Nações Unidas,
Daniel Patrick Moynihan,
quem mais tarde se tornaria
um célebre senador dos EUA de Nova York.
Falando na ONU, ele disse que,
"O que temos aqui é
uma mentira - uma mentira política
Russian:
Вы, возможно, слышали фразу
"Сионизм — это расизм".
Хотя многие народы думают,
что это просто провокационная и
противоречивая критика политики
израильского правительства,
история идеи, согласно которой
сионизм равняется расизму,
на самом деле намного
темнее и сложнее.
Но откуда в действительности
произошла эта идея?
Как она вылилась в кампанию
дипломатических нападок,
бросивших вызов легитимности
существования Израиля
как суверенного государства?
И какое отношение ко всему этому
имел Советский Союз?
Давайте рассмотрим
резолюцию ООН 3379.
ИСТОРИЯ ИЗРАИЛЯ ПРОСТЫМ
ЯЗЫКОМ
10-го ноября 1975 года
по результатам голосования
в ООН
было сделано заявление, что
"сионизм является формой
расизма
и расовой дискриминации".
Это случилось ровно через 37 лет
после Хрустальной ночи,
или Ночи разбитых витрин,
в нацистской Германии,
что было первым значительным
событием Холокоста.
С самого начала,
предложение резолюции 3379
было окутано противоречиями.
Это стало понятно из яркой речи
занимавшего на то время пост
американского посла ООН
Дэниэла Патрика Мойнихэна,
который позже станет
выдающимся
сенатором из Нью-Йорка.
В своей речи ООН он сказал:
"То, что мы сейчас имеем —
это ложь,
политическая ложь
разновидности,
Spanish:
Puede que hayas oído la frase
"El sionismo es racismo".
Aunque muchos creen
que no es más
que una forma provocadora
y controvertida
de criticar las políticas
del gobierno israelí,
la historia de esa idea
de que "el sionismo es racismo"
es mucho más oscura y compleja.
Pero ¿dónde se originó
esta idea exactamente?
¿Cómo evolucionó
para convertirse en una campaña
de acoso diplomático
para desafiar la legitimidad
subyacente de Israel
como país soberano?
Y ¿qué tuvo que ver
la Unión Soviética con todo esto?
Echemos un vistazo
a la Resolución 3379 de la ONU.
LA HISTORIA DE ISRAEL
EXPLICADA
El 10 de noviembre de 1975,
las Naciones Unidas votaron
para declarar que "el sionismo
es una forma de racismo
y de discriminación racial".
Fue exactamente 37 años después
de la Kristallnacht,
la noche de los Cristales Rotos
en la Alemania Nazi,
uno de los primeros
eventos principales del Holocausto.
Desde el principio,
la propuesta de la Resolución 3379
estaba envuelta en controversia.
Esto quedó claro con el enérgico
discurso pronunciado
por el entonces Embajador
de EE. UU.
ante las Naciones Unidas
Daniel Patrick Moynihan,
quien se convertiría
después en un célebre Senador
de Nueva York en EE. UU.
Ante la ONU, dijo: "Lo que
tenemos aquí es una mentira,
English:
- You may have heard the phrase,
"Zionism is racism."
Though a lot of folks think it's just
a provocative and controversial way
to critique the policies
of the Israeli government,
the history of this idea that,
"Zionism equals racism,"
is actually a lot darker and more complex.
But where exactly does
this idea originate?
How did it evolve into a campaign of
diplomatic assault to challenge
Israel's underlying legitimacy
as a sovereign state?
And what did the Soviet Union
have to do with all this?
Let's take a closer look
at UN Resolution 3379.
(funky music)
On November 10th, 1975, the United Nations
voted to declare that,
"Zionism was a form of racism
"and racial discrimination."
It was exactly 37 years
after Kristallnacht,
the Night of Broken
Glass, in Nazi Germany,
which was one of the first
major events of the Holocaust.
From the outset, the
proposal of Resolution 3379
was embroiled in controversy.
This was made clear in a
powerful speech given by
then U.S. Ambassador
to the United Nations,
Daniel Patrick Moynihan,
who would later become
a celebrated U.S. Senator from New York.
Speaking at the U.N., he said that,
"What we have here is
a lie - a political lie
iw:
בטח יצא לכם לשמוע את הביטוי:
"ציונות היא גזענות"
למרות שרבים חושבים שזו רק דרך
פרובוקטיבית ושנויה במחלוקת
לבקר את קווי המדיניות
של ממשלת ישראל,
ההיסטוריה של הרעיון הזה
"ציונות היא גזענות"
היא הרבה יותר אפלה ומורכבת.
אבל היכן בדיוק התחיל הרעיון הזה?
איך הוא התפתח לקמפיין
של התקפה דיפלומטית לקרוא תגר
על הלגיטימציה של ישראל
כמדינה ריבונית?
ואיך ברית המועצות קשורה לכל זה?
בואו נעיף מבט על החלטה 3379
של העצרת הכללית של האו"ם.
ההיסטוריה של ישראל
מוסברת
ב-10 בנובמבר 1975
התקבלה באו"ם החלטה שקבעה
כי "ציונות היא צורה של גזענות
ואפליה גזעית".
זה קרה בדיוק 37 שנים
אחרי "ליל הבדולח",
ליל הפוגרום ביהודים בגרמניה הנאצית,
שהיה לאחד האירועים
המשמעותיים הראשונים בשואה.
מההתחלה, ההצעה של החלטה 3379
הייתה רוויה במחלוקות.
דבר זה הובהר בנאום העוצמתי
שנשא שגריר ארה"ב באו"ם דאז
דניאל פטריק מויניהן,
שמאוחר יותר כיהן כסנאטור עטור שבחים
מטעם מדינת ניו יורק.
בדבריו באו"ם אמר:
"מה שיש לנו כאן זה שקר,
Spanish:
una mentira política
muy conocida en el siglo XX",
concretamente, el antisemitismo.
Pero a pesar de tales objeciones,
la Resolución 3379 fue aprobada
con un margen de voto de 2 a 1.
Al final, solo 35 naciones
de los 107 miembros votantes
se opusieron a su evidente
manipulación del lenguaje.
Y, aún así,
como en todas las estadísticas,
los números no cuentan
toda la historia, que en realidad
comenzó una década antes
de la aprobación de la resolución.
En 1965, Estados Unidos y Brasil
presentaron una propuesta
en la ONU
para condenar el antisemitismo
y reconocerlo
como una forma de racismo
junto con el nazismo
y la segregación racial.
Pero la Unión Soviética
quiso cambiar
el lenguaje de esa propuesta,
quizá porque la percibían
como una amenaza
para sus propias políticas
nacionales antijudías,
que se habrían puesto bajo la lupa.
Así que los soviéticos presentaron
una enmienda
que añadir a la propuesta
que incluía el sionismo
en la lista
de ideologías condenadas,
junto con el antisemitismo,
el nazismo,
el colonialismo y el racismo.
Parece que este fue
un cambio en la forma de pensar
de los soviéticos.
Dadas las primeras raíces
socialistas de Israel
con el movimiento kibutz,
el joven país fue inicialmente
percibido por los soviéticos
como un posible aliado comunista.
Pero a mediados de los 60,
Russian:
хорошо известной в 20-м веке",
в частности, антисемитизм.
И все же, несмотря на такие
возражения,
резолюция 3379 была принята
с соотношением голосов 2 к 1.
По большому счету, только 35
стран из 107 голосующих членов
высказались против ее явных
речевых манипуляций.
И тем не менее,
как и любая статистика,
цифры не рассказывают
всей истории,
которая началась примерно за
10 лет до принятия резолюции.
В 1965 году США и Бразилия
внесли предложение ООН
осудить антисемитизм
и признать его формой расизма
наряду с нацизмом и апартеидом.
Правда, Советский Союз захотел
изменить текст предложения,
вероятно,
восприняв его как угрозу
собственной антиеврейской
политике,
которая могла попасть
в поле зрения.
Поэтому СССР предложил
изменить текст предложения,
добавив сионизм к списку
осуждаемых идеологий,
который бы тогда включал
антисемитизм,
нацизм, колониализм и расизм.
И все же, казалось,
что СССР изменил свое мнение
в отношении Израиля.
Дело в том, что т.к. корни
израильского
социализма уходили
в движение кибуц,
молодая страна вначале
рассматривалась
Советским Союзом как
потенциальный
коммунистический союзник.
Однако, к 1960-м гг.
Portuguese:
"de uma variedade bem conhecida
para o século 20 ".
Ou seja, anti-semitismo.
Ainda assim, apesar dessas objeções,
Resolução 3379 aprovada
com margem de 2: 1.
No final, apenas 35 nações
dos 107 membros votantes
ficou em oposição à sua
manipulação aberta da linguagem.
E, no entanto, como todas as estatísticas,
os números não contam toda a história,
que na verdade começou cerca de uma década
antes da aprovação da resolução.
Em 1965, os Estados Unidos
e o Brasil introduziu
uma proposta na ONU
condenar o anti-semitismo,
e reconhecê-lo como uma forma de racismo,
junto com o nazismo e o apartheid.
No entanto, a União Soviética procurou
para mudar o idioma
dessa proposta, talvez
porque foi percebido
como uma ameaça à sua própria
políticas domésticas, anti-judaicas,
que pode estar sob escrutínio.
Então, os soviéticos apresentaram uma emenda
para ser adicionado à proposta,
que teria marcado o sionismo
na lista de ideologias condenadas,
incluindo anti-semitismo,
Nazismo, colonialismo e racismo.
E, no entanto, isso parece
tem sido uma mudança no pensamento
da parte dos soviéticos.
Veja, dadas as primeiras raízes socialistas de Israel
no movimento Kibbutz,
o jovem país foi
inicialmente visto pelos soviéticos
como um potencial aliado comunista.
No entanto, em meados da década de 1960, o
força das conexões de Israel
English:
"of a variety well-known
to the 20th Century."
Namely, anti-Semitism.
Still, despite such objections,
Resolution 3379 passed
with a 2:1 vote margin.
In the end, only 35 nations
of the 107 voting members
stood in opposition to its
overt manipulation of language.
And yet, like all statistics,
the numbers don't tell the whole story,
which actually began about a decade
before the passage of the resolution.
In 1965, the United States
and Brazil introduced
a proposal at the U.N.
to condemn anti-Semitism,
and recognize it as a form of racism,
along with Nazism and apartheid.
Yet, the Soviet Union sought
to change the language
of that proposal, perhaps
because it was perceived
as a threat to their own
domestic, anti-Jewish policies,
which might have come under scrutiny.
So, the Soviets submitted an amendment
to be added to the proposal,
that would have tagged Zionism
onto the list of condemned ideologies,
including anti-Semitism,
Nazism, colonialism and racism.
And yet, this would seem to
have been a shift in thinking
on the part of the Soviets.
See, given Israel's early socialist roots
in the Kibbutz movement,
the young country was
initially seen by the Soviets
as a potential communist ally.
Yet, by the mid-1960s, the
strength of Israel's connections
iw:
"שקר פוליטי של זרם ידוע במאה העשרים
"שהוא – אנטישמיות."
ועדיין, למרות התנגדויות כאלה,
החלטה 3379 עברה ביחס של 2 ל-1.
בסופו של דבר, רק 35 אומות
מתוך 105 שהצביעו
התנגדו לעיוות הגלוי בניסוח.
ועדיין, כמו כל הסטטיסטיקות,
המספרים לא מספרים את הסיפור המלא,
שהחל למעשה כעשור לפני קבלת
ההחלטה הזאת.
בשנת 1965, ארה"ב וברזיל
העלו הצעה באו"ם לגנות אנטישמיות
ולהכיר בה כסוג של גזענות,
יחד עם הנאציזם והאפרטהייד.
אך ברית המועצות ביקשה לשנות
את נוסח ההצעה,
אולי כי היא נתפסה כאיום
על קווי המדיניות האנטי-יהודיים
בתוך ארצם,
שעשויים להעמידם תחת חקירה.
אז הסובייטים
הגישו בקשה תיקון שיתווסף להצעה,
שהיה מוסיף את הציונות
לרשימת האידיאולוגיות שיש לגנות,
כולל אנטישמיות, נאציזם,
קולוניאליזם וגזענות.
ועם זאת, נראה שזה היווה שינוי במחשבה
מצד ברית המועצות.
תראו, בהינתן השורשים הסוציאליסטיים
המוקדמים בתנועת הקיבוצים,
המדינה הצעירה נתפסה תחילה
בעיניי הסובייטים
כבת ברית קומוניסטית בפוטנציאל.
עם זאת, עד אמצע שנות השישים,
Spanish:
la fortaleza de las relaciones
de Israel con Estados Unidos
era cada vez mayor.
Así que ese ataque inicial de la
Unión Soviética contra el sionismo
fue visto como una de
las muchas batallas
de poder diplomáticas
de la Guerra Fría.
Bueno, como dijo el embajador
Moynihan en su discurso
tras el voto de la Resolución 3379,
este cambio de los soviéticos
les llevó directamente
a una postura en la que declaraban
que el nazismo era
un tipo de racismo
y que el sionismo
era un tipo de racismo
así que el sionismo estaba
al mismo nivel que el nazismo.
¿Ya te da vueltas la cabeza?
No te preocupes, es normal,
porque este gran ejemplo
del concepto de contradicción
de Orwell no tiene ningún sentido.
Con este cínico enfoque
de hacer pasar
el orgullo nacional del sionismo
por una forma de odio nacional,
los soviéticos convirtieron
el escudo del estado judío
en una perversa arma
de ataque contra sí mismo.
Pero sus esfuerzos para minar
la legitimidad de Israel
como Estado independiente
eran tan transparentes
como su fingido apoyo
a la condena del antisemitismo
en primer lugar.
Después de todo, los rusos
contaban con una larga historia
de opresión y agresión
contra los judíos
que se remontaba a décadas atrás,
a los pogromos del zar
a finales del siglo XIX,
y todo ello está inmortalizado
en los protocolos
de los sabios de Sion,
Russian:
Израиль построил прочные
отношения с США,
которые только укреплялись.
Помимо этого, изначальная
атака СССР против сионизма
рассматривалась как пример
дипломатической борьбы за
голоса в Холодной войне.
Во всяком случае, как сказал
посол Мойнихэн в своей речи
после голосования
по резолюции 3379,
это изменение мнения
поставило СССР в позицию,
где они по сути говорили, что
нацизм был формой расизма,
и сионизм был формой расизма,
т.е. сионизм приравнивался
к нацизму.
У вас уже кружится голова?
Не переживайте, это нормально,
потому что этот мастерский
пример двоемыслия,
описанного Оруэллом,
не имеет никакой логики.
Циничным образом подменив
идею национальной
гордости сионизма
идеей национальной ненависти,
СССР превратил щит
израильской государственности
в извращенное оружие атаки
против самого себя.
Но их попытки поставить
под сомнение легитимность
существования Израиля
как суверенного государства,
были так же очевидны,
как и их притворная поддержка
идеи осуждения антисемитизма
в самом начале.
В конце концов, у русских
была богатая история
угнетений и агрессии
против евреев,
которые насчитывали
десятки лет,
начиная с погромов при царе
в конце 1800-х гг.,
которые увековечены
в Протоколах сионских мудрецов,
этой печально известной
и эпичной фабрикации
English:
to the United States were
increasingly established,
and so, this initial
attack against Zionism
by the Soviet Union was seen as
one of the many diplomatic
proxy battles of the Cold War.
Anyway, as Ambassador Moynihan
addressed in his speech
following the vote on Resolution 3379,
this shift by the Soviets
brought them all the way
to a position where they
were effectively saying
that Nazism was a kind of racism,
and Zionism was a kind of racism,
so that Zionism was on
equal footing with Nazism.
So, is your head spinning yet?
Don't worry, it should be,
because this masterful example
of Orwell's concept of doublethink,
doesn't make any logical sense at all.
By this cynical approach of passing off
the national pride of Zionism,
as a form of national hatred instead,
the Soviets turned the
shield of Jewish statehood
into a perverse weapon
of attack against itself.
But their efforts to
undermine Israel's legitimacy
as an independent state,
were as transparent as
their feigned support
for condemning anti-Semitism
in the first place.
After all, the Russians had
a rich and storied history
of oppression and
aggression against the Jews
that dated back decades, to
the programs under the Czar
in the late 1800s.
All of which is immortalized
in the Protocols of the Elders of Zion,
that infamous and epic fabrication
Portuguese:
para os Estados Unidos foram
cada vez mais estabelecida,
e assim, esta inicial
ataque contra o sionismo
pela União Soviética era visto como
uma das muitas diplomáticas
batalhas por procuração da Guerra Fria.
De qualquer forma, como embaixador Moynihan
abordado em seu discurso
na sequência da votação sobre a Resolução 3379,
esta mudança pelos soviéticos
trouxe-lhes todo o caminho
para uma posição onde eles
estavam efetivamente dizendo
que o nazismo era uma espécie de racismo,
e o sionismo era uma espécie de racismo,
de modo que o sionismo estava em
pé de igualdade com o nazismo.
Então, sua cabeça está girando ainda?
Não se preocupe, deveria ser,
porque este exemplo magistral
do conceito de Doublethink de Orwell,
não faz qualquer sentido lógico.
Por esta abordagem cínica de passar
o orgulho nacional do sionismo,
como uma forma de ódio nacional,
os soviéticos transformaram o
escudo do estado judeu
em uma arma perversa
de ataque contra si mesmo.
Mas seus esforços para
minar a legitimidade de Israel
como um estado independente,
foram tão transparentes quanto
seu apoio fingido
por condenar o anti-semitismo
em primeiro lugar.
Afinal, os russos tinham
uma história rica e contada
de opressão e
agressão contra os judeus
que datava de décadas atrás, para
os programas sob o Czar
no final do século XIX.
Tudo isso é imortalizado
nos Protocolos dos Sábios de Sião,
aquela fabricação infame e épica
iw:
קשריה של ישראל עם ארה"ב
התעצמו והתבססו יותר ויותר.
אז התקפה ראשונית זו נגד הציונות
מצד ברית המועצות
נתפסה כאחת מיני
מאבקים דיפלומטיים דומים רבים
של המלחמה הקרה.
בכל אופן, כשהשגריר מויניהן
התייחס בנאומו
בעקבות ההצבעה על ההחלטה 3379
שינוי זה מצד הסובייטים
הביאה את כולם לעמדה
שבה הם אמרו למעשה
שנאציזם הוא סוג של גזענות,
ושציונות היא סוג של גזענות,
כך שציונות נחשבת כמו נאציזם.
מסתובב לכם הראש כבר?
אל דאגה, בצדק,
כי דוגמה זו של דוחושב (שפה כפולה)
של אורוול אין בה שום היגיון.
בגישה צינית זו
של העברת הגאווה הלאומית של ציונות
כסוג של שנאה לאומית במקום זאת,
הפכו הסובייטים את המגן
של המדינה היהודית
כנשק הפוך להתקפה על עצמה.
אבל מאמציהם לערער על
הלגיטימיות של ישראל כמדינה יהודית
הייתה שקופה כמו
התמיכה המזויפת שלהם
בגינוי אנטישמיות מלכתחילה.
אחרי הכל, לרוסים הייתה
היסטוריה עשירה ומהוללת
של דיכוי היהודים ותוקפנות נגדם,
שהתקיימה עשורים שלמים קודם לכן
עוד מאז הפוגרומים
תחת שלטון הצאר בסוף המאה ה-19.
כל אלה זכו להנצחה
בפרוטוקולים של זקני ציון,
Spanish:
esa infame y épica invención
con propaganda antisemita
que se publicó por primera vez
en el Moscú presoviético
de principios del siglo XX.
Los temas de los Protocolos son
bastante conocidos a estas alturas,
algunos fueron una herencia
de anteriores teorías
conspiratorias antisemitas.
E incluyen algunos
favoritos populares como
la ambición judía de dinero y poder,
la esclavización de los no-judíos,
el control y la manipulación
de los medios, y todo ello
con el evidente propósito
de la dominación global y total.
Los soviéticos tenían influencia
sobre el bloque de Europa del Este
y el más amplio bloque
comunista de naciones.
Y con el persistente antisemitismo
en muchas de esas regiones,
incluso tras
la Segunda Guerra Mundial,
ya tenían una gran base de apoyo
para su plan de minar la legitimidad
del estado israelí
mediante el ataque al sionismo.
Pero también pretendían
extender su influencia,
y ahí es donde entra
una alianza diplomática formada
con el bloque de países árabes
y la Liga Árabe,
de la cual muchas naciones ya
habían entrado en guerra con Israel
en múltiples ocasiones
durante la breve historia del estado
y habían perdido.
Asimismo, como el plan soviético
agrupaba el sionismo
con el colonialismo y el racismo,
logró avivar el sentimiento africano
para conseguir también
el apoyo del bloque africano.
Los rusos iban
amontonando bloques
como si de un Tetris político
se tratara.
English:
of anti-Semitic propaganda
that was first published
in pre-Soviet Moscow at the
start of the 20th Century.
The themes of the Protocols
are, by now, pretty well known,
some having been inherited
from earlier anti-Semitic
conspiracy theories and,
they include some
popular favorites such as
Jewish lust for money and power,
the enslavement of non-Jews,
control and manipulation of the media,
and all of it for the obvious purpose
of global and total domination.
Now, the Soviets had influence over
the Eastern European bloc,
and the larger communist
bloc of nations and,
with the lingering anti-Semitism
in many of these regions,
even in the wake of World War II,
they already had a strong base of support
for their plan to undermine the legitimacy
of the Israeli state,
by attacking Zionism.
But, they also intended to
further expand their influence,
and that's where a
diplomatic alliance formed
with the Muslim country
bloc and the Arab League,
from which many nations
had already gone to war
with Israel multiple times during
the state's brief history, and lost.
Likewise, because the Soviet plan grouped
Zionism with colonialism and racism,
it successfully fueled
pan-African sentiments
to gain the support of
the African bloc as well.
So, the Russians were just
stacking up their blocs
like a political game of Tetris.
Portuguese:
de propaganda anti-semita
que foi publicado pela primeira vez
na Moscou pré-soviética no
início do século XX.
Os temas dos protocolos
são, até agora, bem conhecidos,
alguns foram herdados
de antissemita anterior
teorias da conspiração e,
eles incluem alguns
favoritos populares como
Desejo judaico por dinheiro e poder,
a escravização de não-judeus,
controle e manipulação da mídia,
e tudo isso para o óbvio propósito
de dominação global e total.
Agora, os soviéticos tinham influência sobre
o bloco da Europa Oriental,
e o comunista maior
bloco de nações e,
com o persistente anti-semitismo
em muitas dessas regiões,
mesmo na esteira da Segunda Guerra Mundial,
eles já tinham uma base forte de apoio
por seu plano para minar a legitimidade
do estado de Israel,
atacando o sionismo.
Mas eles também pretendiam
expandir ainda mais sua influência,
e é aí que um
aliança diplomática formada
com o país muçulmano
bloco e da Liga Árabe,
do qual muitas nações
já tinha ido para a guerra
com Israel várias vezes durante
a breve história do estado e perdida.
Da mesma forma, porque o plano soviético agrupou
Sionismo com colonialismo e racismo,
abasteceu com sucesso
sentimentos pan-africanos
para ganhar o apoio de
o bloco africano também.
Então, os russos eram apenas
empilhando seus blocos
como um jogo político de Tetris.
iw:
הסילוף הידוע לשמצה
באמצעות תעמולה אנטישמית
שפורסם לראשונה במוסקבה
שלפני התקופה הסובייטית,
בתחילת המאה העשרים.
הנושאים של הפרוטוקולים
מוכרים היטב עד היום,
חלקם הם גלגול
של תיאוריות קונספירציה אנטישמיות
מוקדמות יותר.
וביניהם כמה נושאים פופולריים כמו
התאווה היהודית לכסף ועוצמה,
השעבוד של לא-יהודים,
שליטה במדיה ומניפולציה שלה,
וכל אלה למען המטרה הברורה
של "השתלטות עולמית וטוטאלית".
הסובייטים היו בעלי השפעה
על גוש מזרח אירופה
והיו לגוש האומות הקומוניסטי
הגדול ביותר.
ועם האנטישמיות המתמשכת
ברבים מאזורים אלה,
גם בפרוץ מלחמת העולם השנייה,
כבר היה להם בסיס תמיכה חזק
לתכנית שלהם לערער על הלגיטימיות
של המדינה היהודית
ע"י התקפות על הציונות.
אבל הם גם התכוונו
להמשיך להרחיב את השפעתם,
וכך נוצרה ברית דיפלומטית
עם גוש המדינות המוסלמיות
ועם הליגה הערבית,
שמתוכן מדינות רבות
כבר עברו מלחמות מול ישראל
פעמים רבות במהלך ההיסטוריה הקצרה
של המדינה, והפסידו.
בדומה לכך,
כיוון שהתכנית של הסובייטים
קיבצה יחד ציונות, קולוניאליזם וגזענות,
הם הציתו בהצלחה את
הרגשות ברחבי אפריקה
לשם השגת תמיכה גם מצד
גוש המדינות האפריקאי.
אז הרוסים רק ערמו את הלבנים שלהם
כמו במשחק טטריס פוליטי.
Russian:
антисемитской пропаганды,
которая была впервые
опубликована
в досоветской Москве
в начале 20-го века.
Темы Протокола сионских
мудрецов
сейчас хорошо известны,
некоторые были заимствованы
из ранних антисемитских
теорий заговора.
Они включали некоторые
излюбленные и популярные идеи:
еврейская страсть к деньгам
и власти,
порабощение всех не евреев,
контроль
и манипулирование СМИ,
и все это с очевидной целью
глобального
и тотального господства.
Нужно отметить,
что СССР имел влияние
на страны Восточного блока,
а также на более крупный блок
коммунистических стран.
И при наличии антисемитских
настроений
во многих из этих регионов даже
после событий Второй
мировой войны
у них уже была
серьезная поддержка
плана по подрыву легитимности
израильского государства
с помощью атак на сионизм.
Но они намеревались и дальше
расширять свое влияние,
например, вступив в
дипломатический союз
с мусульманским блоком и
странами Арабской Лиги,
из которых многие уже
начинали войны против Израиля
за недолгий период
существования
страны и проигрывали.
Более того, поскольку СССР
ставил сионизм в одну группу
с колониализмом и расизмом,
он также успешно подпитывал
панафриканские настроения,
чтобы получить поддержку еще и
стран африканского блока.
Другими словами, русские
складывали в стопку блоки стран,
играя в политический Тетрис.
Russian:
Теперь после арабских поражений
в войнах 1967 и 1973 гг.
созрела возможность
нового подхода
к уничтожению еврейского
государства
без дорогостоящих и
напрасных военных кампаний.
СССР как раз разрабатывал
такое решение — операцию СИГ.
Операция СИГ —
Сионистские государства,
или Сионистские
правительства, —
была последним
российским планом
дипломатической пропаганды
против еврейского суверенитета.
Она называла США
"надменной и заносчивой
феодальной вотчиной евреев,
финансируемой
еврейскими деньгами
и управляемой еврейскими
политиками".
Но, возможно, чтобы укрепить
свой новый союз
с арабским
и мусульманскими блоками,
Операция СИГ добавила
новое заявление
в своей программе,
что целью контроля США
сионистами
было "подчинение всего
исламского мира".
И это место, где начинается
международная история
Ясира Арафата, на тот момент
бывшего лидером-террористом
ООП,
или Организации освобождения
Палестины.
Между двумя неудачными
войнами против Израиля
и всего за несколько лет
до начала Операции СИГ,
КГБ решили, что Арафат —
их человек,
и они будут поддерживать его
как лидера палестинцев.
В обмен на это они попросили
Арафата объявить войну
американскому
"империальному сионизму",
что он без труда сделал.
Скандальные интриги была
раскрыты в статье "Человек КГБ"
Portuguese:
Agora, depois da derrota dos árabes
nas guerras de 1967 e 1973,
uma oportunidade estava madura
para encontrar uma nova abordagem
por esmagar o estado judeu,
sem campanhas de guerra caras e fúteis.
E os soviéticos foram
desenvolvendo apenas a solução,
Operação SIG.
Operação SIG significava
Sioniskeeye Gosudarstva,
ou governos sionistas,
e foi o mais recente russo
plano de propaganda diplomática
contra a soberania judaica.
Referiu-se aos Estados Unidos como,
"... um arrogante e
feudo judeu altivo,
"financiado por dinheiro judaico e
dirigido por políticos judeus ".
Mas, talvez para consolidar
sua nova aliança
com os blocos árabes e muçulmanos,
Operação SIG adicionou um
nova reivindicação à mistura.
Que o propósito do sionista
controle dos Estados Unidos,
"... era subordinar
todo o mundo islâmico ".
E é aí que o
história internacional começa
para Yasser Arafat, então
líder terrorista da OLP,
ou Organização de Libertação da Palestina.
Entre os dois falharam
guerras contra Israel e,
apenas alguns anos antes da Operação SIG,
a KGB decidiu que Arafat era o homem deles,
e apoiaria sua posição
como o líder dos palestinos.
Em troca, eles perguntaram
Arafat para declarar guerra
no sionismo imperial americano,
que ele não teve problema em fazer.
A incrível entrada foi disposta em
Spanish:
Tras la derrota de los árabes
en las guerras de 1967 y 1973,
les llegó la oportunidad perfecta
para encontrar un nuevo enfoque
para destruir el estado judío
sin costosas
e inútiles campañas bélicas.
Y los soviéticos habían estado
desarrollando la solución ideal:
la Operación SIG.
La Operación SIG iba en contra
de los Sioniskeeye Gosudarstva,
o gobiernos sionistas,
y fue el gran plan ruso
de propaganda diplomática
contra la soberanía judía.
Se refería a los Estados Unidos
como a un "feudo judío
arrogante y altivo
financiado con dinero judío
y liderado por políticos judíos".
Pero, quizá para consolidar
su nueva alianza
con los bloques árabes
y musulmanes,
la Operación SIG añadía
una nueva afirmación a la mezcla:
que el objetivo del control sionista
de los Estados Unidos
"era el de subordinar
a todo el mundo islámico".
Y aquí es donde empieza
la historia internacional
de Yasser Arafat, el entonces
líder terrorista de la OLP,
u Organización
para la Liberación de Palestina.
Entre las dos guerras fallidas
contra Israel
y varios años
antes de la Operación SIG,
el KGB decidió que Arafat era
su hombre
y apoyó su posición
como líder de los palestinos.
A cambio, le pidieron a Arafat que
declarara la guerra
al "sionismo imperial"
estadounidense
y él no tuvo problema en hacerlo.
Esta increíble intriga fue expuesta
en un artículo
iw:
אחרי התבוסה של הערבים
במלחמות ששת הימים ויום כיפור
בשלה ההזדמנות למצוא גישה חדשה
לריסוק המדינה היהודית
ללא מבצעים מלחמתיים
יקרים וחסרי תועלת.
והסובייטים פיתחו את הפתרון:
מבצע סי"ג.
מבצע סי"ג,
קיצור של סיוניסקי גוסודרסטבה ברוסית,
שמשמעו - ממשלות ציוניות,
הוא התכנית האחרונה של הרוסים
שהייתה תעמולה דיפלומטית
נגד הריבונות היהודית.
לפיה התייחסו לארה"ב
כאל "ישות יהודית מתנשאת ויהירה
"הממומנת ע"י כסף יהודי
והמנוהלת בידי פוליטיקאים יהודים."
אך אולי כדי לחזק
את הברית החדשה שלהם
עם הגושים הערביים והמוסלמים
מבצע סי"ג הוסיף טיעון נוסף לקלחת,
"שמטרת השליטה של הציונות על ארה"ב
"הייתה לשעבד את כלל העולם המוסלמי."
וכאן הסיפור הבינלאומי מתחיל
עבור יאסר ערפאת,
אז מנהיג טרוריסט של אש"ף,
הארגון לשחרור פלסטין.
בין שתי המלחמות הכושלות נגד ישראל
ושנים ספורות בלבד לפני מבצע סי"ג,
בק-ג-ב החליטו
שיאסר הערפאת הוא האיש שלהם
ותמכו בעמדתו כמנהיג הפלסטינאים.
בתמורה, הם ביקשו מערפאת
להכריז על מלחמה
נגד "הציונות האימפריאליסטית"
האמריקאית,
שלא הייתה לו בעיה לעשות זאת.
הקנוניה המדהימה הזאת נחשפה
English:
Now, after the Arabs defeat
in the 1967 and 1973 wars,
an opportunity was ripe
to find a new approach
for crushing the Jewish state,
without costly and futile war campaigns.
And, the Soviets have been
developing just the solution,
Operation SIG.
Operation SIG stood for
Sioniskeeye Gosudarstva,
or Zionist Governments,
and was the latest Russian
plan of diplomatic propaganda
against Jewish sovereignty.
It referred to the United States as,
"... an arrogant and
haughty Jewish fiefdom,
"financed by Jewish money and
run by Jewish politicians."
But, perhaps to consolidate
their new alliance
with the Arab and Muslim blocs,
Operation SIG added a
new claim to the mix.
That the purpose of Zionist
control of the United States,
"... was to subordinate
the entire Islamic world."
And this is where the
international story begins
for Yasser Arafat, then
terrorist leader of the P.L.O.,
or Palestine Liberation Organization.
Between the two failed
wars against Israel and,
just a few years before Operation SIG,
the KGB decided that Arafat was their man,
and would support his position
as the leader of the Palestinians.
In return, they asked
Arafat to declare war
on American imperial Zionism,
which he had no problem doing.
The amazing entry was laid out in
iw:
במאמר בוול סטריט ג'ורנל ב-2003
שכותרתו: "האיש של ק-ג-ב",
שנכתב ע"י קצין הביון
בדרגה הגבוהה ביותר
שאי פעם ערק מברה"מ לשעבר.
עיקרי הדברים במאמר היו
שהקרמלין מממן את ערפאת,
ומעביר מאות אלפי דולרים כל חודש
ככסף מולבן.
במאמר זה, שנכתב ע"י
קצין ק-ג-ב לשעבר,
נטען כי הסובייטים אפילו השמידו
את רישומי הלידה של ערפאת בקהיר
בכדי להראות כאילו הוא נולד בירושלים
וכך לחזק את דרישתו
לכונן מנהיגות פלסטינית.
היחסים הגיעו לשיאם בנאום בלתי נשכח
שנתן ערפאת בעצרת הכללית של האו"ם
ב-13 בנובמבר 1974, בו הוא הכריז
"הנחישות שלנו לבנות עולם חדש
מחוזקת...
"עולם נקי מקולוניאליזם,
אימפריאליזם, נאו-קולוניאליזם
"וגזענות על כל ביטוייה, כולל ציונות."
ופחות משנה אחר כך
בדיון שלפני ההצבעה על
החלטה 3379 בעצרת האו"ם
הדיקטטור האוגנדי אידי אמין
קרא לא רק לאנשי ארה"ב
להתנער מהציונות,
אלא גם לגירוש ישראל מהאו"ם
ולהשמדת ישראל כמדינה.
כך זה היה, "השמדת ישראל כמדינה."
כמו שרק הרשעים הכי מהוללים
בסרטים מצוירים יכולים להשיג,
Portuguese:
um 2003 Wall Street Journal
artigo intitulado "O Homem da KGB"
escrito pelo mais alto
oficial de inteligência de classificação
já ter desertado de
o antigo bloco soviético.
A essência disso era que
o Kremlin estava financiando Arafat,
transferir centenas de
milhares de dólares por mês
em dinheiro lavado.
O artigo, por este antigo oficial da KGB,
afirma que os soviéticos até destruíram
Registros de nascimento de Arafat no Cairo,
a fim de fazer um caso que
ele nasceu em Jerusalém,
e fortalecer sua reivindicação
para a liderança palestina.
Essa relação culminou
em um discurso inesquecível
que Arafat deu nas Nações Unidas
em 13 de novembro de 1974, quando ele proclamou,
"Nossa determinação de construir um
novo mundo é fortificado -
"um mundo livre do colonialismo, do imperialismo,
"neocolonialismo e racismo
em cada um dos seus casos,
"incluindo o sionismo".
E, menos de um ano depois,
durante a preparação para o
votação da Resolução 3379,
O ditador ugandense Idi Amin telefonou
não só para as pessoas
dos Estados Unidos,
"Para livrar sua sociedade de
os sionistas ", mas também,
"... pela expulsão de
Israel das Nações Unidas,
e a extinção de Israel como um estado ".
Lá estava.
"A extinção de Israel como um estado".
Como apenas os mais célebres
Looney-Tunes de déspotas pode realizar,
English:
a 2003 Wall Street Journal
article entitled "The KGB's Man,"
written by the highest
ranking intelligence officer
ever to have defected from
the former Soviet bloc.
The gist of it was that
the Kremlin was bankrolling Arafat,
transferring hundreds of
thousands of dollars a month
in laundered money.
The article, by this former KGB officer,
claims that the Soviets even destroyed
Arafat's birth records in Cairo,
in order to make a case that
he was born in Jerusalem,
and strengthen his claim
to Palestinian leadership.
This relationship culminated
in an unforgettable speech
that Arafat gave at the United Nations
on November 13th 1974, when he proclaimed,
"Our resolve to build a
new world is fortified -
"a world free of colonialism, imperialism,
"neo-colonialism and racism
in each of its instances,
"including Zionism."
And, less than a year later,
during the lead-up to the
vote on Resolution 3379,
Ugandan dictator Idi Amin called,
not just for the people
of the United States,
"To rid their society of
the Zionists," but also,
"... for the expulsion of
Israel from the United Nations,
and the extinction of Israel as a state."
There it was.
"The extinction of Israel as a state."
As only the most celebrated
Looney-Tunes of despots can accomplish,
Spanish:
del Wall Street Journal de 2003
titulado "El hombre del KGB"
y fue escrito por el agente
de inteligencia de mayor nivel
que ha desertado
del antiguo bloque soviético.
El quid del asunto era que
el Kremlin estaba financiando
a Arafat,
transfiriéndole cientos de miles
de dólares al mes
con dinero blanqueado.
El artículo de este antiguo agente
del KGB afirma que los soviéticos
destruyeron el acta de nacimiento
de Arafat en el Cairo
para poder decir
que nació en Jerusalén
y así reforzar su petición
de ser líder palestino.
Esta relación culminó
con un discurso inolvidable
que Arafat dio
en las Naciones Unidas
el 13 de noviembre de 1974,
cuando proclamó:
"Se fortalece nuestra determinación
de construir un mundo nuevo...
un mundo libre de colonialismo,
de imperialismo,
de neocolonialismo y de racismo
en cada una de sus instancias,
incluyendo el sionismo".
Y menos de un año después,
en vísperas del voto
de la Resolución 3379,
el dictador ugandés Idi Amin
pidió no solo al pueblo
de Estados Unidos
que librara a su sociedad
de los sionistas,
sino también pidió la expulsión
de Israel de las Naciones Unidas
y la extinción de Israel
como estado.
Ahí estaba: "La extinción
de Israel como estado".
Como solo el más loco
de los déspotas podría conseguirlo,
Russian:
в Wall Street Journal article
выпуска 2003 года,
написанной высокопоставленным
офицером разведки,
когда-либо бежавшим из
советского блока.
Если кратко, Кремль
спонсировал Арафата,
отправляя ему сотни тысяч
долларов
отмытых денег ежемесячно.
В статье бывшего
офицера КГБ также
говорится, что СССР даже
уничтожили
записи о рождении
Арафата в Каире,
сделав новые документы о
рождении Арафата в Иерусалиме,
чтобы укрепить его заявку
на роль палестинского лидера.
Кульминацией этих отношений
стала незабываемая речь,
которую Арафат произнес
на заседании в ООН
13-го ноября 1974 года,
когда он объявил:
"Наше намерение построить
новый мир укрепилось —
мир свободный от колониализма,
империализма, неоколониализма
и расизма во всех его
проявлениях, включая сионизм".
И менее года спустя,
во время подготовки к проведению
голосования по резолюции 3379,
диктатор Уганды Иди Амин
не просто призвал народ США
избавить общество от сионизма,
но также исключить Израиль
из Объединенных Наций
и ликвидировать его как
государство.
Именно так — "ликвидировать
Израиль как государство".
В духе самых отъявленных
деспотов из Looney Tunes,
Spanish:
la suya fue la expresión más cruda
y honesta de los objetivos finales
subyacentes en la campaña
"el sionismo es racismo".
Y sus partidarios consiguieron,
en palabras
del embajador Moynihan,
darle a ese lenguaje manipulado
"la apariencia
de sanción internacional"
solo seis semanas después.
Incluso las acciones más atroces
de otros gobiernos,
como el asesinato de
los ciudadanos de su propio país,
como en China
y en la Unión Soviética,
o las políticas racistas
de una nación,
como la segregación
en Estados Unidos
y el Apartheid en Sudáfrica,
no significan
la deslegitimación
de esos otros países
o la amenaza a su soberanía
independiente
y su derecho a existir.
¿Os imagináis
que el movimiento del "Tíbet libre"
no pidiera solo la liberación del
pueblo tibetano del dominio chino,
sino también el fin
de China como nación?
Eso es justamente
lo que está sucediendo
porque el sionismo
se ha convertido
en una herramienta
para atacar a Israel.
Por supuesto, criticar
a un gobierno es otra cosa.
Ese tipo de compromiso
y de desacuerdo
es básico para
cualquier democracia sana.
Pero pedir que se disuelva un país
y negar a la mayoría
de su población
que luchen por y mantengan
su propia autodeterminación,
sobre todo estando en unas tierras
que son tan únicas y especiales
que las condiciones
solo se pueden aplicar a ese país,
Russian:
это было самое честное
и обнаженное выражение
конечной цели кампании
"Сионизм — это расизм".
И ее сторонники преуспели,
как сказал посол Мойнихэн,
в том, чтобы придать этим ловко
используемым
в своих целях речам
"вид международных санкций"
всего шестью неделями позже.
Даже самые тяжкие действия
других правительств,
будь то убийство
собственных граждан,
как в Китае или СССР,
или расистская политика нации,
как дискриминация в США
и апартеид в Южной Африке,
никогда не транслировались
как делегитимизация этих стран
и не угрожали их суверенитету
или праву на существование.
Можете ли вы представить,
что движение "Свободный Тибет"
не просто призывает к
освобождению тибетского народа
от китайского засилья,
но требует уничтожить Китай
как нацию?
И тем не менее, именно это
происходило,
когда сионизм использовали
как орудие атаки против Израиля.
Конечно, критика
правительства — это одно.
Это именно тот вид вовлечения
и несогласия,
который необходим для любой
здоровой демократии.
Но призыв к ликвидации страны
и отрицание стремления
большинства ее населения
преследовать и поддерживать
собственное самоопределение,
особенно основанное на таких
уникальных и частных причинах,
которые можно применить
только к одной стране,
iw:
הייתה זו ההתבטאות הכנה
והשקופה ביותר
של המטרות בבסיס הקמפיין
"ציונות היא גזענות".
ותומכיה יצליחו,
לדבריו של השגריר מויניהן,
"להעניק לניסוח המעוות
"ביטוי של הסנקציה הבינלאומית"
רק שישה שבועות מאוחר יותר.
אפילו הפעולות השערורייתיות ביותר
של ממשלות אחרות,
בין אם זה רצח אזרחים של אותה מדינה,
כפי שהיה בסין ובברה"מ,
או קווי מדיניות גזעניים של מדינה
כמו ההפרדה הגזעית בארה"ב
והאפרטהייד בדרום אפריקה,
כל אלה לא מיתרגמים
לדה-לגיטימציה של אותן מדינות
או מאיימים על הריבונות העצמאית
והזכות שלהן להתקיים.
כלומר, אתם יכולים לדמיין
אם התנועה לשחרור טיבט
לא הייתה רק קוראת
לשחרור העם הטיבטי
מהשלטון הסיני,
אלא גם להורדת השלטון הסיני?
וזה בדיוק מה שקורה
כשמשתמשים בציונות
ככלי התקפה נגד ישראל.
כמובן, ביקורת נגד ממשל זה דבר אחד.
זה בדיוק אותו סוג
של מעורבות וחוסר הסכמה
שהכרחי לכל דמוקרטיה תקינה.
אבל קריאה לפיזור מדינה
והכחשה של רוב אוכלוסייתה
לפעול למען ההגדרה העצמית שלהם
ולשמור עליה,
במיוחד על יסודות
שהם כל כך ייחודיים ואופייניים,
Portuguese:
foi o mais honesto
e expressão nua
dos objetivos finais subjacentes
a campanha "Sionismo é racismo".
E os proponentes seriam bem sucedidos
nas palavras do embaixador Moynihan,
"finalmente dando aquele
linguagem manipulada,
"... a aparência de
sanção internacional ",
apenas seis semanas depois.
Mesmo o mais notório
ações de outros governos,
seja o assassinato de
os cidadãos de um país,
como na China e na União Soviética,
ou as políticas racistas de uma nação,
como era a segregação nos Estados Unidos,
e apartheid na África do Sul,
simplesmente não traduz
para a deslegitimização
desses países,
ou ameaçar sua soberania independente
e direito de existir.
Quero dizer, você consegue imaginar
se o movimento do Tibete Livre
não só pediu a libertação
do povo tibetano do domínio chinês,
mas sim pelo fim
da China como nação?
E, no entanto, isso é
precisamente o que está acontecendo
quando o sionismo é transformado
como uma ferramenta de ataque contra Israel.
Claro, crítica de
o governo é uma coisa,
é precisamente esse tipo de
engajamento e desacordo
isso é essencial para
qualquer democracia saudável,
mas uma chamada para o
dissolução de um país,
e a negação de sua população majoritária
para prosseguir e manter a sua
própria autodeterminação,
especialmente com base em que
eles são tão únicos e particulares
que eles só podem ser aplicados a esse país,
English:
it was the most honest
and naked expression
of the ultimate objectives underlying
the "Zionism is racism" campaign.
And, it's proponents would succeed,
in the words of Ambassador Moynihan,
"in finally giving that
manipulated language,
"... the appearance of
international sanction,"
just six weeks later.
Even the most egregious
actions of other governments,
whether it's the murder of
a country's own citizens,
as in China and the Soviet Union,
or the racist policies of a nation,
as was segregation in the United States,
and apartheid in South Africa,
simply do not translate
to the de-legitimization
of those countries,
or threaten their independent sovereignty
and right to exist.
I mean, can you imagine
if the Free Tibet movement
didn't just call for the liberation
of the Tibetan people from Chinese rule,
but rather for the end
of China as a nation?
And yet, that is
precisely what's happening
when Zionism is turned around
as a tool of attack against Israel.
Of course, criticism of
government is one thing,
it's precisely that kind of
engagement and disagreement
that's essential for
any healthy democracy,
but a call for the
dissolution of a country,
and the denial of its majority population
to pursue and maintain their
own self-determination,
especially on grounds that
they're so unique and particular,
that they can only be applied to that country,
Spanish:
pues bueno,
es algo totalmente diferente.
Básicamente, es un acto
de prejuicio
y discriminación internacional.
Tristemente, a pesar
de todo el trabajo humanitario
y del mantenimiento de la paz
que la ONU hace
a nivel internacional,
su historial en Israel
no es tan bueno.
Piensa que solo
en los últimos cinco años,
el Consejo
de Derechos Humanos de la ONU
ha conseguido justificar
la condenación de Israel
en casi tantas resoluciones
como en el total de las de cualquier
otro país del resto del mundo.
No digo que no haya nada
que criticar.
Solo digo que han ocurrido
muchas cosas malas
por todo el mundo,
de Birmania a Corea del Norte,
de Siria a Irán y Arabia Saudí,
y no nos olvidemos de Venezuela,
Somalia, Rusia y Crimea.
A veces, la lista parece
interminable.
Seguramente deberíamos pararnos
a pensar qué sucede realmente
si se puede juntar todo eso
en un platillo de la balanza
y luego vemos cómo los países
de la ONU señalan al sionismo
y, de alguna forma,
concluyen que coincide
con el cuestionable
peso moral de todo lo demás.
Y, sinceramente, algunas de
esas afirmaciones son absurdas.
¿Decir que Israel
es el principal transgresor
de la salud mental,
física y medioambiental?
Portuguese:
bem, isso é apenas algo completamente diferente.
Ou seja, é um ato de
preconceito internacional
e discriminação.
Infelizmente, para toda a manutenção da paz positiva
e trabalho humanitário que o
ONU pode fazer internacionalmente,
seu historial em Israel
não é tão quente assim.
Considere que, apenas em
nos últimos cinco anos sozinho,
os direitos humanos da ONU
Conselho de alguma forma justificou
condenação de Israel em
quase tantas resoluções
como todos os outros países no
resto do mundo combinado.
Agora eu não estou dizendo isso
não há nada para criticar
Eu só estou dizendo que há
foi muito ruim
acontecendo em todo o mundo.
De Mianmar para a Coreia do Norte,
Síria para o Irã e Arábia Saudita,
não vamos esquecer da Venezuela, Somália,
e a Rússia e a Crimeia.
Às vezes, a lista parece interminável.
Então, nós devemos provavelmente parar e nos perguntar,
o que realmente está acontecendo, se podemos empilhar
tudo isso de um lado de uma escala,
e depois ver como o
países da ONU
aponte para o sionismo,
e de alguma forma concluir que corresponde
a moral questionável
peso de todo o resto.
Honestamente, alguns desses
alegações são simplesmente absurdas.
Quero dizer, condenando Israel
como o principal violador
de mental, física e
saúde Ambiental?
Russian:
что ж, это что-то
совершенно другое.
Как раз это и есть акт
международных
предубеждений и дискриминации.
К сожалению, несмотря на всю
миротворческую
и гуманитарную работу,
которую ООН осуществляла
в мире, ее действия в отношении
Израиля просто не были
настолько хороши.
Подумайте, что только за
последние пять лет,
Совет по правам человека ООН
каким-то образом оправдал
порицание Израиля
в почти таком же количестве
резолюций,
как в отношении всех других
стран вместе взятых.
Конечно, я не хочу сказать,
что критиковать нечего.
Но на протяжении истории
в мире происходило столько
плохих вещей: от Мьянмы
до Северной Кореи, от Сирии
до Ирана и Саудовской Аравии,
и давайте
не будем забывать Венесуэлу,
Сомали и Россию с Крымом.
Иногда список просто
кажется бесконечным.
Так что, возможно,
нам нужно остановиться
и подумать, что происходит,
если мы сложим все мировое зло
на одну чашу весов
и затем посмотрим, как страны
ООН заявляют, что сионизм,
может быть соразмерен
сомнительному моральному весу
всего остального.
И, честно говоря, некоторые
из этих заявлений —
чистый абсурд.
Например, осуждение Израиля
как лидирующего осквернителя
психического, физического
и экологического здоровья?
English:
well, that's just something else entirely.
Namely, it's an act of
international prejudice
and discrimination.
Sadly, for all the positive peacekeeping
and humanitarian work that the
U.N. may do internationally,
its track record on Israel
just ain't that hot.
Consider that, just in
the last five years alone,
the U.N. Human Rights
Council has somehow justified
condemnation of Israel in
nearly as many resolutions
as every other country in the
rest of the world combined.
Now, I'm not saying that
there's nothing to criticize,
I'm just saying that there's
been a lot of bad stuff
going on all over the world.
From Myanmar to North Korea,
Syria to Iran and Saudi Arabia,
let's not forget about Venezuela, Somalia,
and Russia and Crimea.
Sometimes, the list just seems endless.
So, we should probably stop and wonder,
what's really going on if we can pile
all of that on one side of a scale,
and then watch as the
countries of the U.N.
point to Zionism,
and somehow conclude that it matches
the questionable moral
weight of everything else.
Honestly, some of these
claims are just plain absurd.
I mean, condemning Israel
as the leading violator
of mental, physical and
environmental health?
iw:
שניתן ליישם רק על אותה מדינה,
טוב, זה כבר משהו אחר לגמרי.
בעיקר, זהו אקט של דעות קדומות
ואפליה בינלאומית.
למרבה הצער, עם כל העבודה
ההומניטרית ולמען השלום
שמבצעים באו"ם ברמה הבינלאומית,
ההתייחסות לישראל היא לא כזו טובה.
חשבו על כך שרק בחמש השנים האחרונות
מועצת האו"ם לזכויות אדם
איכשהו הצדיקה את הגינוי של ישראל
כל כך הרבה פעמים
כמו כל המדינות האחרות ביחד.
עכשיו, אני לא אומר
שאין על מה להטיל ביקורת.
אני רק אומר
שקרו הרבה דברים רעים בכל העולם,
ממיאנמר לצפון קוריאה,
מסוריה לאיראן וערב הסעודית,
ובל נשכח את ונצואלה, סומליה,
רוסיה וחצי האי קרים.
לפעמים הרשימה הזאת נראית אינסופית.
אז כדאי שנעצור ונחשוב
מה באמת קורה
אם נשים את כל אלה על כף המאזניים
ואז נראה איך המדינות באו"ם
מתייחסות לציונות בצד השני
ואיכשהו נסיק
את המשקל המוסרי המפוקפק
של כל השאר.
ולמען האמת, כמה מהטענות האלה
הן פשוט אבסורדיות.
כמו לגנות את ישראל
כמפרה מובילה
של בריאות נפשית, פיזית וסביבתית?
Spanish:
¿O como el peor infractor de los
derechos de la mujer del mundo?
Israel tuvo una primera ministra
antes de que las mujeres
pudieran conducir
en muchos países.
Como dijo Susan Rice,
la Embajadora
ante las Naciones Unidas
para EE. UU.:
"Cuando los países señalan
a Israel en la ONU
por un trato injusto,
no es solo un problema para Israel,
es un problema
para todos nosotros.
Ningún país es inmune
a la crítica ni debería serlo.
Pero cuando la crítica se hace
en forma de señalar
a un único país de forma injusta,
amarga y despiadada
una y otra vez,
está mal y todos lo sabemos".
En otras palabras, no es
que Israel no haya hecho nada mal.
Pero es que es bastante raro
sugerir
que solo Israel
lo ha hecho todo mal.
Al final, 16 años después
de aprobar la Resolución 3379,
y con el inminente colapso
de la Unión Soviética,
la ONU retomó el asunto
el 17 de diciembre de 1991
pero, esta vez, para derogarla.
Pero el daño ya estaba hecho.
El ataque de "el sionismo
es racismo"
se presentó inicialmente
como una forma de negar
la idea básica
de que Israel es un país.
Y su uso para atacar
de forma desproporcionada a Israel
estaba muy extendido
y aún sigue emergiendo
de formas nuevas
iw:
או כמפרה הגדולה בעולם
של זכויות נשים?
לישראל הייתה ראש ממשלה אישה
עוד לפני שנשים הורשו
לנהוג במדינות מסוימות.
כפי שאמרה שגרירת ארה"ב לאו"ם,
סוזן רייס:
"כשמדינות מגנות רק את ישראל באו"ם
על התנהלות לא הוגנת,
"זו לא רק בעיה של ישראל,
זו הבעיה של כולנו.
"אף מדינה אינה חסינה בפני ביקורת,
וגם לא צריכה להיות.
"אבל כשהביקורת הזאת מופנית
אך ורק כלפי מדינה אחת,
"בצורה לא הוגנת, במרירות
וללא הרף שוב ושוב,
"זה לא בסדר וכולנו יודעים זאת."
במילים אחרות, זה לא אומר
שישראל לא עשתה שום דבר רע,
אלא שזה יותר מקצת מוזר
לטעון שישראל לבדה עשתה רק רע.
בסופו של דבר,
16 שנה לאחר שהתקבלה החלטה 3379
ולקראת התמוטטותה של ברה"מ,
באו"ם העלו את הנושא שוב
ב-17 בדצמבר 1991,
אבל הפעם כדי לבטל אותה.
אך עדיין, הנזק כבר נעשה.
ההתקפה "ציונות היא גזענות"
הוצגה תחילה
כאמצעי לשלול את הרעיון הבסיסי
של ישראל כמדינה.
השימוש בזה כדי לתקוף את ישראל
באופן לא פרופורציוני התבסס היטב,
והוא עדיין ממשיך
להופיע בצורות שונות,
English:
Or the world's worst
violator of women's rights?
I mean, Israel had a female Prime Minister
before women could
drive in some countries.
As U.S. Ambassador to the United
Nations, Susan Rice, said,
"When countries single out Israel
"for unfair treatment at the U.N.,
"it isn't just a problem for Israel,
"it is a problem for all of us."
"No country is immune from
criticism, nor should it be,
"but when that criticism takes the form
"of singling out just one country,
"unfairly, bitterly and relentlessly,
over and over and over,
"that is just wrong - and we all know it."
In other words, it's not to say that
Israel hasn't done anything wrong,
it's just that it's more than a little odd
to suggest that Israel alone
has done everything wrong.
Eventually, 16 years after
Resolution 3379 had passed,
and with the collapse of
the Soviet Union imminent,
the U.N. took up the matter
again on December 17th, 1991,
but this time, to repeal it.
Yet, the damage had already been done.
The "Zionism is racism"
attack was first introduced
as a way to negate the basic
idea of Israel as a country.
And its use in disproportionately
attacking Israel
had become well established.
And, it still continues
to emerge in new forms,
Russian:
Или худший в мире попиратель
прав женщин?
На минутку, женщины премьер-
министры в Израиле появились
раньше, чем в некоторых странах
женщины сели за руль.
Как сказала, посол США в ООН
Сьюзан Райс:
"Когда страны в ООН выделяют
Израиль за несправедливое
обращение,
это не просто проблема Израиля,
это проблема всех нас.
Ни одна страна не может
и не должна
быть защищена от критики.
Но когда эта критика
принимает форму
выделения лишь одной страны,
несправедливо,
горько и безжалостно,
снова, и снова, и снова,
это просто неправильно,
и нам всем это хорошо известно".
Другими словами,
это не означает,
что Израиль
не сделал ничего плохого.
Но немного странно предполагать,
что Израиль один
во всем виноват.
В конце концов, 16 лет после
принятия резолюции 3379
и в условиях неминуемого
развала СССР,
ООН снова взялась за это дело
17-го декабря 1991 года,
но на этот раз с целью отмены.
Однако ущерб уже был нанесен.
Впервые атака "Сионизм —
это расизм"
была представлена под видом
способа отрицать саму идею
Израиля как государства.
Ее чрезмерное использование
для нападений на Израиль
стало установленной практикой
и продолжается до сих пор,
проявляясь в новых формах,
Portuguese:
Ou o pior do mundo
violador dos direitos das mulheres?
Quer dizer, Israel tinha uma primeira-ministra feminina
antes que as mulheres pudessem
dirigir em alguns países.
Como embaixador dos EUA no Reino Unido
Nações, Susan Rice, disse:
"Quando os países escolhem Israel
"por tratamento injusto na ONU,
"não é apenas um problema para Israel,
"é um problema para todos nós."
"Nenhum país está imune
crítica, nem deveria ser,
"mas quando essa crítica toma a forma
"de destacar apenas um país,
"injustamente, amargamente e implacavelmente,
de novo e de novo e de novo,
"isso é simplesmente errado - e todos nós sabemos disso."
Em outras palavras, não é para dizer que
Israel não fez nada de errado
é só que é mais do que um pouco estranho
para sugerir que Israel sozinho
fez tudo errado.
Eventualmente, 16 anos depois
Resolução 3379 tinha passado,
e com o colapso de
a União Soviética iminente,
a ONU assumiu o assunto
novamente em 17 de dezembro de 1991,
mas desta vez, para revogar isso.
No entanto, o dano já havia sido feito.
O "sionismo é racismo"
ataque foi introduzido pela primeira vez
como uma maneira de negar o básico
idéia de Israel como um país.
E seu uso desproporcionalmente
atacando Israel
tornou-se bem estabelecido.
E ainda continua
emergir em novas formas,
English:
including in the often
counter-intuitive demands
of the BDS movement.
Whatever the varying goals
of its individual adherence,
the movement struggles with
its own strain of anti-Zionism,
and has appropriated
the "Zionism is racism"
attack for a new era,
whether with or without
a complete appreciation
of the origins and original
purpose of the phrase.
And so, this, ultimately,
is the sad legacy
of Resolution 3379, and the
phrase "Zionism is racism,"
whose purpose was never to
change governing policy,
but rather to undermine the
basic national sovereignty
of Israel's right to exist
as a nation among the rest of the world.
(funky music)
Spanish:
incluyendo en las demandas,
a menudo contradictorias,
del movimiento BDS.
Sean cuales sean
los diversos objetivos
de sus partidarios,
el movimiento lucha con una
variedad propia de antisionismo
y se ha hecho con el ataque
de "el sionismo es racismo"
para esta nueva era,
ya sea con o sin
una completa comprensión
de los orígenes
y del propósito original de la frase.
Y este es el triste legado
de la Resolución 3379
y de la frase
"el sionismo es racismo",
cuyo propósito nunca fue
cambiar la política normativa,
sino socavar
la soberanía básica nacional
del derecho de existir de Israel
como nación en el resto del mundo.
iw:
כולל בדרישות שלרוב מנוגדות
לאינטואיציה של תנועת הבי-די-אס.
יהיו אשר יהיו המטרות של
תומכיה השונים,
התנועה נאבקה במהלכים
אנטי-ציוניים משלה
והעבירה את מושג המאבק
"ציונות היא גזענות" לעידן חדש,
בין אם יחד או ללא הערכה מלאה
למקור המושג ולמטרתו המקורית.
אז בסופו של דבר זוהי
המורשת העגומה של החלטה 3379
והביטוי "ציונות היא גזענות",
שמטרתו מעולם לא נועדה לשנות מדיניות,
אלא לערער הריבונות הלאומית הבסיסית
של זכותה של ישראל להתקיים
כמדינה ככל המדינות בעולם.
Russian:
например, в часто нелогичных
требованиях движения BDS.
Каковы бы ни были цели его
отдельных сторонников,
движение выступает за
собственное
направление антисионизма,
приспособив призыв
"Сионизм — это расизм"
к новому времени,
с или без полного понимания
истоков и первоначальных
целей призыва.
Такое вот печальное
наследие резолюции 3379
и фразы "Сионизм — это расизм",
чьей целью никогда не было
изменение правящей политики,
но скорее подрыв идеи
национального суверенитета
и права Израиля на
существование
как нации среди
остального мира.
Portuguese:
incluindo no muitas vezes
demandas contra-intuitivas
do movimento BDS.
Quaisquer que sejam os objetivos variáveis
da sua adesão individual,
o movimento luta com
sua própria linhagem de anti-sionismo,
e se apropriou
o "sionismo é racismo"
ataque por uma nova era,
seja com ou sem
uma completa apreciação
das origens e original
propósito da frase.
E assim, finalmente,
é o triste legado
da Resolução 3379, e os
frase "sionismo é racismo"
cujo objetivo nunca foi
mudar a política de governo,
mas sim para minar o
soberania nacional básica
do direito de Israel existir
como uma nação entre o resto do mundo.
(música funky)
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Spanish:
Okay, bueno, bienvenida a Azerim.
Gracias, estoy un poco nerviosa.
No te pongas nerviosa, estaras bien.
Te voy a enseñar lo básico.
Okay, sí.
Okay, bueno.
Primero lo primero, aprendamos cómo caminar.
Caminar, sí, buena idea.
Entonces presiona las teclas WSAD en el
lado izquierdo del teclado.
La tecla W dis dei.
W-WSAD.
WS dei D.
WSA- sí perfecto, sí.
Está bien.
Adelante.
¡Oh!
Sí. ¡Sí, perfecto!
¡Oh!
Sí, okay.
Es asombroso, sí.
Está bien, estoy empezando a entenderlo.
Espera, ¿cómo giro?
- ¿Qué está pasando ahí atrás?
- Vas muy bien. Okay, para rotar usa el mouse.
Okay.
Sí, el mouse.
Oh... ¡oh!
Sí, increíble, sí.
*Un enemigo se acerca gritando*
¡Ah!
Turkish:
Tamam pekala ah Azerim'e hoş geldin. Teşekkürler, biraz gerginim. Gerilme
iyi olacaksın, sana işin inceliklerini göstereceğim. Tamam evet. Tamam, pekala her şeyden önce hadi
yürümeyi öğrenelim. Yürümek, evet iyi fikir. Yani, sen klavyenin sol tarafındaki WASD tuşlarına basıyorsun.
W S De D. WASD evet güzel evet. Tamam pekala.
Yap bakalım. Tamam. Evet mükemmel. Oh evet, tamam.
Bu harika evet. Pekala, kavrıyorum gibi biraz. Bekle, nasıl yönlendiriyoruz?
Arkada neler oluyor? Çok iyi gidiyorsun.
Tamam, yönlendirmek için fareni kullan.
Czech:
Okej. Tak. Vítej v Azerimu.
- Díky. Jsem trochu nervózní.
- Nebuď nervózní. Povedeš
si dobře. Ukážu ti co a jak.
- Okej, jasně.
- Okej nejdříve, pojďme tě naučit
jak se chodí.
- Jop, chůze. Dobrý nápad.
- Takže, stiskni WSAD klávesy na levé straně klávesnice.
W S A D.
- W S A D. Perfektní
- Jasně, dobře. Chápu.
- To je úžasné. Ano!
- Dobře, myslím, že na to už přicházím. Počkej, jak se otočím?
Co se děje tam vzadu?
- Vedeš si dobře...Tak jo. Na otáčení používej tvojí myš.
Russian:
- Хорошо, добро пожаловать в Азерим.
- Спасибо, я немного нервничаю.
- Расслабься
- Всё будет в порядке, я покажу тебе приёмы.
- Ладно, хорошо.
- Отлично, теперь обо всем по порядку, давай узнаем, как ходить.
- Ага, ходить, да, хорошая идея.
- Итак, ты нажимаешь клавиши WSAD на левой стороне клавиатуры.
- WS Day D.
WSAD , ага.
- Действуй. Да, идеально. Отлично!
- Ладно. Это здорово, да.
- Я вроде как привыкаю к этому. Подожди, а как мне повернуться?
- Что там творится за моей спиной?
- У тебя отлично получается. А чтобы повернуться, используй мышь.
Vietnamese:
Chào mừng tới Azerim. Em có hơi lo, đừng lo em sẽ
ổn thôi anh sẽ chỉ em mấy thứ cơ bản. Đầu tiên thì nên học
cách di chuyển. ok ý hay đấy. Được rồi bấm WSAD
W S A D. WSAD đúng rồi á. Được rồi. E bắt đầu đây. Tuyệt vời
Thật tuyệt. Em bắt đầu quen với nó rồi, làm sao để quay lại nhỉ?
Có chuyện gì thế anh? Em làm tuyệt lắm. Để quay lại em phải dùng chuột
Được rồi. đúng rồi tuyệt vời
Spanish:
Bien, ah, bienvenida a Azerim.
¡Gracias! Estoy un poco nerviosa.
Descuida, estarás bien. Te mostraré como jugar.
Ok, bien.
Primero que nada, aprendamos como caminar.
Caminar, buena idea.
Entonces, usas las teclas WSAD en el lado izquierdo del teclado.
W S A D.
WSAD
W S A D
WSAD Sí, bien, lo tienes.
Inténtalo.
Sí ¡perfecto!
¡Asombroso! ¡Sí!
Muy bien, le estoy agarrando el truco.
Espera ¿Cómo giro?
¿Qué sucede ahí atrás?
Lo estás haciendo muy bien.
Bien, para rotar usas el mouse.
¡Sí! ¡Asombroso! ¡Sí!
English:
Okay well ah welcome to Azerim. Thanks I'm
a little nervous. Don't be nervous you'll
be fine I'm gonna show you the ropes. Okay
yeah. Okay well first things first let's learn
how to walk. Walk yep good idea. So you press
the WSAD key on the left side of the keyboard.
W S day D. WSAD yep that good yep. Okay alright.
Go for it. Oh. Yeah. Yes perfect. Oh yeah
okay. That's awesome yes. Alright I'm kind
of getting the hang of it. Wait how do I rotate?
What's going on back there? You're doing so
well. Okay so to rotate you use your mouse.
Portuguese:
Beleza. Bom, seja bem-vinda a Azerim.
Obrigada! Estou um pouco nervosa...
Não se preocupe, você vai ficar bem.
Vou te ensinar como se faz
Beleza...
Bom, primeiro de tudo,
vamos aprender como andar.
Andar, tá... boa ideia.
Então, aperta W, S, A, D na
parte esquerda do teclado.
W, S, D...
W, S, A, D.
W, S, D, D.
W, S, A... pode ser!
Vai lá!
Oh!
Isso!
Isso! Perfeito!
Oh! É!
Incrível! Isso!
Beleza, tô pegando o jeito.
Peraí, como eu me viro?
O que tá acontecendo aí atrás?
Você tá indo muito bem!
Tá! Pra virar, você usa o mouse.
Certo. Pra virar, eu uso o mouse.
Isso! Maravilha!
Italian:
Va bene, benvenuti in Azerim. Grazie sto
un pò nervoso. Non essere nervoso
va bene ti mostrerò le corde. Va bene
si. Va bene, prima di tutto impariamo
come camminare. Cammina, sì, buona idea. Quindi premi
il tasto WSAD sul lato sinistro della tastiera.
WS giorno D. WSAD sì che bene sì. Va bene, va bene.
Fallo. Oh. Si. Si perfetto. o si
va bene. È fantastico, sì. Va bene, sono gentile
di prendere il controllo. Aspetta, come faccio a ruotare?
Cosa sta succedendo laggiù? Lo stai facendo
bene. Va bene, quindi per ruotare usi il mouse.
Italian:
Va bene. Sì fantastico sì. Stai andando così bene.
È così divertente. Woah.
Ehi guarda, voglio solo dire grazie mille per aver fatto lo sforzo per
entrare in qualcosa che amo. Onestamente io
sappi solo quanto ti piace questo gioco e
Mi piacerebbe impararlo con te. Quello è
Perché ti amo tanto. Oh cos'è quello? Che cosa?
Sei stato colpito dalle frecce. Oh
Ho? Io sì ah oh. Ebbene ah vuoi
per andare alla nostra prima missione insieme? Sì. Va bene
ah andiamo. Faccio strada io. si si
vai sì perfetto haha
English:
Okay. Yes awesome yes. You are doing so good.
It's so fun. Woah.
Hey look I just wanna say thank you so much for making the effort to
get into something that I love. Honestly I
just know how much you like this game and
I would love to learn it with you. That's
why I love you so much. Oh what's that? What?
You've got a you've been shot by arrows. Oh
have I? I yeah ah oh. Well ah do you want
to go on our first quest together? Yes. Okay
ah let's go. I'll lead the way. Yeah yeah
you go yes perfect haha
Spanish:
Lo estás haciendo muy bien.
Es divertido.
Oye, mira, solo quiero agradecerte por hacer el esfuerzo de probar algo que amo.
Honestamente sé cuánto amas este juego y a mí me encantaría aprenderlo contigo.
Por eso es que te amo tanto.
¿Qué... ¿Qué es eso?
¿qué?
Tienes una... te están disparando flechas.
Oh ¿sí? Sí, sí, cierto.
Bien. ¿Te gustaría ir en nuestra primera misión juntos?
Sí.
Ok ¡Vamos!
Voy adelante.
Sí, sí, ve.
¡Sí! ¡Perfecto!
Así que...
Bienvenida a Azeroth
Spanish:
- Lo estás haciendo muy bien.
- Es muy divertido.
Guau.
Oye, mira, solo quiero darte las gracias por hacer el
esfuerzo de probar algo que amo.
Honestamente, sé cuánto te gusta este juego y
me encantaría aprenderlo contigo.
Por eso te quiero tanto.
Aww.
¿Qué, qué es eso?
¿Qué?
Tienes un... te están disparando flechas.
¿Oh, sí? Oh sí ah oh. Bueno,
¿quieres empezar nuestra primera misión juntos?
Sí.
Okay ah vamos.
Yo guiaré el camino.
Sí, sí. Adelante, sí perfecto jaja.
*Suspiro*
So... bienvenida a... Azeroth.
- Hey...
- ¡Azerim! ¡M****!
Turkish:
Tamam. Evet harika evet.
Çok iyi gidiyorsun. Bu çok eğlenceli. Vay be.
Hey bak, sevdiğim bir şeye alışmak için çaba göstermenden dolayı sana teşekkür etmek istiyorum.
Gerçekten senin bu oyunu ne kadar sevdiğini biliyorum ve onu seninle öğrenmek isterim. Bu yüzden
seni çok seviyorum. Oh bu ne? Ne? Ok atıyorlar sana. Oh
Öyle mi? Evet, ah oh. Pekala, ah, ilk görevimize beraber gitmek ister misin? Evet. Tamam
Ah, hadi gidelim. Sana yolu göstereyim. Evet evet sen önden git, evet harika haha
Russian:
- Двигай мышкой.
Да, именно так. ДА!
У тебя все отлично получается.
- Это так весело.
- Слушай, я просто хочу сказать тебе большое спасибо за то, что ты приложила усилия, чтобы вместе со мной заниматься тем, что я люблю.
- Честно я просто знаю, насколько тебе нравится эта игра и я с удовольствием бы узнала ее вместе с тобой.
- Вот почему я люблю тебя так сильно.
- Ой, а что это?
- Ты о чем?
- Тебя стрелами истыкали.
- Кого? Меня? Ну да, есть немного.
Хочешь пройти вместе на наш первый квест? Да, я согласна!
- Пошли.
- Я пойду впереди.
- Да, конечно. Ты идешь идеально хаха
Vietnamese:
Em làm tốt lắm
Vui thật đó
woah
Này anh chỉ muốn nói là cám ơn em vì đã dành thời gian với những điều anh thích.
thành thật thì em biết anh rất thích game này và em cũng rất thích đc chơi cùng anh
đó là lí do sao anh yêu em
Hửm? cái gì thế anh?
gì cơ
Anh đang bị bắn vào người kìa
Có hả? à rồi
em có muốn làm nhiệm vụ đầu tiên cùng nhau ko?
Có!
ah đi thôi. em sẽ dẫn đường
YEAH Hoàn hảo haha
Portuguese:
Você está indo MUITO bem!
Até que é legalzinho!
Uau!
Olha, só quero te dizer: Muito obrigado por fazer esse esse esforço pra aprender algo que eu amo.
Sério, eu sei o quanto você gosta desse jogo e eu adoraria aprender com você.
É por isso que eu te amo tanto.
— Quê? Quê isso?
— Isso o quê?
É que tem umas...
Você levou umas flechadas.
Ah. Levei? Ah, é.
Bom, você tá a fim de fazer
nossa primeira quest juntos?
Sim.
Beleza, vamos embora!
Eu vou na frente.
Isso, pode ir!
Isso! Perfeito!
Então...
Seja bem-vinda à "Azeroth".
Czech:
Okej. Ano! Úžasné, ano!
Vedeš si tak dobře.
- Je to zábava... Vau!
Hele podívej. Jen jsem ti chtěl tak moc poděkovat, že si děláš tu námahu se mnou dělat to, co miluju.
- Upřímně...
já vím, jak moc máš rád tuhle hru a tak chtěla jsem se jí naučit od tebe.
- To je
důvod, proč tě tak miluju.
- Oh, co to je?
- Co je co?
- Někdo tě zasáhl šípama.
Vážně?
Takže, chceš jít na náš první společný úkol?
- Ano!
- Okej,
tak pojďme.
Já povedu.
Jo, jop. Až po tobě. Ano! Perfektní.
Russian:
Итак! Добро пожаловать в Азерот...Азерим!
Азерим же!
Turkish:
O zaman Azeroth'a hoş geldin.
Azerim. F***
Spanish:
¡Azerim!
Portuguese:
Azarim!
Spanish:
¡Azerim!
| {
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BAM! Mr. Tarrou. In this calculus lesson
we're all totally going to do three
examples determining the interval of
convergence of a power series what's
power series well it says here if F is a
variable then an infinite series in the
form of the summation where n starts at
0 and goes to infinity at the a sub n
times X minus C raised to the N power is
equal to a sub 0 plus a sub 1 times X
minus C u raised to the first power plus
a sub 2 times X minus C raised to the
second power and we keep adding and so
on and so on until we get to the nth
term and then yeah we just keep adding
because this is a series you know and
goes to infinity we never stop adding
these terms and this is a power series
centered at a constant C now if I were
to come through here and take out all
these variables or this not really
variable but this constant of C and just
have it set equal to 0 then that would
be a power series excuse me
centered at 0 but this is the more
general form so one thing to note here
because now we're talking about you know
convergence and divergence and we have
these Sigma notations or the summations
expression showing up not the sort of
standard looking series that we've been
working through in our previous sections
we talked about ratio and root test and
alternate series tests and so on and so
on but you'll see here that we go when
we go from the summation notation into
our expanded series notation the
variable of n is gone that's starting at
0 and going to infinity we have a
function that is in terms of X so when
we are trying to determine the interval
of convergence what we're actually
trying to determine is when we plug in
some value of x we get a series and does
that series converge or diverge do we
get a real sum from that series if we
get a real sum that occurs right when
our series converge and so if we get an
actual sum for the series if this series
is converging
well then this is going to give us right
that valid well says right here some so
we are oh and by the way you can kind of
notice when you see an expanded series
like this if you have a variable X
raised to some power that's when you
identify and you can go okay that is a
power series this series converges like
I just said a second ago if the series
converges we get a valid sum we are
determining for what values of X does
that summation give us a valid sum we
are looking for the domain of all X's
such that this series right here
converges if it converges we get a valid
sum we're good to go if it diverges well
then our sum would be something like
infinity or undefined that's not what we
are looking for but that's hopefully
giving you a good understanding here an
idea of what is going on now to do these
three examples we're going to use
something that we're going to use that
ratio test we just talked about that in
the previous section because that ratio
test says that a series absolutely
converges if the absolute value of the
ratio of a sub n plus 1 over a sub n is
less than one if it's equal to one it's
in determinant if it's greater than one
then that series diverges so the ratio
test gives us an inequality to work off
of to determine that interval of
convergence so as I read through here
what we're looking for I'm talking about
radius of convergence I'm talking about
doing that ratio test to this series and
we're going to make sure that that ratio
stays less than one if the radius of
convergence is equal to zero
then the power series is going to be
said to converge only at that constant
at that see the center of that power
series if the radius of convergence is
infinity then I'm pausing because I'm
going okay I want to say these zero and
this infinity and then found the
condition here with the outcome no
three if you will is that result again
of setting up the ratio test and looking
at ultimately what we're arriving at
it'll be clear as we do the examples if
the radius of convergence is infinity
then the power series converges
absolutely for all X it doesn't even
matter what X is so these two types of
solutions will be example one and two
and there they're not quite so
interesting because there's no work in
determining what that interval of
convergence is now if we do the ratio
test we set that up and there exists a
real number R that's greater than zero
so not zero not infinity that's where
the little bit of extra work that's
where the skills that we learn in all
these previous sections learning all
these tests alternate and you know
alternating series test and direct and
women comparative test so and so on come
into play well if there exists a real
number R greater than zero such that the
series converges absolutely for the
absolute value of X minus C is less than
R and diverges for the absolute value of
X minus C is greater than R we're going
to be focusing really on this part here
when you get the absolute value of some
binomial alone and it's less than well
whatever your radius of convergence is
going to be we'll be able to identify
what the center of our power series is
if we can't already see it in the
expanded form and through the for the
three examples that we're going to be
doing we're gonna have our series
written like in this format here and
we'll have our radius convergence now
from there we're gonna find that will be
fine we'll have found that radius of
convergence and then we're going to test
whether the power series converges or
diverges at the endpoints of your
interval that's where maybe you need to
once you plug in some particular X
values into the series start looking at
it and trying to go cables this harmonic
I'll alternating harmonic series is it a
geometric series is it something that we
need to do some kind of limit
comparative test to you need we need to
determine whether this series converges
or diverges at the endpoints of our
interval to come up with our
answer now this is a lot of words and
writing and hopefully kind of makes
sense but I think doing these three
examples is going to clarify this up for
you the first one coming up right now so
all the examples are gonna have the same
directions find the interval of
convergence of the power series so we
have our power series the summation
where n starts as your own goes to
infinity of 2 n factorial times X to the
2n over N factorial and just to expand
it out for you here when lit when we let
N equals 0 we're going to have 0
factorial
and 0 factorial well that's defined to
be 1 and X to the 0 power is 1
and now when we let n equal 1 we have 2
factorial over 1 factorial which is 2
and then X to the 2 times 1 which is x
squared and then plus 12
with our N equals 2 we have 2 times 2 is
4 4 factorial is 24 over 2 which comes
out to be 12 and we have X to the 4th
and so on and so on
what's the interval where this series
converges ok so we're gonna do that
ratio test so by the ratio test we're
going to be looking at the limit as n
goes to infinity with this expression
here of a sub n plus 1 just like the
previous section so we have 2 to the n
plus 1 factorial X to the 2 times n plus
1 power over n plus 1 factorial over 2
to the n times X to the 2n over N
factorial so let's get all this cleaned
up until we get that that binomial that
X minus C the absolute value that
compared to our radius of convergence
we're going to take this denominator and
flip it up
we're also going to distribute this to
through the parentheses of n plus 1 and
expand that factorial hopefully with all
that practice from that section will
read first learned the ratio test you
saw a lot of this expansion you got used
to expanding these factorials but just
to show you one more time to plot 2 n
plus 2 factorial is 2 n plus 2 count
down by 1 2 n plus 1 and then count down
by 1 again and we get to that 2 n
factorial so I'm going to stop there and
write 2 n factorial and we can see all
these nice factors cancel out oh and of
course we have down here and plus 1
times and counting down by 1 until you
get to 1 so n factorial so we have the
factors of n factorial cancelling out
well that's been already rewritten and
we have 2 n bases of X in the
denominator and we have 2 n plus 2 bases
of X in the numerator so there's two
more X's in the numerator than in the
denominator so that is going to cancel
out all but two of them and we've got
our 2 n factorials cancelling out let's
clean this up a little bit and see where
we stand
okay I don't know why I took the time to
actually distribute this out for the
numerator because that's not really
truly necessary when we let n go to
infinity the only thing that's going to
control of course the limit of this
first factor is the leading term but at
any rate we have for N squared over N
now l'hopital's rule or dividing the top
of the numerator and denominator by n
whatever it takes that we can see that
the limit here of our first factor is
going to be infinity times X now that
absolute value of that has to remain
less than 1 and we're about to say here
you know infinity and that doesn't
really need to be in the absolute value
symbols now because we know it's going
to pause infinity but infinity times X
infinity times what is going to
guarantee that you have an answer that's
less than 1 well if you put any value in
for X now that doesn't even apps you
guys almost because we could plug in
anything but any value you plug in for X
that's not equal to what 0 I mean
1/10 times infinity is still infinity so
the only thing the only value of x is
going to guarantee that this expression
the absolute value of this expression is
less than 1 is if X is equal to 0 well
kind of a special case we got here and
by the way when we see when I'm saying
that X has to be 0 you might go in you
might be going well if we have infinity
times 0
isn't that indeterminate form when we
were studying l'hopital's rule and we
had to then rework the limit so we had
to be infinity over infinity or 0 over
and vitter 0 over 0 some form that
allows us to apply l'hopital's rule well
no because we're saying that X you know
to make this inequality be true the only
value that X possibly can be is 0 X is a
constant of 0 it is 0 not approaching 0
this for N squared plus 6n plus 2 over n
plus 1 that is approaching
infinity now if we had some kind of end
variable over here that was approaching
something to make this second factor
approach zero well then we would have
some form of an determinant and we'd
have to you know manipulate that with
l'hopital's you know so that we could
eventually apply l'hopital's rule and
evaluate the limit but know this in this
case is not in a determinate form it is
actually equal to zero so the only time
not much an interval here
the only value of x which is going to
make this series converge is x equals
zero yeah
so our radius of convergence is zero
this converges this given series
converges when x is zero and by the way
the center of our power series do we
have any kind of you know X minus a
number here is it just X is just X and
actually it might be beneficial for me
to let's go ahead and pull you know n n
starts at zero and goes to infinity so
this is never going to be negative so
really you just need the absolute value
symbol around the X and I guess you
could say you could divide both sides by
infinity and have the absolute value of
x is less than 1 over infinity which is
zero allowing me to say that that radius
of convergence is equal to zero and thus
x equals zero let's go on to our second
example right now already our second
example we're going to look for the
interval of convergence of this series
here we have n the summation of n
starting at zero going to infinity of 4
times X to the N power over 2 n
factorial and I did a little bit of
expansion here
just to let you see that we again have
that function in terms of X we're
finding the domain of this function such
that it gives us a valid some such that
it converges so we're going to set up
that ratio test and by the ratio test we
have the limit as n goes to infinity of
a sub n plus 1 over a sub n again
instead of dividing by that fraction
we're going to bring it up as a multiple
over reciprocal and clean things up this
factor of 2 in factorial now that we've
done a little bit of expansion on that
factorial notation is going to cancel
out with 2 n factorial in the
denominator of our second factor we have
n bases of 4x here we have just one more
so this is going to cancel out and
believe it's with just one factor of 4x
in the numerator
this is really kind of simplifying very
similar to the previous one but we have
a lot of ends now in our denominator as
opposed into the numerator of our last
one now if we let n go to infinity we're
gonna have 1 over infinity which
approaches zero hmm and zero times 4x is
just zero so the limit here I was going
to write it on the second line but I
don't need any extra room to write zero
the limit as n approaches infinity is
zero and of course zero is always less
than one so since zero is always less
than one and there's not even a place
for X to go right so for all X on the
interval from negative infinity to
positive infinity so therefore
by the ratio no yeah
so therefore the given series converges
absolutely for all pets I'll be right
back and for our third and last example
we have the summation where n starts at
1 and goes to infinity of and negative 1
to the n plus 1 which means that we are
looking at an alternating series by the
way times X minus 3 to the N over N
times 7 to the N power okay so we're
looking for the interval of convergence
of this series this power series which
means that by the ratio test we are
looking at the limit as n approaches
infinity of a sub n plus 1 over a sub n
now we put this in the notes earlier but
how is it you know how do we look at
this and you know how can we tell that
we have a power series now maybe you
could expand it a couple of terms to
make sure you know what those ends kind
of disappear and look at what your
expansion looks like because you're only
you're only going to have that variable
X you have a function in terms of X and
you have an X raised up to some power
that power of course is gonna be
increasing as we let and go from 1 to
infinity so that variable x raised to
some power is your indication that
you're looking at a power series okay as
always with ratio test we're going to
multiply by the reciprocal and clean
things up lots of cancellation so the
limit as n approaches infinity of the
absolute value of the negative 1 raised
to the now n plus 2 power because of
course
plus one times X minus three raised to
the n plus one over n plus one times
seven to the n plus one power multiply
that by the reciprocal of the
denominator we have n times 7 to the N
over negative 1 to the n plus 1 times X
minus 3 to the N power ok so we have n
7s in the numerator of our second
fraction and n plus 1 in the denominator
of our first fraction leaving you with
one factor of seven in the denominator
we have X minus three to the N and X
minus 3 to the n plus one just one more
factor in the numerator and the same
thing here too we have negative 1 to the
n plus 1 and negative 1 to the n plus 2
well it was just one more than 1 now
cleaning this up what do we got we have
the limit as n approaches infinity of
the absolute value of well and actually
let's do this let's take out all those
ends because they're going to be
positive the absolute value again is
going to take care of that factor of
negative 1 we have an N so the limit as
n approaches infinity of n over that's
this one right here in the denominator
we have a factor of n plus 1 and we can
bring that 7 out as well if we want or
we can leave it you know inside the
absolute values I think I'm going to
leave it inside the absolute value not
that 2 value of 7 is just going to be 7
so we have let me just make sure I
didn't copy something down wrong
absolute value taking care of that
negative 1 we have our factor of x minus
3 here we have a 1 over 7 the absolute
value the N is starting at 1 and going
to infinity so it's never gonna be
negative pulling that out in front of
the absolute value so I'm just given
this a little bit of a different look
the limit as n approaches infinity is
this n over n plus one is going to come
out to be one so we have that this is
equal to the absolute value of 1 over 7
times X minus 3 the absolute value of
all of this and remember we are looking
for the domain of this function
well actually this function when it was
expanded that you know the domain of X
that makes the function converged so
that we have that valid sum so that with
the ratio test says that the absolute
value of the ratio of a sub n plus 1
over a sub n must be less than 1 for
that to absolutely converge in the
absolute value of 1/7 is 1/7 so actually
I could bring this go ahead and bring
that out and at this point like I
mentioned earlier in a note so once you
have that X minus C the absolute value
of X minus C is less than well not quite
the absolute value of symbol alone yet
so I'm going to multiply both sides by 7
and we have the absolute value of X
minus 3 I'm gonna started talking there
could you tell and say something that
was incorrect we have 1 times 7 is equal
to 7 now here's at the point you can
look at this and go hey the center of
our power series is 3 and here we have
that Capitol or that real value that's
greater than 0 we have a radius of
convergence of 7
okay so we have now a result that is
going to allow us to set up an
preliminary interval for convergence but
then we're going to test the endpoints
so let's go ahead and write this without
the absolute value signs which means
that this can be well the absolute value
in the sevens can be like 7 or negative
7 but it has to be in between those
values so we have negative 7 is less
than X minus 3 which is then less than 7
solving this compound inequality we
going to you know very difficult here
add everything by 3 and we have negative
4 is less than X which is less than 10
so our interval not I can't say really
interval of convergence because we
haven't tested the endpoints yet but our
preliminary interval here is from
negative 10 or excuse me negative 4 to
10 so now we need to test the endpoints
and I'm going to try and squeeze this
down in here I'll pick a different
colors you can tell the difference of
what I'm doing test the endpoints very
easy for students to forget this part my
textbook that I teach from even
acknowledges hey don't forget to test
the endpoints so what about when X is
equal to negative 4 I'm really afraid
I'm going to run out of room here but
we're going to be looking at the
summation where n goes from 1 to
infinity and I'm just gonna plug I'm
just gonna take out the X and plug in
negative 4 so negative 1 and +1
parenthesis negative 4 minus 3 to the N
power over n times 7 to the N now here's
at the point that no borders with some
simplification that we can go through
but here's where the point that we you
know you might find out that a lot of
these become very easy to determine
whether they converge or die
but you might need to lean on those I
you know start pulling those toolboxes
out are you gonna use maybe a p-series
test a inter the alternating series test
interval integral test limit comparative
test direct comparative test route test
ratio test that here's where it would
come in and we have to use all of those
tools and know which one is appropriate
and many of these mean you know when
your test whether series converge or
diverge most of them have more than one
way to figure that out but what are we
got going on here we have the series
negative 1 to the N plus 1 negative 4
minus 3 of course is negative 7 to the N
and we have n here with the 7 to the N
power so we have a negative 7 to the N
and then our denominator we have
positive 7 to the N looks like we can
almost make those things cancel out
right and what's the square root of 2
times the square root of 3 well that's
just the square root of 6 right you can
multiply inside well what do we have
here we have 2 to the 1/2 power times 3
to the 1/2 and that's 6 to the 1/2 so we
can multiply together 2 times 3 is 6 and
then reverse factor that 6 to be 2 times
3 within those matching rational powers
in this K 12 it because he has a
rational powers in this case we just
have n but I'm just pointing it out to
validate for you here that I can take
the negative 7 to the N power and write
it like this
basically just factor it so we have
negative 1 to the N times 7 to the N
over N times 7 to the N well check this
out now if I rewrite that 7 as negative
1 to forget the plus 1 here as negative
1 times 7 well then the 7 to the N power
over 7 to the N power these are all
factors those common factors will cancel
out we have
a multiplication of like bases well neg
you know when you multiply like bases
you get to add those exponents and n
plus n is 2 n so in the numerator we're
left with negative 1 to the 2n plus 1
over N and 2n plus 1 I think you're
probably pretty comfortable by now if
you take a number and you double it and
you add 1 you're guaranteed to have a
odd answer and negative 1 to an odd
power is always going to come out to be
negative 1 so this looked like an and
was an alternating series but when we
check the end point where X is equal to
negative 4 we actually get negative 1
times the summation or n starts at 1
goes to infinity of 1 over N so it's
negative 1 times the summation of a
harmonic series and harmonic series are
divergent
so when we tested our end point of x
equals negative 4 at negative 4 this
series diverges so that is not going to
be included in our final interval of
convergence now let's check the 10 and I
did run out of room so hopefully this is
okay I'm gonna go ahead and race this
so should one hand just race to all of
it huh all right
taking the next value of 10 plugging it
in what do we got we have negative 1 to
the n plus 1 times 10 not dead anymore
or X for that matter 10 minus 3 to the N
power over n times 7 to the N well of
course 10 minus 3 is 7 and our 7 to the
N power like the previous one 7 over n
divided by 7 over to the nth power
excuse me is equal to 1 and this time
well this simplification for when the
check in the endpoint of x equals 10
comes out to be really nice and
simplifies very quickly with the
summation where n starts at 1 and goes
to infinity of negative 1 to the n plus
1 over N well now this negative 1 to the
n plus 1 that's going to well it's going
to go between positive and negative and
thus we have an alternating harmonic
series an alternating harmonic series
unlike the regular harmonic series
converge so we took our original power
series we set the limit up we did a
ratio test at the women up as n
approaches infinity of a sub n plus 1
over a sub n we did a lot of
simplification unlike the previous
examples the two examples we did get X
minus 3 the absolute value of X minus 3
or X minus C is less than some real R
which is greater than 0 in this case it
was 7 so our Center is 3 our radius of
convergence is 7 we went ahead and wrote
that as a compound inequality we solved
found in preliminary interval of
convergence check the endpoints negative
4 didn't work in the sense that it came
out to be that series came out to be
divergent but 10 did at x equals 10 our
series did converge so our final
interval of convergence and just 2
because I'm running out of space here
this is our interval
of convergence so again if you take
these X values starting from but not
including negative for up to ten plug
them into the function that you get as
you expand out the summation notation
because all the ends would go away this
is actually equal to a function in terms
of X plug these values of X into that
function of X an expansion of that
summation notation you will get a series
that converges this is the domain that
allows this series to converge thus
giving you a valid sum
I'm mister true I am go to your homework
you
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She got a body like an hour glass
But I can give it to you all the time
She got a booty like a Cadillac
But I can send you into overdrive (oh)
You've been waiting for that
Step on up swing your bat
See anybody could be bad to you
You need a good girl to blow your mind, yeah
Bang bang into the room (I know ya want it)
Bang bang all over you (I'll let ya have it)
Wait a minute lemme take you there (ah)
Wait a minute till ya (ah)
Bang bang there goes your heart (I know ya want it)
Back, back seat of my car (I'll let ya have it)
Wait a minute lemme take you there (ah)
Wait a minute till ya (ah)
She might've let you hold her hand in school
But I'm a show you how to graduate
No, I don't need to hear you talk the talk
Just come and show me what your momma gave (oh, yeah)
Okay you've got a very big shhh
Mouth but don't say a thing
See anybody could be good to you
You need a bad girl to blow your mind
Bang bang into the room (I know ya want it)
Bang bang all over you (I'll let ya have it)
Wait a minute lemme take you there (ah)
Wait a minute till ya (ah)
B to da' A to da' N to da' G to da' uh (baby)
See anybody could be good to you
You need a bad girl to blow your mind (your mind)
Bang bang into the room (I know ya want it)
Bang bang all over you (I'll let ya have it)
Wait a minute lemme take you there (ah)
Wait a minute till ya (ah)
Bang bang there goes your heart (I know ya want it)
Back, back seat of my car (I'll let ya have it)
Wait a minute lemme take you there (ah)
Wait a minute lemme take you there (ah)
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The top 5 cryptocurrencies to start off your altcoin season with a bang! Lately
It's been all about Bitcoin and for anyone riding the BTC price wave. It's been great for anyone holding altcoins
It's been a rough ride to say the least. If you've been around the crypto scene long enough. You already know what comes next
altcoin season
Yes, sooner or later
bitcoin will need to hit the pause button and share some of those sweet market cap gains with its little brothers and
sisters in need altcoins
When that time comes you want to be ready and you will be because we are going to be looking at the top
5 altcoins for
2019 not just any altcoins. I'm talking the most promising undervalued crypto projects
These projects are real standouts that have continued to build and show continued progress throughout the crypto winter of
2018 and after watching this video you'll know
Exactly why these projects are unstoppable and primed for impressive returns. Coming up!
If this is your first time here and you want to learn all about cryptocurrencies start now by subscribing and clicking on the bell
So you don't miss anything. At number 5 we have ICON
I really hate the term sleeping giant, but for ICON I'm going to make an exception
This giant is sleeping and it's only a matter of time before it finally wakes up
It's rare to find a project that has the support of a whole country's government as well as most of their biggest companies
ICON is one of the largest blockchain networks in the world
and the largest block chain project in South Korea. ICON has completely dominated its partnerships within the Korean economy
Being a country that is at the forefront of new technology South Korea currently has the greatest level of cryptocurrency
adoption globally ICON being the most advanced blockchain platform created in South Korea has tremendous potential in achieving wide
adoption in the country and beyond to date over 100 businesses have partnered with ICON
while most crypto projects were struggling throughout the bear market icon may be one of the only
Crypto startups that's already getting substantial revenue coming in. They've expanded the team size to up to
160 people and moved into an even larger office space in addition iconloop the blockchain tech company behind
Icon have reported eight million dollars in revenue for 2018 with a projected 12 million in
2019 some upcoming milestones include staking the release of their decentralized exchange
decentralized
Identification service as well as their own native stable coin most importantly
Decentralization is just one step away with icons staking reward system set to launch in August
Users will be able to stake their icx to three different entities
simultaneously this means that if you stake your coins, you can expect an average annualized return rate of more than
15% during the pre voting period icon acts as a bridge to bring separate blockchain networks together as an example
Samsung one of the largest South Korean companies is in the process of developing an ethereum based blockchain platform
since Samsung have already pledged to integrate icons chainID
Onto their phones means that icon will be able to connect the projects together later on this year
Icon is a project that has ongoing business
Relationships with a fleet of billion-dollar companies as well as the backing of the Korean government companies such as Samsung
SBI line daily intelligence are nothing to sneeze at this is icon
Reborn as staking begins and the circulating supply plummets
the Korean ethereum should be primed to break its all-time highs once again coming up at number 4 we have
VeChain
2018 was a phenomenal year for Vechain
Despite the crypto bear market Vechain is much more than a supply chain and logistics
solution Vechains partnerships span continents corporations and even governments from partnerships with
BMW the wine industry and even the Chinese government its offering solutions that the corporate world has been
Grappling with for years and as it continues to resolve them you can bet that its value will grow the use cases are just too
Astronomical to ignore governments cities and multinational companies are already using vechains
technology
since it launched its mainnet Vechain has enjoyed continuous growth in the number of
Transactions on its Vechain Thor blockchain while it's mystory and toolchain solutions have proven to be the
catalysts for VeChain's massive rise in
enterprise adoption throughout the bear market they announced
partnerships with Shanghai eGrid Consulting and Inpi Asia in May they entered into a collaboration with PWC and
DNV GL which is one of the most fruitful partnerships they concluded to date
It seems like Vechain has been gaining one or two similar business
Partnerships almost every month of the year Vechain has showcased the next step in their partnership with automobile manufacturing giant
BMW a new service called verifycar on the VeChain Thor Network the verifycar
application addresses the issue of mileage fraud verifycar is a digital passport that allows users to
Monitor their a domitor and maintenance history another announcement from April is the new solution called
toolchain the solution grants users with limited technical knowledge the ability to create solutions for themselves or their
business on the Vechain Thor blockchain all within 30 seconds
The global counterfeiting market is a four hundred billion dollar business. This provides a strong incentive
for companies to adopt VeChains anti counterfeiting
Technologies if Vechain maintains its relevance in the industry and manages to stay ahead of their competition
It will surely be worth a hundred times more than it is
Now ultimately adoption and transaction fees will drive the VeChain platform and the value of the VET token
number three Tron
Yes
Justin Suns tweets can be a bit too much but Tron's actual business moves are
solid. Tron is aiming to create an entertainment platform that allows content creators full control over their content
think of a decentralized
Combination of Netflix YouTube and the App Store last year, we've witnessed the launch of Trons
Mainnet this allowed for the development of dapps on the Tron blockchain making Tron one of the most formidable
alternatives to the ethereum blockchain currently Tron has reached more than
2.7 million user accounts on their network a new record
Tron has continued to show a steady growth in users and on some days has been the leading
Blockchain platform in daily onchain volume as well as the number of daily
Transactions Tron employs more than a hundred engineers worldwide and has even executed one of the most clever
Acquisitions into crypto space with BitTorrent with the acquisition of the legendary p2p sharing platform and more
Recently Trons partnership with Opera the world's first browser with web 3.0
capabilities means that Tron has just boosted its user base to almost half a billion new users while Tron
Continues to have its fair share of haters the best investments usually start with the least
Consensus Trons results speak louder than either positive hype or negative FUD
partnerships exchange listings trading pairs new
Acquisitions new hires and that recruitment all of this in a bear market Tron
Simply hustles non-stop to be bigger and better with almost half a billion of potential new users
It's easy to see that when the Altcoin Bulls run again
The TRX price will reflect all that hard work at number 2
We have Cardano what really makes Cardano remarkable is the sheer amount of care that goes into its development
Cardano is the first blockchain project to be developed from a scientific philosophy
And the only one to be designed and built by a global team of leading academics and engineers
Cardano is secure
Flexible and scalable for use by many millions of users and has been developed with the same scientific rigor
Applied to mission critical systems such as aerospace and banking it is a third-generation
Blockchain and it's powered by the ADA coin much like in ethereum
It is a smart contract based system that can be used to run decentralized applications
but in a much more
Efficient way the Cardano roadmap has five phases in the Gougen phase that is already underway
The focus will be on the universal language framework development and security improvements for investors
This phase is where the token will gain more utility with the execution of complex
smart contracts the Basho phase will improve
Scalability security and performance by implementing a revised network layer as well as Ouroboros the next-generation
protocol of cardano's proof of state consensus algorithm
The voltaire phase is the final phase of cardano's current roadmap
We will see the implementation of a treasury system and a governance model if Cardano delivers what it promises
It will be set up to become a prime candidate to take over Ethereums throne
Last but not least XRP this cryptocurrency is solving a problem measured in trillions of dollars
cross-border payments
ripple connects banks payment providers and digital asset
Exchanges while quickly becoming the standard for digital value transfer globally rivaling established companies like visa
Recently XRP has claimed several impressive partnerships. Thanks to its parent company Ripple a San francisco-based
blockchain startup that provides international
Settlement protocols including XRapid Xcurrent Xvia and ripplenet XRP is one of the fastest growing
Cryptocurrencies, it is already backed by over 100 financial institutions from all over the world
Ripple are opening multiple offices in Asia
Inaugurated a new London office and have a breathtaking track record with European companies helping them with their global expansion
Ripple is all about the internet of value proposition
It offers innovation and how value moves across the globe it
Does this by being fast reliable and cheap one of ripples biggest and most promising
Partnerships is with SBI Bank of Japan
the bank has a market cap of six billion dollars SBI's chief officer has stated that
SBI aims to leverage XRP in a way that will create mass cryptocurrency
Adoption in Japan. As XRP begins its unstoppable march to the top
It will gain value by settling payments all around the world Ripples
Inter ledger Protocol can connect every payment service in the world and process payments across every network and ledger an
estimated one hundred and fifty five trillion dollars travel across
borders every year by streamlining the means of executing these
Transactions this equals to saving trillions and fees every year essentially banks and payment providers can use the digital
Asset XRP to reduce their costs enable instant payment settlements globally and access new markets
For the coming years there have been
Forecasts ranging anywhere from 20 all the way up to five hundred dollars that might seem high right now
But if it truly becomes the reserve standard across multiple
platforms and Ledger's and the most dominant monetary asset in the world then for XRP the sky is
Truly the limit if you made it to the end of this video, let me know which cryptocurrency you're most bullish on in
2019 also, make sure you subscribe and like this video. Thanks for watching and I'll talk to you later!
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QED: The Strange Theory of Light and Matter
is an adaptation for the general reader of
four lectures on quantum electrodynamics (QED)
published in 1985 by American physicist and
Nobel laureate Richard Feynman.
QED was designed to be a popular science book,
written in a witty style, and containing just
enough quantum-mechanical mathematics to allow
the solving of very basic problems in quantum
electrodynamics by an educated lay audience.
It is unusual for a popular science book in
the level of mathematical detail it goes into,
actually allowing the reader to solve simple
optics problems, as might be found in an actual
textbook.
But unlike in a typical textbook, the mathematics
is taught in very simple terms, with no attempt
to solve problems efficiently, use standard
terminology, or facilitate further advancement
in the field.
The focus instead is on nurturing a basic
conceptual understanding of what is really
going on in such calculations.
Complex numbers are taught, for instance,
by asking the reader to imagine that there
are tiny clocks attached to subatomic particles.
The book was first published in 1985 by the
Princeton University Press.
== The book ==
In an acknowledgement Feynman wrote:
This book purports to be a record of the lectures
on quantum electrodynamics I gave at UCLA,
transcribed and edited by my good friend Ralph
Leighton.
Actually, the manuscript has undergone considerable
modification.
Mr. Leighton's experience in teaching and
in writing was of considerable value in this
attempt at presenting this central part of
physics to a wider audience.Much of Feynman's
discussion springs from an everyday phenomenon:
the way any transparent sheet of glass partly
reflects any light shining on it.
Feynman also pays homage to Isaac Newton's
struggles to come to terms with the nature
of light.
Feynman's lectures were originally given as
the Sir Douglas Robb lectures at the University
of Auckland, New Zealand in 1979.
Videotapes of these lectures were made publicly
available on a not-for-profit basis in 1996
and more recently have been placed online
by the Vega Science Trust.
The book is based on Feynman's delivery of
the first Alix G. Mautner Memorial Lecture
series for the general public at the University
of California, Los Angeles (UCLA) in 1983.
The differences between the book and the original
Auckland lectures were discussed in June 1996
in the American Journal of Physics.
In 2006, Princeton University Press published
a new edition with a new introduction by Anthony
Zee.
He introduces Feynman's peculiar take at explaining
physics, and cites: "According to Feynman,
to learn QED you have two choices: you can
go through seven years of physics education
or read this book".
== The four lectures ==
1.
Photons - Corpuscles of Light
In the first lecture, which acts as a gentle
lead-in to the subject of quantum electrodynamics,
Feynman describes the basic properties of
photons.
He discusses how to measure the probability
that a photon will reflect or transmit through
a partially reflective piece of glass.
2.
Fits of Reflection and Transmission - Quantum
Behaviour
In the second lecture, Feynman looks at the
different paths a photon can take as it travels
from one point to another and how this affects
phenomena like reflection and diffraction.
3.
Electrons and Their interactions
The third lecture describes quantum phenomena
such as the famous double-slit experiment
and Werner Heisenberg's uncertainty principle,
thus describing the transmission and reflection
of photons.
It also introduces his famous "Feynman diagrams"
and how quantum electrodynamics describes
the interactions of subatomic particles.
4.
New Queries
In the fourth lecture, Feynman discusses the
meaning of quantum electrodynamics and some
of its problems.
He then describes "the rest of physics", giving
a brief look at quantum chromodynamics, the
weak interaction and gravity, and how they
relate to quantum electrodynamics.
== Notes
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Serbian:
Иако су слично размишљали, Марко Аурелије био је владар
а Епиктет роб.
Чињеница да је неко из најнижег сталежа
сврстан у међу највеће стоичаре
показује да стоицизам није само за одабране
већ за свакога.
Стоичка философија се једним делом бави
и очувањем сталоженог ума.
Заправо, стоичари верују да
су напредни људи достигли
истинску срећу, која је
неодвојива од спокојства.
Епиктетови радови откривају нам значај
спокојства и да га треба ценити
више од ствари попут новца,
угледа, чак и телесног здравља.
Он нам преноси да се спокој ума не постиже покушајима да се влада окружењем,
већ да се постиже
начином на који размишљамо.
Vietnamese:
Mặc dù họ theo cùng một triết lý,
Marcus Aurelius là một hoàng đế và Epictetus
là một nô lệ.
Thực tế là ai đó từ lớp thấp nhất
trở thành một trong những nhà triết học khắc kỷ vĩ đại nhất
chỉ ra rằng chủ nghĩa khắc kỷ không chỉ dành cho
ưu tú: nó dành cho tất cả mọi người.
Một phần của triết học khắc kỷ là khả năng
giữ một tâm trí bình tĩnh.
Thực tế, Stoics tin rằng
con người trong trạng thái hưng thịnh đã đạt được
hạnh phúc thật sự, luôn đi cùng nhau
với sự bình an nội tâm.
Các tác phẩm của Epictetus cho thấy tầm quan trọng
của sự yên tĩnh, và rằng chúng ta nên coi trọng điều này
trên những thứ ít hơn như tiền bạc, danh tiếng,
và thậm chí cả cơ thể.
Ông nói với chúng tôi rằng một tâm trí bình tĩnh không đạt được
bằng cách cố gắng thay đổi và kiểm soát môi trường xung quanh chúng ta;
nó đạt được theo cách chúng ta nghĩ.
English:
Even though they followed the same philosophy,
Marcus Aurelius was an emperor and Epictetus
was a slave.
The fact that someone from the lowest class
became one of the greatest Stoic philosophers,
indicates that Stoicism isn’t just for the
elite: it’s for everyone.
Part of Stoic philosophy is the ability to
keep a calm mind.
As a matter of fact, the Stoics believe that
humans in a state of flourishing have attained
true happiness, which always goes together
with inner peace.
The works of Epictetus reveal the importance
of tranquility, and that we should value this
over lesser things like money, reputation,
and even the body.
He tells us that a calm mind is not achieved
by trying to alter and control our surroundings;
it’s achieved by the way we think.
Spanish:
A pesar de que seguían la misma filosofía, Marco Aurelio era un emperador y Epicteto
era un esclavo.
El hecho que alguien de la clase mas baja se convirtiera en uno de los grandes filósofos Estoicos
indica que el Estoicismo no es solo para la elite: es para todos.
Parte de la filosofía estoica es la habilidad de mantener una mente calma.
De hecho, los estoicos creen que los humanos en un estado de florecimiento han alcanzado
la verdadera felicidad, que siempre va de la mano con la paz interior.
los trabajos de Epicteto revelan la importancia de la tranquilidad, y de que deberíamos valor esto
sobre cosas menores como el dinero, la reputación e incluso el cuerpo.
El nos dice que una mente calma no se alcanza tratando de alterar y controlar nuestros alrededores;
se alcanza a través de la forma en que pensamos.
Spanish:
Aunque seguían la misma filosofía, Marco Aurelio era un emperador y Epicteto
era un esclavo.
El hecho de que alguien que venía de la clase más baja se convirtió en uno de los estoicos más grandes
indica que el Estoicismo no es solo para la élite: es para todos.
Parte de la filosofía estoica es la habilidad de mantener una mente tranquila.
De hecho, los estoicos creen que los humanos en un estado de florecimiento han alcanzado
la verdadera felicidad, que siempre va junto a la paz interior.
Los trabajos de Epicteto revelan la importancia de la tranquilidad y que debemos valorarla
por encima del dinero, la reputación e incluso el cuerpo.
Él nos dice que una mente tranquila no se alcanza al intentar alterar o controlar nuestro entorno;
se alcanza mediante nuestra forma de pensar.
Serbian:
Најважнији Епиктетов рад је назван "Разговори".
То је збирка предавања записаних
од стране ученика
по имену Аријан.
Исти ученик је саставио и "Енхиридион",
што значи "Приручник", врло лак
за читање и усвајање.
Из ових извора можемо видети како је
Епиктет излазио на крај за сталним бригама,
непријатностима, тешкоћама,
остајући сталожен на свешто живот донесе.
Кренимо са првим:
(1) Поступај у складу са природом.
Док је Епиктет поучавао, један од
ученика му је рекао да жели кући јер
је био болестан.
Епиктет га је послао кући.
Такође га је упитао
може ли у тренутном стању
да побољша свој морал. Стога је
његов долазак на час био исправан.
Рекао је:
"Иди и обави шта имаш код куће.
Spanish:
La obra principal de Epicteto se llama Discursos; una colección de lecciones que fueron escritas
por un pupilo llamado Arrian.
El mismo pupilo también compiló el Enquiridion, que significa "Manual" y es bastante simple
de leer y entender.
En estas fuentes, podemos descubrir cómo, según Epicteto, se debe lidiar con las preocupaciones diarias,
eventos estresantes y penurias, para mantener una mente tranquila sin importar lo que nos arroje el mundo.
Empecemos con la primera:
(1) Actúa acorde con la naturaleza.
Cuando Epicteto estaba enseñando, uno de sus estudiantes le dijo que quería ir a casa,
porque estaba enfermo.
Epicteto, entonces, lo mandó a casa.
Pero también le preguntó a su estudiante si creía o no que con con condición era capaz
de mejorar su propósito moral y que, por lo tanto, venir a clase era lo correcto.
Él dijo:
"Regresa y atiende tus asuntos en casa.
Vietnamese:
Công việc chính của Epictetus được gọi là Diễn ngôn;
một tập hợp các bài giảng đã được viết
xuống bởi một học sinh tên Arrian.
Học sinh này cũng đã biên soạn Enchiridion,
có nghĩa là 'cẩm nang' và khá dễ dàng
để đọc và tiêu hóa.
Trong các nguồn này, chúng ta có thể khám phá cách Epictetus
nghĩ về việc đối phó với những lo lắng hàng ngày, căng thẳng
sự kiện và khó khăn, vì vậy chúng tôi có thể giữ bình tĩnh
tâm trí bất kể những gì thế giới ném vào chúng ta.
Hãy bắt đầu với cái đầu tiên:
(1) Hành động phù hợp với tự nhiên.
Khi Epictetus đang giảng dạy, một trong những học sinh của ông
nói với anh rằng anh muốn về nhà, bởi vì
anh bị ốm
Epictetus, sau đó, gửi anh ta về nhà.
Nhưng cũng hỏi học sinh của mình có hay không
anh ta nghĩ rằng với điều kiện của mình, anh ta có thể
để cải thiện mục đích đạo đức của mình và, do đó, anh ta
đến lớp là điều đúng đắn.
Anh nói:
Quay trở lại và có xu hướng các vấn đề của bạn ở nhà.
Spanish:
La obra principal de Epicteto es llamada Discursos; una colección de lecturas que fueron transcritas
por un pupilo llamado Arrian.
Este mismo pupilo también compiló el "Enchiridion", que significa "libro de mano" y es bastante fácil
de leer y digerir.
En estas fuentes, podemos descubrir como Epicteto pensaba acerca de lidiar con las preocupaciones, eventos estresantes
y dificultades de la vida diaria, para que podamos mantener una mente calmada a pesar de lo que el mundo nos lance.
Comencemos con la primera:
(1) Actua en concordancia con la naturaleza
Cuando Epicteto esta enseñando, uno de sus estudiantes le dijo que quería ir a casa, porque
estaba enfermo.
Epicteto, entonces, lo envío a casa.
Pero también le preguntó al estudiante si creía o no que en su condición estaba apto
para mejor su propósito moral, y si es que el viniendo a clases era la cosa correcta de hacer.
El dijo:
Vuelve y atiende tus asuntos en casa.
English:
The main work of Epictetus is called Discourses;
a collection of lectures that were written
down by a pupil named Arrian.
This same pupil also compiled the Enchiridion,
which means ‘handbook’ and is quite easy
to read and digest.
In these sources, we can discover how Epictetus
thought about coping with daily worries, stressful
events, and hardships, so we can keep a calm
mind regardless of what the world throws at us.
Let’s start with the first one:
(1) Act in accordance with nature.
When Epictetus was teaching, one of his students
told him that he wanted to go home, because
he was sick.
Epictetus, then, sent him home.
But also asked his student whether or not
he thinks that with his condition he is able
to improve his moral purpose and, thus, him
coming to class was the right thing to do.
He said:
Go back and tend to your affairs at home.
Serbian:
Јер ако твоје начело није у складу
са природом, нема сумње
да се твоје ситно парче земље
може ускладити с њом."
Крај цитата.
Ова поука нам говори да треба извршити оно
што ситуација захтева од нас.
Све што превазилази наше моћи
воља је универзума.
Нема потребе за притиском. Кад смо
болесни избегнимо
необавезне ствари.
Често је прихватање болести најбољи
пут ка излечењу, најпаметнији
тренутни избор.
Наравно, Епиктет је знао да је болест
препрека за тело, али не и за нашу
могућност избора.
Ово не значи да се приморавамо
на вршење дужности што би само
погоршало ствари, већ да
упркос телесној сметњи имамо избор
да паничимо или да мирно
доносимо разумне одлуке.
Ако посматрамо пандемију, нпр. видимо
две крајности: на једној страни паника,
а на другој потпуни немар.
Spanish:
Porque si tu principio rector no se puede poner en conformidad con la naturaleza, sin duda
su miserable terreno puede ser conformado con él.
Fin de la cita.
La lección que tomamos de esto es que debemos hacer lo que la situación actual demanda de nosotros.
Lo que sea que nos sobrepase, es el camino del universo.
No hay necesidad de forzar cosas, así cuando estamos enfermos no deberíamos forzarnos
a hacer cosas que no podemos.
En muchos casos, la mejor forma de tratar una enfermedad es aceptándola, y haciendo lo que es mejor
para nosotros en ese dado momento.
Seguro, Epicteto también escribió que la enfermedad es un obstáculo para el cuerpo, pero no para nuestra habilidad
de elegir.
Lo que no significa que deberíamos forzarnos a nosotros mismo a realizar nuestras labores, las cuales podrían
empeorar las cosas; significa que a pesar de los obstáculos físicos , todavía podemos elegir
entre entrar en pánico o tomar opciones racionales de una manera más tranquila.
Cuando observamos una pandemia, por ejemplo, vemos dos extremos; por un lado esta el pánico
y en el otro tenemos esta completa indiferencia.
Vietnamese:
Vì nếu nguyên tắc quản trị của bạn không thể
không còn nghi ngờ gì nữa
mảnh đất nhỏ bé của bạn có thể được thực hiện để phù hợp
với nó.
Trích dẫn cuối.
Bài học chúng ta rút ra từ đây là chúng ta nên
làm những gì tình hình hiện tại yêu cầu từ chúng tôi.
Bất cứ điều gì vượt qua chúng ta là cách của vũ trụ.
Không cần phải ép buộc mọi thứ, vì vậy khi
chúng ta bị bệnh, chúng ta không nên ép buộc bản thân
để làm những việc chúng ta không thể làm.
Trong nhiều trường hợp, cách tốt nhất để điều trị bệnh
là bằng cách chấp nhận nó, và làm những gì tốt nhất
cho chúng tôi trong thời điểm đó
Chắc chắn, Epictetus cũng tuyên bố rằng bệnh tật là
một trở ngại cho cơ thể, nhưng không phải khả năng của chúng ta
chọn.
Điều đó không có nghĩa là chúng ta nên ép buộc
chính chúng ta để thực hiện nhiệm vụ của chúng tôi mà có thể
chỉ làm cho nó tồi tệ hơn; nó có nghĩa là mặc dù
trở ngại vật lý, chúng ta vẫn có thể chọn
hoảng loạn hoặc đưa ra lựa chọn hợp lý trong một
thời trang yên tĩnh hơn.
Khi chúng ta nhìn vào một đại dịch, ví dụ, chúng ta
thấy hai thái cực: ở một đầu, có hoảng loạn,
ở đầu bên kia có sự bất cần hoàn toàn này.
Spanish:
Porque si tu principio rector no puede conformarse a la naturaleza, no hay duda de que
tu miserable pedazo de tierra puede conformarse a ella."
Fin de la cita.
La lección que tomamos de esto es que deberíamos hacer lo que la situación actual pide de nosotros.
Lo que viene a nosotros viene del universo.
No hay necesidad de forzar las cosas, así que cuando estemos enfermos no debemos forzarnos
a hacer cosas que no podemos hacer.
En muchos casos, la mejor forma de tratar una enfermedad es aceptándola, y hacer lo que es mejor
para nosotros en cada momento.
Claro, Epicteto también dijo que las enfermedades son un obstáculo para el cuerpo, pero no para nuestra
habilidad para decidir.
Lo que no significa que debamos forzarnos a realizar nuestros deberes, ya que
solo nos haría daño; significa que a pesar de los impedimentos físicos, todavía podemos elegir
el pánico o las decisiones racionales de forma serena.
Cuando miramos a las pandemias, por ejemplo, vemos los dos extremos: por un lado, el pánico;
en el otro hay una completa despreocupación.
English:
For if your governing principle cannot be
brought into conformity with nature, no doubt
your paltry piece of land can be made to conform
with it.
End quote.
The lesson we take from this is that we should
do what the current situation asks from us.
Whatever overcomes us is the way of the universe.
There’s no need to force things, so when
we’re sick we shouldn’t force ourselves
to do things we cannot do.
In many cases, the best way to treat an illness
is by accepting it, and doing what’s best
for us in that given moment.
Sure, Epictetus also stated that illness is
a hindrance to the body, but not to our ability
to choose.
Which doesn’t mean that we should force
ourselves to perform our duties which might
only make it worse; it means that despite
the physical hindrance, we still can choose
to panic or to make rational choices in a
more tranquil fashion.
When we look at a pandemic, for example, we
see two extremes: on one end, there’s panic,
on the other end there’s this complete nonchalance.
Spanish:
En el primer caso, la gente esta superada por el miedo y la emoción, y en el segundo caso
la gente se rehusa a ver el problema y , quizás, tratar de verse duros.
Pero actuar en conformidad con la naturaleza, es decir la naturaleza del universo así como nuestra
naturaleza humana, empieza por reconocer la situación, hacer una investigación adecuada, y tomar
las medidas necesarias mientras mantenemos la cabeza fría.
No importa como decidamos reaccionar; es importante recordar que la enfermedad y la muerte son simplemente
parte de la naturaleza.
Todos nos vamos algún día.
Lo que nos lleva al siguiente punto:
(2) Observa tus jucios.
La ansiedad no es causada por el entorno.
Es causada por la posición que tomamos frente al entorno.
Todos tenemos nuestros cuadro de referencia, y desde ese cuadro, decidimos lo que toleramos y
lo que no.
No hay nada malo con eso.
A menudo, esto sirve al propósito de discernir el bien del mal.
Como sea, nuestros juicios se convierten en un problema si nos hacen sentir con el derecho a cosas que
naturalmente no tenemos derecho.
English:
In the first case, people are overtaken by
fear and emotion, and in the second case,
people refuse to see the problem and, perhaps,
try to make themselves look tough.
But acting in accordance with nature, meaning
the nature of the universe as well as our
human nature, starts by acknowledging the
situation, doing proper research, and taking
the necessary measures while keeping a cool
head.
No matter how we choose to react; it’s important
to remember that sickness and death are simply
part of nature.
We all go someday.
Which brings us to the next one:
(2) Watch your judgments.
Anxiety isn’t caused by the environment.
It’s caused by the position we take towards
the environment.
We all have our frames of reference, and from
that frame, we decide what we tolerate and
what we don’t tolerate.
There’s nothing wrong with that.
Oftentimes, it serves a purpose to discern
right from wrong.
However, our judgments become a problem if
they make us feel entitled to things that
we’re naturally not entitled to.
Serbian:
У првом случају, људи су обузети страхом
и другим осећањима, а у другом
одбијају суочавање са проблемом,
можда мислећи да тако делују јаче.
Али деловање у складу са природом (људском
и космичком) почиње прихватањем ситуације, ваљаним истраживањем и
спровођењем потребних мера,
без узнемиравања.
Какву год реакцију одабрали,
треба упамтити да су болест и смрт просто
део природе.
Сви ћемо једном отићи.
Што нас доводи до следећег:
(2) Пази на расуђивање.
Узнемиреност не проузрокује околина.
Она је последица нашег становишта
у односу на околину.
Сви ми имамо свој систем вредности
и уависно од њега одлучујемо
шта прихватамо а шта не.
То је сасвим у реду.
То често служи да разлучимо
добро од лошег.
Ипак, наше процене постају проблем
ако нас терају на ствари којима
по природи нисмо склони.
Vietnamese:
Trong trường hợp đầu tiên, mọi người bị qua mặt bởi
sợ hãi và cảm xúc, và trong trường hợp thứ hai,
mọi người từ chối nhìn thấy vấn đề và, có lẽ,
cố gắng để làm cho mình trông khó khăn.
Nhưng hành động phù hợp với tự nhiên, ý nghĩa
bản chất của vũ trụ cũng như của chúng ta
bản chất con người, bắt đầu bằng cách thừa nhận
tình hình, làm nghiên cứu thích hợp, và lấy
Các biện pháp cần thiết trong khi giữ mát
cái đầu.
Cho dù chúng ta chọn phản ứng thế nào; nó quan trọng
hãy nhớ rằng bệnh tật và cái chết chỉ đơn giản là
một phần của tự nhiên.
Tất cả chúng ta sẽ đi một ngày nào đó.
Điều này đưa chúng ta đến cái tiếp theo:
(2) Xem bản án của bạn.
Lo lắng không phải do môi trường.
Nó được gây ra bởi vị trí chúng ta hướng tới
môi trường.
Tất cả chúng ta đều có khung tham chiếu và từ
khung đó, chúng tôi quyết định những gì chúng tôi chịu đựng và
những gì chúng ta không chịu đựng được.
Không có gì sai với điều đó.
Thông thường, nó phục vụ một mục đích để phân biệt
đúng từ sai.
Tuy nhiên, phán đoán của chúng tôi trở thành một vấn đề nếu
họ làm cho chúng ta cảm thấy có quyền với những thứ mà
chúng tôi tự nhiên không được hưởng.
Spanish:
En el primer caso, las personas son superadas por el miedo y la impresión; en el segundo,
las personas se rehúsan a ver el problema y, tal vez, traten de hacerse los fuertes.
Pero actuar de acuerdo a la naturaleza significa tanto la naturaleza del universo como
la naturaleza humana, empezando por reconocer la situación, hacer la debida investigación y tomar
las medidas necesarias mientras se mantiene la cabeza fría.
No importa cómo decidamos reaccionar; es importante recordar que enfermedad y muerte son simplemente
parte de la naturaleza.
Todos nos iremos algún día.
Lo que nos trae el siguiente.
(2) Vigila tus juicios.
La ansiedad no es causada por el ambiente.
Es causada por la posición que tomamos hacia este.
Todos tenemos límites de referencia, y desde estos límites decidimos qué tolerar
y qué no tolerar.
No hay nada malo en esto.
Frecuentemente, nos sirve para discernir entre lo bueno y lo malo.
Sin embargo, nuestro juicios se vuelven un problema si nos hacen sentir que tenemos derecho sobre cosas
a las cuales no tenemos derecho naturalmente.
Spanish:
Por ejemplo, podemos estar enojados de por vida porque nos sentimos con el derecho a tener buenos padres
los cuales nunca tuvimos.
Pero Epicteto señala que no tenemos derecho a buenos padres.
Solo a tener padres.
Y esto es verdad para muchas cosas.
Entonces, porque deberíamos sentirnos afligidos por cosas que completamente naturales?
Yo cito:
Distingue dentro de tu propia mente, y esta preparado para decir , "no es el accidente que aflige
a esta persona, porque este no aflige a otra persona, es el juicio que él hace
acerca de este."
Fin de la cita.
De nuevo, esto es importante cuando nos enfrentamos a la enfermedad o la muerte.
Estas cosas no son nada nuevo.
Son parte de la naturaleza, tanto como la guerra y la violencia, y deberían más bien ser abordadas
con ecuanimidad que con fuerte aversión.
Además, cuando no cargamos fuerte deseos y aversiones, somos más capaces de lidiar
con la situación en una forma racional, que cuando somos llevados por pensamientos irracionales y
emociones.
Spanish:
Por ejemplo, podemos enfadarnos toda la vida porque creemos que tenemos derecho a los buenos padres
que nunca tuvimos.
Pero Epicteto apunta que no tenemos derecho a un buen padre.
Solo a un padre.
Y esto es verdad de muchas cosas.
Así que, ¿por qué sentimos angustia por cosas que son completamente naturales?
Cito:
"Distingue en tu propia mente, y prepárate para decir: «No es el incidente lo que angustia
a esta persona, porque no angustia a otra persona; es el juicio que él hace
sobre el incidente.»"
Fin de la cita.
De nuevo, esto es importante cuando enfrentamos enfermedad o muerte.
Estas no son nuevas en el mundo.
Son parte de la naturaleza, tanto como la guerra y la violencia, y deben ser enfrentadas
con imparcialidad en vez de repulsión.
En cambio, cuando no tenemos fuertes deseos y aversiones, somos más capaces de lidiar
con las situaciones de forma racional; que cuando nos dejamos guiar por pensamientos irracionales
y emociones.
English:
For example, we can be angry for a lifetime
because we feel entitled to the good parents
we never had.
But Epictetus points out that we’re not
entitled to a good parent.
Just to a parent.
And this is true for many things.
So, why should we feel distressed by the things
that are entirely natural?
I quote:
Distinguish within your own mind, and be prepared
to say, “It's not the accident that distresses
this person, because it doesn't distress another
person; it is the judgment which he makes
about it.”
End quote.
Again, this is important when we face illness
or death.
These things are nothing new.
They’re part of nature, as much as war and
violence, and should rather be approached
with equanimity than strong aversion.
Moreover, when we don’t carry strong desires
and aversions, we’re more capable of dealing
with the situation in a rational way, than
when we’re led by irrational thoughts and
emotions.
Vietnamese:
Chẳng hạn, chúng ta có thể tức giận cả đời
bởi vì chúng tôi cảm thấy có quyền đối với cha mẹ tốt
chúng tôi không bao giờ có.
Nhưng Epictetus chỉ ra rằng chúng ta không
được hưởng một phụ huynh tốt.
Chỉ cần cho cha mẹ.
Và điều này đúng với nhiều thứ.
Vì vậy, tại sao chúng ta nên cảm thấy đau khổ bởi những điều
điều đó là hoàn toàn tự nhiên?
Tôi trích dẫn:
Phân biệt trong tâm trí của bạn, và được chuẩn bị
có thể nói, đó không phải là tai nạn gây đau khổ
người này, bởi vì nó không làm phiền người khác
người; đó là sự phán xét mà anh ấy đưa ra
về nó."
Trích dẫn cuối.
Một lần nữa, điều này rất quan trọng khi chúng ta đối mặt với bệnh tật
hoặc chết.
Những điều này không có gì mới.
Chúng là một phần của tự nhiên, nhiều như chiến tranh và
bạo lực, và nên được tiếp cận
với sự bình tĩnh hơn ác cảm mạnh mẽ.
Hơn nữa, khi chúng ta không mang theo những ham muốn mạnh mẽ
và ác cảm, chúng ta có khả năng giao dịch nhiều hơn
với tình hình một cách hợp lý, hơn
khi chúng ta bị dẫn dắt bởi những suy nghĩ phi lý và
những cảm xúc.
Serbian:
На пример, можемо бити доживотно љути
желећи добре родитеље које
никад нисмо имали.
Али Епиктет истиче да
није обавезно имати добре родитеље,
већ само родитеље.
Ово важи за много тога.
Стога, зашто да се узнемиравамо
потпуно природним стварима?
Цитирам:
У свом уму разлучи и буди спреман да кажеш:
"Овој особи не смета незгода,
јер другој особи она не смета.
Њу погађа само сопствено расуђивање
о незгоди."
Крај цитата.
Опет, ово је важно када се
суочимо са болешћу или смрћу.
То није ништа ново.
Оне су део природе, као што рат и насиљу треба прићи више
сталожено него са
јаком одбојношћу.
Штавише, ако не гајимо јаке жеље
и отпоре способнији смо за суочавање
са ситуацијом на разуман начин
више него кад нас воде неразумне
помисли и осећања.
Vietnamese:
(3) Tập trung ít hơn vào những thứ nằm ngoài tầm kiểm soát của bạn.
Khi bắt đầu Enchiridion, chúng tôi sẽ
tìm sự phân đôi nổi tiếng của kiểm soát, mà
là một nền tảng của suy nghĩ Stoic.
Nó nhấn mạnh rằng một số điều là tùy thuộc vào chúng ta,
và những người khác thì không và chúng ta nên tập trung
về cái trước, và có sự khinh miệt cái sau.
Là những sinh vật sống trong vũ trụ này, chúng ta có
để đối phó với những gì xung quanh chúng ta.
Chúng ta có thể mong muốn kiểm soát thế giới bên ngoài,
có lẽ bằng tiền, một vị trí quyền lực, thể chất
sức mạnh, thông minh, hoặc đe dọa.
Nhưng, vào cuối ngày, đây chỉ là
dụng cụ có thể ảnh hưởng nhưng không bao giờ kiểm soát.
Và ngay cả khi chúng ta có thể kiểm soát một số thứ,
luôn có hàng tỷ thứ khác
mà trượt ra khỏi tay của chúng tôi.
Những gì chúng ta kiểm soát theo Epictetus
là giảng viên của chúng tôi.
Và đó là những gì chúng ta nên tập trung vào.
Những gì xảy ra xung quanh chúng ta không quan trọng.
Nó quan trọng hơn những gì chúng ta làm với nó.
Do đó, chúng ta có thể chọn tập trung sự chú ý của mình
trên suy nghĩ và cảm xúc của chúng ta, hơn là
Serbian:
(3) Мање обраћај пажњу на оно
што није у твојој власти.
На почетку "Приручника" наићи ћемо
на чувену "дихотомију контроле",
која је у темељу
стоичке мисли.
Она истиче да неке ствари зависе од нас,
друге не, и да се треба посветити
првима а занемарити друге.
Као створења која живе у овом универзуму
морамо се суочавати са свиме што је око нас.
Можда желимо власт над спољашњим светом,
можда новац, висок статус, телесну
снагу, интелигенцију или
застрашивање.
Али крајем дана, ово су само средства
којима се утиче али никад не влада.
Чак и ако овладамо нечим,
има милијарда других ствари
које нам измичу из руку.
По Епиктету, оно чиме владамо
јесу наше сопствене могућности.
На то треба да се
усредсредимо.
Оно што се догађа око нас
није тако важно.
Важније је шта чинимо с тим.
Тако, можемо усмерити пажњу на
своје мисли и осећања, пре него
Spanish:
(3) Concentrate menos en las cosas fuera de tu control
Al comienzo del Enchiridion, encontramos la famosa dicotomía de control, la cual
es una piedra angular en el pensamiento estoico.
Esta enfatiza que algunas cosas dependen de nosotros, y otras no y que deberíamos centrarnos
en las primeras y despreciar estas últimas.
Como criaturas vivientes en este universo, tenemos que lidiar con lo que esta a nuestro alrededor
Podemos desear el control del mundo exterior, quizás con dinero, una posición de poder,
fuerza física, inteligencia o intimidación.
Pero al final del día, estos son solo instrumentos que pueden influenciar pero nunca controlar.
E incluso si logramos controlar algunas de las cosas, siempre van a haver un billon de otras cosas
que se nos resbalarán de las manos.
Lo que si controlamos, según Epicteto, es nuestra propia facultad.
Y eso es en lo que nos deberíamos concentrar.
Lo que pasa alrededor nuestro no es tan importante.
Es mas importante lo que hacemos con eso.
Así, podemos elegir concentrar nuestra atención en nuestros propios pensamientos y emociones, más bien que
English:
(3) Focus less on things outside of your control.
At the beginning of the Enchiridion, we’ll
find the famous dichotomy of control, which
is a cornerstone of Stoic thinking.
It emphasizes that some things are up to us,
and others are not and that we ought to focus
on the former, and have contempt of the latter.
As living creatures in this universe, we have
to deal with what’s around us.
We might desire to control the outside world,
perhaps by money, a position of power, physical
strength, intelligence, or intimidation.
But, at the end of the day, these are just
instruments that can influence but never control.
And even if we do manage to control some things,
there’s always a billion of other things
that slip out of our hands.
What we do control according to Epictetus
is our own faculty.
And that’s what we should focus on.
What happens around us isn’t that important.
It’s more important what we do with it.
Therefore, we can choose to focus our attention
on our own thoughts and emotions, rather than
Spanish:
(3) Enfócate menos en las cosas fuera de tu control.
Al principio del Enquiridion, veremos la famosa dicotomía del control, la cual
es una piedra angular del pensamiento estoico.
Enfatiza que algunas cosas están en nuestro control y otras no, y que debemos enfocarnos
en la primera, e ignorar la segunda.
Como criaturas vivas en este universo, debemos tratar con lo que nos rodea.
Podemos desear controlar el mundo exterior, quizás mediante el dinero, una posición de poder, fuerza física
inteligencia o intimidación.
Sin embargo, al final del día, estos son solo instrumentos que pueden influenciar pero nunca controlar.
E incluso si logramos controlar algunas cosas, hay siempre mil millones de cosas
que se escapan de nuestras manos.
Según Epictero, lo que sí controlamos son nuestras propias facultades.
Y eso en en lo que nos debemos enfocar.
Lo que pase alrededor no es tan importante.
Es más importante cómo reaccionemos a esto.
Así, podemos elegir enfocarnos en nuestros propios pensamientos y emociones, en vez de
Spanish:
preocuparnos constantemente sobre cosas que no podemos cambiar.
Esto no significa que nos tengamos que apartar completamente.
Significa que desarrollemos una indiferencia saludable hacia los eventos, de manera que
no nos estresen demasiado.
Aquí es donde entra "amor fati", amor al destino.
Porque qué mejor manera de lidiar con lo inevitable que aceptándolo.
Gracias por ver.
Spanish:
estar constantemente preocupándonos sobre las cosas que de todas formas no podemos hacer mucho al respecto.
Esto no significa que nos encerramos en nosotros completamente.
Significa que desarrollamos una saludable indiferencia frente a los eventos exteriores para que no
nos estresen tanto.
Aquí es donde el "amor fati", el amor de la fé, entra en juego.
Porque, ¿ Hay una mejor forma de lidiar con lo inevitable que abrazarlo?
Gracias por ver el video.
Serbian:
стално бринути о стварима
које ионако нису до нас.
То не значи да се
потпуно затворимо.
Ово значи да треба развијати здраву
равнодушност према догађајима
како нас не би сувише погађали.
Овде наступа "amor fati",
љубав према судбини.
Има ли бољег начина за
суочавање са неизбежним
него да га пригрлимо?
Хвала на пажњи.
Vietnamese:
liên tục lo lắng về những thứ chúng ta không thể
làm nhiều về bất cứ điều gì
Điều này không có nghĩa là chúng ta đóng chính mình
tắt hoàn toàn.
Nó có nghĩa là chúng ta phát triển một sự thờ ơ lành mạnh
đối với các sự kiện bên ngoài để họ sẽ không
nhấn mạnh chúng tôi quá nhiều.
Đây là nơi tình yêu fati, tình yêu của số phận,
vào đi.
Bởi vì có một cách tốt hơn để đối phó với
Điều không thể tránh khỏi, hơn là ôm lấy nó?
Cảm ơn vì đã xem.
English:
constantly worrying about stuff we can’t
do much about anyway.
This doesn’t mean that we close ourselves
off completely.
It means that we develop a healthy indifference
towards outside events so that they won’t
stress us out too much.
This is where amor fati, the love of fate,
comes in.
Because is there a better way to deal with
the unavoidable, than to embrace it?
Thank you for watching.
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Turkish:
Bu son ayların en sıcak günü,
biz de potansiyel müşterilerle
röportaj yapmak için sokaklardayız.
Hadi bakalım.
Temel müşteri sorunlarında başarılı olmak için
korkusuz olmalısınız.
İnsanlarla konuşun.
En kötü ne olabilir?
Evet ama vaktim yok.
Sorun değil,
başkasıyla konuşursunuz.
Bir dakika ayırdığınız için teşekkürler.
Sizi güzel bir bahar gününde durdurduğumu biliyorum.
Merak ediyorum, cumartesi günü
bu mağazada ne yapıyorsunuz?
Alışveriş yapıyorum.
Dolaşıyorum.
Yeni geldim, Boston'a ilk gelişim.
Güzel bir gün.
Hava çok güzel.
Hokkabazlık yaparak evsizleri
eğlendireceğiz.
Bunu videoya çekip
sonunda bir evsize 50$ vereceğiz.
Durun.
Persian:
امروز گرمترين روز آخرين ماه سال است
و ما رسما آمديم بيرون در ميان مردم
تا با شوق و اشتياق با چند مشتري بالقوه مصاحبه داشته باشيم
پس بريم
براي اين که در شناسايي نيازهاي اوليه مشتري موفق باشيد
بايد نترس باشيد
بريد و با مردم صحبت کنيد
بدترين چيزي که ممکن است اتفاق بيافتد چيست؟
بله، ولي من الان وقت ندارم.
ممنونم
شما ميرويد و دنبال يک نفر ديگه ميگرديد
بسيار از شما بابت وقتي که داديد سپاسگزارم
ميدانم که در يک روز خوب بهاري وقت شما را ميگيرم
ببخشيد فضولي نباشه ولي شما اينجا چه ميکنيد؟
توي اين مغازه در روز يکشنبه
دارم خريد ميکنم
فقط دارم قدم ميزنم
من تازه اومد به شهر بوستون
روز زيبا و دلپذيري است
زيباست
ما ميخواهيم چند تا از بيخانمانها را سرگرم کنيم
با يک سري از حرکات بازي با توپ و دست
و مي خواهيم ازش يک ويديو بسازيم
و در آخر هم به يکي از بيخانمانها 50 دلار هديه بدهيم
ولي يک لحظه صبر کنيد
Chinese:
这是上个月以来最暖和的一天
我们现在来到街上
来随机地采访一些潜在客户
这样可以使你在获得初期客户的问题上
少一些害怕
这是可能发生的最糟糕的情况之一
我现在很忙
你还是去找其他人吧
非常感谢你花时间来给我们做采访
我们在这样一个美丽的春日相遇
只是出于好奇,你这周六
在商店里都做些什么呢?
我就逛逛街,买点东西
到处闲逛
我第一次来到Boston
今天天气很好
我们打算玩玩杂耍
给无家可归的人们带来欢笑
然后做一个视频
最后给他们每人五十块钱
English:
This is the warmest day of the last month,
and we are officially out on the street
to enthusiastically interview some prospective customers,
so here we go.
For you to be successful at primary customer issues,
you've got to be fearless.
Go and talk to people.
What's the worst thing that could happen?
Yeah, but I don't have time right now.
That's OK.
You'll go and find someone else to talk to.
Thank you so much for a minute of your time.
I know I'm catching you on a beautiful spring day.
Out of curiosity, what are you doing
in the store on this Saturday.
Just shopping around.
I'm just walking around here.
I just came. First time to Boston
It's a beautiful day.
It's beautiful.
We are going to entertain some homeless people
with some of my juggling.
And we're going to make a video out of it
and end up giving a homeless person $50 in the end.
But, wait.
French:
C'est le jour le plus
chaud du dernier mois,
et nous sommes officiellement dans la rue
pour interviewer avec enthousiasme
certains potentiels clients.
Allons-y.
Pour réussir aux questions
primaires avec la clientèle,
Vous ne devez pas avoir peur.
Allez et parlez aux personnes.
Quel est le pire qui pourrait arriver?
Oui, je n'ai pas de temps maintenant.
Ca va.
Vous allez rencontrer une autre
personne avec qui discuter.
Merci d'avoir sacrifié quelques
minutes de votre temps.
Je viens à vous dans un
beau jour de printemps.
Juste par curiosité, que faites-vous
dans la boutique ce samedi.
Juste pour faire des courses.
Je me promenais juste dans les parages.
Je suis venu. Première fois à Boston
C'est un beau jour.
C'est beau.
Nous allons nous entretenir avec
certaines personnes sans abri
avec certains de mes jonglages.
Et nous allons réaliser
une vidéo à ce propos
et finir par donner à une personne 50 $.
Mais, attendez.
Portuguese:
Esse é o dia mais quente do último mês,
e nós estamos oficialmente na rua
para entusiasticamente entrevistar alguns consumidores,
lá vamos nós.
Pra você ter sucesso na causa primária dos consumidores,
você tem que ir sem medo.
Vá e fale com as pessoas.
Qual é a pior coisa que poderia acontecer?
Sim, mas eu não tenho tempo agora.
Isso é ok.
Vá e ache outra pessoa para falar.
Muito obrigado por um minuto do seu tempo.
Eu sei que estou te segurando em um dia lindo de primavera.
Por curiosidade, o que você está fazendo
na loja nesse sábado.
Só fazendo as compras.
Só caminhando aqui.
Acabei de chegar. Primeira vez em Boston.
É um dia lindo.
Muito bonito.
Nós vamos entreter algumas pessoas desabrigadas
com um pouco do meu malabarismo.
E nós vamos fazer um vídeo sobre isso
e dar $50 pra pessoa desabrigada no final.
and end up giving a homeless person $50 in the end.
Mas, espere.
Spanish:
...
Este es el día más
caluroso del mes pasado,
y oficialmente salimos a la calle
a entrevistar con mucho entusiasmo
a algunos clientes prospectivos,
así que aquí vamos.
...
Para uno tener éxito es
situaciones con clientes primarios,
hay que atreverse.
Ir y hablar con la gente.
¿Qué es lo peor que podría pasar?
Bueno sí, pero ahora no tengo tiempo.
...
Está bien.
Irás y encontrarás a alguien
más con quien hablar.
Le agradecería mucho
un minuto de su tiempo.
Sé que lo estoy demorando en
un hermoso día de primavera.
Por curiosidad, ¿qué hace usted
en la tienda en este día sábado?
Solo ando vitrineando.
Solo me doy unas vueltas por aquí.
Acabo de llegar. Primera vez en Boston.
Es un hermoso día.
Es hermoso.
Vamos a entretener a
algunas personas indigentes
con algunos de mis malabares.
Y vamos a hacer un video de eso
para al finar darle a la
persona indigente $50.
Pero espere.
Korean:
오늘은 지난 달 중 가장 따뜻한 날입니다.
그리고 저희는 예상고객들을 열렬히 인터뷰하기 위해서
공식적으로 거리에 나와있습니다.
자, 시작해볼까요.
주요고객과 관련된 사안을 잘 알려면
겁이 없어야 합니다.
사람들을 만나서 대화를 나누세요.
그렇게 해서 일어날 수 있는 최악의 사태가 무엇인가요?
지금은 시간이 없어요.
괜찮아요.
다른 사람을 찾으면 되니깐요.
시간을 내주셔서 정말 감사합니다.
아름다운 봄 날씨에 붙잡았죠.
궁금해서 물어보는 것인데,
토요일에 이 가게에서 무엇을 하고 계시나요?
그냥 쇼핑 중이에요.
그냥 걸어다니고 있어요.
여기 막 도착했어요. 보스턴이 처음이에요.
아름다운 날이네요.
아름다워요.
우리는 노숙자들을 즐겁게 해줄 것입니다.
저의 저글링 솜씨로요.
그리고 우리는 그것을 비디오로 만들어
노숙자들에게 50불을 기부 할 것입니다.
하지만 잠깐만요.
Portuguese:
Nós precisamos vir com uma ideia.
Então qual é a ideia.
Que tal um site onde você pode comprar
roupas sazonais com um desconto grande.
Eu não tenho ideia quem possa estar interessado em um site
assim.
Eu gostei.
É mais barato.
Eu gostei muito.
Eu definitivamente faria isso.
Nós estamos aqui na avenida Newbury, que é
um dos centros de compras mais populares em Boston.
Você vai encontrar muitas pessoas aqui de diferentes tipos,
enquanto compra aqui hoje.
O que você faz?
Trabalho pra uma empresa de software.
Sou contador.
Acabei de me formar e estou trabalhando em Boston.
Sou vice presidente de comunicação de marcas
de uma empresa da Dinamarca.
Eu trabalho no MIT em uma empresa que gerencia investimentos.
Estou na escola agora.
Ainda estou no ensino médio.
Estou tentando descobrir no que vai dar minha vida.
Assistente executivo em uma firma de RH.
Representante comercial em uma fábrica.
Sou um mediador.
Vamos fazer algumas suposições.
Primeiramente, a pessoa
que estaria interessada nesse site já compra roupas online.
Você também compra online?
Sim.
Sim.
Spanish:
Tenemos que idear algo.
Entonces, cuál es nuestra idea.
Qué tal un sitio web
donde usted pueda comprar
ropa de temporada con un gran descuento.
No tengo idea a quién podría
interesarle un sitio web
como ese.
Me gusta.
Es más barato.
Me gusta mucho.
Definitivamente lo haría.
Hoy estamos en Newbury Street, que es
uno de los barrios de comercio
más populares en Boston.
Aquí se encontrarán con muchos
tipos de personas distintas
que han venido a comprar hoy.
¿Qué hace usted?
Trabajo para una compañía de software.
De hecho soy abogado tributario.
Acabo de graduarme de la escuela
y estoy trabajando en Boston.
Soy vicepresidente de
comunicación de branding
para una empresa danesa.
Trabajo en el MIT para la compañía
de administración de inversiones.
Ahora estoy en la escuela.
Sigo en secundaria.
Solo estoy tratando de
ver qué hacer con mi vida.
Asistente ejecutivo en firma de RR. PP.
Representante de Ventas para
un fabricante de muebles.
Soy Mediador.
Hagamos algunas suposiciones.
Suposición número uno, la persona que
estaría interesada en este
sitio web ya vitrinea en línea.
¿Usted también vitrinea en línea?
Sí.
Sí.
Persian:
ما بايد يک ايده داشته باشيم
خوب، ايده شما چيست؟
نظرتون در مورد يک وب سايت فروشگاهي چيه
که بتوانيد لباسهاي فصل پيش را توي اون با تخفيف هاي بسيار خوب بخريد؟
من هيچ نظري در مورد اين که چه کسي ممکن است اين وب سايت را دوست داشته باشدندارم
خوبه دوست دارم
دوست دارم
ارزانتره
من خيلي ميپسندم
من حتما ازش خريد ميکنم
ما امروز در خيابان نيوبري هستيم که
يک از محبوب ترين مراکز خريد در شهر بوستون است
شما آدمهاي مختلفي را در اينجا ميبينيد
که امروز در حال خريد هستند
کار شما چي هست؟
من براي يک شرکت نرمافزاري کار ميکنم.
من مشاور مالياتي هستم
من تازه از دانشگاه فارغالتحصيل شدم و الان در بوستون کار ميکنم
من معاون ارتباطات ارتقاء برند هستم
براي يک شرکت دانمارکي
من براي شرکت مديريت سرمايه گذاري دانشگاه امآيتي کار ميکنم
من دانشجو هستم
من هنوز دانش آموز هستم
من هنوز دارم به انتخاب شغل فکر ميکنم
دستيار مديري اجرايي در يک شرکت عمومي هستم
فروشنده يک شرکت سازنده مبلمان هستم
من يک ميانجي هستم
بياييد چند تا فرضيه داشته باشيم
فرضيه اول:کسي که
از وب سايت ما خريد ميکنه تجربه خريد اينترنتي را دارد
آيا شما اينترنتي خريد ميکنيد؟
بله
بله
Korean:
우리는 아이디어를 내야해요.
그렇다면, 우리 아이디어는 무엇인가요?
계절별 의복을 파격할인해서 판매하는
웹사이트는 어떨까요?
과연 누가 그런 웹사이트에 흥미를 가질지는
모르겠네요.
마음에 듭니다.
더 싸잖아요.
정말 마음에 들어요.
저라면 방문 할 것 같아요.
저희는 오늘 보스턴의 쇼핑가로 유명한 뉴버리 거리에
나와있습니다.
오늘 이곳에서 쇼핑을 하면서
다양한 종류의 사람들을 많이 만나볼 수 있습니다.
직업이 무엇인가요?
소프트웨어 회사에서 일합니다.
저는 세무사입니다.
막 학교를 졸업해서 지금 보스턴에서 일하고 있습니다.
저는 덴마크 회사의
브랜드 커뮤니케이션팀 부사장입니다.
저는 MIT의 투자관리 회사에서 일합니다.
지금 학교를 다니고 있어요.
아직 고등학생입니다.
제 인생을 어떻게 살지 아직도 고민 중이에요.
PR회사의 이사님 비서에요.
저는 가구회사의 영업 사원입니다.
저는 중재인입니다.
몇 가지 가정을 해봅시다.
첫번째 가정은 이 웹사이트에 관심을 가지는 사람이
이미 온라인 쇼핑을 하는 사람이라는 것이죠.
온라인 쇼핑을 하시나요?
네, 그렇습니다.
네 그래요.
Turkish:
Bir fikir bulmalıyız.
Fikrimiz ne?
Büyük bir indirimle mevsimi geçmiş kıyafetler
alabileceğiniz bir siteye ne dersiniz?
Böyle bir siteyle kim ilgilenir,
bilmiyorum.
Ben beğendim.
Daha ucuz.
Çok beğendim.
Kesinlikle kullanırım.
Bugün Boston'ın en popüler alışveriş
bölgelerinden Newbury Sokağı'ndayız.
Burada alışveriş yaparken
çok farklı insanlar görebilirsiniz.
Mesleğiniz ne?
Bir yazılım şirketinde çalışıyorum.
Vergi avukatıyım.
Yeni mezun oldum, Boston'da çalışıyorum.
Danimarkalı bir iletişim şirketinin
başkan yardımcısıyım.
MIT Yatırım Yönetimi Şirketi'nde çalışıyorum.
Henüz okuyorum.
Daha lisedeyim.
Hayatımı oturtmaya çalışıyorum.
Halkla ilişkiler şirketinde yönetici asistanıyım.
Mobilya imalatçısında satış temsilcisiyim.
Arabulucuyum.
Varsayımlarda bulunalım.
Birinci varsayım, bu siteyle ilgilenen
kişi zaten internetten alışveriş yapıyordur.
İnternetten alışveriş yapıyor musunuz?
Evet.
Evet.
Chinese:
我们必须想点啥
我们能有什么点子呢
一个你可以买过季衣服的
折扣超高的网站怎么样?
我不知道谁会对这个感兴趣
它更便宜
我太爱这个想法了,一定会试试看
我们现在在Newbury大街,
这里是波士顿最繁华的购物地带之一
在这里你会碰到各种不同的
在购物的人
我在一个软件公司上班
我是个税务律师
我刚毕业现在在波士顿工作
我是一个丹麦公司的品牌管理副总裁
品牌管理副总裁
我在MIT的一个投资管理公司上班
我还在上学
我还在上高中
我正在思考人生
公关公司执行助理
家具制造商的销售代表
我是一个媒体人
让我们来做一些假设
假设一,对这个网站感兴趣的人
已经在网上买过东西了
你会在网上购物吗
French:
Nous allons adopter cette idée.
Alors, quelle est notre idée.
Que pensez-vous d'un site
web où vous pouvez acheter
des vêtements saisonniers
à un prix réduit important.
Je n'ai aucune idée de celui
qui pourrait être intéressé
par un site web comme ça.
C'est bon.
C'est moins coûteux.
Je préfère cela.
C'est ce que je dois faire.
Nous sommes ici aujourd'hui
à Newbury Street,
l'un des districts commerciaux
les plus populaires de Boston.
Vous rencontrerez ici
différents types de personnes,
en faisant des achats ici.
Que faites-vous?
Je travaille dans une
entreprise de logiciels.
Je suis en fait un conseiller fiscal.
Je suis un jeune diplômé
et je travaille à Boston.
Je suis un vice-président de
marque et de communication
d'une entreprise danoise.
Je travaille à MIT pour la
société de gestion de placements.
Je suis encore à l'école.
Je suis encore au secondaire.
Je voulais juste aborder
tous les aspects de ma vie.
Assistant administratif
dans une société PR.
Un représentant commercial
dans une menuiserie.
Je suis un médiateur.
Faisons certaines propositions.
Proposition numéro une, la personne
qui serait intéressée par ce site
web fait déjà des achats en ligne.
Faites-vous aussi des achats en ligne?
Oui.
Oui.
English:
We have to come up with an idea.
So, what is our idea.
How about a website where you can buy off
seasonal clothing at a steep discount.
I have no idea who might be interested in a website
like that.
I like it.
It's cheaper.
I like it a lot.
I would definitely do it.
We're here today on Newbury Street, which
is one of the most popular shopping districts in Boston.
You will meet many people here of different types,
while shopping here today.
What you do?
I work for a software company.
I'm actually a tax attorney.
I just graduated from school and I'm working in Boston.
I'm a vice president branding communication
from a Danish company.
I work at MIT for the investment management company.
I'm in school right now.
I'm still in high school.
I'm just trying to figure out the deal with all my life.
Executive assistant at PR firm.
A Sales Rep for a furniture manufacturer.
I'm a Mediator.
Let's make some assumptions.
Assumption number one, the person
who would be interested in this website already shops online.
Do you also shop online?
I do.
I do.
Korean:
아마존에서 시간을 꽤 보내는 것이 유감스럽죠.
항상 온라인에서 득템하려고 기회를 봐요.
특히, 이메일을 받으면요.
어제 갭(Gap)에서 바지를 샀어요.
항상 (온라인 쇼핑을) 해요.
저는 온라인 쇼핑을 더 하는 편이에요.
가끔해요. 가끔.
저는 항상 온라인 쇼핑을 합니다.
무슨 쇼핑을 하나요?
저는 주로 가전제품이나 의류 쇼핑을 해요.
그런 것들이죠.
저희는 이베이(eBay)를 자주 애용해요.
궁금한 것이 많아야 해요.
사람들이랑 대화를 나누어요.
그들에 대해서 배우세요.
그들의 삶에 대해서 배우세요.
길거리에서 잡아서 죄송해요.
하지만 이렇게 근사한 코트를 어디서 사셨는지
물어봐야겠어요.
선물로 받았어요.
저희 어머니가 페이퍼 스토어 (Paper Store)에서 사주셨어요.
나중에 뭐하고 싶으세요?
졸업 후에 무엇을 하고 싶나요?
아직 잘 모르겠어요.
아직 잘 몰라요.
기업가도 꽤 괜찮을 것 같아요.
열린 사고를 가지고 있어야하고 편파적이지 않아야 하죠.
당신이 변호 모드가 아니라 질문/탐구 모드인 것을 기억하세요.
봄이 오고 있습니다. 어떤 봄 의상을
찾고 계시나요?
밝은 색상과 긴 원피스요.
Portuguese:
Eu acho que, infelizmente, gasto tempo demais na Amazon.
Eu estou sempre online olhando promoções.
Particularmente, quando eu recebo emails.
Eu comprei algumas calças da Gap ontem.
Todo o tempo.
Eu tendo a fazer compras online.
As vezes, as vezes,
Eu compro online todo o tempo.
O que você compra?
Eu vou comprar tipicamente eletrônicos, roupas
esse tipo de coisas.
Sim. Nós usamos muito o eBay.
Você tem que ser curioso.
Falar com as pessoas.
Conversar sobre elas.
Aprender sobre a vida delas.
Me desculpe por interromper você na rua,
mas eu tenho que perguntar onde você comprou
esse casaco super fabuloso?
Esse foi um presente.
Minha mãe comprou pra mim na papelaria.
O que você quer ser?
O que você quer ser quando se formar?
Eu ainda não sei.
Eu não tenho certeza.
Empreendedor parece uma boa ideia.
E você tem que ter a mente aberta, imparcial.
Lembre, você está no modo de perguntar, não de advogar.
Primavera está chegando, que tipo de roupas você
está procurando?
Cores claras e vestidos longos.
Persian:
بله متاسفانه من وقت زيادي را روي وب سايت آمازون صرف ميکنم
من هميشه روي اينترنت دنبال تخفيف هستم
به خصوص وقتي برام اميل تبليغاتي ميرسه
بله من همين ديروز چند تا شلوار از شرکت گپ خريدم
بله هميشه
من علاقه دارم که بيشتر اينترنتي خريد کنم
بعضي وقتها ، بعضي وقتها
من هميشه اينترنتي خريد ميکنم
چه چيزي مي خريد؟
من براي لوازم الکترونيکي،لباس
و اين جور چيزها خريد ميکنم
بليه ما از اييبي خيلي استفاده ميکنيم
بايد جستجوگر باشيد
با مردم صحبت کنيد
در مورد آنها بياموزيد
در مورد زندگي آنها بياموزيد
بخشيد که توي خيايان جلوي شما را ميگيرم
ولي مجبورم از شما بپرسم که
اين کت بسيار زيبا را از کجا خريديد؟
اين هديه است
مادرم اين را براي من از پيپر استور خريده
مي خواهي چه کاره شوي؟
ميخواهي وقتي که فارعالتحصيل شدي چه شغلي را انتخاب کني؟
هنوز نميدانم
هنوز مطمئن نيستم
کارآفريني به نظرم خيلي جالب مياد
بايد روشنفکر و بي طرف باشيد
يادتون باشه شما در حالت جستجوگر هستيد نه دفاع از طرح
بهار در راه است.شما دنبال چه نوع لباسي براي
بهار هستيد؟
رنگهاي روشن و لباسهاي زنانه بلند
Chinese:
我发现糟糕的是,我花了点时间在亚马逊上
我总是在网上找东西
特别是当我收到邮件时
我其实昨天已经买了裤子了
今天还是想在网上买东西
有的时候
我完全停不下来在网上购物
你买些什么呢?
我一般都偏向买一些电子产品和衣服
这一类的东西
我们经常上eBay买东西
你必须充满好奇心
去跟人们交谈
了解他们的生活
很抱歉在街上打扰你
我想问一下你在哪里买的
这么漂亮的大衣?
这个一件礼物
我妈妈在纸店给我买的
你想成为什么样的人?
当你毕业的时候你想做什么?
我还不知道呢
不太确定
创业听起来不错
你必须思想开放,摒弃偏见
记住,你是在查询模式,而不是宣传模式
春天就要到了
你想买什么样的春装呢
亮色的长裙
English:
I find that unfortunately, I spent a bit of time on Amazon.
I'm always online looking for deals.
Particularly, when I get emails.
I actually bought some pants off Gap yesterday.
All the time.
I tend to do more online shopping.
Sometimes, sometimes,
I shop online all the time.
What do you shop for?
I'll shop typically for either consumer electronics, clothing,
those sorts of things.
Yes. We use eBay a lot.
You've got to be curious.
Talk to people.
Learn about them.
Learn about their lives.
I'm so sorry to interrupt you on the street,
but I have to ask where did you buy
this fabulous, fabulous coat?
This was a gift.
My mother purchased it for me at the Paper Store.
What do you want to be?
What do you want to do when you graduate?
I don't know yet.
I'm not to sure.
Entrepreneur actually sounds pretty good.
And you've got to be open minded, and unbiased.
Remember, you're in inquiry mode, not in advocacy mode.
Spring is coming, and what kind of spring clothes
are you looking for?
Bright colors and long dresses.
Turkish:
Maalesef, Amazon'da biraz zaman geçirdim.
İnternette sürekli indirim arıyorum.
Özellikle e-posta gelirse.
Hatta dün Gap'ten pantolon aldım.
Sürekli.
Daha çok internetten alışveriş yapıyorum.
Bazen, bazen.
Sürekli internetten alışveriş yapıyorum.
Ne alıyorsunuz?
Genelde elektronik eşyalar, kıyafetler,
o tip şeyler.
Evet, eBay'i çok kullanıyoruz.
Meraklı olmalısınız.
İnsanlarla konuşun.
Onları tanıyın.
Hayatlarını tanıyın.
Sizi durdurduğum için kusura bakmayın
ama bu muhteşem paltoyu
nereden aldığınızı sormam lazım.
Hediye geldi.
Annem, Paper Store'dan aldı.
Ne olmak istiyorsunuz?
Mezun olunca ne yapmak istiyorsunuz?
Henüz bilmiyorum.
Emin değilim.
Girişimcilik fena bir fikir değil.
Açık fikirli, tarafsız olmak gerekiyor.
Unutmayın, soruşturma hâlindesiniz, savunma hâlinde değil.
Bahar geliyor, nasıl bahar kıyafetleri
arıyorsunuz?
Parlak renkler ve uzun elbiseler arıyorum.
Spanish:
Me parece que desgraciadamente paso
cierta cantidad de tiempo en Amazon.
Siempre que estoy en línea
ando buscando ofertas.
En particular, cuando
recibo correos electrónicos.
En realidad me compré unos
pantalones rebajados ayer en Gap.
Todo el tiempo.
Tiendo a hacer más compras en línea.
A veces, a veces,
Vitrineo en línea todo el tiempo.
¿Qué vitrinea?
Habitualmente vitrineo
electrónicos de consumo, ropa,
ese tipo de cosas.
Sí. Usamos eBay bastante.
Tienes que ser curioso.
Hablar con la gente.
Aprender de ellos.
Aprender sobre sus vidas.
Discúlpeme por interrumpirlo en la calle,
pero quisiera preguntarle
dónde compró usted
este fabuloso, muy fabuloso abrigo.
Este fue un regalo.
Mi madre me lo compró en Paper Store.
¿Qué quieres ser?
¿Qué quieres ser cuando te gradúes?
Todavía no lo sé.
No tengo certeza.
Emprendedor en realidad
suena bastante bien.
Y hay que tener la mente
abierta, sin prejuicios.
Recuerde, usted anda en modo de
averiguación, no en modo de defensa.
Se acerca la primavera; ¿
qué tipo de ropa primaveral
anda buscando?
Colores brillantes y vestidos largos.
French:
Malheureusement, j'ai passé
un peu de temps à Amazon.
Je suis toujours en ligne
à la recherche d'aubaines.
Particulièrement, lorsque
je reçois des e-mails.
J'ai acheté certains sous-vêtements hier.
A tout instant.
J'ai tendance à faire
plus d'achats en ligne.
Parfois, parfois,
je fais des achats en ligne régulièrement.
Qu'est-ce que vous achetez?
Typiquement des appareils
électroniques, des vêtements,
toutes ces choses.
Oui. Nous utilisons beaucoup plus eBay.
Vous devez être curieuse.
Parlez aux gens.
Renseignez-vous à leur sujet.
Renseignez-vous sur leurs vies.
Je suis très désolé de vous
interrompre dans la rue,
mais je voulais savoir où vous avez acheté
ce manteau fabuleux?
C'était un cadeau.
Ma mère me l'a acheté à Paper Store.
Que voulez-vous devenir?
Que voulez-vous faire après vos études?
Je ne sais pas encore.
Je ne suis pas très certain.
Entrepreneur, c'est ce qui m'attire.
Et vous devez avoir l'esprit
ouvert, et être impartial.
Rappelez-vous, vous êtes en
mode offensif et non défensif.
Nous entrons dans le printemps
et de quels types de vêtements
avez-vous besoin?
Des robes longues et de couleurs vives.
Spanish:
¿Qué cree usted que este abrigo nos dice
sobre su estilo?
Diría que da la idea de
estudiante preuniversitario.
Me gusta ir a la moda.
Y cuando se trata de vestuario, no compro
mucho del gusto muy estandarizado.
¿Cómo definiría usted su estilo?
¿La moda que uso?
...
Atractiva, creo.
Simplemente elijo lo que se me ve bien.
Me gusta la ropa ajustada.
Me gusta la ropa ajustada.
¿Dónde vitrinea en línea?
Net-a-Porter y MyCloset,
y sitios similares.
Shoes, Zappos.
J Crew, la liquidadora de fábrica
de J Crew, Revolve, Guilt.
Si me permite, ¿por qué usted
vitrinea en esos sitios?
Porque tienen las marcas que me gustan.
Y no siempre tengo tiempo
para ir a vitrinear.
Jamás me compraría
zapatillas de tenis en línea.
A nivel mundial, ese es el asunto.
Puedes obtener cualquier cosa en línea.
Es mundial.
Suposición número dos, la persona
Turkish:
Bu palto moda zevkiniz hakkında
bize ne söylüyor?
Biraz havalı diyebilirim.
Modayı takip etmeye çalışıyorum.
İş kıyafete gelince standart
şeyler almıyorum.
Moda zevkinizi nasıl tanımlarsınız?
Moda zevkimi mi?
Herhalde şık olarak.
Bana yakışanı giyerim.
Dar kıyafetleri seviyorum.
Dar kıyafetleri seviyorum.
İnternette nereden alışveriş yapıyorsunuz?
Net-A-Porter, MyCloset, buralardan.
Shoes, Zappos.
J.Crew, J.Crew fabrika satış mağazası, Revolve, Guilt.
Neden bu sitelerden alışveriş yaptığınızı sorabilir miyim?
Çünkü sevdiğim markalar var.
Her zaman alışverişe gitmeye vaktim olmuyor.
Asla internetten spor ayakkabısı almam.
Dünya çapında moda bu.
İnternetten her şey alınabilir.
Dünya çapında.
İkinci varsayım,
Korean:
이 코트가 당신의 패션 스타일에 대해서
어떤 얘기를 해주는 것 같나요?
미국 명문대 패션이라고 생각해요.
저는 유행을 따르는 것을 좋아합니다.
그리고 저는 표준화된 스타일의 옷을
별로 구매하지 않는 편이에요.
당신의 패션 스타일을 어떻게 정의하시나요?
제 패션 스타일이요?
“멋짐” 아닐까요.
저는 저한테 어울리는 옷을 고릅니다.
딱 붙는 의상이 좋아요.
딱 붙는 의상이 좋아요.
온라인 쇼핑은 어디서 합니까?
네타포르테 (Net-a-Porter)나 마이클로젯 (MyCloset)같은데서 해요.
슈즈 (Shoes), 자포스 (Zappos).
제이크루 (J Crew), 제이크루 상설매장 (J Crew Factory Outlet), 리볼브 (Revolve), Guilt (길트).
왜 이런 사이트에서 쇼핑을 하나요?
제가 좋아하는 브랜드가 들어와있어서요.
그리고 저는 항상 쇼핑 할 시간이 있지 않아요.
온라인에서 테니스 신발을 절대 사지 않겠죠.
전세계적으로 직구가 가능하잖아요.
온라인으로는 무엇이든 살 수 있어요.
글로벌하게요.
두번째 가정은 이런 웹사이트에 관심이 있는 사람이
French:
Ce manteau peut-il nous donner une idée
sur votre mode?
Je dirais que c'est un peu chic.
J'aime rester à la mode.
Et lorsqu'il s'agit de vêtements, je
n'achète pas assez de goûts
de qualité uniformisée.
Comment définissez-vous votre mode?
Ma mode?
Belle, je pense.
Je cherche juste ce qui me va.
J'aime des vêtements serrés.
J'aime des vêtements serrés.
Où faites-vous vos achats en ligne?
Net-a-Porter et MyCloset,
des trucs comme ça.
Des chaussures, Zappos.
J Crew, centre commercial
J Crew, Revolve, Guilt.
Puis-je savoir, pourquoi faites-vous
des achats sur ces sites?
Parce qu'ils ont mes marques préférées.
Je ne dispose pas toujours du
temps pour faire mes courses.
Je n'achèterais jamais des
chaussures de tennis en ligne.
International, c'est la raison.
Vous pouvez tout avoir en ligne.
C'est partout dans le monde.
Proposition numéro deux, la personne
English:
What do you think this coat tells us
about your fashion style?
I'd say it's a little bit preppy.
I like to keep up with the styles.
And when it comes to apparel I don't
buy a lot of pretty standardized taste.
How do you define your fashion style?
My fashion style?
Good looking I guess.
I just go for whatever's good on me.
I like tight clothes.
I like tight clothes.
Where do you shop online?
Net-a-Porter and MyCloset, and stuff like that.
Shoes, Zappos.
J Crew, J Crew factory outlet, Revolve, Guilt.
If I may ask you, why do you shop on those sites?
Because they have the brands I like.
And I don't always have time to go do shopping.
I would never buy tennis shoes online.
Worldwide, that's the thing.
You can get anything online.
It's worldwide.
Assumption number two, the person
Chinese:
这件衣服体现了你
怎样的穿衣风格呢?
这个有一点点为春天做准备了
我想保持这个风格
买衣服的话,我不会买很多
大众的衣服
你如何形容你的穿衣风格?
我的穿衣风格
好看的?我就买那些适合我的
我喜欢紧身衣
我喜欢紧身衣
你上哪些网站购物?
Net-a-Porter和MyCloset,还有一些类似的
鞋子之类的
J Crew, J Crew Outlet,Revolve, Guilt.
你为什么在这些地方买东西?
因为他们有我喜欢的品牌啊
而且我也不经常有空出来买东西
我绝对不会在网上买网球鞋
全球化是根本
你可以在网上买到任何东西
这是全球化的
假设二
Persian:
فکر ميکنيد کت شما در مورد
نوع پوشش شما به ما چي ميگه؟
به نظرم يک جورهايي دانشجويي روشنفکري هست
من دوست دارم که هميشه رو مد باشم
وقتي که بخواهم رخت و لباس بخرم
من معمولا چيزهايي معمولي را نميخرم
شما وضعيت رخت و لباس خودتان را چگونه ارزيابي ميکنيد
وضعيت رخت و لباسم؟
خوش تيپ هستم گمونم
من هرچيزي را که بهم بياد ميخرم
من لباسهاي تنگ را دوست دارم
من لباسهاي تنگ را دوست دارم
از چه فروشگاه اينترنتي خريد ميکنيد؟
از نت پرتز و مايکلوست اين جور سايتها
شوز، زپوز
جي کرو، فروشگاه جي کرو، ريولت،گيلت
ممکن است بپرسم چرا از اين سايتها خريد ميکنيد؟
براي اينکه برندهايي که من دوست دارم را دارند
و من معولا وقتي براي خريد رفتن ندارم
من اصلا کتاني تنيس را اينترنتي نميخرم
به صورت کلي همين
شما ميتوانيد همه چيز را اينترنتي بخريد
به صورت کلي
فرضيه دوم
Portuguese:
O que você acha que esse casaco nos diz
sobre o seu estilo de moda?
Eu diria que é um pouco infantil.
Eu gosto de estar em dia com os estilos.
E quando vem pro vestuário eu não
compro um monte de coisas de gosto padrão.
Como você define o seu estilo de moda?
Meu estilo?
Parece bom, eu acho.
Eu vou com o que fica bom em mim.
Eu gosto de roupas apertadas.
Eu gosto de roupas apertadas.
Onde você compra online?
Net-a-Porter e MyCloset, e sites assim.
Shoes, Zappos.
J Crew, J Crew factory outlet, Revolve, Guilt.
Se me permite perguntar, por que você compra nesses sites?
Porque eles têm as marcas que eu gosto.
E eu nem sempre tenho tempo de fazer as compras.
Eu nunca compraria tênis online.
Global, essa é a coisa.
Você pode conseguir qualquer coisa online.
É mundial.
Suposição número dois, a pessoa
Korean:
계획을 잘 세우는 사람이고
미래는 내다보는 사람이라는 것이죠.
그래서 우리는 지금
이것에 관심을 가지는 사람들은
타고난 플래너라고 가정하는 것이죠.
그들은 미리 앞을 내다보고 계획하는 것을 좋아해요.
당신은 당신이 플래너라고 생각하시나요?
네
반반이에요.
특정 구매, 특히 규모가 큰 것들은,
미리 계획을 세워서 사려고 하죠.
하지만 다른 것들은
가게에서 즉흥적으로 삽니다.
저는 회사를 다니면서 스케줄을 계획하고
사회생활을 하면서도 스케줄을 계획하죠.
모든 것을 말이죠.
이벤트도 계획하죠.
자선 행사도 계획합니다.
제 인생도 계획하죠.
그리고 저는 그 사람이 알뜰 쇼핑객이라고 가정하고 있습니다.
그들은 할인 구매를 좋아하지요.
그래서 길트 (Gilt), 루라라 (Rue La La),
혹은 제이크루 아울렛 (J Crew Outlet)에서 쇼핑을 한다는 것 자체가
당신이 할인을 좋아한다는 것을 알려줍니다.
저는 할인을 좋아합니다.
네, 당연하죠.
저는 제가 거의 알뜰 쇼핑객이라고 생각합니다.
하지만 그럼에도 불구하고 절대적인 할인을 위해
품질을 매번 포기하는 것은 아닙니다.
와우
그렇다면 당신은 플래너이군요.
Turkish:
bu siteyle ilgilenen kişi
plancıdır, ileriyi düşünür.
Bununla ilgilenen kişilerin
doğal olarak plancı olduğunu
varsayıyoruz.
Önceden plan yapıyorlar.
Sizce siz plancı mısınız?
Evet.
Karışık bir durum.
Özellikle büyük alışverişlerimi
önceden planlıyorum.
Ama diğer alışverişleri mağazadayken
aklıma eserse yapabiliyorum.
İşimi planlarım.
Sosyal hayatımı planlarım.
Her şeyi planlarım.
Eğlenceler planlarım.
Hayır işleri planlarım.
Hayatımı planlarım.
Bu kişinin indirimden alışveriş yaptığını da varsayıyorum.
İndirimli şeyler almayı seviyor.
Guilt'ten, Rue La La'dan, J.Crew
satış mağazasından alışveriş yapmanızdan
indirim sevdiğinizi çıkarıyorum.
Gerçekten seviyorum.
Evet, tabii.
Genelde indirimden alışveriş yapıyorum.
Yine de indirim için her zaman
kaliteden ödün vermem.
Vay be.
Yani plancısınız.
English:
who would be interested in such a website
is a planner, who likes to look ahead.
Now we are assuming that the people who
might be interested in this are the people who are naturally
planners.
They like to plan things ahead.
Would you consider yourself a planner?
Yes.
It's a mixed bag.
For some purchases, especially larger ones,
I'll usually try to plan it out.
But for other purchases, I may just
impulsively buy when I'm in the store.
I mean, I plan my schedule for work.
I plan my schedule socially.
I mean, everything.
I plan events.
I plan charity functions.
I plan my own life.
And I'm also assuming that that person is a discount shopper.
They like to buy things that are discount.
So by virtue of the fact that you shop at Gilt,
that you shop at Rue La La, that you shop at J Crew outlet,
it tells me that you like discounts.
I do like discounts.
Yeah, of course.
I would say I'm mostly a discount shopper.
But that being said, I won't sacrifice quality all the time
for an absolute discount.
Wow.
So you are a planner.
French:
qui sera intéressée par un tel site web
est un planificateur, qui
aime regarder l'avenir.
Maintenant, nous supposons
que les personnes qui
pourraient être intéressées
par ces affaires sont celles
qui sont naturellement des planificateurs.
Elles aiment planifier
des choses pour l'avenir.
Vous considérez-vous
comme un planificateur?
Oui.
Il est difficile de le dire.
Pour certains achats, de quantité
importante en particulier,
J'essaye toujours de planifier.
Mais pour d'autres achats, je peux juste
acheter par impulsion lorsque
je suis dans la boutique.
C'est-à-dire, j'établis
mon programme de travail.
J'établis un programme global.
Je veux dire, pour tout.
Je planifie des évènements.
Je planifie des activités de charité.
J'établis un plan de ma vie.
Et je suppose aussi que cette
personne est un client de soldes.
Ils aiment acheter des articles en solde.
Alors, pour la simple raison que
vous faites des achats à Guilt,
à la Rue La La, au
centre commercial J Crew,
ça me fait comprendre que
vous aimez les soldes.
J'aime les soldes.
Oui, bien sûr.
Je dirais que je suis
particulièrement un client de soldes.
Mais ceci étant dit, je ne dois
pas toujours sacrifier la qualité
pour une ristourne absolument.
Waouh.
Donc vous êtes un planificateur.
Persian:
کسي که اين وب سايت را دوست داشته باشد بايد
يک برنامه ريز باشد که دوست دارد براي آينده را مد نظر داشته باشد
حالا فرض ميکنيم که آدمهايي که
اين سايت را دوست دارند آدمهايي اهل
برنامه ريزي هستند
آنها دوست دارند همه چيز را از قبل برنامه ريزي کنند
آيا شما خودتان را آدمي برنامه ريز ميدانيد؟
بله
هم آره هم نه
براي بعضي خريدها به خصوص خريدهاي بزرگ
سعي ميکنم از قبل برنامه ريزي کنم
ولي براي خريدهاي ديگر
به صورت معمولي از مغازه خريد ميکنم
منظورم اين که من برنامه کاريم را از قبل تنظيم ميکنم
من برنامه اجتماعيام را تنظيم ميکنم
منظورم همه چيز هست
من مراسمي راکه ميخواهم بروم تنظيم ميکنم
برنامههاي نيکوکاري را تنظيم ميکنم
تمام زندگيام را برنامه ريزي ميکنم
و من فرض ميکنم که مشتري ما به دنبال تخفيف هست
چيزهايي را دوست دارند بخرند که تخفيف دارد
خوب با توجه به اين که شما از گيلت خريد ميکنيد
از قولهله و جيکرو خريديد ميکنيد
به نظرم مياد که شما تخفيف را دوست داريد
بله من تخفيف را دوست دارم
بله البته
بايد بگم که من بشتر خريد با تخفيف را دوست دارم
ولي اين بدين معني نيست که کيفيت را فداي
تخفيف کنم
واي
پس شما برنامه ريز هستيد
Portuguese:
que estaria interessada nesse site
é uma planejadora, que gosta de olhar adiante.
Agora nós estamos assumindo que a pessoa
que possa estar interessada nisso são as pessoas que são naturalmente
planejadoras.
Elas gostam de planejar adiante.
Você se considera um planejador?
Sim.
É uma sacola misturada.
Para algumas compras, especialmente as grandes,
Eu geralmente tento planejar.
Mas as outras compras, eu só
impulsivamente compro quando estou na loja.
Eu digo, eu planejo minha agenda pra trabalho.
Eu planejo minha agenda socialmente.
Eu digo, tudo.
Planejo eventos.
Planejo ações de caridade.
Eu planejo minha própria vida.
E também estou assumindo que a pessoa é um comprador de descontos.
Eles gostam de comprar coisas que estão em desconto.
Então por virtude do fato que você compra na Gilt,
na Rue La La, que você compra na J Crew outlet,
me diz que você gosta de descontos.
Eu gosto de descontos.
Sim, com certeza.
Eu diria que sou um comprador de descontos.
Mas isso sendo dito, eu não vou sacrificar a qualidade todo o tempo
por um desconto absoluto.
Wow.
Então você planeja.
Chinese:
对这个网站感兴趣的人
是一个计划者,喜欢提前安排
现在我们假设
对这个网站感兴趣的人
是那些喜欢提前安排事情的人
你认为你是一个计划者吗?
是
这很难说
对一些大宗购买来说
我通常会提前准备
但是对于其他的
我可能就在商店里顺手买了
我是说,我为工作而计划
我为社交制定日程
所有的事情都不一样
我会计划一个慈善会
我会为自己的生活安排好
我同时假设那个人是一个专买打折货的人
他们喜欢买打折货
所以当你在Guilt购物时
在Rue La La,J Crew Outlet购物时
你显得很喜欢打折的商品
我确实喜欢打折的东西
我几乎就是个打折买家
但还是那句话,我不会牺牲质量
来出一个低廉的价格
所以你是一个计划者
Spanish:
que estaría interesada
en un sitio web como este
es un planificador, al
que le gusta proyectar.
Ahora estamos suponiendo que la gente que
podría estar interesada en esto
son personas que por naturaleza
son planificadores.
Les gusta preparar las cosas con tiempo.
¿Usted se considersaría un planificador?
Sí.
Uso un enfoque mixto.
Para algunas compras, en
particular las más grandes,
habitualmente trato de planificarlas.
Pero para otras compras, es posible
que solo haga una compra
impulsiva estando en la tienda.
Es decir, planifico mi
horario para trabajar.
Planifico mi actividad social.
O sea, todo.
Planifico eventos.
Planifico funciones de beneficencia.
Planifico mi propia vida.
Y también estoy suponiendo que esa
persona vitrinea buscando rebajas.
Le gusta comprar cosas rebajadas.
Entonces en virtud del hecho
de que usted vitrinea en Guilt,
que vitrinea en Rue La La, que
vitrinea en la liquidadora de J Crew,
deduzco que a usted le gustan las rebajas.
Me encantan las rebajas.
Sí, por supuesto.
Diría que más que nada
vitrineo para hallar rebajas.
Ahora bien, no sacrificaría
la calidad siempre
por un descuento absoluto.
Ajá.
Entonces usted es planificador.
Korean:
미래를 내다보는군요.
당신은 알뜰 쇼핑객이에요.
굉장한 행운아죠.
온라인 쇼핑을 하시나요?
어디서 하시나요?
아마존을 좋아하시나요?
할인을 좋아하시나요?
품질이 좋은 물건을 사는 것을 좋아하시나요?
당신을 봐봐요.
고품격 쇼핑을 좋아하신다는 것을 압니다.
바로 알 수 있어요.
Portuguese:
Você olha pro futuro.
Você é um comprador de descontos.
Você é bem sortudo.
Você compra online?
Onde você vai?
Você gosta da Amazon?
Você gosta de descontos?
Você gosta de comprar com qualidade?
Olhe pra você.
Eu sei que você ama produtos de qualidade.
Nós podemos dizer já aqui.
English:
You look into the future.
You are a discount shopper.
You are very lucky.
Do you shop online?
Where do you go?
Do you like Amazon?
Do you like discounts?
Do you like quality shopping?
Look at you.
I know that you love quality shopping.
We can tell it right away.
French:
Vous regardez dans l'avenir.
Vous êtes un client de soldes.
Vous êtes très chanceux.
Faites-vous des achats en ligne?
Où?
Aimez-vous Amazon?
Aimez-vous les soldes?
Aimez-vous les achats de qualité?
Regardez-vous.
Je sais que vous aimez
les achats de qualité.
ça se voit sur vous.
Turkish:
Geleceğe bakıyorsunuz.
İndirimden alışveriş yapıyorsunuz.
Çok şanslısınız.
İnternetten alışveriş yapıyor musun?
Nereye gidiyorsun?
Amazon'u seviyor musun?
İndirim seviyor musun?
Kaliteli şeyler almayı seviyor musun?
Baksana,
kaliteli şeyler almayı sevdiğini biliyorum.
Hemen anlaşılıyor.
Spanish:
Mira al futuro.
Usted vitrinea rebajas.
Usted es muy afortunado.
...
¿Vitrinea en línea?
¿A dónde va?
¿Le gusta Amazon?
¿Le gustan las rebajas?
¿Le gusta vitrinear buscando calidad?
Mírese.
Sé que le gusta vitrinear de calidad.
Uno lo sabe de solo mirarle.
...
Persian:
شما آيندهنگر هستيد
شما تخفيف را دوست داريد
شما خيلي خوش شانس هستيد
آيا شما اينترنتي خريد ميکنيد؟
از کجا خريد ميکنيد؟
آمازون را دوست داريد؟
تخفيف را دوست داريد؟
شما خريد اجناس با کيفيت را دوست داريد؟
به خودتان نگاه کنيد
من ميدانم که شما خريد اجناس با کيفيت را دوست داريد
اين را خيلي راحت ميشه فهميد
Chinese:
你往前看
你是一个打折买家
你非常幸运
你喜欢打折吗?
你喜欢高质量的购物吗?
我知道你喜欢高质量的购物
我们马上就可以分辨出来
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Jean-Claude Camus était bien entouré pour son anniversaire
Le producteur a soufflé ses 79 bougies en compagnie de la famille Hallyday : ancien producteur de Johnny Hallyday pendant 30 ans, les deux hommes sont très proches
Autre invité prestige autour de la table : le chanteur Patrick Bruel, qui a lancé "Bravo !" à Jean-Claude Camus
"Joyeux anniversaire @JeanClaudeCamus on t'aime fort", a souhaité Laeticia Hallyday sur son compte Twitter, accompagné de la vidéo de leur grande tablée
"Quelle belle amitié ! Et un grand plaisir de vous voir heureux" ; "Très bien entouré et beaucoup d'émotions dans ce que je vois", ont réagi les internautes, touché par leur profonde amitié
Joyeux anniversaire @JeanClaudeCamus on t’aime fort ❤️ ❤️ @JohnnySjh @PatrickBruelOff pic
twitter.com/g4qBJplz9s— Laeticia Hallyday (@LHallyday) October 29, 2017 Si le succès n'est arrivé que sur le tard dans la vie de Jean-Claude Camus, aux alentours de ses 41 ans, il reconnaît devoir une fière chandelle à Johnny Hallyday : "J'ai sans doute, avec mes petits moyens, amené beaucoup de choses à Johnny de mon côté
Mais ce que je sais, c'est ce que lui m'a apporté parce que je ne pense pas que j'aurais fait la carrière que j'ai faite si je n'avais pas eu Johnny dans les bras
C'était le sésame pour tout"
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Even in the early days, if you set a computer
on every desk in every home, and you'd say,
"Okay, how many homes are there in the world?
How many desks are there in the world?
Can I make $20 for every home, $20 for every
desk?" you could get these big numbers.
But part of the beauty of the whole thing
was we were very focused on the here and now.
Should we hire one more person?
If our customers didn't pay us, would we have
enough cash to meet the payroll?
We really were very practical about that next
thing, and so involved in the deep engineering
that we didn't get ahead of ourselves.
We never thought how big we'd be.
I remember when one of the early lists of
wealthy people came out and one of the Intel
founders was there, the guy that ran Wang
computers actually was still -- Wang was still
doing well -- and we thought, "Hmm.
Boy, if the software business does well, the
value of Microsoft could be similar to that."
But it wasn't a real focus.
The everyday activity of just doing great
software drew us in.
And some decisions we made -- like the quality
of the people, the way we were very global,
the vision of how we thought about software
-- that was very long term.
But other than those things, we just came
into work every day and wrote more code and
hired more people.
It wasn't really until the IBM PC succeeded,
and perhaps even until Windows succeeded,
that there was a broad awareness that Microsoft
was very unique as a software company, and
that these other companies had been one-product
companies, hadn't hired people, couldn't do
a broad set of things, didn't renew their
excellence, didn't do research.
So we thought we were doing something very
unique, but it was easily not until 1995,
or even 1997, that there was this wide recognition
that we were the company that had revolutionized
software.
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In 1485, Artist “Leonardo Davinci” Drew a diagram
that explains human proportions.
The drawing, simply, is of a man who stands
on two different positions,
the first is inside a circle, and the second is inside a square
Leonardo named his diagram “Vitruvian man”.
Leonardo Davinci was born in Florence, in 1452
He spent his early years in this small rural house
In 1466 he attended Verrocchio art workshop
to learn painting
from master Andrea di Cione who was
famously known as Verrocchio
Since the beginning, Leonardo showed a very good level in
drawing techniques and theories of drawing.
His first solo work was of the place where he was
raised, it was completed in 1473
Due to his impressive skills, his master Verrocchio
involved him in painting “The Baptism Of Christ”
which they completed in 1475.
Leonardo’s role was to draw the young angel
holding Jesus,
his drawing was so precise and surprising
which made Verrocchio quit painting .
Then, Leonardo Started his own workshop, but he did not
end his relationship with Verrocchio.
That was until 1478, when he went to live
with the “Medici” family.
And started working in Neo-Platonic Academy, in The Piazza
San Marco in Venice,
which was established by The Medici Family.
In this period, he received his first of two independent
commissions
But none of them was completed, because he stopped
working on them to travel to Milan
The reason he travelled was that Leonardo – who had
become a talented musician -
created a lyre in the shape of a horse's head.
Which made Lorenzo de Medici who was known as
"The Magnificent"
to send Leonardo to Milan bearing the lyre as a gift
to the duke of Milan at that time in order to achieve peace.
But Leonardo was smart, he wrote a letter explaining
the many marvelous things
he could achieve, and attached it to the lyre.
This letter was the reason behind Leonardo’s settlement
in Milan, where he lived until 1499.
In this period he painted a number of great works such as
“Virgin of the rocks”
and “the last supper”
“The last supper is considered to be the main
inspiration for a number of Novels
such as” The Davinci Code” by Dan brown.
Leonardo Also worked on a design for the dome of Milan Cathedral
and a model for a huge equestrian monument to Francesco Sforza.
By the time the second Italian war started in 1499,
and the French troops’ invasion – under the leadership
of Louis XII – entered the Italian cities,
Davinci went to Venice to work as a military engineer.
And then he went to Florence to draw again,
where he drew “The virgin and the Child”
on 8 Pieces of cartoon using chalk.
And he drew a map of the city of Imola,
which was considered a very unique work.
And then he went to Florence in 1503
to start working on his greatest work,
or perhaps the greatest piece in art history.
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>> Hello, everyone.
Welcome today to our webinar on what you
need to know bout COVID-19 and the role
of community health workers
in the Latino community.
This webinar is a collaboration
between NACHW and CDC.
My name is Colleen Barbaro.
I'm a health scientist on the applied research
and translation team in CDC's Division
for Heart Disease and Stroke Prevention.
And I'm here today with Denise Smith
and I will let her introduce herself.
>> Good afternoon, everyone.
Thank you so much, Colleen and the whole
team at the Centers for Disease Control.
My name is Denise Octavia Smith,
and I'm the executive director
of the National Association
of Community Health Workers.
Great to be joining you.
>> Great. So just a few housekeeping
items before we get started.
I first wanted to mention
that the slides and recording
from this webinar will be posted afterwards.
So you will have access to these things later.
We'll also be taking questions
at the end through the Q
and A button at the bottom of your screen.
And you do have access to the
Q and A box during the webinar.
So feel free to type in questions for
myself and/or Denise at any point.
And we'll do our best to answer your
questions after the presentation.
Next slide.
So today's objectives for the presentation
will first provide an overview of COVID-19
that community health workers can
apply when guiding COVID-19 prevention
in the communities that they serve.
We'll discuss the evidence-based
COVID-19 prevention recommendations
on how individuals can help themselves,
their families and communities in preventing
or slowing the spread of COVID-19.
We'll share messages, tools and other resources
in Spanish that health promotors may use
to inform at-risk groups including older
adults and people with underlying conditions.
And we'll discuss the experiences of
community health workers and the changing roles
that they face in the COVID-19 pandemic.
Next slide.
Let's start with the coronavirus background.
So the coronavirus refers to a large family
of viruses that cause respiratory illness.
It was first isolated in the 1960's.
It's named for the crown-like
spikes on the surface.
There are four subgroupings,
alpha, beta, gamma and delta.
And some of the coronaviruses can
spread between animals and humans
or what is known as zoonotic disease.
Next slide.
Okay, next slide.
There are seven human coronaviruses
listed on this slide.
The common human coronaviruses
are provided at the top,
and then other human coronaviruses
include SARS and MERS.
Next slide.
So the common human coronaviruses --
let's talk now about the clinical
presentation and diagnosis.
They usually cause mild to moderate
upper respiratory tract illnesses
like the common cold.
They may cause more severe disease
like pneumonia or bronchitis.
They're more common in infants,
older adults and people
with underlying conditions
that weaken the immune system.
The symptoms of coronaviruses may include
runny nose, headache, cough, sore throat,
fever and general unwell feeling.
Diagnosis involves lab tests that can be used
to test respiratory specimens in serum or blood
for coronavirus infection in
patients with more severe disease.
Next slide.
So common human coronaviruses --
let's talk now about how they spread.
They're most commonly spread from an infected
person to others through respiratory droplets
by coughing, sneezing or talking.
Close personal contact such as touching
or shaking hands, and touching an object
or surface that has the virus on it.
These viruses commonly occur in fall and
winter, but they can occur year-round.
Young children are most likely to get
infected with the common human coronaviruses.
And most people will get infected
at least once in their lifetime.
Next slide.
So let's talk briefly now about
some other human coronaviruses
that you may have heard of called SARS and MERS.
Next slide.
SARS and MERS were recognized in the early
and mid-2000's -- I'm sorry -- after 2010.
The SARS virus was first
recognized in 2002 in China.
The MERS virus was recognized
in 2012 in Saudi Arabia.
And the scope of the outbreaks included
SARS having 8,000-plus probable cases
and 774 deaths from 2002-2003.
There's been no known human
cases of SARS since 2004.
For MERS, there were 2,400-plus
lab-confirmed cases
and 850-plus deaths as of October 3rd, 2019.
And two US cases in 2014 were
among healthcare professionals.
Next slide.
Looking at the clinical picture
for SARS and MERS, it involves --
these viruses involve transmission between
people through close person-to-person contact.
The most common symptoms include fever and
chills, body aches, cough, shortness of breath.
Complications can include pneumonia
in SARS and MERS particularly,
as well as kidney failure in MERS.
As far as treatment, there's no specific
antiviral treatment licensed for SARS or MERS.
And individuals seek medical
care to relieve their symptoms.
Looking at prevention, no vaccine is
available and everyday preventive actions
to prevent the spread of respiratory viruses
including hand hygiene are important.
Next slide.
Let's move on now to discuss coronavirus
disease 2019, or what is known as COVID-19.
Next slide.
COVID-19 was first identified in
Wuhan, China in December of 2019.
It's caused by the virus SARS-COV-2.
Early on, many patients were reported to have a
link to a large seafood and live animal market.
Later patients did not have
exposure to animal markets,
and this indicated person-to-person spread.
Travel-related exportation
of cases has been reported.
The first US case was reported
on January 21st, 2020.
And CDC is reporting confirmed
COVID-19 cases in the US online
at our website, and the link is provided here.
Feel free to keep updated on
the cases here using that link.
Next slide.
COVID-19, we know a little
bit about how it spreads based
on what is known from other coronaviruses.
But investigations are ongoing to better
understand the spread of this particular virus.
It is presumed to occur primarily
through close person-to-person contact
through respiratory droplets produced when
the infected person coughs, sneezes or talks.
And it is possibly spread by touching a
surface or object that has the virus on it
and then touching the mouth, nose or eyes.
Next slide.
So symptoms of COVID-19, the main symptoms
include fever, cough and shortness of breath.
There have been a wide range of illness
severity that has been reported.
Some have mild to severe illness
and it can result in death.
Estimated incubation period is 2-14 days,
and complications may include pneumonia,
respiratory failure and multi-system
organ failure.
Next slide.
We'll talk now about how
you can prevent COVID-19.
There are some everyday actions that you
can take to prevent respiratory illnesses.
You want to avoid exposure to the virus.
You can wear cloth face covering
if you're leaving the house.
You don't want to touch your
eyes, nose or mouth.
You want to cover your mouth
when you're coughing or sneezing
with a tissue and then discard it after use.
You'll also want to avoid
contact with people who are sick.
And you'll want to stay home if you are sick,
recognizing the fact it will be easier for some
to stay -- easier for some
to stay home than others,
makes practicing these everyday
actions at work all the more important.
Next slide.
So everyday actions to prevent respiratory
illnesses include covering your cough or sneeze
with a tissue and throwing
it away, as I mentioned.
Washing your hands often with soap or water
for at least 20 seconds is also important.
And you wat to use a alcohol-based hand
sanitizer with at least 60% alcohol if soap
and water are not readily available.
You also want to clean and disinfect
frequently-touched objects and surfaces.
And we do acknowledge that many poor families
are without soap and sanitizer at this time.
And some individuals are homeless.
And we see a role for community
health workers in coordinating
with community-based organizations
including the police departments,
fire departments to help access
these essential products.
Next slide.
So let's talk a minute now about
washing your hands the right way.
First, you'll want to wet your hands with
clean tap water and close the key in soap.
Then you should rub your hands
together with the soap to create a foam.
You want to be sure to wash
the backs of your hands,
between your fingers and under your fingernails.
And the whole process should last 20 seconds.
If you don't have a watch handy, you can
keep rubbing your hands until you're done
as you're washing them, and sing
the Happy Birthday song twice.
You can rinse your hands thoroughly with clean
tap water and dry your hands with a clean towel,
electric hand dryer or air dryer.
Soap and friction are what help to
lift the dirt, grease and microbes.
And that's why it's so important to wash
your hands by following these steps.
Wet, lather, scrub, rinse and dry.
So you can stay healthy and
keep those around you healthy.
Next slide.
Cleaning and disinfecting, as
I've said, is very important.
You'll want to wear disposable
gloves to clean and disinfect.
You'll want to routinely clean
and disinfect high-touch surfaces
and high-touch surfaces include tables,
doorknobs, light switches, countertops, handles,
desks, phones, keyboards,
toilets, faucets, sinks, et cetera.
You'll want to clean the visible
dirty surfaces using soap and water,
and when you're disinfecting you'll want to
use EPA-registered household disinfectants.
And we've provided a link here on
this slide to those disinfectants.
You can visit that website and find the list.
You will want to make sure you follow the
instructions on the label to ensure safe
and effective use of the product.
So just a moment here, we'll discuss using
household bleach to disinfect surfaces.
To do this you mix five tablespoons or
one-third cup of bleach per gallon of water.
Or you can mix four teaspoons
of bleach per quart of water.
Let me say that again because I tripped
over my words and I want to get it correct.
Four teaspoons of bleach per quart of water.
You'll want to follow the
manufacturer's instructions
for proper application and ventilation.
And you'll want to check to make sure the
product hasn't passed its expiration date.
You never want to mix household bleach
with ammonia or any other cleaner.
Unexpired domestic bleach will be effective
against coronaviruses when properly diluted.
Next slide.
So we can talk a minute now
about social distancing.
This is keeping space between yourself
and other people outside of your home.
And this is essential to preventing
the spread of the coronavirus.
To practice social distancing, you'll want
to stay at least six feet or two meters away
from other people when outside of the home.
You do not want to gather in groups.
You want to avoid crowded
places and mass gatherings.
And do not hug, kiss or shake hands.
Another thing is to avoid close
contact with people who have symptoms.
And this public health measure
is just very important
and something you've probably
been hearing a lot about.
And we do know that social
distancing is a challenge
for many families who are sharing one space.
It's even more crucial that these
households follow safety guidance when trying
to prevent the spread of coronavirus.
And that includes handwashing,
cleaning surfaces, et cetera.
There is a webpage on the CDC coronavirus
or COVID-19 website that discusses guidance
for those living in close quarters.
Next slide.
CDC recommends wearing cloth face
coverings outside of the home
to help prevent the spread of COVID-19.
I'm sure you've been hearing about
the use of cloth face coverings.
You do not place the cloth face coverings
on children under the age of two or anyone
who has trouble breathing or is
unconscious, incapacitated or otherwise unable
to remove the mask without assistance.
A washing machine can be used to
wash a face covering routinely.
And you'll want to continue to
take other preventive actions,
even when you're wearing a cloth face covering.
You'll want to remain at least six
feet apart from other individuals.
You'll want to wash your hands often.
You'll want to clean high-touch
surfaces in your home often.
And you do still want to
stay home when you're sick.
The cloth face coverings recommended are
not surgical mask or N-95 respirators.
Those are critical supplies that must
continue to be reserved for healthcare workers
and other medical first responders.
Next slide.
We know now that some are potentially
at a higher risk for COVID-19.
And these individuals include those 65
years or older, people who are living
in a nursing home or long-term care facility.
People of all ages with underlying
medical conditions,
particularly if they're not well-controlled.
And this includes people with chronic
lung disease or moderate to severe asthma.
And people with serious heart conditions.
Next slide.
Another group that are highly at risk
are those who are immunocompromised.
Cancer treatments, smoking, bone marrow or
organ transplantation, immune deficiencies
and poorly controlled HIV or
AIDS put individuals at risk.
Prolonged use of corticosteroids
and other immune weakening medications are
also putting some individuals at a higher risk.
People with severe obesity, which is defined as
a body mass index or BMI of 40 or higher as well
as people with diabetes, people with
chronic kidney disease undergoing dialysis,
and people with liver disease
are also all at risk.
At this present time, we
have no specific information
about the risk of COVID-19 in people with HIV.
The risk from immune suppression is not known,
but with other viral respiratory
infections the risk for people
with HIV getting very sick is greatest in
people with a low CD-4 cell count and people not
on HIV treatment, anti-retroviral
therapy or ART.
People with HIV can also be at an increased
risk of getting very sick with COVID-19 based
on their age and other medical conditions.
Next slide.
We are now talking about COVID-19 treatment.
There's no specific antiviral
treatment license for COVID-19.
There is supportive care to relieve symptoms
and manage pneumonia and respiratory failure.
Next slide.
You do want to seek medical care
if you feel sick with a fever,
cough or difficulty breathing, and if you have
been in close contact known to have COVID-19
or if you live in or have recently been in
an area with ongoing spread of COVID-19.
There are additional symptoms that
indicate it's a medical emergency
and immediate care is needed.
This includes troubled breathing, persistent
pain or pressure in the chest, new confusion
or inability to arouse, and bluish lips or face.
And there's more about that on the
CDC website, so please visit it.
Next slide.
So lastly, there's a few links on this slide.
You do want to stay informed about
COVID-19 and the most recent information --
all the information I've been discussing
is found online at www.cdc.gov/covid-19.
There's also the CDC travel advisories
that you'll want to check and find areas
with ongoing spread and with level
two or three travel health notices.
And there's also pages on stress and
coping that you might find helpful.
All right, so I'd like to turn the presentation
over now to Denise to talk about the role
of community health workers and COVID-19.
>> Well good afternoon again, everyone.
My name is Denise Octavia Smith and
I'm the founding executive director
of the National Association
of Community Health Workers.
I just want to thank Colleen and Betsy and
the team at the Centers for Disease Control
for taking time to develop this presentation
specifically for community health workers.
Next slide please.
Who is a community health worker?
If you are looking at the slides
now, I'm referring to the definition
by the American Public Health Association.
I know there are some that are
connecting to us only by phone.
We've put here this definition of CHW's as
trusted members of who have unusually close
or unique understanding of the
community that they're serving.
Those who are serving as a liaison between
health and social services in the community.
Those who facilitate access to a
variety of services from health systems.
Behavioral health and community-based services.
Those who improve the quality and
cultural competence of service delivery.
Those who increase individual and community
capacity by increasing health awareness.
And I'm going to use the term today
community health worker as an umbrella term.
This includes [Spanish term] or
community health representative.
And more than 50 titles that are
used for roles around the country
that describe the work of
community health workers.
Next slide please.
Like all health or medical professionals,
we want community health workers
to build their capacity, their knowledge
and their readiness to understand COVID-19
and to be able to transmit
accurate and factual information
in their communities and through their services.
We want community health workers to
receive training by health personnel.
We want community health workers to be
authorized and recognized by their health teams
to deliver medical information about COVID-19.
We want community health workers to be prepared
to inform, to guide and educate your peers
to conduct appropriate health
promotion and disease prevention.
Next slide, please.
So I'm giving here a snapshot of the
roles of community health workers.
Many of these descriptions may resonate
with you in your work in community,
in a health or social service system.
Some of you may be promoting let's say
preventative actions, increasing the ability
of individuals to manage their chronic
disease or promote healthy behavior.
Many of you are providing information
right now to break down the myths
and rumors that are present about COVID-19.
Many of you are busy trying to identify
populations who are most at risk,
and earlier Colleen presented
that comprehensive list to you.
And a number of you are right
now actively referring clients
to services beyond medical services
to help meet their psychosocial needs.
Next slide, please.
Community health workers can be an
ear right now for so many millions
of people whose lives have been
disrupted by this pandemic.
They may be experiencing loneliness
or a time of social estrangement.
CHW's, many of you right now are
helping to organize food delivery,
helping people to enroll in utility assistance.
You're advocating with landlords to make sure
that people are able to maintain their homes
or negotiate their rents due to unemployment.
A lot of you, I know, are busy explaining
the changing role and facilitating enrollment
for social benefits and resources
that are now available
in your community and perhaps in your state.
You're promoting preventive health
behaviors to curve contagion.
Social distancing, appropriate handwashing,
the appropriate way to wear a cloth mask.
All of these are ways that you can
promote to prevent the contagion.
And many of you are busy reinforcing
public health messages about COVID-19.
We want to thank you for the critical role
that you are playing and all of the ways
that you're stepping up in this time.
Next slide, please.
Community health workers as experts during
this COVID-19 emergency response time.
Next slide.
I want to say and list up this
important and critical workforce.
Each of you who are on the call and
you are community health workers,
you are a frontline public health workforce
that is critical for localities and states
to provide immediate response
to the COVID-19 pandemic.
Next slide, please.
Some of the factors that are going to promote
your effectiveness in service delivery
in your community -- community health workers
are someone who comes from within the community.
Someone who shares the experience, the language,
perhaps the same chronic disease state.
You speak the language and
you share the experiences
of that community where you're
providing services.
You know the customs and the
issues that your communities face,
those barriers and how to overcome them.
You share the same social or
cultural background of the community
and that can include the same local
language, the same dress, the same face.
You also understand the myths and beliefs
that are moving through community,
and how best to communicate actual and
factual information to dispel those myths.
Next slide, please.
I'd like to shift gears now and speak
to the important role that a number
of community health workers may be serving in.
And that is in going into the
community and conducting home visits
or providing community services
at a shelter, at a food pantry.
You may be shopping and delivery
food to a person's home.
This provides greater opportunity and a greater
need for you to have the right information
and accurate kind of protocols
and methods to protect yourself
when you're conducting a home visit.
So let's talk about what a
home visit is and the ways
that you can prepare yourself
with your employer.
A home visit is a set of social and
health activities that are provided
at a person's home or in their apartment.
This is care that allows the
CHW to detect, to support
and control health problems
that the individual may face.
And also to help them move
toward their health goals.
It can enhance the autonomy of the
individual that you're serving.
And the overall goal is to improve the
quality of that person or that family's life.
Home visiting can be a set of specific
tasks, making it a means of your liaisoning
between the family and the health system
and the services that people are providing.
Next slide, please.
During the COVID-19 pandemic,
CHW's must establish priority
criteria for making home visits.
We know that social distancing is a critical
way to reduce the spread of COVID-19.
And so making a decision to conduct
home visits is a important decision
that should be prioritized.
We're looking at families who have adults living
in their home who are over 60 years or over.
People who live alone or who are
without family networks and support.
People who are unable to travel easily to their
health center or clinic or medical provider.
Families with ill or handicapped
family members or patients.
People who've been recently
discharged from the hospital
that you're conducting follow-up services for.
And people taking vital medications.
These may all be reasons and different
categories of community members
that you might prioritize in
conducting your home visits.
Next slide, please.
Set goals for your home visiting services.
Are you going to coordinate care for
people who cannot leave their homes
and access services at a
health center or clinic.
How much information, education or
support are you going to provide
to the patient, individual or to the family?
Will you facilitate primary, secondary
or tertiary prevention services?
Will you suggest and do you have the protocols
to suggest when to go to an emergency room?
Is this home visit necessary?
Or can this safely and effectively
be provided through other means?
Will you help the continuation and coordination
of these services between the provision
of health and social service systems?
Next slide, please.
There are a number of safety
practices that we'll list up now
for the community health worker
workforce when conducting a home visit
and providing community services.
We want to develop and sustain a culture of
safety, even during these times when we know
that there are many needs at the
individual or community level.
If you're conducting a home visit or providing
community services, ask if the individual
or family members have experienced
coughing, fever or shortness of breath.
Ask if the family members have traveled
recently to certain international destinations
or those geographies in the US that are known
hotspots like California, New York, Louisiana,
Washington state or other states that currently
have high numbers of people with COVID-19.
Always follow universal precautions.
Seek training if you do not have
training on universal precautions.
Those of course include handwashing before and
after your visit, or if you're able to carry
and use hand sanitizer with you,
that hand sanitizer should have
60% or more alcohol content.
Do not eat or drink during the visit.
Avoid touching surfaces and
carry with you disposable tissue.
Wear your gloves and your cloth
face covering as instructed.
Keep your distance from others,
although that may be new for you.
About six feet or two meters when
you're conducting home visits
or your community services.
And don't take unnecessary risks.
Go back to your priorities and seek
guidance before you conduct that home visit.
Next slide, please.
There are myths and legends about
the novel coronavirus or COVID-19.
We're going to list up just a few here.
Rinsing your nose prevents contagion.
This is not true.
The virus is spread, as Colleen talked
about, in a number of different ways.
And we want to promote and practice reduction of
that infection and spread by washing our hands
or using hand sanitizer, covering
our mouth and nose with a face cloth,
and applying our universal precautions.
But rinsing your nose will
not prevent the contagion.
Nor will eating garlic.
While that may be a cultural norm and
it may have positive benefits that you
and your doctor have discussed, eating
garlic is not going to protect you
against COVID-19 or the novel coronavirus.
Nor will sesame oil kill COVID-19.
Spraying your body with alcohol or chlorine is
not effective and it is not recommended for you
to address the COVID-19 novel coronavirus.
These are myths and legends.
And if you hear them in community or among
your peers, refer back to these slides and back
to the factual information that was
provided earlier so that people know how
to effectively protect themselves.
Next slide, please.
Now I would like to turn the
presentation back over to Colleen.
She's going to explore some of the bilingual
resources that are available through the CDC.
>> Great. Next slide.
So CDC offers a variety of graphics that
you can use to educate others about COVID-19
and the precautions that need to
be taken to stop the spread of it.
There are graphics that you can use
on social media shown on this slide.
Next slide.
And some more graphics here, and
showcasing that we have bilingual resources,
and go on the website to see the
variety of languages covered.
Next slide.
There are tip sheets as well that
can be helpful in communicating
with your clients and with
those in the community.
So this slide shows the symptoms
of coronavirus disease.
There's a tip sheet there.
And then also how to stop when you're
feeling sick and identify potential symptoms.
Next slide.
So more tip sheets here, just a lot that you can
look through and decide what's helpful for you.
Next slide.
A few other examples here as well
showing our bilingual resources.
Next slide.
We have infographics as well,
similar to the graphics.
These are helpful in getting across
a good amount of information,
really focusing on the factual information
and messaging that's so important for you
to disseminate in your communities
and educate others.
So these are useful as well.
Next slide.
And there are posters as well.
And if you want to put these up
in your community or in places
where you can help spread awareness.
These are helpful resources as well.
Next slide.
And lastly, there are videos and those
are in English as well as Spanish.
And handwashing -- it explains some of the
steps of handwashing, but there are these videos
that provide the visual and show you kind of the
amount of time and could be very helpful for you
in helping to spread awareness about one of the
most essential practices of proper handwashing.
Next slide.
Right, so this is the end
of our presentation today.
And we hope that it was helpful for you.
Denise and my contact information
is on this slide.
And so you can feel free to follow
up with any additional questions.
As we mentioned at the beginning of the
presentation, the slides and a recording
of this webinar will be posted
on the CDC website.
So you'll be able to access it.
We'll now move on to the Q and A section, and
we've seen that you've ben entering questions
and using the question and answer
button during the presentation.
You can type any more questions you have now
into the chat box or the
question and answer box.
And know that we're documenting
all of these questions and concerns
and we'll be using them to
inform future efforts.
And we'll move now to trying to answer
some of the questions that we can today.
>> We have a few questions.
One of them is, can this still be transmitted
through kissing or community smoking?
>> So that is a good question.
I think that there was a slide on this.
Yes, it can be transmitted through kissing.
And there is probably the potential
or anything that your mouth touches
to spread those respiratory droplets.
Just following the best precautions you can
about social distancing is really important,
and hygiene and not spreading
respiratory droplets is important.
>> There is a question for --
I think this one is for Denise.
Denise, they're asking if you see
a role for community health workers
in any state doing contact tracing efforts.
And what role could that be?
>> Sure. That's a great question.
We have heard a lot I'm sure in the media and
on the news in your state and around the country
about the need to continue to scale
up testing and contact tracing
so that we can really understand the
infection rates across the country
so that we can continue to protect our citizens.
Community health workers historically
have had specific roles in contact tracing
for community health workers working with STD's.
They would have received this type of training,
and many CHW's have done
this work over many decades.
Right now there are states or cities in
specific parts of our nation who are exploring
and developing initiatives
to stand up contact tracing.
And often they are centering and prioritizing
the community health worker workforce,
not only to perform the specific act of contact
tracing, but when they are engaging individuals
and community members to link them to care
coordination and navigation of services
and other supported systems which are the
role and where the skill and competencies
of community health workers really shine.
If you are interested in contact
tracing within your state,
I would look to your department
of public health.
I would carefully track the activity and those
initiatives as they will usually be presented
by your governor, your state health
department or other source for you
to get more information about
those opportunities.
>> I have a question.
It's a general question that I have here.
But it's on three levels.
One person is asking if sop and water
are sufficient for disinfecting,
while another person is commenting on
whether the cloth fabric masks are sufficient
for avoiding the virus to come through.
And if the answer is no, would
that be in the best interest
of the patients when we're visiting?
>> So those are both two great questions
regarding disinfecting your hands.
Hand washing with soap and water
for the recommended 20 seconds
is what is being recommended.
And so that's really important for your hands,
or you use the alcohol-based
hand sanitizer with 60% alcohol.
As far as disinfecting surfaces,
that's where the recommendations
to dilute some solution of
bleach are recommended.
And so that is how you clean the surfaces.
But I advise you to go to the CDC COVID webpages
to look at more on disinfection, hand hygiene.
There's a lot of good information there.
And so whatever your specific purpose,
there's just a lot there that you can look up
and make sure you're doing the practice
that is recommended for what you're doing.
And I'm sorry, the second part of the
question was about cloth face coverings.
So we don't know everything yet
about how things are spreading.
The CDC recommendation right now is
wearing cloth face coverings in public.
And I've advised you to go to the
website and look at that as well.
And really there's a lot of
guidance on the webpages.
There's an FAQ section and you might
find some references to pages there
about preventing infection and protecting
both yourself as a health professional
and also working in communities and
you know, working with households.
So I would look at those and make some
decisions, you know, based on that information
and continue to look at it as we're updating
it with new guidance and information.
We don't know everything yet, and so webinars
like today are really important for us
to take your questions and
take that back and continue
to develop that information to help you.
>> Okay.
There are conditions such as HIV and many people
on the chat box were discussing
all these conditions
that are -- that do affect the body greatly.
But in the case of HIV, once
it's treated and controlled,
are these immune compromising diseases
a risk of infection or complication --
at any higher risk of infection
or complication of COVID?
>> Can you repeat the question?
>> Yes. Specifically in the case of the HIV
where you know it's an immunocompromising
disease but it can be treated and controlled.
Once treated and controlled,
are they still at a higher risk
of contracting the virus or
developing complications?
>> I don't think we can --
>> Well, just briefly I'll refer to the
earlier slides that Colleen presented.
There are many different categories
that can put someone at increased risk.
So if the person is asking -- if that
person is able to manage their HIV,
if they're taking their medications or if that
is not an issue, there may still be other issues
that make that person at greater risk.
And so maybe we'll have Colleen just
go over those increased risk factors
and those categories again for people to
understand that there can be intersection.
There can be many factors that can
increase your risk for infection.
>> That's right, Denise.
And it's important to remember that we
can't speak to your risk as an individual,
but we have these categories of individuals
where we know that the risk is higher.
And the notes that we have are that there's
not all the information we want right now
about the risk of COVID-19 in people with HIV.
We know that those that don't have
a control are probably more at risk,
but we can't say that those with control,
you know, are not going to be at risk.
So I think it's safe to really
look at these categories
and take the precautions needed
if those risk factors are there.
And in your patients and yourself, it's just
very important to protect these populations.
So I'm referring now to slide 23
with those who are immunocompromised.
I'm just going to read the list one more time.
This includes those undergoing cancer treatment,
smoking, bone marrow or organ transplantation.
Immune deficiencies, and
poorly controlled HIV and AIDS.
And then the use of any immune
weakening medications.
So it really could be a lot of individuals,
so just really important to focus
on those people and not underestimate the risk.
>> There is a question here
that is making reference
if we have other languages available
for resources besides Spanish.
>> Yes. And I'm not sure the exact number
of languages represented on our website.
But we have a number of different resources.
So please visit our communications and those
resources and see if you can find what you need.
And if you can't, please contact us and let us
know what you need and we'll communicate that.
>> Another question I have has to
do with community health workers.
Are they factored in the workforce development
planning for coronavirus contact tracing teams?
>> Sure. So as mentioned before, there are
a number of national initiatives as well
as initiatives happening at the state or city
level that are all considering the critical role
that community health workers can play right now
to enhance public health capacity
specific to contact tracing.
Contact tracing is an important aspect
of the role of community health workers.
One, because we have an ability to really
build trust and to provide respectful services
in a language and in a context that many
communities that may be not difficult to reach
but may experience barriers to accessing the
health system or information about infection.
And CHW's are able to reach them.
So yes, there are many initiatives that
include a role for community health workers.
The National Association of Community Health
Workers, what we are doing is offering
to people clarity on the role of community
health workers, that we are effective
to support contact tracing efforts.
And that we are also effective to continue
to provide all of the other services
within our roles and our qualities and
skills in this time of emergency response.
>> Thank you for that.
>> There is another question related, and
this is I guess for you again, Denise.
If you have any pearls of wisdom
to share with them about how
to best spread the preventative
measures and messages in Indian country.
Especially in rural areas.
>> Yeah. Our rural communities
have unique challenges.
There are many community health workers
who had their initial face-to-face
or community-based services disrupted
and a lot of them transferred
or transitioned those services to
phone-based services, onto Zoom,
onto different web platforms or even telehealth.
But for our rural communities there are
real barriers and there are real challenges
for community health representatives or
CHW's to connect with their communities.
If you are still conducting home visits, one,
I hope that you have support
in your transportation.
So if people are reimbursing you for
the services that you're providing.
I know many of you have to drive several
miles to reach and connect with your clients.
Please refer back to all of the safety
precautions to conduct your home visits.
Oftentimes if people are coming into town
or coming into clinics to get tested,
that may be an opportunity for you
to share or distribute information
so that you don't always have to travel to
communities to conduct those home visits.
This is really going to take a networking
and a collaborative effort for all of us,
but particularly for folks in rural communities.
So for instance if you are attempting
to service elders and you know
that perhaps there is a separate
service, one that you do not provide,
that brings food to the home, maybe you
want to try and coordinate your education
and you services with those services.
So that you're better able to get the
services to the elders who need them.
And folks don't have to make as many
visits to the home, increasing the risk
of infection for that vulnerable individual.
At NACHW, we have representatives
from the CHR community
who we would love to make connections with you.
They work across the country.
So that you can get specific
answers on ways to innovate
and coordinate services in your tribal nation.
>> Colleen, I believe that someone is
asking regarding the probable cases.
Can you expand on that a little bit more,
specifically on the perspective
of testing being available?
>> So the testing, probable cases and kind of
suspected cases of COVID and kind of erring
on the side of caution, when those are sick,
that's kind of how we've been going about this.
But testing is you know, picking up and
we will be able to confirm cases of COVID
when testing is widely available in communities.
But kind of in the meantime, as testing's been
stood up and tried to get it widely implemented
in communities, we do need to
take the necessary precautions
around probable cases and
around suspected cases.
And really the guidance and the recommendations
by CDC right now is erring on the side
of caution with regard to symptoms
and following these safety practices.
And that's what you're seeing with
our social distancing measures
and all of the messaging and
recommendations right now.
>> Is it also a myth that people who
suffer the flu are at a high risk
of testing false positive to the virus?
>> I have not heard that to be true.
And I'll see if any others
on the call have heard that.
I don't think I've heard that.
I'll look on the website.
>> I haven't seen that in
the Q and A anywhere there.
>> No.
>> Thank you.
>> There is another question here for Denise.
And that question is --
Are CHW's being given additional
resources and training to learn how
to conduct some visits through telehealth?
These might help reach more
clients in rural areas.
>> Yes. So I have certainly heard from community
health workers and employers across the country
that they are offering -- for those who
offer telehealth services and for those
who can reach their clients that way,
they are offering free trainings.
There are also a number of
different online platforms
that are offering free software
and free trainings as well.
If you worked with a employer,
I'd reach out to that employer
and see what is the approved platform
for you to conduct telehealth services.
But certainly there are a number --
all of the kind of popular platforms
including the Google Hangouts and Zoom,
a number of them -- Microsoft teams, a number
of them are offering free services and supports.
So that if you want to transition
your telehealth services,
you can better understand the benefits
and kind of the functions of those tools.
>> On that very same thought, what are
the thoughts about virtual home visits
and maintaining patient privacy,
patient/client privacy?
>> Yeah, well if you've already been providing
services to those clients, that individual
or family member, hopefully you already
have the appropriate waivers or approvals
or signatures to provide service.
So let's assume that that person has
been working with that client before.
There are some security issues
with using telehealth.
We know that -- I've even had one
of my Zoom meetings to be hacked.
I don't know what the official term is.
But someone just kind of jumped onto the meeting
and fortunately we were not addressing HIPAA
protected or a confidential issue at the time.
This is why you really want to understand the
platform that you're using and why you want
to receive proper training about that.
You need to get the approval from the patient,
from the individual or family to be able
to communicate with them in that way.
I know when I was providing services
for people living with HIV/AIDS,
we needed to get that individual's
consent before we could make a phone call,
before you can leave a voicemail, before you
can leave a note or notice in the mailbox.
So please consider all of those privacy
and protection protocols before you
are rushing to implement telehealth.
Even in your desire to want to reach
clients, we have to protect their privacy.
>> There's another question
here for you, Denise?
Should community health workers continue
with routine home visitation activities?
Or should home visit only be reserved
for those patients more at risk
or with serious conditions or needs?
>> Yeah. So if you are -- if you have an
employer and your employer is recommending
or asking you to continue to conduct home
visits, I would hope and would advocate
for that employer to provide you with the
appropriate personal protective equipment.
As well as some of the safety precautions
and protocols that Colleen mentioned before.
So if you don't have training in universal
precautions, if you do not have access
to gloves, hand sanitizer and appropriate
cloth masks, if you are not able to conduct
that home visit and maintain a social distance
of six feet or more while you're conducting
that visit -- and if this
is not a priority visit,
if there is a way to conduct the same
service in a no-touch or a low-touch fashion,
I am advocating for your safety and for
the safety of your peers, your coworkers,
your family members that you do all that you
can to protect yourself and your clients.
So work with your employer.
Make sure that you understand and that you
receive training as we mentioned earlier
from a medical professional so that you really
understand how this novel coronavirus is
transmitted or how it can infect you.
Understand the risks of the
clients that you may be serving.
And if they're at high risk, do what you
can to reduce that risk by practicing
and applying all of those safety precautions.
>> We're reaching the time to
almost conclude our webinar today.
But I want to leave you,
Colleen, the last question.
And this one is, why is an N95 not
recommended to wear during a home visit?
>> So these masks are being reserved
for healthcare professionals right now.
And so I'm not sure that we've provided at
CDC any recommendations for home visits yet.
But that is the guidance we have right now,
is the N95 masks are recommended
for healthcare professionals.
But I think it's important
to talk to your employer.
And I would advise you to go to the
CDC website and look at those pages
for healthcare professionals and what's
being recommended to protect yourself
and protect others and be knowledgeable
of that and talk with your employer.
>> So we have reached five-oh-one PM.
We should be concluding the webinar.
Ladies, please go ahead and
conclude the webinar for today.
Thank you very much for being with us.
Please conclude the webinar.
>> Thank you.
It's been great and these questions have
all been helpful, helpful discussion.
And it's been great to hear Denise as well.
>> Thank you, everyone.
Thank you, Betsy and Colleen
and all the team at CDC.
And for everyone on the call, my
prayers are with you and your family
and your community during this time.
>> Slides and webinar are going
to be available pretty soon.
Stay tuned.
Some of the questions that have
been raised will not be forgotten.
So stay tuned.
We're going to be coming back to you.
Thank you very much.
>> Thank you, bye.
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Danish:
Yo guys Kieran fra Street Soccer
International her og velkommen til
dagens video noget lidt
anderledes en unboxing godt ikke korrekt
unboxing fordi min datter ønskede mig at
Åbn posen tidligere, så det er allerede
åben i grunden har vi fået en masse
spørgsmål af jer, hvilken bold var der
Jack Downer bruger i sindssyge
Street færdigheder video han brugte en af
Disse typer bolde, som er en Monta Ball
bold nu tror jeg, jeg har ret meget
version han havde på ham på det tidspunkt
helt sikkert da det var nærende mig det
det er hele kigget på det, du kan se
Monta skiltet og dette er shredderen
dette er Monta Jeg synes, det er deres
nyeste produkt ud som er shredder
bold meget lyse flotte farver her
naturligvis i videoen vi har nede
og på Pannahouse World
Mesterskaber bolden er meget falmet
hvad sker der med disse bolde som dig
kan se, men du får meget ud af det
Arabic:
يا شباب كيران من شارع كرة القدم
الدولية هنا ومرحبا بكم
فيديو اليوم شيء قليلا
مختلفة بشكل غير صحيح وليس صحيح
سبب unboxing ابنتي أرادتني أن
فتح الحقيبة في وقت سابق لذلك بالفعل
فتح في الأساس كنا تحصل على الكثير من
الأسئلة من قبلك يا رفاق ما كانت الكرة
جاك داونر يستخدم في المجانين
فيديو مهارات الشارع كان يستخدم واحدة من
هذه الأنواع الكرات التي هي مونتا الكرة
الكرة الآن أعتقد أنني حصلت على حد كبير
نسخة لديه على ذلك الوقت
بالتأكيد عندما كان جوزة الطيب لي ذلك
هذا هو النظرة الكاملة في ذلك يمكنك أن ترى
علامة مونتا وهذا هو التقطيع
هذا هو مونتا وأعتقد أنه من
أحدث المنتجات التي هي التقطيع
الكرة ألوان جميلة مشرقة جدا هنا
من الواضح في الفيديو لدينا أسفل
وعلى عالم Pannahouse
بطولات الكرة تلاشت كثيرا
الذي يحدث لهذه الكرات مثلك
يمكن أن نرى ولكنك تحصل على الكثير من الاستخدام
iw:
יו חבר 'ה Kieran מ כדורגל רחוב
הבינלאומי כאן וברוכים הבאים
הווידאו של היום משהו קצת
שונה היטב unboxing לא תקין
ללא שם: unboxing לגרום הבת שלי רצה שאני
לפתוח את התיק קודם לכן אז זה כבר
פתוח בעצם אנחנו כבר מקבל הרבה
שאלות על ידי חבר 'ה מה הכדור היה
ג'ק דאונר משתמש בטירוף
רחוב מיומנויות וידאו הוא משתמש באחד
אלה סוגים של כדורים שהוא כדור מונטה
הכדור עכשיו אני חושב שאני די הרבה
גרסה שהיתה לו עליו באותה עת
בוודאי כאשר זה היה מטורף אותי כך
זה כל המבט שאפשר לראות
את השלט מונטה וזה המגרסה
זה מונטה אני חושב שזה שלהם
המוצר האחרון אשר הוא המגרסה
הכדור צבעים מאוד בהיר נחמד כאן
כמובן בסרטון שאנחנו למטה
ועל עולם פאנהאוס
אליפויות הכדור הוא דהוי הרבה
אשר קורה כדורים אלה כמוך
אבל אתה יכול לעשות הרבה שימוש החוצה
Gujarati:
સ્ટ્રીટ સોકરથી યો ગાય્સ કિરાન
અહીં આંતરરાષ્ટ્રીય અને સ્વાગત છે
આજે વિડિઓ કંઈક થોડી
વિભિન્ન અનબૉક્સિંગ સારી નથી
મારી પુત્રી મને કરવા માગે છે કારણ કે unboxing કારણ
અગાઉ બેગ ખોલી તેથી તે પહેલેથી જ છે
મૂળભૂત રીતે આપણે ઘણું બધુ મેળવીએ છીએ
તમે ગાય્સ દ્વારા કયા પ્રશ્નો બોલ હતા
જેક ડાઉનરેરનો ઉપયોગ કરીને પાગલ
સ્ટ્રીટ કુશળતા વિડિઓ તેમણે એક ઉપયોગ કરી રહ્યા હતા
આ પ્રકારના દડાઓ જે મોન્ટા બોલ છે
બોલ હવે મને લાગે છે કે હું ખૂબ ખૂબ મળી
આવૃત્તિ તે સમયે તેમના પર હતી
ચોક્કસપણે જ્યારે તે મને જંતુનાશક હતી તેથી
તે તેના પર સંપૂર્ણ દેખાવ છે જે તમે જોઈ શકો છો
Monta સાઇન અને આ કટકા કરનાર છે
આ મોન્ટા છે મને લાગે છે કે તે તેમના છે
કટકા કરનાર છે જે તાજેતરની ઉત્પાદન બહાર
બોલ ખૂબ જ તેજસ્વી સરસ રંગો અહીં
દેખીતી રીતે વિડિઓ અમે નીચે મળી છે
અને પન્નાહાઉસ વિશ્વ પર
ચેમ્પીયનશીપ બોલ ખૂબ ઝાંખુ છે
જે આ દડાને તમે થતાં નથી
જોઈ શકે છે પરંતુ તમને ઘણો ઉપયોગ થાય છે
Indonesian:
Yo guys Kieran dari Street Soccer
Internasional di sini dan selamat datang
video hari ini sesuatu yang sedikit
berbeda dengan unboxing dengan baik tidak tepat
unboxing menyebabkan putri saya menginginkan saya
buka tas tadi jadi sudah
buka pada dasarnya kami sudah mendapatkan banyak
pertanyaan oleh kalian apa bola itu
Jack Downer menggunakan gila
Video keterampilan jalanan yang ia gunakan salah satunya
bola jenis ini yang merupakan Bola Monta
bola sekarang saya pikir saya cukup banyak mendapat
versi yang dia miliki pada saat itu
tentu ketika itu pala saya begitu
itulah keseluruhan tampilan yang bisa Anda lihat
tanda Monta dan ini adalah shredder
ini Monta Saya pikir itu milik mereka
produk terbaru yang merupakan shredder
bola warna bagus sangat cerah di sini
jelas dalam video yang kami turunkan
dan di Pannahouse World
Kejuaraan bola banyak memudar
yang terjadi pada bola-bola ini seperti dirimu
dapat melihat tetapi Anda mendapatkan banyak penggunaan
Italian:
Yo guys Kieran di Street Soccer
Internazionale qui e benvenuto
video di oggi qualcosa di un po '
diverso un pozzo unboxing non corretto
unboxing perché mia figlia voleva che lo facessi
apri la borsa prima così è già
open in pratica ne abbiamo ricavate molte
domande da voi ragazzi che cosa fosse la palla
Jack Downer usa il pazzo
Video di abilità di strada che stava usando
questi tipi di palle che è una Monta Ball
palla ora penso di aver praticamente ottenuto il
versione che aveva su di lui in quel momento
certamente quando mi stava mordicchiando così
questo è l'intero sguardo che puoi vedere
il segno di Monta e questo è lo shredder
questo è Monta, penso che sia loro
ultimo prodotto fuori che è lo shredder
palla colori molto vivaci qui
ovviamente nel video ci siamo abbassati
e sul Pannahouse World
Campionati la palla è molto sbiadita
che succede a queste palle come te
puoi vedere ma hai un sacco di utilizzo
German:
Yo Jungs Kieran von Street Soccer
International hier und willkommen bei
heutiges Video etwas ein bisschen
anders ein unboxing gut nicht richtig
Unboxing, weil meine Tochter mich wollte
Öffne die Tasche früher, also ist es schon
offen im Grunde haben wir eine Menge bekommen
Fragen von euch Jungs, was für ein Ball war
Jack Downer mit den Wahnsinnigen
Street Skills Video benutzte er eines von
diese Arten Bälle, die ein Monta Ball ist
Ball jetzt denke ich, dass ich ziemlich viel habe
Version hatte er auf ihn zur Zeit
sicher, als es mich so verpflegte
Das ist der ganze Blick darauf, den du sehen kannst
das Monta-Zeichen und das ist der Schredder
Das ist Monta. Ich denke, es ist ihre
das neueste Produkt, welches der Shredder ist
Ball sehr helle schöne Farben hier
offensichtlich in dem Video, das wir haben
und auf der Pannahouse-Welt
Meisterschaften Der Ball ist sehr verblasst
was passiert mit diesen Kugeln wie du
kann sehen, aber Sie bekommen viel Nutzen aus
Thai:
Yo guys Kieran จาก Street Soccer
International ที่นี่และยินดีต้อนรับสู่
วิดีโอวันนี้มีอะไรนิดหน่อย
ที่แตกต่างกัน unboxing ดีไม่เหมาะสม
ทำให้ลูกสาวของฉันต้องการฉัน
เปิดกระเป๋าก่อนหน้านี้จึงมีอยู่แล้ว
เปิดกว้างเราได้รับจำนวนมาก
คำถามโดยพวกคุณว่าลูกบอลเป็นอะไร
แจ็ค Downer ใช้ในบ้า
วิดีโอทักษะ Street เขาใช้หนึ่งใน
เหล่านี้ลูกประเภทซึ่งเป็นบอล Monta
ลูกบอลตอนนี้ฉันคิดว่าฉันสวยมาก
รุ่นที่เขามีกับเขาในเวลา
แน่นอนเมื่อมัน nutmegging ฉันเช่นนั้น
นั่นคือรูปลักษณ์ทั้งหมดที่คุณสามารถมองเห็นได้
เครื่องหมาย Monta และนี่คือเครื่องหั่นย่อย
นี่คือ Monta ฉันคิดว่ามันเป็นของพวกเขา
ผลิตภัณฑ์ใหม่ล่าสุดซึ่งเป็นเครื่องหั่นย่อย
ลูกบอลสีสดใสดีมากที่นี่
ชัดในวิดีโอที่เราได้ลง
และบนโลก Pannahouse
ชิงแชมป์บอลเป็นจำนวนมากจางหายไป
ที่เกิดขึ้นกับลูกเหล่านี้ตามคุณ
สามารถมองเห็น แต่คุณจะได้รับประโยชน์จากการใช้งานมาก
Dutch:
Yo jongens Kieran van Street Soccer
Internationaal hier en welkom bij
de video van vandaag iets een beetje
anders een unboxing is niet goed
unboxing want mijn dochter wilde dat ik dat deed
open de tas eerder dus het is alweer
open in principe hebben we veel gekregen
vragen van jullie, wat een bal was was
Jack Downer gebruikt krankzinnigen
Video over straatvaardigheden die hij gebruikte van een van
deze soorten ballen die een Monta Ball is
bal nu denk ik dat ik de
versie die hij op tijd had
zeker toen het me zo nutmuskeerde
dat is de hele blik die je kunt zien
het Monta-bord en dit is de shredder
dit is Monta, ik denk dat het van hen is
nieuwste product dat de shredder is
bal erg heldere mooie kleuren hier
natuurlijk in de video die we hebben gemaakt
en op de Pannahouse World
Kampioenschappen de bal is een beetje vervaagd
wat met deze ballen gebeurt als jij
kan zien, maar je krijgt er wel veel gebruik van
Hindi:
स्ट्रीट सॉकर से यो लोग कियरन
यहां अंतर्राष्ट्रीय और आपका स्वागत है
आज का वीडियो थोड़ा सा है
अलग एक अनबॉक्सिंग अच्छी तरह से उचित नहीं है
अनबॉक्सिंग कारण मेरी बेटी मुझे चाहता था
पहले बैग खोलें ताकि यह पहले से ही हो
मूल रूप से खुले तौर पर हमें बहुत कुछ मिल रहा है
आपके द्वारा प्रश्न क्या लड़के थे
पागल में उपयोग कर जैक डाउनर
स्ट्रीट कौशल वीडियो वह एक का उपयोग कर रहा था
इन प्रकार की गेंदें जो मोंटा बॉल है
गेंद अब मुझे लगता है कि मुझे काफी मिला है
उस समय उनके पास संस्करण था
निश्चित रूप से जब यह मुझे nutmegging था
यह पूरी तरह से देखो आप देख सकते हैं
मोंटा साइन और यह श्रेडर है
यह मोंटा है मुझे लगता है कि यह उनका है
नवीनतम उत्पाद जो श्रेडर है
गेंद यहाँ बहुत उज्ज्वल अच्छे रंग
स्पष्ट रूप से वीडियो में हम नीचे आ गए हैं
और पन्नाहाउस वर्ल्ड पर
चैम्पियनशिप गेंद बहुत फीका है
जो आप के रूप में इन गेंदों के साथ होता है
देख सकते हैं लेकिन आप बहुत उपयोग करते हैं
Vietnamese:
Yo Kieran từ Street Soccer
Quốc tế ở đây và chào mừng bạn đến
video của ngày hôm nay
khác nhau một unboxing cũng không thích hợp
unboxing khiến con gái tôi muốn tôi
mở túi trước đó để nó đã
về cơ bản, chúng tôi đã nhận được rất nhiều
câu hỏi của các bạn quả bóng là gì
Jack Downer sử dụng trong điên
Video kỹ năng đường phố anh ấy đang sử dụng một trong
những loại quả bóng đó là một quả bóng Monta
bóng bây giờ tôi nghĩ rằng tôi khá nhiều có
phiên bản anh ấy có vào anh ấy vào thời điểm đó
chắc chắn khi nó nhục mạ tôi
đó là toàn bộ cái nhìn vào nó, bạn có thể thấy
dấu hiệu Monta và đây là máy hủy tài liệu
đây là Monta tôi nghĩ đó là của họ
sản phẩm mới nhất ra là máy hủy tài liệu
bóng màu sắc rất tươi sáng ở đây
rõ ràng là trong video chúng tôi đã
và trên thế giới Pannahouse
Vô địch bóng rất nhiều đã bị mờ
điều này xảy ra với những quả bóng này như bạn
có thể thấy nhưng bạn nhận được rất nhiều sử dụng
Korean:
Street Soccer의 Yo guys Kieran
국제 여기에 오신 것을 환영합니다.
오늘의 비디오 조금
다른 언 박싱 우물은 적합하지 않다.
내 딸이 나를 원해 왔어.
가방을 일찍 열어서 벌써
기본적으로 우리는 많은 것을 얻었습니다.
너 무슨 질문을 했니?
잭 다우 너는 미친 사람을 사용하여
그가 사용했던 스트리트 스킬 비디오
몬타 공인이 유형의 공
이제 공을 거의 가지고 있다고 생각합니다.
그는 그에게 그에게 걸린 버전
확실하게 그것이 나를 그렇게 nutmegging했을 때.
그게 너가 볼 수있는 전체 모습이야.
몬타 사인과 이것은 분쇄기입니다.
이건 몬타 야.
최신 제품은 분쇄기입니다.
매우 밝은 색 좋은 여기 공
분명히 우리가 가지고있는 비디오에서
그리고 Pannahouse 세계에
챔피언 쉽 공이 많이 흐려집니다.
너처럼이 공들에게 일어나는 일이야.
볼 수는 있지만 많이 사용하지는 않습니다.
Japanese:
ストリートサッカーからのYoの男Kieran
インターナショナルはこちら
今日のビデオはちょっと何か
異なったアンボックスの井戸は適切ではない
私の娘が私に
前もってバッグを開けるので、すでに
基本的に私たちはたくさんの
あなたがボールをどのようにしていたかという質問
ジャックダウナーは、狂人で使用する
彼が使っていたストリートスキルビデオ
モンタボールであるこれらのタイプのボール
ボールは今私がかなり得たと思う
彼がその時に彼に持っていたバージョン
確かにそれは私をそばにしていたとき
それはあなたが見ることができる全体を見ている
モンタのサインとこれはシュレッダーです
これはモンタだと思う
最新の製品はシュレッダーです
非常に明るい素敵な色のボールはここに
明らかにビデオでは私たちはダウンしている
パンナハウスの世界
選手権はボールが大きく色あせています
あなたと同じようにこれらのボールに起こる
あなたが見ることができますが、あなたは多くの使用を得る
Russian:
Йо парни Киран из Street Soccer
Международный здесь и приветствуем
сегодняшнее видео что-то немного
различная распаковка хорошо не подходит
unboxing, потому что моя дочь хотела, чтобы я
откройте сумку раньше, так что уже
открытые в основном мы получали много
вопросы, вы, ребята, какой мяч был
Джек Даунер использует в сумасшедшем
Уличные навыки видео он использовал один из
эти типы шаров, которые являются Monta Ball
Теперь я думаю, что я в значительной степени получил
версия, которую он имел на нем во время
конечно, когда это меня мучило
вот и весь взгляд на это вы можете видеть
знак Монты, и это измельчитель
это Монта, я думаю, что это их
последний продукт, который является измельчителем
Здесь очень яркие яркие цвета
очевидно, в видео, которое мы получили
и в мире Паннахауза
Чемпионаты по мячу сильно поблекли
что происходит с этими шарами, поскольку вы
может видеть, но вы получаете много пользы
English:
Yo guys Kieran from Street Soccer
International here and welcome to
today's video something a little
different an unboxing well not proper
unboxing cause my daughter wanted me to
open the bag earlier so it's already
open basically we've been getting a lot of
questions by you guys what ball were was
Jack Downer using in the insane
Street skills video he was using one of
these types balls which is a Monta Ball
ball now I think I pretty much got the
version he had on him on the time
certainly when it was nutmegging me so
that's the whole look at it you can see
the Monta sign and this is the shredder
this is Monta I think it's their
latest product out which is the shredder
ball very bright nice colors here
obviously in the video we've got down
and on the Pannahouse World
Championships the ball is a lot faded
which does happen to these balls as you
Spanish:
Yo chicos Kieran de Street Soccer
Internacional aquí y bienvenido a
el video de hoy algo un poco
diferente un unboxing bien no es apropiado
unboxing porque mi hija quería que yo
abre la bolsa antes, así que ya está
abrir, básicamente, hemos estado recibiendo una gran cantidad de
preguntas de ustedes, qué bola era
Jack Downer usando en locura
Video de habilidades callejeras que estaba usando uno de
estos tipos bolas que es una Bola Monta
bola ahora creo que prácticamente obtuve el
versión que tenía sobre él en el momento
Ciertamente cuando me estaba dando vueltas tan
esa es toda la mirada que se puede ver
el signo de Monta y esta es la trituradora
esto es Monta, creo que es su
último producto que es la trituradora
bola muy brillantes colores agradables aquí
obviamente en el video que tenemos abajo
y en el mundo de Pannahouse
Campeonatos, la pelota está muy desvanecida
que le sucede a estas bolas como tú
puede ver, pero se obtiene un gran uso
French:
Yo les gars de Street Soccer
International ici et bienvenue à
la vidéo d'aujourd'hui quelque chose un peu
différent un unboxing bien pas approprié
cause déballage ma fille voulait que je
ouvrir le sac plus tôt pour qu'il soit déjà
ouvert essentiellement nous avons eu beaucoup de
des questions par vous les gars étaient balle
Jack Downer utilise dans la folie
Street compétences vidéo, il utilisait l'un des
ces types de balles qui est une balle Monta
balle maintenant je pense que j'ai à peu près la
version qu'il avait sur lui le temps
certainement quand il était me museler si
c'est tout ce que vous pouvez voir
le signe Monta et c'est le déchiqueteur
c'est Monta je pense que c'est leur
dernier produit qui est le broyeur
balle très brillante de belles couleurs ici
évidemment dans la vidéo, nous avons baissé
et sur le monde de Pannahouse
Championnats la balle est beaucoup fanée
qui arrive à ces boules comme vous
peut voir, mais vous obtenez beaucoup d'utilisation
Afrikaans:
Julle ouens Kieran van Street Soccer
Internasionaal hier en welkom by
vandag se video iets 'n bietjie
anders 'n unboxing goed nie behoorlik nie
Unboxing omdat my dogter my wou hê
Maak die sak vroeër oop sodat dit alreeds is
oop basies ons het baie gekry
Vrae vir julle wat die bal was
Jack Downer gebruik in die krankzinnige
Straatvaardigheidsvideo hy gebruik een van
hierdie tipe balle wat 'n Monta Ball is
bal nou ek dink ek het pretty much die
weergawe wat hy op hom gehad het
beslis toe dit my so vermag het
dit is die hele blik op dit wat jy kan sien
die Monta-teken en dit is die shredder
dit is Monta Ek dink dit is hulle
nuutste produk wat die shredder is
bal baie helder mooi kleure hier
natuurlik in die video het ons afgekom
en op die Pannahouse World
Kampioenskappe die bal is baie vervaag
wat gebeur met hierdie balle soos jy
kan sien, maar jy kry baie gebruik uit
Portuguese:
Yo guys Kieran da Street Soccer
Internacional aqui e bem vindo a
vídeo de hoje algo um pouco
diferente um unboxing bem não apropriado
unboxing causa minha filha queria que eu
abra o saco mais cedo por isso já é
abra basicamente temos recebido muito
perguntas por vocês que bola foram foi
Jack Downer usando no insano
Vídeo de habilidades de rua, ele estava usando um dos
estes tipos de bolas que é uma bola de Monta
bola agora eu acho que praticamente tenho o
versão que ele tinha sobre ele no tempo
Certamente, quando foi noz-me assim
essa é a aparência toda, você pode ver
o sinal de Monta e este é o triturador
este é Monta eu acho que é a sua
mais recente produto fora, que é o desfibrador
bola cores muito brilhantes agradáveis aqui
Obviamente, no vídeo que temos para baixo
e no Pannahouse World
Campeonatos a bola está muito desbotada
o que acontece com essas bolas como você
pode ver, mas você tem um monte de uso
Portuguese:
deles vamos bombear e nós vamos ter
um pouco mais olhar em detalhes
ok então estamos aqui testando o
Monta triturador de tudo o que eu só vou trazer
Silas em que ele está me ajudando Silas é um
Mansfield Town está na bolsa de estudos
programa certo sim, então ele não é mais de um
futebolista de rua ele é mais de um regular
jogador de futebol para que você possa fazer certo
as pessoas precisam ser muito melhores que eu
em termos de mover esses espaços e
posições e que por isso estamos usando um bom
chance de testar essa bola, minha opinião
bola novamente II não quis dizer assim
bola em um primeiro desculpe esteticamente é
não a bola mais bonita que eles tiveram
Russian:
из них давайте накачать его, и у нас будет
немного подробнее об этом подробнее
хорошо, поэтому мы здесь тестируем
Монта измельчитель всего, что я собираюсь принести
Сайлас, он помогает мне. Сайлас - это
Город Мэнсфилд находится на стипендии
правильно, да, он не больше
уличный футболист, он больше обычного
футболистом, чтобы вы могли сделать
люди должны быть намного лучше меня
с точки зрения перемещения этого пространства и
позиции, и поэтому мы используем хорошие
шанс проверить этот мяч, мое мнение
Мяч снова II не означал так
мяч в первый жаль эстетически это
не самый красивый, у них был
Dutch:
van hen laten we het oppompen en we zullen hebben
een beetje meer uitstraling ervan in detail
Oké, dus we zijn hier aan het testen
Monta shredder van alles wat ik ga brengen
Silas, hij helpt me. Silas is een
Mansfield Town is op de beurs
programmeer goed ja, dus hij is niet meer een
straat voetballer hij is meer een normale
voetballer, zodat je bepaalde dingen kunt doen
mensen moeten veel beter zijn dan ik
in termen van het verplaatsen van deze ruimte en
posities en dat gebruiken we dus goed
kans om deze bal te testen, mijn mening de
weer bal II bedoelde niet zo
bal in een eerste spijt esthetisch het is
niet de best uitziende bal die ze hebben gehad
Hindi:
उनमें से चलो इसे पंप करें और हमारे पास होगा
विस्तार से इसका थोड़ा और देखो
ठीक है तो हम यहां परीक्षण कर रहे हैं
मोंटा श्रेडर मैं बस लाने वाला हूँ
सिलास की मदद से वह मुझे सिलास है
मैन्सफील्ड टाउन छात्रवृत्ति पर है
कार्यक्रम सही हाँ तो वह एक से अधिक नहीं है
सड़क फुटबॉलर वह नियमित रूप से अधिक है
फुटबॉल खिलाड़ी ताकि आप निश्चित कर सकें
लोगों को मुझसे ज्यादा बेहतर होना चाहिए
इन जगहों को स्थानांतरित करने के मामले में और
पदों और इसलिए हम एक अच्छा उपयोग कर रहे हैं
इस गेंद का परीक्षण करने का मौका, मेरी राय
गेंद फिर से द्वितीय इस तरह का मतलब नहीं था
पहली बार माफ करना मूल रूप से यह माफ करना है
उनके पास सबसे अच्छी दिखने वाली गेंद नहीं है
German:
von ihnen lassen wir es aufpumpen und wir werden es tun
ein bisschen mehr davon im Detail
okay, also sind wir hier draußen testen die
Monta Schredder von allem, was ich nur bringen werde
Silas auf, er hilft mir Silas ist ein
Mansfield Town ist auf dem Stipendium
Programm richtig ja, also ist er nicht mehr a
Straßenfußballer ist er eher regelmäßig
Fußballspieler, so können Sie sicher sein
Menschen müssen viel besser sein als ich
in Bezug auf die Bewegung dieser Raum und
Positionen und das verwenden wir ein gutes
Chance, diesen Ball zu testen, meine Meinung der
Ball wieder II meinte das nicht so
Ball in einer ersten Entschuldigung ästhetisch ist es
nicht der schönste Ball, den sie hatten
Japanese:
彼らはそれを汲み上げてみましょう
それをもう少し詳しく見る
大丈夫だからここで
私がちょうど持っているすべてのモンタシュレッダー
Silasは私を助けてくれているSilasは
マンスフィールドタウンは奨学金を受けています
プログラムはそうです
ストリートサッカー選手
あなたが特定のことをすることができるようにサッカー選手
人々は私よりずっと良いことが必要です
これらの空間を動かすという点で
私たちは良いものを使っています
このボールをテストするチャンス、私の意見
再びボールIIはこのような意味ではなかった
申し訳ありませんが、審美的にはボールです
彼らが持っていた最も美しいボールではない
Vietnamese:
trong số chúng ta hãy bơm nó lên và chúng ta sẽ có
một chút chi tiết hơn về nó một cách chi tiết
được rồi, vì vậy chúng tôi ra đây thử nghiệm
Monta shredder của tất cả tôi sẽ mang
Silas về anh ấy giúp tôi Silas là một
Mansfield Town là học bổng
chương trình phải vâng vì vậy anh ta không nhiều hơn một
cầu thủ bóng đá đường phố anh ấy thường xuyên hơn
cầu thủ bóng đá để bạn có thể làm
mọi người cần tốt hơn tôi nhiều
về việc di chuyển các không gian này và
vị trí và vì vậy chúng tôi đang sử dụng tốt
cơ hội để kiểm tra quả bóng này, ý kiến của tôi
bóng một lần nữa II không có nghĩa là như thế này
bóng trong một xin lỗi đầu tiên thẩm mỹ nó
không phải là quả bóng đẹp nhất mà họ đã có
Danish:
af dem lad os pumpe det op og vi får det
lidt mere kig på det i detaljer
okay så vi er her testet
Monta shredder af alt, hvad jeg bare skal medbringe
Silas, han hjælper mig Silas er en
Mansfield Town er på stipendiet
program lige ja så han er ikke mere af a
street fodboldspiller han er mere af en regelmæssig
fodboldspiller så du kan gøre visse
folk skal være meget bedre end mig
i form af at flytte disse rum og
stillinger og det gør vi så godt
chance for at teste denne bold, min mening
bolden igen, jeg betød ikke sådan
bolden i en første beklager æstetisk det er
ikke den bedste bue, de har haft
Afrikaans:
van hulle laat ons dit oppomp en ons sal hê
'n bietjie meer kyk daarvan in detail
okay so ons is hier besig om die
Monta shredder van alles wat ek net gaan bring
Silas op hy help my Silas is a
Mansfield Town is op die beurs
program reg ja so hy is nie meer van a nie
straat sokker is hy meer van 'n gereelde
sokker speler, sodat jy kan seker maak
mense moet baie beter as ek wees
in terme van die verskuiwing van hierdie spasie en
posisies en so gebruik ons 'n goeie
kans om hierdie bal te toets, my mening die
weer bal Ek het nie so bedoel nie
bal in 'n eerste jammer esteties dit is
nie die beste bal wat hulle gehad het nie
English:
can see but you do get a lot of use out
of them let's pump it up and we'll have
a little more look of it in detail
okay so we are out here testing the
Monta shredder of all I'm just gonna bring
Silas on he's helping me Silas is a
Mansfield Town is on the scholarship
program right yeah so he's not more of a
street footballer he's more of a regular
football player so you can do certain
people needs to be a lot better than me
in terms of moving these space and
positions and that so we're using a good
chance to test this ball, my opinion the
ball again I I didn't mean like this
ball in a first sorry aesthetically it's
not the best-looking ball they have had
iw:
של אותם בואו נשאוב את זה ואנחנו נהיה
עוד קצת מבט על זה בפירוט
בסדר אז אנחנו כאן בדיקות
מונטה Shredder של כל אני רק הולך להביא
סלאס על זה שהוא עוזר לי סלאס הוא
מנספילד טאון הוא על המלגה
תוכנית כן כן אז הוא לא יותר
שחקן כדורגל ברחוב הוא יותר קבוע
שחקן כדורגל, כך שאתה יכול לעשות מסוימים
אנשים צריכים להיות הרבה יותר טוב ממני
במונחים של העברת החלל
עמדות ולכן אנחנו משתמשים טוב
הזדמנות לבדוק את הכדור הזה, לדעתי
הכדור שוב לא התכוונתי ככה
הכדור הראשון מצטער אסתטית זה
לא את הכדור הכי טוב שיש להם
Italian:
di loro lo pompiamo e lo faremo
un po 'più in dettaglio
okay, siamo qui a testare il
Monta shredder di tutto quello che sto per portare
Silas su mi sta aiutando Silas è un
Mansfield Town è sulla borsa di studio
programma giusto sì, quindi non è più di un
il calciatore di strada è più normale
calciatore per cui puoi essere sicuro
le persone devono essere molto meglio di me
in termini di spostamento di questi spazi e
posizioni e che quindi stiamo usando un bene
possibilità di testare questa palla, il mio parere il
palla di nuovo II non intendeva questo
palla in un primo scusa esteticamente è
non è la palla più bella che abbia mai avuto
Indonesian:
dari mereka mari memompanya dan kita akan memilikinya
sedikit lebih memeriksanya secara detail
oke jadi kita di sini menguji
Monta shredder dari semua yang aku bawa
Silas pada dia membantu saya Silas adalah a
Mansfield Town ada di beasiswa
program yang tepat ya jadi dia tidak lebih dari
Pesepakbola jalanan dia lebih dari biasa
pemain sepak bola sehingga Anda bisa memastikan
orang perlu jauh lebih baik daripada saya
dalam hal memindahkan ruang ini dan
posisi dan itu jadi kami menggunakan yang baik
kesempatan untuk menguji bola ini, pendapat saya
Bola lagi II tidak berarti seperti ini
bola di pertama menyesal estetis itu
bukan bola dengan penampilan terbaik yang mereka miliki
Arabic:
من لهم دعونا ضخه وسنكون لدينا
أكثر من ذلك بقليل بالتفصيل
حسنا لذلك نحن هنا اختبار
مونتا التقطيع من كل ما أنا سأحضر
سيلاس على انه يساعدني سيلاس هو
مانسفيلد تاون على المنحة الدراسية
برنامج صحيح نعم حتى انه ليس أكثر من
لاعب كرة قدم في الشارع هو أكثر من العادية
لاعب كرة قدم حتى تتمكن من القيام بعمل معين
يجب أن يكون الناس أفضل مني بكثير
من حيث نقل هذه المساحة و
المواقف وهذا ما نستخدمه جيدًا
فرصة لاختبار هذه الكرة ، رأيي في
الكرة مرة أخرى الثاني لم يكن يعني هذا
الكرة في أول آسف من الناحية الجمالية
ليس أفضل كرة تبدو لديهم
Gujarati:
તેમને તે પંપ દો અને અમે પડશે
વિગતવાર તે થોડી વધુ દેખાવ
ઠીક છે તેથી અમે અહીં પરીક્ષણ કરી રહ્યા છીએ
મોન્ટા કટકા કરનાર બધા હું લાવવા જ છું
સિલાસ મને મદદ કરી રહ્યો છે તે સિલાસ છે
મેન્સફિલ્ડ ટાઉન સ્કોલરશીપ પર છે
કાર્યક્રમ હા હા જેથી તેઓ એક વધુ નથી
શેરી ફૂટબોલર તે વધુ નિયમિત છે
ફૂટબોલ ખેલાડી જેથી તમે ચોક્કસ કરી શકો છો
લોકોએ મારા કરતા ઘણું સારું હોવું જોઈએ
આ જગ્યા ખસેડવાની દ્રષ્ટિએ અને
સ્થિતિ અને તે એટલા સારા છે કે અમે તેનો ઉપયોગ કરી રહ્યાં છીએ
આ બોલ ચકાસવા માટે તક, મારા મતે
બોલ ફરી બીજાનો આનો અર્થ એ નથી થતો
પ્રથમ માફ સૌમ્ય સૌંદર્યલક્ષી તે બોલ છે
તેઓ પાસે સૌથી શ્રેષ્ઠ દેખાવ નથી
Thai:
ของพวกเขาให้ปั๊มขึ้นและเราจะมี
ดูเพิ่มเติมในรายละเอียด
เอาล่ะเรามาที่นี่เพื่อทดสอบ
Monta shredder จากทั้งหมดที่ฉันเพิ่งจะนำมา
Silas กับเขาช่วยฉัน Silas คือ
Mansfield Town อยู่ในทุนการศึกษา
โปรแกรมใช่ใช่เพื่อให้เขาไม่มากของ a
เขาเป็นคนปกติมากขึ้น
ฟุตบอลเพื่อให้คุณสามารถทำบางอย่าง
คนต้องดีกว่าฉันมาก
ในแง่ของการย้ายพื้นที่เหล่านี้และ
ตำแหน่งและเพื่อให้เราใช้ดี
โอกาสที่จะทดสอบบอลนี้ความคิดของฉัน
บอลอีกครั้ง II ไม่ได้หมายความอย่างนี้
ลูกในครั้งแรกขอโทษ aesthetically ก็
ไม่ใช่ลูกที่ดูดีที่สุดที่พวกเขามี
Spanish:
de ellos vamos a bombearlo y tendremos
un poco más de detalle en detalle
bien, entonces estamos aquí probando el
Monta trituradora de todo lo que voy a traer
Silas me está ayudando Silas es un
Mansfield Town está becado
programa bien, sí, así que no es más de un
futbolista callejero él es más de un habitual
jugador de fútbol para que pueda hacer ciertas
la gente tiene que ser mucho mejor que yo
en términos de mover estos espacios y
posiciones y eso, así que estamos usando un buen
oportunidad de probar esta pelota, mi opinión la
bola de nuevo II no significaba esto
bola en un primer lo siento estéticamente es
no es la pelota más bonita que han tenido
Korean:
그 (것)들의 펌프는 그것을 위로 양수하고 우리는
세부 사항에 대한 좀 더 자세히 살펴 보자.
좋습니다. 그래서 우리는 여기에서
내가 가져올 모든 것의 몬타 슈 레더.
실라가 나를 도와주고있어 실라가
맨스필드 타운 장학금에
프로그램 그래, 그래서 그는 더 이상 아니에요.
거리 축구가 더 많아.
당신이 확실하게 할 수있는 축구 선수
사람들은 나보다 훨씬 더 잘해야한다.
이 공간을 움직이는 관점에서
우리는 좋은 것을 사용하고 있습니다.
이 공을 시험 할 기회, 내 생각은
다시 II가 이런 뜻이 아니 었어.
처음에는 공을 미학적으로 미안하다.
그들이 가진 가장 잘 생긴 공이 아니라
French:
d'entre eux nous allons pomper et nous aurons
un peu plus en détail
ok donc nous sommes ici pour tester la
Monta déchiqueteuse de tout ce que je vais juste apporter
Silas sur mon aide Silas est un
Mansfield Town est sur la bourse
programme bien ouais donc il n'est plus d'un
footballeur de rue, il est plus régulier
joueur de football afin que vous puissiez faire certains
les gens doivent être beaucoup mieux que moi
en termes de déplacement de ces espaces et
positions et que nous utilisons un bon
chance de tester cette balle, mon avis le
balle à nouveau II ne voulait pas dire comme ça
balle dans un premier désolé esthétiquement c'est
pas la meilleure balle qu'ils ont eu
Thai:
ออก แต่มันเติบโตขึ้นกับฉันเมื่อเวลาผ่านไป
และใช่มันดูดีมันคมชัดและ
สดใสคุณสามารถมองเห็นลูกได้ง่ายมาก
ทำให้สนุกกับการเล่นด้วย
มันไม่ได้จับมากเกินไปบนพื้นมัน
ดีสำหรับเช่นนั้นแล้ว SISM บอลสำหรับ
ว่าเพราะเขาช่วยจับที่ดี
โดยเฉพาะอย่างยิ่งบนพื้นผิวแห้งนี้มี a
จำนวนมากของชิปเล็ก ๆ น้อย ๆ และหินในนี้
พื้นผิวที่เรากำลังเล่นอยู่และ SISM
ลูกบอลสามารถจับได้จริงๆในขณะที่นี้
มอนสเตอร์ดูเหมือนว่าจะเหินได้ง่ายกว่ามาก
Silas มาแล้วความคิดของคุณคืออะไร
ลูกเป็นอย่างดีก็มีเบาะที่ดีไป
รู้สึกไม่เป็นไรและไม่ยากเกินไป
นุ่มไม่มันมีด้ามจับที่ดีในนั้น
จับมันไม่ได้เป็น grippy เช่น
ลูก SISM แต่ก็มีด้ามจับเพียงพอ
คุณชอบ groundmoves ควบคุมมันย้าย
รอบดี ดังนั้นสิ่งที่ฉันจะทำคือผู้ชาย
French:
dehors mais il a grandi sur moi au fil du temps
et oui, il a l'air bien est-il pointu et
lumineux, vous pouvez voir la balle assez facilement
rend amusant de jouer avec
il n'y a pas trop de prise sur le sol c'est
mieux pour comme alors cette balle SISM pour
cela parce qu'il garde une bonne prise en main
en particulier sur cette surface sèche il y a un
beaucoup de petits copeaux et de pierres dans ce
surface sur laquelle nous jouons et le SISM
balle peut vraiment se faire attraper alors que cela
monstre semble glisser beaucoup plus facilement
So Silas il y a quelles sont vos pensées sur la
balle aussi, il a un bon coussin à elle
il se sent bien et ce n'est pas trop difficile ce n'est pas
à doux pas, il a une bonne prise en main
prise sur elle est pas à saisir comme le
Balles SISM mais il a assez de grip
donc comme vous déplacez le contrôle, il se déplace
autour du bien Donc ce que je vais faire c'est les gars
Danish:
men det er vokset på mig over tid
og ja det ser godt ud er det skarpt og
lyst kan du se bolden ganske let
gør det sjovt at lege med
Det er ikke for meget greb på gulvet, det er
bedre for da da denne SISM-bold til
det fordi han holder et godt greb
især på denne tørre overflade er der en
mange små chips og sten i dette
overflade vi spiller på og SISM
bolden kan blive rigtig fanget, mens dette
monster synes at glide meget lettere
så Silas siden hvad er dine tanker om
bolden har det også en god pude
det føles okay, og det er ikke for svært det er det ikke
at bløde ikke, det har et godt greb om det
greb om det, det er ikke grippy som
SISM bolde, men det har nok greb
så ligner du jordskærme, kontrollerer den, at den bevæger sig
omkring godt. Så hvad jeg skal gøre er fyre
German:
aber es ist im Laufe der Zeit auf mich gewachsen
und ja es sieht gut aus ist es scharf und
hell Sie können den Ball ziemlich leicht sehen
macht es Spaß mit ihm zu spielen
es ist nicht zu viel Halt auf dem Boden
besser für wie dann dieser SISM Ball für
weil er einen guten Griff behält
besonders auf dieser trockenen Oberfläche gibt es ein
viele kleine Chips und Steine in diesem
Oberfläche, auf der wir spielen, und der SISM
Ball kann währenddessen wirklich erwischt werden
Monster scheint viel leichter zu gleiten
Also, vor Silas, was denkst du über die
Ball auch, es hat ein gutes Polster dazu
es fühlt sich gut an und es ist nicht zu schwer es ist nicht
zu weich nicht, es hat einen guten Griff drauf
greife es an, es ist nicht zu grippy wie das
SISM Bälle, aber es hat genug Grip
so wie du gemurmelt hast, bewegt es sich
um gut. Also was ich machen werde, Jungs
Gujarati:
બહાર પરંતુ તે સમય જતાં મારા પર ઉગાડવામાં આવે છે
અને હા તે સારું દેખાય છે તે તીક્ષ્ણ છે અને
તેજસ્વી તમે ખૂબ સરળતાથી બોલ જોઈ શકો છો
તેની સાથે રમવાનું આનંદદાયક બનાવે છે
તે ફ્લોર પર તે ખૂબ પકડ નથી
આના માટે આ SISM બોલની જેમ સારી છે
કારણ કે તે એક સારા પકડ રાખે છે
ખાસ કરીને આ શુષ્ક સપાટી પર ત્યાં એક છે
આમાં થોડી ચિપ્સ અને પત્થરો
સપાટી પર અમે રમી રહ્યા છીએ અને SISM
બોલ વાસ્તવમાં કેચ કરી શકે છે જ્યારે આ
રાક્ષસ ઘણું સરળ સરકાવવા લાગે છે
તેથી સિલાસ પહેલાં તમારા વિચારો શું છે?
બોલ પણ, તે તેને એક સારો ગાદી મળી છે
તે ઓલરાઇટ લાગે છે અને તે ખૂબ મુશ્કેલ નથી તે નથી
નરમ નથી, તે તેના પર સારી પકડ મળી છે
તેના પર પકડ તે જેમ grippy નથી
SISM બોલમાં પરંતુ તે પર્યાપ્ત પકડ મળી છે
જેથી તમે તેને જમીન પર ખસેડી શકો છો
સારી આસપાસ તેથી હું શું કરીશ ગાય્સ છે
Indonesian:
tetapi itu tumbuh pada saya seiring waktu
dan ya itu terlihat bagus apakah itu tajam dan
terang Anda bisa melihat bola dengan mudah
membuatnya menyenangkan untuk dimainkan
itu tidak terlalu banyak pegangan di lantai itu
lebih baik untuk seperti itu maka bola SISM ini untuk
itu karena dia menyimpan pegangan yang baik
terutama pada permukaan kering ini ada a
banyak keripik dan batu kecil di ini
permukaan yang kita mainkan dan SISM
bola bisa benar-benar tertangkap sedangkan ini
monster sepertinya meluncur jauh lebih mudah
jadi Silas lalu apa pendapatmu tentang itu
bola juga, itu punya bantalan yang bagus untuk itu
rasanya baik-baik saja dan tidak terlalu sulit
untuk tidak lembut, itu punya pegangan yang bagus
pegangan di atasnya itu bukan untuk grippy seperti
Bola SISM tapi punya pegangan yang cukup
jadi seperti Anda groundmoves mengontrolnya bergerak
sekitar baik. Jadi yang akan saya lakukan adalah teman-teman
Portuguese:
fora, mas é cultivado em mim ao longo do tempo
e sim, parece bom é afiado e
brilhante você pode ver a bola com bastante facilidade
torna divertido brincar com
não é muito aperto no chão é
melhor para como então esta bola SISM para
isso porque ele mantém uma boa aderência
especialmente nesta superfície seca há uma
monte de pequenas lascas e pedras neste
superfície que estamos jogando e o SISM
bola pode ficar realmente pego enquanto isso
monstro parece deslizar muito mais fácil
Então, Silas atrás, quais são seus pensamentos sobre o
bola também, tem uma boa almofada
me sinto bem e não é muito difícil não é
para não suave, tem uma boa aderência
aperto nele não é a grippy como o
Bolas SISM mas tem aderência suficiente
Então, como você groundmoves controle move
em torno de bom. Então o que eu vou fazer é galera
Spanish:
pero ha crecido en mí con el tiempo
y sí, se ve bien, es nítido y
brillante se puede ver la pelota con bastante facilidad
lo hace divertido jugar con
no es demasiado agarre en el piso es
mejor para como esta entonces esta bola SISM para
eso porque él mantiene un buen agarre
especialmente en esta superficie seca hay un
muchas pequeñas virutas y piedras en este
superficie en la que estamos jugando y el SISM
bola puede quedar realmente atrapado mientras que esto
monstruo parece deslizarse mucho más fácil
por lo que Silas hace ¿cuál es su opinión sobre el
bola también, tiene un buen amortiguador
se siente bien y no es demasiado difícil, no lo es
no es suave, tiene un buen agarre
agarre en él no es tan adherente como el
Bolas SISM pero tiene suficiente agarre
así que, ¿lo controlas en movimiento?
alrededor de bueno. Entonces lo que haré es chicos
Hindi:
बाहर लेकिन यह समय के साथ मुझ पर उगाया जाता है
और हाँ यह अच्छा लग रहा है यह तेज है और
उज्ज्वल आप गेंद को आसानी से देख सकते हैं
इसके साथ खेलने के लिए मजेदार बनाता है
यह मंजिल पर बहुत अधिक पकड़ नहीं है
इसके लिए इस एसआईएसएम गेंद के लिए बेहतर है
क्योंकि वह एक अच्छी पकड़ रखता है
विशेष रूप से इस शुष्क सतह पर एक है
इसमें बहुत कम चिप्स और पत्थरों
सतह हम खेल रहे हैं और एसआईएसएम
जबकि गेंद वास्तव में पकड़ा जा सकता है
राक्षस बहुत आसान लग रहा है
तो Silas पहले पर आपके विचार क्या है
गेंद भी, यह इसके लिए एक अच्छा कुशन मिला है
यह ठीक लगता है और यह बहुत मुश्किल नहीं है
नरम करने के लिए, यह उस पर एक अच्छी पकड़ है
उस पर पकड़ यह गड़बड़ नहीं है
एसआईएसएम गेंदें लेकिन इसे काफी पकड़ मिली है
तो जैसे आप जमीन पर नियंत्रण करता है इसे नियंत्रित करता है
चारों ओर अच्छा तो मैं क्या करूँगा दोस्तों है
Arabic:
خارج ولكن نمت علي مع مرور الوقت
ونعم تبدو جيدة انها حادة و
مشرق يمكنك رؤية الكرة بسهولة تامة
يجعلها ممتعة للعب معها
انها ليست قبضة كبيرة على الأرض
أفضل لمثل ثم هذا SISM الكرة ل
ذلك لأنه يحتفظ بقبضة جيدة
خصوصا على هذا السطح الجاف هناك
الكثير من الرقائق والحجارة الصغيرة في هذا
السطح الذي نلعب عليه و SISM
الكرة يمكن أن تحصل على القبض حقا في حين أن هذا
يبدو أن الوحش ينزلق أسهل بكثير
هكذا قبل Silas ما هي أفكارك على
الكرة أيضا ، انها حصلت على وسادة جيدة لذلك
تشعر أنها بخير وليس من الصعب جدا انها ليست كذلك
حتى لا ينعم ، إنها قبضة جيدة عليه
قبضة عليه انها ليست لامعة مثل
كرات SISM لكنها حصلت على قبضة كافية
مثل ذلك هل تسيطر على groundmoves يتحرك
حول جيد. إذن ما سأفعله هو الرجال
Russian:
но он вырос на меня со временем
и да, это выглядит хорошо, это круто и
яркий, вы можете легко увидеть мяч
делает забаву играть с
это не слишком сильное сцепление на полу.
лучше, чем тогда, этот шар SISM для
это потому, что он держит хорошую хватку
особенно на этой сухой поверхности есть
много маленьких чипов и камней в этом
поверхность, на которой мы играем, и SISM
мяч может стать действительно пойманным, тогда как это
монстр, кажется, скользит намного легче
так Силас, что ты думаешь о
мяч также, он получил хорошую подушку к нему
он чувствует себя хорошо, и это не слишком сложно, это не
к мягкому нет, у него хорошее сцепление с ним
хватайтесь за нее, это не так сложно, как
Шарики SISM, но у него достаточно хвата
так, как вы, суслики, контролируете его движение
вокруг хорошо. Так что я буду делать, это ребята
Afrikaans:
maar dit het oor die tyd met my gegroei
en ja dit lyk goed is dit skerp en
helder jy kan die bal redelik maklik sien
maak dit pret om mee te speel
Dit is nie te veel greep op die vloer nie
beter vir soos hierdie SISM bal vir
dit omdat hy 'n goeie greep hou
veral op hierdie droë oppervlak is daar 'n
baie klein skyfies en klippe in hierdie
oppervlak waarop ons speel en die SISM
bal kan regtig gevang word terwyl dit
monster lyk baie makliker
So Silas gelede, wat is jou gedagtes oor die
bal ook, dit het 'n goeie kussing daarvoor
dit voel goed en dit is nie te moeilik nie
Om nie sag te maak nie, dit het 'n goeie greep daaroor
Gryp dit is nie te grippy soos die
SISM balle, maar dit het 'n genoeg greep
So, soos jy dit doen, beheer jy dit beweeg
rondom goed. So wat ek sal doen is ouens
Japanese:
それは時間の経過とともに私の上で成長している
ええ、それは良いと思うそれは鋭いです
明るいあなたはボールをかなり簡単に見ることができます
遊ぶのが楽しくなる
それはあまりにも床のグリップではない
このSISMボールのように
彼は良いグリップを保つので
特にこの乾燥した表面には
これには小さなチップと石がたくさんあります
私たちがプレイしている表面とSISM
ボールは本当に捕らえられる
モンスターがもっと楽に滑るようだ
だからSilas前にあなたの考えは何ですか?
ボールも同様にクッションが良い
それは大丈夫だと思うし、それほど難しくない
ソフトではない、それには良いグリップがある
それをつかむことは、
SISMボールだが十分なグリップがある
あなたは地面を動かすように動きをコントロールします
まあまあ。だから私がやることは男だ
Vietnamese:
nhưng nó phát triển theo thời gian
và vâng nó có vẻ tốt là nó sắc nét và
sáng bạn có thể thấy bóng khá dễ dàng
làm cho nó thú vị để chơi với
nó không phải là quá nhiều va li trên sàn nhà của nó
tốt hơn cho như vậy thì quả bóng SISM này cho
bởi vì anh ấy giữ được độ bám tốt
đặc biệt trên bề mặt khô này có
rất nhiều chip và đá nhỏ trong này
bề mặt chúng ta đang chơi và SISM
bóng có thể bị bắt trong khi điều này
quái vật dường như lướt dễ dàng hơn rất nhiều
vì vậy Silas trước suy nghĩ của bạn về
bóng là tốt, nó có một đệm tốt cho nó
nó cảm thấy ổn và nó không quá khó nó không
để mềm không, nó có một va li tốt về nó
bám chặt vào nó, nó không bị nghẹt như
SISM bóng nhưng nó có một va li đủ
như vậy bạn có kiểm soát nó
xung quanh tốt. Vì vậy, những gì tôi sẽ làm là guys
Korean:
나가서 시간이 지남에 따라 자란다.
그리고 네 그것은 선명하게 보입니다.
너는 공을 아주 쉽게 볼 수있다.
함께 놀 수있게 해준다.
그것은 바닥에 너무 많은 그립이 아니에요.
이 SISM 볼을 좋아하면
그가 좋은 그립을 유지하기 때문에
특히이 건조한 표면에는
작은 조각과 돌이 많이 있어요.
우리가 플레이하고있는 표면과 SISM
공이 실제로 잡힐 수 있지만
괴물이 훨씬 쉽게 미끄러지는 것처럼 보입니다.
그래서 Silas는 당신의 생각을 전합니다.
공도 좋고, 쿠션도 좋네.
괜찮아요. 그렇게 어렵지도 않습니다.
부드럽지 않은데, 그걸 잘 잡았어.
그립을 쥐고있는 것처럼 그것은 껄끄 러운 것처럼 보이지 않습니다.
SISM 볼은 있지만 그립은 충분합니다.
그래서 당신은 groundmoves가 움직이는 것을 제어합니다.
주위 좋은. 그래서 내가 뭘 할건지 사람들이야.
iw:
אבל זה גדל עלי לאורך זמן
ו כן זה נראה טוב זה חד
בהיר אתה יכול לראות את הכדור די בקלות
עושה את זה כיף לשחק איתו
זה לא יותר מדי אחיזה על הרצפה זה
טוב יותר עבור כמו אז זה הכדור עבור SISM
כי הוא מחזיק אחיזה טובה
במיוחד על משטח יבש זה יש
הרבה שבבים ואבנים קטנים זה
פני השטח אנחנו משחקים על מערכת ההפעלה
הכדור יכול לתפוס באמת בעוד זה
מפלצת נראה לדאות הרבה יותר קל
אז Silas לפני מה המחשבות שלך על
גם יש לו כרית טובה
זה מרגיש בסדר וזה לא קשה מדי זה לא
כדי לא רך, יש לה אחיזה טובה
אחיזה על זה זה לא לגרגר כמו
SISM כדורים אבל יש לו אחיזה מספיק
אז כמו שאתה groundmoves שליטה זה נע
סביב טוב. אז מה אני אעשה זה בחורים
English:
out but it's grown on me over time
and yeah it looks good is it sharp and
bright you can see the ball quite easily
makes it fun to play with
it's not too much grip on the floor it's
better for like then this SISM ball for
that because he keeps a good grip
especially on this dry surface there's a
lot of little chips and stones in this
surface we're playing on and the SISM
ball can get really caught whereas this
monster seems to glide a lot easier
so Silas ago what's your thoughts on the
ball as well, it's got a good cushion to it
it feels alright and it's not too hard it's not
to soft not, it's got a good grip on it
grip on it it's not to grippy like the
SISM balls but it's got a enough grip
so like do you groundmoves control it moves
around good. So what I'll do is guys
Dutch:
maar het is me in de loop van de tijd gegroeid
en ja het ziet er goed uit, het is scherp en
helder zie je de bal vrij gemakkelijk
maakt het leuk om mee te spelen
het is niet al te veel grip op de vloer
beter voor zoals dan deze SISM-bal voor
dat omdat hij een goede grip houdt
vooral op dit droge oppervlak is er een
veel kleine spaanders en stenen hierin
oppervlak waarop we spelen en de SISM
bal kan echt worden gevangen terwijl dit
monster lijkt veel gemakkelijker te glijden
dus Silas geleden, wat is jouw mening over de
bal ook, het heeft een goed kussen
het voelt goed en het is niet te moeilijk, dat is het niet
te zacht niet, het heeft er een goede grip op
hou je vast aan het is niet te grippen zoals de
SISM-ballen, maar het heeft voldoende grip
dus hou je van groundmoves om het te besturen
rond goed. Dus wat ik ga doen is jongens
Italian:
fuori ma è cresciuto con me nel tempo
e sì, sembra buono, è nitido e
brillante puoi vedere la palla abbastanza facilmente
rende divertente giocare con
non è troppo stretto sul pavimento è
meglio per come poi questa palla SISM per
questo perché mantiene una buona presa
specialmente su questa superficie asciutta c'è un
molte piccole fiches e pietre in questo
superficie su cui stiamo giocando e il SISM
la palla può essere catturata davvero mentre questo
il mostro sembra scivolare molto più facilmente
così Silas fa cosa pensi di
palla pure, ha un buon cuscinetto
ci si sente bene e non è troppo difficile non lo è
a soft no, ha una buona presa su di esso
tienilo stretto non è per afflitto come il
Palle SISM ma ha una presa sufficiente
così come le tattiche di base che muove
in giro bene. Quindi quello che farò sono ragazzi
Italian:
se vuoi dare un'occhiata a Monta
shredder lascerò un link nel
descrizione in modo da poter dare un'occhiata
il loro sito web lo acquista se lo desideri
a loro hanno molti tipi differenti di
palle come certamente il pugno da un pollice
La variazione di Bruce Lee è probabilmente una delle
quelli più belli che è sicuramente uno dei miei
i miei preferiti, comunque, grazie
per guardare questo video grazie a
Silas per avermi aiutato anche a vedere
di nuovo nel prossimo video
German:
wenn Sie einen Monta auschecken möchten
Schredder Ich werde einen Link in der verlassen
Beschreibung, so dass Sie gehen können
Ihre Website kaufen Sie, wenn Sie wollen
zu ihnen haben viele verschiedene Arten von
Bälle mögen sicherlich den Ein-Zoll-Schlag
Bruce Lee Variation ist wahrscheinlich einer der
nettesten, das ist sicherlich einer von meinen
persönliche Favoriten jedenfalls gut danke
Zum Ansehen dieses Videos danke an
Silas, dass sie mir auch geholfen haben und sehen
du wieder im nächsten Video
Japanese:
あなたがMontaをチェックしたいのであれば
シュレッダー私は
あなたがチェックアウトすることができるように説明
あなたが望むなら、彼らのウェブサイトはそれを購入する
彼らにはさまざまな種類の
確かに1インチのパンチのようなボール
Bruce Leeのバリエーションはおそらく
それは確かに私の
とにかくあなた個人のお気に入りもよくありがとう
このビデオを見てくれてありがとう
私を助けてもらうためのシラス
もう一度次のビデオに
Danish:
hvis du vil tjekke en monta
Shredder Jeg vil efterlade et link i
beskrivelse så du kan gå tjekke ud
deres hjemmeside køber det, hvis du ønsker det
at de har mange forskellige typer af
kugler som bestemt en-tommers slag
Bruce Lee variation er nok en af
de bedste, der helt sikkert er en af mine
personlige favoritter godt alligevel tak
for at se denne video tak til
Silas for at hjælpe mig også og se
du igen i den næste video
French:
si vous voulez vérifier un Monta
déchiqueteuse je vais laisser un lien dans le
description afin que vous puissiez aller vérifier
leur site Web l'acheter si vous voulez
ils ont beaucoup de différents types de
boules comme certainement le coup de poing d'un pouce
Bruce Lee variation est probablement l'un des
les plus gentils qui est certainement l'un de mes
favoris personnels bien quand même merci
pour regarder cette vidéo merci à
Silas pour m'aider aussi et voir
vous encore dans la prochaine vidéo
Gujarati:
જો તમે મોન્ટા તપાસવા માગો છો
કટકા કરનાર હું એક લિંક છોડી શકશો
વર્ણન જેથી તમે તપાસો જઈ શકો છો
જો તમે ઇચ્છતા હો તો તેની વેબસાઇટ તેની ખરીદી કરો
તેઓના ઘણાં વિવિધ પ્રકારના હોય છે
ચોક્કસપણે એક ઇંચ પંચ જેવા બોલમાં
બ્રુસ લી વિવિધતા કદાચ એક છે
ચોક્કસપણે છે કે મારા એક ચોક્કસપણે છે
વ્યક્તિગત મનપસંદ સારી રીતે કોઈપણ રીતે આભાર
આ વિડિઓ જોવા માટે આભાર
સિલાસને મારી મદદ કરવા માટે અને જુઓ
તમે ફરીથી આગામી વિડિઓમાં
Thai:
ถ้าคุณต้องการตรวจสอบ Monta
shredder ฉันจะปล่อยให้ลิงก์ใน
คำอธิบายเพื่อให้คุณสามารถไปเช็คเอาท์
เว็บไซต์ของพวกเขาซื้อหากคุณต้องการ
มีหลายประเภทด้วยกัน
ลูกอย่างแน่นอนหมัดหนึ่งนิ้ว
การเปลี่ยนแปลงของ Bruce Lee อาจเป็นหนึ่งใน
คนที่อร่อยที่สุดที่แน่นอนหนึ่งของฉัน
รายการโปรดส่วนตัวดีต่อไปขอบคุณ
สำหรับการดูวิดีโอนี้ขอบคุณ
สิลาสช่วยออกไปได้เหมือนกันและดู
คุณอีกครั้งในวิดีโอถัดไป
Indonesian:
jika Anda ingin melihat Monta
shredder Saya akan meninggalkan tautan di
deskripsi sehingga Anda dapat memeriksanya
situs web mereka membelinya jika Anda menginginkannya
untuk mereka memiliki banyak jenis yang berbeda
bola seperti tentu saja pukulan satu inci
Variasi Bruce Lee mungkin salah satunya
yang paling bagus yang pastinya salah satu dari saya
favorit pribadi juga sih terima kasih
untuk menonton video ini, terima kasih
Silas untuk membantu saya keluar dan melihat
Anda lagi di video berikutnya
Portuguese:
Se você quiser verificar um Monta
triturador vou deixar um link no
descrição para que você possa ir conferir
seu site comprá-lo se você quiser
para eles têm muitos tipos diferentes de
bolas como certamente o soco de uma polegada
Bruce Lee variação é provavelmente um dos
mais bonitos que é certamente um dos meus
favoritos pessoais bem de qualquer maneira obrigado
para assistir este vídeo obrigado a
Silas por me ajudar também e ver
você de novo no próximo vídeo
Hindi:
अगर आप एक मोंटा देखना चाहते हैं
श्रेडर मैं एक लिंक छोड़ दूंगा
विवरण ताकि आप चेक आउट कर सकें
यदि आप चाहें तो उनकी वेबसाइट इसे खरीदती है
उनके पास बहुत से प्रकार हैं
बॉल निश्चित रूप से एक इंच पंच की तरह
ब्रूस ली विविधता शायद एक में से एक है
सबसे अच्छे लोग जो निश्चित रूप से मेरे में से एक है
निजी पसंदीदा वैसे भी धन्यवाद
इस वीडियो को देखने के लिए धन्यवाद
मुझे बाहर निकलने और देखने में मदद करने के लिए सीलास
आप फिर से अगले वीडियो में
iw:
אם אתה רוצה לבדוק מונטה
shredder אני אשאיר קישור ב
תיאור כדי שתוכל לבדוק
אתר האינטרנט שלהם לרכוש אותו אם אתה רוצה
יש להם הרבה סוגים שונים של
כדורים כמו בהחלט את האגרוף אחד אינץ '
וריאציה ברוס לי הוא כנראה אחד
היפים ביותר זה בהחלט אחד שלי
המועדפים האישיים גם בכל מקרה תודה
עבור צופה זה וידאו תודה לך
סילה שעזרה לי גם לראות ולראות
אתה שוב בסרטון הבא
Vietnamese:
nếu bạn muốn kiểm tra một Monta
shredder tôi sẽ để lại một liên kết trong
mô tả để bạn có thể đi kiểm tra
trang web của họ mua nó nếu bạn muốn
họ có rất nhiều loại khác nhau
quả bóng như chắc chắn cú đấm một inch
Bruce Lee biến thể có lẽ là một trong những
những người đẹp nhất chắc chắn là một trong những
yêu thích cá nhân tốt anyway cảm ơn bạn
để xem video này cảm ơn bạn
Silas cũng giúp tôi và xem
bạn một lần nữa trong video tiếp theo
Russian:
если вы хотите проверить Монту
Измельчитель Я оставлю ссылку в
описание, чтобы вы могли проверить
их веб-сайт покупает его, если вы хотите
у них есть много разных типов
шары, как, конечно, однодюймовый удар
Вариант Брюса Ли, вероятно, является одним из
самые красивые, это, безусловно, один из моих
личные фавориты хорошо в любом случае спасибо
для просмотра этого видео спасибо вам
Сайлас тоже помогает мне
вы снова в следующем видео
Dutch:
als je een Monta wilt bekijken
shredder Ik laat een link achter in de
beschrijving zodat u kunt gaan uitchecken
hun website koopt het als je dat wilt
ze hebben veel verschillende soorten
ballen zoals zeker de one-inch punch
Bruce Lee-variatie is waarschijnlijk een van de
de aardigste die zeker een van mijn is
persoonlijke favorieten en toch bedankt
voor het bekijken van deze video, bedankt
Silas om me ook te helpen en te zien
jij opnieuw in de volgende video
Korean:
몬타를 확인하고 싶다면
슈레더 나는
당신이 체크 아웃 할 수 있도록 설명
원하는 경우 자신의 웹 사이트 구매
그들에게는 다양한 종류의
확실히 1 인치 펀치와 같은 공
Bruce Lee 변이는 아마도
확실히 좋은 것들은 내
어쨌든 개인 즐겨 찾기 잘 어쨌든 감사합니다.
이 비디오를 시청 해 주셔서 감사합니다.
나를 도우려는 시라스
다음 동영상에서 다시 너
Arabic:
إذا كنت ترغب في التحقق من مونتا
سأترك رابط في
وصف حتى تتمكن من الخروج
موقع الويب الخاص بهم شرائه إذا كنت تريد
لديهم الكثير من أنواع مختلفة من
كرات مثل بالتأكيد لكمة بوصة واحدة
بروس لي الاختلاف هو على الارجح واحدة من
أجمل منها بالتأكيد واحدة من بلدي
المفضلة الشخصية بشكل جيد على أي حال شكرا لك
لمشاهدة هذا الفيديو شكرا لك
سيلاس لمساعدتي في الخارج
أنت مرة أخرى في الفيديو التالي
Afrikaans:
as jy 'n Monta wil nagaan
Shredder Ek sal 'n skakel in die
beskrywing sodat jy kan gaan kyk
hul webwerf koop dit as jy wil
Hulle het baie verskillende soorte
balle soos die een duim-punch
Bruce Lee variasie is waarskynlik een van die
lekkerste wat beslis een van my is
persoonlike gunstelinge goed in elk geval dankie
om hierdie video te kyk, dankie
Silas om my ook te help en te sien
jy weer in die volgende video
Spanish:
si quieres ver un Monta
trituradora voy a dejar un enlace en el
descripción para que pueda ir a echar un vistazo
su sitio web lo compra si quieres
tienen muchos tipos diferentes de
bolas como sin duda el golpe de una pulgada
La variación de Bruce Lee es probablemente una de las
los más bonitos que sin duda es uno de mis
favoritos personales bien de todos modos gracias
para ver este video, gracias
Silas por ayudarme a salir y ver
de nuevo en el siguiente video
English:
if you want to check out a Monta
shredder I'll leave a link in the
description so you can go check out
their website purchase it if you do want
to they have a lot of different types of
balls like certainly the one-inch punch
Bruce Lee variation is probably one of the
nicest ones that's certainly one of my
personal favorites well anyway thank you
for watching this video thank you to
Silas for helping me out as well and see
you again in the next video
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English:
Hi, I’m Francis,
the host of this show "Cooking with Dog."
First, let’s make the sushi vinegar.
Combine the rice vinegar, sugar and the salt.
Stir to dissolve well.
Next, to the corn, add mayonnaise,
salt
and pepper.
Mix it with a spoon.
Vietnamese:
Hi, tôi là Francis,
chủ của chương trình "Cooking with Dog."
Đầu tiên, chúng ta hãy làm giấm cho sushi.
Kết hợp dấm gạo, đường và muối.
Khuấy đều để hòa tan tốt.
Tiếp theo, cho ngô, thêm sốt mayonnaise,
muối
and tiêu.
Trộn với một muỗng.
Japanese:
みなさんこんにちは 僕はフランシスです
この”Cooking with Dog”の司会をやっています
始めにすし酢を合わせます
酢に砂糖 塩を加えて
よく溶かしておきます
次にコーンの水煮にマヨネーズ
塩
コショウを振りかけ
スプーンで混ぜます
English:
Now, place the fresh steamed rice into a bowl.
Gradually pour the sushi vinegar over the rice paddle
to distribute it evenly.
Toss to coat using a slashing motion
to avoid crushing the grains.
Use a fan to slightly cool the rice.
This will help give it a glossy texture
and remove the excess moisture.
Next, we will show you how to cut the nori seaweed.
Most square sheets of nori have lines every 3.3cm
and this will be the height of the gunkanmaki.
First, cut off one edge of the nori perpendicular to the lines.
Vietnamese:
Bây giờ, đặt cơm tươi vào tô.
Dần dần đổ giấm sushi trên muỗng múc gạo
để phân phối đồng đều.
Quăng áo bằng một chuyển động chậm
để tránh bị nghiền hạt.
Sử dụng quạt để làm nguội cơm.
Điều này sẽ giúp cung cấp cho nó một kết cấu bóng
và loại bỏ độ ẩm quá mức.
Tiếp theo, chúng tôi sẽ cho bạn thấy làm thế nào để cắt rong biển nori.
Hầu hết các tấm hình vuông của nori có đường mỗi 3.3 cm.
và đây sẽ là chiều cao của gunkanmaki.
Đầu tiên, cắt một cạnh của nori vuông góc với các đường dây.
Japanese:
炊きたてのご飯をボウルに移し
しゃもじを使って合わせ酢を回しかけ
しゃもじを使って合わせ酢を回しかけ
米粒を潰さないように切るように
上下を返して全体に行き渡らせます
完全に行き渡ったらうちわであおぎます
こうするとご飯に照りが出て余分な水分が取れます
こうするとご飯に照りが出て余分な水分が取れます
次に海苔の切り方をお見せします
正方形の海苔には3.3cm幅の線があり
これが軍艦の高さになります
海苔の表面についている線の幅で縦に1本切り取り
Vietnamese:
Sau đó, cắt phần còn lại của nori thành dải dọc theo dòng.
Cuối cùng, cắt bỏ các dải dài đầu tiên và bạn có 6 dải nori.
Bây giờ, lau thớt
với một chiếc khăn hơi ẩm để giúp tránh dính.
Thêm một chút dấm gạo vào nước.
Làm ướt tay bằng nước
và mất khoảng 20g gạo sushi.
Hình dạng gạo thành một hình bầu dục.
Dàn đều wasabi trên đầu và đặt gạo lên.
English:
Then, cut the rest of the nori into strips along the lines.
Finally, trim off the first longer strip and you have 6 strips of nori.
Now, clean off the cutting board
with a slightly damp towel to help avoid sticking.
Add a sprinkle of rice vinegar to the water.
Wet your hands with the water
and take about 20g of sushi rice.
Shape the rice into an oval.
Spread the wasabi on top and place the rice onto the board.
Japanese:
残りは線に沿って切り離します
最初に切った海苔の長さを揃え 合計6本取ります
濡れ布巾でまな板を拭き
すし飯がくっつくのを防ぎます
水に酢を少量加えて薄い酢水を作ります
これで手を濡らし
すし飯を20gほど取り
軽く握って俵型を作ります
わさびを塗って台に置き
English:
Wrap the rice with the strip of nori with the glossy side facing outward.
Using a rice grain, close the end of the nori.
This is the basic shape of the gunkanmaki.
The nori seaweed will keep the loose topping from falling off.
Now, we will show you how to use the sushi rice mold.
Wet your hands again and measure out 100g of sushi rice.
Fill the mold with the rice.
Cover with the lid and lightly press the rice.
And flip it over.
Then, remove the 5 pieces.
Make the base of the gunkanmaki
Japanese:
ツヤのある方を外側にし周りを海苔で巻きます
巻き終わりをご飯粒で止めます
これが軍艦巻きの基本形です
海苔のおかげでネタが崩れることはありません
握り寿司用の押し型の使い方をお見せします
軽く手酢で濡らし100gの寿司飯をとります
型に均等に入れます
押し板で押し
ひっくり返し
5つ分を取り出します
軍艦巻きの基本形を作り
Vietnamese:
Quấn gạo với dải nori với phía bóng đối mặt với bên ngoài.
Sử dụng một hạt gạo, đóng chặt nori.
Đây là hình dạng cơ bản của gunkanmaki.
Các rong biển nori sẽ giữ topping lỏng không bị rơi xuống.
Bây giờ, chúng tôi sẽ cho bạn thấy làm thế nào để sử dụng các khuôn cơm sushi.
Làm ướt tay của bạn một lần nữa và đo ra 100g gạo sushi.
Điền vào các khuôn gạo.
Che đậy lại và nhẹ nhàng nhấn gạo.
Và lật nó lên.
Sau đó, loại bỏ 5 miếng.
Làm cho gunkanmaki một chỗ trống
Vietnamese:
và để lên đầu ikura shoyuzuke, trứng cá hồi ướp.
Tương tự như vậy, để lên đầu với những lát dưa chuột
và ika somen, mực thái lát vào dải giống như mì mỏng.
Tiếp theo, để trên cùng với bơ
và cá hồi tươi.
Và đây là cá ngừ tươi xắt nhỏ.
Đặt hành lá lá trên đầu.
Cuối cùng, chúng ta hãy xem xét quá trình đóng gói một lần nữa.
Japanese:
いくらの醤油漬けをのせます
同様にきゅうりの薄切りと
イカそうめんをのせます
次はアボカドと
サーモン
次はマグロのたたきをのせ
青ねぎを散らします
最後にもう一度海苔の巻き方をお見せします
English:
and top with the ikura shoyuzuke, marinated salmon roe.
Likewise, top with the cucumber slices
and the ika somen, squid sliced into thin noodle-like strips.
Next, top with the avocado
and the fresh salmon.
And here is the fresh chopped tuna.
Place the spring onion leaves on top.
Finally, let’s review the wrapping process one more time.
English:
With a grain of rice, wrap the sushi rice with the nori.
You can leave out the wasabi for this corn mayo topping.
Place the 5 kinds of gunkanmaki onto a plate.
Gunkanmaki was invented
at the sushi restaurant Ginza Kyubey in 1941.
This invention enabled the use of soft loose ingredients
as a sushi topping.
Gunkan means warship
and the name of the dish is derived from the shape.
Enjoy the gunkanmaki before the nori gets soggy
and the toppings fall off.
Good luck in the kitchen!
Japanese:
すし飯に海苔を巻きご飯粒を使って固定します
コーンマヨはわさびを省いて大丈夫です
大葉を敷いたお皿にのせて出来上がりです
軍艦巻きは1941年に銀座「久兵衛」が考案したそうです
軍艦巻きは1941年に銀座「久兵衛」が考案したそうです
この発明で柔らかくバラけやすい材料も
握り寿司のネタとして使われるようになりました
このお寿司の名前は軍艦にその姿が
似ていることからつけられました
海苔が湿って形が崩れないうちに
是非ご賞味下さい
Good luck in the kitchen!
Vietnamese:
Với một hạt gạo, bọc gạo sushi với nori.
Bạn có thể bỏ wasabi ra rồi cho topping mayo bắp này.
Đặt 5 loại gunkanmaki lên một cái dĩa.
Gunkanmaki được phát minh
tại nhà hàng sushi Ginza Kyubey vào năm 1941.
Sáng chế này cho phép việc sử dụng các thành phần mềm lỏng lẻo
như một lớp mặt sushi.
Gunkan có nghĩa là tàu chiến
và tên của các món ăn có nguồn gốc từ hình dạng
Thưởng thức gunkanmaki trước khi nori được chưa chín
và các bánh rơi ra.
Chúc may mắn trong nhà bếp!
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They are massive, and extremely dense.
They rip apart anything and everything
that gets close to them.
We can't see black holes.
But we know they have the destructive power
to wipe everything out of existence.
This is WHAT IF,
and here's what would happen
if a black hole deleted the Universe.
Before we get to the part
where a black hole erases the Universe,
let's make something clear.
The Universe is a giant supercomputer
processing information.
Without information, there can be no Universe.
In physics, information is the property
of a specific state of a particle.
I know, it sounds confusing.
Here's a simpler way of looking at it.
This is a carbon atom.
A bunch of these can be arranged
to make a hard diamond.
But if you change the arrangement of atoms,
you can get soft graphite.
The basic building blocks are the same.
It's information that makes them different.
In quantum mechanics,
information is like energy -
it can't disappear into nothingness.
So how in the Universe can one
black hole do the impossible?
Black holes act like monstrous
cosmic trash compactors.
They squeeze stars, planets
and unfortunate astronauts
who crossed the event horizon
into a microscopic point.
So what happens to the information
about every particle that
a black hole consumes?
Since information can never be destroyed,
it has to be stored somewhere
inside that black hole, right?
Our original understanding
of black holes assumed that
everything that disappeared in the black hole,
stayed in the black hole.
The moment an object
passed the event horizon,
it got crushed into the
density of the black hole.
The information about it
could never be retrieved again.
That's what we thought
before Stephen Hawking
introduced Hawking radiation.
Hawking realized that
black holes aren't static.
Rather, they release their mass and
energy back into the Universe
particle by particle,
until there is nothing left.
So, does that mean the
information within a black hole
can somehow escape with the
black hole's outgoing radiation?
Not quite.
The black hole doesn't preserve
the information it consumes.
It chaotically mixes it together
with other bits of information,
making it impossible to recover.
If the information can be lost,
that would mean that black holes
can eventually delete the Universe.
Forever.
But there is a possibility that the black
hole doesn't delete the information.
It may be hiding it in a baby universe -
a small self-contained part of the
universe that branched off of ours.
The information wouldn't
technically be lost,
but we wouldn't be able to interact with it.
Another possibility is that black
holes can encode the information,
according to the holographic principle.
If you were to get trapped
inside a black hole,
you'd still experience
three-dimensional space.
For us looking at you from the outside,
you'd appear stretched on the flat surface.
Just like a hologram.
That would mean that the
information paradox is resolved,
and we don't need to
rewrite the laws of physics.
But we'd have to rethink our
understanding of reality.
The Universe could be a 3D
image projected off a 2D surface.
And you may be a hologram
on the surface of a black hole.
And the best part -
the black hole couldn't
delete the Universe after all.
Wait, how can we be living in a hologram?
Well, that's a story for another WHAT IF.
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German:
Das ist der neue Bravia OLED-Fernseher
von Sony im mittleren Segment
mit Flaggschiff-Technologie, der A8.
Er ist in 55 und 65“ erhältlich
und mit dem X1 Ultimate ausgestattet,
unserem leistungsstärkten Bildprozessor.
Zudem kommen Pixel Contrast Booster,
unser einzigartiger Bildschirmtreiber,
ein Triluminos Display und
X-Motion Clarity zum Einsatz.
Die OLED-Technologie sorgt dafür,
dass Bilder voll zur Geltung kommen,
da jedes Pixel
eine eigene Lichtquelle ist.
Das ermöglicht tiefe Schwarztöne,
einen beeindruckenden Kontrast
und einen großen Betrachtungswinkel,
sodass alle ins Geschehen eintauchen.
Aber nicht nur der Bildschirm
ist für tolle Bilder verantwortlich,
sondern auch der Bildprozessor
von Sony,
der die überragende Bildqualität
des A8 erst ermöglicht.
Unser hochgelobter X1 Ultimate
Bildprozessor
nutzt verschiedene objektbasierte
Technologien,
um farbenprächtige Bilder zu erschaffen.
Polish:
Oto nowy
telewizor OLED Sony BRAVIA średniej klasy
z flagową technologią: A8,
dostępny w wersjach z ekranem 55" i 65".
A8 jest wyposażony w nasz najwydajniejszy
procesor obrazu, X1 Ultimate,
unikatowy sterownik panelu
Pixel Contrast Booster,
wyświetlacz Triluminos
oraz technologię X-Motion Clarity.
Technologia panelu OLED ma
kilka ważnych zalet,
bo każdy piksel
jest własnym źródłem światła.
Niezrównane poziomy czerni,
niesamowity kontrast
i szeroki kąt widzenia,
dzięki któremu wszyscy widzą dobry obraz.
Ale sam panel
to nie wszystko.
Procesor obrazu Sony
odgrywa pierwszorzędną rolę
w zapewnianiu doskonałego
obrazu na telewizorze A8.
Renomowany procesor obrazu
X1 Ultimate
wykorzystuje kilka obiektowych
technologii,
by obraz stawał się bogatszy.
Italian:
Questo è il nuovo
TV OLED Bravia di fascia media
con tecnologia all'avanguardia, A8.
Disponibile con schermo da 55" e 65"
A8 dispone del processore di immagini
più potente, X1 Ultimate,
il nostro driver esclusivo,
Pixel Contrast Booster
display Triluminos
e X-Motion Clarity.
La tecnologia dei pannelli OLED fornisce
numerosi punti di forza
perché ogni pixel
è la propria fonte di luce.
Livelli di nero imbattibili,
contrasto sorprendente
e un ampio angolo di visione
in modo che tutti abbiano una vista fantastica.
Ma è molto di più che
un semplice pannello.
Il processore di immagini di Sony
è anche il responsabile
della straordinaria qualità dell'immagine
di A8.
Il nostro acclamato processore di immagini
X1 Ultimate
utilizza diverse
tecnologie
"object-based" per arricchire la foto.
Dutch:
Dit is Sony's nieuwe
mid-range BRAVIA OLED-tv
met de nieuwste technologie: de A8.
De A8 is beschikbaar in 55 en 65 inch
en bevat onze krachtigste
beeldprocessor, de X1 Ultimate,
ons unieke schermstuurprogramma,
Pixel Contrast Booster,
een Triluminos-scherm
en X-Motion Clarity.
OLED-schermtechnologie heeft
diverse sterke punten,
want elke pixel
is zijn eigen lichtbron.
Onovertroffen zwartniveaus,
schitterend contrast
en een grote beeldhoek,
zodat iedereen het goed kan zien.
Het houdt echter niet op
bij het scherm.
Onze beeldprocessor
is de sleutel
tot de prachtige
beeldkwaliteit van de A8.
Onze vermaarde X1 Ultimate-
beeldprocessor
gebruikt op objecten gebaseerde
technologieën
om het beeld te verrijken.
Spanish:
Este es el nuevo televisor
BRAVIA OLED de gama media de Sony
con tecnología insignia, el A8.
Disponible en tamaños de pantalla de 55" y 65",
el A8 cuenta con nuestro procesador
de imágenes más potente, el X1 Ultimate,
nuestro exclusivo controlador de panel,
Pixel Contrast Booster,
pantalla TRILUMINOS
y X-Motion Clarity.
La tecnología de panel OLED cuenta
con varios puntos fuertes inherentes,
ya que cada píxel
es su propia fuente de luz.
Los niveles de negro son incomparables,
el contraste es asombroso
y el ángulo de visión amplio, para que todos
disfruten de una gran experiencia visual.
Pero hay mucho más
que el panel.
El procesador de imágenes de Sony
es en última instancia
el que proporciona la asombrosa
calidad de imagen del A8.
Nuestro aclamado procesador
de imágenes X1 Ultimate
emplea varias tecnologías
basadas en objetos
para enriquecer la imagen.
French:
Voici le nouveau téléviseur
Bravia OLED de milieu de gamme de Sony
équipé de nos technologies phare : l'A8.
Disponible en deux tailles d'écran, 55" et 65",
l'A8 intègre notre processeur d'image
le plus puissant, le X1 Ultimate,
notre pilote d'affichage unique
Pixel Contrast Booster,
un écran Triluminos
et la technologie X-Motion Clarity.
La technologie d'écran OLED comporte
de nombreux avantages
car chaque pixel
équivaut à sa propre source de lumière.
On obtient des noirs incomparables,
un niveau de contraste saisissant
et un grand angle de visualisation
pour que tout le monde puisse en profiter.
Mais ce modèle ne se résume pas
à son écran.
Le processeur d'image de Sony
est en fin de compte
ce qui détermine la qualité d'image
exceptionnelle de l'A8.
Notre remarquable processeur
d'image X1 Ultimate
a recours à plusieurs technologies
basées sur objets
pour enrichir votre image.
Russian:
Перед вами — новый OLED-телевизор Sony
Bravia среднего класса
с флагманской технологией A8.
Доступные размеры экрана: 55 и 65 дюймов.
В A8 установлен самый мощный
процессор нового поколения X1 Ultimate,
имеется уникальный драйвер панели,
технологии Pixel Contrast Booster,
Triluminos Display
и X-Motion Clarity.
Технология OLED имеет ряд преимуществ
над другими панелями,
поскольку у каждого пикселя
есть индивидуальный источник подсветки.
Такая панель отличается
непревзойденными черными цветами,
высокой контрастностью
и широким углом обзора.
Но преимущества
не ограничиваются панелью.
За великолепное
качество
изображения на A8 отвечает
процессор от Sony.
В X1 Ultimate
используется
несколько объектных
технологий
для улучшения картинки.
Portuguese:
Esta é a nova TV Bravia
OLED de gama média da Sony
com tecnologia de topo, a A8.
Disponível em ecrãs de 55" e 65"
a A8 possui o nosso mais potente
processador de imagem, o X1 Ultimate
o nosso controlador de painel
único, Pixel Contrast Booster
Ecrã Triluminos
e X-Motion Clarity.
A tecnologia de painel OLED possui
vários pontos fortes inerentes
dado que cada pixel é
a sua própria fonte de luz.
Níveis de preto imbatíveis,
contraste deslumbrante
e um amplo ângulo de visão,
para que todos tenham uma boa visão.
Mas há mais para além
do painel.
O processador de imagem da Sony
é, derradeiramente
o que dá à A8 uma
incrível qualidade de imagem.
O aclamado processador
de imagens X1 Ultimate
usa várias tecnologias
object-based
para enriquecer a imagem.
English:
This is Sony's new
mid-range Bravia OLED TV
with flagship technology, the A8.
Available in 55" and 65" screen sizes
the A8 features our most powerful
picture processor, the X1 Ultimate
our unique panel driver,
Pixel Contrast Booster
Triluminos display
and X-Motion Clarity.
OLED panel technology yields
several inherent strengths
because each pixel
is its own light source.
Unbeatable black levels,
stunning contrast
and a wide viewing angle,
so everyone gets a great view.
But there's more to it
than just the panel.
Sony's picture processor
is ultimately
what provides the A8's
stunning image quality.
Our acclaimed X1 Ultimate
picture processor
uses several object-based
technologies
to enrich your picture.
Turkish:
Bu, Sony’nin öncü teknolojiye
sahip, yeni orta aralıklı
Bravia OLED TV’si A8.
55 inç ve 65 inç ekran boyutu seçenekleri
olan A8’de, en güçlü görüntü
işlemcimiz X1 Ultimate,
eşsiz panel sürücümüz
Pixel Contrast Booster,
Triluminos ekran
ve X-Motion Clarity bulunuyor.
OLED panel teknolojisi,
yapısı gereği birçok güçlü yöne sahip
çünkü her piksel kendi
ışık kaynağını sağlıyor.
Rakipsiz siyah seviyeleri,
büyüleyici kontrast
ve geniş izleme açısıyla, herkes
mükemmel görüşe sahip oluyor.
Ancak tüm özellikler
panelden ibaret değil.
A8’in büyüleyici görüntü
kalitesini sağlayan,
nihayetinde
Sony’nin görüntü işlemcisi.
Beğenilen X1 Ultimate
görüntü işlemcimiz,
görüntünüzü zenginleştirmek için
nesne tabanlı birçok
teknoloji kullanıyor.
Italian:
Funziona identificando
ogni oggetto all'interno dell'immagine.
Quindi ne migliorare dettagli,
colore e contrasto
per una visione totalmente coinvolgente.
Il nostro esclusivo Pixel
Contrast Booster assicura
che le prestazioni del
pannello OLED siano massimizzate
per fornire trame naturali
e creare un'immagine superba e realistica.
Netflix Calibrated Mode, Dolby
Vision e Atmos, IMAX Enhanced
e la modalità immagine
personalizzata di Sony
co-sviluppata con Sony
Pictures, sono tutti inclusi.
Vedi film, programmi TV e giochi
con il colore, il contrasto e il movimento
che erano nelle intenzioni del regista.
Il nostro Acoustic Surface Audio, con doppio
subwoofer, si occupa del suono.
Acoustic Surface Audio
ricrea il suono coinvolgente
che si ha nelle sale
cinematografiche.
Gli attuatori fanno vibrare lo schermo in maniera impercettibile
creando onde sonore che arrivano
direttamente dallo schermo.
I subwoofer doppi forniscono
i toni di frequenza più bassa
per offrire un ricco
audio multidimensionale.
French:
Pour ce faire, il identifie
chaque objet dans l'image
puis accentue les détails,
les couleurs et les contrastes
pour une immersion totale.
Notre technologie unique
Pixel Contrast Booster permet
d'optimiser les performances
de l'écran OLED
pour des textures naturelles
et une image d'un grand réalisme.
Les fonctionnalités Netflix Calibrated Mode,
Dolby Vision et Atmos, IMAX Enhanced
et le mode image personnalisé de Sony,
mis au point
en partenariat avec Sony Pictures,
sont tous inclus.
Découvrez vos films, séries et jeux vidéo
avec des couleurs, des contrastes et des mouvements
fidèles à l'intention de leurs créateurs.
Notre système Acoustic Surface Audio doté de
deux caissons de basses se charge du son.
L'Acoustic Surface Audio
reproduit l'expérience audio
immersive que vous vivez
dans les salles de cinéma.
Des actionneurs invisibles font vibrer l'écran
pour créer des ondes sonores qui proviennent
directement de l'écran.
Les deux caissons de basses
se chargent de diffuser les graves
pour produire un son riche
et multidimensionnel.
German:
Dabei wird jedes Objekt
im Bild identifiziert.
Anschließend werden Details,
Farbe und Kontrast optimiert,
um mitreißende Bilder zu erzeugen.
Unser einzigartiger Pixel
Contrast Booster bewirkt,
dass die Leistung des
OLED-Bildschirms noch gesteigert wird,
um natürliche Texturen und
unverfälschte Bilder darzustellen.
Netflix Calibrated Mode, Dolby
Vision und Atmos, IMAX Enhanced
und der von Sony in Zusammenarbeit
mit Sony Pictures entwickelte
Bildmodus
sind ebenfalls enthalten.
So erleben Sie Filme, Serien und Spiele
mit den Farben, Kontrasten und Bewegungen
wie vom Produzenten vorgesehen.
Acoustic Surface Audio mit zwei
Subwoofern sorgt für satten Sound.
Acoustic Surface Audio
erzeugt den mitreißenden Klang,
den man vom Kino
kennt.
Durch Aktuatoren vibriert der Bildschirm
unmerklich, was Schallwellen erzeugt,
die direkt vom Bildschirm kommen.
Die beiden Subwoofer
stellen die tiefen Basstöne bereit,
die für satten, multidimensionalen
Klang unabdingbar sind.
English:
It works by identifying
each object within the picture.
Then enhancing the detail,
colour and contrast
for a full immersive view.
Our unique Pixel
Contrast Booster ensures
the performance of
the OLED panel is maximised
to provide natural textures
for a superbly realistic picture.
Netflix Calibrated Mode, Dolby
Vision and Atmos, IMAX Enhanced
and Sony's own custom picture mode
setting
co-developed with Sony
Pictures, are all included.
You see films, TV shows and games
with the colour, contrast and motion
the creator intended you to see.
Our Acoustic Surface Audio with twin
subwoofers takes care of the sound.
Acoustic Surface Audio
recreates the immersive
sound from picture experience
you get in the cinema.
Actuators invisibly vibrate the screen
creating sound waves that come
directly from the screen.
Twin subwoofers provide
the lower frequency bass tones
to deliver rich
multi-dimensional sound.
Portuguese:
Estas funcionam através
da identificação de cada objeto.
Melhorando depois o detalhe,
cor e contraste
para uma visão imersiva.
O nosso Pixel
Contrast Booster garante
que o desempenho do
painel OLED é maximizado
para obter texturas naturais
e uma incrível imagem realista.
Estão incluídos o Netflix Calibrated
Mode, Dolby Vision e Atmos, IMAX
Enhanced e o modo de imagem personalizado
da Sony
codesenvolvido com a Sony
Pictures.
Vai ver os filmes, programas televisivos e
jogos com a cor, contraste e movimento
pretendidos pelos criadores.
O nosso Acoustic Surface Audio com subwoofers
duplos trata do som.
O Acoustic Surface Audio
recria o som imersivo
da experiência cinematográfica
que tem no cinema.
Os atuadores vibram o ecrã de forma invisível
criando ondas de som que vêm
diretamente do ecrã.
Os subwoofers duplos fornecem
graves com uma frequência mais
baixa para dar um
som multidimensional detalhado.
Polish:
Identyfikuje
poszczególne obiekty w obrazie,
a następnie uwydatnia detale,
kolor i kontrast,
by zapewnić urzekający obraz.
Unikatowy sterownik Pixel
Contrast Booster pozwala
lepiej wykorzystać możliwości
panelu OLED w celu
nadania naturalnego wyglądu fakturom
i zapewnienia realizmu obrazu.
Netflix Calibrated Mode, Dolby
Vision i Atmos, IMAX Enhanced
oraz nasze firmowe, własne
ustawienie trybu obrazu
opracowane we współpracy z Sony
Pictures - wszystko to jest w zestawie funkcji.
Oglądane filmy, programy telewizyjne i gry
mają kolor, kontrast i ruch
zgodny z zamierzeniem twórcy.
Nad jakością dźwięku czuwa technologia
Acoustic Multi-Audio z dwoma subwooferami.
Technologia Acoustic Surface Audio
naśladuje intensywne
wrażenie „dźwięku z obrazu”,
jakie znamy z kina.
Niewidoczne drgania ekranu wywołane
przez siłowniki wytwarzają fale dźwiękowe
dobiegające bezpośrednio z ekranu.
Dwa subwoofery wytwarzają
bas o niższych częstotliwościach,
będący jednym z elementów
wielowymiarowego dźwięku.
Spanish:
Funciona identificando
cada objeto de la imagen y,
luego, mejorando el detalle,
el color y el contraste para ofrecer
una visualización totalmente envolvente.
Nuestro exclusivo Pixel
Contrast Booster garantiza que
el rendimiento del
panel OLED se maximice
para ofrecer texturas naturales y
obtener una imagen increíblemente realista.
Netflix Calibrated Mode, Dolby
Vision y Atmos, IMAX Enhanced
y la configuración de modo de imagen
propia de Sony,
desarrollada junto con Sony
Pictures: todo está incluido.
Verás las películas, los programas de TV y los juegos
con el color, el contraste y el movimiento
que concibió el creador.
Nuestro Acoustic Surface Audio con doble
subwoofer se encarga del sonido.
Acoustic Surface Audio
recrea la experiencia
Sound-from-Picture cinematográfica
que disfrutas en el cine.
Los accionadores hacen vibrar la pantalla de forma
invisible para crear ondas sonoras que salen
directamente de la pantalla.
El doble subwoofer proporciona
los tonos graves de menor frecuencia
para ofrecer un sonido
multidimensional detallado.
Dutch:
Eerst worden alle objecten
in het beeld geïdentificeerd.
Daarna worden details,
kleuren en contrast verbeterd
voor meeslepend beeld.
Onze unieke Pixel
Contrast Booster zorgt
dat het OLED-scherm
optimaal presteert
en natuurlijke texturen toont
voor hyperrealistisch beeld.
Netflix Calibrated Mode, Dolby
Vision en Atmos, IMAX Enhanced
en de eigen beeldmodusinstelling
van Sony,
ontwikkeld samen met Sony
Pictures, zijn allemaal inbegrepen.
Je ziet films, tv-programma's en games
met de kleuren, contrasten en beweging
die de maker voor ogen had.
Onze Acoustic Surface Audio met twee
subwoofers verzorgt het geluid.
Acoustic Surface Audio
creëert de meeslepende
geluid-uit-beeldervaring
van een bioscoop.
Door actuatoren trilt het scherm onzichtbaar,
zodat geluidsgolven rechtstreeks
van het scherm komen.
Twee subwoofers zorgen voor
de bastonen met lagere frequentie,
voor rijk,
multidimensionaal geluid.
Russian:
Сначала на изображении
определяются все объекты.
Потом улучшается детализация,
цвет и контрастность, чтобы сделать
картинку максимально реалистичной.
Наша технология Pixel
Contrast Booster обеспечивает
эффективную работу
панели OLED, чтобы
воссоздать естественные текстуры
и сверхреалистичное изображение.
Также поддерживаются режимы Netflix Calibrated Mode, Dolby
Vision и Atmos, IMAX Enhanced
и наш собственный режим изображения,
разработанный
совместно с Sony
Pictures.
Вы сможете наслаждаться фильмами, телепередачами и играми
в цвете, контрастности и динамике,
какими их задумывал автор.
За звук отвечают Acoustic Surface Audio
и сабвуферы.
Технология Acoustic Surface Audio
создает кинематографический
звук как
в кинотеатре.
Приводы создают незаметные вибрации,
генерируя звуковые волны
непосредственно с экрана.
Два сабвуфера обеспечивают
качественный низкочастотный бас,
создавая насыщенный
многомерный звук.
Turkish:
Görüntüdeki her nesneyi
tanımlayarak çalışıyor.
Sonra sürükleyici bir izleme için
ayrıntıları, rengi ve
kontrastı iyileştiriyor.
Eşsiz Pixel Contrast
Booster teknolojimiz,
OLED panelin performansını
en üst düzeye çıkararak
üstün gerçekçiliğe sahip
bir görüntü için doğal dokular sağlıyor.
Netflix Calibrated Mode, Dolby
Vision ve Atmos, IMAX Enhanced
ve Sony Pictures ile birlikte
geliştirilen Sony’nin kendi özel
görüntü modu ayarı;
hepsi bu TV’de.
Filmleri, TV programlarını ve oyunları
içerik oluşturucunun planladığı
renk, kontrast ve hareketle görüyorsunuz.
Çift subwoofer’lı Acoustic Surface Audio
teknolojimiz işin ses kısmını hallediyor.
Acoustic Surface Audio
sinemada gördüğünüz
etkileyici görüntüden ses
deneyimini yeniden yaratıyor.
Aktüatörler, ekranı görünmeyecek şekilde
titreterek doğrudan ekrandan gelen
ses dalgaları oluşturuyor.
Çift subwoofer’lar, zengin
ve çok boyutlu ses sunmak için
düşük frekanslı
bas tonları sağlıyor.
Polish:
Te zaawansowane technologie
obrazu i dźwięku są połączone
z charakterystyczną dla Sony,
minimalistyczną stylistyką One Slate.
Dzięki niej cała uwaga skupia się
na tym, co najważniejsze: akcji.
Nasza technologia optymalizacji do otoczenia
dopasowuje obraz i dźwięk
do warunków panujących w otoczeniu.
Automatycznie dostosowuje
jasność obrazu
do oświetlenia pomieszczenia:
zwiększa ją w jasnych pomieszczeniach,
a zmniejsza w ciemnych,
tworząc optymalny klimat przy oglądaniu.
Technologia ta
wykrywa w pomieszczeniu obiekty,
które mogą tłumić lub odbijać dźwięk,
na przykład zasłony i meble.
Następnie precyzyjnie koryguje akustykę,
zapobiegając pogorszeniu dźwięku.
I wreszcie, wysoko wydajny
chipset telewizora Sony
z platformą Android TV umożliwia
szybki i bezproblemowy dostęp
do ulubionych treści.
Elementem pilota
jest wbudowany mikrofon,
a dzięki Asystentowi Google można
obsługiwać telewizor i urządzenia
do inteligentnego domu oraz wyszukiwać
rozrywkę za pomocą poleceń głosowych.
Do odkrycia jest ponad 5000 aplikacji
z serwisu Google Play.
Spanish:
Estas avanzadas tecnologías
de imagen y sonido
se envuelven en el distintivo concepto
de diseño integral minimalista de Sony,
que consigue que centres la atención
en lo que es importante: la acción.
Nuestra tecnología de optimización ambiental
adapta la imagen y el
sonido a tu entorno.
Esta ajusta automáticamente
el brillo de la imagen
a la iluminación de la habitación,
aumentándolo en habitaciones iluminadas
y reduciéndolo en habitaciones oscuras,
para una visualización atmosférica perfecta.
Esta tecnología puede incluso
detectar objetos en la habitación,
como cortinas y muebles,
que pueden absorber o reflejar el sonido,
ajustando con precisión la acústica para que
el sonido no se vea afectado.
Por último, con un chipset
de alto rendimiento,
Android TV de Sony te ofrece
un acceso rápido y sin esfuerzo
a todos tus contenidos favoritos.
Hemos integrado un micrófono
en el mando a distancia
y, con el Asistente de Google,
podrás controlar tu televisor,
tu hogar inteligente y buscar nuevo
entretenimiento con la voz.
Explora las más de 5000 aplicaciones
disponibles en Google Play Store
German:
Die hochmodernen Bild- und
Sound-Technologien sind in das
minimalistische One Slate Design von
Sony eingefasst, das Ihnen die
Freiheit lässt, sich auf das Wichtige
zu konzentrieren – das Bild.
Unsere Technologie für
Umgebungsoptimierung passt Bild
und Ton an Ihre Umgebung an.
So wird mit einer höheren
Helligkeit
in hellen Räumen
und dunklerem Bild
in dunklen Räumen ein
perfektes Fernseherlebnis erreicht.
Die Technologie erkennt
sogar Objekte wie Vorhänge und
Möbel im Raum, die Sound verschlucken
oder reflektieren könnten,
und passt den Klang
entsprechend an.
Mit dem leistungsstarken
Chipsatz des Android TV von Sony
ist der Zugriff auf Ihre Lieblingsinhalte
ganz einfach in Sekundenschnelle
möglich.
In der Fernbedienung
befindet sich ein Mikrofon, sodass
sich Ihr Fernseher und
Smart Home-Geräte mit Google Assistant
steuern lassen und
Sie im Handumdrehen neue Inhalte finden.
Entdecken Sie mehr als 5.000 Apps
im Google Play Store und
French:
Ces technologies avancées
en matière d'image et de son
sont intégrées dans le design minimaliste
emblématique de Sony, One Slate,
qui attire votre attention
sur l'essentiel : l'action.
Notre technologie d'optimisation ambiante
adapte l'image et le son
à votre environnement.
Elle ajuste automatiquement
la luminosité de l'image en fonction
de l'éclairage de la pièce
en l'augmentant dans les pièces lumineuses
et en la réduisant dans les pièces sombres
pour une image harmonieuse.
Cette technologie peut même
détecter les objets de la pièce
comme les rideaux et les meubles
qui peuvent absorber ou réfléchir le son
pour perfectionner l'acoustique et
sublimer le son.
Enfin, grâce à une puce
haute performance,
le téléviseur Android de Sony vous
permet d'accéder facilement
à tous vos contenus préférés.
Nous avons intégré un microphone
à la télécommande
afin que vous puissiez contrôler
vocalement votre téléviseur,
Smart Home et trouver de nouveaux
divertissements grâce à l'Assistant Google.
Découvrez plus de 5 000 applications
téléchargeables sur Google Play Store
Portuguese:
Estas avançadas tecnologias
de som e imagem são
finalizadas pelo conceito de design
minimalista One Slate de assinatura
da Sony que mantém o foco
sobre o que é importante, a ação.
A tecnologia de otimização do ambiente
adapta a imagem e o
som ao seu ambiente.
Esta ajusta automaticamente
o brilho da imagem
à luminosidade da divisão
aumentando-o em divisões iluminadas e
reduzindo-o em divisões escuras
para uma vista atmosférica perfeita.
Esta tecnologia pode até
detetar objetos na divisão
como cortinas e móveis
que possam absorver ou refletir o som
aperfeiçoando a acústica para
que o som não seja comprometido.
Por fim, um chipset de alto
desempenho
para a Android TV da Sony dá-lhe
um acesso rápido e simples
aos seus conteúdos favoritos.
Incorporámos um microfone
no telecomando
e com o Google Assistant
pode controlar a TV, uma
Casa Inteligente e encontrar
novo entretenimento com a voz.
Explore mais de 5000 aplicações
na Google Play Store
Turkish:
Bu gelişmiş görüntü ve ses
teknolojileri, önemli olana,
yani aksiyona odaklanmanızı sağlayan,
Sony imzalı minimal
tek parçalı tasarımda
bir araya geliyor.
Ortam optimizasyonu teknolojimiz,
görüntü ve sesi
ortamınıza göre uyarlıyor.
Görüntü parlaklığını
odadaki ortam ışığına göre
otomatik olarak ayarlıyor ve
mükemmel bir atmosferik görüntü için
parlaklığı aydınlık odalarda artırıp
karanlık odalarda azaltıyor.
Bu teknoloji, odada
sesi emebilecek veya yansıtabilecek
perde, mobilya gibi nesneleri
dahi algılayıp sesten ödün
vermemeniz için akustiği
incelikle ayarlayabiliyor.
Son olarak, yüksek performanslı
bir çip setine sahip olan
bu Sony Android TV,
tüm favori içeriklerinize hızla
ve kolayca erişmenizi sağlıyor.
Uzaktan kumandaya
dahili bir mikrofon ekledik
ve Google Assistant’la
TV’nizi, Akıllı Ev cihazlarınızı
sesinizi kullanarak kontrol edebiliyor ve
yeni eğlenceler bulabiliyorsunuz.
Google Play Store’daki
5000’i aşkın uygulamayı keşfedin,
Russian:
Передовые видео-
и аудиотехнологии
дополняет фирменный
минималистичный дизайн One Slate от Sony,
который помогает зрителю
сосредоточиться на происходящем на экране.
Технология адаптации к окружающей среде
подстраивает изображение и звук
под условия в помещении.
Она автоматически настраивает
яркость изображения
в зависимости от освещения в комнате —
увеличивает при ярком свете
и снижает в темных комнатах
для создания нужной атмосферы.
Эта технология даже может
определять объекты в комнате,
например шторы и мебель,
которые поглощают или отражают звук,
чтобы тонко
настроить акустику.
Наконец, благодаря высокопроизводительному
чипсету
телевизор Android TV от Sony обеспечивает
быстрый доступ
ко всему любимому контенту.
В пульте имеется микрофон,
что позволяет
с помощью Google Assistant
искать новый контент и управлять телевизором
и системой Smart Home,
отдавая голосовые команды.
В магазине Google Play
доступно более 5000 приложений,
Dutch:
Deze geavanceerde beeld-
en geluidstechnologieën
zijn verpakt in het minimalistische
One Slate-ontwerp van Sony
dat je aandacht gericht houdt
op waar het om draait: de actie.
Onze omgevingsoptimalisatietechnologie
past het beeld en
geluid aan op je omgeving.
De helderheid van het beeld
wordt automatisch aangepast
aan het licht in de ruimte.
Meer in lichte ruimtes
en minder in donkere ruimtes,
voor een sfeervol beeld.
Deze technologie kan zelfs
objecten detecteren,
zoals gordijnen en meubels,
die geluid absorberen of weerkaatsen
en de akoestiek zo afstemmen
op optimale geluidskwaliteit.
Ten slotte geeft dankzij
een hoogwaardige chipset
Android TV van Sony
snelle toegang
tot je lievelingscontent.
De afstandsbediening heeft
een microfoon
en met Google Assistent
kun je je tv en smarthome
bedienen en nieuwe entertainment
vinden door te praten.
Ontdek ruim 5000 apps
in de Google Play Store
Italian:
Queste tecnologie audio e
video avanzate
sono racchiuse nella firma di Sony,
nel design One Slate minimalista
che mantiene tutta la tua attenzione
su ciò che conta davvero: l'azione.
La tecnologia di ottimizzazione ambientale
adatta l'immagine e
l'audio al tuo spazio.
Questa tecnologia adatta automaticamente
la luminosità dell'immagine
alla luce nella stanza
potenziandola in stanze luminose e
riducendola in ambienti bui
per una visione ottimale.
Questa tecnologia è inoltre in grado di
rilevare oggetti nella stanza,
come tende e mobili,
che possono assorbire o riflettere il suono
perfezionando così l'acustica
in modo che l'audio non sia compromesso.
Infine, con un chipset
a prestazioni elevate
Android TV di Sony ti consente
di accedere velocemente e senza sforzo
a tutti i tuoi contenuti preferiti.
Abbiamo integrato un microfono
nel telecomando
e grazie all'assistente Google
puoi controllare TV,
Smart Home e scoprire nuove
forme di intrattenimento usando la voce.
Esplora le oltre 5000 app disponibili
dal Google Play Store
English:
These advanced picture
and sound technologies
are wrapped up in Sony's signature,
minimalist One Slate design
that keeps all your focus
on what's important—the action.
Our ambient optimisation technology
adapts the picture and
sound to your environment.
It will automatically adjust
the picture brightness
to the light in the room
boosting it in bright rooms and
reducing it in dark rooms
for a perfect atmospheric view.
This technology can even
detect objects in the room
such as curtains and furniture
that may absorb or reflect sound
fine tuning the acoustics so
your sound isn't compromised.
Finally, with a high-performance
chipset
Sony's Android TV gives you
fast, effortless access
to all your favourite content.
We've built a microphone
into the remote control
and with Google Assistant,
you can control your TV,
Smart Home and find new
entertainment using your voice.
Explore over 5000 apps available
from the Google Play Store
Spanish:
y utiliza Google Chromecast
o Apple Air Play
para transmitir desde tu iPhone, iPad,
dispositivo Android u ordenador portátil
directamente al televisor.
Dutch:
en gebruik Google Chromecast
of Apple Air Play
om beeld vanaf je iPhone,
iPad, Android-apparaat of laptop
naar de tv te casten.
English:
and use Google Chromecast
or Apple Air Play
to cast from your iPhone,
iPad, Android device or laptop
straight to the TV.
Portuguese:
e use o Google Chromecast
ou o Apple Air Play
para transmitir do iPhone,
iPad, dispositivo Android ou portátil
diretamente para a TV.
Polish:
Używając technologii Google Chromecast
lub Apple AirPlay
można przesyłać treści z telefonu iPhone,
iPada, urządzenia z systemem Android lub laptopa
prosto na telewizor.
German:
übertragen Sie mit Google Chromecast
oder Apple Air Play den
Bildschirm Ihres iPhones oder iPad
bzw. Android-Geräts oder Notebooks
direkt auf den Fernseher.
Russian:
которые с помощью Google Chromecast
или Apple Air Play
можно транслировать с iPhone,
iPad, мобильного устройства или ноутбука с Android
напрямую на телевизор.
Italian:
e utilizza Google Chromecast
o Apple Air Play
per trasmettere dal tuo iPhone,
iPad, dispositivo Android o laptop
direttamente al televisore.
French:
et utilisez Google Chromecast
ou Apple Air Play
pour afficher le contenu de votre iPhone, iPad,
périphérique Android ou ordinateur portable
directement sur le téléviseur.
Turkish:
ayrıca Google Chromecast
veya Apple Air Play ile
iPhone, iPad, Android cihazınızdan
veya dizüstü bilgisayarınızdan
içerikleri doğrudan TV’ye yansıtın.
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dj market
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-This first poll asked,
"Will you listen to
Rudy Giuliani's podcast abou
Trump being impeached?"
75% said "no."
24% said "yes."
Rudy Giuliani said,
"What podcast?
I never said there was
gonna be a podcast.
Okay, fine, there's a podcast,
but I never said that.
Why would you think I said that?
I didn't say that."
This poll asked,
"How do you communicate
with your relatives?"
20% said "by phone."
20% said "by e-mail."
60% said, "Occasionally liking
one of their Facebook post
to let them know
we're still cool."
This next poll asks,
"How many drinks
is the appropriate amount
with co-workers?"
20% said, "One is fine."
20% said,
"Yeah, sure, okay, two."
20% said, "You know what?
I could do three."
20% said, "Well, if we're doin
four, we're doing five."
20% said, "H.R. is telling m
12 was too many."
[ Cheers and applause ]
Next, they asked,
"What is love?"
33% said, "Baby don't hurt me.
33% said, "Don't hurt me."
34% said, "No more."
[ Cheers and applause ]
♪♪♪♪
This next poll asks,
"How do you take your coffee?"
10% said "black."
15% said "milk and sugar."
10% said, "One Splenda,
one Equal, oat milk, steamed
Then have them put some ice in
it so it's not too hot,
two pumps vanilla,
and cinnamon sprinkles."
10% said, "Uh, sorry.
That was one Splenda, one Equal,
what else?"
10% said, "Oat milk, steamed
but have them put some
ice in it so it's not too hot,
two pumps vanilla,
and cinnamon sprinkles."
10% said, "Great.
Can I get your name?"
35% said, "Jennnnnifer
with five N's."
These are polls.
These are polls that --
-Wow. Polling people --
-They're polling people an
getting really interesting -
-That many people are name
Jennnnnifer with five N's?
-"Don't spell it wrong or else
I won't be able to know
it's my drink."
-No one will know
it's her drink.
-This last poll asked,
"What's your favorite food
at Thanksgiving?"
60% said "turkey."
35% said "organic turkey."
5% said, "Wild Turkey
I chugged in the bathroom
just to get through this thing."
That's all the time we have fo
"Tonight Show Polls."
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after nelson mandela passed away a tweet
from paris Hilton alleged street from
paris Hilton is making its rounds on
Twitter it was going viral:
but some are wondering whether or not it
was true it so the following
rest in peace Nelson Mandela your I have
a dream speech was so inspiring
amazing man are rather be reading it I
have to be honest I was one of the
people that bought
and I was in the studio and I was like
all got
for my bro
I'm okay this is unfair right everybody
rushed over my computer
and then BuzzFeed quickly to both dead
and it turned out there was completely
fake it was a
a Photoshop tweet by an account at
deleted tweets
so anyway after that happened Paris open
with a little upset
because a lot of people read tweeted it
may actually did believe that you dumb
enough to mix up the two
I miss you said the following in
response whoever made that stupid fake
tweet lacks respect to the Los the world
is mourning right now
the same goes for all the blogs to run
with it alright with it
so there were a bunch why would they
pick it up yes somebody wrote that week
for her
yeah jin Shin Bet a little too
articulate an element that are not
well hold the whole because it's going
to get a little less eloquent but
it comes one from her I bet head I love
this one
I'm so sick of people lying about me in
using my name please get a way to go
it stop talking about my yes it's beyond
hash tag your prophetic hash tag get
your own life yet that's that's her
II my favorite out of all this is
it's beyond yeah secretly in love
I airhead talk I think it sounds
hilarious so now I just want to you but
that's why I think dramas I say it
as a joke obviously and now it's beyond
will be part of my
yeah I like they got me excited I know I
have a totally with you i i like that
any day any time since somebody says
like
Martin Bashir its be a it's beyond I
can't be doing a lot of you don't really
fast
she says please get a life and stop
talking about mine which I love coming
from a woman whose career began going to
parties to be talked about
happening I love film to be talked about
and then doing a reality show to be
taught a
she is a reality star telling people
start talking about her life
and slashed by the way and now that
she's not really
hot anymore and and people are talking
about her jesse Moore livid about that
that she is about these kinda big tweets
she probably secretly got a little
excited by the thought he had always
been talking a lot about my wife
our game it they're not even talk about
a good how about the fake me
that's why we're not really noticed
probably wouldn't be surprised
I'm still battle that she ever became
famous p you she's not
that pretty known I got she doesn't do
anything she's not intelligent when she
talks are interesting or didn't know it
at night in the US doesn't really hot
female artist rendering liking people
that have no talent
so I when it really hit hard action has
a
you know I real nice yes you know like
he has that I bet it's a pretty you know
with world-class
down there people live in paris Hilton
is have some
but combat your debts and you know what
though
I there was appeared in my life where I
thought paris Hilton was super sexy out
really
yeah I was like I said all right channel
8 months no no I know I don't want
either but she had that look alike
yours so me I may be a
have right and I was like oh that's
fascinating you know it was a
yes he looks down at you Mike like no
place in like
only tell me to tell me more you know I
like so that it had that element to it
so I enjoy that she looks she might be a
big girl job burke et today when I was
19
that were good for you it was a fun
topic sai RAM Sai but now we're beyond
get me out of here
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Okay now another type of tip up is the trap
line tip up or horizontal tip up. It's set
up a little bit different as I mentioned earlier.
It has a horizontal reel on it and the rod
twists to let go of the flag. In order to
set this up, you might use this on something
like walleye or large slabber perch. Onto
that you might have a six inch leader and
simply by taking your hook, your perfection
end of your loop and hooking it through, and
then doubling back on itself. You basically
come up with a hook that's attached directly
to a six foot monofilament leader. Now for
this to work out on a particularly windy day
like we've got today, we hook this on the
larger side of the notch. On a less windy
day there's a small notch right here and on
a less windy day you want to set that. It's
a little more gentle setting. But on a windy
day like we have today you want to set it
in this harder notch. Now when the fish comes
along underneath and is pulling on this. They
will pull on the line spinning the reel and
setting the flag off. This is a trap style
horizontal tip up and it is used a lot of
times for large slabber perch as well as walleye.
So you could use it on salmon as well, but
I prefer the cross set up with a vertical
spring.
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THE STORE WILL BE OPEN FOR
BUSINESS.
TOM: PORTSMOUTH'S INTERIM POLICE
CHIEF IS TAKING HIS PUSH FOR
FULL TRANSPARENCY, TO THE
TELEVISION AIRWAVES.
CHIEF DAVID MARA AND DETECTIVE
ROCHELLE JONES TAPED THE
INAUGURAL EPISODE OF 'P-P-D T-V'
TODAY.
EACH SEGMENT THEY PLAN TO
INTRODUCE A MEMBER OF THE
DEPARTMENT AS WELL AS TALK ABOUT
IMPORTANT PUBLIC ISSUES.
MARA, WHO RETIRED FROM THE
MANCHESTER POLICE DEPARTMENT
LAST YEAR, SAYS HE'S OPEN TO
SUGGESTIONS AND CALLS IT A WORK
IN PROGRESS.
>> I WANT THE PEOPLE OF
PORTSMOUTH TO KNOW WHAT KIND OF
POLICE DEPARTMENT THEY HAVE.
I'VE BEEN IN LAW ENFORCEMENT FOR
29 YEARS, AND IN A SHORT PERIOD
OF TIME I'VE COME TO REALIZE
THAT THIS IS A GREAT POLICE
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"The development of Cryptography I have been
pushing for the past 20 Years, to protect
the integrity and privacy of the individuals
and the sovereignty of states from domination
by these large players" - Julian Assange
The exchange of digital information has become
an integral part of our society.
Already tens of millions of emails are sent
each day, the Internet has provided the infrustructure
for the digital marketplace, and e-commerce
is thriving.
Money is flowing through cyberspace, and it
as estimated that every day half of the world's
gross domestic product travels through the
Society for Worldwide Interbank Financial
Telecommunications (SWIFT) network.
Democrocies that referanda will begin to have
online voting, and governments will increasingly
use the Internet to help administer their
countries, offering facilties such as online
tax returns.
Without a doubt, the Information Age is under
way, and we live in a wired world.
Critically, the success of the Information
Age depends on the ability to protect the
information as it flows around the world,
and this relies on the power of cryptography.
Encryption can be seen as providing the locks
and keys of the information Age.
For two thousand years encryption has been
importance only to government and the military,
but today it also has a role to play in facilitating
business, and tomorrow ordinary people will
rely on cryptography in order to protect their
privacy.
Fortunately, just as the Information Age is
taking off, access to extraordinary strong
encryption.
The development of public-key cryptography,
particulary the RSA cipher, has given today's
cryptographers a clear advantage in their
continual power struggle against cryptanalysts.
If the value of N is large enough, then finding
p and q takes Eve and unreasonable amount
of time, and RSA encryption is therefore effectively
unbreakable.
Most important of all, public-key cryptography
is not weakened by any key-distribution problems.
In short, RSA guarantees almost unbreakable
locks for our most precious pieces of information.
However, as with every technology, there is
a darkside to encryption.
As well as protecting the communications of
law-abiding citizens, encryption also protects
the communication of criminals and terrorists.
Currently, police forces use wiretaping as
a way of gathering evidence to counter organized
crime and terrorism , but this word be ineffective
if criminals used unbreakable ciphers.
In the twenty-first century, the fundamental
dilema for cryptography is to find a way of
allowing the public and businesses to use
encryption in order to exploit the benefits
of the Information Age, without allowing criminals
to abuse encryption and avade arrest.
There is currently and active and vigorous
debate about the best way forward, and much
of the discussion has been inspired by the
story of Phil Zimmermann, an American crytographer
whose attempts to encourage the widespread
use of strong encryption have frightened America's
security experts, threatened the billion dollar
National Security Agency and made him the
subject of a major inquiry and grand-jury
investigation.
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The following content is
provided under a Creative
Commons license.
Your support will help MIT
OpenCourseWare continue to
offer high quality educational
resources for free.
To make a donation or view
additional materials from
hundreds of MIT courses, visit
MIT OpenCourseWare at
ocw.mit.edu.
PROFESSOR: Hello, and welcome.
Last week we started to think
about programming.
Programming was the first
module in this class.
And it was important for
two different reasons.
First, we're going to use
programming throughout the
term in the study of all the
different things that we do.
So it's important that you learn
to program now, just so
you can use that tool.
More importantly perhaps, we
didn't just learn how to
program, we focused on how to
program in a fashion that
would let us construct
complicated systems out of a
simpler systems.
This is the way that we
can manage complexity.
This is the only possible
way that we can
make complicated systems.
So that was the more important
intellectual theme from the
first part, where we introduced
our mantra, PCAP --
primitives, means of
combination, abstraction and
identifying patterns.
That's the key to this
modular approach to
hierarchical kind of design.
Today what I want to do is start
the second major theme.
First theme was the design of
complex systems, we saw that
by reference to programming.
Today we're going to start
thinking about modeling and
controlling physical systems.
The idea here is not so much
how you construct systems--
but we will get back to that.
The idea is to characterize
the systems that you've
constructed and say something
about their metrics as being
positive or negative.
So what we want to do is, in
fact, focus on behavior.
So to illustrate that, I'll
start with an example.
This is an example that you did
in design lab last week,
or for some of you, yesterday.
The idea was to program the
robot so that it could sense
the distance to a wall.
Represented two ways here,
sort of the view that you
would get from Soar, and a more
schematic representation
showing the position of a robot,
the position of a wall.
The idea is that you can sense
the position to the wall using
the sonars.
You know where you would
like to be, because
some user told you.
You'd like to be say, half a
meter away from the wall.
And your job was to write a
program that moves the robot
from where it is to where
you'd like it to be.
So here's the kind of behavior
we might have liked--
so I'll do that again.
So we might have liked that if
you started here, you have a
nice smooth progression up to
where you'd like to be.
Very graceful, ballet type, and
you just sort of smoothly
glide into the position
that you'd like.
Some of you probably achieved
that behavior, and some of you
probably did other things.
So that might be the
intended behavior.
One way to achieve the intended
behavior is to use
what we call a proportional
controller.
In a proportional controller,
you make the command be, in
some way, proportionate to
the intended response.
So imagine this code, which
might establish a class for
finding the wall.
So the important thing-- as we
saw, for all state machines,
the important thing is to define
a start state and a
getNextValues routine.
What this getNextValues routine
does is it establishes
the desired distance to
be a half a meter.
It figures out the current
distance to the wall by
reading the sonars, and then
it specifies an action.
So the first question is what
would you like fvel to be in
order to make a proportional
controller?
Which of those expressions
makes sense?
Take 30 seconds, talk to your
neighbor, figure out some
answer between (1) and (5).
I will ask you in 30 seconds to
raise your hand with that
number of fingers.
AUDIENCE: [INAUDIBLE]
PROFESSOR: So what's the right
kind of expression if we
wanted the controller
to be proportionate?
Everybody raise your
hand, show me
some number of fingers.
OK, the vast majority
is saying (2).
Everybody likes the idea of
current minus desired.
Why is that the right answer?
That is the right answer.
Why is that the right answer?
How do you prove that
to somebody?
AUDIENCE: Well, in current
divided desired, once you meet
your desired distance, you're
still going to have to
[UNINTELLIGIBLE] velocity
[UNINTELLIGIBLE], which really
doesn't make sense
at this point.
PROFESSOR: Exactly.
So that method, we might
call extreme cases.
Think of the simplifying cases
that give you some insight
into the problem.
So one simple case is
what if desired and
current were the same?
You'd better stop.
OK, that's a simple case.
So the simple case says that you
better have one of these--
whatever the right answer is,
it better have the property
that when current equals
desired, fvel is 0.
Otherwise it's not
going to work.
And in fact, using just that
one simple case, you can
eliminate all the
ones except (2).
There are some other simple
cases, what are some other
simple cases?
Simple cases.
Yeah.
AUDIENCE: currentDistance
greater than desiredDistance?
PROFESSOR: Current bigger
than desired.
So if current were bigger, that
would mean that you were
starting out way over
here someplace.
So if you were way over there
someplace, you'd want the
velocity to be positive.
The forward velocity
should be positive.
That's how you would
disambiguate the sign.
Similarly, if the current were
shorter than desired, if you
were too close to the wall,
you'd like the forward
velocity to be negative.
OK.
So that's the proportional
controller that we'd like.
So we might fill in our wall
finder class this way.
And then when we built it, if
things went really well, we
would get exactly the
behavior we wanted.
But if things went more
naturally, it wouldn't quite
work that way, and
you might get a
different kind of behavior.
Let's do that again.
So here is the resulting
behavior for that simple
controller that I just showed.
So in some sense, that's
not as good behavior.
And the way we want to think
about behaviors--
the way we're going to develop
today, is to think about
behaviors in terms of signals.
Plots.
So the first question is, what
plot best represents the
behavior that I saw here?
So which of those plots best
represents that behavior?
Take 30 seconds, talk to your
neighbor, figure out what's
the right answer?
AUDIENCE: [INAUDIBLE]
PROFESSOR: OK, so which behavior
best represents the
illustrated cartoon that
I showed previously?
Raise your hand, show some
number fingers so that I can
see if you're with it.
Not all correct, but more
than 90% correct.
The more than 90% answer
is number (2).
What's good about number (2)
that's not good about numbers
(1), (3), and (4)?
AUDIENCE: The initial
value is different
than the final value.
PROFESSOR: Initial
is different.
So here, I try initial and final
being roughly the same.
So what's showed here,
is a plot.
Current distance on
the y-axis, step
number on the x-axis.
And so we can see from here--
and the implication of the
axes, by the way, is 0.
So the implication of the
vertical axis is it intersects
this at 0, unless I label
it otherwise.
And similarly, this horizontal
line intersects the vertical
at 0 unless I label
it otherwise.
So that's the point (0, 0).
So the implication here is that
the initial and the final
values are the same,
as they are here.
Here they're not, what makes
(2) better than (1).
AUDIENCE: [INAUDIBLE]
the current distance is
decreasing [UNINTELLIGIBLE].
PROFESSOR: The current distance
starts out bigger
than it ultimately is.
So we start out bigger than
the final value, the final
value is presumably
half a meter.
We start out roughly
twice that far, and
then we see some approach.
The approach is not monotonic.
So the answer is (2).
Why do you think
it under-shot?
So on the way to going from
one to one-half, it
transiently went through
something
smaller than one-half.
Why do you think it did that?
Yeah.
AUDIENCE: Because [INAUDIBLE]
this way, there's a small--
there's a small interval of
time when its moving at the
velocity where it couldn't
[INAUDIBLE].
PROFESSOR: So it's a small
interval of time between when
it does one thing, and it
does something else.
When it senses and moves,
for example.
So there could be a time delay,
in the system and in
fact, that's true, there
is a time delay.
So it takes some amount of
time for the sonars to
register the distance.
Then it takes some amount of
time for the computer inside
the robot to register that
the sonar has told
it something different.
Than it takes some time from the
time the computer commands
the wheels until the robot
starts moving.
All of those cumulative effects
mean that you have the
potential to overshoot where
you're going, because there's
delay in the system, there's
inertia in the robot.
All of those reasons can
lead to overshoot.
And the point of today is to
figure out some way of
predicting and correcting
for those kinds
of unintended behaviors.
So what we will do then, is
develop an approach focused on
signals, not systems.
So, so far, we've been thinking
about how do you
build the system?
Now we're going to think
about behavior.
We're going to think about
analyzing that behavior.
And the focus is going to be
on what was the input, what
was desired?
What was the output,
what was achieved?
So we're going to be looking
at those output signals in
order to figure out how
good the behavior was.
That approach is called the
signals and systems approach.
The idea is characterize your
system-- whatever that system
is, a physical system, a
mathematical system, a
computational system, whatever
it is, think about it by the
way it transforms an input
signal into an output signal.
That's kind of a bizarre way
to think about systems.
So let me just illustrate that
by way of a system that you've
all seen before.
OK, here's a simple
system, right?
You've all seen this, right?
Anything like 8.01
ring any bells?
OK, so that's a simple system,
you all know how to solve it.
There's a gazillion ways
you could solve
this system, right?
Free body diagrams, kinetic
energy, potential energy,
there's a gazillion ways
you could do it.
You all know how to do it,
that's not the point.
The point is, that we're going
to learn a different
way to solve it.
We're going to think about the
mass and spring system--
not like potential energy and
kinetic energy, not like free
body diagrams, we're going to
think about it as transforming
an input signal into
an output signal.
So the input signal--
it's kind of arbitrary what I
use besides the output, but
clearly the thing I have control
over is my hand.
So it seems natural to associate
a variable with the
position of my hand,
that would be x.
Also it seems natural to
associate a variable with the
position of the mass, that
could be the output y.
That's not unique.
Every time we try to solve a
problem we ask ourselves,
what's the meaningful input,
what's the meaningful output?
The meaningful output
could have been the
force on the spring.
I'm just sort of arbitrarily
saying for the purpose of my
analysis, I'm going to consider
the input to be the
position of the hand,
the output to be the
position of the mass.
And I'm going to think about the
mass and spring system as
a box that transforms
x into y.
So rather than thinking about
it in terms of free body
diagrams, and kinetic energy,
and potential energy, I'm
going to think there's some
input signal x, and there's
some output signal y.
And what I'd like to do is
given x, calculate y.
OK, bizarre, why would
I do that?
One of the reasons I want to
do that is that it's a very
general way of thinking
about behaviors.
It works for the mass and spring
system, it works for
water tanks.
What happens if I have
water flowing into
a tank that's leaky?
Well, it leaks into another tank
which is leaky, and that
leaks more.
Completely different physics.
Probably wasn't covered
in 8.01.
Probably is something you
could figure out.
The point is that from the
signals and systems point of
view, I'm going to map this
physics, whatever it is, into
this structure.
Think about the tank system as
the system that transforms
some input.
The input is that there's water
spurting for some small
interval of time.
The output is that there's
water coming out.
And the idea is that I'm going
to characterize the system--
whatever it is, as the rule
that transforms the input
signal into the output signal.
Here's a third example.
I could think of a cell
phone system.
Here again, there are very
complicated ways we could
think about the system, but
I'm going to take the
particularly simple approach
called signals and systems.
Then I'm going to characterize
the phone system by the way it
transforms some input sound
into some output sound.
And as you can imagine, there's
a way of thinking
about performance in terms
of that transformation.
Ideally, we would like this to
bear some resemblance to that.
So the point then,
is that we're
going to focus on behaviors.
And to do so, we're going to
think about the signals and
systems approach.
Represent a system, whatever
it is, by the way it
transforms inputs
into outputs.
One of the reasons we
like the approach is
that it's so general.
So you can use it for virtually
any kind of a system
for which you can develop a
mathematical underpinning.
You can use it to analyze
electrical systems, mechanical
systems, optical systems,
acoustic systems, biological
systems, financial systems if
you're on the dark side.
So there's lots of different
kinds of systems that are
amenable to this kind
of approach.
Also, this approach has
a nice modularity.
Having represented a cellphone
by transformation from sound
in to electromagnetic field out,
as illustrated by this
cartoon depicting sound going
in and having a radio wave
transmitting to a tower.
Then we represent tower to tower
communication some way,
maybe via an optical fiber,
maybe via a satellite.
Then tower to cell by the same
kind of reverse transformation
that we used in the first one.
We can piece those all together,
we can treat them as
modules, because each box takes
an input signal and
makes an output signal.
The method is oblivious to
the underlying physics.
That affords us a certain
amount of power.
And in particular, it's
very modular.
You can put together modules
that represent very different
physical substrates.
That allows us to
go back to PCAP.
If the underlying
representations for the
different physical substrates
are the same, we will be able
to-- and we will over the next
three weeks, develop a bunch
of techniques for combining
multiple modules into one.
That provides the same kind of
abstraction and modularity
that we saw in programming
for the last two weeks.
So that's the idea.
What we want to do is represent
a system by the way
it transforms an input signal
to an output signal.
There are many different kinds
of inputs and outputs, but a
fundamental distinction that we
are going to have to make
is continuous time,
and discrete time.
This system works in what
we will refer to
as continuous time.
Because my position of my hand
is a continuous function of
the continuous variable, time.
The robots, by contrast, work
with what we will call,
discrete time.
Steps.
It turns out the math for those
two different approaches
are very different.
And we will focus entirely in
this class on discrete time,
because our area of application
is the robot.
It's not that continuous is
deeper, or harder, or anything
like that, it's different.
So we'll focus on
discrete time.
And the point of today then,
is to develop some
representations for signals and
systems of this free time
nature, that will let us analyze
and predict behaviors
of systems like the
robot system.
The first class of methods for
representing such systems is
difference equations.
Difference equations are a lot
like differential equations,
except there's no differentials,
there's
differences.
Difference equations are the
discrete time analog of
differential equations for
continuous time systems.
Simplest possible
example here.
Say I have an output y, that for
reasons that I don't care
about, I know can be represented
as the difference
between two values
of the input --
x at time n, and x at
time n minus 1.
That's a way to represent the
behavior of a system, a
discrete time system, by using
a difference equation.
That's in fact, almost
a complete
description of the system.
So let me just explain the
way you would use that.
It's almost-- because
I didn't tell you
anything about the input.
I'll tell you something about
the input for the purpose of
example, where I'll
use the simplest
possible input I can imagine.
Something that we'll call
a delta function.
A delta function is a signal.
It's a discrete time signal.
It has the value 1 if the time
index is 0, and has the value
0 everywhere else.
It's, in some sense, the
simplest possible signal that
we could imagine.
So it's natural to
start there.
So what I want to do now is
think about if this were a
characterization of the system,
and if this were the
input to that system?
What would the output be?
That's after all--
that was the question that
I posed at the beginning.
We would like to build a
representation for a system so
that we can predict the output,
given the input.
So how does that work?
So given the difference
equation, all we need to do is
step through it.
OK, it's trivial.
We call that analyzing
by step by step.
So given the difference
equation, given the input
signal, all we need to do is
sequentially go through the
different values of n, and think
about the implication of
the system on that input.
So if I were to use the value
of n, being minus 1, this
general form of the difference
equation tells me that the
minus 1 value of n for the
output is related by this
difference, with the input.
So y of minus 1 is x of minus
1 minus x of minus 2.
Since both of those are 0, it
says that the output at time
minus 1 is 0.
Trivial, right?
Trivial.
And similarly, we can just
iterate through the solution
to the whole signal.
So y of 0 is x of 0 minus
x of minus 1.
x of 0 is that special
one, that is 1.
So now we get 1 minus
0, which is 1.
y of 1 is x of 1 minus x of 0.
Now the special one is on the
other side of the minus sign,
so the answer is minus 1.
y of 2 is x of 2
minus x of 1 --
they're both 0.
And in fact, all the answers
from now on are going to be 0.
So what I just did is a
trivial example of --
I use a difference equation to
represent a system, and I
figured out the output signal
from the input signal.
That's the method
that we call--
that's the representation for
discrete time systems that we
refer to as difference
equations.
Difference equations
are very powerful.
As we will see, of all the
representations we look at,
difference equations is the most
compact representation.
But there are features of other
kinds of representations
that are also valuable.
So the next representation
I want to look
at is a block diagram.
What I'm trying to show here is
a picture, a diagram, that
represents the same system that
we just analyzed with
difference equations.
Here though, I'm thinking
about it as
a signal flow path.
I'm thinking about what's the
cascade of operations that you
need to do on each sample in
order to get from the input to
the output?
So the difference equation said
every value of the output
should be equal to the
corresponding value of the
input less the value
before that.
I represent that in a block
diagram by saying there's a
straight through path, y of
n is equal to x of n.
The plus just adds the signals
on these two paths.
So y of n is equal to x of n.
Subtract out, because I'm
multiplying by minus 1.
Delay, so I'm getting
the one from before.
So this block diagram just is
a symbolic representation of
that difference equation.
The value of the
block diagram--
we'll see several of them,
but one of them is focus
on signal flow path.
If you want to visualize the
transformation from input to
output, the block diagram can
provide visual insight into
what that transformation
is like.
So as before, if I gave you
this representation rather
than the difference equation,
you could still step by step
and figure out the
way it worked.
It's still easy.
There's one new caveat here.
We have to start the
system in a state.
The state that we will usually
talk about is what we will
call, at rest.
At rest just means all the
outputs of all the delays are
initially 0.
So that specifies the state of
the system at the time the
signal was turned on.
So the system is at rest,
which means that all the
delays start out with
output equal to 0.
So at rest means this delay
has an output of 0.
Well, if I tell you the output
is 0 times 0 for this delay,
then it's a simple matter of
stepping through what is the
output for each corresponding
input?
So if I--
the special value of the delta
function is that it's
1 at the time 0.
So at the time 0, there's
1 coming in.
That 1 makes it through
the adder, adds to 0.
Well, this is 0 because
it was at rest.
So the 1 adds to 0 and
the output becomes 1.
Notice that the 1 also goes
down this path, and goes
through the gain of minus
1 to give me minus 1.
But I'm in step 0.
So at step 0, the output of the
delay is 0, not minus 1.
So the output then, for time
equals 0, is y equals 1.
Just like we solved for the
difference equation--
after all, I'm hypothesizing
that those two systems are the
same, they better give
me the same answer.
So then at the next instant, as
the time index goes from 0
to 1, two things happen.
The input goes from
1 to 0, and the
delay box gets updated.
The delay is now reporting
to me the value
that was at its input.
So the output of the delay,
which had been 0 because it
was at rest, becomes minus 1.
So then what happens?
The 1 goes to 0, the 0 goes to
minus 1, the 0 adds to minus
1, and we get an answer
which is minus 1.
Then the input becomes 0.
That 0 comes down here,
the minus 1 goes to 0.
We end up with 0 being added to
0, and the next answer is
0, et cetera.
So the idea then, is that you
can step through the block
diagram representation, just
like you would a difference
equation, it's just that now
we're thinking about these
blocks characterizing the
system, rather than thinking
of math as characterizing
the system.
Why on earth would
you do that?
What's good and bad?
What's the relative merits of
difference equations verses
block diagrams?
Take 30 seconds, talk to your
neighbor, figure out some good
feature of each.
AUDIENCE: [INAUDIBLE]
PROFESSOR: OK, we'll start
with the easy one.
What's a feature, what's a
property of the difference
equation that makes
it very good.
I already said it, so.
What's good about the
difference equation?
Yeah.
AUDIENCE: They can be solved
mathematically.
PROFESSOR: They can be solved
mathematically.
The block diagram could
be solved, maybe not
mathematically, but kind of.
Could you refine that
a little more?
What's special about difference
equations that's
different from block diagrams?
Oh come on, I said it.
AUDIENCE: Use math?
PROFESSOR: They use
math, yes yes.
They're concise, a
little, right?
It's a very simple expression
to say that.
It's by contrast, a bit more
complicated to draw this
picture, right?
It's mathematically
concise, right?
It's completely accurate,
self-contained, concise, small.
It's a very concise
representation of a system.
So why would we want to
use block diagrams?
Can anybody think of any good
reason for block diagrams
other than Freeman's up front
saying, do block diagrams?
AUDIENCE: Electrical
engineering?
PROFESSOR: Electrical
engineering.
There should be a deeper
reason, I would hope.
I don't disagree with
that reason.
Why do electrical engineers
like this?
Yes.
AUDIENCE: It's a more physical
representation of this.
PROFESSOR: It's more physical?
Is there anything that
you can see that you
can't see in math?
Yes.
AUDIENCE: In the way that you're
actually going to be
programming it.
Like, you're gonna make the
delay machine, you're gonna
make the state machine that
multiplies them by negative 1
and you're gonna see how
to connect them.
PROFESSOR: That's a
really good point.
It's kind of isomorphic
to the implementation.
Everybody get that?
It's kind of a picture
of the way you
would build the system.
Along those lines, there's
some bit of information--
there's actually more
information in this one, than
there is in that one.
There is exactly one bit more
information in the block
diagram, what's that bit?
AUDIENCE: Delay?
PROFESSOR: Delay?
There's kind of delay
by the n minus 1.
Yeah.
AUDIENCE: [UNINTELLIGIBLE]
PROFESSOR: The input and
output are explicit.
Yes.
The arrows are the
big difference.
You can't tell from the
difference equation, what's
the input and the output?
You can tell from the block
diagram, what is the input and
the output by the direction
of the arrows.
So there's more information
in the block diagram.
There's another way of thinking
about it, and this is
kind of a summary of several
comments that
came from the audience.
The difference equation
is declarative.
It tells you a true statement
about what the system will do.
The block diagram
is imperative.
It tells you what to do now.
Take the input, put
into an adder.
Take the input, multiply
by minus 1.
Put it into a delay.
Take the delay output,
put it into an adder.
The representation with a block
diagram is imperative.
It tells you what to do.
So there's extra information,
but it comes at a cost.
It's a more complicated
representation.
It's a whole picture instead
of just an equation.
What we'd like to do, and what
I'm going to do now, is
develop a different mathematical
approach where
you get a difference equation
that has the same properties
of concision, the same
conciseness, but also contains
all of the information that
was in the block diagram.
And the way to do that is
to change our focus.
And this is the big abstraction
of the day.
Change our focus from thinking
about samples, to thinking
about signals.
Stop thinking about x of n,
start thinking about the
input signal x.
This is the same kind of
lumping that was key to
abstraction in Python.
Put all the interesting data
together into a list, put all
the interesting operations
together into a definition.
Here put all of the interesting
samples together
into one signal.
So what we want to do, is
develop a math by which we can
operate on signals instead
of samples.
So what I'm going to do is
replace the representation x
of n, little x of n, with cap-X.
Cap-X means, all of the
n's, it's the signal X. Cap-Y
means the signal Y. And I'm
going to reinterpret
all the boxes.
This box means, take this
signal, the whole thing, all n
values on it, multiply it sample
by sample, by minus 1.
Flip the whole signal
upside down.
So I'm going to reinterpret all
of the operations on the
block diagram in terms of
signals, rather than samples.
To do that, I need a
representation--
a mathematical representation,
for the delay box.
And I'm going to call that R,
the right shift operator.
If you apply the right shift
operator to a single X, it
takes the whole signal X and
shifts it to the right one.
That's all it does.
So I'm going to say Y equals
R applied to X, or more
abbreviated, RX.
Simply says, let Y represent the
signal that is the same as
X, except every sample was
shifted to the right.
The entire signal was shifted
to the right.
That's going to let me
represent this block
diagram this way.
Y--
the whole signal Y, is the sum
of the whole signal X,
subtract out R applied to X.
Or, even more concisely,
calculate Y by applying to
X the operator 1 minus R.
So I'm thinking now
of an operator.
An operator is not something
that works on a number.
Operations work on numbers,
operators operate on signals.
So I'm thinking about
operator expression.
I'm going to try to formulate
the transformation from the
input to the output in
terms of operators.
The way I take X, which is the
input, and turn it into Y, is
to operate on it with the
operator 1 minus R.
OK, just to see that you're with
me, connecting signals
and samples, assume the
Y is RX, which of the
following is also true?
Take 30 seconds, talk
to your neighbor.
Figure out some number
-- (1) through (5).
AUDIENCE: [INAUDIBLE]
PROFESSOR: OK, so which
representation works best?
(1), (2), (3), (4), or
none of the above?
Everybody raise a hand,
tell me some number.
OK, virtually 100% correct.
The answer was (2), why
is the answer (2)?
Can somebody explain
that concisely?
No no,no.
I asked that wrong, of
course everybody
can explain it concisely.
Do I have a volunteer to
explain it concisely?
Yes.
AUDIENCE: The R operator just
shifts all of the values in X
of n to the right.
So you just add 1 to each
of these basically?
PROFESSOR: So you think about
it-- so a good way to think
about this is to think
about simple cases.
Right?
That's the same thing I
talked about earlier.
What's a simple case?
Well what if X--
let's imagine that
X is simple.
So let's say that X
looks like that.
So X is delta.
What would happen, what
is the signal RX?
It's a right shift operator.
So what does the signal
RX look like?
Shifted to the right, right?
That's the whole point.
So the right shift operator
gives you that signal, and
we've said that that's Y. So is
it true that Y of n is X of
n, for all n?
No.
Is it true that Y of (n
plus 1) is equal to X
of n for all n?
Well, is it true
for n equals 0?
So if we did n equals 0 we get Y
of 1, which happens to be 1.
And X of 0, which also
happens to be 1.
And if we choose any other
n, we would get two 0's.
So at least for this simple
case, and it seems to be true,
and if you think about building
upon this simple
case, you can convince yourself
that number (2) is
always true.
And in fact, the general rule
is going to be that the left
hand side has to have a number
that's bigger than
the right hand side.
Which is only true
for number (2).
So the idea then, is that by
changing our focus, by looking
not at samples, but looking
instead at signals, we can
generate an algebra that looks
for all the world like
difference equations.
Except it knows the direction
from the input to the output.
So it's more powerful.
And in fact, this new algebra
is going to obey some very
simple properties which we
can get a hint at here.
If we were to cascade two
systems, imagine this system
which looks just like the system
we've been looking at,
but it's cascaded
with a clone.
The question is, what would be
the behavior of that cascade?
Well, according to our operator
representation, this
Y1 signal is just the 1 minus
R operator applied to X.
Analogously, the Y2 signal
should be a similar 1 minus R
operator applied to the Y1
signal, which gives us a very
concise representation
for the cascade.
The point of the slide is that
the operator representation
gives us a representation that
is just as compact as
difference equations.
It has other features, that it
can be manipulated just like
difference equations.
So if we continue with this same
example and try to think
of the transformation on a
sample level, we could say
that Y2 is Y1, the straight
path, minus Y1 delayed.
But then we could substitute for
Y1 of n, that Y1 of n is X
of n, this path, subtract
X of (n minus 1).
Similarly, collapse, and we
get a simple expression.
Now if we think about that same
sequence of operations in
operator notation, we get a
much simpler expression.
Throw away the index arithmetic,
it's just R. So
the Y2 operator is 1 minus R
applied to the Y1 signal.
The Y1 signal is 1 minus R
applied to the X signal.
The total is 1 minus R the
operator squared, which by
polynomial math is just 1 minus
2R plus R squared, the
same thing we got there.
The point is, the operator
notation is just as compact as
the difference equation
representation.
And it contains all
the information
that's in block diagrams.
And it's just as easy to
manipulate as a polynomial.
So it's got lots of features
that make it superior to
difference equations.
The most important of which,
is you will be able to
understand all systems that we
represent using the R operator
using polynomial arithmetic,
something you
learned in high school.
There's nothing new here.
That's what we like.
Representations that simplify
the task of finding an answer.
We'll be able to find the
answer to these operator
expressions by treating
them as polynomials.
So you can get a feeling for the
way that works by looking
here, the power of this.
So the power here is that, among
other things, you'll be
able to use the operator
representation to prove
equivalences.
The idea is that here's a
system that we looked at
before, that was the cascade of
two simple delay systems.
Here's a somewhat more
complicated, somewhat simpler,
representation.
The point is, it's different.
And if we compare the operator
representations for the two,
we see that they are the same.
And what I'm about to prove,
is that when the operator
representations are the same,
the systems represent the same
transformations--
provided they all
start at rest.
The provided is important.
Obviously since they have
different delays in them, if
the delays didn't all start out
at 0, the differences in
the delays could propagate
into the output.
So all of the statements that
I'm making are premised on the
idea of initial rest.
The other important thing to
remember about operators is
that it's a higher level
of abstraction.
We can think about the operator
as composing things,
but the things that are composed
are whole signals,
not samples.
And here's an illustration of
how to think about that
previous example.
How do you think about this
transformation, 1 minus 2R
plus R squared.
What happens when you apply
that operator to an
input signal X?
Well let's say that X was
our unit sample signal.
In order to apply this operator
1 minus 2R plus R
squared, all we need to do is
think about each component.
1 times X is X. Minus 2R applied
to X is minus 2RX.
Plus R squared X is just plus
R squared X. So we start out
with X, which is a unit sample,
minus 2RX means shift
it to the right and multiply
by minus 2.
Shift it to the right,
multiply by minus 2.
Plus R squared X means shift
it twice to the right.
So the result, this operator
1 minus 2R plus R squared
applied to X is just the
sum of these things.
So you can think about the
operator expression, it's just
like algebra, except that
the elements are
signals, not samples.
And as I alluded previously,
you can make powerful
statements about the way these
operators work which map
isomorphically onto
polynomial math.
So for example, it's easy to
prove that if you were to
cascade the 1 minus R operator
with R. So start with X, apply
1 minus R. Start with X, apply
1 minus R. Then apply R.
That's going to result in the
same signal, assuming initial
rest, as if you were to
flip those operators.
The way I can see that is by
thinking about signal flow.
You'll remember that I said,
one of the features, one of
the powers of the block diagram
representation is that
we can look at signal
flow paths.
We can use that as a way
of proving things.
This system has two signal flow
paths, the one that goes
straight through that way, and
the one that goes down this
way and up that way.
Because of the addition, all it
does-- the adder just adds
the result of those
two flow paths.
So the first flow path
introduces one delay, the
second flow path inverts
and puts in two delays.
So there are two ways to get
from the input to the output.
Similarly here, there are two
ways to get from the input to
the output.
One of them goes through a delay
and then goes through
the adder, the other
goes through two
delays at a minus 1.
But that's the same two
signal paths that
were in the top one.
So that's a way of using the
block diagram to prove a
relationship about
the operator.
What I've just showed, is
that the operators obey
commutativity.
So what I was able to show is
that I can commute these two
operators--
doing a general proof is
slightly more complicated, I
proved it in a special case.
But the general case
works too.
Just like polynomials,
operators commute.
And I indicated why you should
think that's true by thinking
about signal flow paths.
Multiplication distributes
over addition.
I apologize, the diagram
in your notes is wrong.
This is right.
I will always post the notes--
I get up in the morning, I
make coffee, I read the
lecture notes, and I say,
oh my goodness,
there's a wrong figure.
In this particular case, one of
the staff members wrote me
an email and said, Hey
Freeman, your slides,
something or other, is wrong.
He was right.
So this is the right diagram.
So the idea is that if
multiplication distributes
over addition, we should expect
that R applied to 1
minus R, would give
R minus R squared.
And we can again get a feeling
for why that ought to be true
by thinking about the
signal flow paths.
The two signals flow paths that
represent-- so the signal
flow path that represents here,
this says take the 1
minus R operator and apply it
to X, then apply R to the 1
minus R operator, result.
As opposed to this one says,
apply the R operator to X,
then apply the R squared
operator to the X
and subtract them.
If you think about the signal
flow paths through those two
systems, they're also the same
two signal flow paths.
And here's a more complicated
example that shows
associativity.
You can think through
that, same idea.
The reason that the idea--
the big important point is,
difference equations are a
good representation for
discrete time systems.
They're mathematically
compact.
Block diagrams are a good
representation, but they have
more information.
They tell you what is the input,
what is the output, and
what are all the different flow
paths through the system?
Operators kind of combine the
best features of both.
It's mathematically concise,
it tells you which is the
input and which is the output.
And you can visualize all the
flow paths by thinking about
all the ads in the operator
expression.
OK, to make sure that
everybody's up with me, how
many of the following systems
are equivalent?
You have 30 seconds.
AUDIENCE: [INAUDIBLE]
PROFESSOR: OK, so how many
of those are equivalent?
More hands, more hands.
Not necessarily more fingers,
but more hands.
OK, about 75% correct,
roughly speaking.
OK, how many distinct signal
flow paths are going through
the first system?
How many distinct signal
flow paths can you see?
Well, here's one.
How many more are there?
AUDIENCE: Three.
PROFESSOR: Three more.
So here's one, here's one,
here's one, and here's one.
All you need to do to think
about this system, is think
about all of the signal flow
paths through all of them,
make a sum, and see how many
of them have the same sum.
So the path with the greatest
delay through this path is two
times two delay delay.
Two delays with a
multiply by 4.
What's the path with
the biggest delay
through this one?
Also straight through.
Also delay of two, also
a coefficient of 4.
How about this one?
So that's this way.
So they all have the same paths
with maximum delay.
The delay is 2 and the
coefficient is 4.
This one has four possible
paths, this
one only has three.
So there's one straight
through this way.
There's one that has
one fewer delay.
And there's one that
only has--
so there's a straight through
one, there's a delay of 2, and
there's a delay of 1.
So let's do the straight
through one.
This one has a straight
through path.
No delay, coefficient is 1.
This one has a straight
through path,
coefficient is 1.
This one has a straight
through path,
coefficient is 1.
So all three systems have the
same maximum delay path, they
all have the same minimum delay
path, we only have one
in the middle yet.
This one has two ways
to get a delay of 1.
2 delay, 2R, or 2R.
Since they're both 2R, they
sum, so that's 4R.
This one only has one way that
we can get 1 delay, and that
is to come this way and then
go that way, that's 4R.
This one, to get 1 delay,
I take the center
path, and that's 4R.
Each path has the same ways to
get through the system with
zero delay, 1 delay,
and 2 delays.
They're equivalent in the sense
that if you started them
with initial rest, they would
all generate the same output
given the same input.
So the answer's (3).
OK?
So far I've only worked with
systems that propagate the
inputs systematically through
to the outputs.
We call such systems
feedforward.
Things are a little
bit different
when you have cycles.
We call such systems feedback.
So what I want to think about
now is how do you think about
a system that has a feedback
loop in it?
The interesting thing that
happens when you have a
feedback loop is that the
operator expression no longer
represents a simple sum
of input signals.
Let's look at what
happens here.
So Y is apparently the
sum of two things.
It's the signal RY, which
comes around that way.
Does everybody see that?
So if I think about labeling
this input as X, labeling this
output as Y, then the correct
label for this point is--
don't everybody shout at once.
If this can be labeled as the
point Y, what is the correct
label to a label at this point?
RY.
So the signal Y must be, RY
plus X. What that says, is
that if I apply the 1 minus R
operator to Y, I should get X.
OK, that's a fine operator
expression, except that it's
not a formulaic operator
applied to the input.
The operator is applied
to the output.
OK, the difference here is
the difference between an
imperative system, like we
talked about block diagrams
when we were thinking
about samples.
The block diagram tells you
what to do step by step.
Regardless of whether you have
feedback, the block diagram
always tells you take X of n,
add it to Y of n, whatever.
There's an imperative
rule, do this.
We took the block diagrams and
we turned them into operators,
and we ended up with something
that is not imperative.
This is much more the kind of
statement we got when we did
difference equations.
This is a statement of truth,
it's declarative.
If you tell me the signal X,
it must be true that the
resulting signal Y when operated
upon by 1 minus R, is
X. So the idea is that it's
a declaration, it's not an
imperative rule.
Does everybody get that?
So this statement up here told
me a rule, start with X, apply
the 1 minus R operator and
you will get Y. That's an
imperative operation, do this.
This is a declaration.
If you tell me X, Y must be the
signal that when operated
on by 1 minus R, gives you X.
But it doesn't tell me a way
to find it.
It tells me a truth, but it
doesn't tell me how to find
that truth.
So let's go back,
let's back up.
OK, we got a representation,
we like the representation.
It's concise, it has many
of the features of block
diagrams, it doesn't seem
to be imperative.
Well, that's a problem.
So let's back up, think about
how this same system that ran
into a problem with the
operator, think about what
must the answer be.
Well the answer we can figure
out by doing step by step.
Imagine that it starts
at rest, so the
output starts at 0.
And now I just tick through
the samples.
So when the first sample comes
in, X is equal to 1, I'm
thinking about the unit
sample response.
We call the delta function
the unit sample.
When the unit sample at time n
equals 0 comes in, it has a
value of 1.
The 1 adds to the initial
condition, which is
0, to give me 1.
Then, this output is 1, so
when the clock ticks, the
input goes from 1 to 0, but the
output of the delay goes
from 0 to 1.
So when the clock ticks,
I get another 1.
And that persists.
Does everybody see
what's going on?
So I initially had a 0 coming
out of the delay.
The unit sample made the first
output be one, but then that 1
fed back in to make this be 1.
Which combined with the next 0
to give me the same 1, and
that state persisted.
What's different, is that the
output signal persists long
after the input went away.
In fact, there is a prescriptive
way to figure out
the relationship between the
input and the output.
It's just that it takes an
infinite number of delays.
Here's an alternative system
that would generate the same
response to a unit sample signal
as was generated by the
simple feedback system.
It needs to generate the
answer 1, 1, 1, 1, 1 --
when the input is just 1.
Well, the output at 0 happens
through this path.
The output at 1 happens
through this path.
The output at 2 happens
through this path.
3--
et cetera.
There's a separate path for
every one of those separate
components of the output.
That's how we can think about
this construction.
The input had a single non-zero
entry, the output has
an infinite number.
We can think about that as
resulting from an infinite
number of paths, or something
similar, about the simple
feedback system, which can be
represented by that operator
representation, and the infinite
feedforward system.
This is a simple feedback
system.
This is an infinite feedforward
system.
There's something the same
about those two.
In fact, they're equivalent in
the sense that if all the
delays start out with initial
conditions of 0, they will
generate the same response to
all possible input signals.
Those two signals are
equivalent, and
that's proved here.
All you do is you say, OK, Y2
depends on X2 this way.
If X2 is the same as X1,
I can substitute it.
But X1, according to this rule,
looks like 1 minus RY1.
When you multiply out this
mess, you get Y1.
What I just showed is that if X1
is equal to X2, then Y1 is
equal to Y2.
Those two systems
are the same.
Well that's weird.
So there's something
the same about that
operator and that operator.
We write that this way.
So here's the feedback system,
we think about that as
representing the operator Y over
X, 1 over (1 minus R).
So in order to calculate X,
cross multiply by X. Y is the
operator, 1 minus
R applied to X.
So we want to say Y is the
operator 1 minus R applied to
X. What is the operator
1 over (1 minus R)?
Well, if you didn't know
anything but polynomial math,
you might have expanded
this in a series.
And in fact, that gives you
exactly the right answer if
you were to expand 1
over R in a series.
So, for example, evaluate it
using synthetic division,
evaluate it with a Taylor
series, however
you want to do it.
Think about R as though it were
a number, just like you
would if it were a polynomial.
Expanded just like you would
if it were a polynomial.
And what you see, is that
there's a representation for
this operator 1 over (1 minus
R) that is equivalent.
That's exactly the same as if I
applied the operator 1 plus
R plus R squared plus R cubed to
X. Those two are equivalent
in the sense that if both
systems start out at rest, and
if they are both applied to
the same input, they both
generate the same output.
So that gives us that way of
thinking about operators that
have numerators and
denominators.
So, to make sure you're up to
speed, a system is described
by the following operator
expression.
Determine the output of the
system when the input is a
unit sample.
AUDIENCE: [INAUDIBLE]
PROFESSOR: What's the first
thing I should do?
OK, this is one of those
systems that has the R
polynomial in the bottom.
So it says that X must be
the same signal by cross
multiplying--
X must be the same signal as
the (1 plus 2R) operator on
the Y. OK, that's backwards.
That's not the way I want
to think about it.
How do I make that into a
forward statement that tells
me what operator gets
applied to X?
The answer is that.
So what do I do?
Multiply by--
actually you could
cross multiply.
How do I convert this into an
operator that looks like just
the numerator times X. Yeah.
AUDIENCE: 1 minus 2R
plus 4R squared.
PROFESSOR: Exactly.
What I want to do is convert
it by synthetic division,
Taylor series, whatever
method.
I want to think about
what would 1 over (1
plus 2R) look like?
What's the reciprocal
of 1 plus 2R?
That is 1 minus 2R plus
4R squared, et cetera.
So now I have this, which
I apply to X,
which is a unit sample.
So now I want to think about
applying this operator to the
unit sample signal.
But that's easy.
The first term just
brings out delta.
Minus 2R applied to delta
shifts the delta by 1.
Gives me delta of n minus 1,
and multiplies by minus 2.
And that whole mess then
just says that my
output looks like this.
If the input was X, which was
a unit sample signal, my
output has an infinite
number of terms.
Each one is a delayed version
of the predecessor, and the
weights go 1, minus 2, plus 4,
minus 8, plus 16, and diverge.
So what we just did was
pretty complicated.
We just solved a block diagram,
but we did it with
polynomial math.
We did it with math that you
learned in high school.
That's the point.
In fact, the point of today is
that any system that's built
out of simple parts--
delays, adders, scalers,
that sort of thing--
can be represented by a
difference equation.
Fine, that's good, difference
equations are wonderful.
They can equivalently
be represented
by an operator equation.
The operator equation has
more information in it.
It knows how to get from the
input to the output.
It's imperative.
It's easy to manipulate.
You use the same rules that
you use for polynomials.
So all in all, this is a
more powerful kind of
representation.
And any system that can be
represented by a difference
equation can similarly
be represented
by an operator equation.
That's why we're focusing
on operators.
So final question.
Think about--
do everything backwards now.
Here's a block diagram,
find the
associated difference equation.
And the idea is to take
advantage of operators.
In the interest of time,
let me just do it.
If we wanted to--
because I'm running
out of time.
So I could start with the block
diagram, I could stay in
block diagram domain.
Presumably that will
work, that's hard.
I want to do the easy way.
So convert it to operators.
How do you convert a block
diagram to operators?
Replace the delays by R,
label all the signals.
x becomes X, y becomes Y. I
don't have a name for this, so
I'll call it E, error.
I don't have a name for this, so
I'll call it W, who knows.
And then I'll express each of
the relationships imposed by
the plus sign, this
R or this R, by a
line of operator reasoning.
The plus says that the E signal
is X plus W. The R says
that the Y signal is R applied
to E. This box says that the W
signal is R applied to Y.
I get three equations in R. I
just solve algebraically.
None of this difference stuff,
none of the square brackets
with n's in them.
I just use algebra.
So I solve it algebraically
and I get this.
And that translates into a
corresponding difference
equation, showed here.
The point.
The point is three different
representations.
Difference equations, block
diagrams, operators.
Operators are easiest.
Even when I was asked to solve
a problem that has no
operators in it, it's easier
to cast it into an operator
expression, solve it in the
operator domain, and then turn
it back into a difference
equation.
Starting next week, we will
figure out much more powerful
things that we can do
with operators.
This is just the beginning.
So with that, let me just
summarize that we looked at
three representations, and the
point of the labs for the week
are going to be to exercise
this, to get some experience
with representing signals
in Python.
| {
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Space Missions Part 6 Class 10th Maharashtra Board New Syllabus
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Turkish:
Merhaba. Ben John Green ve bu her şeyin
tarihini inceleyeceğimiz Crash Course Big History. Bing Bang'ten bu yana , 13.8 milyar yıllık bir süreçten
bahsediyorum. Bu seride size , Douglas Adams'ın meşhur deyimiyle '' Yaşam , evren ve her şey'' in
öyküsünü anlatmaya çalışacağım.
Bay Green! Bay Green! O tarih değil. Bu bilim ve bilim inek öğrenciler için!
Ah, geçmişteki ben! Eğer bunu kabul etseydin işler senin için çok daha kolay olurdu.
sen, aslında, bir ineksin! Ve bu sorun değil! Yani, az bir şu resme bak olum ya!
Her neyse, akademisyenler genellikle tarihi şöyle tanımlıyor, "yazmaya başladığımızdan beri olan tüm şeyler"
her şey bizim bazı şeyleri yazmamızla başladı, onlar öyle düşünüyor çünkü en güvenilir bilgilere sahip olduğumuz yer orası.
Ve evet, sanırım yazının ortaya çıkışı büyük bir olay, tabii ki,
ama tarihin başladığı zaman demek, tamamen keyfi yani! Aynı kuma bir çizgi çizip
"tamam, işte tarih şimdi başladı!" demek gibi.
German:
Hi. Ich bin John Green und das ist Crash Course: Große Geschichte,
wo wir einen Blick werfen auf die Geschichte von, naja, allem.
Ich rede von 13,8 Milliarden Jahren, seit dem Urknall bis heute.
Ich meine, in dieser Serie werden wir buchstäblich versuchen, euch die Geschichte von dem zu erzählen,
was Douglas Adams berühmterweise „das Leben, das Universum und der ganze Rest“ nannte.
[Vergangenheit-John] Mister Green! Mister Green! Das ist nicht Geschichte. Das ist Wissenschaft,
und Wissenschaft ist was für Nerds!
Oh, Ich aus der Vergangenheit! Die Dinge wären so viel einfacher für dich, wenn du einfach akzeptieren würdest,
dass du, tatsächlich, ein Nerd bist! Und das ist in Ordnung!
Ich mein, schau dir dieses Bild an, Alter!
Wie auch immer, Akademiker beschreiben Geschichte oft als quasi all das Zeug, das passiert ist,
seit wir begannen, Dinge niederzuschreiben, aber sie beginnen nur dort,
weil wir dort die besten Informationen haben.
Und ja, ich glaube, dass der Beginn des Schreibens eine große Sache war, offensichtlich,
aber als ein Beginn für Geschichte ist es total willkürlich! Es ist einfach eine Linie,
die wir in den Sand malten und dazu sagten: „Okay, Geschichte beginnt jetzt!“
In Große Geschichte beginnen wir Geschichte, wenn sie wirklich beginnt
Hungarian:
Sziasztok, én John Green vagyok, ez pedig a Crash Course Nagy Történelem, aminek keretei közt meg fogjuk tekinteni
a történelmét, nos, mindennek. Konkrétan az előző 13,8 milliárd évről beszélek, az ősrobbanástól
a mai napig. És ez alatt tényleg azt értem, hogy ebben a sorozatban megpróbáljuk elmesélni neked annak a történetét,
amit Douglas Adams csak így nevezett: ,,Az élet, a világmindenség, meg minden."
Mr Green! Mr Green! Ez nem történelem. Ez valami természettudomány, és a természettudományok a kockáknak valók.
Oh, én a múltból. Annyival könnyebben mennének számodra a dolgok, ha egyszerűen elfogadnád, hogy te
valójában kocka vagy. És ez tök oké. Mármint, haver, nézd már meg ezt a képet.
Szóval, a történelmet sokszor úgy kezeljük, mintha akkor kezdődött volna, amikore
elkezdtük leírni a dolgokat, de ez csak azért van így, mert onnantól kezdve vannak
a legjobb információink. És persze, úgy gondolom, hogy az írás kialakulása elég nagy dolog, nyilvánvalóan,
de a történelem kezdőpontjának teljesen önkényes. Csak egy vonal amit a homokba húztunk és azt
mondtuk, ,,Oké, akkor kezdődhet a történelem!"
English:
Hi. I'm John Green and this is Crash Course
Big History, in which we'll be looking at
the history of, like, everything. I'm talking about
13.8 billion years, from the big bang to now.
I mean, in this series, we are literally
going to attempt to tell you the story of
what Douglas Adams famously called
"life, the universe, and everything."
Mr Green! Mr Green! That's not history. That's
science, and science is for nerds!
Oh, me from the past! Things would be so much
easier for you if you would just accept that
you are, in fact, a nerd! And that's okay!
I mean, look at this picture, dude!
Anyway, academics often describe history as
like, all the stuff that's happened since
we started writing things down, but they only start there
because that's where we have the best information.
And yeah, I think that the advent of writing
was a huge deal, obviously, but as a start
date for history, it's totally arbitrary! It's just a line we
drew in the sand and said "okay, history begins now!"
Polish:
Cześć. Nazywam się John Green, a to jest
Szybki Kurs z Historii Wszechświata, w którym
przyjrzymy się bliżej historii wszystkiego.
Mam na myśli około 13,8 miliarda lat,
od Wielkiego Wybuchu do teraz. W tej serii
podejmiemy próbę opowiedzenia historii tego,
co Douglas Adams określił jako
„życie, Wszechświat i wszystko“.
Panie Green! Panie Green! To nie jest historia.
To nauka, a nauka jest dla kujonów!
Oho, to ja z przeszłości. Byłoby o wiele łatwiej,
gdybyś po prostu pogodził się z tym,
że tak naprawdę jesteś kujonem! Nie ma w tym
nic złego! No popatrz tylko na to zdjęcie, stary!
Wracając do tematu, naukowcy często
opisują historię jako wszystko,
co nastąpiło od momentu wynalezienia pisma, jednak historia ma swój początek właśnie wtedy tylko dlatego,
że takie mamy źródła informacji. I jasne, myślę, że pojawienie się pisma było ogromnym sukcesem,
to oczywiste, ale jako data początków historii jest całkowicie nieadekwatne! Przecież to tak,
jakby ktoś narysował linię na piasku i powiedział:
„Dobra, historia zaczyna się od teraz!“
Dutch:
Hallo, ik ben John green en dit is Crash Course Big History, waar we gaan kijken naar
de geschiedenis van alles. Ik heb het over 13.8 miljard jaar, vanaf de oerknal
tot nu. Ik bedoel, in deze serie, gaan we letterlijk proberen om u het verhaal te vertellen van
wat Douglas Adams "leven, het universum en alles" noemde.
Mr. Green! Mr. Green! Dat is geen geschiedis. Dat is wetenschap, en wetenschap is voor nerds.
Oh, mij uit het verleden! Alles zou zo veel makkelijker voor je zijn als je gewoon zou accepteren dat,
je in feite, een nerd bent! En dat is oké! Ik bedoel, kijk naar deze foto, kerel!
hoe dan ook, academici beschrijven de geschiedenis vaak als al het gene dat is gebeurd sinds
we zijn begonnen met het neerschrijven van dingen, maar ze starten daar omdat dat de
beste informatie is. En ja, ik denk dat de opkomst van schrijven iets groots was, uiteraard,
maar als een startdatum voor de geschiedenis, is het totaal willekeurig! Het is gewoon een grens die
we getrokken hebben en zeiden "Oké, de geschiedenis begint nu!"
Swedish:
Hej, jag är John Green och det här Crash Course Big History (Stora Historian), där vi kommer prata om
historien om, typ, allting. Jag pratar om 13.8 miljarder år, från Big Bang
tills nu. Jag menar, i denna serien av avsnitt, kommer vi bokstavligen att försöka berätta historien om
vad Douglas Adams kallade "Livet, Universum och Allting".
Mr Green! Mr Green! Det är inte historia.
Det är vetenskap, och vetenskap är för nördar!
Åh, jag från mitt förflutna! Saker och ting skulle bli så mycket bättre för dig om du bara accepterade att
du är, faktum med, en nörd! Och det är okej! Jag menar, mannen, titta på denna bilden!
Nåväl, akademiker beskriver ofta historia som,
typ, allt som hänt sedan
vi började skriva ned saker, men de börjar där vara för att det är där vi har den
bästa informationen. Och visst, jag anser också att upfinningen av det skrivna språket var viktigt, uppenbarligen,
men som ett startdatum för historien, det är helt ovidkommande! Det är bara en linje vi drog i
sanden och sade "Okej, historien börjar nu!"
Spanish:
Hola. Soy John Green y esto es Crash Course Historia Grande, en el cual vamos a ver
la historia de, ... , TODO. Estoy hablando de 13.800 millones de años, desde el big bang
hasta ahora. En esta serie, vamos a literalmente intentan contar la historia de
lo que Douglas Adams famosamente llamo:" la vida, el universo y todo".
Sr. Green!, Sr. Green! Eso no es historia.
!Eso es ciencia, y la ciencia es para nerds!
¡Oh, yo del pasado! Las cosas serian mucho mas fáciles para ti si aceptas que
tu eres, de hecho, un nerd! ¡Y eso está bien!, mira esta imagen amigo!
Igualmente, los académicos generalmente describen las historia como todas las cosas que pasaron desde
que empezamos a escribir, pero ellos empiezan allí porque allí es donde tenemos mejor
información. Y si, yo creo que la llegada de la escritura fué importante, obviamente
pero como un comienzo para la historia, no tiene sentido! Es solo una marca que hicimos
y luego dijimos "Ok, ¡la historia comienza ahora!"
Japanese:
どうもジョン・グリーンです
クラッシュコース・ビッグヒストリー
( 集中講座 : 大きな歴史 )へようこそ
これから10回にわたって
歴史のすべてを見ていきましょう
138億年分
ビッグバンから現在までの歴史です
つまりこのシリーズで
みなさんと一緒に見ていくのは
かの『 銀河のヒッチハイクガイド 』
に記されたフレーズ
「 生命、宇宙、そして万物 」についての物語です
グリーン先生!
そんなの歴史ではありません
科学ですよ
科学なんてオタクどもに
任せておけばいいんです
ああ 昔の僕!
自分をオタクと認められたら
君はどんなに楽になれたか
もういいんだよ!
こいつは一体誰だ
さて
学者が好きな歴史というのは
人類が何かを書き残してからの話です
やっぱり記録が残っているって
ちゃんとしてる感じがしますよね
もちろん
記述の発明が超重要なのは
僕だって
そりゃ認識してますよ
でもその後の歴史ばかり
贔屓しすぎですよね!
ではこちらも
勝手に砂場に線を引かせてもらいます
「 よっしゃ 歴史は今始まった!」
ビッグヒストリーの始まりは
本当の歴史の始まり
Romanian:
Bună. Sunt John Green și acesta e Crash Course Big History', în care o să urmărim
istoria a tot. Vorbesc de aproximativ 13,8 miliarde de ani, de la Big Bang
până în prezent.Vreau să spun că în această serie, vom încerca literalmente să vă explicăm povestea a
ceea ce Douglas Adams într-un mod celebru a numit "viața, universul și totul".
D-le Green! D-le Green! Aceea nu e istorie. Aceea e știinta, iar știința e pentru tocilari!
Oh, eule din trecut! Lucrurile ar fi mult mai simple pentru tine dacă ai accepta că
în fapt ești un tocilar! Si e ok! Adică, uită-te la poza asta!
Academicienii descriu adesea istoria ca fiind toate lucrurile ce s-au întâmplat de atunci
când am început să scriem, dar ei
încep de acolo pentru că de acolo avem
cele mai bune informații. Și da, cred, că nașterea scrisului a fost un eveniment uriaș, în mod evident,
dar ca o dată de început a istoriei, este absolut arbitrară! E doar o linie desenata de noi in nisip
unde am zis: "Bine, istoria începe de aici!"
Russian:
Здравствуйте, я Джон Грин и добро пожаловать в Crash Course: Большая История, где мы будем рассматривать
историю, по большому счёту, всего. Я имею в виду 13,8 миллиардов лет, с Большого Взрыва
до настоящего времени. То есть, я попытаюсь, в буквальном смысле, рассказать Вам историю
того, что Дуглас Адамс назвал "жизнью, Вселенной, и всем остальным".
Мистер Грин! Мистер Грин! Это не история. Это наука, а наука - для нёрдов!
Ах, прошлый Я. Тебе было бы настолько легче, если бы ты мог просто смириться с тем, что ты
есть нёрд! И это нормально! Ну посмотри на эту картинку!
Так или иначе, учёные часто описывают историю как то, что произошло с
того момента, когда мы начали вести запись событий, но они только начинают отсчёт там потому, что там у нас есть
лучшая информация. И да, я думаю, что появление письменности было крайне важно, ясен фиг,
но в качестве даты старта истории этот момент абсолютно произвольный! Это лишь линия, нарисованная нами
в песке со словами: "Окей, история начинается здесь!"
Danish:
Hej, mit navn er John Green og det her er Crash Course Big History, hvor vil skal se på
historien om, ja, alting. Jeg taler om 13.8 millarder år, fra Big Bang
til nu. I denne serie vil vi bogstaveligt talt give dig fortællingen
om, med Douglas Adams berømte ord: "Livet, Universet og Alting".
Hr. Green! Hr. Green! Det er ikke en historie. Det er videnskab, og videnskab er for nørder!
Nå, mig selv fra fortiden! Det hele ville være meget lettere for dig hvis du blot accepterede
at du faktisk ER en nørd. Og det er OK! Se bare det her billede!
Akademikere beskriver ofte historie som det der er sket siden
vi begyndte at skrive ting ned, men det gør de kun, fordi det er derfra,
vi har den bedste information. Og naturligvis synes jeg at skriftsprogets opståen var en kæmpe ting,
men som udgangspunkt for historien, er det helt håbløst. Det er blot en linje vi har trukket
i sandet, og sagt: "ok, herfra starter historien".
Italian:
Ciao. Sono John Green e questo è il Crash Course
Big History in cui prenderemo in esame
la storia di tutto. Sto parlando di 13,8 miliardi di anni,
dal Big Bang fino a oggi.
Voglio dire, in questa serie, tenteremo letteralmente
di raccontarvi la storia di
quello che Douglas Adams aveva notoriamente
chiamato "La vita, l'universo e tutto quanto".
Mr. Green! Mr. Green! Questa non è storia!
Questa è scienza, e la scienza è per i nerd!
Oh, me stesso del passato! Le cose sarebbero
molto più semplici se tu accettassi che
tu, in realtà, sei proprio un nerd! E va bene così!
Voglio dire, guarda questa foto, amico!
Comunque, spesso gli studiosi descrivono la
storia come tutte le cose che sono accadute da quando
abbiamo iniziato ad annotarle, ma iniziano da lì solo perché è a partire da allora che abbiamo maggiori informazioni.
Sì, ovviamente, penso che l'avvento della scrittura
sia stata una grande riforma, ma come data di inizio
per la storia, è totalmente arbitraria! Abbiamo disegnato una linea sulla sabbia e abbiamo detto: "ok, la storia inizia da qui!"
Vietnamese:
Chào. Tôi là John Green và đây là Crash Course Lịch sử Vĩ Đại, thứ mà chúng ta sẽ xem xét về
lịch sử của, để xem nào, tất cả mọi thứ. Tôi đang nói đến 13,8 tỉ năm, từ vụ nổ Big Bang
cho đến nay. Ý tôi là, trong sêri này thì chúng tôi sẽ ráng kể cho bạn nghe câu chuyện
mà Douglas Adams nổi tiếng gọi là "cuộc sống, vũ trụ và mọi thứ".
Thầy Green! Thầy Green! Cái đó đâu phải là lịch sử. Cái đó là khoa học mà, và khoa học thì dành cho bọn mọt sách!
Ồ, tôi của ngày hôm qua ơi! Chuyện sẽ dễ dàng hơn nhiều nếu cậu chịu chấp nhận sự thật rằng
chính bạn, là một thằng mọt sách. Và điều đó chả sao cả, í tôi là, nhìn tấm ảnh này này, cậu bé!
Đằng nào đi nữa, những học giả đều miêu tả lịch sử là những thứ xảy ra từ khi
chúng ta bắt đầu ghi lại chúng, nhưng họ chỉ bắt đầu từ chỗ đó vì đó là khi chúng ta có nhũng
thông tin chính xác nhất. Và ừ, tôi nghĩ là sự xuất hiện của chữ viết cũng là một mấu chốt, hiển nhiên rồi,
nhưng nếu nói về nó như ngày bắt đầu của lịch sử thì thật là tuỳ tiện! Nó chỉ là một đường thẳng mà ta vẽ
trên cát rồi bảo rằng "Ờ, lịch sử bắt đầu bây giờ nghen!"
Finnish:
Hei. Minä olen John Green ja katsot Crash Coursen Isoa Historiaa, jossa
käsittelemme… no, kaiken historiaa. Puhun nyt 13,8 miljardista vuodesta, alkuräjähdyksestä
tähän hetkeen. Yritämme siis kirjaimellisesti kertoa tarinan, joka liittyy,
Douglas Adamsin kuuluisten sanojen mukaan, ”elämään, maailmankaikkeuteen ja kaikkeen muuhun sellaiseen”.
Herra Green, Herra Green! Eihän tuo ole historiaa. Tuo on tiedettä, joka on nörttien hommaa!
Ah, minä menneisyydestä! Elämä olisi paljon helpompaa sinulle, jos vain hyväksyisit, että
olet oikeasti nörtti. Ja se on okei! Katso nyt tätä kuvaa!
Joka tapauksessa, tutkijat usein kuvailevat historiaa asioina, jotka tapahtuivat
kirjoittamisen aloittamisen jälkeen, mutta he aloittavat siitä vain koska siltä ajalta
meillä on parasta informaatiota. Ja kyllä, tietenkin pidän kirjoitustaidon alkua todella tärkeänä tapahtumana,
mutta historian alkuhetkenä se on täysin tuulesta temmattu! Se on vain viiva, jonka piirsimme
hiekkaan ja sanoimme ”okei, tästä alkaa historia!”
Portuguese:
Olá. Eu sou John Green
e esse é o Crash Course: Big History.
Onde nós estaremos olhando a História de, tipo, tudo.
Estou falando de 13,8 bilhões de anos.
Do Big Bang até agora.
Digo, nessa série, nós iremos,
literalmente, tentar te contar a história
que Douglas Adams chamou de
"a Vida, o Universo e Tudo o Mais".
Sr. Green! Isso não é História.
Isso é ciência, e ciência é pra nerds!
Ah, Eu Do Passado! Tudo seria tão mais fácil para você
se apenas aceitasse que você é, de fato, um nerd!
E não há nada de errado com isso!
Sério, olhe pra essa foto, cara!
De qualquer forma, acadêmicos descrevem História como:
"tudo que aconteceu desde que começamos a escrever",
mas a História só começa com isso porque é quando adquirimos informações confiáveis.
E claro que o advento da escrita foi importantíssimo, obviamente,
mas como data de nascimento da História, é totalmente arbitrário!
É apenas uma linha que desenhamos na areia que diz "okay, a História começa agora!"
Arabic:
مرحبًا، أنا جون غرين، وهذه سلسلة
Crash Course Big History،
حيث سنتحدث عن تاريخ كل شيء، وأتحدث عن 13،8
مليار عام، منذ الانفجار العظيم حتى الآن.
في هذه السلسلة، سنحاول أو نروي لكم القصة
التي أطلق عليها دوغلاس آدمز
"الحياة، الكون، وكل شيء".
سيد غرين، سيد غرين، هذا ليس تاريخًا.
إنّه علم، والعلم للحمقى.
هكذا كنت في الماضي، ستكون الأمور أسهل عليك
لو اعترفت أنّك أحمق.
ولا بأس بذلك، انظر إلى هذه الصورة!
على أي حال، يصف الأكاديميون التاريخ غالبًا
بأنّه ما حدث منذ بدأنا الكتابة.
لكنّهم يبدؤون من تلك المرحلة،
لأنّها حيث نحصل على أفضل المعلومات.
وصحيح أنّ بداية الكتابة حدَث مهم حتمًا. لكنّ
اعتباره بداية للتاريخ هو تصرّف اعتباطيّ جدًا.
إنّه مجرّد خطّ رسمناه على الرمال
وقلنا "حسنًا، سيبدأ التاريخ الآن"!
Korean:
안녕, 존그린입니다. '큰 역사'에 관한 크래쉬코스로 여기서 모든 것에 대한 역사
를 얘기하려고 합니다. 138억년 전의 빅뱅부터 지금까지의 역사를..
저는 이 시리즈에서 , 실제로 여러분에게 더글러스 아담스 말대로
"생명체, 우주, 그리고 모든 것"에 관한 얘기를 하려고 합니다.
그린씨, 그린씨! 그건 역사가 아니예요. 그건 과학이지요. 샌님들의 과학말이예요.
아 내 어렸을 적이군! 네가 샌님이란 것을 깨닫고 인정하면 세상은 훨씬 이해하기
쉬워질꺼야! 어쨋든 괜찮아! 내 말은, 잘난 녀석, 이 사진을 보면 그럴듯 하네
전통교육에선 역사의 출발을 인류가 기록을 남긴 때 부터
시작하려고 들지. 그런데 그렇게 된 건 그 전것은 정보가 별로 없어서 였었지.
문자의 츨현은 역시 대단한 사건이지만, 그 출현 시점부터 역사를 시작하는 것은
완전히 주관적인 것이지! 이건 마치 모래위에 선을 긋고 " 이제 이 선부터 역사가 시작한다" 라고 말하는 것과 같아.
iw:
היי. אני ג'ון גרין וזה "קראש קורס" - ההיסטוריה הגדולה, שבו אנו נסתכל
על ההיסטוריה של, הכל. אני מדבר
על 13.8 מיליארדים של שנים, מהמפץ הגדול
עד עכשיו, אני מתכוון, שבסדרה זו, אנחנו ממש הולכים לנסות לספר לכם את הסיפור של
מה שדאגלס אדמס קרא לו "החיים, היקום והכל"
מר גרין! מר גרין! זה לא היסטוריה. זה מדע, ומדע זה לחנונים!
או, אני מהעבר! דברים ילכו הרבה יותר בקלות אם רק תקבל את זה
שאתה, למעשה, חנון! וזה בסדר! אני מתכוון, תסתכל על התמונה חבוב
בכל מקרה, האקדמיה מתארת לעיתים קרובות היסטוריה ככל הדברים שקרא מאז
שהתחלנו לכתוב דברים, אבל היא מתחילה שם רק בגלל שזאת הנקודה בה
יש לנו את המידע הכי מהומן. וכן, אני חושב שהמצאת הכתב היה מאוד חשוב
אבל ככל שאנו מתארכים את ההיסטוריה, זה מאוד נזיל! זה בסך הכל קו דביוני שציירנו
בחול ואמרנו לעצמנו "אוקיי, היסטוריה מתחילה כאן"
French:
Bonjour. Je suis John Green et bienvenue à Crash Course la grande histoire, aujourd'hui nous allons étudier
l'histoire de tout. Je parle de 13,8 milliards d'années, qui s'étendent du big bang
jusqu'à maintenant.
En fait, nous allons littéralement tenter de vous raconter l'histoire
de ce que Douglas Adams a fameusement appelé
"la vie, l'univers et le reste".
Monsieur Green! Monsieur Green!
C'est pas de l'histoire.
C'est de la science, et la science c'est pour les intellos!
Oh, moi du passé! Les choses pourraient être tellement plus simples pour toi si tu pouvais juste accepter que
tu es, en fait, un intello! Et ce n'est pas grave!
Je veux dire, regarde cette photo, mec!
Bref, les académies décrivent souvent l'histoire comme toutes les choses qui se sont passées depuis
qu'on a commencé à écrire, mais ils ne commencent que là parce que ce n'est qu'à partir de là que nous avons
les informations les plus précises. Et oui, je pense que le début de l'écriture était quelque chose d'énorme, évidemment,
mais en tant que date de départ de l'histoire, c'est complètement arbitraire! C'est juste une ligne qu'on a tracé dans le
sable en disant "Ok, l'histoire commence là!"
Portuguese:
Olá. Eu sou John Green e esse é o Crash Course: Big History (A Grande História), onde nós estaremos visando
a História de, tipo, tudo. Estou falando de 13.8 bilhões de anos, do Big Bang
à agora. Digo, nessa série, nós iremos, literalmente, tentar te contar a história
que o Douglas Adams famosamente chamou de "a vida, o universo e tudo mais".
Sr. Green! Sr. Green! Isso não é História. Isso é ciência, e ciência é pra nerds!
Oh... Eu do passado! Tudo seria tão mais fácil para você se apenas aceitasse que
você é, de fato, um nerd! E não há nada de errado com isso! Sério, olhe pra essa foto, cara!
De qualquer forma, acadêmicos geralmente descrevem História como: tudo que aconteceu desde o momento
em que começamos a escrever os acontecimentos, mas eles só começaram com isso porque foi quando tivemos
as melhores informações. E sim, eu acho que o advento da escrita foi um grande negócio, obviamente,
mas como data de nascimento da História, é totalmente arbitrário! É apenas uma linha que desenhamos
na areia que diz "okay, a História começa agora!"
Hungarian:
Mi itt a Nagy Történelemben ott kezdjük a történelmet, amikor ténylegesen elkezdődött - vagy legalábbis, ahol gondoljuk, hogy elkezdődött -,
az univerzum keletkezésénél, és ott fejezzük be, ahol a történet véget ér. Légyszi,
hadd legyen azután, hogy meghalok! Nos, biztosan azután lesz, hogy én meghalok, csak jó lenne
ha azért nem rögtön utána lenne.
Szóval, ki fogunk készíteni néhány hagyományos történészt azzal, hogy a fizika segítségével megpróbáljuk
megjósolni a jövőt, és évmilliárdokkal később fogunk végezni, amikor
az univerzum maga, vigyázz, spoiler: meghal. Legalábbis, bizonyos értelemben.
Hey. Én nem John vagyok. Ha úgy látod, hasonlítunk egymásra, az valószínűleg azért lehet, mert testvérek
vagyunk. A nevem Hank. Mindenesetre, ha világmindenség 13,8 milliárd éves történelmét annyi
idő alatt szeretnéd megtanulni, mint amennyi Amerika 238 évéhez kellett,
valószínűleg csalódni fogsz.
Természetesen fontos tudni az amerikai történelem neveit és évszámit, de a Nagy Történelmben
ez egyszerűen lehetetlen.
Polish:
W Historii Wszechświata rozpoczniemy historię
wtedy, kiedy naprawdę się zaczęła
(a przynajmniej tak nam się wydaje) – w momencie powstania Wszechświata, a następnie zakończymy ją
tam, gdzie się kończy – BŁAGAM, niech to będzie po mojej śmierci! Hm, w sumie i tak wtedy umrę...
ale chodzi o to, żeby minęło
jeszcze potem trochę czasu!
Tak więc wywołamy zgrozę u historyków-tradycjonalistów, posiłkując się fizyką
przy przewidywaniu przyszłości,
i skończymy wiele bilionów lat od teraz,
gdy Wszechświat (uwaga, spoiler!) umrze.
A przynajmniej tak to można określić.
Hej! Nie, to nie John. Jeśli wydaje Wam się, że wyglądamy podobnie – to dlatego, że jesteśmy braćmi.
Mam na imię Hank. W każdym razie, jeśli chcielibyśmy poznać historię Wszechświata trwającą 13,8 mld lat
w tyle samo czasu, ile zazwyczaj zajmuje
opowiedzenie 238 lat historii Ameryki,
popsułby nam się trochę punkt widzenia.
Oczywiście w historii USA ważne jest
poznanie wszystkich nazwisk i dat,
jednak nie da się tak
z historią Wszechświata.
Japanese:
つまり
限界まで遡って宇宙創造の時
そして終わりは
歴史の全てが終わる時
どうか
僕が死んでからにしておくれ
絶対そうなんだけど
とにかく
生きてる間に終わらないで
とにかく
昔ながらの歴史家が引いちゃおうが
かまわず
物理学を使って未来予測もします
今から何兆年も何兆年もずっとずっと先の
最後の場面で
宇宙そのものが
いきなりネタバレしますが
終わるところまで
そういうことです
どうも!ジョンじゃない人だよ
なんか似たような奴が出てきたわけだけど
弟のハンクと申します
さて
138億年分の歴史の全てを学ぶといっても
普通にアメリカの歴史
238年を学ぶのと
同じやり方じゃキツいよね
そりゃアメリカ史には
名称や年号は重要だけど
ビッグヒストリーに
そういうやり方は手に余る
French:
Dans La Grande Histoire, nous allons commencer l'histoire là où elle commence vraiment
- ou du moins, où l'on pense -
à la création de l'univers, et nous allons finir cette histoire là où elle se termine
- En espérant
que ça soit après ma mort! Enfin, je présume que ce sera probablement après ma mort, c'est juste que -
Je veux que ça dure un bon moment après ma mort!
Donc nous allons même terrifier les historiens traditionnels en utilisant la physique pour faire des prédictions
sur le futur, et nous allons terminer à des trillions et des trillions d'années de maintenant,
quand l'univers lui-même, alerte spoiler: meurt.
Du moins, c'est une façon de parler.
Hey! Je ne suis pas John. Si vous pensez qu'on se ressemble un peu, c'est parce qu'on est
frères. Je suis Hank. Quoiqu'il en soit, si vous voulez apprendre les 13,8 milliards d'années d'histoire de l'univers
dans le même laps de temps que nous avons l'habitude de prendre pour couvrir les 238 années de l'histoire de l'Amérique, vous
n'allez pas avoir la même précision.
Bien sûr, connaissant les noms et dates de
l'histoire américaine est important, on ne peut tout simplement
pas faire ça dans la Grande Histoire.
Portuguese:
Nessa série, nós iremos começar a História de onde
ela realmente começou (ao menos, onde nós achamos)
Na criação do Universo, e nós iremos
terminar essa história onde ela termina.
Por favor, que seja após a minha morte!
Bom, eu acho que será, definitivamente, após a minha morte.
Mas quero que seja muito tempo
depois da minha morte!
Então, nós iremos aterrorizar historiadores tradicionais,
usando Física para fazermos algumas predições sobre o futuro,
e iremos terminar em muitos trilhões
e trilhões de anos no futuro;
quando o próprio Universo,
*alerta de spoiler*: morre, por assim dizer.
E aí! Eu não sou o John.
Se você acha que somos parecidos,
é porque somos irmãos.
Eu sou o Hank.
Se quer aprender os 13,8 bilhões de anos de História do Universo
no mesmo tempo que cobrimos
os 238 anos de História dos Estados Unidos,
você não vai ter a mesma resolução.
Claro, saber os nomes e datas da História dos EUA é importante,
mas não podemos fazer isso nessa série.
Romanian:
În 'Big History vom porni cu istoria când începe cu adevărat – cel puțin așa credem
– la crearea universului, și vom termina povestea unde se termină – mă rog ca
asta să fie după ce voi muri! Bine, ghicesc că va fi cu siguranță după ce voi muri, doar că – aș vrea
să fie un timp după ce voi muri!
Deci o să-i terorizăm pe istoricii tradiționali prin a folosi fizica pentru a face unele previziuni
cu privire la viitor și o să ne ia multe trilioane și trilioane de ani de acum
când universul însuși,sună alerta: moare.Cel puțin, într-un fel de a spune .
Hei! Nu sunt John. Dacă sunteți de părere că semănăm puțin asta e pentru că suntem frați.
Sunt Hank. Oricum, dacă vreți să învățați istoria de 13800000000 ani a universului
în aceeași perioadă de timp, în care, de obicei, acoperim cei 238 de ani de istorie americană, nu
vom acea aceeași rezoluție.
Desigur, cunoașterea numelor și datelor Istoriei americane este importantă, dar nu vom
face doar asta la Big History.
Russian:
В Большой истории мы начнём историю там, где она на самом деле начинается (по меньшей мере, как нам кажется)
- у сотворения Вселенной, и закончим мы историю там, где она заканчивается...
... и только бы это было ПОСЛЕ того, как я умру! Ну, наверное, это в любом случае будет после моей смерти
Пусть пройдёт приличное время после моей смерти!
Так что мы даже введём классических историков в шок и используем физику для того, чтобы сделать предсказания
насчёт будущего, и мы закончим через много триллионов лет после сего момента,
когда сама Вселенная [СПОЙЛЕР] умрёт. Ну, в каком то смысле.
Хей! Я не Джон. Если Вас кажетс, что мы похожи, то это потому, что мы
братья. Я Хэнк. Так или иначе, если Вы хотите познать историю Вселенной (13,8 миллиардов лет)
за то же время, за которое мы обычно освещаем 238 лет американской истории, Вы
не получите той же детализации.
Конечно, знать имена и даты американской истории важно, но в
Большой истории этого просто не сделать.
Turkish:
Büyük Tarih'de, tarih gerçekte ne zamandan başladıysa
o zaman başlayacağız. En azından tahmin ettiğimiz.
Evrenin yaradılışından, hikayenin sonuna kadar gideceğiz.
Lütfen,
ben öldükten sonra olsun. Yani, aslında kesinlikle ben öldükten sonra olacak. Sadece ben öldükten bir süre sonra olmasını istiyorum.
Bu yüzden gelecekle ilgili bazı tahminlerde bulunmak için fizik kullanarak geleneksel tarihçileri dehşete düşüreceğiz
ve şu andan itibaren trilyonlarca yıl katedeceğiz
ne zaman ki evrenin kendisi, spoiler uyarısı: ölürse.
En azından, lafın gelişi.
[Tema Müziği]
Hey! John değilim. Eğer az da olsa benzediğimizi düşünüyorsanız, kardeş olduğumuz içindir.
Ben Hank. Her neyse, eğer evrenin 13.8 milyar yıllık yaşını
238 yıllık Amerikan tarihini kapsadığımız süreyle öğrenmek istersen aynı sonucu elde edemezsin
Tabii ki, Amerikan tarihinin isimlerini ve tarihlerini bilmek önemlidir, ancak bunu Büyük Tarih'de yapamayız
Finnish:
Isossa historiassa aloitamme historian sieltä, missä se oikeasti – ainakin tietojemme mukaan – alkaa,
maailmankaikkeuden synnystä, ja lopetamme sen sinne, missä se loppuu
– toivon mukaan kuolemani jälkeen! No, kyllähän se varmasti tapahtuu kuolemani jälkeen, mutta haluaisin,
että kuolemastani olisi ehtinyt kulua jonkin aikaa!
Joten aiomme jopa pelotella perinteisiä historioitsijoita tekemällä fysiikan avulla joitakin ennustuksia
tulevaisuudesta, ja lopetamme sarjan biljoonia ja biljoonia vuosia tästä hetkestä,
, jolloin itse maailmankaikkeus, spoiler alert, kuolee. No, ainakin tavallaan.
Hei! En ole John. Jos näytämme mielestäsi vähän samalta, se johtuu siitä että olemme
veljeksiä. Minä olen Hank. Joka tapauksessa, jos haluat oppia 13,8 miljardista vuodesta maailmankaikkeuden
historiaa samassa ajassa, jonka yleensä käytämme
238 vuoteen Amerikan historiaa,
tulos ei tule olemaan sama.
Tietenkin Amerikan historian nimien ja päivämäärien tietäminen on tärkeää, mutta
emme voi käsitellä isoa historiaa samoin.
English:
In Big History, we're gonna start history
when it really starts - at least, we think
- at the creation of the universe, and we're
gonna end that story where it ends - please
let that be after I die! Well, I guess it will definitely
be after I die, just - I want it to be a while after I die!
So we're even gonna terrify traditional historians
by using physics to make some predictions
about the future, and we're gonna end many
trillions and trillions of years from now,
when the universe itself, spoiler alert: dies.
At least, in a manner of speaking.
[Theme Music]
Hey! I'm not John. If you're thinking we look
a little bit the same, that's because we're brothers.
I'm Hank. Anyway, if you wanna learn the 13.8 billion
year history of the universe in the same amount
of time that we usually cover the 238 years of American
history, you're not gonna get the same resolution.
Of course, knowing the names and dates of American history is important, but we just can't do that in Big History.
Spanish:
En "Historia Grande", vamos a comenzar la historia donde comienza realmente, en la
creación del universo, y vamos a terminar donde termina realmente - por favor
que eso sea después de que yo muero!, Definitivamente va a ser después que yo muera
¡Quiero que sea "un tiempo después" que yo muera!
Así que vamos a aterrorizar a los historiadores tradicionales usando la física para hacer predicciones
sobre el futuro, y vamos a terminar muchos trillones de años en el futuro
donde el universo mismo, muere. Al menos figurativamente.
¡Hey! No soy John. Si piensas que nos vemos parecidos, es porque somos hermanos.
Soy Hank. Si quieres aprender los 13.800 millones de años de historia del universo
en la misma cantidad de tiempo que usualmente cubrimos los 238 años de historia norteamericana
no vas a tener el mismo detalle.
Por supuesto que saber nombres y fechas de Historia Norteamericana es importante, pero
no podemos hacer eso en "Historia Grande"
Dutch:
In Big History gaan we de geschiedenis beginnen wanneer hij echt begint - althans, dat denken we
- met de schepping van het universum, en we gaan dat verhaal beëindigen waar het eindigt - en aub,
laat dat zijn nadat ik sterf! Nou, ik denk het zeker zal zijn nadat ik sterf, maar - ik wil
dat het een tijdje na ik sterf eindigt!
Dus we gaan zelfs traditionele historici angst aanjagen door met behulp van de fysica voorspellingen over de
toekomst te maken, en we gaan vel biljoenen en biljoenen jaren van nu eindigen,
wanneer het universum zelf, spoiler alert: sterft! Ten minste bij wijze van spreken.
Hey! Ik ben niet John. Als je denkt dat we een beetje op elkaar lijken, dat is omdat we broers zijn.
Ik ben Hank. Hoe dan ook, als je de 13.8 miljard jaar geschiedenis van het heelal wil leren
in dezelfde hoeveelheid tijd die we gewoonlijk gebruiken voor 238 jaar Amerikaanse geschiedenis,
dan ga je niet dezelfde resolutie krijgen.
Natuurlijk is het kennen van de namen en data van de Amerikaanse geschiedenis belangrijk, maar dat
kunnen we gewoon niet doen in Big History.
iw:
בהיסטוריה הגדולה, אנו נתחיל את ההיסטוריה איפה שהיא באמת מתחילה- או לפחות, איפה שאנחנו חושבים שהיא התחילה
בבריאת היקום, ואנו הולכים לסיים את ההיסטוריה היכן שהיא מסתיימת -
בבקשה שזה יהיה אחרי שאני אמות! טוב, אני מנחש שזה בטוח יהיה אחרי שאני אמות, פשוט - אני רוצה
שזה יהיה קצת הרבה אחרי שאני אמות
אז אנחנו הולכים להפחיד מעט היסטוריונים קלאסיים על ידי שימוש בפיזיקה בשביל לנסות לחזות מעט
על העתיד, ואנחנו הולכים לסיים טריוליוני שנים מהיום
כאשר היקום עצמו [זהירות, ספוילר]: ימות.
היי! אני לא ג'ון. אם אתם חושבים שאנחנו קצת דומים, זה בגלל שאנחנו
אחים. אני האנק. בכל מקרה, אם תרצו ללמוד 13.8 ביליון שנות היסטוריה של היקום
באותו כמות זמן, אנחנו בדרך כלל מסקרים את 238 שנות ההיסטוריה האמריקאית,
אז לא נקבל את אותה הרזולוציה
כמובן, לדעת את השמות והתאריכים של ההיסטוריה האמריקאית זה חשוב (לא באמת), אבל אנחנו
לא יכולים לעשות את זה גם ב"היסטוריה גדולה"
Korean:
"큰 역사"에선, 역사의 시작 순간부터 출발할꺼야 - 우리 지식에 근거하여
우주의 창조부터 시작하여 우주의 종말까지를 얘기할꺼야 - 아 제발 그 종말은
내가 죽은 후에 일어나기를! 그래, 내 생각엔 확실히 내가 죽은 후에 종말이 와 - 내가 죽고나서도 한참 후에 오기를!
이제 우린 물리학을 동원하여 미래에 대한 과학적 예측을 해서, 전통 역사학자
들을 겁줄꺼야, 그리고 몇 조년, 몇 조년 아주 오랜 후까지 얘기한 후 끝낼꺼야
그 땐 우주가 - 주의- 사망함. 최소한 그렇게 말할 수 있지.
안녕! 난 존이 아닙니다. 우리가 닮았다고 생각한다면 그건 우리가 형제라서요.
전 행크고요. 138억년 간의 우주역사를 미국 238 년 역사 배우는 시간내에
배우려면, 미국 역사 배우듯이 가까이 드려다 보며 자세히 얘기할 수는 없지요.
물론 미국역사에서 사람이름과 사건날짜를 배우는 것도 중요하나 큰 역사에선 그렇게 할 순 없어요.
Danish:
I Big History, starter vi historien derfra hvor det faktisk starter - i hvert fald derfra hvor vi tror -
ved dannelsen af universet, og vil vil slutte historien hvor den ender - jeg håber det bliver
efter jeg dør! Det bliver sikkert efter jeg dør, men jeg vil gerne have
at det bliver langt tid efter!
Vi vil endda skræmme livet af traditionelle historikere, ved at anvende fysikken til at lave nogle forudsigelser
om fremtiden, og vi vil slutte mange trillioner og atter trillioner af år fra nu,
når universet selv - spoiler alert - dør. På en måde i hvert fald.
Hov, jeg er ikke John. Hvis du synes vi ligner hinanden er det fordi
vi er brødre. Jeg hedder Hank. Hvis du vil høre den 13.8 mia lange historie om universet
på samme tid som vi normalt dækker 238 år af Amerikas historie, vil du
ikke helt opnå samme grad af detalje.
Det er naturligvis vigtigt at kende navne og datoer i Amerikansk historie, men det kan
vi ikke arbejde med i Big History.
Portuguese:
Na "Big History (A Grande História)", nós iremos começar a História de onde ela realmente começou — ao menos, nós achamos
— na criação do universo, e nós iremos terminar essa história onde ela termina — por favor
que seja após a minha morte! Bom, eu acho que será, definitivamente, após a minha morte — eu quero
que acabe um tempo depois da minha morte!
Então nós iremos aterrorizar historiadores tradicionais, usando Física para fazermos algumas proposições
sobre o futuro, e iremos terminar em muitos trilhões e trilhões e trilhões de anos partindo de agora,
quando o universo, e tudo mais, alerta de spoiler: morre. Ao menos, em um dos modos de dizer.
E aí! Eu não sou o John. Se você está se perguntando porque somos um pouco parecidos, é porque somos
irmãos. Eu sou o Hank. Seguindo, se quer aprender os 13.8 bilhões de anos de História do universo
no mesmo período de tempo que normalmente cobrimos os 238 anos de História dos Estados Unidos, você
não terá o mesmo resultado.
Claro, saber os nomes e datas da História dos Estados Unidos é importante, mas nós
não podemos, simplesmente, fazer isso na "Big History (A Grande História)".
Vietnamese:
Trong "Lịch sử Vĩ Đại", chúng ta sẽ bắt đầu lịch sử khi nó thực sự bắt đầu - hay chí ít là ta nghĩ vậy
- khi vũ trụ hình thành, và ta sẽ kết thúc nó khi nó tàn - làm ơn
làm ngày đó kết thúc khi tôi chết đi! Thực sự mà nói, tôi đoán nó chắc chắn sẽ kết thúc sau khi tôi chết - Tôi muốn
nó phải thật lâu sau khi tôi chết cơ!
Vậy chúng ta phải làm các nhà sử học truyền thống lo ngại bằng cách sử dụng Vật Lý Học để dự đoán
tương lai, và chúng ta sẽ đi đến kết thúc hàng tỷ tỷ năm nữa
khi mà chính vũ trụ sẽ tuyên bố: Xong rồi!...Ít ra vẫn tuyên bố đàng hoàng.
[Nhạc nền]
Chào! Tôi phải là John. Nhưng nếu bạn nghĩ tôi nhìn khá giống anh ấy thì đúng rồi, chúng tôi là anh em.
Tôi tên Hank. Thôi quay lại vấn đề. Nếu bạn muốn học Lịch sử Vũ trụ vốn có 13.8 tỷ niên sử với lượng thời gian
như chúng ta học 238 niên sử Hoa Kỳ
Các bạn sẽ nản thôi.
Dĩ nhiên là học các tên và ngày tháng trong sử Mỹ khá quan trọng
nhưng mà làm vậy với Lịch sử Vĩ đại là không được đâu.
Arabic:
في هذه السلسلة، سنبدأ حديثنا عن التاريخ
حين بدأ فعليًا، حسب اعتقادنا على الأقل
وذلك عند بداية الكون.
وسنختم تلك القصة حيث ستنتهي.
أتمنى أن يحدث ذلك بعد موتي! أظنّه سيحدث بعده
حتمًا، لكنّي أريد حدوثه بعد موتي بوقت طويل.
إذن، سنرعب المؤرّخين التقليديين
باستخدام الفيزياء للتوصل لتنبؤات عن المستقبل.
وسنختم بعد ترليونات السنوات من الآن.
وذلك حين ينتهي الكون نفسه،
بطريقة ما على الأقل.
مرحبًا، أنا لست جون، إن كنتم تفكّرون
بأنّنا نشبه بعضنا، فذلك لأنّنا أخوَين.
أنا هانك. على كلّ، إن أردتم التعرّف
على تاريخ الكون الممتد لـ14،8 مليار سنة
خلال نفس الوقت الذي نغطّي فيه الـ238 سنة
لتاريخ أمريكا، فلن نتوصّل إلى نفس النتيجة.
بالطبع، معرفة أسماء وتواريخ التاريخ الأمريكي
مهمة، لكنّنا لا نستطيع فعل ذلك في سلسلتنا.
Italian:
In Big History, inizieremo la storia da quando
è realmente iniziata – o almeno, pensiamo –
alla creazione dell'Universo e concluderemo
questa storia quando esso finirà – per favore
fate che succeda quando non ci sarò più! Beh, direi che sarà proprio dopo la mia morte, solo – vorrei che succedesse quando sarò già morto da un po'!
Dunque, spaventeremo persino gli storici
tradizionali usando la fisica per fare predizioni
sul futuro e finiremo a molte migliaia
di miliardi di anni da oggi
quando l'Universo stesso – allarme spoiler – muore.
O almeno in un certo senso.
Ehi! Non sono John. Se pensi che ci assomigliamo
un po' è perché siamo fratelli.
Sono Hank. In ogni caso, se volete imparare 13,8
miliardi di storia dell'Universo nello stesso tempo
che di solito coprono i 238 anni della storia
Americana, non avrete la stessa risoluzione.
Naturalmente, conoscere i nomi e le date della storia americana è importante, ma non possiamo farlo
in Big History.
German:
– zumindest, denken wir das – bei der Bildung des Universums,
und wir werden mit der Erzählung enden, wo sie endet. Bitte, lass es sein, nachdem ich sterbe!
Nun, ich nehme an, es wird definitiv sein, nachdem ich sterbe,
ich will nur, dass es eine ganze Weile ist, nachdem ich sterbe!
Also, wir werden sogar traditionelle Historiker (und -innen) in Schrecken versetzen, indem wir
Physik benutzen, um einige Vorhersagen über die Zukunft zu treffen, und wir werden nach Billionen
und Aberbillionen Jahren von heute gesehen enden, wenn das Universum selbst, Spoiler-Alarm: stirbt.
Zumindest gewissermaßen.
[Titelmusik]
Anbruch des Universums:
- Leben könnte per Anhalter zur Erde auf einem Meteoriten mitgefahren sein.
- Keine Sorge, das Universum ist nur ein Hologramm.
- Riesenwolken von primitiven Elementen vereinigten sich zu Sternen.
- Galaxien formten sich etwa 850 Millionen Jahre nach dem Urknall.
- Zeitweise waren wir alle Quark-Gluonen-Plasma.
- Diese Episode brauchte 13,8 Milliarden Jahre bis zur Erstellung.
Frühes Leben:
- Die Erde bietet Heimat für rund 8,7 Millionen Lebensformen.
- Hank ist im Wahn in der Membran.
- Leben auf der Erde startete vor 3,7 – 4,4 Milliarden Jahren.
- Einige abiotische Moleküle sind offenkundig selbstreplizierend.
- Modernes Leben stammt höchstwahrscheinlich aus einer RNA-Welt.
- Leben könnte sich in hydrothermalen Quellen entwickelt haben.
Frühes Leben:
- Die Erde bietet Heimat für rund 8,7 Millionen Lebensformen.
- Hank ist im Wahn in der Membran.
- Leben auf der Erde startete vor 3,7 – 4,4 Milliarden Jahren.
- Einige abiotische Moleküle sind offenkundig selbstreplizierend.
- Modernes Leben stammt höchstwahrscheinlich aus einer RNA-Welt.
- Leben könnte sich in hydrothermalen Quellen entwickelt haben.
3: Prehuman:
- Die Toba-Supereruption drängte uns an den Rand der Ausrottung.
- Homo sapiens ist die einzige ausgestorbene Spezies, von der man weiß, dass sie Monopoly gespielt hat.
- Monolithen wurden mit dem exakten Verhältnis von 1:4:9 geschaffen.
- Krähen, Delfine, Elefanten und Tragossos [Pokemon] benutzen ebenfalls Werkzeug.
- Moderne Menschen verließen Afrika vor rund 90.000 – 130.000 Jahren.
- Diese Maschine tötet Faschisten.
3: Posthuman:
...und wir werden also bei der Singularität sein allezeit. [Verballhornung von 1.Thessalonicher 4,17]
- Die Keytarre ersetzt 2021 offiziell die Gitarre.
- Wir vertrauen auf R.O.B.
- Künstliche Intelligenz wird letztendlich übertrumpft von künstlicher Dummheit.
- Ich bin ein Computer.
- Der dritte Weltkrieg wird von Radiant und Dire geführt. [Fraktionen in dem Computerspiel Warcraft 3]
Crash Course: Große Geschichte
[Hank] Hey! Ich bin nicht John. Falls ihr denkt, dass wir uns ähnlich sehen, liegt das daran,
dass wir Brüder sind. Ich bin Hank.
Wie auch immer, wenn man die 13,8 Milliarden Jahre umfassende Geschichte des Universums
in der gleichen Zeitspanne lernen will, in der wir normalerweise 238 Jahre
der amerikanischen Geschichte behandeln, dann bekommt man nicht dieselbe Auflösung.
Sicherlich, die Namen und Daten der amerikanischen Geschichte zu kennen ist wichtig,
aber wir können das einfach nicht machen in Große Geschichte.
Swedish:
I Big History, kommer vi börja historien där den faktiskt började - eller åtminstone, vi tror vi det
- vid skapandet av Universum, och vi kommer avsluta den historien där den slutar - snälla
snälla säg att det är efter jag dör! Okej, jag antar det definitivt kommer ske efter jag har dött, bara - Jag
vill att det ska vara ett tag efter jag dött!
Så nu ska vi skrämma traditionella
historiker genom att använda fysik för att skapa förutsägningar
om framtiden, och vi kommer sluta triljoners triljoner antal år från nu,
när hela universumet - spoilervarning - dör.
I alla fall, på sätt och vis.
Hej! Jag är inte John. Om du tycker att vi liknar varandra, är det för att vi är
bröder. Jag är Hank. I alla fall, om du vill lära dig alla 13.8 miljarder år av universums historia
på samma tid vi vanligtvis tar för att gå igenom 238 år av Amerikas historia, så kommer
du inte få samma slutsats.
Självklart, vidkännande av namn och datum i Amerikas historia är viktigt, men vi kan
helt enkelt inte göra det i Big History.
Danish:
Der findes meget større historiske spørgsmål i universets historie, som kun kan
blive undersøgt hvis man zoomer ud på den ultimative skala. Når man zoomer ud ser man meget
mere af billedet. Detaljerne bliver lidt slørede, men vi ser hurtigt at historien er alt.
Kosmologi, geologi, biologi, samfundsvidenskab, litteratur, fysik...det hele!
Du tror måske at denne skala vil være fyldt med for mange detaljer, men mængden
af detaljer et svar har behov for, afhænger af det spørgsmål der er stillet. Nogle spørgsmål kan
kun undersøges ved at zoome ud. Det er dét Big History gør.
Nu vi taler om at zoome ud, så er dette en jordopgang, et af de mest berømte fotografier
nogensinde. William Anders, som var astronaut på Apollo, tog det i 1968. Fra overfladen af en anden verden
kan vi se at vores planet er en lille kugle i rummet. Ingen grænser, ingen mennesker, ingen bygninger.
Kun oceaner og skyer og kontinenter, hvorpå solen lader sit lys skinne.
Denne skala giver mig perspektiv. Jeg kan forestille mig kompleksiteten af alt liv på jorden,
lige fra den benzindrevne motor, der bragte mig hertil, til den politiske ustabilitet
English:
There are much broader historical questions
in the story of the universe that can only
be explored by zooming out to the ultimate
scale. As you zoom out, you see a lot more
of the picture. The details get a little fuzzy,
but we quickly realize that history is everything.
Cosmology, geology, biology, social sciences,
literature, physics... Everything!
You might think that such a scale would be
filled with way too much detail, but the amount
of detail an answer requires, depends on the
nature of the question. Some questions can
only be explored by zooming out. That is what
Big History does.
Speaking of zoomed out, this is Earthrise,
one of the most famous photographs of all
time. William Anders, an Apollo astronaut,
took it in 1968. From the surface of another
world, we see our planet as a little ball
in space. No borders, no people, no buildings.
Just oceans and clouds and continents being
shined upon by the sun.
That sheer expansion of scale gives me perspective.
It lets me imagine all the complexity of life
on Earth, from the gasoline engine that powered
my trip to the studio, to political instability
Portuguese:
Há uma maior amplitude nas dúvidas da História do Universo,
que só podem ser exploradas quando analisadas até a última escala.
Quanto mais se vê de longe,
mais você entende o quadro geral.
Os detalhes ficam confusos,
mas rapidamente vemos que História é tudo.
Cosmologia, Geologia, Biologia,
Ciências Sociais, Literatura, Física... tudo!
Talvez você pense que
essa escala deva estar cheia de detalhes,
mas a quantidade de detalhes nas respostas depende da natureza da pergunta.
Certas perguntas só podem ser exploradas
quando vistas de longe. É o que a série propõe a fazer.
Falando em ver de longe, este é o "Nascer da Terra",
uma das fotografias mais famosas de todos os tempos.
William Anders, astronauta da Apollo,
tirou a foto em 1968.
Da superfície de outro mundo, nós vemos nosso planeta como uma pequena bola no espaço. Sem fronteiras, sem pessoas, sem prédios.
Apenas oceanos e nuvens e continentes,
sendo iluminados pelo Sol.
Da superfície de outro mundo, nós vemos nosso planeta como uma pequena bola no espaço. Sem fronteiras, sem pessoas, sem prédios.
Apenas oceanos e nuvens e continentes,
sendo iluminados pelo Sol.
Essa simples expansão de escala me dá perspectiva.
Me permite imaginar toda a complexidade da vida na Terra,
do motor à gasolina que energiza minha viagem até o estúdio,
Swedish:
Det finns så mycket bredare historiska frågor i berättelsen om vårt universum som kan enbart
utforskas genom att zooma ut till maximum. Genom att zooma ut, ser man avsevärt mer
av bilden. Detaljerna må bli lite suddiga,
men vi inser snart att historia är allt.
Kosmologi, geologi, biologi, sociala vetenskaper, litteratur, fysik... Allt!
Du kanske må tro att en sådan skala skulle blir fylld med alltför mycket detaljer, men mängden
av detalj ett svar kräver, beror på själva frågan.
Vissa frågor kan
endast utforskas genom att zooma ut.
Detta är vad Big History gör.
På tal om att zooma ut, detta är "Jorduppgång",
en av de mest berömda fotografierna genom
tiderna. William Anders, en Apollo astronaut, tog bilden 1968. Från ytan av en annan
värld, ser vi vår planet som en liten boll i rymden.
Inga gränser, inga människor, inga byggnader.
Bara hav och moln och kontinenter
som lyses upp av solen.
Den otroliga expansionen av skala ger mig perspektiv. Det tillåter mig föreställa mig livets komplexitet
på jorden, från bensinmotorn som drev min resa till studion, till politiska instabilliteter
German:
Es gibt da viel umfassendere geschichtliche Fragen in der Erzählung des Universums,
welche nur untersucht werden können, indem man bis auf die äußerste Skala herauszoomt.
Wenn man herauszoomt, sieht man viel mehr vom Bild. Die Details werden ein bisschen unscharf,
aber wir sehen ein, dass Geschichte alles ist. Kosmologie, Geologie, Biologie, Sozialwissenschaften,
Literatur, Physik... Alles!
Ihr denkt vielleicht, dass solch eine Skala mit viel zu vielen Einzelheiten gefüllt wäre,
aber die Menge an Einzelheiten, die eine Antwort benötigt, hängt von der Natur der Frage ab.
Manche Fragen können nur untersucht werden, indem man herauszoomt.
Das ist, was Große Geschichte tut.
Apropos Herauszoomen, dies ist „Earthrise“ (Erdaufgang), eines der
bekanntesten Fotografien aller Zeiten. William Anders, ein Apollo-Astronaut, nahm es 1968 auf.
Von der Oberfläche einer anderen Welt aus sehen wir unseren Planeten
als einen kleinen Ball im Weltraum. Keine Grenzen, keine Leute, keine Gebäude.
Nur Ozean und Wolken und Kontinente, die von der Sonne beschienen werden.
Dieses schiere Expandieren des Maßstabs gibt mir Perspektive.
Es lässt mich all die Komplexität des Lebens auf der Erde wähnen,
vom Benzinmotor, der meine Fahrt zum Studio angetrieben hat,
iw:
ישנן שאלות היסטוריות רחבות בהרבה בסיפור של היקום שיכולים
להביחן על ידי זום אאוט לסקאלה הגדולה. כשאתה עושה זומ אאוט אתה רואה הרבה יותר
מהתמונה. הפרטים מתחילים להיות מעט מתושתשים, אבל אנחנו מבינים מהר מאוד שהיסטוריהזה הכל:
קוסמולוגיה, גיאולוגיה, ביולוגיה, מדעי החברה, ספרות, פיזיקה... הכל
אתם יכולים לחשוב שסקאלה כזאת רחבה תהיה מלאה ביותר מדי פרטים, אבל כמות
הפרטים שהתשובה צריכה, תלויה באופי השאלה. ישנן שאלות
שניתנות לבחינה רק על ידי זום-אאוט. זה מה שהיסטוריה גדולה עושה
אם מדברים על זום-אאוט, זוהי "ארת'רייז", אחת מהתמונות המפורסמות בכל
הזמנים. וויליאם אנדרס, אסטרונאוט מאפולו, לקח את התמונה ב-1968. מפני השטח של עולם אחר
אנו רואים את הפלנטה שלנו ככדור קטן ביקום. ללא גבולות, ללא אנשים, ללא בניינים
רק אוקיינוסים, עננים ויבשות מוארים על ידי השמש
מבט בסקאלה הזאת מאפשר לי לקבל פרוספקטיבה. מאפשר לי לדמיין את כל המורכבות של החיים
על פני כדור הארץ, החל ממנוע בנזין אשר הביא אותי לסטודיו, לאי-יציבות פוליטית בנפטל
Polish:
Mamy tam bowiem do czynienia z kwestiami o
o wiele szerszym zakresie historycznym,
które można zbadać tylko i wyłącznie
uciekając się do najmniejszej możliwej skali.
Stosując pomniejszenie widzimy dużo większy obraz.
Szczegóły są trochę rozmyte,
jednak szybko zdajemy sobie sprawę,
że mamy do czynienia z historią wszystkiego.
Kosmologii, geologii, biologii,
nauk społecznych, literatury, fizyki... Wszystkiego!
Można by pomyśleć, że taka skala będzie
wypełniona zbyt wieloma szczegółami,
jednak ilość szczegółów wymaganych na potrzeby odpowiedzi zależy od rodzaju pytania. Niektóre kwestie
można zbadać wyłącznie poprzez oddalenie obrazu.
Na tym właśnie polega Historia Wszechświata.
Skoro już mowa o oddaleniu, oto wschód Ziemi,
jedno z najbardziej znanych zdjęć w historii.
Zrobił je w 1968 roku William Anders,
astronauta z załogi Apollo. Z powierzchni
innego świata widzimy naszą planetę jako małą kulę
w przestrzeni kosmicznej. Bez granic, ludzi, budynków.
Tylko oceany, chmury i kontynenty
oświetlone przez Słońce.
Tak znacząca zmiana skali ukazuje mi całkiem nową perspektywę, pozwala wyobrazić sobie całą złożoność
życia na Ziemi, od silnika, dzięki któremu dojechałem
do studia, do niestabilności politycznej w Nepalu –
French:
Il y a des questions historiques beaucoup plus grandes
dans l'histoire de l'univers qui ne peuvent
être explorées qu'en faisant un zoom arrière à l'échelle absolue. Au fur et à mesure que vous zoomez en arrière, vous voyez bien plus de choses
sur l'image. Les détails deviennent un peu flous, mais on réalise rapidement que l'histoire est tout.
La cosmologie, la géologie, la biologie, les sciences sociales,
la littérature, la physique ... Tout!
Vous pourriez penser qu'à une telle échelle on aurait bien trop de détails, mais la quantité
de détails nécessaires dépend de la nature de la question. Certaines questions ne peuvent
seulement être explorées qu'en zoomant en arrière.
C'est ce que la Grande Histoire fait.
En parlant de zoom arrière, voici Levé de Terre,
l'une des plus célèbres photographies de tous les
temps. William Anders, un astronaute d'Apollo, l'a prise en 1968. A partir de la surface d'un autre
monde, nous voyons notre planète comme une petite boule dans l'espace.
Pas de frontières, pas de gens, pas de bâtiments.
Juste des océans et des nuages et des continents éclairés par le soleil.
Cette expansion considérable de l'échelle me donne une nouvelle perspective.
Elle me permet d'imaginer toute la complexité de la vie
sur Terre, du moteur à essence qui a alimenté
mon voyage au studio, à l'instabilité politique
Dutch:
Er zijn veel bredere historische vragen in het verhaal van het universum, die alleen onderzocht
kunnen worden door uit te zoomen naar de ultieme schaal. Als u uitzoomt, zie je veel meer
van het beeld. De details worden een beetje wazig, maar we beseffen snel dat geschiedenis alles is.
Kosmologie, geologie, biologie, sociale wetenschappen, literatuur, fysica... Alles!
Je zou denken dat een dergelijke schaal gevuld zou worden met veel te veel detail, maar de hoeveelheid
detail een antwoord vereist, hangt af van de aard van de vraag. Sommige vragen kunnen
alleen onderzocht worden door uit te zoomen. Dat is wat Big History doet.
Over uitgezoomd gesproken, dit is 'Earthrise', een van de beroemdste foto's ooit.
William Anders, een Apollo-astronaut, nam hem in 1968. Van het oppervlak van een andere
wereld, zien we onze planeet als een kleine bal in de ruimte. Geen grenzen, geen mensen, geen gebouwen.
Gewoon oceanen en wolken en continenten beschenen door de zon.
Deze pure schaalvergroting geeft me perspectief. Het laat me de complexiteit van het leven
op aarde voorstellen, van de benzine motor die mijn reis naar de studio heft aangedreven, tot politieke
Hungarian:
Az univerzum történetét sokkal tágabb kérdések feszítik, amiket
csak akkor érthetünk meg, ha eléggé lekicsinyítjük a képet. Kicsinyítés közben sokkal többet látsz
a nagy egészből. A részletek ugyan elmosódnak, de hamar rájössz majd, hogy a történelem minden.
Kozmológia, geológia, biológia, társadalomtudományok, irodalom, fizika... minden.
Azt gondolhatnánk, hogy egy ilyen apróvá zsugorított skála részletekkel van túlzsúfolva, de az, hogy
a válasz milyen részletességet igényel, a kérdés jellegétől függ. Néhány kérdést
csak akkor érthetünk igazán, ha elég nagyot lépünk hátra. Ez az amiről a Nagy Történelem szól..
Ha már a távlati vizsgálódásról beszélünk, ez itt a Földfelkelte, a valaha készített leghíresebb fényképek egyike.
William Anders, az Apollo egyik asztronautája készítette 1968-ban. Egy másik bolygó felszínéről nézve,
a miénk csak egy kis labdának tűnik az űrben. Sem határok, sem emberek, sem épületek.
Csak a Nap által megvilágított óceánok és felhők és kontinensek.
A skála puszta kiterjesztése ad perspektívát. Emiatt tudom elképzelni az élet komplexitását,
a stúdióig vezető utamat biztosító benzinmotortól elkezdve a politikai instabilitásig Nepálban,
Romanian:
Există întrebări istorice mult mai largi
în povestea universului care pot
fi explorate doar dând zoom la ultima scală. Pe măsură ce măriți, veți vedea mult mai multe
imagini. Detaliile obține par un pic neclare,dar ne dăm repede seama că istoria este totul.
Cosmologie, geologie, biologie, științe sociale,
literatura, fizica ... Totul!
Ai putea crede că o astfel de scară ar putea fi umplută cu prea multe detalii, dar suma
detaliilor pe care le necesită un răspuns, depinde de natura întrebării. Unele întrebări pot
fi explorate doar prin zoom out. Asta este ceea ce face Big History.
Vorbind de zoom out, aceasta este Earthrise, una dintre cele mai faimoase fotografii din toate
timpurile. William Anders, un astronaut Apollo, a luat-o în 1968. De pe suprafața unei alte lumi
vedem planeta ca o minge mică
în spațiu. Nici granițe, nici oameni nici clădiri.
Doar oceane și nori și continente luminate de către soare.
Această veritabilă extindere de scară îmi oferă perspectiva.Îmi permite să-mi imaginez toată complexitatea vieții
de pe Pământ, de la motorul pe benzină care a alimentat călătoria mea la studio, la instabilitatea politică
Japanese:
宇宙の歴史の物語への
大いなる問いに立ち向かうには
究極的なスケールに
ズームアウトしてのぞまなきゃ
頭に全体が表示されれば
細かい部分はざっくりしても
歴史の全てが 一望できる
宇宙論
地質学
生物学
社会科学
文学
物理学
なにもかも!
ざっくりしてもらっては困る
ディティールが大事
とおっしゃるかもしれない
でも答えに要求されるディティールって
質問の質によるよね
ズームアウトしなければ
気づけない問い
そこに迫るためのビッグヒストリーなんだ
ズームアウトと言えば・・・
『 地球の出 』
誰もが見たことある写真だね
ウィリアム・アンダースが
アポロ8号から1968年に撮影した
この惑星も外から見れば
空間の中にぽつんとある小さなボール
国境も人間も建物も消えて
海と雲と大陸が
ただ太陽に照らされている
そんな目線を保ったままの僕が
この星のすべての命の複雑さに想いを馳せれば
スタジオに来るのにガソリンを使ってる事や
Spanish:
Hay preguntas históricas mucho mas amplias en la historia del universo que solo
pueden ser exploradas lléndonos a la mas grande escala. Desde allí se ven mucho
mas de la imagen. Los detalles se pierden un poco pero nos damos cuenta que la historia es todo.
La cosmología, geología, biología, ciencias sociales, literatura, física... TODO!
Debes pensar que a esta escala hay demasiados detalles, pero la cantidad de
detalles que requiere una respuesta, dependen de la pregunta. Alguna preguntas pueden
solo ser exploradas alejándonos. Eso es lo que "Historia Grande" hace.
Hablando de alejarse, esto es Amanecer terrestre, una de las mas famosas fotos de todos los
tiempos. William Anders, un astronauta Apolo, la tomó en 1968. Desde la superficie de otro
mundo, vemos a nuestro planeta como una pequeña bola en el espacio. Sin fronteras, sin gente ni edificios.
Solo océanos y nubes y continentes alumbrados por el sol.
Esta gran escala me da perspectiva. Me deja imaginar toda la complejidad de la vida
en la tierra, desde el motor de gasolina que me trajo este estudio, hasta la inestabilidad política
Russian:
Тут намного более масштабные исторические вопросы, которые
можно рассмотреть только удалившись на всеобщий уровень. По мере удаления начинаешь видеть
намного больше от картины в целом. Детали сливаются, но мы быстро осознаём, что история - это всё.
Космология, геология, биология, общественные науки, литературы, физика... ВСЁ!
Вам может показаться, что такой картинка может быть перегружена деталями,но количество
деталей, которые требуются для ответа на вопрос, зависит от природы вопросы. На какие-то
можно ответить только на удалении. Этим и занимается Большая история.
К вопросу об удалении, это - Восход Земли, одна из самых известных фотографий
в истории. Уильям Андерс, космонавт с Аполлона, снял её в 1968. С поверхности
другого мира, мы видим нашу планету как маленький шарик в космосе. Ни границ, ни людей, ни строений.
Лишь океаны, облака, континенты, освещённые солнцем.
Само это увеличение масштаба даёт определённую перспективу. Оно позволяет представить всю сложность жизни
на Земле, от бензинового двигателя, довёзшего меня до студии, до политической нестабильности
Korean:
우주의 얘기에는 훨씬 폭넓은 역사적 질문이 들어 있는데, 그것은 오직
최고로 멀리서 바라봐야만 알 수 있어요. 멀리서 볼수록 훨씬 많은 큰 그림들을
보게되요. 자세히 알려면 좀 어렵지만, 금방 역사는 모든 것이 얽혀 있다는 것을 깨닫게 되요.
우주학, 지질학, 생물학, 사회학, 문학, 물리학.. 모든 것들이 연결되어 있어요.
이런 큰 스케일엔 많은 세부항목들이 얽혀 있다고 걱정할 수 있으나
해답에 필요한 세부항목의 양은 질문의 특성에 따라 좌우됩니다. 어떤 질문들은
멀리서 봐야만 답할 수 있어요. 이것이 바로 '큰 역사'에 해당됩니다.
멀리서 본다고 하면, 이것이 지구 뜨는 모습, 역사상 가장 유명한 사진 중 하나죠.
아폴로선 우주비행사, 윌리암 앤더스가 1968년에 찍었어요. 다른 세계에서 보면
우리 지구가 우주의 작은 공으로 보여요. 국경도 사람도 건물도 안 보여요.
대양과 구름 그리고 햇빛에 빛나는 대륙들만 보이지요
이런 스케일만의 팽창이 제게 새 감각을 줘요. 지구상의 복잡한 삶을 상상할 수 있죠.
저를 스튜디오까지 데려다 준 자동차 엔진부터 네팔의 정치불안까지
Turkish:
Evrenin öyküsünde, yalnızca en büyük ölçeğe yaklaşarak keşfedilebilecek daha geniş tarihsel sorular vardır
Büyüttükçe resmin daha fazlasını görürsünüz.
Detaylar biraz bulanıklaşıyor, ancak hızlı bir şekilde tarihin her şey olduğunu fark ettik
Kozmoloji, jeoloji, biyoloji, sosyal bilimler,
edebiyat, fizik ... Her şey!
Böyle bir ölçeğin çok fazla detayla doldurulacağını düşünebilirsiniz,
Bazı sorular ancak büyütülerek incelenebilir. İşte Büyük Tarih böyle yapar.
Büyütmekten bahsetmişken, bu tüm zamanların en ünlü fotoğraflarından olan, Earthrise.
Bir apollo astronotu olan William Anders bunu 1968'de çekti.
Başka bir dünyanın yüzeyinden, gezegenimizi uzayda küçük bir top olarak görüyoruz
Sınır yok, insanlar yok, bina yok. Yalnızca okyanuslar, bulutlar ve güneş tarafından aydınlatılan kıtalar.
Ölçeğin genişlemesi bana perspektif kazandırıyor. Bu, dünyadaki hayatın tüm karmaşıklığını,
stüdyoya gittiğim benzinli motoru, Nepal'deki siyasi istikrarsızlığı
Portuguese:
Há uma maior amplitude nas dúvidas da História do universo, que só
podem ser exploradas quando analisadas até a última escala. Quanto mais ampla, mas você percebe
sobre a imagem. Os detalhes ficam um tanto embaçados, mas, rapidamente, vemos que História é tudo.
Cosmologia, Geologia, Biologia, Ciências Sociais, Literatura, Física... e tudo mais!
Talvez você pense que essa escala deva estar completamente cheia de detalhes, mas a quantidade
de detalhes e respostas requeridas dependem da natureza da pergunta. Certas questões somente podem
ser respondidas quando ampliadas. E isto é o que a série "Big History (A Grande História)" propõe fazer.
Falando em ampliar, está é a "Earthrise (Nascer da Terra)", uma das fotografias mais famosas de todos
os tempos. William Anders, um astronauta da missão "Apollo 8", tirou-a em 1968. Da superfície de um outro
mundo, nós vemos nosso planeta como uma pequena bola no espaço. Sem fronteiras, sem pessoas, sem prédios.
Apenas oceanos e nuvens e continentes, sendo iluminados pelo Sol.
Esta simples expansão de escalas me dá perspectiva. Deixa eu imaginar toda a complexidade da vida
na Terra, do motor à gasolina que energiza minha viagem até o estúdio, à instabilidade política
Finnish:
Maailmankaikkeuden tarinassa on paljon laajempia historiallisia kysymyksiä, joita voidaan tutkia vain
mahdollisimman laajasta näkökulmasta. Kun teemme näin, näemme isomman osan
osan kokonaisuudesta. Yksityiskohdat hämärtyvät hieman, mutta tajuamme pian, että historia on kaikkea.
Kosmologiaa, geologiaa, biologiaa, yhteiskuntatieteitä, kirjallisuutta, fysiikkaa… kaikkea!
Saatat ajatella, että tässä mittakaavassa yksityiskohtia olisi aivan liian paljon, mutta se, kuinka paljon
yksityiskohtia vastaus tarvitsee, riippuu kysymyksen laadusta. Joitakin kysymyksiä voidaan
tutkia vain laajemmassa näkökulmassa. Tätä iso historia tekee.
Näkökulmista puheen ollen, tässä on Earthrise (Maannousu), yksi kuuluisimmista valokuvista ikinä.
William Anders, Apollon astronautti, otti sen vuonna 1968. Toisen taivaankappaleen pinnalta
näemme planeettamme vain pienenä pallona avaruudessa. Ei rajoja, ei ihmisiä, ei rakennuksia.
Vain meriä ja pilviä ja maanosia, joille aurinko paistaa.
Näin suuri mittakaavan laajennus antaa minulle uuden näkökulman. Se antaa minun kuvitella Maapallon
elämän moninaisuuden – bensiinimoottorista, jonka avulla matkustin studiolle, Nepalin poliittisen
Arabic:
هناك أسئلة تاريخيّة أشمل في قصة الكون
لا يمكن استكشافها سوى بالنظر للصورة العامة،
عند إلقاء نظرة عن بُعد، سنرى الصورة أفضل.
قد تصبح التفاصيل مشوّشة بعض الشيء،
لكن سرعان ما سندرك أنّ التاريخ يضمّ كلّ شيء.
علم الكون وعلوم الأرض والأحياء
والعلوم الاجتماعية والأدب والفيزياء، كلّ شيء!
قد تظنّون أنّ هذه الصورة
ستكون مليئة بالتفاصيل.
لكنّ كمّية التفاصيل التي تتطلّبها إجابة ما،
تعتمد على طبيعة السؤال.
بعض الأسئلة لا يمكن الإجابة عنها سوى بالنظر
إلى الأمور عن بُعد. وذلك ما سنفعله في سلسلتنا.
بمناسبة الحديث عن النظر عن بُعد، هذه هي صورة
شروق الشمس، إحدى أشهر الصور في التاريخ.
التقطها ويليام أندرز، رائد الفضاء في أبولو
في عام 1968، من سطح عالم آخر
نرى كوكبنا ككرة صغيرة في الفضاء،
بدون حدود أو بشر أو مباني.
مجرّد محيطات وغيوم وقارّات
تشرق عليها أشعّة الشمس.
ذلك العرض على مستوى واضح يجعلني أرى الأمور
من منظور آخر، ويجعلني أتخيّل تعقيدات الأرض
من محرّك البنزين
الذي ساعدني للوصول إلى الأستوديو
Italian:
Le questioni sono talmente vaste riguardo la storia
dell'Universo che possono
essere esplorate solo zoomando indietro fino alla
massima scala. Più zoomi indietro, più cose vedi
nell'immagine. I dettagli diventano un po' sfocati,
ma capiamo subito che la storia è ogni cosa.
Cosmologia, geologia, biologia,
scienze sociali, letteratura, fisica... Tutto!
Potreste pensare che a questa scala
ci siano troppi dettagli, ma la quantità
di dettagli di una risposta dipende dalla
natura della domanda. Alcune questioni possono
essere approfondite solo zoomando indietro.
Questo è ciò che fa Big History.
Parlando di zoom all'indietro, questa è la Terra
che sorge, in una delle più famose fotografie
di tutti i tempi. William Anders, un astronauta di Apollo, l'ha scattata nel 1968. Dalla superficie di un altro
pianeta, vediamo la Terra come una piccola sfera nello spazio. Niente confini, niente persone, niente edifici.
Solo oceani, nuvole e continenti illuminati dal Sole.
Questa espansione di scala mi dà prospettiva. Mi
permette di immaginare la complessità della vita
sulla Terra, dal motore a benzina che ha reso possibile il mio viaggio in studio, all'instabilità politica
Vietnamese:
Có rất nhiều câu hỏi xa vời trong sử vũ trụ
mà để biết câu trả lời thì phải dùng thuật phóng to đến mức không tưởng. Khi mà bạn phóng to ra, bạn sẽ
thấy được toàn cảnh. Các chi tiết trở nên mờ đi nhưng chúng ta nhanh chóng nhận biết được lịch sử của vạn vật.
Vũ trụ học, Địa chất học, Sinh học, Xã hội học, Văn học, Vật lý học...Mọi thứ!
Bạn có thể tưởng rằng ở mức độ phóng to như thế thì có quá nhiều chi tiết, nhưng lượng chi tiết
cần thiết dựa vào tính chất của câu hỏi. Một số nghi vấn
chỉ có thể được trả lời bằng thuật phóng to. Đó chính là Lịch sử Vĩ đại!
Nói về phóng to, đây là Earthrise (Địa cầu thăng), một trong những bức ảnh nổi tiếng nhất mọi thời đại.
William Anders, phi hành gia trên sứ mệnh Apollo đã chụp nó. Ở một góc
nhìn khác, chúng ta thấy Trái Đất như một quả banh tròn trong không gian. Không ranh giới, không người, không nhà cửa.
Chỉ đại dương, mây, và các lục địa sáng lên nhờ ánh mặt trời.
Chỉ nhìn ở mức độ khác đã cho tôi khả năng tưởng tượng được sự phức tạp của sự sống
trên Trái Đất,
từ động cơ chất đốt trong xe hơi tôi lái đến trường quay, đến bất ổn chính trị
iw:
כחלק מהחיים הגואשים והמוצלחיים על כדור קטנה שמעופף לו בריק של היקום
מה שהתמונה הזאת עושה למרחב פיזיקלי, היסטוריה גדולה מכוונת לעשות להכל
אני מתכוון, אנו רוצים לתת תוכן לכל הקיום. אנחנו רוצים להשים דגש על החידושים החזקים והחשובים ביותר
בסקאלה העצומה של הקיום, ואיך אנחנו יודעים מה שאנחנו יודעים
ולמה אנחנו בטוחים שאנחנו יודעים את זה
אוקיי, בואו נלך לבועת המחשבה. אז היקום הוא גדול. כאילו, ממש גדול. וזקן
למעשה, 13.8 שנות זקנה, שזה יותר מדי
בשביל באמת לתאר אותו בתקופות הגיל שלו. אז בואו נצמצם את הגיל ל13 שנים, קטן דיו בשביל
שהמוחות האנושיים שלנו יוכלו להתמודד עם זה
על ציר הזמן, היקום החל לפני 13 שנים, ב-2001. גורג' בוש
בדיוק הושבע לנשיאות ארצות הברית, מרבית האמריקאים התחברו לאינטרנט בעזרת
המודמים הטלפוניים שלהם
אז הכוכבים הראשונים והגאלקסיות נוצרו לפני 12 שנים, אך יעברו עוד 7.5 שנים
עד שכדור הארץ יוותר, לפני כ-4.5 שנים. נעבור קצת
Swedish:
i Nepal som en del av en blomstrande, levande, vimlande massa av liv, som far genom tomma rymden.
Så vad den bilden lyckas göra för fysisk rymd, är vad
Big History försöker göra för allting.
Jag menar, vi vill ge kontext till allt i vår existens.
Vi vill ge en översikt över de kraftfullaste, viktigaste
genombrotten, den otroliga skalan av vår existens,
och hur vi vet vad vi vet,
och varför vi är så säkra på att vi vet det.
Ok, låt oss komma till Tankebubblan. Så vårt universum är stort. Alltså, riktigt stort. Och
det är också gammalt. Alltså, 13.8 miljarder år gammal,
vilket är tillräckligt med år att det inte finns inget sätt
att riktigt föreställa sig det. Så istället trycker vi samman den åldern till 13 år, tillräckligt liten så att våra
små hjärnor kan hantera det.
På den tidsskalan, skulle vårt universum börjat 13 år sedan, år 2001. George W. Bush
hade precis avlagt sin ed som president, de flesta amerikanerna på nätet var uppkopplade
till det med telefonmodem.
Okej, så de första stjärnorna och galaxerna skulle då ha format 12 år sedan, men sju och en
halv år till skulle passerat innan jorden formades, ungefär 4.5 år sedan. Om man flyttar framåt
Vietnamese:
ở Nepal như là một phần của sự trú ngụ, phát triển, trải rộng của sự sống, vốn trôi dạt trong sự hư vô của không gian
Ờ cái hình đó thì cho ta biết về cấu trúc vật lý, còn Lịch sử Vĩ đại thì cho ta biết mọi sự.
Ý tôi là chúng ta muốn mô phỏng sự tồn tại. Chúng ta muốn phác họa các bước ngoặc quan trọng nhất
mức độ khủng khiếp của sự tồn tại, và làm sao ta biết thứ mà ta nghĩ là ta biết,
và tại sao chắc chắn là ta biết được.
Được rồi, sao đây là Thought Bubble (Bong bóng Ý nghĩ). Vậy ta biết vũ trụ rất to lớn.
Và...rất già! Cỡ 13.8 tỷ năm tuổi. Gìa đến nỗi mà ta
cũng không biết rõ được. Vậy thì hãy giả sử nó chỉ 13 tuổi, đủ nhỏ để
bộ não mình có thể tưởng tượng được.
Ở thước đo thời gian đó, vũ trụ chỉ mới chào đời 13 năm trước, năm 2001. George W. Bush
vừa mới tuyên thệ trở thành tổng thống, và hầu hết người Mỹ vừa có Internet
thông qua modem điện thoại
Ờ, vây là ngôi sao và thiên hà đầu tiên vừa mới được hình thành 12 năm trước. Bảy năm rưỡi sau,
Trái đất mới được hình thành, tức là khoảng 4 năm rưỡi trước tính từ giờ
Hungarian:
ennek a növekvő, élő, bővelkedő, az ürességben lebegő életekkel teli sziklának a részeként.
Tehát, amit az a fotó csinál a fizikai térrel, azt szeretné a Nagy Történelem mindennel.
Úgy értem, szeretnénk minden létező dolgot kontextusba helyezni. Szeretnénk áttekinteni a leghatalmasabb és
legfontosabb áttöréseket, a létezés gigantikus méretét, azt, hogy honnan tudjuk amit tudunk,
és azt, hogy miért tudjuk biztosan, hogy tudjuk.
Rendben, nézzük meg a Gondolatbuborékot. Tehát, az univerzum nagy. Mármint, nagyon nagy.
És régi. Mármint, 13,8 milliárd éves, ami elég hosszú idő ahhoz, hogy hogy ne is lehessen igazából felfogni.
Ezért húzzuk össze 13 évre, ami elég kevés ahhoz, hogy
a halandó elménk tudjon mit kezdeni vele.
Ezen az intervallumon az univerzum 13 évvel ezelőtt, 2001-ben keletkezett volna. George W Bush most
esküdött fel elnöknek, az amerikaiak legnagyobb részének pedig
betárcsázós internetje van.
Oké, tehát a legelső csillagok és galaxisok 12 éve keletkeztek volna, de újabb hét és fél évnek
kellett volna eltelnie a Föld megjelenéséig, négy és fél évvel ezelőttig. Menjünk előre
Italian:
in Nepal come parte di una fiorente e brulicante
massa di vita che galleggia nel vuoto dello spazio.
Quindi, ciò che questa foto fa per lo spazio fisico, Big History si propone di farlo su tutto.
Insomma, vogliamo contestualizzare tutta l'esistenza: vogliamo illustrare le svolte più importanti,
la straordinaria scala dell'esistenza, come sappiamo quello che sappiamo, e perché siamo sicuri di saperlo.
Dunque, arriviamo al Thought Bubble. L'Universo
è grande, molto grande. Ed è anche vecchio.
13,8 miliardi di anni, sono così tanti che non
c'è modo di comprenderli realmente.
Comprimiamo, quindi, questa età in soli 13 anni, che sono abbastanza pochi da essere compresi dal nostro piccolo cervello.
Seguendo questa scala temporale, l'Universo è nato 13 anni fa, nel 2001. George W Bush
era appena diventato presidente e la maggior parte degli americani erano connessi a internet con modem dial-up.
Dunque, le prime stelle e le prime galassie si sono
formate 12 anni fa, ma ancora sette anni e mezzo e più
sarebbero dovuti passare prima della formazione
della Terra, circa 4,5 anni fa. Spostatevi un po'
Portuguese:
à instabilidade política no Nepal, como parte da próspera, vívida
e abundante massa de vida flutuando na imensidão do espaço.
Então o que aquela foto proporciona para o Espaço,
a "Big History" mira nas explicações de tudo.
Quero dizer, nós queremos contextualizar toda a existência.
Queremos esboçar os mais poderosos
e importantes avanços, a tremenda escala existencial,
e como nós sabemos o que sabemos,
e por que nós temos certeza do que sabemos.
(Beleza, vamos para a Bolha de Pensamento)
Então, o Universo é grande.
Tipo, imensamente enorme.
E é, também, bastante velho.
Tipo, tem 13,8 bilhões de anos.
Que é o suficiente para
não conseguirmos compreender.
Então vamos comprimir para uma escala de 13 anos.
Para que os nossos
pequenos cérebros possam entender.
Neste calendário, o Universo
teria começado há 13 anos, em 2001.
George W. Bush tinha sido eleito presidente,
os americanos se conectavam na Internet por conexão discada.
Então as primeiras estrelas e galáxias
viriam a se formar há 12 anos,
mas 7,5 anos passariam até que a Terra
fosse formada, cerca de 4,5 anos atrás.
Finnish:
epävakauteen – osana kukoistavaa, kuhisevaa, elävää massaa, joka kelluu avaruuden tyhjyydessä.
Saman, mitä tämä valokuva tekee fyysiselle avaruudelle, iso historia yrittää tehdä kaikelle.
Haluamme siis antaa kontekstin koko olemassaololle. Haluamme esitellä suurimmat ja tärkeimmät
läpimurrot, olemassaolon suunnattoman mittakaavan ja miten tiedämme, mitä tiedämme
ja miksi olemme varmoja, että tiedämme sen.
Okei, mennään ajatuskuplaan. Universumi on iso. Siis, tosi iso. Ja
se on myös vanha. Siis, 13,8 miljardia vuotta vanha, joka on niin paljon, että sitä on mahdoton
oikeasti ymmärtää. Tiivistetään se siis 13 vuoteen, joka on tarpeeksi pieni luku,
että mitättömät aivomme pystyvät sen ymmärtämään.
Tällä asteikolla, maailmankaikkeus syntyi 13 vuotta sitten, vuonna 2001.
Bushista oli juuri tullut presidentti ja useimmat amerikkalaiset käyttivät internetiä
modeemien avulla.
Ensimmäiset tähdet ja galaksit olisivat muodostuneen 12 vuotta sitten, mutta siitä olisi kulunut vielä
7,5 vuotta Maan syntyyn, joka siis olisi ollut 4,5 vuotta sitten. Siirrytään siitä hieman eteenpäin
Russian:
в Непале, как части процветающей, живущей, наполненной жизненной массы, плавающей в пустоте космоса.
И то, что та фотография делает для космоса, Большая история пытается сделать для всего.
То есть, мы хотим поместить наше существование в контекст. Мы хотим пометить самые сильные и важные
прорывы, великий масштаб бытия, и как мы знаем то, что мы знаем,
и почему мы уверены, что мы это знаем.
Ладно, давайте в Thought Bubble. Вселенная большая. Очень.
И старая. 13,8 миллиардов лет - достаточно, чтобы не было возможности
это собственно понять. Поэтому давайте сожмём этот возраст до 13 лет, чего достаточно, чтобы наши
мелкие мозги могли с этим справиться.
В таком масштабе, Вселенная началась бы 13 лет назад, в 2001. Джордж Буш-мл.
только что принял присягу Президента, большинство американцев с доступом в Интернет использовали
dial-up-модемы.
Так, первые звёзды и галактики тогда сформировались 12 лет назад, но 7
с половиной лет пройдёт, пока появится Земля, т.е. 4-5 лет назад. Сдвинемся вперёд
Turkish:
gelişen, yaşayan, uzay boşluğunda iç içe yüzen hayat yığınını hayal etmemi sağlıyor
Böylece fotoğraf için ne fiziksel
uzay, Büyük Tarih her şeyi yapmayı amaçlar.
Sanırım varoluşun tüm contextualize istiyorum, demek istedim. Biz
istiyorum en güçlü ve önemli anahat
devrimler, varoluşun muazzam ölçek,
ve biz bildiklerini biliyorum,
emin olmamızın sebebi ve biz bunu biliyoruz.
Pekala, Düşünce Bubble gidelim. Yani
Evren büyük. Gibi, gerçekten büyük. Ve
o da eski. , 13,8 milyar yaşında gibi
hangi yolu yoktur yeterli yıl
aslında kavrayabilme. Yani sadece sıkıştırmak let
yeterince yaş 13 yaş küçük olduğunu bizim
cılız beyinler işleyebilir.
O zaman ölçeğinde, evren olurdu
2001 George W. Bush, 13 yıl önce başlamış
sadece cumhurbaşkanı olarak yemin edildiğini, çoğu
Internette Amerikalılar bağlayan edildi
dial-up modemler ile ona.
Doğru, ilk yıldızlar ve galaksiler olur böylece
12 yıl önce oluşmuş, ancak yedi ve var
Yarım yıl daha Dünya'ya kadar geçerdi
yaklaşık 4.5 yıl önce kurdu. Biraz Taşı
Dutch:
instabiliteit in Nepal als onderdeel van een bloeiende, levende, krioelende massa van het leven zweven in de leegte van de ruimte.
Dus wat die foto doet voor de fysieke ruimte, wil Big History doen voor alles.
Ik bedoel, we willen het hele bestaan contextualiseren. We willen een overzicht van de meest krachtige en
belangrijkste doorbraken, de enorme omvang van het bestaan, en hoe we weten wat weten,
en waarom we zeker weten dat we het weten.
Oke, laten we naar de Gedachte Bel gaan. Dus het universum is groot. Als is, heel groot. En
het is ook oud. Al in, 13.8 miljard jaar oud, wat jaren genoeg zijn dat er geen manier is om het
echt te begrijpen. Dus, laten we die leeftijd gewoon samendrukken tot 13 jaar, klein genoeg dat onze
nietige hersenen het aankunnen.
Op die tijdschaal zou het universum 13 jaar geleden zijn begonnen, in 2001. George W Bush
is net president geworden, de meeste Amerikanen op het internet waren ermee aan het
aansluiten met een inbel-modem.
Juist, dus de eerste sterren en sterrenstelsels zouden 12 jaar geleden gevormd zijn, maar 7 en een
half jaar meer zou voorbijgaan totdat de Aarde zich vormde, ongeveer 4.5 jaar geleden. Een beetje bewegen
Portuguese:
no Nepal como parte da próspera, vívida, abundante massa de vidas flutuando na imensidão vazia do espaço.
Então o que aquela foto proporciona para o campo da Física espacial, a "Big History (A Grande História)" mira nas explicações de tudo e dispara.
Quero dizer, nós queremos contextualizar toda a existência. Nós queremos esboçar os mais poderosos e importantes
avanços, a tremenda escala existencial, e como nós sabemos o que sabemos,
e por que nós temos certeza do que sabemos.
Beleza, vamos para a Bolha de Pensamento. Então, o universo é grande. Tipo, realmente grande.
E é, também, bastante velho. Tipo, "13.8 bilhões de anos" velho, que é o suficiente
para não conseguirmos compreender. Então vamos comprimir para uma escala de 13 anos,
pequena o bastante para que os nossos simplórios cérebros possam lidar.
Neste calendário, o universo teria começado há 13 anos, em 2001. George W. Bush
tinha acabado de ser elegido presidente, a maioria dos americanos estavam se conectando na Internet
com modems dial-up (Internet discada).
Certo, então as primeiras estrelas e galáxias viriam a se formarem há 12 anos, mas sete e meio anos
mais viriam a se passar até que a Terra fosse formada, cerca de 4.5 anos atrás. Envelheça um pouco mais,
Spanish:
en Nepal como una pujante y viva masa de vida flotando en el vacio del espacio.
Lo que esa foto hace por el espacio físico, "Historia Grande" intenta hacer por todo.
Queremos contextualizar toda la existencia. Queremos subrayar los acontecimientos mas poderosos e
importantes, la tremenda escala de la existencia y como sabemos lo que sabemos,
y por que estamos seguros que lo sabemos.
Ok, vamos a la Burbuja de Pensamiento. Así que el universo es grande. Como muy grande. Y también es
viejo. Como 13.800 millones de años de edad, tantos años que es imposible de
comprender. Así que comprimamos esa edad a 13 años, suficientemente pequeño
para que nuestros cerebritos lo comprendan.
En esta escala, el universo habría comenzado 13 años atras, en 2001. Bush
recién habia jurado como presidente, y los Norteamericanos se conectaban a internet
por modems a 56 kbps.
Así que las primeras galaxias se habrían formado hace 12 años, pero 7 años y medio
pasarian hasta que la tierra se formara, 4,5 años atras. Hace 4 años atrás
Danish:
i Nepal, som en del af en rivende, levende, myldrende masse af liv, der flyder omkring i verdensrummets tomhed.
Dét fotografiet gør for det fysiske rum, forsøger Big History at gøre for alting.
Vi vil forsøge at sætte alt der eksisterer, i dets rette kontekst. Vi vil opridse de største og vigtigste
gennembrud, eksistensens ufattelige skala, samt hvordan vi ved, det vi ved,
og hvorfor vi er sikre på, at vi ved det.
Godt, lad os bevæge os ind i tankeboblen. Universet er altså stort. Virkeligt stort.
Det er også gammelt, omkring 13.8 mia år, hvilket er så mange år, at det er umuligt
at fatte det. Lad os derfor trykke det sammen til 13 år, kort nok tid til at vores
små hjerner kan håndtere det.
På denne tidsskala, ville universet være begyndt for 13 år siden i 2001. George W. Bush
var lige blevet præsident, de fleste amerikanere kom på internettet med
opkalds-modemmer.
De første stjerner og galakser ville have formet sig for 12 år siden, men syv en halv
år mere skulle gå før Jorden blev dannet, for omkring 4,5 mia. år siden. Ryk lidt
French:
au Népal dans le cadre d'une florissant et grouillante masse de vie flottante dans le vide de l'espace.
Ce que cette photographie fait pour l'espace physique, La Grande Histoire vise à le faire pour tout.
Je veux dire, on veut contextualiser toute l'existence.
On veux esquisser les plus puissantes et importantes
percées, l'énorme échelle de l'existence,
et comment nous savons ce que nous savons,
et pourquoi nous sommes sûrs de ce que nous savons.
Bon, passons à la bulle de pensées. Bon
l'univers est grand, mais alors, vraiment grand.
Et il est aussi vieux, ancien de 13,8 milliards d'années,
ce qui représente assez d'années pour qu'il n'y ait aucun moyen
de réellement le comprendre. Alors on va juste résumer son âge à 13 ans, assez petit pour que nos
faibles cerveaux puissent s'en sortir.
Sur cette échelle de temps, l'univers aurait
commencé il y a 13 ans, en 2001. George W Bush
venait d'être assermenté au titre de président, la plupart des
Américains sur Internet se connectaient dessus
avec des modems dial-up.
Bon, alors les premières étoiles et galaxies se seraient formées il y a 12 ans.
Ce n'est que 7,5 années
années plus tard que la Terre se serait formée, il y a environ 4,5 années. Allez un peu plus
English:
in Nepal as part of a thriving, living, teeming
mass of life floating in the emptiness of space.
So what that photograph does for physical
space, Big History aims to do for everything.
I mean, we wanna contextualize all of existence.
We wanna outline the most powerful and important breakthroughs,
the tremendous scale of existence, and how we
know what we know, and why we're sure we know it.
All right, let's go to the Thought Bubble. So
the universe is big. Like, really big. And it's also old.
Like, 13.8 billion years old, which is enough
years that there is no way to actually comprehend it.
So let's just compress that age to 13 years,
small enough that our puny brains can handle it.
On that timescale, the universe would have
begun 13 years ago, in 2001. George W Bush
had just been sworn in as president, most Americans on
the internet were connecting to it with dial-up modems.
Right, so the first stars and galaxies would
have formed 12 years ago, but seven and a
half more years would pass until the Earth
formed, about 4.5 years ago. Move a little
German:
bis zur politischen Instabilität in Nepal, als Teil einer florierenden, lebendigen,
wimmelnden Masse von Leben, die in der Leere des Weltalls schwebt.
[John] Also, was dieses Foto für den materiellen Raum macht, danach strebt Große Geschichte für alles.
Ich meine, wir wollen die ganze Existenz verorten.
Wir wollen die gewaltigsten und wichtigsten Durchbrüche umreißen
und den Maßstab der Existenz und wie wir wissen, was wir wissen,
und warum wir sicher sind, dass wir es wissen. In Ordnung, lasst uns zur Gedankenblase gehen.
Also, das Universum ist groß. Also, wirklich groß. Und es ist auch alt. Sowas wie 13,8 Milliarden Jahre alt,
was genug Jahre sind, damit es keine Möglichkeit gibt, es zu begreifen.
Lasst uns also dieses Alter auf 13 Jahre stauchen,
klein genug, damit unsere kümmerlichen Gehirne damit umgehen können. Auf dieser Zeitskala
würde das Universum vor 13 Jahren beginnen, im Jahre 2001. George W. Bush wurde gerade als
Präsident vereidigt, die meisten Amerikaner im Internet haben sich mit Wählmodems mit ihm verbunden.
In Ordnung, also die ersten Sterne und Galaxien hätten sich vor 12 Jahren gebildet, aber 7,5 weitere Jahre
würden vergehen, bis sich die Erde bildete, vor etwa 4,5 Jahren.
Korean:
다 우주 빈 공간에 떠 있는 번창하고 살아있고 꽉 차 있는 생명체의 일부 흔적들이지요
아까 지구사진이 물리공간을 다뤘다면 큰 역사는 전부를 다루려고 해요
즉 모든 존재하는 것의 전후맥락을 설명하고, 가장 강력하고 중요한 사고의 돌파구, 실체의 거대한 스케일,
그리고 무엇을 알고 어떻게 알고 왜 안다고 확신하는 지에 대한 윤곽을 그릴 겁니다.
그럼 이제 상상을 해 보지요. 그래요, 우주는 큽니다. 매우 큽니다. 그리고 늙었어요
138 억년이나 되어 감을 잡을 수 없을 정도이지요.
그래서 스케일을 바꿔 13년이라고 하죠. 그래야 우리 미약한 두뇌가 상상할 수 있어요
이 스케일이면 우주는 2001년 즉 13년 전에 탄생된 것이네요. 조지부시가
대통령 취임선서를 한 해인데, 많은 미국인들이 전화모뎀으로 인터넷에 연결하여 시청하였죠.
12 년 전에는 첫 별과 은하계가 탄행사고, 다시 7년 반이 지나야 즉 4.5 년
전에야 지구가 나타납니다. 조금 더 진행하여
Arabic:
إلى الاضطرابات السياسية في نيبال، كجزء
من حياة مزدحمة مزدهرة تطفو فوق فراغ الفضاء.
إذن، ما تفعله هذه الصورة للفضاء المادّي،
تهدف سلسلتنا فعله في كلّ شيء.
نريد وضع سياق لكلّ الوجود،
ونريد تلخيص أهمّ وأقوى الاكتشافات.
والتدرّج الهائل للوجود، وتقديم كيفية معرفتنا
لما نعرفه، وما يجعلنا متأكّدين أنّنا نعرفه.
حسنًا، فلننتقل إلى فقرة "فقاعة الفكرة"،
الكون كبير، كبير جدًا، لكنّه قديم أيضًا.
عمره 13،8 مليار سنة،
ولا يمكن إدراك كلّ هذا العدد من السنوات.
لذا، فلنضغط هذا العمر ليصبح 13 عامًا،
وهو رقم يمكّن عقولنا البسيطة من استيعابها.
وفقًا لهذا المقياس للزمن،
فقد بدأ الكون قبل 13 عامًا، في عام 2001
حين أصبح جورج بوش الرئيس، وكان معظم
الأمريكيين يتصلون بالإنترنت بالمودم القديم.
إذن، تشكّلت أولى النجوم والمجرات
قبل 12 عامًا،
لكن ستمرّ 7 سنوات ونصف حتّى تتشكّل الأرض
قبل حوالى 4 سنوات ونصف.
Japanese:
政情不安のネパールまで
栄え
営み
群集う
生命のかたまりが
宇宙の虚空に漂っている
まさにそれと同じことを
ビッグヒストリーでは
あらゆる全てでやるんです
かつて、今この時、そして
この後存在する全てを結び合わせたい
そして全体像を見失わぬよう
人類が知り得た一番すごい大発見
この存在する世界の
とてつもないスケールと
それを知るに至った過程
確信の理由
それを頼りに
ではここで
『 吹き出し(ThoughtBubble) 』に入ります
宇宙はでかい
でか過ぎるし
ずっと前からある
138億年か
いくらなんでも
実感の湧きようがないな
なら138億歳はやめて
13歳ということにしちゃおう
これで
僕たちのいたいけな脳にも扱いやすい
それなら宇宙が生まれたのは
13年前
2001年は
ジョージ・W・ブッシュが大統領に就任したばかり
アメリカのネット接続はダイヤルアップ・モデム
ということは
最初の星と銀河は12年前にできた
7年半経って
地球が生まれるのは4年半前
Romanian:
din Nepal, ca parte a unei înfloritoare, vii, roditoare mase de viață plutind în vidul spațiului.
Deci, ceea ce fotografia face pentru spațiul fizic , Big History are ca scop de a face pentru tot.
Adică, să contextualizeze toată existența. Noi vrem să conturăm cele mai puternice și importante
descoperiri, scara imensa a existenței,
și cum știm ceea ce știm,
și de ce suntem siguri că știm.
Bine, să mergem la Balonul de Gândire.Așa că Universul este mare. Într-adevăr mare. Și
este, de asemenea, vechi. Cum ar fi, 13,8 miliarde de ani, suficient de mulți ani că nu există nicio cale
să-l înțelegem. Deci, hai să comprimăm această durată în 13 ani, suficient de puțin încât
creieru nostru mărunt să se poată descurca.
Pe această scară a timpului, universul ar fi început în urmă cu 13 ani, în 2001. George W. Bush
tocmai a fost investit în funcția de președinte, cei mai mulți americani erau conectați la internet
cu modemuri dial-up.
Corect, deci primele stele si galaxii s-ar
fi format în urmă cu 12 ani, dar încă șapte ani
și jumătate ar trece până la formarea Pământului în urmă cu aproximativ 4.5 ani. Mutați-vă un pic
Polish:
wyrazów stale rozwijającej się, pełnej życia, tętniącej masy istot żywych płynącej przez pustkowia kosmosu.
Cykl ten ma na celu osiągnięcie dokładnie takiego samego efektu, jaki to zdjęcie miało na postrzeganie przestrzeni – tylko że względem wszystkiego.
A dokładniej – osadzić całość istnienia w pewnym kontekście. Chcemy przedstawić najpotężniejsze
i najważniejsze przełomy, ogromną skalę istnienia
oraz pokazać, skąd wiemy to, co wiemy,
i dlaczego jesteśmy tego pewni.
Dobra, chodźmy do Bańki Rozważań.
Tak więc Wszechświat jest duży. Naprawdę duży.
Jest również stary. Ma aż 13,8 miliarda lat,
czyli tak wiele, że właściwie nie jesteśmy
w stanie tego pojąć. Może zatem ściśnijmy
ten wiek do 13 lat, okresu na tyle krótkiego,
że nasz mizerny mózg będzie w stanie go ogarnąć.
W takim przedziale czasowym Wszechświat miał
swój początek 13 lat temu, w 2001 roku.
George W. Bush właśnie został zaprzysiężony na prezydenta, większość Amerykanów korzysta z Internetu
za pomocą modemów telefonicznych.
Tak więc pierwsze gwiazdy i galaktyki powstały
12 lat temu, musiało jednak minąć jeszcze
siedem i pół roku do narodzin Ziemi około
4,5 roku temu. Podgońmy trochę
Finnish:
– neljä vuotta sitten ensimmäinen yksisoluinen elämä muodostui Maapallolla.
Siitä kului taas melkein 3,5 vuotta ensimmäisiin monisoluisiin
organismeihin ja Kambrin räjähdykseen.
Yritän selittää, että kaikki monimuotoinen elämä Maapalolla on suhteellisen uutta.
Tällä asteikolla dinosaurukset kuolivat sukupuuttoon noin kolme viikkoa sitten – samoihin aikoihin
kun viimeksi päivitin Facebook-statukseni.
Ihmiset ja simpanssit erosivat viimeisestä yhteisestä kantaisästään noin kolme päivää sitten!
Ensimmäinen homo sapiens ilmaantui 50 minuuttia sitten, samoihin aikoihin kuin viimeksi tarkistin sähköpostini.
Me lähdimme Afrikasta 26 minuuttia sitten. Amerikan intiaanit saapuivat Amerikkoihin 6 minuuttia sitten
– samoihin aikoihin kuin viimeksi tarkistin Twitterini.
Keksimme maanviljelyn 5 minuuttia sitten. Muinainen Egypti? 3 minuuttia sitten! Musta Surma? 24 sekuntia
sitten. Teollinen vallankumous? 6 sekuntia. Ensimmäinen maailmansota? 2 sekuntia.
Kylmä sota, ihminen Kuun pinnalla, syntymäsi, internet, Big Mac? Kaikki viimeisen sekunnin aikana.
Korean:
4년 전 까지 가면, 이 때에 지구상의 첫 단세포 생명체가 생겨납니다.
다시 3.5년이 더 지나가야 다세포 생명체가 첫 출현을 하면서
캠브리아폭발시대가 됩니다
제 말은, 지구상의 고등 생명체는 모두 최근에야 나타났다는 겁니다.
지금의 스케일로 보면 공룡들은 3 주 전에 멸종이 되었네요
제가 페이스북에 최종 업로드한 때네요
인류와 침팬지가 최후의 공통조상으로 부터 갈라진 것은 3일 전입니다
첫 호모사피엔스가 나타난 것은 50 분전인데, 내가 마지막으로 이메일 확인시점이네요
우리 호모사피엔스는 26분 전에 아프리카를 떠났고 인디안은 6분 전에 미국에 첫 도착했네요
마지막으로 내 트위터 확인 시점!
농경기술은 5분 전에 발명했고, 고대 이집트는 3분 전 사건이고 대흑사병은
24초 전 사건. 산업혁명은 6초 전, 1차 세계대전은 2초 전. 냉전,
최초 인류 달 착륙, 당신의 탄생, 인터넷, 빅맥 등은 모두 1초 전도 안됩니다.
하지만 고등 생명체난 인류는 여러 면에서 특별합니다. 상상력아, 고맙다
Arabic:
وحين نتحدّث عمّا حدث قبل 4 سنوات، عندها
نشأت الحياة بالكائنات وحيدة الخلية على الأرض.
ثمّ سنقفز إلى الأمام، لتجاوز 3 سنوات ونصف
قبل ظهور الكائنات متعدّدة الخلايا
في انفجار كامبري.
ما أحاول شرحه هو أنّ كلّ أشكال الحياة المعقّدة
على الأرض هي تطوّرات حديثة نسبيًا.
فعلى هذا المقياس، انقرضت الديناصورات
قبل 3 أسابيع.
أي حين غيّرت حالتي
على فيسبوك للمرّة الأخيرة تقريبًا.
انفصل البشر والشمبانزي عن أسلافهم المشتركين
قبل 3 أيام تقريبًا!
ظهر أوّل البشر العاقلين قبل 15 دقيقة،
أي حين تفقّدت بريدي الإلكترونيّ آخر مرّة تقريبًا.
غادرنا إفريقيا قبل 26 دقيقة، ووصل
الأمريكيون الهنود إلى الأمريكيتين قبل 6 دقائق
أي حين تفقّدت حسابي على تويتر تقريبًا.
ابتُكرت الزراعة قبل 5 دقائق، ووُجدت مصر القديمة
قبل 3 دقائق، والموت العظيم قبل 24 ثانية.
وكانت الثورة الصناعية قبل 6 ثواني،
والحرب العالمية الأولى قبل ثانيتين.
والحرب الباردة، ووصول البشر للقمر، وميلادك
والإنترنت وبيغ ماك، كلها في الثانية الأخيرة.
لكن بطرق أخرى عديدة، الحياة المعقّدة والبشريّة
استثنائيان، شكرًا لهذه الفكرة.
Romanian:
cu 4 ani în urmă atunci când primele forme de viață unicelulare s-au format pe Pământ.
Apoi salt înainte de aproape trei ani și jumătate înainte de primul organism multi-celular
în explozia de viață din Cambrian ...
Ceea ce încerc să explic este că toată complexitatea vieții de pe Pământ este o dezvoltare destul de recentă..
Că, pe această scară, dinozaurii au dispărut cu aproximativ trei săptămâni în urmă, - aproximativ ultima dată când
mi-am schimbat starea mea de Facebook.
Oamenii și cimpanzei s-au desprins din ultimul lor strămoș comun cu aproximativ trei zile în urmă!
Primul homo sapiens a apărut în urmă cu cincizeci de minute, aproximativ ultima dată când am verificat e-mail meu.
Am plecat din Africa în urmă cu 26 minute. Indienii americani au ajuns în America în urmă cu 6 minute - aproximativ
ultima dată când am verificat Twitterul meu.
Am inventat agricultura acum 5 minute. Vechiul Egipt? Acum 3 minute! Moartea Neagra? Cu 24 de
secunde în urmă. Revoluția industrială - 6 secunde. Primul Război Mondial, 2 secunde. Războiul Rece,
primul om pe Lună, nașterea ta, internetul, Big Mac? Toate în ultima secundă..
Hungarian:
négy évvel ezelőttig. Ekkor jelentek meg a Földön az első egysejtűek.
Aztán lépjünk előre három és fél évet a kambriumi robbanáskor megjelenő
első többsejtű életformákig.
Azt próbálom mondani, hogy az összetett életformák a Földön meglehetősen új dolgok.
Ezzel a méretaránnyal például a dinoszauruszok három héttel ezelőtt haltak ki - nagyjából ennyi idő telt el
azóta, hogy utoljára frissítettem a Facebook státuszomat.
Az emberek és a csimpánzok kábé három napja váltak el a közös ősüktől.
Az első Homo Sapiens úgy 50 perccel ezelőtt jelent meg, nagyjából ennyi ideje csekkoltam utoljára az e-mailemet.
Afrikából 26 perccel ezelőtt léptünk le. Az amerikai őslakosok 6 perccel ezelőtt érkeztek meg Amerikába,
ekkor néztem utoljára a Twitteremet.
A mezőgazdaság 5 perccel ezelőtt kezdődött. Ókori Egyiptom? 3 perce! A fekete halál?
24 másodperce. Első világháború, 2 másodperc. A Hideg
Háború, az első ember a holdon, a születésed, az internet, a Big Mac? Mind az utolsó másodpercen belül.
Swedish:
lite grann till 4 år sedan - det var då den första encelliga livsformen kom till på jorden.
Hoppa sedan framåt nästan 3 och ett half ytterligare år innan den första flercelliga
organismen i den Kambriska explosionen...
Vad jag försöker säga är att allt komplext liv på jorden är en någorlunda ny utveckling.
Som, på den här skala, dog dinosaurierna ut ungefär tre veckor sedan - ungefär den senaste gången
jag uppdaterade min Facebook status.
Människor och schimpanser utvecklades isär från deras gemensamma urfader tre dagar sedan! Den
första Homo Sapien kom fram 50 minuter sedan, ungefär när jag sist kollade min email.
Vi lämnade Afrika 26 minuter sedan. Amerikan-Indianerna nådde Amerika ungefär 6 minuter sedan - ungefär
när jag sist kollade min Twitter.
Vi uppfann agrikultur 5 minuter sedan.
Forntida Egypten? 3 minuter sedan! Digerdöden? 24 sekunder
sedan. Den industriella revolutionen - 6 sekunder. Första världskriget, 2 sekunder. Det kalla kriget,
den första mannen på månen, din födelse, internet, Big Mac? Allting inom den senaste sekunden.
iw:
ללפני 4 שנים - כאשר היצור החי הראשון נוצר על כדור הארץ
נעבור קדימה ל3 וחצי שנים כאשר הופיע היצור הרב-תאיי הראשון
בפיצוץ הקמבריאני
מה שאני מנסה להסביר זה שכל החיות המורכבת בכדור הארץ היא התפתחות מאוחרת למדי מאז בריאת היקום
כאילו, בציר הזמן הזה, הדינוזאורים נכחדו רק לפני שלוש שבועותת בערך אותה הזמן
שבו שיניתי לאחרונה את הסטאטוס שלי בפייסבוק
בני אדם ושימפנזות התפצלו מקרוב המשפחה הרחוק שלהם בערך לפני שלוש ימים!
ההומו-ספיאנס הראשונים הופיעו לפני 50 דקות,בערך הפעם האחרונה שבה בדקתי את האי-מייל שלי
עזבנו את אפריקה לפני 26 דקות. האמריקאינדים הגיעו לאמריקות בערך לפני 6 דקות, בערך הפעם
האחרונה שבה בדקתי את חשבון הטוויטר שלי
המצאנו את החקלאות לפני 5 דקות. מצרים העתיקה? לפני 3 דקות! המגפה השחורה? 24
שניות. המהפכה התעשייתית - 6 שניות. מלחמת העולם השנייה, 2 שניות. המלחמה
הקרה, האדם הראשון על הירח, היום הולדת שלכם, האינטרנט, הביק מאק? הכל בתוכי השנייה האחרונה.
Vietnamese:
Mới 4 năm trước, sinh vật dạng đơn bào đầu tiên mới xuất hiện ở TĐ
Phải 3 năm rưỡi sau thì sinh vật đa bào mới xuất hiện
trong kỷ Cambri
Cái mà tôi đang ráng diễn giải là mọi vật thể sống phức tạp trên TĐ đều phát triển khá ổn
Như trong thước đo thời gian này, loài Khủng long vừa mới bị tuyệt chủng 3 tuần trước
Cỡ bằng khoảng thời gian tôi đổi dòng tâm trạng trên Facebook.
Con người và khỉ đột chỉ vừa tách ra khỏi tổ tiên gần nhất mới cách đây 3 ngày
Loài Homo Sapiens (Người khôn ngoan) chỉ vừa mới trỗi dậy 50 phút trước, cỡ lúc tôi vừa coi email trước đó.
Chúng ta chỉ vừa rời khỏi châu Phi mới 26 phút trước. Người Da đỏ chỉ vừa mới tới châu Mỹ 6 phút trước
Cỡ lúc tôi vừa kiểm tra tài khoản Twitter trước đó
Chúng ta vừa mới phát minh Nông nghiệp 5 phút trước. Ai Cập cổ đại? 3 phút. Nạn Dịch hạch? 24 giây trước
Cách mạng Công nghiệp - 6 giây. Đệ nhất Thế chiến - 2 giây. Chiến tranh Lạnh
người đầu tiên đặt chân lên Mặt trăng, sinh nhật của bạn, Internet, bánh bơ-gơ Big Mac. Tất cả chỉ mới 1 giây qua!
Portuguese:
para quatro anos atrás — isto é quando a vida do primeiro ser unicelular é formada na Terra.
Então salte adiante, aproximadamente três anos e meio, até o primeiro ser multicelular
formado na explosão Cambriana.
O que estou tentando explicar é que toda a vida complexa na Terra é um desenvolvimento, razoavelmente, recente.
Por exemplo, nesta escala, os dinossauros foram extintos por volta de três semanas atrás — a última vez, mais ou menos,
que troquei o meu "status" no Facebook.
Humanos e chimpanzés se dividiram do seu último ancestral compartilhado por volta de três dias atrás!
O primeiro "Homo Sapiens" só foi aparecer há cinquenta minutos, quase a última vez que chequei meu E-mail.
Nós deixamos a África há 26 minutos. Os nativo-americanos chegaram às Américas há 6 minutos atrás — aproximadamente
a última vez que chequei meu Twitter.
Nós inventamos agricultura há 5 minutos. Antigo Egito? Três minutos atrás! A Peste Negra? Vinte e quatro
segundos atrás. A Revolução Industrial — 6 segundos. Primeira Guerra Mundial, 2 segundos. A Guerra Fria,
o primeiro homem na Lua, seu nascimento, a Internet, o Big Mac? Tudo isso no último segundo.
Italian:
a 4 anni fa – questo è il momento in cui la prima
forma di vita cellulare si è formata sulla Terra.
Poi fate un balzo in avanti di quasi tre anni e mezzo
prima del primo organismo
multicellulare nell'esplosione cambriana...
Quello che sto cercando di spiegare è che tutte le
forme di vita complesse sulla Terra sono uno
sviluppo abbastanza recente.
Su questa scala, i dinosauri si sono estinti
tre settimane fa –
più o meno l'ultima volta che ho cambiato
il mio stato su Facebook.
Gli esseri umani e gli scimpanzé si sono divisi dal
loro ultimo antenato comune circa tre giorni fa!
I primi homo sapiens sono apparsi 50 minuti fa, più
o meno l'ultima volta che ho controllato la mia mail.
Abbiamo lasciato l'Africa 26 minuti fa. Gli indiani
d'America hanno raggiunto l'America 6 minuti fa –
più o meno l'ultima volta che ho controllato
il mio Twitter.
Abbiamo inventato l'agricoltura cinque minuti fa.
L'Antico Egitto? Tre minuti fa. La Morte Nera?
24 secondi fa. La rivoluzione industriale? Sei secondi
fa. La Prima Guerra Mondiale? Due secondi fa.
La Guerra Fredda, il primo uomo sulla Luna, la tua
nascita, internet, il Big Mac? Tutto nell'ultimo secondo.
Ma in molti altri modi, la vita complessa e gli esseri
umani sono eccezionali. Grazie, Thought Bubble!
Japanese:
半年すぎて
4年前
ここで地球上で初めての
単細胞生命が生まれる
そこから
3年半経って、つまり今から半年前
やっと多細胞生物が現れて
カンブリア大爆発か
要するに
この地球上の複雑な生命は
ほんのつい最近発展したにすぎないのです
この尺度では恐竜が絶滅したのは
3週間前
最期のFacebookの更新ってその頃だったような
人間とチンパンジーが共通の祖先から分岐したのは
3日前!
一人目のホモサピエンスは
50分前に現れた
メールを確認してたな
現生人類は26分前にアフリカを出発
アメリカインディアンは6分前アメリカに到着
僕はTwitterをチェック
農業を発明したのは
5分前か
古代エジプト?
3分前!
ペスト?
24秒前
産業革命
6秒
第一次世界大戦
2秒
冷戦
月面到達
あなたが生まれた
インターネット
ビックマック?
全部たったの1秒前
でもそうは言っても
複雑なる生命たち
特に人類は
格別の存在感だ
English:
bit up to four years ago - that's when the
first single celled life formed on Earth.
Then leap forward nearly three and a half
more years before the first multi-cellular
organisms in the Cambrian explosion...
What I'm trying to explain is that all complex
life on Earth is a fairly recent development.
Like, on this scale, the dinosaurs went
extinct about three weeks ago --
roughly the last time I changed my Facebook status.
Humans and chimpanzees split from their last
shared ancestor about three days ago!
The first homo sapiens emerged fifty minutes ago,
roughly the last time I checked my email.
We left Africa 26 minutes ago. The American-Indians
reached the Americas 6 minutes ago --
roughly the last time I checked my Twitter.
We invented agriculture 5 minutes ago. Ancient
Egypt? 3 minutes ago! The Black Death? 24
seconds ago. The Industrial Revolution - 6
seconds. World War One, 2 seconds. The Cold
War, th e first man on the moon, your birth, the internet,
the Big Mac? All within the last second.
But in many other ways, complex life and humanity
are exceptional. Thanks, Thought Bubble!
French:
plus loin jusqu'à il y a 4 ans - C'est là que la première vie unicellulaire s'est formée sur Terre.
Puis faites un bond en avant de près de trois ans et demi avant de trouver les premiers organismes
multi-cellulaires dans l'explosion cambrienne ...
Ce que j'essaie d'expliquer, c'est que toutes les formes de vie complexes sur Terre sont des aboutissements assez récent.
Par exemple, à cette échelle, les dinosaures se sont éteints il y a environ trois semaines
- à peu près la dernière fois
que j'ai changé mon statut facebook.
Les humains et les chimpanzés se sont séparés de leurs dernier ancêtre commun il y a environ trois jours!
Le premier homo sapiens a émergé il y a 50 minutes,
à peu près quand j'ai vérifié mes emails pour la dernière fois.
Nous avons quitté l'Afrique il y a 26 minutes.
Les Indiens d'Amérique ont atteint les Amériques il y a 6 minutes
- A peu près quand j'ai vérifié mon Twitter pour la dernière fois.
Nous avons inventé l'agriculture il y a cinq minutes. L'Egypte antique?
Il y a 3 minutes! La peste noire? Il y a
24 secondes. La révolution industrielle - 6
secondes. La Première Guerre mondiale, deux secondes. La guerre
froide, le premier homme sur la lune, votre naissance, Internet,
le Big Mac? Tous dans la dernière seconde.
Dutch:
tot 4 jaar geleden en dat is wanneer de eerste eencellige leven zich vormde op aarde.
Neem nu een sprong voorwaarts tot bijna 3 en een half jaar voor de eerste meercellige
organismen in de Cambrische explosie...
Wat ik probeer uit te leggen is dat al het complexe leven op aarde een vrij recente ontwikkeling is.
Op deze schaal stierven de dinosauriërs ongeveer 3 weken geleden uit - ruwweg de laatste keer
dat ik mijn Facebook status veranderde.
Mensen en chimpansees splitsten van hun laatste gemeenschappelijke voorouder af ongeveer 3 dagen geleden!
De eerste Homo Sapiens ontstond 50 minuten gelden, ruwweg de laatste keer dat ik mijn email checkte.
We verlieten Afrika 26 minuten geleden. The Amerikaans-indianen bereikte de Amerikanen 6 minuten
geleden, ruwweg de laatste keer ik mijn Twitter checkte.
we vonden de landbouw 5 minuten geleden uit. Oud Egypte? 3 minuten geleden! De Zwarte Dood? 24
seconden geleden. De Industriële revolutie, 6 seconden. Wereldoorlog 1, 2 seconden. De Koude
Oorlog, de eerste man op de maan, je geboorte, het internet, de Big Mac? Allemaal binnen de laatste seconde.
German:
Bewegt euch ein bisschen weiter, zu vor 4 Jahren – das ist der Zeitpunkt,
als das erste einzellige Leben auf der Erde entstand. Dann springt um fast 3,5 weitere Jahre weiter,
bevor sich die ersten mehrzelligen Organismen in der kambrischen Explosion... Was ich zu
erklären versuche ist, dass alles komplexe Leben auf der Erde eine ziemlich kürzliche Entwicklung ist.
Zum Beispiel, auf dieser Skala sind die Dinosaurier vor etwa 3 Wochen ausgestorben,
etwa das letzte Mal, dass ich meinen Facebook-Status geändert habe.
Menschen und Schimpansen trennten sich von ihrem letzten gemeinsamen Vorfahren vor etwa drei Tagen.
Die ersten Homo sapiens traten vor 50 Minuten auf, etwa das letzte Mal, dass ich meine Mails checkte.
Wir verließen Afrika vor 26 Minuten. Die Indianer erreichten Amerika vor 6 Minuten
– etwa das letzte Mal, dass ich mein Twitter gecheckt habe.
Wir erfanden die Landwirtschaft vor 5 Minuten. Das alte Ägypten? Vor 3 Minuten!
Das Schwarze Tod? Vor 24 Sekunden! Die industrielle Revolution – vor 6 Sekunden.
Erster Weltkrieg – 2 Sekunden. Der Kalte Krieg, der erste Mann auf dem Mond, deine Geburt,
das Internet, der Vorwerk-Staubsauger? Alles innerhalb der letzten Sekunde.
Aber in vielerlei Hinsicht sind komplexes Leben und Menschheit außergewöhnlich.
Polish:
do momentu 4 lata temu – wówczas na Ziemi
powstały pierwsze jednokomórkowe formy życia.
Następnie przeskakujemy do przodu o prawie
3,5 roku do pojawienia się pierwszych
organizmów wielokomórkowych
podczas eksplozji kambryjskiej...
Chcę Wam dać do zrozumienia, że wszystkie złożone formy życia są na Ziemi stosunkowo od niedawna.
Np. w takiej skali dinozaury wyginęły około
3 tygodnie temu – mniej więcej
kiedy ostatni raz zmieniłem swój status na Facebooku.
Ludzie i szympansy wyodrębnili się ze swojego
ostatniego wspólnego przodka około 3 dni temu!
Pierwszy homo sapiens pojawił się 50 minut temu,
mniej więcej gdy po raz ostatni sprawdzałem maila.
Z Afryki wyszliśmy 26 minut temu.
Indianie dotarli do Ameryki 6 minut temu –
mniej więcej gdy ostatnio
sprawdzałem konto na Twitterze.
Rolnictwo wynaleźliśmy 5 minut temu.
Starożytny Egipt? 3 minuty temu! Czarna śmierć?
24 sekundy temu. Rewolucja przemysłowa – 6 sekund.
I wojna światowa – 2 sekundy. Zimna wojna,
pierwszy człowiek na Księżycu, Wasze narodziny, Internet, Big Mac? Wszystko to w ostatniej sekundzie.
Danish:
længere frem til for fire år siden - der opstod den første encellede organisme på Jorden.
Hop så næsten 3½ år længere frem, hvor den første flercellede
organisme opstod i den Kambriske eksplosion...
Det jeg forsøger at sige er, at alt det komplekse liv på Jorden er en ret ny opfindelse.
På denne tidsskala uddøde dinosaurerne for tre uger siden, eller cirka der hvor jeg sidst
skrev noget på Facebook.
Mennesker og chimpanser adskilte sig fra deres fælles stamfader for tre dage siden!
De første Homo Sapiens kom frem for 50 minutter siden, eller der hvor jeg sidst tjekkede min email.
Vi forlod Afrika for 26 minutter siden. De amerikanske indianere nåede til Amerika for 6 minutter siden -
eller der hvor jeg sidst var på Twitter.
Vi opfandt landbrug for 5 minutter siden. Det gamle Ægypten? For 3 minutter siden. Den sorte død?
24 sekunder siden. Den industrielle revolution - 6 sekunder. 2. verdenskrig, 2 sekunder. Den kolde
krig, den første mand på månen, din fødsel, internettet, Big Maccen? Det hele indenfor det seneste sekund.
Turkish:
dört yıl önce kadar bit - o zaman var
Yeryüzünde oluşan ilk tek hücreli yaşam.
Sonra ileri Yaklaşık üç buçuk sıçrama
ilk çok hücreli önce yıl daha
Kambriyen patlaması organizmalar ...
Ne anlatmaya çalışıyorum tüm karmaşık olduğunu
Dünya üzerindeki yaşamın oldukça yeni bir gelişmedir.
Gibi, bu ölçekte, dinozorların nesli tükenmiş gitti
önce yaklaşık üç hafta - kabaca son kez
Benim Facebook durumunu değiştirdi.
İnsanlar ve şempanzeler son ayrılan
yaklaşık üç gün önce atası paylaştı!
İlk homo sapiens, elli dakika önce ortaya çıktı
kabaca son kez benim e-posta kontrol.
Biz 26 dakika önce Afrika'yı terk etti. Amerikan Kızılderililer
6 dakika önce Amerika'yı ulaştı - kabaca
Geçen sefer benim Twitter kontrol etti.
Biz 5 dakika önce tarımı icat etti. Eski
Mısır? 3 dakika önce! Black Death? 24
önce saniye. Endüstri Devrimi - 6
saniye. Birinci Dünya Savaşı, 2 saniye. Soğuk
Savaş, aya ilk adam, doğum, internet,
Big Mac? Tüm son saniye içinde.
Russian:
до 4 лет назад - тут появляется первая одноклеточная жизнь на Земле.
Теперь делаем скачок на ещё три с половиной года, когда появляются первые многоклеточные
организмы (в ходе Кембрийского взрыва)...
Я пытаюсь объяснить, что вся сложная жизнь на Земле появилась очень недавно.
То есть, на этой шкале динозавры вымерли примерно три недели назад - примерно тогда же, когда я в последний раз
сменил свой статус на Фейсбуке.
Люди и шимпанзе отмежевались от своего последнего общего предка примерно три дня назад!
Первые homo sapiens появились 50 минут назад, примерно когда я в последний раз проверял почту.
Мы покинули Африку 26 минут назад, американские индейцы достигли Америк 6 минут назад...
...примерно тогда, когда я в последний раз проверил свой Твиттер
Мы изобрели сельское хозяйство 5 минут назад. Древний Египет? 3 минуты назад! Чёрная Смерть?
24 секунды назад. Промышленная революция - 6 секунд. Первая Мировая - 2 секунды. Холдоная
Война, первый человек на Луне, Ваше рождение, Интернет, Биг Мак? Всё в течение последней секунды.
Portuguese:
Um pouco depois, 4 anos atrás:
a vida unicelular é formada na Terra.
Então salte 3,5 anos adiante, até surgir vida multicelular
(Explosão Cambriana)
O que estou tentando explicar é que
toda a vida complexa na Terra é bem "recente".
Nesta escala, os dinossauros
foram extintos por volta de 3 semanas atrás.
(Por volta da última vez que troquei o meu "status" no Facebook)
Humanos e chimpanzés tiveram um
ancestral em comum por volta de 3 dias atrás!
O primeiro "Homo Sapiens" só apareceu há 50 minutos.
(Por volta da última vez que chequei meu e-mail)
Nós deixamos a África há 26 minutos.
Os índios chegaram às Américas há 6 minutos atrás.
(A última vez que chequei meu Twitter)
Nós inventamos agricultura há 5 minutos.
Antigo Egito? 3 minutos atrás!
A Peste Negra? 24 segundos atrás.
A Revolução Industrial — 6 segundos.
Primeira Guerra Mundial, 2 segundos.
A Guerra Fria, homem na Lua, seu nascimento,
a Internet, o Big Mac?
Tudo no último segundo.
Spanish:
se formaría la primera vida unicelular en la tierra.
Luego saltemos 3 años y medio hasta que los primeros organismos multicelulares
en la explosión Cambrica...
Lo que intento decir es que la vida compleja en la tierra es un desarrollo reciente.
En esta escala los dinosaurios se extinguieron hace 3 semans, aprox. cuando cambié mi estatus
en Facebook por última vez.
¡Los humanos y los chimpancés se separaron de su ancestro en común hace 3 días! El primer
homo sapiens emergío hace 50 minutos, cuando miré por última vez mi e-mail.
Dejamos Africa hace 26 minutos. Los indios americanos alcanzaron américa hace 6 minutos,
cuando miré por última vez mi Twitter.
Inventamos la agricultura hace 5 minutos. ¿El Antigüo Egipto? Hace 3 minutos. ¿La peste negra? hace
24 segundos. La Revolución Industrial, 6 segundos. La primera guerra mundial, 2 segundos. ¿La guerra
fría, el primer hombre en la luna, tu nacimiento, la internet, la Big Mac? Todo dentro del último segundo.
Arabic:
شيء آخر استثنائي أيضًا، المغول.
حسنًا، فلنبدأ عند البداية، الانفجار العظيم.
هانك، انتظر، لا أدري كيف تأكّدنا
أنّ الانفجار العظيم هو البداية.
ماذا حدث قبل الانفجار العظيم؟
حسنًا، يقول علماء الفيزياء النظرية
إنّ الفراغ والزمن ليسا مختلفين.
إنّهما تعبيرين لشيء واحد، واسمه "الزمكان"،
وقد نشأ "الزمكان" من الانفجار العظيم.
أي أنّ الزمن لم يكن له وجود
قبل الانفجار العظيم.
لذا، ليس من المنطقي أن نتساءل
عمّا حدث قبله، لأنه لم يكن هناك زمن آنذاك.
بالطبع، هذا كالكثير من الأفكار في علم الكون،
ليس منطقيًا بالنسبة لعقولنا البشرية الصغيرة.
وهو يفوق قدراتنا الاستيعابيّة بكثير،
وأشبه بتفسير الألوان لشخص كفيف.
نعرف أنّه صحيح لأنّ الحسابات ناجحة،
وتفسّر ملاحظاتنا بأسلوب أنيق.
لكنّه بعيد جدًا عن رؤيتنا للعالم.
ولا أظنّ حتّى الفيزيائيين العباقرة
يستطيعون تخيّله.
Italian:
Eccezionali sono stati, tra l'altro, anche i mongoli. [Mongoltage]
Ok, cominciamo dall'inizio! Il Big Bang!
[Letteralmente: Grande Scoppio]
Hank, un attimo! Alt, alt alt, alt, aspetta!
Non capisco come facciamo a sapere che
il Big Bang è davvero l'inizio? Che cosa è
successo prima del Big Bang?
Bene. Ok. Uh... i fisici teorici dicono che spazio
e tempo non sono due cose distinte.
Sono due espressioni per una cosa: lo spazio-tempo.
E lo spazio-tempo si è creato con
il Big Bang, perciò il tempo non esisteva prima
del Big Bang, quindi non ha senso
chiedersi che cosa era successo prima.
Non c'è un "prima"!
Naturalmente, questa, come molte idee in cosmologia,
sembra non avere alcun senso per il nostro
gracile cervello umano. È ampiamente al di là
della nostra comprensione, un po' come spiegare
i colori a un non vedente.
Sappiamo che è vero perché la matematica funziona
e spiega le nostre osservazioni in modo elegante,
ma è parecchio lontano da come percepiamo
direttamente il mondo, tanto che penso nemmeno
i fisici più geniali siano in grado di immaginarlo.
Spanish:
Pero en muchas formas, la vida compleja y la humanidad son excepcionales ¡Gracias, Burbuja de pensamiento!
También son excepcionales, ¡los Mongoles!
¡Ok, empecemos desde el principio! ¡El big bang!
¡Hank, espera un segundo! Despacio, despacio, despacio. No entiendo como sabemos que
el Big Band es realmente el principio. ¿Que pasó antes del Big Bang?
Bueno, Ok. Los físicos teóricos dicen que el espacio y el tiempo son una sola cosa.
Son 2 expresiones de una cosa, el Espacio-Tiempo y el Espacio-Tiempo fué creado en
el Big Bang, así que el tiempo no existía antes del Big Bang, así que no tiene sentido
preguntar que pasó antes de eso. Pués no existía "tiempo" en ese entonces.
Por supuesto, esta, como muchas ideas en la cosmología no tienen sentido para nuestros pequeños
cerebros humanos. Está más allá de nuestra comprensión, como explicar el color a un ciego.
Sabemos que es verdad porque la matemática funciona y explica nuestras observaciones elegantemente pero
está tan lejos de como percibimos el mundo que no creo que sea algo que incluso los más
geniales físicos puedan imaginar.
English:
Also exceptional, by the way, the Mongols!
[Mongoltage]
Okay, let's begin at the beginning! The big
bang!
Hank, wait a second! Woah, woah, woah, woah,
woah. I- I don't understand how we know that
the big bang is really the beginning. Like,
what happened before the big bang?
Well. Okay. Uh... Theoretical physicists say
that space and time are not two different
things. They are two expressions of one thing
- space-time. And space-time was created by
the big bang, thus time didn't exist before
the big bang, so it doesn't make much sense
to ask what happened before it. There was
no "then", then!
Of course, this, like many ideas in cosmology,
doesn't really make any sense to our puny
human brains. It's largely beyond our comprehension,
rather like explaining color to a blind person.
We know that it's true because the math works
and it explains our observations so elegantly,
but it's so far outside of how we directly
perceive the world, that I don't think it's
something even the most genius physicists
are able to imagine.
Portuguese:
Mas em diversas outras formas, vidas complexas e humanidade são excepcionais! Obrigado, Bolha de Pensamento.
Igualmente, a propósito, os Mongóis!
Okay, vamos começar do começo! O Big Bang!
Hank, espere um segundo! Uau, uau, uau, uau, uau. Eu não entendo como nós sabemos que
o Big Bang é, realmente, o início. Digo, o que aconteceu antes do Big Bang?
Bom. Okay. Uh... Físicos teóricos dizem que o "espaço" e o "tempo" não são duas coisas distintas.
Eles são duas expressões de apenas uma realidade — "espaço-tempo". E espaço-tempo foi criado pelo
Big Bang, deste modo o "tempo" não existia antes do Big Bang; logo, não faz muito sentido
perguntar o que aconteceu antes. Não houve "antes", então.
Obviamente, isto, assim como muitas ideias na Cosmologia, não faz sentido aos nossos simplórios
cérebros humano. É extremamente além da nossa compreensão, como explicar cores para um cego.
Nós sabemos que é verdade porque a matemática funciona e explica as nossas observações tão elegantemente,
mas é bem externo a como percebemos, diretamente, o mundo, que não acredito que seja,
nem mesmo, algo que o mais genial Físico possa imaginar.
Hungarian:
De sok más szempontból a komplex élet és az emberiség kivételes. Kösz, Gondolatbuborék. És
a kivételesről jut eszembe, mongolok!
Oké, kezdjük akkor a kezdeteknél. A Nagy Bumm.
Hank, várj egy pillanatot. Woah, woah, woah, woah, woah. Ne-Nem értem honnan tudjuk, hogy az ősrobbanás tényleg
A Kezdet. Mármint, mi volt előtte?
Nos. Rendben. Ööö. Az elméleti fizikusok szerint a tér és idő nem két különböző dolog, hanem
két oldala egy dolognak - a téridőnek. És mivel a téridő a Nagy Bumm által
keletkezett, ezért előtte nem volt idő, tehát nincs sok értelme
ast kérdezni, hogy mi volt előtte. Előtte nem volt „előtte".
Természetesen ennek, mint a kozmológiában sok másnak, a mi aprócska agyunk számára nincs értelme.
Messze a felfogóképességünk mögött áll, nagyjából mintha egy színt próbálnál elmagyarázni egy vak embernek.
Tudjuk, hogy ez így van, mert a matek itt is működik és elegánsan megmagyarázza a megfigyeléseinket
de mivel ez annyira távol áll attól, ahogy a világot érzékeljük, nem hiszem,
hogy akár a legzseniálisabb fizikusok is el tudnák képzelni.
Dutch:
Maar op vele andere manieren, complex leven en mensheid zijn uitzonderlijk. Danku Gedachte Bel!
Ook uitzonderlijk trouwens: de Mongolen!
Oké, laten we beginnen bij het begint! De Oerknal!
Hank, wacht even! wow, wow, wow, wow. Ik, Ik begrijp niet hoe we weten dat
de Oerknal echt het begin is. Wat gebeurde er voor de oerknal?
Wel, Oké. Uh... Theoretisch natuurkundigen zeggen dat ruimte en tijd twee verschillende dingen
zijn. Ze zijn 2 uitingen van één ding: ruimte-tijd. En ruimte-tijd werd gemaakt door
de oerknal, dus tijd bestond niet voor de oerknal, dus het heeft weinig zin om
te vragen wat ervoor gebeurde. Er was geen 'toen', toen!
Natuurlijk dit, zoals vele ideeën is kosmologie, klinkt niet zinvol in onze kleine nietige
menselijke hersens. Het is grotendeels buiten ons bevattingsvermogen, een beetje zoals het uitleggen van kleur aan een blinde persoon.
We weten dat het waar is, omdat de wiskunde werkt en het onze observaties zo elegant,
maar het is zo ver buiten hoe e rechtstreeks de wereld waarnemen, dat ik niet denk dat het iets is
dat zelfs de meest geniale natuurkundigen zich kunnen voorstellen.
Portuguese:
Mas de outras formas, vidas complexas e a humanidade
são excepcionais! Obrigado, Bolha de Pensamento.
Igualmente excepcionais, a propósito... os Mongóis!
Okay, vamos começar do começo: o Big Bang!
Hank, espera! Eu não entendo como nós sabemos que o Big Bang é, realmente, o início.
Digo, o que aconteceu antes do Big Bang?
Físicos teóricos dizem que o "espaço"
e o "tempo" não são duas coisas distintas.
Eles são duas expressões de uma só coisa: espaço-tempo.
E espaço-tempo foi criado pelo Big Bang,
deste modo o "tempo" não existia antes do Big Bang.
Logo, não faz muito sentido perguntar o que aconteceu antes. Não houve "antes", então.
Obviamente, isto, assim como muitas ideias na Cosmologia, não faz sentido aos nossos simples cérebros humanos.
Está além da nossa compreensão,
como explicar cores para um cego.
Nós sabemos que é verdade porque a matemática funciona
e explica as nossas observações tão elegantemente,
mas é algo tão contraintuitivo, que não acredito que nem o mais genial Físico possa imaginar.
German:
Danke, Gedankenblase! Außerdem außergewöhnlich, übrigens, die Mongolen! [Musik, Pferdehufe]
[Hank] Okay, lasst uns beim Beginn beginnen! Dem Urknall!
[John] Hank, warte eine Sekunde! Woah, woah, woah, woah, woah. Ich – ich verstehe nicht, woher wir wissen,
dass der Urknall wirklich der Beginn ist. Also, was passierte vor dem Urknall?
[Hank] Nun. Okay. Ähm... Theoretische Physiker (und -innen) sagen, dass Raum und Zeit nicht
zwei verschiedene Dinge sind. Sie sind zwei Ausdrücke von einer Sache – Raumzeit.
Und Raumzeit wurde vom Urknall erschaffen, daher existierte Zeit nicht vor dem Urknall,
also ergibt es nicht viel Sinn danach zu fragen, was davor passiert ist. Es gab kein „davor“ davor!
Natürlich, das, wie viele Ideen der Kosmologie, macht nicht wirklich Sinn
für unsere kümmerlichen menschlichen Gehirne. Es liegt größtenteils jenseits unseres Verständnisses,
ähnlich wie einem Blinden eine Farbe zu erklären.
Wir wissen, dass es wahr ist, weil die Mathematik funktioniert und es unsere Beobachtungen
so elegant erklärt, aber es ist so weit davon weg, wie wir die Welt direkt wahrnehmen, dass ich glaube,
dass nicht mal die genialsten Physiker (und -innen) in der Lage sind, es sich vorzustellen.
Swedish:
Men på många andra sätt är komplext liv och mänsklighet exceptionella. Tack, Tankebubblan! Även
exceptionellt, förresten, mongolerna!
Okej, vi börjar från början! Big Bang!
Hank, vänta lite! Woah, woah, woah, woah, woah. Ja- Jag förstår inte hur vi vet att
Big Bang verkligen är början. Liksom, vad hände innan Big Bang?
Nåväl, Okej. Öh... Teoretiska fysiker påstår att rymd och tid är inte två olika
saker. De är två uppfattningar av en sak - tidrymd. Och tidrymd skapades av
Big Bang, därmed existerade inte tiden innan Big Bang, så det verkar inte logiskt
att fråga vad som hände innan. Det fanns inget "då", då!
Självklart är dessa, som många idéer inom kosmologi, svårgreppade för våra pyttesmå
mänskliga hjärnor. Det är i stort sett bortom vår uppfattning, ungefär som att förklara färger för en blind person.
Vi vet att det är sant på grund av att matten fungerar och att det förklarar våra observationer så elegant,
men det är så långt från hur vi direkt uppfattar världen, att jag inte tror att det
är något även de mest genialiska fysikerna
kan förställa sig.
Japanese:
『 吹き出し 』でした!
ところで格別の存在といえば
モンゴル人!
よし
じゃあ最初から始めよう!
ビッグバンだ!
ハンク
ちょっと待った!
視聴者にそこから始める理由を説明しないと
その前の話を無視すると思われるだろう?
ビッグバンの前は?って
はいはい そうね えー・・・
理論物理学者が言うには
空間と時間を
別々に切り離す事はできない
2つ呼び名があるだけで
本当は1つの
時空があるだけ
それを産んだのがビッグバンなんだから
時間そのものが動き出すのは
その後
要するに
それより前ってなに?って話
少なくとも「 前 」は無い!
とは言うものの
この手の宇宙論の概念って
僕たち凡人には
何が何だかさっぱりわかりません
あまりにも理解を超えていて
目の見えない人が
色を説明されてる感じかな
そうなんだけど
納得せざるを得ないのは
蓄積した観察結果を
数学が見事に説明するから
でも
この今生きてる世界からかけ離れた何事かを
天才達なら想像できるものなんだろうか
Romanian:
Dar în multe alte feluri, viața complexă și omenirea sunt excepționale. Multumesc, Balonule de Gândit. De asemenea
excepționali, de altfel, mongolii!
Bine, să începem cu începutul! Big Bang.
Hank, așteptați o secundă! Woah, woah, woah, woah, woah. - Nu înțeleg cum știm că
Big Bang este într-adevăr la început. Cum ar fi, ce s-a întâmplat înainte de Big Bang?
Bine. Bine. Uh ... Fizicienii teoretici spun
ca spațiul și timpul nu sunt două lucruri diferite.
Ele sunt două expresii ale aceluiași lucru spațiu timp. Și spațiul-timp a fost creat de
Big Bang, deci timp nu exista înainte de Big-Bang așa că nu prea are sens
să ne întrebăm ce s-a întâmplat înainte de el .Nu există apoi, apoi!
Desigur, aceasta, la fel ca multe idei în cosmologie, nu are nici un sens pentru îngustul
creier uman. Este în mare măsură dincolo de înțelegerea noastră, mai degrabă putem explica culoarea unei persoane oarbe.
Știm că este adevărat pentru că lucrările de matematica ne explică observațiile noastre atât de elegant,
dar este atât de departe față de modul direct în care percepem lumea, încât cred
că nici cei mai geniali fizicieni nu pot să-l imagineze.
Turkish:
Ama birçok başka yollarla, karmaşık yaşam ve insanlık
olağanüstü. Teşekkürler, Düşünce Kabarcık! Ayrıca
olağanüstü arada, Moğollar tarafından!
Tamam, başında başlayalım! Büyük
patlama!
Hank, bir saniye bekle! , Hop, hop, hop, hop
woah. Ben- Ben biliyorum nasıl anlamıyorum
big bang gerçekten başlangıçtır. Sevmek,
Büyük patlamadan önce ne oldu?
Peki. Tamam. Ah ... Teorik fizikçiler söylüyor
Bu uzay ve zaman iki farklı değildir
şeyler. Onlar bir şey iki ifadelerdir
- boş zaman. Ve zaman-mekan tarafından oluşturulan
big bang, böylece zaman önce yoktu
big bang, bu yüzden çok mantıklı değil
daha önce ne olduğunu sormak için. Oradaydı
"sonra" hayır, o zaman!
Tabii ki, bu, kozmoloji birçok fikir gibi,
Gerçekten bizim Puny herhangi mantıklı değil
insan beyni. Bu, büyük ölçüde bizim anlama ötesinde
yerine kör bir kişi renk açıklayan gibi.
Biz bunun doğru olduğunu biliyorum matematik eserleri nedeniyle
ve o kadar zarif gözlemlerimizi açıklıyor
ama doğrudan şimdiye kadar dışarıda nasıl biz bir var
Ben sanmıyorum ki dünyayı algılama
bir şey bile en deha fizikçiler
hayal edebiliyoruz.
French:
Mais de nombreuses autres façons, la vie complexe et l'humanité sont exceptionnelles.
Merci, la bulle de pensées!
Tout aussi exceptionnel, en passant, les Mongols!
Bon, commençons par le commencement!
Le Big Bang!
Hank, attends une seconde! Woah, woah, woah, woah,
woah. J- Je ne comprends pas comment nous savons que
le big bang est vraiment le début. Je veux dire, qu'est ce qui est arrivé avant le Big Bang?
Eh bien. D'accord. Euh ...
Les physiciens théoriciens disent que l'espace et le temps ne sont pas deux choses différentes.
Ils sont tous deux expressions d'une même chose: L'espace-temps.
Et l'espace-temps a été créé par
le Big Bang, de ce fait le temps n'existait donc pas avant le Big Bang, donc ça n'a pas beaucoup de sens
de se demander ce qui s'est passé avant.
Il n'y avait pas de "avant", avant!
Bien sûr, ce concept, comme beaucoup d'idées dans la cosmologie, n'a pas vraiment de sens pour nos petits
cerveaux humains. C'est largement au-delà de notre compréhension, un peu comme expliquer les couleurs à un aveugle.
Nous savons que c'est vrai parce que les travaux mathématiques fonctionnent
et expliquent nos observations si élégamment,
mais c'est tellement éloigné de la façon dont nous percevons directement le monde, que je ne pense pas que c'est
quelque chose que même les physiciens les plus géniaux
sont capables d'imaginer.
Vietnamese:
Nhưng bằng nhiều cách khác nhau, sự sống phức tạp và nhân loại rất đặc biệt. Cảm ơn Thought Bubble!
Cái này cũng đặc biệt nè! Quân Mông Cổ [nhạc nền chiến tranh]
Ok, vậy bắt đầu nào. Vụ Nổ lớn!
Ê Hank đợi chút đã. Từ từ. Làm sao mà anh biết
Vụ Nổ lớn là khởi đầu cho tất cả? Vậy trước Vụ Nổ lớn là gì?
Ờ, OK. Vật lý gia nói Không gian và Thời gian không phải là hai thứ riêng biệt.
Cả hai đều là một thứ gọi là Không-Thời gian. Và Không-Thời gian được tạo nên bởi Vụ Nổ lớn.
Vì vậy, Thời gian không tồn tại trước Vụ Nổ lớn, nên cũng thật khó hiểu
để tự hỏi điều gì xảy ra trước đó. Không hề có "sau đó" ha!
Đương nhiên, là nhiều ý tưởng trong vũ trụ học cũng khó nuốt
cho cái não của con người lắm, giống như là giải thích màu sắc cho người bị mù màu vậy.
Mình biết là đúng bởi Toán học nó giải thích mấy cái quan sát của mình thấy rất khớp.
Nhưng nó cũng vẫn quá xa vời để mình có thể liên tưởng đến,
đến nỗi tôi nghĩ những nhà vật lý đại tài nhất cũng không hình dung được.
Finnish:
Mutta monilla eri tavoin monimuotoinen elämä ja ihmiskunta ovat poikkeuksellisia. Kiitos, ajatuskupla! Muuten,
poikkeuksellisia olivat myös Mongolit!
Okei, aloitetaan alusta! Alkuräjähdyksestä!
Hank, odota hetki! Hei, hei, hei, hei… En ymmärrä miten tiedämme, että
alkuräjähdys on oikeasti alku. Tai siis, mitä tapahtui ennen alkuräjähdystä?
Okei. No… Teoreettiset fyysikot sanovat, että avaruus ja aika eivät ole erillisiä
asioita. Ne ovat kaksi ilmentymää samasta asiasta – aika-avaruudesta. Aika-avaruus syntyi
alkuräjähdyksessä, joten aikaa ei ollut olemassa ennen alkuräjähdystä eikä ole syytä
kysyä, mitä ennen sitä tapahtui. ”Silloin” ei ollut silloin olemassa!
Tietenkin tämä, kuten monet kosmologian ideat, ei kuulosta kovin järkevältä mitättömille
ihmisaivoillemme. Se on pitkälti ymmärryksemme ulottumattomissa, kuin värien selittäminen sokealle.
Me tiedämme, että se on totta, koska se toimii matemaattisesti ja selittää havaintomme niin elegantisti,
mutta se on niin kaukana siitä, miten me hahmotamme maailmaa, että en usko
edes nerokkaimpien fyysikoiden pystyvän kuvittelemaan sitä.
Danish:
Men på mange andre måder er komplekst liv og menneskeden exceptionel. Tak for det tankeboble!
Andre, der i øvrigt er exceptionelle, er mongolerne!
Men lad os starte fra begyndelsen. Big Bang!
Hank, vent lige! Hov hov hov, jeg forstår ikke hvordan vi ved, at
Big Bang virkelig er begyndelsen. Hvad skete der før Big Bang?
Jamen, ifølge fysikerne er tid og rum ikke to forskellige
ting. De er to udtryk for én ting - rum-tid. Og rum-tiden blev skabt
ved Big Bang, derfor eksisterede tid ikke før Big Bang, så det giver ikke mening
at spørge hvad der skete før det. Der var ikke noget "dengang", dengang.
Det giver naturligvis ikke ret meget mening i vores små
menneskehjerner. Det er i det store og hele udenfor vores fatteevne, lidt som at beskrive farver til en blind person.
Vi ved at det er rigtigt, fordi matematikken virker, og den forklarer vores observationer meget elegant,
men det ligger så langt fra hvordan vi opfatter verden, at jeg ikke tror
det er noget selv den mest geniale fysiker, er i stand til at forestille sig.
iw:
אבל בהרבה מובנים אחרים, מורכבות החיים והאנושות מאוד יוצאי דופן. תודה, בועת מחשבה!
גם יוצאי דופן, דרך אגב, המונגולים!
אוקיי, בואו נתחיל בהתחלה! הנפץ הגדול!
האנק, חכה שניה! וואה, וואה, וואה, וואה, וואה. אני לא מבין איך אנחנו יודעים את זה
שהנפץ הגדול הוא באמת ההתחלה. כאילו, מה קרה לפני הנפץ הגדול?
טוב אממ... פיזיקאים תאורתיים אמרו שמרחב וזמן אינם שני דברים שונים
הם שניהם התגלמות של דבר אחד מרחב-זמן. ומרחב זמן נוצר על ידי
הנפץ הגדול, משמע, זמן לא היה קיים לפני הנפץ הגדל, אז אין הרבה הגיון
בלשאול מה קרה לפני כן. לא היה "אז", אז
כמובן שזה, כמו רעיונות שונים בקסמולוגיה, חסרי הגיון למוח
האנושי שלנו. זה מעבר ליכולות התפיסה שלנו, כמו להסביר צבע לאדם עיוור
אנחנו יודעים שזה נכון בגלל שהמטמתיקה עובדת וזה מסביר את התצפיות שלנו באלגנטיות
אבל זה רחוק מאוד מהתפיסה שלנו של העולם, שאני לא חושב שזה
משהו שאפילו הפיזיקאים הגאונים ביותר יכולים לדמיין
Polish:
Jednak w wielu innych aspektach złożoność życia i ludzkość są wyjątkowe. Bańka Rozważań – dziękujemy!
A tak przy okazji, wyjątkowi
są również Mongołowie!
OK, zacznijmy od początku!
Wielki Wybuch!
Hank, poczekaj no chwilę! Zaraz zaraz zaraz.
Nie bardzo rozumiem, skąd wiadomo,
że wszystko zaczęło się właśnie od Wielkiego Wybuchu. No a co działo się przed nim?
No cóż. Hm... Fizycy-teoretycy twierdzą, że czas
i przestrzeń wcale nie stanowią dwóch różnych pojęć.
Są to tak naprawdę dwa wyrażenia określające
jeden koncept – czasoprzestrzeń, która powstała
podczas Wielkiego Wybuchu, więc czas nie istniał
przed Wielkim Wybuchem, zatem nie ma sensu pytać,
co działo się przed nim.
Po prostu nie było wtedy żadnego „wtedy“!
Jak wiele innych pomysłów w dziedzinie kosmologii,
zdaje się to bez sensu dla mizernego, ludzkiego mózgu.
W dużej mierze wykracza to poza nasze rozumienie, podobnie jak próby wyjaśnienia niewidomemu, czym są kolory.
Wiemy, że to prawda, bo obliczenia się zgadzają i ta teoria tak elegancko współgra z naszymi obserwacjami,
jednak tak daleko wykracza poza nasze
empiryczne postrzeganie świata,
że pewnie nawet najgenialniejsi fizycy
nie są w stanie sobie tego wyobrazić.
Korean:
물론 몽골도 특별합니다.
오케이, 처음부터 시작하지요! 빅뱅부터!
행크, 잠깐! 오,오,오, 난 왜 빅뱅이
역사의 처음인지 이해가 안가요. 빅뱅전에는 어떤 일이 있었나요?
좋아요. 이론 물리학자들은 공간과 시간이 실제론 서로 다른 것이 아니라고 합니다.
그것들은 시공간이라는 하나의 개념이 둘로 표현된 것입니다. 이 시공간은 바로 빅뱅에 의해
탄생되었습니다. 그래서 빅뱅 전에는 시간이 존재하지 않아요. 그래서 빅뱅 전에 무슨 일이 있었냐는
질문은 좀 말이 안 됩니다. 빅뱅 전엔 시간의 개념이 없어요
물론, 이런 것은 천체의 다른 많은 개념처럼 우리의 작은 뇌로는 이해가 안 가는 것
들이지요. 우리의 인식 밖에 있는 것입니다. 마치 장님에게 색이 잘 인식이 안되는 것처럼
이런 개념이 사실인 것은 수학적으로는 성립하고 천체 관측과 너무 잘 맞기 때문이죠
하지만 우리의 세상 인식과는 너무 동떨어져 있어서 저는 세상의 가장
천재적 물리학자들이라도 상상을 할 수 있다곤 안 믿습니다
Russian:
Но, во многих смыслах, многоклеточная жизнь и человечество всё же исключительны. Спасибо, Thought Bubble! А ещё, кстати,
исключительны: Монголы.
Ладно, начнём с начала! С Большого Взрыва!
Хэнк, погоди. Стоп-стоп-стоп. Я не понимаю, откуда мы знаем, что
Большой Взрыв - действительно начало. То есть, что было до него?
Ну, э... Теоретические физики говорят, что пространство и время - не две разные
вещи. Они два выражения одной вещи - пространства-времени. И пространство-время было создано
Большим Взрывом, то есть, времени не существовало до него, так что бессмысленно
спрашивать, что было до него. Тогда не было никакого "тогда"!
Конечно, это, как и многие идеи в космологии, бессмысленно для наших мелких
человеческих мозгов. Это во многом за пределами нашего понимания, подобно тому, как цвета непонятны слепым людям.
Мы знаем, что это так, потому что математика сходится, и это очень элегантно объясняет наши наблюдения,
но это так далеко от того, как мы непосредственно воспринимаем мир, что едва ли даже
самые гениальные физики могут это вообразить.
Italian:
Sì, se stai facendo uno studio cronologico
sull'Universo, la creazione del tempo
è probabilmente un buon punto per iniziare la storia.
Dunque il Big Bang non è qualcosa che si è verificato
dentro l'Universo e nemmeno si espande dentro
una specie di vuoto. È letteralmente il momento
in cui lo spazio e il tempo sono stati creati.
La cosa che stava esplodendo era l'Universo stesso.
Da un punto incredibilmente piccolo
si stava espandendo un Universo incredibilmente
grande, in modo incredibilmente veloce.
In pratica, "incredibile" è il sottotitolo
per la storia del Big Bang, ma poi
è una sorta di sottotitolo per ogni
altra cosa in Big History.
Voglio dire, lo faccio solo occasionalmente,
ma ogni tanto guardo fuori e penso
"Oh mio Dio! È una follia! Come siamo arrivati
ad avere gli alberi?!" (Inutile dire che parleremo anche di questo).
Ad ogni modo, l'Universo è un grande lavoratore,
e ha svolto gran parte del lavoro pesante
nei primi secondi. In confronto, mi ci vogliono
almeno venti minuti dopo essermi svegliato
per mettermi in piedi. Ma l'Universo
è molto più efficiente.
Swedish:
Men, ja, om du ska göra en kronologisk studie av vårt universum, tidens födelse
är en ganska bra plats att börja på.
Så, Big Bang var inte något som hände i vårt universum, eller expanderade till
någon form av tomrymd. Det var bokstavligen ögonblicket då både tid och rymd skapades.
Det som bangade var själva universumet. Det expanderade från en otänkbart liten
punkt till ett otänkbart stort universum,
otänkbart snabbt.
Otänkbart är i stort sett undertiteln till historien om Big Bang, men samtidigt,
är det också undertiteln till allting annat i Big History.
Jag menar, jag kan bara göra det här ibland, men då och då tittar man ut och är liksom,
"Åh herre Gud! Det här är ju galet! Hur kom träden till?" Behövs väl inte sägas men vi kommer prata om detta.
I alla fall, vårt universum jobbar hårt, och det fick det allra tyngsta jobbet gjort under
de första sekunderna. För att jämföra, tar det mig ungefär 20 minuter efter jag har vaknat för att
jag ska få mig själv att komma i en stående position. Men universumet är något mer effektivt.
Portuguese:
Mas, é, se você fará um estudo cronológico do universo, a criação do tempo
é provavelmente um ótimo lugar para começar a história.
Então o Big Bang não foi algo que aconteceu dentro do universo, tampouco expandiu de
algo similar ao vazio. Foi, literalmente, o momento em que ambos, tempo e espaço, foram criados.
O que estava explodindo era o universo, em si. Ele foi expandindo de um ponto inimaginavelmente pequeno
a um inimaginavelmente largo universo, inimaginavelmente rápido.
Inimaginável é, basicamente, o subtitulo para a história do Big Bang; não obstante,
é, também, o subtítulo para o "e tudo mais" na "Big History (A Grande História)".
Digo, eu só posso fazer isso de vez em quando, mas às vezes você olha lá pra foram e pensa:
"Oh, meu deus! Isso é muito doido! De onde vieram as árvores?" Nem preciso dizer, iremos conversar sobre isso.
De qualquer forma, o universo é trabalhador forte, e ele levantou a maioria das bugigangas pesadas
nos primeiros segundos. Comparando, levo em média vinte minutos após acordar para
conseguir, ao menos, ficar de pé. Porém, o universo é um pouquinho mais eficiente.
Spanish:
Si, pero si vas a hacer un estudio cronológico del universo, la creación del tiempo es
probablemente un buen lugar para empezar la historia.
Así que el Big Bang no fué algo que pasó en el universo, ni este se expandió en algún
tipo de vacio. Literalmente fué el momento en que ambos, espacio y tiempo fueron creados. Lo
que se estaba explotando fué el universo en si mismo. Se estaba expandiendo desde un punto
inimaginablemente pequeño hasta ser inimaginablemente grande, inimaginablemente rápido.
Inimaginable es basicamente la historia del Big Bang, pero también es la carácterística
de todo lo demás en "Historia Grande"
Quiero decir, a veces miro hacia afuera y digo, "¡Oh, mi dios! Esto es de locos!
¿Como obtuvimos árboles?" Demás está decir que hablaremos de eso después.
Igualmente el universo es muy trabajador, e hizo las cosas más difíciles en
esos primeros segundos. Para comparar, me toma 20 minutos desde que despierto para
poder ponerme de pie. Pero el universo es más eficiente.
Polish:
Ale tak, jeśli mielibyśmy poukładać dzieje
Wszechświata w porządku chronologicznym,
powstanie czasu byłoby chyba
całkiem niezłym punktem startowym.
Zatem Wielki Wybuch nie miał tak właściwie miejsca
we Wszechświecie, sam Wszechświat nie uległ także
nagłemu rozszerzeniu w swego rodzaju pustce.
Była to dosłownie chwila stworzenia zarówno czasu,
jak i przestrzeni.
Tym, co wtedy wybuchło, był sam Wszechświat. Rozszerzał się z niewyobrażalnie maleńkiego
punktu do niewyobrażalnie ogromnego
Wszechświata, niewyobrażalnie szybko.
Słowo „niewyobrażalny“ mogłoby w zasadzie zostać wpisane jako podtytuł historii Wielkiego Wybuchu,
a w sumie nawet wszystkiego innego
w Historii Wszechświata.
Znaczy, może zdarza się to tylko od czasu do czasu,
ale czasem spoglądamy na zewnątrz i myślimy:
„O ja cię! To niesamowite! Jak niby powstały drzewa?" Oczywiście powiemy również o tym.
W każdym razie, Wszechświat się nie obijał –
wykonał większość ciężkiej pracy
w ciągu pierwszych kilku sekund. Dla porównania,
mi samo osiągnięcie pozycji pionowej
po obudzeniu się zajmuje około 20 minut.
Wszechświat jest jednak nieco bardziej wydajny.
iw:
אבל כן, אם אתם הולכים לעשות תצפית כרונולוגית של היקום, בריאת הזמן
יכול להיות נקודה טובה למדי להתחיל את הסיפור
אז הנפץ הגדול לא היה משהו שקרה מחוץ ליקום, או משהו שקדם והביא
ליצירתו. זה היה הרגע שבו זמן ומרחב נוצרוץ
הדבר שהתפוצץ היה למעשה היקום עצמו. הוא התרחב מנקודה פיצפונת
ליקום ענק באופן לא ניתן לדמיון, במהירות שלא ניתנת לדמיון
לא ניתן לדמיין זה למעשה כותרת המשנה של סיפור הנפץ הגדול, אבל שוב
זאת כותרת משנה לכל דבר אחר בהיסטוריה הגדולה
אני מתכוון, אני יכול לעשות זאת לעיתים רחוקות, אבל לפעמים אתם מסתכלים לבחוץ ואתם
"אלוהים ישמור, זה מטורף! איך נהיו כל העצים האלה" לא צריך לציין שנדבר גם על זה
בכל מקרה, היקום עבד ועובד קשה ואת נשיאת המשא הכבד ביותר נעשה
במספר השניות האלה (אחרי הנפץ הגדול). לצורך השוואה, לוקח לי קרוב לעשרים דקות אחרי שאני קם
להביא את עצמי לנקודת עמידה. אבל היקום הרבה יותר יעיל
German:
Aber klar, wenn ihr ein chronologisches Studium des Universums vorhabt,
dann ist die Erschaffung der Zeit wahrscheinlich ein ziemlich guter Punkt, um die Erzählung zu beginnen.
[John] Also, der Urknall war weder etwas, das im Universum passierte,
noch dehnte er sich in so etwas wie Leere aus. Er war buchstäblich der Moment,
in dem Raum und Zeit erschaffen worden sind.
Das Ding, das da knallte, war das Universum selbst. Es dehnte sich aus von einem unvorstellbar kleinen Punkt
auf ein unvorstellbar großes Universum, unvorstellbar schnell.
„Unvorstellbar“ ist im Grunde genommen der Untertitel zu der Erzählung des Urknalls, aber andererseits
ist es auch so etwas wie der Untertitel zu allem anderen in Große Geschichte.
Ich meine, ich kann das nur gelegentlich tun, aber manchmal schaut man nach draußen,
und denkt so: "Meine Güte, das ist krass, wie ist es zu Bäumen gekommen?"
Natürlich, wir werden darüber reden.
Wie auch immer, das Universum ist ein tüchtiger Arbeiter und es bekommt den größten Teil
des Schwerlasttransports in diesen ersten paar Sekunden geschafft.
Zum Vergleich, ich brauche nach dem Aufwachen etwa 20 Minuten,
um mich überhaupt in eine stehende Position zu bekommen.
Aber das Universum ist da ein bisschen effizienter.
Im bloßen Bruchteil der ersten Sekunde bläht sich das Universum von etwas,
Vietnamese:
Ờ, nếu học về biên niên sử của vũ trụ thì sự khởi đầu của Thời gian
có lẽ là cột mốc hợp lý nhất.
Vậy Vụ Nổ lớn không phải là cái gì đó diễn ra ở trong vũ trụ hoặc phình ra tạo nên hư vô
Nói đúng nghĩa thì nó là khoảnh khắc Không gian và Thời gian hình thành.
Cái mà đang phình ra là vũ trụ. Chính nó! Nó đang phình ra từ một cái điểm nhỏ không tưởng,
thành một cái khoảng không lớn không tưởng, với tốc độ không tưởng.
"Không tưởng" có lẽ là phụ đề của Vụ Nổ lớn, nhưng mà nói đi nói lại
Nó cũng như là phụ đề của mọi thứ khác trong Lịch sử Vĩ đại.
Ý tôi là lâu lâu tôi cũng làm vầy, nhưng mà thỉnh thoảng bạn nhìn ra ngoài và kiểu
"Trời ơi! Thật là điên rồ! Làm thế nào chúng ta có được cây cối?" Không phải lo, chúng ta sẽ bàn về vấn đề này
Nói gì nói, vũ trụ làm việc rất siêng năng, và nó hoàn thành mấy việc nhọc nhất
trong mấy giây đầu tiên. Thử so sánh xem, thật ra tôi phải mất 20' sau khi tôi dậy
để đứng lên được. Nhưng mà vũ trụ làm việc hiệu quả hơn nhiều.
French:
Bien entendu, si vous allez faire une étude chronologique de l'univers, la création du temps
est probablement un très bon endroit pour commencer cette histoire.
Ainsi, le big bang n'était pas quelque chose qui s'est passé à l'intérieur de l'univers, il ne s'est pas non plus dilaté dans
une sorte de vide. C'est littéralement le moment durant lequel l'espace et le temps ont été créés. La
chose qui faisait bang était l'univers lui-même.
Il était en expansion à partir d'un point incroyablement minuscule
jusqu'à donner un univers incroyablement grand
et cela, incroyablement rapidement.
Incroyable est en fait le sous-titre de
l'histoire du Big Bang, mais là encore,
c'est aussi un peu le sous-titre de tout
le reste dans la Grande Histoire.
Je veux dire, je ne peux faire cela que de temps en temps, mais parfois vous regardez à l'extérieur et vous êtes un peu du genre
"Oh, mon Dieu! C'est fou! Comment ça se fait qu'on a des arbres?"
Inutile de dire que nous allons parler de cela.
Bref, l'univers est un travailleur acharné, et
il a fait la majorité du gros travail dans ses
premières secondes.
A titre de comparaison, il me faut une vingtaine de minutes après mon réveil juste pour
être capable de me lever.
Mais l'univers est un peu plus efficace.
Danish:
Men altså, hvis du vil lave en kronologisk oversigt over universet, er skabelsen af tid
nok et meget godt sted at starte historien.
Big Bang skete ikke inde i universet, og det udvidede sig heller ikke
ud i en tomrum. Det var bogstaveligt talt dét øjeblik hvor både tid og rum blev dannet.
Det der sagde bang, var universet selv. Det udvidede sig fra et ubegribeligt lille
punkt, til et ubegribeligt stort univers, ubegribeligt hurtigt.
Ubegribeligt er faktisk underteksten til hele historien om Big Bang, men så igen,
er det også underteksten til alt andet i Big History.
Jeg kan kun gøre det her somme tider, men nogle gange kigger man ud og bliver helt:
"Hold da op! Hvor vildt! Hvordan fik vi træer?" Det skal vi også tale om.
Men universet er en slider, og det udførte det meste af det hårde arbejde i de
første få sekunder. Til sammenligning tager det mig omkring tyve minutter efter jeg vågner,
før jeg kan få mig selv i oprejst stilling. Men universet er en del mere effektivt.
Korean:
그러나 만약 당신이 우주의 연대기를 연구한다면 시간의 탄생 부분이
아마도 좋은 출발점이 될 것입니다.
빅뱅이란 것은 우주안에서 생긴 것도 아니고 어떤 빈 공간으로 팽창해 간 것도 아니죠
빅뱅은 시간과 공간이 탄생한 순간입니다.
꽝한 것은 우주자체이고요. 상상불가의 작은 것으로 부터 팽창하여
상상불가의 거대한 우주로 상상불가의 속도로 빨리 변했습니다.
상상불가란 빅뱅 얘기의 부제쯤 되는데
또한 대역사의 모든 것에 해당되기도 합니다.
내말은, 난 가끔 그러지만, 밖을 내다 보면 이렇게 내뱉게 됩니다
"와, 끝내 주네요. 도대체 이런 나무들이 어떻게 생겨났나요?" 우린 이런 문제도 대역사에서 다룹니다.
어쩃든, 우주는 열심히 일하고 있는데, 가장 힘든 일을 빅뱅 첫 몇 초 안에 해냈습니다.
그에 비해, 난 깨어난 다음에 일어서기 까지도
20 분 정도나 걸립니다. 우주는 훨씬 효율적이었어요.
Dutch:
Maar ja, als je een chronologische studie van het universum gaat doen: de creatie van tijd
is waarschijnlijk een vrij goede plek om het verhaal te starten
Dus de oerknal was niet iets dat in het universum gebeurde, noch breide het zich uit in
een soort leegte. Het was letterlijk het moment wanneer zowel tijd als ruimte zijn gecreëerd. Het
ding dat aan het knallen was, was het universum zelf. Het was het uitbreiden van een onvoorstelbaar klein
puntje tot een onvoorstelbaar groot heelal, onvoorstelbaar snel.
Onvoorstelbaar is in principe de ondertitel van het verhaal van de oerknal, maar nogmaals,
het is ook een soort van ondertitel aan al het andere in Big History.
Ik bedoel, ik kan dit alleen maar af en toe, maar soms kijk je naar buiten en ben je zoals:
"Oh mijn god! Dit is gek! Hoe kregen we bomen?" Onnodig te zeggen: we zullen praten over dat.
Hoe dan ook, het universum is een harde werker en het kreeg het grootste deel van het zware werk gedaan in
die eerste paar seconden. Ter vergelijking, het kost me 20 minuten nadat ik wakker word om
mezelf in een staande positie te krijgen. Maar het heelal is enigszins meer efficiënt.
Romanian:
Dar da, dacă vei face un studiu cronologic al universului, crearea timpului
este, probabil un loc destul de bun pentru a începe povestea.
Deci Big Bang nu a fost ceva ce s-a întâmplat în interiorul universului, nici nu s-a extins într-un
fel de vid. A fost literalmente momentul
când atât timpul cât și spațiul au fost create.
Lucrul care a explodat a fost universul însuși. Aceasta a fost extinderea de la un inimaginabil mic
punct la un univers neînchipuit de mare, inimaginabil de repede.
Inimaginabil este, în principiu subtitrarea la povestea Big Bang, dar apoi, din nou,
este, de asemenea un fel de subtitrare pentru orice altceva în Big History.
Adică, nu poți face acest lucru ocazional, dar uneori te uiți în jur și îți spui
"Oh, Doamne! E o nebunie! Cum de avem copaci?"
Inutil să spun, vom vorbi despre asta.
Oricum, universul este un muncitor, și
a și a ridicat cea mai grea parte în acele prime câteva secunde.
Pentru comparație, mi-a luat aproximativ douăzeci de minute după ce m-am trezit
ca să ajung într-o poziție în picioare.
Dar universul este ceva mai eficient.
Arabic:
لكن نعم، إن كنا سنجري دراسة للكون
بالترتيب الزمني
فسيكون نشوء الزمن بداية جيدة للقصة.
إذن، لم يكن الانفجار العظيم قد حدث في داخل
الكون، ولم يتمدّد أيضًا إلى فراغ من نوع ما.
بل كان اللحظة التي نشأ فيها الزمان والمكان.
ما كان ينفجر هو الكون نفسه، فقد كان يتمدّد
من نقطة صغيرة لدرجة لا يمكن تصوّرها
ليصبح كونًا كبيرًا جدًا بسرعة لا يمكن تخيّلها.
قد تكون الأشياء التي لا يمكن تخيّلها
هي العنوان الفرعيّ لقصّة الانفجار العظيم.
لكنّها في الواقع، قد تكون عنوانًا فرعيًا
لكلّ شيء آخر في التاريخ.
أستطيع فعل هذا من وقت لآخر، لكن أحيانًا،
تنظر للخارج ويكون لسان حالك "يا إلهي!"
"هذا جنون! كيف نشأت الأشجار؟".
لا داعي للقول إنّنا سنتحدث عن ذلك.
على أيّ حال، الكون يعمل بجد، وأنجز
معظم تلك الأعمال الصعبة في اللحظات الأولى.
للمقارنة، أستغرق حوالى 20 دقيقة
بعد أن أستيقظ لأستطيع الوقوف حتّى.
لكنّ الكون أكثر كفاءة.
Turkish:
Kalacaksın Ama eğer evet, kronolojik yapmak
Evrenin çalışma, zamanın yaratılması
başlamak için oldukça iyi bir yer muhtemelen
Hikaye.
Yani büyük patlama oldu bir şey değildi
Evrenin içinde, ne de haline dönüşmeye vermedi
boşluğun bir çeşit. O anlamıyla andı
zaman ve mekan hem de oluşturulan zaman.
beceriyor şey evrenin kendisi oldu.
Bir hayal edilemeyecek küçücük gelen genişlediğini
hayal edilemeyecek büyük evren gelin, akıl almaz derecede
çabuk.
Tasavvur edilemez temelde altyazı olduğunu
Big Bang'in hikayesi, ama sonra tekrar,
o da her şeyi altyazı tür
Büyük tarihinin başka.
Ben sadece bazen bunu yapabilirsiniz demek, ancak
bazen dışarıda bakmak ve gibisin,
"Aman Tanrım! Bu delilik! Nasıl ağaçları aldın?"
Söylemeye gerek yok, biz bu konuda konuşuyor olacak.
Neyse, evren çalışkandı ve
ağır kaldırma çoğu olanlarda bitti
İlk birkaç saniye. Karşılaştırma için, onu alır
Ben uyanmak sonra bana yaklaşık yirmi dakika
beni bile ayakta pozisyonda kendimi içine alır.
Ama evren biraz daha verimlidir.
English:
But yeah, if you're gonna do a chronological
study of the universe, the creation of time
is probably a pretty good place to start the
story.
So the big bang wasn't something that happened
inside the universe, nor did it expand into
some kind of void. It was literally the moment
when both time and space were created. The
thing that was banging was the universe itself.
It was expanding from an unimaginably tiny
point to an unimaginably large universe, unimaginably
quickly.
Unimaginable is basically the subtitle to
the story of the big bang, but then again,
it's also kind of the subtitle to everything
else in big history.
I mean, I can only do this occasionally, but
sometimes you look outside and you're like,
"Oh, my goodness! This is nuts! How did we get trees?"
Needless to say, we will be talking about that.
Anyway, the universe is a hard worker, and
it got most of the heavy lifting done in those
first few seconds. For comparison, it takes
me about twenty minutes after I wake up for
me to even get myself into a standing position.
But the universe is somewhat more efficient.
Portuguese:
Mas, é, se você vai fazer um estudo cronológico do Universo,
a criação do tempo é um ótimo lugar para começar.
Então o Big Bang não foi algo que aconteceu "dentro"
do Universo, nem expandiu "no vazio".
Foi, literalmente, o momento em que ambos,
tempo e espaço, foram criados.
O que estava expandindo era o próprio Universo.
Ele foi expandindo de um ponto inimaginavelmente pequeno
a um inimaginavelmente grande Universo, inimaginavelmente rápido.
Inimaginável é, basicamente,
o subtítulo para a história do Big Bang.
Mas também é o subtítulo para tudo na "Big History".
Digo, às vezes você olha lá pra fora e pensa:
"Oh, meu Deus! Isso é muito doido!
De onde vieram as árvores?"
Nem preciso dizer, iremos conversar sobre isso.
De qualquer forma, o Universo trabalha duro;
ele terminou o trabalho pesado nos primeiros segundos.
Comparando, levo uns 20 minutos após acordar
para conseguir, ao menos, ficar de pé.
Mas, o Universo é mais eficiente.
Em sua origem, numa fração de segundo,
Japanese:
でもまあ
宇宙の歴史を追って行くなら
時間の誕生から話を始めるのは
悪くないね
ビッグバンは宇宙のどこかで起きたのでも
何か空っぽの中に広がったのでもなく
それまで無かった
時間と空間の誕生です
宇宙そのものが生まれた爆発の瞬間です
想像を絶する
小さな点から
想像を絶する大宇宙にまで
想像を絶する速さで拡大していきました
ビッグバンは
何もかも想像を絶しますけど
そもそもビッグヒストリー自体が
想像の外へ向かっていく行為です
だからこんな具合に
外に出て気付いて言うわけです
" あれま!
ナッツ落ちてるよ!
木なんかどうやってこさえた? "
当然ながら詳しい説明も必要でしょう
とにかく
宇宙はやたら張り切って
大半の大仕事を
最初の数秒間で片付けてしまいます
僕なんて目覚めて20分かけたところで
なんとか立ち上がれそうになるだけなのに
宇宙の方は
もう少し朝型なんです
宇宙は最初のほんの極一瞬で
Russian:
Но да, если заниматься хронологическим изучением Вселенной, то сотворение времени -
скорее всего, неплохое место для того, чтобы начать рассказ.
Итак, Большой Взрыв не был чем-то, что произошло ВО вселенной, и он не произошёл
в некой пустоте. Это был именно момент, когда пространство и время появились.
Взрывалась сама Вселенная. Она расширялась от невообразимо малой
точки до невообразимо большой Вселенной, и невообразимо быстро.
"Невообразимо" - по большому счёту, подтекст всей истории Большого Взрыва,но, опять же
это ещё и, в своём роде, подтекст вообще всего в Большой истории.
То есть, я могу делать это лишь периодически, но иногда Вы выглядываете наружу, и думаете:
"Господи! Это сумасбродно! Откуда у нас деревья?!" Понятное дело, мы будем об этом говорить.
В любом случае, Вселенная много работала, и сделала бОльшую часть работы в течение
первых нескольких секунд. Для сравнения, у меня уходит 20 минут после пробуждения
на то, чтобы перевестись в вертикальное положение. Но Вселенная несколько более эффективна.
Finnish:
Jos aiomme tehdä kronologisen tutkimuksen maailmankaikkeudesta, ajan syntymä
on luultavasti aika hyvä kohta aloittaa tarina.
Eli alkuräjähdys ei tapahtunut maailmankaikkeuden sisällä, eikä se laajentunut
jonkinlaiseen tyhjiöön. Se oli kirjaimellisesti hetki, jolloin sekä aika että avaruus syntyivät.
Se, mikä räjähti, oli maailmankaikkeus itse. Se laajeni käsittämättömän pienestä
pisteestä käsittämättömän suureksi maailmankaikkeudeksi käsittämättömän nopeasti.
Käsittämätön on käytännössä alkuräjähdyksen tarinan alaotsikko, mutta toisaalta
se on tavallaan alaotsikko kaikelle muullekin, mitä isossa historiassa käsitellään.
Voin tehdä tätä vain ajoittain, mutta joskus katsomme pihalle ja mietimme:
”Hyvänen aika! Sekopäistä! Mistä puut tulivat?” On sanomattakin selvää, että tulemme puhumaan siitä.
Joka tapauksessa, maailmankaikkeus on kova työntekijä ja se sai suurimman osan raskaasta työstä tehtyä
muutaman ensimmäisen sekunnin aikana. Vertailun vuoksi, minulla kestää 20 minuuttia heräämisen jälkeen
päästä seisoma-asentoon. Mutta maailmankaikkeus on hieman tehokkaampi.
Hungarian:
Szóval ja, ha kronológiailag szeretnéd vizsgálni az univerzumot, az idő kezdete
valószínűleg egy elég jó kezdőpont hozzá.
Szóval, az ősrobbanás nem olyasvalami ami az univerzumban történt, vagy ami valamiféle
ürességbe töltött ki. Konkrétan az a pillanat volt, amikor az idő és a tér is megszületett.
A dolog, ami robbant, maga az univerzum volt. Egy elképzelhetetlenül apró pontból terjedt
ki egy elképzelhetetlenül nagy univerzummá, elképzelhetetlenül gyorsan.
Az elképzelhetetlen valószínűleg az ősrobbanás alcíme, de ha jobban belegondolok,
ez az alcíme majdnem mindennek a Nagy Történelemben.
Mármint, néha csak kinézel az ablakon, és azt gondolod,
„Te jó ég! Ez őrület. Mégis honnan a francból vannak a fák?" Ne aggódjatok, erről is szót ejtünk majd.
Szóval, az univerzum egy szorgos gyerek, és a legnagyobb súlyokat azokban az első
másodpercekben emelte. összehasonlításképpen, nekem nagyjából 20 percembe telik, hogy reggelente egyáltalán
álló pozícióba tornázzam magam. Az univerzum valamivel effektívebb nálam.
Polish:
W najmniejszym ułamku pierwszej sekundy
Wszechświat rozszerzył się z czegoś o wiele,
wieeeele mniejszego od atomu mniej
więcej do rozmiaru grejpfruta.
Wyobraźcie to sobie tak: znacznie szybciej niż w mgnieniu oka Wszechświat w pierwotnym rozmiarze
piłki tenisowej osiągnąłby średnicę rzędu
ponad 90 miliardów lat świetlnych.
Ta teoria inflacji kosmologicznej została poparta solidnymi dowodami matematycznymi już jakiś czas temu,
niedawno jednak pojawiły się nowe, oszałamiające dowody pochodzące z projektu BICEP
na Biegunie Południowym, który niestety nie ma nic wspólnego z moimi mięśniami.
10 sekund po Wielkim Wybuchu Wszechświat
rozszerzył się na tyle, że obowiązywały w nim już
normalne zasady, które znamy i kochamy, łącznie z siłami atomowymi, grawitacją i elektromagnetyzmem.
Cała antymateria stworzona w Wielkim
Wybuchu połączyła się z materią
i uległa unicestwieniu, pozostawiając tylko
jedną miliardową materii powstałej podczas
Wielkiego Wybuchu. I ta zaledwie jedna miliardowa jest wszystkim, co dziś znamy! Dosłownie wszystkim.
Jest w każdym ziarenku piasku, każdej jagodzie,
każdej gwieździe, którą widzimy – we wszystkim!
Próbowaliśmy już zrozumieć, jak wiele to miliard,
ale zatrzymajcie się na chwilę i pomyślcie o tym –
Danish:
I en lille brøkdel af det første sekund, oppustede universet sig fra noget mange
mange, mange gange mindre end et atom, til samme størrelse som en grapefrugt. Tænk på det på
denne måde: På mindre end et øjeblik, hvis det fra starten havde været på størrelse med en
tennisbold, ville det have oppustet sig til mere end 90 mia. lysår stort.
Udvidelsesteorien har været bakket op af matematikken i lang tid, men den
har for nyligt fået fantastisk ny støtte fra BICEP-projektet ved Syd-polen.
Hvilket ikke har noget at gøre med mine arme (biceps)..
Ti sekunder efter Big Bang, havde universet udvidet sig nok til, at de normale regler
i universet: atomare kræfter, tyngekraft og elektromagnetisme, som vi kender og elsker
i dag, alle gjaldt. Alt det anti-stof, som blev dannet under Big Bang, var gået sammen
med stof, og havde tilintetgjort sig, og kun efterladt en milliardene-del af det stof der blev dannet
til at starte med, og den milliardene-del er alting! Og jeg mener ALTING. Hvert eneste sandkorn,
hvert blåbær du nogensinde vil spise, hver eneste stjerne du nogensinde får at se - alting!
Vi har allerede forsøgt at forstå hvor stor en milliard er, men tænkt lige over
Turkish:
Birinci, ikinci barest fraksiyon olarak,
Birçok şeyden şişirilmiş evren,
yaklaşık bir atom daha küçük birçok, birçok kez
Bir greyfurt büyüklüğünde. Gibi düşün
bu şekilde: Bir bir yanıp daha az
Göz, başlangıçta bir boyutu olsaydı
tenis topu, bitti şişirilmiş olurdu
90000000000 ışıkyılı.
Bu enflasyon teorisi de yedeklenen olmuştur
uzun bir süre için matematik tarafından şimdi, ama
Son zamanlarda bazı şaşırtıcı Yeni aldı
South BiCEP projesinden destek
Ne yazık ki ile ilgisi Pole, benim
silahlar.
On saniye büyük patlamadan sonra evren
normal kurallar yeterince genişletti
atomik kuvvetler ve yerçekimi ile evrenin
Bildiğimiz ve sevgi ve elektromanyetizma
Bugün, sorumlu zaten vardı. Tümü
big bang oluşturulan anti-madde kombine vardı
madde ile ve bırakarak, kendini yok
yaratılan maddenin sadece milyarda biri arkasında
big bang içinde ve bu milyarıncı her şeydir!
Ve her şey demek. Her bir kum tanesini,
Hiç yemek her yaban mersini, her yıldız
Hiç göreceksiniz - her şey!
Biz zaten ne kadar büyük anlamaya çalıştım
Bir milyar, ama sadece düşünmek duraklatmak
Swedish:
I den minsta bråkdelen av den allra första sekunden, förstorades universumet från något många,
många, många gånger mindre än en atom till storleken av en grapefrukt. Typ, tänk på det
på det här sättet: snabbare än du kan blinka, om det hade ursprungligen varit storleken av en
tennisboll, skulle det ha förstorats till 90 miljarder ljusår på tvären.
Denna förstoring har haft mycket stöd från matematiker ett ganska bra tag nu, men det
har nyligen fått förbluffande nytt stöd från BICEP-projektet på syd-
-polen,
vilket tyvärr inte har något att göra med mina vapen.
10 sekunder efter Big Bang, hade universumet expanderat tillräckligt att de normala reglerna
av vårt universum, med atomkrafter och gravitation och elektromagnetism som vi alla känner till
idag, vi har redan koll på detta. Allt anti-materia som hade skapats i Big Bang hade kombinerats
med materia och förintade sig självt, lämnandes enbart en miljarddel av materian som blev skapat
i Big Bang, och den miljarddelen är allt! Och jag menar verkligen allt. Varje sandkorn,
varje blåbär du någonsin kommer äta, varje stjärna du kommer se - allt!
Vi har redan försökt förstå hur stort en miljard är, men bara pausa och tänk på
Japanese:
原子よりもはるかにずっとずっと小さなところから
おおよそグレープフルーツの大きさにまで
一気に膨らんだんです
それがどのくらい凄いかと言うと
その瞬きよりはるかに短い一瞬の出来事を
最初の大きさを
テニスボールに変更すると
90億光年を超えて膨らむ急激さです
長い間このインフレーション理論は
数学によって裏付けがなされてきましたが
最近驚くべき観察結果を携え
南極のBICEPプロジェクトが援軍に加わりました
僕のバイセップスが力になれなくて無念です
ビッグバンの10秒後
すでに宇宙は十分に拡大して
4つの基本相互作用による
おなじみの物理法則が支配するようになりました
ビッグバンによって通常の物質と
一緒に生成された反物質が
全て物質と結合して
消滅したせいで
最終的には生成された物質は
最初の10億分の1しか残りませんでした
そして10億分の1というのが
今ある全てなんです
言ってることそのまま
この宇宙の全部の砂粒も
今まで食べたブルーベリー1粒1粒
あなたが目にする全ての星屑1粒1粒
何もかも!
何十億という数の大きさを
実感するために努めてきたましたけど
どうしたもんでしょう
全てを
この世の全てを集めても
Russian:
В мельчайшую долю секунды Вселенная расширилась от чего-то
НАМНОГО меньше атома до примерно размера грейпфрута. То есть, рассуждайте так:
меньше, чем в мгновение ока, будь она первоначально размером с
теннисный мячик, она бы разрослась до 90 миллиардов световых лет в диаметре.
Эта теория разрастания уже давно подкреплена математикой, но
недавно она получила дополнительные доказательства от проекта BICEP на Южном
Полюсе, который, к сожалению, не имеет отношения к моим красавцам.
Спустя 10 секунд после Большого Взрыва Вселенная расширилась настолько, что обычные
правила Вселенной, с ядерной силой и гравитацией и электромагнетизмом, которые мы знаем и любим
сегодня, уже были главными. Все антивещество, созданное в Большом взрыве, смешалось с
веществом и самоуничтожилось, оставив только одну миллиардную вещества, созданного
в Большом Взрыве,и эта миллиардная - всё. И я имею ввиду, ВСЁ. Каждая песчинка,
каждая съеденная ягода черники, каждая увиденная звезда - всё!
Мы уже попытались понять, насколько велик миллиард, но остановитесь и подумайте -
Portuguese:
No estresse do despertar, na fração do primeiro segundo, o universo inflou para algo muitas,
muitas, muitas vezes menor que um átomo para algo do tamanho de uma toranja. Sério, pense nisso
desta forma: em muito menos de um piscar de olhos, se tivesse, originalmente, o tamanho
de uma bola de tênis, ele inflaria mais que 90 bilhões de anos-luz de lado a lado.
Essa teoria de inflação tem sido fortemente apoiada por matemáticos há um longo tempo até agora,
mas recentemente ela recebeu alguns golpes cambaleantes do projeto "BICEP", no Pólo Sul,
que infelizmente não tem nada a ver com os meus músculos.
Dez segundos após o Big Bang, o universo expandiu o bastante para que as leis universais
do universo, como as forças nuclear e gravidade e electromagnetismo que nós conhecemos e amamos
nos dias de hoje, onde já conseguimos controlar. Toda a antimatéria criada no Big Bang foi combinada
com matéria e aniquilaram-se entre si, deixando para trás, apenas, um bilionésimo da matéria criada
no Big Bang, e aquele um bilionésimo é tudo! E eu quero dizer tudo, mesmo. Cada grão de areia,
toda "blueberry (mirtilo)" que você já comeu, toda estrela que você verá até o fim da sua vida — e tudo mais!
Nós já tentamos entender o quão grande um bilhão é, mas apenas pare e pense sobre
Romanian:
In cea mai veche fracțiune a primei secunde Universul s-a umflat de la ceva mult mai mic
decât un atom la ceva
de mărimea unui grapefruit. Cum ar fi, cred că
în acest fel: în mai puțin de o clipire din
ochi, în cazul în care ar fi fost inițial de mărimea unui
mingi de tenis, s-ar fi umflat la peste
nouăzeci miliarde de ani-lumină în diametru.
Această teorie a inflației a fost bine primită de matematicieni pentru o lungă perioadă de timp , dar
a primit recent un nou uluitor
sprijin din partea proiectului BICEPl la Polul Sud
Pole, care din păcate nu are nimic de a face cu meu armele mele.
Zece secunde după Big Bang, Universul s-a extins suficient ca normele obișnuite
ale universului, ca forțe atomice și gravitația și electromagnetismul pe care le știm și le iubim astăzi
să fie deja responsabile. Toată
anti-materia creată în Big Bang s-a combinat
cu materie și s-a anihilat, lăsând
în spatele lor doar o miliardime din materia creată
în Big Bang, și această miliardime este totul! Și vreau să spun totul. Fiecare fir de nisip,
fiecare afină pe care ați mâncat-o vreodată, fiecare stea pe care o veți vedea vreodată - totul!
Am încercat deja să înțelegem cât de mare este un miliard , dar luați doar o pauză să vă gândiți la asta: totul!
English:
In the barest fraction of the first second,
the universe inflated from something many,
many, many times smaller than an atom to about
the size of a grapefruit. Like, think of it
this way: in much less than a blink of an
eye, if it'd originally been the size of a
tennis ball, it would have inflated to over
ninety billion light-years across.
This inflation theory has been well backed-up
by mathematics for a long time now, but it
has recently received some staggering new
support from the BICEP project at the South
Pole, which sadly has nothing to do with my
guns.
Ten seconds after the big bang, the universe
had expanded enough that the normal rules
of the universe, with atomic forces and gravity
and electromagnetism that we know and love
today, were already in charge. All of the
anti-matter created in the big bang had combined
with matter and annihilated itself, leaving
behind only one billionth of the matter created
in the big bang, and that billionth is everything!
And I mean everything. Every grain of sand,
every blueberry you will ever eat, every star
that you will ever see - everything!
We've already tried to understand how big a billion is,
but just pause to think about that - everything!
German:
das viel, viel, viel kleiner ist als ein Atom, zu etwa der Größe einer Grapefruit auf.
Also, stellt es euch so vor: In weniger als einem Wimpernschlag, wenn es ursprünglich
die Größe eines Tennisballs gehabt hätte, hätte es sich auf über 90 Milliarden Lichtjahre weit aufgebläht.
Diese Inflationstheorie ist jetzt seit Langem gut von der Mathematik gesichert,
aber es erhielt neulich umwerfende neue Unterstützung durch das BICEP-Projekt am Südpol,
welches leider nichts mit meinen Muckis zu tun hat.
Zehn Sekunden nach dem Urknall hatte sich das Universum genug ausgedehnt, dass
die normalen Regeln des Universums mit den Kernkräften und der Schwerkraft und
dem Elektromagnetismus, die wir heute kennen und lieben, bereits galten.
Alle Antimaterie, die beim Urknall erschaffen worden ist, hat sich mit Materie vereinigt und sich selbst ausgelöscht.
Nur ein Milliardstel der Materie, die beim Urknall erschaffen worden ist, blieb zurück.
Und dieses Milliardstel ist alles!
Ich meine alles. Jedes Sandkorn, jede Blaubeere, die ihr je essen werdet, jeder Stern,
den ihr je sehen werdet – überhaupt alles!
Wir haben bereits versucht, zu verstehen, wie groß eine Milliarde ist, aber haltet mal eben inne, um darüber
Hungarian:
Az első másodperc töredéke alatt felfújta magát egy atomnál
sokkal sokkal kisebb valamiből egy grapefruit méretére. Gondolj rá így:
egy szempillantásnál sokkal rövidebb idő alatt, ha eredetileg teniszlabda
méretű lett volna, 90 milliárd fényév átmérőjűre puffadt volna.
A tágulási elméletet már rég rengeteg matematikus alátámasztotta, de
nemrég elképesztő új bizonyítékok érkeztek a BICEP projekttől a Déli Sarkról,
aminek sajnos semmi köze az én bicepszeimhez.
A Nagy Bumm után 10 másodperccel az univerzum eléggé kitágult ahhoz, hogy az univerzum törvényei,
az atomerővel, gravitációval és elektromágnesességgel, amiket ma ismerünk és szeretünk
már működjenek. Mindaz az az ősrobbanáskor keletkezett antianyag egyesült
az anyaggal és megsemmisítette önmagát, mindössze a keletkezett anyag milliárdad részét hagyva meg.
És ez a milliárdad minden! És ezt úgy értem, hogy minden. Minden homokszem,
minden áfonya ami valaha enni fogsz, minden csillag amit valaha látni fogsz - minden.
Már megpróbáltuk elképzelni, hogy milyen nagy is egy milliárd, de egy pillanatra próbáld meg ezt megérteni -
Korean:
첫 개시 1초보다 훨씬 작은 시간 내에 우주는 원래 크기인 원자보다도
훨씬 작은 사이즈에서 포도만큼으로 커졌습니다. 이렇게 생각하세요.
처음 눈깜박할 시간보다도 훨씬 짧은 시간내에 원래의 테니스 공
만한 크기에서 90 억 광년의 크기로 팽창했습니다.
이 팽창 이론은 오랜 기간 수학에 의해 이론적으로 주장되었으나
최근에 남극에서의 바이셉 프로젝트에 의해 더 한층 공고해졌습니다.
이 바이셉(이두박근)은 내 알통과는 무관.
빅뱅 후 10초 만에 우주는 벌써 충분히 팽창하여 원자 단위의 힘이나
중력 전자기력 등 우리에게 익숙한 것들이 벌써 탄생하여 역할을
하기 시작합니다. 빅뱅 때에 탄생한 모든 반입자들이 입자들과 결합하여
소멸되고 빅뱅 시 탄생한 입자들 중 단지 십억분의 일 정도밖에 안되는 살아 남은 입자들이
이 우주를 만들었습니다. 이 우주라는 것은 모든 것을 말합니다. 모래 한알 한알 모두
우리가 먹는 모든 블루베리 모두, 우리가 보는 모든 별 모두를 만들었습니다.
우리는 십억이 얼마나 큰지 이해하려고 노력하지만, 그냥 이렇게 이해하세요. 모든 걸 만들었다고..
French:
Dans une stricte fraction de la première seconde,
l'univers gonflé de quelque chose de beaucoup,
beaucoup, beaucoup de fois plus petit qu'un atome à environ la taille d'un pamplemousse.
Imaginez-le comme ça: en moins d'un clin d'oeil, si il avait été à l'origine de la taille d'une
balle de tennis, il aurait gonflé à plus de
90 milliards années-lumière.
Cette théorie de l'inflation a été bien appuyée
par les mathématiques depuis longtemps, mais il
a récemment reçue un surprenant nouvel appui du projet de BICEP au Pole sud,
qui n'a malheureusement rien à voir avec mes biscoteaux.
Dix secondes après le Big Bang, l'univers
s'était assez étendu pour que les lois ordinaires
de l'univers, avec les forces atomiques, la gravité
et de l'électromagnétisme que nous connaissons et aimons
aujourd'hui puissent gouverner. Tout l'antimatière créée dans le big bang s'était combinée à
la matière s'anéantissant alors, laissant seulement derrière un milliardième de la matière créée
dans le big bang, et ce milliardième est tout!
Et je dis bien tout. Chaque grain de sable,
tous les bleuets que vous aurez jamais mangé, chaque étoile que vous verrez dans votre existence - tout!
Nous avons déjà essayé de comprendre à quel point un milliard est grand, prenez un moment pour réfléchir au fait
Finnish:
Sekunnin hienoimmassa murto-osassa maailmankaikkeus laajeni jostakin atomia monta,
monta, monta kertaa pienemmästä noin greipin kokoiseksi. Ajattele asiaa
näin: paljon silmänräpäystä nopeammin, jos se olisi alun perin ollut
tennispallon kokoinen, se olisi kasvanut halkaisijaltaan yli 90 miljardin valovuoden levyiseksi.
Matematiikka on pitkään vahvasti tukenut teoriaa laajenemisesta, mutta
se on äskettäin saanut huikeaa uutta tukea Etelänavalla toimivasta BICEP-tutkimuksesta,
jolla ei ikävä kyllä ole mitään tekemistä muskelieni kanssa.
Kymmenen sekuntia alkuräjähdyksen jälkeen maailmankaikkeus oli laajentunut tarpeeksi, jotta sen
normaalit säännöt, atomivoimat ja painovoima ja sähkömagnetismi, jotka ovat meille tuttuja ja rakkaita,
vallitsivat jo. Kaikki alkuräjähdyksessä syntynyt antimateria oli yhdistynyt
aineeseen ja tuhonnut itsensä, jättäen jäljelle vain miljardisosan alkuräjähdyksessä
syntyneestä aineesta, ja tuosta miljardisosasta koostuu kaikki! Ja tarkoitan kaikkea. Jokainen hiekanjyvä,
jokainen mustikka jonka ikinä syöt, jokainen tähti jonka ikinä näet – kaikki!
Olemme jo yrittäneet ymmärtää kuinka paljon miljardi on, mutta pysähtykää miettimään tätä hetkeksi:
Italian:
In una piccolissima frazione di secondo,
l'Universo si è espanso da qualcosa di molto,
ma molto più piccolo di un atomo, a circa
le dimensioni di un pompelmo. Provate a pensarla
in questo modo: in meno di un batter d'occhio,
se fosse stato originalmente grande come
una palla da tennis, si sarebbe espanso a oltre
90 milioni di anni luce di diametro.
Questa teoria dell'inflazione cosmica ha trovato
l'appoggio della matematica per lungo tempo,
ma ha ricevuto di recente nuovo sbalorditivo
supporto dal progetto BICEP al Polo Sud.
(Che sfortunatamente non ha nulla a che fare con le mie armi).
Dieci secondi dopo il Big Bang, l'Universo
si era espanso abbastanza che le normali leggi
dell'Universo, con le forze atomiche, la gravità e l'elettromagnetismo che conosciamo e ci piacciono oggi,
erano già presenti. Tutta l'antimateria
creata dal Big Bang si era combinata
con la materia e si era annichilita, lasciando dietro
di sé solo un miliardesimo della materia creata
nel momento del Big Bang, e quel miliardesimo è
tutto! Intendo dire ogni cosa! Ogni granello di sabbia,
ogni mirtillo che potrai mai mangiare,
ogni stella che potrai mai vedere – tutto!
Abbiamo già cercato di capire quanto è grande un miliardo – ma fermiamoci un attimo a pensare a questo – tutto!
Arabic:
الجزء الأول من اللحظة الأولى،
تضخّم الكون من شيء أصغر بكثير من الذرّة
ليصبح بمثل حجم الغريبفروت.
فكّروا في الأمر بهذه الطريقة، خلال أقلّ
من طرفة عين، إن كان بمثل حجم كرة التنس
لتضخّم على اتساع 90 مليار سنة ضوئيّة.
نظرية التضخّم هذه مدعومة
من علماء الحساب منذ زمن طويل،
ولكنّها تلقّت مؤخرًا دعمًا مدهشًا
من مشروع مصفوفة "بايسيب" في القطب الجنوبي.
بعد الانفجار العظيم بعشرة لحظات، كان الكون قد
تمدّد بدرجة كافية حتى أنّ قوانين الكون الطبيعية
بقوى الذرّة والجاذبية والمغناطيسية الكهربائية
التي نعرفها ونحبها اليوم كانت مسؤولة فعليًا.
كل المادة المضادة التي وُجدت في الانفجار
العظيم اندمجت مع المادة ودمرت نفسها
لتترك جزءًا من مليار جزء من المادة
التي نتجت في الانفجار العظيم.
وذلك الجزء من المليار هو كلّ شيء وأعني
أنّه كل شيء، كل حبيبة رمل وثمرة توت أكلتها
وكل نجم ستراه في حياتك، كل شيء!
سبق أن حاولنا أن نستوعب حجم المليار،
لكن توقّف قليلًا للتفكير في ذلك، كل شيء!
Portuguese:
o Universo inflou de muito menor que um átomo
para o tamanho de uma laranja.
Em muito menos de um piscar de olhos,
se tivesse o tamanho de uma bola de tênis,
ele inflaria mais de 90 bilhões de anos-luz.
Essa teoria da inflação tem sido
fortemente apoiada pela matemática,
e recentemente ela recebeu mais suportes
surpreendentes do projeto "BICEP",
que infelizmente não tem
nada a ver com os meus músculos.
Dez segundos após o Big Bang, o Universo expandiu o bastante para que as leis universais
(a força nuclear, gravidade e eletromagnetismo que nós conhecemos e amamos hoje) já estarem em funcionamento.
Toda a antimatéria foi combinada com matéria e aniquilaram-se entre si,
deixando para trás, apenas, um bilionésimo da matéria criada no Big Bang.
e aquele um bilionésimo é tudo!
E eu quero dizer tudo, mesmo.
Cada grão de areia, cada amora que você já comeu,
cada estrela — e tudo mais!
Nós já tentamos entender quão grande um bilhão é,
mas apenas pare e pense sobre isso — tudo!
Dutch:
In de strikte fractie van de eerste seconde, blies het heelal op vanuit iets dat vele,
vele, malen kleiner is dan een atoom ter grootte van een pompelmoes. Denk eraan op deze
manier: in veel minder dan het knipperen van een oog, als het oorspronkelijk de grootte van een
tennisbal was geweest, zou het hebben opgeblazen tot meer dan 90 miljard lichtjaar.
Deze inflatie theorie is goed ondersteund geweest door wiskundigen voor een lange tijd nu, maar het
heeft onlangs duizelingwekkende nieuwe steun gekregen van het BICEP project op de Zuidpool,
dat helaas niets te maken heeft met mijn geweren.
10 seconden na de oerknal heeft het heelal genoeg uitgebreid dat de normale regels van
het universum, met atomaire krachten en de zwaartekracht en elektromagnetisme dat we kennen en waarvan houden
vandaag, de leiding al hadden. alle anti-materie gemaakt in de oerknal was gecombineerd
met materie en vernietigde zichzelf, en liet enkel één miljardste van de gecreëerde materie die in oerknal
achter, en dat miljardste is alles! En ik bedoel alles. Elke zandkorrel,
elke bosbes die je ooit zult eren, elke ster die je ooit zult zien, alles!
We hebben al geprobeerd om te begrijpen hoe groot een miljard is, maar pauzeer even om te denken
Spanish:
En la mínima fracción del primer segundo, el universo se infló desde algo muchísimas
veces más pequeño que un átomo hasta el tamaño de un pomelo. Piénsalo así:
en mucho menos que un parpadeo, si originalmente tenía el tamaño de una bola
de tenis, luego se hubiera inflado hasta los 90.000 millones de años luz de díametro.
Esta teoría de la inflación ha sido bien respaldada por las matemáticas por mucho tiempo, pero
recientemente ha recibido gran respaldo del projecto BICEP en el
polo sur, el que tristemente nada tiene que ver con mis brazos.
10 segundos luego del Big Bang, el universo se expadió lo suficiente para que las reglas normales
del universo, las fuerzas atómicas, la gravedad y el electromagnetismo que tanto queremos
hoy, se pusieron al mando. Toda la antimateria creada en el Big Bang se combinó con
la materia y se aniquiló, dejando atrás solo una milmillonésima parte de la materia creada
en el Big Bang, ¡y esa milmillonésima parte es todo! Literalmente todo. ¡Cada grano de arena,
cara arándano que comerás, cada estrella que verás, todo!
Ya tratamos de entender cuan grande es un billón, pero has una pausa y piensa en esto,
Vietnamese:
Trong mấy khắc đầu tiên, vũ trụ phình ra
từ kích cỡ nhỏ hơn một hạt nguyên tử rất rất nhiều lần thành cỡ một trái bưởi.
Nghĩ như vầy nè, trong một khoảng nhanh hơn cái chớp mắt, nó phình từ
kích cỡ một trái banh quần vợt thành một thứ gì đó có kích cỡ 90 tỷ năm ánh sáng
Thuyết Giãn nở đã được dẫn chứng bằng Toán học từ rất lâu, nhưng mới đây
nó vừa mới được củng cố thêm từ đề án BICEP ở Nam Cực.
Cũng buồn là nó chẳng liên quan gì đến súng của tôi cả.
10 giây sau Vụ Nổ lớn, vũ trụ đã giãn ra đến mức các luật phổ biến của vũ trụ
như Lực Nguyên tử, Lực Hấp dẫn, Điện từ mà chúng ta biết và trân trọng ngày nay
đều có hiệu lực. Tất cả các thứ Phi Vật chất được tạo ra từ Vụ Nổ lớn đã kết hợp với
Vật chất và tự diệt, để lại 1 phần 1 tỷ vật chất tạo ra trong Vụ Nổ lớn
Và 1 phần tỷ đó là tất cả! Và "tất cả" đó có nghĩa là mỗi hạt cát,
mỗi trái việt quất mà bạn ăn, mọi vì sao mà bạn ngắm... Mọi thứ!
Ta đã tìm hiểu 1 tỷ lớn như thế nào, nhưng mà tạm dừng và nghĩ xem
iw:
בחלקיק של השנייה הראשונה להיווצרותו, היקום התרחב ממשהו שקטן בהרבה
הרבה הרבה יותר מאטום, לגודל של אשכולית. במחשבה על כך
בהרבה פחות זמן ממיצמוץ, אם זה היה במקור בגודל של
כדור טניס, זה התרחב למעל תשעים ביליון שנות אור ברחבי המרחב
תאוריית התפיחה הזאת גובתה רבות על ידי מתמתיקאים מזה הרבה זמן, אבל
לאחרונה זה קיבל מספר אישושים מפרויקט "ביסף" בקוטב הדרומי
שלצערי לא קשור לנשקים שלי.
עשר שניות אחרי הנפץ הגדול, היקום כבר התרחב מספיק כדי שהחוקים הרגילים
של היקום, עם הכוחות האטומים והכבידה והאלקטרומגנטיות שאנחנו אוהבים ומכירים
כיום, כבר החלו לפעול. כל האנטי-חומר שנוצר בנפץ הגדול התרכב
עם חומר וביטל את עצמו והשאיר ביליונית מהחומר שנוצר
בנפץ הגדול והביליונית הזאת היא הכל! ואני מתכוון להכל, כל חלקיק חול,
כל אוכמניה שתאכל וכל כוכב שאי פעם תראה, הכל!
כבר ניסינו להבין עד כמה גדול זה ביליון, אבל תעצרו שניה ותחשבו על זה
German:
nachzudenken – alles! Alles ist ein Milliardstel der Materie, die beim Urknall erschaffen worden ist.
Das erste Gesetz der Thermodynamik besagt, dass Materie und Energie weder geschaffen
noch vernichtet werden können. Alles, was wir jetzt haben, hatten wir damals.
Die Materie, die euren Körper ausmacht in diesem Moment, war schon da seit diesen Momenten
vor 13,8 Milliarden Jahren. Sie hat einfach nur die Form verändert.
Nach nur 3 Minuten war das Universum kühl genug, dass sich Atomkerne begannen zu formen
– nur Wasserstoff und Helium damals, die zwei einfachsten Elemente,
aber merkt euch die. Denn es stellte sich heraus, wenn man einen Haufen Wasserstoff nimmt und wartet,
sowas wie mehrere Milliarden Jahre, dann könnte man sich einen Menschen züchten!
Lasst uns daran erinnern: Zu dieser Zeit war das Universum noch sehr, sehr heiß.
Ich will das Wort „unvorstellbar“ nicht zu häufig benutzten, aber es war unvorstellbar heiß!
Das Universum verblieb als megaheißes Meer, dominiert von Strahlung.
Aber dann zum Glück kühlte es sich auf milde 2760 Grad Celsius ab, rund 380.000 Jahre nach dem Urknall,
was Masse und Strahlung gestattete, sich zu trennen.
English:
Everything! Is one billionth of the matter
created in the big bang. [Explosion sound]
The first law of thermodynamics is that matter
and energy cannot be created or destroyed.
Everything we have now, we had then. The matter
that makes up your body right now has been
around since those moments 13.8 billion years
ago. It's simply changed form.
After just three minutes, the universe was
cool enough that the nuclei of atoms started
forming - just hydrogen and helium back then,
the two simplest elements - keep those two
in mind, however, because it turns out, if
you take a bunch of hydrogen and you wait
like, several billion years, you might just
grow yourself some humans!
Let's remember: at this time, the universe
was still very, very hot. I don't wanna use
the word unimaginable too often, but it was
unimaginably hot!
The universe remained like an uber-hot sea
dominated by radiation, but then luckily,
it simmered down to a balmy 5,000 degrees
Fahrenheit about 380 thousand years after
the big bang, allowing matter and radiation
to separate.
Japanese:
ビッグバンでできた物質の
たったの10億分の1
熱力学第一法則は説明します
物質とエネルギーは
新しく生み出されも消え去りもしません
現在ある全ては
初めから存在した
だから今あなたを形作っている物質も
世界に存在するどんな物質も
138億年前のその瞬間に
全部一緒に生じ
かたちを組み変えてきました
ちょうど3分経った宇宙は
原子核が壊れない程良い冷め具合で
水素とヘリウム
最も単純な元素二種類が現れ始めます
この二つは良いものですよ
138億年くらいそいつを大事にとっておけば
それが人間になるわけですから!
しかし冷めたと言っても
宇宙はまだまだめちゃくちゃ暑いんです
" 想像を絶する "なんて
何回も言いたくないけど
想像を絶する暑さでした!
宇宙空間全体が放射線でごった返して
こんがらがっていたのです
ですが幸いにも
ビッグバンから38万年も経てば暑さも緩み
宇宙気温2760℃まで
落ち着いてくれたお陰で
物質と放射線の
区別がつくようになりました
ところで物質とはエネルギーが
ぎゅっと凝縮したものな訳です
Danish:
det - alting! Alting er kun en milliardene-del af det der først blev skabt i Big Bang.
Termodynamikkens første lov siger at stof og energi hverken kan blive skabt eller gå i stykker.
Alt det vi har nu, havde vi altså dengang. Det stof der lige nu udgør din krop har været
her siden disse første øjeblikke for 13,8 mia. år siden. Det har blot ændret form.
Efter tre minutter var universet koldt nok til at atomkernerne begyndte
at forme sig - kun brint og helium dengang, de simpleste elementer.
Husk på dem, for det viser sig at hvis du tager noget brint og venter
nogle milliarder år, kan du måske dyrke nogle mennesker!
Husk på: På dette tidspunkt var universet meget meget varmt. Jeg vil ikke bruge
ordet ubegribeligt for ofte, men det var ubegribeligt varmt!
Universet forblev et über-varmt sted domineret af stråling, indtil det heldigvis
svalede lidt af til rare 2760 grader Celcius cirka 380 år efter
Big Bang, hvilket tillod stof og stråling at blive skilt ad.
Polish:
wszystko... WSZYSTKO to zaledwie jedna miliardowa część materii stworzonej w Wielkim Wybuchu.
Pierwsza zasada termodynamiki mówi, że nie
można stworzyć ani zniszczyć materii.
Wszystko, co mamy teraz, istniało również kiedyś. Materia, która obecnie tworzy nasze ciała,
istnieje już od tamtych chwil, 13,8 miliarda lat temu.
Po prostu zmieniła swoją formę.
Po zaledwie trzech minutach Wszechświat na tyle
się ochłodził, że zaczęły się formować
jądra atomów – tylko wodoru i helu, dwóch najprostszych pierwiastków – zapamiętajcie je,
bo okazuje się, że jeśli wziąć trochę wodoru i poczekać
jedynie kilka miliardów lat,
można sobie wyhodować człowieka!
Pamiętajcie: wówczas we Wszechświecie
było jeszcze bardzo, bardzo gorąco.
Nie chciałbym nadużywać określenia „niewyobrażalny“, ale... było niewyobrażalnie gorąco!
Wszechświat był niczym nader gorące morze zdominowane przez promieniowanie; potem jednak,
ok. 380 tysięcy lat po Wielkim Wybuchu, temperatura na szczęście spadła do „kojących“ 2760 stopni Celsjusza,
umożliwiając rozdzielenie się materii i promieniowania.
Turkish:
Bu - her şey! Her şey! Milyarda biridir
big bang yaratılan maddenin.
Termodinamiğin birinci yasası o konudur
ve enerji oluşturulan veya yok edilemez.
Şimdi var her şeyi, biz sonra vardı. Madde
şu an vücudunuzu oluşturan olmuştur
etrafında o anları 13,8 milyar yıldan beri
önce. Bu sadece formu değişti.
Sadece üç dakika sonra, evrenin oldu
atomların çekirdekleri başladı yeterince serin
şekillendirme - sadece hidrojen ve helyum geri, sonra
İki basit elemanları - Bu ikisini tutmak
düşünülerek, ancak, eğer, çıkıyor çünkü
Eğer hidrojen bir demet alıp beklemek
gibi, birkaç milyar yıl, sadece olabilir
kendinize biraz insanlar büyümek!
Unutmayalım: Şu anda, evren
hala çok, çok sıcaktı. Ben kullanımını istemiyorum
düşünülemez kelime çok sık, ama öyleydi
düşlenemeyecek sıcak!
Evren bir uber-sıcak deniz gibi kaldı
sonra neyse ki radyasyon hakim, ancak,
Bir çatlak 5000 dereceye kadar simmered
Fahrenheit yaklaşık 380 bin yıl sonra
madde ve radyasyon izin big bang,
ayırmak.
Portuguese:
Tudo é um bilionésimo da matéria criada no Big Bang.
A 1ª lei da termodinâmica é:
"Matéria e energia não podem ser criadas ou destruídas."
Tudo que há agora, existe desde o início.
A matéria que forma seu corpo está por aí
desde aqueles momentos, 13,8 bilhões de anos atrás.
Apenas mudou de forma.
Depois de apenas 3 minutos, o Universo já estava "frio" o bastante
para que o núcleo dos átomos começassem a se formar
(Só hidrogênio e hélio naquela época, os dois elementos mais simples — guarde esses dois)
Porque se você pegar um monte de hidrogênio e esperar
vários bilhões de anos, você pode criar alguns humanos!
Mas lembre-se: o Universo ainda estava muito, muito quente.
Eu não quero usar a palavra "inimaginável" o tempo todo,
mas estava inimaginavelmente quente!
O Universo permaneceu assim, dominado por radiação,
Até que ele esfriou até uns agradáveis 3.000 graus Cº,
por volta de 380 mil anos depois do Big Bang,
permitindo que a matéria e a radiação se separassem.
Vietnamese:
MỌI THỨ! Mọi thứ là 1 phần tỷ của vật chất tạo ra từ Vụ Nổ lớn [Bùm]
Luật thứ nhất của Nhiệt học, vật chất và năng lượng không thể tạo ra và mất đi
Mọi thứ mà ta có bây giờ là thứ ta có về sau. Thứ mà tạo nên cơ thể bạn đã có từ
mấy khoảnh khắc 13.8 tỷ năm về trước. Chỉ là thay đổi hình dạng thôi.
Chỉ sau 3 phút, vũ trụ đã mát lại để nhân nguyên tử được tạo ra -
- mới đầu chỉ có hydro và heli - 2 nguyên tố cơ bản nhất. Hãy nhớ 2 thứ này
bởi vì nếu bạn gôm một đống nguyên tử Hydro,
sau vài tỷ năm, có thể bạn sẽ tạo ra con người.
Xin nhớ rằng tại thời điểm này, vũ trụ lúc này vẫn còn rất rất nóng, tôi không muốn dùng từ
"không tưởng" quá nhiều, nhưng mà nóng không tưởng!
Vũ trụ như là một đại dương siêu nóng, thống trị bởi bức xạ, nhưng may thay
nó xuống độ tới chừng 2760 độ C sau khi Vụ Nổ lớn xảy ra được 380 ngàn năm
Điều này cho phép vật chất và các bức xạ phân tách.
Italian:
Tutto è un miliardesimo della materia
creata dal Big Bang.
La prima legge della termodinamica afferma che materia ed energia non possono essere create o distrutte.
Tutto ciò che abbiamo ora, lo avevamo anche allora.
La materia che ora compone il vostro corpo
è in circolo da 13,8 miliardi di anni fa.
Ha solo cambiato forma.
Dopo appena tre minuti, l'Universo era abbastanza
freddo da permettere la formazione dei nuclei atomici
– in quel momento solo idrogeno ed elio –
teneteveli in mente,
perché si scoprirà che se prendente un po'
di idrogeno e aspettate
qualcosa tipo parecchi miliardi di anni,
potrete far crescere da soli alcuni esseri umani!
Ricordiamo che in questo momento l'Universo
è ancora molto, molto caldo. Non voglio usare
troppo spesso la parola "incredibilmente",
ma era incredibilmente caldo!
L'Universo era un mare super-caldo
dominato dalla radiazione, poi fortunatamente
è sceso alla mite temperatura di 5000 gradi
Fahrenheit circa 380 mila anni dopo
il Big Bang, permettendo
a materia e radiazione di separarsi.
Dutch:
dat, alles! alles! is één miljardste van de materie gecreëerd in de oerknal.
De eerste wet van thermodynamica is dat energie niet kan ontstaan of vernietigd.
Alles wat we nu hebben, hadden we toen. De materie dat je lichaam maakt was er al
13.8 miljard jaar geleden. Het is gewoon van vorm veranderd.
Na amper 3 minuten was het universum koel genoeg dat atoomkernen zich begonnen te
vormen, gewoon waterstof en helium toen, de 2 simpelste elementen, houdt rekening met die 2,
want het blijkt dat als je een bos waterstof neemt en dan
enkele miljarden jaren wacht, je zelf een aantal mensen laat groeien.
Laten we niet vergeten: op dit moment is het universum nog steeds zeer, zeer warm. Ik wil het woord
onvoorstelbaar niet te vaak gebruiken, maar het was onvoorstelbaar warm!
Het universum bleef zoals een uber-hete zee gedomineerd door straling, maar dan koelde
het gelukkig af tot 2760 graden Celsius ongeveer 380 duizend jaar na
de oerknal, waardoor materie en straling konden scheiden
Romanian:
Totul! Este o miliardime a materiei creată în Big Bang.
Prima lege a termodinamicii este că materia și energia nu pot fi create sau distruse.
Materia care formează corpul vostru acum a fost aici
în jurul acelui moment de acum13,8 miliarde de ani. Pur și simplu și-a schimbat forma.
După doar trei minute, universul a fost
destul de rece ca nucleii de atomi să înceapă
să se formeze - doar hidrogen si heliu atunci, cele mai simple două elemente - păstrați-le pe cele două
în minte,totuși, pentru că în cazul în care luați o grămadă de hidrogen și așteptați
cum ar fi, mai mulțe miliarde de ani, s-ar putea să creșteți câțiva oameni!
Să ne amintim: în acest moment, universul era încă foarte, foarte fierbinte. Nu vreau să folosesc
cuvântul de neimaginat prea des, dar a fost neînchipuit de fierbinte!
Universul a rămas ca un mare uber-hot
dominat de radiație, dar apoi din fericire,
a scăzut până la un benefic 5000 de grade Fahrenheit în aproximativ 380 mii de ani după
Big Bangl, permitând materiei și radiațiilor să se separe.
Finnish:
kaikki! Kaikki koostuu yhdestä miljardisosasta kaikesta aineesta, joka syntyi alkuräjähdyksessä.
Termodynamiikan ensimmäinen pääsääntö sanoo, että ainetta ja energiaa ei voida luoda eikä tuhota.
Kaikki, mitä meillä on nyt, meillä oli silloin. Aine, josta kehosi koostuu, on ollut
olemassa noista hetkistä 13,8 miljardia vuotta sitten asti. Se on vain muuttanut muotoaan.
Vain kolmen minuutin jälkeen maailmankaikkeus oli niin viileä, että atomien ytimet alkoivat
muodostua – silloin vain vedyn ja heliumin, kahden yksinkertaisimman alkuaineen. Muista kuitenkin
nämä kaksi, sillä vaikuttaisi siltä, että jos otat nipun vetyä ja odotat
useita miljardeja vuosia voit kasvattaa itsellesi muutaman ihmisen!
Muistetaan kuitenkin, että tässä vaiheessa maailmankaikkeus oli edelleen hyvin, hyvin kuuma. En halua käyttää
sanaa käsittämätön liian usein, mutta se oli käsittämättömän kuuma!
Maailmankaikkeus oli kuin superkuuma säteilyn hallitsema meri, mutta sitten, onneksi,
se viileni leutoon 540 celsiusasteen lämpötilaan noin 380 tuhatta vuotta
alkuräjähdyksen jälkeen, jolloin aine erosi säteilystä.
iw:
שהכל! הכל! הוא ביליונית מהחומר שנוצר בנפץ הגדול.
החוק הראשון בטרמודינמיקה הוא שחומר ואנרגיה לא יכולים להיווצר או לההרס
כל מה שיש לנו עכשיו, היה גם אז. החומר שמרכיב את הגוף שלך כרגע היה
בסביבה באותם הרגעים לפני 13.8 ביליון שנים. זה בסך הכל שינה צורה
אחרי 3 דקות בסך הכל, היקום היה קר מספק שהניקלאוידים של האטומים התחילו
להיווצר - רק מימן והליום דאז, שני האלמנטים הפשוטים ביותר. תזכור את שני אלה
אבל מסתבר שאם אתה לוקח הרבה מימן ומחכה
כמה ביליון שנים, אתה עלול לגדל לעצמך כמה בני אנוש!
בואו נזכור: בנקודה ההיא היקום היה עדיין מאוד, מאוד חם. אני לא רוצה
להשתמש במושג לא ניתן לתיאור יותר מדי, אבל זה היה לא ניתן לתיאור חם!
היקום נותר כמו ים מאוד חם, המורכב בעיקר מרדיאציה, אבל למזלנו
הוא ירד מ-2760 מעלות בערך 380 אלף שנה אחרי
הנפץ הגדול, מה שאפשר לחומר ולרדיאציה להיפרד
Spanish:
¡Todo! ¡Todo! es una milmillonésima parte de la materia creada durante el Big Bang.
La primera ley de la termodinámica dice que la materia y la energía no pueden ser creadas o destruidas.
Todo lo que tenemos ahora, lo teníamos antes. La materia de tu cuerpo ahora mismo ha estado
aqui desde esos momentos 13.800 millones de años atrás. Simplemente cambió de forma.
Luego de 3 minutos, el universo se enfrió suficiente para que los núcleos atómicos se empezaran a
formar, solo hidrógeno y helio en ese entonces, los 2 elementos más simples, tenlos
en mente, dado que si tomas un montón de hidrógeno y esperas como varios miles de millones de años
quizás puedas obtener algunos humanos!
Recordemos: en este momento, el universo estaba todavía muy, pero muy caliente. No quiero
decir inimaginablemente caliente, pero lo estaba.
El universo permaneció como un mar super caliente dominado por la radiación, pero luego,
por suerte se enfrió hasta los 2700 ºc, 380 mil años después del
Big Bang, permitiéndo a la materia y la radiación separarse.
French:
que - tout! Tout! Est un milliardième
de la matière créée dans le Big Bang.
La première loi de la thermodynamique dit que la matière et l'énergie ne peuvent pas être créées ou détruites.
Tout ce que nous avons maintenant, nous l'avions avant. La matière qui constitue votre corps en ce moment même a
existé depuis ces 13,8 milliards années. Elle a juste changé de forme.
Après seulement trois minutes, l'univers était assez froid pour que les noyaux des atomes commencent
à se former - juste l'hydrogène et l'hélium à l'époque,
les deux éléments les plus simples - garder les
à l'esprit, cependant, car il s'avère que si
vous prenez un tas d'hydrogène et vous attendez
genre, plusieurs milliards d'années, vous pourriez vous retrouver avec des humains!
Rappelons-nous en: à ce moment, l'univers
était encore très, très chaud. Je ne veux pas utiliser
le mot incroyable trop souvent, mais c'était
incroyablement chaud!
L'univers est resté sous la forme d'une soupe très chaude dominé par le rayonnement, mais heureusement,
il a mijoté jusqu'à un doux 5000 degrés Fahrenheit environ 380 000 ans après
le Big Bang, permettant à la matière et au rayonnement de se séparer.
Arabic:
كل شيء هو جزء من مليار جزء من المادة
الناجمة عن الانفجار العظيم!
القانون الأول للديناميكا الحرارية
هو أنّ المادة والطاقة لا تفنى ولا تُستحدث.
كل ما لدينا الآن، كان موجودًا آنذاك.
المادة التي تشكّل جسدك الآن
كانت موجودة منذ تلك اللحظات قبل 13،8
مليار عام. لكنّها تغيّرت في الشكل فحسب.
بعد 3 دقائق فقط، أصبح الكون باردًا
بالدرجة الكافية لتبدأ نوى الذرّات بالتشكّل.
وكانت ذرّات الهيدروجين والهيليوم فقط آنذاك،
أبسط العناصر، لكن تذكّروا هذين العنصرين
لأنّه تبيّن أنّك إن أحضرت كمية من الهيدروجين
وانتظرت بضعة مليارات السنوات
فقد تصنع لنفسك بعض البشر.
تذكّروا أنّه في هذا الوقت،
كان الكون ساخنًا جدًا.
لا أريد تكرار استخدام كلمة "لدرجة لا يمكن
تخيّلها"، لكنّه كان ساخنًا لدرجة لا يمكن تخيّلها.
بقي الكون أشبه ببحر شديد السخونة،
تسيطر عليه الإشعاعات.
ولحسن الحظ، هبطت حرارته لـ5 آلاف فهرنهيتية
قبل حوالى 380 ألف سنة بعد الانفجار العظيم
مما أتاح للمادة والإشعاع الانفصال.
Russian:
ВСЁ! Всё есть одна миллиардная вещества, созданного в Большом Взрыве.
Первый закон термодинамики - вещество и энергия не могут быть ни созданы, ни уничтожены.
Всё, что у нас есть сейчас, у нас было тогда. Вещество, составляющее Ваше тело сейчас, существовало
с тех мгновений 13,8 миллиардов лет назад. Оно лишь изменило форму.
Спустя всего лишь 3 минуты, Вселенная была достаточно охлаждена, чтобы ядра атомов
начали появляться - тогда лишь водород и гелий, два простейших элемента. Но держите их
в уме, поскольку, как выясняется, если взять много водорода и подождать
несколько миллиардов лет, то можно вырастить людей!
Не забываем, в это время Вселенная была ОЧЕНЬ горячей. Не хочу использовать
"невообразимо" слишком часто, она она была невообразимо горячей!
Вселенная оставалась таким сверхраскалённым морем радиации, но, к счастью,
оно успокоилось до приятных 5000 градусов по Фаренгейту (2760 по Цельсию) примерно через 380 тысяч лет после
Большого Взрыва, позволив веществу и радиации разделиться.
Hungarian:
minden. Minden! Az egy milliárdad része annak, ami az ősrobbanáskor keletkezett.
A termodinamika első főtétele szerint az anyagot illetve energiát nem lehet létrehozni vagy elpusztítani.
Minden, amink most van, volt akkor is. Az anyag ami most a testedet építi fel, itt van
13,8 milliárd éve. Csupán a formája változott meg.
Három perc múlva, az univerzum lehűlt annyira, hogy az atomok atommagjai elkezdtek
formálódni - akkor még csak hidrogén és hélium, a két legegyszerűbb elem. Azonban figyelj rájuk,
mert kiderül, hogy ha fogsz egy kis hidrogént és héliumot, és vársz, úgy
7 milliárd évet, növeszthetsz magadnak néhány szép embert!
Ne felejtsük el, ekkor az univerzum még mindig nagyon, nagyon forró volt. Nem akarom túl sokszor használni az
"elképzelhetetlen" szót, de elképzelhetetlenül forró volt.
Az univerzum maradt ez a sugárzó über-meleg tenger, de aztán, szerencsére
lehűlt a kellemes 5000 Fahrenheitre, úgy 380 ezer évvel az
ősrobbanás után, és lehetővé tette az anyag és sugárzás különválását.
Korean:
빅뱅시에 창조된 물질의 단지 10 억분의 1 만이 소멸되지 않고 남아 모든 것을 만들어 냈다는 것을 알아두세요.
열역학 제 1 법칙에 의하면 물질과 에너지는 새로이 만들어지거나 없어질 수 없습니다.
그래서 빅뱅 때 탄생한 물질들이 옛날이나 지금이나 우주를 구성합니다. 우리 몸을 구성하는 물질들은
138 억년전부터 있던 물질들입니다. 단지 형태만을 바꿔갈 뿐입니다.
빅뱅 후 불과 3분 만에 우주는 많이 식어서 원자핵이 만들어지기
시작합니다. 당시엔 수소나 헬륨, 즉 가장 간단한 원소만 형성되었으나 . 이 두
원소를 잘 기억해야 하는 것이, 수소를 잔뜩 갖고
수십억년을 기다리면 인간으로 바뀔 수 있기 때문이지요.
그런데 아직은 우주가 매우 매우 뜨겁습니다. 난 상상불가란 말을
함부러 쓰는 것을 싫어하지만 정말 상상불가로 뜨겁습니다.
우주는 아직 너무 뜨거워 엄청 복사빛을 발사하지만, 결국 비교적 온화한
화씨 5,000 도까지 빅뱅 38 만년 만에 식게 됩니다.
이 때에 물질과 빛이 분리가 되는 것이지요.
Swedish:
det - allting! ALLTING är en miljarddel av materian skapad i Big Bang.
Termodynamikens första lag är att materia och energi kan inte skapas eller förstöras.
Allting vi har nu, hade vi förr. Materian som din kropp består av har funnits
i världen sedan de där ögonblicken
13.8 miljarder år sedan. Det har bara ändrat form.
Efter endast 3 minuter, var universumet svalt nog att atomkärnorna började
formas - bara väte och helium på den tiden, de två enklaste elementen - behåll dem två
i tankarna dock, för att det visar sig, om du tar en mängd väte och du väntar
typ, flera miljarder år, är det mycket möjligt att odlat fram några människor!
Kom ihåg: vid denna tid var universumet fortfarande väldigt, väldigt varmt. Jag vill inte använda
ordet otänkbart för ofta, men det var otänkbart varmt!
Universumet förblev som ett übervarmt hav dominerad av strålning, men sedan som tur var,
sjöd det ned till en ljummen grad av 2760 grader Celsius ungefär 380 tusen år efter
Big Bang, tillåtandes materia och strålning att separera.
Portuguese:
isso — tudo! Tudo!, é um bilionésimo da matéria criada no Big Bang.
A primeira lei da termodinâmica é: "Matéria e energia não podem ser criadas ou destruídas."
Tudo que conhecemos agora, continuará. A matéria que empilha o seu corpo neste momento está,
por aí, desde aqueles 13.8 bilhões de anos atrás. Somente mudou de forma.
Após, apenas, três minutos, o universo já estava fresco o bastante para que o núcleo dos átomos começassem
a se formar — só Hidrogênio e Hélio naquela época, os dois elementos mais simples — guarde esses dois
no coração, no entanto, porque acontece de, se você pegar um monte de hidrogênio e esperar
vários bilhões de anos, você pode criar, você mesmo, alguns humanos!
Vamos lembrar: a esta hora, o universo ainda estava muito, muito quente. Eu não quero usar
a palavra "inimaginavelmente" a todo momento, mas estava inimaginavelmente quente!
O universo permaneceu assim, como um incomparável oceano fervente, dominado por radiação, até que então, felizmente,
ele esfriou até os agradáveis 5,000 graus Fahrenheit, por volta de 380 mil anos após
o Big Bang, permitindo que a matéria e a radiação se separassem.
Portuguese:
E lembre-se, matéria é apenas
uma forma de energia mais palpável.
Digo, você é uma firme bolsa de energia.
No meu caso, não tão firme.
Todavia, a 3.000 graus Cº, a radiação foi finalmente
capaz de seguir seu caminho livremente pelo Universo,
e nós vemos essa radiação hoje como o fim
da "Idade das Trevas" que prosseguiu o Big Bang,
e o início de um brilhante flash que chamamos
de "Radiação Cósmica de Fundo (RCF)".
(Um ótimo nome para uma banda)
Físicos a chamam de "impressão digital" do Universo e é uma das mais importantes evidências que temos do Big Bang.
Porque a RCF está em todo lugar.
Ligue o rádio numa frequência que não tenha estação,
uma porção de estática que você ouve é,
na verdade, aquela RCF sendo transmitida pelo rádio.
Então você pode, literalmente,
ouvir o Universo em sua infância!
Às vezes é complicado saber o que é verdade, especialmente
quando se trata de acontecimentos que ocorreram há tanto tempo.
É por isso que criamos ciência,
o elegante sistema para separar o joio do trigo.
Turkish:
Ve mesele sadece daha pıhtılaşmış olduğunu unutmayın
enerji formu. Yani, sen biraz vardır
enerji firması çanta. Benim durumumda, değil firması.
Neyse, 5000 Fahrenheit at, radyasyon
Sonunda serbestçe hareket edebildi
evren ve biz bugün bu radyasyon bakın
ardından Karanlık Çağ sonuna kadar
big bang ve parlak bir başlangıcı
Kozmik Arkaplan Radyasyon çağrı flaş,
hangi bir grup için büyük bir isim.
Fizikçiler parmak diyorlar
evren ve en önemlilerinden biri var
biz var tarihsel kanıtlar parçaları
big bang, CBR her yerde çünkü.
Değil bir frekansa ayarlayın radyo
Bir istasyonu var - statik bir kısmını size
duymak aslında kozmik fon radyasyon
senin telsizle alınıyor. Böylece yapabilirsiniz
kelimenin tam anlamıyla emekleme döneminde evreni duyuyorum!
Bazen ne olduğunu bilmek zor olabilir
Gerçek, özellikle biz bahsediyoruz zaman
uzak şimdiye kadar oldu şeyler
Geçmiş. Biz bilim yarattı yüzden yani,
gerçekleri sıralamak için zarif sistemi
bir gübre.
Yani sadece sınırlı insan duyuları kullanırken,
19. aynı sonuca olabilir
Vietnamese:
Và nhớ rằng Vật chất cũng giống như năng lượng tụ lại. Ý tôi là bạn cũng
giống như một cái túi năng lượng. Trong trường hợp của tôi thì cái túi không được chắc lắm.
Nói gì nói, ở cái độ 2760 độ C, bức xạ đi khắp vũ trụ
và chúng ta thấy được bức xạ ngày nay là từ ngày cuối của Thời kỳ Tăm Tối
của Vụ Nổ lớn, và là khởi đầu của một vệt sáng chói lóa mà ta gọi là Bức Xạ Phông Vi Sóng Vũ Trụ (BXPVSVT).
Đặt tên này cho ban nhạc cũng hay à nghen!
Các nhà vật lý học gọi đó là "dấu vân tay" của vũ trụ và đó là một trong
những bằng chứng lịch sử quan trọng nhất cho Vụ Nổ lớn, bởi vì BXPVSVT có ở khắp nơi.
Hãy mở máy thu thanh lên ở một tần số vô chủ nào đó - một phần tĩnh mà bạn nghe thật chất là
tần số của BXPVSVT được máy thu thanh bắt được.
Nói đúng nghĩa luôn là bạn đang nghe thấy tuổi thơ của vũ trụ đấy.
Đôi khi cũng căng ở chỗ là một nhận định có đúng hay không, đặc biệt là về thứ
đã xảy ra quá lâu trong quá khứ. Cho nên chúng ta mới có Khoa học,
để chứng thực các phán đoán hay nhận định một cách có hệ thống và bằng chứng.
Nếu chỉ dùng các giác quan đơn thuần, bạn rất dễ đi vào kết luận y như hồi thế kỷ 19
German:
Und denkt dran, Masse ist einfach eine erstarrtere Form von Energie. Ich meine, ihr seid
ein einigermaßen fester Beutel aus Energie. In meinem Fall, nicht ganz so fest.
Also, wie auch immer, bei 2760 Grad Celsius war Strahlung endlich fähig, sich frei durch das
Universum zu bewegen, und wir sehen diese Strahlung heute als das Ende des finsteren Mittelalters an,
welches auf den Urknall folgte, und als den Beginn eines strahlenden Blitzes,
den wir kosmische Hintergrundstrahlung nennen, was ein großartiger Name für eine Band ist.
Physiker (und -innen) nennen es den Fingerabdruck des Universums und es ist eines der wichtigsten Teile
des historischen Nachweises, den wir haben für den Urknall, denn CBR ist überall.
Stellt euer Radio auf eine Frequenz ein, die keinen Sender hat – ein Anteil der atmosphärischen Störungen,
die ihr hört, ist tatsächlich diese kosmische Hintergrundstrahlung,
die von eurem Radio eingefangen wird.
Also könnt ihr buchstäblich das Universum in seiner Anfangsphase hören!
[Hank] Manchmal kann es knifflig sein zu wissen, was zutrifft, ganz besonders wenn wir über Zeug reden,
das sich so weit entfernt in der Vergangenheit abspielte. Das ist der Grund, warum
wir Wissenschaft ins Leben gerufen haben, dieses elegante System, um die Fakten vom Dünger zu trennen.
Also, indem ihr eure begrenzten menschlichen Sinne benutzt, mögt ihr zur gleichen Schlussfolgerung kommen
Russian:
Помните, вещество - лишь более плотная форма энергии. То есть, Вы просто несколько
упругий мешок с энергией. В моём случае, не очень упругий.
Так, 2760 по Цельсию и радиация получила возможность свободно перемещаться
по Вселенной,и мы видим эту радиацию как конец Темных Веков, последовавших за
Большим Взрывом, и началом великолепной вспышки под названием космическая радиация,
отличное название для музыкальной группы.
Физики называют её отпечатком пальца Вселенной и одним из важнейших
исторических доказательств Большого Взрыва, потому что космическая радиация есть везде.
Настройте радио на частоту, где нет станции - частью шума
будет космическая радиация. Так что можно,
в буквальном смысле, слушать Вселенную в её молодости!
Иногда сложно понять, что правда, особенно когда речь о
вещах, произошедших настолько давно. Поэтому мы создали науку, эту
элегантную систему, отделяющую факты от удобрений.
Просто используя свои ограниченные органы чувств, можно придти к тому же заключению, что
iw:
ותזכרו, חומר הוא בסך הכל צורה מצומצמת יותר של אנרגיה. אני מתכוון, אתם בסך הכל שק גדול של אנרגיה
בכל מקרה, ב-2670 מעלות, רדיאציה יכלה סופסוף לנוע בחופשיות ברחבי
היקום, ואנו רואים את הרדיאציה הזאת היום כסוף "ימי הביניים" של
הנפץ הגדול, ותחילת הפלאש הגאוני "קרינת רקע קוסמית"
שיכול להיות אחלה שם ללהקה.
פיזיקאים קוראים לזה טביעת האצבע של היקום וזאת אחת הפיסות היסטוריה החשובות
ביותר שיש לנו אודות הנפץ הגדול. בגלל שזה נמצא בכל מקום
תדליקו את הרדיו שלכם על ערוץ ללא תחנה - חלק ממה שאתם שומעים
זה למעשה הקרינת רקע קוסמי שנקלט ברדיו שלכם. אז אתם אשכרה יכולים
לשמוע את היקום בילדותו
לפעמים זה יכול להיות טריקי לדעת מה נכון, במיוחד כאשר מדברים על דברים
שקראו כל כך בעבר. בגלל זה המצאנו את "המדע"
מערכת אלגנטית שמבודדת את העובדות מהדשן
אז רק על ידי שימוש בחושים האנושיים המוקבלים שלך, את יכול להגיע לאותה מסקנה כמו מדענים
English:
And remember, matter is just a more congealed
form of energy. I mean, you are a somewhat
firm bag of energy. In my case, not that firm.
So anyway, at 5,000 degrees Fahrenheit, radiation
was finally able to move freely through the
universe, and we see that radiation today
as the end of the Dark Ages that followed
the big bang, and the beginning of a brilliant
flash that we call Cosmic Background Radiation,
which is a great name for a band.
Physicists call it the fingerprint of the
universe and it's one of the most important
pieces of historical evidence we have for
the big bang, because CBR is everywhere.
Tune your radio to a frequency that doesn't
have a station - a portion of the static you
hear is actually that cosmic background radiation
being picked up by your radio. So you can
literally hear the universe in its infancy!
Sometimes it can be tricky to know what's
true, especially when we're talking about
stuff that happened so far in the distant
past. That is why we created science, that
elegant system for sorting out the facts from
the fertilizer.
So just using your limited human senses, you
might come to the same conclusion as 19th
Finnish:
Ja muista, että aine on vain jähmeämpää energiaa. Olet siis jotenkuten
kiinteä säkki energiaa. Minun tapauksessani vähemmän kiinteä.
Joka tapauksessa, 540 celsiusasteessa säteily pystyi vihdoin vapaasti liikkumaan
maailmankaikkeudessa, ja nykyään me pidämme tuota säteilyä merkkinä alkuräjähdyksen
jälkeisen Pimeän ajan lopusta, ja alkuna välähdykselle, jota kutsumme kosmiseksi taustasäteilyksi
– mikä olisi hieno nimi bändille.
Fyysikot kutsuvat sitä maailmankaikkeuden sormenjäljeksi ja se on yksi tärkeimpiä
historiallisia todisteita alkuräjähdyksestä, sillä kosminen taustasäteily on kaikkialla.
Viritä radiosi taajuudelle, jolla ei ole kanavaa – osa kuulemastasi kohinasta
on itse asiassa radiosi havaitsemaa kosmista taustasäteilyä. Voit siis
kirjaimellisesti kuulla, miltä varhainen maailmankaikkeus kuulosti!
Joskus voi olla vaikeaa tietää, mikä on totta, etenkin kun puhumme asioista,
jotka tapahtuivat niin kaukana menneisyydessä. Tämän vuoksi kehitimme tieteen, tuon
elegantin järjestelmän, jolla erottelemme tosiasiat tyhjänpäiväisyyksistä.
Käyttämällä rajallisia ihmisaistejasi saatat tulla samaan lopputulokseen kuin 1800-luvun
Portuguese:
E lembre-se, matéria é meramente uma forma de energia mais palpável. Digo, você é um saco
de energia, firme. No meu caso, não tão firme.
Todavia, a 5,000 graus Fahrenheit, a radiação foi finalmente capaz seguir seu caminho livremente pelo
universo, e nós vemos essa radiação hoje como o fim da Idade das Trevas que prosseguiu
o Big Bang, e o início de um brilhante clarão que nós chamamos de "Radiação Cósmica de Fundo (CBR)",
que é um ótimo nome para uma banda.
Físicos chamam de "impressão digital" do universo e é uma das mais importantes
peças da evidência histórica que temos do Big Bang, por causa a CBR está em todo lugar.
Ligue a sua rádio em uma frequência que não tenha uma estação — a porção de estática que você
ouve é, na verdade, aquela radiação cósmica de fundo sendo transmitida pelo rádio. Então você pode,
literalmente, ouvir o universo em sua infância!
Às vezes pode parecer complicado saber o que é verdade, especialmente quando estamos falando de
acontecimentos que ocorreram há tanto tempo, num passado muito distante. É por isso que criamos ciência,
o elegante sistema para organizar os fatos do fertilizante.
Logo, usando sua limitada inteligência humana, você pode chegar a mesma conclusão
Dutch:
En onthoud, materie is gewoon een meer gestolde vorm van energie. Ik bedoel, je bent een enigzins
stevige zak van energie, in mijn geval niet zo stevig.
Dus hoe dan ook, op 2760 graden Celcius was de straling eindelijk is staat om zich vrij te bewegen door
het universum, en we zien die straling vandaag als het einde van de donkere tijden na de
oerknal, en als het begin van een briljante flits die we Kosmische Achtergrondstraling noemen,
welke een geweldige naam is voor een band.
Natuurkundigen noemen het de vingerafdruk van het universum en het is een van de meest belangrijkste
stukken van historisch bewijs dat we hebben voor de oerknal, omdat CBR overal is.
Stem uw radio af op een frequentie die geen zender heeft, een deel van het geluid dat je
hoort is eigenlijk die kosmische achtergrondstraling die opgepikt wordt door uw radio. Dus je kan
letterlijk het universum horen in zijn kinderschoenen.
Soms kan het lastig zijn om te weten wat waar is, zeker wanneer we het hebben over
dingen die tot nu toe in het verre verleden gebeurden. Dat is waarom we de wetenschap gecreëerd hebben,
dat elegante systeem om de feiten van de meststof te onderscheiden.
dus gewoon uw beperkte menselijke zintuigen gebruiken en misschien kom je tot dezeldfe conclusie als de 19e
Spanish:
Y recuerden, la matería es solo una forma de energía más condensada. Quiero decir que solo eres
una bolsa más o menos firme de energía. En mi caso, no tan firme.
Así que a 2700º c, la radiación finalmente pudo moverse libremente por el universo,
y podemos ver esa radiación hoy, como el fín de la Edad Oscura que siguió al Big Bang
y el comienzo de un flash brillante que llamamos "Radiación Cósmica de Fondo", el cual
es un gran nombre para una banda.
Los físicos la llaman la huella dactilar del universo y es una de las más importantes piezas
de evidencia histórica que tenemos del Big Bang, porque la Rad. Cósm. de Fondo está en todos lados
Pon tu radio en una frecuencia que no tenga una estación y una porción de la estática que
escuchas es de hecho la Rad. Cósm. de Fondo captada por tu radio. ¡Así que
puedes literalmente oir el universo en su infancia!
A veces puede ser difícil saber que es verdad, especialmente cuando hablamos sobre
cosas que pasaron hace tanto tiempo. Por eso creamos la ciencia, ese sistema
elegante para separar los hechos, del fertilizante.
Así que solo utilizándo tus limitados sentidos humanos, llegarías a la conclusión a la que los científicos
Hungarian:
Ne felejtsd el, hogy az anyag csak a energia egy dermedtebb formája. Úgy értem, te magad is
valahol egy zsák kemény energia vagy. Az én esetemben nem is olyan kemény.
Tehát, 5000 Fahrenheiten a sugárzás végre képes volt szabadon mozogni az univerzumban
és mi ezt a sugárzást ma az ősrobbanást követő sötét korszak végének és
a vakító villanás, a kozmikus háttérsugárzás (CBR) kezdetének gondoljuk, ami egyébként
remek bandanév.
A fizikusok ezt az univerzum ujjlenyomatának is hívják és ez az egyik legfontosabb
bizonyítéka az ősrobbanásnak, mivel a CBR mindenhol ott van.
Tekerd a rádiódat olyan frekvenciára, amin nincs csatorna - a statikus zaj egy része
igazából a kozmikus háttérsugársás lesz, amit a rádió felvett. Tehát hallgathatod
az univerzum csecsemőkorát!
Néha nehéz megmondani, hogy mi is igaz, főleg, ha ilyen rég
történt dolgokról beszélünk. Ezért teremtettük meg a tudományt, ezt
az elegáns módszert arra, hogy kiszűrjük a tényeket a trágyából.
Tehát a limitált emberi érzékszerveidet használva arra a konklúzióra juthatsz, amire a 19. századi
Romanian:
Și amintiți-vă, materia este doar o mai congelată formă de energie. Adică, ești oarecum un
sac de firmă de energie. În cazul meu, nu firma asta.
Deci, oricum, la 5.000 de grade Fahrenheit, radiațiile în cele din urmă au fost capabile să se deplaseze liber prin
univers, și vom vedea astăzi radiatii
ca la sfârșitul Evului Mediu care au urmat
Big Bang-ului, și începutul unui
Flash strălucitor pe care o numim Cosmic radiație de fond,
care este un nume bun pentru o trupă.
Fizicienii o numesc amprentă a
Universului și este una dintre cele mai importante
piese a evidenței istorice pe care o avem pentru Big Bang pentru că CBR este peste tot.
Dă radioul la o frecvență care nu
e pe stație - o parte din semnalul pe care îl
auzi este de fapt acea radiație cosmică de fond
preluată de radio. Asa că poți
literalmente auzi universul în fază incipientă!
Uneori poate fi dificil să știi ce e
adevărat, mai ales atunci când vorbim despre
lucruri care s-au întâmplat atât de departe în trecut. De aceea am creat știința, acest
sistem elegant pentru scoaterea faptelor din îngrășământ.
Deci, folosind doar simțurile dvs. umane limitate, puteți ajunge la aceeași concluzie ca și
Italian:
E ricordate, la materia è solo una forma più
congelata di energia. Voglio dire, siete un po' come
una sacca stabile di energia.
(Nel mio caso, non poi tanto stabile).
Comunque, a 5000 gradi Fahrenheit la radiazione è stata finalmente in grado di muoversi liberamente attraverso
l'Universo, e oggi vediamo la radiazione
come la fine dell'età oscura che ha seguito
il Big Bang, e l'inizio di un lampo brillante
che chiamiamo "Radiazione Cosmica di Fondo" (RCF),
che è un gran bel nome per una band.
I fisici la definiscono l'impronta digitale
dell'Universo, ed è una delle più importanti
testimonianze storiche che abbiamo
sul Big Bang perché la RCF è ovunque.
Sintonizzate la radio in una frequenza che
non ha stazione – una parte della statica
che si sente è proprio la radiazione cosmica
di fondo catturata dalla vostra radio, quindi potete
letteralmente ascoltare l'Universo nella sua infanzia!
A volte può risultare arduo sapere che cosa è vero,
soprattutto se si parla di cose
accadute così lontano nel passato.
Ecco perché abbiamo creato la scienza,
quel sistema elegante per il riordinamento
dei fatti dal guazzabuglio.
Usando solamente i limitati sensi umani,
si potrebbe arrivare alla stessa conclusione
Danish:
Og husk på, stråling er blot en ændret form for energi. Du er jo en ret
fast pose af energi. I mit tilfælde, knap så fast.
Ved 2760 grader Celcius kunne strålingen bevæge sig frit gennem
universet, og vi kan i dag se denne stråling, som afslutningen på de mørke tider der fulgte
Big Bang, og begyndelsen på et et skarpt lysglimt som vi kalder for den kosmiske baggrundsstråling,
hvilket også er et storartet navn til et band.
Fysikere kalder det universets fingeraftryk, og det er et af de vigtigste
stykker af historisk bevis vi har for Big Bang, for den kosmiske baggrundsstråling er overalt.
Sæt din radios frekvens et sted hvor der ikke er en station, og en del af det støj du hører
vil være fra den kosmiske baggrundsstråling der bliver samlet op af din radio. Du kan altså
bogstaveligt talt høre universet som spæd!
Nogle gange kan det være svært at regne ud hvad der er rigtigt, især når vi taler om
ting der skete så langt tilbage i den fjerne fortid. Derfor har vi opfundet videnskab,
som er et elegant system til at adskille fakta fra fup.
Ved at bruge dit begrænsede sanseapparat kunne du måske komme frem til den samme konklusion som
Korean:
물질이란 에너지가 좀 더 응결된 형태라는 것을 기억하세요. 내 말은 당신의 육체는 에너지의
견고한 백입니다. 제 경우엔 별로 견고하지 못해요.
어쩃든, 화씨 5000도가 되어 복사에너지는 마침내 우주 공간을 자유로이 움직이게
되었고, 우리는 천체 관찰을 통해 빅뱅 이후 암흑시대가 마침내 마감되어 나타난 그 빛을
관측할 수 있는데, 그 것을 과학자는 우주 배경복사라고 부르지요. 이 배경 복사는
거대한 우주의 음악 밴드라고 할까요죠.
물리학자들은 우주배경복사를 우주의 지문으로 부르며, 이 복사는
빅뱅의 가장 중요한 증거가 되었습니다. 왜냐하면 우주 어디에도 있으니까요.
방송국 주파수가 없는 곳으로 라디오를 맞춰보면 주파수와 관계없이 나타나는
잡음 중 일부가 바로 라디오가 수신한 우주 배경복사입니다. 즉 우주의
영아시절의 소리를 듣는 것이지요.
특히 우리가 아주 옛 적 얘기를 할 때엔 무엇이 사실인지를 알기가
어렵습니다. 그래서 우린 과학을 창조하여 이 탁월한 시스템으로
복잡한 비료로부터 여러 사실들을 추려내지요.
당신의 한계가 있는 인간의 감각으로는 아마 19세기 과학자와 같은
French:
Et rappelez-vous que la matière n'est qu'une forme plus figée d'énergie. Je veux dire, vous êtes un peu
comme un sac costaud d'énergie.
Dans mon cas, pas si costaud que ça.
Enfin, bref à 5000 degrés Fahrenheit, le rayonnement était enfin capable de se déplacer librement à travers
l'univers, et nous voyons le rayonnement aujourd'hui comme la fin de l'âge des ténèbres qui a suivit
le Big Bang, et le début d'un brillant
éclair que nous appelons le fond diffus cosmologique,
ce qui est un nom sympa pour un groupe de musique.
Les physiciens l'appellent l'empreinte digitale de l'univers et c'est l'une des preuves historiques
les plus importantes pour le Big Bang, parce le FDC est partout.
Ajustez votre radio à une fréquence qui n'a pas de station lui correspondant - une partie du bruit statique que vous
entendez est en fait ce fond diffus cosmologique que votre radio arriver à capter.
Donc vous pouvez littéralement entendre l'univers durant son enfance!
Parfois, il peut être difficile de savoir ce qui est vrai, particulièrement quand on parle de
choses qui se sont produites il y a tellement de temps. C'est pour cela qu'on a créé la science,
ce système élégant permettant de retrouver la vérité parmi tout le reste.
Donc, juste en utilisant vos sens humains limités, vous pourriez en venir à la même conclusion que les scientifiques
Polish:
Pamiętajmy, że materia to po prostu bardziej zastygła forma energii. Znaczy – każdy z nas jest
w pewnym sensie workiem stwardniałej energii.
No, w moim przypadku wcale nie takiej twardej.
Tak czy siak, w temperaturze 2760°C promieniowanie mogło się w końcu swobodnie przemieszczać po
Wszechświecie – dziś postrzegamy je jako koniec swoistego kosmicznego średniowiecza, które miało
miejsce po Wielkim Wybuchu, oraz początek jasnego przebłysku zwanego kosmicznym promieniowaniem tła [ang. CBR],
co byłoby świetną nazwą rockowego zespołu.
Fizycy nazywają ten fenomen odciskiem palca Wszechświata. Stanowi on jeden z najważniejszych
dowodów historycznych, jakie posiadamy w temacie Wielkiego Wybuchu, gdyż CBR jest tak właściwie wszędzie.
Wystarczy nastawić radio na częstotliwość, na której
nie ma żadnej stacji – część słyszanych dźwięków
stanowi właśnie kosmiczne promieniowanie tła wychwytywane przez odbiornik radiowy.
Można dosłownie posłuchać odgłosów
Wszechświata w powijakach!
Czasami prawda może być trudna do poznania,
zwłaszcza gdy mówimy o rzeczach,
które miały miejsce w tak bardzo odległej przeszłości. Dlatego też stworzyliśmy naukę –
elegancki system wyodrębniania faktów z bredni.
Za pomocą jakże ograniczonych ludzkich zmysłów możemy dojść do tych samych wniosków,co XIX-wieczni
Swedish:
Kom ihåg, materia är bara en stilla form av energi. Jag menar, du är något av en
fast påse av energi. Eller i mitt fall, inte så fast.
Så i alla fall, vid 2760 grader Celsius, var strålningen äntligen fri att förflytta sig genom
universumet, och vi kan se den strålningen idag, som slutet av den mörka medeltiden som kom efter
Big Bang, och början av en brilliant blixt vi kallar Kosmisk Bakgrundsstrålning,
vilket är ett jättebra namn för ett band.
Fysiker kallar det för universums fingeravtryck och det är en av de viktigaste
stycken av historiskt bevis vi har för Big Bang, eftersom KB är överallt.
Vrid radion till en frekvens som inte har en station - en del av det brus du
hör är faktiskt Kosmisk Bakgrundsstrålning som radion fångar upp. Så du kan
bokstavligen höra universums barndom!
Ibland kan det vara svårt att veta vad som är sant, speciellt när man pratar om
saker som hände så pass långt bak i det förflutna. Detta är anledningen till att vi skapade vetenskapen, detta
eleganta system för att sortera ut faktan från gödningsmedlet.
Så, enbart användandes dina begränsade mänskliga sinnen, kanske du skulle komma till samma slutsats som 1800-tals
Japanese:
だからあなたは
エネルギーが充満した饅頭なんです
十万石 (じゅうまんごく) 饅頭
じゃなくて
とにかく
2760℃まで下がった宇宙なら
放射線は自由に飛び交うので
それまで何も見通せなかった
宇宙の暗黒時代から
霧が晴れ上がり
光が射したよう
その時の最初のひらめきは
現在も観測できる宇宙背景放射
バンドの名前にピッタリでしょう
これは物理学者に言わせれば
事件現場の指紋のようなもので
宇宙がビッグバンした時に残した
重要証拠なんだそうで
というのも宇宙背景放射は
宇宙全体のどこにでもありますから
試しにラジオを局の無いあいた周波数に合わせると
その静寂に混ざった
微かな騒めきは
ラジオが拾った本物の宇宙背景放射です
今あなたにも聴こえるでしょう宇宙の産声が!
( ラジオのノイズの音 )
何が本当なのか知るのって
厄介な時あるよね
余りにも遠い昔に起こった事なんて特に
だったらそんな時は
科学を用いて
事実からどうでもいいものを
科学を用いて
事実からどうでもいいものを
綺麗さっぱり
ふるい落せば良いんだ
人間の限られた感覚だけに頼ってたら
Arabic:
وتذكروا، المادة هي مجرّد
شكل أكثر تحجّرًا من الطاقة.
أي أنّكم مجرّد كيس صلب من الطاقة.
في تلك الحالة، أنا لست صلبًا جدًا.
على أي حال، بحرارة 5 آلاف فهرنهيتية،
استطاعت الإشعاعات التنقل بحرية عبر الكون.
ونرى تلك الإشعاعات اليوم، على أنّها نهاية
العصر المظلم الذي تبع الانفجار الكبير
وبداية ضوء مشرق نطلق عليه
اسم "الإشعاع الخلفيّ الكونيّ".
وهم اسم رائع لفرقة موسيقية.
يسمّي الفيزيائيون ذلك بصمة الكون، وهو
من أهمّ الأدلة التاريخية على الانفجار العظيم
لأنّ الإشعاع الخلفيّ الكونيّ
موجود في كلّ مكان.
عند ضبط مذياعك على تردّد لا يحتوي محطّة،
سيكون جزء من التشويش الذي تسمعه
هو ذلك الإشعاع الخلفيّ الكونيّ
الذي التقطه مذياعك
إذن، يمكنك سماع الكون في طفولته
بالمعنى الحرفيّ!
قد يكون من الصعب أحيانًا معرفة الحقيقة
خاصة حين نتحدث عن أشياء وقعت
في الماضي البعيد، لذلك ابتكرنا العلم.
ذلك النظام الأنيق لتمييز الحقائق
عن الهراء.
إذن، فقط باستخدام حواسك البشرية المحدودة،
قد تتوصل لنفس استنتاجات علماء القرن الـ19
Russian:
учёные 19 века - Вселенная статична, вечна и бесконечна... А вот если использовать
наши разумы, то, если Вселенная бесконечна и в ней бесконечное количество звёзд и она была всегда,
то ночное и дневное небо были бы набиты
звёздами, причём до такой степени, что дневное и ночное время были бы неотличимы. Это, явно,
не так, так что что-то упущено.
Вселенная, вероятно, не статична, не бесконечна, и не вечна. Что именно?
Знаете, как, когда скорая едет к вам, звуковые волны сжимаются и
сирена звучит более высокой, а по мере приближения волны растягиваются
и она звучит ниже? Это эффект Допплера.
А вот ещё одно знакомое имя: Эдвин Хаббл. Он понял, что свет делает то
же самое. Свет движущихся от нас галактик и звёзд растягивается и становится
более красным, а движущихся к нам - сжимается и становится более синим.
Вкупе с работой Генриетты Левитт, позволившей нам точно определить,
насколько далеко звёзды, Хаббл смог определить, что звёзды в целом улетают друг от друга.
Korean:
결론을 내릴 것입니다. 즉 우주는 정적이고 영원하고 무한하다.. 단 그러면 생각을 해보죠. 우주가
정말로 무한하고 무한한 별들을 갖고 있고 별들은 항상 그자리에 있다면
그러면 밤낮관계없이 우주의 어느 방향으로도 별들은 꽉 차있어야 합니다.
그래서 우주 방향을 구별할 수 없어야죠. 그런데 분명히 그렇지는 않죠
그래서 뭔가는 잘 못 된거네요.
우주는 정적이지 않거나, 무한하지 않거나. 영원하지 않거나입니다. 그렇죠?
앰뷸런스가 경적을 울리며 다가오면 음파는 압축되어
소리가 높아지고 반대로 멀어지면 파장은 길어져 소리는 저음이 되지요?
이것을 도플러 효과 라고 합니다.
또 다른 유명한 이름이 있어요. 에드윈 허블, 그는 빛도 마찬가지 원리가 성립한다는 것을 알았죠.
우리로 부터 멀어져 가는 은하군이나나 별들은 파장이 좀 더 붉은 쪽으로 이동하고
우리에게 다가오는 별들의 빛은 압축되어 좀 더 푸른 색을 띱니다
헨리에타 리빗의 연구결과, 즉 별의 거리 추정법을 근거로 하여
허블은 별들이 전체적으로 서로 멀어져 간다는 것을 알아 내었습니다
Danish:
videnskabsfolkene fra det 19. århundrede gjorde, nemlig at universet er uforanderligt, evigt og uendeligt... Men
ved at at bruge vores hjerner, kan vi se, at hvis universet er uendeligt og indeholder et uendeligt antal stjerner og altid har eksisteret,
så ville nattehimlen, og for den sags skyld dag-himlen, være fyldt op med
stjerner, så man ikke kunne kende forskel på dag og nat. Det er jo ikke tilfældet,
så noget passer ikke sammen.
Enten er universet ikke uforanderligt, ikke uendeligt eller ikke evigt. Hvilket er det så?
Kender du lyden af en ambulance der nærmer sig, hvor lyden bliver sammenpresset og
sirenen lyder højere, og når den er forbi dig, strækkes lyden ud så
den bliver dybere? Det kaldes Doppler-effekten.
Her er noget andet du nok har hørt om. Edwin Hubble. Han opdagede at lys gør det samme som lyden.
Galakser og stjerner, der bevæger sig væk fra os, får deres lys strukket ud, hvilket
gør det mere rødt, og stjerner der bevæger sig imod os, får deres lys sammenpresset, hvilket gør det mere blåt.
Kombineret med Henrietta Leavitts forskning, som tillod os at lave nøjagtige målinger
af hvor langt væk stjerner er, kunne Hubble afgøre at stjerner, i det store og hele, bevæger sig væk fra hinanden.
English:
century scientists, that the universe is static,
eternal and infinite... But then, using our
minds, if the universe is infinite and contains
infinite stars and it has always existed,
then the night sky, and the day-time sky for
that matter, would literally be filled with
stars - so much that day and night would be
indistinguishable! This is clearly not the
case, so something must be amiss.
The universe must either be not static, not
infinite or not eternal. So which is it? You
know how when an ambulance drives towards
you, the sound-waves are compressed and the
siren sounds higher pitched, and as it speeds
away, the waves are stretched out and the
pitch is lower? It's the Doppler effect.
Well, here's another name you've heard. Edwin
Hubble. He realized that light does the same
thing. Galaxies and stars moving away from
us have their light stretched out, making
it more red, and stars moving toward us have
their light compressed, making it more blue.
Combined with the work of Henrietta Leavitt,
which allowed us to accurately estimate how
far away stars are, Hubble was able to determine that
stars, on the whole, are flying away from each other.
Finnish:
tieteilijät – että maailmankaikkeus on muuttumaton, ikuinen ja ääretön. Mutta järjellä ajateltuna,
jos maailmankaikkeus on ääretön ja sisältää äärettömästi tähtiä ja on aina ollut olemassa,
niin taivaan täytyisi yöllä, ja itse asiassa päivälläkin, olla kirjaimellisesti täynnä
tähtiä – niin täynnä ettei yötä ja päivää voisi erottaa toisistaan! Asia ei selvästi ole näin,
joten jonkin täytyy olla vialla.
Maailmankaikkeus ei siis ole joko muuttumaton, ääretön, tai ikuinen. Joten mitä se on?
Tiedätkö kuinka, kun ambulanssi ajaa sinua kohti, ääniaallot puristuvat kasaan ja
sireeni kuulostaa koreammalta, ja kun se ajaa pois, aallot venyvät ja
ääni on matalampi? Kyseessä on Doppler-ilmiö.
Tässä on toinen nimi, jonka olet kuullut: Edwin Hubble. Hän tajusi, että valo tekee samoin.
Valo galakseista ja tähdistä, jotka liikkuvat meistä poispäin, venyy ja
on punaisempaa, ja valo meidän suuntaamme liikkuvista tähdistä puristuu kasaan ja on sinisempää.
Käyttäen apunaan Henrietta Leavittin työtä, joka auttoi meitä tarkasti määrittelemään
tähtien etäisyyttä meistä, Hubble onnistui päättelemään, että kokonaisuudessaan tähdet liikkuvat toisistaan poispäin.
Polish:
naukowcy – że Wszechświat jest statyczny, wieczny
i nieskończony... Jednak z drugiej strony,
jakby tak o tym pomyśleć, jeżeli Wszechświat miałby być nieskończony i zawierałby nieskończoną ilość gwiazd,
i istniałby od zawsze, to nocne niebo (i w sumie też to widziane za dnia) byłoby całkowicie wypełnione
gwiazdami, i to w takiej ilości, że nie bylibyśmy
w stanie odróżnić dnia od nocy!
Oczywiście tak to nie wygląda, więc
coś musi nie grać z tą teorią.
Wszechświat musi albo nie być statyczny, albo nieskończony, albo wieczny. Więc jak to jest?
Zauważyliście może, że gdy karetka jedzie w Waszą stronę, fale dźwiękowe są bardziej skompresowane
i syreny wydają się wchodzić na wyższe tony,
gdy zaś się oddala, fale ulegają rozciągnięciu
i dźwięk staje się mniej intensywny?
To efekt Dopplera.
A teraz kolejne znajome nazwisko: Edwin Hubble. Hubble zdał sobie sprawę, że światło działa tak samo.
Światło galaktyk i gwiazd oddalających się od nas ulega rozciągnięciu, przez co wydaje się czerwonawe,
zaś światło gwiazd zbliżających się do nas jest skompresowane, a przez to raczej niebieskawe.
W połączeniu z osiągnięciem Henrietty Leavitt,
która umożliwiła nam dokładne oszacowanie
odległości, w jakiej znajdują się gwiazdy, Hubble'owi udało się ustalić, że ogólnie rzecz biorąc gwiazdy oddalają się od siebie.
Italian:
degli scienziati del XIX secolo: che l'Universo è
statico, eterno e infinito... ma poi, usando
le nostri menti, se l'Universo è infinito e contiene
infinite stelle, ed è sempre esistito,
allora il cielo, sia notturno che diurno,
dovrebbe essere letteralmente pieno
di stelle – così tanto che la notte e il giorno sarebbero
indistinguibili. Questo non è chiaramente
il nostro caso, per cui c'è qualcosa che non va.
L'Universo non è né statico, né infinito,
né eterno. Quindi che cos'è?
Sapete che quando un'ambulanza si avvicina
le onde sonore sono compresse,
quindi il suono della sirena ha un tono più alto, e quando si allontana le onde sonore vengono stirate
e il tono è più basso? È l'effetto Doppler.
Bene, ecco un altro nome che avete già sentito: Edwin Hubble. Comprese che la luce si comporta allo stesso modo.
La luce di galassie e stelle che si
allontanano da noi è stirata, ed è quindi
più rossa, mentre la luce delle stelle che si
avvicinano a noi è compressa, ed è quindi più blu.
Assieme al lavoro di Henrietta Leavitt,
che ci ha permesso di stimare con precisione
quanto lontane sono le stelle, Hubble è stato in grado di determinare che le stelle, nel complesso, si stanno allontanando una dall'altra.
Turkish:
yüzyıl bilim adamları, evrenin statik olduğunu,
ebedi ve sonsuz ... Ama sonra, adresimizi kullanarak
zihinleri, eğer evren sonsuz olduğunu ve içerdiği
her zaman var olan ve sonsuz yıldız,
Daha sonra gece gökyüzü ve gündüz gökyüzü için
bu konuda tam anlamıyla dolu olacak
yıldız - gece ve gündüz olacağını çok
ayırt edilemez! Bu açık bir şekilde değil,
durum, yani bir şeylerin yanlış olmalı.
Evren ya statik değil olmalıdır
sonsuz veya sonsuz değil. Yani hangisi? Sen
Bir ambulans doğru sürücüler zaman nasıl
Eğer, ses dalgaları sıkıştırılır ve edilir
siren yüksek perdeli sesler ve hızı olarak
uzakta, dalgalar uzattı ve edilir
Saha düşük? Doppler etkisi.
Peki, burada duydum başka isim. Edwin
Hubble. O ışık aynı işi yapar fark
şey. Uzaklaşan galaksiler ve yıldız
bize kendi ışık verme, uzanmış var
daha kırmızı ve bize doğru hareket yıldız var
Onların ışığı daha mavi yaparak, sıkıştırılmış.
Henrietta Leavitt çalışmaları ile birlikte,
hangi doğru nasıl tahmin etmek bize izin
uzak yıldız, Hubble belirlemek başardı edilir
Yıldız, bir bütün olarak, birbirinden uzak uçuyor.
Hungarian:
tudósok, hogy az univerzum statikus, örök és végtelen... De aztán a fejünket használva rájövünk,
hogy ha az univerzum végtelen, és végtelen sok csillag van benne és mindig is létezett, akkor
az éjszakai, és tulajdonképpen a nappali égbolt is szó szerint tele lenne csillagokkal -
annyira, hogy az éjszakák és nappalok megkülönböztethetetlenek volnának! Ez nyilván
nem így van, tehát valami nem stimmel.
Az univerzum vagy nem statikus, vagy nem végtelen, vagy nem örök. De vajon melyik?
Tudod milyen, amikor a mentő feléd jön, a hanghullámok összenyomódnak és ezért
a sziréna magasabb hangon hallatszik, mint amikor távolodik és a hanghullámok megnyúlnak?
Ez a Doppler effektus.
Egy másik név amit ár biztos hallottál. Edwin Hubble. Ő fedezte fel, hogy a fény ugyanezt csinálja.
Ha a galaxisok és csillagok távolodnak tőlünk, a fényük megnyúlik, és ettől
pirosasabb lesz, ha közelednek felénk, a fény összenyomódik és ettől kékesebb lesz.
Henrietta Leavitt - akinek köszönhetően pontosan meg tudjuk becsülni, hogy milyen messze vannak a csillagok -
munkája segítségével, Hubble meg tudta állapítani, hogy a csillagok egymástól távolodnak.
Vietnamese:
rằng vũ trụ là bất luân chuyển, bất diệt, và vô cực...Nhưng rồi khi nghiêm túc xét lại,
nếu vũ trụ là vô cực và có vô số các vì sao và chỉ có sinh ra chứ không mất đi
thì ban đêm không còn là ban đêm nữa, mà ban đêm sẽ được chiếu sáng
bởi vô số vì sao - có nghĩa là ngày và đêm sẽ như nhau! Rõ ràng là làm gì có chuyện đó.
Vậy thì có cái gì đó sai sai.
vũ trụ thật ra có thể có hoặc luân chuyển, hoặc không trường tồn, hoặc hữu hạn. Vậy thì sao?
Bạn biết là khi xe cứu thương đến gần bạn, bạn thấy âm thanh rất cao
và khi nó chạy đi thì bạn nghe âm thanh thấp dần.
Đây gọi là Hiệu ứng Doppler!
Và đây là một cái tên bạn có thể đã biết. Edwin Hubble, ông để ý rằng ánh sáng cũng có đặc tính tương tự.
Thiên hà và các vì sao nào đang trôi dạt đi và ánh sáng của chúng trải rộng ra
thì làm cho chúng có màu đỏ, và những vì sao nào tiến gần ta hơn có màu xanh dương.
Kết hợp với nghiên cứu của Henrietta Leavitt giúp ta tính toán chính xác
khoảng cách giữa các vì sao, Hubble cho rằng các vì sao đang di chuyển cách xa nhau.
Spanish:
del siglo 19 llegaron, que el universo es estático, eterno e infinito... pero, usando nuestras
mentes, si el universo es infinito y contiene infinitas estrellas y siempre existió,
entonces el cielo nocturno y el diurno, estarían literalmente repletos de estrellas,
¡Tanto así que el día y la noche serían indistinguibles! Ese claramente no es el caso,
así que algo está fallando.
El universo no debe ser estático, infinito o eterno. Así que ¿como es? ¿Tu sabes como
cuando una amulancia viene hacia ti, las ondas sonoras se comprimen y la sirena
suena más aguda, y cuando se va, las ondas se estiran y la sirena se vuelve mas
grave? Esto se llama Efecto Doppler.
Bueno, aquí hay otro nombre que conoces. Edwin Hubble. El descubrió que la luz hace lo mismo.
Las galaxias y las estrellas alejándose de nosotros tienen su luz estirada, volviéndose mas
roja, y las estrellas acercandose tienen su luz comprimida, volviéndose más azul.
Combinado con el trabajo de Henrietta Leavitt, el cual estimó correctamente cuán lejos están las
estrellas, Hubble pudo determinar que las estrellas, como un todo, están alejándose unas de otras.
Japanese:
君だって19世紀の科学者と同じ考えを持つかもね
宇宙は不変で永遠で無限だと・・・
つまり
だとするとだよ
もし宇宙が無限で
無限の星がずっとあったら
夜空を見上げても
昼間の空にも
無限に星があるわけだ
星だらけ
昼だか夜だか分からない!
ところが明らかにそうはなっていないので
何かが間違っていることになる
宇宙は不変ではないか
無限ではないか永遠ではないか
救急車が自分に向かって来る時
音波を圧縮してサイレンのピッチが上がって
逆では音波が伸びて
ピッチが低くなるあれわかる?
ドップラー効果
エドウィン・ハッブルの名前は有名だね
光にも同じことが起こることに気づいた人だよ
僕らから離れて行く銀河や星の光は
波長が伸びて赤く
向かって来る星は
光が縮んで青くなる
星々がどのくらい離れているかを正確に推定した
ヘンリエッタ・リービットの研究と組み合わせ
全体として星達は互いに遠ざかっている
という結論に至った
Arabic:
بأنّ الكون ساكن وأبديّ ولانهاية له،
لكن عند استخدام عقولنا
إن كان الكون لانهائيًا، ويحتوي نجومًا لانهائية،
وكان موجودًا دائمًا
فسماء الليل، وسماء النهار أيضًا
ستكون مليئة بالنجوم.
لدرجة أنّنا لن نستطيع التمييز بين الليل
والنهار. ليس هذا ما يحدث بالطبع.
لذا، لا شك أن خطأ ما.
لا شك أن الكون ليس ساكنًا، وليس بلا نهاية،
فأيّ الأمرين هو؟
أتعرفون حين تنطلق سيارة إسعاف باتجاهك،
فتكون الموجات الصوتية مضغوطة
ويبدو الصوت أعلى، وحين تسرع تمتد الموجات
فينخفض الصوت؟
إنّها ظاهرة دوبلر.
إليكم اسم آخر سمعتُم به، إدوين هابل.
لقد أدرك أنّ الضوء يفعل الشيء نفسه.
المجرات والنجوم التي تبتعد عنّا
تمدّد ضوؤها، ممّا يجعله أكثر احمرارًا
والنجوم التي تتحرّك باتجاهنا تضغط ضوأها،
مّا يجعله أكثر ازرقاقًا.
عند جمعه بأعمال هنرييتا ليفيت،
الذي أتاح لنا الوصول لتقدير دقيق لبُعد النجوم
استطاع هابل تحديد أنّ النجوم بشكل عام،
تحلّق مبتعدة عن بعضها البعض.
Romanian:
oamenii de știință din secolul al-19-lea, că universul este static,etern și infinit ... Dar apoi, cu ajutorul
minților noastre, dacă universul este infinit și conține stele infinite și a existat dintotdeauna,
atunci cerul nopții și cerul de zi ar fi literalmente umplut cu
stele - atât de mult încât ziua și noaptea ar fi imperceptibile! Acesta nu este în mod clar cazul
așa ceva trebuie să fie rău.
Universul trebuie să nu fie static,
infinit sau etern. Deci care variantă este?
Știți cum e atunci când o ambulanță conduce spre tine, sunetul e comprimat și
sirena sună strident și pe măsură ce crește viteza , undele sunt întinse și
înălțimea e joasă? Este efectul Doppler.
Ei bine, aici e un alt nume care l-ați auzit. Edwin Hubble. El a realizat că lumina face același lucru
lucru. Galaxiile și stelele care se deplasează departe de noi, au lumina lor care se întinde și devine
mai roșie, și stele care se deplasează spre noi au lumina lor comprimată, care le face mai albastre.
Combinat cu activitatea Henriettei Leavitt, care ne-a permis să estimăm cu exactitate cât de
departe sunt stelele, Hubble a fost în măsură să stabilească faptul că stelele, în general, se deplasează una una față de cealaltă.
iw:
במאה ה-19, שהיקום הוא מקובע, תמידי ואינסופי... אבל אז, על ידי שימוש
במוחות שלנו, אם היקום הוא אינסופי והוא מכיל אינסוף כוכבים וזה תמיד היה קיים,
אז שמי הלילה ושמי היום לצורך ההדגמה, היו למעשה מלאים
בכוכבים - כה הרבה שהיום והלילה לא היו ניתנים להבדלה! וזה מובן מאליו שזה לר
המקרה, אז משהו חייב להיות לא נכון
היקום אינו מקובע, או לא אינסופי או לא תמידי. אז מה זה אם ככה? אתם
מכירים את זה שאמבולנס נוסע לכיוון שלו, גלי הקול צפופים והסירנות
נשמעות ביתר שאת, והוא מגביר קצב והגלים נמתחים
והצליל מתחלש? זה אפקט ה"דופלר"
ובכן, הנה עוד שם ששמעתם. אדווין הבל. הוא הבין שאור עושה את אותו
הדבר. גלקסיות וכוכבים מתרחקים מאיתנו האור שלהם מתמח והופך
ליותר אדום, והכוכבים שמתקדמים אלינו בעלי אור מצומצם יותר מה שגורם לזה להיראות יותר כחול.
בשילוב עם העבודה של הנריטה לויט, שאיפשרה לנו למדוד בדיוק עד כמה
רחוקים הכוכבים, הבל יכל לקבוע את הכוכבים, שבגדול, מתרחקים אחד מהשני
Portuguese:
que os cientistas do séculos 19, que o universo é estático, eterno e infinito... Mas então, usando nossas
mentes, se o universo é infinito e contém infinitas estrelas e sempre existiu,
então o céu escuro, e o céu diurno por conseguinte, seria literalmente recheado
de estrelas — tantas que o dia e a noite seriam indistinguíveis! Este, claramente, não é
o caso, então só pode ter algo errado.
O universo só pode ser: ou não estático, ou não infinito, ou não eterno. Então qual dessas é a certa?
Você sabe como/quando uma ambulância está vindo na sua direção, e as ondas sonoras estão comprimidas
e a sirene parece mais aguda, e conforme acelera pra longe, as ondas vão se descomprimindo
e o tom fica mais agudo? Isso é o efeito Doppler.
Bem, aqui está outro nome que você já ouviu: Edwin Hubble. Ele percebeu que a luz faz o mesmo procedimento.
Galáxias e estrelas se distanciam de nós e têm as suas luzes descomprimidas, tornando-as
mais vermelho, e estrelas se aproximando têm suas luzes comprimidas, tornando-as mais azuis.
Combinando com o trabalho de Henrietta Leavitt, que nos permitiu a estimar precisamente o quão
longe estavam as estrelas, o Hubble foi capaz de determinar que aquelas estrelas, em espaços vazios, estavam se distanciando um das outras.
Dutch:
eeuwse wetenschappers, dat het universum statisch is, eeuwig en oneindig... Maar dan, met behulp
van onze geest, als het heelal oneindig is en oneindig sterren bevat en het altijd heeft bestaan,
dan is de nachtelijke hemel, en de dag-tijd hemel letterlijk gevuld met
sterren, zo veel dat dag en nacht niet te onderscheiden is van elkaar. Dit is duidelijk niet het
geval, dus er moet iets mis zijn.
Het universum moet oftewel niet statisch zijn, niet oneindig of niet eeuwig. Dus welke is het? Jij
weet dat als een ambulance naar u toe rijdt, de geluidsgolven samengedrukt worden en de
sirene heeft een hogere toon, en als hij wegsnelt worden de golven uitgestrekt en de
toon is lager? Het is het Doppler-efftect.
Wel, hier is een andere naam die je gehoord hebt: Edwin Hubble. Hij realiseerde dat het licht hetzelfde ding
doet. Het licht van de sterrenstelsels en sterren die van ons weg bewegen is meer uitgestrekt, waardoor
het roder is, en het licht van de sterren die naar ons toe bewegen is meer samengedrukt, waardoor het blauwer is.
gecombineerd met het werk van Henrietta Leavitt, dat ons toeliet om nauwkeurig te schatten hoe
ver sterren zijn, was Hubble in staat om vast te stellen dat de sterren, over het algemeen, uit elkaar vliegen.
Swedish:
forskare, att universum är statisk, evig och oändlig... Men sedan, användandes våra
hjärnor, om universum är oändligt och innehåller oändligt många stjärnor och det har alltid existerat,
då skulle natthimmelen, och dagens himmel för den delen, vara bokstavligen fylld med
stjärnor - så många att natt och dag skulle vara oskiljaktiga! Detta är uppenbarligen inte
hur det ligger till, så något måste vi ha gått miste om.
Vårt universum måste antingen vara icke statisk, icke oändligt eller icke evigt. Så vilket av dem är det? Du
vet när en ambulans kör mot dig, och ljudvågorna blir sammanpressade och
sirenen låter ljusare, och när den har kört förbi dig, är vågorna uttänjda och
den är lägre? Det kallas för Dopplereffekten.
Nå, här är ett annat namn du förmodligen har hört.
Edwin Hubble. Han insåg att ljus gör samma
sak. Galaxer och stjärnor som rör sig ifrån oss har utsträckt ljus, vilket gör
det rödare, och stjärnor som rör sig mot oss har sammantryckt ljus, vilket gör det blåare.
Kombinerat med Henrietta Leavitts verk, vilket tillät oss att noggrant uppskatta hur
långt borta stjärnor är. Hubble kunde fastställa att stjärnor, i stort sett, är på väg ifrån varandra.
Portuguese:
Usando apenas os limitados sentidos humanos, você pode
chegar à mesma conclusão que os cientistas do século 19:
"O Universo é estático, eterno e infinito..."
Mas então, usando nossas mentes, se o Universo é infinito e contém infinitas estrelas e sempre existiu,
então o céu noturno (e o céu diurno), seria literalmente recheado de estrelas — tantas que o dia e a noite seriam indistinguíveis!
Este, obviamente, não é o caso.
Então só pode ter algo errado.
Então o Universo: não é estático, ou não é infinito, ou não é eterno. Então como é?
Sabe quando uma ambulância vem na sua direção,
e as ondas sonoras são comprimidas e a sirene parece mais aguda,
e conforme se distancia, as ondas vão se descomprimindo
e o tom fica mais grave? Efeito Doppler.
Bem, aqui está outro nome que você já ouviu: Edwin Hubble.
Ele percebeu que a luz faz a mesma coisa.
Galáxias que se distanciam de nós
têm suas luzes esticadas, tornando-as mais vermelhas,
e estrelas se aproximando têm suas luzes comprimidas,
tornando-as mais azuis.
Combinando com o trabalho de Henrietta Leavitt,
que nos permitiu saber a distancia das estrelas,
Hubble foi capaz de determinar que todas as estrelas
estavam se distanciando umas das outras.
German:
wie die Wissenschaftler (und -innen) des 19. Jahrhunderts: dass das Universum statisch, ewig
und unendlich ist. Aber andererseits, indem wir unseren und Verstand benutzen:
Wenn das Universum unendlich ist und unendlich viele Sterne enthält
und es immer existiert hat, dann wäre der Nachthimmel, und auch der Taghimmel, wenn wir schon dabei sind,
buchstäblich gefüllt mit Sternen – so sehr, dass Tag und Nacht ununterscheidbar wären!
Das ist eindeutig nicht der Fall, also muss irgendwas verkehrt sein. Das Universum
muss entweder nicht statisch, nicht unendlich oder nicht ewig sein. Also, welches davon stimmt?
Ihr wisst, wie, wenn ein Notarztwagen auf euch zufährt, sich die Schallwellen verdichten und Sirenen
höher anhören, und wenn er wegrast, sich die Wellen ausdehnen und die Tonhöhe niedriger ist?
Der Doppler-Effekt.
Nun, hier ist noch ein Name den ihr gehört habt: Edwin Hubble. Er erkannte,
dass Licht das Gleiche macht. Galaxien und Sterne, die sich von uns wegbewegen,
senden ausgedehntes Licht, wodurch es roter wird, und Sterne, die sich auf uns zubewegen,
senden verdichtetes Licht, wodurch es blauer wird.
Zusammen mit der Arbeit von Henrietta Leavitt, durch die wir präzise abschätzen können, wie weit Sterne
entfernt sind, war Hubble in der Lage festzustellen, dass Sterne, insgesamt, voneinander wegfliegen.
French:
du 19ème siècle, que l'univers est statique,
éternel et infini ... Mais alors, en utilisant nos
esprits, on se rendrait compte que si l'univers était infini et contenait une infinité d'étoiles et qu'il avait toujours existé,
alors le ciel nocturne, et le ciel en plein jour pour la même raison, serait littéralement rempli
d'étoiles - tellement que le jour et la nuit seraient indiscernables! Ce qui n'est clairement pas le
cas, alors quelque chose doit clocher.
L'univers doit être pas statique,ou pas infini ou pas éternel. Alors ce serait quoi?
Vous voyez quand une ambulance se dirige vers vous, les ondes sonores sont compressées et la
sirène sonne plus aigu, et quand elle s'éloigne, les ondes s'étendent et le
son est plus grave? C'est l'effet Doppler.
Eh bien, voici un autre nom que vous avez entendu. Edwin Hubble. Il se rendit compte que la lumière fait la même chose.
Les galaxies et les étoiles qui s'éloignent de nous voient leur lumière s'étendre, ce qui rend la
rend plus rouge, et les étoiles se déplaçant vers nous voient leur lumière se comprimer, ce qui la rend plus bleue.
Combiné avec le travail de Henrietta Leavitt, qui nous a permit d'estimer avec précision la distance
à laquelle les étoiles sont, Hubble a pu déterminer que les étoiles, dans l'ensemble, s'éloignent les unes des autres.
iw:
הוא גילה שכל החפצים המעופפים בשמים היו בגוון אדום והיו למעשה
גלקסיות אחרות מחוץ למערכת השמש שלנו שנעים הרחק מאיתנו. מכאן, הוא בנה על ראש
עבודתו של כומר בלגי קתולי, ג'ורג'ס למיטרה, שחזה שהיקום החל
בנקודה אחת. אבל קוסמולוגים של הנפץ הגדול רצו הוכחה. הם ידעו שהכמות של
רדיאציה ששוחררה בגלל הנפץ הגדול תהיה עצומה, והם רצו לראות את זה
זה לא קרה עד שנות ה-60, שאז היא נמצאה בטעות על ידי שני בחורים שעבדו על אנטנה
בספריות "בל" בניו ג'רזי. הם ניסו לחסו את כל רעשי הרקע
מאנטנה מאוד רגישה, אבל הם מצאו שהקול העמום הזה מגיע מכל כיוון
הם ניסו הכל בשביל להיפטר מזה, כולל להרוג את היונים
שהמשיכו לעלות על האנטנה - מעט מצער, אבל היונים האלה - נתנו את חייהם לאחת
מההמצאות החשובות ביותר במדע. בשיחה עם רדיו מקומי
אסטרונום ביקש להראות את הממצאים שלהם לאסטרונום בפרינסטו, שאישש
את הקיום של מה שנחזה מזה שנים
Turkish:
O keşfetti en uzak nesneleri
Gökyüzünde tüm kırmızı-kaymıştır ve aslında vardı
Hareketli Samanyolu dışındaki diğer galaksiler,
Bizden uzak. Buradan, o üzerine inşa
Belçikalı rahip Georges Lemaitre Katolik çalışmaları,
kim evrenin başladı varsayımında
bir tek nokta. Big bang kozmolojistler istedi
olsa kanıtı. Onlar miktarı biliyordu
büyük patlamadan tarafından yayımlanan radyasyon olurdu
masif ve bunu görmek istedim.
O bulunmuştur ki 1960'lara kadar değildi
yanlışlıkla iki adam tarafından bir antene çalışan
New Jersey'deki Bell Laboratuvarları'nda. Onlar
tüm arka plan gürültüsünü ortadan kaldırmak için çalışıyor
Son derece hassas bir radyo anteni gelen, ama onlar
her yönden gelen bu soluk hum bulundu.
Onlar kurtulmak için ellerinden geleni denedim
Bunun da dahil olmak üzere güvercinlerin öldürmekten o
anten pooping tuttu - biraz üzgün ama
Bu güvercinler - onlar için hayatlarını verdiler
Modern en derin keşiflerinden biri
bilim. Yerel bir radyo ile bir görüşme
astronom bulgularını göstermek için onlara yol
Princeton'da bir astronom, kim doğruladı
için tahmin edilmişti neler varlığı
yıl.
Romanian:
El a descoperit că obiectele cele mai îndepărtate în cer au fost toate de culoare roșie și care au fost de fapt
alte galaxii dincolo de Calea Lactee, se deplasează față de noi. De aici, el a construit pe
pe baza studiilor de preotului catolic belgian Georges Lemaitre, care a emis ipoteza ca universul a inceput de
la un singur punct. Cosmologii Big bang-ului doreau dovada totuși. Ei știau că suma
radiațiilor eliberate de Big Bangi ar fi
fost imensă și au vrut să o vădă.
Nu s-a putut până în 1960 când a fost găsită accidental, de doi tipi care lucrau pe o antenă
la Bell Laboratories din New Jersey. Ei au încercat să elimine tot zgomotul de fond
printr-o antenă radio extrem de sensibilă, dar au găsit acest zumzet slab venind din toate direcțiile.
Au încercat tot ce au putut să scape
de el, inclusiv uciderea porumbeilor care
murdăreau antena - cam trist, dar
acești porumbei și-au dat viața pentru
una dintre descoperirile cele mai profunde din știința modernă. O conversație cu un astronom radio local,
i-a determinat să arate concluziile lor
unui astronom de la Princeton, care a confirmat
existența a ceea ce a fost prezis de
ani.
Finnish:
Hän sai selville, että kauimmaiset taivaankappaleet olivat kaikki punasävyisiä ja olivat itse asiassa
galakseja Linnunradan ulkopuolella, jotka liikkuivat meistä poispäin. Seuraavaksi hän jatkoi
belgialaisen katolisen papin Georges Lemaitren työtä, joka arveli, että maailmankaikkeus sai alkunsa
yhdestä pisteestä. Alkuräjähdyskosmologit halusivat kuitenkin todisteita. He tiesivät, että
alkuräjähdyksessä syntyneen säteilyn määrä olisi massiivinen, ja he halusivat löytää sen.
Sen löysivät vasta 1960-luvulla vahingossa kaksi kaveria, jotka tekivät töitä antennin parissa
Bell Laboratoriesissa New Jerseyssä. He yrittivät poistaa kaiken taustamelun
taustamelun todella herkästä radioantennista, mutta joku vaimea humina tuli joka suunnasta.
He yrittivät kaikkensa päästäkseen siitä eroon, jopa murhasivat pulut, jotka
kakkivat antennin päälle – vähän surullista, mutta nuo pulut antoivat henkensä
yhden modernin tieteen tärkeimmän löydön puolesta. Puhuttuaan paikalliselle
radioastronomille, he päätyivät näyttämään löytönsä eräälle Princetonin astronomille, joka vahvisti
jo vuosia ennustetun säteilyn olemassaolon.
Arabic:
اكتشف أنّ أبعد الأجسام عن السماء
كلّها لها انزياح أحمر،
وكانت مجرات أخرى بعد مجرة درب
التبانة، وتتحرّك مبتعدة عنّا.
من هنا، اعتمد على عمل القسيس البلجيكي
الكاثوليكي جورج لامييترا،
الذي وضع نظريّة بأنّ الكون بدأ في نقطة واحدة.
لكنّ علماء الكون أرادوا إثباتًا
عرفوا أنّ كمية الإشعاع الذي أطلقه
الانفجار العظيم هائلة، وأرادوا رؤيته.
ولم يجدوه إلّا في ستينات القرن الـ20 بالصدفة،
حيث وجده رجلان يعملان على هوائيّ
في مختبرات بيل في نيوجيرسي.
كانا يحاولان التخلص من الأصوات الخلفية
من هوائيّ لاسلكيّ شديد الحساسية،
لكنّهما سمعا همهمة خفيفة تصدر من كلّ اتجاه.
جرّبا كلّ ما بوسعهما للتخلّص منه،
وحتّى قتل الحمامات
التي كانت تتبرّز على الهوائيّ، هذا محزن.
لكنّ تلك الحمامات ضحّت بحياتها في سبيل
أحد أهمّ الاكتشافات العلمية المعاصرة.
محادثة مع عالم فلك إشعاعيّ ساعدهم
لعرض نتائجهم على عالم فلك في برنستون
وهو من استطاع تأكيد وجود
ما توقّعوه منذ سنوات.
Hungarian:
Felfedezte, hogy az égen legtávolabb levő objektumok mind pirosas színűek és, hogy
valójában
több galaxis van a Tejút után, amik mind távolodnak tőlünk. Innen a belga katolikus pap,
Georges Lemaitre munkájára alapozott, aki feltételezte, hogy az univerzum
egy pontból keletkezett. A Nagy Bumm kozmológusainak azonban bizonyíték kellett. Tudták, hogy
az ősrobbanáskor keletkező sugárzás óriási volt, és látni akarták.
Egészen a '60-as évekig várniuk kellett, amikor két srác, akik egy antennán dolgoztak a Bell laboratóriumban,
New Jerseyben, véletlenül megtalálta. Próbálták kiküszöbölni a háttérzajt
amit a rendkívül érzékeny antenna érzékelt, de a halk zümmögés minden irányból jött.
Mindent megpróbáltak, többek között megölték a galambokat, akik folyton
az antennára csináltak - elég szomorú, de azok a galambok a modern tudomány egyik
legmeghatározóbb felfedezéséért adták az életüket. Egy beszélgetés után a helyi rádiócsillagásszal
megmutatták a felfedezésüket egy csillagásznak a Princetonon, aki elismerte
a létezését annak, amit évekkel azelőtt megjósoltak.
Russian:
Он обнаружил, что самые дальние объекты в небе все красного цвета и были, на самом деле,
галактиками за пределами Млечного Пути, которые двигались от нас. Отсюда он работал на основе
работы бельгийского католического священника Жоржа Лёметра, который построил гипотезу о том, что Вселенная началась
в одной точке. Космологам Большого Взрыва, однако, нужно было доказательство. Они знали, что количество
радиации, выпущенное Большим Взрывом, было бы громадным, и они хотели её увидеть.
Только в 1960-х было выяснено, случайно, двумя людьми, работавшими на антенне
в лаборатории Белл в Нью Джерси. Они пытались избавиться от фонового шума
у крайне чувствительной радиоантенны, но они обнаружили лёгкое гудение из каждого направления.
Они пытались от него избавиться, в том числе убивая голубей, которые
какали на антенну, что печально, но эти голуби отдали свои жизни за
одно из самых основательных открытий в современной науке. Диалог с астрономом с
местной радиостанции позволил им показать свои открытия астроному в Принстоне, который подтвердил
существование того, о чём говорили годы.
Portuguese:
Ele descobriu que os mais distantes objetos no céu eram todos vermelhos brilhantes e eram, na verdade,
outras galáxias além da Via Láctea, se afastando de nós. Daqui, ele construiu
sob os escombros do Padre católico Belga, Georges Lemaitre, que hipotetizou que o universo começou
de um ponto único. Cosmologistas do Big Bang queriam provas, no entanto. Eles sabiam que a quantidade
de radiação liberada pelo Big Bang seria massiva, e eles queriam a prova disso.
Mas não foi, até o ano 1960 que foi achado, acidentalmente, por dois rapazes trabalhando em uma antena
dos Laboratórios Bell em Nova Jersey. Eles estavam tentando eliminar todo o barulho de fundo
de uma antena de rádio extremamente sensitiva, mas eles acharam esse fraco zumbido vindo de todas as direções.
Eles tentaram tirá-lo de todas as formas que sabiam, incluindo assassinar os pombos
que faziam cocô na antena — é meio triste —, contudo aqueles pombos... eles deram suas vidas
por uma das mais importantes descobertas da ciência moderna. Uma conversa com um astrônomo
de uma rádio local os conduziu a mostrarem suas descobertas a um astrônomo de Princeton, que confirmou
a existência do que foi predito há anos.
Italian:
Ha scoperto che gli oggetti più lontani nel cielo
erano tutti orientati verso il rosso, ed erano in realtà
altre galassie oltre la Via Lattea che si allontanavano
da noi. Partendo da ciò, incrementò il lavoro
del prete cattolico belga Georges Lemaître, il quale
aveva ipotizzato che l'Universo avete avuto inizio
in un singolo punto. I cosmologi del Big Bang, però,
volevano la prova. Sapevano che la quantità di
radiazione rilasciata dal Big Bang
era enorme, e volevano vederla.
È stata scoperta per caso negli anni 1960 da
due uomini che lavoravano su un'antenna
presso i Bell Laboratories nel New Jersey.
Stavano cercando di eliminare i rumori di fondo
da un'antenna radio estremamente sensibile, ma si resero conto che quel debole ronzio proveniva da ogni direzione.
Provarono di tutto per eliminarlo,
tra cui l'assassinio dei picconi che
continuavano a sporcare l'antenna – una cosa
triste, ma quei piccioni hanno dato la vita
per una delle scoperte più profonde della scienza moderna. Una conversazione con un astronomo radio del luogo
li porta a mostrare i loro risultati
a un astronomo di Princeton, che confermò
l'esistenza di ciò che era stato predetto da anni.
Danish:
Han opdagede at de fjerneste objekter på himlen alle var rød-forskudte og egentligt
var andre galakser udenfor Mælkevejen, der bevægede sig væk fra os. Herfra byggede han videre
på den belgisk-katolske præst Georges Lemaitres arbejde. Han opstillede en hypotese om at universet begyndte
i et enkelt punkt. Det ville Big Bang kosmologerne nu gerne se beviser for. De vidste at mængden af
stråling der blev udløst ved Big Bang ville være enorm, og de ville se den.
Det var ikke før 1960'erne at det ved et tilfælde blev fundet af to fyre, der arbejdede med en antenne
ved Bell Laboratoriet i New Jersey. De forsøgte at fjerne baggrundsstøjen
fra den ekstremt følsomme radioantenne, men de fandt ud af, at den svage summen kom fra alle retninger.
De forsøgte alt for at fjerne støjen, også at myrde duerne der
blev ved med at skide på antennen - synd for dem, men de duer gav deres liv
for en af de mest vidtgående opdagelser i moderne videnskab. En samtale med en lokal radio-
astronom førte dem til at vise deres opdagelser til en astronom på Princeton, og han bekræftede
eksistensen af dét, der havde været forudsagt i årevis.
Portuguese:
Ele descobriu que todos os objetos mais distantes sofreram redshift;
e eram, na verdade, outras Galáxias se afastando de nós.
Daqui, ele tomou como base o trabalho do Padre Georges Lemaître
— que hipotetizou que o Universo começou de um ponto único.
Mas cosmologistas do Big Bang queriam provas.
Eles sabiam que a quantidade de radiação seria massiva.
E queriam vê-la.
Mas só foi em 1960 que foi encontrada, acidentalmente, por dois rapazes trabalhando em uma antena dos Laboratórios Bell em Nova Jersey.
Eles estavam tentando eliminar todo o barulho de fundo
de uma antena de rádio extremamente sensível,
mas havia um fraco zumbido
vindo de todas as direções.
Eles tentaram de tudo para tirá-lo,
incluindo matar os pombos que faziam cocô na antena
É meio triste — mas aqueles pombos deram suas vidas por uma das mais importantes descobertas da ciência moderna.
A descoberta foi vista por um astrônomo de Princeton,
que confirmou a existência do que foi predito há anos.
Dutch:
Hij ontdekte dat de meest afgelegen objecten in de lucht allemaal rood waren en eigenlijk andere
sterrenstelsels buiten de Melkweg waren die van ons af bewegen. Vanaf hier bouwde hij verder op het
werk van de Belgische katholieke priester Georges Lemaitre, die veronderstelde dat het universum begon op
een enkel punt. Oerknal kosmologen wouden bewijs. Ze wisten dat de hoeveelheid straling die de
Oerknal vrijgaf enorm zou zijn, en ze wilden het zien.
Het was pas in jaren 60 toen het per ongeluk werd gevonden door twee mannen die aan het werken waren aan een antenne
bij de Bell Laboratories in New Jersey. Ze probeerden om al het achtergrondgeluid van een extreem
gevoelige radioantenne te elimineren, maar ze vonden een flauw zoemend geluid dat uit elke richting kwam.
Ze probeerden alles wat ze konden om ervan af te geraken, inclusief het vermoorden van de duiven die
op de antenne bleven poepen, beetje triest, maar die duiven gaven hun leven voor
een van de meest ingrijpende ontdekkingen in de moderne wetenschap. Een gesprek met een lokale
radio-astronoom leidde hen tot het tonen van hun bevindingen aan een astronoom aan Princeton, die het
bestaan bevestigde van wat al jaren was voorspeld.
Korean:
그는 하늘의 먼 별들의 빛은 붉은 쪽으로 치우쳐 있고
우리 은하수 밖의 다른 은하군들은 멀어져 가는 것을 깨달았습니다.
그래서 벨기에의 신부 조지 르메트르의 우주는 한 점에서 탄생했다는 가설을 연구 보강하였습니다.
빅뱅 우주론자들은 증명이 필요했습니다. 그들은 폭발 시에 나오는
복사광선은 대단한 양이고 그래서 그것을 찾아 보고 싶었습니다.
1960 년대에 되어서야 우연히 뉴저지의 벨랩에서 연구하는 두 명에 의해 그 복사광선이
발견되었습니다. 그들은 원래 초고감도 라디오 안테나에서 잡히는 배경
잡음을 없애려고 노력 중이었는데 그 중 희미한 웅웅소리가 모든 방향에서 오는 것을 발견합니다.
잡음을 없애려고 안테나 근처에서 용변을 보는 비둘기도 없애는 등
별 짓을 다 했지요. 슬프지만 이 비둘기들은 현대과학사의 가장 심오한 발견 중 하나를
위해 그들의 목숨을 바친 셈이죠. 지역라디오 천문학자와 얘기를 한 후
자기들의 결과를 프린스턴의 천문학자에게 보여 주자, 그는
수 년간 예측된 현상이 실존한다는 것을 확인합니다
Japanese:
ハッブルはほとんどの遠くにある天体は
すべて赤方偏移していて
天の川銀河の向こう側にある別の銀河が
実際に遠ざかっている事を確認
天の川銀河の向こう側にある別の銀河が
実際に遠ざかっている事を確認
ここからベルギーのカトリック司祭
ジョルジュ・レマイトレは仮説を立てる
宇宙の始まりは一点からだ
ビッグバン論者達は証明しようとした
ビッグバンが本当なら
放出された放射線は理論上莫大になるはず
だからそれを探し求めた
見つからないまま年月は流れ
1964年
その偶然の発見者はニュージャージー州
ベル研究所の二人のアンテナ技師だった
彼らは極端に敏感なラジオアンテナから
バックグラウンドノイズを取り除こうと格闘していた
あらゆる方向から来ている
微かな唸りがどうしても取れなかった
それを消すためなら殺しにまで手を染めた
アンテナにフンを垂れる
鳩どもを葬ったんだ
ハト迷惑な話だよね!
鳩だけに
現代科学の金字塔の鳩柱にされちゃったわけだ
二人のこの発見は
ラジオの番組で紹介され
プリンストン大の天文学者の耳に届いた
ついに長い間予測されていたことが
確かめられる時が来た
Swedish:
Han upptäckte att de mest avlägsna objekten i rymden var rödaktiga och var egentligen
andra galaxer bortom Vintergalaxen, på väg bort från oss. Med detta, byggandes på
slutsatserna av den belgiska katolska prästen Georges Lemaitre, som hypotiserade att universum började
som en enskild punkt. Big Bangkosmologer ville däremot ha bevis. De visste att mängden av
strålning skapad av Big Bang skulle varit massiv, och de ville se det.
Det var inte förrän 1960-talet som man fann det av ren chans, av två snubbar som fixade en antenn
på laboratoriet i Bell, New Jersey. De försökte eliminera allt bakgrundsbrus
från en extremt känslig radioantenn, men istället fann de ett svagt brum från alla håll.
De försökte allt för att få bort det,
inklusive mörda duvorna som
hela tiden bajsade på antennen - lite sorgligt, men dem duvorna - de gav sina liv för
en av de mest djupgående upptäckterna inom modern vetenskap. En konversation med en lokal radio
astronom ledde dem att visa deras upptäckter för en astronom vid Princeton, som bekräftade
existensen av det som hade förutspåtts i åratal.
German:
Er entdeckte, dass die am weitesten entfernten Objekte am Himmel alle rotverschoben waren
und tatsächlich andere Galaxien jenseits der Milchstraße waren, die sich von uns wegbewegen.
Und jetzt baute er auf der Arbeit des belgischen katholischen Priesters Georges Lemaitre auf,
welcher die Hypothese aufstellte, dass das Universum in einem einzigen Punkt begann.
Urknall-Kosmologen wollten allerdings einen Beweis. Sie wussten, dass die Menge der vom Urknall
freisetzten Strahlung gewaltig gewesen wäre, und sie wollten sie sehen.
Erst in den 1960er Jahren wurde sie zufällig entdeckt, von zwei Typen,
die an einer Antenne der Bell Laboratories in New Jersey gearbeitet haben.
Sie versuchten gerade all den Hintergrundlärm von der extrem sensiblen Radioantenne zu entfernen,
aber sie nahmen dieses schwache Brummen wahr, das aus jeder Richtung kam.
Sie versuchten alles Mögliche, um das loszuwerden, inklusive die Tauben umzubringen, welche fortlaufend
auf die Antenne kackten – schon traurig, aber diese Tauben, sie gaben ihr Leben für eines der
schwerwiegendsten Entdeckungen der modernen Wissenschaft.
Eine Unterhaltung mit einem lokalen Radioastronom brachte sie dazu, ihre Entdeckung einem Astronom
von der Princeton zu zeigen, welcher das Vorliegen von dem bestätigte, was seit Jahren prophezeit worden war.
English:
He discovered that the most remote objects
in the sky were all red-shifted and were actually
other galaxies beyond the milky way, moving
away from us. From here, he built upon the
work of Belgian Catholic priest Georges Lemaitre,
who hypothesized that the universe began at
a single point. Big bang cosmologists wanted
proof though. They knew that the amount of
radiation released by the big bang would be
massive, and they wanted to see it.
It wasn't until the 1960s that it was found
accidentally, by two guys working on an antenna
at Bell Laboratories in New Jersey. They were
trying to eliminate all the background noise
from an extremely sensitive radio antenna, but they
found this faint hum coming from every direction.
They tried everything they could to get rid
of it, including murdering the pigeons that
kept pooping on the antenna - kinda sad, but
those pigeons - they gave their lives for
one of the most profound discoveries in modern
science. A conversation with a local radio
astronomer lead them to show their findings
to an astronomer at Princeton, who confirmed
the existence of what had been predicted for
years.
French:
Il a découvert que les objets les plus distants
dans le ciel étaient tous décalée vers le rouge et étaient en fait
d'autres galaxies au-delà de la Voie Lactée, s'éloignant de nous. A partir de ça, il s'est construit sur le
travail du prêtre catholique belge Georges Lemaître,
qui a émis l'hypothèse que l'univers a commencé à
partir d'un seul point. Cependant les cosmologiques du Big bang voulaient des preuves. Ils savaient que la quantité de
rayonnement libérée par le Big Bang serait
massive, et ils voulaient le voir.
Ce n'est qu'en 1960 qu'on l'a trouvé
accidentellement, alors que deux mecs travaillaient sur une antenne
aux laboratoires Bell dans le New Jersey. Ils cherchaient à éliminer tout le bruit de fond
d'une antenne radio extrêmement sensibles, mais ils ont trouvé ce léger bourdonnement venant de toutes les directions.
Ils ont tout essayé pour se débarrasser
de celui-ci, y compris l'abattage de pigeons qui
n'arrêtaient pas de déféquer sur l'antenne -un peu triste, mais ces pigeons - ils ont donné leurs vies pour
l'une des découvertes les plus profondes de la science moderne. Une conversation avec un radioastronome local
les a amené à montrer leurs observations à un astronome de Princeton qui confirma
alors l'existence de ce qui avait été prédit depuis des années.
Polish:
Odkrył, że wszystkie najodleglejsze obiekty na niebie mają bardziej czerwony odcień i są tak naprawdę
innymi galaktykami poza granicami Drogi Mlecznej, oddalającymi się od nas. Od tamtego momentu
opierał się na pracy belgijskiego księdza, Georgesa Lemaître'a, który wysunął hipotezę, że Wszechświat miał swój początek
w jednym punkcie. Kosmologowie badający Wielki Wybuch chcieli jednak dowodów. Wiedzieli, że ilość
promieniowania uwolniona w wyniku Wielkiego Wybuchu musiała być ogromna, chcieli je zatem zobaczyć.
Jednak dopiero w latach 60. XX wieku promieniowanie przypadkowo odkryło dwóch facetów pracujących nad
anteną w Bell Laboratories w New Jersey.
Starali się wyeliminować wszystkie szumy
z bardzo czułej anteny radiowej, okazało się jednak,
że swoisty cichy szum dobiega z każdego kierunku.
Próbowali wszystkiego, co mogli, żeby pozbyć się tych dźwięków, m.in. powybijali gołębie, które
ciągle załatwiały się na antenę – trochę szkoda ptaków, ale z drugiej strony oddały one życie za
jedno z najistotniejszych odkryć nowoczesnej nauki.
Po rozmowie z lokalnym radioastronomem
pokazali swoje odkrycie astronomowi z Princeton,
który wówczas potwierdził
istnienie tego, co przewidywano przez lata.
Spanish:
El descubrió que los objetos más remotos del cielo estaban todos corridos-al-rojo y de hecho eran
otras galaxias más allá de la vía láctea, alejándose de nosotros. Desde aquí, y con el trabajo del
sacerdote católico belga Georges Lemaitre, quién hipotetizó que el universo comenzó en un
solo punto. Los cosmologístas del Big Bang querían pruebas. Ellos sabían que la cantidad de radiación
liberada en el Big Bang sería masiva, y ellos quería verla.
No fué sinó hasta los '60s que fué encontrada accidentalmente, por 2 tipos trabajando en una antena
en los Laboratorios Bell en New Jersey. Ellos intentaban eliminar todo el sonido de fondo de una
antena de radio extremadamente sensible, pero encontraron este pequeño zumbido viniendo de
todas las direcciones. Intentaron todo para desacerse de el, incluso mataron las palomas que ensusiaban
la antena, es medio triste, pero esas palomas dieron sus vidas por uno de los más
profundos descubrimientos de la ciencia moderna. Una conversación con un radio astrónomo local
los llevó a mostrar sus hallázgos a un astronomo de Princeton, quién confirmó la existencia
de lo que había sido predicho por años.
Vietnamese:
Ông khám phá ra rằng các vật thể xa ta nhất có tông màu đỏ,
và thiên hà khác ngoài Ngân hà đang rời xa chúng ta. Từ đây, ông lại phát triển thêm từ nghiên cứu của
một mục sĩ người Bỉ tên Georges Lemaitre, người đặt giả thuyết rằng vũ trụ xuất phát
từ chỉ một điểm. Các nhà vũ trụ học ủng hộ Vụ Nổ lớn cần chứng cứ. Họ biết
lượng bức xạ phát ra từ Vụ Nổ lớn sẽ rất lớn, và họ muốn thấy nó.
Phải cho đến thập kỷ 1960 nó mới được phát hiện một cách tình cờ bởi 2 người đang làm việc với ăn-ten
ở Phòng thí nghiệm Bell tại New Jersey. Họ đã cố tắt đi các tiếng ồn nền
cho cái máy thu thanh bằng ăn-ten vô cùng nhạy, nhưng họ thu được tiếng "hum" ở mọi hướng
Họ thử mọi cách để bỏ tiếng ồn đó, thậm chí giết luôn cả mấy con bồ câu
đã ị lên cái ăn-ten - thật là đắng lòng - nhưng dù sao các chú bồ câu đã anh dũng hy sinh cho
một trong những khám phá vĩ đại nhất trong Khoa học hiện đại. Một cuộc thoại với nhà thiên văn
dẫn họ đến với ông ấy ở Đại học Princeton để xác nhận
sự tồn tại vốn đã được phỏng đoán qua nhiều năm.
Swedish:
Den sista pusselbiten av Big Bang pusslet är att vi kan se det. Ljus har en hastighet. När
vi tittar på solen, ser vi det ljus som lämnade den 8 minuter sedan, men om vi
tittar på någonting som är 13.8 miljarder ljusår bort, ser vi saker som hände
13.8 miljarder år sedan! Strålningen har rest sedan början av vårt universum.
Inte nog med att vi kan fastställa att det inte fanns någonting innan det, vi kan
nu studera den strålningen för att finna händelserna ordning i Big Bang. Vi kan också se
att den kemiska kompositionen i vårt tidiga universum är vad vi förväntade oss - mycket
väte, mycket helium och en liten mängd litium. Resten av det periodiska systemet
var tvungen att vänta tills de brinnande smältugnarna och kärnor inuti stjärnor skapades.
Men, mer om det i nästa avsnitt!
Trots de framsteg vi har gjort de senaste århundradet i fastställandet av universums historia,
är det fortfarande mycket kosmologer fortfarande har att upptäcka. Till exempel, universum beter sig
som om det fanns en mängd materia inom det som vi inte kan see eller upptäcka. Galaxers gravitation
påverkas av denna materia, men är annars helt osynligt för oss. Fysiker kallar
Arabic:
القطعة الأخيرة من أحجية الانفجار العظيم،
أنّنا نستطيع رؤيته، الضوء له سرعة.
حين ننظر إلى الشمس، فنحن نرى الضوء
الذي انطلق منها قبل 8 دقائق.
لكن حين ننظر إلى شيء يبعد عنّا مسافة 13،8
مليار سنة ضوئية، سنرى ما حدث قبل 13،8 سنة.
تلك الإشعاعات كانت تتقدّم منذ بدء الكون.
لن نستطيع أن نعرف بوضوح
أنّه لم يكن هناك شيء قبل ذلك فحسب
بل نستطيع الآن دراسة تلك الإشعاعات
لدراسة تسلسل أحداث الانفجار العظيم.
نستطيع أيضًا أن نرى أنّ التشكيل الكيميائي
للكون في بدايته كان كما نتوقع.
الكثير من الهيدروجين والكثير من الهيليوم،
وكمية قليلة من الليثيوم.
أمّا بقيّة عناصر الجدول الدوريّ فقط كان عليها
انتظار الحرارة الحارقة في جوف النجوم لتتشكّل.
لكنّنا سنتحدّث عن ذلك في الحلقة المقبلة.
رغم التقدّم الذي أحرزناه في القرن الماضي
في كتابة تاريخ الكون
إلّا أنّه ما زال هناك أشياء كثيرة
لم يكتشفها علماء الكون بعد.
مثلًا، يتصرّف الكون كما لو كان يحتوي مادة
لا يمكننا رؤيتها أو الشعور بها.
وجاذبيّة المجرات تتأثّر بتلك المادة،
لكنّها غير مرئيّة إطلاقًا بالنسبة إلينا.
Danish:
Den sidste brik i Big Bang puslespillet er at vi kan se det. Lys har en hastighed. Når
vi kigger på solen ser vi lyset der forlod den for 8 minutter siden, men hvis vi ser på
noget der er 13,8 mia. lysår væk, ser vi det som skete
for 13,8 mia. år siden. Strålingen har rejst siden universets begyndelse.
Ikke blot kan vi være sikre på, at der ikke var noget før det, vi kan
nu studere strålingen for at finde ud af rækkefølgen i Big Bang begivenhederne. Vi kan også se
at den kemiske sammensætning af det tidlige univers, er som vi havde forventet - en masse
brint, en masse helium og en smule lithium. Resten af det periodiske system
måtte vente på de brændende ovne i maven på stjerner, for at blive dannet.
Mere om det i næste afsnit!
Så langt som vi end er kommet med at beskrive universets historie i det sidste århundrede,
er der stadig meget for kosmologer at opdage. For eksempel opfører universet sig
som om der er en masse stof i det, som vi hverken kan se eller måle. Galaksers tyngdefelt
bliver påvirket af dette stof, men ellers er det helt usynligt for os. Fysikere kalder det
Turkish:
Bu büyük patlama bulmacanın son parçası olan
biz onu görebilirsiniz. Işık hızına sahiptir. Ne zaman
biz güneşin baktığımızda ışığı görüyorsanız
sekiz dakika önce sol, ama biz eğer
13,8 milyar ışık yılı var şeye bakmak
uzakta, biz ne şeyler görüyorsanız
13,8 milyar yıl önce! Bu radyasyon olmuştur
Evrenin başından beri seyahat.
Sadece biz orada çok net söyleyebilirim
Daha önce orada sadece bir şey oldu, biz
Şimdi sırası öğrenmek için bu radyasyon çalışma
Big Bang'in olaylarının. Biz de görebilirsiniz
Erken kimyasal bileşimi
Evren biz görmek beklediğiniz - bir sürü
hidrojen, helyum çok ve küçük tutam
lityum. Periyodik tablonun geri kalanı
ateşli fırınlar ve beklemek zorunda kaldı
yıldızlı karınlarını oluşturulacak.
Ama bu konuda daha fazla, bir sonraki bölüm!
Geçtiğimiz yüzyılda geldim kadar
Orada, evrenin bir geçmişi işçiliği
kozmolojistler henüz hala birçok şey var
keşfetmek. Örneğin, evren davranır
o maddenin bir sürü var sanki o
Gördüğümüz ya da algılayamaz. Galaksilerin gravitation
Bu konuda etkilenir, ama aksi var olan
Bize tamamen görünmez. Fizikçiler çağrı
French:
La dernière pièce de ce puzzle du Big Bang est que nous pouvons le voir. La lumière a une vitesse. Quand
nous regardons le soleil, nous voyons la lumière qui l'a quitté il y a huit minutes, mais si nous
regardons quelque chose qui est 13,8 milliards d'années-lumière
de nous, nous voyons les choses qui se sont passées
il y a 13,8 milliards années! Ce rayonnement a voyagé depuis le tout début de l'univers.
Non seulement nous pouvons dire très clairement qu'il n'y avait rien avant cela, mais nous pouvons aussi
maintenant étudier ce rayonnement pour connaitre la série d'événements composant le Big Bang. Nous pouvons aussi voir
que la composition chimique du début de
l'univers est ce que nous nous attendions à voir - beaucoup
d'atomes d'hydrogène, beaucoup d'hélium et un tout petit peu de lithium. Le reste du tableau périodique
a dû attendre les fournaises ardentes au coeur des étoiles pour être formé.
Mais nous aborderons cela au prochain épisode!
Quand bien même on a beaucoup avancé durant le siècle précédent pour comprendre l'histoire de l'univers
il y a encore beaucoup de choses à découvrir pour les cosmologistes. Par exemple, l'univers se comporte
comme si il y avait un tas de matière en lui que nous ne pouvons pas voir ou détecter. La gravitation des galaxies
est affectée par cette matière, mais à part cela, elle demeure totalement invisible pour nous. Les physiciens l'appellent
Romanian:
Piesa finală a acestui puzzle Big Bang este cea pe care o putem vedea. Lumina are o viteza. Când
ne uităm la soare, vedem lumina
emisă în urmă cu opt minute dar dacă
privim la ceva care este 13,8 miliarde de ani-lumină distanță, vedem lucrurile care s-au întâmplat
acum 13,8 miliarde de ani! Aceste radiații călătoresc încă de la începutul universului.
Nu doar că putem spune foarte clar că n-a existat nimic acolo înainte de asta, putem
acum să studiem acele radiatii pentru a afla secvența a evenimentelor Big Bang-ului. Putem vedea, de asemenea
că compoziția chimică a
Universului timpuriu este ceea ce ne-am aștepta să vedem - o mulțime
de hidrogen, o mulțime de heliu și un vârf de cuțit mic de litiu. Restul tabelului periodic
a trebuit să aștepte pentru cuptoarele de foc și pântecele de stele pentru a fi create.
Dar mai mult despre asta în următorul episod!
Pe măsură ce am ajuns în secolul trecut în meșteșugul istoriei universului, acolo
sunt încă multe lucruri pe care cosmologii încă trebuie să le descopere. De exemplu, universul se comportă
ca și când ar fi o o grămadă de materie în care nu putem vedea sau detecta. Gravitația galaxiilor
este afectată de această materie care este de altfel complet invizibilă pentru noi. Fizicienii numesc
Vietnamese:
Mảnh ghép cuối cùng trong bản đồ Vụ Nổ lớn là ta có thể thấy được. Ánh sáng có vận tốc.
Khi ta nhìn vào mặt trời, ta thấy ánh sáng đã đi được 8 phút trước, nhưng
khi ta nhìn cái gì đó cách 13.8 tỷ năm ánh sáng, ta đang thấy thứ đã diễn ra
13.8 tỷ năm về trước! Cái bức xạ đó đã du hành từ ngày vũ trụ chào đời.
Không chỉ ta có thể khẳng định chẳng có gì trước Vụ Nổ lớn, mà giờ ta cũng có thể
nghiên cứu bức xạ đó để tìm hiểu thêm về các diễn biến của Vụ Nổ lớn. Ta cũng có thể
thấy các thành phần hóa học ngay từ thuở sơ khai, điều mà ta đã đoán được: rất nhiều
hydro, heli, và một tí lithium. Còn các nguyên tố còn lại trong bảng tuần hoàn
phải đợi được luyện trong các lò luyện kim trong bụng các vì sao.
Muốn biết thêm thì phải coi chương kế ha!
Càng tìm hiểu về lịch sử hình thành vũ trụ
thì càng có nhiều điều mà các nhà vũ trụ học vẫn chưa khám phá hết. Ví dụ, vũ trụ
vận hành như thể nó có các thứ vật chất mà ta không thể thấy được. Lực hấp dẫn các thiên hà
bị chi phối bởi thứ vật chất này nhưng nó hoàn toàn vô hình. Các nhà vật lý học gọi
Dutch:
Het laatste stukje van de oerknal puzzel is dat we het kunnen zien. Licht heeft een snelheid. Wanneer
we naar de zon kijken, zien we het licht dat het 8 minuten geleden verliet, maar als we
naar iets kijken dat 13.8 miljard lichtjaren ver weg is, zien we dingen die 13.8 miljard
lichtjaren geleden gebeurden! Die straling reist als sinds het prille begin van het universum.
Niet alleen kunnen we met zekerheid zeggen dat er daarvoor niks was, we kunnen
nu die straling bestuderen om de volgorde van de gebeurtenissen van de Oerknal te leren. We kunnen ook
zien dat de chemische samenstelling van het vroege heelal hetgeen is wat we verwachten te zien, veel
waterstof, veel helium en een klein snufje lithium. De rest van het periodiek systeem
moest wachten op de vurige ovens en de buiken van sterren om gemaakt te worden.
Maar meer daarover volgende aflevering!
Voor zo ver we zijn gekomen in het vervaardigen van een geschiedenis van het heelal de afgelopen eeuw, zijn
er nog veel dingen die kosmologen nog moeten ontdekken. Bijvoorbeeld: het universum gedraagt
zich alsof er een heleboel materie inzit dat we niet kunnen zien of detecteren. De zwaartekracht van
sterrenstelsels wordt beïnvloed door deze materie, maar het is anders volledig onzichtbaar voor ons. Fysici
Portuguese:
A última peça do quebra-cabeça é...
que podemos vê-lo. (O Big Bang)
A luz tem uma velocidade.
Quando olhamos para o Sol,
estamos vendo a luz que saiu há 8 minutos,
Mas se vemos algo que está a 13,8 bilhões de anos-luz de distância,
então estamos vendo o que aconteceu há 13,8 bilhões de anos atrás!
Aquela radiação tem viajado desde o início do Universo.
Não apenas podemos dizer, claramente,
que não houve nada antes disso,
como podemos estudar a radiação e entender a sequência de eventos que isso causou.
Também podemos ver que a composição química do Universo antigo
é o que esperávamos ver: Hidrogênio, Hélio e um pouco de Lítio.
O resto da tabela periódica teve de esperar pelas fornalhas ardentes no interior das estrelas para serem criados.
Mais sobre isso no próximo episódio!
Mesmo indo tão longe no século passado na criação
da História do Universo, ainda há muitos mistérios.
Por exemplo, o Universo se comporta como se tivesse um monte de matéria nele que nós não podemos ver nem detectar.
A gravidade das galáxias é afetada por essa matéria, mas é totalmente invisível para nós.
Spanish:
La última piez del rompecabezas del Big Bang es que podemos verlo. La luz tiene una velocidad.
Cuando miramos al sol, vemos la luz que lanzó hace 8 minutos, pero si miramos a algo
que está a 13.800 millones de años luz, estamos viendo algo que pasó hace 13.800
millones de años! Esa radiación ha viajado desde el comienzo del universo.
No solamente podemos ver claramente que no había nada antes de eso, también podemos
estudiar esa radiación para aprender la secuencia de eventos del Big Bang. También podemos ver
que la composición química del universo joven, es lo que esperamos ver, un montón de hidrógeno,
un montón de helio y un poquito de litio. El resto de la tabla periódica tuvo que esperar
hasta a los furiosos hornos y entrañas de las estrellas sean creadas.
¡Pero más de eso en el siguiente episodio!
A pesar de llegar lejos el siglo pasado en crear una historia del universo, hay todavía
muchas cosas que los cosmólogos deben descubrir. Por ejemplo, el universo se comporta como si
hubiera un montón de materia la cual no podemos ver o detectar. La gravedad de las galaxias es
afectada por esta materia, pero por lo demás es completamente invisible para nosotros. Los
Italian:
L'ultimo pezzo del puzzle del Big Bang è che
lo possiamo vedere. La luce ha una velocità.
Quando guardiamo il Sole, stiamo vedendo
la luce che è partita otto minuti fa, ma se
guardiamo qualcosa che sta a 13,8 miliardi di
anni luce di distanza, vediamo ciò che è successo
13,8 miliardi di anni fa! Quella radiazione
è in viaggio fin dall'inizio dell'Universo.
Oltre a potere dire con certezza che
non c'era nulla prima di ciò, ora possiamo
studiare questa radiazione per imparare la sequenza
di eventi del Big Bang. Possiamo anche vedere
che la composizione chimica dell'Universo
primordiale è quello che ci si aspetterebbe di vedere –
molto idrogeno, molto elio e un pochino
di litio. Il resto della tavola periodica
avrebbe dovuto aspettare le ardenti
fornaci stellari per essere creato.
Ma ne riparleremo nel prossimo episodio.
Per quanto lontano ci siamo spinti il secolo scorso
nella ricostruzione della storia dell'Universo,
ci sono ancora molte cose che i cosmologi devono
ancora scoprire. Per esempio, l'Universo si comporta
come se ci fosse della materia che non siamo
in grado di rilevare. La gravitazione delle galassie
è influenzata da questa materia, che è comunque
completamente invisibile. I fisici la chiamano
English:
The final piece of that big bang puzzle is
that we can see it. Light has a speed. When
we look at the sun, we're seeing the light
that left it eight minutes ago, but if we
look at something that's 13.8 billion light-years
away, we're seeing the stuff that happened
13.8 billion years ago! That radiation has been
traveling since the very beginning of the universe.
Not only can we tell very clearly that there
was just nothing there before that, we can
now study that radiation to learn the sequence
of events of the big bang. We can also see
that the chemical composition of the early
universe is what we'd expect to see - a lot
of hydrogen, a lot of helium and a tiny pinch
of lithium. The rest of the periodic table
had to wait for the fiery furnaces and the
bellies of stars to be created.
But more on that, next episode!
As far as we've come in the past century in
crafting a history of the universe, there
are still many things cosmologists have yet
to discover. For instance, the universe behaves
as if there's a bunch of matter in it that
we can't see or detect. Galaxies' gravitation
is affected by this matter, but it's otherwise
completely invisible to us. Physicists call
Russian:
Финальный кусок паззла Большого Взрыва в том, что мы его видим. У света есть скорость. Когда
мы смотрим на солнце,мы видим свет, который оно оставило 8 минут назад, но если
посмотреть на что-то, что в 13.8 миллиардах световых лет от нас, мы видим то, что произошло
13.8 миллиардов лет назад! Эта радиация путешествовала с самого начала Вселенной.
Мы не только можем ясно сказать, что до того не было просто ничего, мы теперь
можем изучать радиацию, чтобы понять цепочку событий Большого Взрыва. Мы также видим,
что химический состав ранней Вселенной такой, какой мы ожидали - много
водорода, много гелия, малость лития. Вся остальная периодическая таблица
ждала огненных печей и нутр звёзд, чтобы появиться.
Но об этом в следующем эпизоде!
При том, как далеко мы продвинулись в последний век в познании истории Вселенной,
всё ещё много что космологам только предстоит открыть. Например, Вселенная ведёт себя так,
будто существует масса вещества в ней, которое мы не можем обнаружить. Это вещество влияет на
гравитационную тягу галактик, но помимо этого мы его совершенно не видим. Физики называют его
German:
Das letzte Teil des Urknall-Puzzles ist, dass wir es sehen können. Licht hat eine Geschwindigkeit.
Wenn wir in die Sonne gucken, dann sehen wir gerade das Licht, das sie vor 8 Minuten verlassen hat.
Aber wenn wir etwas ansehen, dass 13,8 Milliarden Lichtjahre entfernt ist, dann sehen wir das,
was vor 13,8 Milliarden Jahren passiert ist!
Diese Strahlung ist seit Anbeginn des Universums auf Reise.
Wir können nicht nur sehr klar sagen, dass dort einfach nichts da war vorher, sondern wir können
diese Strahlung studieren, um die Abfolge der Ereignisse des Urknalls in Erfahrung zu bringen.
Wir können außerdem sehen, dass die chemische Zusammensetzung des frühen Universums so ist,
wie wir es erwartet hätten – eine Menge Wasserstoff, eine Menge Helium und ein klein wenig Lithium.
Der Rest des Periodensystems hatte zu warten, bis der glühende Brennofen und die Bäuche der Sterne
erschaffen worden sind. Aber mehr darüber in der nächsten Folge!
[John] Wie weit wir im vergangene Jahrhundert im Basteln der Geschichte des Universums auch
gekommen sind, es gibt och immer viele Dinge, die Kosmologen (und -innen) noch zu entdecken haben.
Beispielsweise verhält sich das Universum, als enthielte es einen Haufen Materie, die wir nicht sehen oder
aufspüren können. Die Schwerkraft von Galaxien wird davon beeinflusst, aber ansonsten ist es für uns
Korean:
빅뱅 퍼즐의 마지막 조각은 우리가 실제 볼 수 있다는 겁니다. 빛은 속도를 갖기에 우리가
지금 본 해는 8분 전의 모습입니다. 그런데 만약 138억 광년 거리의 별을
지금 본다면 우리는 그 별의 138 억 년 전의 모습을 보는 것입니다.
복사 빛이 우주 탄생 시점 부터 138억년간 날라온 셈이죠.
탄생전엔 아무 것도 없었다는 것을 확실히 말할 수 있을 뿐 아니라, 복사 빛을 연구하여
빅뱅 이후에 벌어진 연쇄 사건들도 연구할 수 있게 되었습니다. 우리는 초기 우주의
화학 성분이 우리 예상대로 엄청나게 많은 수소와 헬륨
그리고 미량의 리튬으로 구성된 것도 볼 수 있습니다. 주기율표 상의 기타원소들은
태어나려면 큰 별들의 중심부에 훨씬 더 뜨거운 로가 형성되기를 기다려야합니다
그 이상 설명은 다음 회에!
지난 100년 간 우주의 역사에 대해 짜맞춰 왔으나 아직도
천체학자들은 추가로 많은 발견을 해야 합니다. 예를 들어 우주는 마치
그 안에 보이지 않는 상당히 많은 물질들이 있는 것처럼 행동합니다. 은하계의 중력은
이 물질들에 영향을 받는데 그런데 전혀 보이지 않습니다. 물리학자들은 이 물질을
Portuguese:
A última peça do quebra cabeça do Big Bang é o que podemos ver. A luz tem uma velocidade.
Quando olhamos para o Sol, nós estamos vendo a luz que saiu há oito minutos, mas se nós
olharmos para algo que está a 13.8 bilhões de anos-luz de distância, nós estamos vendo o que aconteceu
há 13.8 bilhões de anos atrás! Aquela radiação tem viajado desde o início do universo.
Não apenas podemos dizer, claramente, que não houve nada antes disso, como podemos
agora estudar a radiação e entender a sequência de eventos que o Big Bang causou. Podemos ver, também,
que as composições químicas do universo antigo é o que esperávamos ver — bastante
Hidrogênio, bastante Hélio e um tantinho de Lítio. O resto da tabela periódica
teve de esperar pelas fornalhas ardentes e o útero da criação das estrelas serem criados.
Porém verá mais disso no próximo episódio!
Mesmo indo tão longe no século passado na criação da história do universo, ainda
resta algumas respostas que os Cosmologistas têm de descobrir. Por exemplo, o universo se comporta
como se tivesse um monte de matéria nele que nós não podemos ver nem detectar. A gravitação das galáxias
é afetada por essa matéria, mas ou é, de qualquer maneira, invisível para nós. Físicos chamam de
Japanese:
ビッグバンの謎を解く最後の鍵は
見えること
光に速度があるということだよ
今見た太陽は
太陽が8分前に発した光だ
じゃあもし
今138億光年離れた何かを見たのなら
138億年前の何かがわかるって事だ
その光は宇宙のほんの始まりの時から
ずっと旅をしてやって来たんだね
ここまでにビッグバンについて
それの前には何も無かったことだけじゃなく
宇宙背景放射の事まで順を追って学んできたけど
この後には
初期宇宙の化学組成も見ていくわけだ
たくさんの水素 たくさんのヘリウム
そしてほんのちょっぴりのリチウム
周期表の続きは 星のはらわた で燃え盛る釜の
登場を待たなねばならなかった・・・
まあその話は
次までお預けだね!
これまで幾世紀にわたって
宇宙の歴史の物語は紡がれてきました
それでも宇宙論者にも分かっていない事は
まだまだいくらでもあります
観測できているだけでも
現状の知識では説明できない現象が
たくさんあるんです
銀河の動きを説明するには
誰も見たことのない何かが必要です
Polish:
Ostatnim elementem tej układanki jest to,
że tak naprawdę możemy nawet to zobaczyć.
Światło porusza się bowiem z pewną prędkością.
Patrząc na Słońce, widzimy światło, które opuściło jego powierzchnię 8 minut temu, jeśli zaś
spojrzymy na coś, co jest 13,8 mld lat świetlnych stąd, zobaczymy rzeczy, które działy się
13,8 mld lat temu! Promieniowanie przemieszcza się bowiem od samego początku Wszechświata.
Nie tylko możemy z całą pewnością stwierdzić, że przed Wybuchem nie było absolutnie niczego –
obecnie możemy też badać promieniowanie w celu odkrycia sekwencji wydarzeń od Wielkiego Wybuchu.
Widzimy też, że skład chemiczny wczesnego Wszechświata był taki, jakiego się spodziewaliśmy –
mnóstwo wodoru, helu i szczypta litu.
Reszta układu okresowego
musiała poczekać do momentu swojego powstania
w ognistych piecach i brzuchach gwiazd...
Ale więcej na ten temat w następnym odcinku!
Niezależnie od tego, jak daleko w minionym stuleciu zaszliśmy w odkrywaniu historii Wszechświata,
istnieje jeszcze wiele kwestii do wyjaśnienia przez kosmologów. Na przykład – Wszechświat zachowuje się
tak, jakby istniała jeszcze pewna doza materii, której
nie jesteśmy w stanie zobaczyć czy wykryć.
Materia ta wpływa na grawitację galaktyk, jednak poza tym jest dla nas całkowicie niewidoczna.
Hungarian:
A Nagy Bumm- puzzle utolsó darabkája az, hogy látjuk. A fénynek sebessége van.
Ha a Napra nézünk, azt a fényt látjuk, ami 8 perccel azelőtt hagyta el, de ha olyasvalamire
nézünk, ami 13,8 milliárd fényévnyire van, akkor azt látjuk, ami 13,8 milliárd évvel
ezelőtt történt! Az a sugárzás az univerzum keletkezése óta utazik.
Nem csak azt tudjuk megmondani, hogy azelőtt nem volt semmi, hanem most már
az események sorára is következtetni tudunk a sugárzást vizsgálva. Azt is látjuk,
hogy a korai univerzum kémiai összetétele olyan, amilyenre számítottunk -
sok hidrogén, sok hélium és egy kicsi lítium. A periodikus rendszer többi elemének várnia
kellet a tüzes kazánokra és a csillagok gyomrára, hogy megteremtődjenek.
De ezt a következő epizódban fejtjük ki.
Akármilyen sokat is tettünk az elmúlt században az univerzum történelmének rekonstruálásáért, még
mindig sok dolog van amit a kozmológusok még nem fedeztek fel. Például, az univerzum úgy viselkedik,
mintha lenne egy csomó anyag benne amiket nem látunk. A galaxisok gravitációját befolyásolja
ez az anyag, de egyébként teljességgel láthatatlan számunkra. A fizikusok
Finnish:
Viimeinen alkuräjähdyksen arvoituksen pala on, että voimme nähdä sen. Valolla on nopeus. Kun
katsomme aurinkoa, näemme valon, joka lähti siitä kahdeksan minuuttia sitten, mutta jos
katsomme jotakin, mikä on 13,8 miljardin valovuoden päässä, näemme mitä tapahtui
13,8 miljardia vuotta sitten! Tämä säteily on matkannut maailmankaikkeuden alusta asti.
Sen lisäksi, että voimme selvästi havaita, että tätä ennen ei vain ollut mitään, voimme
tutkia säteilyä saadaksemme selville alkuräjähdyksen tapahtumien kulun. Voimme myös nähdä,
varhaisen universumin kemiallinen koostumus on sellainen, kuin odotimme – paljon
vetyä, paljon heliumia ja pikkuriikkisen litiumia. Loput jaksollisesta järjestelmästä
joutui odottamaan, että kuumat tulipesät tähtien sisuksissa ilmaantuivat.
Mutta tästä lisää seuraavassa osassa!
Niin pitkälle kuin olemmekin viime vuosisadan aikana päässeetkin tutkiessamme maailmankaikkeuden historiaa,
on yhä paljon asioita, joita kosmologit eivät ole saaneet selville. Esimerkiksi, maailmankaikkeus käyttäytyy
kuin olisi olemassa ainetta, jota emme näe tai voi muuten havaita. Tämä aine vaikuttaa
galaksien gravitaatioon, mutta muuten se on meille täysin näkymätöntä. Fyysikot kutsuvat
iw:
החתיכה האחרונה של פאזל הנפץ הגדול הוא שאנחנו יכולים לראות אותו. לאר יש מהירות.
כשאנחנו מסתכלים על השמש, אנחנו רואים את האור שיצא ממנו לפני 8 דקות, אבל אם אנחנו
מסתכלים על משהו שנמצא 13.8 ביליון שנות אור מכאן, אנחנו רואים את מה שקרה לפני
ביליון שנים! לרדיאציה הזאת ישנן 13.8 שנות מסע, מתחילת היקום.
לא רק שאנחנו יכולים לומר די בבירור שלא היה שם כלום לפני כן, אנחנו יכולים
ללמוד את הרדיאציה הזאת בשביל לגלות את האירועים של הנפץ הגדול. אנחנו גם יכולים לראות
את התרכובות הכימיות של היקום העתיק, אשר הם מה שאנו מצפים לראות - הרבה
מימן, הרבה הליום ונגיעה קטנה של לית'יום. שאר הטבלה המחזורית
הייתה צריכה להמתין להיווצרות של כוכבים
אבל עוד על זה, בפרק הבא!
ככל שבמהלך המאה הנוכחית והקודמת הרכבנו את ההיסטוריה של היקום, שינם
עוד המון דברים שקוסמולוגים עדיין לא גילו. לדוגמא, היקום מתנהג
כאילו יש המון חומר בתוכו שאנחנו לא יכולים לראות או לגלות. כוח כבידה של גלקסיות
מושפע מהחומר הזה, אבל זה לגמרי לא גלוי לנוץ פיזיקאים קוראים לזה
Arabic:
ويسمّيها الفيزيائيون "المادة المظلمة"، لكنّنا
لا ندري ما هي. لكن كما في أيّ محاولة تاريخيّة
ستغيّر الاكتشافات الجديدة القصّة
في السنوات القادمة،
فتوقّعوا من الحلقات التي ستُعرض بعد 10 أو 20
سنة من الآن أن تختلف كثيرًا عن قصص اليوم.
لكنّ هذا لا يثنينا،
لأنّ معرفة كلّ شيء سيكون مملًا.
بقي الكثير ممّا علينا اكتشافه،
ووفقًا للتسارع الحاليّ للأبحاث العلميّة
الكثير من هذه الاكتشافات المدهشة ستنتظرنا
أثناء حياتنا، أو في حياتكم على الأقل.
سواء كانت الحرب العالمية الثانية أو حياة
إيب لنكون، فكلّ التاريخ يبدأ بالانفجار العظيم.
صحيح أنّه سيكون من السخيف أن نبدأ كتاب دراسة
الحرب العالمية الثانية بالانفجار العظيم
لكن سيكون الأسخف من ذلك
أن نقول إنّ الانفجار العظيم،
وهو أساس كلّ الأحداث التاريخيّة الأخرى،
ليس جزءًا من التاريخ.
لهذا فإن سلسلتنا تطال حياة
كلّ شخص في هذا الكوكب الذي نعتبره موطننا،
بغضّ النظر عن بلاده أو مستواه أو عقيدته
لتشكيل قصّتنا العامة.
إلى اللقاء في حلقة مقبلة.
Spanish:
físicos la llaman Materia Oscura, pero ¡no sabemos lo que es! Pero nuevos descubrimientos
alterarán la historia en el futuro, así que esperen que la "Historia Grande" dentro de 10
o 20 años mas se vean muy diferentes de las de hoy.
Pero esto no es deprimente, ¡porque saberlo todo sería aburrido! Hay un montón por
descubrir, y al paso actual de la ciencia, muchos de esos descubrimientos asombrosos
ocurrirán en nuestras vidas!, o al menos durante tu vida.
Ya sea la Segunda Guerra Mundial o la vida de Lincoln, todas las historias comienzan
con el Big Bang. Si, sería tonto comenzar tu típico libro de las Segunda Guerra Mundial con
el Big Bang, pero sería 100 trillones de veces más radículo decir que el Big Bang, la madre
de todos los eventos históricos, no fué historia.
Y así es como la historia alcanza a todas las vidas de cada persona en esta pequeña partícula de
polvo que llamamos hogar, más allá de la nacionalidad, la clase social o la religión, y todo forma
nuestra historia en común.
¡Nos vemos luego!
Dutch:
noemen het donkere materie, maar we hebben geen idee wat het is! Maar zoals in elk historisch streven,
zullen nieuwe ontdekkingen het verhaal in de komende jaren veranderen, dus verwacht dat de grote geschiedenissen
van 10 of 20 jaar van nu er heel anders uit gaan zien dan die van vandaag.
Maar dit is niet ontmoedigend, want alles weten zou saai zijn! Er is
veel meer te ontdekken, en met het huidige tempo van wetenschappelijk onderzoek zullen veel van die
verbazingwekkende ontdekkingen ons te wachten staan tijdens ons leven! Of in toch in jullie leven.
Of het nu Wereldoorlog Twee is of het leven van Abe Lincoln, alle geschiedenis beginnen uiteindelijk
met de oerknal. Ja, het zou dom zijn om uw typisch Wereldoorlog Twee schoolboek te starten
met de oerknal, maar het zou zo'n honderd biljoen, biljoen keer belachelijker zijn
om te zeggen dat de oerknal, de moeder van alle historische gebeurtenissen, geen geschiedenis is.
En dat is de reden waarom Big History in het leven van iedere mens reikt op dit kleine
stofdeeltje dat we thuis noemen, ongeacht de natie, klasse of geloof, en onze gezamenlijke geschiedenis vormt.
Tot de volgende keer!
Turkish:
Karanlık madde, ama biz hiçbir fikrim ne o
olduğunu! Ancak herhangi bir tarihsel çaba olarak, yeni
keşifler gelecekte hikaye değiştirecek
yaş, yani on büyük geçmişlerini bekliyoruz
veya bundan yirmi yıl çok farklı bakmak
Bugünün dan.
Ama bu gibi çünkü cesaret kırıcı değil,
Her şeyi bilen sıkıcı olurdu! Orada
Bir sürü keşfetmek için sol ve akımda
Bunların bilimsel araştırma hızı, birçok
inanılmaz buluşlar bizim ömür boyu bizi bekliyor olacak!
Ya da en azından ömür boyu.
O İkinci Dünya Savaşı ya da hayat olmak ister
Abe Lincoln, tüm geçmişlerini sonuçta başlar
Büyük patlama ile. Evet, bu aptalca olurdu
tipik İkinci Dünya Savaşı ders kitabı başlatmak için
Büyük patlama ile, ancak yaklaşık bir olurdu
yüz trilyon trilyon kat daha gülünç
tüm tarihsel anne - büyük patlama demek
olaylar - Tarih değildi.
Büyük geçmiş ulaşır Ve bu yüzden
Bu küçücük leke her kişinin hayatını
Toz biz sınıf ne olursa olsun milletin, ev aramak
veya inanç ve ortak bir hikaye oluşturur.
Gelecek sefere görüşürüz!
Danish:
for mørkt stof, men vi aner ikke hvad det er! Men som i alle historiske bestræbelser vil nye
opdagelser ændre historien i de kommende år, så forvent at de store historier
om 10-20 år ser helt anderledes ud end dem i dag.
Det er ikke så nedslående, for hvis vi vidste alting, ville vi kede os!
Der findes meget at opdage endnu, og med den hastighed videnskaben finder ud af nyt,
er der fantastiske opdagelser til os alle i vores livstid. Eller i hvert fald i din livstid.
Uanset om det er 2. verdenskrig eller Abe Lincolns liv, begynder alle historier
ved Big Bang. Det ville da være dumt at starte en grundbog om 2. Verdenskrig
med Big Bang, men det ville være hundrede trillioner gange dummere, at
at sige at Big Bang - alle historiske begivenheders moder - ikke var historie.
Og derfor rækker Big History ind i livet på alle personer på dette lille støvkorn,
som vi kalder hjem, uagtet vores nation, klasse eller tro, og det former vores fælles historie.
Vi ses næste gang!
Portuguese:
Matéria Escura, todavia não temos a menor ideia do que seja! Mas como em qualquer esforço histórico,
novas descobertas irão mudar a História no futuro, então espere que as grandes Histórias de dez,
ou vinte anos adiante, tenham um olhar bem diferente do de hoje.
Mas isso não é desencorajante, porque, tipo, saber tudo seria entediante!
Tem um monte de descobertas sobrando, e no atual passo das investigações científica, muitos desses
maravilhosos descobrimentos ocorrerão durante o nosso tempo de vida. Ou ao menos no seu tempo de vida.
Que seja a Segunda Guerra Mundial ou a vida de Abraham Lincoln, toda as histórias, no final, começam
com o Big Bang. É, eu sei, seria uma doideira começar a seu típico capítulo de Segunda Guerra Mundial
com o Big Bang, porém seria centenas de trilhões de trilhões de vezes mais ridículo
dizer que o Big Bang — a mãe todos os eventos históricos — não é História.
E é por isso que "Big History (A Grande História)" alcança a vida de todas as pessoas nesse minúsculo grão
de poeira que chamamos de casa, independente de nação, classe ou credo, e forma a nossa história em comum.
Vejo você na próxima vez!
Russian:
Тёмной материей, но мы не имеем ни малейшего представления, что это такое. Но, как и в любом историческом начинании, новые
открытия изменят историю в будущие годы, так что ждите Большие истории
через 10-20 лет сильно отличающимися от сегодняшних.
Но это не должно демотивировать, ведь знать всё было бы скучно!
Много чего надо открыть, и при нынешних темпах научных работ многие из этих
занимательных открытий ждут нас во время нашей жизни! Ну, или, вашей жизни.
Будь то Вторая Мировая или жизнь Эйба Линкольна, все истории в конечном счёте начинаются
с Большого Взрыва. Да, глупо начинать книгу о Второй Мировой
с Большого Взрыва, но было бы примерно в сотню триллионов триллионов раз глупее
говорить, что Большой Взрыв - мать всех исторических событий - не история.
Поэтому Большая история пробирается в жизнь каждого человека на этом маленьком участке
пыли, который мы называем домом, независимо от гражданства, класса, мировоззрения, и образует нашу общую историю.
Встретимся в следующий раз!
English:
it dark matter, but we have no idea what it
is! But as in any historical endeavor, new
discoveries will alter the story in future
years, so expect the big histories of ten
or twenty years from now to look very different
from today's.
But this isn't discouraging, because like,
knowing everything would be boring!
There's a lot left to discover, and at the current
pace of scientific inquiry, many of those
amazing discoveries will await us in our lifetime!
Or at least in your lifetime.
Whether it be World War Two or the life of
Abe Lincoln, all histories ultimately start
with the big bang. Yeah, it would be silly
to start your typical World War Two textbook
with the big bang, but it would be about a
hundred trillion, trillion times more ridiculous
to say the big bang - the mother of all historical
events - was not history.
And that's why big history reaches into the
lives of every person on this tiny speck of
dust we call home, regardless of nation, class
or creed, and forms our common story.
See you next time!
Finnish:
sitä pimeäksi aineeksi, mutta meillä ei ole aavistustakaan mitä se on! Mutta, kuten kaikissa historiallisissa ponnistuksissa,
uudet löydöt muuttavat tarinaa tulevina vuosina, joten voimme odottaa kymmenen tai
kahdenkymmenen vuoden päästä ison historian olevan hyvin erilaista kuin tänään.
Mutta tämä ei ole lannistavaa, koska kaiken tietämien olisi tylsää! Vielä on
paljon löytöjä tehtävänä, ja nykyisellä tieteellisen tutkimuksen tahdilla, monet noista
upeista löydöistä tehdään elinaikanamme! Tai ainakin sinun elinaikanasi.
Olkoon kyseessä toinen maailmansota tai Abe Lincolnin elämä, kaikki historia alkaa
alkuräjähdyksestä. Olisi tietysti hölmöä aloittaa tyypillinen toisen maailmansodan oppikirja
kertomalla alkuräjähdyksestä, mutta olisi noin sata triljoonaa triljoonaa kertaa naurettavampaa
väittää, että alkuräjähdys – kaikkien historiallisten tapahtumien äiti – ei olisi historiaa.
Ja siksi iso historia liittyy jokaisen tätä pikkuruista pölyhiukkasta kodikseen kutsuvan ihmisen elämään,
riippumasta siitä, mihin kansaan, yhteiskuntaluokkaan tai uskontoon kuulumme, ja kertoo yhteisen tarinamme.
Nähdään ensi kerralla!
Swedish:
detta mörk materia, men vi har ingen aning om vad det är! Men precis som andra historiska strävanden, nya
upptäckte kommer att påverka historien i framtiden, så du kan förvänta dig att vår uppfattning av dåtiden, kommer
tio eller tjugo år i framtiden se mycket annorlunda ut än vad de gör idag.
Men se inte detta som avskräckande, för att, liksom, att veta allting skulle vara tråkigt! Det finns
så mycket kvar att upptäcka, och i vår nuvarande upptäckningsfart, kommer många av dessa
otroliga upptäckter dyka upp inom vår livstid! Eller, åtminstone inom din livstid.
Oavsett om det handlar om andra världskriget eller Abraham Lincolns liv, alla historier börjar
med Big Bang. Visserligen, det skulle vara löjligt att starta en typisk textbok om andra världskriget
med Big Bang, men det skulle nog vara hundra triljoner, triljoner gånger mer löjligt
att påstå att Big Bang - modern av alla historiska händelser - inte var historia.
Och detta är anledningen till att den stora historian påverkar livet av varenda person på denna pyttelilla prick
av damm vi kallar vårt hem, oavsett nation, klass eller trosbekännelse, och formar vår gemensamma berättelse.
Vi ses nästa gång!
Polish:
Fizycy nazywają ją ciemną materią, lecz nie mamy pojęcia, czym tak naprawdę jest! Niemniej jednak,
jak w całej historii, nowe odkrycia będą w przyszłości zmieniać tę opowieść, spodziewajcie się zatem,
że historia Wszechświata za 10 czy 20 lat
będzie się bardzo różnić od dzisiejszej.
Niech to Was jednak nie zniechęca –
strasznie nudno byłoby wiedzieć wszystko!
Jeszcze mnóstwo odkryć przed nami, a biorąc pod uwagę obecne postępy w badaniach naukowych,
wiele z niesamowitych kwestii zostanie wyjaśnionych jeszcze za naszych czasów! Albo przynajmniej Waszych.
Czy to II wojna światowa, czy życie Abe'a Lincolna – wszystkie historie ostatecznie mają swój początek
wraz z Wielkim Wybuchem. Jasne, głupio byłoby rozpoczynać podręcznik o II wojnie światowej
opowieścią o Wielkim Wybuchu, jednak stwierdzenie, że Wielki Wybuch – ojciec wszystkich zdarzeń
historycznych – nie jest częścią historii,
byłoby 100 bilionów razy głupsze.
Dlatego też historia Wszechświata dosięga każdego człowieka żyjącego na tym drobnym pyłku, który
zwiemy domem, niezależnie od kraju, klasy społecznej czy wyznania, tworząc naszą wspólną historię.
Do zobaczenia następnym razem!
French:
la matière noire, mais nous ne avons aucune idée de ce qu'elle est! Mais comme dans toute entreprise historique, les nouvelles
découvertes vont modifier l'histoire dans les années à venir, alors attendez vous à ce que les grandes histoires des dix
ou vingt prochaines années à venir soient très différentes de celle d'aujourd'hui.
Mais ce ne est pas décourageant, parce que tout connaître serait ennuyeux! Il y a
encore beaucoup à découvrir, et au rythme de la recherche scientifique actuelle, beaucoup de ces
incroyables découvertes vont se produire au cours de nos vies! Ou du moins, de vos vies.
Que ce soit la Seconde Guerre mondiale ou la vie de
Abe Lincoln, toutes les histoires commencent finalement
avec le Big Bang. Ouais, ce serait stupide
de commencer votre deuxième guerre mondiale dans vos manuels scolaires ordinaires
avec le big bang, mais ce serait des
milliers de milliards et de milliards de fois plus ridicule
de dire que le Big Bang
- la mère de tout évênement historique -
n'était pas de l'histoire.
Et c'est pour cela que la grande histoire concerne la vie de chaque personne sur ce minuscule grain de
poussière que nous appelons notre maison, et cela, quelle que soit notre nation, notre classe sociale ou nos croyances, et forme notre histoire commune.
A la prochaine!
Hungarian:
sötét anyagnak nevezik de fogalmunk sincs arról, hogy mi az! Azonban, ahogy minden történelmi törekvésnél,
a jövő felfedezései befolyásolni fogják a történetet, így azt gondoljuk, hogy a Nagy Történelem
tíz vagy húsz éven belül elég máshogy fog kinézni.
De ez egyáltalán nem elcsüggesztő, mert mindent tudni, hát, unalmas lenne. Sok
felfedeznivaló maradt, és a tudományos kutatások mai sebességével számolva, sokat belőlük
még a mi életünk során megismerhetünk.
Legyen az a második világháború, vagy Abe Lincoln élete, minden történet az
ősrobbanással kezdődik. Igen, hülyeség lenne a tipikus világháborús történelemkönyvet az
ősrobbanással kezdeni, de ennél 1000000000000000000000-szor nevetségesebb lenne, azt
mondani, hogy a Nagy Bumm - minden történelmi esemény anyja - nem történelem.
És ez az oka annak, hogy a Nagy Történelem mindenki életében szerepe játszik ezen a kis
koszfolton ami az otthonunknak hívunk függetlenül nemzettől, osztálytól vagy hittől, és ezért formálja a közös történetünket.
Legközelebb találkozunk!
Japanese:
物理学者はそれに暗黒物質と名前をつけましたが
それって一体なんなのか
ほとんど分かっていません
とはいえ歴史はいつだって
新しい発見によって変えられてきましたから
ビッグヒストリーだって
今後10年か20年もすれば
今のものとは
全く違ってしまうでしょう
まあでも
そういうものですよ
全部わかっちゃったら
つまらないですし
まだまだこのまま
科学は数あまたの探求を続けますから
驚くような大発見が
生きてる間に成されることを期待しましょう!
あなたは確実でしょうけど
第二次世界大戦にしろ
リンカーンの生涯にしろ
全ての歴史の究極的な始まりはビッグバン
まあね第二次世界大戦の解説書が
ビッグバンから始まったらスゴイなとは思うよ
でもだよこっちは
その何億何兆倍もスゴ過ぎじゃない?
すべての歴史イベントの起源を
歴史じゃないなんて言い出したら
だってそれが理由でビッグヒストリーは
僕らが我が家と呼ぶ
このちっぽけな塵の上で
身を寄せあう全ての生にまで届いて
国家、階級、信条の違いを超えた
みんなに共通の物語になるんだから
というわけで
また次回!
iw:
חומר אפל, אבל אין לנו מושג מה זה! אבל כמו בכל היווצרות היסטוריה, גילויים חדשים
ישנו את הסיפור בעתיד, אז תצפו שההיסטוריות הגדולות בעוד עשר
עשרים שנה מהיום יראו שונה מאוד מהיום
אבל זה לא בהכרח מעציב, בגלל שלגעת הכל יהיה משעמם! יש
עוד הרבה מה לגלות, וקצב ההתקדמות המדעית מובילה למסקנה שהרבה
מהגילויים המדהימים יתגלו לנו במהלך שנות חיינו! או לפחות במהלך שנות חייכם
בין אם זה מלחמת העולם השנייה או חייו של אברהם לינקולן, כל ההיסטוריות מתחילות
עם הנפץ הגדול. כן, זה יהיה מטופש להתחיל את המחברת בחינה שלך על מלחמת העולם השנייה
עם הנפץ הגדול, אבל זה יהיה מאה טריליון פעמים יותר מטופש
להגיש שהנפץ הגדול - האימא של כל האירועים ההיסטורים - לא היה כלל היסטוריה
וזה למה הנפץ הגדול נוגע לחייו של כל אדם בפיסת אבק הקטנה
שאנחנו קוראים לו בית, ללא הבדלי מוצא מעמד או גזע, ויוצר את הסיפור המשותף שלנו
נתראה בפעם הבאה!
German:
vollkommen unsichtbar. Physiker (und -innen) nennen das Dunkle Materie, aber wir haben keine Ahnung,
was es ist! Aber wie bei jedem historischen Unterfangen werden neue Entdeckungen die Erzählung in
zukünftigen Jahren abwandeln, also erwartet, dass die Großen Geschichten in
zehn oder zwanzig Jahren sehr anders aussehen als die heutigen. Aber das ist nicht entmutigend,
denn, also, alles zu wissen wäre langweilig! Es gibt noch viel herauszufinden, und mit dem aktuellen Tempo
der wissenschaftlichen Erkundung erwarten uns viele dieser großartigen Entdeckungen
in unserer Lebenszeit! Oder zumindest in eurer Lebenszeit.
[Hank] Ob es der Zweite Weltkrieg oder das Leben von Abe Lincoln ist, jede Geschichte beginnt letztendlich
mit dem Urknall. Ja, es wäre albern, dein typisches Zweiter-Weltkrieg-Schulbuch mit dem Urknall
zu beginnen, es wäre aber rund hundertbillionenbillionenmal lächerlicher zu sagen, dass
der Urknall – die Mutter aller historischen Ereignisse – nicht Geschichte sei.
Und das ist der Grund, warum Große Geschichte in das Leben eines jeden hineinreicht auf diesem
winzigen Flecken Staub, den wir Zuhause nennen, ungeachtet der Nation, des Stands oder
des Glaubens, und unsere gemeinsame Erzählung gestaltet. Bis zum nächsten Mal!
Vietnamese:
đây là Vật chất tối, mà ta cũng không thật sự biết nó là gì. Nhưng như những gì xảy ra trong lịch sử
Những khám phá mới sẽ chỉnh sửa lại những các nhận định này, vậy nên
Các Lịch sử Vĩ đại trong 10 hay 20 năm tới sẽ rất khác lịch sử ngày hôm nay.
Nhưng không có gì phải lo cả, bởi vì "biết tuốt" sẽ khiến mọi thứ trở nên nhàm chán!
Vẫn còn nhiều thứ đợi để được khám phá, và trên con đường nghiên cứu khoa học bây giờ
vẫn còn nhiều điều bí ẩn đang đợi chúng ta! Hoặc chí ít là đang đợi bạn
Dù nói đến Đệ nhị Thế chiến hay Cuộc đời của Abe Lincoln, tất cả các câu chuyện lịch sử
đều khởi nguồn từ Vụ Nổ lớn. Ờ, nhưng mà chả ăn nhập gì nếu ghi Vụ Nổ lớn
khởi đầu cho Đệ nhị Thế Chiến. Nhưng mà càng ngớ ngẩn gấp tỷ tỷ lần hơn nữa khi mà
nói rằng Vụ Nổ lớn - khởi thủy của mọi câu chuyện - không phải là lịch sử.
Và đó là vì sao Lịch sử Vĩ đại len lỏi vào từng cuộc sống của mỗi người trên cái hạt cát nhỏ bé này
mà ta gọi là nhà, bất kể quốc gia, địa vị, tín ngưỡng. Một câu chuyện chung của mọi người!
Tạm biệt và hẹn gặp lại!
Korean:
암흑물질이라고 부르는데, 우린 도대체 이것이 무엇인지 몰라요. 하지만 다른 역사적
노력의 결실처럼 얼마 지나면 새로운 설명이 나타날 것이니 10-20년 후의 큰 역사는
오늘과 얼마나 달라질 지 기대해 봅니다
하지만 다 모른다고 실망마세요. 다 알면 지겹잖아요.
아직도 많은 것들이 발견되어야 하고 현재 과학 조사의 속도라면 우리 생애 내에 많은
놀라운 발견이 펼쳐질꺼예요. 최소한 어린 학생의 생애에는..
세계 2차대전이든 에이브러햄 링컨이든 모든 역사는 결국 빅뱅에서부터 시작된
것입니다. 세계2차대전 교과서가 빅뱅부터 소개한다면 좀 어리석게 보일지 모르나
반대로 우리가 빅뱅은 역사가 아니라고 우기면 그것은 몇 백 조 배 이상으로
더 어리석은 짓입니다. 왜냐하면 빅뱅은 역사 모든 사건을 만들어내었기 때문입니다
그래서 대역사는 조국이나 계급 신념이 무엇이든 관계없이 우리 개개인에게
연결되는 것이고 우리의 공통얘기가 되는 것입니다.
다음 회에 다시 만나요!
Italian:
"materia oscura", ma non abbiamo idea di che cosa sia!
Eppure, come in ogni nuova impresa storica,
nuove scoperte altereranno la storia nei prossimi anni,
quindi aspettatevi che tra dieci o venti anni
le Big History siano parecchio diverse
da quelle di oggi.
Ma questo non è scoraggiante,
infatti sapere tutto diventerebbe noioso!
C'è ancora molto da scoprire, e al ritmo
attuale della ricerca scientifica, molte di queste
sorprendenti scoperte ci attendono durante
la nostra vita! O almeno durante la vostra.
Che si tratti della Seconda Guerra Mondiale o della vita
di Abe Lincoln, in ultima analisi, tutte le storie iniziano
con il Big Bang. Sì, sarebbe sciocco iniziale il consueto
libro di testo sulla Seconda Guerra Mondiale
con il Big Bang, ma sarebbe centinaia di
miliardi di volte più ridicolo
dire che il Big Bang – la madre di tutti
gli eventi storici – non fa parte della storia.
Ed è per questo che Big History raggiunge l'esistenza
di ogni singola persona in questo piccolo granello
di polvere che chiamiamo casa, a prescindere dalla nazionalità e dalla religione, per formare la nostra storia comune.
Ciao e alla prossima!
Portuguese:
Físicos a chamam de Matéria Escura,
mas não temos ideia do que seja!
Mas como em qualquer esforço histórico,
novas descobertas irão mudar a História no futuro,
então espere que as "Big Histories" do futuro tenham um olhar bem diferente da atual.
Mas isso não é desanimador,
porque saber tudo seria entediante!
Há muito o que descobrir, e no atual
passo das investigações científicas,
muitas dessas incríveis descobertas ocorrerão durante o nosso tempo de vida. (Ou ao menos no seu tempo de vida)
Que seja a Segunda Guerra Mundial ou a vida de Abraham Lincoln, toda as histórias, no final, começam com o Big Bang.
É, seria estúpido começar seu típico capítulo de Segunda Guerra Mundial com o Big Bang,
Mas seria muito mais ridículo dizer que o Big Bang
— a mãe todos os eventos históricos — não é História.
E é por isso que "Big History" alcança a vida de todas as pessoas
nesse minúsculo grão de poeira que chamamos de casa,
independente de nação, classe ou credo,
é a nossa história em comum.
Vejo você na próxima!
Romanian:
aceasta materie, materie întunecată, dar nu avem nici o idee ce este! Dar, ca în orice efort istoric, noi
descoperiri vor modifica povestea în viitorii ani, așa că ne așteptăm ca marile istorii de peste zece
sau douăzeci de ani de-acum să arate foarte diferit față de cele de astăzi.
Dar acest lucru nu este descurajator, deoarece să știi totul ar fi plictisitor!
Au rămas atâtea de descoperit, și pentru a fi la curent cu ritmul de cercetare științifică, multe
descoperiri uimitoare ne vor aștepta în timpul vieții noastre! Sau cel puțin în viața ta.
Fie că este vorba Al Doilea Război Mondial sau de viața lui Abe Lincoln, toate istoriile în cele din urmă încep
cu Big Bang. Da, ar fi o prostie
pentru a începe manualul despre Al Doilea Război Mondial
cu Big Bang-ul, dar ar fi de un sute de miliarde, trilioane de ori mai ridicol
să spun că Big Bang - mama tuturor Evenimentelor istorice- nu a fost istorie.
Și de aceea Big history ajunge în
viața fiecărei persoană de pe acest fir mic de
praf numim acasă, indiferent de națiune, de clasă sau credință, și formează povestea noastră comună.
Ne vedem data viitoare!
Portuguese:
Subtitles: Leandro Ricardo
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Tottenham Hotspur!
Tottenham Hotspur's always been one
of the big clubs in the Premier League.
The vision for this stadium was we wanted
an iconic building, something that will
stand the test of time,
and will be known globally.
"To dare is to do" today is a motto that we've had.
It does encapsulate how we approach our business.
We've tried to do something
that's never been done before.
Everything we've thought about when
we've been designing this stadium,
how can we make the experience more entertaining?
It's why we are in the entertainment business.
When you're born a fan of a particular
club, you die a fan of that club.
The allegiance goes from one generation to the other.
That's why there's so much passion involved.
The only thing that you need really
to have an amazing experience
in this venue is your mobile phone.
From leaving home to traveling to the
venue, we want to tell you what the best
transport routes are to
help you get here on time.
Helping them to connect their
friends and family,
provide information that's useful for
that person to have a better experience.
That's the main entrance, but it's
telling us to go down there.
All the way to finding their seat,
and having a great experience during the event.
Hewlett Packard Enterprise has enabled
this intelligent stadium. Their core
infrastructure support our entire
business operation. The Pointnext team
have been part of my team
from the beginning.
This is probably the first truly digital stadium
that's ever been built. Everything is interlinked.
Audio, lighting, building management systems, CCTV,
security systems, mobile ticketing,
electronic point-of-sale, the incredible amount
of digital signage we have at this stadium,
and broadcast infrastructure is all residing
on Aruba network and wireless services.
Hewlett Packard Enterprise technology
is actually the most important piece
of technology in this building,
because without it, nothing else can operate.
But it then carries on
through the journey.
We want to serve you exclusive
content, half time.
As well as enabling you to connect
your own social media channels.
And when I come to the stadium, I want to be able
to use Wi-Fi. And that's obviously a challenge
when you have 62,000 people probably
who are all on the phone at the same time.
The wireless connectivity from Aruba has
been actually game changing. Way finding
has come to life through Aruba Beacons.
Based on your seat location, we help guide you to a food
and beverage option that we know you'll enjoy.
This is the first truly cashless stadium in the world.
We can actually serve fans a lot quicker.
We get sales updates almost every
30 minutes on products that we're selling
and what our sales position is.
We have now more data sources than
any other stadium in the world.
It's an accelerator for us to drive more revenues,
but at its heart, it's an enabler for us
to deliver an enhanced fan experience.
We can't do any of that without the connectivity
and of course, the data and the
analytics and the intelligence.
All this transactional information
is happening at the edge.
The data center is at the heart of everything we do.
But the edge is what powers the stadium.
Whether this is the stadium of the
future or not, that's for other people to judge.
But certainly it's the stadium of today
because everyone's talking about it.
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about Lady Liberty
standin' there in the harbor
with her torch on high,
screamin' out to all
the nations in the world,
ons
e,
men,
,
Al
An
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\hich\f2\strike0\ulnone\cf1 re}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
doing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
them}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrate}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
honor}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 comfort}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
burden}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
grief}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
having}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
range}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
motions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
go}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
through}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
comforting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
assist}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
anchor}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
time}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
change}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
whether}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
change}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 joyful}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tragic}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
traditional}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
contemporary}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 society}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
religious}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
basis}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
even}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
if}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 they}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
been}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
excessively}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
commercialized}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
such}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Christmas}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Halloween}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Also}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
if}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
don}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
share}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 beliefs}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
opinions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
behind}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
those}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 may}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
feel}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
easy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
interested}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 participate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
them}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
This}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
allow}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
yearn}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
means}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 milestones}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
through}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
other}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
nonreligious}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Nevertheless}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
forming}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
community}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
through}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
shared}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrations}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 human}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
necessity}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
irrespective}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
faith}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
culture}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 reality}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
all}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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from}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22
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routines}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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yearly}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebration}
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
gathers}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tribe}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
together}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
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All}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
needs}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
some}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
time}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
think}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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what}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
significant}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
connect}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
awe}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
universe}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
live}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0
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\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Chapter}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
1 - }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Celebrating}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
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a}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
method}{\rtlch\ab0\ai0\af2\afs34
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
remote}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
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probabilities}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}
{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
even}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
all}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs34
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The}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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majority}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
marveling}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
at}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
newborn}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
baby}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
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It}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
amazing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reason}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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each}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
person}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
who}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 \u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 ever}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lived}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
begins}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
small}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bundle}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
If}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 re}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fortunate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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get}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
maintain}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
80 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
100 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
years}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 ; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
however}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 compared}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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lifespan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
universe}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 presently}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
believed}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
13.8 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
billion}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Understanding}
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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It}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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genes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
thousands}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
particular}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 sexual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rendezvous}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
between}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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your}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ancestors}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
had}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 happen}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 factor}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mortality}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
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historical}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
incidences}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
natural}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 disasters}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
such}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
war}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
probabilities}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
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of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
being}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
very}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
remote}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
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Also}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Happenstance}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
role}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
presence}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
this}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
small}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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green}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
planet}{
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
In}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 1938, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
author}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 Sasha}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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grandparents}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
saw}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
each}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
other}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
E}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
train}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
New}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
York}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
City}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Harry}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
grandfather}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
was}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 reading}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Faulkner}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Absalom}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Absalom}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
! }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
While}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
he}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 flipped}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
page}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
his}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
book}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
woman}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sitting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
next}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
him}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
put}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
hand}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
his}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
arm}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
She}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
was}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
still}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reading}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
page}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 hadn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
finished}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
That}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
woman}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
turned}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
out}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 \u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
grandmother}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
If}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
she}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
d}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 sat}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
another}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
seat}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
used}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
different}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
train}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
line}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
grandparents}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
across}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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generations}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
after}{
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.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum
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\ulnone\cf1 It}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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species}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
numerous}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Earth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
In}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Western}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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world}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
baptisms}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
naming}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 days}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
common}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Chinese}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
families}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 feast}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
when}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 new}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
baby}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
clocks}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
100 }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
days}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
old}{\rtlch\ab0\ai0\af2\afs22
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrating}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
child}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
confronted}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\u8217 }{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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Nevertheless}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
won}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{
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t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
praying}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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salat}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
hosting}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Shabbat}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
going}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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church}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
services}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
if}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
see}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
means}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
connect}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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your}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
community}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
may}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 find}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
out}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
already}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
drink}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
night}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
your}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 associates}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
monthly}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
shift}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 regular}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
gym}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
class}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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Regular}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
form}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
patterns}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lives}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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offer}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ease}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Simple}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
day}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
day}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
specifically}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 assist}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tolerate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
unavoidable}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 doubt}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
For}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
instance}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
feels}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
at}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ease}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 every}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
morning}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
when}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Jon}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
husband}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
takes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cup}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
coffee}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
enjoy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bed}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
While}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
drinking}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
coffee}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 thinks}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
just}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Jon}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
compassion}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
however}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 several}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
factors}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
brought}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
steaming}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 drink}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mug}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
: }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
beans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
developed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
earth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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roasting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
grinding}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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harvesting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
purification}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
kitchen}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
This}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
offers}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sense}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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wonder}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
while}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
at}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 same}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
strengthening}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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connection}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
husband}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
A}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
religions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
make}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 use}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
weekly}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
worship}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
strengthen}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 connections}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
within}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
gatherings}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
The}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
timing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
weekly}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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ritual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
perfect}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
common}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
enough}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
feel}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
special}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22
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however}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
really}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Say}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{
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re}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
form}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
kind}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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structure}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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It}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
whimsical}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
decide}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar
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As}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
newlyweds}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
coincidental}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
meeting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
taxi}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
driver}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22
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who}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
thought}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
playfulness}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 was}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
solution}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
successful}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
marriage}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 formed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
weekly}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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author}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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t}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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autumn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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2010, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
monthly}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Ladies}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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Dining}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Society}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
New}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 York}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
City}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
She}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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had}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
witnessed}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
she}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 generally}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
saw}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
understood}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
might}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
gain}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
connecting}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
each}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 other}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
What}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
began}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
few}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
friends}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 friends}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
meeting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
weeknight}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
developed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
now}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
happens}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
three}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
various}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cities}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
members}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
moved}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
new}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
place}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Those}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
who}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
attend}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
gain}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
support}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
accompanies}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 regular}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
meeting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
community}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum
\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af0\afs24\ltrch\b0\i0\fs24\f0\insrsid10976062\strike0
\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Chapter}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
3 - }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Celebrating}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
seasonal}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
change}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
assists}{
\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 accept}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
deal}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
recurring}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
nature}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 of}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar
\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Even}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
though}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fan}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
maths}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ll}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
probably}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
understand}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
23.4-}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 degree}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
angle}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
isn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
really}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
huge}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
And}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
still}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
an}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
angle}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
this}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\u8217 }{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
extent}{
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Earth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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\dbch\af2\hich\f2\strike0\ulnone\cf1 The}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrations}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 dated}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
If}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
look}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 at}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
religious}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
calendars}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
connection}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Northern}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Hemisphere}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ll}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
discover}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
pattern}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Spring}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
pleasing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
season}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reminds}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 \u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ve}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
endured}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
winter}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
hosts}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
events}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 such}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Passover}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Easter}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Kanamara}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Matsuri}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Japan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Festival}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Steel}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Phallus}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
At}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
first}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
look}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 difficult}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
notice}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
association}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
between}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
resurrection}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Jesus}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Christ}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
freedom}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Israelites}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Egyptian}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
slavery}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
defending}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
naive}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
penises}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
demons}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
concealed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 vaginas}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
aside}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fact}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
these}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
festivals}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fall}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
same}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
season}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
But}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
own}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
traditions}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
each}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebration}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 rebirth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
by}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
extension}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fertility}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
And}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
what}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
best}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrate}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fertility}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
than}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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!}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw
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But}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
seasonal}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrations}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 aren}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
usually}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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joyful}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Fall}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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its}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
shortened}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
days}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 turning}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
leaves}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reminds}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
winter}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
forthcoming}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Although}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fall}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
season}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
harvest}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 ; }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
also}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrated}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
by}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
numerous}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cultures}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 dead}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0
\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 This}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tradition}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dated}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
back}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Iron}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Age}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Celts}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
who}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
made}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
use}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
movement}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 star}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cluster}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 know}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
center}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
between}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fall}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
equinox}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
winter}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
solstice}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
When}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
center}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 was}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
gotten}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
they}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrated}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Samhain}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
by}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 having}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
feast}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dead}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
people}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0
\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Centuries}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 after}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cultures}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
still}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
pay}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 homage}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dead}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
around}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
this}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
period}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
year}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Mexicans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
observe}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
D\'eda}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 de}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
los}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Muertos}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Catholics}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrate}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
All}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Souls}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Day}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Cambodians}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
honor}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ancestors}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Pchum}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Ben}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
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Others}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
will}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
put}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
witch}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
outfits}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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Halloween}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
These}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 \u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
religious}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
assist}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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fear}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Winter}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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solstice}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
After}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 days}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{\rtlch\ab0\ai0\af2\afs22
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bringing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
spring}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
This}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
season}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Jewish}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
menorah}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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candles}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Christmas}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lights}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Punjah}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bonfires}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
when}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 unavoidable}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
return}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
warmer}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
days}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Irrespective}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 faith}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
culture}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrating}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
end}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
winter}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
been}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
an}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
act}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
hope}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
humans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
eras}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
hope}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
given}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
essentially}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
by}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
deity}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
prophet}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
however}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
by}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
orbit}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
home}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
planet}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1
\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
{\rtlch\ab0\ai0\af0\afs24\ltrch\b0\i0\fs24\f0\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Chapter}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 4 - }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Confessing}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 and}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
looking}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
atonement}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
isn}{
\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
only}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
experience}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs34
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but}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
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means}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs34
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
development}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 connection}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0
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\dbch\af2\hich\f2\strike0\ulnone\cf1 Every}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
human}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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whether}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
re}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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religious}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
It}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
unavoidable}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
day}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ll}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 harm}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
someone}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 \u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
may}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
unintentionally}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
deliberately}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 \u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ll}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 feel}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
guilty}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Although}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
concept}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
transgression}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
usually}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
viewed}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 moral}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
idea}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
guilt}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
works}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
an}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
evolutionary}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
purpose}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Without}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
guilt}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
would}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
never}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
attempt}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fix}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
issues}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
members}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
communities}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
people}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
whose}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
support}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 assists}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
make}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
alive}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Humans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
created}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
several}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
atone}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sins}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
For}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
instance}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Catholics}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 go}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
confession}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
During}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Yom}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Kippur}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Jews}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
pound}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
chests}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ask}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
forgiveness}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
other}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 people}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Hindus}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
carry}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
out}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
penance}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
during}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Pr\u257 ya\u347 citta}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
A}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
native}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tribes}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Americas}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
see}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
physical}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
disease}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
an}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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outcome}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
violating}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
social}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 norms}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
By}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
revealing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mistakes}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
medicine}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
man}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
patients}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
get}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
better}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22
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\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
While}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
people}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
would}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
debate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 confessing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
your}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sins}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
heal}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
disease}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
does}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
show}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
significance}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
taking}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 charge}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
errors}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
relieve}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ourselves}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
grow}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 people}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Alcoholics}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Anonymous}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
makes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
use}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
this}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
model}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
support}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
alcoholics}
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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Nine}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
amends}{
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\ulnone\cf1 Another}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
modern}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
iteration}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
therapy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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On}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
client}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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reveal}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
deeds}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 feelings}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
therapist}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
who}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
similar}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
priest}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 \u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sworn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
confidentiality}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
And}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
definitely}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lawbreakers}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
confessions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
done}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
court}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
will}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
choose}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
what}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
actions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sinner}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
needs}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
do}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
clear}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
themselves}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 crimes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0
\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 Sometimes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
offenses}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
small}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
just}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 small}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
harm}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
separate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
loved}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
remembers}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
immediately}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 after}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
birth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
daughter}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
she}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 was}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
annoyed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
at}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
husband}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Jon}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
folding}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
vital}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 document}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
She}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
chose}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
confess}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
him}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
she}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
d}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 been}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
controlling}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
apologize}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
He}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
well}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
apologized}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
keeping}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
paper}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
flat}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Both}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
them}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
kissed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
forming}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
small}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reconciliation}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql
\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Regardless}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
all}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
make}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mistakes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
acknowledging}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
faults}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 never}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
easy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
But}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
when}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
seek}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
courage}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
apologize}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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burden}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
guilt}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mend}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bonds}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1
\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
{\rtlch\ab0\ai0\af0\afs24\ltrch\b0\i0\fs24\f0\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Chapter}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 5 - }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Yearly}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 celebrations}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
such}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
birthdays}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reconnect}
{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 the}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
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love}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs34
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
also}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
universe}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs34
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\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Nothing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrates}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
time}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
more}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
meaningfully}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 than}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
passing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
year}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Due}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
orbital}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
path}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 every}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
anniversary}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
puts}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
same}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
astronomical}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
spot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
were}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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. }{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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unavoidable}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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our}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
loved}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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ones}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0
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\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
The}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 repetition}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
produced}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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by}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
astronomical}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
incidences}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
such}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Earth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
orbit}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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around}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sun}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 really}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
compelling}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
humans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
since}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
brains}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
made}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
look}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
patterns}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
This}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
partially}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reason}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
why}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
astrology}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fascinates}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
people}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Anniversaries}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
connect}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
movement}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
planets}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
so}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
something}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
beyond}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ourselves}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 .}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0
\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
every}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
anniversary}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
joyful}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
event}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Celebrating}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
death}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
loved}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
someone}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
respect}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bittersweet}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
issue}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
The}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
English}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 language}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
doesn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
brief}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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word}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
day}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
person}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
died}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
however}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Yiddish}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
yahrzeit}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
In}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
spite}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
secular}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
opinions}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
great}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ease}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
doing}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 yahrzeit}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
candle}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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honor}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
deaths}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
family}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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members}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0
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\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 got}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
know}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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about}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
this}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mother}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
when}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
she}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
was}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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still}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
child}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
She}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
loves}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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since}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
watching}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
candle}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
flame}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
makes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
feel}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
little}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
part}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
loved}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
still}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
present}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Earth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
just}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
see}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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star}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
may}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
died}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb
\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lighting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
candles}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
isn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
only}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
connected}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
death}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 A}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
decorate}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
birthday}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cakes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
candles}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
passing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
year}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
This}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dated}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
back}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ancient}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Greek}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
goddess}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Artemis}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Along}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
being}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
related}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 moon}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{\rtlch\ab0\ai0\af2\afs22
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Artemis}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
was}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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To}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
provider}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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light}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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moon}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cult}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
members}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
small}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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torches}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
into}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
flat}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cakes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 And}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
due}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
role}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
this}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
may}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cake}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
candles}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrations}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb
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Irrespective}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
how}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rejoice}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
birthdays}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
shaped}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
by}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ancestors}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
came}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
We}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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challenged}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
death}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
another}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 year}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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keep}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
partaking}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
joys}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
make}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
existence}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Earth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 really}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
special}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw
\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af0\afs24\ltrch\b0\i0\fs24\f0\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0
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\dbch\af2\hich\f2\strike0\ulnone\cf1 Chapter}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
6 - }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Accepting}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
weddings}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
social}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 provides}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
liberty}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
make}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
your}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
own}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
traditions}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{
\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql
\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Rings}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
exchanging}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rice}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
throwing}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
white}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dresses}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
: }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
if}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 ve}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
been}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Western}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{\rtlch\ab0\ai0\af2\afs22
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you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ve}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
probably}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
seen}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 these}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
traditions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
where}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
did}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
they}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
originate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
what}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reason}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
still}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
do}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
them}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
?}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1
\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Weddings}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 reveal}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
how}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
extremely}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
humans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
love}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
make}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
respect}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
traditions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
maybe}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
they}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 cultural}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
historical}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
religious}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
A}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 these}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
linked}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fertility}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
surprising}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
because}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
long}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
-}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
held}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
role}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
marriage}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
had}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 sanctioning}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Food}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
usually}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
used}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bring}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
little}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bit}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
couple}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
luck}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
conceiving}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 which}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
initial}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cause}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
pouring}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 couples}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rice}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
For}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
instance}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Muslim}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 couples}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
given}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
eggs}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
also}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Hungarian}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
brides}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
wheat}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 woven}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
into}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
braids}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
If}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
peradventure}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Greek}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
someone}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
might}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
put}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
baby}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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your}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
matrimonial}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
before}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
get}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
there}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
increase}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
your}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
probabilities}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
conception}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb
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Although}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
every}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 tradition}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reproduction}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
For}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
instance}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Germany}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
couples}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
use}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
two}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
-}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
person}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
saw}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
divide}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
log}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
signifies}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
pledge}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cooperation}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
And}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
putting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ring}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
your}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fourth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
finger}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
goes}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
back}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ancient}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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false}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
connected}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
back}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
heart}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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saying}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
others}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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officially}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
taken}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum
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}{
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When}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
well}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
partner}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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Jon}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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were}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
preparing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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series}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
traditions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Jewish}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Christian}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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also}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Greek}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cultures}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 entailed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
standing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
under}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Jewish}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
wedding}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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canopy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
called}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
chuppah}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 lighting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
unity}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
candle}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 twentieth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
-}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
century}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Christian}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tradition}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reading}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
section}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
divided}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lovers}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
looking}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
out}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
each}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
other}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
out}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
gotten}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Plato}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Symposium}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw
\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
maybe}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
were}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 most}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
significant}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
were}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
those}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
merged}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
father}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 into}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ceremony}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
The}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
author}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
much}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
-}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
loved}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
father}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
well}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
-}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 known}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
American}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
scientist}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Carl}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
died}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
when}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 she}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
was}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
only}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
14}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
years}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tied}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
father}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
neckties}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
around}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bouquet}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
therefore}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
he}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
was}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
symbolical}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
while}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
she}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
walked}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
down}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
aisle}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Also}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
she}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Jon}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
wedding}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
took}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
place}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
at}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Herbert}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
F}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Johnson}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Museum}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Art}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
hosted}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
an}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
art}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 installation}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
known}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Cosmos}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tribute}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Carl}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 work}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
This}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
assisted}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
process}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
huge}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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father}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
absence}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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When}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
preparing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
your}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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day}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
feel}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
empowered}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 add}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
traditions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
irrespective}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 roots}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0
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\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Chapter}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
7 - }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 A}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34
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our}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
surrounding}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 are}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
defined}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
social}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
conventions}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
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\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
want}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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picture}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
your}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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burdened}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
eras}{
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.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum
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\ulnone\cf1 Therefore}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reason}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
why}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
stress}{\rtlch\ab0\ai0\af2\afs22
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-}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
relieving}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
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action}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
floods}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
hormones}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
connects}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
strongly}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
kind}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
social}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
stigma}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
? }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Firstly}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
powerful}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
It}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
change}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
most}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
stable}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
among}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 into}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
heady}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
unpredictable}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
beings}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Secondly}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
harmful}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
It}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cause}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
disease}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 lead}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
unwanted}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
pregnancies}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
among}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
heterosexual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
couples}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Also}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
even}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
if}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
you}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
wanted}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
pregnancy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
childbirth}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
still}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dangerous}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
These}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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reasons}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
possibly}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 cause}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
why}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
humans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
made}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
social}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
more}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
around}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
having}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
One}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
most}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
popular}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
around}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
marriage}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Traditionally}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
some}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
societies}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
nowadays}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
wedding}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 sanctioned}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
between}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
couple}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
approved}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reproduction}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Although}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
doesn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
share}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
these}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
beliefs}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
anymore}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
couples}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
still}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 usually}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
enjoy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
honeymoon}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
after}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
wedding}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 They}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
may}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
aware}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
this}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritual}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
was}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
formed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 during}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
1500}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
aid}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
conception}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Newlyweds}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 were}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
provided}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 month}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
privacy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
little}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
honey}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 mead}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
probably}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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make}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
an}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
heir}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22
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However}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
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monogamy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
isn}{
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 only}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sanctioned}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
place}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
having}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
In}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
defiance}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 guilt}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cultures}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
enforced}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
some}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 communities}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
publicly}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrated}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
For}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
instance}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Oneida}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Community}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
was}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
founded}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
upstate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
New}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
York}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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, }{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
social}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
injustice}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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Just}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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communal}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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useful}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
time}{
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-}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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such}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lazy}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Susans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mousetraps}{
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.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum
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\ulnone\cf1 There}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
still}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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polygamous}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
communities}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
existence}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
flourish}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
animist}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Muria}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
people}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Chhattisgarh}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
found}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
India}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
This}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
community}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
promotes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 teenagers}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
live}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ghotuls}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
type}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dorm}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 \u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
therefore}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
they}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sexual}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
experience}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
before}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 marriage}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
while}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
learning}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
wedding}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
funeral}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum
\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Irrespective}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
drive}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
having}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
there}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
no}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
disputing}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
its}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
transformative}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 power}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Since}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dawn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Earth}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sex}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
formed}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
existences}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
influenced}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
roles}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
society}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
also}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
transformed}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
relationships}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af0\afs24\ltrch\b0\i0\fs24\f0\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0
\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Chapter}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 8 - }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Ritualizing}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
death}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
assists}{
\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 process}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
grief}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
show}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sorrow}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl
\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Cremation}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mummification}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
burial}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
death}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
has}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
encouraged}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
human}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
since}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
earliest}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
times}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Even}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Neanderthals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ancient}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cousins}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
buried}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
family}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
members}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
According}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 some}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
schools}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 thought}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
anthropological}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritualization}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
death}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 indicates}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
start}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
humanity}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum
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\ulnone\cf1 Although}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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most}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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popular}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
modern}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cremation}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
burial}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 these}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
aren}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
only}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
placing}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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loved}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
body}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rest}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Mummification}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
still}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
being}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 practiced}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Tana}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Toraja}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Indonesia}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
The}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dead}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 people}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
aren}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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buried}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
however}{
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
they}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 kept}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
if}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\u8217 }{
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re}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 sick}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rather}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
than}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Also}{\rtlch\ab0\ai0\af2\afs22
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
although}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
digging}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 up}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
grave}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 would}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
considered}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
by}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
people}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
terrible}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
crime}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 , }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 societies}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
scattered}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
across}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
globe}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Vietnam}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Madagascar}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
exhumation}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
seen}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
loving}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritual}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
After}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
sufficient}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
years}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 gone}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
by}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
body}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
decompose}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
bones}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 exhumed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cleaned}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
cautiously}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reburied}
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha
\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Funeral}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rites}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
only}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
part}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
death}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
which}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
engage}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Over}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
centuries}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
humans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
formed}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
special}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
assist}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Mirrors}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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mourning}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
won}{
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\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
see}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 how}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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-}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
stricken}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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they}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
appear}{
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum
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\ulnone\cf1 Also}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
some}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
areas}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
modern}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Bulgaria}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
posters}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
describing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 dead}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
person}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
beloved}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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hanged}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
around}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
town}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 each}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
year}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
anniversary}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 death}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
This}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reminds}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
community}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 people}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
they}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ve}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dies}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
avoids}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
grieving}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mourning}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 alone}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
As}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
notices}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
routines}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
such}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 these}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 bit}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
do}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
religion}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lot}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
do}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
shared}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
humanity}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum
\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Death}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
makes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lives}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dangerous}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
; }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
however}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
at}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
same}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
time}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
also}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
makes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
them}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
valuable}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
We}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
won}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
live}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
this}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
doesn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
divert}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
real}{\rtlch\ab0\ai0\af2\afs22
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Although}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
just}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
here}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
every}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
one}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
part}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
amazing}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Earth}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
its}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
beautiful}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
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joys}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0
\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 are}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
happen}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
connect}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 people}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
care}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
about}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
We}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
don}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
t}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 part}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
specific}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
culture}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
or}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
religion}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
gain}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
their}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
healing}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
effects}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 . }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
By}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 reinterpreting}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
present}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
traditions}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
reasonable}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
manner}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
celebrate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
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the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 milestones}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
with}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
own}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
exceptional}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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\ulnone\cf1 For}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Small}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Creatures}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Such}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
We}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
: }{\rtlch\ab0\ai0\af2\afs34
\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Rituals}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Finding}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Meaning}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Unlikely}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs34
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs34
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Book}{\rtlch\ab0\ai0\af2\afs34
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}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Review}{\rtlch\ab0\ai0\af2\afs34\ltrch\b0\i0\fs34\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1
\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
We}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
humans}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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naturally}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
yearn}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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community}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
relationship}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
offer}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
For}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
secular}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
people}{
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, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
can}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 be}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
really}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
hard}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
from}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
significant}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
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nonreligious}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
lives}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
However}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
if}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
track}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
marriage}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
communion}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 becomes}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
obvious}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
that}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
majority}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
are}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
not}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
embedded}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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. }{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
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on}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
phenomena}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
and}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
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our}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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common}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
humanity}{\rtlch\ab0\ai0\af2\afs22
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. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Because}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
re}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
all}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
human}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 we}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
have}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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liberty}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
participate}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 these}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
rituals}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 honor}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
significant}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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instances}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
in}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
life}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 \u8211 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tweaking}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 them}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
make}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
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them}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
significant}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
us}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 personally}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
.}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0
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\dbch\af2\hich\f2\strike0\ulnone\cf1 Make}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
your}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
own}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
spring}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
ritual}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
such}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 Blossom}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Day}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 .}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\insrsid10976062\strike0\ulnone\cf1\par}\pard\plain\itap0\s0\ilvl0\fi0\sb240\sa0\aspalpha\aspnum\adjustright\brdrt\brdrl\brdrb\brdrr\brdrbtw\brdrbar\widctlpar
\ltrpar\li0\lin0\ri0\rin0\ql\faauto\sl360\slmult1\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Celebrating}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
emergence}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
of}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
spring}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
is}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 significant}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
after}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2
\dbch\af2\hich\f2\strike0\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
long}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
gray}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
winter}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mother}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
created}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 Blossom}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Day}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
when}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
she}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
was}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
just}{\rtlch\ab0\ai0\af2\afs22
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
a}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
small}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
girl}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Each}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
day}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
as}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
winter}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
came}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
an}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
end}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
Sagan}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
would}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
go}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
garden}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
to}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
inspect}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
dogwood}{
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
tree}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
there}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 for}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
the}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
blossom}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
When}{
\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
it}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0
\ulnone\cf1 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
arrived}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2
\hich\f2\strike0\ulnone\cf1 her}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
mother}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22
\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
would}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
host}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
small}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
party}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
, }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
fully}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
. }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
\u8217 }{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
s}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
}{\rtlch\ab0\ai0\af2\afs22\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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}{\rtlch\ab0\ai0\af2\afs22
\ltrch\b0\i0\fs22\loch\af2\dbch\af2\hich\f2\strike0\ulnone\cf1
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El mundo lleva semanas viendo cómo la pandemia del coronavirus ha puesto contra las cuerdas
a los sistemas sanitarios de salud de países ricos, como Italia o España.
Pero la pandemia ha llegado a
América Latina, una región con más de
600 millones de habitantes y además la más desigual del planeta.
¿Qué está pasando allí? En este video
te vamos a dar 4 claves para entenderlo…
Empecemos por decir que esta región no es homogénea…
y tampoco lo son sus sistemas sanitarios…
Los hay públicos, privados, sociales… con más y menos inversión, y en definitiva, con más y menos recursos
para enfrentar esta pandemia.
Es decir, hay países que están mejor preparados
que otros para enfrentarla.
Y la gran debilidad de muchos sistemas
sanitarios es que pueden colapsar con muchos
menos casos de los que han puesto en problemas a países como Italia, España o Estados Unidos.
Algo que se ha visto en Ecuador, con la dramática situación de Guayaquil, una de ciudades más
golpeadas por la pandemia en la región.
En general, América Latina dedica menos dinero a la salud que muchos países europeos.
Para que se hagan una idea Alemania, la primera
economía de Europa gasta 5986 dólares per
cápita al año en salud
Y Brasil, la economía más grande de América
Latina 1282 dólares...
Pero más revelador aún de la desigualdad
es Haití, el país más pobre de la región,
que solo gasta 37 dólares per cápita al año.
Pero no es sólo cuestión de que inviertan más o menos, sino también que el acceso a la salud en América
Latina varía muchísimo de los sistemas públicos a los privados.
Según la OPS el 30% de los latinoamericanos no tiene acceso a la salud simplemente
porque no tiene dinero para ir a un hospital.
Y el 21% de la población no tiene un hospital
o un centro de salud cercano…
Una segunda clave es que según los datos que tenemos disponibles, es que la llamada curva
de la pandemia en la mayoría de los países ha ido en aumento.
Durante las últimas 3 semanas de marzo la
región pasó de concentrar el 0,1% de los
casos globales al 2,18% de los casos.
Hasta la primera mitad de abril, los países
con más casos confirmados eran Brasil,
Perú , Chile , Ecuador y México.
Y los que registran más fallecidos son:
Brasil, México, Ecuador, Perú y República Dominicana.
Esto quiere decir que hay países que están controlando de mejor manera la letalidad que otros.
Bueno y la pregunta que todos se hacen es cuándo esa curva se empezará a aplanar… es decir, se llegue
al pico del número de contagios y empiece a descender…
Según ha dicho la Organización Mundial de la Salud esta es una pregunta muy difícil de
responder pero si se mira el caso de China, puede ser que esto ocurra
después de 8 semanas de haberse diagnosticado el primer caso…
Pero ojo, que estas cifras hay que mirarlas con lupa, porque de hecho no están teniendo en cuenta
los miles de casos en cada país
que no han sido detectados o identificados.
También depende de la cantidad de tests que esté haciendo cada país.
Y esto nos lleva a la siguiente clave.
La lógica es simple, mientras más tests se realizan más casos se detectan.
Y según la OMS, esto permite aislar y dar seguimiento a casos sospechosos y de esta manera frenar
de una manera más efectiva la propagación del virus.
Dos ejemplos de éxito son Corea del Sur, que solo en el mes de marzo realizó más de 100 mil por semana
y Alemania, que realizó 300
mil. Los dos países tienen bajas cifras de letalidad.
Pero son dos países ricos con capacidad de producir y ellos mismos los tests.
Pero en América Latina la disponibilidad de tests es mucho menor.
Se sabe que la OMS había distribuido hasta principios de abril 220 mil pruebas
entre todos los países de la región.
Imaginen que son menos pruebas que las que puede hacer un solo país como Alemania en
una semana.
Y los países latinoamericanos con capacidad para producir sus propios tests son pocos.
Chile, Brasil, México y Argentina están
entre esos países y si le sacan ventaja a esta posición,
puede ser que puedan hacer mejor frente
a esta pandemia en la región.
La cuarta clave son las ventajas comparativas que tiene la región.
La primera es el tiempo.
La Organización Panamericana de la salud insiste en que en que todavía hay un margen para evitar
que los sistemas sanitarios de la región colapsen.
Porque la pandemia llegó a América Latina
casi dos meses después que se expandiera
en China y un mes después que a Europa.
Y en la mayoría de los países de la región
se comenzaron a tomar medidas de distanciamiento social y de cierre de fronteras con muchos menos
casos que en Europa y Estados
Unidos.
El mejor ejemplo es El Salvador, que sin reportar ningún caso decretó cuarentena nacional el
11 de marzo… solo dos días después de que Italia, decretara el confinamiento cuando
ya tenía 400 muertes.
En el otro extremo el presidente de Brasil
Jair Bolsonaro se resistió hasta hace muy poco
a tomar medidas contundentes.
Aquí hay que recordar que Brasil es
el país con más muertes por covid-19 en
América Latina.
Otra ventaja es que a diferencia de Europa,
América Latina tiene 130 años de experiencia
lidiando con enfermedades infecciosas.
Y que a pesar de la debilidad de su
sistema sanitario también es cierto que
están acostumbrados a enfrentar este tipo de
amenazas.
Hace 25 años que la región se declaró libre de polio y también ha tenido importantes avances
erradicando la malaria.
También manejó con éxito el brote del zika.
Pero claro, el covid-19 es un virus nuevo
y plantea muchas preguntas.
Y las dudas a futuro son no solamente saber cómo América Latina
va a ser capaz de superar esta pandemia en el ámbito
de la salud, sino también cómo va a enfrentar una crisis económica posterior que ya se teme sin precedentes.
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COLLEEN:
BUYING...SELLING AND TRADING
FOOD STAMPS IS
A CRIME.
GET CAUGHT - AND YOU COULD LOSE
YOUR BENEFITS...EVEN DO PRISON
TIME. MIKE:
TONIGHT - NBC 4 INVESTIGATOR TOM
SUSSI SHOWS YOU HOW DRUG ADDICTS
AND DEALERS
ARE ABUSING THE STATE'S FOOD
ASSISTANCE
PROGRAM - AND YOUR TAX DOLLARS.
MIKE:
HERE'S TOM WITH MORE ON THE
PROBLEM AND WHAT LAWMAKERS ARE
DOING TO PUT AN END TO IT.
TOM:
MOUNTAIN DEW.
DORITOS.
AND COOKIE CRISP.
THIS IS WHAT YOU'RE TAX DOLLARS
ARE BUYING
FOR ONE 25-YEAR-OLD SINGLE GUY
WITH NO KIDS.
AND HE MAKES MORE MONEY SELLING
DOPE IN
ONE WEEK THAN WHAT SOME OF YOU
WILL EARN
IN A MONTH.
SEEMINGLY HEALTHY.
I HAD TO ASK - WHEN IS THE LAST
TIME YOU HELD
A REAL JOB?
"F---!"
IT'S BEEN A WHILE.
HE SELLS HEROIN.
HAS BEEN SINCE HE GOT OUT OF
PRISON IN
2015 FOR BURGLARY AND GRAND
THEFT.
"IN A GIVEN WEEK, HOW MUCH CAN
YOU MAKE SELLING HEROIN?"
"$1,500 TO $2,000."
ON TOP OF THAT - THIS
25-YEAR-OLD HEROIN
ADDICT AND STREET DEALER SAYS HE
GETS FOOD ASSISTANCE TOO.
"HOW MUCH A MONTH?"
"$194.00."
REPRESENTATIVE TIM SCHAFFER "OUR
WELFARE
SYSTEM FROM A GENEROUS TAXPAYER
IS BEING ABUSED."
OHIO STATE REPRESENTATIVE TIM
SCHAFFER IS SPONSOR OF HOUSE
BILL 50.
IF PASSED - THESE FOOD DEBIT
CARDS WILL
HAVE THE RECIPIENT'S PHOTO ON
IT...JUST LIKE
YOUR DRIVER'S LICENSE.
REPRESENTATIVE TIM SCHAFFER "THE
PHOTO WILL ADD A TREMENDOUS
AMOUNT OF SECURITY AND DETERRENT
TO SELL THESE FOOD CARDS FOR
DRUGS AND OTHER ILLICIT
MATERIALS." REPRESENTATIVE
SCHAFFER SAYS HIS MAIN
CONCERN IS MAKING SURE KIDS WHO
NEED
THESE FOOD BENEFITS GET THEM.
INSTEAD OF THEIR GUARDIANS
SELLING OR TRADING THEM FOR
DRUGS. "REPRESENTATIVE TIM
SCHAFFER "WE CAN'T LET THESE
KIDS SUFFER."
BUT THEY DO - EVERY DAY. "IT'S
VERY COMMON."
THIS 31-YEAR-OLD ADDICT AND
STREET DEALER SAYS MANY OF HER
CUSTOMERS ARE ON
WELFARE AND HAVE CHILDREN. "I
JUST GOT A PHONE CALL EARLIER
SOMEBODY WANTING TO SELL $30
WORTH OF FOOD STAMPS FOR A
BERRY."
A BERRY IS ONE HIT OF MEXICAN
BLACK TAR HEROIN..ENOUGH TO FILL
UP A SYRINGE. IT GOES FOR ABOUT
$15 BUCKS ON THE STREETS.
"SO THEY'RE TAKING THEIR FOOD
RIGHT OFF THEIR
PLATE TO BUY DOPE?"
"YES."
"IN A GIVEN WEEK HOW MANY CALLS
WILL YOU GET FROM PEOPLE WANTING
TO SELL THEIR FOOD STAMPS SO
THEY CAN BUY DOPE?" "YOU
PROBABLY GET FOUR OR FIVE CALLS
AT LEAST A
WEEK."
"I'VE BEEN TO HOUSES WHERE THERE
AIN'T EVEN
A GALLON OF MILK."
REPRESENTATIVE TIM SCHAFFER
"THESE PEOPLE ARE BUYING HEROIN
FROM FOOD DEBT CARDS OR MONEY
THEY'VE GOTTEN RATHER FROM
SELLING FOOD DEBT CARDS. AND
IT'S WORSENING THE CRISIS FOR
OHIO FAMILIES." THIS FOUR TIME
CONVICTED FELON SAYS HE GETS
FOOD STAMPS.
"$124.00 A MONTH."
SELLING DOPE HELPS HIM
SUPPLEMENT HIS
INCOME AND SUPPORT HIS DRUG
HABIT.
"ABOUT $2,000."
THAT'S WHAT HE FIGURES HE MAKES
EVERY
WEEK SELLING DOPE.
"HAVE YOU EVER SOLD YOUR FOOD
STAMPS TO BUY DRUGS?"
"YES, I HAVE."
"YOU GET 50 CENTS ON THE DOLLAR.
SO IF I'VE
GOT A 100 DOLLARS IN FOOD STAMPS
I'LL SELL
THEM FOR $50 CASH."
HE TELLS ME LENDS THE BUYER HIS
FOOD DEBIT
CARD AND GIVES THEM HIS PIN
NUMBER.
"THEY WOULD TAKE MY CARD AND GO
TO THE
STORE AND BUY GROCERIES WITH
IT."
OHIO JOB AND FAMILY SERVICES
INVESTIGATES
WELFARE FRAUD.
HOWEVER - I'M TOLD THERE'S NO
WAY OF
KNOWING HOW WIDESPREAD THIS SORT
OF ABUSE IS IN THE FOOD
ASSISTANCE PROGRAM.
REPRESENTATIVE TIM SCHAFFER "YOU
CAN'T DEBATE THE FACT THAT THEY
ARE IN THE HANDS OF DRUG
DEALERS."
TOM:
THE OHIO DEPARTMENT OF JOB AND
FAMILY SERVICES TELLS ME THEY
WORK CLOSELY WITH LAW
ENFORCEMENT AGENCIES TO STOP
THIS SORT OF
FRAUD.
THEY SAY THOSE CAUGHT SELLING OR
TRADING THEIR FOOD STAMPS FOR
DRUGS
COULD LOSE THEIR BENEFITS
...EVEN FACE CRIMINAL CHARGES.
TOM - HAS THERE BEEN ANY THOUGHT
GIVEN TO
HOW TO BETTER SCREEN PEOPLE WHO
APPLY FOR
THESE BENEFITS SO THEY DON'T
WIND UP IN THE WRONG HANDS IN
THE FIRST PLACE?
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Kayoi nareta itsumo no michi
Misugoshisou na hana ga yurete
Atarimae to omoikomi ore dake
Taisetsu na mono ni kidzukazu ni itan darou
Itsuka awa no you ni atashi mo anata mo
Kirei ni kiete nakunaru no
Semete sono hi made wagamama wo kiite
Demo ienai ya iesou ni nai ya
Atashi ga tonari ni iru uchi
Ai wo motto atashi ni kudasai
Yokubari de gomen nasai
Anata no ai ni oboretai
Atashi ga tonari ni iru uchi ni
Ai wo motto atashi ni kudasai
Afureru you na omoi de
Anata wo tsutsumiko mitai no
Ame ni furare yukiba nakushi
Nan no batsu sa? To sora wo niramu
Tsuitenai ya tte sou
Dare kare nikunde
Kimi ni kidzukazu ni nasakenai na
Netami urami tsurami
Kuso mitaina uso
Subete ga kiete nakunarya ii
Nani o shinjireba?
Nani mo shinjinai
Mou shinjirareru
Mono nante nai yo
Anata ga tonari ni iru uchi ni
Ai wo motto oshiete kudasai
Yokubari de gomen nasai
Anata no ai ni oboretai
Anata ga tonari ni iru uchi ni
Ai wo motto oshiete kudasai
Afureru you na omoi de
Anata wo tsutsumiko mitai no
Anata ga warau warau
Anata ga waratteru
Sono riyuu ga Atashi dattara ii no ni na
Anata ga nagasu nagasu
Sono namida no wake mo zenbu
Atashi ga riyuudattara ii no ni na aaa
Aaaaaaaaaa
Atashi ga tonari ni iru uchi ni
Ai wo motto atashi ni kudasai
Yokubari de gomen nasai
Anata no ai ni oboretai
Atashi ga tonari ni iru uchi ni
Ai wo motto atashi ni kudasai
Afureru you na omoi de
Anata wo tsutsumiko mitai no
52
00:05:45,340 --> 00:00:00,000
Created By Nimesan
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[music]
The greatest stories of humanity are the stories
of the hero’s quest, and a good story starts
with a dream.
That is why all great leaders are visionaries.
They ask themselves mythical questions: Who
am I?
What do I want?
Who are the heroes and mentors our society
can learn from?
History traffics in myth-making, which is
based on personal charisma and uses spin to
evoke an aura of destiny.
When the strong and ruthless rise on the world
stage, we find ourselves led by power-hungry
premiers and presidents kings and generals,
autocrats and dictators.
But these measures of leadership are flawed.
None of the qualities mentioned here indicates
that a leader like this will actually improve
the lives of those who follow him.
Destructive behavior has a way of weeding
out bad leaders through failure.
The inspired leader’s power comes not from
other people but from her very being.
The path she walks is guided by her own soul.
Its hallmarks are creativity, intelligence,
organizing power, and love.
Power on this level isn't a force that you
use like a weapon to get your own way.
It isn't money, status, possessions, or any
other material surrogate
True self power implies feeling beneath no
one, being immune to criticism and being fearless.
It starts with a vision of the "core self”
as the author of your own story.
The greatest leaders are storytellers who
envision their lives as heroe's quests, which
come to fruition through inspired action.
They are perfectly aligned with their inner,
core self, which is in turn aligned with the
greater collective of society that they serve.
In this way, leadership is first a task of
perceiving and listening, prior to “doing”
or achieving.
Thus, a true leader is the soul of a collective
consciousness.
She unlocks the potential for greatness in
herself and those she serves.
Enlightened leadership taps into these values,
as well as those of truth, goodness, beauty,
intuition, creativity, insight and focused
attention.
In the midst of chaos, certain individuals
step out of the shadows in order to lead society
in new directions necessary for further evolution.
Only a truly great leader will find wisdom
in the face of mythic-proportion challenges.
And only a leader who operates from the soul
level, with vision, creativity, and love,
will be remembered as such.
Are you ready to be a leader?
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Hello, so yeah, I hope you guys have some energy left for the last breakout session.
My name is Monica. And for the last five years
I was working at sum up which is a FinTech company based here in Berlin and
a lot of what I'm going to talk about today is based on my experience working there growing the company from
About 80 people to more than 1,500 people worldwide
So we're gonna dive a little bit into what that looks like when it comes to scaling front-end architecture for a team
that is both distributed and
growing.
But before I go into that I want to ask a question and that is
Why do we rewrite software?
I don't know about you.
But there are pieces of code that I have written so many times , then I told the product manager
I will quit if you make me do it again.
All right. I don't know maybe some of you can relate to that.
I think there's not just one reason why we end up rewriting software.
In fact,
There's a ton of different reasons and to illustrate one of these
I want to tell you about my first ever job in tech. I was 19 years old my job title was
student
webmaster, which is a pretty awesome job title when you think about it because you get to be both a student and a master at
the same time I think it's a lot cooler than senior engineer or whatever it is. We call nineteen-year-olds these days
now
when I was working as
a student webmaster I was there to write
PHP and my sequel which I had been teaching myself in my childhood bedroom for the last couple of years
So when they asked me how much experience do you have? I thought I had four or five years of good experience
anyways, so I joined and I inherited the code from the previous student webmaster and
When I looked at this code, it was not exactly what I was expecting to find it was written in
object-oriented PHP
But the kind of PHP that I know how to write was
basically like HTML templates with a couple of sequel queries thrown in there, so
Yeah, I didn't really know what to do with it
So like any good developer ,I decided to rewrite it.
Why because I didn't understand what was going on and frankly
I didn't really have the maturity to figure it out spend the time and in reality
I think a lot of software gets rewritten for this reason comes down to inexperience
You just don't want to spend the time to understand someone else's code and frankly, It's a lot of work
Another big reason why code just gets rewritten is because well, it's fun
I mean, I don't know about you
But I spent every Christmas giving my statically generated blog a new theme why not because I need it
But because it's fun I have the time and I think if we were honest with ourselves
There is probably a good amount of product code. That is also rewritten for exactly this reason
Sometimes
It's because we have a better solution available
Especially on the web. We are often hacking our way around the platform and
Sometimes eventually the platform gives back and then we get to replace our homebrewed solutions with something
That is finally native
but the reason we usually rewrite code in my experience is
Another reason entirely when you ask a developer who's in the middle of a big rewrite
They will usually give you this reason for why their project
absolutely couldn't wait any longer and
That's technical debt.
Technical debt is one of my favorite terms in software development.
Why? Because you can ask every single person in this room what is technical debt and they will tell you something different.
Is it code I didn't write?
Oftentimes sometimes you know technical debt kind of tends to boil down to that.
Or if you've been working at the same company for a while,
It is code I wrote before I knew what I was doing. I
Can tell you I have got a lot of that.
Is it things like old libraries? I don't know you want to upgrade in the front-end. We love upgrading things
and maybe those libraries are keeping you from using some new features or
is it features no one uses because
Migration is the name of the game in front-end development
If you're not migrating something right now you are behind so if you have features that nobody uses you have to migrate them
Which is kind of terrible and yeah, you could say it makes you slower
so if I were to come up with my own definition
It would look something like this code that negatively and repeatedly affects the speed or quality of delivery
can be code tools infrastructure, whatever and
We know what it looks like, right? You start building something. It's super fast. You think this is amazing. It's green field
I'm so happy
This is why I'm a developer
And then over time your productivity
Slides right down to the bottom and you wonder how did this happen to me?
but what I've also seen is that sometimes this effect occurs and then the developer gets to a point where
They can't take it anymore. And they tell the product manager or the tech lead or whoever it is
Like you're not gonna retain me if you don't let me do my refactor
So you take a sprint or two and you start refactoring!
but unfortunately, what often happens is that you could slide right back down and why is that I
Like to think about this as recurring technical debt or technical debt on a subscription model
it's like I
Can't figure out how to cancel my technical debt subscription and I'm getting charged for it on a regular basis
Now you've probably heard this term it's called the second system effect basically what it means is you had something you thought it was terrible
Then you decided to rewrite it. But thanks to the fact that you were overconfident and
You probably made the new system too complicated. In fact, the second system is worse than the first
This is also summed up in a really excellent quote by the inventor of C++.
he says "legacy code" often differs from its suggested alternative by actually working and scaling.
Now I don't know about you but this is like utterly depressing for me
When I think about my life as a software developer if this is really like a fundamental truth I have to live by.
What's the point ? Is this my destiny I'm just like in this endless cycle of refactor it's gonna be terrible
I don't know if it's gonna be terrible. Maybe it's gonna be good and you just keep going over and over again and
That's kind of the reality in some ways.
The real cost of software is not about the initial development, but maintenance over time, because
requirements change you have new feature requests the business changes direction and that means our software has to. change too
So the question is not really why do we rewrite software? I think there are a lot of really good reasons
Why software needs to be rewritten sometimes but rather?
How can we make our systems more resilient to that inevitable change?
So that instead of having something that looks like this,
We can have something that looks a little bit more like that, where in fact the speed of adding new features increases over time.
How do we reach this promised land now.
There is one answer and it is an answer that most people are very unsatisfied with.
Good architecture.
But when you tell this to someone, you know, and they are in the middle of problems that are maybe caused by poor architecture.
They're gonna look at you and say
Thanks for that. Like I really appreciate your endless wisdom, you know your
philosophizing about how I'm gonna fix my problem. It's really nice
And what why is it that this is the kind of reaction elicited when you when you give someone this response?
Well, I think it's because to your average software developer
Architecture. It's kind of like a dirty word
You know because on the one hand a lot of people don't necessarily know
What does the Software Architect at my company do all day?
Really? You should try asking them. A lot of them. Don't really know they'll think okay this person maybe transcended coding
But what comes after that?
meetings
writing on a whiteboard maybe writing something in the wiki.
there's also the fact that
software architecture doesn't really have a common definition people love to argue about what architecture really is.
You can imagine if in the world of front-end. We are still bickering over things like view versus react versus sass
CSS NGS whatever
That you could never get all
Of the developers from all of the programming communities to agree on a single definition of software architecture.
We love arguing about things as developers. So that's not gonna happen
and then the last and most important thing is I think most people find
That this response feels pretty detached from their daily problems when I'm a software developer and I'm working in an app
What I have to do is I have to change the behavior of a button
Right. That's my ticket
But for whatever reason in whatever context the previous person made that task
extremely difficult for me.
So when someone tells me well good architecture would have fix that doesn't exactly give me a warm fuzzy feeling inside
so instead of trying to come up with a new definition of
Architecture and telling you that now you are in this room and you have to listen and believe everything that I say. I
want to kind of reframe it and think about it from a different angle and that's thinking about architecture as
enabling constraints so
Constraints that you put on the way that you use code and the way you use data and the way your structure your application
That ultimately it can help us to move faster and more safely over time
Now if this sounds a little bit abstract it helps to start with a real-world example
Think about driving in a car, so I'm from the United States
But when I first moved to Germany I learned about the Autobahn and I learned that there are parts of the road you can drive
On them and there is no speed limit at all, which sounds like a recipe for disaster
but somehow all these people managed to drive at
absurdly ridiculous speeds and yet there are
Comparatively few accidents and the reason for that is that there are constraints on the way that we operate on the road
for instance
There are physical barriers between cars driving really fast in one direction and cars driving really fast in another direction
You have lanes you have conventions like using your turn signal and all of these constraints that we put in place
Also help us to move fast and in a safe way.
You can think about this pretty similarly in software development.
Consider what happened what kind of constraints we introduced with OOP?
Instead of being able to structure our programs more freely,
we had to structure them in terms of classes.
But because of the fact that we kind of gave away some of the freedom that we might have had,
We could actually decouple the structure of our applications from the way that the code is organized,
Now, think more about functional programming,
this is something that
Front-end developers are much more familiar with these days and one of the core restraints that you have in functional programming is immutability.
Strictly speaking. You could say that mutable data is more powerful than
Immutable data ,because you can just do more with it
Right, but because of the fact that we give away our ability to mutate data
We can eliminate an entire class of problems because we don't have different parts of our applications thinking that they own and can do anything
with shared data.
similarly in front-end development there have been a lot of
connected
progressions in the last years a super simple example. We are no longer really using "var" right now. We're using "const". and
while this might seem small it can give you a bit of security because you know that that variable is not going to be
reassigned to something totally different during the course of whatever function or whatever scope it's in.
So you have more predictability in the way that your data is being used
now.
JQuery to react we're getting to the controversial part. Okay, so
What I find interesting about this is that jQuery is strictly speaking gave us a lot of power right you could go into the Dom
you were really like operating on it and of hands-on way and
React tries to get you a bit further back from that
you can always reach into the Dom but you would be going against some best practices and
Now because of the fact that we are not doing direct Dom manipulation
We can have more predictable and more testable user interfaces. And now this is the real controversial one and
Now CSS in JS. So
You know, some people don't like it. There will be a new Twitter thread every day about why it's bad
but one thing that I've noticed using it for about a year and a half, maybe two years by now is that
it really forces me not to rely on side-effects because of the fact that I have to
explicitly share styles between different components and
Maybe you have more discipline than me. But if I didn't do that
you'd better believe I was would be relying on some global names and in the end this helps us to write code that is just
safer.
so the point I want to make is we are constraining ourselves all the time and we do it on purpose and
We do that specifically to trade constraints for safety and for speed
We're not looking for ways to be more powerful in how we exhibit our ability as software developers.
We're rather looking for more best practices and things not to do , so for the second half of my talk
I'm going to share three specific constraints that you can use not today, but maybe next week
for having a more resilient architecture on the front-end and
Of course, I need to make a disclaimer. It's not gonna be exhaustive right? I have 15 minutes left.
but this will be something that I hope is really practical for you and
Let's dive in. so we're going to talk about three constraints and specifically what they enable as a result
The first thing has to do with source code dependencies what I find very interesting
especially in the front-end development community is there is a lot of discussion about
directory structure. Everyone is wondering
well, how should I organize my components in my what directory structure should I use but very few people also think about
Actually, what parts of the application is allowed to depend on which other parts?
Now there are a couple of really commonly recognized ways of
organizing our internal dependencies. I'm not talking about third-party dependencies.
Probably the most famous one, you know is the big ball of mud. And what I like to say is that if you don't know
What may not depend on what in your app if you don't have any rules about this may not touch that and so on
there is a very high probability that you are operating in a muddy environment and
Yeah in innocence. That's how it goes. We also have a more layered approach
So you have some rules about what may depend on what and it needs to go into a single direction
And you also have a modular approach
I hate to break it to you, but creating new JavaScript modules does not make the code modular
In fact when I talk about this, I'm more referring to things such as a micro friends approach or maybe a mono repo
things where you have
Elements with a really small API service area and then those things are able to call up to other things
I'm not going to talk about modular because for the vast majority of people working in front end apps
we are working still in a single repository in a monolithic way, so
what's the big difference and
Why should you care?
Well, think about what happens when you introduce a change in a big ball of mud
What is the potential scope of regression when you make that change?
The answer is you have no idea, right you can make a promise to your QA engineer
Don't worry. I made this change and nothing else is going to break but you know how it goes
Once you burn that bridge there is no coming back
and
The reality is is that when you have a big ball of mud kind of architecture
You just don't know what's going to break when you make a change and on top of that
It also can introduce this unintended side effect of creating cross team conflicts
Because nobody lines to have a ticket showing up on their board that has urgent marked everywhere
Because another team made a change and they didn't realize it was going to affect them. On
the other hand with a layered approach when you change something
well, there is a certain surface area that can be affected but it's much more limited and in some way it is knowable and
Hopefully if you've organized your application similarly to the way that your teams are set up,
then the chance of having cross team effects is
relatively contained
so this is really the key difference between these two different approaches is
How the internal dependencies of the application are organized?
So let's look at a slightly more specific example
So imagine you have an application that is kind of roughly set up like this
You have your router which is the entry point to basically everything you have a separate API and data layer
Which is where all of the requests are going through and you probably handle some caching duplication things like that
then you have different pages or sections in your application which have UI components and
hopefully some of the business logic is also going to be
separated out somewhere else for easier testing and so on now the important thing is that
these two pages need to be isolated from one another.
so they should not be sharing things causing one page to have side effects when the other one changes and
An easy way to think about that is that for each page the rest of the application may as well not exist
This is not necessarily an easy thing to do
It's not the most convenient
but the result is that it is so much easier to isolate the impact of changes and
That's something that leads directly to having a more resilient app
Now when you look at that diagram, you're probably thinking to yourself if you are in front end developer
You are definitely thinking to yourself
What about the shared components?
Because we are developers. We love sharing things. When we write shared code. It makes us feel very good about ourselves and
I'm a little bit hardcore when it comes to how to handle shared code in a code base and
I pretty much believe that if you can take out the business logic, there is a good chance
you can stick it into the design system if that's really where it belongs or
You may be better off
copying and pasting that piece of code instead of introducing a dependency between those two pieces and
This brings me to my next point which is being a little bit more conservative about code reuse, then you may have traditionally been taught
because as developers
We love dry code when you see code that you can make dry by introducing some abstraction
It's like a very unique euphoric feeling and that feeling is what keeps us in software development
Despite the fact that we have been rewriting the same thing over and over again for years
but the problem is that sometimes in the name of dryness we tend to bind together pieces of code that
Ought not to know about each other and that makes the code brittle and more prone to side-effects
So I want to give you a more concrete example
think about this situation you're introducing a new page in the app that you're working in and
You see a component on another page and you think that component looks a lot like the component that I need
So what do you do? You see that component and you generalize it and you put it in the shared folder and
You think to yourself?
Man, the rest of the team is gonna be so grateful to me. I
Just generalized a specific component and I put it somewhere shared other people can use it
You know, it's like they're gonna give me so many thumbs up on my PR. I'm gonna get promoted and
That makes you feel good at the end of the day
but
What often happens is that you have?
New feature requests new business requirements and over time that component that lives in the shared folder
Tends to want to diverge
but the fact that it's in the shared folder is like a really strong magnetism that keeps it together and
you'll notice that this happens when you see signs like
If statements or the component starts to have an existential crisis, like where am I and how should I render?
and
you see this kind of like branching in the component and and at the end of the day the components that
Started out being so general. It could be used anywhere
Can now only be used in two very specific
places
so thing I would just want to remind all of us is that
When in doubt it is more important that code remains decoupled than it is that the code remains dry
Because code reuse is not the goal in and of itself
The purpose of code reuse and the reason that we want to keep code dry is to avoid introducing bugs
unnecessarily, right because if you have less code
By some standards you are less likely to have as many or more bugs
But at the end of the day if you introduce dryness in a place that binds unrelated code together
You are exactly eliminating the benefit that you made it dry in the first place to achieve
So there is this very nice tweet, which I thought summarized this sentiment
It says a regular person sees either a glass half-full or half-empty
But an engineer sees them both and then learns in what context to see it half full and in what?
context to see it half empty and
If you ask me, sometimes you just need two glasses
so
Two people need to be able to drink water at the same time and if one person's glass slips and breaks
on the floor
The other person should not look at them and immediately need to draw up their glass as well because they are a couple together
So the point about being more conservative about code reuse is just being critical
I'm not saying that anytime you need to reuse something like please just copy-paste it like that would also not be sustainable
But think about it critically and not just as an abstraction waiting to happen
And that helps us to avoid coupling together code that diverges over time
The last part I want to talk about is enforcing your boundaries, so how many of you
have been in a team or at some point you all get together and you say
Guys, it's time. We had an architecture plan
You know, like things are getting a bit out of control and we need to do something about it
so the whole team gets together and
You make some decisions
You document them?
maybe you put them in in a wiki because documenting decisions is a very good thing and then you
Make some diagrams perhaps to help on board the next people that will join your team and you have this amazing
documentation and
It starts to collect dust by the very next week and
Whenever someone creates a new feature they are not looking in the wiki to check how to do it first
unfortunately
Yeah, so that's kind of awkward, right
You spent all this time making this amazing documentation. And even the people who wrote it are not regularly consulting it. So
What's the point?
Why should we even try to put some?
architectural constraints into our apps if
at the end of the day everyone is going to ignore it and systems will just tend towards entropy and then we're gonna have to
Rewrite it all over again
So let's think about a solution to this now imagine you have an application
That looks something like this. You have some components. There's a bunch of shared business logic
Eventually you decide to clean up your internal dependency tree and you find something that could be shared among two pages
you decide to implement a little bit of duplication and
Overtime that logic begins to specialize based on the context in which it was in
But the question is this
what happens when someone joins your team a new person and
They see
that code
they look in one place and they see this looks suspiciously similar to this code over here and
Then they have that like spidey sense like an abstraction coming on and you're thinking you
Know but they're really excited. They're probably thinking I'm gonna impress this team. It's my second day
I'm so excited. And the question is, how can we stop them?
Now there's a pretty neat technique which we introduced at Summa
Which is called forbidden dependency tests now if you're not familiar with forbidden dependency tests
essentially if you think about tests as a way or application tests as the way you test the behavior of your
Application then forbidden dependency tests allow you to test the structure of your application
From a dependency standpoint. So for example if you introduce
Some kind of page or let's say I'm writing a page. I can actually write a rule that runs as part of the CI
That's gonna cause the bill to break if anybody tries to depend on my code
Which is like pretty empowering, right?
So if you are working in the node and JavaScript ecosystem
There is one specific tool that I've found for this purpose, which is called dependency cruiser
and it has a lot of other options besides just
Checking whether something can depend on something else. It can also do things like checking for circular dependencies
it's super customizable and
What I can tell you is that if you don't have some kind of system that's checking these things
You can also implement it yourself if you would like to do that
You really just don't know what's happening inside the application
You can think you have a very clear directory structure surely
Everyone's going to be following the existing conventions, but you just don't know until you're enforcing it
so what this allows us to do is that it allows us to preserve the
Architecture that we have in terms of its internal dependencies
over time in an automated way so we don't have to wait until somebody opens a pull request to
Start arguing about it. In fact, the CI is going to argue about it for us
And that's more impersonal and in this case leads to less conflict. So I think that's a good thing
Yeah, so
Let's recap a little bit about what we've learned. So
the first thing we talked about is this unfortunate truth that
Software changes and that means that our code needs to change to write because we have new business
Requirements new features coming up and that means sometimes rewriting things or migrating them or whatever is just inevitable
We've also learned that
Architecture can be seen in a way as applying enabling constraints
so restrictions on the way that we use code and data that actually enable us to move faster and more safely as
the time as time goes on and
finally, we also learned there are some really small changes that you can make to your projects to help them evolve in a
more organized way
first thing is just
thinking directionally set some rules in your application about what is allowed to depend on what in
Order that you can build parts of your app that don't necessarily
Find themselves bound to the other parts of the app. And this is also going to reflect positively on the team environment that you're in
Also being a little bit more conservative about code reuse, then you might have been taught
beginning in your software development career rise just thinking critically about whether it's appropriate to reuse that code and
where exactly it belongs and
Finally, that's all of the good intentions in the world. Don't necessarily matter if you're not enforcing them and
One really useful way to do. This is by using automation and when such automation is forbidden dependency to us
I'm gonna leave you guys with just two last takeaways
the first thing is this
anytime we build out a feature as an individual contributor even
there are still architectural decisions that need to be made so
Sometimes when you talk to people who our thinking about architecture, especially in the front end
The first thing that comes to their mind is things like Redux and flux, and I don't know whatever is the new latest thing
but
oftentimes
the the solution is
smaller than you might think and
If we start with thinking about this on the function level or the module level then that means that also the individual contributor
individual contributors on the team are involved in those decisions, too and
Finally, this one is like dedicated to everybody who is like part of the the front-end development community in the room
I don't know how many of you there are out there
And that's this that you don't have to derive
Architecture from first principles. What do I mean by that?
so what really commonly happens when people have
problems in their web applications is they go to Google and they search for something like
react
Architecture or view architecture or whatever it is. They're looking for framework specific
Architecture solutions, but so often the problems that they're actually encountering are not really specific
not only to the framework they're using but even to the web it's just software at the end of the day and
sometimes
What I have found is that people who are working on the web myself or past self included are
Reluctant to learn and be open to the input from other
Communities of other programming languages or paradigms. It's really common to hear someone say something like
you know, that's like OOP and like I thought we don't do that anymore or
Well, the examples are in C++
So, of course, I'm not going to read that book
but the reality is there is there are so many communities of
Programming languages and paradigms that have been building huge apps for way longer than we have been on the front end
So I just want to encourage anybody from the front-end community who is in this room and thinking about it
To you know, just be open minded and open to learning from others
So that's about it. I will tweet the slides later if you're interested
I saw some people taking photos and then I change too soon. So sorry about that
I'll tweet them out and yeah, thanks so much for being here
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[ ♪ ]
A lone explorer
on a mission to reveal
the grandeur of Saturn,
its rings and moons
[ ♪ ]
After 20 years in space
NASA's Cassini spacecraft
is running out of fuel.
And so, to protect
moons of Saturn
that could have conditions
suitable for life,
a spectacular end
has been planned
for this long-lived
traveler from Earth.
Cassini's Grand Finale
5 - 4 - 3 - 2 - 1
[ rockets roar ]
And liftoff of the
Cassini spacecraft
on a billion-mile
trek to Saturn.
We have cleared the tower.
[ mission audio ]
[ ♪ ]
In 2004, following
a 7-year journey
through the solar system,
Cassini arrived at Saturn.
[ mission audio ]
June 30, 2004 Saturn
Orbit Insertion
The spacecraft carried a
passenger,
the European Huygens probe --
the first human-made
object to land
on a world in the distant
outer solar system.
January 14, 2005
Huygens Probe landing on Titan
For over a decade,
Cassini has shared
the wonders of Saturn
and its family of icy moons,
taking us to astounding worlds
where methane rivers run
to a methane sea.
Where jets of ice and gas
are blasting material into space
from a liquid water ocean
that might harbor the
ingredients for life.
[ mission audio ]
And Saturn --
a giant world ruled
by raging storms
and delicate
harmonies of gravity.
[ ♪ ]
Now, Cassini has one last,
daring assignment.
April 26, 2017
The grand finale begins.
[ ♪ ]
Cassini's Grand Finale is
a brand new adventure.
[ ♪ ]
Twenty-two dives
through the space
between Saturn and its rings.
[ ♪ ]
As it repeatedly braves
this unexplored region,
Cassini seeks new insights
about the origins of the rings,
and the nature of the
planet's interior --
closer to Saturn
than ever before.
[ ♪ ]
On the final orbit,
Cassini will plunge into Saturn
fighting to keep its
antenna pointed at Earth
as it transmits its farewell.
[ ♪ ]
In the skies of Saturn,
the journey ends,
[ ♪ ]
as Cassini becomes part
of the planet itself.
[ ♪ ]
September 15, 2017
End of mission.
[ ♪ ]
NASA Jet Propulsion Laboratory
California Institute
of Technology
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- [Announcer] You ears
have feasted on the sound.
Your senses have sipped
upon their cup of darkness.
Now prepare your soul for a
new experience from Death Wish,
the Lords of Midwestern
Sunrise Death Metal.
(heavy metal music)
- Hey Death Wishers,
we're still hard at work
making our next album, Drowning
in the Silence of Eternity
but we wanted to let you
know about some exciting
new merch we're really excited about.
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It's nearly four times more
caffeinated than a regular cup.
- That's right, Roach, and
it's a pound of organic
and certified fair trade coffee.
- That's one responsible
cup of coffee, Manslaughter.
- It's stronger and more hard
core than our newest single,
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(heavy metal music)
- We wanted merch that
really embodied our band.
- And I think we really did it.
Death Wish coffee makes my
heart race, just like our music.
(heavy metal music)
- [Narrator] Unfortunately,
Death Wish isn't a real band
but Death Wish coffee
is 100% a real thing.
So now we're gonna find out
if the world's strongest
coffee tastes any good.
- Oh dang.
- Oh.
- Alright this is the Death
Wish coffee taste test.
Now everybody makes
their coffee differently.
- Kara, how do you make your coffee?
- I just make a regular
old pot of coffee, John.
- I normally do that to
in the mornings but when
I have a little bit of extra time,
I love the process of a pour over.
So that's what I'm gonna be doing.
- Very nice.
- Eric, how do you like
to make your coffee?
- I'm glad you asked.
'Cause normally everybody seems
me as the clown, the goof.
- Yeah, okay.
- Well I take my coffee very seriously,
I make it in a mocha press.
This is my mocha press from home.
- Okay.
- And everybody's probably
like, oh that's dirty,
gross, Eric, clean your mocha press.
You're not supposed to, okay?
So get off my back.
- I like my coffee cold
brewed so this has been
sitting for the last 12 hours.
And yeah, it's ready to go.
- Alright, let's get started.
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(metal music)
Okay, I'll start mine now.
- Are you ready to try it?
- Yeah.
Cheers?
- Cheers.
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- Good luck.
- Oh dang.
- Oh.
- That's really good.
- That's pretty good.
- It's really smooth.
- Oh.
This is great.
- It's got some pretty nice acidity to it,
at least on mine.
- It's dangerous though
because I just wanna drink
the whole glass.
- I want to, yeah, yeah, yeah, yeah.
- Yeah it's almost got
some chocolate notes.
- Tad bit.
- And still earthy.
- Yeah.
- Yeah, I dig it.
- I kind of feel like
my heart's accelerating.
I don't know if it's
'cause like I'm excited
to try it or if like I'm getting amped up.
- Despite the skull
and crossbones and like
the strong warnings like this is actually
a very gentle cup of coffee on my palette
but I'm assuming it's
gonna get my blood going.
- Yeah.
- [John] So.
- Yeah.
- We'll find out.
- That was Death Wish coffee, I mean,
it is a really good
coffee if you like coffee
and then it'll buoo!
- It'll wake you up.
- Cheers.
♪ Vat 19.com. ♪
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Portuguese:
O método científico está relacionado com o público em geral nas suas tarefas diárias.
Isso inclui-te a ti, a mim e outros cientistas no mundo.
O método científico é o processo,
ou os passos dados para produzir resultados fiáveis
para responder a uma determinada questão.
Talvez pense que não usa o método científico na sua vida.
Mas posso grarantir-lhe que usa!
Por exemplo,
Imagine que acorda num sábado,
e que não encontra o seu telemóvel...
Isso é uma observação.
De seguida, faz alguma pesquisa,
pensando na última vez que o teve.
Suspeita que poderá estar no bolso das suas calças que vestiu ontem.
Isso é uma hipótese.
Quando verifica as suas calças, está a conduzir uma experiência.
Mas a ciência na vida não corre sempre como o planeado,
e não encontra o telemóvel no bolso das calças.
Então a segunda obervação,
leva-o a pensar de novo no que mais fez ontem.
Spanish:
el método científico se trata ordinaria
gente que hace cosas ordinarias que
incluye a mí ya otros científicos en
el mundo el método científico es sólo
un proceso o medidas adoptadas para producir
resultados fiables para responder a una específica
cuestión tal vez crea que no utiliza un
método científico en su vida pero no puedo
garantía de que lo hace, por ejemplo,
imagina que se despierta en un sábado y
que no pudo encontrar su teléfono celular que es
una observación a continuación, hacer un poco
la investigación por pensar en la última vez
tenías que sospecha que podría ser
en el bolsillo de los pantalones ayer
eso es una hipótesis y cuando se compruebe
los pantalones que están haciendo un experimento
pero la ciencia en la vida no siempre salen según lo
planificado y que encuentre ningún teléfono celular en
el bolsillo del pantalón por lo que el segundo
observación lleva a pensar una y otra
recordar lo demás lo hizo ayer
English:
The scientific method is just a process or steps taken to produce reliable results to answer a specific question
Maybe you think you don't use a scientific method in your life, but I can guarantee that you do. For example,
imagine you wake up on a Saturday, and you couldn't find your cell phone. That's an observation.
Then you do a little research by thinking about the last time you had it
You suspect that it might be in the pocket of your pants from yesterday. That's a hypothesis. And when you check your pants
you're doing an experiment, but science and life don't always go as planned and you find no cell phone in your pants pocket
So the second observation leads you to think again and recall what else you did yesterday
Portuguese:
Lembra-se que colocou o telemóvel na mochila na escola.
Então decide que deverá estar aí e volta a verificar.
E aí está ele!
A vida pode continuar e está tão contente que poderá partilhar os resultados com o seu melhor amigo
e explicar-lhe porque é que demorou tanto tempo a responder-lhe.
Ciência
Estes são os passos do método científico.
e em cada passo pode recuar e repetir o processo.
Tipicamente, depois de conduzir uma experiência e concluir
que os resultados não respondem ao problema,
volta atrás e tenta algo diferente
e realmente, observações e pesquisas continuam a ocorrer
o tempo todo.
A ciência é um processo contínuo
Agora, vamos simplificar cada um destes passos nos seus componentes.
Tudo o que pode ser observado com os 5 sentidos está incluido nas observações.
Pode usar o sentido do olfato, visão, paladar, tato e audição
para fazer as suas observações em ciência.
A pesquisa é um passo importante em ciência porque
English:
You remember that you put your cell phone in your backpack during school
so you decide it must be there and you go and check and lo there
it is. Life can continue, and you're so happy that you share the results with your best friend and explain
why it took you so long to text them back
Science
These are the steps of the scientific method and at any step you can go back and repeat the process
typically after you conduct an experiment and
Conclude that your results aren't answering the question you go back and try something else and really
truly
Observations and research are going on the entire time
Science is a continually ongoing process now. Let's break down each of these steps into their component parts
All that can be observed with the five senses are included in observations. You use your sense of smell,
sight, taste, touch and hearing to make your observations in science
Spanish:
recuerde que coloca el teléfono celular en
la mochila en la escuela por lo que
decidir que debe estar allí y que vaya y
comprobar y he ahí está la vida puede
continúa y que está tan feliz de que usted
compartir los resultados con su mejor amigo
y explicar por qué se tardó tanto tiempo en
texto de nuevo la ciencia
estos son los pasos del científico
método y en cualquier paso que pueda volver
y repetir el proceso típicamente después de
lleve a cabo un experimento y conclusión
que sus resultados no están respondiendo al
pregunta que volver y probar algo
otra cosa y realmente verdad y observaciones
la investigación están pasando todo el tiempo
la ciencia es un proceso continuo en curso
Ahora vamos a romper cada uno de estos pasos
en sus partes componentes Todo lo que puede
ser observado con los cinco sentidos son
incluido en las observaciones que utilice su
sentido de la vista olor sabor y el tacto
escuchar a hacer sus observaciones en
investigación en ciencias es un paso importante en
Spanish:
la ciencia, ya que puede responder a otra
preguntas que tiene y definir mejor las
experimento antes de ir por un camino
que lleva a cabo la nada o un
experimento que ya se ha hecho marca
Seguro que utiliza fuentes fiables para aprender
información científica
revistas y fuentes en línea que están
controlados y de confianza son mejor evitar
información de los blogs y fuera de la fecha
libros de texto como la información no podría
ser confiable una vez que tenga su investigación
Completado puedes formar tu hipótesis
la cual es una predicción de lo que
creen que ocurrirá a menudo es visto como
un if-then y es muy
específica aquí está un ejemplo, si gomoso
osos se colocan en agua durante 24 horas
entonces van a aumentar a más del doble de su
tamaño original tiene un caso en cuando y
utiliza términos específicos que hacen que este
experimentar repetible el experimento
en sí está hecho de varias partes más
experimentos recogen dos tipos de datos
cualitativa cualitativa y cuantitativa
los datos se basa en descripciones como suave
amarillo brillante datos cuantitativos o húmedo
Portuguese:
pode responder a outras questões que poderá ter e refina o planeamento da sua experiência
antes que chegue a um caminho que o leve a lado nenhum
ou conduzir uma experiência que já foi feita.
Tenha a certeza que usa fontes fiáveis para aprender o tema em estudo.
Jornais científicos e fontes on-line verificadas e seguras são os melhores
evita informação de blogs e livros antigos pois a informação poderá não ser fiável.
Assim que tenha completado a sua pesquisa, poderá formular a sua hipótese,
que é uma previsão daquilo que crê que possa acontecer.
Normalmente é tida como uma afirmação se...então e é muito específica.
Aqui está um exemplo:
Se gomas de urso forem colocadas em água por 24 horas, então vão inchar para o dobro do seu tamanho original.
Tem um "se" e um "então" e usa termos específicos que tornam esta experiência replicável.
A experiência em si, é composta por várias partes.
A maioria das experiências recolhe dois tipos de dados
Dados qualitativos
e dados quantitativos
Os dados qualitativos apoiam-se em descrições como suave, amarelo, luminoso ou molhado
English:
Research is an important step in science because it may answer other questions you have and help
refine your experiment before you go down a path that leads to nowhere or conduct an experiment that's already been done
Make sure you use reliable sources to learn background information
Scientific journals and online sources that are vetted and trusted are best
Avoid information from blogs and out-of-date textbooks as the information might not be reliable
Once you have your research completed you can form your hypothesis
which is a prediction of what you believe will occur it is often seen as an if-then statement and is very specific
Here's an example
If gummy bears are placed in water for 24 hours then they will swell to over twice their original size
It has an "if" and "then" and uses specific terms that make this experiment repeatable
The experiment itself is made of several parts most experiments collect two types of data qualitative and quantitative
Qualitative data relies on descriptions like soft, yellow, shiny or wet
English:
Quantitative data relies on numbers like 25 centimeters or 2.3 grams
Once you know what types of data you're going to collect you can define the variables in your experiment
There is the independent variable which is the thing you change to see how it affects your dependent variable,
which is the thing you measure
So in the gummy bear example the change in the experiment is that the gummy bears are being placed in water
The dependent variable is the volume of the gummy bear which is measured before and after it's soaked in the water
A valid experiment will have both an experimental group where the independent variable is altered and a control group
which can be used to compare the experimental group to the normal or unaltered version
In the gummy bear experiment the bears placed in water are the
experimental group and the dry gummy bears are the control because that's how gummy bears normally are. So to summarize an
experiment should have an experimental group and a control group
The experimental group will have an independent variable and a dependent variable
The data that is measured and collected can be qualitative, quantitative or both
Spanish:
se basa en números como 25 centímetros o
2,3 gramos
una vez que sepa qué tipos de datos que está
ir a recoger se puede definir el
variables en el experimento hay
la variable independiente que es el
cosa cambia para ver cómo afecta
la variable dependiente que es el
cosa que mida por lo que en la gummybear
ejemplo el cambio en el experimento es
que los ositos de goma están siendo colocados en
regar la variable dependiente es la
volumen del oso gomoso que es
medido antes y después de que se empapa en
el agua de un experimento válido tendrá
tanto un grupo experimental en el que el
variable independiente se altera en una
grupo de control
que puede ser utilizado para comparar la
grupo experimental a la normal o
versión inalterada en el osito de goma
experimentar el oso se coloca en agua
son el grupo experimental y la seca
gomosos osos son el control porque
así es como osito de goma es normalmente son
Entonces, para resumir un experimento debe
tener un grupo experimental y un control
grupo el grupo experimental tendrá
una variable independiente y una dependiente
variable y los datos que se mide
y recogidos pueden ser cualitativos
cuantitativa o ambos gracias por ver
Portuguese:
Os dados quantitativos apoiam-se em números, como 25 centímetros ou 2,3 gramas.
Assim que souber o tipo de dados que quer recolher, poderá definir as variáveis na sua experiência.
Existe a variável independente, que é aquilo que pode alterar
para ver como é que afeta a sua variável dependente,
que é aquilo que você mede.
Então, no exemplo da goma de urso,
o que varia na experiência, é que as gomas são colocadas em água,
a variável dependente é o volume da goma de urso que é medido antes e depois de estar na água.
Uma experiência válida terá que ter ambos, um grupo experimental,
onde a variável independente é alterada
e um grupo de controlo,
que pode ser usado para comparar o grupo experimental com a versão normal ou inalterada.
Na experiência da goma de urso,
as gomas que são colocadas na água correspondem ao grupo experimental
e as gomas secas são o grupo de controlo
porque são como as gomas normalmente são.
Então, para sumariar,
uma experiência deve ter um grupo experimental e um grupo de controlo.
O grupo experimental deverá ter uma variável independente
e uma variável dependente
Os dados medidos e recolhidos podem ser
qualitativos, quantitativos ou ambos.
English:
Thanks for watching this episode of Teacher's Pet. Don't forget to like and subscribe and follow me on Twitter @sciencepet
Spanish:
este episodio de la mascota del profesor no hacer
Al igual que olvide y suscribirse y seguir
Me mascota en Twitter en la ciencia
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Thai:
เรียนนักวิชาการเพื่อนนี่คือเอกสารสองนาที
กับKároly Zsolnai-Fehér
ในคลิปนี้เรามีวัตถุหลากหลาย
ที่แตกต่างกันในรูปทรงเรขาคณิตและเป้าหมายคือ
วางไว้ในช่องนี้โดยใช้ AI
ฟังดูง่ายใช่มั้ย
สิ่งนี้ได้รับการแก้ไขมานานแล้ว
อย่างไรก็ตามมีการจับที่นี่ซึ่งก็คือ
กล่องนี้อยู่นอกช่วงของหุ่นยนต์
ดังนั้นต้องมีแขนใน
ด้วยปริมาณที่พอเหมาะสำหรับมัน
เพื่อสิ้นสุดในช่องนี้
สามารถทำการโยนได้ 500 ครั้งต่อชั่วโมง
ก่อนที่ทุกคนจะเข้าใจผิดว่าเกิดอะไรขึ้น
ในภาพที่นี่มันเกือบจะดูเหมือน
หุ่นยนต์ทางซ้ายกำลังช่วยด้วยการขยับ
ไปยังตำแหน่งที่วัตถุจะตกหลังจากหุ่นยนต์
ทางด้านขวาโยนมัน
กรณีนี้ไม่ได้.
ที่นี่คุณเห็นส่วนเล็ก ๆ ของการสนทนาของฉัน
กับ Andy Zeng ผู้เขียนหลักของบทความ
เขาอยู่ที่ไหน
ผลลัพธ์ดูน่าทึ่งและทราบว่าสิ่งนี้
ปัญหานั้นยากกว่าที่คนส่วนใหญ่คิด
English:
Dear Fellow Scholars, this is Two Minute Papers
with Károly Zsolnai-Fehér.
In this footage, we have a variety of objects
that differ in geometry, and the goal is to
place them into this box using an AI.
Sounds simple, right?
This has been solved long, long ago.
However, there is a catch here, which is that
this box is outside of the range of the robot
arm, therefore, it has to throw it in there
with just the right amount of force for it
to end up in this box.
It can perform 500 of these tosses per hour.
Before anyone misunderstands what is going
on in the footage here, it almost seems like
the robot on the left is helping by moving
to where the object would fall after the robot
on the right throws it.
This is not the case.
Here you see a small part of my discussion
with Andy Zeng, the lead author of the paper
where he addresses this.
The results look amazing, and note that this
problem is much harder than most people would
Thai:
คิดในตอนแรก
เพื่อที่จะทำสิ่งนี้ AI ต้องเข้าใจ
วิธีการจับวัตถุด้วยรูปทรงเรขาคณิตที่กำหนด
ในความเป็นจริงเราอาจคว้าวัตถุเดียวกันได้ที่
ด้านต่าง ๆ โยนมันแบบเดียวกันและ
จะมีความแตกต่างอย่างมาก
ในเส้นทางการเคลื่อนที่ของวัตถุนี้
ลองดูตัวอย่างนี้ด้วยไขควง
นอกจากนี้ยังต้องคำนึงถึง
ความต้านทานอากาศของวัตถุที่กำหนดเช่นกัน
ผู้ชายปัญหานี้ยาก
อย่างที่คุณเห็นที่นี่ตอนแรกมันไม่สามารถทำได้
ฝึกขว้างเพราะความน่าเชื่อถือ
ในการเข้าใจค่อนข้างยากจน
อย่างไรก็ตามหลังจากการฝึกอบรม 14 ชั่วโมงก็ประสบความสำเร็จ
ความแม่นยำที่น่าทึ่งและสามารถฝึกอบรมได้
ตารางฝึกอบรมนี้ออกแบบมานานแล้ว
ในแบบที่เมื่อวัตถุหมด
มันสามารถรีสตาร์ทตัวเองโดยปราศจากความช่วยเหลือของมนุษย์
ดี!
เพื่อให้บรรลุเป้าหมายนี้เราจำเป็นต้องมีการฝึกอบรมมากมาย
วัตถุ แต่ไม่ใช่วัตถุฝึกอบรมใด ๆ
English:
think at first.
In order to perform this, the AI has to understand
how to grasp an object with a given geometry,
in fact, we may grab the same object at a
different side, throw it the same way, and
there would be a great deal of a difference
in the trajectory of this object.
Have a look at this example with the screwdriver.
It also has to take into consideration the
air resistance of a given object as well.
Man, this problem is hard.
As you see here, initially, it cannot even
practice throwing because its reliability
in grasping is quite poor.
However, after 14 hours of training, it achieves
a remarkable accuracy, and to be able to train
for so long, this training table is designed
in a way that when running out of objects,
it can restart itself without human help.
Nice!
To achieve this, we need a lot of training
objects, but not any kind of training objects.
Thai:
วัตถุเหล่านี้จะต้องมีความหลากหลาย
อย่างที่คุณเห็นที่นี่ระหว่างการฝึกซ้อมกล่อง
ตำแหน่งสนุกกับความหลากหลายที่ดีและวัตถุ
เรขาคณิตก็มีความหลากหลายเช่นกัน
โดยปกติในการทดลองเหล่านี้เรากำลังมองหา
เพื่อให้ได้สติปัญญาบางอย่าง
ความฉลาดในกรณีนี้ย่อมหมายถึงว่า
AI ได้เรียนรู้การเปลี่ยนแปลงที่แท้จริง
ของการขว้างปาสิ่งของและไม่เพียงแค่พบบางอย่าง
โซลูชั่นที่ดีผ่านการลองผิดลองถูก
วิธีที่ดีในการทดสอบสิ่งนี้ก็คือการให้
วัตถุที่ไม่เคยเห็นมาก่อนและเห็น
ความรู้ทั่วไปของมันเป็นอย่างไร
เหมือนกับสถานที่
ทางด้านซ้ายคุณจะเห็นกล่องเหล่านี้ที่มีเครื่องหมาย
สีส้มนี่คือชุดฝึกซ้อม แต่หลังจากนั้น
มันถูกขอให้โยนมันลงในกล่องสีน้ำเงิน
ซึ่งเป็นสิ่งที่ไม่เคยลองมาก่อน…และ…ดู!
นี่เป็นลักษณะทั่วไปที่ยอดเยี่ยม
ไชโย!
คุณสามารถดูความน่าจะเป็นที่จะประสบความสำเร็จได้
สำหรับการจับและขว้างที่นี่
English:
These objects have to be diversified.
As you see here, during training, the box
position enjoys a great variety, and the object
geometry is also well diversified.
Normally, in these experiments, we are looking
to obtain some kind of intelligence.
Intelligence in this case would mean that
the AI truly learned the underlying dynamics
of object throwing, and not just found some
good solutions via trial and error.
A good way to test this would be to give it
an object it has never seen before and see
how its knowledge generalizes to that.
Same with locations.
On the left, you see these boxes marked with
orange, this was the training set, but, later,
it was asked to throw it into the blue boxes,
which is something it has never tried before…and…look!
This is excellent generalization.
Bravo!
You can also see the success probabilities
for grasping and throwing here.
English:
A key idea in this work is that this system
is endowed with a physics-based controller,
which contains the standard equations of linear
projectile motion.
This is simple knowledge from high-school
physics that ignores several key real-life
factors, such as the effect of aerodynamic
drag.
This way, the AI does not have to learn from
scratch and can use these calculations as
an initial guess, and it is tasked with learning
to account for the difference between this
basic equation and real-life trajectories.
In other words, it is given basic physics
and is asked to learn advanced physics by
building on that.
Loving this idea.
A simulation environment was also developed
for this project where one can test the effect
of, for instance, changing the gripper width,
which would be costly and labor-intensive
in the real world.
Of course, these are all free in a software
simulation.
What a time to be alive!
Thanks for watching and for your generous
support, and I'll see you next time!
Thai:
แนวคิดหลักในการทำงานนี้ก็คือระบบนี้
endowed กับตัวควบคุมที่ใช้ฟิสิกส์
ซึ่งมีสมการมาตรฐานของเส้นตรง
การเคลื่อนไหวกระสุนปืน
นี่คือความรู้ง่ายๆจากโรงเรียนมัธยม
ฟิสิกส์ที่ไม่สนใจกุญแจชีวิตจริงหลายประการ
ปัจจัยเช่นผลของอากาศพลศาสตร์
ลาก.
ด้วยวิธีนี้ AI ไม่จำเป็นต้องเรียนรู้จาก
เริ่มต้นและสามารถใช้การคำนวณเหล่านี้เป็น
คาดเดาเริ่มต้นและมันก็มอบหมายให้เรียนรู้
เพื่อพิจารณาความแตกต่างระหว่างสิ่งนี้
สมการพื้นฐานและวิถีชีวิตจริง
กล่าวอีกนัยหนึ่งมันคือฟิสิกส์พื้นฐาน
และถูกขอให้เรียนรู้ฟิสิกส์ขั้นสูงโดย
อาคารที่
รักความคิดนี้
สภาพแวดล้อมการจำลองยังได้รับการพัฒนา
สำหรับโครงการนี้ที่หนึ่งสามารถทดสอบผลกระทบ
ตัวอย่างเช่นจากการเปลี่ยนความกว้างของกริปเปอร์
ซึ่งจะมีค่าใช้จ่ายสูงและใช้แรงงานมาก
ในโลกแห่งความจริง
แน่นอนสิ่งเหล่านี้ทั้งหมดฟรีในซอฟต์แวร์
จำลอง
ช่างเป็นเวลาที่ยังมีชีวิตอยู่!
ขอบคุณที่รับชมและแสดงความขอบคุณ
สนับสนุนและฉันจะพบคุณในครั้งต่อไป!
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good evening and welcome to our midweek
bible study we're so glad that you're
joining with us tonight
sorry for the late start we kind of got
a little bit of a late start
but tonight we are in the book of
Ecclesiastes
and lord willing we will get through
chapter four
having finished chapter three last week
and also tonight
being the first Thursday of the month
it's going to be our communion
celebration so i want to encourage you
if you're watching
live to maybe at this time uh real quick
get the elements and then you can
partake with us
at the conclusion of our study
really looking forward to this chapter
tonight i know i probably say that about
every chapter but really this chapter
and i think you'll see why here in a
moment it
really speaks to a profound
truth in life a principle
that you really don't go up against
and break if you go up against it
it breaks you instead it's just one of
those
life principles those one of those
truths in the Word of God a profound
truth
and it's that of Jesus
being the threefold cord
that's not quickly broken
such that He's the only one
that holds everything and anything
together and i think you would agree
with me
that the world is falling apart the
world is
broken or as we like to say here locally
i'll do my best when i say it
buss up that wasn't too bad right it is
buss up right not bust up it's buss up
like bus like the bus buss up
okay well that's as good as it gets so
for those of you online that's
never mind it's a local thing but
people are broken
and you know as one said no things
are not really
falling apart they're coming together
and falling
into place and that is true but
there is just this
sadly today in this
world in which we live in the midst
of this
crisis which we're going to talk about
on Sunday very interesting
development this last week concerning
the crisis but a lot of people
are really
hanging on by a thread and people
need the lord
and people are losing everything
marriages are breaking apart
i heard one statistic i don't remember
who
was telling me this but oh
i think it was after uh first service on
sunday
that the family courts are just
you know so overbooked
by the really the record number of
divorces that have been filed
we're talking about here on Oahu
how sad is that families breaking apart
marriage is breaking apart i mean
people's lives are just falling apart
and if there was ever a time that
we as the salt and light
can bring hope to the hopeless
that time is now and we're going to talk
about that tonight so why don't we pray
if you would join with me and we'll ask
God's blessing on our time together in
His Word
Father in heaven were
we we say it sometimes just
in passing but it's very true
how do people who don't know You
do it how is it possible
that they're able to
survive not knowing You
and maybe the truth of the matter is
is that they're not
they're barely hanging on
and Lord we're just so thankful to You
that we know You
and that You know us that we have You
and You have us
Lord tonight as we
open up Your word i pray that
so too would our hearts be opened up and
our eyes and our ears
to receive that which You have for us
tonight as You speak into our lives
in and through Your Word Lord we're so
thankful to You for Your Word
it's life it's the bread of life the
word of life
so Lord thank You i pray that You'll
speak very clearly
and for those who are discouraged i pray
that You'll
encourage strengthen our hearts
and Lord thank You that Your Word is
alive
and active so Lord thank You in advance
for what You're going to do
in our time together in Your Word
tonight in Jesus' name
Amen all right
verse 1 Ecclesiastes chapter 4 now
please keep in mind very important that
you understand otherwise
you're not going to understand you're
going to misunderstand
and this could really mess you up for
lack of a better way of saying it if you
don't keep in mind that Solomon
is doing everything he can
to try and reconcile
this life under the sun
s-u-n without God
he has removed God from the equation
and it's not working out too well as
we've seen here to four in the first
three chapters in fact
last week in chapter three we saw
Solomon we're going to see it
again here now where he's kind of going
back and forth
you know he kind of has this
returning back to the very God that he's
trying to remove
and he has this this moment of
sort of returning to the Lord and then
when he
does that's the only way he can make
any sense of any
of this and it's really a thing
of living life under the sun
s-u-n as opposed to living
life under the Son S-o-n
and that's the conclusion he's going to
come to
now as we start off in verse 1 for those
of you that read ahead to stay ahead you
already know
it starts off pretty rough it's a rough
start
he says then verse 1 i returned
and considered all the oppression
that is done under the sun
and look the tears of the oppressed
but they have no comforter on the side
of their oppressors there is power
they seem so powerful and the oppressed
so powerless
but they have no comforter
so what's his response
what does he say after he returns to
this
and considers this and ponders this
this is what he says about it verse 2
therefore i praised
the dead who were already dead
more than the living who are still alive
you've heard of the walking dead those
who were
alive outwardly but dead inside that's
what he's referring to here
yet verse 3 and it gets worse
better than both is he
who has never existed
in other words it would have been better
if they were never born and here's why
because who has not seen
the evil work that is done
under the sun it would have been better
that they were never born
at all than to be born and have to
witness
such despair such oppression
with no comforter
no mediator he's alluded to that already
you know
what a dark first three verses would you
agree
well that's the problem isn't it
the problem in the first place
is he's considering this
outside of
the very God who is the comforter
the Holy Spirit as the comforter
and when you remove God
from the equation are you
surprised
that this will be your conclusion
it's kind of interesting that he would
say that
Job said this he said it would have
would have been better if i were never
born
when he was at the end i mean
the bottom the rock bottom of the rock
bottom
that was it he was in such despair
and hopelessness in fact the way he said
it was basically like this
why does God withhold from me the thing
that i desire the most
that my life would end i mean you've got to
be pretty low to come to that point
to have it be better that you were never
born in the first place you know the
only
one in scripture that
it was said it would have been better
that they were never born in the first
place
was Judas and you know who said it Jesus
it would have been better that he was
never born
in the first place
now verse four he's going to turn a
corner
and he says again i saw
that for all toil and every skillful
work
a man is envied
by his neighbor this also is
vanity and grasping for the wind in other
words
here i'm working hard
and make no mistake about it righteous
or unrighteous
all hard work leads to profit it's just
the way it is
i mean if you are a hard worker you will
gain you will make money
and that's what's happening here but
there's a problem here
because here's this man who is skillful
he has a skill set and he
toils he works for what
he amasses all this wealth pulls up in
his driveway with his brand new
mercedes-benz and there's his neighbor
oh i'm so happy for you oh i'm rejoicing
with you as i
pull up in my 1972
chevy vega
well i was going to say ford pinto
what was the other one amc pacer
remember that one
oh my i'm having flashbacks i better be
careful here
no your neighbor's not happy for you
he's envious of you he's coveting what
you have
in fact he's angry with you not fair
and what does he do
well verse 5 Solomon tells us
the fool folds his hands
and consumes his own flesh
in other words he does so to his own
peril hey that's not
fair that he has that and i don't
well dude you're lazy
get to work roll up your arm
sleeves and work
and earn a living don't covet what
somebody else has
verse six he goes on better a handful
with quietness
then both hands full together with toil
and grasping for the wind i don't know
if you notice this or not but
Solomon it has addressed
three main issues
in our lives he's talking about
fairness hard work laziness
and then contentment
and he's basically saying you know it
would be better
to this is a great image
a great picture in your mind's eye paint
this on the canvas
of your god-given imagination
a handful of quietness
i'll take that man there's some times in
my life where
i've just got to turn the volume down it is
so loud it is so busy it is so crazy
you know i was uh thinking
about this
this last week you know as you
get older
the very things that you were
grounded for are the very things that as
you get older you long for
you know go to bed early can i
you just have to sit and be still and be
quiet really you promise
interesting how that works
but the point is is that it would be
better
to have just this fullness of
quietness than to have both hands full
with striving and toiling and
as one said very aptly very apropos
if you strive to gain you will have to
strive to maintain
as we saw in the Proverbs it's either 10
22 or 22 10 i get them
backwards but it basically says this
that
it's the blessing of the Lord that makes
one
prosperous and enriches and
he adds no sorrow or trouble to it
there is something to be said about
just being content with what God has
given you
you know there are those who strive and
toil and we're going to see that here
in a moment
and enough is never enough just a little
bit more
and that is a miserable place to be and
that is a
miserable life to live
well getting ahead of myself he says
verse 7
then i returned again he's going back
and forth
and i saw vanity under the sun
there is one alone verse 8 without
companion
he has neither son nor brother
yet there is no end
to all his labors nor is
his eye satisfied
with riches but he never asks
for whom do i toil and deprive myself of
good this also is vanity
and a grave misfortune
what is he saying he's saying you know
what am i doing this for
i mean he's it's a couple things that
a couple of details that were given as
to
what this man is like first of all
nothing satiates
his hunger his drive for more
nothing satisfies his
eye so he gets that which he sets out to
get
and he gets it and he's not satisfied so
he goes out to get
more that's one thing we're told
about him
but there's another thing here very
interesting that we're told about him
where he never asks for
whom do i toil who am i doing this for
and basically why am i
doing this and depriving myself of
good in other words this guy
is a miser you know what the word
miser comes from the root
miser misery
no same word miserable
miser misery
i actually knew a guy like this on the
mainland many years ago i worked with
this guy i worked with this guy right
here i know this guy
i met this guy i worked with this guy
he had so much money and it was never
enough
and he was a workaholic he was always
the first one there
last one to leave and
he had all this money he'd make all
these investments and he was never
satisfied
you know what was interesting he would
show up i mean he would look okay
but he was wearing a sport coat and a
tie that was like 25 years old because
he would not spend eight dollars
of course i don't think you can buy a
tie for eight dollars anymore can you
but he wouldn't spend whatever
on a new tie he would deprive himself
of anything because
in his way of thinking he was going to
stockpile
as much as he could get you've heard
that expression
get all you can and can all you get
and no matter how much you get and can
it's never enough and you know what was
sad
he was one of the most miserable guys
i'd ever known
it's kind of interesting much older than
me actually old enough to be my father
and you know i tried to
you know be a good witness it was clear
that you know i was a Christian
and he knew that
and when his wife was diagnosed with
cancer
guess whose office he was in asking for
prayer
and it was kind of interesting because
at that time
i thought to myself and i knew he knew
he was a smart guy
hard worker oh my goodness hard worker
but it was at that time that i think he
realized that all the money he had
amassed
was for nothing what good is it going to
do and this is what Solomon is saying
here
what am i doing this for and then who am
i going to leave this too we saw this
couple weeks ago i'm amassing all this
wealth
and i'm going to leave it to
the heir that's going to inherit all of
my wealth and
it's going to mess them up and they're
going to mess
it up and they're going to they're going
to blow it
they won't be able to handle it and sure
enough
that's exactly what happened because
solomon had a son by the name of
Rehoboam
you need look no further than to
the Scripture to see what happened
with the son of Solomon
it was tragic and that
and by the way the nation of Israel was
never the same again after
that so
the conclusion is again why am i doing
this
what am i doing this for why am i
depriving myself
of good why do i work first thing in the
morning
all day to the end of the day for what
what's the point and then verse are you
depressed
no you're doing okay all right
well it gets better well there's some
redemption here
verse nine
two are better than one
why because they have a good reward
for their labor verse 10 for
if they fall one will lift up
his companion but woe to him
who is alone when he falls
for he has no one to help him up
again verse 11 if two lie down together
they will keep warm but how can one
be warm alone interesting
you know what this speaks to i think you
do
it speaks to the importance of
relationships
you know it's i don't want to
go off on this i mean i certainly can
but
you know this whole social distancing
thing
wow yeah never mind let's just move on
verse 12.
i guess you do know about the whole
social distancing
listen i you'll forgive me for the
the strength in which i say this
but it is anti Christ
what do you mean that's pretty strong
well it needs to be here's what i mean
by that
it goes against everything
that we were created to be
the companionship the fellowship
the relationship you know there's a
physiological explanation behind it too
oh by the way did you know this is
gonna
well i'll just say it do you know that
when you don't have
social interaction forget about physical
touch
just social interaction it
actually changes the structure of
your brain
it damages the brain it explains a lot
right
i mean but it causes brain
damage
because we were never meant to be alone
when God created Adam he said
it is not good for man to be alone
listen whenever i'm away from my wife
for
two hours okay two weeks i mean
it is not good i miss her so much
God made us to be together
to have relationship and fellowship Acts
2:42
i call it the four legs on the table of
a healthy church you have prayer
you have the Apostles Doctrine that's
the Word of God you have the breaking of
bread
that's communion and the love feasts as
they would
refer to them and then you have
fellowship
we were talking about this on Sunday the
verse in Hebrews it's a
very uh uh talked about verse nowadays
with the whole
you can't sing in church you can't
breathe in church you can't
i'm sorry
is that bad that was bad
but it's in Hebrews where we're
told not to forsake the assembling
of ourselves together as is the custom
of some
key word very important don't miss this
assembling
and the best illustration i ever heard
was
that of a watch you can have all the
parts
of the watch together gathered we're not
gathering
that's just a gathering no we're
assembled
that's a game changer right because if i
have all the parts to the watch
sitting up here on this pulpit i just
have them gathered
no they're not functioning there's no
operation there's
nothing happening they need to be
assembled
all of the parts in order to
have something that functions
that's what the body of Christ is and
that's the way we were made
you know when you hold hands
together or you give somebody a hug
there is this chemical
called oxytocin i think that's the name
of it i'm probably
mispronouncing it not oxycontin that's a
whole
different
i think it's oxytocin it's kind of along
the lines of an endorphin
or dopamine or serotonin you know those
feel-good chemicals
and these are God-given and when they're
released in the body
it just has this sense of
it's very healthy it's healthy
physically
it's healthy emotionally it's healthy
mentally and it's healthy spiritually
and so when you say hey you can't
you know you have to stay six feet away
from each other
can i read you something my
son
texted it to me from
he's back in college now and i just got
i'm going to maybe Lord willing be
talking about this on Sunday
Lord willing highlight underscore
bold so it goes like this
this is good okay it's actually a meme
so if the masks work
why the six feet if the six feet works
why the masks
if both work why the lockdown
if all three work why the vaccine
if the vaccine is safe why no liability
clause
come on you know what this is all about
it's about silencing the church of Jesus
Christ
and isolating and separating the
Christians
because when we assemble together and
function
as the body of Christ as it was intended
to be people are going out of their
minds
you know that right people are going out
of their minds
literally because of all of this the
isolation
i don't know if you heard a number of
years ago and again i didn't want to go
to too late i went way off but
bear with me i'm sure you heard this was
back in the early 1900s there was this
orphanage
and all of these babies
were dying and they didn't know why
and so they were bringing in all the
experts
and trying to figure out why are these
you know is this something in the water
is it something we're doing or not doing
well as it turns out it was something
they were not doing you know what they
were not doing
holding the babies
they were isolated sitting there no
touch touch
just touch
and they were dying you know what they
started doing
they started holding the babies touching
the babies loving on those babies and
never did one die
how about that
well i want to get to verse 12 because
this is what i've been
really looking forward to
he says though one may be overpowered by
another
two can withstand him and
a three-fold cord is not
quickly broken now you probably heard
this
in the context of a marriage and i think
that is certainly the best way to
frame this because Jesus is that
threefold court i know when my wife and
i had our
25th wedding anniversary eight
years ago now seven years ago now oh boy
i better not
get this wrong right so it was 2013
we've been married for 32
years so somebody that's seven years ago
right
just tell me it is and then we'll
be good so
yeah 2013 we had our 25th wedding
anniversary we renewed our vows and we
took this verse here in Ecclesiastes
and part of the renewal of our vows was
the three strands and we
tied them together because that third
strand is the one strand
that keeps it all together and that is
the person of Jesus Christ
and not that tonight's teaching is
on marriage but let me just say
parenthetically concerning marriage that
if you don't have
Jesus Christ at the center of your
marriage
as that third strand
you're a dead duck i don't know how else
to say it
dead duck with a capital DEAD and a
capital DUCK
as a matter of fact you don't stand a
chance
especially in this day and age in which
we're living
in this time in which we're living can i
ask you to kind of again use your
god-given imagination and oh but i've got to be
careful with my
hand signals they're going to think i'm an
illuminati or a mason or
a satanist but
no for real you know like one time i did
a shaka
that's a devil sign it's not it's a
shaka
shaka means how's it right come on help
me ut here help a guy out right
shaka how's it how's it
okay just picture a triangle i'm not
going to do the hand signal because then
i'm
i'm a satanist no they have videos they
have YouTube videos
and they have me and i'm in it yours
truly
i'm a satanist because i i did i did
i did i did something i did
yeah i did something unbeknownst to me
unwittingly
innocently
okay anyway
picture a triangle i didn't say
pyramid i did not say
pyramid a triangle okay
and on the bottom of the
triangle on the left put your name
on the other side of the bottom of the
triangle put
your wife or husband's name and at the
top of the triangle put the name of
Jesus
now watch this when not if
there's conflict you're out of
fellowship
with each other okay that's been severed
now
that bottom part of that
triangle but if you have the third
chord if you have Jesus Christ
then it's not completely broken it's
still together because
you can both go to the top
you can both go to the Lord
He's that third
threefold cord that is not quickly
broken and this again
like i mentioned at the beginning is one
of those principles that you don't break
it breaks you
and this is across the board in every
arena of life
it's the centrality of Christ
in everything in your life
in your business in your workplace
in your marriage in your parenting He
has to occupy that place that belongs
only
to Him and if anything
or anyone beseats Him
replaces Him it's just a matter of time
well verse 13
i wish i could say this ended on a
a good note but it doesn't so
but we will find redemption here
he says better a poor and wise
youth than an old and foolish king
who will be admonished no more
for he comes out of prison to be king
although
he was born poor in his kingdom
i saw verse 15 all the living
who walked under the sun they were with
the second youth
who stands in his place there was no end
of all the people over whom he was
making
yet those who come afterward
will not rejoice in him
surely this also is
vanity and grasping for the wind
what's he talking about here fame
what do you mean oh so you've got a guy
popular got a lot of followers
on twitter and friends on facebook and
subscribers on youtube
but there's coming a time when somebody
else
will be in that place and
famous fleeting it's vanity
it's emptiness it doesn't last
you can be popular you can be rich you
can be famous
by the way we talked about this too you
know why these
really famous people
get really weird
and messed up and some of them OD
or die a young die at a young age
the reason is is because God never
made us to be on the receiving end of
that much fame which comes packaged
with worship that
is a crushing weight and pressure
to live under and that's why it messes
them
up so much they can't handle it they
were never
intended God never made us
to be able to handle that
he's talking about fame and popularity
here's a ruler and
there's all these people and they
they made him
king and and they look to him and he's
popular and famous and then
his time comes to an end and people are
fickle by the way
have you noticed that very fickle
doesn't take much it's that
as they say 15 minutes of fame you've
heard that
so i know i tried this
a couple weeks ago and it was a
horrible
experience i tried to ask you to
remember something
or someone and i used the illustration
of who won
i'm not even going to try to go there so
can you tell me
who was really the
the most famous person in let's just use
the year 1982
thank you for that response i think you
get the point
i mean it's just fleeting it's all
vanity
so somebody who was popular then
is no longer no longer popular now
have you seen these
rock bands i'll mention some names why
not
the rolling stones mick jagger
first of all he's sold his soul to the
devil for real that's not a
gimmick i mean satan he sold his soul
to the devil for all the fame all the
wealth all the
you know everything that you could
possibly ask
these stars
by their own admission you can go on
youtube and watch videos and they're
admitting
that they sold their souls to the devil
they are
agents of the devil the devil promised
them all of these riches all of this
wealth all of this fame
and they got it and boy did they
and i'm just i don't know when it was i
saw mick jagger
and i'm like man he needs to go to bed
he needs to just go home you're
old man
you're old you're so yesterday as
we say
what are you doing shouldn't
you be like a great grandfather by now
and
shouldn't you be home sitting on the
rocker you know i remember back when but
no
it's like they're still trying to hang
on to that
fame it's fleeting it's
and this is not the last time certainly
not the first time we're going to hear
Solomon say this
it's like grasping for the wind how's
that working out for you have you tried
to do that
trade winds go outside on a day when the
trade winds
are you know the wind the breeze and just try
to grab
and bring it we'd like to see it if you
can catch it
that's what i know that's a silly but
you get the point right that's what he's
saying that's what this
is like trying to grasp and hold on to
fame is like
grasping the wind it's not going to
happen
it's not going to happen it's all vanity
it's all
a grasping for the wind
so here's Solomon
he's going to go through all this we've
got what eight more chapters of this
i hope you'll come back
but he has to go through this
and we have to go through this with him
it's needful it's good why
because this sometimes is the only way
we'll ever learn
we have to go down this path we have to
go on this
journey and learn the hard way as we've
talked about
it's one of those things where you
just have to taste from that
cup and realize i am more thirsty than i
was before i
tasted from this cup
and then it leads you to the one
the only one who can satisfy
you have to go through all of these
things and have everything fall
apart
everything you touch falls apart
everything is meaningless nothing
satisfies
everything's just wrong but then that
becomes the catalyst
for the one that you can go to and by
the way one one last thing and we'll
partake together of communion
isn't that what's happening right now
with everything that's going on with
this crisis
you know people have watched
their lives just i mean the bottom just
fell out
and isn't it when that happens that that
becomes the catalyst
for people who may not have otherwise
done so
they're going to turn to the Lord and
they are and they are they're turning to
the Lord they're turning back to the
Lord
some people who had gotten away from
the Lord
are coming back to the Lord now why
because
everything is basically falling apart
and He's the only one that can hold it
together
and they know it and they're going to
Him
livelihoods life savings
houses have you heard some of the
statistics well you want to get
depressed
i mean you could write your own book of
ecclesiastes with
some of the things that are happening
right now
but again it's that which is
needed in order to bring us to the only
one
that can satisfy the only One
that can keep it together
well we're going to partake together
of the Lord's table in
Luke's gospel chapter 22
is my favorite account of what we
affectionately refer to as the last
supper Luke is writing and
by the Holy Spirit says verse 14 when
the hour had come he speaking of Jesus
sat down
and the twelve apostles with Him then He
said to them
with fervent desire i have desired to
eat this passover with you
before i suffer He just got done telling
them that He's going to go to the cross
and they're having a hard time with all
of this
they're trying to wrap their minds
around it they're really struggling
with it and Jesus is telling them this
is the last time we're going to
do what we're doing which implies that
this wasn't
the first time they had done this before
and this is why we call it the last
supper
but He says I have desired fervently
some of your translations rendered I
have I eagerly await
it's like He's saying I can't wait
to do what we're going to do here tonight
because this will be the last time
the next time
I do this will be
in My kingdom and that's verse 16 for i
say to you
I will no longer eat of it until
it is fulfilled in the kingdom of God
then He took the cup and gave thanks and
said
take this and divide it among yourselves
for I say to you I will not drink
of the fruit of the vine until the
kingdom of God
comes that's the second time now that He
said that and for good reason we'll talk
about that in a moment
and verse 19 He took bread
gave thanks and broke it and gave it to
them
saying this is My body which is given
for you
do this in remembrance of Me if you'll
take the packaging and
those of you watching online if you'll
just take the bread and hold on to it
for a moment
you know it's unfortunate
for lack of a better word that
here certainly in America other parts of
the world as well
we we miss the significance
of what it means to break bread
if you go to the middle east even to
this day modern day
in the middle east in Israel but also
in my Arab culture in the middle east
it's huge breaking bread with somebody
eating
with somebody it has profound
significance in fact the Jews would not
be
caught dead eating with a gentile
unthinkable and
even with the Arabs if you eat
with an Arab you are loyal they are
loyal
to you for life unto death
that's the culture and here's why
when you break bread with somebody the
idea is
that bread broken in two
still the bread the same bread
that same bread that's in you is in
me too and we're one
we're united and
it's a common union now there is
a union you know in the middle east the
way
that they uh seal a deal
is with a meal well that's really kind
of rhymed
see we need a worship song somebody needs
to write a worship song
seal the deal with a meal hey you know
you've heard the expression
peace meal you know where that came from
when you're going to make peace with
your enemy you do it over a meal
not a handshake not a signing of a
document it means nothing in the middle
east
you want to have a peace agreement or
an agreement or even a reconciliation
when i was a kid i couldn't have been
probably more than
eight or nine maybe 10 years old
my mom's side of the family
had a family feud
and here's the thing you have never seen
a family feud
until you've seen an Arab family feud
i mean we know how to feud
it was brutal it was awful and it lasted
for
seven years not by design that just
happened to be
how many years it lasted they would not
talk to each other
it made the holidays horrible because
you know the custom was
everybody would go to everybody's home
but you can't go
there because of them
so we would have to you know organize
and schedule and work around so
when are they going to be there well
we'll come after them
that's what it was like for seven years
and then finally
they made the effort to bring about
a reconciliation
and it was all over this huge
feast i can still taste that food right
now
and they spent months preparing
for this meal and they brought the two
families together
and they symbolically took the
unleavened bread the pita bread
and they broke it in two it was like a
formal ceremony by the way
i'm sorry if i'm kind of discombobulated
here but this is really
interesting
you know when Anwar Sadat
Egypt made peace with
Menachem Begin Israel
and they had this peace agreement
for the cameras it was you know just a
handshake and a signing and you know the
big ceremony
but it wasn't too long after i think it
might have been
maybe as short as one month later
they met together and they took the
bread
and they broke it in half and they both
ate
that same piece of bread and that's when
it was sealed
you remember 1993 i think it was some of
you young people are going I wasn't
even born don't worry about it we'll
get back to you just never mind 1993
then president Bill Clinton on the white
house lawn
with Yasser Arafat and
Yitzhak Rabin and it was the Oslo peace accord
and they they shook hands awkward at
first
i don't know if you remember that i'll
never forget it September 1993 i
remember calling my dad going dad
whoa what's this he said it's not yet
not yet
but this is very interesting
so in fact i'll never forget he told me
this was two years before he died he
said just watch Syria
just i and at that time i had no idea
how profound and even prophetic those
words were just watch Syria
so anyway here's Arafat and
Rabin and they're shaking hands it means
nothing
do you know that they never broke
bread because had they broken bread
that would have been a peace meal
a peace deal that they could not
break that's how significant it is
so my the two families come
together
they break the bread and it was a huge
celebration
and from that point forward there was
never
a disagreement again for the rest of
their lives
that's what this means you see where i'm
going with this
so sin separates us from God right
and Jesus is
our peace as we say and His body
is the bread the peace meal
that is broken to reconcile
us to Him when we get to the cup there's
something i want to
point out but as we partake together of
the bread
i just hope that this is not routine
or mundane or just you know this is what
we do when we do that thing we do
i hope that there's just this awareness
of the significance of what this means
symbolically
we have made peace with God
through Jesus Christ who we were
separated from feuding with
enemies of and Jesus comes and says
let's be reconciled there's no more feud
anymore
you're coming back together and you are
reunited united a union
for life unto death would you partake
with me
thank You Lord father in heaven we're
first of all we're so thankful to You
for giving
us this to do
and it is a memory a memorial
a commemoration a celebration
a reminder because we forget
we live our lives caught up in the
busyness of our lives and really the
stress
especially now in our lives
but You o lLord
have given us this as a reminder
of what You've done for us
and how You paid the price in full for
us
to reconcile us to You thank You Lord
Luke goes on to write and says verse 20
likewise
He also took the cup after supper saying
this cup is the new covenant
in My blood which is shed for you
if you'll take the rest of the packaging
peel it back you'll have the cup and
those of you watching online
you can just get the cup at this time
but just hold on to it for a moment
so i know we've talked about this many
times in the past
but talk about the significance the
symbolism
of the cup a symbol of His blood
shed in our stead notice He says the
blood of the new covenant
now you understand right that
this was a sealing
of the betrothal the engagement
to the bride Jesus as the bridegroom
and the church as the bride of Jesus
Christ and
the disciples would have known this
because this is not it's beyond the
passover celebration of course Jesus
fulfills
the passover prophecy and they knew that
but when He starts talking
about this cup
being the cup of the new covenant
in My blood that changed everything
and i'll explain
see in that culture in that day and
it's interesting it's actually in the
middle east today
marriages are arranged
arranged marriages in fact i remember
my parents they they actually tried
to arrange my marriage didn't work out
for that i'm very grateful as is my wife
i hope
but the father
would actually arrange the marriage
with the bride and they would go
to the father's house and there would be
this writing
the covenant in writing that's the Word
of God the new covenant
and the bridegroom would then take the
cup
pour the wine into the cup and he would
offer the cup
to his bride-to-be but here's the thing
if she didn't want to be married to the
guy she had a choice
and they honored it they didn't
like it
but if she took that cup and would drink
from that cup what she was saying was
yes i will marry you
that's what Jesus is doing here and they
knew it
when He offers them the cup it's a
marriage covenant if you will
the new covenant in His blood
and He's basically telling them like the
Jewish bridegroom would tell the
bride
i'm going to prepare a place for you a
bridal chamber in my father's house
if it were not so i would not have told
you
that i'm going to prepare the place for
you and then when the time comes i'm
going to come back
and get you and take you to this
bridal chamber and we are going to
consummate and
celebrate our marriage together
you know what they would do after a
period of seven
days a type of the seven year
tribulation
where we're consummating and celebrating
our
marriage to the lamb after the period
of seven days slash seven years
the bride would emerge from that bridal
chamber
that the groom prepared for her in his
father's house
and after the seven they would emerge
and they would have
a huge wedding
feast hey
just that alone should bring great hope
especially the guys because that means
there's food in heaven
ladies no cholesterol no fat no calories
and they would partake together
that's what he's saying here I can't
wait
because you know what the next time we
do this together it's going to be
at the wedding feast
so as we partake together of the cup
what we are symbolically saying is
yes i will marry you
this is basically a marriage proposal
you know i shared this just give me
one more minute
if you don't mind this will be the last
last thing okay right
so um i proposed
to my wife in a helicopter
and a friend of mine was actually a
pilot and
he flew a pilot for the medical
center
and he on this particular night i was
going to surprise her
oh my goodness that was such a romantic
past tense anyway so we were
over the city lights you know it
was a
beautiful summer night and you know i
had the ring
and she was she suspected something
so you know this is
not you know you're what are you going to
propose to me i'm like
what are you talking about so we get up
in the helicopter it was so loud you
know we just got we had the headphones
on
you know so it's kind of like you know
when when the time came he gave me the
the signal
said okay now and we're over the city
lights and i pulled the ring out and
and you know i'm like will you marry me
over and all i could hear on the other
end was okaaay
oh well here's what i didn't know
she is terrified of heights
it was almost like she was saying she
wasn't crying because she was so moved
she was crying like i'll say anything
just get me out of this helicopter
we have this plexiglass door that
separates us from
imminent death i do let's get out of
here
this is our marriage proposal
He's proposing to us will you marry Me
and He offers us the cup
of His blood the new covenant the
marriage covenant
and by partaking tonight we are
reaffirming
yes i do i will would you partake with
me
and then once you do please stand
thank You Lord oh
Lord
we too can't wait
now Lord we know it's very soon it's got
to be
we just sense it in our hearts in our
spirits
that You're coming very soon for us
with everything that's going on
as fast as everything is moving
so Lord we do say to You
first of all thank You we do
we accept and we too eagerly await
when that time comes
that what we did here tonight will find
its ultimate fulfillment
can't even fathom what that's going to
be like
to be with You partaking together with
You
in Your kingdom as Your bride
thank You Lord in Jesus name
Amen
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Dunque Jeremy, hai tanti fan perché hai fatto tanti grandi film
American Hustle e così via...
Quindi uno dei benefici dell'essere un grande attore è avere un grande fanbase
Ma penso che il lato negativo sia
che questi fan hanno anche l'opportunità di venire a conoscenza di strani aneddoti su di te
quando persone come Christopher McQuarrie e Tom Cruise iniziano a parlare del "Renner Stretch"...
Cos'è il "Renner Stretcher"? [fraintende il termine, ndt]
- Puoi spiegarglielo...
- Il "Renner Stretch" è...
Ma cos'è?
È diventato molto popolare ma è iniziato come un aneddoto personale
"Stretcher" inteso come "barella" dell'ambulanza?
Ero estremamente nervoso durante il periodo della mia prima volta agli Oscar
The Hurt Locker...
Ero nervosissimo dietro le quinte, cercavo di imparare a memoria quello che dovevo dire
- Ho deciso che era ridicolo...
- Quindi ti sei sdraiato?
- Sì, ho deciso di sdraiarmi e stirarmi, fare stretching
- E quello si chiama il Renner Stretcher?
- Sì, è il Renner Stretcher
E racconto sempre la storia di quando in quel momento è passato Clint Eastwood
Ha guardato verso di me con il classico modo alla Clint Eastwood dicendo
"Ma che stai facendo, ragazzo?", non ricordo esattamente cosa ha detto
E quando ho raccontato questa storia a Tom ha detto "Mettiamolo nel film!"
Quindi abbiamo trovato il momento giusto nel film per farmi fare questo "stretching"!
Questo sì che fa ridere!
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♫ ♫ ♫
[upbeat classical music]
--KEVIN: I think it's a great program for anyone
who's looking to pursue music, especially
where there's a program with so many
young talented musicians, and we can
immerse ourselves in this environment of,
you know, The Juilliard School. I think it
provides a great opportunity for us to
learn and to grow and develop.
--OLIVER: I was nervous, like, when I first came. I
didn't really know what to expect. I mean,
I'd say it's not as intimidating
definitely as people say. It's not as
competitive as people say. Saturday
mornings, there's always like a nervous
excitement for all the classes and
everything. But I feel like there's a
really great sense of community, like
everyone gets along really well. We all
have stuff in common and we're all in
it together, you know, we're all playing
together in chamber music, playing
together in orchestra. I'd say it's...it's
definitely a much friendlier
place than people think.
♫ ♫ ♫
[upbeat classical music]
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We've defined moment of inertia
of a rigid body already.
And we often are
interested in it,
because when we rotate
a body about an axis,
say an axis that's passing
through the center of mass.
Then our kinetic energy depends
in that moment of inertia
through that axis.
But we may also want to consider
rotation about another axis.
So suppose we consider
an axis passing
through close to the
end and we rotate
the body around this axis.
You can see from
overhead like that.
Then we want to now consider
how the mass is distributed
about an axis that was
parallel to the axis passing
through the center of mass.
So we'll now make a
little calculation.
But first, we want
to quote the theorem.
So let's just draw an
example of our rigid body.
And let's take the
center of mass,
and let's consider an axis
that's going perpendicular
to the center of mass.
We can think of the object
is rotating about that axis.
And now let's consider
another axis passing
through a different
point, but also parallel
to this axis separated
by a distance d.
Then the result that we want
is at the moment of inertia
about an axis
passing perpendicular
to the plane of the
object through the axis s
is equal to the moment
of inertia about an axis
passing through the
center of mass--
notice these are parallel
axes-- plus the mass
of the object times the distance
between the two parallel axes.
And this is a result
that is very useful when
calculating moments of inertia.
Of course, we could
calculate the moment
about any axis we wanted.
And we'll see that in a moment.
For example, we know that
for a rod of length L
that the moment of inertia
through the center of mass
was 1/12.
And let's call the length of the
rod L. So we have a length L.
And let's assume it's
a uniform object.
And we'll calculate a moment
of inertia through an axis
through the end.
And so in this case, d
is equal to L over 2.
And so I about the
end axis is 1/12 mL
squared plus the mass
times L over 2 square
and a 12 plus a quarter
is 1/3 mL squared.
And that means that
all you need to know
is the moment through
the center of mass,
and you can calculate the
moment through any other axis.
Very useful theorem called
the parallel axis theorem.
Now as I said, we can
calculate the moment s.
And just to show you very
quickly, if we pick s here,
and we pick our little dm
there, and we have a distance x,
then the moment
about s-- and let's
say that dm is equal to
the total mass divided
by the length times some
little distance dx--
then the moment is dm times
x squared, where x we'll
give this an
integration variable
x prime goes from 0
to x prime equals l.
And so we have for our
dm m over L dx prime.
Remember, that's our
integration variable.
And we have x squared.
So that's x prime squared.
And this is just the
integral of x cubed over 3.
So we have 1/3 m over L x prime
cubed evaluated from 0 to L,
and that comes out
to 1/3 mL squared.
And that's in agreement with
the parallel axis theorem.
And that's an example of
parallel axis theorems.
You can do the same thing with
the disk or other objects.
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- Good evening, everyone.
My name is Anastasia Warren.
Thank you for joining us tonight
for Erasure by Exclusion:
How Art Schools and Institutions
Uphold White Supremacy.
Ushers are around
distributing index cards.
I think most of you have gotten some
that will be collected about
45 minutes into the event
to distribute to the panel.
I would like to thank the Visual
Critical Studies department
here at SVA for sponsoring the event.
I would also like to thank my parents
for instilling in me the kind of freedom
that brings us here tonight
to challenge the
institution that houses us.
A huge thank you to Shellyne Rodriguez
for being a collaborator and teacher
as we've worked together to
organize this discussion.
I'm in my third year at SVA,
and during my time here,
I've had one black
professor and could count
on my fingers and toes the
numbers of artists of color
who have been introduced to
me in a classroom setting.
This absence is where the
necessity for this panel is found.
After communicating to
VCS chairman Tom Huhn
the personal toll and overall impact
of the lack of representation
of the contributions
of people of color to the art world,
he suggested organizing a panel
and introduced me to Shellyne.
And here we are.
Together, we will examine cultural erasure
and discuss the nature of this oversight
with the intention of identifying
solutions to this problem.
Our panelists are Robin J. Hayes, PhD.
(audience applauds)
Hayes wrote, directed, and produced
the award-winning
documentary, Black in Cuba.
She's developing the
television series Fortune,
an adaptation of the prize-winning novel,
In the Land of Love and Drowning.
Tomashi Jackson, born in Houston, Texas.
(audience applauds)
Raised in California.
Raised in Los Angeles,
California, excuse me.
She is represented by Jack
Tilton Gallery in New York City
and teaches drawing and
interrelated media practice
at Massachusetts College
of Art and Design.
Cheryl R. Riley.
(audience applauds)
Cheryl is a National Endowment
for the Arts recipient
whose visual art and furniture designs
are in the collections of the Smithsonian,
the MIT Museum of Architecture & Design,
the cities of New York
and Atlanta, among others.
She's also written about arts and artists
for national publications and
is a private and corporate
art advisor with a focus on
artists of the African diaspora.
Bill Gaskins.
(audience applauds)
Bill is an associate professor
in the Department of Art
in American Studies program
at Cornell University.
As an artist, he explores the
intersections of photography,
cinema, and portraiture
in the 21st century
from an interdisciplinary
engagement that include
his body of essays on art and culture
through the frames of history
and photography, art history,
American and African-American
studies scholarship.
Thank you.
(audience applauds)
- Hello, everybody.
My name is Shellyne Rodriguez.
Welcome.
Thank you for joining us for what I think
is going to be a powerful conversation,
getting to the heart
of the matter at hand,
identifying and undoing the
structures that continue
to exclude the intellectual
and avant garde accomplishments
and contributions of the
black and indigenous diaspora
to the world form academic
discourse and learning.
I'd like to take this moment to thank you,
Tom Huhn, and the Visual and
Critical Studies Department
for hosting this discussion.
(audience applauds)
My co-moderator here, the
brilliant Anastasia Warren.
(audience applauds)
A very special thank you
goes to the many scholars
who've assisted me with suggestions
and research for this panel.
Dr. Ruthie Wilson Gilmore,
Robin D. G. Kelley,
and Maria Alexandra García,
who introduced me to
the many important books
that will frame this discussion.
(audience applauds)
Okay, so let us imagine
a syllabus together.
That's us imagining.
And this syllabus will contains snapshots
of important moments in
history, in art history.
How can we place Bruce Nauman
and John Baldessari on this syllabus
and not invoke the names of David Hammons
or Adrian Piper?
How do we discuss David Wojnarowicz
and not Martin Wong?
How could we discuss ABC No Rio
and not the Nuyorican Poets Cafe?
Allen Ginsberg, and not Pedro Pietri,
Sonia Sonchez, or Amiri Baraka?
How can we fail to connect
Europe's neo-imperialism
manifested in the Berlin Conference
when the major European
powers convened to normalize
claims to territories in Africa,
essentially dividing up the continent
and ushering in a period of
heightened colonial violence,
which eliminated or
overrode most existing forms
of African autonomy and self-governance?
How can we discount this
history from the subsequent
influences Africa then had on modern art?
How are we teaching surrealism
in the context of World War I
and World War II and
failing to make connections
to the anti-colonialist response
to which the surrealists were so tied?
How is it that the
fascist Marinetti and his
Futurist Manifesto is anchored
on every art syllabus,
but the surrealist essay,
Murderous Humanitarianism,
where André Breton, Pierre
Yoyotte, Yves Tanguy,
and many others in response
to the Rif War declare, quote,
"We surrealists pronounced
ourselves in favor
"of changing the imperialist war
"in its chronic and colonial
form into the civil war.
"Thus, we place our
energies in the service
"of the revolution of the
proletariat and its struggles
"and define our attitudes
toward the colonial problem
"and hence toward the color question."
How does this remain an obscure footnote?
How can we discuss surrealism
as influenced by Marx
and Freud but not one
of the most important
decolonial thinkers, the
Martinican poet and author
Aime Cesaire, who
besides helping to create
the Négritude movement in France
and founding the surrealist
publication Tropiques,
also mentored the great Frantz Fanon.
That Cesaire shared a close friendship
with André Breton is the
least of his qualifiers.
That the surrealists found
themselves trying to construct
the thing they saw as occurring naturally,
in jazz and the blues,
as we are all well aware
of the consistent presence
of the black American
avant garde in France.
Josephine Baker, Claude
McKay, Nina Simone,
James Baldwin, Richard
Wright, and many others.
This opens up further the
gaps on our imagined syllabus.
Renowned writer Toni Morrison addresses
this consistent presence in her book
of literary criticism
titled Playing in the Dark:
Whiteness and the Literary Imagination.
She says, quote, "For some
time now, I have been thinking
"about the validity or vulnerability
"of a certain set of assumptions
conventionally accepted
"among literary historians and critics
"and circulated as knowledge.
"This knowledge holds that
traditional, canonical
"American literature is free
of, uninformed, and unshaped
"by the 400-year old
presence of first, Africans,
"and then African-Americans
in the United States.
"It assumes that this
presence which shaped
"the body politic, the Constitution,
"and the entire history of the culture
"has had no significant
place or consequence
"in the origin and development
of that culture's literature.
"Moreover, such knowledge
assumes that the characteristics
"of our national literature
emanate from a particular
"Americanness that is separate from
"and unaccountable to this presence."
This Americanness Morrison
points to, which at its extreme,
one might imagine appears
as the Rockwellian delusions
of the current president,
functions as a firmament.
It reaffirms itself.
Although our conversation
this evening will be framed
within the art context, the art intuitions
where we today do our learning share this
inheritance of western imperialism
woven into the philosophy
legacy of the Enlightenment.
This reaffirmation of self
that Morrison points to
and the knowledge that it
asserts which wedges itself
into the canon has a structure.
Foucault describes this in his work
The Archaeology of Knowledge as, quote,
"That ideological use of history
"of which one tries to
restore to man everything
"that has unceasingly eluded
him for over a hundred years."
Foucault offers that when
the gatekeepers of knowledge,
culture, or in the case of Toni Morrison,
American literature, what
she writes, has been, quote,
"the preserve of white male
views, genius, and power,"
when these gatekeepers de-center
the subject and relation
to the laws of his desire,
the forms of his language,
the rules of his action or discourse,
when one questions outside
of the systems created
for understanding that
are taken for granted
that are considered the default
and are shaped by the legacy
of that enlightenment,
which also means imperialism.
It means white supremacy
and anti-blackness.
It means capitalism, Protestant
ethic, and patriarchy.
Foucault says, quote,
"When it becomes clear that man himself,
"questioned as to what
he was, could not account
"for his sexuality and his unconscious,
"the systematic forms of his language
"or the regularities of his fiction,
"the theme of a continuity of history
"has been reactivated once again:
"a history that would be not
division but development;
"not an interplay of relations,
but an internal dynamic;
"not a system, but a hard work of freedom;
"not form, but the unceasing
effort of a consciousness
"turned about itself,
trying to grasp itself
"in its deepest conditions:
"a history that would be both
an act of long, uninterrupted
"patience and the vivacity
of a movement which,
"in the end, breaks all bounds."
The description for this panel
begins with this statement:
The art world is a microcosm
of the society we live in.
On the macro, the gaps in
our imagined syllabus mirror
the gaps in the way history is
taught in the United States.
The Civil Rights Act of 1964
may have forced integration
of the people in the
United States somewhat,
but it said nothing about
integrating our history,
about telling the story
of the relationships,
the interconnections, and
cause and effects that we,
the people of the United States together,
for better or worse.
Instead, black accomplishments,
trials, tribulations,
and contributions are regulated
to the month of February
and presented as oversimplified tropes
about bus boycotts and overcoming.
With no context or connection,
this segregated American
history has been handed down
to American students for generations.
On the world stage, this gap lies
in the documentation of
the rise of the bourgeoisie
and the formation of the proletariat,
without significant consideration
of how these historical
events are inextricably linked
to Africa and the fact that
modern capitalism is built
on the bones of the Atlantic slave trade,
a subject that the great
Cedric Robinson meticulously
investigates in his seminal
text, Black Marxism:
The Making of the Black Radical Tradition.
Okay, so these gaps have
far-reaching consequences
for students of color
who continue to be denied
the experience of seeing
themselves, a privilege
taken for granted and therefore
not addressed by those
who hold positions of power in
the institutions, which leads
to our first question for
our panel this evening.
Perhaps you can start by saying
a little about yourselves
and then sharing with us
how was your experience as a student
affected by the lack of representation
of people of color in your education,
and anyone can really start.
Perhaps we can go with
Robin and go down the line.
- So I'm a professor at the
New School in the Schools
of Public Engagement, and
I'm a professor of management
and media studies and
international affairs
and urban policy, because titles are free.
And as Anastasia mentioned,
I'm also a filmmaker,
and I have a production company
called Progressive Pupil
and our goal is to make
black studies for everybody.
And I have a PhD in
African-American studies
and political science, not because I was
particularly interested
in political science,
but because we had to
have husband departments,
I call them husband departments,
because the fear was
that as PhDs in African-American studies,
we would not be able to find work,
because very few African-American
studies departments
have their own hiring lines.
So usually you have to get
hired by political science
or history or English, and
then you can be affiliated
with African-American studies
or half with African-American studies.
So you really need that
non-African-American studies
supervision and credential
in order to immerse yourself
in the study of race and
equality and the culture politics
and history of the African diaspora,
which is what black studies is.
So that speaks to the question
of how is my experience
as a student affected by
the lack of representation
of people of color in education.
I actually as a graduate student,
because I was in
African-American studies, I mean,
I felt like I was in A Different
World, like everybody...
The television show.
Just watch it on YouTube.
It's really great if you didn't.
And so, because very many
of my professors were black,
very many of my fellow
students were black,
but something that we talk
about in the film Black in Cuba
is that it's not just about background.
It's about concern.
And so, if your interest is
in addressing white supremacy
and the terror that it creates
for communities of color,
not just the United States
and around the world,
then it's not enough to
just be there, you know,
in that institution,
enjoying the opportunities
that an institution like SVA provides.
You want to use what you have
access to to make an impact.
So I think there was that kind
of lack of representation,
which was very painful and
difficult for a number of us.
So, we have, you know,
people who look like us,
which was great, and they wanted
to talk about Frantz Fanon,
they wanted to talk about Aime Cesaire,
but they didn't necessarily want to talk
about what we could do with
that information right now.
And so, it's difficult to
read about someone like Fanon
who, you know, had this
process of awakening
and coming to consciousness where,
those of you who don't
know his background,
you know, he wrote this classic work,
The Wretched of the Earth,
but he started off being this
young person from Martinique,
which was a French colony.
It's a beautiful island in the Caribbean.
It's still basically a French colony.
It's a French department, the way
the US Virgin Islands is an
overseas, is a territory.
So, he grew up middle class,
and then he gets to go
to university in Paris.
He has to go to university in Paris,
because there are no
universities in Martinique,
because there were no
universities in colonies then.
So he goes to Paris and
he realizes everything
he's learned his whole life
about how he's a French person
and he's part of this French civilization,
and liberté, égalité, la la la,
doesn't apply to him, because he's black.
He's black.
And in the end, he decides
he really has to join
the Algerian revolution,
because it's not enough to know.
It's not enough for him to
be the one black psychiatrist
who's sort of made it.
It's everyone or no one.
And so I think to me,
to the answer of that,
to wrap up, the question of representation
is also a question of action and concern.
And everyone doesn't have
to have the same concerns,
and everyone who has the same concerns
doesn't look like you.
But I think that, to me,
has been the most enriching
and empowering way to anchor
myself, is a sense of purpose
and what's the purpose of
the education that I have
access to and the work that I'm doing.
- Thank you.
Tomashi?
- All right.
(panel laughs)
If you insist.
So, how was my experience as
a student affected by a lack
of representation of people
of color in my education?
I think of my art education
as having begun...
In the 1980s, in Los Angeles.
I know how very well that
I'm a beneficiary of the work
of Thurgood Marshall and the
NAACP Legal and Educational
Defense Fund, because
I'm a magnet school child
from Los Angeles, California,
and it didn't occur to me.
Because we didn't talk about it,
we didn't really talk about,
in February or any other time,
the significance of the fact
that we were being bused
from black neighborhoods
into the USC village to go
to school and to be taught
by working artists and that
our school was actually
a very intentional experiment
of school integration.
So the first school desegregation,
the first successful
school desegregation case
took place in Houston, Texas,
in 1949, Heman Marion Sweatt
versus Theophilus Painter,
desegregating UT Austin Law School,
leading to the creation of the
Thurgood Marshall Law School
and what is now known as
Texas Southern University,
which used to be TSUN,
Texas Southern University for the Negro.
And there were so many cases
that took place before,
even before that.
There was a march to educational access,
and then after 1954, after
the Brown versus the Board
of Education unanimous decision,
which obviously would not happen now...
It wouldn't happen now.
It would not happen now.
It took 20 years.
I lived part of my life in Massachusetts,
and I'm reminded all the time of the fact
that this was a city that,
you know, 20-some odd years,
22 years after the Supreme Court
desegregated public schools,
they had to be forced
by federal intervention,
and they went kicking and screaming,
throwing rocks at black children,
rocking buses back and forth,
trying to tip them over
as they were filled with children.
Spearing a man with a...
I'm sure people have seen that photograph
that was taken by a Harvard
Nieman journalism fellow
spearing a black man who's
just walking through.
He was a lawyer.
Actually, he was from Yale Law, actually.
Yeah, you know, insanity,
complete insanity.
And I've gotten to know this...
I'm varying a little bit,
but I have a best friend
who's an education policy specialist.
And I didn't know.
Like, I didn't know,
really, I didn't really know
until this last go-round
in graduate school at Yale,
at the Yale School of Art,
how implicated I am in all of this,
because that's how I've been taught.
And I still consider myself a beneficiary.
I love the places of education
that have stewarded me,
and that I've had the
opportunity to steward,
because I feel that responsibility
in places that I occupy,
but, you know, it took me
until my 30s to realize,
like, oh, I'm Linda Brown.
I'm the little black girl that people
are that hot not to educate.
And it took research.
And, you know, so I'm thankful
that I have an artistic
practice now and that I have
friends across disciplines
such that my work is a research,
my practice is a research-driven practice.
So, you know, I've looked to painting
to try to unpack research
around school desegregation,
because we are living in a
time of rabid and dramatic
and very physical and
bloody resegregation.
And you know, the perception of color
impacts the value of human
life in public space.
And even more specifically,
the treatment of children,
you know, because how crazy is it,
how crazy is it for a
200-pound man to mount
a 15-year-old girl and twist
her arms behind her back
and grind her face into the ground.
How crazy is that?
This is what we're seeing.
I've been seeing all this stuff,
and I was thinking,
like, wow, this is crazy.
And then, you know, I'm
watching policies move
all over the country to
defund, to completely defund
public schools, to defund
what's left of bus programs,
and I'm hearing stories, I'm
sitting in City Hall in Boston
volunteering with the NAACP
Boston and hearing people talk
about being worried about
their children having to take
two and three buses and
a train to get to school
by eight o'clock in the
morning or they'll be tardy,
and then they won't..
Or then they'll be late, and
they won't end up getting
into a good exam school, and
they won't go to college.
I was like, this sounds like the 1950s.
So it's taken that long for me to realize
that I'm a beneficiary,
and that it took that long
for that implementation,
for what was allowed
of the implementation
of Brown, to reach us.
So I got in at that sweet spot.
So funding for public
broadcasting, all magnet schools
and centers for enriched
studies, busing programs,
school lunch programs, that all fed me,
and because I was a...
I only ever thought of myself
as an artist, as a child.
I didn't think of myself...
I didn't know that my
blackness was problematic
until I got, until I was
around certain children
as I moved up, as I got older,
but still, to make art
was my primary purpose.
I always thought that was
my primary purpose in life.
Yeah.
But I didn't see, I
didn't learn, I didn't...
Blackness was often like a
hyper-negatived afterthought,
or a guilty afterthought.
Like, oh, it's February,
let's talk about slavery,
and then everyone turns
around and looks at me.
And it wasn't until...
I went home.
I'm from Los Angeles.
I went home after...
So I started my education
at the San Francisco Art Institute,
and I deferred, I dropped out,
and then eventually completed my education
here in New York City at the Cooper Union
for the Advancement of Science and Art,
and then there I learned about the Center
for Advanced Visual Studies
at MIT, and ended up at MIT.
I really wanted to be there.
And then after a couple
of years, I'm completed.
I will not be doing more schooling.
But I just completed an MFA
at the Yale School of Art for Painting.
But in between SFAI and
Cooper Union, I went home
to Los Angeles, and I was hanging out
in the old neighborhood
in the USC Village,
where I was an elementary school student.
And I was in the library
there and saw this huge,
beautiful painting,
like a stained glass-looking painting,
in the Library of Mary McLeod Bethune,
and it was Charles White.
It was Charles White.
One of the last things he ever
did, before he passed away.
And I didn't know about Charles White!
(panelist laughs)
That's the greatest thing.
And he was in Pasadena.
Like, over the hill,
where I used to hang out
with my friends, like over
the hill from my high school,
from my arts high school,
where half the day was
spent, focused on this.
Half the day was spent on
art history that completely
excluded most of the
creative canon, actually.
So, you know, I guess I can end with that,
that Charles White was in my city,
and I was growing up there,
and didn't even know who he was
until he had passed away.
And that is, it's a crime.
So, thanks.
(audience applauds)
- So, we have that in common.
I was born in Houston, Texas, as well.
- [Audience Member] - Yeah, your laptop.
We can't see.
- Oh, sorry.
- I was born in Houston, Texas,
but I was born a lot
earlier than you were.
And so I was part of that
whole drama that happened
around segregating the schools
and the dragging of the feet.
Also, Texas is where the
schoolbooks are selected...
They are the state that
determines what are
in schoolbooks in the
whole of the United States.
And that's something
I've learned since then.
So yes, I did not have an
education around African-American
or African culture at all growing up.
The first pictures on
the walls in my bedroom
were, my mother was an artist.
She didn't get to
actualize that in her life
because of the culture we
lived in, but after I was born,
she was determined.
She was constantly trying to
manifest that part of herself.
So she went back to school,
at Texas Southern University,
to finish her fine art degree.
- We might be cousins.
- We may be.
We'll talk about that.
And she, the first things
I can remember smelling
are her oil paints and her clay.
The pictures she put on
the walls in my bedroom
were Velázquez's Las Meninas.
I had Gainsborough's Blue Boy
and three other classic
white art paintings.
I was allowed to draw on
the wall in my bedroom,
and she would paint it
out every month or two,
and I could continue to draw on it again.
So she was an extraordinary person.
And so, because she was so extraordinary,
everything in society
was against who she was,
and she ended up having
a nervous breakdown
and disappearing from my life.
But I wanna tell you one little
story when I was a little,
a very little girl, and she
was on the phone bragging.
She and a friend were
bragging back and forth
about how beautiful their
babies were when they were born.
Of course, I was more beautiful
than her friend's baby.
Her friend's baby was definitely
more beautiful than me,
but we were both beautiful babies,
and I didn't know what
the word born was yet.
I was only like three, four years old.
And I listened to this conversation,
but I knew I had to have been
really beautiful when I was born.
And so when my mom got off the phone,
I asked her, I took her into my bedroom,
and I pointed at the
infanta in Las Meninas,
and I said, was that me when I was born?
And so I tell you this story
because at that very early age,
I had already picked up
that black, kinky hair,
black person, was not beautiful.
So, I went to school.
In my second to my last
year in high school,
finally, the Supreme Court,
the law just came down hard
on Texas, and they were like,
you can't drag your feet anymore.
You're going to have to
desegregate the schools.
So that year, they bused us over to,
those of thus they
considered academically able,
the honor students, they bused
us over to a white school
and had us spend the week there
and see if we would be interested
in going to that school.
And that was a breaking point for me.
Up to that point, as I just
said, I was an honor's student,
and that destroyed all
of the confidence I had
about my education and
about my intelligence
and my ability to thrive
in the world and excel.
I finally realized why my
schoolbooks ended at World War II,
because they only bought
schoolbooks for the Caucasian
schools and then they would
send us their old books.
And that was also why the students
who were the honors students
got a chance to go in first
and pick all of our books,
because we were trying
to get the best books
with the most pages in
it, because they knew
we were gonna actually read
'em and do our homework.
So then I saw the gym.
They had an Olympic-size...
We had a swimming pool that was heated,
and was a couple of decades
later before I realized
that the equipment that I was looking at
was gymnastic equipment.
They had language labs, and
everybody had earphones.
In any case, there were five janitors,
and we were always told that we were pigs
because we had, maybe some graffiti,
things weren't always great,
the lockers weren't fixed,
but I'm watching people painting lockers
and repairing things and
painting out writing on the wall.
So it wasn't that we were that different,
but we just didn't have the support.
We didn't have five janitors.
We only had one.
There were five times as
many kids at our school
than there were at their school.
That was the other thing.
There were only 20, 25 kids
in a class at the most,
and there could be 30 to
40 kids in my classes.
So that ruined my self esteem,
and I ended up, because my father's family
had taken me in after my mother
had her nervous breakdown,
where my father grew up in Texas,
no African-American could go
to school after fifth grade.
So, they of course were not conscious
of scholarship.
I mean, these were hardworking people.
They had their own businesses.
My dad was a shoe repairman,
but he actually owned a lot of property.
He would just buy buildings.
And there were several times when the,
what is it where the
take your land away...
- Eminent domain.
- They declared eminent
domain several times
and took some of his property,
but he still ended up
being able to leave his
children something when he died.
But I chose other paths.
I still stayed with my creativity.
I went to a junior college,
and when I came out,
I decided I wanted to work in advertising,
and I got a job as a glorified secretary,
it was called an account assistant,
at an advertising agency,
and I told the people in
personnel that when I left there,
I would be an account executive
on the biggest account
in the agency, and that
is exactly what happened.
Then I left there and
worked on the client side
for Levi Strauss as one of
their advertising directors,
and in all of these jobs,
I was one of only maybe
three black people in the building.
And as I came back to who I was,
and when I inherited the
money from my father,
I decided to start making
things, making art,
and the first things I decided to make
was some furniture for my own home.
And as a result of that,
because all of my friends
were art directors,
photographers, and stylists,
they started renting my
furniture for shoots,
and they put together a portfolio for me,
and they start commissioning
custom work from me,
and that's how that part
of my career started.
And I have decided that I am free,
despite not being free,
and I do whatever the hell I wanna do.
(audience applauds)
So I don't have to be within any bounds,
because those bounds are too small for me,
and I will go crazy like
my mother did if I stay
within where I'm supposed to be
and do what I'm supposed to do.
So no, I do not have an advanced degree.
But it is my goal to make
sure that artists of color
are profitable and free to
be creatively expressive,
because they are earning
money, because we need money.
The struggling and starving
artist scenario is not for me,
and that was something
my family was very...
They pushed back a lot on the
idea of my being an artist,
and I forgive them, because
what example did they have
of a successful black female artist?
I mean, you may have seen five black men,
but the women, though, did
not exist in our lives.
So I have now taken on
placing the art of emerging
and mid-career African-American artists
in the homes of
African-American collectors
and getting them into
museums and into galleries.
So that's my side gig that I do,
and in the meantime, I
continue to make my work,
and I don't have an
institution or gallery,
and I sell stuff all the time,
and I just have my own shows,
or I participate in group
things that other artists
put together, and I live
a really beautiful life.
(audience applauds)
- So I wanna get right to the heart
of the question that you all asked,
how was my experience
as a student affected
by a lack of representation.
It accounts for why I'm sitting here,
because I was I was
confronted with three things:
I was confronted with the crater,
the charge, and the commitment.
The crater is this incalculable,
incalculable amount
of illiteracy, ignorance,
indifference, and innocence
among people who hold BFA and MFA degrees,
either as students or as
faculty and administrators
in the matter of the
intersections between race,
class, gender, and how they
account for segregation
within art and within
the worlds beyond art.
And I think it's important
for everyone in the room to understand
that white supremacy is
not about white persons.
I'm gonna say that
again, so you can exhale.
(audience laughs)
White supremacy is not
about white persons,
and bell hooks has a much more prosaic way
of saying the same thing in Talking Back:
Talking Feminist, Talking Black,
which you all should read.
It's best to think of white supremacy
as the answer to a century's old question:
is the African part of the human family?
And consistently, the answer
to that question has been no.
And it's important to understand the role
that the academy, higher education,
has played in providing
people with evidence,
however pseudo-scientific it may be,
however faulty it might be,
but providing evidence
for that answer being no.
The role of visual culture is critical
in that answer being no,
because we have centuries
of representations
that provide this comparison
between so-called persons and property,
and it's an important
thing to understand that.
So that was the first
thing I was confronted with
when I was in my BFA education
and in my graduate education.
This crater of ignorance,
illiteracy, indifference,
and innocence that is so
huge that it's incalculable.
You can't measure how deep it is.
And then it was a charge.
I was in graduate school,
and there was a young woman
in one of my seminars who,
to make a long story short,
wanted to have a debate with me
about the irrelevance of race in my life
and in her life and in the
United States of America.
(audience laughs)
And she wanted this debate
to be part of her...
Or to be the subject of
her thesis film in cinema.
So she was a senior, about
to leave the Ohio State
University armed with a
weapon of mass destruction.
And so we had a talk, and I said,
okay, if race is so irrelevant
in the United States,
and in my life, tell me
why there's so few tenured
African-American professors
at the Ohio State University?
She said, oh, that's easy to explain.
There are more whites in the population.
I said, okay.
So then, I said, if the
preponderance of white people
in the population explained
their dominance in the academy,
why are the majority of players
in the National Basketball
Association black?
And she actually thought
before she answered to me,
and said, they're better at that.
So here I was,
black man in an apartment
in Columbus, Ohio,
with a young white woman
who was about to complete
four to five years of formal education
with these 17th-century ideas
about the correspondence
between skin color and
intelligence and superiority,
because either no one had challenged them
or had done so successfully.
And then the voice came to me.
What are you going to do about this?
And I was in an MA program
in photography and cinema at
the Ohio State University,
and it was clear to me that...
and I taught the entire
two years that I was there.
I taught an introduction
to photography course,
and I had all of these
students, most of them young,
white farm children,
who more often than not,
I was the first black person
in the role of professor for them.
And more often than not,
I would be asked the question,
what are you going to
do when you graduate?
And I never said teacher.
And one student literally came to me
and said, you are a teacher.
You should find a place in the academy.
And I didn't hear them until
I heard this young woman
say what she said.
And so what this meant
was that I had to get the terminal degree.
And I applied to the Maryland
Institute College of Artwork,
got my MFA.
And that's when the commitment came,
the commitment to being
part of the solution
and not part of the problem.
And to honor, honor those
young people who essentially
put me into a command
performance in the classroom
in ways that I never, ever expected.
And it was also the
beginning of a commitment
to something that Martin
Luther King said in 1967
where he talked about,
I think it was an NAACP
address that he gave,
where he talked about the
importance of that the future,
the future, is to the maladjusted.
And one of the things
that I came to understand
was that being in the
academy is to be in the midst
of people who have adjusted to the idea
that the African is not
part of the human family
and that intellectual
property of any significance
could not come from anybody
who was a descendant of that continent.
And so aside from making a commitment
to producing visual culture
that challenged these
representations of African-American
people specifically
as either criminals,
entertainers, or athletes,
and even within those representations
not being perceived oftentimes as human,
it was important for me
to contribute to the scholarship,
and I was fortunately,
fortunately at the Ohio State University.
I never thought I would get misty-eyed
talking about an institution
I was associated with,
but I get misty-eyed talking
about the Ohio State University
because it was there...
Excuse me.
I was treated like a basketball player.
(audience laughs)
I was recruited.
I was courted.
I was accepted.
I was monetized through
having a tuition waiver
the entire time I was there.
I was paid to teach,
but I was also charged.
I was also charged by my
faculty to come in the classroom
and to disrupt
the flow of discourse
that was taking place.
I was one of the first
people on the campus
that had the first, the
first Apple PowerBook,
and I had a history of
photography professor
Clyde Dilley, God bless him.
So when I told him I got it, he says,
you're gonna bring it
to the classroom, right?
I said, yeah.
I said, what am I gonna do
with it in the classroom?
He said you're gonna take notes.
I said, well, Clyde, I
can't type that fast.
He said, don't worry.
You'll catch up.
And this was the man who
said, you cannot leave
what you say in this seminar.
You must write, and you
must get what you've
written published, because
if you don't do this,
your classmates won't.
If you don't make these points,
your classmates will not.
So this is why I said
white supremacy is not
about white persons.
And it's important to
understand that that framework,
that framework is ideological,
but it's also, on some levels, biological,
or psychological, more to the point,
because there are people
who cannot unlearn this.
And I'm here today to play a role
in helping people unlearn it,
through my own work as an artist,
working in photography and cinema,
and as an essayist that helps people
make sense of the madness
that we find ourselves in.
(audience applauds)
- Thank you, everyone, for that.
So, moving onto this
idea of representation
and supply and demand,
each summer, the SVA library
withdraws from circulation
some books, which include the catalog
from a Charles Austin show,
Survey of Work from 1936 to 1969,
Selected Poems by Gwendolyn Brooks,
just black authors.
(Anastasia laughs)
And Shellyne made this known to me.
And so our question to
you is, are libraries
meant to reflect student
bodies or shape them,
and it's very clear that SVA,
being thousands and thousands
of dollars for tuition,
isn't accessible to many communities,
and so I wonder how our libraries
are supposed to be shaped.
- I would say first, go to the library.
When I say, go to the library,
I don't mean go to Google.
Google is a database.
It's an index of websites.
All information about human history,
all of human history,
is not on the internet,
not even close.
So go to the library.
And also, the concept...
Well, the concept of the academy really is
about certifying what is significant
and reproducing knowledge
about what is significant.
So it is not, in its function,
meant to be democratic.
It's not meant to equalize
relations of power in society.
In fact, it's meant to maintain
the stratification of power in society.
So part of our frustration
about the exclusion
of historically marginalized
groups from academic discourse
is because we have this
mitigated acceptance.
The more that marginalized
communities are disruptive
and demand to be included, we
get a little concession here,
a little concession
there, and that concession
is also meant to stabilize
the existing relations
of power in society.
So we get a little bit of ethnic studies,
a little bit of gay and
lesbian studies, et cetera,
and that's just supposed to be enough
to keep us from burning
the whole thing down.
I am not saying burn anything down.
(panel laughs)
Just to be clear.
But that is the fear.
You know, everything's fun and games
until the guillotine shows up.
- People start marching.
(audience laughs)
- No, the marching is fine.
It's the guillotine that's the problem.
Which, it should be.
Nobody wants that, of course.
So, the library follows
that same function.
Libraries are meant to
certify what is important
and reproduce that significance over time.
So, it is incredible
if you go to a library
that's been going since,
you know, the 18th century,
and you can see...
Okay, for some of you, many moons ago,
before searches on the internet,
you had something called the card catalog.
(audience laughs)
And actually, many
libraries have not placed
everything in their card catalogs online.
So you still need to go and
look in the card catalog.
And so you will see, oh,
The Autobiography of Frederick Douglass,
Douglass, comma, Frederick,
1863, when it first came out.
And so some libraries had
some abolitionist librarian
who would order the book,
and so then it's there
for subsequent generations to find.
But the great thing about
the academic library
is that it is customer-service
oriented, many times.
So if you, as a student or a professor,
request things for the library,
librarians will generally get them.
If you check out things from the library,
librarian will keep them.
So it's not to say that there
isn't necessarily a bias.
There is an association of
African-American librarians.
They meet every year.
There's about a thousand of them.
But part of what we can do
to certify what's significant
is by raising our voice and using things.
And that's a part that we can play.
So that's also about, sure,
you can just watch things
on Netflix, like you hear
about something like,
there's this great
documentary, Cuba Libre,
which is about the history
of the Cuban Revolution.
You can watch it on Netflix.
But who knows how long
Netflix is gonna last?
If you're talking about
from 1863 'til now.
Right?
And so maybe you can request
something that you see
that's on Netflix that's
about your community
that you think is relevant
and they'll get it on DVD,
or they'll get the digital stream of it,
and it will be there.
So it's not up to us to
just accept what's certified
as important when we're
in these institutions.
We also have a say, and it's really,
if we want things to be different,
if we want to have more inclusion,
then we have to lead,
which is not to say that we're
displacing responsibility
or saying okay, well, the
librarian has no responsibility,
but it is meant to be
an interactive process,
and we should take
advantage of that, I think.
(audience applauds)
- Are we doing this down
the line thing again?
When Shellyne told me that
this was happening at SVA,
I just thought this was crazy.
This is crazy.
It's crazy to discontinue
Black Writers of America:
A Contemporary Anthology
by Richard Barksdale,
Kenneth Kinnaman, a catalog
from a Charles Austin show,
Survey of Work from 1936 to 1969,
Selected Poems by
Gwendolyn Brooks, come on.
That's crazy.
Introduction to African
Civilizations by John G. Jackson,
forward by John Henrik Clarke.
I didn't know anything
about John Henrik Clarke
'til I started hanging out
with a girl from Cornell
who had studied under Dr. Turner
at the Africana Studies program.
These academic spaces that we are...
Oh, biographies on Lorraine
Hansberry and Octavio Paz.
- Thrown out.
- On the street?
Like, this is what's being
pulled from the library
and made inaccessible
to incoming students?
So, Shellyne and I talked
about this a little bit,
and what's interesting about this is,
it's like, well, if you're
coming from places...
You know, so, even as a
beneficiary of great public
and private education,
there's like all this stuff
that I don't know, that
I'm still having to learn
and teach myself in good company now.
So how would I know that I don't want this
or that I need this or don't want this,
and if you're coming into SVA
as a normal undergraduate,
you're coming right out of
high school, from wherever.
Let's say you're coming from
Arizona where you're not
allowed to learn about Native
Americans in the textbooks.
(panelist laughs)
It's disallowed.
You know what I mean?
These are crazy decisions.
These are crazy institutional decisions.
- That's House Bill 2281.
- You know, like, what do you...
It's just crazy.
It's just crazy, and then we
who are the art students...
So like, I can primarily
speak as someone who makes art
and who's been in public
and private art education
since I was a little girl.
You know, we find
ourselves, as I've moved up,
as I've grown up
and crossed the country for this goal,
I have found that I've been in places
where I thought that we were all...
I thought we all wanted to be artists.
I thought this was like we made it,
we're here together, like
this is what we want,
and found myself and other
people of color kind of being,
well, just having really
strange, strange experiences.
Strange, dehumanizing
experiences in spaces
that are supposed to be, you know,
we're led to believe are like,
heightened for creativity
and intellectual discourse.
Like, some really stupid stuff.
Like, really stupid basic, basic, basic,
like, beneath basic,
disrespectful, dehumanizing
interactions that are
borne of what Mr. Gaskins
is talking about, this core
belief, this core disbelief
that we actually belong there.
Like, what are you doing here?
(panelist laughs)
So, if that's the space, we
should just get real about that.
And these are conversations
that many of us
who have been through
these academic spaces,
we all know, and we
privately will discuss it
because we need support, and
I think it's interesting,
in recent years, well, in
the last couple of years,
there were so many contemporary
campus demonstrations
all over the country.
What I find most
interesting is that things
that would normally only be
discussed in closed company
were being discussed openly
about these kinds of experiences.
So it's like, it's just stupid.
This is how you breed stupidity, is all.
This is just how you breed stupidity,
and then we're the ones
who have to deal with it
when we're students, and
then students of color,
you know, the data already
shows that those of us,
many of us will then take on extra work,
doing public work at school to try to,
you know, 'cause as
Mr. Gaskins was saying,
what are you gonna do about it?
What are you gonna do about it?
- Isn't that what she just asked?
- Yeah.
- By doing this panel?
- Right.
Yeah, what are you gonna do about it?
So we do all this extra lifting,
which can produce these
beautiful things, yes.
But then when we leave,
institutional amnesia sets in,
and then you have a
whole 'nother generation
who's coming in without
a full breath of humanism
even being prioritized in
the way that they're learning
about social history, human history,
and cultural history, and it's insane.
(audience applauds)
- Just a brief note, ushers are
gonna come around to collect
questions for the Q&A right
now, so just look out for them.
- Like, if people's supposed to be smart,
why would you do that?
(panelists laugh)
- Also, those books,
they didn't get tossed.
They're in my library at home.
(panelists and audience laugh)
- If you raise your hand,
if you haven't got an index
card, an usher will find you.
- He's asking...
- We'll get to that.
- We'll get your question later.
- So the library was a lifesaver for me.
I literally get sexually turned
on around a lot of books,
and actually have had sex in
the library several times.
(panelists and audience applaud)
So.
And my intention was to read
the entire encyclopedia.
I was an only child, and
so books were my refuge
from everything that was going around
in the chaos of my life.
But I did notice as I
was going through school
that there was not a lot
about my life and my family
and the African-American experience
or even something for me to
be really super proud of,
even though, in my life,
I saw it all the time,
because the flip side of segregation
is that we were all together
in every socioeconomic group.
So even though my family
was working class,
my friends, because of
my academic achievement,
were the kids whose fathers
and mothers were doctors,
lawyers, professors, and so
I got to experience a bigger
life, which kids now don't
get to do because the smarter,
wealthier kids are going to private school
or they are in charter schools.
So those who are left behind
are literally left behind.
So that was the advantage for me.
So I absolutely loved it,
but I also felt a great deal
of frustration around it.
But what I did learn is
I learned how to
communicate in the language
and in the metaphors that
my Caucasian colleagues
and friends could understand,
because that was pretty much
what my education had
been from that viewpoint.
So, for instance, I had
been on some boards.
I was on the first organization in America
that was a site-specific
artist residency program.
It's called Capp Street
Project in San Francisco.
I was on the board of the San
Francisco Museum of Modern Art
and the chair of their
Society for the Encouragement
of Contemporary Art, which chooses artists
to get a show in the
museum every two years,
and in all of those situations,
because I could translate my
thoughts using the metaphors
of Shakespeare or someone else
to my colleagues on the board
'cause I was typically
the only African-American
on the board, that really enabled me
to have my agenda go through.
So Fred Wilson got a
residency at Capp Street,
and Willie Cole, and these were people
that I just said to the
board, like, why haven't...
You know, I've been on
the board for three years,
and we've gotten artists from
all over Europe and America
and everywhere, but I haven't
seen any African-Americans,
so I need to see some.
And always, the way I like to flip it
when they would ask
me, you know, to go out
and find more black board
members or more black artists,
and I would flip that back to them,
and I knew that was why they had asked me
to come on the board,
but my agenda was bigger.
My goal was for them to find
African-American artists
and more African-Americans
to be on the board,
because they needed to
open up their circle
of who was in their life,
and it enriched everybody by doing that.
So getting back to the
library, it enriches everybody.
The more knowledge that's
in those repositories,
the better it is for everybody.
There's so much joy,
there's so much knowledge,
there's so many inventions
that African-Americans have
contributed to this country
that the real McCoy is a black
man who developed a patent
for a process for oiling the railroads
at a time when the railroad
was the most important means
of getting anything done in this country.
So to have a real McCoy
meant that you actually had
his and not a knockoff of his invention.
So there's a lot of things like this
that is kept from everybody,
and we should all know it.
So that is why I think that
it's important for libraries
to include everybody and
not just African-Americans
but everybody should be
included in our canon.
It shouldn't be only white and European,
because that's a small world,
and it's not an exciting
and interesting world, and
it doesn't challenge you,
and you can't grow, and you
can't really have joy and fun
and certainly not great sex.
(audience laughs and applauds)
- Cheryl.
I think there's going to be
an increased participation
in the number of people
going to the library here,
(panelists and audience laugh)
because of you.
I wanna say something.
In the same way, how many people here
go to parties and dance?
Raise your hands.
Okay.
In the same way,
you would leave a party
if Beyonce wasn't being spun
and Jay Z wasn't being spun
and Young Jeezy wasn't being spun.
The same way...
(panelist laughs)
The same way you would turn around
and see something
problematic with that party,
you have to have the same attitude
about intellectual
property and scholarship.
You have got to begin to ask the question,
what were black, brown, and red people,
and what are black, brown,
and red people thinking
as critical spectators
and critical producers
of visual material culture and design.
In the same way you know
you're going to miss something
if that beat is not at that party,
I'm telling you, you're
missing a great deal
if you're not answering that,
or asking that question.
And the thing that separated
me from my colleagues
in undergraduate school,
as well as graduate school,
is simply I asked that question.
And I'm extraordinarily enriched
and have been extraordinarily enriched
by asking that simple question,
because while the academy
and the libraries will silo
knowledge in certain ways,
that's not how knowledge works.
And the library within
art and design schools
has a particular relationship,
because you have people
who are in studio courses,
teaching in studio courses,
that divide the visual
arts from the liberal arts
and leave students with
the mistaken impression
that the work comes from them
and that innovation comes from them
and that originality comes from them,
when it really comes from,
as I tell my students
all the time when we
talk about photography,
photography is an interdisciplinary medium
that requires an
interdisciplinary approach
to its reception and its production.
So, what that means,
at the end of the day,
is you have to choose a
conversation in design,
in photography, in cinema, in painting,
in whatever medium you're working with
and understand that it's
not informed by photography.
It's not informed by cinema.
It's not informed by
design for design's sake.
It's informed by ideas outside of it.
And aside from a site
for a sexual encounter,
(audience laughs)
so many of the situations that
you find yourself stuck in
in terms of the work
that you're producing,
you can get yourselves unstuck
by getting as much information
as you possibly can
and asking those
questions, what have black,
brown, and red people been thinking about
in terms of the discipline that I'm in?
Now, you will be confronted by people
who are in the role of professor
who may tell you, nothing.
They have not asked those
questions, and it's up to you
to be intrepid and
contradict that response.
(audience applauds)
- All right, so we wanna try to get in
a couple more questions before
we wrap for the evening.
I'm gonna throw two very
important questions out there,
and let's try to be
succinct with our answers.
One, departments within
universities bear the responsibility
of undoing dated and
exclusionary knowledge
with white supremacist and
imperialistic underpinnings.
Because we have a legacy
of exclusionary learning,
there is an army of scholars,
academics, and teachers
that have spent their whole
career with no knowledge
of non-western intellectual
and avant garde contributions.
Is it time for institutions
to send their faculties back to school?
That's one.
The second:
the name of this panel
is Erasure by Exclusion.
Exclusion, in this case, is not
meant to automatically imply
inclusion as in assimilation.
Inclusion, in this case, is meant as a way
to not be rendered at
extinct, to not be negated.
It is a demand.
With this in mind, we would like to ask,
Anastasia and I would like to ask,
what are the differences
between diversity and equality,
and how do these words present
themselves in the art system?
All right, tossin' it out
there, somebody catch that.
- I will say very quickly,
yes, it is time.
It's always time for faculty
to go back to school.
I mean, I think part of something
I get very frustrated with
is whenever there is
an incident of racism.
I mean at my institution,
sadly, after Trump's election,
someone or some people
put swastikas on the doors
of several students' dorm
rooms, and so then there's
a conversation about, let's have training.
And then, but the training
is not for decision makers
about how to have the best
possible campus climate.
It's not a training
for the leadership of an institution,
what are solutions that have worked?
What steps have other institutions taken?
How much money have they spent?
It falls to the faculty and the
students to fix the problem,
When they have the least
amount of resources
and decision-making power to do so.
- Can we clap?
(panelists and audience applaud)
- So, and that's, again, how
power in all institutions work.
Things, the scatological goes downhill.
And so it's really important
to hold the decision makers accountable,
because they can change
the most the fastest.
And so, in terms of going back to school,
training is something
that should be happening
for the campus all the time.
For faculty at different stages
of careers, for students,
and that should be embedded
in the institution.
It shouldn't be a one-off
when there's a crisis.
So yes, everyone needs to
be thinking about structures
of inequality, thinking about race,
thinking about the contributions
of communities of color,
and how they are essential
to our understanding of everything.
I don't know how many
people saw Hidden Figures.
So I didn't know anything about NASA then.
I didn't.
I didn't know anything about NASA,
because if you didn't know
about the gendered nature,
the gendered segregation of labor,
and you didn't know how Jim
Crow was affecting knowledge
production of NASA, you didn't
know anything about NASA.
And so, we're doing a disservice
to knowledge in general
by excluding these stories,
as Bill was just saying.
So that's one, and then two,
I struggle with the concepts
of diversity and equality.
Diversity because I said before, right,
you can have representation
that is different
but no difference in opinion,
no difference in concern.
And we see that when we
see Omarosa and Ben Carson
sitting with Donald Trump
talking about black history.
Get Frederick Douglass's
name out of your mouth.
Don't say Rosa Parks, don't.
So you can have a wonderful buffet,
but then you look closely,
and it's just all green beans.
I mean, some are curried,
some are sauteed,
some are deep-fried, but a
green bean is a green bean,
and so how much difference
does it really make.
The most diverse pageant in the world
is the Miss Universe pageant.
Miss Angola, Miss Philippines,
Miss Switzerland, but
everyone is 5'8" or above.
Everyone is 120 pounds or less.
Everyone has long, straight hair.
Everyone has a certain
eye to nose to chin ratio.
So I don't...
Diversity in this time, I
don't know how meaningful it is
in terms of advancing
and achieving democracy,
in terms of relations of power,
in terms of enabling
and sustaining autonomy,
helping us have the resources we need
to make the best decisions for ourselves
and the people we care about.
And that is what, if we think about,
as Ruth Wilson Gilmore describes,
if we think about racism
as policies and practices
that cause premature
death for people of color,
then the opposite is
what can cause long life?
And diversity alone doesn't get us there.
And that leads me to my
problems with equality,
because the premise of so many
of the Affirmative Action programs,
which I'm proud to say I
have participated in in life.
I mean, if it's good
enough for the Bushes,
it's good enough for me.
If it's good enough for the Hiltons,
it's good enough for me.
But so much of the
premise of these programs,
whether it the Better
Chance program or, you know,
I had a Ford Diversity
Dissertation Fellowship.
The idea is that the institution is fine.
The system is fine,
if only you can have the access.
If only you can have the opportunity,
then, you know, you'll be good.
But we know that that is not the case.
The opioid epidemic in this country
is really catching fire in
middle class white neighborhoods.
What's going on that young
people don't want to be awake?
Don't want to walk in
consciousness in the suburbs?
Something is...
In some ways, I think
mainstream American culture,
like, I don't know if anybody's
ever been to Orange County...
I'm talking too long.
But the basic presumption of
equality is that everything
is okay the further up you
go on the social ladder,
and there is no really compelling evidence
that that's the case.
Having money only solves not having money.
And so, that is something
that I think about.
So I think to me, the real key to change
is about what can we do
to increase autonomy?
What can we do to democratize resources?
Those are the keys to expanding life.
(audience applauds)
- And that's where, historically,
there's all kinds of resistance.
Resources, under-resourcing
specific communities,
and then blaming them
for their blightedness.
I just wanna read something,
this quote from this really smart man,
because I feel like it's really fitting.
He said, "All I have been
doing in trying to correct
"the system in America has been in vain.
"For the vast majority of white Americans,
"the past decade, the first
phase, had been a struggle
"to treat the Negro with a
degree of decency, not equality.
"White America was ready to
demand that the Negro be spared
"the lash of brutality
and coarse degradation,
"but it had never truly
committed to helping them out of
"poverty, exploitation, and
all forms of discrimination.
"When Negroes looked for the second phase,
"the realization of
equality, they, or we, found
"that many of their white
allies had quietly disappeared.
"The Negroes of America
have taken the president,
"the press, and the pulpit at their word
"when they spoke in broad
terms of freedom and justice,
"but the absence of brutality
"and unregenerate evil is
not the presence of justice.
"To stay murder is not the same thing
"as to obtain personhood.
"Why is equality so assiduously avoided?
"Why does white American delude itself,
"and how does it rationalize
the evil it retains?
"There is not even a common language
"when the term equality is used.
"Negro and white have a
fundamentally different definition.
"Negroes have proceeded from
a premise that equality means
"what it says and have taken
white American at its word
"when they talked of it as an objective.
"But most whites in America in 1967,
"including many persons of
goodwill, proceed from a premise
"that equality is a loose
expression for improvement.
"Loose and easy language about equality,
"resonant resolutions about
personhood fall pleasantly
"on the ear, but for the Negro,
there is a credibility gap
"that they cannot overlook,
that we cannot overlook.
"They remember that with
each modest advance,
"the white population
promptly raises the argument
"that the Negro has come far enough.
"Each step forward ascends
"an ever-present tendency to backlash."
That was Dr. King speaking in 1967.
So, yeah.
I'm like really for this
accountability thing.
But yeah, accountability
inside the schools.
The school, the desegregation
of public space,
the desegregation of
schools was the Trojan horse
that transformed all of
public space as we know it.
Interstate transportation, all of that.
Public parks, buildings, all of that.
All of that happened...
The battlefield was
the space of education.
The battlefield was the mind,
and Thurgood Marshall
knew when he was a child
that he wanted to desegregate education,
sitting in the backs of...
His father had him sitting
in the backs of courtrooms,
quietly listening, and he
knew when he was a child
that that was the key, and for Dr. King,
the key that Dr. King found
before he was assassinated,
I mean, he'd been talking
about it since 1957,
was the link between
labor and racial equality,
and justice, labor and justice,
the fact that the way we see ourselves
is borne of the work that we do,
whether that be scholarly or manual labor.
You know, like that
determines our sense of self
and our place in our community
and our ability to care for
each other and for ourselves.
That's humanism.
So we should all be
learning, all the time.
The space of education was the opportunity
thought Thurgood Marshall and the LDF,
especially early childhood
education was the place
to really get in there
early to stop that cycle
of inherent racism, of
anti-black, anti-brown,
the terror of racism from repeating,
that studies showed a long time ago
that children of color
bear the brunt of that.
Everybody is affected.
Everybody is walking
around with a completely
distorted sense of reality
and the value of human life,
but the pain, the real long-term pain,
the life-altering pain, is
often endured by communities
of color who are getting
it from all sides.
So the space of education
is the opportunity for us
to be together and to learn
and to advance and to grow,
and it should be fun.
Like, it should be fun.
Like, for everybody involved,
I think, including the facilitators.
I had fun when I finally
got into some Af-Am study classes at Yale.
We had fun pulling stuff
apart, learning about people
that we should have already known about.
And everybody needs that.
Everybody needs that,
for a beautiful life.
We all need that.
(audience applauds)
- Well, I really think that
diversity is extremely important
and especially the power
silos of this country,
and I've seen it at work
in my encouraging the
boards that I've been on,
the companies I've worked for to diverse,
to be more diverse.
and when I look at diversity,
I mean it in every way,
because it just improves everything.
If everybody is the same,
then everybody has the same blind spot.
And so by bringing in
other points of views,
other income levels, other
sexes, and other races of people,
you're gonna have a much
better organization, business,
board, neighborhood, school,
because you are gonna get
the best from everything.
You're gonna get things
that you never experienced
and didn't know anything about.
You're gonna meet amazing
and interesting people.
As far as equality, I don't
know if that's possible
for the human condition
to create anything that's really equal.
So I don't have a lot
of hope for equality.
But I do have a lot of hope for diversity,
because that's something
that we can definitely do,
and so easily, too.
If you're looking, if you're
sitting in any situation
and you look around and everyone is black
or everyone is Caucasian
males, then you need
to get in action immediately
and change that dynamic up,
because you're gonna have
much more success if you
bring in a lot more diversity
to any type of endeavor
that you're gonna reach to,
and I've seen this countless,
so many times now in my life
that I know that I'm speaking the truth.
(audience applauds)
- The most devastating and persistent
human action in the history of humankind
was the trans-Atlantic slave trade
that benefited the United
States and Great Britain
to the extent that the
profit, I mean the interest
on that profit, is still being born.
It's important to understand
the history of this term, diversity.
So quickly, first Africans get here,
Jamestown, Virginia, 1619.
So there's unmitigated
hell between 1619...
Not only unmitigated hell,
but there is an agreement
within American culture that we won't talk
about the peculiar institution of slavery.
1968, May, excuse me, April fourth,
is the assassination of
Dr. Martin Luther King, Jr.
That was the moment when the
United States of America,
its citizens, began to understand
that something had happened,
that there was a past grievance
that was structural in its nature.
It wasn't about personalities.
It was structural.
And so 1968 began a
particular period of time.
First, there was violence.
And there's certain people
who can hear violence
in ways that they can't
hear dialog or pleas.
These people started to do something
because they realize that
something had happened
that we haven't been talking about.
So that ends in 1978
with the Supreme Court case,
Bakke versus University of California.
This is a case where a man
by the name of Allan Bakke
sues the Regents of the
University of California
for his being denied access or entrance
into the UCal Davis Medical School.
The brief written by
Justice John Paul Stevens
basically said this.
I'm stripping away all the legalese.
While there have been efforts
over the last 10 years
to address past grievances
and past injustices,
in the matter of higher
education, we can no longer
desegregate based on past injustice.
We can only do it for
purposes of diversity.
So basically, what that comes down to
is that I will allow
you in my corporation,
I will allow you in my school,
I will allow you in my
fellowship programs.
Now, even though
something happened to you,
the deal is, you can't talk about it.
I'll give you everything you want.
I'll put you in positions of influence,
but you can't talk about
what was done to you.
So, diversity amounts to a vague
conflict-averse, race-evasive,
ahistorical celebration of difference
that is an administrative and legal tool
to keep people from facing the fact
that something has happened
that is inexorably connected
to the contradictions
between the principles
and the platitudes for which
this country is built on
and its policies and
practices in the matter
of those descendants of chattel slavery
in the United States.
And it's important to understand,
that's the history of this term.
It's legal and it's administrative,
and it serves a purpose that keeps people
innocent, illiterate,
ignorant, and indifferent.
(audience applauds)
- So I think we'll have one
or two more of our questions
before we move onto the Q&A.
- Do we have time?
I think we may have run
out of time a little bit.
- One more question before the Q&A?
- Do we have time for one more?
- Do you wanna mix and match,
we'll do Q&A, and then...
- Okay.
- Can we get to the
cards, and then come back?
- Okay, sure, sure.
- Yes, we'll come back if we have time.
- All right, so.
- They've waited to patiently.
- They have.
(panelists laugh)
And I really identify with
this question, being a current
student and having this
experience of the room of silence,
whoever brought us this question.
Being black in an art critique
can be challenging, to say the least.
Referred to commonly amongst
POC as the room of silence,
I feel like my artistic
growth is being stifled
because being a class full
of white artists, they never
have much to say about
work outside of aesthetics.
How can this atmosphere be
challenged as a student?
- First, I would recommend that you read
Institutional Time by Judy Chicago
and understand that, excuse me,
the history of the art academy
is that it was gendered feminine.
It was a place for women.
And not all the time
was it a place for women
to be professionalized,
beyond a particular group
of siloed practices like interior design
and other craft-based mediums.
It's important to understand
that post-war America
brings us the imprimatur
of abstract expressionism
informed by bebop, here in New York City.
Not jazz.
It's informed by bebop.
And so you have all of these white men
who are coming back from
the war who have access
to the GI Bill that
enables them to have access
to higher education paid
for by the government.
So, many of these people
come into schools of art,
and they proceed to recover
art from its feminine identity.
So, this convention you
all are experiencing
in your critiques, I don't
care what discipline you're in,
that it's a caged battle match...
(panelists laugh)
- Yes!
- That is all about this
particular period of time
in the 1940s where these white men come in
and basically set the terms
of dialog and discourse
around the critique of work
that amounts to this question,
are you man enough to be in here?
And that's to an overwhelming
majority of women
who are the students.
And so first of all, you don't get paid...
First of all, if you want therapy,
the critique is not the place for that.
And more to the point,
it is not the place for
anybody to abuse you.
It is not the place for
there to be the absence
of verifiable criteria for
the evaluation of your work.
That is what we have here.
It's what I call a legacy pedagogy.
And it's serving very few people,
and what it does is it conditions students
to be on eggshells, and more to the point,
it conditions students
to say what people want to hear you say,
do what some people want you to do,
rather than put you into
position to animate,
to develop your work on your terms.
And it's important that you
understand what that's about.
And one of the things that has to stop,
going back to the point
about people being educated.
BFA and MFA education is perhaps
the only place I'm aware of
where people are in roles as educators
who have no coursework in pedagogy,
have no coursework in
curricular development,
and have no coursework in
organizational psychology.
So, basically, they're teaching
the way they've been taught,
and that model is this implicit question,
are you man enough to be in here?
And so this whole idea of
having to come into a critique
and be destroyed as a matter of course,
as a matter of professional
development, is false,
and you need to disrupt it.
(panelists and audience applaud)
- Preach!
- So, the next question,
it's one of our questions
and it seems to be
a really popular one amongst
the ones you guys submitted.
So there is a painting in question.
(audience groans)
(panelists laugh)
I'll leave it up to you
whether or not you would like
to name the artist, but our question is,
why does art by white artists
featuring black subjects
continue to be so problematic,
and why does it always
fall short of its intentions?
What does it mean to be in the image,
and what does it mean to produce it?
- Can I...
- Go for it.
- I didn't wanna snatch it.
- No.
- But I have been thinking
so much about this,
because I actually, I
mean, we're talking about,
is it Dana Schutz?
- Schutz.
- Schutz, Dana Schutz,
and I've only seen it,
I haven't seen it in person.
I've only seen photographs of it,
and I teach about the
murder of Emmett Till,
and there's a brilliant documentary called
The Murder of Emmett Till,
that if you're interested
in the subject matter, I
highly recommend you watch,
and I teach the photograph
that was featured
in Jet Magazine of his
mutilated, disfigured body,
because it was, as many of you
may know, this lightning rod
for participation in the
Civil Rights movement,
and many young people
who would go on to be
in the Student Non-Violent
Coordinating Committee
and do sit-ins and go to
the South and mobilize
and work with African-American
communities in the South
to register to vote and
demand the right to vote,
as teens, they saw that
photograph of Emmett Till
in Jet Magazine, the great Jet Magazine.
Go to the library!
But it's also on Google, that's on Google.
(audience laughs)
If you wanna have a really good time
enjoying black aesthetics
of the late 20th century,
just look at old Jet on Google.
It's a really great way
to spend a rainy Saturday.
And so, I teach that photograph,
and a part of the reason
that I teach the photograph
is because of his mother, Mamie Till.
And so, when Mamie Till, you
know, they demand the body,
they demand the body,
the body is brought back
to one of the great
African-American institutions,
the funeral home, which,
that's a whole other panel,
is brought to the south side
of Chicago, the funeral home,
and the mortician, you know,
a stalwart of the community,
as all funeral homes
are, the mortician says
you do not want to see him.
I'm gonna get emotional.
You do not want to see him.
And she's determined, yes, I do.
Right?
So she insists, and probably
against his better judgment,
he concedes to the wishes of the mother.
And she can't believe what she saw.
She can't believe it.
And if you've seen the photographs of him
before he goes to Mississippi,
before he is falsely accused,
there's a great book out by Timothy Tyson
about the white woman who admits finally,
50, 60 years later, that
she lied about the whistle.
Who cares, it's a whistle,
anyway, but she lied about that.
He had done nothing.
She can't believe what she sees,
and the mortician in sympathy
begins to talk about,
I think it has to be a closed casket.
I don't know what I can do to restore him,
because he's mutilated so viciously,
and she says, it will be an open casket.
And this, everyone should see.
So the photograph in Jet
Magazine is a political act,
which is to say, so many
times African-Americans
endure terror, endure violence,
it is motivated by white supremacy
that is meant to show
our place in society,
and we just take it, because
we're afraid that saying
something about it,
telling the truth about it,
is just going to invite more violence,
and that has been the case
since we got here, to Jamestown,
and so when Mamie Till says,
from the relative safety of Chicago,
from the relative safety of
being a middle-aged woman,
we will tell the truth about
what happened to my son.
It is political, and it is not filtered,
if you see the actual photograph,
which is easily, you
can see that on Google,
and you can see what
he looked like before.
It's gruesome,
and it's devastating, and it's courageous.
It's courageous of Jet Magazine
to publish the photograph.
So, my reaction to the painting
was that it wasn't gruesome enough.
If you're going to show this suffering
and that is your intention,
to tell the truth about
racial terror, tell the truth.
The swirls, for those of us
who are not African-American
studies professors who
have not seen it closely,
don't convey they reality of the terror.
And so to me, that was my criticism.
Not that she didn't have the
right to portray the event.
Not that a white person
doesn't have a right
to discuss these things,
but if you're flinching,
you're really violating
Mamie Till's intention,
and that is disrespect.
Show the image in its violence.
Show the truth of the violence.
But also, why not, as a white woman,
relate directly to your personal history
as a white woman in the event?
(audience applauds)
Which is not to say, show
the violence of the accuser
or the violence that she was subjected to
in terms of being coerced into an accuser.
Which doesn't, don't jump me,
I'm not trying to say
she's not responsible,
but there is a whole story there.
Why not use your privilege
to tell a part of the story
that is very confrontational
but extremely important
for us to understand,
and perhaps encourage
people in your community,
as a white woman, to
make different choices.
So again, your art is your art.
I'm big on freedom of speech.
We're gonna need freedom of
speech now more than ever.
It's been 60 days.
So I'm big on freedom of speech,
but I'm also big on criticism
that advances solutions.
So I think to say to someone,
well, you don't have a right
to speak about racism because you're white
is absurd and unhelpful.
To stay only in anger
without an actual
conversation about what people
can do differently
doesn't advance anything.
And so I'm fearful that the
conversation that has emerged
is going to discourage white artists
from having any kind of
conversation or participation,
and I hope that that doesn't happen.
(audience applauds)
- You know, the freedom
thing is very important.
But I think at the same time,
there needs to be responsibility.
And one of the things that often happens
within studio art curriculum,
fostered by faculty who will justify
not going to the library
on the principle of academic freedom.
So I'm free to be ignorant.
I'm free to be innocent.
I'm free to be illiterate.
And so I think that all too often,
students are not encouraged
and mandated to be responsible
for visual culture.
A very important essay
you all should read,
it's called Abstract Expressionism,
Weapon of the Cold War.
First sentence:
"To understand what makes
a particular art movement
"successful is to understand
the particulars of patronage
"and the ideological
needs of the powerful."
So this thing you all are
doing, this is not playtime.
You're not in Mrs. Guston's
first grade class anymore.
This stuff has power.
And it's not about you.
It's not about you.
It's about understanding, you're
living in a particular time
where people need a clarifying
effect through what you do.
And it's not just for me about Schutz.
It's about the illiteracy
of the entire supply chain.
That's the director, that's the curators,
that is the people connected
to the education department
there missing an opportunity
to truly, truly do something
beyond what has become a lightning rod
and a distraction from all the other work
within the exhibition,
but it reflects the fact that
she came from and through
an educational system that says,
you can do whatever you want.
- And with whomever's
body, whomever's history,
and it doesn't...
You can even refuse to engage that history
while you are in school.
- Exactly.
- To go back to the other comment
about the rooms of silence,
at Cooper Union, I was the
only black person in the class
in which my fellows
refused to critique my work
because they insisted that
I was trying to make them
feel stupid by asking
questions about who we think
black and brown women are in
the city, 'cause I didn't know.
So I had made a set of
Madlibs about asking
who we think domestic workers are.
It was like a long-term project
of me observing domestic
workers of the street,
'cause I saw more people
in the streets of New York
and the parks of New
York who looked like me
than I did at my school,
and it was just simple.
My name is blank.
I come from blank country.
In my home country, my
parents do this and this.
I have this many siblings.
They refused to critique the work,
and they were not called on
it by my beloved professor.
- So that's where the...
- They insisted upon ignorance.
- That's where the
anything is possible stops.
You can do anything.
- Except...
(panelist laughs)
- Except deal with race in this studio.
And rather than saying, rather than say,
I am uncomfortable,
rather than say, my
education doesn't support
what you want to unpack in here,
let's bring some people in, aside from me,
aside from me, to help you get
your work to the next level.
(audience applauds)
- Just to piggyback off
of that really quickly,
the other experience which
Anastasia and I spoke about
at length is when a student
does approach a faculty member,
the faculty then puts the responsibility
of having this world of
knowledge of black artists,
black scholars, to then educate them.
Well, who do you suggest we
should put on the syllabus?
And this goes back to the question about,
is it time for faculty
to go back to school,
because the students are
here to learn from you.
So then the sort of
responsibility is on faculty
to know and not put that on students.
And so if then the faculty doesn't know
and we get into a critique
and your professor is like,
I don't know, and the
student's like, I don't know,
- And a whole bunch of
students are like, no!
(panelists laugh)
- Yeah, then that isolates the student.
- Okay.
So I think we have to be wrapping up,
so I guess our last
question from the audience:
I wish history courses were more diverse
in its representation.
Do you know what it would
take to integrate these ideas
and people into public
history conscious, I think,
and so that's kind of a
base question that we've had
throughout the panel, I guess,
this idea of how do we integrate
without this guise of
segregationist integration
and truly make our
classrooms and our faculty
and our student bodies more diverse
and trying to, how do we pursue equality
even when it seems impossible?
- One of the ways I'd
like to see that happen
is we just get rid of
some of these qualifiers.
It's American history.
It's not black history
and American history.
If we can just get rid
of that type of thinking,
I think a lot of space is
opened for us to actually
have diversity, because if
we just say it's history,
then you have to deal with
everything that happened.
- And herstory, and herstory.
- In a specific period of time.
So it's not, it's not about these silos.
It's not Asian art.
It's not black art, it's art.
And if you really just get rid
of those qualifiers upfront
and really just think of it
in the essence of what it is,
then if you're gonna talk
about abstract expressionism,
you can't leave Norman Lewis out.
You can't leave Sam Gilliam out,
because they were abstract expressionists
at that time in history.
So for me, it's really simple.
Just stop with the silos.
We don't have to have
black history classes.
We can just have history classes,
and maybe you're gonna
break it up in eras,
from 1910 to 1950 and do it like that,
and then include everything that happened
in history in that period.
- I mean, that would be the ideal.
- That's what we're talking about.
That's what we're talking about,
what would be the ideal,
and how would we do it?
You know, how could you do it?
- But absolutely,
but I'm gonna push back
on that a little bit,
just because I resist the
continued problematizing
of vicinity-specific education
and records of history,
and I'm wary of language that
seeks to, that insists upon,
erasure of difference as a
solution because it's so often,
like, you know, with the Bakke case,
it's just like the language of liberation
and idealistic equality braided up to be
some neo-right wing,
school choice, vouchers!
School choice,
shut down all your schools
in Philadelphia and Chicago.
That's choice!
The choice initially was the
language of desegregation.
So I'm with you in that
this is a world history
that we're talking about.
We're talking about peoples
of the worlds and creative
products of the world and art
of the peoples of the world
that have been very, with great intention,
a lot of energy has gone
into excluding knowledge
about Asian contemporary art.
Just a lot of energy, a lot of spirit
has gone into specifically
excluding knowledge
of non-white people, of people
of non-European descent,
across disciplines.
So under that guise, that language,
that ideal has already been used.
Oh, this is just history, or
we are all American, and that
kind of ends up leaning towards
rationalizing nationalism.
That still excludes.
So yeah, I mean, I feel like ideally, yes,
but I'm also, I'm
reminded of all the times
that that sort of language of equalization
is used against us.
- I would also say, I
think it's very important
for students to understand
the financial leverage
that you have in colleges
and universities,
and so what you want
is what is needed to
keep the school going.
And so, if you want more and
different types of history,
if you want more and different
types of art education,
collectively, the more
you express that desire,
the more likely it is to happen.
And so the only reason
we have women's studies
and ethnic studies and
African-American studies
to the extent that we do is
because students demanded it,
and the more intransigent
administrations were,
the more intransigent the demands became.
And so, you don't have
to accept institutions
as you find them.
The bad news is, don't you
wanna just like open your books
and do your work and mind your business?
Sure, sure.
But that's not how life is.
If you want something bespoke,
then you actually need to customize it.
And so it's really, I think
the burden becomes less
when you don't act alone,
when you don't say,
okay, well, it's on me to
deal with this professor
that's saying it's my responsibility
to figure out how to
diversify the syllabus.
When you band together
and organize as a group,
you really get something out of it.
I think that's a different
type of education,
but a really important one,
which is how to advocate for
your needs in institutions.
And that's something that you are, I mean,
you're trying to be artists?
You're going to need
to be doing that a lot.
So it's a really important
and helpful life skill
that you can get practice on,
just trying to address
these issues in your school.
- There's a great history of Cornell,
Cornell's history of what
became the Africana Studies
department, and that really matters a lot,
like the difference between a department,
department distinction
and what's happened in...
Cornell is a crazy racist campus,
and produced some amazing,
amazing people under the
tutelage of Dr. Turner,
- James Turner.
- James Turner, I wasn't
there, but I had friends
who were there, and they
are different kinda people.
They are an intellectually
different kind of people,
but I speak to the notorious racism,
the generational racism
on the campus of Cornell,
like burning down the
Native American house.
You know, white frat boys, burning down...
Boys, they're men.
Burning down the Native American house.
Trying to burn down the
Ujimaa house, or the Ujamaa...
- Ujamaa.
- You know, 'cause the students,
the students there can live
in groups if they choose to.
Like, a lot of violence.
Students going missing,
being driven off into gorges
while they're walking
across campus to school,
all sorts of crazy stuff.
And in the middle of all
of that generationally,
that department was created
because students banded together
and insisted upon it.
I was like one of the...
Kind of like what happened here
at the Medgar Evers CUNY school.
It's like one of those stories
of students like holding on
and really insisting
upon change, and again,
I mentioned the generational,
gobbling up everything kind
of racism on that campus,
because only recently
have they successfully
de-departmentalized
Africana Studies, I heard.
There has always been an
effort for the department
of English to consume it or to make it,
you know, who needs
Africana studies, right?
It's all English, or it's all...
Anyways, there are histories.
There are institutional
histories of triumph,
that really illuminate the importance
of these programmatic distinctions.
- It's still a department,
it's still a department.
I think the thing that's important...
Everybody here who has siblings,
raise your hands please?
Okay, all right.
I want to talk about justice.
Those of you with siblings know
that you were not raised the same.
And some of you mad about it.
(panelists and audience laugh)
Still.
Still mad about it.
But somehow, the wisdom of your parents,
guardians, aunts, uncles, nanas,
knew what each of you needed.
And so the barrier to a more perfect union
has been the pursuit of
some mathematical equality
that has people looking at the
size of the slice of the pie
and saying,
either it should be bigger,
or I should have the whole pie.
So in order for us to achieve
and be focused on justice,
it's important to understand
the power of language.
We live in a racially segregated state
of being in the United States of America,
and when we use terms like diversity,
again, it's race-evasive,
and it's ahistorical,
and it doesn't get to
the heart of the matter
that there are people
who have never sat down
and cracked open a book written
by an African-American scholar.
I ask a question, I have a seminar
called Photography and the American Dream
where we unpack the ways in
which poverty is represented
and misrepresented in American newspapers
and one of the features of
the course is the search
for poor white people
in the American media.
And that's a knowing sound, right?
You can barely find them,
because how do you reconcile
a country built on the
principle of white supremacy,
and you have poor white people
without unpacking the fact
that you have democratic capitalism
that requires people to be poor.
So I think it's important to understand
that what I do in my class
is that I ask students,
most of them are seniors,
I ask them.
I have an entrance survey,
and I have an exit survey,
'cause we're talking about solutions.
I come in, I ask them to give me the name
of a non-fiction text that
they've either self-assigned
or been assigned as a student at Cornell.
Then I ask them to give
me the names of artists
that are must-haves on
their dance party list.
So.
The answer to the first question
is filled with European men and women
who are white or claim to be white,
and then of course the second question
is filled with black and
Latino and Caribbean names.
So at the end of the course, what I do,
I ask them the question
I really wanna know.
Give me the name of a non-fiction text
written by an African-American
scholar that you've
self-assigned or been assigned
as a student here at Cornell,
and most of them are
seniors, and it's zero.
So, if I ask the majority
of people in this audience
to give me their opinions
on quantum physics,
there's people shaking their head, no.
(audience and panelist laugh)
And the reason that
most people will say no
is that they haven't studied it.
But art and race are two topics
where people feel a level of authority
where they haven't studied.
They believe that certainly
art is based on taste,
based on feelings,
and again, completely
separated from ideologies,
completely separated from power.
And in the matter of race,
it's whatever they sae on social media
or whatever they've seen...
- A Spike Lee movie.
- A Spike Lee Movie.
(panelists and audience laugh)
Or what they've seen in the media.
And so the point is this.
Most of us have come through,
most of us sitting up here,
who are either in or have
come through higher education
and especially higher education
related to art and design
on an imbalanced intellectual diet.
It's imbalanced.
And what's going to change
this are the three O's:
opposition, opportunity, and oversight.
So, it begins with students
opposing this monocular,
siloed, Euro-Western
set of canonical references
that you hear all the time.
You have to ask, okay, 1940s something,
Jackson Pollock, Peggy Guggenheim.
Willem de Kooning.
What else was going on in
the United States at the time
that influenced, affected,
impacted the work
that we should talk about?
And it will take you places that,
those of you who are wondering
about where your next
idea is gonna come from,
I'm telling you.
I'm at a point in my life,
and I think I share that
with everybody on this stage.
I have more ideas than
I know what to do with,
because I went beyond
what someone told me
represents a terminal degree,
and the content of that terminal degree,
and what happens when
you ask the question,
who else is doing something?
Who else has written?
Who else has sung?
Who else has composed?
Who else has made a
cinema that can transform?
That's the power you all have.
You have the power to oppose this.
The next thing is opportunity.
We need people outside of the academy
who will create, endow chairs
to situate scholars, artists,
musicians, writers, designers,
for the purpose of
desegregating the discourse
and making them university
and scholars, basically,
where they're not
situated in a department.
They are the scholar
for the entire school,
and they can show up anywhere.
The third O is oversight.
In order for this to move forward,
we need the next generation of scholars
to have desegregated bibliographies,
desegregated research questions,
as conditions for promotion and tenure.
- I think we should end it right there.
(audience and panelists applaud)
Thank you guys.
You guys are amazing.
Thanks, everyone, for coming
out to this panel discussion,
and I hope that you're
walking away with something
that you can go raise hell with.
Thank you.
(audience and panelists applaud)
- Thank you.
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-Eli bonjour !
- Bonjour est ce que
vous me voyez bien ?
- Très bien !
J’ai du bricoler
avec un élastique pour attacher
la caméra parce que le pied est cassé.
C'est super, ça marche très bien.
On y va ? Tu viens de te réveiller ?
Un peu, il est quelle heure ? Presque 8h30, quand même.
Merci d'accepter cette interview
avec la fondation Frantz Fanon.
En fait l'idée, c'est d'avoir le retour
des situations concernant
le coronavirus dans différentes
parties du monde.
Donc on a demandé à l’Afrique,
Porto Rico, la Colombie, la Guadeloupe,
parce que tu nous a alertés
depuis le début de la crise
sur la situation en Guadeloupe, et on a même mis
ton interview, ta première interview
sur le site de la fondation.
Donc c'est un peu l'idée,
aujourd'hui on a un certain nombre de
questions à te poser.
Premièrement, comment vas-tu, et comment se portent ta famille et les camarades ?
Dans l'ensemble ça va, il y a des camarades qui ont déjà été touchés par le coronavirus,
heureusement pas de séquelles graves
ni de décès.
Des camarades que je connais dans le cadre de ce qu'on fait avec vous ?
Possible, possible que tu les ai rencontrés, mais tu ne les connais pas.
Mais ils n'ont pas de séquelles particulières, et ils ont eu une prise en charge rapide
Puisque c'était les tout premiers cas.
Aujourd'hui une pensée particulière pour
Gaby puisque il enterre sa grande soeur ce matin
qui n'est pas décédée du Coronavirus, mais chez nous enterrer quelqu'un
entre guillemets presque dans
l'anonymat, c'est embêtant
Puisque bon, il n'y a pas de veillée, et les cortèges sont restreints
Tout est restreint, donc c'est particulier.
Donc une pensée particulière ce matin, puisque la cérémonie a lieu ce matin.
Et puis au niveau au niveau de la
Guadeloupe, moi je crois que
quand on regarde les chiffres de contamination à moins d'un mois après le premier cas,
puisque le premier cas survient le 12 mars et nous sommes le 8 avril, donc 4 semaines.
4 semaines après on en est à plus de 134 ou 136 cas à peu près, et 8 morts.
Rapporté à la population française, ça
fait beaucoup,
parce que si ma mémoire est bonne,
un mois après le début de la contagion
en france on en était encore à deux ou
trois morts, si je me rappelle bien,
et puis à une vingtaine de cas, ce qui fait
que le virus - est bien présent -
a démarré chez nous sur les chapeaux de roue, et je crois que
dès le départ les autorités sanitaires et politiques n'ont pas pris les décisions qu'il fallait.
Justement, à ce propos, tu dénonçais lors d'un communiqué
qu'on a mis sur le site de la fondation au début de la crise
un gouvernement métropolitain et des élites locales irresponsables.
Quelle est à ce jour la situation dans les hôpitaux en Guadeloupe ?
L'hôpital il va tenter de faire face tant bien que mal,
mais je rappelle que l'hôpital est disloqué, que le service sanitaire,
le service public de santé en Guadeloupe est disloqué,
particulièrement depuis l'incendie de
novembre 2017
Avant il était déjà fatigué mais depuis 2017 il est disloqué, il est réparti sur plusieurs sites,
l'hôpital a d'énormes dettes, l'hôpital
n'arrive pas à faire face à son travail courant,
à plus forte raison en période de crise.
Hier encore je lisais une interview dans le
monde du chef de la réanimation
qui disait qu'il avait craint l'arrivée massive de malades en réanimation
puisqu'ils ne pourront pas faire face.
Ils ont reçu 15 respirateurs
la semaine dernière, mais ce ne sont pas des respirateurs pour la réanimation.
Le personnel médical manque de masques, manque de moyens,
les choses ne s'annoncent pas bien.
C'est pour ça que dès le mois de
février, par l'intermédiaire
de l'union des travailleurs de la santé qui est la branche de l'UGTG dans le secteur de la santé
Nous avions alerté le préfet, nous avions alerté l'ARS, nous avions alerté les élus guadeloupéens
pour leur dire que
le virus il est en italie,
il est en allemagne, il commence à pointer le nez en france
donc ça veut dire que dans moins de deux
semaines et les genôts de nos cotes des
transferts et donc qu'il fallait mettre
dès maintenant un contrôle sur le port
de contrôle sous la haie au baromètre
des tests systématiques et également sur
le port on parle donc puisque c'était la
période des croisières mais il fallait
trouver un moyen si on ne souhaitait pas
stoppé par les croiseurs meiway de
mettre des tests pour pour pour tout de
suite faire ce qu'il fallait au niveau
au niveau du port rien n'a été fait d'un
service cerise sur le gâteau ils ont
même jeu mais ce que je suis entraîneur
et cerise sur le gâteau ils ont organisé
les élections municipales alors vous
imaginez le port qui est ouvert
l'aéroport qui a ouvert la campagne
électorale des élections municipales
belle voix voilà le terreau favorable du
développement de la contamination est
donc toutes ces erreurs aujourd'hui ont
conduit à ce qui est ce démarrage en
flèche de la contamination est jeune on
me disait tu m'as tu m'as tu m'as dit
d'un appel qu'on a eu on y avait un
médecin de l'hôpital qui avait qui
étaient frappés par coronavirus
enfin il y a le directeur général du chu
a été touché la présidente de la cme du
chu nos voeux aux futurs en médecine a
été touché le chef du service
réanimation a été touchée ainsi que
plusieurs cadres et infirmiers de
différents services et donc certainement
se demander est ce que est ce que il n'y
avait pas un poster au niveau du chu
est ce que le chu n'était pas eu de
contamination alors on ne sait pas
puisqu'il n'y a pas de tests à la
disposition du personnel soignant
aujourd'hui en fin de compte nous on se
rend compte et singulièrement chez nous
qu'en fin de compte le gouvernement ment
depuis le début il n'a jamais anticipé
il n'a jamais pris ce sujet au sérieux
il n'a y était aujourd'hui totalement
débordés et pour cacher le fait qu'ils
n'avaient pas de masque
il a commencé par dire à les masser peu
importe en effet important d'ailleurs
moi je suis même pas métaux masque imed
nian voilà beau nom caché au nom caché
le fait qu'il n'y avait pas de test on a
commencé à nous dire ah non mais les
tests c'est pas c'est pas un c'est pas
important les personnalités uniques
marché les personnes les cas les plus
sévères et on nous a mené en bateau
comme ça et on envoie de l'eau c'était
le même discours que même discours
répétés en boucle par les élus par le
préfet par la divergence de la jasse
régionale de santé et en fin de compte
ces gens-là bricole ces gens-là nous
mentent et c'est le peuple qui est qui
et qui a subi les conséquences
quand on voit aussi un on a suivi
monsieur mâcon lorsqu'il était à
mulhouse pour visiter l'hôpital de
campagne abeilles nous annonce la
mission locale qui nous envoie un bateau
un porte-hélicoptères le dixmude
nécessairement sincèrement je crois que
ce soit monsieur macron un problème de
géographie soit ils se foutent de notre
gueule
comment il veut envoyer un bâtiment soit
disant pour nous apporter de l'aide au
chaos qu'il va devra en faire c'est
martin saint barthélémy des six îles
habitées de l'archipel de la guadeloupe
plus la martinique
la martinique est à nous et 1 500
kilomètres plus bas de pratiquement
trois mille kilomètres plus bas l'aquila
comment il va faire comment cet essai ce
porte-hélicoptères va faire ce qu'on
fait quand on se voit qu on voit bien
que ces gens là sont toujours un train
de bricoler depuis call et de rigoler
ils n'ont aucune notion de la réalité
ils nous mentent et au pied et au lieu
de dire bon voilà on a un problème on
n'a pas anticipé
on n'a pas de masque donc on vous
demande de fabriquer vos mains sauf
demande de faire attention non avec le
disco et les autres le discours il est à
la culpabilisation du citoyen mais ici
si c'est ça si ça progresse
c'est ta faute c'est ta faute parce que
tu n'as pas et si c'est pas toi qui n'as
pas aimé c'est ton voisin qui n'a pas
fait les gestes barrières aux messines
ce ton voisin qui n'a pas fait ceci cela
mais aujourd'hui c'est le discours du
préfet en guadeloupe à tel point que à
partir d'un samedi 14h jusqu'à mardi
matin
ces couvre feu total en guadeloupe non
il faut total à 6 et coffre-fort est
total puisque c'est le week-end de
pâques un lieu précis machine voilà
et quand le préfet il doit s'imaginer
s'imaginent que et bien les gens vont
prendre leur voiture où ils vont aller à
la mecque que les guadeloupéens sont
irresponsables des monnaies et donc
c'est toujours ce même discours
infantilisant qui vise à culpabiliser
les gens mais qui cache en fait qui
cache en fait livre responsabilité
l'inconséquence les conakry l'incurie
des dés de l'état du préfet et de la rs
qui n'ont pas su prendre les bonnes
décisions au bon moment et ce discours
là et ils nous rappellent le seul la
plantation le m mais ils tabassaient des
espaces et il a dit m
c'est pour ton bien parce que bon comme
tu ne comprends pas bien c'est pourtant
bien je te tabasse je peux fait
travailler mais c'est pas en noir les
cordes warne les corps noir ne compte
toujours pas voila voila c'est le même
discours sur le même disque on est pile
une classe politique contre qui médite
locale complètement absente
absents puisque la seule chose qui les
intéressait tout janvier touche évrier
c'était les élections municipales et
jusqu'à maintenant nous avons été les
seuls avec l'année l'annulation des
élections municipales
[Musique]
enfin pas seulement parce qu'on n'a pas
de candidat et que ce sera nous on est
viscéralement contre st jean de ces
élections dans le cadre du système
colonial français
mais pour nous c'était d'une logique
implacable
comment pouvez vous organiser les
élections
comment pouvez vous laisser le port
ouvert comment pouvez vous laisser les
aéroports ouverts alors que vous êtes
une île nous sommes unis nous sommes à
7000 kilomètres de la france nous ne
pouvons pas nous permettre de ne pas
avoir des moyens sur place pour
combattre la pandémie et est aujourd'hui
nous sommes toujours dans cette
situation là où nous avons déjà ici le
préfet le sous préfet les élus de
guadeloupe qui attendent les autres de
paris d'être innotour pas compris que
paris dans la merde
nick accord il ya la merde et le feu au
château on se fout de l'écurie et dans
cette histoire-là l'écurie sinon c'est
nous je voudrais bon et je voudrais
continuer sur la situation dans les
établissements informels tels que les
ehpad comment se passe elle alors pour
l'instant aucun décès dans aucun des
pattes de watteau touchons du bois
je crois que les personnes qui y
travaillent il était l'un des bus ont
bien compris que les personnes
d'épousailles c'était des personnes
âgées et donc il ya des dispositions qui
ont été prises et j'ai même vu un
reportage dans lequel les la directrice
et les personnes qui travaillent au prix
de ces personnes âgées entre 6 et de se
confiner avec elle
radio elle ne soient plus du bâtiment
elles ont elles ont déménagé elle habite
dans le bâtiment avec les personnes
âgées
ça c'est ça qui fait quelque chose
d'extraordinaire mais à côté de ça je
dirais aussi comme si les choses
si elle aussi bien dans les ehpad que
dans d'autres structures
c'est parce que les gens ont beaucoup de
bonne volonté et que très certainement
qu'on a de la chance avec un petit peu
de défenses immunitaires de solitude va
maintenant parce que bon coin pourquoi
je dis ça parce que j'y laisse jusqu'à
la journée d'aujourd'hui il ya beaucoup
de personnel des aides à domicile
d'intervenants à domicile d'auxiliaire
de vie sociale qui n'ont pas accès aux
masques et au blues et au camp en nombre
suffisant pour assurer leur service sans
jeu contaminés et sans contaminer les
autres parce qu'en fin de compte quand
vous devez intervenir chez six ou sept
personnes âgées faire le ménage les
laver ça c'est pour les intervenants à
domicile notamment mais vous devez
pouvoir changer de contact jusqu'à
maintenant dans bien des cas ce n'est
pas le cas et donc on est en train de
jouer avec le feu
tout simplement parce que les autorités
sanitaires en charge et politiques en
charge de la guadeloupe mais n'y ont pas
pensé
l'autre jour je discutais avec un
médecin qui a dans l'archipel des
saintes
alors c'est un archipel dans l'archipel
théodore aux idéaux de bach
alors on lui dit oui si vous avez
quelqu'un que vous descendez qovu 19 mai
faut l'envoyer fall envoyé entre
guillemets sous le continent et saufs
qui a plutôt les eaux maritimes
il n'y a plus de liaisons maritimes n'y
a pas de raison par avion donc qu'est-ce
qu'on fait mais qu'est ce qu'on fait
qu'est ce qu'on fait voilà voilà des
questions et des questions qui appellent
réponse et il en face mais vous n'avez
pas dépend ça fait des mois que mon
écrit aux autorités sanitaires ont écrit
un rital sur ces questions là nous
n'avons aucune dépense est la seule
réponse officielle du préfet ce prince
et prendre des arrêtés d'interdiction et
de confinement alors bien évidemment
nous sommes conscients de la situation
il n'y a pas de masque il n'y a pas de
test et il n'y a pas de traitement
le confinement c'est une mesure
préventive mais
mais mais à côté de ça les
guadeloupéennes et les guadeloupéens ont
envie d'entendre
il ya des masques qui a des traitements
et qui a acquis à des tests et notamment
en direction des pharmaciens des
médecins et des personnes qui font des
interventions à domicile les personnes
qui s'occupent des personnes âgées dans
les ehpad et du personnel soignant un
génial
comment voulez-vous que par exemple une
infirmière qui me dit qu'elle s'est pas
senti bien a commencé à avoir des maux
de tête de courbatures
donc elle appelle son médecin son
médecin me dit ah vous avez les
symptômes le duo fait 19
restez chez vous
et si vous avez des problèmes
respiratoires graves cette prothèse et
cette femme là elle est infime bien à
l'animation c'est les petits bébés est
la moindre des choses favorite et que le
chu façon d'être
la teste et est heureux somme de ses
collègues
et bien non on ne teste pas parce que
pourquoi on appâte est mon le dis pas ça
rend la pâte est pour mon outil mais
nombre on va utiliser les têtes
seulement pour les cas les plus sévères
d'eau ou un un gouvernement qui serve
sur le mensonge et des autorités
politiques et sanitaires en guadeloupe
qui ne vivent pas dans la réalité qui
n'ont toujours pas compris que nous
sommes un archipel d'îles mais pourtant
pourtant le syndicat luz et egea bien à
bien poser en référer à la cour de
pointe à pitre contre l'ars et le chu
pour manquement alors l'agrégation de
santé tout à fait à l'issue à l'issue de
tous les courriers connotation envoya la
rse au préfet aux députés sénateurs à
tous ceux qui à un moment ou un autre
aurait pu avoir quelque chose à dire
dans ce dossier là nous recevons aucune
réponse des autorités nous avons décidé
de déposer un référé liberté devant le
tribunal administratif de la boîte et
puis juge deux jours plus tard quand
c'est une procédure d'urgence et nous a
donné raison sur tout planning de la
wako des premières michael j'étais j'ai
été totalement recevable a intenté une
telle action compte tenu de la pandémie
de la gravité de la situation est
entièrement à l'audience ni la grèce ni
le chu n'ont présenté aucun document
aucun bon pour moi rien du tout prouvant
qu'ils étaient véritablement dans une
dans une démarche d'affrontement
vis-à-vis de de l'arrivée du pic de
l'art de l'académie et donc c'était
frappant à tel point que les juges ont
pris la décision de fermer option au chu
et de faire injonction à la rs de se
procurer les tests nécessaires pour
tester le maximum de personnes au sénat
population et de faire en sorte
d'acheter en nombre suffisant
l'écrêtement les traitements pour
s'occuper des personnes malades et
secrètement là c'est le traitement qui
est mis en place par le professeur d'art
ou de l'institut hospitalo universitaire
de marseille
et donc voilà et donc suite à cette
heure à 7 à cette décision
la rs et le chu ont fait appel de cette
décision et cette décision a été à
nouveau jugé le 3 avril dernier le
vendredi 3 avril dernier devant le
conseil d'état
hélas le conseil d'état a pris la
décision de supprimer la tique 2e l'aude
au nord de basse-terre et cet article 2
kg faisait injonctions de sa pause de
t'acheter tous et tous tous ces produits
là que je viens nommé le traitement
instauré par l'institut hospitalo
universitaire de marseille et les tests
et pourquoi le lac où le conseil d'état
pris cette décision c'est tout
simplement parce que à l'audience du
conseil d'état
ils viennent eighties voilà on a passé
commande pour acheter un ou une nouvelle
machine pour faire les analyses de 196
pas au jour des 200 tests nous avons
acheté pour nous avons passé commun ou
deux centaines d'instituts passe de
racheter court pas passées comme un beau
200 tests et que nous avons des réactifs
pour faire re 1500 tests et nous avons
d'autres nous avons commandé quatre
millions supplémentaires pour faire
quatre mille personnes supplémentaires
et que nous avons mis en place un
protocole suivant celui de l'institut
hospitalo universitaire de marseille
justement que qui a démarré le 31 mars
de joux avant qu'on est donc enfin de
vote
tous ces éléments là tous ces éléments
là viennent après la condamnation du 27
avril au 27 mars bordeaux après la
condamnation est donc entre le 27 mars
et le 3 avril
avaient ils ont commencé à faire des
choses ont commencé à faire des choses
et
je rappelle que le conseil d'état c'est
le tribunal du gouvernement sur le
président du conseil d'état c'est le
premier ministre est donc allé faire le
tribunal du premier ministre dira le
contraire de ce que dit le premier
ministre je sais pas comment il faut
faire maths ou gamme le tribunal a été
quand même subtil il a premier roman
consolider la haute les activités de
luge et tg il a dit que le gtg est
représentatif a parlé non seulement au
nom et au nom de ces matins mais au nom
des travailleurs et du peuple de
guadeloupe dans ce dossier là bas c'est
quelque chose de très très très content
deuxièmement le tribunal a reconnu qu' à
des cars et les dysfonctionnements mais
qui ne sont pas de nature à être
considérés comme étant des situations
graves pouvant mettre en cause les
libertés fondamentales au moment où il
prend sa décision il a été très bleu
poudre il dit compte tenu de ce qu'on me
dit aujourd'hui bon je crois que les
choses
pour l'instant ça va sauf que à
l'audience ni la rs ni le chu n'ont
présenté de documents
le tribunal dit seulement voilà les
suzan les éléments fournis suivant les
documents fournis ils n'ont présenté ni
brune comment ni facture lieben livre y
z'ont rien du tout donc c'est en ce sens
que dès hier dès lundi matin
nous avons envoyé un courrier au
directeur du centre hospitalier copie au
préfet à l'aérés c est tout ce qui s'en
suit ou leur demander de nous fournir
tous les bons de commande relatifs à eux
mêmes qu'ils ont passé que ce soit pour
les médicaments pour le traitement que
ce soit pour les tests que ce soit vos
les machines qu'ils ont qu'ils ont
recommandé de nous envoyer des bons de
commande de nous envoyer les mots de
livraison si ces machines là sont déjà
arrivées de nous donner également copie
du protocole qu'ils ont mis en oeuvre
pour prendre en charge les patients aux
victimes neuf suivant les
recommandations de l'institut hospitalo
universitaire de marseille et de nous
envoyer tout ça tout ça et on a fait ça
dans le
des personnes que l'on peut faire dans
le cadre des rapports entre
l'administration et les citoyens dans ce
courrier officiellement a été reçue par
la direction du chu dès lundi matin
avoir commandé accusé déception et par
et pas aux mails et d'ailleurs la télé
publique a même femme qui voit pas otage
tout ça parce que c'est nos ce que nous
attendons c'est quoi mon prof a aussi au
papier que ce qu'ils ont dit devant le
conseil d'état ils l'ont réellement fait
et que surtout on puisse bien acté que
c'est seulement maintenant qu'il le faut
et alors que tout le monde attend un pic
de la contamination
ça veut dire qu'ils achètent des tests
il commet des tests mais vu la pénurie
de tests sous le marché mondial de ce
jeudi les américains achètent tous les
tests sous le marché mondial on n'est
pas sûr de voir si tesla
donc on est dans une situation grave
très grave parce que nos autorités
politiques et sanitaires
la direction du chu la rs le préfet
n'ont pas anticipé aucune anticipation
du bricolage pourtant et pour cacher ce
bricolage et bien on continue à
culpabiliser oui et même le conseil
d'état dit qu'ils ne se n'attend pas en
fin d'année il n'y a pas d'atteinte aux
libertés fondamentales
mais à terme il y va y avoir des avis au
droit à la vie et à la santé
tout à fait même sans attendre à terme
parce que quand on fait une comparaison
aidant devant le conseil d'état notre
avocat a fait la démonstration
le premier cas si on vient en france le
24 janvier ce sont ce sont les trois
touristes chinois
le premier dessert c'est le 14 février
22 jours plus tard le 14 février c'est
l'un des trois touristes chinois
89 ans voilà le premier cas en
guadeloupe
c'est le 12 mars le premier décès le 19
mars sept jours 22 jours d'abord et non
après 22 jours après 28 jours
donc en france après 22 jours ils ont un
décès et douze contamination mais nous a
pris 22 jours on en était à sept dessins
et centra contamination donc il n'y a
pas photo nous sommes nous sommes donc
dans une accélération du processus de
contamination et et de et de décès liés
au virus est petit on ne sait pas non
plus les chiffres qui sont publiés ce
sont les gens qui décèdent à l'hôpital
mais quid des personnes qui marchent et
elle est d'accord parce qu'en fin de
compte le disco le discours de la haine
c'est quoi si vous avez de la fièvre
si vous avez des courbatures et bien
vous appelez votre médecin vous êtes
sûrement atteint ducobu 19 le médecin
vous deviez b et appuie on vous dira
vers l'autriche et vous et si vous avez
des problèmes respiratoires graves fait
le 15
aujourd'hui que ce soit l'institut
hospitalo universitaire de marseille que
ce soit des médecins et autres tout le
monde dit qu'il ne faut pas arriver à la
bécasse respiratoires bien sûr mais
paralysé alors quand on voit que dans le
décret du 23 du 23 mars et le 25 on dit
premièrement en encadre l'utilisation du
traitement préconisé par le professeur
raoul et deuxièmement on dit aux
médecins qu'il faut prescrire
secrètement uniquement dans les cas les
plus sévères lorsque la personne et à
l'animation
moi je ne suis pas médecin mais moi je
me dis mais si ce médicament là c'est un
médicament qui peut sauver
pourquoi attendre qu'ils soient à
l'antique de la mort pour le lui donner
est ce qu'on est en train de jouer à la
roulette russe
mais qu'est-ce qui se passe donc là il
ya il ya beaucoup de compréhension
on a beaucoup d'incompréhension dans ce
que fait le gouvernement l'a évincé le
préfet et un final cocotte cette
incompréhension nous fait bien
comprendre que nous avons face à nous
des amateurs débris couleurs
scary c'est l'espoir que tout ça ne
cache pas des velléités de faire en
sorte que ça soit un coin laboratoire
qui puisse inventer
d'ici quelques semaines nancy vival à
1500 euros alors que le traitement joue
du coude de haut alors jusqu'à laisser
l'espoir que c'est pas ça mais ça ne
m'étonnerait pas que ça soit ça parce
que dans les attitudes souvenez de
demander à elie quelle est la situation
des migrants de la dominique et de
haïkus dans ce contexte de crise
sanitaire économique
alors il n'y a pas de y'a pas il ya plus
de plus de vols réguliers
il ya un seul vol c'est un peu la france
enfin deux ou trois fois par semaine et
un vol qui fait bloc face mais il y a
aujourd'hui aucune liaison maritime
elle nie aériennes entre les îles de la
caraïbe non mais les migrantes ou en
guadeloupe
oui mais je viens j'y viens quand nous
n'avons pas le retraité mais comme un
peu comme on peut le retrouver dans
certains cas aussi à paris on a pas de
zone des migrants quelqu'un qui vient
ici un haïtien qui vient ici il en
contact même s'il allait froide estime à
hilla un combat qu'il arrive la
communauté haïtienne et à les accueillir
nous n'avons pas de personnes venant des
îles qu'ils soient dans la rue dans des
tentes ou bien dans la forêt bon
d'accord
[Musique]
nous avons des personnes qui vivent dans
la rue par exemple pas loin de notre but
voit qu'on tape it nous avons des
personnes qui vivent dans la rue et qui
sont qui continuent à avoir on va
fournis par l'oeuvre de
saint-vincent-de-paul d'accord a lancé
vincent de paul l'aube rockyou le dîner
du jour des fois le soir par faire le
week-end par le week-end
et puis je suis passé là avant hier mais
les gens sont là les gens sont là ils
sont devant le maximum ses récentes
polisson dans le quartier de
l'assainissement et ces gens là
là c'est vrai que ces gens là ils sont
ils sont surtout il ya d'autres formes
de solidarité non étatiques qui se met
en place en guadeloupe et un à part cet
exemple que tu donnes de de
l'organisation l'association
saint-vincent-de-paul
oui disons que bon dans tous les
quartiers à dans tous les quartiers les
plus vains les plombs faire des courses
pour les personnes des bras valides
il y à il ya un petit jeune qui m'a
appelé l'autre jour lui il y met en
place un ramassage va chercher des
produits locaux qu'il va livrer
directement chez les personnes à
mobilité réduite ou les personnes des
personnes âgées
et puis il ya quand même chez nous
quelque chose qui existe qui existe
depuis toujours et qui existe encore
c'est que les plus jeunes prennent soin
prennent soin des plus âgés donc tous
les to les parages et bien les enfants
les enfants s'organise vous venez en
aide aux parents âgés en suivant les
gestes barrières et donc à ma
connaissance on n'a pas de difficulté à
ce niveau là alors la créativité aussi
danser dans ces situations-là la
créativité fait un bond les gens ont
inventé en confectionner des masques
bien avant qu'elle ait les professeurs
de médecine disent qu'il faut masquer
les gens avait déjà confectionné des
masques en tissu elle vient évidemment à
sotchi aux vêtements avec fait beaucoup
beaucoup de créativité à ce niveau là
mais comme toujours beaucoup de
solidarité entre entre les gens quel
rôle jouent les mouvements sociaux est
une organisation comme la tienne ou avec
celles
avec laquelle on a travaillé par exemple
cela on travaille toujours sur la
redistribution des terres et la réforme
du foncier mais heureusement je dirais
heureusement qu'une organisation comme
j'étais j'ai avec tous les camarades qui
travaillent avec nous notamment tous les
camarades du lkp puisqu'on continue à
chevrons par ce type d'outils techniques
tout d'ailleurs
heureusement qu'on a parce qu'en fin de
compte heures le dossier de la situation
sanitaire de c'est un dossier qui est
suivi par l'ugtt est un sujet tg depuis
plusieurs années et lorsqu'on a vu ce
qui s'est passé en chine
lorsqu'on a vu ce qui s'est passé en
iran ont fait les taïwanais lorsqu'on a
vu le virus arrivé en allemagne comment
les allemands ont tout de suite pris ce
dossier là branle contre l'italie ça
nous a surpris de voir avec virulence le
virus a avancé et en france on se dit
même les dégâts ils y sont reines jouait
là ici ils voient pas que c'est quelque
chose de très grave et donc nous avons
été et février alerté alerté les
autorités sur ces questions là mais
malheureusement si vous retrouvez face à
des gens qui n'avaient aucune heure
aucune réalité aucune réalité des choses
et adam aucune réalité des choses
dis-moi l'opération résilience avec ce
porte-hélicoptères dans les eaux
caribéennes rappelle enfin moi ça m'a
rappelé tout de suite le bateau de
l'amiral robert qui était aussi dans les
guerres mondiales
oui a donc avec cette opération
résidence après les réductions des
libertés privées et publiques
nous sommes maintenant à un stade
supérieur c'est celui du contrôle sur
les corps et avec ce porte-hélicoptères
un pas de plus n'est-il pas franchie
puisque le peuple guadeloupéen et il
passe sous occupation pour des raisons
sanitaires
oui de toute façon je crois que c'est
cesser c'est une analyse qui est juste
parce que je n'ai pas de porte
hélicoptères dont on a besoin
on a besoin d'eux on a besoin de
traitement
on a besoin de lits de réanimation a
omis avec la technologie qu'il faut on a
besoin de blues jazz / blues d'office
hier de masques
voilà ce dont on a besoin et au lieu de
nous envoyer ça on nous envoie un porte
hélicoptères et un outil le
porte-hélicoptères ce n'est pas un
navire hôpital mais il sera là pour
apporter assistance au niveau des
personnes qui ne relèvent pas du
convicted 9 et pour faire les transports
sanitaires pour les envoyer mais
justement dans le stadio aller chercher
quelqu'un dans une commune aux biens à
théo d'euros à terre de bas et le
déposer à pointe à pitre
pourquoi pas sauf que si on a besoin
d'hélicoptères à fort de france ou bien
marigot à saint martin ou bien et
gustave ya à saint barthélémy ou bien
grand mot de margalla ou bien à la
désirade
je rappelle que la guadeloupe c'est un
archipel de ces îles habitées et que la
la la saint-barthélemy et saint-martin
sont au nord de la guadeloupe et que la
maraude ciné qui impute 200 kilomètres
au sud et que la lituanie à 2500 km
comment on fait comment on fait pour
faire du transport sanitaire des plus
petites îles vers le chu de pointe à
pitre
quand le bateau le bateau mère il est à
fort-de-france à margaux bien à qui cela
via ou bien aux loges de cayenne c'est
impossible dans ce football fkl deuxième
chose que ça m'inspire c'est encore une
fois nous donner l'illusion entre guinée
que la mère-patrie seuil 1 et
bienveillant sur ses enfants
mais au final le cotc simplement pour
nous rappeler que dans ces heurts
troublant mais nous avons l'oeil du
fusil sur vous tenez vous tranquilles je
n'ai pas que des analyses que tu fais à
travers cette question allait juste est
ce que tu penses est-ce que tu je me
suis aussi demandé compte tenu de la
velléité des états unis de mettre des
bateaux
autour des navires ou face à au
venezuela je me suis aussi demandé si
cette tout d'un coup ce désir d'envoyer
un porte-hélicoptères n'était pas en
quelque sorte de créer une base arrières
au cas où mme koné prenait fonde
appétence l'appétence de la france pour
suivre toutes les politiques les plus
des plus meurtrières de la photo est
possible tout est possible parce qu'on
le voit bien c'est trompeur homme décide
d'envoyer enfin il passe sont à déclarer
la guerre à l'iran à cuba et aux états
unis
je crois que trump il a mieux à faire
aujourd'hui il a mieux à faire de
personnes tous les jours mais je crois
que il s'était dit que le venezuela va
être complètement disloqué sous le plan
sanitaire les le peuple sera dans la rue
un héros ce donc là il loi juste à leur
dire vous voulez que je vienne est bien
investi la voilà c est que tu me
demandait de venir doc vous voilà sur
quoi ils jouent et malheureusement le
corona virus a déjoué ce plan là mais
aujourd'hui à tous ses bateaux et ferait
mieux de les utiliser pour aider pour
aider sa population qui en train de
mourir un peu partout tous les jours et
pour que ça c'est une première chose
deuxièmement on voit le rôle jouez pas
au tuba fissure au venezuela aujourd'hui
jamais on a deux on a des contacts assez
régulier avec le consul du venezuela
dans la farine et que nous explique
aujourd'hui ils ont comme toutes les
îles de la caraïbe tous les pays
d'accueil et des difficultés par rapport
aux na'vis maison au sol est des
médecins chinois et des médecins
vénézuéliens qui savait cubain par oddo
qui sont sur place et qui leur donne un
très bon coup de main avec des moyens
supplémentaires pour enrayer et anti gay
cette pandémie
aujourd'hui ils ont ils sont dans une
situation qui va entre guillemets
moyenne classique moyenne
comme tous les autres styles de la
caille là on voit qu'il ya une réelle
difficulté d'un accueil haut niveau il
faudrait 20 ans et demi et s'est
accélérée
on voit que tant bien que mal au niveau
d'haïti mais le service sanitaire est
bien avec un truc qu'il faut bien
comprendre c'est un haïti ils ont
commencé à faire de l'information sous
locaux aux navires us avant l'arrivée du
porte-avions dans la faille dès qu'ils
ont vu ce qui se passait en europe après
la chine et l'iran ils ont commencé à
faire des vidéos en créole pour le
peuple haïtiens leur demandant de
prendre un certain nombre de précautions
de geste baryal cité daksi teva par
rapport à l'arrivée du codaf use donc
des pays qui sont en difficultés
économiques et sociales mais qui ont eu
la présence d'esprit et et puis la
clairvoyance mais le bon sens le bon
sens d'aller au thé la population très
tôt par exemple que 195 à l'heure
actuelle voilà donc le en guadeloupe des
informations dans notre langue
maternelle rue curiol n'ont été
diffusées à la population après le
système quasiment la seule information
qu'on avait incité informations qu avait
eu ce là les volumes air et un message
venu de paris et puis confiné vous je
suis désolé vous dites à quelqu'un de 80
ans qui vit dans la campagne dans le
nord grande terre ou dans le nord
basse-terre confiné vous et vous dis
mais de quoi vous parlez
mais jamais on a pris le temps de faire
une véritable communication en direction
de la population
tu as parlé d' a eu un entretien de
révolution récemment là où tu parlais
justement d'une gestion colonne la crise
oui bon tu viens de dire un peu les
formes que ça prend en guadeloupe
mais est-ce que tu ne penses pas que
cette gestion coloniale
elle est due justement au fait que les
afrodescendants les racisées ne compte
sont absolument invisible pour le
pouvoir blanc qui nous gouvernent et qui
s'occupe de cette crise
mais c'est la réalité elle est là et moi
je ris je me sens en disant je le fais
au château ce faux que les fruits
aujourd'hui les choses sont très claires
ma foi et ses amis mof aux français à
plus forte raison nous tout ce qui se
passe dans la colonie c'est de la faute
des colonisés on a qu'à voir
est-ce que pas trop non est-ce qu'on
pourrait pas plutôt dire que macro se
fiche complètement fin le gouvernement
macro et mâcon lui-même se fiche
complètement du peuple et
particulièrement des invisibles ne des
pauvres des pros mais ça ça va encore
plus loin
ça va encore plus loin parce qu'en fin
de compte mccaw et ses amis sont
d'utiliser le cône à virus comme éteint
comme une arme de guerre
parce que là quand on voit les mesures
qui accompagnent les mesures sous les
restrictions le déplacement les mesures
sur les restrictions des libertés
fondamentales
les mesures restrictions au niveau des
droits sociaux pour les travailleurs et
les syndicats d'accord quand on cumule
tout ça on se voit bien on voit bien
qu'on est en train de
ce sont des mesures qui agissent après
la guerre mais sauf que là les bâtiments
sont toujours intacts les ordinateurs
sont toujours intactes et ono de
l'accord national
on va demander aux syndicats et aux
travailleurs pas de vagues et c'est
comme si on était on était dans un reset
du système capitaliste et evo loyalistes
une fois mise à zéro et on repart de
plus belle pour les 50 ans à venir
or en finale de compte ces gens-là
conjointement 10 matt imac mais immat
parce qu'ils ont une stratégie est la
leur dette
et cette stratégie s'est redonné du
souffle au système capitaliste et
colonialiste pour qu'ils puissent
repartir de plus belle pour les 50 fois
pour les saints les 100 prochaines
années
et donc c'est pour ça qu'il est c'est
pour ça que pour revenir sur ta question
précédente
c'est pour ça que ce qu'un syndicat
comme les jets tg a toute sa place dans
ce débat là il s'agit pas de critiquer
pour critiquer mais il s'agit de type
non moment il ya des choses qui doivent
être faites pour sauver le maximum de
personnes et ces choses là passe par le
renforcement des moyens
le renforcement des services publics
voilà et l'arrêt du démantèlement du
service public les moyens en personnel
en finance et cetera en logistique pour
faire face à cette pandémie et c'est
pour ça que dans les entreprises nous
avons demandé à tous nos camarades qui
sont entre guillemets obligés de
travailler dans des secteurs essentiels
il vous faut avoir au minimum les
équipements de sécurité de base les
masques les gants ce qu'il faut pour
quoi vous puissiez travailler
si vous n'avez pas ça toi de votre droit
de retrait parce qu'à part du moment
vous a tapé sur ce virus mais vous ne
savez pas parce qu'on dit ils attaquent
principalement les personnes âgées ou
bien les personnes qui ont des
pathologies annexes et beynost il ya un
petit de cinq ans qui va aux états unis
en angleterre
une petite fille de 12 ans d'origine
africaine qui est mort en belgique et il
ya un jeune de 28 ans et qui m'ont enfin
si les lits d'hôpitaux sont remplis de
gens qui entraîne des morts aux etats
unis aux états unis voilà donc le virus
si il peut tuer tout le monde même si
même si il est particulièrement virulent
chez les personnes âgées ou des
personnes qui ont des pathologies
annexes en quoi ce type de questions de
gestion s'inscrit dans une trajectoire
historique du rapport de la métropole à
la guadeloupe
et y at il d'autres exemples afin d
exemple de pandémies non mais je parle
de la conséquence je crois que l'état
français l'état français on est on est
on est on est dans une
les conséquences sont les mêmes que si
on est dans une guerre dans une vraie
guerre alors une vraie guerre avec des
bombes et des mots ça veut dire vous
repartez sur le plan économique et
social br vous repartez quasiment à zéro
et ce que va faire le gouvernement et ce
qu'est en train de faire le gouvernement
c'est le chercher a dit aubert
mettons nous tous ensemble c'est ce qu'a
ouvriers kapitalis chefs d'entreprises
élus mettons nous tous ensemble pour
reconstruire le pays et démantelé
toujours un peu plus
voilà d'accord et donc non revendiquée
pas et puis un bon et puis on va trouver
des syndicats pour 0,10 d'accord mais
non on l'a déjà dit non et j'étais j'ai
pas d'accord pas d'accord et donc nous
allons continuer à en revendiquer mais
continue à revendiquer quand c'est notre
rôle de dire non cette situation ce
n'est pas de notre faute
ce ne sont pas les travailleurs qui
doivent en payer le prix
rappelons nous rappelons nous des
manifestations de gilet jaune dans les
pressions contre les gilet jaune
rappelons les mobilisations contre la
réforme des retraites la répression
comme téléphone de retraite et de nous
dire qu'il faut 25 milliards pour
équilibrer le régime de retraite et que
de toutes les façons falloir tout celui
des 25 milliards et même pas une semaine
après le début de la pandémie
monsieur le maire trouve près de 5
milliards ou les entreprises
on se fout de la gueule de qui donc
c'est pour ça que nous disons autre
thème de la santé d'ailleurs et rien te
fais tout à fait donc
donc c'est pour ça que nous disons au
travail et au non
la lutte continue nous le coronavirus
est un mauvais moment à passer
nous devons faire attention faire les
gestes barrière prendre les précautions
d'usagé et cetera et cetera et cetera
mais surtout pas mettre nos
revendications dans nos poches
non ce que cherche le système
capitaliste et colonialiste
c'est bien évidemment nous terroriser
nous terroriser et nous domestiqué et
donc il est hors de question que nous
étions ni à la terreur ni hao tentative
de domestication
c'est d'ailleurs pas pour rien que le
porte-hélicoptères qui arrive dans vos
biens c'est une aberration résilience il
annonce en fait de résilience qui est
fait à tout le monde pour ne pas
contester les décisions qui ont pas fait
tout à fait et donc oui ccpo non-dits
aux quelque part de toutes les façons
les chaussures comme ça
je ne pouvons pas être autrement donc
tous mettons nous en sommes et bien
évidemment celui ou celle qui osera dire
autre chose que ce discours là mais il
sera mis au pilori
comme on dit enfin en français le cloud
qui déplace appelle le marteau et ça me
fait penser aux discours après les les
attentats en france
absolument ouais c'est soit vous étiez
charlie soit vous étiez pas joli ça
faisait tient un potentiel terroriste
voilà dans là parce que il vous était
charlie et si vous osiez dire que vous
n'étiez pas joli même si vous condamniez
et les attentats mais vous étiez un
potentiel terroriste à on est en train
petit à petit de chercheurs s'acheminer
vers ce discours-là de ce discours à ce
soit vous êtes pour la compote nationale
et la résilience mais autrement
vous êtes quelqu'un que vous êtes un
mauvais vous êtes en train de critiquer
la nation alors que nous devons être
dans une conformation talent pour la
résurrection
non non non non non que chacun système
capitaliste qui nous fait qu'ils nous
tuent voilà voilà la série z il est tout
à fait et donc nous ont dit très
clairement non on n'est pas dans cette
logique là du tout du tout du tout du
tout il est hors de question que tout ça
se fasse sur le dos des travailleurs
donc par exemple notre mode autres
poules
l'histoire des cons gilles afférents
sauteurs en prennent des congés dans le
cadre des fermetures d'entreprise ou
bien du confinement chez nous le mot
donne
il est très simple confinement oui mais
on ne touche pas aux congés les
travailleurs euros les congés les
travailleurs soient ils sont également
afin soit le confinement est également
payé par l'employeur ou au pire ou le
salarié est en congé maladie mais les
eaux de question que nous puissions paie
quoi que ce soit parce qu'aujourd'hui on
voit bien arriver on voit bien arriver
monsieur le maire et ses amis et c'est
encore une fois passé le droit syndical
casser les droits sociaux et au nom de
cette concorde nationale hébert et bbb
mettons nous en sommes patronat salariés
syndicats ils étaient tous eu avant
voilà et tous ceux
gdg ils vont avoir qui vont avoir un
disque ou au contraire ce sont les
érotiques de la nation mais ça on est
habitué on va on va on a su en assume
très bien ce rôle là bas niveau blême ce
détricotage sait déjà ce qu'il avait
fait avec le code du travail qu'ils ont
sabré il a fait un justicier au nom
aucune national économique de tout mais
à le sabre est encore plus et bien et
pourquoi pas ne pas faire comme après
les lois d'urgence après les attentats
aux formes et les joies les doigts
d'urgence au droit commun absolument oui
parce que là là ils prennent des
décisions
ils prennent des décisions au nom de
l'urgence sanitaire et quel temps
quelques mois un litre en somme c'est
une charge sanitaire at war commun ils
l'ont déjà fait ils sont tous parlaient
de deux il ont déjà avec les lois
d'urgence rogner considérablement les
libertés publiques et privées et là avec
cette crise sanitaire
il ajoute un pas supplémentaire c'est le
contrôle des corps et ça c'est quelque
chose
les corps contre un tout compte fait
c'est quelque chose de nouveau mais qui
va certainement rester et qu'un jour ou
l'autre pour x raisons économiques et
parce que le système en aura besoin
le système capitaliste libéral en aura
besoin on va se retrouver avec des
contraintes de décors tout à fait enfin
tout à fait et notre jour que le
gouvernement il à avenches de façon
subtile
il fait en sorte que trois mêmes
citoyens
confiné oppressé et opprimé par
l'absence de décision où les volumes et
les mauvaises décisions qui relèvent de
sa responsabilité mais arrives à te pour
ces trois mêmes a demandé plus de
répression plus de deux au film en est
donc c'est en ce sens que c'est
particulièrement vicieux et
machiavélique aujourd'hui mais il ya des
gens qui font qu'ils vendaient au hockey
nous sommes d'accord pour la restriction
des des libertés fondamentales à ce que
et puis même dénoncé leurs voisins qui
est sorti pour aller faire un petit truc
au bord du chemin pendant ces minutes
on va arriver à ça va alors que la
première est la première responsabilité
de la situation dans laquelle nous
sommes
c'est l'étape vous imaginez cinquième
puissance mondiale
vous n'avez pas de masque et c'est
aujourd'hui que vous commandez les
masses de la cinquième puissance
mondiale
vous vous êtes dans le dans le g7 à rome
à davos tous les ans avec trump et des
autres et vous n'avez pas être obligés
de commander des tests vous est la
cinquième puissance mondiale vous n'avez
pas de respirateur etc les allemands
comment ils font alors comment ils font
les allemands le voisin d'à côté comment
il a fait eh bien non mais il n'a pas
démanteler son système de santé et il
anticipé il anticipé il a équipé aussi
bien les laboratoires privés que publics
que les vétérinaires des matériels
dernier cri pour faire les analyses qui
s'est organisée pour faire des milieux
de test chaque jour la france faisait
appel à peine mille tonnes par jour
alors que la corée du sud faisait 24 min
par jour et aujourd'hui on attend des
vents qui nous dit oui ici la fête du
mois d'avril on arrivera à faire ces
quatre mille tests c'est pas maintenant
mais bien évidemment mieux vaut tard que
jamais à nous aimer tonnes/an nous aimer
atom cette phrase-là à chauffer on
aurait dû entendre cette phrase dans
janvier et éviter des situations
dramatiques tout à fait est bon et on
comprend bien que sept gouvernements de
bricoleur parce que comment pouvez vous
expliquer que la ministre de la santé
madame buzet à l'époque mais un plein
tomates duo kona views on la voit à
l'amérique paris qu'est ce que c'est que
ça c'est comme s'ils veulent tuer un
général tu es général à bonn un abandon
de poste en parce que c'est une
désertion ou bien cesser la cour
martiale je sais pas non mais non pour
moi non ces gens là n'ont pas pris la
mesure de la et de la situation et jose
carlos et lé sport qui sont simplement
entre eux et qui met une bonne des
propos idiots au commode et pas plus que
ça
tu disais dans un entretien que si les
guadeloupéens recouvrait une pleine
souveraineté sur leurs terres et ça nous
intéresse particulièrement avec le
travail qu'on fait depuis plusieurs
années la crise ne serait pas gérer de
cette façon
comment selon moi un gouvernement
souverain gèrerait cette crise
eo2 à répondre et aux problèmes sociaux
rencontrés par le peuple guadeloupéen
mais nous sommes dans une situation
désastreuse
toutes les décisions doivent être prises
et validé par paris avant je suis désolé
toutes les îles de la caraïbe
dès qu'ils ont vu pointer le virus aux
états unis ou bien un peu partout dans
le monde
ils ont commencé à prendre des décisions
sur les restrictions dans l'eau au port
et dans leurs aéroports et mettre en
place des contrôles
vous allez regarder la liste des
différents pays de la grève et c'est le
plus petit que nous d'ailleurs
vous allez vous verrez le nombre de cas
est le nombre de décès eh bien nous
sommes devant le nombre de cas et un
nombre de décès sauf sauf porto rico je
crois et et santo domingo mais autrement
toutes les îles de la caille qui ont
pris des mesures de restriction
frontières de contrôles sanitaires aux
frontières et ben tout c est là ont des
taux beaucoup plus bas que l'on sait le
bon sens c'est le bon sens suez une île
donc tu es vulnérables la première chose
que tu fais tu dois contrôler les
entrées et les sorties sur un territoire
aux lorsque nous avons mal joué c'est
pour ce à quoi tous ces jours ci on a
fait beaucoup de courrier le 27 février
en aiguille au préfet à la rs et aux
autorités en leur dit écoutez tu as
quelqu'un et décide de semaine on en
aura les premiers cas il faut absolument
mettre un contrôle sanitaire sur le pop
soul ayo pour rien du tout on a vu des
milliers de personnes descendent des
bateaux prendre le bateau et descendre
du bateau notamment venant d'italie et
boules pour les croisiens
m a été fait pour ni arrêter les
croisières ni contrôler tous ces gens là
sur le plan sanitaire et comme je le
disais précédemment cerise sur le gâteau
on organise la campagne électorale et en
organise les élections municipales donc
un pays normal alors un une guadeloupe
indépendante et souveraine non entre
guillemets jamais on nous ait fait une
telle accumulation de bêtises et donc en
finale le compte le mot note du préfet
cité de nous répéter inlassablement ce
que disait pas barria 10,1 pour
l'instant on ne ferme pas les yeux pour
vraiment fait pas les impôts pour
l'instant on ne ferme pas le
bon pour l'instant eh bien on fait les
élections donc tout ce que paris dit on
obéit au doigt et à l'oeil
sauf que paris est à 7000 km et que la
guadeloupe est un archipel t-il été et
je veux insister sur ça parce que j'ai
vu quelque chose de très intéressant
notamment dans le contexte lorsque c'est
l'une des régions où le rap et le
personnel soignant très sollicité on a
vu des des malades acheminés vers la
suisse on a vu des malades acheminés
vers l'allemagne
et pourtant touché autant touchés on a
vu des malades prennent le tgv pour
aller de l'autre côté de la france
notamment à bordeaux on a vu les
hélicoptères transportant des malades
dans d'autres villes on a vu des groupes
à hauteur de l'armée de l'air
transportait des malades dans d'autres
régions de la france on a vu également
un bateau militaire aller chercher des
malades en cause ou les emmener à
marseille mais nous on n'ira nulle part
on ne va nulle part
la guadeloupe et a eu sept mille
kilomètres de la france c'est pas
dominique que nous irons ils ont leurs
problèmes à gérer c'est pas à cuba et au
venezuela comme na ils ont leurs
problèmes à gérer et donc encore une
fois les politiques mises en oeuvre en
france à paris et à bruxelles ne
tiennent nullement compte de notre
réalité et politique ni économique ni
sociale ni culturelle ni historique et
c'était là exigeant et donc c'est pour
ça que pour nous ce moment le
confinement doit être également un
moment de réflexion de réflexion sur nos
modes de vie notre de réflexion sur
notre notre relation avec la france
et pour bien bien pour que nous
puissions dire qu'un certain moment il
faut absolument que nous puissions
prendre en main notre destinée à
aujourd'hui
aujourd'hui les décisions qui viennent
de paris ne sont pas des décisions qui
tienne compte du bon sens et de la
réalité politique économique et sociale
culturelle historique dans nos
différents pays
écoute
tu as quelque chose à ajouter ben
simplement le dire à tout le monde de
faire attention de prendre faire
attention puisque au début on nous
disait les mars ses pas ne sais pas
c'est pas utile l'académie de médecine
il faut mettre de masse comme les
coréens les chinoises
je crois aussi que le temps en temps il
faut écouter ce que disent les chinois
et les coréens
ouais surtout dans des situations comme
ça qu'ils ont à affronter qu'ils ont
déjà affrontées dans le passé donc de
faire très attention et de prendre soin
des personnes âgées de les mettre à
l'abri
et puis surtout de continuer à exiger
dans les entreprises vont mettre des
moyens de sécurité exigé que le
gouvernement met à disposition les
moyens les tests le les démasquer tous
qu'il faut parce qu' il ne peut pas
avoir de déconfinement sans moyens sans
moyens parce que autrement c'est la
deuxième manche la deuxième manche du
virus la vie oui s'il est là il attend
une chose est sûre pendant leur
confinement va y avoir une stabilisation
est peut-être une baisse du nombre de
cas puisque les relations sociales et en
diminue automatiquement les contacts
sont diminués les contaminations deux
vrais de vrais le nombre de
contaminations deux suivent mais ça ne
veut pas dire que le viol n'est pas là
donc continuer à exiger qu'ils aient des
masques qui est des blues qui est des
gantiers des moyens qui est des
traitements des traitements notamment
ceux de l'institut ensuite à
l'universitaire de moselle et qui est
des tests des tests et des moyens
justement ça ne peut aller ça doit aller
avec avec le de confinement est
aujourd'hui étant donné que le
gouvernement n'a pas été clairvoyants
n'a pas tout ça il maintient le
confinement et continue à culpabiliser
les citoyens espérons espérons que cette
crise sanitaire économique sociale grave
pour notamment pour l'ensemble du monde
est pour
nos territoires le colonisé toujours
colonisés espérant que ce sera peut-être
aussi un moyen de faire prendre
conscience aux gens qu'il est très très
important et encore plus peut-être
maintenant et après cette crise de
lutter pour le droit à la souveraineté
sur nos terres pas seulement alimentaire
mais aussi tout concrètes sur l'internet
au mot territoire tout à fait tout à
fait d'autres fashion c'est quelque
chose qu'il faut qu'il faut avoir en
ligne de mire est peut-être passé le
braquet supérieur pour lutter lutter
vraiment de fortes de forte manière
contre ce colonialisme qui n'a jamais
cessé de nous tuer dans ces territoires
dans cette ère est contre ce système
capitale le libéral qui assassine en
fait qui assassine fait doucement
pendant bien à décider de qui va mourir
dans les dents les autres par manque de
moyens c'est le summum enfin c'est une
des étapes supplémentaires de l'horreur
de ce quelques procure que provoque le
capitalisme libéral d'affaires tout à
fait et puis pour revenir à l'une de tes
questions initiales
c'est peut-être aussi le change de la
puissance du dixmude la nauze aux
écoutes merci elie hockey la fondation
est heureux tant que remercie
profondément c'est moi vers toi après ok
ça dépend de combien de temps c'est dur
et je vais le lire en créole en ou
continuer lutter oui sa great oeuvres à
la gay et nous confiner mais nous pas
condamnés nous confie ne pas consigner
lite est absolument nous lutter et pas
money toujours tous les goûts ok à
bientôt
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The biggest game-changers in the last
decade have been smart devices and the
internet for sure. Can you even think of
a time when we didn't have those? And as I
look to the future it will be more data
across more platforms. So think about
communication and images and how we
commute will be different and even how we
make purchases will be different. And all of
that world will explode and it's super exciting.
for me it has really been
following my intuition and that came
about by reinventing myself. So I was
in finance and now i'm in technology
sales and so the courage and the
persistent curiosity and questions is
really what led me to do that. And as
technology changes so fast I do think
that is a key ingredient in success.
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[MUSIC PLAYING]
DAVID J. MALAN: So odds are you
use a computer most every day,
but you might not necessarily think
of yourself as a computer person.
Something goes wrong, you don't
necessarily know how to fix it.
And if you actually want to solve
some problem using technology,
the whole world of
technology, and computing,
and algorithms and all of that
might seem all quite foreign.
So much so that you can't
necessarily feel like you're
making an informed decision.
Well, that's just because the
technology that we all use around us
is kind of working at this level.
Whereby there's so many
people who have come
before us that have invented this
level, and this level, and this level,
and this level.
And so what we'll do here is try
to start from that ground level up.
And indeed, at the base of all
computing, do we really have,
as we'll see, just zeros and ones?
And that's probably something you
know, at least, generally speaking.
But it turns out once you
go have zeros and ones,
can you very quickly go to text?
Can you go to graphics?
Can you go to videos?
Can you go to spreadsheets?
Can you go to so much more?
But again, that's the
world we now inhabit.
But let's now build
ourselves up to that point,
so that you actually begin
to look around yourselves
and realize, oh, I understand
now, what's going on.
And to do that, let's consider this,
computational thinking, which really
refers to thinking computationally.
Thinking more methodically,
thinking more carefully,
and somehow framing all problems in
the world as a sequence of steps.
And those steps are quite simply,
input comes in, and output goes out.
And what's in between
those inputs and outputs
we'll eventually describe as
something called algorithms,
but for now, let's just consider
it to be this black box.
We don't know, we don't care
what's going on inside there.
All that we care is that we get
back a correct output or a solution
to a problem.
But how do we go about representing
those inputs and outputs?
If our problem at hand is to analyze
a whole bunch of financial data,
a whole bunch of numbers
in a spreadsheet,
how can we actually sum
all of those numbers
together, or perform some other
arithmetic calculation on them?
If we instead have a really big
document, a contract of some sort.
And we want to make sure that
it is properly spellchecked?
Well, the input there
isn't numbers, but is
all of the words and
letters in that document.
And the output, we hope,
is a document without all
of those little red squigglies.
We want a correctly spelled document.
So those are just some of the problems
that you might experience most any day,
but underneath the hood, there's
quite a bit of complexity going on.
But that complexity,
it turns out, is just
the result of layering, pretty
simple ideas, one on top of another.
But in order to get to that
point in the discussion,
we need to somehow represent these
inputs, these numbers, these letters,
whatever it is that we have at hand.
And to do that, we're
going to use binary.
Now odds are you've probably heard
that computers indeed only speak
or understand zeros and ones.
But how can that possibly be, when they
can do so much today, whether they're
on our desktops, or laptops or even
our mobile phones in our pockets,
if all you have at the end
of the day is zeros and ones?
How could you possibly count to two, let
alone three, or four, or four billion,
let alone representing any
number of other types of media
that computers today understand?
Well, odds are you
recognize in this word here,
this prefix, bi, bi meaning two,
and indeed that hints at the fact
that you only have two letters
in your alphabet, so to speak.
Two digits, zero and one.
Now we humans have typically
grown up using the decimal system,
dec meaning 10.
And of course we have 0,1, 2,3,
4,5, 6, 7, 8, 9, 10 possible digits
that we can permute and arrange
to count even higher than that.
But with just zeros and ones, how do
you get to two, how do you get to three?
Well, you're thinking still in base
10, so to speak, base 10 being decimal.
But we want to think now in
base 2, so to speak, binary,
where we have just two of these inputs.
And let me propose
that if you're like me,
you probably grew up understanding
numbers as really just this pattern
of symbols like this, where each
symbol was in a column of sorts,
a placeholder, if you will.
And this, if you recall, was generally
called the ones place, and then
the tens place, and then
with the hundreds place.
And so at the moment, what we
really just have on the screen
is a pattern of symbols, a pattern
of digits, one, two, three.
But why is this pattern of
symbols, one, two, three,
the number you and I think
of immediately as 123?
Well, that's because by way of these
columns or places do we implicitly,
in our own mind, quickly
do a bit of arithmetic?
Of course, if we have one, two, three,
that's really like 100 times 1 plus
10 times 2 plus 1 times 3, and
of course that gives us 123.
So it turns out that the binary system
is actually fundamentally the same.
So if you get decimal, if you've been
counting like that since grade school,
you are good to go now with
binary, because in fact
and arguably, binary is even
simpler, because you don't even
have to keep track of so many digits.
In fact, if we consider
this pattern of symbols,
this of course, in our
human world, would generally
be immediately recognized by
us humans as the number zero.
Of course, it's a little
silly to have those
left most zeros, those
leading zeros, so to speak,
because they don't really
add much mathematically.
But that's OK.
You can put as many zeros to the
left of a number in our real world
and it doesn't really affect the value.
Now instead of using one and 10 and
100, let me just use one, two, and four.
Now why those values?
Well before, 1, 10, 100, and again
a thousand, 10,000, 100,000, and so
forth.
Those are powers of 10, 10 to the
zero is 1, 10 to the one is 10,
10 to the two is 100, and so forth.
So what pattern do you perhaps see here?
These aren't powers of 10
anymore, 1, 2, 4, an 8, 16, 32.
Now you really hear the pattern?
These are instead powers of two.
Two to the zero is one, two to
the one is two, two to the two
is four, and so forth.
So that's the only change.
By using base 10, just
two digits, zero and one,
can we still count using
the same arithmetic system.
So for instance, this of course
is still the number zero,
because we have zero fours,
and zero twos, and zero ones.
But if we instead change
this pattern to 0 0 1,
well what value does this now represent?
In the world of decimal, this
would represent the number one.
And that's true in the world of binary,
because we have 4 times 0 plus 2 times
0 plus 1 times 1, which
of course is just 1.
So how do we get to two?
You might be inclined to just
change this zero to a one,
but that would be incorrect.
That's like carrying
the one, but then not
wrapping around on the rightmost digit.
Rather, if we want to
represent the number two,
we need to come up with a
pattern that represents that.
So let me propose instead that we
don't just change that zero to a one,
but we also change that one to zero.
Because now we have 4
times 0 plus 2 times
1 plus times 0 which of course
is the number we know as 2.
And now you can perhaps
grok the pattern at hand.
If we want to count up to
the number we know as three,
let's just change that
rightmost one to a one.
So that's four times 0 plus
2 times 1 plus 1 times 1.
That of course is three.
Four is perhaps jumping out at you now.
We just change that zero to a one, and
then the other two digits to zeros.
And now if we want to count up to
five, or to six, or to seven, or to--
dang it, what's supposed to come next?
It would seem that in the binary
system, we can only count as high as--
what, seven?
And that's a little strange, because
of course, we started at zero,
we counted here up to seven, but surely
computers can count higher than that.
And that's fine, just
need another digit.
Much like if we wanted to count from
999, in our human decimal world,
up to a thousand, which has four digits.
Similarly here, do we
need another digit?
We need an eights place,
and so we could represent
the number we know as eight
with one, zero, zero, zero.
But the key here is that
we needed another digit.
To put it more mechanically,
we needed more hardware.
We needed another physical place,
at least in this depiction,
to actually store that one.
And now we begin already to hint at a
connection between this digital world
of zeros and ones, and the hardware
world in which it's typically
incarnated.
And by that, I mean, we
need to decide, ultimately,
how and where to store
patterns like this.
And you know the nice thing about
binary only having two values,
is that that effectively,
means you have just two states.
And you might think of these two
states as something being on,
or something being off.
And maybe we might think of something
being on as a one, and something being
off as a zero.
And so just with two states,
can we have these two extremes.
And maybe it's not on or off, maybe
it's true, or false, or black, or white,
or red, or blue.
It doesn't even matter what
we call the two states,
the key is that we have two of them.
And you know In the physical
world, the simplest thing
I can think of to turn on and off,
is perhaps something like this.
Just a light bulb.
This here's a little
desk lamp, and in fact,
if I go ahead and clip
this on here, and let
me plug this into an
electrical outlet so that I'm
getting some additional input if
you will, electricity or electrons,
this lamp right now I claim is
representing the number zero.
It's completely off, and I'm just going
to agree, to agree with you, that this
shall represent zero.
But you know what, if I want to
represent a one in the physical world,
just going to turn it on.
And so now we have something that's
on, or true, we'll call that a one.
Zero, one.
Of course, we're not really
counting all that high just yet.
If I want to count higher than
zero to one, to something higher,
I'm going to need another light bulb.
I'm going to need more hardware,
more memory, if you will,
in the world of computers.
So let's actually now give
myself a second zero or one.
Plug this thing in here.
Give it some electricity as
well, which again, is really
one of the few physical
resources we have in a computer,
whether it's coming from
a power cord or a battery.
And so now, if I want to represent
the number zero, here we are.
But I'm doing it really with zero zero.
This now is going to be one, this now
is going to be two, and this, of course,
is going to be three.
And let's not stop there.
Why have two desk lamps when
you can have three desk lamps.
If we instead make a little
more room for here, and we
want to instead now count
not just as high as three.
Let me go ahead and plug-in
this third and final desk lamp,
and go ahead and turn this on.
And of course, we instantly
go from three to--
not quite instantly because
you have the hands--
to the number four.
And so forth.
So what's now the connection
between the digital
and the sort of analog
world of light bulbs,
and the physical world of computers?
Well inside of a computer is a whole
bunch of tiny, tiny little bulbs,
so to speak.
In fact, you can think of what's inside
of your computer is exactly this.
So many little light bulbs
that are either on or off.
And thanks to those little light bulbs,
can your computer represent numbers?
Zero, one, two, three, four, as many--
as high of a number as it wants so
long as it has enough little lights.
Now of course I'm oversimplifying.
It's not actually lights that you
have inside of your computer, rather,
you have just the switches.
These switches being called in
the computing world transistors,
as you may have heard.
Indeed, one of the things that companies
like Intel are increasingly doing,
is packing more and more transistors
into their CPUs, central processing
units.
The brains of computers.
And with those additional transistors,
can they store even more values,
or equivalently can
they count even higher?
And so now, even though we
began the discussion down here
with just zeros and
ones in the abstract,
now we've made it a little
more physical, in so far
as we can represent those zeros
and ones with something physical,
drawing electricity to power
these kinds of light bulbs.
Of course, we can now
miniaturize that and consider
these light bulbs to really be, what
we'll call in the computer world,
transistors.
But at the end of the
day, even though we
have now a way of
representing information,
the zeros and ones, even
though we have a way now
of representing even bigger numbers
by using even more transistors inside
of our computer, we're still
talking only about numbers.
And with my computer I want to
do more than just use something
like Microsoft Excel.
I want to do more than
just do math on my data.
I want to actually store
things like letters, and words.
Let alone, colors, and
images, and videos, and more.
So we need to abstract higher.
So again zeros and ones, we know
how to represent it, now let's
build on top of the zeros and
ones and start to represent
something more interesting.
Something more
alphabetical, if you will.
And so this gives us ASCII,
the American Standard
Code for Information
Interchange, or more modernly
referred to as a superset of Unicode.
Turns out, human some time
ago, decided on a mapping
between letters and numbers.
Somewhat arbitrarily,
but in a way that's
convenient when it comes to actually
programming, things like this.
And this is to say that
humans time ago decided,
you know what, we are going to represent
the letter A using the decimal number
65.
Now what does that mean?
Well, this means that if your computer
is to store the letter A, or the letter
B, or the letter C, it simply
has to store ultimately
the number 65, or 66, or 67.
What does it mean to store
number like 65, 66, or 67?
Well that just means to store some
pattern of bits, some pattern of bulbs
as we did a moment ago, and turn
them on and off in such a way
that you're representing in binary,
the decimal number 65, 66, 67.
So if you think about something like
Microsoft Word or Google documents,
or any program in which you
type text, what you're really
doing by typing on the keyboard,
is sending some pattern of signals
that's telling the computer to store
not just the letter ABC per se,
but really to store the
number 65 or 66 or 67,
or really, to store the
pattern of zeros and ones
that ultimately represent
those same values.
So again, this spirit
of layering binary now
becomes ASCII, or Unicode,
something higher still.
And so with this can
we represent messages?
For instance, if I wanted to represent
a message like this, a familiar message,
there say, I might store
these three values.
72, 73, and 33.
Now what is that?
Well turns out if I look back at
this pattern here, where 65 is A,
and in tens 72 is H, and 73 is I, well
what are we really representing here?
It would seem we're
representing the pattern H I,
and then you wouldn't
know this from that chart,
but if you look at
another online reference
you'll see a 33 is an exclamation point.
So now we have the word
Hi or the exclamation Hi.
But that's in the context of a text
editor, or word processor like word.
Suppose, instead, you
were using not a text
editor, but something like
Photoshop, or MS Paint,
or some other graphical program.
Well instead, you might have
that same pattern of numbers,
or really bits at the end of
the day, but in this context,
something like Photoshop,
these numbers are
meant to be values between 0 and 255.
Turns out, long story short, that
if you have eight zeros or ones,
where zero or one, you
know what, let's just
start calling them by their formal
name bits for binary digits.
If you have eight bits, you can
count from 0 all the way up to 255.
And the quick math there
is 2 to the 8, means
you have 256 possible
permutations of zeros and ones.
So therefore, if you start counting at
zero you can count as high up as 255.
And so in the context of a graphics
program, you can think of 72 in so far
as it's not quite halfway between zero
and 255, it's a medium amount of red
and a medium amount of green.
Not too much blue.
Where zero means none of this color,
and 255 means a lot of this color.
So if you had a pattern of bits,
and in-turn numbers, stored inside
of your computer for the
purposes of a graphics program,
it's really like telling the computer
give me a medium amount of red,
give me a minimum amount of green
and just a little bit of blue,
and combine those like paint,
or like frequencies of light.,
until you get the
summation of those, really,
are the combination
really of those, which
is this murky shade here of yellow.
So again, using the
same patterns of bits,
can we represent either letters
and words and paragraphs,
or in another context all together,
could that same pattern of bits
still represent numbers, but be
interpreted not as letters and words
and paragraphs, but as colors.
If you treat each trio of 8 bits
as representing some amount of red,
some amount of green,
some amount of blue,
otherwise known as, if you've heard
the term, RGB, for red, green, blue.
So this principle of starting
simple, and gradually making
things more and more
and more complicated,
is really a principle of abstraction.
Because at this point
in the story, when we're
talking about words and paragraphs
and essays and documents,
or in another context we're
talking about images, or maybe even
movies and more, we no longer
really need to care about,
or even need to know
about, or understand,
what's underneath the
hood those zeros and ones,
because we've abstracted
away from that lower level.
And this principle of
abstraction, layering idea on idea
on idea on idea such
that you no longer need
to worry about how the lower
level ideas are implemented
is nice, because it allows
us humans to focus only
on the problems we
really care about, which
in theory are those top most problems.
The ones that are immediately at hand,
that we're building solutions to,
on the shoulders of, computer
scientists, and engineers,
and just colleagues that
have come before us.
And we don't have to
get lost in the weeds,
so to speak, of the earlier complexity.
And so this is a powerful
problem solving technique,
and indeed it's a principle that
we'll see applied ultimately
in the world of programming as well.
Now let's try something.
Speaking of abstractions,
let me encourage you
at this point to take out a piece
of paper if you have one there.
And surely, if you don't
have one right there,
surely you could pause this
video and actually go dig one up.
Grab a pencil too, or pen.
Yeah, Ill wait.
Now you could just pause this,
I can't wait all that long.
Let's assume at this point in the
story you've got that piece of paper,
and a pencil or a pen, and
let's play a little game.
I of course can't really
see what you're doing.
But I'm going to hope that you
either do or don't do what I do,
because either way it
will be instructive.
And I'm going to leverage
some abstractions here,
for better or for worse.
I want you to go ahead, and please
don't be one of those people like me
who's just following along
pretending like all right,
I have the piece of paper, I have the
pencil, this is what I would be doing.
Actually do this.
This will be kind of fun for one of
us in the end, if this works out.
Go ahead now, on that piece of paper,
with your pen or pencil, and go ahead
and just draw a circle.
OK.
All right.
And below that circle draw a square.
All set.
All right, and below that
square draw a triangle.
Now odds are, you know exactly what
I meant when I said draw a circle,
and perhaps you did a
little something like this.
Or a little more perfect
than my circle there.
And then beneath that
I said draw a square.
And you just intuitively
know what a square
is, so you might have
drawn a square like this.
And then the third thing I
said was draw a triangle.
And so you might have drawn a
triangle that looks like this.
But immediately, ant that looks
curiously like part of a jack-o-lantern
now.
But curiously, there's
some ambiguity there.
Right, a circle is kind of a circle,
but I didn't specify the radius
or diameter, so maybe yours is
bigger, maybe yours a smaller,
maybe it's over here on your paper,
maybe it's over there on your paper.
So already, these abstractions
are useful in that you immediately
knew what to draw, but you didn't
really know how to draw it.
Similarly, this square, I don't know
why I drew it a little smaller here,
but it's indeed smaller,
and it's barely a square.
But it's meant to be a square.
But there's a gap between it and the
circle, but I didn't really specify.
So there, too, the
abstraction is valuable
in that you immediately knew how to
draw a square, but not where to draw it.
Or in what size to draw it.
And lastly, the triangle,
perhaps the most,
the juiciest opportunity
for ambiguity, I
didn't tell you how to
orient that triangle.
Maybe you, instead, did
something a little different,
where your triangle
wasn't drawn like that,
with the pointy part at the bottom.
Maybe you, instead, did
something like this.
Or maybe it was somewhere
else on the paper altogether.
So now at this point in the story, you
could have followed my instructions
exactly as I described, but
we could still somehow come up
with different solutions.
And in fact, if I can now spoil
what the actual task at hand was,
this was the picture I was describing.
This picture here has
a circle, below which
is a square, below which is a triangle.
But that leaves out some key details.
And the curious thing here, is that
even though abstraction is a useful
mechanism, once you start to move away
from those implementation details,
if you will, you very quickly
realize that I don't really know what
you're telling me to do, necessarily.
And the challenge is, that computers,
as complicated or intimidating as they
might seem to you, they're
really not all that bright.
Right.
They can only do what they
are explicitly told to do.
And so if you, the human,
or you eventually perhaps,
the programmer, don't
actually specify absolutely
precisely what you want the computer--
or the human in this
case-- to do, you might not
get the output, or the correctness of
a solution, that you're hoping for.
In fact, let's try one
other, and let's see
what the other extreme might feel like.
So on that same piece of
paper, maybe on the flip side
or another sheet of paper, let's
play this game just one more time.
And this one's going
to be a little harder.
I'm going to try to tell
you exactly what to do.
So lesson learned,
that was too abstract.
Let's now drill down on
the implementation details.
OK.
So let me think like a computer
might, or I think a computer might,
go ahead and put your pen or
pencil down on the piece of paper
toward the top middle of the page.
Now from that point, move say Southwest
to halfway down the piece of paper.
So really at a 45 degree downward angle.
And then go ahead and move south
east, or a different 45 degree angle,
toward the bottom of the page.
So you've kind of sort of made
the left half of a triangle,
or not really that, 2/3 of a
triangle, two sides of a triangle.
But stay where you are.
At this point in the story your pen
is probably below your original dot.
But you've drawn two
lines that form an angle.
From where your pen now
is, draw a line Northeast,
or in an upward and
to the right 45 degree
angle, to the same height
as your previous line.
And then double back and go say
Northwest, or a different 45 degree
angle, still back to the original point.
And at this point in the story, you
have really either nothing at all,
or you have a diamond.
And therein lies a curiosity too.
I could have just said diamond,
draw a diamond, or draw a kite.
Which would be an equivalent shape.
But that too lends itself to same
ambiguity, so I drill down deeper.
But my God, it's taken us just a minute
or more just to get to this point.
And we're not done yet.
We're not drawing a diamond or a kite.
Now you have a diamond or a kite, with
a top vertex or point, a bottom one,
a left and a right.
Move your pen to the left one,
and draw a vertical line down.
Now go back to the diamond or the
kite, and on the right vertex or point,
draw similarly a vertical line down.
And now, in that original diameter kite,
at the bottom most vertex or point,
draw a vertical line down.
And now, if you followed along
with these very precise machine
instructions, you've got three vertical
lines that are just kind of dangling.
I don't even want to mislead you with
any hand gestures, three vertical lines
that are dangling, go ahead
and draw two lines that
connect the ends of those three lines.
Oh my God.
Like it's so complex to do what we just
did, and I would put money on the fact
that you did not draw correctly,
what I was trying to get you to draw,
which is just a cube.
Right, a cube is a wonderfully
simple abstraction.
A shape with which you and I
are probably long familiar,
and it's so easy to say draw a cube.
But as we saw before with the circle
and the square and the triangle,
just saying draw a cube is ambiguous.
At what angle should it be oriented?
How big should it be?
Where on the piece of
paper should it be?
And so I was trying to
be so much more precise
this time by having you put
your pen down at the top,
go down to the southwest
and draw this line,
then go down to the southernmost point
here, then another Northeasternly line,
and then a north westerly line.
And that just got us to the kite.
But the takeaway here,
is that when it comes
to making a computer
do what you want to do,
you can't just speak these abstractions.
You actually have to implement
them, or program them, or code them
at least once.
In fact, some of the earliest graphical
programs in the world of computing,
were kind of as low level as this.
There was an old programming
language called logo,
in fact, that allowed you to
program by moving a cursor,
like a turtle of sorts, up and down
and left and right on the screen.
And putting either down
or up a marker of sorts,
and that you could draw shapes like this
by just moving around on the screen.
But to draw things like this clearly,
as in our verbal example here,
you have to be so darn precise.
And it just gets so tedious so quickly.
It certainly would take all of
the fun out of using a computer,
or all the fun out of using
programming a computer, if you
had to do this every time.
But that's where there's an
ingredient here to be leveraged.
One of the things that a computer
scientist, and a programmer,
and engineers, more
generally, very often do,
is they absolutely implement these
kinds of low level details once.
They go through those very
methodical, if mundane, steps
of getting something just right.
And then they save the
instructions they wrote.
They save the programs
they wrote, if you will,
so that they can reuse them later.
And the fancy words for these
things will eventually see
are called libraries.
Or functions.
Or other names still.
So once one human in the world has
implemented a program, if you will,
with which to draw a cube, similarly
can we stand on his or her shoulders
and reuse that same routine.
And hopefully, they were clever
enough to allow us to parameterize it.
To customize it, by maybe changing
the angle and the size and the depth
and so forth.
So it doesn't just have
to be that one cube.
And so here we have a wonderfully
powerful problem solving technique.
Abstraction.
Which allows us to say what we mean,
and the rest of the humans in the room
just immediately understand-- at
least after some instruction-- what
it is we're talking about.
But with computers being these
very little literal devices,
we can only talk at those
levels of abstraction
once we've actually built up software,
implemented solutions to get us
to that point in the conversation.
And this is why, at first glance,
using a phone in your pocket
or a computer on your desk might
actually seem super, super complicated.
There's so many moving parts.
And absolutely there are.
Windows and Mac OS are
literally the result of millions
of lines of programming code these days,
having been written over the years.
And so of course it's to be expected
that you might be a little daunted
or overwhelmed by the
apparent complexity.
But one of the goals
here for this lesson,
is to really help you appreciate
that beneath all that complexity,
is a simpler idea.
And then an even simpler idea.
And then a very simple
idea, and so forth.
And so once you sort of bottom out
and understand those first principles,
zeros and ones, binary on top of which
might be Ascii or Unicode, on top
of which might be some
other encoding still,
can you resume the current
conversation and understand
that what might have looked
completely complex at first glance,
is really just the result
of assembling, if you will,
a whole bunch of pretty
simple puzzle pieces.
So at this point in the story, we now
have a way of representing information.
But now let's just stipulate.
We know how to represent information.
At the end of the day, Yeah it's
binary, And at the end of the day
you can think about it as decimal, and
maybe you're using Ascii in Unicode,
or maybe you're using
graphics, or whatever
is going on underneath the hood.
All we need to know and care
about now is that you can do it.
And we don't really have to think
too much more at that level.
Now we can resume our look
at the overarching model
at hand, which is problem solving.
We now have a way to represent
our inputs and outputs.
What then is inside that black box?
Well the buzzword du jour
these days is perhaps
algorithms, where even if you
don't necessarily know what it is
or how to make one, or how to use one
in the context of a computer program,
algorithms seem to be increasingly
the solution to all of our problems.
Well an algorithm isn't
all that complex, fancy
though the word might
sound, it's really just step
by step instructions
for solving a problem.
And those steps can be in English, or
they can be in something we'll call
pseudo code, sort of code like but
it's not really an actual language,
or can be in Java, or C,
or c++, or JavaScript,
or any number of other
programming languages.
Algorithms are, again, just sets of
instructions for solving a problem.
Well what's one such problem
we might want to solve?
Well in the real world we might have--
the real old world shall we say--
we might have a problem that once
upon a time looked like this.
A phone book with a whole lot
of pieces of paper inside of it,
on which were a whole bunch of names
and a whole bunch of telephone numbers.
And the phone book was
alphabetized from A to Z typically.
And maybe there were some other sections
like the yellow pages, or apparently
the red pages, whatever this is here.
But we'll just assume that
these are the white pages,
so to speak, with just a whole
bunch of humans names and numbers.
So suppose I want to
find one such human,
a human whom we'll call Mike Smith.
How do you go about finding
Mike Smith in this phone book?
Well I could, somewhat stupidly,
but arguably quite correctly,
start at the beginning of the book.
And I see here instructions
for calling 911.
If I move on to page two, I now
see someone's names and numbers.
But these people's
names all start with A.
And so I continue going
through the A section.
And the A section.
And then eventually I
get to the B section.
And the B section.
And the B section.
And then the Cs, and the Ds
and the Es and Fs and so forth.
And eventually, tediously but correctly,
I'll get to the Ss in the phone book.
And if I see Mike Smith here, I can now
pick up the phone and call Mike Smith.
Now no one out there, if you've
been still use this technology,
is going to have looked
up Mike Smith in that way.
You're going to fly through this
phone book far faster than I, right,
you learned probably in grade
school why count by ones
when you can count by twos?
So two, four, six, eight, ten, twelve.
Sounds faster, is faster.
It's going to get me to Mike faster,
but is it going to get to me to Mike
correctly?
I'm going twice as fast by
doing two pages at a time.
So I'm going to have
flip half as many times.
But there's actually a bug, so to
speak, a potential mistake here.
What is that?
Well in my cleverness
to get to Mike's name
twice as fast, what if I
go ever so slightly too
far, just because by bad luck, Mike
is sandwiched between two of the pages
that I so cleverly was
skimming two at a time?
Of course I'm looking at
this side, maybe this side,
but maybe Mike is in the middle.
And so it turns out with that
algorithm, that twosie approach,
am I going to have to have a
little bit of a check at the end?
Such that if I hit like the T section,
and see a name starting with T,
I better wait a minute,
let me double back,
I might need to go back at
most one page to make sure
that I didn't actually miss Mike Smith.
So at the end of the
day, it's not correct
if you naively just do
two pages at a time,
but it is correct if you
do two pages at a time,
with one final reversal by
a page, just to make sure
once you go past SMITH
in the phone book,
that you didn't accidentally
miss Mike just one page prior.
So it's still super fast, you
just need that one little check.
But still, no one out there, is going
to look up Mike Smith one page at
a time, two pages at a time.
You're going to open in the
middle of the damn phone book,
look down and see, oh, not in the S
section yet, I'm in the M section.
And so what you intuitively know
how to do since growing up perhaps,
is that you know Mike is not
in this half of the phone book.
Mike is clearly in this
half of the phone book.
And so at this point you can
figuratively-- but in our case
literally-- tear the problem in half.
Throw half of the problem
away, and be left with,
we single use phone book, and half at
that, but half the size of the problem.
So if we had 1,000 pages originally,
now maybe I've got only 500 pages.
And so I can repeat this intuition.
Jump roughly to the middle.
Darn, I'm a little too far
now, I'm in the T section.
Again, let's tear half the problem
away, throw it away as well,
and now be left with a 250 page problem,
which can now be 125 page problem.
Which is getting easier and easier
and easier, until we repeat,
repeat, repeat, repeat.
Until theoretically, we're left
with just one page in the end.
Maybe Mike's on it, maybe Mike's
not, but if he's in the phone book,
he will be on this page.
So how efficient was that.
Well if that phone book had 1,000
pages, in my first algorithm
it might have taken me what, like
700 plus steps to get to Mike?
Or in the worst case 1,000
steps, right, it's alphabetical.
But maybe it's not
Smith, maybe it's someone
with the last name that starts with Z.
In the worst case in that first phone
book, maybe it would take me 1,000
steps maximally to find Mike Smith.
Pretty slow.
What about that second algorithm
where I was going two pages at a time?
Well, with that algorithm, it's
going to take me like 500 steps
maximally to find Mike Smith.
That's twice as fast,
that's pretty good.
It's not nearly as amazing as
the algorithm we settled on.
The intuitive one, arguably,
where I divided and conquered.
I have the problem again
and again and again.
Because if I start at 1,000, and I go
to 500, then 250, then 125 and so forth,
rounding as needed, I actually
get to one page much faster.
Put another way, how many times
can you divide 1,000 in half
before you're left with
just the number one?
Well if you do the math, either
in one direction or the other,
you'll see that it's roughly ten.
In fact, if you want to pause even and
grab a calculator, or a piece of paper,
or pencil, or just think through it
in your head, you can start with 1,000
and go to 500, 125, and so forth.
And you'll eventually
hit one, after just 10--
give or take, depending
on how you round--
steps.
That's pretty powerful.
But not that big of a deal.
Right.
Ten still is like a lot of page turns.
But what about an even bigger problem.
The types of problems that Google,
and Microsoft, and Facebook,
and Oracle, and really big
companies deal with that
have lots and lots of data.
Suppose, for instance, that I'm
searching through not a phone
book, but a database.
A big program that stores
lots and lots of data.
And suppose the data that's being
stored is still names and numbers.
How much time might it take to
find someone like Mike Smith,
in a database that's got like 4 billion
names and numbers in it somehow?
Well, four billion names and numbers.
Well if we use that
first algorithm, might
take as many as four
billion steps to find
Mike Smith in a really big database.
In a really big computer
program, that's not too smart.
But if I instead use
the twosie approach,
flipping through two
database records at once,
maybe it's not 4 billion operations,
maybe it's just 2 billion.
That's good.
That's half as many operations.
But what if I use this
super clever intuition
that I kind of grew up with here, with
that divide and conquer algorithm.
Well, I can start with 4 billion
database records, go to 2 billion,
then 1 billion, then 500 million, 250
million, 125 million, and so forth.
I'm getting to one much, much faster.
In fact, I can only divide
the number 4 billion
in half, roughly 32 times total.
Again, depending kind of sort of
on how you round, but 32 times.
32 is so much smaller
than 2 billion steps.
And 32 is certainly smaller than
the original starting point,
4 billion steps.
So this is a really powerful
problem solving technique
to divide and conquer.
And here, too, even though what
computers might seem to be doing these
days is super complicated
and sophisticated--
and it is in many ways--
but some of the ideas that those
computers and the programmers who
program them are leveraging, are
actually pretty familiar to us already.
Inside of this black box might not
be something super fancy, but just
a clever adaptation of
some of your grade school
human intuition to the
context of a computer program.
Now it's one thing to talk
about algorithms, especially
if we're just spit balling it verbally.
But computers, of course,
need us to be more precise.
And they need us to state our
thoughts more methodically.
So what does this mean?
Well, let me propose that we write
some code, or really pseudocode,
for this same algorithm, where
we're looking for someone like Mike
Smith in a phone book.
And it's pseudocode because it's
not going to be Java, or c++,
or JavaScript, or anything else.
It's going to be English like syntax,
that's kind of sort of like code.
And before long, we'll see
some actual code as well.
But step zero, and just
to be playful here,
I'm not going to start counting at one,
I'm going to start counting at zero,
just because with any
number of bits, or digits,
the lowest number that I could
count with is of course zero.
Pick up phone book is the
first thing that I did.
One, open to the middle
of the phone book
is the second thing I did in
that third and final algorithm.
Look at the names was the next thing I
did, looking down at that phone book.
And then if Smith is
among names, and notice,
this is semantically different
from those first three steps,
because this expression starts with if.
So this is kind of like the
proverbial fork in the road,
if Smith is among the
names, let's do this.
What do we want to do?
Call Mike, that's great.
Otherwise, or else if Mike
is earlier in the book,
let's go a different direction instead.
Let's instead open to the middle of
the left half of the book, all right.
So that would be the left half
that I threw away earlier,
and then go back to step two.
Because once I have opened to the
middle of the left half of the book,
I don't have to actually
dramatically tear it.
I now need to look for Mike's
name again, as per step two.
Else if Mike is later
in the book, I actually
want to open to the middle of
the right half of the book,
and then go back to step two as well.
Now you might think that's
everything to this program.
But there's actually a remaining step.
Indeed I've got room left on the
screen for a remaining step or two,
but there are more than
three possibilities.
One of them is that Mike is
among the names, one of them
is that Mike is to the left, the
other is that Mike is to the right.
What's the fourth?
If I don't consider the fourth,
and indeed if in a program
I don't implement the fourth,
my program might crash.
My computer might hang.
My computer might behave
in an unpredictable way,
because if the programmer wasn't
so precise as to anticipate
something that might happen, who
knows what the computer might do.
And indeed, that's often
why your own computer might
have a little spinning
beachball, or icon,
or it might crash outright or freeze.
It's because something
unanticipated happened.
So let's be precise.
There's a fourth and final
scenario I can think of,
which perhaps on your
mind too, just quit.
Because in the fourth scenario,
if Mike's not among the names,
and he's not to the left, and
he's not to the right in the book,
he must not be there.
And so let's avoid just hanging
infinitely somehow or other,
by actually proactively
deciding to quit.
But now let's tease apart what some
of these terms actually are now.
So in yellow are some things that
really just look like verbs, or actions.
And we're going to call those
statements, or more specifically
functions, or procedures would
be a reasonable synonym too.
And each of these yellow
terms is really a call
to action for the computer to
just do something unconditionally.
But sometimes, we want that computer
to do something conditionally,
as evinced by these yellow terms now.
If, and else if, and else and else,
kind of paints the picture of a four-way
fork in the road.
Where each of these
branches, or conditions,
leads us to take different action.
And you'll see that I've indented lines
four and six and seven and nine and ten
and twelve, because
they are meant to happen
only if lines three and five
and eight and eleven, or eleven,
actually applies.
So those indentation kind of
captures the logic of this program.
Lastly, or second to last there is this.
This is what we call a little more
fancily, a Boolean expression.
These yellow phrases here
are kind of like questions.
There are either yes no, or
true false, or one and zero
or any number of other binary terms.
But these are questions we're asking.
The answer to which is
going to be true or false.
Smith is among the names, true or false?
Smith is earlier in the
book, true or false?
Smith is later in the
book, true or false?
And so these Boolean
expressions, named after someone
who the last name of
Bool, long ago, is a way
of having conditions take you
in a different direction based
on whether something is true or false.
Three such examples there.
And then, lastly,
there's these two lines.
On seven and ten there's
this expression go back
to step two, which is to induce
a bit of cyclicity, right.
You can sort of think about it
visually if you go from step seven,
or ten for that matter,
back up to step two.
This might happen again,
and again, and again,
if Mike is still to the
left half, the left half,
the left, as you're whittling
down the phone book.
And so we're going to induce, and
induce, and induce potentially,
this cycling or looping behavior.
So these lines here
now in yellow represent
what a computer program
might call a loop.
Now these same English phrases we'll
eventually see can be translated
into Java, and c++, and
JavaScript, and Python, and Ruby,
and other languages still.
But the key takeaway
for us here today is
one, the precision with which
we specified these steps, two,
the fact that there's this ordering,
what happens after the other.
The fact that there is
these conditions, some only
happen if something is true,
and the fact that some of them
can happen again, and again, and
again, based on some kind of looping.
But is this good?
Like this is correct, and that
of course, was one of our goals
with the phone book, initially,
was let's get it correct,
and better still, let's get
it correct and efficient.
correct and fast.
But how fast now is this?
In fact, how do I put a
number, of really a formula,
on the performance of
the algorithm so that I
can claim that I am a good programmer,
or I am a good problem solver?
I've not only solved your problem
correctly, but really, really well.
Well let me propose that we
analyze these three functions.
Kind of in the abstract.
We don't need actual arithmetic
expressions here, per se.
We'll just do things
variably as follows.
So here's a nice little Cartesian plane,
with an x-axis of size of problem,
and a y-axis of time to solve.
And the farther out you go on size
of problem, from left to right,
means bigger, bigger, bigger, bigger,
bigger, bigger, bigger bigger problem.
And by bigger problem I
mean more and more pages.
More and more input, whatever
the problem actually is.
And then time to solve, is not
very much time, lots of time.
So on the y-axis too, the
higher you go, the more
time it takes to solve a
problem, or really the slower
it is to solve the problem.
So let's now draw this red line here
as a depiction of the first algorithms
performance, or running time.
Whereby, there is a one to one
relationship between size and time.
A one to one relationship
between number of pages,
and maybe number of page
turns, or seconds, or whatever
your unit of measure happens to be.
So that if I have a phone book of this
size, this dot here on the red line
is how many seconds, or page
turns it takes me to find it.
And there's a linear relationship
there, as implied by this variable--
as we'll call it-- as in algebra.
n for number of pages, for instance.
It's linear in so far as Verizon,
if the phone company like Verizon
increases the number of pages in the
phone book just buy one next year,
a few more people move into town so they
add one more page to the phone book.
That might take one additional page
turn to find someone like Mike,
or anyone else in that phone
book if Verizon just adds a page.
Or if they doubled the
number of pages, it
might double the amount of
time it takes to find someone.
There's a linear
relationship between the two.
Now with the second algorithm, where
I was flying through the phone book
two pages at a time, there's
still a linear relationship,
but it's not quite as bad so to speak.
For instance, if I have this
many pages in my phone book,
my first algorithm might take this
many seconds in the first algorithm,
but because I'm flying through
the phone book two at a time,
it will take me half as much time.
Half as many page turns
with that second algorithm.
So we'll describe it
algebraically as n over two.
Where n, again, is just
the number of pages.
So there is a relationship between
those two lines and those two formulas.
But that third algorithm.
Super, super fancy I'll wager.
And the shape of its line
is fundamentally different.
If you remember your
logarithms, you'll see here
this green curved line, otherwise
depicted here as log of n,
or really log base 2 of
n, but we'll just keep
it abstracted away as just log of n.
This is a fundamentally different shape.
And it still goes forever
up and up and up and up.
Even though it looks
like it's flattening out,
it's not perfectly flattening out, it's
just growing and growing very slowly.
And that's key, because what's powerful
about that third and final algorithm,
is that Verizon, for instance, doubles
the number of pages in the phone book
next year, because a whole lot of people
move into town, or maybe two towns
merge or whatever.
Then how many more steps will
it take me to find someone
like Mike Smith in that phone book?
Well just one additional page turn.
One additional tear of the phone book.
Because with each tear can I
take a bite out of that problem.
That's 50% of it.
I can literally tear it in half.
Meanwhile, Verizon doubled the
number of pages in the phone book
with my first algorithm, as per this
straight linear relationship, aka n,
it would double the amount of time
necessary, or double the number of page
turns necessary, to find
Mike Smith in that case.
So again, in the case
of the first algorithm,
would double the amount of time taken.
The case of the third algorithm
would increase by one step.
One step.
So if that phone book went ridiculously
from four billion to eight billion,
no big deal.
But that third algorithm, just
need one additional page turn.
One additional tear of the phone book.
Not in the case of the first algorithm.
I would need an additional 4 billion
page turns to find who I'm looking for.
OK.
But a phone book is a physical problem.
And searching for phone numbers in
a phone book is a physical solution.
But what can computers
do electronically?
Like what is the analog in
our computer to the problems
we've been solving thus far?
Well what about our own iPhones,
or Android phones, or the like,
where you have contacts these days?
Sort of a digital
version of a phone book.
And those contacts are
typically sorted alphabetically.
But even then, you might know
a lot of people, and most of us
probably don't scroll, scroll,
scroll, scroll, scroll.
And if you do, you're doing it wrong.
You can instead search by keyword,
or by first name, or by last name,
to actually find someone
much more efficiently.
And typically their name
jumps to the top of the list.
So that's an algorithm.
The Google, and Apple,
and other companies
have implemented algorithms
for searching, or even sorting
your list of contacts so that they
can find people for you quickly,
so that you can just send them a
text message or make that call.
But let's simplify further.
Rather than even get into the sorting
of names, and alphabetical phrases,
let's keep things simple for a moment.
And just assume that we want
to store things like numbers.
A list of numbers for instance.
So if we want to store a list
of numbers, how can we do it?
Well let me propose that the screen
here, or if you will a piece of paper
in front of you, really just
represents your computer's memory.
Now you may know that
inside of your computer
there's different types of memory.
Something called the hard disk,
or maybe a solid state disk,
or something called ram, or random
access memory, something called Rom
or read only memory, something
called l-1 cache, l-2 cache,
sometimes l-3 cache and the like.
So there's different types of memory.
But the one we're going to think about
right now is ram, random access memory.
And this is the type of
memory that you might
have a gigabyte of, four gigabytes of,
16 gigabytes of, depending on how fancy
your laptop or desktop computer
is, or your phone for that matter.
So inside of your computer, or
phone, is a whole bunch of memory.
A whole bunch of RAM.
And if you have, for
instance, 4 gigabytes of RAM,
that is four billion bytes.
Because what that means
is giga means billion,
so four giga means for billion, four
gigabytes means four billion bytes.
Mega, meanwhile means
million, give or take.
And in fact, earlier
when we talked about rgb,
And four megabytes then
would be four million bytes.
So 4 gigabytes is even bigger.
And if you want to count
higher still, four terabytes
would be a huge amount of memory.
So if you have four
gigabytes of memory, that's
four billion bytes of memory, and a
byte meanwhile, is just eight bits.
So why talk in terms of bytes?
Well it's just easier to
talk in terms of eight bits,
rather than individual bits.
Because with one bit, you
can't really do all that much.
You can only count from zero to one.
So with 8 bits at least we can count
a bit higher and express a bit more.
so if we have 4 billion bytes of
memory inside of our computer,
you know it stands to reason that
we could number each of those bytes.
And maybe the top most byte up
here represents byte number zero,
and maybe the bottom most byte over
here represents the number four billion,
give or take.
In fact it's not exactly 4 billion,
it's a little more than that.
But for our purposes, let's just
assume that if this screen here
represents all of my computer's
memory, and you know for that matter,
let's think of my memory as being
divisible into rows and columns,
just to kind of keep things orderly.
This is not actually what it
looks like underneath the hood.
And it's definitely not as wavy
as I making it out to be here.
But you can think of it
really, as rows and columns,
that you can address each
of the cells in this table.
So kind of sort of like a spreadsheet
with a whole lot of room for values.
So this might be byte zero one,
two, three, dot dot dot if you will.
Four billion or so in the
bottom right hand corner.
But where these things are laid out
doesn't really matter for our purposes
right now.
So that's how you might address memory.
But how might you use memory?
So suppose I want to store
a whole bunch of values
inside of my computer's memory.
I don't really care where
it is for the moment.
And therefore, I don't care
what those addresses are.
But let's suppose that I do care that
the numbers are close by to each other.
They are contiguous in memory.
Back to back to back to back.
And we'll see that that has
some advantages for efficiency.
So suppose that I want to store
one number in my computer's memory,
and suppose that this memory
and this memory and this memory
here, those are all being used
already by other programs,
or other things going on in my program.
And so the first available slot,
for instance, say is this one here.
And the number I want to
store is the number one.
And the next number that I want to
store is going to be the number 50.
And the next number I want to
store is going to be the number 51.
And the next one 61.
And then the next one 109.
And then the next one 121.
And so forth.
Which is to say, if I'm storing not
people's phone numbers or names,
just more simply for
the sake of discussion,
all I care about for whatever
reason is storing a list of numbers.
I might store them in my computer's
memory in exactly this way.
Each of these squares represents
a byte, or eight bits.
We know that we can abstract
above bits, and actually
represent things like decimal numbers.
So I'm just stipulating
that inside of these boxes
really is eight bits, or some
pattern of eight zeros and ones.
But that's too low level.
We're going to abstract away from
that and just talk in terms, for now,
in decimal digits.
So this thing here might
be how I store something
underneath the hood in my computer.
And what's nice about this, is that
it's super, super easy to find values.
In fact, let me just highlight this
range of values, and slap a name on it.
This boxed in region here
in a computer program,
would very often be called an array.
It's a list of sorts, of
values, but what's key
here is that this list of
values is back to back to back
to back all contiguous in memory.
When that is the case, when you have
this property inside of a computer,
you can do things pretty darned fast.
Because there's a mathematical
relationship among the locations of all
of these values.
For instance, if you are
the computer, and you
find yourself looking at
the number 50, how do you
find the next number in the list?
Well, you just add one to your location.
Not one to your value,
one to your location.
How do you go from the number 51 to 61?
You just add one to your location.
Again, because if this is byte
zero, one. two, three, and I
don't know where we are here.
Maybe this is byte 100, 101, 102, 103.
Because all of these values are
back to back to back to back,
you can very quickly access them
just by looking to the left,
looking to the right, by
a fixed number of bits.
This is advantageous,
because you can jump around.
In fact, this is where the name
random access memory comes from.
You have random access, not in the sense
that you just go anywhere randomly,
but you can go anywhere you
want in the same amount of time.
Even though this byte four billion looks
really far away from everything else,
doesn't matter.
Because arithmetically the computer can
say, give me byte number four billion.
And that's a constant time
operation, it's not linear.
Doesn't take more and more steps the
farther away it is, because all of this
is electricity and
electronic, not moving parts.
You can just instantly jump to any of
the cells in your computer's memory
like that.
The catch is, me the human, can
look at these values and just see,
oh I see a whole bunch of values.
Six values inside of that
array of memory there.
But a computer can't do that.
In fact a computer can really
only see one value at a time.
And so when I say the computer can go
get value four billion, it can do that.
But it can only go get that one value.
If it wants another, it has to go
get that value and another value.
And indeed, inside of a computer, inside
of a CPU that a company like Intel
might make, there's
an instruction that's
often called load, which
refers to exactly this process.
Go load a value, maybe one byte,
maybe four bytes, maybe eight bytes,
from memory, and bring it back to me.
And put it in something
called a register, typically.
But that load operation is kind of like,
if you've ever seen those fancy soda
machines where it doesn't just
drop your soda on the ground,
instead there's that fancy little
robotic arm that for whatever
reason goes left and then goes right
and then goes up and then goes down,
and then finally decides
where your soda is.
Then it moves it over the
dispenser and drops it out.
Well that kind of robotic arm is
kind of like a physical incarnation
of a computer, in that it can't
just take a look back and figure out
where the coca-cola is, it has
to go to that particular location
and actually drop it for you.
But computers, when there aren't moving
parts, can just jump there instantly.
You don't have to wait for
that robotic arm to move.
And so in this case, the computer can
get one of these values instantly,
but it doesn't know what value
is there until it arrives.
Right It's kind of like being--
another analogy might be
a whole bunch of lockers
in a train station or the like.
Where the only way you can see what's
inside of a locker is by renting it
or by putting in a key and opening
it up and seeing what's inside.
Similarly, can you think of
there being tiny little doors,
occluding these numbers so that
the computer has to open it up
before it sees what's there.
Speaking of doors, let's suppose
that the computer's memory actually
has some doors in front of it.
Depicted here, is just
these simple rectangles.
And behind each of these
doors is some random numbers,
among which is one number
I do know and care about.
In fact, I want to find
myself the number 50,
but I don't know where it is.
So I'm going to take a pretty naive,
but correct approach, of just starting
from the left.
Just as we did with a phone book,
starting from the first page.
And I'm going to go ahead and knock
on, and then open the first door.
And I see the number 15, that
of course is not the number 50.
So I'm going to proceed further.
To go and knock on and touch
the second door, and I see 23.
Still not the number I'm looking
for, so I knock and touch again.
16.
Knock and touch again.
Knock and touch again.
Still no number, but I have
found the meaning of life.
And let's try one more door here and
touch the number 50 behind this door.
So here too is a very linear
algorithm, but these numbers
are kind of all over the place, right.
It starts at 15, gets a little bigger,
then gets smaller, then smaller still,
then bigger then bigger again.
So it doesn't seem that
these numbers are sorted.
And in fact, if the analog
then in my phone might be,
my contacts might be
just randomly ordered.
Maybe ordered in the
order in which I inputted
them, which probably isn't ideal
when I want to find someone.
I don't really care in what
order they were put in,
I care that I find them quickly.
And so maybe I should do
a little work up front,
or maybe Apple or Google should
do a little work upfront,
and actually maintain my
contacts in sorted order.
Which indeed they do.
Or in this case here, why don't
I at least maintain my numbers
in sorted order.
So let me go ahead and reset all
of the doors, and start again.
This time with an assumption.
This time with a feature, if you
will, that the numbers are now
sorted behind these doors.
So they go from smallest to biggest, and
there might be some gaps in the middle,
but in so far as they're
now sorted, I can
leverage some of that old school
phone book intuition and divide
and conquer this problem.
Let me go ahead into the middle
of the problem now, not the left,
and let me go ahead and knock
on and open the middle door.
And there's 16.
Now 16 is kind of a
small number, but I now
know that none of the
numbers to the left
are going to be the one I'm looking for.
Because I'm still looking for 50.
So I can sort of throw
that half of the problem
away, or really just
turn a blind eye to it.
And now go to the right
half of the problem,
identify the middle door here, knock on
and open this one, there again is 42.
But now, again, I can apply
some of that intuition
and know that 50 is
bigger than 42, so must be
that 50 is right here at the last door.
And in this case, have I gotten
away with opening fewer doors?
It's not a frightening number of fewer
doors, it's still relatively small,
but that's only because we could fit
some seven doors or so on the screen
here.
But if the number of doors were four
billion, or if the number of doors
were even larger, surely with
this divide and conquer approach,
could I find my number super fast.
But there's kind of a
trade off here, right.
Like yes, I can now find
numbers faster, or equivalently
I can find people presumably
in my address book in my phone
faster, if they are maintained in
sorted order, but what price did I pay?
In fact, a theme in computer science,
and in programming specifically,
is this theme of trade offs.
Yes, you can speed up searches, but
you're going to have to pay a price.
What is that price in this context?
Well it took someone some amount of
work to sort those contacts, right.
Before class I had actually come up
with the sorted order of those doors,
and then put the right numbers
behind the right doors.
There was a non-zero amount of work.
Not a huge amount of
work, but it's non-zero.
So really, by speeding
things up during search,
I have to first incur an up front,
one time cost, of sorting things
before I even begin to search.
Or equivalently, someone at
Google, or someone at Microsoft,
or someone at Facebook, or any of
these big companies with big data,
if they want to use
searching efficiently,
they need to pay a price upfront
of sorting the data first.
And indeed, that's what Android
and iOS and other devices
too, must be doing underneath the hood.
Someone at some point in time,
probably long ago at this point,
implemented a sorting routine.
But how quickly can we sort numbers?
How quickly can we actually achieve
that result of sorted values
so that we can then do
search more efficiently?
So for this, let's try
something a little visual,
a little old school, in fact.
We're here in this beautiful theater.
And in fact we have a whole bunch
of music stands from the musicians.
Let's go ahead and use
a few music stands,
each of which will represent a
location in my computer's memory,
and then I'm just going to
have some numbers that I
want to put inside of those locations.
And let's see how expensive it is
for me to actually sort those values.
So I have here in my hand the
numbers one through eight,
and I have here eight memory locations
as represented here by music stands.
And let me go ahead and just put these
numbers in pretty much random order.
I've got my little cheat
sheet there up on the screen,
so that we reset each
time to the same location.
And I'm just kind of putting
these in some random order.
Where four's going to be
over here, and the numbers
are going to sometimes
get bigger, sometimes
get smaller from left to right.
The key, though, is that
they're not actually sorted.
And so I start now with
these values as such.
All right.
So suppose I wanted to find
now, maybe the number 50.
Well 50 is not among these numbers,
so we better think a little smaller.
Suppose I want to find
myself the number seven.
Well again, as in the case
of a computer, or the doors,
I can only find seven not just
by kind of cheating like a human
and say, oh there it is over there.
I have to get to that
point more methodically.
And define the number seven linearly,
using linear search, so to speak.
I have to check is this it, nope.
Is this it, nope.
Is this it?
Nope.
Is this it?
Nope.
Is this it?
Nope.
Is this it?
Nope.
Is this it?
Yes.
And now I found it, coincidentally,
some seven steps later.
But seven could have been
anywhere, but in the worst case,
it's all the way over here.
Now could I use binary search on this?
Let's actually slap a label on that
algorithm we've leveraged with a phone
book.
Dividing and conquering.
If you do it half and half and half
and half, looking for some value,
it's actually more technically
called binary search.
Bi meaning two, and so it's
two because you're splitting
the problem in half each time.
Could I use binary search here?
Well there's one minor
problem, which is that I
don't have an odd number
of music stands, which
means the middle element is
like between eight and one.
But that's fine.
We can deal with that arithmetically
by just rounding up or down,
depending on how we want
to implement it ultimately.
But even then, that's
not the biggest problem.
If I look at eight here, and
I'm looking for seven, well
based on my previous divide
and conquer strategy,
I should be looking to the left
because seven is smaller than eight.
Of course I'm not going to
find it to the left of eight,
because it's not there, it's over there.
And that's because the
numbers aren't sorted.
So as in the case with my
hypothetical address book,
if I want to be able to
search this efficiently,
or search a database sufficiently,
or search most anything efficiently,
I need to know something about the data.
And ideally that it's sorted.
So how do I get to the
point of sorting this data?
Well, you know what, I could
take a fairly localized approach.
Like four and two, I'm
looking at them right here.
And technically, I'm looking
at them one at a time.
I see four, I see two, and
I know they're out of order.
Well, as the computer, I could do this.
I could, using my load and
store instruction, essentially,
or a move instruction, do that.
And now I've improved
the sorting of this list.
Now four and six, those look OK.
Six and eight, those look OK.
One and eight, Mm-mm, not OK.
So let me just make a quick fix.
Let me just swap one and eight.
It's not perfect yet, but it's better.
Eight and three, let
me make a quick fix.
Well, that's better.
Eight and seven, a quick
fix, that's better.
Eight and five, quick
fix, that's better.
So this is great.
Eight is all the way to
the right as intended,
and one is not yet all
the way to the left.
So I haven't solved the
problem, but I have improved it.
I've gotten a step closer to the
correct solution of sorted numbers,
because some of the values
moved at least one step closer
to their intended location.
But of course, I've
got to do this again.
So two and four their good.
Four and six they're good.
Oh six and one, now that's out of order.
And so I can transpose these two.
So this algorithm has a name, whereby
I am transposing pairwise elements that
are out of order, such that the biggest
numbers are bubbling their way up
to the top. eight already made its way
there, seven just made its way there.
And so if I keep doing
this, these bigger values
are going to continue
to bubble their way up.
Two and four those or fine.
Four and one, ooh notice, four is
starting to bubble to the right.
Four and three, it's
continuing to bubble.
Four and six is OK.
Six and five, mm-mm.
Six bubbled its way up, and
now I got a good one there.
I really fixed a lot of those values.
I just need to do this once more.
One and two, fixed that.
Two and three, three and four, four and
five, six and seven, seven and eight.
Let me do another spot
check just to make sure.
One and two, three and four,
five,six, seven, eight.
I'm good.
But I did a lot of walking, and
I did a lot of transpositions.
And it turns out this
algorithm is correct,
does have a formal name
called bubble sort.
But it's not very efficient.
In fact, if you actually do the math
out, this takes as many as like n times
n steps in the worst case.
So if you have n elements,
that's eight in this case.
N times n, that's 64.
It's not actually 64, but it starts
to approach 64 asymptotically,
so to speak.
So if we did a formal
analysis, long story short,
it would start to feel like
something quadratic, so to speak.
Not a fast algorithm.
But there's other ones.
So let's actually try
out another algorithm.
Let me go ahead and restore the
original, seemingly random order here.
And indeed it is random
in so far as I'm just
putting it in some non-sorted order
that I thought through initially.
One's going to go here, three is
going to go here, seven and five.
So now we're back to the
original unsorted order.
You know what, I can do another
algorithm altogether here.
Let me not look at them pairwise,
let me just go even simpler.
Let me just find the smallest
number, and deal with it.
All right, four is pretty small indeed
it's the smallest I've seen thus far,
I'm going to hang on to this.
Oh wait a minute, two a smaller.
Let me hang on to that.
Six not smaller.
One, eight not smaller.
One is smaller, let me go
ahead and hang on to this.
Three, not smaller.
Seven, five.
OK so here's the smallest element.
I found it I've selected
the smallest element.
You know what, this belongs
all the way to the left.
I'm going to put it there.
I'm going to do that.
Of course, this is cheating.
Like this music stand, even
though it's kind of wide,
should only be storing one value.
There's only enough room for one
byte for instance of information.
So where do I put four?
Like four can't stay on
the same music stand.
You know I can't cheat and do that.
So I could move eight over,
move six over, move two over,
that's a lot of work.
Or I could just, fine, four was already
out of order in the first place.
Let's just put four over here.
It's not made the problem
any fundamentally worse,
because they started in random order.
I randomly put four there.
The key is, one is in
really good shape now.
Let me repeat this process of
selecting the smallest element.
Let me look for the next smallest.
Two is pretty small.
Small, smallest, yep.
OK I found it.
Two is the smallest.
Let's put him co-incidentally
right where he goes.
So that was kind of a waste of time,
but verification that it's correct.
Let's keep looking.
Six is pretty small now.
Eight is not, oh four is smaller.
Let's grab four.
Oh Three is even better.
Let's grab that.
Seven, five.
OK 3 needs to be put in its place.
I don't want to touch one and
two, because those are good.
Six, sorry you don't belong there.
Let's go ahead and evict
you and put six over there.
So if I repeat this process of just
continually iterating, or looping,
if you will, through the list,
looking for the smallest element,
and evicting whatever is in
the place that it belongs,
notice that I've sorted
it seemingly faster.
But I actually got a little lucky there.
It turns out that this algorithm, which
also has a name called selection sort,
is also quadratic in nature.
If you've got n elements, it's going
to take roughly n times n total
steps in order to achieve that.
Not in every case.
But in the worst case, so to speak.
So it turns out this is just
two ways now to sort elements.
And there are dozens, if not more,
other ways to actually sort elements,
with each one getting maybe a
little better, maybe a little worse,
maybe a little better
depending on the inputs.
So sometimes it really depends.
But these are all examples
then of algorithms.
And algorithms have performance
associated with them.
Algorithms have a running
time associated with them.
And one of the things that
theoretical computer scientists do,
is not only design
algorithms like these,
or really even way more
sophisticated algorithms than these,
but also analyze them.
So that we can make arguments,
mathematical arguments, sometimes
that state as a proof,
this algorithm is correct.
No matter what, this will
sort your elements correctly,
if implemented correctly
in a computer, and this
is how much time it will take in
general in order to achieve that.
But the takeaway here, is that
it was a lot of work, right.
I had the luxury with
that phone book, long ago,
of just opening it up to the
middle and looking for Mike Smith,
and da da da da da, found Mike
Smith pretty darn efficiently,
because Verizon, or whoever
made the phone book,
actually did all of the
upfront work for me.
So here's a question then.
Suppose that you have a
whole bunch of random values,
and you want to search for something
specific among those values.
Mike Smith, number 50, whatever
it is you're looking for,
should you sort those values
first before searching?
Should you sort the values first?
Well, I would wager you
should sort them if you're
going to be searching over
them pretty darn often.
Right.
Because it might be
painful, might be boring,
might be tedious to actually sort
those values either manually,
or algorithmically with a
computer, and a computer program.
But it'll probably pay off over time.
So there's this notion of amortization
of the cost over time, whereby yeah, it
might take you a decent amount of steps.
Quadratic, seconds, minutes,
whatever you want to measure it in.
But, it's going to pay
off in the long run.
Of
Course, if you add data,
you're going to need
to keep that new data sorted as well.
But again, it's this trade off.
However, consider a scenario where
you just have a whole bunch of data,
it's in random order
for whatever reason,
and you just want to find Mike Smith.
Or you just want to find the number 50.
And after that, you do
not care about the data.
You're never going to
look up someone else.
You're never going to
look up another value.
Maybe then, in that case,
you should just blindly
go through it brute force, so to speak.
Left or right, in some sense,
or linearly, as opposed
to trying to do anything clever
like we did with the phone book.
Because it's faster to just brute
force your way through the solution,
than doing some upfront sophistication
just to improve the subsequent result.
So again, it's a trade off.
It's a cost benefit analysis that
you need to decide, ultimately,
on what is most important.
Which resource, time, space, money,
people, is most important to you.
So in all of these
examples thus far have we
assumed that the data is contiguous.
Back to back to back with other values.
And indeed, that's exactly what
the music stands represented,
were these fixed locations in memory.
Bytes in your computer's ram, so
to speak, that could have values.
But you had to physically move those
values from one location to another
if you wanted to sort
the values therein.
you couldn't just kind of
insert a new music stand,
and push the others aside,
because that's simply not allowed.
That's not the metaphor in question.
Those music stands were
fixed just as the locations
in memory of your computer are as well.
And as it turns out, just as we drew
a picture before wherein we had some
sequence of back to back values in
memory, turns out that in programming,
actually using languages that aren't
just pseudo code, but actual code,
Java and c++ and others.
Still, there is very often something
called an array, or a list.
A data structure that gives you
the appearance of having values
back to back to back to back.
And in some languages,
these values are indeed
next to each other in terms of their
bits inside of your computer's memory.
But there's a problem
with a world like this.
Because if you put in a whole bunch
of values up front, as I did earlier,
and you want to actually
insert some new value,
where do you actually put that value?
For instance, earlier we had one and
50 and 51 and 61 and 109 and 121.
Suppose I want to put the number
55 in this sequence of numbers.
And better still, I want to
keep the whole list sorted.
Well dammit.
There's really not room for 55 in there.
I know where it should go numerically,
it should go right here, of course,
between the 51 and the 61.
But there's no room.
Or I could put it arbitrarily over
here, but then it's not sorted.
I could put it, well
I can't put it there
because the dot dot dot
remember from earlier, suggested
that something else was there.
Something else from
your program or computer
was already using that location.
Now I could put it maybe below,
but that's kind of weird.
The whole point here
is this contiguousness.
And indeed, with the
music stands a moment ago,
was it advantageous for me
to be able to take one step
and be at another music stand?
One more step be at another music stand.
I didn't have to walk all around
stage looking for my values,
because they were indeed
back to back to back
and that made things very efficient
and predictably close to one another.
So what are my options?
Like surely a computer can do this.
It's not the case that computers are
so dumb that once you write your values
you can't solve any new problems.
So what are my options?
I could put the 55 here
at the end, but then I'm
going to have to reshuffle
all of the numbers.
Or maybe I ask the computer
for more memory altogether,
and you know what, I re
do this, and I say let me
put one here, 50 here, 51 here,
55 here, then 61, 109, and 121.
In other words, why don't I
just use different memory?
Different bytes in my computer's
memory, but that feels kind of lame,
because now I need twice as much
memory, at least temporarily.
So I can kind of copy the
old values into the new,
but leave room for that new value.
So that seems a little time
consuming, and tedious certainly.
And indeed, it would be
for a computer as well.
But maybe there's another
solution altogether.
And here too, we're experiencing
yet another trade off.
The contiguousness of my memory
has thus far been an advantage.
Because again, each of my music
stands just one step away.
In the case of actual ram, each
number is just one byte away,
and that lends itself to again, random
access, ergo random access memory.
But it's kind of painting
me into a corner,
because I'm finding that
now I can no longer really
add new values without
incurring significant cost.
And by significant cost I mean having
to duplicate the entire array of memory
into a new location, leaving one
additional space for that new value,
which is going to take as many steps as
there are values in the original array.
So you know what, maybe I take
an even older school approach,
and maybe I do something proactive.
A little defensive.
I'll put one there, and 50 here,
and 51 here, and 61 and then 109,
and then 121 and so forth.
And wow, this was clever
of me, because now I
left myself little gaps in my values.
So that I still get the predictability
of every value is now two steps away,
but now I can fit 55 in here.
Well, clever as you might
initially think that, now we've
created kind of a problem.
Because most values are two
bytes away from each other.
But now there's this weirdness
where 55 is only one byte away
from its neighbors.
So that's really just
complicating things now.
I can no longer predictably
take just one step at a time.
Sometimes I take two,
sometimes I take one,
and that just feels like it's devolving
into a very confusing bug prone
situation already.
And in fact, if you ever saw, or maybe
grew up with the basic programming
language, back in the day,
you didn't number your lines
of code zero, one, two, three, four.
If you numbered of them
at all, you instead
did something like line ten,
line 20, line 30, line 40.
Which wonderfully left your room for
like nine more additions later on,
without having to renumber everything.
Of course now, programs just number
or lines automatically for us.
And they're not even strictly
necessary, those line numbers.
So we've tried this, and it's just,
it's not really a good solution.
Better would be I'll
claim some dynamism.
What if instead I consider
my computer's memory
still to be this grid of locations.
But let me do this.
Let me propose that the first number.
I'm going to put in, maybe is here, and
just to keep things prettier I'm not
going to draw the whole grid again.
But let's assume that one
byte I'm using is right there,
and I put the number one in there.
And then eventually, I decide
to add that second number.
And I go ahead and add the number 50.
And the number 50 just so happens to
end up, oh I don't know, over here.
And it's farther away in memory.
Maybe enough time has
passed that the bunch
of memory in between those two values
is being used for some other purpose.
And that's OK.
But the 50 and the one
are no longer next to each
other, or therefore
pictorially, or really related,
unless I somehow interconnect them.
So for now, let me go
ahead and draw an arrow.
And let me kind of weave
together my values.
Much like popcorn on a thread,
or any number of other metaphors
where you're linking things together.
Like with a chain, for instance,
can you make a list like this?
Because my other numbers,
suppose that more time passes.
I insert a third value like 51, just
happens to be over there, whatever.
It's not contiguous,
which is unfortunate.
But that's OK, so long as I somehow
link these together like this.
And then maybe that next number here,
61, get lucky and it's pretty close.
So it's over here.
But we still need an
arrow to this one here.
And then maybe we have maybe
121 and 109, each of which
is in some different locations.
So we might need this arrow here.
And this arrow there.
So it's kind of all over the place.
And if you ever play
the game growing up,
it's kind of like
chutes and ladders now,
you kind of have to like follow
the chutes to get from one number
to another.
But that's OK.
In fact, it's actually quite
beautiful, my handwriting aside.
It's not quite as efficient though.
Because it turns out that if you're
at one of the numbers in this list,
and you want to jump to another, you
can get to the next number pretty fast.
If I'm at one, I can get
to 50 pretty quickly.
I just follow that arrow somehow.
I don't know how it works in
memory, and we don't really
need to know how it works.
We can kind of abstract that away for
the sake of discussion at the moment.
But I can get to 50 based on this
picture alone pretty darn directly.
But I can't really get to
like 109 pretty quickly.
If I'm starting at one,
I want to get to 109.
previously, I could just take one two,
three, four steps away, four bytes away
and I could just take a step that's
like four times as big as usual
and I'm instantly there.
But these arrows seem to suggest
that the memory could be anywhere.
And so it's almost like following a map.
If I'm at one, all
right let me go find 50.
Once I found 50, I can
pick up another map,
and now I can follow another arrow
to 51, which is maybe over here.
Now I pick up another map.
Oh here's 61.
OK now this leads me to, Ah here is 109.
It wasn't as simple as
just one big step that's
four times as big as was possible
in the case of contiguous memory.
Now, I kind of have to
weave my way through.
That actually kind of hurt.
Weave my way through my computer's
memory to get where I'm going.
So it's a trade off, right.
Because now I have perfect dynamism.
No matter where there is
available memory in my computer,
over there, over here, over
here, over here, I can use it.
And I can just kind of stitch
together this data structure,
the structure for my data.
I have eliminated the gotcha that
my data structure is a fixed size.
So now if I want to add another
value, suppose I want to add 55.
OK, suppose that 55 happens to
have some available space here.
You know what I can do here, I
can just get rid of this arrow,
and then I can go ahead and
stitch this in like this.
No big deal.
I don't have to touch any
of the other elements.
But think back to the array.
The array being the
rectangular example where
everybody was back to back to back.
That I had to make room for
things, or duplicate all of it.
Had to do more work here, just
to allocate space for your 55,
and then go ahead and just
update two of these arrows,
or pointers, or references as that
might be called in different languages.
So that's pretty powerful.
But again I've lost the
random access, which
means I can't do things
like binary search anymore.
Which we're predicated
on simple arithmetic.
Divide by two, divide by two,
divide by two, Maybe round,
but divide by two each time.
And these arrows.
Kind of abstracting maybe
too generously here.
These arrows are going to
cost me some memory too.
Now I've drawn them prettily
as arrows on the screen,
but those actually themselves
are some kind of value.
And it turns out that those arrows
themselves take up space, take up bits.
So I've kind of doubled,
let's say, the amount of space
necessary to store this data.
Because I need to somehow
store and memory those arrows.
Underneath the hood those
arrows are effectively
stored as numbers themselves.
Which is to say, they take
up at least a byte or more.
In fact, on most systems, they
take up four or eight bytes still.
So it depends on what's
important to you.
Do you want to be able to search
the data super efficiently
and actually have random access,
and do something like binary search
and get that divide and conquer upside?
Or do you want to have dynamism,
and be able to grow and shrink
the data structure super fast, but pay
a price in terms of memory as well.
And use more of those bits.
It really quite depends.
Now these aren't the only data
structures at our disposal.
We can use not just arrays,
not just linked lists,
as we'll call that last
one, whereby we have
links tying these lists items together.
But we have maybe tree structures too.
In fact, we think back to
like your family tree that you
might have made in grade school.
You might have drawn a
little something that
might have grandma or grandpa
at the top of the tree,
and then their children
might be down here,
and then these children might
be down here, and so forth.
Well if we generalize away from a fam--
OK ignore that one.
If we generalize away
from a family tree,
it turns out that this tree
data structure is another kind
of incarnation of that previous idea.
A linked list doesn't have to just be
linked from left to right, so to speak,
even if it's kind of
swooping all over the screen.
It doesn't have to have
a start and an end.
It can be a tree structure,
whereby your arrows actually, much
like a branch and a program,
can go in different directions.
So each of these edges in this
graph actually are directional.
They take you from one place to another.
You can imagine using a data structure
like this to store values as well.
For instance, suppose that I wanted to
store numbers in this data structure.
Instead of using squares,
I'm just doing circles
now just because it's conventional.
Doesn't mean anything else.
Anything special.
These are still just bytes underneath
the hood, or ultimately bits.
Now suppose I want to store the number
two here, and one here, and three
here, and five here, and
six here, and seven here.
This is all very deliberate.
Because notice the pattern
that I've kind of adopted.
Four is at the top, in the
so-called root of the tree.
What do you notice about all of
the values to the left of the four?
All of its left descendants so to
speak, to borrow that family tree
nomenclature.
One, and two, and three.
Curiously, all three of those
are smaller than the number four.
What about all of its right
descendants, down this branch?
Six and five and six and seven.
Those are all bigger than four.
That's kind of neat.
How about here?
Two, this is kind of a
mini tree, if you will.
This is a new route, if you
ignore everything above it.
Two has two children, left and right.
Notice that the one is less
than the two, and the three
is more than the two.
So this is not a coincidence
that I drew it like this.
Similarly, if you think of this as a
tree, just those three nodes below it,
six is bigger than five,
six is less than seven.
So there's a pattern.
So we can actually reclaim some
of the capabilities of divide
and conquer by laying
out our data, still
with these arrows, these pointers
or references if you will.
But not just doing it linearly,
or swiveling all over the screen,
but from one start node to an end node.
Where node is a fancy word for
these squares or these circles.
What if we instead allow the user
to go in two different directions
when searching for data?
And suppose we leverage that
same phone book principle
where the smaller values are this way,
and the bigger values are that way.
What does that afford us?
Well, this binary search tree, if
you will, to give it a fancy name,
actually gives us back a
logarithmic running time.
Much like dividing and
conquering a phone book.
Because indeed, if I start at the
four and I'm looking for seven,
and I immediately realize four is here,
which means seven must be to the right
if it's present at all, I can pretty
much chop off the half of the problem
that I know seven is not in.
So it's like throwing away the
left half of the phone book.
I can ignore almost half
of the nodes in the tree
by just snipping off that left branch.
Can't be that easy.
Got to be a trade off.
What it that trade off here?
Well, from the looks
of this picture, pretty
though it is, relatively speaking,
it looks like now each of my nodes,
each of my values has not just one
arrow associated with it potentially,
but as many as two.
And that means we're spending
twice as much space as before.
So whereas in our array, we
use just one byte per value,
or four bytes per value, or some
fixed number of bytes per value,
in my linked list
example I had to double
that because I had to also store--
using bytes in some form--
those arrows.
Those pointers, or
references as they're called.
But now in this darn tree, I
need three times as much data,
because each of my nodes might
have a left child so to speak,
or a right child.
So again it's a trade off.
And the prevailing trade off here, thus
far, seems to be if you want less time,
you're going to have
to spend more space.
Or rather, less time, I'm getting
the visual metaphor wrong here.
If you want to spend less time, you're
going to have to spend more space.
And if you want to save space, you might
have to tolerate a little more time.
But can we do better?
Indeed, can we combine some of the best
features of multiple data structures
in order to achieve
something better still?
Well, sort of.
It turns out that there
exists a very popular data
structure called a hash table.
And a hash table is a data
structure that a computer scientist
will use when he or she really wants
to store a dynamic amount of data.
It might grow or might shrink.
But they also want to search
that data pretty efficiently,
and ideally be able to find data
instantly, in constant time,
so to speak.
So you'll often see a hash
table implemented, really
with an array something like this,
and I've drawn it vertically just
to make the picture prettier.
But again, these are
just artists depictions.
Bad artists depictions of
what's going on in memory.
It's still just an array
of back to back values.
But the values now in
the array are not going
to be the numbers I care about,
or the words, or whatever.
It's actually going to be arrows, which
again we've stipulated take space.
And each of these
arrows is going to point
to what we described as a linked list.
So it turns out that a
hash table will often
look a little something like this.
A combination of an
array, and a linked list
where those linked lists might be
not present at all, might be short,
might be long, totally depends.
But we decide where to put our values
based on some property of the value.
So for instance, if this array
weren't this big, but maybe
had 26 different locations in it.
And suppose that we're no longer
storing numbers, we're storing names.
Well every name in the English
alphabet starts with an A or B or C
or dot dot dot a Z. One
of 26 possibilities.
So if my hash table has
an array of size 26,
then maybe, if I'm storing
names that start with A,
I could just put them in this
linked list here, the first one.
And if they start with B,
they'll go in the second one.
And if they start with C, the third.
D the fourth, Z the very last.
And what you'll find in this
case is partial optimization.
It's not instantaneous to find
someone with a given name.
If there's a lot of people
who's names start with A,
you might still have to look
through all of the A names linearly
through that list.
But at least you only
have to look through 126th
of the possible values
in your data structure,
assuming a uniform distribution.
Of course, that's not fair, there's
probably fewer names that start with Z,
fewer names that start
with Q, maybe a lot
that start with A or D
or other such letters.
So your chains might
be of variable length,
and maybe that's not the best design.
So maybe we should think a
little harder about this.
So this principle of bucketizing things,
and putting values in their place,
and using that as a
stepping stone to getting
to a complete solution-- in
this case of sorted order--
is really useful not just in these
increasingly complex examples,
but even in the real world.
So for instance, if you're
a fan of playing cards,
you might have a deck of cards at home.
And those cards of course, have
different values or numbers
on them, and also different suits.
Clubs and spades and
diamonds and hearts.
And you know, sometimes you might
want to either shuffle the deck,
or really un-shuffle it
and actually sort it.
And if you did want to,
sort of obsessively like me,
want to sort your deck
of cards, well you
could just go through
it one card at a time.
And then try to find or select
or maybe bubble up the values,
like our algorithms before.
But most of us probably
use a bit of intuition.
So if I see a spade here,
I might put it in one pile,
and a heart, I'm going to
put that in a different pile.
A diamond, different pile still.
A spade will go up here.
A club now goes over here.
And as I continue this pattern,
I'm kind of dividing the problem,
albeit in a different way.
I now have, instead
of a 52 card problem,
I'm eventually going to
have four 13-card problems.
But how am I getting to that point?
Well, I'm bucketizing things.
Not physical buckets, but there's
like four piles here of cards.
But what really am I doing?
I'm really hashing these values.
I am looking at each card as input.
I am passing it through a sort of mental
function, a mental black box if you
will, that outputs a value.
Either bucket one, or two, or three,
or four, or more specifically spade,
or diamond, or heart, or club.
That's kind of my hash function.
So if you've ever done
something like that,
where you're trying to clean up a mess,
or you're trying to sort some data,
or organize your cards.
Once you start bucketizing in
this way, you are hashing values.
You're taking as input
some value, maybe a card,
and producing as output some identifier.
Similarly, with our
example of names, if I've
got a whole bunch of names, each of
which might start with A through Z,
each time you hand me
a name, I'm looking
at the very first letter
in that person's name,
and I'm deciding A bucket, Z bucket,
D bucket, C bucket or so forth.
C should be over there.
And deciding, based on the
input, what the output should be.
So again, here to, this
sort of intuitive principle
can very quickly be applied to
something much more sophisticated.
Again, compare and contrast
the sort of sophistication
of the before and the after.
This is odds are pretty darn intuitive,
if not something very familiar to you.
This might still look a bit like Greek.
Certainly pretty arcane versus
some simple playing cards.
But to the overarching point, that while
computing and technology all around
us might seem especially
sophisticated, and complicated,
and well beyond one's
understanding, that's
just because it might be
presently beyond your familiarity
with some of those building blocks.
Indeed, we started so low
level with just zeros and ones,
and then we got to letters,
and then maybe words
and paragraphs, and graphics
and videos, and eventually
so many more forms of media.
And at the end of the day,
it's useful to understand
what's going on underneath the
hood, but it's also very empowering.
Because you realize that
even once we're at the point
as we are literally right now, of
talking it this degree of complexity
and sophistication for how you might
store data inside of her computer's
memory, and very efficiently
get at it, all of this
was the result of these stepping stones.
These abstractions.
And along the way, in building
up these abstractions,
and in solving problems
more effectively by standing
on the shoulders of
problems solved past,
similarly we have to
make some trade offs.
And so at the end of the day, this
is what computational thinking is all
about.
This is what computer science
and engineering and programming
is all about.
It's solving problems using
solutions to problems past,
and along the way making very
conscious, calculated, and hopefully
correct decisions, as to
what resources and what
objectives are most important to you.
| {
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English:
Hi, I’m Jabril and welcome back to
CrashCourse AI.
Algorithms are just math and code, but algorithms
are created by people and use our data, so
biases that exist in the real world are mimicked
or even exaggerated by AI systems.
This idea is called algorithmic bias.
Bias isn’t inherently a terrible thing.
Our brains try to take shortcuts by finding
patterns in data.
So if you’ve only seen small, tiny dogs,
you might see a Great Dane and be like “Whoa
that dog is unnatural”
This doesn’t become a problem unless we
don’t acknowledge exceptions to patterns
or unless we start treating certain groups
of people unfairly.
As a society, we have laws to prevent discrimination
based on certain “protected classes” (like
gender, race, or age) for things like employment
or housing.
So it’s important to be aware of the difference
between bias, which we all have, and discrimination,
which we can prevent.
And knowing about algorithmic bias can help
us steer clear of a future where AI are used
in harmful, discriminatory ways.
Korean:
안녕하세요, 자브릴입니다.
크래시 코스 AI에 오신 것을 환영합니다.
알고리즘은 단지 계산과 코드로 이루어져 있지만
사람들에 의해 만들어지고 데이터를 사용하므로
현실 세계에 존재하는 편견이 AI시스템에 의해
모방되거나 심지어는 과장 될 수도 있습니다.
이 아이디어를 알고리즘 편향이라고 합니다.
편견은 본질적으로 끔찍한 것이 아닙니다.
우리의 두뇌는 데이터 패턴을 찾음으로써
지름길로 가려고 시도합니다.
작고 작은 개만 보아 왔다면, 그레이트 데인과 같은 개는
"우와..엄청 부자연스럽다"고 느껴질 것입니다.
작고 작은 개만 보아 왔다면, 그레이트 데인과 같은 개는
"우와..엄청 부자연스럽다"고 느껴질 것입니다.
우리가 패턴에 대한 예외를 인식하지 않거나 특정 집단을
부당하게 대우하지 않는다면 문제가 되지 않습니다.
우리가 패턴에 대한 예외를 인식하지 않거나 특정 집단을
부당하게 대우하지 않는다면 문제가 되지 않습니다.
사회에서 우리는 거주나 고용에 특정 그룹(성별, 인종,
나이)에 차별을 방지하는 법을 가지고 있습니다.
사회에서 우리는 거주나 고용에 특정 그룹(성별, 인종,
나이)에 차별을 방지하는 법을 가지고 있습니다.
그러므로 우리가 모두 가진 편견과 우리가 예방할 수 있는
차별의 차이첨을 인식하는 것이 중요합니다.
그러므로 우리가 모두 가진 편견과 우리가 예방할 수 있는
차별의 차이첨을 인식하는 것이 중요합니다.
알고리즘 편향을 아는 것은 AI가 유해하고 차별적인 방식
으로 사용되는 미래를 피하는데 도움을 줄 수 있습니다.
알고리즘 편향을 아는 것은 AI가 유해하고 차별적인 방식
으로 사용되는 미래를 피하는데 도움을 줄 수 있습니다.
Korean:
적어도 우리가 주의를 기울여야 할 5가지 유형의
알고리즘 편향이 있습니다.
첫째, 훈련 데이터는 사회의 숨겨진 편견을
반영 할 수 있습니다.
예를 들어 AI가 최근의 뉴스 기사나 책으로 훈련 된 경우,
"간호사"라는 단어는 여성을 언급할 가능성이 높고
반면 "프로그래머"라는 단어는 남성을 언급할 가능성이
더 높습니다.
반면 "프로그래머"라는 단어는 남성을 언급할 가능성이
더 높습니다.
또한 여러분은 구글 이미지 검색에서 일어나는 것을 볼 수
있습니다 : "간호사"는 주로 여성을 보여주고,
반면 "프로그래머"는 대부분 주로
남자 이미지를 보여줍니다.
데이터에 숨겨진 편향이 어떻게 검색 엔진의 AI에
포함되는지 알 수 있습니다.
물론 우리는 남자 간호사가 있고 여성 프로그래머와
여성도, 남성도 아닌 사람들이 두 가지를 모두 합니다.
물론 우리는 남자 간호사가 있고 여성 프로그래머와
여성도, 남성도 아닌 사람들이 두 가지를 모두 합니다.
예를 들어, 1960년대의 '프로그래머'라는 이미지 검색은
더 많은 여성을 보여줍니다.
그러나 AI 알고리즘은 시간이 지나면서 변화 할 수 있는
문화적 편견을 잘 모릅니다.
그리고 더 많은 인간의 두뇌에 숨겨진 편견을
퍼뜨릴 수도 있습니다.
English:
INTRO
There are at least 5 types of algorithmic
bias we should pay attention to.
First, training data can reflect hidden biases
in society.
For example, if an AI was trained on recent
news articles or books, the word “nurse”
is more likely to refer to a “woman,”
while the word “programmer” is more likely
to refer to a “man.”
And you can see this happening with a Google
image search: “nurse” shows mostly women,
while “programmer” mostly shows mostly
men.
We can see how hidden biases in the data gets
embedded in search engine AI.
Of course, we know there are male nurses and
female programmers and non-binary people doing
both of these jobs!
For example, an image search for “programmer
1960” shows a LOT more women.
But AI algorithms aren’t very good at recognizing
cultural biases that might change over time,
and they could even be spreading hidden biases
to more human brains.
t’s also tempting to think that if we just
don’t collect or use training data that
English:
categorizes protected classes like race or
gender, then our algorithms can’t possibly
discriminate.
But, protected classes may emerge as correlated
features, which are features that aren’t
explicitly in data but may be unintentionally
correlated to a specific prediction.
For example, because many places in the US
are still extremely segregated, zip code can
be strongly correlated to race.
A record of purchases can be strongly correlated
to gender.
And a controversial 2017 paper showed that
sexual orientation is strongly correlated
with characteristics of a social media profile
photo.
Second, the training data may not have enough
examples of each class, which can affect the
accuracy of predictions.
For example, many facial recognition AI algorithms
are trained on data that includes way more
examples of white peoples’ faces than other
races.
One story that made the news a few years ago
is a passport photo checker with an AI system
to warn if the person in the photo had blinked.
But the system had a lot of trouble with photos
of people of Asian descent.
Korean:
또한 인종이나 성별과 같은 보호 등급을 분류하는 훈련
데이터를 수집하거나 사용하지 않으면,
우리의 알고리즘은 차별을 할 수가 없습니다.
우리의 알고리즘은 차별을 할 수가 없습니다.
그러나 보호된 집단과 관련된 특성으로
나타날 수 있습니다. 이는 데이터에 명시적이지만
의도하지 않은 것일 수 있고,
특정 예측과 관련이 있습니다.
예를 들어, 미국의 많은 곳에 여전히 우편번호는
극단적으로 구분되어 있는데
이는 인종과 밀접한 관련이 있습니다.
구매 기록은 성별과 서로 밀접하게 연관 될 수 있습니다.
논쟁의 여지가 있는 2017년 논문에서 성적 취향은 SNS
프로필의 사진의 특징과 강하게 연관되어 있습니다.
논쟁의 여지가 있는 2017년 논문에서 성적 취향은 SNS
프로필의 사진의 특징과 강하게 연관되어 있습니다.
둘째, 예측의 정확성에 영향을 줄 수 있는 각 클래스에
대한 훈련 데이터가 충분하지 않을 수 있습니다.
둘째, 예측의 정확성에 영향을 줄 수 있는 각 클래스에
대한 훈련 데이터가 충분하지 않을 수 있습니다.
예를 들어, 많은 안면인식 AI 알고리즘은 다른 인종보다
백인의 얼굴 예제를 더 많이 포함하여 훈련됩니다.
예를 들어, 많은 안면인식 AI 알고리즘은 다른 인종보다
백인의 얼굴 예제를 더 많이 포함하여 훈련됩니다.
몇 년 전 뉴스를 만든 한 가지 이야기로,
AI 시스템이 있는 여권 사진 검사기는
사진 속 실제 인물이 판독기에서 깜박이면 경고합니다.
그러나 시스템은 아시아 출신 사람들의
사진에 많은 문제가 많았습니다.
English:
Being asked to take a photo again and again
would be really frustrating if you’re just
trying to renew your passport, which is already
sort of a pain!
Or, let’s say, you got a cool gig programming
a drone for IBM… but it has trouble recognizing
your face because your skin’s too dark…
for example.
Third, it’s hard to quantify certain features
in training data.
There are lots of things that are tough to
describe with numbers.
Like can you really rate a sibling relationship
with a number?
It’s complicated!
You love them, but you hate how messy they
are, but you like cooking together, but you
hate how your parents compare you...
It’s so hard to quantify all that!
In many cases, we try to build AI to evaluate
complicated qualities of data, but sometimes
we have to settle for easily measurable shortcuts.
One recent example is trying to use AI to
grade writing on standardized tests like SATs
and GREs with the goal to save human graders
time.
Good writing involves complex elements like
clarity, structure, and creativity, but most
of these qualities are hard to measure.
Korean:
계속해서 사진을 다시 찍으라는 요청을 받는 것은
만약 여권을 갱신한지 얼마 안됬다면
매우 실망 할것입니다. 매우 고통이죠.
IBM의 드론을 프로그래밍하는 멋진 일을 하고있다고
가정해 보겠습니다.
그런데 여러분의 피부색이 너무 어두워서 얼굴을
인식하지 못한다고 합니다. 진짜 못하네요.. 흠
셋째, 특정한 특징을 훈련 데이터에서
정량화하기가 어렵습니다.
숫자로 설명하기 힘든 것들이 많이 있습니다.
실제로 여러분은 형제 관계를 숫자로평가할 수 있나요?
복잡합니다!
여러분은 그들을 사랑합니다. 하지만 그들이 얼마나
지저분한지 여러분은 싫어하고,
같이 요리하는 것을 좋아하지만,
부모님이 그들을 여러분과 비교하는 것을 싫어합니다.
모든 것을 정량화 하는 것은 매우 어렵습니다!
많은 경우에, 우리는 복잡한 데이털의 질을
평가하기 위해 AI를 구축하려고 시도합니다.
하지만 때때로 우리는
쉽게 측정 할 수있는 지름길을 정해야 합니다.
최근의 한 예는 AI를 사용하여 GRE나 SAT와 같은 표준화
된 시험에 대한 채점을 하는 것입니다.
인간 채점자의 시간을 절약하기 위함입니다.
좋은 글은 명확성, 구조 및 창의성과 같은 복잡한 요소들
을 포함하지만 이러한 특성은 측정하기 어렵습니다.
좋은 글은 명확성, 구조 및 창의성과 같은 복잡한 요소들
을 포함하지만 이러한 특성은 측정하기 어렵습니다.
English:
So, instead, these AI focused on easier-to-measure
elements like sentence length, vocabulary,
and grammar, which don’t fully represent
good writing… and made these AIs easier
to fool.
Some students from MIT built a natural language
program to create essays that made NO sense,
but were rated highly by these grading algorithms.
These AIs could also potentially be fooled
by memorizing portions of “template” essays
to influence the score, rather than actually
writing a response to the prompt, all because
of the training data that was used for these
scoring AI.
Fourth, the algorithm could influence the
data that it gets, creating a positive feedback
loop.
A positive feedback loop basically means “amplifying
what happened in the past”… whether or
not this amplification is good.
An example is PredPol’s drug crime prediction
algorithm, which has been in use since 2012
in many large cities including LA and Chicago.
PredPol was trained on data that was heavily
biased by past housing segregation and past
cases of police bias.
So, it would more frequently send police to
certain neighborhoods where a lot of racial
minority folks lived.
Korean:
대신 이 AI는 문장 길이나 어휘, 문법과 같이
측정하기 쉬운 것에 중점을 두었습니다.
이들은 좋은 글에서 완벽하게 나타나진 않지만
AI들을 쉽게 만들 수 있습니다.
이들은 좋은 글에서 완벽하게 나타나진 않지만
AI들을 쉽게 만들 수 있습니다.
MIT의 일부 학생들은 말이 안되는 수필을 만드는
자연어 프로그램을 만들었습니다.
그러나 그것은 채점 알고리즘에 의해
높은 점수를 받았습니다.
이 AI는 채점에 영향을 미치는 에세이 '템플릿'의 일부를
기억함으로써 잠재적으로 속을 수도 있습니다.
실제로 점수 매기기 AI에 사용 된 교육 데이터로 인해
프롬프트에 실제로 응답을 작성하는 것이 아닙니다
실제로 점수 매기기 AI에 사용 된 교육 데이터로 인해
프롬프트에 실제로 응답을 작성하는 것이 아닙니다
넷째, 알고리즘은 얻은 데이터에 영향을 미쳐
긍정적인 피드백 루프를 만들 수 있습니다.
넷째, 알고리즘은 얻은 데이터에 영향을 미쳐
긍정적인 피드백 루프를 만들 수 있습니다.
긍정적인 피드백 루프는 기본적으로 “과거에 일어난 일을
증폭"하는 것을 의미합니다.
이 증폭은 좋든지, 좋지 않든지요.
예를 들면, PredPol의 약물 범죄 예측 알고리즘은 2012년
부터 LA와 시카고 등 많은 대도시에서 사용해왔습니다.
예를 들면, PredPol의 약물 범죄 예측 알고리즘은 2012년
부터 LA와 시카고 등 많은 대도시에서 사용해왔습니다.
PredPol은 과거 주택 분리 및 과거 경찰의 편견이 있는
사례에 의해 크게 편향된 데이터로 훈련을 받았습니다.
PredPol은 과거 주택 분리 및 과거 경찰의 편견이 있는
사례에 의해 크게 편향된 데이터로 훈련을 받았습니다.
따라서 그것은 많은 소수 민족이 살았던 특정 지역에서
특정한 이웃을 경찰을 보내는 것이 더 빈번합니다.
따라서 그것은 많은 소수 민족이 살았던 특정 지역에서
특정한 이웃을 경찰을 보내는 것이 더 빈번합니다.
English:
Arrests in those neighborhoods increased,
that arrest data was fed back into the algorithm,
and the AI would predict more future drug
arrests in those neighborhoods and send the
police there again.
Even though there might be crime in neighborhoods
where police weren’t being sent by this
AI, because there weren't any arrests in those
neighborhoods, data about them wasn’t fed
back into the algorithm.
While algorithms like PredPol are still in
use, to try and manage these feedback effects,
there is currently more effort to monitor
and adjust how they process data.
So basically, this would be like a new principal
who was hired to improve the average grades
of a school, but he doesn’t really care
about the students who already have good grades.
He creates a watchlist of students who have
really bad grades and checks up on them every
week, and he ignores the students who keep
up with good grades.
If any of the students on his watchlist don’t
do their homework that week, they get punished.
But all of the students NOT on his watchlist
can slack on their homework, and get away
with it based on “what happened in the past.”
Korean:
그 지역의 체포가 증가했고,
체포 데이터가 알고리즘으로 다시 공급되고,
AI는 더 많은 미래 약물범죄를 그 동네에서 예측하고,
체포하여 경찰에 보낼 것입니다.
AI는 더 많은 미래 약물범죄를 그 동네에서 예측하고,
체포하여 경찰에 보낼 것입니다.
이 AI에 의해 경찰이 보내지 않은 곳 근처에 범죄가 있을
수 있지만,
이 동네에서는 체포가 없었기 때문에, 그들에 대한
데이터는 알고리즘의 피드백으로 공급되지 않았습니다.
이 동네에서는 체포가 없었기 때문에, 그들에 대한
데이터는 알고리즘의 피드백으로 공급되지 않았습니다.
반면, PredPol과 같은 알고리즘은 여전히 이러한 피드백
효과를 시도하고 관리하기 위해 사용됩니다.
현재 그들이 데이터를 처리하는 방법을 조정하려고
더 많은 노력을 기울이고 있습니다.
기본적으로 이것은 학교의 평균 성적을 향상시키기 위해
고용된 새로운 교장과 같습니다.
그러나 그는 실제로 이미 좋은 성적을 가진 학생들에 대해
서는 상관하지 않습니다.
그는 정말 나쁜 성적이어서 매주 확인해야 하는
학생의 관심 목록을 만듭니다.
그리고 그는 좋은 성적을 유지하는 학생들에겐
관심을 갖지 않습니다.
관심 목록에 있는 학생이 그 주의 숙제를 하지 않은 경우
처벌을 받습니다.
그러나 그의 관심 목록에 없는 학생들은 숙제를 느슨하게
하고 “과거에 일어난 일”을 근거로 도망갈 수 있습니다.
그러나 그의 관심 목록에 없는 학생들은 숙제를 느슨하게
하고 “과거에 일어난 일”을 근거로 도망갈 수 있습니다.
English:
This is essentially what’s happening with
PredPol, and you can be the judge if you believe
it’s fair or not.
Finally, a group of people may mess with training
data on purpose.
For example, in 2014, Microsoft released a
chatbot named Xiaoice in China.
People could chat with Xiaoice so it would
learn how to speak naturally on a variety
of topics from these conversations.
It worked great, and Xiaoice had over 40 million
conversations with no incidents.
In 2016, Microsoft tried the same thing in
the U.S. by releasing the Twitterbot Tay.
Tay trained on direct conversation threads
on Twitter, and by playing games with users
where they could get it to repeat what they
were saying.
In 12 hours after its release, after a “coordinated
attack by a subset of people” who biased
its data set, Tay started posting violent,
sexist, anti-semitic, and racist Tweets.
This kind of manipulation is usually framed
as “joking” or “trolling,” but the
fact that AI can be manipulated means we should
take algorithmic predictions with a grain
of salt.
This is why I don’t leave John-Green-Bot
alone online…
Korean:
이것은 PredPol에서 본질적으로 일어나는 일이고 여러분
이 공정한 지 판단한다면 판사가 될 수 있습니다.
이것은 PredPol에서 본질적으로 일어나는 일이고 여러분
이 공정한 지 판단한다면 판사가 될 수 있습니다.
마지막으로, 한 무리의 사람들이 의도적으로 데이터
훈련을 엉망으로 만들 수 있습니다.
예를 들어, 2014년에 마이크로소프트는
중국에서 Xiaoice라는 챗봇을 발매하였는데
사람들은 Xiaoice와 대화 할 수 있으므로 이러한 대화에서
다양한 주제에 대해 자연스럽게 말하는 방법을 배울 수 있습니다.
사람들은 Xiaoice와 대화 할 수 있으므로 이러한 대화에서
다양한 주제에 대해 자연스럽게 말하는 방법을 배울 수 있습니다.
그것은 잘 작동했고 Xiaoice는 4천만 명이 넘게
사건없이 대화를 했습니다.
2016년에 마이크로소프트는 미국에서 똑같이
트위터봇 Tay를 출시했습니다.
Tay는 트위터에서 직접적인 대화 맥락에서 훈련받고,
사용자와 게임을 통해
반복되는 대화를 할 수 있었습니다.
출시 후 12시간 만에 데이터 세트를 편향시킨 "일부 사람
들에 의한 조정 된 공격"을 받고
Tay는 폭력적이고 성 차별적이며 반유대 주의적이며
인종 차별적인 트윗을 게시하기 시작했습니다.
이런 종류의 조작은 일반적으로 액자
"농담"또는 "장난"으로 프레임되지만
AI를 조작 할 수 있다는 사실은 알고리즘 예측이
과장되었다는 것을 감안하여야 한다는 것을 의미합니다.
AI를 조작 할 수 있다는 사실은 알고리즘 예측이
과장되었다는 것을 감안하여야 한다는 것을 의미합니다.
이것이 내가 존 그린 봇을 온라인에 혼자 놔두지 않는
이유입니다.
English:
The common theme of algorithmic bias is that
AI systems are trying to make good predictions,
but they make mistakes.
Some of these mistakes may be harmless or
mildly inconvenient, but others may have significant
consequences.
To understand the key limitations of AI in
our current society, let’s go to the Thought
Bubble.
Let’s say there’s an AI system called
HireMe! that gives hiring recommendations
to companies.
HireMe is being used by Robots Weekly, a magazine
where John-Green-bot applied for an editorial
job.
Just by chance, the last two people named
“John” got fired from Robots Weekly and
another three “Johns” didn’t make it
through the hiring process.
So, when John-Green-Bot applies for the job,
HireMe! predicts that he’s only 24% likely
to be employed by the company in 3 years.
Seeing this prediction, the hiring manager
at Robots Weekly rejects John-Green-bot, and
this data gets added to the HireMe!
AI system.
John-Green-Bot is just another “John”
that got rejected, even though he may have
been the perfect robot for the job!
Now, future “Johns” have an even lower
chance to be hired.
Korean:
알고리즘 바이어스의 일반적인 주제는
인공 지능 시스템은 좋은 예측을 하려고 하지만,
그러나 그들은 실수를 합니다.
이러한 실수 중 일부는 무해하거나 약간 불편하지만
다른 것들은 중요한 결과를 갖습니다.
이러한 실수 중 일부는 무해하거나 약간 불편하지만
다른 것들은 중요한 결과를 갖습니다.
우리 현재 사회 AI의 주요 한계를 이해하려면
생각거품에 가 봅시다.
우리 현재 사회 AI의 주요 한계를 이해하려면
생각거품에 가 봅시다.
HireMe!라는 회사에 고용 추천을 제공하는 AI 시스템이
있다고 가정 해 봅시다.
HireMe!라는 회사에 고용 추천을 제공하는 AI 시스템이
있다고 가정 해 봅시다.
HireMe는 존 그린 봇이 편집일을 신청한 잡지
Robots Weekly에서 사용되고 있습니다.
HireMe는 존 그린 봇이 편집일을 신청한 잡지
Robots Weekly에서 사용되고 있습니다.
우연히도 '존'이라는 지난 두 사람은
Robots Weekly에서 해고되었고
또 다른 세명의 "존"은 채용 과정을 통과하지 못했습니다.
존 그린 봇이 고용을 신청할 때, HireMe는 3년 안에
회사에 고용될 가능성이 단지 24%라고 예측합니다.
존 그린 봇이 고용을 신청할 때, HireMe는 3년 안에
회사에 고용될 가능성이 단지 24%라고 예측합니다.
이 예측을 보고, Robots Weekly의 채용 관리자는 존 그린
봇을 거부하고, 데이터는 HireMe의 AI시스템에 추가됩니다.
이 예측을 보고, Robots Weekly의 채용 관리자는 존 그린
봇을 거부하고, 데이터는 HireMe의 AI시스템에 추가됩니다.
이 예측을 보고, Robots Weekly의 채용 관리자는 존 그린
봇을 거부하고, 데이터는 HireMe의 AI시스템에 추가됩니다.
심지어 그가 작업을 위한 완벽한 로봇이었을지라도 ,
존 그린 봇은 또 다른 거절당한 "존"입니다.
심지어 그가 작업을 위한 완벽한 로봇이었을지라도 ,
존 그린 봇은 또 다른 거절당한 "존"입니다.
이제 미래의“존”들은 채용 가능성이 훨씬 낮습니다.
Korean:
이는 긍정적인 피드백 루프이며 일부는
존 그린봇에게는 매우 부정적인 결과입니다.
물론 “존”이라는 이름은 보호된 클래스가 아니지만 다른
그룹의 사람들에게 적용 할 수 있습니다.
물론 “존”이라는 이름은 보호된 클래스가 아니지만 다른
그룹의 사람들에게 적용 할 수 있습니다.
게다가 심지어 HireMe!와 같은 알고리즘은
두 종류의 데이터를 연결을 설정하는 데 매우 능숙하고,
그들은 항상 예측을 하는 이유를 명확히 할 수 없습니다.
두 종류의 데이터를 연결을 설정하는 데 매우 능숙하고,
그들은 항상 예측을 하는 이유를 명확히 할 수 없습니다.
예를 들어, HireMe!는 더 높은 연령대를 디지털 기술에
대한 지식이 적은 것으로 연관지어 찾을 수 있습니다.
그래서 AI는 더 젋은 지원자를 제안합니다.
이것은 보호 된 클래스인 "나이"에 대한
불법적인 차별일 뿐만 아니라,
암시적 연결도 사실이 아닐 수도 있습니다.
존 그린봇은 거의 40세일 수 있지만 로봇 블로그를 운영해
Nerdfighteria와 같은 온라인 커뮤니티에서 활동중입니다.
존 그린봇은 거의 40세일 수 있지만 로봇 블로그를 운영해
Nerdfighteria와 같은 온라인 커뮤니티에서 활동중입니다.
그러므로 HireMe와 같은 AI 시스템과 상호 작용하는 것은
인간의 몫입니다. 추천에 주의를 기울이거나,
그들이 공정한지 확인하거나,
그렇지 않은 경우 알고리즘을 조정합니다.
편견과 차별에 대한 AI 모니터링은 막대한 책임처럼
들리는데, 우리가 어떻게 그걸 할 수 있을까요?
편견과 차별에 대한 AI 모니터링은 막대한 책임처럼
들리는데, 우리가 어떻게 그걸 할 수 있을까요?
English:
It’s a positive feedback loop, with some
pretty negative consequences for John-Green-Bot.
Of course, being named “John” isn’t
a protected class, but this could apply to
other groups of people.
Plus, even though algorithms like HireMe!
Are great at establishing a link between two
kinds of data, they can’t always clarify
why they’re making predictions.
For example, HireMe! may find that higher
age is associated with lower knowledge of
digital technologies, so the AI suggests hiring
younger applicants.
Not only is this illegally discriminating
against the protected class of “age,”
but the implied link also might not be true.
John-Green-bot may be almost 40, but he runs
a robot blog and is active in online communities
like Nerdfighteria!
So it’s up to humans interacting with AI
systems like HireMe! to pay attention to recommendations
and make sure they’re fair, or adjust the
algorithms if not.
Thanks, Thought Bubble!
Monitoring AI for bias and discrimination
sounds like a huge responsibility, so how
can we do it?
English:
The first step is just understanding that
algorithms will be biased.
It’s important to be critical about AI recommendations,
instead of just accepting that “the computer
said so.”
This is why transparency in algorithms is
so important, which is the ability to examine
inputs and outputs to understand why an algorithm
is giving certain recommendations.
But that's easier said than done
when it comes to certain algorithms, like
deep learning methods.
Hidden layers can be tricky to interpret.
Second, if we want to have less biased algorithms,
we may need more training data on protected
classes like race, gender, or age.
Looking at an algorithm’s recommendations
for protected classes may be a good way to
check it for discrimination.
This is kind of a double-edged sword, though.
People who are part of protected classes may
(understandably) be worried about handing
over personal information.
It may feel like a violation of privacy, or
they might worry that algorithms will be misused
to target rather than protect them.
Even if you aren’t actively working on AI
systems, knowing about these algorithms and
Korean:
첫 번째 단계는
알고리즘이이 편향될 것이라고 이해하는 것입니다.
'컴퓨터가 그렇게 말했다'고 생각하는 대신, AI의 추천에
대해 비판적으로 생각하는 것이 중요합니다.
'컴퓨터가 그렇게 말했다'고 생각하는 대신, AI의 추천에
대해 비판적으로 생각하는 것이 중요합니다.
이는 알고리즘의 투명성이 매우 중요한 이유로,
입력과 출력이 왜 알고리즘이 특정 추천을
해주는지를 검사하는 능력입니다.
그러나 그것은 딥러닝 방법과 같은 특정한 알고리즘에
관해서는 행동보다 말이 쉽습니다.
그러나 그것은 딥러닝 방법과 같은 특정한 알고리즘에
관해서는 행동보다 말이 쉽습니다.
숨겨진 레이어는 해석하기 까다로울 수 있습니다.
둘째, 편향 된알고리즘을 줄이고 싶다면, 보호된 클래스에
대한 더 많은 훈련 데이터가 필요할 수 있습니다
인종, 성별 또는 연령과 같은 것들입니다.
보호된 클래스에 대한 알고리즘의 추천을 살펴보는
것은 차별 여부를 확인하는 좋은 방법이 될 수 있습니다.
보호된 클래스에 대한 알고리즘의 추천을 살펴보는
것은 차별 여부를 확인하는 좋은 방법이 될 수 있습니다.
그러나 이것은 양날의 검입니다.
보호된 클래스에 속한 사람들은 (당연히) 개인정보를
다루는 것에 대해 걱정할 수 있습니다.
보호된 클래스에 속한 사람들은 (당연히) 개인정보를
다루는 것에 대해 걱정할 수 있습니다.
프라이버시를 어기거나, 알고리즘이 그들을 보호하기보
단 목표로 삼도록 잘못 사용 될까 걱정할 수도 있습니다.
프라이버시를 어기거나, 알고리즘이 그들을 보호하기보
단 목표로 삼도록 잘못 사용 될까 걱정할 수도 있습니다.
AI 시스템을 적극적으로 사용하지 않더라도,
이러한 알고리즘에 대해 알고
English:
staying informed about artificial intelligence
are really important as we shape the future
of this field.
Anyone, including you, can advocate for more
careful, critical interpretation of algorithmic
outputs to help protect human rights.
Some people are even advocating that algorithms
should be clinically tested and scrutinized
in the same way that medicines are.
According to these opinions, we should know
if there are “side effects” before integrating
AI in our daily lives.
There’s nothing like that in the works yet.
But it took over 2400 years for the Hippocratic
Oath to transform into current medical ethics
guidelines.
So it may take some time for us to come up
with the right set of practices.
Next time, we have a lab and I’ll demonstrate
how there are biases in even simple things
like trying to adopt a cat or a dog.
I’ll see ya then.
Speaking of understanding how bias and misinformation spread, you should check out this video on Deep Fakes
I did with Above the Noise -- another PBSDS channel that gets into the research behind controversial issues.
Head over to the video in the description to find out how detect deep fakes.
Tell them Jabril sent you!
Korean:
인공 지능에 대한 정보를 유지하는 것은,
우리가 이 분야의 미래를 형성하는 데 정말 중요합니다.
인공 지능에 대한 정보를 유지하는 것은,
우리가 이 분야의 미래를 형성하는 데 정말 중요합니다.
여러분을 포함하여 누구나 인권 보호를 위해 알고리즘
결과에 대한 보다 신중하고 비판적인 해석을 옹호할 수 있습니다.
여러분을 포함하여 누구나 인권 보호를 위해 알고리즘
결과에 대한 보다 신중하고 비판적인 해석을 옹호할 수 있습니다.
어떤 사람들은 알고리즘이 의약품과 같은 방식으로 임상
적으로 검사하고 면밀히 조사해야한다고 옹호합니다.
어떤 사람들은 알고리즘이 의약품과 같은 방식으로 임상
적으로 검사하고 면밀히 조사해야한다고 옹호합니다.
이러한 의견에 따르면, 우리는 AI를 일상에 통합하기 전에
"부작용"이있는 경우를 알아야 합니다.
이러한 의견에 따르면, 우리는 AI를 일상에 통합하기 전에
"부작용"이있는 경우를 알아야 합니다.
아직 그런 작업은 없습니다.
그러나 히포크라테스 선서가 현재의 의료 윤리 지침으로
전환되기까지 2400년이 걸렸습니다.
그러나 히포크라테스 선서가 현재의 의료 윤리 지침으로
전환되기까지 2400년이 걸렸습니다.
따라서 올바른 관행을 마련하는 데에는
시간이 걸릴 수 있습니다.
다음에는 개나 고양이를 구분하는 단순한 작업으로
알고리즘 편향을 랩에서 실습하겠습니다.
다음에는 개나 고양이를 구분하는 단순한 작업으로
알고리즘 편향을 랩에서 실습하겠습니다.
그럼 나중에 봐요.
편견과 잘못된 정보가 어떻게 확산되는지 이해하려면
딥 페이크에 대한 비디오를 확인하십시오.
저는 논란의 여지가있는 문제에 대한 연구에 참여하는 또
다른 PBSDS 채널인 Upper the Noise를 사용했습니다.
설명의 비디오로 이동하여 딥페이크를 감지하는 방법을
찾아 보세요.
그들에게 자브릴이 당신을 보냈다고 말해주세요.
English:
Crash Course AI is
produced in association with PBS Digital Studios!
If you want to help keep all Crash Course
free for everybody, forever, you can join
our community on Patreon.
And if you want to learn more about prejudice
and discrimination in humans, you can check
out this episode of Crash Course Sociology.
Korean:
크래시 코스 AI는
PBS 디지털 스튜디오와 연합하여 제작되었습니다!
Crash Course가 모두를 위해 무료일수 있도록
도움을 주시고 싶으면 Patron 커뮤티에 가입해주세요!
Crash Course가 모두를 위해 무료일수 있도록
도움을 주시고 싶으면 Patron 커뮤티에 가입해주세요!
편견과 인간의 차별에 대해 더 배우고 싶다면,
여러분은 크래시 코스 사회학을 볼 수 있습니다.
편견과 인간의 차별에 대해 더 배우고 싶다면,
여러분은 크래시 코스 사회학을 볼 수 있습니다.
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Here's an atom.
What is the atomic number, the mass number
and the net charge to this atom?
So the atomic number is the number of protons.
In this diagram, these little red circles
are representing protons here in the nucleus
so we’ve got 1, 2, 3, 4, 5 which means my
atomic number is 5.
That was easy enough.
Mass number is the number of protons plus
the number of neutrons which are these things
in blue so mass number is 1, 2.
3, 4, 5, 6, 7, 8 protons plus neutrons.
So mass number is 8.
Sometimes people think you have to have the
same number of protons and neutrons in the
nucleus of an atom, definitely not true, they
can differ quite a bit.
The net charge is how protons and electrons
balance each other out.
So, electrons are represented by these things
here flying around the outside the atom, 1,
2, 3, 4 electrons, e- is a way that we can
abbreviate electrons, and 1, 2, 3, 4, 5 p+,
protons.
So, the protons and the electrons don't quite
balance out.
There is one more proton than electrons so
that one extra proton is going to give me
a net charge of 1+ because each proton has
a positive charge have one extra proton.
Net charge of 1+.
This is kind of a basic problem, now we’ll
move on to something that's a little trickier.
So here, we’ve got and atom with this atomic
number, this mass number, and net charge.
From this information, we need to figure out
the protons, neutrons, and electrons that
are in this atom.
Protons, that is going to be easy because
protons… the number of protons is going
to be the same thing as atomic number.
So it's going to be 7.
Now what about neutrons?
Mass number is protons plus neutrons so this
15 here is protons and neutrons together.
I already know how many protons there are
so I can do protons plus neutrons, the mass
number, minus the number of protons equals
8, the number of neutrons.
The net charge here is 2+.
If I have a positive net charge with a certain
number, that's telling me how many more protons
I have than electrons.
So in this case, net charge of 2+, there are
2 more protons than elections.
Since I have 7 protons that means that I have
to have 5 electrons for me to get a 2+ charge.
Here's a table with various characteristics
of a certain atom.
We need to fill in the things that are empty.
Okay, we don't know how many protons, we don't
know how many neutrons, where can we start?
Okay, we know the electrons and we know the
net charge so based on the number of electrons
and the net charge this atom has, we can figure
out how many protons there are, okay?
Since this is a net charge of -3 that means
that there are 3 more electrons than protons
because electrons have a negative charge.
So I have 7 electrons that means I'm going
to have…
I'm sorry if I had 10 electrons that means
that I'm going to have 7 protons, 3 more electrons
will give me -3.
Okay, now I know that my atomic number is
the same as my number of protons so that is
also going to be 7.
The mass number here is the number of protons
plus the number of neutrons.
So to get just the number of neutrons I take
a mass number, protons plus neutrons, minus
the number of protons, 7, and that is going
to give me 9 neutrons.
Sometimes these table problems can be the
hardest so we’ll do one more example.
Here, we want to find the electrons, protons,
and the atomic number.
We know the neutrons, the mass number, and
the net charge.
Okay, let’s start with protons.
We know the mass number, protons plus neutrons,
and we know the number of neutrons.
So that means we can take 25, which is protons
plus neutrons, and subtract the number of
neutrons, 25 minus 11 is going to give us
14, and that is the number of protons alone.
Atomic number is just another word for the
protons, so these both are going to be 14.
Now that we know the number of protons in
the nucleus, we can use the net charge to
figure out the number of electrons.
So it’s a net charge of 1+ which means that
there should be one more proton because it
has a positive charge… one more proton than
electron.
So 14 protons that means that total I'm going
to have 13 electrons.
So now that you know how to solve problems
like this, you're ready to go on to videos
about isotopes.
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English:
A bright lemon loaf drizzled with a sweet
glaze. Enjoy a slice for breakfast or as a
sweet treat.
This loaf gets made all in one bowl which
means a lot less dishes, just make sure to
pick one that will leave you with enough room
to stir everything together. Start with the
eggs, you’ll need three, crack them into
the bowl. You want them to be medium sized
and I always go with free range, the taste
and quality just doesn’t compare with others
even when you’re just using them for baking.
Measure out a cup of yoghurt and add to the
bowl. I’m using greek yogurt but you could
also use natural yoghurt, sour cream, or even
buttermilk. Use whichever one you have in
your fridge or the one that is easiest to
get your hands on. They all work the same
English:
A bright lemon loaf drizzled with a sweet
glaze.
Enjoy a slice for breakfast or as a sweet
treat.
This loaf gets made all in one bowl which
means a lot less dishes, just make sure to
pick one that will leave you with enough room
to stir everything together.
Start with the eggs, you’ll need three,
crack them into the bowl.
You want them to be medium sized and I always
go with free range, the taste and quality
just doesn’t compare with others even when
you’re just using them for baking.
Measure out a cup of yoghurt and add to the
bowl.
I’m using greek yogurt but you could also
use natural yoghurt, sour cream, or even buttermilk.
Use whichever one you have in your fridge
or the one that is easiest to get your hands
on.
English:
They all work the same in this recipe.
If you would like the full recipe for this
lemon loaf it will be on my website as well
as the full measurements listed in the information
box below.
Next is granulated sugar for some sweetness.
This lemon loaf isn’t super sweet, most
of the sweetness actually comes from the glaze
which gets poured over later.
Add the sugar to the bowl with the eggs and
yoghurt and use a whisk to combine the ingredients
together until the mixture is smooth.
Grate the zest from 1-2 lemons, depending
on their size.
The recipe needs about 1 1-/2 to 2 tablespoons
of zest, one large lemon was enough for me
but if yours are smaller 2 will be better.
English:
in this recipe.
If you would like the full recipe for this
lemon loaf it will be on my website as well
as the full measurements listed in the information
box below.
Next is granulated sugar for some sweetness.
This lemon loaf isn’t super sweet, most
of the sweetness actually comes from the glaze
which gets poured over later. Add the sugar
to the bowl with the eggs and yoghurt and
use a whisk to combine the ingredients together
until the mixture is smooth.
Grate the zest from 1-2 lemons, depending
on their size. The recipe needs about 1 1-/2
to 2 tablespoons of zest, one large lemon
was enough for me but if yours are smaller
English:
2 will be better. Scoop the zest up and add
to the mixing bowl.
In place of butter this recipe actually uses
oil. The oil helps keep moisture in the loaf
so it never will turn out dry while also making
it have a very light and tender texture. Measure
out half of a cup of a neutral oil, like vegetable,
canola, or sunflower and add to the mixing
bowl.
Mix the ingredients together with the whisk
- bonus here there is no creaming of butter
involved.
Along with the lemon zest this recipe uses
2 tablespoons of lemon extract. It’s used
in place of lemon juice as the flavour is
much stronger throughout the loaf, the flavour
from lemon juice would dissipate while the
loaf is baking. Just keep the lemon you’ve
zested for the glaze.
Use the whisk to mix all of the wet ingredients
together until well combined.
English:
Scoop the zest up and add to the mixing bowl.
In place of butter this recipe actually uses
oil.
The oil helps keep moisture in the loaf so
it never will turn out dry while also making
it have a very light and tender texture.
Measure out half of a cup of a neutral oil,
like vegetable, canola, or sunflower and add
to the mixing bowl.
Mix the ingredients together with the whisk
- bonus here there is no creaming of butter
involved.
Along with the lemon zest this recipe uses
2 tablespoons of lemon extract.
It’s used in place of lemon juice as the
flavour is much stronger throughout the loaf,
the flavour from lemon juice would dissipate
while the loaf is baking.
Just keep the lemon you’ve zested for the
glaze.
Use the whisk to mix all of the wet ingredients
together until well combined.
Place a sieve on top of the mixing bowl and
add the dry ingredients.
English:
Flour, baking powder and salt.
Along with removing any lumps the sieve also
makes it so much easier to mix the dry ingredients
into the wet.
Switch to a wooden spoon and fold the batter
together.
This is quite a lumpy batter so just mix until
you no longer see any dry flour.
Pour the batter into a lined and greased loaf
tin and place into a preheated oven to bake
for 50-55 minutes or until a tester comes
out clean.
Leave to cool completely before starting on
the glaze.
To make the glaze you’ll need a cup of icing
sugar and the juice from one lemon, about
1-2 tablespoons.
English:
Place a sieve on top of the mixing bowl and
add the dry ingredients. Flour, baking powder
and salt. Along with removing any lumps the
sieve also makes it so much easier to mix
the dry ingredients into the wet.
Switch to a wooden spoon and fold the batter
together. This is quite a lumpy batter so
just mix until you no longer see any dry flour.
Pour the batter into a lined and greased loaf
tin and place into a preheated oven to bake
for 50-55 minutes or until a tester comes
out clean. Leave to cool completely before
starting on the glaze.
To make the glaze you’ll need a cup of icing
sugar and the juice from one lemon, about
English:
Roll your lemons against a hard surface before
juicing, you’ll get much more out of them.
Juice the lemon and pour about 2/3s of the
juice into a small bowl with the icing sugar.
Give it a mix and add more juice as desired.
I like the glaze on the thicker side so I
haven’t used all of the lemon juice.
Drizzle the glaze over the lemon loaf and
leave to set for an hour before serving.
Let me know if you give this lemon loaf a
try.
Thank you for watching, I hope you enjoyed
this recipe and I’ll see you in my next
video.
English:
1-2 tablespoons. Roll your lemons against
a hard surface before juicing, you’ll get
much more out of them.
Juice the lemon and pour about 2/3s of the
juice into a small bowl with the icing sugar.
Give it a mix and add more juice as desired.
I like the glaze on the thicker side so I
haven’t used all of the lemon juice.
Drizzle the glaze over the lemon loaf and
leave to set for an hour before serving.
Let me know if you give this lemon loaf a
try. Thank you for watching, I hope you enjoyed
this recipe and I’ll see you in my next
video.
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I'm out of ammo!
You don't have ammo?
He is a noob!
Knock him out!
What a fuckin noob..
I don't believe that..
Hey guys, today I'll play fortnite.
You haven't seen me playing alone,
but this time I'll try it.
I'm just messing with you...Here with me are
Louis
-Hey
-And Elias.
We've changed our setup a bit,
now we'll play multiplayer.
Except Elias, we haven't played
fortnite at all.
So, we'll do our best.
Anyway, there is an offer
where you can take two free skin,
We'll have the link
down below in the description,
Just follow the steps to claim the skins.
-It has to do with twitch
-Yes,
steps will be in the link
So, let's play.
There is a guy that is coming to us!
He's coming from south east.
He fell on that house.
-Elia?
-Another one in...
-Wait, I'm putting armor on.
Come on..!
-He is here!! Help me!
-Where are you man?
I'll get him! Noo
-Louie?
-He got me..
He's on the rooftop above me.
That was the game for me, thank you. See you in the next one!
Got him!
I can hear another one!
-I knocked him down..
-There he is!
He is down there. I've hit him a lot.
I'm down. There was another one man..
He got me, Tze.
-I got him!
-Nice!
The other one is coming! He is on my body!
I don't have a lot of ammo..
He is building here, on the left.
-Can you hear him?
-I can but I don't have ammo.
Do whatever you can now.
-He is on the building.
-He is up there, yeah.
What's that?
Here to the left. There he is!
I'm out of ammo!
You don't have ammo eh?
He is a noob!
Knock him down!
What a fuckin noob...
I don't believe it..
-Is he there?
-I got him!
Good job man!!
He is here?
He got me...
You are too far man..
Get him Elia!
-I got it!
-Ok, revive me after that. They are shooting at me.
Bastards.
There is another one Elia! Where I died.
No! He got me...And I hit him.
-I'm far man, you were in...
-He is coming towards you!
-You'll see him!
-He built something. He's gonna heal.
-He made a wall!
He's gonna heal!
Must go behind him.
Motherfucker built everything. Smash it down with the pickaxe.
Can't I shoot from here?
Take that!
-You knocked him down!
-There is another one!
He is reviving him! Rush them!
Nice!
You knocked them! There is another one!
Must be another one since they are not dead..
-He is shooting at you!
-He fucked me..
Do you have anything on you?
He is walking. I reckon he revived him. No he didn't!
He is coming to you! From the left!
He is looking at you!
He has AR.
Yeah man, all I had was the pistols..
He jumped! There is a guy here with me!
Yes!
I got him!
I'll fuck you up.
Take that! Kill him Louie!
-You knocked him down Tze?
-Yeah I did
-Louie kill him
-I got him!
-I can hear someone!
-It's me.
Over here man! He is here!!
And another one!
Where is the other one? Behind there?
He is down!
There are two!
-Where?
-The other is running.
I knocked him down!
We got him! Well done Tze.
-There other one left!
-Where? Can you see him?
Somewhere he. West.
But I don't know exactly where, because I saw him before.
-I'm after him!
-Yes.
There he is! He turned back! He is going to the house at north east!
I can't shoot him. He is smashing the house to get inside.
I reckon he doesn't have weapons.
Run! Let's get him!
Someone is shooting from the right.
-Someone is shooting from the right.
-I only have 3 rounds!
He is here!
Where is the other one shooting?
Do you know?
Right, south east.
He is down the hill.
Where is the other prick shooting..
He killed me!
Well done!
-You got headshot motherfucker....
-I threw a lot of smoke.
Stay here.
I only have one-two bullets.
Louie cover us. I built something so I can revive him.
And somewhere he we have to finish fortnite.
Ok, we weren't perfect but
it's our first time in the game..
-We'll get better!
Of course..
If you want us to continue,
which we will anyway because the game is nice..
Tell us your opinion down in the comments below
if you liked it or not.
Share, like and subscribe, whatever you can do to help us.
We'll see you in the next video, but before that
one last dance!
3, 2, 1!
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Here’s 3 ways in which the UK housing sector
is completely and utterly f**ked.
1. Home Ownership.
Do you ever get the feeling
that life just isn’t as fair as it used to be?
20 years ago, 65% of 25-34 year olds
on middle incomes owned their own home.
Today, it’s just 27% and falling.
Mean house prices are 152% higher today than
they were in the mid-1990s, adjusting for
inflation. The consequence? The average house
price for a young person today is around 8
times their household income, compared to
4 times 20 years ago.
---And with up to half our incomes going on
rent, it will take millennials an average
of 19 years to save for a deposit to buy a
house - compared to an average of 3 years
back in the 1980s.
In comparison, 1 in 6 baby boomers owns a
second home - meaning that not only is there
generational concentration of wealth, but
the buy-to-let market means that the pay packets
of the young are lining the pockets of wealthy
older people.
2. ---Housing benefits. Who do you reckon
is a bigger drain on the state: unemployed
people, or enterprising, property-owning private
landlords?
Wrong. It’s landlords. Just 1% of UK government
welfare spending goes towards unemployment
entitlements. But 25% of welfare spending
goes on housing benefits, which are now part
of the Universal Credit system.
4.2 million people claim housing benefit,
which is more than any other kind of benefit.
Last year, an estimated 21.9 billion pounds
was spent on making sure that people in the
UK could keep a roof over their heads by supplementing
their rent.
This year, it’s predicted that over £10
billion of the housing benefit spend will
be going towards supplementing rents of tenants
in the private sector.
So that’s over £10 billion pounds of taxpayer
dosh feathering the nests of private landlords
instead of being spent increasing the supply
of actually affordable housing.
Because that’s the real issue. Housing benefit
doesn’t cover rents in 95% of the country.
The gap between welfare support and costs
is more than £100 a month in England and
more than £900 in central London. This means
that thousands of families are either forced
to cover the shortfall between rent and income
through increasing personal debt, or are pushed
into homelessness
3. ---Which then puts them at the mercy of
the Temporary Accommodation industry Also
known as the Chokey of the UK housing sector.
In the last 5 years, the combination of benefits
cuts, soaring rents and a nationwide cost
of living crisis has led to a massive increase
in the number of people declared statutory
homeless. According to the House of Commons
library, there’s been a 77% increase in
the number of households placed in temporary
accommodation since 2010, when the Lib Dem-Tory
coalition came into power and ruined the lives
of basically everyone who wasn’t a millionaire.
The latest data shows that over 125,000 children
are currently in temporary or emergency housing
---Between 2018 and 2019, £1.1bn was spent
on B&Bs, hostels and other temporary shelter
- 30% of which was spent on emergency B&Bs,
despite there being a near universal consensus
that these are the worst form of accommodation
for children and families.
Council spending on emergency B&Bs has gone
up by 147% in recent years, while the number
of units has increased by only 32%. In short,
the homelessness crisis has created the perfect
conditions for unscrupulous landlords to spike
their prices, with the taxpayer footing the
bill.
More than 27,500 people are living in so-called
“exempt accommodation”, meaning that their
full-rent is being paid by the taxpayer, but
there aren’t any safeguards for standards
or safety governing the placement. “Exempt
accommodation” is often used to house people
who are extremely vulnerable or have complex
needs: domestic violence survivors, the long-term
homeless, and people with substance misuse
issues. In a report released just this month,
one resident said
---“It was dirty, filthy – rats and all
sorts. Really dangerous. Never saw a staff
member again after I got the keys. I stayed
for about 10 days, then slept on a park bench
for two. I was sexually assaulted in that
park and I was terrified, confused, the lot.”
Treating emergency and temporary accommodation
as a commodity has created incentives for
the private sector to bleed the public purse
dry - and people aren’t even getting decent
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Spanish:
Nintendo Entertainment System (Sistema de Entretenimiento de Nintendo). Famicon en Japón
Publicado en 1983 en Japón y en 1985 en Norteamérica
El juego mas largo del NES ocupo 1 megabyte de espacio
o 60 segundos de un mp3
El RAM de todos los 61.9 Millones de NES vendidos combinados
Igualaría a 118 GigaBytes
o 59 Wii Us
Al menos 849,300,000 disparos han sido efectuados en Duck Hunt
que deberían quemar 4,836,291.6 calorías
o alrededor de 2,715.5 pizzas largas
que es cuantas pizzas vende Domino en 63 segundos
Spanish:
Nintendo Entertainment System
Nintendo Famicon en Japón
Lanzada en Japón en 1983
Lanzada en Estados Unidos en 1985
El juego mas grande de NES ocupaba 1 megabyte
o 60 segundos de un mp3
la suma de RAM de las 61.9 Millones de NES vendidas
seria igual a 118 GB
...o 59 Wii U.
Por lo menos 849.300.000 disparos se hicieron en Duck Hunt
lo que quemaría 4.836.291 calorías
o al rededor de 2.715,5 pizzas grandes
que es la cantidad de pizzas que vende Domino´s en 63 segundos
Spanish:
El peso total de todas las NES vendidas es de 77,212.7 toneladas métricas
aproximadamente 448 Ballenas Azules
El aire soplado en cada cartucho vendido de Super Mario Bros (40,24 copias)
Llenarían 18 Globos Aerostáticos
Y como siempre
gracias por ver
¿que debería ser siguiente?
comenta o tweetéame @vsaucethree (en ingles)
¿Quieres que traduzca un video? Manda correo a: [email protected], y te responderé cuando haya terminado ;)
Spanish:
el peso total de todas las NES vendidas es 77.212,7 toneladas métricas
cerca de 448 Ballenas Azules
El aire necesario para soplar cada cartucho vendido de Super Mario Bros.
llenaría 18 globos aerostáticos
Y como siempre
gracias por ver.
¿Que deberia ser luego?
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French:
Ryan: Je suis Ryan de extremeterrain.com et
dans cet épisode, nous sommes ici à Sand Hollow
apprendre à conduire dans les dunes.
Nous sommes donc ici à Sand Mountain OHV
zone juste à l'extérieur de Sand Hollow State Park
et aujourd'hui, tout est question de conduite sur les dunes.
A côté de moi, j'ai Jeff.
Jeff, merci beaucoup d'être avec nous.
Jeff: Oh, merci de me recevoir ici avec
les gars.
Ryan: Absolument.
Jeff vient de la Desert Roads and Trails Society.
Nous sommes très heureux de l'avoir ici comme
un guide pour nous et pour nous montrer certains des
techniques derrière le roulage dans le sable parce que
c'est un peu différent de ce que nous sommes
habitué.
Nous avons donc la Deegan Jeep ici.
C'est la Jeep que nous avons construite pour Brian Deegan.
Si vous n'avez pas vu cette vidéo, assurez-vous que
vous vous abonnez à notre chaîne YouTube qui
Ainsi, vous pouvez vérifier cette vidéo ainsi que
notre vidéo de nous faisant rouler cette Jeep à Pâques
Jeep Safari cette année.
C'était une explosion absolue.
Donc, cette Jeep est plutôt bien installée, mais celle de Jeff
va nous parler un peu plus sur
comment vous voulez que votre jeep soit mise en place et
des techniques que vous allez vraiment
utiliser ici dans le sable.
Spanish:
Ryan: soy Ryan de extremeterrain.com y
en este episodio, estamos aquí en Sand Hollow
aprendiendo a conducir en las dunas.
Así que aquí estamos aquí en Sand Mountain OHV
área a las afueras de Sand Hollow State Park
y hoy se trata de conducir en las dunas.
A mi lado, tengo a Jeff.
Jeff, muchas gracias por estar con nosotros.
Jeff: Oh, gracias por invitarme a salir aquí con
ustedes.
Ryan: Absolutamente.
Jeff es de Desert Roads and Trails Society.
Estamos muy felices de tenerlo aquí como
una guía para nosotros y para mostrarnos algunos de los
técnicas detrás de rodar en la arena porque
es un poco diferente de lo que somos
Acostumbrado a.
Así que tenemos el Deegan Jeep aquí.
Este es el Jeep que construimos para Brian Deegan.
Si no has visto ese video, asegúrate
te suscribes a nuestro canal de YouTube que
forma en que puede verificar ese video, así como
nuestro video de nosotros girando este Jeep en Semana Santa
Jeep Safari este año.
Eso fue una explosión absoluta.
Por lo tanto, este Jeep está bastante bien configurado, pero el de Jeff
nos hablará un poco más sobre
cómo quiere que se configure su Jeep y algunos
de las técnicas que realmente vas a
usar aquí en la arena.
English:
Ryan: I'm Ryan from extremeterrain.com and
in this episode, we're out here in Sand Hollow
learning how to drive in the dunes.
So here we are out here at Sand Mountain OHV
area just outside of Sand Hollow State Park
and today is all about driving on the dunes.
Next to me, I have Jeff.
Jeff, thanks so much for being with us.
Jeff: Oh, thanks for having me out here with
you guys.
Ryan: Absolutely.
Jeff is from the Desert Roads and Trails Society.
We are very happy to have him out here as
a guide for us and to show us some of the
techniques behind wheeling in the sand because
it is a little bit different from what we're
used to.
So we have the Deegan Jeep out here.
This is the Jeep that we built for Brian Deegan.
If you haven't seen that video, make sure
you subscribe to our YouTube channel that
way you can check that video out as well as
our video of us wheeling this Jeep at Easter
Jeep Safari this year.
That was an absolute blast.
So, this Jeep's pretty well set up but Jeff's
gonna talk us through a little bit more about
how you want your Jeep to be set up and some
of the techniques that you're really gonna
use out here in the sand.
German:
Ryan: Ich bin Ryan von extremeterrain.com und
In dieser Folge sind wir hier in Sand Hollow
Lernen, wie man in den Dünen fährt.
Also hier sind wir hier bei Sand Mountain OHV
Bereich außerhalb des Sand Hollow State Park
und heute dreht sich alles um das Fahren auf den Dünen.
Neben mir habe ich Jeff.
Jeff, danke, dass du bei uns bist.
Jeff: Oh, danke, dass du mich hier draußen hast
Ihr.
Ryan: Absolut.
Jeff ist von der Desert Roads and Trails Society.
Wir sind sehr glücklich, ihn hier draußen zu haben
ein Leitfaden für uns und um uns einige der zu zeigen
Techniken hinter dem Sand im Sand
Es ist ein bisschen anders als das, was wir sind
gewöhnt an.
Also haben wir den Deegan Jeep hier draußen.
Das ist der Jeep, den wir für Brian Deegan gebaut haben.
Wenn Sie dieses Video noch nicht gesehen haben, vergewissern Sie sich
Du abonnierst unseren YouTube-Kanal
So können Sie das Video auch überprüfen
unser Video von uns diesen Jeep zu Ostern drehen
Jeep Safari in diesem Jahr.
Das war eine absolute Explosion.
Also, dieser Jeep ist ziemlich gut aufgestellt, aber Jeffs
werde uns ein bisschen mehr erzählen
wie du willst, dass dein Jeep aufgestellt wird und einiges
von den Techniken, die du wirklich willst
Benutze hier draußen im Sand.
English:
I know we were talking about the fact that
you can pretty much take a stock vehicle out
here and wheel it.
Jeff: That's correct.
All you need out here to get on the sand is
just air your tires down, get a bigger footprint,
little bit of horsepower, and some common
sense and anybody can come out here and wheel
in the sand.
Ryan: If you have something, especially something
like yours that's got a big wide tire, it's
an even bigger footprint, that's gonna give
you some more traction.
Jeff: It gives you a lot more traction, a
little more aggressive tread.
You can get too aggressive if you don't have
enough power and then you're just gonna dig
a hole and you're not gonna go anywhere.
Ryan: If you do start getting yourself into
one of these situations, don't just hammer
down and dig it down to the frame.
Jeff: Right.
That's not a fun situation to be in.
Ryan: We have the Deegan Jeep.
Like we said before, just has 37 by 12.50
tires on it.
It's got a 4-inch lift to clear those tires
and maybe most importantly about this setup
are the shocks.
These are the Falcon 3.3 adjustable shocks.
We have them on a fairly soft setting because
you said out here with some of the Razors
and the ATVs, it can get pretty rough.
Jeff: Right.
It gets pretty bumpy with the tracks that
people leave and then also, you'll notice
German:
Ich weiß, dass wir darüber gesprochen haben
Sie können so ziemlich ein Serienfahrzeug nehmen
hier und drehen Sie es.
Jeff: Das ist richtig.
Alles, was du hier draußen brauchst, um in den Sand zu steigen, ist
lüfte einfach deine Reifen runter, bekomme eine größere Standfläche,
ein bisschen Pferdestärke, und einige gemeinsame
Sinn und jeder kann hier rauskommen und Rad fahren
im Sand.
Ryan: Wenn du etwas hast, vor allem etwas
wie deine, die einen großen, breiten Reifen hat, ist es
ein noch größerer Fußabdruck, der geben wird
Du hast mehr Traktion.
Jeff: Es gibt Ihnen viel mehr Traktion, a
etwas aggressiveres Profil.
Sie können zu aggressiv werden, wenn Sie nicht haben
genug Kraft und dann wirst du graben
ein Loch und du wirst nirgendwohin gehen.
Ryan: Wenn du dich selbst anfängst
in einer dieser Situationen hämmere nicht einfach
runter und graben Sie es bis zum Rahmen.
Jeff: Richtig.
Das ist keine lustige Situation.
Ryan: Wir haben den Deegan Jeep.
Wie wir schon sagten, hat nur 37 von 12.50
Reifen drauf.
Es hat einen 4-Zoll-Lift, um diese Reifen zu löschen
und vielleicht am wichtigsten über dieses Setup
sind die Schocks.
Dies sind die Falcon 3.3 verstellbaren Dämpfer.
Wir haben sie in einer ziemlich weichen Umgebung, weil
Du hast hier draußen mit einigen der Rasiermesser gesprochen
und die ATVs, kann es ziemlich rau werden.
Jeff: Richtig.
Es wird ziemlich holprig mit den Tracks
Leute gehen und dann auch, Sie werden es bemerken
Spanish:
Sé que estábamos hablando del hecho de que
puedes sacar un vehículo de stock
aquí y ruedalo.
Jeff: Eso es correcto.
Todo lo que necesitas aquí para entrar en la arena es
simplemente airee sus neumáticos, obtenga una huella más grande,
poco de caballos de fuerza, y algo común
sentido y cualquiera puede venir aquí y la rueda
en la arena.
Ryan: si tienes algo, especialmente algo
como el tuyo que tiene un neumático grande y ancho, es
una huella aún más grande, eso va a dar
usted un poco más de tracción.
Jeff: Te da mucha más tracción, una
un poco más agresivo.
Puedes volverte demasiado agresivo si no tienes
suficiente potencia y luego solo vas a cavar
un agujero y no vas a ir a ninguna parte.
Ryan: si comienzas a entrar en
una de estas situaciones, no solo martillee
hacia abajo y cavar hacia abajo al marco.
Jeff: Correcto.
Esa no es una situación divertida en la que estar.
Ryan: Tenemos el Deegan Jeep.
Como dijimos antes, solo tiene 37 por 12.50
neumáticos en él.
Tiene un elevador de 4 pulgadas para limpiar esos neumáticos
y tal vez lo más importante acerca de esta configuración
son los choques
Estos son los amortiguadores ajustables Falcon 3.3.
Los tenemos en un entorno bastante suave porque
dijiste aquí con algunas de las Navajas
y los cuatriciclos, puede ser bastante duro.
Jeff: Correcto.
Se pone muy lleno de baches con las pistas que
la gente se va y luego también, te darás cuenta
French:
Je sais que nous parlions du fait que
vous pouvez à peu près sortir un véhicule stock
ici et roulez-le.
Jeff: C'est vrai.
Tout ce que vous avez besoin ici pour aller sur le sable est
il suffit d’aérer vos pneus, d’obtenir une plus grande empreinte,
peu de puissance, et quelques communes
sens et n'importe qui peut sortir ici et rouler
dans le sable.
Ryan: Si tu as quelque chose, surtout quelque chose
comme le vôtre qui a un gros pneu large, c'est
une empreinte encore plus grande, ça va donner
vous avez plus de traction.
Jeff: Cela vous donne beaucoup plus de traction, un
bande de roulement un peu plus agressive.
Vous pouvez devenir trop agressif si vous n'avez pas
assez de puissance et alors vous allez juste creuser
un trou et tu ne vas aller nulle part.
Ryan: Si vous commencez à vous mettre dans
une de ces situations, ne vous contentez pas de marteler
vers le bas et creuse le cadre.
Jeff: C'est vrai.
Ce n'est pas une situation amusante.
Ryan: Nous avons la Jeep Deegan.
Comme nous l'avons déjà dit, il n'y en a que 37 par 12.50
pneus dessus.
Il a un ascenseur de 4 pouces pour dégager ces pneus
et peut-être le plus important à propos de cette configuration
sont les chocs.
Ce sont les amortisseurs réglables Falcon 3.3.
Nous les avons sur un réglage assez doux car
vous avez dit ici avec certains des rasoirs
et les VTT, ça peut devenir assez difficile.
Jeff: C'est vrai.
Il devient assez cahoteuse avec les pistes
les gens partent et puis, vous remarquerez
French:
sur les dunes, selon la direction
le vent va, il y a un Razorback et c'est
vraiment raide.
Vous ne voulez pas les monter parce que vous avez probablement
ne le fera pas mais vous ne voulez pas voler
de eux non plus ou vous allez faire un piqué dans le
le sable.
Oui, je ne pense pas que je veuille en faire un.
Ryan: Oui.
Mais encore une fois, c'est pourquoi nous avons l'expert,
nous avons Jeff ici.
Il va s'assurer que rien ne se passe comme ça
à nous aujourd'hui et que nous sommes juste sortis ici en ayant
un grand moment.
Donc, Jeff va monter mon fusil de chasse.
Nous allons sauter dans le Jeep Deegan et il est
va me montrer certaines des techniques ici,
avoir un peu de plaisir, puis Jeff
va prendre sa Jeep.
Nous allons jouer certains suivre le chef, déchire
autour d'ici, passez un bon moment.
Alors, allons-y.
Donc, avant de sortir sur le sable, le
La première chose que Jeff nous a fait faire ici est
Aérer, n'est-ce pas, Jeff?
Donc, cela nous donne une empreinte de taille assez décente.
Mais vous disiez de ne pas vouloir diffuser
trop bas parce que vous pouvez réellement obtenir
sable dans la perle.
Jeff: Ouais.
Quand tu frappes quelque chose, ça ouvrira ta perle
en haut, vous obtenez du sable là-dedans, et alors tout votre
l'air fuit.
Coupes dans votre temps de jeu.
Ryan; Ouais, on ne veut pas faire ça.
German:
auf den Dünen, je nachdem in welche Richtung
der Wind geht, da ist ein Razorback und das ist
wirklich steil.
Du willst sie wahrscheinlich nicht hochgehen
Ich werde es nicht schaffen, aber du willst nicht wegfliegen
von ihnen entweder oder du wirst einen Sturzflug in der
Sand.
Ja, ich glaube nicht, dass ich jemals einen machen möchte.
Ryan: Ja.
Aber wieder, deshalb haben wir den Experten,
Wir haben Jeff hier draußen.
Er wird dafür sorgen, dass so etwas nicht passiert
zu uns heute und dass wir gerade hier sind
eine großartige Zeit.
Also wird Jeff meine Schrotflinte fahren.
Wir werden in den Deegan Jeep steigen und er ist dabei
werde mir hier einige der Techniken zeigen,
hab ein bisschen Spaß und dann Jeffs
werde in seinen Jeep steigen.
Wir werden einige spielen, die dem Anführer folgen, reißen
hier draußen, viel Spaß.
Also lass uns danach kommen.
Bevor wir also hier auf dem Sand ausgingen,
Das erste was Jeff von uns hier machen ließ ist
runter rennen, richtig, Jeff?
Das gibt uns eine ziemlich gute Größe.
Aber du hast gesagt, dass du nicht an der Luft sein wolltest
zu viel runter, weil du es tatsächlich bekommen kannst
Sand in der Perle.
Jeff: Ja.
Wenn du etwas triffst, öffnet es deine Perle
oben, du bekommst Sand dort und dann alle deine
Luft tritt aus.
Schnitte in deine Spielzeit.
Ryan; Ja, das wollen wir nicht machen.
English:
on the dunes, depending on which direction
the wind goes, there's a Razorback and that's
real steep.
You don't wanna go up 'em because you probably
won't make it but you don't wanna fly off
of 'em either or you'll do a nosedive in the
sand.
Yeah, I don't think I'd ever wanna do one.
Ryan: Yeah.
But again, that's why we have the expert,
we have Jeff out here.
He's gonna make sure nothing like that happens
to us today and that we're just out here having
a great time.
So, Jeff's gonna be riding my shotgun.
We're gonna hop in the Deegan Jeep and he's
gonna show me some of the techniques out here,
have a little bit of fun, and then Jeff's
gonna get in his Jeep.
We're gonna play some follow the leader, rip
around out here, have a great time.
So let's get after it.
So before we got out here on the sand, the
first thing that Jeff had us do out here is
airing down, right, Jeff?
So that's giving us a pretty decent size footprint.
But you were saying about not wanting to air
down too much because you can actually get
sand in the bead.
Jeff: Yeah.
When you hit something, it'll open your bead
up, you get sand in there, and then all your
air leaks out.
Cuts into your play time.
Ryan; Yeah, we don't wanna do that.
Spanish:
en las dunas, dependiendo de qué dirección
el viento se va, hay un Razorback y eso es
muy empinado
No quieres subirlos porque probablemente
no lo hará pero no quieres volar
de 'ellos tampoco o harás una caída en picado en el
arena.
Sí, no creo que alguna vez quiera hacer una.
Ryan: Sí.
Pero de nuevo, es por eso que tenemos el experto,
tenemos a Jeff aquí.
Él va a asegurarse de que nada de eso pase
para nosotros hoy y que estamos aquí afuera teniendo
un gran momento.
Entonces, Jeff va a montar mi escopeta.
Vamos a saltar en el Deegan Jeep y él está
me mostrará algunas de las técnicas aquí,
Diviértete un poco, y luego Jeff
Va a entrar en su Jeep.
Jugaremos a algunos, sigan al líder, rasgad
por aquí, pasar un buen rato.
Así que vayamos a buscarlo.
Así que antes de salir aquí en la arena, el
Lo primero que Jeff nos hizo hacer aquí es
aireándose, ¿verdad, Jeff?
Eso nos está dando una huella de tamaño bastante decente.
Pero estabas diciendo que no querías airear
demasiado porque realmente se puede obtener
arena en el cordón.
Jeff: Sí.
Cuando golpeas algo, abrirá tu cuenta
arriba, obtienes arena allí, y luego todo tu
el aire se filtra.
Recorta tu tiempo de juego.
Ryan; Sí, no queremos hacer eso.
French:
Nous voulons nous amuser ici.
Venir à quelques dunes de taille décente
ici.
Dites-moi essentiellement comment je veux aborder
celles-ci.
Jeff: Naturellement, la vitesse est en votre faveur, d'accord.
Si vous essayez de monter quelque chose de lent, vous êtes
ne va pas y arriver
Tu dois vérifier le fond de la dune,
assurez-vous d'avoir une bonne rampe d'approche pour
vous ne plongez pas dans la dune parce que
Si tu fais ça, tu vas perdre ton élan
et ça ne va pas se sentir bien.
Ensuite, il vous suffit de rester dans la manette des gaz
jusqu'à ce que vous arriviez au sommet, puis essayez de ne pas
survoler les dunes, à moins que vous
savoir ce qu'il y a de l'autre côté et vous avez
un bon atterrissage.
Ryan: Je l'ai compris
Donc, c'est un peu de contrôle de la manette car,
comme tu as dit, tu veux être dedans pour garder
votre élan au sommet, mais une fois que vous obtenez
vers le haut, ralentir assez agressivement
afin que vous puissiez voir où vous venez.
Donc c'est une petite dune, ce n'est pas énorme
dune mais c'est une petite dune alors on va
essayer un peu des techniques qui
vous avez parlé
Donc je vais donner un peu de gaz
jusqu'à ce que nous arrivions au sommet, relâcher pour que nous puissions
voir ce qui se passe ...
Jeff: Soulagez-vous pour voir ce qu'il y a de l'autre
côté parce que si vous ne pouvez pas voir quand vous obtenez
English:
We wanna have fun out here.
Coming up to a couple of decent-sized dunes
here.
Tell me essentially how I want to approach
these.
Jeff: Naturally, speed's on your favor, okay.
If you try to go up something slow, you're
not gonna make it.
You've gotta check out the bottom of the dune,
make sure you have a good approach ramp so
you're not nosediving into the dune because
if you do that, you're gonna lose your momentum
and it's not gonna feel good.
Then you just need to stay in the throttle
till you get to the top and then try not to
fly over the top of the dunes, unless you
know what's on the other side and you've got
a good landing.
Ryan: Got it.
So it's a little bit of throttle control because,
like you said, you wanna be into it to keep
your momentum to the top but once you get
to the top, slow down pretty aggressively
so you can see where you're coming down.
So this is a little dune, it's not a huge
dune but it's a little dune so we're gonna
kinda try out some of the techniques that
you talked about.
So I'm gonna give it a little bit of throttle
till we get to the top, ease off so we can
see what's going down...
Jeff: Ease off so you see what's on the other
side because if you can't see when you get
Spanish:
Queremos divertirnos aquí.
Llegando a un par de dunas de buen tamaño
aquí.
Dime esencialmente cómo quiero acercarme
estas.
Jeff: Naturalmente, la velocidad está a tu favor, está bien.
Si tratas de subir algo lento, eres
No lo haré.
Debes ver el fondo de la duna,
asegúrate de tener una buena rampa de aproximación para
no estás cayendo en picado en la duna porque
si haces eso, vas a perder tu impulso
y no se sentirá bien.
Entonces solo necesitas permanecer en el acelerador
hasta llegar a la cima y luego tratar de no
vuela sobre la cima de las dunas, a menos que
saber lo que está del otro lado y tienes
un buen aterrizaje.
Ryan: Entendido.
Así que es un poco de control del acelerador porque
como dijiste, quieres estar en eso para mantener
su impulso a la cima, pero una vez que llegue
en la parte superior, reduzca la velocidad de forma bastante agresiva
para que puedas ver dónde estás bajando.
Entonces esta es una pequeña duna, no es una gran
duna, pero es una pequeña duna, así que vamos a
un poco probar algunas de las técnicas que
de lo que hablaste
Así que voy a darle un poco de aceleración
hasta que lleguemos a la cima, relajemos para poder
ver lo que está pasando ...
Jeff: liberate para que veas lo que está en el otro
lado porque si no puede ver cuando obtienes
German:
Wir wollen hier draußen Spaß haben.
Sie kommen zu ein paar anständigen Dünen
Hier.
Sag mir im Wesentlichen, wie ich mich annähern möchte
diese.
Jeff: Natürlich, Geschwindigkeit ist zu deinen Gunsten, okay.
Wenn du versuchst, etwas langsamer zu machen, bist du es
Ich werde es nicht schaffen.
Du musst den Grund der Düne erkunden,
Stellen Sie sicher, dass Sie eine gute Zufahrtsrampe haben
Du fährst nicht in die Düne, weil
Wenn Sie das tun, werden Sie Ihren Schwung verlieren
und es wird sich nicht gut anfühlen.
Dann müssen Sie nur noch Gas geben
bis du an die Spitze kommst und dann versuchst du es nicht
flieg über die Dünen, außer du
weiß, was auf der anderen Seite ist und du hast
eine gute Landung.
Ryan: Verstanden.
Es ist also ein bisschen Gaskontrolle, weil
Wie du gesagt hast, du willst darin sein, um es zu behalten
Ihr Schwung an die Spitze, aber sobald Sie kommen
nach oben, verlangsamen ziemlich aggressiv
damit du siehst, wo du herunterkommst.
Das ist also eine kleine Düne, es ist nicht riesig
Düne, aber es ist eine kleine Düne, also werden wir es tun
ein bisschen versuchen Sie einige der Techniken, die
Du hast darüber gesprochen.
Also werde ich ein bisschen Gas geben
bis wir an die Spitze kommen, beruhigen wir uns
Schau, was runter geht ...
Jeff: Verschwinde, damit du siehst, was auf der anderen Seite ist
Seite, weil, wenn Sie nicht sehen können, wenn Sie bekommen
Spanish:
en la parte superior, apaga y monta la parte superior de la
duna hasta que puedas ver y luego puedes girar
vuelve a bajar y vete por el otro lado, luego
no tienes que frenar.
Ryan: Sí, está bien.
Obtener un poco de aceleración aquí.
Jeff: Esa es una caída bastante empinada allí.
Ryan: Eso es bastante caro.
Puedo ver lo que quieres decir allí.
Si no te sueltas y llevas velocidad
ese...
Jeff: Sí, te conviertes en un avión sin
alas.
Ryan: Eso no es lo que quieres porque cuando
uno entra por el otro lado, ahí es cuando
terminas con algunos problemas
Entonces sabemos que en este momento el viento que formó
estas dunas vienen de nuestra espalda, tan bonitas
muchas dunas con las que nos encontramos van a
ser lo mismo
Poco [diafonía 00:04:34].
Jeff: Correcto.
Va a ser lo mismo en todas partes.
Este es un poco más empinado en la parte superior, por lo
vas a necesitar un poco más de impulso.
Sólo déjalo en la parte superior o puedes en realidad
aprieta los frenos y desliza el otro
lado y con suerte, no está a 300 pies de la
fondo.
Ryan: Sí, está bien.
Bueno, lo descubriremos.
Jeff: Vas a necesitar un gran impulso.
Ryan: Bien.
English:
to the top, turn off and ride the top of the
dune until you can see and then you can turn
back down and go off the other side, then
you don't have to slow down.
Ryan: Yeah, all right.
Get a little bit of throttle here.
Jeff: That's a pretty steep drop-off there.
Ryan: That is pretty steep.
I can see what you mean there.
If you don't let off and you carry speed over
that...
Jeff: Yeah, you become an airplane with no
wings.
Ryan: That's not what you want because when
you nose in on the other side, that's when
you end up with some problems.
So we know that right now the wind that shaped
these dunes is coming from our back, so pretty
much every dune that we come upon is gonna
be the same thing.
Little [crosstalk 00:04:34].
Jeff: Correct.
It's gonna be the same thing everywhere.
This one's a little steeper at the top so
you're gonna need a little bit more momentum.
Just let off at the top or you can actually
slam on your brakes and slide off the other
side and hopefully, it's not 300 feet to the
bottom.
Ryan: Yeah, okay.
Well, we'll find out.
Jeff: You're gonna need a lot of momentum.
Ryan: Okay.
German:
nach oben, schalten Sie ab und fahren Sie die Spitze der
Düne, bis Sie sehen können und dann können Sie sich drehen
wieder runter und dann auf die andere Seite
Sie müssen nicht langsamer werden.
Ryan: Ja, schon gut.
Holen Sie sich hier ein bisschen Gas.
Jeff: Das ist ein ziemlich steiler Abgang dort.
Ryan: Das ist ziemlich steil.
Ich kann sehen, was du dort meinst.
Wenn Sie nicht loslassen und Sie tragen die Geschwindigkeit über
Das...
Jeff: Ja, du wirst ein Flugzeug ohne
Flügel.
Ryan: Das ist nicht was du willst, denn wann
Du nagelst auf der anderen Seite
Sie haben Probleme.
So wissen wir, dass gerade jetzt der Wind sich geformt hat
diese Dünen kommen von unserem Rücken, so hübsch
viel wird jede Düne, auf die wir stoßen
sei das Gleiche.
Wenig [Übersprechen 00:04:34].
Jeff: Richtig.
Es wird überall dasselbe sein.
Dieser ist an der Spitze etwas steiler
Du wirst ein bisschen mehr Schwung brauchen.
Einfach oben loslassen oder du kannst es tatsächlich
knallen Sie auf Ihre Bremsen und rutschen Sie von der anderen ab
Seite und hoffentlich ist es nicht 300 Meter zu
Unterseite.
Ryan: Ja, okay.
Nun, wir werden es herausfinden.
Jeff: Du wirst viel Schwung brauchen.
Ryan: Okay.
French:
vers le haut, éteignez et montez le haut de la
dune jusqu'à ce que vous puissiez voir et ensuite vous pouvez tourner
reculer et partir de l'autre côté, puis
vous n'avez pas besoin de ralentir.
Ryan: Ouais, d'accord.
Obtenez un peu de gaz ici.
Jeff: C'est une chute plutôt raide.
Ryan: C'est assez raide.
Je peux voir ce que tu veux dire par là.
Si vous ne lâchez pas et que vous portez plus de vitesse
cette...
Jeff: Ouais, tu deviens un avion sans
ailes.
Ryan: Ce n'est pas ce que tu veux parce que quand
vous rentrez de l'autre côté, c'est quand
vous vous retrouvez avec des problèmes.
Donc, nous savons que maintenant le vent qui a formé
ces dunes viennent de notre dos, si jolie
beaucoup de dunes que nous rencontrons va
être la même chose
Little [diaphonie 00:04:34].
Jeff: Correct.
Ça va être la même chose partout.
Celui-ci est un peu plus raide au sommet donc
vous aurez besoin d'un peu plus d'élan.
Il suffit de laisser tomber en haut ou vous pouvez réellement
claque sur tes freins et glisse de l'autre
côté et heureusement, ce n'est pas 300 pieds à la
bas.
Ryan: Ouais, d'accord.
Eh bien, nous allons découvrir.
Jeff: Vous aurez besoin de beaucoup d'élan.
Ryan: D'accord
German:
Jeff: Mann, du bist ziemlich direkt dabei
Seite.
Gut gemacht.
Ryan: Also, ja.
Ich geriet ein bisschen in Panik, als wir an der
oben, kam zu einem völligen Stillstand.
Zum Glück wurde nicht hoch zentriert.
Wir waren nicht zu weit rechts und wir waren
kann es speichern.
Also hier draußen auf dem Sand kann man definitiv
mach dich fest, aber es ist auch sehr vermeidbar,
du hast gesagt, solange du das richtige tust
Ding, wenn du anfängst zu drehen, oder?
Jeff: Wenn du etwas kletterst, ja,
es ist definitiv vermeidbar.
Wichtig ist, vor dir aufzuhören
Vergraben Sie Ihre Achsen dorthin, wo Sie schaufeln müssen
es raus und ich weiß, wir sind Freunde, aber wenn Sie
vergrabe es an den Achsen, du bist allein,
Kumpel.
Ryan: Ich höre dich.
Nun, wir werden alles tun, was wir verhindern können
Das.
Es ist also ziemlich viel, wenn ich anfange es zu fühlen
drehen, wenn ich wirklich Schwung verliere, wollen wir
wieder raus, oder?
Jeff: Nun, ja.
Solange du dich bewegst, gibt es eine Möglichkeit
dass du es immer noch schaffen könntest.
English:
Jeff: Man, you're pretty straight off on this
side.
Good job.
Ryan: So, yeah.
I panicked a little bit when we got to the
top, came to a complete stop.
Luckily didn't get high-centered.
We weren't too far over the right and we were
able to save it.
So out here on the sand, you can definitely
get yourself stuck but it's also very preventable,
you were saying, as long as you do the right
thing once you start spinning, right?
Jeff: When you're climbing something, yes,
it's definitely preventable.
The important thing is to stop before you
bury your axles to where you have to shovel
it out and I know we're friends but if you
bury it to the axles, you're on your own,
buddy.
Ryan: I hear you.
Well, we'll do everything we can to prevent
that.
So it's pretty much when I start feeling it
spin, when I really lose momentum, we wanna
back out of it, right?
Jeff: Well, yeah.
As long as you're moving, there's a possibility
that you could still make it.
French:
Jeff: Mec, tu es assez direct sur ça
côté.
Bon travail.
Ryan: Alors oui.
J'ai paniqué un peu quand nous sommes arrivés à la
en haut, s'est arrêté complètement.
Heureusement, il n'est pas très centré.
Nous n'étions pas trop au-dessus de la droite et nous étions
capable de le sauver.
Donc, sur le sable, vous pouvez certainement
se coincer mais c'est aussi très évitable,
vous disiez, tant que vous faites le bien
chose une fois que vous commencez à tourner, non?
Jeff: Quand vous escaladez quelque chose, oui,
c'est définitivement évitable.
L'important est de vous arrêter avant
enterrez vos essieux à l'endroit où vous devez pelleter
dehors et je sais que nous sommes amis mais si vous
enfoncez-le dans les essieux, vous êtes seul,
copain.
Ryan: Je vous entends
Eh bien, nous ferons tout notre possible pour empêcher
cette.
Donc c'est à peu près quand je commence à le sentir
tourner, quand je perds vraiment mon élan, nous voulons
en sortir, non?
Jeff: Ben oui.
Tant que vous déménagez, il y a une possibilité
que vous pourriez encore le faire.
Spanish:
Jeff: Hombre, eres bastante directo en esto
lado.
Buen trabajo.
Ryan: Entonces, si.
Me entró el pánico un poco cuando llegamos a la
arriba, se detuvo por completo.
Afortunadamente no se centró demasiado.
No estábamos demasiado lejos de la derecha y estábamos
capaz de salvarlo
Así que aquí en la arena, definitivamente puedes
ponte pegado, pero también es muy prevenible,
estabas diciendo, siempre y cuando hagas lo correcto
una vez que comienzas a girar, ¿verdad?
Jeff: cuando estás escalando algo, sí,
es definitivamente evitable.
Lo importante es parar ante ti
entierra tus ejes a donde tienes que palear
y sé que somos amigos, pero si
enterrarlo en los ejes, estás solo,
compañero.
Ryan: te escucho
Bueno, haremos todo lo posible para prevenir
ese.
Así que es más o menos cuando empiezo a sentirlo
giro, cuando realmente pierdo impulso, queremos
volver atrás, ¿verdad?
Jeff: Bueno, sí.
Mientras te estés moviendo, hay una posibilidad
que aún podrías lograrlo
English:
It's when the vehicle comes to a dead stop
is where you're gonna dig in.
When the vehicle comes to a dead stop, that's
when you let off the throttle, put it in reverse,
and you can back out.
And the important thing that you gotta remember
is to keep the vehicle straight when you're
coming down.
Ryan: So we're gonna try this, which is pretty
steep.
We're gonna take it a little bit slower, that
way we can get a feel for how that process
works when you back out.
Jeff: Exactly.
There you go.
Ryan: So right as you come to a complete stop
as you said, that's when you wanna hit the
brake.
Jeff: That's when you want to let off the
throttle, stop.
You should be good to back down.
Ryan: Yeah, we got gravity on our side here.
So this is a small little one so it makes
it really easy to come out of it.
And then like you said, as long as you keep
the steering wheel straight, so what we're
gonna do here is back up and try the same
thing but now try not to get stuck.
And let me get a little more throttle, see
what happens.
Oops!
A little too fast.
Jeff: No, it's all right.
Making it's better than not.
Ryan: Yeah.
Spanish:
Es cuando el vehículo se detiene por completo
es donde vas a cavar
Cuando el vehículo se detiene, eso es
cuando desactivas el acelerador, ponlo en reversa,
y puedes retroceder.
Y lo importante que debes recordar
es mantener el vehículo recto cuando estás
bajando.
Ryan: Entonces vamos a intentar esto, que es bastante
escarpado.
Vamos a tomarlo un poco más lento, eso
forma en que podemos tener una idea de cómo ese proceso
funciona cuando te retiras.
Jeff: Exactamente.
Ahí tienes.
Ryan: Así que justo cuando te detengas por completo
como dijiste, entonces es cuando quieres golpear
freno.
Jeff: Entonces es cuando quieres dejar el
acelerador, parada.
Deberías ser bueno para echarte atrás.
Ryan: Sí, tenemos la gravedad de nuestro lado aquí.
Así que este es un pequeño pequeño por lo que hace
es realmente fácil salir de eso.
Y luego como dijiste, siempre y cuando mantengas
el volante derecho, entonces lo que estamos
va a hacer aquí es una copia de seguridad y prueba lo mismo
cosa, pero ahora trata de no atascarse.
Y déjame acelerar un poco más, ver
lo que pasa.
Oops!
Un poco demasiado rápido.
Jeff: No, está bien.
Haciendo que sea mejor que no.
Ryan: Sí.
German:
Es ist, wenn das Fahrzeug zum Stillstand kommt
ist, wo du graben wirst.
Wenn das Fahrzeug zum Stillstand kommt
Wenn Sie den Gashebel loslassen, legen Sie den Rückwärtsgang ein,
und du kannst zurückgehen.
Und das Wichtige, an das du dich erinnern musst
ist, das Fahrzeug gerade zu halten, wenn Sie sind
runterkommen.
Ryan: Also versuchen wir das, was schön ist
steil.
Wir werden es ein bisschen langsamer nehmen
So können wir ein Gefühl für diesen Prozess bekommen
funktioniert, wenn Sie zurückgehen.
Jeff: Genau.
Da gehst du.
Ryan: So richtig, als du komplett zum Stillstand kommst
wie du schon sagtest, das ist, wenn du die
Bremse.
Jeff: Das ist, wenn du das auslassen willst
Gas geben, anhalten.
Sie sollten gut sein, um sich zurückzuziehen.
Ryan: Ja, wir haben die Schwerkraft hier auf unserer Seite.
Also das ist ein kleines kleines so macht es
es ist wirklich einfach, daraus zu kommen.
Und dann, wie du gesagt hast, solange du beharrst
das Lenkrad gerade, also was wir sind
werde tun, ist hier wieder und versuchen das gleiche
Ding aber jetzt versuchen, nicht stecken zu bleiben.
Und lass mich ein bisschen mehr Gas geben
was geschieht.
Hoppla!
Ein bisschen zu schnell.
Jeff: Nein, es ist in Ordnung.
Mach es besser als nicht.
Ryan: Ja.
French:
C'est quand le véhicule arrive à un arrêt mort
est où vous allez creuser
Lorsque le véhicule arrive à un arrêt, c'est
quand vous relâchez la manette, mettez-la en marche arrière,
et vous pouvez reculer.
Et la chose importante que tu dois retenir
est de garder le véhicule droit quand vous êtes
descendre.
Ryan: Alors on va essayer ça, ce qui est joli
raide.
Nous allons prendre un peu plus lentement, que
façon dont nous pouvons avoir une idée de la façon dont ce processus
fonctionne quand vous vous retirez.
Jeff: Exactement.
Voilà.
Ryan: Alors, vous arrêtez complètement
comme vous l'avez dit, c'est quand vous voulez frapper la
frein.
Jeff: C'est quand vous voulez laisser tomber
gaz, arrêt.
Vous devriez être bon pour reculer.
Ryan: Oui, nous avons la gravité de notre côté ici.
Donc c'est un petit petit donc ça fait
c'est vraiment facile d'en sortir.
Et puis comme tu l'as dit, tant que tu gardes
le volant droit, alors ce que nous sommes
va faire ici est de retour et essayer la même chose
chose mais essayez maintenant de ne pas rester coincé.
Et laissez-moi prendre un peu plus d'accélération, voir
ce qui se produit.
Oops!
Un peu trop vite
Jeff: Non, ça va.
Faire mieux que pas.
Ryan: Oui.
German:
Gut.
Nun, du hast mir einen wirklich guten Crashkurs gegeben
Dort.
Ich habe einige der Techniken heruntergenommen.
Ich habe etwas Erfahrung unter meinem Gürtel.
Vielleicht gehst du in deinen Jeep, ich bleibe dabei
Eins, und wir werden ein wenig dem Anführer folgen,
herumreißen, viel Spaß haben?
Jeff: Okay.
Ryan: Er benutzt diese Düne wie eine große Berme.
Schlage es 30, 35 Meilen pro Stunde mit
schreie nur mit hoher Drehzahl und halte das Rad
beschleunigen.
Nur herumradeln in Zweiradantrieb mit
das hintere Fach auf eine gute Zeit zu haben.
English:
All right.
Well, you gave me a real good crash course
there.
I got some of the techniques down.
I got some experience under my belt.
Maybe you hop in your Jeep, I'll stay in this
one, and we'll play a little follow the leader,
rip around, have a good time?
Jeff: Okay.
Ryan: He's using that dune like a big berm.
Hitting it going 30, 35 miles an hour with
just screaming high RPM keeping that wheel
speed up.
Just messing around in two-wheel drive with
that rear locker on having a good time.
Spanish:
Todo bien.
Bueno, me diste un buen curso intensivo
ahí.
Tengo algunas de las técnicas abajo.
Tengo algo de experiencia en mi haber.
Tal vez te subas a tu Jeep, me quedaré en este
uno, y jugaremos un poco a seguir al líder,
rasgar, pasar un buen rato?
Jeff: Bien.
Ryan: Está usando esa duna como una gran berma.
Golpearlo yendo a 30, 35 millas por hora con
solo gritando altas RPM manteniendo esa rueda
acelerar.
Solo jugar en las dos ruedas con
ese armario trasero para pasar un buen rato.
French:
D'accord.
Eh bien, vous m'avez donné un vrai bon cours intensif
Là.
J'ai eu certaines des techniques.
J'ai de l'expérience dans ma ceinture.
Peut-être que vous montez dans votre Jeep, je resterai dans cette
un, et nous jouerons un peu le leader,
arnaquer, passer un bon moment?
Jeff: D'accord.
Ryan: Il utilise cette dune comme une grosse berme.
Frapper ça va 30, 35 miles à l'heure avec
juste crier haut RPM garder cette roue
accélérer.
Juste déconner en deux roues motrices avec
ce casier arrière sur passer un bon moment.
German:
Also hält er Ausschau nach anderen Leuten,
Ja, ATVs, Dirt Bikes, es gibt alle Arten
von verschiedenen Seiten um hier.
Ja, da sind wir.
Etwas seitwärts kommend den Hügel hinunter
Dort.
Ich habe mich definitiv zu sehr in Schwierigkeiten gebracht.
Habe es gut gemacht.
Ich sage dir, du bekommst eine gute Radgeschwindigkeit
und du kannst nach oben gehen, was nicht aussieht
wie du in der Lage sein solltest nach oben zu gehen.
Aber es geht immer noch um Drosselklappensteuerung, weil
Du willst so viel Schwung wie möglich mitnehmen
durch den Aufstieg, aber sobald Sie aufstehen
oben, du willst wirklich langsamer werden, also tust du es nicht
Spanish:
Así que está atento a otras personas,
sí, ATV, dirt bikes, hay todo tipo
de lados diferentes por lados aquí.
Sí, allí vamos.
Tengo un poco de costado bajando la colina
ahí.
Definitivamente me metí en demasiados problemas.
Lo hizo bien.
Te digo, obtienes una buena velocidad de la rueda
y puedes subir cosas que no se ven
como deberías poder subir.
Pero todavía se trata del control del acelerador porque
quieres llevar todo el impulso que puedas
a través de la escalada, pero una vez que llegue hasta el
arriba, realmente quieres disminuir la velocidad para que no lo hagas
English:
So he's keeping an eye out for other people,
yeah, ATVs, dirt bikes, there's all kinds
of different side by sides out here.
Yeah, there we go.
Got a little sideways coming down the hill
there.
Definitely got myself into too much trouble.
Made it just fine.
I tell you, you get some good wheel speed
up and you can go up stuff that doesn't look
like you should be able to go up.
But it is still about throttle control because
you wanna carry as much momentum as you can
through the climb but once you get up to the
top, you really wanna slow down so you don't
French:
Donc, il garde un œil sur les autres,
ouais, VTT, motos, il y a toutes sortes
de différents côte à côte ici.
Ouais, on y va.
Vous avez un peu de recul en descendant la colline
Là.
Je me suis vraiment mis dans la peine.
C'est parfait.
Je vous le dis, vous obtenez une bonne vitesse de roue
up et vous pouvez monter des choses qui ne semble pas
comme tu devrais pouvoir monter.
Mais il est toujours question de contrôle des gaz car
vous voulez porter autant d'élan que vous pouvez
à travers la montée, mais une fois que vous vous levez à la
en haut, tu veux vraiment ralentir pour ne pas
French:
l'air sort par-dessus la chose.
Jeff fait une petite montée ici.
Avoir de la vitesse de roue pour celui-ci
pour sûr.
Nous essayons de revenir à l'endroit où nous
commencé ici.
Ces collines sont raides, le soleil cuit
em toute la journée, le sable est super, super
sec.
Cela nous donne certainement un petit coup de pouce
ici donc je vais lui donner une autre course ici
Spanish:
el aire sale por encima de la cosa.
Jeff está haciendo una pequeña escalada aquí.
Tengo que acelerar un poco la rueda para este
sin lugar a duda.
Estamos tratando de volver a donde estamos
comenzó aquí.
Estas colinas son empinadas, el sol ha estado horneando
todo el día, la arena es súper, super
seco.
Esto definitivamente nos está dando un poco de forma
aquí, así que voy a darle otra carrera aquí
German:
Luft raus über die Spitze des Dinges.
Jeff macht hier einen kleinen Aufstieg.
Dafür muss man etwas Rad beschleunigen
sicher.
Wir versuchen einfach dahin zurück zu kommen, wo wir sind
begann hier.
Diese Hügel sind steil, die Sonne brennt
ihnen den ganzen Tag, der Sand ist super, super
trocken.
Dies gibt uns definitiv ein bisschen fit
Hier, ich werde es hier noch einmal versuchen
English:
air out coming over the top of the thing.
Jeff's making a little climb here.
Have to get some wheel speed up for this one
for sure.
We're trying to just get back to where we
started here.
These hills are steep, the sun's been baking
'em all day long, the sand is super, super
dry.
This is definitely giving us a bit of a fit
here so I'm gonna give it another run here
Spanish:
y mira cómo lo hago.
Hecho.
Usted solo martillea a veces.
Bueno, eso nos va a hacer salir
aquí en las dunas.
Aprendí mucho, tuve una explosión absoluta, y
Quiero decir un par de gracias.
Primero, para ti, Jeff, muchas gracias por
mostrándonos todo y enseñándome cómo manejar
aquí afuera.
Jeff: Ha sido un placer.
Eres muy bienvenido.
Ryan: También un agradecimiento a Brian Deegan por
permitiéndonos tomar prestado el Deegan Jeep.
Hoy vencimos en esto, pero estamos dando
volver a él todo en una sola pieza, que soy
Seguro que estará feliz.
Y también muchas gracias a BLM,
la Oficina de Administración de Tierras que ayudó
para hacer este video posible.
Asegúrate de suscribirte a nuestro canal de YouTube,
de esa manera usted puede vernos girando esto
Jeep en Easter Jeep Safari y algunos de
el mejor contenido de Jeep por ahí.
English:
and see how I do.
Made it.
You just hammer down sometimes.
Well, that's gonna do it for us wheeling out
here on the dunes.
I learned a lot, had an absolute blast, and
I wanna say a couple of thank yous.
First, to you, Jeff, thank you so much for
showing us around and teaching me how to wheel
out here.
Jeff: It's been my pleasure.
You're very welcome.
Ryan: Also a thank you to Brian Deegan for
letting us borrow the Deegan Jeep.
We beat on this thing today but we are giving
it back to him all in one piece, which I'm
sure he'll be happy about.
And also a very big thank you to the BLM,
the Bureau of Land Management that helped
to make this video possible.
Make sure you subscribe to our YouTube channel,
that way you can check out us wheeling this
Jeep out at Easter Jeep Safari and some of
the best Jeep content out there.
German:
und schau, wie ich es tue.
Machte es.
Du hämmerst einfach mal runter.
Nun, das wird es für uns tun
hier auf den Dünen.
Ich habe viel gelernt, hatte eine absolute Explosion und
Ich möchte ein paar Dankeschön sagen.
Zuerst an dich, Jeff, vielen Dank dafür
zeigt uns herum und bringt mir bei, wie man dreht
raus hier.
Jeff: Es war mir ein Vergnügen.
Du bist sehr willkommen.
Ryan: Auch ein Dankeschön an Brian Deegan für
lass uns den Deegan Jeep ausleihen.
Wir schlagen heute auf dieses Ding, aber wir geben
es zurück zu ihm alle in einem Stück, was ich bin
sicher, dass er sich darüber freuen wird.
Und auch ein sehr großes Dankeschön an die BLM,
das Bureau of Land Management, das geholfen hat
um dieses Video möglich zu machen.
Stelle sicher, dass du unseren YouTube-Kanal abonnierst,
Auf diese Weise können Sie überprüfen, ob wir dies tun
Jeep bei Ostern Jeep Safari und einige von
der beste Jeep Inhalt da draußen.
French:
et vois comment je fais.
C'est fait
Vous venez de marteler parfois.
Eh bien, ça va le faire pour nous
ici sur les dunes.
J'ai beaucoup appris, eu un souffle absolu, et
Je veux dire quelques remerciements.
Tout d'abord, à vous, Jeff, merci beaucoup pour
nous montrant autour et m'apprend à rouler
là dehors.
Jeff: Ca a été mon plaisir.
Vous êtes les bienvenus.
Ryan: Merci aussi à Brian Deegan pour
nous laisser emprunter la Jeep Deegan.
Nous avons battu sur cette chose aujourd'hui, mais nous donnons
le lui rendre tout en un seul morceau, que je suis
Bien sûr, il en sera content.
Et aussi un très grand merci au BLM,
le Bureau of Land Management qui a aidé
pour rendre cette vidéo possible.
Assurez-vous de vous abonner à notre chaîne YouTube,
de cette façon, vous pouvez vérifier nous sur cette roue
Jeep à Pâques Jeep Safari et certains de
le meilleur contenu Jeep.
| {
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- [Narrator] What is up EWU Crew?
Today we are covering the
bizarre case of Jodi Huisentruit.
On June 5th, 1995, Jodi
Huisentruit of Mason City, Iowa,
celebrated her 27th birthday.
Her friend, John Vansice,
threw her a birthday party,
which he captured on video.
That video would later become
a source of great speculation
when three weeks later, Jodi
disappeared without a trace.
Jodi was an anchorwoman
on the KIMT morning show,
Day Break, in Mason City.
On June 27th, 1995, she was
due to arrive at the station
at 4 a.m. to prepare for the
show which started at 6 a.m.
Jodi never showed up for work.
Her red Mazda Miata was
found in the parking lot
of her apartment complex.
And personal belongings,
including a car key,
lay strewn on the ground nearby.
Neighbors reported hearing screams.
All evidence pointed to
Jodi having been abducted.
But who would do this, and why?
And where is Jodi's body?
- The sunny temperatures are here one day
then they disappear the next.
- [Narrator] Jodi Sue was born in 1968
to Maurice and Jane Huisentruit
of Long Prairie, Minnesota.
By all accounts she had a
perfectly normal childhood
in Minnesota alongside her
older sisters, Jill and JoAnn.
Shortly after her 14th birthday in 1982,
Jodi's father Maurice died.
As tragic as that likely was,
Maurice was spared the
unthinkable devastation
the family would
experience 13 years later.
Jodi and her mother were close,
often taking trips together.
In October 1994, they went on a cruise
during which time Jodi
met a man she liked.
She talked about it in her journal,
questioning why she got hooked so fast
and mentioning she was lonely.
There is no evidence that anything further
ever came of that relationship.
After Jodi disappeared,
her mother and sisters
worked tirelessly to find answers.
In the years that followed
her disappearance,
Jane Huisentruit became
convinced her daughter's body
was at the bottom of
the lake near her home.
Jane passed away in 2014,
never finding the answers
she had so desperately sought.
Older sister JoAnn Nathe is still active
in all the efforts to
find justice for Jodi.
For years she has appeared on both local
and national TV shows about the case.
"She was definitely too
trusting," JoAnn said,
during her interview for the
show "48 Hours" back in 2018.
When Jodi failed to show
up for work by 4 a.m.
her producer, Amy Kuns, called her.
She would later say that it
wasn't like Jodi to be late.
Her job was important to her
and she always made every
effort to be there on time.
Jodi answered the phone
and said she had overslept
but would be leaving soon.
- "What time is it?"
She asked the question so I told her,
"Jode, it's about 10 to four,
you need to come in to work."
"How much time is left
to produce on the show?"
I mean, she was obviously
thinking, she was aware,
she just knew she had overslept
and she had to get in to work.
- The show didn't start until six,
so she still had some time to get there
and get ready before she had
to be in front of the camera.
But, by 6 a.m., Jodi still hadn't arrived.
It was obvious something was very wrong.
The police were called,
and Amy filled in for Jodi on the show.
The scene the police encountered
when they arrived at
Jodi's apartment complex
would haunt Jodi's family
and friends forever.
Her red Mazda Miata was
still in the parking lot
and her personal belongings,
such as the key to her car,
a pair of red shoes, a hair dryer,
and a bottle of hairspray, lay
strewn on the ground nearby.
A palm print was found on the car
but it was never determined
who it belonged to.
When they entered Jodi's apartment
it appeared nothing was
out of the ordinary,
until they walked in to her bathroom.
The toilet seat was left up,
which was extremely strange
for a single woman who lived alone.
Eerily enough, Jodi's belongings
lay scattered in her apartment
as though she intended to come
back later and straighten up.
But Jodi would never return.
Jodi's body has never been found.
And sadly, police never properly
processed the crime scene.
Due to the fact that they didn't
even bother to tape it off,
the evidence could have been
easily contaminated or lost.
Jodi's car wasn't even kept
as evidence for very long.
It was given back to her family
right after her disappearance.
But other disturbing clues
quickly began to surface.
A man named Randy Linderman
was carpooling down the street
in front of Jodi's apartment complex
the very morning of her disappearance.
- Parking lights were on.
No, I think it was far enough over
so that no one could get
by with another vehicle.
They gave me a lie detector test
to see if I seen what I saw.
- [Narrator] He had been
down that road many times
but this time he noticed a
van he had never seen before.
Now, this is where things
get really, really creepy.
The white Ford Econoline van was parked
in front of Jodi's apartment
with the parking lights on,
but the headlights off.
"I saw a white van parked
in the parking area.
"Having gone down that road many times,
"I had never seen it there before.
"If I had to say a time,
"I'd probably say 3:50
a.m.," Randy stated.
Later that day when Randy found
out about the disappearance,
he contacted the police to
report what he saw that morning.
They immediately started
following the tip,
but wouldn't ask for the
public's help until a week later.
No one who lived in the complex
had a vehicle of that
type registered to them.
Years later, a woman who lived
across the street reported
having seen a van from her
window early that morning.
She also reported hearing
doors opening and closing.
"I remember, 4, 4:30
a.m., hearing a car door.
"I'd never heard it before.
"The street was really, really quiet.
"I saw what looked to be a white
"or a light gray van on the street.
"Not in the parking
lot, but on the street.
"I really didn't think too much about it.
"I didn't see any people.
"As I was falling back asleep
I heard another door close.
"When I woke up two hours
later, the van was gone."
The van was never found and no
more sightings were reported.
In almost 25 years, Randy
Linderman has never wavered
in what he saw and in
what kind of van it was.
Another witness claimed
to hear something alarming that morning.
"Jodi, open the door!
"I know you're in there."
(knocking loudly)
A very big person of interest
from early on in the case
was Jodi's friend John Vansice.
- I have named my boat after her because,
just because she's Jodi and she's,
she's been such a big part
of my life here lately.
- [Narrator] A mutual friend, Annie Cruz,
said that her and Jodi met
him at a bar one night.
John Vansice had previously lived
in the same apartment complex as Jodi,
and this commonality caused
the two to begin talking
and strike up a friendship,
despite the fact that John
was 22 years older than Jodi.
John has always vehemently denied
any involvement whatsoever
in Jodi's disappearance
and police have never
charged him with anything.
He always cooperated with detectives,
answering questions and submitting
to DNA and lie detector tests.
Despite this, there are several things
that continue to make the
public speculate about him.
John was one of the last
people to see Jodi alive.
The night before her disappearance,
Jodi went over to his
house to watch the video
of the birthday party he had
thrown her a few weeks earlier.
John gave this information
to investigators
as soon as they began to question him.
The weekend before Jodi disappeared
she went on a water skiing trip
with several friends, including John.
That same day, Jodi and a friend
spent time on a boat owned by
two men who they had just met.
People have speculated
that John was jealous
that Jodi was spending time
with men closer to her own age.
But the friend that was with Jodi stated
John never acted upset.
But he was clearly not enthused,
according to cold case
investigator Steve Ridge,
who actually spoke to witnesses
who were there that night.
Strangely enough, one of these younger men
who owned the boat
decided to videotape Jodi
drinking, singing, and dancing.
This would be the last
video ever taken of Jodi
and it has never been
released to the public.
According to a news station
who requested to get their hands
on this intriguing footage,
it's in the hands of investigators only.
The man's identity has also
been kept a hushed secret.
He was allegedly
notorious for luring women
onto his boat so he could videotape them.
Further speculation has been
that John had a romantic interest in Jodi.
However, John told Steve Ridge that
that is far from true.
He said Jodi was like a daughter to him
and that he actually had a girlfriend
during the time he knew Jodi,
but they hadn't gone public yet.
It has been said that
John named his boat Jodi,
fueling speculation about
what his intentions were.
In his interview with Steve Ridge,
John stated that was never
the official name of the boat.
He just called it that informally,
and Jodi was flattered by it.
In February, 2020, the Oxygen
program, "Up and Vanished",
featured an episode about Jodi,
including never before released footage
of the birthday party video.
Retired FBI profiler Jim Clement,
told "Up and Vanished" producers
every time Jodi would
dance with another guy,
John would have laser focus on Jodi
and whoever she was talking to.
He had a really evil look in his eyes,
like he was really pissed off.
A friend of John named LaDonna Woodford,
who claims she was with John
the morning Jodi disappeared,
responded to Clement's
statement by telling producers,
"If we're saying John's guilty
"just based off his facial expressions,
"that doesn't cut mustard with me."
Ever since Jodi's disappearance,
LaDonna has fiercely defended John.
Several years ago, a
search warrant was issued
for GPS data from two vehicles
belonging to John Vansice.
The warrant was ordered sealed
until only just recently,
but they show nothing of significance.
In April, 2019, it was reported
that John Vansice, now in his 70s,
is suffering from an
aggressive form of Alzheimer's,
making any further contributions by him
about this case very unlikely.
In March, 2017, John
Vansice was subpoenaed
to appear before a grand jury
at the US District Court
in Cedar Rapids, Iowa.
John, now living in
Arizona, told Steve Ridge
that he was promised
round trip airline tickets
to appear in court.
When the tickets never materialized,
John became frightened
that he would be arrested
for failing to appear in court,
thus making him look guilty.
So he and his wife
drove all night to Iowa,
nearly 1,500 miles, to be there on time.
When John showed up to court
he was fingerprinted and given a DNA swab.
He was never asked to testify.
The court declined to indict John
and no reason was ever given
for why he was subpoenaed
in the first place.
Oddly enough, the search
warrant to obtain the GPS data
on his two vehicles was obtained
less than three weeks
after that court date.
Two decades before John was subpoenaed
his friend LaDonna was also ordered
to appear before a federal grand jury.
During that time, she
testified that she and John
would take walks together in the morning.
At 6 a.m. on the morning
of Jodi's disappearance,
LaDonna called John at
home on his landline
to confirm their morning walk.
They went for their walk at 7 a.m.,
just mere hours after Jodi vanished,
and John didn't seem anxious
or otherwise out of the ordinary.
They didn't yet know
that Jodi was missing.
The jury declined to issue any indictments
on that occasion either.
It has never been officially confirmed
that someone was stalking
Jodi Huisentruit,
but things that Jodi said in the weeks
and months leading up to her disappearance
have caused some of her friends and family
to believe that was the case.
Jodi had mentioned to several people
an incident in which a man
in a black pickup truck
followed closely behind her
while she was out jogging one day.
She said the experience
made her feel uncomfortable.
This occurred around seven
months before she disappeared.
Jodi became fearful when
she spotted the same truck
follow her to work on multiple occasions.
She went to the police who gave her
a police escort to work on some mornings.
Jodi started taking a self defense class,
which she finished three
months before she vanished.
Her mother recalled her crying to her
over the phone about it.
"And then that guy had
been following her one day
"when she was out jogging,
who knows, maybe that was it.
"It didn't leave her with a good feeling,"
Jodi's sister, JoAnn Nathe,
stated on "Up and Vanished".
Because of her line of work,
Jodi was constantly in the public eye.
It wasn't unusual for her
to get strange phone calls
from men who had seen her on TV
and developed a fascination with her.
These had been increasing with intensity
for months before she disappeared.
Jodi wrote a letter to her
friend, Kelly Torguson,
in Mississippi shortly
before she vanished.
In the letter, Jodi expressed
concerns for her safety
and said she was being stalked.
Oddly enough, the letter arrived
the same day Jodi disappeared.
- What I found out.
The Redwood County Sheriff's
Department reports tornado,
then that's more tragic, there's
a lot to think about here.
- [Narrator] In the months
following Jodi's disappearance,
two different men were arrested
for stalking anchorwomen
in Iowa and Minnesota,
but no connection was ever able to be made
between those incidents and Jodi's case.
On April 5th, 1995, Billy Pruin,
a friend of Jodi's, was found dead
with a gunshot wound to his chest
at his home just south of Mason City.
Billy's fiance said he
had been acting troubled
about something shortly before his death.
Jodi was shaken up by this incident
and had been investigating it
before her disappearance
only three months later.
Did Jodi know something?
We will never know for sure.
In 2019, a new development occurred
that might shed more light
on what actually happened.
The case of Billy Pruin's
death has never been solved.
It is considered a cold case in Iowa
unlike Jodi's case, which
has never been closed.
Investigative journalist Steve Ridge
said that a woman on
death row in Minnesota,
Angela Johnson, corresponded with him
through email and telephone.
She told him that her
boyfriend, Dustin Honken,
spoke to her about Jodi's disappearance.
Dustin Honken is a drug kingpin
currently on death row for his
involvement in the same crime
that Angela Johnson was
sentenced to death for,
the execution-style murder
of five people in 1993.
Prior to being charged and
convicted for the 1993 murders
there had been a drug
charge for Dustin Honken
that was dropped when two of
the key witnesses vanished.
The day Dustin Honken was released
from prison for the drug
charge is the same day
Billy Pruin's fiance
claims he acted troubled.
Two weeks later, Billy Pruin was dead.
Three months later, Jodi
Huisentruit disappeared.
Dustin Honken was scheduled
to be sentenced to death
by lethal injection on January 15th, 2020.
That has been put on hold
due to some legal arguments
concerning the drug
used in the executions.
Only time will tell if this delay
will cause Dustin Honken
to admit any involvement
or even any information at all
into Jodi Huisentruit's case.
While he has nothing to lose,
he also has nothing to gain.
He's not likely to reveal anything
out of any effort to do the right thing,
so it's hard to know what would
motivate him enough to talk.
In 2019, the owner of
the website FindJodi.com
put three billboards
up in Mason City, Iowa.
Each billboard shows a
picture of Jodi Huisentruit
next to the words "Someone
knows something, is it you?".
On New Year's Eve, one of the billboards,
which has since been
replaced, was vandalized.
The most striking fact about this
is not the fact that someone
vandalized the billboard,
it's what they wrote across
it in yellow spray paint.
"Frank Stearns machine shed."
Frank Stearns is a retired
Mason City police officer
who at one time worked on
the Jodi Huisentruit case.
He is a respected member of the community
and has never been a suspect.
In fact, the only other time his name
has been brought up publicly
to suggest he possibly had any
involvement was back in 2011.
In September, 2011, the Mason City Gazette
ran a story about allegations
of police involvement in Jodi's abduction.
In August that year,
Mason City police officer
Maria Ohl was fired after coming forward
with information concerning
police misconduct
in the Jodi Huisentruit case.
- I was terminated just on August 4th,
at the beginning of August,
not quite a month ago.
And it's actually in relation
to the Jodi Huisentruit case.
- [Narrator] This is where things
take a completely unexpected turn.
The story that lead to these allegations
stretches back even further than that.
12 years earlier, in fact,
to the summer of 1999.
After a church service
in the summer of 1999,
Mason City resident Gerald
Best approached his pastor,
Reverend Shane Philpott.
Mr. Best had mentioned local officers
possibly being involved
in criminal activities,
Philpott told the Gazette.
Then, something unbelievable happened.
On December 30th, 1999,
50-year-old Gerald Best
was found dead with his throat slashed
in his Mason City home.
The murder has never been solved.
Eight years later, in the summer of 2007,
Reverend Philpott received
a mysterious phone call
from someone in Minnesota.
The caller had watched the
pastor's television program,
"Faith in Action", and decided to call him
with information he had on
the death of Jodi Huisentruit.
He said his information incriminated
several Mason City police officers,
so he didn't want to talk
to local authorities.
He did not give the officers' names.
Remembering what happened to Gerald Best,
Reverend Philpott became very concerned.
Wanting to go through proper channels,
he contacted his sister-in-law,
officer Maria Ohl,
who told him the proper procedure
was to contact the police department.
When Reverend Philpott
called the police department
he spoke with Frank Stearns.
The response he received was bizarre.
He was told they would
get back to him about it,
but not to talk to anyone
about it in the meantime.
A month later, after
not hearing from anyone,
he called and spoke to
Frank Stearns again.
This time, he was transferred
to another officer
who simply told him his
information wasn't credible.
Two years later, the church
was involved in a lawsuit
involving the Mason
City Police Department.
While preparing for the case,
lawyers obtained contact logs,
but there was no record of
Reverend Philpott's calls
regarding the Jodi Huisentruit case.
Tony Jackson was living two
blocks from the KIMT station
during the time of Jodi's disappearance.
A friend of Tony's at the time said
that Tony had taken up an
interest in broadcasting
while attending the
local community college.
The same friend also
talked about an incident
in which Tony invited him to
go to Jodi's favorite bar,
The Southbridge Lounge.
How did Tony know that Jodi was a regular
at the Southbridge Lounge?
That puzzled the friend as well.
It's very possible that Jodi
might have mentioned it
on the air at some point.
According to her sister,
JoAnn, Jodi was too trusting.
She would often talk
about different aspects
of her personal life
while she was on the air.
According to the friend, Jodi was there
at the time they visited the bar.
Tony went over and talked to her
while the friend stayed back.
The friend just assumed he was talking
to her about broadcasting
since it was something
he was interested in.
He didn't think any more of
it until two years later.
In 1997, Tony Jackson was
convicted of assaulting four women
in a way we can't
specifically state on YouTube,
in Minnesota and Iowa.
In all the cases, stalking was involved.
Tony Jackson is currently serving
a life sentence in
prison for the assaults.
Despite the fact he allegedly bragged
about abducting a news
anchor to a fellow cellmate,
he denies having anything to do
with the disappearance of Jodi.
The former cellmate stated,
"He says, I abducted an
anchorwoman and killed her."
- He came up to me, that's
when we started talking again,
and then he just brought it up.
He says, I abducted an
anchorwoman and killed her.
- [Narrator] He also reported that Tony
wrote a suspicious rap lyric
that could possibly be
in reference to Jodi.
He said, "She's a-stiffin' around Tiffin'
"In pileage of silage
in a bylow, low below."
Believing this was referring
to the nearby town of Tiffin,
police jumped into action.
Armed with cadaver dogs,
they thoroughly scoured
a farm near a silo.
But, while two of the three dogs alerted,
police have been unable
to find any evidence
connecting Tony to Jodi's disappearance.
The Mason City police stated,
"After conducting a
thorough investigation,
"which included interviews,
crime laboratory analysis,
"records review, and
polygraph examination,
"Tony Jackson is not
considered, at this time,
"a viable suspect in the investigation."
If Tony Jackson was not involved
in Jodi's disappearance,
there were definitely
some strange coincidences.
Just five days before Jodi disappeared,
Tony had broken up with his
girlfriend and was very violent.
According to Caroline Low,
an investigative reporter
from Minneapolis,
there was something absolutely chilling
about Tony's ex-girlfriend.
She looked a lot like Jodi.
Jodi had been keeping a personal journal
at the time she disappeared.
The journal was taken from
her apartment by police
as part of the investigation,
and never seen again.
13 years later, in 2008,
copies of the 84 pages
of journal entries were mailed anonymously
to the Mason City Globe Gazette
in a brown envelope
with no return address.
It was later discovered
that the copies were mailed
by the wife of former police chief,
David Ellingson, who resigned in 2006.
No motive was ever found or given
for why his wife chose to mail
the journal to the Gazette.
While the journal entries
that were made public
show a lot about Jodi's personality
and other aspects about her life,
none of them are very personal,
and none of them offer
much in the way of clues.
In fact, the last two weeks
before she disappeared,
the entries are very sparse.
No one has ever seen the original journal
except for law enforcement
during the initial investigation.
Is it possible that some
entries were removed
before the journal became public?
Friends and family have said
Jodi expressed her fears to them.
She was concerned that
she was being stalked.
She was going to change her phone number.
She had even gone to the police for help.
Yet, she never expressed
any of these concerns
in the private journal
that she probably never
expected anyone else to read.
The day before Jodi Huisentruit
disappeared, she attended
the Mason City Chamber of
Commerce golf tournament.
She left around 8 p.m. and
stopped by John Vansice's home
to watch the video of her
birthday party before going home.
Besides John Vansice,
the people who saw her
at the golf tournament are
the last that are known
to have seen her before she was abducted.
Several years ago, some of those people
spoke to the people at FindJodi.com
and offered more insight into that event.
Two of the golfers
mentioned that Jodi talked
about changing her phone number
because of some bad phone
calls she had been getting.
Their perception was that she seemed
more annoyed by the calls than afraid.
They said her mood was upbeat.
She spoke to the organizers of the event
and accepted an invitation
to have dinner with them later that week.
Beth Bednar, author of the book
"The Disappearance of Jodi Huisentruit"
spoke on the Oxygen
program "Up and Vanished"
and explained that Angela Johnson,
the girlfriend of Dustin Honken,
worked at the country club
where the golf tournament was held.
"I don't know that she talked to Jodi,
"but she may have very well
come face to face with her
"a number of times that
evening," Bednar stated.
It has been almost 25 years
since Jodi Huisentruit disappeared.
The only physical evidence
of what happened to her
were some of her personal belongings
found next to her car,
such as her red shoe,
car keys, hair dryer, and hair spray.
There were also drag marks on the ground
and a palm print on the car.
The evidence strongly suggests
that Jodi was grabbed from
behind while unlocking her car.
She struggled, lost a shoe, screamed,
neighbors reported hearing
a scream around that time,
and was dragged away.
- Taking a look at today's forecast,
today's forecast shows mostly windy
and cool temperatures
with scattered showers.
- Imagine what she must have felt.
- No magician act, the sunny temperatures
are here one day then
they disappear the next.
- [Narrator] Anything
that happened after that
remains a mystery.
Jodi's body has never been found.
In May, 2001, she was
declared legally dead.
But those who cared about Jodi,
especially the family and
friends who knew her personally,
will never give up until
there are answers to this case
and justice for Jodi.
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