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fd_Bones_02x14 | fd_Bones_02x14_0 | TEXT: "The Man in the Mansion" [SCENE_BREAK] TEASER (Open: Booth and Brennan arrive at the crime scene and exit Booth's SUV) BRENNAN: Do you have therapy today? BOOTH: It's not therapy. BRENNAN: Well, you're seeing a psychiatrist. BOOTH: Not for therapy. It's an official evaluation. Okay? OFFICER: Person who found the body is in the living room. BOOTH: Great, crime scene first, then we talk to the witnesses. OFFICER: Corpse is gonna be in the den. BOOTH: Thanks. Brennan (motions to his tie): What is that? BOOTH: What's what? BRENNAN: Your tie. It's staid. BOOTH: Staid? BRENNAN: Yeah. Boring. It looks like J. Edgar Hoover picked it out. BOOTH: Look, it's something' I'm working on, okay? BRENNAN: In therapy? BOOTH: Gordon Gordon says that the... you know, the wild socks and the fancy ties are all just, ya know, quiet rebellions, helping me suppress other impulses. BRENNAN: Isn't that good? BOOTH: You'd think so, right? But, you know, apparently all the other issues just have to rise to the top. BRENNAN: Why do you call your psychiatrist "Gordon Gordon"? BOOTH: 'Cause that's who he introduces himself. You know: "Hi, I'm Gordon. Gordon Wyatt". BRENNAN: Like "James, James Bond". BOOTH: "Bond, James Bond", not "James, James... James"... whatever. (They enter the crime scene - The Bancroft Mansion) CAM: We're over here. And you might want to tuck your pants into your socks. The flies get into everywhere. (Booth gives an exasperated sigh, and pulls up his pant leg, revealing solid black socks.) CAM: What, no cartoon characters on
SUMMARY: | When a benefactor of the Jeffersonian is found murdered, it's up to the team to find out who, but Hodgins' past with the widow complicates matters. Meanwhile Booth continues to see the therapist (guest star Stephen Fry ), and Brennan is progressing in her exploratory relationship with Sullivan. |
fd_Grey_s_Anatomy_03x21 | fd_Grey_s_Anatomy_03x21_0 | TEXT: (Seattle Scenes) (The interns are at Cristina and Burke's apartment studying for intern exams) Alex: What percentage of Americans look at an acute apnea? MVO: As interns we know what we want...to become surgeons. And will do anything to get there... Alex: What are the signs of a central line infection? Meredith: Puss, redness and fever. MVO: Suffer through killer exams, endure 100-hour weeks, stand for hours on end operating rooms. You name it we'll do it. Alex: What's Kahn's syndrome? Meredith: Wait, wait, I know this. Izzie: Tick tock dude. Meredith: Um... George: Cracking under the pressure? Meredith: No! Um...hypocortolis...cortolism... Cristina: Primary hypro dostrolonism. Yes, out of the seat. My turn. Izzie: No it's my turn. Cristina: No it's not. (Burke walks up with cake) Cristina: Oh honey I... Burke: Try this one. White sponge with vanilla butter cream. Cristina: Ok yeah. I'm trying to study for the most important test of my intern career. I don't have time for wedding cake. Burke: Just try it. Izzie: Go, go! George: What is the strongest layer of the small bowel? Cristina: Fine, yummy, go! Izzie: Damn it. Damn it. Damn it. Damn it. George: It is not snot. Izzie: Submucousa George: Yes. Cristina: Wait, wait. How do you know that? Are you studying with the wife's cards? Meredith: What cards? Cristina: Callie was ranked number one in her year after this test. She has legendary flash cards. Izzie: So don't need the flash cards. We are independently brilliant. George: Dream team. Cristina: Yeah, yeah. I wanna hurl. Out of the seat. Alex: No, no my turn. Cristina: Oh come on. (Burke walks up with more cake) Burke: This is the lemon, might be a little
SUMMARY: | The interns of Seattle Grace Hospital start to use every free minute to study for their upcoming exam which will determine their entire residency in the surgical field. Cristina is jealous of George who can study with Callie, whose learning cards have become legendary. After the realization that George and Izzie might have feelings for each other, Callie decides to give the cards to Cristina. The attending physicians vie for the Chief position by tending to the chairman of the hospital board, after he is admitted as a patient. They soon learn that there is a fish in his urinary tract and learn that his wife has been aware of his affair with his secretary. She eventually resigns and leaves him, and his wife asks for divorce. In the clinic, Izzie treats a patient with a recurring cold, which turns out to be a symptom of something worse. Webber starts to question his decision to retire as he believes that there is a lot more he can do as a surgeon and cannot be done with his career in his early fifties. Cristina gets annoyed at Burke as he tries pressuring her into choosing a flavor for their wedding cake while she is trying to study. Addison and Alex deliver Ava's baby, through a cesarian-section, before sleeping together, but afterwards Alex tells her to make sure that it never happens again. Derek starts to question his relationship with Meredith, feeling that he is the only one putting an effort for it to work out. George tells Izzie that he is considering transferring to a different hospital. |
fd_Glee_01x05 | fd_Glee_01x05_0 | TEXT: SCENE 1 : Repetition Hall's - Will and the Cast Ringtone - Will hanging a poster to recruit in the Glee Club. Finn and Quinn followed in chorus by the Cast- Song : Don't Stop Belivin' In the repetition hall's, Will rehearsed the cast with couple lighthouse Quinn and Finn. Suddenly, Quinn nausea and leaves. Will : Quinn, you OK? Quinn ran out. Finn : I think she just had a bad breakfast burrito. Kurt : Can we please talk about the giant elephant in the room? Santana : Your sexuality? Kurt : Rachel. We can't do it without her. Will : That's not true. We may have to layer Santana Mercedes over Quinn's solo, but...we'll be fine. Artie : Maybe for the invitationals, but not for the sectionals and certainly not the regionals. Puck : The wheelchair kid's right. That Rachel chick wants me wanna light myself on fire, but she can sing. Will : Rachel left, guys. She's gone. If we want to make this thing work, we can't look back. Alright, take five minutes. Will goes to the piano while the Glee Club gathers. Finn, he goes to Will. Finn : Mr Shue? I don't want to tell you how to do your job, but with all the dancing around that Quinn's doing, I'm kind of worried about the baby. Will : Yeah. Yeah, I get it. Um... how about I give Tina a few of her verses, okay? Finn : Okay. Will : You think you might want to tell your mom about what's going on? Finn : I think I'd rather handle it myself right now. My mom's got enough to worry about. Will is helpless in the situation. SCENE 2 : Restaurant - Will, Terri and the server Will and Terri moved to a table, while Terri swallows tons of cakes. Will : How come you haven't had any morning sickness? Quinn Fabray has been upchucking every 15 minutes. Terri : Really? That'
SUMMARY: | Will, trying to find a twelfth member in the wake of Rachel's defection to the school musical, recruits former glee club star April Rhodes . Finn flirts with Rachel continuously in an attempt to convince her to return, hoping that having her in the club will increase his chances of gaining a music scholarship. While Finn takes Rachel bowling, they kiss briefly after Rachel bowls a strike. Although Rachel is angry when she discovers that Quinn is pregnant, she ultimately rejoins the club. Will confesses to once having had a crush on April, and encourages her to sober up and pursue her dreams of performing on Broadway. The glee club performs at Invitationals, launching themselves onto the show choir competition circuit. Will asks Terri why she never has morning sickness and Quinn runs out of the room during "Don't Stop Believing" and the kids have to find out which member will replace Rachel. |
fd_Charmed_06x09 | fd_Charmed_06x09_0 | TEXT: [Scene: Restaurant. Phoebe and Jason are sitting at a table, kissing. A waiter walks up to the table and clears his throat.] Waiter: Pardon me. (Phoebe laughs, embarrassed.) Phoebe: Hi. Sorry, I didn't see you there. Waiter: Oh, no, no, please, never apologise for a kiss, signora. Especially for one like that. (He shows them a bottle of wine.) '95 brunello di montalcino. Jason: Great. Decant it, please. Waiter: Of course. (The waiter walks away.) Phoebe: Oh, wow, is that embarrassing. Jason: You heard what the man said, never apologise. Phoebe: I'm so happy for you. Jason: Yeah, I still can't believe it. Really, I wanted to buy my granddad's winery ever since he lost it. I just hope he knows that somehow. Phoebe: Believe me, he does. Jason: You talk as if you have inside information. Phoebe: Well, maybe I do. Jason: You are special, Phoebe. (Phoebe gets a vibe.) Phoebe: I love you too. Jason: I'm sorry? Phoebe: Who said that? Jason: Did you say too? Phoebe: No, I just said you twice. I said I love you you. What I said, oh god... (She knocks over a wine glass.) Whoa! Male Voice: Daniel, table three. (Daniel walks over and wipes up the spill. Paige orbs in near by.) Phoebe: Oh, thanks. (Paige walks over to them.) Paige: Hi. Phoebe: Paige. Paige: I am so sorry to interrupt but Piper's kind of got a bit of a, um, a power problem. She kind of needs some more. Jason: Why doesn't she just call the power company? Paige: Tried and the line is busy. So
SUMMARY: | After vanquishing a Manticore demon, Piper, Phoebe, and Paige become foster parents to its orphaned half-breed infant, whose human father Derek ( Seth Peterson ) holds Piper hostage until his son is returned. Upon Chris' plea to vanquish the child, the sisters come to believe that, by raising the child with love, they can change its destiny. Meanwhile, Phoebe surprises her boyfriend Jason when she responds to feelings he has not expressed yet, and Paige gives Darryl a superpower. |
fd_Doctor_Who_1963_11x09 | fd_Doctor_Who_1963_11x09_0 | TEXT: INVASION OF THE DINOSAURS BY: MALCOLM HULKE PART FIVE 5:30pm - 5:55pm [SCENE_BREAK] 1: INT. AIRCRAFT HANGER OFFICE (With a familiar high-pitched whine, a Stegosaurus appears within the series of emanating rays. Suddenly several figures comes through the door - GENERAL FINCH, the BRIGADIER and two regular army soldiers.) GENERAL FINCH: There's your monster-maker, Brigadier - caught in the act! BRIGADIER LETHBRIDGE STEWART: Doctor, you're under arrest. (The DOCTOR remains calm as he realises the trap he has fallen into.) [SCENE_BREAK] 2: INT. SPACESHIP. REMINDER ROOM (SARAH is watching the seemingly endless film in the reminder room. It now shows views of cities overcrowded by people and traffic.) BUTLER: (OOV: Film commentary.) Overcrowding in man, as in all other animal species, increases hostility and aggression, leading to the greatest crime of all - war. (The image changes to scenes seemingly from the troubles in Northern Ireland. SARAH adjusts her place on the seat. Her face does not look happy.) BUTLER: (OOV: Film commentary.) With the development of the atomic bomb, man now has the choice of destroying his planet quickly, through war, or slowly, through pollution. (The door opens and the film cuts out. It is MARK. SARAH gives him the briefest and most chilling of looks.) MARK: How are you feeling now? SARAH: Hungry, tired and I've got a headache. (MARK shuts the door and speaks earnestly.) MARK: Sarah, you're in grave danger. SARAH: Oh, what's that supposed to mean? MARK: The elders are very dedicated to our cause. They are not going to permit a disruptive influence. SARAH: (Suddenly worried.) You mean they'll kill me? (MARK raises his eyebrows in confirmation.
SUMMARY: | The Doctor has been framed as the monster maker by Finch and is on the run from the army, while Sarah attempts to alert UNIT to what Grover is up to. |
fd_Trailer_Park_Boys_07x05 | fd_Trailer_Park_Boys_07x05_0 | TEXT: Julian: I'm working on a plan right now. It's going to be perfect. Nobody's going to get caught. It's going to be smooth. Ricky: My god Bubbles, the size of this thing. Bubbles: Oh I know Ricky, look at it. You know though, I've gone over it top to bottom like a bunch of times and I can't find any illegal parts on this thing. You know what I think is going on? Sebastian Bach is Mr. Jealousy Pants. He's jealous of Patrick Swayzie. He made all that sh1t up. Ricky: Well, he was shooting off pretty hard at that train convention Bubbles. Julian: How is Axel doing? Right on. Rob Thomas? Well eleven bucks, you can't go wrong man. Bubbles: Look at the speed it's got. Ricky: f*cking cool! Bubbles: The personal train of Patrick Swayzie. De-ee-ecent! Julian: Can't talk to you on the phone about it okay. Bubbles: I don't condone crime you know that but thank you for stealing this train for me. Ricky: Bubbles? You stole the train man. We had nothing to do with it. Bubbles: Ricky, you cannot tell anybody that we have that train. Promise me. Ricky: Sure man, yeah. I promise. Whatever. Got a great f*cking idea though. I'm gonna sit over there, you stay here. Get the f*cking bong, put it in one of the cars right here and we can ship bong tokes back and forth to each other. Bubbles: Decent. [laughter] Julian: I think I just figured it out. I can get the dope to you. Yeah, no problem. Ricky: I'm telling you Bubbles. Smoking dope, playing with model trains is a good f*cking time man. [music] Phil: What are you doing anyway? Jacob: Nothing Dad. Phil: Well, what's with all the dye and the beard and the weights and, you look like, what are you trying to look like? Jacob: Nothing Dad, just leave me
SUMMARY: | Julian and Sebastian Bach hatch a scheme to smuggle Ricky's marijuana into the United States using Patrick Swayze's oversized model train. The Boys, now without Cory and Trevor, have to rely on Jacob and his loser friends to do their dirty work; Jacob develops an obsession with Julian and begins imitating him to the extreme. |
fd_Gilmore_Girls_02x09 | fd_Gilmore_Girls_02x09_0 | TEXT: 2.09 - Run Away, Little Boy OPEN AT LORELAI'S HOUSE [Lorelai walks in the front door] LORELAI: I'm back! RORY: Kitchen! LORELAI: Mmkay, I couldn't make up my mind so I got 'The Shining' and 'Bringing Up Baby.' Now, I know you're thinking, one's a movie about a homicidal parent and the other one's....hello. [Sookie and Rory are standing in front of the kitchen table.] SOOKIE: Hi. RORY: Hi Mom. LORELAI: What'd you break? SOOKIE: Nothing. Well, the broiler. But this came for you and Max. [Sookie and Rory move apart to reveal a gift on the table.] RORY: We're thinking it's a wedding present. LORELAI: Huh. Mmm. Lorelai Gilmore and Max Medina. Well, I guess news doesn't always travel fast. SOOKIE: You gonna open it? LORELAI: No. SOOKIE: But aren't you curious? LORELAI: No. Just leave it there. I'll take it back tomorrow. RORY: But there's not a return address. LORELAI: Well isn't there a card? RORY: Nope. Maybe there's one inside. SOOKIE: With the return address on it. RORY: But that means you'd have to open it to find out. LORELAI: Fine, give me a knife. SOOKIE: Ooh! This is so exciting! Maybe not. [Lorelai cuts open the package and they tear the paper off] RORY: An ice cream maker! SOOKIE: A Musso Lussino 480! LORELAI: Somebody sent me a fascist ice cream maker? SOOKIE: Italian design, stainless steel body, chrome finish. LORELAI: And no card. Perfect. SOOKIE: Jackson just got in his apple crop! We can make cider
SUMMARY: | Lorelai receives a late wedding present without a card attached, and insists that it be returned. Sookie sees to what great lengths Lorelai is going to find out who sent it, and tells Lorelai to move forward in life to get some closure on her relationship with Max. Lorelai takes her advice and accepts a dinner date with Paul, one of the other students in her business class. The date goes well, but they decide to remain friends because they don't have very much in common. When Paul appears at Luke's the following Saturday with his parents in tow, Lorelai gets ribbed by everyone in town because he's so young. Luke is uncharacteristically quiet, which Lorelai can't figure out until Sookie explains that he's had a crush on Lorelai forever. Lorelai goes to him to let him know that he'll always be a very important part of her life, and Luke brightens up again. Rory, Paris, Madeline and Louise are assigned to present the death scene from "Romeo and Juliet" as part of ther class participation in the Chilton Shakespearean Festival. Since this production will account for half of their grade, Paris takes over as director and assigns Rory the role of Juliet. Tristan returns to school with Duncan and Bowman after their suspension, and is cast as Romeo against Rory's wishes. When a scheduling mixup occurs with the rehearsal hall, Rory is horrified to learn that Paris has rented Miss Patty's studio and that the group will convene in Stars Hollow to practice. Tristan wastes no time in going to the market and taunting Dean, and they nearly come to blows before Rory pulls them apart. The next day at school, Rory pleads with Tristan not to mention anything to Dean about their kiss at the party, because it meant nothing to her. She also cautions him about hanging out with Duncan and Bowman. Stung by her words, but hiding it well, Tristan storms off. The next day Dean shows up to watch rehearsal and Tristan taunts both Dean and Rory before he finally bails to go off with Duncan and Bowman. On the evening of the performance, Paris freaks out because Tristan is nowhere to be found. He finally shows up to tell Rory that his father has pulled him out of Chilton to send him to boarding school, because he was caught with Duncan and Bowman breaking into Bowman's father's safe on a lark. Paris storms off, puts on his costume, and takes over as Romeo, thereby saving the day, the performance, and their grades. |
fd_Dawson_s_Creek_03x09 | fd_Dawson_s_Creek_03x09_0 | TEXT: Four To Tango #309 (Dawson's Bedroom - Pacey and Jen are making out on Dawson's bed.) Jen: Nothing. Pacey: Nothing! Ahh! You? Jen: Nothing. God, Pacey, this is weird. Pacey: It really is. It's the damnedest thing. I mean, how are we supposed to have some lurid, purely sexual affair if every time we get together... Jen: There's no sexual tension. Pacey: Nada. Jen: Zilch. Pacey & Jen: If its me No, it's not you, it's me. Jen: No, no I mean we're both we're both two highly sexually charged people Pacey: Absolutely! Look at our track records. Jen: Oh yeah. Pacey: We're all that and then some, thank you very much. Jen: And look at the measures that we've gone through today. Pacey: We've come properly equipped (pulls a condom out of his pocket) Jen: And we've picked the perfect locale. Pacey: Absolutely. You know, Dawson and Mr. Leery both at school for the afternoon, window's always open, this was sheer genius on your part. Jen: Grams always said that that ladder was an invitation to sin. (Pacey looks at her and they both attack each other momentarily. They stop.) Pacey: This is starting to get depressing. (Beginning to put their shoes on.) Jen: All right, I'll tell you what, why don't we give it a week, keep trying in hopes that whatever sexual spark once flickered will burn again. (A door is heard slamming downstairs.) Pacey: Whoa, did you just hear somebody come into the house? (Jen looks at him and bolts for the window, grabbing her jacket. Pacey struggles to put his jacket on, when he suddenly dives to the floor for his last shoe. Dawson walks in, as Pacey is grabbing the Playstation controller. Dawson: Pacey. Pacey: Hey, man, what's happening? Dawson: What are
SUMMARY: | Dawson almost uncovers Pacey and Jen's secret after they get frisky in his bedroom and leave an unused condom on the floor. Crossed wires lead him to believe that Joey is the one apparently having sex with Pacey, but when the friends discover the truth, an excessive reaction from Joey leads to teasing from Pacey. After careful consideration, Pacey and Jen realise that things will never happen for them, and they go back to being just good friends. To win a scholarship for college, Joey enrolls at a local dance school with Pacey as her partner. Meanwhile, Jack attempts to meet up with a gay student from another high school, who saw the story Dawson produced about him. Andie annoys Jack with her relentless encouragement, but ends up soothing him when things don't go as planned. |
fd_The_4400_02x12 | fd_The_4400_02x12_0 | TEXT: La Cinquième Page (2x12: The Fifth Page) Written by CRAIG SWEENY & IRA STEVEN BEHR Directed by SCOTT PETERS **Previously on The 4400** When Tom first meets Diana. Ryland: This is where I give you the speech about how you're my best field scientist, and Tom is my best lead investigator, and how together you're gonna make a good team. Tom's home, around the dinner table, after meeting Alana. Kyle : Let me see if I've got this straight: you two met, fell in love, and spent eight years together in some kind of alternate reality. Tom: Yeah. Tom to Alana, as she prepares to take Kyle abroad Tom: What time is the flight? Alana: Uh, noon. Kyle: Say goodbye to Mom for me. Diana to Tom at the bus terminal Diana: They arrested a suspect forty minutes ago. Claim he's our guy. In a car garage. Nina: Roy Keith Marsden. In Tom's office; to Alana on the phone Tom: Forget about the flight. Bring Kyle home. They just arrested a suspect in the Collier killing. In Shawn's office; to Olivia who is blind Shawn: It's gonna feel a little weird, but when we're done, you'll be able to see again. Olivia: When does it start? When do I see again? Shawn has lost the ability to heal. Shawn: Just give me one moment, okay? At the Abendson Mental Facility. Tess: Kevin's a genius, you know. A scene after Kevin attacks Tom when he and Diana take Tess from the facility. Tom: You're saying that Burkhoff is the father of the 4400 technology. Kevin to Dr. Clayton Kevin: I can think again, too. In Diana's home; to Maia Diana: You've got a real fever, young lady. In the NTAC Medical. Diana to Dr. Hudson, referring to Maia's rash Diana: I've worked at the CDC for seven years, and I never saw anything like it. Lily to Richard in their apartment Lily: I was changing her. She has these marks on her skin
SUMMARY: | In Nina's absence, Dennis Ryland oversees Tom and Diana's investigation of a deadly epidemic affecting the 4400. Meanwhile, Isabelle is examined without Lily's consent; Alana begins confusing reality with the fantasy she shared with Tom; and an ailing Shawn abdicates control of the 4400 Center. |
fd_Doctor_Who_1963_03x34 | fd_Doctor_Who_1963_03x34_0 | TEXT: The Gunfighters By Donald Cotton 5:50pm - 6:15pm [SCENE_BREAK] 1: EXT. "OK CORRAL" (A dusty street in a town in the Wild West. Wooden buildings line the street and at one end is a fenced-off area with a sign over the entrance reading "TOMBSTONE - O.K. CORRAL".) BALLAD: So fill up your glasses, And join in the song... BALLAD: The Law's right behind you, And it won't take long. So come, you coyotes... DONALD COTTON BALLAD: And howl at the moon, Till there's blood upon the sawdust, In "The Last Chance" Saloon. (Three cowboys - the CLANTON brothers - gallop down the street and stop at the Corral. The youngest of them - BILLY - pulls out his gun and impetuously fires four shots at the sign. The oldest of the trio - IKA - yells at him...) IKE CLANTON: Now why for did you do a fool thing like that?! Save your bullets for Holliday, boy. BILLY CLANTON: I ain't scared of Holliday! (They move their horses over to the fence of the stockade.) PHINEAS CLANTON: Hear that, Ike? Brother Billy ain't scared. (IKE is off his horse and tying it up. BILLY and the third brother - PHINEAS - also climb down and start to tie up their steeds next to IKE'S.) IKE CLANTON: Nobody says you was scared, boy. Our brother Reuben, now he wasn't scared of him, but that didn't stop Holliday fillin' him full of holes! PHINEAS CLANTON: Where do we all meet up with Seth? IKE CLANTON: "The Last Chance" Saloon. BILLY CLANTON: What for do we need Seth Harper? PHINEAS CLANTON: Oh! Pa's paying him,
SUMMARY: | Arriving in the town of Tombstone, the First Doctor finds himself involved with gunmen out to kill Doc Holliday... |
fd_Charmed_08x17 | fd_Charmed_08x17_0 | TEXT: [TRIQUETRA] [Scenes from 8X16: Engaged and Confused] [INT. PHOEBE'S LOFT -- DAY] (The door opens and Coop walks in. Phoebe, Christy and Billie are sitting on the couch. Phoebe gets to her feet.) COOP: Oh, whoops. This isn't right. [SCENE_BREAK] (Phoebe and Coop talk.) PHOEBE: Who are you? FLASH TO: [LOGO: TRIQUETRA] ROSE MCGOWAN (NARRATOR): (v.o.) Previously on "Charmed"... [INT. PHOEBE'S LOFT - DAY] (Coop explains who he is.) COOP: Oh, I'm Cupid. You can call me "Coop." PHOEBE: I don't need help finding true love. COOP: (counters) Apparently you do. TRIQUETRA FLASH TO: [INT. MANOR - CONSERVATORY - DAY] (Paige descends the stairs in her wedding dress.) (Cut to: Henry slips the wedding band on Paige's finger.) PAIGE: I do. HENRY: I do. TRIQUETRA FLASH TO: [Scene from 8X10: Vaya Con Leos] [INT. UNDERWORLD - CAVE - NIGHT] (Piper tearfully explains things to Leo.) PIPER: It's just our screwed up destiny and I have to lose you to save you. [SCENE_BREAK] (Leo is in a cryogenic chamber. It flashes and freezes Leo inside.) (Piper covers her eyes with her hands.) [SCENE_BREAK] ANGEL OF DESTINY: If you prevail, he will be returned. TRIQUETRA FLASH TO: [Scene from 8X09: Hulkus Pocus] [INT. MAGIC SCHOOL - STUDY - DAY - CONTINUOUS]
SUMMARY: | Two former students of Leo's from Magic School turn up at the manor to inform the Charmed Ones that demons that Leo had imprisoned in the Magic School dungeons have escaped and are seeking revenge. Christy tries to get Billie away from the sisters, and Billie wants Christy to reunite with her parents. Paige goes on her honeymoon, and Coop continues to follow Phoebe. One of the demons is eventually vanquished by Piper and the students sending him to the Astral Plane in a perpetual vanquish, but beforehand, the two demons kill Billie and Christy's parents under orders from Candor, the last remaining member of the Triad. In retaliation, Christy vanquishes him, but he claims that by doing so she passed her final test. |
fd_FRIENDS_05x09 | fd_FRIENDS_05x09_0 | TEXT: [Scene: Monica and Rachel's, the entire gang is there, eating breakfast. Phoebe is on the couch, fidgeting.] Phoebe: What am I sitting on? Chandler: Top of the world? Dock of the bay? (He tries to think of another but can't) I'm out. Phoebe: (taking something out of the couch) Ew-eww!! Undies! (She throws them into the kitchen and Rachel picks them up with the handle of a large spoon. Chandler and Monica have horrified looks on their faces.) Rachel: All right! Who's are they? Who's are they? Ross: Well, they're not mine! Chandler: Well, they're Joey's! They gotta be Joey's! (Rachel turns and stares at him.) Joey: Yeah, they're mine. Chandler: See? They're Joey's! J-J-J-J-J-Joey's! Ross: Why are they here? Joey: I don't know uhh... (Pause as he thinks about it.) Well, I'm Joey. Yeah, I'm disgusting, I take my underwear off in other people's homes. Rachel: Well, get 'em out of here! What's wrong with you? Chandler: Yeah! Monica: Yeah! Rachel: (waving them in his face) Take 'em! (Joey makes a noise and jumps out of the way.) Joey, you can touch them! They're your underwear. Joey: (reluctantly taking them) Chandler? A word. (Follows Joey into their apartment and shrugs on his way out.) [Cut to the guy's apartment.] Joey: That's it! I'm tired of covering for you two! This has got to stop! (Realizes he still has the underwear in his hand.) Ahh! (Throws them towards Chandler's room.) And tighty-whiteys! What are you, 8? Monica: (entering) Thank you Joe
SUMMARY: | Phoebe takes a literature course and regrets bringing Rachel, who does not take the class seriously. Joey tires of covering up Monica and Chandler's secret relationship. Ross is forced to take time off from work to deal with his anger issues after his marriage ends. Monica and Chandler silently beg Joey to maintain their secret after the other friends notice strange goings-on and think Joey is a pervert. Joey agrees but only by claiming that all the odd behavior is because he and Monica slept together in London, humiliating Monica. |
fd_Doctor_Who_1963_01x09 | fd_Doctor_Who_1963_01x09_0 | TEXT: 5:15pm - 5:40pm [SCENE_BREAK] 1: EXT. FOREST (IAN goes pale.) IAN: The fluid link... SUSAN: You've lost it? BARBARA: Ian, you can't have! IAN: (Quietly.) No. The Daleks took it from me when they searched me. It's down there somewhere...in the city. (BARBARA and SUSAN...) (...look with horror at a furious DOCTOR.) [SCENE_BREAK] 2: EXT. CITY (The Dalek City sits in the valley.) [SCENE_BREAK] 3: INT. CITY. CONTROL ROOM (Inside, three DALEKS wait in the darkened control room. The door slides open and another DALEK glides in and reports.) SECOND DALEK: The drug has been duplicated. FIRST DALEK: And the distribution? SECOND DALEK: The drug is to be taken by sections of us, so work will not be interrupted. FIRST DALEK: Have you processed the pictures? (The SECOND DALEK turns towards the control panel.) SECOND DALEK: Appearing now on frequency six. (On the screen a grainy image appears. It shows the DOCTOR in the forest inspecting the Thal's history plates.) SECOND DALEK: It is the elder prisoner. FIRST DALEK: Show second picture. (A second image of BARBARA and SUSAN tending ANTODUS' wounds appears.) SECOND DALEK: The girl and the young woman. Is that the body of the fourth prisoner, the young man? FIRST DALEK: If so, he has been injured. SECOND DALEK: Show third picture. (An third image of IAN conferring with ALYDON appears.) SECOND DALEK: They have made contact with the Thals. FIRST DALEK: It is logical that together they will attack us. [SCENE_BREAK] 4: EXT. FOREST (Within the Thal encampment, IAN and A
SUMMARY: | The TARDIS has brought the travellers to the planet Skaro where they meet two indigenous races - the Daleks, malicious mutant creatures encased in armoured travel machines, and the Thals, beautiful humanoids with pacifist principles. They convince the Thals of the need to fight for their own survival. Joining forces with them and braving Skaro's many dangers, they launch a two-pronged attack on the Dalek city. The Daleks are all killed when, during the course of the fighting, their power supply is cut off. |
fd_The_L_Word_02x06 | fd_The_L_Word_02x06_0 | TEXT: EXT. - HOTEL - POOLSIDE CAFE - DAY [Kit and Benjamin sit at a small table together.] Benjamin: Thanks for joining me. I don't usually do this... socialize with my students. [Title card: Los Angeles, California - Yesterday] Kit: I'm glad you're making an exception for me. Benjamin: Ah, you know, it gets kinda lonely on the road sometimes. Kit: Yeah, I know. You must miss your family. [Benjamin sighs.] Kit: I'm sorry, did I overstep? Benjamin: I'm trying to do the right thing, Kit, you know. I'm away from them nine months out of the year, sleeping alone in hotel rooms. Kit: (laughs) Yeah. Back in the day, I dealt with it by just getting hammered every night, and waking up with a different man every morning. Benjamin: Well, I'm glad you don't feel the need to do that anymore. Kit: Well, I can't say that I don't feel the need. I just don't act on it like I used to. EXT. - OUTSIDE THE HOTEL - DAY [Benjamin and Kit walk outside, down the front steps of the hotel together.] Kit: Well, I - I guess it's goodbye then. (laughs) Benjamin: Yeah, yeah, well, look. Thanks for keeping me company, I appreciate it. Kit: Oh, it was my pleasure. (giggles) [Benjamin smiles, then leans forward and kisses Kit's cheek. She looks a little confused, then open to the idea. She smiles and sighs. He leans forward and they kiss on the mouth for a few seconds. Kit whimpers and pulls back.] Benjamin: (whispering) sh1t... Kit: (flustered) Uh, um, I, uh, think I should go. Benjamin: Yeah. Yeah, okay. [Kit breathes faster and looks around quickly, growing more flustered. Benjamin seems willing to let her go, but anxious to have her stay.] Kit
SUMMARY: | Alice pushes Dana to break up with Tonya after a major tennis tournament. Though Dana politely ends the engagement, she is shocked when Tonya agrees and reveals she too was having an affair behind Dana's back. Tina considers her new attraction to Helena as she moves out of Bette's place for the second time. Kit finally hooks up with Benjamin and persuades a lonely Bette to attend one of his seminars. Following Charlotte Birch's advice, Jenny decides to bond more with Carmen. Also, Mark becomes more obsessed with Shane leading him to hire a prostitute to seduce her... so he can secretly videotape it. |
fd_The_Office_09x01 | fd_The_Office_09x01_0 | TEXT: Erin: Andy's coming back today! Andy's coming back today! Ha! Andy's coming back today. David Wallace sent him on an outward bound wilderness adventure for a whole month to make him more decisive and confident. He sent his own son too. And the counselors said they both grew up, big time. [SCENE_BREAK] Dwight: How was my summer? It was pretty mixed. I invented a new power drink made out of beet runoff. Mmm, mmm! So that's really good. But I got some disappointing medical news. [SCENE_BREAK] Doctor: Mr. Schrute, the results are in. You are not the father. Angela: I told you [Dwight vomits power drink on Angela] [SCENE_BREAK] Kevin: Oh, what a summer! An emotional roller-coaster. I ran over a turtle in the parking lot, but then I saved him by gluing his shell back together. But I'm not that good at puzzles. [SCENE_BREAK] Oscar: [as Kevin reassembles shell] That piece doesn't go there. [Kevin shushes him] [SCENE_BREAK] Kevin: So I patched him with stuff from around the office. But I couldn't get the pieces to fit right. Then one day, when I was reaching for the glue, I crushed his shell again. But I rebuilt him even better that time. But it turned out the turtle was already day. Probably when I ran over him the first time. [SCENE_BREAK] Pam: For us, um, nothing new, really the kids are great. Jim: You are really good at modesty. She's a genius. She painted this incredible mural in the kids' room. There's a hippo leading a parade of 500 children- Pam: Kay, well, you had that interesting thing. Jim: Oh, yeah Pam: Yes, Jim's friend is starting anew company based on this idea Jim had when they were back in college. Jim: Its sports marketing basically. But the athletes are partners. Pam: And he wanted Jim to be a part of it too. Jim: In Phil
SUMMARY: | Two new employees, Clark ( Clark Duke ) and Pete ( Jake Lacy ), are hired by the Scranton branch and cause trouble for Jim Halpert ( John Krasinski ) and Dwight Schrute ( Rainn Wilson ). Andy Bernard ( Ed Helms ) returns from manager training, hoping for revenge on Nellie Bertram ( Catherine Tate ). Oscar Martinez ( Oscar Nunez ) considers adopting Angela Martin 's ( Angela Kinsey ) cat. Kevin Malone ( Brian Baumgartner ) "saves" a turtle. Kelly Kapoor ( Mindy Kaling ) leaves for Ohio , and Ryan Howard ( B. J. Novak ) follows after her. |
fd_Grey_s_Anatomy_02x07 | fd_Grey_s_Anatomy_02x07_0 | TEXT: (Seattle Scenes) (MEREDITH'S TOWN HOUSE) (Opens with Meredith lying in bed) MVO: Communication. It's the first thing we really learn in life. (Cut to Meredith walking out the door of her house. Cut to Meredith driving down the highway to work. Cut to Staff Locker Room. A bunch of interns are gathered dressing and talking about Meredith) Intern: She didn't even know he was married. I mean, his wife just shows up and he dumps her. I heard she flipped out. Intern: What does she expect? She got what she deserved. Dating an attending! Intern: Dating Mc Dreamy. Have you seen his hair? No guy is that perfect. Intern: I think it's kinda sad. She has to work here. With him. With them. Everyone knows. (Camera pans across to the other side of the lockers where Meredith is listening to them despondently) MVO: Funny thing is once we grow up, learn our words and really start talking; the harder it becomes to know what to say or how to ask for what we really need. (Cut to a therapy session where Addison & Derek are receiving marriage counseling) Therapist: What do you ah need to make this marriage work? Derek: I need her to move to Seattle. Addison: That's just ah... Therapist (interrupts): Addison, what do you need? Addison: I need him to stop talking to Meredith. Derek: Ah uh I work with her! Addison: You want me to pick up my entire practice and move here? Fine! I want you to give up your girlfriend. Derek: I did give up my girlfriend. Okay you wanted me to take you back, I took you back here in Seattle. Addison: See once again it's all about what he wants. Derek: Okay she's not listening to me. I'm not gonna move back to Manhattan. I'm not the same person you're used to. Addison (interrupts): I know you're a flannel wearing, wood chopping fish
SUMMARY: | Cristina, Izzie and Meredith aggressively pursue the case of Shane, a male patient who seems to have a hysterical pregnancy , which fascinates the entire medical staff. Meredith becomes angry because everyone in the hospital is treating the patient like a sideshow and invading his privacy. She relates to him because the entire hospital staff seems to be gossiping about her and Derek. A sheltered young patient inspires Alex to better express his feelings for Izzie. Alex finds her at Joe's and sweeps her into a dramatic kiss that knocks her socks off. George and Burke treat a patient with extensive scar tissue around her heart, who is constantly complaining at her husband. Burke and Cristina discuss whether to go public about their relationship, whilst Addison and Derek encounter hurdles as they attempt to rebuild theirs. |
fd_CSI__Crime_Scene_Investigation_07x16 | fd_CSI__Crime_Scene_Investigation_07x16_0 | TEXT: FLASH IN: [EXT. VARIOUS LAS VEGAS CITY LIGHTS (STOCK) - NIGHT] [INT. RESIDENCE -- NIGHT] (The city is lit outside the window. The camera pulls back and passes a crackling fire inside the large, spacious living room. A cat meows and runs across the wood-paneled floor, disappearing behind the large bookshelf.) (The camera continues through the spacious room. There are bookshelves, couches and modern-styled lamps. Up against the wall there are filled vases. Paper crunching is heard and a light shines down from above. The camera continues around the room.) (More paper crunching is heard. More light appears from above, illuminating the room.) (The camera swings around and lingers on a LAS VEGAS GLOBE newspaper on the desk with the headline, "Another Body Found!") (The paper crunching continues. Camera swings around the miniature desk and pulls back from the miniature chair. Light shines from above as Grissom lifts the lid to the room.) (He can't believe his eyes and stares at the latest diorama.) [INT. CSI - GRISSOM'S OFFICE / HALLWAY - NIGHT - CONTINUOUS] (Grissom reaches down and lifts the miniature room out of the box. We're looking up from the room at Grissom. He carries the diorama and heads out of his office.) (He rushes carefully through the hallway. He glances to the side and shouts.) Grissom: Catherine, layout room, right away! (He continues toward the layout room.) Catherine: (o.s.) Where're you going? (The elevator bell dings. Grissom continues toward the layout room.) [INT. CSI - LAYOUT ROOM - CONTINUOUS] (He sets the diorama down on the table.) Catherine: (o.s.) Gil, where's the fire? (Catherine appears next to Grissom as they both look at the latest
SUMMARY: | Grissom is shocked when he opens a package sent to him while he was on sabbatical and finds a miniature crime scene inside, especially as the case of the previous miniatures was supposed to have been closed. Investigation reveals the murder depicted has not yet taken place but is likely to occur soon, so Grissom and the team work to analyze the miniature and find the real location before a tragedy can occur. |
fd_Frasier_08x10 | fd_Frasier_08x10_0 | TEXT: ACT ONE Scene One - KACL Frasier is on the air. Frasier: Who's up next, Roz? Roz: We have Cleo from Redmond on line three. Frasier: [presses button] Hello, Cleo. I'm listening. Cleo: [v.o.] Hi, Dr. Crane. I've been dating three different guys, and I can't choose between them. Frasier: Is it that you can't choose, or you don't want to choose? Cleo: It's just hard. One's really funny, one's adventurous, and one's sensitive. They're all gorgeous too. Roz: Oh, excuse me, Cleo! This show is for people with real problems! Frasier: Roz. Um, it sounds to me as if each suitor possesses one quality that you admire. Rather than choose among them, why not try to find one person who fits all your criteria? Roz: Why don't you call back when you're a working single mother whose choice in dates is between a guy with eight teeth and a guy whose hair is painted on?! Frasier: Sadly, we're out of time. This is Dr. Frasier Crane saying good day, Seattle, and good mental health - unless of course Roz has a problem with that. He goes off the air and comes into Roz's booth. Frasier: Is there something wrong, Roz? Because if there is, we should discuss it before it bleeds into your work. Roz: I'm sorry. I'm just sick of hearing people complain about their love lives while I face another weekend without plans. Frasier: Well, I empathize, but- Roz: I know, look who I'm telling. Frasier: It so happens I have big plans this weekend! Roz: Let me guess. You and Niles are playing your zithers again at the Renaissance Fair. Frasier: Roz, the Renaissance Fair is a fortnight after St. Swithin's Day. No, my son is coming to town. In fact, Dad and Dap
SUMMARY: | In the wake of his conversation with Dr. Tewkesbury, Frasier has decided to stop defining his success by his career, and to focus on his son. To this end, he invites Frederick to stay for the weekend, and makes several plans for edifying activities. He is disappointed when Frederick, now thirteen, arrives and shows no interest in spending time with his father. He prefers watching MTV , playing on his Game Boy and talking on the phone with his friends. Frustrated, Frasier decides to take his son on a camping trip, so they can bond away from all electronic distractions. When Frederick protests Frasier decides to bring Martin as well. Meanwhile, Daphne is trying to set Roz up with Niles' squash partner, an attractive surgeon called Jack, but Roz is distressed when he cancels at the last minute, claiming a medical emergency. |
fd_The_Office_05x22 | fd_The_Office_05x22_0 | TEXT: Jim: [phone ringing] You gonna answer that, Kev? Kevin: Oh, right. Thanks. [reading off index card] Dunder Mifflin, this is Kevin. Please hold while I transfer you. [cupping the mouthpiece, yelling] Oscar, your mom! [SCENE_BREAK] Jim: Charles is having Kevin cover the phones for a while. How do I say this diplomatically? [pause] I think Kevin is doing exactly as well as anyone might have expected someone like him to perform in a position like that. [SCENE_BREAK] Kevin: Please hold. [cupping mouthpiece and holding out the phone] Andy! Phone call. Jim: No. [Andy gets up from his desk] Stay there. Kev, thought we nailed the whole transfer thing earlier. Kevin: Yeah, I wrote it on my hand... but then I washed it. Jim: It is transfer, extension, and then transfer again. Kevin: Okay. Andy, get ready. [muttering] Transfer. Extension. Transfer. Jim: Here we go. [Meredith's phone rings. Jim and Andy groan.] Kevin: Oh, man! Andy: It is 1-3-4, Kev! [Kevin runs to the phone] Jim: Kev, c'mon. Dwight: Hustle! Kevin: Hold it. Andy: You are murdering the Nard-dog! Kevin: [on phone] This is Kevin. Please hold and I will transfer you. [Phyllis's phone rings] Angela: You're bad at this too! Kevin: [running to the phone] Just... don't answer that call! Stanley: Just transfer the damn call. Kevin: Your call is very important to us. Ple-[Andy's phone rings] Andy: Hey-o! [applauding and cheering] Dwight: Way to go. [SCENE_BREAK] Andy: My maid died. [SCENE_BREAK] Pam: Today is my first day at my new job at Michael Scott Paper Company Incorporated. You know, Apple Computers started in a garage. And we're starting in a condo. So we already have a leg up on Apple. [picks up
SUMMARY: | Michael and Pam use a list-based agenda to struggle through establishing their new company , including establishing an office in the Dunder Mifflin building and hiring a bleach blond Ryan and briefly, Vikram from Michael's telemarketing job. Dwight goads Jim into facing off with Charles in a soccer match when he joins in his officemates' brownnosing over Charles' sports passion. Michael is soon able to convert a large closet in the Business Park building into his office headquarters. |
fd_Once_Upon_A_Time_01x18 | fd_Once_Upon_A_Time_01x18_0 | TEXT: -[Real World]- (Regina is in her office fiddling with a ring. She holds it to her lips, when Mr. Gold enters.) Mr. Gold: Remembrance of things past? Regina: What do you want? Mr. Gold: I need a favour. (Text at the bottom displays 'One Week Ago'.) Regina: You need a favour from me? Mr. Gold: Well, as you know, there are battery charges against me...pending. I really don't relish the thought of spending any more time locked up in a cage. Now, someone with your influence can make the D.A. suddenly realize what a flimsy case they have. Isn't that right... Your Majesty? Regina: What do I get out of it? Mr. Gold: Help, with your Mary Margaret problem. You see, I've noticed that no matter how hard you seem to try to stop them, she and her 'charming' friend just keep finding ways to be together. Regina: What are you suggesting? Mr. Gold: If you want to inflict pain... Then you must inflict pain. If something tragic were to happen to David's wife, and if Mary Margaret should take the blame- Regina: She'd be ruined. Mr. Gold: And you'd have your victory, at last. Regina: A trial could be very messy. Mr. Gold: A trial? Who said anything about a trial? Now, once Miss Blanchard has been incarcerated, you can plant one of your lovely skeleton keys in her cell. And, once she tries to leave Storybrooke, well... We all know what happens to people who attempt to leave town. Regina: Give me one good reason why I should trust you. Mr. Gold: Because I always honour my agreements. Do we have a deal? -[Fairy Tale World]- (A younger version of the Evil Queen is practicing horseback riding as Henry I watches. She jumps over several barricades, and then comes to a stop near her father. She gets off and hugs him.) Henry I: That's beautiful, sweetheart. Evil Queen: Thank you, daddy. (Cora
SUMMARY: | Emma continues her exhaustive search for evidence that will prove Mary Margaret's innocence in the murder of David's wife, Kathryn. Meanwhile, in the fairytale land that was and before evil blackened her soul, Regina must choose between betraying her mother, Cora, and marrying for true love, or betrothing royalty and living a regal - but loveless - life; and the event that caused the Evil Queen to loathe Snow White is revealed. |
fd_Teen_Wolf_01x01 | fd_Teen_Wolf_01x01_0 | TEXT: 1x01 Wolf Moon Scott: Stiles, what the hell are you doing?! Stiles: You weren't answering your phone. Why do you have a bat? Scott: I thought you were a predator. Stiles: A pre - I - wha - look, I know it's late, but you gotta hear this. I saw my dad leave 20 minutes ago. Dispatch called. They're bringing in every officer from the Beacon Department, and even State Police. Scott: For what? Stiles: Two joggers found a body in the woods. Scott: A dead body? Stiles: No, a body of water. Yes, dumb - ass, a dead body. Scott: You mean like murdered? Stiles: Nobody knows yet. Just that it was a girl, probably in her 20s. Scott: Hold on, if they found the body, then what are they looking for? Stiles: That's the best part. They only found half. We're going. Scott: We're seriously doing this? Stiles: You're the one always bitching that nothing ever happens in this town. Scott: I was trying to get a good night's sleep before practice tomorrow. Stiles: Right, 'cause sitting on the bench is such a grueling effort. Scott: No, because I'm playing this year. In fact, I'm making first line. Stiles: Hey, that's the spirit. Everyone should have a dream, even a pathetically unrealistic one. Scott: Just out of curiosity, which half of the body are we looking for? Stiles: Huh! I didn't even think about that. Scott: And, uh, what if whoever killed the body is still out here? Stiles: Also something I didn't think about. Scott: It's - comforting to know you've planned this out with your usual attention to detail. Stiles: I know. Scott: Maybe the severe asthmatic should be the one holding the flashlight, huh? Stiles: Wait, come on! Scott: Stiles! Wait up! Stiles! Stiles! Cop:
SUMMARY: | Everything in Scott McCall's life is starting to fall into place. He gets a spot on the First Line of his Lacrosse team and a date with the woman of his dreams. When he gets bitten by a werewolf, the people around him could be in danger. |
fd_How_I_Met_Your_Mother_04x04 | fd_How_I_Met_Your_Mother_04x04_0 | TEXT: Marshall, Lily, Ted and Robin are in McClaren's. Robin: Barney's crazy if he thinks it'll work. Marshall: I think it'll work. Lily: I hope not. Ted: There he is. Barney arrives at the bar, disguised as a senior. Barney (old): You there, what's your name? Woman: Excuse me? Barney (old): Your name, woman, what's your name? Wife Cindy. Barney (old): I knew it. You are "the" Cindy, one that can change everything and bring us to our downfall. Listen to me, Cindy. I am Barney Stinson, and I have an urgent mission from the future. Cindy: From the future? Barney (old): The future, and I can prove it to you. In exactly four seconds, the woman at this table will slap this man. Robin slaps Ted. Ted: What are you doing? Barney: In a few minutes, the young me your time will enter through this door. I know it sounds crazy, but to save the planet, you have to sleep with him tonight. Cindy: What? I... Barney (old) to bed with Barney Stinson tonight, do whatever he wants, or he will find no solution to global warming that would save the human race. Cindy: You mean what? Barney (old): I have not the time to explain. I must return to reality accelerator before the vortex closes. Only you can save us, Cindy. I must go! Barney leaves the bar. Lily: Well, the movers arrive in 14 hours. We have to go back to finish the boxes. Robin: You have not finished? Why is it so long? Ted: The best memories of our 20 years were held in it. It's not that throw stuff in a box. You look back at the past. Robin: Not me. The key? Discard tips and not looking back. I go to Japan. It took me half an hour. Lily: A half hour? Robin: I could take 20 minutes, but a friend called me in tears. Marshall: Moving is very moving. Ted: But it is. Finally, everything changes. I will live with Stell
SUMMARY: | When Ted discovers that the gang ditched their plans to stage an intervention for his engagement to Stella, he is adamant that they go through with it anyway. |
fd_Doctor_Who_1963_12x19 | fd_Doctor_Who_1963_12x19_0 | TEXT: REVENGE OF THE CYBERMEN BY: GERRY DAVIS AND ROBERT HOLMES Part Three Running time: 24:32 [SCENE_BREAK] KELLMAN: You haven't killed them? LEADER: Of course not. We have neutralised them. They are necessary to our plan. What are you doing, Kellman? KELLMAN: This is the stranger I reported. He calls himself the Doctor. LEADER: And because of him, our plan was advanced? KELLMAN: It had to be. He was interfering. I'd just like to know who and what he is. [SCENE_BREAK] TYRAM: I am Tyram, Chief Councillor of Voga. HARRY: How do you do. I'm Harry Sullivan, and this is SARAH: Sarah Jane Smith. TYRAM: What's your mission here? SARAH: Mission? We don't have any mission. We just sort of came here by accident, didn't we, Harry. HARRY: Yes, that's right. It's nothing to do with us, really. TYRAM: Explain. SARAH: We'd better start at the beginning. Well, our plan was to find the TARDIS [SCENE_BREAK] LEADER: Once our landing is detected, the Vogans will attack in force. KELLMAN: Oh, they have only light armaments. Nothing that can affect your Cybermen. LEADER: This is the main shaft? KELLMAN: Yes, this is a shaft I explored for you. It runs right to the core of Voga. LEADER: How far from the shaft entrance is the transmat receptor area? KELLMAN: Just a matter of yards. I set the receptors as close as possible. LEADER: Excellent, Kellman. You have done well. The humans will carry the explosives into the shaft. DOCTOR: What's your cut, Kellman? Voga's gold? LEADER: There will be no gold. Voga is to be utterly destroyed, and this time we shall not fail. DOCTOR: Oh, really. LEADER: And you, Doctor, and your
SUMMARY: | The Cybermen force the Doctor, Stevenson and Lester to carry bombs to the centre of Voga while Sarah, Harry and Tyrum decide to contact Vorus. |
fd_Doctor_Who_1963_10x24 | fd_Doctor_Who_1963_10x24_0 | TEXT: THE GREEN DEATH BY: ROBERT SLOMAN 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. WHOLEWEAL COMMUNITY. LABORATORY (NIGHT) (In the silent laboratory, the egg starts to twitch. The shell breaks and a maggot emerges. It starts to slither out.) [SCENE_BREAK] 2: INT. WHOLEWEAL COMMUNITY. LIVING ROOM (NIGHT) (JO leafs through the book in the firelight.) [SCENE_BREAK] 3: INT. WHOLEWEAL COMMUNITY. LABORATORY (NIGHT) (The maggot is now on the floor. It slithers towards the doorway and out into the hallway.) [SCENE_BREAK] 4: INT. WHOLEWEAL COMMUNITY. LIVING ROOM (NIGHT) (JO is still absorbed in her book. Her back is to the door. She therefore fails to see as the maggot enters the room and rears up slightly as it senses her presence. It then carries on slithering towards her unprotected back. HINKS appears at the French window. He looks into the room and then silently opens the window and creeps in. The maggot changes direction and moves towards him while he in turn is creeping up on JO. HINKS glances round and sees the approaching maggot. His face registers a mixture of horror and disgust as the grub rears up and jumps up at the thug's hand, biting into it. HINKS yells with pain and horror. JO jumps up, sees what is happening and screams. The maggot falls off his hand and slithers quickly towards the open window and HINKS falls to the ground crying out with the pain of the infected bite. CLIFF, the DOCTOR, NANCY and another man of the community come running into the room.) JO: Doctor! Doctor! CLIFFORD JONES: What is it, Jo? What's happened? JO
SUMMARY: | The Brigadier calls in a full UNIT force to deal with the giant maggots while the Doctor infiltrates Global Chemicals to find out what is really going on. |
fd_Charmed_05x19 | fd_Charmed_05x19_0 | TEXT: [Scene: Woods. Night. Three nymphs dance around a small fire while their Satyr plays a song on his pan flute. The nymphs giggle and frolic around their Satyr, then pass a creeper plant which suddenly blooms. Xavier, a demon, appears.] Xavier: I guess my invitation must have got lost in the mail. (The nymphs gasp and stop dancing.) I told you I'd find you again, Satyr. Satyr: There's nothing for you here. Leave this place or... Xavier: Or you'll what? You're gonna play your flute? (Xavier throws a stream of fire at the Satyr and he burns and disappears. The girls hold each other, frightened. Xavier walks over and picks up the pan flute.) Miranda: Who are you? What do you want? Xavier: I want you to show me the eternal spring, that's what. Unless, of course, you want to end up like your poor Satyr here. Miranda: Only he can tell us when to reveal the spring. Xavier: Now I'm telling you. Where is it? (The nymphs run away. Xavier throws a stream of fire at them but misses. They run into the trees and vanish.) I will find you! [Scene: A hotel suite. A dinner party is finishing up and people are leaving. Phoebe grabs her purse.] Woman: Congratulations again, Phoebe. Phoebe: Thanks, sweetie, good night. Woman: See ya. (Phoebe rummages around in her purse.) Phoebe: Where are you? Where are you, where are you? (She walks over to the couch and sits down. She tips the stuff out of her purse onto the coffee table. Jason walks over to her.) Jason: You lose something? Phoebe: Oh, just my brain. And my keys. Jason: Well, I've got some cabs waiting to take us home
SUMMARY: | A pair of demons seek revenge on trio of wood nymphs, and as a result, kill their Satyr. Unable to agree on how to proceed with their revenge, one demon tricks the nymphs into thinking he is their new leader, and the other kills one of the nymphs. As the remaining nymphs flee, they decide Paige will be a suitable replacement and turn her into one of them, resulting in Piper and Phoebe trying to find a way to save the nymphs and turn Paige back to normal. |
fd_FRIENDS_08x07 | fd_FRIENDS_08x07_0 | TEXT: Dutch Phrases by: Kenny Walgraef [Scene: Monica and Chandler's, Chandler is sitting in the living room as Monica enters.] Monica: Hey. Chandler: Hey. (Monica notices something.) Monica: Oh my God! You cleaned! (Gasps) Look at these floors! You did the windows! Oh, I have been begging you for months and you did! You cleaned! And nagging works! Chandler: Y'know uh, I didn't actually do this. Monica: Oh no, was I cleaning in my sleep again? Chandler: No, it wasn't you. Monica: Well then who? Chandler: I got a maid. Yay! Monica: (shocked) I hope by maid you mean mistress, because if some other woman was here cleaning then... Chandler: Uh honey, I know you don't like to relinquish control... Monica: Oh, relinquish is just a fancy word for lose! Chandler: Look, she's really nice. Okay? And she mentioned that she adored the way that you arranged the sponges. Monica: Did she really say that? Chandler: Yes, I distinctly remember 'cause I thought it was a joke. Now just give her a chance, okay? Monica: Fine, I can do it. (Gets anxious.) Whew. Chandler: What's the matter? Monica: Well, usually when I'm this anxious, I clean! Opening Credits [Scene: Central Perk, Ross, Rachel, and Phoebe are there as someone's cell phone starts to ring with one of those fancy ring tones.] Phoebe: (looking around) Who's cell phone is that? It's just so annoying; everywhere you go. Ross: I think it's coming from your bag. Phoebe: (checks) I never get calls!! (Answers the phone) Hello? Eric: Hi, it's Eric. From the Halloween party, Ursula's fiancée. Phoebe: Oh my God Eric hi! Wait, how'd you get this number? Eric: Oh, I have
SUMMARY: | Chandler hires a maid to help Monica, but she soon suspects the maid is stealing her clothes. After getting Chandler to inspect a pair of jeans she is wearing that she thinks are hers, Rachel returns Monica's borrowed clothes. The maid quits, believing Chandler is a pervert. Eric wants to date Phoebe, but he is too reminded of Ursula . Ross attempts to secure the apartment of a dying Dutch woman for Rachel, while Joey wants Rachel to continue living with him. |
fd_The_4400_01x02 | fd_The_4400_01x02_0 | TEXT: Written by SCOTT PETERS & RENE ECHEVARRIA Directed by YVES SIMENEAU Adam's House Orson begins to shake the gate and as he does so, the house begins to shake, smashing things inside. The windows blow out and Adam grabs his head as Orson begins to yell. Adam falls to the ground, dead, with some glass embedded in his chest. Kyle's hospital room. Diana turns up to find Tom asleep in the chair. Diana: Tom? Tom: What are you doing here? Diana: Your phone is off. Ryland wants us to come in. Tom: What's up? Diana: There's been a murder. The police are holding one of the 4400. Homeland Security A picture of Orson is brought up on a monitor. Ryland: That's him. That's Orson Bailey. Tom: Bailey? Some kind of businessman, right? Ryland: Right. Tom: Life insurance? Ryland: Yeah. Diana: Disappeared in the 70's. Ryland: '79. Declared dead in '86. Seattle police are holding him in connection with a homocide in Madison Park, last night. Tom: Do they know he's one of the 4400? Ryland: Bailey told them. That's why they called us. Diana: Well, I thought the returnee's were told not to discuss their status? Ryland: Well we counsel them to avoid it, if they possibly can, but we were talking job interviews and housing applications. There's not really a protocol for being questioned about a murder. Tom: He said holding, not charging. Ryland: That's right. There are some conflicting reports about what actually went on at the crime scene. Tom: We'll check it out. Ryland: Quietly. I don't want to be dodging microphones at the six 'o'clock news. Tom: Quietly it is. Ryland: Diana! He hands her a folder, and they leave. Tom leaves the building with Diana and uses his mobile to call his wife. He reaches her answerphone. Answerphone: Hi, this is Linda. I can't come to the phone right now, but just leave
SUMMARY: | Tom and Diana investigate a supermarket employee who returned from his 18-month odyssey with enhanced strength and reflexes and is using his powers to combat crime in his neighborhood. Elsewhere, the pregnant Lily believes her baby can communicate with her; and Diana, concerned about 8-year-old clairvoyant Maia, invites the girl to live with her. |
fd_Gilmore_Girls_01x19 | fd_Gilmore_Girls_01x19_0 | TEXT: 1.19 - Emily in Wonderland OPEN AT ELDER GILMORE RESIDENCE (It's the weekly Friday dinner. Lorelai, Rory and Emily are sitting at the dinner table eating.) RORY: Grandma, can I have some baby pictures of you and Grandpa? EMILY: Any particular reason? RORY: Yeah, we're doing this visual family history project for school. EMILY: Oh. Well, if it's for school I suppose I could dig something up. RORY: And I need some of Mom too. LORELAI: I thought we already had this conversation. RORY: Yeah, but I don't believe you. LORELAI: Mother tell her. EMILY: I don't have any baby pictures of your mother. LORELAI: Thank you. RORY: How could you not have any baby pictures of Mom? EMILY: Because when your mother was seven, I came downstairs and found her burning all of her baby pictures. R: Why would you do that? I'm sure you were a cute baby. EMILY: She was. She was very cute. L: Four, three, two, one. EMILY: In most respects. L: Then we have lift off. R: What does that mean? L: Nothing. EMILY: I don't see what the problem is. You certainly grew into it. R: Grown into what? EMILY: As a child, your mother had an unusually large head. L: The best thing about it was that she would tell me constantly. My first complete sentence was, "Big head want dolly." R: I can't imagine it being that bad. EMILY: It wasn't. It just affected her balance a little so... L: Okay, can we please talk about something besides my formerly huge head? R: Are these new chairs Grandma? EMILY: Why, yes Rory, they are. LORELAI: They are? EMILY: I got them from a dealer up in Maine last summer. He just finished restoring them. LORELAI: They look exactly like the old ones. RORY: They're nice. L
SUMMARY: | Rachel finds an abandoned inn that Lorelai and Sookie fall in love with; Lorelai and Rachel spend the afternoon getting to know each other and Rachel asks Lorelai to put in a good word for her with Luke; as Rory takes Emily on a tour of Stars Hollow, Emily hits it off with Mrs. Kim and Michel, but becomes distraught when she sees Lorelai and Rory's first home; at Sookie's urging, Lorelai gives Jackson's cousin, Rune, a job at the Inn. |
fd_The_100_01x02 | fd_The_100_01x02_0 | TEXT: Clarke: I was born in space. I've never felt the sun on my face or breathed real air or floated in the water. None of us have. For three generations, the Ark has kept what's left of the human race alive, but now our home is dying, and we are the last hope of mankind, A hundred prisoners sent on a desperate mission to the ground. Each of us is here because we broke the law. On the ground, there is no law. All we have to do is survive, but we will be tested by the Earth, by the secrets it hides, and most of all by each other. [PREVIOUSLY_ON] Jackson: We know they've landed, but communications are down. Clarke: This wristband transmits your vital signs to the Ark. Take them off, and Ark will think we're dying. Bellamy: That's the point. They've dumped you down here like lab rats to die, so why are you helping them? Abby: Chancellor's been shot. Guard: We have I.D.ed the shooter... Bellamy Blake. Bellamy: I did something they will kill me for when they come down. Clarke: Do you see that peak over there? That's Mount Weather. There's a radiation-soaked forest between us and our next meal. Jasper: We did it! Clarke: We are not alone. Finn: Clarke! Come on. ( Grunts ) Finn: Monty. Come on! We got to go! Octavia: Monty, get up! Finn: Who are they? ( Crows squawking ) Finn: What are they? Octavia: We are so screwed. ( Distant scream ) Clarke: Jasper. He's alive. Finn: Clarke, wait. Wait! Wait. Stay out of the trees. Clarke: He was right there. Monty: No. Where is he? Clarke: They took him. ( Equipment buzzing ) ( Metal clanging ) Abby: Talk to me, Jackson. Jackson: Rumors are spreading. Witnesses saw a dropship launch. It's only a matter of time till the people figure out that we
SUMMARY: | Chancellor Jaha recovers and learns of his son Wells' supposed fate on the ground. Abby recruits Raven, a zero-gravity mechanic, to fix a drop pod to send herself to the ground. Meanwhile on Earth, Clarke, Wells, Murphy, and Bellamy set out to rescue Jasper, who was taken by the grounders after being attacked. They find Jasper tied to a tree and manage to return to camp with him, in addition to a panther they killed prior his rescue. Bellamy forces the 100 to trade their wristbands for food. Clarke and Finn manage to keep them. As the Ark watches more wristbands going offline believing they are dying, a figure watches the 100 from above the camp. |
fd_Doctor_Who_1963_02x19 | fd_Doctor_Who_1963_02x19_0 | TEXT: THE WEB PLANET BILL STRUTTON 5:40pm - 6:05pm [SCENE_BREAK] 1: EXT. VORTIS (IAN is pulled into the cleft as the roof collapses...) [SCENE_BREAK] 2: INT. CHAMBER (IAN and VESTRIN lie at the base of the chasm that they have fallen into. Their landing place is a rock chamber whose walls are covered with primitive decorations. IAN coughs in the dust.) VRESTIN: It seemed as if we fell a long, long way. IAN: Yeah, (He shakes his head.) oh, ah... (He sees the wall decorations.) IAN: Oh look. Where are we? (Before they can move, they find themselves surrounded by several small beings who carry sharp crystalline spears...) [SCENE_BREAK] 3: EXT. CRATER OF NEEDLES (The Crater of Needles is, as its name implies, a huge depression in the surface of Vortis. Its floor is covered with tall thin rock formations. Around the base of these needles grows a dark vegetation, rather like seaweed, that is being collected by wingless Menoptra slaves under the guard of the ZARBI and their larvae guns. BARBARA, struggling in the thin atmosphere, is here with HROSTAR. Exhausted, she sits down.) HROSTAR: You are breathing too fast, Harbara? BARBARA: (Rubbing her eyes.) Oh, my eyes are so sore. Everything seems to...to flare when I look at it. HROSTAR: It is...the atmosphere of this planet. Rest, I will watch for Zarbi. (BARBARA gets her breath, then looks at HROSTAR with concern and sympathy.) BARBARA: Are your wings healed? HROSTAR: (With sadness.) I...shall never fly again. BARBARA: No... (HROSTAR, upset, turns away. BARBARA tries to change the subject.) BARBARA: Er, why...why do they make us do... (A ZARBI scuttles up
SUMMARY: | On the planet Vortis, the Doctor, Ian, Barbara and Vicki are swept up in the struggles of the butterfly-like Menoptera, the original denizens of Vortis who were forced to flee the planet for the moon Pictos to escape the encroaching web of the Animus and its mind-controlled minions, the ant-like Zarbi and their living weapons, the larvae guns. |
fd_FRIENDS_06x19 | fd_FRIENDS_06x19_0 | TEXT: Teleplay by: Gigi McCreery & Perry Rein Story by: Seth Kurland [Scene: Joey and now Rachel's apartment, Joey has the fridge pulled out away from the wall and is in the process of pulling off the cooling grate behind it.] Joey: Well that thing is clearing in the way! All right. Ah-ha! (He grabs a screwdriver and starts to attack the compressor, only he causes a small short circuit and shocks himself.) Ah-ah!! Damn fridge! (Rachel enters from her new room.) Rachel: Hi Joey, how ya doin'? Joey: Great! Roomie! Rachel: Huh, yeah I guess we are roommates now. Joey: Yeah! Well, now that you brought it up, our fridge is broken. We have to get a new one. Now, I checked around and your half is $400. Thanks a lot. Rachel: I'm not paying for half of that! I'm only staying here until my apartment gets fixed. Joey: Look Rach, my parents bought this fridge just after I was born, okay? Now, I have never had a problem with it. Then you show up and it breaks! What does that tell ya'? Rachel: That refrigerators don't live as long as people. Joey: All right, now you know that the ATM will only lets you take out 300 at a time, I'll take a check for the other hundred. Rachel: You're jokin' right? Joey: Of course I'm jokin'! I don't take checks. Rachel: Thank God you're pretty. (Exits.) Opening Credits [Scene: Central Perk, Joey, Chandler, Monica, and Phoebe are there as Rachel enters.] Rachel: Hey! All: Hi! Hey! Rachel: Do you guys know any cute guys? Chandler: Well, of course I do! My good friend Joey over here. (Pats Joey's arm, Joey pats Chandler's shoulder, and Chandler motions for Joey to say the same about him.) Joey: Oh, I'm sorry. Thank you
SUMMARY: | Joey's refrigerator breaks, but unable to afford a new one, he tries to con the friends into paying for it. Ross' student girlfriend, Elizabeth, is heading to Miami for spring break, unleashing Ross' paranoia over what she might do there. Meanwhile, Rachel asks Phoebe, Chandler, and Monica to find her a date for the Ralph Lauren Ball, sparking a competition so fierce that when Rachel finds her own date, the three scare him off. |
fd_The_Vampire_Diaries_02x13 | fd_The_Vampire_Diaries_02x13_0 | TEXT: [Caroline's house] (Caroline's gets out and locks the door. She turns herself and sees Tyler) Caroline: Hey. How is it going? Tyler: We need to talk Caroline: Yeah, we do. Listen... I've been thinking about it and I don't want to overanalyze. It was just one kiss but Matt's still kind in the picture. We can't go there, Tyler Tyler: Fine Caroline: Great. That's settled (She goes toward her car) Tyler: What happened to my uncle Mason? Caroline: What? Tyler: He's dead and I want you to tell me what happened Caroline: I... I don't... Tyler: Then let me tell you: Stefan and his brother Damon killed him because Stefan and Damon are vampires, just like you Caroline: Who told you that? Tyler: Is it true? Caroline: Let me explain Tyler: Did you know he was dead this whole time? Caroline: Please Tyler: Did you know?! (She nods and Tyler pushes her against her car) Caroline: I'm sorry, Tyler. I'm sorry Tyler: I trusted you! (He releases her and leaves) [Salvatore's house] (Damon is in bathroom, in the shower. He's listening to the news and goes in his bedroom to watch) Andie Star: The authorities believe last night's assailant may also be related to the missing campers and Park ranger who have yet to be found as well as 25 years old Jessica Koenig, reported missing this morning. The sheriff department says investigations are pending and no further comment will be made. [Gilbert's house] (John is in the kitchen. Elena enters the room) John: Good morning Elena: What are you doing here? John: Coffee? Elena: We're not doing that. We did that last night, no more avoiding. Why are you here? John: I'm here to protect you. That's all I can say for the moment Elena: What do you mean that's all you can say? John: I'll tell you more when I'm convinced I can trust you (Jenna and Alaric enter the room. Jenna sees john
SUMMARY: | Tyler is furious that Caroline has kept Mason's death secret from him. Jenna becomes upset over the revelation that John is Elena's biological father. Jules meets her wolf-lover Brady and tells him she wants to leave town and take Tyler with them. Caroline asks Stefan to reason with Tyler, while Jules takes Caroline hostage. Jules tells Stefan to bring Tyler to her in exchange for Caroline. Stefan tries to make peace, but he fails, and Damon offers his "bloodier" method. Jules then calls on her wolf friends, and although Damon and Stefan are outnumbered, they kill most of the wolves. Tyler releases Caroline from the cage, but watches as Jules has Caroline at gunpoint. As Stefan and Damon are about to get staked, Jonas, on Elijah's behalf, incapacitates the remaining wolves. Tyler tries to apologize to Caroline, but she tells him they are no longer friends. Tyler tells Jules and Brady that Mason was probably killed because he found the moonstone. John says that he returned to protect Elena, and that the only way to kill an Original is with a dagger dipped in ash from a white oak as old as the Originals. John is shown to be still working with Katherine and trying to get her out of the tomb. |
fd_The_O.C._03x05 | fd_The_O.C._03x05_0 | TEXT: Opening scene - Cohen kitchen, morning - the first thing we see is a huge amount of food on the bench. there is a bowl full of eggs, some peeled some not. what appears to be muffins on a plate. some type of meat on another plate, and I think raspberries. the camera pans across and we see 2 plates with 2 muffin things on each, and on top of them is the meat and poached eggs. there is also some red jelly looking thing next to it. we can also see Kirsten's hand holding a spatula which she uses to put a red jelly thing on the plate that doesn't have one. she looks over towards the door just as Ryan comes in. he looks around and then sort of stares when he sees what Kirsten is doing. Seth comes in and does the same. Ryan opens the cupboard and sees that there is not much food in there Ryan: where's all the cereal Kirsten: oh I guess we're out (Seth opens the fridge, looks and then shuts it) Seth: (shakes head) there's no bagels either Kirsten: I thought we'd try something new (smiles) Seth: mom listen to me (looks at Kirsten, seriously) I understand that this whole cooking with Kirsten thing is helping you keep focused, but you cannot preempt a mans regularly scheduled breakfast (Ryan points at Seth in agreement, while eating) (Kirsten looks at him) it is a sacred routine Kirsten: (sternly) sit (Seth shuts up and heads over to the end of the bench. he and Ryan sit down) Kirsten: you are having eggs benedict gruyere avec pate de foie (Kirsten puts the plates down in front of Seth and Ryan. the eggs now have a yellowy looking sauce over them, and there is half a kiwi fruit on the plates. Seth looks down at his frowning. Ryan looks down at his plate then looks up out of the corner of his eye. we see Sandy come into the kitchen now) Sandy: somethin smells...(looks) fancy Kirsten: have a seat, there's plenty Sandy: o
SUMMARY: | Sandy, Seth and Summer find a way to blackmail Dean Hess into letting Ryan back into Harbor. Meanwhile, Charlotte makes Julie an offer she can't refuse. This episode is named after the film of the same name. |
fd_Veronica_Mars_03x12 | fd_Veronica_Mars_03x12_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... Weevil walks into O'Dell's office to find him slumped over his desk in 309 "Spit and Eggs." Cut to Mindy in Keith's office in 310 "Show Me the Monkey." MINDY: I didn't kill Cyrus, Keith. Neither did Hank Landry. But someone did. KEITH: I'll take the case. Keith and Steve Batando walk out of the Balboa County Sheriff's Department in 305 "President Evil." STEVE: You tell my ex-wife I own her now. No more talk of alimony, no more child support. We're beyond even. Steve drives off in Mindy's Porsche. Cut to Veronica coming down the stairs at the Pi Sig party in 309 "Spit and Eggs." VERONICA VOICEOVER: Tim Foyle? This can't be good. Veronica watches as an emotional Tim finds Bonnie and Dick. TIM: That's it, Bonnie. I've had enough. Cut to Madison having fun telling Veronica all about it in the lingerie store in 311 "Poughkeepsie, Tramps and Thieves." MADISON: Logan and I hooked up in Aspen over the holidays. I guess you two were split, huh? Veronica is gutted. End previously. INT - NEPTUNE GRAND HOTEL, LOGAN'S SUITE - NIGHT. Music: "Western Meadowlark" by Brown Recluse Sings. LYRICS: The country is destroying itself outside your window Hear the pulsing machines breaking down See the buildings crumble to the ground You, perched on the edge of your comfortable bed Like a beautiful songbird Veronica, her fingers entwined in Logan's, wakes up. She glances back at Logan and smiles. She slides carefully out of bed. Logan stirs and smiles, cuddling her pillow. LOGAN: Hmm. He watches her as she dresses. LOGAN: I don't want you to go. She looks back at him adoringly. VERONICA
SUMMARY: | A student asks Veronica to find out who slipped her RU-486 , which caused a miscarriage. While searching through Tim Foyle's computer, Veronica discovers that he is also investigating Dean O'Dell's murder, which took place at around 2:20 am. Upon learning that Logan slept with Madison Sinclair after their first break up, Veronica breaks up with him. Keith discovers that Mindy's car was egged on the night of the Dean's murder, which suggests that she was lying about her whereabouts at the time. |
fd_CSI__Crime_Scene_Investigation_04x06 | fd_CSI__Crime_Scene_Investigation_04x06_0 | TEXT: [EXT. LAS VEGAS CITY (STOCK) - NIGHT] [INT. CSI - FORENSIC AUTOPSY - NIGHT] (A box is on the autopsy table. It's addressed to: DR. ROBBINS 3026 WESTFALL AVENUE LAS VEGAS, NV 89109 (ROBBINS cuts the string and cuts the box open. Inside is a large blue plastic tub. ROBBINS takes the tub out and pushes the empty box to the side as he concentrates on the blue tub. He cuts the tape around the cover of the tub and opens the lid. Inside is a head.) Robbins: Hmm. (ROBBINS puts his glasses on to examine the head. GRISSOM walks into the room and appears at his side.) Grissom: I heard you got some head. Robbins: Just came in. How'd you know? Grissom: I arranged house seats for David to see Celine, so he pages me the minute you get anything perishable. Robbins: Sellout. (ROBBINS reaches into the tub and removes the head. GRISSOM takes a deep breath.) Grissom: Oh... formaldehyde. Robbins: Yeah, it fixes tissue, but it destroys DNA. Grissom: No ID through CODIS. Quite a bit of leaf litter. Robbins: Puncture wound above the orbital plate. Grissom: That looks like animal activity. Robbins: Heavy decomp. It's going to be, uh... virtually impossible to determine time of death. This neck wasn't severed. It was disarticulated. No skill involved. (ROBBINS puts the head down on the table and turns it to the left. On the left cheek, there's a knife cut.) Robbins: Oh-oh. I take that back. Grissom: That took skill. (Quick CGI POV: Camera zooms into the cut - past the skin, into the muscle and flesh. End of CGI POV. Resume to present.) (ROBBINS turns to look at
SUMMARY: | When Dr. Robbins receives a severed head, Grissom goes to Jackpot, Nevada in search of the rest of the body. When he arrives he soon finds out that he cannot expect much help from the locals. Even the sheriff seems to be hiding something. Meanwhile, Catherine gets an unexpected gift from her father. |
fd_Teen_Wolf_02x11 | fd_Teen_Wolf_02x11_0 | TEXT: Stiles: You know when you're drowning, you don't actually inhale until right before you black out. It's called voluntary apnea. It's like no matter how much you're freaking out, the instinct to not let any water in is so strong that you won't open your mouth until you feel like your head's exploding. But then when you finally do let it in, that's when it stops hurting. It's not scary anymore. It's - it's actually kind of peaceful. Ms. Morrell: Are you saying you hope Matt felt some peace in his last moments? Stiles: I don't feel sorry for him. Ms. Morrell: Can you feel sorry for the nine - year - old Matt who drowned? Stiles: Just because a bunch of dumbasses dragged him into a pool when he couldn't swim doesn't really give him the right to go off killing them one by one. And by the way, my dad told me that they found a bunch of pictures of Allison on Matt's computer. And not just of her though. I mean, he photoshopped himself into these pictures. Stuff like them holding hands and kissing. You know, like he had built this whole fake relationship. So yeah, maybe drowning when he was nine years old was what sent him off the rails, but the dude was definitely riding the crazy train. Ms. Morrell: One positive thing came out of this, though. Right? Stiles: Yeah. Yeah, but I still feel like there's something wrong between us. I don't know. It's just like tension when we talk. Same thing with Scott. Ms. Morrell: Have you talked to him since that night? Stiles: No, not really. I mean, he's got his own problems to deal with though. Scott: Mom. Mom, we're gonna have to talk about this eventually. Okay. I'm going. I love you. Stiles: I don't think he's talked to Allison either. But that might be more her choice, you know. Her mom dying hit her pretty hard. But I guess it brought her
SUMMARY: | Boyd and Erica leave Derek, terrified of the Argent werewolf genocide . At the championship lacrosse game, Gerard threatens to murder someone with the Kanima if Scott does not bring Derek to him by the game's end. Allison ruthlessly shoots Boyd with arrows until the werewolves are saved by Chris, who is upset by Allison's actions. On the field, Stiles begins a massive winning streak, and their team wins. Just then, Jackson is found bleeding and unresponsive; he has stabbed himself with his own claws. Sheriff Stilinski makes a grim discovery: Stiles has gone missing. |
fd_Once_Upon_A_Time_02x08 | fd_Once_Upon_A_Time_02x08_0 | TEXT: -[Fairy Tale Land - Present]- (Hook has managed to make his way down the beanstalk. When he jumps down, he finds Cora waiting for him.) Cora: My dear Captain. It seems you've been on quite an adventure. The compass, please. Hook: Yes, that. Well... Matters grew complicated. It's eluded me for the moment. The details of the affair are a bit of a bore. Cora: Really? Stealing my protection spell and climbing the beanstalk without me might seem like a bore to you. But to me, it's a betrayal. Hook: I was going to bring it to you. Our agreement remains. We are going to Storybrooke, together. I'll get it back. Cora: I don't have time for your games. I've crossed through too many worlds to be brought short at the brink of success. Who was it who bested you? Hook: The Swan girl - Emma. Rest assured, it won't happen again. Cora: No, it won't. You chose her, and the consequences of that decision. Hook: Oh. Are you going to kill me, now? Go ahead. Try. Cora: So brave. No, I'm not going to kill you. I have something far more satisfying in mind. I'm going to leave you here with your thirst for revenge unquenched, while I complete our journey without you. Hook: There's no need to be rash. We can... Discuss this. Cora: Your pretty face buys you a lot, but not my time. It's too valuable. Hook: I can do this. I can get it back. You need me. Cora: No, I don't. You've had your chance. Now, it's my turn to do this. The right way. (Hook lunges towards Cora, but she disappears in a puff of smoke.) [SCENE_BREAK] (Cora reappears in a hut with several drawers filled with hearts. She takes one out of its box and blows on it, causing the rest of the hearts to begin glowing. The drawers slide out,
SUMMARY: | After Cora finds Captain Hook, she decides she won't be taking him to Storybrooke when she gets the compass back from Snow White. Mulan begins to worry about Aurora when she finds that Aurora has burns on her hand from the fiery room. Mr. Gold, David, and Regina work to make sure that Henry makes it safe back and forth between the worlds. David decides that he is going to go under the sleeping spell to go to the fiery room because of the danger. Cora kidnaps Aurora in an effort to get the compass. Mulan and Emma then send Snow into the fiery room, finding out the way to defeat Cora is hidden in the room they locked Rumplestiltskin in years ago. Captain Hook sets Aurora free to show Emma that she should have trusted him, only for him to take Aurora's heart to convince Cora to take him to Storybrooke with her. Cora uses Aurora's heart to trick Emma, Snow White, and Mulan into believing that Aurora's fine and to find out where they are going. David gets stuck in the Netherworld when Snow isn't able to kiss him to break the curse. |
fd_Doctor_Who_1963_22x10 | fd_Doctor_Who_1963_22x10_0 | TEXT: TIMELASH PART ONE Run time: 45:00 [SCENE_BREAK] TARDIS [SCENE_BREAK] Peri: Lost? The Doctor: I am never, ever lost. Peri: Ha! Wish I could have that on tape. The Doctor: I was contemplating taking you to the constellation of Andromeda. Peri: Why? The Doctor: I haven't been there recently, that's why. Peri: Well, what about me? Don't I ever get a say in our destination? The Doctor: Oh. Where would the First Lady suggest? Peri: Well, I don't mind. The Doctor: Ha. Peri: What I mean, Doctor, is I don't mind where we go so long as when we get there, we spend some time and relax. The Doctor: You want a holiday! Why didn't you say so before? I know the very place. Peri: Doctor, if you're about to suggest the Eye of Orion, don't. I've heard all about that elusive place once too often. No one lives there and few visit, apart from you. The Doctor: Oh, but such a beautiful moonset. Ideal tonic for the weary time traveller. But, if that doesn't appeal, as I've said, there is always Andromeda. Peri: Oh, really. And what's out there? The Doctor: Some of the most magical sights in the entire universe. Astral starbursts creating a myriad celestial bodies against a timeless royal blue backdrop. Peri: Very poetic, but that's the exact description you always give of the Eye of Orion. The Doctor: It is? Peri: Word for word. The Doctor: Does nothing please you? Peri: Yes. Purposeful travel, not aimless wanderings. The Doctor: Aimless? You see our time together as aimless? Peri: No, not exactly. I guess not. The Doctor: I should hope not. Or perhaps you're trying to tell me you've had enough. In that case I can easily set the coordinates for Earth, 1985. Peri: No, no, that won't be necessary. [SCENE_BRE
SUMMARY: | The Doctor and Mel are drawn into a Time Corridor and end up on the planet Karfel where the 3rd Doctor once visited. While there he meets a leader who seems to enjoy war and a strange man named Herbert. |
fd_The_Originals_02x03 | fd_The_Originals_02x03_0 | TEXT: [PREVIOUSLY_ON] This town was my home. I want it back. All of your scheming, the enemies that you have made every single day of your miserable life, what results did you expect, that your child would be born into a happy life? This was our family's hope. We need to regain control of the city. You want allies, right? This is ground zero for a new vampire community. You may think that you're better than us. We're all you got. Hayley: We made a deal. He'll pledge his loyalty to Cassie, report back, and tell me everything that he learns. Marcel: Her name is Gia. She's the first one that I turned. She's gonna need a mentor. We should've known our mother would not be bound by anything as obvious as death. Where is she? Finn, Kol, we have a family reunion to plan. [ COVEN HOUSE ] ( Esther (still in Cassie's body) lights candles while she prepares a breakfast. A starling chirps in a cage nearby while Cassie begins cracking eggs into a bowl, mixing berries and herbs, and writing an invitation in fine calligraphy. She smiles as she looks at her work, and puts the invitation onto a silver platter with a lid ) [SCENE_BREAK] [ MIKAELSON COMPOUND ] [In the courtyard, Hayley is munching on an array of fruit and other breakfast food when Klaus comes down the stairs to join her] Hayley: So, which restaurant's missing a compelled chef? Klaus: [approaches her] It's certainly a card I've played in the past, but I had no hand in this... [gestures to the food on the table] Hayley: Hmm. Well, then, I guess we have Elijah to thank. ( Elijah joins them in the courtyard ) Elijah: [confused] This wasn't my doing... Hayley: [frowns] Then, where did this all come from? ( The silver lid on the platter starts to rattle, startling Hayley and Elijah. Klaus looks uneasy when he
SUMMARY: | Klaus and Elijah receive a dinner invitation from their mother. Elijah visits Marcel to find a witch named Lenora who can help them identify into whose body Esther jumps next, unfortunately, Vincent/Finn has her abducted. Vincent/Finn arrives the dinner and tries to know why his younger siblings had him daggered in a coffin for 900 years. It is revealed in the course of their meal that the necklace which Esther gifted Klaus wasn't meant to protect him but to weaken him in order not break his werewolf curse. After this revelation, Esther jumps out of teenaged Cassie and the spell Lenora casts falls on her and she is Identified as Esther through a mark. She tells her sons she wants to heal and not to harm, and give them a new life and she vanishes in a mysterious way. Haley admits later on that she is tempted by the offer and accuses Elijah of not being caring. Elijah agrees to help Gia which is a big advantage to the other vampires including Marcel. Esther and Finn discuss plans to make their family whole again. |
fd_Roswell_01x03 | fd_Roswell_01x03_0 | TEXT: "Leaving Normal" 4th Episode of Roswell Production Code: 1ADA03 [SCENE_BREAK] (Liz writing in diary) Voice-Over: It's October 19th. I'm Liz Parker and this is what I've been thinking. Can life ever go back to normal? (At Crashdown Cafe) Maria: It's crazy. Liz: It's an orthodontist convention. Maria: Why would orthodontists want to meet in Roswell? Liz: That's a good question. Maria: Uh, Jose. If table 3 doesn't get their food, I swear they're going to attack. Jose: Busy ladies, very busy. Liz: Oh, my God. I forgot to tell you. Grandma Claudia is coming on Friday. Maria: I have been going through Grandma withdrawal. I just love Grandma Claudia. Liz: I know. She's like the basis of my existence. Jose: Table 6. Liz: Oh, great....thank you. Maria: Jose, what about me? (Jose blow a kiss at Maria, who rolls her eyes) (Liz serving food to table 6) Orthodontist: Here she is. Liz: Ok, gentlemen. I've got one Venus Meatloaf Platter. There you go. And two Trekkie specials. Enjoy your dinner. Oh, and your space fries will be right out. (Max enters and sits down at a booth) Orthodontist: Uh, miss...my colleagues and I were just appreciating your wonderful overbite. Liz: Oh...well, thank you....that's a first actually. Orthodontist: Would you mind if we just take a look at your bite.....for medical purposes. Liz: Sure. (Liz shows her wonderful overbite) Voice-Over: Part of me wants safety, wants to go back to how things were, to a life that I could predict, where I know how life is going to be. And the other part of me wants to go somewhere else, into the unknown. Orthodontist: Magnificent. Liz: Enjoy your dinner, gentlemen. (Liz walks over to Max's booth) ["Candy
SUMMARY: | Isabel is concerned about Maria's nervous reactions to Sheriff Valenti after she crashes her car with her. So she invades one of Maria's dreams to determine whether she can keep the aliens' secret. |
fd_Dawson_s_Creek_05x20 | fd_Dawson_s_Creek_05x20_0 | TEXT: [Scene: The halls of the Dorm rooms. Audrey is walking along and comes to the door, but before opening the door she notices a scrunchy on the door handle, stops and then turns away without going into the room. Cut to inside the room, we find Joey and Charlie sleeping in her bed, fully clothed.] Charlie: Good morning. Joey: You could say that. Charlie: How did you sleep? Joey: [Sighs] Well, between the talking in the sleep and the stealing all the covers, not too well, actually. Charlie: That drool stain on your pillow begs to differ. Joey: That's not drool! Charlie: Like a basset hound. Joey: I do not drool, and if you tell anyone I do, then I'll just mention how you moan in your sleep about your mom taking away your Barbie dolls. Charlie: Ok, I didn't<unk> Joey: Only for about 20 minutes. Charlie: Ok, in that case, I saw no drool. Joey: [Laughing] You know what my favorite thing about it is? Charlie: What? Joey: Do you know where I got that scar? [Shows him her elbow] Charlie: No. Joey: Do you know who my sixth grade teacher was? Charlie: No. Mine was Mrs.<unk> Joey: Shh! You're ruining my favorite thing. Charlie: Ok, I'm sorry. Ok, you lost me at the scar. Joey: The point is, I wasn't there for every day of your life up until now, and you weren't here every day of mine. Charlie: This is supposed to be a good thing? Joey: Living without the weight of 18 years of expectation? Yes, it's a good thing. I mean, think about it. At this point, all I really know about you and your childhood is that... you used to play with Barbie dolls. Charlie: Ok, it wasn't a doll. All right? It was m-- ok. So maybe it was. Barbie looks really hot naked. Joey: Whatever you say. Charlie: Hey, and look,
SUMMARY: | Charlie's band lands a deal for a tour and he asks Joey to go with him, but she doesn't want to leave college in the middle of the semester. Charlie then decides to quit the band and stay with her, which freaks Joey, who thinks they're jumping too many steps. She breaks up with him so he can go with his band on tour. Meanwhile, Oliver and Dawson finally get to NY to meet with an agent, but Oliver ruins the meeting. Dawson threatens to end their partnership but Oliver begs for another chance. Pacey meets the nasty new manager of the restaurant, Alex Pearl. She promotes Pacey to head chef but fires Audrey. Pacey tries to get Audrey her job back, but all he gets is a kiss from Alex. |
fd_Gilmore_Girls_04x20 | fd_Gilmore_Girls_04x20_0 | TEXT: OPEN AT LORELAI'S HOUSE [Lorelai walks downstairs and opens the front door to pick up the newspaper. A cat is sitting on the porch. Lorelai goes to the phone and dials.] RORY: Hello? LORELAI: They know. RORY:Who knows? LORELAI: The cats -- they know that I've broken up with Jason and that I'm alone and they've decided it's time for me to become a crazy cat lady. RORY: What are you talking about? LORELAI: There's a cat on my doorstep. RORY: Well, that's better than a bun in your oven. LORELAI: It's just sitting there, staring at me, like he knew this moment was coming. It's still there. Why is it still there? RORY: Mom, it's a stray. It's passing through. It's hanging out. Relax. Move away from the window and go back to bed. LORELAI: It's not fair. We just broke up. It just happened. I'm still young. It's still possible that I'm gonna have a successful relationship. You don't know. My eggs are still viable. RORY: Are you yelling at me or the cat? LORELAI: The cat. I think he flipped me off with his tail. I'm Babette. RORY: Babette's not single. LORELAI: Whose side are you on? Circle the wagons. RORY: Sorry. LORELAI: Everyone knows. They can see it in my face. "She's single again. She couldn't make it work again. She picked the wrong guy again." [to cat] Hey, do not lick yourself in front of me. RORY: Mom, I need you to get a grip. You're tired, you're stressed out, and you're not seeing things clearly. LORELAI: Oh, my God! RORY: What? LORELAI: There are two of them. They're not even easing me into this, those bastards. I give up. I guess I need
SUMMARY: | Jackson's devotion to his wife and her famous zucchini soup set the stage for the perfect antidote to the stress surrounding the opening of the Inn; Luke unwittingly comes to the rescue when Sookie tries to set Lorelai up with the poultry supplier; Liz returns to Stars Hollow to announce that she's getting married in the town square in a week; Paris and Asher decide to travel to England together during the summer; T.J. has a tumultuous bachelor party; at Luke's request, Jess changes his mind about attending his mother's wedding and returns to Stars Hollow for the festivities; Rory tries to hide her discomfort when Lorelai tells her about overhearing a fight between Dean and Lindsay; a self-help tape helps Luke clarify his thinking, and a talk with Jess gets him started on the path to having the relationship he's been looking for all along. |
fd_Merlin_02x08 | fd_Merlin_02x08_0 | TEXT: Morgause's enchanted fortress Morgause watches Arthur through a magic crystal in her enchanted fortress. Morgause: Hider eft funde. On <unk>isse ne middangeard.Arthur Pendragon, a great destiny awaits you. The battle for your soul is about to begin. [SCENE_BREAK] King's Palace, Hall of Ceremonies Uther: Arise Sir Vidor, Knight of Camelot. Arise Sir Caradoc, Knight of Camelot. Uther: You have been accorded a great honour. But with that honour comes great responsibility. From this day forth, you are sworn to live by the knights' code. You have pledged to conduct yourselves with nobility, honour, and respect. Your word is your sacred bond. You will find no one who better embodies these values than my son, Arthur. Follow his example, and you will prove yourselves worthy of your title. The entire court turns to the door at the sound of sword fighting outside. A knight enters. The newly made knights of Camelot draw their swords as the knight approaches. Arthur steps forward and the knight drops gauntlet in front of Arthur, who picks it up. Arthur: I accept your challenge. If I'm to face you in combat, do me the courtesy of revealing your identity. The knight removes the helmet to reveal a wealth of long blonde tresses. Morgause: My name is Morgause. [SCENE_BREAK] King's Palace, Council Chamber of Doom Uther and Arthur consult Geoffrey of Monmouth. Geoffrey: I've searched the records going back more than 300 years. I could find nothing to say a woman cannot issue a challenge. Uther: There must be some way to put a stop to this. Geoffrey: According to the Knight's Rules, it appears her challenge is perfectly valid. Arthur: It seems there's nothing we can do. Uther: We don't know anything about this woman! I will not let you face her in combat! Arthur: I accepted the challenge. If I refuse to fight, it'll be seen as an
SUMMARY: | Arthur faces a challenge from a mysterious knight who turns out to be a woman. He is forced to face Morgause in a battle to the death. She defeats him but spares his life in exchange for a promise to meet her and further tempts him with the knowledge that she knew his mother. What Arthur discovers when Morgause uses her sorcery to allow him to speak with his dead mother sends Arthur back to Camelot intent on killing his father. |
fd_Doctor_Who_1963_07x20 | fd_Doctor_Who_1963_07x20_0 | TEXT: INFERNO by: DON HOUGHTON 5:15pm - 5:40pm [SCENE_BREAK] 1: INT. NUCLEAR REACTOR CONTROL ROOM (The DOCTOR and the BRIGADIER rush into the switch room closely followed by SERGEANT BENTON and PRIVATE WYATT. The DOCTOR instantly spots BROMLEY on the floor.) DOCTOR: Look. (They bend down to examine him. On the other side of the room, another door is thrown open and the roaring, snarling SLOCUM bursts in. They all stand up and BENTON steps forward to tackle the half-human but the DOCTOR holds him back.) DOCTOR: No, don't move! It'll only antagonise him. [SCENE_BREAK] 2: INT. DRILL-HEAD (The alarm continues to blare and smoke is still coming from the drill-head. GREG SUTTON and the technician manage to turn the wheel on the coolant pipe. GREG turns a waiting PROFESSOR STAHLMAN.) GREG SUTTON:... don't worry. She'll calm down now the coolant's flowing. (STAHLMAN'S tone is less than gracious.) PROFESSOR STAHLMAN: Thank you, Mr. Sutton. (He walks off leaving a smarting GREG behind.) [SCENE_BREAK] 3: INT. CENTRAL CONTROL (PETRA adjusts various switches on a wall unit. STAHLMAN walks up and looks at the dials with her.) PROFESSOR STAHLMAN: Still too much power from the nuclear reactor.PETRA WILLIAMS: I think the Doctor went to deal with it.PROFESSOR STAHLMAN: (Irritated.) What? Well, check it please, Petra. [SCENE_BREAK] 4: INT. NUCLEAR REACTOR CONTROL ROOM (The stand-off between a wary SLOCUM and the others continues...) DOCTOR: (Calmly.) There's
SUMMARY: | The Doctor begins to suspect that penetrating the earth's crust will create more Primords but Stahlman sabotages the computer to stop him proving it. |
fd_FRIENDS_03x20 | fd_FRIENDS_03x20_0 | TEXT: [Scene: Monica and Rachel's, Chandler, Monica, Phoebe, and Joey are there.] Chandler: Wait a minute, wait. You're telling me this actress person is the only woman you ever wanted who didn't want you back?! Joey: Yeah! Oh my God! (to Chandler) Is this what it's like to be you? Monica: Wow, you're really crazy about her, huh? Joey: Oh, you have no idea. And-and when we're on stage I get to-to kiss her and-and touch her, but then she goes home with the director, and it's like somebody's ripping out my heart! Phoebe: Oh, it's so great to see you feeling like this! Ross: (entering) Hey! All: Hey! Ross: Monica, uh Dad called this morning and ah, Aunt Silvia passed away. Monica: Yes!! Yes! Yeah, yeah, yeah! Ross: We were all pretty shaken up about it. Phoebe: Wait, am I missing something though? 'Cause I thought death was something that's supposed to be sad, in a way. Ross: Well ah, Aunt Silvia was, well not a nice person. Monica: Oh, she was a cruel, cranky, old bitch! (Ross gives her a look) (to Ross) And I'm sorry she died. Did Dad say I get the dollhouse? Ross: You get the dollhouse. Monica: I get the dollhouse! Phoebe: Wow, a house for dolls, that is so cool! When I was kid, I had a barrel. Joey: Uh, Pheebs, you had a barrel for a dollhouse? Phoebe: No, just a barrel. Monica: Y'know what, you can play with my dollhouse. Phoebe: Really?! Really?! Monica: Any time you want. Y'know, when I was younger, all I wanted to do was to play with this dollhouse, but no!! It was to be looked at, but never played with. Chandler: My Grandmother used to say that exact same thing to me
SUMMARY: | Rachel regrets arranging a date for Chandler and her boss, Joanna. Joey's interest in Kate intensifies after they sleep together, but her relationship with the play's director complicates matters. Monica's aunt dies, leaving her a beautiful antique dollhouse. Monica invites Phoebe, who never had a dollhouse, to help her set it up, but gets upset with Phoebe's creative embellishments. Phoebe gets angry and brings over her homemade dollhouse, which meets a sad end. |
fd_The_Vampire_Diaries_05x17 | fd_The_Vampire_Diaries_05x17_0 | TEXT: [Atlanta Metro Hospital] (Stefan's doppelganger enters with a patient) Doppelganger: What's your name, huh? My name's Tom. You're gonna be all right [Train Tracks] (Sloan is still casting the spell on Stefan) Sloan: His name is Tom Avery. I heard that much [Atlanta Metro Hospital] Tom: Pneumothorax. I need a 10-guage needle now Doctor: We'll take it from here Tom: If you don't do it now, she's not gonna make it to the operating table [Train Tracks] Sloan: Come on, Stefan. I need your help with the link. Tell me what you see. Tell me where to find your doppelganger [Atlanta Metro Hospital] Doctor: You're a piece of work, Avery. They must have broke the mold when they made you [Train Tracks] Stefan: Atlanta Metropolitan Hospital Sloan: Good. Now your friends can go kill him [Salvatore's House] (Elena and Damon are in bed. She wakes up) Damon: Morning, sunshine Elena: Oh. Um... Did I wake you? Damon: No. I've been up for 3 hours Elena: Really? Because you didn't say a word Damon: Neither did you Elena: Well... ahem... that's because I didn't really have much to say.Nothing's changed. We're still bad for each other, and we are still broken up. Last night was a mistake Damon: Maybe we should keep making mistakes. Big ones Elena: Seriously, Damon, put some clothes on or at least get out of my way. I need to go Damon: Your loss. I make one hell of a naked breakfast [A Dinner in Atlanta] (Caroline and Enzo are sitting at a table. His phone rings. He answers) Enzo: Atlanta assassination squad. How may we be of service? Sloan: I take it you haven't located the doppelganger yet Enzo: You told us to find a nameless paramedic at the scene of a car accident in
SUMMARY: | A new Doppelgänger of Stefan Salvatore is introduced as Tom Avery, an EMT, and Caroline and Enzo are on their way to kill him in Atlanta. Elena goes to Parent-Teacher Conferences, but Damon shows up as his primary contact. Tom Avery disappeared, so the Travelers dig deeper in Stefan's mind for visions of him. Damon tells Elena he saw Jeremy with Liv at the Grill. Enzo and Caroline follow a lead to a witch named Hazel, but Enzo kills her. Her ghost shows up to Bonnie and gives her a message for Luke about hiding the doppelgänger. Caroline and Enzo find Tom Avery in the witches house, but Caroline can't find it in her to kill him and instead, she snaps Enzo's neck and leaves with Tom. Liv tries to kill Elena but is stopped by Damon. Caroline sets Tom free, but Enzo kills him to find the girl who was kind to him in captivity, Maggie. Damon tortures Liv into talking, saying the Travelers want there to be only one of each doppelgänger left. Jeremy, Matt and Tyler make a deal with her and Luke to spare Elena. Jeremy then moves out of Damon's house. At the camp, Caroline returns to the Travelers camp to get Stefan. The Travelers perform a ritual and go to the other side and their leader appears coming out from Bonnie. |
fd_Justified_06x04 | fd_Justified_06x04_0 | TEXT: Raylan: Previously on "Justified"... Ava: Never saw a pizza place with a... a... What is that thing? Mundo: It's a bank vault. John-O: There ain't no version of this story that ends with us selling our home to some peacock. Walker: You call me a peacock? Katherine: How's Ava doing, Boyd? It must have been quite a shock, her getting out of prison the way she did. Wynn: We can't gang up on him, Katherine. Katherine: You're as concerned about her release as I was. Vasquez: It is outlining the terms of your confidential informant arrangement with the U.S. Attorney's office where you stipulate that you will obtain relevant information that may lead to charges against Boyd Crowder. Boyd: I was enjoying my morning constitutional, and lo and behold, what do I find but a stack of real-estate deeds and a ledger that I believe belong to you. Boyd: Since you got out, sometimes I feel like I don't know who you are anymore. Ava: Tell you what. You come on over here, and I'll remind you. 6x04 "The Trash and the Snake" [cellphone chimes, vibrates] Ava: Morning. Boyd: Morning. Ava: Are you off somewhere? Boyd: I am. Thought about letting you sleep, take full advantage of this king-size. Sneaking out just didn't seem right. Ava: Mm. When you think you'll be back? Little bit? You gone all day? Boyd: I'll be back this afternoon. Ava: Good. Boyd: Good? Wait a second. Ain't that supposed to be bad? [laughs] No. I was just thinking take advantage, see about a massage. I don't know. Something nice. Boyd: Getting used to the good life, huh? Ava: Mm-hmm. Boyd: Well, go on. [chuckles] Boyd: I'm just happy I got to hear your voice before I go. Ava: Wait. Be careful. Always.
SUMMARY: | Boyd leaves Ava in The Hotel Samuelson; she updates Raylan then finds Katherine wants to get to know her. Ava ends up having to do cocaine and participate in high-ticket shoplifting to convince Katherine she's not an informant. Katherine reveals her belief that Avery ratted out Grady, who supposedly committed suicide in prison, and she reveals she is robbing Avery to avenge her husband and regain her lost lifestyle. At the end of their day, Katherine asks about Albert Fekus' change of heart, worrying Ava. Meanwhile, Wynn introduces Boyd to specialist "Wiz" who attempts to break open a similar vault but accidentally vaporizes himself. However, learning that Avery is buying up farms to grow soon-to-be-legal cannabis, Boyd decides to get the land first and ensure his fortune in Harlan. Raylan checks in with Art, who is on extended leave recovering from gunshot wounds. Art advises Raylan to concentrate on the case against Boyd and not to start making another against Avery Markham. Raylan and Tim check with Calhoun about the properties being bought up for Avery, noting a number of fires and, most recently, carbon monoxide deaths. They visit diabetic wheelchair-bound Dickie Bennett in prison learning that he unknowingly sold his ancestral land to Loretta McCready. They get to Loretta just as Ty Walker is making her an offer, and Ty calls in Avery; Raylan lets them know he's keeping an eye on them and won't let them strong-arm Loretta, though Avery questions Raylan's own forceful tactics. Knowing that Loretta won't give up on weed, Raylan asks her to get a couple big bodyguards. |
fd_The_Big_Bang_Theory_04x18 | fd_The_Big_Bang_Theory_04x18_0 | TEXT: Scene: Leonard's bedroom Priya: Morning. Leonard: Morning. Priya: Sleep okay? Leonard: Mm-hmm. Great. Hey, can I ask you something? Priya: Sure. Leonard: Last night, me wanting to try that stuff out of the Kama Sutra, was that fun for you or kinda racially insensitive? Priya: Yeah, just because you're in bed with an Indian woman, you think that gives you permission to use crazy positions from an ancient Indian love manual? Leonard: Hey, if you can find a book called weird s*x with white boys, I'd be okay with that. Priya: No, you have such beautiful eyes. Have you ever thought about getting contacts? Leonard: I tried in the seventh grade. I could never get used to them. Priya: Oh, that's too bad. Leonard: Yeah, if I had contacts I would have been the coolest debate club president ever to be stuffed into his own cello case. Priya: If you had them on now, you could see what we're going to do next. Leonard: Th-th-th-that's okay. I can infer from context. Scene: The cafeteria. Howard: Hey, Raj, wanna see a new magic trick I've been working on? Sheldon: Howard, if I may interject here with a piece of friendly advice. Is working on magic tricks really how you want to spend your time? Granted, you're just an engineer, but that doesn't mean you might not someday build a geegaw or a thingamabob that may get you a thank you in someone else's Nobel prize acceptance speech. Raj: Is the trick making him disappear? Sure, let's see it. Howard: Here, shuffle these. Raj: Okay. Howard: Now spread them out on the table face down. Pick one, look at it. Raj: Okay. Howard: Now remember your card, put it back in the deck. Sheldon: Is it any wonder he doesn't have a doctorate? Howard: Remind me, what's your birthday? Raj: October sixth. Howard: Okay, October is the tenth month. So ten, one plus
SUMMARY: | Priya has begun to dominate in her relationship with Leonard, buying him new clothes (which Leonard is not comfortable with). She also feels threatened by Leonard continuing to hang out with Penny, even though they have broken up, so during sex, she tells him to break all contact with Penny. Leonard initially hesitates, but still tries to tell Penny to stay away from him, albeit indirectly. Penny does not get the right message, but Leonard takes comfort in the fact that he tried. Later Penny interrupts Leonard's date with Priya and is completely oblivious to what is going on. Leonard once again indirectly tries to tell Penny to stay away from him, but this time Penny gets the message and realizing that Priya was behind this, decides to break all contact with Leonard. Meanwhile, Howard shows Sheldon, Raj and Penny a card trick in which a volunteer picks a card and after shuffling the deck, Howard tells the volunteer his/her card. Raj and Penny both try out the trick and are amazed by it. Though at first his attitude is dismissive, Sheldon eventually becomes obsessed with discovering the trick's secret, as even Penny could figure it out. He goes to the extent of using a barcode reader in order to recreate the trick. It is then revealed (to the audience) that the card trick is just a prank played by Howard, Raj and Penny on Sheldon. Raj and Penny willingly pretended that Howard was successful, knowing fully well that Sheldon would go nuts trying to figure out the trick's secret. When Sheldon wants Howard to perform the trick on him in the end, Raj manages to get a peek on Sheldon's card and uses hand signals to tell Howard the right answer. Sheldon is puzzled once more, still not knowing that he had been pranked all along, while Howard and Raj both laugh gleefully. |
fd_The_O.C._04x01 | fd_The_O.C._04x01_0 | TEXT: 5 months later At Ryan's Ryan: Hello? Hi. Right now,no. Yeah. Yeah,okay. I'll be right there. At the pub Sandy: Is he here? Thank you.You've been very helpful. Hey,Ryan,you there? I just want to talk to you for a minute. Come on.We miss you! We're worried about you. At Roberts' Julie: Hey,Kaitlin,why aren't you in school? Kaitlin: Because it's 8:00 at night and a Saturday. Julie: Oh,that's nice. Well,I guess I'm going to get going. Kaitlin: Where are you going? You know you're not supposed to be driving at night anymore. Julie: Great boots,baby. Kaitlin: Mom,maybe I should go with you. At the motel Julie: Hey,Ryan. Come on in. Généric 36 hours earlier At Seth's bedroom Seth: So Friday morning,a little check-in before the weekend. I'm still here,kicking it Newport style. I can't believe I just said that. But,uh,yeah,things are good. Ryan's decision to defer college seems to be working out well. He's got a new place,new job,made some new friends. Sandy Cohen is doing what he does best,fighting the man,sticking up for the little guy. At Sandy's office Sandy: I don't care if a plea helps the judge make his tee time. Listen,listen,I've got to go.My kid's here. All right. Seth on voice-over: Big news,the other day I went roast beef,he went turkey. Roast beef wasn't as rare as I like,but he's really turned me on to the spicy mustard. And my mom,she's more of a honey mustard gal, which I discovered the other day when she invited me to join her for a Newpsie luncheon. They're actually not that bad if you take the time to get to know them. And that Teran,one of the great dry wits. At Cohen
SUMMARY: | Ryan has moved out of the Cohen house and is trying to deal with Marissa's death. Summer is attending Brown University in Rhode Island without Seth. Julie does whatever she can to avoid thinking of Marissa. Meanwhile, Taylor has convinced everyone she's in France. |
fd_CSI__Crime_Scene_Investigation_03x02 | fd_CSI__Crime_Scene_Investigation_03x02_0 | TEXT: WHITE FLASH OPEN: [EXT. LAS VEGAS CITY (STOCK) - NIGHT] INTERCUT WITH: [INT. CASINO -- THE WALLFLOWERS - PERFORMANCE] Lyric: ["Everybody Out of The Water", performed by The Wallflowers]... on your mark, get set / let's go / you got to move now, before she explodes / look out the window, lookout below / back away from the glass / well, there she blows / the city's been leveled / the hills are in flames / the streets cracked open / and they're pushing up clay / temperature's dropped / the sky is gray / and it ain't even over / here comes drivin' rain / it ain't me that you feel / it's something moving around in here / well, that's blood, that's tears / this ain't a warning / everybody out of the water... [SCENE_BREAK] Lyric : and up on dry land / take what you can / cuz you won't be here again / everybody out of the water... [INT. PALMS HOTEL & CASINO - NIGHT] (A group of young women walk through the casino's lobby to enter the performance area. The camera runs in slow motion. They're dressed up for a night out on the town.) (Cut to TOM HAVILAND shooting craps at the crap table. He's surrounded by a group of people and having a wonderful time.) (Cut to one of the young women from the group walking through the crowd with her friends. She looks up and sees TOM HAVILAND at the crap table.) Fan (woman): Tom Haviland! Oh, my god. It's really him. I loved him in "I- 95" and... and that other movie with Julia Roberts. (Cut to the crap table. TOM HAVILAND holds the dice. He blows on the dice and prepares to set his bet.) Tom Haviland
SUMMARY: | Grissom and his team investigate a crime involving a popular actor; one woman is dead in his hotel suite and another is missing. They must perform under not only the media spotlight, but also under the scrutiny of Grissom's mentor, Dr. Philip Gerard, who uses his knowledge of Grissom and the other CSIs to discredit their evidence in his role as hired expert for the defense. |
fd_The_Originals_01x13 | fd_The_Originals_01x13_0 | TEXT: (Kieran's holding a mass.) Kieran: Thank you all for coming. It means more than I can tell you. We gather today for the first public service of our newly reopened church. St. Anne's can finally once again be the heart of our community, where we can congregate as a people united. Here, this hour, we come together to praise God and give thanks. The events that took place at our church were tragic. (Klaus and Marcel, sitting next to each other, start to talk, while Kieran continues speaking in the background. Marcel sees someone he recognizes across the church, but can't get a proper look at her.) Klaus: Problem? Marcel: No. Klaus: Then pay attention. We're meant to seem like devoted parisioners. Kieran:...and it is that hope in our hearts, and with the help of many benefactors, that allows us to be here today. So we gather with renewed spririt, made stronger, committed to the ideals of peace and love. Amen. (While Kieran's speaking, Bastianna enters the church.) People: Amen. Cemetery (In the cemetery Sabine/Celeste guides some tourists.) Celeste: Each tomb is well cared for. Families honor their dead with display of affection and respect. (Trapped inside her tomb, Monique calls out, but the group outside doesn't hear her.) Monique: Is someone there? Celeste: This place belongs to the Deveraux family, known throughout the Quarter for their strong connection to witchcraft. Monique: Please help me! Celeste: And if you look close, these fresh bricks tell us someone in the family has recently fallen. (Monique screams. The tourists look disturbed by the noise. In the next moment, Monique bursts out of the wall of bricks and tumbles out of the tomb. The tourists are frightened, though some of them take photographs.) Celeste: Hello, Monique. Welcome back to the land of the living. OPENING CREDITS (The tourists are taking pictures of Monique's empty grave. Sophie enters the cemetery confused. When she sees what happened
SUMMARY: | At the re-opening of St. Anne's Church, Father Kieran finds himself in a great deal of trouble after a run-in with a witch from his past. Marcel and Rebekah grow concerned when the reemergence of someone they once knew threatens to expose secrets they've kept buried for nearly a century. Elsewhere, Sophie is shocked when a discovery is made at the cemetery, but she soon realizes things may not be as they seem. With the full moon looming, Hayley lets Rebekah in on her plan to throw a party for her werewolf clan, but things take a dangerous turn when uninvited guests arrive. Meanwhile, Cami is conflicted when she makes a difficult decision involving the safety of Father Kieran, and Elijah finds himself facing his own dilemma when he has to choose between Hayley and his siblings. Finally, when one of his plans fails, Klaus takes drastic measures in the Cauldron, resulting in dangerous repercussions that affect everyone involved. |
fd_Childrens_Hospital_05x06 | fd_Childrens_Hospital_05x06_0 | TEXT: Dr. Brian: I'm looking for Dr. Lola Spratt... tall, skin like an airbrushed centerfold, legs that go all the way up to make an ass out of themselves. Lola: [ Scoffs ] Lola is a girl's name. I thought girls can't be doctors. Dr. Brian: Maybe I'm looking for a girl to play doctor. 5.06 - The Gang Gets Sushi Lola: [ As Cat ] Such a pleasure to meet you. [ Laughter ] Cat: I do do that. God, Lola, your impressions are so amazing. Do Glenn now. Lola: Oh, easy. Glenn: Oh, God. Lola: [ As Glenn ] But why not? Is it because I'm Jewish? Glenn: I swear, you do me saying, "But why not? Is it because I'm Jewish?" then insecurely touching my yarmulke better than I do. You really do. What about Blake? Do Blake. Lola: Okay. [ As Blake ] You want to sponsor me in my Ironman Triathlon in May, huh? But keep in mind... I will not practice, and I will not try. [ Laughter ] Blake: Okay. All right. Spot on, except that the triathlon is in June. Dori: Hey, do me. Do me. Lola: [ Normal voice ] I don't know who you are. Dori: Oh. Glenn: Lola, what's your secret? Lola: The secret is to hone in on something specific that someone does and then... do that thing just like them. Glenn: That's the secret. Cat: Just like them? Lola: Like when Owen is separating ventricles, he's like, [as Owen] "I'm Dr. Owen Maestro. Snip, snip, snip." [ Squishing, monitor beeping ] Glenn: Oh, B.P.'s dropping. Lola: Nurse. I'm so sorry. I'll undo that. Glenn: Suction. Owen: Separating the ventricles. Back it off. Glenn: Hey, are
SUMMARY: | Lola's spot-on impersonations get her assigned to a government task force as an old love interest complicates matters. |
fd_One_Tree_Hill_08x14 | fd_One_Tree_Hill_08x14_0 | TEXT: PICTURES OF COMIC BOOK Brooke imagine that she is a superhero. BROOKE(Voice-over): There are people in this world who would rather destroy than create, rather take than give. These people must be stopped. BRULIAN'S HOUSE Brooke is dreaming. She gives a blow of arm to Julian. BROOKE: Ugh! JULIAN: Ouch! Brooke, what the hell?! BROOKE: Was I sleep-fighting again? JULIAN: Yes. No more "Kick-Ass" for my wife before bed. BROOKE: You said "wife." I love hearing that. (Julian steps up) BROOKE: Mm. Where you going? JULIAN: Work. I'm directing a commercial today. Remember? BROOKE: No! So now the honeymoon's over, and we're just gonna turn into a boring, old married couple? JULIAN: Uh, you fight in your sleep, Brooke. Any couple you're a part of couldn't be boring. BROOKE: What am I supposed to do without you? JULIAN: I don't know. Go to the grocery store? Run errands? Cook? BROOKE: Things a boring, old husband would say for $500, please. JULIAN: Or you could watch "Kick-Ass" again. BROOKE: We have a winner. MOUTH'S APARTMENT Millie prepares breakfast for Mouth and Skills. SKILLS: Breakfast? What's the special occasion? MILLICENT: Marvin's first day back in television. MOUTH: Yep, I have come full circle and ended up back at the bottom. MILLICENT: There's nothing wrong with starting over. Julian wouldn't have hired you if he didn't think you were talented. I'm proud of you. Anyway, I should probably head home. I'll see you tonight? MOUTH: Bye. (Millie goes away) SKILLS: You do know it's kind of mean to make her do the walk of shame every
SUMMARY: | Haley, Brooke, and Quinn become super-heroes for the day to use their talents for the greater good. Julian takes on a directing job and helps Mouth, Chase mentors Chuck and Alex reveals her unheard talent as a musician. This episode is a tribute to Kick-Ass. This episode is named after a song from Footloose , interpreted by Bonnie Tyler . Opening theme song performed by SO&SO. |
fd_Doctor_Who_1963_08x13 | fd_Doctor_Who_1963_08x13_0 | TEXT: THE CLAWS OF AXOS BY: BOB BAKER & DAVE MARTIN 5:15pm - 5:40pm [SCENE_BREAK] 1: INT. NUTON COMPLEX. LIGHT ACCELERATION LABORATORY (The DOCTOR realises what is happening...) DOCTOR: Yes...yes, of course! Axons! (To JO and FILER.) That ship! Axonite! It's all the same thing! Don't you see we're dealing with one single living creature. Axonite was just the dormant state until I...I activated it. FILER: Can't you stop it? DOCTOR: No, it's too late. Don't you see, Filer? This stuff could endanger the entire world. JO: Doctor! Look out! (WINSER has turned into a rolling mass of Axonite which starts to flow towards the three of them. They run round the accelerator and head for the door but a raw, tentacle Axon creature bursts through the door. JO screams and they run in another direction but another of the creatures is in front of them. JO cries out again - they are trapped. FILER turns to see another of the creatures behind him. Suddenly, one of them extends an orange tentacle which touches FILER on the chest. There is a crackling sound and, with a cry of pain, he falls to the ground. The other Axons close in on the DOCTOR and JO who back up towards the accelerator.) VOICE OF AXOS: De-energise them. (The DOCTOR and JO stiffen and close their eyes as if possessed as the three Axons surround them.) VOICE OF AXOS: Re-personalise. (The three Axons have linked "hands". They transform into their golden personas.) VOICE OF AXOS: Re-personalisation completed. Take them to Axos. (The DOCTOR and JO silently turn and face the door. Surrounded by the three A
SUMMARY: | The Doctor and Jo are being held prisoner by Axos while Chinn is forced to organise the worldwide distribution of axonite and the Master returns to the power complex to try and steal the TARDIS. |
fd_Roswell_02x13 | fd_Roswell_02x13_0 | TEXT: "Disturbing Behavior" 35th Episode of Roswell Production Code: 2ADA13 [SCENE_BREAK] Maria: Okay, that is freaky. Michael: Yeah, that's pretty weird, huh? Maria: Pretty weird, huh? Michael, have you ever even thought of the possibility that this guy more than just looks like you? Like he is you. Like your donor. Like your human side is him. Which means in some weird and twisted way, that he and his relatives are like your family. Michael: Like Laurie Dupree. Maria: Exactly. Michael: It figures. I finally find a family member, and she's a complete whack job. Maria: Whoa. Michael: What? Maria: Someone's in Garrison's Hardware Store. Michael: Maria, we're supposed to be watching the sheriff's station. Maria: I think they're having s*x! Michael: (refocusing his binoculars on the hardware store) Whoa. Switch to Agent Duff questioning Laurie, who's staring off into space Agent Duff: Laurie, if you help me find the man who did this, I can stop him from hurting someone else like he hurt you. But you have to talk to me. We've been at this for two days. I'm sending you back to Pinecrest, to your old room. We'll have extra security to make sure that you're safe. Tell me everything you know about who did this to you. Laurie: They're aliens. (pause, then she starts to get frantic) Oh, no. Oh, no! Agent Duff: What? Laurie, what? What? (looks around the room) What? What is it? Laurie: They're back. Agent Duff: Who's back? Laurie: They're close. They're coming here. Agent Duff: Who's coming here? Laurie: I have to get out of here. She gets up and runs to the door, with Agent Duff trying to head her off Agent Duff: No! No! Hanson! Laurie: Aah! They're close. Agent Duff: Hanson! Laurie: (reaches the door and starts pounding on it) Let me out of
SUMMARY: | Michael and Maria flee from Roswell after helping Laurie DuPree escape from the police, and Max learns that a deadly parasite was released into Earth's atmosphere when their ship crashed 50 years ago. To be continued... |
fd_The_Vampire_Diaries_06x07 | fd_The_Vampire_Diaries_06x07_0 | TEXT: [PREVIOUSLY_ON] I want you compel to forget that I ever loved him. Who is Damon Salvatore. He was a monster. Where the hell are we? [SCENE_BREAK] We're never getting out. There's someone else here. To get home we'll harness the power of the eclipse using a mystical relic. It's called an ascendant. [Thwap] Unh! Forgetting someone? Aah! I'm back. I know what Alaric is. I know what you are. You're a witch. Wait. You're from Mystic Falls? Born and raised. One of the founding families actually. Stefan could have told me there was a hunter in town. Elena: I want my memories back. Wait. What? I want Alaric to uncompel me. Alaric! [Gasps] I'm not supposed to be alive. Alaric's not a vampire anymore, Elena. He's human. There's a girl you need to go see. [SCENE_BREAK] [ ELENA'S DORM ] ( Damon and Elena are staring at each other ) Damon: ( nervous ) Okay, I'll start. I know Alaric eternal sunshined our relationship out of your brain but please, please tell me it's coming back. ( Damon bounces on the balls of his feet, while Elena stares blankly ) Damon: Or at least part of it, because...imagining this exact moment is what got me through the last few months. ( Elena stares for a moment ) Elena: I'm not sure what to say. Damon: Easy, so easy. ( Damon steps forward and grabs her arms ) Damon: Just say, that you missed me as much as I missed you. ( Elena looks up at him and slightly shakes her head ) Elena: I remember...pain. ( Elena moves her arms away from Damon. Damon looks disappointed ) Elena: I remember all the terrible things that you did to the people I care about. ( Damon looks down, trying to find words ) Elena: I honestly don't remember anything good between
SUMMARY: | Damon and Elena try to get back her memories with no luck, Elena gives up and crosses the border but Damon grabs her in time that she does not die. Elena only remembers bits and pieces but not enough to love Damon again. Damon decides to let Elena go while dropping her off at her dorm. Meanwhile, Stefan and Caroline need to get Tripp back from Enzo before the people who want Tripp back kill Caroline's mom. Enzo secretly turns Tripp into a vampire without Caroline or Stefan knowing. Tripp crosses the Mystic Falls border and dies, while Caroline gets her mom back. Caroline sees that they hurt her mom and along with Stefan, they take Sheriff Forbes to the hospital and while waiting for her, Stefan and Caroline talk about what Enzo said earlier (that Caroline loved Stefan and how he did not notice). They talk and Stefan apologizes for not knowing, which gets Caroline mad. Liam tells Elena that he is close to knowing how the girl who was in the maze recovered so quickly, which makes Elena alarmed since it was her blood that made the girl healed. |
fd_You_re_the_Worst_01x08 | fd_You_re_the_Worst_01x08_0 | TEXT: Gretchen: Yes, Rodney, I know the agreement is for two years. The truth is, I'm on dialysis. It's acute renal failure caused by sweat poisoning. Strenuous exercise could literally kill me. I'm with my doctor right now. Let me put him on. Jimmy: Oh, come on. (Sighs) (Indian accent): This is Dr. Patel. Look, between you and me, she's on her deathbed. I told her to cancel her gym membership just to give her a purpose in her final hours. What a tragedy to die so young having not accomplished anything in life. Gretchen: Oh, that guy. What a pessimist. I'm gonna fight this thing! Thanks, Rodney. You've been a delight. Jimmy: Why don't you just say, "I don't want to go to your dumb gym anymore?" Gretchen: Because I don't want Rodney out there judging me when I don't show up for 10:00 a.m. Pilates class. Jimmy: You've never been to a 10:00 a.m. anything. Gretchen: My flight's soon. Can we continue this when I come back from parental purgatory? Jimmy: Are your folks really that awful? Gretchen: Just uptight and lame. They act like I don't have my sh1t together. Jimmy: Those clothes aren't even fully dry. Gretchen: I'm gonna go borrow your toothbrush. (Edgar sighs) Jimmy: Uh, the trash goes from inside to outside, not the other way around. Edgar: Oh, I've been trying this recycling thing. If I save up enough money, I can buy Ambien from this Web site. Jimmy: Isn't the V.A. supposed to give you drugs for your... for your war brain stuff? Edgar: I don't want to use up resources when there are vets out there with real problems. Jimmy: You're trading soda cans for black market pharmaceuticals. That is a problem! Edgar: Fine. I'll go talk to them. Gretchen: And I'm out. Jimmy: All right, just let me wash
SUMMARY: | When Gretchen's parents pay her a visit, she attempts to conceal them from Jimmy, first by pretending to leave town to see them, and then by persuading a random couple at an art exhibit to pose as them. She concocts an elaborate lie about them having to return home so her father can have a back operation. After she leaves Jimmy realizes, in a sequence parodying The Usual Suspects , that she used cues visible in the gallery to invent the lie. Lindsay, guilty over having cheated on Paul, spends a day with him. Edgar attempts to get medication from the VA office to help him sleep, but finds the caseworker is trying to avoid helping him. Following Gretchen to an expensive country club, Jimmy is shocked to learn that she had a strict upbringing and her parents still think she is a goody-two-shoes . Jimmy "outs" Gretchen to her parents, causing a fight with Gretchen at Jimmy's house. Sneaking into Jimmy's room, Gretchen accidentally finds the ring Jimmy originally bought for Becca. Thinking it is for her, she announces she is done with Jimmy and runs out. |
fd_Doctor_Who_1963_04x30 | fd_Doctor_Who_1963_04x30_0 | TEXT: THE MACRA TERROR by IAN STUART BLACK first broadcast - 1st April 1967 [SCENE_BREAK] 1. OLD SHAFT (Jamie runs along the shaft away from the Macra. Ahead of him is another Macra. He is cut off.) [SCENE_BREAK] 2. GAS CENTRE (Fanfare.) CONTROL: Retain full pressure. (Fanfare.) OFFICIA: Full pressures being maintained on master control. Reserves are standing by. (The Doctor and Polly watch on.) DOCTOR: Let me see. Let me see. POLLY: Doctor, what could be happening to Jamie now? DOCTOR: I hate to think. It won't be anything very pleasant. Polly, go and see what the first dial on the control desk registers. POLLY: Right. DOCTOR: Hurry up. POLLY: Full pressure. DOCTOR: Full pressure. And the other one? Come on. POLLY: Zero. DOCTOR: Zero. Now I think there's only one thing for it. Plus must be made minus and minus must be made plus. POLLY: What's the matter? DOCTOR: The question is which is plus and which is minus? POLLY: Ooh. [SCENE_BREAK] 3. OLD SHAFT (Jamie is trapped between two Macra. Gas is slowly filling the old shaft, choking Jamie as it revives the Macra. Jamie finds a crevice in the rock wall and squeezes into it.) [SCENE_BREAK] 4. PIT HEAD (A maze of pipes emerge from the depths of the pit, and lead off into the gas centre. The Doctor inspects the pipes, tapping here and there. Officia comes out to investigate.) OFFICIA: What are you doing? DOCTOR: Oh, just checking. OFFICIA: Well, I don't need your help, thank you. DOCTOR: As you please. But, uh, I think you're going to run into trouble. OFFICIA: Why? What's the matter? DOCTOR: Well, according to my
SUMMARY: | The Doctor and Polly manage to save Jamie from the Macra and then try to show the Pilot who is really in charge of the colony. |
fd_Grey_s_Anatomy_05x03 | fd_Grey_s_Anatomy_05x03_0 | TEXT: As a surgeon, we are trained to repair the damage. Meredtith: I'm in a hurry. I can not stay. The leader organizes a big meeting. But I wanted to warn you that it's over this therapy. The breaking point is where we started... to work. Dr. Wyatt: Meredith, this is not over. You've worked hard. Look where you are, you scratch the surface. Meredith: Derek moved and move on to the next step. Dr. Wyatt: He's not Derek. Meredith: I'm happy. Dr. Wyatt: It's not finished. Meredith: I'm happy, this is the point? Dr. Wyatt: No. But in our lives, the breaking point is a sign of weakness... Dr. Wyatt: You have to stay. Meredith: No, the meeting, the chief... Thank you, Dr. Wyatt.Thank you for everything. And we will do everything to avoid it. [SCENE_BREAK] Izzie: Wow! Derek: Oh, sorry Izzie: What are you doing here? Derek: It will be my new office when you're gone. Izzie: When I am gone? And when? Derek: Oh... soon Izzie: You knew that Meredith wanted to move? Alex: I'm a little busy here, Iz. You can join us? Izzie: No! GHS Alex: When you say we had planned to move? Derek: When you had planned to tell them to move? Meredith: What? Why should they leave? Izzei: Meredith, I did that for you. Derek: It's a zoo. A community, Alex and his courtship of women. Izzie: Parades of bitches. Alec: I am looking for an apartment then? Meredith: I know I have to think Izzie: Eat the muffin, Wed Taste it. Do not forget the muffin. Meredith: I love my roommates. Derek: I love them too. This was your life. This is our life And I'm excited to build our lives together. Come on, it will be great. Meredith
SUMMARY: | Water leaks appear in the ceiling throughout the hospital's surgical floor but Webber is reluctant to remove any patients until ceiling tiles in an OR collapse onto a patient during a surgery. Meredith quits therapy, explaining to Dr. Wyatt that she doesn't need it anymore and that her life is fine as it is. Webber holds a meeting with all of the doctors and explains the new teaching system. After the meeting, he shakes up all of the doctors' cases, taking them off their old specialties and putting them on to new ones. Alex worries when, during his watch, his patient breaks hospital policy and is injured. Things get worse when the patient is electrocuted during a CT scan when water leaks onto the machine's electrics. Meredith treats a bubbly girl with liver cancer and is devastated when the cancer is discovered to be worse than it seemed. Cristina helps Derek with a man who is in constant pain but gets annoyed when Derek tries to use her to sway Meredith's opinion. George attempts to retake his intern exam but can't because of more water leaks. Derek attempts to make Izzie and Alex move out, which drives Izzie to ask Cristina to rent an apartment with her, but Callie and Cristina assume she was giving it to them. Erica explains to Callie why she doesn't want Mark to know about their relationship. |
fd_Once_Upon_A_Time_04x21 | fd_Once_Upon_A_Time_04x21_0 | TEXT: [PREVIOUSLY_ON] Daniel's grave. Mother! She ripped his heart out. All the dark deeds I've done poisoned my heart. Who do you want found? My daughter. Your lilith might be the one who keeps Ms. Swan on her dark path. Your parents are monsters, Emma. They banished me and threw you in a wardrobe. She wants revenge. Marian... she's my sister Zelena. She's pregnant. [SCENE_BREAK] [ Enchanted Forest - Past ] [SCENE_BREAK] (The Evil Queen's carriage goes back to the castle. The Evil Queen sees a group of people on her land.) Regina: Stop the carriage. (Regina and her father get out of the carriage.) Regina: Good day, citizens. Enjoying the meadow? Pastor: Indeed. It seemed perfect for our wedding ceremony. Regina: It is lovely. But see, the thing is, these are part of the royal lands, and I don't recall giving you permission to marry here. The groom: We didn't know. We had just... Uhh! (Regina rips the heart of the groom.) All: Oh! Henry: Your majesty. Could you be overreacting because of what day it is? Regina: Don't talk to me about this day, daddy. Henry: But you need the support of your citizens, your majesty. To alienate them would be short sighted and weak. Regina: I'm not weak! I was going to spare you, but someone just made me angry. (Regina crushes the groom's heart.) Regina: Next time there's a wedding, book the church... Make your way home. I have someplace to go. (Regina leaves.) [SCENE_BREAK] (At Daniel's grave.) Regina: Mother. Cora: It's been too long. [SCENE_BREAK] [ New York ] [SCENE_BREAK] (Regina and Robin have a drink in a bar.) Regina: So... Robin: Yeah. Regina: So you moved on... With her. Robin: That's not fair
SUMMARY: | Isaac completes the "Heroes & Villains" book and successfully changes the universe by sending everyone to an alternative universe, except Henry. Henry tracks down Isaac and discovers that Isaac has become a best-selling author. When Isaac refuses to undo everything (and since he no longer is the Author, having violated the Author's Code), Henry uses a key that sends him and Isaac into the alternate universe. There, in order to undo Isaac's work, Henry has to convince a "Snow White" version of Regina to stop Robin Hood from marrying Zelena, while trying to rescue Emma, who is held captive in the tower by an "Evil Queen" version of Snow White. Henry and Hook help Emma escape the tower and must race against time to make sure that Robin doesn't marry Zelena. However, Isaac blackmails Rumplestiltskin into stopping Emma, but Regina would sacrifice herself after Rumplestiltskin killed her. Since Issac has lost his authority as an Author, the power now transfers to Henry. Using Regina's blood, he reverts all of Issac's villainous work and sends everyone back to Storybrooke. The Apprentice offers Henry a chance to become the Author, but he turns it down, snapping the pen. The Apprentice also frees an unconscious Gold from the Darkness in his heart by sending it into the Sorcerer's Hat. This purifies Gold's heart and severs his link to the Dagger in the process. However, the Darkness escapes, attacking the Apprentice. Emma is able to drive out the Darkness with her light magic, but the Apprentice has been fatally wounded, and warns them that only Merlin, the Sorcerer, can prevent the Darkness from destroying everything. The Darkness eventually reappears and attacks Regina, but Emma sacrifices herself and tethers her soul to the Darkness, vanishes in the crisis, leaving behind the Dagger with her name on it. |
fd_The_Vampire_Diaries_05x01 | fd_The_Vampire_Diaries_05x01_0 | TEXT: [PREVIOUSLY_ON] I'm Elena. I'm Stefan. Stefan voice-over: Love brought me to Mystic Falls. Elena voice-over: Love drove me away. Elena voice-over: I am not sorry that I am in love with you, Damon. We've all made sacrifices. Phasmatos, raverus un animun. [Gasp] Bonnie voice-over: I did a spell that brought you back. You can see ghosts. We can talk. Jeremy voice-over: No, you can't be dead. Uhh! Elena voice-over: Have a nice human life, Katherine. But our greatest threat is still out there. Silas. Hello, my shadow self. Man: Ooh! Uhh! Silas voice-over: And he looks just... Like... Me. Elena, voice-over: Hey, Bonnie. How is the summer almost over, and yet I feel like I got nothing done? [Music playing] [Laughter] Elena, voice-over: Sounds like you're having fun traveling with your mom. I still don't know how I'm supposed to do this whole college thing without you. [Laughs] Elena, voice-over: And Caroline agrees. She spent the summer designing the color palette for her dorm room while Tyler's been away helping some wolf pack in Tennessee. Caroline, on phone: Don't worry. I already sent them your application, Tyler. All you have to do is register for classes and show up. [Tape ripping] Elena, voice-over: Matt and Rebekah have been sending postcards. I think that they're in Amsterdam now, or was it Prague? I can't keep track. And honestly, I'm not sure I really want to. Chci te misto. Elena, voice-over: Anyway, I can't wait to see you. When do you get back? Love, Elena. Jeremy: Dear Elena. Bonnie: Wait. Don't start with "dear." Jeremy: It's bad enough you're dead. Now you're a control freak? Bonnie: I'm just saying. People don't say "dear" anymore. Jeremy
SUMMARY: | With her relationship with Damon still intact, Elena begins her freshman year of college with Caroline at Whitmore College, excited about the chance to have a normal human experience, but their good time ends badly when their roommate is brutally murdered by what seems to be another vampire. Damon is left to take care of Jeremy, who has trouble adjusting back into school after telling everyone he faked his own death. After an altercation at school, he is expelled. Bonnie, still dead doesn't want anyone to know that she is dead and has Jeremy masquerade as her. Katherine has trouble adjusting to being human again and needs Damon's help after Silas comes after her and also her other enemies who are after her as she is vulnerable. Matt says goodbye to Rebekah after their summer traveling together and runs into an old friend named Nadia. Stefan is still in the locker underwater and is hallucinating while fighting the urge to turn off his humanity. |
fd_The_Originals_02x15 | fd_The_Originals_02x15_0 | TEXT: [PREVIOUSLY_ON] Mary: We gather together with the unification of the two crescent bloodlines. Hayley will share here unique gifts with her pack. Klaus: Let Jackson have Hayley. His reign will be short-lived. Klaus: Jackson, I invite you to live here. Welcome to the family. Elijah: Well, the wolves are unified, hope is safe, so in the interest of maintaining the peace, I have decided to join Marcel in Algiers. Rebekah. Rebekah: Freya. Freya: Tell our brothers I'll be coming to see them. Elijah: Gas has pervaded every single room in this home. Good-bye, brother. Freya: Helbred bransar, belaste herte, begin panet. Rebekah: I will not leave this body until I find a way to bring you back. Hayley: Have you told Marcel that you're you? Rebekah: I thought I'd hold off on that for the moment. [SCENE_BREAK] [ NEW ORLEANS STREET / MIKAELSON COMPOUND / ELIJAH'S LOFT ] (Rebekah, still in her witch vessel, is wandering around a street bazaar full of witches selling various wares as she talks to her brothers via a three-way phone call. Klaus is standing on the balcony overlooking the courtyard, watching as four werewolves spar with each other, while Elijah is looking through his closet for a suit to wear for the day) Rebekah: Enough already with the family squabbling! Come on, Nik. Even you can see that the situation has become awkward. Klaus: There's nothing awkward about it! Hayley and Hope are belong in the compound where they are safe. As much as I would like Elijah's help to kill Finn, if his delicate sensibilities are offended by the presence of Hayley's new husband, then he's welcome to continue sulking across the river. Elijah: (annoyed) As I have explained to you repeatedly, brother, my presence here in Algiers is purely to
SUMMARY: | When a dangerous run-in with a coven of vengeful witches forces Rebekah to align with Marcel, they quickly discover that the body Rebekah is currently inhabiting has a checkered past. Upon learning that Rebekah is in danger, Elijah seeks out a respected elder witch, Josephine, in the hopes she might offer her assistance. Meanwhile, tensions build when Klaus clashes with Hayley and Jackson over how best to protect baby Hope from Finn. Elsewhere, Freya, convinces Finn to bring her to Mikael, the father she hasn't seen in over a thousand years. Lastly, a confrontation with Freya leaves Elijah and Klaus questioning whether they can trust their long-lost sister. |
fd_Salem_03x08 | fd_Salem_03x08_0 | TEXT: [PREVIOUSLY_ON] Boy: (screaming) Mary: You're free of my son, but his brother is still here. Sentinel: Come Black Sunday, my true brothers will rise from hell and stand beside me. Mary: This is his weapon. Cotton: Red Mercury. I want nothing of it. I have others to think of. Gloriana: My baby. Anne: Cotton's baby. Mercy: You're asking me to marry you. Hathorne: This business of love. All this must be one. Mercy: But there remains one obstacle. Isaac. Isaac: No tears. You are the luckiest girl I know. Tituba: Everything you need to kill an angel. You must forge a dagger with that in it and kill him with the dagger. Mary: You can do whatever you want to me. Just not here. Sebastian: Yes. Alden will most likely think it all a dream in the morning, but he'll never forget what he has seen. Cotton: What lies beyond that door? Sentinel: Beyond that door lies hell itself. (doors creak) (horse neighing) (wind whistling) (woman crying) (crying continues) Mother: Dorcas, my sweet child! Dorcas: Mama? Mother: Help me. (crying continues) Dorcas: Is it really you? Mother: Come to me, little one. (sinister music plays) Dorcas: (screams) (doors creak) ("Cupid Carries A Gun" plays) <unk> Pound me the witch drums <unk> <unk> Witch drums <unk> <unk> Pound me the witch drums <unk> <unk> Pound me the witch drums <unk> <unk> The witch drums <unk> <unk> Better pray for hell <unk> <unk> Not hallelujah <unk> (clicking) (clang) (door creaks) Dinley: Oh, co... come in, my lord. You're... You're most welcome. You're most welcome. (door shuts) Sentinel: The instrument... Dinley: Oh, my God. Sentinel: will be placed here, in your trust. But be very careful. The instrument is filled with
SUMMARY: | Mortal enemies come together in order to keep all hell from literally breaking loose. |
fd_How_I_Met_Your_Mother_03x16 | fd_How_I_Met_Your_Mother_03x16_0 | TEXT: Ted from 2030: Now kids, When aunt Robin was the teenager. She was, well, the Canadian pop star. But by 2008, she was the entirely different person. Robin is presenting the news. Robin: Coming up next, 'Is your baby trying to kill you?' At the Bar Ted from 2030: Which maybe events that week, all the more surprising. Ted: So, I got up this morning, its freezing. So I walked over there. And I don't know why I am still talking. Because clearly we are all asking the same question. What in God's creation is going on with Robin's breasts. Robin: I know, right, isn't that amazing? I spent half an hour making these happen. Its tape in there, cotton balls, half of a Nerf football, but it works, right? Lily: Totally. What's the occasion? Robin: And old friend from Canada is in town and I'm meeting him for a drink. Barney: Ooh! Somebody you went to Degrassi with? Robin: No. Actually, he was my first boyfriend. [FLASHBACK] A young man is at the beach, Robin joins him. Robin: Simon. I thought he was the coolest guy ever. He smelled like Drakkar. He could ollie on a skateboard. He had the most amazing collection of Hard Rock Cafe T-shirts. We spent the whole summer madly in love. [END OF FLASHBACK] Barney: Tell me more. Tell me more. Like, did he have a car? Marshall: So he's the guy who... How shall I say this like a gentleman? Robin, did he take your maple leaf? Robin: No, it wasn't like that. Barney: Sounds to me like he gave you your first "O, Canada!" face. Ted from 2030: This went on for a really long time. Some of them jokes were elegant and well-crafted... Lily: Wait, wait. Did he break up with you and tell you he's just not that Inuit? (laughing) Ted from 2030:...others were crude, and ill-formed... Ted: Um, something about fur trapping. Ted from
SUMMARY: | Robin rekindles a spark with Simon, an old flame ( James Van Der Beek ), but he ends up breaking her heart again. Barney and his own inimitable style helps make her feel better. Guests appearances Tiffany and Alan Thicke . |
fd_Doctor_Who_1963_25x02 | fd_Doctor_Who_1963_25x02_0 | TEXT: REMEMBRANCE OF THE DALEKS PART TWO Run time: 24:31 [SCENE_BREAK] School cellar [SCENE_BREAK] Dalek: Stay where you are! Do not move! The Doctor: The stairs! [SCENE_BREAK] School corridor [SCENE_BREAK] Ace: Oh, sorry. The Doctor (O.C.): Ace! Ace! Open the door! Ace! Open... [SCENE_BREAK] Cellar staircase [SCENE_BREAK] Dalek: You are the Doctor. You are the enemy of the Daleks! You will be exterminated! Exterminate! Exterminate! Exterminate! Exterminate! [SCENE_BREAK] School corridor [SCENE_BREAK] Dalek (O.C.): Exterminate! Exterminate! Dalek (O.C.): Exterminate! Ace: Doctor! The Doctor: What's the matter with him? Ace: Stomach ace. The Doctor: School dinners. Give me a hand. Ace: Professor, he tried to lock you in. The Doctor: Ace! Headmaster: I'm sorry. Dalek: We must repair the transmat. Headmaster: Yes. [SCENE_BREAK] Outside Coal Hill School [SCENE_BREAK] The Doctor: What are you doing here? Oh, never mind. Get this thing out of here. Airman: I was ordered to deliver the ATRs to this position, sir. The Doctor: ATRs. Anti-tank rockets. Airman: Yes, sir. Ace: Will these things be any good against the Daleks? The Doctor: It's not the Daleks we're after, it's the transmat. [SCENE_BREAK] School cellar [SCENE_BREAK] Dalek: You will remain here. [SCENE_BREAK] Outside Coal Hill School [SCENE_BREAK] Airman: You'll have to sign for them, sir. Airman: Ahem. The Doctor: Come on. Airman: Hello, love. [SCENE_BREAK] School corridor [SCENE_BREAK] Ace: What about the Dalek? Won
SUMMARY: | The Doctor visits a local funeral home to retrieve a coffin shaped device that he calls the 'Hand Of Omega', meanwhile the Daleks use the transmat device in the basement of Coal Hill School to transport to Earth to search for the 'Hand of Omega'. |
fd_CSI__Crime_Scene_Investigation_03x14 | fd_CSI__Crime_Scene_Investigation_03x14_0 | TEXT: [EXT. LAS VEGAS CITY (STOCK) - NIGHT] [SCENE_BREAK] [INT. CONDO - NIGHT] (Camera Close-Up of: Various colored perfume bottles.) (Fade to black.) (Fade In to: Camera moves across room; past trash cans with a towel on it; past an exercise machine in front of a door.) (Dissolve to: A Woman sleeps in bed.) (Fade to black.) (Fade In to: Close up of woman sleeping. Her eyes flutter open and she turns her head.) (Cut to: The Woman gets up and walks down the stairs into her living room. She turns on the light. She looks around.) (Close up of: Wind turning the pages of a magazine on the table.) (The woman feels the breeze. The fan overhead is turned on. She turns around to look at the light switch. There's fingerprint smudges on the light switch. She turns around and looks around.) (Cut to: The woman looks down at something. Camera refocuses and shows a glass of water on the table and its condensation pooling on the glass table top.) (Something's not right. The woman can feel it.) (Camera lingers on the woman's front door. It zooms toward the lock; through the keyhole; down the front walkway; turns the corner into the next door neighbor's door.) (Camera zooms through the keyhole; and into the woman's bedroom where there's a woman screaming. There's a man straddled on top of her on her bed.) (She continues to scream. The man gets up and off of her. He runs away.) FLASH TO WHITE: [SCENE_BREAK] [EXT. -- NIGHT] (BRASS escorts GRISSOM and CATHERINE to the crime scenes.) Grissom: Dispatch said breaking and entering and sexual assault? Brass: Well, he never touched the first girl. The bedroom door was blocked. Grissom: What do you mean, "
SUMMARY: | Catherine takes the point in the investigation of an escalating series of peeping tom incidents. The crew is racing to stop the attacker before his crimes become more serious assaults. Meanwhile, Sara reopens the dormant case of her friend, a district attorney. The DA is facing surgery to remove a bullet she got in an attack that killed her husband three years prior. |
fd_Degrassi_Next_Generation_03x18 | fd_Degrassi_Next_Generation_03x18_0 | TEXT: At school in the hallway Jimmy: Kid Elrick's new cd is amazing. It's got has a totally new sound. Craig- Craig: Hey guys check this out! Jimmy: What is it? Marco: Does your band have the heat to make hot sounds in T.O.? Jimmy: Win two days of studio time and record your own single. Craig: It's exactly the kind of exposure we need right now. Jimmy: Then we'd get the limos, the private jets. The blingity bling! Spinner: The panties flying at us on the stage. Marco: Man we have to win this. Ashley: Excuse us posers. Ellie: Real musicians coming through. Craig: Oh you're signing up. Cool, a little competition never hurt. Ashley: 'Cause nothing ever gets in the way of what Craig wants. Not emotions, honesty, other people's feelings. Craig: You hear that? She still hates me. Ashley: And that's why the girls and I are gonna blow you right off the stage. In Craig's garage Craig: Subterranean seismic, Overloads the circuits of my. Blah blah blah blah blah blah blah. This blows. (Marco, Spinner, Jimmy walk in.) Marco: Yeah but Ashley's been playing the piano for what 12 years? and Paige is really good and then there's Hazel.. Craig: Marco-relax! Theres no way I'm gonna let my ex girlfriend beat me in a band competition! Craig: So you guys learned the song? Jimmy: Yeah, yeah we listened all day, are the lyrics ready? Craig: How bout you just concentrate on getting the song down ok? One, two, one, two, three... (Everyone playing.) Craig: Guys! Guys! What was that?! (as Spinner's still playing the drums without noticing everyone else stopped) Spinner: Dude! Take it easy! Craig: Jimmy you ever hear of tuning? Marco it's a bass man, you play one note at a time! And Spinner... Jimmy: Okay, alright just chill. Look it's just a song,
SUMMARY: | Craig's band, Downtown Sasquatch, goes up against Ashley's, Hell Hath No Fury, for a chance to win a recording session. Meanwhile, Caitlin gets a crash course in parenting when she must care for Joey and Angie after he injures his back. |
fd_Buffy_the_Vampire_Slayer_06x19 | fd_Buffy_the_Vampire_Slayer_06x19_0 | TEXT: •I do not own the characters or situations of BTVS and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you really want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. DO NOT POST MY TRANSCRIPT ON YOUR SITE WITHOUT MY NAME ON IT! • I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] GILES VOICEOVER: Previously on Buffy the Vampire Slayer... Buffy and Spike in the graveyard. SPIKE: Why won't you sleep with me again? BUFFY: Because I don't love you. SPIKE: Like hell. Buffy and Willow at home. BUFFY: I thought you were gonna go see Tara. WILLOW: She's... seeing someone else. Willow at school, seeing Tara kiss another girl. WILLOW: They're probably just friends. Willow talking to Tara. WILLOW: We should have some coffee some time. TARA: I'm free tomorrow. Spike and Anya having s*x at the Magic Box. Willow seeing Spike and Anya on her computer. WILLOW: Whoa. The Geeks seeing it in their lair. WARREN: Shut it down, shut it all down! The camera in a skull on a shelf at the shop. WARREN: Is that the camera in the Magic Box? JONATHAN: Oh my god. Buffy and Xander looking at the screen. XANDER: Oh god. What is she... BUFFY: That's enough. Buffy walking out. Anya and Xander on the street. ANYA: You left me, Xander. At the altar! I don't owe you anything! XANDER: So you go out and bang the first body you can find?
SUMMARY: | Willow and Tara reconcile, and Tara tells Willow that Spike and Buffy have been sleeping together. Buffy stops The Trio when attempting a large-scale theft. Andrew and Jonathan are caught and imprisoned, but Warren escapes with a jetpack. Furious at being thwarted once again, Warren attempts to shoot Buffy, wounding her but also hitting Tara, who collapses and dies in Willow's arms. |
fd_The_Vampire_Diaries_06x11 | fd_The_Vampire_Diaries_06x11_0 | TEXT: [PREVIOUSLY_ON] Sarah: I'm Zach and Gail's daughter. Sarah Salvatore. Why don't you believe me? Stefan: Because Sarah Salvatore is at Duke university, where she studies as an art major. Now, who the hell are you? Sarah: My name is Monique. Enzo: I want the whole story. Stefan: Don't do this. Matt: No! Enzo: I'll find out sooner or later. Caroline: So, my mom has a brain tumor. Then I'll just give her vampire blood. Stefan: If our blood cured cancer, we would've heard about that by now. (Sobbing) Jo: In our coven's tradition, the twins merge their strength. The stronger one wins and-- The weaker one dies. Liv: Why should we have to die because our sister's too weak to defeat our psychopath of a brother? Luke: Merging is our duty to the coven. It's why we were born. Kai: This is the anti-magic border. Damon: You sucked up all that magic from the Traveler's spell. (Kai levitates Alaric and slams him into a tree) Aah! Kai: A lot of magic. Elena: I don't know what we were or are or what we're supposed to be, but I want to see you. Damon: Come over. Damon: Anybody there? Kai: I may have put a cloaking spell on us. [SCENE_BREAK] [ MYSTIC GRILL ] Kai: See, we never went out to dinner when I was a kid, so, I always had this fascination with chefs and fine dining. Dad actually lets me cook... Taught me to measure by eye. Seasonings to taste, all that stuff, but it's different now in the restaurant world. (Elena wakes up, Kai talking in the background) Kai:...Everything's on time. It's like, the fries go in, it dings and you take 'em out. Literally no guess work. (Elena's hands tied with rope soaked in ver
SUMMARY: | Kai has captured Elena and holds her as hostage in the Mystic Grill after killing the owner. He plans to practice his new found abilities on Elena to master his new magic. Meanwhile Caroline and Stefan start to look for a doctor who could cure Liz, and get to Duke. On the way Stefan goes to the art exhibition held by his niece, the true Sarah Nelson, but he is followed by Enzo. Kai brings Elena to high school and melts her daylight ring. Elena manages to escape Kai and phones Damon who comes with Liv to save her. However, Liv is abducted by her brother, Luke who comes to take her home. Needing a witch to perform a cloaking spell, Jo steps in to help Damon and they both enter the building. They manage to save Elena but Jo is becoming weaker and Kai spots them all. Meanwhile, after learning from a doctor that her mom has no treatment, Caroline decides to inject her blood to another cancer patient. The aftermath is a well-looking person who seems to have defeated the tumor. The patient is feeling alright again so Caroline and Stefan rush back to Mystic Falls. In the school, Kai tricks Damon to stab Elena and goes after Jo. Alaric and Jeremy come in to save Jo just in time and they decide to keep Kai under sedative. Once back home, Caroline reveals to her mother that only vampire blood can heal her and puts some in her tea. The episode ends with the patient slowly dying in a brutal way, just while Liz is drinking Caroline's blood, with whom she now believes can be saved. |
fd_Roswell_02x05 | fd_Roswell_02x05_0 | TEXT: "The End of the World" 27th Episode of Roswell Production Code: 2ADA05 [SCENE_BREAK] (It's the year 2014. Future Max and Future Liz are in the granolith chamber. Max prepares to travel back in time using the granoliths power) Future Max: I won't leave you. Future Liz: No, no, no. Max, you have to. Future Max: If I'm successful, if I can do this, you and I won't exist. Not as we do now. Future Liz: Max, if you don't do this, we're gonna die. Everyone will. Max, you have to do this. You have to try it. Future Max: I'll never see you again. Future Max: Thank you. Future Liz: For what? Future Max: For every kiss, every smile. Future Liz: Max, I don't have any regrets. (Future Max activates the granilith by inserting a crystal into the base. Future Max appears inside the granilith. He reaches his hand towards Future Liz and she does the same. Future Max is sucked into the top of the granilith. Future Liz is knocked to the ground) Future Liz: Aah! Ma...Max! (In present day Roswell, Maria is driving Liz and Alex to Madame Vivian's place) Liz: I'm so confused. Alex: I'm so depressed. Maria: Wimps. Liz: Max keeps coming to my window and telling me he wants to be with me again, but I know it's...it can never work out. Alex: Isabel, she gave me another one of those "Alex, you're such a great friend" speeches. It made me want to puke. Maria: I have Michael Guerin. He's mine. You should have seen his face when he apologized to me. His eyes were practically begging me to take his sorry ass back. I have so landed him for once and for all...I think. Liz: Where are you taking us, anyway? Maria: Mmm. To a place where all of our questions will finally be answered. She'll tell us where our future lies with our hybrid freaks. She
SUMMARY: | An older Max travels from 2014 to tell Liz that their relationship will imperil his planet and together they devise a plan to change the future: by making present Max fall out of love with Liz. Not an easy task until Liz tricks Max into believing she slept with Kyle. |
fd_Angel_04x05 | fd_Angel_04x05_0 | TEXT: Fred: "Previously on Angel:" Woman: "Fred disappeared five years ago. They never found her." Wes: "Cordy has been sucked into the portal. She is in the Host's dimension." Fred: "They use you as a slave." Fred: "Handsome man. Saved me from the monsters." Cordy: "So - we know each other?" Angel: "Yeah. Really well." Fred: "Not to sound all movie of the week, but I think you might have some kind of amnesia." Angel: "I think there is a way we might be able to sort this out. Pick a song." Fred: "So Lorne can read you." Gunn: "You sing. He sees your future." Cordy sings: "Because the greatest love of all..." Lorne: "Great! Enough!" Angel: "What did you see?" Lorne: "Go away!" Angel: "If it's that bad, I need to know!" Lorne: "It's that bad. Evil's coming, Angel, and - it's planning on staying." Lilah on phone: "You're sure that it's her? Put an extraction team together." Wes: "Wolfram and Hart are planning to extract Cordelia, and I doubt your boy will be able to stop them." Angel and Co stop W&H commando team from taking Cordy. Angel: "We should probably get you back home." Cordy: "Actually - I'd like to stay here - with Connor." Fred: "Oh my god!" Angel: "Lorne?" Fred: "Is he alive?" Angel: "Who did this?" Lorne: "W.. - W.." Angel: "Wolfram and Hart?" Gunn: "But why?" Angel: "They must have known Lorne read her. They weren't after Cordy. They were after what Lorne saw when she sang." Wes: "You played me." Lilah: "Free will. Look it up." Wes: "Lilah." Lilah: "You're the one who decided to take what
SUMMARY: | When Fred writes a physics paper, she's invited to her old college as a guest lecturer. Angel, Gunn and Wes show up to support her as she speaks in front of all her former professors. But when a portal opens up over Fred's head, it becomes clear that something supernatural is happening to her... Again. |
fd_Doctor_Who_1963_08x05 | fd_Doctor_Who_1963_08x05_0 | TEXT: THE MIND OF EVIL BY: DON HOUGHTON 5:15pm - 5:40pm [SCENE_BREAK] 1: EXT. STANGMOOR PRISON (Bessie, carrying the DOCTOR and JO, drives along a road and approaches a thick-walled, grey stone gatehouse. The DOCTOR stops the car in front of the imposing closed wooden gates within the gatehouse and the two occupants look upwards at the imposing structure.) JO: It looks like Dracula's castle. DOCTOR: Well you're right about the castle bit. It used to be a fortress in the Middle Ages. (The DOCTOR gets out of the car.) JO: Doctor? DOCTOR: Mmm? JO: You'll need this. (She passes him a small wallet like object.) DOCTOR: (Smiles.) Thanks Jo. (The DOCTOR walks up and presses a bell push in the wall next to a sign that identifies the castle-like structure as "H.M. PRISON STANGMOOR". He sees that JO is still looking anxiously at the building.) DOCTOR: Smile Jo! JO: (Startled.) What? DOCTOR: You're on camera! (The DOCTOR points upward to where a security camera hangs on the wall, its lens trained on the new arrivals. The DOCTOR grins at her, steps back and starts waving childishly at the camera. JO smiles at his antics.) [SCENE_BREAK] 2: INT. STANGMOOR PRISON. DUTY ROOM (Within the prison, SENIOR PRISON OFFICER GREEN and one of the PRISON OFFICERS stare in some disbelief at the image on their security monitor.) [SCENE_BREAK] 3: EXT. STANGMOOR PRISON (So intent is the DOCTOR on his performance that he fails to see the approach of another PRISON OFFICER. He stops in mid-wave when he suddenly becomes aware of the impassive
SUMMARY: | The Doctor and Jo head to Stangmoor Prison to investigate the Keller Machine, which drains the evil impulses from prisoners' minds, while UNIT are handling security at the first world peace conference. |
fd_Doctor_Who_1963_14x26 | fd_Doctor_Who_1963_14x26_0 | TEXT: THE TALONS OF WENG-CHIANG BY: ROBERT HOLMES Part Six Running time: 23:26 [SCENE_BREAK] LEELA: We must trap them in the crossfire, Doctor. Somewhere in the cover where they cannot find cover. [SCENE_BREAK] DOCTOR: What sort of crossfire? Hazelnuts? Bread pellets? LEELA: In a house this size there must be protection. The professor will have weapons in fixed positions to guard the approaches. DOCTOR: I brought you to the wrong time, my girl. You'd have loved Agincourt. [SCENE_BREAK] DOCTOR: There's a Boot Court near the river, less than a mile from here, look. DOCTOR: Oh, you let yourself in. That's good. We were expecting you. WENG: No, Doctor, it was we who were expecting you. DOCTOR: Life's full of little surprises. What have you done to her? WENG: Nothing, yet. DOCTOR: Take my advice. Don't. WENG: Your advice? Oh, Doctor, you are an unusual man, but in opposing me you have gone far out of your depth. You have taken something from me. I want it back. DOCTOR: Now I wonder what that could be? I'm always borrowing things from people and then forgetting where I've put them. DOCTOR: It's a terrible habit. WENG: I have never appreciated frivolity. It was in that bag. It is not there now. Give it to me! DOCTOR: What, one of these? WENG: The time key, Doctor! DOCTOR: Oh, the time key. Now heavens to Betsy, where did I last see that? WENG: I'll give you three seconds, Doctor, and then Mister Sin will kill the girl. One, two, three, kill her! WENG: Stop! DOCTOR: Is this what you want? The trionic lattice? WENG: Give it to me! DOCTOR: Careful, careful. I might have dropped it. WENG: I'll kill you! DOCTOR: Crystalline. Probably break into
SUMMARY: | The real face of Weng-Chiang is revealed as the Doctor, Leela, Jago and Litefoot face their final battle, against both Magnus Greel and a trigger-happy Mr Sin. |
fd_The_Originals_01x05 | fd_The_Originals_01x05_0 | TEXT: Elijah (voiceover): My siblings and I are the first vampires in history, the Originals. Three hundred years ago, we helped to build the city of New Orleans. We were happy here, a family. Recently, a coven of witches lured my brother back, using his unborn child as leverage. I tried to help him, but he betrayed me to his enemy, the vampire, Marcel. Since then, I've been held prisoner by a powerful witch. My brother seeks to manipulate others to procure my release. But, I have my own plan. If this witch proves to be an enemy, I will stop her. By whatever means necessary. Davina's Attic - "Why should I trust you?" [Elijah is standing in the attic, focusing on Davinas pulsing carotid artery. His skin looks very gray as a result of not feeding while he was daggered] Davina: You're the one they call honorable. [Elijah smiles] Elijah: Yes, that's what they call me. And yet, I followed my brother here to New Orleans to engage in a war. So, I ask you: does that sound honorable to you? Davina: You don't look well. Elijah: Well, only this morning I had a mystical dagger embedded in my chest, so I'd say I'm holding myself together quite well. [beat] Davina, I believe that you and I have the power to end a war between witches and vampires before it truly begins. I, by keeping my brother in line; you, by behaving like your true self-not some tool for Marcel or the witches. Davina: And why should I trust you? Elijah: Well, for one thing, in spite of a ravenous hunger, I have not tried to take your blood. Davina: Why not? I'm the only one here. Elijah: Even in my present condition, I would not feed from a child. [Davina takes a hat pin and pricks her finger with it. A drop of blood clings to the end
SUMMARY: | Angered by recent events involving the safety of his unborn baby, Klaus demands answers from Sophie, believing she was involved. Sophie reveals to Klaus and Rebekah a troubling secret from her past that her coven would conduct a ritual known as the Harvest where four young witches (one of which was Sophia's cousin as well as Davina) would be ritually killed with their throats cut and their power to be transformed to the earth and their bodies resurrected. Meanwhile, Marcel asks Klaus to accompany him to the bayou after gruesome remains of witches who attacked Hayley are discovered, while Rebekah, Sophie and Hayley set off on a mission of their own to find the witches origins. Elsewhere, Davina confides in an unexpected ally and reveals shocking information about the witches, ultimately leading to a disturbing revelation. |
fd_Queer_As_Folk_04x09 | fd_Queer_As_Folk_04x09_0 | TEXT: [It's tough work being a superhero. Like any other job, there are good days and there are bad days. And then there are the really, really bad days. Brian is having one of those right now. Vic the Evil Scientist has him strapped to a table with a giant raygun aimed right at his crotch. Vic is laughing demonically.] Vic: Isn't this fun? Brian: Maybe for you but that's because you're a sadistic sh1t! Vic: Who, me? Brian: I'll never tell you where the jewels are! Vic: Make that jew-el! Who knows? If you're lucky, you might even get a few more good years. Like me! [He blasts the rays. Brian screams in agony. What's worse, the nightmare or the reality? Brian is lying on an examining table wearing one of those horrible blue hospital gowns. Evil Uncle Vic has been replaced by a nurse. The ray gun has been replaced by a radiation machine.] Nurse: Mr.Kinney? Mr.Kinney! That's it for today. We'll see you again tomorrow. (She helps Brian up to a sitting position). And I should warn you. You'll feel fine for the next few hours but you're gonna hit a wall around noon. Nausea, pain, fatigue. They're all normal side effects. In fact, I would suggest that for the next few days, you just stay home. Take it easy. Don't go to work. Brian: Thank you, nurse! That's excellent advice! [Which he has no intention of following.] [Hunter has found something more interesting to read than Catcher in the f*cking Rye: a California guidebook.] Hunter: First thing we do when we get to Hollywood is go to Universal Studios. The rides sound awesome. And then we do the Graveline Tour. It takes you to all the places where stars have been murdered! And then- Michael: And then we go to Grauman's Chinese Theatre and we steal John Wayne's footprints. [Hunter looks at him blankly.] Michael: Lucy? I Love Lucy? Going
SUMMARY: | Justin discovers why Brian has thrown him out. Can Michael and Ben's relationship survive Michael's Hollywood windfall and Ben's manuscript rejection? A pro football player makes a play for Emmett. |
fd_Torchwood_3x03 | fd_Torchwood_3x03_0 | TEXT: Opening credits EXT DAY London from the sky with lots of bridges EXT DAY Big warehouses next to train tracks and car park from the sky INT DAY Warehouse Close up of crowbar getting rid of a padlock. Door slides open. Ianto leading the way into a really big empty wet concrete and corrugated metal place. He's all proud. IANTO : This is us. This is Torchwood. This is home. Gwen, cross armed, is not impressed, but attempts to twitch a smile. TV SCREEN TV NEWS : The children promised tomorrow and tomorrow is here. Our correspondents have been measuring the situation in Australia where so far... FRENCH TV NEWS: Le President a déclaré avoir ordonné la fermeture de nos écoles. USA TV NEWS : The Senate have pointed out that we are now living in fear of our children. In fear of what they will say next. In fear of who or what is speaking through them. INT DAY Warehouse Close up on lighter. Click, click, whoosh, flamey. RHYS : Whoa! Almost lost my eyebrows! Still, I'm good for something, see? Old Boy scout! Ianto and Jack are at opposite ends of what's left of a sofa. Gwen is standing, rubbing hands together. GWEN: I'm freezing. RHYS : Is anyone gonna see us in here? You know with all this firelighting stuff? IANTO : It was abandoned in the '90s. Used to be a Torchwood holding facility, Torchwood one. JACK : Been rusting away for years. GWEN : So what do we do? Just sit here? JACK : Worse than that, do I have to stay in these clothes? I mean, come on. Tracksuit bottoms. Not a good look. GWEN : Jack, they're arriving today. That alien voice-thing said today and we're stuck in the back end of beyond. JACK (slaps sofa seat) : Yeah. But we're together. The
SUMMARY: | The eyes of the world turn to Britain, as the 456 announce, 'We are here'. As a pillar of fire descends upon London, the members of Torchwood must battle to protect their own families, as the fight gets personal. But will Clem's memories destroy everything? |
fd_Buffy_the_Vampire_Slayer_05x09 | fd_Buffy_the_Vampire_Slayer_05x09_0 | TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] Teaser GILES VOICEOVER: Previously on Buffy the Vampire Slayer... Sandy rubbing Riley's chest. Sandy leaning in to bite Riley. He thrusts her away and she crumbles to dust. DREG: This dark spell I hold in my worthless hand is our gift to you, Glorificus... GLORY: (trying on a shoe) Please, call me Glory. TARA: What if she's something else altogether? GILES: Something new, you mean? TARA: (shakes head) Something old. So old it pre-dates the written word. Glory in the warehouse with the tied-up monk. SECURITY GUARD: Lady, whatever you are, please... I have two daughters. Glory screaming and putting her hands on the security guard's head. Light streams out of his eyes and mouth. Glory makes a pained face. The guard slumping to the floor with Glory on top of him. Monk talking to Buffy. MONK: The key... is energy. My brethren sent it to you. BUFFY VOICEOVER: Dawn. GILES: She has no idea. BUFFY: No. She thinks she's my kid sister. Buffy putting her arm around
SUMMARY: | As Buffy and Dawn help their mother prepare for surgery, an extraterrestrial preys on Sunnydale's mental patients and follows Joyce home. The alien was summoned by Ben to clean up Glory's mess, and Buffy kills it. |
fd_Bones_04x20 | fd_Bones_04x20_0 | TEXT: "The Cinderella in the Cardboard" [SCENE_BREAK] TEASER [OPEN: INT. GARBAGE DUMP - DAY. Two workers, JUAN and BARNEY, are standing around, about to move packed cardboard.] JUAN: Hey, who's the new guy? BARNEY: That's not a guy. (turns to female worker, whistles) Hey, baby! (to JUAN) I swear to God, I'd give my left cajone to take her for a spin. JUAN: Hey, the Lord is not pleased with lustful thoughts, man. BARNEY: Hey, He put her here. If He wants me to keep it in my pants, tell Him to send me a sign. [JUAN and BARNEY pull a block of packed cardboard, turning it to its side.] JUAN: Holy Mary, Mother of God. BARNEY: (kneeling down) It's the Blessed Virgin. Please forgive me. [JUAN makes a sign of the cross while BARNEY dials a number on his cell phone.] JUAN: (into phone) Mama! Llame al padre Fisher, digale que miré la bendita Virgen; aqui en el trabajo. Si, es un milagro mama. Es un milagro! [Translation: Call Father Fisher, tell him that I saw the Blessed Virgin; here at work. Yes, it's a miracle, Mom. It's a miracle!] [CUT TO: INT. GARBAGE DUMP - DAY. Police tape is surrounding the scene. Curious workers are observing. Enter BOOTH, BRENNAN, and CAM.] BOOTH : All right, let's go everybody. Move back. Hello? FBI. Watch out. Excuse me. Watch out. You folks clear a path, please. (ducks under police tape) Thank you, let's go. POLICE OFFICER: Folks, I'm gonna ask you to please stay back. This is an
SUMMARY: | When an image of the Virgin Mary turns out to be a bloodstain at a cardboard recycling plant Booth and Bones find a flattened body inside a compressed bale of cardboard. The line of suspects grows longer when the team discovers that the marriage-obsessed young woman had a fiancé as well as numerous boyfriends from a cell-phone dating service. Booth and Bones must break the news to Sweets when they see his girlfriend Daisy trying on a wedding dress with another man, and Angela and Hodgins come to terms with their relationship. |
fd_The_Big_Bang_Theory_05x23 | fd_The_Big_Bang_Theory_05x23_0 | TEXT: Scene: Howard's laboratory. The phone rings. Howard puts it on speaker. Howard: Howard Wolowitz. Voice: Hey, Howard. Dave Roeger here at NASA. We need to talk about your upcoming mission. Howard: Yes, yes, I've been doing my push-ups. I'm still stuck at nine, but that's going all the way down with no one holding me. Roeger: That's great, uh, but that's not why I called. We've run into a bit of a snafu. Your Soyuz capsule failed the pressurization test, so bottom line, mission's been scrubbed. Howard (Picks up receiver): You're kidding. So what does that mean? Uh-huh. Uh-huh. Boy, I got to tell you, I'm really disappointed. This was my dream ever since I was a little kid. Okay, well, uh, thanks for the call. Yep, you, too. (Puts down phone.) Yes! Thank you! Oh! Oh! I'm not gonna die in space! I'm gonna die the way God intended, in my late 50s, with a heart full of pastrami. Credits sequence. Scene: A suit shop. Sheldon (off): I'm going to need a larger shirt. This one's a little tight under the arms. Assistant: Okay. Leonard: Do you think maybe it's tight because you're wearing long underwear? Sheldon: Yes, of course that's why it's tight. Leonard: All right, let me rephrase the question. Why are you wearing long underwear? Sheldon: You're kidding. Shouldn't the question be why aren't you? Leonard: No, it should be: why are you? Sheldon: Leonard, these rental tuxedos have been worn by hundreds of sweaty strangers. I don't like my own sweat touching my skin, how do you think I feel about theirs? Assistant: Why don't you slip this on? Sheldon: Said the hangman offering a noose. Raj: Well, that
SUMMARY: | Howard receives a call from NASA saying that his mission to the International Space Station has been cancelled due to problems with the Soyuz capsule during a pressurization test. He is ecstatic as he has actually become terrified of possibly dying in space and looks forward to his wedding. However, he later receives another call from NASA saying that he will be sent to space after all as they want his telescope on the International Space Station, though his launch date will be pushed up to the Friday before his wedding. He decides to talk to Bernadette's father to postpone the wedding. To his surprise, Mike strongly approves of him going to space and reveals that he did not think that he was suitable for Bernadette until he heard about the space mission. He also tries to assuage Howard's fear of dying in space, mentioning that Bernadette can always find someone else if he doesn't return. Meanwhile, Leonard and Penny decide to take their "beta test" relationship to the next level by having sex. However, Leonard accidentally proposes to Penny during sex as a result of which Penny becomes extremely upset. After unsuccessfully trying to pacify her, he leaves her apartment. Later, when the couple meet each other in the apartment stairwell, Penny says no to Leonard's wedding proposal, though they will still date. Elsewhere, Amy tries to use transference to increase Sheldon's feelings for her by making him happy using his love for various other topics (his mother's cooking, video games etc.). Amy's actions seem to work on Sheldon who is not happy about it but makes no attempt to stop her. |
fd_Frasier_03x21 | fd_Frasier_03x21_0 | TEXT: ACT ONE Scene One - Frasier's Apartment. Martin is reading the newspaper as Daphne is wandering about the living room when the doorbell sounds. She shouts "coming" then opens the door to find Niles on his mobile phone. Daphne: Oh, Dr. Crane. Niles: [into phone:] My God, after all our years together - all the good times, all the bad times - you can't loan me a meager four thousand dollars? You must appreciate how hard it is for me to approach you about this. I thought I meant more to you than this, but apparently I don't. [hangs up] And they call themselves "the friendly bank!" Daphne goes back to the table to clip coupons. Martin: What do you need to borrow money for? Niles: I saw the most exquisite Biedermeier footstool. Martin: For four thousand bucks? Niles, your mother and I didn't pay that much for our first house. Niles: I know, dad. I lived there. Martin: Well, I keep telling you, you don't have Maris's money to throw around anymore. You're going to have to start cutting back a little. Niles: I have cut back. Last month I told my masseur I could only see him once a week. Martin: [sarcastic:] Oh, I remember that scene in "Grapes Of Wrath" when Ma Joad did that. Daphne: You know, if you need to save a bit, you should do what I do and cut out coupons. Niles: [interested:] Coupons. Well, what a wonderful way to economize. Well, I could clip them and give them to my personal shopper. Daphne and Martin share a look. Frasier enters from his room. Frasier: Oh, Niles, good morning. Niles: Hey. Frasier: Daphne, has Bebe Glazer called back yet? Daphne: 'Fraid not. Niles: You're still consorting with that barracuda? Frasier: Well, a barracuda is what you want in an agent,
SUMMARY: | KACL has a new owner: an eighty-five-year-old Texas millionaire Wilford S. Boone, who likes to be called Big Willy. Frasier learns that he owns 30 stations across the US, and could put Frasier's show into national syndication, so he begins a charm offensive . The millionaire is about to marry his younger mistress, but dislikes that she smokes. He says that if Frasier can cure her of her habit, the marriage can go ahead. The fiancée turns out to be Frasier's agent, Bebe Glazer. He manages to persuade her that she should give up unless she wants to lose out on Big Willy's inheritance. Three weeks later is the wedding, but Big Willy has a fatal heart attack at the altar. Frasier later consoles her at his house by saying she may yet find another Big Willy. |
fd_Justified_05x02 | fd_Justified_05x02_0 | TEXT: [PREVIOUSLY_ON] [Gunshot] Boyd: Ow! I had to kill three deliverymen, I got no dope, and my ear's damn near been shot off. We're going to Detroit. Where's our dope? One more shipment. That's it. Boyd: When? Two days. Maybe three. Raylan: I want you to swear you'll leave my family be. Or? Raylan: Or you'll die here in this limo. [Gunfire] Darryl: I'm afraid I'm fresh out of ideas. Florida's tapped out for us Crowes. Jean Baptiste: Let me ask you something. Do you have a cousin Dewey in Kentucky? Dewey: I don't know sh1t about no dead coast guard. Raylan: What about your kin? Dewey: Them Florida Crowes are bad news. I take it you're here because my good friend Judge Bishop has Ava's case. How much? Boyd: $300,000. It won't happen. [Groans] Boyd: [Grunting] [Gasps] You killed him. [Groans] I didn't mean to do nothing wrong! But you did. Yeah, but I didn't mean to. But you did! [Groans] Didn't he? Yep. And you know what bring me down? You got all these damn crackers in this crew, and it's the nigga that had to go and screw sh1t up! What are we looking at? He say they shorted him. You believe him? [Chuckles] What is this sh1t right here? Is this where my missing drugs ended up? It ain't like that, H.R. I just messed up is all. So you ain't crooked. You're just a moron. Or may... maybe it was my fault. [Chuckles] Was I unclear in my instructions? You said pick up... pick up the dope in Lexington, I... I pay them two kids, and then bring the dope back. Sounds pretty simple to me. Can o'
SUMMARY: | Dewey's ruthless cousin Darryl descends upon Harlan, as Raylan tries to undo a young friend's unfortunate mess, and Boyd struggles to free Ava from jail. |
fd_Doctor_Who_1963_03x22 | fd_Doctor_Who_1963_03x22_0 | TEXT: The Massacre (of St. Bartholomew's Eve) by John Lucarotti first broadcast - 5th February, 1966 [SCENE_BREAK] 1: EXT. COURTYARD OFF CITY STREET (The TARDIS materialises in a courtyard that has a wooden gate leading off to a city street. The DOCTOR and STEVEN exit the ship in their usual attire. They come out of the yard and look around their surroundings. The sound of people and a horse and cart can be heard in the distance.) DOCTOR: Hmm, highly satisfactory. STEVEN: If anyone opens that gate they'll find the TARDIS. DOCTOR: Oh nonsense, my boy. It's perfectly safe in there. Yes. France, most certainly. (He laughs.) STEVEN: Well how do you know that? DOCTOR: Hmm! (The DOCTOR points to a sign that reads "RUE DE BETHISY".) STEVEN: (To himself.) Very good! Date? (To the DOCTOR.) Any idea of the date, Doctor? DOCTOR: Well, by the look of those houses I would say medieval. Although I suppose it might be as late as the seventeenth century. I... STEVEN: (Interrupting.) Look out! (A man dressed in clothes of the sixteenth century, comes into sight wandering purposefully towards one of the houses. The DOCTOR and STEVEN hide behind some bushes and observe. The man knocks on a door that is soon opened by a SERVANT.) MAN: Nicholas Muss is expecting me. SERVANT: Oh yes, of course. (He is admitted by the SERVANT. The DOCTOR and STEVEN come out of hiding.) DOCTOR: (Laughs.) You see that? We've landed in the middle of the sixteenth century. Hmm! Yes, and that was the very time. STEVEN: What are you talking about? DOCTOR: Yes. That strange brotherhood of apothecaries...way ahead of their time. Now, what was the name of that man that lived in Paris? Err...Pes?...Pret
SUMMARY: | Missing episode The TARDIS materialises in Paris in the year 1572 and the Doctor decides to visit the famous apothecary Charles Preslin. Steven, meanwhile, is befriended by a group of Huguenots from the household of the Protestant Admiral de Coligny. Having rescued a young serving girl, Anne Chaplet, from some pursuing guards, the Huguenots gain their first inkling of a heinous plan being hatched at the command of the Catholic Queen Mother,Catherine de Medici. |
fd_FRIENDS_07x22 | fd_FRIENDS_07x22_0 | TEXT: Teleplay by: Brian Buckner & Sebastian Jones Story by: Greg Malins [Scene: Monica and Chandler's, Phoebe, Monica, and Rachel are sitting around the kitchen table as Ross enters.] Ross: Hey! Monica: Hey! Ross: Hey uh Mon, I saw the Porsche parked out front, can I get the keys? Thought I'd take that bad boy out for a little spin. Rachel: Wait a minute! (To Monica) You let Ross drive the Porsche and when I ask you, you say you're the only one who's allowed to drive it. Monica: Yeah, well he's my brother! And plus he drives so slow he could never hurt it. Ross: It's a car Monica! Not a rocket ship! Monica: Whatever Ross! Just replace the bulbs in the brake lights after you're done. Joey: (entering) Hey! Ross: Hey! Phoebe: Hey! Joey: Saw the Porsche out there Mon, lookin' good. When do I get to take that baby out again? Rachel: (shocked) You let Joey drive it?! Phoebe: I've never driven it! Okay? Not once! Okay once. Okay, I drive it all the time. Monica: Nice work everybody! So much for the y'know, "You can drive it, but don't tell Rachel" plan! Rachel: Wow! I can't believe you lied to me. Phoebe: Okay, I can fix this! Okay Monica, Rachel thinks all you can talk about is the wedding. (Rachel glares at her.) Monica: Great! Well Rachel, the reason why I won't let you drive the Porsche is because you're a terrible driver. There! That wasn't about the wedding. Ross: Look Rach if-if you want to go for a ride in the Porsche I'll be glad to take you for a quick spin around the block. Joey: Yeah, you got a couple hours? Opening Credits [Scene: Central Perk, Rachel is there as Ross enters with all his hair sticking straight up.] Ross: Whew! That was a b
SUMMARY: | Chandler tries to reconcile with his estranged gay father ( Kathleen Turner ), per Monica's request. Monica and Chandler attend one of Mr. Bing's drag shows, where father and son reconcile, and Mr. Bing agrees to attend. Rachel, an irresponsible driver, takes Monica's Porsche for a spin with Ross (much to his fear). Joey takes Phoebe's advice about his masculinity, resulting in him trying on women's underwear. Rachel gets caught driving the Porsche without a license and flirts with the officer to avoid a ticket. Later, Ross is pulled over for driving too slow on the freeway, resulting in similar (but unsuccessful) flirtatious attempts. |
fd_Charmed_08x01 | fd_Charmed_08x01_0 | TEXT: [Scene: Manor, outside.] (A man in a black suit enters the house.) [Scene: Manor, foyer.] (The house is filled with people. A man and a woman are talking.) Man: Goodbye. Woman: Okay, see you later. (The woman picks a white rose from a basket filled with white roses and starts writing something in the book lying next to it. Victor is standing in the hall. A man walks over to Victor.) Man: Victor. (They shake hands.) Victor: Thanks for coming by, I really appreciate it. Man: My condolences. Victor: Thank you, thank you. [Scene: Manor, living room.] (A picture of Piper is standing on a table, next to an urn. On each side of the picture, there is standing a burning candle. There are several white roses laying in front of the picture. A woman lays another one on top of them.) Woman #1: We love you, Piper. Woman #2: We love you. Man: I knew you two were close. Woman #1: I've known her for so many years. (A woman walks away from the table. The living room is filled with people, all dressed in black.) [Scene: Manor, conservatory] (A picture of Phoebe is standing on a table, next to an urn. On each side of the picture, there is standing a burning candle. There are several white roses laying in front of the picture. Several men and women, including little ones, are standing in front of it. A woman and a man both lay a white rose on top of the other ones.) [Scene: Manor, dining room.] (A picture of Paige is standing on the dining table, next to an urn. On each side of the picture, there is standing a burning candle. There are laying two roses in front of the picture. A little man lays another one on top of them. The man walks away from the table and a woman walks over to Victor. She goes to stand next to him.) Woman (Piper): Pretty good turnout, huh
SUMMARY: | The final season premieres after being presumed dead by the outside world, the sisters cast a spell so that their appearance is altered to the outside world, but not to those closest to them. Though Phoebe and Piper begin to adapt to a magic-free life, Paige cannot escape her Whitelighter half, which continues to tell her that there is a new charge in the world that needs her. There are also those who do not believe the Halliwells to be dead, and seek to prove it. Paige has trouble locating her charge, and when she finally catches up with the young witch, she finds that Billie has embarked on a solo vigilante career to do good and combat demons, but soon finds she has gotten in over her head. Paige takes up a career as a police recruit, hoping fighting evil that way will fulfil her needs, but has to leave training to rescue Billie. |
fd_One_Tree_Hill_01x18 | fd_One_Tree_Hill_01x18_0 | TEXT: [School Gym] (Annual Boy Toy Auction) WHITEY: Come on, let's get those bids up, it's the Annual Boy Toy Auction. Alright I've got $25, do I hear $40? Oh come on people, this is for charity. $40? GIRL1: $40 WHITEY: $40. Coming up right there. Anybody got $50? How about $50? $50? GIRL2: $50 WHITEY: $50. And remember for the next five hours, till midnight tonight, these boys are at your call. How about $55? GIRL3: $55. WHITEY: $55. Going once. Going twice. Sold for $55. Pay your money and get your boy. [At the "Pick up" table; Brooke is standing with the boy she bid on] BROOKE: Look, I have credit cards, okay? Gold? Platinum, for crap sake. WOMAN: I'm sorry. Auction rules say cash only. Okay? BROOKE: Here's the thing. I'm kind of coming out of a dark place right now and I could really use the distraction. I need this boy and I need him tonight. WOMAN: I understand. But by rule, I have to give him to the next highest bidder if she has the money to give. (A girl sticks money in their faces and the woman takes it. Brooke grabs the boys name tag that is being handed over to the girl) BROOKE: Oh no. No, no. WOMAN: Brooke. BROOKE: Uh uh. WOMAN: Brooke. BROOKE: No WOMAN: Brooke. (She slaps her hand and Brooke lets go of the name tag. She gives it to the girl) Thank you. GIRL: Thank you. (She and the boy leave) BROOKE: Okay that did not just happen because I had an entire evening planed, so what am I supposed to do now? WOMAN: Well, there are four boys still up for auction, and a cash machine right down the street. BROOKE: Okay. (she leaves) [At the Auction] (Haley meets up with
SUMMARY: | Lucas, Nathan and Jake are auctioned off to the highest bidder in the annual "Boy Toy" charity auction and the night leads to surprising developments with old flames. Meanwhile, having missed out on the auction, Brooke ends up spending the night with Mouth and he has the time of his life. This episode is named after a song by The Cure . |
fd_The_4400_02x04 | fd_The_4400_02x04_0 | TEXT: Le poids du monde (2x04 : Weignt Of The World) Written by OZ SCOTT & SCOTT PETERS Directed by VINCENT MISIANO Flashbacks to the season opener, Wake Up Call. Trent Applebaum [Abducted May 18th 1989] walks into a diner and sits with his head in his hands, as the waitress leans over and kisses him on the top of the head. Elyse: How did it go today, Daddy? That bad, huh? Applebaum: Nobody wants to buy time shares in Wilmington Idaho. Baha California, maybe. Elyse: If I were you, I'd go in and tell them 'Either you let me have the good listings, or I quit'. Applebaum: The whole staff wants Baha, honey and I don't have the seniority. Elyse: How is that fair? You've been a salesman longer than any of them. Applebaum: Salesman, not telemarketer! It's different. Another man enters the diner. Man: Hey, hey! Applebaum! Payday! Applebaum makes a run for it but is blocked by another man. Elyse: Leave him alone, he's trying to get it back! His head is forced down onto a plateful of food. Demetri: This your beer, Applebaum? You don't mind if I quench my thirst, do you? Applebaum: Honey, stay back. Stay back! Demetri sits on a stool next to him. Applebaum: I just need a couple more weeks. Something will turn around. Demetri: In my business, we hear every sobstory in the book. But I gotta tell you, yours is a new one. Disappeared 15 years ago, came back and my wife died. Daughter dropped out of school. You got a bad break, but you borrowed the money, now you have to pay me back. Applebaum: I'll figure something out. Demetri: Do it quickly, cos you and I are going to talk again in 48 hours. I thought you 4400's got special powers. How come you're such a big nothing. Applebaum: Just lucky I guess
SUMMARY: | A 4400 with the ability to induce rapid weight loss attracts the attention of Tom and Diana; Richard, Lily and their child find refuge in the company of a fellow 4400; a pop star endorses Jordan's cause; and Kyle is caught up in the frenzy when a frat party gets out of control. |
fd_Angel_03x01 | fd_Angel_03x01_0 | TEXT: [PREVIOUSLY_ON] Cordy: "I have a roommate. It's cool. I never see him." Wesley: "Cordy's been sucked into the portal." Cordy: "They made me their ruler." Fred: "Handsome man - saved me from the monsters." Darla: "He's here." Lindsey: "Angel." Darla: "I'd love to see that boy." Angel and Darla making out. Angel: "Get dressed and get out. Because the next time I see you, I will have to kill you." Hyperion, day. Fred peaks around the corner of the corridor overlooking the lobby, hears Cordy's voice and quickly disappears again. Cordy: "I can understand people who drink too much. I understand people who put a little note on the parking meter that says it's broken when it's not. I don't understand people who worship demons." Cordy, Gunn and Wesley come walking across the courtyard, carrying weapons and looking slightly disheveled. Gunn: "Yeah. Especially Lu-rite demons. The stink on that thing... If you're a prince of the underworld, bro, take a Jacuzzi every once in a while." Wesley: "It's sad. The only way some people can find a purpose in life is by becoming obsessed with demons. By the way, Gunn, technically that wasn't a Lu-rite. It was a Mu-rite, a sub-species of the Lu-rite. The male sports a small, tell-tale fin just behind the third shoulder." Gunn: "So glad to know we're not the sad people obsessed with demons." Wesley: "We have to be a little obsessed. We're detectives that specialize in these things." Cordy: "And we're not sad." Wesley: "No. No, we're a happy and rambunctious lot if I ever saw one. (Gunn looks at Wes) Not going to humor me even a little, are you?" Cordy: "Hu-uh." Wesley: "
SUMMARY: | Even as Angel mourns Buffy's death, he must do battle against a vampire he was friends with back in 18'th century Marseilles - and whose girlfriend he has just killed. |
fd_Doctor_Who_1963_13x22 | fd_Doctor_Who_1963_13x22_0 | TEXT: THE SEEDS OF DOOM BY ROBERT BANKS STEWART PART TWO 5:30pm - 5:55pm [SCENE_BREAK] SCORBY: You'd think butter wouldn't melt in her mouth. Keep watch. KEELER: What're you doing, Scorby? SCORBY: I don't like guns in the wrong hands. KEELER: There's no need for that. They're not going to try and shoot us. SCORBY: I'd rather not give them the chance. I said keep watch. KEELER: I wish you'd stop behaving like some cheap gangster. All we've come here for is to confirm that this pod is something unusual, that's all. SCORBY: You don't think we're going to fly back empty-handed, do you? KEELER: But, we can't. Scorby! We'd never get away with it. SCORBY: Are you a betting man, Keeler? KEELER: Now just a minute. This is the first you've said. I want to know exactly what it is you're planning. SCORBY: All right, Keeler. Tomorrow, we did a nice big hole in the snow. Big enough for, say, five bodies. We fill it up, we take the pod, we fly home. No witnesses, nothing. Just another lost expedition. KEELER: You're mad. You're mad. You're mad. I'm not doing that. Oh, no. SCORBY: You'll do it, Keeler. You'll do exactly as you're told. Otherwise we'll just make the hole a little bigger. [SCENE_BREAK] DOCTOR: Ready, Stevenson. STEVENSON: I'm sure SARAH: I think Moberley's dead. STEVENSON: What? SARAH: This way. [SCENE_BREAK] STEVENSON: Did you see his face? Where's he gone? DOCTOR: He left after killing Moberley. STEVENSON: I don't believe it. You mean to
SUMMARY: | With a killer Krynoid on the loose, the Doctor, Sarah and the last surviving member of the expedition concentrate on hunting it down, unmindful of Chase's men who, once they learn of the second Krynoid pod (which always travel through space in pairs), work to obtain it and eliminate all possible witnesses. |
fd_Charmed_04x22 | fd_Charmed_04x22_0 | TEXT: [Scene: The Bay Mirror. Phoebe's office. Phoebe's there working. She has the TV on and a psychic reading show is on. Her assistant walks in carrying a box of letters.] Assistant: Hey, more Dear Phoebe letters, where do you want them? Phoebe: Oh, you can just put them anywhere. Assistant: Um, maybe we ought to keep some of these in storage. Phoebe: No, I'll get to them. Assistant: All of them? Phoebe: Yes. I am on a role. Assistant: More like on a mission. (Phoebe hands her some sheets of paper.) Phoebe: Hey, will you get these to Elise please and find out which one she wants to run? Assistant: Yeah, sure, right away. You're amazing, you know that? Phoebe: What do you mean? Assistant: What is your secret? Herbs? Acupuncture? (She sees the TV.) Tashmin? Phoebe: Uh, I take it you don't believe in psychics. Assistant: Hey, you know, if it works for you I'm all for it. Phoebe: (to herself) It hasn't worked for me for a while. Um, you know how sometimes you just find yourself going through a really bad period in your life? Assistant: Don't even get me started. Phoebe: Well, let's just say I am finally coming out from underneath mine and nobody, nothing will ever bring me back to that place again. Assistant: Good for you. (Phoebe turns to her computer.) Voice: Help me, Phoebe. Phoebe: What did you just say? Assistant: I didn't say that. (She points to the TV.) She did. Tashmin: Help me, Phoebe. (She looks at the TV in shock.) [Cut to the manor. Road workers are working on the street right outside the manor. It is very noisy. Paige looks out the window from the living room.] Paige: Did they say how much longer this was gonna go on
SUMMARY: | Following the defeat of the Source, Piper, Phoebe, and Paige are visited by the Angel of Destiny with a tempting reward: continue their lives as the Charmed Ones or relinquish their powers and live normal lives. Their decision however, is put on hold when the sisters discover that they're being investigated by the FBI because of their involvement with a large number of unsolved cases. Meanwhile, Cole is trying to reach out to Phoebe. Later, after the sisters make their decision, Piper and Leo get some miraculous news. |
fd_How_I_Met_Your_Mother_07x02 | fd_How_I_Met_Your_Mother_07x02_0 | TEXT: Marshall: Oh my God, guys, I still have a hangover. Did I really ruin a marriage? Ted: No, you did not ruin a marriage. Only reception. Robin: And Miztva Bar next door. Lily: And my dress. And your dress. You put a dress at one point. Marshall: Ok, you know what, it's good. I'll be a father, and I want to be the kind of man that my child can watch. Therefore, new resolution... I will never drunk! I'm serious! Ted (2030): Children, this is not your Uncle Marshall was a problem with the drink. But every time he was a good resolution, we knew about that... Flashback The day before, Marshall returned to the apartment, drunk. Marshall: I've done it again! Ted (2030): But I lost a bit in the story. End flashback Barney joined the others on crutches. Lily: What happened to your leg? Barney: Oh, nothing. I must have coffee with Nora. She is still angry, so I need some "sympathy points". She loves musicals, so I'll tell him that I fell off stage during a performance of "Man of La Mancha." What do you think? Ted: Lose the cast. Barney: A one-man show... I love it! Lily: Let us be clear... this woman is angry against you because you lied to him. So your solution is to claim that you broke your leg? Barney: You're right. A cervical neck brace! Thank you, Lil. I should have to talk to you soon. I trained all day with these crutches and one who has left in my hall is likely to need it. Ted: Well, I have good news. As you know, I recently decided to start out and see the girls. Flashback Ted is at the newsstand and a woman reads the magazine in which it appears. Woman: Is this you? Ted: Uh, yes. Salvation. I'm Ted. Woman: Hi. End flashback Lily: That's great, Ted. Ted: It was a completely random moment. The kind that you can create yourself... At least I thought. Flashback Ted behind her magazine
SUMMARY: | Marshall finally lands his dream job, but he worries that his new employer would rescind the offer because of some past videos showing him as a streaker - Beercules. Meanwhile, Ted is at a loss over whom to take to the Architects' Ball while Barney tries to convince Nora that he can be trustworthy. |
fd_Game_of_Thrones_01x06 | fd_Game_of_Thrones_01x06_0 | TEXT: (Camera pans down to to show Ned Stark, sleeping. He opens his eyes. He's lying on a bed. He turns his head to see Cersei and Robert in front of him) Eddard Stark: Your pardon, your Grace. I would rise, but... Cersei Baratheon: Do you know what your wife has done? Eddard Stark: She did nothing I did not command. Robert Baratheon: Who'd have thought she had it in her? Cersei Baratheon: By what right dare you lay hands on my blood? Eddard Stark: I am the King's Hand, charged with keeping the peace... Cersei Baratheon: You were the King's Hand. You shall now be held accountable. Robert Baratheon: Will both of you shut your mouths?! Catelyn will release Tyrion and you'll make your peace with Jaime. Eddard Stark: He butchered my men... Cersei Baratheon: Lord Stark was returning drunk from a brothel when his men attacked Jaime. Robert Baratheon: Quiet, woman. Eddard Stark: Jaime has fled the city. Give me leave to bring him back to justice. (Robert stares at Ned) Cersei Baratheon: I took you for a King. Robert Baratheon: Hold your tongue. Cersei Baratheon: He's attacked one of my brothers and abducted the other. I should wear the armor and you the gown. (Robert slaps her) Cercei: I shall wear this like a badge of honor. Robert Baratheon: Wear it in silence or I'll honor you again. (Cersei looks at Ned, back at Robert, then leaves the room) Robert Baratheon: See what she does to me? (pours wine from a goblet into a cup) My loving wife. I should not have hit her.(sits down on the bed, facing away from Ned). That was not... That was not Kingly. (drinks the wine) Eddard Stark
SUMMARY: | King Robert reappoints Ned as Hand and tasks him with running affairs until Robert returns from hunting. Villagers from Riverrun arrive with news of atrocities committed by raiders, who Ned deduces were led by Ser Gregor Clegane , a Lannister retainer. Ned sentences Ser Gregor to death and summons Tywin Lannister to a trial. Ned decides to send Sansa (now reconciled with Joffrey) and Arya back to Winterfell. Ned has discovered that Joffrey and his two siblings are not Robert's biological children, and were fathered by Jaime Lannister. Bran, while testing his new saddle, is attacked by rogue Wildings. Robb , Ned's oldest son, and Theon , Ned's captive ward, whose father, King Balon, was a fallen rebel, rescue him, and the woman Wilding, Osha, is enslaved. In the Vale, Tyrion demands a trial by combat . Lysa chooses Ser Vardis as her champion. The sellsword Bronn volunteers as Tyrion's champion. He defeats Vardis and obtains Tyrion's release. Meanwhile, Viserys grows impatient and angry waiting for Drogo to fulfill his promise, and he threatens to kill Daenerys' unborn child. Drogo kills Viserys by pouring molten gold on his head. |
fd_The_Office_07x09 | fd_The_Office_07x09_0 | TEXT: Dwight: [lights and power go off] Uh-Oh. Okay, okay, nobody panic. Listen Up, listen up. [Turns On Flashlight and holds it to his face] Everyone, follow me to the shelter. We've got enough food for 14 days. After that, we have a difficult conversation. Michael: [as the power and lights come back on] My Bad. Space Heater and Fan were both on high, plugged into the same outlet. Jim: Uh, it's saying the server went down? Does Anybody know that password? 'Cause otherwise we can't do any work. Michael: Uh... try "password". Jim: Nope. Dwight: Try zero, Zero, Zero, Zero, zero, zero. Jim: No. Dwight: Okay, now try Zero, Zero, Zero, Zero, zero, one. Jim: Okay, I'm not doing every number. Pam: Wait, um, does anyone remember when it was set up? Michael: Uh... it was like eight years ago? Pam: Lord of the Ring stuff? I don't know, I'm just trying to think of things that were happening at the time. Erin: Um, everyone was getting their driver's license. Jim: Why don't we just call the I.T. Guy who set it up? What's the name of the guy in Glasses, again? Michael: Okay, moving backwards, our I.T. Guys have been... Glasses, Turban, Ear Hair, Fatty 3, Shorts, Fatty 2, Lozenge, and Fatso. I think Lozenge was the one who installed it. Andy: I got it, try, um--[Coughs] Michael: You know what? It made me laugh when I heard it, but Pam got really offended. Kevin: Big Boobs. Meridith: Drama Queen? Angela: Nosy? Pam: You're typing "Big Boobs"? Jim: I'm trying everything. Dwight: Try "Big Boobs" with a "Z". Jim: That's-- [ding] the password. We're in. Dwight: All Right Kevin
SUMMARY: | Michael helps Ryan by charming people to invest in his internet company, WUPHF.com. Dwight creates a hay festival in the parking lot for the Thanksgiving holiday. While waiting for Dwight, Angela meets the State Senator in the festival. Jim learns of a new Sabre capping policy that prevents him from earning too much commission. |
fd_Frasier_08x06 | fd_Frasier_08x06_0 | TEXT: Act 1 Scene 1 - Frasier's Apartment Fade in. Martin is watching television, Daphne is sitting at the dining table. The doorbell rings and Frasier comes in from the bedrooms. Frasier: Oh, Dad, you're going to have to clear out. Daphne and I are meeting with my lawyer. Martin turns off the TV. Martin: I don't know why you have to go with that high-priced lady instead of the guy I recommended. Frasier: Please. Donny is suing me for emotional distress. Your guy wanted me to limp into court wearing a neck brace and claiming not to speak English. Martin: Hey, you don't keep an office in the mall for twelve years without knowin' a few tricks. Frasier opens the door to reveal Niles. Frasier: Oh, hi, Niles. Niles: Frasier, I'm sorry I'm late. Is Abby here yet? Frasier: No, she's on her way. Niles takes off his coat and hangs it up. Niles: These lawsuits have me so rattled. You know me, Frasier, normally I'm unflappable. Frasier: Niles, if you flapped any more, we'd have to lower you to half mast on Veteran's Day. Niles gives him a dark look. Niles: Sherry, anyone? Frasier: Yes. Daphne: Yes, please. I know how Niles feels. I'm a nervous wreck about that deposition tomorrow. First time I'm seeing Donny since our wedding day, and he's going to be grilling me under oath. Frasier: Oh, don't worry. Once Abby preps you, you'll have nothing to worry about. Martin: I don't understand you guys. Instead of you each hiring expensive lawyers, why don't you just settle? Frasier: Because we didn't do anything wrong, Dad! Daphne merely changed her mind about getting married and although Donny is entitled to his pain, he is not entitled to sue everyone under the sun. Martin: [rising] You guys are nuts. Donny's
SUMMARY: | Frasier has hired an expensive lawyer, Abby, to represent him and Daphne in the lawsuit that Donny is bringing against them. Donny drops the suit soon afterwards. Frasier asks Abby out on a date, and she accepts, but when he receives her bill, he cannot help feeling that he is being overcharged. While out at dinner with Frasier, Niles, Martin and Abby, Daphne runs into Donny, who announces that he is engaged again. |
fd_Doctor_Who_1963_21x16 | fd_Doctor_Who_1963_21x16_0 | TEXT: PLANET OF FIRE BY: PETER GRIMWADE Part Four Running time: 24:44 [SCENE_BREAK] PERI: Urgh! [SCENE_BREAK] DOCTOR: There's healing power in one of the volcanic gases. Could be why the Trions constructed the Hall of Fire, some sort of curative centre. I must release the gas flow. Strictly for medicinal purposes, of course. There we are. ROSKAL: You're doing what Timanov wants. DOCTOR: Why not, if it saves Malkon's life? Bring him to the Hall of Fire, quickly. [SCENE_BREAK] AMYAND: Do you think this is wise? TURLOUGH: Don't stop them. The Doctor wants to use the gas for its original purpose. TIMANOV: This is for you, Chosen One. The gift of Logar. TURLOUGH: Thank you. Wait a minute. I've seen one of these before. DOCTOR: Excellent. AMYAND: That flame will burn, not heal. DOCTOR: There's still a residue of hot gas still to burn off. DOCTOR: Where did you get this? TURLOUGH: Timanov gave it to me. DOCTOR: More gifts from Logar? TURLOUGH: Yes, from a Trion ship. It's a coded circuit release key. I know the lock it operates. DOCTOR: Pure numismaton gas. It's quite safe. DOCTOR: Look. TURLOUGH: What are you waiting for? [SCENE_BREAK] PERI: There you are. [SCENE_BREAK] TIMANOV: Praise be to Logar. DOCTOR: Logar had very little to do with it. MALKON: What happened? DOCTOR: You were shot, but you should be all right now. TURLOUGH: Assemble the rest of the citizens here. Please, my friend. We need your skills of leadership and organisation. Logar demands it. TIMANOV: Yes, of course, Chosen One. DOCTOR: Amyand, I'll need your help as
SUMMARY: | In order to complete his plan to bring himself back to full size after his accident with his tissue compression eliminator, The Master tries to destroy the Doctor. Turlough makes a decision and tells the Doctor why he was exiled to Earth. |
fd_Bones_01x19 | fd_Bones_01x19_0 | TEXT: "The Man in the Morgue" [SCENE_BREAK] TEASER A man's VOICEOVER is heard as video of the destruction left by Hurricane Katrina in New Orleans is shown - destroyed houses, recovery workers in white hazmat suits, piles of waste, overturned cars. VO: Even all these months after Katrina ravaged the city of New Orleans, human remains are still being found in devastated neighborhoods across the city. Cadaver dogs are being used to search for 2,300 people still unaccounted for. Makeshift morgues still exist in warehouses, schools and churches throughout the area. The camera pulls back to reveal a small television set in just such a makeshift warehouse morgue. INT. TEMPORARY MORGUE - ST. GABRIEL, LOUISIANA Dozens of people in blue scrubs are examining cadavers. The camera travels from one room to another with seemingly no end of dead bodies. VO: Officials are finally beginning to admit what many people have known since the levees broke long ago - many of these people will never be found. MIKE DOYLE, an orderly, is wheeling a body from one room to another. DR. GRAHAM LEGIERE, the medical examiner, joins him as he walks past. They continue their conversation as they walk. GRAHAM LEGIERE: (pats him on the back) You look tired, Mike. Late night? MIKE DOYLE: Oh, yeah. Late and nasty. GRAHAM LEGIERE: Same kinky creature? MIKE DOYLE: Doc, the girl, Carrie's, a serious perv swerve. Mike pushes the body into an autopsy room. He stops in front of BRENNAN who is writing up her notes in a chart on another body. She smiles listening to the conversation. GRAHAM LEGIERE: Feeling wrong feels so good. MIKE DOYLE: It's... (stops when he notices Brennan listening) Hey, sorry, Dr. Brennan. BRENNAN: No, it's fine. Males often bond by exaggerating sexual conquests. GRAHAM
SUMMARY: | When Brennan wakes up in the bathroom of her New Orleans motel room, bloodied, beaten up and her earring ripped out of her ear, she doesn't know what happened or how she got there, and discovers she's lost an entire day of her life. The circumstances and her loss of memory are enough to rattle even Brennan, who's in New Orleans on vacation, helping to identify victims of Hurricane Katrina. Upon learning of Brennan's situation, Booth arrives on the scene to help her decipher her lost day. When the local medical examiner in New Orleans is found murdered, Brennan is targeted as the prime suspect. Booth and Brennan's investigation leads them into the dark underworld of Southern voodoo, but their search for answers may not come in time to clear Brennan's name. |
fd_Tyrant_01x08 | fd_Tyrant_01x08_0 | TEXT: [PREVIOUSLY_ON] Jamal: And my brother, Bassam... do you love him? Sheik Rashid: There is not a morning I don't wake up and thank god I am not running against him. (both laugh) (Sheik Rashid coughs) Jamal: You're okay? Do you want me to get Bassam to help you? (Jamal grunts) You think everybody loves you. Forgive me, I don't. Sheik Rashid just collapsed in the men's room. They're saying he's dead. Barry: What happened? Ihab: No, no, no, you don't touch my father. Barry: We're both doctors. Namir: Ihab, Ihab. Molly: Wait, wait. I got a pulse. Barry: How far out are the EMTs? Jamal: The doctor said he could still wake up. Barry: I want him to wake up, too, but, uh, he's an old man. Jamal: If you were to guess... [SCENE_BREAK] Barry: Is this why you brought me in here? Jamal: I need it to be 100% that he doesn't. Barry: Jamal, what did you do? My father meant what he said to you 20 years ago. I have a chance to finish what he started, but I know you're the only one in the way of making that happen. Situation that you wanted me to handle. It's done. Tucker, I need you to meet me in the Plaza. John: What's going on? Barry: Jamal can't run this country. (horns honking) John: So, uh, Jamal killed him? That's what you're telling me? Barry: I tried to help him, but he's... It doesn't matter. I... I can't get him through this. He's not capable. At some point... in a... in a day or a week or a month... he'll snap. And-and never mind your elections. There will be no peace in Abbudin with my brother in power. He has to be removed. John: So
SUMMARY: | Bassam starts to fulfill his father's legacy. Realizing that his brother feels incompetent as a ruler, he hatches a secret plot with Yussef to oust Jamal so that Bassam could ideally establish Abuddin the way his father had wanted. Meanwhile, things go awry when Hakim, the critical member of the coup, refuses to get involved. Also, Bassam is in a quagmire when he tries to force his family to go back home for a week, aggravating his wife in the process. |
fd_The_Office_09x17 | fd_The_Office_09x17_0 | TEXT: Dwight: [as elevator door closes] Hold it! Creed: [notices something new about Dwight] New glasses. [SCENE_BREAK] Erin: Dwight. What a ridiculous, fancy clown you are. Dwight: I am dressed according to the Schrute codes of mourning. My aunt Shirley has died. Pam: Oh, Dwight. I'm so sorry. Were you guys close? Dwight: I would say that she raised me, but let's not kid each other. I raised myself. She was, however, the closest thing I had to a mother. [SCENE_BREAK] Dwight: My actual mother was very cold and distant. I'd say she was the closest thing I had to an aunt. [SCENE_BREAK] Jim: My condolences. Dwight: Keep them. Jim: OK. Now, what do we got in these two pails? Dwight: In keeping with Schrute custom, I will either invite you to Saturday's funeral by sprinkling red, fertile dirt in your face. Or, I will ask you to keep a respectful distance during my time of grief, with a dusting of black, slightly acidic soil. Erin: [after Dwight tosses dirt on her face] What color is it? Phyllis: It looks pretty black. Kevin: [after Dwight tosses dirt in his face] Yep. Acidic, all right. Oscar: [while Dwight prepares to toss dirt] Oh, thank god. Dwight: Excuse me? Oscar: I'm so sorry, Dwight. And if you want me to be there, of course I will go. I just... have a personal training session... Dwight: OK. That's not... [tosses red dirt in Oscar's face] [SCENE_BREAK] Oscar: I get red dirt. Nobody is getting red dirt. I should've kept my mouth shut. We're not even that close. I've only known Dwight... 12 years. 12 years. Time is a son of a bitch. [SCENE_BREAK] Jim: [a
SUMMARY: | Oscar attends the funeral of Dwight's Aunt Shirley at Schrute Farms. Dwight's sister Fannie ( Majandra Delfino ) and brother Jeb ( Thomas Middleditch ) also attend and Shirley stipulates in her will that they are set to inherit her farm only if they choose to live and work it themselves. Todd Packer ( David Koechner ) returns to the office to make amends as part of an alcoholic and narcotics recovery process but instead hands out cupcakes laced with laxatives and drugs. |
fd_Frasier_06x18 | fd_Frasier_06x18_0 | TEXT: ACT ONE Scene One - Frasier's Apartment. Martin is sat in his chair reading the paper when Niles and Frasier enter. Martin: Hey boys, how was dinner? Niles: Oh, let's just say when I picked my lobster out of the tank I had no idea that he was in for a better evening than I was. Martin: What happened? Frasier: Well, it started off well enough. First they seated us at a superb table, much better than the one next to us - where, unfortunately, they sat Daphne and Donny. Martin: Oh, jeez. Frasier: They were being very affectionate, of course: whispering, laughing, holding hands... Niles: This in a place where people were trying to eat. Frasier: Well, in an attempt to make things better I suggested that Niles and I switch seats so that he could face the other table. Of course, only moments later they seated Maris there with her new boyfriend. Also being affectionate. Niles: Grooming each other like spider monkeys! She was deliberately taunting me, playing the same coquettish games we used to play in restaurants: batting her eyes and coyly hiding behind her breadstick. And then to top it all, the Pouille Foussé we ordered was a grave disappointment. Frasier: Yes, well I urged him to send it back, but no, he didn't want to create a scene in front of Daphne. Niles: Not that she would have even noticed, the way Donny was feeding her forkfuls of risotto, as if she had lost her arms instead of her mind, what is she doing with him?! Martin: Well, some days it doesn't pay to get out of bed. Niles: Well, at the Shangri-La, the highlight of my day is getting out of bed, so I can slam it back up into the wall! Martin: How long are you gonna stay there? You can afford to go back to the Montana now, can't you? Niles: Yes, but thanks to Frasier there's a tenant living there! Frasier: May I remind
SUMMARY: | Niles returns from a miserable meal with Frasier; both Daphne and Maris were seated at the tables next to them in romantic dates with their new boyfriends. He has not moved back into the Montana, as his apartment is currently occupied by a sub-tenant, Dr. MacLowery. MacLowery is an avid tap dancer , and the noise from his routines have infuriated the other residents of the building. As a result, representatives from the building's board of tenants arrive to tell Niles that the board is seriously considering terminating his lease . In order to get the board back on his side, Niles and Frasier organize a drinks gathering for the next meeting in order to persuade them to change their minds, with Roz present to stand-in for the caterers, who cancelled. |
fd_Justified_02x06 | fd_Justified_02x06_0 | TEXT: [PREVIOUSLY_ON] Gary: Well, hello, Raylan! Winona. Raylan: Gary. Gary: Hey, uh, I just want to let you know I'm planning to show the house again tonight. Winona: Well, that's fine, but, you know, you could have told me that over the phone. Gary: I love you. And I do want you back... simple as that. Winona: All right. So what is it? Gary: We need to get a divorce. Marcus: You think he knows? Kyle: [ Laughs ] Don't worry about Boyd. Marcus: Kyle, what if he bails on us? Kyle: When he goes down in the mine, we'll just blow him up. Marcus: Hands up, fool! This is a robbery! Kyle: Boyd. Put those explosives in the brown bag. [ Cellphone rings ] [ Both laugh ] You ready? Marcus: Hey, so long, there, Boyd! Boyd: I put a little cash on the emulex, a little emulex on the cash, and I made sure that the blasting cap went in their packet and not mine. Ava: [ Chuckling ] I don't suppose any of that money survived the blast. Boyd: There should be at least $15,000 to $20,000 in there. There's one more favor that I must ask of you. Ava, you can help me, or you can refuse. Either way, I will understand. [ Sirens wailing ] But I'm gonna need to know your answer right now. ATF inquiry 2359826. Interview with Boyd Crowder. All right, and it was during that conversation that Kyle made his first threats against yourself and Mrs. Crowder? Boyd: Miss Crowder. Against yourself and miss Crowder? Boyd: I believe we've already waded through these waters. Tell us again. Boyd: They showed up at the house, said they were gonna rob the mine, said they needed a powderman. Said if I didn't go along, they'd put me and Ava in the ground. So you never actually heard Kyle make
SUMMARY: | A bank robbery further complicates the relationship between Winona and Raylan, as well as placing her in potential legal trouble. Art has the chance to track down a fugitive from his early career. |
fd_The_L_Word_02x10 | fd_The_L_Word_02x10_0 | TEXT: EXT. - DECK OF A CRUISE SHIP - DUSK [A beautiful, serene sunset. A cellist plays for an audience on the deck.] [Title card: Key West, Florida] [Sexpert Phoebe Sparkle sits at a table, watching the cellist intently. A couple of women sitting at the table are whispering.] Woman #1: Go on. Ask her. Woman #2: (shaking head) No. You. Woman #1: I just wanna get my book signed. [Woman #1 rolls her eyes and turns to Phoebe, who's still watching the cellist.] Woman #2: Miss Sparkle... [Phoebe turns to her, then back to the cellist.] Woman #2: I think I've only had three classes of orgasms. How do I get to the sixth? Or seventh? Phoebe: You need to experiment. Try a new lover. Try several. Woman #1: Bu - but - in your book - Phoebe: Shhh. [Phoebe watches as the cellist plays. When the cellist finishes, the audience claps. Phoebe stands.] Phoebe: That was just divine. Do you take requests? Cellist: Well, what's your desire? Phoebe: Your pleasure. [The cellist smiles then starts to sing in French.] LATER - [Phoebe and the cellist are in one of the cabins.] Phoebe: You ready for number four? [Phoebe goes down on the cellist.] OUTSIDE THE CABIN DOOR - [Several women listen at the door, laughing quietly.] LATER - [Phoebe and the cellist are having s*x in the jacuzzi.] LATER - [Phoebe and the cellist are having s*x against the railing on the deck.] Cellist: Don't stop. Don't stop. Don't stop. [The cellist squeals.] INT. - THE GARAGE - DAY [Mark is asleep in bed with a woman
SUMMARY: | Dana, Alice, Shane, Carmen and Jenny take an eventful Olivia Cruise on a ship around the Caribbean. Alice and Dana attempt to role-play as characters from "The Love Boat," only to end up with Dana becoming seasick. Both Carmen and Shane question Jenny's moody behavior throughout the trip especially when she tries to hook them up. Back in Los Angeles, Bette and Kit struggle to reconcile with their estranged father, Melvin, who comes for a visit. Tina attends a formal dinner banquet with Helena to receive a prestigious award for Tina's social work. Tina asks Bette to date her. Following Jenny's confrontation with Mark, he decides to come clean to Shane about his secret videotaping of her. |